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Quick: Name an American artefact that’s had a common impact, is added accepted than ever, yet still looks the aforementioned as it did back it was alien added than a half-century ago? Here’s a hint: It ability be the alone agreeable apparatus whose acclaim rivals that of the bodies who’ve played it.

The Fender Stratocaster angry 60 aftermost year. Back it came out of the branch in 1954, it didn’t complete — or attending — like any added guitar. Leo Fender’s baby aggregation was attractive to advance the Telecaster, its groundbreaking solid-body electric, aboriginal alien three years earlier. But far added than a abuse actuality or there, Fender created an absolutely new apparatus that’s become about alike with the byword “electric guitar.”

“If you were gonna draw an electric guitar from your mind’s eye, best bodies would draw a Stratocaster as the shape,” says Justin Norvell, Fender’s Vice President of Marketing. “But the affair that connects bodies to that guitar and that appearance is the music they grew up on.”

The Stratocaster had a characteristic articulation acknowledgment in allotment to its three pickups, the wire-coiled magnets that address cord accordance to the amplifier. Best electric guitars at that time had one or two. Fender additionally advised a new vibrato — the metal arm at the end of the strings that allows amateur to alter their pitch.

With those appearance and that supersonic, solid anatomy shape, you’d anticipate the guitar would accept aureate out of music stores. But Richard Smith, an columnist and the babysitter of the Fender Collection at the Fullerton Museum Center in California, says it wasn’t an accessible sell.

“It was so radically altered in so abounding ways,” Smith says. “It’s important to agenda that it wasn’t absolutely that accepted initially.”

Stratocasters hit food in Spring 1954, but the aboriginal didn’t advertise until that summer. Leo Fender himself had accustomed aboriginal models to country-western beat guitarists for their input. But article new was brewing beyond the country back the Stratocaster was introduced.

The Strat wasn’t aloof for bedrock or country players, though. “We can’t understate, I don’t think, the versatility of an apparatus that was adopted by the guitar players with both Lawrence Welk and Pink Floyd,” says biographer Tom Wheeler.

Wheeler is the columnist of The Fender Archives and several added books about the aggregation and its products, and says the guitar bent on all over the agreeable map. One of keys to the Stratocaster’s success was the way Fender advertised it.

“In added companies’ catalogs you would see able players, cutting a business clothing and wingtip shoes or whatever, sitting on a stool in a studio, arena an big-ticket guitar,” Wheeler says. Open a Fender archive from the ’60s, though, and you’d see “girls in bikinis and guys in lath shorts, with surfboards in the background, sitting about a campfire.”

Fender doesn’t absolutely apperceive how abounding Strats accept been produced back that aboriginal one awash in the summer of 1954, but the aggregation does say the Stratocaster is the foundation of its business. Through six decades of musical, abstruse and cultural change, an avant-garde architecture in the easily of accomplished players has helped the Strat not alone persevere, but rule. Anticipate of the names: Eric Clapton, Jeff Beck, Stevie Ray Vaughan, and, of course, Jimi Hendrix.

“That’s aloof apparently the greatest 22 minutes, or whatever the hell that is, of Strat in history,” says Nils Lofgren, talking about ancillary 4 of the Hendrix anthology Electric Ladyland. Lofgren himself switched to a Strat aboriginal in his career. Today, he’s Bruce Springsteen’s longtime guitar amateur and a affiliate of the Bedrock and Cycle Hall of Fame.

“You know, there’s aloof so abounding abundant guitars,” Lofgren says. “But for me, iconically and aloof practically, if somebody gave me one best I’d aces up the Strat to airing out in advanced of any audience.”

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