In the past year, I’ve lost The Wire, The Shield, and Garth Ennis’s Punisher MAX. After this past Wednesday, 100 Bullets is gone, too. That’s four great pieces of crime fiction, or noir, or whatever, gone in just under a year. It sucks, but they all got to tell their story to the very end. 100 Bullets is probably my favorite of the four, or at least it is right now, and I have this driving need to pay homage to it somehow.

An issue-by-issue, or trade-by-trade, retrospective sounds so unbearably pat and boring that I just can’t do it. I wouldn’t get anything out of it, and neither would you. I think instead, I’m going to do something different from what I usually do.

The twist is that these aren’t going to be your usual scans_daily-style “Aw man that rules look how awesome that dude is there doing that awesome thing.” 100 Bullets excels in that Azzarello’s words, Risso’s art, and Mulvihill’s colors mesh into an amazing thing. They build characters, whether that character is a person or a city or a car. The storytelling comes from an odd angle, whether it’s from above meathooks or beneath a table.

So, here’s the plan. Five days. Twenty moments a day. I say moments, as there are a few that are full pages, but most of these are just single panels. I’ll put links at the top for the trades represented, but no commentary is coming otherwise. Just panels, posted in chronological order, that show the team at work. There will be cursing, maybe some violence, who knows.

Fans feel free to chime in down in the comments. I’m sure that a lot of these will kick up memories for you. On Saturday, I’m going to do my big 100 Bullets post to close out the week. If you don’t know 100 Bullets, this won’t spoil much, if you care about that kind of thing.

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