After a lifetime in formal show business, I kind of had a theory that if you remove the structures of show business — the studio, the makeup, the microphone, the can we get you something to drink, the chair that you’re screwed into — if you remove that, you’ll get a different tone, a different dialogue. I wanted to get the dialogue that when you’re standing on the sidewalk and you’re kicking the curb and you’re with a friend and neither of you really wants to go home and you’re just standing there talking. That conversation, I thought, that’s a ‘talk show’ that I’d like to try and see if I can get that in a bottle.