Monday, August 29, 2011

Dodging our diligent builders who work on bank holidays, I turned on BBC Breakfast to see what the hurricane news was from the US, only to find myself witnessing some pretty bloody amazing Paganini instead. The culprit: Charlie Siem, a young British violinist fresh out of Cambridge and, uh, the modelling world. When I read that he was the 'global face' of Dunhill, I thought that meant the cigarettes and I was all ready to write an Outraged Non-Smoker of Sheen piece about the iniquities of young musicians having to get ahead by modelling for a filthy habit that kills people. But it turns out that Dunhill is actually a James Bond-ish designer menswear label...I wouldn't know; my husband is, like, more of a Ralph Lauren man.

When a fresh-faced, square-jawed, youthful supermodel type emerges with violin in hand and one painted fingernail, the knee-jerk music-critic reaction is to yawn and switch off; the knee-jerk Gidon Kremer-style reaction could be to walk out of the festival. But this guy can really play. And not just because he has Menuhin's Guarneri del Gesu, nor just because he's related to Ole Bull (have tweeted him to ask how so, but am not currently convinced he does his own tweets), nor just because Lady Gaga likes him. Seems he can talk the talk, walk the walk and, best of all, play the Paganini.

Have we turned full circle? Now that almost every young musician who pops up does look good, they need more than ever to be differentiated by their playing. Rather than one photogenic fiddler standing out from the crowd of technically adept ones because of his or her appearance, do we have a case in which the really fine musicians will emerge from the crowd of photogenic ones because of their playing after all? Hmm. He's got a new album out (hence BBC Breakfast), so see what you think.

Here's Charlie in something a little different (?! pink shorts) - two years ago, in Cuba with the Royal Ballet...

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Music, dance and writing in London, UK. Jessica writes for The Independent and numerous other publications. Author of biographies, novels, plays, libretti. Editor of The Amati Magazine. "Everything she writes is worth reading" - The Times..."Dazzling perceptiveness" - Joanna Lumley on Songs of Triumphant Love...
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JESSICA DUCHEN TALKS, CONCERTS & PLAYS

28 July, afternoon performance (time tbc)
Fishguard Festival, Wales
I’m teaming up with the distinguished British pianist Peter Donohoe, artistic director of the Fishguard Festival, for a special performance of Alicia’s Gift, the concert of the novel. More info here

20 February 2016, 2pm, WIGMORE HALL: ALICIA'S GIFT, The Concert of the Novel, with Viv McLean (piano) and me (narrator). That's right. The Wigmore Hall. The day will also include a panel discussion about child prodigies, which I'm chairing. More details soon.