The work Tate Britain is showing, ‘Sothiou’, is a silk-screen print of one of Ms Saye’s photographs from the series ‘Dwellings: in this space we breathe’ that is being shown in Venice.

It is being shown in a small memorial gallery, along with wall text that reads: ‘In memory of Khadija Saye and all who lost their lives at Grenfell Tower on 14 June 2017.

‘”Sothiou” is from a group of works by Khadija Saye under the title “Dwelling: in this space we breathe”, which is included in the Diaspora Pavilion at the Venice Biennale until 26 November 2017.’

Khadija Saye’s work was deeply personal (Picture: Jealous gallery and The Studio of Nicola Green/Tate Britain)

Andrew Wilson, one of the Tate’s senior curators, said the display ‘celebrates the leap that Khadija made with this work, and might also stand in some way as a means to remember her and her neighbours in the community in Grenfell Tower who were tragically killed’.

British-born Saye was a photographer and artist whose work explored her Gambian heritage. Her photographs and prints were all portraits, and tended to be extremely personal to her, which the Diaspora Pavilion’s co-curator David Bailey had said was ‘pretty brave for someone of that age’.

At just 24, Ms Saye was the youngest artist being included in the pavilion.

Ms Saye was just starting to attract critical acclaim for her work (Picture: Twitter)

When she died, she was just starting to enjoy attention and praise for her work from well-known art world figures.

In his review of the Biennale published just three-and-a-half weeks before the fire, Sunday Times art critic Waldemar Januszczak wrote: ‘Khadija Saye makes gorgeous wet collodion tintypes in which this haunting 19th-century photographic process heaps poetry and sadness onto her imagery.’