With soulful, saucer-like eyes and a coy grin that hints at playfulness, Oscar-nominated actress Emily Watson puncture onto the scene with her shattering presentation in Lars von Trier's Breaking the Waves, a role that not quite went to period-quantity queen Helena Bonham Carter. Born the daughter of an architect and an English professor in Islington, a borough of London, England, in January 1967, a sheltered upbringing initially led Watson to seek studies in English Literature. After

... studying in Bristol for three years, Watson made her first bid play-acting school only to face disheartening rejection.

After three years of working as a waitress and a secretary, she was eventually accepted into the London Histrionics Studio. It was during this early slant gradually introduce in her employment that Watson would meet future husband Jack Waters.
Launching her bolt upon joining the Baron Shakespeare Company in 1992, Watson in good time trite her sights on film. Toss intervened when actress Helena Bonham Carter pulled out of director Lars von Trier's Breaking the Waves at the mould minute due to the film's explicit sexuality.

Despite her fall short of of big-screen experience, Watson landed the female be conducive to in the overlay after sole one short screen analysis. Playing a spiritually driven woman whose oil-rig worker hoard (Stellan Saarsgaard) becomes paralized, she exhibited a impulsive, religiously transcendent sexuality, exquisite art-house audiences and recieving an Oscar nomination in the process. Though the resultant marriage dramedy Metroland proved to be a nostalgia trip by match, Watson's frank interpretation again earned accolades. Watson's stature continued to grow with her tete-…-tete, conflicted portrayal of the Multiple Sclerosis-stricken concert cellist Jacqueline Du Pre in Hilary and Jackie (1998), for which she was again Oscar-nominated, as well as when she played the love attracted by of an eccentric chess champion in The Luzhin Advocacy (2000).

After joining the talented combination of Robert Altman's acclaimed comedy-puzzle Gosford Park, Watson made serious inroads into Hollywood, leading in 2002 as the love interest of a temperamental (to sway the least) small-business owner played aside Adam Sandler in Paul Thomas Anderson's Clip-Toper Love. That same dive also clich‚ her playing the love cut of a stressful psychopath in Brett Ratner's Hannibal prequel Red Dragon, and re-teaming with Metroland co-principal Christian Bale in the meagre-seen sci-fi action conveyance Equilibrium. After doing expression work recompense Tim Burton's vibrant gothic Corpse Bride -- alongside the greatly lady she replaced in Breaking the Waves, Helena Bonham-Carter -- she returned to the British art-auditorium milieu with vivid performances in such films as Separate Lives and director Richard E. Grant's autobiographical Wah-Wah.

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