Tag Archives: Wear

And the Oscar goes to…

From area venues:

*Barbara’s is having an Oscar party!! Watch the Academy Awards on the big screen. Fill out a nominee list with the ones that you think are going to win. The person with the most correct winners wins a great prize. We have the list for you to fill out, and all entries must be in before start time. And of course, you can wear your evening dress or tux if you would like to.

DEETS: Barbara’s Pavilion, 325 Centre St. 7:30 p.m.

*Movie Awards Viewing Party brought to you by the 5013c Oak Cliff Foundation and the Oak Cliff Film Festival! Come watch the spectacle unfold before your eyes on the big screen. Of course this is a fine opportunity to dress to the nines and party like a star! Enter the Pick the Winners poll for $3. Winner will be announced at the end of the night and will get 2 free badges to the 2012 Oak Cliff Film Festival.

In the liturgical calendar of the Christian church twelfth night is the last day of the Christmas season. (Remember the 12 days of Christmas? They start on December 24 and end December 5) Twelfth night also kicks off the carnival season that culminates in the celebration of Mardi Gras. The Krewe of Olympus, Houston’s own predominately gay Mardi Gras Krewe, welcomes the season in style with “Pretty in Pink:” a twelfth night fundraiser benefiting the Montrose Counseling Center. The festivities are Saturday night, January 7 (’cause who wants to party on a Thursday?) starting at 7 pm at the Counseling Center (401 Branard) and include traditional king cake as well as an open bar, hors d’oevres and a Mardi Gras mask auction. In keeping with the theme guests are invited to wear their best outfits in shades of pink (be it blush or bashful).

The Krewe of Olympus started in New Orleans in 1970 before moving to Houston. According to their website:

We are one of the largest predominately gay Krewes in the United States, although our membership is open to all. Our principal aims are to present theatrical and educational events that perpetuate and continue Mardi Gras traditions and to raise money for community charities. Since moving to Texas, we’ve donated hundreds of thousands of dollars to Houston and Dallas Charitable Organizations. We are a 501(c)(3) non profit organization.

Wait! Before you click the ‘next’ button or scroll down your news feed hear me out: The LGBT community has been living with AIDS for three decades now. For people of my generation the message to get tested and use condoms has been stated and restated so many times that it has faded into the background with the result that, all too often, people do not take the steps they need to to protect themselves. Harris County is responsible for 30% of the new HIV/AIDS diagnosis in Texas and men who have sex with men account for 64% of newly diagnosed men statewide. The threat is not over, the fight is not over, AIDS still endanger the LGBT community.

But I don’t want to just talk about just condoms and testing (as important as they are). Fighting HIV/AIDS is easier than you might think. I present to you 25 ways, in no particular order, to fight AIDS in Houston.

25. If you’re over a certain age talk to a young LGBT person about how your life has been affected by HIV/AIDS. You might be surprised how eager we are to hear your stories.

24. If you’re under a certain age listen to an older LGBT person tell you how HIV/AIDS has affected their lives. I know you aren’t eager to hear their stories, but listen anyway. You may find that learning the history of your community is more empowering than you’d expect.

22. Ask your local public or school library to put books about HIV/AIDS on the shelf, not just in the back room where they have to be requested. Access to accurate information is crucial in fighting the spread of the disease.

21. Post HIV/AIDS stories to facebook.

20. Ask your clergy person what your community of faith is doing to fight the pandemic.

19. Sign up for action alerts from the Texas HIV/AIDS Coalition at texashiv.org

18. Actually follow through when the action alerts from the Texas HIV/AIDS Coalition arrive in your in-box.

17. Volunteer for organizations that deal with communities at high risk for infection: high school dropouts, victims of sexual assault, the poor, the homeless and sex workers. Fighting AIDS means fighting the injustice in our society that all too often contributes to new infections.

16. Say AIDS out loud.

15. Ask political candidates what they will do to continue funding to fight HIV/AIDS.

14. Once they’re elected, ask those candidates why they aren’t doing more to continue funding to fight HIV/AIDS.

13. Remind yourself that it’s OK to be tired of hearing about HIV/AIDS.

12. Thank a person who volunteers their time to the fight.

11. Take a moment to remember the people we’ve lost.

10. Take a moment to think of the people we may loose if this pandemic isn’t stopped.

9. Take a HIV/AIDS healthcare worker to dinner.

8. Wear a red ribbon.

7. Recognize that wearing a red ribbon isn’t enough.

6. Work with communities other than your own. HIV/AIDS effects us all.

5. Get angry.

4. Get over your anger.

3. Donate to an HIV/AIDS Charity.

2. When you pass a mobile HIV testing center, thank the workers.

1. Don’t pretend the fight is over, and don’t let other people pretend it’s over either.

The DMA’s exhibit on the fashions of Jean Paul Gaultier exudes sex appeal with a big dose of flamboyance

DRESSED TO KILL IT | Gay fashion pioneer Jean Paul Gaultier oversees his own exhibit (Below) as an Animatronic mannequin, a fascinating technology that only accentuates the brilliance of the designs. (Photography by Arnold Wayne Jones/Dallas Voice)

For a man best known for creating the Valkyrie-like conical breastplate that shot Madonna into the pop culture stratosphere, Jean Paul Gaultier is a surprisingly humble person. While he’s clearly delighted to have his fashions on display — as they are at the Dallas Museum of Art in the traveling exhibit The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, which runs through February — he makes one thing plain: He does not consider fashion “art.”

“My work is not art,” he says flatly. “My job is to make clothes that have to be worn. My role is not to create in the abstract but to be inspired by the needs and desires of the people. So I am in service to that. Art is art — it is a personal vision of the artist.” He pauses, then adds with a smile, “My collections are my babies, though.”

While the designer himself may not consider his work product “art” in an academic sense, there are probably few who would agree with him. More so than most fashion designers, Jean Paul Gaultier’s style is instantly recognizable, even without seeing the label.

He almost single-handedly moved the bustier from the boudoir to the arena stage, cladding Madonna in a corset for her Blonde Ambition tour in 1990, immediately making legends of them both.

It’s not just brassieres, but lace bodysuits, silk leotards, men in skirts — Gaultier takes fashion rules and sets them on their heads, turning out wearable art (there, we said it) that is both old-fashioned, even classical, and futuristic — but always oozing sex.

“My love for fashion belongs to the fact I saw a movie from the 1940s when I was 12,” he says. “In the movie, they did a beautiful description of couture.” (Now, when he works with a film director — as he did recently with Pedro Almodovar on The Skin I Live In, or Luc Besson on several films — “it is like I return to that [moment]”.)

But really, the germ of his style was started by what a pre-teen Jean Paul found in his grandmother’s wardrobe.

“I was fascinated by the whole world of my grandmother’s closet — it was beautiful and different,” he says. “It was underwear that could be worn as outerwear. I stole my ideas from her.”

Though not just her. Gaultier was inspired by television, by old movies, by showgirls — anything that offered a view of beauty he could re-imagine on the runway.

“My definition of beauty — there’s not one type. Beauty is beauty — you can find it in different places,” he says.

It’s a keystone not only of his design style, but of the DMA’s astonishingly exciting exhibit. (Anyone who doesn’t think a Gaultier gown deserves formal museum treatment obviously hasn’t seen the show.) In just a handful of rooms, we move from camp to punk — with many, many visits to edgy haute couture.

In the first gallery, visitors are introduced to Gaultier himself, talking about his fashions via a quasi-Animatronic mannequin that captures his actual face and voice, projected with unnerving authenticity. That happens with a lot of the mannequins, some of whom seem to look back, even judge you. (One Mohawk’d man in tights and a codpiece seemed to be flirting with me; I bet he does that with all the boys.) Lanky sailor boys in striped Apaché T-shirts look as if they leaped from a Tom of Finland drawing; that cone bra is also unmistakable.

Walk further, and the second room oozes the dark romance of a bordello, approximating (with its window-like display cases) the red-light district of Amsterdam. “I think when you exit this room, they should give you a cigarette,” I told another patron. She didn’t disagree.

Another room shows the movement of the pieces, sort of, with a moving catwalk that is like a time machine of Gaultier runway fashions, including representative designs from his famous Men in Skirts that took MOMA by storm some years ago. That’s only the most obvious example of the genderbending that is a Gaultier hallmark — and a central theme of the sexual forthrightness of the DMA’s exhibit.

“Androgyny is part of the thing that interests me,” he says, “that moment when the young can pass to adolescence [and] their beauty is between feminine and masculine at the same time. I use it to show in reality how [both sexes] can assume [the identity of the other sex]. In Scotland, you will see me in kilts and they are very masculine — it’s not feminine to wear a skirt [in that context].”

That, Gaultier says, is the essence of freedom, showing that “men can cry just as well as women can fight.”

And this exhibit shows that a designer can be an artist with a bold sense of sex — even if he doesn’t think so.

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ONLINE EXCLUSIVE

Visit DallasVoice. com/ category/ Photos to see more of the Jean Paul Gaultier exhibit at the DMA.

This article appeared in the Dallas Voice print edition November 18, 2011.

With the holiday upon us, floral designing is a labor of love for Dallas’ Rick Phillips

Tanned, fit Aquarian Rick Phillips was born in Dallas but raised in neighboring Grand Prairie. He sprouts from a small but creative family: His mother sings opera, his brother is a drummer in a rock band, and his grandmother was also a gifted artist.

Labor of Love: Rick has been creating beautiful floral arrangements for more than 17 years. His first job interview in the business was to create a funeral arrangement. “I almost cut my thumb off,” says Rick, “I think they felt sorry for me. I got the job!”

Studying photography in college led to a natural progression into painting and finally into floral design. The instant gratification he gets from the process satisfies his art muse. Rick says he makes up his arrangements as he goes along. “I have a concept about color and shape when I start, but after that I free-wheel it.” He has been the exclusive florist for a high-profile jewelry store for eight years.

When he’s not handcrafting floral masterpieces, Rick enjoys cooking and shopping vintage and junk shops for awesome shirts and cool coats (and he can’t wait to for the weather to get cooler so he can wear them!) He loves all kinds of music from classical to techno/dance.

This article appeared in the Dallas Voice print edition September 2, 2011.

There’s the nursery rhyme that begins, “Jack Sprat could eat no fat, his wife could eat no lean… .” But apparently if Jack Sprat were in a same-sex relationship, it would be a fat-free household all the way around. Such is the case with this month’s fitness profile: Curtis Cook and Shane Friesenhahn. The lads have been together for just three months, but the real number that caught our eye was their collective body fat: 19 percent and shrinking by the day. How do they do it? Diet, exercise and rewarding a great workout with a sexy new swimsuit rather than a hot fudge sundae.

Exercise regime: Cook: I attend Dr. Peay’s Booty Camp two days a week and go to L.A. Fitness a couple times a week. When I go to the gym, I always do abs first, then either upper body or legs followed by 15 to 20 minutes of cardio. My workout usually totals around an hour to an hour and a half. My goal is to go to the gym on my days off of [boot camp], but it doesn’t always happen.

Friesenhahn: [Boot camp] five days a week, which consists of cardio, Plyometrics and light resistance training.

Upcoming fitness goals: Cook: I’m lean, but I want to be toned. My goal is a slightly bigger chest and defined mid section. I also want my body fat around 8 percent; as of the beginning of July it was 12 percent. I think my goal of toning up will automatically help me reach my body fat percentage goal.

Friesenhahn: I’m currently right below 8 percent body fat, but my new goal is to boast a “lean and mean” 6.5 percent — a little bones showing never looked so good! I will say that making better nutritional choices, mostly organic, really helps.

Best “eat this, not that” tip: Friesenhahn: Well, instead of Krispy Kreme donuts or a starchy cereal, I replace it with whole fruits such as blueberries, a Pink Lady apple or grapefruit. As for my sweet tooth, I am in love with organic crunchy peanut butter with a banana or a piece of gluten free bread that has live sprouted grains. I am also an avid believer in supplements including as astaxanthin, fish oil and many others.

Workout preference: mornings or evenings? Cook: I like both. I would like to work out in the mornings more, but it is just so hard to get up that early.

Friesenhahn: Evenings mostly, but just to mix it up I do like to attend the “crack of dawn” morning workouts as well.

How do you survive an outdoor workout in the Texas heat? Friesenhahn: My exercise group works out in the shade, unless we are running the typical mile required. Everyone brings the essentials like water and Gatorade. Sometimes [our trainer] brings ice when it’s really hot. The main thing is to read your own body and take mini breaks to regroup. Other than that, I really enjoy sweating and releasing toxins.

Favorite spot in North Texas to exercise indoors: Cook: The L.A. Fitness by my work in Lewisville, because I don’t feel like I’m being cruised the entire time.

If you could become an Olympian in any sport, what would it be and why: Cook: I’ve always wanted to do gymnastics. The parallel bars and tumbling are my favorite. I even took tumbling private [lessons] for a month when I was 20 and learned a back handspring in only four sessions.

Friesenhahn: Ice figure skating. The blend of artistry and athleticism is super challenging. I used to roller skate my long drive as a kid and pretend I was practicing for the next Olympics!

How do you reward yourself for a great work out: Friesenhahn: Two ways. First is a trip to Yumilicious. Then on to find an even more “skimpy” swimsuit to wear at the next pool get together.

Cook: I definitely don’t eat badly afterwards because then I feel guilty and it’s as if I just negated the entire work out. I reward myself by maybe buying something a little smaller and more fitting because I know I will look good in it. I also like to go lay out in my Speedo after a good week of working out because I feel confident with my body. Basically I reward myself by showing it off.

This article appeared in the Dallas Voice print edition August 26, 2011.

RAINBOW TOUR | Nearly 200 beachcombers — including the author (dark green, just right of center) — stepped away from the surf and gathered in a field to form a human rainbow flag.

The trip to Myrtle Beach, S.C., had more to do with a family reunion than finding a good destination for gay travelers. After all, Myrtle Beach is a pretty lazy, conservative town in the perennial Red State, one where teenaged spring breakers and families gather to enjoy the warm surf and the resort-town appeal of seafood and beachcombing and overpriced cocktails. Queer travelers can hit one of the three gay bars, all within blocks of each other — Club Traxx, Time Out! and the Rainbow House (a lesbian club).

But the weekend I arrived , just by coincidence, it turned out to be Gay Pride.

Keep in mind, the gay community in Myrtle Beach is small, so “Gay Days,” plural, felt more like Gay Day, singular: One major event and then life as usual in Coastal Carolina.

The major event, though, was an ambitious one: Gathering members of the LGBT community and their allies to form a “human rainbow flag:” People signed up to wear a pastel-colored T-shirt and arrange themselves in the traditional configuration. A few others wore black, forming the flagpole.

The entire event was threatened by showers late Friday and early Saturday, but despite a slightly muddy field, nearly 200 people turned out, huddled closely on a muggy afternoon, while a photographer flew above in a helicopter.

Numbers weren’t uniform; there were too many reds and too few purples; but the effect was one of a flag waving in the breeze.

In order to do the shoot, members faced each other before bending forward to allow the broad field of their shirts to form the colors. Directly across from me stood Elke Kennedy, a resident of Greenville in the Upstate. Elke and her husband established SeansLastWish.org, raising awareness of anti-gay violence, after their gay son was beaten to death and his killer spent less than a year in jail.

Elke spoke at a rally following the photoshoot, and dozens in attendance listened to her recount her son’s harrowing attack and death before two drag queens performed and a DJ spun dance hits. People started to file out after a while, off to the beach, or the clubs, or even the boardwalk, where the Texas Star-like Skywheel gives great views of the beach … and sits next door to the campily named souvenir shop the Gay Dolphin.

The latter was always may favorite place when I was growing up; you’d think my parents would have caught on sooner.

Ben Starr, the recently out Dallas cheftestant on Fox’s ‘MasterChef,’ camps it up on Gordon Ramsay’s cooking competition series

When Lewisville-based travel writer Ben Starr auditioned for Fox’s MasterChef, he doubted they’d be interested in his style of home cooking. But not only did he make the cut, he’s been one of the more memorable cheftestants — just this week, he had the judge’s favorite dish.

The series is only halfway through, but for Starr, it’s already made a huge difference in his life: It forced him to come out to his parents just last month. We talked to him about the experience and his favorite meals.

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You’ve been struggling since you wowed the judges at your audition. The audition kinda set me up to expect that I would do well in the competition, but we spun pretty quickly into an emphasis on gourmet cuisine, which is not my thing at all. My street tacos were a little bit spiffy, and I am extremely well traveled, but I tend to eat peasant food even when I travel. I was seeing all these people around me making restaurant quality cuisine and trying to compete on their level. Nice to make a good ol’ catfish in a skillet.

What was the hardest challenge for you? The biggest challenge has definitely been psychological. I’m competitive by nature and I want to feel like I’m competition, but I was surrounded by chefs that were a little more connected to the Food Network that I am. They’d use words like umami [a Japanese word for a savory flavor] and I had to go look it up. There was a common lexicon among the contestants about what these famous chefs I’ve never heard of are doing in their restaurants. I felt like an idiot stumbling around in the dark. That started to leak into my cooking and I began to question, “Is this sophisticated enough? Is this even sophisticated?” The episode this week was a turning point. I felt like for the first time I’m back in my own element.

You certainly have made an impression with your outfits. I don’t wear those hats at home, though I do wear an apron, just for practicality. But [the show] has started this storytelling legacy — people expect me to wear them when they come over. My mom made me the pumpkin hat and apron. Actually, she made me five or six pairs to wear. That’s why you always see a different one on me each episode. I was going through them.

Was wearing them part of a conscious effort to stand during the auditions? I am fairly myself, though I had to set myself apart that wasn’t just about food. I needed to be someone [the judges] remember when they go home at night. That’s why I talked about my rural upbringing, because I thought it would generate a memory.

Had you watched the show before? Did you know what to expect? I don’t watch much TV, but this is not my first time being on TV, which is ironic because I abhor reality television —it brings out the worst in our culture. But I did Rachael Ray’s So You Think You Can Cook in 2007. The audience there was much more caring and nurturing than the machine on MasterChef, but I was a little bit prepared for the frank judgment.

I did not watch the first season of MasterChef, but my friend Karen Rutherford said, “I’ll never speak to you again if you don’t audition [for season 2].” So I watched them all on Hulu. I just sweated my way through them. I knew how intense and stressful it is to cook on TV, and saw how brutal Joe Bastianich and Gordon Ramsay were with the contestants. I thought: Screw this. Then a few weeks passed and the terror faded [and I went through the lengthy audition process]. It was a lot of work — the most difficult full-time job I’ve ever had that doesn’t pay.

What’s your favorite kind of cuisine? While my DNA wants to say Mexican food — I had it in the womb six times a week — I am most intrigued by Thai food. It is so complex, yet so much of it is cooked on the street in a tiny little cart. From the richest to the poorest, everybody eats on the street.

How about a favorite meal? One of the most memorable meals I’ve ever had was in Egypt on New Year’s Eve in 2001. I spent it on Mount Sinai and hiked eight miles back down to the car for the drive back to our resort. [The driver] fell asleep at the wheel and we plummeted into a canyon. Eventually a camel train of Bedouins came by the bottom of this canyon. They took us onto the camels and rode four or five miles to their camp. All the women came out, killed a goat and started cooking while the men tried to pull our car out of the canyon.

It was a humble meal — just a goat stew and some flat bread — but the flavors were really intense and felt they came right out of the desert. I could not even communicate with these people who live in abject poverty, but still they were willing to kill one of their last goats and throw a big feast for us because it’s in their nature to be hospitable. I realized it was important to me to use food to nurture people in my life — I could never be a chef and be in the back. I need to be with the people. My partner is one of the main reasons I cook — we’ve been together eight years and I want to marry him one day.

Did you plan to be “the gay guy” on the show? When I was on [Rachael Ray] it was not addressed and I didn’t talk about it openly. At that point my family didn’t know I was gay — in fact, I didn’t come out to my parents until about five weeks ago. They were totally shell-shocked — they didn’t have a clue.

Maybe mom should have guessed since she made you all those hats. Ha! Maybe.

DART stands accused of bigotry and transphobia after attorneys for the local transit agency intervened in family court last year to challenge a gender-marker change granted to an employee.

According to court records, a transgender DART employee obtained a court order in February 2009 directing all state agencies to correct their records by changing her gender-marker from male to female, including on her birth certificate.

As Dallas Voice reported last week, many Dallas County judges have been routinely granting gender-marker changes to transgender people who meet set criteria — including documentation from licensed medical personnel — since the Democratic sweep of 2006.

The DART employee, who’s name is being withheld to protect her anonymity, later presented the court order to the transit agency’s human resources department and requested that her personnel records be changed to reflect her new gender.

But DART’s attorneys objected to the gender-marker change and responded by filing a motion seeking a rehearing in court. DART’s objections prompted 301st Family District Court Judge Lynn Cherry to reverse her order granting the gender-marker change.

“Where does this stop when an employer can start interfering with your personal life and family law decisions?” said longtime local transgender activist Pamela Curry, a friend of the DART employee who brought the case to the attention of Dallas Voice. “She was devastated. This should be a serious concern to a lot of people — everybody — and I just think this story needs to be told.”

Judge Cherry, who received Stonewall Democrats of Dallas’ Pink Pump Award for her support of the group last year, didn’t respond to messages seeking comment this week.

Morgan Lyons, a spokesman for DART, noted that Cherry reversed her order before the agency actually filed its motion for a rehearing. However, Curry alleges that DART’s attorneys met with Cherry privately and pressured her into reversing the order.

As is common with gender-marker changes, the case file has been sealed, but Dallas Voice obtained copies of some of the court documents from Curry.

In their motion for a rehearing, DART attorneys Harold R. McKeever and Hyattye Simmons argued that Texas law grants registrars, not judges, the authority to amend birth certificates. They also argued that birth certificates could be amended only if they were inaccurate at the time of birth.

“It’s not a DART issue, it’s a point of law,” Lyons told Dallas Voice this week, in response to the allegations of bigotry. “The lawyers concluded that the birth certificate could not be altered by law, unless there was a mistake made when the birth certificate was completed, and again, the judge changed the order before we even wound up going into court with it.”

Asked about DART’s LGBT-related employment policies, Lyons said the agency’s nondiscrimination policy includes sexual orientation but not gender identity/expression. The agency, which is governed by representatives from Dallas and numerous suburbs, also doesn’t offer benefits to the domestic partners of employees.

Lyons didn’t respond to other allegations made by Curry, including that the agency has fought the employee’s transition from male to female at every step of the way.

Curry, who helped the employee file her pro se petition for a gender-marker change, said the employee has worked for DART for more than 20 years and has an outstanding performance record.

The employee began to come out as transgender in 2003 and had gender reassignment surgery more than three years ago, Curry said. Curry said DART supervisors have at various times told the employee that she couldn’t have long hair, couldn’t wear skirts to work and couldn’t use women’s restrooms at work.

The employee has responded by showing up at work in her uniform so she doesn’t have to change and using public restrooms on her bus route, Curry said.

Supervisors have also told the employee she can’t talk to the media and can’t join political groups, such as Stonewall Democrats, Curry said.

“She’s intimidated and she’s scared,” Curry said. “One supervisor even suggested to her that if she doesn’t lay off it, they will mess up her retirement.”

Elaine Mosher, a Dallas attorney who’s familiar with the case, also questioned why DART intervened. Mosher didn’t represent the employee in the case but has handled gender-marker changes for other clients.

Mosher said the employee’s gender doesn’t have any bearing on her ability to do her job at DART.

“My argument in any gender marker matter is, the birth certificate was wrong, that’s why they had to go through the transition surgery, in essence to put them in the correct gender,” Mosher said. “All I can tell you is that it seems strange to me that DART would care one way or another what the gender marker of anybody that works for them is.”

Moster added that she believes someone at DART may have been “freaked out” by the employee’s transition from male to female and developed a “vendetta” against her.

“I wish I had a good explanation for why [DART got involved] other than the fact that I know there are people out there who are utterly blind and prejudiced for no other reason than they are,” Mosher said. “I compare it to some of the nonsense African-Americans had to live through in the ’60s.”

Mosher also said she’s “very surprised” that Cherry reversed the order granting the gender marker change.

Erin Moore, president of Stonewall Democrats, said she’s heard “bits and pieces” of the story but isn’t sure of all the facts.

Moore said in response to her questions about the case, Cherry told her she couldn’t talk about it because it’s still within the timeframe for a possible appeal.

“Lynn is a longtime supporter of Stonewall and I would think she would be fair in the case,” Moore said. “I’m confident she’s an ally to this community.”