MCartney obviously worked on those lyrics for what has become one of the all-time great Beatles songs, with John Lennon apocraphally changing the title to “Yesterday.” Unfortunately there is no trace of McCartney’s original handwritten lyrics for Yesterday.

Keith Richards said he recorded Satisfaction, the breakout song for The Rolling Stones while dreaming as well. Instead of a pen, Richards had a tape recorder by his bed in a hotel while on tour in 1965. In the morning he checked his portable recorder and was surprised it was at the end of the tape. He rewound it to the beginning and discovered he had laid down the main riff and chorus and the words “I Can’t Get No Satisfaction.” He had no memory of actually recording the song, but surmises he woke up while dreaming it and proceeded to record what he had dreamed and went back to sleep! Richards presented the song to the band, and singer Mick Jagger later helped with the lyrics.

Outside of dreams, words come to musicians in a variety of ways. We will not look at the story behind the songs, but the actual drafts of the lyrics to those songs.

Searching the internet for the early drafts of songs with corrections yielded few results. But this assemblage is still interesting to look at.

Jim Morrison singer and poet of The Doors wrote the haunting Riders on the Storm, and it was placed as the last song on the final album Morrison performed on, L.A. Woman. It was also the last song to be recorded for that album.

Interestingly guitarist Robbie Krieger’s name is crossed out. Well, we know Morrison didn’t write the entire melody, but Krieger quite possibly contributed some of the words. It is the only song on the album where all four band members receive writing credit.

Next, Paul Simon of Simon and Garfunkel with The Boxer from the 1970 album Bridge Over Troubled Water. Here you can see Simon’s thought process at work with most of the words never making it into the final version.

10 Rarely Seen 1970s Live Music Videos – featuring Blondie, Sweet, The Cars, Cheap Trick, The Clash, Rush and others.

It was the best of times, it was the worst of times.

At least that’s how the musically schizophrenic 1970s felt to me. The era that gave us timeless music from bands like Led Zeppelin, Steely Dan, Pink Floyd and Queen, gave way in popularity in the mid 70s to the monotonous 4/4 beat of disco. As The Who sang in Long Live Rock “rock is dead.”

The Clash 1979 – photo: Bob Gruen

But towards the end of the decade, new rock bands emerged with aplomb; The Ramones, Elvis Costello, The Clash and Blondie being among them. The foundations for the emerging New Wave of British Heavy Metal (NWOBHM) would be laid by 1970s hard rock bands like Sweet, UFO and Rainbow.

You’ve got to love Youtube. Without it, how would you discover video that you never knew existed?

Youtube is a strange world, where there have been over two billion views for Psy and Gangam Style, while Sweet’s 1974 live version of No You Don’t has about 21,000 views. Crazy isn’t it? With millions of music videos to sort through, it can be difficult to find the great ones, kind of like plucking gems from a vault.

For most of the videos we selected, some have viewership not in the millions, but incredibly just in the thousands.

We’ve selected ten live, rarely seen rock videos from Youtube from between 1974 – 1979 that hopefully don’t get pulled down from the site.

Five videos are from the late, great Capitol Theatre in Passaic, NJ. There are over 100 complete concerts that have been released in the past year from that storied rock venue.

Rock n’ roll may be dead, at least to the 2016 generation, but in the 1970s it was relevant, alive and kicking.

First off, Cheap Trick plays Auf Wiedersehen in 1978 with a Nirvana-like energy

Next, Blondie from 1978 with a terrific version of Hangin’ on the Telephone

The Clash I Fought The Law Live in London at The Lyceum Theatre 1979 {Update – You Tube removed this video so here from 1980 (we’re cheating now with the date) Live at The Capitol Theatre}

Sweet from 1974 perform No You Don’t on Musikladen in Germany. Pat Benitar’s cover version is more well known than Sweet’s hard rock original.

Looking at Rush’s upcoming concert tour of North America I noticed something interesting. Take a look at this schedule:

Sep -7

Sep -9

Sep-11

Sep-13

Sep-15

Sep-18

Sep-20

Sep-22

Sep-24

Sep-26

Sep-28

Sep-30

Oct-10

Oct-12

Oct-14

Oct-16

Oct-18

Oct-20

Oct-22

Oct-24

Oct-26

Oct-28

Oct-30

*Nov-1

Nov-3

Nov-13

Nov-15

Nov-17

Nov-19

Nov-23

Nov-25

Nov-28

Nov-30

Dec-2

Manchester,NH

Washington, DC

Pittsburgh, PA

Indianapolis, IN

Chicago, IL

Detroit, MI

Columbus, OH

St. Louis, MO

Minneapolis,MN

Winnipeg, MB

Saskatoon, SK

Edmonton, AB

Bridgeport, CT

Philadelphia, PA

Toronto, ON

Toronto, ON

Montreal, QC

Newark, NJ

Brooklyn, NY

Boston, MA

Buffalo, NY

Cleveland, OH

Charlotte, NC

Atlanta, GA

Tampa, FL

Seattle, WA

San Jose, CA

Anaheim, CA

Los Angeles, CA

Las Vegas, NV

Phoenix, AZ

Dallas, TX

San Antonio, TX

Houston, TX

Verizon Wireless Arena

Jiffy Lube Live Amphitheater

CONSOL Energy Center

Bankers Life Fieldhouse

United Center

Palace of Auburn Hills

Nationwide Arena

Scottrade Center

Target Center

MTS Centre

Credit Union Centre

Rexall Place

Webster Bank Arena

Wells Fargo Center

Air Canada Centre

Air Canada Centre

Bell Centre

Prudential Center

Barclays Center

TD Garden

First Niagara Center

Quicken Loans Arena

Time Warner Cable Arena

Verizon Wireless Amphitheatre

1-800-ASK-GARY Amphitheatre

KeyArena

HP Pavilion

Honda Center

Gibson Amphitheatre

MGM Grand Garden Arena

US Airways Center

American Airlines Center

AT&T Center

Toyota Center

Out of 34 venuesonly one arenais not named after some corporation (The Palace in Michigan).

No arena except The Palace has the name of the city it is located in or attaches the local sports team to its name. Virtually every arena has sold its “naming rights.” Yes, arenas today still have unique names if you consider auto companies, airlines, tech companies, mega-banks and their ilk to be representative of the city.

If someone asked me where The Quicken Loans Arena, The Jiffy-Lube Live Amphitheater or The Honda Center was I’d be hard pressed to tell you. What do these corporate names say about the cities and the arenas they stuck their names on?

Up until the 1970’s most arenas and stadiums were clearly defined: The Boston Garden; Detroit Olympia;The Montreal Forum; Memorial Stadium in Baltimore; The Spectrum in Philadelphia; Maple Leaf Gardens in Toronto; Buffalo Memorial Auditorium; Pittsburgh Civic Arena – and on and on it went for traditional names. The Buffalo Bills were one of the first to do a naming rights deal with Rich Stadium in 1972 and the practice picked up steam in the 1990’s to the point of obliterating almost all historic stadium and arena names. Corporate naming rights are now expected if a new facility opens up. Continue reading →

Having written that, I will still compile a few lists here and there on this site and possibly instigate something Palin-esque (Michael not Sarah.) So, with that warning, this list concerns one of the most meaningless institutions ever created – the Rock n’ Roll Hall of Fame. Who cares about who is in and who is not? I certainly don’t. The idea that you are given an award or recognized by some all knowing group of people has never excited me. I’m sure most bands really don’t care and it makes no difference in validating their career.

Yet to legions of dedicated fans of various bands, it does matter. They start online petitions, vent in Rolling Stone or on blogs about their band not being included in The RNRHOF. Every year when the inductees Continue reading →