More Interesting Articles

"I’m an analogue photographer but I’m old school in the sense that I don’t believe in cropping," Mary Ellen Mark shares in this video by Seaport Museum New York. "I believe you have to make the picture in the camera."

This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!

<i>Editor's Note: The past several years saw <b><a href="http://www.lomography.com/homes/maliha">Maliha</a></b> frequently moving from one place to another, a sort of nomad who likes the thrill of starting anew and finding her place in every city she stays at. In the last decade she has spent in the USA, Maliha has stayed at six different cities in five different states. Currently, Maliha is based in Denver, Colorado, and "Transient Living," a new series in the Lomography magazine, documents her experiences and the ways that she has come to call this city her home.</i>

Even great photographers need help in making their prints as brilliant as their artistic vision. In this video, Robin Bell talks about developing and printing the pictures of David Bailey and Terence Donovan the old-fashioned way.

Young Scotland-based filmmaker <b><a href="http://morgspennyproductions.co.uk">Morgan Spence</a></b> loves filmmaking just as much as he loves Lego, which he extensively uses in his work. That being said, Spence turned out to be just the right artist that Lego artist <b>Warren Elsmore</b> tapped to create a promotional video for his book, <b><a href="http://warrenelsmore.com/brickwonders-1">"Brick Flicks"</a></b>.

Stop bath is a type of chemical used in the darkroom for processing black and white film, aptly named as such because it halts the development of the images. In this case, stop bath is also part of the title that Korean analogue street photographer <b><a href="http://instagram.com/sooeatsyourstreetforbreakfast">Soomin Yim</a></b> has given her body of work, "Stop Bath the City," to represent the forgotten faces of people in the city amid rapid modernization, captured and immortalized on black and white film.

Before Technicolor came into the picture, filmmakers were already hand-painting their negatives. A new book by Amsterdam University Press reveals this penchant for full-spectrum fantasy in the form of 300 stills.