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What do Edith Wharton, Haruki Murakami, Raymond Chandler, John Fowles, Alfred Hitchcock, and Wong Kar-wai have in common? All are known for their ability to generate a particular mood and atmosphere – and all were selected by our guest, Professor Vu Tran of the University of Chicago, as being particularly inspirational as he wrote his novel Dragonfish. In this episode, Vu and Jacke discuss what makes these works so compelling, how the works helped Vu write his novel, and how a certain American city produces an intense feeling of endless hope and melancholy, twenty-four hours a day.

VU TRAN is an Assistant Professor in the English Department at the University of Chicago and the author of Dragonfish: A Novel (2015). Professor Tran has been described as “a fiction writer whose work thus far is preoccupied with the legacy of the Vietnam War for the Vietnamese who remained in the homeland, the Vietnamese who immigrated to America, and the Americans whose lives have intersected with both.”

“Richly satisfying work….[Has] a place on the top shelf of literary thrillers.” —Gerald Bartell, San Francisco Chronicle

Everyone always talks about the greatest openings in the history of literature – I’m looking at you, Call me Ishmael – but what about endings? Aren’t those just as important? What are the different ways to end short stories and novels? Which endings work well and why? In this episode, Jacke and Mike take a look at great literary endings, with some assistance from David Lodge, Charles Baxter, Leo Tolstoy, James Joyce, Flannery O’Connor, Samuel Beckett, Iris Murdoch, Uncle Wiggily, The Third Man, Donald Barthelme, Alice Munro, Henry James, E.B. White, Fyodor Dostoevsky, Ernest Hemingway, F. Scott Fitzgerald, Mary Shelley, David Foster Wallace, O. Henry, Ian McEwan, Thomas Mann, and Joseph Conrad.

Show Notes:

We have a special episode coming up – listener feedback! Contact the host at jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766).

Ernest Hemingway (1899-1961) and F. Scott Fitzgerald (1896-1940) were the pole stars of the Lost Generation, the collection of young American authors who came of age in the Paris and New York of the 1920s. The Hemingway-Fitzgerald relationship has been examined for decades and continues to fascinate. Why are we so drawn to these two authors? What do they represent in American literature? Who was the better author, and why?

Jacke and Mike take a look at the great Hemingway-Fitzgerald debate – and challenge themselves to find ten new things to say about these American icons.