Gregg Wallace is in London at Europe's largest biscuit factory, where they produce 80 million biscuits every day. He follows the production of chocolate digestives, from the arrival of 28 tonnes of flour right through to dispatch. Meanwhile, Cherry Healey is on the trail of that chocolate. Plus, Ruth Goodman examines the link between biscuits and digestion.

Gregg Wallace is at the world's largest dried pasta factory in Italy where they produce 150,000 kilometres of spaghetti each day. Meanwhile, Cherry Healey is discovering why the best pasta is made with durum wheat, and Ruth Goodman discovers that the product arrived in Britain much earlier than many would imagine.

Gregg Wallace, Cherry Healey and Ruth Goodman investigate the origins and production of more household staples, beginning with tea. Gregg looks at the factory that produces one quarter of all the tea drunk in Britain. Meanwhile, Cherry Healey examines an African tea processing plant, and Ruth Goodman sheds light on how Second World War troops risked their lives to brew up.

This Thriller/horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl.

Premonition is the second album by American rock band Survivor, released in August 1981 in the United States and February 1982 elsewhere. It was the first album to use the Survivor script logo. The album, along with many other Survivor albums, was briefly taken out of print. The album includes the singles "Poor Man's Son" (#33, US Chart), one of the songs that would be part of their live set list, and "Summer Nights" (#62, US Chart).

This Thriller/horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl. Eventually though, the real mother and her boy friend, a carnival clown, succeed and takes her away, leaving the bereaved foster parents to enlist the assistance of a parapsychologist to help them interpret the foster mother's terrifying dreams and psychic connection to the girl and find her before it is too late.

ON is the Jane Getter Premonition's debut for the Madfish label. Recorded at Avatar Studios in New York, the album features a stellar line-up of Progressive, Jazz and Rock musicians including Adam Holzman (Miles Davis, Steven Wilson), Bryan Beller (Joe Satriiani, The Aristocrats), Chad Wackerman (Frank Zappa, Allan Holdsworth), Corey Glover (Living Colour), Alex Skolnick (Testament, Savatage, Ozzy Osbourne) and Theo Travis (Steven Wilson, Robert Fripp). Guitarist and composer Jane Getter has played with many Jazz and Rock greats, garnering increasing recognition as a bandleader, gifted writer and instrumentalist. Jane also received widespread exposure playing in the Saturday Night Live Band. CD in digipack with a 16 page colour booklet featuring stunning artwork from Lasse Hoile.

Upon its release in the spring of 1997, John Fogerty's long-awaited comeback album Blue Moon Swamp was lavished with praise – it didn't become the crossover hit that Centerfield was, but it earned great reviews and a solid cult audience. Furthermore, his tour – his first ever to feature classic Creedence material – was, if anything, even better received than Blue Moon Swamp, so it made some sense that he quickly released Premonition, his first solo live album, in 1998. Premonition is frighteningly good – Fogerty doesn't sound like a veteran rocker, he sounds nearly as powerful as he did on old Creedence live shows. He also sounds more mature, bringing increased depth to his older songs as he energizes recent material, from "The Old Man Down the Road" to "Swamp River Days." Premonition is essentially the province of dedicated Fogerty fans – there's only one new song, and the differences in the live performances are things only the hardcore will spot – but they'll be delighted with the quality of the music.