Duo Stephanie & Saar: “The Art of Fugue”

I spent a year analyzing Bach’s Art of Fugue as an undergraduate, so it is fair to say that I’m passionate about the work and a bit picky about its performance. For their third New Focus CD, DUOStephanie & Saar present the work in its entirety on piano instead of harpsichord, leaving the last fugue where Bach did (unfinished), but including “Canon per Augmentationem in Contrario Motu,” a gentle yet substantial epilogue by Stephanie Ho. This solution works at least as well as what is done on other recordings, which is to leave the final fugue unfinished but include Bach’s final chorale prelude, “Before Your Throne I Come,” as a postlude.

The duo’s playing is detailed and deliberate rather than showy, with the pianists taking pains to make all of the counterpoint clear. Since this is what the piece principally is about, it is a smart tactic to employ.

Sometimes folks grouse about the amount of recordings of standard repertoire, asking,”Do we really NEED more Bach CDs?” When it comes to a pliable and fascinating work such as this, especially when it is so well played by its performers, my answer is a resounding yes.

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Author: christiancarey

Composer Christian Carey's music has been performed by ACME, Ashlee Mack, Aspen New Music Ensemble, Atlantic Chamber Orchestra, Cassatt String Quartet, Choir of Grace Church Newark, Ionisation New Music Ensemble, Jody Redhage, Joe Arndt, John McMurtery, Locrian Chamber Players, loadbang, Megan Ihnen, New York New Music Ensemble, Wendy Richman, and others.
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