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With Léonce Rosenberg, Galerie de l'Effort Moderne, Paris; sold to A. E. Gallatin, New York, by the end of 1933 [1]; bequest to PMA, 1952.
1. See Gail Stavitsky, The Development, Institutionalization, and Impact of the A. E. Gallatin Collection of Modern Art [Ph.D. dissertation, New York University], 1990, v. 7, p. 113. The painting was published in the Gallery of Living Art catalogue, 1933, no. 41 (illus.).