Coco by Phaidon - Worth Missing the Last Train For

What is Coco? The latest in the Cream series by Phaidon, creators of the eminently desirable Wallpaper Guides, Coco may best be described as a beautiful, zeitgeisty snapshot of Who's Who in the cheffing world today.

And the talent hasn't just been picked from Michelin star kitchens, the chosen few even include an ice cream maker (La Grotta Ices).

It's not just an encyclopaedia though - as well as intros by the 10 super-chefs and short biographies of the nominees, there are also signature recipes and a tasting menu to distil just why each chef is a talent of today (and tomorrow).

There's also a directory of all the featured restaurants by location, and even a glossary of more recherche cooking terms at the end.

So Coco works on several different levels: as food porn, pure and simple, with lush, vibrant photos accompanying every entry; as an academic text for those interested in contemporary culinary trends; as a hip, coffee table book; and as a cookbook for those keen on recreating recipes in their own kitchens. It's pretty much a must-have and even has multi-coloured ribbon dividers for you to bookmark your favourite bits.

I've used these ribbons to mark all the London-based chefs - though I adore Glynn Purnell, who's also in Coco, I'm unlikely to make it up to Birmingham any time soon. There's over a dozen London chefs (mainly picked by Fergus Henderson and Gordon Ramsay), and last night I was invited by Phaidon and Sauce Communications to go on a bloggers' Gourmet Gallop to visit some of their establishments.

My blogging compadres were Gastrogeek, Scandilicious, Food Urchin, Essex Eating, Mathilde's Cuisine, Laissez Fare and Gastrogossip. The plan was simple - we'd be taken around London to enjoy each course of our gallop at a different place. We started off at The House of St Barnabas where we were were treated to amazing canapes by Lyndy Redding of Absolute Taste and our first Coco alumni. Lyndy was picked by Gordon Ramsay to represent the best in event catering today and in my opinion she certainly deserves this accolade. We had tender salt-and-pepper crusted beef tenderloin skewers with horseradish cream; gorgeous fresh tuna tataki with radish apple and mustard served on chopsticks; sweet pea and mint tartlets with feta and mint; fab, crunchy-battered haddock goujons with a zingy caper aioli; more-ish parmesan shortbread with buffalo mozzarella, slow-roasted cherry tomato and pesto; and huge, umami-laden cheese straws.

Lyndy was also genuinely friendly and extremely passionate about her food, and she seemed just as interested in us as we were in her - in fact, I didn't immediately twig that she was one of the Coco stars as she was so welcoming and acted like she was one of us.

We were sorry to leave the warmth and beauty of the House of St Barnabas and those lovely canapes, but we had to move on for the starter. As we set off, I briefly pondered the wisdom of boarding a minibus with more-or-less complete strangers, but hell, I'd had a couple of mojitos by then and threw caution to the wind. Next stop was Maze and Jason Atherton!

Maze was very busy, very chic but also quite murkily lit - the bane of the food blogger who wants to capture every morsel for posterity. We slid onto leather banquettes to be served our first course of Cornish red mullet, rabbit bolognese, cuttlefish tagliatelle, squid paint - the recipe for which happens to be in Coco. Each dish was pretty as a picture (TM Michel Roux Jnr) and we were about to tuck in when the waiters came up brandishing silver gravy boats. "What is this? What? No, seriously? You're pouring spag bol sauce onto my fish? Really?"

Every element of the dish was beautifully realised - the mullet firm and meaty, the cuttlefish tender, the squid ink savoury. The bolognese was a fine example of everyone's favourite sauce and if I'd had that ladled onto a bowlful of tagliatelle, I'd have been as happy as a pig in clover. But rabbit sauce and fish together was discordant - the rich, tomatoey, meaty ragu smashed straight through the delicate, sweet fish, overpowering the whole.

Suddenly it was time to move on, and we were all rather crestfallen to hear that Jason Atherton was too busy to see us. Before we'd begun, we'd joked that at the end of this course we'd rise in synch and throw our napkins onto the tables with a flourish, but his no-show meant our feigned pique was in danger of becoming real. Oh well - next was Theo Randall at the InterContinental.

Despite being in a hotel, Theo Randall's place bears little resemblance to the standard soul-less hotel restaurant. It's warm and inviting, if a little too trendy for my tastes (exhibit 1 - crayzee multicoloured striped prints; exhibit 2 - crayzee multicoloured vases; exhibit 3 - random vegetables placed on random surfaces). We were met by the Intercontinental's PR team before being led to a table where we were immediately given some bruschetta and ciabatta.

Then Chef Randall himself came out of the kitchen to see us (Jason Atherton Nil, Theo Randall One) and to give us a little background on the dish we were about to eat. I think most of us there were ardent carnivores and so were a little disappointed to hear we were having another fish dish, but those doubts were totally unfounded.

Chef Randall gave us up another recipe from Coco - wood-roasted Cornish monkfish with parsley, capers, Roseval potatoes, globe artichokes and prosciutto di Parma, The monkfish was definitely the star of the show, magnificently meaty, with a firm yet tender texture, and a squeeze of lemon and scattering of capers just served to crank it up another notch. But the other ingredients held their own - the potatoes were beautifully seasoned, the artichokes just so and the parma ham the optimum balance of salt and sweet.

When we were done, Chef Randall came out to see us off and he was kind enough to sign our menus which he'd had specially made for us, and to have photos taken with us. A true gentleman as well as a culinary star.

So I could barely contain myself when we reached our final destination, and was even more excited when Tristan Welch himself was there to greet us as we entered Launceston Place. Danielle from Sauce Comms introduced us all to him one by one and then we were led to a beautifully laid table with perfect intimate lighting - still too dark for a proper photo but at least I could see my plate.

When Essex Eating and I'd finished stroking the wonderfully tactile chargers (seriously, I want them), Chef Welch brought out pre-desserts for us of raspberry jelly and lemon sorbet topped with a black pepper tuile. The moussey jelly was a perfect palate cleanser and the pepper perked my tastebuds up no end. Suddenly we were very awake and ready for more.

Meanwhile our sommelier Mickey from Chicago was charm personified and reminded me a little of Demetri Martin. He actually made wine sound interesting which is a first for me. He chose a brilliant dessert wine (please don't ask me what it was) which enhanced rather than overpowered everything we tried.

When our actual dessert arrived, we were completely lost for words - all we could do was "Ooh!" and "Aah". Vast slate platters of dazzling sweet treats were laid in front of us - so many different delights, I felt a bit like Charlie Bucket in the chocolate factory.

photo copyright Laissez Fare

I was so overwhelmed that when the pastry chef himself came out to explain what was in front of us, I barely heard the poor man. It was almost too much when Chef Welch then brought out a huge tarte tatin with hand-made clotted cream and very matter-of-factly said "Well, I couldn't let you leave without trying this".

Of course he was right - that tarte tatin was a sticky dream (now, now) but the platter of delights gave it stiff competition. From memory, there was rice pudding souffle, a playful twist on comfort food; amazing dark salted caramel drops and squares; caramelised popcorn; lavender panna cotta; a whipped raspberry and cream pot; an ephemeral jelly like parma violet air; Steve's Guinness ice cream and banana pudding; and my favourite - toffee apple cream coated in a brown sugar carapace. To be fair, that last one looked like a Scotch Egg but that just made it more attractive.

As we gorged ourselves silly, Chef Welch chatted to us and it soon transpired that he'd actually had a look at our blogs before we'd arrived - he knew Essex Eating had just been to a Sheen Supper and he even knew that Food Urchin had twins (Chef Welch has twins himself). Though it was a tiny bit unnerving, it was also immensely endearing - if he was trying to make us love him he was succeeding, goddammit. Although our MasterChef winner Steve wasn't working that night, we didn't feel shortchanged as Chef Welch was so attentive and welcoming. I mentioned that I'd met him briefly before and he said "Oh yes, at Taste of London". I don't for a second believe he remembers me, but it does mean he's read my blog and that's good enough for me.

All good things must come to an end and as the witching hour approached, we reluctantly gathered our things.

After exchanging business cards and thanking our hosts Phaidon, Sauce Comms and Chef Welch himself, we all said our goodbyes and Essex Eating, Food Urchin and I rolled off to Gloucester Road tube station to catch our trains (not all of us live in London, you know).

As I got to Charing Cross at twenty past midnight, my poor husband (who'd been waiting for me after having been kicked out of a pub) sadly informed me that we'd just missed the last train home. But you know what - even that didn't bring me out of my sugar-buzz high.

Because thanks to Coco, I'd had a bloody brilliant night and yes, it was worth missing the last train home.

Comments

Fantastic write up MiMi, what an incredible evening. Was really nice to finally get to meet you and I'm pleased to say your as amusing and witty in real life as you are on twitter. I was gobsmacked when Tristan Welch pointed at me and said 'Didn't you write about eating at an underground supper club recently?' which shows he'd taken the time to do his homework. He was incredibly generous with his time on the night as well. Overall - really impressed with Tristan Welch and Launceston Place and also Theo Randall (who was also a really genuine and nice guy, that Monkfish main was bloody gorgeous). Finally, why do I look so bloody awful when I'm drunk. I look like the American Psycho's Jason Bateman in Dan's picture of me with Theo Randall, in your picture I look like him again!!!....not a good look.

I am so, so jealous; and would be spitting blood if it wasn't for the fact that I hate going to London nowadays... But being kicked out of a pub and missing the last train home reminds me of playing pool in a pub and realising that there were two cue balls... Errmm, no there weren't, I was paralytic; the time (on the hazy double clock) was 2.30 a.m. "Doesn't this place close?" I asked. "No mate, the police station is just round the corner and most of the guys here are coppers!". Needless to say the last train home had long since gone, so there was nothing else for it but to stay till morning!