Guitar Sessions Springfield IL

Here is a skill for you to learn in order to improve your music skills: while you're improvising with a scale, momentarily move your line a half-step up or down to create tension. If you want to get more details about this method, continue reading to find out how to take some music lessons in Springfield, IL.

Subjects
Trumpet, Piano, Ukulele, Bass Guitar, Guitar, Music Performance, Classical Guitar, Singing, Music Theory, Opera Voice, Flamenco GuitarAges Taught
10 to 99Specialties
My experience has been concentrated in classical guitar. However, I was a voice minor for all three degrees, and have sung in professional choirs (His Majestie's Clerkes, now Bella Voce) and paid church choirs (St. Luke's in Evanston as well as St. Chrysostom's and St. John Cantius in Chicago) for the past 26 years. My first instrument was trumpet, which I played in high school and college. I also studied piano in high school and college. In graduate school I performed in early music ensemble…Education
Indiana University - Musicology - 1969-1973 (PhD degree received) Indiana University - Music Theory - 1963-1967 (Master's degree received) Georgetown College - Music Education - 1958-1962 (Bachelor's degree received)Membership Organizations
TakeLessons Music Teacher

Subjects
Music Theory, Guitar, PianoAges Taught
5 to 99Specialties
I am most well versed in jazz guitar and pop/blues guitar. I also have a strong background in classical piano and am a strong sight reader. I teach Music composition, music theory, beginning banjo, music performance, and music recording.Education
Columbia College Chicago - Instrumental Performance - 2005-present (not complete)Membership Organizations
TakeLessons Music Teacher

Sessions

Half-Step Slips By Michael Hoffman

Here's a great way to spice up your solos. The concept is simple: While you're improvising with a scale, momentarily move your line a half-step up or down to create tension. Slipping back to the original scale releases the tension. Moving up or down -- going out -- is easy. Getting back in smoothly takes a little practice.

Outside in. This example illustrates the process. Begin by playing A Dorian (A, B, C, D, E, F, G) over Am7 as notated. Notice how the line shifts to B Dorian (B, C, D, E, F, G, A) on the and of beat four. This tension-producing "half-step higher" state lasts through bar 2, beat three. The F passing tone (labeled PT) adds even more drama within B Dorian. After returning to A Dorian, the line drops to A Dorian (A, B, C, D, E, F, G) for four beats and then rejoins A Dorian for one final note.

Other flavors. Once you've learned this phrase, try giving major and dominant scales the half-step slip. For best results, establish the sound of the inside scale before you move outside -- and be sure to wind up back inside!

Listen to the Example

For more information on scales, chords, progressions, harmony, and MICHAEL HOFFMAN's book Serious Guitar, visit his Web site at www.seriousguitar.com.

Because being in tune is so important, intonating a guitar should be something every player should learn to do. If your guitar neck has too much bow in the wrong spot, or high strings at the nut, playing in tune will be a huge challenge. Adjusting your trussrod is another thing guitarists should be able to do. Unfortunately, leveling your frets and getting your nut slots the correct height is not so easily done at home, but it can make a tremendous difference in playability and tuning.