One of the most stubborn aspects of America's racial imagination is the insistence on having a term to separate and identify people of Latin American descent.

It's a minefield of geography, color and language since we can be of any race and have few things in common beyond some degree of adherence to the Spanish tongue. This is why U.S. Latinos generally prefer to self-identify by their family's country of origin - Mexican, Colombian, Salvadoran, etc.

Non-Latinos, though, have always needed an umbrella term for labeling us as one. It was French colonists who first dubbed us "Latin" Americans, as a way of distinguishing their colonial project from Anglo colonization in the Western Hemisphere.

Using the notion of racial passing as a catalyst for a series of movement monologues, spoken word passages and physical conversations, PASSING maps two bodies under pressure from the responsibility that comes from being of mixed cultural background.

A trans-pacific partnership of physical force, PASSING combines Amrita Hepi’s hip-hop prowess and background in contemporary dance with Jahra Wasasala’s grounded and ritualistic choreographic style to create a provocative, complex and deeply magnetic work—a physical dialogue that exists between two daughters of diaspora.

Bringing together some of Australia’s most talented creatives including an original score by Lavern Lee (Guerre, Cassius Select, Black Vanilla) and styling by installation artist Honey Long, PASSING is an evocative portrait of the ‘exotic’, and the exhausting effects the title can bear.