The Bass Envelope Filter is a continuation of the evolving line of Source Audio effects optimized specifically for the bass guitar. There are 21 different envelope filter effects to choose from including 2 Pole and 4 Pole Low Pass variations, Single Peak, Triple Peak, Peak/Notch variations, as well as Phaser settings.

The Soundblox Guitar Envelope Filter offers an extensive set of filter effects controllable both with the Hot Hand Motion Controller Ring or as an envelope follower. The pedal features 21 different envelope filter effects, including 2 Pole and 4 Pole Low Pass variations, Single Peak, Triple Peak, Peak/Notch variations, as well as Phaser settings.

Users have access to 23 distinct and modern sounding distortions that go far beyond traditional sounds. They range from “normal”, for a somewhat traditional distortion curve, to extreme “foldback” and “octave” settings for more aggressive and synth-like tones. Each distortion type is further customizable via the drive control, and separate clean and distorted level knobs.

Now you can effectively combine complex chords and intervals with distorted tones — multi band processing eliminates the mush and allows each note to ring clear and true. You also get single band processing for more traditional distortion sounds. It’s the perfect pedal for both the studio and stage.

The Soundblox 2 Multiwave Distortion is created for guitar, but could be an alternative to the dedicated Multiwave Bass Distortion, especially if you are a 6-string player or have an 8-string octave bass. In essence, it features both multi band and single band processing.

Multi band processing splits the input signal into ten distinct frequencies bands, distorts each one separately then recombines them for the final outputted signal. The effect is a crisp and clear distortion with sturdy attack and superior note articulation.

Upon its release, Premiere Guitar Magazine gave the Soundlbox Multiwave Distortion its “Premier Gear” award for 2008. The magazine praised the pedal for “not looking to emulate or duplicate any distortion pedals of the past” and allowing “you to carve out your unique sound.”

23 distinct and highly tweakable effect types ranging from the traditional to extremely unique and aggressive synth-like distortions. It features a 7-band graphic EQ, six programmable user presets, a MIDI input, and an expression pedal input which allows you to seamlessly morph from one preset to another. An alternative to the dedicated bass version of this pedal, the Multiwave Bass Distortion.

The Tri-Mod Flanger is an evolutionary outgrowth of the original Hot Hand® Phaser/Flanger system in a compact and accessible format. There are 11 flanger effect variations that can all be further modified using either a Hot Hand motion controller, LFO (Low Frequency Oscillator) or Envelope Follower.

The Tri-Mod Phaser is an evolutionary outgrowth of the original Hot Hand®Phaser/Flanger system in a compact and accessible format. There are 11 phaser effect variations that can all be further modified using either a Hot Hand motion controller, LFO (Low Frequency Oscillator) or Envelope Follower.

The Tri-Mod Wah is an evolutionary outgrowth of the original Hot Hand® Wah Filters system in a compact and accessible format. There are 11 Wah effects that range from Classic Wah through Low, Band Pass and Multipeak variations, that can all be further modified using either a Hot Hand motion controller, LFO (Low Frequency Oscillator) or Envelope Follower.