Full movie description "River Made to Drown In":

Allen, a struggling young artist who once survived by working in the streets, is now involved with Eva, a wealthy Los Angeles gallery owner. Quite by surprise Allen receives a visit from an old john, Thaddeus, who is dying from aids and has come to spend his last days somewhere humble ans spare. Allen reluctantly takes him in, straining his relationship with Eva, who slowly discovers the truth about their past. When Thaddeus implores Allen to find Jamie, a young hustler he had once tried to rescue, Allen returns to the streets where he must choose between what he left behind and the uncertainty that lies ahead.

Film Review

I recently came across this film (DVD) never having had any clue of its existence. I was profoundly affected by it in no small measure due to the wonderful work of the major players (as well as those of the supporting cast of very competent Hollywood regulars). Richard Chamberlain (Thaddeus), Michael Imperioli (Allen) and James Duval (Jaime) in particular give heartfelt performances that, in my opinion, either confirmed reasons for (as in the case of Chamberlain) or predicted (as in the case of Imperioli and Duval) the great success of these actors . Chamberlain has intonations and expressions that come from nothing short of great insight into the pains of a character who is facing a death with romantic frustrations. Imperioli, on the other hand, displays a mix of decency and occasional rage which so typifies a person who has internal good but still has been adversely affected up by the world around him. James Duval displays uncanny understanding of the nuances of psychological complexity associated with many street hustlers who, very often, need a little love even when they may not let themselves admit it. He will forever be remembered and seen in this movie as the good looking, clean cut, tough, street smart kid who holds it all in until the end when he comes to realize the feelings he holds that he has previously been afraid to embrace. It's all masterfully summed up with his tearful expressions of affection towards the end of the film. The renderings of Clare De Lune in the background of the Santa Monica street scene at the beginning of the film and Mozart's Requiem at the end express the fleeting nature of youth, beauty and life while emoting deep feelings of sorrow and tragedy. The appropriate playing of Ave Verum Corpus towards the end of the film during the art show aptly coincides with an action that Jamie has initiated which, as the ending of the movie seems to indicate, results in a step towards his salvation (as well as Allen's). A director's cut DVD should be made including a "making of "documentary. Independent films such as this are not to be forgotten. Period.