Editorial project designed around the concept of panopticon and the photographic archive of the mentally ill patients of Hospital Miguel Bombarda in Lisbon of the first decade of the 21st century.

The work starts with a process of dissimulation of a photograph.The photos taken to the existing photographs in the hospital's archive, which in turn are wrapped in plastic, behind glass doors protected with iron bars, represent a metaphor of all the layers that separate me from them: the 100 years apart, a lens ( someone's lens), a finger that shoots (someone's finger), chemical paper, a plastic bag, a glass, an iron bar, another lens (mine), another finger that shoots (mine) and a certain incomprehension.The blind drawing, on the other hand, seeks to give to the residents more than what one can see in their portraits, giving them beauty, offering each one an identity of their own, a color, make them happy, disguising the layers, smoothing the barriers and softening the wall.