He was head of the musical staff at Venice's Gran Teatro La Fenice, and Consulente Musicale for the Ente Lirico in Cagliari Sardegna, where he presented the first French language performance in Italy, of Rossini's Guillaume Tell, starring Chris Merritt. He was a Guest Conductor at the Budapest State Opera in the Spring Festival, and for the Summer Festival production of Verdi's La Forza del Destino starring Giuseppe Giacomini in Santiago de Compostela, Spain.

After winning the International Competition for Opera Conducting at Siena's prestigious Accademia Chigiana, where he studied with Franco Ferrara, Carlo Maria Giulini, and Bruno Bartoletti, he was awarded the Diploma di Merito, and chosen to conduct performances of Bellini's Beatrice di Tenda with soprano Cecilia Gasdia. He has assisted many conductors, including Nicola Rescigno, Giuseppe Patanè, Placido Domingo, Bruno Bartoletti, and Alfredo Silipigni, who engaged him as Associate Conductor of the New Jersey State Opera, and invited him to conduct Puccini's Le Villi, and Mascagni's Zanetto. He also prepared productions of verismo rarities such as Mascagni's Iris, and Lodoletta.

In North America, Mo. Recchiuti is the Artistic and General Director of the American Opera Theater, founding Principal Conductor of the New Jersey Opera Theater, and founding Music Director of Opera de las Americas, the national opera of the Dominican Republic. He has been a frequent guest conductor for many organizations including: Orchestra of St. Lukes, the Long Beach Opera where he collaborated with director Hugo DeAna, the Orlando Opera, the Korean Symphony of New York, the Manhattan Chamber Orchestra, the National Lyric Opera.

His discography includes the newly released "Vaghissima sembianza", a collection of the Arie di Stile Antico di Stefano Donaudy with soprano Elizabeth Blancke-Biggs; "Chris Merritt dal Vivo", where he conducted the orchestra da Camera di Padova e del Veneto, and was awarded the Palme d'Or, and chosen as "Best CD of the Year" by Opera News, and CD Classica; "English Art Songs" featuring Britten's the Holy Sonnets of John Donne and Roger Quilter songs, with tenor Paul Austen Kelly; and Alberto Mizrahi's "Voice of a People" a collection of Cantorial Showpieces, Ashkenazic and Sephardic art songs.

"Michael Recchiuti was the excellent conductor commanding attention both from his players and the stage. He so obviously believes in Gluck's music, and he believes in the right things about it."– Bernard Holland, The New York Times