I know little to nothing about Barn Owl except that I like their name.
This 3" CD-R EP is the first I've ever heard of them. This is some crazy,
disjointed stuff. It's noisy and abrasive. Loaded down with heavy percussive
blasts, Barn Owl is also heavy on bass splurging. In between all the record,
there's all sorts of spazzed bass noodling. It's like autistic music or
something. But it's also fantastic. There's all sorts of cut-up and manipulated
electronic and synthesized sounds mixed in with the drums and bass. It's
disorienting at times, like being totally smashed and hanging your head
over the toilet waiting to puke. In fact, I wouldn't advise listening to
this when you're drunk b/c it'll make the room spin. All of these tracks
work in conjunction to give you one fucked-up listening experience that
flows together. I still don't know dick about Barn Owl, but I get the feeling
they're a great live band and are someone I wanna hear more of. Oh, and
it comes in an a-typically normal sleeve (something I don't ever expect
from Imvated).- Brad Rose

Like a lot of rock bands, the local band Barn Owl, rely on the
classic bass-guitar-drum set-up. And like a lot of rock bands, Barn Owl
lend the impression that, in fact, they know not at all what it is they're
doing. The difference -- ergo, the Barn Owl difference -- is that a) Barn
Owl are not a rock band and, b) Barn Owl seem to want people to question
their competence.

A Barn Owl performance is bound to raise some questions. Like, for instance,
why does Barn Owl's approach to instrumentation resemble that of cavemen
encountering highly advanced alien technology? Why is that electric bassist
playing his instrument like an upright bass? Why is that drummer throwing
objects against his kit? And, like, what's up with that guitarist sticking
that thing -- that drum stick, that old spring, that broken bike lock --where
it really doesn't seem to belong?

Barn Owl are a "noise" band, and beyond the dramatics of performance,
its three members are interested in the texture, volume, weirdness and
all-around coolness of sound. Fortunately, many cool sounds happen to look
cool in performance: a cello bow slid along an electric bass, a tuning
fork wedged beneath the strings of an electric guitar, an old computer
case slammed against a drum cymbal. Adding to the confusion, there are,
according to Weston, "somewhere between three and several dozen" effects
pedals onstage during any given performance.

Feeling peckish for chaos? This Saturday, as part of the ongoing Soft
Sounds Music Series, Barn Owl offers a quieter-than-normal set at Capo's
Coffee Café. At 3-4 minutes short, Barn Owl songs tend to be more
user-friendly than the kinds of "improvised compositions" tossed together
by your average noise outfit. This way, says Weston, the band "doesn't
get tired, and theoretically the audience doesn't get bored."