Thursday, August 30, 2012

This Durham indie outfit actually makes rock that’s a bit
gentler than its name implies - dynamics-driven college rock with male/female harmonies
and shades of Velocity Girl’s pop and Cocteau Twins’ dreaminess, but a bit heavier and darker.
Its new album “Vexations” was lyrically inspired by Stephen King’s “The Dark
Tower.”

Plaza-Midwood offers an eclectic alternative to the crowd
downtown with Stranger Day & Elevator Jay, Miami Dice, Great Architect, the
O-getters, Fat Face Band and That Guy Smitty on Sunday and Cement Stars, Scowl
Brow, Modern Primitives, Leron Simeon, and Erika Blatnik Monday.

The city ushers in the DNC with a free festival that includes performances from James Taylor, Jeff Bridges & the Abiders, Janelle Monae, the Blue Dogs, Chairmen of the Board, Simplified, and West End Mambo.

Armed with traditional bluegrass instruments and soulful
three part harmonies, this striking female Asheville trio makes strikingly
thoughtful Americana. It helps close out the family friendly four-day festival.
Monday’s music lineup includes PUSHH and the Dickens.

The seasoned Americana singer-songwriter who spins an eclectic mix of world music and Southern folk-rock and bluesy soul on her new album, plays a set just outside downtown following President Clinton's speech.

Rock the Red - the country concert that was scheduled Wednesday, September 5 at Bojangles' Coliseum as a Republican-friendly alternative to the DNC's live entertainment - has been cancelled. The lineup included recent Nashville breakout Lee Brice (pictured) and country veterans the Charlie Daniels Band and Travis Tritt.

Tuesday, August 28, 2012

Charlotte's Junior Astronomers recently embarked on the Favorite Gentlemen Tour with labelmates Harrison Hudson, Death on Two Wheels, and All Get Out. The tour swept through Tremont Music Hall last weekend.

The hardworking Charlotte rock outfit was given the opportunity to record a Daytrotter Session in Nashville earlier this month along with the other bands on the tour. The three-track session is available to Daytrotter subscribers here.

Daytrotter features unique, rare performances from a plethora of artists. While many of these are up and comers or current indie it bands, many are established veterans like Jon Spencer Blues Explosion, Iron and Wine, Cowboy Junkies, and Anvil. Members can download tracks as well. Aside from the music my favorite thing about Daytrotter is the incredible watercolor illustrations like the one of Junior Astronomers above (courtesy of the Daytrotter site) that accompany each session.

Monday, August 27, 2012

The weather was in My
Morning Jacket’s corner Saturday as the Louisville-based festival favorite
returned to Charlotte’s Time Warner Cable Uptown Amphitheatre. After its 2011
set at the same venue was cut short at 14 songs due to a rain delay followed by
an 11 p.m. curfew, fans were treated to a 2- plus hour set that stretched to 24
songs.

Likeminded Carolinians
Band of Horses (pictured below) opened the show playing a daylight set of Southern-stewed
folk-rock. And even though the group now hails from the Southeast(originating
in the Northwest), at times its songs brought on sun-soaked desert dreaminess. It
introduced the new single “Knock Knock” early in its set. It’ll be interesting
to see whether the upbeat pop-rock guitar-centered track is indicative of the
direction of its upcoming (aptly titled) album “Mirage Rock” (out September
18). The Charlotte date was the Charleston-based band’s second to last night
with MMJ.

It was apparent how
well matched the two acts were especially when MMJ frontman Jim James joined
BOH for “Slow Cruel Hands of Time” or later when BOH’s Ben Bridwell returned
the favor joining MMJ for “Wonderful (The Way I Feel).” The sound was a bit
muddy for the openers, but it didn’t make a huge difference because their material
is dripping in reverb anyway.

In explaining the
attraction of My Morning Jacket, a friend of mine was told they’re a jam band for
people that don’t like jam bands. That was true for most of its set. It began
with the recent singles “Holdin’ On to Black Metal” and “Outta My System.” James
wore a blue cape, which might actually be ornate enough to be described as a
cloak, over a black shirt and vest with tan pants. The five members all had a
different look about them. There’s the hirsute team of James, multi-instrumentalist
Carl Broemel (ripping through a sax solo below), and drummer Patrick Hallahan. Bassist Tom Blankenship (the
snappiest dresser of the bunch) and keyboardist Bo Koster (both in vests) repped
the band’s leaner, shorter-haired contingent.

Having seen MMJ at
Bonnaroo three times from 500 or more feet away I was pleased to actually see not
only what they look like, but their on stage interplay. The biggest treat was
watching Hallahan, who like Band of Horses’ bouncing drummer Creighton Barrett,
is often the most animated member on stage (although James’ is definitely MMJ’s
focal point). When he stretched his long arms (made even longer by his
drumsticks) above his head and broke out what I can only describe as
cheerleader-esque moves during the extended bridge of “Run Thru,” he completely
stole the show.

James also impressed
shredding on a Flying V like a stoner version of Eddie Van Halen (top photo), commandingly
pacing back and forth at the front of the stage, and creating bleeps and bloops
with the sampler he sometimes wore around his neck.

Part of the magic of
My Morning Jacket is the band’s ability to weave interesting arrangements.
Little things that aren’t necessarily the crux of a song pop out at you. It’s
often Koster’s contribution - the synthesized bass sounds of “First Light” for
instance buzz like a tiny bug circling your ear; the subtle piano beneath the
primary arrangement of “You Wanna Freak Out.”

While rooted in
psychedelic rock, its ability to delve into other genres is another attraction.
The R&B feel of “The Day Is Coming,” the fuzzy, trippy synthesized bass of
2005’s “Wordless Chorus” pumping like a merry-go-round at a carnival, and the futuristic
sampler work of “Touch ME I’m Going to Scream” (which was like Blondie’s “Atomic”
meets Fleetwood Mac live) played back-to-back-to-back was the funkiest segment.
Watching stocky, beer guzzling men try to match James’ soaring falsetto was
quite amusing.

The quintet jumped
back into blatantly Southern blues and boogie closing the first part of its set
around 10 p.m. with “Dancefloors” and “Run Thru.”

It returned to the
strains of “Victory Dance” with James marching across the stage in his blue
cape. Its rendition of “Lay Low,” which featured rollicking twin guitar
harmonies, reminded me of a Doobie Bros’ 45 played at 33 RPM. The
aforementioned jam was mostly relegated to “Steam Engine.” MMJ masterfully
built and expanded the jam to a big, climactic end just before Band of Horses returned
for “It’s a Pity.” The combination further demonstrated how well these groups
fit together (there were actually quieter times in MMJ’s set that reminded me
of BOH).

The show ended -
without even a sprinkle - with “One Big Holiday.” The weather couldn’t have
been kinder.

Friday, August 24, 2012

While the DNC means big name national acts and celebrity sightings, local artists and musicians are getting in on the action too. Musicians will perform at a series of free concerts under the label "The Third Party" as part of the Quasimodo Project's arts initiative, which aims to draw attention to local visual and performance art during the DNC.

Sunday and Monday's events take place at Snug Harbor in Plaza-Midwood. Sunday's lineup includes soul throwback the O-Getters, Fat Face Band, Stranger Day with Elevator Jay, DJ That Guy Smitty, experimental jazz trio Great Architect, electronic artist Miami Dice, and drag performer Bethanne Phetamine. Monday's Snug bill includes psych-blues garage throwback Modern Primitives, rockers Scowl Brow (fresh from its Snug residency), shoegazers Cement Stars, and Leron Simeon. The event's music curator Hope Nicholls describes the latter, who is originally from Detroit, as a cross between Kid Cudi and TV on the Radio. Music starts at 8 p.m. both nights.

For those bound to uptown The Third Party features free live music during what Nicholls calls "cocktail hour" at 7th Street Market Tuesday, Wednesday and Thursday from 4 to 7 p.m.

Charlotte’s own Junior Astronomers join label mates All Get
Out, Harrison Hudson and Death on Two Wheels on the Favorite Gentleman label’s
first tour. The label was started by members of Manchester Orhcestra in 2005,
which puts the band in good company.

Somewhere between Dylan-rooted folk-rock and the grand,
joyous rock of groups like Arcade Fire (with vocals more akin to Of Montreal)
fits this Austin favorite whose slowly been climbing up from the underground
since the early `00s. With the Mynabirds.

The former is a Swedish trio that mixes electronic
atmospherics and dark Euro dance music for the Purgatory crowd, while the
latter makes dubstep-bordering, new wave-flavored dance pop with vocals that
bridge Gwen Stefani and `80s singer Josie Cotton.

Imagine if Kate Bush had collaborated with “Pornagraphy” era
Cure and you’re halfway to the duo of Indigo Street and Sam Levin, who create
guitar rock that drifts from ethereal to dance-inducing. The addition of live
bass for the first time on tour promises to fill out its live sound.

If you've ever been overwhelmed perusing weekly live music listings and small club calendars full of band names you've never heard of or simply just don't have a lot of free time to check out whoever is supposedly hot locally, then God Save the Queen City 2 is a fairly quick and economical way to get a good overview of Charlotte's underground rock, pop, and Americana scenes. Where else can you catch Jim Avett, the Funky Geezer, the Hot Gates, and Super Ape on the same bill? The event takes place at NoDa's Chop Shop (behind Cabo) Friday, Saturday, and Sunday, September 7-9. In addition to the venue's regular indoor stage, another stage will be erected outside and the club's parking lot will be extended. The full lineup is below, but it's a good mix of Charlotte music veterans like funnymen the Alternative Champs (pictured), CLT icon Renelvis, and glam-garage rockers Baby Shaker, who perform alongside well established younger acts like Little Bull Lee, Modern Primitives, Pullman Strike and others Friday. Saturday's lineup is equally weighted with long running acts like the Houston Brothers and Benji Hughes and familiar faces with newer bands like Jason Scavone's the Hot Gates, Mike Mitschele's the Catch Fire, the Josh Daniel and Band, Ancient Cities, Super Ape, and Temperance League. The band members accumulative CLT music histories probably equate to well over a century. There's also more recent up and comers like Anna Bullard and Side By Side scheduled for Saturday. Sunday closes out the festival with acts like singer-songwriter Lindsey Ryan (formerly Lindsay Horne), Yardwork. S.O. Stereo, the Loudermilks, Chasing Edison, Bubonik Funk, Hello Handshake, Hectorina, and Elonzo. The quality is pretty astounding. Single day tickets are $10 for Friday, $20 Saturday, and $15 Sunday with a $30 three-day pass also available. Information is available here. Tickets are on sale here. The full lineup is as follows Friday, September 7th:Alternative ChampsBabyshakerLittle Bull LeeModern PrimitivesOld MilwaukeePullman StrikeRenelvisJeremiah & The Howling OwlsVessAM/FM's

Tuesday, August 21, 2012

Comedian Suzanne Westenhoefer and dance music artist Debby Holiday are among the scheduled headliners for the Unity Through Community DNC event set to take place at the North Carolina Dance Theatre Sunday, September 2. Other acts include DJ Justin Ryan, singer-songwriter Lindsay Katt, the Carrie Marshall Band, jazz artist Noel Freidline, DJs Little Betty and Billy Waters, and dance/performance artists from Tryptych Collective. The lesbian, gay, bisexual and transgender-centered DNC event will focus on unity and equality.

The Unity party is open to the public and is expected to draw prominent leaders in the LGBT community as well as LGBT delegates to the Democratic National Convention, business leaders, celebrities, elected officials, and friends and supporters of the LGBT community. Tickets are $40 for general admission and $100 for VIPs. Tickets are available online here. VIP tickets include access to the VIP suite, lounge, and open private bar, as well as exclusive swag.

NC Dance Theatre is located at the corner of 10th and Tryon streets. The event begins at 8 p.m. Sunday, September 2. For more information check out http://unitycharlotte2012.com/.

Monday, August 20, 2012

The Foo Fighters will perform a rare, intimate concert Wednesday, September 5 at The Fillmore. The concert will benefit Rock the Vote, which aims to register 1.5 million young voters before November's election.

Tickets go on sale Tuesday, August 21, at 10 a.m.at LiveNation.com, Ticketmaster or charge by phone 800-745-3000. There is a two ticket limit per order. Tickets are nontransferrable and can only be picked up at will call night of show with valid id. Patrons must bring the credit card used to purchase the ticket to verify the order.

Will call at The Fillmore Charlotte box office will open at 7:30 pm on September 5th.

Saturday, August 18, 2012

News about entertainment for the week of the Democratic National Convention has begun to roll in, but many of these concerts and events will be private or invitation only. However, some shows like the Third Party events presented by the Quazimoto Group featuring local visual and musical artists at various uptown venues (more on that to come), will be open to the public.

The Neighborhood Theatre announced this week that regional favorites Acoustic Syndicate will return to the NoDa venue for Occupy Your Mind Thursday, September 6. The Western Carolina group will share the stage with Brooklyn's Breaking Laces and Folly Beach, SC's Dangermuffin. Tickets are $10 and available through www.neighborhoodtheatre.com.

Also open to the public are previously announced concerts from R&B singer Kem at Ovens Auditorium and the Rock the Red concert with Travis Tritt, Lee Brice, and the Charlie Daniels Band at Bojangles' Coliseum. Both of those concerts take place Wednesday, September 5. Tickets are available through Ticketmaster outlets.

Part of the neo-soul resurgence of the mid `00s, the raw,
vintage soul throwback has reined in her signature wild main and recently released
a thoroughly modernized yet still respectful tribute album to her hero and stage-namesake Etta James.

The versatile reggae-rock singer, who released a
sunny/dance-friendly new album last month and makes his major motion picture
debut later this month in “The Possession,” teams with the rock/reggae/hip-hop
hybrid who has its own new disc in June’s “Cabin By the Sea.”

The veteran shredder’s new album “The
Story of Light” swells with experimentation as he draws from disparate genres
and toys with harmony and melody with the help of harpist/multi-instrumentalist
Deborah Henson-Conant, songwriter Aimee Mann, and “The Voice’s” Beverly
McClellan.

If your taste in metal is more old school and thrash and industrial-oriented, then you may prefer this 25-year-old veteran group (led by vocalist co-founders Burton C. Bell and guitarist Dino Cazares since 2009).

The politically outspoken alternative hip-hop artist (a
co-founder of his former label Anticon Records) brings his anarchist and
idealistic visions to life on his first solo world tour in several years.

The former Forum launches College
Night with a glow party featuring the up and coming Chicago trio, whose sugary
mix of thumping dance music, dreamy electro, fuzzy dubstep, and girly
vocals never strays far from its accessible pop-roots.

The Summer LoveFest takes place in NoDa Saturday, August 18, with live music, food, and art. If you've traveled down North Davidson Street toward the NoDa arts district in the last five years you've probably noticed the brightly graffitied building on the left shortly after you pass the railroad tracks. There are usually cars - some automotive art pieces actually - parked in the grass outside. In the heart of Optimist Park, this 23,000 square foot building is actually home to several small businesses. Area 15 is described as a micro business incubator and includes the neighboring free store, studio space for artists, musicians and techies of all sorts, event spaces, and other unique start ups. Last weekend it hosted a conference on Christianity and Anarchism for instance - not something you're going to find everywhere.

Such a unique venue, which supports small businesses, alternative culture and the arts doesn't thrive in a vacuum. Hence Saturday's fundraiser, which will benefit community arts through Area 15 and Live Out Loud. Musical acts include Carolina Runaway, Towns Inn, the Atlas Shrug Project, milf, the Wormholes, and Asleep in the Weeds. Event starts at 2 p.m. and runs until after 10 p.m. Music begins at 3 p.m. Vendors and the neighborhood's NoDa Records will also be part of the event.

Admission is $10 and the concert will take place at Area 15 at the corner of 15th Street and North Davidson. For more information call 757-613-3267 or click here. You can also find out more about Area 15 here.

Sunday, August 12, 2012

Concord's Scott and Seth Avett of the Avett Brothers are part of clothing chain The Gap's latest ad campaign, which focuses on rising artists. Along with the Avetts, the "Fit For Originals" Be Bright campaign features guitar virtuso Kaki King, dancers Yuan Yuan Tan and L'il Buck, pop music pair Karmin, and singer-songwriters Nicki Bluhm and Lia Ices.

The coed Atlanta quartet look like an `80s throwback and
sound a bit like Metric’s Southern
cousin, but the distorted mix of dance music and indie rock is also firmly
rooted in early `90s alternative rock (think Curve, or a British Breeders).

The Charlotte band celebrates the release of its new EP,
“Alive.” Produced by Bruce Irvine, it captures the foursome’s knack for dynamic
heavy rock, emotive and theatrical vocals, and complex, but accessible
arrangements.

Although a 25th anniversary performance of
“Hysteria” in its entirety would make this bill sweeter, these `80s hold-outs
bring the hard rock/hair metal summer fun back with enough hits to sustain an
audience for four hours.

The British DJ, actor, visual artist, and UK reality TV star
is best known as a veteran in the electronic music scene whose work was
influential in the early drum n’ bass and jungle scenes. At 46 he makes a rare,
intimate Charlotte appearance.

Before stepping out as a solo artist in the early `90s the British
smooth jazz and fusion guitarist was a busy session musician (Dave Koz, Boney
James, the Rippingtons) and member of Al Stewart and Basia’s bands.

Wednesday, August 8, 2012

I was recently asked to contribute to a DNC week playlist.
When I brought it up to my husband after discussing how David Bowie is the
patron saint of Plaza-Midwood (you can’t walk into a neighborhood bar or
restaurant without hearing him), he suggested Charlotte’s own Groove 8.

If the sound of Charlotte is jazz-funk fusion outfit Groove
8 then we are one cool city.

The band who was originally known as Audioform released its
second album, “Curious Poses,” in late June (its fourth if you count its output
with Audioform and what incredible cover art).

The first track begins with cool cat vocals spelling out the
band’s mission against the backdrop of a trembling, scale-climbing sax. It’s as
if the curtains of the smoke-filled VIP room of the underground’s version of
Studio 54 just parted. Is that Richard Roundtree?

The second track, “Candles and Incense,” is a more
straight-forward come-on and features vocals, which is a rarity for the predominantly
instrumental group. So what do they sing about? The kind of night out you might
experience hooking up in said smoky dance club circa 1979.

After the vocal segue things get gritty and funky on guitar
with big lyrical horns leading the way on “The Stand.” The drama escalates on
the title track. The percussion and repeating guitar line in “Time and
Place” set the stage for an old-fashioned horn-off (if there’s such a thing).
Derrick Bartell’s keys and Keith Whatley and Chris Spivey’s guitars get in on
the action too as instruments alternate leads - but those solos don’t go overlong. Whatley seems like such an underrated player and this track in particular gives him room to exercise his inner Hendrix.

The playing is fun and loose, but tasteful. The players never go overboard. Groove 8 always reins its jams back in without getting too showy. There seems to be purpose and the musicians,
many of who have been playing together for years, read each other like only seasoned players can.
There’s an ease to it all that translates to the audience. It relaxes.

To say its music is cinematic is only touching the surface.
The changes, the juxtaposition of squalling electric guitar and punchy horns,
the repeating rhythm at the heart of a song, a subtle phrase returning at the
right time - all these elements create drama so the listener can create a corresponding
mini movie in in their minds (if they're so inclined - I'm a visual listener).

Groove 8 shares an eclectic bill at The Milestone Club
Sunday with the Last Good Year, Trinity Seed, and Old Rusty Mandolin. The band
also plays NoDa’s Chop Shop September 28. Maybe someone will book them for DNC
week as well. Charlotte may be a corporate banking city on the surface, but
it’s more than that. And the music of this ethnically diverse,
multi-generational band makes a fine representative for what’s cool and unique
stirring in the city’s underbelly.

Monday, August 6, 2012

Moogfest, the two-day electronic music-leaning festival celebrating the work of former Asheville resident Bob Moog, revealed the lineup for its upcoming third Halloween weekend installment. Scheduled acts include Primus 3D, Orbital, Mike Snow, GZA presents Liquid Swords, Santigold, Explosions in the Sky, Squarepusher, Richie Hawtin, El-P, Thomas Dolby, Divine Fits, and the Magnetic Fields. A complete list is below. The festival, which has been reduced from three days to two this year, takes place October 26 and 27 at multiple venues around the city including the ExploreAsheville.com Arena (formerly the Asheville Civic Center Arena), Thomas Wolfe Auditorium, The Orange Peel, and Asheville Music Hall. Weekend passes and daily tickets go on sale Friday, August 10 at noon at www.moogfest.com. Moogfest actually began in New York in 2004. Moog, who is best known as the inventor of the Moog synthesier, died a year later in his adopted hometown of Asheville. Moog Music, which still makes electronic instruments and remains Asheville-based, later partnered with Knoxville-based concert promoter AC Entertainment (the folks behind Bonnaroo) and moved Moogfest to Asheville. The first Asheville lineup included Sleigh Bells, Hot Chip, MGMT, and Massive Attack. Last year's festival included headliners the Flaming Lips, Moby, Passion Pit, Tangerine Dream, and a talk and art exhibition from Brian Eno.

Asheville's Biltmore Estate kicks off its 16th annual concert series Thursday, August 9, with the Steve Miller Band, which last played the estate grounds in 2009. Peter Frampton follows on Saturday, August 11.

The rest of the series, which runs through early fall, includes several blasts from the past that don't frequently tour the Carolinas. Artists include KC & the Sunshine Band and the Village People (above) August 18, Chris Tomlin August 25, Foreigner September 1, The Lettermen September 28, David Cassidy (above) October 5, and Mary Wilson of the Supremes October 12. Larry Gatlin and the Gatlin Brothers close out the season October 19.

The Alison Krauss & Union Station featuring Jerry Douglas show scheduled for August 24 is already sold out.

Tickets for the series are available at www.biltmore.com/concerts or by calling 1-866-336-1255.

Friday, August 3, 2012

When R&B singer/musician D'Angelo appeared as a surprise guest at Bonnaroo this summer during the Questlove-curated Superjam, it was arguably the biggest news of the festival. The Grammy winner hadn't performed on stage in the U.S. in twelve years, although he played some gigs overseas earlier this year.

The comeback is in full swing now and Charlotte is in on the fun. LiveNation announced today that D'Angelo will co-headline Verizon Wireless Amphitheatre Saturday, September 15 with Mary J. Blige.

Both acts played the Essence Music Festivals in New Orleans in early July. Reviews of his performance, which was reportedly more improvisational, funk-rocking, and James Brown-like than longtime fans expected, were mixed.

The Liberation Tour will feature Blige, D'Angelo, and Canadian R&B singer Melanie Fiona. Tickets go on sale Friday, August 10 at 10 a.m. A limited number of $20 lawn tickets will be available until Sunday, August 12 at noon or until they run out. Tickets will be available at www.livenation.com, Ticketmaster, the Hardee's Thickburger Box Office at the venue, and by calling 1-800-745-3000.

Thursday, August 2, 2012

The title of Lynyrd Skynyrd’s new record “Last of a Dyin’
Breed” may sum up this pair of classic Southern rockers who both formed in
late `60s era Jacksonville, Florida. Both charge ahead through illness, lineup shakeups, hiatuses,
and death.

On its new album, “Searching for the Song”, this Richmond
combo trades in authentic old timey country, twangy honky-tonk, and late
`70s/early `80s pre-pop/post-outlaw country with aching pedal steel and
Vaughan’s stellar songwriting.

The 47-year-old Jamaican singer is known as the Messenger
for his dedication to traditional reggae and Rastafarian principles, shunning
the sex and violence that colors many of his contemporaries’ lyrics.

The Milestone hosts another former hit maker in an extremely
intimate setting. While signed with Wind Up Records the New Orleans Christian
hard rock band became fixtures on soundtracks ("Dead Man's Chest" for instance), commercials, and WWE programs.

“Champions” - its collaboration with B.O.B. - was created for the 2012 Olympics. So it’s a good time to revisit
these East Coast road dogs who are still riding the renewed energy of its
latest album, “King.”

If you missed the Carolina Rebellion festival in Rockingham
in May, four of the hard rock acts from that bill return to headline their own
mini-fest. It includes Evanescence, Chevelle, Halestorm, New Medicine, and
Cavo.

The second annual Reevestock Music Festival takes place in Elkin, NC Saturday. Its the second year in a row regional musicians have banded together to raise funds to renovate Yadkin County's 71-year-old Reeves Theater (pictured above in the 1940s), which is located in downtown Elkin. It's already been refurbished enough to host concerts and other events for the first time in decades and its owners want to resurrect it to its past glory with films and cultural arts performances, a snack bar and lobby. Right now the stripped down version is called "Reeves in the Raw."

Saturday's concert not only attracted regional acts that are invested in the cause, but also boasts Knoxville's Dirty Guv'nahs who are gaining steam in roots-rock circles. Other artists include Greensboro's Holy Ghost Tent Revival, Chapel Hill's Mandolin Orange, Tennessean Josh Oliver (who played with the Everybodyfields' and its offshoots), and local heroes Time Sawyer, who are heading up the festival, as well as mountain band Porch Dog Revival and songwriter Luke Mears.

Tickets are $20 in advance and $25 at the gate. You can order online here until 10 a.m. Friday. Covered VIP seats are $35. Admission for children 12 and younger is $5. Gates open at 11 a.m. Music starts at noon. Blankets and chairs are encouraged. For more information go to http://www.reevestock.com/index.html.

When I left Spirit Square Wednesday night, my face hurt. If
there’s one show I’d recommend taking a chance on it’s Die Roten Punkte’s comic
concert running Thursday through Sunday at Duke Energy Theater. I felt the same
way when I saw them at Booth Playhouse in 2010. For music fans, even those who
don’t care that much for standup or sketch comedy, it is ridiculously funny. I
go to movies and watch sitcoms and can count on one hand the times I laugh out
loud. At this show, I completely lost track of the times I heard my husband (who reserves his own tearstained giggle fits for the rare “South Park” and “Portlandia”
episode) chuckling loudly beside me. The entire crowd was in fits over Astrid
and Otto Rot’s on stage antics. A few were even playfully heckled by the band for arriving late.

Astrid and Otto - orphaned siblings whose parents were
either hit by a train (more likely) or eaten by a lion (a story young Otto
seemed to prefer because it’s less gruesome?) ran away from their abusive relatives
and started a rock band in the city. They wrote a mini rock opera about the experience. The show is presented as a regular concert
with the Rots playing child-size instruments that look small enough for my three-year-old to comfortably play. The songs are funny enough. The opener is about a vegetarian dinosaur that’s
force to flip burgers at a fast food joint. Another is a double entendre heavy come-on
from sister Astrid that features physical comedy, audience interaction, and
seems to go on and on causing Otto to quip, “Wasn’t that a quick one?” But it's their banter that really takes the show to another level.

The pair snipe and poke fun at each other, revisit their tragicomic
backstory, and bicker about song meanings, non-rock n’ roll behavior, and Astrid’s
drug rehab. But what’s different about this run of shows is the subject of their new album and tour is "Kunst Rock" or art rock, which is a topic that’s ripe for lampooning.

Otto
worships at the church of Brian Eno. He sings an ode to his portable banana
protector (the Velvet Underground/Andy Warhol-like t-shirts they’re selling would
make an inspired gift to the record geek or indie rock snob in your life). But
it’s the “Untitled” track - an over-the-top live looping experiment that
includes a bit of audience participation - that really gives modern music a
good razzing. It may seem like a joke, but I’ve actually interviewed bands that
sampled pages turning and water running.

It may appear a train wreck, but it’s a calculated one which has received rave reviews at international arts and culture festivals.
Their sibling rivalry and interplay is actually very realistic, even if the
circumstances of their relationship falling apart on stage seem fantastical. She’s
bossy and slutty. He’s naïve and innocent.

People might miss out on the show because it’s hard to know when you
see their painted faces and black and red costumes just what you’re in for. Is it a rock concert? A comedy? A musical? A play? It's all of that, but it rarely seems staged. You can forget that maybe these are actually Australians riffing on rock n' roll cliches.