This article discusses the use of the poetic romance, Mélusine or Le Roman de Parthenay, as a tale of identity, place, and the foundational role of women in the creation of dynastic, land-based legacies, supported through visual imagery analysis and theoretical models from cultural geography.

This article uses fieldwork and the concept of relative aging to argue that the system of canals within the Vendee region of western France were begun in the tenth and eleventh centuries in conjunction with the Maillezais Abbey relocation and rebuilding.

Short documentary on fashion designer Victor Costa. Created on the occasion of Mr. Costa receiving the Legend's Award of the University of Houston's College of Technology in November 2015, the video includes archival still and motion images, interviews with Victor Costa, Robert Sakowitz, Roz Pactor, and Jerry Ann Woodfin Costa. Discusses his early life in Houston, education, and work as a fashion designer. Footage includes early interviews and fashion shows.

This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.

A short video combining still and motion footage documenting the move of the Texas Fashion Collection from Scoular Hall to the Welch Street Complex I. The video includes footage of the new site being cleared after demolition of the Church of Christ, construction of the Texas Fashion Collection section of the new facility, the arrival and placement of the modular sections, and general preparation of the new facility. Activities include inventory work, packing materials and preparing racks of garments for the move, of wrapped racks being loaded on and unloaded from trucks, and items being unloaded in the new facility. Still footage of packed areas of Scoular and new classrooms in Welch Street I are also included. TFC staff and volunteers visible in the video include: Sharon Kremer; Elizabeth Ferring; Janelle McCabe; Erin Barbutes; Robynn Amaba; Jasmine Milligan; Dawn Figueroa; Myra Walker; Blake Hampton; Edward Hoyenski; and various construction workers and movers, names not known at time of cataloging.

Video of 5 members of the RAG Ladies (Retired Apparel Group) visiting the Texas Fashion Collection on November 21, 2013 at the new facility at 405 S. Welch St., Denton, Texas, on the campus of the University of North Texas. The ladies were interviewed by Myra Walker, Curator of the TFC, about their lives in the world of fashion and the apparel industry, and their roles in bring the Dallas Museum of Fashion to UNT. The ladies interviewed were: Jacque Prager, Frances Maloney, Nan Alexander, Naomie Rudelson, and Mary Beth Hoeffner.

A short video combining still and motion footage documenting the move of the Texas Fashion Collection from Scoular Hall to the Welch Street Complex I. Video includes TFC staff, volunteers, and the professional movers. Activities include inventory work, packing materials and preparing racks of garments for the move, of wrapped racks being loaded on and unloaded from trucks, and items being unloaded in the new facility. TFC staff and volunteers visible in the video include: Sharon Kremer; Elizabeth Ferring; Janelle McCabe; Erin Barbutes; Robynn Amaba; Jasmine Milligan; Dawn Figueroa; Myra Walker; Ken Weber; Grady Ferguson; and various movers, names not known at time of cataloging.

This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Allison Jarek.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Ann Howington.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Caleb Zouhary.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Cassie Phan.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Chance Dunlap.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Justin Strickland Hoff.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Madeleine Fitzgerald.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Marseille Moon.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Michael Blair.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Rachel Christensen.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Sean Miller.

This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, XuHao Yang.

The artwork consists of collage images and small scale constructions that create a tableaux that is then photographed. The black and white photograph depicts a person having sexual relations with himself. Three teddy bears are in the foreground. The room depicted has one window in the background and a small alcove with an octagonal window in the upper right hand portion of the picture. There is a small foot stool underneath and to the side of the window. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus.

The two paper pieces consists of many layers, hang on the wall and protrude into the space. These pieces were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012.

This low-chroma ink wash painting depicts an abandoned cart. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

This monochromatic painting shows the front of the main building from the view of the southwestern porch, with a column prominently in the foreground.The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. The black and white photograph depicts three young boys finding a stash or pornography. There is a collage element of a nude man with no head, hands or feet. However, through a television set one of the man's hand becomes visible. The man's head appears to be partially removed. The tableaux created from collage and sculpture was then photographed to create this work of art.

This low-chroma ink wash painting shows the dining hall of the estate, particularly focusing on the windows. The sunshine lights the floor highlighting the debris and ruin. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

Image of two color inkjet prints mounted on a wall as part of an art exhibition. These two photographs depict the popular Barbie toy doll. In one photograph, she is in front of a pink background and in the second photograph, Barbie is seen amid sparkling lights. These photographs were included in the exhibition, Parallax Presents: Self-Conceptions, University of North Texas Fine Art Photography Club which was held in the Lightwell Gallery, Art Building, September 2012.

This low-chroma painting depicts the dumbwaiter that resides at the back of the dining hall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

Image of still life painting that consists of an empty beer bottle and glass on a table with a couch in the background. Remote controls on the coffee table are in the bottom left of the painting. The style is realistic and the colors subdued. The painting was included in an exhibition in the Lightwell Gallery, Art Building in October, 2012.

This low-chroma painting created with an ink wash depicts the fountain in the bottom left portion of the canvas. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

This painting features trials in color, paint application, brush strokes, and pencil work in an attempt to blend drawing and painting. This painting depicts the fountain at the front of the property, which has long fallen into a state of extreme disrepair and has been subject to rampant vandalism. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

Each of the photographs in this group includes the black and white portrait of a young person layered with walls and words. These photographs were included in the exhibition Parallax Presents: Self-Conceptions, University of North Texas Fine Art Photography Club in September, 2012, in the Lightwell Gallery in the Art Building on the University of North Texas campus.

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