Pedals

From Wampler's Website: Looking back through history, there have been some truly outstanding fuzz tones. In particular, the tones achieved by running a fuzz into a screaming stack. The kind of tones that are just earth shattering in their depth, aggression and smoothness. Brian Wampler, who's always looking for the best tones to capture, decided the chase was on. Taking the base tones from a very famous pedal and the characteristics of a famous stacked, EL34 driven, amp - decided it was about time those tones were brought together in pedal format. If you are a fan of the tones of the players like David Gilmour or Eric Johnson, then it could be that the Velvet Fuzz is the pedal you are looking for. The key to the tone of the Velvet is the voicing switch. In the “big” position, the pedal reacts like a classic fuzz. Loads of internal compression and truly massive tones it really is that “tone” from that “era”. Dropping the volume back cleans it up perfectly so your rhythm can remain clear enough and then your solo's will flatten all those who dare to stand before you. In the “tight” position, the tone comes in and you get the feeling you have swapped amps as well, those mammoth tones but without the compression and other traits that many fuzz players love... Yes, that's right. If you love the tone of Fuzz but not the reaction of it, this is the setting on the pedal that is for you.

Condition: New

From Wampler's Website: Since the early 60’s, Marshall Amplifiers® have lead the way in rock tones with its legendary tight overdrive and coveted bass response. Early rock legends such as: Jimi Hendrix, Led Zeppelin, Cream, and AC/DC helped lead the way in creating some of the most iconic rock tones ever produced and catapulted Marshall Amplifiers ® into rock legendary status. With these huge influential musicians and tones in mind, Brian Wampler sat down and designed a pedal that could help him produce the same guitar tones of some of his rock heroes – without costing him an arm and a leg by shelling out the money for a vintage Marshall® stack. Enter the Plexi-Drive. The Plexi-Drive’s unique gain structure is capable of running the tonal rock gamut! From bluesy style 18-watt Marshall tones to the all out massive rock tones of a JTM-45® cranked to ten (or 11), the Plexi-Drive can handle it all with ease. With the bass boost option, you can emulate the feeling of the low-end thump of a 4x12” cabinet (or two) at the flick of a switch. The bass boost will allow you to dial in your low end at lower volume gigs or at bedroom volume levels. To this day, the Plexi-drive is still one Brian’s favorite pedals and never leaves his personal pedal board. For a man who is said to be never satisfied with his tone, the Plexi-Drive has stayed with him throughout and is still inspiring him gig after gig. Your search for the perfect M.I.A.B. (Marshall® in a Box) can finally be over. The Plexi-Drive will give you the crunch, response, and feeling that your rig begs for. Whether you are playing sold out shows or rocking out by yourself – the Plexi-Drive will inspire you to create your own flavor of rock!

Condition: New

From Wampler's Website: Zeke Clark, Edward Van Halen's longtime renowned guitar tech played through a pinnacle and this is what he had to say: “I've played tons of pedals that promised that “Brown Sound”... this pedal NAILS it better than anything I've ever heard or played.” -Zeke Clark, former tech for Eddie Van Halen Sometimes you need extreme gain, sometimes you need mild overdrive...this pedal does that with an awesome “Brown Sound”! It has an extremely tweakable EQ - from scooped mids to tons of warm mids, all with the turn of 2 knobs. This pedal has 4 knobs -- two separate tone controls that act as a sort of parametric EQ, gain and volume. It also has a 'bright' switch that adds a ton of variety and is very handy when playing a dark sounding amp, as well as another toggle switch that will give you high gain “Brown Sound” tones.

Condition: New

From Wampler's Website "From the sweet shimmering tremolo of yesteryear to helicopter choppiness of today, the tremolo has been a staple for guitar effects. With one foot in sweet vintage tremolo tones and one foot in more modern helicopter chops, the Wampler Latitude Tremolo Deluxe offers the best of both worlds. Finally there is a Tremolo with all the bells and whistles. This tremolo pedal was designed for the player that wants a plethora of tremolo options underfoot. The Latitude utilizes digital technology to control a completely analog guitar signal path; bringing you the best of both worlds. With its tap tempo controls and multiple time divisions – the Latitude is easy to sync with whatever song you are playing. Have a drummer whose time keeping is a little off? The tap tempo control will regulate your tremolo speed on the fly. The Latitude Deluxe offers players the choice of four divided sub-divisions: Quarter notes, eighth notes, dotted eighth notes, and triplets. With your choice of 3 waves forms (Peak, Sine, and Square) you can keep your tremolo classy or get it as nasty as you want. Thanks to the volume control option, your tremolo effect won’t get lost in the mix. The Latitude also features the Wampler standard true by-pass so your guitar’s natural tone won’t be affected when your pedal is not engaged."

Condition: New

From Wampler's Website: "The Faux Tape Echo delay has become a staple in Nashville and beyond, from masterful session guitarists to studio "house sound" collections and of course seen on stages worldwide! Based around very carefully selected and very rigorously tested PT2399 delay chips, the Faux AnalogEcho and Faux Tape Echo circuits allowed Brian to combine the note clarity of a sophisticated digital delay with an all-analog dry path (unaffected signal) and magnificent all-analog tone-shaping and modulation circuitry. With our hybrid design approach, you get the best of both worlds. You get note clarity, lower noise, and longer delay times from digital delays. You get the lovely warmth and little, exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal, all of its major functions, are analog. The "delay line" is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can't really match. But everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle? Totally analog. Your all-important fundamental dry tone is 100% analog, too. So when we say it's the best of both worlds, we absolutely mean it. From country slap-back to ambient washes to straight-ahead rock and metal delay, the hybrid approach lets Brian make one pedal that can do it all. The Faux Tape Echo takes everything great about the original, and adds to it that much-requested tap tempo functionality that users have been asking for, as well as Brian's new idea in emulating the elusive and beautiful character that people look for in classic tape echo units. The time has come to unveil the Faux Tape Echo that everyone has been waiting for – and we've all worked hard to make sure you're going to love it!"

Condition: New

The great thing about the Faux Spring Reverb is that it retains the Analog base tone, doesn't send your signal through digital/analog converters and back again (wrecking your tone completely) allowing you to be as springy as you like without your sound becoming lifeless, dull and... well, bad. With the tone control, you can control your sound completely and have your reverb be as bright as day, or dark as night... As lively and bright as a small hall, or as deep as the biggest cathedrals.

Condition: New

From Wampler's Website: "Whether you choose a long drawn out delay time, a short slap back, or just enough delay and echo to fatten up your rhythm section – a great delay pedal can take your guitar playing to the next level. The Wampler Faux Analog Echo is a pure sounding, straight ahead delay pedal that will allow your tone to remain intact note after note – without coloration. For this reason, the Faux Analog Echo has found its way on to the boards of countless musicians. From the weekend warrior to country playing greats like Brad Paisley and Brent Mason – the Faux Analog Echo will be your go to delay pedal night after night. The Faux Analog Echo is based around the industry leading pt2399 chip. The industry standard for delay pedals. We treat the signal path in such a way that the dry path and the core signal are completely unaltered, we only use the chip to make a digital replication. Simply put, your tone remains pure and intact, without thin and brittle sounding repeats. With the addition of a tone knob, you can incorporate a little sparkle for digital crispness, or take it all the way out for a more natural and organic tone."

Condition: New

From Wampler's Website: "When Brian created the circuit that would eventually become the Euphoria, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. He wanted something for himself that would be dynamic, have a great sounding “gritty” tone to it yet be able to respond to the volume knob like a tube amp. Everything about Brian is in the dynamics of sound and if a pedal can't work with him dynamically, then he just can't use it. The Euphoria is his take on that elusive tone and feel made famous by "D style Amplifiers" - smooth creaminess yet crunchy when you need it to be, yet the tonality is much more transparent than other “D sounding" pedals. Very responsive tone controls that interact with the pedal - they don't just “color” the sound. The controls actually affect the response and feel of the pedal, just like a great tube amp. If you love the sound of your clean tone, and just wish you could have more “hair” on the note... a little bit of grit without any change in tonality, the Euphoria will do that with ease. PLUS it's extremely flexible... with the toggle switch in the down position you'll get a hint of fuzz along with the overdrive, it's reminiscent of the tones that "Eric Johnson" may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings. This is reminiscent to the famous “D style” tone, though it's really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that's extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down."

Condition: New

From Wampler's Website: From silky smooth sustain to full out country chicken-picken territory, the Wampler Ego Compressor is the most versatile compressor pedal on the market. A great tube amp when driven into its sweet spot will naturally compress. Many budget compressors give you the squash and squeeze of a driven amp, but more often than not you tend to lose most of your playing dynamics and expression. The Ego Compressor will give that element of squash and squeeze, but will also allow you to be able to control the effect so that your playing can shine through with that great feel. One of the ways the Ego Compressor lets you have control over your tonal clarity is by the use of the “Blend” knob. The “Blend” knob is a dry mix, which sweeps between a fully effected signal to zero effect across the sweep of the pot. Your unaffected signal can be added back into your overall output. As little or as much as you want, the choice is yours.

Condition: New

From Wampler's Website: When we first met Tom in early 2012, he was already using our Euphoria and Paisley Drive stacked together to give him the tones he required. But something wasn’t quite right; those pedals are voiced for other genres of music altogether so we set about honing the tones to match his style of playing. He needed more transparency, a tighter and controlled response on the bass end and when stacked up they needed to sound and feel like an amp running at high levels and give each string complete clarity and response.
Over a year later, we have the Dual Fusion. With two independent circuits that are based, but are completely modified, on the Euphoria and Paisley Drive.

Condition: New

From Wampler's Website: Since late 2009, we discovered that Brad Paisley was using Wampler Pedals. He started with the Faux AnalogEcho, then got an Ego Compressor and then had the Underdog overdrive. Brads requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal...! The truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing. The inbuilt tonal controls, the presence and mid contour switches, will make this pedal the single most versatile and complete overdrive pedal you have ever owned.

Condition: New

From Wampler's Website: "The Clarksdale Overdrive. Blues and non-blues guitar players have used Tube Screamer® type circuits for years to help them create their own signature sound. Over the years, countless players have been asking Brian to create that world famous vintage mid-range overdrive – well he finally did it! The Clarksdale is Brian’s take on that world famous lime green overdrive many of us have come to love– with a few great Wampler styled improvements of course. The world of Boutique pedals is filled with lots of great clones of that already famous circuit– so what else could be done? Brian wanted to create a pedal that would be true to the sound and feel of the original but would have a wider range of tonal options – to satisfy even the biggest tone chasers out there. The addition of a 3 band EQ (Bass, Mids, and Treble) allows a player to have a more tailored tonal pallet than the original. The Lift/ Smooth switch will also allow a player to either sit in the mix with the Smooth setting or allow your leads to standout with the Lift option. Also unlike the original “green giant” the Clarksdale will not “fizz out” as much at low or high gain settings."

Condition: New

The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering. The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade dbx compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar’s tone will be lost. The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet.

Condition: New

The all new Keeley Katana Blues Drive. A musically rich and dynamic overdrive for the most discriminating guitar player. After more than a decade of building great guitar tone from the ground up, Keeley has crafted an overdrive that is destined to be a classic. It’s about tone and feel. The Katana Blues Drive captures the best elements of tubes with a transparency that allows your guitar’s full tonal range to shine through while at the same time delivering dynamics that are sensitive to the touch. This pedal cleans up perfectly, just roll your guitar volume back and let it shine.

Condition: New

The Keeley Electronics Nova Wah, crazy and unique, allows you to have 2 Fixed Wah Pedal sounds at your feet! Imagine having two different wah pedals you could turn and set to your favorite sound without rocking back and forth! The Nova Wah features Dual Wah Pedal Sounds, True Wah circuits and is not op-amp based! The Nova Wah is already present with two gorgeous tones so the musician doesn’t have to go searching. It also has a 3- way bass sweep switch for mellow, cutting, or thick and fat sounding filter/vocal tones. It has everything you could want, all at your feet. Perfect for filtered guitar solo sounds like that of Zappa and Phish!

Condition: New

Inspired by the faintest rounding of your tone when you start to push a tube, this is Keeley’s low gain drive solution. The Keeley White Sands pedal uses asymmetrical clipping that clips or distorts half of the guitar signal more than the other half. With this type of clipping you simulate some of the characteristics of a tube amplifier. It’s also in the clipping stage that we keep the bass response tight by making sure bass frequencies don’t get muddy when they are distorted. What you get is pure Rock’n’Roll with the Keeley White Sands.

Condition: New

Keeley Stahlhammer Distortion is a hard hitting distortion pedal with no equal at Keeley Electronics. For cranked British amp sounds, this unique pedal design delivers. Keeley has combined classic high gain amp distortion and added a tube amp style EQ to give you a wealth of tones. This unique structure has two modes of operation – High Gain/Tube Saturation switchable from the right side of the pedal. The three tone controls, Bass – Middle – Treble, give you a fantastic range of amp sounds that you will be both familiar with and find easy to dial in.

Condition: New

All of our Compressors are hand built in the USA. Unlike any other compressor, the Keeley Compressor was given the Editor’s Pick Award from Guitar Player’s Magazine and recently awarded Reader’s Choice for Stomp Box. It is a true audiophile and studio grade compressor with an exotic rack mount quality in a stomp box form. The sound alone will inspire your creativity.

Condition: New

This might be what you've been looking for in an overdrive/fuzz box! The blend between the two is simply wonderful! The Fuzz Head is designed to work like Fuzz Face pedals that many players use as a LEAD BOOST. A Fuzz Face can be muddy, lacking note definition, too bassy, and lacking sustain. An overdrive sometimes doesn't give enough or is too smooth. In contrast, our design is transparent, has a better frequency response, and gives you that cutting edge for lead breaks. The Fuzz Head Pedal is very transparent and dynamic. It takes the best qualities of the germanium designs and the overdrives. Roll back the volume on your guitar for clean sounds and a variety of tones, textures, and natural fuzz/overdrive!

Condition: New

Fender Nocaster pickups are true to their heritage; created with the original design in mind to accurately mimic the twang and shimmer of the original Nocaster guitar. These period-correct single-coil pickups impart tight low end and clear, balanced midrange.

Condition: New

The ZVEX Sonar is a 'tremolo' pedal, but this one is different. This unit has the ability to chop up any signal you send into or out of it. Unlike most other tremolos, it can cut down your high gain signal to silence. It can also sound gorgeously transparent like a traditional tremolo. It does other fun stuff like increase or decrease tempo, duty cycle (amount of time the trem is ON in a given cycle), or both simultaneously on the fly. It also has tap tempo and a slew of advanced features (attack, release, and depth controls). Lastly, and perhaps most importantly, it has a famed ZVEX Machine circuit built right into the box.

Condition: New

The ZVex Super Hard On is an ultratransparent boost that goes from unity gain to an over 8-volt peak, while adding a delightful high-end clarity with its 5 million-ohm input impedance. The Super Hard On boost has a high-impedance input that refuses any current flow from your pickups, maintaining the magnetic field around each string and allowing your pickups to sound like the day they came off the winder. Its ultrahigh output then drives your amp into natural overload, solving the mystery of the disappearing guitar tone once and for all! The output level can exceed 8 volts peak, and when it finally distorts, the wave is shaped like triode overload, not fuzz. The Super Hard On is perfect for making the most of a classic amp and guitar, because it simply makes your guitar bigger and pushes the amp harder, causing natural overload. When cranked, it sounds much louder than a fuzz or distortion under stage conditions.

Condition: New

Ladies and gentlemen, we'd like to introduce you to the Fat Fuzz Factory, a take on our original company flag ship Fuzz Factory. The Fat Fuzz Factory features a sub switch that opens the pedal up to an astounding new bottom end. This means the pedal can oscillate at much lower registers, giving it some very interesting thunder broom synth qualities. Based on our field reports, this new fatness lends itself particular well to the bass guitar, and rips equally well on guitar.

Condition: New

The Lo-Fi Loop Junky loop pedal from ZVex really is low-fidelity—the recording of your guitar is filled with hiss, moan, distortion, and warped-record strangeness, but everyone will be able to tell the loop from your real guitar. Because the processing of your direct guitar is done with a specialized bootstrap circuit with the very highest impedance circuit ZVex has developed, your direct guitar will have detail incomparable with anything you've heard before. The juxtaposition of your direct guitar against the smashed, distorted, shimmering, warbling recording of the loop mechanism will make it clear once and for all who is the guitarist and what is the machinery. There are distinct advantages and disadvantages to this tiny, battery-saving looper pedal. You may only record one loop. There is no sound-on-sound available with this technology. But, if you unplug your cables, take out the battery, and bury it for a hundred years, the last loop you recorded will still be there when you drag yourself out of the grave and plug it in for the centennial resurrection gig. That's because the ZVex Lo-Fi Loop Junky uses really bizarre technology that literally crams analog signals into static digital storage cells without analog-to-digital conversion. It's pure analog storage, just like the old bucket-brigade technology, for 20 seconds straight.