Tag Archives: war stories

My attention was riveted on the title. Frogmen! Spies!
Thanks go to Net Galley and Henry Holt for the galley, which I expected to love.
Though I am disappointed, I would have been more so had I paid the cover price
for this fast-and-loose pop history.

The author takes the events surrounding D-Day, the massive
attack that turned the tide of World War II, and recounts them from the
perspectives of those that were there, both on the Allied side as well as on
the Germans’. Though the narrative flows in a congenial tone, it represents a smallish
amount of research stretched and padded, and the result is a smattering of
important information that’s already been conveyed in a million other sources,
most of which he doesn’t cite, and a great deal of trivial information provided
by bystanders, which he does.

So there is the research—or mostly, there isn’t. The author
draws to some extent upon stories garnered through his German wife’s family,
but a lot of it comes across as the sort of long-winded recounting that causes
even loving family members to inch toward their coats and make noises about how
late it’s getting to be. Long passages of direct quotations pass without a
citation, and then later there are citations, but they aren’t well integrated,
and almost nothing has more than a single source provided. In other words, it’s
sketchy stuff that cannot pass muster.

In all fairness, I have to admit that it’s bad luck on the
author’s part to have his work released so soon after Spearhead, which is brilliant and meticulously documented. On the
other hand, this is no debut, and though I haven’t read the author’s other
work, I can’t imagine that he doesn’t know he’s cut corners here.

Then there’s the other thing, an elephant in the room that
isn’t entirely this author’s fault. Why is it that when a war ends and enmities
cool, the folks that are invited back into the fold by the UK and USA are always
Caucasians? Brits and Americans wax sentimental now alongside Germans, none of
whom belonged to families that liked the Fascists, yet the Japanese fighters of
World War II never make it back into the family, so to speak. And in this
Milton has a vast amount of company, but this is where it is most obvious, so
this is where I’ll mention it.

Chivers is a senior editor at The New York Times, and has won the Pulitzer for journalism. This meaty but readable book is the culmination of his years covering the U.S. wars in Iraq and Afghanistan. It is not the creation of a man parked in a library behind his laptop; he has personally gone to Iraq, Afghanistan, Syria, Ukraine, and Libya, and has either accompanied the people he writes about or retraced their footsteps. He covers the lives of six servicemen in the lower and middle ranks of the armed forces, and so he primarily uses eye witness reporting and interviews, in addition to American military data. I read it free courtesy of Net Galley and Simon and Schuster in exchange for my honest review. The Fighters will most likely be regarded in future years as the go-to book for those that want to know more about this war and the people whose lives were changed by it—including many of those whose homeland is or has been part of the war zone.

Chivers sees a tremendous amount of waste and foolhardy disregard for human lives on the part of the Pentagon, and he makes an undeniable case for it. After reading it I came away convinced that he did not begin his project with an axe to grind and seek out the particular facts that would support the reality he wanted to present, but rather that over the many years since the towers fell in 2001, the things that he has seen and heard all point remorselessly toward the same conclusion. In point of fact, there are two places in my reading notes where I marked, without hyperbole, the similarity between the true information provided here and what I might expect to read in The Onion.

Take, for example, the Afghan allies that are integrated into U.S. forces. The U.S. provides them with guns, but as far as anyone can see, it is strictly for the purpose of the Pentagon’s public relations campaign. Afghan soldiers in U.S. units don’t fire those guns. They hold them. They don’t aim; they don’t look at whoever is giving instructions nor at the translator. (They sure as fuck don’t salute.) In a protracted firefight, an American will eventually run out of ammunition and trade their empty weapon for one of those they hold, if the Afghan has not disappeared and taken the gun with him. And at night, the night watch exists in large part to ensure that if the Afghan soldiers choose to make themselves scarce overnight, they won’t take a bunch of munitions and hand them off to the Taliban.

But since the American public is increasingly impatient with the duration and loss incurred by this war, those guys have to be kept around like untrustworthy mascots in order to maintain the illusion that Afghan forces will be taking the place of U.S. troops soon. Timelines get pushed back, but nothing significantly changes. The drums beat on.

Thoughtless and ham-handed decisions by the top brass increase the resentment of civilians that live near the bases, people living in miserable poverty in sometimes directly across the street, with expensive machinery and plenitude of supplies the locals will probably never have. Meanwhile, troops are sent into circumstances that are bound to be fatal and also fail in their military objectives.

It makes you want to sit down and cry.

However, most of the narrative is not carnage and defeat. Who would read it if it were? Chivers instead does a fine job of painting the individual lives of the Americans he follows, and so most of the story reads almost like good fiction, and rather than being swathed in constant despair or endless statistics, I was instead deeply absorbed. Who knew it would be so interesting?

Those that are curious about the war in the Middle East, the first U.S. war in generations to see reporters banned from providing live footage or photographing flag-covered caskets sent home, could hardly find better material to read. This is on-the-ground coverage at its finest. If you want to read just one book about the U.S. conflicts in Iraq and Afghanistan, this should be it.

PBS published an interview with Chivers, and you can see some of the people whose experiences form the narrative, too:

Will Macklin can really write. His disquieting collection of short stories draws from his time as a special operations soldier in Iran and Afghanistan. Some soldiers come home and go crazy, if they aren’t already; this one came home to write. Thanks go to Random House and Net Galley for the DRC.

The skill level that is shown in these eleven stories, from setting, to pacing, to character, is tremendous. That said, I found it hard to read. Given the subject matter, I shouldn’t have been surprised, but it rattled my cage more than most; then too, the opening story involves deliberately blowing up the home of a teacher that one of the local allies disliked, and I suspect that other teachers are going to have a tough time with that one, too. I set the collection aside to shake off my dislike, and then plunged in again. To be fair, there isn’t one of these tales that is designed to be a feel-good read. They’re all intended to move readers out of their comfort zones, and the author succeeds richly for this reviewer.

I am not a fan of ambiguous endings, and all of these stories conclude that way, which is where the single star fell off my rating.

The most impressive addition is “Kattekoppen”, and after I noted this, I discovered that it was included in a best short story collection.

Macklin is a writer to watch. This collection is recommended to those that like war stories.

Fans of Jeff Shaara’s military historical fiction won’t have to wait much longer; with the ambitious rendering of the Chosin Reservoir battle during the Korean War, he’s taken a great leap forward. I received a DRC from Net Galley and Random House Ballantine in exchange for this honest review. The book will be available to the public tomorrow, May 23, 2017.

Shaara makes military history accessible by breaking it down into small bites, and by choosing a reasonably representative group of historical figures to feature. One thing that has made him controversial, but which I admire and appreciate, is his decision to add at least one completely fictional character to each book in order to have the humble foot soldier, the ordinary joe that never gained fame or glory, represented. If Shaara chose to use the more traditional method, including only those actual servicemen that left a trail of records behind them, he would be telling us about the war solely from the point of view of officers. I am glad he has stuck to his guns—so to speak—because the rank and file make an enormous impact on the outcome of every battle in every war.

Approaching this story, it is key not to skip the preface or the afterword. This reviewer taught American history and government, and yet I learn something new every time I read one of Shaara’s books. One of the things I appreciate most is that it’s reasonably clear what is fact and what is fiction.

The war is basically a struggle over who will rule the Korean peninsula. Over the centuries, Japan, China, and various Western powers have had their eye on it; it is located in a way that gives its would-be colonizer wonderful access to a great many other places. Who wouldn’t want a military base there? And so as we commence, the Chinese, accompanied, at the outset, by the Soviet Union (now Russia), are determined to repel American incursion into the region. Shaara shows Koreans themselves as merely wishing everyone else would just leave, and although others would differ, this point of view serves well enough for the purpose of telling about this battle.

The US military troops here are commanded from afar; General MacArthur provides unreachable deadlines for the capture of hotly contested areas. At the outset of our story, he orders Marines and US Army shipped to North Korea and selects a inland line of march that he tells the press is a “pincer movement” but which in fact leaves vast amounts of unguarded areas between isolated groups of soldiers. They are high in treacherously cold mountains, where many men on both sides of the conflict will freeze to death or lose body parts to frostbite. They are surrounded and forced to fight their way out, then fight again to rescue their comrades.

There are two things I would change here if I could. The first is the maps. I blew them up on my tablet and still wasn’t able to read most of the print. They were better than nothing, but just barely. There isn’t even a compass provided to show where north is located.

The second is actually a pretty sore spot, and that is the constant use of nasty racist terms for every Asian mentioned ever. The Japanese, the Koreans, the Chinese all get called more ugly names than I ever want to see again in my life! I understand that part of his point in doing so is to show how badly the American command underrated Mao’s forces. I also understand that Caucasian US troops did use racist language casually, and that dehumanizing the enemy is one more way to unify one’s own force and go out and kill people.

However, an author gets to choose his points of emphasis. In his many excellent Civil War novels, Shaara goes lightly around the N word, because he understands that it is painful and divisive, and that for many people, it will destroy the joy they might otherwise experience reading his work. It’s a tender place in our national consciousness. Yet the perception doesn’t hold when the people of color are Asian. It’s hard to take. Why add more nastiness than one must? Occasionally there is a lull where Chinese are called Chinese and Koreans are called Koreans, and I sink into the narrative as one does with strong fiction, only to have another epithet tossed in my face like cold water.

Perhaps it is because Asians are quieter, most times, about racism and stereotyping, that writers—Shaara is by no means alone in this, which is why only one star comes off—seem to think nothing of repeatedly slamming these horrifying terms at us again and again from within their pages. The references to the Japanese are obviously only there as—what do I call this, ambience? The Japanese are now allies of the US, but the J word gets sprinkled in anyway, and it’s a rotten thing to do.

There are nearly 7 million Asians of either Japanese, Korean, or Chinese ancestry living in the USA, and I have news: they read. And whereas I am undoubtedly more sensitive than some readers, given that we’re talking about my husband and my youngest child, I am not actually Asian myself. And there were moments here when I really felt that if I hadn’t committed to reading for the purpose of a review, I would prefer to leave the book unfinished, to slide it in the back somewhere and not really look at it anymore.

Shaara is an excellent writer, and his characters are almost tangible at times. With a little more sensitivity toward people of color, his work could be even better. This book is recommended to those that love historical military fiction, with the caveat just mentioned.