Study Tools

The Bell Jar

Sylvia Plath

Analysis of Major Characters

Chapters 1–2

Themes

Themes are the fundamental and often universal ideas
explored in a literary work.

Growth Through Pain and Rebirth

The Bell Jar tells the story of a young
woman’s coming-of-age, but it does not follow the usual trajectory
of adolescent development into adulthood. Instead of undergoing
a progressive education in the ways of the world, culminating in
an entrance into adulthood, Esther regresses into madness. Experiences
intended to be life-changing in a positive sense—Esther’s first
time in New York City, her first marriage proposal, her success
in college—are upsetting and disorienting to her. Instead of finding
new meaning in living, Esther wants to die. As she slowly recovers
from her suicide attempt, she aspires simply to survive.

Esther’s struggles and triumphs seem more heroic than
conventional achievements. Her desire to die rather than live a
false life can be interpreted as noble, and the gradual steps she
takes back to sanity seem dignified. Esther does not mark maturity
in the traditional way of fictional heroines, by marrying and beginning
a family, but by finding the strength to reject the conventional
model of womanhood. Esther emerges from her trials with a clear
understanding of her own mental health, the strength that she summoned
to help her survive, and increased confidence in her skepticism
of society’s mores. She describes herself, with characteristic humor,
as newly “patched, retreaded and approved for the road.”

The Emptiness of Conventional Expectations

Esther observes a gap between what society says she should
experience and what she does experience, and this gap intensifies
her madness. Society expects women of Esther’s age and station to
act cheerful, flexible, and confident, and Esther feels she must
repress her natural gloom, cynicism, and dark humor. She feels she
cannot discuss or think about the dark spots in life that plague
her: personal failure, suffering, and death. She knows the world
of fashion she inhabits in New York should make her feel glamorous
and happy, but she finds it filled with poison, drunkenness, and
violence. Her relationships with men are supposed to be romantic
and meaningful, but they are marked by misunderstanding, distrust,
and brutality. Esther almost continuously feels that her reactions
are wrong, or that she is the only one to view the world as she
does, and eventually she begins to feel a sense of unreality. This
sense of unreality grows until it becomes unbearable, and attempted
suicide and madness follow.

The Restricted Role of Women in 1950s America

Esther’s sense of alienation from the world around her
comes from the expectations placed upon her as a young woman living
in 1950s America. Esther feels pulled between
her desire to write and the pressure she feels to settle down and
start a family. While Esther’s intellectual talents earn her prizes,
scholarships, and respect, many people assume that she most wants
to become a wife and mother. The girls at her college mock her studiousness
and only show her respect when she begins dating a handsome and
well-liked boy. Her relationship with Buddy earns her mother’s approval,
and everyone expects Esther to marry him. Buddy assumes that Esther
will drop her poetic ambitions as soon as she becomes a mother,
and Esther also assumes that she cannot be both mother and poet.

Esther longs to have adventures that society denies her,
particularly sexual adventures. She decides to reject Buddy for
good when she realizes he represents a sexual double standard. He
has an affair with a waitress while dating Esther, but expects Esther
to remain a virgin until she marries him. Esther understands her
first sexual experience as a crucial step toward independence and
adulthood, but she seeks this experience not for her own pleasure
but rather to relieve herself of her burdensome virginity. Esther
feels anxiety about her future because she can see only mutually
exclusive choices: virgin or whore, submissive married woman or
successful but lonely career woman. She dreams of a larger life,
but the stress even of dreaming such a thing worsens her madness.

The Perils of Psychiatric Medicine

The Bell Jar takes a critical view of
the medical profession, in particular psychiatric medicine. This
critique begins with Esther’s visit to Buddy’s medical school. There,
Esther is troubled by the arrogance of the doctors and their lack
of sympathy for the pain suffered by a woman in labor. When Esther
meets her first psychiatrist, Dr. Gordon, she finds him self-satisfied
and unsympathetic. He does not listen to her, and prescribes a traumatic
and unhelpful shock therapy treatment. Joan, Esther’s acquaintance
in the mental hospital, tells a similar tale of the insensitivity
of male psychiatrists. Some of the hospitals in which Esther stays
are frighteningly sanitized and authoritarian. The novel does not
paint an entirely negative picture of psychiatric care, however.
When Esther goes to a more enlightened, luxurious institution, she
begins to heal under the care of Dr. Nolan, a progressive female
psychiatrist. The three methods of 1950s
psychiatric treatment—talk therapy, insulin injections, and electroshock
therapy—work for Esther under the proper and attentive care of Dr.
Nolan. Even properly administered therapy does not receive unmitigated
praise, however. Shock therapy, for example, works by clearing the
mind entirely. After one treatment, Esther finds herself unable
to think about knives. This inability comes as a relief, but it
also suggests that the therapy works by the dubious method of blunting
Esther’s sharp intelligence.

Motifs

Motifs are recurring structures, contrasts, or literary
devices that can help to develop and inform the text’s major themes.

News and Fashion Media

Esther frequently reads newspaper headings and thumbs
through magazines. The information that she absorbs from these sources tells
us what interests her most: the papers fascinate her with their stories
of the execution of the Rosenbergs and a man’s suicide attempt.
Periodicals also reinforce the values of mainstream 1950s America.
Esther’s mother sends her a pamphlet defending chastity, and in
the doctor’s waiting room Esther reads magazines about young motherhood.
The power of magazine images to distort and alienate is most obvious
when Esther sees a picture of herself in a fashion magazine in the
mental hospital and feels the distance between her actual life and
the image of glamour and happiness she sees in the magazine.

Mirrors

Esther continually confronts reflections of herself, reflections
she often fails to recognize. After her evening with Doreen and
Lenny, Esther fails to recognize her own reflection in the elevator
doors. After her first shock treatment with Dr. Nolan, she thinks
her reflection is another woman in the room. Most dramatically,
after her suicide attempt Esther fails to recognize her bruised
and discolored face in a mirror, and cannot even tell if the creature
she sees is a man or a woman. Esther increasingly struggles to keep
the outward self she presents to the world united with the inner
self that she experiences. Her failure to recognize her own reflection
stands for the difficulty she has understanding herself.

Blood

The shedding of blood marks major transitions in Esther’s
life. When Marco attempts to rape her, she gives him a bloody nose,
and he smears his blood on her like war paint. When she decides
to kill herself, she slashes her calf to practice slashing her wrists.
When she loses her virginity, she bleeds so copiously that she must
seek medical attention. The presence of blood suggests a ritual
sacrifice: Esther will sacrifice her body for peace of mind, and
sacrifice her virginity for the sake of experience. The presence
of blood also indicates the frightening violence of Esther’s experiences.
For her, transformations involve pain and suffering, not joy.

Symbols

Symbols are objects, characters, figures, or colors
used to represent abstract ideas or concepts.

The Bell Jar

The bell jar is an inverted glass jar, generally used
to display an object of scientific curiosity, contain a certain
kind of gas, or maintain a vacuum. For Esther, the bell jar symbolizes
madness. When gripped by insanity, she feels as if she is inside
an airless jar that distorts her perspective on the world and prevents
her from connecting with the people around her. At the end of the
novel, the bell jar has lifted, but she can sense that it still
hovers over her, waiting to drop at any moment.

The Fig Tree

Early in the novel, Esther reads a story about a Jewish
man and a nun who meet under a fig tree. Their relationship is doomed,
just as she feels her relationship with Buddy is doomed. Later,
the tree becomes a symbol of the life choices that face Esther.
She imagines that each fig represents a different life. She can
only choose one fig, but because she wants all of them, she sits
paralyzed with indecision, and the figs rot and fall to the ground.

Headlines

Chapter 16 marks one of Esther’s
most debilitating bouts with her illness. In this chapter, headlines
are reprinted in the text of the novel. Joan gives Esther actual
headlines from articles reporting Esther’s disappearance and attempted
suicide. These headlines symbolize Esther’s exposure, her effect
on others, and the gap between Esther’s interpretation of experiences
and the world’s interpretation of them. First, they show Esther
that the public knows about her behavior—she does not act in a vacuum,
but in the interested eye of the world. The headlines also demonstrate
the power Esther’s behavior has on people who are almost strangers
to her. Joan, for example, says the headlines inspired her to move
to New York and attempt suicide. Finally, the headlines represent
the dissonance between Esther’s experience of herself and others’
experience of her. While Esther sees only pain and swallowing pills
in the darkness, the world sees a sensational story of a missing
girl, a hunt in the woods, and the shocking discovery of Esther
in her own house.

The Beating Heart

When Esther tries to kill herself, she finds that her
body seems determined to live. Esther remarks that if it were up
to her, she could kill herself in no time, but she must outwit the
tricks and ruses of her body. The beating heart symbolizes this
bodily desire for life. When she tries to drown herself, her heart
beats, “I am I am I am.” It repeats the same phrase when Esther
attends Joan’s funeral.