D&D: What are we going to do about audiences and keeping them safe?

An Invitation from Felix Barrett and Peter Higgin:

This Summer, Punchdrunk will be celebrating two years of Fallow Cross, our specially-created Village space in Tottenham Hale that has been home to the company’s Enrichment programme, Research and Development work and Talent Development workshops over the last two years.

We're taking some time to take a look at the immersive theatre landscape and want to know how artists, producers and makers can make challenging and groundbreaking theatre that is accessible and safe. Is it even possible to be creatively bold and safe? Or does the anxiety of being safe stifle creative innovation? At what point as immersive theatremakers do we introduce safety into the creative process? Do immersive theatre makers have to coddle their audiences? Who decides what's safe in the world of immersive theatre?

This event is wheelchair-accessible with parking available on request. 2 BSL interpreters will be present. Neurodivergent participants are welcome. If you require any other support to access this event, please let us know by phoning 020 7240 4556 or emailing [email protected]

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A discussion about how to create a genuinely safe and open atmosphere in improv classes from the first class someone takes.
How do we protect students from potentially harmful experiences which can arise from the rigidity or literal interpretation of 'Yes, and' ?

These are notes taken as Guy Hartnell shared about the Oogly Boogly project, where performers improvised with babies by copying their movements and sounds, while the babies' parents watched. It took place inside a large inflatable venue. The notes were taken by Catherine Ryan.

This was an experimental workshop combining the work of Frank Torino and Richard Coaten who met on the pavement on the way to Day 4. I discovered Frank had an interest in mental health and in improv work with theatre students in Denmark, mine was in how carers of people living with dementia might benefit from having access to improvisation and its role in maintaining their resilience, quality of life and relationship with their loved ones...meta theme - great link made between Franks' You Be Me'

Part of the Fringe Central Programme for Fringe participants. Artist, technician, venue staff or audience member – you’ll know the pains as well as the joys of the Fringe. This is your chance to help make the Fringe work better for the very people who give it reason. You. Bring your own questions and ideas – you set the agenda and nothing is censored. An open space – come for as much or as little as you want.

Part of the Fringe Central Programme for Fringe participants. Artist, technician, venue staff or audience member – you’ll know the pains as well as the joys of the Fringe. This is your chance to help make the Fringe work better for the very people who give it reason. You. Bring your own questions and ideas – you set the agenda and nothing is censored. An open space – come for as much or as little as you want.

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