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As a kid, I remember when the original trilogy was released in India in theaters. There was a huge promotion about it, to the tune that you could get these nice little stickers in packets of chips that you could then use to add to these booklets that you could buy from confectionaries, grocers etc. That was when my fascination with Star Wars began. Years later, I picked up my first Star Wars book, Starfightersof Adumar by Aaron Allston, and a few years later I saw the third movie in the prequel trilogy in theater with a friend, and then soon after that I saw the original trilogy for the first time, in college. I then went on to read a ton of Star Wars novels, thanks mostly in part to a well-stocked college library (or libraries rather, I should say), and I’ve almost always had fun.

In 2012, George Lucas and Co. began to roll out 3-D versions of the movies, starting with Episode I. It was a fantastic experience for me. But my excitement for watching the successive movies in the new format died out when it was announced that all plans had been put on hold pending Disney’s acquisition of Lucasfilm. And now Disney has no plans to rerelease the movies in 3D, moving forward instead with a new trilogy and several spin-off films. Ah well. It was fun while it lasted.

So, anyway, here’s a repost of my review for the 3-D version of Star Wars Episode I: The Phantom Menace.

Its been an interesting year for the movie industry, whether we talk Hollywood or Bollywood. Big tent-pole movies were the norm at the box office, and there were both successes and flops from each region. It can’t be denied either that some of the box offices successes have proved to be quite surprising, such as the runaway hits Frozen and The Hunger Games #2: Catching Fire, which continue to tell studio executives that female-led movies, especially action movies, CAN be successful if given a chance and that hiding behind ridiculous sexist attitudes and thinking just doesn’t cut it anymore.

Or let’s talk Guillermo Del Toro’s Pacific Rim which underperformed in the US but was a big hit in international markets and the reason for the former can no doubt be laid at the feet of the subversive trend in American media of trash-talking movies that are different.

But enough of that. This post, the first such that I’m doing, is meant to celebrate the movies that I thoroughly enjoyed this year, whether Hollywood or Bollywood, and that’s what I’m going to focus on here. So let’s have at it.