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Overview

There was some speculation after Seven that Wolfstone has ceased to be an active entity. That rumor was squelched in a big way when, in 2001 and 2002, they released Live! Not Enough Shouting and Almost an Island respectively. The latter was their first studio album in three years and it reunited them with producer Phil Cunningham, who last produced their Year of the Dog album (1994). Just as "Holy Ground" established the tenor for that album and, likewise, "Zeto" for The Half Tail(1996), Almost an Island is ushered in with a similarly bagpipes-heavy rocker "The Piper and the Shrew." This was Wolfstone's way of saying "We're ba-ack." With the dependable core of Duncan Chisholm, Wayne MacKenzi, Stevie Saint, and Stuart Eaglesham, Wolfstone's patented style of high-powered Celtic rock remains in tact but one wonders if the departure of Ivan Drever after This Strange Place also meant that much of the traditional component of this band had also vanished. There are moments of brilliance like "La Grand Nuit du Port de Peche" and "5/4 Madness," which suggest that things haven't changed at all for this band, but the overriding feel of this album hearkens back to the direction that Live! Not Enough Shouting hinted at -- that this is now a band that wishes to suppress their traditional roots in favor of a more boisterous guitar sound. Hence, some of the pizzazz of those earlier albums is lacking here.

Downriver is a gently rolling album, featuring Karen Matheson's resonant vocals on a handful of
songs mostly in Gaelic. Everything -- the vocals, the songs, and the spare arrangements -- works in unison to evoke the quiet river of the ...

Return to Kintail unites two of the most dynamic players on the Celtic music scene:
Scots fiddler Alasdair Fraser and guitarist Tony McManus. The duo interpret traditional Scottish Highland songs, including dance medleys, pipe tunes and Gaelic airs, all with ...