Through the last months of 2017 and into the Spring of 2018, a series of posts were published on danish design review about Danish chairs ... each post was about a specific chair but these were posted in a relatively random sequence sometimes following a type or a designer but not in date order.

Here those posts are set out in chronological order and as further posts are added about other chairs from the 20th century they will be included here.

There is also an INDEX to fast-scroll through the list of chairs included.

chair photographed at the exhibition on the work of Hans Wegner at Designmuseum Danmark in 2014

This chair is a variation on the form of the Red Chair by Klint but lighter with turned legs - round rather than square in cross section - and a lighter shallower upholstered seat but as a whole, and given the quality of the craftsmanship and the exotic wood used, it must have been aimed at a fairly wealthy middle-class market.

With a narrow curved top rail to the chair, there are nine vertically set spindles across the back intersecting with two narrow, curved laths to form a grid or lattice with a small rectangular block at each intersection. Note the top of the front legs were cut out of a block - rather than being turned - and that form shoulders for the housing of the front and side rails of the seat. The leather of the upholstered seat is taken over the rails in the traditional way.

Made in Cuban mahogany by Johannes Hansen, the Lattice Chair was shown at the Cabinetmakers' Exhibition in 1942 in a rather formal room setting with a round dining table, a version of the dining chair with arms, a small sideboard on a stand and a large cabinet over shallow draws, also set on a stand, and presumably designed for storing table wares and table linen. With patterned wallpaper and a framed landscape above the sideboard, this appears to represent a good and fairly traditional middle-class dining room.

Along with the dining room furniture there was a sitting-room area with a sofa and an arm chair, both upholstered in striped material and both on square wood legs with stretchers so again not particularly adventurous although the way the furniture was arranged was much much less pretentious and ornate than the furniture might suggest and looks forward to less formal interiors in the 1950s and into the 1960s … so the large window had a Venetian blind without curtains with a low trough across the window filled with house plants* and above the three-seat sofa were three prints in simple well proportioned frames in lightwood hung in a tightly-spaced line in a way seen in some arrangements by Kaare Klint.

In his review of the furniture at the cabinetmakers’ exhibition FC Lund wrote in Arkitekten

“ … this time, Wegner has turned away from 'flipper style' furniture and is now working with more restrained form expressions. The fact that the suite has been executed in Cuban mahogany makes it just one more example of the endless succession of 'red' furniture, but the artistic concept raises it above the mere banal. It is expensive but exquisite… ”

One of the chairs was purchased by the design museum so this was the first chair by Wegner to be in a public collection.

designed by Hans Wegner (1914-2007)made by the cabinetmakers Johannes Hansenmade in Cuban mahogany

note:

The house plants in the room setting were quite a period piece … most with ornate leaf shapes with what looks like a variegated Begonia, a Philodendron and the ubiquitous Monstera - known in England as a Swiss Cheese Plant - and popular through the 1950s and 1960s.