Thru the Looking Glass (July 6, 1944)

Jul 6, 1944

Thru the

, Looking Glass

The mutations of tone In suntans are countless. The Individual's nat- ural skin tone before the tan is ac- quired Is one factor; others are the amount of sun taken and the Indi- vidual reaction. Some women can acquire a real bronze, others a warm golden tint. In between these two there seem to be thousands of nu- ances of shade. The choice of a powder tint to accent or to harmon- ize the shade YOU acquire Is vast- ly Important-and so is the choice of the tint used when you re in the transitional stage of acquiring your final tan shade.

If, anywhere along the line, you can wear a shade developed by a house famous for its powder-and a shade that In Itself is extraordi- beautiful - we think you ought to try It. The shade is the rich, golden color of cafe creme- not just plain suntan, you under- stand, but that lovely color of tan with just a smidge of coffee hue. On the fair blonde, with green or blue eyes, it Is superb. And the fair brunette will love it, too; In a subtle way it deepens the - ness of her coloring and brings out sharply the natural color of her eyes. It's a glamor shade if ever we saw one.

This is only one of many shades of this house for the skins that have been kissed by the sun or which are made smarter looking when a tan Is simulated. If you can wear It, whether with a tan or over your creamy skin to give the illusion of a suntan, you can develop one of the smartest, most flattering of makeups.

In this shade and in all the others In the line from which you have to choose you also will have the advantage of a powder with qual- ity. Its fine, but not so light that its clinging qualities have been sac- . It doesn't polka-dot on the

nater an hour or so, and It has fine fragrance. Not expensive, either. ELEANOR NANGLE,