I think I read everything about the last album of Inferno also because it looks to me that there are no half-measures for it. In fact, some exalted it to the maximum while others blame Inferno to abandoning their original sound so to play the "fashioned" religious black metal à la Deathspell Omega, as if every band have to play in the same way throughout its musical career without experimenting new and maybe more stimulating solutions. But I say that Inferno, that recently was in South Italy for the Evil Fest, have the absolute right to experiment new solutions because they are a veteran Czech band formed even in 1996 that, guided since their early days by the singer Adramalech and passing through many line-up changes, shows now an interminable discography consisted, for example, of 16 splits, 5 live albums and 7 studio albums, included this "Gnosis Kardias (Of Transcension and Involution)", released by World Terror Committee, a label which love to support the so-called religious black metal of bands like Ascension, Fides Inversa, Acherontas and others. So, let's start this trip through an album full of occult-esoteric mysteries, and all this by a band once known for its feral and pagan black metal completely sung in Czech language.

martedì 25 luglio 2017

Hi men,this is the first interview to a punk/HC band to be published into the ultra-metallic pages of Timpani allo Spiedo 'zine but, along with this record, it is also the second interview in a single month to be appeared here after years.Few bullshits, Timpani allo Spiedo 'zine presents to you the Italians The Nutries through the words of their singer Alex to talk about especially their new album "Nuova Vita" ("New Life" in Italian) and other delirious stuff!

domenica 23 luglio 2017

I have to say that, thanks to my article about "Primordial Malignity" of the Canadians Tomb Mold, I received many review submissions. In fact, bands like Gravewards (GRE), Acedia Mundi (FRA) or these Draghkar contacted me after that review. Today I'll talk you about these ones, that are a very enthusiast duo from California heavily influenced by the same Finnish death metal adored by Tomb Mold. Draghkar is a surprising band because their first demo "World Unraveled", initially self-released in digital way and recorded in January 2017 with the mixing and the mastering made by Derek Orthner of the Canadians Begrime Exemious, before was reprinted on demotape by the Thai label Witchhammer Productions and, then, has drawn attention to the fantastic Blood Harvest Records with the result that Draghkar are now into its roster just as Tomb Mold. In brief, BW and AK, helped during the recordings by the session bassplayer Todd Bilsborough of the one-man black metal band Idomeneo, looks to be very ambitious...and with a good reason because their "World Unraveled" is Amazing!

giovedì 20 luglio 2017

After Barathrum, 2017 marks the return with a new album of another great Finnish band: Goatmoon. Born in 2002, this band is, in practice, the solo-project of BlackGoat Gravedesecrator that was included by the Italians Davide Maspero and Max Ribaric into their "Wolves Among Sheep", the excellent and monumental essay about NSBM released in 2013. Well, Goatmoon have become now a more mature and, in a certain sense, refined entity if compared with their very raw early works, and this 5th album called "Stella Polaris" is examplary of what I say. It was released, as always since the debut album of Goatmoon "Death Before Dishonour", by Werewolf Records, which is, as you know, the label of Werwolf of Satanic Warmaster whose productions were now distributed even by the very known Hells Headbangers Records.

martedì 18 luglio 2017

Now you could say that Hells Headbangers is specialized at releasing reunion's albums of bands that, in some cases, had no chances to realize their long-held debut album during their ole good days. And I have to say that these reunions supported by Hells Headbangers gave often to life true masterpieces like the debut "Sights of Suffering" (2014) of the Chileans Atomic Aggressor or the deadly "Emanations from the Crypt" (2016) of the US Embalmer but I cannot say the same thing about, for example, the comeback "Heaven Bled" (2016) of the Aussie thrash metal cult Hobbs' Angel of Death, that I found too black metal to be an album of theirs. And you think that "Descent Into Hell", the long-desired debut album of Death Yell, a band of pure cult like few others, will be released next month. But, instead, today we are talking about Blood Feast, a sanguinary quintet born in 1985 as Blood Lust that released two seminal albums between 1987 and 1989, especially the ultra-wild debut "Kill for Pleasure". Now, I think that you know all but Blood Feast were reunited in 2007 with two original members as the drummer Kevin Kuzma (but he is out from the band since 2014) and the guitarist Adam Tranquilli, the main songwriter of Blood Feast since their very early days. So, it is with an incredible old-school spirit that he composed "The Future State of Wicked", that looks completely to be a thrash album from the '80s also because its cover artwork see the return of that abominable and screaming blue creature that belongs to the aesthetics of the band since "Kill for Pleasure".

After Ritualization, here you are another band coming from the dark and morbid side of Paris: Necroblood. They are one of those bands able to be into the ranks for over a long period before realizing their long-held debut album, and this because Necroblood were born even in 2006 as Evynkar but they have their current moniker only since 2010. From that moment, Necroblood released with a good periodicity a series of minor productions included the 2012 "The Rite of Evil" compilation and a split in 2015 titled "Jesus Fucking Wept vol. 1" along with war machines like the Danes Ogdru Jahad, the Canadians Necroholocaust, the US Weregoat and the Aussie Impure Worship, a firing squad perfect for every diehard fan of the bestial black/death metal like me. So, it is with great pleasure I review the long anticipated first album of Necroblood "Collapse of the Human Race", released on CD by the German Amor Fati Productions and on vinyl by Iron Bonehead. Let the collapse begin!

martedì 11 luglio 2017

It took even 12 long years to hear a new album of Barathrum, a band that, guided since its early days in 1990 (when they were called initially Darkfeast) by the multi-instrumentalist singer Demonos Sova, was known in the underground for its incredible prolificity. In fact, you have to think that Barathrum were able to realize 8 full-lenght albums between 1995 and 2005, and they were already noted as one of the main black metal bands from Finland but also as one of the most particular entities of the entire black metal scene because, for example, of their curious line-up composed of 6 elements (but they were even in 7 for their 2000 "Okkult"!), included two bassplayers as the Greek band Necromantia. Hence, it's strange that Barathrum released nothing new between 2010 and 2017 (in fact, the 2014 "Warmetal" EP was recorded in 1993!), so some thought that the band ceased to exist. Fortunately, nothing could be further from the truth also because the new album "Fanatiko" was preceded two months before its release by the "Hellspawn" single, and so here we are to talk about the resurrected Barathrum, now supported by Saturnal Records, a Finnish label completely specialized in the Finnish black metal.

sabato 8 luglio 2017

Hey dudes,Timpani allo Spiedo presents you a very nice interview to the Serbian thrashcore bulldozer Nadimaĉ through the words of their singer Danilo "Dača" Trbojević. You have to expect an incredibly passionate interview full of serious thoughts, socio-political themes about Serbia and...no, stop with the introductions and read it from start to finish!

giovedì 6 luglio 2017

Band: Morbid MessiahTitle: In the Name of True Death MetalGenre: Death MetalYear: 6th October 2016 (Self-release); 16th April 2017 (Godz ov War Prod)Time: 21 minRating: 75/100

"In the Name of True Death Metal": this is a fuckin' great title! Especially because this debut EP of Morbid Messiah, self-released in 2016 but reprinted on demotape by the Polish label Godz ov War Prod, is truly fuckin' amazing! But we are talking about a very young band because born in 2015 and that, at the time of the recordings of this EP and in according to Metal-Archives, was a trio composed by the singer José Rivas, the guitarist Roberto Trejo and the female drummer Anubis Sandoval, 3 hyper-angry Mexicans influenced mainly by bands like Sadistic Intent, Possessed and Maim and that are now a quartet thanks to the addition of the bassplayer Guillermo Lopez. But now we have to see what is the "True Death Metal" made by Morbid Messiah!

lunedì 3 luglio 2017

The story of Rebel Souls is very tormented. In fact, they were born in 2000 by the will of two 17-years old diehard metalheads from Turingia (Germany) named Thomas Pliewna and Stefan Hielscher, and their intensions were to play an impetuous and brutal death metal in the wake of bands like Vader, Vomitory and Krisiun. But these intentions were realized only in some demos because Rebel Souls ceased to exist very soon in 2003, also because one of the two guys moved to Spain, so it became impossible to continue together their project. Surprisingly, Thomas and Stefan, after their experience into the death metal band Dead Entities' Realm with which they released an album in 2009, raised Rebel Souls in 2014 while, two years ago, they started to record the songs for their long-held debut album that was preceded in December 2016 by the "Descent" single, released by the Spanish label Art Gates Records. And incredibly, do you know who recorded the drum parts of "The Forces of Darkness"? But by James Stewart, the current English drummer of Vader! So, Thomas and Stefan realized finally those intentions and dreams born in the now far 2000, and this is to show you that the perseverance must have its rewards.

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