This book examines the concepts of Post/Humanism and Transhumanism as depicted in superhero comics. Recent decades have seen mainstream audiences embrace the comic book Superhuman. Meanwhile there has been increasing concern surrounding human enhancement technologies, with the techno-scientific movement of Transhumanism arguing that it is time humans took active control of their evolution. Utilising Deleuze and Guattari’s notion of the rhizome as a non-hierarchical system of knowledge to conceptualize the superhero narrative in terms of its political, social and aesthetic relations to the history of human technological enhancement, this book draws upon a diverse range of texts to explore the way in which the posthuman has been represented in superhero comics, while simultaneously highlighting its shared historical development with Post/Humanist critical theory and the material techno-scientific practices of Transhumanism.

There have been books on the Beats; there have been books on the Beatles; but there has not been a book linking the two. Ditto Jack Kerouac and Bob Dylan. This is a sustained study of the spiritual revolution made by the Beats and of its impact on popular song.

Heads: A Biography of Psychedelic America uncovers a hidden history of the biggest psychedelic distribution and belief system the world has ever known. Through a collection of fast-paced interlocking narratives, it animates the tale of an alternate America and its wide-eyed citizens: the LSD-slinging graffiti writers of Central Park, the Dead-loving AI scientists of Stanford, utopian Whole Earth homesteaders, black market chemists, government-wanted Anonymous hackers, rogue explorers, East Village bluegrass pickers, spiritual seekers, Internet pioneers, entrepreneurs, pranksters, pioneering DJs, and a nation of Deadheads. WFMU DJ and veteran music writer Jesse Jarnow draws on extensive new firsthand accounts from many never-before-interviewed subjects and a wealth of deep archival research to create a comic-book-colored and panoramic American landscape, taking readers for a guided tour of the hippie highway filled with lit-up explorers, peak trips, big busts, and scenic vistas, from Vermont to the Pacific Northwest, from the old world head capitals of San Francisco and New York to the geodesic dome-dotted valleys of Colorado and New Mexico. And with the psychedelic research moving into the mainstream for the first time in decades, Heads also recounts the story of the quiet entheogenic revolution that for years has been brewing resiliently in the Dead's Technicolor shadow. Featuring over four dozen images, many never before seen-including pop artist Keith Haring's first publicly sold work-Heads weaves one of the 20th and 21st centuries' most misunderstood subcultures into the fabric of the nation's history. Written for anyone who wondered what happened to the heads after the Acid Tests, through the '70s, during the Drug War, and on to the psychedelic present, Heads collects the essential history of how LSD, Deadheads, tie-dye, and the occasional bad trip have become familiar features of the American experience.

The gritty business of politics is not something we usually associate with the occult. But esoteric beliefs have influenced the destiny of nations since the time of ancient Egypt and China, when decisions of state were based on portents and astrology, to today, when presidents and prime ministers privately consult self-proclaimed seers. Politics and the Occult offers a lively history of this enduring phenomenon. Author and cultural pundit Gary Lachman provocativly questions whether the separation of church and state so dear to modern political philosophy should be maintained. A few of his fascinating topics include the fate of the Knights Templar and the medieval Gnostic Cathars, the occult roots of America and the French Revolution in Freemasonry, Gurdjieff and the swastika, Soviet interest in UFOs, the CIA and LSD, the Age of Aquarius, the millenarian politics that inform the struggle with Islamic terrorism, fundamentalism, and more.

Writers have been killing themselves for centuries. From Petronius in ancient Rome to the 20th Century Japanese novelist Yukio Mishima, writers, more than any other kind of artist, have taken their own lives in an extraordinary number of ways. With bullets, poison, drugs and swords, poets, playwrights, novelists and philosophers have sent themselves off into the big sleep. Others, one step shy of that last exit, have made great literature about the urge to self-destruction. For the first time, Gary Lachman investigates the many links between self-death and the written word, bringing together an unusual gallery of literary greats and a host of other fatal characters. Typically for Dedalus, the covers gorgeous. Sasha Selavie in QX International Dead Letters ultimately proves to be at once stimulating and thought-provoking and the section devoted to various suicidal writings is most diverting. Peter Burton in One80 Reviews

Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors and even Vincent Price to create a unique vision of savage poetry and lacerating despair: Witchfinder General. He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves' earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on the Revenge of the Blood Beast. here for the first time - draft scripts, correspondence and original documentation pertaining to the controversial censorship of Witchfinder, and Reeves' struggle with his own, private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter.

The occult was a crucial influence on the Renaissance, and it obsessed thinkers like Isaac Newton. Works of brilliance, sometimes even of genius were produced under the influence of occultism. Yet, not too infrequently, it also opened the door on a peculiar kind of madness. The Dedalus Book of the Occult celebrates the influence of occult thought and sensibility on some of the central poets and writers of the last two centuries, beginning with the Enlightenment obsession with occult politics, through the Romantic explosion, the paradoxically decadent and futuristic occultism of the fin de siecle, and the deep occult roots of the modernist movement. Swedenborg, Baudelaire, Huysmans and Strindberg are only some of the names to feature in this hidden history of western thought.

-- What is consciousness like?-- How can consciousness be achieved?Gary Lachman argues that consciousness is not a result of neurons and molecules, but is actually responsible for them. Meaning, he proposes, is not imported from the outer world, but rather creates the world.He shows that consciouness is a living, evolving presence whose development can be traced through different historical periods. Concentrating on the late nineteenth-century onwards, Lachman exposes the 'secret history' of consciousness through thinkers such as P. D. Ouspensky, Rudolf Steiner, and Colin Wilson, as well as more mainstream philosophers like Henri Bergson, William James, Owen Barfield and psychologist Andreas Mavromatis.Two little known but important thinkers play a major role in Lachman's argument: Jurij Moskvitin, who showed how our consciousness relates to the mechanisms of perception and to the external world; and Jean Gebster, who presented perhaps the most impressive case for the evolution of consciousness.This is a far-reaching book from an exciting contemporary thinker.