Angels with Dirty Faces was famously parodied in the Home Alone franchise as Angels with Filthy Souls, an old violent crime film with an outrageous title that the young protagonist Kevin McCallister watches when his parents are out of town. If you have seen one of the Home Alone movies, you might think that violence and the glorification of the gangster are the defining features of the parody noir’s source material. Yet while Angels with Dirty Faces does depict violence and crime, the movie nevertheless features a complex ending that undermines its gangster protagonist’s rebellious, law-breaking streak, making him appear cowardly and weak. It is an essential … Read the rest

Mildred Pierce is equal parts entrepreneurial narrative, film noir, and melodrama. In some regards, it is an earnestly liberal tale about a hard-working woman who divorces, establishes her own business, and becomes a restaurant mogul. But it is also a lurid and somewhat punishing soap opera about her downfall, which is intertwined with and inseparable from her devotion to her evil young daughter Veda. In the end, in order to get its point across, the movie relies on a fairly conservative understanding of rightful social order and … Read the rest

I am constantly amused by how warmly and universally well-received by general audiences Casablanca is—not because I think it deserves otherwise, but rather because it is difficult for any film to endure for so long in the mind of the public at large as an unequivocal classic, and not just as a classic among many, but to many people the definitive classic film. And yet the same people go to such great lengths to diminish it while they praise it, asserting that it was merely a B movie (it was not), or that it was only one of hundreds of films produced that year … Read the rest