The Band, featuring the music of Take That, comes to Canterbury next month (February). YES! Having never seen Take That perform live, having a whole night of Take That songs on stage is pretty exciting to me! Tim Firth’s musical tells … Continue reading →

Steptoe and Son, for those unaware (as I was), was a long-running British television show active from 1962-65, and again from 1970-74. I must admit that whilst not the biggest fan of the genre, (if I wanted to listen … Continue reading →

Last night I was lucky enough to go to The Vaults Festival to see Revolution – an immersive/interactive gaming experience. A review of this will follow but I was lucky enough to speak Joe Ball, the Director of Revolution and … Continue reading →

When I was offered the opportunity to review Austen the musical, I approached the evening with hesitancy and intrigue. Hesitancy, because I’m always a little tentative when it comes to musicals –I’ve just never been a fan off all-singing narratives. … Continue reading →

#tweeting it: 5***** An emotional, poignant and, in parts, funny portrayal of the struggles of people with autism. This production is astonishing The Curious Incident of the Dog in the Night-Time, adapted for stage by Simon Stephens from Mark Haddon’s … Continue reading →

#Tweetingit – 5***** Naked men cavorting around the stage thrusting and gyrating + filthy jokes – alright then! This is the fourth time around for this Briefs show – although you would never know it. The boys bring back their … Continue reading →

The Ovalhouse has been a part of the London theatre scene for over 50 years, and is patronised by people such as Pierce Brosnan. But with shows like Sister being being performed here, it doesn’t need the famous names to … Continue reading →

A stone’s throw from Turnham Green tube is the charming Tabard pub, with William Morris inspired interior and a cozy fairy-lit garden, providing a lovely spot for a gin and tonic, and to see two seasoned performers offer an emotionally … Continue reading →

I was lucky enough to get a few minutes with Gingerline’s creators to ask how they go about what they do. Im also even more lucky to be able to say that tonight I am off to a taster … Continue reading →

The play begins with a Matt Smith voiceover to a single actress, Natasha, in a beam of light. We are told that she will be reading a monologue for the final scene of a film. In the rare moments when … Continue reading →