Medium: lithograph. Beautifully printed in Paris in 1971 by Atelier Arte for a now rare Foundation Maeght exhibition catalogue. Sheet size: 8 x 8 inches (206 x 206 mm). There is text on the back side, as issued. Not signed.

Medium: lithograph. Beautifully printed in Paris in 1971 by Atelier Arte for a now rare Foundation Maeght exhibition catalogue. Sheet size: 8 x 8 inches (206 x 206 mm). There is text on the back side, as issued. Not signed.

Medium: lithograph. Beautifully printed in Paris in 1971 by Atelier Arte for a now rare Foundation Maeght exhibition catalogue. Sheet size: 8 x 8 inches (206 x 206 mm). There is text on the back side, as issued. Not signed.

Medium: lithograph. Beautifully printed in Paris in 1971 by Atelier Arte for a now rare Foundation Maeght exhibition catalogue. Sheet size: 8 x 8 inches (206 x 205 mm). There is text on the back side, as issued. Not signed.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 6 x 3 1/2 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 3/8 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 4 1/2 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1894 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 4 1/2 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 4 5/8 x 3 5/8 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/4 x 3 3/4 inches.

This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 1/4 x 2 1/2 inches (105 x 63 mm). Not signed.

Medium: original lithograph. This was issued for XXe Siecle (issue No. 43, devoted to the art of Salvador Dali and Surrealism) 1974, published in Paris by San Lazzaro. Sheet size 12 x 8 7/8 inches (305 x 225mm) -- the sheet has been slightly trimmed. Not signed.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 x 2 1/2 inches (100 x 65 mm). Not signed.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 3 3/4 x 2 1/2 inches (95 x 65 mm). Not signed.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 x 2 1/2 inches (100 x 65 mm). Not signed.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 3 1/2 x 2 1/2 inches (90 x 65 mm). Not signed.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 x 2 3/4 inches (105 x 70 mm). Not signed.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 3 3/4 x 2 1/2 inches (95 x 65 mm). Not signed.

Medium: serigraph (after the gouache). Printed in Basel, Switzerland in 1955 for a rare catalogue by Leon Degand that was issued in an edition of 650. Printed on smooth wove paper, the image size is 8 x 6 1/4 inches (200 x 160 mm). There is printed text on the back side, as issued. Not signed.

Medium: serigraph (after the gouache). Printed in Basel, Switzerland in 1955 for a rare catalogue by Leon Degand that was issued in an edition of 650. Printed on smooth wove paper, the image size is 4 1/2 x 6 5/8 inches (116 x 195 mm). There is printed text on the back side, as issued. Not signed.

Medium: serigraph (after the gouache). Printed in Basel, Switzerland in 1955 for a rare catalogue by Leon Degand that was issued in an edition of 650. Printed on smooth wove paper, the image size is 6 x 7 7/8 inches (155 x 200 mm). Not signed.

Medium: serigraph (after the gouache). Printed in Basel, Switzerland in 1955 for a rare catalogue by Leon Degand that was issued in an edition of 650. Printed on smooth wove paper, the image size is 8 x 6 1/2 inches (200 x 165 mm). Not signed.

Medium: serigraph (after the gouache). Printed in Basel, Switzerland in 1955 for a rare catalogue by Leon Degand that was issued in an edition of 650. Printed on smooth wove paper, the image size is 5 1/2 x 7 1/2 inches (190 x 138 mm). There is another image on the back side, as issued. Not signed.

Medium: original woodcut. The title means "Sermon for the Birds". Executed in 1920 for Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 3/4 inches (275 x 210mm); the image measures 7 7/8 x 5 7/8 inches (200 x 150mm). Not signed. Condition: there is some minor foxing to the paper.

Medium: serigraph / silkscreen. Published in 1964 by Galerie Denise Rene, of Paris, for the rare exhibition catalogue "Hard Edge". Herbin was one of several artists who contributed original silkscreens for this project (after their own paintings). It was printed by the Imprimerie Mazarine on a sheet of thin wove paper without margins, and then tipped onto a support sheet (attached along the top edge). Image size: 7 x 6 inches (190 x 155mm). Not signed.

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The sheet size, including margins: 9 1/8 x 7 1/2 inches (232 x 190 mm). This is a splendid and richly inked impression on wove paper, and now quite rare. Not signed (the artist's name is printed in text beneath the image).

Medium: pochoir (after the watercolor). Printed in Germany in 1922 for the rare Ganymed "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The image measures 7 x 5 1/2 inches (177 x 140 mm) with good margins. The artist Carl Hofer is also known as Karl Hofer. Signed in the plate, not hand-signed.

Medium: pochoir (after the watercolor). Printed in Germany in 1922 for the rare Ganymed "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The image measures 8 x 5 1/2 inches (200 x 135 mm) with good margins. The artist Carl Hofer is also known as Karl Hofer. Signed in the plate, not hand-signed.