Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor

Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added

Compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons

The EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras

This 8.3 megapixel sensor maximizes the size of the individual photosite - each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range

Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range

Canon DIGIC DV 4 Image Processor:

The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing

This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each

The two green HD components are also interpolated to form a single full frame 4K Green component

These three 4K RGB components are then down-sampled to create a set of YCC 422 HD components that have high MTF, improved edge transitions, low false color moire, and enhanced overall color reproduction

These components are further processed preparatory to sending them to the AVCHD and MP4 codecs

Simultaneous AVCHD and MP4 Recording:

The EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need

Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities

MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications

The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload

The EOS C100 Mark II camera's OLED screen has a new hinge design to help maximize monitoring versatility

The design allows the panel to fold shut when stowed and protect the OLED surface

It can then open 180 degrees to reveal function keys and a joystick, or open further to 270 degrees to deploy against the side of the camera and provide monitoring for directors, producers, or other production personnel

1.23 Megapixel Tilting Color EVF:

Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras

In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations

Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses

Face AF Mode:

Face AF mode detects and focuses on human faces

Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments

59.94p Frame Rate:

By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps)

This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications

Wireless FTP Video Transfer:

MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server

This feature is particularly useful for transferring time-critical video for news and for backing-up files

The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time

Built-In Microphone:

A monaural "mono" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post

This microphone works only when the removable top handle with twin XLR inputs is not attached

Built-In Canon Log LUT:

Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes

As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look"

A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space

The Canon Log LUT feature can be turned on or off in the camera's menu

Red Record Buttons:

There are three start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility

The EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator

Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch

Outstanding Low Light Sensitivity and Wide Dynamic Range:

The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light

This advanced performance yields a maximum ISO speed of 80,000 and a wide dynamic range with up to 12 stops

Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image

Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown

The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes

Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus

A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply

HDMI Out with Time Code:

Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices

The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices

Canon RC-V100 Remote Controller:

An optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance

This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location

Canon GP-E2 EOS GPS Receiver:

An optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting

This capability can support editing and archiving functions

CANON EF 24-105MM F4L II USM LENS:

Standard Zoom Lens

10-Blade Circular Aperture

Dust- and Water-resistant

Filter Diameter: 77mm

All-new optical design with improvements in peripheral brightness

The EF 24-105mm f4/L IS II USM's new optical composition includes 17 elements in 12 groups, including 4 glass-molded (GMo) aspherical lenses on 5 surfaces for excellent overall resolving power. These improvements help increase peripheral brightness for better edge-to-edge results with reduced distortions, delivering still photos and video of great clarity and resolution.

Offering coverage from 24mm wide-angle to 105mm mid-telephoto, the EF 24-105mm f/4L IS II USM is a true walk-around lens that can be used for any number of shooting scenarios. From landscapes and portraits to snapshots and videos of breaking news, and anything else that catches the photographer's or filmmaker's eye, the EF 24-105mm f/4L IS II USM range is highly adaptable. You can spend less time changing lenses and more time taking pictures or recording video.

The EF 24-105mm f/4L IS II USM features Air Sphere Coatings (ASC) on its lens elements to help combat flare, ghosting and reflections, and deliver clean images with reduced aberrations from reflected light. Designed to significantly reduce distortions, this technology puts an ultra-low refractive layer on the lens element. This layer works with the EF 24-105mm f/4L IS II USM's overall optical formula to help deliver a clean image to the camera's sensor, which can decrease the need for post-production.

For consistently sharper results, the EF 24-105mm f/4L IS II USM features an improved Image Stabilizer system that provides significantly enhanced shake reduction for up to 4 stops* of shutter speeds. This means more reliable handheld performance and clearer detail in low-light situations or at lower ISOs. Because of its enhanced stabilization, the EF 24-105mm f/4L IS II USM can also minimize the need for a tripod.

Thanks to its 10-blade, circular aperture, the EF 24- 105mm f/4L IS II USM is capable of gorgeous, evocative out-of-focus areas and soft backgrounds throughout its zoom range. By delivering an incredible level of control over background blur, it helps you define the mood of your image, creating impactful photos and videos.

To help maintain a clean lens, even after multiple lens changes in sub-optimal conditions, the EF 24-105mm f/4L IS II USM has a specially designed non-stick fluorine coating on its front and rear surfaces. This fluorine coating helps prevent dust, water, oil and other surface residue like fingerprints from sticking to the lens, resulting in quick and easy wiping, without the use of solvents.

Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions

Befitting an L-series lens, the EF 24-105mm f/4L IS II USM is built to endure photography and moviemaking in even the harshest conditions. It features a dust- and water-resistant construction on the switch panel, the zoom and focus rings, and on the lens mount, helping to prevent dust and moisture from interfering with operation.

The EF 24-105mm f/4L IS II USM is engineered to provide fast, accurate operation for efficient performance across the board. It features a high-performance control CPU that drives Canon's quick inner focusing with ring USM for quick starts and stops. Plus, it's programmed with optimized AF algorithms that help achieve fast, accurate focus and maintain it consistently.

The EF 24-105mm f/4L IS II USM offers complete manual control, even when AF is engaged, with a simple twist of the lens's focus ring. Additionally, full-time manual focus means it's easy to achieve and maintain focus manually, which can be especially handy when shooting video or composing still images on an SLR's screen.

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