Notes.

The Rev. John Marriott, A. M., to whom this introductory poem is dedicated, was tutor to George Henry, Lord Scott, son of Charles, Earl of Dalkeith, afterwards fourth Duke of Buccleuch and sixth of Queensberry. Lord Scott died early, in 1808. Marriott, while still at Oxford, proved himself a capable poet, and Scott shewed his appreciation of him by including two of his ballads at the close of the ‘Minstrelsy of the Scottish Border.’ The concluding lines of this Introduction refer to Marriott’s ballads.

line 2. ‘Ettrick Forest, now a range of mountainous sheep-walks, was anciently reserved for the pleasure of the royal chase. Since it was disparked, the wood has been, by degrees, almost totally destroyed, although, wherever protected from the sheep, copses soon arise without any planting. When the King hunted there, he often summoned the array of the country to meet and assist his sport. Thus, in 1528, James V “made proclamation to all lords, barons, gentlemen, landward-men, and freeholders, that they should compear at Edinburgh, with a month’s victuals, to pass with the King where he pleased, to danton the thieves of Tiviotdale, Annandale, Liddisdale, and other parts of that country; and also warned all gentlemen that had good dogs to bring them, that he might hunt in the said country as he pleased: The whilk the Earl of Argyle, the Earl of Huntley, the Earl of Athole, and so all the rest of the gentlemen of the Highland, did, and brought their hounds with them in like manner, to hunt with the King, as he pleased.

‘“The second day of June the King past out of Edinburgh to the hunting, with many of the nobles and gentlemen of Scotland with him, to the number of twelve thousand men; and then past to Meggitland, and hounded and hawked all the country and bounds; that is to say, Crammat, Pappert-law, St. Mary-laws, Carlavirick, Chapel, Ewindoores, and Langhope. I heard say, he slew, in these bounds, eighteen score of harts.” — PITSCOTTIE’S History of Scotland, folio edition, p. 143.

‘These huntings had, of course, a military character, and attendance upon them was part of the duty of a vassal. The act for abolishing ward or military tenures in Scotland, enumerates the services of hunting, hosting, watching and warding, as those which were in future to be illegal.’— SCOTT.

lines 5–11. Cp. Wordsworth’s ‘Thorn’:—

‘There is a Thorn — it looks so old,

In truth, you’d find it hard to say

How it could ever have been young,

It looks so old and grey.’

There is a special suggestion of antiquity in the wrinkled, lichen-covered thorn of a wintry landscape, and thus it is a fitting object to stir and sustain the poet’s tendency to note ‘chance and change’ and to lament the loss of the days that are no more. The exceeding appropriateness of this in a narrative poem dealing with departed habits and customs must be quite apparent. The thorn grows to a very great age, and many an unpretentious Scottish homestead receives a pathetic grace and dignity from the presence of its ancestral thorn-tree.

line 15. The rowan is the mountain ash. One of the most tender and haunting of Scottish songs is Lady Nairne’s ‘Oh, Rowan tree!’—

‘How fair wert thou in summer time, wi’ a’ thy clusters white,

How rich and gay thy autumn dress, wi’ berries red and

bright.’

line 27. There are some notable allusions in the poets to the moonlight baying of dogs and wolves. Cp. Julius Caesar, iv. 3. 27:—

‘I had rather be a dog and bay the moon.’

See also Shield’s great English song, ‘The Wolf’:—

‘While the wolf, in nightly prowl,

Bays the moon with hideous howl!’

One of the best lines in English verse on the wolf — both skilfully onomatopoeic and suggestively picturesque — is Campbell’s, line 66 of ‘Pleasures of Hope’:—

‘The wolf’s long howl from Oonalaska’s shore.’

line 30. Cp. the movement of this line with line 3 in ‘Sang of the Outlaw Murray’:—

‘There’s hart and hynd, and dae and rae.’

line 31. ‘Grene wode’ is a phrase of the ‘Robyn Hode Ballads.’ Cp.:—

‘She set her on a gode palfray,

To GRENE WODE anon rode she.’

line 32. The ruins of Newark Castle are above the confluence of the Ettrick and the Yarrow, on the latter river, and a few miles from Selkirk. Close by is Bowhill, mentioned below, 73. See Prof. Minto’s ‘Lay of the Last Minstrel’ (Clarendon Press), pp. 122–3. In the days of the ‘last minstrel’ it was appropriate to describe this ‘riven’ relic as ‘Newark’s stately tower.’

line 33. James II built Newark as a fortress.

line 41. The gazehound or greyhound hunts by sight, not scent. The Encyclopedic Dictionary quotes Tickell ‘On Hunting’:—

line 54. Yarrow stream is the ideal scene of Border romance. See the Border Minstrelsy, and cp. the works of Hamilton of Bangour, John Leyden, Wordsworth’s Yarrow poems, the poems of the Ettrick Shepherd, Prof. Veitch, and Principal Shairp. John Logan’s ‘Braes of Yarrow’ also deserves special mention, and many singers of Scottish song know Scott Riddell’s ‘Dowie Dens o’ Yarrow.’

line 61. Holt, an Anglo–Saxon word for wood or grove, has been a favourite with poet’s since Chaucer’s employment of it (Prol. 6):—

line 68. Cp. Wordsworth’s two Matthew poems, ‘The Two April Mornings’ and ‘The Fountain’; also Matthew Arnold’s ‘Thyrsis’—

‘Too rare, too rare grow now my visits here!

But once I knew each field, each flower, each stick;

And with the country-folk acquaintance made

By barn in threshing-time, by new-built rick,

Here, too, our shepherd-pipes we first assay’d.’

line 82. Janet in the ballad of ‘The Young Tamlane’ in the Border Minstrelsy. The dissertation Scott prefixed to this ballad is most interesting and valuable.

line 84. See above, note on Rev. J. Marriott.

line 85. Scott was sheriff-substitute of Selkirkshire. As the law requires residence within the limits of the sheriffdom, Scott dwelt at Ashestiel at least four months of every year. Prof. Veitch, in his descriptive poem ‘The Tweed,’ writes warmly on Ashestiel, as Scott’s residence in his happiest time:—

‘Sweet Ashestiel! that peers ‘mid woody braes,

And lists the ripple of Glenkinnon’s rill —

Fair girdled by Tweed’s ampler gleaming wave —

His well loved home of early happy days,

Ere noon of Fame, and ere dark Ruin’s eve,

When life lay unrevealed, with hopeful thrill

Of all that might be in the reach of powers

Whose very flow was a continued joy —

Strong-rushing as the dawn, and fresh and fair

In outcome as that morning of the world,

Which gilded all his kindled fancy’s dream!’

line 88. Harriet, Countess of Dalkeith, afterwards Duchess of Buccleuch. A suggestion of hers led to the composition of the ‘Lay of the Last Minstrel.’ See Prof. Minto’s Introduction to Clarendon Press edition of the poem, p. 8.

lines 90–93. ‘These lines were not in the original MS.’— LOCKHART.

line 106. ‘The late Alexander Pringle, Esq., of Whytbank — whose beautiful seat of the Yair stands on the Tweed, about two miles below Ashestiel.’— LOCKHART.

line 108. ‘The sons of Mr. Pringle of Whytbank.’— LOCKHART.

line 113. Cp. VI. 611, below.

line 115. ‘There is, on a high mountainous ridge above the farm of Ashestiel, a fosse called Wallace’s Trench.’— SCOTT.

lines 126–33. Cp. Wordsworth variously, particularly in the Matthew poems, the Ode on Intimations of Immortality, and Tintern Abbey, especially in its last twenty-five lines:—

‘Therefore let the moon

Shine on thee in thy solitary walk,’ &c.

line 143. Cp. I Kings xix. 12.

lines 147–73. ‘This beautiful sheet of water forms the reservoir from which the Yarrow takes its source. It is connected with a smaller lake, called the Loch of the Lowes, and surrounded by mountains. In the winter, it is still frequented by flights of wild swans; hence my friend Mr. Wordsworth’s lines:—

“The swan on sweet St. Mary’s lake

Floats double, swan and shadow.”

Near the lower extremity of the lake are the ruins of Dryhope tower, the birth-place of Mary Scott, daughter of Philip Scott of Dryhope, and famous by the traditional name of the Flower of Yarrow. She was married to Walter Scott of Harden, no less renowned for his depredations than his bride for her beauty. Her romantic appellation was, in latter days, with equal justice, conferred on Miss Mary Lilias Scott, the last of the elder branch of the Harden family. The author well remembers the talent and spirit of the latter Flower of Yarrow, though age had then injured the charms which procured her the name. The words usually sung to the air of “Tweedside,” beginning “What beauties does Flora disclose,” were composed in her honour.’— SCOTT.

Quoting from memory, Scott gives ‘sweet’ for STILL in Wordsworth’s lines. Mr. Aubrey de Vere, in ‘Essays Chiefly on Poetry,’ ii. 277, reports an interview with Wordsworth, in which the poet, referring to St. Mary’s Lake, says: ‘The scene when I saw it, with its still and dim lake, under the dusky hills, was one of utter loneliness; there was one swan, and one only, stemming the water, and the pathetic loneliness of the region gave importance to the one companion of that swan — its own white image in the water.’ For a criticism, deeply sympathetic and appreciative, of Scott’s description of St. Mary’s Loch in calm, see Prof. Veitch’s ‘Feeling for Nature in Scottish Poetry,’ ii. 196. The scene remains very much what it was in Scott’s time, ‘notwithstanding that the hand of the Philistine,’ says Prof. Veitch, ‘has set along the north shore of St. Mary’s, as far as his power extended, a strip of planting.’

line 177. ‘The chapel of St. Mary of the Lowes {de lacubus} was situated on the eastern side of the lake, to which it gives name. It was injured by the clan of Scott, in a feud with the Cranstouns; but continued to be a place of worship during the seventeenth century. The vestiges of the building can now scarcely be traced; but the burial-ground is still used as a cemetery. A funeral, in a spot so very retired, has an uncommonly striking effect. The vestiges of the chaplain’s house are yet visible. Being in a high situation, it commanded a full view of the lake, with the opposite mountain of Bourhope, belonging, with the lake itself, to Lord Napier. On the left hand is the tower of Dryhope, mentioned in a preceding note.’— SCOTT.

line 187. See ‘Il Penseroso,’ line 167.

line 197. Cp. Thomson’s ‘Winter,’ line 66:—

‘Along the woods, along the moorish fens,

Sighs the sad genius of the coming storm;

And up among the loose disjointed cliffs,

And fractured mountains wild, the brawling brook

And cave, presageful, send a hollow moan,

Resounding long in listening fancy’s ear.’

line 204. ‘At one corner of the burial-ground of the demolished chapel, but without its precincts, is a small mound, called Binrams Corse, where tradition deposits the remains of a necromantic priest, the former tenant of the chaplainry. His story much resembles that of Ambrosio in “The Monk,” and has been made the theme of a ballad by my friend Mr. James Hogg, more poetically designed the Ettrick Shepherd. To his volume, entitled “The Mountain Bard,” which contains this, and many other legendary stories and ballads of great merit, I refer the curious reader.’— SCOTT.

line 239. ‘Loch-skene is a mountain lake, of considerable size, at the head of the Moffat-water. The character of the scenery is uncommonly savage; and the earn, or Scottish eagle, has, for many ages, built its nest yearly upon an islet in the lake. Loch-skene discharges itself into a brook, which, after a short and precipitate course, falls from a cataract of immense height and gloomy grandeur, called, from its appearance, the “Grey Mare’s Tail.” The “Giant’s Grave,” afterwards mentioned, is a sort of trench, which bears that name, a little way from the foot of the cataract. It has the appearance of a battery designed to command the pass.’— SCOTT.

Cp. ‘Loch Skene,’ a descriptive and meditative poem by Thomas Tod Stoddart, well known as poet and angler on the Borders during the third quarter of the nineteenth century:—