Anne Sofie von Otter's mezzo-soprano is perhaps a touch ethereal for Dido, but she didn't try and compete with the orchestra, instead confidently drawing the drama to her, with a stage presence and an unfailingly intelligent musicality that anchored the human dimension of Part II.

The statement quoted one of the singer-protesters, Deborah Fink, whom it identified as a soprano, describing the group's first disruption as "intricately interwoven" with the Israel Philharmonic's first piece, Webern's Passacaglia.