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Morgan Craig is moved by the now abandoned architectural surroundings of the late nineteenth and earl twentieth centuries. Craig finds a sense of austerity, beauty, and remembrance to the structures and spaces created for specific purposes, paying homage to that which has been abandoned or forgotten.

Rail stations, buildings and factories from an age of manufacturing and industry are instilled with a sense of beauty and peacefulness. As Craig states “I use perspective and color to portray these hall of melancholy as sanctuaries of light, renewal, and the forgotten.”