When Max (Taissa Farmiga) and her friends reluctantly attend a tribute screening of an infamous '80s slasher film that starred Max's late mother (Malin Akerman), they are accidentally sucked into the silver screen. They soon realize they are trapped inside the cult classic movie and must team up with the fictional and ill-fated "Camp Bloodbath" counselors, including Max's mom as the shy scream queen, to battle the film's machete-wielding, masked killer. With the body count rising in scene after iconic scene, who will be THE FINAL GIRLS left standing and live to escape this film?

When Max (Taissa Farmiga) and her friends reluctantly attend a tribute screening of an infamous '80s slasher film that starred Max's late mother (Malin Akerman), they are accidentally sucked into the silver screen. They soon realize they are trapped inside the cult classic movie and must team up with the fictional and ill-fated "Camp Bloodbath" counselors, including Max's mom as the shy scream queen, to battle the film's machete-wielding, masked killer. With the body count rising in scene after iconic scene, who will be THE FINAL GIRLS left standing and live to escape this film?

Having at last laid Roxy to bed with its final, intoxicatingly elegant albums, Ferry continued its end-days spirit with his own return to solo work. Dedicated to Ferry's father, Boys and Girls is deservedly most famous for its smash single "Slave to Love." With a gentle samba-derived rhythm leading into the steadier rock pace of the song, it's '80s Ferry at his finest, easy listening without being hopelessly soporific…

Playboy's Special Collectors Editions are a mind blowing peak into the world of Playboy. Travel the globe and get to know the finest girls from Brazil to Russia and travel back in time with every Playmate of The Year. Take a ride with our girls and cars and celebrate the female form in our sizzling "Butt Issue" but issue featuring the most exquisite derrières from around the globe. It's not a magazine, it's an adventure.

The Weather Girls, Martha Wash and Izora Rhodes, started out in the gospel group NOW (News of the World) before becoming backup singers with Sylvester in the '70s. They formed the duo Two Tons of Fun, later changing their name to the Weather Girls and recording in the early '80s. Wash later went on to do session singing and was the uncredited lead vocalist on "You're My One and Only (True Love)" by Seduction, "Everybody Everybody" by Black Box, and "Gonna Make You Sweat (Everybody Dance Now)" by C&C Music Factory. Wash, who is overweight, was invariably replaced in the songs' videos by lip-syncing models, and was forced to resort to legal action to get a proper share of the royalties for her work.

Korea's favorite female quintet Wonder Girls looks to continue their winning streak, aiming once again for the top spot in the music charts with their latest project album The Wonder Years - Trilogy. Whisking their fans back to the '60s and '70s Motown era, the principle track Nobody completes the circle of their retro revival musical journey which began with the mid/late '80s-style pop dance hit Tell Me and their early '80s synth-pop So Hot - both of which topped the charts and started new dance trends. Under the guidance of world-renowned producer Park Jin Young, the group brings a trendy twist to classic tunes, hoping to ignite yet another round of retro fever. Taking inspiration from Motown classics like The Supremes' You Keep Me Hangin' On, Martha & The Vandellas's Dancing in the Streets, The Ronettes' Be My Baby, and The Crystals' Da Doo Ron Ron, Nobody sees the Wonder Girls successfully reviving the era as they deliver a breathtaking performance in the song's music video which is reminiscent of a scene from the 2006 Hollywood musical Dreamgirls.

Album NotesHaving at last laid Roxy to bed with its final, intoxicatingly elegant albums, Ferry continued its end-days spirit with his own return to solo work. Dedicated to Ferry's father, Boys and Girls is deservedly most famous for its smash single "Slave to Love." With a gentle samba-derived rhythm leading into the steadier rock pace of the song, it's '80s Ferry at his finest, easy listening without being hopelessly soporific. As a whole, Boys and Girls fully established the clean, cool vision of Ferry on his own to the general public. Instead of ragged rock explosions, emotional extremes, and all that made his '70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match. Co-producer Rhett Davies, continuing his role from the latter Roxy albums, picks up where Avalon left off right from the slinky opening grooves of "Sensation." The range of people on the album is an intriguing mix, from latterday Roxy members like Andy Newmark and Alan Spenner to avid Roxy disciples like Chic's Nile Rodgers. Everyone is subordinated to Ferry's overall vision, and as a result there's not as much full variety on Boys and Girls as might be thought or hoped. The album's biggest flaw is indeed that it's almost too smooth, with not even the hint of threat or edge that Ferry once readily made his own. As something that's a high cut above the usual mid-'80s yuppie smarm music, though, Boys and Girls remains an enjoyable keeper that has aged well.---allmusic.com

The film is about two teenage girls, Behiye and Handan, with contrasting characteristics and backgrounds, forming a close relationship with sexual implications. As they become closer and closer the relationship becomes more fragile, and the impossibility of the survival of their relationship becomes more evident over time.

The underlying philosophy of 'Digital Divas' was to provide educationally sound materials that tapped into the interest of girls, delivered in all - girl classes within the school curriculum so as to change girls' perceptions of IT careers.