You will like this if you enjoy: Bullet hell shooters. Seeing a screen full of gorgeous geometric shapes moving very, very fast.

The good news: A truly beautiful experience, both visually and the way it sounds. The controls are as intuitive and unobtrusive as possible, with no on-screen buttons, and minimal swipe controls that are virtually impossible to get wrong. Even the menus are crisp, clear and as gorgeous as the rest of the game.

The bad news: The game is hardly original, but then how could anyone genuinely expect a totally original gaming experience from the third game in a series within a genre that is as niche as bullet hell shooters?

Arcadelife verdict: While it doesn’t really attempt anything groundbreaking, there’s a deeply compelling purity to the style, intensity and gameplay of DU3. The minor tweaks and improvements to what has gone before in this series are well-considered and definitely improve the overall experience. For bullet-hell fans, particularly fans of the genre on mobile devices, DU3 is an easy recommendation, with the very minor caveat that it isn’t going to blow your mind with its originality… only with its stunning beauty.

I played the hell out of Titan Quest on PC. The touch interface looks absolutely brilliant – great job, DotEmu. Now I just can’t wait to play this all over again on iPad, ten years after it was first released.

The first two Alien movies are easily in my top 10 favourites of all time, probably top 5 if I ever bothered to give the list any serious thought. AVP and the other sequels, well, not so much. The three tables in Aliens vs. Pinball are very good. The Aliens table is my favourite, and it also seems to be the most forgiving after a few games on each.

It’s worth playing these tables while wearing headphones because a lot of effort has been put into the audio. The ambient sound effects are extremely atmospheric, and there are plenty of samples from the movies (and the game on the Alien Isolation table). A few of the Aliens samples did make me smile, because they were not the same ones that have been worn out through years of overuse, although the predictability of Hudson’s ‘Game Over’ line almost made it feel like a lazy inclusion. Note – almost, because it is a true classic, right up there with ‘I’ll be back’ in my opinion, and I would have been shocked if it had been left out.

The AVP table is arguably more fun than the film. I can’t rate the Isolation table against the original game because I haven’t played Alien Isolation. I know I should have, but I’ve had to really cut down on gaming (and posting on Arcadelife, which you probably noticed) as I am using the majority of my free time for writing novels.

Overall, Aliens vs. Pinball is a great addition to the already substantial mountain of Alien games, movies and other media. I didn’t hesitate in paying for the full unlock (less than five quid) and I am having a good time with all three tables.

Crimzon Clover is a highly rated, critically acclaimed bullet hell shooter. It looks great and it plays even better than it looks. It’s currently on sale for £1.74 on the Steam store. I suggest that you go and buy it right now.

Steam Store blurb…

Prepare yourself for an insatiable rain of bullets, bombs, and beams in Crimzon Clover. From Japanese indie developer Yotsubane, this retro top-down shooter is a wild ride you won’t want to miss out on.

You will like this if you enjoy: Platform games. Hard platform games. Platform games with some side-scrolling shooter levels. Parodious style gaming humour. Retro 16-bit graphics. Flatulent dogs.

The good news: Controls, visuals, effects, level design, fun… it’s all here, all good, and it all works well together. Add in three difficulty levels, loads of unlockable stuff (characters, power-ups), no IAPS, and cloud-syncing, and you have one of the best platform/action games on iOS.

The bad news: The only problem I have with this game is understanding why some gamers are refusing to play a really good game because they don’t like the extremely popular YouTube gamer PewDiePie. Whatever next, refusing to play Call of Duty because you don’t like war? Hang on…

You will like this if you enjoy: Base-defence games. Stealth games. Party-based RPGs. Realistic war games. Helplessly watching your friends starve to death and then hanging yourself as a final, desperate attempt to escape the appalling horrors of war.

The good news: Utterly engrossing. Thought-provoking in ways few other games can ever be. Visuals are suitably colourless and depressing. Decisions feel heavy, and frequently go horribly wrong. This is a game you will remember long after you finally give up and go back to far more lightweight and entertaining distractions. No IAPs. Very good touch-control system, particularly for a port of a PC game.

The bad news: It’s really grim, relentlessly downbeat, not exactly a casual mobile game. Autosave only occurs at the start of each day, meaning that you have to complete a full day/night cycle or you will lose all progress since the start of the current day; not a perfect system for a mobile game.

Arcadelife verdict: This is about as far as you want to go, where divisive games are concerned. I can’t imagine anyone feeling indifference after playing this. You’re either going to be entranced by the brutal, harsh, and relentlessly sad gameplay or you’re going to dislike it intensely and drop it like a burnt, severed limb.

Where some other survival games give you the promise of looting and levelling your way to a point where you can stride around the post-apocalyptic wasteland in a mech suit, dispensing your own brand of justice with a plasma mini-gun, “This War of Mine” challenges you to find enough bits of wood to block the holes in your wrecked home to hopefully prevent armed looters stealing your food and hurting your friends. And you’re probably going to fail. One thing is for certain: you’re never going to laugh.

It’s a different kind of game, a different way of thinking. There’s no humour, no parodying, no cute pets or collectables, just sickness, hunger, lack of sleep and the constant threat of losing everything. Victories are small and relatively meaningless: you have a good night scavenging and come home with a bandage and some empty shell cases, or maybe you manage to make a stove and cook enough food that two out of your three survivors are less hungry for a day.

If you’re after a hard game, a hardcore game, a challenge to your morality as much as your gaming prowess, this is what you need to be playing.

10 word review: Great looking and cathartic, but repetitive and way too easy.

You will like this if you enjoy: High-score chasing blast-fests. Killing aliens. A top-down Dead Space without the story, variety or challenge.

The good news: Presentation is top-tier. Visuals, sounds and effects create a great atmosphere. Controls are reliable, responsive, and can be customised. Loads of impressive weapons. The IAPs are purely there for the terminally impatient weapon-shoppers – there is absolutely no need to spend more money on this game in order to play it and enjoy it.

The bad news: Challenge is completely unbalanced in the player’s favour, which I’ll explain in the verdict section. Gameplay is repetitive, despite cosmetic attempts to make it seem like it isn’t. Missed opportunity for massive boss fights.

Arcadelife verdict: I like Xenowerk, but I also loved Space Invaders, Asteroids, and Smash TV. Xenowerk feels very much like the most recent version of Alien Breed, or an isometric Dead Space with the same lived-in space station vibe and darkly amusing messages and warnings scrawled on the walls by former inhabitants.

The first few levels introduce a game that could be the perfect touch-screen sci-fi shooter. There are weird, shambling organic aliens, a decent pair of starter weapons, a very helpful map, and a great, if not altogether original atmosphere. “Cool,” you think, as you back away from a lumbering blobby monstrosity, seeing it quivering under your concentrated fire before bursting apart in a shower of green alien guts.

A few more levels further in, and you begin to suspect that you have seen everything that Xenowork has to offer. Corridors, aliens, explosions, terminals to tap, and an elevator to reach to end the level. And that’s pretty much it. It’s fun, and tugs compulsively in a way that the old-school shoot-everything-that-moves arcade games did, but it is very simple and very repetitive. It’s also extremely easy, which isn’t blindingly apparent during the first few levels.

The main problem, as far as I can figure out, is caused by the fact that the weapons and armour can be bought at any time, in any order, if you have enough cash. The cash comes in quickly enough that you can buy a game-changing super-weapon by the time you have played most of the way through the first set of ten levels. Up to that point, the starter weapons and armour are more than adequate. Once I had bought what I like to call “The Gun That Makes This Game Too Easy” (purely because I liked the look of it), it didn’t take long to earn enough cash to go straight from the starter armour to the best armour in the game. Completing levels became a sequence of risk-free speed-runs, which is arguably what the high-score chasing is all about. I know I could have stuck with weaker weapons and armour, but the player shouldn’t have to gimp his own gear in order to keep the game challenging – that’s the job of the game developers and testers. If the available weapons were restricted based on level progres, that would go a long way towards fixing the balance issue.

Ultimately, Xenowerk is an addictive, flashy looking shooter with a couple of gameplay flaws that are not critical or impossible to resolve. Blasting corridors full of slimy alien blobs is a lot of fun. If you enjoy doing it with overpowered weapons in what feels like a cheat-mode then this may just be the game you’ve been waiting for.