This is the website of British artist Susan Collins

Site Specific

2016-17 In October 2016 a network camera was installed on Mount Scopus in Jerusalem looking east across the West Bank towards the Jordanian Mountains, a deeply historic, biblical and complicated landscape that has been written about and referenced over millennia. … Read more →

2015-16 Wembury & Woolacombe revealed views from the North and South Coasts of Devon simultaneously, live, and in real time. Commissioned by the Royal Albert Memorial Museum, Exeter (RAMM) for the exhibition ‘Whatever the Weather’ (November 2015- April 2016). RAMM … Read more →

2013 Brighter Later, was a temporary light installation commissioned for the Radcliffe Observatory at Green Templeton College as part of Tracing Venus, the University of Oxford’s Public Art Programme for the Radcliffe Observatory Quarter. Inspired by the Radcliffe Observatory’s prominent … Read more →

2012 Susan Collins has made two new works in response to Medieval Harewood at Harewood House, Leeds Excavation (part I), installed in All Saints Church, is a film sequence, projected on to the floor, showing an archaeologist’s hand gouging earth … Read more →

2009 A solo show presenting a new body of work by Susan Collins 4 April – 14 June 2009, De La Warr Pavilion, Bexhill-on-Sea SEASCAPE consists of a series of gradually unfolding digital seascapes created using imagery captured by webcams … Read more →

2007 One of a series of contemporary artworks and illuminations commissioned for the GLOW ’07 festival Newcastle Gateshead. Chaser transforms the top windows of the Tyne Bridge Tower in Gateshead into a rapidly moving light circuit of intense colour. Visible … Read more →

2005-06 One of 4 works commissioned by the Corporation of London and Modus Operandi as part of ‘Light Up Queen Street’ a programme of winter commissions. Underglow illuminated a number of separate gullies (drains) in the vicinity of Guildhall Yard, … Read more →