Archive for December, 2011

Here you are: my list of the Top Music of 2011…and in no particular order, save for one. You’ll know it when you get there.

The Civil Wars, Barton HollowThis album came completely out of left field for me. Someone (somewhere) mentioned it — probably on Facebook — and the “duet” factor sounded interesting. I listened to an early release of the title track, Barton Hollow, and it sounded great to me, so I waited patiently for the full release. Strangely enough, the title track (and first single) is not necessarily representative of the rest of the album, which may put some folks off. In fact, the remainder of the album is considerably more mellow. That said, this is a great album if you’ll give it some time. Would I like to hear more of their upbeat stuff? Sure. Maybe next time. But this is definitely one of the best albums to have been released this year.

Death Cab For Cutie, Codes & KeysLet me be clear on this point: I’m not really a fan of Death Cab For Cutie. I have nothing against them, of course, I’m just not part of their fan base. Still, I heard the first single from this album, and I enjoyed it quite a bit. I decided that the rest of the album needed a good listen-thru, and I’m glad I did. It just sounds like typical “Death Cab” stuff, if you ask me, and that’s not necessarily a bad thing at all. Is it ground-breaking? Not really. But it is very good. Funny thing is… I don’t feel like Death Cab ever really writes any choruses into their songs – it’s just one verse after another. Good stuff, though, and very enjoyable to listen to.

The Decemberists, The King Is DeadThis album was released very early in 2011, so it’s likely to be overlooked by some. That said, it was also the first album of the year to truly capture my attention – and I’m not necessarily a long-time listener of The Decemberists. What can I really say about this album, though? It’s just a strong release thru and thru. Some favorites include: “Dear Avery” and “This Is Why We Fight”.

Jane’s Addiction, The Great Escape ArtistNever in my wildest dreams did I think I’d be including a Jane’s Addiction album on my Top Music of 2011 list. It seemed impossible, but here it is. For some background, I’ve been a long-time Jane’s Addiction fan – dating back to their “Nothing’s Shocking” release – but their most recent releases have not necessarily captivated me. Good? Yes. Great? Not necessarily. So, it was with some skepticism that I grabbed The Great Escape Artist and gave it a listen. (I’m so happy for subscription music services!) Quite simply, I was blown away. Perry Farrell sounds great, the songwriting is top-notch, and (surprisingly) the album is very clean. On the downside? It’s probably one of the worst album covers I’ve seen in a long, long time…

Manchester Orchestra, Simple MathHaving arrived late-to-the-game with Manchester Orchestra, I was very much looking forward to their latest release, Simple Math, and it didn’t disappoint. In fact, I easily consider this to be their strongest album yet. It seems that Manchester Orchestra is growing up in many ways: lyrically, most of all, but also musically. There is still an experimental/indie vibe to their songwriting, but it totally works. Some personal favorite tracks include: “Simple Math”, “Apprehension” and “April Fool”. Just a solid album.

Josh Garrels, Love & War & The Sea In BetweenI wouldn’t normally choose a “best album of the year”, but in this case I feel absolutely compelled to name one: Josh Garrels’ “Love & War & The Sea In Between”. There is no doubt in my mind. What started as a mere suggestion from a friend of mine (thanks, Tim!) was followed up by an email from NoiseTrade.com with a link to this album. I figured that I might as well. The first song caught me off-guard. It was more haunting and mellow that I figured it would be. It also sounded a lot like Damien Jurado, which wasn’t a bad thing in my book – but could certainly be polarizing to some. By the end of the third song, I was absolutely sold…and hooked. This is not only the most solid album I’ve heard all year, it’s probably one of the best I’ve ever heard. Seriously. Even better? You fall in love with the first half of the album, and then quickly realize you’ve only partially tapped the beauty of this release. Your favorite tracks shift on a daily or weekly basis. But nothing has struck me more about this album than the lyrics have. Beautiful. Challenging. Heart-wrenching. Encouraging. And everything in-between. If you’re still reading this paragraph and have not yet downloaded this album, then do yourself a favor: head over to NoiseTrade.com and download it for free. You can thank me later. And thank you, Josh Garrels, for what is easily the best album I’ve heard in years…

HONORABLE MENTIONS

Mutemath, Odd Soul
A very solid release from Mutemath, and I definitely prefer this to their last one. Still, not as strong as their self-titled album. I’d like to see the old spark rekindled with these guys.

The Dear Hunter, The Color Spectrum
Having first heard them when I saw them open for mewithoutYou, I was very impressed. Their last album, Act III, is one of my recent favorites. Still, this latest release is actually a combination of nine EPs that they released in 2011. It may be a great album, but I just can’t make it thru it the entire way…

Switchfoot, Vice Verses
Just a great album all-around. Not mind-blowing, necessarily, but very good.

DISHONORABLE MENTIONS

Coldplay, Mylo Xyloto
I’m actually a bit of a Coldplay fan, so I was very much looking forward to their latest release, Mylo Xyloto. I heard a few early tracks and I began to get concerned. Then I heard the full-release, and…well…I basically had no desire to listen through it again. That’s a bad sign. Perhaps in a few months it’ll “click” with me, but I doubt it. I don’t know what happened here…