In an interview with Women and Hollywood, Bliss declared, “There’s more depth and richness to Fort Tilden than people expect from a traditional comedy.” Perhaps that’s what set Bliss and Rogers’ feature debut, about two female friends with no life skills who have trouble getting to the beach, apart from the rest of the pack.

The Great Invisible, on the other hand, is Margaret Brown’s fourth documentary (including an episode of Independent Lens). Brown revealed the personal motivations for making her latest film in a conversation with Women and Hollywood:

I’m from Alabama, where the spill hit pretty hard. In the weeks after the spill, my father sent me pictures of his house in Mobile Bay surrounded by boom, which were the orange barriers BP used to try and prevent oil from seeping into the marshes and reaching the shoreline. For me, it was so jarring to see this place that was so familiar, as it prepared for the worst. When I talked to people I realized there was a collective sense of powerlessness in the face of the incoming oil, and I thought the one thing I could try and do to help was to make something about it.

Diana Whitten’s Vessel, about the abortion organization Women on Waves, won the Special Jury Recognition for Political Courage prize. Whitten described her documentary to Women and Hollywood as “one about a woman who hears and answers a calling, and transforms a wildly improbable idea into a global movement.”