​Imagine being at the 54th annual Academy Awards. It is the year of "Reds," "On Golden Pond," "Raiders of the Lost Ark" and the eventual Best Picture winner, "Chariots of Fire." But as exciting as the prospect of Henry Fonda winning his first Oscar might be, there’s something else that is perhaps even more exciting: A new category. For the first time ever, there will be an Oscar category for Best Makeup. It makes sense, as makeup is an essential element of any film. But prior to this year, makeup artists had only been honored with two “Special Achievement Oscars”, back in 1964 and 1968. But after an uproar that the fantastic makeup effects of "The Elephant Man" had gone unhonored in 1980, AMPAS in their infinite wisdom decided to create this new category.

For this week's review on the Next Best Picture Podcast, I am joined byJosh Parham and together, we review the second installment in the new "Fantastic Beasts" franchise from J.K. Rowling and director David Yates titled "Fantastic Beasts: The Crimes Of Grindelwald." Is this a magical entry into Rowling's Wizarding World? Listen to our review to find out!
​Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content.

​The British Independent Film Awards announced their winners for the craft category today and Yorgos Lanthimos' film "The Favourite" took home the most awards of the day with 5. The main categories will be announced on December 2nd and the nominations for those can be found here.

​“Widows,” if any movie, is a recipe for cultural, commercial, and critical success in 2018, it's this one. The amount of talent in the equation will take you aback.

Steve McQueen is in the director’s seat for the first time since his “12 Years A Slave” won Best Picture five years ago. Gillian Flynn wrote the screenplay. Flynn won nearly every critics association for Best Adapted Screenplay in 2014 for “Gone Girl.” This past summer, the second adaptation of her literary work, “Sharp Objects,” found high-yielding life on HBO. The list of producers’ filmographies ranges from other recent Best Picture winners and nominees such as “The King’s Speech,” “Lion,” and “The Revenant.” The film’s editor, Joe Walker, is has a distinguished reputation having cut together powerhouse genre films like “Blade Runner 2049,” “Arrival,” and “Sicario.” The Christopher Nolan-go-to composer, Hans Zimmer, supplied the film’s musical score, following popular work in “Inception,” “Dunkirk,” “Interstellar” and “Gladiator.” And of course, the cast ensemble is made up of some of the most respected and well-known actors of the decade: Viola Davis, Liam Neeson, Elizabeth Debicki, Robert Duvall, Colin Farrell, Carrie Coon, Jacki Weaver, Daniel Kaluuya, Cynthia Erivo, and Brian Tyree Henry.

A lot will depend on how well it performs at the box office this weekend and in the weeks to come. Regardless though, one thing is for sure: "Widows" IS a movie worthy of Oscar consideration. Now, all that's left is to see how many nominations it can actually get.

For this month's Patreon throwback review on the Next Best Picture Podcast, I am joined by Michael Schwartz, Dan Bayer & Patreon guest Kristin Janssen. Together, the four of us review the film which the NBP Community voted on for this month's throwback review to help get us ready for "The Favourite" and that is 2011's hirlarious film "Bridesmaids." Starring Kristen Wiig (And written by her with Annie Mumolo), Melissa McCarthy (In her Oscar nominated breakout role), Rose Byrne, Maya Rudolph, Ellie Kemper, Chris O'Dowd & Jon Hamm, this female led comedy was one of the biggest hits of 2011 and went on to receive two Oscar nominations.

This is a preview of the podcast, the full version of which is only available to those who subscribe to us on Patreon. For the small price of $1 a month, you can receive this review along with other exclusive podcast content, so be sure to subscribe here.
​Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. ​​

Over the last decade, Joe Walker has emerged as one of the most exciting editors in Hollywood. Collaborating closely with directors Denis Villeneuve ("Sicario," "Arrival" & "Blade Runner 2049") and Steve McQueen ("Hunger," Shame" & "12 Years A Slave"), Walker has amassed three Academy Award nominations and now his latest work with Steve McQueen ("Widows") is opening this weekend to great critical acclaim and even more Oscar buzz attached to it. Joe Walker was kind enough to sit down with us here at Next Best Picture and discuss his work on Steven McQueen's latest, talking about his relationship with the director, the evolution of their work together from small independent features to big budget studio action films and more!

Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content.

For me, at least, there's always been something special about the Oscar category of Best Original Screenplay. Don't get me wrong -- I bow to no person in my admiration for writers of adapted screenplays. The ability to take a story that has proven successful in one medium and try to make it equally successful in the demanding world of film is a skill that would provide a challenge for any screenwriter.

But there's a very different challenge facing the writer of an original screenplay: the blinking cursor. Sitting down at the computer, a writer types the two words "FADE IN:" and then is faced with 120 pages of blank screen that he or she has to fill with something that can only come from their own imagination. Full disclosure: in my past sordid life, I was a produced TV writer, and believe me, there's nothing as terrifying than facing that blank screen. Or as exciting.

And the Oscars always seem to get it right (at least as far as the nominees go). In just the last five years alone, the Writers Branch has nominated such great films in this category as "The Lobster," "Straight Outta Compton," "Inside Out," "Ex Machina," and "Nightcrawler," in some cases providing these worthy films with their sole nomination.

As Oscar season continues, we come to our additional podcast review this week for the "Honorary Award" show. It is the adaptation of Democratic Presidential nominee Gary Hart's story titled "The Front Runner" starring Hugh Jackman, J.K. Simmons, Vera Farmiga and more. It was the second film released this year by writer/director Jason Reitman after "Tully." How does it compare? How does "The Front Runner" hold up in today's political climate? And what is its Oscar potential? Joining me for this review isBeatrice Loayza, Nicole Ackman and our guest for this week is Jorge Birnam from Splash Report.

Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content.

Without a doubt, "A Star Is Born" is the film to beat this Oscar season. While the potential for backlash looms on the horizon, it's hard to deny that it has the potential to be the major driving force of this entire awards season. Best Picture seems like a very strong inevitability, Best Director is entirely possible, and at least one acting award is almost assured. But could it do even better? Does "A Star Is Born" have the power to be the first film in 42 years to win not one, not two, but three acting Oscars?

For this week's review on the Next Best Picture Podcast, I am joined byJosh ParhamandJosh Williams and together we take a break from the traditional Oscar fare and take a dive into the B-movie world with the J.J. Abrams produced, World War II/Zombie genre mashup "Overlord," starring Jovan Adepo, Wyatt Russell and Pilou Asbæk.

Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content.

For this month's Patreon review on the Next Best Picture Podcast, I am joined by Kt Schaefer and Josh Parham. Together, the three of us review the film which the NBP Community voted on for this month's Last Best Picture review: 1984's "Amadeus." The Best Picture winner is often regarded as one of the greatest films of all time, winning 8 Academy Awards in 1984 including the before mentioned Best Picture, Best Director (The second for the late greatMiloš Forman), Best Actor, Best Adapted Screenplay and four others.

This is a preview of the podcast, the full version of which is only available to those who subscribe to us on Patreon. For the small price of $1 a month, you can receive this review along with other exclusive podcast content, so be sure to subscribe here.
​Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. ​

​God, I love the Writer's Branch of the Academy. In years where almost every other Academy branch seemed to rubber stamp the anointed front-runners, the writers have always gone their own way in their selections for the year's Best Adapted Screenplay. In just the last 10 years alone, the Writers Branch has nominated such great films in this category as "Logan," "Carol," "Inherent Vice," "Before Midnight," "Toy Story 3" and "In the Loop," in some cases providing these films with their sole nomination.

Based on the track records of the kind of films that writers tend to nominate in this category, I've collected 10 of the most likely candidates for the five nomination slots as the year's Best Adapted Screenplay. As always, there are front-runners included, as well as a few possibilities where the branch might choose to go its own way. The source materials for these ten vary greatly, from memoirs to novels, from biographies to magazine articles, and even a British television series.

Our additional podcast review this week (Or as we're now calling it this awards season, the "Honorary Award" show) is the adaptation of Garrad Conley's memoir by Joel Edgerton (Who writes, directs and stars in the film) titled "Boy Erased," starring Lucas Hedges, Nicole Kidman, Russell Crowe and Joel Edgerton. Joining me for this review isNicole Ackman, Tom O'Brienand our guest this week is Ashley Menzel from We Live Entertainment.

Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content.

​It’s been over a year since the #MeToo movement began. For people who have followed award season for a decent amount of time, it was especially eerie for many of us to see actions of the puppet master of winning awards, Harvey Weinstein, front and center during the beginning of this movement. Everyone was appalled this time last year. Most were shocked. I was not especially surprised by these allegations, but rather I was shaken. My most cynical beliefs had materialized and an indignant anger struck me to my core. As a part-women’s studies major in college, I’m cognizant of the systematic sexism and misogyny that boxes women into cages and how specific industries operate under patriarchal rule. The extent to which Weinstein’s abuse of power reached is unnerving, but for people who had been paying attention to the way the circus is run shouldn’t have been surprised to see how the ringmaster despicably operated behind closed doors.