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Wings Over Waikiki by Stan Stokes.

The Consolidated PBY Catalina, the sea going flying workhorse of the US Navy during WW II, is with no doubt the most successful flying boat ever produced. Produced for more than ten years, it was built in greater numbers (3,300) than any other flying boat in history. In the early days of aviation flying boats made a lot of sense because of the relatively limited number of prepared airfields. Any estuary, river, or lake could become an airfield for an aircraft designed as a flying boat. Consolidated Aircraft got into the flying boat business rather late in the game. In 1928 the company won a bid to produce a prototype of a new high-wing monoplane flying boat for the Navy which would utilize aluminum in its fabrication. The XPY prototype was successfully flown in early 1929, but the Glen L. Martin Co., one of the pioneers in flying boat production, won the production contract. Not deterred by this setback, Consolidated utilized the expertise it had developed on this project to introduce a commercial 28-passenger flying boat called the Commodore. This aircraft was utilized by a number of airlines including Pan Am. Concurrent with work on the Commodore the Consolidated design team set about developing an improved version of the XPY. This design (the P2Y-1) had an enclosed cockpit, and was designed to handle either two or three engines. A total of 47 P2Ys were put in service. As production commenced on the P2Y, Consolidated began work on another improved flying boat which would be considerably larger than the P2Y. The prototype of this new aircraft (the XPY-3) utilized retractable wing floats. In 1935 Consolidated won the initial production order for the first PBY-1s in 1935. In 1936 another fifty aircraft were ordered as the PBY-2 derivative. A PBY-2 based in Hawaii is depicted in its pre-war markings over Diamond Head, in Stan Stokes painting entitled Wings Over Waikiki. This version lacked the fuselage window blisters which would be used on later variants. The PBY-2 had a wing span of 104 feet, and was nearly 64 feet in length. Powered by two 850-HP Pratt and Whitney R-1830-64s, the PBY-2 had a maximum speed of 178-MPH, and a range of more than 2,000 miles. The British ordered more than 100 PBYs in 1939. They called the aircraft Catalina. Also in 1939 a number of Catalinas were modified into amphibians by adding a retractable tricycle undercarriage. This added more than 2,000 pounds to the weight of the aircraft, but also improved its versatility. In the first few days following the Japanese attack on Pearl Harbor, many of the PBYs deployed throughout the Pacific were damaged or destroyed. The PBYs were vulnerable to enemy fighter attack when in the air. Despite these early setbacks, the Navy learned to make good use of the PBY as the war progressed. One of the most effective uses of the aircraft was in night search and attack missions, where the aircraft were generally painted all black. These Black Cats operated from island bases and seaplane tenders and effectively hampered night time movement of enemy supplies. The Catalina also flew many Dumbo missions during the war rescuing downed allied aviators. Many thousands of lives were saved during these missions.

Built by the Consolidated Aircraft Company and designed by Isaax M Ladden. the Catalina first flew on the 28th march 1935. and first flew with the US Navy in October 1936. In 1935 the cost of each Catalina was $90,000 and just over 4,000 were built. The Catalina was used in various maritime roles. but it was designed initially as a maritime patrol bomber. Its long range was intended to seek out enemy transport and supply ships. but was eventually used in many roles including Convoy escort,, anti submarine warfare and search and rescue. In its role as a search and rescue aircraft it probably is best remembered for many thousands of aircrews shot down in the Pacific and less extend in the Atlantic and Mediterranean. The Catalina was the most successful flying boat of the war and even served in a military role until the early 1980's some are still used today in aerial firefighting.

Stan Stokes is a California native with more than 37 years as a full time professional artist, who developed a passion for vintage cars, trains and airplanes at an early age. Model building and RC planes filled the many hours of the young enthusiasts free time. However, unlike most other young aviation enthusiasts Stokes also displayed a great gift for artistic talent. After studying art in College, Stan decided to pursue a career as a professional artist. Stokes initially focused his great talents on depicting uniquely realistic landscapes of the western desert and mountain scenes.†More than†thirty years ago a good friend suggested that Stan combine his passion for aviation history and flying with his artistic talents, and render an aircraft or two. The rest is history. Stan has won†many prestigious awards including the Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museums Golden Age of Flight award in 1985. In May of 2000, Stan was honored with the National Museum of Naval Aviations R. G. Smith Award for Excellence in Naval Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi Valley, California, Stans 12 x 120 foot mural of the History of the Flying White House is on permanent display in the Air Force One Pavilion. In addition Stans painting of the USS Ronald Reagan is hanging in the Legacy Room of the library. In 2005 Stan also completed a painting of our nations next aircraft carrier, the USS George H. W. Bush, which is on permanent display at the George H. W. Bush Presidential Library in College Station, Texas. Stan has also completed several impressive murals for the Palm Springs Air Museum including: The Tuskegee Airmen at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen. Dauntless at Midway at 12 x 34 feet and Corsair on Approach at 19 x 55 feet. Stans work also hangs in the Air Force art collection, the Pentagon, San Diego Aerospace Museum, and the Smithsonian National Air and Space Museum in Washington DC. Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the late Pappy Boyington, Chuck Yeager, and many many others. A true aviation history buff,†Stan often spends†more time pouring over research materials for his paintings to assure their accuracy†to the smallest detail†than†he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stans canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980s NASA has also tapped Stans talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan.