Friday, 11 November 2016

Almost drowned out by the noise over airport expansion, Sadiq Khan
issued A City for All Londonersthis week, the vision document that will underpin the
Mayor’s strategies, and in
particular the London Plan, the city’s spatial
blueprint.

What then does this tell us about what we can expect from Sadiq’s mayorality? The changes are subtle – many paragraphs would not look out of place in Boris
Johnson’s 2008 Planning for a Better London– but they do signal
shifts in emphasis and focus.

There is no
change in the Mayor’s commitment to protecting the Green Belt, but there’s a strong focus on the intensification of existing
development, for example, in town centre locations and around transport hubs,
with a particular focus on TfL and other public sector landholdings. Big sites
and opportunity areas like Barking Riverside, which has been promising to
deliver 10,000 homes for the past 15 years, are still part of the story, but as
Centre for London’s report Going Large emphasises, these can be challenging to deliver.
Looking at existing town centres and transport hubs for new growth
opportunities acknowledges the limits of a ‘big site’ approach in a city that is growing as fast as London.

There’s also a welcome emphasis not just on housing numbers,
but on the creation of neighbourhoods. This includes reference to mixed-use
development, and a ‘good growth’ strategy that encompasses affordability, quality of
place, social infrastructure and zero-carbon initiatives. The document largely
steers clear of the more controversial aspects of housing policy, with no
mention of estate redevelopment (as discussed in Centre for London’s recent Another Storey), 50 per cent affordable housing presented as a
long-term target rather than a day one stipulation, and only a cursory
reference to ‘lack of transparency’ in foreign ownership (although an investigation into
the latter is planned).

A further
subtle shift can be seen in Sadiq’s proposals for economic development, as the
self-styled “most pro-business Mayor yet”.
While maintaining the strength of
the central London’s business districts, including through opposing
office to residential conversions, A City for All Londoners emphasises
the potential for more development, including offices and hotels, in
well-connected outer London centres.

Transport and
environmental issues are discussed together, confirming pledges on air quality,
and setting out a vision for ‘healthy streets’ (using a pedestrianized Oxford Street as an example),
which enable walking and cycling. Major infrastructure schemes –
like Crossrail 2, East London river
crossings and the Bakerloo Line extension – are plugged, with an emphasis on their integration
with new development, as is the takeover of suburban rail that Centre for
London proposed earlier this year in Turning South London Orange. But there is also a strong focus on behaviour change
– to reduce car use, and deliver a ‘feet first’ plan for central London.

The document
also touches on some of the less tangible aspects of urban infrastructure,
social cohesion, mental health, community safety, active citizenship, and
volunteering. There’s a reference to economic inequality also, including
the establishment of an Economic Fairness Team to push for better workplace
standards. Cultural infrastructure – from theatres and galleries to skate parks and gay
pubs – is presented as central to London’s success, and the Mayor argues for ‘agent of change’ measures to ensure that long-standing clubs and music
venues are protected from noise complaints from new residents.

Though it has
dominated public life for five months, references to Brexit are few and far
between. The EU referendum result is delicately described as “not what I and many London businesses had hoped for”, but the Mayor is cautious in pushing for special
provisions for London. Fiscal devolution – the focus of the reconvened London Finance Commission
– is only mentioned in passing, and
immigration is set aside as a matter for government despite recent publicity
for the idea of regional visas. Understandably perhaps, the Mayor is avoiding
self-fulfilling prophecies of doom, or grand claims for what he can deliver -
particularly where this will need government agreement, or depend on the murky
ebb and flow of Brexit policy and negotiation.

Tuesday, 8 November 2016

I don’t get to Duckie as often as I used to, partly the
result of moving to Brighton, and partly just getting older.But, for several years in the late 1990s,
Duckie was the hub round which my week revolved.Friends’ parties, gigs and meals out could come
and go, but from 10pm on a Saturday night, I would be at the Royal Vauxhall
Tavern.

Duckie was founded in 1995 by Amy Lamé (appointed this week as Sadiq Khan’s new ‘Night Czar’), together
with producer Simon Strange, DJs the (London) Readers Wifes, and door whores
Jay and Father Cloth.London’s gay scene
at the time was pretty conformist, dominated by identikit shirts-off techno
sweatboxes, with only a few alternatives (like Popstarz, which was always a bit
too fixated on Britpop for my taste).Duckie brought something new, mixing
performance art, political activism, northern soul, electro, grunge and glam,
all delivered with wit and intelligence.

Compered by Amy, a modern dance troupe would be followed on
stage by an alternative drag act, or by striking Liverpool dock workers urging
solidarity and collecting for a hardship fund.In between acts, you could spend half an hour swaying and struggling through
the friendly crowd to bar or loo, as Kate Bush, The Damned, Suede, Pet Shop
Boys, X-Ray Spex, The Smiths, and Althea and Donna boomed from the turntables (the Wifes were
loath to indulge in DJ-ish gimmicks like ‘mixing’).

After the ever-changing
roster of “the Readers’ Wifes’ favourite record OF ALL TIME!”, the never-changing
refrain of John Travolta and Olivia Newton-John’s ‘Xanadu’ would close the show, as the lights came up, and the crowd spilled out onto Vauxhall
pavements.For five years, Duckie rocked
my world.

Duckie was/is open and welcoming, challenging but safe, intelligent
but amiable, arty but not po-faced, boozy but not lairy, crowded but not
claustrophobic, raucous but not rough, sexy but not self-obsessed. As Amy Lamé settles into her new role, that sounds like a pretty good vision for what
London’s nightlife could and should be.