A close study of six major public religious festivals, including carnival, African-Brazilian Culture and Regional Identity in Bahia, Brazil, explores the cultural politics of regional identity in the ...
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A close study of six major public religious festivals, including carnival, African-Brazilian Culture and Regional Identity in Bahia, Brazil, explores the cultural politics of regional identity in the state of Bahia in northeast Brazil. The author shows how, after 1930, the festivals provided a platform for African-Bahians and their allies to re-formulate Bahian regional identity to allow for a greater degree of cultural inclusion for Bahians of African descent. The book emphasizes the agency of African-Bahians as samba, capoeira, and Candomblé ritual were performed during the festivals and describes how politicians, journalists, song writers, and public intellectuals came to celebrate African-Bahian culture as a defining feature of what it meant to be Bahian. The nature of this cultural inclusion, however, was such that, although it was an improvement on the prejudice and persecution of the 1920s, it led to very little, if any, improvement in the political and economic position of working-class people of African descent. As such, the book explores the possibilities and limitations of cross-class alliances based around cultural inclusion in a specific historical setting and the potential of cultural politics for the social inclusion of people of African descent in multi-racial, multi-cultural communities within Brazil and the African diaspora.Less

African-Brazilian Culture and Regional Identity in Bahia, Brazil

Scott Ickes

Published in print: 2013-08-13

A close study of six major public religious festivals, including carnival, African-Brazilian Culture and Regional Identity in Bahia, Brazil, explores the cultural politics of regional identity in the state of Bahia in northeast Brazil. The author shows how, after 1930, the festivals provided a platform for African-Bahians and their allies to re-formulate Bahian regional identity to allow for a greater degree of cultural inclusion for Bahians of African descent. The book emphasizes the agency of African-Bahians as samba, capoeira, and Candomblé ritual were performed during the festivals and describes how politicians, journalists, song writers, and public intellectuals came to celebrate African-Bahian culture as a defining feature of what it meant to be Bahian. The nature of this cultural inclusion, however, was such that, although it was an improvement on the prejudice and persecution of the 1920s, it led to very little, if any, improvement in the political and economic position of working-class people of African descent. As such, the book explores the possibilities and limitations of cross-class alliances based around cultural inclusion in a specific historical setting and the potential of cultural politics for the social inclusion of people of African descent in multi-racial, multi-cultural communities within Brazil and the African diaspora.

Cuban Costumbrista writers reported the strong presence of African traditions developed by slaves and by freed Blacks as agents of a vigorous popular culture that was highly visible throughout the ...
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Cuban Costumbrista writers reported the strong presence of African traditions developed by slaves and by freed Blacks as agents of a vigorous popular culture that was highly visible throughout the nineteenth century. In their handling of Black themes, Costumbristas addressed four main subjects: (1) the particularities of the sugar-cane plantation, rich in slave cultures (as performed in different formats of acculturation by both African and Creole or Cuban-born slaves); (2) the development of religious systems within rural and urban settings; (3) documentation of Black musical expressions; and (4) the incorporation of certain Black social types as literary characters, as workers of specific trades assigned to slaves or to freed Blacks, or as marginal outcasts living in slum areas of major Cuban cities. Afro-Cuban Costumbrismo intends to examine the special qualities that the nineteenth-century Costumbristas observed as eyewitnesses of the making of a new racial hybridity, known today as “mulattoness.” Although mulattoness was a racial concept handled in various types of documents (for example, in ecclesiastical and civil regulations against mixed marriages), it was in Costumbrista literature that the concept took on literary presence. Although Blacks as depicted by Costumbristas had little literary significance, their presence in these politically infused texts covertly addresses the influence of Black Creole culture on developing Cubanía.Less

Afro-Cuban Costumbrismo : From Plantations to the Slums

Rafael Ocasio

Published in print: 2012-09-16

Cuban Costumbrista writers reported the strong presence of African traditions developed by slaves and by freed Blacks as agents of a vigorous popular culture that was highly visible throughout the nineteenth century. In their handling of Black themes, Costumbristas addressed four main subjects: (1) the particularities of the sugar-cane plantation, rich in slave cultures (as performed in different formats of acculturation by both African and Creole or Cuban-born slaves); (2) the development of religious systems within rural and urban settings; (3) documentation of Black musical expressions; and (4) the incorporation of certain Black social types as literary characters, as workers of specific trades assigned to slaves or to freed Blacks, or as marginal outcasts living in slum areas of major Cuban cities. Afro-Cuban Costumbrismo intends to examine the special qualities that the nineteenth-century Costumbristas observed as eyewitnesses of the making of a new racial hybridity, known today as “mulattoness.” Although mulattoness was a racial concept handled in various types of documents (for example, in ecclesiastical and civil regulations against mixed marriages), it was in Costumbrista literature that the concept took on literary presence. Although Blacks as depicted by Costumbristas had little literary significance, their presence in these politically infused texts covertly addresses the influence of Black Creole culture on developing Cubanía.

Afro-Cuban Religious Arts traces the religious art created by four generations of Afro-Caribbean women from Havana, Cuba, to Spanish Harlem, New York, from 1899 to 1969. Through an examination of ...
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Afro-Cuban Religious Arts traces the religious art created by four generations of Afro-Caribbean women from Havana, Cuba, to Spanish Harlem, New York, from 1899 to 1969. Through an examination of archives featuring photographs, notes, and surviving altar fragments belonging to Tiburcia Sotolongo y Ugarte, Hortensia Ferrer, Iluminada Sierra Ortiz, and Carmen Oramas Caballery, a history of women’s leadership roles within Afro-Cuban religious arts practices emerges. To this end, their work reveals the critical interaction between the arts of different Afro-Caribbean belief systems, particularly Espiritismo and Santería. With careful documentation of this work, these leaders created an impressive account of hybrid cultural identities that references African, native Caribe, and European cultural inheritances. This exploration of Caribbean Creole identity prompted critical dialogue among their audiences during highly turbulent social and political changes of the twentieth century. Such popular discourse proves to be exemplary of the dynamic exchange of histories that led to the explosion of African diasporic religious arts throughout the Americas and beyond.Less

Afro-Cuban Religious Arts : Popular Expressions of Cultural Inheritance in Espiritismo and Santería

Kristine Juncker

Published in print: 2014-08-05

Afro-Cuban Religious Arts traces the religious art created by four generations of Afro-Caribbean women from Havana, Cuba, to Spanish Harlem, New York, from 1899 to 1969. Through an examination of archives featuring photographs, notes, and surviving altar fragments belonging to Tiburcia Sotolongo y Ugarte, Hortensia Ferrer, Iluminada Sierra Ortiz, and Carmen Oramas Caballery, a history of women’s leadership roles within Afro-Cuban religious arts practices emerges. To this end, their work reveals the critical interaction between the arts of different Afro-Caribbean belief systems, particularly Espiritismo and Santería. With careful documentation of this work, these leaders created an impressive account of hybrid cultural identities that references African, native Caribe, and European cultural inheritances. This exploration of Caribbean Creole identity prompted critical dialogue among their audiences during highly turbulent social and political changes of the twentieth century. Such popular discourse proves to be exemplary of the dynamic exchange of histories that led to the explosion of African diasporic religious arts throughout the Americas and beyond.

This book compares Cuban American and African American religiosity, arguing that Afro-Cuban religiosity and culture are central to understanding the Cuban and Cuban American condition. The book ...
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This book compares Cuban American and African American religiosity, arguing that Afro-Cuban religiosity and culture are central to understanding the Cuban and Cuban American condition. The book interprets this saturation of the Afro-Cuban as transcending race and affecting all Cubans and Cuban Americans in spite of their pigmentation or self-identification. Building on a historical overview of the intersection of race, religion, and nationhood, the book explores the manner in which devotion to La Caridad del Cobre, popular religion, and Cuban letters inform an Afro-Cuban theology. This interdisciplinary study draws from various theological schools as well as the disciplines of history, literary studies, and ethnic studies. The primary discipline is systematic theology, with special attention to black and Latino/a theologies. Far from being disconnected subfields, they are interrelated areas within theological studies. The book provides a broad overview of the Cuban and Cuban American communities, emphasizing the manner in which the intersection of race and religion has functioned within the construction of Cuban and Cuban American identities. The Roman Catholic Church's role in this history, as well as the preservation of African religious practices and consequent formation of Afro-Cuban religions, are paramount. Also new is the collaborative spirit between black and Latino/a that underlines this work. The book proposes an expansion of racial identity recognizing the different cultures that exist within U.S. racial contexts—specifically a model of collaboration versus dialogue between black and Latino/a theologies.Less

Afro-Cuban Theology : Religion, Race, Culture, and Identity

Michelle A. Gonzalez

Published in print: 2006-09-01

This book compares Cuban American and African American religiosity, arguing that Afro-Cuban religiosity and culture are central to understanding the Cuban and Cuban American condition. The book interprets this saturation of the Afro-Cuban as transcending race and affecting all Cubans and Cuban Americans in spite of their pigmentation or self-identification. Building on a historical overview of the intersection of race, religion, and nationhood, the book explores the manner in which devotion to La Caridad del Cobre, popular religion, and Cuban letters inform an Afro-Cuban theology. This interdisciplinary study draws from various theological schools as well as the disciplines of history, literary studies, and ethnic studies. The primary discipline is systematic theology, with special attention to black and Latino/a theologies. Far from being disconnected subfields, they are interrelated areas within theological studies. The book provides a broad overview of the Cuban and Cuban American communities, emphasizing the manner in which the intersection of race and religion has functioned within the construction of Cuban and Cuban American identities. The Roman Catholic Church's role in this history, as well as the preservation of African religious practices and consequent formation of Afro-Cuban religions, are paramount. Also new is the collaborative spirit between black and Latino/a that underlines this work. The book proposes an expansion of racial identity recognizing the different cultures that exist within U.S. racial contexts—specifically a model of collaboration versus dialogue between black and Latino/a theologies.

Tourists exult in Bahia, Brazil, as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ...
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Tourists exult in Bahia, Brazil, as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ugly reality of anti-black authoritarian violence. This book argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, the book follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As the book reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians.Less

Afro-Paradise : Blackness, Violence, and Performance in Brazil

Christen A. Smith

Published in print: 2016-02-01

Tourists exult in Bahia, Brazil, as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ugly reality of anti-black authoritarian violence. This book argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, the book follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As the book reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians.

The struggle for racial justice by Afro–civil society in Brazil and Salvador da Bahia is the main concern of this book. Theoretically this research aims to contribute to Latin American critical ...
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The struggle for racial justice by Afro–civil society in Brazil and Salvador da Bahia is the main concern of this book. Theoretically this research aims to contribute to Latin American critical racial theory and Afro-Brazilian social movements by providing deep insights regarding cultural politics in Salvador da Bahia by exploring the following: various and different of forms of Black consciousness and cultural expressions; different levels of political action and social mobilization by Afro-Brazilian groups; the role of Afro–civil society in relation to the state; and to critically analyze current debates on racial and gender discrimination as well as social inequality. Conceptually, this research seeks to break new ground by examining how Black politics both cultural and formal are articulated and the ways in which the state is responding to various Black demands in Brazil, particularly in Salvador da Bahia.Less

Afro-Politics and Civil Society in Salvador da Bahia, Brazil

Kwame Dixon

Published in print: 2016-03-08

The struggle for racial justice by Afro–civil society in Brazil and Salvador da Bahia is the main concern of this book. Theoretically this research aims to contribute to Latin American critical racial theory and Afro-Brazilian social movements by providing deep insights regarding cultural politics in Salvador da Bahia by exploring the following: various and different of forms of Black consciousness and cultural expressions; different levels of political action and social mobilization by Afro-Brazilian groups; the role of Afro–civil society in relation to the state; and to critically analyze current debates on racial and gender discrimination as well as social inequality. Conceptually, this research seeks to break new ground by examining how Black politics both cultural and formal are articulated and the ways in which the state is responding to various Black demands in Brazil, particularly in Salvador da Bahia.

Michelle Bachelet was the first elected female president of Chile, and the first woman elected president of any South American country. What was just as remarkable, though less noted, was the success ...
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Michelle Bachelet was the first elected female president of Chile, and the first woman elected president of any South American country. What was just as remarkable, though less noted, was the success and stability of the political coalition that she represented, the Concertaciόn. Though Bachelet was the fourth consecutive Concertaciόn president, upon taking office her administration quickly faced a series of crises, including massive student protests, labor unrest, internal governmental divisions, and allegations of ineptitude and wrongdoing as a result of a major reorganization of Santiago's transportation system. Candidate Bachelet promised not only different policies but also a different policymaking style—a style characterized by a kinder and gentler approach to politics in a country with a long tradition of machismo and strong male rulers. Bachelet promised to listen to the people and to return power to those who had been denied it in the past. Her attitude enhanced the influence of existing social movements and inspired the formation of new ones. This book examines the policies, political issues, and conflicts of Bachelet's administration, and provides analyses of the challenges, successes, and failures experienced by the Concertaciόn since 1989.Less

The Bachelet Government : Conflict and Consensus in Post-Pinochet Chile

Silvia Borzutzky

Published in print: 2010-08-01

Michelle Bachelet was the first elected female president of Chile, and the first woman elected president of any South American country. What was just as remarkable, though less noted, was the success and stability of the political coalition that she represented, the Concertaciόn. Though Bachelet was the fourth consecutive Concertaciόn president, upon taking office her administration quickly faced a series of crises, including massive student protests, labor unrest, internal governmental divisions, and allegations of ineptitude and wrongdoing as a result of a major reorganization of Santiago's transportation system. Candidate Bachelet promised not only different policies but also a different policymaking style—a style characterized by a kinder and gentler approach to politics in a country with a long tradition of machismo and strong male rulers. Bachelet promised to listen to the people and to return power to those who had been denied it in the past. Her attitude enhanced the influence of existing social movements and inspired the formation of new ones. This book examines the policies, political issues, and conflicts of Bachelet's administration, and provides analyses of the challenges, successes, and failures experienced by the Concertaciόn since 1989.

This book charts an expansive history of Filipino literature in the United States, forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first ...
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This book charts an expansive history of Filipino literature in the United States, forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first century. It theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. The book considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. It elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, the book proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities.Less

Beyond the Nation : Diasporic Filipino Literature and Queer Reading

Martin Joseph Ponce

Published in print: 2012-02-01

This book charts an expansive history of Filipino literature in the United States, forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first century. It theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. The book considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. It elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, the book proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities.

In the late 19th century, many Central American governments and countries sought to fill low-paying jobs and develop their economies by recruiting black American and West Indian laborers. This book ...
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In the late 19th century, many Central American governments and countries sought to fill low-paying jobs and develop their economies by recruiting black American and West Indian laborers. This book offers a revisionist interpretation of these workers, who were often depicted as simple victims with little, if any, enduring legacy. The Guatemalan government sought to build an extensive railroad system in the 1880s, and actively recruited foreign labor. For poor workers of African descent, immigrating to Guatemala was seen as an opportunity to improve their lives and escape from the racism of the Jim Crow U.S. South and the French and British colonial Caribbean. Using primary and secondary sources as well as ethnographic data, the author details the struggles of these workers who were ultimately inspired to organize by the ideas of Marcus Garvey. Regularly suffering class- and race-based attacks and persecution, black laborers frequently met such attacks with resistance. Their leverage — being able to shut down the railroad — was crucially important to the revolutionary movements in 1897 and 1920.Less

Black Labor Migration in Caribbean Guatemala, 1882–1923

Frederick Douglass Opie

Published in print: 2009-07-01

In the late 19th century, many Central American governments and countries sought to fill low-paying jobs and develop their economies by recruiting black American and West Indian laborers. This book offers a revisionist interpretation of these workers, who were often depicted as simple victims with little, if any, enduring legacy. The Guatemalan government sought to build an extensive railroad system in the 1880s, and actively recruited foreign labor. For poor workers of African descent, immigrating to Guatemala was seen as an opportunity to improve their lives and escape from the racism of the Jim Crow U.S. South and the French and British colonial Caribbean. Using primary and secondary sources as well as ethnographic data, the author details the struggles of these workers who were ultimately inspired to organize by the ideas of Marcus Garvey. Regularly suffering class- and race-based attacks and persecution, black laborers frequently met such attacks with resistance. Their leverage — being able to shut down the railroad — was crucially important to the revolutionary movements in 1897 and 1920.

Since 1992 — the end of the Cold War — Brazil has been slowly and quietly carving a niche for itself in the international community: that of a regional leader in Latin America. How and why is the ...
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Since 1992 — the end of the Cold War — Brazil has been slowly and quietly carving a niche for itself in the international community: that of a regional leader in Latin America. How and why is the subject of this study. Under President Fernando Henrique Cardoso, Brazil embarked on a new direction vis-à-vis foreign policy. Brazilian diplomats set out to lead South America and the global south without actively claiming leadership or incurring the associated costs. They did so to protect Brazil's national autonomy in an ever-changing political climate. The author utilizes recently declassified documents and in-depth interviews with Brazilian leaders to track the adoption and implementation of Brazil's South American foreign policy and to explain the origins of this trajectory. Leadership and desire to lead have, until recently, been a contentious and forcefully disavowed ambition for Brazilian diplomats. The author dispels this illusion and provides a framework for understanding the conduct and ambitions of Brazilian foreign policy that can be applied to the wider global arena.Less

Brazilian Foreign Policy after the Cold War

Sean W. Burges

Published in print: 2009-03-08

Since 1992 — the end of the Cold War — Brazil has been slowly and quietly carving a niche for itself in the international community: that of a regional leader in Latin America. How and why is the subject of this study. Under President Fernando Henrique Cardoso, Brazil embarked on a new direction vis-à-vis foreign policy. Brazilian diplomats set out to lead South America and the global south without actively claiming leadership or incurring the associated costs. They did so to protect Brazil's national autonomy in an ever-changing political climate. The author utilizes recently declassified documents and in-depth interviews with Brazilian leaders to track the adoption and implementation of Brazil's South American foreign policy and to explain the origins of this trajectory. Leadership and desire to lead have, until recently, been a contentious and forcefully disavowed ambition for Brazilian diplomats. The author dispels this illusion and provides a framework for understanding the conduct and ambitions of Brazilian foreign policy that can be applied to the wider global arena.