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A giant of the ancient literary world, Plato has shaped the works of many other great minds. This collection offers Plato’s complete works, including the apocrypha texts, as well as all of Plato’s original Greek texts. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This comprehensive eBook presents Plato’s complete extant works, with relevant illustrations, informative introductions and the usual Delphi bonus material. (Version 2)

Features: * ALL of the dialogues, with excellent formatting * ALL of the spurious works in English translation, including texts often missed out of other collections * individual contents tables for the longer dialogues, enabling you to navigate the texts with ease * concise introductions for all of the works, giving valuable contextual information * includes Plato’s epigrams and epistles * many of the translations have also appeared in the famous Loeb Classical Library editions of Plato * features translations by Benjamin Jowett * special Greek pronunciation pages – experience the true sound of Plato’s 2500 year-old wisdom! * numerous images relating to Plato, his works and the places he lived in * even includes a special criticism section, with scholarly works assessing Plato’s contribution to the philosophical world * boasts three biographies by classical writers – explore Plato’s adventurous life! * includes Diogenes Laërtius’ famous biography * scholarly ordering of texts, with a front no-nonsense master table of contents * UPDATED with improved texts and translations

The Criticism PLATO AND PLATONISM by Walter Horatio Pater INTRODUCTION TO THE PHILOSOPHY AND WRITINGS OF PLATO by Thomas Taylor Extract from ‘REPRESENTATIVE MEN’ by Ralph Waldo Emerson PLATO: LITTLE JOURNEYS TO THE HOMES OF GREAT TEACHERS by Elbert Hubbard

The Biographies PLATO: LIVES OF THE EMINENT PHILOSOPHERS by Diogenes Laërtius THE LIFE OF PLATO by Hesychius of Miletus THE LIFE OF PLATO by Olympiodorus

— The Complete Texts by one of the Greatest Philosophers that ever lived!

— 43 Books by Plato; 14 Spurious Texts. 4 Books About Plato

— Over 1.51 Million Words. Over 5,400 Active Linked Endnotes

— Includes an Active Index, Table of Contents for all Books and Layered NCX Navigation

— Includes Illustrations by Gustave Dore

Plato (428/427 or 424/423–348/347 B.C.E.) was a philosopher, as well as mathematician, in Classical Greece. He is considered an essential figure in the development of philosophy, especially the Western tradition, and he founded the Academy in Athens, the first institution of higher learning in the Western world. Along with his teacher Socrates and his most famous student, Aristotle, Plato laid the foundations of Western philosophy and science. Alfred North Whitehead once noted: “the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato.”

Plato’s dialogues have been used to teach a range of subjects, including philosophy, logic, ethics, rhetoric, religion and mathematics. His lasting themes include Platonic love, the theory of forms, the five regimes, innate knowledge, among others. His theory of forms launched a unique perspective on abstract objects, and led to a school of thought called Platonism. Plato’s writings have been published in several fashions; this has led to several conventions regarding the naming and referencing of Plato’s texts.

This carefully crafted ebook: “THE ATLANTIS COLLECTION - 6 Books About The Mythical Lost World: Plato’s Original Myth + The Lost Continent + The Story of Atlantis + The Antedeluvian World + New Atlantis” is formatted for your eReader with a functional and detailed table of contents: The Original Myth of Atlantis (Plato) Timaeus Critias New Atlantis (Francis Bacon) Atlantis: The Antedeluvian World (Ignatius Donnelly) The Lost Continent (C. J. Cutcliffe Hyne) The Story of Atlantis (William Scott-Elliot) Atlantis ("island of Atlas") is a mystical island mentioned within an allegory on the hubris of nations in Plato's works Timaeus and Critias, where it represents the antagonist naval power that besieges "Ancient Athens". Plato's indications of the time of the events—more than 9,000 years before his day, and the alleged location of Atlantis—"beyond the Pillars of Hercules", has led to much scientific speculation. As a consequence, Atlantis has become a byword for any and all supposed advanced prehistoric lost civilizations. At the end of the story, Atlantis eventually falls out of favor with the gods and famously submerges into the Atlantic Ocean. Despite its secondary importance in Plato's work, the Atlantis story has had a considerable impact on literature. The allegorical aspect of Atlantis was taken up in utopian works of several Renaissance writers, such as Francis Bacon's New Atlantis. On the other hand, 19th-century scholars interpreted Plato's account as historical tradition, most notably in Ignatius L. Donnelly's Atlantis: The Antediluvian World. Many of his theories are the source of many modern-day concepts about Atlantis, including these: the civilization and technology beyond its time, the origins of all present races and civilizations, and a civil war between good and evil. Much of Donnelly's scholarship, especially with regard to Atlantis as an explanation for similarities between ancient civilizations of the Old and New Worlds.

IN the Meno, Anytus had parted from Socrates with the significant words: ‘That in any city, and particularly in the city of Athens, it is easier to do men harm than to do them good’ (94 E); and Socrates was anticipating another opportunity of talking with him (99 E). In the Euthyphro, Socrates is awaiting his trial for impiety. But before the trial begins, Plato would like to put the world on their trial, and convince them of ignorance in that very matter touching which Socrates is accused. An incident which may perhaps really have occurred in the family of Euthyphro, a learned Athenian diviner and soothsayer, furnishes the occasion of the discussion.

THE genuineness of the Laws is sufficiently proved (1) by more than twenty citations of them in the writings of Aristotle, who was residing at Athens during the last twenty years of the life of Plato, and who, having left it after his death (B. C. 347), returned thither twelve years later (B. C. 335); (2) by the allusion of Isocrates—writing 346 B. C., a year after the death of Plato, and probably not more than three or four years after the composition of the Laws—who speaks of the Laws and Republics written by philosophers (??? ??? ????????); (3) by the reference (Athen. 226 A) of the comic poet Alexis, a younger contemporary of Plato (fl. B. C. 356–306), to the enactment about prices, which occurs in Laws xi. 917 B foll., viz. that the same goods should not be offered at two prices on the same day; (4) by the unanimous voice of later antiquity and the absence of any suspicion among ancient writers worth speaking of to the contrary: for it is not said of Philippus of Opus that he composed any part of the Laws, but only that he copied them out of the waxen tablets, and was thought by some to have written the Epinomis (Diog. Laert. iii. 25).Aeterna Press

HE dramatic power of the dialogues of Plato appears to diminish as the metaphysical interest of them increases (cp. Introd. to the Philebus). There are no descriptions of time, place or persons, in the Sophist and Statesman, but we are plunged at once into philosophical discussions; the poetical charm has disappeared, and those who have no taste for abstruse metaphysics will greatly prefer the earlier dialogues to the later ones. Plato is conscious of the change, and in the Statesman (286 B) expressly accuses himself of a tediousness in the two dialogues, which he ascribes to his desire of developing the dialectical method.Aeterna Press

OF all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view.Aeterna Press

THE Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words in order to conceal his thoughts, or that he would have been unintelligible to an educated contemporary. In the Phaedrus and Euthydemus we also find a difficulty in determining the precise aim of the author. Plato wrote satires in the form of dialogues, and his meaning, like that of other satirical writers, has often slept in the ear of posterity.Aeterna Press

THE Republic of Plato is the longest of his works with the exception of the Laws, and is certainly the greatest of them. There are nearer approaches to modern metaphysics in the Philebus and in the Sophist; the Politicus or Statesman is more ideal; the form and institutions of the State are more clearly drawn out in the Laws; as works of art, the Symposium and the Protagoras are of higher excellence. But no other Dialogue of Plato has the same largeness of view and the same perfection of style; no other shows an equal knowledge of the world, or contains more of those thoughts which are new as well as old, and not of one age only but of all. Nowhere in Plato is there a deeper irony or a greater wealth of humour or imagery, or more dramatic power. Nor in any other of his writings is the attempt made to interweave life and speculation, or to connect politics with philosophy.Aeterna Press

LYSIMACHUS, the son of Aristides the Just, and Melesias, the son of the elder Thucydides, two aged men who lived together, are desirous of educating their sons in the best manner. Their own education, as often happens with the sons of great men, has been neglected; and they are resolved that their children shall have more care taken of them, than they received themselves at the hands of their fathers.Aeterna Press

IN what relation the Apology of Plato stands to the real defence of Socrates, there are no means of determining. It certainly agrees in tone and character with the description of Xenophon, who says in the Memorabilia (iv. 4, 4) that Socrates might have been acquitted ‘if in any moderate degree he would have conciliated the favour of the dicasts;’ and who informs us in another passage (iv. 8, 4), on the testimony of Hermogenes, the friend of Socrates, that he had no wish to live; and that the divine sign refused to allow him to prepare a defence, and also that Socrates himself declared this to be unnecessary, on the ground that all his life long he had been preparing against that hour. For the speech breathes throughout a spirit of defiance, ‘ut non supplex aut reus sed magister aut dominus videretur esse judicum’ (Cic. de Orat. i. 54); and the loose and desultory style is an imitation of the ‘accustomed manner’ in which Socrates spoke in ‘the agora and among the tables of the money-changers.’Aeterna Press

THIS Dialogue begins abruptly with a question of Meno, who asks ‘whether virtue can be taught.’ Socrates replies that he does not as yet know what virtue is, and has never known any one who did. ‘Then he cannot have met Gorgias when he was at Athens.’ Yes, Socrates had met him, but he has a bad memory, and has forgotten what Gorgias said. Will Meno tell him his own notion, which is probably not very different from that of Gorgias? ‘O yes—nothing easier: there is the virtue of a man, of a woman, of an old man, and of a child; there is a virtue of every age and state of life, all of which may be easily described.’Aeterna Press

THE Protagoras, like several of the Dialogues of Plato, is put into the mouth of Socrates, who describes a conversation which had taken place between himself and the great Sophist at the house of Callias—’the man who had spent more upon the Sophists than all the rest of the world’ (Apol. 20 A), and in which the learned Hippias and the grammarian Prodicus had also shared, as well as Alcibiades and Critias, both of whom said a few words—in the presence of a distinguished company consisting of disciples of Protagoras and of leading Athenians belonging to the Socratic circle. The dialogue commences with a request on the part of Hippocrates that Socrates would introduce him to the celebrated teacher. He has come before the dawn had risen—so fervid is his zeal. Socrates moderates his excitement and advises him to find out ‘what Protagoras will make of him,’ before he becomes his pupil.Aeterna Press

“If it were necessary either to do wrong or to suffer it, I should choose to suffer rather than do it.” - Gorgias, Plato

Gorgias is dialogue written by Plato, based on a conversation between Socrates and a small group of sophists at a dinner gathering, where Socrates debates with the sophist seeking the true definition of rhetoric. It is a study of virtue founded upon an inquiry into the nature of rhetoric, art, power, temperance, justice, and good versus evil.

No answer is given in the Lysis to the question, ‘What is Friendship?’ any more than in the Charmides to the question, ‘What is Temperance?’ There are several resemblances in the two Dialogues: the same youthfulness and sense of beauty pervades both of them; they are alike rich in the description of Greek life. The question is again raised of the relation of knowledge to virtue and good, which also recurs in the Laches; and Socrates appears again as the elder friend of the two boys, Lysis and Menexenus. In the Charmides, as also in the Laches, he is described as middle-aged; in the Lysis he is advanced in years.Aeterna Press