"Emma is a loving wife, a devoted mother--and an involuntary killer. For years she's been hiding the dead body of the teacher who seduced her as a teen. It's a secret that might have stayed buried if only her life had been less perfect. A promotion for Emma's husband Alex means they can finally move to a bigger home with their young son. But with a buyer lined up for their old house, Emma can't leave without destroying every last trace of her final revenge"--Dust jacket flap.

More victims than Bundy . . . In Houston, Texas, on a Sunday morning in spring, Coral Eugene Watts trapped two young women in their apartment. Only hours before, he’d killed another woman by drowning her in her bathtub. As Watts attempted to do the same to 20-year-old Lori Lister, her roommate made a daring escape, leading to Watts’s arrest. Watts confessed to thirteen murders, but with no direct evidence, he managed to plea bargain his sentence down to 60 years for burglary. Through the untiring efforts of investigators and the mother of one of his victims, Watts was finally convicted of murder and sentenced to life in prison, where he remained the prime suspect in dozens of other slayings. Experts theorized that Watts may have slain more than Ted Bundy, Jeffrey Dahmer, and John Wayne Gacy . . . combined! Bestselling author Corey Mitchell takes us inside the twisted mind of “The Sunday Morning Slasher” and tells the chilling story of how he almost got away with murder. “Corey Mitchell empathized with crime victims in a unique and personal way. That empathy is evident in every true crime book he wrote.” —Suzy Spencer “Mitchell nailed the real story.” —City of Houston Mayor’s Office “Mitchell is the leading voice of true crime.” —Dennis McDougal

Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynch victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of household being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens.

To the outside world, Anthony Allen Shore was an average guy: a twice-divorced father who drove a tow truck in suburban Houston. Handsome and charismatic, he generally kept a low profile. But in his mind he was a superstar . . . A musical prodigy who never realized his potential, Shore found a way to outsmart society—by getting away with murder. And he wanted the whole world to know it. After brutally killing a 16-year-old girl, he called the local NBC affiliate and told an editor precisely where to find her body. Eight years passed before DNA evidence caught up with Shore. Subsequent police investigations revealed a violent megalomaniac who had sexually abused his own daughters. He confessed to murdering four females, one only nine years old. And he hinted at many, many more—leading authorities to believe that Anthony Allen Shore could even be the notorious “I-45 Serial Killer,” whose bloody legacy had earned for one Texas highway the grisly moniker “Corridor of Blood.” Bestselling author Corey Mitchell recounts the case from its twisted beginnings to its chilling conclusion . . . “A must-read, cautionary tale of manipulation, control, and murder.” --Diane Fanning “Corey Mitchell empathized with crime victims in a unique and personal way. That empathy is evident in every true crime book he wrote.” —Suzy Spencer “No one faces evil head-on like Corey Mitchell.” —Gregg Olsen Includes 16 Pages of Haunting Photos