This flow of words, which doesn’t fit into a normal kind of logic, is really full of humanity. I had tears streaming down my face.

I’ve been listening obsessively to Schubert’s “Impromptus” lately, so it was perfect that the cartoonist used Opus 142, the great impromptu in B flat with theme and variations. The following video is sometimes dippy, sometimes touching, but Simone Dinnerstein’s recording of the impromptu in G flat is heartfelt and lovely.