Cultural intervention which seeks to re-position humans as inclusive of the world rather than being in some way apart or even in conflict with it. Around 17% of Australia’s mangroves have been destroyed since European settlement.

Motions and vocalizations of dancer choreographer Bill T. Jones. Disembodiment and identity shown with the new possibilities opened up by 3D projection and a custom 3D renderer created in the OpenEndedGroup’s Field software. Commissioned by SITE Santa Fe, presented at the Sundance Film Festival, the Utah Art Center, and the Film Society of Lincoln Center.

Hindi for ‘wave’, exploration of the classical Indian dance style known as Odissi, originating in Odisha, India. The look of Tarang was inspired by the “Joiner” technique created by British artist David Hockney.

A cell divides itself. From this first mass of light six luminous bodies soon emerge. This is the first film to use 3D thermal imaging, producing visuals like none that have ever been seen before: the luminous variations of body heat seen on skin, bodies emitting a multitude of colours, a space filled with movement that transforms itself.

From the glittering ground slowly emerges a mass of moving particles. These precarious shapes constantly shatter, appear and disappear, transform and evolve to the rhythms of the final transition of Stravinsky’s Rite of Spring.

Human conflict. An urgent act of remembrance inspired by fading legacies of WWI. As much as the film is couched in a war narrative, it is also a moving homage to the choreographer´s mentors and contemporaries, whose lives and short careers are pitted against the fleeting nature of the dance art form.

Derived from a motion-captured recording of Merce Cunningham´s solo dance for hands and fingers. The motion-captured joints become nodes in a network that sets them into fluctuating relationships. Acquired in 2015 by MoMA for its permament collection.

Two minds born of one understanding, suspended in a metaphoric body of water. We explore several levels of suspension – suspension between two states of being, suspension between life and death, and suspension of two bodies physically in space. And finally, the key visual language of the film, Stereoscopic 3D space, suspends the entire film using stereo depth.