Author: VMan

Posts by VMan

ZIP CODES is a eclectic bass event during Miami Music Week 2019 like you won’t find anywhere else. Not only does the ZIP CODES lineup display some of the most diverse rising talent in the Florida scene, the event promises to align the acts into wild B2B2B’s one must see to believe. Featuring KC Gilmore, Egzod, SHNDO, LVNDO, MOON RUSH, SYNYMATA, ACRAZE, Rated-R and many more, the event will debut at CENTRO Wynwood Tuesday March 26th 9PM to 2AM.

The event is free and 21+. ZIP CODES is the collaboration of Injoy Events, Liive Projects, and a a handful of other local partners. With nearly a dozen artists taking the stage during one of the busiest weeks of dance music, a memorable face-melting night is certain.

Newcomer Ekonovah is a name you’re going to want to start following. “Wait a Minute” released today on Aoki’s legendary EDM label Dim Mak has that unique, addicting buildup and rhythm that stands out in a sea of recent similar sounding bass-house tracks. Take three minutes and give this a listen then grab the free download.

“Wait A Minute was so fun to write. I made it pretty fast, in only 3 sessions or so. I became really inspired by the idea of oscillating back and forth from this grandiose reverb to a dry, dampened sound which I’ve since been implementing in a lot of my tracks. Once I found those horn hits which occur before the second drop and outro, that’s when the full idea really solidified into a cohesive track. Suddenly, it had this fun ‘x-factor’ that crowds respond to really well during my sets!”

Chill act Price Woods has revealed another stylistic single, “Summer Games,” being a cover of the Drake original, the twist added takes the atmosphere of the original to a whole different realm. The release is paired alongside a video, the visual meshing the song with a quasi-abstract live performance concept containing trippy throwback elements.

Josh McDaniel and Alex Zahrai have had a natural rise ever since teaming up to form Prince Woods. Together the two bring a feel good indie-electronic vibe to the forefront, there contribution to music gaining recognition soon after kicking off the project. “Rear View,” an original from the duo, went on to receive 2 million streams on Spotify alone. Between their experienced production skills, live instrument twist, and dedication to the alias, Price Woods isn’t going anywhere in 2019.

There are so many talented artists in this world pushing projects and we’ve just found another one to add to the list. Nived has just throw his name in the mix in a huge way with his debut single “Shame” that is sure to get many faithful fans behind him in a hurry. “Shame” is an alluring chiller that seeps into your soul and doesn’t let go. Nived melds several styles together for a perfect concoction that is easy to take in over and over again. Click play and throw this bad boy on repeat!

BLU J are showing that they’re back and better than ever in 2019. After releasing their collab with Shdws a few weeks ago, the duo is back with “Don’t Look”. The song is their first solo release of 2019, already equaling their output from last year. Groovy basslines and slapping percussion highlight this dancefloor heater and hopefully they have more up their sleeve. Check it out above and pick up your copy here via ALT:Vision Records.

I’ve been listening to Autograf for years. They first caught my attention with “Dream” when it came out 4 years ago. Now the group has released their new single “Hold Me Back” ft. John Splithoff and I couldn’t be happier.

The song features the groovy basslines and brilliant synth work that Autograf have made their name on. John Splithoff delivers a magnificent performance to round out the composition and create a true hit. Autograf also announced their first EP in 3 years ealier this week so be on the look out for that. Until then listen to “Hold Me Back” above and pick up your copy here via ALT:Vision Records.

George Gretton “Tread Water” is a single that keeps you guessing. Using vocals and an electronic production template to build on top of, George Gretton is able to maintain a flow to the music he’s presenting, but uses tempo fluidly at some parts making the single particularly trippy. The single is well structured – when the chorus returns before the ending, it’s hard not to feel a figurative “full circle” sense of contentment brought forth from the song.

It’s often said the UK is ahead of the curve in regard to musical prowess. George Gretton may be the living embody of this as his style is certainly abstract but without a complete, fulfilling, and all it’s own. Gretton has plenty of practice under his belt, his debut “Tread Water” marks the first of many to come.