On Monday of this week the University of Nebraska Press released my book Education beyond the Mesas. My book examines the Hopi experience at Sherman Institute in Riverside, California, from 1902 to 1929. It is a story of resistance, accommodation, and ways Hopi pupils navigated within their village communities, U.S. government policies, and an institution that was designed to destroy their identities as American Indian people. Furthermore, my book is a story of agency, and it demonstrates how Hopi students used their culture to succeed at school, and examines the challenges the pupils faced when they returned to their homes on the reservation.

Thirty one years ago historian David Wallace Adams remarked that a “ study on the federal Indian boarding school system does not exist.” Today the field of Indian boarding schools has grown substantially with contributions from scholars such as Adams, K. Tsianina Lomawaima, Brenda Child, Clyde Ellis, and many others. Recent studies have focused on Indian health, literature, education policies, and the ways Indian pupils “turned the power” at schools originally designed to destroy American Indian cultures. A term used by historians Clifford E. Trafzer, Jean Keller, and Lorene Sisquoc, “turning the power” describes the ability of Native students to turn their educational experiences to their advantage, which often included bringing helpful knowledge and skills back to their indigenous communities.

In my book I examine the ways Hopis “turned the power” at Sherman Institute, and I build upon the work of several scholars including those who have written about the mandatory enrollment of Hopi students at U.S. government schools. While many books on Indian boarding schools examine the experiences of Native students who came from several communities, Education beyond the Mesas is a community specific book that seeks to understand the Hopi experience at Sherman Institute through a Hopi historical and cultural framework. In the book’s Introduction, I argue that a community specific book on the Hopi places

the history and culture of the Hopi people at the focal point of the narrative. It asks how a student’s culture and tribal history influenced their experience at an Indian school, and builds upon the contributions of other scholars to uncover the complex ways that Hopi history and culture intersected with U.S. government policies. Apart from providing the reader with a historical narrative, this book challenges the notion that a study on the Indian boarding school experience must be understood primarily through a defined framework of Indian education policies. Community-specific books begin with the history and culture of Native people and attempt to determine how students understood their unique experiences at Indian boarding schools as Zunis, Navajos, Apaches, or other Indian people. [Education beyond the Mesas, p. xxix]

I would not have been able to complete this book without the help and support of many individuals. I am especially thankful to my wife, Kylene, and our daughters Hannah, Meaghan and Noelle, and other family members. My colleagues at the University of Illinois, in both the American Indian Studies Program and the Department of History, have provided me with tremendous support since I arrived at Illinois in Fall 2006.

I further extend appreciation to the Hopi Cultural Preservation Office, the Hopi Education Endowment Fund, and the Hopi Tribe Grants and Scholarship Program who so generously made available resources for me to pursue an education beyond the mesas. There are also many Hopi and non-Hopi scholars, students, and community members who have helped and encouraged me along the way, which includes the incredible editorial staff at the University of Nebraska Press. Finally, I wish to acknowledge my grandfather, Victor Sakiestewa, Sr. from Upper Moencopi, who gave me the inspiration and reason to write on his alma mater, “dear ole Sherman.”

If you are planning on watching the film on-line, remember to account for the different time zones. The above showings are listed in Central Standard Time (CST)

Beyond the Mesas Trailer

About the film:

Directed by Emmy Award winning director, Allan Holzman, and produced by Leigh J. Kuwanwisiwma, Stewart B. Koyiyumptewa, Matthew Sakiestewa Gilbert, and Gerald Eichner, Beyond the Mesas is a thirty-six minute documentary film on the removal of Hopis to on and off-reservation boarding schools and their experiences at schools such as Sherman Institute, Phoenix Indian School, Ganado Mission School, and Stewart Indian School. Topics covered in the film include Hopi understandings of education, early U.S. government attempts to assimilate Hopis, the Orayvi Split, Hopi language loss at American schools, and the future of the Hopi people. Produced with the cooperation and involvement of the Hopi Cultural Preservation Office in Kykotsmovi, Arizona, Beyond the Mesas is part I of a series of films on children and American Indian culture titled “Keeping the Culture Alive.”

The first public showing of the film was at the Hotevilla Bacavi Community School on the Hopi Reservation on November 8, 2006. Shortly afterwards, the Applied Indigenous Studies Department at Northern Arizona University and the Hopi Cultural Preservation Office hosted a screening at the Cline Library auditorium. Since November 2006, official screenings have taken place at other universities and schools, including the University of Illinois, University of California, Riverside, Cornell University, and Sherman Indian High School. The film has aired on several regional PBS stations throughout the United States.

The Hopi of northeastern Arizona are among the most researched indigenous people groups in North America. Over the years anthropologists, historians, psychologists, ethnographers and many others have conducted research on the Hopi Reservation. Their scholarship has appeared in journals, books, internet websites, and even films. Some of these scholars collaborated with Hopi people, followed research protocols established by the Hopi Tribe, and sought ways to give back to the Hopi community. Others did not. But the purpose of today’s post is not for me to write about people who have exploited Hopis of their intellectual property or conducted research on the reservation without permission from the Hopi Tribe. Instead I want to introduce you to someone whom I believe has done the complete opposite.

While a graduate student in the Arts Administration program at Columbia University, Trevor Reed from the Hopi village of Hotevilla developed a research project called the “Hopi Music Repatriation Project” (HMRP). This project focuses on field recordings of Hopi songs that ethnomusicologists conducted during the 1930s and 1940s. The recordings are now archived at Columbia University’s Center for Ethnomusicology. As Reed points out on his blog Hopi Music Repatriation Project: “On one hand, these recordings are invaluable research tools for ethnomusicologists, anthropologists, and for the American public, who ideally should be educated in the indigenous heritage of the land on which they live. On the other hand, the recordings are an important link to Hopi past and identity, and contain highly sensitive material.” So what are the questions that this project seeks to answer? Again, Reed notes: “based on Hopi and U.S. concepts of intellectual property, to whom do these recordings rightfully belong and what should be done with them?”

I urge you to visit Reed’s blogand learn more about this important project. His current post, “Repatriation Initiative Receives Endorsement from Hopi Elders,” describes a recent meeting that he had with the Hopi Cultural Preservation Office and the Hopi Cultural Resources Advisory Task Team. At this meeting Reed gave a update on his project and played some of the Hopi songs that he uncovered at the University’s Center for Ethnomusicology. As Reed recalls, a highlight for him was when he played a particular song at the meeting and those in attendance joined in the singing. To visit Reed’s blog, click here.

In January 1927, Carey E. Melville, a mathematics professor at Clark University in Worchester, Massachusetts, his wife Maud and their three children, left the comforts of their suburban home for a nine month adventure across the United States. Traveling in a newly purchased Model T Ford, the Melvilles drove south to Florida and then made their journey out West. In the summer of 1927, the Melvilles arrived at the Hopi villages of Sichomovi, Walpi, and Polacca in northeastern Arizona. At Polacca, Maud Melville met several Hopi artists, including a Hopi-Tewa pottery maker named Ethel Salyah Muchvo, her husband, Wilfred, and their children Minerva and Clifford. Unlike other tourist who had visited the Hopi villages in the past, Maud remained in contact with Ethel and her family after the Melvilles returned to their home in New England. In Hopi Summer, historian and biographer Carolyn O’Bagy Davis uses Maud’s journal entries, Ethel’s letters to Maud, letters written by Christian missionaries, and Hopi oral interviews to tell the story of Ethel’s friendship with Maud. However, Hopi Summer is more than a story about a friendship between two very different people. It is a story about survival, death, life, and a Hopi woman’s determination to care for her family and ill husband.

In the late 1920s and 1930s, diseases killed many Hopis on the reservation. Ethel’s husband, Wilfred, suffered from tuberculosis and his illness had a devastating effect on their children. Having experienced the pain and sorrow of losing eleven children to the disease, Ethel reached out to her pahaana (“white person”) friend, Maud, for comfort and compassion, while Maud responded with charitable acts and words of kindness. On several occasions Ethel wrote and asked Maud if she would send her extra clothes, winter coats, and blankets. In return Ethel sent Maud her pottery, Wilfred’s katsina dolls, and other pieces of Hopi craftmanship as gifts. After the Melvilles returned home Maud gave several lectures about the Hopis, and sold Wilfred’s art to people she had met at various speaking events. Maud sent the earnings from the sales to Ethel and Wilfred and the family used the money to purchase food and needed supplies. Ethel’s friendship with Maud had a business element to it that reflected Ethel’s commitment to provide for her family.

Although other women have written about the Hopi people during this period, including the Christian missionary Abigail E. Johnson and the Christian biographer, Florence Crannell Means, Davis masterfully highlights the Hopi “voice” and provides the reader with a deep sense of Hopi ways and customs. Davis’s’ ability to write about the Hopi people, while at the same time not lead the reader into the “kiva” (metaphorically speaking), stands as a testimony to her sensitivity to certain aspects of Hopi religious culture. Davis’s research methodology is highly commendable, and serves as an example for individuals who desire to conduct research with an indigenous community. In this regard, Davis follows in the footsteps of Hopi scholars Sheilah E. Nicholas, Angela A. Gonzales, Patricia Sekaquaptewa, Lomayumtewa C. Ishii, and anthropologists Peter M. Whiteley and Wesley Bernardini. Each of these individuals have conducted extensive research on the Hopi Reservation and did so with the involvement and cooperation of the Hopi Tribe. Furthermore, Hopi Summer supports the understanding that Hopi intellectual property belongs with the Hopi people. In addition to sharing letters and pictures with Ethel’s family, including Ethel’s daughter, Vivian, Davis provided the Hopi Cultural Preservation Office with copies of her research and sought the assistance of Hopi scholars Hartman Lomawaima, former director of the Arizona State Museum, and Emory Sekaquaptewa.

Hopi Summer is beautifully written and illustrated with several previously unpublished photographs, maps, and letters. Scholars, students, and people who are interested in Native American history, the history of the West, women’s history, cultural history, and American Indian Studies, will certainly gain from Davis’s work on the Hopi people. While readers could have benefited from a deeper interaction with the literature on Hopis during this era, Hopi Summer remains a fascinating account of a “bygone time in Hopi history.”

Matthew Sakiestewa Gilbert

University of Illinois at Urbana-Champaign

Portions of this review originally appeared in American Indian Quarterly (Winter 2009, vol. 33:1, pp. 163-64)

[UPDATE: Dec. 20, 2:36PM CST – The blog post that I refer to below has been removed from the Craftista website]

This morning I received a Google Alert that directed me to a blog called Craftista. The author of the blog belongs to a blogging group that is currently doing a A to Z meme, and so the author decided that “I” would stand for “Indian Village.” In November, the author visited the Hopi Reservation, took a picture of a village, and posted it to the author’s blog. The photo does not have a caption, but the author refers to the village as a “quaint Indian village.” The picture is of Lower Moencopi near Tuba City, Arizona. A kiva is clearly visible in the photo. About a hundred yards from where this picture was taken, a sign welcomes visitors to the village. The sign reads:

WELCOME TO MOENKOPI VILLAGE, TO ALL VISITORS, YOU ARE WELCOME TO RESPECTFULLY VISIT OUR VILLAGE AND OBSERVE OUR CEREMONIES = ABSOLUTELY NOT PERMITTED = 1. NO SOUND RECORDINGS, 2. NO SKETCHING, 3. NO PHOTOGRAPHY OF ANY KIND, 4. NO REMOVAL OF ANY OBJECTS, 5. NO VIDEO TAKING

The purpose of this post is not to blast the author of Craftista for posting a photo of Moencopi on the author’s blog. Many people who visit our village do so respectfully. Rather, I want to inform people about protocols that Hopi villages ask visitors to follow and respect. Hopis established these protocols to protect their intellectual property, privacy, and to keep people from publishing photographs of village structures, shrines, and ceremonies.

The producers of BEYOND THE MESAS received permission from the Hopi Cultural Preservation Office to include old black and white photos of Hopi villages in the documentary, but we did not film or photograph exterior shots of present-day villages, kivas, or other religious sites.

This past summer Stewart B. Koyiyumptewa, archivist for the Hopi Tribe and co-executive producer of Beyond the Mesas, published a book along with Carolyn O’Bagy Davis and the Hopi Cultural Preservation Office (HCPO) titled The Hopi People. The bookwas released by Arcadia Publishing as part of its “Images of America” series. With nearly two hundred black and white photos and several pencil drawings and paintings, The Hopi People provides a concise introduction to Hopi history and culture. Consistent with other books in the “Images of America” series, The Hopi People utilizes photographs and captions to tell a historical narrative. In this book the narrative centers on Hopi life, religion, art, farming, and current issues. One of the chapters is dedicated entirely to Hopi schooling. In Chapter 5, “We Got Real Homesick”, the authors describe the ways Hopis resisted the U.S. government’s policy that required Hopi children to attend schools on and off the reservation. Topics in this chapter include the Hopi day school system, industrial and domestic training, curriculums based on Hopi culture, the Keams Canyon Boarding School, Polingaysi Qoyawayma, and former Senator Barry Goldwater’s support of education efforts on the Hopi mesas. Accompanied by a number of previously unpublished photographs, Chapter 5 is primarily about Hopi schooling on the reservation and not at off-reservation Indian boarding schools. Published with the cooperation and involvement of the HCPO, and several Hopis who provided photos and information on specific pictures, The Hopi People is truly a remarkable publication and it is sure to receive high praise from other reviewers. To learn how you can order a copy of The Hopi People, click here.

About the author

Matthew Sakiestewa Gilbert is enrolled with the Hopi Tribe from the village of Upper Moencopi in northeastern Arizona. He is an Associate Professor in the Department of History and a Dean's Fellow and Conrad Humanities Scholar in the College of Liberal Arts and Sciences at the University of Illinois at Urbana-Champaign.

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Foreword to Kevin Whalen’s Native Students at Work: American Indian Labor and Sherman Institute’s Outing Program, 1900-1945

A Second Wave of Hopi Migration (History of Education Quarterly, August 2014)

Sun Chief: An Autobiography of A Hopi Indian by Don C. Talayesva, New foreword by Matthew Sakiestewa Gilbert (Sept. 2013)

Marathoner Louis Tewanima and the Continuity of Hopi Running, 1908-1912 (Western Historical Quarterly, Autumn 2012). Winner of Spur Award for Best Western Short Nonfiction, Western Writers of America (2013)