gabalgabow:
The new GLAUKOM SYNOD tape, as well as older Glaukom releases, are now available on the new VISCERAL CIRCUITRY Webshop : http://visc.tictail.com

Check it out for industrial, grindcore, noise and experimental stuffs at cheap prices.

New reviews also appeared:

LORDS OF METAL Webzine (Hol)Spread The Sickness !! That is what it says on the Facebook page of Glaukom Synod, a French industrial metal / grindcore band that has been defying the ears of many listeners since 2005. It's weird music which is made here. A lot of electronics, with grunts and sampled guitars that are repeated in loops. Even the well-known call of Tarzan undergoes a treatment 'Jungle Fever Glaukom'. Is all this something for a metal magazine, I hear you ask? Maybe, maybe not. The discussion can be held indefinitely, like who should and should not be in the Dutch national football team. Fact is that this subsonic attack is much heavier than what Metallica and Megadeth have produced in recent years, so based on that criterion, I say yes, it belongs here. A brave metalhead indeed to take this challenge. Berto. 75/100

MOURNING THE ANCIENT Webzine (Usa)Glaukom Synod are bizarre electronic industrial. Like all ambient/industrial music you have to be in the right mood for this. You have to be able to let the music take you into a trance like state. Only then can you really judge if it fulfills or falls short. First, how to describe this band? Well, it has a very insane and aggressive feel. Pounding electronic drums, unrelenting beats and odd sounds/samples give it flesh, while a sheer insanity are its soul. Its noisy, driving melodies are like a stabbing madness. It's something to behold, I think I may have lost my mind for a second or two while listening. Sanity is overrated anyway! I liked this and would really like to hear a track with some kind of vocals.

METAL REVOLUTION Webzine (Hol)Now, I will be the first to admit that the whole Electro scene is far from anything that I can relate to, or even enjoy. As such, it is very hard for me to find anything good or interesting to say about a release like Vampires and Gorgeous Throats. It is labelled as being ‘Dark Electro’ which, upon closer inspection, apparently translates as several sounds and melodies-turned-onslaught through the use of 16 bit software. It contains seven tracks which cover roughly fifteen minutes of, for me, completely indeterminable sounds. Definitely not something I would recommend – But then again, I am far from a fan of the genre. Brian