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More stuff to download but it isn't free.If you register over on the "Darkside" (Pianostreet.com) they have a large number of downloadable scores.

These are ranked Easy, Intermediate, Advanced. But they also have "Levels" there seems to be Level 1 to 8 (and an 8+) so around 9 levels in total. You can sort searches by Level.

When I last looked there were about 3000 pieces:

Easy*: 403Intermediate*: 1310Advanced*: 2244

*There are several levels to each category so 9 in total

What's fun though, is that you don't have to be a member to search the system, and it shows a preview of the score, many also have a audio track. So you use this for some mental practice, read the score preview, try to imagine how it sounds, then play the track as a check.

you will be surprised how difficult it is to sing and say the notes while playing them by the time you feel you are memorizing then you go to the next measure

you do the same invention until it is finishedthis is an exercise to increase your speed at completing the three neurological connectionseye to brain brain to hands

Inventions are chosen because it is two linear lines so it is easy to sing both right and left handother types of song have the occasional stacked notes which make the exercise more difficult then it already is

by forcing yourself to sing you are training ear and adding another neurological connection by inserting your mouth (singing_) you are increasing the difficulty when you go to play a regular piece you wil be amazed at how easy it will be to play a piece

this method is to be done in conjunction with other sight reading drills such as reading a piece of music from beginning to end then moving on to the next

look at this exercise like doing stretches or push ups before doing a sportthe pushups are not the sport they make you better at doing the sport

Chapter 4 (page 47) with an actual sight reading curriculum is a must read!

Thanks for the link; I'll have to study it a little. Glancing at chapter 4 it seems they emphasize keyboard topography. I believe that is my weakest area ... I have very little spacial acuity - at least down the accuracy of a single key.

Andy, that is indeed an interesting topic. I would like to discuss this below:

Tip #4a: Keyboard topography (for beginners)As a beginner try this: Close your eyes and create a mental image of the keyboard. Now, in your imagination hit the keys C,B,A,G,F,E,D,C and name them. Do you see the geometry of the black and white keys? In the beginning I couldn't do it.

I learned it the hard way: I tried to sight read without(!) looking down the keyboard. The only way I could do this was to use my tactile sense, e.g. when I had to play a G, I would try to feel the group of 3 black keys and I knew that G is next to F#. As you can imagine I was very frustrated at the beginning since what I played did not resemble music at all but rather stuttering. I already wanted to give up but I am glad that I didn't.

I think this helps me with relative position. Consider this example with the left hand: if I had to play a C with my thumb and F# (to the left of C) with my pinky, I know immediately where F# is.

Someone has compared this with the Braille method for blind people. ---

Tip #4b: Keyboard topography (advanced)Advanced means you have an absolute sense of position. If I told you a note, for example G, you could hit the right key with your eyes closed.

Examples:Have a look at Tom Brier's left hand. It's godlike! Look at those jumps.

Tips on how to acquire this advanced skill? Unfortunately, I don't have this absolute sense of position. My guess is that ragtime or stride piano is a good way to achieve it since it involves large jumps.

Here is another video of Tom Brier where a woman covers his sight to the left to check whether he peeks down (@4:25). Tom also explains "how" he does it (@3:25)

Another example is the amazing blind pianist Derek Paravicini. In this video he plays the Maple Leaf Rag also involving large jumps.---

Now here is a question for you:a) Has anyone taken the same (frustrating) route as me with respect to the "Braille" methodb) Does anyone here have this absolute sense of position? If yes, how did you practice it?

Just a short bump on keyboard topography. I found this interesting blog post: Fear, Part II which discusses why large jumps are so difficult. One reason seems to be our fear of hitting wrong notes. It is further described that a good exercise to enhance body awareness is to play with eyes closed.

This reminds me of a Schaum piano book that had a big piece of paper in it. The paper had a hole through which you could slip your head. The purpose of this paper was to block your sight to the keyboard. I don't know the English name for it but in German it's called "Schaum Tastenfinder".

Tip #5: Be patient and have funI think this is the most important tip. How many times have we gotten frustrated because we expect our sight reading skills to suddenly make a leap. Nope, it's not going to happen. I compare sight reading to actual reading. Think back and remember how many years it took you to become fluent in reading a book. You were first learning about letters, then words and then sentences. With sight reading it's the same.

I consider myself to be in "elementary school" level with my sight reading and I am willing to work on it. Also, I just enjoy it. I love playing a new piece of music and suddenly recognizing the melody. My sister has this thick book with folk songs with the melody line and the chord symbols above it. I could play the chords on the guitar but I didn't know the melody which bugged me for years. Guess what, now I play them on the piano, and it's super fun!

Tip #6: Read at the right levelWe should read pieces that are not too hard and which we can read with comfort. Don't be too proud to take easy pieces. Just to give you an idea, I started by grabbing a children song book and playing only the melody line.

Here is a nice video where Valery Lloyd-Watts talks about a woman who is an excellent sight reader. And the woman became so good because as a child she played 50 books of level 1 and 50 books of level 2.

Tip #7: Sight read on a daily basisDo it regularly. I try to sight read at least for 15 minutes a day.

Tip #5: Be patient and have funI think this is the most important tip. How many times have we gotten frustrated because we expect our sight reading skills to suddenly make a leap. Nope, it's not going to happen. I compare sight reading to actual reading. Think back and remember how many years it took you to become fluent in reading a book. You were first learning about letters, then words and then sentences. With sight reading it's the same.

I consider myself to be in "elementary school" level with my sight reading and I am willing to work on it. Also, I just enjoy it. I love playing a new piece of music and suddenly recognizing the melody. My sister has this thick book with folk songs with the melody line and the chord symbols above it. I could play the chords on the guitar but I didn't know the melody which bugged me for years. Guess what, now I play them on the piano, and it's super fun!

Tip #6: Read at the right levelWe should read pieces that are not too hard and which we can read with comfort. Don't be too proud to take easy pieces. Just to give you an idea, I started by grabbing a children song book and playing only the melody line.

Here is a nice video where Valery Lloyd-Watts talks about a woman who is an excellent sight reader. And the woman became so good because as a child she played 50 books of level 1 and 50 books of level 2.

Tip #7: Sight read on a daily basisDo it regularly. I try to sight read at least for 15 minutes a day.

Veelo: That video you linked (I don't even have to follow the link to know it's the right one) has my favourite sight-reading tip/anecdote of all time. The one you mentioned -- read 50 books at level one, 50 books at level two.

Now if only I knew how to get 50 books at each level, I would actually commit to reading all of them level by level.

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I love sight-reading! One day I will master it.

Tip #8: Play in a duetPlaying in a duet has two effects: - It forces you to keep going. You can't just stop while your partner is still playing. - You will learn to listen to the rhythm of your partner.

Also, playing duets can be so much fun. Have a look at the following videos:

I wish I had a duet partner. Alas, the only partner that I have at the moment is the metronome.

Tip #9: Learn how to countYou must be able to count while playing. At first it will be awkward but once you can do it the reward is a better sense of rhythm. Have a look at this teacher-student duet where both are counting

I ran across the Deutsch book at our public library years ago -- he seems a odd duck and quite opinionated (my favorite part is where he says that individuals for whom is method doesn't work are mentally defective). But he suggest some interesting ideas along the way.

Though I was inspired to try this by another book, I've decided to attempt to work on something which parallels his method, which is to do more sight reading either playing along with a recording, or working from method books with accompaniment tracks (for the latter I may uses transposition software to spice things up, since early method book tunes are always in easy keys).

I'm not up to accompanying anyone yet, but that's a goal of mine, and I want to approximate the experience by playing along with something (for now, something non-animate, and thus incapable of exasperation at my frequent stumbles).

I'm also hoping that this will help break my incorrigible habit of stuttering to fix my mistakes.

Edited by tangleweeds (06/30/1205:54 PM)Edit Reason: some people do typos. i do word-o's

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Oops... extremely distracted by mandolins at the moment... brb

I've posted this previously, but checkout the iPad sight-reading app from WessarInternational. It comes with a 1000 graded pieces. Importantly it hides the bars played, forcing you to move forwards - so no going back or restarting..

This is a multi-platform computer based 'flashcard' system... You can down load "Decks" of cards (and yes there's many music centric such as notes and key signatures), or create your own.

Oh it's free (for Mac & PC platforms).

The exciting bit is that under the hood it uses a Time-Spaced-Repetition algorithm. When you complete a test card you always have 4 possible answers (from very hard to very easy), it logs both the time it took to answer and how many attempts. On first use a card that's answered easily will not appear for another 3 or 7 days (depends on answer). But these periods increase with each review cycle. A very hard card will appear again in that study session a hard one in one day.

The "cards" can support many media file types and can include images and mp3 files.

I spent some time yesterday making up a set of 52 cards for all notes from 0 to 6 ledger lines above and below the treble and bass staffs (I'm pants at reading these).

I've been using Anki for nearly a week now. The set of ledger line notes & key signature study tasks are improving greatly. It has a useful set of analysis tools and even in less than a week, you can see that harder tasks are getting flagged up and studied more regularly, and the easier ones are already getting pushed 7-9 days into the future before the next review - so it seems to make efficient use of study time. This can also be seen from the stats in that the daily time spent completing the set of required reviews is falling. However, a 'Card' (study task) is not considered "mature" until they have review intervals of >=21 days - so it's still very early days...

I love Anki, got around 4000 mature cards for various things. The android app is really nice.

Not sure how well it would work for sight reading though, since part of sight reading requires looking ahead and recognizing entire note groups. I think Anki is better suited for learning tons of stuff really efficiently rather than mastering a skill.

That's kinda why I made my android app. It displays random notes as they would be in a piece of music, but increments how many notes are possible each level so that you can focus on learning a few notes directly. Learning to sight read by playing is slow because of that lack of focus. I can recognize all the ledger lines instantly now taking only a fraction of the time

It also has different key signatures, and a mode that will switch between key signatures and clefs randomly, once you've learned them individually.

In the future I'm going to include a mode that requires recognizing patterns/groupings almost instantaneously.

I don't want to spam so I won't link to it, just thought that the learning theory I used making it might be valuable to you. Unfortunately I don't have a web-only version to help you out if you don't have android.

I love Anki, got around 4000 mature cards for various things. The android app is really nice.

Not sure how well it would work for sight reading though, since part of sight reading requires looking ahead and recognizing entire note groups. I think Anki is better suited for learning tons of stuff really efficiently rather than mastering a skill.

I think that Anki is very well suited to building skills that support sight-reading either directly or indirectly.

"...than mastering a skill..."

I have to disagree. I'm also using Anki for realtime practicing and polishing of Scales (with good results). I'd been stuck in a rut with these and it seems to be getting me up out of it. I think Anki can be used for internalising and gaining fluency in any skill or knowledge process, provided there's a means of testing/audit involved and that upfront self-assessment standards can be defined. The only thing is that the "flashcard" concept pigeon holes it a bit and I prefer to think of these as a more generic "study task" or "knowledge element".

I'm interested in your app and will take a look once I've recovered my tablet from the son whose made off with it ;-)But an Android version of that Wessar ipad app would be cool!

On the right hand side I tried to depict the shape of our hand with the usual finger notation (1,thumb) (2,index) (3,middle) (4,ring) (5,pinky).

To get used to playing chords get a book with lots of folk songs. I have one with only the melody and the chord symbol above it. I will first play them all in root position then try to figure out how to play "economically", i.e. without much hand movement, by using chord inversions.

So this approach roots the study of pieces firmly to that of the level you can sight-read. You take a DPSRP test every 3-4 months and then crank all the levels up (if passed). See linked article for full details. I like this approach and doing daily, weekly & monthly pieces means you cover a large amount of ground at a range of levels...

I just learned that there is a term for the "absolute sense of position", namely proprioception. Proprioception is body awareness and in sight reading this means you know where your fingers are without looking at them.