The documentary Human or Robot? is about android and humanoid robots, from the perspective of photographer Max Aguilera-Hellweg. In his quest to define what it means to be human, Aguilera-Hellweg highlights our increasingly intimate relationship with robots and documents human anatomy and the frontiers of robot technology. What distinguishes man from machine? And what does it mean to be human?

Is there any art in Artificial Intelligence? Is it possible for AI to create art in the same way a human being can? And if so, can this AI then be considered ‘intelligent’? What does that mean for understanding ourselves as human beings? Isn’t creativity the key human condition which seperates us from other beings and systems?

After the documentary Human or Robot? these questions will be discussed by Jos de Mul – professor Philosophy of Man and Culture at Erasmus University Rotterdam, Cynthia Liem – performing musician and computer science researcher at the TU Delft – and Pablo Núñez and Bram Loogman – creators of Jan Bot: EYE Filmmuseum’s first robot filmmaker, which is exhibited in the library during InScience. The discussion will be moderated by Marc Seijlhouwer from technology magazine De Ingenieur. For the film summary of Human or Robot?

Jos de Mul. Meeting Erica and OSCAR. On almost living bodies, new media aesthetics, and the East-West divide. Invited lecture at the 20th In ternational Congress of Aesthetics. Seoul, July 26, 2016.

It is often noticed that the attitude towards robots and artificial intelligences in Western culture differs strongly from the attitude in Asia. Whereas in the Western world android robots are under taboo, Asian scientists and artists seem to be fond of robots that mimic human appearance and behavior. It has been claimed that the differences in attitude towards android robots are connected with differences in worldview and religion. Whereas Asian, interconnected cultures do not sharply distinguish between human subjects and natural objects, in Western, separative cultures a sharp distinction is being made between active subjects and passive objects. Moreover, in the Christian tradition the creation of living things is traditionally considered to be a taboo (‘Thou shall not play God!’). Although the notion of the ‘uncanny valley’ (the unpleasant feeling evoked by robots or other entities that closely resemble living human beings, such as corpses and zombies was introduced by the Japanese robot specialist Masahiro Mori, at first sight it seems more applicable to the Western attitude towards android robots than to the Asian attitude. Taking some prominent European and Asian new media artworks in which artificial life and robots play a prominent role as a starting point, I will focus on the question whether these stereotypes are still valid in contemporary, globalized intercultures.

Jos de Mul. The Turing Test in recent science fiction films. A philosophical analysis against the background of the Turing-Wittgenstein Debate. Invited lecture. Kyoto: Hiroshi Ishiguro Laboratories, June 21, 2016.

The British mathematician, computer scientist and philosopher Alan Turing (1912 -1954) is not only the inventor of the programmable computer, but also one of the pioneers of artificial intelligence. He also invented the imitation game, a test of a machine’s ability to exhibit intelligent behavior equivalent to, or indistinguishable from, that of a human. This so-called Turing test plays a prominent role in several recent science fiction movies, such as Her (2013), Ex machina(2015), and Uncanny (2015). Against the background of the Turing-Wittgenstein debate on the possibility of thinking machines (1938), I will discuss what these movies tell us about the present prospects with regard to humanoid AI and robot systems.

Hiroshi Ishiguro Laboratories were founded to encourage and promote studies based on original and unique ideas from Hiroshi Ishiguro, ATR Fellow, who has remarkable achievements on robotics. We have explored new information media based on humanlike robots that harmonize humans with information-environment beyond existing personal computers, while inquiring the question "what is the essence of human beings?"

Erica is an android developed as a research platform for the autonomous conversational robot. We are developing total technology to enable Erica to have natural interaction with persons by integrating various technologies such as voice recognition, human tracking, and natural motion generation. It has nineteen degrees of freedom for face, neck, shoulder, and waist, and can express various facial expressions and some gestural motions. Its appearance is designed for beautiful and neutral female face, by which people can familiarly interact with it. It speaks in synthesized voice.

Jos de Mul studied philosophy, art history and social sciences at the universities of Amsterdam, Utrecht and Nijmegen (The Netherlands). At present he is full professor Philosophy of Man and Culture at the Faculty of Philosophy, Erasmus University Rotterdam. He has also taught at the University of Michigan (Ann Arbor, 2007-2008), Fudan University (Shanghai, 2008), and Ritsumeikan University (Kyoto, 2016). In 2012 he became a visiting fellow at the Institute for Advanced Study in Princeton, USA. From 2005 to 2011 he was Vice-President of the Helmuth Plessner Gesellschaft, and from 2007 to 2010 President of the International Association for Aesthetics.