Pasteprints: A New Hypothesis About their Production by CYNTHIA L. BOWMANThe Taste for Prints in Italy to c. I 600 by MICHAEL BURYSimon Gribelin (1661-1733): Printmaker and Metal-Engraver by SHEILA O'CONNELLJean Morin's Etched Portraits: Additions and Corrections to Hornibrook's Catalogue by OSBERT BARNARDA 'New' William Blake Engraving? by ROBERT N. ESSICKNew Light on 'H.B.': an Early Work by John Doyle by DAVID BLAYNEY BROWNThe Print Council Index by ANTONY GRIFFITHSBonasone by FREDERICK G. SCHABCarracci by CHARLES DEMPSEYStubbs at the Tate Gallery by CHRISTOPHER LENNOX-BOYD AND ROB DIXONWhistler by GABRIEL P. WEISBERG

NUMBER 2

Perspective Views by C.J.KALDENBACHThe Early Prints of Ben Nicholson by JEREMY LEWISONPrints and Prices by ALBERT REESEPrints and the Transfer of Images and Styles by PETER W. PARSHALLWhistler Etchings by NIGEL THORPThe Argument of the Eye by EUGENIA PARRY JANISRediscovering Riviere by RICHARD THOMSONMatisse by JOHN KLEINGemini G.E.L. by RICHARD S. FIELDTHE LONDON ORIGINAL PRINT FAIR

NUMBER 3

The Print Privilege in Eighteenth-Century France by PETER FUHRINGThe Rise of Etching in America's Far West by RAYMOND L. WILSON Towards a Tempesta Catalogue by VERONIKA BIRKEGeorge Hayter (1792-1871): A Printmaker of the I 820s by DAVID ALEXANDEREnglish Printmaking by CONAL SHIELDSMore English Printmaking by DAVID ALEXANDERJames Tissot by GABRIEL P. WEISBERGThe Age of Expressionism by GUNTHER THIEM

NUMBER 4

Claude Flight and his Australian Pupils by STEPHEN COPPELAuerbach as Printmaker by MICHAEL PODROThe Inventory of Gilles Rousselet (1610-1686) by VERONIQUE MEYERAn Uncut Wood-Block by Lucien Pissarro by CHRISTOPHER LLOYDGiorgio Ghisi by DIANE DEGRAZIATobias Stimmer by CHRISTIANE, D. ANDERSSONPrints in Eighteenth-Century France by ANNE AND ARSENE BONAFOUS-MURATA Dictionary of Illustrators by SUSAN LAMBERTAdolph Von Menzel by ANTONY GRIFFITHSSatire and Censorship by CELINA FOX