The doors of Santa Sabina in Rome are conventionally said to have been carved in the early 5th century.

The scenes carved on it are mostly drawn from the Old Testament and the Gospel story.

The carved scenes are bordered by grape vines, a symbol for entheogenic wine mixture and for the vine-shaped deterministic world line.

Here’s Elijah pulled up to heaven on the chariot, pulled or guided by an angel (themes of ascent, being pulled up, steersmanship). Note the mushroom tree:

Here’s the abduction of Habbekuk. He’s carrying loaves of bread/entheogens. This myth is typologically similar to the abduction of Ganymede by Zeus’ eagle. Ganymede is typically portrayed wearing the same sort of cap as Habbekuk is here. He was abducted while tending his flocks. Note the freewillist goat eating the wavy stalk topped by a mushroom head on the right.

Here’s Jesus with a wand (the magician) multiplying and creating the entheogens (bread, fish, wine), and restoring sight to the blind (experiential enlightenment, switch of mental world model):

From bottom to top: Moses confronts Pharaoh (king ego) with heimarmene snakes (fixedness of thoughts and actions); The horses (ego) drawing the chariot (control themes) are overwhelmed by the undulating waters (perceptual distortion in loose cognition); the people are led to the promised land and greeted by an angel (messenger of transcendent rationality).

Conventional scholarship says this is the earliest surviving depiction of Christ’s crucifixion: