ColorBox and A Red Show in A are the latest works to emerge from Jean Pierre Muller’s innovative 7×7 project. 7×7 is an inter-disciplinary collaboration between Belgian artist Muller and seven musical luminaries from a variety of contemporary genres; Nile Rodgers, Robert Wyatt, Mulatu Astatke, Archie Shepp, Sean O’Hagan, Kassin and Terry Riley. 7×7 is based on the simple principle that the seven colors of the rainbow correspond to the seven notes of the scale, the seven days of the week (and deities and planets associated with those days) and the seven chakras. Seven sound altarpieces have been created, in an edition of seven, each housing an original music by one of the seven composers. A is Red is Monday, Day of the Moon and of Diana (Robert Wyatt), B is Orange is Tuesday, Day of Mars (Archie Shepp), and so on.

In the summer of 2012, Muller created a full site-specific set for 7×7 at Edinburgh’s Summerhall: 7x7th Street. As its name suggests, this was actually a real street with billboards, signs, small houses, …

A year later, Jean Pierre Muller and Nile Rodgers created An Indigo Night in F at the same venue, an amazing show combining music, live painting and theatre. This acclaimed event was inspired by their collaboration on the 7×7-F-Indigo sound altarpiece.

For WhiteBox, Jean Pierre Muller will present two original shows related to 7×7: Spectrum on the main level and A Red show in A on the lower level.

ColorBox

Isaac Newton divided his color wheel in seven parts: red, orange, yellow, green, blue, indigo and violet. White is in the central part of the diagram, because all colors of light mixed together produce white. 7×7 at WhiteBox makes complete sense.

How can we embrace diversity in a world torn by the conflict between standardization and obsession for identity? Muller wishes to pen the color box and celebrate the full spectrum of our lives in their many contradictions. Rather than taking the stance of the artist as a moralist, he embarks us on a journey through the seas of complexity and the skies of hybridity.

As much a painter as a printmaker, Jean Pierre Muller also uses light, sound and interactivity to make us feel the beat of the world, the rhythm of life. The elements that Jean Pierre uses in his art reflect processes of urban evolution and the way people become connected to each other through common experiences and references. Like streets grown organically over time, these elements interact through juxtaposition and ever increasing layers of complexity and history. They also tell many intertwined stories, much like the intertwined stories of people in a street, who may not know each other but are linked through commonality of space and time.

A Red Show in A

Jean Pierre, together with Robert Wyatt, one of music’s greatest shamans, has expanded and deepened the rich material used for their 7×7-Red-A sound altarpiece. It is a nostalgic salute to Al-Andalusia, when Spain was under Moorish rule and religions coexisted peacefully (at least, this is the way one can dream of it today, when everything concurs to convince us we’re at war with the others). The most powerful symbol of this period is the Alhambra palace in Granada. This golden age ended in 1492 with the Alhambra Decree and the expulsion of all the Jews from Spain. Al-Hamra means the Red one, in Arabic…

For WhiteBox, the artist has built his own Alhambra, a red temple to house the 7×7-Red-A sound altarpiece, with meaningful columns and whispering walls (with voices by Robert Wyatt, but also Terry Riley, Archie Shepp and Nile Rodgers). Muller has adapted Kazimir Malevich’s emblematic paintings of the Black Square, the Black Circle and the Black Cross into a Red Star of David, a Red Crescent and a Red Cross. These are powerful symbols to initiate a new reflection on hybridity, coexistence, expulsion… and the power of symbols.

Following on from the success of 7x7th Street and An Indigo Night in F with Nile Rodgers, Spectrum and A Red Show in A represent the next stage in a truly international project of ever-growing artistic ambition and cultural resonance.

Jean Pierre Muller is a Belgian Neo-pop artist who makes vibrant assemblages using high and low forms and techniques. In his work, photography, drawing, silk-screen and painting come together and gestural and mechanical interventions meet. His collaborations with musicians offer an interactivity to his paintings, giving his audience new participatory ways of entering his world. Jean Pierre is committed to both his art practice and his role as head of the Printmaking Department at La Cambre, one of Belgium’s leading schools of art and design. His work has been shown at the Museum of Contemporary Art in Saragossa, the Hanover World Fair, the Royal Festival Hall and, latterly, Summerhall as part of the Edinburgh Festival.

Robert Wyatt was a founding member of the Soft Machine, who along with Pink Floyd helped to transform the late sixties psychedelic scene in the UK into something more lasting. In his long and distinguished solo career, he has been mixing simple and effective keyboard melody lines with poignant lyrics, often filled with personal and political references. He’s simply the most beautiful voice in English music (5 to 6 octaves of range, each octave is of a totally different character), and the long list of his collaborators includes Jimi Hendrix, Mike Oldfield, Brian Eno, Björk, David Gilmour or Paul Weller.

A Red Show in A is a new and original collaborative work by neo-Pop artist, Jean Pierre Muller, and Robert Wyatt, one of music’s greatest shamans. A Red Show in A is the latest work to emerge from Jean Pierre Muller’s innovative ‘7×7’ project.

For this Red show in A, Jean Pierre, together with Robert Wyatt, has expanded and deepened the rich material used for their 7×7-Red-A sound sculpture – a nostalgic salute to Al-Andalus, when Spain was under Moorish rule and religions coexisted peacefully (at least, this is the way one can dream of it today, ten years after the invasion of Iraq). The most powerful symbol of this period is the Alhambra palace in Granada.This golden age ended in 1492 with the Alhambra Decree and the expulsion of all the Jews from Spain. Al-Hamra means the Red one, in Arabic…

Muller and Wyatt will create their new Alhambra. A red temple will be built to house the 7×7-Red-A sound sculpture, with meaningful columns and whispering walls (with voices by Robert Wyatt, but also Terry Riley and Nile Rodgers). Muller has adapted Kazimir Malevich’s emblematic paintings of the Black Square, the Black Circle and the Black Cross into a Red Star of David, a Red Crescent and a Red Cross. These are powerful symbols to initiate a new reflection on hybridity, coexistence, expulsion… and the power of symbols. This will provide the basis for a rich body of work in painting, print, edition and installation. “

This Midsummer’s Eve at Summerhall, music legend Nile Rodgers launches the first of the 7×7 series of art and music events with Indigo Night, an insider’s tribute to Harlem.

Nile Rodgers’ reputation as a producer, songwriter and performer is second-to-none. He currently has the biggest selling record in the world with Daft Punk and Pharrell Williams and has been an artist of global standing for the past thirty years. Indigo Night will feature Rodgers singing, talking and acting his way through an account of the cultural and social life of Harlem from the time of the Harlem Renaissance in the Twenties to the present day.

In addition to his musical talents, Rodgers is a consumate raconteur. He will interweave tales from his own life as told in his best-selling autobiography Le Freak and, in a pioneering duet of sound and scenography, Belgian artist Jean Pierre Muller will create a constructivist-inspired stage set during the perfomance.

As Rodgers develops his theme through characteristically wry observation and innate musicality, Indigo Night will recreate the heady atmosphere of Harlem’s glory days when song and dance continued well into the night.

Indeed, this is a rare opportunity to see a stadium-filling superstar within the intimate setting of Summerhall’s Dissection Room.

Nile himself says of Indigo Night, ‘This is my favourite project. I want us to create something unique.’

7×7 is an inter-disciplinary collaboration between neo-pop artist Muller and seven musical luminaries from a variety of contemporary genres; Nile Rodgers, Robert Wyatt, Mulatu Astatke, Archie Shepp, Sean O’Hagan, Kassin and Terry Riley. Following on from the success of last year’s 7×7 exhibition of Muller’s sound sculptures at Summerhall, Indigo Night represents the next stage in a truly international project of evergrowing artistic ambition and cultural resonance.