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Zeiss at BVE with Den Lennie

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Matthews New Product for IBC 2018

Posted: 01/08/2018

Burbank, CA-based manufacturer of camera and lighting support for the entertainment industry, Matthews Studio Equipment, mantra is creating equipment that lasts. Support equipment that not only stands the test of time but adapts to all types of challenges. This year one of their coolest new tools is the MQ Mount, a simple but highly creative way to mount T-12 light tube fixtures with minimal light loss.

Latest-generation DUO-C198 batteries in the IDX ENDURA V-Mount series were chosen to power Sony's recently introduced Venice 35 mm 6K camera in a short movie shoot by the cinematographer António Morais, Golpe Filmes.

At this year’s premier industry event, Cine Gear Expo will recognize individuals and manufacturers who have performed outstanding service and made significant contributions to advancing the arts and crafts of filmmaking at its Reception and VIP Awards Ceremony on June 1, 2018. Held at the Paramount Theater and Paseo Grounds, honors will be presented for Technical Lifetime Achievement, Film Festival Competition winners, and a special tribute to six filmmakers who are helping to change the face of cinematography.

Cooke Optics will present a range of its acclaimed hand-crafted lenses to the KitPlus Shows in Glasgow and Bristol on 31st May and 5th June respectively. From the latest full frame cine lenses to those with a vintage look, Cooke lenses bring the revered ‘Cooke Look’ to all kinds of content from Oscar-winning movies to TV dramas and music promos.

ELEMENTS, developer of advanced solutions for unrestricted collaboration in shared media workflows, is proud to announce that Studio Daily as a game-changing new product. The award was presented to Alistair Washburn, director of sales EMEA (left), and Roger Beck, director of solutions architecture USA (right) at NAB 2018.

As media markets continue to demand new and flexible models of operation for content owners, Prime Image, a proven industry leader in video content analysis and optimization, introduces Software Time Tailor (STT). STT provides broadcasters with a software-based time optimization tool that optimizes the runtime of broadcast-quality video in order to create time to allow additional ad insertions into programs as well as for content trimming.

A pair of Calrec Audio’s Brio compact audio consoles recently joined the facilities at Full Sail University, providing valuable hands-on training and experience in audio mixing for students in the Film bachelor’s degree program, as well as being utilized in the university’s on-campus performance venue.

Airo by K-Tek announces an integrated new Booming Intro Kit packed with essential audio tools especially designed for content creators who require quality, affordable audio sound for their video. All they need is a shotgun microphone and this new kit.

“A Sound in Motion started as a camera test for the new Sony VENICE CineAlta 6K Digital Cinema Camera and evolved into a much bigger project. The film, presented by Golpe Filmes and released this summer, was directed/edited by Ricardo Teixeira. It is a fictional story based on the way deaf people adapt themselves to daily life situations. The intent of the film is to be a positive influence in the way people think about the ‘differences in human beings’ and about issues related to social inclusion, but without turning it into something moralistic or that seems fundamentalist. Through sounds not speech, words or verbal expression we want to relay a positive message and display a clear gaze upon that difference.”

That heart-dropping, cold-sweat evoking moment your external hard drive fails to connect to the computer and you realise the precious project you’ve been working on for weeks is lost for good (unless you want to spank hundreds on a recovery service that may or may not retrieve some of the mangled data!)

Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K ProRes RAW on a full-scale production.

At the time of writing, the summer World Cup is providing its usual challenge to camera crews trying to televise the bright sunlight of the stadium without losing detail in shaded areas such as the covered terraces. It is a perfect demonstration of the need for high dynamic range. Several broadcasters are experimentally covering this year's tournament in 4K HDR, including the BBC which is streaming dozens of matches via its iPlayer service. HDR is also accompanied by a wider colour space, meaning millions more colours can be displayed than previously. Yet another advance is the adoption of 50p delivery rather than traditional 50i.

I have a curious relationship with technology. I’ve been doing it all my life and I see topics come and go over the years. This is the 3rd time around that I’ve seen Artificial Intelligence become trendy and this time, I think it will stick. There are 4 things that are different this time around and they are (in alphabetical order) Amazon, IBM, Google, Microsoft. All of those companies have had AI research programs running for years, but the big change now is that there is enough ubiquitous compute resource in the form of the cloud to make it commercially viable to build products around the platforms.

Recent reports show pay TV in the US peaked in 2012 and will keep dropping over the next five years. Digital TV Research’s North America Pay TV Forecasts state the US will see a 20% drop between 2012 and 2023. Should the UK be readying for a similar change in consumer viewing, or is something different happening here?

As with all major events, planning for the Royal Wedding and surveying potential broadcast locations and securing reliable connectivity for video over IP workflows was top of mind for Canada’s Global TV. For major live broadcasts, in particular, when the entire world is watching, an extremely high degree of confidence is crucial because the live feeds need to be transmitted without fail.

ESL, the world’s largest esports company, relied on a full Blackmagic Design live production workflow at the inaugural League of Legends European Masters tournament. The new league launched this Spring, with the first split taking place in the UK, specifically, at the historic Haymarket Theatre in Leicester.

I am writing this in the middle of a record-breaking heatwave in southern England. Yet it is time to be thinking about the mists and mellow fruitfulness of autumn, or at least the predictably damp and chilly Amsterdam when IBC hits town.

What will be the hot talking points of IBC this year? I am not in a position to talk about what the big vendors will be showing: I have so far received just the one preview press release (take a bow, Calrec).

I currently find myself in between two landmark moments. A few weeks ago I was completely immersed in producing live television content,Â and in a few weeks time I will become an official BSc (Hons) Television & Broadcasting graduate from the University of Portsmouth. When I look back at who I was in my first year of university, I remember a shy girl from the other side of Europe, unsure at whether a career in television was the right path to take. Now, after three years of university, I can definitely say that I made the best choice of my life by choosing this degree. I’m leaving university confident and motivated, knowing that I made the right choice in study, and I really want that career in the television industry.

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