La Mariposa Borracha

La Mariposa Borracha

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La Mariposa Borracha

La Mariposa Borracha

My body is now beginning to be falling apart, but I will do it to the end.

Marina Abramovic

LA MARIPOSA BORRACHA is a whimsical dance theatre performance designed to explore the journey of personal illness. Inspired by the theme of the exhausted body, the narrative of the performance sought to explore movement in the context of the slowly deteriorating physical body of the dancer. In its conception, the performance is an immersive audience experience guided by the principles of dance theatre and clown. The performance is an episodic journey of Patient X as she escapes from the hospital for one brief hour to do one last spectacular showcase with her troupe. This performance aims to entertain people through a spectacle while causing the audience to introspect about sickness and pain through the lens of humour.

Context

Do we ever stop dancing?

Context

Do we ever stop dancing?

This was the first question that the project begun with. I wanted to investigate the idea of a deteriorating body in the dance world, inspired primarily by my own experience with illness as well as witnessing other friends’ journeys. Marina Abramovic writes, ‘My body is now beginning to be falling apart but I will do it to the end.’ Having watched many dancers struggle with keeping up their craft while pushing their body to extremities, I wanted to address this particular narrative. Before the conceptualization of this performance, I had worked on a documentary film, ‘Refugi’ that aimed to show that any body type is able to move. The documentary was an impetus to this project as it showed everyone has the potential in them to dance. Jerzy Grotowski writes, ‘We feel that an actor reaches the essence of his vocation whenever he commits an act of sincerity, when he unveils himself, opens and gives himself in an extreme solemn gesture and does not hold back before any obstacle set by custom and behaviors. Hence, taking my experience of the exhausted body and the findings of the research done for ‘Refugi’, it became important to present a sincere narrative, my journey of being sick.

Plot

Plot

Plot

Plot

Patient X escapes from the hospital for one brief hour in order to do one last spectacular showcase with her performance troupe, 'La Mariposa Borracha'. The show revolves around the episodic journey of Patient X as she explores the different emotional stages that a sick patient goes through: Denial, Anger, Bargaining, Depression and Acceptance, littered with the actual spectacular showcase. At the heart of the show, it aims to portray the ups and downs: the dissonance between the sickness and the spectacle of the show. Combining the principles of clown and dance theatre, the show is designed to be a painkiller while wrestling with the theme of the exhausted body. Look forward to ridiculous dancing, bad jokes and one giant party!

Director's Message

Director's Message

Director's Message

Director's Message

Shanice Nicole Stanislaus, Director of La Mariposa Borracha

LA MARIPOSA BORRACHA translates as the drunk butterfly in English from Spanish. It was a nickname given to me when I was working on a show in Barcelona. Perhaps, the nickname came as a form of endearment but it also embodies the perspective of how my cast mates in Spain saw me as a dancer without inhibitions.

The project began as an investigation on the theme of the exhausted body. This is a particularly relevant topic to me both as someone who loves to dance while experiencing the impact of sickness taking a toll on my physical body. In the past year, this issue struck me hard after losing dear friends and after watching them struggle with illness both physically and mentally. I then became curious to explore the effect of illness on the body, the relationship almost like a dance-like battle with sickness and the fight to get better through dance.

Of course, I didn't want this to be a show where we focus on the negative aspects of sickness instead I wanted to present the journey, the ups and downs, the surprises, the dissonance and the emotional roller coaster that often accompanies an illness. Sick people don't need to be reminded that they are sick and hence, I wanted this to be an experience almost like a painkiller. This concept came about when I was in a clown class and was in immense pain but found laughter to relieve or distract some of that pain away. Supported by research showing the effectiveness of humor in pain relief, the art of clown became an important guiding principle for the writing of the show. This show would also not function without humor and a little party because often with suffering, I found it important to embrace the celebratory aspects in life.

Having travelled around the world to work and train on different dance and theatre projects, I found myself questioning my own creative style and how I would want to watch a performance. In these reflections, I felt that I wanted to challenge the performance viewing process. In my own experience, I didn't want to just be an audience member watching a performance passively, I wanted to be engaged and if an artist could engage me beyond the conventional means of just watching a performance, I was sold on the show. Hence, with this project, I often questioned how I would like my audience to receive the show. The role of the audience became my top priority in making my creative decision, how can I best challenge them, surprise them and give them a show that they might not expect what might come next.

This project has been one whirlwind of a journey but I am thankful to present a piece of myself through the show. I sincerely hope you are entertained but in the heart of it all, this show is dedicated to those who suffer and who have suffered with all kinds of illnesses: that you may find that you're not alone in your suffering.

Stills

Stills

TEDx

TEDx PICKERING STREET

2017

TEDx

TEDx PICKERING STREET

2017

In July 2017, the Creatives Inspirit tribe was invited to present for TEDx Pickering Street 2017 at the ArtScience Museum. Entitled, ‘Play, Don’t Perform’, the presentation explored the use of play in real-life situations and the ability to use our mistakes to take the pressure to perform. By drawing parallels with clowning, the presentation hoped to encourage more individuals to approach their work with the spirit of play in order to build better mental health and creativity in whatever field of profession they may be in.

THE TROPICAL ARTS CLUB

THE TROPICAL ARTS CLUB

THE TROPICAL ARTS CLUB

In the Tropical Arts Club, we speak to Creative Professionals about their often unconventional personal and career journeys. Along the way we find answers to common questions like:

"Do I need a degree to work in the arts?"

"Do all artists starve?"

"How do I get my show funded?"

"Why do you wear black everyday?"

Listen to their stories and peek into the secrets and truths of creative industries... and maybe, you'll find out if the artist's life is right for you. Please support us by subscribing to our YouTube channel and giving us a follow on Instagram @TropicalArtsClub

EPISODE 0: DO YOU NEED A DEGREE TO DO THE ARTS?

Interview with director of Artistic Director of The Second Breakfast Company, Adeeb Fazah