Zombie Nation - RGBOn the rare occasions the subject comes up, it's now the default response to sneer at the track that, ultimately, will define Florian Senfter's career. True, in its remixed form "Kernkraft 400" was a pale, annoying shadow of its original self. But, let's not forget that when that eventual global smash first emerged in 1999 on DJ Hell's International Deejay Gigolo, it was one of a clutch of irreverent art school electro tracks that constituted electroclash's core DNA. That movement, for all its faults, helped jolt dance music out of a deep coma.

At first contact, the Munich man's sound—abrasive electro bristling with hip-hop energy—is still contagious. But, as with most of those working in juggernaut electro, the album format does Snefter no favours. Split over several EPs these tracks may have hit home, part adrenalin shot, part giddy release. Snefter's execution is superior, his melodic sense sharp (although, there is nothing here with the earworm quality of "Kernkraft 400") and, insomuch as RGB could be said to be varied, he has some good ideas. Particularly when he slows the tempo, interesting things happen. The mangled rock sample that illuminates "Schoove" is smart. There is, in its pitch-bent percussive / tonal gymnastics, a welcome elastic weirdness to "Attic Sundays." "Pony" (which could be a glitchy Kid606 remix of a trademark Zombie salvo) or "Tryout" (Zombie Nation as a post-punk white funk band), illustrate that there is more to Snefter than simply big, booming electro bombs.

Ultimately though, such variation is within a narrow range. 15 tracks of this, nearly an hour of being aurally strong-armed in (often) reasonably predictable ways, is too much of a sporadically good thing. DJs of eclectic swagger may pick out "Meathead" (a staccato, nagging gem) or the heavily UK hardcore-indebted "Falling," as secret weapons, to be dropped when you need to confound or revive an ailing dance floor. But how many times will you listen to RGB all the way through? It just doesn't have the breadth or emotional depth to warrant that kind of investment.

More on Zombie Nation

Management: management@zombienation.com
Booking Live/DJ: paul@elasticartists.net
From turning pre-historic video game soundtracks into top ten hits and
creating tracks from collages of weird sounds fans have penned, to donning
demented wigs while bouncing maniacally during his electrifying live sets nothing is too far-fetched for this man.
The artist formerly known as Splank, Florian Senfter has carved out one of the most
exciting and glaringly individual careers modern dance music has witnessed. Having
such success so early on with his first Gigolo..View the full artist profile