The new separates from the existing. Thus, the shop window carpentry is attached to the facade anchoring from the outside, “presenting” the existing structure, appropriating its qualities, detaching itself from it and putting it in value. Its execution, its assembly and its detail are a presentation of the interior intervention.

There are many ways to express a brand; It could be a monotonous expression, or a diversified presentation. It is similar to magazine in this regard. A magazine has an unified tonality and values, it starts contact with readers through different contents, but a brand connects to clients through different products. It’s logicality, upgrade ability, and continuity have something in common.

Located in Jinjiang Road and Shenyang Road at the junction, Chengdu Vanke Jade Park was to create a sales center with interesting shape and filled with unique temperament.

The design objective in creating this architecture was inspired by a box, with facades constructed from thousands of stainless steel plates embracing tension in contemporary art. A kind of grand feeling is poured from the facade when the night is coming.

KDA redesigned 1,800m2 of luxury goods retail space on the ground floor of Selfridges & Co’s famous Oxford Street store. Finding inspiration in the way stores fit neatly behind the existing architecture of London’s Victorian shopping arcades, and in the notion of wunderkammer – room-sized displays of interesting or exotic objects – KDa created the Wonder Room, a spaced that housed “a luxury goods emporium with the energy of a souk.”

Concept/colour scheme/materials – the aim is to create a manly interior, both with the colour scheme and the materials. Static modifications have already been implemented in the current space. Massive steel transoms were the right element for an ideal manly industrial. The position of these load-bearing elements defined the whole layout of the space. The steel elements have been supplemented with natural oak furniture, combed plaster and retro tiles.

When we visited the place where the Gallery would be located, we felt that the space provided a cozy distance from the pace of the city. We then drew a parallel with the older shelters in existence – the caves. It was based on this reflection that we developed the project. Designed in partnership with Edson Matsuo, Grendene’s design director, the Melissa Gallery was designed to harmonize with the concept of a shelter, of refuge in the middle of a megalopolis. Floor, wall and ceiling were built with the same finish to stress this impression, and the shoes are arranged in small increases in both wall and floor that evoke stalagmites – the cave formations that protrude from cave floors towards the ceiling.

Carlo Pazolini, Brompton Rd is a 120 sqm space in Knightsbridge, London, housing men’s and women’s shoes and accessories. The design marks an evolution of the Carlo Pazolini worldwide store concept integrating specificities of site. Our design sought to recognize the memory of the adjacent 18th Century Brompton Arcade (now part of a retail store) by recreating a contemporary barrel vault ceiling as well as the illusion via a mirror wall that the space opens to the exterior at the back. An historical detail in the facade was used as a generative “seed” for the interior geometric language and led us to a pointed rather than semicircular barrel vault design. The memorialization of this neighboring arcade space led to a tunnel-like twisting of the interior in such a way that the floor, walls, and ceiling become wrapped into one another, creating a vortex of movement from front to back in which design elements flock like schools of fish moving through a turbulent fluid environment.

Compared with the world’s other economically ascendant regions such as Asia and the Middle East, Latin America has a skyscraper deficit. Poised to harness the economic and symbolic potential of the Bicentennial, Mexico City will celebrate a historic moment with the emergence of a new skyscraper, the Torre Bicentenario. In an architectural age defined by the pursuit of expression at all costs, the Torre Bicentenario is building whose unique form is responsive rather than frivolous; a building whose form facilitates rather than complicates its use: the stacking of two pyramidal forms produces a building simultaneously familiar and unexpected, historic yet visionary.

The distinctive new building in Stockholm’s Östermalm is a temporary market hall that was built as a temporary space while the old market hall is being renovated. What nobody expected was the tremendous popularity of this “wooden box”, which ended up winning Sweden’s most prestigious design award.

The old market hall, built in 1886, in Stockholm’s Östermalm district is known for the prestige its history carries among its committed customers. In 2012, this well-established rendezvous point in Stockholm’s finest district faced a critical need for a complete renovation, and the city invited bids for the refurbishment project. The entrepreneurs of the market hall needed to relocate for a couple of years.