In the summer of 2013, six students accompanied Ewing Gallery director, Sam Yates to New York, Philadelphia, Boston, New Haven, and Washington DC. They visited major art museums, had studio visits with artists, and learned about the contemporary art world. The work on display was inspired by their travels. The exhibiting students are, Alexandra Gellis, Eric Cagley, Brandon Donahue, Sarah Campbell, Jessica Beeler, and Kelly Householder.

Chad D. Curtis is an artist and technologist living and working in Philadelphia. Drawing inspiration from both digital technology and homebrew DIY makers, Curtis's work examines the abstraction of materiality in the digital age and the effects of high technology on the relationship between human beings and the natural environment. Curtis has exhibited internationally, including more than fifty solo and group exhibitions in the past ten years. He holds an M.F.A. from Alfred University and is an Associate Professor at the Tyler School of Art, Temple University.

William Lamson is a Brooklyn-based artist who works in video, photography, performance, and sculpture. His work is in the collections of the Brooklyn Museum, the Dallas Museum of Art, the Museum of Fine Arts, Houston, and a number of private collections. Since graduating from the Bard M.F.A. program in 2006, his work has been shown at the Indianapolis Museum of Art, the Brooklyn Museum, P.S.1 MOMA, and the Museum of Fine Arts in Santa Fe, among others. Lamson is currently working on two installations for Storm King Art Center in Mountainville, New York.

As one of the Dogwood Arts Festival's featured exhibits, NEXUS, showcases national and international artists working in contemporary sculpture and 3D media. Indoor sculptures comprising all styles and genres from emerging and established artists were selected by nationally recognized juror, Durant Thompson, for exhibition at the University of Tennessee's Downtown Gallery. Durant Thompson is an Associate Professor of sculpture in the Department of Art at the University of Mississippi. In 1997, Durant received a BFA in Sculpture from the University of Tennessee at Knoxville and in 2001 he earned an MFA in Sculpture from Louisiana State University. He has also worked at The Johnson Atelier School of Technical Sculpture in New Jersey and at the University of Southern Mississippi as a technician and instructor before accepting his current position.

In partial fulfillment of their graduation requirements, students pursuing the Master of Fine Arts (MFA) degree are required to mount a solo exhibition of work, and to defend their work during an oral examination in front of a faculty committee. Due to the number of graduate students enrolled in the UT School of Art, these exhibitions generally take the form of small groups of students presenting concurrent solo exhibitions in the gallery space.

Every day, Knox County art teachers devote their time and energy to cultivating creativity and critical skills in their students. For more than a decade, Art Source, the exhibition dedicated solely to Knox County art educators, has given these same teachers an opportunity to nourish and showcase their own artistic talents.

The KWS celebrates its 50th anniversary with an exhibition of works by the current members as well as highlighting the founding members: Robert Birdwell, Ted Burnett, Richard Clarke, Kermit "Buck" Ewing, George Galloway, Martha Godwin, Arlene Goff, David Joyner, Josephine Mayo, Margaret Scanlan, Walter "Holly" Stevens, Carl Sublett, and Betsy Worden.

Fifty graduate students and faculty members at five universities: the University of Alberta, Canada; the University of Tennessee, Knoxville; the Royal Academy of Fine Arts, Antwerp, Belgium; Silpakorn University, Thailand and Musashino Art University, Tokyo, Japan created prints specifically for this project. The participating artists made their prints on the same size paper, allowing the viewer to focus on the image, rather than the scale of the work. The audience is encouraged to consider the artistic expression from each university and to find commonality across geographic and cultural borders, as the printmakers share ideas about their own interests, lives, and values.

The works were created using various print techniques, which include inkjet, etching, drypoint, chine-colle, lithography, woodcut, intaglio and blind printing. This portfolio is a limited edition of 10 copies, two for each of the five universities, with the goal of further development of printmaking education around the globe.

The University of Tennessee Downtown Gallery is excited to present "20 Years Later, UTK School of Art, MFA Class of 1993."This exhibition features the work of 14 MFA artists from the UTK School of Art Class of 1993. Artist's will be displaying work that is current or important in their journey in fine arts over the last 20 years. The UT MFA program attracts students from different regions of the United States as exemplified in this exhibition, which include artists from Mississippi, Florida, Minnesota, New York, Michigan, Kentucky and Tennessee. Artists included in the exhibition: Scott Palmer -- Ceramics, Annette Bongers - Ceramics, Melody Reeves -- Printmaking, Rob Tarbell -- Painting, Eric Fracassi -- Sculpture, David Deitrick -- Graphic Design, Eric Smith -- Graphic Design, Joel House -- Sculpture, Melanie McLaughlin -- Graphic Design, Kris Rehring Jones -- Graphic Design, Debi Henry Danielson -- Painting, Brad Cantrell -- Ceramics, Laurie Robichaux -- Ceramics, Earl Watson -- Graphic Design.

The UT Downtown Gallery is pleased to exhibit the work of our first year graduate students who are entering the UT School of Art Graduate program within their various disciplines. The exhibit showcases the outstanding talent and artistic visions of these new students, which includes painting, printmaking, graphic design and sculpture works. The following artists exhibited work:James Boychuck-Hunter, David Harman, Raluca Iancu, Kevin Kao, Alexandra Kirtley, Kevin Varney, and Thomas Wharton

"Echo of the Object" is an exhibition by the artists and Ball State faculty members: Hannah Barnes, Jennifer Halvorson, David Hannon, and Jacinda Russell. This exhibition will bring together several series of works in drawing, painting, photography, and sculpture. Each body of work explores how objects of symbolic or personal significance play a role in the construction of memory, identity, and meaning. The metaphor of containment is a consistent theme in each artist's work, both in the use of objects whose literal function is to contain (bags, jars, boxes), and also in the suggestion that seemingly insignificant objects have a certain capacity to become filled with meaning. Time, humor, absurdity, the domestic, and the everyday are additional themes this exhibition will seek to explore.

Three hundred artists have contributed to Ossuary. Their work, in many media, includes single bones, clusters of bones, and art works inspired by, using, or playing with the idea of bones. These bones are political statements and personal elegies, memorials to individuals and statements about mortality. They represent connections to our ancestors and/or to our descendants. Some works are serious and some use bones in a completely playful manner. Ossuary was developed in response to the repositories of bones that have accrued in countries like Cambodia and Rwanda, but Ossuary is not a project about those traumas. Rather, Ossuary offers a poignant counter-image to mass violence. It is a project about the hope that art brings.

Images and statements for all the bone works from this iteration can be found online at www.ossuaries.net.

Ossuary is a cummulative traveling project. It began in Madison, Wisconsin. Artists interested in contributing bones to future exhibitions should write to ossuaries@gmail.com.

This relational project was initiated and developed by the artist Laurie Beth Clark. Clark, who is a Professor in the Art Department at the University of Wisconsin, has shown work in galleries, museums, theatres, and public spaces in North and South America, Europe, Asia and Africa. Extensive documentation of prior projects can be found at www.lbclark.net.

This is the first digitally produced portfolio published by American Abstract Artists. All past portfolios—1937, 1987, 1997—were produced using various forms of lithography and means of transferring image to plate. Unlike traditional printmaking, the digital inkjet process does not involve a physical matrix from which ink is transferred to paper. This marks both a technical and a conceptual shift in printmaking. Our choice of the medium situates this portfolio squarely in the current century and is an indication of the group's forward momentum.

The artists were asked to provide a digital file meeting predetermined specifications, yet no restrictions were placed on how the file could be created. The digital process enabled a wide variety of approaches that include abstract and documentary photography, scanning of flat-work made expressly for the project, digital compositing and image manipulation, as well as the use of vector-based software and hand-coded algorithms. The results are as varied as the artists' individual sensibilities.

The UT Downtown Gallery is pleased to present Revealed, an exhibition of paintings by Pat Badt and ceramic sculptures by Paul Briggs. The paintings and sculptures share a similar modesty in size, creating an approachable and intimate relationship between object and viewer. The work is meditative in process. Lines and leaf-forms vary in length, color, orientation, and proximity to the next. It is repetitive, yet unique.

2011

Walter McConnell: Installation in ClayFebruary 4 – 26, 2011

McConnell, who is well recognized for his large-scale, unfired ceramic sculptures will work with UT art students to construct this project. McConnell’s installations address the relationship between nature and culture – more specifically, the means through which contemporary culture constructs an understanding of nature. McConnell currently serves on the faculty at the New York State College of Ceramics, Alfred, NY.

Seeing Things: Joel Carreiro
March 4 – 26, 2011

Joel Carreiro’s work organizes and recomposes small squares of imagery borrowed from Renaissance paintings, European drawings and Medieval manuscripts and transforms them into large works on wood panels that create a new visual language entirely different from its original intent. Joel Carreiro is an artist based in New York City.

Art of PolandApril 1 – 30, 2011

The UT Downtown Gallery is especially pleased to present Art of Poland, the Collection of Ambassador & Mrs. Victor Ashe during the month of April and the Dogwood Arts Festival Celebration. This exhibition includes paintings, sculpture, folk art and glass works by some Poland’s leading artists working today such as Edvard Dwurnik, Stanislaw Borowski, Leszek Sokol and Michal Puszczynski among others. Victor Ashe, was mayor of Knoxville from 1987-2003 and served as the U.S. Ambassador to Poland from 2004 until 2009.

Every day, Knox County art teachers devote their time and energy to cultivating creativity and critical skills in their students. For more than a decade, the Knox County Art Educators Exhibition has given these same teachers an opportunity to nourish and showcase their own artistic talents. The exhibition has greatly increased awareness of the importance of art education in Knox County. This is the Downtown Gallery’s third year to host this exhibition, which includes, paintings, drawings, sculpture, printmaking, photography and video.

Richard LeFevre: The Civil War SeriesJuly 1 – August 13, 2011

Richard LeFevre taught graphic design and illustration courses at The University of Tennessee for 33 years and was the first graphic design faculty member hired by the School of Art. He continued his professional career while teaching at UT. One of his most enduring interests was the history of the Civil War. He served as President of the Knoxville Civil War Roundtable.

Goes to Eleven: First Year MFA exhibitionAugust 19 – 27, 2011

The UT Downtown Gallery is pleased to exhibit the work of our first year graduate students who are entering the UT School of Art Graduate program within their various disciplines. The exhibit showcases the outstanding talent and artistic visions of these new students, which includes painting, printmaking, graphic design and sculpture works. Exhibiting students were: Andrew Merriss, April Bachtel, Eric Cagley, Cierra Reppert, Daniel Ogletree, Hannah Skoonberg, Jennifer Scheuer, Jonathan Lisenby, Justin Clay, Tamra Hunt, and Victoria Buck.

Scott Sherk: Mapping SoundSeptember 2 – 30, 2011

Mapping Sound explores ideas about the representation of space through the use of sound. If sculpture is an exploration of space through form, in these works of sound sculpture, sound becomes the primary focus of the exploration of three-dimensional space.

Scott Sherk is a sculptor who often works with sound. His work has been widely shown, including his Katonah Sound Project installation at the Katonah Museum of Art and several exhibitions at the Kim Foster Gallery in New York City. He has released several collections of field recorded and manipulated sounds.

The Pits is a multi-disciplinary installation and performance that investigates the political employment of sound, both in realm of propaganda and as protest, and the visual hierarchies of the architectural organization of theatre space. The orchestra is collaboration with students and faculty of the UT music department. Jazz musician, composer, and UT alum Jason Thompson will work with this group to create an 8-10 piece pit orchestra that will be conducted to perform a score that shifts from classical, triumphant marches, into the drum and flute sound of Black Power poets, through folk styles of spiritual praise, and finally into abrasive Hip Hop.

Holly Zausner’s work is about transformation through mediums both literal and metaphorical. For this body of work, she has transformed Unseen, a super 16 mm film made in 2007, which was shown at the Bode Museum, into a series of black, white, and colored collages. In the film “Unseen” the artist searches through key locations and museums in the city of Berlin attempting to find metaphorical space and literal rest for two rubber sculptures, one female and one male. As Zausner and her two rubbery protagonists move through the city, a non-linear narrative unfolds. They encounter sites central to the life of the city, like a bread factory and a newspaper plant, as well as historical sites, like a defunct amusement park in the former East. Zausner’s fascination with the imagery from the film compelled her to reexamine the content and the structure of the different scenes through collage. Using repetition and reconfiguration, the collages are a different way of exploring the act of filming, editing, and making the sound, which are all components that create the foundation and meaning of the collages.

Genus species: EWING focuses on selections from the permanent collection of the Ewing Gallery of Art and Architecture. Each work of art is united by a common subject matter — the Kingdom Anamalia. This exhibition includes art in all media — video, sculpture, painting, printmaking, and photography. Genus species: EWING includes works by artists such as Pablo Picasso, Georges Braque, Andy Warhol, Sue Coe, Eleanor Dickinson, Walter Haskell Hinton, Salvador Dali, Mark Steinmetz, Harrison Cady, Bessie Harvey, and Ed Westcott. A number of the pieces are also by current and former University of Tennessee art professors: Clark Stewart, Paul Lee, Beauvais Lyons, Byron McKeeby, and Diane Fox.

2012

Redefining the Multiple: Thirteen Japanese Printmakers
January 20 – February 25, 2012

This exhibition examines the state of contemporary printmaking in Japan, and challenges the traditional definitions of prints and printmaking. All of the participating artists received their formal training as printmakers and the production of multiples remains at the heart of their creative process. While utilizing tools and techniques of the printmaker, some of the artists now create work that has transitioned into forms that are associated with other media, such as sculpture, painting, and digital imaging. Of the selected participants, four make three-dimensional objects and installations, two paint with printmaking tools, three utilize digital photography and technology, while the others pursue traditional and recognizable printmaking techniques. Each artist exhibited three to five works, resulting in a diverse selection of objects and images from the hands of an equally diverse group of artists, including men and women of various ages from their mid-twenties to mid-sixties. The artists reside and work in different regions throughout Japan, and the visual content of their work ranges anywhere from formal abstraction, to iterations of traditional Japanese cultural images. Co-curated by Ewing Gallery Director Sam Yates and Hideki Kimura, Chair of Printmaking at Kyoto City University of Arts, Redefining the Multiple brings the best of contemporary Japanese printmaking to the United States.

Artist Mark Newport creates hand-knit acrylic yarn recreations of hero costumes, prints of the artist in costume, and carved, costumed figure sculptures. The costumes are life size, wearable objects that hang limply on hangers. They challenge the standard muscular form of the hero and offer the space for someone to imagine himself or herself wearing the costume, therefore becoming the hero. Mark is an artist and educator living in Bloomfield Hills, Michigan. He is the Artist in Residence and Head of Fiber at the Cranbrook Academy of Art. He earned his BFA at the Kansas City Art Institute in 1986 and his MFA at the School of the Art Institute of Chicago in 1991. Newport’s work has been exhibited throughout the U.S., Canada, and Europe.

Every day, Knox County art teachers devote their time and energy to cultivating creativity and critical skills in their students. For more than a decade, Art Source, the exhibition dedicated solely to Knox County art educators, has given these same teachers an opportunity to nourish and showcase their own artistic talents.

As one of the Dogwood Arts Festival’s feature exhibits, NEXUS, showcases national and international artists working in contemporary sculpture and 3-D media. Indoor sculptures comprising all styles and genres from emerging and established artists were selected by internationally recognized juror, Allen Peterson, for exhibition at the University of Tennessee’s Downtown Gallery.

In partial fulfillment of their graduation requirements, students pursuing the Master of Fine Arts (MFA) degree are required to mount a solo exhibition of work, and to defend their work during an oral examination in front of a faculty committee. Due to the number of graduate students enrolled in the UT School of Art, these exhibitions generally take the form of small groups of students presenting concurrent solo exhibitions in the gallery space.

On Location Part I: Five Tennessee Plein Air PaintersJune 1 – 30, 2012

Plein air painting has a rich international tradition, and our regional Tennessee artists are part of that continuum. Mike C. Berry, manager of the UT Downtown Gallery, and a plein air painter himself, curated this exhibition. We are grateful to the artists who have so generously allowed their work to be shared with the Knoxville Community. The five featured artists were: Anne Blair Brown, Franklin, TN; Roger Dale Brown, Nashville, TN; Lori Putnam, Franklin, TN; Brett Weaver, Chattanooga, TN; and Dawn Whitelaw, Franklin, TN.

Land Portrait features works from members of the Culture Laboratory Collective based upon their relationship with a particular place, landform, landscape, topography, or state of current residence. These pieces, when combined, serve as comprehensive land portraits. Translations of localities can act as reflections of communities continually in flux. The visual statements produced for this exhibition may provide a more complete understanding of who (and where) we are. The value of place and landscape is immeasurable. Memories from places can become etched in our minds and contextualized over time. This exhibit offers a view into a collective memory and re-locates interpretations of place into a public, conversational setting. Curated by Brian R. Jobe

This exhibition featured figurative works on paper, including watercolors, drawings, photography, and printmaking. Notable works include: portraits by Chuck Close and Alice Neel, prints by Francisco Goya, Leon Golub, Kathe Kollwitz, Keith Haring, Luis Jiminez, and William Hogarth, and photography by Helmut Newton and Walker Evans. Also in the exhibition were works from School of Art professors, students, and visiting artists, past and present. These artists are, Baldwin Lee, Don Kurka, Eleanor Dickinson, Mark Steinmetz, and Joseph Delaney.

The UT Downtown Gallery is pleased to exhibit the work of our first year graduate students who are entering the UT School of Art Graduate program within their various disciplines. The exhibit showcases the outstanding talent and artistic visions of these new students, which includes painting, printmaking, graphic design and sculpture works. The following artists exhibited work:James Boychuck-Hunter, David Harman, Raluca Iancu, Kevin Kao, Alexandra Kirtley, Kevin Varney, and Thomas Wharton

A native of Philadelphia, Pennsylvania (USA), James Randolph Denton founded the Association for Creative Zoology in 1908 an effort to rebut the popularization of evolutionary theory in American public schools and universities. Working with the London publisher Everitt Ormsby Hokes, founder of Hokes Scholarly Lithography, Denton published two collections of color lithographs documenting the principle of animal hybridity, what he referred to as “zoomorphic juncture.” These were Rare Zoological Specimens and Ornithological Quadrupeds, both published in the 1920s, the second of which emulates the publications of the British naturalist John Gould. Arguing for Creation Science, Reverend Denton cited the unicorn and the dragon, each of which are mentioned in the King James Edition of the Bible, as examples of this phenomena. Denton argued that animal hybridity explained species diversity and disputed the principles of natural selection.

In this exhibition, the word pencil functions simply as a metaphor or symbol for drawing and its activity. The artists selected are known for their drawing or drawing activity as their primary means of expression and have either pushed the material, process, or boundary of conventional drawing. Media included video, sculpture, animation, installation, and of course, works on paper. This exhibition is neither a survey nor the definitive grouping of mark-making artists. It is more a conversation about artists who have and continue to explore these regions in drawing. The diversity of the exhibition favored mid-career artists, but ranged from emerging to late.

Curated by New York artist Joel Carreiro, Based on a True Story features work by artists who use narrative in a variety of ways. This exhibition includes 2 and 3 dimensional works, as well as video projections. Matthew Garrison is based in Reading, PA; Yeon Jin Kim lives and works in New York, and Chris Miner is based in Memphis, TN.

The Capstone course is a requirement for all BFA Studio Art majors. Students take Capstone in the final semester of their BFA degree. During Capstone students engage in a self-initiated research project to demonstrate that a graduating senior has learned and can practice the skills and concepts of a chosen concentration (2D, 3D, 4D). The Capstone also demonstrates the student’s ability to intellectualize and articulate issues and ideas about contemporary art. Successful completion of the Capstone course is a requirement of graduation. The UT Downtown Gallery is excited to present the work of 5 graduating seniors in this year’s capstone exhibition. Exhibiting students are: Sarah Crumley, Kayla Courtoy, David Holland, Bill Warden, and Catherine Widner.

The UT Downtown Gallery is pleased to present Revealed, an exhibition of paintings by Pat Badt and ceramic sculptures by Paul Briggs. The paintings and sculptures share a similar modesty in size, creating an approachable and intimate relationship between object and viewer. The work is meditative in process. Lines and leaf-forms vary in length, color, orientation, and proximity to the next. It is repetitive, yet unique.

2004

Life in the City: The Art of Joseph DelaneySeptember 11 – October 30, 2004

Like Lloyd Branson, Catherine Wiley, and his brother Beauford Delaney, Joseph Delaney was a Knoxville-born artist who gained international recognition. Inaugurating The University of Tennessee’s Downtown Gallery, Life in the City: The Art of Joseph Delaney highlights some 60 works that demonstrate Joseph’s interest in urban life – parades, public parks, architecture and street scenes.

Created by Beauvais Lyons, Professor of Art and Director of the Hokes Archives at The University of Tennessee, The George and Helen Spelvin Folk Art Collection presents fictitious contemporary folk art. As the “exhibition curator,” Lyons created all the artworks and designed biographical text panels with photographic portraits of each of the 11 imaginary artists. Included are enamel painted records by Lucas Farley, Arthur Middleton’s portrait paintings of American presidents, velvet paintings of brides by Charlotte Black, Max Pritchard’s hand-painted religious tracts on cereal boxes, Rufus Martinez’s ceramic face jugs, and Lester Coleman Dowdy’s “limberjack” puppets. This irrelevant exhibition emulates folk art, and at the same time, it ironically imitates museum conventions.

2005

Gregg Schlanger: Holston River Diaries
January 12 – March 8, 2005

Created by Gregg Schlanger, Holston River Diaries is a two-part exhibition that links the communities of Emory, VA and Knoxville, TN – the first being near the headwaters of the Holston River and later being nears its confluence with the French Broad River, thus forming the Tennessee River. The exhibition’s second part continued at Emory & Henry College’s 1912 Gallery.

Let Us Now Praise Famous Men: Walker Evans’ Photographs
March 11 – April 17, 2005

Walker Evans’ photographs made for James Agee’s classic work Let Us Now Praise Famous Men served as the culmination of Evans’ talents as well as the realistic portrayal of the conditions of the American tenant farmer during the 1930s Depression. Walker Evans’ images revolutionized the standards of documentary photography.

Senior Graphic Design Students display their design work and attend the opening to meet and greet potential clients and employers

Through the Lens of Ed Westcott: A Photographic History of World War II’s Secret City
June 16 – September 3, 2005

In 1942, the Army Corps of Engineers relocated James Edward Westcott to Oak Ridge, Tennessee, and assigned him the task of official photographer for the Manhattan Project – a massive wartime effort to produce the first atomic bomb. As secrecy of the project was paramount, the “atomic” city was fenced, and communication with the outside world was limited. What is more, no cameras were allowed inside the fenced boundaries.

Thus, Westcott became not only the official photographer for the Manhattan Project, but he also became the sole photographer of the social and recreational events of Oak Ridge. It is only through Westcott’s photographs that the visual history of Oak Ridge can be appreciated.

Enduring: The Social Conscience of Eleanor Dickinson
September 10 – November 5, 2005

Eleanor Dickinson, a native of Knoxville, TN, received her Bachelor of Fine Arts from the University of Tennessee in 1952, becoming one of the department’s first graduates. One year later, she moved to California and began redefining her process of creating traditional figure drawings via strong emotions. Since then, Dickinson has maintained a life-long commitment to the human form and has responded to intense moments of human existence, ranging from the experiences of Pentecostal Southerners, to the ecstasies of lovers, to the trials of the homeless, to the sufferings of AIDS victims.

Alternative Typestyles features original art by exhibition creator Matt Tullis, including hand-drawn typefaces, unique collected fonts, and wall-mounted sculptures based on the assemblage of typographic artifacts. Individual photographic prints of vintage letterforms and signs are also featured.

2006

Over the past 40 years, educator F. Clark Stewart has impacted the lives and maturation of countless aspiring young artists at the University of Tennessee. Many former students directly credit him for their own success as professional artists and teachers. His contributions as both a dedicated teacher and a cognizant, active member of the university community are immeasurable. The goal of Mysterious Pleasures: The Art of F. Clark Stewart is, however, to celebrate the achievements and work of the artist. The works on exhibition, as with his tenure at the university, span 40 years. Clark never strays far from his primary subject – the human figure- or his primary interest – the human narrative. Art movements, like fashion, have developed and faded with time, but Clark has remained steadfast in his commitment to figurative art and its ability to create mystery and a range of emotional responses.

Unfiltered: AIGA 50 Books/50 Covers
March 3 – April 1, 2006

Since 1924, The American Institute of Graphic Arts (AIGA) has mounted an annual exhibition that recognizes excellence in book design and production. Books are entered in categories such as trade, reference, juvenile, university and museum publications, and also limited edition and special-format books. The exhibition includes books and book covers designed in 2004. Esteemed jurors selected winners from more than 920 entries. Jurors included; Andrew Blauvelt, Walker Art Center, Minneapolis, John Fulbrook III, Simon & Schuster, New York, Sara Gillingham, Chronicle Books, San Francisco, Julia Hasting, Phaidon, New York and Cheryl Towler Weese (chair) Studio Blue, Chicago.

MFA Thesis Exhibition: “Valuistics: The Making of” by James Greene
April 7 – April 14, 2006

The print Installation is both a display of James Greene’s valuistics as well as a printed history of the word itself. With ”the Making Of,” Greene – a former grocery store clerk and retail employee – reveals his own consumer politics (contradictions and all) by symbolizing and accounting for each of his consumer decisions. The installation is a scale re-creation of Greene’s home, family, and friends printed on pink insulation board and installed in the Downtown Gallery.

MFA Thesis Exhibition: Ryan O’MaraApril 19 – 26, 2006

The work consists of large abstract ink drawings and paintings some measuring more than 20 feet long. “Abstraction has the ability to exist in a realm of non-logic, idealism and an absence of a system. In my work I change this theoretical space into a physical image, thereby defining the gray”, says O’Mara.

AGIA Poster Design Show
Apr 28 – May 10, 2006

Three Design Students from the University of Tennessee were included in the American Institute of Graphic Arts National Poster Competition. 30 posters were exhibited from national and international designers.

Portrait of Self
May 13 – June 3, 2006

Portrait of Self is a community arts project of the Knox County after-school program Shade of Development led by artist and educator Diane Hovis. Created by African American children and adults, the drawings, prints, and photographs on view explore each individual’s sense of self. These visual works are interpretations of written responses to questions posed by Hovis and recorded in journals kept by each participant.

Thresholds: Expressions of Art & Spiritual Life
June 23 – Aug 4, 2006

New York critic Eleanor Heartney has curated an exhibition that showcases the diversity of both art media and religious beliefs in the work of over fifty artists from five southern states, including Tennessee. This is a joint exhibition, on view simultaneously in both the Ewing Gallery of Art and Architecture and the UT Downtown Gallery.

Drawings from the Central Academy of Fine Art, Beijing, China
August 25 – October 11, 2006

30 figure drawings from students at the Central Academy of Fine Art in Beijing, China. Organized and curated by University of Tennessee School of Art Professor, Tom Reising.

The Color of Diaspora: Afro-Ecuadorian Images
October 20 – November 24, 2006

40 black and white photographs of the Afro-Ecuadorian culture. Organized by University of Tennessee History Professor William Dewey.

Polska Fraba/Polish Iink: Contemporary Printmaking on Poland
An exhibition organized and curated by Beauvais Lyons, which includes 30 prints by Contemporary Artist from Poland working in Printmaking.

2007

Reverberating Echoes: The Art of Indian Artist M.R. Renjan
January 5 – February 24, 2007

Black and white ink paintings by Indian Artist M.R. Renjan. Organized and curated by University of Tennessee graduate student, Shaurya Kumar.

Shelter: A Mixed Media Installation
Mar 2 – 31, 2007

An exhibition organized through the Samek Art Gallery at Bucknell University in Lewisburg, PA by sculpture professor Tulu Bayer and paining professor Xiaoze Xie.

MFA Thesis Exhibition: Lin Lee
April 2 – 9, 2007

MFA Thesis Exhibition: Tea Kim Kasor
April 10 – 17, 2007

MFA Thesis Exhibition: Shaurya Kumar
April 18- 23, 2007

Human Rights Portfolio from South Africa
May 4 – June 8, 2007

Hunt Clark & Deborah McClary
June 15 – August 3, 2007

Recent collaborative work by Tennessean sculptors, graduates of the UT School of Art. The mixed media piece consists of multiple video projections on Plexiglas suspended from the ceiling, and a white ceramic life-sized sculpture of a calf being roped around its neck.

Shoebox Sculpture Exhibition
August 10 – September 7, 2007

This International Traveling exhibition of small sculptures from around the world show how artists have handled the challenges of space and scale dictated by sixe of a shoebox. An invitation only exhibition, this exhibit has attracted a large number of well – known artists from Hawaii, the U.S. mainland, Argentina, Cuba, Australia, Korea, Japan, Chia, Thailand, France, Germany, Switzerland, Sweden, Canada, and Mexico.

AIGA 365
September 14 – Oct 5, 2007

The 2006 juried selection of the best communications design produced in 2005. 365 is widely recognized as the most discerning statement on design excellence today, extending a legacy that began 90 years ago. By means of competitions, AIGA creates a chronicle of outstanding design solutions, each demonstrating the process of designing, the role of the designer and the value of design.

This exhibition of ceramics explores the pathway and influences of the academic ceramicist. UT professors of ceramics, their spouses, and their mentors will all have work on display. Artists included are; University of Tennessee School of Art professors Sally Brogden and Frank Martin, their spouses Todd Johnson and Polly Martin, and mentors John and Susanne Stephenson, and Ken Ferguson.

2008

Crave
January 4 – February 1, 2008

An exhibition initiated by former UT School of Art Artist in Residence, Pinkney Herbert, and organized by Memphis Arts Organization Delta Axis. InCrave these six artists use paint and photographs to explore craving, yearning, longing for, or hankering after. Their diverse work is unified by an attachment to charged images and obsessive processes that speak to this underlying appetite or “craving.” Artist included in the exhibition are, Joel Carreiro, Betsy Chaffin, Amanda Sparks, Thomas Weaver, and Brian Wood.

Corapeake
February 15 – March 29, 2008

This exhibition showcases an award-winning documentary, by Kendall Messick, about the town of Corapeake in North Carolina. The exhibit uses oral narratives, black and white photography, and artifacts to describe and commemorate the lives led by now-elderly African-American inhabitants of this small, rural town. This film has been shown at the Smithsonian Museum of American History, Wake Forest University, UVA, and many other reputable venues.

Objectionable Action represents an art exchange with participants from around the country. Oorganized by two University of Tennessee alumni, Lee Marchalonis and Jessica Meyer, Objectionable Action features other University of Tennessee graduates now residing throughout the United States.

The Beauty of Holiness: The Art of Arnold Schwarzbart
July 25 – August 16, 2008

Schwarzbart is a Judaic artist who lives in Knoxville. He has worked for over eighteen years designing and producing ceremonial objects as well as donor recognition walls and decorative wall pieces for Jewish organizations throughout the United States.

My Home Town: Images of New York City by Baldwin Lee
August 22 – September 20, 2008

Photographic images documenting New York City both pre and post 9/11 by New York native, and UT School of Art professor of photography, Baldwin Lee. Lee is the recipient of three Guggenheim and NEA grants. This exhibition was curated by the artist and UT Downtown Gallery director, Sam Yates.

Global MappingSeptember 26 – October 18, 2008

Andrea Loefke, a Brooklyn, New York and Leipzig, Germany-based artist creates hierarchies in which events and narratives compete and communicate. The groupings of objects and their placement within a particular space become a journey of discovery.

Future States: AtlasRecent works by Pennsylvania mixed-media artist Dan Mills. This group of drawings addresses issues of American imperialism and globalization. This exhibition was curated by the artist and UT Downtown Gallery director, Sam Yates.

Inspired by his many trips to India, Boston-based painter Conley Harris pays tribute to the history of Indian paintings while using it to explore questions of composition, figure/ground relationship, and other painterly issues.

2009

American Institute of Graphic Arts
January 2 – 31, 2009

AIGA, the professional association for design, creates an authoritative chronicle of outstanding design solutions, each demonstrating the process of designing and the value of design. AIGA’s suite of competitions is widely recognized as the most discerning statement on design excellence today.

African American artists Alicia Henry, Nashville, TN, and Damon Howard, Orangeburg, SC, examine issues of identity, heritage and gender in American society. Henry, who holds an MFA from Yale University, and Howard, who holds an MFA from the University of Florida, have been nationally recognized for their poignant art.

Although one an abstractionist and one a realist, Knoxville painters Allen Cox and Tom Riesing focus on the “surface” in this exhibit. This exhibition was curated by Sam Yates and the artists.

University of Cincinnati / University of Tennessee Art Exchange
March 25 – April 4, 2009

This exhibition will feature new work by graduate students representing all disciplines—2-D, 3-D, and media. The exhibition will be on view concurrently at The University of Tennessee 1010 Gallery.

MFA Thesis Exhibition: Jessie Van der Laan
April 7-12, 2009

MFA Thesis Exhibition: Hilary Williams
April 17 – 24, 2009

Art Source 2009
May 1-31, 2009

Every day, Knox County art teachers devote their time and energy to cultivating creativity in their students. The Knox County Art Educators’ Exhibition gives these teachers an opportunity to nourish and showcase their own artistic talents.

Japan International Artists Society Exhibition
June 5- July 2, 2009

324 works of art by 305 Society members who create in various media ranging from traditional Japanese calligraphy and ceramics to contemporary landscapes and abstraction is on exhibit here and in the Ewing Gallery of Art and Architecture.

Face It: Contemporary Portraiture
July 15 – August 8, 2009

A national juried competition open to artists from all media and backgrounds. Dr. Carl Gombert, Associate Professor of Art at Maryville College, was the juror for the exhibition.

Michael Aurbach: The Administrator
August 14 – September 12, 2009

This exhibition featured the work of noted sculptor Michael Aurbach who serves on the faculty at Vanderbilt University. Curated by Sam Yates.

Much of the development for an artwork happens well before the brush meets canvas, the hand meets clay, or the finger meets camera shutter. These preliminary inspirations and concepts go mostly unnoticed and unappreciated. This exhibit brings to light the methods artists employ to inform themselves of the possibilities for their as yet unrealized works. Curated by former Ewing Gallery staff member Timothy Massey, Director of the Tower Fine Arts Gallery at SUNY Brockport.

2010

The 10th International Shoebox Sculpture Exhibition continues a tradition begun by the University of Hawai‘i Department of Art. By invitation only, this exhibition is comprised of 81 sculptures by artists from 14 countries and includes “Meta Physical #4” by Knoxville artist Richard Jolley. The small format of the works in the exhibition, with the subsequent ease and economy of handling, provides exposure to a broad spectrum of contemporary sculpture. These triennial exhibitions were initiated as an attempt to incorporate a variety of multicultural traditions and a range of sculptural ideas, styles, and materials.

Deliquesence and Other Transformations: The Photography of Robert CreamerMarch 5 – 27, 2010

In his recent series of photographic studies of botanical subjects, Maryland artist Robert Creamer blends his interests in technology and the aging process. These photographic images, captured using a digital flatbed scanner, began as an investigation into the revelatory power of technology. Although the scanner is a tool that enhances Creamer’s ability to observe, it is not the apparatus, per se, that interests him most. Moreover, these images are about time, transformation, and transitions.

Dali Illustrates Dante’s Divine ComedyJune 4 – July 9, 2010

The exhibition represents Dali’s visual interpretation of Dante’s literary masterpiece The Divine Comedy, chronicling Dante Alighieri’s symbolic journey through Hell, Purgatory, and Heaven. Salvador Dalí was one of the most well known of the surrealist artists who concentrated on depicting the unconscious and subconscious mind. Dalí labored for nine years to produce a series of 100 watercolors as illustrations to Dante’s classic epic, with each print depicting a verse from the poem.

His paintings were reproduced by Jean Estrade of Les Heured Claires and released as a limited edition print suite in honor of the 700th anniversary of Dante Alighieri’s birth in 1265.

This collection of work was generously donated to the University of Tennessee’s Ewing Gallery by UT alumnus and businessman Gary Johnson.

Through A Transparent Lens Inside OutJuly 16 – August 14, 2010

Through A Transparent Lens Inside Out, is a unique installation of video, films, and multi-image performance works by Norman Magden, School of Art Professor of 4D Arts.The exhibition’s title, THROUGH A TRANSPARENT LENS INSIDE OUT, refers to the time based images displayed and Magden’s focus on transparent and super imposed images to create a mesmerizing effect. The exhibition is a quasi-retrospective showcasing earlier work alongside more recent pieces.

Fresh PickinsAugust 20 – 28, 2010

The First Year Graduate Show is held annually to commemorate the acceptance of the Student’s candidacy for Graduate work at the University of Tennessee, by which the public becomes acquainted with the newest of the Fine art Graduate students. Exhibiting students were: Alex McClurg, Natalie Harrison, Brandon Donahue, Gretchen Bundy, Alex Merchant, Greg Daiker, Kelly Porter, Alicia Faciane, Hannah Short, Jessica Anderson, Ashton Ludden, Clifton Riley, Shelly O’Barr, and Neil Ward.

Happens EverydaySeptember 3 – 25, 2010

Happens Everyday features a wall painting/installation by UT Professor David Wilson, who joined the faculty in 1985, and Chicago artist Pamela Fraser, who taught at UT during the fall semester, 1999.

Everything ShinesOctober 1 – 30, 2010

Everything Shines features recent paintings by UT Professor of painting Marcia Goldenstein, who joined the faculty in 1976, and New York artist Julia Jacquette, who taught at UT during the fall semester, 1995.

Pictures Hold Us CaptiveNovember 5 – 24, 2010

Pictures Hold Us Captive features recent paintings by UT Professor of painting Jered Sprecher, who joined the faculty in 2006, and New York artist Carrie Moyer, who taught at UT during the fall semester, 2001.

Walter Haskell Hinton: The Golden Age of IllustrationDecember 3 – January 15, 2011

This collection of work includes original drawings, watercolors, and oil paintings representing an array of clients during his prolific career as an illustrator. Some of Mr. Hinton’s clients include, Outdoor Life Magazine, Sports Afield magazine, Mammoth Western Magazine, The John Deere and Company, Fairmont Railways, and Washington National Insurance Co.

Upcoming Events

There are no upcoming events at this time.

HOURS

W:11am – 6pm
TR:11am – 6pm
F:11am – 6pm
SAT:10am – 3pm

Please Note: The UT Downtown Gallery closes in observance of national holidays and between exhibitions.