Thursday, 21 July 2016

It is by Anita Carnell and represents 65 hours of work. Anita's work is an abstracted reimagining of the historic traditions of gilded leatherwork.

'Revealing Something new' by Anita Carnell

I only know this because I talked to her and she explained her processes and ideas to me.

Which gets me thinking about how we interpret art, and different levels of meaning.

I spent an hour or two at the MAVA (MA visual arts ) show at UAL, Camberwell this week, and inside my head a little voice kept saying

what would OH ( my other half) say about this?

There were no artist statements and there was nothing in the catalogue to explain any of the work. It was only by talking to the artists that I could understand the work.

If the artist wasn't there, I couldn't ask the questions.

So I thought about what OH would say instead.

First some prints by Grizelda Kitching.

Add caption

'why isn't it finished'?

'no idea what that is'

is it the boiler?

'compost on a book art course?

are you serious?

I can't repeat what else he said.

Recycled coffee capsules byXiamiao Wu

nouveau

i wouldn't buy it

Printmakers Council Award winner 2016 ....

Fractal series by Inma Berrocal

spotty; is it the seawall in Camber

You get my drift.

Conceptual art is difficult to understand unless you speak the language.

This author of this piece by Lena Wurz (below) has been awarded the London Centre for Book Arts Residency Award.

I would really like to know what it means. I am guessing that it is something about materiality.

I got on better with Charlotte Rimmer's very sensitive series about her grandparents frailty. A few words underneath the title of this work were enough to allow a good understanding of the sense of loss that dementia brings to those still living in the present.

Then there was work about air pollution in China. Not too hard to get.

Printed on beautiful textured paper.

I also had no difficulty with the small and playful book by Ling Li titled