The Bakerton Group is the side project of the rock outfit Clutch. The band is comprised of four of the five members. Taking a sidestep from the token Clutch sound, The Bakerton Group is completely instrumental and pushes into foreign territory with a more southern, psychedelic improvisational feel.

The Bakerton Group is the side project of the rock outfit Clutch. The band is comprised of four of the five members. Taking a sidestep from the token Clutch sound, The Bakerton Group is completely instrumental and pushes into foreign territory with a more southern, psychedelic improvisational feel.

The Bakerton Group is the side project of the rock outfit Clutch. The band is comprised of four of the five members. Taking a sidestep from the token Clutch sound, The Bakerton Group is completely instrumental and pushes into foreign territory with a more southern, psychedelic improvisational feel.

The weed metal titans return with Dungeon Vultures, an EP with heavy doses of riffs and drags that slowly and steadily takes the band to new heights. Sure, there's the fuzzy haze that creeps at every corner and dries your gums, but the patient and deliberate slow-motion nightmare is just another step in Belzebong's continually evolving catalog of expanded realities and hidden layers. Dungeon Vultures leaves out the stems and seeds for an engaging haunt. The true midnight tokers here plug more at rebirth than rediscovery, carrying forward only what's absolutely necessary: the sludge riff. Beyond that, Belzebong plant themselves as unrivaled in the unraveled. Ravaged and triumphant for all its brevity this EP is a perfect demotivator.

Let's not beat around the bush: if you are the type of human being that likes bands with the word "bong" in their name (I assume that's everyone), it would literally be impossible for you not to enjoy Sonic Scapes & Weedy Grooves. Like their forefathers in Sleep, Electric Wizard, Bongzilla, and Weedeater, Poland's Belzebong summon fuzzy down-tuned instrumental stoner metal with a throbbing groove and a guitar tone that is the audial equivalent of THC. No joke, the production work here is spectacular - I haven't heard tones this heavy since Kowloon Walled City blew us all off the richter scale a couple years ago. It's fucking huge. Toss in a bit of feedback, a peppering of psychedelic riffery, and a couple of cult movie samples to break up the lack of vocals, and you have one of the best new weed-addled bands on the scene. I bet you can smell their practice room from a mile away.

Let's not beat around the bush: if you are the type of human being that likes bands with the word "bong" in their name (I assume that's everyone), it would literally be impossible for you not to enjoy Sonic Scapes & Weedy Grooves. Like their forefathers in Sleep, Electric Wizard, Bongzilla, and Weedeater, Poland's Belzebong summon fuzzy down-tuned instrumental stoner metal with a throbbing groove and a guitar tone that is the audial equivalent of THC. No joke, the production work here is spectacular - I haven't heard tones this heavy since Kowloon Walled City blew us all off the richter scale a couple years ago. It's fucking huge. Toss in a bit of feedback, a peppering of psychedelic riffery, and a couple of cult movie samples to break up the lack of vocals, and you have one of the best new weed-addled bands on the scene. I bet you can smell their practice room from a mile away.

Let's not beat around the bush: if you are the type of human being that likes bands with the word "bong" in their name (I assume that's everyone), it would literally be impossible for you not to enjoy Sonic Scapes & Weedy Grooves. Like their forefathers in Sleep, Electric Wizard, Bongzilla, and Weedeater, Poland's Belzebong summon fuzzy down-tuned instrumental stoner metal with a throbbing groove and a guitar tone that is the audial equivalent of THC. No joke, the production work here is spectacular - I haven't heard tones this heavy since Kowloon Walled City blew us all off the richter scale a couple years ago. It's fucking huge. Toss in a bit of feedback, a peppering of psychedelic riffery, and a couple of cult movie samples to break up the lack of vocals, and you have one of the best new weed-addled bands on the scene. I bet you can smell their practice room from a mile away.

Bongripper are the kind of band where if one actually listens attentively for the duration of one of their records, all the things that initially sound underproduced or monotonous grow and develop into subversively dynamic songwriting elements - this band takes the concept of "building up" a track to the next level. There is no better example of this then on their debut effort, the 79-minute, single track behemoth The Great Barrier Reefer.

Those with the patience to sit through a tense, minimal, repetitive but ultimately rewarding introduction will experience the heaviest, trippiest, most inexplicably crushing stoner doom they will ever hear. These guys clearly don't give a fuck, and anyone interesting in any kind of doom, or psychedelic music in general, best strap on their diapers. I'm not kidding, if any band ever achieved the legendary/mythical "brown note", these guys did. Production is raw as fuck but appropriate and grows on you immensely. Prepare to melt.

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