Pragmatic Modernism

Lisi Schoenbach

Abstract

Modernism has long been understood as a radical repudiation of the past. Reading against the narrative of modernism-as-break, this book traces an alternative strain of modernist thought that grows out of pragmatist philosophy and is characterized by its commitment to gradualism, continuity, and recontextualization. It rediscovers a distinctive response to the social, intellectual, and artistic transformations of modernity in the work of Henry James, Marcel Proust, Gertrude Stein, Oliver Wendell Holmes, John Dewey, and William James. These thinkers share an institutionally-grounded approach to ... More

Modernism has long been understood as a radical repudiation of the past. Reading against the narrative of modernism-as-break, this book traces an alternative strain of modernist thought that grows out of pragmatist philosophy and is characterized by its commitment to gradualism, continuity, and recontextualization. It rediscovers a distinctive response to the social, intellectual, and artistic transformations of modernity in the work of Henry James, Marcel Proust, Gertrude Stein, Oliver Wendell Holmes, John Dewey, and William James. These thinkers share an institutionally-grounded approach to change which emphasizes habit, continuity, and daily life over spectacular events, heroic opposition, and radical rupture. They developed an active, dialectical approach to habit, maintaining a critical stance toward mindless repetitions while refusing to romanticize moments of shock or conflict. Through its analysis of pragmatist keywords, including “habit,” “institution,” “prediction,” and “bigness,” the book offers new readings of works by James, Proust, Stein, and Andre Breton, among others. It shows, for instance, how Stein’s characteristic literary innovation-her repetitions-aesthetically materialize the problem of habit; or how institutions in James’s novels-businesses, museums, newspapers, the law, and even the state itself-manage to shape and influence the subtlest of personal observations and private gestures. This study reconstructs an overlooked strain of modernism. In so doing, it helps us to reimagine the stark choice between political quietism and total revolution that has been handed down to us as modernism’s legacy.

Part Two Institutions

End Matter

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