One cannot over emphasise the importance of reflection upon creative practice. Like any muscle or skill, its important we take time to practice our skills of critical analysis and reflection, observation, and evaluation. Continue reading →

The painting surface is a much more sparsely populated space with a more disciplined application of pigment. The tar-like black enamel paint (often applied using a turkey baster) pools onto, and bleeds into the un-primed canvas creating rich variations in texture and mark. Pollock’s wife, and fellow abstract painter Lee Krasner described these pieces as ‘painting with the immediacy of drawing… a new category’, a fitting analogy that closely captures the paintings direct and transient nature.Painting with the immediacy of drawing: 15th March 2016

22/02/17
Painting with the immediacy of drawing:

There are some interesting elements arising from the continuous exploration and development of the ‘synthesis studies’:Continue reading →