Harai goshi(払腰) is one of the original 40 throws of Judo as developed by Kano Jigoro.[1] It belongs to the second group of the traditional throwing list in the Gokyo no waza of the Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo, and classified as a hip technique (koshiwaza). Harai goshi is also one of the 20 techniques in Danzan ryu'sNagete list as well as one of the 18 throws in the Kar-do-Jitsu-Ryu martial arts system. English terms include "Sweeping hip throw" and "Hip Sweep".

1.
Throw (grappling)
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Throws can however also be followed into a top position, in which case the person executing the throw does not disengage from the opponent. Certain throwing techniques called sacrifice throws involve putting oneself in a disadvantageous position, such as on the ground. There are several types of throw, among Asian martial arts, judo has the most developed throwing techniques. Most throws are named by describing the point of the throw. The names used here are attributed to Jujutsu throws are descriptions in Japanese, in judo, throws are divided into six categories—hand techniques, leg techniques, hip techniques, shoulder techniques, as well as sacrifice throws to the rear and side. A shoulder throw involves throwing an opponent over the shoulder, seoi-nage is one of the most used throws in Judo competition. One study indicated that approximately 56% of judokas implemented the technique, a common shoulder throw is judos ippon seoinage or the similar flying mare in wrestling. In a leg reap, the attacker uses one of their legs to one or both of their opponents legs off the ground. Generally the opponents weight is placed on the leg that is reaped away and this coupled with the attacker controlling the opponents body with their hands causes the opponent to fall over. Common leg reaps are judos Ouchi Gari, Kouchi Gari, Osoto Gari, somewhat similar to leg reaps involve a hooking or lifting action with the attacking leg instead of a reaping action. Common leg trips are hooking variations of Ouchi Gari and Osoto Gari along with Kosoto Gake, a hip throw involves using the throwers hip as a pivot point, by placing the hip in a lower position than an opponents center of gravity. There are several types of hip throws such as O Goshi, hip throws in Judo are called Koshi Waza, and in Aikido or Sumo they are called koshinage. Sacrifice throws require the thrower to move into a disadvantageous position in order to be executed. The momentum of the body adds power to the throw and requires comparatively little strength. In Judo these throws are called Sutemi Waza and are divided into rear. In Judo, these throws are limited to a specific grade, pickups involve lifting the opponent off the ground and then bringing them down again. Variations of the suplex are common in most forms of wrestling, in Judo the ura-nage throw is a version of the suplex, but it is importantly classified as a sacrifice throw. Some of the more common throwing techniques are listed below and this is not an exhaustive list and the techniques may be referred to by other names in different styles

3.
Kodokan
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Kodokan, or the Kodokan Institute, is the headquarters of the worldwide judo community. Literally, kō means to lecture, dō means way, the Kodokan was founded in 1882 by Kanō Jigorō, the founder of judo, and is now an eight-story building in Tokyo. The Kodokan Institute offers classes for those who want to master judo, the program is authorized as a non-regular school by the Tokyo Metropolitan Government. Its courses include the theories and practice of judo, and matters of general education, the course is divided into two parts, a general course for novices, and special courses for those who have completed the general course or its equivalent. The Kodokan also issues ranks, and many judoka around the world become Kodokan members and have their ranks registered with the Kodokan, the Institute was founded with only nine disciples. There are eight floors and a basement to the Kodokan dojo, each serving purposes for housing, training, the basement holds the cafeteria and some conference rooms. The first floor has parking, a bank, and a store, the second floor contains a library and more conference rooms. The third floor is for judoka and visitors who are living in the dojo, the fourth floor contains dressing rooms. The fifth, sixth, and seventh floors are all used for training space, the Kano Memorial Hall, Historical hall, exhibition room, and material stock room are located on the second floor. The extensive library on the floor holds over 7,000 books pertaining to judo. There are four research laboratories on the floor, 1st Lab. 2nd Lab, Psychological study of judo, 3rd Lab, Technical analysis of judo. Research on the strength of judo players. 4th Lab, Physiological study of judo, the research staff use fundamental and applied science to work with foreign researchers. Research is displayed to the public and free of charge to view once during the year, judoka visiting and training in the Kodokan can stay on the Third Floor. There are five rooms for use during training camps, these rooms can hold 20 people each, Judo sensei and players may live in suites for either one or two people, these suites have their own baths and showers. Visitors may walk up to the floor of the dojo to watch practice or competitions. Permission is required to attend the practice for transient students, one-time visitors are most likely to be allowed to take part in a randori session with foreign students

4.
Romanization of Japanese
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The romanization of Japanese is the application of the Latin script to write the Japanese language. This method of writing is referred to in English as rōmaji. There are several different romanization systems, the three main ones are Hepburn romanization, Kunrei-shiki romanization, and Nihon-shiki romanization. Variants of the Hepburn system are the most widely used, Japanese is normally written in a combination of logographic characters borrowed from Chinese and syllabic scripts which also ultimately derive from Chinese characters. It is also used to transliterate Japanese terms in text written in English on topics related to Japan, such as linguistics, literature, history, and culture. Rōmaji is the most common way to input Japanese into word processors and computers, all Japanese who have attended elementary school since World War II have been taught to read and write romanized Japanese. The word rōmaji literally means Roman letters, and in Japan it is often used to refer to the Latin alphabet itself than to any specific form of romanized Japanese. The earliest Japanese romanization system was based on the Portuguese orthography and it was developed around 1548 by a Japanese Catholic named Yajiro. Jesuit priests used the system in a series of printed Catholic books so that missionaries could preach and teach their converts without learning to read Japanese orthography. The most useful of these books for the study of early modern Japanese pronunciation and early attempts at romanization was the Nippo jisho, in general, the early Portuguese system was similar to Nihon-shiki in its treatment of vowels. The latter continued to be printed and read after the suppression of Christianity in Japan, the Hepburn system included representation of some sounds that have since changed. The Nihon-shiki romanization was an outgrowth of that movement, several Japanese texts were published entirely in rōmaji during this period, but it failed to catch on. Today, the use of Nihon-shiki for writing Japanese is advocated by the Oomoto sect, during the Allied occupation of Japan, the government of the Supreme Commander for the Allied Powers made it official policy to romanize Japanese. However, that failed and a more moderate attempt at Japanese script reform followed. Hepburn romanization generally follows English phonology with Romance vowels and it is an intuitive method of showing Anglophones the pronunciation of a word in Japanese. It was standardized in the USA as American National Standard System for the Romanization of Japanese, Hepburn is the most common romanization system in use today, especially in the English-speaking world. The Revised Hepburn system of romanization uses a macron to indicate long vowels. For example, the name じゅんいちろう, is written with the kana characters ju-n-i-chi-ro-u, without the apostrophe, it would not be possible to distinguish this correct reading from the incorrect ju-ni-chi-ro-u

5.
Judo
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Judo was created as a physical, mental and moral pedagogy in Japan, in 1882, by Jigoro Kano. It is generally categorized as a martial art which later evolved into a combat. Strikes and thrusts by hands and feet as well as defenses are a part of judo. A judo practitioner is called a judoka, the philosophy and subsequent pedagogy developed for judo became the model for other modern Japanese martial arts that developed from koryū. The early history of judo is inseparable from its founder, Japanese polymath and educator Kanō Jigorō, Kano was born into a relatively affluent family. His father, Jirosaku, was the son of the head priest of the Shinto Hiyoshi shrine in Shiga Prefecture. He married Sadako Kano, daughter of the owner of Kiku-Masamune sake brewing company and was adopted by the family and he ultimately became an official in the Shogunal government. Jigoro Kano had an academic upbringing and, from the age of seven, he studied English, shodō, when he was fourteen, Kano began boarding at an English-medium school, Ikuei-Gijuku in Shiba, Tokyo. The culture of bullying endemic at this school was the catalyst that caused Kano to seek out a Jūjutsu dōjō at which to train, early attempts to find a jujutsu teacher who was willing to take him on met with little success. With the fall of the Tokugawa shogunate in the Meiji Restoration of 1868, many of those who had once taught the art had been forced out of teaching or become so disillusioned with it that they had simply given up. Nakai Umenari, an acquaintance of Kanōs father and a soldier, agreed to show him kata. The caretaker of Jirosakus second house, Katagiri Ryuji, also knew jujutsu, Another frequent visitor, Imai Genshiro of Kyūshin-ryū school of jujutsu, also refused. Several years passed before he found a willing teacher. In 1877, as a student at the Tokyo-Kaisei school, Kano learned that many jujutsu teachers had been forced to pursue alternative careers, frequently opening Seikotsu-in. After inquiring at a number of these, Kano was referred to Fukuda Hachinosuke, a teacher of the Tenjin Shinyō-ryū of jujutsu, Fukuda is said to have emphasized technique over formal exercise, sowing the seeds of Kanos emphasis on randori in judo. On Fukudas death in 1880, Kano, who had become his keenest and most able student in both randori and kata, was given the densho of the Fukuda dojo, Kano chose to continue his studies at another Tenjin Shinyō-ryū school, that of Iso Masatomo. Iso placed more emphasis on the practice of kata, and entrusted randori instruction to assistants, Iso died in June 1881 and Kano went on to study at the dojo of Iikubo Tsunetoshi of Kitō-ryū. Like Fukuda, Iikubo placed much emphasis on randori, with Kitō-ryū having a focus on nage-waza

6.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker

7.
Deashi harai
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Deashi Harai, more accurately romanized, Deashibarai, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the first group, Dai-Ikkyo, of the traditional throwing list, Gokyo-no-Nagewaza and it is also part of the current 67 Throws of Kodokan Judo. It is classified as a technique, Ashi-Waza. Deashi Harai is also one of the 20 techniques in Danzan Ryus Nagete list, Deashi Harai is one of the basic foot sweeps learned in the martial arts. As with most basic techniques, Deashi Harai has more variations than can be described here, one common method used in Danzan-ryu Jujitsu is the outside-in method of sweeping an opponents foot. It is accomplished by initially having a firm grip on the opponent while facing him or her, the attacker then moves the foot to the opposite side of his opponent, to sweep the opponents opposite leg out from underneath him. Simultaneously the upper body must complement this push-pull motion with a deal of power being generated from the rotation of the hips. The Canon Of Judo Sasae Tsurikomi Ashi Okuriashi Harai Kosoto Gari Ohlenkamp, sato, Nobuyuki, Ashiwaza, Judo Masterclass Techniques, Ippon Books, ISBN 0-9518455-5-1 JudoInfo. com Animations and drawings

8.
Sasae tsurikomi ashi
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Sasae Tsurikomi Ashi is one of the traditional forty throws of Judo as developed by Jigoro Kano. Sasae Tsurikomi Ashi belongs to the first group, Dai Ikkyo, of the traditional throwing list, Gokyo and it is also part of the current 67 Throws of Kodokan Judo. It is classified as a technique, Ashi-Waza. The technique is known as Sasae Ashi in Danzan Ryu. Sato, Nobuyuki, Ashiwaza, Judo Masterclass Techniques, Ippon Books, ISBN 0-9518455-5-1

9.
Uki goshi
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Uki Goshi is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the first group, Dai Ikkyo, of the traditional throwing list, Gokyo and it is also part of the current 67 Throws of Kodokan Judo. It is classified as a hip technique, Koshi-Waza, Uki goshi is known as a favorite throw of Jigoro Kano himself. It is demonstrated in the Nage no Kata and it used to be much drilled in traditional judo dojos. Uki Goshi, also known as floating hip, is a type of hip throw, to execute the throw, the person throwing pulls the person being thrown, up and forward putting them off balance. Tori places the other round their back while turning so that the side of their hip are in contact with the uke. Tori then twists uke around using toris back and hip as a pivot point, toris leading leg barely blocks ukes leading leg and tori is initially slightly sideways to uke rather than completely giving his back. It relies on a level of skill but can be used more easily against heavier people than O Goshi. Uki goshi was developed by Jigoro Kano in the century while he was studying Jujutsu in Japan. Kano went on to create Judo and in 1895 he included Uki goshi in the first standard syllabus of Judo throws called the gokyo no waza

10.
Osotogari
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Osotogari is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the first group, Dai Ikkyo, of the traditional throwing list, Gokyo and it is also included in the current 67 Throws of Kodokan Judo. It is classified as a technique, Ashi-Waza. In a classical right-handed osotogari, tori steps next to uke with his left leg, yamashita, Yasuhiro, Osoto-gari, Judo Masterclass Techniques, Ippon Books, ISBN 0-9518455-8-6

11.
O goshi
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Ō goshi is one of the original 40 throws of Judo as compiled by Jigoro Kano. It belongs to the Dai ikkyo of the Gokyo-no-waza, of Kodokan Judo and it is also part of the current 67 Throws of Kodokan Judo. It is classified as a koshi-waza, o-goshis classification as a koshi-waza, indicates the central role that the hip plays in the execution of the technique. In this technique, kuzushi is to ukes front, toris hikite pulls ukes arm to the front, maintaining the balance break. Kake involves tori lifting with the hips and bending forward while continuing the pull to the front and down, O-goshi is known to have existed in the Tenjin Shinyō-ryū traditional school of jujutsu, which Jigoro Kano studied prior to founding judo. In Tenjin Shinyō-ryū texts, the throw is called koshi-nage O-goshi was one of the first throwing techniques to be incorporated into judo and was included in the Dai nikyo of the 1895 Gokyo-no-waza. In the revised 1920 Gokyo-no-waza, the throw was moved to the Dai ikkyo where it remains, O-goshi is often the first throw taught to a beginner as it is relatively simple to throw a compliant partner with control. O-Goshi and similarly applied hip throws are common to all martial arts that have a focus on grappling and throwing and it is named as one of the 20 techniques in Danzan Ryus Nagete list. English aliases, Major Hip Throw Large Hip Throw Similar, Uki Goshi Tsuri Goshi Kodokan Koshi waza videos Animations of O Goshi

12.
Kosoto gari
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Kosoto Gari, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Dai Nikyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a foot technique, Ashi-waza. Danzan-ryūs Soto Gama is a variant of Kosoto Gari, swain, Mike, Ashiwaza II, Judo Masterclass Techniques, Ippon Books, ISBN 1-874572-65-8

13.
Kouchi gari
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Kouchi Gari, is one of the original 40 throws of judo as developed by Jigoro Kano. It belongs to the group, Dai Nikyo, of the traditional throwing list, Gokyo. It is also part of the current 67 throws of Kodokan judo and it is classified as a foot technique, ashi-waza. Swain, Mike, Ashiwaza II, Judo Masterclass Techniques, Ippon Books, ISBN 1-874572-65-8 Ohlenkamp, Neil Judo Unleashed basic reference on judo

14.
Koshi guruma
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Koshi Guruma, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Dai Nikyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hip technique, Koshi-waza. In Koshi Guruma the attacker tries to force his opponent to bend down a little and this is no problem against smaller opponents. During this process he wheels his right hip inwards a bit past the right hip. The legs follow in a series of steps during this wheel and in the new position the attacker simply bends over a bit, the last step is then to rotate the body clockwise as this move throws the opponent to the ground. The attacker can choose to follow into the throw and, if done properly, Koshi Guruma has been a throw taught by Judo traditionalists since Kano Sensei. Recently, in countries such as Canada, Koshi Guruma is frowned upon because of its potential risk of neck injury. It is still taught at a yellow or orange belt level, systems, Kodokan Judo, Judo Lists Lists, The Canon Of Judo Judo technique English aliases, Hip wheel An animated Koshi Guruma lesson

15.
Tsurikomi goshi
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Tsurikomi Goshi, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Dai Nikyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hip throwing technique, Koshi-Waza. Tsurikomi Goshi is also one of the 20 techniques in Danzan Ryus Nage No Te list

16.
Okuriashi harai
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Okuriashi harai is one of the original 40 throws of Judo as developed by Kano Jigoro. It belongs to the group of the traditional throwing list in the Gokyo no waza of the Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a foot technique. In Danzan Ryu, the technique is known as Okuri harai, okuriashi harai is a double foot sweep from standing position. To execute the technique, extend the stepping motion of the opponents leg towards his leg by using your foot pushing against his foots instep or side. The sweep is most effective against an opponent and does not work if just one of his feet leaves the ground. Sato, Nobuyuki, Ashiwaza, Judo Masterclass Techniques, Ippon Books, ISBN 0-9518455-5-1 Judo technique The Canon Of Judo Media related to Okuriashi-barai at Wikimedia Commons

17.
Tai otoshi
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Tai Otoshi, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Dai Nikyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hand technique, Te-waza. Ohlenkamp, Neil Judo Unleashed basic reference on judo, information on the Techniques of Judo. Adams, Neil, Tai-otoshi, Judo Masterclass Techniques, Ippon Books, ISBN 1-874572-21-6

18.
Uchi mata
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Uchi mata is one of the original 40 throws of Judo as developed by Kanō Jigorō. It belongs to the group, Dai Nikyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a foot technique, Ashi-Waza. A counter to uchi mata is uchi mata sukashi as well as Te Guruma, to this day uchi mata has consistently been one of the highest scoring techniques in competition. Ohlenkamp, Neil Judo Unleashed basic reference on judo, sugai, Hitoshi, Uchimata, Judo Masterclass Techniques, Ippon Books, ISBN 0-9518455-1-9 Exemplar videos, JudoInfo. com Animations and drawings Animation from http, //www. esdojo. es

19.
Kosoto gake
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Kosoto Gake, sometimes known as minor outer hook, the English translation, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Sankyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a foot technique, Ashi-waza. It is often used as a counter-throw to tai-otoshi, after having stepped over the leg. To perform the technique, the tori situates themselves to the side of the uke and reaches around their back to grip their face or neck, the inside leg is reaped by pushing the back of the knee with the closest foot. The opposite of this is Gyaku-kosoto Gake, which resembled the step-over takedown and is the first throw taught in Yanagi-Ryu, information on the Techniques of Judo

20.
Tsuri goshi
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Tsuri goshi is one of the original 40 throws of Judo as developed by Kano Jigoro. It belongs to the group of the traditional throwing list in the Gokyo no waza of the Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hip technique. Graphic from http, //www. judoinfo. com/techdraw. htm Exemplar Videos, Tournament from http, //www. judoinfo. com/video8. htm Demonstrated from http, //www. judoinfo. com/video4. htm, http, //www. suginoharyu. com. English aliases, Lifting hip throw Variants, Otsuri goshi Kotsuri goshi Similar, O goshi Uki goshi Judo technique The Canon Of Judo

21.
Yoko otoshi
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Yoko Otoshi is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Sankyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a side sacrifice technique, Yoko-sutemi. Systems, Kodokan Judo, Judo Lists Lists, The Canon Of Judo Judo technique English aliases, Side drop Similar, Tama Guruma A throw developed by Kyuzo Mifune and it is also shown in the video, The Essence of Judo. It is currently not recognized by the Kodokan

22.
Ashi guruma
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Ashi guruma is a throw in judo. It is one of the original 40 throws of Judo as developed by Kano Jigoro and it belongs to the third group of the traditional throwing list in the Gokyo no waza of the Kodokan Judo. It is also included in the current 67 Throws of Kodokan Judo and is classified as a foot technique, the Canon Of Judo Ohlenkamp, Neil Judo Unleashed basic reference on judo. JudoInfo. com Animations and drawings Judoschool. org Collection of Ashi Guruma Videos

23.
Hane goshi
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Hane goshi is a throw in judo. It is one of the original 40 throws of Judo as developed by Jigoro Kano and it belongs to the third group, Sankyo, of the traditional throwing list, Gokyo, of Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hip technique, Koshi-Waza. Hane goshi is one of the 20 techniques in Danzan Ryus Nagete list. The Canon Of Judo Ushiro Guruma, described in The Canon Of Judo by Kyuzo Mifune as a hip throw where tori uses one of his leg much as in Hane Goshi. In the video, The Essence of Judo, Mifune demonstrates Ushiro Guruma, but notice that his foot does not quite catch ukes hip as described in The Canon Of Judo, but catches ukes inner thigh instead

24.
Harai tsurikomi ashi
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Harai Tsurikomi Ashi is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Sankyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a foot technique, Ashi-waza. Sato, Nobuyuki, Ashiwaza, Judo Masterclass Techniques, Ippon Books, ISBN 0-9518455-5-1 The Canon Of Judo

25.
Tomoe nage
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Tomoe nage is one of the traditional forty throws of Judo as developed by Jigoro Kano. It belongs to the group of the traditional throwing list, the traditional Gokyo. Tomoe nage is categorized as a front sacrifice technique or Ma-sutemi, because the technique is not a sweep or a trip and it is also one of Danzan Ryus twenty throws in the Nagete list. Tomoe nage is performed by the attacker gripping the opponent high, once uke is off balance forward, tori plants a foot low on uke at waist level and applies strong pressure, rolling onto his own back with uke above him. This causes uke to flip over tori and land on his back, the final position is both practitioners are on their backs, head to head. Variations that maintain the grip and complete the backward roll allow tori to mount uke at the completion of the throw. Counters to tomoe nage include crouching or evading the rising foot of the attacker

26.
Kata guruma
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Kata guruma is one of the traditional forty throws of Judo as developed by Kano Jigoro. Kata guruma belongs to the third group of the traditional throwing list in the Gokyo no waza of the Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo, because the technique is not a sweep nor a trip and requires tori to pull uke into a carry, it is categorized as a hand throwing technique. In The Essence of Judo, Kyuzo Mifune demonstrates three variations of kata guruma, in the second variation, Mifune steps behind uke, and in the third he steps behind uke and grabs ukes left leg instead. In all three variations, uke is lifted up to toris shoulder behind toris head, and then dropped forward

27.
Sumi gaeshi
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Sumi Gaeshi is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Dai Yonkyo, of the traditional throwing list, Gokyo-no-Nagewaza. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a rear sacrifice technique, Sutemi-waza. The Sumi Gaeshi is done by grabbing your uke opposite you by their clothing, the tori then plants their foot or knee in the opposite upper thigh, taking care not to hit the groin. The user then rolls backwards using the momentum of the opponent to propel them forward. This can be followed up with any number of grapples, joint extensions, systems, Kodokan Judo, Judo Lists Lists, The Canon Of Judo Judo technique English aliases, Corner throw Corner reversal Information on the Techniques of Judo

28.
Tani otoshi
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Tani otoshi is one of the original 40 throws of Judo as developed by Kano Jigoro. It belongs to the group of the traditional throwing list in the Gokyo no waza of the Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a side sacrifice technique. English aliases, Valley drop In the video, Gracie Jiu-Jitsu Basics Vol.1, Rorion Gracie and Royce Gracie demonstrate the clinch to foil a strikers game, the animation below shows the use of a Yoko-sutemi technique for the takedown. Judo technique The Canon Of Judo Information on the Techniques of Judo

29.
Hane makikomi
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Hane Makikomi is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Yonkyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a side sacrifice technique, Yoko-sutemi

30.
Sukui Nage
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Sukui Nage is a double leg takedown, one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Yonkyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hand technique, Te-waza. van de Walle, Robert, Pick-ups, Judo Masterclass Techniques, Ippon Books, ISBN 1-874572-10-0 Alabama Judo Federation. Judo, Te Waza - Sukui Nage - Morete Gari

31.
Utsuri goshi
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Utsuri Goshi, or the changing hip throw, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Yonkyo, of the traditional throwing list, Gokyo-no-Nagewaza. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hip technique, Koshi-Waza

32.
Soto makikomi
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Soto Makikomi is one of the traditional forty throws of Judo as developed by Jigoro Kano. It belongs to the group, Yonkyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo, because tori takes a side fall next to uke, the technique is categorized as a side sacrifice technique, Yoku-sutemi. Danzan Ryus Makikomi is also one of the twenty throws in the Nagete list, which most closely resembles Soto Makikomi

33.
Uki otoshi
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Uki otoshi, or floating drop, is one of the traditional forty throws of Judo as developed by Jigoro Kano. It belongs to the group, Dai Yonkyo, of the traditional throwing list, Gokyo-no-Nagewaza. It is also part of the current 67 Throws of Kodokan Judo, the technique is categorized as a hand technique, Te-waza. Uki Otoshi Animation & Instruction Explanatory videos of Uki Otoshi

34.
Osoto guruma
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Osoto Guruma, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a foot technique, Ashi-waza. Similar to Osotogari with the exception that the attacking foot is placed behind both of ukes legs, rather that only the near leg. Systems, Kodokan Judo, Judo Lists Lists, The Canon Of Judo Judo technique English aliases, Large outer wheel

35.
Uki waza
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Uki Waza, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo. It is also part of the 67 Throws of Kodokan Judo and it is classified as a side sacrifice technique, Yoko-sutemi. Systems, Kodokan Judo, Judo Lists Lists, The Canon Of Judo Judo technique English aliases, Floating throw

36.
Yoko wakare
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Yoko Wakare is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a side sacrifice technique, Yoko-sutemi. The person performing the technique pushes his opponent until uke resists, at the moment of maximum forward push by uke, tori falls quickly to the mat directly in front of, close to, and perpendicular to the feet of uke. While dropping, tori rotates his body to pull uke over him, as a sacrifice throw, tori is putting himself into a vulnerable position on the mat so the timing must be such that uke is quickly thrown over tori and has no chance to drop down onto tori. Systems, Kodokan Judo, Judo Lists Lists, The Canon Of Judo Judo technique English aliases and it is demonstrated by Kyuzo Mifune in The Essence of Judo and described in The Canon Of Judo. Information on the Techniques of Judo

37.
Yoko guruma
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Yoko Guruma, is one of the original 40 throws of judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo. It is also part of the current 67 throws of Kodokan Judo and it is classified as a side sacrifice technique, Yoko-sutemi. This technique is difficult to perform, and can be used as either a direct attack or a counter. In classical study of nage-waza, it is preferable to use it as a throw to seoi-nage. The ideal situation is represented by an imbalance in right front, Uke tries to execute his technique and Tori defends by moving to the side, slightly away from the Uke, and placing his hand on the back left and right lower abdomen of Uke. To avoid the possible counters, Uke will spontaneously react to fall, with a large rotational movement, Tori attempts to land on the left side by placing the right leg between those of Uke. The throw is a consequence of this movement and is angled in the direction of flow. Consequently, it is one of few techniques of the nage-no-kata which deviates from the axis, since at the end Tori is on the ground on his side, if the technique fails, Tori has no opportunity to complete a combination. Uke can however, counter with the ouchi-gari technique

38.
Ushiro goshi
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Ushiro Goshi, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo-no-Nagewaza. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hip throwing technique, Koshi-Waza. Ushiro Goshi is also one of the 20 techniques in Danzan Ryus Nagete list, in Judos version, tori lifts uke much like in a German Suplex. Danzan Ryus version is a technique where tori steps away from ukes hip. The Techniques of Judo Ushiro goshi images Ushiro goshi demonstration

39.
Ura nage
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Ura Nage is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a rear sacrifice technique, Ma-sutemi. Ohlenkamp, Neil Judo Unleashed basic reference on judo, van de Walle, Robert, Pick-ups, Judo Masterclass Techniques, Ippon Books, ISBN 1-874572-10-0 Judoinfo. com - Judo Technique breakdown

40.
Sumi otoshi
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Sumi Otoshi, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo. It is also part of the current 67 Throws of Kodokan Judo and it is classified as a hand technique, Te-waza

41.
Yoko gake
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Yoko Gake is one of the original forty throws of judo as developed by Jigoro Kano. It belongs to the group, Gokyo, of the traditional throwing list, Gokyo. It is also part of the current 67 throws of Kodokan Judo and it is classified as a side sacrifice technique, Yoko-sutemi. For these reasons, the technique is generally reserved expert Judoka, ideal conditions for Yoko-gake include, a slight imbalance toward the front, simultaneous, coordinated action with Uke’s advancing foot. Tori initiates the throw by stepping to the side as Uke’s advance