For all intents and purposes, Widespread Panic’s legendary Sit & Ski Tour — which took place 16 years ago and was comprised mostly of stops through various Colorado mountain towns — originally was supposed to be completely acoustic.

That was the plan, at least until Panic’s late-great lead guitarist Michael Houser figuratively pulled the plug on the acoustic setup during the tour’s infancy, according to bass player Dave Schools in between sips of a triple latte while listening to the soothing sounds of Primus at his favorite Sonoma County café on an early-January day.

“We started off with the idea of being totally acoustic, and that fell by the wayside after exactly one set at the Fox Theatre when Mike Houser said he didn’t want to play acoustic,” Schools said while chuckling during a recent phone interview with The Marquee. “So, he started playing his electric at low volume and, bit by bit, as the tour wore on — we were just like, ‘Acoustic, my ass.’ We were just playing regular rock and roll shows, but still with the idea that anything goes.”

This time around, with Panic heading into its 26th year, Schools said things will play out differently, but with the promise that the band will still apply an anything-goes policy that’s kept fans wanting more for a quarter century.

Widespread Panic will wrap up its much-celebrated 25th year anniversary shows and play its final shows of 2012 with a pair of three-night runs at the Denver Fillmore (Feb. 10-12) and the Belly Up Aspen (Feb. 17-19) this month. The six shows are part of the well-publicized Wood Tour that kicked off in January with two shows in Washington D.C. and was followed by three more gigs in Atlanta.

“What I’m looking forward to this time is the fact that it is going to be purely acoustic,” Schools said. “There’s no going back. There’s not going to be any speakers on stage. You know, JoJo’s playing a piano and Jimmy’s going to have a brand new acoustic guitar custom fit to his own specifications. It’s going to be for real.”

Schools said he’d also fool around a little with a mariachi bass, but that the band will incorporate plenty of new bells and whistles that one might expect with such a unique and intimate tour.

“Nothing’s out of the picture,” School said. “We’ve worked on some different arrangements with some of the more classic material. We’ve written some songs, and we’ve added some surprising covers to the mix – none of which I’m going to mention specifically.”

But after being pushed a little further about that material, Schools offered this: “As far as new material goes, we’ll see what happens with all these songs. I fully expect a lot of it to be realized and possibly worked into these setlists. That’s a really big step for us, and if we can make it happen then we’re well on our way. We just like experimenting with other things, and we’d be fools not to.”

Really, as Schools said, the acoustic setup may be the best arrangement to suit the band’s creative urges — creative urges that date back to their band house off King Avenue in Athens, Ga. that they shared in the late eighties and early nineties, and where they wrote the albums Space Wrangler and Widespread Panic (aka Mom’s Kitchen).

“This tour was a real good idea,” Schools said. “The more thought we put into it, the more we realized it was capable of performing several functions. One, it’s going to give people something totally different, and that’s first and foremost. Secondly, I won’t say it’s an excuse because that’s not the right kind of word, but it’s a really good opportunity to reboot material and scale it down to its essence — just see what we can come up with. As far as old material goes, I think anything’s in play. It’s going to give us a chance to outfit a new suit, so to speak.

The Marquee is an independent, Colorado-based, PRINT & ONLINE Free Music Magazine. The Marquee strives to be the Farmer’s Almanac of the regional music scene — providing readers with facts, tid-bits, in-depth feature stories and a Calendar section that is unparalleled on Colorado’s Front Range, covering every live music venue from large venues such as Red Rocks Amphitheatre to small clubs and coffee shops.

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Wood Tour has already produced a few new covers; John Lennon’s “The Ballad Of John And Yoko”, Jimmy Cliff’s “Many Rivers To Cross”, and Warren Zevon’s “Carmelita.”

While no new material has come to fruition thus far, “Counting Train Cars” and “Fishing” from the George McConnell era, and the title track from the “Free Somehow” album, were all played for the first time in over 200 shows.