In Finocchio: The Holiday Classic, I reimagined the idea of the commercial holiday window popular in urban centers – taking the format of the sequential visual narrative and injecting it with contemporary themes of postmodern gender theory, technologies that can alter the body, mental illness, and addiction. The storyline was a twist on Pinocchio. However, instead of being centered on a puppet who wants to assimilate as a normal boring human boy, Finocchio focused on a marionette “trapped” in the body of a non-binary human and hir journey to self-actualization through fabulousness.