A quarter strength jobbing fount of 16-point Roman. Giambattista Bodoni, born at Saluzzo in 1740, came from a family of printers. He served his apprenticeship in the press of the Propaganda Fide and later took charge of the Stamperia Reale

Centaur, originally designed by Bruce Rogers and hand-cut in 1915 for casting into case, was redrawn for Monotype and reissued in 1929. It was first used by Rogers for his Oxford Lecturn Bible, described by Stanley Morison as the ‘most

A quarter strength jobbing fount of 9 on 11-point Monotype Grotesque 215 and 216 with 215 italic. This is a rare opportunity to combine three variations of the now fashionable Grots. As pictured, the fount includes u&lc, and all the figures,