Dirty, Dirty Feeling

I've got a dirty, dirty feelin'
Dirty feelin's goin' on
You know I almost hit the ceilin'
When I woke up and you were gone

I took you in when you were hungry
And now your cuttin' out on me
I'm gonna help you little darlin'
That ain't the way it's gonna be

I hear you're pretty good at runnin'
But pretty soon you'll slip and fall
That's when I'll drag you home with me girl
I'm gonna chain you to the wall

You know I'm lookin' for you baby
I ain't gonna take it layin' down
I heard that you were cookin' baby
Way on the other side of town

I've got a dirty, dirty feelin'
Dirty feelin's goin' on
You know I almost hit the ceilin'
When I woke up and you were gone

Recorded: 1960/04/03, first released on Elvis Is Back

March 20, 1960 - At noon Elvis, his entourage, Scotty Moore and D.J. Fontana (But not Bill Black, who never plays with Elvis again) take a charted bus to Nashville for a session at RCA's Studio B, whose recoding facilities have been upgraded with a three track machine. The are joined by all the musicians from the June 1958 session, the Jordanaires, Colonel Parker and RCA's new chief studio engineer, Bill Porter.

Elvis records six songs (In true stereo for the first time) including 'Stuck On You' and 'Fame And Fortune' which will be pressed and shipped within two days as an urgently need new single.

The other songs will form part of his new album, with more sessions to follow in April.

Colonel Parker had made the deal with the show's producers months before Elvis was released from active duty. He had hoped that appearing with Frank Sinatra would introduce Elvis as a pop singer to a wide audience made up of adults and pop enthusiasts as well as teenagers and country-western fans.

Never one to take chances, the Colonel made sure Elvis would make a big splash by packing the studio audience with 400 members from one of Elvis' biggest fan clubs. More on the show below.

April 3, Just two weeks after his first post army recording session, Elvis again boards a charted bus to return to Nashville. The same group of musicians is this time joined by saxophonist Boots Randolph.

April 8, Again RCA has rushed the session tapes to the pressing plant, and just four days after the session the LP, Elvis Is Back, is shipped. It's gatefold album of army snapshots has been printed in advance, and the titles of the subsequently recorded songs appear on a sticker on the front cover.

Elvis Is Back represents a peak in Elvis' career, when his maturity and confidence led to a control and focus in his music. Like the pre-army Elvis recordings, this album offered an eclectic collection of musical genres, from a sentimental duet with Charlie Hodge called 'I Will Be Home Again' to the gritty 'Reconsider Baby' with a bluesy sax solo by Boots Randolph. Once again, Elvis' talent for unifying disparate styles of music resulted in an innovative and successful album, and it reached No. 2 on the charts.

Not all the songs that Elvis recorded in Nashville were included on the Elvis Is Back album. RCA held back for later release two of his highly acclaimed ballads: 'It's Now or Never' and 'Are You Lonesome Tonight?' along with the follow-up 'Surrender'. The melancholy tune 'Are You Lonesome Tonight?' was a clear departure from the kind of music that Elvis sang before he went into the army.

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