Slap this one on your turntable for a nice morning repast of sinister folk loveliness from Language of Light, then chase it with a dose of tribal percussion and banjo from Crow Tongue. Each song has fascinating lyrics, which are included in the covers. Out of Stillwater, Oklahoma, Language of Light (Frank Suchomel and R. Loftiss) deliver ???The Tower,??? which begins with a girl child???s voice telling a story as though through a tube, accompanied by guitar. Then the ???parents??? warn her never to go back to her ???cold and lonely path of dreams???. The sinister lyrics belie the pretty, calming nature of the music that includes violin by Justin Jones and vocals by Sarah Hughes. On the flip side, Crow Tongue (of Beating Heart, Pennsylvania) bring us ???Wind Chant,??? a very simple, appealing tune that ends with a high-pitched chant that could be a female, train, or the wind. tiMOTHy on guimbri banjo (his invention based on a Moroccan instrument) and AE Hoskin on percussion (djembe and kit). show us that the beat is the thing, and it is steady, repetitive, insistent. tiMOTHy???s vocals are deep, clear, and interesting. The song moves along for all its repetition, and reminds me of a Marikesh market.