Obama, however, didn’t share his mother’s preferences upon first watching the film during his first years at Columbia University: “I suddenly realized that the depiction of the childlike blacks I was now seeing on the screen, the reverse image of Conrad’s dark savages, was what my mother had carried with her to Hawaii all those years before, a reflection of the simple fantasies that had been forbidden to a white, middle-class girl from Kansas, the promise of another life: warm, sensual, exotic, different.”

Marcel Camus (1912 – 1982) was a French film director, best known for Orfeu Negro.

Camus was born in Chappes, Ardennes, France and died in Paris. He studied art and intended to become an art teacher. However, World War II interrupted his plans. He spent part of the war in a German prisoner-of-war camp.

In 1960, Camus made a second Brazlilian-themed film, Os bandeirantes. Twenty years after Orfeu Negro, Camus returned to Brazilian themes for what would prove to be his last film, Bahia (also known as Otalia da Bahia and Os pastores da noite), based on a novel by Brazilian novelist Jorge Amado. These films, however, failed to recapture the success of Orfeu Negro. In 1970, Camus had a moderate success with a World War II comedy, Le Mur de l’Atlantique (The Atlantic Wall), starring the well-known French comedian Bourvil. Camus ended his career working primarily in television.