Tag Archives: Sven Nordin

Time to set the time machine to 2001, a year that like many others had a great deal of great films to offer. There’s a nice mix to be had with this list, I think. Sure, it leans slightly towards comedy as my lists tend do – although there’s nothing here that i’d classify strictly as a laugh-out-loud type of movie – but there is some international variety. USA, France, Spain and Norway are all represented in one way or another.

I don’t normally do honorable mentions for these lists, but I do need to give a shout-out to The Lord of the Rings: The Fellowship of the Ring. The trilogy as a whole is a remarkably ambitious cinematic accomplishment which does such a great job of bringing the world of the novels to life. Both The Two Towers and The Return of the King barely missed out on spots on their respective year lists. The Fellowship of the Ring – my personal favorite of the three – was sitting at #9 on this list at first draft. Then along came a movie I hadn’t seen before (#7), and Fellowship got bumped down. And then I realized a teriffic film I thought belonged to 2000 was actually released in 2001 (#2), and just like that, Fellowship dropped off. So an honorable mention goes out to that film and, by extension, the entire Lord of the Rings trilogy.

On to the list proper. As always, this is 2001 as listed on IMDB to avoid confusion with international release dates.

10 – HUMAN NATURE (Michel Gondry)

“Remember: when in doubt, don’t ever do what you really want to do.”

The most overlooked of the films written by Charlie Kaufman, Human Nature is a movie of many questions about – of course – human nature. What’s fun is the strange ways in which it goes about asking them. The central characters are a scientist (Tim Robbins) trying to teach mice to have a formal dinner, a man (Rhys Ifans) who grew up in the wilderness thinking himself to be an ape, and a woman (Patricia Arquette) who voluntarily abandoned civilization as an adult due to feeling out of place because of her thick body hair. This story proves to be a good fit for Michel Gondry, here making his feature film debut and immediately establishing his unique style – how many directors would go with a sudden Disney-esque song number in a film like this? Human Nature is both funny and thought-provoking, and it deserves more attention than it tends to get.

9 – A KNIGHT’S TALE (Brian Helgeland)

“Now that I got their attention, you go and win their hearts.”

Wikipedia describes this as an action-adventure film. This is false. A Knight’s Tale is very much a sports movie, with all the familiar story elements and tropes associated with the genre. It just so happens to take place in medieval times, with the sport in question being jousting. What makes the film stand out even more is the anachronistic music. Here we have a dance scene in at the royal court set to David Bowie’s “Golden Years”, and joust audiences clapping along to Queen’s “We Will Rock You”. Heath Ledger makes for an effective protagonist, Shannyn Sossamon is as radiant as ever as his love interest, and Paul Bettany and Alan Tyduk as comedic sidekicks take turns to steal the movie. Often hilarious, always feel-good. A Knight’s Tale never fails to put a smile on my face.

If you’re anything like me, you’re always on the lookout for more films to add to your already-too-large list of movies to watch. However, if you’re anything like me, you’re also very active in your pursuit. You read forum threads, blogs, critics lists of great films and so on. You’re already aware of most of the big blockbusters, most of the year’s critical darlings and everything inbetween. Finding new stuff gets harder and harder. Everybody knows of The Dark Knight. All but the most casual moviewatchers know of Memento. And while the average Joe might not be the slightest bit aware of foreign films like Oldboy or American indies like Winter’s Bone, a movie nut like you already saw them a long time ago. Twice. They’re hardly obscure among film fanatics.

But then there are the films that nobody ever talks about. The casual movie watcher never heard of them. The movie nuts skimmed them over. The critics reviewed them and forgot about them a month later. They rarely if ever pop up in online discussions, or blog posts, or anywhere.

And yet they’re movies I found myself really enjoying for various reasons. So if you’re looking for more movies to add to your watch list, you could do a hell of a lot worse than these 15 films from the past decade.

CASHBACK (Sean Ellis, 2006)

After a bad break-up, art student Ben (Sean Biggerstaff) suffers from insomnia. Not knowing what to do with all his extra free-time, he takes a nightshift job at a supermarket where he discovers he can freeze time at will.

Cashback is a delightfully funny British comedy. Ben’s new co-workers is a colorful bunch that all get their shots at providing laughs, whether it’s his overbearing boss, the kung fu expert or the juvenile slackers. The time-stopping thing mentioned above is not a gimmick the movie uses to base all its jokes and plot around. Rather, it provides time for Ben to reflect on how he views the world, his situation and the women around him. There’s plenty of monologues and flashbacks to flesh out his character, which makes for a nice counterpoint to the movie’s more humorous side. Also featured is a fairly touching romance developing between him and co-worker Sharon (Emilia Fox), as well as plenty of gratuitous nudity. So there’s something for everyone!

THE RULES OF ATTRACTION (Roger Avary, 2002)

Here’s another comedy, but one very different from the humor Cashback provides. The Rules of Attraction follows a couple of college students as they embark on various short-lived romances. Bisexual Paul (Ian Somerhalder) is attracted to bad boy Sean (James Van Der Beek), who’s pursuing the virgin Lauren (Shannyn Sossamon), who’s saving herself for Victor (Kip Pardue), who’s on a crazy vacation to Europe, and so on. But while there’s plenty of sex and partying going on, this is not your typical college sex comedy. This is comedy of the black kind, where every joke is punctuated with the despair and lack of direction that’s plaguing its protagonists’ generation. The characters are not likeable, but then they were never meant to be. It’s the second part of that sentence that differs The Rules of Attraction from most post-American Pie films in its genre.

The film is based on a novel of the same name, penned by American Psycho author Bret Easton Ellis. The book (featuring a very rambling and at times incohorent tone and multiple narrators, none of them reliable) is one that you’d never think could work as a movie when you read it. Director Roger Avary (co-writer of Pulp Fiction) magically pulls it off, though. Highlighting the comedy yet never losing sight of the darkness, he comes up with plenty of clever and unusual solutions on how to present the haphazardly compiled events of the plot. It’s a captivating and isolated world we get to visit, one that will probably make you laugh as much as it makes you feel filthy.