04

HUGE thank you to the entire cast & crew of ‘Calico Queens’ for what was an intense 3 days, averaging 6 pages a day with multiple location changes, 35 extras, live gunshots, blood and makeup, 2 horses and 100-degree heat… No comment.

But I’d do it again in a heartbeat! Please enjoy some of the BTS pics below.Read more…

25

It took a little while but it is with great pleasure that I can announce the completion of the ‘Trunk’ feature film pitch deck is ready for viewing. I cannot upload the complete thing here for obvious reasons but it is available upon request. Still, please check some of our favorite slides on the film’s page!

16

Well done to our producer Wis Petter for securing a fiscal partnership with From the Heart Productions for ‘The Donor’ project, which should make fundraising a lot easier! Also, here’s the completed pitch deck for the curious ones…

03

After a couple of rewrites and many many hours of research, I can now official say that we have a finished script for ‘The Donor’. The next step is to organize a small shoot for a couple of test scenes which will be used for fundraising.

08

It is with great pleasure that I will be joining managers Lee Stobby and Derrick Eppich to help seep through the dozens of scripts they receive each week and select/fix the most promising ones. Thank you also to Taliesin Nexus for the great opportunity.

15

Truly delighted to announce that my O-1 visa request for the USA has been granted this week. I will be on my way to the West Coast by the end of the year and looking forward to starting a new page of my career.

22

The shoot went incredible well and it is with a incredible gratitude that I’d like to thank the entire crew at Flat Cap Films for making this experience so fun and successful. Can’t wait for the next project!

11

Directions to Direction: Charles Joslain

Despite his polite American accent, Charles Joslain insists he is 100 per cent French. Born in Nantes and growing up in Paris, his love for storytelling can be traced back to his upbringing by his mother. He didn’t really know his father and bluntly describes him as “a bit of douchebag” when we sit down for lunch in an unassuming Italian-run café near Hatton Gardens. Caught between the firm conservative morals of his mother and the liberal philosophies of his teachers, he decided to stop listening once he reached adolescence.

Stories were his rebellion against the moralising adults in his life. “A story presents an argument to you and you agree or disagree or fashion your own view,” he says. “As opposed to a lecture. I thought ‘that’s what I want to do.’”