Content by tag "Blue Thumb Records"

Still Grazing is a retrospective. Like all retrospectives that lack any kind of bonus material (even the token unreleased alternate take or live recording), it raises the question of just whom it is for. Fans of the South African trumpeter/flugelhorn player/vocalist/songwriter will already have most or all of these eleven songs, compiled from six albums released ...

Most veteran jazz listeners probably came across Paco de Lucia during his rip-roaring '80s adventures alongside fellow guitarists John McLaughlin and Al DiMeola. In that particularly heated setting, each player aimed for pure intensity--and amazingly enough, nobody fell by the wayside.

When a musician as rare and as skilled as Paco de Lucía falls silent for over five years, you might guess that he’s either suffering a nervous breakdown in relative privacy, or he’s busy composing some of the best music of his career (though some artists have managed to do both at once). Cositas Buenas would ...

Drummer, Stanton Moore extends the lineage of the great New Orleans reared drummers along with a deeply personalized and often rip-roaring viewpoint on his latest solo effort. A founding member of the so-called, steamroller funk" outfit known as Galactic, the drummer and his notable musical associates endow the listener with a downright riotous series of grooves ...

For those who think that the blues has used up all its ideas in overly-cliched songs about somebody’s woman doin’ him wrong, played over the usual ba-DA-da-Da-da beat, a new record has appeared on the horizon brimming with new twists on grand old ideas.

Louisiana born, Texas bred Clarence Gatemouth" Brown is a trans-genre, journeyman, multi-instrumentalist Renaissance man. Equally at home with Texas Blues, Cajun Zydeco, Western Swing, Rhythm and Blues, Country and Western, and Jazz, Brown spread his influence around generously. In this respect, one could see him as a rural ...

Son of Buffalo blues musician and club owner James Peterson, 34-year old Lucky Peterson recorded his first album at age 5 -- and Willie Dixon produced it. Lucky is aptly named, but the thing that makes him lucky is not his birthright or his early start -- it's his talent. Peterson plays nasty wah-wah-tinged guitar, soulful ...

Mighty Mo Rodgers has a rough but limber singing voice that commands attention. His metaphorical lyrics reveal a strong passion for history and social issues. Unfortunately, the instrumentation on this major-label debut isn't nearly as intriguing as the vocals.

Rodgers is a singer-keyboardist who made his mark in the '60s playing with Brenton Wood, T-Bone ...

Tradition-minded newcomers like Alvin Youngblood Hart, Keb’ Mo’ and Corey Harris have spurred an acoustic-blues renaissance over the past few years. Now one of the most respected electric bluesmen on the scene, Joe Louis Walker, has opted to pull the plug on his guit.

In the fifties I enjoyed latin music. Then in the sixties I heard Stanz Getz and Charlie Byrd with Desafinado. That led me on the path to jazz.
Always interested in photography, so in the early '70s I started combining the two

In the fifties I enjoyed latin music. Then in the sixties I heard Stanz Getz and Charlie Byrd with Desafinado. That led me on the path to jazz.
Always interested in photography, so in the early '70s I started combining the two. No financial rewards, but immense satisfaction and, thanks to
linking up with writer Stan Britt, managed to meet (and photograph) some of my heroes: Stan Getz, Dexter Gordon, Count Basie, Oscar Peterson.
Best gigs? Sinatra with Basie at the RFH, London, and Dexter Gordon at Ronnie Scott's.
Advice to new photographers? Be polite, obtain permission, remain invisible, and always thank when possible the musicians and venue operators.

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