As Carol A. Wells sees it, “The best posters are powerful and influential. The worst are quickly forgotten.” Wells is an art historian and curator who also oversees the largest collection of socially engaged post-WWII graphics in the U.S. And she’s one of seven design experts who curated Serigrafía, a survey of posters that...

Are editorial decisions really censorship? When I discussed the issue with Ted Rall, America’s most widely read alternative editorial cartoonist, he was unequivocal: “To edit is to censor. It’s true. Look it up in the dictionary.” And thus, his latest blog column headline is “I have been censored by Daily Kos.” I recommend that you...

Read the Interview column, “The World Reimagined” with photographer Lori Nix. Written by Karli Petrovic, this is only one of the articles in the new August 2013 issue of Print. Be sure to pick up a copy of Print’s Photography issue today to engage with current trends and issues in the field. Photographer Lori...

Read “Interview: Skyping with Noma Bar” written by Buzz Poole from the June 2013 issue of Print. The prolific designer and illustrator shares his process for incorporating color into his work. Pick up your copy of The Color Issue to read even more about color! Even if you’ve never seen one of Noma Bar’s...

We see deeply disturbing images in dark, murky colors: guns pointing at heads, children strung up by their feet, abandoned eyeglasses lying twisted in a void. Eventually, we come to a factory billowing smoke: the crematorium at Auschwitz. They’re from a series of 20 hand-colored etchings, titled “German Humor.” And they’re by Robert Andrew...

By day, Janet Klein is a printing industry representative and sidekick to world-class designers and art institutions. By night—and on weekends—she’s a uke-playing chanteuse. And here in Los Angeles she’s a legend among aficionados of early 1900s ditties, and vintage design. Accompanied by Ian “You Turn Me On” Whitcomb and her other “Parlor Boys,”...

As the Tea Party and Occupy movements fade from the political scene, anarchy is still visible . . . well, its graphics are, anyway. In England, Autonomy: The Cover Designs of Anarchy, 1961–1970 just hit the streets. And PM Press is singlehandedly keeping anarchy alive with an impressive catalog of revolutionary fare that covers...

Meaghan O’Keefe is among her people. She’s in a comics shop in Burbank, California, at a release party for her first graphic novel, a dark terror tale titled Identity Thief, written by Bryant Dillon. Most of the crowd are wearing goth black. A few are sporting Mohawks, including her boyfriend, Robert Burrows. Burrows illustrated...