The New York Times: Mahler, Symphony Number Four
"Elizabeth Weigle, a soprano, was the soloist in the Mahler
and gave a lovely account of its child's view of heaven."

Opera News: Recording: Foss, The Prairie
"Of the soloists, soprano Elizabeth Weigle is the standout.
Her rendition of O Prairie Girl, a plaintive lament for a
young woman abandoned by her lover, is very affecting."

The New York Times: All-Charpentier program
"The concert boasted an exciting pair of soprano
soloists..., both beautifully accurate and both stylish
in their handling of French Baroque ornamentation, particularly the trill at the end of a phrase. They also contrasted nicely with one another, as warm and cool, gold and silver. Happily there were plenty of opportunities to hear them duetting in the eight-part Mass that formed the main substance of the program and in
the sprightly sacred narrative Canticum pro pace."

San Jose Mercury News: Handel, Messiah
"Soprano Elizabeth Weigle's fine-spun performance reached a zenith in
'I know that my redeemer liveth,' with her exquisite control of volume,
pitch and line and her easy adornments."

The Pueblo Chieftain: Orff, Carmina Burana
"Elizabeth Weigle's crystalline soprano mourns the
vicissitudes of love lost, culminating in her solo in "Sweetest one,"
reaching a D above high C that is nothing short of inspiring."

The Day (CT): Haydn, Lord Nelson Mass
"...an especially fine performance by Chorus veteran soprano Elizabeth Weigle, it was the finest performance this writer has heard in 15 years of Chorus performances. From her first descant soaring about the Kyrie, Weigle was superb Sunday setting the stage in the canonic Credo, she led the performance throughout. ...Weigle set the tone for excellence here as in the Benedictus."

New Music Connoisseur: Wilson, Aethelred the Unready
"Soprano Weigle, as Emma, has dazzling vocal skills."

American Record Guide: Wilson, Aethelred the Unready
"Soprano Elizabeth Weigle underlined Emma's manipulations with an impressive range and agility."

The New York Times: Britten: Governess, Turn of the Screw
"Moreover, Elizabeth Weigle. gave an impressive performance as the Governess. Her light, flexible soprano, with its pleasing middle range and penetrating top,
was imaginatively applied to the shaping of her character."

The Boston Phoenix: John Adams: Pat Nixon, Nixon in China
"...soprano Elizabeth Weigle delivered it with great poignance.... It seemed genuine because
Weigle made Pat Nixon a figure of touching dignity."

Opera Listserv.CUNY: John Adams: Pat Nixon, Nixon in China
"Although subtitles were in use, they were superfluous given the exceptional
nature of the cast's enunciation, even the high sopranos of Elizabeth Weigle as
Pat Nixon...Ms. Weigle's Pat was a genuinely moving, sweet and unpretentious woman,
warm of voice and nature."