"karl soule"

Adobe Story Plus helps you stay on time and on budget with powerful screenwriting, reporting, and scheduling tools. Karl Soule shows you how it works to streamline post-production tasks with Adobe Prelude and Adobe Premiere Pro.

Adobe Anywhere for video is a modern, collaborative workflow platform that empowers users of Adobe professional video solutions to work together using centralized media and assets across virtually any network. Join Karl Soule as he demonstrates the benefits of this powerful platform for broadcasters and other enterprise-level organizations.

Redesigned Adobe SpeedGrade offers powerful tools for precise color correction and creative look design for colorists, editors, and visual effects artists. In this presentation, Karl Soule, Adobe Business Development Manager, will introduce the new face of SpeedGrade, including the new Shot Matcher, Look manager, and film stock emulations, and demonstrate color grading workflows with Adobe Premiere Pro.

In this episode, Jason will focus on the 'Convert Sample Type' dialogue. From here you're able to convert your audio files to any of the common sample rate/bit rate/channel configurations. This is where you also have additional options for using Audition's incredibly transparent Dither algorithm and noise shaping options.

In this episode, Jason covers the various mix down options when exporting from the Multitrack View, and shows how you can simultaneously export Stereo, Mono, 5.1 (where applicable) and track stems for all individual tracks and busses in one single operation.

In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.

Karl Soule shows you how easy it is to use this new tool, jointly developed by Adobe and Intel, that automatically specs out a high-performance workstation that fits your workflow. It even shows you how quickly you will recoup your investment!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

See how Adobe CS5.5 Production Premium makes it easier than ever for you to use the right tool for the job. With easy project exchange between Final Cut Pro or Avid editing tools and Adobe Premiere Pro, you can easily integrate Adobe CS5.5 Production Premium into your current workflow.

In the world of video production, time is money. Karl Soule shows you all you need to know to get maximum performance from the applications in Adobe Production Premium CS5.5. Learn all the hardware-related factors that influence how the software behaves, and see how to properly balance a system with Intel Xeon processors, the right amount of RAM, and high-performance Intel solid state drives.

Premiere Pro CS5.5 and it's faster-than-ever Mercury Playback Engine, provides unprecedented productivity. Learn how a professional-grade workstation with Intel Xeon processors, combined with CS5.5, enables you to work faster and be more creative than ever.

What are Solid State Drives and how do they impact your workflow? Karl Soule shows you how to get maximum productivity in your video editing and motion graphics workflow by using this exciting new technology.

After Effects CS5.5 features some great new features such as Warp Stabilizer and Camera Lens Blur. Learn how a professional-class workstation with Intel Xeon processors can give you blazingly fast previews and rendering to let you get your work done faster than ever before.

Have you ever tried to match color from shots captured on different cameras, or from footage shot on the same camera, but under different lighting conditions? In this episode of Short and Suite, Karl Soule continues to explore Color Finesse workflows inside Adobe After Effects CS5. He shows you how to use the bundled Color Finesse plug-in to neutralize white balance in your shots in order to create a common starting point for creative color grading.

In this second installment of a series of Short and Suite episodes focused on Color Finesse - the After Effects plug-in for color correcting which comes with Adobe Creative Suite CS5 Production Premium - Karl Soule dives deeper into the steps involved in performing a primary color correction to change the mood and look of some video footage he was editing in Premiere Pro earlier.

In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.

In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro editors how to use the export function in Adobe Premiere Pro CS5. Editors will learn how to output virtually any format for web, broadcast and dvd/Blu-Ray. Karl also shows how to export OMF, AAF and Final Cut Pro XML for use in a collaborative editing environment.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro users the flexibility and robustness built into the Adobe Premiere Pro CS5 Title Tool. Final Cut Pro users will learn how easy it is to create titles and reusable templates.

Industry veterans Karl Soulé and Kevin Monahan discuss one of the main differences between Final Cut Pro and Adobe Premiere Pro CS5: how to setup a new project. Final Cut Pro editors will learn how to create and modify a new project, as well as learn how to avoid common 'gotchas'.

Product Version: CC

Views:
19,767

Added:
Oct 29, 2010

Runtime: 00:10:35

Tags:
Final Cut Pro, Premiere Pro CS5, fcp, setting up a new project, creating a new project

Karl Soulé and Kevin Monahan discuss the editing similarities between Final Cut Pro and Adobe Premiere Pro CS5, and show a few basic techniques that will help Final Cut Pro editors start editing projects right away.

This Adobe Premiere Pro CS5 tutorial unlocks the secrets of using the 3-way Color Corrector for secondary color effects. Secondaries only affect one part of an image, leaving the other values alone. Learn how to just affect skin tone in an image, boost saturation for a green field of grass, and much more.

In this episode of Short and Suite, Karl talks about OnLocation CS5's new ability to support tapeless workflows on set and shows you how to quickly create a rough cut edit using OnLocation and Premiere Pro CS5.

Breakthrough performance: See how the new Mercury Playback Engine and native tapeless support (including for R3D, DSLR footage, XDCAM, P2 and more) in Adobe Premiere Pro CS5 can take your post-production workflows into a whole new realm of productivity.

Learn how to put the new features in After Effects CS5 into action: see how the new Roto Brush, Mocha and and the Mocha Shape plug-in, color LUT support, and more can work in tandem with other CS5 Production Premium tools to transform your podt-production workflows.

Learn how Adobe's new script- and screenplay-writing tool, Adobe Story, can become the cornerstone of a workflow that saves valuable on-set and post-production time, while ensuring that the assets you create are rich in metadata and therefore easy to discover online.

See how CS5 Production Premium makes it easier than ever for you to use the right tool for the job. With easy project exchange between Final Cut Pro or Avid editing tools and Adobe Premiere Pro, you can easily integrate CS5 Production Premium into your current workflow.

In this episode of Short and Suite, Jason Levine shows you how to create a multicam video using a variety of different cameras so that the frame rates, frame sizes and aspect ratios all match up perfectly.

Karl Soule talks about how Adobe Story will play the starting role in the pre-production phase of a planning-to-playback workflow thanks to the tight integration that will be available with future versions of Adobe Creative Suite Production Premium.

Join Karl Soule and Adrian Ortiz as they show us that most video today is opaque and unsearchable, making it difficult for viewers to find the content they are interested in or for content owners and advertisers to get more value from online video.

A viewer hints at the lack of support for the new AVCHD video format. Kush finally gets hold of Karl Soule while in the middle of a trance techno session in his office! (Upadate: AVCHD support is now available in CS4)