Entertainment Weekly recently posted an exclusive video that announced the return of Darth Maul to the Star Wars universe. For those who either missed or refused to watch the prequels, Maul was a Sith Lord—the same kind of baddie as Darth Vader—who used a double-bladed lightsaber. His first on-screen appearance was in The Phantom Menace in 1999.

In that film, a three-way lightsaber duel ended with Qui-Gon Jinn impaled through the chest and Darth Maul toppling into a deep shaft, deftly cleft in twain by the blade of Obi-Wan Kenobi. Last January, viewers of the cartoon series Star Wars: The Clone Wars were introduced to Maul’s brother Savage Oppress (pronounced in typical Star Wars ­style as sah-VAHJ OH-press), who was a proposed apprentice to help Count Dooku overthrow his master and take control of the Dark Side of the Force. At the end of that trilogy of episodes, viewers were told that Darth Maul was out there in the incredibly vague somewhere in the galaxy, and Oppress had to go find him.

So, apparently this means that Darth Maul does indeed live and, by some miracle, survived being cut in half by a lightsaber and falling several stories. Insert exasperated sigh here.

Fans will note that there is precedent for this kind of resurrection. “The Dark Side of the Force is the pathway to many abilities some consider to be…unnatural,” Darth Sidious says in Revenge of the Sith. Sidious and his master found a way to use the Force to cheat death—that’s how he was able to keep Vader alive after that little swan dive into a lava field. Couldn’t Maul have picked up on some of that too? Says Filoni, “He’s suffered through a lot to keep himself alive and implemented the training of his master to do so.”

There’s also significant financial interest for Lucasfilm in this move. The episode(s) pertaining to Darth Maul will be aired in early 2012, and, by a cosmic coincidence I’m sure, Star Wars: The Phantom Menace in 3-D is premiering February 10, 2012. It goes without saying that I’m annoyed by publicity stunts written into entertainment to drive interest in a related property. Anyone else remember the martial arts episode of Star Trek: Voyager called “Tsunkatse”? WWE Wrestler Dwayne “The Rock” Johnson was a guest star, and both WWE and Voyager were on UPN.

This entire mess—and yes, I’m calling it a mess—brings Star Wars into the realm of pointless character resurrections to drive sales. It also revives the eternal frustrations I have with Star Wars fandom. Since Maul was by far one of the coolest and most bad-ass characters in the prequel trilogy, the news that he would return to the franchise was understandably received with fan praise. At the same time, others started to look at how this affects the overall quality of the franchise and aired their opinions. In response to critical fans, some blogs, including Star Wars Underworld, questioned the “fandom” of people with differing opinions. While I appreciate a discussion on how they plan to resurrect a character and do it well, it’s certainly not the first time that the Star Wars social media sphere has played the card of questioning how someone can be a fan of something while being critical: the hosts of The ForceCast did it numerous times before I stopped listening to the podcast back in May.

While other subsets of science-fiction and fantasy fandom can somewhat easily accept both positive and negative criticism toward the franchise of their choice, some Star Wars fans tend to follow the line of reasoning that if “you’re not with with us, you’re against us.” It’s all fun and games until you disagree with Uncle George and refuse to drink the blue milk, and I’ve already seen backlash from refusing to buy the Star Wars Blu-Rays and my decision not to support the 3-D re-releases. Having intelligent discussions about the positives and negatives of a franchise is one thing, but I cannot support attacking each other for having differing opinions.

The bigger problem I have with this is an issue that has plagued comic book franchises for decades, and that is in the pointless death and resurrection of characters. In real life, religious beliefs aside, death is pretty permanent. In storytelling, death is a result of failure, the completion of a heroic journey, or the motivation to start that journey. In a smaller subset, that death results in a significant change of character dynamics—such as regenerations in Doctor Who, or the evolution of Gandalf in Lord of the Rings or Obi-Wan Kenobi in Star Wars—but those deaths still carry the impact of the end of a journey and how it affects the characters around them.

Simply put, to reverse a death negates that impact and cheapens the victory for the winners.

In The Phantom Menace, Darth Maul’s death marked two important character changes: First, it displayed Obi-Wan Kenobi’s maturity and readiness to be promoted from apprentice to Jedi Knight; second, it marked the beginnings of Anakin’s destined path. The death of Darth Maul was a very important turning point for the Jedi themselves, as they discover that the Sith had indeed returned.

While I look forward to finding out how Filoni and company accomplish this feat, I am very skeptical about the Star Wars franchise as a whole at this point. If Filoni proves me wrong and does this well, I will be quite amazed. On the other hand, if this turns into yet another cheap comic book return—Superman wasn’t dead, after all, he was just resting—to sell tickets to yet another release of the Star Wars movies, then I’m done with The Clone Wars. I have supported the show since it was announced, but for me, it would be that damaging, and since George Lucas has final approval on the show, the blame would lie solely with him.

What do we know? First of all, these new film will have nothing to do with the live action television series currently in development. That show already has over 50 scripts ready to go and plenty of pre-production time and money has been spent on artwork and storyboards. Once that show goes into production, Lucasfilm hopes to be able to produce at least 100 episodes since that is the threshold for syndication in the United States.

Too early for story details but one thing that our source is certain about, they will not be prequels but instead sequels. It’s not for certain if they will be the long awaited Episodes 7, 8 and 9 but could instead be Episodes 10, 11 and 12 or possibly even further out in the Star Wars timeline. And by giving space in the timeline, possibly even as far as 100 years or 1,000 years in the Star Wars universe future, Lucas avoids having to make these stories “fit in” with what the previous stories have told.

Okay, look, IESB usually has a certain degree of reliability in these circles, but I doubt it. This pops up every year and each time is immediately debunked by Lucasfilm. In fact, Bryan contacted LFL, and predictably they said:

“This is, of course, completely false. George Lucas has lots of projects keeping him busy right now – including plenty of Star Wars projects – but there are no new Star Wars feature films planned.”

George Lucas has gone on record himself that there would be no more feature films. That would be the end of it, except IESB is playing the conspiracy card by claiming that LFL will debunk it, but they “will stand 100% behind our source.” You do that, guys.

Indiana Jones in 3-D

Here comes the next series, this time with the Indiana Jones quadrilogy going 3-D just like Star Wars. Once again, from Lucasfilm via Bryan at Big Shiny Robot:

This is completely false. Right now, we are totally focused on bringing Star Wars to 3D, and we have no plans to do an Indiana Jones conversion.

Just as I thought. I would have put more faith in this story since LFL is already in the 3-D process with Star Wars, but Bryan has a good point on that.

[…] I don’t think Indiana Jones lends itself as well to 3D. Star Wars is an effects extravaganza, Indiana Jones, for all its adventure, is pretty straight drama. It would be a lot easier to convert, I suppose, because there isn’t as much to convert.

But with as many hands in the Indy pie (Paramount, Spielberg, Ford, Lucas, etc.) I wouldn’t expect that LFL would be able to unilaterally decide to do this. In addition to the official Lucasfilm comment, it’s common sense that this wouldn’t be happening.

Like this:

In case you missed it, the official site announced that the six live-action Star Wars films will be returning to your local theater, this time in 3-D starting in 2012.

My immediate response was one of apathy. However, after a few hours of thought and sleep, I’ve slightly adjusted my position.

First, in the world of 3-D films, I’ve only been able to see the effect once or twice. The first one that came to mind was during the stellar Space Station 3D IMAX film, which I caught last year. In that documentary, there is a long shot along the axis of the International Space Station that looks out into the depths of space, and that shot stood out very well behind the 3-D glasses. I remember taking off the glasses to look at the screen and get the full effect of what technology was doing. Unfortunately, the only other time the effect returned was when the astronauts were demonstrating weightlessness with a ball, and that was intermittent for me.

The second time I saw a 3-D effect work was at the fun but intellectually vacuous 4-D “ride” based on A Bug’s Life at Disneyworld, and that was during the typical “coming right at you” moments. I tried watching Up in 3-D, mostly because that was the only way our local theater presented it, but nothing ever looked three dimensional. I know there were moments, because the audience was “ooh”-ing and “ahh”-ing at those points.

My second big concern is in the technology side. If a movie is made in 3-D from the ground up, the effects tend to work better than if the movie is 2-D initially and rendered to 3-D later. Unfortunately, the Star Wars saga was born in 2-D, which makes me apprehensive at the quality of the end 3-D result.

I think my problem with 3-D is because I know that it’s a visual trick. In the sparse moments when I’ve forgotten where I am with a 3-D movie, the effects work, but if I’m thinking about the movie and the experience, all I see is a flat screen. So, the next response is, “don’t think about it.” Space Station 3D was a documentary about something I know quite a bit about, and honestly, was a significant chunk of eye candy. Like I’ve already said, A Bug’s Life 4-D was low on substance, lasted about five minutes, and was broken up with the “fourth dimensional” effects of rumbling chairs and blowing air to represent things that happen to the viewer in the show. Both instances involved distraction from thinking too much about the material presented on screen. The problem is that I can’t switch off the analysis during Star Wars movies. They’ve been a big part of my life since I was kid, and it’s hard to separate that.

Now, I don’t want to seem like I complete “Debby Downer” on this. I am excited for the saga to get another big screen release for another generation of children, but if Lucasfilm uses the current 3-D technology, I won’t play. I would love to see the films again with the theater experience, but I don’t want to sully that experience by filtering the imagery with 3-D glasses that don’t work for me. Like any other visual filter, the glasses tend to remove a portion of the vibrancy that I expect on the silver screen. Watching the 3-D films without the glasses is completely out of the question for obvious, headache inducing, reasons.

My opinion is tempered with the fact that George Lucas is an innovator. If anyone can create a method for three-dimensional filmmaking that is revolutionary, it is Lucas, and to paraphrase Supreme Chancellor Palpatine, I’ll be watching the developments on this project with great interest. If it looks like something I can enjoy, my butt will be in the seat for all six films. Until then, I have no choice but to remain cautiously optimistic.

Either way, we all know what the end result will be: A metric Bantha load of money deposited in the Lucasfilm coffers as fans either re-live or discover Star Wars again.