Nova Scotia. 1976. The weekend of the American Bicentennial. When 15-year-old Kit decides that living with his father is too repressive, he hits the road to move in with his mother. Accompanied by his girlfriend Alice, Kit will explore his very core - his sexuality, his sense of place and self - in an attempt to find a place to call home.

A probing portrait of Chris Burden, an artist who pushed the limits of creative expression and risked his life in the name of art.

For more than 45 years, Chris Burden’s work has consistently challenged ideas about the limits and nature of modern art. His pioneering and often dangerous performance works of the 1970s earned Burden a place in the art history books while still in his early 20s. He had himself shot (Shoot, 1971), locked up (Five Day Locker Piece, 1971), electrocuted, (Doorway to Heaven, 1973), cut (Through the Night Softly, 1973), crucified (Trans-fixed, 1974), and advertised on television (4 TV Ads, 1973–77). But as the 70s progressed Burden became disillusioned with the expectations and misconceptions based on his early works and as the pressure grew, the line between his life and his art blurred.