03 — Episodic time
position
VVAs referring to passing time INSIDE the narrative
imagined
on hearing the test piece

031 — Future time

0311

about to (do), going to (do), not yet, will (do sg.)

0312

about
to happen, about to start, before (sg.), being announced, I'm
expecting, imminent, preparatory, sg. is expected, soon, we know what

0313

consequences (bad), leading to (future), series/events,
time ahead

0314

after long time (future), at future date, later on
(future), sometime (future), turns out (fine), what we'll do, will work
out

032 — Present time

0321

at this moment

0322

just started, last time (before now), sg. ends/starts

0323

after a
while, after which, becomes (scene), changes into, changes mood,
changes to, later on (continuous), switches to, we follow

0324

during something, meanwhile, while (present)

033 — Past time

0331

goal reached, has (just) been, has just, just (done)

0332

after sg., finally, just (after), something has
happened

0333

has and still is

0334

after long (past), after long time, once again (past),
used to (do), what we did

1. General attributive affects

10 — Culturally
ambivalent

Section
10 contains VVAs descriptive of affect that a general consensus in
Northwestern European / North American societies would most likely
determine as neither clearly positive nor clearly negative.

Section
14 contains VVAs descriptive of phenomena rather than affects that a
general consensus in Northwestern European / North American societies
would most likely consider neutral, i.e. neither necessarily positive
nor negative.

at same time, in step with, in time to the music, in
time with, synchronised, together

524

Asynchronous

5241

out ofphase, out of step, out of sync, out of time

53 — Nonspecific
movement, specific direction

Section 53 houses VVAs specifying the direction of objects or beings in relation to a subjective camera
or microphone (POV = Point Of View) in the imagined narrative, without specifying other aspects of the
movement.

Section 54 houses VVAs describing relatively constant and/or recurrent movement round and round, to-and-fro, etc., without
any specification of the overall bodily direction of the object or being in motion.

Section 8 houses VVAs referring directly to qualities of the music heard, or to other musical practices
resembling those of the test piece heard, or to visual and/or verbal or other media phenomena connoted by
the music, or to the envisaged audience of the music and/or of its imagined audiovisual
accompaniment, or to the production origins of the music or of the media phenomenon of which it is imagined part.