Speaking for myself, the reason to get these albums is Rosenman's music.

How many FSMers got one or more of the above albums for the other composers, and not because of the Rosenman score?

I own all the above albums. I purchased them all for Rosenman except "Hide in Plain Sight" because it first featured Schifrin's "Telefon". Oddly enough, I purchased "Hell is for the Heroes" CD for the two composers. My favourite Rosenman title among them is "Hell is for Heroes".

PS: You can do now the same kind of thread for Jerry Fielding pairing with other composers.

I got Conquest/Battle for the planet of the apes mainly for the Tom Scott score and for completing the Apes scores; I only play that CD for the Conquest of the Planet of the Apes score. Not a big fan of Rosenman's score for Battle.

I do like his 'beneath the planet of the apes' score, but overall I don't connect much with Rosenman's scores.

PS: Who is willing to launch a kickstarter to get the complete "Combat!" music?

Unless the "Kickstarter" were to include the costs of restoration/reconstruction of the cues (most, if not all, would have to be done from listening to them within the shows, as Rosenman kept no manuscripts from the show, and none have turned up elsewhere - so far) and then re-recording them, it wouldn't result in much. All that survives from "Combat!" is represented on the "Alexander the Great and Other Rare Rosenman" CDs.

And of course, to answer ToneRow's question (though I suspect he'll already know what my answer is) - Rosenman is always the main course for me.

I will admit to buying the "Dr. Leaky" CD mostly for the Ernest Gold "Last Vikings". But I enjoyed the Roseman score the most, of those two.

My favorite Rosenman score that has been issued has been"Cross Creek". Living in Florida, I've even had the chance to visit the area (now a state park). Nothing much there to see, except for the old cabin, and the surrounding wilderness.

But I loved the Rosenman score, even though I was kind of undecided about the film itself.

I always like a composer who has a signature style, but with Rosenman, for me, that's both a blessing and a curse. I feel you could own about 5 CD's by him and have it pretty much covered. I don't wish to rise the ire in the Rosenman die-hards, but his style is SO distinctive, that too much for me becomes overbearing. I'm sure others feel the same way about John Barry and James Horner.

I always like a composer who has a signature style, but with Rosenman, for me, that's both a blessing and a curse. I feel you could own about 5 CD's by him and have it pretty much covered. I don't wish to rise the ire in the Rosenman die-hards, but his style is SO distinctive, that too much for me becomes overbearing. I'm sure others feel the same way about John Barry and James Horner.

I'd say it describes Rozsa and Korngold just as well. Herrmann too, especially his more well known scores.

You omit to mention FSM's "TV Omnibus" that contains the fabulous "The Phantom of Hollywood".

For what reasons do do you get "TV Omnibus"?

I got FSM's TV Omnibus for the Rosenman & George Duning's THEN CAME BRONSON.

Interesting that disc #1 paired John Williams with Rosenman.

My aim was not to be thoroughly comprehensive and list every soundtrack album. My focus, rather, is on the shortage of solo Rosenman albums in recent years and that specialty labels tend to pair Rosenman music with that of another composer (presumably because so many folks "pass" on all-Rosenman programs).