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Monday, December 31, 2012

I was trolling various websites looking for advice on how to mitigate the herky-jerky quality of my free motion quilting, and I came across a nifty gadget called "The Fabulous Fabric Glide":

It sounded like just the thing I needed--it's a squarish open hoop with rubber nubs on the underside that help to grip the quilt top. The Fabric Glide rests on top of your quilt, and you use it like an embroidery hoop to help guide your machine quilting. I immediately ran out to buy one, and I've been playing with it yesterday and today:

The kit includes both a smaller and a larger hoop. I've mainly used the larger one, and I like it a lot. I thought the Fabric Glide might be on the flimsy side, but it's very solid and substantial, and the weight is just right. It definitely helps--my curves are bigger, bolder, and smoother, and I have a lot less hand and arm fatigue as well. I needed a little time to get the hang of it, since it's easy to hit the right side of the sewing machine and stall out, especially given that I only have five inches of clearance between the needle and the arm of the machine. Other users warn about having to reposition the fabric glide frequently, but I already had to do that even without my new toy, since before I had to reposition my hands constantly for FMQ, as well as stop and think in order to figure out where I wanted the design to go next. I try to stop when I need to make a turn, which helps to hide the breaks in motion.

Here are some of the results thus far:

As I gained confidence, I even threw in a long, flowing string of curvy leaf-like motifs. They ended up looking almost like feathering. Here are two views of that bit, front and back:

I bet you can guess what I'll be doing on New Year's Eve. May 2013 bring happy quilting to everyone!

Before I tried the pattern in fabric, I did a lot of doodling sketches, to develop some muscle memory of the swirl and curved spike pattern. I discovered that I need to concentrate on making the swirls as circular as possible--easier said than done, especially on the sewing machine. I'm still fairly new to free motion quilting, and when I haven't tried any for a while, I do a test swatch to develop some rhythm. I realized that the jagged tile approach would require too many straight lines drawn side-to-side, which I'm really terrible at doing, so for the quilt itself, I decided just to do a swirl and curved spike all-over pattern.

I've quilted about an eighth of the quilt thus far. Here's a peek at how it's going:

Wednesday, December 19, 2012

Since our return home to Vancouver, we've encountered rain, snow, grey gloom, and HAIL. Today it's been snowing all day long, with a heavy, wet snow that has made outdoor conditions treacherous. I'm just trying to think warm, sunny thoughts--for example, sunrise in Hilo on Day 3 of our recent trip:

Tuesday, December 18, 2012

I knew Hawai'i would be heaven for a lover of Japanese fabrics, so at the risk of trying DH's patience, I dragged him to a few fabric stores (or, when I could, I ditched him and went to fabric stores on my own!). My favorite was Dragon Mama Futon Shop in Hilo, which had a gorgeous array of Japanese cottons, both modern and traditional width. Although high end, most of the fabrics were significantly less expensive than they would be on the mainland, assuming you could even find them.

I also enjoyed a visit to Kimura Fabrics in Kainaliu, on the west coast of the Big Island. As you can see from the photos, the shop is much less posh than Dragon Mama--it's like a general store from half a century ago, but with a wonderful array of Hawaiian fabrics, and some nice Japanese fabrics as well. Not surprisingly, I added some of the latter to my stash:

I've seen the top three fabrics elsewhere, but they cost less at Kimura's. The plain blue fabric is actually some kind of cheap American cotton, woven with thick threads and with a slightly rough texture. The color and feel reminded me of handwoven Japanese cotton.

Of course, I couldn't pass up Hawaiian fabrics entirely. We didn't have a lot of time to spend in Kainaliu, so I waited until Maui to pick up a few at Quilts 'N Fabric Land in Lahaina:

I already have ideas for most of these fabrics--now I just need the time to work with them. Alas, I also said that about twenty imagined quilts ago. Repeat after me: "Buy less, sew more. Buy less, sew more." (But how can I pass up so many wonderful fabrics?)

Saturday, December 15, 2012

The sewing studio has been quiet lately, because we took off for--drum roll, please--Hawai'i! A few weeks ago, DH came up with the inspired idea of getting away from the dreary, gray Vancouver weather, so we spent the past week enjoying the sun, scenery, and seafood of the Big Island and Maui. We returned this morning to wet snow and yet another dark, gray day, but we have warm memories and photos to get us through the rest of the winter. Here are a few shots from the early part of the trip:

The scene at Kekaha Kai State Park on our first morning:

The view from the Pololu Valley lookout:

Early morning from our room at the delightful Hale Kai Hawaii B&B, on the north side of Hilo:

Thursday, December 6, 2012

The Vancouver Modern Quilt Guild will have a wonderful array of crafty items available for sale at "Got Craft?" this weekend! Check out VMQG's blog posting for more information. Guild members have made a wide variety of handicrafts, and individual guild members with their own shops will also have items for sale, including passport holders, camera straps, and fabric-covered bookmarks by Poppyprint; craft kits from Happy Sew Lucky; and kimono silk scarves and ID holder wristlets made by yours truly at Momiji Studio.

Alas, I'll be out of town and will miss the fun, but I will be thinking about all of the beautiful handicrafts in Vancouver this weekend!

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About me

Apart from the career that keeps a roof over my head, I am a quilter, crafter, and general fabriholic. I live in beautiful Vancouver, BC, where I spend as much time as possible in my sewing studio working with an overflowing collection of cottons, silks, and other textiles. Even with more than twenty years of quilting experience, I am still learning with every quilt I make.