Living in what can sometimes feel like a South Asian feminist echo chamber, we become accustomed to never questioning those we idolize. As a result, years have gone by without Mindy Kaling’s body of work being critically examined within our community. Many black women have made observations of Kaling’s anti-blackness on social media. Shamefully and repeatedly I have also witnessed South Asians jump to Kaling’s defense.

The Mindy Project is a US sitcom aired on Fox which focuses on the life of Mindy Lahiri, a doctor working in an Obstetrics and Gynecology clinic in New York. The show intertwines the staff’s personal and professional lives. Lahiri is the only female doctor at the practice over the first two seasons, and only racialised woman until Season One, Episode 22 where Xosha Roquemore is introduced as Tamra, a nurse at the practice. The sitcom stars its creator, Mindy Kaling, a South Asian woman who has been widely lauded for it.

Using anti-blackness as a tool, the show’s brand of comedy works by centring Lahiri in proximity to whiteness. In any one episode of The Mindy Project I feel myself go through a roller coaster of emotions: amusement, pride, offense and humiliation. I’m especially ashamed that I feel proud to see myself in Mindy. Her struggles are softened by making constant jabs at Tamra. These jabs create a dichotomy: Kaling brings herself to whiteness by furthering herself from the very stereotypical “ghetto humour” white people love to watch, while Tamra’s storylines serve as a constant prop. When Tamra is portrayed as wise and rational it is done for shock value because, obviously, only the Indian woman and her white cast are expected to be reasonable and intellectual.

In addition to starring in the primetime show, Kaling also writes, produces, and directs it, meaning that in Lahiri, for the first time US viewers are finally seeing a nuanced portrayal of a character of South Asian descent. As comedian HariKondabolu noted, we have come a long way from our days eating monkey brain in the beloved Indiana Jones and the Temple of Doom or of having a white guy with a fake accent voice Apu on The Simpsons. In this sense Kaling and her work are noteworthy; however, on examination of the show it becomes clear that this success comes at a price, with classism, anti-blackness and anti-immigration commentary among the punchlines.

With that said, I worry that some of the most offensive lines in the show are written with the explicit knowledge that a woman of colour saying them makes them “acceptable”, which clearly is not the case.

With the show’s portrayal of Tamra, the only other recurring woman of colour on the show for two seasons, a South Asian history of anti-blackness is reinforced instead of challenged. It is not a coincidence that middle South Asians are portrayed in certain ways compared to our black peers, “bring in brown in bring black down” is rehashed to appease a white supremacist paradigm.

South Asians in the US benefit from privilege over our black peers in that the vast majority of us arrived as economic migrants. Many, particularly those of Indian descent, either arrived with or have achieved middle class status.

Kaling deploys African American Vernacular English (AAVE) as a ‘cute and quirky’ personality trait of Casey, a white Christian Minister. By using this manner of speaking as a prop she is complicit in anti-blackness. And it’s not just a problem when white characters use AAVE, the same is true of non-black characters of colour: for example, Aziz Ansari’s portrayal of Tom Haverford in Parks and Recreation.

When people of South Asian descent in the USA use AAVE, they do not relinquish their proximity to whiteness. Recent discourses suggest that some South Asians have been integrated alongside East Asian communities[2] into the “model minority” ideal. This means we can often escape the negative connotations attached to AAVE when spoken by black communities.

Aziz Ansari as Tom Haverford in Parks and Recreation

At the same time, whilst characters like Tom Haverford and Mindy Lahiri feed into the model minority myth, they also show white Hollywood a willingness for people of colour to appropriate and erase parts of our existence to fit in as a caricature of ourselves.

Of course, as a woman of South Asian descent, Kaling does face criticism that her counterpart Lena Dunham would never face.While this doesn’t mean she should get a pass for The Mindy Project, it should be acknowledged. For example, within days of Kaling’s show premiering, the commentary around it was already different to that which accompanied Dunham’s show, Girls. Dunham was heralded for writing and playing a character not traditionally seen on television. On the other hand Kaling faced an onslaught of criticism, dubbing Lahiri insufferable and smug, with one writer even dedicating a whole article to insulting Kaling entitled Mindy Kaling is the Human Equivalent of a Retweeted Compliment. Kaling, like Dunham, enjoys numerous privileges; she had an affluent upbringing, and presents as heterosexual and cisgendered; however, unlike her white counterpart, she faces criticism unique to her embodiment. Perhaps a redeeming quality is that Kaling’s writing of her own South Asian character is not the usual constant Asian punchline. Whilst Dunham was praised for her ‘relatable’ character, Kaling was viewed as unrelatable. Both painted portraits of independent women through their shows, and it seems Kaling’s was deprived of similar praise perhaps because women of colour in powerful leading roles are an anomaly and unrelatable to the default white masses.

She is not even necessarily aiding all brown embodiment. In the pilot episode, after Kaling is done with a patient, she laments to her secretary:

“Do you care about my career and want me to succeed?” she yells. “Then why are you sending me non-English-speaking pregnant immigrants with no health insurance? With literally like burqas and stuff?”

Beyond the fact that the patient was wearing a hijab which is not a burqa, Kaling does not challenge stereotypes of any South Asian religion and makes another Islamaphobic jab in a later episode. Being brown does not mean this is acceptable, being on one margin does not permit disingenuous microaggressions.

As a South Asian and a feminist, I have grown up in North America struggling with a double consciousness in western society, of wanting to see people who look like me succeed but also constantly learning about how we have been indoctrinated to be a model minority, often at the expense of black dignity.

Enabling entertainment in the form of stagnant anti-black “diversity” might be good for Kaling and others willing to use the same tools, but it remains harmful for black communities, and in that they’re also shooting themselves in the foot. Ultimately this brand of diversity fails to challenge white supremacy which harms all raclialised peoples.

Proximity to whiteness as a brand of diversity will continue to pass in our communities if not interrogated. Being proud of Kaling and others without simultaneously being critical is to be complicit in limiting the potential of what diversity with an anti-racist, intersectional, and radical lens can be.

[1] Season 2, episode 20, “An Officer and a Gynecologist”, co-written by Kaling.

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Nashwa Khan is currently living and learning in the Greater Toronto Area. She is an avid storyteller and lover of narrative medicine and public health education. Feel free to tweet her at @nashwakay or find her at nashwakhan or thefeministburrito

Thanks for wording the discomfort and grossness I felt towards a show I once loved. I always find myself wanting to support other women of color and yet never seem to find ones who don’t climb the social ladder at the expense of black people, especially black women.

I think all the characters in the sitcom are as quirky/silly as Tamra, she is often really clever, Morgan is much crazier than her but even he is a great guy. You can’t make a sitcom full of nice, normal people that would be boring.

Thanks for writing this article, you were able to express my discomfort with the show (I couldn’t go much further with it, precisely because I thought it was elitist and anti-black). Of course there’s lots to be celebrated in the fact that a South Asian woman gets to have her own show. That she’s smart, but I honestly think the series would do without so much classism. I completely agree with what you wrote and shared this on my fb.

Wow, I’m really not watching the same show you are. I don’t think Mindy sets herself up as white at all. She’s constantly referring to herself as a woman of color, about which the Tamra character often corrects her. However, Mindy Kaling did grow up mostly among white people at an affluent Boston prep school, so presumably, this is her real background and personality. Tamra is one of the smartest characters on the show, though since it is a sit-com, everyone is a little goofy, including the characters who are supposed to be doctors. But Tamra is a rocket scientist compared to the dim-witted (white) Morgan. I feel like you’re seeing what you want to see because you’re annoyed that Mindy doesn’t have a completely Indian cast or act in stereotypically Indian ways. The show has brought her brother back several times (and the character is now working with her, so presumably he’ll be back more next season), plus another Indian character, and the season ended with the promise of meeting Mindy’s parents.

As a black female fan I love the Mindy show. I cant get enough. This article over thinks what is supposed to be just a fun comedy. The characters each bring their own diverse quirkiness. The contrast between being an intelligent socially conscious professional obgyn (what we would expect from a doctor) and a self absorbed almost dumb blond stereotype is brilliant. One of the funniest lines “im going to hell because i dont care about the environment and i love to gossip”. Its like what lots of people think inside but would never openly say because its not politicallly correct.
After a long hard day at work i love to sit back and watch Mindy. Lets all relax a little.
MORE MINDY!!!

I think this article is a classic example of over-intellectualisation and criticism gone mad. The positives of the show far outweigh the negatives as far as I am concerned. The downsides:
1. Mindy is so annoying that sometimes i want to shoot myself in the head.
2. I see parts of my adolesence in her character and so sometimes i want to shoot myself in the head.
3. she is quick witted and way to funny for her own good and unfortunately the scriptwriter of my life is not half as good and so i want shoot myself in the head.
All jokes aside. To see a plus size, hardworking, ambitious, succesful, educated woman of colour discussing the day to day issues that affect my life such as sex before marriage, interracial dating, cultural differences, ethnic identity in the workplace etc is a breath of fresh air. Let’s not get sucked into a culture where we harshly criticise the things that are benificial to us; it suffocates creativity.

I’m a black man who thinks the Mindy Project is one of the best shows on TV. We know Kahling knows the difference between a burqa and hijab, for instance, or that she’s probably not as obsessed with reality TV and social media as the character she depicts is (we even saw Dr. Lahiri reading Sarah Palin’s book, once). Kaling’s show is not targeting the kind of people that honestly hold those viewpoints; instead she uses humor to show how absurd those viewpoints are. Obviously, this is a dangerous game, but Kaling pulls it off with aplomb more often than not. She even pokes fun at the obvious class difference within the office staff and how casually dismissive the doctors are of the nurses.
It’s true: she couldn’t get away with some of it if she were tall, thin and blonde. So why is it funny when a slightly plus-sized Indian woman is vain, vapid, conceited, outspoken, sexually aggressive and right-wing? Because South Asian women aren’t supposed to be any of those things.

I feel the same way. Sometimes I feel shocked by some of the things Mindy says and then I realize that she is being grotesque in a way to expose those stereotypes. I agree, it is a very, very thin line. I definitely see all the classist, elitist, and anti-black themes in the show, but I feel they are placed in a grotesque way to expose how absurd these things really are. From Mindy always pointing out the wage gap and poverty of her staff, to the remarks about her being rich, and even the mention of religion — all of it is very revealing.

Another example of anti-blackness is Tamra’s old boyfriend, Ray Ron, played by Josh Peck who was not only the weakest character in my opinion, but was a white character acting out a black stereotype which I found really gross.

Some valid points, no doubt, but it might be helpful to first and foremost study the genre of the Mindy Project and then look at the treatment of each of the major characters with the same scrutiny and sensitivity as Mindy and Tamra. The British Doctor colleague is anally retentive, prissy and irritating. The Italian American boyfriend is a Catholic Mama’s boy who sulks through almost every episode. The male ‘white’ nurse is a profoundly dimwitted white-trash brute. The Jewish Doctor colleague is an immature, entitled prick. Kaling’s genre of zinging writing requires an unusually high joke-per-line-of-dialogue rate, and humor as well as drama comes from taking situations and characters to an extreme. Not to take away from some legitimate political concerns, but it seems to me that the writers on the Mindy Project are pretty non-partisan when it comes to being mocking, bawdy and perhaps a little offensive if it draws a laugh. In fact, Mindy’s character’s own bizarre (is it self-deprecating, bloody arrogant or self-empowered?) vanity also hovers above the blurry territory bordering humor, mockery and feminism. Sure, Mindy is a South-Asian American woman running her own network TV show which is something South Asians and South Asian Americans should feel proud of, but her mentors and foremothers are not the likes of Satyajit Ray or Shyam Bengal, they’re Judd Apatow and Tina Fey. It’s a sitcom on Fox, after all!

Such a great article! A much needed read on my part.
As someone who is South Asian, I was ecstatic to see Mindy, a dark-skinned woman, come out with her show, but I have failed to think critically about it.
Thank you!!!

Such a great article! A much needed read on my part.
As someone who is South Asian, I was ecstatic to see Mindy, a dark-skinned woman, come out with her show, but I have failed to think critically about it.
Thank you!!!