carpenters workshop gallery was founded by julien lombrail and loic le gaillard. the gallery focuses on producing and exhibiting functional sculptures by international, rising and already established creatives working outside of the traditional territories of expression. carpenters workshop gallery collaborates with artists and designers such as maarten baas, andrea branzi, humberto and fernando campana, nacho carbonell, mathieu lehanneur, nendo, and studio job, to name a few; and is actively involved in the research and production of the limited edition works it showcases.

tomas gabzdil libertiny: unbearable lightness

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during design miami / basel 2010, carpenters workshop gallery (london) presented ‘unbearable lightness’ by dutch designer tomáš gabzdil libertiny. suspended on four chains and a hook, the small cabinet is a clean-room unit that has been built from custom aluminium profiles, glass sheets and plastic inserts, elements which are typically used in the automation industry.

for this specific event, the base plate of the glass was cut with a queen restrictor mesh.over the course of the fair, 40 000 worker bees were released into the case to complete a wax honeycomb structure over the figure of a martyred christ rising out of the chaos, his weight seeming to be upheld by the mass strength of the swarm. the artist managed to gain complete control over the bees and lure them to construct their hive precisely over the figure within the vitrine that is made of a laser sintered framework. the industrious bees created a honeycomb skin over the figure before filling each cell with the honey they produce. then bees worked to remove the honey from the cells and return it to the beehive, cleaning the martyred christ back to the wax cells they originally created.

bees hard at work on the figure of the martyred christ image courtesy of carpenters workshop gallery

libertiny’s allegory engages us with his desire to manipulate and control a social wild-life entity as the means to fulfilling the final product. here the bees, engaging in their repetitive natural process while unknowingly creating the world’s most recognized religious effigy. the suspended closed cabinet references the strict boundaries of society where the toil of everyday duty is masked by the hope of eternal rest in an afterlife promised by the believer. the bees are programmed to act for their queen who puppet-rules for libertiny. the viewer is able to recognize this element of manipulation of the bees while ignorant to the invisible constraints and measures imposed on our own existence. initially, tomáš introduced a natural red pigment into the mold which bees spread evenly across the whole figure. the red relates to blood and flesh and is also the only color in the visible spectrum that bees do not see.

the honeycomb skin the bees created image courtesy of carpenters workshop gallery

awful. arrogant. anthropocentric. messianic. messy and nix. ‘ideas’ themselves are boring now -thanks to the marketing of cleverness in art (the idiot child of conceptual art). especially offensive are ‘ideas’ that exploit other creatures, even other species, and basically enslave them into performing a shallow, flaccid, self promoting art production. bees, mold, flies, trees, pollen, hundreds of naked people.. all the same

in this case it’s proof positive that bees are better architects, artists, designers, crafters, cooks, material developers etc, than any human. they only seem to lack the capacity to strike, to refuse to go to work

Sorry, I admire the creativity but it leaves a lump in my stomach considering the plight of honey bees (especially in the USA) as a result of man’s manipulation of their immune system (for profit, what’s new?) and the very real possibility of their extinction and ensuing consequences for mankind. Or haven’t you heard?

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