Category Archives: Surfaces

So, you’re out and about, you’ve just finished your last pocket notebook and are looking for a new one. You happen across one. It’s got 80 sheets of thick sketch paper and is only a couple bucks. It even looks kinda nice in its faux-leather binding. Is this small Escalada journal a good buy? Let’s see.

We’ll start with the binding. It’s surprisingly good, it flexes well and doesn’t break under standard usage conditions. The binding, as well as the cover is of course cardboard covered in faux-leather with a slightly unattractive sheen. This layer holds up alright, though it does start to peel and rub off at the corners which is very unsightly. It also gets gummy in high temperatures and begins to take the shape of whatever is next to it, so where the elastic band is there will be a permanent set of grooves. But it hasn’t melted or gotten sticky in the time I’ve used it and I live in the middle of the desert.

The paper is 80 sheets of 74 lb drawing paper. It’s thick but flimsy, it feels as if it’s falling apart sometimes and ink bleeds through and can be easily seen on the other side in some cases. Yet I have had no instances of marking on the next page. It has an easily visible grain and does at times warp ones drawings, mostly pencil though and not very much. The roughness is a bit unsightly to me but that’s just personal preference. Despite the flimsy feeling of the pages they are very stout and remain ridged most of the time. They resist bending, however I feel that if they did bend they would soon fall apart.

It’s an alright pocket sketchbook. It’s cheap, both in price and manufacturing, but it does do its job well enough. Just carrying it in a bag or a case won’t do much harm to it, especially since it only has eighty pages and can be run through fairly quickly. However, if your life is a bit more rough and tumble than most this is not for you, it will look ugly shortly and fall apart not long after. It does best if you’re looking for a notebook to store in your bag or somewhere on the cheap and don’t have too much preference as to the quality of the content you put in it.

When one is being an artist, one must get ideas. But sometimes one can’t get them to the drawing board immediately: they may be working on a project, or about to fall asleep (like that ever stops artists), or have and actual job to do, or just be out and about. During these situations sticky notes come in handy. Now, sticky notes are one of the rare instances where to entire set of products aren’t just called the name of the largest brand (Kleenex for tissues, Oreos for stuffed cookies etc…). Sticky notes are everywhere, you can find them at almost any store for fairly low prices. So is it worth paying a little more to get brand-name 3M Post-It Notes?

I would say yes. First, for the obvious reason that they are more adhesive than most other brands. I know that sticky notes are made to be easy to peel on and off, but I still want them to stay where I put them (I’m convinced that the T.V. shows use glue to hold their sticky notes on those boards). Second, they’re a great size. I hate those thin, flimsy sticky notes, and the ones that come in different shapes are annoying to place and serve no purpose. Any bigger and they would be cumbersome, any smaller and one couldn’t write on them. Now I do realize that other companies make their sticky notes in the same size, but the quality is lacking, which is the third reason I like 3M Post-Its. The quality of the paper is unmatched in any other sticky notes to my knowledge. You might not think it matters how good the paper is on a sticky note. But being able to simply write something and stick it somewhere without having to worry about the paper or your message being damaged is a great thing.

So yes, 3M Post-Its are worth it. They are better than the competition in every way one would want a sticky note to be better (and they make awesome bookmarks). They stick, write, and place well and are a must have for any office and artist.

After paper the new thing that one would most likely move on to is card stock, in this case Imagine Plus 110-pound 8.5″x11″ card stock. This stuff is a little more “advanced” and one could actually create “finished” projects on it. “Finished” being a subjective term.

110-pound card stock is obviously much thicker and heavier then paper. It takes pencil and ink well; heavy inking and even light painting also work well. The stock does buckle under water quite easily, though, so over-inking and water-based paints aren’t recommended. And painting on anything lighter than Water-color type paper could lead to buckling.

The stock itself is smooth, with enough friction to not go sliding around. Pencil is taken and erased well. Ink is quickly absorbed. The grain is noticeable at times but rarely affects the work that is on it. Heavy ink shows through, but the likelihood of someone seeing the back is negligible.

The size of the paper being 8.5″x11″ makes it a rarely seen art surface. The size, like that of copy paper, is simply unconventional. It is a good material for people just “graduating” into “finished” artwork.

While the stock is nice and useful, most will quickly pass it up for superior art surfaces.

When one is starting to review art supplies, it’s difficult to find a starting place. So I picked the thing all art is put on; paper. More specifically I’m starting with Office Depot, 20-pound copy paper. The kind of thing that everyone has access to. And the kind of thing you’re most likely to start making art on. (or at least preliminary designs)

20-pound paper isn’t that thick, take it off the table and you can see right through it (not clearly, but you can). It obviously won’t hold much and buckles almost instantly in moisture. Thus it won’t be useful for anything more then pencil or light ink. Although it being copy paper and 8.5″ X 11″ it probably won’t be what your finished piece is on.

The paper is slick, mostly, it’s got enough grip and texture to not feel glossy and go sliding around on you. It takes both ink and pencil very well. When using a good eraser, pencil almost completely disappears. The ink shows through the paper, the pencil does not. And the texture is fine enough that it is barely noticeable to the naked eye. Which is something good if you’re planning on creating a workable draft of something and not just sketching.

The fact that this type of paper is almost universal and its small size make it great for sketches and drafts. Its main limitation is that, aside from copy paper, its dimensions are almost never used. Most printed and official online “art” documents use different aspect ratios from copy paper, making it almost exclusively for drafts and amateur art projects (in the art world).

It’s always good to have some around, to sketch or to find out how things fit together, and it can always be scanned and posted on a Blog with ease. It’s obviously a starting material, but one that never really leaves the desks of experts.

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