Lady Bird

I admire Saoirse Ronan. She impressed me in Atonement, Hanna, and The Grand Budapest Hotel. But then she did Brooklyn and I fully realized what a talent she truly was. It earned her a second Oscar nomination. Brie Larson won for Room that year. I loved that film and she was deserving of the award. Nevertheless, with all due respect to Brie, I was rooting for Saoirse. I say this right from the start so you may know that I am biased. I admit that. I was already predisposed to love this picture even before it came out. Then the critics’ voices were heard. Lady Bird actually set a record for the best-reviewed movie on Rotten Tomatoes — that is, the film with the most consecutive “fresh” notices at 185 so far. Now that I’ve seen it, you can throw my critical praise on top of the heap.

Given the title, I had originally thought Lady Bird was a biopic about the First Lady of the United States from 1963–1969. It has nothing to do with Lady Bird Johnson but it IS a period piece of sorts. It takes place in 2002. This is an episodic saga about one Christine McPherson, a senior student at a Catholic high school in Sacramento. “Lady Bird” is her given name, she maintains, in the sense that “it’s given to me, by me.” As you may have surmised, Christine is a bit quirky. She and her best friend Julie (Beanie Feldstein) join their theater arts program. There she meets Danny O’Neill (Lucas Hedges) and they start dating. Their romance is detailed, as well as her subsequent relationship with another boy (Timothée Chalamet) she meets while working at a coffee shop. This inspires her to form a new friendship with popular girl Jenna Walton (Odeya Rush) at the expense of the closeness with her best friend Julie. Through all this, Lady Bird has a strained connection with her mom (Laurie Metcalf ) and slightly stronger solidarity with her dad (Tracy Letts). Lady Bird dreams of going to an East Coast college, preferably in New York. Her mom feels UC Davis is much more affordable. Both parents have fully realized personalities, but there’s a depth to Laurie Metcalf’s performance that perfectly incorporates both the love and despair that only the mom of a teenager could express.

Saoirse Ronan is an absolute delight in the title role. It is a flawless performance that utterly embodies the lovable angst of a teenager. She is all earnest excitement. Eager to assert her point of view but unsure of the most effective way in which to do it. This ostensibly autobiographical drama is the directional debut from actress Greta Gerwig. I say “ostensibly” because while all the events may not be entirely factual, Greta did grow up in Sacramento in the early 2000s. She gets the emotion. It’s not hard to picture the actress in the lead, at least when she was a younger girl. Gerwig has written before. Most notably she co-wrote Frances Ha and Mistress America with longtime boyfriend Noah Baumbach (since 2011). He helmed both. Now Gerwig is writing and directing on her own here and the lack of a collaborator really suits her. Lady Bird is a most self-assured debut. Warm, witty, full of insight and humor.

Lady Bird is a cinematic devotion to her mother and a valentine to Sacramento. I came away with a greater appreciation for both of these things. No, it’s not all roses and caviar. It gently pokes fun at various targets with an amiable ribbing. This is a comedy after all and it’s really funny. There are a lot of detailed observations about what it’s like to attend Catholic high school. I should know. I am the proud product of a Catholic education myself. Gerwig gets the atmosphere just right. It’s hard to predict these things, but I suspect many of the witty one-liners will transcend the ages far beyond 2017. It’s clear that Greta means to embrace her adolescence and warmly detail the trials and tribulations within. You’ve seen the chronicle of a youth entering adulthood before. However, Lady Bird elevates the medium. Gerwig has taken the well-worn narrative of the coming of age tale and made it all her own. No one could have managed a tale quite like this. It is unique, fresh, vibrant and fully alive. I fully expect that when the Oscar nominations are announced on Tuesday, January 23, Lady Bird is going to get a slew of them. Here’s hoping Saoirse Ronan doesn’t go home empty-handed this time.

The writing of this movie is so perceptive it’s as if cameras aren’t even there. Like, this is real life playing out in front of us. I couldn’t believe it. This is surely Gerwig’s best so far, and I’ve really love what I’ve seen of her in front of the camera. This is better. Can’t wait for more, though the one caveat I have with this movie is that — and this is hopefully going to come out complimentary — Saiorse Ronan is such a good actress she began to annoy me when she “turned.” I was like, why. Why are you doing this. Some of the best performances get you to react and out loud.

Greta Gerwig is hit and miss with me. This was definitely a hit! I just love Saoirse! She’s one of my faves. The story was so good. Felt true to life. Laurie Metcalf… amazing. There should definitely be a lot of Oscar noms. 4 1/2 stars

Great review, as usual. But its possible to thoroughly enjoy this film and conclude that despite brilliant acting, this is just another coming of age chick flick that takes us absolutely nowhere new. I still loved it.

I’ve seen lots of coming of age flicks and there’s an art to depicting adolescence with this much sincerity and heart. This isn’t about portraying adolescence in some newfangled way. It’s about being real and this was.