Friday, September 05, 2008

Keynote Speakers:
Parveen Adams (Fellow of the London Consortium)
Steven Shaviro (Wayne State University)
Interdisciplinary approaches to the theoretical discussion of the cinematic medium have often engaged with philosophical or psychoanalytic perspectives. While philosophy and psychoanalysis are by no means opposed schools of thought, the potential to develop new ways of understanding film remains an opportunity to be explored. In seeking out further lines of enquiry, the study of intersections between cinema/philosophy/psychoanalysis, seems most pertinent to our generation of ‘film thinking,’ to invoke Daniel Frampton’s concept of the ‘film mind.’ whose future still stands, to some extent, in the shadow of psychoanalysis. Recent philosophical models of thought offered by film theorists such as Frampton and D. N. Rodowick embrace a new ontological grasp of the cinema, but what then are the implications of this shift for psychoanalysis? The question, therefore, remains whether philosophy and psychoanalysis are indeed irreconcilable, or if the specific philosophical turn sets up boundaries that unjustly seal off the possibility of dialogue between the two methodologies.
We invite proposals of 200 words for papers of 20 minutes on areas including:
-Films as philosophical and/or psychoanalytical form of representation
-Questions of realism and illusion, from documentary cinema to the fantasy genre
-Ethical responses to, and within, cinema
-The family, sociality, fraternity and sorority
-Changes and developments within spectatorship
-The impact of, and approaches to, new technologies
-Responses and approaches to film aesthetics/film art
-Corporeal subjectivity, embodiment and the senses
-Temporality, memory and amnesia in the cinema
-Depictions of criminality, revenge and guilt
Please send abstracts by 14th November 2008 to encounters@kcl.ac.uk;
Enquiries may also be sent to davina.quinlivan@kcl.ac.uk.
Visit the conference homepage here: http://www.film-philosophy.com/announcements/files/4bc500ad11bded82abd928884ba760f1-74.php#unique-entry-id-74.

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WHAT IS 'THEORY'?

Institutionalised philosophy has before it something called 'philosophy,' which is emphatically not philosophy, that does not follow the protocols of that discipline, that does not measure up to apparently transparent standards of logical rigour and clarity. . . . This institutionalised 'philosophy,' which is not itself, produces another paradox as well: it proliferates a second philosophy outside the boundary that philosophy itself has set, and so it seems that philosophy has unwittingly produced this spectral double of itself. It may be that what is practised as philosophy in most of the language and literature departments . . . has come to constitute the meaning of 'philosophy,' and so the discipline of philosophy must find itself strangely expropriated by a double. And the more it seeks to dissociate itself from this redoubled notion of itself, the more effective it is in securing the dominance of this other philosophy outside the boundary that was meant to contain it. (Judith Butler, "Can the 'Other' of Philosophy Speak?" 241)

I shall use the word ‘theorist’ rather than ‘philosopher’ because the etymology of ‘theory’ gives me the connotation I want, and avoids some I do not want. The people I shall be discussing do not think that there is something called ‘wisdom’ in any sense of the term which Plato would have recognised. So the term ‘lover of wisdom’ seems inappropriate. But theoria suggests taking a view of a large stretch of territory from a considerable distance, and this is just what the people I shall be discussing do. They all specialise in standing back from, and taking a large view of, what Heidegger called the ‘tradition of Western metaphysics’ – what I have been calling the ‘Plato-Kant canon.’ (Richard Rorty, Contingency, Irony, Solidarity 96)

Everywhere I go, I find a poet has been there before me. (Sigmund Freud)

A man with one theory is lost. He needs several of them, or lots! He should stuff them in his pockets like newspapers. (Bertolt Brecht)

Something is happening to the way we think about the way we think. (Clifford Gertz, "Blurred Genres: the Refiguration of Social Thought" 20)

The history of thought is the history of its models. (Frederic Jameson, The Prison-House of Language)