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When Laini Sullivan lands a job designing Nick Pantalone's coffee shop, there are two problems: one, Nick's nephew Joe hates all of her ideas and two, Laini has to admit he's right--she's a disaster at design. Still, she can't risk losing the job. To compromise, Joe brings in help on the project, while Laini continues to bake the goodies that keep his customers lining up. Their relationship is moving along, so when new guy Officer Mark Hall implies that Joe's family is tied to the mob, Laini doesn't want to believe it. But things spin out of control when she meets the family, including "the uncles," who seem to confirm Mark's suspicions. To make things worse, Nana Pantalone makes it clear Laini isn't the kind of girl she has in mind for her grandson. Laini's not sure if she should give Joe the benefit of the doubt or just set her sites on Mark and fuhgetaboutit

When Laini Sullivan lands a job designing Nick Pantalone's coffee shop, there are two problems: one, Nick's nephew Joe hates all of her ideas and two, Laini has to admit he's right--she's a disaster at design. Still, she can't risk losing the job. To compromise, Joe brings in help on the project, while Laini continues to bake the goodies that keep his customers lining up. Their relationship is moving along, so when new guy Officer Mark Hall implies that Joe's family is tied to the mob, Laini doesn't want to believe it. But things spin out of control when she meets the family, including "the uncles," who seem to confirm Mark's suspicions. To make things worse, Nana Pantalone makes it clear Laini isn't the kind of girl she has in mind for her grandson. Laini's not sure if she should give Joe the benefit of the doubt or just set her sites on Mark and fuhgetaboutit

Warned by her police officer boyfriend that the family of a coffee house owner is tied to the mafia, baker Laini Sullivan nevertheless takes a job to design a new shop for them, a situation that is further complicated by her lack of skills and her budding relationship with her employer's nephew