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Bret and Kim Stafford, the oldest children of the poet and pacifist William Stafford, were pals. Bret was the good son, the obedient public servant, Kim the itinerant wanderer. In this family of two parent teachers, with its intermittent celebration of “talking recklessly,” there was a code of silence about hard things: “Why tell what hurts?” As childhood pleasures ebbed, this reticence took its toll on Bret, unable to reveal his troubles. Against a backdrop of the 1960s — puritan in the summer of love, pacifist in the Vietnam era — Bret became a casualty of his interior war and took his life in 1988. 100 Tricks Every Boy Can Do casts spells in search of the lost brother: climbing the water tower to stand naked under the moon, cowboys and Indians with real bullets, breaking into church to play a serenade for God, struggling for love, and making bail. In this book, through a brother’s devotions, the lost saint teaches us about depression, the tender ancestry of violence, the quest for harmonious relations, and finally the trick of joy.

Frankie and Alive, born on the eve of the Great Depression, are identical brothers-not twins, exactly; they're the survivors of a set of triplets. Though they're genetically indistinguishable, they're different as oranges and avocados. Alvie, meek and thoughtful, frets every small decision and feels fairly certain his dead sister is haunting him. Frankie, brash and irrepressible, has a passion for bebop and five-card draw, and he isn't above standing in for his brother when it suits him. As the two boys grow into men, through deceptions, betrayals, and twists of fate, they bend each other's destinies. But then they both fall for the same remarkable woman, Lydia-the one soul who sees them both for who they truly are. She's also the woman who has to choose between them. "Read this once, and you'll read it a second time.Then you'll put it on the shelf and keep it along with the rest of your favorite books. This is an absolutely authentic portrait of an era and a portrayal of characters whose entangled lives become as hauntingly real as the people you know." -James P. Blaylock, award-winning author of The Rainy Season"

A prolific writer, famous pacifist, respected teacher, and literary mentor to many, William Stafford is one of the great American poets of the 20th century. His first major collection--Traveling through the Dark--won the National Book Award. William Stafford published more than sixty-five volumes of poetry and prose and was Poetry Consultant to the Library of Congress--a position now know as the Poet Laureate. Before William Stafford's death in 1993, he gave his son Kim the greatest gift and challenge: to be his literary executor. In Early Morning, Kim creates an intimate portrait of a father and son who shared many passions: archery, photography, carpentry, and finally, writing itself. But Kim also confronts the great paradox at the center of William Stafford's life. The public man, the poet who was always communicating with warmth and feeling--even with strangers--was capable of profound, and often painful silence within the family. By piecing together a collage of his personal and family memories, and sifting through thousands of pages, of his father's daily writing and poems, Kim illuminates a fascinating and richly lived life.

You know those subtle tricks your coworkers are all guilty of? The constant nodding, pretend concentration, useless rhetorical questions? These tricks make them seem like they know what they’re doing when in fact they have no clue. This behavior is so ingrained, so subtle, and so often mistaken for true intelligence that identifying it, calling it out, or compiling it into an exhaustive digest has never been attempted. Until now. Complete with illustrated tips, examples, and scenarios, 100 Tricks gives you actionable ways to use words like “actionable,” in order to sound smart. Every type of meeting is covered, from general meetings where you stopped paying attention almost immediately, to one-on-one meetings you zoned out on, to impromptu meetings you were painfully subjected to at the last minute. It’s all here. Open this book to any page and find an easy-to-digest trick with an even easier-to-digest illustration, guiding you on: how to nail the big meeting by pacing and nodding most effective ways to listen to your coworkers while still completely ignoring them the key to making your presentations “interactive.” If you hadn’t noticed these behaviors before, you will see them now—from your colleagues, your managers, and soon yourself. Each trick is a mirror to the reality of what happens in meetings, told in the form of hilariously bad advice—advice that you might just want to take. But probably not. But maybe.

A collection of essays first published in 1986, Having Everything Right revolves around the history, folklore, and physical beauty of the Pacific Northwest. In terms of genre the book comes closest to books like Wallace Stegner’s Wolf Willow or the essay collections of Edward Abbey and Wendell Berry, books that blend personal vision and regional evocation. Stafford's essays in this tradition range from the direct exploration of "A Walk in Early May" to the abstract meditation of "Out of This World with Chaucer and the Astronauts," to the familial and social reflections of "The Great Depression as Heroic Age." Animating them all is the sense that there is joy in knowing the world-and the belief that true knowing brings, as Stafford says, "a change of heart." Stafford writes poetic and evocative prose as he reflects on such subjects as Indian place names, bears, and local eccentrics.