In the living room, a Maison Jansen cocktail table is surrounded by Poul Kjærholm stools from Furniture from Scandinavia, custom-made armchairs upholstered in a Romo linen velvet, and a 1929 Hjorth sofa; the ’50s side tables are by Franco Albini, and the wall-mounted Potence light is by Jean Prouvé and Charlotte Perriand.

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Elm paneling lines the living room, where a Kaare Klint armchair and a glass-top table by Axel Einar Hjorth, both from Jacksons Stockholm & Berlin, join a custom-made sofa by Jonas; the vase is by Claude Conover, the framed print is by Damien Hirst, and the rug is by V’Soske.

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Bulthaup cabinetry, Corian-top islands, and a Smeg range define the kitchen; the industrial light fixtures are from Ann-Morris Antiques, the orange globe lamps are from Hemisphere Gallery, and the prints are by Anish Kapoor.

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The dining tables, chairs, and V’Soske carpet were all designed by Mindel; Poul Henningsen pendant lights from Jacksons and Royère sconces from Galerie Chastel-Maréchal complement a totem sculpture by Ettore Sottsass.

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In the media room/library, a Hans J. Wegner swivel chair from Dansk Møbelkuns pulls up to a Gustav Stickley desk under a Mathieu Matégot mirror.

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A giraffe sculpture by Benedetta Mori Ubaldini in a hallway; the prints are by Gary Hume, and the V’Soske carpets were designed by Mindel.

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In the master bedroom, the headboard by Jonas and the Kerstin Hörlin-Holmquist daybed were upholstered in fabrics by Nobilis and Holland & Sherry, respectively; the wall covering is by Clarence House, and the bedding is by Pratesi.

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The sitting room’s desk and chair are by Fritz Henningsen, and the ceramic panels are by Tove Anderberg.