"Tonight we close (with one last sold-out show - I would ask you to come but we are totally sold out ... as we have been for six weeks) "The Santaland Diaries and Season's Greetings" the most highly successful holiday presentation in RTP's history. Thank you to our amazing actors, Jacqueline Jones and Robert Throckmorton for bringing David Sedaris's wacky characters to life. Thanks to our director Thomas Ross Cooley Aitken for guiding the way, and to the creative team of David A Ballas, Michael Maddix, Alex Valentin, Andrew Bonniwelll, Lucian Restivo, Andrew Santalla and Hannah Adaway for creating the magical world of the show (as well as quick-change artist extraordinaire Alex Farnsworth). And thanks to everyone who saw it ... because you are the ones who took it to your hearts!"

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Closing PR from Philip Crosby, Award-winning

Producer and Managing Director of

Richmond Triangle Players

December 22, 2017

"I just got to witness two of Richmond's best slay some David Sedaris at their first preview! Put a little twist on your holiday season and go bask in the brilliance that is Jacqueline Jones and Robert Throckmorton. Watching these two is a master class in comedy!"

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Facebook Endorsement by Billy Christopher Maupin,

Award-winning Producer, Director, Actor, Singer and

Founding Associate Artistic Director of 5th Wall Theatre,

November 15, 2017

"Jacqueline Jones and Robert Throckmorton are utterly brilliant!!! Congratulations to the two of you, as well as [director] T. Ross Aitken and the rest of the team. Go see this, y'all. You'll laugh a lot."

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Facebook Endorsement by Tim Goad,

Award-winning Visual Artist, Actor, Educator

November 17, 2017

"​Jones is believable as Mrs. Dunbar, a suburban grandmother who fills burlap gift bags with oranges and candy canes as she records the family’s annual Christmas message. As sweet as she seems, startlingly inappropriate and prejudiced utterances as well as ominous hints of impending horror occasionally escape her lips. And there’s that vague, early reference to her family’s legal problems. The juxtaposition of Jones’ sweet demeanor and the casual way she reveals the gruesome reason for the aforementioned legal problems gives this story a powerful and lasting impact. Later you may feel uneasy and a bit guilty for having laughed earlier."

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Reviewed by Julinda Lewis, Richmond Times-Dispatch,

November 18, 2017

"Act One features Jacqueline Jones as a demure housewife dictating her annual Christmas letter. It starts out sweet, but takes a dark turn. Jones comfortably chats with the audience, making even the character’s offhand racism seem almost harmless. She mines every opportunity for the (mostly genteel) laffs."

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Reviewed by Jerry Williams,

TVJerry / Sifter / WRIR /

RichmondMagazine.com

November 17, 2017

"When you're at the theatre and an incredibly talented actress is in the middle of her monologue and a phone in the audience rings.....and said actress doesn't miss a beat and (completely in character) says "Please turn that off" <ring> "Seriously, turn that off I'm in the middle of a story." <ring> "I'll wait." ..... thank you ma'am. You deserved the applause you got for that! Jacqueline Jones last night at Richmond Triangle Players. She was absolutely brilliant!"

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Facebook Endorsement by Don Warren, Jr.,

Financial Advisor, Costume Designer

November 24, 2017

FOLLOW UP from jj:

I am happy to report that Phone Man private-messaged me a beautiful note of apology, appreciation, and admiration. In short, I admitted to him that I could hear the phone, yet between the darkened house and my lack of glasses during performances, I would never have known it was him had he not fessed up. After I thanked him for standing in as my "whipping boy," Phone Man reiterated that his feelings were not hurt and continued, "I again applaud your seamless movement from dialogue to chastising my phone back to dialogue." He'd already recommended the Richmond Triangle Players show on his Facebook wall and he intends to pay a return visit to Santaland! All's well that ends well!

"​Jones is cheerfully demented as Jocelyn, all sweetness as she describes the terrible circumstances she's both endured and perpetuated. It's a testament to both director T. Ross Aiken's pacing and Sedaris' skill as a writer that the one-act's plot turns come off as funny and surprising instead of just upsetting. Jocelyn's racist impressions of her Vietnamese stepdaughter surely won't win her any awards for political correctness, but spouted by such an unhinged narrator, it still comes off as more funny than offensive ... As this show demonstrates, perhaps we all need a little bit more soot in our stockings this Christmas."

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Reviewed by Rich Griset, Style Weekly,

November 28, 2017

"​Both Jones and Throckmorton knock it out of the park with excellent performances ... Jacqueline Jones plays the role to the hilt, and despite being onstage by herself in a folksy kitchen setting, she keeps the escalating drama of the narrative rolling ... My attention never wavered ... I hung on her every word ... The ending delivered in a big way."

The Santaland Diaries and Season's Greetings

(Richmond Triangle Players, Richmond, VA) -

Reviewed by Marilyn Drew Necci, GayRVA,

December 4, 2017

"I attended this production the night after Thanksgiving! I urge you to get yourself and a friend tickets before the run is over! It is so well done ... funny ... and just a very enjoyable way to spend your time (and money)."

"For dessert, there's Jacqueline Jones ... Jones shows us how Jocelyn keeps it together, using Christmas spirits of the alcoholic variety. With the slightest shake or tilt of the head the actress conveys volumes; her crisp diction and flawless timing keep the humor sharp. She's wickedly funny ... convincing as a devoted Southern mom."

"In Season's Greetings local theater doyenne Jackie Jones takes what looks to be yet another groan-inducing holiday "news" letter and turns it into a lacerating indictment of so-called family values that ends with a rather grotesque climax. That Jones makes the journey so funny is a credit to her total understanding of her character and certain aspects of America's unsung desperate housewives."

"Jacqueline Jones is hilarious as the middle-class Jocelyn, matriarch of the Dunbar family, who's doing her best to create a cheerful holiday letter despite an unusually humiliating year. Jones is a seasoned pro who brings this character to convincing life."

"Tommy Schoffler and Jacqueline Jones, perform separate and hilarious monologues in Sycamore Rouge's latest offering. [Director] kb Saine is lauded for piecing together two very different monologues with a great deal of creativity ... Season's Greetings, a dark comedy, was well spoken by Jacqueline Jones as Jocelyn ... Even though the show was malevolent at times, it also was hilarious ...Jones' voice, facial expressions, diction and timing were delightful."

"Perfect is Director T. Ross Aitken's choice of actors. The two – Jacqueline Jones who plays Jocelyn Dunbar, the housewife in "Season's Greetings" and Robert Throckmorton, David, an elf in "The Santaland Diaries" – are the perfect voices for Sedaris' thoughts. Throckmorton and Jones are masterful in their use of inflection, timing and facial expressions. Each brings a sense of realness to the character that sometimes flirts with the darkest parts of our minds. Their portrayals are flawless, unlike their characters."

"Solid comic acting, good musical numbers, and plenty of corpses with few remorses. And Jacqueline Jones was terrific in it. I've seen her do comedy before, but in this show, with the comedy and musical numbers, she stole the show."

"​​You didn't tell me you were the STAR!!!​ ​I​ am truly in awe of how you do what you do.​ ​I had totally forgotten that your character is the lead! Or maybe it isn't and you just made it.​ ​I am in awe of your work. ​... I am always head over heels with where you end up.​ ...​ I hope that someday I'm as good at timing as you. Fantasies come true sometimes​. "

WISHING WELL

Wishing Well

(CAT Theatre, Richmond, VA)

“Mrs. Cauthen, who is never referred to by her first name … makes Joan Crawford look like mother of the year. Those who know Jones as a sweet-tempered and caring member of the Richmond theater community will be all the more delighted to see her in this role. The fact that she does it with droll one-liners and outrageous humor makes this supporting role nearly overshadow [Kerrigan] Sullivan’s lead …”

"Jacqueline Jones plays the mother, Mrs. Cauthen and ... her acting is palpable. She has ease of character, restrained physicality and noble bearing which gives gravitas to her unlikeable character. Jones draws her well enough that you understand her thinking even if you don’t join it."

"It is wonderful to see Jacqueline Jones back on the Swift Creek stage, playing Nita, a lady exasperated by and philosophical about her deadbeat son. Jackie seems never off the boards somewhere in the Richmond area and always gives her all to whatever character she is portraying."

"The Hallelujah Girls” succeeds by delivering heaps of authentic shaggy-dog wit that make us laugh in spite of ourselves ... these skilled actors know just how to overact in ways that balance their characters’ outsized charisma with bittersweet reckonings about growing old and finding hope in life and love."

"What a fun outing! ... somewhere between the sarcasm and humor, The Hallelujah Girls cleverly reminds us to embrace our friends, follow our hearts, and always be on the look-out for life’s next opportunity. "

"This play is another wonderful production by the Mill. If you saw and enjoyed "The Dixie Swim Club" or if you liked the TV show "The Golden Girls" and still watch the reruns you will love this one. You will forget these ladies are acting ... and imagine they have been friends forever."

"The high point of the evening was 'A Long Trip,' in which [Jacqueline] Jones and [Alan] Sader portrayed a loving elderly couple. Sader gently coaxed Jones to remember their first kiss, as [Chris] Craig and [Tricia] Wiles simultaneously depicted the couple’s younger selves, slipping in and out of sync, a perfect metaphor for the wife’s memory. [Billy Christopher] Maupin directed this short play by Dan McGeehan with loving tenderness."

"Most affecting was A Long Trip, by Dan McGeehan and directed by Maupin. Alan Sader and Jacqueline Jones play an older couple reminiscing about their first date and first kiss at the beginning of their relationship. Chris Craig and Tricia Wiles play their younger selves. Sader is gentle and sweet bringing his wife along the memory journey, because, as it turns out she has dementia, and is losing her past. Both Mr. Sader and Ms. Jones hit the stage with fully realized characters knowing that in the one act format, there is no time to ramp up."

"I saw 'Shorts' last night with the fabulous Jackie Jones and rest of an outstanding cast. There were many highlights, but nothing could beat the delicacy of Jackie's performance as an Alzheimer's sufferer. It was real and touching."

"The high point of the evening was 'A Long Trip,' in which Jacqueline Jones and Alan Sader portrayed a loving elderly couple. Sader gently coaxed Jones to remember their first kiss, as Chris Craig and Tricia Wiles simultaneously depicted the couple’s younger selves, slipping in and out of sync, a perfect metaphor for the wife’s memory. Billy Christopher Maupin directed this short play by Dan McGeehan with loving tenderness."

"The high point of the evening was 'A Long Trip,' in which Jacqueline Jones and Alan Sader portrayed a loving elderly couple. Sader gently coaxed Jones to remember their first kiss, as Chris Craig and Tricia Wiles simultaneously depicted the couple’s younger selves, slipping in and out of sync, a perfect metaphor for the wife’s memory. Billy Christopher Maupin directed this short play by Dan McGeehan with loving tenderness."

"The high point of the evening was 'A Long Trip,' in which Jacqueline Jones and Alan Sader portrayed a loving elderly couple. Sader gently coaxed Jones to remember their first kiss, as Chris Craig and Tricia Wiles simultaneously depicted the couple’s younger selves, slipping in and out of sync, a perfect metaphor for the wife’s memory. Billy Christopher Maupin directed this short play by Dan McGeehan with loving tenderness."

"The high point of the evening was 'A Long Trip,' in which Jacqueline Jones and Alan Sader portrayed a loving elderly couple. Sader gently coaxed Jones to remember their first kiss, as Chris Craig and Tricia Wiles simultaneously depicted the couple’s younger selves, slipping in and out of sync, a perfect metaphor for the wife’s memory. Billy Christopher Maupin directed this short play by Dan McGeehan with loving tenderness."

"A tour de force, brilliantly written, directed and acted. A huge and riotous BRAVO to cast and staff of A.R. Gurney's 'The Fourth Wall.' What a terrific production of a provocative, hilarious, smart and humane play. "

"Most of the this play’s humor comes from the theatrical traditions that are skewered. It’s a witty conceit that this quartet handles with assurance. As a bonus, they have good singing voices, which comes in handy for the Cole Porter tunes that are dropped in for an absurd flourish ... informed audiences will appreciate the knowing theatrical illusions."

"Jones' performance is so subtly authentic that we almost miss her own transition. Her shift from remote and controlled scientist to emotional human being - wife, mother and woman - is imperceptible and jarring ...."

"As Claire, Jones has toned down her natural sweetness to play a no-nonsense scientist with some personal troubles lurking beneath the surface. As much as her character tries to keep up a professional facade, her fractured relationship with her husband and daughter becomes a weapon with which Julian attempts to manipulate her."

Uncanny Valley (5th Wall Theatre, Richmond, VA) -

Reviewed by Rich Griset, Style Weekly,

September 22, 2015

"Alexander Sapp is brilliant as the robot being coached on human behavior by the maternalistic scientist played by the reliably-strong Jacqueline Jones ... go see 'Uncanny Valley' because this is the very best kind of theater: beautifully acted, subtly directed and forcing us to look at some hard issues of personal ethics and technology."

The Dixie Swim Clubwas one of the most successful shows in the theatre's history with standing ovations at every performance. The entire 2014 cast will return for a Swift Creek Mill Theatre 2015-2016 Season add-on July 30 - August 29, 2015.

Box Office: 804-748-5203; Group rates are available.

"Flawless performances by five gifted actresses ... Sister Jeri Neal ... has an interesting story to tell. Jacqueline Jones tells it to perfection, and her entrance is one of the show stopping moments of the evening. Her performance is funny and endearing."

"Tom Width’s direction keeps the dialogue moving and the action flowing as the women throw out the frequent set-ups, zingers and one-liners ... All the women display exceptional comedic timing ... All five also admirably portray the women over 33 years ... Jeri Neal (Jacqueline Jones) ... the “Rose” of the group — sweet, naïve and optimistic."

"[Director Tom] Width definitely knows how to produce a comedy and the strong script allows the cast to really shine ... Jones is charming as the former nun Jeri Neal, portraying her character as naïve and almost childlike."

"You need actors who know how to land a punch line and this quintet nails every one (much to the audience’s delight) ... These 5 talented women create a surefire audience pleaser that’s crammed with laughs."

"Jackie, I saw this Sunday extension, great show, glad I didn't miss it! All the one-liners and zingers were delivered with comic precision by the entire cast, including yourself! ... Great show, and thanks to everyone involved for adding the extra show so I didn't miss it!"

"WOW!! What a run we've had with "The Dixie Swim Club".....THANK YOU to our Mill audiences for making this one of the most successful shows in the theatre's history! Standing ovations at every performance!! A thousand kudos to our cast, crew and staff for making this show soar!"

"The evening gets off to a strong start with Jacqueline Jones as Durang?s Mrs. Sorken, a scatter-brained, overly-enthusiastic theatre-goer who introduces the evening?s events and gives a history of the etymology of the word drama. 'We go to the drama seeking the metaphorical Dramamine that will cure us of our nausea of life.' Jones is Richmond?s premier comedic actress, and her cameo as Mrs. Sorken is delightful."

"Jacqueline Jones set the bar with her opening monologue, Christopher Durang?s ?Mrs. Sorken.? Jones portrayed a Connecticut matron with a love of theater who gave a non sequitur-filled homily on the etymology of drama. With her hair in a bun and her purse on her arm, Jones bustled about, overseeing the properties master during every subsequent scene change."

This staged reading of Songs From Bedlam, a play which gives voice to people with mental illness, was not reviewed by the media; however, here is a treasure I savor ...

"I want to say that you are a magical performer except that I refuse to believe that theatre is created by talent but rather created by craft and so therefore, I feel that I should say you are such an incredibly skilled performer except that that doesn't quite express what you do. You're unbelievable. It was incredibly hard to watch you and yet impossible to not love you in every moment tonight. Probably the hardest and most lovable performance in the same package that I've ever witnessed ... God, you're so good ... Congratulations on tonight. And thank you for a beautiful, gorgeous, performance that I was incredibly happy I went to see. Because of your performance. You're so good. And I'm really honored that I get to know you. "

"Jacqueline Jones has had an acting career loaded with varied and rich roles. This indomitable character is matched by Jacqueline?s powerhouse performance. Her flawless timing makes every moment of this horrible and hilarious woman continually funny and occasionally touching ... Jacqueline Jones? performance is a highlight of the season and her career. Don?t miss it!"

"But it is Jacqueline Jones, as Rita, who commands The Lyons from start to finish. Mopping up the family mess without sentimentality ? 'Even contempt is a connection,' she says ? Rita makes an unexpected move on a promising future. Anyone who has ever felt alone, alienated or at odds with the rest of their family will nod and cheer her on. Whoops. That would be all of us."

"?Jacqueline Jones chewed up the scenery and spit it out as Rita, the matriarch of the Lyons family ... She will undoubtedly be honored come awards time next year for this part ... ?Watching the widow tell her son and daughter that she's decided to go on with her life in a manner that appalls them becomes one of the most satisfying moments in the play ... that's almost worth standing up to cheer for."

"Director Billy Christopher Maupin wisely chose Jones for this marquee role and the local favorite propels the usual Jewish mother shtick into delightfully dark and kooky directions. Jones? comic timing makes Rita .... particularly hilarious. The ultimate kiss-off she delivers near the end of the show could inspire frustrated parents to cheer from their seats."

The Lyons (5th Wall Theatre, Richmond, VA) -Facebook Review by John Bryan, founding president of CultureWorks, the arts and culture service and leadership organization for Richmond, VA January 18, 2015

"From the spot-on makeup and the incredible set, to the searing performances, particularly by Jones, who was sheer perfection, everything about this production was exceptional."

"The cast is comprised of some of the best talent in the area: Alan Sader as the dying patriarch makes every non-sequiter and foul mouthed expression a declaration. His long suffering wife who can?t wait to be free is played by Jacqueline Jones who manages to walk the tightrope between apathy and celebrating her opportunity to start life anew. The two make an interesting bookend to their portrayals of Big Daddy and Big Mama in Cat On A Hot Tin Roof."

"But in the end, the show belonged to Jacqueline Jones and Liz Ballard Hamm. Jones plays the role of Miss Skillon, and one unfortunate but inevitable misunderstanding led the former teetotaler to drink an entire bottle of cooking sherry, which, in turn, initiated an ongoing and intimate relationship with the closet."

"But in the end, the show belonged to Jacqueline Jones and Liz Ballard Hamm. Jones plays the role of Miss Skillon, and one unfortunate but inevitable misunderstanding led the former teetotaler to drink an entire bottle of cooking sherry, which, in turn, initiated an ongoing and intimate relationship with the closet."

See How They Run (Swift Creek Mill Theatre, Colonial Heights, VA) - Reviewed by Bruce Levy, Broadwayworld.com, September 22, 2014

"[Director] Tom Width has chocked this production full of clever comic bits ... Some [actors] have timing that mines every moment (especially Jacqueline Jones & Steve King)."

See How They Run (Swift Creek Mill Theatre, Colonial Heights, VA) - Reviewed by Jerry Williams, TVJerry​​, September 21, 2014

"Andrew Hamm as Reverend Toop and Jacqueline Jones as Miss Skillon start as quintessential, proper, lip-pursing, flummoxed Brits. Jesse Mattes as Clive Winton and Louise Keeton as Penelope Toop shine as the carefree and cool Americans. All eventually morph into their wild and crazy alter-egos in this zany tale of clashing cultures and mishaps."

See How They Run (Swift Creek Mill Theatre, Colonial Heights, VA) - Reviewed by Susanna Wu-Pong, Richmond Family Magazine​​, September 27, 2014

"It was Jacqueline Jones at her most hysterical! Hilarious bits from start to finish!"

UPDATE: The Dixie Swim Clubwas one of the most successful shows in the theatre's history with standing ovations at every performance. The entire cast will return for a Swift Creek Mill Theatre 2015-2016 Season add-on July 30 - August 29, 2015.

"Flawless performances by five gifted actresses ... Sister Jeri Neal ... has an interesting story to tell. Jacqueline Jones tells it to perfection, and her entrance is one of the show stopping moments of the evening. Her performance is funny and endearing."

"Tom Width’s direction keeps the dialogue moving and the action flowing as the women throw out the frequent set-ups, zingers and one-liners ... All the women display exceptional comedic timing ... All five also admirably portray the women over 33 years ... Jeri Neal (Jacqueline Jones) ... the “Rose” of the group — sweet, naïve and optimistic."

"[Director Tom] Width definitely knows how to produce a comedy and the strong script allows the cast to really shine ... Jones is charming as the former nun Jeri Neal, portraying her character as naïve and almost childlike."

"You need actors who know how to land a punch line and this quintet nails every one (much to the audience’s delight) ... These 5 talented women create a surefire audience pleaser that’s crammed with laughs."

"Jackie, I saw this Sunday extension, great show, glad I didn't miss it! All the one-liners and zingers were delivered with comic precision by the entire cast, including yourself! ... Great show, and thanks to everyone involved for adding the extra show so I didn't miss it!"

"WOW!! What a run we've had with "The Dixie Swim Club".....THANK YOU to our Mill audiences for making this one of the most successful shows in the theatre's history! Standing ovations at every performance!! A thousand kudos to our cast, crew and staff for making this show soar!"

"For dessert, there's Jacqueline Jones ... Jones shows us how Jocelyn keeps it together, using Christmas spirits of the alcoholic variety. With the slightest shake or tilt of the head the actress conveys volumes; her crisp diction and flawless timing keep the humor sharp. She's wickedly funny ... convincing as a devoted Southern mom."

"In Season's Greetings local theater doyenne Jackie Jones takes what looks to be yet another groan-inducing holiday "news" letter and turns it into a lacerating indictment of so-called family values that ends with a rather grotesque climax. That Jones makes the journey so funny is a credit to her total understanding of her character and certain aspects of America's unsung desperate housewives."

"Jacqueline Jones is hilarious as the middle-class Jocelyn, matriarch of the Dunbar family, who's doing her best to create a cheerful holiday letter despite an unusually humiliating year. Jones is a seasoned pro who brings this character to convincing life."

"Tommy Schoffler and Jacqueline Jones, perform separate and hilarious monologues in Sycamore Rouge's latest offering. [Director] kb Saine is lauded for piecing together two very different monologues with a great deal of creativity ... Season's Greetings, a dark comedy, was well spoken by Jacqueline Jones as Jocelyn ... Even though the show was malevolent at times, it also was hilarious ...Jones' voice, facial expressions, diction and timing were delightful."

"Perfect is Director T. Ross Aitken's choice of actors. The two – Jacqueline Jones who plays Jocelyn Dunbar, the housewife in "Season's Greetings" and Robert Throckmorton, David, an elf in "The Santaland Diaries" – are the perfect voices for Sedaris' thoughts. Throckmorton and Jones are masterful in their use of inflection, timing and facial expressions. Each brings a sense of realness to the character that sometimes flirts with the darkest parts of our minds. Their portrayals are flawless, unlike their characters."

"A gripping and heartfelt master class in acting ? The four veteran performers ... unpack and deliver such raw emotion that audience members feel as if they are privileged visitors peeking into the lives of four individuals ? rather than spectators of a play. Neil and Jeannette [are] played to near perfection by Michael Hawke and Jacqueline Jones ? under the careful direction of Deejay Gray, the quartet delivers a tour de force performance that stirs even the most stoic souls in the audience ? Jacqueline Jones is masterful as Jeanette."

The Quality of Life (HATTheatre, Richmond, VA) -Reviewed by Jeremy Bustin, Broadwayworld.com February 9, 2014

"THE QUALITY OF LIFE ... is one of the most powerful, thought provoking, affecting, and well-acted dramas that I?ve seen in this, or any other year. Yes, it is that good ? This quartet is on the top of their game and their acting style is so organic that the actors often create overlapping dialogue ? a very natural sound that is difficult to duplicate. Their energy is not just exciting during the fireworks, it?s sumptuous in the quiet moments as well. There are several extended scenes in the second act, usually when Jones is delivering one of her monologues, where the audience is absolutely silent ? no coughs, no throat clearing, just total focus on what?s happening on the stage. "

The Quality of Life (HATTheatre, Richmond, VA) -Reviewed by John Porter, PBS WCVE February 11, 2014

"Peppy and matter-of-fact ... [Jacqueline] Jones? Jeanette copes with her husband?s impending demise with the philosophical equivalent of a wrap-around hug."

The Quality of Life (HATTheatre, Richmond, VA) -Reviewed by Tony Farrell, Richmond Times-Dispatch February 10 2014

"It is the brilliant performances of Hawke and Jones which make it nearly impossible to not shed a tear or two ... this is a flawless dramatic comedy that will leave you talking about both the performers and life itself, well after you leave the theater."

The Quality of Life (HATTheatre, Richmond, VA) -Reviewed by Bruce Levy, richmond.showbizradio.com February 12, 2014

The Drowsy Chaperone (Swift Creek Mill Theatre, Colonial Heights, VA)

"Jacqueline Jones and Steve King play a mature couple straight out of vaudeville, complete with the most number of spit-takes ever delivered on the stage at Swift Creek ... Put this one down in the 'DON'T MISS IT' category!"

"In a cast of real characters, Matt Shofner and Nicole Oberleitner stood out as Latin lover Aldolpho and 'the Drowsy Chaperone.' Jacqueline Jones and Steve King also had some excellent moments as Mrs. Tottendale and her butler ... I give them a special ?Spitting Image? award, and will say no more, so you must see the show yourself to find out why."

"BEST BET: There?s not one weak voice or performance in the big cast ... This outstanding and joyful production is a delightful romp through musical appreciation. ?Chaperone? is the MOST must-see show in the area."

"'Drowsy Chaperone? buries us with an avalanche of show-stopping musical numbers, loony stage antics, and sight and sound gags worthy of a magician?s bag of tricks. Tom Width?s snappy direction and masterful set design ... gives ?Chaperone?s? 18 players, all of them leading lights on the Richmond theater scene, the chance to show off their singing, dancing and acting chops ? three distinct skills notoriously difficult to find in a single actor."

"Richard Koch is absolute perfection... The musical within the play is a delightfully dizzying spectacle, with hilariously over-the-top crooning, flawlessly timed comedy, dazzling choreography and seamless set design ... Audience members were doubled over in their seats, unselfconsciously snorting at the quips that just kept coming. ... There was not a disappointing performance in the bunch."

"Director Tom Width made a brilliant move by choosing this hilariously funny, toe-tapping musical ... The whole cast is superb ... The show is not a laugh a minute, it is a laugh a second ... I laughed until my face ached."

"I could go on forever about how amazing this show is ... I?m here to tell you your new priority should be piling your butts into the car and heading down to Colonial Heights for some Off-Broadway magic with Swift Creek Mill?s ?The Drowsy Chaperone.? ... you need to see it. Period."

"Swift Creek Mill Theatre has reopened, and ... its first show this season ? "The Drowsy Chaperone" ? is filled to the brim with bells and whistles ... this production has a number of impressive performances ... its concept and execution is higher brow than most, and ... are flawless."

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The Drowsy Chaperone (Swift Creek Mill Theatre, Colonial Heights, VA)

"Jacqueline Jones and Steve King play a mature couple straight out of vaudeville, complete with the most number of spit-takes ever delivered on the stage at Swift Creek ... Put this one down in the 'DON'T MISS IT' category!"

"In a cast of real characters, Matt Shofner and Nicole Oberleitner stood out as Latin lover Aldolpho and 'the Drowsy Chaperone.' Jacqueline Jones and Steve King also had some excellent moments as Mrs. Tottendale and her butler ... I give them a special ‘Spitting Image’ award, and will say no more, so you must see the show yourself to find out why."

"BEST BET: There’s not one weak voice or performance in the big cast ... This outstanding and joyful production is a delightful romp through musical appreciation. “Chaperone” is the MOST must-see show in the area."

"'Drowsy Chaperone’ buries us with an avalanche of show-stopping musical numbers, loony stage antics, and sight and sound gags worthy of a magician’s bag of tricks. Tom Width’s snappy direction and masterful set design ... gives ‘Chaperone’s’ 18 players, all of them leading lights on the Richmond theater scene, the chance to show off their singing, dancing and acting chops — three distinct skills notoriously difficult to find in a single actor."

"Richard Koch is absolute perfection... The musical within the play is a delightfully dizzying spectacle, with hilariously over-the-top crooning, flawlessly timed comedy, dazzling choreography and seamless set design ... Audience members were doubled over in their seats, unselfconsciously snorting at the quips that just kept coming. ... There was not a disappointing performance in the bunch."

"Director Tom Width made a brilliant move by choosing this hilariously funny, toe-tapping musical ... The whole cast is superb ... The show is not a laugh a minute, it is a laugh a second ... I laughed until my face ached."

"I could go on forever about how amazing this show is ... I’m here to tell you your new priority should be piling your butts into the car and heading down to Colonial Heights for some Off-Broadway magic with Swift Creek Mill‘s ‘The Drowsy Chaperone.’ ... you need to see it. Period."

"Swift Creek Mill Theatre has reopened, and ... its first show this season — "The Drowsy Chaperone" — is filled to the brim with bells and whistles ... this production has a number of impressive performances ... its concept and execution is higher brow than most, and ... are flawless."

"... the fabulous Jacqueline Jones re-creates her role as the wealthy Clairee Belcher ... experience certainly brings out the best; Jones’ timing was flawless and her sometimes deadpan delivery of outrageously funny lines was spot on ... Speaking of outrageous, the exchanges between Clairee and the curmudgeonly Ouiser Boudreaux (Catherine Shaffner) were the source of the most delightfully over-the-top moments of the evening ... These six women are strong individually, and awesome as an ensemble."

"Jones makes the most of some of the best one-liners in the show as Clairee … With its humor, message of female camaraderie and excellent execution, Virginia Rep's 'Steel Magnolias' passes the test with flying colors."

"What can you say about a perfect cast? Every one of these woman is an accomplished A-list actor and they all add another top-notch performance to their resumes. Not one comic opportunity is missed and the moments of drama are effective. Director Steve Perigard has confidently mounted a show with a flawless ensemble. The set adds to the on-target effect. You couldn’t ask for a more perfect cast in this pitch-perfect production."

"It’s a great ensemble that makes up the cast of STEEL MAGNOLIAS. ... Clairee and Ouiser played by Jacqueline Jones and Catherine Shaffner respectively ... their playful teasing and downright insulting matches provide much of the comic relief for the show ... All are strong ... but their true strength is revealed as a group ... (Director, Steve Perigard's) cast has risen to the task of connecting with each other and translating that sense of family to the audience."

"The script is filled with one liners and zingers, which all six actresses deliver with great skill … All six actresses are also stellar in creating characters who are not caricatures. They are quirky, funny and relatable. This makes the ending even more powerful as you feel their love for one another and their shared pain … As a reviewer, I have always wanted to say this — you’ll laugh; you’ll cry! Most of all you’ll enjoy the heart-warming time spent with the lovely and talented women of Richmond, via Chinquapin, Louisiana."

"This company of actresses set up and delivered their lines with better timing, intonation, and enthusiasm than the film. There it is. Not a hint of pretense or over-acting; just superior writing brought to life by six talented, seasoned professionals ... We left feeling good that there were people in our lives who cherished us as much as those six women cared for one another through death and new life. A sure feel-good evening’s entertainment."

Sons of the Prophet (Cadence Theatre Company in partnership with the Virginia Repertory Theatre, Richmond, VA)

"The supporting cast outside of the family each stand out in their performances as well. Jacqueline Jones [and] Kimberly Jones Clark in multiple roles ... Each adds great comic ability and timing to their scenes. Jones and Clark are side-splittingly funny [as] soccer mom/school board members."

"The cast was stellar, with some of Richmond's best and some of its best up and coming actors ... The versatile Jacqueline Jones played a host of roles, funny, empathetic, gossipy and disdainful. And her black curly wig was magnificent."

"Cadence Theatre Company's production of SONS OF THE PROPHET is first rate. Perfectly cast, beautifully directed, and brave, fully fleshed out performances. I really, really enjoyed it. It's the kind of theatre I'm drawn to and I'm so glad I went. See it."

Sons of the Prophet (Cadence Theatre Company in partnership

with the Virginia Repertory Theatre, Richmond, VA) -

David Bridgewater, Award-winning actor

of the stage, film & television,

February 24, 2013

FOLLOW UP:"Woke up this morning still thinking of the great night of theatre I witnessed yesterday. Sons of the Prophet is first rate. Cadence Theatre Company has knocked it out of the park once again. It's a perfect fit for the Acts of Faith Festival. The entire cast is wonderful--not a single weak link ... Thanks to [Director Anna Senechal Johnson] for a perfect night. If you're in Richmond, this is a show you need to see. Don't miss it."

February 24, 2013

Death of a Salesman (Firehouse Theatre Project under Carol Piersol, Richmond, VA)

"This is a tightly focused play, and [Director Rusty Wilson] has cast a tight and focused cast ... As Willy?s devoted and long-suffering wife, Linda, Jacqueline Jones is initially all sweet 1940s housewife smiles. However, Jones adeptly reveals the ocean of fury and despair inside a woman content to live a small life forced to watch her husband unravel when he can?t do the same."

"Jacqueline Jones plays Willy?s ever understanding and patient wife, Linda, and having seen Jones perform in numerous productions I am always fascinated by her ability to play so many diverse roles with such ease."

"Jacqueline Jones (Linda Loman) was equally true to life as Willie?s long-suffering wife. She was Loman?s Edith Bunker to his Archie in her warmth, character and likeability, with a double helping of down to earth intelligence and strength (no dingbat there). Matt Bloch (Happy) and Adrian Rieder (Biff) performed at the same professional level as their stage parents. All four principal characters showed such a range of emotions and realistic pain that the audience was silently captivated throughout the show. That pain was not only evident in their voices ... it was consistently evident in their faces and bodies. The strong performances were rewarded in the end with a heartfelt standing ovation. The supporting performances were equally strong. Especially noteworthy were Gordon Bass as Charley, Willie?s one true friend and Bill Patton as Willie?s late brother Uncle Ben ... Director Rusty Wilson and Scenic Designer Phil Hayes worked amazingly with the small stage to denote separate spaces and present levels to the various rooms in the house and exterior scenes. Andrew Bonniwell?s lighting design further enhanced both the set and the mood throughout the play. Firehouse Theater Project?s mission is to promote contemporary American theater. Willie Loman?s mission is to leave a legacy and be liked. Both achieved their missions in this performance."

"I saw your show last night and I was absolutely blown away by your performance! Of course you know how much I love the theatre and I have experienced the joy of many remarkable moments. But the effect on me watching your final moment on stage was absolutely stunning. I was caught, suspended and transported to a different space. I cried with you, I suffered with you. I knew that place. Thank you for creating that portal."

"My name is Aaron Kremer and I am a journalist in Richmond. I saw you in the play last night. You were phenomenal. You stole the show. There was a nuance to your acting that I found so incredibly compelling I could feel it in my chest. I will have to go to more plays that you are in. Have a good day."

"I loved what you did with the Linda role, understated yet firm, loving and vulnerable, a woman that has a lot to deal with yet goes about her days with determination. She defends her husband, no matter what! And has to deal with 2 grown sons that are a handful! ... the Richmond audience will turn out to see a marvelous production! I feel lucky to live in a city that has the guts to put on a difficult play - and has the actors that can pull it off!"

"I have just been through an experience I will remember the rest of my life. I would to have stayed to talk, but there are no words. To the cast of Death of a Salesman, Joe Inscoe, Adrian Rieder, Jacqueline Jones, Dean Knight, Lauren Leinhaas-Cook, Jay Millman, Gordon Bass, Andrew Boothby, Rusty Wilson, and everyone involved. It was breathtaking!"

Richmond Shakespeare and Co-Founder of the Richmond Shakespeare Festival

December 14, 2012

"Still a bit drained after the wonderful Firehouse Theatre Project's production of 'Death of a Salesman'last night. Huge kudos to Joe Inscoe, Adrian Rieder and Jacqueline Jones for their heart wrenching performances ... you each did Arthur Miller proud. And a big thank you to [FTP Artistic Director] Carol Androski Piersol and [Death of a Salesman Director] Rusty Wilson for bringing this to us. I can always count on that combo for a wonderful night out."

Retired Director of The National Welfare-To-Work ProgramPublic Post on Facebook

December 1, 2012

FOLLOW UP:

"My wife Pat and I came to Death of a Salesman last night and were bowled over. We saw that there's going to be a talk back after today's matinee, and we were wondering if we could sit in on that ... We finally got through to the box office and they said fine."

Private Message on Facebook

December 2, 2012

"Hey Richmond and Washington, D.C. Facebook friends (and any from further away that love truly excellent theater)! The Firehouse Theater Project's Death of a Salesman has been extended until December 15th. This is the MUST SEE show of the 2012 season. Please spread the word! Pat and I are going for a second time this Thursday the 13th."

Public Post on Facebook

December 11, 2012

"Second time seeing Death of a Salesman. The bravos going on from the audience were some of the best I've heard. Marvelous performance. Even better than the first time."

Public Post on Facebook

December 13, 2012

"Well. "Salesman" was phenomenal! And although I came close to tears several times, I made it through the whole show dry eyed. Then you had to go and pull your little stunt at the very end, and I lost it. You little stinker! You were magnificent!"

"A truly stunning performance at Firehouse Theatre of Death of a Salesman. Congratulations to all for a brilliant job. I was truly blown away by the show--so incredibly powerful--and I have been saying that to everyone who crosses my path."

"I saw Death of a Salesman tonight at the Firehouse. I think I know how the members of the congregation may have felt while Jonathan Edwards delivered his famous Sinners in the Hands of an Angry God sermon. Surely they knew that however harrowing the experience was, it was unforgettable and immensely powerful. I have known many of the performers for several decades, in the case of Adrian Rieder since he was the cutest little boy who ever lived. As an occasional actor myself, I knew exactly what these people were doing and how they did it. That took away not one scintilla of the amazement I felt at their achievement. We are so fortunate to have among us people who are capable of doing so well something this hard to do. If you missed it, I am so sorry, but if you live in Richmond, you have the privilege of future opportunities to experience the wonders that these people can do. Seize those opportunities. You have only one life, and the theatrical community in our old town can make it much the richer."

"Don't make the mistake of missing DEATH OF A SALESMAN at Firehouse Theatre Project! This is a great production of a great play. The cast is fantastic headed by the incomparable Joe Inscoe, the incandescent Adrian Rieder, and the heart-breaking Jacqueline Jones and Matt Bloch. We are so lucky to have such fine actors in Richmond."

"I can't emphasize enough my recommendation to see the certain-to-be-historic production of Death of a Salesman at the Firehouse this Thursday, Friday, or Saturday. The uniformly stunning cast is at the top of their game, turning in indelible performances full of energy and brilliance and never to be forgotten."

"CONGRATULATIONS Joe, Jackie, Gordon, and Heather and the entire company of DEATH OF A SALESMAN, on your outstanding performance last night. It was one of the most intense plays I have seen produced in Richmond. You continue to maintain the Firehouse tradition of quality theatre."

"Jacqueline Jones gracefully depicts Linda Loman's last efforts to save her husband. Her quiet confidence and empathetic outlook shine through, making for an authentic and relatable performance ... No matter how many years go by, this tragic tale will never become irrelevant."

"Jones was a highlight of this production for me as her mannerisms, well placed giggles and over all ?silly-woman-ness? caused me to laugh out loud every time she was on stage. Maddox and Jones have a natural chemistry that makes their relationship feel authentic."

"Dr. Bradman (John Storck Maddox) and his wife (Jacqueline Jones) complete the party with winking complicity ... Tom Width is the estimable director of this madness, as well as its set designer and special effects master. He sets a pace that accommodates both the snappy repartee and the leisurely country-house feel. His cast is agile and amusing throughout."

"John Storck Maddox and Jacqueline Jones round out the cast as the amusing Dr. and Mrs. Bradman. The tone and humor are pitch-perfect under Tom Width's direction, and his special effects near the play's end are worth the price of admission. "

"Rounding out the cast are John Storck Maddox and Jacqueline Jones as Dr. and Mrs. Bradman, friends and accomplices in the s¿ance. Each gives a good performance in essentially a straight man role. ... This is one of those plays that is best designed by a master magician, and make no mistake about it director Tom Width is one of the best. I have been a fan of magic since I first drew breath and have been fortunate enough to see many of the greats. Tom Width belongs in their company if not as a performer than as a designer and master manipulator. "

"Blithe Spirit is full of the stuff of life. That is, drama, death, some good chuckles along the way. Blithe Spirit?s cast is small and delightful?each player brings a certain charm to each character. Directed by Tom Width, the play?s numerous who?s-on-first scenes are genuinely funny each time."

"Clairee, a rich widow and widow of the former mayor, is played by Jacqueline Jones. Clairee banters wittily with her nemesis and neighbor Ouiser, providing much of the humor in the plot as the ladies join in, swapping repartee along with recipes and advice. Jacqueline Jones is excellent as always. The comic climax when Clairee offers a struggling Ouiser as a punching bag almost brought down the house."

"In opposite corners, battling each other throughout the play with respect and love are Clairee and Ouiser played by Jacqueline Jones and Amy Berlin respectively. These are two character actors are at the top of their game."

"It was a complete joy to watch a play filled to the stuffing point with strong, funny, complex female characters, played by an array of talented actresses from several generations ... As the elder lady of the group, Clairee, Jacqueline Jones, is her usual dependably good self ... Yet as good as they are individually, the greatest strength of "Steel Magnolias" is how the cast plays off one another. There?s wonderful chemistry and generosity between all of these actresses, and that makes the connections between the characters all the more satisfying and real."

"The six women who make up the cast gave strong performances. It is the circle of women choosing to share life's experiences together that makes this play, and this production, such a joyous experience. Jones is a voice of reason and a breath of life as wealthy friend Clairee, the late mayor's wife."

"You did a fabulous job directing Almighty Bob. I had been intrigued by the title and the concept, but when I heard you had directed it - I had to pop by! What a challenging piece to grab a hold of for a director. I thought you balanced the comedy, pathos, fantasy, and reality just beautifully. Of course, I'm not surprised by any of this! I'm convinced that you are one of those disgusting people who can do anything!!! Anyway, congrats again. Please pass on my kudos to your cast and crew as well."

PREFACE from Sycamore Rouge Artistic Director, kb saine: i want to share this email from a board member of ours; she's said you're free to share it with the cast as well. i know you've gotten tremendous public responses, but one more is still a great reminder of what was obviously very exceptional work. congratulations to you & the entire cast!

"I could not wait to tell you about the show!!! OMG it was FANTASTIC and I did not want the show to end. I was so caught up in the story. They did a fabulous job, and I just wanted to share. If it's not too late, PLEASE break away and go see it !!!"

"Congratulations to Jackie and the wonderful cast of ALMIGHTY BOB! for their spectacular performance last night. The show was expertly conceived, Jackie; it was great to see Anne act and sing (my first time) so well, and the humor was side-splitting. What a great inclusion in the Acts of Faith Festival."

"Thank you for tonight. I had such a wonderful time. It was so fun. And so sweet. And laughter through tears IS my favorite emotion. Your guidance was so apparent and so wonderful. And the choreography too! I hope you're really happy with it. You should be. I am so glad i got to come."

"I thoroughly enjoyed your show last nite! You did a splendid job! What a clever show! The effects were awesome, and the ending gave me chills as the light got brighter. I wish you much success! Bravo!"

"I so very much enjoyed your production of Almighty Bob and as I mentioned, the cast's trust in and love of each other really showed through making the play that much more special. You should be very proud of your work."

"We enjoyed the play last night. I enjoyed the second half much more, as it was much funnier. Richard really enjoyed it, as he is a person of "Faith." I, however, am not, so I just enjoyed the acting - very good, btw, and didn't give it much thought afterwards, which he did. I also thought the singing before the show and the Yoga lessons were very cute and clever. You should be very proud of your accomplishment!"

"We loved the play. What a great job you did casting Will Vehrs and Donald Evans. The special effects were very impressive, too! And of course, I kept poking Sam saying, ?Hey, we painted those walls and the ceiling!? The set really did look different than when we were working. It all came together very nicely. Well done!"

"Thank you Jackie Jones and your cast for a wonderful production of ALMIGHTY BOB! We thoroughly enjoyed the play and the talk back session. But one question never got asked. How the heck did Bob's fingers light up when he snapped his fingers a la God?"

"We always enjoy everything CAT picks. I really need to let the board, etc., at CAT know that Almighty Bob was one of our favorite selections. In fact, I saw it twice, once on our season tickets, and then bought two more so I could bring my husband, who had been out of town. I am still angry about the ugly, ignorant review that the RTD saw fit to give column space to. I hope that all the people involved in the production will remember how Dorothy Parker reviewed a performance in the thirties - 'Miss Hepburn ran the gamut of emotions from A to B.'"

"CAT ON A HOT TIN ROOF Scorches at the Firehouse ... Jacqueline Jones takes on the role of Big Mama ... Jones is a tremendous actress who always turns in a credible performance, and it is always a delight to see her on stage ... she is 'the iron fist inside a velvet glove.'"

"Firehouse Theatre's production of Tennessee Williams' classic play is steaming up the stage ... Cat on a Hot Tin Roof is just about purr-fect. ... Even when Big Daddy rips her apart in a brutal speech in act two, Jacqueline Jones preserves a sense of dignity for Big Mama through her tears."

"Alan Sader and Jacqueline Jones command every scene while portraying a booming ?Big Daddy? and silly, oblivious ?Big Mama? respectively. Jones? Big Mama is incredibly charismatic genuinely likable. She is a classic Williams? woman in that she is incredibly troubled and very strong at the same time ... Big Mama?s costume [by Heather Hogg] highlighted her character, as the wife of a wealthy business man, her jewelry caught the stage lights perfectly. When Big Daddy refers to Big Mama as ?dripping in diamonds,? we see and believe it."

"A powerhouse cast at the Firehouse Theatre brings Tennessee Williams? southern tragedy to vibrant life. The American South is easy to get wrong. It?s almost always rendered in caricature, in capital G grits and accents so thick as to be satirical. It makes it all the more amazing then, how effortlessly Firehouse Theatre?s current production of Tennessee William?s Cat on a Hot Tin Roof gets it right, how subtly the director and playwright create an entire world ... the cast [is] simply stacked with talent. Even the smaller roles are filled with dependably excellent names like Larry Cook as Gooper, Jacqueline Jones as Big Mama and Laura Rikard as Mae. Firehouse Theatre strikes the perfect balance with this production, just as Williams always did. "

"I came to Cat on a Hot Tin Roof tonight. It was a terrific performance. You were wonderful. I hope you're very proud. Thanks for a GREAT show ... I especially appreciated YOUR performance. I thought you and Adrian [Rieder] could be doing the show on Broadway, you were that good. Thanks for sharing all your talent. "

"Sharing the stage with these actors in Cat On A Hot Tin Roof is such a huge pleasure! ... Jacqueline Jones! there is no other Big Mama. She has power, vulnerability, command of the stage and is sheer fun to watch and work with ... Our audiences seem to love it. The press has been good so far. Tickets are selling fast and in the words of Big Daddy 'That's no Crap!'"

"'The Perfect 'Big Mama.' Wow, you were fantastic - lighting up the stage with every entrance. How do you do it? I love your realism...so thank you for a wonderful evening! ...Bravo and Merde for the rest of the run...and added performances."

"Had the privilege to be a part of the audience at Cat on a Hot Tin Roof at Firehouse Theater. Truly breathtaking. You all gave me an amazing piece of theater tonight. I am humbled, grateful and privileged to know you."

"Let me take this opportunity to compliment you to the utmost of my abilities on your wonderful performance in Cat ... It is a remarkable production of a difficult and astounding play that I love dearly. The entire cast is spectacular and you are no exception. I loved your heartbreaking Big Momma."

"[Jacqueline Jones], you're so damn good! You broke my heart. Over and over and over. Really beautiful. I can't stop thinking about it ... Congratulations to Adrian Rieder, Jacqueline Jones, Alan Sader, Laine Satterfield, [director] Rusty Wilson and all the rest (and the Skipper too) on an incredibly powerful piece of theatre. So grounded, so driven. I was pretty much a mess through the whole thing. Truly great theatre."

"FABULOUS JOB TONIGHT!!! Everyone and everything was amazing and perfect. I was totally riveted and couldn't believe the time flew by. Incredible material, beautifully directed, perfectly brought to life. THANKS! (to the whole cast!)"

9/17 "A phenomenal performance from one of my favorite people in my favorite play....what more can a fan of the theatre ask for!"

9/19 "I am in total agreement with the reviewer! I especially loved the performance by the actress playing Big Mama."

9/27 "So good, I'm coming back tomorrow for seconds!"

9/28 "AMAZING.........again!!!"

9/29 "Been thinking about a 3rd visit all day today. After all, I will be celebrating my Big Daddy BD in December. I can't think of a better way to celebrate than to see my favorite play as often as I can ....especially when the production is this good!"

9/30 "Kudos to everyone involved in this production! You really wouldn't want to take my blood pressure by the end of the show....the heart was pounding heavily. The film has always been in my Top 5 and you folks topped that. Each character became more real to me. Richmond theatre fans are truly blessed....thanks!"

"We went to see Cat on a Hot Tin Roof @Firehouse Theater last night. Oh my goodness. My adrenalin is still pumped up from the tension and dysfunction on that stage. I tip my hat at Tennessee Williams for his ability to encapsulate an entire horrifying society in one brief play. Denial, disdain, alcoholism, repressed homosexuality, cancer, syncophantism - what more could a person want in a play? And all flawlessly acted by Adrian Rieder, Jackie Goldberg Jones, and the rest of the cast. Amazing. Truly amazing. "

"Jackie, this was such a powerful production - and not just because of the material. What a stellar cast - you and Alan embodied the most dysfunctional relationship I've ever seen onstage next to August: Osage County on Broadway! Adrien [Rieder], Laine [Satterfield], you, and Alan [Sader] created some of the most powerful theater I've ever seen locally or anywhere else. I'll long remember you as Big Mama - especially the scene when you finally realize that Big Daddy is really dying. And your flawed relationship with Brick. It must have been a true joy to work with Adrien in those scenes. Thank you for such a meaningful gift to Richmond."

"Steve and I caught the last performance of The Big Mama Show last night, and your fabulousness was everywhere. I only wish you had been on stage longer, but what there was was choice. Congratulations."

Death of the Party(Richmond 48 Hour Film Project 2011)Chosen as one of the "Best of Richmond 2011"& Audience Choice Award for its Division

"All were Good, many were Great, but only a few could make the "Best of Richmond 2011" screening! These films [including "Death of the Party" by Team One] have been selected as the best from this year's Richmond 48 Hour Film Project. All were made the weekend of July 22nd - 24th! Find out which will be named "Best Film of Richmond 2011" and will compete against the Best 48HFP Films from the other 100+ cities around the world. "

Death of the Party (Richmond 48 Hour Film Project 2011) - Ellie St. John Richmond, Producer 48 Hour Film ProjectAugust 8, 2011

"Jackie - GREAT job in Death of the Party!!! I loved your "Fraaaaaaaaaaaaaaaaaaaaank, get your puny pisser in here" line. You were the perfect shrew wife. And Matt's [Director, Matthew J. Polson] extreme close-ups of your "Fraaaaaaaaaaank" lines were awesome. What a terrific job from your team. Had a great time watching it at the Byrd. Such great lines, such as putting the sherbet in the punch (old school), and the scene with the slap and then the hat on, hat off was terrific!"

"Our film has been chosen as one of the "Best of Richmond 2011" and will be screened again [event details]. Awards will be announced after the screening, and we have no idea who is nominated for what, but I'm guessing we will be nominated for best acting for sure! You guys rock. Thank you all so much."

As part of the Firehouse Theatre Project's Readers' Theatre Series,Gruesome Playground Injuries, in which I directed Molly Hood, Billy Christopher Maupin and Cooper Timberline, was not reviewed by the media; however, here are some treasures I
savor ...

"I
just wanted to tell you again how much I enjoyed the show. It was truly
one of the most enjoyable nights I have spent in a theatre in a long
time. I can't wait for the full production."

"I
was telling someone else this and figured I ought to tell you, too. In
addition to directing an amazing reading of Gruesome Playground
Injuries, you led one of the best talk-backs I've ever seen. You
repeated the questions, gave clear, meaningful answers, and encouraged
others on the stage to respond, as well. It really was like a warm
conversation after the play - with 75 or 80 friends. Really a great
experience."

"I LOVED the performance and am so grateful you asked Cooper to serve as narrator. He really enjoyed being part of it and I love that he got to see Billy Christopher's and Molly's acting evolve under Jackie's direction as the project moved forward. I was blown away by you two, BC and Molly. You brought those characters so completely and uniquely to life, and everything that transpired between them as the play unfolded made perfect sense - nothing seemed superfluous or half-hearted, and every exchange just seemed organic and connected. I have heard that good direction is invisible, so that must have been some REALLY good direction, Jackie!! You cupped the whole project in your hands and held it out to the audience - but we saw the PLAY and not you behind it. What a great piece. I hope you three are able to fully stage and produce it!"

Richmond Theatre Critics Circle 2011 critic David Timberline writes, "It’s fitting that this year’s slate of contenders for the Best Ensemble award is perhaps the most competitive ever. Each of the casts nominated was a true ensemble, each cast member shining in
his or her own moments but also collaborating with and supporting cast
mates to create a uniformly exceptional theater performance."

"Tom
Width directs with a homespun feel on a rustic set that enables the
women and their handiwork to take the focus ... The cast consists of
just one named character — matriarch Sarah McKendree Bonham, played with
bounteous maternal love by Jacqueline Jones ... The women switch among
ages, characters and emotions deftly and blend their remarkably pure
voices for lovely harmony ... Audra Honaker, Emily Cole ... Ali
Thibodeau, T'Arah Craig, Brittany Simmons and Katy Burke all show
remarkable range and versatility in their many roles."

"The seven actresses who play various roles in the vignettes – male and female, adult and adolescent – are incredibly talented. Their acting and vocal talents are top-notch ...The performers are all strong. Two who stand out are Jacqueline Jones and Audra Honaker. Jones is very convincing as Sarah McKendree Bonham, the matriarch of the family. As one of the daughters, Honaker seamlessly shifts from character to character with ease.."

"Pioneer
matron Sarah McKendree Bonham (played with a matriarch’s formidability
by Jacqueline Jones) and her six daughters weave a family quilt together
to transmit their story to future generations ... It was non-stop
chuckles for me as I watched this cohesive all-female cast pantomime
“Rocky Road” to Jacqueline Jones’ vibrato “Who Will Count The Stitches”
... This talented and sisterly ensemble sustains a dialogue that at
times is lighthearted, playful, yet while at other times it is
irreverently poignant and real. ... this show is a “gap tooth grin
that’ll steal your heart."

"The Mill’s production is truly top-notch with a cast of very talented actresses ... Ms. Jones was sweet and warm and motherly ... The voices of this cast really come together beautifully, making a song like the already gorgeous “Never Grow Old” absolutely ache with tenderness and intensity ... it’s a pretty darn good show."

"Our first time to the Theatre was last night for 'Quilters.' We would like to congratulate the actresses and the creative folks behind the play. It was a very enjoyable evening. Look forward to returning for future shows."

"Loved this show! The story is so interesting and magically told. The actors are fantastic and their singing is unbelievable. Thank you so much for a perfect evening with my best friend. I can't wait to see what is happenning in your new season."

"Laurie Follmer is the director, and she has cast the show perfectly. Crystal Oakley is completely believable as the relentless organizer; Sandra Clayton is every inch the well-scrubbed nun. Lelia Pendleton projects the intelligence and hidden vulnerability of Dinah .... Carolyn Hayes is brilliant and fearless as the self-centered cougar. But the marvelous Jacqueline Jones nails every laugh that poor, beleaguered Vernadette is entitled to and makes it look effortless."

"We ... met the lady of the house (Jacqueline Jones), we immediately fell in love with her ... Directed by Billy Christopher Maupin, this perfectly-timed performance ... is a must-see for Richmond families."

"In a lovely bit of serendipity, the cast from the show's 1988 world premiere is reunited for the show, this time under the direction of Billy Christopher Maupin ... enjoy razor-sharp performances by the actors and imagine how the show might have looked and sounded 22 years ago. ... Jacqueline Jones is amusing as Jack's loving mother and the giant's zany wife ..."

"This little gem of a show delights adults and children ... with a speedy pace, ingenious script and an all-star cast (the original world premiere cast from 1988) ... A song and dance number, "It's Good to be a Giant," featuring the Giant (Gordon Bass) and his wife (Jacqueline Jones), renders vigorous applause. Jack and the Beanstalk is ... a must see."

My Guest Artist stint in Jewish Family Theatre's Golda's Balcony was not reviewed by the media; however, here are some treasures I savor ...

"You were absolutely incredible as Golda! Your performance left me breathless - it was so excellent. You captured her so completely, and all of the others in her life, as well. Congratulations on what has to become the role of a lifetime! Yesha Koach as you finish the run."

"You were so totally immersed in its many dimensions -- and so assured as you negotiated the script's many twists and turns. What a prodigious feat for you to learn all those lines! What pleasure for us to bask in them!"

"GOLDA'S BALCONY starring Richmond favorite Jackie Jones is a star turn that never becomes that. Never in this "one woman tour de force" does Jones have a moment of "I'm a star, I don't have to work for this"; she gives us something in every moment and we get to be there for the ride. 95 minutes of Golda Meir (an incredible woman) and colleagues, portrayed by Jones. Closing on the 14th!"

"Last evening, Linda and I attended the Jewish Family Theater's opening night performance of "Golda's Balcony"...a one woman show depicting parts of the life of Golda Meier...one of the most amazing women of our time. The play and the performance was nothing short of fantastic. Jackie Jones, the actor portraying Ms. Meier, did a truly magnificent job in the role. Golda truly came alive for those in the audience. I urge you to see this show at the Weinstein JCC during this weekend and next weekend as well. It is a show not to be missed! Trust me!.....it will be a wonderful experience!"

"It is a shame for theater goers that the weather will prevent them from experiencing your performance tonight. Having had the pleasure of seeing the opening night, all I can say to them is this: "WHEN THE CURTAIN FINALLY RISES AGAIN, MAKE SURE YOU ARE IN THE AUDIENCE FOR AN INSPIRING DELIVERY OF A CHALLENGING ROLE! Dig yourself out of your driveways ... make this a MUST-SEE!"

"You were absolutely amazing as Golda! We were transfixed throughout the entire play. It really was haunting; you transformed. And for the record, I was in the next to last row, saying back to you, "Shalom. Shalom. Shalom." The Facebook wall is the wrong place to say it, but thank you for an unforgettable performance."

"I didn't have time to wait for you yesterday after the show and probably wouldn't have really been able to tell you how much you moved me. You know I think you 'clone' yourself and are doing more than one role in different theatres at the same time. I know I'm not seeing every role you do but THIS is one for 'the books.' You were magnificent--you just blew me away! ... R.H.--who just can't imagine Richmond theatre without you...(thanks for a lovely Valentine's Day gift )"

In the Barksdale Buzz post "Richmond Theatre Critics Circle Awards"Bruce Miller highlighted performances he opined should have received recognition at the 2010 Artsies, "Jackie Jones was particularly noteworthy playing Golda Meir in her one woman show at the JCC."

Golda's Balcony was produced by Jewish Family Theatre, a "community theatre." As a guest artist at JFT, Jackie's Golda Meir stint was ineligible for an Richmond Theatre Critics Circle Award. However she was honored and thankful Bruce posted his generous compliment for all to see.

"Jacqueline Jones then takes the stage as Midwestern craft specialist Barbara Ellen Diggs. This is where I started howling with laughter and occasionally fought back the tears. Jones is on the top of her game and she elevates an already wonderful piece of theatre. She is able to transform the piece and the audience and ground us in a reality that is too easily overlooked in all the fun."

The New Century (Richmond Triangle Players, Richmond, VA) - Reviewed by John Porter, NPR - WCVE, October 9, 2009

"Then the delightful Jacqueline Jones does her turn as Barbara Ellen, who's pretty extreme in her own way, involving lots of yarn, sequins, glue and competitive cake decorating. Here Rudnick takes a cautious turn to the emotional side; there is a lovely shift of tone from nuttiness to nostalgia that is deftly navigated by Jones under Knapp's sensitive direction."

"The most complex character, Middle-American mom, Barbara Ellen Diggs, is delicately brought to life by Jacqueline Jones. Diggs finds meaning in the world of crafts 'to create something worth dusting.' The role is perhaps the most challenging of the play, and Jones's rendering of a litany of crafts is especially impressive as a bathetic counterpoint to the underlying focus of Diggs's monologue, the death of her son from AIDS."

"'Crafty', the third short, features Jacqueline Jones as Barbara Ellen Diggs, queen of cheesy crafts from Decatur, Illinois (remember crocheted poodle toilet paper roll cozies?). Jones nails this character. She is so convincing and the script is so expertly crafted she has the audience laughing at one moment and tearing up the next as she describes her various craft projects and the death of her gay son from AIDS."

"Abby and Martha Brewster, the poisoned elderberry wine wielding elders are played with delight by Jolene Carroll and Jacqueline Jones ... The two actresses are generally fun to watch individually, but together they are a force of nature and their sweet antics make the dark humor that much more fun."

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Much Ado About Nothing(Henley
Street Theatre Company, Richmond, VA)

"There was lots of energy- and I mean energy like cut-these-people-off-the-Starbucks energy. But it was fun and it worked because Jackie Jones grounded the show with her fabulous version of the evil Don Jon offering the correct contrast to everyone else's Tom Foolery. She was a hundred times better than Keanu Reeves who played Don Jon in the Kenneth Branagh film version."

Hopefully this Risk will Turn to Gold for Theatre IV "[daughter] Elinor thought it was wonderful too ... She commented several times on the hilariously wicked duo of Jackie Jones and Matt James as the Queen Mother and the Duke of Bonfire. Jackie your costume has started a fashion war in our house. I know it is not your fault but honey, you do wear that -is it Versache inspired?- neo disco outfit so well! I know you are having fun in that, girl. I could tell by your wicked evil laugh."

"Even if you don't have kids, it is worth your time to get in on this one. There was much adult laughter throughout last night. I just about busted a gut when the amazing Jackie Jones came out. Jackie - you were fierce honey!"

"I don't know what your weekend plans are (or plans up until February 10th) but if you get a chance I STRONGLY recommend you take the kids, and Bob if he'll go, to see Theater IV's production of "Rumpelstiltskin's Daughter." We went tonight and really enjoyed ourselves. And, as a bonus, your friend Jackie has a really sizeable role and she's fantastic!"

"... with standout performances by Jacqueline Jones as Miss Shields ... Jones is obviously having a ball as the prim Miss Shields, giving a scene-stopping wicked-witch scream during a fantasy sequence."

Over the River and Through the Woods (Barksdale, Richmond, VA) ART "Best Comedy of 2006" 2006 (Barksdale Theatre's Production)

"... top-notch talent ... Jacqueline Jones portrays the food-obsessed Gramma Aida with a breezy good humor that blossoms into true wisdom during the second act."

Over the River and Through the Woods (Barksdale, Richmond, VA) - Reviewed by David Timberline, Style Weekly, November 22, 2006

"... gem of a production ... Frank played by David Bridgewater, Grandfather Nunzio, played by Matthew Costello, and the two Nans, played by Jacqueline Jones and Jolene Carroll are all delightful ... Director Bruce Miller has brought together a terrific ensemble cast who light up the intimate setting of Hanover Tavern ... the grandparents have the look of people who found a sense of style and stayed with it the rest of their lives ... four actors ... gift of the Italian language, not just being able to create an accent, but to be able to recreate the sounds and feelings attached with an entire culture."

Over the River and Through the Woods (Barksdale, Richmond, VA) -
Reviewed by John Porter, NPR - WCVE, November 24, 2006

"The talented members of director Tom Width's cast keep things together ... The glue holding the whole operation together, though, is Jacqueline Jones, who imbues the half-dozen or so parts she plays with remarkable style. She's one of the few actresses who can make a slow walk across the stage a riveting theatrical moment."

"Its biggest assets are the five people in the cast. These actors play five or more roles each and throw themselves into even the very silliest ones with lovable abandon. Each one is endowed with a voice that can belt the big country tunes ... Busiest and funniest of all is Jacqueline Jones ... She's a powerhouse."