Have
you ever considered writing your memoirs or family history? This workshop will introduce
you to the tricks and conventions of telling true stories and will show you how
to use the techniques of the novel to recount actual events. Whether you want
to write for your family or for a wider public, don't miss this workshop.

Workshop
leader Brian
Henry has been a
book editor and creative writing instructor for more than 25 years. He has
helped many of his students get published, including our guest speaker, Dr.
Ross Pennie...

Ross
Pennieis the author of The Unforgiving Tides, a doctor’s
memoir of Papua New Guinea (Manor
House Publishing). Ross also writes medical mystery novels, published by ECW
Press. The first of these, Tainted, came out in 2010 and won
Arts Hamilton Literary Award for Fiction. Ross’s second mystery, Tampered, came out in 2011, and the third Up in
Smokecame out October 16. (Ross's mysteries are available for sale here). At the workshop, Ross will speak on how to turn ordinary life into dramatic material and will answer
questions about how he wrote his memoir and got it published.

Fee: $38.94 + 13% hst = $44 paid in advance by mail or Interac
or $342.48 + 13% hst = $48 if you wait to pay at the door.

When Carla turned her Mercedes
E250 onto the Bridal Path, she was almost home. Her husband Graham had been
away for almost two months. Emails, phone calls, and text messages only went so far. She missed his
warm welcoming arms around her. They were especially welcome when watching old
horror movies, her favourite pastime.

As Carla opened the front door,
she was greeted by the most wonderful smells. God she’d missed his cooking. “Graham?”

“In here, Babe,” Graham yelled,
from the kitchen.

Carla ran into his outstretched
arms, anticipating that great big bear hug, tears streaming down her cheeks.
She kissed every inch of his face before settling on his mouth. Mmm, she could not get enough
of this man. She took a step back and looked at him. Goddamn, he couldn’t have
looked better if he were a fudge brownie fresh from the oven.

“I have missed you so much”
Carla said, not wanting to let him go.

“I’ve missed you too. I’m so
glad to be home. So what do you want to do first?”

“First? What do you have in
mind?”

“Dinner is ready, but I can put
the prime rib on hold for a half hour or so … and for later I have a great
horror flick and a surprise. So, again, what do you want to do first”?

“I think I can wait for dinner,”
Carla said with a smirk and a wink.

Ten minutes later, Carla was
looking into Graham’s eyes and smiling in contentment. Her top and jeans were thrown
on the floor. Graham’s jeans were thrown
on top in some surreal exotic embrace. Her bra was on the lamp shade and her
panties above her on the headboard. She was flushed and spent from their
diversion.

Graham smiled back at her and
reminded her that dinner would be spoiled.

“Can’t have that,” she said. “I
need my energy.”

After enjoying a fabulous meal
cooked to perfection, Carla felt entirely pampered. She moved to the family room with her glass of
wine, thinking that Graham would follow. After a few minutes, though, she
wondered where he had gone; he had promised her a movie and a surprise. She wandered
down the hall, looking for him, and heard him speaking. It took her a moment to
realize that he was on the phone. He
sounded upset.

“Halloween night is the best,”
he was saying. Take my word for it. It will add a bit of, shall we say,
camouflage. Now you hold up your end and we’ll all benefit.”

At that Graham hung up, and
Carla ran back to the couch. She sat sipping her wine, wondering what the phone
call was all about and whether she should tell Graham she’d been eavesdropping
on him. But the Graham appeared all smiles and sat down beside her. What was the point of spoiling a perfect
reunion? Doubtless, the phone call had to do with Graham’s mysterious job.

“So do you want your surprise
before or after the movie”? Graham asked, showing no sign of the irritation she’d
sensed from his phone call.

“Now please, I can’t wait. You
know me.”

“All right, the surprise is
that we’re both going to Hawaii next month. I have a little business, maybe for
a day or two, and I thought we could stay a week and have a second honeymoon. What
do you think”?

“Sounds fantastic! I’ll get
Julie to watch the gallery and I’m good to go.”

Did this sudden trip had
anything to do with that strange phone call? She didn’t like the idea that
Graham was keeping something from her, but had learned early in her marriage
that Graham would not discuss his business. He’d told her he was a government
agent and simply could not discuss his work. That was a biggie to get over, but
Carla had accepted it.

After cuddling together and
watching Silent Hill, a very scary
movie, Carla turned off the television and headed to bed.

“Graham, are you coming?” she asked, hoping to rekindle those earlier sparks.

“Not yet, pet. I have a few
calls to make and some e-mails to answer.”

“All right, but try not to be
too long.” She tried to keep her tone sweet, but she was annoyed and had
suspicious feelings she didn’t enjoy having.

In bed, Carla fell asleep
almost immediately … and found herself in an operating room. No, an operating
theater, because she could see faces watching from above. Oh, my god – she was
naked and cold. And as the faces around her came into focus, she felt colder
still. They were not human. They had grey-green skin and large black eyes
shaped like almonds but were strangely handsome. They were maybe six feet tall, muscular and
well proportioned. They wore no clothes that she could see. One came toward
her. His long arm outstretched, his long, slender fingers touching her body.

She tried to scream, but no
sound came from her mouth. She tried to move but was paralyzed; she must have
been drugged because there were no restraints holding her. She heard the sound
of a dentist’s drill, and then felt pain, mind-numbing pain.

She woke up screaming.

“Carla, what is it?” Graham was
sitting on the side of the bed holding her shoulders. She hugged him and held
him so tight she thought she might hurt him.

“You must have had a terrible
nightmare, but it’s all over now. Can you go back to sleep or do you what a
brandy?”

“No, I’ll be fine. But that
should teach me not to watch scary movies before bed. My nightmare seemed so
real though.” She shuddered. “Hey,” she added, taking a look at him. “You’re
still dressed. Weren’t you sleeping?”

“I was just coming to bed.” Graham
smiled and removed his pants and went into the washroom. When he came out, he
turned off the lights and climbed into bed; he turned to Carla and wrapped her
in his arms.

“I’ll hold you till you fall
asleep. Let’s hope there are no more nightmares.”

Graham was being as sweet as
always. She had always longed for someone to take care of her and Graham did.
How she ever got along before she met him, she didn’t know. As for the thought
of losing him … she shuddered. Then snuggled more firmly into his arms and fell
asleep.

Immediately, Carla was back in
the operating room, just as before. They were all there again, staring at her
naked body. It was just as cold and she could feel their hands touching her in places
that made her want to scream. But again she could not scream or move. Just as
before the sound of the drill started up, only this time there was no pain. But
when she got to the spot in the dream when she’d woken up, there was something
different. She heard a voice, a familiar voice. It was Graham.

She woke up. Not screaming this time, but
terrified. She looked over at Graham. Asleep of course.

The next morning Carla woke up
to the smell of fresh coffee and the smell of bacon frying, the two most
powerful and appreciated smells imaginable, she thought.

“Good morning, my love,” Graham
greeted her in the kitchen. “Did you sleep better after your nightmare? I hope
so. I slept like a log.”

Carla assured Graham she had
slept well, wondering to herself why she’d lied. Why not tell him about the
second nightmare?

“What’s the date today?” Graham
asked, seeming very cheerful. “With this travelling all the time I lose track
of what day is what.”

“Let me think,” Carla said. “Oh my, it’s
Halloween. Thanks for reminding me! I have to pick up candy for the kids
tonight.”

“Let me do that. I’ll be coming
home early and I can pick up the candy on my way home.”

“I thought you had something
planned for tonight.”

“When did I say that? I’m not
busy tonight.”

Carla remembered she had heard
that during his telephone conversation – the conversation she’d been
eavesdropping on.

“Oh, sorry, don’t where I got
that idea. Anyway, that sounds great. You get the candy. Then I won’t have to
worry about it. Don’t forget now, or we’ll have very angry goblins at our door.”

Carla enjoyed her breakfast
with Graham. They talked and laughed about nothing really, but she felt good as
she drove to work, thinking about how lucky she was to have him. How he had
been a godsend when she had lost her father and had to take over his company.

She hadn’t ready to be
responsible for so many people’s lives. Graham had shown her that selling it
was the best idea. And he’d been right. What a weight off her shoulders!

Then she’d opened an art
gallery, something she had wanted to do since she was a child. The gallery
didn’t make a lot of money, but after selling Daddy’s company, she really
didn’t need an income. Carla smiled to herself as she drove to the gallery; she
couldn’t imagine her life could be any better.

That evening as Carla pulled
into the driveway, she noticed that Graham had beaten her home. She hoped he
had not forgotten the candy for the little trick-or-treaters, or she would have
to go back out. After all you couldn’t disappoint the children.

“Graham?” It seemed almost a
déjà vu moment from yesterday except as she stepped into the house there was no
smell of prime rib cooking.

Graham came out of the bedroom
wearing nothing but a great big smile.

“It’s early. It won’t be dark
for an hour or more. We have plenty of time before any little ones come to the
door”.

Carla laughed and ran toward
Graham.

Carla must have drifted off
after their love-making; tired because of her restless night. As she opened her
eyes, Graham was above her leaning on one elbow. He looked so beautiful, Carla
thought. If only this moment could continue forever. Then as if a rude awaking
to a wonderful dream, the doorbell rang.

“What time is it?” she asked. “That
must be an eager trickster wanting his candy. You did remember to buy some,
didn’t you Graham?”

“Of course. Get dressed. You
don’t want to miss any of the ghouls or goblins. This is your favourite part.”

Graham left and Carla dressed
as quickly as she could. Graham was
right. She did love Halloween and seeing all the children in their costumes,
guessing who they were. It was great fun.

As Carla walked into the living
room, she froze in shock. Standing beside her loving husband was a being from
her nightmare!

Was this a trick? A child
dressed up for Halloween?

As it walked toward her and
lifted his hand, with its long probing fingers, Carla realized there was no
costume. This was real!

The room spun and Carla
fainted.

When she came around, she saw
Graham sitting in a chair in their living room, but moving her head ever so
slightly, she saw the nightmare creature sitting on their sofa, only a few feet
away from her.

“Oh good, you’re awake,” Graham
said, giving her one of his boyish grins. “I’d like to introduce a friend of
mine. Carla, this is Frank. Well, I call him Frank. Humans can’t pronounce his
actual name.”

Carla was in a state of shock. She
tried to speak but nothing came out.

“You’re probably wondering who
and what old Frank here is,” Graham went on. “Let me explain. I work for the
AIB that’s a secret government organization, the Alien Investigation Bureau. A different
sort of FBI you might say, more like Men in Black, really. My job is to make
sure aliens like Frank are kept happy. And what Frank needs to keep him happy,
is you. It’s a win-win situation actually. I get your money, and Frank gets you.”

“Me?” Carla said, finally
finding her voice.

The alien was no longer
sitting, he was coming toward her. There was something different, something she
hadn’t noticed before. There was a fold in his forehead. As he came closer the
fold in his forehead began to open, revealing a long tentacle. It slithered out
and slid wetly around her. Frank began to grin. At the same time, Carla began
to scream, and she hasn’t stopped.

Catherine
“Cat” Wilson is a mystery writer. She has been writing since
she was fifteen and has a poem published in a national anthology. She also
helped write and edit A Journey Through
Time the Art of Steve Wilson, published in 2011. She hopes to have her
first novella published this December 2013. She currently lives in Caledon with
her husband Steve and her two dogs.

Tuesday, October 29, 2013

Foundrydescribes itself as:
“a full-service literary agency and media development company dedicated to
providing the most positive and profitable publishing experience for our
clients, from the American book market to foreign publishing, film and TV,
merchandise, online media and beyond.”

Mollie Glick is an experienced agent who’s recently put out a call for submissions.
She represents literary fiction, young adult fiction, narrative nonfiction, and
a bit of practical nonfiction. Right now, she’s most particularly looking for novels
that bridge the literary-commercial divide, combining a great, high concept
plot with beautiful writing.

“I get submitted a lot of high concept YA projects,” says
Mollie, “because I’ve made some big deals for Gennifer Albin (Crewel); Rebbeca Serle (When You Were Mine and Gondal) and Josephine Angelini (Starcrossed and Crucible) and I’m always open to great YA, but what I’m really
dying to see more of right now is adult fiction that straddles the
literary/commercial line.

Josephine Angelini is one of many
successful authors represented by
Mollie Glick

“I love books that introduce readers to a fully realized world,
or a voice they can’t forget. Some of my favorite books that I’ve read recently
include Hugh Howey’s Wool; Maria
Semple’s Where did you go, Bernadette;
Marissa Pessl’s Night Film; Erin
Morgenstern’s The Night Circus; Lev
Grossman’s The Magicians; Gillian
Flynn’s Gone Girl; and Ann Leary’s The Good House; and my holy grail for
adult fiction remains The Time Traveller’sWife.”

Mollie
also accepts nonfiction dealing with popular science, medicine, psychology,
cultural history, memoir and current events.

She’s
very hands-on, working collaboratively with her authors to refine their
projects, then focusing on identifying just the right editors for her
submissions.

Some of Mollie’s recent projects includeNew York Times bestsellerJonathan Evison’s West of Here and The Revised Fundamentals of
Caregiving (Algonquin); Carol Rifka
Brunt’s Tell The Wolves I’m Home (Random House); Rhonda Riley’s The Enchanted Life of Adam Hope (Ecco); Elizabeth Black’s The Drowning House (Nan A. Talese); Dr. Tracy Alloway’s The New IQ(Free
Press); and Lenore Skenazy’s Free Range Kids (Jossey-Bass).

After
graduating with honors from Brown University, Mollie began her publishing
career as a literary scout, advising foreign publishers regarding the
acquisition of rights to American books. She then worked as an editor at the
Crown imprint of Random House, before switching over to the other side and
becoming an agent in 2003. In addition to her work as a literary agent, Mollie
has served on the Contracts Committee of the Association of Authors' Representatives.

For fiction, pleaseinclude a synopsis, the first three
chapters of your manuscript and an author bio with your query letter. For
nonfiction, please include sample chapters, a table of contents and an author
bio. Full submission guidelines here.

Brian Henry will lead a “How to Get Published" workshop with guest speaker Martha Magor Webb of the Anne McDermid literary agency in Oakville
on Feb 22, 2014 (seehere).

Also, Brian will lead a “Writing for Children & for Young Adults" workshop workshop in Caledon at the Bolton Library on Jan 18 (here).

And he’ll lead “How to make your stories dramatic" workshops in Kingston on Nov 16
(here), Orillia on Nov 23 (here), and in Brampton on Dec 7 (here).

Brian also has a number of weekly
course coming up in January. He'll lead a “Writing your life & other true
stories”on Tuesday afternoons in Burlington
(see here)
and a “Welcome to
Creative Writing” course
on Tuesday evenings in Burlington (here).

Brian will lead “Next Step” courses on Tuesday mornings in Burlington
(see here),
Thursday afternoons in Mississauga (here)
and Thursday evenings in Georgetown (here);
and he'll lead “Intensive” courses for more experienced
writers on Wednesday afternoons in Burlington and Wednesday evenings in
Mississauga (see here).

Borealis Books,a division of Borealis Press Ltd., was founded in
1972 to encourage and publish new Canadian writers who demonstrate talent and
potential for significant growth (e.g. Carol Shields, Giorgio Di Cicco, Cyril
Dabydeen, Kenneth Radou, Guy Vanderhaeghe, among others). As this Press grew,
established authors were published as well (e.g. Jan Drabek, Fred Cogswell,
Hugh Garner, among others).

New needs in Canadian Literature were addressed when the
Press expanded to include series such asNew Canadian Dramaand The Journal of Canadian Poetry (annual). The
Press has met the on-going need for critical works on established early
Canadian writers such as Archibald Lampman, L.M. Montgomery, Isabella Valancy
Crawford, E.J. Pratt, Susanna Moodie, among others.

Borealis also publishes books concerning Canada’s aboriginal
peoples.

An Answer for Pierre,
a novel by Bretl Karen Fischer,
published by Borealis

The press
publishes most genres but specializes in Canadian authored or oriented
material.

Please query
first, including synopsis and/or outline and a sample chapter or equivalent,
together with return postage or international postal coupons, and adequately
sized return envelope or package. Material arriving without such pre-paid
return is scrapped.

Please do
not query or send material unless you are reasonably certain that it is
consistent with what the publisher usually produces. Forty-eight pages in
length is minimum for publication.

Borealis takes
three to four months to reply. They pay a ten percent royalty on net price
annually, or for some editorial projects a flat fee. Borealis usually publishes
within one to two years of going to contract on
a book.

“The press
accepts for appraisal material that seriously involves the human situation, in
a mature, skilful manner and interesting, well written style.”

Full
guidelines here.
Note, Borealis makes no mention of email queries, but you could try a 21st
Century approach at: drt@borealispress.com

Brian
Henry will lead
a “How to Get Published" workshop with guest speakerMartha Magor Webb of the Anne McDermid literary agency, in Oakville,
on Sat, Feb 22 (seehere).

Also,
Brian will lead a “Writing
for Children & for Young Adults” workshop
in Caledon at the Bolton Library on Jan 18 (here).

And
he’ll lead“How to Make your stories dramatic" workshops in Kingston on Nov 16 (here), Orillia on Nov 23 (here), and in Brampton on Dec 7 (here).

Brian
also has a number of weekly course coming up in January. He'll lead a “Writing your life & other true
stories”on Tuesday afternoons in Burlington
(see here) and a “Welcome
to Creative Writing” course
on Tuesday evenings in Burlington(here).

Brian
will lead “Next
Step” courses on Tuesday mornings in
Burlington (see here), Thursday afternoons in Mississauga (here) and Thursday evenings in Georgetown (here); and he'll lead “Intensive” courses
for more experienced writers on Wednesday afternoons in Burlington and
Wednesday evenings in Mississauga (see here).

Brian Henry has been a book editor, writer, and creative writing instructor for more than 25 years. He teaches creative writing at Ryerson University. He also leads weekly creative writing courses in Burlington, Mississauga, Oakville and Georgetown and conducts Saturday workshops throughout Ontario. His proudest boast is that he has helped many of his students get published.