Several years ago my friend, and long-time client, Anne Kilkenny contracted me to design a logo for a grass roots community effort to oppose the inclusion of a "big box" hardware store in a new development proposed for construction on the east side of Portland's Willamette River. The site, at the end of the Burnside Bridge, was within a few blocks of numerous owner-operated smaller home improvement stores. Residential neighborhoods were nearby. The construction of a large retail store could have a tremendous negative impact on local business, the quality of life for neighbors and traffic.

I had worked with this client for years - including designing the award-winning identity for the nearly 100-year-old W.C. Winks Hardware store and the logo for her Heart of the Pearl retail development in the city's Pearl District. Kilkenny didn't need to provide much initial input on the project. It's just the way we've worked together over the years. I'd read the newspaper reports of the community issue and was familiar with the area in question. She gave me the rather clever acronym for the organization and set me to work. My one directive was to create something "that might look cool on a T-shirt."

I did a couple doodles on a piece a paper and then went directly to my PowerBook to fine-tune my one and only concept for the logo (above). Recently a friend was looking at the design and said "that's a design that would look really cool on a T-shirt, but what is it?" I gave a brief explanation of the concept behind the design and then my friend commented that it was "a really cool design."

In dissecting the design (above), I explained that the squiggly blue line (A.) represented the east bank of the Willamette River and one boundary of the area being impacted. The color blue was another representation of the water. Within the logo there are four abstract human forms (B.) representing the local community activists, the small business owners, other concerned citizens, and the public officials siding with the group. Together these four human forms created a circle (C.) signifying the unity of the various groups on this emotional community issue. Together the elements also created squares (D.) representative of Portland's grid system of small commercial and residential blocks in the area. I used upper and lower case letterforms on the AFriend element (E.), an acronym for Association for Responsible Inner Eastside Neighborhood Development, to make it seem friendlier and a little more neighborly for the group going up against the big corporations (and their lawyers) and city planners in dealing with the issue. A little last minute treatment was coloring the dot over the "i" blue to symbolically remind those involved that a single drop of water in a bucket can make a difference in the end result.

I don't know if my "cool" design had much of an impact on the outcome, but the developers of the project did end up going back to the drawing board to remove the "big box" retailers from their architectural plans.

Design DNA - Logos analyzes over 300 exemplary designs from around the world; giving designers a clear understanding of how to target specific markets and convey brand values. Showcasing inspirational design, it is also a practical and problem-solving handbook covering general process and specific detailing. Every logo is deconstructed to show how each element works to make the design an effective one, and case studies walk the reader through the reasoning behind successful design decisions.

Featured in the "Food & Drink" section of the volume, the Balaboosta logo (above center) was designed to compliment the neighboring local eating establishments of Portland chef and author Lisa Schroeder. The tile design and colors of the historic restaurant setting were incorporated into the logo design, referred to as "old-fashioned and tasteful" by Design DNA - Logos. Unfortunately, after a short time in operation, Balaboosta was closed and the restaurant space was reconcepted.

The VanderVeer Center identity (above right), an element of a total rebranding of the facility providing non-surgical cosmetic procedures, is cited in the volume for the "soothing" colors used in the design. The use of "naturalistic" typography is also recognized by the author, in the "Health & Beauty" industry logo example.

The designer has received over 600 design awards and his work has been published in more than 140 books on identity design, self-promotion and the marketing of small businesses. He often travels – nationally and internationally – to present courses, seminars and workshops on design, branding, marketing and social networking. In addition, Fisher is a nationally-recognized speaker, making numerous presentations each year to design organizations, design schools, universities and business groups.

An identity for the live theatre ticket sales for a local production company. The image appears in LogoLounge, Vol. 1 (Rockport Publishers,USA, 2003), Logo World (P.I.E. Books, Japan -2001) and LogoLounge, Vol. 1 (Paper-mini, Rockport Publishers,USA, 2006).

Logo for a theatre production. The identity is featured in The Big Book of Logos 3 (HBI, USA, 2002), The Big Book of Logos 3 (Paper, HBI, USA, 2004), Logos From North to South America (Index Book, Spain, 2005), Logos Cafe (Page One, Singapore 2005), and Logos from North to South America (Paper-mini, Index Book, Spain, 2005)

Beirut
Client: triangle productions!
Location: Portland, OR USA

This logo for a play is one nearly 100 I have designed for one theatre company over the last 16 years. Honored with a Bronze Summit Creative Award, this logo is featured in The New Big Book of Logos (HBI, USA, 2000), Logo World (P.I.E. Books, Japan -2001) and The New Big Book of Logos (Paper, HBI, USA, 2003)..

Logo for a theatre production in which three actors perform all 37 of Shakespeare’s plays in a madcap style worthy of Groucho Marx. The design won a Silver in the Summit Creative Awards, and appears in the the books The New Big Book of Logos (HBI, USA, 2000), Logo World (P.I.E. Books, Japan -2001) and The New Big Book of Logos (Paper, HBI, USA, 2003).

About Me

Jeff Fisher, author of "Identity Crisis!" (HOW Books, 2007), is the Engineer of Creative Identity for the Portland-based firm Jeff Fisher LogoMotives. He has been honored with over 600 regional, national and international design awards and is featured in over 140 books about logos, the design business, and small business marketing. His first book, "The Savvy Designer's Guide to Success" was released in 2004 and has been reissued as a PDF on CD from MyDesignShop.com. Other books are currently in the works. Fisher serves on the HOW Magazine Board of Advisors, HOW Design Conference Advisory Council and Art Institute of Portland Professional Advisory Council,. The designer also writes for HOW Magazine, other industry publications, and many webzines and blogs. In addition, Fisher is a nationally-recognized speaker, making numerous presentations each year to design organizations, design schools, universities and business groups. Graphic Design USA magazine named Jeff Fisher one of the design industry “People to Watch” in 2009. Fisher lives in Portland with his partner of 20+ years, Ed Cunningham.