Menu 1

Fixing the leak (mostly)

Thanks to the now-working mold straps and some tips from fellow ceramists, my Elsie mold has gone from extremely leaky (bottom) to a more normal amount of flashing (top). I had underestimated just how much I needed to thicken the slip when working with a much larger casting.

I also discovered that I got much better results by pouring successive castings. Because I live in a pretty humid climate, my molds have to sit for considerably longer before I remove a casting. Not wanting to wear my molds out – which getting them too damp too often will do – I had been spacing my castings out over a period of days. My typical routine was to pour one casting and then let the mold sit for one or two days, then casting another. Joan at Pour Horse had suggested doing two castings in a row and then resting the mold. That is working much better.

Now if I could just find enough uninterrupted time to glaze a set. As much as I would like to have a set finished before the end of the year, scheduling tends to conspire against me during the holidays when it comes to things like underglazing. I can do a lot of tasks (like art glaze giftware or clean greenware) in small bits of time with lots of interruptions, but not underglazing. The threat of being interrupted – which seems worse that usual during this time of year – is enough to make me avoid the spray booth. Perhaps I should ask for a day of isolation for Christmas!

No comments yet.

Welcome!

Hello! If you are interested in realistic equine art, with a particular emphasis on horse color, you have found the right place. Here you can peek inside the pottery, and see the process behind the making limited edition ceramic horses. This is also home to an independent press devoted to publishing books about horse color, so those topics get discussed here as well.

Please, browse around and enjoy the site. You can also reach me directly through the Contact page.