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Zigong changzan import&export Co.,Ltd,Teach you understand The origin of the root carving

Zigong changzan import&export Co.,Ltd.,Teach you understand The origin of the root carving According to archaeological discoveries, the ancients not only use wood, jade, bone, stone and shell making decorations, also USES the tree roots or bamboo adornment.In 1982, from hubei jiangling mashan the root carving works of the warring states period unearthed from no. 1 age hunan "evil", as the town's tomb of the root carving works, tiger dragons, four-legged carving has the pattern such as snakes, birds, frogs, cicadas, full of electromotive force, shows that more than two thousand three hundred years ago in ancient China, the han nationality the root carving art has reached the natural form of the working people and the level of artificial carve clever union.Western han dynasty, the descendants of Confucius has used our wood natural curve shape to make a cane.Northern and southern dynasties, there has been a lot of use of the roots of the rod head, pen holder, handle, hold back, pipe and other products and furniture.After the sui, tang, root not only in the han civil widely circulated, and also get the favour of royal family, according to the new tang book · Li Bi preach "records:" secrete taste take Jiu branches with hidden back, called 'and', such as dragon, after due to the emperor, the quartet for effect."Said the tang dynasty imperial powers officer Li Bi using natural roots, making dragon-shaped catch back to the emperor.Han yu in the topic wood lay "in a" wave wear no spring, fire as a leading dry as. Accidental problem for wood householder, blessing person there is infinite "verse.The "wood lay people, is a considered" deities "image of the exhibition work.During the song and yuan dynasties, the root of art is not only popular in court and civil development, at the same time also appeared in the caves, temples.In some Chinese grottoes and inside the temple, still holds the root carving of the Buddha.

Ming and qing dynasties, root carving art has become mature.In the Ming dynasty have represented the famously bamboo root carving PuZhongQian Jin Lingpa and represented by Zhu He jiading pie.Exhibition, not only use wood, bamboo root to create for people to enjoy the decoration, but also has practical value carved furniture and other products.Qiu ying from suzhou in Ming dynasty painter painted gold ancient figure, "the peach garden figure", "make lanting" and so on, can see the root of the painter delicately colored fauteuil, root crutches and various root carving art.Zhao Ming metabolism the "five mixed him" recorded: "wu to root for zen chair, dead by this guy."This demonstrates that the wu to there has been a development of the exhibition production levels.

Inside the suzhou museum of early qing dynasty huang Yang flower a few, pen holder, is clever use of natural roots form created by root carving works.In the early 1950 s, suzhou Wen Guan roots would have collected several hall furniture, including a root chair is a relic of the late Ming dynasty four childe take BiJiang.Suzhou kunqu opera experts Mr Gu Duhuang collected a "lang yu vase", is the Ming dynasty remaining root carving products.

During the period of the republic of China, the exhibition production and production decline, many artists or gathers, root carving art to extinction.

In the late 1970 s, exhibition, recovery and development in China is engaged in the exhibition of many artists.1980 years later, with the development of Sue sent bonsai, led to the "hot" exhibition in suzhou that appears to create to experts and a group of engaged in the exhibition, and established the exhibition corresponding research and creation of the academic community - suzhou root carving art exhibition research institute and suzhou worker, academic, creative, and to carry out research in the exhibition exhibition activities.In recent years, develop to celebrities.of the tradition on the exhibition to create, to produce a batch of a fine, fine, elegant features, root carving works of art, such as Fang Jianqing "grass withered eagle eye", "cold pond arc shadow", "cold plum old bottles", "silk", Wang Liugen "really like", "rise", Zhang Kejian "head", "style", Wang Liang leaf "arc", "alone in the cold to put" and so on, have won the national and provincial awards.

In 2011 China's most representative root carving art exhibition - "November root art exhibition" held in Beijing the imperial palace end door, exhibition display the root carving masters HongJianNing Mr Nearly 30 years creation of a part of the root carving art high-quality goods of more than 30 pieces, and large root carving works display pictures more than 20.Millennium treasures, named as "ancient one", by the Chinese academy of agricultural sciences of the November in the root caused a response in root carving art.