BOOKLESS IN BAGHDAD

Reflections on Writing and Writers

United Nations senior official Tharoor (Nehru, 2003, etc.) reflects on some important—and neglected—literary influences of his cultural heritage in 40 columns originally written for Indian newspapers.

Who reads Enid Blyton anymore, or Malcolm Muggeridge, or even P.G. Wodehouse? Tharoor, who was raised in middle-class Bombay during late 1950s and ’60s, ponders his colonial literary inheritance in the initial essays here. “Growing Up with Books in India” notes how reading English gave him “access to a broader world,” while, in a curious inversion, he encountered many traditional Indian fables through the European versions in Aesop’s fables. “The Spy Who Stayed Out in the Cold” scolds John le Carré for “buttressing his tawdry fictions with op-ed assaults on the post–Cold War peace between the superpowers.” For Tharoor, the engagé life and politics of Chilean poet Pablo Neruda serve as a heroic humanitarian model, as does the committed stance of Salman Rushdie, subject of “The Ground Beneath His Feet,” which thoughtfully reflects on India’s astonishingly pluralistic national identity. The author doles out sterner treatment to fellow Indian fiction writer R.K. Narayan, faulted for “the narrowness of his vision, the predictability of his prose.” Meanwhile, Tharoor frequently plugs his own novels: “Mining the Mahabharata” acknowledges the role the 2,000-year-old Indian epic poem played in the shaping of his Great Indian Novel, and “How Riot Nearly Caused a Riot” describes the agitation caused by a reading from his work among a group of Indian expatriates in New York. Nervily, he takes the U.S. to task for its illiteracy in one essay, then in the next ridicules the desire of 81 percent of Americans to write their own books. Most relevant of all is “Globalization and the Human Imagination,” a description of Tharoor’s UN mission dedicated to responsible media.