As I start to head into my late 20s, I realise that I'm only three years younger than the Man of Steel Superman. Join me as I chronicle and review his life.

Sunday, 9 October 2011

Action Comics #587

It's a Sunday, which means that it's a Superman day here at World of Superman! For those of you keeping up with my podcast, 20 Minute Longbox, look for that episode to be released late tomorrow as I'm slightly behind with the editing there. Last week's episode is still up, a look at Superman/Shazam: First Thunder #2.

(Covers only today as I'm short on time.)

Enough plugging, enough rambling. We've got us some John Byrne-drawn Etrigan action today. Or have we?

Cityscape

Written and Pencilled by John Byrne

Embellished by Dick Giordano

Colored by Tom Ziuko

Lettered by John Costanza

Edited by Andrew Helfer and Michael Carlin

Cover Art by John Byrne

Cover Date: April 1987

Jason Blood visits a curiosity shop in Gotham. His friend
Glenda picks up a trinket shaped like a futuristic city and accidentally
activates a hidden switch. The trinket shoots a spike into her arm, causing
crystalline spires to erupt upwards from her body. She transforms into a large
spire, then sends out spikes into the other people in the shop, causing them to
transform as well. Jason avoids a spike, transforming into Etrigan and causing
another spike to shatter against him. The spires continue to grow, bursting
through the ceiling and transforming the couple above.

Returning from space, Superman soars over Gotham, musing
that it is the first time he has returned to the city since meeting Batman. He
sees the spires, growing ever larger in the centre of the city. Taking action,
he shatters one of them, but he is tackled by Etrigan. The two fight, with the
Demon desperate to keep Superman from harming the spires. As they fight,
several more spires are damaged. Etrigan is able to halt the combat by showing Superman
that the shattered spires have blood oozing from them. Realising what has
happened, Superman agrees to help. Etrigan quickly conjures a spell to send
Superman back in time.

Armed only with a message from Etrigan to seek out Jason
Blood, Superman finds himself in 12th century England. He quickly
locates Blood, who has been expecting Superman. Jason takes Superman
underground to a Pool of Knowing to track the source of the trinket. He
discovers the location, and Superman flies him there. Above a humble shack
containing an old man and his granddaughter, Blood transforms to Etrigan and
wrestles free of Superman’s grasp, falling through the sky and bursting in.

Etrigan attacks the granddaughter, revealing her to be
Morgaine le Fey. Fey traps Superman in a cage of stone, before preparing to
weave her master spell that will result in the trinket, which will create a
citadel in the future for her to travel to. She possesses the grandfather to
use a human hand to craft the spell. Realising that interrupting the spell will
avert the future crisis, Superman breaks free from the cage. Despite Etrigan’s
warnings that his actions will cause is death, Superman attack Fey, disrupting
and cancelling the spell.

Suddenly, Jason Blood is back in the curiosity shop. Glenda activates
the trinket again, but it harmlessly pops open. Another customer looks through
the window and sees Superman passing overhead.

Before we get going into this one, let’s just be very clear
about one point. Superman’s action in the past, interrupting Morgaine le
Fey’sspell, nullifies the future where
the trinket grows into an entire city. Because this future never existed,
Superman never travelled into the past. Therefore, with the exception of the
last two pages, this issue never happened. It’s also an interesting statement
on how time-travel works in the DC Universe. The only reason le Fey doesn’t
have her citadel overrule Gotham is because Superman travels back in time to
stop this. But without the emergence of the citadel, Superman never participated
in the events that caused le Fey’s plan to fail, meaning that logically, her
citadel should once again appear until Superman prevents it. Of course, logic
rarely applies to time-travel, and for simplicity’s sake, once Superman has
definitively prevented the citadel’s emergence, the timeline where le Fey’s
plan succeeded simply withered and died, cauterised from causality. If you’re a
Doctor Who fan, think of it like this: Superman’s interruption of the spell
creates a fixed point in time which determines how time flows from it.

Phew!

I’m not that hot on this issue. I can’t help but feel that
the Demon is a wasted guest star. Etrigan is always more interesting when
following his own agenda that puts him in conflict with a hero. Here,
surprising as it is to see him working with honourable intentions – saving the
innocents trapped within le Fey’s citadel – there was little to no personal
gain for Etrigan, no hints or suggestions that he’s being anything other than
totally altruistic. It’s very contrary to what I expect as a reader, and to me,
it feels like the Demon was used because Byrne needed a character who could
exist in the past and the present, rather than because there was a story that
needed this character to tell.

I also have to wonder why Superman prolongs the climactic
battle with le Fey. It’s established towards the end of the battle that
Superman is able to break free of the stone prison because whislt magic is used
to construct the prison, the prison itself is not magical. If that’s true, why
does Superman spend a page and a half loitering in it watching the grandfather
get put through unimaginable pain? Again, things are happening because the
story demands that it does, rather than for a logical reason.

At this point in the super-books, Action Comics is
definitely the weakest of the three titles, but still a good read. This,
however, is the first issue that just feels average rather than of a good
quality in itself.

The Geeky Bits:
The Fourth World aside, The Demon is probably Jack Kirby’s most notable
contribution to the DC Universe. Etrigan is summoned by Merlin and bonded to
Jason Blood, a knight of the Round Table. This bonding grants Blood
immortality, allowing him to participate in events of the current day. Jason
can summon the Demon by reciting a short verse, but will always do so as a last
resort. His demonic nature has seen him appear in titles as diverse as JLA and
Sandman, as well as multiple attempts at supporting his own series across the
years. The most recent ongoing Demon series was Blood of the Demon, written and
pencilled by John Byrne, running from 2005-2006. In the new 52, Etrigan can be
found as a member of Paul Cornell’s Demon Knights.

Next on World of
Superman: Midweek sees us take a look at the next things I will and won't miss in the New 52, whilst next weekend has us back at our post-Crisis reviews when we take a look at Superman vs The Mummy, with no sign of Rachel Weisz!