First Indian film museum to open in Bollywood city of Mumbai

Monday, 10 March, 2014, 6:05am

News›Asia

INDIA

Agence France-Presse in Mumbai

New venue will trace history of Indian movie industry from silent era to today's blockbusters

Seven years in the making and costing nearly US$20 million, the first Indian film museum is set to open in the home of Bollywood, more than 100 years after the country's celebrated movie industry was born.

The government-funded National Museum of Indian Cinema, set in an elegant 19th-century heritage bungalow in south Mumbai, traces Indian cinema's history from the black-and-white silent era to its musical modern blockbusters.

"It's about time India had its own film museum," said curator Amrit Gangar. "We have archives, but not a museum and today a museum can become vibrant because of technology and interactivity."

Spread across two floors of the 6,000 sq ft building, the museum showcases original artefacts, memorabilia, recordings and film-making tools. Visitors can see an original painted poster for the 1957 epic Mother India and listen to songs by K.L. Saigal, considered the first superstar of Hindi film.

The idea is to celebrate not just Hindi-language Bollywood, but also films made in the various regions and languages across India, a country that produces nearly 1,500 movies a year.

"All the filmmaking centres of India have been represented," said Anil Kumar, head of marketing at the government's Films Division, who said the museum was ready and would open within the next few weeks.

The curators of the project were faced with big gaps in the country's rich cinema heritage - many of India's early films, for example, were not preserved.

The last remaining print of India's first "talkie", the 1931 film Alam Ara (The Light of the World), was destroyed in a fire in 2003. "Many things have been lost. We have only 1 per cent of early silent films left. Therefore this is not a museum of collections but a museum of information, interaction and education through a sensory experience," said Gangar.

Procuring original memorabilia was also a challenge for the museum, say its creators. "We didn't get much, but we got a few things through donations and purchases. Many things have previously been amassed by private collectors," said Kumar. "This museum will be more educational."

Via a touch-screen panel, visitors can watch clips from the few remaining silent films such as Prem Sanyas (The Light of Asia, 1925) and Prapancha Pash (Throw of Dice, 1929).

Among the moving pictures featured is Raja Harishchandra, the first all-Indian feature film brought to the silver screen in Mumbai on May 3, 1913.

A tale from the Hindu epic book Mahabharata, the film quickly became a hit despite its female characters being played by men at a time when women acting was widely frowned upon.

Kumar said the museum would take visitors "through the journey of Indian cinema, from pre-cinema to the silent era to talkies to songs, the studio system, new wave and digital".

Tourism officials have recently begun offering "Bollywood Tours", including drives past the homes of the stars and visits to Film City's studios and costume galleries.

The higher-end tours offer a chance to glimpse the liveliness and chaos of a shooting set with lights, reflectors, cranes and heavily made-up actors hastily taking position.