In this 96-MINUTE interview with Alfred Hitchcock from a 1976 press conference for his last film 'The Family Plot,' film legend Hitchcock responds to a range of serious and comical questions about his career, his filmmaking style, story, and directing.
Storyboards for the cemetery sequence from Hitchcock's 'Family Plot' can be found
...
<
< <more>
> >

In this 96-MINUTE interview with Alfred Hitchcock from a 1976 press conference for his last film 'The Family Plot,' film legend Hitchcock responds to a range of serious and comical questions about his career, his filmmaking style, story, and directing.
Storyboards for the cemetery sequence from Hitchcock's 'Family Plot' can be found
...
<
< <more>
> >less<
< <

This BBC documentary was broadcast in two parts in 1999, and focuses on the important parts of Hitchcock's career.
Part 1 begins with his early life and work experience at the German studio UFA, which moves into his first features such as The Lodger, Sabotage, and The 39 Steps.
It then moves into his initial Hollywood work, with cl
...
<
< <more>
> >

This BBC documentary was broadcast in two parts in 1999, and focuses on the important parts of Hitchcock's career.
Part 1 begins with his early life and work experience at the German studio UFA, which moves into his first features such as The Lodger, Sabotage, and The 39 Steps.
It then moves into his initial Hollywood work, with cl
...
<
< <more>
> >less<
< <

An appreciation of and an interview with one of the most maverick of directors grouped under heading of German new wave.
A Werner Herzog moment:
The opening sequence of his 1972 film Aguirre, Wrath of God, so astonishingly other for a teenager in the acrid darkness of a 1970s London cinema. I remember the porcelain face of the Mad
...
<
< <more>
> >

An appreciation of and an interview with one of the most maverick of directors grouped under heading of German new wave.
A Werner Herzog moment:
The opening sequence of his 1972 film Aguirre, Wrath of God, so astonishingly other for a teenager in the acrid darkness of a 1970s London cinema. I remember the porcelain face of the Mad
...
<
< <more>
> >less<
< <