Dec 29, 2009

Please can we bomb Yemen? Please?

'In the wake of the latest failed terrorist attack on Northwest Airlines, one can smell the excitement in the air -- that all-too-familiar, giddy, bipartisan climate that emerges in American media discourse whenever there's a new country we get to learn about so that we can explain why we're morally and strategically justified in bombing it some more. "Yemen" is suddenly on every Serious Person's lips. We spent the last month centrally involved to some secret degree in waging air attacks on that country -- including some that resulted in numerous civilian deaths -- but everyone now knows that this isn't enough and it's time to Get Really Serious and Do More.' — Glenn Greenwald, Salon

Most experts agree that Al Qaeda's chances of defeating the United States range from zero to precisely zero. Their only hope lies in American over-reaction — if America can be coaxed into treating every failed terrorism attempt and crotch-bomber as if its very existence were at stake, then it will eventually exhaust itself. That is certainly the game that seems to be playing out, with each link in the chain not pausing to see where the chain is leading. Each congressmen wants only re-election. Desperate not to seem "weak" on terrorism, they repeatedly commit themselves to actions that feed the very problem they are trying to eradicate, which is to say: invading countries in the middle-east and killing muslims. As a strategy to combat terrorism emanating from the muslim middle-east, this course of action is self-evidently flawed, at least to anyone standing outside the continental Unites States.

The overwhelming consensus amongst counterterrorism scholars, experts and practitioners is that intelligence and law enforcement are the most effective tools available in terms of implementing effective counterterrorism policy, and, thus, these options should be relied on primarily. Not only does the military approach and attendant "war" rhetoric play to the advantage of transnational, stateless terror groups like al-Qaeda, but so too does that approach feed the overinflated, romantic sense of importance that is so appealing to potential recruits and members.

When I hear someone like Joe Lieberman suggesting we bomb Yemen some more, I hear someone preaching defeat. He might as well be saying "Let's give away American power now. Let's not wait until it is taken away from us. We're not losing it fast enough. Let's just give it away..."

"The book is a must for Woody Allen fans" - Joe Meyers, Connecticut Post

.

R E V I E W S

"What makes the book worth taking home, however, is the excellent text... by Tom Shone, a film critic worth reading whatever aspect of the film industry he talks about. (His book Blockbuster is a must).... Most critics are at their best when speaking the language of derision but Shone has the precious gift of being carried away in a sensible manner, and of begin celebratory without setting your teeth on edge." — Clive James, Prospect "The real draw here is Shone’s text, which tells the stories behind the pictures with intelligence and grace. It’s that rarest of creatures: a coffee-table book that’s also a helluva good read." — Jason Bailey, Flavorwire

"There’s a danger of drifting into blandness with this picture packed, coffee-table format. Shone is too vigorous a critic not to put up a fight. He calls Gangs “heartbreaking in the way that only missed masterpieces can be: raging, wounded, incomplete, galvanised by sallies of wild invention”. There’s lots of jazzy, thumbnail writing of this kind... Shone on the “rich, strange and unfathomable” Taxi Driver (1976) cuts to the essence of what Scorsese is capable of." — Tim Robey, The Sunday Telegraph

"A beautiful book on the Taxi Driver director's career by former Sunday Times film critic Tom Shone who relishes Scorsese's "energetic winding riffs that mix cinema history and personal reminiscence".' — Kate Muir,The Times"No mere coffee table book. Shone expertly guides us through Scorsese’s long career.... Shone shows a fine appreciation of his subject, too. Describing Taxi Driver (1976) as having ‘the stillness of a cobra’ is both pithy and apposite.... Fascinating stuff." — Michael Doherty, RTE Guide"An admiring but clear-eyed view of the great American filmmaker’s career... Shone gives the book the heft of a smart critical biography... his arguments are always strong and his insights are fresh. The oversized book’s beauty is matched by its brains”— Connecticut Post

.

Click to order

“The film book of the year.... enthralling... groundbreaking.” — The Daily Telegraph

“Blockbuster is weirdly humane: it prizes entertainment over boredom, and audiences over critics, and yet it’s a work of great critical intelligence” – Nick Hornby, The Believer

“Beautifully written and very funny... I loved it and didn’t want it to end.” – Helen Fielding“[An] impressively learned narrative... approachable and enlightening... Shone evinces an intuitive knowledge of what makes audiences respond... One of those rare film books that walks the fine line between populist tub-thumping and sky-is-falling, Sontag-esque screed.” – Kirkus Reviews

“Exhilarating.... wit, style and a good deal of cheeky scorn for the opinions of bien-pensant liberal intellectuals.” – Phillip French, Times Literary Supplement

“Startlingly original... his ability to sum up an actor or director in one well-turned phrase is reminiscent of Pauline Kael’s... the first and last word on the subject. For anyone interested in film, this book is a must read.” – Toby Young, The Spectator

“A history of caring” – Louis Menand, The New Yorker“Smart, observant… nuanced and original, a conversation between the kid who saw Star Wars a couple dozen times and the adult who's starting to think that a handful might have sufficed.” – Chris Tamarri, The Village Voice

"A sweet and savvy page-turner of a valentine to New York, the strange world of fiction, the pleasures of a tall, full glass and just about everything else that matters" — Gary Shteyngart, author of Super Sad True Love Story and Absurdistan