"Confused is back! Right after the massive Jaxon 12", Huntemann hired a team of two true old-hands for number 76. Martin Eyerer, longtime DJ & producer from Stuttgart known for countless releases and remixes on different labels and for running Session Deluxe and Kling Klong, definitely needs no introduction. Same story with Oliver Klein, being in business for over a decade, he's not only an excellent DJ but also an outstanding producer and the Labelhead of the most respected labels Mutekki and Electribe alongside partner Jürgen Driessen. No wonder that their 'Körnerfresser' track is a massive dancefloor bomb. Martin and Oliver simply know how rock the crowd from long time experience. Super groovy and lush house drums underneath a rumbling and phat bassline! The flipside belongs to Marascia -- a long time techno activist as well, whose recent releases on Systematic and Session Deluxe have caused quite a hysteria in the past. His remix is more stripped down and hypnotic, but no less dangerous."

"Session Deluxe label-head Martin Eyerer and Düsseldorf based Tribehouse resident Oliver Klein have already produced numerous well known records on imprints like Kling Klong and MBF just to name a few. Now they return here on Session Deluxe with '5 Null Klatsche' and 'Kathmandu,' a track which has been hammered already for months from different jocks all over the globe. Screaming factor 100 guaranteed!"

The My Best Friend label presents a double CD featuring a mix each by Martin Eyerer and Oliver Klein. Eyerer and Klein introduced their works to MBF with their stunning debut EP, Kairo and the follow-up, Tiflis. Both artists have been successful in most genres of electronic dance music, but now their focus lies on minimal. Eyerer made himself a name through remixing bands such as Gus Gus, Delight and Cassius and through remixes for Ministry of Sound/UK. Parallel to this, he always produced for smaller independent labels such as Boxer, Multicolor and Underwater and established his own label, Session Deluxe and his new imprint, Kling Klong. His 72-minute mix is fueled by club dynamics and makes a great home-listening treat as well. He's included some of his all-time favorite tracks, combined with unreleased tracks from his favorite labels. Oliver Klein, based in Düsseldorf, has been a well-known and influential DJ and producer in the Rhein delta for quite a while. His own label, Mutekki, has had a strong impact on the tech-house scene in Europe, making the transition between progressive and minimal tech-house. Oliver is a true DJ who plays and celebrates his sets, twiddling the knobs, working with effects, and providing the mix with a special emotional flow. His mix combines tracks with heavy pumping bass lines and physical presence with minimal modern grooves. Combined in his mix are brand new releases such as G-Flame & Mr. Gee's "Give'n Take," to make it a full night of techno. Other artists include: Duoteque, MyMy, Matthias Tanzmann, Björn Wilke, James What, Rob Mello, Johnny Wagner, Daniel Stefanik, Schlomi Aber, Elektrochemie, Ryan Crosson, Magda, Heartthrob, Konrad Black, Toni Rios, Plasmik, Dusty Kid, King Roc, Sebo K & Metro, D-Nox & Beckers, Mathias Tanzmann, Pascal Feos, Ray Valioso, Random Play, Dachshund, Rejected, Pan/tone, Move D., Dennis Karimani and Chris Gruber.

Here comes the follow up to the Kairo EP on MBF by producer-duo Martin Eyerer and Oliver Klein "Tiflis" is a fusion of Dr. Mabuse, Lil' Louis' "French Kiss" and Tim Taylor's "Horn Song," combining the cool with a monster break... waking up the dead. It's an alarm for the dance floors and does big damage. "Lütje" conveys the image of a big traffic jam in Manhattan, when everyone is blowing their horns, bikers go mad and people seem to be rushing everywhere in no particular direction. The track has a strong house touch, especially when the organ is introduced, making the track slightly funky.

German producer team Martin Eyerer and Oliver Klein created a brilliant clubby minimal house EP with a touch of hypnotic trance and madness. The A-side track "Al Quadus" works with melodic and grinding basslines, jumping single notes, warped chords and atmospheric floating background sounds. The outcome of this is a third dimension which creates quite a journey. By contrast, the B-side "Cicada" is very stripped down, light, more joyful and crazy. It holds a mad, really long sequence which creates total frenzy.