With its title inspired by the Jorge Luis Borges short story of the same name, the exhibition revolves around the concept of the labyrinth--one in which false pathways, illusory exits, dead-end tunnels and pitfalls are frequently employed, creating the appearance of possible escape where there is none.

We may throw good money after bad ideas, or waste time in a dead-end relationship, because we haven't come up with an alternative, or because we don't want to admit to our friends and family, or to ourselves, that we were wrong.