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Wednesday, December 31, 2008

I have been reading Pratchett's books for years now having started with Mort before reading the three earlier books and it has remained a favorite of mine. I was lucky that when I met my wife, she was as big a fan of Pratchett as I am.

I collect each new book in hard back; no chance that I would wait for the trade paperback anymore. I also read all of his books for kids/young adults and will encourage my daughter to read them as she grows up; in fact for Christmas we bought an illustrated version of the Wee Free Men for her - she'll grow into it along with the beautiful copy of Wind in the Willows we found.

When I was younger there was a distinctly sneering attitude to fantasy (and science fiction); I don't notice it now, possibly because I care less about what my peer group thinks of me. The thing about Pratchett's Discworld novels is that they are less about fantasy and more about people.

Discworld started as an antidote to bad fantasy, because there was a big explosion of fantasy in the late '70s, an awful lot of it was highly derivative, and people weren't bringing new things to it. The first couple of books quite deliberately pastiched bits of other writers and things – good writers, because it's the good ones most people can spot: 'Ah, here's the Anne McCaffrey bit.' I was rapidly stitching together a kind of consensus fantasy universe, and the one trick was, 'Let's make people act.'

and more recently his US publisher's website has this to say about Discworld:

The world travels through space on the backs of four elephants that stand on the back of a giant turtle. Don't worry about it. People don't talk about it, any more than we say, "wow, we're standing a few thousand miles above a ball of molten iron!" Besides, it seldom has anything to do with the plots, which mostly concern real people trying to get by in a fantasy world. There are wizards, witches, trolls, dwarfs, zombies, werewolves, vampires . . . but Discworld starts where classic heroic fantasy stops, and none of those people is doing business as usual. A lot of them have moved into the big city and are trying to turn an honest dollar, just like everyone else.

That is the beauty of his books, it doesn't actually matter that they are on the Discworld, they are massively character-driven, and the characters react in a very modern fashion. Much of the magic, and strange creatures and wonderful window dressing. I think the aim of Pratchett' novels are to

hold a mirror up to society

and mock us for our silly attitudes, ideas and prejudices

and make us think about why things are as they are

and to entertain us.

I suspect that the last is the most important of his aims. Setting them in a fantasy universe provides a certain amount of latitude; the author can say things without stirring the great "moral majority" (also known as Daily Mail or Guardian readers, depending on the target). Over time there has been an evolution in the style of Pratchett's writing, the latter books have a different tone to the earlier, a little more consistently darker, perhaps even world wearier. That said I don't think that the latter books are better than the earlier, or vice-versa, they are just different and you can still tell that they are by Pratchett because there is still a warmth and affection that flows through them.

However the most recent Pratchett novel, Nation (a book for young-adults) is not set on the Discworld at all, rather it is in an alternative Earth. It's very good by the way, you should go and buy a copy.

He has an enduring fan-base, one that defies the stereotypes wished upon it by more sensible people who know that books with trolls and dwarfs in them are not for serious people. He has been called the Dickens du jour, a comparison he has shied away from in the past, claiming that he is not sure that he actually writes literature. Personally I think that he is somewhat unique, he is not like the much missed Douglas Adams, he is not similar to Tom Holt and nor does he resemble Robert Rankin; he is a one off and I am well chuffed that he has been honoured for his services to literature (which is what he does).

So what is my favourite Pratchett book?

Not an easy question, but if I were you I'd start with Good Omens, a beautiful take on the end of the world and the coming of the antichrist, co-written with Neil Gaiman (of Sandman and Neverwhere fame).

As for the Discworld, well Mort was a good start for me and it might well be for you. I'd also go for Small Gods if you want something uplifting. If you like Shakespeare and are fed up with how wonderful Tolkien's Elves were than have a go at Lords and Ladies. Otherwise I'm at a loss: I love the Witches books, I love the Watch books, I love the Rincewind books, I love the Death books, I just love them all.

I will give you my favourite quote from Terry, given with regard to whether he kept multiple drafts of his novels:

"I save about twenty drafts -- that's ten meg of disc space -- and the last one contains all the final alterations. Once it has been printed out and received by the publishers, there's a cry here of 'Tough shit, literary researchers of the future, try getting a proper job!' and the rest are wiped."

By the way, bonus no-points towards the big no-prize if you understand the title of the post. Easy for a Pratchett fan.