Barbie And The Diamond Castle

Liana and Alexa (Barbie and Teresa) are best friends who share everything, including their love of singing. One day while walking through the forest home from the village, the girls meet an old beggar who gives them a magical mirror. As they clean the mirror and sing, a musical apprentice muse named Melody appears in the mirror's surface, and tells the girls about the secret of the Diamond Castle.

This is a cartoon focuses on two best friends, Liana and Alexa, embark on a journey to find the Diamond Castle! With the help of music, the girls overcome challenges that show friendship is the true treasure. . You can read more in Google, Youtube, Wiki

Barbie And The Diamond Castle torrent reviews

Dan G (it) wrote: The landscape in this documentary makes you want to take a road trip! But that obviously takes a "back seat" (see what I did there?) to the enthralling story of Buck Brannaman, the real-life Horse Whisperer. I found this doc to be charming in the simplicity of its filming and the genuine down-to-earth quality of its subject. Buck comes off as a humble man yet grounded in his beliefs, which were accrued through years of hardships as a child. It's amazing that this dude took all the mistreatments and abuses of his early years and transformed in into a life of humanity, an avenue that (unfortunately) many neglected humans rarely take. If horses aren't your thing (I love em to death, but it's not my thing) you may find the first half-hour of this film a tad boring, but once you're tied in with Buck's style, grace, and humility in his training methods you should be won over. The end scenes with the attempted training of a wild colt and the chastising of its owner are, in my opinion the most poignant moments of the film.

James R (it) wrote: Maybe a 3.5 star movie. True story of a Jewish Doctor who survived Auschwitz only to be accused of being a spy for the Nazis. She tells her story before a jury of three INS investigators and their mouths drop open and they see the sincerity and love this woman had for people. Its worth seeing that's for sure. Good feeling knowing someone who was not a doctor just for the money but actually to help people, great lady she was and deserved her own movie :)

Directors D (br) wrote: Great movie, adding Bruce Willis made it more interesting. It is a very action-packed movie and I would watch it again.

Anita Y (gb) wrote: I went into the theater so wanting to like this film for so many reasons. But, sadly, Total Eclipse is one of the worst films I have ever seen. And not bad in a fun, campy Ed Wood or John Waters sort of way; bad in an earnest, saccarine, just trying-too-damn-hard-to be outrageous sense. DiCaprio is wildly inappropriate for the role of Rimbaud. Poor David Thewlis made an admirable attempt in this misguided muddle of a movie.

Marcos S (de) wrote: Awesome work by Clint, superb performance by Whitaker and a amazing score.

Frank H (us) wrote: The last five minutes of this is seriously one of the greatest things I've ever seen in a movie. A dwarf laughing maniacally at a Camel crapping.

Harry W (mx) wrote: Joe is a slow story. As it is, the titular character doesn't make an appearance until 27 minutes in which up until then had been slow drama relating to characters abusing drugs and suffering the consequences, with the only mild benefit being Susan Sarandon's nudity in her debut feature film.Also, Joe doesn't pack the same punch it did back in 1968 due to the fact that it came from the time period of the emerging counter-culture movement and acted as a story about a very right-wing and conservative man driven over the edge by his insane obsession with hippies and murderous disdain for them. This is a kind of character rarely chronicled on a film as it is a very anti-equality character with aggression with realistic lower-class language, but he isn't exactly dealt with in the best way as John G. Avildsen fails to dive into the mind of Joe Compton and relies on Peter Boyle's performance to achieve that. He uses a blank film style with simplistic cinematography and atmosphere which leaves Joe lacking any iconic features aside from the presence of its actors, Academy Award nominated screenplay and the fact that its the debut feature of Academy Award winning director John G. Avildsen. Critic Judith Crist referred to Joe as "A movie truly of our times", but times have changed and so the generation has too. Although I was luckily able to embrace Easy Rider, Joe is another case and not one I find constitutes enough to pass as a film rather than an extended monologue from a theatrical drama piece. There's nothing really notable enough to define Joe as a film, and rather risers just a long and angry story without sufficient visual stimulation.Frankly, the battle of age has worn down Joe, and although the film features strong characters, particularly the titular Joe Compton, it itself no longer seems to maintain the same strength and is merely too boring to hold its own for 106 minutes, since about 100 of those are focused on studying characters from the counter-culture time period, particularly people embracing it and people fighting it. Although it has a strong screenplay to tell this story, its weak in being a good visual experience, as it doesn't get entertaining until the final few minutes when the famous climax occurs. But the final scene is merely a brief violent scene which isn't emphasised or explained, and merely shows one of the characters transitioning into a character more like Joe Compton than he was before, to the point where he ends up killing someone close to him. If the last scene had have been extended, took place earlier in the film or have been dramatically emphasised more, then Joe could have been a good film to this day. Alas, that is not the case.The one thing continuing to hold Joe aloft is the acting.Although he doesn't enter until 27 minutes in, Peter Boyle immediately steals the screen by embodying the aggressive, angry, hard working but low class American stereotypical white male flawlessly, and works strongly towards conveying aggression and anger at the changes in society as they damage him, and he keeps a certain level of intensity up in the film with his swift line delivery and domination through physicality. He makes Joe a memorable character.Dennis Patrick also gives a charismatic performance as a human being coping with the shock of his actionsSusan Sarandon also makes a fine debut, portraying a character alternative to much of her later characters due to the sense of innocence staying strong through all the twisted situations and only shattering at the film's climax. Her sweetness and ability at emotional manipulation are put on display in Joe and used well, as well as elements of her sex appeal.So Joe boasts a good cast, decent story and consistent screenplay, but it's excessively slow pacing and lack of story direction make it less effective today than back in 1970.

Rob M (ag) wrote: Genuinely keeps you intrigued while putting you in some awfully compromising situations. With the combination of the unique story-line and an ambiance of an abandoned island occupied with a decrepit unlit farmhouse, anyone who deems this unworthy should probably stop watching horror movies.

Kevin R (es) wrote: She's what the fellas back home call a hot bundle Joe and Frankie are a couple with sweet ambitions. Joe is in the military with plans of becoming a pilot and Frankie is a homemaker that wants nothing more than to have a happy family with Joe; however, their lives are turned upside down when Carmen Jones takes interest in Joe. Carmen is a conniving female that takes what she wants and refuses to be tied down. Usually when Carmen wants something she gets it... "You've got about as much chance of flying as a fly in that shirt." Otto Preminger, director of Laura, Exodus, Anatomy of a Murder, The Man with the Golden Arm, Saint Joan, In Harm's Way, Angel Face, and The 13th Letter, delivers Carmen Jones. The storyline for this picture is very interesting and the characters are well presented and well delivered. The songs set the pace of the film well and the dialogue is well written. The cast delivers impressive performances and includes Dorothy Dandrige, Pearl Bailey, Harry Belafonte, Brock Peters, and Diahann Carroll. "You do that and I'll scratch out the one good eye you've got left." Carmen Jones was a film my wife discovered and decided to DVR since we have not seen many Dorothy Dandridge pictures. Her singing and pizzazz was amazing, well delivered, and well presented by Preminger. The movie is well paced and moves in an unpredictable manner that make the primary plot fun to watch unfold. I strongly recommend seeing this picture. Grade: A

Leena R (us) wrote: Exciting, witty and entertaining with a good plot and interesting characters. I highly recommend!