Material Object, aka Andre Ruello, returns with Part II of his Artefacts Digitaux project. Picking up the baton where he left it at the conclusion of 2015's debut, Ruello takes derelict waveforms from a myriad of forgotten sources and processes them exclusively in the digital realm, again, once more and then reprocesses them for good measure. The resulting output has been pushed into a sonically unique place then arranged into six movements spanning the width of emotional landscapes from harsh, atonal noise to love-addled euphoria, all in the context of "Electronic Ambient". Six artifacts from the artist's mind to the listener's speakers - the 23rd audio adventure on the No. label.

The No. label, a platform for audio adventures curated by Atom TM and Material Object, presents the first collaboration between Material Object and prolific rural British soundsmith Ishq. Invisible Light is a rejuvenating stroll at interstellar velocities through an unfamiliar landscape populated by unknown plants, strange creatures, and bizarre illuminations. Patiently evolving beneath a lush canopy of light and shade, echoing ecosystems of drone interleave themselves with crunching rhythmic passages, all culminating on a euphoric plane in a mossy and arboreal slew that induces a full flowering of the third eye. Presented here as No. 910, the 18th release on the No. label and its third limited-edition compact disc, for your enjoyment. All tracks written and produced by Material Object and Ishq. Mastered by Atom TM.

No., founded by Atom TM and Material Object in 2014, celebrate their second birthday in style with No. II. No. II is a collage, a readymade, an assemblage, a synthesis, in short: a spectrum (or "mix") of elements refracted through the prism of the label's output between May 1st, 2015 to May 1st, 2016. Over the 79 minutes, the "mix" traverses a wild landscape of material. A dose here from the lysergic adventures in the concrete jungle of No. Inc.'s G@ng5ta (NO 911CD), a stroll there over the bubbly terrain of Material Object + Ishq's Invisible Light (NO 910CD), the air punctuated by the haunted soundscapes of former member of Severed Heads, Garry Bradbury with Yakovlevian Torque (NO 305CD). Slather on top of that a caustic beat from Raw C + Pharmakustik's Anamorph Specimens (NO 304CD) and then under-grid it all with the morbidly obese frequencies of Atom TM's Texturen series and you have yourself some kind of interdimensional feast. So, welcome to our second birthday party. The cake is burnt, the balloon animals are deformed into impossible and terrifying shapes, the CIA have spiked the punch and you're the clown. Are you invited? No.

Part two of Atom TM's minimalist, ambient magnum opus, Texturen, airdrops you into a void of undulating sonic modulation with nothing but the dream of silent huskies for company. Uwe Schmidt has always been a maestro of harnessing non-repetitive repetition and on Texturen II he takes that to a psychedelic extreme, constructing a smooth, digital crystal within the stereo field. Almost imperceptible sheets of binary sleet superimpose themselves on flows of deep, glacial pulse-width gestures. The ensemble is minimal but ever-fluctuating, expansive but hyper-detailed. A frozen mirage. Here, the vistas are endless, the peaks illusory, the troughs few and the symmetries pure. Eat your rations, try to keep moving and don't go snow blind. Available on limited edition compact disc.

No. return with a new addition to the abstract "300" series by one-time member of the influential Australian electronic project Severed Heads: Garry Bradbury. Sydney-based Bradbury is known for his boundary-bending audio-collage and analog synthesis outbursts and has a career spanning three decades that is still blazing well into the 21st century. Here he presents his fifth solo album for No. Yakovlevian Torque might be the most diverse No. release to date, combining audio sources such as traditional "found sound" TV samples and analog and digital synthesis. Always on the verge of being slightly humorous, silly, or deadly serious, Bradbury balances moods and emotions, making this album not just a journey into his own mind. Yakovlevian Torque is a 13-track workout worthy of your attention deficit disorder. All tracks written by Garry Bradbury. Mastered by Atom TM. Artwork by Garry Bradbury.

No. Inc. are Material Object and Atom TM. With their second album, titled G@ng5ta, they deliver a trippier version of ambient music, triggered by an unexpected genre collision appropriately numbered No. 911. Mixing arguably two of the most opposed ends of the musical spectrum -- traditional electronic ambient and gangster rap -- the artists create an urban soundscape for lysergic adventures in the concrete jungle. Starting off with a frozen gunshot sound, the album continues exploring where No. Inc. began their first album, Early Reflections (No. 900, 2014): floating textures and drones that create a dense journey through, in this case, the subconscious landscape of a West Coast gang member. With slightly less synthetic elements, such as the track "Street Texture 911" (which incorporates US police radio recordings and pays tribute to the works of Tetsu Inoue) G@ng5ta expands ambient music into truly unexpected realms. Grand Theft Autonomy of your audio senses in this album-length No. adventure. Enjoy it all without leaving the comfort of your own head.

Limited edition of 200. If there is anyone left with a sci-fi vision of the future, it's Raw C and Pharmakustik. The pair, both of whom released solo work on No. in 2014 and '15, decided to collaborate on a full-length album titled Anamorph Specimens. The 50-minute masterpiece joins both artists' sonic universes in a perfect manner. Its six tracks are strange and dark, each pulsating in its own funky frequency. The artists state: "Anamorph Specimens focusses on the interaction between propulsive rhythms and organic ambient compounds morphing by realtime sound-processing. The wide screen-pictures appearing in the listener's mind constantly change and thus can be described as anamorph torsions of audio sculptures. All rhythms and ambient sections have been altered by various tools like notch-filtering, frequency-shifting and timestretching. Multidimensional textures from high to low in which sound events appear and disappear, animate the listener to perceive the tracks through different 'lenses'." All tracks written and produced by Cristobal Rawlins and Siegmar Fricke. Mastered by Atom TM. Artwork by Material Object.

No. proudly presents its third 12" release, No. 905: No. Inc.'s Early Reflections II EP. No. Inc. is Material Object and Atom TM, the duo who launched No. in early 2014 with the Early Reflections album. Early Reflections II continues No. Inc.'s practice of releasing a track from that album, previously only available digitally, alongside a new techno cut forged from refractions of the original theme. The A track explores ambient psychedelic regions while the AA dives into bass-heavy, cavernous techno. Presented in a special die cut sleeve with cutout No. triangle. Limited to 450 copies.

Sagittarius A is a bright and very compact astronomical radio source at the center of the Milky Way, near the border of the constellations Sagittarius and Scorpius. It is part of a larger astronomical feature also known as Sagittarius A. Sagittarius A is also believed to be the location of a supermassive black hole. As a consequence, the artist behind Sagittarius A's Omega Point EP, wishes to remain anonymous. The EP's main title "Omega Point" can be described as a blend of stripped-down techno/acid and deep ambient textures, and provides full dancefloor functionality while remaining in a sphere of its own. Remixed by Material Object.

No. Inc. are Material Object and AtomTM. Both artists launch their No. label imprint here with a taste of their forthcoming full-length Early Reflection. The tracks featured on this EP are the ambient piece "Early Reflection Part I" and the technoid "Refraction I." While side A explores the realms of textures and soundscapes, side AA, which is exclusively released here, expands into rhythmical codes and thereby outlines possible horizons both artists are envisioning for their No. platform. Housed in a special sleeve (cut out No. triangle), pressed on 180 gram vinyl and limited to 300 copies.