Projects

Felix Van Groeningen has just kicked off the shoot for his fifth feature film, Belgica. The movie follows the story of two brothers who, even though they have absolutely nothing in common, open a bar together that quickly becomes a regular hangout for nighthawks.

After their mother’s funeral, two brothers stick around in her native village where Vincent (21) adopts the lifestyle of drug use and nihilistic behavior of his older brother Sjoerd (26). How great is the love between the brothers, for their deceased mother and for life itself?

News

One of the main goals of the company was to create a European network, so especially VFX/CGI work can be done by a combination of companies in this network. With offices in Amsterdam (Holland), Brussels (Belgium) and Luxembourg, the foundation of this European network has been laid. Our locations share identical pipelines and are therefore able to work together seamlessly. …

This weekend the Netherlands Film Festival announced the winning projects of the Holland Film Meeting Co-Production Platform. The Cam-a-lot & Filmmore Cinema Emerging Talent Prize goes to A SHINING FLAW, written by Arthur Japin, to be directed by Erwin Olaf, and produced by Eyeworks Film & TV Drama. The Filmmore HFM Work-in-Progress Prize goes to DUST CLOTH written and directed by Ahu Öztürk, produced by Çigdem Mater and Nesra Gürbüz at Ret Film, Turkey. …

We are specialized in

Editing

An unexpected journey

World famous film editor Walter Murch, was in the midst of editing a film when I had the fabulous opportunity to join him on the Skywalker Ranch. So for me the first week of February 2014 turned out to be an unforgettable week, a dream come true.

Visual Effects

Chez Nous, a Mission Impossible?

Chez Nous is a story about friendship focussing on a group of friends who resort to a Mission Impossible-style diamond heist to save their favourite café from bankruptcy. This heist is set against the backdrop of Amsterdam’s famous canal parade. Of course, some pretty impossible stuff has to happen to make all of this possible – and this is where the VFX come in.

Grading

Do you like it RAW?!

Remember shooting your feature on film stock? For most of us it’s a long time ago and some of us even forgot how 35 mm negative looks like. The digital age has taken over, cinema’s are projecting computer files and all we worry about are the hard drives that carry our precious content. Strange how things have changed in so little time.