《無題》 貴​珍 | "Untitled" Kwai-chun

Does abstractness come from randomness or it's arranged? For Kwai-chun, the answer might be even simpler: putting aside the brush, she let the colors flow on a paper. She is directing the colors with her laughter. And stop when it has to. And then, she laughs again.

​ 《夏果》 鳳琼 | "Summer Fruit" Fung-king

立夏了，吹來的風開始炎熱，春天的花也差不多開盡了。鳳琼拿起藍色粉彩畫，和著春天的生機，畫上樹枝和果實，肥大多汁。看來這又是個豐足的夏天！

Summer has come. Wind is getting hot. Blossoms are shining at their last minute. Fung-king draws a tree of liveliness with blue pastel. It's going to be another thankful summer time !

​ 《蝶》 梁蘇 | "Butterfly" - Leung So

蝴蝶老了，身上的顏色慢慢褪去，斑紋依舊，印住蝴蝶的記憶。當蝴蝶又一次飛到採過的花朵，會感到心安。

Butterfly is getting old. The colors on his body is fading away. Yet the patterns are still there, capturing bits of his memory .When butterfly once again visits the flower he has been loved, he feels safe.

​ 《星夜》 銀花​ | "Starry night" Ngan-fa

藝術有趣，因為她沒有規限。用銀花的說話理解，就是「開心就好」。所以銀花用鮮紅色的筆尖點亮滿天星的夜，安慰梵高的愁。

Art is magical because there is no "no-s". As Ngan-fa puts it, "as long as I feel happy". That's why she is comforting Vincent van Gogh's depression by decorating this starry night with sharp red dots.

​ 《就這麼飄著》妙霞 | ​ "Let it flow" Miu-ha

就這麼唱著、唱著、唱著；就這麼飄著、飄著、飄著。

Let it sing. Let it flow.

​ 《開籠雀》滿娣 ​ | "Singing bird" Moon-tai

開心時唱歌，唔開心時唱歌。就這樣簡單。

Sing when I am happy; sing when I am sad. That's it.

​ 《花花世界》 麗華 | "Flowery world" Lai-wah

有紅有綠就是世界；有男有女就是家。

When there are colors, world; when there are boys and girls, home.

​ 《嬌嬌》 陳嬌 | "Cute-cute" Chan-kiu

嬌嬌的美學- 陳嬌嬌美而不艷俗：用色鮮豔奪目但收放自如，正所謂姣得嚟唔騷。要掌握到這分寸可不容易呀。

The aesthetic of Cute-cute- Chan-kiu's use of cliche colors and random composition demonstrate a balance of being just enough. It's not an easy thing to learn from her.