Tuesday, September 24th, 2013

'Allelujah! Don’t Bend! Ascend!

Even though Godspeed You! Black Emperor’s surprise comeback record‘Allelujah! Don’t Bend! Ascend! was high on my own ballot and certainly a worthy record by any standard – refer back to my review last October – I had expected that some combination of the band’s own refusal to interact with the media (and thus any of the jury), the relative bleakness/impenetrableness of their music, and just their lack of profile outside of old-school indie circles to stack the odds against them. Apparently not. Proving that predicting the Polaris Music Prize is a tricky, tricky pastime, the name that last year’s winner Leslie Feist read from winner’s envelope wasn’t Zaki Ibrahim or A Tribe Called Red or any of the other acts who were widely expected to walk away with the $30,000 in this unusually wide-open year, but Godspeed.

No one was sure if they’d even acknowledge the nomination though it was a pretty sure thing they wouldn’t show up to the ceremony, and indeed they didn’t. American music journalist Jessica Hopper said a few short words at the gala to acknowledge their nomination and Ian Ilavsky of Constellation Records, Godspeed’s label, said a few words after their win, thanking the jurors and announcing that the winnings would be donated to a program to bring music and instruments to Quebec prisons. There was no giant novelty cheque. And this morning, the band made their own official statement on the win and manage to be entirely gracious while remaining entirely Godspeed.

As to the rest of the gala, it was an eminently enjoyable affair in its fancy new home at The Carlu. Shad and Kathleen Edwards were fine hosts, with the requisite costume skits and making light of the fact that they were both two-time Polaris losers (including both of them in 2008 when my Grand Jury gave the prize to Caribou), as well as leveraging Edwards’ renowned potty mouth towards collecting money for charity via a swear jar on each guest table whenever she cussed. Which was often.

The performances opened with Purity Ring bringing their trademark cocoon lantern stage show to accompany their squelchy electro-pop, followed by and impressive set by R&B artist Zaki Ibrahim with costumes and dancers that was probably revelatory for most in attendance, since she’s hardly if ever performed live in Canada. As they did in 2009, Metric opted to perform acoustic as just the core duo of Emily and James but bringing in a grand piano to fancy things up a bit helped avoid the coffee house vibe of that previous showing.

What with having been sidelined very recently with a broken hand, solo saxophonist Colin Stetson was a surprise performer on the night but showed no ill effects fresh off the DL, turning in the most raw, elemental performance of the night and maybe the history of the Polaris Prize. Tegan & Sara also surprised, not by showing up and performing but by having Toronto’s Choir! Choir! Choir! sub in with a brilliant and buoyant version of “Closer”.

Whitehorse only played one song when they could have easily done two in their allotted time, but that one more than ably showcased their abilities and appeal, with Luke Doucet and Melissa McClelland’s intricately choreographed instrument swapping and looping an impressive demonstration of musicality and chemistry. And it speaks to the diversity of nominees on this year’s short list that Young Galaxy’s set would come across as unusual, what with them being a conventional rock band simply performing a couple of their songs.

A fancy-dress gala might have been an odd first time to see local punk heroes METZ, but their loud and loud and awesome and loud set successfully transformed the Carlu from a storied concert hall that once hosted Frank Sinatra and Glenn Gould into every dirty, grungy basement venue in the world, albeit a really well-lit one. And finally, to wrap the night, A Tribe Called Red added some visual interest to their three-DJ performance with a native break/hoop dancer who, while no Gary the pole dancer, certainly put on a memorable and unique performance.

And then they gave the prize to Godspeed. It’s funny – of all the years the Polaris has been a thing, this was the year I felt least invested in. The couple of records I would have really loved to see make the final round having not, I had a lot of difficulty getting interested in this year’s edition beyond an academic level. And of course, it turns out the album I was pulling for but had basically assumed was out of contention wins, and the gala features some of the very best performances I’ve seen at these things. The Polaris – you just never know. Photos from the gala and a reminder of who the shortlist was below.

The Lab interviews Katie Stelmanis of Austra, who brings their 2014 Polaris-likely second album Olympia to The Phoenix on September 27.

The AV Club is offering an advance stream of Basia Bulat’s new album Tall Tall Shadow before its release next Tuesday, October 1. She plays three nights at the Polish Combatants Hall on October 10 through 12.

Consequence Of Sound reports that Arcade Fire will follow-up their September 27 appearance on Saturday Night Live with a 30-minute concert performance to be shown on NBC – so that’s 1AM EDT, if it was unclear. Elsewhere, Richard Reed Perry tells NME how David Bowie ended up on “Reflektor” and Under The Radar has got a stream of their cover of Peter Gabriel’s “Games Without Frontiers”, appearing on the forthcoming All I’ll Scratch Yours tribute album, out this week. Arcade Fire’s own Reflektor is in stores October 29.

Also streaming from the Peter Gabriel tribute is this track from Feist featuring Timber Timbre; whether you choose to imagine a video featuring Leslie and Taylor clinging to each other for warmth for four minutes is your business.

Destroyer has announced the release of Five Spanish Songs, an EP of songs by Spanish musician Antonio Luque of the band Sr. Chinarro, due out November 29. You may hear some of these songs when Dan Bejar plays The Great Hall solo on November 9. Or you may not.

Stereogum are streaming a new song from Odonis Odonis, presumably from a new album in the works or coming soon or something. They’ve not said.

Exclaim reports that the limited edition vinyl pressing of the first Super Friendz record Mock Up Scale Down is now a little less limited but more easy to buy, being on sale via murderrecords directly.

yeah, I remember giving away passes to that Mod show in early 2008, same week she was on the cover of NOW. It just seemed like she disappeared the last few years rather than become the star everyone expected then and there. But seems to be working out for her!