There has been some confusion over the circulating tapes labeled 12/17/70 and 12/23/70, which have some contradictory setlists and conflicting venue information. It’s time to clear this up – and in the process, perhaps reveal a new, unsuspected piece of Dead taping history.

We’ll start with a glance at the two Winterland shows in October ’70, as they’ll help solve the curious December ’70 mixups. 10/4/70 you’re probably all familiar with. It’s famous for being broadcast quadraphonically on the KQED and KSAN FM stations (while also being broadcast live on KQED TV) – not only that, but because of the radio broadcast, it became one of the first Dead bootlegs, released in part on the “Mammary Productions” boot in early 1971. The show we have is short for 1970, only about an hour – the Dead probably faced time constraints since they were sharing the stage not only with the New Riders, but also with the Airplane, Hot Tuna, and Quicksilver – and the Dead were just the opening act that night!http://www.archive.org/details/gd70-10-04.fm.glassberg_winters.28363.sbeok.shnf

The 10/5/70 Winterland show does not circulate, but we do have one song from it, Dancing in the Streets, which was released as a bonus on the 2/4/70 Download Series disc. It’s been said that the Dead didn’t know yet during the 10/4 show that Janis Joplin had died (although McNally says they were told before the set) – it’s a very exuberant show. The next day, though, her death must have been on people’s minds, and I think it’s reflected in the Dancing in the Streets. It’s a rather subdued version, and Garcia’s playing is quite pinched and lyrical, almost in a Bird Song vein – as he solos, it’s almost like his own little funeral elegy for Janis.

Now let’s look at the ‘12/17/70’ setlist, which seems innocent at first:

Hard to Handle Candyman Me and My Uncle Cold Rain and Snow Dancing in the Street Uncle John's Band

The file text notes outline the confusion: "Deadlists identifies it as the Matrix, based on Rob Eaton's transcript of the vault reel. However, when Dick Latvala copied the show to cassette, he attached the following label: "Here is something I have, that was labeled 12/17/70 - Winterland." A long-standing confusion between this show and the Owsley benefit held at Winterland on 12/23/70, continues to infect GD tapelists. The first four songs, Hard to Handle through Cold Rain and Snow, were put into general circulation by the Bay Area Tapers Group in the mid-1990s, and continue to be mislabeled as 12/23/70. The last 2 tracks may or may not belong with this!"

When we look over at the oldest ‘12/23/70’ file, we find that it indeed duplicates the first four songs. But the newer 12/23/70 offers these songs:

Deadlists unhelpfully conflates this with the four ‘12/17’ songs. The 12/23 file text notes state: “This is the complete set played on 12/23/70 at Winterland. It does not include the four-song excerpt (Hard to Handle through Cold Rain and Snow) from 12/17/70 that was long thought to be a part of this show. At the end, Phil says: "Good night, folks. Merry Christmas and God bless you!" And Jerry adds: "Thank you for helping us bail out the Bear!"

So we now have the real 12/23/70, at least part of it. The band comments at the end make the date certain. Dick Latvala said the genuine setlist was on Bear’s cassette – which is a strange comment, since Bear was in prison. (In fact, the show was a benefit for him.) So I presume the band thoughtfully made a tapecopy of this show for Bear!

But what about 12/17/70?

The Dead almost certainly did not play a show on 12/17, not at Winterland, and definitely not at the Matrix. It was Crosby/Garcia/Lesh playing at the Matrix that night. Outside of the Hartbeats & other offshoots, the Dead never played at the Matrix after 1966 - it was simply too small a club for them. So right away, we know we have a mislabeled tape. But why would these songs be misdated 12/17 and 12/23 – not only on our circulating tapes, but within the Vault?

Charlie Miller has the answer - "12/17/70 and 12/23/70 are actually a mix of 10/4/70 and 10/5/70. (Btw, I have the real 12/23/70.) What I was told is that 10/4/70 and 10/5/70 were multitracked and the 12/17/70 and 12/23/70 dates were the mixdown dates. The Uncle John's Band put on The Golden Road box set as a bonus track is listed as 12/23/70, but it's actually from 10/4/70 (confirmed by a friend who taped 10/4/70 off the radio and still has his master).”

After some comparisons, it looks like Miller was definitely right in saying that our '12/17' and one of the '12/23' tapes are a mix of 10/4 and 10/5/70. This led to some confusion within the Vault, with the same songs being attributed to different dates. This helps explain why Rob Eaton would have misidentified his ‘12/17/70’ reel, because the wrong date was on his Vault reel label. It didn’t help matters that a ‘12/23/70’ tape in the Vault ALSO contained mixes of the October Winterland shows, especially since the Dead were actually playing at Winterland again on 12/23, in the Bear Benefit.

This show fragment at the Archive is the REAL 12/23/70: http://www.archive.org/details/gd70-12-23.sbd.unknown.31608.sbeok.flacfAt 45 minutes, this is clearly incomplete - we're still missing most of the show. (One Archive witness estimates the show was two hours.) It’s said the show was billed as “Acoustic Grateful Dead”, and they played with Hot Tuna and the New Riders. This strongly implies that this show could have the missing last acoustic set of 1970! (Then again, the Dead might have changed their minds…)

David Lemieux has posted clips from ‘12/23/70’ on the Taper's Section, but they are NOT from this show. http://www.dead.net/features/tapers-section/january-29-february-4-2007The Cold Rain & Snow is from 10-4-70. The Dancing in the Streets is from 10-5-70, as it was correctly dated on the Download Series.And as Miller noted, the (Workingman's Dead bonus) Uncle John's Band labeled 12-23-70 is indeed from 10-4-70. So obviously the Vault has a '12-23-70' tape that's simply a mix of the October shows. (And, just coincidentally, was made on the same day as another Winterland show.)

Now turning to our '12-17-70' tape, we find some interesting duplications: http://www.archive.org/details/gd1970-12-17.sbd.unk.87356.sbeok.flac16Cold Rain & Snow is 10-4-70 again. Uncle John's Band is also 10-4-70. Dancing in the Streets is, you guessed it, 10-5-70 again. (The other three songs - Hard to Handle, Candyman, and Me & My Uncle - must presumably be from 10-5-70, unless they're from another unknown show.)

Now what's interesting to me is that the December compilations of our October songs feature a very different mix. (For instance, compare the Download Series 10/5 Dancing in the Streets with the Taper's Section '12/23' mix.) Obviously the Dead had a multitrack of the October Winterland shows they could remix. (And they still do, as the 10/4 Till the Morning Comes was released as a bonus on the American Beauty CD – with the correct date, and sounding more balanced than our radio mix.) According to deadlists, “David Lemieux confirms that there is no SBD of 10/5/70 in the Vault.” But that information’s ten years old, and clearly at least one song has surfaced in the Vault since then – so there’s hope we may hear more of this show in the future.

But why would the Dead have been mixing these shows two months later, or at any time? And for a band that wasn’t taping themselves at all at the time, why would they bring multitrack equipment to these Winterland shows?Whether or not it was related to the 10/4/70 radio broadcast, the fact that the Dead would professionally tape these shows, and mix them two months later, strongly suggests that this was their first step toward making another live album. (And, not coincidentally, they started reference-taping their own shows again during the same weeks in December these mixes were made in the studio.) But they must have decided to scrap these selections and start over in February. In fact, once they’d decided to multitrack, you’d think the best decision would have been to take the tape equipment to the Port Chester shows in November ’70, for the run of shows there would be far better than the Winterland sets. Unfortunately, that didn’t happen – but the Dead themselves obviously realized the missed opportunity, as they DID take the multitracks to Port Chester for the long run in February ‘71 to start taping their live album. However, after Feb 18, with a bundle of new songs to work out and Mickey Hart fleeing the scene, magic didn’t strike at those shows…but that’s another story…

We were talking about this the other day--I had been mentioning how I'd fig'd this out just by listening to the UJB from the Boxed set, since it has an outstanding bassline by Phil during the closing jam, and they "sign off" in a unique sounding fashion (Bob and Jerry simultaneously), and you had led me to the 10-4 show (which I wanted to find because of the wah-wah SugMag), and it was then I realized the UJB's from the Boxed Set was the same as the one from the Bootleg I'd always loved (the 10-4 bootleg album)...Funny to see it "supported" as in the mixup with the tapes (showing the Dec dates in the vault) as otherwise it just seemed strange that so famous a show (10-4), so widely circulated, wouldn't have been quickly recognized by many more than a dolt such as I, in about 2008...

When I emailed DL about the Festival Express stuff I was looking at a while ago (I'm yet to post my revised "final" setlist) I also asked him about these shows. I have to admit, I hadn't realised the "17th" and "23rd Dec" stuff was the same as the 4th and 5th Oct stuff. What prompted me was how the "17th Dec" tape sound was very similar to the 4th Oct and "23rd Dec" tape sound. Also, I felt the "17th Dec" songs could not possibly be from the Matrix, firstly because I didn't believe the electric GD would be playing the Matrix by December 1970 but also because the tape sounds like it's from a big room with plenty of people. Any Matrix recording would have almost no reverb or room sound and hardly any crowd noise. It looked fishy, as do several of the Matrix shows throughout 1968-70.

You've gone a step further though. Well done. I wonder how many other tapes as misdated in this way. It makes me wonder about the deadest of dead horses, the Quick and the Dead tour tape dates...

You were on the right path - the Dead never played the Matrix as a full band after 1966. It wasn't til I saw Charlie Miller's comment that I could join all the dots together.

I wonder what Lemieux might say about this mixup, as he's one of the perpetrators. My impression of him was that he's very vague on specific tape details, and the info in this post might even be a surprise to him!

You may already have seen this, but Lemieux has mentioned in an interview what survives from the Festival Express tour: "I think six songs by the Dead were filmed. Two were in the movie [Don't Ease Me In & New Speedway]. Two were in the bonus disc [Hard to Handle & Easy Wind], and there were two that didn't make the cut. I did recently hear the audio tapes from Winnipeg and Calgary and they were pretty good. It's basically two full shows, maybe an hour & a quarter each... I know there was a good China>Rider and a good Lovelight [probably the ones he's put on the Taper's Section]. Typical 1970 material: some sloppy stuff, some out of tune stuff, but also some incredibly interesting Pigpen stuff. There's a good Attics of My Life, too."

So that should be helpful for you. Hope he's forthcoming with more details!

I think there's very few tapes left after 1967 that are misdated (save for a few 1970 AUDs). Of course, if there were, we wouldn't know! These particular 12/70 dates just happened to have a flagrant 'smoking gun'...

I've given the 4th another listen...I enjoyed it a lot more this most recent listen but it still doesn't thrill me. There are some fun moments and some very messy moments. Compared to the tracks that seem to be from the next night (Hard To Handle, Candyman, Me And My Uncle, Dancin) it's a lot more energetic though. The band, and Garcia in particular, sounds drained and like they want to be there, which is highly likely since their friend died.

On the other hand, I could just be reading something into the music because of the probable circumstances in which it was played.

I do wonder why there hasn't been a vault release of the 4th. Multi-track from 1970??? It seems like an obvious choice, unless, of course, DL doesn't rate the show either.

Thanks for the Festival Express information. My "setlists" fall a long way short of an hour + each night but it's good to know there's more in there. The music that is available isn't too amazing but it's really intriguing trying to piece it together.

PS. I agree about DL, although sometimes I think he's deliberately vague. He once said in an email to me that he's learned not to express certain views about anything he's not certain about. Seems fairly wise.

I think a lot of DL's job involves being vague, when he's asked particulars about things in the vault... I mean, he could easily give us complete setlists for any uncirculating show we asked for (say, from the Festival Express tour). But I rarely see this kind of hard info from him; especially on the Taper's Section where you might expect it. Then again, he may just be very unorganized!

We don't know any more of the 12/23/70 setlist except for those last few songs. Although I have to say, if that was the end of the show, the rest must have been pretty unremarkable... December '70 overall is not one of those magical months.

I enjoyed 10/4/70 more on my last listen, too. An enthusiastic show, but not one of the best from '70. But you know, that's part of the Dead experience - you can hear something once and it'll seem like a standard same-old runthrough, then hear it another time and it might be all sparkly & fascinating. Now it's impossible for me to hear that 10/5/70 Dancing without thinking of Janis. Probably no connection, maybe Jerry was just tired that night, but you rarely hear him play quite like that. Quite possibly these shows will get released someday (if the Vault folks get their reels straightened out), but I would imagine they're rather low in the queue.