Posts Tagged ‘surfaces’

We created a compositional system of triangles and faceted surfaces which can be seen in various elements particularly designed. From the openings in the building in the production zone, to the annex roof allowing the light to be sifted.

Theia offers a continuously growing collection of Portuguese handmade ceramic tiles suitable for covering surfaces, allowing for endless possibilities when it comes to lending personality, history and meaning to any space.

An immersive pathway that explores the versatility of Cleaf surfaces through the theory of the four elements of Nature: water, air, earth and fire. A multisensory environment in which the visitor can move freely to discover the multiplicity of finishes and decorative papers which interact with each other through the law of the ‘harmony of the elements’.

The materials used for the façade are marble “Icarus” combined with ETAL BOND in champagne colour, overhang we used teak specific wood for external surfaces. Generally on the outside we used with different volumes and different surfaces.

We coped with a large number of structural walls and their dead surfaces by artificially cladding them with extruded fluting strips to make them appear as cargo containers which are placed as volumes in the space.

The colour scheme was kept to bright whites, cool greys and a touch of warm off whites. The bright white tones were used on all the Staron solid surface, the back cash wall paneling and ceiling finish to highlight various destination points outside and inside the store.

The interior design of the office incorporates elements that are the antithesis to the world of computer graphics. With the theme of “real materials,” the office features solid, uncoated wood, concrete, glass and black iron plating – all materials that can be used as they are for various surfaces.

When choosing materials, it is preferred to have neutral and non-textured vertical surfaces to the front of which the products were placed and textured and live inclined surfaces on the top elevation to provide a balance by adding warmth to the subject.

The choice of materials is simple: the wood in the form of plywood and OSB as well as glass. The resulting image is consistent with the carrier’s philosophy of openness, simplicity and transparency in addition to creating a warm, relaxed and cheerful working environment.

A fresh, contemporary approach to the brand resulted in clean uninterrupted lines in all areas with clearly defined spaces, created through the use of different material textures, ambient lighting and appropriate contemporary furniture.

Alongside contemporary highlights from his own collection that have been paired with hand-selected items picked by the museum’s curators, the exhibition is a delightful display of curiosities in a space that is enveloped with a sparkling sheen thanks to the holographic material that covers all surfaces.

The space is comprised of large floating steel and wood veneer surfaces suspended from the factory ceiling. None of the steel surfaces touch each other, meaning that while they define the retail space, the beautifully scented activities of the factory space permeate the retail experience.

In a contemporary culture of excess and shifting values, Big Will and Friends calls for architects and artists to embrace the temporal qualities of domestic decor that value appearance over substance, and the ephemeral over the secure and lasting.

The reception to the floor has a living green wall backdrop with the company name. Simple white shades of textured MDF ceiling in combination with blue grey rafters and marble flooring contain vibrant visitor’s seats.

This project is located at Guangzhou 8090 Hui Chao Fang; it is the first The Fashion Door Flagship Store in China with a total area of 2000 squre meters which brings together global original fashion brands and creative works of domestic budding designers.