Concerto No. 9 (Boston Concerto) - Orchestra Parts by Alexander Peskanov. For Flute, Oboe, Violin, Viola, Cello. Romantic Period, 20th Century. Easy/Beginner. Individual Part. Classical Video Concepts, Inc #M-YC9-PARTS. Published by Classical Video Concepts, Inc (S0.10232).
Concerto No. 9 (Boston Concerto) for Piano and Orchestra by Alexander Peskanov (1953- ). For Piano and Orchestra(Flute/1 Oboe/1 Strings). Alexander Peskanov wrote his Concerto No. 9 for Piano and Orchestra in memory of brave people of 2013 Boston Marathon. The music of the first movement describes beautiful morning of the tragic day. The second movement starts with two loud dissonant chords in the orchestra that symbolize the explosions that rocked the city of Boston. It's followed by mournful beautiful theme, first introduced by the soloist. The third movement is about unbroken spirit of Bostonians. The fiery music filled with energy and joy! It tells the story of the future Marathons.
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Toccata for Double Bass and Piano (2012) by Thomas Oboe Lee. For Piano, Double Bass. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced. Score. Published by Thomas Oboe Lee (S0.10227).
Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
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O Magnum Mysterium (2011) for all-male a cappella sextet by Thomas Oboe Lee. For Choral. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Published by Thomas Oboe Lee (S0.10012).
O magnum mysterium, et admirabile sacramentum, ut animalia viderent Dominum natum, jacentem in praesepio! Beata Virgo, cujus viscera meruerunt portare Dominum Christum. Alleluia! O great mystery and wonderful sacrament, that animals should see the new-born Lord lying in the manger! Blessed is the Virgin whose womb was worthy to bear Christ the Lord. Alleluia!
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Tonight (from West Side Story) by Leonard Bernstein (1918-1990). Arranged by Robert Longfield. For Orchestra, String Orchestra (Score & Parts). Music for String Orchestra. Grade 3-4. Published by Hal Leonard (HL.4491270).
From one of the most enduring musicals of all¦time, here is one of iconic songs from West Side Story, skillfully¦adapted for string ensemble by Robert Longfield.¦This arrangement features several style and¦tempo changes that reflect the drama and emotion of the original stage and film¦version.

Composer's Collection: Percy Aldridge Grainger by North Texas Wind Symphony, Eugene Corporon conductor. By Percy Aldridge Grainger (1882-1961). Music Education. CD. Published by GIA Publications (GI.G-CD-656).
The GIA Composer's Collection seeks to bring together into one place the master works by some of the most respected Wind Symphony composers of all time. Stunningly performed by the North Texas Wind Symphony under the direction of Eugene Corporon, this series also includes extensive liner notes about the composer and their contribution to the Wind Band. CONTENTS: Children's March: "Over the Hills and Far Away" - Irish Tune from Country Derry - Shepherd's Hey - Colonial Song - The Immovable Do - Prelude in the Dorian Mode - Themes from "Green Bushes" - Down Longford Way - Sussex Mummers' Christmas Carol - Ye Banks and Braes o'Bonnie Doon - Six Dukes Went A-Fishin' - Early One Morning - Lincolnshire Posy - "Lads of Wamphray" March - Irish Tune - Molly on the Shore - Australian Up-Country Tune - Handel in the Strand - O Mensch bewein' dein' Sunde gross - Country Gardens - Shenandoah - The "Gumsuckers" March - Harvest Hymn - The Warriors.

Septem Verba Christi in Cruce (2008) for SATB a cappella chorus by Thomas Oboe Lee. For Choral. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Published by Thomas Oboe Lee (S0.10004).
Program note: A former student of mine at Boston College contacted me this summer and asked if I would be interested in writing a choral work for her group in the Berkshires. I was at the time completing the orchestration of my Symphony No. 7 … Roman Holidays, and so was ready to do something new and different from a purely instrumental work. Having been raised a Catholic and educated at parochial schools when I was a child in Hong Kong, and also bearing in mind the fact that I now teach at a Jesuit institution, Boston College, the idea of the passion of Christ is always in the back of my mind. As a matter of fact, I have always found religious choral music to be the ideal and most transcendent way to communicate God’s words. The Seven Last Words of Christ has been done in a musical setting most famously by Franz Joseph Haydn in a wordless string quartet. Other settings include those by Heinrich Schütz, César Franck, Sofia Gubaidulina, and James McMillan. Portion of the text could also be found in the sublime St. John Passion by Johann Sebastian Bach and Passio by the contemporary Estonian composer, Arvo Pärt. The complete text in Latin of Septem Verba Christi in Cruce follows. 1. Pater, dimitte illis, quia nesciunt, quid faciunt. (Father, forgive them, they know not what they do.) 2. Hodie mecum eris in Paradiso. (This day thou shalt be with me in Paradise.) 3. Mulier, ecce filius tuus. (Woman, behold thy son.) 4. Deus meus, Deus meus, utquid dereliquisti me? (My God, my God, why hast thou forsaken me?) 5. Sitio. (I thirst.) 6. Consummatum est. (It is finished.) 7. In manus tuas, Domine, commendo spiritum meum. (Into thine hands, O Lord, I commend my spirit.) This work is dedicated to my mother.
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Love Songs (1998) for soprano and piano by Thomas Oboe Lee. For Piano, Voice. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Published by Thomas Oboe Lee (S0.9998).
Poems by Gorges, Dickinson, Rossetti and Booth. Commissioned by Peter Papesch for his wife, Barbara. Thomas Oboe Lee Cambridge, Massachusetts December 10, 1998.
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Lilacs ... A Poem by Amy Lowell (2012) for soprano and piano by Thomas Oboe Lee. For Piano, Voice. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Published by Thomas Oboe Lee (S0.9994).
Amy Lowell, “Lilacs” from The Complete Poetical Works of Amy Lowell. Used by permission of Houghton Mifflin Company.
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Toccata, Adagio & Fugue (2001) for solo organ by Thomas Oboe Lee. For Organ. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced. Score. Published by Thomas Oboe Lee (S0.9903).
"Program note: My boss, T. Frank Kennedy, S.J., is a frequent visitor to Nantucket. So when he invited my wife, Kris, and me for a visit last summer we jumped at the chance. We were there for three days. We ate, we drank, we went all over the island. It was a beautiful place to visit. We stayed at the Parish House and had the pleasure of meeting the parish priest, Rev. Paul Caron. I soon found out that his church, Saint Mary's Church, was about to receive a brand new organ commissioned from the organ builder, Michael Bigelow, of Salt Lake City, and that James David Christie had been invited to give an inaugural concert to celebrate the new instrument. I suggested that I would be very interested in writing a new work for the occasion. Father Caron agreed to commission me. In my search for inspiration I went straight to J.S. Bach. I recently purchased a boxed set of 17 CD's of works for solo organ by Bach, and I was immediately attracted to his ""Toccata, Adagio & Fugue in C Major, BWV 564."" So I decided to write my very own ""TAF."" There isn't much to say about mine. The first movement is toccata-like. The second movement is slow ... like an adagio. And the third is a fugue, as prescribed by the doctor. If there were any divergence between my TAF and Bach's, I would say it is in the higher degree of chromaticism in my work. Otherwise, the piece pays homage to ""old Bach,"" the superior artist. ".
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Fantasia for Solo Organ (2001) by Thomas Oboe Lee. For Organ. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced. Score. Published by Thomas Oboe Lee (S0.9892).
"Program note: Carson P. Cooman, a sophomore at Harvard College, is a composer who plays the organ. I was very surprised when he e-mailed me asking what my commission fee is for a solo organ work. I gave him a price and he said, ""Fine. Write me a five-minute piece."" I later looked at his web site at www. carsoncooman.com and noticed that he has commissioned solo organ works from twenty-plus composers. He is also a very prolific composer in his own right, producing some twenty works in 2001 alone. This is the second work for solo organ in my portfolio. The first, ""Toccata, Adagio & Fugue,"" written for organist James David Christie, was finished only a couple of weeks ago. I felt very energized by that work, so I jumped right into the next, my ""Fantasia."" J.S. Bach's ""Toccata, Adagio & Fugue in C Major, BWV 564"" had a direct influence on my ""TAF."" Likewise, Bach's ""Fantasia in G Major, BWV 572"" was the inspiration for my own ""Fantasia."" Both Bach and I begin with a series of rapid sextuplet arpeggiations, followed by a chorale-like section. In Bach's case, the rapid figurations return for a conclusive ending resulting in a simple A-B-A form. In my case, the ""chorale"" returns a second time before a final recapitulation of the arpeggiations, and ends in a decisive F major; a symmetrical A-B-A-B-A structure. ".
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Psalms for Piano by Emma Lou Diemer (1927-). LKM Music. Hal Leonard #X410105. Published by Hal Leonard (HL.123821).
ISBN 1480366072.
Album contains 25 short meditations for piano on the book of Psalms.