The project derives its romantic name (Silver Park Quay) from its location: the office cluster on the Zilverparkkade in Lelystad. West 8 designed the urban plan for the area in conformity with the current trend for condensed city-centres. With an idyllic wink to the 17th century Dutch canal-houses the offices are lined up shoulder to shoulder on narrow plots. In such a compact row with a strict layout the only elements to create a discriminating identity are the facades.

All four façade surfaces in the design are either entirely or partly covered with prefabricated concrete elements, symbolizing a branch-like structure. This blown-up filigree is the result of a study of infinite patterns. The works of the Dutch graphic artist Maurits Escher have been an unmistakable model. Specific skills are required to devise a repetitive pattern that, applied in a limited number of different concrete elements, constitutes a seamless entity. The craftsmanship needed to avoid the repeating units to be too obvious, has an analogy with designing rotation press patterns for textile and wallpaper.

The façade structure continues around the corners, providing the office building a recognizable identity distinct from the adjacent properties. The south and west elevation have a double layer façade with window-cleaners’ ledges in between. A profitable side-effect of these narrow balconies is their function as a barrier to prevent vertical spread of fire. As a result storey high panes of ordinary (non-heat-resistant) glass could be applied. The ledges also act as large sun protection slats. The branch structure provides an obscured vista from the outside, but from the inside the users hardly have any impairment of the view on the surroundings.

The concrete elements on the north and east façade are solid. The branch-pattern on these panels is applied in high relief en is highlighted by using two different shades of aggregates. The rear façade has an alternating structure of horizontal strips of textured concrete and windows, with a vertical cut splitting the building asymmetrically. This incision visualizes the zoning and subtly affects the repetition of the solid concrete panels.

this architect did a lecture on his works in 2004 at the university i graduated from. every project was different. this office looks like they have fun, while at the same time get to build real buildings. great stuff!

David

“symbolizing a branch-like structure” (?). it does not sound right, I think it represents (icon) a branch-like structure and symbolizes something else, and i don’t know what.. if something looks like something that’s not symbolization, honestly!

2MACoff

ПИЗДАТО…

j

well, it looks like a normal building covered in decoration, expensive decoration.

it does look better from a distance, i guess.

jubair Sideeque

i feel it would have been better without the branches.

Opium

Loos will comeback from the dead to take is revenge…

16:08:78

NO ARCHITECTURE HERE…

Although I have to say is very interesting (only by itself) the pre-cast concrete branch structure. But then the shirt button… oh God no!

Flevoland

The building with the shirt button is not by them that’s a building from Erick van Egeraat.

Chiaro Scuro

I like the 2-d composition but…

If only they could have gotten more out of the concrete branches, i.e. a system of louvers that was configured to block unwanted direct light, reducing thermal gain.
…they’re just pretty ;)

amb

I’m not too sure about the “graphic” effect from the outside…but I love what it does on the inside, it gets both dynamic and monumental. you feel that the movement is bigger than your floor

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