Jule Flierl + Mars Dietz
Wismut: A Nuclear Choir

For 44 years, the company Wismut mined uranium in Saxony for the construction of the Soviet atomic bomb. Three decades later, a dancing choir explores how history resonates in the relationship between individual and collective, ideology and landscape, discomfort and utopia.

JULE FLIERL (Berlin) wants to tell the story of sound dance. In STÖRLAUT (2018), she embraces the vocal dances of Valeska Gert, mobilizes them as forms that extraterrestrial proclamation exercises when other types of speech fail; STÖRLAUT brought her the title Hoffnungsträgerin 2018 from "Tanz" magazine.juleflierl.weebly.com

MARS DIETZ (New York/Berlin) deals with landscape use and human geography. Her focus is on resource extraction. Her work includes sound installations such as freedom from speech and she is a DJ member of "Bodysnatch".

A production by Jule Flierl + Mars Dietz in co-production with Schauspiel Leipzig and SOPHIENSÆLE. Supported by the Capital City Fund and the Senate Department for Culture and Europe. Media partner: Ask Helmut, Inforadio (rbb), taz. die tageszeitung, Zitty.

The workshop series for everyone who wants to bring more movement into their (working) everyday life! Different exercises and small choreographies which are easily transferable to practice with children, teenagers and adults are tested playfully. A script summarizes all the exercises in a detailed g...

Colonialism constitutes the very foundation of our thoughts and actions. With After Europe, we address strategies of decolonisation that disrupt the colonial framework of art and science - for a world in which privileged worldviews no longer prevail.

OCtober 15 – November 10Performance, dance and dialogue on 30 years of "East German Experience": Over the course of an entire month artistic contributions of the third GDR generation will be presented; addressing the consequences of the so-called reunification, as well as new perspectives on the German-German field of tension.