Although New York City streets over the past few years have been the safest in decades, traffic accidents and pedestrian fatalities have recently started to tick back up. Now, city officials are looking to "Vision Zero," an initiative based on a model from Sweden. The plan hinges on expanded enforcement, new street designs and legislation to increase penalties for dangerous drivers. NewsHour's Hari Sreenivasan reports. Read more: A long way from zero': NYC takes on traffic fatalities | PBS NewsHour

Thursday, November 27, 2014

Over the last decade – after 60-plus years of steady increases – the number of miles driven by the average American has been falling. Young Americans have experienced the greatest changes: driving less; taking transit, biking and walking more; and seeking out places to live in cities and walkable communities where driving is an option, not a necessity.

Academic research, survey results and government data point to a multitude of factors at play in the recent decline in driving among young people: socioeconomic shifts, changes in consumer preferences, technological changes, efforts by state governments and colleges to limit youth driving, and more.

Monday, November 17, 2014

Most of us agree that development that provides employment and tax revenue is good for cities. Some even argue that the need for jobs outweighs aesthetic, lifestyle, or climate concerns—in fact, this argument comes up any time Walmart proposes a new megastore near a small town. But a clear-eyed look at the spatial economics of land, jobs, and tax regimes should cause anyone to reject the anything-and-anywhere-goes development model. To explain, let me offer the story of an obsessive number cruncher who found his own urban laboratory quite by chance. Read more: Wal-Mart: An economic cancer on our cities - Salon.com

Wednesday, November 12, 2014

NYC DOT and the MTA have developed three design concepts for Select Bus Service on Woodhaven Boulevard and Cross Bay Boulevard in southeast Queens, and two of them go further than previous SBS routes to keep cars from slowing down buses [PDF]. All of the options include some measures to shorten crossing distances for pedestrians on one of the city’s widest and most dangerous streets. Read more: First Look: Woodhaven BRT Could Set New Standard for NYC Busways

Monday, November 10, 2014

PPS’s Communications and Outreach Manager Katrina Johnston-Zimmerman was fortunate recently to visit Ireland on a brief but informative tourist trip. Taking a moment out of the scheduled hustle, she took the opportunity to record some of the public spaces of Dublin and Galway – while searching for an elusive public seat.

Sunday, November 2, 2014

Fascinating Jack Webster interview with Arthur Erickson in 1983, discussing the development of B.C. Place (when it was a proposed megaproject to be developed by the Province) for which he was the consulting architect. Renderings start at 9.45. (A very-80s Dave Podmore, head of planning for B.C. Place, shows up – that’s him pictured.) Full post at: Arthur Erickson on False Creek development – 1983 | Price Tags

Saturday, November 1, 2014

The bias in our national philosophy towards high speed mobility has long been a topic that PPS has advocated against. In addition to stifling Placemaking, forcing people into cars has contributed to a host of growing national problems. Most compelling of those problems is the incredible pedestrian carnage. Yet until recently public outcry was minimal and government investment in transportation paid only lip service to annual fatalities that amount to the equivalent of one major airplane crash each month. Read more: Project for Public Spaces | How to Restore Walking as a Way of Life

Triumph of the City — How Our Greatest Invention Makes Us Richer, Smarter, Greener, Healthier and Happier / Edward Glaeser

Urban Nation: Why We Need to Give Power Back to the Cities to Make Canada Strong / Alan Broadbent

Urban Planning For Dummies / Jordan Yin

Walkable City — How Downtown Can Save America One Step at a Time / Jeff Speck

Walking Home — The Life and Lessons of a City Builder / Ken Greenberg

Why Your World is About to Get a Whole Lot Smaller — Oil and the End of Globalization / Jeff Rubin

Wrestling with Moses : How Jane Jacobs Took on New York's Master Builder and Transformed the American City / Anthony Flint

[The motorcar] exploded each city into a dozen suburbs, and then extended many of the forms of urban life along the highway till the open road seemed to become non-stop cities... Streets, and even sidewalks, became too intense a scene for the casual interplay of growing up. As the city filled with mobile strangers, even next-door neighbours became strangers. This is the story of the motorcar, and it has not much longer to run.

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[An abridged excerpt from The Death and Life of Great American Cities by Jane Jacobs]

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any one place is always replete with improvisations.

The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out the garbage can, surely a prosaic occupation, but I enjoy my part, my little clang, as the droves of junior high school students walk by the center of the stage dropping candy wrappers. (How do they eat so much candy so early in the morning?)…

The heart-of-the-day ballet I seldom see, because part of the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks.

Mr. Lacey, the locksmith, shuts up his shop for a while and goes to exchange the time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters the luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts a compliment on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming.

As darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes on under lights, eddying back and forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza dispensary, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop.

Deep in the night, I am almost unaware of how many people are on the street unless something calls them together, like the bagpipe. Who the piper was and why he favored our street I have no idea. The bagpipe just skirled out in the February night, and as if it were a signal the random, dwindled movements of the sidewalk took on direction.

When he finished and vanished, the dancers and watchers applauded, and applause came from the galleries, too, half a dozen of the hundred windows on Hudson Street. Then the windows closed, and the little crowd dissolved into the random movements of the night street.

I have made the daily ballet of Hudson Street sound more frenetic than it is, because writing telescopes it. In real life, it is not that way. In real life, to be sure, something is always going on, the ballet is never at a halt, but the general effect is peaceful and the general tenor even leisurely. People who know well such animated city streets will know how it is. I am afraid people who do not will always have it a little wrong in their heads — like the old prints of rhinoceroses from travelers' descriptions of rhinoceroses.