A dashed line design made with the new half-arc bricks. The emphasized spurs/stems and off-kilter geometry give it a quirky, almost handwritten quality. Its striped appearance makes me think of candy as well as the Cheshire Cat, thus the name. :D

I doubt the upper case would look as cute as the lower. So I've cloned all LC to UC to make this easier to use...

In retrospect, I think it looks like a jewelry chain from a dwarven civilization. Perhaps the hypothetical jeweler cut and ground the stones in an imitation of some dwarven font!

When glyphs are used in isolation, they somewhat resemble carved signets or seals. Increasing the letter spacing allows you to create a variation of the design. (This is something that must be done in-software since the font will render as monospaced by default.)

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12SEP2018: Added lowercase... the low resolution combined with the design method make it very difficult to render distinctive lowercase versions of every letter, but I'll keep working on it. There's a lot of similarity between pairs like S/5, Z/2, etc., so this font is most effectively used in forms of writing wherein context suffices to inform the reader as to the identity of each glyph (lists, prose, and technical writings). If you want to use this in a password system or something, I recommend using one case's glyphs only.

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Design Rules:

1. Negative spaces will be areas of 0.5 bricks' effective length or width.

2. Negative spaces may exceed the 0.5 measurement only by increments of 0.5 and in only one dimension at a time.

3. Glyphs will fill their framed canvasses to the greatest extent possible while adhering to the other rules.

An experiment to see if my drawing tablet would be compatible with Fontstruct. Seems to work fine, although I have to draw slowly to avoid broken lines! Despite having to move my arm very slowly, I still managed to create this font from scratch in 9 minutes.

This looks like the freehanded pen letters that I drew back in high school for my comics, particularly "Poodle Caboodle". I went over a few areas more than once, to simulate what I used to do to correct pen drawings.

A font I designed for the animation series, "The Boris Barkov Show". This is made to look blocky and industrial, but still fairly modern. It's mostly built on a 5x5 grid, and is perfectly useable as a pixel font, but is meant for high-res applications.

The show's titlecards only use this font in uppercase. But, I designed a lowercase for the sake of accessibility.

The show is about a stereotypically Russian, mustachioed, ushanka-wearing pug named Boris Barkov. Apart from speaking both English and Russian, he's able to play the video game "Escape From Tarkov", wield a sword and rifle, and carry and throw objects despite his lack of opposable thumbs. His nemesis is PugB (the Americanized "Rambo" pug) and he's rumored to have shady dealings with Sam Yippington, the Latvian Dachsund arms dealer...

2292638443
Published: 9th June, 2015
Last edited: 10th June, 2015
Created: 7th June, 2015
I suddenly had a lot of time on my hands, which resulted in this font. The initial idea was to make a font inspired by the (handwritten?) signs in retail stores, but it quickly took a turn for the more comic.

70730
Published: 4th March, 2015
Last edited: 9th March, 2015
Created: 25th February, 2015
Lumbojack is a font I had started as part of a class project, named Lumbojack because the capital letters have little pieces "cut" into them like the lumberjacks do to trees in old cartoons.

30163
Published: 10th May, 2014
Last edited: 13th March, 2014
Created: 22nd February, 2014
I'll start uploading fontstructions that I never bothered to finish with a license for cloning.
Uneven, bold and jagged, here is my attempt to recreate the crazy styles of lettering featured in UPA cartoons as a standard type. The lettering was done by hand so that the letters could kern perfectly, so it was difficult for me to recreate that aspect as a font.

136264
Published: 27th October, 2013
Last edited: 20th November, 2013
Created: 13th October, 2013
For this project I chose the word 'Chaos" as a starting point. From there i started looking at Chaos theory and was inspired by the forms and shapes of Lorenz Attractors. The shapes and lines reminded me of contour lines on maps, and I thought this idea would create a better typeface.
The typeface has ended up being quite psychedelic which fits with my original theme of 'Chaos".

13181195
Published: 15th June, 2013
Last edited: 15th June, 2013
Created: 22nd May, 2013
A soft, rounded font inspired by Afrojet's Mooch and Mango Solid. Has a few accents, will be part of a family including Squared, Extended,Condensed and Stencil variants.