This 1873 painting, Les dernières cartouches ("The last bullets") depicts a small detachment from the "Blue Division" of the French Army's Troupes de marine in the Battle of Bazeilles on 1 September 1870. As the French Army retreated from its loss at the Battle of Sedan, this group remained in the last house on the road to Sedan, fighting to the last bullet to cover the retreat.

The Battle of Malakoff, during the Crimean War, was fought between the Russian and the allied French-British armies on 7 September 1855. In one of the war's defining moments, a French zouave installed the French flag on the top of the Russian redoubt, as depicted here. The battle brought about the capture of Sevastopol after an 11-month siege.

Batak warriors in 1870. The term "Batak" is used to collectively identify a number of ethnic groups predominantly found in North Sumatra, Indonesia. It includes the Toba, Karo, Pakpak, Simalungun, Angkola and Mandailing, each of which are distinct but related groups with distinct, albeit related, languages and customs (adat).

An 1805 depiction of a Khoikhoi family dismantling their huts, preparing to move to new pastures. The Khoikhoi are a native people of southwestern Africa, closely related to the Bushmen. Most of the Khoikhoi have largely disappeared as a group, except for the largest group, the Namas.

Two workers, c. 1908, use plaster to create a mold of a deceased person's face. This mold will then be used to make that person's death mask. Death masks may be mementos of the dead, used for creation of portraits, or placed on the face of the deceased before burial rites. The best known of the last are those used by Ancient Egyptians as part of the mummification process, such as the one for Tutankhamun.

Megaliths, some decorated, were a part of the culture of the island of Nias off the western coast of Sumatra, Indonesia. Among the many uses of these large stones were statues, seats for the chieftains, and tables where justice was done. Additionally, some stones commemorated the deaths of important people. In this 1915 photo, such a stone is hauled upwards, reportedly taking 525 people three days to erect in the village of Bawemataloeo.

A Punch cartoon from 17 June 1876 showing Russia preparing to let slip "the dogs of war", its imminent engagement in the growing conflict between Slavic states in the Balkans and Turkey, while policeman John Bull (representing Britain) warns Russia to take care. The Slavic states of Serbia and Montenegro would declare war on Turkey at the end of June, and Russia formally joined the war in April 1877.

The Ambassadors (1533) is a painting by Hans Holbein the Younger in the National Gallery, London. As well as being a double portrait, the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. The most notable and famous of Holbein's symbols in the work is the skewed skull, rendered in anamorphic perspective, which is placed in the painting's bottom centre. It is meant to be a visual puzzle as the viewer must approach the painting nearly from the side to see the form morph into an accurate rendering of a human skull.

A 1937 anti-BolshevikNazi propaganda poster. A man with a skeleton face stands over bloody corpses, wielding a whip. His hat and clothing are Bolshevik in style. Before World War II, Nazi propaganda strategy, officially promulgated by the Ministry of Public Enlightenment and Propaganda, stressed several themes. Their goals were to create external enemies (countries that allegedly inflicted the Treaty of Versailles on Germany) and internal enemies. Translated caption: "Bolshevism without a mask – large anti-Bolshevik exhibition of the NSDAPGauleitung Berlin from November 6 to December 19, 1937, in the Reichstag building".

A United Nations vehicle patrols the streets of the Bel-Air neighborhood of Port-au-Prince in the aftermath of the catastrophic 2010 Haiti earthquake. The earthquake occurred at 16:53 local time (21:53 UTC) on Tuesday, 12 January 2010. An estimated three million people were affected by the earthquake, with an estimated 280,000 buildings severely damaged or destroyed.

The Garden of Earthly Delights is a triptych by the early Netherlandish master Hieronymus Bosch. The left panel depicts God presenting Eve to Adam, while the central panel is a broad panorama of sexually engaged nude figures, fantastical animals, oversized fruit and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation. The intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries.

A 16th-century chiaroscurowoodcut of the Tiburtine Sibyl meeting with Augustus. The mythic meeting between the Roman Emperor and the sibyl (prophetess) of Tibur (now Tivoli), of whom he inquired whether he should be worshiped as a god, was a favored motif of Christian artists. In this scene, she shows him a vision of the Christian heaven.

A scene from Oscar Wilde's 1895 play An Ideal Husband, originally published in a 1901 collected edition of Wilde's works. The comedy, which opened January 3, 1896, at the Haymarket Theatre in London, revolves around blackmail and political corruption, and touches on the themes of public and private honour. It has been adapted into television, radio/audio, and three films. The published version differs slightly from the performed play, for Wilde added many passages and cut others. Prominent additions included written stage directions and character descriptions. Wilde was a leader in the effort to make plays accessible to the reading public.

A poster for a 1908 American production of Aida, an opera by Giuseppe Verdi that premiered on December 24, 1871, to great acclaim at the Khedivial Opera House in Cairo, Egypt. However, Verdi was most dissatisfied that the audience consisted of invited dignitaries and critics, but no members of the general public. He therefore considered the European premiere, held at La Scala, Milan, to be its real premiere.