“A collection of profound and epic album reviews and musical articles by former astronaut and brain surgeon, Alasdair Kennedy. Reaching levels of poetry that rival Keats and Blake, the following reviews affirm Alasdair to be a prodigy, a genius and a god whose opinion is always objectively right. He is also without a doubt the most modest man in the universe.” - Alasdair Kennedy

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Friday, 11 August 2017

Review of 'Scum Fuck Flower Boy' by Tyler, the Creator

Tyler quits trolling
and shows us his serious side.

For years, the class clown of the rap game has been showing
us glimpses of his serious side as on gems such as ‘Bastard’ and ‘Answer’. It’s
hard to invest yourself in these touching moments when the rest of the songs
are loaded with masturbation references and ‘golfwang’ chants and rape jokes.

On Cherry Bomb it
seemed we were getting a more mature Tyler once and for all. The flows were
tighter too and the production was some of his most soulful yet. However, despite
the graceful female vocal harmonies and motivational lyrics of a track like ‘Find
Your Wings’, there was still a track like ‘Blow My Load’ crass enough to reset
the tone back to rock bottom. The mixing was also off in places and Tyler’s attempts
to sing were plain awful.

By contrast, Scum Fuck
Flower Boy – in spite of its title – may just be the rapper’s most sincere
work. He’s taken off the clown costume and decided to open up about all his
insecurities without the slightest smear of irony. The headlines have all been obsessed with Tyler’s coming out, and whilst he does reference his sexuality with
several lines throughout the LP (‘I’ve
been kissing white boys since 2004’), it’s the way Tyler tackles the theme
of loneliness and heartbreak that really leaves a mark.

Flower Boy shows the introspective side to being an extrovert with
Tyler’s most personal verse coming towards the end of ‘911/Mr. Lonely’ with confessional lines like ‘the loudest in the room is
probably the loneliest in the room’.

Most the instrumentation is heavily jazzy. Tyler’s beats
have always relied heavily on jazz-flavoured chords, but here he seems to be
weaving intricate compositions out of jazz ideas, peppered with other stylings from electronica, trap and neo-soul. One of his most detailed beats is the labyrinthine backdrop of ‘Garden
Shed’. It meanders off in all directions, but rather than feeling messy like many of the beats on Cherry Bomb, there’s a sense of clear
direction from start to finish.

And of course there are still some fun bangers in the mix
such as ‘Who Dat Boy’ and ‘I Ain’t Got Time’ where Tyler gets confrontational
over distorted tuned kick drums. These are less obnoxious than previous Tyler
bangers (no ‘golfwang’ chants in sight) but
still just as cartoonishly playful as is traditional Tyler style.

The rapper could still improve by taking a few singing lessons, as this part of his musicianship still leaves a lot to be desired.
The shaky crooning on the likes of ‘911’ and ‘Glitter’ give Flower Boy an amateurish feel that isn’t
charming – it’s just painful on the ears.

Shaky singing aside however, the remainder of the music is
proficiently handled. For once Tyler is sounding like a professional,
dropping speedy flows and making lyrical quips that aren't just there to shock. His
beats meanwhile are masterfully crafted – quite possibly some of the best beats
we’ll hear this year. If you’ve previously dismissed Tyler as a troll, now may be the time
to start paying attention.