Continuing
the Minstrel's Tale down along the Costa BlancaThe events portrayed in this
series are not necessarily in chronological order

Anyone who plays the baritone saxophone
can't be all bad.Gerry Mulligan

Chapter Twenty-nine

The Gossips

April 2005

I received the Coda Club Newsletter
last week, and looked in vain for a mention of my Coda Club website. I
assume that the editor didn't know about it, so sent him a gentle reminder
five days ago. No reply yet, but you can take a look at it here.
You may recognise some of the people.

I had Eric Delaney over to stay the night last Sunday.
We all went for a Chinese meal with Conny's sister and her husband. Eric
had a great time, talked his head off. Conny says he drank two whole bottles
of red wine all on his own. I didn't notice because I was having trouble
with my chopsticks - they are made of plastic these days and the food
keeps slipping out of them - and busily working my way through all the
bottles of weird Chinese schnapps. The Chinese beer is very good, suspiciously
similar to the Spanish, but with a different label. The waiters here are
so suave and intelligent that I'm sure they are future brain surgeons,
moonlighting to pay for their studies. I always kiss the waitresses, for
good luck, you understand, and one of them has taught me some Chinese
words, useful for all occasions.

Anyway - Eric enjoyed himself so much that he was taken
ill the next morning and I had to drive him home to Benidorm. His car
is still in my driveway. He went straight to his doctor afterwards and
is now in bed for a couple of weeks with tranquilisers. Stress, the doctor
told him, but I do seem to have that effect on people. In fact, were it
known that he had been taken ill at my place that would have given the
gossips something to talk about, eh?

There is a drummer, whom I have never met in my life,
played with various bands, but never in any of the ones I was in. One
day a bass player who had worked with him for a while showed me a letter
he'd just received from this guy. In the letter he had written...you
are playing with Ron Simmonds? Haven't they put him in prison yet?

Rather like when I met a certain British trombonist
for the first time. "Oh, I know all about you!" he cried, immediately
he saw me. "About how you punched up Harry Parry on stage, right
in the middle of a concert." Now I had never met the clarinet player
and bandleader Harry Parry, certainly never played with him. He ran a
sextet and I only played in big bands. Don't believe he ever had a trumpet
player. I have no idea where the man got that story. He tempered things
slightly by adding, "I've heard quite a lot about you, probably most
of it greatly exaggerated." Well that was a relief.

We were on a concert tour in Germany at the time. He
refused to get up one morning so we left him at the hotel and drove on
to the next town. When he didn't turn up at the concert that evening the
drummer, who had booked us all for the tour, fixed a local player to take
his place. (We were in Stuttgart and the local player just happened to
be the late, great, Bobby Burgess, Stan Kenton's first trombone player
in that wonderful Russo, Rosolino, George Roberts section of the 1950s.)

The trombonist turned up in the interval, screaming
with fury at being left behind. During the ensuing argument in the bandroom
he picked up a plate from a table and dashed it to the floor with rage.
The plate broke and a large piece of it flew through the air and embedded
itself in the drummer's leg. There was blood everywhere. The drummer had
to be given medical aid. Absolute chaos. Our Italian band boy wanted to
kill the guy.

"Well," I said, "Now I know all about
you, too." Shortly after that he went back home and punched a policeman.
We read about it in the New York Herald Tribune, Paris edition.

Musicians, when they meet, rarely talk about music.
They talk about other musicians. Have a laugh, shoot the breeze, tell
some lies. Absolutely normal behaviour, just like any other people.

I recently received a letter from a girl I used to know
when I was eleven. She said that someone had told her I couldn't read
music. Ha-ha!

Anyway - if anyone was thinking of going over to the
Blackpool festival to see Eric play with the Squadronaires at the end
of this month I can tell you that he has cancelled that, but he'll be
playing at the end of next month at an End of World War II celebration
in the Benidorm Palace. I'm writing the big band opening number for the
show, lots of bang bang and rattling side drum, so he'll need to get his
strength back for that.

The score
I'm writing is of The River Kwai March. Now I know it has nothing
to do with the end of the war, victory and so on, but there are hundreds
of tunes celebrating victory that most people don't even remember. Written
by Lieutenant F J Ricketts under his pseudonym Kenneth Alford, and published
in 1914 as the Colonel Bogey March this one is a rouser, with plenty
of opportunities for whistling, foot-stomping and singing "Bollocks............and
the same to you...." as we all did on the march. I think the audience,
pensioners and all, will identify with this one.

Dennis Lotis, one of my colleagues from the Ted Heath
band will be singing on the concert, as will Rosemary Squires, whom I
last saw at the Tommy Sampson Reunion a couple of years ago.

Someone has taken the trouble of searching the Jazz
Professional website to see how many times the phrase 'on the other hand'
appears in its pages. It can be found 48 times. Another useful phrase
for all occasions, and as it is said here by very many famous people I
seem to be in good company. On the other hand...

I had a very nice email from composer John Keating,
thanking me for the pages I have of him on my website. He had to go to
New York to see them on producer Tony D'Amato's computer, so I guess he
has blown up his Macintosh again. So nothing changes - except here, because
I am now Mr. Nice Guy. Better late than never. Tell your friends.

While writing this I've just heard that Niels-Henning
Ørsted Pederson has died, at only 58 years of age. Niels was our
bass player in Peter Herbolzheimer's band. A lovely man, sensational bassist.
He left after a year or two to go and work with Oscar Peterson. To realise
how much of a compliment that was to Niels you should take the time to
read an article in Jazz Professional where Oscar discusses his method
of playing piano, and how important the bass player is to him. Click
here for the article.