Part fiction, part narrative, part superhero origin story (kinda), part personal narrative, part graphic novel, the film takes a deep look at the reasons we all might want to believe in superheroes, and the dangerous places we end up as we get lost in the world of fantasy.

"a unique take on film as self portrait"Official Selection of the Chicago Underground Film Festival.

As a small change of pace from the rest of the podcast, here's a short music video I put together made entirely out of letters.

The video was created for a two-week run at the Edinburgh Fringe Festival as part of a live show I was doing alongside comedian and performance artist Ryan Good. Initially the video was meant to serve as a background element to a movement piece, but we ended up liking the video so much that we all but abandoned all on-stage movement during the projection.

The song in the video is Jonsi's "Go Do." Some of you may recognize Jonsi as the lead singer of the Icelandic band Sigur Ros. If you like the song (somehow after well over 100 listens, I'm still not tired of it) you can buy it here. Or it's worth checking out Jonsi's website directly, where you can watch the official "Go Do" video, or live footage from his "Go" Tour which includes animated projections that are way more impressive than anything I can do.

The alternate title for this was going to be the Isaac Hayes-esque "Girl, I Wanna Get You In My Belly Button T-Shirt Hole" but the mp3 title field wouldn't fit it. But now that you know that, I mean, c'mon, aren't you curious....?

I just finished a live reading at Maryland Insitute College of Art's Falvey Hall in Baltimore this past weekend where I performed live versions of "One Reason When Visiting Sacred Sites" as well as "How to Be a Man (sort of...)" alongside playing some clips from "Beneath the Surface." After the performance, one of the students showed me a painting/drawing she had done inspired by the first segment in "Beneath the Surface." It was quite a nice surprise gift so I figured I'd share it with all of you as well. I've attached the picture here, entitled "Fading Time" by Sophie Monosmith.

In other news, I've spent the last year trying out a variety of different animation styles to figure out the best way to approach the rest of "Immune." Well, after a year, I think I've finally got something figured out and a decisive style through which to approach the film. My hope it to release the first episode before the end of the year.

Because this is a much longer piece than I normally produce, and because in writing it, it naturally broke down into seven distinct parts, I wanted to give the listener the option of listening to the piece as a whole or to each section individually. So I created an enhanced podcast, which allows you to interact with it the same way you do a CD. You can jump forward to the next track or back to one you want to hear again. Also each track has it’s own chapter title and individual artwork. The only downside is that not every portable music player can handle an enhanced podcast (sorry) so I had to make two separate ones.

This project started because I was interested in the hundreds of towns around America that have been evacuated and then purposely flooded in order to make reservoirs. In many cases, the streets, the buildings, still exist underwater. When droughts happen, these town resurface and the people who lived in these towns often come back to see what’s left of their old homes. To me, this was a very powerful image. I saw it as such a perfect example of the idea that “you can never go home again.” As I started researching I kept finding all these different parallels between water and memory, between water and time, in mythology, psychology, physiology, in the great floods, and icebergs, in swimming pools, and ancient rivers. It began to feel like maybe the reason water kept appearing as a metaphor for these things, was because it spoke to a basic human connection between the two. That maybe somewhere in the nature of water itself, we could find the nature of the human mind. (((NOTE: This piece is a slight departure from my earlier work. The piece is written less as a monologue and more like a transom of ideas set to music that I've written for it. It’s separated into 7 different sections, like tracks on a record, each with a different perspective on the relationship between water and memory. So to that extent it should be listened to more like a music album with narration instead of lyrics.)))