Midtwenties Theatre Society goes Above The Hospital

photo: Chris Cho

Midtwenties Theatre Society and Red Gates Art Society present the new play Above The Hospital, until January 21st at Red Gates Review Stage on Granville Island. The new production is the first written by director Beau Han Bridge, founder of Midtwenties Theatre Society.

As with Midtwenties Theatre Society’s debut, This Is Our Youth, Beau Han Bridge continues with millennial themes in Above The Hospital. This time a young couple are forced to take a hard look at their lives and choices that come from choosing to live in expensive Vancouver. As much about aspirations as broken dreams, Above The Hospital demonstrates how the frustration of living on a thread of a budget can bubble over into anger and anxiety.

Cameron & LaurenPhoto: Chris Cho

While those of us not of this generation may not relate to everything the young characters are going through, we’ve all harboured youthful hopes and dreams. The cast of Above The Hospital seemingly represent all the stages of youth; Cameron is dreaming of being a recording star, girlfriend Lauren is the practical one, friend Abbey is a slightly flighty earth mother, artist Bo is the success story, and young Michael is the ‘baby’ of the group.

The bones of Beau Han Bridge’s story show the potential in the young playwright’s ability, telling ‘millennial’ stories without being prejudged by or alienating other demographics is a delicate balance.

The 75 minute first act starts slowly but builds and reaches a dramatic climax but the 20 minute second act, acting as an epilogue to the main act, feels a bit rushed and leaves just as much unanswered as answered. In the production we watched, most of the performances were strong especially from Mira Maschmeyer (Lauren) who carries a lot of dialogue, delivered with clarity and emotion and Zack Currie (Bo) who again demonstrates the strength he showed as a lead in This Is Our Youth. Aaron Paul Stewart brings a surprising amount of character to role of Michael in spite of few lines. Tristan Smith’s Cameron gives a taste of actor’s singing abilities but his delivery of his ample dialogue pales when opposite Maschmeyer’s Lauren. Oftentimes, Smith cannot be heard clearly or at all, as he spends much of the show facing the back of the stage, and the rest of the time is smoking. On opening night, Smith appeared to forget his lines, Mira and he cover this flub well enough to make us wonder if it scripted or not, showing how comfortable they are becoming in the characters. The rest of the cast appeared equally comfortable with their characters, however, with such rapid-fire dialogue the actor’s enunciation plays a vital role in their role. Nadya Debogorski’s Abbey suffered from such fast-paced speech that she seemed to speak over herself. Being so hard to understand, the character fell to the wayside especially being paired with the charismatic Zack Currie’s Bo as her boyfriend. Overall, Above The Hospital, is a slice of life in Vancouver that’s sure to resonate with many locals who will enjoy the inside jokes and digs at the city’s pros and cons.