Watch Moaning’s 120 Minutes-style, Official Video For “Artificial,” From Their Forthcoming, Self-titled Debut (out March 2)

Plus New 2018 Tour Dates

“Artificial” is the new and very official video from Moaning’s forthcoming self-titled, debut album, helmed by the directorial team A Stranger. Guitarist Sean Solomon says of the shimmery, 120 Minutes-style visual, “The video mirrors the themes of insincerity and artificiality in the song. To shoot the video we used practical effects to warp the viewers perception of what’s happening. It was appropriately shot in Los Angeles on 35mm film much like other disingenuous Hollywood productions”

The FADER had this to say of the video, “The song is about what really lies beneath, and like the truth, “Artificial” is distressing, nuanced, and ultimately cathartic. In the video directed by A Stranger, Moaning’s members dress in all white and play in a tinfoiled house with lots of fake plants, with their faces occasionally distorted and mirrored in very cool fashions (see video premiere January 15th).”

Moaning will be available on CD/LP/CS/DL worldwide through Sub Pop. The 10-track album, featuring “Artificial” and “Don’t Go” along with highlights “Tired” “The Same,” and “Misheard,” was recorded and engineered by Alex Newport in Los Angeles.

Preorders for Moaning are available now through Sub Pop right here. LP preorders through megamart.subpop.com and select independent retailers will receive the limited Loser edition on pink vinyl (while supplies last). A new t-shirt design will also be available.

Moaning’s current tour schedule in support of the album begins March 9th, with a hometown release show in Los Angeles on March 9th at the Echo, and runs through March 23 in Salt Lake City at Kilby Court. The band will also appear at SXSW. Additional live dates will be announced soon.

What The People are saying about Moaning:

“A taut introduction, a snappy, cut-throat piece of punked out indie rock that makes its point in two minutes 56 seconds.” [“Don’t Go”] -CLASH

“‘Don’t Go’ is an abrasive, thrilling introduction that points towards a debut album without boundaries or limitations.” [“Don’t Go”] - DIY

“Solomon sings in a world-weary monotone. But his voice rushes through a weathered industrial filter that makes it sound like the air in his lungs is struggling to catch up with him, adding a layer of momentum to his post-punk stoicism. Behind him, bandmates Pascal Stevenson and Andrew MacKelvie keep time on bass and drums, respectively, their clipped tempos like a clock ticking down to the end of the affair. And then there’s that delightfully out of place guitar solo. The way Solomon’s fingers jitter across the frets betrays the dispassion in his voice. He sings like Ian Curtis, but he plays guitar like Billie Joe Armstrong wringing out notes in fits.” [“Don’t Go”] - Pitchfork

“Don’t Go” is uproarious and unrelenting, a tremendous wall of noise hitting you from the start, its biting rage continuing throughout. Vocals cloaked in fuzz meld into the sounds projected seamlessly, creating a thick atmosphere against repetitious plea of, “don’t go.”…The single evokes the feelings of desperately holding on, clamoring to keep it together even when everything has fallen apart. This band is everything.” [“Don’t Go”] - The Grey Estates

“A product of their hometown’s DIY scene, this Los Angeles trio have spent the past couple of years creating moody guitar music that draws on shoegaze, slacker-rock and post-punk. They’ve already whetted appetites for their upcoming debut album with a series of driving, dirge-like, deadpan tunes.” [Top 40 Newcomers of 2018”] -The Guardian