At the moment we are planning a DVD called "Amon Duul II History" and a new CD
of the band. Both will take a bit of time still.

Maybe there's
gonna be another DVD "Live at the Buttermaker in Shrewsbury 06" in
the meantime.

At present we don't think we're
gonna release any of these new projects on SPV.

Much rather you'll find these productions on our own site, just as
you can now get the albums "Pure Spirit" and "Wounded" of my trio
JHM and an album called "Weinzierl meets Calvert", which is my
work with the legendary Bob Calvert (Silver Machine) just before
he died.

Is the band working on new material for a new album?

We're working on new material since some time...

Any gigs or touring coming up?

There is a big tour scheduled for autumn 08 and spring 09. It's
called "40 years since 68/69" and On The Run Management are
booking it now.

Amon Duul 2 are so original it is difficult to tell if the band
had many music influnces - who are your music influences?

There are various influences. Chris, Lothar and Renate have a jazz
background, I grew up with the sounds of the beatles (playing in
my first band called The Merseygents), and enjoyed the music of
The Mothers Of Invention, Pink Foyd (still like the Piper At The
Gates Of Dawn), Hapshash, Tanjet also.

I actally
only ever bought two albums in my life: Sergeant Pepper and Piper
At The Gates Of Dawn...

There are also lots of
influences of Indian music, world music and of course classical
music of all genres.

German TV show "Rockpalast" in 2005

There is a
big difference in style between 'Vive Le Trance' and 'HiJack' -
was it a conscious effort to become more commercial sounding?

Do you think it's sounding more commercial?

Well, we had a new producer - Jürgen Korduletsch - who
obviously was putting more effort onto this aspect of the production. (He was
known for producing Disco stuff like Claudia Berry) Also it signified a
development in the music of Amon Duul II.

To us recording an
album used to be the manifestation of the time passed, like
finishing a period of our musical life, to start a new one again.
Of course we didn't wanna play the same all the time - like record
companies wanted us to do - but we were seeking new sounds, new
fields, new ideas. We were and are not just a band, playing a
certain stile, but we're also the sozial experiment, the artwork
and the commune seeking a better way of living.

Made In Germany was the band's concept album - can you talk
about the concept. Why was it only released as a single LP in the
USA with different cover art?

We wanted to go to America by Zeppelin!

It was
time to go on, to also go to the US!!!

It wasn't
our fist concept album, in fact most of our albums are concept
albums.

But this time we wanted to break all
spells.

We grew up in the time after the war and
German history was always a sensitive subject. To be a German was
not just normal, when we traveled to foreighn countries. In the
entire moovie and tv scene all over the world germans used to be
the badies. So we decided to have a go on our history in a musical
way.

On the original recording there were
historical soundclips of Hitler and Goebbels.

Though our intensions were doubtlessly against Hitler and we
mocked about him, Atlantic boss Ertigan (the boss of our record
company then) told us he's jewish and he can't release this album.
So they cut it to pieces and released it as a single album with a
different cover and destoyed our work of art.

I'm
hoping very much, that we can still come to the US with a Zeppelin
and perform "Made in Germany" as it's supposed to be...