- «I like tearing the idea down of religion as this relic of the past, and trying to bring it into modern culture as something that’s very much alive. For me personally, I was seeking transcendence, not necessarily putting a label on it, but in terms of writing the songs these religious images kept popping up»: "Car Seat Headrest Write Their Manifesto With Teens of Denial" - Observer.

- «We wanted to recapture spirit that was gone from New York. I think there was a desire to see if we could bring that back in our own way. All we could do is throw our own parties and make some music, then New York City clicked»: grazie a FdL per aver segnalato questa bella intervista in cui Jonathan Galkin racconta la storia della DFA sul blog della PIAS.