Friday, May 25th, 2012

Choose To Play

Redd Kross have the Blues

Jon KropI don’t think anyone necessarily expected anything more from Redd Kross than what they’d been offering since reconvening after a decade apart in 2006. Which is to say sporadic live shows – mainly at festivals like NXNE 2008 – where they made their fanbase feel like they were teenagers again by way of their prototypical Californian bubblegum power-pop, as captured on classics of the genre like Phaseshifter and Neurotica. Nothing wrong with that, not at all.

But there’s also nothing wrong with taking a time-tested formula and whipping up another batch of what works so come August 7, Merge Records – who are taking their role as home for wayward ’90s rock acts seriously – will release Researching The Blues, the band’s seventh album and first since 1997’s Show World. It features the Neurotica-era lineup of Jeff McDonald, Steven McDonald, Robert Hecker and Roy McDonald and using the just-released title track MP3 as a reference, it’s pretty evident that the band are capable of sounding as snotty, riffy and hooky in their 40s as they did in their teens. Which is great.

Their names may sound like they’re taken from a guidebook on how to name your band in a quintessentially nonsensical ’00s manner, but both of New York’s Bear Hands and Fort Lean come with a legitimate amount of buzz – so it could be worth heading to The Drake on July 25 to see them.

Speaking of veterans of the ’90s college rock scene – we were, try to keep up – Sebadoh is back in action, with plans to release a new EP this Summer, follow that with a North American tour that stops at The Horseshoe on August 20 and then release their first new full-length since 1999’s The Sebadoh early next year.

Bob Mould tells The Quietus why the Sugar reissues – their three albums are being re-released in expanded and remastered form come July 24 – is being accompanied by a new incarnation of the Bob Mould band rather than a proper Sugar reunion, and it’s not because he, David Barbe and Malcolm Travis don’t get along.