Edu Comelles lives and works in Valencia. He is a sound designer, musician and curator. He is currently involved in several individual and collective projects ranging from sound art, field recordings and experimental music.

Gone, But Not Forgotten is a sound and light installation made out of 8 pieces of ceramics used as a resonant material or recipients for sound. The piece creates a generative sound composition that changes and evolves randomly. The piece aims to homage traditional ceramics, a widespread craft in the Mediterranean area that now a days lingers into oblivion. Each of the semi-spheric pieces is made of fireclay. Each of it contain a speaker and a sound-reactive LED. The sound composition spread in the space through the speaker array has been developed in Ableton Live using a wide variety of sounds gathered exclusively from the ceramic pieces. Each particular sonority, tone and resonance has been recorded and used as raw material for the generative composition.

The concept behind the piece homages traditional ceramics and its gradual decay as a craft. Through contemporary use of this forgotten material the piece aims to claim its importance through history and its link to the territory, ground and soil. Sound is in charge of raising the voice of ceramics and light, as a consequence of the sound, reveals a material confined into the darkness.Physical Edition.The author has created a very limited edition of 10 CD copies. Each CD contains a different and exclusive 1-hour recording of the sound composition. Each CD is attached to a fireclay tile and has been manually assembled, crafted and hand-numbered by the author.