To begin ...

As the twentieth century fades out
the nineteenth begins
.......................................again
it is as if nothing happened
though those who lived it thought
that everything was happening
enough to name a world for & a time
to hold it in your hand
unlimited.......the last delusion
like the perfect mask of death

No one knows what sort of man Han-shan was. There are old people who knew him: they say he was a poor man, a crazy character. He lived alone seventy Li (23 miles) west of the T'ang-hsing district of T'ien-t'ai at a place called Cold Mountain. He often went down to the Kuo-ch'ing Temple. At the temple lived Shih'te, who ran the dining hall. He sometimes saved leftovers for Han-shan, hiding them in a bamboo tube. Han-shan would come and carry it away; walking the long veranda, calling and shouting happily, talking and laughing to himself. Once the monks followed him, caught him, and made fun of him. He stopped, clapped his hands, and laughed greatly - Ha Ha! - for a spell, then left.

He looked like a tramp. His body and face were old and beat. Yet in every word he breathed was a meaning in line with the subtle principles of things, if only you thought of it deeply. Everything he said had a feeling of Tao in it, profound and arcane secrets. His hat was made of birch bark, his clothes were ragged and worn out, and his shoes were wood. Thus men who have made it hide their tracks: unifying categories and interpenetrating things. On that long veranda calling and singing, in his words of reply Ha Ha! - the three worlds revolve. Sometimes at the villages and farms he laughed and sang with cowherds. Sometimes intractable, sometimes agreeable, his nature was happy of itself. But how could a person without wisdom recognize him?

I once received a position as a petty official at Tan-ch'iu. The day I was to depart, I had a bad headache. I called a doctor, but he couldn't cure me and it turned worse. Then I met a Buddhist Master named Feng-kan, who said he came from the Kuo-ch'ing Temple of T'ien-t'ai especially to visit me. I asked him to rescue me from my illness. He smiled and said, "The four realms are within the body; sickness comes from illusion. If you want to do away with it, you need pure water." Someone brought water to the Master, who spat it on me. In a moment the disease was rooted out. He then said, "There are miasmas in T'ai prefecture, when you get there take care of yourself." I asked him, "Are there any wise men in your area I could look on as Master?" He replied, "When you see him you don't recognize him, when you recognize him you don't see him. If you want to see him, you can't rely on appearances. Then you can see him. Han-shan is a Manjusri (one who has attained enlightenment and, in a future incarnation, will become Buddha) hiding at Kuo-sh'ing. Shih-te is a Samantabbhadra (Bodhisattva of love). They look like poor fellows and act like madmen. Sometimes they go and sometimes they come. They work in the kitchen of the Kuo-ch'ing dining hall, tending the fire." When he was done talking he left.

I proceeded on my journey to my job at T'ai-chou, not forgetting this affair. I arrived three days later, immediately went to a temple, and questioned an old monk. It seemed the Master had been truthful, so I gave orders to see if T'ang-hsing really contained a Han-shan and Shih-te. The District Magistrate reported to me: "In this district, seventy li west, is a mountain. People used to see a poor man heading from the cliffs to stay awhile at Kuo-ch'ing. At the temple dining hall is a similar man named Shih-te." I made a bow, and went to Kuo-ch'ing. I asked some people around the temple, "There used to be a Master named Feng-kan here, Where is his place? And where can Han-shan and Shih-te be seen?" A monk named T'ao-ch'iao spoke up: "Feng-kan the Master lived in back of the library. Nowadays nobody lives there; a tiger often comes and roars. Han-shan and Shih-te are in the kitchen." The monk led me to Feng-kan's yard. Then he opened the gate: all we saw was tiger tracks. I asked the monks Tao-ch'iao and Pao-te, "When Feng-kan was here, what was his job?" The monks said, :He pounded and hulled rice. At night he sang songs to amuse himself." Then we went to the kitchen, before the stoves. Two men were facing the fire, laughing loudly. I made a bow. The two shouted Ho! at me. They struck their hands together -Ha Ha! - great laughter. They shouted. Then they said, "Feng-kan - loose-tounged, loose-tounged. You don't recognize Amitabha, (the Bodhisattva of mercy) why be courteous to us?" The monks gathered round, surprise going through them.

"Why has a big official bowed to a pair of clowns?" The two men grabbed hands and ran out of the temple. I cried, "Catch them" - but they quickly ran away. Han-shan returned to Cold Mountain. I asked the monks, "Would those two men be willing to settle down at this temple?" I ordered them to find a house, and to ask Han-shan and Shih-te to return and live at the temple.

I returned to my district and had two sets of clean clothes made, got some incense and such, and sent it to the temple - but the two men didn't return. So I had it carried up to Cold Mountain. The packer saw Han-shan, who called in a loud voice, "Thief! Thief!" and retreated into a mountain cave. He shouted, "I tell you man, strive hard" - entered the cave and was gone. The cave closed of itself and they weren't able to follow. Shih-te's tracks disappeared completely.

I ordered Tao-ch'iao and the other monks to find out how they had lived, to hunt up the poems written on bamboo, wood, stones, and cliffs - and also to collect those written on the walls of people's houses. There were more than three hundred. On the wall of the Earth-shrine Shih-te had written some gatha (Buddhist verse or song). It was all brought together and made into a book.

I hold to the principle of the Buddha-mind. It is fortunate to meet with men of Tao, so I have made this eulogy.

from The Cold Mountain Poems

1

The path to Han-shan's place is laughable,

A path, but no sign of cart or horse.

Converging gorges - hard to trace their twists

Jumbled cliffs - unbelievably rugged.

A thousand grasses bend with dew,

A hill of pines hums in the wind.

And now I've lost the shortcut home,

Body asking shadow, how do you keep up?

2

In a tangle of cliffs, I chose a place -

Bird paths, but no trails for me.

What's beyond the yard?

White clouds clinging to vague rocks.

Now I've lived here - how many years -

Again and again, spring and winter pass.

Go tell families with silverware and cars

"What's the use of all that noise and money?"

3

In the mountains it's cold.

Always been cold, not just this year.

Jagged scarps forever snowed in

Woods in the dark ravines spitting mist.

Grass is still sprouting at the end of June,

Leaves begin to fall in early August.

And here I am, high on mountains,

Peering and peering, but I can't even see the sky.

4

I spur my horse through the wrecked town,

The wrecked town sinks my spirit.

High, low, old parapet walls

Big, small, the aging tombs.

I waggle my shadow, all alone;

Not even the crack of a shrinking coffin is heard.

I pity all those ordinary bones,

In the books of the Immortals they are nameless.

5

I wanted a good place to settle:

Cold Mountain would be safe.

Light wind in a hidden pine -

Listen close - the sound gets better.

Under it a gray haired man

Mumbles along reading Huang and Lao.

For ten years I havn't gone back home

I've even forgotten the way by which I came.

6

Men ask the way to Cold Mountain

Cold Mountain: there's no through trail.

In summer, ice doesn't melt

The rising sun blurs in swirling fog.

How did I make it?

My heart's not the same as yours.

If your heart was like mine

You'd get it and be right here.

7

I settled at Cold Mountain long ago,

Already it seems like years and years.

Freely drifting, I prowl the woods and streams

And linger watching things themselves.

Men don't get this far into the mountains,

White clouds gather and billow.

Thin grass does for a mattress,

The blue sky makes a good quilt.

Happy with a stone under head

Let heaven and earth go about their changes.

8

Clambering up the Cold Mountain path,

The Cold Mountain trail goes on and on:

The long gorge choked with scree and boulders,

The wide creek, the mist blurred grass.

The moss is slippery, though there's been no rain

The pine sings, but there's no wind.

Who can leap the word's ties

And sit with me among the white clouds?

9

Rough and dark - the Cold Mountain trail,

Sharp cobbles - the icy creek bank.

Yammering, chirping - always birds

Bleak, alone, not even a lone hiker.

Whip, whip - the wind slaps my face

Whirled and tumbled - snow piles on my back.

Morning after morning I don't see the sun

Year after year, not a sign of spring.

10

I have lived at Cold Mountain

These thirty long years.

Yesterday I called on friends and family:

More than half had gone to the Yellow Springs.

Slowly consumed, like fire down a candle;

Forever flowing, like a passing river.

Now, morning, I face my lone shadow:

Suddenly my eyes are bleared with tears.

[The 50th anniversary edition of Riprap and Cold Mountain Poemswas published by Counterpoint Press in 2009, along with the Kindle edition from the same publisher.]

2 comments:

Reading through this, I am reminded of relaxation. Especially the closing sentences of #2 "what is the use of all that noise and money?" I like the simplicity - getting back to basics. being from the world, but not of it is always something that I could appreciate.

Just a few years ago, I was in a cafe in the back-blocks of China where English was not common and the reading matter was all Mandarin. Flicking through papers and mags on a table I came across Han Shan's poem in English! Amazing - such a nice little edition too. It wasn't Snyder - I had his tralsnationat home in Australia, but it was a lovely uplift for my heart to find it there. Thanks for this reminder.

A PROSPECTUS

In this age of internet and blog the possibility opens of a free circulation of works (poems and poetics in the present instance) outside of any commercial or academic nexus. I will therefore be posting work of my own, both new & old, that may otherwise be difficult or impossible to access, and I will also, from time to time, post work by others who have been close to me, in the manner of a freewheeling on-line anthology or magazine. I take this to be in the tradition of autonomous publication by poets, going back to Blake and Whitman and Dickinson, among numerous others.

[For a complete checklist of previous postings through January 12, 2012, see below. The slot at the upper left can also be used for specific items or subjects. More recent posts are updated regularly here.]