LOLLY by Donald DeweyBarbara goes to Leo's Doll Repair store to get the eyes changed on her doll. When the mysterious --- and mysteriously aggressive --- Leo asks her why, she says it's because she wants to pass the doll on to her daughter and have the girl's doll see different things than her mother's has. Before she knows it, Leo has her revealing some of those things, and not merely for therapeutic purposes.

SELDOM IS HEARD by Mary SteelsmithA woman whose husband newly returned from combat in Afghanistan, copes with his I.E.D.-caused head injury. battles a local kind of terrorist, the pink suited president of their local Neighborhood Restoration Association (N.R.A.)

CAST AND CREWMelissa Bair as HannaJennifer Feather Youngblood as MarilynVince Reese as Ivan

THERE IS NO GOOD NEWS by Quentin JamesJerry, Carmichael, and Paul. Three grown men running in the desert. With them a caboodle of other inspired and unheralded runners trudging their lives behind them in their wake. How long they’ve been running is too long for their comfort. To where they are running they have no idea. The reason they are running is beyond their comprehension. They are tired, stinky, and confused; yet the only thing that they are certain of is that they all must keep going.

CAST AND CREWAndy Batt as JerryBrendan Michna as CarmichaelDavid Thonnings as Paul

Directed by Nikki Smith

THE MEETING by Greg FreierA small group of corporate executives attempt to disavow themselves from their own ineptness in a nonsensical, gibberish induced forum and arrive at the only logical conclusion they can deduce: violent incompetence.CAST AND CREWVicki Andronis as JenkinsSarah Brunet as DibbleJosh Kessler as PorterErin Prosser as Smith

Directed by Peter Graybeal

THIS ALMOST JOY by Barbara LindsayFriendly Professor Hart-Meadows, an actor in what he believes is a rather dull play, decides to speak directly to the audience, engaging them in a conversation about the nature of reality. This is upsetting for the other characters in the play, Sylvia and Bradley, for whom the play is the real world. The confrontation intensifies as Sylvia and Bradley’s desire to save Prof. Hart-Meadows from madness bumps up against the Professor’s insistence on his own truth.