Gabriel Mindel Salomanhttp://www.sfbg.com/category/572/0
enDark days, indeedhttp://www.sfbg.com/2008/03/19/dark-days-indeed
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<p><P>It used to be that staying up late was a real form of rebellion. An easy test of parental authority for kids, the act takes on an almost anti-capitalist character for young adults. After all, so-called nightlife doesn't even begin until the 9-to-5 business day has locked its doors. Yet Capital has caught on, and it's hard not to see the slippery transition from Happy Hour to late-night diner as just another set of cogs on the gear. <span class="read-more"><a href="/2008/03/19/dark-days-indeed"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 25Gabriel Mindel SalomanWed, 19 Mar 2008 08:19:29 +0000admin6607 at http://www.sfbg.comDark days, indeedhttp://www.sfbg.com/2008/03/19/dark-days-indeed
<p><!--paging_filter--> <P>&rsaquo; a&amp;eletters@sfbg.com
</p>
<p><P>It used to be that staying up late was a real form of rebellion. An easy test of parental authority for kids, the act takes on an almost anti-capitalist character for young adults. After all, so-called nightlife doesn't even begin until the 9-to-5 business day has locked its doors. Yet Capital has caught on, and it's hard not to see the slippery transition from Happy Hour to late-night diner as just another set of cogs on the gear. <span class="read-more"><a href="/2008/03/19/dark-days-indeed"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 25Gabriel Mindel SalomanWed, 19 Mar 2008 08:19:29 +0000admin6607 at http://www.sfbg.comDark days, indeedhttp://www.sfbg.com/2008/03/19/dark-days-indeed
<p><!--paging_filter--> <P>&rsaquo; a&amp;eletters@sfbg.com
</p>
<p><P>It used to be that staying up late was a real form of rebellion. An easy test of parental authority for kids, the act takes on an almost anti-capitalist character for young adults. After all, so-called nightlife doesn't even begin until the 9-to-5 business day has locked its doors. Yet Capital has caught on, and it's hard not to see the slippery transition from Happy Hour to late-night diner as just another set of cogs on the gear. <span class="read-more"><a href="/2008/03/19/dark-days-indeed"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 25Gabriel Mindel SalomanWed, 19 Mar 2008 08:19:29 +0000admin6607 at http://www.sfbg.comDark days, indeedhttp://www.sfbg.com/2008/03/19/dark-days-indeed
<p><!--paging_filter--> <P>&rsaquo; a&amp;eletters@sfbg.com
</p>
<p><P>It used to be that staying up late was a real form of rebellion. An easy test of parental authority for kids, the act takes on an almost anti-capitalist character for young adults. After all, so-called nightlife doesn't even begin until the 9-to-5 business day has locked its doors. Yet Capital has caught on, and it's hard not to see the slippery transition from Happy Hour to late-night diner as just another set of cogs on the gear. <span class="read-more"><a href="/2008/03/19/dark-days-indeed"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 25Gabriel Mindel SalomanWed, 19 Mar 2008 08:19:29 +0000admin6607 at http://www.sfbg.comYear in Music: Long walk homehttp://www.sfbg.com/2007/12/12/year-music-long-walk-home
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<p> Reconnecting with the Boss </p>
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<p><!--paging_filter--> <P>&rsaquo; a&amp;eletters@sfbg.com
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<p><P>Years ago I ended up at a San Francisco Water Department dinner with my father and an old neighborhood friend, eating in the back hall of a half-century-old Italian restaurant in the Excelsior. The room spilled over with thick-armed men who were union, white, and not bad-off and from whom I learned a thing or two about old San Francisco family names and accents that tell you if someone is from the Richmond, the old Castro, or Balboa. <span class="read-more"><a href="/2007/12/12/year-music-long-walk-home"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 11Gabriel Mindel SalomanWed, 12 Dec 2007 12:26:05 +0000admin6161 at http://www.sfbg.comYear in Music: Long walk homehttp://www.sfbg.com/2007/12/12/year-music-long-walk-home
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<p> Reconnecting with the Boss </p>
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</div>
<p><!--paging_filter--> <P>&rsaquo; a&amp;eletters@sfbg.com
</p>
<p><P>Years ago I ended up at a San Francisco Water Department dinner with my father and an old neighborhood friend, eating in the back hall of a half-century-old Italian restaurant in the Excelsior. The room spilled over with thick-armed men who were union, white, and not bad-off and from whom I learned a thing or two about old San Francisco family names and accents that tell you if someone is from the Richmond, the old Castro, or Balboa. <span class="read-more"><a href="/2007/12/12/year-music-long-walk-home"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 11Gabriel Mindel SalomanWed, 12 Dec 2007 12:26:05 +0000admin6161 at http://www.sfbg.comYear in Music: Long walk homehttp://www.sfbg.com/2007/12/12/year-music-long-walk-home
<div class="field field-type-text field-field-sub-head">
<div class="field-items">
<div class="field-item odd">
<p> Reconnecting with the Boss </p>
</div>
</div>
</div>
<p><!--paging_filter--> <P>&rsaquo; a&amp;eletters@sfbg.com
</p>
<p><P>Years ago I ended up at a San Francisco Water Department dinner with my father and an old neighborhood friend, eating in the back hall of a half-century-old Italian restaurant in the Excelsior. The room spilled over with thick-armed men who were union, white, and not bad-off and from whom I learned a thing or two about old San Francisco family names and accents that tell you if someone is from the Richmond, the old Castro, or Balboa. <span class="read-more"><a href="/2007/12/12/year-music-long-walk-home"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 11Gabriel Mindel SalomanWed, 12 Dec 2007 12:26:05 +0000admin6161 at http://www.sfbg.comYear in Music: Long walk homehttp://www.sfbg.com/2007/12/12/year-music-long-walk-home
<div class="field field-type-text field-field-sub-head">
<div class="field-items">
<div class="field-item odd">
<p> Reconnecting with the Boss </p>
</div>
</div>
</div>
<p><!--paging_filter--> <P>&rsaquo; a&amp;eletters@sfbg.com
</p>
<p><P>Years ago I ended up at a San Francisco Water Department dinner with my father and an old neighborhood friend, eating in the back hall of a half-century-old Italian restaurant in the Excelsior. The room spilled over with thick-armed men who were union, white, and not bad-off and from whom I learned a thing or two about old San Francisco family names and accents that tell you if someone is from the Richmond, the old Castro, or Balboa. <span class="read-more"><a href="/2007/12/12/year-music-long-walk-home"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 42, Issue 11Gabriel Mindel SalomanWed, 12 Dec 2007 12:26:05 +0000admin6161 at http://www.sfbg.comBitch's brewhttp://www.sfbg.com/2006/08/02/bitchs-brew
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<p> All women, all noise - meet 16 Bitch Pile-Up </p>
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<p><!--paging_filter--> › a&amp;eletters@sfbg.com<br />
San Francisco is full of a bunch of pussies. I'm sorry, it's not that I want to say these things. I feel strongly that a woman's vagina should never be used to describe something weak or negative. In fact I tend to correct people who use that word in such a way, being that I am shamelessly p.c. <span class="read-more"><a href="/2006/08/02/bitchs-brew"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 40, Issue 44Gabriel Mindel SalomanWed, 02 Aug 2006 05:01:03 +0000admin3889 at http://www.sfbg.comBitch's brewhttp://www.sfbg.com/2006/08/02/bitchs-brew
<div class="field field-type-text field-field-sub-head">
<div class="field-items">
<div class="field-item odd">
<p> All women, all noise - meet 16 Bitch Pile-Up </p>
</div>
</div>
</div>
<p><!--paging_filter--> › a&amp;eletters@sfbg.com<br />
San Francisco is full of a bunch of pussies. I'm sorry, it's not that I want to say these things. I feel strongly that a woman's vagina should never be used to describe something weak or negative. In fact I tend to correct people who use that word in such a way, being that I am shamelessly p.c. <span class="read-more"><a href="/2006/08/02/bitchs-brew"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 40, Issue 44Gabriel Mindel SalomanWed, 02 Aug 2006 05:01:03 +0000admin3889 at http://www.sfbg.comBitch's brewhttp://www.sfbg.com/2006/08/02/bitchs-brew
<div class="field field-type-text field-field-sub-head">
<div class="field-items">
<div class="field-item odd">
<p> All women, all noise - meet 16 Bitch Pile-Up </p>
</div>
</div>
</div>
<p><!--paging_filter--> › a&amp;eletters@sfbg.com<br />
San Francisco is full of a bunch of pussies. I'm sorry, it's not that I want to say these things. I feel strongly that a woman's vagina should never be used to describe something weak or negative. In fact I tend to correct people who use that word in such a way, being that I am shamelessly p.c. <span class="read-more"><a href="/2006/08/02/bitchs-brew"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 40, Issue 44Gabriel Mindel SalomanWed, 02 Aug 2006 05:01:03 +0000admin3889 at http://www.sfbg.comBitch's brewhttp://www.sfbg.com/2006/08/02/bitchs-brew
<div class="field field-type-text field-field-sub-head">
<div class="field-items">
<div class="field-item odd">
<p> All women, all noise - meet 16 Bitch Pile-Up </p>
</div>
</div>
</div>
<p><!--paging_filter--> › a&amp;eletters@sfbg.com<br />
San Francisco is full of a bunch of pussies. I'm sorry, it's not that I want to say these things. I feel strongly that a woman's vagina should never be used to describe something weak or negative. In fact I tend to correct people who use that word in such a way, being that I am shamelessly p.c. <span class="read-more"><a href="/2006/08/02/bitchs-brew"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 40, Issue 44Gabriel Mindel SalomanWed, 02 Aug 2006 05:01:03 +0000admin3889 at http://www.sfbg.comCan't, she saidhttp://www.sfbg.com/2006/05/09/cant-she-said
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<p> Noise artist Jessica Rylan projects her feminine might </p>
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<p><!--paging_filter--> &rsaquo; a&amp;eletters@sfbg.com<br />
<p class="abodynoind">It would be hard to imagine a more painfully ironic moniker than Can't. It's a name of self-negation, self-defense, and self-defiance. A name that instantly speaks of limitation and deprivation, it revels in its view of the personal-as-political prisoner. The social constraints of gender, sex, love, genre, freedom, and artistic and financial success all hang off of that name like handcuffs on a policeman's belt. <span class="read-more"><a href="/2006/05/09/cant-she-said"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 40, Issue 32Gabriel Mindel SalomanTue, 09 May 2006 21:19:17 +0000admin3571 at http://www.sfbg.comCan't, she saidhttp://www.sfbg.com/2006/05/09/cant-she-said
<div class="field field-type-text field-field-sub-head">
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<p> Noise artist Jessica Rylan projects her feminine might </p>
</div>
</div>
</div>
<p><!--paging_filter--> &rsaquo; a&amp;eletters@sfbg.com<br />
<p class="abodynoind">It would be hard to imagine a more painfully ironic moniker than Can't. It's a name of self-negation, self-defense, and self-defiance. A name that instantly speaks of limitation and deprivation, it revels in its view of the personal-as-political prisoner. The social constraints of gender, sex, love, genre, freedom, and artistic and financial success all hang off of that name like handcuffs on a policeman's belt. <span class="read-more"><a href="/2006/05/09/cant-she-said"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 40, Issue 32Gabriel Mindel SalomanTue, 09 May 2006 21:19:17 +0000admin3571 at http://www.sfbg.comCan't, she saidhttp://www.sfbg.com/2006/05/09/cant-she-said
<div class="field field-type-text field-field-sub-head">
<div class="field-items">
<div class="field-item odd">
<p> Noise artist Jessica Rylan projects her feminine might </p>
</div>
</div>
</div>
<p><!--paging_filter--> &rsaquo; a&amp;eletters@sfbg.com<br />
<p class="abodynoind">It would be hard to imagine a more painfully ironic moniker than Can't. It's a name of self-negation, self-defense, and self-defiance. A name that instantly speaks of limitation and deprivation, it revels in its view of the personal-as-political prisoner. The social constraints of gender, sex, love, genre, freedom, and artistic and financial success all hang off of that name like handcuffs on a policeman's belt. <span class="read-more"><a href="/2006/05/09/cant-she-said"><strong>Read more &raquo;</strong></a></span></p>
Music FeaturesMusicVolume 40, Issue 32Gabriel Mindel SalomanTue, 09 May 2006 21:19:17 +0000admin3571 at http://www.sfbg.com