By Various. For Bb instrument. Over 550 pages of the best in contemporary and classic Salsa, Latin-Jazz and Brazilian music. Detailed arrangements, exactly as recorded, to help your band play in authentic Latin styles.. Latin and Latin Jazz. Difficulty: easy-medium to medium. Fakebook (spiral bound). Melody and chord names. 572 pages. Published by Sher Music Company

Two Cuban Dances by Ignacio Cervantes (1847-1905). Arranged by Russell Denwood. For 3 Bb Clarinets, and Bass Clarinet. Clarinet Quartet. Grade 3. Published by Kendor Music Inc (KN.15228).
Taken from a collection of 21 elegant dances for piano by Ignazio Cervantes, these delightful themes are excellent examples of Latin-American concert music from the late 19th century. Scored here for mixed clarinet quartets (3 Bb and bass), "La Tarde Esta Amorosa (How Charming The Evening)" is a romantic tango, while "Mis Amores (My Love)" is a passionate Habanera. Though they may be performed as single selections, playing them in combination takes just 2:20. Great for encores!.

Tango for two and Duo by Ruth Schonthal (1924-). For clarinet and cello. Various Instrumentation - Duet. Chamber Music. Intermediate. Full score. Published by Furore Verlag (FV.FUE-3940).
ISBN M-50012-894-6. Chamber Music.
Ruth Schonthal has composed the Divertimenti for diverse instruments for young virtuosi within the last 10 years. Commissioned by the Hoff-Barthelson School of Music. Grade 3-5. Brilliant teaching material.

5 Huapangos (Bb & bass clarinets) by Mike Curtis. For Clarinet and Bass Clarinet. Clarinet Duet. Latin. Published by Advance Music (AV.8211).
The huapango is a popular dance originating on the east coast of Mexico. Its subtle alternation of 2 & 3 can be demonstrated in this recitation: MEX-ico, EC-uador, CHI-le, COS-ta, RI-ca. These dances can be likened to diarist entries written during an extended stay in Mexico's west coast state of Nayarit. Following each sultry day of exploring the beaches, I would come back to the bungalow and seek out a spezial cool corridor to put pencil to staff. The titles reveal favorite places and the name of our esteemed bungalow manager, Ofelia Silva. The addition of an improvising percussionist could enhance performance.

Okaoka by Christopher Marshall. For Concert Band (Piccolo, Flute 1, 2, 3, Oboe, Bassoon, Clarinet in Bb 1, 2, 3, Bass Clarinet, Alto Saxophone 1, 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, 2, 3, Horn in F 1, 2, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, String Bass, Timpani, Percussion ). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 5:30. Published by C. Alan Publications (CN.10970).
This music is inspired by my memories of the unique sights and sounds of the Pacific Islands of Samoa, where I lived and worked for three years (1989-1992).Okaoka! (pronounced 'awkaAWka') is a Samoan exclamation of surprise -- something like "Wow!" in English. Most Samoan dance is accompanied by song and this one is built on the light-hearted song "Okaoka La'u Honey" where the singer compares his lover to some of the most sought-after and exotic foods availble in Samoa at the turn of the 20th century.The music starts in a reflective mood, as if the singer is trying to recall the words of the song. Then flowing lines suggest a single dancer performing the graceful, dignified movements of the 'siva sa'o', or formal dance. Gradually more and more dancers join in, excitement builds, and the music becomes an expression of unrestrained exuberance.Then, as in a dream, the sounds and images of the dancers dissolve in the fragrant calm of the night.

Tango Maria by Francisco Tarrega (1852-1909). Arranged by David Marlatt. For 4 Clarinets, Bass Clarinet. Masterworks; Woodwind - Clarinet Quintet. Eighth Note Publications. Romantic. Duration 00:03:05. Published by Eighth Note Publications (AP.81-CC2125).
ISBN 1554730058. Romantic.
This Spanish piece was originally written for guitar. It might sound like a stretch to arrange a piece from guitar to clarinet quintet but this really works! The flavour is preserved and the parts are not too difficult. Add something different to your next concert.

El viaje (14 Tangos and Other Pieces for Clarinet with a CD of Performances and Accompaniments). By Astor Piazzolla (1921-1992). Arranged by Hywel Davies. For Clarinet (Clarinet). Boosey & Hawkes Chamber Music. Softcover with CD. 20 pages. Boosey & Hawkes #M060120688. Published by Boosey & Hawkes (HL.48020860).
Tangos and other characteristic pieces from the Argentinian master of tango nuevo. Piano accompaniments are available to print from the CD.

Orange Tango by Alain Lopez. Clarinet quartet. For 3 Bb Clarinets, Bass Clarinet. Classical, Chamber Music. Grade 3. Score and set of parts. 8 pages (score); 10 pages (parts). Published by FLEX Editions (FL.FX070751).
Orange was the popular color of tango dancers at tango's height during the twenties. The melody is as bright as the color, pleasant and is not bereft of ardour.

Brown Eyed Girl - Bb Clarinet 1 by Van Morrison. By Van Morrison. Arranged by Paul Murtha. Jazz band. For Bb Clarinet 1. Latin; Pop. Individual instrument part. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.117830).
This item is the replacement part to the jazz band set. It is not recommended to purchase this as a solo piece.
About Digital Print Sheet Music
Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Samba! by Robert Livingston Aldridge. Contemporary Medium Ensemble. For Clarinet, 2 Violins, Viola, Cello. Modern. Score and parts. Composed 1991. 22 pages. Duration circa 5 minutes. Published by Edition Peters (PE.P68316).
Samba!' was composed in 1991 as a part of a three-movement work entitled 'Three Folksongs' for clarinet and string quartet. It was commissioned by Pacific Serenades and premiered in Los Angeles that year with the eminent Los Angeles clarinetist Gary Gray as clarinet soloist. The movement has been excerpted many times since its permiere, and works very well as a concert encore. 'Samba!' is an attempt to picture the clarinet and string quartet instrumentation as a latin big band, interspersed with more traditional sections. Samba is a fast, Brazilian dance form in duple meter. I have altered that to a 3/4 meter here, though it retains other characteristics of the style. - Robert Livingston AldridgeScore and parts.

Intermezzo (from 'Cavelleria Rusticana'). By Pietro Mascagni (1863-1945). Arranged by D. Chisham. For concert band (Piccolo, Flute 1, Flute 2, Oboe , Bassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2 , Bb Trumpet 3, F Horn 1, F Horn 3, F). Platinum Band Series. Grade 2. Score only. Duration 2:10. Published by C. Alan Publications (CN.17401).
Cavalleria Rusticana is a one-act opera from Pietro Mascagni. The 'Intermezzo' represents the contrast between the very serene lifestyle of the people of a small village and the passionate, often turbulent romance between the main characters of the opera. The beauty of this piece lies in the constant 'longing' for resolution, which doesn't come until the end.Cavalleria Rusticana is a one-act opera from Pietro Mascagni. The 'Intermezzo' represents the contrast between the very serene lifestyle of the people of a small village and the passionate, often turbulent romance between the main characters of the opera. The harp part is a direct transcription from the original transposed into the key of the original. If a harp is not available, piano is highly recommended. Much care should be taken at the beginning to keep a slow tempo. The beauty of this piece lies in the constant 'longing' for resolution, which doesn't come until the end.