. . . soulful, romantic spirit . . . the warmth of the colouring, the recording too . . . [makes this Beethoven recital] different from the norm . . . [Appassionata]: There's genuine tension in the first movement and tumbling momentum in the last . . .

Record Review /
Geoff Brown,
The Times (London) / 22. March 2013

. . . we seldom hear these works played with such unmannered restraint: the slow movements are not milked for emotion, while the fury of the fast ones is held in check by an admirable refusal to play to the gallery . . . the first movement of the "Appassionata" has a noble monumentality. The playing throughout is refreshingly disciplined and clean.