Tag Archives: Elucid

Milo seems like a good dude. He lives in Maine with me and when Sorry To Bother You came here he bought out a showing so people could feel Boots Riley for the first time(get that feeling underground has had for years). The news made me feel bad that I don’t listen to Milo enough. He is a great rapper with a lot of interesting & diverse subject matter covered and he produces interesting beats but boy howdy it’s a lot to take in. Listening to Milo is like floating in space in your space suit with the air to breath but naked in the expanse looking for anything to hold onto. I always listen to new Milo albums once and overthink everything for the rest of the week.

This is what makes Nostrum Grocers such a great album. Elucid is a treasure. As a partner in rhyme to one of my favorite rappers (Billy Woods) in the group Armand Hammer they have blazed a fiery path through underground NY hip hop. Elucid is a special dude because he gets so much done with so little visible seam seen. As smart, introspective and personal as his verses get everything he does is grounded in the kind of effort Juggernaut put forth plowing through the Marvel universe. Just like Cain Marko he makes the impossible look easy.

Neither party has to move closer to one another to achieve balance, which just happens naturally. They both love tense twisted soulful production that can articulate the harshness of reality while keeping alive the hope of being human. Listen to how Milkdrunk switches from heavy drums in the first thirty seconds to strings. It is an important lesson: all things that seem disjointed in the world of Nostrum Grocers will come together and make sense eventually. All the jokes you didn’t hear you will, “Stuck my dick in the outlet, I gotta shine!—Elucid on Milkdrunk”

Where’ing Those Flowers is such a brilliantly strange usage of sampling and a killer verse from Milo. My favorite song is ’98 Geweher. Milo is a gentle hush full of confident funny cool bars and Elucid says “A crime tree grows in the basement, spit shine my spaceship,” dude blacks out on the track, did I mention the hook feels like a classic but you know you’ve never heard it before.

I wrestle with what disclaimers I should give listeners about Nostrum Grocers. I fear someone will play these ten tracks and come back to me with “it’s aight…” because they have been conditioned to hear the narrative on the album first time as it trends. Albums are built that way nowadays in the pop sphere. Astroworld is perfectly packaged and the fans get it immediately, they know why it is important. Underground rap is still connected to those times when my friend and I rushed to buy The W first week and bumped it for the next 6-8 months till we knew it left/right/center. Nostrum Grocers tastes the best on its 6th 7th 8th listen when it’s become a part of the fabric of your day. If you don’t listen to music that way, that’s cool but a lot of us still do. For us this is it.