I found the different textures to be interesting. I also like how the colors contrast each other. ( I am sorry that I have been slacking in my writing. I am doing a big wedding project, so I might not be posting any articles until next week). Hope you find the picture interesting.

Was exploring ways to get the eye focused onto the rock. By giving everything around the rock movement I think the eye is drawn to the rock. It might also give you a headache if you look at it too long.

Computer Graphics (CG) animation is a limitless medium for film making. I think CG animation relies more on teamwork then any other medium of film. There are two very different aspects to CG animation, there is the artistic side of and the mathematical side. Great CG animation is the result of the artistic and mathematical sides working together for the purpose of the story.

With CG animation you have more freedom to use lighting, camera, texture, and effects to enhance the story. The more the technology of CG animation develops the more freedom you have to tell the story you want to tell. John Lasseter (president of Disney and Pixar animation) said it this way when talking about CG animation, “The art challenges technology and the technology inspires the art”. With a good CG animation studio every project is a opportunity to do more sophisticated and detailed animation.

It is usually the simple things that cause the most problems in CG animation. For instance, a character touching another character is very difficult. Trying to render long hair poses problems, making something look transparent often creates many difficulties, and creating realistic clothing that interacts with the body and the world around it creates many problem that all take many highly trained people working hundreds of hours to fix.

Unlike a 2D animator, a CG animator starts with something on the screen. The model has been created and the controls set by the time it gets to the animator. Every small detail can be controlled by the animator, you often have hundreds of individual controls for the face of a character alone. Before a animator starts on a character it is like a empty shell, lifeless with nothing expressing who the character is except for the basic outside look (as you can see on the left with the character Mike from Pixar’s Monsters Inc).

It is the animator who breaths life into the model. The principles of animating in 2D very much apply in CG animation. You have to have a thorough understanding of anatomy and acting. Pacing, overlapping, and squash and stretch are all principles that are shared between 2D and CG animation.

CG animation can lone itself to subtle action better then traditional 2D animation. You are able to read little things like the movement of the eyes and see how it expresses the characters feelings. With CG animation you have a better ability to create texture so we can tell the difference between something like leather and silk. 2D animation tries to simplify things to their basic shapes, the animator needs to be able to express his or her character through only a few lines and colors. CG animation is not limited like 2D animation, it is allowed to be as detailed as it wants. However, in animated films of all kind you often see that things have been simplified. The artists want you to pay attention to the important parts and they are allowed to throw away the unneeded detail.

It takes many people to finish just one shot in CG animation. You certainly need to have a combination of talent who are able to work well with each other. It all starts with the story and group of artist who create a storyboard showing the key points of the scene. Then there are the people who create the model, the people who create the background, the animator, the lighting artist, the people who are in charge of the cloths on the character, the people who write a program for the elements like water and dust, the shading artist, the editor, and then there is the director who has the vision of the whole film. The director needs make sure everything blends into and works with each other so it looks like one artist created the whole story.

Click image to see step process

The picture of Carl from Pixar’s Up, is a great example of just a few of the things that go into making one frame of animation come to life. CG animation truly is the combination of math and art creating life on screen. Creating a program that simulates a simple thing like water is a very difficult task that has taken hundreds talented of workers many years to perfect.

There is so much that we can do in CG animation that was considered impossible just a few years ago. If you look at Pixar’s Toy Story franchise you will find that the original Toy Story (1995) is extremely primitive compared to Toy Story 3 (2010) technology wise. The extent of detail that can go into lighting and movement is so much greater then 1995 when the first Toy Story movie was made. However, what makes CG animation great is the thing that makes both of the other mediums great. You need to have a story worth telling.

With CG animation you need to have a good story in order to make a good movie. There are stories that very much lends themselves to CG animation. A good example would be Pixar’s UP which was about a old man who chose to go on a grand adventure by tying thousands of balloons to his house and flying away. In a live action film a audience would most likely not buy into the idea of a house flying away on balloons. With 2D animation you would not be able to create as believable of imagery through texture, lighting, and the ability to move the camera. UP was a story that seemed perfect for CG animation. You were allowed the freedom to let go of what was reality and buy into the feeling of reality. UP created it’s own laws and stayed true to them, we were introduced to characters that registered with us and felt real.

We see artists trying to walk a fine line between the imagination and reality in CG animation. Most CG animated movies are not created for the purpose of making things look completely realistic, they want to create the feeling of reality. Russell from Pixar’s UP is a very good example of getting away from reality to create a more relatable character. On the left you can see that Russell’s basic shape is a oval. He has very rounded features. The creators were going for a open and pleasing look. There is almost no neck on Russell, the length of Russell’s legs are completely unrealistic. But again, that is not what they were going for. The filmmakers tried to represent who Russell was on the inside through his outward appearance. Unlike Russell’s friend Carl, Russell is a much more open person who is curious (as you could see based on his shape and all the different things he takes with him) and interested in adventure (based on his expression and the kinds of things he has with him).

With CG animation every detail can be used to enhance the story. The filmmakers need to know the principles of both 2D animation and live action. It takes a animator working hundreds of hours moving thousands of controls to create just a few seconds of life. Anything is possible when it comes to how to use the camera, the director needs to have a thorough understanding on camera placement and what framing and movement creates the best effect. You are allowed to exaggerate shapes like you can do in 2D animation and you are allowed to work with sophisticated cinematography like only live action used to be able to do. The CG medium calls for constant advancement in technology, more things are becoming possible every day.

My ambition for CG animation is to create stories that push the medium forward. But, even more important then that, I want to make films that touch on core human values. Even though Toy Story 3 highlights the extent of how much CG animation has grown from the first two Toy Story’s, it is the story that will make a movie timeless. Technology will always be advancing but we all have our own individual stories to tell. The original Toy Story is still very entertaining to watch 15 years after it was created because the characters and story hit on core values that have stayed with human nature for hundreds of years, such as the value of friendship.

I look forward working with the possibilities CG animation brings us. Buzz Lightyear, from Pixar’s Toy Story franchise, has a interesting saying that I think applies very well to the medium of CG animation. With CG animation we can go “To Infinity and beyond”.

(With CG animation the key is still about the feelings the audience has for the characters and story. In the beginning of this clip Doug Sweetland expresses this point excellently)