This new body of work returns primarily to the emblem of the skull as an essential human signifier. Stripping away surface appearances of flesh and form, the skull denotes a universal humanity in its most material essence. Upon this essence metaphysical and esoteric conjectures are projected as a means of considering the human condition. Pop culture inflected aesthetic borrowing heavily from punk and psychedelic rock music is presented as a creative yet dissonant response to a culture of mediated apocalypticism and presents the state of being a perpetual and petulant drawing of light out of darkness.