Contents

The Goal

tools to the goal

the real challenge is to make it interesting and engaging to have stillness

chaos. nature is chaotic. (chaos as a design tool)

Chaotic systems are systems that look random but aren’t. They are actually deterministic systems (predictable if you have enough information) governed by physical laws, that are very difficult to predict accurately (a commonly used example is weather forecasting) WikiPedia:Chaos

Chaos features three main characteristics:

it is a bottomless gulf where anything falls endlessly. This radically contrasts with the Earth that emerges from it to offer a stable ground.

it is a place without any possible orientation, where anything falls in every direction.

it is a space that separates, that divides: after the Earth and the Sky parted, Chaos remains between both of them

Use seasons as toolsAll seasons exist at the same timethe plant can “dream” of a different seasonor shift between the seasons at willto take advantage of the benefits that season has to offer.(use in ‘battle’ between plants, an invading vine or weed for example.)uuh, need to think about how this would work more in-depth butsuffice to say that one can see the same garden shifting through any time of year.

Graphical Presentation

probably 2d will be more flexible (but let’s keep our options open)anyway, 2d -like:somewhere betweenPuzzle Questand an ornate mosaic tilethe game of life

Hi,I’ve done some research on time perception in humans and as we want to addapt people a more vegetal time, here’s some main points.

Alton DeLong observed that people when asked to imagine sitting in one of three miniature waiting-rooms of different sizes, reported different estimations of time passed during the experiment. The smaller the waitingroom, the longer they estimated their waiting time. (Probably that’s part of the idea of putting a prisoner in a small cell.) Using differently sized screens for playing the video-game Pong, he noticed in addition that people scored better in the smallest representations. It improved their concentration (reducing consciousness to a focal point.)

Bin Xuan (et all.) have extended this research to show that larger (more intense) stimuli; numeric, motion or colour, are judged to be longer.

Much of this has been used by artist for centuries. Clearly our perception of time differs in Jacob van Ruysdael’s ‘View of Haarlem’ to that in Caravaggio’s ‘Boy bitten by a Lizard’. The actual processes depicted unfold at a realistic speed, but Ruysdael’s picture shows the world at a much smaller scale. A whole landscape is fitted in it, which seems more eternal. In Caravaggio’s only a person fits in so time seems more momentary. It’s interesting to see what visual elements they use to accheive this, like lighting, perspective and colour.