This 47th video-analysis of the VIAMAP series is an anniversary video to commemorate the beginning of video-analyses at the CERMAA. It features 3D graphical techniques as well as a short introduction explaining the scale(s) used in the analysis. It is a sequel to the 46th video-analysis –‎ the first in the 3D series –‎ the [more…]

English [French translation below] Research centres and groups CERMAA, ICONEA and IReMus are delighted to inform you that the main theme for number eight of NEMO-Online will be: Music as science or music as art? This question has brought up controversy for centuries. It seems useful to apprehend what is the current position of music [more…]

English [French translation below] NEMO-Online is delighted to propose this new article by Amine Beyhom on notational tools and graphical analyses of melody and rythm. Musical notation has been reputed as disqualified for the analysis of “Foreign” musics since – at least – the experiments of Charles Seeger with the Melograph. It is nevertheless still [more…]

Rosy & Amine Beyhom participated in the 3rd International Musicological and Psaltic Conference on Psaltic Art of the Department of Psaltic Art and Musicology of the Volos Academy for Theological Studies. The Conference took place in the Conference Center of the Holy Metropolis of Demetrias, in Melissiatika, Volos, Greece, between May 30th (official opening in [more…]

Two additional Greek and Arabic versions (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2012 by Joseph Yazbeck. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with other CERMAA animated analyses, the [more…]

Release by CERMAA of two additional Greek and Arabic versions (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2011 by fr. Nicolas Malek. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with [more…]

A new page, dedicated to different versions of the chant Kyrie Ekekraxa by Petros Byzantios has been added to the site of the CERMAA. Kyrie Ekekraxa is a well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul). The chant is in the 8th mode (on Νη=c) of the Byzantine Church (equivalent to [more…]

Release by CERMAA of two additional Greek and Arabic versions (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2011 by an Anonymous Cantor. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with [more…]

This the Greek version (below) of the chant Kyrie Ekekraxa, the well known composition by Petros Byzantios in the 19th-century Constantinople (now Istanbul) performed in 2012 by fr. Makarios Haidamous. The audio recording was first published in Amine Beyhom’s book on Byzantine chant in 2015 (see http://foredofico.org/CERMAA/archives/584). As with other CERMAA animated analyses, the upper [more…]