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So. 9/11. Boom Boom. Civil rights canceled. Special Delivery. Airmail. And woe is us, for the forked phallus of Wall Street was the lodestone of the Bush Gang, without which maps and words lost meaning, until Operation “Enduring Freedom” kicked down the doors of the wrong war.

Most of the real terrorists were killed at the crash site, so the Department of Justice took advantage of aggressive new statutes to give a violent monster named “Free” twenty years of jail for burning down a beautiful young Truck. National discourse about this chain of events was relegated to sloganeering as the recently purchased Fourth Estate parroted the “For Us or against Us” hokum coming from our beloved “leaders”.

The profits accrued during those <911 days afforded me the scratch to start looking for a neighborhood with hardwood floors where I could dig in and the copycat hipsters couldn’t follow me to make my rents go up. Queens was too complicated and there were too many honkies in Harlem. The South Bronx had real potential as the place from which to Defend Brooklyn.

The great restructuring of American cities by Robert Moses has rendered the south Bronx into a prep jail. The rate of incarceration was so high that certain surviving elders felt it wise to teach a lethal fighting style to the local youth in order to enable them to stay out of gangs.

It was a good pitch, anyway. Soon “Jail Karate” had a producer and some Swedish television station showed interest. (Films like “Jail Karate” constitute escapism in Sweden because an effective social system has dulled Svenski graffiti, hip hop and street violence to the most boring in the world.)

Jail Karate’s thesis dovetailed nicely with the previous Defend Brooklyn work and helped me define the nature of the resolve worn so readily on so many T-shirts. The clannish atmosphere of the various dojos and the vulgar noblesse oblige of the Bush administration made me want to conjure a serious, violent left-wing militia into existence, if only just to have someone to talk to.

Friends of mine from New Orleans told me about this guy named Jac Currie hacking the “Defend Brooklyn” meme with “Defend New Orleans.” Apparently he was claiming that he was the genius behind the brand that was sweeping the nation.

Jac Currie’s plagiarized “Defend New Orleans” shirt had an old musket which will make a nice paddle the next time they blow the levies. I won’t even bother to crack on the skull-with-mohawk stencil stolen from Manic Panic hair dye kit. I emailed this Jac Currie and told him that I was about to hire a bunch of lawyers to monkeyfuck him if he didn’t quit messing with my Defense Industry project. I figured that would be all it took, as the threat of a righteous copyright litigation had worked on all the other wannabes.

Biters copying my work all over the country proved that I had a nationwide mandate. This spurred me to try and create more complex types of manipulation than just a T shirt. I was going to use my enormous talent as a documenter and a writertarian to subvert the dominant paradigm from within the military industrial entertainment complex, and make tons of money.

My first assignment was a piece on Larry Clark for The Face magazine, from which I quote myself, respectfully, with permission:

You are familiar with Larry Clark’s photography even if you have never perused his seminal photobooks Tulsa(1971) or Teenage lust (1983). Before Larry was a film director he was already ‘the photographer who changed American films and photography.’ The proof is found in the works of Mario Sorrenti, Nick Knight, Terry Richardson, Juergen Teller, Corrine Day, Nan Goldin, Bruce Weber, Steven Meisel, Alexie Hay, David Armstrong or Steven Klein (whose work graces the cover of this magazine).

So many photographers have bled Larry’s art for their advertising work that Larry has been implicated as the father of heroin chic. One critic so profoundly misunderstood the situation that he said “Kids” looked like a bad Calvin Klein ad.’ This is why Larry refers to anyone in the industry as “fashion cunts.”

“They got it all wrong. They don’t understand it. I’m documenting real life. They thought it was all about the drugs. They take what I do, use it and make a lot of money at it. My art is personal. I don’t fucking sell clothes. And then some art director goes out and buys a book and says ‘Here it is! This is the next ad campaign!’ Is that supposed to be talent?” Then Larry calls them cunts again.”

At the time, I thought all the outrage was due to Mister Clark’s prison inculcation, as his conversation is peppered with dogmatic rules like “Don’t talk for nobody,” “Get people back” and “Don’t pop off with no antisemitic bullshit.” Plus, it was hard to hate Steven Klein and his boyfriend as they were nice, cute, and didn’t call anybody the “C” word while their assistants made us coffee. They even let Larry pet their great danes.

The plagiarism implicit in mimeo art and sampled music had eroded the ethics of the arts world allowing Larry to be brazenly robbed in more than one format. If you believe a 19-year-old is capable of being the “creator” of a feature film like “Kids” then you might believe Larry Clark made Gummo, pissing him off all over again.

I didn’t know that having someone successfully plagiarize your work is akin to an artistic rape, resulting in a bastard which the artist can neither claim or deny. Or how distracting it is to lay in bed night after night thinking about how you are going to hit somebody in the head with a brick for pissing on your life work.

I was lying in bed, too angry to sleep, realizing that if violence was part of the Defend Brooklyn ouvre then plagiarism of that work demands a violent response. Or else I lose my tough guy rights. I called Jac Currie’s answering machine and called him a fashion cunt and told him I was serious about the lawyers and the monkeyfucking. For some reason I got no return call.

Then Hurricane Katrina hit. The “Defend New Orleans” flag made great video bites for the national news, emblematic of the necessary feel-good story about town pride bringing people together after a racist storm. Someone sent me a link of Jac Currie claiming the Defense Industry as his own on television.

I couldn’t believe it. After all my revolutionary talk and half-assed planning it had been stolen by a shakey-voiced party chaser wearing my name out like a bitch. Then I recognized him. The salon bedhead. The hundred dollar jeans slouched off the ass. I saw him get off the RISD bus. Jac Currie was the very guy we were Defending Brooklyn from! Of course he would be related to that thieving-ass Ellen…

If you missed the last missive, here’s the nutshell: Manhattan has a drink, a chowder, a Frank Sinatra song and the opening of Saturday Night Live but Brooklyn has murderers who keep the cops focused on doing their job of murderer-catching and let me do my job of riding stolen bicycles into flaming trash cans with girls who look like Mick Jagger.

Revolutions are born in cities because it’s hard to be revolutionary when you’re thankful to make it home after too much beer and zeitgeist. The real freedom of Brooklyn was the freedom from the pig’s eye and his harsh blinking lights, crappy polyester uniform and horrible reform school shoes. Brooklyn cops didn’t pull over a responsible citizen asking “Where’s the fire”, “How did my sister end up in your car?” and “Why is she wearing only a tubetop?” because they didn’t have time and I didn’t need a car.

I turned into a man of many bicycles as rubber on the wheel is faster than rubber on the heel. Cycling in New York is more lethal than riding a motorcycle in Los Angeles. It’s roughly the same drunk/medicated population and chossy roads but New York has the added hazard of the Taliban cavalry driving yellow people squashers.

At the end of a Manhattan night I’d have to get on my bike, navigate traffic and cross the muggerland of the old Williamsburg bridge, drunk and hopelessly clipped into my pedals. It was dangerous but I was healthier than my Lower East Side peers who only had to stumble a couple of blocks home to nurse their habits into junkiedom.

In 1995, going back to Brooklyn meant you’d had been voted off the island. Bowery Boys and Loisidas loved to shame me about how they never been to Brooklyn and where was Brooklyn anyway?

Damn right I defended it. I’d been kicked out of college and run from the Bible Belt. Disney and Giullianification priced me out of Manhattan. I had to make a stand before I got pushed into the sea. Brooklyn was the Masada of me.

When I say “Brooklyn,” I mean before the raw food dipshits got there and it was all rice and beans or pierogis. Before the graffiti got all cute. Before the neighborhood was defined by the cookie cutter do’s and don’ts of Viacom.

I’m talking about Brooklyn when you could get a Heineken and bolsita right over the counter at Kokie’s. The kind of place you might shoot a king rat with a twenty guage shotgun in your apartment on Lorimer Street and your Chinese landlord never said a word because he was scared of getting deported. That place where Haitian families felt comfortable enough to burn a mattress and cook a goat on the sidewalk. A time so poorly lit that Monk could fall down the steps at Rug o Lad and then spit bloody teeth at the bartender so we could nab the Absinthe. The Brooklyn where you pour beer on the floor of the Greenpoint Tavern in order to twist with Horsey and Carlos on Christmas Eve.

That place is gone a long time now, banished to East New York or squelched behind facades of baby clothing shops. I’ve been going through the black box, trying to parse the day, the hour, the moment that Brooklyn turned into a mall. I remember a big bus pulled up. It said RISD on the side, which must be some kind of fashion academy because everybody that got off it had a bedhead and a pair of hundred dollar jeans slouched half off their ass.

They came in, ordered slices and checked their hair in the bulletproof plexiglas. There was a local kid named Mando in the pizza parlor, famous to us for a trick of breaking into David Henry Brown Jr’s apartment late at night to sell him drugs. Mando eyeballed the RISD kids, turned to me and my boy and shook his head solemnly.

“Remember? This neighborhood used to be hard.”

Mando was blaming the pioneer hipsters for how fashionistas thought it was safe to primp in Brooklyn. Mando intuited that the presence of these nabobs meant that the neighborhood had forgotten to keep up an illusion of danger. The ability for them to exist here indicated that the corruption was now systemic, as gentrification exponentializes so quickly. He was suggesting that it was our presence that brought this plague upon us.

Soon it became obvious that Mando was right. Every day overwhelming number of non-weirdos and normal job-having motherfuckers came in on the trains and paid exorbitant rents on time to live in our charming bohemian cesspool.

It’s the same every time: alpha hipsters and indie bands make coffeehouses which are patronized by fashionstas until the gays and college reality shows find out where they are and then suddenly all the buildings have doormen. The neighborhood keeps getting nicer until one day the local crackhead doesn’t come around to pimp Nazi uniforms, alligator heads or any other treasure reclaimed from the garbage. The Koolman is run off by hipster taco trucks. The cops write tickets for drinking beer on the street.

I wanted Mando to be wrong so badly that I went to the printer that day and had them make twenty t-shirts that read “Defend Brooklyn” with an AK-47 emblazoned on it. I didn’t try to sell them yet. Back then I didn’t want to be a t-shirt merchant. I just gave them out to like-minded people hoping to spark a war, like Red Dawn II if it was written by Genet featuring a cadre of wastrels vicious enough to break windows, burn down coffee klatches and scatter syringes around the neighborhood so we could still afford to live there.

Understand that I’m describing pre-9/11 thoughts and actions. Since then we’ve all made money, lost money and seen things that make the language and stance of “Defend Brooklyn” moot. Twilight Zone things like people that know they can’t fly jumping out of buildings and the BQE empty at rush hour.

If you missed the first installment of the Defense Industry Report then here’s a recap of that amazing document: Hate me now for I, Dave “Affadavit” Reeves, started “Defend Brooklyn”, the contagion of which continues to this day in many bastard forms.

That’s right. I have become a thousandaire by harvesting the pocket litter of jingoistic hooligans and those who pay to dress like them. The quick wisdom of the “Defend Brooklyn” slogan has eclipsed everything else I’ve done in my life. Women have loved me, left me and tried to kill me with weapons purchased from the filthy profits of this T shirt. It introduced me to famous people and conned that bunch of Hollywood hacks calling themselves “writers” to let me into their guild.

But why is this? What does it mean? What the fuck? Defend Brooklyn thrives in ambiguity like middle east politics or the lyrics of Powderfinger .

First off: I am not really from Brooklyn. Brooklyn became home for me after a series of nasty run-ins with North Carolina authorities, culminating in an assault on a police officer. (Be careful about assaulting a police officer, as you will end up like Danny Chavez of the seminal Negroclash band “Apollo Heights” or or worse.)

I was acquitted of assaulting said police officer not because of my rights or anything but because I was not wearing a seatbelt at the time of my harassment. Still, small town cops watch out for their own, so they sharked ever closer in my rearview mirror, trying to force the swerve. Eventually I called a friend of mine who’d been kicked out of college the same week as me for some advice. He told me to come up to his spot in New York City where the cops don’t give a damn about anything.

I was such a hick when I got off the plane. I had never eaten sushi, falafel balls or lox bagels before. I thought Alphabet City was so named because the bums walked around chanting “A” “D” “C”, only to learn that these are the initials of drugs (acid, heroin, cocaine respectively) they peddled. And they were junkies, not bums. Things like junkies were news to me.

My boy’s “spot” was a squat sponsored by a Cooper Union painter. We were allowed to crash in his studio at night along with a guy named Doug, who seemed normal until he lost his life paying Russian Roulette. We took herbal ephedrine to help us relax while playing chess and waiting for photo assistant gigs.

I was able to enjoy my birthright of a full flowering southern degeneracy by drinking beer day and night anywhere I wanted: forties on the stoop, tallboys on the train, a wee nip in the hall to help soften the floor for a good night’s sleep. Dinkins was in office and the Lower East Side was an open air drug market. I couldn’t get arrested in that town. Nobody cared about a white boy with all his teeth.

My friend played saxophone with downtown jazzbos Cecil Taylor and Butch Morris. We smoked weed with Zorn, who clowned my choice of clubwear. It was made clear to me that I had to get hip quick or get shipped back to the sticks. They were famous downtown horn tooters and piano beaters but who was I and what did I think I was doing stomping around New York City in hiking boots?

As I pondered this situation providence intervened. An undercover cop disguised as a barefoot rasta busted a friend of mine for drinking beer on the stoop. It was Giulliani time. Overnight, our idyllic crowded Lower East Side squat zone became an expensive, cop-infested hell. I cried, tore hair and lost all hope, until a real rasta told us shit like that never goes down in Brooklyn because those cops out there are busy.

So, we scouted across a dangerous mix of rusty metal plates cattywamped between patches of thick blacktop and muggers called the Williamsburg Bridge .

The caged walkway ended in dark, pocked leavings from the great insurance fires of the seventies. It was 1994 and the area near the bridge was empty, except for an old Amish mobster singing weird songs though a big tube on top of the Jew church.
As we headed north the streets were rimmed with fresh-off-the-jet types, drinking beer on the stoop, radios turned up to eleven. Back then it was correct to consider Williamsburg a tough neighborhood in San Juan. Every day was Puerto Rico Day, and then at nighttime too.

When cumbia and car alarms mixed together on Bedford it was disorienting as a casino. It was the summer lazer pointers came out, so we had to advance up the Avenue fighting the urge to flinch at the red dots dancing on our shirts, comforted by the belief that maybe there wasn’t a gun at the other end of the beam.

After this, an initial force of somewhere between six and ten white black and french types occupied that room, spoke English and dug in. More Alpha Hipsters came across the bridge every day, run from their hometowns like common lepers or Mormons, unafraid, broke and weird. The world had cornered us in Brooklyn, between the recycling plant and where lead paint sandblasted off the bridge fell to the ground.