58 There's a .::::. , .', ";: +, ;:;, i. -1 . øt " ..i. " .; <iij :; ""; ::, ':- .' . kh,,' '. / , ; :"..", :F ø .... . .r ,a .'.. ( . . >" when you serve your Sherry... .f" ..j. i:..q '" ..41 .:.;.;....:...:.. :::: , ...... . ..: \ " $ ", ,Y .? j= .:;./ .>>;J'.... .. .1 ; ::: ' .' . . . that moment when your guests taste it. If it's imported Spanish Sherry, it tells them so much about you and your judg- ment. There is a difference! Because if it is n 't Spa n ish, it is n ' t t rue She r ry. If it isn't Duff Gordon, it isn't the best. :--":', :-:::::::. qt. . .c, . ' t\" * v :'O, \1 ß": ' : ':i\ ') ..::.: í j .1g :")i #. fi t: .t4. .@ . '* .,. ; "'::j' .. << lII' " .!þ .' """'>ON C s.....w ço ...c"l<i" ' fl tl, -<<:' " TIO. Y SOLI U, S. fl.1"À"I. +'" ' . co SHAW co.. ....è....:w y. !tJ -:"?:*: -,... 04 11 qU"'''T "'LCOM.OI", J............. "'00 1 "Ä oW ... ): N "ê SOLE DISTRIBUTOR U.S.A.: MUNSON G. SHAW CO., N.Y. l' '. ;::.... k ' t:. *: f. << ': .. N "kPO tr\ . . .--:. :<ø< r'DUFF GORDO -- ' ( \ \ 0\1'" I (>0111>01( '.ttlA'IIY / .=== 'r;: N 28 SHERRY GOLDEN RICH - FUlF lk 'Hmo smA MmA s., 1ST "tIltH.ED un ' ii,. $= ....:.;::::.:... , ,:.::>.$ ,:.:'-;? :(-; . :::: stead of laboriously typing up a 1 eceipt for the propert) removed from people who spend the night in the lockup, now place the property itself-wallet, watch, keys, and such-on the scanning glass of a 914, and in a few seconds have a sort of pictographic receipt. Hospitals use xerography to copy electrocardio- grams and laboratory reports, and hrokerage firms to get hot tips to cus- tomers more quickly. In fact, anybody with any sort of idea that might be ad- vanced hy copying can go to one of the many cigar or stationery stores that have a cOIn-operated copier and indulge himself. {It is interesting to note that Xerox produces coin-operated 914s in two configurations-one that works for a dime and one that works for a quar- ter; the buyer or leaser of the machine decides which he wants to charge.) Copying has its abuses, too, and they are clearly serious. The most obvious one is overcopying. A tendency former- ly identified with bureaucrats is spread- ing-the urge to make two or more copies when one would do, and to make one when none would do; the phrase "in triplicate," once used to denote bureaucratic waste, has become a gross understatement. The button waiting to be pushed, the whir of action, the neat reproduction dropping Into the tray-all this adds up to a heady experience, and the neophyte operator of a copier feels an 1m pulse to copy all the papers in his pockets. And once one has used a copIer, one tends to be hooked. Perhaps the chief danger of this addiction is not so much the cluttering up of files and loss of im- portant material through submersion as it is the insidious growth of a negative attitude toward origina1s-a feeling that nothing can be of importance unless it is copIed, or is a copy itself. A more immediate problem of xerog- raphy is the overwhelming temptatIon it offers to violate the copyright laws. Almost all large public and college libraries-and many high-schoollibrar- ies as well-are now equipped with copying machines, and teachers and students in need of a few copies of a group of poems from a puhlished book, a certain short story from an anthology, or a certain article from a scholarly journal have developed the hahit of simply plucking it from the library's shel ves, taking it to the library's re- production department, and having the req uired n um ber of X erox copies made. The effect, of course, IS to deprive the author and the publisher of in- come. There are no legal records of such infringements of copyrigh t, since publishers and authors almost never