This version of the set is warmed up a bit through the use of more generous used of wood tones, which also speaks to Miami’s contemporary, fresh vibe.

Wood is used in both the wraparound knee wall behind the video walls and on much of the studio floor and shows up prominently on camera.

The design also incorporates a backlit banded panel that runs above the wood knee wall, topped with a buffed solid surface wall above, creating three distinct bands of texture behind many of the shots.

This set also features vertical video panels camera right, which can be used in a variety of ways for both standalone standups and debriefs or in combination with the anchor area’s larger video walls.

This area also features an additional rendition of the logo, as does the front left panel of the anchor desk.

WFOR also managed to maximize their investment by reusing a projection screen from the old set, placing far camera left, wrapped with backlit panels and a sleek metallic frame.

While the area serves as a suitable standalone shot, it can, just like the other video walls on the set, be incorporated into wide shots that incorporate the other video walls, anchor desk or a movable interview table.