A Web Journal About Vampires and Other Dark Matters

At Kitt Peak, where I work, the 4-meter telescope is getting a new coat of paint. Also, I now have my first wave of galleys for The Astronomer’s Crypt. My editor has made a few new changes—some for the better, some I’m revising further. In all, it’s a time for renovation and renewal.

In the spirit of renovation, renewal, and hoping to make things better, I’ve been thinking about my blogs. In case you don’t know, I have two of them. On Saturday, I blog at davidleesummers.wordpress.com about steampunk, science fiction and writing. I’ve been blogging here on Mondays about horror, vampires, and writing. The lines between the topics often blur, partly because horror and vampires sneak into my steampunk from time to time, while science fiction sneaks into my horror, and so forth.

It seems to me that having two blogs is splitting my energies and my audience. Now, I’m the first to admit that not everyone who likes my steampunk will also like my vampires. Not everyone who dreams of traveling to the planet Sufiro wants to imagine the horrible nightmares I have in store in The Astronomer’s Crypt. Despite that, the lessons I learn from writing and my observations likely have a common audience.

So, my plan is to try an experiment. Starting next week, all my blog posts will be posted at davidleesummers.wordpress.com. I’ll continue on my current schedule with more steampunk and science fiction on Saturdays and more horror and paranormal fiction on Mondays.

Thanks to all those who have followed this site since I started it in 2009. If you don’t already, I encourage you to come over to my other site and follow me there, so you won’t miss a thing. Of course, another way to keep up on all my latest news is to subscribe to my newsletter. I haven’t been sending updates as often as I’d like simply because I’ve been working on several projects all at once. Not only am I working on The Astronomer’s Crypt, but I’m working on two science fiction anthologies and some new short fiction, all of which I’ll be sharing about as it comes out both on the blog and in the newsletter.

While in Tucson recently, I stopped off at a comic shop to see what’s new. As I browsed the shelves, my eyes fell on the title Scooby Apocalypse. The premise is that the familiar gang of Scooby, Shaggy, Velma, Daphne, and Fred are on the scene as nanites are released, transforming humanity in monsters and unleashing worldwide catastrophe. I browsed through the first issue and saw lovely artwork and soon realized they had created a science fictional reason for Scooby to be able to talk.

Before I go too much further, I should explain that I grew up in the early 70s, watching Scooby-Doo, Where Are You? and a host of other Hanna-Barbara cartoons when they first ran. In fact, you might say Scooby was my first introduction to horror. Even if they did pull off rubber masks and reveal that the villain was always a crook in a suit, the ghost in Vásquez castle and the Spooky Space Kook both freaked me out as a kid. The influence Scooby has had on me was evident when Fred Cleaver at The Denver Post said the characters in Vampires of the Scarlet Order reminded him of the Scooby Gang. In fact, while working on The Astronomer’s Crypt, the copy editor noted that the protagonist, Mike Teter, had a “Velma moment” and I had to laugh.

Also, I’ll note that as a writer, and especially a horror writer, apocalyptic fiction has a certain appeal. After all, one of the things writers want to do is maximize the emotions felt by the characters in their stories. Putting characters into an apocalyptic scenario allows us to see what these characters do in the very worst possible situations. In that sense, The Astronomer’s Crypt is very much an apocalyptic novel, because I trapped people in a confined space with minimal resources and threw real-world villains, ghosts, and true apocalypse-bringing monsters at them. This kind of scenario clearly has a strong appeal with writers and readers as evidenced by such books as Stephen King’s The Stand, Suzanne Collins’ The Hunger Games, and Lois Lowry’s The Giver.

So, when I saw old favorites like the Scooby gang thrown into an apocalyptic scenario, I had to check it out. I’m happy to say the first two issues of Scooby Apocalypse were pretty good. They reminded me of one of my favorite Scooby-Doo movies after the original: Scooby-Doo on Zombie Island. In fact, Daphne and Fred work for television, just as they did in Zombie Island. Like the movie, Apocalypse imagines that the gang are now grown-ups. However, in this case, the series is something of a reboot and in this world the gang meets for the first time as adults.

I was eagerly awaiting issue 3, but discovered that my local comic shop in Las Cruces sold out before I got there! I have a copy on order, but while waiting, I made a second interesting discovery. It turns out DC Comics has another Hanna-Barbara story imagined in an apocalyptic reality. This time, they took the silly cartoon Wacky Races— inspired no doubt by such slapstick comedies as 1965’s The Great Race—and imagined it in a Mad Max-like post atomic horror.

For those who don’t remember Wacky Races, it imagines colorful characters like the beautiful Penelope Pitstop, the villainous Dick Dastardly and his dog Mutley, the handsome Peter Perfect, and the inventive Professor Pat Pending racing in different venues around the world. Among the characters racing are a beaver, a bear, and a pair of cavemen. In the new comic, Wacky Raceland, all the same racers are there but now in a world with such creatures as “sandtipedes” and such hazards as nanite storms. Imagining the silly cartoon in a post apocalyptic world works surprisingly well and the second issue even brought an unexpected tear to my eye. I’ll likely be following this one for at least a little while.

My one concern about apocalyptic fiction is when people in the mainstream start taking it a little too seriously. Apocalyptic scenarios are fun to throw at fictional characters. They’re important for writers to posit as cautions to society. However, I grow wary when politicians start telling me apocalypse will result when I vote the other guy. These scenarios are rarely that simple. If an apocalyptic scenario is imminent, I don’t believe that fixing it is as simple as voting for one person over another. I want to know how you’re going to inspire us to work together to move the world away from the apocalypse envisioned.

This summer, I had a wonderful opportunity to visit Lowell Observatory in Flagstaff, Arizona. It’s famous as the site where Percival Lowell observed Mars for many years, recording his observations of the canals he—and most mainstream scientists of the day—believed they saw. It’s also the observatory where Clyde Tombaugh discovered Pluto. Of course, in mythology, Pluto is the Roman god of the underworld and a figure closely associated with the spirits of the dead. As I’ve mentioned in a couple of other blog posts here at The Scarlet Order, it’s also the site of Percival Lowell’s Crypt. In the photo, you see my daughters and I visiting the tomb.

If you look carefully at the tomb, there are two epigraphs, one on each side of the door. The one on the right reads, in part, “Everything around this Earth we see is subject to one inevitable cycle of birth, growth, decay … nothing begins but comes at last to an end … though our own lives are too busy to mark the slow nearing to that eventual goal …” The words on this astronomer’s crypt go a long way to explaining what draws me to horror. Birth, growth, and decay are not only inevitable, but all can be frightening. Horror provides a mechanism for taking a look at the things that frighten us and getting a handle on them.

The epigraph continues: “Today what we already know is helping to comprehension of another world. In a not distant future we shall be repaid with interest and what that other world shall have taught us will redound to a better knowledge of our own and of the cosmos of which the two form a part.” The quote comes from Percival Lowell’s book, The Evolution of Worlds. Horror might be scary, but it reminds me that humans can overcome even the worst terrors to accomplish great things. In fiction that can be defeating a villain or a monster. In real life, we might conquer our fears to expand the borders of human understanding.

Right next to Lowell’s crypt is the telescope where he observed Mars for many years. This visit was my first opportunity to go in, see the telescope and even look through it. We didn’t look at Mars, but the view of Saturn was unreal. We could see resolution in the clouds and the rings were sharp and beautiful. If the ghost of Percival Lowell wanders the observatory grounds, I suspect he’s proud of the job the people there do of giving the public a glimpse at the universe, which can be at once scary and beautiful.

I certainly hope to scare you when The Astronomer’s Crypt comes out, but I also hope you’ll see how people overcome fear and accomplish great things. Even though I hope to show you scary things in that novel, I also hope to show you some of the beauty that this universe and the people who inhabit it possess.

I just returned the copy edited version of The Astronomer’s Crypt to my publisher. While working on edits, I like to read good prose, which helps me stay focused on picking the best words possible in a scene. I’ve always enjoyed Anne Rice’s prose, so was delighted to discover the last of her vampire novels that I had not read in my “to read” stack. This was Vittorio the Vampire which was the second of her two “New Tales of the Vampires” series.

Aside from a brief discussion of the Vampire Chronicles in the first chapter, Vittorio the Vampire stands apart from all of Rice’s other vampire novels. Even Pandora, which falls under the “New Tales of the Vampires” series includes events from the more famous “Vampire Chronicles” and Pandora herself is a character in a few of the Chronicles.

Set circa 1450, during the height of Cosimo de Medici’s power in Florence, Vittorio the Vampire tells the story of Vittorio di Raniari, a young nobleman educated in Florence. Vittorio’s father runs afoul a coven of vampires, who rampage through the castle and kill Vittorio’s family. Vittorio himself is spared by a beautiful vampire in the body of a young woman named Ursula.

After burying his family in the castle crypt, Vittorio travels toward Florence when he comes across a town mysteriously free of the sick and the infirm. He soon learns the vampire coven is behind this. The villagers pay a “tribute” of people to keep the vampires away. Ursula finds Vittorio and invites him to meet the coven. Once he arrives at their castle, he finds the village’s old and infirm in coops, stored away for food. The vampires invite Vittorio to join the coven, but he refuses. Instead of killing Vittorio outright, the vampires spare him, thanks to Ursula and he’s taken back to the village.

Because the vampires started to turn Vittorio, he’s not left unaffected. It turns out he now has the gift to see angels. The angels lead Vittorio back to the vampire castle to destroy the monsters. The problem is, Vittorio has become smitten by the beautiful Ursula. I’ll leave my summation there to avoid spoilers, though you can probably guess some of what happens from the book’s title. Even then, as with most good books, the real magic is in the details.

At its core, Vittorio the Vampire is simply the story of how young Vittorio became a vampire, but that description doesn’t really do it justice. It’s also the story of Vittorio and Ursula’s love and how that love story relates to God’s will as articulated by the angels. Although physical immortality is an issue, Vittorio lives in a world where it’s assumed he’ll have spiritual immortality if he follows the angels. So, for him, the choice of becoming a vampire actually becomes a choice of following God and becoming truly immortal or being trapped in a human body forever for the sake of love.

I’m a little sorry there isn’t another Anne Rice vampire novel waiting in the wings. Back in 2014 when Prince Lestat was released, there was some discussion that there might be more Vampire Chronicles. I hope that proves to be true. If not, I know Ms. Rice has many other good novels I haven’t yet sunk my teeth into, plus many other vampire and horror novels by other authors await as well.

As for The Astronomer’s Crypt, I don’t yet have a release date, but I’m told I should see galleys by early September, which is really the final opportunity to review the manuscript before publication. So, it shouldn’t be too long after that before you can read it—I say hopefully!

This Independence Day finds me working through the copy edits of my novel The Astronomer’s Crypt, which is set roughly this time of year. I have to admit, I thought it would feel strange to work on a horror novel during the height of summer on such a celebratory holiday, but somehow it hasn’t been as discordant as I would have thought. Performing a Google search on “Patriotic Horror” I find a few web sites with suggestions about horror movies for the long 4th of July weekend.

On reflection, perhaps this isn’t so unusual. After all, how many slasher movies essentially start out with people going camping in the woods? Of course, the original summer blockbuster, Jaws, is a thriller set on the beach during summertime, and the story even spans the July 4 holiday. When I spent a summer on Nantucket, where the ocean scenes in Jaws were filmed, not only did we scare ourselves with visions of shark-infested waters, we sometimes thought we could hear the ghost of Maria Mitchell tromping though the observatory named in her honor late at night.

Maria Mitchell Observatory on Nantucket

Horror and Americana seem strangely linked sometimes. After all, Washington Irving’s The Legend of Sleepy Hollow, with its New England setting, is not only a creepy story, but takes us back to the early days of the nation. Sometimes even modern authors look back at the past and charge up the reputations of real heroes, such as Seth Grahame-Smith did when he wrote Abraham Lincoln Vampire Hunter.

One movie on those lists of patriotic horror films stood out to me: The Omen starring Gregory Peck and Lee Remick. It makes the list because Peck played an ambassador to England and the devil’s son, Damien, seems to move himself ever closer to the president of the United States over the course of the movie. This was one of the first horror films I remember watching with my dad and it genuinely terrified me despite my dad’s assurances it was all pretend and his Mystery Science Theater 3000-style ribbing of the film. I certainly hope The Astronomer’s Crypt scares readers as much as The Omen scared me and that it might even provide some good memories for families who share it together.

If you’re looking for some good summer scares, check out my Book Info and Excerpts page for some ideas. May all your scares this Independence Day be imaginary ones and all the ghosts you meet be friendly.

This past weekend, I was at LepreCon in Phoenix, Arizona. On Saturday, I was on a panel called “Responding to Reviews.” The authors and artists gave some great advice and I thought it was worth sharing some highlights. The panel is below. In the photo below you see Educator KellyAnn Bonnell, yours truly, writer and game designer Shanna Germain, Jennie Breeden, writer and artist of The Devil’s Panties, and game designer Ben Woerner.

Of course, as an author or artist, when you get a review, positive or negative, it can be problematic to respond with much more than a very polite, “thanks for sharing your opinion.” This is pretty common advice and the panel generally agreed with it.

The panel moved on to discuss what constitutes the most helpful reviews. The panelists cited reviews that give clear examples of what worked for them and didn’t work for them in a book. Also helpful is when the reviewer can cite why something worked or didn’t work. I noted an example of a reviewer mentioning an element of my novel Children of the Old Stars that didn’t work for her. That inspired me to create an important plot point in Heirs of the New Earth that addressed the issue.

The panelists also noted a frustrating tendency of some reviewers to review the artist rather than reviewing the art. As an example, a person might see a statement by a character in a story and assume that reflects the author’s politics or personal preferences, then attack the author’s perceived philosophy. Unfortunately, these reviews are never helpful because they’re never about the work. They’re just a case of the reviewer having their buttons pushed and then venting.

Related to this, KellyAnn discussed the issue of evaluating reviews. She noted that she generally ignores the top 1% of positive reviews and the bottom 1% of negative reviews as outliers. It’s the stuff in the middle that often has the best constructive criticism you can use to help you evaluate your own writing.

Another aspect of the panel was simply coping with poor reviews. Ben noted that there’s an actual physiological response that causes us to look at bad things and remember them vividly. It makes sense as a survival instinct. Don’t go back to the place that hurts. It’s one of the reasons bad reviews tend to sting so badly and stay with us. Shanna noted that she keeps one of her favorite positive reviews handy and reads it over any time a bad review comes in. It helps her to remember the good work she’s done and move on. Jennie noted that sometimes a bad review comes in and if you sit back and think about it, it’s clear the reviewer is having a problem in their own life.

I finished up this part of the discussion by noting that I like to look at the reviews of my favorite authors and remind myself that very successful authors get bad, good, and neutral reviews too.

Are you a writer or an artist? If so, I’d love to hear what you think is helpful in a review. Likewise, I’d love to hear how you cope with the bad reviews. Are you a reader? What do you look for in reviews when you buy books? Do you look at the reviews?

LepreCon Science Fiction Convention is Arizona’s Annual Sci-Fi & Fantasy Convention with an art emphasis. “Life, the Universe & Everything” is the theme for LepreCon 42 to be held June 23 – 26th, 2016 at the Park Terrace Suites in Phoenix, Arizona. The guests of honor include Jennie Breeden, creator of the webcomic The Devil’s Panties and D.C. Fontana, who wrote for Star Trek, Babylon 5, and Bonanza. For more information about the convention visit the LepreCon Website. Below, is where you can find me at the convention.

Thursday, June 23

9:00-10:00pm. What Is Steampunk? Suite C. Steampunk is often referred to as the “greatest era that never was.” Our panel discussion will open the door to what Steampunk is for those new to the genre. On the panel with me are Ben Woerner and Johnna Buttrick.

Friday, June 24

5:00-6:00pm. Future of Steampunk Literature. Suite E. A brief look at the history of Steampunk literature and where the future might lead us. On the panel with me is Scott Wilke.

Saturday, June 25

11:00am-Noon. Responding to Reviews. Suite C. Learn how creators can best respond to the good, bad, and funny reviews they receive online. On the panel with me are Ben Woerner, Elizabeth Leggett, KellyAnn Bonnell, Shanna Germain, and Jennie Breeden.

Sunday, June 26

9:30-10:30am. Surveying the Universe. Suite E. Kitt Peak’s mission is evolving. A new large spectrographic instrument is being deployed on the Mayall 4-meter and a new Doppler Spectrometer is being deployed on the WIYN 3.5-meter. What are these instruments and what do we expect to learn? What’s different about this science than the astronomy that’s been done at Kitt Peak in previous years.

Noon-1:00 pm. Steampunk Before It Was Steampunk. Suite C. A discussion of film, TV and books that had steampunk elements before the term “steampunk” was coined. On the panel with me are Michael Flanders and Hal Astell.

In addition to these events, there’s a masquerade, a terrific art show, demos and gaming. If you’re in Phoenix, Arizona this coming weekend, I hope you’ll come in out of the heat and join us at LepreCon!