This week I shipped the painting I’ve been working on over the past few months – a wedding painting based upon plein air sketches done at the event. I heard tonight that it had been happily received by the newlyweds who are no doubt reliving memories of a wonderful event.

My on-site study provided all the information I needed to do this studio piece for their new home. They were a pleasure to work with every step of the process, and I hope this piece will bring them joy for many years to come.

The couple selected the wedding reception location based in part on the beauty of the courtyard tree, illuminated at night, so that was the focus of the painting. They were not interested in having recognizable people, but rather wanted to capture the mood and romance of the setting, allowing the forms of the guests to merge with the background as abstract shapes.

The clutter of tables and chairs would also be a distraction, so we eliminated them. On the night of the reception, the lights didn’t work in the bougainvillea in the background, but I painted them as they would have been had the lighting gone as planned. Improvisation is part of the plein air painter’s bag of tricks – and with each experience we learn new ways to adapt and create.

A lot of people ask me if it stresses me out to do this kind of painting. Surprisingly, it doesn’t. Maybe it’s because I do a lot of live event painting – the first time was certainly more challenging. But I think it’s also that the happiness of the event keeps my energy going. And as a live event painter I’m there not only to capture a visual impression of the evening but to be one of the “cast of players” who provide entertainment. Interacting with the guests and talking about what I’m doing is part of the job. So my husband and I made a weekend of it, enjoying the sights of Sedona along the way, making memories and charming new friends, too.