Paul Finch Writers Tips

Learn the lessons of rejection. Sorry, but I’ve no time for newcomers who won’t listen to the advice of those who’ve gone ahead of them. We all of us get rejections in our early days (and not just then either, trust me). As the old saying goes, we should keep all our rejection slips so that we can gloatingly wallpaper our studies with them when we become successful. It’s no picnic at the time, being told that your work isn’t up to scratch. But if you want to get on, you need to turn this disappointment to your advantage. So, if an editor or a publisher or a producer takes the time to tell you why he/she has rejected your work, you don’t have to accept it, but you at least need to take note of it. And if you hear the same thing again and again, the likelihood is that the fault lies with you, not them. In which case, if you can put it right, that could be the difference between getting rejected again when you next submit … or making a sale. The other thing is, and it’s tied to that, you’re going to have to tough these rejections out. This is no job for a snowflake. But if it helps, remember this – it’s a long, rocky road for all of us, and we trip lots of times, but we only actually fail the day we give up.