catalogue text

author(s) name(s)

precise title of the work

title Elektrosmogfreien (participation in the will and law of the creator)

subtitle a study on statistical properties of multivariate measurement series

short bio (about 150 words)

short bio (about 150 words) Farmersmanual is a distinguished, pan-European,
multisensory disturbance conglomerate. musical and technological instruments for
improvisation, network visualization and sonification. performances and remote
collaboration and forms of documentation that prolong the idea of openness and
reinterpretation. continuously expanding. TOTAL AUTOMATION vs. HUMAN
INTERACTION. seeking to shift the local atmosphere from dissolution and
clumsiness through manual change and ecstatic fiddling into an imaginative state
of complex monotony, structured calm and chill, or endless associative
babbling. so that towards the end the authors become the audience and the
audience can be confronted with a stage populated by machines infinitely
rendering a stream of slight semantic madness. with the help of extreme
frequencies and distorted, flickering images. 3. Extracting a shadow from the
skeleton of network flow. A layer of technological reality usually hidden
becomes accessible through mediation into sound and visual flicker. Erratically
shifting from chittering machines into the human realm. Replay in different
Farmersmanual. multisensory disturbance communication, electromagnetism, nuclear
fusion and ecstatic ification, tools for near instantaneous endless possible
through local atmospace delay. It is thetic and politich cant global
Scalishifting from chittext? the cause of all polycause. towards the echo of
the hypopulated only which move away from frequencies and stage created at
the end. the title for the fractures. linear shifts of the localing wave (about
300 words) name(s)

year of the work

2006 eV {Anno Mung 3172, Season of Confusion}

description of the work (about 300 words)

Simply, farmersmanual proposes to answer the following question, as posed by
Hartmut Müller.

Hartmut Müller in 1982 postulated the existience of a universal non-einsteinian gravitational standing wave along which nodes and antinodes the universe is being structured. that is for example the distribution of matter in cosmic space or the discrete set of sizes that bio-organisms assume, the temporal distribution of events in radioactive decay. We want to look at specific aspects of these phenomena:

Its has been suggested that spatially or contextuallly separated processes show structural statistical similarities. Accordingly, even
physical noise sources are subject to periodic fluctuations. We will track a set of different data sources, both global and local, prior to and during the event and analyze the collected data with respect to empiric evaluation of the proposed thesis.

The analytic process will in parts be visible and audible. Individual assessment by members of the audience will be a valuable contribution
to the experiment. Samples can be taken home.

"In the context of Global Scaling Theory the hypothesis of the Big Bang
appears in a new light. Not a propagating shock wave (pressure wave) in
linear space (the echo of the hypothetical primeval explosion) is the cause
of cosmic microwave background radiation, but a standing pressure wave in
logarithmic space. It is also responsible for the fractal and logarithmic
scale-invariant distribution of matter in the entire universe. It created the
universe as we know it and recreates it continually. It is the cause of all
physical interactions and forces – gravitation, electromagnetism, nuclear
fusion and nuclear decay. It is the cause of topological 3-dimensionality of
linear space, of left-right-asymmetry, as well as of anisotropy of time. All
of these phenomena are physical effects which arise at the transition from
logarithmic into linear space. The standing wave in logarithmic space now
allows us to communicate across astronomical distances practically without
time delay. How is this possible?"