Flammarion's 1888 L'atmosphère: météorologie populaire (p. 163)And when you fall off the edge, there's no Twitter! Or Facebook. Which is all to say I've been gone a while, adjusting to new digs, new studio, new job, and working like a fiend in the studio.

So to fill you in, my work is all about space right now. I'm building what I call Star Systems, which are collage paintings inspired by a combination of NASA images and technology. I'm also recording an accompanying suite of songs similarly inspired, called Star Songs. I'm completely immersed in this work, visual and audio, and nothing means more to me right now. I haven't wanted to talk about it, just be in it.

My solo show opens November 9 at L x W x H in Seattle. Sharon Arnold's Georgetown gallery space is beautiful and I'm thrilled to be showing there. I'll be showing the Star Systems, and I'll have cd's of the Star Songs for sale, a very limited edition, with original art wrappers. I hope you'll come see if you're in town.

The earth of course isn't flat, it's round and spinning, like the new planets we keep discovering as we travel deeper into space. All of which blows my mind. Isn't it amazing?

HEIGHTEN

About

In a project that gradually unfolded from January - May 2012, I collaged the interior walls of Seattle's University Heights Center in order to take art out of the gallery, off the canvas, and into a public space.

The collage responded to everything in its path with sprays, swirls, lines and bursts of handpainted squares and rectangles of paper, each individually applied to the walls.

The idea was to highlight the intrinsic elements of the historic building, from wood paneling and old photographs to vending machines and fire extinguishers.

I involved my private art students in the early stages of the work and blogged my progress, including responses from passersby of all ages.

Artist statement

While we may recognize a space as historic, spacious and pleasant, we tend to ignore or accept as givens the mundane and more modern details such as vending machines, water fountains, trash cans, signs and fire extinguishers.

Heighten celebrates the historic aura of Seattle's University Heights building in its entirety including every ordinary detail, inviting viewers to notice and appreciate their surroundings in a new way.

The cut paper shapes unify disparate elements by calling attention to them and tying them together as organic parts of a whole aesthetic environment. The idea is to treat the building itself as art rather than simply hanging art in it, and to engage viewers with visual surprises at every turn.