[ Level 1 ] Q-tips, Cotton Buds, How To : Watercolour Painting Tutorial / Demonstration / 수채화 그림 그리기
Online Painting Tutorials are available at :
PATREON : https://www.patreon.com/jayartpainting
❖ Support for My Art
PATREON : https://www.patreon.com/jayartpainting
DONATION : https://streamlabs.com/jayartpainting
I do this as my full time job so your support is very much appreciated. Become my patron on Patreon, then you can watch the real-time painting videos include more of my palette, water pot and towel in the camera view.
Thanks for the support.
❖ Jay Lee is a specialized watercolor artist. JayArt videos are showing how to paint flowers, nature and other techniques on the various tutorials offered.
❖ 영상 시청해주셔서 감사합니다. 한국사람이고요 영어로 영상을 올리고 있습니다. 몇몇 한국 분들이 댓글 달아 주시는데 너무너무 감사드립니다.
❖ 哈囉~~大家好，我來自韓國，因為老婆是台灣人，所以住在台灣。我的影片內容是教大家使用水彩畫及介紹不同的畫畫方法，謝謝你們的觀看!
❖ Classification of paints
- Painting Techniques / Creative & Fun Art Projects
- Beginner (Level 1, Level 2)
- Intermediate (Level 3, Level 4)
- Advanced (Level 5, Level 6)
Please check out my YouTube channel, then you will see the classified Tutorials.
❖ Supply List
Paper : Saunders Waterford (190g, 300g/m2), Arches Aquarelle (185g/m2) and Hot Pressed Papers.
Paints : Shinhan, Holbein watercolors
Brushes : Chinese bamboo brushes and watercolor brushes from one dollar store (Cheap one)
Palette : SHINHAN Watercolor Aluminum Palette A30
If you are a beginner, it's better to purchase not expensive watercolors and other supplies. I sometimes use a children paint set. It makes me feel so free. Then you can finally enjoy watercolor.
❖ Music
Hills Behind by Silent Partner
Bet On It by Silent Partner
❖ Watercolor brushes
There are many people who ask me which brushes are the preferred brushes to use for beginners.
- My answer to them is that all the brushes are great to use and compliment each other. My brushes are not expensive to purchase, they cost around $1-4 USD, some prices may vary on the different brushes used duo to special use of each brush. Remember that with each brush you use you will have a different experience and a range of different feeling. The important thing is that you and the brush work as one to find the balance between creation and skill. The artist's hand is very important in making the painting and to feel the way the water on the brush moves as the brush creates the ultimate master piece.
❖Improve your painting skills
Sometimes people ask me that they've been painting for months, but they think nothing improved.
- Well, I want to say that I have been painted for 15 years and I enjoy my painting every moment. If you enjoy your painting, that is the right way to go forward. Don't be hurry. You just need time. Now you keep improving your painting skill.
❖ E-mail :
[email protected]
( If you have any questions please feel free to contact me )
........................................................

Introducing a brand new style of filmmaking, director Hugh Welchman (La Vie en Rose, 2007) takes us behind the scenes on his latest project: Loving Vincent.
Welchman’s new film - set to release this year - takes inspiration from the famous post-modernist painter Vincent Van Gogh. By utilizing Van Gogh’s unmistakeable style paired with live action filming on green screens, Welchman brings Van Gogh’s classics to life.
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HOW TO PAINT THE WALLS
These DIY painting tips will help you roll your walls quickly and smoothly—without leaving roller marks. We'll show you the tricks and techniques that painting pros use to get a perfectly painted room. All you need are some basic tools to paint fast, get great results and make clean up a breeze. Painting is one of the least expensive ways to make over a room, so grab a roller and let's get to work.
Clean the walls.
Tape the trim.
Pour primer into a tray.
Roll the primer onto the wall. Tip: Follow the manufacturer's drying instructions, which you'll find on the can, to make sure the primer is completely dry before applying paint.
Paint the trim.
Roll on paint in a “w” shape.
Remove the painter's tape.
But these are just the basics, let's move on to creative stuff!
The first part is a pattern roller, which is a 6-inch wide rubber roller having a raised pattern embossed on its surface. The second part is an applicator which consists of a frame, a handle, and a special foam feeder roller.
To use it, you simply roll the feeder roller into some paint (any paint, no special glazes needed), snap on a pattern roller and you're ready to roll!
TIMESTAMPS:
3:52 Another brick in the wall
4:45 Dried paint brush?
7:24 This is Africa
10:12 Wall decorating ideas
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Music:
Electro Sketch by Kevin MacLeod is licensed under a Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/?keywords=electro+sketch&Search=Search
Artist: http://incompetech.com/

Check out these insanely creative painting tips and ideas!
They'll come in handy whether you're doing repair works in your house or just upgrading your inner artist's skills or just painting for fun!
Yarn thread painting techniques, handprints in a frame, drawing with water and ink and great designer tips to liven up the walls in your apartment! :)
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I got a request to paint an "easy version of a moon" 🌑 after I painted "Winter's Moon" about three months ago: https://www.youtube.com/watch?v=ltKSGvIVb2U
☺️There's more requested videos coming up... all will be uploaded soon to my youtube channel so please keep checking 🌺
♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎
Thank you everyone for being part of my Youtube Channel, I really enjoy reading your comments, you guys motivate me to upload more! I just wish I could publish a new video every single day!😍
♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎
I've been getting a lot of similar questions so I have created a Q/A. Just keep scrolling down and you may find some answers about watercolor PAPERS, pigments, taping down etc 😃👇🏼
Part I is below 💕
★★★★★★★★★★★★★★★★★★★★★★
All annotations on colors and brushes are in the video.
The white pigment I use is DESIGNER'S PERMANENT WHITE GOUACHE, which is an opaque version of watercolor. I use it instead of my regular watercolor whites which are too transparent for my style of painting.
Paper: Hot Press, 140lb, 100% cotton - watercolor paper
♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎😃*****Please LIKE and SUBSCRIBE!*****😃♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎♦︎
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my instagram: @maria_morjane
♥︎♥︎♥︎Also please let me know that you are one of my subscribers so I can follow you back on INSTAGRAM♥︎♥︎♥︎
_________________________________________________________________
Note: It's ok to copy my art for your personal use as long as you are not trying to make money off of it :)
♥︎♥︎♥︎♥︎PART I♥︎♥︎♥︎♥︎
Most common questions I get and here are some answers:
♦︎1.WHAT'S THE DIFFERENCE BETWEEN COLD PRESSED AND HOT PRESSED? ♥︎
Cold pressed is on the rougher side and hot pressed is the smoothest. For example with hot pressed the paint won't sink in as much and will dry faster, vs cold pressed is the most traditional watercolor paper for artists, the paint will sit for a while until it settles and you can do dry brushing. It also dries longer because of all that. They are both fun, I just have been painting mostly on hot pressed because of my style. Hot pressed is good when you can paint faster and when you use a lot of paint. To determine which paper is best for you I think it's a good idea to try out all three kinds, hot pressed, cold pressed and the third kind - rough watercolor paper, this one is super bumpy!
♦︎2.HOW DO I MAKE MY PAINTINGS LOOK SO VIBRANT?♥︎
I believe that the intensity of my paintings comes from layering and composing the right colors together, creating contrasts like putting two colors together that will compliment each other.
♦︎3.WHY DOESN'T MY PAPER BUCKLE?♥︎
I place my watercolor paper on a thicker carton type of paper then I use enough water where the watercolor paper gets stuck to the paper underneath it. When I start working for the most part the paper just stays in place. I don't usually walk away from my painting until I am finished with it, so it never fully dries. When a watercolor paper has water and pigment in it and is left alone for too long, it will naturally start drying then buckling.
♦︎4.HOW LONG DOES IT TAKE ME TO FINISH A PAINTING?♥︎
Anytime between 40min - 3hrs. It all depends on what I am painting.
♦︎5.DO I TAPE THE WATERCOLOR PAPER DOWN?♥︎
Rarely..if ever, I just prefer to not do anything and let the water itself create the suction between the watercolor paper and the paper I put underneath it. Sometimes may I only tape the bottom side, this way the paper is still free to absorb as much water as needed.
♦︎6.DO I USE WATERCOLOR IN PAN OR OUT OF TUBE?♥︎
I mostly use watercolors out of tubes.
I think it helps me in painting with layers. I feel like it's so much easier to create that vibrancy when I can use more paint.
♦︎7.WHAT ARE THE BASIC COLORS I WOULD RECOMMEND FOR A BEGINNER?♥︎
black, indigo, thalo blue (phthalo), cobalt blue, viridian hue, turquoise, burnt umber, raw umber, burnt sienna, orange cadmium Hue, cadmium yellow Hue, cadmium yellow Hue pale, yellow ochre, sap green, Permanent yellow green, purple lake, mauve, red madder Hue, deep red, brilliant red, quinacridone red (Thalo crimson),
white - designers gouache permanent white
♦︎8.WHAT BASIC BRUSHES I WOULD RECOMMEND FOR A BEGINNER?♥︎
Round: 0, 2, 4, 6, Angular: 1/2, 3/4,
Fan: 2
★★★★PART II and II in my previous videos!★★★★
*******Thank you so much!*******
Links to my other tutorials:
https://www.youtube.com/watch?v=ubnEnKCngws&t=521s
https://www.youtube.com/watch?v=WLafZM4H-sc&t=197s
https://www.youtube.com/watch?v=ES-yuj-LywE&t=882s
Music created by:
"Mesmerize" by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

Toronto-based artist Callen Schaub invites us into his studio to see how he uses swinging troughs, paint can pendulums, and bicycle parts to create his signature abstract paintings.
»Subscribe to CBC Arts to watch more videos: http://bit.ly/CBCArtsSubscribe
Callen Schaub's practice draws from a rich history of artists using spinning and dripping techniques — from Damien Hirst to Jackson Pollock. But Callen has invented his own homemade devices that include swinging troughs, paint can pendulums and bicycle parts that help him create his signature works. In this video, Callen takes you inside his paint-splattered studio for a look at how he makes his dazzling works of art.
Follow Callen Schaub on Instagram: https://www.instagram.com/callenschaub/?hl=en
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About: CBC Arts is your destination for extraordinary Canadian arts. Whether you're a culture vulture, a working artist, an avid crafter, a compulsive doodler or just a dabbler in the arts, there's something for you here.
These abstract paintings are unbelievably satisfying
https://www.youtube.com/CBCArts

Hey guys! In today's Art Journal Thursday episode I will show you 3 easy watercolor painting ideas for beginners step by step that you can use to practice the basic watercolor painting technique: wet in wet! I will show you how to paint different types of sunsets such as an ocean sunset & how to paint a galaxy with watercolors! Thumbs up for more beautiful scenery & landscape painting ideas! 👍
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► Previous Episode: How to Paint a Sunset City Skyline with Watercolors https://youtu.be/ZzuKFLLmroc
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► Full list of all the supplies I used ( English / Deutsch )
○ da Vinci Student/Beginner Paint Brushes
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✧ GIVEAWAY ✧
How to enter the giveaway:
❀ Step #1 Turn your on notifications on by clicking on the bell to be part of the #makoficationsquad
❀ Step #2 Leave a comment with #makoficationsquad as soon as I upload! Comments that were posted within the first 24hrs will have a chance to win & get a shoutout in my videos! Please don't spam or you will be filtered as spam and/or disqualified!
✧ RULES ✧
❀ The giveaway is open internationally and free to enter
❀ There will be 3 winners
❀ The winners are chosen randomly in the pool of entries that entered within the first 24hrs of a video published
❀ The winners will be announced at the end of every month in one of my videos that I post on Thursdays & on Saturdays
❀ The winners will be contacted through the comments & have 48hrs to respond. If I don't get any reply within 48hrs, I will pick a new winner
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This giveaway is ran in accordance to the YouTube Community Guidelines and YouTube Terms of Service. https://www.youtube.com/yt/about/policies/#community-guidelines
P.S. YouTube is somehow really strict with the giveaway rules, so I hope I didn't forget anything!
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If you have any questions, feel free to comment down below!
Thank you so much for watching guys, have a wonderful day and I will see you soon!
~mako
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Learn how to paint like Willem de Kooning, one of the key artists of the postwar Abstract Expressionist style, also referred to as "action painting," with IN THE STUDIO instructor Corey D'Augustine.
Explore the techniques of other New York School painters like Kusama, Rothko, and Pollock in MoMA's new free, online course, "In the Studio: Postwar Abstract Painting." Sign up: http://mo.ma/inthestudio
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Explore our collection online: http://mo.ma/art
Plan your visit in-person: http://mo.ma/visit
Commit to art and ideas. Support MoMA by becoming a member today: https://moma.org/join
Over the course of a career lasting nearly seven decades, de Kooning would work through a wide array of styles, eventually cementing himself as a crucial link from New York School painting to European modernism.
Physical labor and countless revisions were constants in his work, which ranged from abstraction to figuration, often merging the two. “I never was interested in how to make a good painting…,” he once said. “I didn’t work on it with the idea of perfection, but to see how far one could go…”
The female figure was an especially fertile subject for the artist. His paintings of women were among his most controversial works during his lifetime and continue to be debated today.
—
After conversations with The Willem de Kooning Foundation, MoMA would like to share the following corrections with our viewers:
Though many of de Kooning’s paintings have very thick surfaces relative to more traditionally approached paintings, there is no evidence of any painting that has close to the 2 inch thick surface that our video indicates.
There is no evidence that de Kooning ever had or used a six foot long brush as indicated in the video. Long brushes were given to de Kooning as gifts, and he likely experimented with them. However, he did not regularly use them. It appears instead that de Kooning often used shorter brushes, such as house painters’ brushes, and regularly walked away from the canvas to look at it from a distance.
De Kooning used underdrawings as starting points to generate ideas to explore in painting as opposed to as warming up exercise as indicated in the video.
—
Education at MoMA is made possible by a partnership with Volkswagen of America.
Featuring Corey D'Augustine, Educator and Independent Conservator.
The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist.
#art #moma #museum #modernart #artist #paint #painting #howtopaint #learntopaint #abstract #dekooning #willemdekooning #abstractart #modernism #modernist

My latest video: "Drawing Blond Hair in Black and White / Time Lapse Drawing"
https://www.youtube.com/watch?v=D4aJBUgLCYo --~--
How to Hand Paint a Portrait in Pop Art Style #paint #portrait //Hi! In this video I show you how to hand paint a portrait in pop art style. It is easier then you think: first you make a regular sketch of the portrait that you want to draw then you simply imagine shapes that represent the delimitation of the light or shade on the volume (of the face) that you want to paint and then you fill in the shape with what color you want (it doesn't matter), but you need to maintain the same tonality as it would be in the reality. I hope I was able to make myself understood. Don't forget my commenting competition: each week the best comment wins a time lapse drawing of a portrait (winner chooses the photo that I will draw) that I upload every Sunday on my channel Create Something New Every Day! If you want a portrait made by me you can visit my fiverr page: https://www.fiverr.com/iiii_iiii Playlist with my previous videos: https://www.youtube.com/playlist?list... #portrait #drawing #timelapsedrawing #painting Music: Don't Look - Silent Partner https://youtu.be/J4MXT7cE8WU

Georgia O’Keeffe’s personal aesthetic influenced every aspect of her life from her work to her living environments to her clothes. Travel from her New Mexico ranch to the Brooklyn Museum's landmark exhibition in this new "Art of Style" episode by Lisa Immordino Vreeland.
Watch the previous episode: Met Gala & Andrew Bolton
► https://www.youtube.com/watch?v=2Fex0oBCBcE&t=0s&list=PLaT9mKYgyGNYRtrxPT27xnW-qMuaRJSGT&index=2
Watch More Art of Style Episodes:
► https://www.youtube.com/watch?v=AuxZqFoA5As&index=3&list=PLaT9mKYgyGNYRtrxPT27xnW-qMuaRJSGT&t=0s
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DRAWING AND PAINTING FOR LITTLE ARTISTS
Many people love drawing, and I do too. Do you? If the answer was yes, this video is made for you! Here you can find a lot of insanely cool painting tips and tricks that turn painting into something incredible! These activities are fine for any age, so get your friends or family and let's start our incredible art marathon! There are many cool tricks for toddlers in this video. Painting is especially beneficial for little kids, because it helps to develop fine motor skills and imagination.
Painting with brushes is too boring. Who needs brushes if you can paint with...soap bubbles! All you need is to mix some paint with dishwashing soap and then just blow out the bubbles on a sheet of paper. As simple as 1-2-3! Later, you can turn the colorful spots in whatever you like. We turned them into a flock of colorful balloons. So romantic!
In case you decided to paint without brushes, your hands are a perfect instrument! There's a lot of fingerpainting ideas we prepared for you in this video. Just use your imagination and decide what to turn your fingerprint into. A couple of sheep, a helicopter, a train, an airplane, a tank, a bee, a ladybug, a fish, a cat, a pig, a dog, a mouse, a bird, an alien, a lot of funny faces – here's what we came up with. What are you ideas?
There's one more bright experimen for toddlers - take a large flat dish of milk, add some drops of different food colors and stir it with Q-tip soaked in dishwashing soap. Enjoy your handmade amazing firework of colorful swirls!
You can make a cool poster by stamping your hands against a piece of white paper or canvas. Apart from being an amazing family activity, it can also be a cool design object for your family.
TIMESTAMPS:
01:32 – Soap trick
03:38 – Drawing animals and learning numbers
09:03 – Coffee painting
11:13 – Sand painting
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Whether on the walls of a cave, the tombs of great kings, a canvas, or the walls of a building, the human desire to put ink to paper has left the world with some of the most beautiful masterpieces. Welcome to WatchMojo.com, and today we’re counting down our picks for the top 10 painters of all time. Check us out at http://www.Twitter.com/WatchMojo, http://instagram.com/watchmojo and http://www.Facebook.com/WatchMojo
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A complete range of new & exciting original paintings from one of the UK's best selling artist KERRY DARLINGTON.
These pieces are all available at the time of posting this video, 25/04/12. Once each piece is sold it will not be removed from this video so please do check with us for all Kerry Darlington art originals availability.

We hope this video has given you some insights about Indian Painting types.
If you would like to know more here is the reference book used:
The Spirit of Indian Painting:
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Indian Paintings
The tradition of painting has been carried on in the Indian subcontinent since the ancient times.
Standing as a testimony to this fact are the beautiful paintings of Ajanta and Ellora, Buddhist palm leaf manuscripts, Mughal and Kangra schools of miniature Indian paintings, etc.
Infact, records have been found that indicate the usage of paintings for decorating the doorways, guest rooms, etc. Some traditional Indian paintings, like those of Ajanta, Bagh and Sittanvasal, depict a love for nature and its forces.
Cave Painting
Cave paintings of India date back to the prehistoric times.
The finest examples of these paintings comprise of the paintings of Ajanta, Ellora, Bagh, Sittanavasal, etc, which reflect an emphasis on naturalism.
Ancient cave paintings of India serve as a window to our ancestors, who used to inhabit these caves.
Madhubani Painting
Madhubani painting originated in a small village, known as Maithili, of the Bihar state of India.
Initially, the womenfolk of the village drew the paintings on the walls of their home, as an illustration of their thoughts, hopes and dreams.
Miniature Painting
Miniatures paintings are beautiful handmade paintings, which are quite colorful but small in size.
The highlight of these paintings is the complex and delicate brushwork, which lends them a unique identity.
The colors are handmade, from minerals, vegetables, precious stones, indigo, conch shells, pure gold and silver.
The most common theme of the Miniature painting of India comprises of the Ragas i.e., the musical codes of Indian classical music.
Mughal Painting
Mughal painting reflects an exclusive combination of Indian, Persian and Islamic styles.
As the name suggests, these paintings evolved as well as developed during the rule of Mughal Emperors in India, between 16th century and 19th century.
The Mughal paintings of India revolved around themes, like battles, court scenes, receptions, legendary stories, hunting scenes, wildlife, portraits, etc.
The Victoria and Albert Museums of London house a large and impressive collection of Mughal paintings.
Mysore Painting
Mysore Painting is a form of classical South Indian painting, which evolved in the Mysore city of Karnataka. During that time, Mysore was under the reign of the Wodeyars and it was under their patronage that this school of painting reached its zenith.
Quite similar to the Tanjore Paintings, Mysore Paintings of India make use of thinner gold leaves and require much more hard work. The most popular themes of these paintings include Hindu Gods and Goddesses and scenes from Hindu mythology. The grace, beauty and complexity of Indian Mysore Paintings leave the onlookers mesmerized.
Pahari Painting
Pahari painting is the name given to Rajput paintings, made in the in the Himachal Pradesh and Jammu & Kashmir states of India.
These painting developed as well as flourished during the period of 17th to 19th century. Indian Pahadi paintings have been done mostly in miniature forms.
Rajput Painting
Rajput painting originated in the royal states of Rajasthan, somewhere around the late 16th and early 17th century.
The Mughals ruled almost all the princely states of Rajasthan at that time and because of this; most of the schools of Rajput Painting in India reflect strong Mughal influence. Each of the Rajput kingdoms evolved a distinctive style.
However, similarities and common features can still be found in the paintings of different territories.
Tanjore Painting
Tanjore Painting is one of the most popular forms of classical South Indian painting. It is the native art form of Thanjavur (also known as Tanjore) city of Tamil Nadu. The dense composition, surface richness and vibrant colors of Indian Thanjavur Paintings distinguish them from the other types of paintings.
Then, there are additions of semi-precious stones, pearls and glass pieces that further add to their appeal. The relief work gives them a three dimensional effect. Tanjore Painting of India originated during the 16th century, under the reign of the Cholas.
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George Condo was part of the 1980s wild art scene in New York. In this video, recorded in his New York-studio, the iconic artist shares his life-long love of drawing and thoughts on his artistic expression, which he describes as “artificial realism.”
”I kind of draw like you’re walking through the forest, where you don’t really know where you’re going, and you just start from some point and randomly travel through the paper until you get to a place where you finally reach your destination.” Condo studied music theory at college, but soon realised that it was too formal and rigid for him, and that he needed an art form that would give him more freedom. However, he still approaches his art like a musician, working fast and following the rhythm of the drawing or painting without “missing any of the notes.” The tempo, he feels, is very important when it comes to art.
Condo wants his work to contain clear references to the different artists – from Picasso to Velasquez – they’re inspired by, but with a twist. His painting or drawings are about finding a way in which one can capture a person’s humanity through a portrait – capturing not just the outside but also the inside. Moreover, Condo aims to “turn negatives into positives”, portraying “the ordinary characters that make up our lives, whether it’s the janitor or the bus driver or the school teacher or the principal or the mailman or the truck driver. These are not the glamorous people that you see on the cover of Vogue Magazine, but they are what the world is composed of. And to give them a spot in the world is what I always admired about Rembrandt to a certain degree…”
“I love drawing as much as painting, so why not make your paintings from your drawings, but literally have there be no defined sort of hierarchy between the two mediums?” Condo started making “drawing-paintings”, where you can’t distinguish e.g. paint from pastel, or a line made with a paintbrush or a line drawn in from and thus making the two mediums equal: “There’s no real difference between figurative painting or abstract painting, ‘cause it’s all painting to begin with… You don't’ have to follow any rules as a painter. If you’re making an abstract painting it doesn't mean eventually it can’t morph into a figurative one.”
When a famous art historian asked Condo what he called the form of work he did, Condo thought of the description “artificial realism”. Artificial realism gives the painter the opportunity to go back and paint something in a realistic way while still portraying all that which is artificial in our world. In continuation of this, he finds that now everything seems to be “artificial realism” with the fake news that is all around us: “Art is the truth, and everything else is a lie.”
George Condo (b. 1957) is an American contemporary visual artist working in the mediums of painting, drawing, sculpture and printmaking. Condo mixes input from art history’s masters – such as Velasquez, Manet and Picasso – with elements of American Pop Art. He distorts and renews this material so that it stands out and becomes his own: a kind of strange hybrid that blurs boundaries between the comic and the tragic, the grotesque and the beautiful, the classic and the innovative. As part of the wild art scene in New York in the early 1980s, Condo was close to painters such as Jean-Michel Basquiat and Keith Haring, and worked for Andy Warhol’s Factory, applying diamond dust to silkscreen. Condo’s work is in the permanent collections of MoMA, the Whitney Museum, The Solomon R. Guggenheim Museum and the Metropolitan Museum of Art in New York, the Broad Foundation in Los Angeles, Tate Gallery in London, Centre George Pompidou in Paris and Astrup Fearnley Museum of Modern Art in Oslo, among others. He is the recipient of an Academy Award from the American Academy of Arts and Letters (1999) and the Francis J. Greenberger Award (2005). Condo lives and works in New York City.
George Condo was interviewed by Kasper Bech Dyg at his studio in Soho, New York City in September 2017.
Camera: Jakob Solbakken
Produced and edited by: Kasper Bech Dyg
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2017
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After nearly 20 minutes of nail-biting bidding on Wednesday night, Leonardo da Vinci’s painting Salvator Mundi, shattered the world record for the most expensive work of art ever sold at auction. Including fees, the 500-year-old rare masterpiece sold for $450.3 million.
Some questioned the authenticity of the painting as truly Da Vinci but with a price tag that far surpassed initial estimates the concern now seems irrelevant.
Before the sale, Vice News Tonight went to Christie's for a private viewing of Salvator Mundi with contemporary Brazilian artist Vik Muniz.
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Why do all-white paintings sell for millions of dollars and end up in museums?
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So-called "white paintings" are in museums all across the world and Robert Ryman's all-white painting "Bridge" sold for a record $20.6 million at a Christie's auction in 2015. How are these seemingly plain white paintings considered art and why is it that not anyone can pick up a tube of white paint and make one?
We talk to Elisabeth Sherman, an assistant curator at the Whitney Museum of American Art in New York about why there is much more to these paintings than meets the eye, and while you could have painted on of these priceless pieces of art, you didn't.
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Trying Out A New Style - Dry Brush Oil Paintings
Currently Trying To Get Setup To Be Able To Record This Style Of Painting - Please Bear With Me
Also Coming Soon - Digital Artwork..........
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Curator of Later Italian, Spanish, and French 17th-century Paintings, Letizia Treves, guides you through the tumultuous life of Caravaggio. She looks at how his innovative style developed from a focus on nature and expression in his early works to the sophistication of his mature works.
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These little beauties our brand new… I only have a few to test them out. They are only a 4 x 6“ cardboard backer card , and a plastic easel. Everything is included in the kit including tons of extra crystals! Perfect for the little kids because I knocked this out in about an hour and 10 minutes
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(9 Feb 2017) LEAD IN:
Works by the record-breaking artist, Gerhard Richter, have gone on display at Cologne's Museum Ludwig.
The exhibition coincides with the artist's 85th birthday and features new abstract works that have never been seen by the public.
STORY-LINE
Just one of the 26 new abstract artworks by German artist Gerhard Richter on show at Museum Ludwig in Cologne.
Most have been painted on different sized canvases, featuring bright colours and detailed, multilayered compositions.
The exhibition "Gerhard Richter, Neue Bilder (New Paintings)" presents twenty-six abstract Richter paintings for the first time, all of which were created last year.
The opening coincides with Richter's 85th birthday (9 Feb).
Museum Ludwig curator Rita Kersting explains how the pieces came together.
"Gerhard Richter knew that we wanted to present all the nice paintings we have from him on the occasion of his eighty-fifth birthday, but he said do it, feel free, do it as you like, I will be away on holidays then. However, three months ago he called us and he said that we should come over to have a look at his new paintings and he said that there might probably be an opportunity for us to show them. And then we paid a visit to his studio that is only a 15 minutes drive away from the Museum Ludwig and we have seen his new paintings. And we were surprised and delighted to see these powerful, strong, differentiated and in parts also brightly shining paintings," she says.
The artist used a paintbrush, a palette knife, a squeegee, and a knife to shape many of these oil paintings.
"The possibilities to work and to act with different tools on the canvas are certainly finite. However, these paintings are completely different compared to the abstract paintings he has created for example 10 to 15 years ago. These paintings are much more uneasy, more nervous and they shine more, they are more multipartite. And when you get closer to the paintings, you don't know where to look first, because there are so many spaces to find next to each other opening themselves into depth. Successively arranged and also created with the use of totally different methods on the canvas: with a brush, squeegee, with a knife, with the back of the brush he scratches into the paintings," says Kersting.
Richter has been described as one of the most famous artists of his time, presenting a tension between figuration and abstraction, significance and banality.
His works also fetch eye-wateringly high prices at auction. Richter's Abstraktes Bild fetched £30.4 (m)illion ( sterling) when it was sold at auction in London in 2015. It was a new record for a work sold by a living European artist.
Professor Henrik Hanstein is the CEO of auction house Lempertz in Cologne. He says Richter has a significant place in art history.
"I think the description 'the most expensive artist in the world', 'the most expensive living artist', 'the most expensive German artist' is no title. It is no positive title. In my point of view he is one of the best in the world. He has really created something extraordinary. He has an extraordinary position. Price is not the same as value. I wouldn't focus too much on the price. Who knows if this will remain? Sometimes on occasion it can even happen that a painting of him is not sold (at auctions), but this doesn't matter at all. His significance in art history is excellent," he says.
Hanstein says Richter painting have proven to be a good long term investment.
Alongside the exhibition of new paintings are pioneering works from the museum's collection of the Museum Ludwig, including icons such as Ema (Nude on a Staircase) from 1966, the abstract painting War from 1981, and the glass work 11 Panes from 2003, among others.
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According to Sekhar roy, life is a river, starts from the hilly area, it flows down on plain, collecting the stones, soils and some dirt, making all to fertilizing others but burden for itself. Sometimes it gets fresh water from rain or by any other small stream, which makes the river strong and powerful. Watch him and get hint of his work style!

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George Inness: A collection of 320 paintings (HD)
Description: "George Inness, one of America's foremost landscape painters of the late nineteenth century, was born in 1825 near Newburgh, New York. He spent most of his childhood in Newark, New Jersey. He was apprenticed to an engraving firm until 1843, when he studied art in New York with a French landscape painter from whom he learned the classical styles and techniques of the Old Masters. In 1851, sponsored by a patron, Inness made a fifteen-month trip to Italy. In 1853 he traveled to France, where he discovered Barbizon landscape painting, leading him to adopt a style that used looser, sketchier brushwork and more open compositions, emphasizing the expressive qualities of nature.
After working in New York from 1854 to 1859, he moved to Medfield, Massachusetts, and four years later to New Jersey, where through a fellow painter he began to experiment with using glazes that would allow him to fill his compositions with subtle effects of light. Duncan Phillips remarked on Inness’s mellow light as a unifying force, saying, “…he was equipped to modernize the grand manner of Claude and to apply the methods of Barbizon to American subjects."
At this time also, Inness developed an interest in the religious theories of Emanuel Swedenborg, an 18th century theologian who believed that all material things were imbued with spiritual presence and who proposed a philosophy in which earthly and heavenly realms are united. Inness's paintings throughout the decade of the 1860s showed sweeping, panoramic views of the Catskills, the Delaware Valley, or the New Jersey countryside. Despite their varying locales, these scenes share a spiritual expressiveness in the portrayal of nature’s moods, for example, dramatic effects of weather and atmosphere. In Inness’s mature paintings, the forms of the landscape become indistinct, hazy, abstracted, suggesting an existence in both material and immaterial worlds.
Inness moved back to New York in 1867 and in 1868 was elected to full membership in the National Academy of Design, but being an inveterate traveler, he returned to Europe in 1870, living in Rome from 1871 to 1875. Two years later he returned to New York, where he helped found the Society of American Artists. In 1878 he settled in Montclair, New Jersey, but continued to travel and paint misty, poetic, and evocative landscapes. Over the years he went to a variety of locations in the eastern and southern United States, and to Cuba, California, and Mexico. In 1894 Inness made his last trip abroad, visiting France, Germany, and Scotland, where he died. A public funeral was held in New York at the National Academy, which also held a large exhibition of his paintings that same year."
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The convex mirror at the heart of van Eyck’s ‘Arnolfini Portrait’ intrigued the Pre-Raphaelites; this film explores its link with the recent invention of daguerreotypes, and Victorian trends in interior design.
Reflections: Van Eyck and The Pre-Raphaelites
2 October 2017 – 2 April 2018
Sunley Room
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Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting.
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Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning.
The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work.
This exhibition is organised by the National Gallery in collaboration with Tate Britain.
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Jean Honore Fragonard: A collection of 64 paintings (HD)
Description: Born in the small city of Grasse, Jean-Honoré Fragonard moved to Paris with his family in 1738. While still in his teens, he apprenticed to Jean-Baptiste-Siméon Chardin for just six months and then worked in François Boucher's studio. He won the Prix de Rome in 1752, then spent three preparatory years under Carle Vanloo before studying at the Académie de France in Rome from 1756 to 1761. Fragonard also drew landscapes with Hubert Robert and traveled to southern Italy and Venice.
Fragonard's submission to the Salon of 1765 earned him associate academy membership, yet he opted out of an official career of history painting. Preferring to make lighthearted, erotic pictures for private clients, he only exhibited at the Salon twice. Life and paint seen through his lightning brush were delicious; his cheerful canvases reinvigorated the Rococo style. He painted mythology, gallantry, landscape, and portraiture and drew voraciously in wide-ranging media, often signing his works "Frago." The French Revolution ended Fragonard's career and made him a pauper. Admiring his work, the Neoclassical painter Jacques-Louis David attempted to assist by making him curator of the future Musée du Louvre. Unable to adapt to the new style of painting, however, Fragonard died forgotten in Napoleon's France.
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My house has a house centipede infestation. I can't even sit on the toilet without the fear of a centipede falling straight from the ceiling and right onto my bare ass. My mom read somewhere that to get rid of these rascals, you have to spray the whole house with tea tree oil. So she did that, and now my room has the nauseating scent of eucalyptus. Like seriously, MOM, when I was birthed, I did not expect to be living in this off-brand Koala environment! Hesus khrist! I can't deal with this! Someone call the weed!
Anyways, hope you enjoyed the vid.
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I paint two nightstands white and cover all of the differences between the white colors of paint I sell in the Three different paint brands that I carry.
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Viktor Vasnetsov: A collection of 143 paintings (HD)
Description: "Best known as a painter of historical and mythological scenes, Viktor Vasnetsov was born 15 May 1848 in Lopiyal, in Viatka Province. Originally intending to follow his father and grandfather into the priesthood, Vasnetsov attended seminary at age ten. While studying in Ryabovo, he helped a local icon painter with his trade and aided exiled Polish artist Andriolli to make frescoes for the Aleksandr Nevsky Cathedral. Upon graduating, however, he decided to pursue his own course. He auctioned two of his own paintings to fund a move to St. Petersburg, where in 1867 he began to attend the Imperial Academy of the Arts.
In 1870, Vasnetsov befriended Ivan Kramskoy and became a part of his association of Realist artists, the Peredvizhniki (“the Itinerants”). Despite Vasnetsov’s later fame for historical and mythological scenes, his works of the 1870s celebrated the common business of life.
In 1876, at the recommendation of his friend and fellow “Itinerant,” Ilya Repin, Vasnetsov moved to Paris. There, he discovered his passion for painting the Russian mythology and folklore with which he had grown up, inaugurating a completely new style of Russian painting.
His first subject was Ivan Tsarevich Riding a Gray Wolf, a scene from a traditional Russian fairy tale and painted in a suitably epic and fantastic fashion which he would not finish for over a decade.
He did not entirely abandon his contemporary works, however; among several well-received genre Realist genre scenes, he also produced the large painting Fairground Booths in Paris during 1876 and 1877.
In 1877, he returned to Moscow, riding high the tide of interest in Russian history and culture. Unfortunately, Vasnetsov’s works of this period were dismissed by contemporary art critics. He did not achieve popularity until the 1880s, when his religious art achieved notoriety. Of particular importance was his offer to paint frescoes in Kiev’s St. Vladimir’s Cathedral. Although challenging, the job let Vasnetsov create a grand tableaux, like the Old Masters.
Vasnetsov worked on the cathedral for over ten years, creating over 400 studies and sketches during that time. In the end, he produced over 2000 square feet of frescoes detailing famous figures from Russia’s long history. The final product was somewhat controversial. Vladimir Stasov, a notable art critic, called it “sacrilegious,” while Dmitry Filosov deemed it a “bridge” between the different Russian social classes.
It was during his time in Kiev that Vasnetsov began work on his most famous work, The Bogatyrs.
Depicting Dobrynya Nikitich, Ilya Muromets and Alyosha Popovich, three of the most famous bogatyrs (literary knights-errant, similar to King Arthur and his knights in Western Europe), the painting skilfully blends Vasnetsov’s Realist abilities with the heroic fantasy of the myth. The hazy, whimsical landscape contrasts with the concrete men and their steeds to create a mood that perfectly fit the sensibilities of 19th century Russian audiences.
Vasnetsov’s talents extended to more than just painting. He helped on stage and costume design for a number of Nikolay Rimsky-Korsakov’s operas, including 1885’s The Snow Maiden and 1897’s Sadko. In the 20th century, he was even commissioned by the Soviet government to design new uniforms, creating a new style of cap called the bogatyrka, after the conical helms worn by the eponymous knights. He became particularly well-known later in life for applying his predilection for fantasy and fairy tales to building design, contributing to the general architectural movement known as Russian Revivalist. Vasnetsov designed a church, his own estate (which was turned into a museum dedicated to his art in 1953), and the façade of the Tretyakov Gallery in Moscow.
Vasnetsov was also involved in the arts behind the scenes. He was curator of the Tretyakov Gallery, ensuring after the Russian Revolution that religious paintings, particularly those by Aleksandr Ivanov, found their way from churches to the safety of the gallery. He personally provided for a great number of the works found in the State Historical Museum.
Vasnetsov was an artistic polymath, adept at landscape, portraiture, illustration, and architecture. He helped create a tone that would shape the 19th and 20th centuries, as well as leaving a rich legacy of uniquely Russian art. He died 23 July 1926, an enduring treasure for Russia and the world of art."
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When multiple currents of creativity move in the same direction, their meeting point becomes a nexus from which something greater flows. For some time now two such currents have been gathering in Jonas' artistic headwaters: the urge to create very large paintings and the desire to further explore flow painting.
Large canvases are where Jonas' creative spirit soars best. Reminiscent of his early days as a dancer, his abstract, gestural style is in peak form when his brush has plenty of space to roam, not confined by the canvas' edge.
The other creative current propelling him has been a call to return to the flow painting techniques he first explored in his 2011 FLUID POETRY show. Working with fluid acrylics takes him deeper than ever into his philosophy of "letting go". Forgoing expectations and control, he allows the colors to find their own paths, and the art that emerges is imbued with that spirit of flowing freedom.
With this show we celebrated the CONFLUENCE of these two powerful currents. When flow painting meets large canvases, the spirit of freedom is given the space to be free. This liberty has re-energized and refined Jonas' work in all sizes. Small and mid-sized works are displayed alongside the larger paintings whose creation was their inspiration.
Learn more at www.jonasgerard.com

Pablo Ruiz Picasso (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France.
Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore.
Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence.
During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.
Picasso was exceptionally prolific throughout his long lifetime. The total number of artworks he produced has been estimated at 50,000, comprising 1,885 paintings; 1,228 sculptures; 2,880 ceramics, roughly 12,000 drawings, many thousands of prints, and numerous tapestries and rugs.
The medium in which Picasso made his most important contribution was painting. In his paintings, Picasso used colour as an expressive element, but relied on drawing rather than subtleties of colour to create form and space. He sometimes added sand to his paint to vary its texture. A nanoprobe of Picasso's The Red Armchair (1931) by physicists at Argonne National Laboratory in 2012 confirmed art historians' belief that Picasso used common house paint in many of his paintings. Much of his painting was done at night by artificial light.
Picasso's early sculptures were carved from wood or modelled in wax or clay, but from 1909 to 1928 Picasso abandoned modelling and instead made sculptural constructions using diverse materials. An example is Guitar (1912), a relief construction made of sheet metal and wire that Jane Fluegel terms a "three-dimensional planar counterpart of Cubist painting" that marks a "revolutionary departure from the traditional approaches, modeling and carving".
Pablo Picasso, 1921, Nous autres musiciens (Three Musicians), oil on canvas, 204.5 x 188.3 cm, Philadelphia Museum of Art
From the beginning of his career, Picasso displayed an interest in subject matter of every kind, and demonstrated a great stylistic versatility that enabled him to work in several styles at once. For example, his paintings of 1917 included the pointillist Woman with a Mantilla, the Cubist Figure in an Armchair, and the naturalistic Harlequin (all in the Museu Picasso, Barcelona). In 1919, he made a number of drawings from postcards and photographs that reflect his interest in the stylistic conventions and static character of posed photographs. In 1921 he simultaneously painted several large neoclassical paintings and two versions of the Cubist composition Three Musicians (Museum of Modern Art, New York; Philadelphia Museum of Art). In an interview published in 1923, Picasso said, "The several manners I have used in my art must not be considered as an evolution, or as steps towards an unknown ideal of painting ... If the subjects I have wanted to express have suggested different ways of expression I have never hesitated to adopt them."
Although his Cubist works approach abstraction, Picasso never relinquished the objects of the real world as subject matter. Prominent in his Cubist paintings are forms easily recognized as guitars, violins, and bottles. When Picasso depicted complex narrative scenes it was usually in prints, drawings, and small-scale works; Guernica (1937) is one of his few large narrative paintings.
Picasso painted mostly from imagination or memory. According to William Rubin, Picasso "could only make great art from subjects that truly involved him ... Unlike Matisse, Picasso had eschewed models virtually all his mature life, preferring to paint individuals whose lives had both impinged on, and had real significance for, his own." The art critic Arthur Danto said Picasso's work constitutes a "vast pictorial autobiography" that provides some basis for the popular conception that "Picasso invented a new style each time he fell in love with a new woman". The autobiographical nature of Picasso's art is reinforced by his habit of dating his works, often to the day. He explained: "I want to leave to posterity a documentation that will be as complete as possible. That's why I put a date on everything I do
Pablo Picasso - The Early Years: https://youtu.be/Bz5f8rEwboQ
Pablo Picasso - The Nudes: https://youtu.be/z9IM7MaPovg
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He has never restricted himself to a particular medium or style and his creativity in dive=rsed fields. As an architect, a muralist and a painter.
The latest works of Satish Gujral who has been selected for Padma Vibhushan in 1999 unfolds a new dimension. These vibrant acrylic paintings and granites exhibited in New Delhi at Triveni Kala Sangam.
The works from the painter follow no particular theme but are a portrayal of the living form.
This footage is part of the broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The collection comprises of 150, 000+ hours of high quality broadcast imagery, mostly shot on 4K, 200 fps slow motion, Full HD, HDCAM 1080i High Definition, Alexa and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world...
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Last November, a painting said to be a lost work of Leonardo da Vinci went on sale at Christie’s New York. The work, “Salvator Mundi,” depicts Christ holding a crystal sphere in his left hand and offering a benediction with his right. Bidding started with a guaranteed lowest bid of $100 million; 19 minutes later, it sold for $450,312,500 — becoming the most expensive painting ever sold.
Salvator Mundi literally means “Savior of the World,” and it’s believed to be one of fewer than 20 da Vinci paintings in existence. But while a chorus of scholars have attested to its genuineness, not everyone is convinced it's a Leonardo original.
Among the skeptics is New York Magazine and Vulture’s senior art critic Jerry Saltz. He claims that the style of the work doesn’t make sense, given the artistic historical context in which it was painted. With up-and-coming art stars like Michaelangelo and Bottacelli nipping at his heels, da Vinci would be embarrassed to revert to old-fashioned Byzantine portraiture at that point in his career, Saltz asserts. He says the style of the painting instead suggests it probably was made by a da Vinci pupil.
"The second I saw Salvator Mundi in the flesh, I knew it was dead," Saltz told VICE News. "In his entire life, Leonardo never painted anybody dead-on with their chest directly on this way."
The painting also has a muddled background.
After going missing for 150 years, it suddenly appeared in 1958, when it was bought for $60 from Christie’s. At the time, it was believed to have been the work of Giovanni Boltraffio, a painter in Leonardo’s studio. New York art dealer Alexander Parish purchased it in 2005, and in 2008, it was authenticated as a real da Vinci by experts using a host of scientific methods.
In 2013, the painting was sold in Paris for somewhere between $75 and $80 million to Yves Bouvier, who sold it for $127.5 million to Russian billionaire Dimitry Rybololev. Rybololev flipped it in 2017 for $450 million, with Christie’s overseeing the sale to Abu Dhabi’s Department of Culture and Tourism.
But after several planned unveilings, the Lourve Abu Dhabi has so far declined to display Salvator Mundi — or even confirm its whereabouts.
Jerry Saltz explained to VICE News why he thinks the most expensive painting in the world has never been seen by the world.
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