Pages

Monday, December 26, 2016

Since I love seeing how other artists create, I thought it would be fun to share my illustration process from start to finish...

My process always begins with sketching. At this stage, I'm trying to get a feel for the character(s), the movement, and the expressions. I also like to try and develop a rough plan for the layout of the page(s).

Next, I create more finished drawings based on my original sketches, but making adjustments as needed. I create these drawings on plain old copy paper (but in the size the final artwork will be in).

After my my layout is set and my drawings are complete, I use my light box to trace my drawings onto 140lb. watercolor paper. When my original drawings have been transferred, I use a dark brown prismacolor pencil to lay in my underlying values. (I want to get a base down so that I can see where darks, lights, shadows, and highlights will go.)

When I finish my colored pencil layer, I cover the images with clear gesso and let that dry. Then, I put on a wash of burnt sienna fluid acrylic. This layer adds warmth and depth to the final painting that would be difficult to achieve if I left those areas white.

Now the fun really begins... I start adding color (using acrylic paint). I start by painting the areas that would be furthest away (in the background), then moving to areas that are closer to the viewer (in the foreground). I build up my paint in layers, starting with darker values and gradually lightening them. Not only does this allow for smooth blending, it gives the final painting more depth.(It was at this point that I accidentally dipped my sleeve into my palette and smeared it across the page as I was working. I don't recommend that! Hahaha!)

When I'm adding color, I try to avoid using paint straight from the tube. I use a porcelain enamel butcher's tray palette and mix my paints directly on the smooth surface. Once I've mixed my colors, I transfer them to folded damp paper towels. (This keeps them workable for a long time.) If I spritz my paints with water and cover my palette with plastic wrap, I can use the paints I've mixed for days. (Also, the porcelain surface is great for easy clean-up!)

I keep building on previous layers, moving around the painting (avoiding working on any one particular area for too long). The final step is to add the last little details and the whitest whites.(Actually, the final step for this painting was fixing my "oops" paint smear digitally!)I hope you've found this start to finish look at my illustration process helpful...See you in 2017!

LinkWithin

Thanks for stopping by!

About Me

I like to make stuff.
In college, I made enough stuff to earn a BFA from the University at Buffalo. After entering the real world, I went on to make magical messes across miles of wall space, ceilings, and canvas.
Whether I'm making a painting in the studio or making a meal for my family, I believe opportunities to play, have fun, and make wild imaginings come true are everywhere. Anything is possible... No idea is too ridiculous, no dream is too big.
EVERY day is a good day to live a creative life!