I’m going to share a hot off the press story with you here. Then we can look at how to apply the principles in it to your life.

Ready?

I just finished recording my sixth singer-songwriter album. It’s called The Great Something.

I dedicated my new singer-songwriter album to the great Melissa Etheridge

While the previous five albums all reveal a musician growing in confidence and ability, each one better than the last, this latest one broke all boundaries.

The songs are better than ever.

The singing is hands down the best ever.

The music is stellar, going from swing to ballad to rock to (as my drummer put it) “improvised symphony of genius.”

Why is this album so much better than all the others?

What happened?

I used everything I teach about self-help, goal-setting, and manifestation to create this album; from setting a clear intention to gathering my band of legends, to taking action on the ideas and opportunities that arose as I moved toward the recording date.

Singing my heart out

While all these elements are part of what make The Law of Attraction work in your favor, clearly the biggest turning point for me was attracting my private two-hour songwriting lesson with rock icon Melissa Etheridge.

I’ve already written four blog posts about my time with her. (See PS below for links to those “Attracting Melissa Etheridge” articles.) I won’t repeat myself (much) here, but I openly declare that my time with Melissa deeply influenced this entire album.

In fact, I’ve dedicated it to her.

Let me explain:

First, I used some of her music dynamics to create new songs.

The song “Melissa Said” is, as my producer called it, “The greatest thank you card of all time.” It’s an original song I wrote for Melissa, using some of the arrangements she shared with me about making music. My band got goose bumps listening to my homage to Melissa. It is stellar. It is three minutes of gratitude. (Wait till Melissa hears it!)

Second, the title track song was directly influenced by my time with Melissa.

While Melissa was too wise to tell me what to do, her feedback helped me learn lessons for myself. It was the Socratic method. Socrates didn’t give you the answer. He helped you think of it on your own. Being with Melissa helped me realize the title track song (and the album) needed to be called The Great Something, my phrase for God or the Divine. (It was originally going to be called The Miracle.) That insight redirected the entire album.

Third, and more importantly, Melissa urged me to write from the first person.

“The Great Something,” the title track song, is raw. It’s from my view of life, my hard times, and my discovery of The Great Something. The band was blown away with the power and depth of it. It is riveting. It is revealing. That is a direct result of taking to heart what Melissa told me about writing in the first person.

Fourth, when I was with Melissa, I shared the opening lines of a song that had come to me in my sleep.

Melissa liked what she heard. Because of that, I felt encouraged to complete the song. I did. It is the most hauntingly beautiful thing I’ve ever penned. It’s called “Hey You,” and it’s designed to heal any hurting heart. Guitar Monk Mathew Dixon added his sweet guitar on it and it is deliciously healing.

Guitar Monk Mathew Dixon

Fifth, Melissa taught me to feel my message when I sang.

As a result, my singing on a singer-songwriter ballad I wrote was, as my producer called it, “Sinatra-est.” It was probably the highest compliment he could give me. My voice compared even remotely to Frank Sinatra’s was enough to make me speechless. I just followed what Melissa taught me and felt the song as I sang it.

With Melissa Etheridge (!)

Obviously, I absorbed Melissa’s wisdom and vibe and infused it into this new album.

I wrote about attracting Grammy nominated saxophone sensation Mindi Abair last November.

I attracted her again the other night.

Mindi Abair likes my sax album

While Mindi performs with the legends – from Aerosmith to Bruce Springsteen – and is a legend herself, she rarely if ever performs private acoustic house concerts.

She’s done it twice now for me and my friends.

And we all love her.

Mindi and my friends

I can’t say enough good things about Mindi.

Not only is she beautiful and mega talented, but a warm, loving, fun, generous person, as well.

Her seventh solo CD, Wild Heart, debuted at #1 on the Billboard Jazz chart and was nominated for a Grammy in the Best Contemporary Instrumental Album category. Featuring special guests such as Gregg Allman, Joe Perry, Max Weinberg, Booker T. Jones and Waddy Wachtel, Wild Heart is my favorite of all her albums (so far).

She played tracks from the recent album: raw, acoustic, and steaming with emotion. And she and her keyboard player, Dave Yaden, a Grammy winning songwriter, hung with us for almost six hours.

They didn’t have to.

They wanted to.

And everyone was amazed, happy and grateful.

Mindi with keyboardist Dave Yaden

A highlight for me was having Mindi teach me how to control my breathing for better saxophone playing.

The basic idea is to make a slip of paper stay stuck to a wall by focusing your breath a few inches away and keeping the air flow out steady, so the paper doesn’t fall. (You can watch that lesson at http://youtu.be/LQDUS9tFbAk)

Like most women, Mindi swoons to my sax album

Another highlight was Mindi sitting on my lap, swooning to the thought of my own saxophone album, Afflatus.

And both Mindi and Dave answered our questions, which was remarkable and educational, as they openly discussed music, improvisation, and breathing, to where to get hot pants and sexy boots. We also learned about hack-sawing a mouthpiece to get it in tune, the musician’s crush, and more.

As in the last private concert, Mindi introduced each song with a story behind it, which brought the songs to life in a more intimate way.

A poignant story was about Mindi’s sax, which was stolen last January.

She had a custom made alto saxophone which was her baby, her pride and joy, and her workhorse. She took it everywhere, used it daily, and relied on it for her income.

It was stolen out of her car.

Mindi approves of the new album "Higher Octaves" by Guitar Monk Mathew Dixon and myself

While she was devastated, it turned into something great, as she attracted a new Yamaha Custom Z alto sax and her own signature Theo Wanne mouthpiece.

While the theft was not perceived as good at the time, she later saw it as the Universe kicking her into her next growth spurt.

As she put it, she was an instant Buddhist – learning non-attachment on the spot.

I love this woman.

To nourish us all, Nerissa made pizza and brownies from the grain-free, gluten-free, all natural recipes in her bestselling cookbook, Bread-Free Bread.

All in all, another unforgettable evening with the astonishing Mindi Abair.

NOTE: Just a friendly reminder: you can still pre-order my fifth singer-songwriter album — the one where the songs are like 3-minute self-help books — and with Grammy nominated singer Ruthie Foster on one steamy track — at a dramatic discount at One More Day: Life Lessons in Hypnotic Song. This will be a limited edition collectible booklet and CD package. You’ll want it. I’m no Mindi Abair, but I also play sax on the album.

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