The 9/11 movement has been lax in not anticipating
the direction from which their most vociferous flak will be thrown.
It's not government appointed commissions, politicians or Popular Mechanic
debunking spreads.

The real counter-backlash is coming from TV movies
and big screen blockbusters, serving up a diet of spoon fed propaganda
that reinforces the official version of events.

A television movie about one of the doomed
Sept. 11 airplanes was A&E's most-watched program ever, a sign that
audiences may be ready for a coming spate of movie
and TV projects dramatizing the terrorism of five years ago.

"Flight 93," about the hijacking
of the United Airlines plane and passengers' efforts to retake it, drew
5.9 million viewers when it premiered Monday, the cable channel said.

It was the most-watched A&E program since
the channel launched in 1984.

Dwindling amounts of people are watching network
news and reading newspapers. People who consider themselves informed
get most of their news from The Daily Show, which is a mockumentary
spoof on the week's events.

The majority of people's views are formed on the
basis of popular culture, television and Hollywood. Shallow as it may
seem, this is why 9/11 films like Loose
Change are so evergreen at the
moment. Because they attach the subject of the 9/11 conspiracy to a
cultural fad, in this case hip-hop music. This is a beneficial thing
because it makes what is normally heavy subject matter easier to digest,
especially for younger audiences.

SCENE FROM 'FLIGHT 93' UNIVERSAL STUDIOS

Likewise, whether by intent or proxy, the establishment
has pinned its agenda to the upcoming rash of movies that supposedly
re-tell the story of Flight 93 and the collapse of the twin towers.

The official 9/11 story has about as much basis
in fact as Humpty Dumpty.

And just like Humpty Dumpty, all the king's horses
and all the king's men certainly can’t put the official story
of 9/11 back together again. It’s a yarn that has already been
decimated by the alternative media time and time again.

The fallacy of the orthodox fairytale is why the
establishment, through its avenues of propaganda, needs to constantly
re-apply band aids to keep people from seeing the awful truth.

Consider the very first made for TV movie about
9/11, called DC
9/11. A film which portrays president Bush on Air Force
one on 9/11, exclaiming his frustration in
not being able to have a fist fight with Osama bin Laden.

Now contrast that to the actual demeanor of Bush
on the day of 9/11, doe eyed, unsure, taking the decision to read an
upside down book about a pet goat for half an hour after he’s
told about the biggest attack on America since Pearl Harbor.

It's pro-war, pro-government pro official version
of 9/11 down to a tee.

And who wrote and produced the film? Lionel Chetwynd,
a big establishment neo-con and government apologist, perhaps the most
politically connected producer in the world today.

Chetwynd privately met with George Bush, Karl Rove
and a bunch of top Republicans to have them vet the script before he
shot the film.

This is the same Lionel Chetwynd who jabbed his
finger at Alex Jones and barked “we’re going to get you,”
in the bathroom before a taping of TNN's Conspiracy Zone show that they
both featured on as guests.

So the very first movie about 9/11 is made by a
high level Bush administration stooge. And the film wholeheartedly backs
up lock step the official version of events.

SCENE FROM 'FLIGHT 93' UNIVERSAL STUDIOS

The imminent box office release, Universal
Studio's Flight 93, has been given a substantial advertising
pitch before it hits the big screen.

It reinforces the “let’s roll”
myth of Flight 93 and pushes aside the fact that experienced pilots
on the ground saw that the plane was shot down with their own eyes.

It ignores the fact that we have an 8
mile wide debris field for a plane that we are led to believe
was fully intact in the seconds before it hit the ground.

Flight 93 is replete with its cast of hijackers,
again sidestepping the difficult fact that several of these hijackers
later turned up alive and that they could barely even get
puddle jumping cessnas off the ground, never mind execute moves that
crack fighter pilots couldn’t pull off, as was the case at the
Pentagon.

These movies will have more impact on a viewer
than any official statement or Discovery Channel documentary.

The network of 9/11 websites and speaking organizations
needs to directly address these movies so as to raise awareness to their
purpose and reclaim the sentiment of the droves of viewers that are
likely to be hoodwinked by them.