Tag Archives: Dr. Strangelove Or: How I Learned To Stop Worrying and Love the Bomb

There’s a haunting simplicity to The Shining. Those words, combined with the director’s mysterious approach to discussing his films, makes this a work ripe for obsessives. The next gateway to obsession comes by way of accessibility. The Shining, dressed as … Continue reading →

CONTRIBUTED BY JAKE THOMPSON Best Picture has been a troubling category in the last few years. I remember being pissed off when 2006’s Babel got nominated. While it’s a good movie, it had no business being nominated over Pan’s Labyrinth … Continue reading →

CONTRIBUTED BY JAKE THOMPSON A director is vital to the making of a movie. The director is responsible for getting the best possible performances from the actors. The director is responsible for bringing his/her vision to life through his/her collaborations … Continue reading →

CONTRIBUTED BY JAKE THOMPSON Best Adapted Screenplay refers to a screenplay on which the material is based on another medium (examples being short stories, novels, plays, comic books, TV shows, video games, short films, newspaper articles, or even previous films). … Continue reading →

Best Sound Editing:
AMERICAN SNIPER, ALAN ROBERT MURRAY AND BUB ASMAN
Birdman, Martín Hernández and Aaron Glascock
The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas
Interstellar, Richard King
Unbroken, Becky Sullivan and Andrew DeCristofaro