Thursday, September 27, 2018

Yes, I actually watched enough flickers over the course of a single week to justify a post, but more importantly, I’m trying to stay ahead of the madness in order to be ready for the October Horror Movie Challenge looming just over the horizon. Now that the senators are loose in Rome (Julius Caesar at Greenbrier Valley Theatre, running through Oct 6), there was a time to squeeze in a few more flicks, which included a five-film dance with Death (Final Destination) and a three-way boogie with 007 (Daniel Craig style).

As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Tuesday, September 25, 2018

Spawned at the turn of the century with little fanfare or major star power, this horror franchise from New Line Cinema cranked out five installments over the course of a dozen years, with Death itself the successor to such classic movie murderers as Freddy, Jason, or Michael. With a fantastic (and repeatable) formula of having individuals escape their pre-destined demise only to be subsequently knocked off on a one-by-one basis, it reinvigorated the body count movie, spinning the rudder away from the relatively bloodless ’90s by re-embracing the gore of yore to the tune of over $700 million worldwide.

Monday, September 17, 2018

It’s funny what having a little spare time, i.e. only working one job (upending governments in GVT’s production of Julius Caesar) instead of 12, can do for a person’s viewing habits and enthusiasms. Managed to pack in a wealth of Views over the course of the past couple weeks, and we’ve still got the rest of September to go before we dive headlong into this year’s installment of the October Horror Movie Challenge!

Many thanks to the Lewisburg Public Library for providing ample viewing material on DVD, inspiring several unexpected trends (didn’t know it was going to be Western Week until it was) and the opportunity for both revisits and virgin voyages alike. Ditto my castmates with their high-tech streaming capabilities, and similar horror inclinations. Always more fun with a crowd!

As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Wednesday, September 12, 2018

Managed a respectable tally for the month of August, and cranked out more full-length reviews than I had all year, so good news there. (I am currently in West Virginia, rehearsing Julius Caesar for the good people at Greenbrier Valley Theatre, so September is already shaping up to be a winner.)

Let’s get on with it! As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Sunday, September 9, 2018

Milo Cawthorne (so great in 2015’s Deathgasm) provides another stellar star turn for horror/comedy fans courtesy of this enjoyably brain-twisting spin on time-loop flicks a la Groundhog Day, Coherence, Timecrimes, etc. Here he plays Milton, a supersmart slacker with a particular bent for chemistry, even more particularly of the crystal meth recipe bent, which is duly noted by criminal opportunist Skyler (Olivia Tennet) during Milton’s incarceration in a rehab facility.

Saturday, September 8, 2018

David Hemmings plays a English jazz pianist in Italy, who after a late-night set, witnesses a brutal murder and feels compelled to unravel the mystery. Considered by many to be the apex of the giallo subgenre, this is Argento in his ’70s prime, with dazzling, dizzying camerawork capturing beautifully violent - if occasionally nonsensical - set-pieces, all couched within the driving rhythms of prog-rock band Goblin (their first of numerous sonic collaborations).

Wednesday, September 5, 2018

Off the shore of an unnamed New England beach, unbeknownst to hordes of hip-swiveling, lip-locking teens sweating and grooving to the rock-and-roll beat, a small vessel dumps a barrel of (clearly labeled) toxic waste overboard. Striking the ocean floor, it springs a link right next to a human skeleton, sparking a highly unscientific (and inordinately lengthy) chemical reaction wherein the bones not only reanimate but regenerate into a bipedal cannibalistic sea creature with a dual penchant for bloodletting and multiplication.

Tuesday, September 4, 2018

Fresh off the success of House on Haunted Hill, producer-director-huckster extraordinaire Castle, screenwriter Robb White and star Vincent Price re-teamed the same year to serve up this minor horror classic. Price’s pathologist discovers that every living person has a mysterious organism that, sparked by fear, takes possession of our backbones. When he manages to extract the creature from a recent victim, it resembles a centipede-like creature armed with cruel pincers and extraordinary, bone-cracking power.

Monday, September 3, 2018

Mary (Jessica Cameron) witnesses and/or causes the hysterical suicide of her father (writer-director-executive producer Stephen Biro), subsequently falling victim to what appears to be a full-blown demonic possession, complete with babbling voices, bizarre ocular occurrences (courtesy of snazzy sclera lenses), and an imperviousness to pain and good hygiene. This sparks a wave of priests descending upon her, each more determined than the last to rid the world of these dark forces, and the stage is set for the ultimate clash between Good and zzzzzzzzzzzz…

Sunday, September 2, 2018

June was taken up with Enlightened Warrior Training Camps in Barcelona, self-defense workshops with IMPACT Chicago, and rehearsals for The Hero’s Wife at 16th Street Theater in Berwyn (yes BERWYNNNNN) ; as such, I think I only watched maybe a half dozen movies (and most of those during the flights to and from Europe). Things calmed down slightly in July once the show got on its feet and began its critically acclaimed run, which is why I opted to lump the two summer months together for a respectable 22-View tally.

Reflecting back, it was a pretty good collection of flicks, including a few new releases (which are, of course, not that new anymore but whatever). Looking forward to hearing what people thought.

As always, feel free to leave your two cents worth – we’ll make sure you get some change back.

Saturday, September 1, 2018

When it was first announced, I will openly admit to shuddering at the thought of a big budget remake (even one co-produced by Wes Craven himself) of the notorious 1972 low budget shocker. However, against all odds, while not nearly as discomfiting as the original, the redux manages to carve out its own territory and more than satisfies on its own terms.

About Me

Well, during the day I move among you as mild-mannered Aaron Christensen, Chicago actor. But at night, when the popcorn pops full, I transform into my alternate personality Dr. AC, hopeless horror movie nerd-cum-Ambassador of Horror.
However, despite my inclination to discuss monsters that pervade, aliens that invade, creatures of the night, vampires that bite...I'm actually the nicest guy you'll ever meet.