Featured Event

Ingmar Bergman’s centennial; an overdue retrospective of the maverick French-Eritrean-Greek producer and filmmaker Nico Papatakis; a new batch of Paramount rediscoveries; a survey of African-American superhero movies; and a new documentary on the political upheavals of 1968

There is an inspiring buoyancy to Hockney’s act. Here is an artist who reckons he can get marks to perform however he pleases. His force of attention seldom slackens, and there will always be more to do.

LaToya Ruby Frazier's first solo show at Gavin Brown's enterprise uses the gallery’s grand, multistory Harlem building to great effect, staging her own grand, multistory portrait of the contemporary United States.

The career-spanning survey of Carolee Schneemann's paintings, films, and performances at MoMA PS1 is the first comprehensive retrospective in the US of this unpredictable and enormously influential artist.

This second half of a two-part exhibition will focus on some of Parks’s most celebrated and iconic imagery, including his photographic essays on civil rights and his collaboration with Ralph Ellison, "A Man Becomes Invisible."

The mannerisms in Modigliani's portraits and nudes—the elongated faces, the tilted heads, the lithe poses—display a young man out to make a mark, to signal his presence in an immediately recognizable style.

In 'The Disasters of Peace,' artists Tsuge Tadao and Katsumata Susumu depict the financial desperation, moral confusion, and the shame of military defeat that afflicted in the years following the Pacific War,

A new show at the National Portrait gallery tracks Sylvia Plath's obsession with divided selves, from her Smith senior thesis on the double in Dostoevsky, to the many masks she wore during her short lifetime.

This celebration of the seventieth anniversary of Magnum Photos, which appeared last year at the International Center of Photography in New York and now travels to Rome, showcases the work of seventy of the legendary agency's most influential photographers.

The English painter Eric Ravilious expressed his romanticism in naturalistic watercolors, in a style almost antithetical to the imaginary landscapes and aristocratic fêtes champêtres of Rex Whistler—who, like Ravilious, served in uniform in World War II.

Simon Rattle's last year as the head of the Berlin Philharmonic—he has been conducting the orchestra to great acclaim since 2002—is the last chance to see his energetic conducting style at work in the orchestra's acoustically superb concert hall.