This project examines questions of national identity and democracy in television through
the analysis of the production processes of audience discussion programmes. The study
of television debates, as public spaces through which members of particular communities discuss topics of common concern, shed some light on two different questions. On the one hand, this project explores whether the (re)construction of national and cultural identity intervenes in the process of programme-making within stateless nations. On the other hand, audience discussion programmes are examined to assess whether they can function as democratic spheres of social representation in the media.
These two strands of research are developed through ethnographic insights into two
television debates: Scottish Women - produced by the commercial company Scottish
Television (STV), and La Vida en un Xip - transmitted through the. Catalan public
television channel TV3 and produced by the production company DCo.S.A. A comparative study of these two programmes and their respective broadcasting contexts is
provided. Also, the distinctive political status of Scotland and Catalonia within their
respective states - Britain and Spain - and the European and international contexts, is
examined in relation to the media.
The current debates concerning nationalism, the nation and national identity are discussed on the basis of culture as the essential element of the nation-building process. This study explores the process of cultural identity fonnation in Scotland and Catalonia and the role of their respective media structures as potential actors in the (re)construction of collective identities. Thus, the analysis of television production is regarded as a key instrument with which to assessh ow this medium intervenesi n such processes.
Audience discussion programmes are examined as television formats with the potential
for providing a democratic public sphere in the media. An expansion of the concept of
the public sphere, its transformation and its role in contemporary societies is, therefore, essential to develop this argument. Also, the relation between television debates and the community is explored through a survey carried out amongst participants of Scottish
Women and La Vida en un Xip.
This work provides media studies with some keys to evaluate the role of television
debates in the delicate political make-up of two nations without a state, Scotland and
Catalonia. Questions of national and cultural identity are crucial to the policy-making of their respective broadcasting, industries. Yet, such questions are difficult to distinguish and define in their programming. The comparative analysis of the two case studies reveals that every person involved in television making reflects to a certain extent his/her own perceptions of the country, and therefore, television debates mirror the ambiguities
that may lie behind them.
This study provides some clues to reformulate the concept of the 'public sphere' on the basis of a 'dissection' of television production procedures. The findings also reveal the economic, political and social criteria that develop audience discussion programmes into spheres of entertainment rather than rational communicative environments in which a
public sphere could function. The concepts of national identity and the public sphere are framed in the context of contemporary societies, in which post-modem values are eroding the role and interest of the individual in the political process.

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