Description

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions.

Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.

About the author

Peggy McCracken is the Domna C. Stanton Collegiate Professor of French, Women’s Studies, and Comparative Literature at the University of Michigan. Her many publications include The Curse of Eve, the Wound of the Hero: Blood, Gender, and Medieval Literature and The Romance of Adultery: Queenship and Sexual Transgression in Old French Literature.

Similar

The fascinating account of how the story of the Buddha was transformed into the legend of a Christian saint. The story of Saint Josaphat, a prince who gave up his wealth and kingdom to follow Jesus, was one of the most popular Christian tales of the Middle Ages, translated into a dozen languages, and cited by Shakespeare in The Merchant of Venice. Yet Josaphat is only remembered today because of the similarities of his life to that of the Buddha.

In Search of the Christian Buddha is set against the backdrop of the trade along the Silk Road, the Christian settlement of Palestine, the spread of Islam, and the Crusades. It traces the path of the Buddha’s tale from India and shows how it evolved, adopting details from each culture during its sojourn. These early instances of globalization allowed not only goods but also knowledge to flow between different cultures and around much of the world.

Eminent scholars Donald S. Lopez Jr. and Peggy McCracken reveal how religions born thousands of miles apart shared ideas throughout the centuries. They uncover surprising convergences and divergences between these faiths on subjects including the meaning of death, the problem of desire, and their view of women. Demonstrating the incredible power of this tale, they ask not how stories circulate among religions but how religions circulate among stories.

The fascinating account of how the story of the Buddha was transformed into the legend of a Christian saint. The story of Saint Josaphat, a prince who gave up his wealth and kingdom to follow Jesus, was one of the most popular Christian tales of the Middle Ages, translated into a dozen languages, and cited by Shakespeare in The Merchant of Venice. Yet Josaphat is only remembered today because of the similarities of his life to that of the Buddha.

In Search of the Christian Buddha is set against the backdrop of the trade along the Silk Road, the Christian settlement of Palestine, the spread of Islam, and the Crusades. It traces the path of the Buddha’s tale from India and shows how it evolved, adopting details from each culture during its sojourn. These early instances of globalization allowed not only goods but also knowledge to flow between different cultures and around much of the world.

Eminent scholars Donald S. Lopez Jr. and Peggy McCracken reveal how religions born thousands of miles apart shared ideas throughout the centuries. They uncover surprising convergences and divergences between these faiths on subjects including the meaning of death, the problem of desire, and their view of women. Demonstrating the incredible power of this tale, they ask not how stories circulate among religions but how religions circulate among stories.

In The Curse of Eve, the Wound of the Hero, Peggy McCracken explores the role of blood symbolism in establishing and maintaining the sex-gender systems of medieval culture. Reading a variety of literary texts in relation to historical, medical, and religious discourses about blood, and in the context of anthropological and religious studies, McCracken offers a provocative examination of the ways gendered cultural values were mapped onto blood in the Middle Ages.

As McCracken demonstrates, blood is gendered when that of men is prized in stories about battle and that of women is excluded from the public arena in which social and political hierarchies are contested and defined through chivalric contest. In her examination of the conceptualization of familial relationships, she uncovers the privileges that are grounded in gendered definitions of blood relationships. She shows that in narratives about sacrifice a father's relationship to his son is described as a shared blood, whereas texts about women accused of giving birth to monstrous children define the mother's contribution to conception in terms of corrupted, often menstrual blood. Turning to fictional representations of bloody martyrdom and of eucharistic ritual, McCracken juxtaposes the blood of the wounded guardian of the grail with that of Christ and suggests that the blood from the grail king's wound is characterized in opposition to that of women and Jewish men.

Drawing on a range of French and other literary texts, McCracken shows how the dominant ideas about blood in medieval culture point to ways of seeing modern values associated with blood in a new light, and how modern representations in turn suggest new perspectives on medieval perceptions.

Peggy McCracken offers a feminist historicist reading of Guenevere, Iseut, and other adulterous queens of Old French literature, and situates romance narratives about queens and their lovers within the broader cultural debate about the institution of queenship in twelfth- and thirteenth-century France.

Moving among a wide selection of narratives that recount the stories of queens and their lovers, McCracken explores the ways adultery is appropriated into the political structure of romance. McCracken examines the symbolic meanings and uses of the queen's body in both romance and the historical institutions of monarchy and points toward the ways medieval romance contributed to the evolving definition of royal sovereignty as exclusively male.

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