Transliteration: “A boy asks a girl, ‘How do you call yourself?’ She to him responds, ‘If the lover is understood, there goes my name and the color of my dress.’ The answer correct is, ‘Her name is Elena and her dress is purple.'”

Translation: “A boy asks a girl, ‘What’s your name?’ She responds, ‘If the lover is understood, there goes my name and the color of my dress.’ The correct answer is, “Her name is Elena and her dress is purple.'”

This riddle only makes sense in Spanish because the Spanish word for lover, enamorado, is a combination of the last three letter’s of the girl’s name, Elena, as well as the color of her dress, morado. ena+morado=enamorado. Furthermore, the word enamorado is preceded by the word el in the joke. El translates into “the” in this context. The woman in the riddle is testing the man to see if he’s clever enough to figure out her name using only the clue, rather than just asking for it.

The source said she heard it at a bridal shower. They were telling wedding riddles, and this one came up. It’s a coy riddle, with the woman sounding very flirtatious. It seems she’s interested in this man, but only if he’s smart enough to beat her game. It seems odd that her dress would be purple rather than white, though. Perhaps in some earlier version of the riddle, the man was a prince? Because purple is known to indicate royalty.

The informant is a new professional in post-secondary administration. He lives in New Zealand, but he is originally from Apple Valley, California and went to university at the University of California, Irvine, where he was involved in student affairs and studied computer science. His background is Italian and Polish, and he has 3 older siblings.

This piece describes a dance that the informant’s family performs at Polish weddings.

“So at Polish weddings, there’s a polka dance called the Flying Dutchman, and so it’s pretty traditional to always do it. And so, basically how it works is you get in groups of three and you all kind of line up and walk around in a circle. So, the groups of three all go in a circle and there’s basically two tempos of the song—one is slow and one is fast. So when it’s slow, you’re just in your group of three with all your arms linked going in a circle, really simple. And then once the tempo picks up, then you start doing kind of a do-si-do thing. So the one person in the middle is always going to be moving around really really quickly because they’ll go to the left and swing around to the person on the right and then go around to the person on the left, so they’re basically doing a figure eight around the two people on the outside.

The reason it’s called the Flying Dutchman is cause if you’re going fast enough, eventually they should start actually flying. So then it’ll go really fast for about, I don’t know, 30 seconds, and then it’ll slow back down again and everyone gets back into their group of three and goes around in the slow circle again. And then it picks up and you do it really really quick, and then it slows down and you slow down, and it picks up, and it slows down. So it’s a very very very fun wedding song. I’ve been to….five weddings now? For my cousins, no—four, because two cousins and my brother and sister, and at all four of them, they did the Flying Dutchman. It was fantastic.”

What does the Flying Dutchman mean to you?

“Mainly it’s fun, but I also think of weddings—Polish weddings. Cause I’ve been to weddings with other people and no one knows what it is, or they haven’t done it, so, like, at every wedding I go to I would want to do the Flying Dutchman, but not everyone does it cause it’s a Polish thing.”

Do you know anything about where this tradition came from? It’s okay if you don’t, I’m just curious.

“I have no idea.”

Analysis:

I find this dance most interesting because of how it requires three people to a group instead of two, especially as it’s performed primarily at weddings. The do-si-do portion of the dance almost seems like a depiction of an inability to choose between the two partners on either side of the dancer. The informant did not describe whether or not the bride and groom performed this dance in any particular way.

The name of the dance is also interesting—as it’s a Polish tradition, it was surprising that the name of the dance is the Flying Dutchman. As the informant did not know the origin of the tradition, he did not know why it has the name it does, or whether or not it also is performed by the Dutch.

Original Script: “Okay so you were there when we heard this story from Sheliah…but I will say it again because GOD BLESS, that stuff has helped us. So, a while ago, Sheliah was doing this wedding—she is a makeup artist—and the bride had food poisoning on her wedding day! Food. Poisoning. That is probably the worst possible thing that could happen on her wedding day. It was from a Mexican restaurant at the rehearsal dinner the night before. Anyways, the bride was literally feeling so sick and Sheliah had tried EVERYTHING to get the bride to feel better. Even the vendors who were just for set up were trying to get the bride to feel better because she was going to call off her wedding! They tried bread, everything you could find in CVS to make food positioning subside, EVERYTHING. Sheliah was about to follow the bride down the aisle with a bucket! The bride was crying and Sheliah was trying to put on her false eyelashes while the bride kept throwing up. But, this one lady from production or another, came into the room with this weird purple paste called ‘Umeboshi Paste,’ basically like a Japanese plum puree, that you have to go to a world market to find. Anyways, she open the jar up, took out a spoon full and gave it to the bride, you could literally see the brides color in her face come back! It is literally a miracle paste! The ending of the story was sooooo funny though! Everyone started working double time to get the bride all set and ready. Sheliah walked into the room where the bride had her wedding dress and stopped in her tracks, she ran out of the room yelling, ‘YOU HAVE A FREAKING MONIQUE LHUILLIER!? IF I WOULD OF KNOWN THAT I WOULD OF KICKED YOUR BUTT TWO HOURS AGO!!’ Hahah, but ever since hearing that story, we, and every other wedding planner I know carry this miracle paste in their emergency kits. Just in case. You never know!”

Background Information about the Piece by the informant: Tiffany is an event coordinator and has been for a couple of years. She has ample experience in the event planning business and usually knows how to get out of the most complicated situations. However, She has never heard of a story where a planner was able to cure food poisoning during the wedding day (given that most brides do not risk having rehearsal dinners at unknown restaurants). Usually, when food poisoning occurs the bride is able to last the ceremony. Recently, the story Tiffany, and I, heard was a few months ago. Since then, she always carries this Umeboshi paste and knows many event planners that carry the paste as well. Just in case food poisoning occurs.

Context of the Performance: Wedding Day Food Poisoning

Thoughts about the piece: Given the fact that I work with Tiffany as well as heard the story myself, it is still an interesting and funny tale as well as a fascinating way to cure food poisoning. Hearing the story a second time was just as amusing as the first time I heard it. At first, Tiffany and I thought that Sheliah was making this story up—that it was a practical joke. Nonetheless, after she showed us a picture of the paste, and using it in a food poisoning case ourselves (but thankfully only once) it is as Tiffany had noted, a “miracle paste.”

Furthermore, it is interesting to note that CVS or western medicines—a “modern” medicine—could not cure the food poisoning of the bride but a paste from Japan was able to—and quickly as well. This shows that even though America prides itself on being a developed nation, there are still some barriers that are not broken. Moreover, the fact that this paste is now widely used with event planners to cure food poisoning, it has become a folk medicine; the folk being event planners and the medicine being the Umeboshi Paste. Even though, this paste was probably not meant to be a cure for food poisoning, event planners have innovated it to work as such.

Following up with Tiffany a month later, she said that she does not go to an event without it. Thus, this material object—which is now a folk medicine—can also be seen as a sacred object and/ or good luck charm just in case something was to go wrong during the event. This folk medicine demonstrates how even when modern medicine, that has coincidently been mostly derived from folk medicine, cannot cure a simple case of food poisoning, when a simple paste from Japan can. In which, this folk medicine surpasses westernized medicine.

Original Script: “Alright, so this is a really common wedding riddle but it is the old, ‘something old, something new, something borrowed, and something blue’ Doing events, especially weddings, I hear this saying all the time. However, I have never seen a bride really go out of her way to put this together…or at least I have never been apart of putting this together for the bride. It usually consists of four items, and of course I have heard of people doing this but have never actually seen it done. However, one time, it was a lovely older couple getting married, and the bride combined all four elements into one! The necklace was old, I believe it was her grandmothers, but there was a new hook on it, so it was new and old. The necklace belonged to her mother, but she let the bride borrow it. AND, there was a blue gem in the middle of it! It was crazy! But really cute!

I don’t know if it really counts as the riddle suggests, but it was a cool mix of the four things! I actually don’t think a lot of couples have heard of the riddle, or at least don’t keep it in mind…I don’t think it is as important now as it was in the past, like, I don’t know if I will do that when I get married, I will focused more on how things will go, how the event will turn out, and of course, you can’t forget the dress!”

Background Information about the Piece by the informant: Tiffany is an event coordinator and has been for a couple of years. She has ample experience in the event planning business and usually knows how to get out of the most complicated situations. The events she plans are anywhere from corporate events, fundraisers, to weddings (destination or locale in California). Planning events, usually weddings, there are a lot of traditions that surround them (for example the bride’s father walking her down the aisle, holding a bouquet of flowers, throwing that bouquet into a crowd of woman and whoever catches it, is who is getting married next). While being apart of all of these traditions, according to Tiffany the riddle above is a rarity in weddings, or at least an event planner is not part of that particular tradition.

Context of the Performance: Wedding Day Prepping

Thoughts about the piece: From television shows to magazines such as the high-end wedding magazine by Grace Ormonde, this riddle shows up everywhere, and is never taken out of its traditional setting, which is a wedding on the wedding day. I found it interesting how Tiffany has never seen the actual process of getting each individual item from all the weddings she has conducted. The only case she had seen this riddle played out was through the clients of an older couple. This suggests, that the riddle might have been more prominent through the past generations, where it was more of a practiced tradition to get something that was old, something that was new, something that was borrowed, and something that was blue. However, this tradition has become seemingly not adherent to the newer couples that are getting married, since Tiffany had mentioned that she has not seen the tradition thoroughly done before (please note that she has coordinated over 20 weddings). Each item the riddle describes also has a specific significance: something new would be a representation of the future; something old would be a representation of the past (where that person comes from); something borrowed would be a representation of the connections that person has; and something blue would represent loyalty (as the color is associated with such). Thus, the motifs of these items correlate with motifs to the day of the wedding.

Furthermore, Tiffany had mentioned that, “at least she has never been a part of that,” which shows that there is a separation of groups, the occupational group being the coordinators and another group being the attendees at the wedding (there of course of three divisions in this group the bride’s family, the groom family, and the friends). A fascinating connection all these groups have is the wedding day, where all four of them come together, just like all four of the items in the riddle come together. Additionally, it is important to see the seperation of knowledge from the two different groups (i.e. the coordinators and the clients). For example, tiffany has heard of the proverb because of all the weddings she has coordinated, she had mentioned that, “I actually don’t think a lot of couples have heard of the riddle, or at least don’t keep it in mind it.” Which demonstrates that traditions are constantly changing overtime.

The informant is a 67-year-old Mexican-American woman who is a reverend. She is known for tailoring wedding receptions to couples from different cultural backgrounds, and in her words “taking old traditions and giving them new meaning.” Many consider her to be the “guru of new wedding traditions.”

While out to breakfast while the informant was visiting me in Los Angeles, I asked her if there were any particular rituals or traditions drawn from Asian cultures that she has incorporated into weddings in the past. She responded by describing tea ceremonies, which she has commonly incorporated in the weddings of individual’s having a Chinese cultural background.

“In a tea ceremony, the parents of the bride and groom are called up to the altar. Together, the bride and groom prepare a cup of tea for each parent. The mothers and fathers then each take three sips of the tea, after which they sit back down. I’m not entirely sure why it is important that they take only three sips, but traditionally that is how it’s done.”

My first question after hearing of this tradition was, “How do they boil water at the altar?” To which the informant responded, “Typically a kettle has been heated somewhere behind the scenes, and it is brought out for the bride and groom. Really all they have to do is pour the tea into a cup and serve it to their parents.” This ceremony seems to represent the newlyweds demonstrating their gratitude to their parents for all that they have done, as a wedding marks the transition at which an individual’s spouse now has more responsibility for taking care of that person than do his or her parents. It is also a way for the bride and groom to let the parents know that they will take care of them in the future as old age approaches. While the informant was unsure of the reason that the parents take only three sips of the tea, examining this tradition with a comparative lens that takes into account a broad range of folklore shows that many folk traditions come in repetitions of threes. This often dates back to the Christian doctrine of the Trinity defined by the Father, the Son, and the Holy Spirit. It also removes the awkwardness that would arise if one of the parents took a great deal of time to finish drinking the entire cup of tea while the entire audience had to sit and wait for them to be done, as three sips can be taken much more quickly and at the same speed by all parents.

Collected by swbarlowPosted Thursday, 28th of April 2016 at 03:40:35 AM

The informant is a 58-year old woman from Trinidad, who has lived in the United States for 45 years. She was raised by her parents in Trinidad and lived in a house with her parents, grandparents, and nine siblings. She attended primary school, and then began working as a housekeeper and nanny. She loves cooking, mainly without recipes or set amounts of any ingredients, having learned her recipes “from my mom and aunts and from trial and error.” The following is what she said when I asked about her step daughter’s wedding a few years ago, of which I was in attendance.

Informant: “Abby’s wedding was a big one. Oh gosh, it feels so long ago now!”

Interviewer: “It was beautiful!”

Informant: “It was…”

Interviewer: “Do you remember going dress shopping with mom and me before? Can you tell me about it?”

Informant: “Yes, yes. Well for a Muslim wedding you need to have the proper dress. It is not like American weddings where anything you wear is fine. Because if you come to the Muslim wedding and you are dressed improperly, you may be asked to leave. And more than that, it is important to the bride and groom that you wear the proper clothes.”

Interviewer: “What would be improper to wear?”

Informant: “Something short, anything that shows a woman’s legs would be improper. Respect—modesty—is very very important in Muslim religion and culture.

Interviewer: “I understand. Can you tell me more about where we went to get the outfits for Abby’s wedding?”

Informant: “We went to Devon Avenue, a whole street of Indian stores, and we went into the best one to buy a saree. You tried on so many! They all looked so cute on you. We picked a colorful one, I can’t remember if it was purple or blue…

Interviewer: “It was purple!”

Informant: “Yes, it was. And then for your mom we got a green and maroon one.”

Interviewer: “Does anyone wear black sarees? Or white ones?”

Informant: “No. Everyone, at weddings is supposed to wear colored sarees. That is what’s done at weddings. The varna—that means color—means something always! Red is for the bride. Abby wore red. Colorful sarees make for a happier, more festive wedding.

Thoughts:

It doesn’t say anywhere in the Quraan that guests at a Muslim wedding are required to wear colorful sarees, or sarees at all for that matter. But it is a custom—a rule, almost—that guests do so. This reflects the modesty of the culture that is expected and has continued to be important to the Muslim people, especially in rituals. While all Muslims do not dress modestly all the time, it is expected that they do so when weddings and other religious rituals take place.

The colorfulness of the sarees at the wedding ceremony, aside from making photos beautiful and bright, makes the ceremony a very festive event. Interestingly, my informant told me that red is often the color of the bride in Muslim weddings, versus the Christian and Jewish white-dress custom. Red is bright and bold; it symbolizes fertility. It is fitting that this would be the color a bride wears on her wedding day, if what she wears is to symbolize the step she is embarking on in her life.

Collected by Arielle SitrickPosted Thursday, 7th of May 2015 at 10:35:15 PM

The tradition: “At wedding receptions, the guests form 2 lines facing each other, men on one side and women on the other. The 2 at the front of the line dance down the aisle together and go to their sides when they reach the end. Then the next 2 dance all the way down and so on. It’s comes from the 70s and 80s dance show, Soul Train. It’s called the Soul Train Line.”

The informant (my mom) is a black American woman who grew up in Tennessee. Soul Train aired in 1971, and was the first all-black show on national television when it moved from Chicago to Los Angeles. So my mom (and dad) basically grew up watching Soul Train almost everyday after school, learning the dances and watching the various R&B performers through the 70s and 80s, when they were children and teens. The Soul Train line became famous from the TV show, and now it’s a popular practice at African-American weddings; it’s almost a staple. My mom says it happens at basically every black wedding she goes to, in addition to “lots of line dancing: wobble, Cupid Shuffle, 2 stomps…” in her words. Improvisation and line dancing are huge parts of black folk dance in America. The Soul Train line combines both, and emulates the practices done on the show itself. People go down the line in pairs, improvising and feeding off of one another. Every move is choreographed in the moment, feeding off the energy of the crowd. I think the emergence of Soul Train in the 70s was very important for young black children in America, to see their community represented onscreen. It made them excited, and want to imitate the dance practices they saw on TV. That generation (my mom’s generation) is the generation that mostly practices, or starts, these Soul Train lines. I was at my cousin’s wedding last summer, who is in her thirties, and it was the older adults who began chanting to start a Soul Train line. They’re fun and energetic, and a good way to interact with people you may not even know well through dance.

Collected by Amanda MillerPosted Thursday, 7th of May 2015 at 09:59:33 PM

Informant: Something that’s passed down, as far as Assyrian wedding traditions, is that the groom’s family has to go to the bride’s house the morning of the wedding before the church ceremony to “pick her up.” And while the groom and his groomsmen are waiting at the church, his relatives are all at the brides house singing and dancing, waiting to escort her to the church. Also, before they leave the house, a male relative of the bride—it’s usually like a brother or a close cousin—closes the front doors and ask for, or, I guess, demands a payment of some sort for the giving away of his relative (the bride). The payment is usually cash, and they negotiate the final amount at the door. After he—the relative—gets the money, he opens the door and everyone dances outside and gets in their cars and goes to the church.

The informant is a student at the University of Southern California. Aside from learning many Assyrian traditions from her parents, she has attended several weddings of relatives and has witnessed these traditions firsthand.

This particular custom of a male relative of the bride demanding compensation for her hand in marriage seems to be a remnant from the past. The informant acknowledge that, while a bit out of date in the contemporary United States, this aspect of the wedding is extremely important to Assyrians who are in touch with their family’s traditions.

The informant told me about Assyrian weddings while we were discussing the future possibility of marriage, and weddings we had been to in the past. She confirmed that her parents have asked that she marry an Assyrian man and preform these traditions at her own wedding. When I asked her if she would feel comfortable doing it, she nodded and confirmed that she liked the tradition because, as “archaic” as it seems to her, it “makes [her] feel connected to [her] family.”

The informant was born and raised into the American culture and way of life. Her mother’s side of the family is in touch with their Jamaican culture and heritage and as the informant grew older she was able to become more into with the beliefs and customs of Jamaica.

Jamaican Dreams

Informant…

“In the my culture deaths and marriages are often predicted by ones close family members. It is believed that if a family member dreams about someone in their family’s wedding the person being dreamt about will die soon. I think we believe in being able to predict deaths because life and death is a big deal in our culture. Marriage is also an important aspect in my culture as well and is ritualized. When a person dreams about a family member’s death that is consider a prediction of that family member’s wedding.”

I asked the informant if she had ever had a dream like this or known someone who did and it became true. She told me that she didn’t know anyone who had ha a dream like this and she personally has never had one. I asked where she learned this belief from snd she said that she remembers her grandma telling her about it when she was younger before she passed away.

Analysis…

Being able to predict someones death could be a blessing and a curse. Knowing that someone you love is going to die soon has to be difficult to handle. However on the other hand being able to predict a wedding is exciting. Death and Marriage are two major stepping stones in most cultures and they are ritualized because of that. Marriage you are become one with someone else and you are able to start a family, but death is the end of your life and the start of your after life whatever you believe that may be. I think that is why they are both made such such a big deal out of and ritualized with customs and rituals and why cultures have so many beliefs centered around these two major life events.

Collected by Jerayah DavisPosted Thursday, 7th of May 2015 at 09:48:59 PM

In Indian weddings in general, Henna is very very important. And it is said that the darker it is, the more your husband loves you.
This belief, while known to be a mere superstition, is still venerated and guarded as paramount to the success of a marriage. So much so, that there are articles and tips in Indian wedding magazines and blogs as to how to obtain a darker stained Mehndi. Some brides, Mayuri mentioned, go so far as to bleach the skin around their upper and nether limbs in order to have the henna stand out more from their skin and appear darker.