Düd’jom Lineage Tree

the visual representation of the tradition

The image on this website hardly does justice to the original painting, which is approximately 6
feet by 9 feet. The size of the original thangka impresses upon the viewer the vastness of the
Düd’jom gTérsar lineage. The colours used to paint such thangkas are of the
richest most distinct character, to help convey the power and stark energy of the pure essence of
the elements which they represent.

At the centre of the thangka one finds Düd’jom Lingpa manifesting as Padmasambhava, the
Tantric Buddha. As the student of a Düd’jom gTér Lama, one would visualise
one’s Root Lama as the central figure’s presence display, personality display and life
circumstances display – as the path and beginningless communication of the non-dual state.
The
Lama would be viewed as not only a manifestation of Padmasambhava, but also as an heir to the
methods and wisdom mind of all the Lamas of the Düd’jom gTér lineage.

In Magic Dance, Dung-sé
Thrin-lé Norbu Rinpoche (the highly revered son and heir of Kyabjé
Düd’jom Rinpoche) states:The fresher something is, the closer it is to its
natural source and natural lineage.

A gTérma tradition such as the Düd’jom gTér places the practitioner
within a hundred years from the original supreme source of enlightened Mind from which the teaching
emanates. This allows a powerfully direct experience of transmission for the student.
Ngak’chang Rinpoche received the entire cycle of the Düd’jom gTér from
Kyabjé Düd’jom Rinpoche in Kathmandu, Nepal in the mid 1970s.

Around the central figure of the thangka one finds the teachings of the tradition, Buddhas and
bodhisattvas; below them are the yidams, dakas and dakinis, and finally, at the bottom, one will
find the Protectors.

Thankfully, due to the tireless work of master painters such as Kumar Lama, we can be sure to have the
inspirational iconography which helps bring to life the precious lineage teachings such as the
Düd’jom gTér.