February 07, 2018

The Freight Charges of the 20th century: Teller and Reifensthal by [Andrei Codrescu]

Two evil geniuses of the 20th century died nearly at the same time, after surviving the century that they helped shape: Edward Teller and Leni Riefenstahl [pictured left]. Edward Teller, the father of the Hydrogen bomb, had one of those brilliant mathematical brains that showed up quite frequently among Central European Jews born near the dawn of the last century.

Leni Riefenstahl made brilliant use of the 20th century’s native medium, film, to create a grand propaganda machine for Adolf Hitler. She documented and exalted Nazism for the masses, insuring and consolidating Hitler’s power, and thus contributing, in no small measure, to the policy that nearly eliminated such brains as Teller’s from the world.

The thing that accounts for Teller and Riefenstahl’s longevity is the same thing that accounts for ours. That is to say, if Teller’s hydrogen bomb had ever been used, none of us would have been around long enough to survive the 20th century. And if Riefenstahl’s Hitler had had his way, the same would be true. Happily, they both failed, and here we are, wondering what it’s all about.

On the one hand, it’s about technology. Teller’s work made use of the existing physics and technology of the A-bomb to create a more powerful weapon. Riefenstahl improved film technology by making those 24 frames per second yield their potential for persuasion. Neither Teller nor Riefenstahl created anything truly original, but they uncovered the latent powers of the originals to bring them –and us—to the brink of extinction. The original technologies of moving pictures and quantum physics were born, like all new things, without any idea of good and evil. However, it didn’t take long before they lost their innocence and were put to use by the demonic dialectic of the deposed century.

From an intentional standpoint, there is no equivalency between them. Edward Teller’s H-bomb was created as a deterrent to evil on the scale of Hitler, though his name happened to be Stalin. Riefenstahl’s work today is used only to exemplify the power of the medium of film for propaganda, not to recruit Nazis. Or, at least, I hope so. On the other hand, the H-bomb still has the potential to annihilate us, as do neo-Nazis just waiting to be unleashed by the right movie.

The passing of Teller and Riefenstahl marked the true end of the 20th century. My guess is that Edward and Leni are together in the next world. They have eternity to work out the implications of their work.

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The Freight Charges of the 20th century: Teller and Reifensthal by [Andrei Codrescu]

Two evil geniuses of the 20th century died nearly at the same time, after surviving the century that they helped shape: Edward Teller and Leni Riefenstahl [pictured left]. Edward Teller, the father of the Hydrogen bomb, had one of those brilliant mathematical brains that showed up quite frequently among Central European Jews born near the dawn of the last century.

Leni Riefenstahl made brilliant use of the 20th century’s native medium, film, to create a grand propaganda machine for Adolf Hitler. She documented and exalted Nazism for the masses, insuring and consolidating Hitler’s power, and thus contributing, in no small measure, to the policy that nearly eliminated such brains as Teller’s from the world.

The thing that accounts for Teller and Riefenstahl’s longevity is the same thing that accounts for ours. That is to say, if Teller’s hydrogen bomb had ever been used, none of us would have been around long enough to survive the 20th century. And if Riefenstahl’s Hitler had had his way, the same would be true. Happily, they both failed, and here we are, wondering what it’s all about.

On the one hand, it’s about technology. Teller’s work made use of the existing physics and technology of the A-bomb to create a more powerful weapon. Riefenstahl improved film technology by making those 24 frames per second yield their potential for persuasion. Neither Teller nor Riefenstahl created anything truly original, but they uncovered the latent powers of the originals to bring them –and us—to the brink of extinction. The original technologies of moving pictures and quantum physics were born, like all new things, without any idea of good and evil. However, it didn’t take long before they lost their innocence and were put to use by the demonic dialectic of the deposed century.

From an intentional standpoint, there is no equivalency between them. Edward Teller’s H-bomb was created as a deterrent to evil on the scale of Hitler, though his name happened to be Stalin. Riefenstahl’s work today is used only to exemplify the power of the medium of film for propaganda, not to recruit Nazis. Or, at least, I hope so. On the other hand, the H-bomb still has the potential to annihilate us, as do neo-Nazis just waiting to be unleashed by the right movie.

The passing of Teller and Riefenstahl marked the true end of the 20th century. My guess is that Edward and Leni are together in the next world. They have eternity to work out the implications of their work.