Welcome to the Piano World Piano ForumsOver 2.5 million posts about pianos, digital pianos, and all types of keyboard instruments
Join the World's Largest Community of Piano Lovers
(it's free)
It's Fun to Play the Piano ... Please Pass It On!

Originally Posted By emeneltonIf you look at the third beat of the forth measure of Misty, you'll see a dom. 7th. functioning the same way. So, with Misty in 'C' you mean the Bb7 leading back to the Cma7. Earlier, you say Quote:...it does however,

Insist on using 1-2-3-4-5 for five-finger patterns. Maybe you can spend some time with them writing out all the finger numbers in their pieces. Also, make sure they are reading intervallically. If they are really reading the intervals, then they sho

Originally Posted By Mike AThis is a blues ... not in 12-bar form, but a blues just the same. The Eb7 is a straight-up blues chord, IV7, every place it appears in the tune. I noticed you referred to the Eb7 as a IV7. If you had to describe bars 1

Yes, RaggedKeyPresser, what you've said sounds very advanced for me, but I do understand that the knowledge helps you remember the piece. I've found interesting what you said about scales. I was feeling I should practice them too, but there's only so

In case someone wants to follow a list, or have a list to pick from: First We Did: Happy Birthday Old MacDonald Love Story Joy to the World Be Like the Blue Bird You’ve Got a Friend Yesterday Imagine Something Talked about and may want to do s

dire, Fair enough. I did change my post to not directly infer things to you but you must have copied it before I changed it. If you look at the third beat of the forth measure of Misty, you'll see a dom. 7th. functioning the same way.

Originally Posted By phantomFiveThat looks really pretty, but I have to say I don't understand what I'm looking at haha Indeed! "Signal" and "Intensity" I can work with, but "Hilbert Transform": what the heck??

Sorry, I've not done a better job of keeping up in this thread (or many). I have and do continue to work on the odd by ear concept as a result more now though. So, that is a good thing for me. My schedule has been turned upside down and I chase snow

I have two 8-year old beginners with hands so small that they cannot comfortably play a 5-finger scale using the correct fingers. They are working in Piano Adventures Level 1. Both have a tendency to use creative fingering and resist my corrections.

Now, time for the the newcomers. Welcome to ABF recitals 15. qazsedcft - Prelude in F This Prelude is beautiful and you played it very well. I'm glad you decide to participate in the Recital. Welcome! 26. Piano2138 - BWV 514 Schaff's mit mir, Gott

Originally Posted By emenelton Dire, I understand you are reacting to me, but applying your response to the OPs' first post is essentially telling him 'I don't value your question and I don't know the answer'. True, I'm responding to both of you bu

Yep. In the sixties, there was a short-lived, futile attempt to record a symphony orchestra in an anechoic chamber. The idea was that recording stereo in a hall, then playing it back in your own 'hall' distorted the sound. By recording totally dry,

Originally Posted By jjo The Eb7 is easy to play over and sounds like it fits right in. But what is it's function? OPs' original inquiry Once you understand the mechanics, you can identify these things in other songs. Dire, I understand you

I am more than happy to play that 1315 or even 1215, because the etude is not played at a speed where that particular efficiency is important. If you do the fingering 1325 then you will develop better technique, and more fluidity in your fingers.

I pretty much agree with everything you said. In fact, if the "goal" of a DP is the perfectly fully-modeled piano, then the goal for stereo listening would be perfectly modeled, head-positioned-tracked, occlusion-compensated binaural outp

24. Pavel.K - Prelude in D flat Major Op.28 No.15 So so nice. I love Chopin and I always admire those who have the guts to play it. It's hard to choose what is my favorite Prelude but this one is, for sure, on the top of the list. I think you know th

Thank for the valuable responses. I have only been with this teacher (my first one) for about 3 lessons, and she pointed out that i needed to work on finger independence, so we worked through a couple of exercises last session. The lessons are only

Originally Posted By GombessaOriginally Posted By proutNo, not true universally. It is possible and also done by sampling in stereo as you say. The point is that a modelled DP has to create the stereo effect, whereas a sampled DP 'may' create the ef