Bibhatsa Rasa in Natyashastra deals with the odious sentiment and the Sthayi bhava of Bibhatsa Rasa is juguptsa or disgust. The outcome of Bibhatsa Rasa is from the Vibhavas or determinants such as Ahrdya- apriya- aveksa (seeing what is unwholesome or displeasing), Anisfa- Sravana- Darsana- Parikirtana (hearing, seeing and discussing what is undesirable) and such similar things. Its representation on the stage is through the anubhavas such as Sarvangahara (Squeezing up all the limbs), Mukhanetraghur-nana (moving the face to and fro, rolling the eyes), Hrllekha (heartache, grief anxiety), Nisthivana (spiting), Udvejana (expressing disgust) and the likes.

The Vyabhicari Bhavas are Apasmara (loss of memory), Vega, (Agitation), Moha (delusion or loss of sense), Vyadhi (illness), and Marana (death) etc. the Natyashastra states that the Bibhatsa Rasa arises through many things causing antipathy such as seeing what is not desirable, defects and abnormality in tests, smells touch and sound. Its presentation on the stage should be perfectly earned out by means of shaking the head, soiling the eyes, closing the eyes, covering the nose, lending down the head and walking imperceptibly.

NachyaNachya is a form of folk entertainment, indigenous to present day Indian state of Chhattisgarh. It is a satirical and humorous form of entertainment showcasing the incongruities of social life.

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Veedhi NatakamVeedhi Natakam is one of the prominent folk theatre forms of Andhra Pradesh. Enacted on open streets, its evolution lies in the extension of the earlier Yakshaganam theatre beyond the temple precincts.

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KariyilaKariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.

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KeertanaKeertana is a form of religious folk theatre that originated in the Indian state of Maharashtra.