In Focus: Property from The Collection of Brad Grey

Works owned by the former Chairman and CEO of Paramount Pictures, including pieces offered in Alberto & Diego Giacometti: Masters of Design on 12 November at Christie’s in New York

Brad Grey, the late Chairman and CEO of Paramount Pictures, epitomised the Hollywood dream, rising from blue-collar roots in the Bronx to the pinnacle of one of Hollywood’s most eminent studios. A beloved figure in Los Angeles and beyond, he left an indelible mark on film and television. ‘People always say, “It must be so difficult,”’ Grey once mused of his prodigious career. ‘But it’s really not. You trust your instincts.’

Under Grey’s guidance, Paramount gained market leadership and produced films such as An Inconvenient Truth, Up in the Air, There Will Be Blood, and True Grit, regularly achieving Academy Award nominations and wins in the process.

When he moved to Los Angeles in 1981, Grey went straight to the Beverly Hills Hotel, the venerable meeting place for the most powerful names in entertainment. ‘I couldn’t afford it,’ he admitted, ‘but I stayed at the hotel. The tradition of the Beverly Hills Hotel always mattered to me.’ Throughout his life, Grey held onto this unshakable belief in the mythic power of Hollywood and the importance of its cultural legacy. As The New York Times observed, ‘More than many of his studio counterparts, [he] upheld the pageantry of Hollywood.’

Before joining Paramount in 2005, Grey worked alongside the talent manager Bernie Brillstein, and in 1992 became a co-founder of the entertainment management firm Brillstein-Grey. Blending the role of traditional Hollywood agent with the entrepreneurial spirit of a producer, Brillstein-Grey fostered both talent and creative projects. Perhaps most notable was Grey’s role in producing The Sopranos, the groundbreaking David Chase mob series that ushered in a new golden age of television.

In addition to these pieces by the Giacometti brothers, modern works of furniture and design by Jean-Michel Frank, Jean Royère, Francois-Xavier Lalanne, and others were central to Grey’s collection. Taken as a whole, they demonstrated the connoisseurship of a man fully immersed in the creative process.

Grey forever remained characteristically humble about his many achievements. ‘The only thing you can hope for in one of these jobs,’ he said of his time at Paramount, ‘is that when the next guy’s sitting here, they look back and say, “Wow, that was a great period. They made some extraordinary pictures.”’