58 ..SONATA.... AS BEAUTIFUL AND EXOTIC AS A SPRING BOUQUET.. FREDRICA S MAUVE-MIST FLATTERY IN NORWEGIAN BLUE FOX AT FINE RETAILERS OR WRITE FREDRICA 345 SEVENTH AVENUE N. Y. 1 , '1:, . ....-<.,; ,\, ' .)' ......0 .",,";. HAT BY SALLY VICTOR .. , ' '. , , ' , w: "' ".'>. .... oX . .;. . . .. /." 0; ... .." .. '. :.f:. y . .:::;. , ,< "';":: :'::: .".... J .:. :'f$-, J: , / . ,: 'S,?;, v . }..<:""::- "' :-::t:t,.: SEE THE MOST BEAUTifUL AHD fANTASTIC CITY 1M THE WORLD I E GLIDE IN THE MOON LIGHT IN A GONDOLA ON THE CANALS RICH WITH MUSIC AND ROM A N C E BATHE AT THE LIDO .. ONE OF THE WORLD'S GAYEST AND MOST MODERNLY EQUIPPED PLAYGROUNDS IN EUROPE. BEAUTIFUL, SAFE, SANDY BEACH. STAY AT ONE OF THE 133 HOTELS, FROM THE MOST SUMPTUOUS PALACE TO THE MORE SIMPLE PENSION INFORMATION: ... Ital ia n State Tourist Office (EN IT) 2\ East 51st. Street, N, Y. 22 N. Y. Ente Provinciale Turismo and Ufficlo Comunale Turismo - Venice (Italy) an_ your Travel Agent. MARCH 2.", '9 5 5 the irresponsibility of many of the citi- zens Harrigan depicted, such a practice would have been extremely foolhardy, but a few times he did try physically transferring individuals from the street to the stage. In the course of what the Louisville C ourier-J ournal described a5 "Harrigan's plebiscital researches," he sat down next to a grImy old Irish bum on a park bench one day, and after in- specting his companion's bedraggled clothing at close range, became so en- chanted with it that he asked the man to let him have it, in exchange for a brand-new outfit. The bum wanted to know why his clothes were in demand, and when Harrigan explained that they would be worn by an actor, he became indignant. He and his clothes, he de- clared, were-to use Harrigan's cus- tomary version of the word-"dacent," and far too good for any disreputable acting folk Harrigan thereupon of- fered the man twenty-five dollars a week to play himself. The proposition struck the man as so attractive that he suppressed his distaste for actors and accepted it. HarrIgan's only stipulation was that under no circumstances was he to invest any of his earnings in a new SUIt. This experiment worked out toler- ably well, but another, in which Harri- gan plucked a young member of a gang known as the Bowery B'hoys off the pavements and put hIm to work as an actor, was not so successful. The rowdy won high critical praise as an actor- his lines were so faithfully based on his own vernacular that an he had to do was be himself-and in the theatre Har- rigan managed to control him fairly well. Offstage, however, he kept revert- ing to type. After the show one night, he went for a stroll with another member of the company and suggested disarm- ingly that they both pay a call on his dear old mother. The other actor accepted the invitation, stepped inside a dingy tenement hallway, and presently found himself lying on the street outside, with a throbbing head and empty pockets. After that, Harrigan used only profes- sIonal actors. If the people who wore the clothes that Harrigan and Hart wanted couldn't always be counted on, the clothes themselves were still alluring. Harrigan never relaxed in his hunt for authentic costumes. Many of his plays included sixty or seventy roles and called for more than a hundred costumes. As a first night approached, he and Hart would take to prowling the back alleys of lower Manhattan in search of SUIt- able garments. They were familiar