The range comprises of three models – the twotwo.5, twotwo.6 and twotwo.8 – all designed and built in Britain using state-of-the-art technologies and components. The result is unrivalled level of clarity, transparency and accuracy for professional compact monitors. twotwo series models all share the same core design and features – the model number refers only to the approximate size (in inches) of the bass driver, with larger numbers denoting increasing cabinet volume, greater bass extension and higher SPL capabilities.

PMC’s attention to detail is evident throughout the design of twotwo series, but a feature new to the compact range is their ability to operate in either the vertical or horizontal orientations without compromising stereo imaging or tonal accuracy. This makes them ideally suited for nearfield monitoring of music and speech in situations where space is at a premium, such as in outside broadcast vehicles, small radio on-air studios and television sound control galleries, project music studios, video editing and post-production suites and for A&R evaluations.

Size can be decidedly deceptive. Although the smallest member of the twotwo family, this ultra-compact nearfield model features the same technology as its larger siblings allowing it to perform way beyond expectation. Astonishing resolution and neutrality is provided by sophisticated DSP, dual power amplifiers, PMC’s new 27mm tweeter and a 140mm (5.5”) bass unit, all housed within a carefully specified ATL™ labyrinth cabinet. This delivers class-leading depth of bass for the cabinet size, while retaining dynamics and musicality. The twotwo.5 is a dependable, high-resolution monitor, which is ideal for situations where space is at a premium but quality must not be compromised.

The twotwo range were requested for ASCAP's (American Society of Composers, Authors & Publishers) annual song writing event at industry veteran Miles Copeland's, Chateau Marouatte. Here's what some of the world-class songwriters/producers that attended the event had to say about their experience working with the twotwo's: