“The Avant Garde Project is a series of recordings of 20th-century classical-experimental-electroacoustic music digitized from LPs whose music has in most cases never been released on CD, and so is effectively inaccessible to the vast majority of music listeners today.”

These dudes are sweet! They’ve created their own series of albums. A new one is released on the internet each Friday night around midnight (GMT) on “open” bittorrent networks. All the files are in lossless FLAC and include extensive descriptions.

On March 1, 2007 the US Copyright Office stunned the Internet radio industry by releasing a ruling on performance royalty fees that are based exclusively on the number of people tuned into an Internet radio station, rather than on a portion of the station’s revenue. They discarded all evidence presented by webcasters about the potentially crippling effect on the industry of such a rate structure, and rubber-stamped the rates requested by the RIAA (Recording Industry Association of America).

Under this royalty structure, an Internet radio station with an average listenership of 1000 people would owe $134,000 in royalties during 2007 – plus $98,000 in back payments for 2006. In 2008 they would owe $171,000, and $220,000 in 2009.

In other words, if they are allowed to stand these rates are a death sentence for independent Internet radio stations. The only stations that would survive would be those who can afford to operate at that kind of loss, such as AOL (who would owe over $20,000,000 in 2006, far in excess of their income from radio).