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Latest

A discussion about how to create a genuinely safe and open atmosphere in improv classes from the first class someone takes.
How do we protect students from potentially harmful experiences which can arise from the rigidity or literal interpretation of 'Yes, and' ?

These are notes taken as Guy Hartnell shared about the Oogly Boogly project, where performers improvised with babies by copying their movements and sounds, while the babies' parents watched. It took place inside a large inflatable venue. The notes were taken by Catherine Ryan.

This was an experimental workshop combining the work of Frank Torino and Richard Coaten who met on the pavement on the way to Day 4. I discovered Frank had an interest in mental health and in improv work with theatre students in Denmark, mine was in how carers of people living with dementia might benefit from having access to improvisation and its role in maintaining their resilience, quality of life and relationship with their loved ones...meta theme - great link made between Franks' You Be Me'

Related

A discussion about how to create a genuinely safe and open atmosphere in improv classes from the first class someone takes.
How do we protect students from potentially harmful experiences which can arise from the rigidity or literal interpretation of 'Yes, and' ?

These are notes taken as Guy Hartnell shared about the Oogly Boogly project, where performers improvised with babies by copying their movements and sounds, while the babies' parents watched. It took place inside a large inflatable venue. The notes were taken by Catherine Ryan.

This was an experimental workshop combining the work of Frank Torino and Richard Coaten who met on the pavement on the way to Day 4. I discovered Frank had an interest in mental health and in improv work with theatre students in Denmark, mine was in how carers of people living with dementia might benefit from having access to improvisation and its role in maintaining their resilience, quality of life and relationship with their loved ones...meta theme - great link made between Franks' You Be Me'

A range of views and experiences: how to sustain work within the current funding structures and views on future problems. And a proposal via Equity for a future new structure based on Provision and Distribution of arts, on providing work to a good level for those trained and aspiring to work in the the arts, and on properly paid work rather than on the restrictive "portfolio" and "excellence".

How can theatres commissioning devised work + work created through experimental processes
better support and facilitate the practical realisation of that work?
A proxy session called by Ellan Parry, hosted at DandD14 by Kath Burlinson

Part of the Fringe Central Programme for Fringe participants. Artist, technician, venue staff or audience member – you’ll know the pains as well as the joys of the Fringe. This is your chance to help make the Fringe work better for the very people who give it reason. You. Bring your own questions and ideas – you set the agenda and nothing is censored. An open space – come for as much or as little as you want.

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