“Hommage à Sara Bartman” Close Encounters of the Caribbean Kind II. On Decolonial Aesthetics and European Blackness as part of the exhibition Who More Sci-Fi Than Us, Kunsthal KAde, Amersfoort, TheNetherlands_curated by Nancy Hoffman, Framer Framed, in collaboration with Non Employees andKunsthal KAde.

“Hommage à Sara Bartman”, Bodies and Oddities, Graduate Student Conference Hosted by the Department of Spanish and Portuguese, Vanderbilt University, Nashville, Tennessee, USA 1-2 October 2010_invited by the Department of Spanish and Portuguese.

the jungle is a skyscraper (performance in collaboration with Stefanie Seibold), commissioned by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, MuKHA, Antwerp, Belgium, 10 December2009_as part of the exhibition Textiles curated by Grant Watson.

the jungle is a skyscraper (performance in collaboration with Stefanie Seibold), commissioned by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Frascati, Amsterdam, The Netherlands, 22September 2009_curated by Frederique Bergholtz.

Presentation, teaching, of my work, as part of the Afropean Film Seminar by Alanna Lockward at the University of the Arts, Berlin, 10-12 June 2016.

Performing “Hommage à Sara Bartman” for a group of students at the ISS, International Institute of Social Studies, in a class about body politics invited by Dr. Rosalba Icaza, Senior Lecturer in Governance and International Political Economy, 24 May 2016. (upcoming)

Symposium on the concept Genocidal white Laughter, at the SIDE ROOM, Butcher’s Tears, Amsterdam on 6 April 2015, curated by Amal Alhaag and Maria Guggenbichler.

Presentation about the Puerto Rican film Maruja (1959) at the event Dialogue II: questioning the explorer curated by Amal Alhaag at Framer Framed, Amsterdam, on September 1st 2015.

Performative presentation in collaboration with Stefanie Seibold at the Studium Generale of the Gerrit Rietveld Academie on January 21st 2015, Amsterdam, invited by Gabrielle Schleijpen.

Black Diaspora + Berlin Decolonial Narratives, invited by curator Alanna Lockward and Julia Roth to participate in the seminar, give a short presentation and participate in the discussions, the bpb-METRO-series at the Bundeszentrale für Politische Bildung, Grüner Salon, Volksbühne, Berlin. November 20, 2014.

67,3% performative research seminar invited by artist Malin Arnell to take part in her performative research seminar at Weld in Stockholm as part of her PhD in choreography at University of Dance and Circus /Stockholm University of the Arts. I was invited together with Stefanie Seibold to present our collaborative works surrounding the performances of Gina Pane, Stockholm, 10-12.05.2014

Invited by Maria Guggenbichler and Hodan Warsame to a screening of the films of documentary filmmaker Marlon Riggs in order to discuss ‘stereotypical representation in mainstream media’ other guests were cultural critic Egbert Alejandro Martina and the curator and cultural activist Amal Alhaag at Butcher’s Tears, Amsterdam from 5-6.4.2014.

Presentation of research Ni ‘mamita’ Ni ‘mulatita’: Caribbean Women’s Stereotypes and the Diaspora” to students at Guelp University, Canada invited by professor of contemporary art and visual theories Susan Douglas as a member of Latin American Canadian Art Projects (LACAP). Skype lesson and screening. 8.10.2013

‘Decolonial AistheSis and Black Sociality’ as part of the course ‘Contemporary Latin American Social Theory and Debate’ at the University College Roosevelt, Middelburg, The Netherlands, invited by Rolando Vazquez, Assistant Professor of Sociology, September 20, 2013.

Occupation Evacuation Transmission, teaching at the Dutch Art Institute (DAI) , face to face studio visits May 30 2012 and face to face meetings and workshop in collaboration with performance artist Emma Hedditch, June 27-28 2013, Arhnem http://dutchartinstitute.eu/ curated by If I can’t Dance I don’t want to

Invited by artist Quinsy Gario to the radio program Roet In Het Eten, (Amsterdam) where we will speak about my performance Hommage à Sara Bartman and the upcoming event we are both participating in BEBOP 2013: DECOLONIZING THE “COLD” WAR, May 19-23, Berlin.

As part of the Aula Intergalactica’s archive, a project in collaboration with Yota Ioannidou, Peter Watkins’ film La Commune will be screened in 3 installments (3 days). Each screening will be followed by public discussions on the representation of women during La Commune at the Kunstvlaai, Inexactly This, Amsterdam, The Netherlands, 29 November-1 December 2012_as part of project GOLEB http://projectgoleb.wordpress.com/http://www.kunstvlaai.nl/2012/

Presentation Angelitos Negros and Genocidal white Laughter at Five Decolonial Days in Kassel, AND AND AND at DOCUMENTA 13, Kassel, Germany, July 11-15 2012_ curated by Pedro Lash and AND AND AND.http://andandand.org/

Avhandling / Av_handling (Dissertation / Through_action), I was one of the opponents for Malin Arnell’s PhD’s defense, she presented her live dissertation on 27,28 and 29th May 2016, and had her PhD defense on the 3rd of September 2016. This took place in Stockholm University of the Arts.

Summer School on Black Europe and international symposium Religion and Slavery Trajectories of Emancipation, National Institute for the Study of Dutch Slavery and its Legacy Ninsee and Vrije Universiteit VU, Amsterdam, The Netherlands 14-30 June 2011_participant

Member of the Transnational Advisory Board and Correspondent at Transnational Decolonial Institute TDI since its inception in February 2011

We-Correspondence, workshop and lectures focusing on different issues relating correspondence, especially seen from a cultural and political social focus, organized by the Dutch Art Institute in collaboration with Binna Choi, director of CASCO, Office for Art, Design and Theory, Utrecht, The Netherlands, from January-June 2009_workshop participant http://www.cascoprojects.org

Individual interviews made by Sarah Pierce to students/artists at the Dutch Art Institute, including me, as part of the exhibition Coalesce: Happenstance, Smart Project Space, Amsterdam February 2009_live interview/performance

IFAA, International Festival of the Arts in Arnhem (Art, Migration and Identity), Arnhem, The Netherlands, 22.09.08- 7.12.08_residency http://ifaa-net.eu

Deshaciendo la risa de la colonialidad 2014, my reflexions on the events Black Europe Body Politics 2012-2014 will be published together with other reflexions in POLÍTICAS CORPORALES EN EL CONTINENTE DE LA CONCIENCIA NEGRA.PERFORMANCE, VIDEOARTE Y ACTIVISMO DECOLONIAL, editor Alanna Lockwardas part of the special volume of the monograph series, El Desprendimiento directed by Walter Mignolo and with Zulma Palermo from the editorial board of Ediciones del Signo, Buenos Aires, Argentina.

Off with Her Laughter! Off with His Laughter! Musing on Be.Bop 2012: Delinking Off Genocidal White Laughter published at IDEA. Arta + Societate, a renowned cultural and art journal from Rumania that dedicated its issue No. 42 to former Eastern Europe and Black Europe and will publish a special dossier on the groundbreaking evaluations of BE.BOP. BLACK EUROPE BODY POLITICS 2012 http://blackeuropebodypolitics.files.wordpress.com/2012/04/idea-42-be-bop-2012.pdf

What about the Black woman? Readdressing ‘Race’ in an Otherwise ‘Neutral’ Performance, an essay I have written as part of my collaboration to a publication by Stefanie Seibold on her research on Gina Pane and our mutual work and research, “Travesti de Sangre” and “Matt und Schlaap wie Schnee”, this essay is published in the book Troubling Research Performing Knowledge in the Arts, Sternberg Press,the project took place at the Academy of Arts Vienna, 2013.

Polyphony #1, the publication is focusing on “The Speaker”, a research based performance on the speeches of Fidel Castro by Teresa María Díaz Nerio and the Polyphony where two invited writers have collaborated with text, Auto-phagia; The Destruction of the Literary Subject in the Diaries of AlejandraPizarnik by Sandra Alvarado Bordas and Self-Portrait – Self-Image by David J. Morrow. Concept by Teresa María Díaz Nerio and design by Stephen Serrato for Werkplaats Typografie, editor Dutch Art Institute and collaborators, writer, Sandra Alvarado Bordas and artist David J. Morrow. This publication has being made as part of the master program at the Dutch Art Institute and the Head of publications project is Delphine Bedel, artist and curator. Book Launch 21.06.09 at CASCO, Office for Art, Design and Theory and exhibited in 6 YEARS: THE COLLECTION curated by Emily Williams at Shashin Art bookshop, Amsterdam, 27 June – 25 July 2009. Distributed by Printed Matter, Inc. http://printedmatter.org