February 19, 2013, I join NYC artist friends including Patricia Fabricant, Larry Walczak, Linda Griggs, and Jeanne Tremel (others to be announced) at E32 Art Criticism Group in the Lower East Side, at the CSV Clemente Cultural Center.

I enjoyed the opportunity to share my work at E32 in February 2010, and look forward to exploring how my art has evolved since taking up studio space in Bushwick with this month’s presenters and attendees. The slides I will be utilizing for my presentation are posted below...

Slide Three: Corporation (Potent), 2006. 48"x48": industrial papier-mâché produced from cement and 3 years of shredded corporate financial documents, and finished with oil and varnish washes; supported by wire framing and mounted on canvas on board (160lbs).

Slide Four: Momentrum Tryptic

1. Momentum ONE, (Casting Off Of), 2007. 46"x48,": industrial papier-mâché produced from cement and shredded corporate financial documents and conceptual writing, and finished with oil and varnish washes; supported by wire framing and mounted on canvas on board (170lbs)
2. Momentum TWO, (Often And Alone), 2007. 46"x48,": industrial papier-mâché produced from cement and shredded corporate financial documents and conceptual writing, and finished with oil and varnish washes; supported by wire framing and mounted on canvas on board (210lbs)
3. Momentum Three, (Things Which Are Not Convenient), 2007. 46"x48,": industrial papier-mâché produced from cement and shredded corporate financial documents and conceptual writing, and finished with oil and varnish washes; supported by wire framing and mounted on canvas on board (190lbs)

Slide Seven: Architectural Model of Linear Anagram, current work in progress...

Slide Eight: Bushwick Studio View of Linear Anagram, current work in progress...

Slide Nine: Work in Progress, this is a detail from Linear Anagram, Installation Three. Each of the three pieces that comprise this pyramid is 4'x4.' The composition of the installation is "industrial papier-mâché," comprised of cement and shredded documents on linen on board. What you can’t experience via the photograph is that embedded in the lighting box that radiates light from the floor are iPods with miniature speakers playing chant recordings of the same phrases of the shredded documents in the piece.

Slide Ten: Alternate View of Linear Anagram, Installation Three.

Slide Eleven:
Work in Progress, this is a detail from Linear Anagram, Installation One. Each of the three pieces arcing from the wall to the ceiling is 4'x4.' The composition of the installation is "industrial papier-mâché," comprised of cement and shredded documents on linen on board.

Slide Twelve: Work in Progress, this is a detail from Linear Anagram, Installation One. Each of the three pieces arcing from the wall to the ceiling is 4'x4.' The composition of the installation is "industrial papier-mâché," comprised of cement and shredded documents on linen on board.