With Disney beginning plans to translate Frozen to the stage and Aladdin premiering on Broadway soon, a surprise bit of news was announced yesterday (January 24). The Hunchback of Notre Dame stage musical that' premiered in Germany fifteen years ago will have it's official US debut this fall.

The show will debut at the La Jolla Playhouse, specifically the Mandell Weiss Theatre, in La Jolla, California (part of San Diego county) from October 28 thru December 7, 2014. It will be directed by Scott Schwartz (Jane Eyre, Golda's Balcony) with a new book by Peter Parnell (On a Clear Day You Can See Forever, TV's The West Wing) and updated music and songs from Alan Menken and Stephen Schwartz.

While there was a first ever English performance of the show back in April 2013 at the King's Academy in Florida, this will be the official US debut. Attempts have been made over the last five years to bring the show stateside. The date for when tickets will go on sale and the cast has yet to be announced, though much of the creative team has been identified.

Just to let you guys know that they've been doing auditions over the last couple of weeks. The main roles have obviously been filled, but parts in the ensemble are open. Any one interested can go here:

Heads up to east coast folks, after it's run in San Diego in October and November this year, the new US production will transfer to the Paper Mill Playhouse in Millburn, New Jersey from March 4 through April 5, 2015.

At present, tickets for the San Diego performances are still primarily available through packages requiring the purchaser to also attend at least two other plays this season. General sale of the tickets are expected to begin in a couple of months.

Was able to see the show the other day and it was fantastic. While it could use tweaking before hitting Broadway, which I believe it's bound to go, the overall performance was amazing.

Like the Germany production, the show uses the animated film as a template and restores some of the darker aspects of the original novel. This includes a much somber ending and the heightening of Frollo's sexual desires for Esmeralda. New to the American production include a completely rewritten beginning and origin as well as the elimination of the comedic sidekicks. In their place is the Congregation (background cast) who act as omniscient narrators, play minor characters, and also play the gargoyles, who are implied more of being Quasimodo's hallucinations.

The staging was very nice, incorporating replicas of actual statues from Notre Dame and having a life choir in the back hitting those powerful musical notes (the video above doesn't really do justice just how phenomenal it is to hear the music live). The cast was well chosen, with Patrick Page as Claude Frollo being absolutely magnificent.

Looks great! Good to hear that they've gone back to the book to make it more of a "proper" stage musical than just a stage version of the film. Disney's best shows have been where the film is inspiration but the stage play can take on its own identity (things that I think sank Mermaid and Tarzan, though Aladdin looks a little close to that too even if word is that it works).

They seem to have, especially, removed or changed the elements from the film that made it "kid-friendly", and so going back to the material as something that could really rival something like Les Miserables dramatically, and not come off as something that's just an all-singing and dancing "Happy Hunchback The Musical".

Hoping it comes to London eventually, since it will wash the very bad memories of the very poor Notre Dame de Paris musical that debuted here in the early 2000s, which may or may not have had an impact on Disney waiting so long before mounting their own production. That was a terrible show, all rock anthems and power ballads that was all gloss and no substance or any decent tunes.

Whatever Menken and Schwartz's show is like, it will triumph over that one...but as a huge fan of the score anyway, I'm sure it's going to be a rare worthwhile trip to the theater for this one!

I'd love to see this. I always thought the film's score was brilliant. Great to hear of the changes, as they could have benefitted the film as well. If it does go to New York, that could be our trigger to finally do our "week of Broadway" dream trip.