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As I sit trying to recover from a very scary asthma attack I had at 4am, when I woke up suddenly unable to breathe, it’s forced me to be reflective on the last few weeks.

It was a manic March and so far April has been equally busy. Having kept up with my daily art challenge – The Artmaniac Challenge, for the whole of Jan and Feb, I fell off the art wagon in March, although ironically Sophie E Tallis Illustrations went from strength to strength – most notably being taken on by HarperCollins in February as one of their illustrators! 😀

This manicness started with a last minute dash to get a dark fantasy short story (Cern) finished for its anthology (Underskinn) deadline of Feb 28th and continued when I had the daft last minute idea of painting a self-portrait to enter the Sky Arts Portrait Artist of the Year 2018 (deadline March 3rd)! I blame the inspiration of a few close friends (and cake nutters) for this and their unbridled passion and enthusiasm for just ‘going for it’, taking chances, pushing boundaries, going outside of your comfort zone – “hell why not?”.

I made the deadlines on both with literally 1 minute to spare, yes 1 minute! My short story has been accepted (as far as I know) but in the end my portrait wasn’t shortlisted. But I must say I have absolutely NO regrets, other than starting the painting the day before so it wasn’t finished properly! 😀

That manic flourish seemed to encapsulate March as I started my next commission, a painting for a New York client and his literary group – for it to adorn the front cover of their literary journal/magazine and website. Seemed like a great opportunity to once again do something different and widen my skill set and reputation for quality original art.

He was a slightly unusual client in that he clearly had never commissioned any artwork before and needed everything to be explained several times. But I’m very patient and being a perfectionist by nature I always want all my clients to be 110% happy and so far they all have been. Some of that perfectionism isn’t just in the standard of the art I produce but in making sure that each client is involved in the whole creative process every step of the way. By doing that, not only are you including the client in the work and all decision making but it becomes a great creative partnership and ensures that you deliver EXACTLY what they want. 😀

Unfortunately despite going through ‘the process’ with him several times to ensure he understood exactly how each stage works and what to expect, there were often occasions where he seemed to get confused – an example being when I sent him the first inked up artwork and he asked where the colours were even though I had explained that I couldn’t move onto the final painting stage until he was 100% happy with the inked up work!

I chalked it up to a difference in culture and language causing a few blips in communication. Mmmm, I should have listened to my spidey senses.

I had purposely set aside the whole of March for his artwork commission, having at his behest moved other projects to the side (including my own picture book that I have two agents waiting to see. So I won’t be doing that again!). Throughout the entire month he kept asking me when he could see the full colour version, even at the beginning when I was only at the graphite drawing stage.

The day of the deadline came, 31st March, as always I delivered the artwork on the deadline as agreed. That’s when it quickly appeared that there was something rotten in Denmark.

I sent the finished artwork to him with a watermark, as agreed, yet he didn’t even acknowledge it and instead kept asking for the finished work without watermark. A flurry of increasingly weird and then aggressive emails came, demanding the artwork without watermark as I kept explaining that he would get it as agreed the moment payment had been made. I’d spent a whole month working my ass off on this, doing exhaustive research, sending copious sketches, colour samples, drawings, asking 101 questions, etc., just to be screwed at the end by either an incompetent idiot or a crook. I couldn’t believe it. 😦

Friday rolled into Saturday when he then switched tack and suddenly said he didn’t like the artwork. I was bereft, utterly exhausted, stressed and upset that I’d worked so hard, which he knew, had kept giving him the artwork at every stage and given him every opportunity for the work to be amended/changed etc. as required yet he had said nothing until after the deadline. It seemed yet another ploy to get the artwork without watermark so he could use it without paying and shaft me in the process – commission my services, time and artwork for free.

Finally I sent an email threatening legal action. To be honest I’d given up hope of ever being paid by this idiot. What made the situation worse was wasting a whole month of my precious time when I could have been doing other projects. In fact half way through March I had received another email from Terence the Head of Fiction Art at HarperCollins asking if I could do another fantasy map commission (for the lovely Anna Stephens and her highly anticipated grimdark debut, Godblind, published with HC in June 2017). The problem was that this one had a tight deadline.

Because of my professionalism I said I was already committed to another client so couldn’t start the HarperCollins one until after the NY commission, April 1st earliest. Boy, April 1st really ended up being a joke on me! 😦

I was so stressed out by it and upset that of course it made me ill. I didn’t sleep for two nights and was vomiting profusely with all my usual vertigo and migraine symptoms. But I had no time to be ill, I had the HC commission to do so I plunged into it, using it as a great distraction from being screwed over. It was also lovely working with Anna Stephens and Terence from HC, two thoroughly lovely and decent people, the complete opposite to the client I had just had.

The week passed with me stressed out of my gourd until the NY git, under the threat of legal action and realising that he wasn’t going to get any artwork from me for free, finally paid up! OMG!!! :O

To be honest, I was totally shocked, I still am, because of the awful way he was behaving I had completely written off ever being paid by him.

But because of his actions, it also meant that I was having to work 12/13 hour days to try and get the HarperCollins commission finished by the deadline of 14th April.

I managed it, just, and I’m really proud of the final artwork. As always I gave it my all and it does look great. Most importantly Anna and Terence love it. Phew! 🙂

But of course, all of this has taken a toll – hence my asthma attack last night. 😦

So what have I learned from all this madness?

Sadly, that I now won’t take on any new commissions from individuals I don’t know, it’s just too risky. From now on I’ll stick to HarperCollins commissions only and indie authors I know…at the end of the day life is tough enough without dealing with unscrupulous people and we all need to make a living and protect ourselves especially in the highly changeable creative arts (writing, artwork, acting, singing etc.).

So folks, whatever field you work in/make a living from, PLEASE make sure you protect yourself, your work, your skills, your time and your health!

Hopefully once my lungs start working again properly, I shall return to my picture book project which I have to get ready for the (hopefully still interested) agents who are awaiting it at the end of this month – in only 2 weeks time!

A great deal of success, beyond the working your ass off, talent and smattering of luck, is also down to you ‘holding your nerve’. Recognising that moment, that opportunity which could go either way, and making sure you swing the pendulum towards the ‘YES WE WANT YOU’ direction and not the ‘THANK YOU, WE’LL PASS’.

Holding your nerve is a deep breath as you plunge through the ice and hope you don’t drown kind of a moment. It catches your breath and if you play it wrong, you’ll be self-flagellating yourself for years to come, bemoaning that one last chance, that one opportunity you had but messed up.

Shortly after my last post about possibly getting an agent, or at least having an agent interested in me, I hit an unforeseen road block in the shape of posh celebrity funny woman, Miranda Hart!

Yes, the same Miranda Hart that used to have the TV show on BBC 1 called ‘Miranda’ and who, apart from being posh and famous, is also fabulously rich.

Well, like a slew of other celebrities, Miranda Hart has decided to go into the realms of fiction, specifically children’s fiction, after all to write a children’s book is the easiest thing isn’t it? That’s what Madonna did and David Walliams does? Sigh.

Now, normally this wouldn’t elicit much of a response from me, beyond the usual groan that once again here is a celebrity that had never written a book before they were famous and who, now they are a well known name, decide to capitalise on that fame and invade the bookshelves of our local library and bookshop (often at the expense of full time writers who depend on writing as their sole income and who don’t have the celebrity lifestyle, bling, fame, money etc., and do not have the cache of having an instantly recognisable name).

I don’t mean to sound bitter, but it does piss me off. The publishing world is tough enough for all writers, especially those like me from a small press or many of my indie author friends, so to have even well established authors squeezed off the shelves by sparkly, shiny celebrities, seems grotesquely unfair and means we have zero chance of getting there ourselves. I don’t have a problem with the endless celebrity cookbooks and autobiographies, but I do have a problem with them invading the fiction shelves with an automatic get out of jail free card – ie. an unfair advantage that no one else has. Even well established authors will not garner the massive publicity, the huge marketing budgets, the momentum, the TV interviews and media coverage that these celebs get, just for being celebs! If they always wanted to write, then why did not one of them write a book before they became famous?

Our library, like many around the country, reflects this trend. So while I’m doing my job I’m seeing Judy Finnegan, Richard Madeley, Fern Britton, Dawn French etc., etc., etc. It’s depressing tbh. Perhaps some of them are good writers, but they have used their celebrity status to get huge publishing deals most authors could only dream of, and remember, they hardly need the money!

Well, on this occasion, this latest celeb to go into fiction has made a huge and direct impact on me personally, in all the worst ways.

A few days after my last post I received a very sweet email from the interested agent giving me a head’s up. It was terrible news.

The children’s book I wrote back in 2013, when after 16 years of teaching I suddenly lost my job and career through a nasty long term illness which I have for life, and when, at the same time I also left my dreadful ex-publisher and was utterly heartbroken over how they had treated me and ruined my beloved book, it was fair to say that 2013 was an awful pissing year. As such, I not only lost my way that year but I also lost my smile for a long time. It was those events that inspired me to write my children’s book, ‘The Little Girl Who Lost Her Smile’, in the hope of it helping me to find my smile again and start over.

Well, I wrote the book back then and have been slowly and meticulously designing and drawing the 24 illustrations needed for it (for a normal 32 page layout picture book). It was this same book that these agents were interested in.

What happens? Miranda bloody Hart has written a book with an almost identical title and by the sounds of it an almost identical story! So after 4 years of hard work, writing, drawing and polishing this children’s book, in one swoop it’s all gone up in smoke! Thank you Miranda millionaire Hart! To say I’m gutted and annoyed is an understatement! All that work, all those years, for nothing! 😦

I am now left in the precarious position of having to completely rework my story and illustrations for these lovely waiting agents, and yes, the pendulum has severely swung away from my direction towards the ‘Thank you but no’ side. It is up to me to now ‘hold my nerve’ and produce something amazing out of the hat to show them, something that will allay their fears about another very similar book already heading for the shelves. The only advantage I have, is that my book is aimed at a younger audience than Hart’s.

But boy oh boy, talk about bad timing, bad luck and sheer annoyance.

“Fuckity, fuckity, fuck, fuck, FUCK!”

So, here I am, holding my nerve, grasping the nettle and stepping off into the ether and hoping against hope that I’ll be able to still grab onto that fleeting opportunity.

Wish me luck folks and if you do see or know Miranda Hart, give her the middle finger for me please! 😀

This is kind of a follow on from my last post about the randomness of good luck and how ‘word of mouth’ can set off a chain reaction of happy outcomes. For me last month that started with HarperCollins approaching me because they loved the fantasy map I created for one of their new authors, Anna Smith-Spark, and that led to them wanting me to be an official HarperCollins illustrator!

Pencil portrait of poet Ben Okri by Sophie E Tallis

Well, what I didn’t mention, as it happened so soon afterwards, is that I was also approached by an agent! Yes, an agent! Again, how this happened was so so weird.

I work at a library, a very inconspicuous job and one I love – who wouldn’t love being surrounded by books all day?! Now, apart from doing my normal library duties, I also paint murals on the huge glass panels of the library windows, which not only brighten the whole library up but do encourage kiddies and more people through the doors. I did a Christmas scene from Narnia, a huge homage to Roald Dahl and the latest one, my own version of ‘Twas the night before Christmas’, complete with my old cat, Kitty.

Anyway, one random day last year, just before Christmas, a customer came into the library and asked if I did the windows. I said yes, then she asked if I was an illustrator, again I said yes, then she revealed that she worked in publishing, specifically children’s publishing and loved my artwork! I was gobsmacked. I told her I had written a children’s book and was busy illustrating it and she was very keen. We exchanged email addresses and emails then after Christmas she contacted me again and asked to see the book. I sent her the text, layout and a few sample illustrations then waited. About two weeks ago she got back to me. They loved it. It wasn’t an immediate “yes we’ll take it now”, but it definitely wasn’t a “no”, they gave me really detailed feedback to tweak and improve it then want me to re-submit it to them in the next few weeks. OMG! 😀

Pencil portrait of poet Benjamin Zephaniah by Sophie E Tallis

It’s just such a bizarre set of circumstances!
So, all this arty madness and my continuing daily Artmaniac Challenge on Facebook, got me thinking…yes luck plays a great part in getting opportunities, what were the chances of an agent coming into the library and approaching me? Zero I would have thought. But, by that same token, we can do more to try and maximise and even create those opportunities. Ten years ago I would never have had the confidence to speak up, if a agent had complimented my work I would have said thank you and left it at that. So yes, we do have to push ourselves out there whenever we can.

Pencil portrait of musician Rick Wakeman by Sophie E Tallis

Simple truth – shrinking violets don’t get anywhere.
All that lovely good stuff got me thinking about taking chances, being more proactive beyond the usual internet stuff we all do, which let’s face it, doesn’t really get us anywhere beyond having a good time chatting to our friends.

So, in a mad flurry, I decided to enter the Sky Arts Portrait Artist of the Year 2018, a national art competition which is televised of all things, where professional and amateur artists have four hours to paint a celebrity sitter then have their work judged. Believe me, the last thing I want to do is expose my wobbling chins on television, but this was something so totally out of my comfort zone I just felt I had to at least try.

Pencil portrait of actor Al Pacino by Sophie E Tallis

First stages of my self-portrait by Sophie E Tallis

Given that I haven’t actually painted in years (and many of my oil paints are so old they’ve gone hard!) and it’s been twenty years since I painted a self-portrait (the pre-requisite for entering the competition), it was a totally mad idea! So, with the deadline being Friday 3rd March midday, I started an oil on canvas self-portrait the day before! INSANE!

Next stage of the self-portrait by Sophie E Tallis

With literally a minute to go (and yes I mean one minute), I finished the portrait Friday morning, quickly filled out the online form and submitted it before I could think too much about it.

Work in progress of the self-portrait by Sophie E Tallis

A few minutes later, I got the confirmation email saying they had received it, wow, I actually did it! I also got another lovely email from one of their assistant producers asking for a higher res photo of my artwork, which I did.

Now, I have no delusions of grandeur here, the likelihood is that my art won’t even be longlisted let alone shortlisted, but you know what, that almost doesn’t matter. I took a chance, a mad chance and really pushed myself out there. I’ve learnt that things I thought I couldn’t do anymore I actually can.

Progress on the self-portrait by Sophie E Tallis

So…the next challenge? I HAVE to put that same energy, that same risk taking, chance taking in my writing. I’ve been frozen on the writing front for so long it’s now a joke. Yes I eventually managed to get to the dodgy first draft stage with my second novel, but I know it’s such a long way from being finished – what the hell has been holding me back? Illness plays a large part, but not all, I’ve been using that as a crutch, I realise that now. It’s fear. Fear that I can’t do it anymore, that all I can do is short stories not novels, fear that the second book will be a failure, that it won’t be as good as the first book, that it will be crap. FEAR.

So folks, this has been my very round about way of saying…

TAKE CHANCES GUYS!

You may fail, most likely we all will, but by god it will help you, inspire you, push you out of that rut you’ve fallen into without even noticing. If you fail, fail gloriously, fail having taken that chance not having stayed on the couch and ‘what if’d’.

So there you go. Opportunities are what we make of them, be brave and challenge yourself. Good luck guys, good luck to all us creative crazies! 😀 ❤ xxx

When it comes to writing or any creative endeavour that you are serious about i.e. not a hobbyist, but that you actually want to make a paying career from (again not fame & fortune, if you crave that you’re in the wrong game – go join a Big Brother house or Britain’s Got (f**k all) Talent), we are so often faced with failure.

So often I feel like the Balrog on the bridge in Khazad-dûm, trying to gain access to a path closed to me, a world full of closing (or slamming) doors.

Trying to make a living out of any creative field in a marketplace so utterly saturated with other writers and artists, is tantamount to wading through tar to reach that Avalon-like island on the horizon. It takes a hell of a lot of hard work, some random luck, some ‘who you know’ and a decent product that you’re trying to sell.

Of course writing and art are completely subjective, what one person considers to be masterful, another perceives as being rubbish. But I still think some basic principles apply – the mechanics of writing a good sentence or drawing a good picture, of forming those images whether in the mind or on canvas.

Sadly, the path to success is littered with amazingly talented people who never quite got to grips with marketing, social media, ‘branding’ or simply had the bad luck not to reach that agent or publisher at the right time who might recognise their genius.

Pencil portrait of actor, James Norton by Sophie E Tallis

Annoyingly, the path to success is also littered with those who seemingly had only a tenth of the talent needed, but who were either fabulously well-connected (all areas of working life will always have an element of nepotism, the famous name, the ‘who you know’ element etc.), or were either bloody lucky in their timing when approaching said agent/publisher, or were so fantastic at the marketing/branding side that they had tremendous success before people realised the tripe they were actually peddling.

In writing terms, the author E.L. James comes to mind, whose actual writing (aside from the dubious pro-abuser content) is simply dreadful. In terms of the art world, for me, Tracey Emin is also the perfect example of brilliant self publicity/PR with minimal talent required. As a former history of art and fine art student & artist myself, I am not anti-modern art at all, just people like Emin. Damien Hirst may not be to everyone’s taste, but like Louise Bourgeois, Jenny Saville, Rachel Whiteread etc., they had a huge underlying skill level. I actually saw Hirst’s early work before he made it big as part of the 1990’s Brit-Art explosion and the guy is actually very talented. Although I cannot pretend to like a lot of his work, the guy CAN at least draw, his draftsmanship skills are very good, he just chooses to explore abstract and conceptual art. For me, as a drawer and artist, that is my benchmark for art, as it is for writing, that the person needs to have good basic skills in their chosen art-form. Emin cannot and never could draw proficiently, even the most basic forms, her drawing ability is quite frankly poor, and no, the irony that she was employed a few years ago as the Professor of Drawing at the Royal Academy of Art is not lost on me. 😦

Pencil portrait of actor, Trevor Eve by Sophie E Tallis

But back to writing. At the heart of the matter, the writer/author needs to have skill at stringing words together, at spinning a yarn, telling a compelling story, writing memorable characters etc., etc.

“YOU SHALL NOT PASS!” goes the voice in our heads as we contemplate sending work off to the latest narrowing submission window, chasing any opportunity that passes no matter how fleeting – like too many bees chasing the one elusive queen, or in fantasy speak – butter spread over too much bread. We’re all chasing the same thing, the same elusive target – to be published, to have an agent, to make a living from what we love to create.

For me, so far this year, the successes I have seen have definitely been in my art rather than my writing. As dearly as I would love more people to read my work and review it and yes, love it, I am still yet another small voice amongst the din, I know this (I will be doing a separate post on ‘branding’ with some tips I’ve picked up and stolen!). But, my illustration work has, rather surprisingly, started to take off and accrue a real momentum of its own!

Rough pencil study of Stephen Fry by Sophie E Tallis

Some of that is due to content, to being prolific. As a writer I have always been glacially slow, I’d like to think it’s quality over quantity, but in truth I wish I found writing as easy as drawing. I struggle with illness, concentration and mental exhaustion to get the words down, it seems to use a part of the brain that simply is not needed when I’m busily drawing. I don’t have to try to thread complicated plotlines together and continue a narrative over a long period of time when I’m drawing. Art allows you to switch off the brain and just use your eyes, instincts and fingers to form the image you want. Because of this, I have been able to create new artwork every day as part of my daily 365 day Artmaniac Challenge, whereas sadly I seldom manage to write every day no matter how hard I try. 😦

So, success definitely is due at least in part, to being prolific, having more content out there for people to look at, assess, discuss etc. Something I fear I may never achieve with my writing. 😦

Another element which I have seen first hand, is the ‘luck & who you know’ factor I was talking about. In my case it was a simple snowball effect. The lovely Juliet E McKenna heard in fantasy circles and shared contacts that I was an illustrator and specialised in fantasy maps. So she contacted me and I ended up doing a fantasy map for her and her wonderful ‘Secret Histories of the River Kingdom’.

Then, because of that and again ‘word of mouth’, the equally lovely Anna Smith-Spark asked me to do a fantasy map for her debut novel, ‘The Court of Broken Knives’, to be published in June 2017 by HarperCollins. That in turn led her editors at HarperCollins to look at the map I did and my other illustration work, which then led to the Head of Fiction Art at HarperCollins contacting me directly to say how much everyone at HC loved my work and to offer me a contract to be an official HarperCollins illustrator (supplier)! *SQUEAL* 😀

The contract came through two weeks ago and yes, I signed it straight away! 😀

Since then I have had almost daily requests from various people to do commissioned artwork for them, including from a New York literary group who want me to do the main image for their magazine and website. It’s insane, I don’t even advertise and am now having to say, “No, sorry, I can’t take anymore commissions on at the moment!”

Madness!

HarperCollins were also lovely enough to tell me that I had been MASSIVELY undercharging people and advised for me to raise my rates. I did, a little, but not as much as they were suggesting otherwise that would stop any Indie Authors from being able to afford me and I know how damn hard it is for indie and self-published authors anyway, so I’m certainly not going to price myself out of their reach. 🙂

So, yes, creating more content and having that ‘word of mouth’ and lucky break does play a massive role in creating success. Now, if only I could apply that and get the same reactions to my written work! 😀

If you’re having the same struggles or successes, do let me know! 😉 xxx

We are all in our own way battling fears and self doubts, about decisions made, life choices, jobs, creative endeavours, pretty much everything. Yes there are those lucky few who sail through life never second guessing anything they say or do, who have unswerving self-confidence regardless of any reasons pro or against – well good for them. But for the rest of us mere mortals, especially those of us who are pursuing a creative career, writers, illustrators, actors, singers etc., crippling self-doubt kind of comes with the territory. 😦

The fact that you have chosen an entirely subjective career path which by the nature of it, is open to a great deal of criticism, speculation and even ridicule, hardly helps. Neither does the fact that most creative people tend to be very sensitive – almost a precursor to being a writer, poet or artist of any kind.

So, apart from navigating the choppy waters of crippling self-doubt and external criticism, sometimes, just sometimes you have to man (or woman) up and face your fears.

For me, some of that is allowing myself to be bold enough to actually set goals for myself. To say that this year I am going to achieve ___________.

Setting goals is a scary business, it’s laying your cards face up on a table and saying to the world – this is what I’m going to do and risk that ridicule and criticism if you don’t manage it.

But, as a brilliant writer friend of mine has said, someone who has ambitions and rightly so (watch this space people), what’s holding you back? Face those fears, fly your flag, pin your colours to the main brace and declare “I am here, and here is what I am going to do! I WILL achieve this!”

So, I am risking the embarrassment of setting out my goals for this year – there is no try, there is only do or do not: 😀

Completely finish writing and edit Darkling Rise (the very long awaited sequel to White Mountain that has taken me FAR too long to write!).

Lose a minimum of two stone (hopefully three) for long-term health benefits and a major life commitment I have made to myself (before I’m too old for it to work) – I’ll be less cryptic when I’m nearer to achieving this goal.

Continue writing short stories and my dark novel, Ravenwing (hopefully to a first draft stage).

Continue building my illustration business. So far I haven’t had to advertise as people have been approaching me, but I need to step up my game and get more commissions going and widen my reputation.*

Build a stronger online presence, as my mate calls it, sort out my ‘brand’, which will help grow followers, fans and help sales as well as getting more reviews and make me more visible to potential opportunities. Yes we’d all love the Game of Thrones success of George R. Martin (though I’ve never fancied the fame bit) but at the end of the day, most of us just want to be able to write and create full-time and make a living from it (enough to pay the bills at least).

Finish my picture book ‘The Little Girl Who Lost Her Smile’ (the story is written but I need to finish drawing and painting all 24 illustrations – I had no idea just how much work is involved in making a picture book!).

Bite the bullet and try subbing to agents, both for my picture book and Ravenwing (once it’s finished) and stop being afraid of success or trying to be successful!!!!

Continue the daily Artmaniac Challenge, creating new art EVERY DAY for a whole year!**

Pay more attention to my lovely little blog (yes, you guys) and blog more often – Sorry!

So there you go, 9 goals for the year. Will I achieve them all? Only time will tell, but I’m going to try my bloody hardest.

Face your fears…

So, what are YOU going to achieve this year?

* Yes, I have some exciting news to share to do with HarperCollins. I have signed a contract with them and will fill you all in very soon! 😀

** The reason for my doing portraits at the moment for the Artmaniac Challenge, is due to the wonderful inspiration that is the Sky Arts Portrait Artist of the Year (and yes, I am thinking about doing it next year!) 😀 xxx

You’ve joined many writer’s sites, built some contacts and hopefully a lot of friends, learned not only your craft but as much as you can about the book business – and believe me there is SO much to learn! I’m still very much a novice myself!

Are you ready?

Well, while I certainly don’t advise rushing to send your work off or sitting on your novel as long as I did, there always comes a time, an indescribable time when you HAVE to take the plunge and just GO FOR IT!

This time is different for everyone.

If there’s one piece of single advice I can give it’s this – every writer’s journey is different.

Your novel is unique, as unique as you, and therefore your journey to publication will also be unique.

Yes, there are times when you find yourself doing that dangerous thing of comparing yourself to others especially those examples of wildly successful writers with inferior books (something shades anyone?), but not only is that dangerous (as it can deflate your confidence) it is also a totally futile exercise like comparing apples to aircraft!

Your writing, your novel cannot be compared directly, neither can you. By all means take advice, look at what fellow authors do, what works, what doesn’t, but in the end the path you chart has to be your own.

So, that next shaky step is approaching publishers and agents. There is a plethora of information out there regarding the good, the bad, and the dodgy.

Do your homework! You’ll regret it if you don’t!

Query letters are arduous but far worse is the waiting process involved, especially if you’re impatient like me, so be warned.

Some publishing houses want to know if you’ve sent submissions off to others. If a house is picky for goodness sake approach these first so you can honestly say that you haven’t approached anyone else…yet!

There is great advice in The Writers & Artists Yearbook on how to write a good letter and examples of bad ones. What I would say though, is use this but also make the letter individual to you. Publishers will know the standard letter, they’ll get hundreds maybe even thousands of them a week. Make yours stand out!

Give yourself the best possible chance!

There is a huge debate as to whether you need an agent or whether you should pursue an agent first or a publisher. Well, certainly I think writers DO need agents, especially if they are hoping to make writing a long-term career, but grabbing one is an entirely different matter. You will find as I said in my previous posts, that trying to get an agent is not only as hard as getting a publisher but is actually harder! A catch-22 scenario – you need an agent to send your ms off to most publishing houses but most agents won’t look at you unless you have a publishing house! Go figure!

My advice for what it’s worth, is that if you and your novel are ready, go for a publisher first. Now, that doesn’t stop you from pursuing agents, but try and get that publishing contract if you can.

Again remember the statistics… Less than 1% of all fiction published in the UK is by new authors…less than 1%!

Now is as hard a time as ever for getting published. The goal posts are continually changing. Guidelines that publishing houses wanted ten even five years ago, will not be the same now. Certainly I know when I was first writing my novel, some of the Big Six (now Big Five) were accepting unsolicited manuscripts, that certainly is NOT the case now.

But it’s not all doom and gloom. Some new authors do still manage to breakthrough and snag a major house. One of them most notably is Mark Lawrence, a fellow Bristolian and fantasy writer and all round really lovely guy. His wonderfully epic and visceral novels, Prince of Thorns, King of Thorns and Emperor of Thorns, are published by Voyager, HarperCollins and is available in Waterstones, WHSmith’s, Amazon and everywhere else, including my bookshelf…but you can’t have those! 😛

However, for the rest of us the main benefit of the Big Five shutting their doors to all unsolicited (unagented) manuscripts, is that their rigidity has given rise to a whole new breed of publishers. The indie or small press publishing house. This is both a good and bad thing. These independent publishers are invariably quite new on the book scene, but don’t see that as an automatic disadvantage, it hugely depends on the individual house. Some are young, full of energy and often way ahead of the publishing curve and the big houses. They want their books to be a success because they have had to invest in them personally and risk their own money, so they should work harder and go that little bit further than those Big Boys who may have deep pockets but are also spread pretty thin and tend to ignore ‘mid-list’ authors who don’t bring in the big bucks.

BUT you must DO YOUR RESEARCH!!!!! Remember, anyone nowadays can set up a publishing house, without the merest sliver of real book publishing experience. The new author must be wary.

I’m afraid for every decent indie publisher, there is a whole sea of unscrupulous presses, which are either wildly inexperienced, incompetent, lazy, fraudulent or a mixture of all. Finding the good ones is not easy. So DO YOUR RESEARCH.

Some indie publishing houses will make highly exaggerated claims, so check the facts. If they say they have offices in London, New York, Paris or Germany, do they? Are these real addresses, real offices with staff and telephones, or are they bogus, merely a post office box in a building which has several thousand other businesses operating out of it? Remember, an ‘office’ can be someone’s living room, know what you’re getting yourself into before you sign the contract. What about their contracts? If they don’t pay advances, then the percentage should at least be good. Don’t accept anything under the standard 7%, many other houses such as Wild Wolf Publishing give 10% to all their authors. Look at their sales record. Do they have a specific sales and marketing team or are they expecting you to do everything? What about covers? Covers are SO important. Never sign with any house who doesn’t employ professional qualified cover artists. Just because someone in the company dabbles in art, doesn’t mean they’ll have the talent, skills or know how to produce a professional looking cover. So check. Check with the authors too, have any authors left them, if so why?

It is a shark infested sea out there for the inexperienced newbie, so be careful which boat you put your trust in, if it has holes, you’ll regret it!

Having said all this, don’t be afraid to take the plunge. By all means send your MS off to the Big Five and try your luck if you want. If your novel is great but you want it published before you collect your pension cheque, then try for an indie.

Then of course, the other route is also the self-publishing. Now to be honest, I really can’t give much advice here as I really don’t know that side of the book business BUT I can tell you that there is NO shame in pursuing this path and don’t let anyone try to tell you otherwise. Writers are writers, books are books, no snobbery please! Again, remember this is your creation, your journey, you must follow the path that best suits you, your needs and your masterwork.

I personally have some of the most astonishing works of fiction on my bookshelves which happen to be self-published, because the author knew their vision and knew that they wanted complete autonomy over their creation and its birth in the marketplace. I tip my hat to those venturers and their wonderous creations!

Thank you to all those writers, published, self-published and yet to be, for creating fiction that you wish was real! May your dreams continue to take flight…

Writing advice…ummm. The tricky foothills and thick forests of the publishing world.

Well, you’ve written your grand opus, researched it thoroughly, edited and re-drafted the hell out of it and it’s finally polished enough to be publication ready.

Now that your work is prepared, it’s time to turn the microscope on yourself. Are you, the writer, the creator of your work, ready for the rollercoaster ride? To be sure, I wasn’t.

Despite having joined writing sites years before, like the wonderful UKAuthors and despite having every volume of the Writers & Artists Yearbook from 1998 onwards, and thinking I was ready and pretty savy…I really wasn’t.

The Writers & Artists Yearbook is a terrific resource to be sure and essential reading for all new authors and illustrators, but it is only the first step. As a debut writer you have so SO much to learn and the learning curve is pretty damn steep! …oh, and there’s always more to learn btw, it never stops!

So where do you start?

Well, writing sites are absolutely invaluable. If you think you can do this completely on your own…odds are you can’t. Writing sites are a microcosm for the industry in many ways. You will make new friends and contacts that will stay with you for years, meet dedicated writers with razor-sharp critiquing skills, and yes, you’ll meet the occasional troll, but that’s life, right?

You will learn not only the craft of writing but gain experience in marketing, promotion, entering competitions, raising your online profile, the merry-go-round of enquiry letters, finding publishers and agents or how to chart your own course by doing the self-pub route which in itself has a whole plethora of new skill sets to learn!

My advice?

Learn as much as you can and as quickly as you can, you’ll need all your skills and cunning, believe me. Oh…and if you’re work shy and not fully committed to becoming a writer, as harsh as it sounds, you won’t make it. The hours you will need to put in, to achieve your goal, are nothing short of insane. Forget social life, forget daily routines…it will literally take over your life!

These are some of the best writing sites to join:

www.authonomy.com – The HarperCollins writing site (and home to my beloved The Alliance of Worldbuilders, the biggest thread/group on there, full of wonderful talented writers and fantasy and sci-fi nuts like me! If you pop in, my username is Tollam, a character from my novel…so come and say ‘hello’!)

www.ukauthors.com – The wonderful Andrea runs this site, full of amazing writers creating in every genre possible. Great for poetry too.

www.abctales.com – The first writing site I ever joined. Write a masterpiece and get your work ‘cherry picked’!

www.absolutewrite.com – A one-stop shop for everything writing connected. Great advice too for the new author.

For writing and information sites, these are the best to join and visit:

www.griffinsquiill.com – A great website run by the multi-talented Ryan Holmes, who also has THE coolest job in the world – he works for NASA no less! A great place for fantasy writers to showcase their work and help each other. A real haven in a shark infested web!

But probably the most comprehensive website/blog I have come across is Morgen Bailey’s.

www.morgenbailey.wordpress.com – Everything you could possibly need or want is here under one wonderful web umbrella! Flash fiction, short stories, author spotlights, blog interviews, writing tips, submission info. for every genre type including scripts and poetry, exercises, poetry writing, the latest competitions – again for every genre type , guest blogs, links, writing groups, critiques (no reviews though as Morgen is insanely busy), and so much more.

For publishers & agents, one of the very best sites is Preditors & Editors.

www.pred-ed.com – THIS IS A MUST SITE! The writing world, like every other, is full of sharks as well as the genuine fish that you’d love to hook or be hooked by. A case of buyer, or writer, beware. This site is invaluable for finding out information on prospective publishers and agents that you are interested in submitting to. A genuinely important resource for all writers.

Also:

www.writersservices.com – An up-to-date site for everything the writer needs. Agents, publishers, editorial services, ‘What’s new’, The Writer’s Magazine, advice from experts and 2,000 pages of information and services. A great site.

www.firstwriter.com – A good resource for finding literary agents specialising in specific genres.

www.writers.net – A good general resource for writers, editors, agents and publishers.

In truth, I could go on and on. There really are SO many sites out there to help you on your journey. I’ve only included the ones I have personally used or visited or which have been recommended to me by fellow writers.

Remember, the road to publication is usually a long and arduous one and is often littered with the carcasses of those writers and works that didn’t make it for what ever reason. Give yourself the best possible chance.

Be in no doubt – this IS an Everest that you are attempting to climb.

But remember, Everest has been conquered, despite the catalogue of casualties. It is an achievable goal, though a mammoth one. Be prepared. You wouldn’t attempt to scale a mountain without any training, climbing equipment or a friendly guide, would you? Enthusiasm and talent will only get you so far. Time to get serious.