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The Political Cartoon Awards have been running for 18 years now, but this year there was something new. The event takes place in a large, swanky hall in central London with subdued coloured lighting, tasty little unidentified canapes being offered by attractive young people and more free booze than anyone has time to drink. The nominated cartoons appear on three enormous screens and, in the very centre of the room, stands a black box surrounded by voting slips. It’s a seriously impressive affair.
At 7pm precisely the voting stops and ballots are counted (probably in a secret room by someone wearing white gloves, I don’t know I couldn’t see that bit) and the winners names are entered into the gold envelopes.

For the last 18 years there have been awards for the country’s best political cartoon and best political cartoonist. These are the fine, upstanding chaps (pretty much exclusively chaps) who draw the editorials for the nation’s newspapers and this year was no exception. Steve Bell, Brighty, Ben Jennings, Mac and other household names were in the running. The ‘new’ element for 2018 was the addition of two awards for pocket cartoons, sponsored by the PCO (Professional Cartoonists’ Organisation – aka: us) to celebrate the work of those other cartoonists not lucky enough to have a regular gig with a national publication.

Once the gold envelopes had been stuffed, the speeches began. The evening’s host, Ben Atfield, managing director of the event’s major sponsor, Ellwood Atfield, kicked everything off and introduced his fellow organiser, Tim Benson of The Political Cartoon Gallery. Dr Benson’s speech was unusually tame compared to his normal performances which have long divided audiences into warring factions, mostly along the lines of those who were born in the fifties and those who were born sometime thereafter. He noted that he had been ‘neutered’ which presumably meant he had been ‘asked to tone it down a bit’ for the sake of everyone’s blood pressure. Some cartoonists who normally appeared at the event, notably the Guardian’s Martin Rowson, were boycotting it this year and a lively Twitter spat was in full … er … spatter so there was an underlying current of controversy in the air but luckily nothing controversial happened. The Doc, however, did find time to plug his new book which is, after all, what it’s all about.

Clive Goddard at the podium.

Then came my turn to take the podium. As chair of the PCO I’d been asked to say a few words about the current state of cartooning in Britain which, inevitably, resulted in a few minutes of moaning about how dire it has become. I had been asked to keep it light and not to mention gender but as the inclusion of the pocket cartoon awards had tipped the gender balance to include more women it would have been churlish of me not to welcome the change. The fact that I already knew the inaugural ‘Pocket Cartoonist of the Year’ award had been won by a woman made it a little hard to conceal my pleasure.

Grizelda receiving her award.

Claire Calman introducing the Mel Calman Award.

Next up was Claire Calman, daughter of the late Mel Calman, a pocket cartoonist’s pocket cartoonist who we sadly lost back in 1994. She was followed by Labour’s Yvette Cooper, member for Normanton, Pontefract and Castleford and wife of some bloke who is famous for dancing on TV. It quickly became clear that Yvette had not received the memo about avoiding the gender issue (or had chosen to ignore it) and gave a strong, impassioned speech about improving the representation of women in the cartooning world. There was much applause and the peasant folk did sing and dance in the streets with joy.

Last to the microphone was one of the twenty seven ex-Brexit ministers in attendance that night, David Davis, who much to his credit then hung around for the rest of the evening chatting to the proles and doing his best to use up the remaining free Heineken.

The new awards themselves are a pair of chunky transparent doorstop type things made from the finest hand-crafted Tibetan resin and laser etched with a Calman original and an Osbert Lancaster, both funded by the PCO (Hooray for us). All in all it was a very good evening. No bloodshed, very little vomiting and a lot of love and respect shown for Britain’s cartoonists. The PCO walked a successful line through the controversial bits and established a wider, more inclusive view of what constitutes a political cartoon. (Hooray for us again!). Congrats to all who have pressed for it.

You didn’t have to move far to rub shoulders with the elite of political cartooning in Britain today – most of the nominees, from ChristianAdams to IngramPinn, BobMoran to MartinRowson, were there.

In his welcoming speech, DrTimBenson of the Political Cartoon Society, thanked the organisers and said: “We do not lead the world in many things, but we certainly have always led the world with regard to political cartoons.”

Following the introduction of online voting for the Political Cartoon of the Year for the first time, he hinted that, in the future, members of the public would also be able to vote for the Political Cartoonist of the Year.

This year’s awards were presented by the Rt. Hon Andrew Mitchell MP, the former Chief Whip, who has found himself at the sharp end of many a cartoonist’s pen over the past year, during the Plebgate scandal. In spite of this, he admitted that he could not resist accepting the invitation, as he is an enthusiastic collector of political cartoons.

He did not resist giving the gathered cartoonists a taste of their own medicine by reflecting on the unique relationship between politicians and cartoonists as he recalled a recent interview by the head of the Israeli intelligence service who said “he didn’t like politicians because they tended to leave their wounded on the battlefield”.

He added: “It struck me that that’s basically what politicians may do … and then cartoonists come along and finish them off.” He stressed that it is, nonetheless, an enduring relationship.

SteveBell was announced the winner of the coveted Gillray Cup for Political Cartoon of the Year for his portrayal of Margaret Thatcher, above, with AndyDavey as the runner up. MortenMorland was named 2013 Political Cartoonist of the Year.

Upon accepting the award from Mr Mitchell, Steve Bell said: “it’s a great honour to get the Gillray goblet, it’s the one to win, that’s for sure.”

The acceptance speech by Andy Davey, who was recently let go in cuts at The Sun, was greeted with a cheer when he addressed the room by saying: “Either you lot are masters of paradox and satire or you’re a bunch of plebs.”

Morten Morland said that he was “as surprised as everyone else and very glad to win the Low Trophy”.

This speed of interaction between opinion, response and offence pose, in Bloghorn’s view both a challenge and an opportunity to makers of drawings. What do you think cartoonists should do in the social media era?Answers welcome in the comments.

Updated: Wednesday 27th July – The Guardian is reporting a letter from seven UK academics complaining about the publication of this cartoon. Read the story here and please comment below if you would like.

The advent of statistics recording visits to web sites has allowed web publishers to see exactly which pages readers head for. Unsurprisingly, many have embraced this technology to show you – the reader – which pages are most popular.

So, I ask you to go to The Times website. Scroll down. No, you don’t have to get past the Great Pay Wall of Murdoch to do this – no small denomination payments are required. Look at the “Most Read” list of sections which are – as you might guess – the paper’s most popular click-through reads.

Of course, I don’t know when you’re reading this but I bet you that coming in the top three with a bullet will be “Cartoons”. I have checked assiduously for the past several weeks. “Cartoons” has been at or near the top spot for almost all of my visits (many times at Number One).

As I write, I am not chastened by the fact that nestling at number 2 is “Top Ten Chinos”.Well, a chap’s got to look the part while perusing the best of cartoon art online. Standards, you know. (Of course, if you want to actually look at the cartoons, you WILL have to pay at this point).

It’s a subject close to the hearts of us cartoonists. The popularity of The Times’ cartoons is, of course, not unrelated to the fact that they boast two fine cartoonists in Peter Brookes and Morten Morland, together with legend-inna-lifetimeGerald Scarfe at the Sunday title.

But it’s not just that. Readers love cartoons. We know that. It’s such a pity that this simple fact doesn’t prevent culls of cartoonists to cut costs at newspapers facing hard times. It seems counter-intuitive to us. For example the loss of almost all cartoon content from The Observer recently was mourned widely. So Bloghorn says hats off to the wildly good taste of Times readers.

Gordon Brown made what was probably the biggest political gaffe of the campaign by calling a member of the public a “bigoted woman”; Peter Brookes, and Dave Brown, Mac of the Daily Mail, Paul Thomas provided their own takes on Bigotgate.

Looking forward to the challenges for the new Government were Harry Venning’s Clare in the Community and Kal in the Economist, and looking back, Bloghorn‘s very own Matt Buck produced a series of weekly despatches for the Guardian from the 1710 campaign as seen by Tobias Grubbe (2, 3, 4, 5). The Times produced a 9 page comic summary of the election campaign available for download here (PDF, 7Mb).

As we reported yesterday evening, Peter Brookes of The Times won the Political Cartoonist of the Year Awards for 2009. His colleague Morten Morland completed an excellent evening for the News International print title by winning best single image for a drawing of Gordon Brown and President of the US, Barack Obama.

Two political cartoon exhibitions open in London next week, at the Chris Beetles Gallery and the Political Cartoon Gallery.

PeterBrookes: The Best of Times, above, is at the Chris Beetles Gallery from Monday (October 12) until October 31. More than 100 of Brookes’s most recent cartoons from The Times will be on display. Signed copies of the book accompanying the show are available from the gallery.

Drawings by Peter Brookes also feature in Cameron in Caricature, an exhibition of cartoons on the Tory leader David Cameron is at the Political Cartoon Gallery from next Tuesday (October 13) until December 24.

Cameron’s infamous Twitter faux pas, as seen by Morten Morland

The exhibition of 60 original cartoons charts the fortunes of Cameron since he became leader in December 2005. It will feature cartoons by political cartoonists such as Martin Rowson, Steve Bell, Morten Morland, Dave Brown, Peter Schrank, Ingram Pinn and Andy Davey.

The Political Cartoon Gallery, 32 Store Street, is open Mon-Fri 9.30am–5.30pm and Sat 11.30am–5.30pm.

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Disclaimer: Any opinion expressed here is that of the named individual and not that of the UK Professional Cartoonists' Organisation unless explicitly stated. Artwork attributed to a named author or publication on this diary should be noted by anyone linking to us from any other site. Thank you. If you wish to reproduce an image please contact the artist from here.