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en-usEngadget RSS FeedCopyright 2015 AOL Inc. The contents of this feed are available for non-commercial use only.http://www.engadget.com/2012/03/09/canon-teases-exclusive-screening-at-NAB/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2012/03/09/canon-teases-exclusive-screening-at-NAB/http://www.engadget.com/2012/03/09/canon-teases-exclusive-screening-at-NAB/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23commentsWith both its 1D and 5D-series models already confirmed for 2012, today's Canon teaser hints at something slightly different -- and, according to our sources, a major announcement. The event is set for April 15th -- during the National Association of Broadcasters (NAB) show in Las Vegas -- further confirming that whatever imaging device we'll see will likely be geared towards the motion picture and television communities. So, what could it be? A new Cinema EOS cam with a 1D form-factor? A lower-priced model poised to compete with the RED Scarlet? We have but a month to wait for confirmation, so if you haven't already placed your C300 order, it might not be a bad idea to hang tight until after Canon's Tax Day reveal.

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Fri, 09 Mar 2012 19:37:00 -050021|20190380http://www.engadget.com/2012/01/24/canon-eos-c300-to-hit-japanese-stores-on-the-31st-pl-version-co/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2012/01/24/canon-eos-c300-to-hit-japanese-stores-on-the-31st-pl-version-co/http://www.engadget.com/2012/01/24/canon-eos-c300-to-hit-japanese-stores-on-the-31st-pl-version-co/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23commentsDo you have deep pockets? And do those pockets happen to be located in Japan? Well if you're also in the market for Canon's EOS C300 cinema camera, you might be in luck. The company has confirmed that its motion-picture-shooting flagship will be available in Japanese retail stores by January 31st -- exactly one week from today. As the story goes with expensive electronics in Japan, pricing is "open" at this point, meaning you might have to hit up a retailer for an amount before making two dozen trips to the ATM. But if money's no object (just that pesky release date), you should be on your way to making Cinema EOS magic before the month is out. And if your kit is best suited for the PL-mount version, expect that to ship in late March, "open" pricing in tow.

Back in November we joined Martin Scorsese and other Hollywood luminaries at Paramount Studios for the unveiling of Canon's latest cinema video camera, which is now available for pre-order. The EOS C300, that aims to compete directly against the Reds of the world, carries a Super 35mm CMOS sensor capable of up to 4K resolution 1080p capture, and should be helped in large part by the company's top-shelf lenses; like the 14.5 - 60mm and 30 - 300mm. When we first met the C300 we told you it'd be priced at a hefty $20,000, but that's no longer the case, instead it'll cost a less painful $16,000 for the body only. The camera will begin shipping "after January 30th," and if it seems like a little too much for you, at least you can still watch our precious hands-on time with it.

Update: We've updated to clarify that while the sensor is 4K the camera only captures in 1080p.

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Wed, 18 Jan 2012 04:24:00 -050021|20150838http://www.engadget.com/2011/11/03/canon-c300-cinema-camera-hands-on-video/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2011/11/03/canon-c300-cinema-camera-hands-on-video/http://www.engadget.com/2011/11/03/canon-c300-cinema-camera-hands-on-video/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23comments
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot.

The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.Gallery-138415

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Thu, 03 Nov 2011 21:55:00 -040021|20098389http://www.engadget.com/2011/11/03/canon-c300-makes-an-appearance-in-vincent-laforets-mobius-find/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2011/11/03/canon-c300-makes-an-appearance-in-vincent-laforets-mobius-find/http://www.engadget.com/2011/11/03/canon-c300-makes-an-appearance-in-vincent-laforets-mobius-find/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23comments
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule.

Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.Gallery-138348

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Thu, 03 Nov 2011 20:28:00 -040021|20098011http://www.engadget.com/2011/11/03/canon-launches-c300-cinema-camera-prepares-to-take-on-red-scarl/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2011/11/03/canon-launches-c300-cinema-camera-prepares-to-take-on-red-scarl/http://www.engadget.com/2011/11/03/canon-launches-c300-cinema-camera-prepares-to-take-on-red-scarl/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23commentsWell, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success.

Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.Gallery-138391Gallery-138405Christopher Trout contributed to this post

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Thu, 03 Nov 2011 18:13:00 -040021|20098074http://www.engadget.com/2011/03/28/red-one-faces-arri-alexa-in-high-res-choose-your-own-adventure/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2011/03/28/red-one-faces-arri-alexa-in-high-res-choose-your-own-adventure/http://www.engadget.com/2011/03/28/red-one-faces-arri-alexa-in-high-res-choose-your-own-adventure/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23comments
Most of the time when one product takes on another in a no-holds-barred face-off somebody walks away with a championship belt. Not this time. Here it's Gunleik Groven, Norwegian filmmaker and photographer, comparing the RED One Mysterium X and the Arri Alexa, two pro-quality shooters that come in at a price semi-pro producers can afford -- the RED clocking in at $42,485 the way Gunleik configured it, the Arri at $70,000. There are some obvious differences, like the RED shooting at 4K and the Arri at 1080p, but the vast majority of the comparisons here are far, far more subtle than that, meaning you're just going to have to pore over the comparison on the other end of the source link yourself and download the gigabytes of sample footage that's been thoughtfully provided. If you do need something of a conclusion, though, it's this: "These are both excellent cameras we could only dream of 5 years back... you cannot really complain on the equipment if you don't get your shot with either of these."

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Mon, 28 Mar 2011 09:49:00 -040021|19893711http://www.engadget.com/2010/04/07/arris-alexa-busts-out-native-prores-recording-plans-for-red-sm/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2010/04/07/arris-alexa-busts-out-native-prores-recording-plans-for-red-sm/http://www.engadget.com/2010/04/07/arris-alexa-busts-out-native-prores-recording-plans-for-red-sm/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23comments
It's taken three years, but one of the big boys may finally have an answer to the RED ONE camera -- the device that took the cinema world by storm in 2007 as the first affordable digital movie cam with a 35mm, full-frame sensor, 4k resolution, and rugged good looks. Venerable camera-maker ARRI has finally revealed both the full specs for its upcoming ALEXA digital camera and reconfirms Hollywood's propensity for over-capitalization. Regarding the specs, you can color us impressed. The ALEXA is something of a follow up to the ARRIFLEX D-21, the company's first foray into digital cams, but besides writing data in 0s and 1s the two cameras share little in common. ARRI is positioning the ALEXA to compete directly with the RED ONE (and forthcoming EPIC and SCARLET cameras), so you can expect a price point in the sub-$60k range. Besides the low price tag (for a professional movie camera), a few newly-announced features may have indie-shooters on a budget thinking hard about picking up an ALEXA for their next bit-crafted, cinematic yarn. We'll break it down for you after the break.

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Wed, 07 Apr 2010 13:02:00 -040021|19430003http://www.engadget.com/2010/03/17/arri-alexa-joins-red-to-kill-celluloid-in-2010/%3Futm_medium%3Dfeed%26utm_source%3DFeed_Classic%26utm_campaign%3DEngadget%26ncid%3Drss_semi
http://www.engadget.com/2010/03/17/arri-alexa-joins-red-to-kill-celluloid-in-2010/http://www.engadget.com/2010/03/17/arri-alexa-joins-red-to-kill-celluloid-in-2010/%3Futm_source%3DFeed_Classic%26utm_medium%3Dfeed%26utm_campaign%3DEngadget%23comments
Got 50k to spend big daddy? Good, then meet Alexa from ARRI, a German company founded in 1917 that just happens to be the world's largest motion picture equipment manufacturer. Alexa is ARRI's answer to the RED ONE digital, so don't be held captive by your consumer-based experience of what a camera is or what it should look like. ARRI has a trio of cams slated for release in 2010 offering a 3.5k pixel count, 800+ El equivalent sensitivity, 1 to 60fps frame rate, electronic viewfinder and on-board HD recording. The A-EV Plus model adds uncompressed on-board recording and wireless remote control to the 16:9 aspect ratio shooting A-EV. The A-OV Plus switches things up to a 4:3 aspect and adds an optical viewfinder to the mix. The rest of the details will arrive during an April 6th launch event where ARRI will reveal the complete media, format, and what's promised to be a "super fast workflow."

Until then, check a side-by-side test done by the cats over at Animation World Network pitting a prototype Alexa against a RED One equipped with a new MysteriumX sensor and software. AWN was so enthusiastic by the results of the two cams that it proclaimed, "2010 is the year that celluloid died." Jim Jannard, RED CEO, graciously responded to the test by saying, "We had expected the images to be very similar and it appears that this test confirms that." He then added the following:

"We have believed, since IBC last year, that these two platforms would be the ones standing for the future. We are very proud to be in such good company. But for the moment, we tip our hats to Arri."

Now hit the source links for the full read because the future of film looks set to become historic.