In December 2017, South Africa was on the edge of a precipice. After 10 years of corrupt and self-serving leadership, President Jacob Zuma's term was up It was up to the ANC, the ruling party, to elect a new leader. Zuma’s preferred candidate was his former wife (which would have led to more of the same…). Instead, by a hair’s breadth Deputy President, Cyril Ramaposa was elected.

This marked a new dawn for the country - still riven with inequality, racial tensions, unemployment and poor education. But with this new president, who’s mission it is to re-establish the rule of law, it has a chance to get back on track.

This film chart’s the country’s progress from the hope of Mandela’s ‘Rainbow Nation’ to the despair of Zuma, to the new hope brought by the next generation of South Africans determined to create a brighter future. It is an emotional roller coaster and touches on several issues with which the whole world is currently grappling: the rise of populism, xenophobia, racism, socio-economic and gender inequalities - and divisive, identity politics.

A new promotional film for the UK tourist board, VisitBritain, shot in eight cities around the world: New York, LA, Sydney, Shanghai, Mumbai, Dubai, Paris and Berlin. Director Anthony Fabian canvassed opinions on the streets about what Britain means to visitors and how they feel about the UK - with touching, surprising and often humourous results. The film will soon be available on Youtube, Twitter, Facebook and www.visitbritain.com.

Freeze-Frame is a new short film, currently in production, starring Freddie Fox (Pride, Riot Club) and a dynamic young Chinese actress, Tuan Yuan. It has been commissioned by the Foreign and Commonwealth Office and VisitBritain as part of the government's GREAT campaign; its aim is to promote British talent, locations and expertise in China, following the signing of a new co-production agreement between the two countries. Written by David and Keith Lynch, the film is being Executive Produced by Carter Pilcher of Shorts TV, and directed by Anthony Fabian. Shot on location in London, Edinburgh and Shanghai in October, it was released in December 2014 and is currently showing on all Virgin Airllines flights.

An Identity Films Production, directed by Anthony Fabian, this film stars David Duchovny, Hope Davis and Timothy Hutton. Based on true events, it tells the poignant story of John and Brenda Fareri, grieving parents who were inspired by the unexpected death of their young daughter to build a world class children's hospital. The hospital not only helps the family to heal, but becomes a model for children's hospitals around the world. Rex Reed in the New York Observer called it "A feel-good film with an infections sense of inspiration, directed with flair and sensitivity by Anthony Fabian." The film was released across American cinemas in August 2014 and is now available on DVD and Netflix (USA).

A new series of in depth interviews with Britain’s finest post-war actors, reflecting not only on their careers in theatre, film and television but also on a changing time, a life of extraordinary encounters and the events that shaped their lives.

Adam Pollock has been making opera history for the past 30 years. The festival he founded in Southern Tuscany has provided a platform for an astonishing number of artists working in international opera today.

Documentary about the Spier Music Festival in Cape Town, South Africa. This was the first film to be shown solo on the new arts channel, BBC 4, in 2001. features emerging talent from South Africa who went on to win the Golden Bear in Berlin for UCarmen Ekhayelitscha. Shortlisted for a One World Media Award.

Dark comedy about a supermodel in decline and a young girl who aspires to be like her. Stars Lone Madsen, Brooke Kinsella, Oliver Tobias, and Miriam Margolyes. Festivals include: Edinburgh, Angers, British Short FIlm, Singapore.

Interview and performance piece: a conceptualized treatment of ‘What The West Wind Saw’ and ‘The Girl with the Flaxen Hair’. Set in the Lisson Gallery, with Sculptures by Turner Prize-winner Anish Kapoor.