On Newsstands Now: New SpongeBob Magazine Cover

It's been a while since I did storyboards on the SpongeBob TV series, but I still get to keep my hand in it a bit when I do comics and illustrations for Nickelodeon Magazine. A couple months ago I got a call from them about drawing another cover, and I'm glad I jumped at it 'cause it was a lot of fun (Ok, it was a lot of work, too...but more on that later).

The three sketches below are my first attempts to draw SpongeBob blowing funny bubble shapes. I was trying really hard to get that bubble away from his face...

Well, it turns out there's not enough room on the cover to have that bubble so far from his face, so I had to try to have SpongeBob facing frontward, with the bubble overlapping his face, but without obscuring his smiling features!

This took quite a bit of pencil wrangling, but by the time I drew the two sketches below, I thought it was working OK. The sketch on the left is the one went with, but I kept drawing. Even after I think I've nailed it, I try to do more drawings to see if something unexpected happens. In this case, the next drawing I did wasn't as good, so I decided to take the good one and scan it in so I could play around with the composition.

Next, I threw in a whole buncha bubbles to show that SpongeBob has been having a great time amusing himself with his boundless bubble creativity. His bubbles were supposed to reflect his hopes, dreams, wishes and obsessions. I used TV Paint 8.5 tough up the sketch and cobble all the bubble drawings together into this pretty-much-finished pencil drawing below:

After submitting the above pencil drawing to Nickelodeon Magazine, the editors just asked me to change SpongeBob's eye direction. Originally they wanted him looking right at the "camera," but now they wanted me to have him looking at the bubble. Okey-dokey...no problem. Here's the inked version (below). I do all this sort of inking in Adobe Illustrator, using thefreehand brush tool.

Finally, I "painted" the background using some pieces from stock backgrounds from the series that were painted long ago. I added the flower clouds by hand, and then blurred them in Photoshop. The hard part was getting the bubbles to look right; Each one has four layers with various transparencies. The flat colors on SpongeBob were done with the eyedropper and paint bucket tools. I sample the colors off of SpongeBob stock model sheets to make sure they're 100% accurate.

I had to leave a lot of room around the character for the Nick Magazine staff to put in all the headlines and bar codes and stuff. I kept all the bubbles on separate layers, giving the art director the freedom to move them around and resize them depending on the needs of the layout. And there you have it:

3 comments:

Thanks, Julian...always good to hear from you. I'm glad I compulsively digital image files and scans of my work...makes it easier to post stuff like this. If enough people like it, I'll post some more.