Max Headroom was basically born as an advertising avatar, to promote both the new Channel Four and his own initial show. He has been used by a number of advertisers since, including a late return to Channel Four.

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<div class="lede">Max Headroom was basically born as an advertising avatar, to promote both the new Channel Four and his own initial show. He has been used by a number of advertisers since, including a late return to Channel Four.</div>

Data on Max's advertising appearances is incomplete, and updates and additional information are solicited!

Data on Max's advertising appearances is incomplete, and updates and additional information are solicited!

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==Coca-Cola==

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Let's just-just get this out of the way: If someone knows Max for just one thing, it's either the ABC series or the massive advertising campaign for the second rollout of "New Coke." The intersection of Max and New Coke is so large and significant that it will eventually have its own subsection here on the site.

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Yes, that's right, it's another stay tu-tuned. Sorry.

==Channel Four / The Max Headroom Show (1985-1987)==

==Channel Four / The Max Headroom Show (1985-1987)==

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Very much a case of "the medium is the message" - except that Max was more of a l-large than a medium.

Very much a case of "the medium is the message" - except that Max was more of a l-large than a medium.

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==The New Coke Campaign (1986)==

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Let's just-just get this out of the way: If someone knows Max for just one thing, it's either the ABC series or the massive advertising campaign for the second rollout of "New Coke." The intersection of Max and New Coke is so large and significant that it's been assigned its own (developing) [[Max: The New Coke Campaign | subsection]] here on the site.

==Radio Rentals (1986)==

==Radio Rentals (1986)==

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[[File:Mhcom_max_radiorentals_ad.jpg|right|frame|Ad from the ''Record Mail'', 19 July 1986. George is a common enough name, but I like to think Max is referring to his creator, George Stone.]]

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[[File:Mhcom_max_radiorentals_ad.jpg|right|frame|Ad from the ''Record Mail'', 19 July 1986. George is a common enough name (including Matt Frewer's middle one), but I like to think Max is referring to his creator, George Stone.]]

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Despite being the most obvious and available product pitchman of his era, Max's only straight-out gig for a general consumer product was his appearance in television and print ads for Radio Rentals, a TV-rental service in the UK. A print ad, which strongly resembles a storyboard for a video commercial, appeared in UK newspapers.

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Despite being the most obvious and available product pitchman of his era, Max's only straight-out gig for a general consumer product — other than Coke — was his appearance in television and print ads for Radio Rentals, a TV-rental service in the UK. A print ad, which strongly resembles a storyboard for a video commercial, appeared in UK newspapers.

There were also four television advertisements, none of which followed that storyboard, oddly enough. The ads were reportedly produced by Rocky Morton and Annabel Jankel, and followed the visual format of the video/talk shows, especially the full-screen titles.

There were also four television advertisements, none of which followed that storyboard, oddly enough. The ads were reportedly produced by Rocky Morton and Annabel Jankel, and followed the visual format of the video/talk shows, especially the full-screen titles.

When Channel Four and its subsidiary channels (and how ''very'' "twenty minutes" that is) were prepared to switch over to digital service, they hauled Max out of cold storage and used him in a series of ads promoting the change. Original producer/director Rocky Morton was called in along with Matt Frewer, in his first return to Max makeup since 1989, to create six ads that ran from five seconds in length to just over a full minute. The ads were produced in late 2007 and rolled out on December 1, 2007.

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When Channel Four and its subsidiary channels (and how ''very'' "twenty minutes" that is) were prepared to switch over to digital service, they hauled Max out of cold storage and used him in a series of ads promoting the change. Six ads, running from about five seconds in length to just over a full minute, were produced in late 2007 and rolled out on December 1, 2007.

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Max was given new "old age" prosthetics, makeup and effects, and presented as being in a retirement home in his old-fashioned tube TV. Max being Max, he was of course angry, bitter and a little foulmouthed at being retired and having been ignored about telling everyone about the digital TV revolution twenty years earlier. Fortunately, his aide Darren is patient with him...

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Original producer/director Rocky Morton was called in for the project, along with Matt Frewer in his first return to Max makeup since 1989. Max was given new "old age" prosthetics, makeup and effects, and presented as being in a retirement home in his old-fashioned, six-channel tube TV.

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Max being Max, he was of course angry, bitter and a little foulmouthed at being retired and forgotten, and even more so over having been ignored about telling everyone about the digital TV revolution twenty years earlier. Fortunately, his aide Darren is patient with him. (Watching the ads, you have to wonder how much of the bitterness is scripted, and how much is genuine with Matt Frewer...)

<div class="inlinecite">Thanks to Blank Andrew from downunda for the pointer to the fifth video ("The Word 'Digital' " with Max on a bus). Just one more find and we'll have the whole set...</div>

Latest revision as of 12:30, 3 January 2016

Max Headroom was basically born as an advertising avatar, to promote both the new Channel Four and his own initial show. He has been used by a number of advertisers since, including a late return to Channel Four.

Data on Max's advertising appearances is incomplete, and updates and additional information are solicited!

Contents

Channel Four / The Max Headroom Show (1985-1987)

The original purpose of Max was to draw attention to the UK's Channel Four and his own talk/video show thereon. There's not much more to say about that, as everything that followed is documented throughout this site.

Very much a case of "the medium is the message" - except that Max was more of a l-large than a medium.

The New Coke Campaign (1986)

Let's just-just get this out of the way: If someone knows Max for just one thing, it's either the ABC series or the massive advertising campaign for the second rollout of "New Coke." The intersection of Max and New Coke is so large and significant that it's been assigned its own (developing) subsection here on the site.

Radio Rentals (1986)

Ad from the Record Mail, 19 July 1986. George is a common enough name (including Matt Frewer's middle one), but I like to think Max is referring to his creator, George Stone.

Despite being the most obvious and available product pitchman of his era, Max's only straight-out gig for a general consumer product — other than Coke — was his appearance in television and print ads for Radio Rentals, a TV-rental service in the UK. A print ad, which strongly resembles a storyboard for a video commercial, appeared in UK newspapers.

There were also four television advertisements, none of which followed that storyboard, oddly enough. The ads were reportedly produced by Rocky Morton and Annabel Jankel, and followed the visual format of the video/talk shows, especially the full-screen titles.

Max for Radio Rentals:"Video Nasties"

Max for Radio Rentals:"Blah Blah Blah"

Max for Radio Rentals:"Don't Buy"

Max for Radio Rentals:"Smaller"

Channel Four Digital (2007)

When Channel Four and its subsidiary channels (and how very "twenty minutes" that is) were prepared to switch over to digital service, they hauled Max out of cold storage and used him in a series of ads promoting the change. Six ads, running from about five seconds in length to just over a full minute, were produced in late 2007 and rolled out on December 1, 2007.

Original producer/director Rocky Morton was called in for the project, along with Matt Frewer in his first return to Max makeup since 1989. Max was given new "old age" prosthetics, makeup and effects, and presented as being in a retirement home in his old-fashioned, six-channel tube TV.

Max being Max, he was of course angry, bitter and a little foulmouthed at being retired and forgotten, and even more so over having been ignored about telling everyone about the digital TV revolution twenty years earlier. Fortunately, his aide Darren is patient with him. (Watching the ads, you have to wonder how much of the bitterness is scripted, and how much is genuine with Matt Frewer...)

Max for Channel Four:"Old Age Home"

Max for Channel Four:"Internet Cafe"

Max for Channel Four:"Analog Junkheap"

Max for Channel Four:"The Word 'Digital'"

Max for Channel Four:"Digital is... coming"

Thanks to Blank Andrew from downunda for the pointer to the fifth video ("The Word 'Digital' " with Max on a bus). Just one more find and we'll have the whole set...