In this dream imagery, Jeane has a feeling of not wanting to be seen in a certain way – not wanting to be labeled as part of a group. In the dream, she is both the person resisting, and the group of people she resists. In this way, she is letting go of the aspects within her that are based in outward appearances, and embracing the inner aspects that are free from such mannerisms. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane:In my first dream, I’m someplace, it feels almost like London. It feels like one of those kind of older cities, and I seem to have run into somebody I know, and we’re trying to decide where to go, and we’re in a strange kind of corridor almost outside.

It’s just an outside area that’s slightly defined, because you have some things you can walk down, or lean against, and there’s a pathway that is broad, which goes down more into the city where there are large structures, old structures.

I’m talking with a gal, and other women come up, and it’s almost like all of them at certain times have gone down into the city to a building to listen to somebody talk, who is maybe almost like a psychic.

And I knew this gal from long ago, and the one that I’m with right now is trying to find the other girl to maybe listen to her, and then these two women come up that know her, and they know where she is, and where the meeting is, or where the lecture talk is, and that’s when I find out this person is channeling.

I just used to know her when she was exploring, learning about different things. So they start questioning me, and I mention that I actually came from the Episcopal church, even though I’m not going there anymore, just to kind of indicate that I’m not that much into what they’re doing, in a subtle way.

But I did want to go see this friend, and see what she was up to. I just was kind of curious about what she was doing. But I don’t particularly want to be seen as someone that wants to get caught up in listening to channeling, and I feel like it depends on whether the other two women, who kind of know how to get to the meeting, whether they decide to tell us where to go or not.

John: So you can’t figure out where it’s going to be unless you somehow or another relate to them. But did you relate to them enough to know how to get to the meeting?

Jeane: Yes, yes, I did.

John: So the idea is that when you go to meet her, you’re not getting into that motif, even though she would be inclined, when she saw you, to think that you were coming because you were in that motif.

Jeane: Right.

John: And soyou are trying to maintain, or hold, another kind of position because you do not want to relate to her just along those levels.

Jeane: Yeah.

John: So, you seem to know that if you were to relate to her directly, in terms of how it is that she’s indulging in a particular way, that that wouldn’t be as heart-to-heart, or as open a communication as you want to have.

Somehow or another that would be inhibiting, and it would create the wrong appearance. So, you seem to be saying to yourself, that there is an identity that you need to not indulge in as much as you may be inclined to indulge, and get lost in the indulging, if you hope to have a greater, more natural rapport.

Otherwise, if you keep indulging in this particular way, to the degree to which you’re indulging, you then define how it is that everything relates to you, or you’re able to relate to everything else.

It seems to be a bit of a dream about establishing an orientation that has a letting go, greater space, about it, so that there isn’t some sort of defined mannerism that’s dictating the unfoldment. That way everything can be fresh, original, exciting. In other words, there won’t be this motif that overhangs, because if there’s a motif that overhangs, then the degree to which you can properly relate is going to be defined according to the motif.

And so the relatability is going to be quite limited, as a consequence, because it’s going to be under that tone, or that mood, or that mannerism. You may need to look at it enough, however, to be able to see where it’s at, but only to get an orientation.

Then you have to let go of that. You can’t go in with that, carrying a particular mannerism about it, because then that mannerism is like a judgment, and that judgment is like a spell, when that spell is like putting a tone, or a mood, or a mannerism over something. And therefore the relatability leaves something to be desired.

If you have to relate to that according to how it is, in that mannerism, then nothing benefits. No one else there benefits, they all are drinking the same water, so to speak, of the issue that they are all carrying, or aspiring to, and so there isn’t the ability to take on a whole other shifted, greater aspect of relatability.

So it’s almost like a dream in which, like the theme of the dreaming last night seemed to have something to do with contrasting what it’s like to drop all sense of appearances in a part of you, knowing that that’s what you want to do, versus other parts of you that have all of those appearances, all of those mannerisms, and that they shut you down in some capacity, as a consequence of that, in terms of how you’re able to relate, how you’re able to be oriented, the way that you’re oriented.

And so you’re looking at the contrast of these two states, which means that this ability to channel – there’s no black-and-white here. The ability to channel, and whatnot, is something that is opened up, that you can actually connect and relate and bring something through. That is opened up.

However, that isn’t where the relationship is. That isn’t where the deeper relatability is. That’s just the way something is, and if you indulge in that, then everything around you gets caught up and lost in that, as well. It’s an interesting dreaming.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Can You Relate?

In John’s dream, he isworking with two different books, one is a template and the other is a guide book. The guide book is like an instruction manual for the lower self, the aspect of us that deals with the outer world. The template book is for the higher self, the connective, inner aspect of us that is entwined with the purposes of creation. The scenario shows him able to put down, or let go of, the guide book, because if we follow our higher self, the guide book no longer applies. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: So the difference in my dream compared to yours where you have to establish the overall space because that’s what’s important, is the dynamic from which you then are able to function and work and extend and reach out and come down into life – inner into outer.

My dynamic works more with the aspect of something that has to have the note, or the message, or the memo, or the octave set to it.

So in my dream, I’m in a place where I feel that a transition is imminent. In other words, I can just feel that it’s coming. And feeling it, and memorializing it, or having the clarity of it are two different things.

I mean, you can feel certain things, but how do you sort that out? I feel that I need to retain and preserve a reference guide. I’ve done my best to gather up the information that I consider as needed for the future. I’ve gathered it up, but it’s a little here, and it’s a little there, and some parts replicate and things like that, and none of it’s been really put together.

In other words, it’s kind of disjointed. At first inflection, I’m thinking that it has to be presented in disjointed books, or manuscripts, or however that gets put together. And at first I’m thinking it needs to be three of them, in which no one book is greater than two chapters – or at most three chapters.

But then all of a sudden I kind of flash back and I realize: this isn’t going to be complete. If you’re going to make a book, the book needs to be complete. It needs to contain all five chapters. Well, it might be too big, because this person is showing me how this needs to be bound as a format, and I’m thinking there’s too much material to put into that format.

But then I realize, yes, it can be done, and that all five chapters, some of it replicates but there’s only one version. There’s only one straightforward, the others have been replicated. They need to come together as a template, as a guide.

And I suddenly realize that it’s possible for one book to be complete. There may still be a second, but it is kind of a precursor. It’s not going to be the A-to-Z of life. It will be like just chapter three, or maybe one other chapter with it.

So this is going to be a larger book than imagined, and so I say to the person who is pushing me to do this, “There will only be this one complete book, so it will have to be treated, handled, preserved or however you would say that, in other words, guarded very carefully.”

Because it’s so important, and I can feel the importance, you know, I’m so surprised that it can come together as five chapters, and I don’t know that it’s possible to ever do this again, so I repeat, as if to drill in the importance, even as I’m surprised that it’s possible, “It’s just going to be this one book in which it’s all together.”

The book is such a template that just the putting of it together, and rounding up of the essential chapters, has changed me in terms of what I hold onto.

So I have an example of that. In this, I’m in a nearly empty room, and I’m clearing out just about everything in this room as part of letting go, and therefore hitting some sort of space and freedom inside.

Off to one side I glanced at it, and ignored it, and left it yet, and glanced at it, and still ignored it, and left it yet, and still not sure – one part of me could throw it away, and the next part still feels it might be important to keep – is this very large manual.

I realize that, depending upon which state I’m in, as to whether or not I feel it’s still important. This is a manual that’s a guideline regarding the real estate system, which seems to be more or less the system of the outer, and has been designed and put together as a blueprint of the powers that be.

I refer to it as having in it everything that the big boys follow as their game plan. So in the dream, after having established for posterity a blueprint for all of life going forward, to look at this game plan manual for the powers that be suddenly strikes me to be a bit confining: do I really need it?

Because when I really feel the vibration of the other five chapters that were put together this pales by comparison. It’s trite. It would take me away from those five chapters, which means that when I’m in that space even this can go, but when I’m thinking I may need to bone up on what the lower-self faculties are up to in their limited perspective way, that is when I think I may want to set this aside as well.

But deep down I know that I’m not going to refer to it. I’ve actually gotten to a point where I’ve gone beyond this. I’m more in the right space than I am in that, so I can’t keep punishing myself with just that, so adhering to that, which isn’t important, is going away from resonating with the five chapter book – and I know better than that now.

In fact, I know better to the point that whatever is important about it is simply going to be there for me as needed. In other words, I understand it. I don’t need to noodle on it and study it or hold onto it or refer back to it.

I actually understand it from the overallness, the greater scope of this five chapter book because in other words this is a fractured energetic, which is taken into account, and one doesn’t have to indulge upon it when one has the Book of Life, and is able to let that flow, and be there inside one’s self, and be the template going forward, which means that I will have to hold the space as a reflective example.

That’s what the five chapters do. And to do that, I have to clear out the space of this other because the resonation of the five chapters is all that I need.

The meaning of this is that rising up from within is a sense of how to be in a sorted-out way in existence. The five chapter book represents this alignment. Without such an alignment energetically, on all five levels, I would remain inclined to dwell, on this or that, as important understanding guidelines as propounded by the outer world.

The dream is indicating that deep down I know all about that sort of thing, and no longer need to retain such inhibitions about this being what life is about. I have an A-to-Z guidebook to all there is, of which this separate vibration is captured in a huge manuscript, which is disposable, because the manuscript is just a separate component that is no longer relevant when you have the Wholeness, when you have the big picture, and that’s just a tiny, tiny little quality in it.

And it’s a deviated quality at that, so it’s no longer something of value because of the big picture of life that I am in touch with. And it is still there, but this effect of the big boys is on its way out.

Here, Jeane continues her dream from yesterday (see Back to Essentials). It’s interesting to note that the imagery has literally shifted from inside an office building, to being outside on a bus. This speaks of the human process of bringing energetics through into life – a process of the inner manifesting in the outer. Processing energy in this way is part of the human design, and part of our role and responsibility in creation.

(At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane:Now it feels like, as I am trying to suddenly work out in my mind how to accommodate these people, because there are so many of them, it feels like we’ve shifted to where we’re on a bus.

And there’s one gal outside the bus yet, and when she starts to walk up the street, there are some kind of rough-and-tumble people on the street, so it’s like I kind of get her to come back on the bus because the action out there was a little rough.

And then it just seems like there’s a shift as I’m finally working out how I can maybe give a little bit of time to each person, even though it seems impossible because more people keep coming. But I do seem to feel like I’m starting to sort it out, but then it’s like there’s a shift and it feels like I’m walking across a field with you or someone that’s like a combination of you.

I’m walking across a field with them at night, and they need to go on ahead because I still have some more people to see. And I go on up to a house, but I realize the dilemma I have is that we’re walking together and they’re going to go on up to this cabin, or house or something, which is across this field like a football field.

But I suddenly realize we both came in the same car, or we’re both there without our cars, so that we have to meet up and get back together because we can’t just one of us leave and then the other leave, because we have to go find the vehicle or something like that.

And so he’s going to have to wait at the house until I finish the work, and I know he kind of goes up to this A-frame, and it’s night, and I’m not even sure it’s our house he’s going to go wait at. It does seem to be someplace he can go in, but then I have to try to find him again at night, after the work is finished. I barely remember that part.

John: Well, this other part is a little different than what I was expecting in that what you’re doing in the last part of the dream is you’re measuring the capacity, the capability and capacity of yourself, to take someplace within and go into the outer with it.

In other words, bring it through. And you go out onto the bus, but it’s still kind of almost an interim bus. It is a bus. It is in the outer. You have taken it out, but as far as going out and walking down and around the street, that can be a bit rugged.

And so you still have your carefulness that you have to do in terms of taking something that is enmeshed and hidden inside of you and taking it into the outer, living it, so to speak, in the outer capacity.

The rest of the dream continues in terms of trying to get you to realize that because you’re still going through the motions of trying to figure out how to bring it into the outer, that it’s easy to see this to be separate over there, and that to be a bit separate over there, and still have that kind of distinction mannerism in your nature.

And the dream is trying to say there is no distinction mannerism in your nature. Everything comes together. It all drives in the same car. It all loses the car, and it all finds the car, so to speak. It all is in this together.

And that you don’t go making distinctions with parts of yourself. When you bring it through you bring it all the way through. You don’t say, okay, this over here doesn’t get the smattering in that over there.

You don’t have any conditions. It either all comes through, and it’s not all coming through is what this part is portraying. And then so you have a bit of a bewilderment in that because you had the directness and the loudness of the other part that kind of came through, but now the carrying it across into the outer is still your Rubik’s Cube. I mean, you still have those peculiarities to sort out.

That’s a pretty interesting dream. You have to establish the overall space because that’s what’s important, it’s the dynamic from which you then are able to function and work and extend and reach out and come down into life – inner into outer.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Into the Outer