Track your favorite artists, series or characters on more than 250 websites.

Colin Wilson Du Plomb dans la Tete, aka Bullet to the Head, #3 Story Page 3 Original Art (Casterman Publ., 2006). This explosive French thriller was reprinted by the US publisher Dynamite Entertainment in 2010. This page appeared in issue #5 of Bullet to the Head in the Americanized version. The story inspired a feature film starring Sylvester Stallone in 2012. A gorgeous page featuring Jimmy Marvel at a bar, produced in ink over graphite on Bristol board with an image area of 12.5" x 17". Signed by Colin Wilson in the lower margin, it is in Excellent condition.

John Cassaday Planetary #17 Story Page 11 Original Art (DC/Wildstorm, 2003). Elijah Snow encounters Lord Blackstock in the fabled city of Opak-Re, in this pulpy page from the story, "Opak-Re." Produced in ink over graphite on Bristol board with an image area of 9" x 14". In Excellent condition.

Patrick Block "Uncle Scrooge - World's Richest Man" Illustration Original Art (Walt Disney, undated). Magica De Spell is out to steal "Old Number One" yet again on this enchanting watercolor painting. But wait, she's not alone... there are the Beagle Boys behind that park bench! Other characters present are the nephews Huey, Dewey, and Louie; Donald and Daisy Duck; Gyro Gearloose and his Little Helper; and of course Uncle Scrooge McDuck himself! Produced by Disney comics artist Patrick Block in ink and watercolor over graphite on illustration paper that is UV glass front framed to 18.5" x 23.5". The inner mat image area measures a whopping 14" x 19".

Kent Allen My Play a Tune Book Cover Painting Original Art (Disney, 1988). Maestro Mickey Mouse waves his baton to the sounds of Disney's classic music, in the vibrant cover illustration by Kent Allen. The gouache paint art has an image area of 23.5" x 16", and has a light crease running vertically through Mickey's left hand.
It is in Very Good condition. Includes a copy of the My Play a Tune Book.

John Carey Andy Panda #54 Cover Original Art (Dell, 1961). Andy Panda and Charlie Chicken "spin" some fun in this delightful cover illustration. The image area measures 10.5" x 13", and this piece has been matted and framed to an overall size of 18" x 20". In Excellent condition.

Richard A. Williams MAD #519 "20 Dumbest People, Events, and Things 2012" Ann Curry and Today Show Cast Illustration Original Art (DC/Warner, 2013). Part of the "20 Dumbest" list for 2012, this illustration was titled "Ann Curry -- Here Today, Gone Today". The painting is a spot-on caricature of the Today Show cast of that time featuring Matt Lauer, Al Roker, and Savannah Guthrie. It is oil on stretched canvas measuring 27.75" x 22". Ready to frame, this is in Excellent condition.

Dorian Cleavenger Razor Warrior Nun Areala Poizon: Little Bad Angels Variant Cover Painting Original Art (London Night Studios, 1999). The "Little Bad Angels" are not that little. The three characters Razor, Warrior Nun Areala, and Poizon teamed up in this one-shot special. This painted variant cover is by the very talented Dorian Cleavenger. It is oil on illustration board and open front framed to 22" x 33". In Excellent condition.

Dan Brereton ThrillKiller '62 (nn) Story Page 23 Batman and Black Canary Original Art (DC/Elseworlds, 1998). Killer Croc is making a getaway with hostages Roy Harper and Harley Quinn, as Black Canary tries to give Batman the slip. It was a tale of hard-luck heroes in a hard-time world. The smell of leather, cigarettes, and cheap gin drifted in the rock-and-roll filled air. Dan Brereton perfectly captured the grindhouse feel with his fully painted pages rendered in gouache over graphite on bright white oversized Bristol board with an image area of 12.5" x 19.25". In Excellent condition.

Jose Delbo and Dave Hunt Wonder Woman #283 Story Page 15 Original Art (DC, 1981). Steve Trevor and Lao Chen have been taken prisoner by an abettor of the Red Dragon and they are about to meet their end! Until...Wonder Woman crashes the party, quite literally, in epic fashion! Created in Ink over graphite on Bristol board with an image area of 10" x 15". Slight toning. In Excellent Condition.

Al Kilgore Bullwinkle Daily Comic Strip Boris and Natasha Original Art dated 9-9-63 (Bell-McClure Syndicate, 1963). Those nogoodniks Boris Badenov and Natasha Fatale steal the show this episode. Not surprising, as they will steal anything that is not nailed down. Were this an episode of Jay Ward's The Rocky and Bullwinkle Show, it could have been titled "Pipsqueak Pandering -or- Passive Regression" The strip was created in ink and Zipatone over graphite on Bristol board with an image area of 17" x 4.75". Signed in the image area. Slight toning and faint musty odor. In Very Good/Excellent condition.

Joe Staton and David Hunt Superboy and the Legion of Super-Heroes #256 Story Page 15 Original Art (DC, 1979). Saturn Girl, racing against the Science Police, probes the mind of Superboy who has just been indisposed by a Kryptonite ray. Features Superboy, Lightning Lad, Saturn Girl, and a brief appearance of Braniac 5. Ink over graphite on Bristol board with an image area of 10" x 15". Production tape in the margins. Slight Toning. In Excellent Condition.

Kurt Schaffenberger Superman Family #175 Story Page 3 Lois Lane Original Art (DC, 1976). With Morgan Edge's niece coming into the picture, could this be a "Fadeout for Lois"? The page was created in ink over graphite on Bristol board with an image area of 10" x 15". There were stripped-in text corrections that are no missing from Panels 2 and 4. The lightly toned page is in Very Good condition.

Stan Goldberg Betty and Veronica Double Digest Magazine #209 Pin-Up Original Art (Archie Comics, 2013). This Stan Goldberg fashion Pin-Up page of Betty and Veronica titled "Dream Girl Fashions" was reprinted in this issue. It is dated 1991 from an unknown Archie publication. Features three different fashion designs each for Betty and Veronica. Ink over graphite on Bristol board. Image area, 10" x 15". Signed by Stan Goldberg in lower right margin. Pinholes in top corners. In Excellent condition.

Kevin Eastman - Teenage Mutant Ninja Turtles Leonardo Illustration Original Art and "Turtle Tracks" Time Capsule Signed Newsletter and Print Group of 3 (2011). Kevin Eastman, co-creator of the Teenage Mutant Ninja Turtles, created this incredible image of Leo, and signed the "Turtle Tracks" newsletter with a remarqued Turtle Head. Also included in a signed photo-print of Leo and John Oates... no, wait, that's actually Kevin Eastman himself in the 1980s! Fun stuff from one of the most fun guys in the comic industry! The original art was created in ink on 8.5" x 11" Bristol board and then affixed to a larger sheet of Bristol. On the reverse of this, there is a signed and dated authentication sticker. The signed/remarqued 8.5" x 11" stapled newsletter and the same-sized signed print image came in a brown "Time Capsule" envelope (included). All are in Excellent condition.

Brian Anderson Dog Eat Doug Daily Comic Strip Original Art and Prints Group of 5 (Creators Syndicate, c. 2009). This charming strip began life in 2005 and is still published today. Here we have three strips. They are dated: 10-4-09; 10-16-09; and one dated only 10-5 (but not from 2009), with prints for the two from 2009. The 10-5 strip was created in ink over graphite on Bristol board with an image area of 11.25" x 3.75". The other two were produced in ink over blue pencil on Bristol board. The 10-16-09 strip measures 13.25" x 4.25", while the 10-4-09 strip is 12.75" x 6". Each is signed in the image area and in Excellent condition.

Larry Elmore TSR Worlds Annual #1 Cover Painting Original Art (DC, 1990). Things don't get much more classy than a fully painted Larry Elmore cover for your comic book! The book featured characters and settings from TSR's popular line of role-playing games and supplements, including Advanced Dungeons & Dragons, Forgotten Realms, Dragonlance, and Spelljammer. Elmore's stunning painting was created in oil on pressboard and open-front framed to 27.5" x 37.5". The image area measures 23.5" x 33.5". Signed in the image area and in Excellent condition.

Anton Brzezinski - Pablo Picasso Homage Painting Original Art (2006). Inspired by Pablo Picasso's "Le Reve" and his other cubist works, this piece by Brzezinski was created in oil on 16" x 20" pressboard. Signed and dated in the lower right. In Excellent condition.

Gray Morrow - Rudolph Valentino Painting Original Art (c. 1970-80s). A great portrait of Valentino in the garb of his character Julio Desnoyers from the 1921 movie The Four Horsemen of the Apocalypse. The bright and vibrant colors of this piece are at contrast with the fact that the movie was in black and white. This makes the piece all the more striking, verging on Pop-Art. Signed in the image area. Created in gouache on 9" x 13" illustration board and in Excellent condition.

Jose Delbo and Dave Hunt Wonder Woman #282 Story Page 12 Original Art (DC, 1981). Gerry Conway pits amazing Amazon against mighty Minotaur on this page from the story "Return and Redemption". The page was created in ink over graphite on Bristol board with an image area of 10" x 15". There are stat paste-up text corrections in the last panel. The toned page is in Very Good/Excellent condition.

Curt Swan and Frank Chiaramonte Superman #363 Story Page 17 Original Art (DC, 1981). Superman, returning from the future, finds Lois and Lana who have lapsed into a coma from a centuries old microbial plague for which there seems to be no cure! Produced in Ink over graphite on Bristol board with an image area of 10" x 15". Stripped-In text correction taped from back in panel five. Slight toning. In Excellent condition.

Guy Davis Sandman Mystery Theatre #61 Story Page 20 Original Art (DC/Vertigo, 1998). The Golden Age Sandman, Wesley Dodds, was still active in this retro-period piece written by Steven T. Seagle, titled "The City: Act One of Four". Artist Guy Davis is well-remembered for his Baker Street series with Caliber Press, as well as his work on Mike Mignola's B.P.R.D. (a Hellboy spin-off title). The page was created in ink over graphite on bright white Bristol board with an image area of 10.5" x 15.6". Signed by Guy Davis in the lower right. In Excellent condition. From the Ethan Roberts Estate Collection.

Jose Delbo and Dave Hunt Wonder Woman #280 Story Page 17 Original Art (DC, 1981). Wonder Woman summons Etrigan the Demon in the story "In the Claws of Demons!" for aid in pinpointing the location of her ally seized by the demon Baal-Satyr. With a new lease on life Etrigan lends a helping hand, leading Wonder Woman to a plane beyond mortal men. Created in Ink over graphite on Bristol board with an image area of 10" x 15". Production tape in the margins. In Excellent Condition.

Neal Adams Studio Star Trek: The Crier in Emptiness PR-26 Partial Story Pages 18-20 Original Art (Power Records, 1975). No, this is not a Styx tribute band in Ten Forward. It is the actual solution to the problem facing the crew of the Enterprise in this exciting book and record episode. Lt. Connor is communicating with an alien life force via synth-music. The last three pages of the story feature great images of Captain Kirk, Bone McCoy, Mr. Spock, and a surprising Caucasian version of Lt. Uhura. The pages were created in ink and Zipatone over graphite with red ink key lines on Bristol board with an image area of 10" x 15". Light toning. In Excellent condition.

Jesse Santos (Tales of Sword and Sorcery) Dagar the Invincible #8 Story Page 13 Original Art (Gold Key, 1974). Graylin is very much alive and kickin'... indeed! This page from the Dan Glut story "The Red Ruby of Garloth" was created twice-up scale in ink over graphite on Bristol board with an image area of 12.25" x 17.75". Signed by Don Glut in the lower margin, the lightly toned page is in Excellent condition.

John Byrne Namor, the Sub-Mariner #6 Story Page 9 Original Art and Production Material Group of 2 (Marvel, 1990). Lovely Namorita swims some nasty ocean waters as she accidentally finds... SLUJ! (That's the villain for next issue.) This story was titled "Out of Sight, Out of Mind".
John Byrne produced the page in an unusual method. After doing the original pencils and inks (provided), Byrne photocopied them onto Duotone board to apply the shading by hand. This means that he effectively "painted" the water effects on the final page (also provided). Both pages have image areas of 10" x 15.25", and both were signed in the lower right of the last panel. They are in Excellent condition.

Tony Tallarico 1776 Partial Story Original Art Group of 31 (Charlton Comics, 1973). The founding of the USA receives a spirited, skewed retelling in this near-complete batch from the adaptation of a Broadway musical-turned-movie. The splash page is missing, and the final page is a pasted-up photostat (loosened with the passage of time). Comics historian Mark Evanier has called the project "one of the oddest comic books ever." Ink over graphite on Bristol board. Image area, 9" x 14". Light toning overall. Excellent condition. From the Ethan Roberts Estate Collection.

Matt Clark The Saturday Evening Post Original Art (Curtis Publ., 1940). A SatEvePost story about a carnival freak show inspired this splendidly old-fashioned piece from master illustrator Clark. The technique, facial expressions, and body language recall a style of magazine illustration from much earlier in the century. Dry-brush ink and watercolor on illustration board. Image area, 16.5" x 13". Light to moderate toning. One diagonally creased area at upper right. Very Good condition. From the Ethan Roberts Estate Collection.

Al Kilgore Bullwinkle Daily Comic Strip Boris and Natasha Original Art dated 9-10-63 (Bell-McClure Syndicate, 1963). Boris has been on leave so long he has taken leave of his senses! (And some of those were not that good to start with.) Fearless Leader gets some panel-time and even gets to make a fourth wall-breaking joke. If this were an episode of the beloved TV cartoon, it could have been titled "Call to Action -or- Don't Boris to Death". The strip was created in ink and Zipatone over graphite on Bristol board with an image area of 17" x 4.75". Signed in the image area. Slight toning and faint musty odor. In Very Good/Excellent condition.

Terry Moore Strangers in Paradise V3#82 Story Page 19 Francine Original Art (Abstract Studio, 2006). In a startling turn of events, Francine discovers he brother-in-law has been murdered. The page was rendered in ink over graphite on bright white Bristol board with an image area of 8.25" x 13.5". Signed by Moore in the lower right. In Excellent condition. From the Terry and Robyn Moore Collection.

Jeff Purves and Herb Trimpe Incredible Hulk #355 Story Page 8 Mr. Fixit Original Art (Marvel, 1989). During the "Grey Hulk" regression storyline, Mr. Fixit illustrates that when you are in Vegas, you should really try the buffet. Oh, and it also inherits a criminal empire. Too bad it is all a dream-illusion created by Glorian. From the Peter David story "Now You See It", the page was created in ink over graphite on Bristol board with an image area of 10" x 15.25". In Excellent condition.

Harvey Artist Blondie #49 Complete 10-Page Story "Pilgrim Daze" Original Art (Harvey, 1952). Dagwood and Herb have a fight, then Dagwood has a turkey-fuel dream about the Pilgrims. It's a Thanksgiving miracle created in ink over graphite on Bristol board with an image area of 9" x 13.5". The logo is a photocopy paste-up replacement. In Very Good/Excellent condition.

Arthur Adams Original Sin #1-8 Interlocking Battle Cover Variants Preliminary Design/Layout Artwork Original Art (Marvel, 2014). A glimpse into the creative mind of Art Adams! Here we have the blue pencil roughs for a prelim layout of the very complex eight alternate covers that would go together to form a single large image. It is stuffed full of your Marvel favorites, such as: War Machine, Wolverine, the Punisher, Winter Soldier, Captain America, Black Panther, Doctor Strange, Luke Cage, the Thing, the Hulk, Thor, Elektra, Iron Man, Spider-Man, and Nova. As a bonus, there is a layout for one of the other variant covers that features someone holding a glowing eyeball. Created on bright white 17" x 11" Marvel Bristol board. Signed and dated 2-25-14 in the lower right. In Excellent condition.

Rick Hoberg Star Wars "AT-AT Walkers" at Battle of Hoth Licensing/Style Guide Illustration Original Art (undated). The original art for one of the official Lucas Films merchandise and licensing images, as seen on numerous products from T-shirts to drink cups. This piece was also used as a reference and model sheet by other illustrators who worked in the Star Wars universe. The enormous and terrifying AT-AT Walkers were literally brought to their knees by Rebel forces in Snow Speeders in the film Star Wars: The Empire Strikes Back. Created in ink on Bristol board, it has an image area of 8" x 6.25". The small Snow Speeder is an original art paste-up. In Excellent condition.

Palmer Cox - Brownies Spot Illustration Original Art (c. 1890s). This is very similar to the title page illustration Palmer Cox used in many of his Brownies books. With the fellows standing next to the glowing book may indicate a connection to Brownies Around the World. This image was created in ink on 3.75" x 2.5" Bristol board. There are stains and the lightly toned piece is affixed to a slightly larger art paper card. In Good/Very Good condition.

Rick Hoberg Star Wars "Snow Speeder" Licensing/Style Guide Illustration Original Art (undated). The original art for one of the official Lucas Films merchandise and licensing images, as seen on numerous products from T-shirts to drink cups. This piece was also used as a reference and model sheet by other illustrators who worked in the Star Wars universe. Famous for the battle scene on the icy planet Hoth from Star Wars: The Empire Strikes Back, this craft was actually a modified T-47 Airspeeder. The two man light craft allowed one to fly and operate forward firing weapons, while the second manned a large harpoon cable gun. Created in ink on Bristol board, it has an image area of 11.5" x 8.75". In Excellent condition.

Martin Nodell - Golden Age Green Lantern Illustration Original Art (undated). Alan Scott, as produced by his created, Martin Nodell (or "Marty" to his friends, which was almost everyone). This ink and color marker piece was created on 9.25" x 15" illustration board, and personalized to Michael and David, where it is signed at the bottom. A COA on the back of the board indicates this was likely Michael Uslan's personal property. Uslan was the Executive Producer for several of the Batman movies. This piece is in Excellent condition.

Wayne Boring and Frank Giacoia Captain Marvel #22 Story Page 14 Original Art (Marvel, 1972). This story "To Live Again!" was an un-official epilog to the cosmic epic "The Kree-Skrull War" that ran through several issues of the Avengers, and resulted with Captain Mar-Vell's life force being yet again bonded with young Rick Jones. Here, the cosmic energies of Mar-Vell are being rejected by Jones' body. This page was created in ink over graphite on Bristol board with an image area of 10" x 15". The lightly toned page has production tape residue in the top and bottom margin. There are production oil stains in Panels 3 and 4. On the reverse side, there is a great portrait headshot in graphite. The page is in Very Good condition.

Darick Robertson and Rodney Ramos Transmetropolitan #56 Story Page 13 Original Art (DC/Vertigo, 2002). In a "45 minutes into the future" setting, this high-tech sociological thriller was actually way ahead of its time. Created by the brilliant minds and hands of Warren Ellis and Darick Robertson, this story "Headlong 2" is from near the end of the run. The page features Qi finding something... disturbing, on what's left of the Internet, as Martial Law starts to take effect. Charron runs to get series star Spider Jerusalem. The page was created in ink over blue pencil on Bristol board with an image area of 9" x 15.5". Signed by Robertson (with a cute little note) in the bottom margin. There is a paste-up text correction in Panel 4. In Excellent condition.

Terry Moore Rachel Rising #14 Story Page 5 Original Art (Abstract Studio, 2013). Jet is dead (for now), and she is being tended to by Earl (a mortician) and Rachel (previously dead). A great page from this wonderfully creepy series by the creator of Strangers in Paradise. The page was rendered in ink over graphite on bright white Bristol board with an image area of 8.25" x 13.25". Signed in the lower margin and in Excellent condition. From the Terry and Robyn Moore Collection.

John Buscema and Tony DeZuniga Doc Savage Magazine #3 Story Page 42 Original Art (Marvel, 1976). "The Inferno Scheme" by Doug Moench some fist-sprak-ing action by the Man of Bronze, while his assistant Renny watches on from the sidelines. A great page produced in ink and ink wash over graphite on Bristol board with an image area of 10.5" x 15". There is a touch of blue pencil shading on one sound effect. The board is lightly toned about the edges. In Excellent condition.

Al Kilgore Bullwinkle Daily Comic Strip Boris and Fearless Leader Original Art dated 9-13-63 (Bell-McClure Syndicate, 1963).
Boris Badenov finds out that the cream is not the only thing that rises to the top in this comic strip that could have been titled "Another Rat for the Rat Pack -or- No Cannes Do!" The strip was created in ink and Zipatone over graphite on Bristol board with an image area of 17" x 4.75". Signed in the image area. Slight toning and faint musty odor. In Very Good/Excellent condition.

Rick Hoberg and Bill Collins All-Star Squadron #33 Story Pages 9 and 10 Original Art (DC Comics, 1984). Members from the Freedom Fighters, led by Starman, are heading to California! Romantic tension builds between characters along the way. Featuring Starman, Phantom Lady, Doll Man, and Liberty Belle, with an appearance by the Spectre.
Created in ink over graphite on Bristol board with an image area of 10" x 15". Trimmed corners and slight marginal staining. In Excellent Condition.

Al Kilgore Bullwinkle Daily Comic Strip Boris and Fearless Leader Original Art dated 9-12-63 (Bell-McClure Syndicate, 1963). Another fun fourth wall-breaking joke in the last panel. Al Kilgore really zeroed-in on the almost jazz-like patter and banter of Jay Ward's famous Rocky and Bullwinkle Show cartoon. So much so, that if this were an episode, we would have titled it "The Spy's the Limit -or- Carry This Out, or We Carry You Out!" The strip was created in ink and Zipatone over graphite on Bristol board with an image area of 17" x 4.75". Signed in the image area. Slight toning and faint musty odor. There is some soiling across Panel 2. In Very Good condition.

Alan Kupperberg and Frank Springer Invaders #32 Story Page 2 Original Art (Marvel, 1978). Page 2 from the Roy Thomas story "Thunder in the East" features Namor, the Human Torch, and Union Jack, with cameos of Captain American and Spitfire. The page was created in ink over graphite on Bristol board with an image area of 10" x 15". All text is hand-lettered vellum, which has toned to a tan color. There are two word balloons missing, leaving glue residue in the place, and there are production oil stains on the middle left and lower left panels. The toned page has whiteout art corrections in several places, especially on the Human Torch. Overall the page is in Good condition.

Al Kilgore Bullwinkle Daily Comic Strip Boris and Fearless Leader Original Art dated 9-11-63 (Bell-McClure Syndicate, 1963). Fearless Leader doesn't get enough panel-time. (He paid us to say that, but it's true.) Boris is so bored he has gone coo-coo like a clock! It's a story line that could have been titled "The Spy Who Came In From The Coo-Coo -or- Statues are for the Birds!" The strip was created in ink and Zipatone over graphite on Bristol board with an image area of 17" x 4.75". Signed in the image area. Slight toning and faint musty odor. In Very Good/Excellent condition.

Curt Swan and Frank Chiaramonte Superman #365 Splash Page Original Art (DC, 1981). Superman, long overdue for a vacation, is on the job, averting catastrophes faster than a speeding bullet in this splash page from "When Kryptonians Clash".
Ink over graphite on Bristol board with an image area of 10" x 15". Splash page title and indicia are all stat paste-ups. Some slight stains in image area and slight toning. In Very Good condition.

Dan Brereton ThrillKiller '62 (nn) Story Page 22 Batman Original Art (DC/Elseworlds, 1998). From the follow-up tale ThrillKiller from 1997, this page features not just Batman, but Roy Harper and Harley Quinn, who are being menaced by Killer Croc. The original was a hot-rod fueled ride with a rockabilly soundtrack, and this follow-up series doesn't disappoint. This page was fully painted in gouache on bright white oversized Bristol board, with an image area of 12.5" x 19.25". In Excellent condition.

Don Newton and Dave Hunt World's Finest #264 Story Page 10 Captain Marvel Original Art (DC, 1980). The story by E. Nelson Bridwell was titled "The Monster Society Strikes Back!" It was the first chapter in a new serial that intended to pay homage to the greatest Captain Marvel story ever told... "The Monster Society of Evil", which was a 25-chapter story arc that ran from Captain Marvel Adventures #22 (in 1941) until issue issue #46 (in 1945). This story was just a four-part serial. This page features Mary Marvel and Captain Marvel fighting against Black Adam and Oggar. The page was created in ink over graphite on Bristol board with an image area of 10" x 15". Toned and in otherwise Excellent condition.

William Van Horn Kaczor Donald [Donald Duck] #2011-37 Complete 7-Page Story "As The Snail Trails" Original Art (Egmont, 2011). It is much ado about a missing snail named Rodney, because the snail's the thing. Daisy and Donald Duck try their hand at acting and find out it's easier than you think. This story first appeared in this comic in Poland, and was quickly reprinted several times in other countries. It first appeared in the US in IDW's Walt Disney's Comics and Stories #736 in 2017. The pages were created in ink over blue pencil on bright white Bristol board. Each page is composed of two sections of board conjoined on the reverse with production tape. The overall image area measures 15.5" x 22". The logo is a printed paste-up. Each page is signed by Van Horn in the lower margin. They are in Excellent condition.

Joe Staton and Sonny Trinidad Deadly Hands of Kung Fu #31 Splash Page 11 Jack of Hearts Original Art (Marvel, 1976). Created in issue #22 of this title, this was only Jack of Heart's seventh comic book appearance. The story "Dark Waters of Death!" was penned by his co-creator Bill Mantlo. This great splash page was created in ink and ink wash over graphite with blue pencil shading in the logo, on Bristol board with an image area of 10.5" x 16". In Excellent condition. From the Ethan Roberts Estate Collection.

Herb Trimpe and Mike Esposito Marvel Team-Up #118 Story Page 6 Spider-Man Original Art (Marvel, 1982). Spider-Man is drawing a bit of undesirable attention to himself, but who wouldn't when clinging to the roof of car! Luckily, Professor X is pulling some mental trickery to conceal Spider-Man's presence from public view. Created in Ink over graphite on Bristol board with an image area of 10" x 15", with trimmed corners. In Excellent Condition.

Jose Delbo and Dave Hunt Transformers #47 Story Page 3 Original Art (Marvel, 1988). The Autobots plan a daring rescue mission to retrieve Buster Witwicky from the Decepticon's "vacation resort". Featuring Optimus Prime, Fortress Maximus, and Grimlock. Created in Ink over graphite on Bristol board with an image area of 10" x 15". Trimmed corners and irregular cut on top right. Slight staining in margins as well as on stat paste-ups in panel one, and slight glue stain from missing stat in panel two. In Very Good condition.

Mike Hoffman Warlord of Mars Spot Illustration Original Art (Lulu Press, 2012). An exploding Martian flyer puts John Carter and Woola in danger. This piece also appeared in The Art of Mars published by Hoffman, on Page 46. The image was created in ink over graphite on bright white 14" x 11" Bristol board. Signed and dated in the image area and in Excellent condition.

James Sinclair Hellboy: Wake the Devil #3 Cover Color Production Art Original Art (Dark Horse, 1996). A stunning work in gouache color, the bright red of Hellboy's skin really pops on the cool blues of the background. Mike Mignola's artwork was printed in black line on an acetate overlay. The color original art was added to an 11" x 14.5" illustration board beneath that. The image area measures 9" x 11". The acetate is separate, but included. In Excellent condition.

Terry Moore Strangers in Paradise V3#10 Story Page 14 Katchoo Original Art (Abstract Studio, 1997). Katchoo is back to working for Darcy Parker, and the stakes are high this time. A wonderfully crafted page in ink over graphite on bright white 11" x 17" Bristol board. Signed by Moore in the lower right. In Excellent condition. From the Terry and Robyn Moore Collection.

Anton Brzezinski - Frankenstein's Monster Painting Original Art (2006). Brzezinski does a fantastic job of pulling out the sad and sensitive side of Boris Karloff's Frankenstein's Monster. Soft and haunting, it was created in oil on 16" x 20" canvas covered board. Signed and dated in the image area. In Excellent condition.

Gene Hazelton (attributed) Yogi Bear Sunday Comic Strip Original Art (Hanna-Barbera/McNaught Syndicate, undated). Yogi is visiting with some tourists from Holland when their son gets into Dutch. Thankfully he knows how to clog a leak. It is dated as 9-29, with no year given. Created in ink over graphite on Bristol board with an image area of 24.25" x 17.5". The Sunday is glass front framed out to 32" x 25". The glass is broken in the bottom right corner. The art is unaffected. The "Hanna-Barbera's" paste-up is missing from the title panel. In Excellent condition.

Sheldon Moldoff - Superman Illustration Original Art (undated). Golden Age great "Shelly" Moldoff created this fantastic image of the Man of Steel. Two classic Superman images in one piece... a flying pose, and a costume change. Created in ink and crisp, bright color markers on 9" x 12" Bristol board. Signed in the image area. Bid on this one before it is Up, Up, and away!

V.T. Hamlin Alley Oop Daily Comic Strip Original Art dated 12-21-48 (Newspaper Enterprise Association, 1948). Nine years after he had introduced a time-travel concept to Oop, Hamlin still reserved the right to set his stories in Alley Oop's prehistoric age. Here is one of the best such sequences, a compact battle charge with Oop leading a caveman army against a rival tribe. Ink over graphite on Bristol board. Image area, 20.5" x 6". Light toning. Excellent condition. From the Ethan Roberts Estate Collection.

Neal Adams and Dick Giordano Batman: Stacked Cards [Book and Record Set] #PR27 Story Page 19 Joker Original Art (Power Records, 1975). Batman recovers the Picasso from a burning warehouse, proving that the Joker is all wet (check that last panel). Great shot of Batman and Robin in Panel 4. It was created in ink over graphite on paper with an image area of 10" x 15". Slight toning. In Excellent condition.

Rick Hoberg, Marie Severin, and Bill Wray The Savage Sword of Conan #23 Story Page 6 Original Art (Marvel Comics, 1977). King Kull finds himself far from his native Atlantis, and subject to taunts from a spectral figure. Kull's angry facial expressions (drawn to order by Severin, augmenting Hoberg's overall pencils) leave no doubt of his displeasure. Brilliantly illustrated. A personalized inscription appears at lower right. Ink over graphite on Bristol board, with ink-wash effects and painted white highlights, with an Image area of 10.5" x 15.5". In Excellent condition.

Guillaume Sorel - Altercation in a Pub Illustration Original Art (1990). Whoever she is... she's not happy. So Mr. Red Tie is going to hear all about it, on this great illustration created in gouache on Bristol board with an image area of 12" x 9". This was produced during a time period when Sorel was providing many spot illustrations to role-playing game publishers and RPG support magazines such as Casus Belli and others. Signed and dated in the lower right. In Excellent condition.

Fred Peters Crime Patrol #15 Story Page 2 Original Art (EC Comics, 1949). An essential title in the development of EC's notorious horror comics, Crime Patrol paved the way toward Tales from the Crypt, etc., with harsh naturalism in addition to the creepier business. Peters, a fundamental style-setter in the EC scheme, excels at this tense sequence from a story about a vigilante crimebuster. Ink over graphite on Bristol board. Image area, 10" x 15". Excellent condition.

John Byrne Namor, the Sub-Mariner #6 Splash Page 10 Original Art and Production Material Group of 2 (Marvel, 1990). Prince Namor's young cousin Namorita is dwarfed by the mass of gunk that is actually the set-up for next issue's villain... SLUJ! From the story "Out of Sight, Out of Mind", this page was rendered in a very unusual manner. After doing the original pencils and inks (provided), John Byrne photocopied them onto Duotone board to apply the shading by hand. This means that he effectively "painted" the water effects on the final page (also provided). Both pages have image areas of 10" x 15.25", and both were signed in the lower right margin (the Duotone board has production tape on the bottom margin, and it was signed on top of the tape). They are in Excellent condition.

Bil Keane The Family Circus Daily Comic Strip Original Art dated 8-15-74(Register & Tribune Syndicate, 1974). The overriding wit of The Family Circus has less to do with conscious humor, than with a child's incomplete comprehension of how the world works. Such is the genius of this bright example, featuring kid brother Jeffy and Sam the Dog. Keane's after-publication hand-tinting job adds a layer of freshness. Inscribed at lower left. Ink over graphite on Bristol board. Image area, 8" x 9". Excellent condition.

Keith Pollard Official Handbook of the Marvel Universe Master Edition #10 "The Mad Thinker" Illustration Original Art (Marvel, 1991). A Marvel villain who truly lives up to the name Evil Genius, the Mad Thinker (real name unknown) first appeared in Fantastic Four #15. This piece from the beloved "Master Edition" of Marvel's encyclopedic tome of characters features him in the standard three pose turn-arounds. The image was created from the printed blue line master form Body Type "E", with graphite and ink over that. He stands 9" tall on the 17.25" x 11" custom Marvel Bristol board. In Excellent condition.

Anton Brzezinski - Woman with Earring Painting Original Art (2006). Anton Brzezinski was branching out from his usual pulp magazine cover recreations with this piece. A dalliance with cubism, with a big toe in the waters of pop-art with the addition of an actual earring to the painting. Mixed media on 16" x 20" pressboard. Signed and dated in the lower right. In Excellent condition.

Reg Smythe Andy Capp Daily Comic Strip Original Art Group of 2 (Sunday Mirror, c. 1960s). Andy Capp was taller and skinnier in the earlier days of the popular feature. These choice examples pit the notorious loafer, as usual, against his long-suffering wife, Flo. The strip was so popular in England (and at length, in the States) that it eventually would inspire an English rock musician, Alan Price of The Animals, to compose an Andy Capp musical for the London stage. Inscribed by Smythe. Ink over graphite on illustration board, with blue-shaded borders. Image area, 10" x 8". Light toning. Excellent condition.

Gil Kane and Bernard Sachs All Star Western #59 Story Page 8 Original Art (DC Comics, 1951). No sooner had All Star Western usurped the position of All Star Comics and the super-heroic Justice Society, than editor Julius Schwartz started dropping hints of an eventual adventure-hero revival. His temporary surrogates for the costumed do-gooders were frontier do-gooders, colorfully attired if not super-powered. In this sequence featuring the crimebusting Don Caballero, we can see Kane warming up for his 1960s breakout with the Silver Age Green Lantern series. Some brilliant foreshadowing, here. Signed at lower margin. Ink over graphite on Bristol board. Image area, 13.25" x 18.5". Excellent condition. From the Ethan Roberts Estate Collection.

John Byrne and Dick Giordano Action Comics #590 Story Page 22 Original Art (DC Comics, 1987). Author-artist Byrne's ambitious teaming of Superman with the Metal Men takes a tragic turn with the destruction of the robot known as Tin. Doc Magnus, the cyber-team's inventor, has seldom looked so grim. The two-thirds story page ends with a house advertisement (also drawn by Byrne, instead of the customary paste-up advert) featuring both Superman and Superboy. Ink over graphite on Bristol board. Image area, 10" x 15". Marginal editorial notes and blue-line markings in art area. Excellent condition.

Cesar Britez Dragon Song Illustration Original Art (SQP, 2010). This image does contain the requisite titular dragon... if you look for it. Created in gouache over graphite on bright white Bristol board with an image area of 11.75" x 15.75". Signed in the lower right of the image area and in Excellent condition.

Rick Hoberg Star Wars Shield Generator Bunker Backdoor on Endor Illustration Original Art (Lucas Films, undated). This was a key scene from the movie Star Wars: Return of the Jedi. A wonderful piece of art that could serve as a perfect backdrop for your Star Wars Action Figures! Rick Hoberg was a long-time illustrator for Lucas Films, where he provided images uses for licensing and merchandise reference materials. These images were also used as a model sheets by other illustrators who worked in the Star Wars universe. Created in ink over graphite on bright white 14" x 11" Bristol board, with an image area of 11.25" x 6". In Excellent condition.

Michael Golden and Terry Austin Bizarre Adventures #25 Story Page 7 Lady Daemon Original Art (Marvel, 1981). This page from the Chris Claremont story "By Virtue of Blood" features Lady Daemon laying out the Tarot cards, only to discover her deck has two Death cards. Panel 1 was very cleverly executed by artist Michael Golden by starting with an actual photographic print paste-up of the interior of the Hindenburg airship, with meticulous cut-outs in the photo to allow the original art of the characters to show through. It is so well produced that they appear to be on top of the photograph. They were created (as was the bottom section) in ink and grey tone wash on Marvel's magazine stock Bristol board, with an image area of 10.5" x 15". The Tarot cards on the table in the last panel are stats from the previous panel. In Excellent condition.

Chris Bachalo Avengers V4#1 Sketch Variant Cover Black Widow Wraparound Original Art (Marvel, 2010) CGC Qualified NM/MT 9.8 White pages. Black Widow is blasting the bad guys on this amazing wraparound original art sketch. Chris Bachalo is well-known for illustrating DC's Death: The High Cost of Living mini-series from their Vertigo line, as well as his work on several of Marvel's X-Men-related titled. This wraparound image was created in ink and grey tone marker over graphite with an image area of approximately 12.5" x 9.5". Signed by the Widow's hip. The art is in Excellent condition. Overstreet 2017 NM- 9.2 value for regular edition cover = $6. CGC census 2/19 for Sketch Edition: 6 in Qualified 9.8, none higher.

Mike Hoffman Warlord of Mars Spot Illustration Original Art (Lulu Press, 2012). An enormous sith (a Martian hornet) menaces John Carter's pet calot, Woola! It is an exciting image that also appeared in The Art of Mars published by Hoffman, on Page 47. The image was created in ink over graphite on bright white 14" x 11" Bristol board. Signed and dated in the image area and in Excellent condition.

Stan Goldberg Chili #11 Complete 5-Page Story "Her Groovy Guitar" Original Art (Marvel, 1970). Our two Stans (Lee and Goldberg) crafted a tale that also features a cameo appearance of Millie the Model (Chili's professional and social rival). The original art was created in ink over graphite on Bristol board with an image area of 10" x 15". Page 1 is entirely composed of stat paste-ups. Page 4, Panel 4 is an original art paste-up. There are whiteout art/text corrections, a stripped in correction, production oil stains on almost every page, and the top right corner of Page 4 is missing. Overall the pages are in Good/Very Good condition.

Art Nichols Marvel Mart Catalog Cover Original Art (Marvel, 1994). In 1994, Marvel Comics had several big ideas of how to change the comic book industry. One of those was to start their own direct-to-consumers catalog. This highly detailed graphite image was created by Art Nichols. It was used essentially only as a layout, as the published work looks very different in execution. This piece was created in pencil on Marvel cover stock Bristol board with an image area of 9.75" x 15". Signed by Nichols in the lower right of the image area. The lightly toned piece has some minor water stains in the right margin and some indentations on the image area. In Very Good condition.

Martin Nodell - Green Lantern's Lantern on Clock Original Art (c. 1990s). A unique piece for the Golden Age Green Lantern fan. A green battery powered 9.5" clock, with Green Lantern's ring-recharging lantern drawn on the face, in two shades of green marker, by Golden Age Green Lantern artist and creator Martin Nodell. The clock is in untested condition, the art is in Excellent condition.

Al McWilliams Twin Earths Sunday Comic Strip Original Art dated 6-10-56 (United Feature Syndicate, 1956). From the story arc "The Moon of Colossus", that is exactly where Torro, Punch, and Lhana finds themselves stranded... fighting off the very interesting Squimps! This intense strip was crafted in ink over graphite on Bristol board with an image area of 22.5" x 15.25". The logo is a printed paste-up that has slightly discolored. The board has been scored and folded between tiers to allow mailing to and from the syndicate. Light toning, and there is a paste-up text correction in the final panel; otherwise, in Excellent condition.

Herb Trimpe and Mike Esposito Marvel Team-Up #115 Story Page 18 Thor Original Art (Marvel, 1982). This page from near the end of the J. M. DeMatteis story "Dichotomies!" features Thor waxing poetic over Spider-Man's death on the previous page. (Relax... ol' Webhead shows up again on the next page.) This page was created in ink over graphite on Bristol board with an image area of 10" x 15". There are corner trims. It is in Excellent condition.

Harold Gray Little Orphan Annie Daily Comic Strip Original Art dated 6-21-67 (News Syndicate Co. Inc., 1967). Annie and Sandy both appear in all three panels of this late-1960s example. The ink over graphite on Bristol board image area measures 19.75" x 6", and the art is in excellent condition, with toning to the paste-up title stat.

David Finch and Danny Miki Ultimatum #3 Story Page 7 Hawkeye and Yellowjacket Original Art (Marvel, 2009). Destruction rages across the Ultimates' world. Millions are dead. This includes the Wasp. This horrific page shows what the Blob was doing to her that caused Giant Man to literally bite his head off on the previous page. This sure isn't the regular Marvel Universe! Rough stuff, created in ink over graphite on bright white Bristol board with an image area of 10.25" x 15.5". Signed by Finch in the lower margin. There is a "Crimelab Studios" sticker on the top right, as the page was inked by studio member Danny Miki. In Excellent condition.

John M. Burns The Seekers Daily Comic Strip #Q130 Original Art (undated). The Seekers was John Burns' first major comic strip, and the themes of the strip somewhat resemble Modesty Blaise, which he was to draw later in his career. The main characters, Susanne Dove and Jacob Benedick, are two agents employed by Una Frost, director of Seekers, an agency specializing in tracking down missing persons. They are aided by Duffy, who supplies general support and contacts in the underworld. The art has an image area of 15" x 4.25" and it is in Excellent condition, with light overall toning. Signed by Burns at the lower right.

Frank Willard Moon Mullins Daily Comic Strip Original Art Group of 5 (News Syndicate, 1933). A swell early batch of dailies dated 7-27, 8-3, 8-10, 8-12, and 8-17-33. Produced in ink over graphite on Bristol board, with an average image area of 19.75" x 6". All strips have edge wear and toning, slight soiling and pinholes in the upper margins; otherwise, in Very Good condition.

Geof Darrow - Ultraman versus Big Guy and Rusty the Boy Robot Commission Illustration Original Art (c. 2000s). An impressive pairing of opposing forces! These Kaiju fighters are actually all good guys, however. Created in ink on bright white 22" x 16.75" Bristol board. Signed on the right side. There is a small crease in the middle; otherwise, in Excellent condition.

Geof Darrow - Rusty the Boy Robot Illustration Original Art (c. 2000s). Rusty is looking good on this piece created in ink on bright white 6" x 18" Bristol board. Signed in the lower right and in Excellent condition.

Jim Holdaway Modesty Blaise Daily Comic Strip "La Machine" #30 Original Art (London Times Mirror, 1963). This is daily strip #30 from the very first Modesty Blaise storyline, with Modesty dropping in on Willie Garvin, as he works out at Sam's Boxing Gym. Produced in Ink and graphite on paper that has been "skimmed" from a piece of illustration board. Image area approximately 19.5" x 5.5"; in Excellent condition.

John Severin Our Fighting Forces #138 Story Page 8 Original Art (DC Comics, 1972). Long before their integration into the larger DC Universe (in 2004's The New Frontier), the crackerjack military team of the Losers ranked high among war-comics features. Severin depicts a confrontation among Gunner, Sarge, and Johnny Cloud with intense emotionalism, varying the angles for generous cinematic impact in a compact four-panel composition. Ink over graphite on Bristol board. Image area, 10" x 15". Light toning and marginal adhesive staining. Excellent condition.

Rog Bollen Catfish Sunday Comic Strip Original Art Group of 3 (New York News, 1980). Children's book illustrator, and Animal Crackers comic strip artist, Rog Bollen, is the creator of this western-based series. This group includes three Sundays, dated 5-4,5-11, and 5-18-80. Each ink over graphite on paper strip has an image area of 20" x 14". There are folds between the gutters of each strip, created when they were sent to the syndicate; otherwise, the condition of each is Very Good, with edge wear and a few small tears, not into the image areas.

Bryan Hitch and Andrew Currie The Ultimates #3 Story Page 3 Giant Man and the Wasp Original Art (Marvel, 2002). The hunky guy in the leather suit is Janet Pym's giant-sized man-thing, Dr. Henry Pym. This is from the Ultimate Universe, where things are slightly different from the regular Marvel Universe. The page was created in ink over graphite on bright white Marvel Bristol board with an image area of 10.5" x 15.75". In Excellent condition.

Al McWilliams Twin Earths Daily Comic Strip Original Art dated 4-28-59 (United Feature Syndicate, 1959). Tina is lost at sea and Chris Cannon slips out to try to find her with his anti-gravity suit. Al McWilliams produced this daily with his slick and stylish art, in ink over graphite on Bristol board with an image area of 20" x 5.25". In Excellent condition.

Fred Thomas Long Shots Daily Comic Strip Original Art Group of 20 (Hall Syndicate Inc., c. late 1960s). These laugh-a-minute Fred Thomas strips take some pot shots at swimming, Surfing, fishing, sailing, water skiing, weightlifting, horseshoes, snow sledding, billiards, and boxing. Produced in ink over graphite on Bristol board with image areas of approximately 18" x 5", the logo for each strip is a printed paste-up. There is minor toning and edge wear; otherwise, they average Excellent condition.

Berke Breathed Bloom County: "Wonders of the Universe" Remarqued Signed Limited Edition Lithographic Print #280/600 (Rosebud Enterprises, c. 2000s). Check out the very rare original Burke Breathed sketch on the bottom of a Bloom County print (the comic strip was originally published on 2-16-86). The original strip ran in newspapers during the last time Halley's Comet was passing through our solar system. The next pass won't be until mid-2061, making it about as rare as this remarqued signed limited edition print! The print is signed and numbered just below the 16.5" x 7.5" image area. The graphite sketch of Binkley measures 3" tall and overlaps the bottom portion of the image area on the 20" x 16" print. In Excellent condition. Comes with a COA.

Alan Davis and Mark Farmer Excalibur #56 Story Page 21 Nightcrawler and Kitty Pryde Original Art (Marvel, 1992). A ticked-off Captain Britain has a shocking experience, only to be rescued by Meggan. Also on the page are Nightcrawler (in a tux!), Kitty Pryde, Lockheed the dragon, and Cerise. The page in ink over graphite on Bristol board with an image area of 10" x 15.25". All text is stat paste-up, with some glue residue on several panels. In Very Good condition.

Robert Ripley Lincoln Portrait Original Art (Associated Newspapers, c. 1930s). The creator of Believe It or Not steps outside his famous comics-panel format to deliver a grand-scale portrait of Abraham Lincoln, flanked by a symbolic battle scene (left) and the Statue of Liberty. The technique is reminiscent of a classic Believe It or Not page from 1931, also depicting the President, but shows a much younger and beardless Lincoln. The surrounding drawings appear on deep-grained Bristol board, while the portrait is on pebble-grained Coquille board, pasted in place. The familiar Ripley signature crosses from the Coquille inset onto the surface of the Bristol board. Ink and crayon over graphite. Image area, 27" x 14". Notable age-toning and marginal staining. A backing sheet of heavier cardboard is brittle and contains one vertical crack on reverse. Very Good condition.

Wally Bishop Muggs and Skeeter Daily Comic Strip Original Art dated 6-9-67 (King Features Syndicate, 1967). A square baseball?! "Hit's Downright Stupid!" This funny daily has an image area of 19" x 5.25", and aside from yellowed Zipatone, the condition of the strip is Very Good. Folded between Panels 2 and 3 to facilitate mailing to the syndicate.

Neg Cochran Out Our Way Daily Comic Strip Original Art dated 8-17-67 (NEA, 1967). Former assistant, Neg Cochran, continued Out Our Way after the death of its creator, J. R. Williams, in 1957. This daily, titled, "Moments We Wouldn't Like to Live Over", has an image area of 12" x 11" and is in Excellent condition, with light toning, and staple holes in the left and right borders.

Bob Weber Moose Sunday Comic Strip Original Art dated 7-10-66 (King Features Syndicate, 1966). Moose learns that if life gives you broken eggs (and and arm, foot, and nose), you just make omelets, in this funny Sunday done in ink over graphite on three pieces of conjoined Bristol board. The image area measures 19.25" x 13", and there is some discoloration to the paste-up title logo and between each tier, from tape residue. The strip is in Good condition.

Chris Wozniak and Danny Bulanadi Avengers West Coast #64 Story Page 12 Human Torch Original Art (Marvel, 1990). The original Golden Age android Human Torch (Jim Hammond) faces some fun-house mirror versions of himself compliments of "Stevie". The page was created in ink over graphite on Bristol board with an image area of 10" x 15". All text are stat paste-ups, some of which have discolored slightly. Handling wear around the edges. The page is lightly toned. In Very Good/Excellent condition.

Scott Nickel Eek! Comic Strip Original Art Group of 30 (c. 2016). A cornucopia of rib-tickling dailies from the online comic strip, Eek! These strips feature the likes of the Star Wars gang -- Darth Vader, Jabba the Hutt, Chewbacca, Han Solo, Luke Skywalker, R2-D2, C-3PO, Storm Troopers; the Universal Monsters, Godzilla, King Kong, and Batman. They were produced in ink over graphite on Bristol board with image areas of approximately 12" x 4". All text is paste-up, and there are several paste-up art replacements; otherwise, in Excellent condition.

Berke Breathed Bloom County: "Hairy Fishnuts" Remarqued Signed Limited Edition Lithographic Print #223/600 (Rosebud Enterprises, 2012). A reprint of an early Bloom County Sunday comic strip (originally from 2-14-82) that cemented Opus as the main character in the series. Original art from this series is rare to begin with, and images of Opus are in high demand. That should make this very funny Opus print with a remarqued original art image of Opus at the bottom quite attractive to most Breathed fans. This early appearance for Opus from the 1980s, it features Opus having a spiritual encounter. The print is signed and numbered just below the 16.5" x 7.5" image area. The graphite sketch of Opus measures 2" tall just below the image area on the 20" x 16" print. In Excellent condition. Comes with a COA.

Virginia and George Smith The Smith Family Daily Comic Strip Group of 3 (Universal Press Syndicate, c. late 1960s). This lot features three daily comic strips. Each daily has an image area of approximately 16" x 5". None are dated with the year and one is inscribed and signed. All are comprised of ink over blue pencil on several pieces of Bristol board, taped together. The tape has discolored, and there is corner, edge, and handling wear, Pinholes. The art is in Good condition.

Sydney Jordan Jeff Hawke Daily Comic Strip Original Art Episode H2811 (Express Newspapers, 1960). Jordan's British feature is one of the most significant science-fiction strips, informed in equal measure by a love of high-adventure storytelling and an academic knowledge of aeronautical engineering. This striking example comes from an extended story called "Time out of Mind" (1959-60), and displays the influence of NIgel Kneale's Quatermass teleseries for the BBC in depicting outer space as a frontier of menace (Kneale's third Quatermass serial had aired shortly before Jordan began the "Time out of Mind" continuity). Signed in lower margin, and on reverse, with annotation by the artist. Ink over graphite on Fine Pen board, with extensive white-painted highlights. The image area measures 15.24" x 4.5". Light toning and marginal smudging; otherwise in Excellent condition.

Giovanna Cassotto and Giorgio Comolo Vampirella Illustration Original Art (c. 1990s). Cassoto's many images of the bloodthirsty heroine usually concentrate on mildly erotic poses without environmental background. In this exceptional piece, Cassotto couches Vampirella in a Lovecraftian setting, complete with an ancient ruined temple and a tentacled monster. Brilliant, and vividly shaded in a variety of watercolors and pencil-texturing. Ink and mixed media on Bristol board. Image area, 10" x 14.25", matted to 14" x 18.25". The art has tilted slightly within the matte. Excellent condition.

Keith Pollard and Dave Simons Power Man and Iron Fist #85 Story Page 22 Original Art (Marvel, 1982). The last page of the story "The Fury Below" features those Heroes for Hire, Luke Cage and Danny Rand practicing their overhead lift after battling the Mole Man. The page was created in ink (with a touch of red ink key lines) over graphite on Bristol board with an image area of 10" x 15". The page has corner trims and is in Excellent condition.

Frank Roberge Mrs. Fitz Daily Comic Strip Original Art dated 9-29-67 (King Features Syndicate, 1967). This ink and Zipatone over graphite on Bristol board daily from the swinging sixties has an approximate image area of 16.25" x 4.75". Some yellowing to the Zipatone and slight staining; otherwise, it's in Very Good condition.

Robert Webb and S.M. Iger Studio Cowgirl Romances #9 Splash Page Original Art (Fiction House, 1952). Webb seldom signed his art, but his distinctive style of logotype-lettering and facial contours pins him every time as the dominant talent in the Iger Studio's assembly-line methods. This depiction of a rambunctious cowgirl surrounded by restless ranch-hands is rich with Webb hallmarks, from a meticulously depicted corral to a vivid array of expressive faces and postures. A splendid page from one of the very best frontier-adventure comics. Ink over graphite on Bristol board. Image area, 12.25" x 18.5". The logotype and introductory lettering appear on a pasted photostat. Light toning and retouching marks. Excellent condition.

Dan Fraga and Lary Stucker Superman Unpublished "Judgement Day" Story Page 4 Original Art (c. 2002). Titled "Judgement Day", this was a fill-in inventory story. The page was created in ink over graphite on bright white DC Bristol board with an image area of 9" x 14". In Excellent condition.

Dan Piraro Bizarro Daily Comic Strip Original Art dated 2-18-2001 (United Press Syndicate/uComics.com, 2001). "And you call yourself a Pig!" Pig-shaming has become quite the problem down on the farm. This is a particularly auspicious example of Piraro's work, as it contains several of his hidden "Secret Symbols": The Inverted Bird, Crown of Power, Mystery of K2, Pie of Opportunity, the Lost Loafer, the Eyeball of Observation, the Flying Saucer of Possibility, and the Bunny of Exuberance. We are not sure what the alligator means... but it is likely something. Created in ink over graphite on vellum paper with an image area of 12.75" x 6.5".

Wilson McCoy The Phantom Daily Comic Strip Original Art Group of 3 (King Features Syndicate, 1957). This group includes three Phantom dailies dated 11-11, 11-12, and 12-6-57, done in ink, blue pencil, and Zipatone over graphite on Bristol board with image areas of approximately 20.75" x 6". The Zipatone has begun to discolor and there is slight edge toning; otherwise, in Excellent condition.

Dan Barry and Bob Fujitani Flash Gordon Consecutive Daily Comic Strip Original Art Group of 3 (King Features, 1977). Flash is about to have his memory erased by a race of small ape-like aliens in these three consecutive dailies, dated 11-24, 11-25 (has a stripped in text correction), and 11-26-77. Each strip is rendered in ink over graphite on Bristol with image areas of approximately 13" x 3.75". In Excellent condition. From the Personal Collection of Bob Fujitani.

Dan Barry and Bob Fujitani Flash Gordon Sunday Strip Original Art dated 1-5-86 (King Features Syndicate, 1986). Flash and his rabble band defeat Ming the Merciless' Imperial Army in this action-filled ink over graphite on Bristol board Sunday by the legendary team of Dan Barry and Bob Fujitani. The image area measures 16" x 8". Production tape and registration marks in the margins; otherwise in Excellent condition.

Drew Friedman National Lampoon #1/1986 "Bela Lugosi's Scariest Role" Complete 1-Page Story Original Art (National Lampoon, Inc., 1986). A benchmark in the long collaborative stretch of brothers Josh Alan and Drew Friedman, respectively writer and artist. This stellar page chronicles the troubled career of Hollywood actor Bela "Dracula" Lugosi in satiric yet compassionate terms. Amazing to consider how many of millions of tiny dots of ink go into just one of these incredibly detailed panels. Signed at lower margin. Ink (pointillism, or stipple, technique) over graphite on Bristol board, with Zipatone shading film and typeset lettering. Image area, 7.5" x 11.5", framed out to 17" x 20". Excellent condition.

Paul Ryan The Phantom Sunday Comic Strip Original Art dated 6-29-2008 (King Features Syndicate, 2008). The Phantom gets his chance to free the Wambesi, being held hostage to hunt diamonds, in this action-packed Sunday. The ink over blue pencil on Bristol board art has an image area of 16.5" x 11.5" and it is in Excellent condition. The text and title stat are all paste-up. From the Ethan Roberts Estate Collection.

Lew Landsman Hollywood Side-Show Suite of Cartoon Paintings Original Art Group of 11 (Landsman Studio, c. 1940s). Prolific magazine gagman Landsman developed a gallery-show sideline with such suites as this selection, in which he parodies figures of Hollywood including the Movie Agent (a ball-and-chain), the Yes-Man (a proto-Bobblehead), the Columnist (a voyeur), and the Contract (a wringer). At once surreal and hilarious, and in much the same vein as Basil Wolverton's more grotesque cartoons. (Landsman characterized himself as "the poor man's Dali" and "the Spike Jones of art.") Ink, watercolor, and ink wash over graphite on Bristol board. Image area range, 6" x 8" to 5" x 7". Moderate toning. Very Good condition.

George Sixta Rivets Daily Comic Strip Original Art dated 4-6-67 (Publishers Newspaper Syndicate, 1967). Rivets truly know his dog food, right down to the calcium, phosphorus, pyridoxine, and pantothenic acid! This daily by George Sixta has an image area of 14" x 4.25", and the art is in Excellent condition, with light edge toning, and pinholes in the top corners.

Rich Buckler and Romeo Tanghal Fantastic Four #325 Story Page Mantis and Silver Surfer Original Art (Marvel, 1989). Packed with guest-stars, this page features Mantis (seen in Guardians of the Galaxy II), the Silver Surfer, and Kang the Conqueror, along with then-current FF members Human Torch, the Thing (in his spiky form), and "She-Thing" Ms. Marvel II (Sharon Ventura). The page was created in ink over graphite on Marvel Bristol board with an image area of 10" x 15.25". All text is stat paste-up. The last panel is a stripped-in art correction taped in from the reverse side. The top margin is irregularly trimmed. In Excellent condition.

Alex Raymond Rip Kirby Daily Original Art Comic Strip dated 11-24-54 (King Features Syndicate, 1954). Rip is undercover at the jail, in the Kingdom of Mythania, in this beautifully drawn daily from the "Two Men and a Baby/In Freedom's Cause" storyline. The art is in ink over graphite on Bristol board, with an approximate image area of 20" x 5.75". The board is a bit toned with handling wear; otherwise, the art is in Very Good condition. From the Ethan Roberts Estate Collection.

Fernando Pasarin and Jack Purcell Justice Society of America Kingdom Come Special: The Kingdom #1 Splash Page 20 Original Art (DC, 2009). Two legacy hero hot-heads face off on this splash page with great forced-perspective! It's Atom-Smasher (godson of the Golden Age Atom, son of Cyclotron) and Damage (adopted son of the Golden Age Atom). The page was created in ink over graphite on Bristol board with an image area of 10.5" x 15.75". Signed the penciler in the top margin and the inker in the lower margin. In Excellent condition.

Tim Sale Matrix: Farewell Performance Webcomic Story Pages 4-5 Original Art (1999). Originally produced as a webcomic, it was collected with several other online Matrix comic stories and printed by Burlyman Entertainment in 2003. The pages were created in ink over graphite on bright white DC Bristol board with an image area of 9" x 14". Page 4 has two large stat panels, with only the stage door and characters running as original art in Panels 2 and 3. The stat has lightly toned. In Excellent condition.

Frank Willard Moon Mullins Daily Comic Strip Original Art Group of 5 (News Syndicate, 1933). This early and humorous group includes strips dated 8-18, 8-28, 10-23, 11-9, and 12-7-33. Produced in ink over graphite on Bristol Board, with average image areas of 19.75" x 6". All strips have edge wear and toning, and a few pinholes in upper margins; otherwise, in Very Good condition.

Alex Maleev Sandman Dream and Death Pin-Up Illustration Original Art (c. 2000s). The two most popular members of the Endless, Dream and his slightly older sister Death appear here created in ink over graphite on bright white 11.15" x 17.5" Bristol board. Signed by the artist in the right side. In Excellent condition.

Ralph Heimdahl and Al Stoffel Bugs Bunny Daily Comic Strip Original Art Consecutive Group of 6 (Warner Brothers, 1974). Ralph Heimdahl's snappy art was in peak form in these episodes, dated 10-21 through 10-26-74. Bugs Bunny, Sylvester J. Pussycat, Elmer Fudd, and Petunia Pig are featured. The ink over graphite on DuoTone board art images average 20" x 6", and aside from closely trimmed upper and lower margins, and staple holes in the left and right borders, they average Excellent condition.

Patrick Scherberger and Norman Lee Marvel Adventures Spider-Man #15 Story Page 5 Original Art (Marvel, 2006). After receiving a nasty electric shock, Doc Ock's mechanical tentacles develop intelligence and a puppy-like affinity for Spider-Man! It is a wacky story by Zeb Wells titled "How Spider-Man Learned to Stop Worrying and Love the Arms!" This page was created in ink over blue pencil on bright white Marvel Bristol board with an image area of 10.25" x 15.5".

Tony DeZuniga - Conan Illustration Original Art (2008). Conan shows how to get a head in this world. A bit gruesome, but totally Conan, it is a finely rendered and detailed piece in ink and marker over graphite on bright white Bristol board with an image area of 12" x 16.25". Signed and dated by DeZuniga in the lower left side of the image area. In Excellent condition.

Fox Artist Murder Incorporated #2: "Mercy Is Akin to Death" Partial Story Original Art Group of 8 (Fox Feature Syndicate, 1952). The crime-and-horror comics craze was riding high in 1952 -- riding for a crash, in fact, with such censor-bait stories as this harsh example. Fun while it lasted, though, right up to the Comics Code purge of 1954. The story of brotherly hoodlums, though moralistic, is nonetheless sensationalized in terms of violence and intimidation. Nearly complete, the selection is missing only the fifth of nine pages. Ink over graphite on Bristol board. Image area, 12.5" x 18.5". Moderate toning. Excellent condition.

Frank Willard Moon Mullins Daily Comic Strip Original Art Group of 5 (News Syndicate, 1933-34). One of the earliest groups of Moon Mullins dailies that we have ever offered. Moon, Kayo, Uncle Willie, Aunt Mamie, and Lord and Lady Plushbottom star in these five dailies dated 12-14-33; and 1-10, 1-11, 1-16, and 7-6-34 (this one has moderate toning). Produced in ink over graphite on Bristol Board, with an average image area of 19.75" x 6". All strips have edge wear and toning, moderate soiling, and pinholes in the upper margins; otherwise, in Very Good condition.

George Tuska and Mike Esposito Iron Man #32 Story Page 7 Original Art (Marvel, 1970). Iron Man is held captive by aliens in the story "Beware the Mechanoid". The page was created in ink over graphite on Bristol board with an image area of 10" x 15". There are production oil stains, light toning, and the bottom left marginal corner is nicked off. Overall in Very Good condition.

John Byrne Jack Kirby's Fourth World #6 Story Page 15 Darkseid Original Art (DC, 1997). Darkseid himself appears on this page with Orion, Big Barda and Mr. Miracle. Also appearing is Bernadeth of the Female Furies. The page was created in ink over graphite on bright white DC Bristol board. Signed by Byrne on the right side of the 9" x 15" image area. In Excellent condition.

Paul Gulacy and Jimmy Palmiotti Year One: Batman/Ra's al Ghul #2 Story Page 31 Original Art (DC, 2005). This hard-hitting action sequence was created in ink over graphite on bright white DC Bristol board with an image area of 10.5" x 15.75". Signed by Gulacy in the bottom right. In Excellent condition.

Bob Lubbers Robin Malone Daily Comic Strip Original Art Group of 2 (NEA Inc., 1967-68). These strips are dated 12-1-67 and 1-20-68. Each daily has an approximate image area of 15.25" x 4.5". These ink on CrafTint DuoTone board strips were trimmed closely to their top and bottom panel borders; otherwise, the strips average Very Good condition.

Rick Hoberg and Sam Grainger What If? #6 Story Page 30 Original Art (Marvel Comics, 1977). Marvel's riposte to DC Comics' "Imaginary Stories" feature was What If? -- a rethinking of familiar heroic mythology. This page comes from a story that asks, "What if the Fantastic Four Had Different Powers?" Hence Mr. Fantastic as a disembodied brain and the Human Torch as a metallic robot. Dr. Doom, however, is still Dr. Doom, and as mean as ever. Solid headlong momentum, here, in an unusual layout of stacked horizontal panels. Ink over graphite on Bristol board. Image area, 10" x 15". Light toning and moderate edge-smudging. Excellent condition.

Alan Davis and Mark Farmer Uncanny X-Men #456 Story Page 22 Psylocke and X-23 Original Art (Marvel, 2005). X-23 (cloned female version of Wolverine) and Psylocke (sister to Captain Britain, but brain-swapped into the body of an Asian assassin) star on this page from the story "On Ice! World's End Part 2 of 5". The page was created in ink over graphite on bright white Marvel Bristol board with an image area of 10.5" x 15.5". In Excellent condition.

Frank Willard Moon Mullins Daily Comic Strip Original Art Group of 5 (News Syndicate, 1934-35). Moon, Kayo, Uncle Willie, Aunt Mamie, Sadie and Mr. McJitters, and Lord and Emmy Plushbottom star in these five dailies dated 2-1 and 11-22-34; and 2-9, 2-13, and 3-5-35. Produced in ink over graphite on Bristol Board, with an average image area of 19.75" x 6". All strips have edge wear and toning, moderate soiling, and pinholes in the upper margins; otherwise, in Very Good condition.

Jack Patton Probable Peace Terms Daily Editorial Comics Panel Original Art (Dallas Morning News, 1940). Patton had achieved a comics milestone during the 1920s with Texas History Movies, a unique strip that later was collected into a school textbook. That accomplishment has eclipsed Patton's larger career as a general-purpose editorialist -- exemplified by this striking image of a world-menacing Adolf Hitler. Especially notable that the cartoon appeared in print well before the U.S.' formal entry into WWII. Ink over graphite on Bristol board. Image area, 10.25" x 14.5". Light toning and marginal stain-spotting. Excellent condition.

L.B. Cole Classics Illustrated #152: Wild Animals I Have Known Story Page 8 Original Art (Gilberton Publ., 1959). Many fans of pre-Comics Code horror will prize Cole's grisly censor-bait cover art from the post-WWII period. Cole's greater artistry, as a naturalistic illustrator, awaits popular rediscovery. Here is a solid starting point: Cole's adaptation of Ernest Thompson Seton's Wild Animals I Have Known (1898) is as fine a comic as Classics Illustrated ever issued -- loyal to the author, and rich in interpretive artistry. This evocative page comes from the tale of a determined, territorial rabbit known as Raggylug. (Seton is remembered today as a pioneer of the Boy Scouting movement.) Pure perfection, down to the finer detail of the stencil-based lettering. Ink over graphite on Bristol board. Image area, 12" x 18.5". Light toning. Excellent condition.

Denys Cowan and Alfredo Alcala Batman Annual #10 Story Page 35 Original Art (DC Comics, 1986). Hugo Strange has hijacked the Batmobile, so Batman gives chase aboard the Bat-Copter and overwhelms the badman in a flying leap. From a story billed as "The Triumph of Hugo Strange" -- but it looks as though any triumph must belong to Batman, assuming he can survive this page's cliffhanger ending. Brilliant stuff, with Cowan's strong radial composition benefiting tremendously from Alcala's seemingly dimensional inking. Ink over graphite on Bristol board. Image area, 10" x 15". Excellent condition.

Rick Hoberg and Dave Stevens Star Wars Daily Comic Strip Art dated 7-18-80 (L.A. Times Syndicate, 1980). Chewie looks for Han and Luke in the ice canyons of Hoth, and runs afoul of a snow beast who appears in all three panels of this intense daily. Done in ink over graphite on Bristol board with an image area of 14" x 4.5", the strip is in Excellent condition, with production tape in the corners.

Kurt Schaffenberger and Vince Colletta Shazam! #30 Story Page 4 Original Art (DC Comics, 1977). Captain Marvel catches bad guy Sivana in the act of sabotaging a steel mill. From a cauldron there emerges a "man of steel" -- not Superman, but rather a man made of molten steel, with a spoken reference to the mythological Joe Magarac. One of many self-referential such stories that DC produced during the 1970s, as a prelude to a fuller integration of Captain Marvel (a former Fawcett Comics trademark) into the larger DC Universe. Colletta's emphatic inking lends dynamic gravity to Schaffenberger's fluid character construction. Ink over graphite on Bristol board. Image area, 10" x 15". Excellent condition.

Dan Fraga and Lary Stucker Black Panther V2#50 Story Page 10 Original Art (Marvel, 2002). Kasper Cole made his first appearance in this issue. He replaced T'Challa as Black Panther during this portion of the series. He would later adopt another feline nom de guerre... White Tiger. This page was created in ink over graphite on bright white Bristol board with an image area of 9" x 14". In Excellent condition.

Dave Ross and Tim Dzon Avengers West Coast #77 Story Page 21 Iron Man Original Art (Marvel, 1991). A great team shot in the first panel, it features Scarlet Witch, US Agent, Spider-Woman (Julia Carpenter), Hawkeye, Iron Man, and Living Lightning. Most of these tameness ended up on the 1994 series Force Works (minus Living Lighting and Hawkeye). This in turn inspired the 1994 Iron Man cartoon (switching Hawkeye back in, instead of US Agent). This page was created in ink and Zipatone over graphite on Marvel Bristol board with an image area of 10" x 15.25". Signed by Ross in the bottom margin. In Excellent condition.

Al Milgrom and Don Heck Avengers Spotlight #23 Story Page 3 Hawkeye Original Art (Marvel, 1989). Because of a title change just two issues before this one, this page is listed as being for Solo Avengers (the previous title). The story "Tooth & Nail and Hammer and Bullet and Chainsaw--!!" pits Hawkeye against an odd assortment of B-tier and C-tier Marvel villains. On this page, Mad Dog and Bobcat compete for Hawkeye's head. The page was created in ink over graphite on Bristol board with an image area of 10" x 15". Lightly toned and in Excellent condition.

Al McWilliams Twin Earths Daily Comic Strip Original Art dated 4-27-59 (United Feature Syndicate, 1959). Chris Cannon slips on his anti-gravity suit to locate Tina Blake, who is lost at sea. Al McWilliams produced this daily in ink over graphite on Bristol board with an image area of 20" x 5.25". In Excellent condition.

Rick Hoberg Strangers #26 Unused Cover Original Art (Malibu, 1995). Created as the cover for issue #26, the series was unfortunately canceled with issue #24 being the last one published. This image features Teknight, Lady Killer, Grenade, and Electrocute as they battle a team of equally strange bad guys. The image was published of sorts, as a very small image in the back pages of issue #24 as a spot illustration for Rick Hoberg's heartfelt goodbye to the series he loved so much. Created in ink over graphite on Bristol board with an image area of 11" x 16.5". In Excellent condition.

Tom Lyle and Ricardo Villagran Skywolf #1 Page 25 Original Art (Eclipse, 1988). Skywolf and Bald Eagle are featured on this Indiana Jones-esque page from the Airboy spin-off series. Ink over blue pencil on Bristol board with an image area of 10" x 15". In Excellent condition, signed by Lyle in the lower right. From the Ethan Roberts Estate Collection.

Dave Cockrum - Nightcrawler Pin-Up Illustration Original Art (c. 2000s). The X-Men's resident blue furry elf in a great pose that shows that Spider-Man isn't Marvel's only wallcrawler! Cockrum actually created Nightcrawler during his famed run on DC's Legion of Super-Heroes, and Kurt almost started his life there before first turning up in Marvel's Giant-Sized X-Men #1 in 1975. This image was created in ink over blue pencil on 9" x 12" white paper. This has been affixed to a 11" x 17" Bristol board. In Excellent condition. From the Ethan Roberts Estate Collection.

Rick Hoberg and Bill Wray Green Arrow #37 Partial Story Black Canary and Shado Original Art Group of 4 (DC, 1990). Black Canary guest-stars in this episode titled "The Black Arrow Saga, Part Three: Quarry". The Mike Grell story reveals that Shado's son Robert is actually also Oliver Queen's son... though Ollie doesn't know it. Included are pages 2, and 8-10. The two-page spread of 9-10 features Ollie hunting down Eddy Fyers. The two eventually patch up their differences and Fyers becomes mentor to Oliver's other son, Connor Hawke. These pages are created in ink over graphite on 11" x 17" DC Bristol board. Text is stat paste-up. In Excellent condition.

Darick Robertson and Larry Mahlstedt New Warriors #50 Page 29 Original Art Panel Page (Marvel, 1994). Nova hammers the Sphinx on this explosive page. Ink over blue pencil on Marvel Bristol board with an image area of 10.25" x 15.5". Some adhesive residue from a detached word balloon, which is included; otherwise, in Excellent condition. Signed by Mahlstedt in the lower right. From the Ethan Roberts Estate Collection.

Paul Gulacy and Dan Davis The Thing from Another World: Eternal Vows #4 Page 9 Original Art (Dark Horse, 1993). Stunning page from the miniseries sequel to John Carpenter's classic 1982 film (based on a 1938 short story by pulp sci-fi writer-editor John W. Campbell). Ink over graphite on Bristol board with an image spanning the entire 11.25" x 17" sheet. In Excellent condition.

Paul Gulacy and Jimmy Palmiotti Batman: Legends of the Dark Knight #141 Page 3 Original Art (DC, 2001). Batman struggles with the effects of the Scarecrows fear toxin on this page from part five of "Terror". Nice image of Scarecrow in the first panel. Ink over graphite on DC Bristol board with an image area of 10.5" x 16". In Excellent condition, signed by Gulacy in the lower right

John Celardo Rangers Comics #31 Story Page 9 Tiger Man Original Art (Fiction House, 1946). The last page of this story shows by Lt. Robert Benton is known as "Tiger Man"! Created twice-up scale in ink and Zipatone over graphite on Bristol board with an image area of 12.5" x 18". Panel 2 has a paste-up text correction, and there is some whiteout touch-ups throughout. The newspaper articles in Panel 7 are paper paste-ups. On the reverse side of the board is a rough layout drawing of the the Tiger Mobile from Page 1 of this story. A great "extra"! The toned page in is Very Good condition. From the Ethan Roberts Estate Collection.

Rick Hoberg and Stefano Gaudiano Batman: Family #1 Partial Story Pages 11 and 13 Original Art (DC, 2002). In a nice tip of the cowl to the Batman Family series of old, this new series changed the title just slightly. However it still showcased Batman and his supporting cast. Page 11 features Robin doing his homework in the Batcave. There are a few text paste-ups. The pages were created in ink over blue pencil on bright white DC Bristol board with an image area of 9.5" x 14". In Excellent condition.

Marc Campos and Ken Branch Justice League America #90 Splash Page 3 Original Art (DC, 1994). The League Busters dominate this opening splash page, with legacy character Peacemaker front and center. Ink over graphite on DC Bristol board with an image area of 10" x 14". In Excellent condition.

DC Artists Secrets of Haunted House #47 Unpublished Story Page 4 Original Art (DC Comics, 1982). An excellently rendered bat-attack sequence, intended for one of DC's more prominent horror titles. Tough luck that Secrets of Haunted House got canceled with issue #46 before this story could see print. It has been suggested that the art is by Dick Dillin pencils and Romeo Tanghal inks. Image area, 10" x 15", with minor staple holes in the top left corner. Excellent condition. From the Ethan Roberts Estate Collection.

Robert Webb (attributed) and S.M. Iger Studio All True Romance #4 Story Page 8 Original Art (Comic Media, 1952). Although S.M. "Jerry" Iger kept his bullpen talents deliberately anonymous, his art director, Webb, stands out by virtue of a distinctive style of facial design. (Webb was the key influence upon EC Comics' Al Feldstein.) One of Webb's loveliest faces graces this page in an extreme close-up (third panel) -- almost a ringer for Iger's Sheena, Queen of the Jungle, a title that Webb often ghosted. Here is an exquisitely composed page from a soap-operatic series that ran concurrently with Iger/Webb's many pre-censorship horror titles. Ink over graphite on Bristol board. Image area, 12.25" x 18.25". Light toning. Excellent condition.

Rick Hoberg Batman: Family #5 Page 4 Original Art (DC, 2003). Intrigue abounds, and Bruce Wayne is unaware of the enemy in his midst on this page from the eight-part miniseries. Ink over graphite on DC Bristol board with an image area of 9" x 14". In Excellent condition.

Mark Nelson The Shadow Strikes! #5 Pin-up Illustration Original Art (DC, 1990). By 1989, Mark Nelson had already had a run illustrating tales of Clonezone the Hilarator in the back-up stories of Nexus for First Comics, and also had illustrated many different titles for Eclipse comics. He would go on to do work for DC, Marvel, and Dark Horse. His take on Lamont Cranston is solid and as pulpy as it should be. Who knows how well he could have done on a regular pulp title? ...The Shadow does. This image was created in ink on Duotone board with an image area of 10.25" x 15.75". Signed (in his unusual signature) and dated just below the image area. Note that the train says "Nelson" on the engine. This piece is matted out to 15.75" x 21.25" and in Excellent condition.

Hank Ketcham Dennis the Menace Daily Comic Strip Original Art dated 7-7-87 (North America Syndicate, 1987). Ketcham's most lasting creation had grown too popular and widespread for one talent to handle, but Ketcham persisted with drawing the daily Dennis while farming out the Sunday installments and the comic books to assistants. His devotion to the single-panel form shows remarkably well in this fine example -- a gag at the expense of an absent neighbor. Ink on Bristol board, with no evidence of preliminary penciling. Image area, 6.5" x 8". Excellent condition.

Marc Hempel and Mark Wheatley Jonny Quest #10 Pages 14, 16, and 17 Original Art (Comico, 1987). Three pages from the William Messner-Loebs story "Winters of Discontent" that bring Jonny Quest face-to-face with... Richard the III? Elsewhere, Hadji highjacks a horse to hightail it to the Castle to warn of an invasion from across the channel. These pages were created in ink over graphite on Bristol board with an image area of 10" x 15". There are paste-up text corrections, some of which have discolored. Overall the pages are in Excellent condition.

Fred Thomas - Single Panel Gag Comic Strip Original Art Group of 10 (c. 1980-90s). Thomas' fertile imagination shows in these single panel gag strips, each designed to elicit a wry chuckle, and the occasional guffaw. These are ink over graphite on 8.5" x 11" paper. Each is signed and in Excellent condition.

Al Rio and Roland Paris Mystic #30 Page Original Art (CrossGen, 2002). Lead characters Giselle and Genevieve Villard are featured on this page from the science-fantasy title. Ink over blue pencil on Bristol board with an image area of 10.25" x 14.5". In Excellent condition, signed by Paris in the top right corner. From the Ethan Roberts Estate Collection.

Peter Snejbjerg Books of Magic #13 Page 22 Original Art (DC/Vertigo, 1995). Tim Hunter and his friends are defended from fairie queen Titania by her consort, Auberon. Ink over graphite on DC Bristol board with an image area of 10.25" x 15.75". In Excellent condition.

Fran Matera Dolly Tryout Comic Strip Original Art (c. 1980s). Matera, best known for his work on Steve Roper, prepared this vividly designed daily as part of an audition pitch for a strip featuring pop-country entertainer Dolly Parton. (Purely fictional, of course.) This example represents a second week of the proposed feature. Ink over graphite on Bristol board. Image area, 16" x 5". Faint toning and white-paint retouching. Excellent condition.

Scott Williams - Conan Illustration Original Art (2009). Scott Williams is well-known for his inking over Jim Lee pencils on many projects, including the "Hush" story arc that run through Batman. He created this piece by first printing a Neal Adams rendered image on bright white 11" x 17" Bristol board and then inking that. (As such the Neal Adams signature is simply an inked copy.)

John Buscema and Kevin Nowlan Superman: Blood of My Ancestors #1 Page 62 Original Art (DC, 2003). A great view of the Fortress of Solitude's interior is the centerpiece of this page from the one-shot. (Buscema stepped in to finish the artwork after original penciler Gil Kane died before he could finish, and Buscema died shortly after completing it but before it was published; thus, the book contains some of the last artwork of two legendary artists.) Ink and whiteout effects over graphite on Bristol board with an image area of 10.5" x 15.75". In Excellent condition, signed by Nowlan in the lower right.

Harvey Artist Sad Sack #184 Complete 5-Page Story "Indian Fighters" Original Art (Harvey, 1966). The Sad Sack and the Slob are out on their own with no supervision. So naturally they run into trouble. A wacky story, as you would expect, created in ink over graphite on Bristol board with an image area of 10.75" x 16". The logo is a printed paste-up. In Excellent condition.

Paul Pelletier and Rick Magyar War of Kings #1 Story Page 23 Gladiator and Titan Original Art (Marvel, 2009). You would be forgiven if at first glance you though this page featuring Gladiator and Titan of the Shi'ar Imperial Guard was instead a page from the Legion of Super-Heroes featuring Colossal Boy. The Imperial Guard were patterned after the LSH with similar costumes and powers. The page was created in ink over graphite on bright white Marvel Bristol board with an image area of 10.25" x 15.5". In Excellent condition.

Peter Gross Books of Magic #50 Pages 20 and 21 Original Art (DC/Vertigo, 1998). Two pages from "The Box" featuring Leah and an aged Tim Hunter. Ink and whiteout effects over graphite on DC Bristol board with an image area of 10.25" x 15.75". In Excellent condition.

Tim Sale Savage Hulk (nn) Story Page 4 Original Art (Marvel, 1996). This panel page from the story "Dinner" depicts Hulk, wounded and bloodstained, and from the looks of the two terrified onlookers in panel two is on the verge of Hulking out! The high contrast style only exacerbates the tense atmosphere. Created in Ink over graphite on Bristol board with an image area of 10" x 15". Signed by Sale in the lower right corner in the margins. In Excellent Condition.

Gray Morrow Explorers into Infinity Preliminary Cover Design Original Art (Avalon Books, 1965). Master fabulist Morrow assumes here a style more abstract than his usual naturalistic/realistic manner. (The fluid linework resembles that of Harvey Kurtzman, from the same general period.) This miniature went through many changes en route to the published edition of a book by Ray Cummings. The pointed obelisk would remain in the final version, though moved to the background. Signed at lower margin. Ink and Design Marker on vellum, attached to a backing sheet. Image area, 5" x 7.5". Pronounced wrinkling and age-toning, with barked and crimped edges/corners. Good condition.

Rick Hoberg, Dave Simons, and Tim Burgard Strangers #5 Partial Story Original Art Group of 15 (Malibu, 1993). Part of the Malibu Ultraverse family of titles that were created when Malibu made a bid to break into the world of superhero comics, this story by comic legend Steve Englehart was titled "Dynamic Tension!" Included from this 24-page story are Pages: #1, 4-7, 12-14, 16, 18-23. Pages 1, 4, and 5 were inked by Dave Simons, the rest by Tim Burgard. The pages were created in ink and Zipatone over graphite on 11.5" x 17.5" Malibu Bristol board. The story title is a printed paste-up that has been wrinkled. Overall the pages are in Excellent condition.

Eddy Newell Black Lightning #13 Page 12 Original Art (DC, 1996). Jefferson Pierce/Black Lightning rescues a young woman on this page from the hero's second solo series. The character is currently riding the crest of a hit new TV series, making this an even more desirable piece. Ink over graphite on DC Bristol board with an image area of 10.25" x 15.75". In Excellent condition. From the Ethan Roberts Estate Collection.

Russ Heath Battle Action #3 Splash Page Re-Creation Original Art (c. 1990s). Heath had earned prominence the hard way during the 1950s, cranking out innumerable war stories (among other genres) for the proto-Marvel Atlas Comics imprint. His abiding affection for the earlier work shows in a variety of re-creations -- exemplified by this striking replica (with modifications) of a pre-Comics Code page. The original version had seen print in 1953. Ink over graphite on Bristol board. Image area, 10" x 15". Excellent condition.

Ron Lim and Rob Hunter Mystery in Space #7 Story Page 20 Original Art (DC, 2006). A trio of gun-toting aliens are disarmed in novel fashion on this page from the captain Comet story "Ultimatum!". Ink over graphite on DC Bristol board with an image area of 10.5" x 16". In Excellent condition, signed by Hunter in the lower right.

Rick Hoberg and Arne Starr Power Girl #2 and 4 Panel Pages Original Art Group of 9 (DC, 1988). This Post-Crisis relaunch of the character attempted to connect her origin to Arion, Lord of Atlantis (who appears on one page). As such, she battled a hidden mystical foe. From issue #2, we have Page 18. The other eight pages are all from issue #4: Pages 11-12, 14, 16, 18, 20, and 22. The pages were created in ink over blue pencil on DC Bristol board with an image area of 10" x 15". The top margin is irregularly trimmed on the pages. In Excellent condition.

Gary Kwapisz and Ernie Chan Savage Sword of Conan #142 Page 39 Original Art (Marvel, 1987). A group of beleaguered farmers takes down vicious bandits on this Seven Samurai-esque page from "Blind Vengeance". Ink over graphite on Bristol board with an image area of 10.5" x 15". In Excellent condition, signed by Kwapisz in the lower right.

Creig Flessel - Sandman and Wizard of Oz Characters KC ComicCon Illustration Original Art (1993). Created to promote the 1994 KC ComicCon in Kansas City, Kansas (home of Dorothy in The Wizard of Oz). Creig Flessel was a fantastic artist for DC from 1939 through the early 1970s. In the early days of the Golden Age, he provided many covers for Adventure Comics that featured the Golden Age Sandman. This image is whimsical and charming. Created in ink and Conte crayon on 15" x 11" coquille paper in 1993. Signed in the image area. Also included is a colorized print of this image. The original art is in Excellent condition.

Rick Hoberg and Willie Blyberg New Gods V2#16 Partial Story Superman Original Art Group of 5 (DC, 1990). Superman guest-stars in the story "Super Ego!" by Mark Evanier and Rick Hoberg. The art team of 'Berg² (Hoberg and Blyberg) is a great combo to handle the majesty of Jack Kirby's Fourth World legacy. These pages were created in ink and Zipatone over graphite on Bristol board with an image area of 10.5" x 15.75". In Excellent condition.

Dan Hillsman Marvel Comics Presents #148 Story Page 5 Original Art (Marvel, 1994). Black Panther comes to the rescue on this page from "Triumph of the Hunter". Ink over graphite on Bristol board with an image area of 10" x 15". In Excellent condition with areas of mild discoloration. Signed by Hillsman in the lower right.

Rick Hoberg and Al Gordon Surge #1 and 3 Panel Pages Original Art Group of 7 (Eclipse, 1984). Surge, the electrical hot-head from the DNAgents series got his own mini-series. Mark Evanier was the co-creator of the DNAgents and Surge. He wrote this mini-series as well. From issue #1 we have Page 13 (with a full body image of Lancer), and Page 17 (with a great close-up and full body image of Surge). Also included are Issue #3 Pages 1, 4, 11, 16, and 20. Some of the pages have the feel of a solid Gil Kane layout to them. Great stuff, created in ink over graphite on 11.5" x 16.5" Bristol board. In Excellent condition.

Adolfo Buylla Ripley's Believe It or Not #45: "The Bride To Be" Partial Story Original Art Group of 4 (Gold Key/Western, 1974). Exquisitely illustrated tale from the 16th century details a lovely young woman's premonition of death. The grouping includes pages 1-3 and 5 of a six-page story. Ink over graphite on Bristol board. Image area, 10" x 15". Excellent condition.

Terry and Rachel Dodson Dark Avengers/Uncanny X-Men: Exodus #1 Page 19 Original Art (Marvel, 2009). Emma Frost rescues Robert Reynolds from the "White Room" on this page from the conclusion of the "Utopia" storyline. Ink over graphite on Marvel Bristol board with an image area of 10.25" x 15". In Excellent condition, signed by the Dodsons at the top.

Brandon Peterson and John Dell Mystic Familiar Designs Illustration Original Art (CrossGen, 1999). Mystic #1 was one of the first four CrossGen titles to hit the racks (with a cover date of July 2000). These sketches feature a couple of creatures, one of which became the squint that runs into Giselle in the first issue. His name is Skitter. The other looks very similar to the creature chasing Skitter. They are created in ink over graphite on bright white 11" x 17" CrossGen Bristol board. Signed by both artists in the image area and dated 1999. In Excellent condition. From the Ethan Roberts Estate Collection.

Cy Olson - Single-Panel Gags Original Art Group of 20 (c. 1960s). Olson's prolific output varied from the newspaper feature Office Hours to such more sophisticated one-liner panels as the items arrayed here -- turned out for an assortment of magazines. The selection provides a representative core-section of Olson's antic humor. Ink over graphite, with occasional blue shading, on bond paper. Image area, 8.5" x 11". Light toning. One strip has lost its paste-up text correction. Condition ranges from Very Good to Excellent condition.

Rick Geary - Telescope Illustration Original Art (undated). The Heavens are simply pouring out of this wonderfully rendered telescope. The spot illustration was created in ink over graphite on bright white 11" x 8.5" Bristol board, and signed with a "G" in the image area. In Excellent condition.

Ed Dodd Mark Trail Daily Comic Strip Original Art dated 9-14-64 (Hall Syndicate, 1964). Fans of Dodd will be delighted to find the brilliant naturalist/cartoonist caricaturing himself in this romantically conceived sequence. The guy in panels 2-3 is a ringer for Dodd, complete with size-12 schnozzola, except for the brushy haircut in place of the artists's naturally wavy conk. Impeccably well drawn. Mark Trail himself and his St. Bernard, Andy, appear in a long-shot scene at left. Ink over graphite on Bristol board. Image area, 22" x 6". Excellent condition. From the Ethan Roberts Estate Collection.

Cy Olson Office Hours Daily Single-Panel Comic Strip Original Art Group of 20 (King Features Syndicate, 1967). A cartoonist must be spontaneous and fast-moving to keep up with the demands of a daily gag-panel. Olson was prolific enough and funny enough to sustain the pace with Office Hours while reserving enough energy to pursue a secondary career in slick-magazine cartooning. This generous selection of actual-size miniatures affords a representative look at a talent in a league with such acknowledged greats as Bil Keane and Ted Key. Ink over graphite on Bristol board. Image area, 6" x 4". Light toning and scattered adhesive staining. One has water damage; however, they average in Excellent condition.

Herb Trimpe and Yolande Pijcke Amazing Adventure #21 Story Page 16 Original Art (Marvel, 1973). Killraven, in the previous page, finds himself trapped. Warlord expresses his profound amusement of Killraven's possible death. M'shulla, Grok, and Carmilla Frost come to the aid of the suffering hero. Created in ink over graphite on Bristol board with an image area of 10" x 15". Slight staining throughout the page with production tape in the margins. Text paste-up in Panel 3. Signed by Herb Trimpe in the top margin. In Very Good Condition.

Sanjulian (Manuel Perez Clemente) - Conan Illustration Original Art (undated). A masterful Conan piece with intense eyes. Interestingly, Sanjulian produced this piece in the reverse of the usual practice... it was created in blue pencil over graphite (as opposed to the other way around), on bright white 11.75" x 16" Bristol board. Signed in the image area and in Excellent condition.

Gray Morrow - Silver Surfer Illustration Original Art (undated). An expressive and wonderfully stylized image of the Silver Sentinel of the Spaceways, by a master draftsman with a long list of credits. His early work includes uncredited issue of Classics Illustrated for Gilberton. In the 1970s, he co-created El Diablo for DC, and co-created Man-Thing for Marvel. His superhero work is very rare (Captain America #144 being a stunning example), making this piece quite desirable. Crafted in ink over graphite on 9" x 12" paper. It was colored with color markers and taped to an 11" x 16.5" Bristol board. The bottom right corner of the paper is missing, but was likely missing at the time of creation. The markers have diffused into the tape on the edges. Signed in the lower left, partly over the top of the tape (which indicates that Morrow himself may have colored and taped this to the board), and in Excellent condition.

George Evans - Flash Gordon-related Dale Arden Illustration Original Art (1987). A specialty piece produced as an homage to Alex Raymond's infamous "whipping scene" where Queen Azura order Dale Arden whipped. It was created in mixed media on 11" x 12.5" Bristol board, and personalized in the bottom margin. Signed in the image area. In Excellent condition.

Flintstones #27 Near-Complete Story Preliminary Artwork "Double Disappearing Act" Original Art Group of 9 (Gold Key, 1965). This group contains nine of the 10 pages in this story, "Double Disappearing Act", which stars the usual Flintstones family, with Pebbles and Bamm-Bamm. Released in 1965, the TV Series was still in first-run Prime Time at that point! These pages are crafted in graphite on oversized onionskin paper with an image area of 16" x 23" (including the indicia space on Page 1). They have been folded, are toned and slightly brittle, with corner damage and edge rips. In Good condition.

Marsha Rader - Phantom of the Opera Painting Original Art (1971). Lon Chaney are the Phantom of the Opera. This oil on canvas covered board piece measures 16" x 20". Signed in the lower right. This piece was originally in the collection of Forrest J. Ackerman, of Famous Monsters of Filmland fame; there is a label-maker adhesive label on the top right that reads "Gift Marsha Rader". In Very Good/Excellent condition.

Gene Hazelton Yogi Bear Sunday Comic Strip Original Art dated 8-25-68 (Hanna-Barbera/McNaught Syndicate, 1968). Mr. Park Ranger Sir fools Yogi for once! A funny Sunday created in ink over blue pencil on Bristol board with an image area of 25" x 17". The "Hanna-Barbera's" paste-up in the title panel is coming loose. It is Plexiglas front framed out to 36.5" x 29. Signed by Gene Hazelton on the reverse of the frame in 1989. In Excellent condition.

George Tuska and Dan Adkins - Wonder Woman Illustration Original Art (2010). George Tuska penciled the smaller graphite image of the wondrous amazon sometime before 2009. In 2010, Dan Adkins used this art to lightbox the image into a larger inked work. The smaller Tuska piece measures 5.5" x 7.25". The larger piece inked by Adkins measures 11" x 14". Both have a horizontal crease running through the image areas. They are in Very Good condition.

Bart Forbes Fling Magazine Adult Cartoon Illustration Original Art (Miller Publications, c. 1980s). It was a different time... This work was created in opaque watercolor over graphite on 10" x 14" Bristol board. Signed in the image area with an "F". In Excellent condition.

Eddy Barrows - Witchblade Page Original Art (Top Cow/Image, c. 2000s). Of unknown usage, this is one incredibly well-detailed and finely illustrated page featuring some Witchblade butt-kickin'. Created in graphite over blue pencil on Image Comics Bristol board with an image area of 10.5" x 15.5". In Excellent condition. From the Ethan Roberts Estate Collection.

John Romita Sr. Spider-Man Preliminary Original Art (Marvel Comics, c. 1970s). Upon succeeding Steve Ditko as Spider-Man's lead artist, Romita approached the character in a distinctive and crowd-pleasing manner -- different and yet consistent with the established standard. This spontaneous conceptual drawing was designed to carry over the Romita style into a line of spin-off merchandise. Graphite on vellum. Signed in ink. Image area, 5" x 8.5". Light wrinkling and minimal smudging. Very Good condition.

Daniel Clowes (attributed) AND Hand-Drawn Sign Original Art (c. 1990s). A bold, enigmatic symbol, from the author-artist of Ghost World and Ice Haven and other such inquiries into the Human Condition. Designed to resemble a printed page, though of course saturated with original-art pen-and-brush strokes. "AND what?" you ask -- that's for the artist to know and everyone else to figure out. Ink over graphite on Bristol board. Image area, 12" x 10", including close-cropped frame. Excellent condition.

Jack Davis Maine Football-Basketball Symbol Original Art (Hot Shots, c. 1990s). Mighty fierce mascot, here, in this fantastic double-threat piece by superstar artist (and sports fan) Davis. The MAD Magazine veteran had landed a commission to deliver T-shirt art for virtually every major collegiate and professional team. This one is typically rambunctious. Ink over graphite on Bristol board. Image area, 9" x 10". Signed in the image area and in Excellent condition.

Sue Coe Noise in the Home Preliminary Original Art (1977). Avant-garde artist Coe warms up for one of her more ambitious compositions with this detailed conceptual page, rendered in the full dimensions that she would apply to the mixed-media finished product. Graphite on vellum. Image area, 8.5" x 5.5". Marginal production notes. One ragged edge. Marginal smudging. Excellent condition.

Dan Fraga Rhythm City Volume One: Caught Up by Usher Music Video Mini-Movie Storyboards Original Art Group of 60 (Ush Entertainment, 2005). For the release of his EP "Rhythm City, Volume 1 - Caught Up", Usher decided to create a mini-movie. The high-quality feature had slick production values and an engaging plot. Dan Fraga was hired to do the storyboards and they are offered here. There are approximately three images per-page, so that gives you about 175 individual drawings in all! Created in ink on 8.5" x 11" white paper. There is a stain on Page 1; otherwise, they are in Excellent condition.

Dan Fraga One Missed Call Movie Storyboards Original Art Group of 261 (Alcon Entertainment, 2008). Visual Consultant and Storyboard artist for this movie released in 2008, Dan Fraga created these images in 2006. There are usually three images per-page, so that gives you approximately over 780 incredible images total! They were created in marker and ink on 8.5" x 11" white paper. In Excellent condition.

Jack Davis Kansas City Royals Insignia Original Art (Hot Shots, c. 1990). MAD Magazine veteran Davis adds a crown and a cloak to this hurler for a truly royal flair. Part of the artist's long-running series of team symbols for T-shirts and related memorabilia. Ink over graphite on Bristol board with an image area of 8" x 10". Royals logo paste-up on photostat. Slight toning. Excellent condition.

Jackson "Butch" Guice Invincible Iron Man #19 Story Page 9 Hulk Original Art (Marvel, 2007). The Hulk has just arrived back on Earth in his enormous stone space craft, and his giant hologram appears in the streets of New York, which starts World War Hulk. The page was created in ink and ink wash over graphite on Marvel Bristol board with an image area of 9.25" x 14.5". In Excellent condition.

Dick Ayers and Syd Shores Captain Savage and His Leatherneck Raiders #2 Splash Page 1 Original Art (Marvel, 1968). A pivotal title in the development of the overall Marvel Universe continuity: Though never as prominent as the company's superhero books, Capt. Savage nailed recurring narrative elements that would prove crucial to the likes of Captain America and Nick Fury: Agent of SHIELD. This character-study page depicts Capt. Simon Savage on the brink of a desperate mission. The mission involves the origins of HYDRA, a key organization of bad guys. Straightforward, no-nonsense art from two of Marvel's most dependable talents. Ink over graphite on Bristol board. Image area, 10" x 15". Excellent condition. From the Ethan Roberts Estate Collection.

Chris Bachalo Uncanny X-Men #467 Concept Art for Splash Page 10 Rachel Grey/Phoenix Original Art (Marvel, 2006) The original concept/preliminary study prepared by Bachalo for the production of this page. The story "...24 Seconds" is brutal in its scope and execution, as a team of Shi'ar assassins show up at a gathering for Jean Grey's family, to eradicate them all. It all happens in just 24 seconds. This page is from second #10, and features Jean Grey's future daughter Rachel, as she is just about to cut loose on them. An intense page from Chris Bachalo. Ink and ink wash, with white paint highlights, on bright white Marvel Bristol board. The image area measures 9.5" x 15". Signed by Bachalo in the bottom of image area. In Excellent condition.

Dorian Cleavenger Lady Pendragon #7 Cover Painting Original Art (Image, 1999). Cleavenger crams a wealth of soulful artistry into this immense painting -- many times the size of its published version. The supernatural fantasy series is all the richer for Cleavenger's extensive involvement, a vivid fusion of fine-art compositional values with the enthusiastic visual grammar of commercial art. Just beautiful. Acrylics on fibreboard, with full-dimension gallery framing. Bristol board. Image area, 24" x 34". Small diagonal scratches at center. Scattered nicks in frame. Excellent condition.