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Salvator Fraudium's Bubble in Everything

IN A WORLD awash with money, what price the last Leonardo da Vinci in private hands?
asks Adrian Ash at BullionVault.

Am I bid half-a-billion dollars? Going once, twice...sold!

Last week saw Christie's in New York sell a painting known as Salvator Mundi
for over $450 million including the buyer's fee. Reputedly 500 years old, it was in fact part of a Contemporary Art sale. But that event was perfect for this picture according to more cynical art critics, "because 90% of it was painted
in the last 50 years," says Jerry Saltz at
New York magazine.

Either way, this "rediscovered" Da Vinci now has great contemporary meaning thanks to its price tag. Fetching a new all-time record for any work of art,
Salvator Mundi – depicting Christ as 'saviour of the world' – sold for 50% more than the $300m reputedly paid two years ago by Chicago's Citadel hedge-fund founder and CEO Kenneth Griffin to music-and-media magnate David Geffen for Willem de Kooning's
Interchange. It also handed the seller, Russian oligarch and president of Monaco football club Dmitry Rybolovlev, a near 250% gain on his 2015 purchase of the picture.

That deal is the subject of
a legal dispute involving Sotheby's, with Rybolovlev alleging that the auction house helped his dealer Yves Bouvier 'flip' the painting to him for $127.5m after paying only $80m. But like Andy Warhol said, "good business is the best art". And if good art also "speaks truth, indeed is truth, perhaps the only truth," as Iris Murdoch wrote roundabout the same time, then the only truth today
remains inflation in asset prices.

Two things make the Da Vinci sale "remarkable," says the
New York Times. First, it
defies the broader trend in old masters, where the market is in fact "contracting because of limited supply and collectors' penchant for contemporary art." Second, "the astronomical sale attests to...the degree to which salesmanship has come to drive and dominate the conversation about art and its value."

Auction-house Christie's itself called the painting "[a] newly
rediscovered masterpiece" in the catalogue listing for last Wednesday night's Lot 9B in Manhattan.

Some critics go further, noting the painting's poor condition and "questionable authenticity" – more
Salvator Fraudium than 'saviour of the world' in their view.

But value, like beauty, really does lie in the eye of the beholder, and not just in fine art. Hence online giant Amazon trading at 200 times annual earnings, Tesla trading at 4.7 times the value of its 2017 sales (versus 0.7 for hybrid Prius manufacturer Toyota or all-electric Chevy Bolt maker General Motors), Italy's government debt (now worth over 130% of the country's GDP) rising in price to push the yield it offers on 10-year bonds back below 2.0% per year, and Bitcoin setting new all-time highs above $8,000 this Thanksgiving week.

Jumping 11-fold from this time a year ago, the crypto-currency surely marks today's premier bubble.

"Dating from around 1500," says Christie's of the disputed Da Vinci, "[it] depicts a half-length figure of Christ as Savior of the World, facing frontally, holding a crystal orb in his left hand as he raises his right in benediction."

That crystal globe apparently represented heaven to whoever painted it sometime in the last 500 years. But a true rendering of a rock-crystal orb, as critics note, would show the light distorted and inverted.

The ultimate Renaissance man, Da Vinci wouldn't get this wrong, they say. He dissected and sketched the world around him like a scientist.

Ergo, the painting is a fraud.

But what if – instead of a crystal orb – Christ the Redeemer is instead giving his blessing to a hollow globe, not a solid rock?

Maybe he holds nothing but a bubble.

"In the 1970s and 80s," writes currency strategist Steven Barrow at ICBC Standard Bank – also pondering the current meaning of Salvator Mundi this week – "the inflation unleashed by rampant liquidity growth was primarily in goods and services prices, not asset prices.

"Globalisation has [now] managed to supress inflationary pressure in those countries that have conducted QE, and everywhere else for that matter.

"[So] all the inflation these days is in asset prices."

This could change, Barrow warns. First because asset bubbles always pop in the end, but second because moves to roll back globalization – such as Trump's more protectionist policies, or the UK vote for Brexit – "will eventually cause goods and services inflation to reassert itself in a more significant way."

Pending the return of consumer-price inflation, the price of gold, silver and
most especially platinum has so far sat out this latest round in the world's multi-decade asset-price bubble. But while historic data are no guarantee of future return returns, precious metals could offer investors some level of salvation amid a financial crash or a surge of inflation. Most especially from today's lower levels.

Because assets not suffering a bubble today are rare indeed.

Adrian Ash is director of research at BullionVault, the physical gold and silver market for private investors online. Formerly head of editorial at London's top publisher of private-investment advice, he was City correspondent for The Daily Reckoning from 2003 to 2008, and is now a regular contributor to many leading analysis sites including Forbes and a regular guest on BBC national and international radio and television news. Adrian's views on the gold market have been sought by the Financial Times and Economist magazine in London; CNBC, Bloomberg and TheStreet.com in New York; Germany's Der Stern; Italy's Il Sole 24 Ore, and many other respected finance publications.

Please Note: All articles published here are to inform your thinking, not lead it. Only you can decide the best place for your money, and any decision you make will put your money at risk. Information or data included here may have already been overtaken by events – and must be verified elsewhere – should you choose to act on it. Please review our Terms & Conditions for accessing Gold News, RSS links are shown there.