Donna Kaz’s Un/Masked: Memoirs of a Guerrilla Girl on Tour (Skyhorse, 2016), chronicles the birth of a feminist who uses feminism to overcome a history of intimate partner violence that prevented her from seeing herself as a strong and vibrant

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Alice Hoffman’s The Story Sisters (Crown, 2009), a family saga, is a haunting examination of how the rape of a child affects not only the child herself, but also every single person in her life. No one is exempt from the evil

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Marilyn Yalom’s A History of the Wife (HarperCollins, 2001). A scholar and writer focused on deconstructing the ways with which institutions have normalized archaic attitudes toward women, Yalom uses this book to examine the role of the wife beginning from Ancient

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Eve Ensler’s The Vagina Monologues (Villard, 2008), written in 1994, was such a powerful text that Ensler put it on stage. In doing so, her work became a phenomenon that inspired V-Day, a global movement run by activists in an

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Salman Rushdie’s The Enchantress of Florence (Random House, 2009) is perhaps the most beautifully crafted book in terms of the language and the intricate storytelling that revolves around its main characters. However, it is a book written by a man who

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With the advent of technology, email, and texts, few writers continue to rely on the art of writing letters. For many, writing letters to one another—for love, for friendship, for keeping in touch—has become a lost art. And it is

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Susan Bordo’s Unbearable Weight: Feminism, Western Culture, and the Body (U of California Press, 1993) is put together by Bordo’s various lectures, talks, and published essays on the liberal feminist ideology that the female body is a cultural construct designed