"Thank you ! Did we all read "Giovanni's Room" when we were teens ... and were slightly baffled and taken ?? Now I'm curious .. about this movie" - Martin

"We don’t deserve something this beautiful in 2018..." - Margaret

"I thought it was a terrific, lovely film but with some flaws. I don't think the voiceovers work well in the film and nor was it necessary since the film was already so infused with Baldwin's voice. " - Raul

Entries in foreign films
(477)

Our year in review party begins TODAY. A different list each day! Here's Nathaniel R...

Time for an annual look back at subtitled fare in cinemas. As with 2017 and the year before India, China, Mexico, and South Korea dominate with a smattering of Oscar contenders and random other countries faring much less well in the American marketplace. Much of the imbalance is due to dedicated distributors who saw a underserved market and focus specifically on it. Here in Manhattan, it's interesting to watch how this plays out. Generally speaking some big multiplexes reserve one or two screens for super specific distributors (Bollywood and mainstream Asian features for example are often at the Empire in Times Square which has 25 screens). Meanwhile the traditional "arthouse theaters" continue to rely on the decades-long practice of programming festival hits, docs, and arthouse style cinema which leans heavily European with a few buzzy Asian titles thrown in; in other words they're Oscar-aligned in their tastes.

For the purposes of the following list we skipped documentaries and animated films to keep the list more focused (and avoid arguments about dubbed versions or whatnot). The numbers are pulled from Box Office Mojo.

TOP 100 FOREIGN LANGUAGE FILMS FOR 2018Domestic Box Office Grosses Only - Figures as of December 16th

BREAKING: We don't like this new system of announcing ALL the finalist lists (in the categories that get finalist lists, that is) on the same day as it doesn't give you time to individually think about each list and write multiple thorough articles. So we'll have to investigate more deeply over the next few days. But for those who are okay with just the quick take list format you can see the lists and a few gut reactions right after the jump. Every Oscar chart will be updated tomorrow to reflect the past week of awards season madness and these lists.

But without further ado, the finalist lists before the nominations are announced on January 22nd...

On Monday the 87 movie wide official list of Academy Award Foreign Film submissions will be whittled down to 9 titles. It's a merciless cull -- why aren't their 15 finalists as in Documentary? -- and even more ignominious is the knowledge that less that 50% of those that are deemed finalists will be discarded at the last second before they can taste victory. At least with a 10 wide list, just one more title, it would be kinder, giving you a 50/50 chance. That would feel like a toss of the die and thus more whimsical than unkind in the long run.

Hello awards-enthusiasts! Since Glenn Dunks is returning to his Doc Corner series later today after his annual duties at the Asia Pacific Screen Awards, we realized we'd forgotten to list the winners and it's quite a good batch. Big prizes went to three currently buzzy foreign film Oscar hopefuls: Shoplifters (Japan), Burning (South Korea) and Capernaum (Lebanon). The first two are in theaters now in the US right now and Capernaum opens on December 14th. They're all terrific films and have to be considered very real threats for Oscar nominations. But it's true that that particular category is super competitive so virtually any high profile title might miss the shortlist. [Before we hear who nabbed the 5 nominations on January 22nd, the Academy will narrow that huge 87 film list down to just 9 contenders on December 17th.]

The list of APSA winners along with a few acceptance speeches after the jump...

LONGEST & SHORTESTRunning times are, we admit, a peculiar TFE obsession but it is what it is. The longest submission this year is Chile's And Suddenly the Dawn at 195 minutes. It's a sprawling fictional biography of a writer returning home after a long absence and takes place in three different time periods of his life: childhood in the 1940s, adulthood in the 1960s/70s, and present day old age. Did their win last season embolden Chile the way directors often get more longwinded the more famous they get? Germany's Never Look Away (just reviewed) and Turkey's The Wild Pear Tree are the only other absurdly long films, each over 3 hours (188 minutes each to be exact). The shortest entries are Costa Rica's university student pregnancy drama Medea (70 minutes) and Lithuania's sports documentary Wonderful Losers (71 minutes) but there are actually quite a few entries that are hovering just below the perfect movie length of 90 minute. In other words, a lot of international filmmakers kept it tight.

The Sundance Film Festival runs January 24th through February 3rd next year. Let's look at the five of the key program lineups in brief. Which films are you most excited about. TFE might be going this year, we're not yet sure.

U.S. DRAMATIC COMPETITION

Alfred Woodard stars in "Clemency"

16 World Premieres will be competing for the Sundance crown (won last year by The Miseducation of Cameron Post). The new crop is all writer/directors (except where noted) and Sundance has been very careful about diversity, noting in their press release that the US dramatic competition section is 53% female directors, 41% directors of color and 18% LGBTQ directors. But they had a ton to choose from which helps with diversity. There was a record number of submissions for the 2019 festival with 4,018 features hoping to be selected, 1767 if those made from within the US...