‘Robot Björk gets off with Robot Björk. It’s RobotBjörk²’ – All is Full of Love [Review.]

Let’s get right to it. We’re all bored of music videos
consisting of the singer(s) staring into the camera and lip-synching. It takes
away from the art of the music – and that’s where the brilliant work of Chris
Cunningham comes in. Cunningham’s simple yet intricate direction of Björk’s ‘All is Full of Love’ makes the song as
beautiful to watch as it is to listen to. I mean – what’s more stunning to
watch than young robot love?

The premise of the music video is ostensibly simple: Robot Björk gets off with Robot Björk. It’s RobotBjörk² . It’s juxtaposition at its finest. Robots? Love? It’s something impossible that perfectly captures the ‘self-love’ theme that thrives under Cunningham’s direction.

On my first watch I was… well, confused. Why was I watching robots ignite their spark? On my second watch, I noticed the beauty. These two monochrome robots were learning how to love. The irony of it is dazzling.

You’ll be given love

You have to trust it

But,
I began to think – this goes deeper than Björk’s unearthing of self-love. Only
one BjörkBot was initiating intimacy. The other BjörkBot merely assented to it,
perhaps moved a robotic arm ever-so-slightly now and then – but didn’t love
back.

Thus, I’d argue that Cunningham’s work is an allegory for how Björk is learning to love herself but can’t quite return that love.

Your doors are all shut

All is full of love

Additionally,
the music video goes against the idea of heteronormativity, unlike the majority
of pop videos; both robots have distinctly feminine bodies. Not only is this
lesbian representation incredible for inclusivity, it feasibly could be argued
it plays on the sexual nature of pop videos, as it draws on the premise that
heterosexual men are often attracted to lesbian sex. This idea is indicated
furtherly – and crudely – by a shot of a cylindrical object releasing a milky-white
substance. I’ll say no more on that.

In all, Chris Cunningham’s sensational direction of Björk’s ‘All is Full of Love’ emphasises what Björk truly is: an artist. Someone who cares about how her creations are presented. The song is beautifully haunting enough on its own, but paired with the music video, it is far from robotic.