Environmental Portraits

On location or ‘environmental’ portraits are portraits of people taken in a situation that they live in (work, rest or play) and/or a place that says something about who they are.

Why do environmental portraits?

they give context to the subject you’re photographing

they give points of interest to shots (something you need to watch as you don’t want to distract from your subject too much)

they help your subject relax

they often give the viewer of your shots real insight into the personality and lifestyle of your subject

These shots sit somewhere between the purposely posed shots of a studio portrait (they are posed and they are unmistakably ‘portraits’) and candid shots which capture people almost incidentally as they go through their daily life.

So lets turn our attention to some ‘how to’ tips on environmental portraits.

How to Take Environmental Portraits – the Tips:

Spend time getting to know your subject

Before you select a location and start shooting, spend some time getting to know your subject. Find out where they spend their time, what the rhythm of their life is like and observing their personality. Out of this you’ll not only find appropriate locations but will begin to get a feel for the style of shots that might be appropriate and you’ll begin the process of helping your subject relax into the photo shoot. If possible it might even be helpful to accompany your subject to some possible locations to see both how they look but also how your subject behaves and interacts there.

Choosing a Location

Sometimes a location chooses you (it’s easy) but on other occasions you need to be quite deliberate and purposeful in making your choice (and it can take a lot of searching). When choosing your environment you ideally want to get one that:

says something about your subject – after all that’s what this style of photography is all about

adds interest to the shot - as I’ve written in previous tutorials – every element in an image can add or detract from your shots. The environment that you place your subject in needs to provide context and be interest without overwhelming the shot

doesn’t dominate the shot – sometimes the location can dominate the image so much that it distracts your viewer away from your main focal point (the subject). Try to avoid cluttered backgrounds (and foregrounds), colors that are too bright etc. Keep in mind that you might be able to decrease the distractions with clever use of cropping, depth of field and subject placement.

Props?

Props can make or break an environmental portrait. If they are subtle and naturally fit within the context of the environment they can be very appropriate and add to the image nicely but you’ll want to avoid anything that doesn’t quite fit or that potentially distracts the attention of viewers.

The same goes for the clothes that your subject wears. Try to be true to the context without getting too outlandish.

Posing

What sets the environmental portrait apart from candid portraits is that you post your subject (it’s a fine line and you might end up doing a bit of both in any given shoot). Don’t be afraid to direct your subject to sit, stand or act in a certain way that fits with the environment that you’re shooting in. Some of the poses might seem slightly unnatural and dramatic but it’s often these more purposely posed shots that are more dramatic and give a sense of style to your shot.

The expression on the face of your subject is also very important in environmental photography and you should consider how it fits with the overall scene. For example if you’re shooting in a formal environment, it may not be appropriate to have your subject with a big cheesy smile and you might like a more somber or serious look. Again – mix it up to see what does and doesn’t work.

Camera Settings

There is no right or wrong way to set your camera up for an environmental portrait as it will depend completely upon the effect you’re after and the situation you’re shooting in. You might find that shooting at a smaller aperture (larger numbers) will be appropriate as it will help keep the foreground and background in focus. Try to shoot with a wider focal length in these situations also to give the environment prominence in the shot. Of course this doesn’t mean you can’t shoot more tightly cropped or with a large aperture and shallow depth of field – ultimately anything goes and you’ll probably want to mix up your shots a little.