News Updates

Famed musician Wynton Marsalis comes to Cornell next week for his first visit as an Andrew Dickson White Professor-at-Large, to mentor and perform with student musicians, participate in classes and engage with the campus and Ithaca communities.
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Last May, a crane removed a 16½ foot-tall bronze statue of Gen. Robert E. Lee from its perch 60 feet above New Orleans. The statue was one of four Confederate monuments the city’s mayor, Mitch Landrieu, had removed last year. “In a city that I represent that’s 67 percent African American, to have a young African-American girl pass by that statue and look at it every day, I ask myself, ‘Am I really preparing her for a really good future? Is she feeling like she’s getting lifted up by the government, or is she being put down?’” Landrieu tells Anderson Cooper this week on 60 Minutes. “I mean, I think the answer’s pretty clear.”
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Internationally acclaimed musician, composer, and bandleader Wynton Marsalis will play in concert with student musicians at Cornell’s Bailey Hall on Wednesday, March 28 at 8:00pm. The concert is free and open to the public with no tickets required. Seating is first-come, first-served.
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Jazz at Lincoln Center’s 2018 Gala commemorates the organization’s milestone 30th anniversary and celebrates individuals who support Jazz at Lincoln Center’s mission to entertain, enrich and expand a global community for jazz through performance, education, and advocacy.
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Embodying Jazz at Lincoln Center’s motto, “Timeless Is Modern,” the Jazz at Lincoln Center Orchestra with Wynton Marsalis will interpret classic nursery rhymes in modern jazz style in the unique concert event, Nursery Song Swing in Rose Theater, March 9-10. American cabaret singer Marilyn Maye, last seen headlining sold-out shows in Dizzy’s Club Coca-Cola and The Appel Room earlier this season, will join the Orchestra.
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Leonard Bernstein’s optimistic modernism united showtune, symphony and jazz into a single, outward-looking musical vision. This concert, part of the Barbican’s celebration of Bernstein’s centennial year, captured the compassionate generosity of Bernstein’s work through the opulent reeds, luxurious brass and rhythmic spring of the Jazz at Lincoln Center Orchestra (JLCO).
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The 1938 Carnegie Hall concert that brought together Benny Goodman’s hit-making orchestra and stars from the Ellington and Basie bands was a game-changing moment for 20th century America, both artistically and socially. Carnegie Hall, a temple of classical music, was opening its doors to a new world. It was also lending its stage to a glimpse of social harmony that – though yet to be fulfilled, 80 years later – was nonetheless a high-profile showcase for white/African-American artistic liaisons that were inconceivable to many in the 1930s.
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New York’s Jazz at Lincoln Center Orchestra amble on to the Barbican’s stage every couple of years and are always greeted by delighted audiences as if they were long-lost relatives bearing gifts. Tuesday’s curtain-raiser to the jazz orchestra’s current residency was a typically graceful blend of swing grooves that ticked over like an immense and perfectly balanced engine, ensemble parts played with languid rigour, and concise improv that both embellishes compositions and cherishes their shapes. The night’s theme was the tightly drilled but expansive 30s big-band jazz of Benny Goodman – the most ecstatically popular western dance phenomenon until the coming of rock’n’roll – which those long-honed JLCO virtues could hardly have fitted better.
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The Jazz at Lincoln Center Orchestra is one of the Barbican’s International Associates, and this concert of music by Leonard Bernstein, whose centenary falls this year, showed exactly why it enjoys the same official standing as the New York Philharmonic and Leipzig Gewandhaus.
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Jazz at Lincoln Center and Managing and Artistic Director Wynton Marsalis announce the 2018-19 season of concerts that highlight jazz’s diverse, adaptable, and inclusive nature and reveal both the music’s history and its continuing evolution. The season features 31 unique concert programs comprising over 90 performances in Rose Theater and The Appel Room, more than 350 nights of music in Dizzy’s Club Coca-Cola, and an extensive range of education and advocacy programs for all ages. This impressive lineup of programs showcases jazz as essential to the tapestry of American culture and demonstrates its ability to integrate with all art forms.
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