This is where photography started in its early stage. Questions were raised back then about the identity of this new technique: is this just a technical gimmick? Is it a reflection of reality, a serious art form? It took decades for photography to prove itself to be more than just a means of documentation.

When I started taking stereo photos, I found myself facing the same question: is this more than just an ephemeral technical gimmick? Is it really adding depth to the image, in every sense of the word? The amusement park series is an ironic self-reflection on these questions.