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2/10/2015

TIFF Next Wave Starts Friday, Invites Young Filmgoers to Jump In

Wet Bum. Photo courtesy of TIFF.

The next generation of film lovers may see the
best works from a new generation of filmmakers when the TIFF Next Wave Film
Festival starts in Toronto at TIFF Bell Lightbox this Friday. TIFF Next Wave
features films targeted for younger filmgoers, but these films are also programmed by the
next generation of curators and festival programmers. This diverse line-up of
world cinema shows that teen moviegoers deserves a lot more credit than we give
them , and It’s always fun to see which films are deemed to get it right by the
people represented in the frame.

One film riding the TIFF Next Wave that really gets it right
is the festival selection Wet Bum, which premiered at the
Toronto International Film Festival last fall. The film stands as the best
example of TIFF Next Wave’s finger on the pulse of an emerging generation of
film lovers and filmmakers, for this remarkable debut by Lindsay MacKay (one of
my picks for the Top Ten Canadian films of 2014) also features a great
performance by 2014 TIFF Rising Star Julia Sarah Stone, and the young jury’s
selection of the film shows just how well Wet
Bum gets it right in terms of depicting that beautiful awkwardness of
youth. I caught Wet Bum at TIFF last
fall and think it’s a great choice for young and mature filmgoers alike to jump in and explore the waters of the festival experience:

Wet Bum could
easily be an icky teacher-student study or a well-trodden tale about the things
one can learn from the elderly, but newcomer Lindsay MacKay creates an
excellent ensemble of multi-dimensional and well-rounded characters to freshen
the tale. Wet Bum has honesty and
authenticity in its portrait of adolescence, and MacKay balances a fine mix of
poignant observation and subtle humour. A strong ensemble, particularly Stone
and Welsh, provides complex and relatable characters for this down-to-earth
tale.

MacKay also displays as terrific hand for film form as she
does in crafting her characters. Wet Bum
features some gorgeous underwater sequences as Sam escapes her troubles and
slips underwater where she can swim free. (Her fondness for free form
underwater swimming in lieu of the front crawl is a nice metaphor for her idiosyncratic
independence.) MacKay and cinematographer Guy Godfree make some vibrant scenes
within the bright blue waters as Sam swims about while some funky tunes by
composer Brendan Canning set the mood for the flowing freeness of Sam’s
underwater escapism. (The innovative contemporary soundtrack is a highlight.) Wet Bum also makes the most of its
petite protagonist as the frame lines of the cinematography hug Sam’s bony body
more tightly than does the sexless one-piece that rumples frumpily on her
frame. Wet Bum embraces the painful
awkwardness of adolescence and turns it into something beautiful. (Read the
full review here.)

Other highlights to see before and after Wet Bum include the acclaimed festival
hit Girlhood, the upcoming drama McFarland by Niki Caro (whose Whale Rider is a TIFF People’s Choice
Award winner), as well as the world premiere screening of Lily and Kat starring Game of
Thrones’ Hannah Murray. (Check back soon for a review of the latter!) Next
Wave also includes some retro teen hits like Dazed and Confused, Heathers—on film, no less!—and Wes Anderson’s
Moonrise Kingdom, which makes me feel
like a kid again every time I watch it. (Don’t all his films?) Next Wave begins
on the 13th with the annual Battle of the Scores music competition
in which six teams present an original score for a short film. The winning team
then gets a host of prizes and boosts including a soundtrack spot in the
upcoming feature The Lock Picker by
Randall Okita, whose The Weatherman and the Shadowboxer won the prize for Best Canadian Short Film at TIFF last
year. It’s a great chance for young filmgoers to explore both sides of the film
experience!

And the best part? Regular Film Screenings, Open Heart:
Panel & Screening and the Outcasts & Misfits Movie Marathon are FREE to
high-school students with valid school identification! (Opening Night Event and
Premium Screenings $10.50.)

The line-up for TIFF Next Wave is as follows:

52 Tuesdays

Dir. Sophie Hyde, Australia, 114 min., 14A

A 16-year-old high-school student deals with her mother’s
female-to-male gender transition while struggling with her own identity, in
this sensitive family drama from first-time feature director Sophie Hyde.

After awaking on a subway train with no memory of who he is,
a young man in a dystopian police state uses the contents of his backpack to
piece together his past as a rogue government agent and computer hacker — but
can he complete his mission before his former employers catch up with him?

Dessau, East Germany, 1985: eighteen-year-old Frank and his
friends have been infected by breakdance fever. At first they are suspiciously
monitored by the ruling regime, but soon the socialist government realizes that
the movement cannot be stopped.

Oppressed by her family setting, dead-end school prospects
and the “boys’ law” in the neighborhood, Marieme starts a new life after
meeting a group of three free-spirited girls. She changes her name, her dress
code, and quits school to be accepted in the gang, hoping that this will be a
way to freedom.

Saturday, February 14 at 6 p.m.

Leave to Remain

Dir. Bruce Goodison, United Kingdom, 89 min., 14A Canadian
Premiere

This gritty yet sensitive tale of young asylum-seekers in
the UK confronts the all-too-common difficulties of immigrant life, with
refugees fleeing nations ravaged by war and corruption only to be faced with
discrimination in a possibly temporary new home. Director Bruce Goodison’s film
isn’t just a coming-of-age tale — it’s one of life-altering upheaval.

Set in New York City, Micael Preysler’s feature debut
follows a fashion school graduate named Lily (Jessica Rothe) who finds her
world turned upside down when her charismatic best friend Kat (Game of Thrones’
Hannah Murray) announces she’s moving away to London in a matter of days. At a
Lower East Side art show the next night, they meet the enigmatic artist Henri,
who Lily quickly takes a liking to. With less than seven days left, and an
attractive stranger between them, Lily and Kat find their unbreakable
friendship put to the test.

Saturday, February 14 at 9 p.m.

McFarland

Dir. Niki Caro, USA, 129 min., PG

A former college football coach (played by Kevin Costner)
finds new inspiration when he takes a job teaching phys ed in a small
California farming town and ends up leading an unlikely cross-country running
team to the state championship, in this heart-warming film from director Niki
Caro (Whale Rider).

Sunday, February 15 at 7 p.m.

No Cameras Allowed

Dir. James Marcus Haney, USA, 90 min., PG

The debut documentary from twenty-something James Marcus
Haney traces the director’s own rise from college dropout to ambitious concert
photographer as he talks his way into photo pits at major music festivals. As
Haney questions how far one should go for a good time, he also proves that,
sometimes, risk can yield surprising rewards.

Three high school boys discover that there may be more than
meets the eye in the strange death of a classmate, in this engrossing mystery
thriller from Taiwanese director Chang Jung-chi (Touch of the Light).

Saturday, February 14 at 1 p.m.

Wet Bum

Dir. Lindsay MacKay, Canada, 98 min., 14A

Actor Craig Arnold in attendance!

An awkward teenage outcast (2014 TIFF Rising Star Julia
Sarah Stone) finds unlikely companions in two aged residents of the retirement
home where she works, in this charming and poignant debut from Canadian
director Lindsay MacKay.

In this psychological thriller/cautionary tale of young love
and revenge from Polish director Anna Kazejak, a heartbroken girl gives her
cheating boyfriend an ultimatum: prove his love within 24 hours or lose her
forever.

Beloved by audiences and critics when it debuted at the 2010
Toronto International Film Festival, Richard Ayoade’s feature debut — about two
deep-thinking Welsh high-schoolers entering into a tentative relationship while
coping with their own traumas at home — has maintained a cult following with
its quirky-yet-dark comedic sensibility and retro–nouvelle vague flair.

Saturday, February 14 at 2:30 p.m.

Dazed and Confused

Dir. Richard Linklater, USA, 1993, 102 min., 14A

Richard Linklater’s acerbic yet loving flashback to his
Austin, Texas youth features a sprawling cast — future stars Matthew
McConaughey and Ben Affleck among them — as they navigate hazing rituals,
nascent life choices, and a momentous outdoor kegger on the Last Day of School,
1976.

Saturday, February 14 at 4:45 p.m.

Moonrise Kingdom

Dir. Wes Anderson, USA, 2012, 94 min., PG

Wes Anderson reaches peak whimsy with this meticulously
nostalgic love letter to youthful eccentricity, in which two precocious
12-year-old pen pals declare their love and run away together in 1965 New
England.

Saturday, February 14 at 7:15 p.m.

Heathers

Dir. Michael Lehmann, USA, 1988, 102 min., 14A

Print courtesy of University of California, Berkeley Art
Museum and Pacific Film Archive.

An instant cult classic upon its 1989 release, this Winona
Ryder/Christian Slater vehicle still presents a deliciously wry, cruelly comic
indictment of high-school society and its clique system.