Tag Archives: Bisguier

This review has been printed in the July 2017 issue of Chess Life. A penultimate (and unedited) version of the review is reproduced here. Minor differences exist between this and the printed version. My thanks to the good folks at Chess Life for allowing me to do so.

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With the death of Grandmaster Arthur Bisguier on April 5th of this year, one of the last giants of post-World War II American chess has left us. The bulk of his chess legacy lies in his games and in the tremendous amount of publicity work done on behalf of US Chess over the years. Bisguier played simultaneous exhibitions across the country while in the employ of the Federation, giving players in remote places the chance to challenge a Grandmaster.

Published in 2003, The Art of Bisguier, Volume 1 is an oversized (8.5″ by 11″) volume covering Bisguier’s early chess career. The book, co-written with Newton Berry and self-published, is primarily a games collection organized by year. Each ‘chapter’ leads with a brief account of what was happening in the chess world at large, and each game is prefaced with Bisguier’s thoughts about his opponent. The result is a fascinating, if somewhat idiosyncratic, read.

Some of Bisguier’s opponents, like Albert Pinkus and Alburt Simonson, are sketched in detail in the pre-game notes, while others (generally the more famous ones) receive a more cursory treatment. There is wide variance in these introductions, and this variance extends to the way in which different events are covered in the book.

Only one game from the 1959 US Open, for instance, is given in The Art of Bisguier, Volume 1. This is surprising as (a) Bisguier won the event outright and (b) he famously brought his new bride to Omaha as part of their honeymoon! Bisguier’s round 4 victory against legendary Minnesota master Curt Brasket is not in the book, but it provides a glimpse into his fearsome tactical talents at the time.

Bisguier’s second book, The Art of Bisguier: Selected Games 1961-2003, was published in 2008 by Russell Enterprises. This sequel, also co-written with Newton Berry, is a more polished work than its predecessor, and the introductory sketches seem more expansive here. Structurally, however, the two are very similar. In this later work we witness Bisguier’s transition from tactical dynamo to strategic grinder, and special attention is paid to Bisguier’s favorite openings (2.f4 in the Sicilian, the Berlin Defense in the Ruy Lopez) and his best endings.

Bisguier’s two books received little attention, even among chess literati, and for all of their unevenness, that is a shame. But his written legacy goes far beyond his books, and at the end of the day, Art Bisguier might be one of the most widely read authors in American chess history.

If you are ‘of a certain age,’ you almost certainly saw Bisguier’s “Ten Tips to Winning Chess” in pamphlet form at some point in your playing career. It was available to organizers from US Chess headquarters, where Bisguier worked for two decades as a Grandmaster on Staff and Technical Advisor, and many a young player received a copy at their first tournaments. The document is still available at uschess.org in .html and .pdf formats, and dozens of websites still link to it.

Bisguier’s tips are pithy and well-chosen. We can feel his natural optimism in the text, something familiar to anyone who has played over his games. The tips may seem self-evident to experienced players, but a beginner who follows his advice – ‘have a plan,’ ‘control the center,’ ‘think about the endgame,’ etc. – will certainly benefit from doing so. As a first introduction to the deeper world of chess strategy, Bisguier’s pamphlet is outstanding, and it stands as a fine monument to one of the greatest promoters of American chess.