164 Catalog for Cooks -1 04 ""4li 1'1.t '80 " _. Of; /i'O:q 1. ..*'v..::: >, , COo ' :) .' 8 ..\ "! """ rJ 11"' // .7 ...-$- .. /... Issued p. quarterly, each contains a fascinating . -.. collection of culinary equipment and ingredients from all over the world, well-seasoned with original recipes. It is a very civilized way to do one s shopping. \ s \ My appetite is whetted Enclosed IS S 1 .00 - please send me your next 4 catalogs starting with Fall '81 NAME ADDRESS CITY STAT F ZIP WILLIAMS-SONOMA p.o. Box 3792 Dept 565 San Francisco CA 941 19 \ \ \ \) @ . .. -. " Ou tdoor Sporting Specialties I ," ' . ' it') :: II?'" ::. L L: - = , '<<< Christmas 1981 BeaD'. Trail Model Vest r-......... ,_ef ..-.co --... c.- --. "'"'..... * _ 1Mt......dw ._etr _-'a- ........a.we Sbd f.bric ef...-ø rnI--. ...,.....,.,.."""...... t; t.Lu. s..,......... c'--- __ fiIecI __ _'-=k. ..... .L:T _w Me.I it Retruiw..-. Sm J.+ ).6.'). M.d.( 40}. u.(4Z..... ). XL.cJ:4 4'), XXL<<.(SoO).. 141...... ........T............v.... .......- Moo IAO'III:s.....M.4.()a-+o)'l<<J:41 XI...a:.(41;,.- SJ. 1ØtK...........TraiI v.e. ......- JJ '-- Boat aDd Tote'" Sap :.: F ..:: æ '. I ___.C uod bo..Ioo==r.tw.ped :. : ;. f eNl'eN' _1ìw.-a.,eb".. *...... - P..ojWn. T_ña.., :: >- .s-..a .11\1r .12 Wah- Wt. I _. '" a :;- /6.' .:<.\" :.:; .? .. ....:r;: :;:;.;: \ sy .... ..:::'>::;. :...:" FREE Christnias Catalog Features Bean favorites for men and women as well as new ideas for practical, functional gifts. Quality apparel and footwear, woodburning products, home furmshings and winter sports equipment Many items of our own manufacture. All guaranteed 100 % satisfactory. Mail order shopping at Bean's is fast and effi- cient. Order any time, 24 hours a day, by phone or mail We ship promptly and pay postage on all orders in the United States and its possessions. D Send Free Christmas Catalog Name Address City State Zip L L Bean, Inc. 855 Calco St., Freeport, ME 04033 .... players stood aside or were blown to smithereens. As an improviser, Bechet used the chords of a song but also followed the melody, which kept reap- pearing, like sunlight on a forest floor. His melodic lines were pronounce- ments. They were full of shouts and swoops; they gleamed and exploded. The solos left his listeners with the feeling that they had been in on im- portant things. When he played a slow blues, he exhibited a melancholy-an ancient grieving-hard to match in jazz. And when he played a slow bal- lad he was honeyed and insinuating and melodramatic. Johnny Hodges grew up in both sides of this divided house. In 1946, Bechet moved to Brooklyn and opened a sort of music school. The jazz critic Richard Hadlock took some lessons from him, and wrote about them in the San Francisco Examiner: Sidney would run off a complex series of phrases and leave me alone in his room for a couple of hours to wrestle with what he had played. One lesson could easily take up an entire afternoon, and Sidney favored giving a lesson every day. "Look, when you emphasize a note, you throw your whole body into it," he would say, cutting a wide arc with his horn as he slashed into a phrase. "I'm going to give you one note today," he once told me. "See how many ways you can play that note-growl it, smear it, flat it, sharp it, do anything you want to it. That's how you express your feelings in this mUSiC. It's like talking. "Always try to complete your phrases and your ideas. . . There are lots of other- wise good musicians who sound terrible because they start a new idea without finishing the last one." Bob Wilber has described another facet of Bechet: One thing he was very interested in was the concept of interpreting a song. You start out with an exposition of the melody in which you want to bring out the beauty of it. And then you start your variations, but at first they are closely related to the melody. Then, as you go on to another chorus, you get further away-you do something a little less based on the melody but more on the harmony. Sidney was much more harmonically oriented than most of the players of his generation... Then at the end, you would come back to the melody and there would be some kind of coda which would bring the thing to a concl usion. . . . The idea of the form was very important to him. B ECHET settled in France In 1951. He had filled the forties with gigs in and around New York and in Chi- cago. The pianist Dick Wellstood worked with him at Jazz Limited, in Chicago, and at the Bandbox, in New SEPTEMBER. 14 1981 ..- . 3 #.:"" ..... ;<f . 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",,'W Inside the solid mahoganv OOX is a watch that meets all t'equttements for -elegance and refinement. A 10 karat gold--filled case A luxunous pJg$lan strap in sizes for ladies and gentlemen. And aShockproot 17 jewel Swiss movement.$390 OO Price mdudesshiþþmg. New: Y:ørk resu:WnÞ add 8% '::'.sqk$ tax. Visat. MC*Of.ðmex..:1r\dt4de'Çßrd. aM. exþwation date. '. 0 '. ", '. . '. .'SAN FRA.-NC.ISCO 975 Lexington A;venue,'NeJ112York , : N. 'Y. wa2l 212. 472' 74Q .' \.. .., -:.. 4' . CLASSICAL CALLIOPE THE MUSES' MAGAZINE FOR YOUTH OF JR. - SR. I-DGH SCHOOL AGE Give your dulären a gift that will m terest them m the culture and language of the Romans and the Greeks Help them develop a sense of history Increase their appreciation of Latin, Greek, and Enghsh hterature and 011- prove theIr vocabulary. Word origins, exercises and games. IDustrated myths and artlcles Analysis of ancient ldeas and customs Gift Card Sent Upon Request 1 year $12 - 12 ISSUeS Send check or money order to. CLASSICAL CALUOPE Dept. NY P.O. Box 595, So. Dartmouth, MA 02748