Aaliyah Funeral Pictures

(picture) visualize: imagine; conceive of; see in one’s mind; “I can’t see him on horseback!”; “I can see what will happen”; “I can see a risk in this strategy”

A photograph

(picture) a visual representation (of an object or scene or person or abstraction) produced on a surface; “they showed us the pictures of their wedding”; “a movie is a series of images projected so rapidly that the eye integrates them”

aaliyah

Aaliyah Dana Haughton (January 16, 1979 – August 25, 2001), who performed under the mononym Aaliyah , was an American recording artist, actress and model. She was born in Brooklyn, New York, and was raised in Detroit, Michigan.

Aaliyah (stylized as ΛΛLIYΛH) is the self-titled third and final studio album by American R&B singer Aaliyah, released by Blackground and Virgin Records on July 17, 2001 (see 2001 in music) in the United States. The eponymous album is sometimes called The Red Album,http://www.staticmajorismusic.

A female given name

funeral

A procession of mourners at a burial

Funeral is the debut full-length album by Canadian indie rock band Arcade Fire, released on September 14, 2004 in North America by Merge Records and on February 28, 2005 in Europe by Rough Trade Records.

A sermon delivered at such a ceremony

a ceremony at which a dead person is buried or cremated; “hundreds of people attended his funeral”

A funeral is a ceremony for celebrating, sanctifying, or remembering the life of a deceased person. Funerary customs comprise the complex of beliefs and practices used by a culture to remember the dead, from the funeral itself, to various monuments, prayers, and rituals undertaken in their honor

aaliyah funeral pictures – Aaliyah

Aaliyah

Seven years after her debut at just 15 years old, Aaliyah assembled a third studio album that was astonishingly mature. Sadly, her death just a little over a month after its release stilled a promising voice in R&B. At 22, when most artists would just be getting started, Aaliyah had already progressed from pop to street to an unconventional retro-modern, risk-taking version of R&B. While lead track “We Need a Resolution” is as mainstream as it gets, there are fewer hits on this album than on previous efforts. Instead, this collection is an extraordinary romantic exposition of passion and pain. While Missy Elliott is cranking out jams for all her “club freaks,” Aaliyah is like a modern-day (if less vocally gifted) Minnie Riperton, exploring the pains of moving from child star to adult sex symbol. Tracks such as “Never No More” and “I Care 4 U” (featuring Missy) are slinky, twisted ballads imbued with film-noir sultriness, as diva Aaliyah steps catlike away from the bubblegum R&B of her contemporaries. There’s also the obligatory rock track tacked on near the end (“I Can Be”), but even this excels above the standard hip-hop/rock/R&B crossover fare with its Prince-like influences coupled with Aaliyah’s own instinct for seduction. Aaliyah also signaled a move away from her long-standing musical relationship with producer Timbaland, who contributes just three cuts. Having started out heavily supported by R. Kelly, it appeared that Aaliyah was more than able to go it alone. –Jake Barnes