Framing

Our frames are produced from the best quality wood, primarily
from Italy. Each is custom cut and assembled by hand to fit your art.
Hanging hardware included!

THIN GALLERY FRAME

This modern profile was designed for artists and photographers.
Narrow on the front and deep on the sides, our slim mouldings provide
a clean, sharp frame for your art, and allows all focus to be on your
gorgeous work.

3/4" wide; 1 1/8" deep

UV - PROTECTIVE ACRYLIC

Our acrylic is more expensive than glass, but we use it because it’s
clearer, far more impact resistant, and protects your art against UV rays.
Framing-grade acrylic has become a new standard in framing because of
its “clear” benefits.

THE FULL BLEED

Works are framed flush with the edge of your print without a mat.
Request border modifications and spacers, which keep the work from
touching the glass.

THE MAT

Adds a white core mat with a bevel cut opening to the edge of your
print. If your work has a signature or edition numbering, we will
automatically mat around it unless otherwise specified.

THE FLOAT

Floating a piece allows for a full view of the face and sides of the
artwork. Floating is recommended for original drawings and paintings
or any piece produced on specially trimmed paper.

Shipping

Shipping rates are calculated by the size of the package, and shipped via FedEx.
Please reach out to info@thetappancollective.com for any specific shipping and handling questions.

Orders ship within 10 business days.

Returns

We are dedicated to providing our collectors with accurate descriptions
and visuals of the artwork featured on our site. However, if you are displeased with your
acquisition please email us at info@thetappancollective.com. We’ll gladly offer you a store
credit within 10 days of receipt of the artwork. Custom framed pieces and originals will
have a 20% processing fee.

If your works arrive damaged, please ensure Tappan is notified
within 14 days of delivery.

Returns

We are dedicated to providing our collectors with accurate descriptions and visuals of the artwork featured on our site. However, if you are displeased with your acquisition please email us at info@thetappancollective.com. We’ll gladly offer you a store credit within 10 days of receipt of the artwork. Custom framed pieces and originals will have a 20% processing fee.

Tea Vessel 13

Painting

Regular price
$ 550.00
SOLDSale

Size

8.25 x 8.25 inches | Original Work

Frame

Unframed

White

Black

Natural

Mount

N/A

Floated

DESCRIPTION

Japanese watercolor painting on paper | 2018

Saying Stop to the Screen - Saying Yes to the Brush is a series of works depicting objects related to contemporary tea culture. Each painting was created within ten minutes, during which a cup of tea would also be savored. The simple action and enjoyment of painting are celebrated simultaneously.

DIMENSIONS

8.25 x 8.25 inches

FRAMED DIMENSIONS

Floated: 12.25 x 12.25 x 1.25 inches

AUTHENTICITY

Signed by the artist.

“The act of painting was performed as an action allowing myself to breathe and take mental pauses.”

Tagada’s work is often semi-autobiographical, generating positivity and deriving inspiration from her daily life and experiences.

Photo by Kristin Perers for Apiece Apart

Studio Visit

Q. Tools or mediums you’re dying to experiment with?

A. I would like to work with a contemporary dance company in order to create …

About Johanna Tagada

Johanna Tagada is a London based artist, who studied at the Fine Arts School Haute École des Arts du Rhin (HEAR - France). Her interdisciplinary practice is composed of painting, drawing, photography, film, publishing, sculpture, textile and installation, preferring to build a coherent and singular body of work, which is best described as poetic and delicate. Her work is often semi-autobiographical, generating positivity and deriving inspirations from her daily life and experiences, as well as from close observation of nature. Theories related to Art Therapy and the Way of Tea are of personal significance to the artist and are recurring themes in her work.