Cuentos clásicos en inglés de miedo, suspense, halloween

Ghosts - Guy de Maupassant - Horror

Just at the time when the Concordat was in its most flourishing condition, a young man belonging to a wealthy and highly respected middle-class family went to the office of the head of the police at P — — , and begged for his help and advice, which was immediately promised him.

"My father threatens to disinherit me," the young man then began, "although I have never offended against the laws of the State, of morality or of his paternal authority, merely because I do not share his blind reverence for the Catholic Church and her Ministers. On that account he looks upon me, not merely as Latitudinarian, but as a perfect Atheist, and a faithful old manservant of ours, who is much attached to me, and who accidentally saw my father's will, told me in confidence that he had left all his property to the Jesuits. I think this is highly suspicious, and I fear that the priests have been maligning me to my father. Until less than a year ago, we used to live very quietly and happily together, but ever since he has had so much to do with the clergy, our domestic peace and happiness are at an end."

Cuentos clásicos en inglés de miedo, suspense, halloween

A Ghost - Guy de Maupassant - Horror

We were speaking of sequestration, alluding to a recent lawsuit. It was at the close of a friendly evening in a very old mansion in the Rue de Grenelle, and each of the guests had a story to tell, which he assured us was true.

Then the old Marquis de la Tour-Samuel, eighty-two years of age, rose and came forward to lean on the mantelpiece. He told the following story in his slightly quavering voice.

"I, also, have witnessed a strange thing — so strange that it has been the nightmare of my life. It happened fifty-six years ago, and yet there is not a month when I do not see it again in my dreams. From that day I have borne a mark, a stamp of fear, — do you understand?

Cuentos clásicos en inglés de miedo, suspense, halloween

The Stranger - Ambrose Bierce - Horror

A man stepped out of the darkness into the little illuminated circle about our failing camp-fire and seated himself upon a rock.

'You are not the first to explore this region,' he said gravely.

Nobody controverted his statement; he was himself proof of its truth, for he was not of our party and must have been somewhere near when we camped. Moreover, he must have companions not far away; it was not a place where one would be living or travelling alone. For more than a week we had seen, besides ourselves and our animals, only such living things as rattlesnakes and horned toads. In an Arizona desert one does not long coexist with only such creatures as these: one must have pack animals, supplies, arms -- 'an outfit.' And all these imply comrades. It was perhaps a doubt as to what manner of men this unceremonious stranger's comrades might be, together with something in his words interpretable as a challenge that caused every man of our half-dozen 'gentlemen adventurers' to rise to a sitting posture and lay his hand upon a weapon -- an act signifying, in that time and place, a policy of expectation. The stranger gave the matter no attention and began again to speak in the same deliberate, uninflected monotone in which he had delivered his first sentence:

Cuentos clásicos en inglés de miedo, suspense, halloween

John Bartine's watch a Story by a physician - Ambrose Bierce - Horror

'The exact time? Good God! my friend, why do you insist? One would think -- but what does it matter; it is easily bedtime -- isn't that near enough? But, here, if you must set your watch, take mine and see for yourself.'

With that he detached his watch -- a tremendously heavy, old-fashioned one -- from the chain, and handed it to me; then turned away, and walking across the room to a shelf of books, began an examination of their backs. His agitation and evident distress surprised me; they appeared reasonless. Having set my watch by his I stepped over to where he stood and said, 'Thank you.'

Cuentos clásicos en inglés de miedo, suspense, halloween

The Striding Place - Gertrude Atherton - Horror

Weigall, continental and detached, tired early of grouse shooting. To stand propped against a sod fence while his host's workmen routed up the birds with long poles and drove them towards the waiting guns, made him feel himself a parody on the ancestors who had roamed the moors and forests of this West Riding of Yorkshire in hot pursuit of game worth the killing. But when in England in August he always accepted whatever proffered for the season, and invited his host to shoot pheasants on his estates in the South. The amusements of life, he argued, should be accepted with the same philosophy as its ills.

It had been a bad day. A heavy rain had made the moor so spongy that it fairly sprang beneath the feet. Whether or not the grouse had haunts of their own, wherein they were immune from rheumatism, the bag had been small. The women, too, were an unusually dull lot, with the exception of a new-minded debutante who bothered Weigall at dinner by demanding the verbal restoration of the vague paintings on the vaulted roof above them.

Cuentos clásicos en inglés de miedo, suspense, halloween

Fear - Guy de Maupassant - Horror

We went up on deck after dinner. Before us the Mediterranean lay without a ripple and shimmering in the moonlight. The great ship glided on, casting upward to the star-studded sky a long serpent of black smoke. Behind us the dazzling white water, stirred by the rapid progress of the heavy bark and beaten by the propeller, foamed, seemed to writhe, gave off so much brilliancy that one could have called it boiling moonlight.

There were six or eight of us silent with admiration and gazing toward far-away Africa whither we were going. The commandant, who was smoking a cigar with us, brusquely resumed the conversation begun at dinner.

Cuentos clásicos en inglés de miedo, suspense, halloween

The Tell Tale Heart - Edgar Allan Poe - Horror

True! - nervous - very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses - not destroyed - not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily - how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture - a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees - very gradually - I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Cuentos clásicos en inglés de miedo, suspense, halloween

The Music on the Hill - Saki - Horror

Sylvia Seltoun ate her breakfast in the morning-room at Yessney with a pleasant sense of ultimate victory, such as a fervent Ironside might have permitted himself on the morrow of Worcester fight. She was scarcely pugnacious by temperament, but belonged to that more successful class of fighters who are pugnacious by circumstance. Fate had willed that her life should be occupied with a series of small struggles, usually with the odds slightly against her, and usually she had just managed to come through winning. And now she felt that she had brought her hardest and certainly her most important struggle to a successful issue. To have married Mortimer Seltoun, "Dead Mortimer" as his more intimate enemies called him, in the teeth of the cold hostility of his family, and in spite of his unaffected indifference to women, was indeed an achievement that had needed some determination and adroitness to carry through; yesterday she had brought her victory to its concluding stage by wrenching her husband away from Town and its group of satellite watering-places and "settling him down," in the vocabulary of her kind, in this remote wood-girt manor farm which was his country house.

Cuentos clásicos en inglés de miedo, suspense, halloween

The Mass Of Shadows - Anatol France - Horror

This tale the sacristan of the church of St. Eulalie at Neuville d'Aumont told me, as we sat under the arbor of the White Horse, one fine summer evening, drinking a bottle of old wine to the health of the dead man, now very much at his ease, whom that very morning he had borne to the grave with full honors, beneath a pall powdered with smart silver tears.

"My poor father who is dead" (it is the sacristan who is speaking,) "was in his lifetime a grave-digger. He was of an agreeable disposition, the result, no doubt, of the calling he followed, for it has often been pointed out that people who work in cemeteries are of a jovial turn. Death has no terrors for them; they never give it a thought. I, for instance, monsieur, enter a cemetery at night as little perturbed as though it were the arbor of the White Horse. And if by chance I meet with a ghost, I don't disturb myself in the least about it, for I reflect that he may just as likely have business of his own to attend to as I. I know the habits of the dead, and I know their character. Indeed, so far as that goes, I know things of which the priests themselves are ignorant. If I were to tell you all I have seen, you would be astounded. But a still tongue makes a wise head, and my father, who, all the same, delighted in spinning a yarn, did not disclose a twentieth part of what he knew. To make up for this he often repeated the same stories, and to my knowledge he told the story of Catherine Fontaine at least a hundred times.

Cuentos clásicos en inglés de miedo, suspense, halloween

The Oval Portrait - Edgar Allan Poe - Horror

The chateau into which my valet had ventured to make forcible entrance, rather than permit me, in my desperately wounded condition, to pass a night in the open air, was one of those piles of commingled gloom and grandeur which have so long frowned among the Appennines, not less in fact than in the fancy of Mrs. Radcliffe. To all appearance it had been temporarily and very lately abandoned. We established ourselves in one of the smallest and least sumptuously furnished apartments. It lay in a remote turret of the building. Its decorations were rich, yet tattered and antique. Its walls were hung with tapestry and bedecked with manifold and multiform armorial trophies, together with an unusually great number of very spirited modern paintings in frames of rich golden arabesque. In these paintings, which depended from the walls not only in their main surfaces, but in very many nooks which the bizarre architecture of the chateau rendered necessary- in these paintings my incipient delirium, perhaps, had caused me to take deep interest; so that I bade Pedro to close the heavy shutters of the room- since it was already night- to light the tongues of a tall candelabrum which stood by the head of my bed- and to throw open far and wide the fringed curtains of black velvet which enveloped the bed itself. I wished all this done that I might resign myself, if not to sleep, at least alternately to the contemplation of these pictures, and the perusal of a small volume which had been found upon the pillow, and which purported to criticise and describe them.