War for the Planet of the Apes (2017)

Primate Directive

By Jeffrey M. Anderson

For every new, dumb Pirates of the Caribbean or Transformers sequel, studios are offering summer blockbusters that actually have reasons to exist. Opening Friday in Bay Area theaters, War for the Planet of the Apes is one of them.

Not only smart, dazzling, and entertaining, this sequel also speaks to fears and concerns that are as relevant today as they were in the 1960s, when the series originated.

Specifically, War for the Planet of the Apes looks into problems of racism and war, or, more generally, fear of the Other.

Remarkably, it effortlessly places viewers in the shoes — or primate feet — of the "Other," encouraging us to see not only their plight, but also the fatal flaws of humans.

The new sequel begins where Dawn left off; the battle was won, but more human soldiers were on their way. The "Simian Flu" has mutated, leaving some surviving humans unable to speak or reason.

Andy Serkis stars as Caesar, the intelligent leader of the apes. Once again, it's an astonishingly soulful, intuitive performance, showing the struggle between reason and instinct, compassion and revenge.

After a brutal attack on his home, Caesar hits the road and find the man responsible. He is joined by apes Maurice (Karin Konoval), Rocket (Terry Notary), and Luca (Michael Adamthwaite).

Along the way, they meet an adorable little girl (Amiah Miller) — possibly affected by the flu — and a former zoo ape called "Bad Ape" (Steve Zahn).

This Colonel has made enemies of the apes — enslaving them, forcing them to work without food or water, and separating parents from babies — but has also angered other humans with his tactics.

In one great scene, the Colonel and Caesar have a meeting of the minds, wherein both discover the subtle complexities of the other's motivations. It's no longer as simple as good vs. evil.

The gifted director Matt Reeves, of Dawn of the Planet of the Apes, returns, and he not only succeeds beautifully on a technical level, with his expert use of landscape and space, but also on an emotional one, coaxing three great performances from Serkis, Zahn, and Harrelson.