The new issue treats the subject of 'European Television Memories', and it's full of wonderful discussions of 'dynamic memory practices that take place in the contemporary media
landscape as an ongoing, active and performative engagement with the past', as the issue's editorial puts it. Such discussions are highly relevant to film scholars, too.

VIEW is published by the Netherlands Institute for Sound and Vision in collaboration with Utrecht University, Maastricht University and Royal
Holloway University of London. It is supported by the EUscreenXL
project, the European Television History Network and
the Netherlands Organization for Scientific Research.

VIEW, the Journal of European Television History and Culture is the
first peer-reviewed, multi-media and open access e-journal in the field
of European television history and culture. It offers an international
platform for outstanding academic research and
archival reflection on television as an important part of our European
cultural heritage. The journal is proud to present its third issue:
European Television Memories. It has been guest-edited by Jérôme Bourdon
and Berber Hagedoorn and is freely available
at: http://www.viewjournal.eu
In the context of the fast development of media studies, the third issue
of VIEW highlights debates around the moving borders of national
memories, fostered by television in the context of European history. The
articles in this issue focus on the contribution
of European television researchers, covering all three areas of media
studies: production, text and reception. We wish you a pleasant and
inspiring journey through European Television Memories!

Welcome to Film Studies For Free

Founded in 2008, FSFFis lovingly tended (in a personal capacity) by Catherine Grant, Professor of Digital Media and Screen Studies at Birkbeck, University of London. She always wanted to be a Borgesian librarianwhen she grew up.