Ure Museum Database

Fragment. The leaves on the inside and outside of the rim are slighlty worn, with a small chip and crack evident on the outside. The front surface is smooth, the back feels rougher, and has areas of white/yellow deposit.

Comprised of rejoined fragments, restored where fragments were missing (e.g. in handle zones) and slightly repainted. Blaze is not shiny on the interior and exterior. On the lower part of the body and the foot it is fired brownish. Parts of the clay have been scratched away om the lower part of the body and the exterior of the foot leaving an uneven surface. Small chips on the body.

Intact, half of neck and rim missing, on one side by the cross there is a section which has been chipped away. There are various chips on the body, and the paint has faded significantly on the handle and around the shoulder.

Intact, but missing a chunk from the rim. There is a substantial amount of greyish deposit on the rim and interior, and smaller surface chips on both the interior and the exterior. The exterior is worn in several places.

Two pieces, each intact, seemingly not missing any parts. The mirror is in better condition, with only a few worn and/or green patches, while the lid is damaged at the edges and is covered on the underside with whitish-green deposits. The lid has one cracked, running from the edge toward the centre.

Single fragment, missing parts possibly at both ends. Heavily corroded, with greyish-brown incrustations, with greenish tinge at thicker edge. The fragment is curved on the flatter section (where it may have been attached.

Intact and complete. There are stresses in the pottery throughout body and base, numerous pits and deposits. One crack starts at the mouth and terminates just before the base, and is visible on the interior and exterior. There is a fingerprint near the base.

Part of the body and the rim mended from a rejoining fragment. Part of one handle and two parts of rim missing. Lustre remains. White deposits around the stem. Chips to the rim. Parts of the gloss scratched off the remaining handle. The gloss on the interior is not lustrous. On the larger part of the interior thinly applied and fired red. More shiny on the stem and the underside of the foot. Noted in pencil: 'BM' and '26'

Very fragmentary. Part of the body, rim and one handle preserved, pieced together from fragments. Chips around the rim and the body Gloss worn on handle. On the interior gloss is not lustrous, on the exterior is still shiny.

Joins with Reading 14.9.115; surface feels a little rough, back of figurine uneven and has a jagged hole in it. White barely preserved. All over top of base is dark brown deposit (soil?). More of this dark deposit where the top half has broken off.

Fragment. The surface feels very smooth, but the back is slightly uneven. There is a long crack running down one shoulder and at the edge of the hairline. Little areas of greyish deposit running through contours of body. Once thought to join Reading 14.9.114.

Dark deposits on outer surface as well as surface scratching and a flake of clay missing. The paint is in good condition though. The paint on the underside is in good condition too. Possible remains of a rim section but not enough to be certain.

Thickness of clay is irregular and thickest at bottom of fragment. The black paint is dull and streaky. On the outer surface the areas between the black are creamy-yellow at top but become pinker towards the bottom.

The paint on the exterior surface is in bad condition having eroded away and become dull in the places where it remains. The middle swirl of the pattern is nearly lost completely. Reasonably free from deposits.

Band around rim on top and both sides is fading. Paint faded red from black on the outer surface. Very sharply fracture from vessel. Many surface cracks. The fracture is in two layers and is not a clean break.

Intact and complete; wood is slightly stained and sticky (from previous adhesive) at the right side of the crossbar; the leather drum is brittle, as are the strings, which are loose; the velvet fillet is in dissaray, with some torn stitches.

Interior in in good condition, one of the bands is very faded and only traces remain of the added red. Also a patch of dark brown discolouration. Exterior is heavily discoloured with gray and brown build up, added red is visible underneath

One of two joining fragments (the other is 2004.08.2A). Single, four sided fragment, broken relatively smoothly. One convex side and one concave side. Black decoration partially degraded (especially on the interior) by greyish/white deposits.

Single fragment of five sides, broken sharply. The lower part of the fragment decoration is well preserved, but the upper portion has suffered cosiderable ware, although, the absent upper torsos of the youths can be seen on the terracotta below (due to the paint having preserved the ware to some extent before it was rubbed off).

Single, four sided fragment, roughly broken on three sides. The black paint on the rim itself has been worn in patches, but the thick black band around the rim has preserved its colour and paint. The reserved background has surface scratces and is worn in places. The reverse of the fragmnent is black in colour with five minute chips to the surface paint.

Worn surfaces, with the base of the loom weight heavily worn away and missing. A small amount of white deposits on the surface. Surface of loom weight is scratched and worn, with a partial piercing, cylindrical hole on one side, 1.2 below the piercing hole proper.

Condition isn't good on both fragments, interior is faded and and has some deposits of white visible, exterior is discoloured, faded, stratched and chipped. small holes are visible on A, possibly due to air bubbles during firing.

Fragment, edges are chipped. Deoration on interior and exterior is heavily worn. On exterior there is spotting of a darker colour. Below the handle is handwritten in pencil 'Hernion'. On interior is written '13 Argive Hernion'.

Handle is missing. Handle fracture on the rim and on the shoulder of the vase shows that it was a "ribbon handle". Some white chips on the body, neck and the interior of the mouth.
White deposits on the underside of the foot.

Large fragment. Outside speckled where soiled. Several small chips, the largest of which is above the figure's foot. Inside discoloured, soiled, with a tiny hole and a large oil mark, measuring ca. 5.5 x 5.0 cm.

Single fragment. There are two spots that have been chipped off from the bottom of the exterior and ca. 5.0 cm from the top of the interior. There are also small bits that have been peeled off from the interior, which is almost covered with white plaster. Traces of plaster are also apparent on the external surface.

Part of rim (about 1/4) is missing. Several very small chips and scratched areas can be found on the top surface of the plate, as well as one larger part that is gouged out. Also very small chips are visible on the underside of the plate and a patch near the missing rim is unevenly fired (red instead of black).

Intact. Indentation at top has yellowish deposit in it, rim uneven. Front reveals scratches and small chips at ends of arms. Back has small patches of white deposit, across shoulders, neck and near base. Base is smooth but covered in white deposit.

Consists of 7 fragments and 6 more fragents yet to be reconstructed. A small fragment seems to have been missing when most of the cup was put back together, therefore somebody has used plaster to refill the small piece. One of the side handles broken off and most of the side of the cup is incomplete. Bad condition. Black glaze worn. Small soil deposits situated around cup.

The head of the figure has broken off, as has the top of the spear. There is a section missing from the right of the shield, and the central boss has almost become detached. Te right foot is also missing. There are further fracture-lines extending at nine o'clock from the top of the figure and across the shield from the centre.

The top of the headdress is damaged. The left arm is missing from wrist level, and the right from just below the shoulder. The left foot is absent. The right foot is bent and slightly damaged at the tip.

Two fragments connected at the waistline. The upper torso fragment is missing the head, and the left arm is broken off at the elbow at a point which seems to continue the fracture line. The lower, skirt fragment is missing the feet.

There is a large notch-shaped section missing from the crest and top of the helmet. The arm extending to the right of the shield is bent upwards, and is missing the hand. The left leg is broken off above the knee; and the right leg is warped to the right, and is missing a foot.

Incomplete. The surface condition is not very good, there are small holes and scratchs all over the surface, in and out, as well as fading on the decoration. The rim shows several chips, and the handles are very uneven. The resting surface of the foot is very chipped and uneven.

Intact except for the edge of the rim which is missing on one side. The inside show small areas of general wear, as well as a small patch of what looks like yellow varnish near the broken rim. There is also some white deposit in the reserved disk in the centre, and on one of the handles. The black glaze on the handles has been rubbed away in patches, as has the decoration on the main zone. There is more white deposit on the main zone, some of which runs in circles, showing the gradient of the material. There are cracks on the glaze around the top of the foot, below which are some denser patches of white deposit. This deposit is also evident on the base of the foot and inside it.

Complete but made up of seven seperate pices stuck back together. The handle has several chips, on the middle and lower tiers. The tip of the highest tier has also been chipped, and all over the handle, the gloss shows evidence of wear, with tiny cracks and scratches. The top of the lid shows a few small flakes and chips, mainly on the decoration, and eratically over the surface, there is brown/grey deposit. The inside of the lid is reserved but still shows patches of dirt and a small amount of grey/white deposit around the rim.

Incomplete, neck and mouth glued back on, most of foot still missing. Decoration glaze has become very worn. The rim of the mouth is chipped, and there is a large hole in one side of the shoulder. Most of the decoration on the body is missing, the band below it, very faded. Foot barely remains.

One handle missing, the other repaired. Badly damaged all over, with paint flaking badly from the mouth area, body and foot having been repaired extensively and the glaze is a bad condition leaving the clay exposed. Plaster inserted in base to increase stability.

Chipped at base. The paint on the exterior surface underneath is badly damaged and has worn away / badly fired to reveal different colours. Topside of exterior surface is worn leaving only traces of pattern.

Missing handle, but we can see the remains of where it should have been. There are small chips on the rim of the neck, and the black has begun to rub away. At the base of the neck is a small amount of white deposit, which we can also see on the main zone. The main zone has been worn away in the middle and near one edge. There are small scratches and flaking decoration at the top of the foot.

Intact. Band around rim covered in scratches and small areas of wear. Daub in centre also scratched, very centre is chipped, with a small crack in the middle and small areas of white deposit. Scratches also evident on the outside, some blobs also slightly chipped. Bottom of base uneven, with a small crack running across the middle.

The flat surface of the knob on the lid has a white deposit on it, which can also be found at the base of the stem, and around one side of the rim. Small cracks in the glaze are evident around the the base of the stem, and small scratches are clear around the surface of the rim. The very edge of the rim has some small chips in it. On the inside of the lid, there is one deep scratch, and a hole, as well as more of the same white deposit. The rim and inside of the main body has got more deposit on it, but this is a brighter white. The gloss also shows signs of wear with scratches and flakes in the surface. Near one handle, there is a chip on the rim. One handle is covered in a yellowish/white deposit. More pale white deposit can be found on the foot and on the black band above it. There are several small scratches and chips in the base of the foot.

The vessel has been repaired from ca. 10 fragments, however, part of the lip and three pieces from the shoulder are missing. There is also accumulation of deposits, especially in the interior, as well as some spots that have been pitted off.

Complete. The rim of the neck is chipped and underneath one side of the rim, there is a hole in the neck. There are small holes and scratches over the surface, some deeper scratches around the base. Inside the mouth and on the resting surface of the base is some white deposit.

Complete. Body in two rejoined pieces. Knob on the lid is chipped on both sides and has been broken at the base of the knob and stuck back together. Several chips in the rim of the lid and some scratches. The body also has scratches and chips all over the surface, as well as two large chips in the rim of the base.

Intact. Flakes of glaze are missing all over the surface, both inside and out, especially around the edge of the handles and the rim. A white deposit is clear not only on the inside of the Kantharos, but also in large quantities on the outside, including the base of the foot.

Repaired from sixteen pieces, although missing a large fragment (6.0) from one side, including one handle. Decoration very worn. Fabric roughened on one side, where it is more orange than on the rest of the vessel. Interior blackened with dirt.

Incomplete. Most of neck and all of mouth are missing. The decoration all over is very faded, especially on the body, leaving the surface very smooth. There is a large hole in one side just at the bottom of the main zone. The top and edge of the foot is chipped, on the inside of the resting surface is a small hole. There is a small amount of orange deposit on the resting surface of the foot.

Painted bands on underside are wearing away considerably compared to the topside which has retained most of its colour apart from some white but it is now a little dull. Surfaces are all still smooth with no significant damage.

Top band on underside very badly worn and almost indistinguishable. Surface scratches and discolouration and small deposits at top. White on topside is fading but still visible and the shiny glaze remains on the black/brown.

Much repair to lid which was in fragments but now almost complete apart from small piece of rim from underside. Paint dull on lid but remains clear on bottom piece. Two feet have been repaired and repainted and small part of lower rim is missing.

Complete but stuck back together from eight(?) seperate pieces. The glaze both inside and out is very worn, and the rim shows chipping and flaking. The inside of the pot is not completely smooth and there is a grey/white deposit, especially around the inner rim. Both of the handles have a lot of the same grey/white deposit on them, as well as big worn patches on the glaze. There is more deposit on the outside, especially around the foot. The surface outside is also in fairly bad condition, the surface revealing lots of small scratches and chips. The top of the foot has two significant chips in it but other than that it is in good condition, showing only small cracks running through the glaze in the well on the underneath of the foot.

One handle is missing entirely and the other one is only part there. There are orange and white deposits on the underside of the body and the black on the inside has worn to a dark brown color. The rim of the lid has a large fragment missing.

Restored from many separate pieces. Glaze on the rim is slightly worn, as are the handles. The outer surface is worn. There is a greyish-white deposit in patches all over the surface, especially around the spurs and the reserved area of the main zone, as well as the top of the foot. On the top ridge of the foot, there is a hole. Colour on the inside of the pot has mostly worn away, leaving only more of the same grey deposit. Lid missing.

Intact. The stem of the knob has greyish deposit on it, a soft white version of which, can be found around the rim of the lid. The rim of the lid shows several chips. The underneath if the lid is covered in white and grey deposit.

Intact. Small crack forming at one handle. Streaky paint on bottom of body, showing red through black/brown. Paint is wearing from outside of body on one side particularly. Dusty white deposits on exterior surface as well as uneven lumps in the walls.

Incomplete. Apart from the head missing, there is little damage. There are small holes and scratches on the surface, front and back. The white slip has almost completely worn away, evident now only in small areas.

Intact. Beneath the handle, the top of the bell is not smooth, it appears to have been a hole, which has been stoppered with a ball of clay that remains connected and does not move. The lower black band on the main zone has been completely rubbed away on one side, revealing a darker brown clay. The entire surface shows small scratches, and some whitish deposit is evident, especially around the handle. The inside surface is rough, due to a lot of brown/grey deposit.

Fragment. The gloss on the rim of the fragment is a little worn and the surface on both sides shows small scratches. On the handle, there are a couple of flakes missing, and a small hole, possibly from an air bubble. The gloss on the inside is much more worn, with big flakes missing, with a couple of substantially longer scratches. There is also a yellow/grey deposit all over the inside of the fragment.

Intact. All over shows small areas of wear, on the main zone there are small chips around the base of the handles. Above the stem, on the top of the foot, and inside the handles, there is a small amount of white deposit, including one large patch (which looks like it could have been used to fix a hole).

The vessel consists of two pieces and is repaired. The stem and part of the body are joined together. There are five bits missing from the rim and upper body, as well as bits from the joining parts, where there is also a gouge. In few spots the colour has been peeled off (body of bull, handles).

Comprised of four or more fragments, rejoined, with two large fragments missing from the rim. The surface is weathered, with chipped glaze on the exterior and the handles, worn glaze on the rim and body, and slight pinkish-red deposits on the underside.

Complete; repaired from seven pieces. The rim is uneven, and contains two small but definite chips. All over the surface are small scratches and patches of wear. The pattern on the rim contains few subtle patches of red, the same colour as patches on the handles. Patterns in the centre of the bowl appear to have rubbed away in patches. Underneath, the patterns remain more prominant, but again small patches of wear are evident, especially around the rim. Inside the foot are greyish white deposits, that are also found underneath the rim in small patches near the handles.

Incomplete and repaired in seven pieces. The band on the rim, has mostly been rubbed away and on the inside there is a lot of greyish/white deposit. There are lots of small scratches all over the surface, including one long, deeper one at the base of the pot on the inside. On the outside, the glaze has also been rubbed away in patches, and on the leaves there are patches where it has come away in flakes. The foot is in pretty good condition, except for a white/cream deposit.

Intact. The rim, inside of the bowl and handles, all show evidence of wear, and there are considerable patches where all of the glaze has been removed. There are also small chips to be found on the handles, and on the inside of the rim. Where the glaze has been rubbed away, it has revealed a grey colour. There is also a thin crack running from the edge of the rim, to half way down the first black band. The well in the centre of the bowl is also slightly worn, to reveal a whitish grey colour, as well as a small crack running across the side. On the underside of the bowl, there is more evidence of general wear, including a chip just under the rim next to one of the handles. The bottom rim of the foot also reveals small chips, as well as a crack running across the middle.

Damage to one handle almost breaking the circle. Complete handle has deposits (perhaps from burial). Paint is very worn and in most places only staining remains. For such a fragile rim it is in excellent condition with no chips.

Incomplete. The sides of the mask have broken away, and the slip is covered in patches of grey/brown deposit. Detail of the face are still evident, but the nose shows areas of wear on the tip. The inside is a pinkish colour, with little evidence of deposit, though the surface feels rough to touch.

Missing (part of) head. Large areas of brownish-grey deposit all over body, with areas of white slip showing through in some places and chipped off elsewhere. On stomach, in between two front legs, is a small hole, perhaps from the firing process.

The neck and handle have been repaired and rejoined to the body. There is a scratch on the upper body surface and two tiny bits that been chipped off. The vessel looks burnt (apparently from a burnt grave).

Intact. There is one chip on the edge of the rim, as well as a bit of wear. There is evidence of greyish/white deposit most noticeably around the rim and below one of the handles. Main zone in fairly good condition, with the usual evidence of wear and small scratches all over the surface. A large area of the the firing is red instead of black. There is a small whole in the stem of the foot, and some whitish/grey deposit around the edge of the foot and inside the base.

The rim next to one handle has a small area of sandy deposit and shows where the glaze has been slightly rubbed away. On the rim near the other handle is a larger amount of a more whitish deposit, which is also on the inside of the pot. The glaze on the handles is marred by large amounts of greyish/green deposit, which also covers a large amount of the glaze lower down the body and on the base of the foot. On the main zone on side A, there is a whiter deposit. On side B, at the foot of Pegasus, there is a deep scratch. In the base of the foot, there is a crack down one side of the well.

Complete but not intact it has been pieced back together. On the inside, there are small scratches on the surface and patches where the glaze has faded to red or even its reserved colour. The glaze has also faded on the handles, and the edge of the rim is chipped. There is evidence of a greyish/white deposit on the inside of the rim. On the outside, the decoration is much more worn and faded, and the surface has small chips and flakes. The resting surface of the foot is chipped and in the centre of the foot has been scratched the letters T and I.

Complete but not intact. The top of the mouth has some small chips in it and a small crack inside the mouth. The rim is worn, leaving only a little cross-hatching still evident. At the top and bottom of the handle, is revealed where it has been stuck back together again. There is white deposit on the handle. The surface of the body shows little scratches and wear on the glaze. On the base is a small patch of greyish deposit.

Mended by two joining fragments and with section of rim missing. Paint has faded and top is dirty, making pattern hard to distinguish. Scratches on the surface and knob. Small chip to the top of the knob.Small chips around the vertical edge of the rim

Complete, but not intact. One handle and part of rim restored. Stuck back together from six/seven pieces. Decoration around rim and handles is worn in patches, with small chips in the surface. Small gaps where the pieces have been rejoined. A few scratches are evident in surface of main zone. Top of stem is rough to touch. Resting edge of foot has chips in it, inside the foot has some sandy deposit and a crack across the centre. Inside the body, the gloss looks silvery, with small scratches on it.

Complete but not intact. Rim of foot made up with plaster. Decoration worn in places, small holes and scratches all over surface. Lower bands on foot half missing because of restoration with modern materials, as is one handle.

Comprised of two rejoined pieces. Decoration on the front has faded, and resting surface is very uneven, as is the back. There are small scratches all over the surface and small holes at the top of the head. The back reveals lots of small cracks and holes. There is a white deposit on the chest area, which can also be found inside the base, as well as running along the cracks on the back.

Complete. The white slip has worn away in places, and there is a smooth grey deposit evident in patches. Also, the munsell colour shows through. The features of the face are still fairly clear, but the eyes seem worn. The surface all over feels smooth, but the base of the neck is slightly uneven and a bit chipped.

Complete and intact. The surface is uneven all over, and the red glaze has been rubbed away in areas of prominance; for example, knees, stomach, chest and features of the face. There are indentations and air bubbles around the chest area, and on the back of the figurine. Here, there are also lots of scratches on the surface.

Complete and intact. The surface of the woman is incredibly smooth, the features of the face nearly worn away. There is a large scratch on the woman's right shoulder. As well as patches of white slip that is still evident, there is a smoky covering to the head, chest and knees. The base is very uneven.

Intact and complete. The figure is almost entirely covered by a grey deposit, which makes the surface feel rough. Small detail still remains, on the face, the nose, mouth and one eye. The right foot is also detailed.

Complete but not intact. Top of left arm has broken off and been glued back on. Blue of cloak still faintly visible, but a lot of brown deposit is evident all over the figurine. The top of the head is covered with an even darker deposit, that also encases right shoulder and arm. The swan is also entirely covered by it. Inside the back of the figurine is a whitish deposit, and the surface is very rough, with scratches and air bubbles in it.

Complete but not intact. The figure has been broken in two and pieced back together. Other than that, the only thing wrong is the patches of brown/grey deposit on the head and shoulders, on the back, down some of the folds in the robe, on the vase and at the base, around the feet.

Intact but not complete. Detail of the hair remains very clear, but the features on the face are less so. The eyes have been worn almost completely away, and the nose has a chip in one side. At the top of the forhead, just where the hair begins, is a hole. The top and back are uneven and show small holes on the surface. There is a small amount of dirty deposit at the base of the neck, and inside the hollow of the head.

Intact. There are four noticeable chips in the rim, as well as evidence of wear over the black surface. All over the Kylix are patches of wear and small scratches. The reserved disk in the centre has a lot of grey deposit on it, as does the inside of the rim. This deposit is also evident around the handles, and in small patches along the main zone. At the top of the stem, leading to the base, are lots of cracks and some flaking. There is a chip in the side of the foot, and the well in the base of the foot contains a lot of grey/white deposit.

The handle has been rejoined to the lid, whose colour has been peeled off from many spots (underneath). The body has been reconstructed by 6 fragments. There are some bits missing at the joining points of the fragments, as well as from the incurved surface of the rim. Few bits have been chipped off from the base. The colour is wearing off from many spots, especially at the body. The deposits under the lid and inside the body almost obscure the glaze.

Intact and complete. Much of the glaze remains but in areas where it has rubbed of the green pigment is also missing. The painted detail remains in good condition, the face detail however was not painted and has greatly worn away. It would also seem that the left arm has worn down since the pigment is missing and the arm seems stunted cvompared to its companion. There are several obvious cracks around the feet.

Intact. The rim of the pot shows two chips on the inside and three on the outside. As well as this, there is a grey deposit, which is evident in small areas all over the piece. The glaze on the inside is worn and there are small scratches all over. The outside also shows signs of wear, with small scratches all over the glaze. At the base of the foot, there is more deposit, but this is a white/cream clolour.

The handle has been repaired (rejoined with the body at its spring). There are many bits that have been pitted off from the vessel, especially at the lip and handle, as well as a scratch below the handle. Approximately one third of the vessel (lip, neck, handle and left side of almost half the body) is silvery glossy. The rest is glazed.

Intact; slight chips on rim and footring; much of the glaze flaked off, especially on the exterior; large amounts of white deposit on interior, handles, and exterior. At alrge parts glaze is not lustrous. On one of the handles, glaze is fired light brown.

Complete but repaired in both sides. White, chalky deposits around handles. Paint slightly chipped on rim, handles, and exterior. Design remains clear and colourful although side A is clearer and in slightly better condition than side B.

Complete, appears intact. Paint extremely faded. Inside of mouth has over three small chips. There is one noticeable chip on the outside of the lip. The paint on the neck appears to have been worn away, because a pinkish clay is showing which does not appear to be a fading of the black decoration. There are at least two hairline cracks on the shoulder, with some of the clay worn away. The handles are in good condition with no noticeable chips, whereas the body has several chips and cracks. The base has a few small chips but is in very good condition.

Original lid is missing. However does have a fake/modern lid. Paint badly worn except for three good patches. Sides remain smooth and unchipped. Couple of cracks in surface and one inside. Deposits inside.

Mouth of jug appears to be missing its lip. Handle appears to have originally been black glazed, however now it is very worn. All decoration and figures on jug are quite worn. There is a large chip on the rim of the base, of the jug.

In two places, part of the rim has broken away. There is also a deep crack in side A, from the part of the rim next to one handle, almost up to the part where the other handle springs from. Colour has peeled off in some places, especially the interior. The body of the satyr to the right of the amphora was a bit damaged when paint was still wet.

Almost half of stephane missing on side B, while the decoration of its remaining part is scraped off almost completely.No decoration on the neck. Deep crack from the beginning of the missing stephane down to the Krater's shoulder. Body pitted over entire surface, although side A is in better condition, with the exception of a gouge under the right arm of the left maenad. Incrustations around the chipped base.

Intact (tiny bits have chipped off from the rim). There is large loss of paint on the whole of the vessel (parts of the top surface, as well as the greater part of the lion design is lost, as paint has worn away).

Sixteen fragments that belong to the same kylix. There are parts of the rim and body (a,b,g,k,l,m,n) of the body (c,h,i,j,o) of rim, body and part of the handles (d,e,f), and the base (p). a) Should be rejoined to b. Interior: Layer of white plaster and small bits that have been pitted off. Exterior: Traces of white plaster and a spot that has been chipped off. b) Should be rejoined to a and c. Interior: White plaster and a large spot that has been chipped off. Exterior: Traces of white plaster and small spots that have been chipped off from the left and bottom edge of the fragment. c) Should be rejoined to b. Interior: White plaster and two areas that have been chipped off from the top edge of the fragment. Exterior: White plaster and two small spots that have been chipped off. d) Should be rejoined to e. There are two spots that have been chipped off from the rim and bottom part, as well as some pitting off (rim). Exterior: White plaster and a large spot that has been chipped off from the upper part of the body. The handle is also missing, apart from its lowest part. e) Should be rejoined to d. Interior: There are two spots (rim, bottom) that have been chipped off. Exterior: Traces of white plaster and a spot on the left that has been chipped off. Most of the handle is also missing. f) Should be rejoined to g and h. Interior: There is a layer of white plaster, few tiny bits that have been pitted off and a spot on the left that has been chipped off. Exterior: There is white plaster, a spot that has been chipped off from the top right side and some peeling off of the colour on the handle, whose largest part is also missing. g) Should be rejoined to f and h. Tiny bits that have been pitted off from the exterior. h) Should be rejoined to f and g. Traces of white plaster on the exterior. i) Interior: Layer of white plaster. Exterior: Traces of white plaster. j) White plaster on the interior. k) Interior: Layer of white plaster. Exterior: tiny bits that have been pitted off and slight traces of plaster. l) Could be rejoined to n. Interior: White plaster and a spot that has been pitted off. Exterior: White plaster and some bits that have been pitted off. m) Interior: Layer of plaster and a large spot that has been chipped off from the bottom left edge. Exterior: Traces of white plaster and a spot that has been chipped off from the bottom right edge. n) Could be rejoined to l. Interior: White plaster. Exterior: Traces of white plaster, some pitting off and a large spot that has been chipped off from the decorated area. o) Traces of white plaster on both sides. p) Slightly faded, with a few surface chips on interior and on foot.

Comprised of several rejoined fragments. Only two small sections of rim remain, traces of handle positioning and small protrusion of stem. Nearly all of the main design remains but the lower part of the figure is lost.

Fragment from the rim and neck. There is white plaster on both surfaces. Colour has been pitted off, especially on the external surface of the rim, and peeled off from several spots. The decoration is fadded away on some areas.

Single fragment from the rim and neck of an amphora. There is white plaster on the rim and side surfaces of the fragment, while a thick layer was applied on the external surface of the neck. The decoration is damaged.

There are six fragments probably from the body of the same closed-shape vase (amphora). i) Small bits of the colour have been peeled off and few small spots have been pitted off. ii) The fragment has been burnt. Tiny bits are pitted off. iii) The colour has faded away and has been peeled off from spots. Chips are missing from the edges. iv) The colour has faded away on the contour of the motives. v) The fragment is burnt. Bits of colour have been pitted off. vi) Bits of the colour have been pitted off, especially at the top and right side of the fragment.

There are only 18 fragments preserved from this vessel. These consist of parts of the rim, neck, shoulder and body. a: It is repaired from two fragments, rejoined. Part of the rim (the smallest part of two), neck (including the spring of a triple handle) and shoulder (these consist the second part of this fragment). The fragment is chipped off in many areas (rim: ca. 5 spots/ interior of neck: ca. 10 spots/ neck: ca. 4 spots. There are also gouges on the joining points of the two parts. The upper part (bigger part) of the handle is missing. Apart from tiny bits that have been peeled off from the interior and few deposits, the glaze and colour are preserved in a good condition. b: It consists of three rejoined parts from the vessel's neck. Few bits are missing on the joining point and a spot has even been chipped off, there are deposits and cracking of the colour on the interior, as well as another spot that has been chipped off. Three shallow carvings are also apparent. c: It consists of three parts joined together (two big ones and a small one). Deposits on the interior, three scratches on the exterior, tiny bits that have pitted off and spot that has chipped off from the lower left end. d: Part of the body, colour has fadded away in some spots, and a part has been peeled off. Deposits. e: Part of the body. Deposits but in very good condition, apart from two areas that are chipped off and small bits that are pitted off. f: Part of the body. Apart from deposits in a very good condition. g: Part of the body. Deposits, otherwise in a very good condition. h: Part of the body. Few, tiny bits have been peeled off, also few deposits. i: It consists of two parts of the body. ca. 5 bits have been pitted off and three spots are chipped off; deposits. j: Small fragment in very good condition. k: Small fragment from the body; deposits. l: Small fragment from the body; deposits.

Comprised of nine rejoined fragments and nine loose fragments, one of which shows the head and shoulders of a youth, badly damaged in fire. Five pieces were badly damaged when it was found in 1979 - more detailed in Ure inventory. Underside has been repainted. Exterior surface design is in remarkably good condition considering the damage done to the interior surface. Stem remains but the foot is completely missing.

Comprised of many rejoined piecesby (ca. 10 for the body and 25 for the lid), with some patches reconstructed. One of the legs and large areas of the base, body and lid are restored and repainted. The surface decoration on original pieces is largely intact, with faded white details, and some dark deposits. Decoration worn on the lower flange and the rim of the body, as well as the lower edge of the lid.

Ten fragments that probably belong to the same vessel. a) Tiny bit of the vessel's lower neck, part of the shoulder and the spring of the handle, which is missing. There are scratches on the exterior and two bits that have been chipped off. Deposits and plaster? on the interior. (The rest of the fragments are from the vessel's body) b) Should be rejoined to c. White plaster on the exterior and traces of it on the interior. A small bit has been chipped off. c) Should be rejoined to b. White plaster on the exterior and traces f it on the interior d) Few deposits on both sides and a small bit that has been pitted off from the exterior. e) Few deposits on the interior and traces of white plaster. A tiny bit has been chipped off from the exterior. f) White plaster and deposits on the interior. Two bits have been chipped off from the exterior. g) The decoration appears as if it has been scraped off and there is a spot that has been chipped off from the exterior. h) A small spot has been chipped off. Deposits and traces of plaster on the interior. Added white colour has fadded away. i) There are adhesives on both sides and white plaster on the exterior. The decoration looks as if it has been scraped off, a tiny bit has been pitted off and a small spot has been chipped off. j) Traces of white plaster, especially on the interior. There is a small spot that has been pitted off.

Intact, but badly worn on the surface so that the design is crude and lacking detail. Black paint at neck, mouth and towards base has almost completely worn away. 'Chunks' of clay missing in three or four places on body.

Single fragment, broken off at the top of the lid (just below stem); residue of varnish or glue on edge indicates that it was rejoined to other pieces. Pattern worn on top, where knob is chipped (on top and on side of knob). Grey deposit on surface, especially underside of knob.

Intact, one side of the top of the central tube has chipped away, numerous small chips to the outer body. The black glaze is worn in places. There is a white deposit over areas of the exterior, the interior has a deposit too, wick hole is almost completely blocked with deposit.

Base has been reattached, has holes, and is chiped along the resting surface. One fragment is missing and there are large cracks in the body. Chips along the rim with one major chip which is 8.0 cm long.

Incomplete. One handle and part of side missing. Surface of body in fairly good condition, showing only very small chips and small amount of greyish deposit underneath the handles. Inside the remaining handle is small amount of white deposit. The handle itself is slightly bumpy and chipped on the edges.

Lid intact and complete except for a large chip missing from the rim. Lekanis comprised of three or more rejoined pieces, rejoined with some plaster restorations, preserving one handle, most of the foot, and approximately 2/3 of the body of the bowl.
The surface on both parts is somewhat worn, with whitish-gray patches, chips and scratches, and some black glaze eroded.

Most of vertical handle missing. White deposits on handle, where broken, and on interior. Gloss remains lustrous on the exterior but it is worn and rough on the interior. Small chip on the horizontal handle, scratches on the body.

Part of the rim and upper body has been chipped off. The one of the handles has been rejoined to the body and so is the one of the two springs of the other handle. The rest of the second handle is missing. The gloss is greenish and streaky at some areas. There are deposits, especially on the area above the foot and on the base. Some remains of adhesives? at the one handle.

Intact and mended from 6 fragments. Small part of the ring of the base is broken off. Small chips on rim. Glaze worn off at a spot on the interior. Gloss is not lustrous especially on the interior and the lower part of the body of the exterior. Deposits on the underside of the foot.

Mended from a number of joining fragments. Small parts filled in with plaster (especially on left side. Gloss flaked off on part of the handle,rim and body. It is not lustrous. Towards the foot, thinly applied gloss that leaves parts of the clay to be seen.

Rim and side of bowl comprised of three rejoined pieces, although lustre and stamped design remain clear. White deposition on the ring foot. Gloss flaked off from part of the rim and the body. Gloss is not lustrous.

About two thirds of the top rim of the lid are missing, while one third of its side surface has been reconstructed. The rest of the lid has been repaired through the joining of three fragments; the figural scene has faded. The body is almost intact, only a small bit has been chipped off from the rim, three tiny bits have been pitted off and a small part of it has been reconstructed. The rim of the base also has some pitted off parts.

Complete, but the rim, base and mouth are slightly chipped. The vertical handle, once broken off, has been rejoined. The surface is quote worn, and the left side is covered with a large white deposit around the handle; there are similar deposits on the foot and base.

Almost intact apart from a chip to the mouth; slightly chips on the surface, and worn on the top of the handle and the mouth. Animals remain clear and the gloss is shiny apart from around base which is a little streaky.

Mouth missing. Some flakes of paint from body have left a rough surface. Part of the white paint flaked off. Gloss is silvered on the lower part of the body. A small chip on shoulder. Gloss flaked off the handle and part of the decoration on the body.

Intact. Rim has small chips, the body has chips of varying sizes and also small holes which do not appear to go all the way through the fabric. There is a piece of debris in one of the handles. Colour is fading in some places, maybe due to firing process.

Intact. The inside is covered in sandy/white deposit, which can also be found in the inside of the handles. The rim shows wear on the glaze and slight flaking. The main zones have small scratches on them, including deep scratches on three of the swans (could be intentional?). There is more deposit around the top of the foot and on the base of it.

Complete, but stuck back together from six seperate pieces. The rim shows one definite chip, and several small ones. The leaves on top of the rim have worn away in patches. The main zone also shows patches of wear, the surface revealing different colours, some paler clay, and some more orange. A white deposit is evident on the thick black band above the foot as well as some small scratches. The thin black band around the rim of the foot has mostly worn away. Inside, the black has scratches and flaked away to reveal the reserved clay. There is also more white deposit on the inside walls of the pot.

Major repair work done on one side and to neck consisting of nine pieces. Large chip to foot. Small chips to body. On most part of the figure decoration, handles, foot and mouth, black is fired to brownish. The gloss has flaked off from part of the figures, mouth and neck. White deposits around the mouth.

The mouth is a little chipped and the neck has been repaired. There are bits missing from the shoulder, too. The largest part of the white bands has worn away, as has some of the paint on the foot. There are white and gritty deposits in the mouth and under the handle. The glaze below the meander is streaky. There is also colour loss on the back of the body but this appears to be due to firing.

The vessel is repaired but incomplete, since a large part (1/4) of foot is missing. The lip is also repaired (from two fragments), but a small part is still missing. There is also a cracking on the interior of the rim. Many small bits have been pitted off from the vessel and a few small spots have been chipped off. Additionally, part of the paint on side A is wearing off. There is plaster on the interior of the mouth, as well as plaster and adhesives on other surfaces ((area underneath the rim and on the one handle) and resting surface bears traces of plaster as well and deposits?

Intact but very small chips along the rim and body of mug. Small areas of paint chipped and deposit areas can also be found on the body as well as the base of the rim. Gloss is not lustrous. At parts on the body, gloss fired brown.

Intact. Small chip on the neck. Gloss is shiny and picture remains clear. On the back side of the body, gloss is faded. Paint worn on handle and under mouth rim. White paint has faded. white deposits on the top of the foot. Colour remains clear.

Intact, except for tiny chips on the rim and three small gouges on the lower body. The vessel's condition is very good, as the paint is not worn and the glaze remains. There is a dent in the body but this was made during production. Only slight wearing of the purple dots but not so as they become indistinguishable.

The rim has been reconstructed from 2 fragments repaired. The handle has also been rejoined with the vessel and the whole of the upper part (from rim to end of shoulder) has been reattached to the body. The glaze is shiny in places but has begun to crack in others. There are also deposits on the rim, neck, shoulder and foot / base. Several bits have pitted off from the body.

Broken across bowl in transit from Leicester, and repaired. Gloss remains shiny and silvery. Bowl assembled form 2 fragments. On the exterior, it is not at parts lustrous, while at parts it is fired to dark brown.

Chip in rim partly repaired but some still missing. Glaze flakked off on rim, handles. Not applied carefully. Handle has been assembed by 2 pieces and part of it is missing.Depositions on the grrove just before the foot.

Intact, slight anomaly on the left hand side of the nozzle, ware all over the lamp with considerable amounts of wash missing. Outer ring around the discus is misshapen in one place, probably happened in manufacture. Protruding form on the discus has been broken off. Grey deposit in places, blackening at the end of the nozzle, probably from use.

Mended from a number of joining fragments. Small fragment from the body is missing. Gloss is quite lustrous on the exterior, but rough and worn on the interior and the underside of the foot. Chips around the rim and the body. Deposits on the underside.

Mouth and upper part of the neck assembled from a number of small fragments (repaired by Cameron Hahn, 17.08.2005). Large chip on shoulder, smaller on neck and small chip on foot.
Quite ggod quality of glaze that retians its shine. Net pattern designe dcarefully although the maendar is quite rough. Scratces on the body.

Badly fired leaving traces of red, especialy around lower body. Intact despite dents and scratches to body and handle. Only traces of the white design remain. Major grey/white deposit build up on base and interior. Gloss is quite lustrous.

The vessel is reconstructed by many fragments and has been repaired (it has been conservated and parts of the shoulder and body have been filled in). Some bits of the colour have been peeled off (rim, handle, neck, body) and there are some small spots that are pitted off (rim, body). Lastly, there is a gouge under one of the side handles and another one on the central part of the base.

Chips on both the exterior and the interior of the rim. Chips on the body. Cracks are apparent on the body of the krater and two large fragments on the body have been filled in. The gloss is not lustrous and was flaked off the rim, on the top of one of the handles and part of the body and the foot.

Complete. The body mended from a number of joining fragments. Glaze flaked off on the top of the rim, body and handles. Small chip on one of the horizontal handles. The main zone decoration remains similarly intact, except for a few scratches on the surface, and in small patches, a misty light grey deposit. There is also some of this deposit around the ends of all three handles. Thinly applied glaze, especially on the back side of the vessel, allowing for the colour of the clay to be seen. On the resting surface of the foot is a chalky white deposit.

Comprised of many rejoined fragments, with restorations (large patches on side B and 3/4 of the foot is modern, as is the stem joining it to the base). A long crack extends through the rim and neck at the back. Chips on the handles and the rim. Gloss worn on rim, handles and foot. The gloss on parts of the figure decoration is mirroring.

Incomplete but cleaned and restored at the Ashmolean by Rickard. Body is compiled of fragments with missing parts filled in with plaster. Five separate unattached fragments. Large chip from foot. Neck, mouth and rim are largely restored but some loose fragments remain. Ruddled areas worn and black paint is scratched.

Piece broken off rim and one or two chips from edge. Small chip on the top of the knob. Decoration is excellent condition. Handle appears to have been reattached. Browny-black deposit (?) in rough circle on underside beneath knob handle. Gloss of good quality, still lustrous.

The vase is reconstructed from many fragments. Bits have peeled and pitted off, and there are a few gouges. Gloss is lustreless, parts flaked off on the interior, handles, foot. At parts of the rim and the handles fired brownish.

Intact apart from a section of the spur which seems to have broken off. There is a deep crack on the inner side of the handle at the bottom. Also a dent in the body by the base of the handle, and the base is misshapen, both of which may have been done before firing (?). In a few areas the paint has been worn, and there are minor chips.

All that remains of the mummified cat is the head and neck, from which most wrappings have been removed. The head is in a good state of preservation, showing whiskers & teeth. Enclosed note written in pencil on the back of a printed piece of paper is also well preserved and legible. Cork stopper, seemingly original to the 1890s acquisition of the head, is covered in newspaper which is also well preserved and legible.

Intact. One of the handles broken off and restored. Small chip under this handle. Bad quality gloss that is not lustrous. Thinly applied on the exterior of the body and the foot ring. Deposits on the rim, handles and the underside of the foot

Complete and intact, but in fairly bad condition. It has been badly fired, which has left the glaze patchy, especially on the back of the body. Fired to reddish brown. Around the rim of the mouth, the glaze has been worn and scratched away to reveal the reserved clay, as it has around the handles. The decoration on the main zone is still fairly visible, but is worn in patches and flaking around the edges. At many parts, clay flaked off. Around the top of the foot is greyish white deposit, also evident around the handles. There is a large chip in the foot. White has faded.

One handle and the attached part of the rim are missing. The black colour misfired to red in certain places (e.g. at the handle and at the external side of the rim, underside of the foot, tongues, below the tongues, where the thin line is now reddish-yellow). There are deposits on the exterior of the body and the underside of the foot. Small chips to the rim.

Many spots have been pitted off, especially on the mouth, handle and neck. There are also some bits (shallow) that have been chipped off, especially on the shoulder and upper body, however, the vessel is intact.

Incomplete. The figure has broken in half and been glued back together, however, at the back, there is a chip missing still. The grey colour is interspersed with deposit of a dark brown colour, which is even more prominant on the back. The features of the face have almost all worn away, except for the nose. Around the front and sides of the base are white and dark grey deposits.

Reed not preserved. Silver has broken away in places but has lost some of its glaze and lustre in others. The bronze has deteriorated to green in places. Some repair to silver and bulbous neck. The instrument is in fact sturdy despite its outward appearance.

Intact and complete except for two chips on the rim. The top of the knob has a crack across the middle, leading to a hole in the deeper recess. The surface is worn, with cracks to the glaze surrounding the attachment of the knob and white deposits throughout the decoration. Yellow deposits on the underside of the lid, just outside the flange.

Complete and intact. Yellowish-red accretions on the knob and top of lid as well as the underside mar the surface. The outer part of the lid is worn. The handle of the lid shows areas of wear, especially on the leaves. The stem and underside of the rim are covered in pinky/beige deposit. A white deposit occupies most of the underside.

Two holes have been restored with transparent material. The end of the strigil is damaged. Discolouration of bronze to green, blue and black. Only a couple of areas of the true bronze colour remains. A couple of cracks have appeared making the object fragile.

Large parts of bronze have broken away from the sides of the curved section. The most important aspect to note is the deterioration in colour to blue, green, black and brown. Only in a couple of areas does the true colour of the bronze show through. Deposits under the handle where it joins the body. Small hole to one side of the curved section.

Single fragment. The surface reveals few, tiny scratches, but does have a big flake missing on the palmette. There is also some deposit of a grey/brown colour. The inside gloss shows some scratches that run with the grain of the material, as well as some small flakes missing.

Fragment. Handle covered in scratches and patches of wear, especially on left arm. At the bottom of the left arm of handle is a small chip with a white patch in the middle. Rim, and both inside and outside of fragment show more small scratches. Larger scratch diagonally down left, through black band directly beneath the ivy leaf.

The surface of the fragment appears to be in fairly good condition, except for a few small areas of grey deposit. The back of the fragment varies in colour, moving from red to black and then grey. The surface however is again in fairly good condition with no real evidence of wear except for a few small scratches.

Incomplete, only a small amount of the cup remains, including one handle. Two pieces are glued back together. The glaze on the outside edge of the rim has completley worn away, and there are small scratches all over the surface. Both inside and out, there are traces of a whitish deposit, except on the foot where the deposit is more of a pinky colour.

Two fragments. (a)The glaze on the rim and the inside of the fragment shows a few small scratches. On the rim and the outside of the fragment there are a few small areas of milky/white deposit. The black blob reveals an area which may have been the base of a handle. The colour of the clay inside here, is a more pink colour. Like the first fragment, fragment (b) shows evidence of small scratches on the glaze, both inside and out, but seems in fairly good condition, with no evidence of deposit.

Small chip on rim, where gloss is worn; Good quality black gloss; Gloss flaked off rim and around the ring of the foot; white deposits on inside and on handle. Red misfired line around the ring of the foot probably caused during the firing in the kiln.

Complete. Has been glued back together from two pieces. Is entirely covered by dark deposit, possibly from the action of fire. Thought to be from a burnt grave. There is a lot of flaking, revealing white. The features of the face are distinguishable, but are worn in places. The back is much lighter in colour, but still covered in brown/green deposit and feels rough to the touch.

Intact, top part of the vertical handle is missing, small hole in the left hand side of the body, chip on the edge of the base. Wash is worn in places, with a small amount of white deposit around decoration. Some blackening around spout.

Intact, three small pits in the body of the lamp, none pierce through to the reservoir. wash is worn and chipped all over. Tip of nozzle is blackened, probably due to use. Small amount of grey/white deposit.

Intact, upper right half of nozzle is missing, long hairline crack reaching down into the centre of the base from ths damage. Signs of use visible on nozzle. Fracture around the edge of the discus continuing along the nozzle to the wick hole. Brownish red wash is worn, large amount of white-grey deposit

Intact and complete, Wash and some of the decoration is very worn. ther area around the nozzle has largly lost most of its wash, however there are traces of black indicating usage. Some white deposit on the base and a small amount on the discus.

Intact, small chip to the end of the spout. Wash is wearing, especially at the back of the lamp. large amount of deposit visible through the wick hole. Small amount of deposit on the exterior, more on the base. Nozzle tip blackened, possibly from use.

The fragment is broken to top right of grapes, revealing the underneath jutting out to a point, which has grey, miniscule soil deposits. Decoration is complete to left of grapes but is slighty discoloured due to soil deposits.

Intact, lug is missing outer face, tip of nozzle is slightly chipped. Glaze worn off in front half of the lamp and on the moulded ring. Small amounts of white deposit, blackening around the tip of the nozzle.

Complete, decoration very worn, filling hole is irregular; this may be due to it's production. Nozzle tip is blackened; probably from usage. nozzle end is scored with many lines. White deposit in places.

Comprised of 25 of more rejoined pieces, preserving almost the entire vase. The surface, both glazed and reserved areas, have been heavily eroded, especially on interior, rim, handles, and one side of the exterior (around the siren on the right). The surface is also scratched. and stained gray in places

Quite badly worn. It has been glued back together using three fragments. There seems to be a fragment missing at the bottom of the statue, therefore the figurine is incomplete. Most of the features of the statue are badly worn. There are many soil deposits all over the figure. Inside the hollow figurine there appears to be some sort of plant.

Right foreleg and part of tail missing. Left foreleg has been restored. Traces of white slip. The once probably black colour of the decoration is now brown/red. The surface of the figurine is worn and scratched in places.

The actual pallete is covered with many small scratches, which, combined with the reside of pigments, have left it a light grey colour. There are chips missing from two corners of the base, one larger than the other, with two other chips in diagonal corners of the trapazoid.

A large amount of skin coloured paint has chipped of, particularly around the bottom and edges of the object. The paint on the chest is quite well preserved. There is a large fragment missing from the right shoulder which also removes part of the lower right hand side of the pace. The nose and eye work has been removed or fallen off. A large amount of black paint has chipped of the top of the object. There is also a hole in top of the head and a large crack originating on the lefthand side of 'hair' and ending near the base of the face.

Intact if not complete. The areas where parts of the headdress has fallen off is quite worn. There are three deep holes in the headress that are symetrical about a crack that goes from the top of the headdress to the mouth. There is also a second crack on the right hand side from top to the base of the head, going through the eye.

Intact, there is a large chip in the lip and several much smaller ones also. The surface is very coarse and covered in shallow scratches. There is also a noticeable chip missing from the foot. there is a deposit in the bottom of the orifice.

appears to have no restoration or recent damage. The pottery is very rough with innumerable shallow chips, and there is a large amount of white deposit all over the object, a particularly large patch can be found near the base.

Intact and complete, including all figues and oars. The paint on all figures has degraded and does not merit individual description. Detail is missing from the bow and stern of the boat where the wood has degraded so much. There is also fissures in the wood of the deck of the boat.

The mouth is badly chipped with the entire lip missing. The handle has been glued back on. Half of the upper body, and the handle are covered in a dark grey deposit. There is a deep scratch on the main body.

Intact, it is clear from the top and bottom part of the artefact that it has been removed from a larger object, since they appear to be thinner than the rest of the object and therefore look like 'connectors' of some kind. There appears to be very little degradation of the wood. There are some remnants of a white pigment on the lower half.

Intact and complete. The blue glaze is quite worn in some areas, most notably at the top of the crown where it has toally worn away and reveals the original terracotta material. This is slightly true also around the ears.

Most of the beads have lost their original sheen and several of them have a brown deposit on them. Since there are very few details on any of the beads/amulets it is difficult to say if any have been lost. Several of the objects have lost some of their original colour but all remain intact and complete.

Intact and complete, most of the glaze and a large portion of the green pigment is gone. The are several large cracks on the body underneath the head. A large amount of detail is missing particularly the inscription and the shoulder decoration.

Intact if fragmentary, the wood is somewhat degraded and there are three large chips, two at the top and one running along the side of the main body. It is clear from the state of the state of the foot that it has been snapped off a larger object.

Intact and complete. Some of the black pigment has gone and several edges have slight scratches. The most significant damage is a scratch on the side with twelve dots that goes from one side in a straight line to the other.

The gaps between some teeth have become adhered by deposits. Others have warped out of shape. There is black discolouration, perhpas due to damp, on one face of the comb. A part has broken from the side but is due to be repaired.

Single fragment. The image is complete except for the large chip in the head of the worshipper. There is also Red pigment remaining on his body. The bottom left of the fragment has no image and is speckled with a grey deposit.

Intact, but a large chip is missing from the lip, approximately one quarter missing. There is a crack going from one side to the other, starting and terminating at the shoulder, it goes around the base. Very little deposit.

Intact not complete (the head is missing). The detail is becoming less desinite and the underside has become dirty with what appears to be watermarks. There are small amounts of black deposit sparcely placed around the artefact.

Intact, including top lid and pot. The lid has a about 1/4 of the rim missing, a large chip and several smaller chips around the lip. There is dark deposit around the shoulder and there is a large chip missing from the rim of the base.

Due to deterioration the sharp edge has disappeared due to deposits. The tip is missing and the bronze has discolored to green in places. Two small holes near the nail have appeared perhaps due to deterioration as well.

Intact if only a fragment. The glyphs are still very clear, except one of the right hand side, the fourt glyph down, that has been rubbed away. There is also a white deposit at the bottom of the object on the right. Overall there has been very little degredation of the wood.

Intact. On the underside the wood is apparently water damaged and there is some rotting at the end of the cobra where it presumably once joined to the larger object (crown). There is a large crack on the underside near the very top head of the cobra.

Intact. There are chips all over the object, some that just remove paint others that take some wood as well, particularly on the the left side of the beetle its self. There is a large white deposit on the right wing whcih has collected where some paint has chipped away.

Intact and the surface remains smooth although discoloured to red, green, yellow, black, brown and orange. There is still lustre on the surface and the incised lines are still clear except for the two on the outer surface. Two small holes have formed in the folded over rim.

Single fragment from the rim of a dish or bowl. The blue glaze is well preserved. There is a large malformation in the top right hand side of the fragment, and there are several shallow scratches in the surface.

Three chips on the lip. Several defects all around the artefact, one has been filled in. Only a few of the defects are deep enough to show the inside of the pot: it is circular patch of grey discoloration approximately two-thirds of the way down.

Intact and complete. Much of the glaze and colour has rubbed away particularly on the right side of the front. There is also some dark miscolouration at the top of the head-dress. Compared to it's partner the details of the face are much more vague.

Intact and complete. The pot is covered with small, shallow scratches and small amounts of white deposit. There is also a large scratch going from the mouth down one side, accross the base, and terminating near the base on the other side.

Complete, but repaired. There three large breaks in the pot that have been repaired but are still very evident near the rim. Although the surphace is still smooth a large amount of the red pigment on the out side has worn away while similar occurances inside have meant that some of the decoration has been lost.

Condition is excellent except the leather is stiff and therefore delicate. Left: point is missing from toe, leather straps are broken and incomplete. Right: leather straps complete but broken on the left hand side.

Intact and complete, there is a large chip missing from the edge of the bowl opposite the channel described above. The surface of the artefact is very rough and there is a large amount of grey deposit on large portions of the plate.

Fragment; broken off at ca. 2/3 of foot. Grey-brownish deposits on foot and older fracture edges, which are limited to two sides at the foot section. The other fracture edges are younger. The black paint is slightly worn but well preserved for the most part.

Complete and intact. The amphora is in good condition, showing little signs of wear, as the glaze has flaked in little patches. There is one small chip on the rim and a few around the foot. There is a little bit of greyish deposit around the top of the foot and the rim of the mouth. On the resting surface of the foot is a small amount of brown deposit.

Intact. The glaze has lost its lustre and the red paint is dull. The glaze is also streaky around the foot. There is a major build-up of deposits in the base and in the interior of the rim. There is a gouge on the lower body.

The mouth has been repaired from five or more fragments, each handle from three fragments (with some parts missing and restored on the left handle). The body is reconstructed from 15 or more fragments and the foot has been restored in wood. There is a hole (perhaps original). In the base. Slightly chipped on the mouth, pitted, and scratched; traces of white plaster on the external surface, while the interior and bottom are covered with plaster. Faded decoration in patches.

Nearly complete, except for missing a large chip on the rim (shows signs of previous restoration); handle has been reattached. Decoration cracked around handle attachment; lower part of body gouged in places, as is the underside.

The black surface, slightly iridescent, is slightly chipped at the back. The red surfaces are eroded, especially on the woman's face, and stained, especially on the upper surface of the rim, the laurel wreath, and some of the figural scene.

Rim and foot are cracked once and twice, respectively, but remain intact. There is a gouge on the rim, as well as some smaller chips on the base. Decoration damaged with cracks and reddish-brown stains. White deposits on lower part of rim and underside, as well as foot.

Surface slightly stained on interior, where much of the surface has eroded away; white deposits around lip on interior and on exterior. There are fingerprints on the base and one side of the vase is lower than the other.

Part of the rim, above one handle, has been rejoined. Glaze retains lustre except where it is pitted and has eroded, on the interior and around handles; glaze eroded from decoration on underside. White deposits around one handle and on the exterior

Both nozzles mainly missing, handle missing. Left hand nozzle volute has been restored, small hole from missing fragment, from this hole are radiating hairline fractures to the base. glaze is worn in places, large amount of deposit covering the entirety of the interior and the back portion of the exterior as well as other areas.

Single fragment preserving some of a foot. The marble is rough, and there are a number of brown dirt stains, especially around the big toe, and the side opposite to the toes, where the foot has been broken off.

Intact if fragmentary. The facial features, especially the nose and right ear, have worn down quite considerably although it is still clear what they are meant to be. The line of breakage is straight, falling from the right ear to the middle of the left side of the neck.

Fragment broken off from a larger item. There is a large amount of white pigment remaining on the suface; this suggests that it was originally white in colour. The nose is quite short, perhaps because it has been worn down.

Intact. Accretions from river sediment (light greyish brown, with some reddish brown in areas) cover most of the vase, especially the handles and foot, where the deposits have built up. The interior surface is pitted on reserved areas, and glazed surfaces are scratched and eroded, especially on the interior of the bowl and the lip.

Horse is broken in several places. Difficult to tell if tail has been broken or whether it ever existed. One front and one back leg missing. Head of horse also absent. Painted bands badly worn. White deposits on back of horse.

Comprised of 30 or more fragments, rejoined and with some plaster restorations; body is joined to stem with a new (rusted) screw. Evidence of modern breaks (on plaster joins). Thick dark grey adhesions on base. Iridescence and other slight deposits on interior.

Intact. The rim suffers from several chips, one in particular quite large, opposite one of the handles. There is also evidence of wear on the glaze, as there is on the inside of the bowl. On the band inside the bowl can be found three deeper scratches, as well as the occasional small hole. The handles of the bowl also reveal small chips on their glaze, as well as small scratches. The band which leads down to and envelops the top of the foot, contains small scratches, and where it meets the foot are lots of small cracks in the glaze. There is also some yellowy/grey deposit, which we can also see on the base of the foot. The base is chipped slightly in places and there are small scratches in the glazed bands.

The paint on the underside is in very bad condition; streaky, dull and flaking away at the edges. The paint on the topside is dull but not flaking. Paint has worn badly from rim. Deposits are on the edges.

Four fragments that belong to the same vessel. a) Part of the rim, body and the handle (intact). There is white plaster on the inner surface of the handle and many bits and spots have been pitted off and colour appears peeled off, especially from the back of the handle. b)Should be rejoined to c. Part of the rim and body. Four small bits have been pitted off from the rim (exterior) and there is a bit of plaster. c) Should be rejoined to b. Part of the rim and tiny part of the body. Part of the decoration of the rim has been peeld off. d) Part of the body.

Fifteen fragments that belong to the same kylix. There are parts of the rim and body (a,b,g,k,l,m,n) of the body (c,h,i,j,o) and of rim, body and part of the handles (d,e,f). a) Should be rejoined to b. Interior: Layer of white plaster and small bits that have been pitted off. Exterior: Traces of white plaster and a spot that has been chipped off. b) Should be rejoined to a and c. Interior: White plaster and a large spot that has been chipped off. Exterior: Traces of white plaster and small spots that have been chipped off from the left and bottom edge of the fragment. c) Should be rejoined to b. Interior: White plaster and two areas that have been chipped off from the top edge of the fragment. Exterior: White plaster and two small spots that have been chipped off. d) Should be rejoined to e. There are two spots that have been chipped off from the rim and bottom part, as well as some pitting off (rim). Exterior: White plaster and a large spot that has been chipped off from the upper part of the body. The handle is also missing, apart from its lowest part. e) Should be rejoined to d. Interior: There are two spots (rim, bottom) that have been chipped off. Exterior: Traces of white plaster and a spot on the left that has been chipped off. Most of the handle is also missing. f) Should be rejoined to g and h. Interior: There is a layer of white plaster, few tiny bits that have been pitted off and a spot on the left that has been chipped off. Exterior: There is white plaster, a spot that has been chipped off from the top right side and some peeling off of the colour on the handle, whose largest part is also missing. g) Should be rejoined to f and h. Tiny bits that have been pitted off from the exterior. h) Should be rejoined to f and g. Traces of white plaster on the exterior. i) Interior: Layer of white plaster. Exterior: Traces of white plaster. j) White plaster on the interior. k) Interior: Layer of white plaster. Exterior: tiny bits that have been pitted off and slight traces of plaster. l) Could be rejoined to n. Interior: White plaster and a spot that has been pitted off. Exterior: White plaster and some bits that have been pitted off. m) Interior: Layer of plaster and a large spot that has been chipped off from the bottom left edge. Exterior: Traces of white plaster and a spot that has been chipped off from the bottom right edge. n) Could be rejoined to l. Interior: White plaster. Exterior: Traces of white plaster, some pitting off and a large spot that has been chipped off from the decorated area. o) Traces of white plaster on both sides.

Nine fragments of the same vessel's shoulder (a and b) and body. a) Interior: The upper part seems to have been left reserved, but glazed?, but the lower part is streaky black. There are some bits that have been pitted off. Exterior: Traces of white plaster. There are two small spots that have been chipped off from the bottom of the fragment and some bits that have been pitted off from the joining point of the neck to the shoulder. b) Should be rejoined to c. Interior: Streaky black and two small spots have been chipped off. There are many bits that have been pitted off at the bottom of the fragment. Exterior: Traces of white plaster. There are tiny bits that have been pitted off. c) Should be rejoined to b. Interior: Streaky black, and a spot that has been chipped off. Exterior: Two small spots have been chipped off from the left bottom of the fragment. d) Interior: Has been scraped off. e) Interior: There are spots that have been chipped off. Exterior: There are two large spots that have been chipped off. f) Interior: Streaky black and several bits have been pitted off. g) Interior: Half of the surface has been scraped off and on the rest there are several bits that have been pitted off. Exterior: One small spot has been pitted off. h) Interior: There are large areas that have been scraped and few bits that have been chipped off. i) Interior: Part of the surface has been scraped off and there are bits that have been pitted off on the rest of the surface. Exterior: Two deep, short scratches?

Two fragments probably from the same vessel. (a) Many spots have been pitted off and there are remains of adhesives after some form of restoration. (b) A thick layer of white plaster (after some form of restoration) has been peeled off from some areas and it is cracked, deposits, remains of adhesives and accumulation of residue, especially on the interior.

a) There are some spots that have been pitted off, especially at the edge of the rim, as well as some shallow scratches. There is a bit that has been chipped off from the neck and few deposits. b) Many small spots have been pitted off from the edge of the rim, few bits have been chipped off from the neck and there are traces of deposits. c) Should be rejoined to d. Few parts have been chipped off and there are deposits. d) Should be rejoined to c and e. Tiny bits have been peeled off, there is a cracking on the internal surface and traces of deposits. e) Should be rejoined to d. There are some scratches on the exterior and some parts have been chipped off from both sides. f) Should be rejoined to c. Some spots have been chipped off and at some areas the colour has been peeled off. g) Tiny bits have been pitted off, two spots have been chipped off. h) Traces of plaster, especially on the interior. The colour has been peeled off from some areas and there are spots that have been chipped off. i) Traces of white plaster, streaky black on the interior andtwo small spots that have been chipped off. j) White plaster on both sides, streaky black on the interior and many spots that have been pitted off from the exterior. k) Should be rejoined to l. Traces of white plaster on the exterior. l) Should be rejoined to k, m and n. Few, small bits have been pitted off. m) Should be rejoined to l, n, p and o. There are some scratches on the external surface, as well as some bits that have been pitted off from both sides. Two spots have also been chipped off from the interior. n) Should be rejoined to l, m and o. Many shallow, small scratches and few, tiny bits that have been pitted off. Also, a spot that has been chipped off from the external surface and a smaller one from the internal. o) Should be rejoined to m,n and p. There are some scratches on the external surface, some tiny bits have been pitted off and a spot has been chipped off. p) Should be rejoined to m, o and q. Few tiny, shallow bits have been pitted off. q) Should be rejoined to p and r. Two small spots have been chipped off from the interior. r) Should be rejoined to q and possibly s? s) Could be rejoined to r? t) Should be rejoined to o. There are some tiny bits that have been pitted off from the exterior,as well as a shallow gouge and two scratches. u) Should be rejoined to v. White plaster on the interior. v) Should be rejoined to u and w. There are some scratches, some bits have been pitted off and few spots have been chipped off. w) Should be rejoined to v and possibly x? Some scratches on the exterior and a shallow gouge. x) Could be rejoined to w? There is a shallow gouge and three spots that have been chipped off from the exterior. y) Tiny bits have been pitted off. z) Small bit has been pitted off. aa) Should be rejoined to ab. Bits have been pitted off and surface seems to have been scraped off? on the top. ab) Should be rejoined to aa and ac. Bits have been pitted off and colour seems to be scraped off? on the top. ac) Should be rejoined to ab. Bits have been pitted off and colour seems to have been scraped off on the top. ac) Should be rejoined to ab. Bits have been pitted off and the top seems to have been scraped off? ad) Small spots have been pitted off.

a) Should be rejoined to b. It consists of part of the rim, one handle (the other one is missing) and body of the vessel. Small bits have been pitted off, as well as parts of the colour on some areas. The glaze also seems to be scraped off, apart from the surfaces decorated with palmettes. There are traces of white plaster (on the exterior), especially at the upper part of the handle's springs. b) Should be rejoined to a and c. Part of the rim and body of the vessel. The area above the decoration on the body seems scraped off. c) Should be rejoined to b. It consists of part of the rim, one of the springs of the other handle (that is missing) and part of the vessel's body. White plaster is apparent on most of the external surface. Traces of adhesives? exist on the internal surface of the rim d) Part of the rim and body of the vessel. Adhesives on the rim (interior and exterior). e) Part of the vessel's lower body. Tiny bits have been pitted off from both sides and colour has fadded away on some areas. f) Part of the vessel's resting surface. The foot is missing and there are adhesives and white plaster on the joining point of the foot with the base.

Seven fragments that belong to the same vessel. There is white plaster on both sides of each fragment. b) Adhesives on the exterior. The black gloss has been peeled off at some areas. e) Adhesives, especially on the external left side of the fragment. f) Small bits have been pitted off, and a shallow scratch on the lowest part of the body and a cracking on the central part of the resting surface. g) Looks like it has been flaked off from the vessel.