In the context of Burning Man, I've long thought you *artists* should pay for the privilege. Admin, equipment, cleanup costs, carbon offsets, whatever. On top of buying a ticket, of course. The cost of your monument by itself is irrelevant, unless maybe someone wants to copy it some later year and needs help with an accurate estimate.

Ansgard wrote:I love Art, but it saddens me, that people want to put a price on it. Are artists tired of not being paid for doing something?

Bencia is quite the micro glass center. Fuel costs are through the roof. It can't be cheap to be on San Francisco/San Pablo Bay. I can imagine some possible workman's comp issues, from heat, and moving heavy things. Their families have to eat. Working part time for full time wages and then doing glasswork half time in order to generously gift all that wonder to the community or whatever distribution process they might be following means that there will be less glass, and maybe that without the practice it might not be as good.

Pay the artists. I love brc people doing art for free; I think it's a wonderful model. I don't expect that people can do that as their full-time gig.

The Lady with a Lamprey

"The powerful are exploiting people, art and ideas, and this leads to us plebes debating how to best ration ice.Man, no wonder they always win....." Lonesomebri

Ansgard wrote:I love Art, but it saddens me, that people want to put a price on it. Are artists tired of not being paid for doing something?

Bencia is quite the micro glass center. Fuel costs are through the roof. It can't be cheap to be on San Francisco/San Pablo Bay. I can imagine some possible workman's comp issues, from heat, and moving heavy things. Their families have to eat. Working part time for full time wages and then doing glasswork half time in order to generously gift all that wonder to the community or whatever distribution process they might be following means that there will be less glass, and maybe that without the practice it might not be as good.

Pay the artists. I love brc people doing art for free; I think it's a wonderful model. I don't expect that people can do that as their full-time gig.

Its actually pretty cheap in Benicia, if you live downtown. Were sharing a two bedroom 1920's house for under $800. The glass people can kiss my ass! They got the "House of Toast" evicted in the early 90's. Said we were an eyesore. Good bands came out of that shithole! Monsula, Crimpshrine, Monkey Brittle, Anger Means, the skinflutes aka..Sawhorse..

Sad thing is...investors from Walnut Creek and such, are trying to make Benicia expensive. Thats why half the stores on Main St. are vacant....that and we have enough Arts & Craps stores.

His mural got thrown away. Somebody took mine home and I know they hung it in their living room.

And I also know that if I would have taken the Banksy mural home I could now pay for everything for my new project (and probably fund some other projects on the Playa as well) by selling it...............

dadara wrote:...serve as an information- and discussion-platform about the value of Art and Money.

Back in 2001 I was a working artist (note: working doesn't = paid) and I was able to create a room in the Maze (voodoo room of regrets) on the playa. The process of creating it and seeing thousands of people interact with it is priceless - but only for me. I did burn the voodoo doll and that also was a thing of beauty for me.

As an artist - even as a graphic designer - I find it difficult to put a price on my work. But money is the vocabulary we use to describe value. US culture, capitalist culture, values money above all else (second only to freedom, which money facilitates). So when something of value is destroyed we have trouble expressing compensation outside the bounds of money (and in the case of Addis, jail or removal of freedom). The "art world" outside of Burning Man is a strange place, strangest most of all for the artist who is nothing more than a commodity from whom others can make money, even when the artist themselves cannot make a living. The value of art is often determined by hype, and is randomly determined by a handful of people in positions of influence or power.

I would be shocked if anyone wanted to pay me for my art, but I would be devastated if someone destroyed something I labored over to contribute to the festival. It would be like receiving a hand-knit sweater from your grandmother, and then burning it in front of her. Take a shit on my heart, why don't you?

As for art that's "meant to be destroyed" -- the destruction, or burn, is part of the performance. You don't go on stage during Hamlet and start singing show tunes. You don't attend a movie screening and spoil the ending during the opening credits. Don't usurp someone elses art, create your own.

pattilouhoo wrote:The "art world" outside of Burning Man is a strange place, strangest most of all for the artist who is nothing more than a commodity from whom others can make money, even when the artist themselves cannot make a living. The value of art is often determined by hype, and is randomly determined by a handful of people in positions of influence or power.

King Adz just wrote a post on the Art as Money blog about Michel van Rijn, who sounds like a very fascinating guy. Here's a quote from him which relates a lot to what you state above:

â€˜Artists are plugged like records. The dealers bring them into auctions and they hype the price; they organize press about the work. Nowadays itâ€™s not that you have to prove you are an artist, the outside world has to prove that you are not an artist. If you are in capable commercial hands they hype the fuck out of you. Look at Jeff Koons, look at Damien Hurst. Itâ€™s all a repetition of something, itâ€™s nothing new. If you hype it well then you get away with it, and you make the money. Which is all it is about in the end. There should be a fair rewards system. Iâ€™m talking about the big major dealers who have absolutely no morals or scruples, and they go all the way. On one side itâ€™s the most beautiful world out there and on the other itâ€™s a cut-throat, murderous place. Itâ€™s worse than the drugs and the second hand car market put together.â€™

anyway. If I break into your wedding reception and take all the food, and my friends and I eat it, could I claim that no damage was done because the food was prepared for no other purpose than to be eaten.

What he did is selfishly attempt to steal the experience of those who were coming all the way to BRC. There was no profit in it, just the desire to self-aggrandize. No different than the vandal who paints a swear word on a building. Ha ha, I made you unhappy, therefore I exercised power over you, therefore I am greater than you are.

Don't confuse the art to be burned with the act of burning the art.

Quite a few years ago, I was standing in line to see E.T. Some jerk leaned out of a car and yelled "ET dies in the end!" and laughed as he and his friend sped off. We in line all groaned angrily. Even though it turned out he was lying, it didn't matter - he vandalized our experience. Of course, Addis' supporters would correctly point out that we would have seen the ending in two hours anyway, so no harm was done - the ending was intended to be revealed.

andy wrote:anyway. If I break into your wedding reception and take all the food, and my friends and I eat it, could I claim that no damage was done because the food was prepared for no other purpose than to be eaten.

I like the food comparison. It reminds me of this quote: 'Fame is a by-product of making something that means something. Just like shit is a by-product of eating: You don't go to a restaurant and order a meal because you want to have a shit.'

(Unfortunately I don't remember anymore who said that first.)

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