The label of "indie" is omnipresent…but what does it really mean?

Menu

Indie Music That’s All But Neutral

I really like Neutral Milk Hotel’s album, In The Aeroplane Over the Sea. What mesmerized me the most was the unique and mostly upbeat folk sound of each song, intertwined with the heavy, vivid, and solemn lyrics; along with the eeriness of some of the instruments added in.

Each song has many components in it- and while the songs seems simple and easy to follow (many times riffs are just repeated), there are different instruments highlighted throughout, sometimes in strange lengths and overlays. Skilled band member and mix-board translator, Laura Carter mentioned that with “so much was happening onstage that without someone helping [the soundman would get confused].” Listening to “Communist Daughter” at first sounds like a quiet warm-up– gritty guitar (or maybe accordion) notes fill the background as an acoustic guitar and trumpet simply play over it. The song ends with the weird mix of electronic overlay and fades without any melody from the guitar or trumpet. This odd complexity comes from one, the musical instincts of the band; and two, their freedom from mainstream institutional forces. Cooper writes that “…chaos was a friend to the band.” They placed that chaos purposefully in the songs, (and sometimes mistakenly in live performances), to have a sound independent from others that is also open to more musical interpretation. A major studio wouldn’t give that band so much creative leeway in production and performance.

If the music doesn’t hit your emotions, the lyrics will. I believe the lyrics of all their songs prove their title of “indie”. First off, many of the songs juxtapose music and words- for instance, “Holland, 1945”. The catchy and upbeat, folk-rock sound is contrasted as one listens to the lyrics more closely. As the song sings about what I assume to be World War II, the last stanza goes:

‘And here’s where your mother sleeps
And here is the room where your brothers were born
Indentions in the sheets
Where their bodies once moved but don’t move anymore
And it’s so sad to see the world agree
That they’d rather see their faces fill with flies
All when I’d want to keep white roses in their eyes’

It’s full of emotion, of sadness and yearning; which I think is emphasized when sung against the unique/’happier’ music. Lines of death and war are not very common in mainstream music- moreover lyrics that make the listener think about this troubling theme and interpret it for themself. An emotionally heavy song that lends much interpretation is “Two-headed Boy Pt. 2”. It focuses on the lyrics as there’s only guitar and singing, with some ambient sounds. Personally, I had to listen to the song three times, and look up the lyrics until I formed my opinion about the theme. This in itself is “indie”, the media text is engaging with the audience, spurring thought and dialogue. (I had to ask my roommate what she thought of it after playing it for her!) None of this could be done as successfully without being independent from the mainstream.

Post navigation

One thought on “Indie Music That’s All But Neutral”

Great post. I tend to think folk music when I think indie, at least in the past. I would agree the blend of instruments embodies the nature of indie being outside of the social norms and working out of mainstream. I had to listen to a couple of songs over and over to capture the music and look up lyrics. With the unconventional style indie artists bring, they almost have to be lyrically driven. I think a great example of this would be “Andy Warhol” by David Bowie. The intro is weird and sounds like nothing I have listened to before. Bands like Neutral Milk Hotel create a warm nature rhythm with friendly blends of instruments to counter their dark natured lyrics. I had to listen to the music again to just concentrate on the lyrics. Andy Worhol’s involvement with The Velvet Underground was interesting in the fact that he took an isolation approach to keep the music raw and untouched. Would The Velvet Underground have had success without Worhol’s credit and influence? Or would they have had to “sell-out” and change up the purity and sound of their music for a major label?