"I'm living a dream now, but I was most definitely living a nightmare when I was younger." -Ko

A wise man once wrote that it was the fate of modern man to live with death from adolescence until it arrives. The only life giving assurance to this human state is to accept the terms of death, to live with it as immediate danger, to set out on the uncharted journey into rebellion, to encourage the psychopath in oneself. One is a rebel or one conforms. At one time in his life, Ko had chosen to live with immediate danger, and this state is vividly reflected in his music.

Ko Kapches was raised in a middle-class Greek family in the Queen and Broadview area in Toronto, Ontario. After falling into the trap of using and selling a wide variety of drugs as a 14-year-old, he soon found himself on an odyssey of rehabilitation centres across the United States. "I lived on the streets of San Francisco for a little bit until I eventually got in touch with my parents after a few weeks," Ko explains. "My father flew out and took me home, but I started living on the streets of Toronto anyways."

Ko spent much of his time with friends in small studios, crafting his talents as a rapper while beginning to write songs and playing guitar. Ko began to develop his own unique style he refers to as both urban funk and urban folk.

"I like to think of myself as a folk musician. But I'm not singing about country folk things, I'm singing about city folk things. I didn't come from an impoverished background, but I still see things on the street every day."

While Ko is still influenced by Toronto's underground rap community, he also enjoys more mainstream rap and ranks such diverse artists as Everlast, Kid Rock, Ani DiFranco, Thelonious Monk and Van Morrison among his favourites. He even has a tattoo of a lyric from Neil Young's "Down by the River" on his chest, Be on my side, I'll be on your side.

Ko’s eclectic taste is reflected in the originality of his organic sound.

"I want people to turn their heads — love it or hate it," Ko says of his craft. "People say, 'Where can I get your CD? I've never heard this kind of stuff.'"

"I wrote some songs on the album when I was 18, but they still mean as much to me now as they did back then, especially when I play them for people who haven't heard them before. They didn't know that it was written four years ago. And even if they do, they can still sing along and enjoy it."