Moody Blues

Today’s Song Of The Day could have only happened in that strange and mystical place where the worlds of The Moody Blues and The Four Tops intersect.

“Simple Game” was originally the B-side to the Moody Blues’ 1967 single “Ride My See-Saw.” The song was written by Michael Pinder, and didn’t appear on a Moody Blues album until the two record compilation This Is The Moody Blues in 1972.

Moody Blues’ producer Tony Clark went to see the Tops in England and approached them with a demo of the song. The group didn’t know who Clark was, but liked the song and agreed to record it in England with Clark producing. The track was recorded on May 5, 1970, and The Four Tops’ backing band on this record was none other than an uncredited Moody Blues!

Two other tracks were recorded during the session with The Moody Blues backing, including “You Stole My Love” (another Moody Blues tune co-written by Tony Clark and Justin Hayward) and “So Deep Within You.” Neither track saw a U.S. release until The Four Tops box set Fourever in 2001; however “So Deep Within You” was used as the B-side to today’s Song Of The Day in England.

The single was arranged by Arthur Greenslade who had much success arranging hits for Dusty Springfield and Tom Jones. It climbed to #34 on the R&B charts and #90 on the pop charts, but did much better in England where “Simple Game” was a #3 hit single.

A full set of classic Animals from the 1965 NME Poll Winners Concert, as “Song Of The Day by Eric Berman” looks at a terrific “grey area” CD release!

The New Musical Express is a weekly British newspaper that has focused solely on the music scene for nearly 50 years. For several years during the 1960s, the paper sponsored concerts featuring artists who topped their music polls. The 1965 edition took place at Wembley Stadium on April 11, 1965, and was filmed. An edited version of the concert was screened on ABC TV in the U.S. on April 18 of that year. The New Musical Express Poll Winners Concert 1965 2 CD set was compiled from the soundtrack of the unedited master.

OK, so today’s Song Of The Day (and resultant album), isn’t an “official” release. It was put out in 1998 by Vigotone Industries, one of the best of the “grey area” record labels that existed for a brief time in the late 1990s. Vigotone specialized in Beatles and Beach Boy related bootlegs, comprised mostly of studio outtakes. Some of their landmark releases included The Beach Boys’ Leggo My Ego, featuring studio outs from 1965, and the Beatles Off White Album featuring the 1968 Escher demos recorded at George Harrison’s house shortly after the group returned from India.

Kicking things off are The Moody Blues, no not the version with the overblown orchestral arrangements and such, but the Brit-beat version of the group with future Wings-man, Denny Laine, performing a muscular and extended take of “Bo Diddley,” plus a version of their current single at the time, “Go Now.”

Next up are Freddie And The Dreamers with a credible version of Thurston Harris’ “Little Bitty Pretty One,” followed by Georgie Fame And The Blue Flames, and an early instrumental take of “Yeah Yeah,” plus a terrific performance of “Walkin’ The Dog.”

From there, it’s a trip down under for The Seekers and their hits “I’ll Never Find Another You” and “A World Of Our Own.” Herman’s Hermits were riding high with three records in the U.S. top ten at the time of this recording. They debut their then, brand new single “What A Wonderful World,” followed by the crowd pleaser “Mrs. Brown You’ve Got A Lovely Daughter.”

The Ivy League And Division Two take the stage next, with the gorgeous ballad “That’s Why I’m Crying,” and then Sounds Incorporated spread a little of their instrumental magic with “Time For You” and a rocking version of Grieg’s classical masterwork “In The Hall Of The Mountain King.”

A real crowd pleaser is up next with Wayne Fontana And The Mindbenders performing “Game Of Love” and “Just A Little Bit Too Late,” before The Rolling Stones tear it up with a four-song set comprised of “Everybody Needs Somebody To Love,” Otis Redding’s “Pain In My Heart,” Chuck Berry’s “Around And Around,” and finally, “The Last Time.”

Disc one is rounded off by Cilla Black backed by Sounds Incorporated on “Going Out Of My Head,” and that old Disney favorite “Zip-A-Dee-Doo-Dah,” which was covered by in the U.S. by Bob B. Soxx And The Blue Jeans, as well as fellow Brit Invasion groups Freddie And The Dreamers, The Hollies and Dave Clark Five.

The second disc kicks off with Donovan, “The British Dylan,” performing six minutes of “You’re Gonna Need Somebody On Your Bond” followed by “Catch The Wind,” before the Belfast Cowboy (Van Morrison) and Them are brought on for rough and ready takes of “Here Comes The Night” and an nearly seven minute version of “Turn On Your Love Light.”

The Searchers are up next with “Bumble Bee” and “Let The Good Times Roll,” before pop royalty takes the stage in the form of Dusty Springfield giving Martha Reeves a run for her money on “Dancing In The Street,” followed by a cover of Inez and Charlie Foxx’s “Mockingbird” and “I Can’t Hear You.”

The big ending is in sight with three more heavy hitters on deck, including The Animals tearing it up on John Lee Hooker’s “Boom Boom,” “Don’t Let Me Be Misunderstood” and “Talkin’ ‘Bout You,” followed by The Kinks with two of their very best, “You Really Got Me” and “Tired Of Waiting For You.”

Finally, the group that the audience has been waiting for all day takes the stage! It’s The Beatles with a five song set including “I Feel Fine,” “She’s A Woman,” “Baby’s In Black,” “Ticket To Ride” and “Long Tall Sally” bringing the festivities to a rousing conclusion.

Much of this concert is up on YouTube (search by artist and NME 1965) and is recommended viewing. So there we have the next to last NME Poll Winners Concert from 1965 in its entirety, in pristine sound quality to boot. Why hasn’t this been released officially?

Like most of America, I discovered The Moody Blues five years after they recorded their biggest hit, “Nights In White Satin,” which became a belated smash on these shores in 1972. At the time, there was a plethora of Moody Blues recordings that had been out for a few years to discover, and I started with the follow-up album to “Days Of Future Passed,” their 1968 release “In Search Of The Lost Chord.” When the group hit the studio in 1968, they made a conscientious effort to play as many instruments themselves and not rely on the orchestral backing that pervaded their last release. The band members taught themselves to play oboe, sitar and tablas in just a few hours while in the studio, before committing their new songs to plastic. The result was a psychedelicatessen of music designed to feed your head, including this Mike Pinder song that proclaims that “thinking is the best way to travel.” Sure, the record has dated some over the years…and sure, I’m sometimes a little embarrassed to cop to listening to the group’s brand of psychedelia, but in my estimation, they got it completely right with this song from the best and most consistent record they ever released.

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