The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

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From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

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As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

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Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

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Nikon Apps include educational apps such as the Learn & Explore, NIKKOR and ACC and Manual Reader 2 apps, as well as the Nikon Image Space image sharing app and apps for connecting select cameras to a compatible smartphone or tablet via Wi-Fi (WMU and Connect to S810c).

Learn & Explore Tip of the Day

August 2, 2015

Use a polarizing filter to lessen or eliminate reflections from glass. This works really well on windows of stores or cars. But the trade-off is that your exposure will be a bit longer, as the light is cut down by almost two stops.

On photo sharing sites like Flickr you can often view the details of a photograph and take a look at the shutter speed, aperture, ISO and other settings. While this won’t teach you how to create a photo from scratch it will show you what technical choices photographers made to capture their images.

If your COOLPIX camera or NIKKOR lens has image stabilization (Nikon calls it Vibration Reduction), know when to use it and when to turn it off. If you don’t know how your stabilization system works, turn it off when you’re shooting with a tripod. If it doesn’t sense that the camera is solidly mounted, it can add movement while trying to reduce blur.

Always use your lens hood (if you have one) or buy a lens hood (if you don’t). The lens hood isn’t just good for preventing flare. It can keep you from losing the contrast of your images as well as protect your front lens element from raindrops too.

When shooting a portrait of an athlete, use fill flash (or flash turned on even in daylight) to light up the shadow areas under a hat or helmet. This will balance the light from the entire scene and light up the face. On a compact camera, the setting to choose is "Flash On."

Look around you when you’re shooting at sunset. The objects that look boring during the day magically come to life when the rays of the sun hit them. Buildings, cars and anything reflective take on a special quality at sunset.

If your camera can capture images in both RAW and JPEG format, do so even if you don’t work with RAW images now. These RAW files have the highest image quality possible, so you can edit them years from now and be sure you’re getting the best looking image possible.

Shooting a lightning storm can be exciting. Use a tripod and set you camera to record a long exposure. With DSLRs, 15 seconds is a good start, but you may have to use up to 30 seconds, or bulb setting (where the shutter stays open as long as you hold down the shutter button). Because you never know when the lightning will occur, keep shooting for best results. Remember to always keep a safe distance, and don’t forget the tripod to avoid blurry photos!

Take a self-portrait each day for a week or month (or a year). It’s harder than you think to take an attractive photo of yourself, and if you do it for long enough you’ll have an interesting series that shows how you’ve changed over time.

Look on photo sharing sites for inspiration for your next photo shoot. Pick a subject you want to photograph or a location and search for photos of that. You’ll see a wide array of different techniques and styles that will inspire you.

Don’t stop shooting after the action has finished in sports. Get in close on a happy or sad face … a celebration after a goal … or the dejection on the sideline after a loss. The emotion of the game speaks volumes and can really round out a series of pictures.

If you live in a city or near a big photo store, find a photographic rental house and rent a lens that you don’t have. Take a telephoto lens to a ball game or rent a wide-angle lens and take it camping. This will give you a chance to try a new piece of equipment and expand your photographic horizons.

You should format the memory card in your camera on a regular basis. By using the camera’s built-in “Format” function, found in the menus, you lessen the chance of having card problems in the future. Doing so is better than just deleting the images using the camera or the computer.

Take a step back. No, farther back. See what the scene looks like from far away to get perspective. Walk around it, to see it from different angles. There’s a tendency to rush up to something and take a photo, but if you look at it from different angles you’re more likely to find something you would otherwise have missed.

Most cameras with built-in flashes have a red-eye reduction setting that fire several quick pre-flashes before the main burst of light. Turn this off if you’re not photographing people because it drains the battery and doesn’t help light up your scene.

Make a great team picture. Get the team together in front of a nice background—maybe the goal, the net or the team logo on the field or floor. Shoot the ordinary, and then let the kids have some fun, making faces or funny poses. That’s the one they will always remember.

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

It’s always best to shoot group pictures in a location that tells something about the people. For example, shoot the sports team on the field instead of the parking lot. Try to think about how the background, or setting, adds to the story of who they are.

Do some photography pro bono. Find a charitable organization in your area that can’t afford a photographer and offer your services for free. The group will end up with a precious resource it wouldn’t have had access to; and photos of an event or service the organization provides can help it get funding.

Try to buy the fast and large memory cards. Speed ratings on the cards are important for live action shots, especially when you’re shooting in sports or continuous scene modes, or at the highest frame rate. That will allow the camera to shoot at its fastest frame rate with little worry the camera will have to pause to offload images to the card.

Freeze the sports action. The key is using a high shutter speed. On compact cameras, use the sports scene mode. On a DSLR, pick a high shutter speed of 1/500th of a second or above. This will freeze almost all action. If the light is low, adjust your ISO to a higher sensitivity (800-1600 ISO), which will allow you to select a faster shutter speed.

Place your subjects equally away from the camera when shooting a group. Avoid placing any of your subjects a lot closer to your camera than others. That can lead to some of your family members being out of focus or just looking a little out of the mix.

Babies are great subjects because they’re so darn cute. Focus on the teeny body parts with a macro lens. Pudgy hands, small ears, and teeny elbows—they’re even cuter when they’re the subjects of your photo.

Use a small flashlight to light up a scene. Put one behind or under an object at night to create an interesting glow or use it instead of a flash. Take long-exposure shots using a flash as a light source and you can create interesting glowing sections of your photos.

Photographing at the zoo? Careful composition can hide the fact that your wild animal subjects are behind fences or in pens. Zoom in for tight close-ups so you don’t see man-made objects like fence posts, concrete swimming holes or perches for the animals to play on.

When photographing cars, try getting a different perspective. Use a wide-angle lens to capture the hood ornament with the hood stretched out behind. Get low and shoot up on the car. Grab a ladder and shoot a bird’s eye view. You’ll create a photograph that captures a car as art.

When shooting nighttime landscapes, use a low ISO (400 or below if possible) while working from a tripod. Open your aperture to F/4 or F/5.6. This will allow you to have a shot full of detail and of good quality. Remember that night shots need a subject, just like day shots.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

All-in-one zoom for superb super-telephoto shooting

This powerful zoom lens lets DX-format D-SLR users reach 300mm super-telephoto with clarity and sharpness, thanks to built-in VR II (Vibration Reduction) image stabilization. In addition, the new High Refractive Index (HRI) lens—a first for the NIKKOR lineup—achieves clear, high-contrast images at every aperture and focal length yet contributes to making the lens body slim and compact. A practical, versatile lens, the AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR is ideal for those who want a single lens that can handle just about any shooting opportunitiy.

An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.

HRI

HRI stands for High Refractive Index Lens. With a refractive index of more than 2.0, one HRI lens can offer effects equivalent to those obtained with several normal glass elements and can compensate for both field curvature and spherical aberrations. Therefore, HRI lenses achieve great optical performance in an even more compact body.

A-M

A-M stands for Auto-Manual Mode. Thanks to a mechanism incorporated in the lens barrel, smooth focusing operation in Manual focus mode is realized in the same way as users have become accustomed to with conventional manual-focus lenses by adding an appropriate torque to the focus ring.

Based on CIPA Standard. This value is achieved when: DX-format lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

For the money this is a real good lens.
I ordered 55-300 VR on line and the day it was delivered, I took it to a Wolf Camera store to compare the 70-300 VR. The rep at the store had no problem with me doing that as they didn't have a 55-300 in stock anyway. The rep at the store and I absolutely agreed that it was a least as sharp and maybe even a little sharper than the 70-300 VR based on images taken on the same body with the two different lenses. The 55-300 locked focus slower for sure but for the money, the 55-300 is a great lens. I'm glad I bought it. It zooms in and out pretty smooth also. I bought it with a body so I got the great instant rebate also. Thanks Nikon. Canon had nothing to match this deal, i.e. camera and VR/IS telephoto lens for near the same price.
September 27, 2011

Great product for starters
I had been looking for a great starter zoom lense for sporting events when I came across this one. It is perfect: great range, lightweight, and great price! Purchased apart of a package so quite economical. Zoom isnt the greatest after about 200mm, but I am sure once I learn more about photography, I can adjust to make it better.
September 20, 2011

Perfect for my use
Perfect lense for my use. I carry my D-90 with me almost everywhere I go. I take alot of pictures and this lense does the job for me. It provides both closeup and distance with vivid clarity.
September 3, 2011

Great Zoom Lens
This zoom lens is great for a beginner or intermediate photographer. This lens is well priced and the images are sharp. I’ve taken pictures of the moon, nature and people from distances at events. I enjoy sports and I was initially concerned that the auto focus may not be quick enough. However I have been able to get pretty good pictures at the different sporting events including professional baseball, NASCAR and a local air show. I would recommend this lens to anyone wants a quality zoom lens for a great price.
September 1, 2011

Excellent Lens
I have used this lens since June, 2011. It work excellent. The photo is crystal clean. I had used this lens to take the pictures in an air expo. the quality of the picture is great. The VRII also work very well to take crystal clean picture of airplane in sky.
August 1, 2011

This lens is awesome
In typical Nikon fashion this lens is as high quality for it's light speed and price range as it gets. It has rendered sharp crystal clear images and the auto focus (AF) motor and function is smooth, fast and quiet. This is an all around great lens to use the majority of the time on the camera, I now leave it on the camera body as my default lens.
July 8, 2011

The lens is light weight and operates smoothly. I really like the VR feature as it is not always convient to carry a tripod.
June 16, 2011

I just got this lens
I'm real happy as of now.it's doing just what I was looking for but I have not used it enough to tell you the good or the bad..next month I will tell you...but so far there is no bad things that I see about the lens except I now need a biger camera case!
June 9, 2011

Great product for the money
So far this lens has given me excellent images. I've taken it on a recent trip and took some hundreds of photos with it using my Nikon D5000 DSLR. All the images have come out nicely! There is a nice bokeh. Whether your photo is a portrait or wildlife, it will show up nicely using this lens. I can highly recommend this lens.
June 6, 2011

This lense is fantastic
I take pictures of birds and wildlife and this lense has a fast response time so I can get several pictures in a short time. It also keeps up with the movement.
Would recommend this lense the 55-300 as a first zoom lense
May 20, 2011

Really has performed well
Like the weight, VR and other features of lens. Performance has been very good without using a tripod.
May 1, 2011

Excellent
This is a great lens it gives that little extra closeness I needed.
April 26, 2011

Great
I have only had the lens for a short while, I took some great moon shots last night and I am very pleased (as always) with the Nikon quality
April 18, 2011

This lens takes suits my telephoto needs very well
Purchased this lens to take care of my amateur telephoto needs. It suits my requirements well. The speed of the lens might be faster, however I realize that the price increase would not fit my budget. I like the weight of the lens and what it can allow me to focus on.
April 17, 2011

Great Bang for the Buck!
If you want a decent zoom lens without having to study what you need or want the 55-300mm lens is the right lens for you. I still want to get a much better zoom lens for wildlife shooting but right now that lens is on hold due to it being 1100 USD. I really wished these lenses were so high unless getting a super zoom or something so consumers can easily afford them. Anyhow great zoom lens as it has 5x zoom, Optical zoom that is too.
April 16, 2011

Love it.
I love this lens. It's inspired me to do more. I find myself getting out and enjoying nature more and with this lens it makes the far away more upclose and satisfying.
April 16, 2011

Very happy
This lens has lived up to everything I hoped. I have gotten nothing but quality pics with it, and it is not overly heavy. Definitely recommend!
April 15, 2011

Works great
On my short experience as a photographer, this product works great! clear pictures and the VR is good enough to avoid most of the stability problems!!!! happy with it!
April 15, 2011

Great lens for hunting big game
I used this lens for taking shots on a photo safari of East Africa and loved how close I could get without the weight and bulk of larger lenses. I got most of the shots I wanted in bright, crisp detail.
April 14, 2011

Best handheld zoom
Lens does an excellent job hand held. Photos are sharp and great detail. Price is excellent for the starting photographer wanting a great lens for wildlife, sports, and family. Before I had to use a tripod with my 70-300 to get the sharpness I get now handheld. Love it.
April 14, 2011

Just what you need!
I do a lot of traveling and like to have photos to remind me of my journeys. I am able to bring into detail, some of the distant historical buildings or wildlife that I encounter. I really like the VR feature, as this helps ensure that the photos are in clear focus. Thanks, Nikon.
April 14, 2011

Excellent Features
This lens replaced an older version Nikor AF Zoom and this new version is so quiet when the focus changes the wildlife have no idea that I am in the neighborhood. The image stabilization allows for the use of slower shutter speeds while hand holding. In a nutshell I am truly impressed.
April 14, 2011

Outstanding Lens!
Nikon developed a great zoom at a very reasonable price. Results are outstanding, operation is smooth and I am getting great results at all ranges. A step up from the 55mm-200mm and the additional 100mm is a plus. This is a must for all Nikon users.
April 14, 2011

Outstanding buy
We bought this as an add on to our D3100 kit for our trip to New Zealand [see review of camera]. It was worth every penny as it allowed us to take outstanding photos of the Southern Alps and of Auckland city even at night.
April 14, 2011

Nikon FTW!
I just got the D3100 with the the new 55mm-300mm lens. I took 500 photos my first weekend. I love it :)
December 5, 2010

Great Design with quiet fast focus Can't beat it!
I was looking at the 70-300 when this came along. When I got it i went right out and shot 170 raw photos in dim evening light and there were no issues with this camera's performance. It zooms as fast as you need and the manual override feature is great. It has good balance if not a little heavy but that is what you have to expect with a lens like this. I Highly recommend to all Digital users.
October 6, 2010

One of my favorites!
I've used this lens for a variety of situations and it works beautifully for the most part! It works the best in well lit areas when your subject isn't doing a whole lot of moving. The poorer the light and the more movement happening, the longer it takes to focus, even compared to other lenses. I've noticed that, even in good lighting, it has a tendency to actually focus slightly behind the subject, despite the indicator lighting up in the right spots. That being said, I use it for a lot of sports and other action photography, and I still manage to get some great close-ups after making my own adjustments.
September 7, 2014

Good quality zoom, covers everything
I used this lens extensively on a recent trip to the Galapagos Islands. With the abundant wildlife, the lens was definitely put through its paces. It performed well enough for my purposes, although its focus when searching is much slower than more professional lenses. Capturing birds in flight or quick lizards was somewhat difficult, but not so much that I would not recommend this lens. It is perfect for the beginner or the amateur because of its great range, VR for telephoto and action, and budget-sensitive price. Definitely a great buy!
January 15, 2014

What a Kit Lens Should Be
This lens was included in a D5200 bundle. While the clarity of the wide angle lens was a bit disappointing, this lens is a respectable performer and should offer satisfying performance for years. It is not THE most razor sharp glass, but it is quite respectable for every day shooting with very effective auto focus and camera shake reduction. The sample shot was hand held ....
July 28, 2013

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Answers

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A zoom lens covers all focal lengths between it's minimum, and maximum. In a 35mm, or Full Frame (FX) format, a 55-200mm lens provides all focal lengths from 55mm to 200mm, so it covers: 63mm, 94mm, 173mm, etc. On a DX camera, that same lens is really more of an 82.5mm to 300mm zoom lens, and 55mm is not in the works. The 1.5X Crop Factor factors it out. To get the 55mm Field Of View out of a lens on a DX camera, it has to be a 36mm minimum focal length (which gives a 54mm focal length Field Of View, in reality) to 37mm, which will provide 55.5mm Filed Of View on a DX camera. Of course, you could just go with a 35mm minimum focal length, to anything above 37mm. So a 35-70mm zoom would have the true 55mm Field Of View, when set slightly above the 35mm mark. So would a 35-105mm lens, a 35-300mm lens, etc.

May 4, 2015 by

by

EJay

+4points

4out of4found this answer helpful.

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So, if I am correct, I can use a 105mm. focal length, or any given number between 55 and 300.

Jul 3, 2011 by

by

Anonymous

+2points

2out of2found this answer helpful.

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Is this lens compatible with a D3000 and does it have auto focus and vibration reduction?

4 years, 3 months ago by

by

JacobC

3 Answers

Answers

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Yes, this lens has Vibration Reduction (VR) and is compatible with the D3000 since the lens has the internal motor for AF. In the model of the lens you will see VR for Vibration Reduction and AF-S that means the lens has the built-in motor for autofocus.

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+2points

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I am a newbie to photography. I own this lens now but I am skeptical about its compatibility with Nikon D5100. I see a Note in the lens manual which states as follows: DX lenses are for use only with DX-format digital single-lens reflex cameras such as the D90 or D300 series.Can anybody please address this issue ?Thanks in advance.

Answers

+1point

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Definite Yes. I am using it with my Nikon D5100 and pictures are superb quality.

Aug 22, 2014 by

by

Krishno

Kolkata, West Bengal, India

Location :

Kolkata, West Bengal, India

Age: 25-34

Favorite Subject: Nature

Nikon Family: 2-5 years

Experience: Less than a month

Role: Serious passion, hobbyist

+1point

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i've had the d3100 for a year. i've taken some nice pictures of my 2 year old outside playing and a couple of nice indoor portraits with a backdrop. i'd like to buy a flash (been researching the sb-700) and a new lens. i've been reading about the 55-300 and 70-300 but not sure which is better for my use. don't want to spend the extra $200 if the 55-300 is just as good for what i need it for than the 70-300. also any comments on flashes i'd appreciate. was looking at sb-600 before but heard tha was discontinued.

3 years, 11 months ago by

by

jaclyn

nj

Location :

nj

Age: 25-34

Favorite Subject: Family & Friends

Nikon Family: 0-1 years

Experience: 6-12 months

Role: Occasional user, memory keeper

3 Answers

Answers

0points

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The SB-700 flash seems to be a good one. I haven't used it, but would get it if I were gong to buy a new flash for more power, or such.

May 4, 2015 by

by

EJay

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The best portrait focal lengths are either 85mm, or 105mm ,or 127mm, or 135mm, depending upon who you ask. Even pros disagree about this, and it is largely a matter of personal taste. If you got a kit lens with your camera it may include such focal lengths. Usually the kit lens is an 18-55mm, which in DX format is a 27-82.5mm. The 55mm setting gives 82.5mm field of view on a DX camera, and that is almost 85mm, so it can produce some passable portraits. If your kit lens was a 55-200 that gives the 82.5-300mm field of view, so portrait lengths are covered in that. Still, a zoom lens is softer-focus wise-than is a prime (single focal length) lens. For great portraits use a prime lens.

Nikon's AFS-DX Micro-Nikkor 85mm F/3.5G ED VR lens ($529.95 new) would provide a 127.5mm field of view on a DX camera, and that is a good portrait focal length. It is also a true (1.0X, full life size) Macro lens, and has 9 aperture blades...which produces good 'Bokeh' (background blur). If you can afford that 85mm lens, get one. You may save a bit by getting it used, or factory refurbished. Be sure to get the right one. Nikon makes several 85mm lenses which are FX (Full Frame) items for their professional cameras, and they are more expensive. The one I mentioned is their only DX format 85mm lens at this time. Until you can afford the 85mm lens, you can get by with any zoom which has 55mm, or above, in its range.

The 55-300mm will be as good as the 70-300, generally, but either may have some benefits, or detriments, the other doesn't. I haven't done side by side comparison tests, so I can't give details. Any of NIkon's flashes will be good. The more expensive ones have more convenience, and higher power, so they can be used from further away. I use an SB-300, with a cheap, foldable, soft box attached ( an Opteka I got on Amazon for about $7.00). I shoot from about 6 to 8 feet away, and it works fine. The head is tilt-able. It does not have all the whiz bang features of the costlier models, but I don't need them. The soft box diffuses, and softens, both the light, and the shadows, making things less stark, and glarey.

For general images of the kids, any zoom lens can do, and be convenient to let you change focal length at the twist of a wrist. 18-300mm would be handy. The 55-200mm can work. It is a matter of personal taste. For really memorable portraits of the head & shoulders, and head to waist, variety, get that 85mm lens, and a softbox for your flash. If you want to use several flash units-one in front, one on the side, one behind as a hair light, etc-get a costly flash which can be triggered by a main flash. If you want the SB-600, it may still be found in stores / warehouses, if you look hard enough. Check around, and see. If you can't find one, go with something else.

May 4, 2015 by

by

EJay

0points

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I agree the 70-300 is much better. You may well also want to use a tripod when shooting at 300mm, the actual focal length on a DX DSLR is 450mm, which means you probably want to have a shutter speed at around 1/500 or faster, if not using a tripod.

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My pictures have no improvement over my Cannon w/ 70-300mm Zoom. Birds are just out of range with not enough clarity.

3 years, 2 months ago by

by

baergy

Kimberley, BC, Canada

Location :

Kimberley, BC, Canada

Age: Over 65

Favorite Subject: Nature

Nikon Family: 0-1 years

Experience: 1-3 months

Role: Serious passion, hobbyist

3 Answers

Answers

+5points

5out of5found this answer helpful.

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Probably not- The maximum aperture is f4.5 so a 2x extender would make it f8, Not enough light to focus.Look at Nikons lens catalog for wiich extender will work on what lens. Nikon usa.com. That will tell you everything you need to know about Nikon lenses.Also, don't forget the 1.5x multipication factor for your D7000,makes your lens 105-400mm f4.5-f5.6

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Unfortunately, this lens is not fast enough to work well with teleconverters. Nikon AF systems (except D4 & D800) need an effective aperture of f5.6. Adding a teleconverter, even the 1.4x will take this lens beyond that. The 55-300 is a very good value. If you want a little more reach in a zoom, the 80-400 will get you more, but at 4x the price, and it is still not fast enough for teleconverters. It sounds like your needs may be up in the price range of the exotics. The 200-400 f4 zoom will take a teleconverter and get you out to almost 600mm. Similarly, the fast telephotos will take teleconverters as well, but we are talking serious $$$ for all of these lenses. Unfortunately, the level of optics that you are looking for is not really available at the price point of this lens. Renting a lens might be a good way to figure out which way to go.

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