Review

The immediate reaction to Ash Borer’s recent outputs may be one of surprise, as the same group who put out those raggedy cassette demos could not possibly the refined band that has skirted with “mainstream success” as of late. With their self-titled debut, the black metal outfit displayed their raw, aggressive tendencies but all wrapped up in smartly written and atmospheric package. Opting for a cleaner all around sound with a more focused energy, last year’s Cold of Ages showed Ash Borer embracing this spotlight they had found themselves. Drawing some mixed reactions, detractors balked at the glistening production that appeared to signal a loss in what made the band genre darlings. Yet at its core Ash Borer were as much themselves as ever. With Bloodlands, that sentiment is just as true.

Bloodlands is comprised to two lengthy compositions: “Obilvion’s Spring” and “Dirge/Purgation.” At the outset, Ash Borer begin things in an ominous fashion with an atmospheric intro that sounds rather similar to “Removed Forms.” Soon all hell breaks loose in a flurry of rapid fire drums and tremolo picked guitar, all with that Ash Borer gusto. What becomes readily apparent is how different this little EP sounds from the rest of their discography. While not entirely harkening back to their rawest days, Bloodlandsis a much more abrasive affair than the band’s last outing. It’s a bold statement towards those who declared Cold of Ages to be a step in the wrong direction, yet everything that made that album such a success was kept. Both pieces sound incredible, finding a happy medium between everything the band has done up to this point. They complement each other nicely; two grand movements that practice subtlety and ambience as well as cathartic aggression. While not a lot has changed in between releases, Ash Borer have done enough tinkering with the established formula to present some of the best work of their career. The selections here are tight and concise, but each entrance thanks to the band’s ability to weave so many different sounds together and make feel natural.

If anything, Bloodlands is a signal that Ash Borer are still finding their place amongst the black metal ranks. While the formula here is a bit reused (ambient intro, chaotic middle, atmospheric outro), it’s hard to complain when it is done so expertly. Thanks to some smart songwriting and sublime production techniques, this EP stands as some of the best material the California act has crafted to date.

Fell Voices went up for ordering on the European distributor's site yesterday, and the band has their first show in Europe on Friday. Hopefully someone should have the sense to rip that album and put it online within the next week.

1. settling into a sweet spot
2. maturing
3. growing up
4. coming into their own
5. this band wants you to know theyre here to stay
6. a truly inspiring progression

shit like that^

makes me not want to read the review. say something sweet like:

"ash borers shit all sounds the same and they sold out and are now one of those bullshit hipster black metal bands but they do write good shit so you can trust this is good.... be sure to put them on your latest digs list"

I have to disagree. A good summary could hook the reader and make a difference as to whether they want to even read the review in the first place. If you don't have a summary you better have a killer opening sentence.

It depends on your audience, Atari. Pitchfork doesn't use anything of the sort, and I really enjoy going into their reviews without any expectations. Of course, Sputnik caters to a different audience-- I just find myself leaning towards skipping the summary these days.