Darren Hayman will release his enthralling and ambitious new album Thankful Villages via Rivertones on 3 June.

A Thankful Village is a village in Britain where every soldier returned alive from World War I. The writer, journalist and educator Arthur Mee coined the term ‘Thankful Village’ in his series of guidebooks, The King’s England in the 1930s. Darren Hayman visited each of the 54 Thankful Villages and, focussing on village life, made a piece of music and a short film for every one. Some take the form of instrumentals inspired by the location, some are interviews with village residents set to music, others are new songs with lyrics or found local traditional songs.

This is the first (of three) volume of the project and contains the first 18 villages that Darren visited during 2014/15. The pieces do not necessarily refer to the Great War, rather they portray the village and it’s communities at many points in history. In “Stocklinch” Ros tells a story of a painting of the old church changing hands through the village, whilst in “Strethall” Darren sings a story of infidelity from the parish records from 1607 and in “St Michael, South Elmham” Dolly tells the story of her melodeon playing father and his adventures in Salonika.

One of the most catchy songs on the album is the final track, “Bradbourne”. Written at a low point for Darren, the song is nonetheless an uplifting collage of vocal harmonies about how, despite not being religious, the churches in the Thankful Villages acted as a refuge from life’s troubles.

Many pieces are instrumental, with Darren sitting on a blanket in a graveyard, teasing out melodies on old wooden instruments amongst bird song and the soft braying of cattle. Lyrics also appear with Darren writing on old church organs and weaving the local congregations into his songs.

Thankful Villages is a collage of Britain’s hidden places. Rich in history and community, Thankful Villages is a further chapter in Darren’s journey through the country underbelly. Recent records include laments for lost Lidos, re-imagined 19th Century political chants and a tale of terror set in during the English Civil Wars.

Darren Hayman returns with a beautifully delicate and touchingly honest album simply titled Florence after the city in which it was created. This is his very first purely solo album, featuring no other musicians. It was written and recorded between Christmas and New Year at the end of 2014 in the Firenze flat belonging to Elizabeth Morris (Allo Darlin’) and Ola Innset (Making Marks). Continuing his habit of making incisive, observational and beautiful albums, with Florence Hayman has taken a back-to-basics approach, eschewing his recent collaborative, conceptual approaches for a humble and modest solo effort, entirely recorded and performed in the Italian apparetemento of his hosts.

est known as the singer-songwriter of the phenomenally successful and much-loved Hefner, Darren Hayman is now 15 years, and over 14 albums, into an increasingly idiosyncratic career path, where he has taken a singular and erratic route through England’s tired and heartbroken underbelly. Darren is also writing the best tunes of his career; increasingly complex and mature songs, he is a thoughtful, concise and detailed songwriter.

Hayman’s first two solo albums, Table For One (2006) and The Secondary Modern (2007), charmed the critics – with The Guardian opining that Hayman’s profoundly English songwriting was “the match of Ray Davies”. Mostly joined by his band The Secondary Modern – a loose, urban folk collective, underpinning Hayman’s concrete sorrow with rural violins and tired pianos – he has released a series of albums,

largely focused on place. This allowed for the exploration of nuanced subjects in detail, with a trio of albums based in Essex (2009’s Pram Town and 2010’s Essex Arms) and culminating in 2012’s The Violence, a 20-song account of the 17th century Essex witch trials. From this he developed an album of English Civil War folk songs of the time (2013’s Bugbears) and stayed with the historical theme for this year’s Chants For Socialists, which saw him set William Morris’ words to music, creating an album of kindness and hope that brought Hayman’s most critical acclaim yet.

Florence is sparse and poignant. Tinged with melancholy and etched with heartache, revealing the very best of Hayman’s considerable songwriting verve, this collection of songs shows what you can achieve whilst on holiday at a friend’s house, taking refuge in the winter quiet during the festive season.

‘As I’ve said previously on here, the most fun I have onstage and in the studio at the moment is with Papernut Cambridge. On this record I’m playing keyboards, bass, percussion and saxophone. Songwriter and head ‘nut’ has gone back to his childhood and recorded the pop classics that shaped his Papernut masterplan.’

Vinyl and CD set:

Transparent orange 140g vinyl LP in a white/orange/silver sleeve + CD version in a white/orange/silver wallet. Mixes/edits on the CD are slightly different from the vinyl versions. This set does not include a download of the album. Price includes postage and packing.

darren and emma seek sunlight. they hate rules. they make rules. they need money to nurse their baby rats. nothing will be good again. it can never be like before. but sister lives. where is spaceship mark.