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Accroche-toi au pinceau, j'retire l'échelle

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"Caillebotte at the Brooklyn Museum" - Gustave Caillebotte [1848-1894] : "House Painters" [1877]. The most effective instrument of control in his urban compositions is his use of unswerving perspective. In “House Painters", the street zooms back in a line so ruthlessly defined and straight that it divides the scene into two separate planes of reality, one occupied by four workmen touching up a shop front, the other by a virtual ghost town in some other universe.