“Just image that I create a continuos sound with an LFO, as the fundamental structure in that piece. Then I play manually along 13 minutes. Then – this is crazy_hahaha – I built manually 5 rhythm low bass and white noise patterns with the Minimoog plus 2 frequencies coming from my Halicrafter Valvule Radio.
This Radio is a model from 1948. It was the First FM valvule radio, and it has short, long waves and AM, plus FM all over the world. It is a huge gear. It looks like a militar artefact. So I caught some “alien frequencies” because it has a pitch knob and a crystal phasing knob. The Halicrafter sounds “float” over the LFO continuous sound and the rhythms structures.
I had to repeat a lot of tracks from the beginning because since I play without quantization and with manual solfege I have to be:
1 – very concentrated to play one single sound along 13 minutes.
2 – Using the fugue as reference i create a counterpoint wich is nothing more than a groove.
In this piece the groove is created combining irregular sounds (eg from the Halicrafter) and following at the same time the tempo of the LFO Sound. I played at the same time a low frequency sound note on the Minimmog and a scale of a minor 4th from the Alesis Andromeda synth wich is placed under the minimoog…”