Tuesday, July 17, 2012

Oh dear, time has flown by again since my last post. One of my recent projects has been to prepare my guest house to be rented. Finding a renter was easy; the rest took time. The tiny bungalow needed a new kitchen sink and counter, a kitchen stove, a bathroom floor, a water heater, and hook-ups for a washer and dryer. At last, I've finished the job and my renter is happily ensconced in his "new digs."

Here's a photo of my guest house, built in 1927. These are the original colors. The railings were added to make it safer for my mother and uncle who lived here for several years.

Before my mother and uncle moved in about seven years ago, I removed the icky plastic bathtub surround and decided the bathtub needed something with a little more character so I dug into my rather large supply of broken china to create a mosaic. My first and only other project had been a ten-foot-long outdoor kitchen counter and this seemed like a piece of cake. Except that I had a much tighter time frame. After days upon days of standing in the bathtub, choosing exactly which piece would be perfect for each spot, I opted to simplify by adding some plain white square tiles to fill space and I like the break it provided and the way it emphasizes the rest of the design - and I guess others like it, too. A few months later my home and this guest house were on our Historic District's annual Mothers Day Home Tour and it's been interesting every since to bump into people who blurt out - "Oh, you're the one with the bathtub!" As I was getting the place ready to rent, a sweet friend insisted that I put pictures of the tub on Pinterest so I decided it was "Blog worthy..."

I'm sorry to say I haven't done any more mosaics, even though my sister and friends continue to provide me with additions to my broken china collection - thank you! Soon I plan to start working with it again, though - it should be a nice way to complement some of my painted furniture. One of these days!

Tuesday, February 28, 2012

I love the look of painted checkerboards or diamonds but have always dreaded doing it and haven't been happy with the results. A short while ago I thought it over and had a huge "aha!" moment. I decided it would be a snap to lay a piece of Contact paper down, use an X-acto knife or other blade to cut along all the lines, and then lift away the parts you want painted. I may have over-simplified here, so I'll each step with photos below. This technique creates nice clean lines and it's MUCH faster than painting each individual square or diamond - give it a try if you like to paint furniture - or even floors or walls!

And, without further ado, my furst "how-to:"

First, paint the background color evenly across the surface where your design will go. When it is thoroughly dry, lay a piece of Contact paper down to cover slightly beyond the area where the design will go. If you need added width, just lay down another piece of Contact paper next to the first, slightly overlapping. Smooth all the Contact paper down to make sure it's securely attached across the entire surface. I've used white Contact paper, which is easy to draw your lines on, here on this small table top.

Draw your design. In this case, I wanted diamonds. I started with the lines going from corner to corner and then I drew lines from the middle point of each edge to the middle point of the other edge.

Once I was happy with the lines I'd drawn, I used a single-edged razor blade to cut gently through just the Contact paper. It won't be the end of the world if you cut into the surface slightly but it's better not to. I would have used an X-acto blade if I'd had one handy.

I then began lifting the pieces covering the areas I wanted to paint.

If you accidentally pull up a wrong piece, you might be able to lay it back into place, otherwise, just use another piece of Contract to cover that area and re-cut. Once all the areas where you want paint are exposed, make sure the edges are sticking well and won't allow paint underneath. Then, start applying your paint over the entire surface. I usually use chalk paint and, so far, have only needed to apply one coat. If I needed a second coat, I would just leave the Contact paper in place.

Cover the areas that need it with paint. On any project, I tend to remove my masking tape or Contact paper as soon as the paint surface paint is barely dry. That way, all lines are crisp and the paint doesn't have time to develop a skin that can pull up paint you don't want to lose. I do tend to let it dry ever so slightly, though, to keep it from being too messy. I use the same blade I cut the vinyl adhesive paper with to carefully start lifting each piece at a corner. Here I've removed the first piece. Check out how crisp those lines are!

Continue to remove all the Contact paper.

Next you'll see that all the Contact paper has been removed. It took me less than a minute to paint in the areas I needed to on this table. If I had painted each diamond by hand, it would have taken me an hour or more. Applying and cutting the Contact paper took about 10 minutes. This technique is a huge time-saver! AND the results are excellent!

I painted French blue "coins" (dots) at each corner of the diamonds and used masking tape to create 1" x 1" squares along the edge of the table top. Once it was all dry, I lightly distressed all surfaces with sandpaper, wiped it down, and then covered it all with my tinted wax finish. I also painted diamonds on the front of the drawer using the same Contact paper technique. Here's the final result, ready to sell in my space at the Rustic Sparrow.

I've also used this for a cute little table I decided should have a checkerboard on top. I'll have to share that one later. This technique could be used with free form designs, also. Or stencil letters onto the Contact paper and cut them out for a quick, easy project. The possibilities are endless. Now - go paint something!

I'm looking forward to teaching this and other painting techniques at a workshop on March 10 at the Rustic Sparrow in Downtown Escondido, California. Maybe I'll see you there!

Tuesday, February 21, 2012

I always believed that retirement meant sitting in a cozy spot reading a good book. Every once in a while I'd pat the dog on the head or head out to the kitchen for a fresh cup of tea, but for the most part it would be quiet and restful. Oh, maybe I'd head to the beach for a walk or I'd bicycle to the store for exercise.

NOT SO for this woman! No idea how I've managed it but not only is my plate full to the point of spilling over all edges, but I seem to have multiple plates! I remain involved with the community - I strongly believe that nobody has a right to complain about anything if he or she doesn't do everything possible to make it right. And I still help out my uncle, who lives in my guest house. But I'm truly enjoying my creative side and selling my unique items to help boost my limited income that's challenged by the rising cost of living. Each piece I paint is unique. I've been reminded by several friends that I could sell more furniture faster if they were more neutral but I have to say, I just can't do it. Each piece calls to me and I just have to do what it says. For example:

No, this piece will not go into just any home. I call it "Construction Zone" because of painted stripes and the yellow squares remind me of one. The cabinet was a drab, damaged art deco piece and the outcome just looks right to me. So, it sits in its place and waits. And I believe the right buyer will come. Any. Day. Now.

Just a week ago, I had my best week ever at the shop. I'd had a lovely lunch at a restaurant nearby with friends who had been co-workers for nearly 20 years and they came to see what I've been up to. One bought my Mother Goose table for her daughter, who is expecting.

"It's perfect!" She said, and explained that she had read to her daughter from the very same book I had decoupaged on the piece and planned to give her the book along with it.

Another friend chose the large mirror with a frame I had decoupaged with dictionary pages. Here's a corner of it.

She wondered if I could customize it for her cabin in Colorado. Of course! I plan to have it finished for her to take next time she goes in early March. It will include her blue/green colors and some woodsy effects. I can't wait to see what I come up with!

On the same day, someone purchased my desk and chair set, something that had been in my space nearly from the beginning back in November. Many had stopped to admire it but that desk just had to wait for just the right owner.

So the good news was that several pieces had sold but the bad news was that my space looked pretty darned empty and I had very little furniture ready to go. I did have this piece ready and it went in right away. (Update 2/22/12 - the piece sold yesterday!)

And this shabby chic table didn't take long to re-work. One of my all-time favorites, it had housed some sort of a machine, possibly a sewing machine. I painted the inside a beautiful shade of blue that will be a beautiful display area and placed a piece of glass over it. It sold It sold less than 4 hours after I'd placed it.

Then I plucked another end-table out of the garage and painted it. I'll show step-by-step how I did a quick job of painting the diamonds on top and on the drawer in a future blog.

And then there is the oak chair. I found it stripped to the original wood but it wasn't in great shape. Here it is, before, in an unflattering position on its back on my dining room table. I had wondered what color to paint it when I found just the right fabric for the seat. Did I dare paint it bright green?

Yes! Although I toned it down a little when I distressed and added the dark wax. And I just had to add the number "12." No idea why I chose 12, but I did.

What's next? The same friend who bought the Mother Goose table asked me to keep an eye out for a small trunk that would corral her granddaughter's American Girl doll collection. I found the perfect candidate the very next day and it's a go. Here it is in its original tacky state. Metallic gold and some sort of red paint.

When I'm finished, it will be a magnificent girly purple and pink! So, time's flying by and I'd better get moving. Planning to write again soon but - you know how my retirement is going!

Saturday, January 28, 2012

I recently purchased and painted an old china cabinet for storing my painting and crafting supplies and realized that the major amount of glass across the front and sides meant I would need to "pretty up" the contents a little since my art studio also happens to be my dining room off my living room. An old leather suitcase, an old wooden tool box, and Mason jars did the trick for containing quite a few things with charm, as long as the viewer appreciates the rustic/shabby look. Then I needed to address my brush storage issue. And I have a lot of art brushes.
You see, my mother had a lot of brushes, crammed into a well-tarnished silver pitcher, that I inherited after her death nearly three years ago. I liked the way they looked and the memories they brought to mind so I had left the whole thing pretty much untouched and on display until just recently, when I began decorative painting again.

The thing is, my mother was really something - I realized way too late in life. You know how it is - as a teenager your parents can be SO embarrassing. But now I appreciate - and miss - her creativity and spontaneity. That the house would be a mess around her but she would be hand-painting charming flowers on Easter eggs, inspired by her bone china tea cups... In her baggy flannel pajamas... From afternoon until late into the night. And I mean real hard-boiled eggs, which, after all her effort were intended to be peeled and eaten. She also taught me to appreciate well-worn second-hand pieces of furniture and envision them as they could be. As I now paint my own unique projects, I think of her often and wonder what she would think of a particular piece I was painting.

Here is a photo of my mother meeting her great grandson for the first time in 2008. In the background, perched on top of the lovely secretary that had belonged to her mother, is that very special pot of brushes.

So, I finally decided that she wouldn't be upset with me; that she'd be excited for me, to finally tackle that pitcher of brushes. I pulled each brush out and sorted them by size, appreciating the bits of paint on the handles that she had left there while tackling her own projects. Most of them were very high quality, big brushes, so the pitcher became my "big brush" pot where those brushes could feel at home. The smaller brushes were added to my own, in a couple of tin cans (which will be decorated later), and the more specialized painting tools were added to a favorite Windsor Newton pot my sister had given me years ago. I think I like the look. And I really enjoy using Mom's brushes now - as if her hand is still on each, guiding mine.