Top Wing Suzaku - Red Sparrow MC Phono CartridgePerhaps the last cartridge you will ever need.Review By Tom Lyle

A few years
ago I reviewed
the Van Den Hul Crimson Stradivarius phono cartridge. I began that
review by expressing my love-hate relationship with phono cartridges. The love
stems from my love of music, and the fact that I prefer music reproduced by
vinyl, and that the phono cartridge converts vibrational energy from the grooves
of the records into an electric signal and then this electrical signal is
somehow converted into the music that comes forth from our speakers.

The hate arises not from the fact that a very
good phono cartridge can be quite expensive because it is a given that most
great high-end audio gear is going to be expensive. But I hate that this
expensive phono cartridge comes with a fragile stylus, and the components of
this stylus are prone to breakage. Even if they aren't broken by accident, the
stylus, and then the cantilever will eventually wear out. And then my only
choice will be to return the cartridge to the manufacturer, where they will
either replace it or repair it. For a price, of course. Or I can buy another
expensive cartridge to replace the expensive broken one.

The Top Wing Suzaku – Red Sparrow, like most
every other phono cartridge, is a fragile device. But with experience comes the
ability to be able to use a cartridge without destroying it. Still, accidents
happen. The trick is to minimize accidents to a level of zero. Despite this,
cartridges will eventually wear out. This is unavoidable.

However, the Red Sparrow has a stylus, with its associated
tip, cantilever, and magnets, plus coil, damper, and all the other materials
that make up the stylus that is made of interchangeable designs. This makes it
possible to replace the Red Sparrow's stylus at 1/10th its' original
price. The price of the Top Wing Suzaku – Red Sparrow is $16,500. Yes. That
price is not a typo. The good news is that the comparatively low price to
replace the stylus is only $1650. Which is admittedly not a lot of money for a
repair for any high-end phono cartridge, especially a $16,500 phono cartridge. The adage "there is no such thing
as a free lunch" quickly comes to mind.

Top-NotchReviewing this top-notch cartridge reminds me of the time when
I reviewed the almost $50,000 Venture Audio Encore speakers. At first, I felt a
little guilty reviewing something that was priced out of the reach of most
audiophiles, including myself at the time. And so, to make myself feel a little
better, I compared my reviewing experience to the writers at Car And Driver
and the Automobile section of the Sunday issue of The New York Times
that is often lent a car such as a Ferrari or Rolls Royce to drive through the
streets and open roads of America. Whether or not these reviewers can afford one
of these cars is not the point, it is whether or not they are qualified to
review these automobiles. I am sure they are. It seems as if people who like to
read about cars also like to read about very expensive cars.

Now I feel the same way when reviewing a component for Enjoy
the Music.com that I might not be able to afford. That is unless I take out
a second mortgage on my life. Writing high-end audio reviews for over 25 years
allows me the privilege of once in a while being assigned reviews of pricey
audio components. I also review many high-end audio components that are either
affordable or are budget components. This review is not one of those. But I
always review equipment in the same way regardless of price –
whether or not
this audio components can make music. And if it can make music, I'll describe
how this component makes music in my system.

There is no denying that I like to read reviews of
top-of-the-line high-end audio equipment. I have a feeling that many readers of
high-end audio equipment magazines like to read about top-of-the-line high-end
audio equipment, too. The Ferraris of audio, in a sense, if you will. The Top
Wind Suzaku – Red Sparrow is one of them. I know, it's a dirty job, but someone
has to do it.

NameI still have a bit of a problem figuring out this cartridge's name is, as
"Suzaku" translates to "Red Sparrow", and so
the cartridge is either called the Top Wing Suzaku or the Top Wing Red Sparrow,
but in lots of the literature and advertisements, the cartridge appears as it
does at the beginning of this review. For most of the review, I'll simply call
this cartridge a Red Sparrow, and sometimes the Top Wing Red Sparrow.

CorelessThe Red Sparrow is a "coreless straight-flux cartridge",
so it has no core material. The left and right coils are arranged in a V-shape,
directly above its magnet. The stylus tip is then able to pick up fluctuations
in magnetic flux made by the grooves of the record, producing sound directly,
which makes the sound much more accurate.

In their literature and on-line, Top Wing says that this type
of system in the Red Sparrow does not generate any of the issues that are
typical of Moving Coil (MC) cartridges, such as an irregularly moving coil
output dictated by magnetic flux, which produces distortion and other anomalies.
Nor does it act like a Moving Magnet (MM) cartridge, which has a long magnetic
path and so its responsiveness deteriorates while on this path.

But the Red Sparrow has the level of maintainability of MM
cartridges. That is what I was outlining when explaining how the owner of this
cartridge will be able to replace a broken stylus for only a fraction of its
original retail price. This coreless straight-flux system is a remarkable design
feature that is not only able to retain the advantages of both MC and MM
cartridges, but also does away with their disadvantages.

Top Wing's first cartridge, their "Blue Dragon", used a
very ridged housing to eliminate any resonances that might interfere with the
sound of the cartridge as it was passing over the grooves of a record. This new
Red Sparrow cartridge weighs much more than the Blue Dragon, and so it had to be
designed with a much lighter housing to deal with this weightier cartridge.

These lighter materials led to the body having resonant points
that were audible. And so, Top Wing designed the Red Sparrow using different
vibration frequencies to disburse these resonances. The materials used include
titanium, dry carbon, and a "high-performance" resin that is in the category
of "super-engineering plastics". The use of these materials not only reduced
the weight of the cartridge, yet also made it so it was able to be used with a
wider range of tonearms.

Top Wing claims that by using the combination of the coreless
straight-flux system plus "advanced technologies and innovative materials",
the Red Sparrow has a "natural sound unique to analog and soundstage
reproduction never before possible". Because of the asking price of the Red
Sparrow, the only response to that claim that I could think of is, "It better".

ReferenceI mounted the Red Sparrow on my reference Tri-Planar 6 tonearm
without any drama whatsoever. This tonearm was built especially for me and was
one of the last built by Herb Papier, Tri-Planar's original owner, designer
and builder in his Wheaton, Maryland workshop. The Tri-Planar has an integrated
cable that is terminated with Cardas RCA connectors, which was at first paired
with an Allnic
H-7000 vacuum tube powered phono preamplifier, which I reviewed in the
December 2019 issue.

The main reason for attaining the Top Wing Red Sparrow phono
cartridge was to have a cartridge that would suit this $15,000 phono preamp.
When reading the review, you will realize that the marriage was a perfect one.
After the Allnic phono preamplifier was returned to the manufacturer (I cried,
but then) I connected the cartridge to the unbalanced inputs of the very capable
Pass Laboratories XP-17 phono preamplifier that occupies the third hanging
acrylic shelf of an Arcici Suspense equipment rack.

The Tri-Planar tonearm in which the Red Sparrow is coupled to
a Basis Audio Debut V. The turntable came from the factory as a model Debut
Gold, but was later modified by the late Basis Audio owner A.J. Conti. The
‘table's plinth and other mechanisms had to be re-machined for it to accept
an AC synchronous motor. Now that this Debut turntable had an AC motor, I was
able to connect the turntable's AC cord to an outboard speed controller and an AC regenerator used as a speed controller. Not only did it provide the turntable's motor with a perfect
AC sine wave, the frequency of this sine wave could be changed, which in turn
changes the speed of its motor, and thus its platter. 60Hz spins the platter a
33.3 rpm, 81 Hz spins it at 45 rpm.

The Allnic phono preamplifier or the Pass Labs phono preamp
was connected to a vacuum tube-powered Nagra
Audio Classic Preamplifier, and the preamp to
my reference solid-state Pass Laboratories X250.8 power
amplifier. This
combination of solid-state power amplifier and the tubed preamplifier is a
set-up that I've been using for many years. The power amplifier was connected
via 12' of speaker cable to a pair of full-range electrostatic speakers, the
Sound Lab Majestic 545. Despite the manufacturer's claim of these large
electrostatic speakers being full-range, their published specs rate them down to
32Hz. This is a decent specification, but for as long as I had them, I've
augmented their bass frequencies with a pair of subwoofers. I currently use two
SVSound SB16-Ultra subwoofers which have a frequency response in the bass down
to 16Hz.

The system is I auditioned the Red Sparrow in is a dedicated
listening room. It is provided with two power lines that are fed directly from
the circuit box in our basement. The wall receptacles were made by Virtual
Dynamics. Even though there was decent power supplied to the listening room, the
majority of the equipment was connected to Goal Zero battery power supplies. The
front-end was powered by a Goal Zero Yeti
400, and the Pass Laboratories power
amp had its' own power supply, the Goal Zero Yeti 1000. At night I often
plugged the Pass Labs 250-Watt power amp directly into the wall, and all the
other equipment, including the subwoofers and the speakers' AC was connected
to a Chang Lightspeed ISO 9300 power conditioner. The listening room has
acoustic treatment panels, and the superfluous sound is absorbed somewhat by
shelves filled with LPs lining most of the walls.

I loath to apologize for using so much space describing the
system in which I auditioned the Top Wing Red Sparrow. My excuse is that this
cartridge will likely sound different in the system in which it is used, more
than most others, especially those not in the class of this small, but very
important component. I feel that my turntable/tonearm system is certainly more
than good enough to be able to hear any sonic nuance that this cartridge
possesses. My analog front-end might not be a super-premium esoteric design, but
there was no time during the review period that I didn't think that I was
getting the most out of this cartridge.

I could easily hear changes in the sound
after making very small changes in the setup, and I mean the setup of the
cartridge on the turntable, and any small changes such as VTF, the loading
settings on the preamplifier, as well as changes in the system. During the tail
end of my audition of the Red Sparrow I was loaned a pair of Raidho Acoustics
TD4.2 (review forthcoming), which replaced the Sound Lab Majestic 545 speakers
in my system. This should remove anyone's doubts, especially those familiar
with these large speakers, whether the review system was "good enough" to
hear all of the Red Sparrow's traits.

PleasureListing to the Red Sparrow was a pleasure in every sense of the
word. LPs that I heard perhaps thousands of times came alive like never before.
I also noticed details in these LPs that I've never noticed. The sound
reproduced by this cartridge could be very detailed, yet the cartridge's sound
never sounded too detailed. It never sounded "too" anything, or
lacking in anything I could think of. This small component made the largest
change in the sound of my system short of changing the type of speakers I was
using at the time.

I listened to countless vinyl record LPs, singles, and EPs of many
different genres and sub-genres during the time this cartridge was in my system.
I had a tough time writing this review because I didn't know which record to
choose to discuss to describe what I was hearing and to describe the differences
between this cartridge and the previous transducers that have been mounted on my
tonearm throughout the last few years. This cartridge is so much better its not
a fair fight, as it trounces any that's come before it. The sound it produced
was determined by what was pressed into the grooves of the record, not by the
phono cartridge. The cartridge simply translated these grooves into electrical
signals better than any cartridge that has come before it.

And so, I could discuss any trait that analog-loving
audiophiles might be looking for in a cartridge and write about how it excelled
in this area. Its frequency extension, dynamics, inner resolution, the
soundstage, imaging and even the way it looked in its red and black body with
the Japanese characters on the front, which is the first thing one sees when
facing the turntable, excelled in all areas.

I suppose there might be differences in sound between the Red
Sparrow, and let's say, the Clearaudio Goldfinger, the Air Tight Opus-1, or a
Koetsu Tiger
Eye. I doubt I'll even be able to acquire any of these other circa $15,000
phono cartridges to perform a direct comparison. But I suspect the differences
between them will be mostly nuance because any deviation from what I'm hearing
with the Top Wing Red Sparrow will be a deviation from absolute perfection when
it comes to any of the features I listed in the above paragraph.

UnconditionalOne would expect the conclusion of this review to be an unconditional recommendation of the Top Wing Suzaku-Red Sparrow Phono Cartridge. And with its amazing feature of being able to replace the Red
Sparrow's stylus at 1/10th its original price if worn or broken should make this an even easier recommendation. But my recommendation is not unconditional. The times we are living in requires me to demand of the purchaser of this phono cartridge to donate at least 10%, or more if possible, of the cost of this cartridge to a charity that will help those less fortunate than us. If the buyer cannot think of a worthy charity, I will suggest one.

After that is done, if the owner of this cartridge is only half as happy as
I've been during this audition period, that should be more than satisfactory, and this cartridge will likely end up being the last cartridge they will ever need. And likely one of the best
they've ever heard. This is a damn good phono cartridge.