In the following essay, Herman explains how Ellison both follows and deviates from the conventions of literary naturalism in "King of the Bingo Game."

Prima facie, Ralph Ellison's "King of the Bingo Game" fits squarely into the tradition of literary naturalism. Ellison's extended treatment of the bingo wheel, for one thing, figures the same overriding concern with the issue of fate versus chance—the issue of determinism—manifest in, say, the famous open-safe scene in Dreiser's Sister Carrie, or in the closing pages of Norris's The Octopus. If anything, Ellison's story addresses the notion of determinism even more explicitly than is customary in naturalistic works. For Ellison's (literally) nameless protagonist attempts self-consciously to eliminate chance, to control the wheel of fortune itself, by refusing to relinquish his grasp...