Film

My week from Monday 23 to Sunday 29 April 2012 covered the entire continent from Sydney to Perth and (at least later today) back again.

That’s Perth in the photo, with the Swan River just visible between the apartment buildings of East Perth. The photo was taken with my bashed-up HTC Desire phone and processed through Instagram.

Heck, if Zuckerberg reckons it’s worth a billion dollars I might as well have a look, right?

I’ll comment on Instagram itself later, and figure out a better way to integrate the photos into this website. Meanwhile, here’s a gallery of my Instagram photos, updated automatically.

And now on with the show…

Podcasts

Patch Monday episode 135, “iiNet wards off AFACT, but what next?” A summary of the High Court’s decision in Roadshow Films and others versus iiNet Limited, the initial reactions, and a wide-ranging discussion with Dr Rebecca Giblin, a copyright academic and geek from Monash University’s law school, who literally wrote the book on this subject: Code Wars: 10 Years of P2P Software Litigation. Keywords for the other things we mention are SOPA/PIPA, peer-to-peer production,

On Friday I presented at the DigitalMe event in Perth. I’ll link to the video as soon as that’s posted. Meanwhile here’s Sara Culverhouse’s summary.

Also on Friday I was interviewed on ABC 720 Perth about that DigitalMe presentation. Thanks to Perth’s endemic taxi shortage I ended up walking briskly to the ABC studios — but not briskly enough. I did the interview via phone from the street. That meant I couldn’t record it.

Corporate Largesse

I wasn’t paid to present at DigitalMe, they did cover travel from Sydney to Perth and one night’s accommodation at Aarons Hotel including breakfast. Wine by Brad provided booze for the welcome drinks, as well as a bottle to take home. Food was supplied by Sorrento Restaurant, Northbridge.

The Week Ahead

A busy week of writing lies ahead, including a story for CSO Online and my presentation for the Saasu Cloud Conference the following week. I’ll also continue work on the feature story I’m writing for ZDNet Australia

I believe I’ll be back in Wentworth Falls for most of the week, but this could change at short notice. The Dopplr widget on the left-hand side of every page of my website is usually updated within an hour of plans changing, so always check there first — but bear in mind it has odd ideas of what day it is.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream (or they used to before my phone camera got a bit too scratched up). The photos also appear on Flickr, where I eventually add geolocation data and tags.

The big internet-related story in Australia today was the High Court’s decision in the so-called #iiTrial. I wrote the lead story in Crikey — read that now for the facts and my analysis — and just spoke about it on ABC 702 Sydney.

The High Court decided, as outlined in its summary [PDF], that internet service provider iiNet was not responsible for the copyright-infringing acts of its customers. But as explained in their full decision, that decision was based on “all the facts of the case”. That is, things might have turned out differently had the Australian Federation Against Copyright Theft (AFACT) or iiNet handled things differently. We’ll never know.

Now when I spoke to the ABC’s Richard Glover just after the 4pm news this afternoon — that’s the audio you’ll hear here — the scene was set first by Glover’s slightly-misleading introduction involving pubs and then AFACT’s managing director Neil Gane. So I was working within that framing. I’m not sure how well I did.

Obviously time was limited. Had I had more time to speak, I would have said:

We do keep talking about the experience of the music industry, but that’s because they’re further down the path of replacing traditional distribution mechanisms with the internet. It might be worth the film and TV industries having a look at that and seeing what they can learn, rather than just being in denial.

Yes, the economics of making a big blockbuster movie are very different from making a music album. But the film industry decided to take the blockbuster path with all the expensive hangers-on that that business model entails. No-one is forcing them to do it that way.

With distribution costs tending to zero, those who run the traditional distribution models need one heck of a lot better argument to justify the amount of money they charge than “Oh no, it’s all different now”.

They talk about the industry being in decline, but that’s because they only count themselves. As a totality, people probably spend more on entertainment than they ever have done. It’s like the Myer and David Jones and Harvey Norman stores whinging about the decline of retail. No, retail overall is doing just fine. The bit that’s failing is them — the people doing things the same old way and not adapting to the change.

No business model has a right to exist. Maybe the age of big movies and big TV productions is over. It wouldn’t be the first time a form of entertainment had died because it was no longer viable, and it wouldn’t be the last.

Who needs newspapers when you have Twitter? | Salon News: A massive troll by Wired editor Chris Anderson, seeking attention for his new book Free, which is not free. He starts by saying he doesn’t use the words “media” or “news” or “journalism”, but doesn’t offer any alternatives. Wanker.

Techfest 2009 | NICTA: On 12 August 2009, NICTA showcases some of the new ICT research and development they’ree working on at this most-of-the-day event in Sydney. Let me know if you’d like to join me.

Women In Film | YouTube: A morph-montage of some of the most famous female faces in film. Note how the eyes are so similar.

Men In Film | YouTube: A morph-montage of some of film’s most famous male faces. It’s a challenge to spot all of them. Note how similar most of the noses are.

Template Twitter strategy for Government Departments | UK Cabinet Office: The UK has developed a standard 20-page template which departments can use for their own Twitter strategy. I can’t help think that it’ll kill spontaneity before it starts. “All other tweets will be cleared by staff at Information Officer grade and above in the digital media team, consulting relevant colleagues in comms and private offices as necessary.” Gawd.

Cutthroat Capitalism: An Economic Analysis of the Somali Pirate Business Model | Wired: “Like any business, Somali piracy can be explained in purely economic terms. It flourishes by exploiting the incentives that drive international maritime trade. The other parties involved — shippers, insurers, private security contractors, and numerous national navies — stand to gain more (or at least lose less) by tolerating it than by putting up a serious fight. As for the pirates, their escalating demands are a method of price discovery, a way of gauging how much the market will bear.”

Mark Thomas Info: I first encountered Mark Thomas by reading his book As Used on the Famous Nelson Mandala: underground adventures in the arms & torture trade. The stand-up comedian and activist for human rights is worth paying attention to.

The Arms Trade | A Stubborn Mule’s Perspective: Sean Carmody turns his data analysis skills to the Stockholm International Peace Research Institute’s Arms Transfer Database, which I mentioned the other day. This initial foray generates some nice maps.

Stilgherrian’s links for 11 March 2009 through 18 March 2009, posted after considerable delay in some cases:

Conroy’s clean feed | Background Briefing: ABC Radio’s 45-minute exploration. “In the name of protecting children, the government will decree we’ll be forbidden to see ‘unwanted’ and ‘inappropriate’ things on the web. But exactly what that means is a secret, and the thin end of the censorship wedge. Reporter, Wendy Carlisle.”

One Laptop per Child trial | Centre for Learning Innovation: ’Pong’s video about the first Australian trial of the OLPC, showing kids using the XOs in a primary school in rural New South Wales. Interviews with Pia Waugh and the educators involved. For soem reason, DET have cut the credits off the end, which seems a bit rude.

ABC Mobile Web Site Failed Accessibility Test | Link: “Currently I am teaching mobile and accessible web design to second year and postgraduate students at The Australian National University in the course ‘Networked Information Systems’ (COMP2410). The ABC
[Mobile] home page would not be of an acceptable standard for student work on this course.”

australian screen: Australia’s audiovisual heritage online. “Explore over 1,000 Australian film and television titles produced over the last 100 years, with clips, curator notes and other information.”

The Power Of Nightmares (DVD) | Internet Archive: This film explores the origins in the 1940s and 50s of Islamic Fundamentalism in the Middle East, and Neoconservatism in America, parallels between these movements, and their effect on the world today: “Both [the Islamists and Neoconservatives] were idealists who were born out of the failure of the liberal dream to build a better world. And both had a very similar explanation for what caused that failure. These two groups have changed the world, but not in the way that either intended. Together, they created today’s nightmare vision of a secret organized evil that threatens the world, a fantasy that politicians then found restored their power and authority in a disillusioned age. And those with the darkest fears became the most powerful.” The full DVD image is free to download.

Mother Earth Mother Board | Wired 4.12: A massive 1993 feature article in which Neal Stephenson toured six countries following the roll-out of fibre optic cables. It introduced me to his writing and it remains an excellent read today.

The End | Flickr: A collection of classic “The End” title cards from a wide variety of films.

Europa Film Treasures: An archive of European cinematographic treasures. It looks like there’s a lot of material here.

The Trojan Horse | Business Spectator: “The current government policy of forcing ISPs to offer their customers a so-called ‘clean feed’ has the overt intention of helping parents to protect their kids while surfing the Internet. It is, we are told, all about child protection. However, the use of content filtering to make the Internet ‘safer’ for kids is already available, to the extent that any statistically significant real demand exists to solve it.”

Stilgherrian’s links for 26 August 2008 through 30 August 2008, collected using a fine-meshed net and a spoon:

Interpreting Privacy Principles | Cyberspace Law & Policy Centre: The Cyberspace Law & Policy Centre is holding a 1-day Symposium o 2 October to discuss the Australian Law Reform Commission’s Report on Privacy (August 2008), and to take stock of the NSW Law Reform Commission’s Consultation Paper 3: Privacy Legislation in New South Wales (July 2008). The Symposium is part of the Interpreting Privacy Principles Project, an Australian Research Council Discovery Project.

The Grand Twitter Experiment | Widgify: One guy’s experiment to increase his Twitter followers so his “channel” is one of “greater influence”. He seems to miss the two far more important aspects of Twitter: how he’s contributed to the conversation to improve his reputation, and what connections he’s made.

Oedipus (with vegetables) | YouTube: The story of Oedipus in 8 minutes performed by vegetables in the tradition of Ben-Hur. Featuring a Potato, a Tomato, Broccoli, Garlic, and Billy Dee Williams as the Bartender. Official Selection 60+ film festivals including Sundance

For those interested in the technicals, it was shot using the built-in iSight camera on my MacBook Pro. We sat the computer on books piled on a milk crate sitting on the kitchen table, and used desk lamps for lighting. We recorded it using Apple’s Photo Booth software. ’Pong edited it using iMovie. Whaddyareckon?

Digital futures report: the internet in Australia | CCI: Findings from the first survey by the Australian component of the World Internet Project. This survey is a major piece of research undertaken by the ARC Centre of Excellence for Creative Innovation at Swinburne University’s Institute for Social Research.

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