Technicolor News

When asked to rank and prioritize the services that are driving demand for the capabilities that can be delivered by DOCSIS 3.1 technologies, 67 percent of respondents reported that Ultra High Definition (UHD) was a leading driver toward DOCSIS 3.1; gamin

"As a consequence of new innovative, value-added solutions that are being introduced in the market, we are seeing an ever-increasing demand for higher speeds and more bandwidth. DOCSIS 3.1, by the inherent nature of the improved technology, is much more e

"There are major opportunities to redefine the nature of home security, in-home health services, and other services that leverage the same infrastructure used to deliver video and other entertainment services offered by operators."

Throughout 2017 and 2018, the cable industry's major players have been rolling out new technologies and services across the entire ecosystem; and with new offerings like AR and VR just around the corner, the cable marketplace is heating up.

Some of our B2B clients have fragmented their business by using delivery service providers specifically for direct-to-consumer delivery, but by providing those services along with B2B services we enable them to maximize inventory in one central location.

"We at Technicolor are certainly seeing the demand for more open systems accelerate. It allows consumers to indulge in the 'when they want it' mentality as they pick and choose their own content, accessible through using a cutting-edge user experience. Th

In partnering with Technicolor, Oi benefits from Technicolor's industry knowledge, experience and their current GPON-enabled gateways that take advantage of the latest developments in Fiber-To-The-Home (FTTH) technology.

"Normally a VFX editor has to do a lot of media management: you're getting files, you're checking files, you're sending those files to vendors to make sure that they've got everything they need to go ahead and start working. With PULSE it was an easy proc

Technicolor's trial period proved a treasure trove of insight for how to create cost-effective, quality HDR productions, how to capture a director's intent and perspective, how to shade the cameras correctly and how to really get the most out of HDR. We'r

The "Foxtel Now" service in Australia, introduced in early November -- and built with Technicolor technology -- is designed to stream all TV content, including free-to-air, paid subscription services as well as internet, apps and games.

When TVs receive a video signal...that signal has come from a studio or from a broadcaster and is produced by someone sitting behind a monitor. That monitor is not the same as the TV you will have in your living room. This means that every TV in every liv

Certain devices will support certain HDR technologies and different regions will prefer different HDR technologies.What Blu-ray offers is the ability to support the ones that are most important to consumers and that are most important to the device manufa

The goal for broadcasting in the foreseeable future is to deliver one stream for both SDR and HDR, and to deliver a great HDR experience. To that end, Cobalt is aggressively marketing its new integration with Technicolor's ITM, and participating in field

"With this pivotal step, broadcasters and equipment vendors have far more confidence in the maturity of SL-HDR1. They know that at this juncture, the amendment is stable and not going to change substantively. Vendors will implement SL-HDR1 with high confi

The two organizations have teamed up to create an artist-in-residency program that pairs artists and technology experts from Technicolor to work together on immersive media projects that combine compelling and rich content with a variety of leading-edge t

While EDI technologies continue to serve organizations' supply chain and logistics operations, they're increasingly outdated, expensive and complicated to maintain, and are too static to meet the complex and dynamic challenges of today.

"In Season 1 the color changed over the course of several months as we were working on it. And the sound, our sound developed. We've all found kind of the voice of the show; it's that language that we've developed with Technicolor specifically."

The trend is terrific news for the community of post-production and VFX artists and technologists that are now being tasked with bringing theatrical production values to series like Netflix's "Stranger Things," and "Narcos," as well as Amazon's "Mozart in