We (and by “we” I mean “I”) are (am) proud to announce that my friend, Dan Vera, aka Managing Editor for White Crane, has been chosen as the awardee of the Letras Latinas / Red Hen Poetry Prize, for Latino poets who have already published at least one or two books of poetry. The inaugural judge for this prize was poet and Notre Dame professor Orlando Ricardo Menes.

Dan’s winning entry, slated for publication in 2013 is The Guide to Imaginary Monuments. In addition to his White Crane Journal and White Crane Books duties, Dan is a DC-based poet, and also the author of The Space Between Our Danger and Delight (Boethuk Books, 2008).

Two manuscripts were selected, and their publication by Red Hen Press will be spaced two years apart, to give Letras Latinas momentum to promote and publicize the winning books, its authors, this new literary series.

The second award was given to William Archila’s second book, The Gravedigger’s Archeology, which will be published in 2015. His first book was The Art of Exile (Bilingual Press, 2009), a book that speaks to Archila’s Salvadorean heritage and his immigration to the U.S. during the Central American civil war. He is based in Los Angeles.

A ceremony at the foot of the Cove Avenue Steps on Silver Lake Blvd. recognizing the site as a historic place by the City of Los Angeles. The dedication of “The Mattachine Steps” (which lead up to the house where pioneer gay activist Harry Hay founded the Mattachine Society in 1950) will be followed by a Radical Faerie-hosted picnic in an adjoining park overlooking the Silver Lake Reservoir (east side). Then, at 2:30, a book signing and reading of Stuart Timmon’s newly updated biography “The Trouble with Harry Hay” at nearby Stories bookstore, 1716 Sunset Blvd. (in Echo Park).

Sunday, April 15, at 2:00 p.m.

The ONE Culture Series will host a panel discussion about Harry Hay’s life and times. Film clips, literary readings and lively talk will be followed by refreshments in the Archive’s garden. There is a suggested donation of $5. The ONE National Gay & Lesbian Archives is located at 909 W. Adams Blvd. (near USC). 213-741-0094 for further information.

Robert Aldrich, a professor of European history at the University of Sydney, has compiled eighty biographical sketches of LGBT people from ancient to modern times in his new book, Gay Lives, released stateside this week by Thames & Hudson. He told a local paper:

“It’s hard to talk about gay and lesbian history without covering the Christopher Isherwoods and the Harvey Milks and all of that, but once you move past that, it’s interesting to learn how there were people involved in same-sex activities in all walks of life – the book has a lesbian nun, a criminal, painters, explorers… I wanted to take a lot of less well-known figures from across continents and around the world to show diversity, because in many ways diversity is the theme of the book.”

The handsome, heavy book includes 56 color illustrations and 72 in black and white.

Pass this one on to your friends and families. Tweet it to them. Email it to them.

Last week after the LGBT community enjoyed one of its biggest civil rights victories in our history with the assistance of four Republican senators, the right wing National Organization for Marriage (NOM) announced a two million dollar campaign to defeat them in 2012. Nothing could pour cold water over our momentum for full marriage equality more if these Republicans lost and especially if the LGBT community was missing in action.

Right now we should be writing checks to these four men who showed amazing political and moral courage in the face of powerful opposition. They literally put their political lives at risk so we could enjoy full equality in New York State.

Below are the four men and the email address for them. Take a minute. Click on each one and make a donation. Doesn't make a difference if it is $5 or $500 because we must show them that we will not forget them and leave them at the mercy of the extreme right in this country. They stood up for us and marriage equality happened. We must stand up for them so those who support justice thrive!

And just in case you forgot Senator Roy McDonald's moment of clarity and truth, here, again, is his statement when he announced his YES vote for Marriage Equality:

“You get to the point where you evolve in your life where everything isn’t black and white, good and bad, and you try to do the right thing. You might not like that. You might be very cynical about that. Well, f— it, I don’t care what you think. I’m trying to do the right thing,” McDonald said…

“I’m tired of Republican-Democrat politics…I’m tired of blowhard radio people, blowhard television people, blowhard newspapers. They can take the job and shove it. I come from a blue-collar background. I’m trying to do the right thing and that’s where I’m going with this.”

For the past few months the muse has kept me happily busy in the electronic darkroom.

I am thrilled to announce the publication of THE BOOK OF MONKS, a series of 31 photages in alimited edition of 50 hardbound copies, numbered and signed (electronically). They are being printed and shipped by Apple in the U.S. The price is $100 per copy with 50% of the post printing costs benefitting the BIG JOY documentary film project.

I have been making photages for the past twenty-five years. Recently, on a memorable journey to Laos I photographed Buddhist monks in the World Heritage city of Luang Prabang where there are a number of monasteries. The monks have now been absorbed into images I had taken over the years, particularly during the past decade in New York City.

On Labor Day Weekend, 1979, 200 men gathered in the Arizona desert for the first Spiritual Conference for Radical Faeries. Called forth by Harry Hay (of Mattachine Society fame), Hay’s partner John Burnside, Don Kilhefner and Mitch Walker, this first of many Gatherings created a development that spread around the world and combined elements of gay liberation, feminism, environmentalism, new age spirituality and the counter-culture. Thousands of gay and Bi men (later joined by a few women) met in out of the way, rural Gatherings and Sanctuaries, creating a very loose network that defied the LGBT community’s tendency toward assimilation and institutionalism. Creative spirits like Will Roscoe, James Broughton, Andrew Ramer, Toby Johnson, Dan Nicoletta and Charlie Murphy became part of this sub-culture. It was Hay who coined the term Radical Faeries: both Radical (as to the root) and Faerie having to do with gays’ spiritual and cultural traditions rather than "radical" politics.

Among the 200 men who attended that first Faerie Gathering was author Mark Thompson. As Thompson remembers, the Gathering "was definitely a turning point in the burgeoning gay men’s spirituality movement. In some ways, I felt that gathering in the Arizona desert was as historically important as the Stonewall riots had been a decade before. Both events signaled a significant refocusing of values and vision, helping to create a new leap forward in gay culture-making. I attended many Gatherings – mainly in the Western United States – for the next 20 years."

More than thirty years after attending that first Gathering, Thompson, along with Associate Editors Richard Neely (Osiris) and Bo Young, have assembled the first anthology by and about the Faeries. The Fire In Moonlight: Stories from the Radical Faeries, is published by White Crane Books / Lethe Press as part of the White Crane Wisdom Series ($25). "Since their sudden inception on a remote site in the American Southwest in 1979, the Faeries have grown like some exotic species of flora around the world," Thompson wrote in his "Introduction." "This book of many voices continues that early call – a call for freedom of mind, body and spirit from the petty, awful tyrannies of those who have tried every means to destroy us. It is about how being a Radical Faerie has changed a life." Among the contributors are Will Roscoe, Franklin Abbott and Trebor Healy.

Bo Young, publisher of White Crane Books, and Associate Editor of The Fire In Moonlight, began his involvement with the Radical Faeries in 1990, when he first visited the Short Mountain Sanctuary in Tennessee. As Young is quick to point out, "the organizing principle of the Faeries is consensus and the Faerie Circle . . . no leaders. Everyone is ‘equidistant’ from the center. No one person is out in front. . While the Radical Faeries are identified most often as a ‘movement’ it isn’t something you join. It’s a state of mind. If you say you are a Faerie, you are a Faerie. There are Faeries who are into drag and organic farming and wild fermentation and there are Faeries who are theatrical and there are Faeries who are living communally and there are Faeries that are eremitic. There are rural Faeries and there are urban Faeries."

In The Fire in Moonlight, Faeries past and present share in their Faerie experience. According to Jerry Berbiar (Jerry the Faerie), "the Radical Faeries were founded for gay men. The Gatherings were places where gay men could individually recreate themselves, create community, explore faggot essence and create their own culture, free from the dominant all-encompassing hetero viewpoint." "At the heart of the Radical Faeries is a recognition of and exploration into gay men’s souls: our unique way of viewing, experiencing and being in the world," Joey Cain wrote. "I found myself in environments where my very sexuality, my embrace of myself as male and female, my determination that my sexual nature was both natural and magical, were honored and explored," recalled "EuroFaerie" Marco Shokti. "For a freaky little queer boy like me the Radical Faeries were the family I hardly dared to dream might exist," declared Pete Sturman, AKA Mockingbird and Pistol Pete. "The Faeries provided me with a safe environment to try all sorts of different things. I could split wood in high heels, bake bread in my underwear or run around covered in mud. I could laugh like a hyena or take a day of silence. They helped inspire me to become a musician and songwriter, a loud and proud queen troubadour."

One of the most interesting parts of The Fire in Moonlight is the book’s "Faerie Glossary." According to Young (at left in photo), "a shared, unique language is one of the defining elements of ‘culture.’ The Faeries have a very definite and unique use of language and one of the chief motivations of the various traditions such as Sanctuaries is a ‘time out of time’ period in which the gay individual removes him (or her) self from the dominant culture and literally engage in ‘coming to terms’ with who s/he is." Hay challenged the Faeries to self-define, from which emerged a vocabulary which the editors believe required a Glossary. Many Faeries have taken "Faerie names;" spiritual or ecologically-inspired names in contrast to their "mundane, everyday names."

The Fire in Moonlight presents a mostly-positive view of the Radical Faeries. But there are dissenting views. "Improbable Faerie" Artwit, who was active with the San Francisco Faeries during the 1980’s, is critical of a subculture which, like other gay tribes, favors the young and beautiful: "I have no desire to be a Faerie Mormon and make breakfast while the pretty ones sleep in and fuck," he said. Young admits that "one of the challenges we had was finding an African-American contributor. The Faeries are like any other part of this American society and suffers from the inherent racism of the culture. But that said, it is one of the few communities of which I am aware that actually attempts to address that." In short, "The Fire in Moonlight is not meant in any way to be a hagiography of the Radical Faerie movement."

Artwit is in the minority. As Thompson (in photo at right) put it, "once a Radical Faerie, always a Radical Faerie." "The Faeries are by no means a perfectly evolved group," Thompson admits, "but it definitely represents a quantum step in healing gay male relationships and community practice. The Radical Faeries may appear as a rather funky, insignificant tribe of social outcasts, but I have to state here for the record that nowhere have I encountered more intelligent, creative and beautifully self-aware gays in one place than at a Faerie Gathering. A Gathering is the antithesis of a typical gay ghetto environment. It is an intentional community – a destination on the inner journey, not some angry place of refuge. There is a lot of joy that comes from being a Radical Faerie."

"The strongest thing about the Faeries," Young notes, "is their commitment to community and their general awareness of and respect for history and tradition. Another strength is the creation of and maintenance of the Faerie Sanctuaries in their various manifestations," many of which are listed in the "Radical Faerie Resource Directory" found at the back of The Fire in Moonlight. On the other hand, Young admits that the Faeries’ "generally perceived flamboyance tends to scare people away." The Radical Faeries, Thompson says, "claim no particular leaders (we say we are ‘leader-full’) so there is not a problem of domineering egos holding others in thrall. People like that quickly get invited elsewhere. The reverse of this is that sometimes chaos ensues and the group experience can rapidly devolve into incoherent confusion. Over the years, the Faeries have learned how to walk better in balance between these polarities."

"The Faeries," Thompson continues, "have a very significant role in the greater understanding of what I would call our core gay values. Because we are living so in the moment, the archetypal motifs of gay psyche are more keenly felt and expressed. This is one crowd that is not going to be assimilated into mainstream mythology, which is still a narrative of heterosexual dominance. Faeries are shape-shifters, makers of ritual and beauty, natural teachers, healers and soul guides. We walk between the worlds, the seen and unseen, and between the genders. It represents a more authentic vision of who we gay men really are inside." "For myself," Young adds, "the chief asset of most Faeries I know is that they understand a history of same-sex people and tend to see themselves as connected to that history. There are so many other aspects of what I think of more as a culture than as a ‘movement’ . . . the attraction to the land, the care of the land, the rejection of consumerist culture, the sense of humor. It is one of the ancient archetypes of same-sex people to be jesters, culture carriers, interpreters and teachers. The Radical Faeries are all of these. These have always been incredibly important to any vital society . . . and they always will be."

THE FIRE IN MOONLIGHT Stories from the Radical Faeries Edited by Mark ThompsonWhite Crane Wisdom Series 9781590213384, 309 Pages, $25.00

Mark Thompson’s latest anthology, The Fire in Moonlight (White Crane), is a collection of first person accounts of the Harry Hay-inspired Radical Faerie movement. Hay, a co-founder of the Mattachine Society, joined forces with Don Kilhefner and Mitch Walker to start the Faerie movement in order to add a spiritual dimension to the (often dry) nuts and bolts world of emerging gay politics.

Inspired in part by the writings of Edward Carpenter and the Calamus poems of Walt Whitman, Hay saw the homosexual as much more than a creature fighting for rights in a hostile society. The homosexual, according to Hay, was a multidimensional being with roots in the mythic, a sort of alien spirit with special healing gifts for the world.

As Stuart Timmons notes in his introductory essay, “The Making of a Tribe,” Hay once told a circle of 200 Faeries: “We Faeries need to stop saying, ‘My consciousness is better than your consciousness.’ That’s heterosexist. No one person, no one group, no one ideology has the answer. You need a spirit.”

Theologians may quibble with that relativist statement, insisting that if one truth is as good as another truth, then there’s no truth anywhere. One thing’s certain, however: You have to have spirit in order to “build.” For Hay, this meant constructing a homosexual spiritual dimension outside the world of conventional religion.

In a 1975 edition of RFD, Hay wrote: “To be a true homosexual, is to be put at odds with home, school and society….We are so other that we have to learn early how to protect our very survival.”

While this perspective may seem dated post-DADT, Hay was nonetheless insistent that a pronounced queerness was buried inside the homosexual’s “stubbornly perverse genes.” Hay’s vision of a monastic-like collective of queer men of all ages coming together in friendship circles for a process of “shedding the ugly green frog skin of hetero-imitation” started with the first Faerie Circle in Colorado in 1979.

Called “A Spiritual Conference for Radical Faeries,” at that Labor Day event hundreds of men (the gatherings would later include women) participated in mud baths and neo-pagan, quasi-Native American rituals like circle hand holding, chanting, and taking turns speaking to the circle while holding a Talking Stick. Many of these ad hoc talks were spiked with references to Aliester Crowley as well as Hay’s own take on what it means to be “queer” and “other.”

In these free-love pre-AIDS gatherings there was ritualized group sex as well as individual couplings. As Timmons observes, “In selecting fairies as a role model for gays, [Hay] combined logic with inspiration to surpass the medieval Mattachines—to a pre-Christian time and beyond human limits.”

With its emphasis on aspects of Native American culture and worship of the earth, the early Faeries attracted gay men who had had enough of the dead end clone life in the urban gay ghetto.

At the second Spiritual Gathering for the Radical Faeries in 1980, in Estes National Forest above Boulder, Colorado, faerie names were adopted and the emphasis on paganism was enhanced. As contributor Carol Kleinmaier notes, besides a denial of spirit-body and male-female duality, Faerie spirituality “was sourced in… the celebration of sacred sexuality, Wicca, paganism and shamanic traditions.”

As one would expect, highly eclectic and a diverse range of spiritual references as well as divergent opinions about the Faerie experience mark these essays.

Allen Page, for instance, writes that during the first gathering he “asked the Goddess (which Goddess he doesn’t say) to show him why he needed to be there.” Meanwhile, “a young man shook a rattle and stands up in a speckled dress.” The philosophy was to embody masculine and feminine energies although one finds in many of these stories a distinct prejudice against patriarchy as well as an emphasis “to take the gifts of the Father back to the Mother.”

Philadelphian Chris Bartlett (The Lady Bartlett) notes:

I like cultures that use rituals to embody choice: the Amish Rumspringa when Amish teens, following a year of exposure to the outside world, choose to join the Amish community (be baptized) or are shunned. Another example is the bar/bat mitzvah when young Jews choose to take on the responsibilities of adulthood. The investiture of a priest in various religions is another moment of powerful choice. When participants in a culture choose to embrace that culture, they become full actors, as opposed to full recipients.

In Faerie circles, identification with the feminine is assumed. It would not be unusual, for instance, for the males in a circle to cry while listening to reports of the rape of a female friend of a member. Since Radical Faeries spanned all age categories, older men were respectfully called elders and were regarded as purveyors of wisdom, even if that “respect” ended at the bedroom door. Wisdom cannot compete with beauty when it comes to a good lay.

Just as in any local city bathhouse, the young are attracted to the young, as the older and less appealing find themselves casting about for a bone or having to spend their nights alone, Trappist monk-style.

Artwit, for instance, writes that at one gathering he got lucky three times so that his “usual depression at being alone while the slender twinks slept in pairs was less severe.” Highly critical of many in the Faerie community, Artwit states that “self righteous beliefs about food seem to be a hallmark of the Faeries. We used to joke in the kitchen about making ‘Cream of Vegan’ soup for our next meal.”

Artwit also writes about the Faerie Drag Wars.

The first two Gatherings had that old rustic-northwest-jeans-and-flannel flavor and here come these queens from California doing wigs and make-up. So a small culture war was started at the Gathering, with the hosts deciding not to send the Call to California next year. “[But] over the years, wigs and makeup won and overtook whatever Heart Circles there were.

For Artwit, the Faeries main problem was making social problems into personal ones.

“I have no desire to be a Faerie Mormon and make breakfast while the pretty ones sleep in and fuck,” he writes.

Editor Mark Thompson is to be commended for not editing out Artwit’s less than flattering reminiscences. The inclusion of such criticism is a tribute to the Faerie generosity of spirit, although there’s enough good stuff in this book to make Harry Hay proud.

As Berbiar (Jerry the Faerie) puts it, “We need queers who have radical askance alternative viewpoints to dominant cultural mores. May the Radical Faerie movement continue to play its role in providing a cauldron of change so needed in this ignorant and repressive world.”

History is, whenever the male powers-that-be go after women, gay people aren't far behind on their scary agenda. Here's what the radical right and their Republican flunkies are pushing for at the moment:

1) Republicans not only want to reduce women's access to abortion care, they're actually trying to redefine rape. After a major backlash, they promised to stop. But they haven't.

2) A state legislator in Georgia wants to change the legal term for victims of rape, stalking, and domestic violence to "accuser." But victims of other less gendered crimes, like burglary, would remain "victims."

3) In South Dakota, Republicans proposed a bill that could make it legal to murder a doctor who provides abortion care. (Yep, for real.)

4) Republicans want to cut nearly a billion dollars of food and other aid to low-income pregnant women, mothers, babies, and kids.

5) In Congress, Republicans have proposed a bill that would let hospitals allow a woman to die rather than perform an abortion necessary to save her life.

6) Maryland Republicans ended all county money for a low-income kids' preschool program. Why? No need, they said. Women should really be home with the kids, not out working.

7) And at the federal level, Republicans want to cut that same program, Head Start, by $1 billion. That means over 200,000 kids could lose their spots in preschool.

8) Two-thirds of the elderly poor are women, and Republicans are taking aim at them too. A spending bill would cut funding for employment services, meals, and housing for senior citizens.

9) Congress will vote any day now on a Republican amendment to cut all federal funding from Planned Parenthood health centers, one of the most trusted providers of basic health care and family planning in our country.

10) And if that wasn't enough, Republicans are pushing to eliminate all funds for the only federal family planning program. (For humans. But Republican Dan Burton has a bill to provide contraception for wild horses.)

You can't make this stuff up. Call your representatives and let them know you are watching. And to stop gutting the rights we've struggled to secure.

First, thanks to JoeMyGod and David Mixner for making this transcript known. For the record, I spit on the grave of Ronald Reagan and I would spit on Nancy Reagan if she came within spitting distance. [click on the image to enlarge for reading.]

Posts navigation

Building Connections & Community for Gay Men since 1989

Subscribe to Gay Wisdom

Email *

Gay Wisdom – Today in Gay History

Born

0053 -

TRAJAN, Roman emperor, born. The first non-Italian Roman emperor. His accomplishments were both martial and civic, including construction of the aqueducts, the restoration of the Appian Way and the building of the massive Forum of Trajan. According to Spartianus, he was a proud possessor of a paedogogium, a road-show harem of boys he took along with him on campaign, apparently for his and his officers’ pleasure.

His sexuality was never in question, only the stories used to illustrate his preferences. The monumental erection, the Column of Trajan, was Rome’s highly appropriate tribute to this, emperor, considered to have been one of the “good emperors.”

1947 -

American author, poet and activist, PERRY BRASS was born today Brass grew up in Savannah, Georgia grew up in the 1950s and 60s in equal parts Southern, Jewish, economically impoverished, and very much gay. To escape the South’s violent homophobia, he hitchhiked at age 17 from Savannah to San Francisco — an adventure, he recalls, that was “like Mark Twain with drag queens.” He has published fourteen books and been a finalist six times in three categories (poetry; gay science fiction and fantasy; spirituality and religion) for national Lambda Literary Awards.

One of the main themes in his writing has been the integration of sexuality and the religious or spiritual impulse, as exemplified in his novels Albert: or, The Book of Man, Angel Lust, and Substance of God. His writings have attempted to answer questions such as: Why are so many gay men religious and political conservatives? Why is the need for God so important to us? What is our own place in nature and the world?

Among the early anthologies that included Brass's work were The Male Muse, the first anthology of openly gay poetry ever published, edited by Ian Young; The Gay Liberation Book from Rolling Stone Press, including work by John Lennon; The Penguin Book of Homosexual Verse; and Gay Roots from Gay Sunshine Press. His work can be found in over 20 anthologies of poetry, short stories, essays, memoirs, and other writings. A poetry cycle called "Five Gay Jewish Prayers" was used as part of the high holiday service at New York's Beth Simchat Torah congregation. The text of this poem was accepted (in 1985) as one of the first gay Jewish documents in the YIVO Archives of Jewish history. This poem was set to choral music by Chris De Blasio, as "Five Prayers," which has been sung by several gay choruses.

In 1984, his play Night Chills, an early play dealing with the AIDS crisis, won a Jane Chambers International Gay Playwriting Award. Brass’s collaborations with composers include the words for "All the Way Through Evening," a five-song cycle set by DeBlasio, which was featured on the AIDS Quilt Songbook CD from Harmonia Mundi, France, and Heartbeats from Minnesota Public Radio; "The Angel Voices of Men" set by Ricky Ian Gordon and commissioned by the Dick Cable Musical Trust for the New York City Gay Men’s Chorus, which has featured it on its CD Gay Century Songbook; "Three Brass Songs" with Grammy-nominated composer Fred Hersch; and "Waltzes for Men" also commissioned by the DCMT for the NYC Gay Men’s Chorus and set by Craig Carnahan.

Brass's non-fiction book, How to Survive Your Own Gay Life (Belhue Press, 1999) deals with the psychic and physical survival of gay men, with their spiritual and psychological growth, and with achieving happiness and maturity. It was a finalist for a Lambda Literary Award in religion and spirituality, and has been the basis for many LGBT discussion and support groups, classes, and workshops.

Noteworthy

1996 -

The European Parliament calls for an end to "all discrimination against homosexuals."