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Well well well, it’s almost that time of the year! We are four short days away from the joy of family, feasting, and being propped up in a corner after many glasses of wine. Lovely stuff! Although I always look forward to the Christmas break, it’s felt particularly needed this year.. With a stressful term one of the final year of university down, only two more to go until I graduate. It’s not all tinsel and puddings in the next few weeks, mind you; I’ll most likely be writing the majority of my dissertation over the Christmas break and I have a few other things to do before returning to lectures in the cold and dark reality of January. But, in the spirit of not wishing time away, all that nonsense is in the back corner for now. Phew!

My usual update last Wednesday had to be delayed due to assessment, but that means that I now have even more to tell you all! First up, you may remember the commission I did for the Hope Centre a few weeks ago, for their Christmas appeal. Well, it took a little while but I finally got my hands on a printed copy of the newsletter featuring my illustration. How exciting!

It’s been really nice to see my work in print. I mean, comics-wise I’ve had a pretty dang awesome year and drawing for narrative is my favourite thing to do. However, working on an editorial piece like this and seeing it out there in the world is a rewarding moment and important for my portfolio. Rejoice! The Hope Centre in Northampton, as I mentioned in that previous post is an important charity. If you fancy helping them out at this rather cold time of the year, head over to Just Giving and their Hope for Christmas campaign.

T : Something I’ve noticed about your work is that, in each case there seems to be a uniting sense of journey. You have a lot of movement through spaces, establishing shots and interactions. There’s also a nice echoed mapping of movement in the visual pacing of the panels and the unfolding nature of it also reflects the way the formation of the narrative itself works. These things surface, and it can be seen as a sign of connection with the medium. How much of this was a conscious decision, was it all planned?

R: I’m very interested in pacing with comics; how movement through a story can be subtly distorted and played with. It’s not really something that can be done in other mediums, so it’s been great to play with it as much as a story allows. It was particularly relevant in The Red Road, as it’s based around the poem which has a similar movement through time, or more lacking any specifics of time. Part of it was definitely a conscious decision, though I’ve learnt a lot more about pacing with every new comic I create.

The Rejsen submission I made for Dirty Rotten Comics was completely incidental, it was more just a reflection on how many different places you end up sitting, standing or waiting on a platform during years of travelling by train to Manchester. The movement in comics and playing with time is still something I’m getting to grips with doing. It’s a constant learning curve!

In other news, as I mentioned in my last post, I went to my first ever Laydeez do Comics event held in Gosh! Comics in London last Monday! I didn’t manage to get any photos as I was so enamoured with listened to two such inspiring individuals talking about their work; Rachael Ball and Mike Medaglia. Mike started with talking about his work from the past few years leading up to now, with his success of One Year Wiser – the hugely popular book of 365 illustrated quotes and mantras, the subsequent One Year Wiser the colouring book, and his latest venture of creating comics for the Mindful Life Illustrated on Elephant Journal. Go Mike! Next up speaking was Rachael Ball, the creator of The Inflatable Woman, an einspiring tale of one woman and her life experiences after being diagnosed with breast cancer. I’ve not had a chance to read The Inflatable Woman yet, but Rachael’s inspiring talk about her own battle with breast cancer and how she took on creating this story from scratch was moving, and how she weighted the graphic novel with dark parts equally balanced with humour really shows her talent. And, I mean, she has arguing penguins in the story. What’s not to love? You can buy Rachael’s The Inflatable Woman from any decent book retailer, and Mike Medaglia’s online shop can be found here (though don’t bother him whilst he’s on holiday!). And of course, the wonderful Gosh! Comics have stock of both their work. And lots of other talented people. You should go pay them a visit.

Thanks to Keara, Wallis and the folks at Gosh for being welcoming as always, and I briefly got to see some ever so friendly faces before dashing through Soho on a one-horse open sleigh.. Err.. I mean.. By foot.. to get my train back home to Northampton. I’m really glad I made time to go to a Laydeez do Comics event before speaking as a part of the Broken Frontier themed event in January! Though now the pressure is on to make people believe that I’m actually interesting. Yikes! Saying that, I do have a fondness for making In Design presentations, so I can spend a happy Christmas dropping in images and making it all look rather fetching. So, as I mentioned last time, the next Laydeez do Comics London is on Monday 18th January – tickets are free but must be booked and sell out fast, so if you’d like to come and hear me stutter make sure you get yourself on the mailing list now!!

Finally, as of Friday afternoon, University is now finished for the year and I am free as a festive bird (although not really, as I mentioned at the start.. But I’m pretending for a few days)! War Horse is finished and progress on The Next Big Thing will be continuing over Christmas, and hopefully in January I might have some good news regarding the latter. For now, I’d like to wish all my readers (Hi mum!) a very merry festive season! I will be back in just over a week with an update before the New Year, potentially a compilation special looking back over 2015 and how snazzy it’s been. For now, though, enjoy!!! See you on the other jolly side!

So, it’s been a while! Two weeks of adventuring around Norway, Sweden and Denmark had a wonderfully calming and refreshing effect, with the 8-10 miles of walking a day leaving me with a svelte lady Viking figure. My partner and I had a wonderful time, it was physically tiring at times but the amount we saw with only a couple of days in each city is pretty remarkable. And, even better, I have LOTS of photos and ideas mulling around in my break for The Next Big Thing..

Mt Fløyen – Bergen, Norway.

Before I left for the Scandi-lands, I left you all with the visions of Sneaky Business zine and what was to come. Well, last week I picked up a lovely box of Sneaky Businesses from the local printers and pre-order is officially open! Andy Oliver from Broken Frontier kindly reviewed Sneaky Business for me, and you can see what he says here!

There’s something incredibly appealing about the almost ephemeral zine-like approach of Sneaky Business; something smaller scale that, nevertheless, acts as a concise showcase for a number of self-publishing talents in one affordable and welcoming package.” – Andy Oliver, Broken Frontier review of Sneaky Business.

Talking of MancsterCon, it’s now only three days to go until the event itself! I’m really excited to be attending as a seller rather than a viewer this year, and the organisers kindly have adopted me as an honorary Northerner to Manchester’s celebration of indie sequential art in the North West. There are a whole host of events going on between 10am-5pm, and if you’re in Manchester you should definitely pop along and say hello! I’ll also be sitting alongside Tom Ward, Chris Welsh, Andrew Tunney and Debbie Jenkinson on the “So you want to get into comics?” panel! Here’s what they say about it..

“We’re all here because we love indie comics, but how do you actually become an indie comics artist? Where do you start from? What’s the mark of success (or failure for that matter)? What exactly is a non-repro blue pencil? These talented, award winning indie comic artists reveal their secrets and bestow some advice for the up and coming comic artist.”

Should be fun! If there’s one thing I can talk about to no end, it’s my own work. Because, y’know. It’s all I do. So in case you’d forgotten, MancsterCon is this Saturday 29th August 2015 at the Salford University, Media City campus in Salford Quays, Manchester. Pre-holiday I’d also been busy ordering new supplies and goodies, so hopefully it’s a really successful day for all of us.

In other news, in my last update before holiday I talked about my Top Secret Project! Low and behold, in three days I managed to fully ink all nine pages and spend my evenings with an ice pack on my wrist – but I did it! Hurray! On return from the lands of blondes and Vikings, I’ve been hard at work painting the pages up, so here are some more sneaky progress shots from my current work.

The deadline remains as 1st September, so I have my work cut out to finish this and prepare for MancsterCon this weekend! But it’s a really exciting project, and although I’m nervous as to how it’ll be received I’m also excited to see it finished, bound and in people’s loving arms.

Finally, I was thrilled to arrive home last week to a shiny copy of Dirty Rotten Comics sitting on my desk! Don’t worry, the postman didn’t break into my home, my well trained flatmate carefully positioned it away from any pots of paint and water containers. It’s been a wild ride to see my work in print, from the first time in June 2014 with HOAX, to my first self published works in The Red Road earlier in the year. The feeling of pride and excitement never dwindles to see my work in print, almost more-so when hand-picked by someone else. Thank you so much to the guys at Dirty Rotten Comics for putting Rejsen to fame! My dreams were made even more so by being highlighted as one of the top comics in the anthology by Richard Bruton at Forbidden Planet and Andy Oliver at Broken Frontier;

“And finally, last but certainly not least, Rozi Hathaway. Her ‘Rejsen‘ tells a simple 2-page tale of meeting up, of waiting, of longing, of counting the days. It’s a fragment thing, each panel disconnected from the text that recounts the reason the woman is dragging a case around a railway station, but the interaction of text and Hathaway’s lovely artwork is spot on…” – Richard Bruton, Forbidden Planet Blog

“Rozi Hathaway – another of that now legendary six – also goes the slice-of-life route with her account of a long-distance relationship. It’s a beautifully personal piece that has a haunting, almost lyrical quality to it – the weary passage of time and the inhospitable nature of public transport fading into insignificance in a heartwarming, joyous final panel.” – Andy Oliver, Broken Frontier

Success! Though I shouldn’t get too used to these kind things people say; it’s coming up to a month until my third year of University starts, and I need to be prepared to be thoroughly verbally destroyed by several lecturers whilst weeping into my fifth coffee of the day. However, I have a month of peace and quiet until all hell breaks loose and I wonder why I spend £40k on a degree. And peaceful, quiet and busy it shall be. Until next week!

“Rozi Hathaway – another of that now legendary six – also goes the slice-of-life route with her account of a long-distance relationship. It’s a beautifully personal piece that has a haunting, almost lyrical quality to it – the weary passage of time and the inhospitable nature of public transport fading into insignificance in a heartwarming, joyous final panel.”

“And finally, last but certainly not least, Rozi Hathaway. Her ‘Rejsen‘ tells a simple 2-page tale of meeting up, of waiting, of longing, of counting the days. It’s a fragment thing, each panel disconnected from the text that recounts the reason the woman is dragging a case around a railway station, but the interaction of text and Hathaway’s lovely artwork is spot on…”