Capping off my exciting week at the Mpls-St Paul International Film Festival (because Tornatore’s film was sold out) was quite an enjoyable little film out of Israel entitled Jellyfish by a husband and wife directing team who obviously have not been tainted with the Hollywood style of drama (big, loud and unrealistic). Instead, they’ve put together a quiet, reflecting pool of a film that can touch everyone on a personal and relatable level.

Sort of in the same vein as Babel or Crash, several lives tangentially cross paths, each with their own problems and worries. But unlike more mainstream fare like Babel or Crash, Jellyfish is devoid of all the melodrama and exaggerated life experiences. Jellyfish has much more realistic expectations of its characters in terms of the types of problems real people have and the ways in which they deal with them; through dialogue, acting out or emotional expression.

The film is very female centric. Each of the main characters are females (which is a good thing) and each have real life problems that although are heartbreaking, are also touching and even humorous at times. One young woman stumbles across a nearly mute little girl; wet and almost naked as she emerges from the ocean. Forced to take care of her for the weekend, it changes the woman’s life and her relationships forever. A migrant worker from the Philippines is tossed from caretaker job to caretaker job for various elderly folk while her only ambition is to get back home in time for her son’s birthday party and with enough money to buy him a decent present. Meanwhile, a young couple is forced to spend their honeymoon in a cheap motel instead of going to the Bahamas because the bride has broken her ankle on their wedding night. Together, they see their entire future unfold before them and their relationship is strengthened by an unlikely fellow tenant at the hotel.

Recent Comments

Kurt Halfyard: Indeed. It came up due to this wonderful video essay on Heaven’s Gate and The Lone Ranger: https://vimeo.com/120401922 However, I’ve watched Heaven’s Gate multiple times well before this. I even wrote about it in 2004 —...

Jonathan: I always get Millennium Films and Millenium Entertainment mixed up… but both distribute complete trash with some impressive star power. I’m sure these films are relatively high paychecks with short filming commitments and minimal press. Can’t blame...

Jonathan Hardesty: Well, and comparing those films and directors in the context of the new Godzilla film is more interesting than just doling out a star rating and saying that Godzilla was either “good” or “bad.” Or at least I find that discussion more...

Arnold Schizopolis: While watching a film, I often find myself trying to figure out the filmmaker’s vision (themes, concepts and/or thesis) and by the end, wonder if he or she was successful. That’s more challenging for me than whether the film met my expectations....

Jonathan: Yeah, Harrison’s career since ’97 has been astonishing in how much it contrasts with the rest of his career. In the 14 movies he’s starred in since Air Force One, every movie has been god-awful–except 42, which I appreciate for the moderately...

Andrew James: So I like Blade Runner quite a bit – though I seem to be in a minority of people that don’t absolutely adore it. Next Incendies blew me away while Prisoners did very little for me and Enemy was arguably the worst movie of the year. So Villeneuve (for...

Jonathan: In ’95, a Blade Runner sequel came out as a novel – Blade Runner 2: The Edge of Human. I bought it for fifty cents with its cover ripped off at a five ‘n dime. I liked it then, although I was also ten years old–and Deckard was not a replicant...

Rick Vance: It adds to the bleak and overbearing nature of the world and the motives and behaviors of the police office if people who are ‘Blade Runner’ hunt without that knowledge (It also isn’t a question so I am glad we all dodged that bullet). (I agree...

kurt: One Last thing: http://badassdigest.com/2015/0 2/27/do-androids-dream-of-blad e-runner-making-sense “In turning dick’s novel into a film (if paul sammon’s book “future noir” is to be believed) hampton fancher wrote a line in a draft either very late in...

Andrew James: What Kurt said. I don’t take so much “stock” out of it as it just happens to have a lot of classic blind spots for me. Out of the 250, there were about 42 that I hadn’t seen which is just about exactly how many Cinecasts we do per year so...

Kurt Halfyard: He talked about it on the show, it’s as good a populist list as any, and easy to find. A mixture of arthouse (La Strada, Fanny And Alexander, L’Avventura) and populist (Shawshank Redemption, Godfather, American Beauty) as well as old (Gold Rush, Rear...

Rick Vance: I am surprised Andrew has so much stock in the imdb top 250.

Matt Gamble: I don’t think I called it exciting outside of a direct comparison to the fucking Oscars, but I still do find it fun. NXT is a waaaaay better product than Raw or Smackdown , and I watch Ring of Honor on occasion (going to a house show later this month). I...

Craig: I can’t believe Matt thinks WWE is still exciting, I still watch it out a weird sense of obligation more than anything else. He should get on Independent companies like Pro Wrestling Guerilla where his mind would be blown. https://www.youtube.com/wat...

Sean Kelly: I couldn’t disagree more with Andrew on WYRMWOOD, which I had quite a lot of fun watching at Toronto After Dark (it’s definitely a film that must be seen theatrically with a crowd). In my opinion, it’s not “just another zombie movie”...

Dean Speir: I clearly like Miller’s Crossing a great deal more than you do (and am in vociferous disagreement with your affection for that faker Brian DePalma!), and I think one of the problems is that you’re unfamiliar with the novels of Dashiell Hammett,...

Jandy Hardesty: I have the whole Keaton Blu-ray set from Kino. I’ve watched like three shorts from it, and that’s it. I was planning to mainline it when Karina was born, but guess what – silent films do not work well when you’re sleep-deprived, not even...

Bob Turnbull: I thought there were some funny bits to the underwater sequence – fencing with a swordfish (using another swordfish), the men at work sign, the rinsing of a pot with water while underwater, etc. Not uproarious stuff (and, to be honest, not up to the level I...

Jandy Hardesty: I watched The Navigator for my Blind Spot series a couple of years ago – I liked the meet cute sequences between Keaton and the girl the best (the fumbling around the kitchen, and then the incredible devices they rigged up eventually). The underwater...

Andrew James: J.K. Simmons was pretty much declared the winner of best supporting actor since the movie was released. It’s been a lock since day one; everyone knew it. Moore has always been a pretty safe bet as well.

Matt Gamble: Yeah, but I’ve had years to cultivate this idiotic persona.

Matt Gamble: You’re entering into a world of pain, Andrew. Until you have some actual relevant data to measure it is pointless to declare who or what the Oscar favorite is. You know, stats and such. Calling out an Oscar favorite before anyone has placed a single vote is...