I find it ridiculous that this song refused to leave the Spotify chart for such a long time, but I can say I still enjoy it. The trop house beat still sounds reasonably good which is impressive given how prevalent that sound has been since the release of this. Sia's parts are good, and in particular I like her vocals here. The contrast between the slurring in the verses and the more powerful chorus is great. I still lol at what sounds like 'the children are smelling', so Fetty Wap's inclusion is of value too.