2013.06.18

Tomorrow, at the ICA Conference in London, I'll be presenting data from one of my forthcoming journal articles with my friend Mark Latonero. It's got tons of data from two surveys of over 5,000 people around the globe, tracking the changes in their awareness, engagement with, and opinions regarding "configurable culture" between 2006 and 2010.

2013.04.22

This weekend, I was fortunate to host a keynote discussion between media theorist (and Moog afficionado) Trevor Pinch and DJ/author Paul D. Miller, a/k/a DJ Spooky. It was part of an excellent conference called "Extending Play" organized by the doctoral students at Rutgers SC&I.

Our panel was a lot of fun -- a freewheeling discussion that ranged from music and tech geekery to broad social theory. You can listen to the audio transcript here:

2013.01.21

Last month, I got a chance to give a talk based on my forthcoming book The Piracy Crusade at NYU, as part of the Computer Science department's Computers and Society lecture series. I always love talking to those folks, in large part because the guy who puts it together, Professor Evan Korth, is one of the coolest people I know. At a certain point, I just abandoned the presentation altogether and got into the nitty gritty. Fun ensued.

2013.01.17

This semester, I'll be teaching a class called "Copyright, Culture & Commerce" at Rutgers SC&I. I used to teach a very similar course at NYU (which I inherited from Siva Vaidhyanathan), but this is basically a complete reboot. I've built the syllabus from scratch, and made a real effort to balance some of my own opinions with conflicting ones, and to integrate debate into the classroom experience.

One of the biggest problems I've faced is that I know so much more about the subject than I did 5 years ago when I first taught the class, and have read so many more texts, that it's much harder to squeeze it all into one coherent undergraduate experience.

I welcome your feedback -- especially over the next few days, before I have to finalize the syllabus and hand it out to my students.

2012.11.29

Two weeks ago, I sat on a panel at INET New York about the "six strikes" Copyright Alert System, the bargain struck between Hollywood and America's major broadband ISPs to identify people suspected of illegally infringing copyrighted content and slowly cut off their bandwidth.

The event was very informative. For the first hour, corporate stakeholders (e.g. RIAA, MPAA, Verizon, Comcast) discussed the specifics of their plan. For the second hour, a bunch of us critics and consumer advocates (e.g. Gigi Sohn, Jeff Jarvis) responded to the plan, raising several questions and concerns.

Then there was a final mega-panel in which both groups got to address each other directly. I don't think any of us had our minds changed 180 degrees, but I'm pretty sure we all gained some deeper insight into what's at stake here.
The full video of the event is below. Surprisingly riveting for a wonkfest.

p.s. As of today, the CAS launch has been postponed till next year (ostensibly due to Hurricane Sandy)

2012.05.11

Last month, I returned to Moscow to speak at Google's Big Tent Event. My panel, which was entitled "Culture: Create or Copy," was focused on the question of whether configurable cultural practices like memes, mashups and remixes are legitimate and socially valuable, and therefore whether communications and cultural policy should provide a degree of support for them. Obviously, I was there to bang the "yes" drum. This was not an idle "academic" topic; the panel's moderator was Ekatrina Chukovskaya, Deputy Minister of Culture for the Russian Federation.

2012.04.27

My new book project, loosely based on my LimeWire expert testimony, is called "The Piracy Crusade." Although it will be published as a paper book next year by University of Massachusetts Press, I'm also publishing draft chapters as I write them on an open, Creative Commons-licensed, comments-enabled platform hosted by the MediaCommons project.

This kind of prepublication is increasingly being used as "peer-to-peer review," a crowdsourced alternative to the traditional academic "peer review" process, in which 2-3 anonymous readers with unclear motives and levels of interest weigh in on your work after 6-12 months of waiting. Obviously, when you're covering something fast-moving like law, technology, culture, or all three, that kind of a waiting process can be deadly.

If you have any interest, experience, or opinions regarding music, intellectual property law, new technologies, or the digital media industry, I encourage you to take a look, and leave a comment. All constructive commenters will get a shout-out in the final version of the book's Acknowledgments section.

The first two chapters are already up, and Chapter 3 is in process. Check it out on PiracyCrusade.com!

p.s. I'm also looking for some cover art -- if you're interested in creating something (I can't pay you, but I'll give you a credit on the cover), let me know.