Well I hope that's not Angie... But then again, what's the point of relaunching Wildstorm if they're just gonna do something else? =/

Just quoting this again, because I went back to the original article and the group shot shows a sightly punkified Angie-as-engineer, but it's recognisably Angie in liquid metal skin. It's almost certainly art for the new series as the black version of Deathblow is in there.

KandorLives:

Is it in a separate continuity? Has that been confirmed? Because Young Animal is still in the DCU (with Mother Panic set in Gotham) and Midnighter is in continuity, right?

Like you say, it makes sense to be its own thing, but you never know with DC.

Just quoting this again, because I went back to the original article and the group shot shows a sightly punkified Angie-as-engineer, but it's recognisably Angie in liquid metal skin. It's almost certainly art for the new series as the black version of Deathblow is in there.

That's not a new image. It's a cover from the World's End era of Wildstorm. I think you also might be mistaking Warblade for the Engineer.

Yeah, I pretty much gave up on reading Ellis stuff after sleepless. Sick of unfinished stories and abandoned characters. I did pick up several issues of trees in a comixology sale last year. Enjoyed it a lot but it also seems to have ground to a halt.He is clearly not a finisher/completer.

I would normally be reticent of picking up another Ellis project right now. However, DC has been pretty great about schedules since Rebirth. Most of their books are hitting twice a month and haven't missed a beat. I can't imagine them letting Ellis be any different. On top of that, he's being pitched as the curator of the line and only writing one title.

Even if you only count that four months and not the last 5 years like Gar said, they've shipped what would usually be eight months (nine if you count the Rebirth issues) worth of material during that time. They have their system down.

I wrote the first six issues of THE WILD STORM in early summer. Kieron Gillen showed me Jon Davis-Hunt’s work, and we got in touch. We, in this instance, being myself and my old friend Marie Javins, marking, I think, our 21st year in the trenches together. She was my first editor at Marvel.

I have the first two years very roughly mapped out. Giving myself space to zig instead of zag should I decide to. I’m contracted for two years, currently, and have a notion of where the third year would go.