Blood Ceremony To Release New Album on Rise Above Records

In a tradition that dates back to Late Antiquity, the Lord Of Misrule or "Abbot Of Unreason" was the doomed figure elected to preside over the Feast Of Fools, an annual Saturnalian bacchanalia in which masters became servants and servants masters, while drunken revelry and strange entertainments pervaded Britain and parts of mainland Europe for 30 days. At the end of the month's festivities, the Lord of Misrule's throat was cut in sacrifice to Saturn.

Taking its title from this fascinating slice of religious history, BLOOD CEREMONY's fourth album evokes pagan rites and the bizarre mystical underbelly of rural Britain. Embracing the psychedelic and progressive in their indelible songcraft, guitarist Sean Kennedy, bassist Lucas Gadke, drummer Michael Carrillo and triple threat vocalist/flautist/organist Alia O'Brien have created what Kennedy calls "a very English album," despite the band's very Canadian heritage. Recorded to analogue tape with producer Liam Watson at Toe Rag Studios in London, Lord Of Misrule possesses a timeless quality within the rock epoch: It could stand alongside a Shocking Blue or Deep Purple record as easily as it will take its place among 2016's finest albums.

Lord of Misrule conjures a lush atmosphere in which the pastoral horror of The Wicker Man and the Scottish ballad of Tam Lin-as viewed through the lens flare of Ava Gardner's witchy turn in 1970's The Devil's Widow-are alchemized into songs of seduction and mortality. "There's no defining concept running through the album, unless one can imagine a lord of misrule offering each song as a different entertainment," Kennedy says. "The lyrics tend to deal, in different measure, with obsession, love and death."