Note: Reviews are graded from 0-5, anything higher or not showing is from our old style.
Scores, however, do not reveal the important features. The written review that accompanies the ratings
is the best source of information regarding the music on our site. Reviewing is opinionated, not a
qualitative science, so scores are personal to the reviewer and could reflect anything from being
technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent
broke supporting themselves and trying to improve. Major releases usually have big
financial backing, so they may be judged by a heavier hand. All scores can be eventually
adjusted up or down by comparison of subsequent releases by the same band. We attempt to
keep biases out of reviews and be advocates of the consumer without the undo influence of any band,
label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.

Just to give you an idea how complex the Blind Guardian recording process is think of it in terms of years instead of days or weeks. ‘At the Edge of the World’ was recorded over the course of two and a half years between Germany and Czech Republic. Not only did longtime producer Charlie Bauerfeind do the traditional mixing, mastering and production, but the band incorporates an entire orchestra that’s recording in a different location. This process requires orchestra conductors, additional engineers, and management to supervise. It’s like throwing the baby out with the bathwater. At what point does the band simply become another accessory? Regardless, this record welcomes back a more metallic emphasis on songs and finesse, an aspect that’s gone astray over the last few years. It’s a warm return that’s paid dividends according to press and fans. The album has garnered heaps of praise thus far and builds momentum for the Germans as they head into global touring. Songs like “Tanelorn” (Into the Void)” were sorely lacking in prior efforts and recalls the early days of the band's faster rhythm, harsher guitar tone, and epic chorus'. Lead-off single, “A Voice in the Dark”, is crunchy break-neck thrash with wicked hooks that crash into the familiar harmonized vocals that makes for their endearing signature. I’d like to see less symphony and some shorter tracks but I’ll take this heavy-minded attempt to recapture a portion of the original Blind Guardian sound.