Share this:

Like this:

If you are planning on seeing the performance at Hoveton, the meeting place is the Broads Authority Tourist information centre on Station Road, postcode NR12 8UR.
There will be stewards there to guide you to the actual performance area which is on the river.
There’s plenty of parking at Roy’s car park, although you should really buy something, so arrive early and get something to drink and eat there.

Share this:

Like this:

We’re hoping to get our production of The Transports nominated for the Peoples Choice award at the Norfolk Arts Awards.
Firstly, if you haven’t seen it you must go, it’s a really great show, and fully deserving we think.
Dates and venues are below, and please help us by following the link below and nominating us.Thanks!

Share this:

Like this:

Jo Edye has been nominated for the Theatre Award at the Norfolk Arts Awards in October.
Jo co-founded Crude Apache in 1994.
Writing, directing and producing, he cut his teeth with ‘The Street’, the story of Norwich’s Argyle Street squat, and ‘Singing the Postman’, about Norfolk musician Allan Smethurst.
Based at Norwich’s iconic Dragon Hall, he directed a string of acclaimed productions – ‘Under Milk Wood’ (2011), Arnold Wesker’s ‘Roots’ (2012), Peter Bellamy’s ‘The Transports’ (2013), ‘Macbeth’ (2014), and George F. Walkers ‘Zastrozzi’. (2016).
He was the driving force behind Crude Apache’s recent season at The Shoe Factory Social Club – a dystopian ‘Richard the Third’ and a politically charged revival of Howard Brenton’s ‘Magnificence’.
Jo is currently writing a play charting the history of the Broads Wherries.

Share this:

Like this:

Richard III was a huge critical success, despite keeping the audience in freezing conditions for 3 hours with only mulled wine and hope to sustain them, everyone loved the show.

We managed to donate £147.42 to the homeless charity Emmaus, for which they were very grateful, and still ended up with a small surplus of just over £100. So well done to all involved.

Upcoming in 2017 we have, first up, Tom Francis directing Howard Brenton’s play ‘Magnificence’ at the Shoe Factory in June. In advance of auditions for this, we are planning a read through of the play on Friday 13th January (at a venue to be finalised)

All are welcome, but please email Tom Francis (thelivingguano@googlemail.com) to let him know if you want to come along.

Auditions themselves will be held towards the end of February.

Later in the summer Tim Lane and Panda will be taking charge of a new production of ‘The Transports’, to be performed as an outdoors tour in August. Details of auditions etc to follow.

We have a few other bits and pieces bubbling under, including a possible devised show based on a stash of playscripts donated by a random taxi driver and the possibility of a sponsorship deal with a local business.

We will have our AGM at 8pm on Tuesday 10th January at Jurnets bar at Wensum Lodge in Norwich, as ever, all are welcome, and anyone wishing to stand for the committee should email me (realjoedye@gmail.com)

Have a lovely Xmas everyone, and hope to see lot’s of you in the new year

Share this:

Like this:

We’re looking for front of house volunteers for Richard III.
We need ushers / bar staff from Tuesday 22nd – Saturday 26th November and from Tuesday 29th November – Saturday 3rd December – comment here or email realjoedye@gmail.com…it’ll be fun!

Share this:

Like this:

“Bloody thou art; bloody will be thy end”
We are definitely going to be performing ‘Richard the 3rd’ from the start of the week commencing 21st November – Saturday 3rd December with Tim Lane directing.
We’re looking for 9 actors, 5 male and 4 female. There will be a lot of doubling. Auditions to be held late July. We have a venue which we can’t reveal as yet, but it’s terrific, and the play will be modern dress with a gritty urban feel.
Watch this space……

Share this:

Like this:

Well Zastrozzi was a great critical success which cemented our relationship at Dragon Hall with the new tenants The Writers Centre, saw 4 actors trained up to BASSC (British Academy of Stage and Screen Combat) examination standard in rapier and dagger combat, and I’m afraid lost nearly £1700.

This was partly offset by a very generous bequest of £350 from Visceral Theatre Co., who decided that their time had come. I hope our production of Zastrozzi was a fitting tribute to them.

We still have nearly £1500 in the bank, and the promise of a creative loan from the Common Lot if we need it, so onwards and upwards.

Next on the agenda is another Shakespeare – King Richard III – to be directed by Tim Lane in a venue yet to be confirmed. His plan is 8 actors, a seriously cut script and lots of very deliberate doubling. Watch this space for audition news. Planned for performance this November.

After that we have a plan for another production next May, this time to be directed by Tom Francis. Details will be announced in due course.

We intend to return to Dragon Hall in 2018 (after the building work) with a new play written by Jo Edye, Tim Lane and Panda.

Events of note coming up start with the RSC Midsummer Night’s Dream at the Theatre Royal in April, with our bastard offspring The Common Lot supplying the mechanicals – directed by our founder Simon Floyd. Really not to be missed. I’ll be in the one in the front row hurrumphing and tutting loudly.

On the 29th April at the Playhouse there is a benefit gig for the charity Sistema, who teach kids music, with performances from Karl Minns and our very own Singing Postmen, Tim Lane, Richard Brook and Leighton Williams.

Our next get together is a committee meeting at Jurnets Bar on Monday 9th May, 7.30pm, remember, all are welcome