Young women make for the best hosts in this sexploitation film from Erwin Dietrich. A series of short stories (similar to the German "Report" films) that show young women in various sexual situations who enjoy playing host to their male and female visitors. Stars Ingrid Steeger, Christa Free, Monica Marc, Kenita Flynn, Karin Hofmann, Tiara Moana & Christian Van Bergen.

Comprised of ten short films, including such silent Ole Ege gems as: The Dream Girl (1966), Harem, Spanking (1970), The Pornmodel Ilse (1969), The American Girl (1970) and The Jolly Shave (1964), Crazy Strip (1966), Three Lively Girls (1964), Group Sex (1969), Springtime in Tivoli (1969). All the shorts were shot when porn was illegal so thereís an added naughtiness to the proceedings. One thing thatís constant about Egeís short-films is that none are at all completely tasteless and itís apparent with his craftsmanship that Egeís as much an artist as he is a pornographer. Yes, we are talking porn here.

Egeís sense of humor is very evident in the shorts as well as his hunger for lingerie clad ladies and good old fashion S&M. Some of the lingerie the ladies wear in Crazy Strip(that they quickly dispose of) are downright goofy. From the goofy to the sultry. He then segues nicely into the very seductive The Dream Girl, which highlights a brunette lovely slowly teasing, smiling and eventually spreading to show her lady bits. Itís all very hot stuff and it's also 40 plus years old too!

The audio is all just added composed tunes but each film is fitted with the appropriate music. The picture quality is outstanding. The colors are rich and right on, with accurate flesh tones matching the many naked participants.

Pornographi really hits the mark in terms of quality retro-raunch. Itís fun, itís sexy and looks damn good for a film that very well could have been lost or destroyed.

Four intercontinental airplane stewardesses based in New York fly to various sexual experiences all over Europe, including Zurich, Copenhagen, Rome and Munich. Each flight seems to have only one or two stewardesses.

This is basically like a German "sex report" film in that, rather than being a single plot-line, it is actually a series of vignettes showing the active (VERY active) sex lives of international airline stewardesses. Of course, it eschews the ridiculous "person-on-the-street" interviews of some of the other "report" films and it doesn't even really have a central frame story tying all the random scenes together. You might also feel a little less like a pervert watching it since it is about adult airline stewardesses rather than schoolgirls like some of the other films (even though pretty much the same group sexy German and Scandavian actresses were in ALL these German "report" films). I should also mention these are early 1970's airline stewardesses (a movie about the sex lives of some of the ill-tempered beasts that work as "flight attendants" today might be better classified as a horror movie).

This movie was directed by Swiss sleazemeister Erwin Dietrich and features the uber-sexy Ingrid Steeger as perhaps the most recognizable actress in the opening vignette. (She meets an older guy on a plane, shags him rotten, and THEN gives him a tour of the city). Like Dietrich and Steeger's earlier collaboration "I, a Groupie" this is kind of a sexy travelogue with (the exteriors at least) filmed in world cities like Munich, Copenhagen, and New York City (which I, at least, appreciate more than most modern-day sex films that seem to take place entirely in some producer's condo in the San Fernando Valley). There's an especially good sequence of a pornography-fueled orgy in swinging Denmark. Unlike "I,a Groupie" or some of the other "report" films, however, this doesn't have wild shifts of tone where some stories are light-hearted and silly and others downright disturbing. This movie is just consistently silly.

As Dietrich-Steeger films go I'd rank this ahead of "The Young Seducers", but definitely behind "I, a Groupie". It's better than most "report" films and pretty much all the American sexy stewardess films I've seen though . Give it a gander.

A dissolute, lecherous scoundrel name "Bo Goldenrod" has a chance to inherit a fortune from his late moralistic uncle, but first he has to prove he can do something for the betterment of society. So he decides to create a school for "troubled girls" (you can quickly see where this is going). Strangely his "pupils" all look to be at least twenty, including the title character "Eva" who is first seen having a VERY wet dream after which she is shipped off to the school by her prim older sister. Anyway, as soon as the parents are out the door, a massive orgy erupts led by two stripper/prostitutes from Beirut(?) who are hiding out at the new school. The orgy starts out softcore, but eventually goes hardcore (though lacking in the "money shots" traditional to American XXX).

Eva initially resists participating in the orgy, but she is soon seduced first by a women, then by a man,and she proves to be a real "screamer". This is a problem because a lawyer hired by "Goldenrod's" greedy family is hanging around, hoping to find evidence against the nephew, and "Eva's" sister also shows up suspecting something is amiss (But what do you think the chances are that these two will end up joining the festivities?).

Rumiko is a misbehaving girl who got caught stealing the cash her father had at home for bribes. Father would not accuse her of that, but when he caught her having sex with her English teacher, he was justified in sending her to a monastery, where the nuns try to force her to become a good girl. However, after a few days in forced piety, Rumiko (now Sister Lucia) discovered that her sins were nothing in comparison with those of other Sisters, and Mother Superior's.

The nunsploitation genre is rather odd anyway, but the Japanese incarnation of it is even stranger than the European versions considering that Japan is not a Christian country! Anyway, the best known nunsploitation films to come out of Japan are Wet and Rope, and the brilliant School of the Holy Beast. Much less well known is this film; Sins of Sister Lucia, but it is about as good as Wet and Rope. The duration is very short at only seventy minutes, but plenty of debauchery is packed in during that time. It's a familiar story - a bad girl is sent to a convent, only to find that the nuns there are even more 'bad' than she is! Anyone that has seen more than a handful of Japanese exploitation films won't be particularly surprised to hear that this one features plenty of rape. Rape is the main order of the day; but director Koyu Ohara finds time for all the genre staples including torture and lesbian sex. The nuns are all good looking as you would expect, and the film is rather high quality and the cinematography is good. There's not much else to say about it really. Fans of nunsploitation and/or Japanese exploitation will find it worth tracking down.

Martine, Mimi and Doris have had enough of providing for their slacker boyfriends. They decide to rent a place of their own, as well as a manservant. Soon, their newfound decadent lifestyles causes them to lose their respective jobs, and the manservant flees because of sexual harassment. Therefore the girls decide to start a private brothel.

The actresses are fresh and sensual. The director, Claude Mulot, doesn't lack an artistic sensibility, and the sensual 70's disco soundtrack makes it even better.

In his off hours, a creepy security guard masquerades as a police officer, hassles prostitutes who think he's a real cop and lets them go in return for free sex. One day he happens to witness a woman murder her husband, and he decides that she should be punished for her crime, but in his own way.

"A Climax of Blue Power" is hostile and gritty, and without a trace of political correctness. It also plays like a real movie, with a plot, characters and believable acting. There's even a car chase. Carns is effective in his role, his physical attractiveness (he sort of looks like a young Kurt Russell) never overshadowing his creepiness. Carnon, who's made numerous softcore movies ("Drop-Out Wife," "Booby Trap"), is another standout. (Incidentally, Carnon's scenes in this movie all appear to be softcore; an obvious stand-in was used for the hardcore close-ups). Also appearing are Frost's frequent producing partner Wes Bishop, as a detective, and Uschi Digard in a non-sexual and, surprisingly, fully-clothed cameo.

Director Frost made some of the most stylish roughies of the 1960s ("The Pick-Up," "The Defilers," "Hot Spur"). "A Climax of Blue Power" essentially uses Frost's roughie template and repackages it in a hard-X format. Though the movie has a few shaky production and story issues at its beginning (like why does a hooker keep flagging down johns in front of a police car and an unconvincing day-for-night scene), this is a must for fans of Frost's work, as well as aficionados of rough sex.

Sexually-obsessed Bathman (Mark Shannon) and Klito-Bell arrive from the planet Eros and fight perverted criminals on Earth, such as prostitutes and rapists, in this outrageous Batman spoof. Holy lawsuit!

For many the best film of Richard Bennett - Antonio D'Agostino, it takes almost the same casting male and female of [Fashion Movie] (1981) with the exception of Mark Shanon, superstar of the 80s Italian Hard seen in films of Joe D'Amato shot at Santo Domingo (Sesso nero, Porno Esotic Love, Le notti dei morti erotiche viventi), and two wonderful French actresses : Cathy Mťnard & Nadine Roussial, never credited in Italian dictionaries, although there is a mention in Stracult, while the second has the role of the superhero sidekick wearing a beautiful yellow sticky.

Both actresses were already at the generic of [Il Triangolo Erotico] (1982), the porn remake of Jules and Jim also directed by Bennett - D'agostino. Absolutely broke, the production, however, has shrank from no sacrifice to make the already conquered audience laughing. The "Bath-mobile" is a 4L that fails, Bath-Man pedaling on his pretty bike and swearing in Roman slang at the risk of missing the next turn, the Penguin is gay as a seal and the honor of the United States won't get over it. As rightly pointed out by the critic Manlio Gomarasca in Nocturno Book No. 1, February 1997, p.110 : "[...] Curiously this BATH-MAN ...anticipates with twelve years ahead the fashion of hard parodies and remains a special case during this period. [...]". There are futuristic decor (flashing lights walls and aluminum) and Shanon at its best has obviously much fun being silly and filling the ladies.

The hard scenes almost reach the gags level and Guya Lauri was then without any doubt the transalpine Empress of double penetration. Let's notice to our great pleasure that the music by Ubaldo Continiello (Ultimo Mondo Cannibal, Play Motel) definitely collapses the wall of good taste.

ZOOM UP: THE BEAVER BOOK GIRL is a sexually perverse mystery set within the adult magazine industry. A woman is brutally assaulted in an abandoned factory, and her assailant escapes into the darkness after dropping a wad of money. A few years later, a photographer specializing in schoolgirl panty shots meets his match when a mysterious femme fatale volunteers to be his new model. This woman used to be the 'queen' of the skin magazines, but she is also hiding a terrible secret and may be a wanted fugitive. Will the photographer escape her sexual grasp?

ZOOM UP: THE BEAVER BOOK GIRL is a film spawned from the dark manga stories of Takashi Ishii, featuring women troubled by the psychological effects of sexual violence. Barely staying within the boundaries of Japanese censorship laws, this film will shock and surprise you.

While reading the "Necronomican" night, a teenage girl accidentally calls up the Devil. When he tries to have sex with her, she rebuffs him. As punishment, he sees to it that her vagina not only has a mind of its own, but can speak it, too. Angel Above - The Devil Below is a sleazy seventies porn flick that takes in horror and comedy themes to deliver its porn.