is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

I have no idea why Sia recorded Everyday Is Christmas, but it is best to not look this particular gift horse in the mouth or face. Some artists make jokes and others are sincere, but Sia occupies a discursive space between those two norms, and what a space it is. This metaphysical area is full of the following:

* puppies (Sia loves dogs, because they only judge people based on physical presence and potential as a food source) * nature (on “Snowflake” Sia deals with the traditional version of term. She is not so crass)* elves (in the metaphorical sense) * mistletoe (there is a positive aspect to touch)

Parsing the lyrics is sometimes a challenge. On “Sunshine”, Furler suggests, “Tell me your secrets tonight and I’ll get the elves working on them.” She adds, “Got the elves working so hard, make your pain stop.” I honestly never know when to laugh or cry on this album, and the preternaturally talented producer of Everyday Is Christmas, Greg Kurstin, doesn’t seem to either. This unexpected album is such a songwriting tour de force that even the most nonsensical lyrics land completely in the Santa’s Workshop of orchestration woven by Furler.

On the album’s most formal and nearly devout track, “Snowman”, Furler manages a touching and deeply beautiful ballad that proves that almost any simile she writes can encompass anguish and joy at the same time. She sings, Don't cry snowman, don't you fear the sun Who'll carry me without legs to run? Don't cry snowman, don't you shed a tear Who'll hear my secrets if you don't have ears?

Mostly Everyday Is Christmas seems to be making the point that words are mere shells, and the underlying arrangements are Furler’s actual voice. She is one of the most magnetic and intuitive musical talents ever to work in this genre, and if it feels like very few risks are being taken here, there is also the pervasive feeling that Sia is closing a door on a certain sound embodied by her 2014 masterpiece 1000 Forms of Fear.

On “Puppies Are Forever”, Furler sings, “Cause they're so cute and fluffy with shiny coats. But will you love 'em when they're old and slow?” This should not have affected me as much as it did either. But for some of us, the end of the year is when we are at our most vulnerable and plaintive. Timing is everything in life, and I am happy Sia made Everyday is Christmas for us this year.