15.09.2008

“Amor / is one word of two syllables …” (Autopoiesis 2.3)

… you, incommensurate, therefore the hours shine: if I say to you “To you I say,” you have not been set to music, or broadcast live on the ghost radio … -Reginald Shepherd, “You, Therefore”

Amor / is one word of two syllables, / spoken en two voices together / on invisible but bright planes, / mobile and at high temperature. We are all happening at once on a collapsible line, / and this is no test, underground river, / flowing eight hundred feet beneath us — a physically beautiful book. For even as infinity poured forth from zero This Cry, in its groundlessness, is heard as a (n)ever-arriving wave. “Look at this, a Chinese apple!” she will say, as if it suddenly dropped from a perfumed cloud, “lyric” — except for the 87.9% for whom it’s still just oxygen — “extravagance,” color & glitter, and a predilection for the (always almost excessively) sensual, along with the notion of “reinvention,” with its insinuation of a rescue operation, like you get on those well-intentioned radio stations that boast they’re “Keeping Jazz Alive.” Yet who would believe this creature next tilted back his head and yodelled oldle-oh-dee-odle-oh-dee-oh-de-odle which I cannot accurately reproduce here except to say that Woodchuck is said to have found it the most beautiful thing he had ever heard on earth and perhaps for this reason also the most unearthly detached and terrifying. Aphorism: Whereas History must be steered by the four elements, the fifth is crystalline, “Of fled immensities …” & The stars, which are cherished / Objects in a long dead / Game. Engulf me, ’til you thrive. Psych! / Ha! / A little less reverb on the veranda, s’il vous plait … the sun warm as ever, had grown somehow to be ripe beyond blue. “Did you say something tomorrow?” Think feedback, think big guitar god solo, “just for kicks” and “for keeps,” Did I say that it's good? It's fucking awesome. Expanding wave-front Boiling-over. As usual, the fire blazes like crazy / Only as loud as all kinds of sounds — (Does this put me at odds with the list members? To an extent with some. But to no avail, to no purpose; OH I can JUST ABOUT MAKE OUT the shape or ENVELOPE of this REMARKABLE BLUE HAZE which perneates [permeates? No, perneates] THAT VERY ATMOSPHERE KA KA KA OVER AND OVER AGAIN. / / I am writing this under the rose perfection of Bach's sonatas and par- titas for solo violin. You will be duly noted, your presence, your essence. The ocean looks the same, shallow. Who knew frog embryos and beetle larvae could be so beautiful? (Reversing earlier Romantic representations of bliss as ascension toward a kind of Neoplatonic disembodiment) “… This useless senseless loss is sovereignty.” You are contaminated within a great contamination upon the earth. The infectious disease of the soul/gram flesh-module. Cyber dog of God of et cetera! Oh! Oh, / gentle people who have made it / this far, twirled among red gourds in the yard. Perhaps there are metals in the wine we will never be able to urinate. Do not dupe the poet! Your farts have a Harry Partch musical quality. Boundaries lack edges. Such curvatures reach down to noise. Today / the still slow war / has gotten beyond me … (If anybody feels like perspiring [cough], I'd advise you to go ahead, because I’m sure going to. The skies the limit –– you’ll cap the warp you hatched. He is not in his childhood bed. n l o a

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j bloom in high contrast. Tulips. To paraphrase Gödel: Hello. My name is http://.org/. Feel free to read me, to fill my blanks, to click all my buttons. We are precisely where we think, no more. Let me show you my unfolding sunny spots of machinery. As sure as angular momentum is conserved, our luminously degenerate love will endure the entropy of the universe. … feel it in the one steak knife at a time. More water? Sure. It’s a mistake for you / to writhe in the passenger / seat. For instance. That reckless / Silence / The falling / Fruit. Here, then, is the gift of your exhaustion –– a precious animal stroked to transparency. I have dreamed great dreams … Question: Is

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http://mappemunde.typepad.com” somebody’s poem? If so, I’m sorry for stealing it without leaving a note.

[Note: Sources: epigraph from Reginald Shepherd (i.m.). Text begins with a bit from Alfred Arteaga (i.m), and includes one from David Foster Wallace (i.m.) somewhere in the middle. The rest is mostly BlazeVOX Books’ authors, taken in “A complete listing of BlazeVOX [books] Catalog: By Book Cover” order, and a thing by Tim Peterson. This time I begin at “the end” (which will no longer be the end once more titles are published; by the time you read this?) and work back. Not all the way; that’ll have to wait. This is #2 in a series … Bits from the Andrew Joron’s The Cry at Zero are interspersed after each BlazeVOX row (and are dedicated to Jared Schickling). And there are occasional other bits.

Comments

Okay, John, I've read over the sources, and I'm wondering why--this is strange--both my names (Geof and Huth--I'm not even counting Geoffrey) appear in the text, along with my birthday(!), but is this all coincidence? Or just part of the "other bits"? My birthday is just a coincidence, I realize, and it appears in the sources anyway. I turned 45 that day.

Geof, as noted, I came across this hunk of text when running a google search, and decided it was so perfect that I'd incorporate it into the piece I was working on (this piece), prefaced by "Question: is" and followed by "a poem?". I discovered it to be by Tim Peterson, author of the blog mappemunde and editor of EOAGH. I contacted him and wrote: "Is this a poem or other piece of creative work of yours?

The reason I ask is because I've incorporated that block of text into a work
of my own, and would hate to steal someone else's creativity, although I am an "appropriation artist". Usually I just appropriate little bits and pieces, and collage them together ...

If this is a creative work, I will un-incorporate it - unless you give me
permission to use (the text will never appear without a credit line with your name in it). If it's not a creative work, then I will go ahead and use, but I will still mention your name in a note (i.e. you'll still get "credit")."

Tim replied: "It's not a creative work, it's every word that appeared on page one of my blog on the day I posted it, but those words are out of order.

Whatever you want to use is fine...I've seen some of your pieces before online and I've liked them. ..."

So he musts have been talking about you. I don't know what day he chose, but this was posted to the Buffalo poetics list Fri, 23 Mar 2007 01:29:53 +0000.

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