For Instructors

The Century of Women:
Representations of Women in Eighteenth-Century Italian Public Discourse

Eighteenth-century Italian playwright Pietro Chiari designated the age he lived in 'The Century of Women' - an age when women gained considerable power through education and admission to various academic positions and professions. Structured as an extended disputation, this book tells the tale of five paradigmatic and ideologically divergent eighteenth-century Italian texts by male and female authors whose leitmotif is woman. These include an academic debate, a scientific tract, an oration, an Enlightenment journal, and a fashion magazine. Analysis focuses on the specific ways in which the exigencies of the 'new science' and the burgeoning Enlightenment project founded on rational civil law, secular moral philosophy, and utilitarian social ethics forced a transformation in the formal controversy about women.

By uncovering the characteristics of the expansive dominant discourse about women among Italian Enlightenment thinkers and of the counter-discourse women authors produced to assert their own distinct authority over constructions of femininity and the public sphere, this study reconceives eighteenth-century Italian culture and rectifies misconceptions about Italy's position and influence within the literary republic of the European Enlightenment. Groundbreaking and original, this study is the first to examine the contribution of women to the Republic of Letters of the Settecento, and will revise prevailing notions of eighteenth-century Italian culture and academia.

Quick Overview

Groundbreaking and original, this study is the first to examine the contribution of women to the Republic of Letters of the Settecento, and will revise prevailing notions of eighteenth-century Italian culture and academia.

The Century of Women:
Representations of Women in Eighteenth-Century Italian Public Discourse

Eighteenth-century Italian playwright Pietro Chiari designated the age he lived in 'The Century of Women' - an age when women gained considerable power through education and admission to various academic positions and professions. Structured as an extended disputation, this book tells the tale of five paradigmatic and ideologically divergent eighteenth-century Italian texts by male and female authors whose leitmotif is woman. These include an academic debate, a scientific tract, an oration, an Enlightenment journal, and a fashion magazine. Analysis focuses on the specific ways in which the exigencies of the 'new science' and the burgeoning Enlightenment project founded on rational civil law, secular moral philosophy, and utilitarian social ethics forced a transformation in the formal controversy about women.

By uncovering the characteristics of the expansive dominant discourse about women among Italian Enlightenment thinkers and of the counter-discourse women authors produced to assert their own distinct authority over constructions of femininity and the public sphere, this study reconceives eighteenth-century Italian culture and rectifies misconceptions about Italy's position and influence within the literary republic of the European Enlightenment. Groundbreaking and original, this study is the first to examine the contribution of women to the Republic of Letters of the Settecento, and will revise prevailing notions of eighteenth-century Italian culture and academia.

Product Details

Series: Toronto Italian Studies

Division: Scholarly Publishing

World Rights

Page Count: 224 pages

Dimensions: 6.2in x 0.9in x 9.2in

Reviews

'[A] well-conceived, interestingly organized, scholarly study of representations of women in Italian public discourse of the Settecento. The author has based her study on a wide range of texts that when assembled constitute a lively, eclectic and nuanced picture of the field. Ms. Messbarger has therefore provided a necessary resuscitation of nearly forgotten debates, articles, and popular journals that all serve to complete a complex portrait of a crucial time in Italian intellectual thought.'

Margaret Rosenthal, Department of French and Italian, University of Southern California

Author Information

Rebecca Messbarger is a professor in the Department of Romance Languages at Washington University in St. Louis.

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