Silence (1971, Masahiro Shinoda)

Set during whatever era of Japan when Christianity was outlawed, the story follows dour missionary Rodrigues and Garrpe, his balding friend who is less good at dialogue acting, as they arrive in a small town to clandestinely spread their religion. This turns out to be harder than they suspected, and they’re eventually captured and brought to their predecessor and teacher Ferreira, who has abandoned Christianity and tries to convince them to do the same.

Rodrigues:

Obviously watched in preparation for Scorsese’s upcoming remake. I didn’t find it all that engaging or convincing, which I suppose means there’s more hope for remake improvement than there was for Infernal Affairs / The Departed. I tend to make a really big deal out of less-than-convincingly delivered dialogue, so I generally favored the Japanese cast in this movie, who I couldn’t understand, over the English speakers, who I’m afraid the director couldn’t understand. And unrelated to the film’s quality, I couldn’t make it play in proper full-screem on my TV, so it’s the last Filmstruck movie I’m watching until they get Roku support.

Iwashita:

Looking around online, I’m not the only viewer who was reminded of Apocalypse Now (which this movie predates by eight years). Played at Cannes with fellow crisis-of-confidence films Solaris and Images. The white guys haven’t been in much else, but Ferreira was the prolific Tetsuro Tanba (grandpa in Happiness of the Katakuris). The supposedly Christian guy who sells out Rodrigues to the cops was Mako, Bob Hope’s companion in The Private Navy of Sgt. O’Farrell. And Shima Iwashita, convinced to apostatize when her husband (Woman of the Dunes star Eiji Okada) is buried to the neck and nearly trampled by a horse, was a regular Shinoda star, also in The Demon and Sword of the Beast.