Anne runs for re-election to the town council, shepherded by Matthieu, her fellow candidate and campaign manager. Her husband, Gérard, a businessman and philanderer, hates the campaign and feels vindication when a nasty leaflet circulates about their family history. His son, François, just back from the U.S., is in love with his step-sister Michèle, and she with him, although something is amiss besides their being cousins. Watching it all is their elderly Aunt Line, who has her own haunting memories. A death in World War II and a death on election night collapse time in the perpetual present and bring unexpected expiation. There's a lot to celebrate.

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Review :

Family Secrets!

"La Fleur du Mal" (Flower of Evil) unfolded like a multi-layered nineteenth-century novel. There was a plot involving politics, a plot involving romance, and the deep family secrets that appear to have afflicted the characters in a multi-generational curse. One of the characters even refers to their lives as the equivalent of a novel by Emile Zola.

I appreciated the rich psychological levels of the characters and the fine performances under the direction of Claude Chabrol. The character of Aunt Line as played by Suzanne Flon was especially moving. There were effective emotional moments involving reverie and interior monologue that conveyed great depth of feeling. In American films, we would have been given generic "flashback" scenes. In the more subtle European film-making style, the performer conveyed the past through emotional expression.

Like so many of the great nineteenth-century novels where everyone seems to be marrying his or her cousin, so too in "La Fleur du Mal" one of the plot lines focuses on a young man and woman deeply in love, who realize that their bloodlines are too close for comfort. Some of the film's most intense scenes are those in which the couple seeks to understand their complex family ties.

Interestingly, this eclectic film is not without dark humor, including a truly bizarre sequence related to an accidental murder. Stylistically, this is a film experience with lush cinematography of the contemporary Bordeaux region, filled with sensitive compositional choices and careful set-ups. If the characters had been outfitted in nineteenth-century costumes, this really could have been a Zola novel.