Art Hostage Services
-
The Art Hostage team undertakes a wide range of services, including due diligence, collection conservation and management, risk assessment and security as well as legal issues, recovery and dispute resolution involving art and artifacts. Through partnerships with leading organizations, the Art Hostage team can provide a complete service for all aspects of collecting and protecting art.

Saturday, November 24, 2012

Stolen Art Watch, Hot Art, Hot Crime, Hot Stuff

Shady Deals and Art Thieves

Hot Art by Joshua Knelman - A Review.

Warning: going to an art gallery may not be the same after you read
this. What Joshua Knelman does in his debut novel Hot Art, a crime
non-fiction, is compelling to say the least. Mixed with a lot of intrigue. He exposes the world of art theft – and not the one of Pierce Brosnan and Rene Russo in The Thomas Crown Affair.
This is not a novel about millionaires who are bored and decide to
steal art for the thrill. He interviews the major players in the
lucrative world of art, from both the theft and legal perspectives and
reveals the actual world of stolen art; which just so happens to be a
completely enthralling one. Working as a journalist for The Walrus
in Toronto, one encounter with a stolen art story had him hooked and
sent him on years of research. Sounds like such a simple way to start a
book, right? Trust me, after you read about this you will understand the
ensuing fascination that comes from reading about this under-the-radar
world.

An average experience of going to an art exhibit usually includes
learning and reading the information provided or referring to any store
of art history knowledge one may have. This idea of art as a cultural
education/experience does a complete 180 as Knelman delves into the
economy and world of art theft – a world where people make a living
purely from dealing with art. Culture, history and talent reduced to its
own private economy.
The novel begins with Donald Hrcyk, a detective in the LAPD,
investigating an art crime. What the reader learns very quickly is how
ubiquitous and under-reported art theft actually is. Most stolen art is
never recovered due to both a lack of resources and manpower with police
and the fact that all art deals are done on a handshake. One million
dollar paintings sold without even a paper of ownership or receipt. Then
add how international art deals are and a famous painting can go
missing for 20 years before being rediscovered. This isn’t exactly what
you think about when you’re standing in the Vancouver Art Gallery, which
is exactly the reason Knelman wrote this book: to expose an unregulated
and underground community.

The chapters move through interviews with big players in the art and
art theft world; Knelman interviews detectives, art theft lawyer Bonnie
Czegledi, ex-art thief Paul, and museum curators. Through this web of
interviews and stories, Knelman gives his ‘characters’ such a real
representation, and his own voice a feel of being an old friend you’re
meeting for coffee. This world seems almost too fictional to be true as
the author manages to capture the truth of the mysterious world while
writing in a true crime, suspenseful manner. As each chapter bring the
reader to a different place in the world and perspective of the art
scene, it’s hard to remember to take a breath and remember you’re not
the one jet-setting all because of Knelman’s engaging, interactive and
fast-paced style.
The most impressive part of the book is how easy it is to sympathize
with each of the character’s plight or paradigm. Whether it is a
detective looking for a painting, the museum or company where the
painting has been stolen, or the thief who took it so seamlessly, you
will find yourself simultaneously hoping for every player to succeed.
No, you’re not suffering from a multiple personality disorder, Knelman’s
players are just that well developed and each story that fascinating.

Now, this is where I need to introduce you to Paul from Brighton, a
major character in the story and a repeat art offender at that. His
story begins in Brighton as a “knocker” who went door to door to be,
well, an antique hunter. With making some profit of course. This
‘career path’ grew into Paul organizing thieves to go back to particular
homes to steal certain pieces in order to sell. From humble beginnings,
Paul became a millionaire from being an ‘art dealer’. Not from dealing
with Rembrandt’s and Monet’s, but from smaller, less well-known
paintings. According to Paul you need to stay under the radar to not get
caught. Which Paul never did, get caught that is, he was always under
the radar though. It is this prototype that lawyers and detectives are
trying to catch and regulate. Art is dealt with so smoothly however,
that it doesn’t take long to pass from thief to dealer to an owner in
another continent so quickly that by the time the cops know the deal is
complete. Especially when the majority of art in the art theft world is a
part of organized crime and drug deal pay offs.
Knelman takes the reader on a journey across oceans and perspectives
so swiftly and intelligently that you can’t help but be left with a
fascination for this new world. Especially when you realize some of the
artworks you’ve seen or studied have been stolen multiple times, in ways
worthy of traditional crime dramas. The author absolutely serves his
purpose of spreading knowledge of what goes on behind closed doors in
the art world, and with Knelman’s rapid, real and informative style, I
don’t doubt there will be many readers on the brink of a career change
to the art world. On the theft or legal side is still undecided, both
create for pretty epic party stories, and cultured ones, naturally.

Himself a former trafficker of stolen art, Turbo Paul Hendry M.A. provides information to the readers of his blogs (including collectors, victims, insurers, and other members of the public) regarding the latest news from the world of stolen art and artifacts and, wherever possible, he assists in the recovery of art and artifacts stolen by others. Art Hostage, for the last Ten years, has provided services to private individuals, insurers, law enforcement agencies, and to those who have information that will lead to the recovery of stolen art.