Saturday, October 23, 2010

Po.et.ry comes from the Greek word poico, "to make" or "to create". A complete definition of poetry is impossible, its higher qualities defying analysis and description. According the etymology of the word it signifies a production or creation of any kind; but in actual use it app.lies to the products of the imagination and to the form or language in which they are expressed. Here the critics differ as to whether any composition should be called poetry unless it is constructed in regular measure or matter - that is, whether it must be poetic in form as well as in essence. Certain it is that our literature as well as the literature of other nations abounds in works highly imaginative and composed in truly poetic language, but which are generally called prose works because of their form has not been reduced to meter or rhyme. The book of Ruth in the Old Testament is decidedly poetical in its substance, but prosaic in form, and the same may be said of the book of Job and the writings of the prophets. But whether we consider rhyme and meter essential to poetry or not, they greatly increase not only its beauty but its effect.

The reason of this is that the music of the words so arranged heightens the emotion produced by their meaning, and thus furthers the end that the poet has in view; and so the poet is ever a "maker" as well as a singer. But, on the other hand, neither meter alone nor meter combined will constitute poetry, unless there be truly poetic thought clothed in poetic language. The three principal kinds of poetry are the epic, the lyric and the dramatic. The first of these refers in general to poems that are to be read or recited, not sung. It included matters of narration, real or fictitious, philosophical reflections, etc. Lyric poetry includes the song in all its varieties, the hymn, the ode, the anthem, the sonnet, etc. Dramatic poetry embraces tragedy and comedy. In actual poetic compositions the distinction between these divisions of poetry is not always clear, as each one of them frequently contains elements belonging to the others.

Observe in the third scene closely, what is being said and what you're witnessing transpire. This female with her hair which is constantly changing colors(formlessness-wisdom-intuition) manages to slip into this well guarded fortress(the mind). We must never assume that intellection is the substitute for the internal experience of the individual. The mind is the instrument of recollection and also enables us to take a particular experience and expand it or extend it over a larger area of circumstances. The mind can take the key achieved by intuition and place it in many locks giving us broader insight then we previously possessed. But the mind unless it is moved by the spine, itself it is merely an intellectual tyrant. Therefore you have the Mahayana Buddhist text, The Voice of the Silence, says: "Mind is the great Slayer of the Real. Let the Disciple slay the Slayer." The "Real" is beyond mind. But only the mind of the disciple slays the Real. It becomes the slayer. That is just the philosophical standpoint, that scene is something which can be considered literally as well, since women have been genetically altered and used as spies. [see Samson and Delilah]

Do not give dogs what is holy; and do not throw your pearls before swine, lest they trample them underfoot and turn to attack you. (Jesus Christ, Matthew 7:6) As Christ himself understood, talking in parables is often the best way to teach a lesson, for it allows people to realize the truth on their own. Communication depends on metaphors and symbols, which are the basis of language itself. A metaphor is a kind of mirror to the concrete and real, which it often expresses more clearly and deeply than a literal description does.

At the heart of Freemasonry is allegory and symbolism.The moment we lock our thoughts in words we restrict our meanings and hand our will to the creator of those words. Dogmatism has been imposed on symbols and concepts which grow by peoples lack of understanding. There could be a thousand interpretations already known for a certain symbol but if we are content to accept any or all of them we shall shall someway deprive ourselves of the greatest adventure of all and that is personal exploration of the idea, the search within ourselves for meaning. The language of symbolism invites us all to search for meaning. Symbolism is a language in itself, it relates to things about which there is no common knowledge.

In Symbolic languaging you have statements used to conceal tremendous truths. The most powerful symbol goes beyond action into symbol. The power of a symbol - a flag, a mythic story, a monument to some emotional event - is that everyone understands without anything being said. Never neglect the way they arrange things visually. Factors like color, for example, have enormous symbolic resonance.

A symbol can contain dozens of meanings in one simple phrase or object. The Ruse of the Stars (Zoroaster) is a trick that has been used for thousands of years. Symbols can be used as an instrument that strikes with an emotional power and immediacy that leaves no gaps for reflection and doubt. Imagine the Moon Doctor trying to make a case for his medical practice, trying to convince the unconverted by telling them about the healing powers of the moon, and about his own special connection to a distant object in the sky.

Fortunately for him, he was able to make a compelling spectacle that made words unnecessary. The moment his patients entered the beer hall, the image of the moon spoke eloquently enough. The use of scapegoats is as old as civilization itself, and examples of it can be found in cultures around the world. The main idea behind these sacrifices is the shifting of guilt and sin to an outside figure - object, animal, or man - which is then banished or destroyed. The Hebrews used to take a live goat(hence the term "scapegoat") upon whose head the priest would lay both hands while confessing the sins of the Children of Israel.

Having thus had those sins transferred to it, the beast would be led away and abandoned in the wilderness. With the Athenians and Aztecs, the scapegoat was human, often a person fed and raised for the purpose. Since famine and plague were thought to be visited on the humans by the gods, (also known as - NEANDERTHALS) in punishment for wrongdoing, the people suffered not only from the famine and plague(science) themselves but from blame and guilt. They freed themselves of guilt by transferring it to an innocent person, whose death was intended to satisfy the divine powers and banish the evil from their midst.

It is an extremely human response to not look inward after a mistake or crime, but rather to look outward and to affix blame and guilt on a convenient object. When the plague was ravaging Thebes, Oedipus looked everywhere for its cause, everywhere except inside himself and his own sin of incest, which had so offended the gods and occasioned the plague. This profound need to exteriorize one's guilt, to project it on another person or object, has an immense power, which the clever know how to harness. Sacrifice is a ritual, perhaps the most ancient ritual of all; ritual too is a wellspring of power. In the killing of de Orco, note Cesare's symbolic and ritualistic display of his body.

By framing it in this dramatic way he focused guilt outward. The citizens of Romagna responded instantly. Because it comes almost naturally to us to look outward rather than inward, we readily accept the scapegoat's guilt. The bloody sacrifice of the scapegoat seems a barbaric relic of the past, but the practice lives on to this day, if indirectly and symbolically; since power depends on appearances, and those in power must never seem to make mistakes, the use of scapegoats is as popular as ever. What modern leader will take responsibility for his blunders? He searches out for others to blame, a scapegoat to sacrifice. Is it any wonder why they call children KIDS (baby goats) who seem to be the excuse for these charity Masonic scam organizations to promulgate their agenda?

Wednesday, October 20, 2010

Simoom or SIMOON is a hot suffocating wind, common in the deserts of Africa and Arabia. It is very much like a cyclONE, with a calm center surrounded by whirling blasts of very hot air, the whole moving slowly from south to north, or east to west. It often carries along columns of sand, and is indicated by a purple atmosphere. It is very injurious to both humans and animals, causing severe pain and a feeling of suffocation. It lasts only for a few minutes, not more than twenty at the most, and occurs in spring and summer.

Simonians were an ancient sect founded by a sorcerer of Samaria mentioned in the book of Acts named Simon Magus or the magician. Simon Magus claimed to be the great power of God, thinking that the gifts of the Holy Ghost were venal, and to be purchased with money. He is said to have invented the Aeons, which were so many persons of whom the Godhead was composed. His concubine Helen, he called the first intelligence, and mother of all things; and sometimes called her Minerva, and himself Jupiter. Simon Magus gained a great many proselytes, who paid himself and his concubine divine worship. Justin Martyr says that he went to Rome, where a statue was erected to him with the inscription "To Simon the Holy God." Hippolytus records that he met Peter at Rome and that he ordered his followers to bury him, promising to rise on the third day. But these stories rest on very uncertain foundations and leave only as certainty the existence of a great con man skilled in the arts of Magism.

Simon says is a game for three or more players (most often children). One of the people is "it" – i.e., Simon. The others must do what Simon tells them to do when asked with a phrase beginning with "Simon says". If Simon says "Simon says jump", the players must jump (players that do not jump are out). However, if Simon says simply "jump", without first saying "Simon says", players do not jump; those that do jump are out. In general, it is the spirit of the command, not the actions that matters; if Simon says "Simon says touch your toes", players only have to show that they are trying to touch their toes. It is the ability to distinguish between valid and invalid commands, rather than physical ability, that matters here.

It is Simon's task to try to get everyone out as quickly as possible, and it is every one else's job to stay "in" for as long as possible. The last of Simon's followers to stay in wins (although the game is not always played all the way through).

It is considered cheating to give impossible commands ("Simon says 'lift both of your legs up and keep them there!'.") or phrase the commands in such a way that the other player has no option but to 'go out' ("Simon says 'jump up'. Come down."). However, at least in some versions, it is allowed for Simon to eliminate players by asking them to do something seemingly unrelated to the game (example: "Anyone remaining join me up here.")

What is this place? It all depends on how much you want to know! Our lives are ruled by the C(L)OCK. The NEWS on the HOUR every HOUR so the Masses RELY on the LIARS to tell the LIES and keep them in ILLUSION. The Turkey Vulture Media! Observe and Analyze(anna lies) the symbolic significance of the Turkey Vulture; the RED head represents PERsia at the head of it all, leading the way for the rest of the BLACK BODY which are the (ignite)IGNorANT masses lost in darkness and the VULTURE part, we all know that by now. Turkey is what used to be known as the (automan~boeing) Ottoman empire. They speak with forked tongues(boasting they have the wisdom), the WORDS they use to persuade us which virtually invite us to reflect on them with the PROGRAM they have given us and we often end up believing the OPPOSITE of what they say. The power of the WRITTEN and SPOKEN WORD stirs up arguments and makes divisions.

The Lyre is one of the oldest forms of stringed instruments. The Greeks had a tradition that Mercury formed the lyre out of the shell of a tortoise(links to the OLD ONES); but as a matter of fact, we must seek for its birthplace in Asia, and to infer its introduction into Greece through Thrace or Lydia. The Egyptians also had a tradition that the lyre was first invented in their country, but they seem to have adopted it from Assyria or Babylonia. The Egyptian lyre is unmistakably SEMITIC. The lyre, unlike the lute, cannot be stopped by the fingers and its sounds be thereby multiplied; and as the numbers of its sounds can be no greater than the number of the strings, since the introduction of the modern musical scale it has fallen into disuse.

THE BIRDMEN GOT IT FROM OBSERVING NATURE!

The Lyre bird is a kind of bird of which the best known species is a native of New South Wales, where it is generally called the lyre pheasant. A bird about the size of a pheasant, it frequents the sparsely wooded country in New South Wales, but retreats from the more inhabited districts, being extremely shy and hard to approach. It is the largest of all song birds and has the rare power of imitating the songs of other birds and the sounds of other animals. The tail of the male bird has twelve long, splendid feathers and two exterior feathers curved like the sides of an ancient lyre.

The winged messenger, god of commerce, patron SAINT OF THIEVES, gamblers, and those who DECEIVE through SWIFTNESS. The day Mercury was born he invented the LIE...er....I mean lyre/liar; by that evening he had stolen the cattle of Apollo. He would scour the world, assuming whatever form he desired. Like the liquid metal named after him, he embodies the elusive, the UNGRASPABLE - the power of FORMLESSNESS.

F.Y.I. Plato mentioned in his "Republic"(The BEE-HIVE hand-guide) that music had to be controlled by the system because it had a strong influence on the minds of the youth. Just look at the music industry today. Listen to the LYRICS (Liar I See)to all the popular songs and see for yourself. The Pythagoreans likened a just and well-ordered society to a well-tuned lyre. While each note retains its individuality, all are proportionally linked together in a larger whole to form a musical scale, and all are interdependent in terms of their reliance on one another. (See Plato, Republic 443 D–444). Justice is present in any well-functioning organism, society—and also the soul.

Father Robert PARSONS, the head of the English Jesuits, was born in 1546 in Somer.set.shire and went from Oxford to Baliol College, where he took his degrees and became a tutor, twice taking the oath abjuring the pope but never taking orders in the English church. He was forced to retire from Oxford and shortly afterwards, becoming a Roman Catholic, he went to Padua to study medicine , but changed his mind and went to Rome, where he offered himself to the Jesuit society in 1575 and became a Jesuit priest in 1578. In 1580 he was selected with Campion to Jesuit missionary work in England and landed there in disguise on June 11, immediately beginning vigorous, secret and highly successful work. For a year he continued but when Campion was taken, Parsons escaped to the continent and never returned to England. Although cautioned not to interfere in matters of state, he began to formulate the plans for a Catholic invasion of England which terminated in the unsuccessful Armada, after which he organized theological seminaries in Valladolid, St. Lucas, Seville, Lisbon and St. Omer. He died at Rome on April 15, 1610. Some of his best known writings are, The Conference on the Succession to the Crown, in which he advocated the right of the people to dispose the natural heir for religious reasons, and the possession of a copy of which parliament made treason; Reply to the Edict of Elizabeth; Memorial for the Reformation; His Apology and Manifestation of the Great Folly and Bad Spirit of Certain in England Calling Themselves Secular Priests.

Saturday, October 16, 2010

Parsees is the name of the few remaining followers of the Persian religion of ZOROASTER. That which remains of the teachings show that at first the belief centered in a single Moho god, but that the god had two(Polarizing Polaris People! ) spirits, a reality and a non-reality, which soon led to the worship of two gods, a god of good and a god of evil. The religion flourished up to the time of Alexander the Great,(The Great Work) but after his death it declined until 212 A.D., when Artaxesrxes caused the book (Zend) to be restored, and spread it throughout the land. The priest of whom there were 40,000, became very powerful and the religion flourished again until the defeat of the Persians in the battle of NahaVAND by Omar in 651 A.D. Thereupon the greater portion became Muslims, but many fled, some going to India where they lived under English rule and are much respected. In 1881 there were 73,760 Parsees in British India. They eat nothing cooked by a person of another religion and no beef or pork; prohibit polygamy, and do not bury their dead, but expose the bodies upon an iron grating. the symbol of their god is the sun and the worship is by perpetual fire(see Vestal Virgins) upon the altars.

Parse[Lat. pars] a part (of speech). To analyze and describe grammatically, as a sentence. ie CASTING A SPELL

Parson[Lat. persona] 1. Priest of a parish 2. A clergyman

Perceive[Lat. percipere] [French. per and capere , to take , receive] 1. to obtain knowledge of through the senses. 2. To see to be true synonymous with Discern

Precipitant[Lat. praecipitare, tatum,] [French praeceps, headlong] a substance which having been dissolved, is again separated from its solvent, and thrown to the bottom of the vessel, by pouring another liquor upon it.

Precept [Lat. praeceptum, from praecipere, to take before hand, to instruct] Any commandment intended as a rule of action, especially as to moral conduct 2. a species of writ.Synonymous with Doctrine

Persecute~Persevere~Person

Purse[Greek] 1. A small bag of money. 2. A treasury. 3. A sum of money as a prize or present.To contract into folds or wrinkles

Wednesday, October 13, 2010

BLAKE, William (1757-1827). "I do not behold the outward creation. . . . it is a hindrance and not action." Thus William Blake--painter, engraver, and poet--explained why his work was filled with religious visions rather than with subjects from everyday life. Few people in his time realized that Blake expressed these visions with a talent that approached genius. He lived in near poverty and died unrecognized. Today, however, Blake is acclaimed one of England's great figures of art and literature and one of the most inspired and original painters of his time.

Blake was born on Nov. 28, 1757, in London. His father ran a hosiery shop. William, the third of five children, went to school only long enough to learn to read and write, and then he worked in the shop until he was 14. When he saw the boy's talent for drawing, Blake's father apprenticed him to an engraver.

At 25 Blake married Catherine Boucher. He taught her to read and write and to help him in his work. They had no children. They worked together to produce an edition of Blake's poems and drawings, called 'Songs of Innocence'. Blake engraved both words and pictures on copper printing plates. Catherine made the printing impressions, hand-colored the pictures, and bound the books. The books sold slowly, for a few shillings each. Today a single copy is worth many thousands of dollars.

Blake's fame as an artist and engraver rests largely on a set of 21 copperplate etchings to illustrate the Book of Job in the Old Testament. However, he did much work for which other artists and engravers got the credit. Blake was a poor businessman, and he preferred to work on subjects of his own choice rather than on those that publishers assigned him. In the Old Testament, Job is an upright man whose faith in God survived the test of repeated calamities.

Old John with white hair,Does laugh away care,Sitting under the oak,Among the old folk.They laugh at our play,And soon they all say:"Such, such were the joysWhen we all, girls and boys,In our youth time were seenOn the Echoing Green."

Till the little ones, weary,No more can be merry;The sun does descend,And our sports have an end.Round the laps of their mothersMany sisters and brother,Like birds in their nest,Are ready for rest,And sport no more seenOn the darkening Green.

A follower of Emanuel Swedenborg, who offered a gentle and mystic interpretation of Christianity, Blake wrote poetry that largely reflects Swedenborgian views (see Swedenborg). 'Songs of Innocence' (1789) shows life as it seems to innocent children. 'Songs of Experience' (1794) tells of a mature person's realization of pain and terror in the universe. This book contains his famous 'Tiger! Tiger! Burning Bright'. 'Milton' (1804-08) and 'Jerusalem' (1804-20) are longer and more obscure works. Blake died on Aug. 12, 1827.

Swede-Medes(media) making Original Bees

Emmanuel Swedenborg was born in Stockholm, Sweden, Jan 29, 1688, the son of a bishop, and of a noble family. He was graduated at the University of Upsala, and after four years of travel, was given a position in the College of Mines by Charles XII., who became his friend. For some years he busied himself in writing a host of scientific works, mainly practical, on bridges, air guns, docks, blood circulation, copper manufacturing, etc. Suddenly his scientific work stopped, and in 1749-'56 appeared in twelve volumes a Latin work which he called Heavenly Secrets. He announced that the Lord had appeared to him, and sent him to be the herald of a new church, and that his office was to interpret the Word of God according to its true meaning. The New Jerusalem and its Heavenly Doctrine, and many other theological works followed. Swedenborg made no effort to found a church, but confined himself to the work of announcing the new doctrines which were to be it basis. He died in London, March 29, 1772. Since his death religious societies have been founded on Swedenborg's teachings, and are banded together in America as the general convention, and in England as the general conference of the new church. See his Life by Wil.kin.son

OLD ENGLISH PERIODAelfric (955?-1020?), ecclesiastical biographer--'Lives of the Saints'. Alfred the Great (848?-899), translator--Boethius' 'Consolation of Philosophy'. Bede (673?-735), historian--'Ecclesiastical History of the English Nation'. Caedmon (7th century), poet--'Paraphrases'. Cynewulf (8th century), poet--'Christ'; 'Juliana'.

If you care, you may contribute to a "Help Jenny visit Canada" fund by making a contribution online to her Pay Pal address: jenaebdncr@gmail.com

P.S: For those Americans among you who would like to donate to Jennifer yet retain your anonymity, you may purchase an international money order in U.S. currency at any post office in America (if you still live in the U.S.). Under the sender's name you will write "Minnie-Mouse Movement" so as to retain your anonymity. Send to: P.O. Box 774, Kemptville, Ontario, Canada K0G 1J0. The money order should be addressed to: Jennifer Ann Kealey. Donations in the amounts of $25, $50, or $75 would be helpful in assisting Jennifer to visit her husband Glen on a regular weekend visit to Canada. A total sum of $15,000 plus, which is the suggested sum of the “kick back/ransom” required (by CBSA Immigration officer badge #16182)on behalf of CIC Immigration, Jason Kenney, minister is apparently required to begin the process of her husband sponsoring her permanent visitor status. They, CIC, have refused her entry under the spousal sponsorship four times in the last two years before allowing 2 visits recently.

About Me

The information presented on this site from 2008 onward is evidence that I have come across working with the "PREMISE" provided by Glen Kealey National President Canadian Institute for Political Integrity (CIPI) which he describes on his website (wordsculptor.net) It is also findings I have come across after disseminating postings from Glen Kealey and observing things in my own life.