Top 11 Lost Scenes

“Penny, you answered.” This scene will never lose its resonance. It is a triumvrate of acting, dialogue and editing perfection. By the end of the phone call it’s not even a conversation anymore, they are each completing the same sentence. Phenomenal. Desmond and Penny’s expression of their devotion to each other across life and time is the essence of Lost.

3. The open (The Pilot, Part 1)

Where Desmond and Penny’s phone call represents the emotion of Lost, the opening scene represents the action. Jack waking up in the jungle, sprinting across strewn wreckage and directing total strangers in the midst of the chaos of a plane crash established his character and the foundation for the next six seasons, all in one scene.

“She means nothing to me.” All of these scenes are marked by great acting, but none more so than Michael Emerson’s cold renouncement of Alex as his daughter followed by his utter shock at watching Keamy murder her right in front of him. In four minutes it sums up Ben’s entire character, good, bad and evil.

“It’s been six days, we’re all still waiting.” This scene represents Jack becoming the official leader of the survivors, but it also marks their transition from plane crash survivors to island inhabitants. It was a major turning point in the show. And it’s just a good speech.

“No, that’s not how you know me.” This scene fell right as you started to realize what was happening in the finale. Kate and Jack are the central love story, waking up to the fact that Kate lived the entire rest of her life knowing she left Jack to die on the island packed a heart-wrenching punch and starts Jack’s path to the church.

“This is my destiny!” It’s hard to tell what made John Locke more beloved: His character or Terry O’Quinn being fricking amazing. Learning that Locke couldn’t walk when he boarded Flight 815 and seeing O’Quinn’s stunning performance as Locke saw his toes move and stood on his legs for the first time in four years on the beach after the crash has to be on every all-time Lost highlight reel.

The only scene on the list without dialogue. It didn’t need it. Not Penny’s boat came to signify Charlie’s death – self sacrifice – so his friends could have a chance to leave the island. The still shot of Charlie’s hand against the window is one of the – I hate this term – iconic shots from the series. Charlie blessing himself beautifully reveals his character.

“You ever been to Jasper, Alabama?” This scene makes the list because of its relevance to Sawyer’s character and its sheer intensity. Sawyer funneled his entire life’s anger and frustration into one violent strangulation of the man who killed his parents. The other Sawyer’s realization of who was confronting him, why and what was about to happen to him was wonderfully arrogant, revealing the darkness that marked both Sawyers. Locke’s manipulation permeating the entire set up made this a great and important moment.

“Wake up, Charles.” This was the first real look at the rivalry and hatred between Ben Linus and Charles Widmore. The scene was brilliantly constructed: Ben, wearing a dark suit, confronts Widmore in the middle of the night. Each of their faces only half visible because of the darkness, Ben laid bare his intention to exact revenge by murdering Widmore’s daughter while Widmore promised to reclaim the island Ben took from him. It’s one of those scenes you watch and when it’s over you think, “These two just made shit real.”

“I won’t leave you.” Where the phone call in The Constant made viewers happy, Sun and Jin’s final living scene is unfathomably sad. They were a couple whose lives and everyone in them tried to keep apart. Jin let himself be separated from Sun once and he simply would not do it again, even if it meant dying together in the submarine. Even if it meant orphaning the daughter he only saw in photos on Sun’s camera. The underwater shot of their hands slipping apart and drifting away from each other is heartbreaking.

“I got you.” This is one of those scenes that draws you to the edge of your chair and, without realizing it, makes you so tense that you simply stop breathing. When Juliet finally detonated Jughead it actually felt like being physically kicked in the chest. I have no idea how they did that. This scene ranks first because it had everything: It was Josh Holloway’s best scene, the determination to not let go of Juliet’s arm, the pain on his face knowing that he would have to and the insistence he put in his voice that he wouldn’t let it happen embodied every part of the good in Sawyer. It carried and emotional intensity like no other scene, and it came at a critical point in a critical episode for the entire story. The agony of this scene absolutely bought their reunion at the candy machine in the finale, which I remember as simply “You got it, blondie.” This scene was as good as television and gets.