For Suzy Nakamura, appearing in Philip Kan Gotanda’s “Sisters Matsumoto” really hits home, even though she is a generation removed from the story.

Suzy Nakamura (Rafu Shimpo photo)

Presented by L.A. Theatre Works, the play will be performed without sets or costumes at UCLA’s James Bridges Theater on Friday, Nov. 16, at 8 p.m.; Saturday, Nov. 17, at 3 and 8 p.m.; and Sunday, Nov. 18, at 4 p.m.

With Tim Dang, former artistic director of East West Players, as director, the cast includes Nakamura, Keiko Agena (Lane Kim on “Gilmore Girls”) and June Angela (who recently appeared opposite Danny Glover in Gotanda’s “Yohen” at EWP) as the sisters.

The cast also includes Kurt Kanazawa (who recently guest-starred on “Grey’s Anatomy”), Greg Watanabe (who played Mike Masaoka in the musical “Allegiance”) and Ryun Yu (who played Gordon Hirabayashi in the one-man show “Hold These Truths”).

The story takes place in Stockton in 1945, after Japanese Americans were allowed to leave the camps and return to the West Coast. The sisters take up residence in their old home but are haunted by memories of camp and the death of their father.

“We just finished our second rehearsal … so I feel like I’m just getting to know my character, Chiz,” said Nakamura. “On the surface, she’s the middle child and the tomboy, but I’ve started to realize that each sister represents a different expectation for life after World War II. Grace, the oldest, wants life to be like it was before the war. Chiz considers this a ‘do-over,’ and the youngest, Rose, is open to whatever this new life presents to her.

“Not only does this play resonate with me, it dramatizes hardships that are rarely discussed: life immediately after the Japanese American incarceration and what our families must have felt, feared, and overcome to begin life again.”

Nakamura’s father left Tule Lake in Northern California to attend college in Michigan, while her mother left Minidoka in Idaho to start a new life in New York.

Many of Gotanda’s plays have exposed mainstream audiences to Japanese American and Asian American issues. “Sisters Matsumoto” premiered in 1999 at the Seattle Repertory Theatre and was later performed at San Jose Repertory Theatre, Huntington Theatre Company in Boston, Asian Stories in American Theatre in Washington, D.C., and EWP.

“This is my first Philip Kan Gotanda play, but I’ve always wanted to be a part of one of his productions ever since my mom took me to see ‘Yankee Dawg You Die’ when I was a kid in Chicago,” Nakamura recalled.

That two-character play about older and younger Asian American actors dealt with stereotypes and racism in Hollywood.

Nakamura has worked with Agena before and shared the stage with Watanabe and Yu last year. “It’s great to meet and work with June Angela, Kurt Kanazawa, and Ron Bottitta,” she said.

Recently seen as Ken Jeong’s wife on the sitcom “Dr. Ken,” which ran two seasons on ABC, Nakamura has TV and film credits going back to the late 1990s. She starred in the 1997 feature “Strawberry Fields,” directed by Rea Tajiri, and appeared in such films as “Deep Impact,” “Must Love Dogs,” “The 40-Year-Old Virgin” and “Evan Almighty.”

She recently guest-starred on “The Goldbergs,” “Elementary,” “Black-ish,” “Station 19,”
“9JKL,” “Veep,” “Bob’s Burgers,” and “Bad Teacher,” to name just a few.

“The last few years, in TV especially, have offered much better roles for people of color and character actors in general,” Nakamura observed. “Actors usually seen as supporting characters are now considered as leads. But, we still have a long way to go when it comes to LGBTQ artists and people with disabilities.”

Regarding upcoming projects, she said, “I just finished shooting a new comedy called ‘Tacoma FD.’ It was really fun to shoot, and I can’t wait for people to see it next year on TruTV.”

The James Bridges Theater is located in Melnitz Hall, 235 Charles E. Young Dr. on the northern edge of the UCLA campus, just off Sunset (at Hilgard). Parking in Lot 3.

Actor/activist George Takei, who was incarcerated with his family as a child, will take part in a discussion after the Nov. 17 matinee.

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