The Japanese enamels in this exhibition are from the Victoria and Albert Museum and will be shown with objects from Durham University's collections to present a complete picture of one of Japan's most exquisite art forms.

Excluding the items supplied by the Czech Frolich Manufacturer, whose frits started to be imported by Lenci in the second half of the 1930s, after Elena Konig Scavini (7) personally supervised nearly 210 trials, most of the enamels came from English producers in Staffordshire, a district that had been developing under the Wedgwood aegis, namely Blythe Colours Works from Creswell, Stoke on Trent, C.

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