our first batch of results come from iriXx, who is running mac OS X Lion (10.7.2). here is the glitched image in safari:

mac-safari.jpg

as you can see, this is virtually indistinguishable from bollybend3mac (which was captured using OS X 10.4 and looks the same on my ipad). the only real difference here is that the colors are brighter; this may not even be a difference in the rendering engine—it could be explained by using different encoding options or codecs when creating the JPEGs.

here it is in firefox on OS X 10.7.2:

mac-firefox.jpg

this looks pretty much like it did in firefox on my wife's machine, except for the green bar at the bottom.

most interesting is this screenshot, generated using the mac program preview, which shows that the image thumbnail renders very differently from the image when viewed in that same app full-size:

iriXx also tried it in android "(running CyanogenMod 7.1, in default Browser and in Dolphin)", but couldn't get it to open. this likely means that damaged JPEGs won't open in android at all, but we need more results before we can conclude whether this is the case.

Thursday, January 26, 2012

i finally got around to reading hugh s manon's and daniel temkin's excellent "notes on glitch" (it took me a while to get to it, despite the fact that it cites my work and i consulted briefly with daniel about sonification while he was working on it). overall, it's a great essay full of glitch art insight, but i wanted to quibble with one bit, and use that as a springboard to revisit one of my early experiments. from the essay:

12. During the process of its creation, glitch art appears stochastic. It is difficult to foresee which alteration of data will metastasize, which will instantaneously kill the file, and which will have no discernible effect. However, from the point of view of the file, whose "genetic predispositions" are rigid and fixed, there is nothing random about glitching. "Open 57904.jpg >> replace all Q with 9hJ" produces exactly the same results every time. Alternately, we could say that glitch practice is pseudo-aleatory, since results which appear random are in fact entirely reproducible.

though it's true that glitches aren't "random" in the sense that they do follow rules, no matter how incomprehensible to us those rules may be, it's an oversimplification to say that any given glitch "produces exactly the same results every time". to say this is to ignore the role that the rendering engine plays in visualizing the glitch.

different rendering engines sometimes render the same glitched data in different ways. this is what i call application sensitivity (for want of a better term). examples:

a file that is too corrupted to open in one application may open in another—adobe photoshop generally won't open damaged JPEGs, but others (including many web browsers) will

some corrupted files will render in different ways depending on the application that's reading them—compare a glitched PSD file opened in its native photoshop to the same file opened in gimp (or even in a different version of photoshop)

so let's revisit my bollybend experiment from 2005. in that experiment, i posted an actual glitched JPEG which i knew rendered differently on different software, and i asked my readers to submit screenshots of what it looked like on their systems. i then reposted all of the different versions here.

software and hardware have changed a lot since i first did that experiment, to the point that this same file renders differently on modern systems than it did on 2005's systems.

here is the actual bent JPEG:

the file above will not even open in internet explorer. here's what it looks like in chrome on my computer (running windows 7):

bollybend3-chrome.jpg

here's what it looks like on my wife's machine (firefox 9.0.1 on win7):

bollybend3-ffox.jpg

here's how it looks in microsoft paint on my machine:

bollybend3-paint.jpg

here's how it looks when i insert it into a word 2003 document:

bollybend3b.jpg

here's how it looks on our ipad (running i think iOS 4.3):

bollybend3mac.jpg

and here's how it looks in firefox on my several-year-old laptop:

bollybend3c.jpg

compared to the results from last time, i got three brand-new variations, just by opening the file on newer systems. there are surely more variations out there—in addition to whole new browsers and operating systems on the market now (such as chrome and win7 above), there are also a lot more smartphones and tablets out there. i'm curious how the file might render on an android phone or on web os, for example. but to find out, i'll need your help!

how you can help with this experiment

scroll up to look at the glitched JPEG at the top of this post. compare it to the other versions. if it doesn't match any of them, take a screenshot* and email it to me along with information about what browser and OS you're running. you don't need to crop it for me, but you're welcome to if you like (the image should be 333x485).

submitted images will be posted here on the blog as well as on the results page, and you will of course be credited for your contribution.

extra credit: for bonus points, save the glitched file to your machine and try opening it in other image editors (it probably won't open in photoshop), insert it into word processing files or other types of documents, etc and send me screenshots of any interesting results you get.¶

Wednesday, January 11, 2012

obviously i haven't been posting to this blog too often lately, and i don't expect that to change anytime soon because i'm taking on even more new projects this year (on top of 2-3 albums in the works, ongoing glitch art experiments, etc).

first, i've started a tumblr blog devoted entirely to glitch gifs. there you'll find awesome glitch art animated gifs created by myself and dozens of other artists. the URL, shockingly, is glitchgifs.tumblr.com.

i'm also starting a brand-new net radio show called Active Listening / The Act of Listening. the show takes its name from an essay by john oswald:

As a listener my own preference is the option to experiment. My listening system has a mixer instead of a receiver, an infinitely variable speed turntable, filters, reverse capability, and a pair of ears.

An active listener might speed up a piece of music in order to perceive more clearly its macrostructure, or slow it down to hear articulation and detail more precisely. Portions of pieces are juxtaposed for comparison or played simultaneously, tracing "the motifs of the Indian raga Darbar over Senegalese drumming recording in Paris and a background mosaic of frozen moments from an exotic Hollywood orchestration of the 1950's (a sonic texture like a "Mona Lisa" which in close-up, reveals itself to be made up of tiny reproductions of the Taj Mahal.")

each week i'll play music and sound art somehow related to this theme (glitch, remix culture, prepared records, etc) as well as do some active listening experiments here in the studio, shining new light on old records by playing them in nonstandard ways.

tune in each sunday night at 9:38 pm eastern on http://numbers.fm/! if you're good, i may even archive old episodes somewhere. ¶