plastiq

plastiq conspires with impulsiveness, for their music is improvised. Tracks evolve from playing with beats on tapes, synthesizers and voices. The room, audience and collaborationists inspire a happening unheard-of. plastiq sounds like Kraut, Sci-Fi, a tribe of sirens. And how could anyone wonder about their lyrics? plastiq is here – in the limelight, behind the scenes, not on just anyone’s lips.

Bühnenmusik:

Tracks written for Heiner Müller’s ‘Zement’, staged by Greg Liakopoulos:
No.1 to be played mono/on stage to the left, low/adequately; no.2 to be played stereo/from behind the audience, presently; no.3 to be played mono/on stage to the right, aloud; no.4 to be played stereo/on stage, change to mono/on stage to the left, when grande orgue stops/synth bass starts, aloud/adequately.

solo as ‘MD e_mol’:

Honeyheads

As there’s no place called rest – just ways to walk and good shoes – Honeyheads are trying to supply you with some decent footwear, or, at least, a nice soundtrack to wherever you’re going. Reportedly, our music sounds like a Wes Anderson movie, and if so, these might be the tunes to some sequence of that film:

Honeyheads– Edwyn Speaks Louder Than Kirk

Honeyheads – Edwyn Speaks Louder Than Kirk EP;Cloudberry#82; March 2008;
Tracklist:
1) From A To B To See You
2) Coimbra Skyline
3) Out Of Marseille
(Format: 3inch CD, limited edition)
Artwork by e_mol.