Archive for the ‘intentionality’ Category

The first exercise or technique in my workshop and booklet for Gulf Coast Gathering this Saturday is “Forming an Intention.”

There’s a lot of talk these days about “being intentional”. And I wonder: Did past generations somehow do it better? Did they set about what they were doing with more awareness than we do? Or is that the point: we can do better today because we somehow “get” the importance of intention? Really, I doubt both of these things. You or I? Yes, you or I can do better. “We” meaning large numbers of people? Not so much, then or now. Where to place and focus effort?

I love that when I google “intention” the first two definitions that appear are “a thing intended” (classic dictionary-ese!) and “the healing process of a wound”. I click on the link and that specialized medical usage comes well down on the list of meanings. Can intention, handled well, help with healing? Is that what intention is, one way to understand it? Healing?

What if I approach each action as an opportunity for healing? Some intentions heal, some don’t, or hurt more than they help. Would this change how I intend?

This last weekend I attended a regular “second Saturday” spirituality study group that’s been ongoing now for several years. The book we read is less important than the group, the intentionality of a monthly meeting, the ongoing flowering of awareness that comes from it, and from practice of a set of spiritual exercises together and individually that open the doors of insight. One of the group members, Bill, said something last Saturday I knew I had to include, giving credit where it’s due, in the final draft of the Gathering booklet:

Intention is a description of the limits of manifestation.

This is a fruitful theme for contemplation. If you choose to use it that way, I’d recommend you stop reading now and come back later, after you’ve gained your own insights into its reach. What follows below are some of mine.

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Outdoors, the nor’easter that’s been named Stella (the “star” of the show, that’s for sure), has begun to blanket New England and the mid-Atlantic region with a classic March snow. Right now, at 9:00 am or so, the snowfall is still gentle and steady. Later it will strengthen, and rising winds will transform the world into a snowglobe both shaken and stirred. Meanwhile, the indomitable chickadees flit back and forth between the front yard feeder and the branches of the mountain ash.

Intention doesn’t guarantee any kind of “success”. That’s not its purpose. (Why do it then? I hear myself and some of you asking.)

But intention does invite a flow, form a mold, shape a potential, and let us exercise our sacred gift as transformers of Spirit. “Spirit must express itself in the world of matter,” writes John Michael Greer, “or it accomplishes nothing. Insights of meditation and ceremony gain their full power and meaning when reflected in the details of everyday life” (Greer. The Druidry Handbook, pg. 138).

For me, even more importantly, intention sets up a precedent of balance. It’s a handshake with Spirit, a gesture of welcome. Spirit needs our individuality to express itself. It’s what we are. But we also need Spirit to work through us, or “nothing happens”.

I set the intention of flying out to the Gathering and a nor’easter may intervene, changing an intention, cancelling flights, closing an airport, disrupting human routine. Part of the skill of setting intentions is releasing them, and then navigating through what comes. (Insisting on a particular intention can sometimes and temporarily shift all the factors in one’s favor, but the juice usually isn’t worth the squeeze. Doubt me? Don’t waste time arguing. Try it out for yourself. And as the universe sets about kicking you down the road, use your black and blues as a now-personalized theme for reflection.)

If you’re still wondering what value an intention has, look again at the situation, but this time without the particular intention. The nor’easter comes anyway, and whatever else I’m doing — intentions there, too — the storm still impacts them.

So one point I draw from this? I want to be intentional about my intentions. I’m constantly creating them anyway, manifesting constantly. I get up from bed. I make coffee. I build up the fire. I may “plan my day” or “wing it” as things unfold around me. That’s what it means to “have a life”. I just may be more or less conscious as I do, and have, and am.

But intention isn’t something that only I have, or set in motion all alone onstage. In a world of multitudinous beings, intentions constantly line up or come in conflict all around us.

“The intelligent universe longs for an equal partner” (Gary Lindorf. 13 Seeds. Northshire Press, pg. 21). I can ignore the marvelous energy of intention and still live. But not as richly, as full of love, or as magically. What does it mean to be an “intelligent partner” to life? Partner: not servant, not master.

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“Intention is the description of the limits of manifestation”. Each of us has a set of experiences and talents and insights that give us a personal key to being intentional. As with most things, being intentional isn’t a matter of “either-or” but a matter of “less-more”. What arethe limits of manifestation? Do I, does anyone, actually know? We make intention experimental — something to be explored.

In the last 40 minutes — it’s now 9:43 — the snow has intensified. An-inch-an-hour is nothing new for much of the northern U.S., but each time I “have time” or “make time” to watch, it never gets old. Like watching the tide, waves endlessly arriving on the shore. Repetition builds a universe. On one scale of things, you might call Stella a very “minor” event. Take a large enough view and almost everything turns small. The weather image of the continental U.S. shows the small portion affected. What does such a view offer? On a small enough scale, it’s all-encompassing. Here in southern Vermont, a cloud moving white in every direction.

It may seem strange to speak of “non-personal” events like weather in terms of intention, but then I think that the existence of anything forms or reveals its intention. After all, do I ever see snow except when it falls, or has fallen? That’s what snow is. And I imagine — intend — living more intentionally, living like snow, being an intention of Spirit, with the added and priceless human gift of witnessing as I do.

Not responsible for spontaneous descent of Awen or manifestation of the Goddess. Unavailable for use by forces not acting in the best interests of life. Emboldened for battle against the succubi of self-doubt, the demons of despair, the phantoms of failure. Ripe for awakening to possibilities unforeseen, situations energizing and people empowering.

Catapulted into a kick-ass cosmos, marked for missions of soul-satisfying solutions, grown in gratitude, aimed towards awe, mellowed in the mead of marvels. Optimized for joy, upgraded to delight, enhanced for happiness. Witness to the Sidhe shining, the gods gathering, the Old Ways widening to welcome.

Primed for passionate engagement, armed for awe-spreading, synchronized for ceremonies of sky-kissed celebration. Weaned on wonder, nourished by the numinous, fashioned for fabulousness. Polished for Spirit’s purposes, dedicated to divine deliciousness, washed in the waters of the West, energized in Eastern airs, earthed in North’s left hand, fired in South’s right. Head in the heavens, heart with the holy, feet in flowers, gift of the Goddess, hands at work with humanity. Camped among the captives of love, stirred to wisdom in starlight, favored with a seat among the Fae, born for beauty, robed in the world’s rejoicing, a voice in the vastness of days.

Knowing, seeing, sensing, beingall this, you can never hear the same way again these two words together: “only human”!

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Images: three from a sequence taken yesterday, 3 Oct 14, on a blessed autumn day in southern Vermont two miles from my house.

(Special thanks to Amethyst, where a version of this review first appeared in the November issue.)

Magic of the North Gate is an intriguing book for those like me who have studied McCarthy’s previous works and might have expected another in the same vein. An inviting departure from her involvement in more temple-oriented magic, this book reflects a change of lifestyle as well for its author. A teacher, ritual magician and Hermeticist, McCarthy now resides in Dartmoor National Park in the southwest of the U.K. Think of a Golden Dawn mage taking up residence in Yellowstone or Yosemite. The book remains characteristically humble, wise, unexpectedly funny, and profound – qualities too often lacking in books on magic. Add to these its emphasis on being of service to the land, and it is altogether a valuable resource.

Throughout the book’s nine chapters, McCarthy recounts her rich experiences over the years of working with land spirits and nature magic. A resident for a time in the western U.S., she passes along many helpful observations in her stories and suggestions applicable both for the typically more settled inner and outer terrain of the United Kingdom, and the wilder landscapes of North America. To put it another way, her book often prompts a reader to meditate, reflect and then adapt her many ideas to the reader’s own landscape, circumstances, abilities and experience. No mere recipe book, this.

Nevertheless, along the way you discover that you’ve gained valuable insights on how to approach gardening and building outdoor shrines, advice on honoring the fairies and welcoming local deities, or strategies to deal with approaching storms and “death alleys” on infamous stretches of highways. She discusses ways of honoring old bones you may unearth, effecting a “deity transfer” to a statue, and interacting with Native American peoples, sanctuaries and spirits who will respect your heritage and ancestors if you own them outright, in keeping with how you respect theirs. The eighth chapter, “The Dead, the Living and the Living Dead,” offers much material for exploration and contemplation. As McCarthy observes, “A major skill to learn in life that has major bearing on the death of a magician is discipline of controlling wants and needs … it is a major tool” in making the transition through death (230).

The final chapter, “Weaving Power into Form,” likewise provides ample material to explore in one’s own practice. McCarthy’s Hermeticist training and experience re-emerge, particularly in her emphases and terminology in later chapters, to good effect, since she has contextualized what she says there by establishing a foundation in preceding chapters for her particular flavor of earth magic. Her insights into ways of working with the energies of the temples of the directions and elements are also helpful.

McCarthy’s writing style is both conversational and reflective. Her book reads in part like a journal and follows its own organic and occasionally circular order, though her nine chapters do deliver what their titles promise. Often, though not always, the points she makes are less a “how-to” – though she offers much advice clearly grounded in experience – than a “what-happens-when.” To give just a few for-instances across the chapters, here are some excerpts:

“Magic in its depth creates boundaries of energetic opposition and tension. This is part and parcel of how power works – it also protects the integrity of the inner worlds as well as beefing up the magician … It can also act as an idiot filter …” (17-18).

“If I had known about [the impact on the physical body] beforehand, I would still have explored, but would have looked after my body better and would have made a point of reaching for inner contacts to help teach me about how to handle my body through this work. Hence this part of the chapter” (39).

“Land spirits don’t do ‘sorry’; if you break a promise then the deal is off” (130).

“You may notice that your home or building does not appear upon the land, which is normal if it is a modern building. Buildings, unless they are consecrated spaces or temples, tend to take hundreds of years to fully appear in the inner landscape of the land” (133).

I will return to this book to re-consider and annotate the portions I’ve highlighted and queried in a different way than I will her other books, The Work of the Hierophant, and the Magical Knowledge trilogy (Foundations, The Initiate, and Adepts). The latter texts help fill in gaps in my more intellectual understanding of kinds of work I will very likely not pursue in this life, though there, too, McCarthy’s earned wisdom transfers to other kinds of practice. But Magic of the North Gate is a more immediate companion and touchstone for what I am exploring already, in my own way, on my handful of acres on the New England hilltop where I live and anywhere else I set foot.

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McCarthy, Josephine. Magic of the North Gate. Oxford: Mandrake of Oxford, 2013.

One of the great benefits of silence, at least about one’s inner work or “self-work,” is that no one will dump their opinions and energies onto what you are doing, and distract you, or load you with their attitudes and claims, weaknesses and dreams, if you limit their access to your work of changes. (Let them see the results instead.) Choose your audience wisely if you feel you must talk about such experiences and insights. American culture in particular suffers at this time from a compulsive confessional mode. Purge, share, spill, vent! it says. But keep silent by default, at least at first, and you will have many fewer obstacles to deal with. Ignore this ancient counsel to keep silent, and you’ll find out from experience why it’s an integral part of magical training, and one of the four powers.

That said, the magical journal is a fine outlet for a “space to talk.” Not surprisingly, many who keep a journal find it useful to write at least some entries in a code or cipher, in another language, etc., to maintain the veil of privacy necessary to maximizing effort and energy put into the work. As with most paradoxes, “guard the mysteries; constantly reveal them”* illustrates valuable teaching. Say nothing; get it down in words. More about the journal later.

Sometimes the strain of inner work can lead to imbalances; we choose means and modes of change and growth that cost us more than they deliver. The French poet Arthur Rimbaud (1854-1891) records his struggles for insight and inspiration and poetic fire through a program of conscious “derangement of the senses” through means both culturally acceptable and unacceptable (his life bears study!). I quote here from his youthful letters**:

I am lousing myself up as much as I can these days. Why? I want to be a poet, and I am working to make myself a seer … the point is, to arrive at the unknown by the disordering of all the senses. The sufferings are enormous, but one has to be strong, to be born a poet, and I have discovered that I am a poet. It is not my fault at all. It is a mistake to say: I think. One ought to say: I am thought.

I is for somebody else. So much the worse for the wood if it find itself a violin.

I witness the unfolding of my own thought: I watch it, I listen to it: I make the stroke of the bow: the symphony begins to stir in the depths, or springs onto the stage …

I say that one must be a seer, make oneself a seer.

The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, and keeps only their quintessences. This is unspeakable torture during which he needs all his faith and superhuman strength, and during which he becomes the great patient, the great criminal, the great accursed — and the great learned one! — among men — For he arrives at the unknown! Because he has cultivated his own soul — which was rich to begin with — more than any other man. He reaches the unknown; and even if, crazed, he ends up by losing the understanding of his visions, at least he has seen them. Let him die charging through those unutterable, unnameable things: other horrible workers will come; they will begin from the horizons where he has succumbed!

So, then, the poet is the thief of fire …

Rimbaud wrote this in 1871, when he was just 16.

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Much to note here — more than I will address in this post. First, his age: in fact he composed all of his poetry before he was twenty, when he abandoned further creative work, though he was to live almost two more decades after that. Some of his furious intensity, drive — and imbalance — stem from the energies loosed in adolescence, which most of us deal with to varying degrees of success as we mature. The Victorian magician, poet, mountaineer, addict and occultist Aleister Crowley engaged in similar practices, perhaps surviving them better in the short run, and gaining more from them, while still suffering from partly self-cultivated imbalances and excesses along his chosen path. Many Westerners crave intensity — we struggle with a deep desire to feel powerfully, and sometimes, to feel anything at all — and the broken lives that result from our excesses, binges, addictions and self-destructive choices testify painfully and graphically to that desire, and to a yawning lack in our cultures that cannot answer or satisfy it. Hence our compulsion to seek such nourishment elsewhere, in productive and unproductive ways.

Rimbaud’s last line quoted above — “the poet is the thief of fire” — also echoes adolescent rebellion, defiance and fascination with one’s own seemingly Promethean forces and capacities that can make teenagers so self-involved and oblivious of others. The thrill-seeking, the experimentation, the moodiness all mirror tremendous inner changes as the foundations for adult life are laid. To plumb our inner darkness — we can see it exteriorized in film after film of violence, sex, death and the depths of traumatic emotion — is to encounter the threshold of the unconscious, the lower astral plane, the scraps and debris left over from that initial self-making that we mistake for all of what we “really” are, when it is simply a part, but not the whole. Why let any one thing define us? Yes, a certain wisdom can indeed issue from intense and “heavy” experience. But — and again, how many of us can speak from experience! — it is not conducive to enduring happiness or balance or a capacity to grow and experience as much as possible. We cannot kick out the walls of our world and then expect any sort of roof to remain preternaturally suspended over our heads (unless we’ve put in the time to build it). Better to walk out the door and at least for a time to wander in the woods, with just sky above us.

Silence in some cases can of course be destructive. After every gun-related “incident” in the U.S., the shooter is subjected to endless scrutiny for “signs” of imbalance, paranoia, anomie, psychopathic tendencies, and so on. Our cultural sense of disconnect repeatedly festers and spawns terrible destruction and suffering. Or as novelist E. M Forster says in Howard’s End:

Only connect! That was the whole of her sermon.Only connect the prose and the passion, and both will be exalted,And human love will be seen at its height.Live in fragments no longer.Only connect…

In every culture individuals arise who both confront its darkness and lose their way, as well as see a way through.

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The magical journal is a priceless aid in the work of transformation. Think of it as an alter ego, a second self or at least a second memory. Occultist Paul Foster Case illustrates its value in the following passage***. He speaks about learning the significance of the first ten numbers, 0 – 9, but his words apply much more widely:

I have been instructed by a teacher who could not speak my language, wholly by means of numeral and pictorial symbols. In a few hours I received enough material from that man to last me for years. Indeed, I don’t suppose I shall ever exhaust the significance of what I learnt from him in a few summer afternoons. Thus, were there no other reasons, the fact that number symbols are so useful a time-saving device should recommend them to you in this busy age. When you have fixed the fundamental ideas in memory, you will soon learn that none are arbitrary. Then you will begin to see the connection between these ideas …

Get a notebook. Divide it into ten sections. Head the first page of each section with one of the ten numeral signs. Then copy the attributions … into your book. This is important. To copy anything is to make it more surely yours than if you merely read it. The act of copying increases the number of remembered sensations connected with that particular item of knowledge … Once you begin the notebook, you will be surprised at the amount of material that will begin to flow in your direction. It will seem that a mysterious power has begun to send you information about numbers from all sorts of sources. You will also discover that as soon as you provide a means for recording them, many ideas about numbers which you will recognize as coming from a higher, yet interior, source will enter your field of consciousness. After a year, the notebook will be an index of your progress … and by that time you will have learned to regard it as one of the most useful works of reference in your library.

As with so many pairs of opposites, balancing silence with its useful counterpart of keeping a written record will reward the effort made. Duality is an energetic system that can work like a spiritual generator.

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The first post in this series looks at kinds of knowledge. The second shows how wanting to know leads to discoveries about our real selves. The third looks at daring and how it is a kind of freedom. The fourth focuses on the importance and potency of imagination.

What follows are brief notes from a short talk I recently gave on magic.

Dion Fortune’s definition of magic: “the art and science of causing change in consciousness in accordance with will.”

“… most of us, most of the time, are content to use the imaginations of others to define the world around us, however poorly these may fit our own experiences and needs; most of us, most of the time, spend our lives reacting to feelings, whims and biological cravings rather than acting on the basis of conscious choice; most of us, most of the time, remember things so poorly that entire industries have come into existence to make up for the failures and inaccuracies of memory” (J. M. Greer, Circles of Power, 52).

We can, however, choose to imagine – & remember – ourselves differently. When we do so with focused attention, changes happen, both subjectively & objectively.

The fact is that each day we all experience many differing states of consciousness, moving from deep sleep to REM sleep to dream to waking, to daydream, to focused awareness & back again. We make these transitions naturally & usually effortlessly. They serve different purposes, & what we cannot do in one state, we can often do easily in another. The flying dream is not the focus on making a hole in one, nor is it the light trance of daydream, nor the careful math calculation.

The goal of magic is transformation – to enter focused states of awareness at will & through them to achieve insight & change.

The technique is the training & work of the imagination. This work typically involves the use of ritual, meditation, chant, visualization, concentration, props, images & group dynamics to catalyze transformations in awareness.

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Magic is also “a set of methods for arranging awareness according to patterns.”

We live our lives according to patterns. Some patterns are limiting & may be unmasked as restrictive. Other patterns can help bring about transformation. “[T]he purpose of magical arts is to enable changes within the individual by which he or she may apprehend further methods [of magic & transformation] inwardly.”

“… [O]ur imagination is our powerhouse … certain images tap into the deeper levels of imaginative force within us; when these are combined with archetypal patterns they may have a permanent transformative effect.”

OK, be forewarned … this runs long. If you’re more in the mood for bon-bons than for jerky, come back later. This ended up pretty chewy. It’s also provisional, a lot more tentative than it sounds. Now I’ve told you, so don’t get cranky with me later. Here goes …

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In her poem “Circe’s Power,” Louise Glück speaks in the voice of the sorceress who transforms the crew of Odysseus into swine when they arrive on her island. Even the great war-leader and trickster Odysseus himself would have fallen under her spell, but for a charm the god Hermes gives him. (“Some people have all the luck,” “the gods favor them,” etc.) So it’s dueling magics at work, divine and mortal enchantments competing for supremacy. (Sort of feels like life at times. Like we’re adrift in a hurricane, or trying to build a house on a battlefield.) Circe speaks to Odysseus, to all of us, in a kind of explanation of life seen from the vantage point of magic. Or not.

I never turned anyone into a pig.
Some people are pigs; I make them
look like pigs.
I’m sick of your world
that lets the outside disguise the inside.
Your men weren’t bad men;
undisciplined life
did that to them. As pigs,
under the care of
me and my ladies, they
sweetened right up.
Then I reversed the spell,
showing you my goodness
as well as my power. I saw
we could be happy here,
as men and women are
when their needs are simple. In the same breath,
I foresaw your departure,
your men with my help braving
the crying and pounding sea. You think
a few tears upset me? My friend,
every sorceress is
a pragmatist at heart; nobody sees essence who can’t
face limitation. If I wanted only to hold you
I could hold you prisoner.

Oddly, this poem always cheers me up, with what I take to be its hard realism. That may sound funny, since part of the time Circe’s talking about magic, and she has a cynic’s view of much of life. Or maybe a minimalist’s. How do thosetwo things go together?! But it’s a magic we’re born into, the nature of a world in which the outside does indeed often “disguise the inside.” Here, almost everything wears a mask. Even truth hides as illusion, and illusion as truth. The god of this world, we’re told in the Christian Bible, has the face and name of Liar. We learn this soon enough, discovering quite young the great power of lying. It’s a magic of its own, up to a point — a beguiling enchantment. Some of us never recover. It’s lies all the way. But there are other worlds, and other magics as potent, if not more so. If Circe is “sick of this world,” what can she tell us of others?

Another way of looking at it can come to us in an Emily Dickinson poem. (What is it with these poets, anyway?! Liars, magicians, many of them. Enchant us into the real.) “Tell all the truth, but tell it slant,” says the Amherst visionary, and we’re off to the nature of truth seen in a world of illusion: paradox. (Maybe truth needs a mask, to exist here at all.) “The only way out is through,” insists Frost in yet another poem, but in spite of our longing for the Old Straight Path, it’s fallen away from us, and the world is now “bent,” as in the Tolkien mythos. We can’t get out so easily.

“Success in circuit lies,” Dickinson goes on to say. In other words, “you can’t get there from here”: the directions are all scrambled, even the best of them. You travel in a cosmic roundabout and end up somewhere else, not just on a road lesstraveled, but one apparently nevertraveled before, until you set foot on it. Who can help you as you journey there? No one? Anyone? One paradox is that you’re walking the same path everyone else is, too. Everyone’s having an experience of being on their own. What we share is what keeps us separate. Paradox much? Useful at all?

“Too bright for our infirm Delight/The Truth’s superb surprise,” says Dickinson. OK, so what the hell does thatmean? Well, Circe knows, or seems to. If every sorceress is indeed a “pragmatist at heart”, then she and all the others who deal in truths and illusions may have something useful to tell us in the end. Certainly our encounters with truth can have a surprising quality of sudden opening and revelation. Whether the surprise is “superb” depends in part on you. But what are we to make of her next assertion? “Nobody sees essence who can’t face limitation.” The two negatives “spin your head right round.” Is it still true if we remove them? “Everyone sees essence who can face limitation.”

This is without doubt a world of limits, of hard edges, of boundaries we run into all the time, however much we try to ignore them. Inconvenient truths aren’t the same as illusions. (We just wish they were.) Some of the edges cut, some leave scars. We get away with very little, in the end. Most of our illusions get stripped away, in this world of illusions. What’s left? Emily, Louise, mother-wit, “the sense God gave gravel,” somebody (anybody!), help us out here!!

“As Lightning to the Children eased/With explanation kind/The Truth must dazzle gradually/Or every man be blind –” Emily concludes. (Maybe the dash says it all.) Is there any “kindness” in this world of disguises? Well, if some truth really is, or can be, as potent as the words here suggest, then one kindness is precisely the illusion we complain about. It’s protection, insulation, a hot-pad between us and the Real, to keep it from scorching our skin, burning our vision. Mortal eyes cannot behold the infinite. “No one can see the face of God, and live,” Moses is told. Things get scaled down in this world. The hot turns lukewarm, tepid. You want scalding? You were warned.

So what might we take away as a provisional set of guidelines to test and try out, and maybe use, if and when they fit?

1. Know your worlds.

This ain’t the only one. Don’t mix ’em, or expect one to work like any of the others. “When in Rome, do as the Romans do,” and all that. This world in particular revels in concealment. Spring lies in the lap of winter, and unlikely as it seems, green and warmth will return to this world gone gray and white and cold. Neither winter nor spring is the whole truth, but each is true in its season. Time works out truth in a world built of time and space. “Dazzle gradually,” so you can surprise and startle and reveal intensely … in the end.

2. Essence and limitation are linked.

“Nobody sees essence who can’t face limitation.” If we want the truth we seek, and desperately need, and deep-down know already (a particularly maddening truth we reject whenever we can), we find it here in this world, in limits and seeming dead-ends and walls and obstacles and finales. Death’s a big one. These are our teachers still, till we’re able to move beyond them. Really? That’s the best you can do for us? Well, got any other world handy? Yes? Then you know what I mean. You don’t need this. No? Then you’re right where you need to be. Understand that I’m not speaking from any privileged or superior place. I know what you know, and vice versa. Deal. You’ll notice that I’m here in this right beside you. As my wife and I remind each other whenever necessary, those too good for this world are adorning another.

3. Truth ain’t so much obscure or impossible or unavailable or “an empty category,” but it ISoften different than we think or want it to be.

We manifest it as we discover it. We know it when we see it, like pornography or good taste. Just don’t ask for someone else’s version to guide you, or you’re back to square one. (As a clue, OK. As absolute authority over your life? Don’t even think about it!)

4. In the end, it’s all Square One.

5. And that’s a good thing.

6. To quote The Best Exotic Marigold Hotel, “Everything will be all right in the end. If it’s not all right, then it’s not yet the end.” Patience is one of the primal and most subtle of magics.

7. Your version of “all right” will keep changing.

If it hasn’t changed recently, check your brain for clogs. You may have missed an important message the universe has been trying to tell you.

8. Everything wants to make a gift of itself to you.

The distance between your current reality and that truth is the measure of the Great Work ahead. This one’s taken me for a couple of l o n g walks indeed. Everything. Gift. If I resist it, it comes back in an ugly or terrifying or destructive “un-gift” form. There are hard gifts. Each life ends with one. Still a gift.

9. Ah, the triple three of nine, a piece of Druid perfection.

The ultimate four-letter word is love. “A love for all existences,” goes the Druid Prayer. Get there, and life begins in earnest. We’ve all been there, briefly. Time to make it longer than brief. “Reverse the spell to see the goodness and the power,” to reword Circe only a little. Still working on these.

The Equinox is upon us. Still the Druid Prayer of the Revival echoes from last weekend at the East Coast Gathering:

Grant, O God/dess, thy protection,
And in protection, strength,
And in strength, understanding,
And in understanding, knowledge,
And in knowledge, the knowledge of justice,
And in the knowledge of justice, the love of it,
And in that love, the love of all existences,
And in the love of all existences, the love of God/dess and all goodness.

The lake in the picture (photo credit Sara Corry) is at the base of Camp Netimus, where the East Coast Gathering assembled for its third year this last weekend. In the presence of such moments, it’s easier to perceive that the physical world is one face of the holy, or as Jung expressed it, “Spirit is the living body seen from within, and the body the outer manifestation of the living spirit—the two being really one” (253). Humans respond to beauty and to such transparent intervals as this, often in spite of what they may consciously believe or claim about reality. We cannot help but be moved because we are part of what we witness. We may witness a score of hierophanies, visions of the divine, each day. Whatever our beliefs, these openings to the sacred nourish and help sustain us.

The rebalancing we hope to accomplish depends on our state of consciousness, on our ability to accept a gift given. And so in a workshop last weekend, “The Once and Future Druid: Working with the Cauldron of Rebirth,” we repeatedly turned to another seed-passage, this time from Neville’s The Power of Awareness: “The ideal you hope to achieve is always ready for an incarnation, but unless you yourself offer it human parentage, it is incapable of birth.” I carried that with me for several days, marveling at its ability to focus the attention. Whenever I found myself falling into old patterns of thought, I return to its simple truth. The power of such meditations and seed-exercises reaches beyond their apparent simplicity or even simplisticness.

In one sense we are consciously meme-planting, even if it’s on a personal level. Why not plant our own, rather than be subject to others’ constructs, which may not suit us? Yes, these seed-thoughts and heart-songs may remain lifeless if we do not ignite them with our attention and desire. But properly sustained, like a campfire (sorry … the camp images stick with me!), fed and banked and tended, it can pour out a healing and transformative warmth all out of scale to its visible size.

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Jung, Carl. Modern Man in Search of a Soul. London: Routledge and Kegan Paul/Ark Paperbacks, 1984.