The news feature goes on to show a version of Brubeck’s hit “Take Five” played by a Pakistani orchestra. Apparently the song was recorded some years ago and for a time was the top jazz download on iTunes. But the documentary about the supression of music in Pakistan, “Song Of Lahore,” was just released last month.

Above is Brubeck’s group in 1964, the epitome of bespectacled jazz-geek-cool, doing their hit number. Below, the news segment:

And finally, “Take Five,” which takes its name from its 5/4 time signature (tap your feet along — it’s fun), as you’ve never heard it before. — CC

I much prefer the raga version, because it has much less of the noodling that makes jazz so annoying to me (personal preference, not an invitation to debate the merits of jazz). On the other hand, it is, at times, almost Lawrence Welkian in its squareness—an interesting juxtaposition.

Here’s another ethnic take on “Take Five,” for those who are interested.

While I appreciate the offer, BG, I have to ask: how many opera fans do you know who also like jazz? Liking one usually precludes liking the other.

Having played jazz in my youth, I think it’s safe to say that get it better than most jazz non-fans do. I simply do not care for it. For what it’s worth, I don’t like Stravinsky either—but I love Berlin & the Gershwins.

In addition to my jazz collection I’ve a decent classical collection (including Stravinsky), but I draw the line at opera. You’re right; the few opera lovers I’ve met were somewhat condescending when I coweringly confessed my modern jazz devotion. Berlin and the Gershwins: now you’re talking.