The Felixon Residence is sited on an extremely narrow corner lot coming to its narrowest where the driveway enters the property and leads to the garage under the house. The shape of the lot allows for an expansive frontage at the street with a wall of windows to the right of the entrance and a trellis running along the length of the facade to the right of the entrance. The central entrance hall opens into a living room with cathedral ceiling and sloping roof above. As with other Perlstein-designed projects, the exterior includes several materials, primarily wood but also stone veneer, brick, a shingle roof, and a large stone fireplace. The gently sloping front yard is covered in elaborately shaped plantings which add another element of unusualness to the design.

The architecture of this apartment building speaks much more to architect Jack Brown rather than his co-designer Jerome Perlstein. Whereas Brown, the LeFrak’s in-house architect, was largely responsible for large commercial and residential towers in brick or metal, Perlstein’s designs tended toward showy facade materials such as stone veneer, decorative screens, and enamel panels. The site here is a steep slope so that the front includes private concrete slab balconies whereas the back includes a communal patio space overlooking an athletic field below.

The Tymon Building is a fun, quirky survivor. A multipurpose commercial building that would look right at home in Los Angeles, this one resides instead on Woodhaven Boulevard. The building features a wide variety of exterior finishes, from circular metal grillwork on the corner stairtower to blue enamel panels and from a glass wall exposing the staircase on the side elevation to stone finishes along the ground floor. This design best showcases architect Jerome Perlstein’s interest in exterior finishes.

The Walter Lippmann Building’s rehabilitation is truly wonderful and unexpected, although now marred by modern alterations. During the rehab, to keep costs down, a large tile mural was added to several areas of the exterior, including over the entrance, providing a striking focal point for this industrial street. At some point windows were punched through the main mural, destroying its integrity but the design remains mostly intact and is an enjoyable sight to come upon.

This industrial building retains its original materials of brick with a flat metal roof. The main change has been the enclosure of the windows at the corner of 48th Avenue and 36th Street to create smaller clerestory windows. Originally this entire section had show windows that would have featured the products that Do All Eastern made. Today the building is used by Rama Enterprises, a company that ships products to Thailand.

Search Queens Modern

Search for:

Search

About this Project

This project is supported by a grant from the James Marston Fitch Charitable Foundation and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.