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Psychological Thrillers

STALKING JACK THE RIPPER is going to be available in mass market paperback editions! AND THEY’VE GOT FUN COVERS FOR THEM! i’m so thrilled to share this story with the adult market and a whole new set of readers.

now, no matter what your reading preference is, there’ll be a version for you. SJTR is available in Hardcover, trade paperbacks, ebooks, audio cds, iBooks, audible, and mass market paperbacks (as of April). pinch me, please.

so…what does this have to do with the MEETING THOMAS CRESSWELL novella? Thomas’s story will be included as bonus content!

i’ve had daily messages and emails from people who’ve either read it and wanted to own it in print form, or readers who missed out on the HUNTING PRINCE DRACULA preorder giveaway altogether, and i’ve been eager to find some way to make those requests happen.

including it in SJTR was the best solution since it’s a prequel to the opening of that story. it details what Thomas was doing the night he met Audrey Rose, and proceeds to tell the story through his deductive lens for the first few chapters. i had such a blast writing from his POV and hope that you enjoy reading it as much!

mass market versions aren’t very common for YA books, and i’m infinitely grateful for all of the love and support this series has gotten from both readers and my publisher. thank you a thousand, million times.

edited to add:

**the novella is included in the mass market paperback ONLY, and will not be available anywhere else. (please make sure you preorder the correct paperback if you want the novella.)

**mass market paperbacks are the smaller paperbacks that are usually printed for adult mystery and thriller series. (think beach reads and books found in airports and grocery/drug stores, etc.)

**the trade paperback of STALKING JACK THE RIPPER does not include the novella, but it does have the same cover as the original hardcover version. (and it’s already out, whereas the mass market paperback will hit shelves on April 24th.)

As promised in yesterday’s review, I’ve got a nice little treat for you today… Please help me (and Bella) warmly welcome YA Author, Holly Schindler, to our little corner of the interwebs with her fun interview!

Were there times when you were writing FERAL that you found yourself afraid of unexpected noises, or checking over your shoulder for stray cats or creatures lurking near the edge of the woods?

It’s funny—I didn’t. But my experience with FERAL is quite different than my readers’. Anyone who picks up the book dives straight into full-blown creepiness (think jumping cannonball style into an ice-cold swimming pool). For me, the creepiness was more gradual (think edging your way into chilly water slowly, bit by bit).

The book actually started out as an MG mystery, believe it or not. (When I started revising, the book started getting darker and drifting away from MG—until I felt sure it actually needed to be a YA.) The MG version was about a girl looking into a cold case—that cold case eventually turned into the far more recent death of Serena Sims as it appears in FERAL. The death always took place at school, and it always revolved around a “cheating” clue (though “cheating” took on a different meaning when it became YA), and the manner of Serena’s death was always the same.

Once I knew I was going to bump the book up to YA, my main character didn’t work. (Bumping a book into a different age group SOUNDS simple enough—but oh, boy! It results in a complete and total overhaul. Trust me.) So I had to brainstorm a new seventeen-year-old protagonist. That’s when I discovered that Claire was the victim of a gang beating—that discovery made me realize the theme would be recovering from violence, and that the genre would be psychological thriller instead of straight mystery (or even horror, as I’d suspected it might be as I started to revise).

I was actually continuing to darken the details all the way through the book’s development once it was acquired at HarperCollins…

I do have a loose idea for a straight teen horror novel, and it’ll be interesting to see how it feels to do the cannonball dive into dark, creepy material.

I am a shameless cat lady and I was genuinely spooked by my little mews, purring contentedly beside me while I read. Where did the idea of these menacing, are-they-or-are-they-not-supernaturally-evil-felines come from?

I’m actually an animal person myself. I’ve only spent three of my 37 years without an animal of some sort. I grew up with two cats I loved to pieces—Tuffy, as her name suggests, was born feral. The creepy use of cats in the book has nothing to do with what I think of cats in general. I’d love to have another—right now, I’ve got the world’s most spoiled Pekingese. He’s definitely an only child. I’m not exactly sure what he’d do if I brought another animal into the house, but my suspicion is that carnage would ensue.

When the book was an MG, I knew I wanted the victim’s corpse in the cold case to be torn apart by Missouri wildlife. In the original draft, it simply kept the police from accurately pinpointing the manner of death (as it also does in the final version).

Once I started to move the book toward YA (and the murder became recent rather than a cold case), I knew I wanted the cats to play a bigger role. So much of Peculiar is a mirror-image of the Chicago, reminding Claire of the horrific beating—those cats are a kind of gang, too, just like the human gang that trailed Claire in Chicago. And Sweet Pea specifically also becomes the vehicle to depict how Claire feels about herself post-beating.

The atmosphere was so beautifully handled and consistent throughout the entire book. You really transported the reader to this small Missouri town and brought it to life, just as if it were a movie unfolding on the big screen. Did you have any audio or visual aides you used while creating the haunted atmosphere of Peculiar, Missouri?

I appreciate that—I think, when you’re writing something that’s a bit more dramatic, plays out scenically rather than internally, hearing that your book unfolding like a movie is one of the best compliments you can receive!

Mostly, I was using my own surroundings. I’m a lifelong Missouri gal, and I live in Springfield, which is an even mix of urban and rural. It’s a medium-sized city (third largest in the state) with three universities; I live in a city-style neighborhood, but the end of my neighborhood is marked by a field surrounded with barbed wire. Barns, hay bales, horses, cows—you can see all that, less than two minutes from my house.

My hometown also got really hammered by a couple of ice storms—one in ’07 and one in ’08. Those storms made a big impact on me—I’ll never forget the frightening sounds of tree limbs snapping and transformers sparking and not knowing if or when the power would get back on…

I mentioned before that FERAL is a psychological thriller. It really follows so many classic conventions of the genre: Hitchcockian pace, attention to the main character’s psyche—even those feral cats are a nod to Hitchcock’s THE BIRDS. Psychological thrillers also frequently use water as a metaphor for the subconscious (the shower scene in PSYCHO, much of WHAT LIES BENEATH). The ice storm is also making use of the water metaphor—here, it symbolizes Claire’s frozen inner state, her inability to move on after a violent attack.

Who were some of your favorite authors growing up, and did any of their stories or styles help you with the crafting of this novel?

I mostly read contemporary realism. I’m a child of the ‘80s, so you can picture me in a perm and giant glasses, combing the library for Judy Blume books. I stumbled on a Christopher Pike book in junior high—FALL INTO DARKNESS—and I fell in love. I’d read a few mysteries before, of course, but this was the first adventure-driven book I’d read. There was something so compelling about it…I wound up reading every Pike book I could get my hands on after that. It made a big impact, that’s for sure.

In the spirit of Halloween, and the scary thrill-ride that is FERAL, what’s something that terrifies you now? Or even something that scared you as a kid?

It’s kind of a fun fact about me as a writer…If I want to completely turn off my inner critic, I take my glasses off while I draft. My eyesight’s so crummy, I can’t see the screen. If I can’t see the screen, I can’t get nitpicky. It’s cool when a “weakness” turns out to be a blessing in disguise, isn’t it?

Holly Schindler is the author of the critically acclaimed A BLUE SO DARK(Booklist starred review, ForeWord Reviews Book of the Year silver medal recipient, IPPY Awards gold medal recipient) as well as PLAYING HURT(both YAs).

Her debut MG, THE JUNCTION OF SUNSHINE AND LUCKY,also released in ’14, and became a favorite of teachers and librarians, who used the book as a read-aloud. KirkusReviewscalled THE JUNCTION “…a heartwarming and uplifting story…[that] shines…with vibrant themes of community, self-empowerment and artistic vision delivered with a satisfying verve.”

FERAL is Schindler’s third YA and first psychological thriller. Publishers Weekly gave FERAL a starred review, stating, “Opening with back-to-back scenes of exquisitely imagined yet very real horror, Schindler’s third YA novel hearkens to the uncompromising demands of her debut, A BLUE SO DARK…This time, the focus is on women’s voices and the consequences they suffer for speaking…This is a story about reclaiming and healing, a process that is scary, imperfect, and carries no guarantees.”

The Lovely Bones meets Black Swan in this haunting psychological thriller with twists and turns that will make you question everything you think you know.

It’s too late for you. You’re dead. Those words continue to haunt Claire Cain months after she barely survived a brutal beating in Chicago. So when her father is offered a job in another state, Claire is hopeful that getting out will offer her a way to start anew.

But when she arrives in Peculiar, Missouri, Claire feels an overwhelming sense of danger, and her fears are confirmed when she discovers the body of a popular high school student in the icy woods behind the school, surrounded by the town’s feral cats. While everyone is quick to say it was an accident, Claire knows there’s more to it, and vows to learn the truth about what happened.

But the closer she gets to uncovering the mystery, the closer she also gets to realizing a frightening reality about herself and the damage she truly sustained in that Chicago alley….

Holly Schindler’s gripping story is filled with heart-stopping twists and turns that will keep readers guessing until the very last page.

Interested in watching the book trailer? Check out the link by clicking H E R E.

Holly Schindler’s FERAL promised to be like THE LOVELY BONES meets BLACK SWAN and it did not disappoint. From the first two opening scenes, I knew this was going to be one of those true psychological thrillers, emphasis on the psychological aspect.

*pumps fists*

I was disturbed.

I was horrified.

I was cringing back from the pages, peering through my fingers, and feeling so utterly overwhelmed. I freaking LOVED it.

Schindler did a phenomenal job with making the reader FEEL like they were slowing becoming unhinged and unbalanced right along with the main character. I love books with unreliable narrators, and Claire, the MC, is absolutely convincing in this role. It’s so hard to come across a contemporary novel that really takes the reader on a psychological mind melt, and this work has definite nods towards classic masters (like Hitchcock) in this genre. I felt myself questioning my own sanity and judgment of what was real and what could be fantasy with each new page I turned.

The atmosphere in FERAL was also extremely well crafted. I could clearly picture being in this creepy, foggy town that lived up to its name of “Peculiar.” The entire cast of characters added to this haunted setting – and at times it felt like it had shades of Stephen King’s horrorlicious style. I love how King can make a small town absolutely terrifying, even by having a character simply walk to the store for some milk while you’re screaming “Look behind you!” only to realize that all is safe…for now. Schindler did that beautifully. You find yourself constantly on edge, wondering what horror is going to take place next, and questioning everyone and their motives.

Characters are not all perfect, the good ones have flaws, and blemishes and chinks in their armor. It’s what being human is all about, and FERAL is great with delving into humanity. Victims of violence go through a multitude of emotions, and not all of them are going to be pleasant. Sometimes we have to learn who we’re not before we become the person we’re meant to be. I loved Claire. She had ups and downs, and I was right there with her throughout her journey.

My mews.

Hands down, I’d recommend this book to anyone who’s a fan of true psychological thrillers. Bella gives it two paws up as is evident in this pic.

I had a wonderful opportunity to fangirl like crazy talk to Holly Schindler after I read the book, and am happy to share some of what she said with you tomorrow on the blog!

In the meantime, Readers, who are some of your most memorable unreliable narrators?