I came across Correia’s name on social media in regard to the Puppies and the Nova awards. I didn’t particularly take much interest in the goings on, Correia may have had a point, but George RR Martin also wrote very eloquently about it. In the end I wasn’t bothered one way or another; that awards can be manipulated, or unfairly given to cronies isn’t a surprise to a former member of the British Fantasy Society.

Whatever politics were involved didn’t particularly interest me. I like to read lots of different types of books, different types of SF and fantasy, and I was looking for something action-packed and I remembered something I’d read about Correia’s novels and thought I’d give him a try.

This is the first book in the Monster Hunter International series, and here we meet Owen Zastava Pitt, a former bare-knuckle fighter and now accountant, whose life is turned upside down when his ass of a boss turns into a werewolf and tries to eat him.

As Owen recovers from his injuries, having managed to fight off and kill the werewolf, he’s offered a job as a mercenary monster hunter and that’s when the real fun begins. What follows is a quick boot-camp and then a race to save the world from a group of master vampires and a mysterious figure known only as the Old One…

If you like guns and action and urban fantasy set in a B-movie then you’ll love this. It’s straight-up action, no holds barred, but with decent characters, enough attention to detail to make it realistic, and a few twists and turns to keep things extra interesting. I liked this book. Is it likely to be award winning? In the same way that if it were a film it wouldn’t get an Oscar, no it’s not likely to win awards, but does it fulfil the role of entertainment, will it appeal to a mass market audience (like Fast and the Furious or Star Wars), damn it, yes it will!

Correia may be as well known for the wrong reasons, but try his books. Monster Hunter International is a powerhouse of a novel, it’s exciting, it’s intelligent, it’s fun.

A year after the miracle of horror that was MEAT, D’Lacey was back with a new novel and I had to read it. Garbage Man was a very different book, but it had that same raw intensity, it had that same passion and an underlining ecological theme. For his second book D’Lacey goes all B-Movie on us and brings us a powerful vision of a future corrupted by humanity and the toxic results! My original review is below:

This book is absurd. It’s ridiculous. And it’s bloody marvellous!

In D’Lacey’s debut novel MEAT he teased us in, providing a stark, gritty realism to draw us into his world, and then slamming us face first into the dark, depraved heart of his brutal, unforgiving, twisted reality.

Well, he’s back!

Shreve is a small mid-England town, a normal enough town with a normal enough set of individuals populating it. Shreve is also home to one of the largest landfill sites in the UK.

The populants of the town are Shreve are a varied bunch, there’s the Smithfields, their son Donald, a young paperboy having sex with one of his married neighbours, and Aggie, the wannabe model and teenage temptress. There’s Miss Ahern the nosey neighbour and religious nut. There’s Kevin and Tamsin, the married couple on the verge of breaking up. Ray and Jenny, two students whose relationship has run it’s course and who may find happiness in the arms of that married couple. And then there’s Delilah, an Earthy goth chick. And Mason Brand, former star photographer and now caretaker of one of the strangest creatures to ever grace the printed page…

In a superbly Frankenstein-esque moment during a lightning storm several piles of rubbish from the landfill awaken into creatures. But only one of the creatures survives as Mason finds it and starts feeding it, with his own blood. The creature, made of rubbish, feeds and grows. This truly gives a new meaning to recycling, as the creature consumes everything given to it, or it can take, and uses it to heal itself, to upgrade itself. It’s like a Transformer made of rubbish and when it eventually feeds on an entire human it starts to get the taste and realises that it shouldn’t be alone, it should be the commander of a massive army of other garbage creatures, and so it sets its army on a path of destruction that will change Shreve and the world forever.

This really shouldn’t work. It’s too ridiculous, except that it’s not. This does work, and it works well. The town of Shreve is set up very realistically, and the characters and their bad habits are all presented to us well before the actual horror starts. And when the horror does kick in it’s hard and fast and furious.

Not only does D’Lacey provide his knack for brutal realism, he creates a creature you care about almost as much as the other characters. The Garbage Man, although certainly a villain, is also something of a hero, and at the end you can’t help but feel a certain empathy with him in an almost King Kong moment.

The final ending is even harsher and more brutal than the attack of the garbage men and deserves mention as one of the spookiest endings I’ve read in a long time, one that will not only leave you pondering the sheer wretchedness of it all, but leaving you aching for more. The last few chapters show us the true power that D’Lacey can unleash.

It’s not a perfect package by any means, our ensemble cast provide little in the way of emotional involvement. The best character is Delilah and she doesn’t appear until the book is halfway through. And Aggie’s adventures in London are cut far too short, and probably could have been quite a decent book on their own.

D’Lacey’s tendency to use pertinent socio-political themes doesn’t detract from the entertainment, it enhances it. You cannot help but smile at the clear message, whilst enjoying the bloodlust and nastiness that D’Lacey uses to such great effect. A bloodlust and nastiness that is akin to Jack Ketchum’s brutality and is highly entertainment for the horror connoisseur.

Garbage Man is ridiculous, but in a good way. It is the skill and subtlety with which D’Lacey tells the story that raises this so far above beyond the ridiculous.

This is what horror should be like, no-holds-barred brutality, nastiness in an action-packed package.