Reviews of music and some things that I like and don't like

Main menu

Tag Archives: Goth

Post navigation

Alien Sex Fiend have been playing their goth-industrial mix since forming in London, England in 1982, and have just released their brand-new studio album, Possessed. This is the first new album since 2010’s hugely successful Death Trip album.

So here is a new album by Mr. and Mrs. Fiend, could you believe that when the Batcave started, that this band would still be around, let alone be this interesting still? I am glad that I’m not a betting man and also glad that they are still putting out fantastic albums like this. With a cool intro, we jump into the album and “Shit’s Coming Down” which has a trancey feel to the titled being sung over and over and the beat just flowing over the song. “It’s In My Blood” has distorted vocals, a throbbing beat and has a mellow, but edge to it that sends shivers up my spine. “Carcass” has the feel of a trance song mixed with a freak out going on at the same time…awesome! “Ghost In The Machine” is kind of a twisted spaghetti western mixed with ambient that makes for a strange, but a cool mix. As before, this is a machine that you can’t ignore. “Amnesia” is kind of minimalist and really stood out as an interesting song that had interesting effects and vibe. “Spine-tingler” is a short song with twisted vocals, then “Gotta Get Back” is a mellow track with quiet vocals that eventually gets a bit more full as more sounds start to enter and is a cool track that sounded great as the thunderstorm hit my area. “Invisible (The Beyond Mix)” reminds me of some of their older songs, but there’s nothing wrong with that at all! The interesting sounds mixed with the insane vocal from Nik just make for a song that made me hot repeat a few times. “Neutron” is an instrumental track that has a bit of twangy guitar and swelling synths that just reach for the stars and it almost has a hint of Pink Floyd in it. “Bloody Reprisal” is a version of “It’s In My Blood” that adds to the original track by being spacey and cool. Last track is “Shit’s Coming Down (Monster Mix)” that adds more effects, a thicker dance beat and more insanity that ends the album off perfectly.

The recording of this album had a very troubled bunch of circumstances that made what was supposed to be a quick follow-up to the previous LP Death Trip a very long journey. The death of guitarist Simon “Doc” Milton in 2012, as well as Nik Fiend being involved in a nasty car accident and Mrs. Fiend’s mother passing away, all took their toll on this album getting done in a timely manner. All I can say is that despite all of the hardships, this was worth the wait and is a fitting memorial to Doc and the Fiends commitment to great music. A band that is and has always been an original and just keeps putting out music that thrills.

Since their emergence in the early ’80s, Alien Sex Fiend have remained one of the most loved and longstanding pioneers of the Goth movement. Fusing themes of horror, humour, inner turmoil and outer space with an industrial and electronic sound years ahead of its time, the band scored countless indie chart hits, found success across Europe, America and Japan and won a dedicated, adoring fan base which exists to this day. The collection is composed of 3 CDs spanning their 35 year history, including five previously unreleased recordings, previously unreleased mixes of “Now I’m Feeling Zombified,” and “I Walk The Line.” There are two brand new tracks from their forthcoming album Possessed, plus artwork by Nik Fiend in the booklet telling the band’s story in pictures, as well as sleevenotes by Kris Needs and Youth.

With the big songs mixed in with album tracks and remixes, this collection gives fans and those curious a look at the band that is without comparison. The band has been in and out of fashion and still marches on to the sound of their own drum machine. Electric and bizarre, they continue to thrill and get people dancing to the mix of strange lyrics and the dance beats that they have been putting out with regularity. The new songs sound right at home, maybe a bit more modern, but fit in perfectly with the sound that they have molded over the years. The booklet has great stories and gives a terrific overview of the band and how they have moved through the years, giving the fans amazing music.

With all of the collections of the band out there, this has to be the one to get, great sound, a collection of obvious and less obvious tracks, and with some rarities added to the two new songs, you just can’t go wrong. Now go out and “Walk The Line” and get Zombified.

If you were around for the early New Wave era, or just curious about when it was still hungry and vital, then this is a box set that you will love. It showcases the early sounds of the synthesizer used in bands to create sounds, noises and in most cases, songs that still raise the hair on your arms. This collection has sixty tracks across four CD, a great detailed booklet, and has bands that you’ve heard of like the Human League, Blancmange, and OMD, to obscure artists that will make you try to hunt down their music….if you can……

This collection goes from the very experimental, with beeps and other strange noises making up songs, to beautiful soundscapes and early industrial. This was just as punk rock at the time as picking up a guitar, maybe more so, since a lot of these were done on homemade machines and with even cheaper materials. The CDs are packed full of songs that were made in a hurry and not with any eye on being on a chart, just made to do something in the spirit of the times and to create something. To think that a lot of these people have moved on and have forgotten about a lot of this, it’s a great collection to get people to hear things that would have been forgotten except for the greedy and horrible collectors who charge an arm and a leg for these singles online. The big song on here is the Human League track “Being Boiled,” but the others all have their charms and I’m glad to have the chance to hear a lot of music that I never had the chance to hear back then. The remastering is fantastic, especially since some of this came off of cassettes, the sound is clear and makes for a great listen.

I could go on and on about the artists and songs, but you just need to go out and get a copy of this collection. While not being definitive….and how could it ever be? The collection is a great beginning to expanding on your idea of what synthesizer music started out as, as well as being sad at how bad a lot of it turned out later in the ’80s.

Alien Sex Fiend is a combination of goth, new wave, and industrial that has been a going concern since 1982 and still continues now. The heart and soul of the band is Nik Fiend and Mrs Fiend who are like the Energizer bunny……..they keep going and going and going…….thankfully for us all. This is a remastered collection of four albums, and the second such collection of their music in this format. You get Here Cum Germs, Another Planet, Curse, and Open Head Surgery, which is their fifth, sixth, seventh and eighth albums. You also get remastered music, bonus tracks, a booklet, mini LP sleeves and a clam-shell box to store it in.

A fantastic collection of albums that showcase the band at the end of the 80’s and the early 90’s when they were getting a lot of interest in North America as well as the UK and Europe. It has them getting deeper into sampling and electronics and doing more experimental things, but still sounding like themselves. The albums have a great mix of cartoonish lyrics and manic music that mesh together perfectly. Here Cums Germs has a great continuation of their earlier albums, and a foreshadowing of the more electronic sounds coming on the next bunch of albums. Another Planet is just Mr and Mrs Fiend and they put together a great album of solid songs. From “Bun-Ho!” to the covers of “Satisfaction” by the Rolling Stones and Hawkwind’s “Silver Machine,” the album is a treat. Curse has the fantastic “Now I’m Feeling Zombiefied,” and a huge jump into techno, hip-hop style music that is strong on this album, but still retains the feel of the band. Open Head Surgery continues on from the previous album with a similar sound and has the band leaving the batcave/goth sound pretty much in the dust. The remastered sound gives the listener the opportunity to hear the little sounds that got lost on the previous recordings, and the cleaner sound makes for a better listening experience. The bonus tracks are a treat and the information in the booklet is interesting to read.

The band has gone through a lot of different styles and sounds throughout their career, but through it all, they still are Alien Sex Fiend. This band changes, but yet stays the same in a lot of ways………thankfully for us.

Fronted by glamorous singer Anne-Marie Hurst, The Skeletal Family were at the forefront of the goth rock movement of the 1980s. Compiled with the full involvement of the band, this collection boasts all of the Skeletal Family’s independent recordings for the Red Rhino label between 1983 and 1985, and both of the band’s albums, Burning Oil and Futile Combat are included, alongside all their non-album singles, B-sides and rare compilation appearances. For the first time, many of the band’s unissued BBC sessions for John Peel, Kid Jensen and Janice Long are also included. The fourth disc concentrates on live material, drawn principally from a show at Folkestone Peter Pipers (01-03-84) and a later show with Anne-Marie’s replacement Katrina Phillips. The fifth and final CD boasts a clutch of demos of previously unissued, brand new songs by the modern-day Skeletal Family, alongside earlier demos and some live reunion material.

As you can see, this is a lot of rare and interesting music compiled for your listening pleasure. Starting with the first disc, which is their debut album Burning Oil and some bonus tracks, we can see where they were coming from. The album has a bit of an early, punky Siouxsie and the Banshees sound, but manages to hold its own and you can hear the enthusiasm that they brought to the album. The bonus songs are a treat and give you a bit more insight to the band. The second disc which is their second album Futile Combat sees them growing a bit and stretching out more. You get the terrific “Promised Land” single heard here in both album and 12” versions, and their interesting covers of the Batman theme and Ben E. King’s “Stand By Me.” The third disc is the BBC sessions that show the raw talent that the band had. This was getting close to when original singer Hurst left the band. Disc four features two concerts, the first has Hurst on great form, and on the second, Katrina Philips takes over vocal duties, including a cover of “Knocking On Heaven’s Door,” featuring the Sisters’ Andrew Eldritch and Wayne Hussey from The Mission. Both have a bit of a bootleg quality to the sound, but they make for a very cool look into the band’s two vocalists. The last disc has the newer music and shows that the band still can come up with great songs and it bodes well for their future.

The sound on these discs is great, giving a clarity to the songs, plus the booklet is chock full of info, pictures and an interview with the band, that makes for a great piece by itself. If you are a fan, this is a dream collection that has everything and more that you could ever want from them. I had heard some of the songs back in the ’80s, but never knew that much about them, but with this box set, I feel that I have a relationship with them that goes deep.

After starting out back in 1980 in Barnsley, England, this band has released some amazing albums and songs that appear on a plethora of Gothic compilations, but they only hint at the thrill of an entire album by them.

With lead singer Brian O’Shaughnessy, the band has a more rock-tinged sound than they did before, but it actually fits the vibe of the album perfectly. “Message In The Wind” kicks things off and even though they had released this on a previous album, they make it sound brand new. The redo five original era tracks on here and they completely reinvent them. The fantastic title track is a drummer’s paradise instrumental piece. “Child Of Paradise,” is a great track that I couldn’t get enough of. “Seance And Heresy” has a great post punk sound. “More Than Dreams” made me want to get up and dance (or danse). “Glory Or Grace” has a huge sound that reminds me a bit of THE MISSION. “All That Shines” has a lot of keyboards and sounds like a great mix of older and newer sounds all mashed together.

As a fan of this band since 1983, I have to be honest; I loved it and play it all of time. This is a great return to form and I hope that they keep going on forever.

Seductionis the debut studio album by English gothic rock band The Danse Society. It was released in September 1982 on the band’s own record label, Society. The CD features the original Seduction LP cover along with the other sleeves from the Society Records period. Sleeve notes have been written by Danse Society keyboardist, Lyndon Scarfe and also included is a complete discography of the band.

Interesting vocals and overall sound, with clear and easy to understand lyrics. The album is a collection of songs from their 1982 album under the same name along with tracks from their highly acclaimed 12″ singles “Somewhere/ Hide and Woman’s Own.” Other tracks include their first single “Clock” with classics “These Frayed Eyes” and “The Seduction” also featured. The album has an interesting sound to it that has a sense of foreboding, and a powerful sense of individuality that I don’t believe another band could replicate. Synthesizers play a key role in the unique sound it has, the overall feel to this album is hard to describe due to the different layers and sounds to each track. It isn’t too highly fast paced, nor is it mellow, it lays somewhere in the middle.

A classic, hard to find album that includes the terrific “Danse/Move” and makes me want to dance. How could this be anything other than a treat?