| Tuuli Kanerva | 2016 | Master course 1 | Accademia di Architettura di Mendrisio | Professor: Jonathan Sergison Zumikon, Switzerland The museum for the work of the Swiss artist and architect Max Bill aims at a context specific, unexportable solution. The site is unusual for a museum: adjacent to the plot of the former atelier house of Bill, the museum sits in the semi-rural-semi-industrial context of Zumikon, a subu

| Matthew Kernan | 2016 | Master of Architecture | Queen’s University Belfast | Professors: Andrew Clancy and Colm Moore Through the subtle montage of various elements, this new proposal for economy housing in Aarhus demonstrates a method that we as architects can use to explore the tectonics, spatial language, and the implementation and translation of elements of both classical and past architecture for use to

| Mathaeus Lukas Nierzwicki | 2015 | Master course | ETH Zurich | Professor: Adam Caruso Everything starts in Vienna. The Secession, built by Joseph Maria Olbrich in 1897, was a building of the new era. While the art nouveau focuses on the exterior, in the inside the white box pops up for the first time. While the last allows free arrangement, the exterior is fixed. More than 100 years later Tacita Dean works as cur