Monday, June 30, 2014

It’s always cause for celebration when Dan Cunningham posts
one of his extremely detailed and well-researched posts on Disney comics (lower-case “c”), or Disney Comics (upper-case “C”), accompanied by a comprehensive look at the times and events that shaped them! Today, Dan undertakes what we (thanks to longtime friend
Dana Gabbard) have come to call “The Disney Implosion”.

Is this the FIRST "Disney Implosion"? From UNCLE SCROOGE # 82 (Cover date: August, 1969)

Dan's focus is not merely the infamous and abrupt 1991 gutting of the
briefly great line of Disney Comics (upper-case “C”) that began a mere 18
months earlier – but, as noted above, also the conditions leading to said “gutting”. Dan provides vital perspective to those who “weren’t
there” and a needed memory jog to those who were.

Never forget!

He wisely chooses to offer this essential history lesson in
two parts (one now and one to come), because there’s just too darned much to cover in a single post. And, in doing so, he gives me the opportunity
to (part-gleefully, part-ruefully) say:

“The worst is yet to come!”

NO! Don't do it, Gyro! Implosions are BAD!

Go now, to THIS LINK, and relive events even I cannot
believe took place 23 years ago!

Thursday, June 26, 2014

Summary:Cagney and Bogart in a western? You must be (Oklahoma) Kidding!

1939 is considered by certain film aficionados as the
single greatest year in the history of the medium. It’s kinda hard to argue, considering the
likes of “Gone With the Wind”, “The Wizard of Oz”, “Wuthering Heights”,
“Stagecoach”, “The Private Lives of Elizabeth and Essex”, “Mr. Smith Goes to
Washington”, “The Hunchback of Notre Dame”, “Beau Geste”, and “Gunga
Din”.

Master detectives were out in force, with two Sherlock
Holmes pictures, three for Charlie Chan, one Mister Moto, and two for Boris Karloff as Mr. Wong. Even Nancy Drew got
into the act three times.

Other personal favorites included “Son of Frankenstein”,
“Confessions of a Nazi Spy” (Supposedly the first Hollywood film to address the
existence of Nazis!), W.C. Fields vs. Charlie McCarthy in “You Can’t Cheat an
Honest Man”, and a bunch of shorts starring The Three Stooges.

Why, even Laurel and Hardy got into the act with the great “Flying Deuces” and the early directorial efforts of Chuck Jones gave us one of my most favorite cartoons: “Daffy Duck and the Dinosaur”. To digress, “Flying Deuces” and “Daffy Duck and the Dinosaur” get their own separate paragraph because both wind up with two of my all-time favorite endings of film comedy!

Skip the next five illustrations to avoid SPOILERS!

Ollie, the Angel!

"Life sucks, and then you become a horse!"

"If we HAD to DIE, at least WE died in COLOR!"

James Cagney and Humphrey Bogart also shared in the success
and legend of 1939, together in “The Roaring Twenties”, and separately in “Each
Dawn I Die” for Cagney, and “Dark Victory”, “King of the Underworld”, and “You Can’t Get Away with Murder” for Bogart.

Chances are good I left out some great film of 1939, so
please don’t kill me. There were just
too many to remember!

Yet, amid all this, someone had the notion of casting
James Cagney and Humphrey Bogart in a western… and made it a reality. Though, at times it seemed more of a
surreal-ity.

We open on President Grover Cleveland signing into law
“The Indian Appropriations Act”, opening up the “Cherokee Strip”, land
measuring 180 miles long and 50 miles wide, to anxious settlers. The
Native Americans, presently on the land, are to be monetarily compensated, and
resettled westward.

A train arrives, carrying the funds intended as payment
for the Native Americans, which is transferred to a stagecoach for the final
leg of the journey. The coach is
immediately robbed by Bogart (as “Whip McCord”), fittingly attired head-to-toe
in black, and his gang.

But, before the Bogie-Bunch can break-away with their
booty, in rides James Cagney, pausing momentarily for a close-up against an
expansive Western sky – with the camera lens almost “irising-in” on him to
catch the heroic glint in his eye! His name
is “Jim Kincaid”, though WE (the viewers) don’t know that. To us he is “The Oklahoma Kid”, known as a
bad guy but, in actuality, the hero of the picture.

Observing the hold-up, he rides ahead of the bandits, via
one of those convenient ‘round-the-rocks shortcuts, and lassos the horse
carrying the bag of loot – recovering it to an appropriately heroic musical crescendo! ...Surprisingly, however, he keeps it for himself, the rascal!

"Ya just can't trust ANYONE these days!"

BIG ON-SCREEN TEXT:
“Cherokee City – Springboard to a new territory. Boomers[JOE’S NOTE: You mean my “very
special, postwar generation” was around back then? If so, what “war” did they “post”?], eager to
drive their stakes into fresh rich earth, are held by ‘The Sooner Law’ until
the starting gun the following day…”

﻿

"Hey! Is that ME on a MOVIE POSTER, up there?"

Apparently, a land rush is on, kicked off by a ceremonial
starting gun. “John Kincaid” (father of
Jim, from whom he is estranged) and his group intends to move out first and
stake a claim for a town – that would, one day, become Tulsa, Oklahoma.

A sign warns: “Don’t be a SOONER! Persons caught entering the Cherokee Strip before
12:00 Noon forever forfeit their rights to claim any land! THIS MEANS YOU!”

So, a “SOONER” means a CHEATER? I’ll never be able to watch Oklahoma college
football again! Unaffected by it all,
Cagney’s Jim Kincaid just hangs back and smiles, as if contemplating his bets
on the “Oklahoma Sooners” football game.

Soon (but not “sooner”), the race is on – and in 1939
cinematic semi-spectacle. Some if it
looks new, while some of it looks more like older stock footage of horses,
riders, and wagons.

Cagney’s Kincaid offers an interesting take on why he,
despite being a good guy, believing in “fair-play” and all that, has no
interest in the land rush:

Philosophical Discussion Alert!

KINCAID: “The white
people steal the land from the Indians, right?”

JUDGE HARDWICK:
“But, they got paid for it, didn’t they?”

KINCAID:
“Yeah! A measly dollar and forty
cents an acre – price agreed-to at the point of a gun! Then, the immigrants sweat, and strain, and
break their hearts carving out a civilization!
Fine! Great! Then, when they get all pretty and
prosperous, along come the grafters, and land-grabbers, and politicians – and,
with one hand, skim off the cream and, with the other, scoop up the gravy! Not for me!”

Meanwhile, Bogart’s Whip McCord – being the Sooner, we all
expected him to be – HAS ALREADY STAKED the claim John Kincaid desired for his
band of settlers. Boo! Hiss!

"Sure, go ahead and Boo! See if I care!"

McCord, however, has no interest in the land itself but
wants exclusive rights to all saloons and gambling houses in the new
settlement. Rather than press further on
into less desirable territory, John Kincaid reluctantly agrees – and Tulsa,
Oklahoma is born.

Tulsa takes shape over a nice montage of the land being
cleared, staked, and growing from a humble “tent-city” to an actual western
town.

"Didn't you always want to be part of a montage, Kid?"

The elder Kincaid opens an honest bank, while McCord opens
a saloon and gambling hall. Who gains
the upper hand in the battle for the hearts and minds of the settlers? Let the on-screen text tell you:

“But, with new growth – old evils. Vice, crime, gambling, murder…”

"Vice, Gambling, and Murder... The Stuff that DREAMS are made of! Oh, wait... That's ANOTHER film entirely!"

Banker John Kincaid runs for mayor as a reformer – but he
is framed for murder by Whip McCord.
Can his son, Jim Kincaid aka The Oklahoma Kid, come to dear old dad’s
rescue? And, can we look forward to
another great Cagney vs. Bogart cinematic climax? Watch the film and find out, ‘cause we don’t
do spoilers!

"We'd LIKE to tell you how this comes out, folks, but we don't do SPOILERS!

But, we will offer up one more highlight:

On the night before the Land Rush, with nowhere in town
for the Oklahoma Kid, Judge Hardwick, and his daughter Jane to lodge for the
evening, Cagney’s “Kid” clears out a hotel room, occupied by about 16 sleeping
“boomers” waiting for the morning’s rush to come, using a marvelously humorous
tactic that we would come to associate with another Warner Bros. star, by the
name of Bugs Bunny!

"Eeeh, Someone mention ME, Doc?"

The Kid bursts into the room, in the middle of the night,
and starts yelling:

“C’mon, you mavericks!
On your feet! The land rush is
on! C’mon, they’re firing the starting
gun! C’mon!”

And, as if occupied by an army of “Yosemite Sams”, the room
frantically clears out – leaving it for Cagney to turn over to the Judge and
Jane. Gotta love that!

"That RABBIT'S got nuthin' on ME!"

Finally, for the animation enthusiasts out there: We have more SOUND EFFECTS in this film that
were later “ported-over” to various Looney Tunes and Merrie Melodies
cartoons. Of course, the various
“gunshots” were reused, but also the distinctive PUFFING and WHISTLE of the TRAIN, carrying
the funds for the Oklahoma land payments, was featured throughout the Tweety
and Sylvester cartoon "All A-Bir-r-rd" (1949) You can just hear it now, can’t you?

"I tawt I heard that TWAIN before - and taw a puddy tat, too!"

As is our custom in these reviews, we’ll break it into CONS
and PROS.

By now, we’ve gone over the general debits and credits of
The Warner Archive Collection in great length in other such posts. Suffice it to say these are general
“No-Frills” releases, pressed in the DVD-R format, which will not play on a
computer.

No Extra Features, save a Theatrical Trailer – and even
that is not always guaranteed. No
subtitles, alternate language tracks, or other expected amenities of the DVD
viewing experience.

﻿

Read the back of the package! It's as close as we get to an "Extra Feature". Click to enlarge.

The CONS:

All the expected stuff outlined above.

The PROS:

Logical Chapter Skips:
This category is a literal “toss up”, when it comes to Warner Archive
Collection product. The earliest WAC DVDs (and occasionally those
released thereafter) came with fixed 10-minute interval Chapter Skips –
regardless of where that put viewers logically within the film. Later WAC releases, (though, inexplicably,
not all) offer Chapter Skips that work more logically with the film. “The Oklahoma Kid” offers Logical Chapter
Skips. I’ll take that as a “PRO” and
run!

Theatrical
Trailer: Runs 02:45.

LARGE ON-SCREEN
TEXT: “A shot is fired! A state is born!”

Narration from
Robert C. Bruce (The Voice of Warner Bros.):
“Oklahoma! Its forbidden
frontiers at last flung open to a nation’s land-rushing pioneers! A virgin empire to be claimed by the
swiftest, and held by the strongest!

“Into this
turbulent battleground, rides a mysterious figure[ JOE’S NOTE: We see an image
of Cagney, on his horse, rearing-up against an expansive sky. ], destined to
carve a glorious place among the conquerors of the West!

“A reckless
adventurer, whose single-handed fight against injustice makes him a hunted
outlaw! His daring, the driving force
behind the creation of an empire! His
gun, the only law feared by its plunderers!
An avenging terror – wanted dead or alive – THE OKLAHOMA KID!”

LARGE ON-SCREEN
TEXT: “James Cagney – Blazing into action in the screen’s mightiest epic of the
West! [ JOE’S NOTE: …Um, ya think John
Ford and John Wayne MIGHT hold a differing opinion? Just sayin’!]

Maybe this one could be a contender? Ya think?

HUMPHREY BOGART
(as Whip McCord): “This is MY TOWN, and
nobody’s gonna run me out of it! If The
Kid wants to shoot it out with me, I’ll be here!”

Like the man said: "I'll be here!"

CAGNEY: “Listen, I learned this about human nature
when I was about so-high… and that is the strong take away from the weak – and
the SMART take away from the strong!”

JUDGE
HARDWICK: “ I suppose you’ve never heard
of law!”

CAGNEY (pats his
gun): “THIS is the only law that I know is worth a hoot in this part of the
country!”

LARGE ON-SCREEN
TEXT: “Thrill to the SURGING DRAMA of an empire in creation! James Cagney as the pioneer hero of America’s
westward march! Humphrey Bogart as the
most dangerous desperado of the Bad Lands!
History is made when they fight for supremacy!

"Let's make some HISTORY!"

“THE OKLAHOMA KID,
with Rosemary Lane, Donald Crisp, Harvey Stephens, and a cast of
thousands! Warner Bros.’ glorious
cavalcade of the great South-West!”

It’s Cagney. It’s Bogart!
It’s a somewhat campy western! Two
great screen stars in uncharacteristic roles!
And, it’s 1939, regarded as the greatest year Hollywood would ever
see! One could even say it was "camp", before there WAS "camp"! …What’s not to love!

“The Oklahoma Kid”
is highly recommended for all those reasons – and the unforgettable image of
Cagney’s “Kid” blowing the (gun) smoke from the barrel of his gun, each time he
takes revenge on a member of Bogart’s gang!