The five hundredth anniversary of Giuliano da Sangallo's death in 1516 has provided the impetus for a flood of new works on the otherwise understudied Florentine architect. Sabine Frommel's 2014 monograph on Giuliano's built work was joined in 2016 by a study day devoted to Giuliano at the Kunsthistorisches Institut in Florence, and 2017 saw the publication of the proceedings from a conference on Giuliano held in June 2012 at the Centro Internazionale di Studi di Architettura Andrea Palladio in Vicenza.1 Also in 2017, the Uffizi presented the exhibition Giuliano da Sangallo: Disegni degli Uffizi. New research related to these venues explored aspects of Giuliano's oeuvre in need of further investigation, in particular his work as a sculptor and military architect, and studies by emerging and established scholars have already done much to overturn the outdated notion of Giuliano as a misfit architect caught between the Florentine fifteenth century and the Roman High Renaissance.

The Uffizi exhibition, curated by Dario Donetti, Marzia Faietti, and Sabine Frommel, was conceived as part of the reframing of Giuliano. The curators presented a near-monographic study in drawings, …

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