Ian Strange (Kid Zoom): SUBURBAN premiered in a solo exhibition at the National Gallery of Victoria, Australia in late July 2013

Ian Strange: Suburban is a multifaceted photography, film and installation exhibition created by New York-based Australian artist Ian Strange. Since 2011 Strange has worked with a film crew and volunteers in Ohio, Detroit, Alabama, New Jersey, New York and New Hampshire to create, photograph and film seven site specific interventions incorporating suburban homes. The recording of these interventions through film and photographic documentation forms the basis of this new and groundbreaking exhibition. - David Hurlston - Curator, Australian Art and coordinator NGV studio, National Gallery of Victoria.

SUBURBAN is a multifaceted photography, film and installation exhibition created by artist Ian Strange (Kid Zoom Interviewed). Over a two year period Strange worked with a film crew and volunteers in Ohio, Detroit, Alabama, New Jersey, New York and New Hampshire to create, photograph and film eight site specific interventions incorporating suburban homes. The recording of these interventions through film and photographic documentation forms the basis of new a solo exhibition at the National Gallery of Victoria on July 26 and a short-film which will be released in late 2013.

In October 2011, after three years living in New York, artist Ian Strange [Kid Zoom] returned to Australia to create a major new installation work housed in Cockatoo Island's prestigious Turbine Hall. The exhibition featured a full-scale reproduction of his childhood home and a film documenting the violent destruction of three Holden commodores. This video documents what resulted.

Australian born, New York based artist KID ZOOM (Ian Strange). Returned home to Australia to build a massive full-scale replica of his childhood home from memory at Cockatoo Island's prestigious Turbine Hall in Sydney.

KID ZOOM : HOME is Strange's first exhibition in his homeland of Australia in 3 years and represents a multi-layered home-coming for the artist. Coming home to reflect on his origins as an isolated teen in the Australian suburbs the installation also involves a film work of Strange blowing up and then smashing 3 iconic Australian cars.

As you enter the house it becomes a gallery inside which is showing the film of the cars being destroyed.

I would drive around with friends in similar model cars with friends when I was younger, painting, getting in trouble and occasionally crashing them. The Holden Commodore is also a staple of the Australian suburbs, you'll see one parked in the driveway of nearly every outer suburbs home in Australia. For me it is a symbol of suburban culture and under-ambition. The rejection of the suburbs and the desire to simultaneously destroy and create your own environment at the same time as enjoying its safety is the contradiction I'm reacting to. I think suburban angst led me to being an angry graffiti writer when i was 16, but with this installation I've been able to return home to create a more refined work using that same emotional catalyst and perspective from having somewhat escaped. -Kid Zoom

Young & Free is the biggest Aussie street art exhibition outside Australia, ever, and it is exactly as chaotic as you'd imagine it to be. It features new artwork by Anthony Lister, Kid Zoom, Dabs Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta.

Having thirteen of not only Australia but the world's best street artists compressed into one city space is the artistic equivalent of a paint-splattered war zone. Tiny multi-coloured flecks of stencil cut outs adorn the floor like creative confetti, half painted canvases are stacked up against walls, dozens and dozens of boxes of spray paint are pilled in corners and the sounds of circle saws and dubstep are floating into the alleys of downtown Tenderloin in San Francisco.

The show opens this Saturday at 941 Geary and will be accompanied by a series of local walls painted by the artists. In-progress shots below. - By Georgia Frances King

The warehouse space as it looks on Day 1.

Meggs adding his own throw-up to the ‘laneway' with the iconic San Franciscan buildings reflecting in the front window of Geary 941.

Around half of the aerosol ordered to paint over five walls in San Francisco.

Here's a look at the process KID ZOOM, the Australian born, New York based artist, and his slightly insane cat go through with a painting, start to finish. He's been on a mission of late and is working towards the Young & Free show in SF on the 10th of Sept.

A small taste of a great show featuring some of Australia's best street artists creating works from stencil to spray paint on all mediums filling 941 Geary's large walls. Should be a great show that you should get to when SF's art season gets kicked off in a couple weeks. Now go back to sitting on the beach or by the pool while your vacation lasts.

Fresh off his first solo show in NYC, 'THIS CITY WILL EAT ME ALIVE', this Australian transplant and aerosol wizard, Kid Zoom, answers a few our questions to get a lil' better perspective on how this young talent ticks.

Ron English called him Rembrandt with a Spray Can... He's damn talented.

How has the transition to NYC from Australia been so far? How long have you been in the States?

I moved over in May. The transition has been amazing, the winter is taking a little adjusting, but it's been a great experience, I feel really at home in New York.

Why are Australians so cool?

We have a culturally ingrained system of ego destruction called tall poppy syndrome, which basically cuts anyone who's head rises above the crowd off at the knees. It helps keep us all pretty down to earth, but it's a blessing and a curse, especially when you're in a creative field.

How do you feel about Ron English giving you such a glowing recommendation? That's got to feel pretty good.

Ron has been someone I've looked up to for a long time and to have him be so supportive of my move to New York and of my work has been amazing and very surreal.

Got this great Kid Zoom image emailed to us yesterday, and to answer some comments on the forums... the kid does create his works using just spray paint. F*cking sick!... Manuel did a studio visit w/ him last week.

Is Kid Zoom the best aerosol artist alive today? Maybe. He’s certainly the most skilled that I’ve seen, despite his young age. Combining astonishing spray can ability with classical painting technique, Kid Zoom appears to be the artist who will finally bridge the gap between gallery and street, legitimizing aerosol once and for all as a fine art medium.

Kid Zoom belongs to the second generation of graffiti, a global movement that, through the internet and other forms of media, has inspired and connected young artists, elevating the medium through competition, collaboration, technology and the law of supply and demand. The more people witness and participate in the evolution of aerosol art into something wonderous, the more the medium will propel itself into art history.

Kid Zoom, Rembrandt with a Spray Can, represents the future of this movement. - RON ENGLISH

I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details

ABOUT HEADLANDSHeadlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

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