Akshay Kumar

Akshay Kumar (born Rajiv Hari Om Bhatia; 9 September 1967), is an Indian origin actor, producer, martial artist, stuntman and television personality, who works in Bollywood films, and currently holds Canadian citizenship. In a career spanning more than twenty five years, Kumar has appeared in over a hundred Hindi films and has won several awards including the National Film Award for Best Actor for his performance in Rustom and two Filmfare Awards.

Powerful, Inspirational, Khiladi, the New King…. These are just some of the many words used to describe Akshay Kumar. He is unarguably the most influential persons in the Indian Film Industry and why not; they don’t just call him the man with the midas touch for nothing; everything he touches seems to turn to gold, huge box office returns and one of the only Indian stars to ensure a record breaking opening at the box office with five back-to-back hits and the whopping zeroes added to his cost per film. Akshay Kumar is the new undisputable King of Bollywood.

Storyline:
The film is based in Chennai where mobiles phones get disappearing all of a sudden because of a deadly bird called Pakshi Raju(Akshay Kumar). The government has no clue what this is all about and orders Vaseegaran(Ranjini) to bring back Chitti and deal with the bird. To his suprise, Pakshi Raju kills Chitti and leaves everyone in tension. This is the time Vasi’s personal robot Vennela(Amy Jackson) creates a new version of Chitti and prepares it to fight with Pakshi Raju.

2.0 Review:
2.0 is a visual extravaganza which makes you go wow in every which way. Be it the international level VFX, thrills between Rajini and Akshay, lavish sets and amazing climax, this film has it all and is a thrilling experience for the viewers. As 2.0 has a universal theme, it will be loved all over the country and break several records in the south. Barring the same old good vs evil concept and Akshay Kumar’s dull flashback, 2.0 is one film which should only be experienced on the big screen as scientific thrillers like these are rarely made in India.

The first and foremost thing that hits you right away is the sheer scale of the film. Apart from having a genuine social message, Shankar has imagined something really different and made a visual spectacle which Indian movie lover can be proud of. You can’t but praise the magnanimity of the project as every penny spent is showcased through superb visuals on screen.

Rajinikanth like always surprises you with his childlike enthusiasm. He plays different characters and does justice to each one of them. Especially, with the 2.0 version, where he comes up with unique mannerisms is just amazing and will be loved by the fans completely. Amy Jackson is superb as the humanoid and does her role perfectly.

Perhaps, no one could have done the role better than Akshay Kumar who plays the antagonist. The Bollywood superstar is amazing as the evil bird and elevates the proceedings in the last half an hour completely. The manner in which the graphics have been used on Akshay, his makeup, and the way he fights 2.0 is way too good.

Storyline:
The film is based in Chennai where mobiles phones get disappearing all of a sudden because of a deadly bird called Pakshi Raju(Akshay Kumar). The government has no clue what this is all about and orders Vaseegaran(Ranjini) to bring back Chitti and deal with the bird. To his suprise, Pakshi Raju kills Chitti and leaves everyone in tension. This is the time Vasi’s personal robot Vennela(Amy Jackson) creates a new version of Chitti and prepares it to fight with Pakshi Raju.

2.0 Review:
2.0 is a visual extravaganza which makes you go wow in every which way. Be it the international level VFX, thrills between Rajini and Akshay, lavish sets and amazing climax, this film has it all and is a thrilling experience for the viewers. As 2.0 has a universal theme, it will be loved all over the country and break several records in the south. Barring the same old good vs evil concept and Akshay Kumar’s dull flashback, 2.0 is one film which should only be experienced on the big screen as scientific thrillers like these are rarely made in India.

The first and foremost thing that hits you right away is the sheer scale of the film. Apart from having a genuine social message, Shankar has imagined something really different and made a visual spectacle which Indian movie lover can be proud of. You can’t but praise the magnanimity of the project as every penny spent is showcased through superb visuals on screen.

Rajinikanth like always surprises you with his childlike enthusiasm. He plays different characters and does justice to each one of them. Especially, with the 2.0 version, where he comes up with unique mannerisms is just amazing and will be loved by the fans completely. Amy Jackson is superb as the humanoid and does her role perfectly.

Perhaps, no one could have done the role better than Akshay Kumar who plays the antagonist. The Bollywood superstar is amazing as the evil bird and elevates the proceedings in the last half an hour completely. The manner in which the graphics have been used on Akshay, his makeup, and the way he fights 2.0 is way too good.

Storyline:
The mobile phones in the city start to float into the sky and flock together like birds. The Government fails to reason the phenomenon and seeks the help from prominent scientists from the country. Dr. Vaseegaran suggests to reassemble Chitti as the phenomenon is beyond science and they need something as powerful as Chitti to fight against it.

Storyline:
A fictional retelling of an iconic moment in Indian history, the film revolves around the country’s first Olympic gold win as an independent nation in 1948. The victory against Great Britain in the field hockey final was a payback in many ways, and was instrumental in reaffirming the national identity of a newly independent India.

Storyline:
A fictional account, inspired by true events and people, of India’s first gold medal win as an independent nation at the 1948 Olympics in London. Tapan Das (Akshay Kumar), the team manager, leads the charge to assemble the country’s first all-Indian hockey team. His aim is to beat the Britishers at their own game, on their own turf.

Review:
Reema Kagti tells an insightful and entertaining story and take us back to that moment in history, which is not often spoken about or celebrated. Performances by the entire ensemble cast are spectacular. Akshay as the dhoti clad team manager (often referred to as Bangali), brings in a great deal of physical as well as gag-driven humour to his performance, but he’s also able to change gears in dramatic scenes with ease. Kunal Kapoor holds own as a senior player and later on a coach of the Indian team in a restrained but solid performance. Vineet Kumar Singh delivers a knockout performance once again. Amit Sadh is fantastic as an uptight prince who learns some valuable lessons in life while being the Vice Captain of the team. Sunny Kaushal, as a player with a heart and hot temper, shows a spark of brilliance. Mouni Roy, as the feisty Bengali wife, handles her brief role effortlessly.

The film begins in 1936, when India made big impact in world hockey and won its third consecutive gold at the Berlin Olympics. This team was called British India team and was managed by the British Raj. One wily and determined Bengali junior manager of the British India team, took on the audacious task to form a new team for free India to participate at the 1948 Olympics in London. His dream was to see the Indian flag furling high on British soil, which would be a moment of pride for every Indian.

‘Gold’ isn’t just a film on hockey, it’s also a period film that recreates an era long forgotten. More than that, it’s reminds us of the painful reality of partition and how that brutally tore apart our nation. The production design and costumes, which play an integral part in depicting the era, are top notch. The cinematography and the background score stand out with excellent finesse and technique. The hockey matches create a great amount of thrill, and even though you know the end result, you will find yourself sitting at the edge of your seat and rooting for team India all the way. The first half is slow paced and the film takes quite a while to establish the characters and set up the plot. The editing could have been a lot more taut and the narrative could have done without the songs Chad Gayi Hai and Naino Ne Baandhi.

Stroyline:
This is the story of Karan and Tanya. Karan is in love with Tanya but is too shy to tell her. One day Tanya witnesses the murder of a scientist by his evil twin brother, the underworld don Mehboob, and needs to flee the country. When Karan’s friend coaxes him to track Tanya after she migrates to Dubai, he enlists the aid of a deceptive investigator, Rocky to track her down. Rocky ends up falling in love with her at first sight and tries to stop Karan from wooing her. Meanwhile, Tanya’s physically disabled friend, Sanju also has a soft spot for her and tries thwarting Rocky’s attempts at getting close to Tanya. The plot thickens when Don Mehboob and his gang track Tanya down in Dubai. Click here for more Telugu Dubbed Movies.

Storyline:
Pad Man is a biographical drama based on the life of the Tamil Nadu-based activist Arunachalam Muruganantham, who worked towards providing cost-effective and hygienic sanitary napkins to the women in the rural areas, and features Akshay Kumar playing the lead role while Radhika Apte plays the role of his wife.

Storyline:
Successful businessman Raj Malhotra (Akshay Kumar) has everything going for him, including a lovely wife (Kareena Kapoor). Just when he thinks things can’t get any better, Sonia (Priyanka Chopra) – his ex-girlfriend, now the boss’s wife – walks back into his life – and she wants Raj. After he rejects her sexual advances, she accuses him of rape. But he soon turns the tables on Sonia and sues her for sexual harassment along with the help of his wife Priya.

Storyline:
Concerned about his wife Gayatri’s (Radhika Apte) menstrual hygiene, Lakshmikant Chauhan (Akshay Kumar) urges her to ditch the cloth and opt for sanitary napkins. Gayatri is reluctant to go for disposable pads as they are expensive. Lakshmi obsessing over a ‘ladies problem’ makes her cringe but he insists on bringing upon a change by addressing the taboo topic. Subjected to hostility for ruffling the religious and age-old beliefs of people around, can the man brave the resistance and get his point across?

Padman Review: The people who are crazy enough to think they can change the world are the ones who do. Through Padman, R Balki tells the real life inspiring story of Arunachalam Muruganantham (played by Akshay Kumar), a social entrepreneur from Coimbatore, who invented low cost sanitary napkins in India, despite the massive opposition and humiliation he was subjected to. The director changes the film’s setting to Maheshwar, Madhya Pradesh, while retaining the core of his courageous story.

Given the constant mention of statistics pertaining to the inadequate percentage of women who use pads in India, and reiteration of the film’s issue based motive, Padman often seems like a Public Service Advertisement parading as a commercial film. In order to appeal to the lowest common denominator, things are over-explained and all of this results in a sluggish progression of events. However, given how awkward women are made to feel even today while buying sanitary pads from a medical store, this social drama makes for an important film that needs to be watched.

Story Line:
After the passing away of his dark-skinned wife, from who they sired Uday, Dubai-based criminal don, Shankar Shetty re-married a fair-skinned woman, who gave birth to fair-skinned Sanjana. After the couple’s passing, Uday takes over in his dad’s footsteps, and takes it upon himself to try and get Sanjana married – in vain, as no one wants to be associated with a crime family. Then Uday’s associate, Sagar Pandey, aspiring live-action painter, who had loved Iravati, got beat-up by her brothers, and was re-named Majnu, assists in finding a young man, Rajiv, who lives with his maternal uncle, Dr. Ghunghroo and aunt, and through extortion compels Ghunghroo to accept this alliance. But Ghunghroo, at the very first opportunity, gets Rajiv to fall in love with another young woman in Sun City, South Africa. When the time comes to get Rajiv formally engaged to this woman, he finds out that Sanjana and she are the very same woman. With no escape from this predicament, the wedding is planned. Click here for more Telugu Dubbed movies.

Story Line:
Biography on Tamil Nadu activist Arunachalam Muruganantham, whose mission was to provide sanitary napkin’s to poor women of rural areas. Who would use rag cloths or leaves during periods where use of sanitary napkins was rare. After he did not get fruitful results from his family and a medical college he approached, he decided to try it himself by making a uterus out of football bladder and filling goat’s blood in it. He would roam around the whole day with the bladder, the aim was to check the absorption rate of the sanitary napkins made by him. Click here for more Bollywood Movies.

Toilet: Ek Prem Katha (English – Toilet: A Love Story) is a 2017 Indian Hindi-language film directed by Shree Narayan Singh. Co-produced by Akshay Kumar and Neeraj Pandey, the film stars Akshay Kumar and Bhumi Pednekar in the lead roles, with Anupam Kher, Sudhir Pandey and Divyendu Sharma in supporting roles. The film was released on August 11 2017. The film is a satirical comedy in support of governmental campaigns to improve the sanitation conditions, with an emphasis on the eradication of open defecation, especially in rural areas. The film was financially successful in India

Storyline:
Keshav and Jaya are from two villages near Mathura, where at least 80% of households are without any access to a lavatories. Conflict comes knocking on the first day of their marriage, when Jaya discovers that there is no toilet in the home and leaves Keshav’s house for good within first few days of marriage. Distraught and desperate, Keshav sets out on mission to win back his love- by battling against the age old traditions, mind-set and value system of his country.