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Today we look back at the 2016 San Francisco Electronic Music Festival, which concluded two weeks ago. The opening night took place at the Kanbar Forum of Exploratorium here in San Francisco. The large rounded space featured an immersive multichannel speaker system designed by Meyer Sound, and both acts that day took full advantage of this.

The evening opened with a set by IMA, the electro-­percussion duo of Nava Dunkelman and Jeanie Aprille Tang (aka Amma Ateria). They performed with an array of percussion instruments and live interactive electronics.

Their sounds range from quite sparse to large clouds, often mixing in bits of vocals with the heavily metallic percussion. For this set, they played with space as well, spinning sounds around the room using the speaker array. There were moments when the individual sounds could be heard as a single point in space, others that were on the edge of a noise wall. I also appreciate that their sets are quite embodied, not simply standing on stage behind their gear but moving around as the sound and space suggest.

The second set featured Conrad Schnitzler’sCassette CONcert, performed by New York musician Gen Ken Montgomery. Cassette CONcerts are boxed sets of cassettes that Schnitzler composed with the intent that others could perform and listen without his presence. Montgomery has become a primary interpreter of these pieces, “conducting” the eight-channel work on a variety of speaker systems. It fit quite well in the space, which was darkened except for projections on the main screen.

In many ways is the opposite of IMA’s set, completely disembodied, with long stretches of sound, and made from pre-recorded materials. One could even call it sculptural or a sonic painting. But it fit quite well in the context of the SFEMF concert and was a fitting second act to this first night.

Overall, it was a good start to this year’s festival, and a more casual setting ahead of the next three concerts to come. We will have more to share on those in an upcoming article.