Tag Archives: American Idiot on Broadway

American Idiot on Broadway closes tomorrow, April 24, 2011, after 400+ performances. What a long, strange trip it’s been and a pleasure watching the show develop from Berkeley to Broadway and move on to the silver screen. The last chapter from album to Broadway to screen is in the works, with Tom Hanks producing, Michael Mayer on as director, and negotiations happening between Hanks’ Playtone Productions, Universal Studios and screenwriter Dustin Lance Black, who won an Oscar for his screenplay Milk, and writes the HBO show, Big Love.

The movie is still in the negotiation phase, but if I were a betting woman, I’d say a movie adaptation of American Idiot will happen sooner rather than later. In the meantime… the Broadway show is closing, and while a part of me is greatly saddened, another part of me is satisfied with the fun and successful run. Broadway shows close, it happens all the time.

In my mind, the show experienced its closing when Billie Joe, Michael Esper, John Gallagher, Jr., Christina Sajous, and Stark Sands left the company in February, especially when Esper, Gallagher and Sajous left and they were in the original Berkeley cast. I was lucky to see Van Hughes play the role of Johnny a lot since John Gallagher, Jr., left. I love John, he’s the most amazing human being on earth, but I’ve had a great time watching Van play Johnny over these last few months. While I think that Hughes is a solid replacement for Johnny’s role, I miss how fast Christina could whip around and hit that high note in “Extraordinary Girl” while spinning in the air; I miss Stark’s amazing voice and stint as Tunny; and I miss Michael Esper’s heartfelt melancholy as Will on that damned couch. Don’t get me wrong, Justin Guarini, Declan Bennett, and last night’s Will, Jason Kappus, have been great, but Michael… Fucking… Esper… sigh… will always be Will to me. As the Frustrators say… “all good things… must end,” and a year’s run on Broadway is a hella long time for a show in B’way years.

Endings bring new beginnings, and for John Gallagher, Jr., it brought a role in the critically acclaimed, Jerusalem, which I saw in previews recently and quite enjoyed. I haven’t gotten to see Michael Esper in Intelligent Homosexual’s Guide yet at the Public Theater, nor Mary Faber in How to Succeed in Business or Sajous in Baby, It’s You yet, but I will… once AI closes and I have cash again. While there are new adventures to bring on, I will never experience again a Broadway show like American Idiot. First of all, I’ve never been heavily invested in Broadway’s life as an experimental theater student back in the day, and frankly, there hasn’t been a show that has caught my attention on Broadway like American Idiot has…. and never will again. Of course, being that I’m a Green Day fan, the show has an extra special touch to me, but being that I’m also a huge fan of theater though not of the Broad Way, it has helped me to appreciate it a little more though I will sadly, never fall in love with the Great White Way.

Every Second

Back in the day, when I was in theater school at New York University, I did a play that was a in classroom-workshop for three months and then performance for two weeks called Danton’s Death, directed by Anne Bogart. It was an incredible time for me and my fellow actors, just learning our craft, and one of those periods of time were you work on a show or project for many months and your fellow performers and co-collaborators become a family, with a rich, tight bond. Many of the people from this show drifted away after many years, but we’ve managed to say hello here and there and cherish every second of that time we spent together.

Dogtags by Abbey Fox. Photo by Michelle Lawlor, Lucky 17 Photography

Billie Joe posted a really lovely Tweet last night about the nature of seconds over the next four shows to closing tomorrow night at 7:30 PM in New York City on 4/24/2011… and it reminds me of those Pinhead Gunpowder dogtags that Abbey Fox made so long ago with the saying, “Every Second.” For the cast and creators of the show and those of us, whether near or far, who have grown to feel like American Idiot is a family, of sorts, it will be a sad time indeed to see this phase of life end. All I can say is thanks, Broadway, for making it possible. Thanks for all of the good times, excellent music, hi-jink shenanigans, fucking up of Broadway, introduction of awesome actors, musical gigs from the talented cast as well as their voices singing Green Day’s songs, Billie Joe’s introduction to theater (may he come again in another show or write one!), and all of the St. Jimmies, and of course, Green Day itself for creating those very seconds that will be missed. Missed but not forgotten, even as they fade away into memory.

I won’t say goodbye, I’ll just say, bon voyage until the next creative phase comes around!

Green Day Mind American Idiot Post Highlights and Green Day Authority Podcast

Podcast 37 - American Idiot Musical Broadway Finale, now for The Silver Screen with Guest, Green Day Mind!

New York Daily News article on the Greenday.com site - Click for full article, that interview from the early 1990s were Green Day talks about their musical, and hot pics of John and Rebecca!

Here’s some blog posts that I’ve written over the last year about the Broadway opening, the American Idiot talkbacks, etc, in case you want to relive those seconds. But first… My favorite seconds… my blog being mentioned at the American Idiot talkbacks:

Green Day Mind mentioned at American Idiot talkbacks, September 2010

I also quite enjoyed being in the New York Daily News with Mike Chickenman and Nicole Gary so long ago, before the show opened, which made it onto GreenDay.com, too!

Back in late September-October 2010 when Billie Joe Armstrong first performed in American Idiot for a week on Broadway, he ended his run on October 3. That night he penned a little song and sang it to New York City before the Good Riddance encore. No one knew then, not even him, that he was going to come back for two months in 2011 to star in the show as St. Jimmy. I went to a lot of the shows that week for fear of never seeing him perform again in the show. Hearing him sing this little song live was one of those bittersweet moments that you only get once or so in a lifetime. Sweet because it was a love song to my city of New York and the amazing experience of the theater, and bitter because all fleeting moments of pure happiness are like that in the end.

The song was called, Goodnight New York.

“I left my blood like bullets over broadway… the fire of the footlights at the St. James… with broken in legs and roses over New York… these goodnight songs of long lost love and war… But I’m alive, I’m alive, I’m alive like suicide… So goodnight, goodnight, New York.”

The tune possessed a strain of both joy and melancholy that cut right through my heart. Sometimes when I’m really down in New York (as has been the case a lot this winter, particularly since the holiday season started), I repeat in my mind the lyrical refrain, “But I’m alive… I’m alive… I’m alive like suicide… .” I grab onto it like a lifeline so that I hold on and hold out for yet another winter of being alive. Winter is my least favorite season and I get all kinds of down throughout it. The lyric has helped me to fiercely remember the actual joy of life and encourages me to grab onto every bit of it through the tough times, as well as the good ones, that I can.

The lyric itself is a bit of a puzzle and has an odd dichotomy. How can anyone be alive or find life through suicide? What is the nature of that state of being? Is it a metaphorical case of leaving one facet of your life behind and steadfastly screaming out in amazement at the very fact of being alive, or finding life through ending it? No, certainly not the latter example. He sang, “I’m alive, I’m alive, I’m alive” so emphatically that it cancels out all thoughts of a real suicide. “Alive” sounds like one of those screams of urgency to “rally out the demons of your soul,” not to give up, certainly. It’s a problematic lyric, much like a Japanese koan puzzle or a quote by the Iranian/Persian poet and mystic, Rumi. We all know how much Billie Joe hearts Rumi.

Back to that night in October: Mary Rosenblatt was sitting at the very front of the St. James in Row AA. Mary brought with her a single red rose to give to Billie Joe. After the encore, she gave him the single rose and he ended up giving her the lyrics.

I know Mary from here and there. I saw her and asked if I could take photos of the lyrics, one of which I put up on Plixi that night. Mary was so happy and shocked, and a little dazed at the same time! What a wealth of emotions and memories that one little sheet of torn-off legal paper can give to one person, let alone to people all over the world.

I’m an archivist, someone who takes care of the correspondence, photos, audio and video of people and institutions. I’ve held numerous kinds of documents in my hands, from the American Revolution and the Civil War, from famous activists, presidents, and performers. When I briefly held Billie Joe’s lyrics in my hands, the only thing I thought was how, in an instant, one piece of slightly torn paper with scribbles on it can go from the mundane to something that is worth framing and keeping safe for Mary’s lifetime and beyond. This one piece of paper, with scratched out words and chords, is one of those pieces of paper.

After the show, I sent Mary some special archival polyester sheets and an acid-free folder to keep the lyrics safe and free from damage until she could get the sheet properly framed, which she recently did. The framed lyric sheet is now somewhere on her wall, a wonderful piece of instant history. I can see it one day being exhibited in the Rock and Roll Hall of Fame.

Goodnight, New York Snapshot of Mary's Lyrics Taken by GDM After the Show

Goodnight, New York Snapshot of Mary's Lyrics Taken by GDM After the Show

Full video of “Good Night, New York,” sung by Billie Joe Armstrong on October 3, 2010, shown giving Mary the lyrics. Watch for the funny moment with him giving the guitar away, too. It had a transponder in it, and there was a slight hullabaloo when the person who got it wanted to keep the guitar, but the stage hands had to take the transponder out first. She did get the guitar (or one similar to it) at the end of the night.

I realize that I haven’t posted anything since December 5th when Bobby Joe Ebola and the Children MacNuggits came through NYC and surrounding areas. Unfortunately, the holiday season did me in mentally and physically from Thanksgiving to Christmas and I had to take a little break from writing. I’m happy to report, though, that I saw Bobby Joe Ebola’s Corbett and Dan as well as Honah Lee in Trenton and was able to catch all of Bobby Joe Ebola’s NYC and Brooklyn shows. They are the nicest guys ever and made it back to the East Bay safe and sound after the tour. Good Times and Good News! They are releasing more music mayhem in the coming year, I’ll keep you posted.

There’s not that much news-wise going on with Green Day at the moment since their tour ended, but Mike Dirnt and his wife Brittney did have a baby daughter in November by the name of Ryan Ruby. Congrats to them! I also heard that Billie Joe and Tre played a club somewhere in California, but I really didn’t pay that much attention to it. News leaked through a Chicago blog that Billie Joe was in town talking with producers about a Chicago-based run of American Idiot, but, it’s a blog and those are rumors, so take it with a grain of salt. I post off-the-beaten trail news items on my GreenDayMind Twitter, so go and follow me for Green Day and American Idiot items as well as news of other bands. Other than that, it’s been pretty quiet mostly, and you can read up on any other information about the band on their official site, GreenDay.com and of course, the GreenDayAuthority, as well.

Yes, it is Awesome as Fuck – Live CD/DVD, March 2011

Amazon.com put up a pre-sale announcement regarding Green Day’s upcoming live CD/DVD called “Awesome As Fuck,” or… AAF for short. As you may know, the title comes from signs made by fans that morphed from a “Thanks” to Green Day in Paris to letting Green Day know that they were “Awesome As Fuck” in Denver and a simple, “Welcome Home” in San Francisco. If you’d like to read more about the signs, you can read a post I wrote back in September that explains both the origin of the signs and the Awesome As Fuck phrasePunknews.com linked to it recently, and that kinda made my day! But don’t read the comments to the Punk News posting, because of course “punks” hate Green Day and take every opportunity to slag them off that they can take. They are arses.

Green Day’s Youtube Channel briefly posted a banner announcing the album, but it was quickly taken down. Fortunately, someone at the Green Day Community snagged it before it disappeared:

Awesome as Fuck Live CD/DVD Banner

It’s a great logo and amazing that Green Day’s Pink Bunny will possibly be the artwork for the album. There’s no official details on the nature of the recording yet, but word on the street is that the DVD portion of the set is from a show in Japan and that the live album CD will be from Green Day’s North American Amphitheater Tour from this summer, but nothing is confirmed yet. I repeat: Nothing is Confirmed Yet, so don’t ask me because I don’t know! All we really know is that the title of the live album will be Awesome As Fuck and that the release date as of now is March 15, 2011, so stay tuned until further notice!

Billie Joe on Broadway Returns for January/February Run and New York
Times Interview with Michael Mayer and Patrick Healey

Billie Joe at St. Jimmy - Photo by Getty?

Billie Joe returns to Broadway in January and February, and Green Day Land is abuzz with excitement. Fortunately fans from around the world will be coming in for it, but unfortunately, those same fans have to be prepared for bad weather that may get them stuck coming in and out of New York City. In fact, as I write this, I’m stuck in Detroit (my hometown) after my flight back to New York was cancelled on Sunday due to a snow thunderstorm/blizzard that hit the East Coast and shut down travel from trains, planes and automobiles. If you’ve ever been stuck in Detroit, you know that I’m miserable, but, I’ll get out eventually. I hope. All I can say is be prepared for winter weather. I remember when I went to see Pinhead Gunpowder back in February when a winter storm caused major havoc and I had to scramble to get to Berkeley for the once-in-a-lifetime chance of seeing the mercurial Pinhead Gunpowder play a benefit show at 924 Gilman for their friend, Anandi. It was well-worth it, but nerve-wracking nonetheless. We are all going to pretend that the weather will be lovely from here on out and everyone coming in from the nether regions of the world to see Billie Joe on Broadway will encounter only good weather and good times. Prayers to the Lushie Gods are certainly in order for that one! Billie Joe will be back starting this weekend, January 1st, and though he will have two weeks off during the two months, there will be a total of fifty performances with him staring as St. Jimmy. The schedule for Billie Joe’s performances can be found at the American Idiot on Broadway site. Tony Vincent, who originated the role of St. Jimmy that Billie Joe will be doing, leaves the cast as of December 30, 2010. I was going to see Tony again in the show this week, but sadly, Snowpacalypse 2010 will now prevent that.

Patrick Healey, an Arts and Entertainment writer at the New York Times, will be interviewing Armstrong and Michael Mayer coming up on January 9th at the Times Building on 43rd and 8th Avenue. (Information on the sold-out event can be found here.) If you remember when Jordan Roth interviewed Armstrong and Mayer at the 92 Street Y back in September, the questions were pretty run-of-the-mill and, well, tame. Of course, at the American Idiottalkbacks, there were a lot of good questions as well as uninformative ones such as “Can I give you a hug, Billie Joe?” but I have a feeling that Healey just won’t be asking the questions that are really on the minds of fans, and with that in mind, the ever-funny Abbey Fox has written up a Twitter-based list of 17 questions that she would like to ask Billie Joe.

I don’t really want to see Billie Joe’s feet (though if the opportunity arose…), but she has composed some classic and funny rejoinders that will unfortunately, never be asked, but are on the minds of many Green Day fans – or, at least the Mind of Abbey. I asked her if I could reprint her questions below. Here’s the list, and let’s hope that Healey will get the message and ask at least one question. After all, Jordan Roth did use one of Abbey’s questions at the 92 Street Y. I hope you are reading this, Healey!

17) The audience heard you shrieking backstage before your St. Jimmy entrance. It got the audience pumped too. Tell us about that. @greenday

And with that, I’m going to go back to my Mom’s house in Detroit and be stuck some more until I can manage to make it to NYC. I hope you all had a lovely holiday and an excellent upcoming New Year’s Eve.

This is the End

I’ve noted a few times over the last year when a specific segment of Green Day’s 21st Century Breakdowntour ended [LINK HERE], and this time, it’s the complete end of the tour. Green Day finished off their tour last Friday in Costa Rica and did an amazing bunch of old songs, including a full band version of “Christie Road,” and “Brat” and probably the most rare song of them all, “I Was There.” [SEE SETLIST HERE] According to DJ ROSSSTAR, a mega-fan and host of LA’s The Punk Rock Show [LINK HERE], the band hasn’t performed “I Was There” since John Kiffmeyer left the band as Green Day’s drummer. I would have hocked my Grandma to be there in Costa Rica to hear that one live, but alas, I was not there.

While Billie Joe and the band absolutely hates Youtube and concert videos, I hope that one pops up of “I Was There.” Unfortunately at this point, the only videos that have turned up on Youtube have been of the set’s regular mainstays. Though one person did capture “Christie Road” so far. It’s not the best of recordings, as happens on Youtube, but I literally cried hearing it, but hey, that’s just me.

If “I Was There” pops up on the ‘tubes, I’ll probably have to go to the insane asylum and complete my personal 21st century breakdown there.

This is the Future

There is plenty more in the future to come from Green Day, so even if the tour is over, let’s not be sad, let’s celebrate it, not mourn it. In fact, pretty soon, we will be able to look forward to a few things over the next year including:

*Some time in the next year, Green Day will release a new live album featuring songs from the band’s 21st Century Breakdown Tour. Maybe a DVD, too!

*Green Day is already working on a new album.

*American Idiot on Broadway is extended to the end of April 2011, as a new batch of tickets for the show were recently released. For more information on tickets sales, go the official American Idiot on Broadway site.

Who knows what else the band has in store for us, too? Heck, maybe a little Foxboro Hot Tubs record? Maybe Billie Joe will go back to Broadway for a bit? Maybe Mike Dirnt and his bandmates, Jason Chandler, Art Tedeschi and Terry Lineham, from The Frustrators will finish their new album, too! So, don’t be sad, be happy! Celebrate the future! It is bright!

Green Day Fans Celebration on May 28, 2011

Coming up for fans in May 28, 2011, there will be a huge Green Day fan and environment celebration, put together by fans for fans! The event is still in the planning stages, so I don’t have much to write about so far, but once there are final details, I’ll post something about it. The Green Day Authority may also be providing information on this event, too.

The Future of Green Day Mind

Just a note on this blog: I said I was going to end the blog when the tour ended, but I’ve decided instead to expand it a bit beyond Green Day and write about other bands, theatrical events, and just plan life crap, too. So, if you have enjoyed anything from this blog over the last months, please continue to visit and thanks for stopping by. I’ve always appreciated the positive feedback I’ve gotten from the blog, and your comments have always made my day. If you’d like to write anything about bands, fanzines, concerts, crazy theater or anything of the like, feel free to send in stuff. While I may not use everything depending on the writing and the topic, I’d love to share the best of your opinions, new discoveries of bands and events, and happy fan stuff, Green Day-related and otherwise. Thanks!

First of all, Happy 6th Anniversary today, American Idiot! The album was released on 9/20-9/21/04 in the UK and US, so take some time to revisit the album and say, happy anniversary to it!

Billie Joe Armstrong, Michael Mayer, and some cast and crew of American Idiot on Broadway held a series of “talkbacks” last week at the St. James Theater, moderated by David Cote of Time Out New York, after the show happened from 9/14-9/19. I was lucky enough to attend three performances of the show (thank you Jenne and David! much love to you!) and all five talkbacks (two of which I…uh… just walked in on), and I have to say, it was a special and wonderful time to not only see Billie Joe talk about the show, but to hear great discussions regarding the creative processes of the show itself.

My blog was mentioned at the talkback! Woot! David Cote referred to my interview of Afghan war vet and hardcore Green Day fan, Dawn71, using it as a basis to relate how the show of American Idiot (see video below at 1:01-2:32) reflects real life in terms of war and the impact that it has on life. In the clip below when Green Day Mind is mentioned, Billie Joe kind of shrugs and laughs, saying that “He had never heard of the blog,” but it was pretty amazing for me to sit in the audience and have David refer to the blog in a very serious manner. My blog is kind of strange — a personal journey of sight, sound, performance and life — all from the viewpoint of this past year following Green Day. I’ve put a lot of work and love and rage and time into this crazy blogging project, and though it was a bit strange to have him chuckle at first, it was awesome to hear one of my more serious blog posts used to highlight one of the serious themes of American Idiot. Dawn71 was hella happy to know that her love for the band and a story of her life was mentioned as well. Watch the video below to see!

David Cote mentions “Green Day Mind” at American Idiot Talkback (1:01-2:32)- American Idiot on Broadway — 9/15/10 — sundaymorning6am

The talkbacks themselves, minus the impromptu audience questions, were pretty awesome. I heard some things about the creative process of the show, particularly from the designers, that I had never heard before, and it was pretty great to have the mix of actors come into the talks to discuss the show from their viewpoint. It was all about Billie Joe, though, who was at the center of the maelstrom, and as the week of talkbacks wore on, questions from the audience stopped being serious ones asked about the show, but devolved more into, “can you sing ‘happy birthday’ to my daughter, ‘can I have a hug,’ and ‘can I give you something, Billie Joe?'” It was cool, though. Most folks never get the chance to meet Billie Joe in person, and hey, if you have the opportunity, you have to go for it!

Though American Idiot itself is more of a personal journey and not necessarily a political one (I’ve always looked at it politically moreso than personally, but the album itself is as much personal as anything else), I have to say, that the album literally dragged me through the latter years of the Bush Administration. I truly don’t know what I would have done without it. Thank you, Green Day, for being one of the few bands of the day that dared to speak out against what Billie Joe referred to at one point as the “regime of the Bush administration.” Billie Joe refers to the time of the album being written and the political and social happenings of those dark days after 9/11, below:

Billie Joe, John Gallagher, Jr. Talks About the Depiction of War in American Idiot on Broadway and the Response of War at the Release of the album, American Idiot— bwaddel996

All in all, it was a great time spent with Billie Joe and the people involved in the musical. I was very happy that I had the opportunity to witness the talks. I also went to see John Gallagher, Jr. perform at Rockwood Music Hall on 9/19, and he’s such a nice guy that he talked with a bunch of us crazy fans after the show. He really is a sweet kid! My friend Michelle, of Lucky17 Photography, took a bunch of great pictures at both the final talkback and at John’s show, and when she posts them on her blog, I’ll let you know. Meanwhile, I have a few blurry photographs that I took, but a couple of them I just absolutely adore.

Billie Joe with PBR Cans for Autographs - Photo by Green Day Mind

I have never asked the band to sign anything — I sorta hate getting autographs — and the only two pictures I have of me with members of the band were taken by other people (Billie Joe and Mike Dirnt, which was actually taken by Dirnt himself without me asking, good times!), but I just felt that I had to get at least one thing signed, so I did… a new variation of “AWESOME AS FUCK” that Abbey (who Billie Joe tweeted at that he loved, lol, good for Abbey!) came up with, “IDIOT AS FUCK.” Thanks, Billie Joe! UPDATE: Abbey asked Billie Joe and Michael Mayer a pretty long and intense question at the talkback, and I loved the answers given by both men regarding the show. See the video below:

All in all, these talkbacks, combined with Billie Joe and Michael Mayer interviewed by Jordan Roth of the Jujamcyn Theaters at the 92StY on 9/19, were… how shall I say… awesome as fuck, and at times, Idiot as fuck as well. Thank you, American Idiot for the good times! Billie Joe left New York on Monday, to head back to the Bay. Have a great vacay before you head off to South America, and say hello to Mike and Tre for us! I missed them.

American Idiot on Broadway - Click on Image to Stream Album for the Week!

It’s been awhile since I last posted, but I’ve been a bit busy. After attending Green Day’s three shows in California (Irvine, Chula Vista and San Francisco) from August 31-September 5, I spent ten more glorious days in the Bay Area and was… how shall we say… a practicing Lushotologist. I was not necessarily drinking… but I was absorbing all good things that life (or vacation) in the East Bay has to offer. It was magnificent!

I returned to New York City this past Monday and immediately went to work… and to see American Idiot on Broadway and attend “American Idiot University.” This week the show is hosting a series of talkbacks moderated by lead theater critic of Time Out New York, David Cote, for Broadway Week. Billie Joe Armstrong and AI director Michael Mayer are being joined by various cast members (Tuesday night was Theo Stockman, Declan Bennant and Cristina Sajous; Wednesday night was John Gallagher, Jr., Michael Esper and Gerard Canonico), along with set designer Christine Jones, lighting designer Kevin Adams, arranger Tom Kitt, costume designer, Andrea Lauer, music director Carmel Dean, video and production designer, Darrel Maloney, and associate choreographer, Lorrin Lataro.

David Cote was the perfect moderator for the two talkbacks I’ve seen so far (I sneaked into the Tuesday talkback (ssshhh) while friends invited me to attend the show tonight and tomorrow) and led a lively discussion among Billie Joe, Michael Mayer, the creative team and the cast regarding the album, its translation to the stage and the creative impetus of the show. (Full disclosure: I’ve known David since the 1990s and he’s one of the few critics whose opinions I actually trust; we discussed the show earlier this week.) After tomorrow’s talkback — which consisted of about 20 minutes of discussion with the creative team and cast members and 15 minutes of questions from the audience — I hope to post more about the actual discussion itself, but as you know, I’m a bit behind reporting on the California shows as it is, so don’t hold your breath.

There will be three more opportunities to attend American Idiot University: Thursday, September 16th @ 8pm; Friday, September 17th @ 8pm and Sunday, September 19th @ 3pm. Students can buy tickets for $27 depending on availability, but anyone can attend the talkback afterward. I… uh… don’t necessarily recommend sneaking in for the talkbalk like some jerks that I know… me.

As a special bonus for Broadway Week, you can stream for free the entirety of the American Idiot cast album. Click on the cast album cover or here to do so while you can!

Here are a few tiny blurry shots that I took tonight with my iPhone; click on the tiny image to view larger, but still blurry, images.

Coming up this Sunday, the president of the Jujamcyn Theaters including the St. James Theater, Jordan Roth, will be leading talks with Billie Joe and Michael Mayer at the 92nd Street Y in New York City. (For more information on the event, click here.) Audience questions can be submitted to Roth via Twitter at http://twitter.com/jordan_roth.

I have exactly three photographs of me with celebrities besides those few friends of mine that I know from undergraduate theater school who are still making great theater and a living from it. Those three are: Regis Philbin (I used to work as a researcher for Who Wants To Be A Millionaire?), Billie Joe Armstrong and Mike Dirnt. One day I hope to have a picture with Tre Cool, but we’ll see if that ever happens.

I don’t really like asking “celebrities” for their photos. I can’t really pinpoint why I don’t like it, but it might be because I do know people in the “business,” and know how sometimes it’s just creepy to want people to talk to and take pictures of you all the time. I always feel like pictures should be taken of friends, families and things, not people I don’t know. I’m just strange, what can I say? That doesn’t mean I don’t begrudge others who ask for pictures, I don’t, but I would really just want to hang out, so unless folks are around what I consider friends, I don’t really take a lot of pictures of people that I don’t know that’s not in a performance setting.

Anyway, with that long, tortured intro, one of the three people that I do have a picture with, superstar Mike Dirnt of Green Day (and superstar-in-training, Jim Graz of Honah Lee!), I entered into a contest to try and win tickets, roundtrip air fare and hotel to Lollapalooza, which is coming up in hotter-than-hell-in-the-summertime, Chicago, August 6-8 or something. I should probably go and look that up… hmmm.

Vote for the picture, if you’d like! I kinda love it, it’s crazy funny to me, and that’s the way I like my celebrity photographs. If I win, I’m taking Jim and his girlfriend… yawzah… HOT. Here’s the link to my photo and entry. You can click on the photo below, too!

Mike, Jim of Honah Lee and Me. Click to Vote to Help Us See Mike and Company at Lollapalooza!

The vivacious Toniann is also in the contest, so take a look at hers, too! She has a lot more PR personality than me, but you can vote for more than one person per 24-hour time period. The contest ends on July 25th. Please vote! I’d love to go to Lollapalooza, but, who wouldn’t want to go when Green Day is playing at the festival? I’ve never been to one of them, and Soundgarden (yea, I know, I know, I love them, get over it) is also headlining one of the nights. Here’s to me!

You do have to fill out a short registration form to enter, but I do hope you’ll vote!

I tried to find my photo of me and Regis, but it’s no where to be found. It was taken prior to the digital era and is actually just on paper. Actually, it’s only from 2001, but that seems like ages in Internet years. Anyway, here’s my only other pure celebrity photo, with Billie Joe. I could only submit one photo to the contest, so I had to make a choice. I love both of the photos, but the one with Mike and Jim just makes me laugh a good bellylaugh, so I had to go with it. It’s from the Foxboro Hot Tubs show at Don Hill’s, one of the best nights of my life. The photo below of Billie Joe Armstrong and me is from what I call, “Fake New Years,” back in November when Green Day taped their New Years Eve show for Carson Daly in Los Angeles.

Me and some dude

Green Day Show in Venice Canceled

I was going to write about the canceled Venice show with the wind and hail and evil Venice weather, but it kinda made me so sad to think that the European tour ended by storm, that I didn’t want to think too much about it, so I didn’t write it, but I do have an awesome title for it, “Green Day in Europe Goes Out With a Storm – Venice Canceled Due to Various Acts of God (y’know, Thunder, Lightning, Hail),” haha… I felt really bad for the fans in Venice who didn’t get to see the boys, and I’m sad that the boys didn’t get to go out of Europe with a bang that ended in fireworks instead of lightning. The GDA covered it here [LINK] and here [LINK]

American Idiot on Broadway Cast on Good Morning, America[n Idiot]

This coming Friday, the cast of American Idiot on Broadway will be headlining a Good Morning, America broadcast at Summerstage in Central Park. It’s hella early, but I’m going to go. Here’s info from greenday.com:

You are invited to join the Broadway cast of Green Day’s American Idiot for a free, live concert on Good Morning America in New York’s Central Park! The intimate performance will be at Central Park’s Summerstage this Friday, July 16th. Enter on 72nd and 5th Ave at 6:00AM. The show will take place from 7am-9am EST.

Billie Joe Armstrong and Michael Mayer Talk With Jordan Roth

Billie Joe Armstrong and Michael Mayer will be interviewed by Jordan Roth, head of the Jujamcyn Theaters, of which the St. James, where American Idiot is playing, is one. Roth hosts a series of theater talks at the 92 Street Y.

Prima Donna in New York and Hoboken, July 25-26!

I need to take a few more days off from the blog, I have some work that I have to get finished, but one last thing! Prima Donna will be coming to NYC later in the month to rock our socks off at the Bowery Electric in Manhattan and Maxwell’s in Hoboken on July 25th and July 26th. I’ll post more about the dates as they get nearer. Hope to see you there! The Maxwell’s show is with Star Fucking Hipsters, that’s gonna be a rocking crazy night!

Broadway What? - Green Day at the Tonys - Click on Pic for More Tonys Photos

Green Day made their Broadway entry into Tony Award history last night by flying into New York after a storm-filled concert in Austria on Saturday to appear at the Tonys on Sunday night and actually singing two Green Day songs with the cast on stage. They also played at their cast after party at Espace in Manhattan. I had an opportunity to go to the party, but “responsibility” kicked into my brain and I went home to sleep for work. What an idiot! (UPDATE: But lookie here: they were actually at Bowery Electric playing! Hmm… )

While American Idiot did not win the big award last night – Best Musical of the Year (that honor went to Memphis as predicted by Tony insiders) – the show did pick up two much-deserved Creative Awards, Best Set Design by Christine Jones and Best Lighting Design by Kevin Adams. Although in my heart of hearts I wanted American Idiot to win the top award, I also knew there wasn’t a chance in hell that they would. Broadway hates that American Idiot exists, though the Tonys will use Green Day as artists for ratings in a heartbeat (and thankfully a slew of kids who never thought of Broadway before have now been exposed to the possibilities of theater, too.) However, it’s great that the Tonys acknowledged the set and lightning design as it is some of the most creative and out there tech design on Broadway. Big kudos to Jones and Adams for their work.

I’ll post more thoughts on the Tonys at a later time. In the meanwhile, enjoy the performances below!

Green Day Authority has a few posts up regarding last night’s broadcast here and here, including videos of last night’s performance.

DJ Rich Russo posted a short Twid Vid of the band playing “It’s Fuck Time,” joined by composer Tom Kitt and Theo Stockman here. Ha! I hope the cast, crew, and Green Day all sleep well today… all fucking day.