On Electric Lit, Halimah Marcus, interviews speculative fiction author Ted Chiang (Exhalation, Arrival) on the current global pandemic and whether there will ever be a "normal" for us to return to.

HM: What’s the relationship between disruption and doom? Would “the disruption is resolved and nothing is ever the same” qualify as a doom narrative? Or is doom a third kind of story, in which the disruption is never resolved?

TC: A lot of dystopian stories posit variations on a Mad Max world where marauders roam the wasteland. That’s a kind of change no one wants to see. I think those qualify as doom. What I mean by disruption is not the end of civilization, but the end of a particular way of life. Aristocrats might have thought the world was ending when feudalism was abolished during the French Revolution, but the world didn’t end; the world changed. (The critic John Clute has said that the French Revolution was one of the things that gave rise to science fiction.)

HM: Do you see aspects of science fiction (your own work or others) in the coronavirus pandemic? In how it is being handled, or how it has spread?

TC: While there has been plenty of fiction written about pandemics, I think the biggest difference between those scenarios and our reality is how poorly our government has handled it. If your goal is to dramatize the threat posed by an unknown virus, there’s no advantage in depicting the officials responding as incompetent, because that minimizes the threat; it leads the reader to conclude that the virus wouldn’t be dangerous if competent people were on the job.

William Gibson's next novel, Agency, comes out in January 2018; it's a near-future science fiction story set in the world of The Peripheral in which "a gifted 'app-whisperer' is hired by a mysterious San Francisco start-up and finds herself in contact with a unique and surprisingly combat-savvy AI." Read the rest