In the past, I’ve written about some trans metaphors in Sailor Moon regarding the Sailor Starlights. But obviously, sometimes metaphors aren’t good enough. And while Sailor Moon gave us the best lesbian power couple ever, it’s 2018—how do trans issues fit into Sailor Moon? I’ve always thought that since trans women are women, trans women have always had a space in Sailor Moon. But since the manga and anime are over, how can that made crystal clear? Well, I’m happy to report that I have two wonderful examples to share with you!

Recently I had the opportunity to appear on Anime Feminist‘s podcast to talk about the first season of Sailor Moon. Dee and Vrai are so funny and entertaining, you have to give it a listen! What’s really interesting about this podcast is that all three of us have different perspectives of Sailor Moon. Dee did not grow up watching Sailor Moon, yet she’s a total Stan. Vrai is revisiting Sailor Moon after being away from it for awhile and get this–they have never seen Sailor Stars! I AM SO EXCITED FOR VRAI YOU GUYS. And there’s me, the Ami of the group chiming in about my encyclopedic knowledge of all things Sailor Moon. ^_^

We plan to cover all five seasons–so please enjoy! I wrote up some fun pros & cons lists for Sailor Moon R, so I’ll post that with the next podcast–stay tuned!

In the Summer of 2018, the Sailor Moon S and SuperS movies were released in North American theaters. Growing up, the Sailor Moon S movie was my favorite—although now, having viewed the R and S movies back to back, I do agree with most fans—the R movie is the best. That said, the S movie still holds a special place in my heart. Who doesn’t love Human Luna and understand her heartbreak? Another reason I love the S movie is that it has a less fantastical moon princess in it, astronaut Himeko Nayotake.

In Sailor Moon Short Stories 2, Naoko wrote extensive notes on where she drew inspiration from for this story. Naoko writes that she flew all the way to Kennedy Space Center to watch Dr. Chiaki Mukai launch into space. On whim, I googled Dr. Mukai’s name and discovered that this wasn’t any ordinary space launch. With this launch on July 8th 1994, Dr. Mukai would become the first Japanese woman in space.

It’s that time of year again! Each year I’ve celebrated Shojo Power!’s birthday in July. Can you believe it’s been five years? It amazes me that the 90s Sailor Moon only lasted five years and here we are, six years since they announced the reboot and we still have two seasons to, more musicals coming and more merch!

By now most of us have seen the magnum opus of the Marvel Cinematic Universe, Infinity War Part 1. It’s a film that has a WHOLE LOTTA death that has spawned the most delicious memes. It made me think about other films and cartoons that have a whole lotta death, and behold! You know what has a whole lotta death in it? Sailor Moon! In fact, there’s so much death in Sailor Moon, I could be here all week! Death in the manga! Death in the anime! Death in the live action! Death on the stage! But, I shall restrain myself. I decided to put together a top ten list of the deaths that were most impactful to me across all incarnations of Sailor Moon. Here we go!

In January 2017, the Sailor Moon R movie played in movie theaters across the United States. I was ecstatic that I was finally going to be able to see Sailor Moon in theaters for the first time. It had been quite some time since I had seen the Sailor Moon R movie–I think the last time was when it appeared on Toonami. Of course, the movie was as exciting and entertaining just as I had remembered, however, there was one scene that completely surprised me.

During the final battle, Chibiusa, who is safely sitting on a rooftop with Luna and Artemis, tells them, “It’ll be okay, Sailor Moon is everyone’s mom!”

Wait, what? How?

Sailor Moon being everyone’s mom is pretty much the last thing I would say to describe Sailor Moon. In fact, throughout the second season of Sailor Moon, Chibiusa struggles to accept that Usagi is indeed her mother’s younger self. Usagi is the complete opposite of her mother–she’s childlike, self-centered, klutzy and a bit of a crybaby. Usagi and Chibiusa act more like sisters rather than mother and daughter.

I wasn’t the only one who was struck by this scene. The blog Tuxedo Unmasked, dug up an old interview with the movie’s director, Kunihiko Ikuhara that explains the theme of motherhood in the movie:

When Kodansha re-released the Sailor Moon manga in 2013, I was ecstatic. I eagerly purchased the new volumes even though I owned all the old Tokyopop editions. Based on the second generation format of collected volume that were released in Japan in 2003, in this edition, all of the side stories were taken out of old volumes and collected in two separate volumes–Sailor Moon Short Stories 1 and 2.

It had been a while since I had read the manga, and I had mostly forgotten about the side stories. I was eager to revisit them with some fresh eyes. While most of them were as fun as I had remembered, it was Chibi-usa’s Picture Diary #2: Beware of Tanabata that left me the most confused and frustrated.

Previously, I’ve written about how Raichō Hiratsuka’s famous essay In the Beginning, Woman was the Sun influenced Sailor Moon. Our heroine might not represent the Sun, but the light of her feminine power definitely shines brighter than anything else in the universe.

However, not all of the contributors to Seitō (aka Bluestocking) wanted to give up moon imagery. In fact, Raichō’s essay may not existed without the first contribution to Seitō, a series of poems by one of Japan’s most celebrated poets–and ardent feminist– Akiko Yosano.