I had The Librarian on my hard drive for many years, and never got around to doing anything with it. Although I learned you can self-publish directly on Amazon, it seemed to require a fair amount of effort – special formatting, cover design, etc., that I wasn’t inclined to do. Then I discovered Tellwell. Their website said they’d handle all of the detail required to make The Librarian available on Amazon, Chapters and Barnes & Noble – both in hardcopy and e-book version for a set fee – and I’d keep 100% of the royalties. (I didn’t expect the royalties to amount to much – but I liked the gesture.)

The fact that Tellwell was a small start-up company based in Victoria, BC, caused me some concern, but I decided to give them a shot; and they’ve been absolutely fantastic. The Librarian is now available on Amazon, Chapters and Barnes & Noble. Not only did Tellwell make the process easy, they actually made it fun. They’ve got great people and really took an interest. Like all first time self-publishing authors I’m sure, I had a lot of questions, but they patiently walked me through the process.

When I started out, I assumed that once the novel was available on Amazon, I was finished. With the millions of people on the site everyday, I assumed at least a small percentage would see it, like the plot and decide to spend at least a buck for the e-version. All wrong. Initial sales were negligible. I’ve now learned that if you really want people to buy your book, getting it on Amazon is just the first step. You have to market it, which means getting reviews, doing giveaways, getting into bookstores and so on. I’ve now been working with Tellwell on marketing for eight months since my novel was first on Amazon. Sales figures are starting to show some growth, but more importantly the entire process has been fun, educational and rewarding.

I don’t look at marketing as an investment for a single book but rather an investment in writing. Writing is completely different than the career I had (finance and math) but I’m having a lot of fun with it. I’d like to sell more books, but as long as I’m enjoying it – both the writing itself and the marketing process – I intend to keep at it. I’ve now written a second novel, Songs for Lucy, and I believe that the more sales momentum and recognition I can win for The Librarian, the easier it will be to launch Songs for Lucy.

It can certainly be quite scary to write and self-publish your first book. But, writing captivating content can be even more challenging when you’re trying to send shivers up the spines of your readers. Tellwell author Edgerton R. Nicholson shares the spooky details that inspired his collection of short stories titled Nightmare Pie. The novel offers a glimpse into the netherworld

and the frailty of the human mind. Served on a cold plate of the surreal and macabre, it is a must read…Especially in the middle of the night.

Nicholson talks with me about writing horrific plots, believable character arcs, and bloodcurdling climaxes. Read on if you dare…

FJ: What motivated you to write a horrific/paranormal book?

EN: As a young boy I was enamored with books such as Tom Corbett Space Cadet and his intergalactic exploits, and the Hardy Boys with their adventures into local mysterious happenings. My Mom took me to the movies to see Conquest in Outer Space, The Angry Red Planet and the original Blob, which scared the daylights out of me. So as a youngster I developed a penchant for the mysterious, the surreal, and the macabre. As a young adult I savoured Rod Serling’s Twilight Zone, and Hitchcock’s movies such as The Birds and who can forget Psycho? I moved on to Stephen King and studied the film adaptations of his stories. I was hooked. I knew I wanted to write something, probably not a novel initially so I just started writing short stories about my own experiences, or offbeat and unusual items I had seen in the news.

Working in the film and television industry in special make-up effects on shows such as Supernatural, The Dead Zone, and Final Destination further stoked my interest in the surreal and netherworld. I showed a few friends some early stories and received a very positive response. I accumulated eleven stories and with the expertise and help of Tellwell Publishing created an anthology which became Nightmare Pie. I think there is a market for this kind of book, a collection of short stories all different, to be enjoyed when one has fifteen or thirty minutes freedom to read from start to finish during a commute, or in bed before falling asleep. Not everyone wants to take on an 800-page novel, either in reading or writing.

FJ: When and where did you come up for the ideas for this book?

EN: The common thread in Nightmare Pie is that something weird, bad, unexplainable, surreal, and yes in some cases, horrific is going to happen to somebody in each story. Much like life itself. When and where I came up with the ideas for the stories I sometimes wonder and I think the only answer I can give is based upon my own personal experiences.

For example, two stories, ‘The Man with the Green Nose’ and ‘Red Roadster Revelation’ are based on my experiences in working at a funeral home part time while I attended chiropractic college. ‘Animal Avengers’ is a reflection of my love for animals and a fitting end for those who abuse them. ‘Garcia’s Revenge’ reports on the plight of Mexicans working in the fields of American farms and a case of severe injustice and retribution. ‘Death in the Forest’ is a new take on the Bigfoot phenomenon and ‘Lowes Descent’ is a story of one man’s paranoid downward spiral caused by the in your face incessant news cycle. The stories focus on the seemingly endless human foible of making assumptions, not recognizing the law of unintended consequences, or finally simply encountering evil head on in one form or another. ‘Teratoid’ was written in response to the terrible Japanese earthquake, tsunami and ultimate nuclear plant meltdown and its effects on the Pacific Ocean and one unfortunate young couple travelling in Japan two years later. ‘Mr. Nocebo Points the Bone’ is a disturbing look at what happens when those in need place their faith in wrong people with ulterior motives.

What brought me to Tellwell at first was my determination to have a career in books and literature. As soon as I could reliably make my way through a novel at a young age, I would be asking for a new book every week until I had amassed what is a small library. The value of a good book was never lost on me which can be heard in stories my family would tell about how particular I was about the condition of my books. This carried me through my English Literature degree from York University in Toronto where I had the pleasure of arguing about the meaning of books with people much smarter than myself.

What drew me to Tellwell specifically was the different perspective we take to publishing in general. While authors I have known would lament about the difficulties of finding a publisher I would always ask why they didn’t self-publish, but the logistics never seemed to make sense for them. When I first arrived here at Tellwell and spoke to our founder Tim Lindsay, I realized the rare opportunity we had to put the freedom and control back in an author’s hands and help contribute to the global body of literature.

Coming in at the ground floor I had rare opportunities to be heard in the development of our company and I have always made it my responsibility to listen to the feedback we receive from our authors about their experiences here and elsewhere and use that to help shape our direction going forward. My favourite parts of my job are listening to our authors discuss their projects and being able to step in with my expertise to show them that what was previously an intimidating venture is actually very approachable as long as you have clear information and the right team.

At the end of the day, I firmly believe that creator-owned fiction and nonfiction is the only way to guarantee a diverse and lively discussion in literature. If every author listened to rejection and never took a chance on their vision, we would never have seen the likes of Dr. Seuss nor would we have the influential The Joy of Cooking, which was originally self-published during the Depression and used as a proof of concept for further consideration with traditional publishers. This is a route many of our authors take here at Tellwell and we do everything in our power to make sure they are situated in the best possible way to do so.

This month, Tellwell author Chris Meier received a Book Excellence Award in the Social/Political Change category for her progressive and thought-provoking book – 70 Years of American Captivity: The Polity of God, The Birth of a Nation and The Betrayal of Government.

The Book Excellence Awards celebrate effort, dedication and creativity among traditional and self-published authors. In winning the award for the Social/Political Change category, 70 Years in American Captivity has been recognized for its high quality design and writing, and its overall market appeal.

Meier’s book explores how America’s diverse nation got along and continued to work out its differences while making it a birthplace of liberty and ingenuity. It’s a look at historic, scientific and documentary evidence that indicate the Federal government has broken its covenant to the citizens it swore to protect.

Chris Meier is an ordained minister, pastor, author and guest speaker with 30 years of experience sharing the unexplained of the Bible with those who desire it explained– even to those who wish it would go away. For more information on the author, visit her website: http://70yrsamericancaptivity.com/

After months of preparation, you’ve reached the end of the self-publishing journey. You do a quick Google search and there it is – your book listing on Amazon, Chapters, and Barnes and Noble. Excitement turns to panic as you wonder, “What do I do now?! How am I going to launch my book?”

Launching your book doesn’t have to be a grand event, and it doesn’t have to happen the second your book is released. Many authors wait months to line up events or signings, and focus instead on spreading the word via social media. Others plan a book tour, involving readings and book signings at multiple venues over the course of several weeks.

Remember, the purpose of launching your book is getting the word out, whether that be online, over the phone, or through in-person engagements. Regardless of which approach you take, here are Tellwell’s top 10 tips to launch your book when it becomes available:

Have promotional materials prepared: While your book is being designed, you’ll want to start thinking about materials you can put together to give to people who ask about your book. Examples include a bookmark or business card to hand out in person, an email signature with links to your author website or social media profiles, or a poster of the book cover to take to in-person events.

Build an email/mailing list: When your book is available, you’ll want to have people to tell. So, while you’re working through the production process, start building a contacts list complete with names and email addresses. That way when the book is available, you can send out an email blast to all interested contacts with links to where they can buy the book.

Know your target market inside and out: While it may be tempting to say anyone would take interest in your book, it can be a lot easier to promote your book to smaller, niche markets. Ask yourself – “Who is the type of person most likely to buy my book?” Once you’ve figured that out, determine where you might find them, where they buy their books, and what they look for when adding a new book to their collection so you can tailor your content and keywords to their interests.

Get social: In a digital age, it’s nearly impossible to avoid social media when trying to get the word out. Whether you’re a social media guru, or you’re just getting started, try to engage with readers on at least one social media platform.

Keep your audience engaged as your book is nearing completion: Use your social media platforms, or your mailing list, to share updates with your audience before the book comes out. This creates some pre-launch buzz that will kickstart your promotion efforts.

Network, network network! As a one-person operation, it’s extremely difficult to generate buzz around your book. That’s why it’s critical to build valuable relationships with individuals and organizations who can help you get the word out about your book. Whether it be a local business who is willing to host you for events, or a charity you partner with and donate a portion of your book proceeds to, get networking!

Get Reviews: We know you feel passionately about your book, but having others praise it will help to attract new readers. Like any product, getting customer feedback will help others to decide whether they should buy your book.

Invest in book giveaways:Whether it be organized directly through your website, or through another source like Amazon or Goodreads, give away some free copies of your book to build momentum. Incentivize your audience to keep your book on their mind.

Use clear call to actions: When approaching people about the book, be very clear about what you want from them. Are you requesting a review for your book? Do you want people to subscribe to the blog on your website? Keep your prompts clear, concise and genuine.

Take it one step at a time: Marketing takes time and consistent engagement, so be sure to break down your goals into tangible steps, and don’t forget to celebrate all the small victories!

We’ve all heard the saying “people can change” at one point or another. While we might not always believe it, there’s no denying Kathy Tuccaro did just that.

After years of physical, verbal and sexual abuse, assault, violence, eating disorders, substance abuse, job loss and homelessness, Tuccaro decided to start writing a different ending for her story.

She sought the help she needed through a Women’s Recovery Program, got her certification in Occupational Health and Safety, and now drives the biggest truck in the world through the Alberta Oil Sands.

In her self-published memoir DREAM BIG! Tuccaro shares her journey from what she describes as the “root cellar of Rock Bottom” to inspirational triumph.

“I have always said I would write a book about my life because nobody would believe me otherwise,” she says. After being encouraged by others at speaking events she attended last year, she decided to start writing.

“I started with a pen and paper while sitting in the 208,000L water truck at work, waiting under the water tree for the tank to fill up. I had written the book within a month,” she says.

It was no easy feat to describe the physical and mental abuse she endured throughout her childhood, nor the sexual assault she faced in her modelling career at 17. Even after relocating to Jasper for a fresh start in 1991, Tuccaro was still confronted with challenges.

She graduated from her nursing program in 1998 as a divorced, single mother with a 3-year-old daughter. After several more years of physically and emotionally abusive relationships, Tuccaro resorted to self-harm and alcohol abuse, which ruined her career. With no job, she was evicted and her daughter stopped speaking to her.

“I had pushed everything into the background my entire life, and kept pretending that I was tough and that I could handle it until the time came when I lost my nursing career for good and relapsed hard with my drinking,” says Tuccaro.

But the gravity of the situation hit even harder during the week she spent living on the streets, when her depression could no longer be avoided or forgotten.

“A man named Toothless Joe slapped me on the back and said, ‘This is the life! Live it! Love it!’ and smiled a great big toothless grin! He was quite content of the life he was living, and the sheer shock of hearing him say that stunned me,” she says.

That was the moment that triggered her to get help. But, even after spending nearly two years in a women’s recovery program, landing a full-time job as a Heavy Equipment Operator, driving a 400 tonne 797F Caterpillar Truck, and initiating and participating in several community initiatives, the pain from her past lingers. “You still relive it as you write about it,” Tuccaro explains.

I’m a project manager here at Tellwell, so a huge part of my role is guiding authors through the process of self-publishing. This can range from connecting authors with editors, illustrators, and designers, through to discussing pricing options and distribution channels. I do my best to make the process as smooth as possible for everyone involved, but every day presents new situations and challenges, so there’s never a dull moment.

As a part of a small company, we all wear a lot of hats, so I also work closely with our editing team, write a lot of our external copy, and work with my team to continually improve and develop new and existing services.

2. What does a typical day on the job look like for you?

Typical days are pretty atypical with a job like this, but the one true constant is emails. There are always emails to be answered, files to be transferred, and authors to talk to. We’re a pretty collaborative workplace, so there’s a lot of brainstorming new ideas and troubleshooting hiccups, and I love that I have such an awesome team to rely on each day.

3. What’s your favourite part of the job?

My authors’ success is my success, so whether it’s helping someone learn a new program or congratulating them on officially publishing their title, I love getting to experience these victories with my authors. We work so closely over the course of several months that you can’t help but be proud when they figure out the PDF markup tools or make their first sale.