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No visit to NAMM is complete without a stop at the booth of Big City Music. There were familiar faces and instruments, but a few new things as well.

The Mellotron micro is the latest in the Mellotron series. It’s small and compact, and with an expected price $800-$1000 USD it’s more affordable than the others in the series (although still quite pricey).

Metasonix is at it again. The big yellow box that Big City Music always brings to the show sported some new modules in silver.

Among them was the RK2 XSVCA. It’s not just a VCA, but has distortion, feedback and out-of-phase outputs among other features. The marketing material is everything we have come to know and love from Metasonix.

There are always some odd and unusual pedals. These pedals from Indu Trielectric were quite visually intriguing.

The maker’s descriptive text – much less colorful than Metasonix’s – suggested that this was a bit of a Swiss Army Knife with lots of features, including “chaotic reverb” but it also came with the admonition to the user to expect weirdness and imprecision, traits that can be quite useful for music. I wasn’t able to hear it at the time, but might get a chance to later.

One of our perennial stops at NAMM is to the Big City Music booth to see what’s new and play with old favorites. There is always an impressive display of analog modules, including the “wall of synth” from Analog Solutions.

Of course, Big City Music also prominently displayed a full complement Metasonix modules. This included the new spring reverb (at the bottom) that does not conform to the usual yellow color.

I spent a little time with the Mellotron, including a demonstration of the original instrument and its extensions. You can see a bit in this video:

Towards the end, you can see the mechanical elements for the tapes at work.

We also visited again with Leon Dewan, who presented his Swarmatron instrument. Here he demonstrates, and I tentatively try to play as well (one handed as I am also holding the camera):

Although most of these instruments were familiar ones, it is great to see them in action again.

Once again, one of my main destinations at NAMM was the booth of Big City Music, where I can always find analog synthesizers and exotic electronic musical instruments that defy categorization. There certainly was no shortage of modular systems, including this scary looking yellow box full of Metasonix modules.

Because Metasonix modules, especially the R55 VCO, take a huge amount of current, this case can handle a ridiculous 7500mA. That is half of a standard home electrical line. Other manufacturers besides Metasonix were represented as well. Just to the left of the case one can see the new vactrol filter from Koma Electronic, a module I recently acquired.

On the more exotic end, Leon Dewan of Dewanatron was on hand again this year to demonstrate the Swarmatron (watch as our feline mascot nearly gets carted away on the nearby Mellotron):

I tried my hand at it as well. The ribbon controllers feel different from anything else I have tried playing, but once I got used to the feel I was able to start using the instrument expressively.

Perhaps the most visually intriguing but confounding instrument at the booth was this little geometric puzzle with lighted transparent tubes sticking out in all directions:

It turned out to be a prototype for the Akasha synthsizer from Jomox. Today, Jürgen Michaelis from Jomox demonstrated his new device:

In the corner behind the Jomox devices was an increasingly rare analog TV monotor, which was displaying audio from Critter and Guitari instruments rendered using an audio-to-video converter (also by Critter and Guitari).

The simple video converter caught my interest, especially if I decide to do more with video synthesis in the near future.

Thanks as always to the folks at Big City Music for being very hospitable and supportive of CatSynth!

One of the perennial destinations at NAMM is the both of Big City Music. They have quite a collection of both vintage electronic musical instruments and contemporary analog electronics.

The highlight this year was a live performance with a Dewanatron by Leon Dewan:

It was hard to hear it well in the hall environment, unfortunately.

I also was looking closely at some of the analog modular offerings:

Above as a system primarily with Kilpatrick Audio modules for both sound and control. Below is a case full of Metasonix modules, distinctive with their protruding vacuum tubs and yellow color.

Big City announced a new metasonix module, the Thyratron VCO. I was able to listen to it and other modules (VCF, Waveshaper, etc.). Metasonix modules look a bit intense (and their description text can be a bit menacing), but the modules themselves had an unexpectedly subtle sound. That is, until you pick just the right modulation, then it gets more interesting. The wave shaper remains my favorite of theirs.

We received a professional demo of of the Surfin Step Sequencer from Surfin Kangaroo Studio, including its remote control capabilities:

Finally, we had a chance to try out the new digital simulation of the classic Mellotron synthesizer:

It was set up such that one could play both the original (below) and the new digital simulation prototype (above). The simulation faired quite well in an A/B comparison, including trying to play both simultaneously.