I think you might like "She possessed the . . ." quite a bit, Anthony. You might also really dig Falling Silent by Nautic Depths & Nunc Stans. It arrived a few days ago and is quite good. The improvised flourishes overlaying the deep harmonic drones makes for for rewarding headphones listening.

Nautic Depths & Nunc Stans- Falling Silent- Kudos to Anthony and Tomas for putting together a very deep and ponderous album-- works wonderful with headphones. Anthony's contributions here are usually under the surface, so to speak, and a perfect compliment to Tomas' smooth, hypnotic drone work. Well done, guys!

Steve Roach & Jorge Reyes- Vine- Bark & Spore- Pure Magic! This may be my favorite tribal-ambient album, except for Well Of SoulsA-Sun-Amissa- Desperate In Her Heavy Sleep- gothic and dense cello/violin/synth work. Quite beautiful and tragic, if you're in the mood for an impending sense of doom ;-)Talking Heads- Remain In Light

And I've been attempting to listen to various Craig Tattersall projects (Seaman & The Tattered Sail, The Humble Bee), but strangely, I've lost all connection with this music-- I invariably turn it off after 15 minutes or so. It just doesn't hold my interest anymore. Over-saturation, maybe? ...but this happens to be sometimes. Years ago, I lost all connection to Oophoi's music, and I rarely listen to it anymore, along with other dark ambient projects that I loved at one time. Not sure how this happens...

I very much appreciate the comments on the new Nautic Depths & Nunc Stans, Chris and Joe.And yes, I tend primarily to do the "flourishes" ... the leads and quirky sounds. Though not only that.I am very pleased with how the release turned out. Was a lot of work, and I thank Tomas bringing it to press, as it were.

Could be my favorite Sakamoto collaboration.....the Fennesz treatments work so well with the piano. More experimental than Sakamoto & Willets excellent Ancient Future but in a very good way and more accessible than their 12k release Ocean Fire. Also theres an element in Sakamoto's piano that is reminiscent for me of his film music adding a melodic smoothness to the Fennesz glitch.

- Saul Stokes: LFOUFO Been playing quite a bit. High quality (as always) and catchy. Great in the car. I don't really think of it as ambient. - Philipp Weigl: Prisma No vocals in this one, unfortunately. But has been growing on me. http://philippweigl.bandcamp.com -- "Monsters" album is worth a listen on Bandcamp.

Could be my favorite Sakamoto collaboration.....the Fennesz treatments work so well with the piano. More experimental than Sakamoto & Willets excellent Ancient Future but in a very good way and more accessible than their 12k release Ocean Fire. Also theres an element in Sakamoto's piano that is reminiscent for me of his film music adding a melodic smoothness to the Fennesz glitch.