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The whispers wake you from a deep sleep. It has been so quiet, but you can hear the voices growing restless. They’re yearning, they’re angry, and they’re coming for you. This month’s genre-bending releases are all about deals you can’t take back. Find out what really happens in the woods in You Let Me In by Camilla Bruce; court a man with silver skin in The Unsuitable by Molly Pohlig; and find magic in a new story collection by Madeline L’Engle, The Moment of Tenderness.

Head below for the full list of genre bending titles heading your way in April!

WEEK ONE (April 7)

As a child living in his family’s apple orchard, Ahmad Torkash-Vand treasures his great-great-great-great grandfather’s every mesmerizing word. On the day of his father’s death, Ahmad listens closely as the seemingly immortal elder tells him the tale of a centuries-old family curse… and the boy’s own fated role in the story. Ahmad grows up to suspect that something must be interfering with his family, as he struggles to hold them together through decades of famine, loss, and political turmoil in Iran. As the world transforms around him, each turn of Ahmad’s life is a surprise: from street brawler, to father of two unusually gifted daughters; from radical poet, to politician with a target on his back. These lives, and the many unforgettable stories alongside his, converge and catch fire at the center of the Revolution.

WEEK TWO (April 14)

San Cristóbal was an unremarkable city—small, newly prosperous, contained by rain forest and river. But then the children arrived. No one knew where they came from: thirty-two kids, seemingly born of the jungle, speaking an unknown language. At first they scavenged, stealing food and money and absconding to the trees. But their transgressions escalated to violence, and then the city’s own children began defecting to join them. Facing complete collapse, municipal forces embark on a hunt to find the kids before the city falls into irreparable chaos.

Iseult Wince is a Victorian woman perilously close to spinsterhood whose distinctly unpleasant father is trying to marry her off. She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck. Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take Iseult off his hands—a man whose medical treatments have turned his skin silver—a true comedy of errors ensues. As history’s least conventional courtship progresses into talk of marriage, Iseult’s mother becomes increasingly volatile and uncontrollable, and Iseult is forced to resort to extreme, often violent, measures to keep her in check. As the day of the wedding nears, Iseult must decide whether (and how) to set the course of her life, with increasing interference from both her mother and father, tipping her ever closer to madness, and to an inevitable, devastating final act.

In this debut collection of short stories by the winner of the Madeleine P. Plonsker Emerging Writer’s Residency Prize, the sly fabulism of JD Scott’s fiction casts its own peculiar spell upon the reader as it outlines a world unsettlingly similar to our own. Scott troubles the line between what is literary and genre, fairy tale and parable. In one story, a perfumer keeps his boyfriend close at hand by dosing him with precise measures of poison. In another, a comical domestic drama hinges upon the life and death of an ancient chinchilla. Scott pushes liminality with magical scrolls, a drowned twin returning from the sea, and a witty retelling of the Crucifixion where a gym bunny chops down a tree in the Garden of Eden—only to transform the wood into a cross for himself.

WEEK THREE (April 21)

This powerful collection of short stories traces an emotional arc inspired by Madeleine L’Engle’s early life and career, from her lonely childhood in New York to her life as a mother in small-town Connecticut. In a selection of eighteen stories discovered by one of L’Engle’s granddaughters, we see how L’Engle’s personal experiences and abiding faith informed the creation of her many cherished works. Some of these stories have never been published; others were refashioned into scenes for her novels and memoirs. Almost all were written in the 1940s and ’50s, from Madeleine’s college years until just before the publication of A Wrinkle in Time. From realism to science-fiction to fantasy, there is something for everyone in this magical collection.

Cassandra Tipp is dead… or is she? After all, the notorious recluse and eccentric bestselling novelist has always been prone to flights of fancy—everyone in town remembers the shocking events leading up to Cassie’s infamous trial (she may have been acquitted, but the insanity defense only stretches so far). Cassandra Tipp has left behind no body—just her massive fortune, and one final manuscript. Then again, there are enough bodies in her past—her husband Tommy Tipp, whose mysterious disembowelment has never been solved, and a few years later, the shocking murder-suicide of her father and brother. Cassandra Tipp will tell you a story—but it will come with a terrible price. What really happened, out there in the woods—and who has Cassie been protecting all along? Read on, if you dare…

WEEK FOUR (April 28)

From #1 New York Times bestselling author, legendary storyteller, and master of short fiction Stephen King comes an extraordinary collection of four new and compelling novellas—Mr. Harrigan’s Phone, The Life of Chuck, Rat, and the title story If It Bleeds—each pulling you into intriguing and frightening places.

The novella is a form King has returned to over and over again in the course of his amazing career, and many have been made into iconic films, including “The Body” (Stand By Me) and “Rita Hayworth and Shawshank Redemption” (Shawshank Redemption). Like Four Past Midnight, Different Seasons, and most recently Full Dark, No Stars, If It Bleeds is a uniquely satisfying collection of longer short fiction by an incomparably gifted writer.