Cover

Title Page

Copyright

Contents

Editors’ Acknowledgments

We first must thank all our authors, who responded excitedly to our initial queries
four years ago and who have responded to all our subsequent queries with
equal enthusiasm. No edited volume can encompass all the first-rate scholarship
in a field, and we are well aware of how many other authors might...

Contributor’s Acknowledgments

Introduction: New Dance Studies/New German Cultural Studies

New German Dance Studies offers fresh histories and theoretical inquiries that
will resonate not only for scholars working in the field of dance, but also for
scholars working on literature, film, visual culture, theater, and performance.
The volume brings together essays by scholars working inside and outside...

1. Affect, Discourse, and Dance before 1900

“The most secret movements of the soul,” writes Friedrich Schiller in 1780,
“are revealed on the exterior of the body”; each emotion has its own specific
means of expression or, more precisely, “its peculiar dialect, by which one
knows it.” Accordingly, the “language” of the emotions is—in the opinion of...

2. Lola Montez and Spanish Dance in the 19th Century

The concept of alterity has often been applied in studies on the discourse about
women in nineteenth-century dance. These studies focus predominantly on
male fantasies of otherness, and their projection onto the female body through
strategies of containment and control. Yet as the example of the self-declared...

3. Picturing Palucca at the Bauhaus

Gret Palucca quickly ascended to dance stardom in the 1920s. Born in 1902,
Palucca received her dance training at Mary Wigman’s pioneering Dresden
studio in the early 1920s and was among the first generation of Wigman students,
including Vera Skoronel and Hanya Holm, to go on to innovate in the...

4. Rudolf Laban’s Dance Film Projects

Rudolf Laban was one of the leaders of Ausdruckstanz, and he has been studied
as a thoughtful writer and theoretician, a talented choreographer, an inspired
teacher, and a tireless organizer of schools, associations, and festivals. Less
known are his mostly unrealized film projects, conceptualized for different...

5. Hanya Holm and an American Tanzgemeinschaft

Hanya Holm arrived in the United States in September 1931 to open the New
York Wigman School, created under the patronage of impresario Sol Hurok.
On the heels of Mary Wigman’s first, highly acclaimed U.S. tour from 1930 to
1931, interest in the Wigman method was high among American dancers, and a...

6. Lotte Goslar’s Clowns

Lotte Goslar’s autobiography, What’s So Funny? Sketches from My Life, begins
with a series of self-portraits of Goslar as clown. The sketches are simply drawn,
ink outlines, which mirror the spare quality of her solos. In the first, Goslar
stands in a loose-fitting gown, with bulbous shoes protruding from under the...

7. Back Again? Valeska Gert’s Exiles

Valeska Gert (1892–1978) claimed she once asked Bertolt Brecht to define epic
theater, to which he replied: “What you do.” While this apocryphal anecdote
is often taken as shorthand for Gert’s artistic oeuvre, it risks flattening the
multiple kinds of otherness that delineated her career. As Svetlana Boym points...

8. Was bleibt? The Politics of East German Dance

Was bleibt? What remains of the culture and the arts of a country that has
disappeared from the maps? I take the title of the novella by Christa Wolf, one
of the most famous East German novelists, to ask this question. Written in
1979, but rewritten for publication ten years later, after the fall of the Berlin...

9. Warfare over Realism: Tanztheater in East Germany, 1966–1989

Two young men occupy the screen. One, with luxurious blond hair, is in civilian
clothing, and the other, with dark hair, wears the uniform of the Volkspolizei
(People’s Police). They are both apparently expecting to meet the same attractive
young woman. Once she appears, the two men begin a friendly tussle...

10. Moving against Disappearance: East German Bodies in Contemporary Choreography

Twenty years ago, with the fall of the Berlin Wall, many socialist countries—
including East Germany—that had been prominent players on the world stage
began to quickly, and in many cases, literally, vanish from the world map. In
the years after the fall of the Wall, some former socialist countries such as...

11. Pina Bausch, Mary Wigman, and the Aesthetic of “Being Moved”

Throughout the history of dance performance, the body has been seen as a site
of experiences that are being transposed into movement. The Ausdruckstanz
of the Weimar Republic, for example, appealed under the influence of Mary
Wigman to an experiential space of physical movement and the aim of this...

12. Negotiating Choreography, Letter, and Law in William Forsythe

Strange and unusual hammering and thumping sounds fill the air as one enters
the performance space. What captures our attention is not what we see, but
what we hear. Clang, clang clang: these insistent noises speak of a relentless
activity whose nature, however, escapes us. They beckon us to come forward...

13. Engagements with the Past in Contemporary Dance

Dance is usually considered the most ephemeral form of art in Western society.
This transitory character of dance dominates both historical and contemporary
discourse. Nonetheless, historical investigations trace not only the history of
dance, but also demonstrate how dance embodies historic and cultural...

14. Lecture Performance as Contemporary Dance

“This must be one of these projects where science meets the arts,” observes
Bill Aitchison in Ivana Müller’s How Heavy Are My Thoughts (2004). This
performance reports on Müller’s attempts to find an answer to the question:
“If my thoughts are heavier than usual, is my head heavier than usual too?” We...

15. Toward a Theory of Cultural Translation in Dance

Looking at the history of dance in the modern West, and especially in Europe,
where aesthetic modernism began around 1900, there are two characteristics
of dance. Whether it is so-called popular dance or a more artistic form, from
a sociological perspective, the history of dance is the history of globalization...

Welcome to Project MUSE

Use the simple Search box at the top of the page or the Advanced Search linked from the top of the page to find book and journal content. Refine results with the filtering options on the left side of the Advanced Search page or on your search results page. Click the Browse box to see a selection of books and journals by: Research Area, Titles A-Z, Publisher, Books only, or Journals only.