The Sony A7 III has been one of the market’s highest-selling full-frame cameras in recent months, thanks in large part to its combination of impressive features and low price tag. But there’s some new competition in town – the Nikon Z6, another 24 megapixel full-frame mirrorless camera set to make waves for photographers. Although both these cameras have a $2000 price tag, there are some important feature differences between them, too. We’ll compare them in detail below.

Now that Nikon has released its duo of new high-end full-frame mirrorless cameras, including the 45 megapixel Z7, it’s inevitable that people will want to compare them against Nikon’s current DSLR lineup – especially the D850, itself launched almost exactly a year ago. This article is one such comparison. Naturally, both the Nikon Z7 and D850 have exceptional specifications, but the Z7’s newer technology does come out slightly ahead in certain respects. Is the difference enough to sway your purchase?

While the new Nikon Z7 is turning heads with its 45 megapixel sensor and impressive specifications, you may have heard that there’s another high-resolution full-frame mirrorless camera out there, too – the Sony A7R III. Sony has been refreshing their lineup at a rapid pace, and the A7R III is less than a year old. So, naturally, it has a lot of similarities with the new Nikon. But which one comes out ahead? Here’s what you should know.

Along with announcing the Nikon Z6 and Z7 mirrorless cameras, Nikon just released three mirrorless lenses as well! The Nikon 35mm f/1.8, 50mm f/1.8, and 24-70mm f/4 are branded as “Nikkor S” lenses, which signals them as Nikon’s high-end mirrorless offerings. These are the most fundamental of lenses for a new system – two lightweight primes and a constant aperture zoom – but don’t let their ordinary focal lengths fool you. All three look very interesting indeed.

So far, the Z-mount lenses that Nikon has released so far just scratch the surface of the company’s plans for its upcoming mirrorless offerings. Indeed, at the same time that Nikon announced the Z6, Z7, and three initial lenses, they also created a roadmap of lenses for 2018 and 2019. This is the first time Nikon has ever done such a thing, but it is pretty exciting – not least because of nine new other lenses we know about now!

One of the most interesting features in the upcoming Nikon Z6 and Z7 mirrorless cameras is in-body image stabilization – a first for Nikon. Although other brands have had IBIS for years, including Sony, Olympus, and Pentax, the traditional DSLR manufacturers (Canon and Nikon) have used optical image stabilization in their lenses instead. There are pros and cons to IBIS, though, and we don’t yet know exactly how Nikon’s system is implemented. So, should we be excited or dismayed?

With Nikon’s long-awaited full-frame mirrorless Z6 and Z7 cameras finally announced, and the Z7 now shipping to the earliest pre-orders, it’s time to take a look at how the two compare. Naturally, they are quite similar in certain ways, even having practically identical camera bodies. But under the hood, there are plenty of differences, some of which are quite significant. Are you thinking of buying either the Z6 or Z7? If so, this article should help you understand the main…

We’re about 24 hours away from one of Nikon’s largest camera announcements in years: the full-frame mirrorless Z6 and Z7 cameras, plus three Z-mount lenses. As the rumors and teasers continue rolling in, here’s a quick recap of Nikon’s official trailers for this camera lineup so far, as well as the additional information and specifications we already know.

It’s a simple fact of life for many photographers that excessive contrast sometimes ruins a photo. If you’re photographing a scene with bright highlights and deep shadows, it can be a nightmare to expose your image properly – not losing any details on either side of the histogram. Here’s how I dealt with such a situation while taking pictures during an amazing sunrise, and how you can apply the same lessons to your own photography.

Anyone who has ever tried to take pictures of the night sky knows that it can be a challenge. If your camera settings aren’t optimal, you may end up with a dark photo, motion blur, or unsharp corners. Things get even more difficult if you want a sharp foreground, or if you try to capture deep-sky pictures of distant interstellar objects. Hopefully, this article will give you a good idea of how to set your camera properly for astrophotography.

Photographers love chasing after image quality, including maximum sharpness, detail, and resolution. Most likely, you’ve wondered at some point how to take higher-resolution photos, or increase the resolution of images you already have (whether photographs or digital illustrations). This article explains step-by-step how to increase resolution quickly and easily in common post-processing software. It also includes a comparison of five popular options for upsampling images to find which one yields the best results.

Hear me out on this. Maybe you’ve happened upon the news that Nikon is working on a new camera – and it seems like a pretty big deal. After all, it’s been almost five years since Sony’s full-frame mirrorless cameras were announced, and we all suspected Nikon would hit back eventually. But that’s not what I want to talk about today. Instead, I’d like to draw your attention to the glowing lens mount shown in one of Nikon’s teaser videos.

The art of black and white photography is surprisingly difficult to master, and it takes some effort to get it right. In this article, I will explain why some B&W photos succeed and others fail, including the seven critical elements of the best Black and White work. I will also explain how to convert monochrome images properly in software like Lightroom and Photoshop.

I’ve always preferred hiking more than any other method of finding landscapes to photograph. There’s something to be said for stopping at any point you see something interesting, knowing that only a small percentage of other travelers have taken pictures at the same spot. I recently dragged that philosophy to the extreme, spending nine days on Iceland’s Laugavegur trail and several side hikes. Here, I’ll summarize the best and worst equipment I used along the way.

It’s the middle of the night and still bright outside. I’m in Iceland a few weeks after the summer solstice, and I just finished the longest hike of my life – a nine-day version of the Laugavegur. I’ll have several photos and articles to publish now that it’s done, including this first post about the process of going lightweight on such a long hike. How do you trim your camera setup for such an ordeal?

Often, landscape photography tips are meant for people who are just starting out and trying to get the hang of things. That’s great in many ways, but it does carry a problem – it says to advanced photographers that there is nothing new to discover. But landscape photography is incredibly complex, and there are still techniques for everyone to learn. This article goes through some of the most important ones with regards to creativity.

One of the most common photography accessories is a lens hood – a piece of plastic or metal that attaches to the front of your camera lens and makes it look more professional. But lens hoods are about more than looks. Just to name one benefit, they can make a major difference in a picture’s image quality. This article covers everything you need to know about using lens hoods to capture the best possible photos.

One of the smallest and lightest Canon DSLRs is the Rebel SL2, announced in June of 2017 and retailing for $549, body only. The SL2 also goes by the names “EOS 200D” and “Kiss X9” outside the US market. Despite the camera’s small size, Canon packed a lot into the SL2, including a tilt-flip touchscreen, dual pixel autofocus, and the company’s newest 24 megapixel sensor. This detailed review covers everything you need to know about the SL2.

The Canon Rebel SL2 is one of the lightest and most versatile entry-level DSLRs on the market. However, if you’ve just bought this camera, you might have realized that its menu settings are less than optimal by default. In this article, I’ll go through every important menu setting and tell you my recommendations for setting it properly. Hopefully, this will make it easier and simpler to take great pictures with your new camera.

Nikon just announced that it is developing a 500mm f/5.6 lens with a Phase Fresnel element, which would make it only the second lens in Nikon’s lineup to have such a specialized component, the other being the 300mm f/4 PF. This indicates that Nikon is prioritizing low weight for the 500mm f/5.6, given that a PF element can replace multiple standard lens elements with one that is much smaller and thinner. No price, shipping date, or photos of the new…

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