Thursday, July 29, 2010

In the previous post I featured an occult ritual magic gateway to Rochester, New York's High Falls district. The city has spent lots of money over the last several years attempting to make the district a popular spot. This can and should be considered as an attempt to increase traffic through the gateway and into this particular geographical location. It has failed because the very last restaurant in the district just closed. Maybe with the failure of the most recent in a series of expensive attempts to make the area thrive some will consider that it must be cursed. It is.

In the median as you approach the gateway you pass by an island with a peculiar display. There are three millstones, two of them partly buried. These three symbolic elements were disks or cylindars that had revolved while in use, which provides a triple helix DNA signal that compares to the triple helix columns. When I reviewed the photos I had taken earlier, I became interested in why the millstones were there and what the dedication plaque said about them. As I was waking up this morning I found myself thinking about the verse in Matthew where it refers to a millstone. Before my sister and I drove back into the city to do some more exploring, I looked up the passage that had come to mind.

6) but whoever causes one of these little ones who believe in Me to stumble, it would be better for him to have a heavy millstone hung around his neck, and to be drowned in the depth of the sea.
Matthew 18:6 (NASB)

Youngs Literal Translation renders verse 6b as: "it is better for him that a weighty millstone may be hanged upon his neck, and he may be sunk in the depth of the sea."

Two of the millstones are partly buried in the island, which looks to me like as if they were sunk in the depth of the sea, partly buried in the sediment on the bottom. The picture of three rotating circular stones being submerged in the sea speaks of DNA, which is very "wet," a crystalline structure consisting mostly of water.

The next verse points us to the Beast, whose mark is modeled in the gateway.

Woe to the world because of its stumbling blocks! For it is inevitable that stumbling blocks come; but woe to that man through whom the stumbling block comes!
Matthew 18:7 (NASB)

Did you note how the singular is used to reference "that man" and "the stumbling block"? "That man through whom the stumbling block comes" is an explicit reference to the lawless one, the Beast. Search out the matter of stumbling blocks in the Bible and see how it relates to Messianic and idolatry themes. When you read verses 6 and 7 and consider why the millstones appear at the mark-of-the-beast modeling gateway you may perceive how this is Satan's response. The millstones seem to be there as already tossed in the sea for a statement to defy Yahweh.

Here's what the plaque says.

"Our Past Is Your FutureThese millstones were provided courtesy of South Avenue Business Association and the South Wedge Planning Committee in support of our neighbors in High Falls. We encourage you to discover all that our Center City neighborhoods have to offer. August 2004"

"Our Past Is Your Future" speaks to me of the Genesis 6 scenario and Matthew 24's declaration that as it was in the days of Noah so it will be at the coming of the son of man. "...in support of our neighbors in High Falls" - i.e. the Nephilim. The millstones seem related to the manner of binding the fallen, which remain bound until the day appointed for their release (Search Tom Horn and Steve Quayle interviews) in days soon to come. Don't let their past be your future!

If you pass the millstones and enter into the gateway, you'll encounter two separate overpasses in succession, with narrow inner loop access ramps separating them. The first bridge is the inner loop highway itself, something of a beltway. The second is an old railway bridge. Under both of these bridges are lamps with wave or wing shaped hoods that light the sidewalks. There are three on each side under each bridge flanking the road, which equates to the triple helix pillars you pass on the way in. As lamps, they testify of the illumination that accompanies the triple helix transformation.

If you add the number of strands composing both triple helix pillars to the sum of wavy cauldron-torch-lamp-columns you find a total of 18. This number can be expressed as 6+6+6, which makes it a common signal number representing the mark of the beast. (Revelation 13:18) Also, applying the popular occult digit summing principle, 18 transforms to 9 by adding 1+8, arriving at the single digit number that represents the triple helix transformation and mark of the beast.

Notice the stepped block levels painted on under the first bridge that ascend towards the front-facing side. This feature supports the gateway aspect of the structure. Notice how it's green, as in Osiris green, a popular feature of similar symbolic elements that has been noted in previous blog posts.

How likely is it that these elements you see in this and in the previous post are random? It seems to me about as likely as America surviving intact through the end of 2012. Because of one Mayan calendar prophecy? No. Because of the testimony of the scriptures, plus the testimony of the signs in the heavens and the signs in the earth - plus the working of the holy spirit that speaks to you and I about the urgency of this present season!

I'll address what is found on the other side of the gateway to High Falls in another post, Lord willing!

Monday, July 26, 2010

I haven't posted much to the blog latelybecause I'm busy visiting family in Upstate NY, where I grew up. This isn't a typical vacation. I'm on Sabbatical from work, and the reason for the visit at this time was primarily to A) share my personal history and testimony with my daughter, and B) to share what I understand about some of the places, people and events that happened in this region that had lasting and sometimes global impact.

The image on right is a statue of Mercury (aka Hermes) prominently featured in the downtown Rochester skyline high atop the Lawyers Cooperative Extension building (Aqueduct building).

I took some pictures while out and about, logging items of interest that were either specifically sought out or discovered along the way. I'm going to share some of this, which follows a core theme of this blog that is to expose Satan's plan as found woven into our environment. You, wherever you live, may have very similar occult signal beacons or portals that influence your locality.

Until recent years, I had no idea why the Upstate NY region around Rochester seemed rather special. I don't mean "special" in that it's particularly good in some way. It's the opposite, particularly bad; spiritually oppressive, with a darkness and deadness; slumber. There's lots of significant history, spiritually. I've talked about my perceptions and some of this region's history with my cousin Bill on occasion, who grew up in the area too. He feels the same way I do about it. There is a dark spiritual atmosphere here. This had an impact on me as I was growing up and is something I must have been sensitive to, perceiving it on some level even though I couldn't identify what it was.

Such a regional condition as I'm describing can be understood based upon the testimony of the scriptures in Ephesians 6:12 and Daniel 10:13. There is a "prince" over the Rochester area, a demonic authority presiding over an assigned domain. The reality of it is witnessed to by the landmarks - the statues and symbols of the gods who reign over it seem nearly everywhere present. What I logged during my visit is a sampling of those elements.

In this post, I'm going to present one witness I discovered while walking around downtown that "says the most" and "speaks the loudest" to me.

Before the Genesee River empties into Lake Ontario, it runs through Rochester. Downtown, there is a 96 foot waterfall known as High Falls (see above). One of the main access points to the High Falls district is pictured below. On the overpass is a sign reading, "Welcome to High Falls." Some of you will immediately recognize a symbolic drive-through version of the triple-helix DNA transformation - soul capture portal. This models receiving the mark of the beast every time someone drives through! This is an example of ritual magic that actively recruits in antichrist delusion.

I spotted this gateway walking down State St. after passing a number of other occult buildings and "art" objects. The first thing that came into view was one of the triple helix pillars. From some angles it's hard to tell its a triple helix, so here's a closer-up detail view so you can identify all three strands. As I kept walking closer I saw the sign on the overpass and then the opposing pillar to the first.

If you haven't been following the blog or are unfamiliar with this kind of signal, what you're looking at here is a rather classic combination of signal elements. If you have been following the blog you see here yet more validation of what the Lord has opened to us from such as NCR.com, etc.

This compares to the Royal Arch of Freemasonry. You'll notice in this popular image the arch of heaven, the two pillars, one with a helical winding, and the crossroads intersection.

The triple helix feature is represented on the keystone of the Royal Arch by the 69 claimed to represent the astrological sign, Cancer. The number 69 equals 23+23+23; meaning three sex chromosomes and three strands of DNA.

A gateway and a vehicle are featured in the opening scene of NCR.com's "marketing" sequence, where the armored car / get-away Zeus-mobile / soul transport is awaiting receipt of the goods. It's pictured standing between then departing from between the pillars, where the target of the user's click is placed directly on the animated blue and white triple helix. The user's click that signals their acceptance of the terms of the deal offered was timed in the presentation to coincide with the vehicles departure, signaling in ritual magic the subsequent capture of their soul.

The arched gateway is pictured on the "Harry Potter and the Sorcerer's Stone" book cover, with Harry passing (as facilitated by pharmakeia) through the portal.

The triple helix feature is represented on the book cover with the three diamonds (actually a composite of opposing deltas) each representing a strand of DNA, one each from the male, female and the one of their union with the heavenly.

The watery blue element on the overpass speaks to me of Revelation 13:1, where John wrote of seeing the Beast appear rising out of the sea. The "Welcome to High Falls" sign is welcoming those who pass through the portal to the place of HIGH FALLS. Who fell from a high place? Lucifer? Yes. The Watchers? Again, yes. The word "Nephilim" used in Genesis 6 to describe the hybrid offspring derives from a root that means "to fall" or "to cause to fall." Welcome to High Falls, indeed! No thanks!

As you approach the gateway notice how there is a crossroads. Like Bob Dylan speaks of going to "the crossroads," where he made the bargain with the chief commander, legendary Robert Johnson had gone before him. If you find yourself in the not very distant future at "the crossroads," presented with the choice of taking the mark of the Beast, don't accept the welcome to "High Falls." There's no way out.

If you think you'll be able to do whatever you want now and some time later just make an easy decision at the last minute, don't bet on it. The devil is sly and more deceptive than you know. Make the decision to serve the Lord Y'shua with your whole life now. Draw near to Him in humble obedience. Pride goes before a fall. Humble yourself now, and be exalted later. You won't regret it.

Saturday, July 10, 2010

When you read this, a large community of sports fans will have their attention turned to the FIFA World Cup 2010 Finals. Many people have been noticing occult symbolism in the imagery of the games and their presentation. I've spent most of the day researching and preparing for future posts or videos, Lord willing. I want to express my appreciation to everyone who has sent email sharing links and insight!

7/11 World Cup Final - False flag? - a message board thread (started by someone using the triple-helix dna signaling symbol popularized by Nicholas Roerich as their avatar. I point this out as a symbol I've been wanting to feature for some time now. Nicholas Roerich had a significant role in the great seal appearing on the one dollar Federal Reserve Note.)

Pentagon: Zombie Pigs First, Then Hibernating Soldiers Preserving the lives of soldiers and such, it just seems so noble, yet... During WW2, experiments done in camps by Nazis like Joseph Mengele focused efforts on understanding that fine line of life and death. There are soul issues involved. DARPA - not meaning well - not doing good. $9.9 million? Red flag.

Thursday, July 08, 2010

As I compare "9" to The Iron Giant it's apparent that, while they are both feature length animations, the visual texture and tone are vastly different between them. In a similar way, while they are both antichrist vehicles promoting the Beast agenda, the manner of presentation differs significantly. The style difference can be seen in the movie titles themselves. "The Iron Giant" is very descriptive, while "9" is as stark as a title can possibly be.

One benefit in continuing to explore these vehicles (like the Beijing Olympics London Presentation, the Threshold movie, Olympic posters, NCR.com's marketing sequence - see The Open Scroll Blog: Movies that prepare us for transformation ...) is that I usually discover some new insight. Another benefit is that I always find elements I've observed elsewhere, and this redundancy of the symbols and their meanings let's me know I'm on the right path, giving me assurance as I continue to track the clues.

Because there is at the present time such deceit in the world and the overspreading delusion so pervasive, the confidence inspired by the validating redundancy is a necessary provision for our time.

We need to know the Lord who is with us is trustworthy and sure. "My sheep hear my voice," He has declared. (John 10:27) This must be learned through practicing obedience even as the good shepherd leads those who will follow through some difficult terrain.

The discovery of a movie titled "9" that promotes the Beast agenda should be no surprise at all. If you've been following this blog you have seen the number appear regularly in the context of the mark of the Beast transformation. "Nine" is code for "mark of the Beast"! Several posts back I pointed out how The Iron Giant, in addition to having several other "nine" features, was released in 1999. I count three nines. "9" was released in 2009, as was District 9, another of the antichrist vehicle kind.

I've noticed how those who practice the art of occult signaling apply the technique of summing digits to derive meaningful equivalence. I presented examples already, such as with Threshold, which first aired on CBS beginning September 16, 2005 (9-16-2005) then on the Sci Fi Channel on Friday, October 13, 2006. (10-13-2006) Doing the math: 9+1+6+2+0+0+5=23 ("sex" chromosomes) 1+0+1+3+2+0+0+6=13 (beast)

16) And he causeth all, both small and great, rich and poor, free and bond, to receive a mark in their right hand, or in their foreheads:
17) And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name.
18) Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six.
Revelation 13:16-18

Six hundred threescore and six is commonly referenced as 666. 6+6+6=18 then 1+8=9 So we can see how 666 resolves to 9. The single digit 9 is then considered a magical form of 666. Nine is the number of months associated with human gestation, and what I'm now convinced is the primary feature of the mark of the beast relates to bringing forth offspring. It has oft been said that math is a language of truth.

Followers of this blog may recall how the clever triple-helix DNA signaling logo of Nine Points Management & Research / Nine Points Capital Advisors, LLC. disassembles or transforms into 666.

Did you watch the "9" movie trailer videos and notice how the movie's launch date is featured at the end? The movie "9" was launched on 9-9-09, as you see in the image on the right. This is more than a promotional gimmick. Applying the summing function to the release date, 9-9-09 is 9+9+9=27 and 2+7=9 so we see that the release date of "9" also resolves to 9.

Now, as you watch one of the trailers, the number 9 appears by itself as the only element in the title screen, then, it transforms into 9-9-09. Ok. So, stand on your head and watch it. Or, just look at this image on the left, which is the 9-9-09 image turned upside down. It's the 666, slightly obfuscated, for the sake of "plausible deniability." The 9 was presented being transformed into 9-9-09. If you watch it upside down, you'll see 6 transformed into a 666. "6", the number of man (Revelation 13:18), transformed into 666, the number of the beast. In ritual magic, man is being transformed into a beast through the mark of the beast!

The graphical effects applied to the 9 and to the other numbers suggest ectoplasm, which is consistent with the main themes and visual themes of the movie. The soul transfer and disembodied life forces are pictured with imagery familiar to anyone who has read about or seen presentations about the paranormal. Ectoplasm is purported to be a tangible substance of life from a realm where the dead live. Presenting the 6 to 666 transformation with ectoplasm seems fitting.

Wednesday, July 07, 2010

Yesterday I sent a link in the blog. The excerpt I presented related the "Batman" program. I had considered the "Robin" program but chose not to include an excerpt in the post. I consciously logged it, stowing it on the mental shelf under the label, "hive mind." Today, I received two emails pointing to two other "hive mind" items. I can take a hint. Off the shelf it comes. So what is this about?

"BatMAN’s the main draw, but every good superhero acronym needs a sidekick. So Darpa’s come up with RoBIN, or Robustness of Biologically-Inspired Networks, in an effort to boost the collaboration strategies of key decision-makers using “biological design principles.” In other words, apply inclinations found in nature, like collective behavior and complex, adaptable networks, to improve human interactions."

"The Defense Sciences Office (DSO) of the Defense Advanced Research Projects Agency (DARPA) is seeking innovative ideas that may support a potential new DARPA program designed to provide novel approaches to generate robust and adaptable networks of humans and machines inspired by biological design principles. Robustness of Biologically-Inspired Networks (RoBIN), seeks to apply the critical control features of biological networks to build unique models for adaptable networks, and create a dynamic biologically-inspired network of scientists and other experts for crisis response and complex decision support."

"Topic areas that may be of interest include, but are not limited to: exploring collective behavior and recruitment, counter deception, modularity in networks and biology, models of robustness, recruitment of expertise, synthetic immune surveillance, model and design of robust biological networks, self-organized complexity across scales, and robust adaptive response systems."

D.A.R.P.A. == Devil's Army Resourcing and Provisioning Agency. Or, something like that. What could they be after? Since they're never going to just come out and say it, we have to consider what the "just come out and say it" kinds of agents are blabbing about. Before that, though, as I consider what this "hive mind" bit means, I have to be mindful of what the Lord has been bringing to my attention very recently.

As an example, over the past few days I watched a DVD called Mein Kampf (1960). Excepting the narrative, the content of this documentary is vintage German newsreel footage and clips of Nazi Party speeches from the 30s and 40s. I was continually struck with how the people who yielded to the Nazi party as willing subjects were so distinctly individual yet acted as one. A spell was cast over the people and the effect was pretty universal. Mass hypnotism, it's been called. The people acted like bees in a hive. Hitler was the queen bee, of course. It was all (pretext) for the glory of the motherland hive, and the worker bees and SS drones served tirelessly and sacrificed themselves endlessly. Bees do a dance and the Nazis had theirs, the Seig Heil salute.

I've also begun watching an old British TV series, called "The Prisoner," making similar observations about the social behaviors and manipulations.

So, here's the first item that was brought to my attention this morning. FIFA World Cup 2010 New World Order. You'll notice the buzzing noise is featured as the droning of a noisy hive. The vuvuzela is highlighted, which has been in popular news in recent weeks. It is related to the kudu horn and also to the shofar. As related to the shofar, this connection should prompt some musings about counterfeit vs genuine purposes and effects. The video also presents some of the esoteric bee and hive imagery associated with various institutions. The video producer shares some insight. So does this noise relate to "hive mentality"? Is this some form of mass, subliminal indoctrination? Does this involve "them" confirming their superiority and making you do whatever "they" want without you even realizing? The presenter suspects an evil plot. The video presents no evidence but attempts to raise questions. So, is there such a plot and are such devices being leveraged to facilitate control?

This is actually an extension of the very subject I spent much of the past month studying and writing about, updating the Pharmaceuticals -The Sorceries of Babylon study as an adjunct to The Iron Giant blog series. What I learned and shared about music, sound energy, harmonics and resonating structures relates to those very things the "World Cup" video presenter suggested! The plot is the mark of the Beast scheme, facilitated by the enchantments attributed to the great city Babylon.

... for your merchants were the great men of the earth, because all the nations (ethnos) were deceived by your sorcery (pharmakeia).
Revelation 18:23

The FIFA World Cup, like the Olympics, brings the nations and their races of men together. Also like the Olympics, their identifying imagery is occult, presenting Horus/Apollo or Thoth as their god. See the bird head in the soccer ball-as-eye and inside the other circular FIFA icon? Thoth was ibis headed and Horus, falcon headed.

Control over individuals is a fundamental level that must first be established. Control over populations is a further goal. Something like "critical mass" is being sought. That's when the likes of a hive mind is established. There is a threshold that must be attained.

If we take a lesson from one of the antichrist vehicles addressed in this blog, the 2005 series "Threshold," there's an answer for us that explains DARPA's quest for "Robin." Quoting from Part 4 of Threshold - The CBS sci-fi series from 2005, "We're told in a "special features" extra that the intent for the show was to ultimately have three divisions reflecting the stages of alien influence. These were to be 'Threshold,' then 'Foothold,' and finally, 'Stranglehold.'" I don't see these stages clearly as I understand the actual Nephilim plot, but this insight Andre Bormanis shared with us reveals how there are stepped levels of control. DARPA apparently seeks to discover and exploit the mechanisms of linking and binding subjects to achieve the control necessary for population stranglehold.

The next item I received is a page presented by a man that some consider as a "somebody" in his community, Carl Johan Calleman. He's one of the "just come out and say it" kinds of agents I referred to earlier, the kind that blabs Satan's schemes where others like DARPA won't. The truths must be distilled and meanings carefully discerned, but they're there in abundance.

The Conscious Convergence - A Wave of Unity July 17-18, 2010: Creating the intention for the unity consciousness of the Ninth Wave of the Mayan calendar!

When you read, "unity consciousness" think about the hive mind stage of control. When you get down to the "Notes" section near the bottom where he writes, "...would continue the three stage rocket into the birth of the new world that started on 9.9.9 (Sept 9, 2009, please see...) - well, I'll give you a little advance on a near-future post, Lord willing, and tell you that that's the very day the movie "9" was released!

This next item wasn't forwarded to me but it came up in my research. This is something I really recomend you read. It's only five paragraphs long. Read just this section Messiah Seed 66 - Unity Consciousness and individuality.The Messiah Seed, Volume 1 By Story Waters Remember the big lie of "The Iron Giant" - "You are who you choose to be"? (paragraph 3) This is in the midst of the big Hive Mind Sales Job. Messiah Seed. Get it?

"The net" is something heard by many of us in reverse speech content. It's like the Matrix (movie concept). A recent video of Lady Gaga I made shows her (by way of reverse speech) referencing Obama, the President. "You're closing the net" When we're all connected, you are enslaved. Believe me, you are!" Like a hunter throwing a net over his prey, the net is the trap. The closing of the net is the trapping of the people - is the reaching the hive mind / unity consciousness threshold of population control - is that point where the mark of the Beast may be implemented. Another video I made shows Scott Silverman, CEO of PositiveID saying (by reverse speech), "The bore will enslave. Am not I at risk?"

It's scheduled for the near future. It's on the appointment calendar. See it coming? I do, as do many others!

Tuesday, July 06, 2010

Having just concluded a series of posts on one animated feature that signals the Beast agenda (The Iron Giant), I'm continuing the momentum here with another, titled, "9." That's right, simply, "9." I've written plenty about that number recently as the single-digit number representing the Beast (Revelation 13:1) and the mark of the beast / transformation of man into a serpent hybrid. If it is indeed that, we might expect to find these themes presented in a movie with such a title, and, indeed, we do!

In the series addressing The Iron Giant, I withheld the most important sign concealed and revealed in the movie until the final post. In this series, I'm going to present this movie's version of the same right here in the introductory post! To prepare yourself for what I'm about to share, assuming you're already on-board with the foundation of "The Iron Giant" series, please watch this official movie trailer video (9 - Official Trailer and this one (9 Movie Trailer - by clevver movies), which, in some media displaying this blog post you will find embedded, below.

During the "clevver movies" video (2.06-2.31) the nine consecutively numbered rag dolls were featured in an introduction sequence, one at a time, excepting the "3" and "4," which were presented together. The image on the left represents two consecutive frames I clipped from that sequence. The "three things and then four" is the sign for which I've watched. With their "creator" making the "3" and "4" at the same time, as twins, the sign is conveniently packaged for presentation.

Of all the "numbers," only these two are twins, which marks them as a special set. As twins, the aspect of time is called out to our attention because they were made at the same time. The sequence is important, with a 3 coming before a 4, and it's in this order that they appear in the movie.

The image on the right pictures the "three things and then four" sign. The movie introduces us to the twins as being shy, hiding behind an object. "3" appears first, on the right, then, a moment later, "4" appears on the left. The frame showing the image in the upper half appeared a few moments before the frame with the image shown in the lower half. (I found a clip showing this scene on YouTube - in the first three seconds of the clip.)

If this seems somehow familiar, it should! This follows "The Iron Giant" pattern presented when the signal poster is introduced! As the "camera" panned left giving us a view of Dean's domicile, we first saw the "3" appear, then the "4" with it, to the left of the "3"!

In "The Iron Giant," the scene in which I perceived the signaling cryptic visual imagery had some supporting and validating content as clues in the immediate context. There was 1) the obvious subject: the iron giant, symbolic of the Beast and 2) the dialogue accompanying the cryptic sign: "I, I, I can't hide it here" and 3) the full screen title prefacing the scene and alerting us to watch for a specific time interval. Are there supplemental clues in the context of the cryptic sign's presentation in "9" that support identifying it as such a sign? Take a close look at what "3" and "4" are flanking, the object they had been hiding behind. I know, it's dark, but that's the image from the movie.

What do you see? Does that speak to you about the Beast and the mark of the Beast? I see a display jar on a base containing two well preserved serpents that are coiled in a double helix. Each is marked with a sequence of chromosome shapes. Haven't I written somewhere about something like this? Haven't I written also about Joseph Mengele and his unrestricted experiments with twins as he seeks to discover and exploit the secrets of genetics? Haven't I written about the secret of the "twins" Cain and Abel?

There's another set of clues in the dialog accompanying the scene. "7" explains to "9" about the puzzling and inquisitive twins, "3" and "4."

"Oh, they've been here, the whole time. Twins. They've been hiding here, lost in the past. Looking for answers."

Once again, our attention is drawn to time and the passage of time. What is it of the three and four that have been hidden the whole time? What are the answers? The three and then the fourth Shemittah from 1991 will reveal what has been hidden the whole time. The reality of the Cain and Abel story will be manifest. The Nephilim long hidden in the earth will no longer be lost in the past.

At some point, someone's going to realize I'm not just making this stuff up. I'm not imagining things. I'm not seeing just what I want to see. I'm not bewitching you. Some of us, who have been bewitched, are having our eyes opened. We are being set free, delivered out from under the antichrist spell!

What does this sign mean? Have you read on TheOpenScroll.com about the Bride Theft and the sign for the Bride? Do you understand the celestial sign of 1991? Have you seen the videos or read the study about whether "no one will know" when the Lord will return? If you're not aware of and convinced of what the Lord has already revealed in preparation for this season, how are you going to effectively watch in days to come? How will you interpret the coming events? In the near future, our access to such as this blog, that the Lord provides for our instruction and encouragement, will be cut off. I'm telling you this, which some of you already know, to encourage you to focus. Focus.

TSA to Block "Controversial Opinion" on the Web
"The Transportation Security Administration (TSA) is blocking certain websites from the federal agency's computers, including halting access by staffers to any Internet pages that contain a "controversial opinion," according to an internal email obtained by CBS News."

Monday, July 05, 2010

This is the last numbered installment in the series focused on the antichrist vehicle, The Iron Giant. Heads up - this one's a keeper. At the outset of this series I referred to a particularly significant feature that "locks down" where we are on the Lord's appointment calendar. Here it comes. This feature, to most, will mean nothing. However, as on the night of Paul Revere's storied ride when two lanterns were seen in the Old North Church tower, when one has the key to interpret a signal ("One if by land and two if by sea" - Wadsworth), the message is clear. While most will pay it no heed, as it must be, I believe the Lord is granting the favor both for me to see it and to publish it plainly, so here it is for whomsoever and whensoever it's appointed to be opened.

This instance compares to the "apparent technical malfunction" signal during the Olympic cauldron assembly, BC Place, 2010 Olympics in Vancouver. It also compares to the 1936 Berlin Olympics poster that signaled "three things and then four" to me using the Brandenburg Gate's quadriga imagery. (See Part 4 - What does the Olympic Rings logo really mean?) These signs are subtle among subtleties, and quite easily dismissed by those who are uneducated the way of signals and held spellbound by the cunning craft of the presentation context.

This signaling via The Iron Giant antichrist vehicle first came to my attention when what looks like a poster of abstract art appeared briefly but conspicuously through an open door, as you see in the image on the right.

In this scene, Hogarth is badgering Dean to persuade him to let the iron giant stay in his scrap yard. Dean is inside his office / domicile with the door closed and Hogarth is outside. When Dean finally opens the door, the poster is the featured interior element that comes into view. While this is the scene where it first came to my attention, some further review revealed that the poster had appeared in an earlier scene in such a way that supports my perception of it.

Just by looking at the poster, it doesn't make sense that I should perceive it as "three things and then four." The appearance of the large Arabic numeral "3" seems obvious, but does the other stuff really represent a "4"? The normal way to read numbers is left to right, so even if it is a four, wouldn't this mean, four and then three? Or, maybe it's a 413? Is this just a matter of, me, wanting desperately to see a thing, then imagining it everywhere? Call it as you see it. I do.

Prior to seeing the poster through the open door, the first view presented in the movie comes while the "camera" is panning through Dean's office / domicile, moving from right to left, giving us a survey of all sorts of junk "art" and eclectic furnishings. The abstract poster seems to fit right in. Because of the right to left motion, the "3" appears first (upper image), then the "4" (lower image), presenting us with the properly sequenced "three things and then four" sign. These two images show how the poster comes into view in this sequence, with exactly two seconds interval between the frames.

That the poster might be picturing a three and a four is difficult to discern because, if so, it's obfuscated. Yet, such is typical of the symbolic elements I've addressed continually in this blog series. The clever means of separating the three and the four from each other actually allows for the presentation of another number, "13," which is notably a primary Beast number and the very chapter of Revelation featuring the Beast and his mark.

I will mention at this point what you should already know by way of familiarity with the above-mentioned related studies. The three and four refer to the Shemittah counted off from 1991. The "three" span 3x7 or 21 years, concluding on Yom Teruah of 2012. The "four", or, fourth "thing" is the Shemittah (a.k.a. Daniel's seventieth seven) spanning 2012-2019. The key signs testifying of "three things and then four" establish the vital connection between the celestial sign of 1991 (marking Y'shua's return in judgment) and the week of appointments that has only been revealed to me by way of relative positioning.

Carefully observe how the light from the lamp is cast upon the poster in the lower image, highlighting the "4" side. If you consider the lit area as a chart, with the arc graphing the intensity of the light over time moving right to left, it indicates an increase during the three and a peak in the four, which is an accurate picture according to how I've been led to interpret the "dark light" of antichrist in this season.

When considering the poster interpreted as a 4 and a 13, the 4 equates to the 13: Shemittah "4" features the "13" Beast.

Once I'd noticed how the sequence of the three and then four was presented via the camera pan I began to wonder about the scene during which the sign had been brought to my attention, suspecting that there might be something about it that offers clues to what was signified. There is!

Here's the scene. Dean has just been introduced to the iron giant. He and Hogarth are sitting in the scrap yard watching the iron giant eat junk and discussing the situation.

Hogarth: "He needs food and shelter."

Dean responds by quietly standing up, giving him a stern look, going inside his office / domicile and slamming the door shut. A black title screen appears full screen, with a message in white text reading, "37 minutes later." Then we see Hogarth standing at the closed front door.

Hogarth: "You got plenty of room here. This place is perfect."
Dean: "Go Away."
Hogarth: "I can have him push the door down. You know I can!"
Dean: "Hogarth!"

Dean throws open the door, briefly exposing one thing inside to our view.

Dean: "I, I, I can't hide it here."
Hogarth: "'Him' not 'it.'"
Dean: "Whatever. You don't even know where 'he' came from or, or what the hell 'he' is!"
Hogarth: "He's my friend."

Here's the way I see it. The full screen title "37 minutes later" is an alert to put us on watch. "Heads up - the subject here is the passage of a specific interval of time!" While we're on high alert, such a sign appears, precisely while Dean is stammering, "I, I, I can't hide it..." Hogarth immediately corrects him, but I see that as just a cover. Dean's chosen pronoun wasn't really referring to the iron giant, but to the featured sign. "I, I, I can't hide it..." - the signaling poster that was just then, in that moment, no longer hidden! That's when the Lord brought it to my attention!

Consider the language Dean used, "... or what the hell 'he' is!" Why is that kind of language scripted when it's a movie for kids? Because the important thing going on here is the occult signaling! Think about it. "... what the hell he is?" He, the iron giant is the "hell" Beast, right? "Whatever. You don't even know where 'he' came from or, or what the hell 'he' is!" Will most people know where the iron giant comes from or what he is by nature, whether of heaven or hell? They will not, so which way should they lean in their response? Hogarth leads us with, "He's my friend." Sly. Evil!

When will the hell Beast appear, himself no longer hidden? As the "13," accompanying the "4." "One if by land and two if by sea" -- After three have passed, in the fourth Shemittah from 1991. There it is. Thank you Lord!

Saturday, July 03, 2010

The feature length animation The Iron Giantprovides insight into Satan's programs preparing the world to receive the coming Beast of Revelation 13. Symbols conceal on the one hand and reveal on the other. The symbolic elements in this clever cartoon movie are rich with meaning. Featured in this post are the esoteric contents of a dresser drawer in Hogarth's bedroom.

The first thing I notice in the drawer is an 8 ball. Considering this object as one of the pool game variety alludes to the pyramid formed by the 15 ball rack formed at the beginning of the 8-ball game, in which the 8-ball occupies a key position. However, the context suggests a look-a-like object called the Magic 8-Ball, the meaning of which is supported in the context of the other objects in the drawer. This "toy" was about as popular as the slinky, silly putty, Frisbee and hula-hoop when I was growing up.

This ball has a clear view-port opposite the white circle with the 8 inside. If you hold the ball with the view-port up you can see a triangular face float to the top with a message on it. To use the ball, you turn the view-port down, ask it a yes/no question, then rotate the view-port up so the answer comes into view. This toy is an introductory version of an oracle used for divination. It was invented in 1946 by Albert Carter, whose father was a clairvoyant, an occult practitioner in the magical arts of divining. It compares most closely to a crystal ball.

9) When you enter the land which the LORD your God gives you, you shall not learn to imitate the detestable things of those nations.
10) There shall not be found among you anyone who makes his son or his daughter pass through the fire, one who uses divination, one who practices witchcraft, or one who interprets omens, or a sorcerer,
11) or one who casts a spell, or a medium, or a spiritist, or one who calls up the dead.
12) For whoever does these things is detestable to the LORD; and because of these detestable things the LORD your God will drive them out before you.
Deuteronomy 18:9-12

The popularity of this oracular object and its distribution as an innocent toy compares to the phenomenon of the Ouija board. These tools of divination encourage the practice of the occult arts in rebellion against the commandments given by the one true God for our protection. Giving children access to these objects is like setting a welcome mat out for the abundance of lurking demons who await such invitations. The object remains today as a cultural icon, evidenced by this Allstate Insurance commercial.

I'm going to explore this single object a little further before I move on to the other contents of the drawer because of how popular similar elements are in the entertainment media and how little regard is typically given them in our ignorance.

Why did the son of a clairvoyant choose an 8-ball as the pseudo-crystal ball object? Probably because black objects may be used as well as crystal for divining. Also, the figure 8 on the 8-ball is also the infinity symbol that represents the transformation of man from mortal to immortal being. This is also the underlying theme of the movie!

The magic 8-ball is not the only object in the movie signaling divination. In an earlier post I presented the bathroom cabinet mirror, identifying it with the practice of scrying. That's a kind of divination where the mirror facilitates communication with spiritual entities as through a dimensional portal. The formal name for this is catoptromancy.

In popular culture the "classic" animated feature "Snow White and the Seven Dwarfs" features this practice with the question asked being, "Mirror, mirror on the wall, who is the fairest of them all?" Disney productions specialize in occult indoctrination, with another notable example being the ubiquitous Mickey Mouse as the sorcerer character with a crystal ball. As a current example, there is an electronic "learning" game called "Disney Princess, The Crystal Ball Adventure" (Ages 5-7 years).

Consider the popularity of the "Alice Through the Looking Glass" story, where the mirror is not only the communications portal but useful for full inter-dimensional travel.

In the iconic Wizard of Oz, the fortune teller named Professor Marvel divines using a crystal ball in the "real world" opening sequence, and the wicked Witch of the West does likewise in the dream/fantasy world.

Outside the context of these occult "entertainment media" productions that corrupt us from an early age, there is the catoptromancy practiced by the State Oracle of the respected Tibetan Dalai Lama. The Dalai Lama consults the State Oracle, who divines while in a trance using the object you see on the left.

The internal device responsible for the choice of answers offered by the magic 8-ball is a regular 20 sided figure called a icosahedron. A similar icosahedron is used as the die in role-playing games such as Dungeons & Dragons, which is another popular introductory "game" for occult ritual practice. I found the following comment someone posted on Wikipedia interesting, too. "Using the Coupon collector's problem in probability theory, it can be shown that it takes an average of 72 questions of the Magic Eight Ball for all 20 of its answers to appear at least once." The number 72 is the number of stars surrounding the scene of the apotheosis of George Washington on the US Capital dome, representative of the fallen demonic entities involved in the ritual magic of regeneration.

Let's consider the other contents of Hogarth's dresser drawer. In front of the 8-ball is a compass, a device used to find direction. This compares to and highlights the 8-ball divination, because advice and direction is given by the oracle. The "E" direction is the compass heading from which the Messiah will come. The capitol E is also the trident letter, a triple helix DNA signal.

There is a flashlight bulb, a source of light, symbolic of Luciferic illumination. This relates to the 8-ball divination also, from which is sought supernatural illumination.

There is a die with the three dots turned up, and three dots of what must be the "five" are exposed to our view on another face. The redundant show of 3 is another triple helix DNA cue, but don't let that be your lot in life! There's a die inside the oracle 8-ball that is marked particularly by three and five features. It has five triangular (5 and 3) faces meeting at each vertex. It can be represented by its vertex figure as 3.3.3.3.3 or 35, and also by Schläfli symbol {3,5}. Coincidence, or purposefully done by the clever deceiver?

There is a pinkish flesh colored PEZ dispenser, which is a candy dispenser that became popular as a toy. In 1956-1957 the popular PEZ was a witch on a broomstick, although the one in the drawer appears to be the more generic version.

Appearing in back of the 8-ball is a button with the image of a rocket ship. This is for space travel to alien worlds, for ascending people from earth into the heavens. Think about it.

There's a horseshoe magnet, which attracts - iron. Attracts iron. Did you get that? Attracts iron. This is the iron giant, right? Iron mixed with clay, Daniel 2. Attracts iron. It seems to have worked for Hogarth.

The last item of note in Hogarth's drawer of esoteric treasure appears to be a crosswords puzzle book. Can you figure out the puzzle of what the contents of the drawer mean?

Friday, July 02, 2010

The Iron Giant (1999 - Warner Brothers) features the giant iron robot as a future Beast of Revelation 13 and as an ancient god as worshiped in antiquity. In this post I'm presenting a few more features that identify the iron giant with the gods of the ancients. These various identities, as you may know, resolve to the dragon/serpent Lucifer or Satan and his near companions, the fallen.

In battle sequences, various facets and forms of the robot as a weapon are presented. Among them is the Medusa you see on the left. Medusa is among the pantheon of Greek gods many of us have begun to recognize as the agents responsible for the great flood of Noah's day.

Hogarth's house has been shown in this series to be decorated with an abundance of symbolic patterns and other elements. On one wall appears two masks.One of these resembles a traditional Malian mask, as worn in one of the cults of the Dogan. You'll notice a feature shared with the iron giant, a forehead fin. This must be a family trait that identifies them as relatives. The gods worshiped in ancient times were indeed "iron giants," the Watchers or their Nephilim spawn.

If you follow through with some historical research you will find this page on the West African tribe, The Dogan of Mali Here's an excerpt from that page, which offers some insight into why the masks are so featured in this finely crafted antichrist vehicle.

"In the late 1940’s, Dogon priests greatly surprised the French anthropologists Griaule and Dieterlen by telling them of secret Dogon myths about the star Sirius (8.6 light years from the earth). The priests said that Sirius had a companion star that was invisible to the human eye. They also stated that the star moved in a 50-year elliptical orbit around Sirius, that it was small and incredibly heavy, and that it rotated on its axis. All these things happen to be true (the actual orbital figure is 50.04 +/- 0.09 years). But what makes this so remarkable is that the companion star of Sirius, called Sirius B, was first photographed in 1970. While people began to suspect its existence around 1844, it was not seen through a telescope until 1862. The Dogon beliefs, on the other hand, were supposedly thousands of years old."

One of the most well protected mysteries of the Freemasons regards the role of the dogstar Sirius. (As related by Dr. Robert Hieronimus) These are no fabricated myths perpetuated by a merely superstitious culture of simpletons.

Continuing with another excerpt, consider the messianic, or, antiMessianic feature of the the worship system the iron giant's relatives inspired.

"The Dogon say their astronomical knowledge was given to them by the Nommos, amphibious beings sent to Earth from Sirius for the benefit of mankind. The word Nommos comes from a Dogon word meaning "to make one drink," and the Nommos are also called Masters of the Water, the Monitors, and the Teachers. The Dogon myths tell the legend of the Nommos, who arrived in a vessel along with fire and thunder. After they arrived here - they put out a reservoir of water onto the Earth then dove into the water. There are references in the oral traditions, drawings and tablets of the Dogons, to human-looking beings who have feet but who are portrayed as having a large fish skin running down their bodies. The Nommos were more fishlike than human, and had to live in water. They were saviors and spiritual guardians: "The Nommo divided his body among men to feed them; that is why it is also said that as the universe "had drunk of his body," the Nommo also made men drink. He gave all his life principles to human beings." The Nommo was crucified and resurrected and in the future will again visit the Earth, this time in human form."

Again, "The Nommo was crucified and resurrected and in the future will again visit the Earth, this time in human form."

And I stood upon the sand of the sea, and saw a beast rise up out of the sea...
Revelation 13:1

And who taught such things to those who worship their ancestors who were gods and descended from gods?

"And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways. Semjâzâ taught enchantments, and root-cuttings, 'Armârôs the resolving of enchantments, Barâqîjâl (taught) astrology, Kôkabêl the constellations, Êzêqêêl the knowledge of the clouds, Araqiêl the signs of the earth, Shamsiêl the signs of the sun, and Sariêl the course of the moon. And as men perished, they cried, and their cry went up to heaven..."Enoch 8

"...Thou seest what Azâzêl hath done, who hath taught all unrighteousness on earth and revealed the eternal secrets which were (preserved) in heaven, which men were striving to learn: And Semjâzâ, to whom Thou hast given authority to bear rule over his associates...."Enoch 9

The masks on Hogarth's wall are consistent with such as the oak motif symbolic of Zeus and Apollo. They expose the iron giant as something more than an innocent cartoon. The figure is a god, worshiped by the ancients and by those today who have the cunning to put such as this media production out into the world with confidence that it will perform its appointed work with stealth.

The face of another relative of the iron giant appears in a context that presents another notable feature of the Watchers and Nephilim in the earth. The appearance of this face is more subtle than the masks on the wall but is still discernible. This face appears in Dean McCoppen's scrap yard amongst the vast heaps of junk. The yard is the iron giant's hideout, and the junk is what he eats. The yard is like a graveyard for old cars, trucks, farm equipment, appliances, etc. In this graveyard is what appears to be the weathered inanimate head of another iron giant. The iron giant eats the scrap, and since the scrap happens to include another iron giant, this is what we call cannibalism.

And all the others together with them took unto themselves wives, and each chose for himself one, and they began to go in unto them and to defile themselves with them, and they taught them charms and enchantments, and the cutting of roots, and made them acquainted with plants. And they became pregnant, and they bare great giants, whose height was three thousand ells: Who consumed all the acquisitions of men. And when men could no longer sustain them, the giants turned against them and devoured mankind. And they began to sin against birds, and beasts, and reptiles, and fish, and to devour one another's flesh, and drink the blood. Then the earth laid accusation against the lawless ones.Enoch 7

These giants devoured mankind, which was shown earlier in this series to be cryptically pictured in the serving bowl. They also devoured one another's flesh, pictured in the iron giant's feasting upon the contents of the iron giant graveyard. Is there any doubt what the iron giant agenda really is? The giants are returning in another attempt to finish what they started.

There is, of course, a messianic version of the scrapyard feast, mimicked by this evil production.

53) Then Jesus said unto them, Verily, verily, I say unto you, Except ye eat the flesh of the Son of man, and drink his blood, ye have no life in you.
54) Whoso eateth my flesh, and drinketh my blood, hath eternal life; and I will raise him up at the last day.
John 6:53-54

No such life will await those who are preyed upon by those who serve the fallen iron giant gods and fail to resist their schemes. The true messiah, Y'shua has the life you want. The banquet is set before you. Open your eyes and learn to understand symbolic language. Your life may depend on it.

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