We read about the nomination of Betzalel and Oholiav to design the Mishkan and lead it’s construction. And the Torah goes into great detail about the materials used (acacia wood, dolphin skin, crimson wool, etc.). So here I could talk about the different materials our campers get to create with in the art room and the wood shop: clay, mojpoj, paint, pine wood, woodstains, etc. And the Torah talks about the skill of the lead designers, how their talents are divinely inspired. Here I could talk about kavanah, and how every piece of art made at camp, from a 11 year old camper’s painting to a 16 year old camper’s original song, is done with Jewish content in mind, with a sense of Jewish intention behind the art. And of course, the Torah talks about portability – this is not going to be a permanent fixed structure. That is an easy bridge to the art work at camp being ephemeral, meaningful in the moment as a memory, and then lost to a blank canvas, which resets for the next session, the next summer, the next camper with an idea for expression.

But those things are not what makes this parsha so clearly about art at camp. In Chapter 36, Verses 1-7, we see that Bezalel and Oholiav were overwhelmed by the amount of things Israelites brought to contribute to the project. People brought their gold, their wood, their fabrics. They all wanted to be a part of what was happening, they all wanted ownership. And THAT is what Jewish summer camp’s philosophy of artistic creation is really all about. You go see group of campers perform

We read about the nomination of Betzalel and Oholiav to design the Mishkan and lead it’s construction. And the Torah goes into great detail about the materials used (acacia wood, dolphin skin, crimson wool, etc.). So here I could talk about the different materials our campers get to create with in the art room and the wood shop: clay, mojpoj, paint, pine wood, woodstains, etc. And the Torah talks about the skill of the lead designers, how their talents are divinely inspired. Here I could talk about kavanah, and how every piece of art made at camp, from a 11 year old camper’s painting to a 16 year old camper’s original song, is done with Jewish content in mind, with a sense of Jewish intention behind the art. And of course, the Torah talks about portability – this is not going to be a permanent fixed structure. That is an easy bridge to the art work at camp being ephemeral, meaningful in the moment as a memory, and then lost to a blank canvas, which resets for the next session, the next summer, the next camper with an idea for expression.

But those things are not what makes this parsha so clearly about art at camp. In Chapter 36, Verses 1-7, we see that Bezalel and Oholiav were overwhelmed by the amount of things Israelites brought to contribute to the project. People brought their gold, their wood, their fabrics. They all wanted to be a part of what was happening, they all wanted ownership. And THAT is what Jewish summer camp’s philosophy of artistic creation is really all about. You go see group of campers perform Beauty and the Beast, and you’ll notice: the younger campers standing up with grey cardboard ovals on their heads, performing as ‘spoons’ in “Be Our Guest”; a 14 year old camper on violin, a special needs camper on drums, and a member of Sports staff playing the saxophone in the orchestra; the oldest campers running the tech booth. The list goes on and on. At Jewish summer camp, like our Israelite ancestors before us, we take communal ownership of our art. To me, this way of creating art is what I’ve always known from camp, it feels natural. In Vayakhel-Pekudei, the Torah tells us it’s genetic.

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About The Canteen

The Canteen is a tribute to all things Jewish sleepaway camp. Hosted by the Foundation for Jewish Camp (FJC), this blog is written by campers, alumni, parents, and camp professionals and is a place to talk about parenting, camp fun, projects, crafts, recipes, and more – all tied back to Jewish holidays, traditions and, of course, camp!