Individualist Anarchist historian James J. Martin called it "surely one of the most incendiary works ever to be published anywhere."[1] This refers to the controversial content such as the viewpoint that weakness should be regarded with hatred and the strong and forceful presence of Social Darwinism in the text. There are also controversial parts of the book that deal with race and male-female relations, claiming that the woman and the family as a whole is the "property" of the man.

Contents

S. E. Parker writes in his introduction to the text: "The most likely candidate is a man named Arthur Desmond who was red-bearded, red-haired and whose poetry was very similar to that written by Redbeard."[2]

Leo Tolstoy, whom Might Is Right described as "the ablest modern expounder of primitive Christliness", responded in his 1897 essay What Is Art?:

The substance of this book, as it is expressed in the editor's preface, is that to measure "right" by the false philosophy of the Hebrew prophets and "weepful" Messiahs is madness. Right is not the offspring of doctrine, but of power. All laws, commandments, or doctrines as to not doing to another what you do not wish done to you, have no inherent authority whatever, but receive it only from the club, the gallows, and the sword. A man truly free is under no obligation to obey any injunction, human or divine. Obedience is the sign of the degenerate. Disobedience is the stamp of the hero.

Expressed in the form of a doctrine these positions startle us. In reality they are implied in the ideal of art serving beauty. The art of our upper classes has educated people in this ideal of the over-man, --- which is in reality the old ideal of Nero, Stenka Razin, Genghis Khan, Robert Macaire or Napoleon and all their accomplices, assistants, and adulators --- and it supports this ideal with all its might.

It is this supplanting of the ideal of what is right by the ideal of what is beautiful, i.e. of what is pleasant, that is the fourth consequence, and a terrible one, of the perversion of art in our society. It is fearful to think of what would befall humanity were such art to spread among the masses of the people. And it already begins to spread.[3]

S. E. Parker wrote: "Might Is Right is a work flawed by major contradictions." He particularly criticised the inconsistency of the book's central dogma of individualism with its open sexism and racism. However, he concluded that "it is sustained by a crude vigor that at its most coherent can help to clear away not a few of the religious, moral and political superstitions bequeathed to us by our ancestors."[2]

^Gallagher, Eugene V. (2013). "Sources, Sects, and Scripture: The Book of Satan in The Satanic Bible". In Per Faxneld and Jesper Aa. Petersen. The Devil's Party-Satanism in Modernity. Oxford University Press. pp. 103–122.