FAIRBANKS, Alaska (AP) - From his attic studio on the third floor of Fairbanks' Co-Op Plaza, Tanner Jackson Rhines makes contemporary art with his trusty G2 Pilot pen. On any given day, his work could be sold at a local First Friday event or at a studio in New York ...

HARARE, Zimbabwe (AP) - Ayanda Sibanda, a model with albinism, has invariably been called "yellow" or "white" by friends and even some relatives. But she hardly recalls anyone referring to her by her actual race.

"I am black, that's what I thought, but then I am always made to feel ...

HOPE, Ark. (AP) - Over a lunch of hamburger steaks, mashed potatoes and green beans, Walter Hussman delivered his pitch to the dozen or so attendees of the Hope, Arkansas, Rotary Club meeting. He promised that if they keep paying their current rate of $36 a month for subscription to ...

WARSAW, Poland (AP) - One victim spoke out, and then another, and another. A statue of a pedophile priest was toppled in Gdansk, put back by his supporters, and finally dismantled for good. A feature film about clerical abuse was a box office hit.

TOKYO (AP) - Under the threat of potentially devastating U.S. tariffs on autos, Japan is ready to roll out the newest phase of its charm offensive targeting President Donald Trump as it welcomes him on a state visit tailor-made to his whims and ego.

“Vida” creator Tanya Saracho made sure that her series about Mexican-American women was also reflected behind-the-scenes. Now in its second season (9 p.m. Sundays on Starz), the half-hour drama, which follows two sisters, has one of the most unique productions on TV — with a writers room that’s all Latinx, the gender-neutral term for “Latino”...

BOSTON (AP) - Boston's Museum of Fine Arts has banned two visitors and vowed to change protocols for guards after minority middle school students said they were subjected to racism by staff and patrons during a field trip last week.

James Holzhauer has written another chapter in the “Jeopardy!” record books. With a runaway victory of $74,400 on Friday night — his 27th in a row — the professional sports gambler blasted through the $2 million mark in earnings. He’s only the second player in the 35-year history of the beloved game show to pass that...

Memorial Day is almost always an occasion for the networks to trot those World War II chestnuts. Programmers got a little frisky this year, digging deep into film history for some unusual movies. For those who can’t get through this day without seeing Tom Hanks embody American values, there’s always “Saving Private Ryan.” Here are...

Tiffany Smith, who plays Meghan Markle in Lifetime’s “Harry & Meghan: Becoming Royal,” is aware of her uncanny resemblance to the Duchess of Sussex. “Obviously when Harry and Meghan started dating, it became even more [prominent to me] because I had so many friends who said, ‘You know who you look like?’ ” says Smith,...

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 23:30

A roundup of some of the most popular but completely untrue stories and visuals of the week. None of these is legit, even though they were shared widely on social media. The Associated Press checked these out. Here are the real facts:

The best-selling album of 2019 so far is also one of the year’s best: Ariana Grande‘s thank u, next delivers joyous pop hooks over sterling production. But many of the year’s other strongest records have come from outside pop’s center and deserve just as much attention. This list includes two debuts, two bracing collaborations and an array of different types of responses to our anxious cultural moment.

Ariana Grande, thank u, next

If there’s still a monoculture, then Ariana Grande is at the center of it. The Nickelodeon star turned R&B-pop artist is one of the most prolific creators in her genre, releasing thank u, next just months after Sweetener. The album also came on the heels of a well-documented period of personal challenges, both romantic and professional. As a result, it stands as a document of intense pop culture fascination. But it also solidifies Grande’s definitive style, mixing hip-hop beats and lyric flows with pop production. On “7 rings,” her number-one single that starts off with a sample of “My Favorite Things,” Grande sets out a statement of independence and purpose: “I see it, I like it, I want it, I got it.” But she also lets down her guard, admitting vulnerability on the hauntingly beautiful “Fake Smile” and “Needy.” Grande has always been one of the best vocalists of her generation; on thank u, next, she proves she also has something to say. — Raisa Bruner

Better Oblivion Community Center, Better Oblivion Community Center

Phoebe Bridgers is three for three. The California singer-songwriter has followed a gut-wrenching debut album (2017’s Stranger in the Alps) with a graceful supergroup EP (2018’s Boygenius) and now this fuzzed-out, hypnotic collaboration with Conor Oberst. While most duet albums revel in the contrast between their creators, Bridgers and Oberst take the opposite approach, largely singing as one fused entity. In their sly wit, pinpoint melodic sensibilities and attention to detail in their lyrical imagery, they could hardly be better suited to one another. — Andrew R. Chow

Big Thief, U.F.O.F.

U.F.O.F. is one of the most outwardly gentle records of the year: muted guitars are quietly plucked, and singer-songwriter Adrianne Lenker barely raises her voice above a whisper. But don’t let the sonic serenity fool you: U.F.O.F. is desperately intense, and weighed down by trauma, aging anxieties and deathly omens. The album digs deep into the fraught relationship between pain and creation: “The silkworm’s rage / Iridescent thread, beautiful and dead / Billions of worms were boiled to make the bed,” Lenker sings on “Strange.” The exploration of this dichotomy yields another one: a record both spellbindingly celestial and deeply human. — A.R.C.

Billie Eilish, When We All Fall Asleep Where Do We Go?

Billie Eilish first came to the internet’s attention with a Soundcloud hit at the tender age of 15. Now 17, her debut album is a precise and precocious collection of trap-tinged pop compositions, studded with zeitgeisty lyrics (see: “My Strange Addiction,” which features a sample from the TV show The Office) and deepened by tender ballad interludes. Eilish, whose work is co-produced with her older brother Finneas in their home studio, is the ultimate Gen Z artist. She’s just as comfortable unpacking the melancholy contents of her subconscious as she is testing out her ukulele skills and even, as on tongue-in-cheek album standout “Bad Guy,” throwing in snappy jazz riffs and experimental beats. The result is a project that establishes Eilish as one of the most promising talents of the next wave. — R.B.

But the duo’s goal is not to antagonize but rather, to shed light on grim norms: “This is America, it’s not for the weak of stomach,” Woods warns on “crawlspace.” To analyze our moment, Woods scours the annals of history and culture, readily name-checking feminist Andrea Dworkin, Mozambican revolutionary Samora Machel, and J.D. Salinger for both inspiration and scorn, before turning his attention back to the president: “His character boorish, bravado without the courage.” — A.R.C.

James Blake, Assume Form

James Blake, the moody, experimental British R&B producer and singer-songwriter, made a name for himself as a collaborator with artists like Beyoncé and Kendrick Lamar, but also as a soloist willing to take sonic risks. On Assume Form, he leans into a more accessible and melody-driven side. There are warm love songs, like the choral-boosted “I Can’t Believe the Way We Flow” and syrupy “I’ll Come Too,” and sinuous trap-R&B collaborations with Moses Sumney, Rosalía and Travis Scott. Throughout, Blake knows when to deploy his delicate falsetto and when to obscure it, when to rely on echoing percussion and organ harmonies and when to surprise listeners with chopped production. Assume Form is written from the perspective of an artist in love, and with that security comes a newfound confidence in exploring his sweeter side. — R.B.

Flying Lotus, Flamagra

Every album from Flying Lotus, the experimental afro-futurist producer, is a world in itself: an exploratory amalgam of terrains and viscosities. Flamagra is no different: it rambles through free jazz, eerie campfire stories, string movements, boom-bap hip-hop and sultry R&B, with startling sonic departures peeking out from every corner. And Flying Lotus’s many famous guests get in on the fun, too, unleashing some of their weirdest and most uninhibited impulses: Herbie Hancock gets spastically funky; Tierra Whack returns to childlike wonder; Solange unleashes a hail of cosmic harmony. — A.R.C.

Maggie Rogers, Heard It In a Past Life

Singer-songwriter Maggie Rogers was launched into early stardom thanks to a viral video of one of her songs, presented to super-producer Pharrell Williams in a college master class. Her debut album Heard it in a Past Life manages to live up to the high expectations. Rogers borrows from folk traditions—she used to play the banjo—but has a knack for lush pop production with organic touches; “Alaska,” that early hit, is what happens when a drum circle ballad gets the glossy pop treatment. And then there’s her willowy voice, swinging from delicate falsetto to warm tenor with a rock ‘n’ roll edge. Rogers’s album is an exploration of self-doubt and discovery, at turns anxious and triumphant, echoing her musical journey so far. On closing tune “Back in My Body,” she comes full circle: “I found myself when I was going everywhere.” — R.B.

Rico Nasty and Kenny Beats, Anger Management

Listening to Anger Management is a physical, cathartic experience: you’re forced to absorb a scalding rage that gradually gives way to placid acceptance and self-control. Rico Nasty, a rapper from the DMV, doesn’t need much rhythmic support—she clips her consonants so viciously, they bounce off your ears like a tightly wound snare drum. But producer Kenny Beats gives her bruising surfaces that only multiply her manic energy. There are few songs this year better suited for a workout—or a mosh pit—than the fuming “Cheat Code.” Fury never sounded so fun. — A.R.C.

Solange, When I Get Home

Following the 2016 statement of A Seat at the Table, When I Get Home sees Solange dig further into her meditative style while abandoning more traditional pop considerations. She serves up a mix of unhurried jazz-funk, chopped R&B and subtle hip-hop that’s both delicate and probing, packaged in the form of a 19-track project that minimizes the borders between its tunes. Solange called in assists from the likes of Sampha, Earl Sweatshirt and Playboi Carti, but the sound and message is all her own, a nod to interior desires and a celebration of her Houston, Texas hometown. “I can’t be a singular expression of myself; there’s too many parts, too many spaces,” she muses melodically in one interlude. Often, When I Get Home comes across like a series of mantras, forming the backbone to a body of work rich with personal meaning. — R.B.

Genre is dead; all hail the new masters of global, category-defying hits from artists old and new. In 2019, the singles have been creative and surprising, from the social-media-boosted country-trap chart success of Lil Nas X‘s “Old Town Road” to Latin-world collaborations that run the gamut of musical styles. There’s room for more traditional hip-hop and pop, too—welcome back, Jonas Brothers — but they’re joined by rising stars, like Lizzo, Rosalía and Cautious Clay, who have plenty to say in their own way.

Anitta, “Rosa” feat. Prince Royce

On her debut album Kisses, Anitta, Brazil’s biggest pop star, shows off her strengths as a trilingual artist—she sings in Spanish, Portuguese and English—capable of swinging from Brazil’s hard-charging baile funk to tender bossa nova. But it’s on “Rosa” that she most comes into her own: it’s a trap-pop track boosted by the appearance of bachata-R&B artist Prince Royce, on which Anitta makes the most of her alluring voice, singing in expressive Spanish that doesn’t need translation. With its moody synth layers and sensual duet structure, it’s a song that also successfully places traditional Latin rhythms in a fresh contemporary context. — Raisa Bruner

Cautious Clay, “Sidewinder”

“I don’t need it, I don’t want it,” Cautious Clay sings on “Sidewinder,” the first song on his excellent EP “Table of Context.” But while the Brooklyn singer-songwriter’s lyrics might be apathetic, his yearning vocal performance suggests otherwise. “Sidewinder” is a harrowing and apt representation of love in the digital age, in which desire is often concealed behind ambiguity and solitude. As Clay sings of sorrow, “closed hands” and “lost ties,” his elastic voice slips acrobatically between gravely lows and feathery highs, coalescing into one of the great earworms of the year. — Andrew R. Chow

FKA twigs, “Cellophane”

“Why don’t I do it for you?” wails the experimental British artist FKA twigs on the softly unsettling “Cellophane,” a song that lays heartbreak bare. Rendered in minimalist, twanging piano chords and tightly-wound vocals, it swings from breathy devastation to high notes of carefully controlled keening. Twigs has always walked the tightrope of electronic pop and off-kilter R&B; “Cellophane” marks one of her most emotionally-charged releases to date, a ballad that drips with raw-edged pain. It also marks her return after nearly three years of absence from music, foreshadowing a new openness in work to come. — R.B.

G-Eazy, Blueface, ALLBLACK & YG, “West Coast remix”

While California hip-hop has witnessed a fearsome revival over the last few years, its community was struck by tragedy when Nipsey Hussle, one of its titans and fiercest advocates, was shot dead in Crenshaw in March. “West Coast,” a posse cut featuring four of the state’s hungriest stars, is a show of resilience, a call to unity, and a strong indicator that this renaissance isn’t fading any time soon. YG, one of Nipsey’s close friends and a Blood affiliate, proudly rhymes next to the Crip-affiliate Blueface, who brings his signature squeaky absurdism. They are joined by two Bay Area traditionalists: the suave, pop-minded G-Eazy, and ALLBLACK, who hypercharges the track with freight train intensity. — A.R.C.

Guaynaa, “Rebota”

You wouldn’t accuse “Rebota” of being complex. Guaynaa, a rising Puerto Rican rapper, repeats the song’s title—which means “bounce” in Spanish—over and over, on top of a minimalistic reggaeton beat that barely uses any tonal instruments.

But “Rebota” succeeds wildly in its simple mission: to get bodies moving. The song distills reggaeton to its purest composite parts, with Guaynaa locking into an infectious flow and gliding over the complicated syllables with the ease of an Olympic skier. The song’s ruthless single-mindedness has earned it a co-sign from Bad Bunny and a cool 148 million views on YouTube. — A.R.C.

Jonas Brothers, “Sucker”

Brothers Nick, Joe and Kevin Jonas started off as Disney Channel stars in 2005. Fourteen years later—and six years after taking a temporary hiatus from their group status—they reunited with “Sucker,” the single that kicked off their new career era. “Sucker” is a sly, nimble slice of pop, all handclap beats and whistle breaks, with vocals from the three brothers coming in precise falsetto layers. The result is deeply infectious: “Sucker” is the Jonas Brothers’ first number-one single of their career, and serves as a reminder of the timeless appeal of old-school boy band style. — R.B.

Lil Nas X and Billy Ray Cyrus, “Old Town Road remix”

It seems too strange to be true: an unknown teenager, sleeping on his sister’s floor, whips the nation into a frenzy with a horse song, defeating Taylor Swift, Justin Bieber and Ed Sheeran on the charts and throwing the supposed supremacy of long-established gatekeepers—from the Billboard charts to Nashville radio to major labels—into disarray.

Lil Nas X didn’t get here through a random fluke, but through shrewd calculation. He fanned the flames of an online cowboy craze and boosted his reach with a social media fluency, a cunning sense of humor, and a perfectly-chosen saddle partner in Billy Ray Cyrus. And perhaps most importantly, he wrote the song’s undeniably monstrous hook, which is catchier than anything the big pop machine has churned out in recent memory. He’s a new kind of renegade on a new kind of frontier. — A.R.C.

Lizzo, “Juice”

Lizzo perfects the art of the self-love dance anthem on “Juice,” the lead single off of her funk-filled, uplifting album Cuz I Love You. With “Juice,” the soulful singer, rapper and flutist delivers one of the year’s most joyful, carefree tracks, a throwback tune that feels fresh thanks to Lizzo’s playful delivery and on-point lyrics. “Mirror, mirror on the wall, don’t say it, ’cause I know I’m cute,” she deadpans—turning that old fairy tale trope into an affirmation of confidence and independence. Lizzo has become an ambassador for everything from body positivity to genre-blending; it’s hard not to buy into her brand of bold bounce when it comes in “Juice” form. — R.B.

Mark Ronson, “Late Night Feelings” feat. Lykke Li

DJ and producer Mark Ronson is one of music’s more high-profile collaborators lately, contributing to the Oscar-winning “Shallow” from A Star Is Born with Lady Gaga and working with artists like Miley Cyrus on “Nothing Breaks Like a Heart” and Dua Lipa on “Electricity.” (He is also one of the creators of the Bruno Mars smash hit “Uptown Funk.”) On “Late Night Feelings,” Ronson tapped the vocals of Swedish pop singer Lykke Li for a bittersweet dance track; where her sound naturally veers to the dark side, Ronson’s stays in the lane of bouncy jazz and funk. The resulting combination is refreshing and distinctive, Li’s voice floating lightly above his warm composition as she muses about relatable late-night doubts. — R.B.

Rosalía & J Balvin, “Con Altura”

The Spanish artist Rosalía has proved herself chameleonic during her swift ascent over the last year: she’s handled James Blake ballads, voluptuous dancehall anthems and mournful Justin Timberlake interpolations with equal aplomb. On “Con Altura,” she meets the reggaeton king J Balvin on his home turf, trading bars with him with an unflinching poise that borders on frigidity. “Con Altura” sounds like dembow, hip-hop and flamenco, with middle eastern influences sprinkled in. That is to say, it sounds like the future of global pop music. — A.R.C.

Fans, you can either have a bizarrely human-looking Sonic the Hedgehog this year, or you can have a less odd-looking Sonic the Hedgehog later. The makers of the movie based off the Sega video game announced Friday that it’ll be later. Like, next year later. The movie’s director tweeted a new release date for the...

This summer marks the 25th anniversary of the beloved Tom Hanks/Robert Zemeckis movie “Forrest Gump,” about a dim-witted but lovable everyman and his unintentional journey through the center of pivotal events in American history. What a gem, right? Not so much. While “Gump” may not be as egregiously outdated as, say, “Gone with the Wind”...

John Travolta tries out a Texas twang in this predictable noir from director George Gallo, best known as writer of 1988’s terrific “Midnight Run.” But that was a long time ago, and he didn’t write this (that would be first-timer Richard Salvatore, producer of a long list of B-level mob movies). Travolta is Carson Philips,...

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 20:59

WASHINGTON (AP) - The Botswanan government has enlisted a public relations firm with deep ties to Hollywood to push back against the bad publicity generated by the southern African nation's decision to lift its ban on elephant hunting.

In basketball, rehabilitation generally keeps a player off the court. For San Quentin’s Warriors, the court is the rehab. “Q Ball” is a moving and dynamically shot portrait of the northern California prison’s basketball team, which is sponsored by the NBA champion Golden State Warriors (Kevin Durant is an executive producer of this documentary, and...

These tough turtles are not down for the count. Sylvester Stallone, 72, has kept in touch with his two hard-shelled pals from the original “Rocky.” “”With my original buddies from the first Rocky … CUFF and LINK , now about 44 years old!” Stallone captioned a selfie he posted to Instagram, featuring the two dudes...

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 19:35

"Old Town Road" is coming to the Stanley Cup Final.

Lil Nas X will perform the top song in the world Monday in Boston as part of the pregame festivities before the series between the Bruins and St. Louis Blues gets underway. The NHL announced Friday Lil Nas X and ...

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 18:39

Kanye West addressed his controversial support for President Trump during a forthcoming interview with David Letterman, telling the former late-night host that "liberals bully people" who support the Republican president.

The rapper sat down for a wide-ranging interview with Mr. Letterman for the second-season debut of the comedian's Netflix talk ...

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 18:34

PARIS (AP) - When Roger Federer played his first match at Roland Garros the domestic currency was francs rather than euros, Steffi Graf was about to claim a sixth French Open title and few had heard of the young Swiss player who would go on to become a tennis great.

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 18:05

ANTIBES, France (AP) - A signed portrait of Mick Jagger by Andy Warhol, a motorcycle designed by Lewis Hamilton and a vacation at a private island off Tanzania were some of the items that raised $15 million at the 26th amfAR gala and auction.

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 17:32

HUTCHINSON, Kan. (AP) - Mission control consoles used by NASA to guide trips to the moon are being restored by experts in Kansas and will soon be returned to the control room in Houston, Texas, where they were used from the 1960s through the 1990s.

Indiana Jones 5 is set to come out in 2021, though the film was originally supposed to release this year. Ford and director Steven Spielberg are still attached to the project. The actor has shot down widespread rumors that Chris Pratt will join the franchise, prompting fans to think that he’ll take over the famed role at some point.

Ford, appearing to mix up Hollywood’s famous Chrises during the interview, concluded by saying, “This is a hell of a way to tell Chris Pine this. I’m sorry, man.”

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 16:16

LOS ANGELES (AP) - Disneyland's new Galaxy's Edge attraction promises to transport visitors to a new locale in the Star Wars universe, but any who overstay their visit might not catch their ride on the Millennium Falcon.

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WT ENTERTAINMENT exactly at Fri, 05/24/2019 - 16:13

BLUEFIELD, W.Va. (AP) - A Korean War era tank owned by the West Virginia National Guard has turned bright lemon-lime yellow. The reason was a mystery until the sponsor of a science fiction club at Bluefield State College owned up to the mistake in a letter to The Bluefield Daily ...

After 16 seasons as a coach on NBC's "The Voice," musician Adam Levine is leaving the show, host Carson Daly announced Friday on TODAY.
Daly also revealed that singer Gwen Stefani will return to the red chair...

[Press play on video above] Another armed guard across the street in another shop, heard the gunshots, and these guys on CCTV footage here, got arrested by the metro police only 2 blocks away. DNA evidence all over [guards shotgun].

Watch the video about - the Presidents flight U.S.A. - the Air Force One here below: Full screen available. The tickers may autoreload the page after 15 minutes.

The Florida man who gained instant internet fame for choosing jail instead of removing the “I eat a–” decal on his car said Wednesday that only “sour apples” don’t like his raunchy sticker — which he will continue to drive around with, intact, since free speech “...

Background history: We needed the best newsticker on the market for our own websites, and we bought all of them, but none of them was advanced enough, easy to use, and worked on all computers and systems. They always had flaws somewhere.

The definition of "political avenue" are built on the fact that a political decision affects the road of life-choices people have access to when they 'travel' through their lifes or the options politicians make available to them.

Want to learn more about SIGINT? -Read this.
Here's the evidence from within the NSA organization. Even when the original document is dated a bunch of years back in time, we think of it as a schoolbook example of what USA is up to.

Twenty-nine-year old Devon Alexander, of Coraopolis, worked as a behavioral specialist at the Pace Special Education School in Churchill. The drugs included suspected cocaine, crack cocaine, raw and packaged heroin, a plastic bag of Xanax, marijuana and ecstasy.

Why is it a brown-red ring-of-light around the moon! You know, we don't have brown-red clouds in Sweden. What causes the brown-red light around it, never seen before? The shining lasted for a total of 2-3 days and was not constant.

World's most powerful nuclear submarines, Arkhangelsk and Severstal, are to be dismantled after 2020. The Russian federal nuclear power watchdog, Rosatom, found their further exploitation unprofitable.

At the height of his power, Escobar was said to be the seventh richest man in the world, with his Medellin drugs cartel thought to be behind -up to- 80 percent of all the cocaine shipped to the United States.

Shorn on the sides, thick on top for the Kim Jong-un look; bright and blonde for the Donald Trump-loving customers. -A creative Hanoi barber is offering free cuts ahead of the leaders’ meeting in the next week in their Vietnamese capital.

Time for a history lesson ! - Here's some old newspaper frontpages you might recognize in memory lane! *Hitler is dead* *Hindenburg* etc.
This is a relatively new post, and it will be updated later with more frontpage material.

Hello. My name is Ed Snowden. A little over one month ago, I had family, a home in paradise, and I lived in great comfort. I also had the capability without any warrant to search for, seize, and read your communications. Anyone’s communications at any time.

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