Sunday, June 15, 2014

Over the next three months I will be covering the use of various
types ofmodifiers. This month I'm going over the use of NO modifier. What?! I know that soft boxes whether
they are strip boxes, octa banks, or rectangles are very popular, but sometimes not using any modifier
can give you a very dramatic look. Prior to any shoot, my clients and I have a discussion about the
'mood' of the final image, what they envision and what I propose. Let's go over a few examples...

Creating your own shadows

One of my clients wanted some behind the scene images of the shop
where they build sets for the stage. Upon entering the facility I discovered the usual 'shop lighting'
- ugly fluorescent lamps in the ceiling and no windows...ugh! I wanted some drama to the scene, so I simply
found one of their ladders, placed it 30 feet away from the person I was photographing and mounted a
single Canon speedlite on a light stand behind the ladder turned off the overhead lights and took
this shot. The resulting harsh shadows made for a more visually interesting and dramatic image. Indoor Sunlight

My clients occasionally want the look of sunlight, but shooting
outdoors isn't possible due to weather or for a variety of reasons. So I use a bare bulb method to replicate
sunlight and give the final image a very clean outdoor look. In both of these examples I simply placed my
studio strobe about 12 feet in the air without any modifier. In some cases the client wants a shadow, in
others just the harsh light of 'daytime.'

Harsh Conditions, Harsh Modifier

OK, so I DID use a modifier for this one, but it's a VERY harsh modifier. Conditions often dictate what I
use and for this one the weather conditions were horrid. The roof of Fort Point at the southern
base of the Golden Gate Bridge often produce HIGH winds which swirl like a mixer at about 25-30 knots!
The distance from the talent to where I could place the strobe is about 45 feet. So I
used a Retro Laser reflector attached to an Einstein strobe. The modifier is used primarily for sporting
events like basketball games to illuminate players near the net. It produces a very harsh and adjustable
focused beam of light.

Harsh artificial light has its place and don't be afraid to use
your Speedlite or strobes without any modifiers. You may be very pleased with your results. Have fun
experimenting and creating your visions!Do you have questions about the methods described above or want to see a tricky lighting situation discussed in our See the Light series? Let us know in the comments or contact us!

Tuesday, June 10, 2014

Start
your summer off with a bang by getting more bang for your buck from
Sigma! We have loads of Sigma gear on sale all month long and as a SUPER special kickoff to summer, a
SUPER summer giveaway! First prize is a Sigma 18-250mm f/3.5-6.3 DC Macro OS HSMlens! This is a really versatile lens, plus the use of Thermally Stable
Composite (TSC) material used only by Sigma make the lens smaller in size and lighter in
weight than its non macro version, so you won't be weighed down when
capturing all the fun at the backyard BBQ or the sweeping landscapes
in your summer travels. Don't want to wait to see if you win? This
lens is now on sale until the end of June with a $200 instant rebate!

Entering
is super easy, click HEREto enter! Good
luck and have a SUPER summer!