Mockingbird is about a girl named Caitlin whose brother Devon calls her Scout because he loves the film version of To Kill a Mockingbird. (As one does.) Atticus tells his children, of course, what his father told him, that it's a sin to kill a mockingbird, and his daughter Scout comes to understand that mockingbirds “don't do one thing but sing their hearts out for us. That's why it's a sin to kill a mockingbird."

Readers see early on that Caitlin isn't quite like other children, and it's not just because something has happened to her brother. Her brain doesn't work quite the same way that other people's do, and this book is the story of how Caitlin tries to learn how to live in the world and of how the world learns to let her.

Caitlin's brother Devon is gone. Before he dies, he explains this to her about To Kill a Mockingbird: "It's about people. You shouldn't hurt innocent people, Scout. That's what it means." He explains a lot of things to her, and now that he's not around, she is a bit more lost than usual.

There are many lessons that Caitlin's dad and her teachers try to impart to her. How to Look At The Person. How not to have a Tantrum Rage Meltdown. How to understand the emotions on the Facial Expressions Chart, to respect Personal Space, to Get It, to Deal With It, to Talk About It, to Work At It. To understand The Day Our Life Fell Apart.

Caitlin is an artist who prefers black and white to color. She gets along better with books than with people. "Books are not like people. Books are safe." She counts her dictionary, her TV, and her computer among her friends, but no one else. Her counselor, in the effort to help her make friends, sends her on an extra recess, the one with the younger kids, and she meets Michael, with whom it turns out she has something in common.

As part of Let's Make Friends, her counselor also teaches her about making eye contact with people, and how it's all about "finesse," explaining that it means "doing something tactfully and skillfully while dealing with a difficult situation." Caitlin thinks, "I'm surprised I'm only learning this word now. This word is all about me! It's what I'm trying to do every day to Deal With this difficult situation called life."

This is the little dedication line at the beginning of this book:

In hopes that we may all

understand each other better

There are many things that Caitlin doesn't innately understand. Empathy. Emotions. Figures of speech. Metaphor. But there are things she sees that maybe other people can't sometimes. Like when she looks at someone's face and can tell that his eyes and his mouth don't match. And when she knows to tell her dad what Devon would have told him: "You have to Work At It Dad. You have to try even if it's hard and you think you can never do it and you just want to scream and hide and shake your hands over and over and over."

One of the main things Caitlin tries to understand is Closure, which she looks up in her dictionary, of course: "the state of experiencing an emotional conclusion to a difficult life event." And she sets about looking for her own way to Closure. She and Michael talk about it on the playground.

"What's Closure anyway?"

"It helps you feel better after someone dies."

"Oh. Can I have some?"

"No because I don't have any and I don't know how to get it."

His head droops down. I think this means sad.

"But I'm going to find it."

"Will you share it with me?"

"Okay."

It might be a sin to kill a mockingbird and to kill a brother, but that doesn't mean that mockingbirds and brothers aren't killed. And of the many things Caitlin struggles to understand, that might be the hardest of all. But somehow people learn to stand what they'll never understand. Caitlin learns this, and she does it with humor and tears, wonderfully, heartbreakingly, and magnificently.

It doesn't come as a surprise to the reader when Caitlin figures out a way to try and get Closure, but it's still totally moving and cool when she does, and it's handled in a way that is totally real. You can work towards Closure. You will still be sad. That is just death, and that is just life.

And Caitlin starts to realize that “after the hurt I think maybe something good and strong and beautiful will come out of it." And maybe most importantly, she takes steps toward accepting that sometimes it's okay to draw and live in color.

This little book that I love knows that for Caitlin and her dad and their community -- and for each of us, no matter what that day is — nothing can change The Day Our Life Fell Apart. It also knows that, beautifully and mercifully and little by little, they -- and we all -- can work on Putting Our Life Back Together.

11/30/2009

Reviewer: Sarah
Middle school, for many of us, was a time of great confusion. There were training bras, and zits, and oops I forgot my deodorant, and oops the boy who used to be my friend is now my crush, and what do you mean I need glasses and braces and STIRRUP PANTS (why, early nineties, why?). I had a lot of bad hair and bad clothes, but what I did have was lots of good books. That said, if I had been able to read THE POPULARITY PAPERS, I think my middle school years might have been just a little easier.
Meet Lydia Goldblatt (sometimes called "Goldbladder" by the mean kids), a blond curly-girl with glasses and lots of gumption. Her best friend, Julie Graham-Chang, is the quiet one, the artist/cartoonist, the short one who's easy to overlook. Junior high is looming, and Lydia realizes that neither she nor Julie are anywhere in the vicinity of popular. They decide to spend sixth grade in the pursuit of popularity, but not in the traditional way. Like the National Geographic explorers of old, Lydia and Julie begin a notebook of discovery, wherein they can document their findings after extensive observation, and then, Francis Bacon-like, apply the scientific method to test and see what works. Case in point: our heroines discover many popular girls have a blond streak in their hair. Lydia attempts to lighten a swath of hair with bleach. Under the sink bleach. Burn your skin off bleach. (Luckily she can hide the bald spot until the hair grows back.) Lydia, as the outgoing one, has more interaction at first with the glitterati of her school, but Julie finds her own chances to mingle once she joins the field hockey team.
What really works in this painfully funny (graphic?) novel is the core friendship of Lydia and Julie. The sincerity with which Ignatow writes is just wonderful to read, and there is such loving care in the crafting of their personalities, even down to the differences in their handwriting. As this book is truly a journal of sorts, it reads like an intimate dialogue between two girls that you can't help but root for from page one. Sometimes they give each other their best, and sometimes they let each other down, but what remains is the truest element of friendship: change will happen, but true friends will grow alongside you, and give you room to grow in your own way. I love that Lydia and Julie both try things that are new to them, and both attempt things that are scary (and not always together), because junior high (and oh yeah, real life) is full of those moments. Our heroines both have family issues as well: Lydia lives with her high-strung single mother and emo sister, while Julie lives with her two dads, and both girls are trying desperately to transition out of "little kid" mode.
THE POPULARITY PAPERS will invariably draw comparisons to DIARY OF A WIMPY KID, and I hope that anyone who does will make the same connections I did. Both PP and WIMPY utilize a lot of comic-style art. Both PP and WIMPY take place in that shadowy land between kid-dom and adolescent-dom. Both PP and WIMPY feature two best friends. Both PP and WIMPY have a journal-like construct. This is all very true. You're missing the point, however, if you don't make this last connection, which I think is the only one really worth mentioning: both PP and WIMPY are utterly HILARIOUS. Lydia and Julie are comedy gold together, and I laughed out loud over and over again. I have written before about how publishers and writers need to bring the funny if they want to reach kids today, and THE POPULARITY PAPERS delivers hard-core. I am going to LOVE selling this book. (If I had a time machine, I'd send one back to myself in 6th grade. I mean it.)