"I have found a shaft, going 29 meters [95 feet,
approximately] vertically down into the ground, exactly halfway between
the Chefren Pyramid and the Sphinx. At the bottom, which was filled with
water, we have found a burial chamber with four pillars. In the middle
is a large granite sarcophagus which I expect to be the grave of Osiris,
the god,"

We have released these pictures without asking
any high money bidding, or for any profit in cash, what-so-ever,
like most would; in order to release them for the concern and good of the
public. If we would not have copyrighted them, someone could copyright
them, and hence these could no longer be viewed by you. Since there are
some who wish to make as large a profit on this story as possible, this
is to the sacrifice of public knowledge. We therefore, state, inexorably,
for the public concern, THAT ALL PICTURES within these pages, now designated
OS (i.e. OS31 or OS3a), are strictly Copyright, under international copyright
laws, for protection of public information, to be continuously viewable
at this site. You are free to link to this site.

The photographs of Borris Said, the paintings
from Orbit,The Daily Telegraph, are public domain, as far as I know.

Some astonishing revelations
are emerging out of Egypt. Set to shake the tradition notions of our recorded
history, and seeing the light of day with far too much delay, due to vested
interests in the profit margin, and notions of human development status.
Now let us unveil one curtain, amidst a hundred-thousand, to humanity at
large.

Whilst the above quote is from a report from journalist
Dort Qvist, who had access to the royal meetings, where Zahi Hawass, director
of the Giza Plateau, briefed the Scandinavia royals on "his"
discovery of the "grave of Osiris", I can independently confirm
this story. Why. Because I was there, I have touched the tomb.

I, with a small group of colleagues also managed to interview
numerous persons who have been involved in excavation, as well as higher
officials, who essentially confirmed the particulars of the "Osiris"
tomb belief of Hawass.

In this article you will find the copy righted, but freely
accessible photographs, that for the first time in the public domain show
the adequate details of this tomb, and my testimony also reveals that much
more excavations have gone on there, which lead to the Sphinx and pyramids.

How did I get there? I received some non-local "guidance",
which brought me there almost immediately upon arriving at Giza, with a
form of "Andromedian" Deja Vu for of remote viewing. This article
is just one of the numerous revelations that are making grounds now on
the Giza plateau, which we will cover on this site.

But it was on two previous occasions, when the Hallway
Of Records (HOR) the Egyptian pictographics became alive and bespoke themselves
into a higher form of cortical brain activation, that this location proximity
was indicated. This especially came out in December 1997 in the Tomb of
Tuthmosis 3. Here, for more than an hour I explained 32 others the spontaneous
living wisdom of this tomb.

The deep underground tomb of Tutmosis III, within
the Thebian Valley Of The Kings. Facing the books of "what is in the
Djuat", the underworld and star realms.

This, the non-localized quantum intelligence "Icon",
"Ptah", relayed in the holographic imagery, which becomes activated
by sound. In this case, "Atum PtahKa", the sequence of echoes,
if one stands in the correct place, shows one the sequence of pictographic
books to follow, and a visual door opens in the mind, whereby, pictographics
spontaneously flood into visual display. Upon opening the eyes, one instantly
knows the pictogrammes to approach, and they appear to "speak to one".

When one has a blank, I was also shown how to use the
mirror sides of the book which very often are identicle clones, and superimpose
them visually into one. These "mu" form of visual holographics,
phase conjugates the brain halves into resonance (8 hz passes through a
vacuum, and hence is a non-local Mercury messenger from the quantum continuum
of infinite information). This mirroring is also utilized within individual
pictures, and the entire tomb and all of the books of the Djuat (Tuat)
holographically mirror.

The end result is that every wall mirrors every other
wall, book to book, chapter to chapter, icon to icon. The entire room becomes
one 3D+ hologramme. This interactive living hologramme, can be cross compared
and superimposed to other tombs and temple high esoteric hieroglyphics.
This is a whole other story to be explored elsewhere...

Along these procedures, in the Tomb of Thothmosis 3, the
double Sphinx, Akr (Aker, or Akeru), is in front of the Great Pyramid.
Which has the capstone as the head of the Initiate. Often in this portion
of the books of the Djuat, Djehuti stands in the Tomb of Osiris, upon a
winged snake, deep underground. But here the headdress is of Horus.

This gives not only symbolic, initiatory clues, but also
physical clues, overtly. But the physical is equally incorporated with
the visual and Spiritual for "those who have eyes to see". We
will return to these clues in our adventure story.

Parts of this discoveries are not new at all. Two levels
underground had been discovered in 1935, where the Daily Telegraph, of
England, published on March the 10th the details of this Tomb. The Osiris
section was underwater, however.

The so called "Egyptian book of the 'dead'",
the "Pyramid Texts", various Papyrus', and the Greeks, describe
the Osiris story in great detail. The story ends with the successful suspended
animation of the NTR god, as he is projected into the star realms called
Imwh Skh (Imperishable Orion).

Within the classic story is described the jealousy of
Set for his brother Osiris, and his desire for Isis his sister, whilst
Ausir (Osiris) is upon his teaching travels in the world. Without going
into too much detail here, or interpretations of the clear astronomic and
time cycles embedded within the story, essential Sutekh (Set) with 72
accomplices manage to trick and seal Osiris into a sarcophagus specially
cut to fit him, and he was thrown into the Nile.

This was supposed to have killed him. But he survived.
In a second assassination attempt, Set cuts Ausir into 14 pieces in the
exoteric story, and 15 pieces in the esoteric story (there are 15 parts
to the male body: 2 feet; 2 legs; 2 thighs; 2 hands; 2 forearms; 2 upper
arms; 1 torso; 1 head; 1 phallus. This number is one secret symbol of taro
card #15, the Devil, or Baphomet, who is Cronos, and Saturn who rules Capricorn,
and the Unicorn. December 25 was Osiris' resurrection day and that is ruled
by Capricorn. It is also Christmass. The Hebrews used the Baphomet as a
cover symbol for the ark of the convenent, amoungst other things. The Egyptians
divided the body into a total of 36 sub-divisions, each ruled by a different
god (NTR)).

These 15 parts were scattered all over the land of Kham
(Egypt). But Isis was able to follow the trails of her brother Sutekh (Set)
and gather 14 pieces of her brother and husband Osiris' body. The missing
part was the Phallus, which had been thrown into the Nile and eaten by
two fishes.

Since the Nile was called the backbone of Osiris and looks
like the human spine, the symbology here is a rampant code for transforming
the life force into the spine for illumination, or Alkhemia. This is a
involved story which will be presented elsewhere (as we have presented
it in our multi-media seminars).

Auset (Isis) managed to assemble the 14 pieces together
at Abydos, where the sand of the nile is Khem (Black), with which Alchemy
transformation of gold was established, due to the rich content of high
spin mono-atomic elements (superconduction), from which Egypt partly had
its name, as did Alchemy. But Kham has another series of meanings as well,
which have equal if not greater significance.

At the Osirion Temple at Abydos (with a very ancient design),
Djehuti (Tehuti, T-hu-T-i, Thoth, Hermes) aided Isis in resurrecting Osiris
with magick plants (some identifiable, these will be presented in our book
Somanetics), mixed with the high spin element powders, together
with words of power.

Osiris would only be conscious during the night. From
here the understanding of the Dark Rite was born (coded in Ishtar-Innana,
Adonis, and Orpheus), which had two components: The Internal Dark Rite
(Light Isolation within the Pyramid Temple), and the External Dark Rite
with the Alchemical Elixir from plants, and high spin elements.

During one night in December, the god Sokar enabled a
new Phallus to be placed upon Osiris, at the position of the Hara, the
Chi or Ki point of martial arts. Isis transforms herself into a Bak Bird
(soul bird), and sits on Osiris' phallus, which is shown without damage
at Abydos. She becomes impregnated. And on the 25th of December HOR is
born. Horus, the Hero who is also known as Iosos in Egypt. Iosos is one
root of Iosus or Jesus, who also was born on the 25th of December from
the Virgin Mary, just as Isis was the Mer Mother of the Deep see, and had
an "immaculate conception". The Egyptians called her Sept, and
she was the great Virgin who we call Virgo for Sept-ember. Another name
she carried was Ios.

From the place where Osiris sleeps, surrounded by water
(Abydos), Ausir was transported in his granite sarcophagus on the Nile,
to Giza.

He arrives by AKU
the Sphinx, where the shores of the Nile reached to in ancient times. His
sarcophagus is described to be transported through an underground canal
beneath the Sphinx, to a deep chambre in parallel to the Sphinx and the
Chefren pyramid, and infront of the Great pyramid.

The radar work of Dr.. Borris Said, doing deep underground
tomography, showed there to be a tunnel from a the back of the Sphinx's
"ass", to a room in the middle of the Chefren pyramid causeway,
and from there onto the Middle Pyramid itself.

I had the opportunity of being within a shaft room within
the Sphinx's as, some 7 metres deep, which is 1.5 metres below the Nile
water metre, on December 21st 1997 (solstice).

I researched the complete story some time after my initial
HOR holography impulses, and non local "ICON" guidance from Ptah.
I discovered that the sequence of the books of the Djuat, were precisely
deciphered in the sequence the sound order displayed. And their order is
equal to crossing all of the brain hemispherical positions, except the
bottom and top, when the room is the brain.

The Pyramid and Aker Sphinx pictogramme was only one of
a plethora of other speaking illustrations. But actually it was common
sense that this was an underground room at Giza. Research hence did not
discourage what was received. Rather it amplified this approach as an exhilarated
entrence into the Arcane Archives of the Archaic Arkana.

Here then, is our 1999 return journey to the land of Kham,
precisely to explore the underground Tuat, and continue the work that the
"Ptah" non-local ICON had inseminated into completion. This will
be the first release of a series of further disclosures.

Having
been guided by the non-local time reverse Andromedian
Atum-Ptah in December 1997, with 33 dedicated Unity Units, to align the
Djed Spine Nile grid, to the Celestial Nile of the Milky Way, to non-local
Universal Unified Man, Ptah instigated the requirement for our return.
This time during the last Time Gate that links in fractal resonance to
2010, during early February.

Causeway tunnel entrence:

I flew with my colleague Randolph Barolet
during the January 30th Eclipse, which we could view through the plane
whilst over Thebes, Greece, and whilst being astonished at the Financial
Times Oroborus revelations on the Multiverse (confirming the New Universe).

Causeway tunnel entrence:

Apart from the successful Time Gate endeavours,
this time I was going to gather additional testimony and evidence for the
underground labyrinth, Hallway Of Records, whilst also obtaining additional
footage from inside the Great Pyramid (all of which was completed).

Causeway tunnel :

On the first night, Atum-Ptah put me
through a "virtual reality" (VR) "remote viewing" (RV)
of the underground labyrinth. By the kind sponsorship of Maria Gillesen,
I had this opportunity from the Palace Sweets from within the Mena House
hotel, so that the Giza plateau with the Pyramid was straight before me,
like two previous occasions (I have spent more than 2 months doing field
work in Egypt).

Electrical cables go to the underground:

This access into the underground labyrinth,
Virtually, prepared me for the next day. However, I was shown much more,
which would emerge in the rest of our research endeavours there.

Siphoned off entrence:

Upon rising, I immediately set off onto
the Giza plateau. I knew where I was going to go. I walking straight through,
with my will set on accessing the underground. I ignored entirely the massive
distractions of the will of the Arab's on the plateau attempting to guide
one by horse or camel, or any means possible for the Buck Sheesh (money),
and consequently being on informative intelligence network, amoungst themselves,
and thus soon amidst the Giza authorities.

I was instructed by Atum-Ptah, much to my chagrin, not
to go there with my camera, for some reason (which became a safty factor
for this story). Without being scathed by a single Arab, I immediately
set out to where the Book of the Dead shows Djehuti, underneath the Great
Pyramid and somewhat infront, with the Sphinx in view, to either side,
as Aker the doubling of the Sphinx, a gate, and a place to connect both
brain halves.

Ciphened off entrence:

Upon
walking there, I immediately walked towards the tunnel in the Causeway,
as if I was walking through, determined to get to the otherside.

Remarkably, no one paid any attention (this was soon going
to change, and this area is under almost constant surveillance, by numerous
guards, as I was to discover).

Bent Bars (limited access):

As I walked through to the other end
of the tunnel, I viewed a siphoned off area, with bars, and a ladder going
down a shaft. Looking down this shaft, I noticed that at the bottom there
was a tunnel. But I was blocked by the bars and a locked gate.

Bent Bars (limited access):

As no one was concerned that I was there
(since I had just arrived the information intelligence network did not
have me listed, unlike the days that were to follow), I decided to take
the opportunity and view the shaft.

Water Pipe and plank:

Several bars at the top had been pulled
back. Climbing up over this proved to be tricky, and this was the only
way in.

Water Pipe and plank:

My leg became caught on the first attempt
through the bent bars, and the fall over the otherside is of some length.

Old rusty ladder:

I finally managed to pull through, and
place my other foot on a wobbly water pipe, which then had to be delicately
balanced over to access the ladder.

The water pipe was ripe with promise
of what lay underground. For it indicated extensive, yet covert water pumping
activities. Since it was disconnected, these operations were no longer
active. But they gave the appearance of relatively recent pumping work.

Having come this far, and since no one
was perturbed by the noise, I decided to descend down the rusted ladder
steps and onto the liter that saturated the floor of the shaft.

Passing through into the underground
which had been previously obscure from the vantage point of the surface
bars peek a boo point of observation, there was a room, relatively large,
and not worth placing a barricade for.

The room was surprisingly clean, showing
evidence of recent activities, and perhaps even having been cleaned for
presentation purposes, as is usual with other Egyptian tombs of significance.
This room was in a far better condition than the bottom of the shaft, which
was intentionally left to be littered with rubbish.

I caught my breath and felt clearly guided
into this position, and predated myself for the next step.

After a short meditative beckoning to
the non-local time reverse intelligences, I took the next step.In okay light condition, at the far North side, there were
two metal ladders going down and the well equipment. These were emerged
in darkness.

Since I had taken these strides, I considered descending
into the dark under...

Carefully taking one step at
a time, not knowing whether I would be touching water soon, and not knowing
anything of the underneath, except having read the Daily Telegraph article,
whose reliability I could not depend on, I continued, step after step.

As I looked up, I observed the
last glimpses of light disappear, the entrence to these ladder shafts became
a small spot of light. I continued. Even the spot of light disappeared.
I was immersed in darkness (but I was quite familiar with the dark from
my Dark Room retreat experiments).

Continuing in the blackness,
where the observer of oneself is the light of continuance, I finally reach
the end step. Carefully prodding my foot on the ground, to ensure that
it was solid, I used my feet as probes in unknown territory. No water,
as of yet, and nothing that felt like a snake.

My foot probed the walls, and
stabbed the empty space. Then I herd an assembly of crawling sounds, like
a symphony of unknown life-forms. Within this dark space, the imagination's
illumination is amplified: "could these be snakes, or scorpions".

Since no one of my colleagues
had any clue, where on the Giza plateau I had ventured off to (since I
had not even briefed them on the VR RV session of Ptah the night before,
utilising the "Daily Telegraph", as an index, and the actual
Plateau before me that night, as the resonance holographic matrix access
code into, non-local projection, deep beneath the gravity of the bedrock).
No one knew where I was.

Since I had no torch with me,
I let this be the final conclusion. Taking a few minutes to dedicate the
space, I then ascended up the ladder immersed in invisibility, but now
approaching familiarity and visibility in the empathic senses, constructing
a virtual image from the sensory input.

As I came back into the top
room, filled with the light coming through the shaft, I sat down, and I
meditated for a while. I knew that this was an opportunity. Then I viewed
the electrical cables, and the lights they connected to. As I followed
them, there on the wall was a light switch. Could this be functional?

I considered unscrewing the top light, since it could
be observed, perhaps from any inspecter, but my intuition told me that
this would be okay. As I switched the button, the entire underground shafts
burst with illumination, they bespoke with bright light.

The artist who made this drawing,
either has not been down the Tomb Of Osiris, or changed the details for
disinformation, or for artistic simplicity. It does give a little scope
however.

Hesitating for a moment, on
the above light, and knowing that there would be a limited time to go down,
before the possibility of the electricity being used was detected, I once
again descended the ladders, this time their virtual and sensory construct
became a visible and easy relationship.

As I reached the bottom, what
before had been an unknown revealed itself: to the North was an entrence
into a room. Herein, there were 7 side chambres, exactly as the 1935 article
had stated.

But all was not as the it appeared
54 years earlier, much must have happened in secret operations, during
the interim period, perhaps to the disadvantage of the public awareness
of its altered history.

Some of the chambres were empty,
the floor having remnants of broken jugs. The atmosphere varied in each
sub chambre, there are some after glow relations to parts of the Sekara
underground, but the rooms have a poignant sense of excitement at the same
time as clearly not being the reason for the 54 years of silence on this
complex.

I found the enormous sarcophagus,
large enough for a bull, and this one had a strange feeling about it. Several
versions of the Osiris legends, have Ausir carried on the back of an Apis
Bull in his "star journey" pathways of preparation.

It looked as if their might
be a further entrance behind it, but the forbading aura of this sarcophagus
brought out, in the mirror of life, an intuitive feeling that this was
not the main reason why I was there, at that point.

There was a darkened sarcophagus
leaping out of the left middle room. It was black, but yet it did not hold
a resonance as forbading as the enormous one on the mirror side of the
room. Yet I was careful, since other tombs had biological agents of disease
(biowarfare) and red mercury, along with the Egyptian Heku Magic incantations
and spells of protection. Several doctors have died exploring the Giza
labyrinth.

It was a magnificent, majestic
work of art, and it stood in excellent condition, as if its spirit of the
thing had maintained its own house keeping.

Its lid had been slightly moved.

Looking inside its opening,
it was empty, no burred king, except perhaps the body of aura of previous
initiations.

This was all of some interest,
but there were no decorations of the objects of the Akenaton (AkuAton)
initiations, as the article had stated. Clearly the custody of the Rosicrucians,
had removed these into their Occult arkives, left to be experienced by
only the most Arkane, who were trusted with the Arkana of Arkaic Archives,
as they were rendered Agape with the Arcanum.

All that remained, on the floor,
were broken vases, and a sribe print, some of which were used to imprint
the king of the stars' Cartouche.

The room to the left, had space
for the sarcophagus of a child.

I looked to another vertical
shaft with a ladder, in the first room on the right. At first I thought
that the light did not illuminate it, but on reinspection, it too welcomed
me with subterranean light.

This ladder was a trifle more
challenging than the other, not being as firmly secured as the previous
ones.

As I reached the bottom,
I came into a room on the west side, that was illuminated perfectly.

In the middle of a pool of water,
there was the sarcophagus, now believed to be the Tomb of Osiris.

Again, not completely accurate, as
you will see in the photographs that follow, which indicates the artist
followed descriptions onto the canvas, rather than personal experience.

It lay like a semi-island,
surrounded by water.

The
water was illuminated from underneath (this was a most fortunate situation
and time that I had gone down I was to discover).

Borris Said's tomograph scannings revealed a tunnel
from under the Sphinx, to the Tomb Of Osiris. I thoroughly investigated
the room under the Sphinx's backside (the Ass Chambre), in December 1997,
the lowest point did resonate, slightly, indicating a lower tunnel.

Underneath the sarcophagus
was a huge cleared vertical shaft that was submerged in water. There were
tunnels going west to the middle pyramid, and east to the Sphinx. The water
that surrounded the island had sloping shafts that felt to the vertical
central shaft.

When some of my colleagues
ventured in again to film this, these underwater lights were switched off,
unfortunately.

This journey down, upon
later research, showed that some astounding discoveries had been made under
the water, and that the scanning work of Dr.. Borris Said of an underground
tunnel leading to the Sphinx, has not only been confirmed, but thoroughly
explored.

Borris Said's explorations:

The previous photographs of this area, showed the sarcophagus
to be surrounded by solid dirt. Non of the water is evident in Dr.. Borris
Said's photographs from 1997.

Borris Said's explorations:

Significant progress had been made, and Graham Hancock
was not relaying the full story, he had denied this part of the story,
and had thrown doubt on Dr.. Borris Said's scanning work. I read Hancock's
statement after I had been down, but whilst I still was in Egypt. I read
it in non-exceptional disbelief, but considering what was to emerge as
the story progressed, the "web" of researchers, disclosed itself.

Public domain photograph released
by Orbit

As the above photograph shows,
the lid is being fastened by a metal chain. Underneath, the first excavations
of the water are plain to see.

The chain is thoroughly connected
to the roof.

Held by an inwedged metal
bar, because should it fall, it has a long way to go, and damage would
most likely ensue. There is a major shaft underneath.

I wanted to go further.
On the far west northern corner, there was a hole gaping at me. As I walked
towards it, I was soon to discover that its access required my transportation
over a delicate double ladder, laid down horizontally over the water, for
the workers.

As I started to go over
it, the spectacular view under the water reminded me of the deep fall (this
would have been easier should the spot lights underwater have been off).
As I carefully made progress, since it was quite humid underneath there,
probably well below the Nile level, I noticed that when stones fell into
the water, they fizzled.

This truly worried me, I thought of potassium or sodium
hydroxide (lye), like acid but at the opposite end, eating the stones into
potential. No one knew that I was down there, and if I fell into the water,
and was eaten up by the potassium hydroxide, I would be a mysterious missing
person. I decided to take extra caution, as I progressed. More and more
rocks fell in and fizzled, reminding me of an Indiana Jones like adventure
episode.

As I reached on the rather
remote bank by the tunnel, I realised that I had no torch with me. It did
continue without end, from this closest vantage point.

I attempted to climb up the
dirt bank, but the earth gave way. I certainly did not want to fall into
the water, but I thought that divers must have cleared underwater, so the
potassium hydroxide could not be that strong. More earth fell into the
water and sizzled to contradict this logick.

From what I had heard
of the labyrinth beneath the Giza Plateau, and what the VR remote viewing
had shown as well, in virtual experience, was that there are deep vertical
tunnels, and groping around in the dark, deep underground, in an area perhaps
not too often explored, without a torch, unfortunately had me oscillating,
until I decided that this tunnel would have to be explored another time
(I did not know the hot local politics of this tomb then, so thought I
would spend many a day exploring and documenting this tomb).

This tunnel went off into the direction of the Great Pyramid,
so may have been a potential "side street" to the deep underground
labyrinth.

The sarcophagus has been carbon dated, and the dating
figures are so off the Egyptological track that they are being released
very slowly. The lid itself was removed from dirt, which had settled over
time, over the deep shaft, embedded there, as a sign to look deeper. It
has ingrown shells like coral as the following photographs reveal.

Whilst we were going into our Time Gate night in the great
pyramid, in early March, we were accompanied by the inspector, one of the
first under the chain of command of Dr. Hawass. I spoke to him regarding
the "well shaft" in the causeway, and that Dr. Hawass had made
the discovery of the century, I asked when his book would be ready, the
inspector was surprised, he told me :not many people know that he is writing
a book", and then asked whose sarcophagus Dr.. Hawass thought it was;
whether he had found Chefren's tomb? Without hesitation, and with 5 witnesses
present, he stated, overtly "Dr.. Hawass thinks that it is the Tomb
of the god Osiris," Randolph Barolet caught my eye, and then stated,
so the inspecter could here, I am a witness to what he just stated. We
learnt more from this inspector, within the Great Pyramid, at least he
confirmed what a great deal of the locals had passed on, some reliable,
some perhaps not, but always the story is the same in these regards (as
will be shared in the next postings on the Hallway Or Records HOR).

Since, at precisely the same time that the above story
was obtained by our team, a press release in Denmark confirmed the same
story, the significance of it all is building. But this is just one cornerstone
in the Pyramid of stones we are and have uncovered.

Here then is the translated press release:

Sandpit Of Royalty

By Dorte Quist

The egyptologist Zahi Hawass, who will
put a golden top on the Cheops pyramid at the commencement of the new millennium,
reveals the most recent grave finds in Giza to Queen Margrethe and King
Gustav in Sweden.

Egypt's age-old history and numerous imposing
monuments has always had a fascinating effect on kings and queens all over
the world. Egypt's leading archaeologist Zahi Hawass has been touring Scandinavia
recently and gave lectures to Queen Margrethe in Copenhagen as well as
the Swedish King Gustav, Queen Sylvia and 75 members of their family and
staff at the royal castle in Stockholm. On those occasions he revealed
the most recent and secret finds in Giza.

"I have found a shaft, going 29 meters
[95 feet, approximately] vertically down into the ground, exactly halfway
between the Chefren Pyramid and the Sphinx. At the bottom, which was filled
with water, we have found a burial chamber with four pillars. In the middle
is a large granite sarcophagus which I expect to be the grave of Osiris,
the god," Zahi Hawass says.

After eleven years as manager of the Giza
area and the pyramids he is now one of the most well-known persons in Egypt.

"I have been digging in Egypt's sand
for more than 30 years, and up to date this is the most exciting discovery
I have made," says Hawass, who hasn't published the find in his native
country at all.

"We found the shaft in November and
began pumping up the water recently. So several years will pass before
we have finished investigating the find."

"But when your queen attended my
lecture in Copenhagen and displayed such a vast interest and knowledge
regarding Egypt's history, I felt like initiating Her Majesty in the most
recent find."

Since the Egyptian Book of the Dead, describes precisely
what happens to Osiris, where is his body. The Book of the Dead describes
precisely where his body was taken, and how it was prepared, after being
removed from the Sarcophagus.

As we go into part two, we will explore new discoveries
inside the Great Pyramid, the highway of the Hallway Of Records, and amass
the stories of the body of Osiris and a secret chambre, and relate it to
the New Millennium, with a degree of coherence. There will be photographs
to document parts of what is to be presented herein.

This article is to be expanded soon, with more large format
photographs. Any one wanting to publish this article should consult me
at ananda@phoenix.akasha.de and there will be a good chance, we can also
provide high resolution photgraphs, should your intentions be to inform
humanity. Come back soon...