We publish music for chamber ensembles which are both original and arrangements
based on compositions of major composers.
While we specialize in writing for brass with an emphasis on the brass quintet,
you will find works for a variety of instrumentations in ensemble and solo
settings.
Our music is different in the respect that we like to present the chamber ensemble
with large-scale works originally written for the full symphony.
We invite you to review our catalog and select music that will be suitable to
your performance.
A free score is available on the link to the left to introduce you to our music.

2 B-flat (or C) Trumpets, Horn, Trombone, Tuba and Organ (w opt. timpani). This 3 movement symphony is a tour de force that perfectly blends the sound of brass and organ. Based on the original for organ and orchestra, the organ part is unchanged. Wow!

Soprano, Strings, and continuo. Vivaldi`s setting of Nisi Dominus (Psalm 126 in the Vulgate) dates from fairly early on his career. The Cum dederit is written in the slow Siciliana style with chromatically ascending lines that he used to convey sleep.

2 Trumpets, Horn, Trombone, Tuba, Organ (opt. Timpani). Hosanna is a traditional canticle from the Moravian liturgy, often sung Palm Sunday, Advent and Christmas. Brass and organ are antiphonal, but unite for the 5-part Chorus based on the same hymn-tune.

2 Trumpets (Bb or C), Horn, Trombone, Tuba and Organ. Ravel wrote the Pavan when he was only 24, but it already had the unmistakable sound of impressionism which would become his musical style. Pavane is deceptively simple, yet moving. Très beau!

2 Bb or C Trumpets, Horn, Trombone, Tuba, Organ, opt. Timpani. This symphony is commonly called the `Reformation` due to its use of the `Dresden Amen` and the chorale `Ein feste burg` (A Mighty Fortress). Perfect for a concert or any church service.

3 Trumpets, 2 Horns, 2 Trombones, and Tuba. A nice antiphonal piece for brass taken from the Credo of the Tridentine Mass. The cadences allow for long pauses to let any natural reverb envelop the chord. Should be performed in a huge church or hall.