The Close-Up: Errol Morris and Chuck Klosterman

Photographer Elsa Dorfman taking a portrait of Errol Morris with the 20x24 Polaroid camera on stage after the premiere of The B-Side. Photo by Yuko Torihara.

On this week’s podcast, you’ll hear Errol Morris and Elsa Dorfman talk about the new documentary The B-Side: Elsa Dorfman’s Portrait Photographyin a discussion that took place after a screening earlier this week. The film officially opens here at the Film Society this weekend, with another Q&A on Friday, June 30. Click here for tickets.

Plus, to coincide with the next installment of our Print Screen series tonight, we’re sharing a conversation with author Chuck Klosterman, which took place last summer after he presented a 35mm screening of Peter Watkins’s 1967 black comedy Privilege. Tonight, Yuri Herrera will introduce a 35mm print of Robert Altman’s 1973 neo-noir The Long Goodbye. Herrera’s prize-winning novel Kingdom Cons will be available in English for the first time this June from the publisher And Other Stories.