Philip lives for skateboarding. School is merely the break between trying to land a difficult jump and outrunning the security guards. When he and his best friend Wally meet a professional skateboarder who videotapes himself for his website, Philip thinks they can do it too -- and make money at the same time. When they start getting hits on their website -- and making money -- they start to feel the pressure to do more and more dangerous stunts.

When Chris finds a wallet on the street, he tries to return it to its owner. In trouble at home and at school, he is struggling to do the right thing. However, as circumstances slowly start unraveling and his whole life appears headed down the drain, Chris realizes that the person who owns the wallet looks a lot like him and has a life he would do almost anything for. What if he switched identities? What if he became someone else?

Frances works the night shift at a local convenience store, dividing her time between restocking shelves and working on her art. Her routine is broken one night when Devin comes into the store. He claims to be the son of a famous local artist and offers her advice on her drawings. Although he seems to know way too much about her, Frances decides, against the advice of her boyfriend, that he is odd but harmless. By the time she realizes the danger she is in, Devin is completely obsessed with her and convinced that if he can't have her, no one will. Frances will be forced to use all her strength to escape from Devin.

Dime is fifteen and always angry. Her parents don't understand her, and her brother was paralyzed in an accident. When the fights and accusations become too much, Dime moves in with her brother. But her troubles follow her. Until she realizes that she has to start taking some responsibility, nothing will change.

In this Mean Girls meets The Perks of Being a Wallflower tale, narrator Anika Dragomir is the third-most-popular girl at Pound High School. But inside, she knows she’s a freak; she can’t stop thinking about former loner Logan McDonough, who showed up on the first day of tenth grade hotter, bolder, and more mysterious than ever.

Logan is fascinating, troubled, and off limits. The Pound High queen bee will make Anika’s life hell if she’s seen with him.

So Anika must choose—ignore her feelings and keep her social status? Or follow her heart and risk becoming a pariah. Which will she pick? And what will she think of her choice when an unimaginable tragedy strikes, changing her forever? An absolutely original new voice in YA in a story that will start important conversations—and tear at your heart.

This fall, the film festival circuit will be introduced to the indomitable Luli McMullen in Hick, the new film made from the acclaimed novel by Andrea Portes, who also adapted the screenplay. The film—directed by Derick Martini—stars Chloë Grace Moretz, Blake Lively and Eddie Redmayne and features Rory Culkin, Anson Mount, Juliette Lewis and Alec Baldwin in supporting roles.

Hick is the story of Luli (Moretz), a bright kid from a hick town who’s had enough and strikes out on her own with some “borrowed” cash, a .45 and her wits. On the road, Luli is taken under the wing of a glamorous young grifter named Glenda (Lively), who has experienced worlds barely imaginable to Luli. As the two make their way across the American landscape, they encounter a captivating and dangerous young man named Eddie Kreezer (Redmayne), a disturbing criminal subculture, and some hard truths about what it means to be a young woman on the run, grasping at a future.

Hick the movie is produced by Lighthouse Entertainment and Taylor Lane Productions, with Stone River Productions serving as executive producer.

Though its first-person narrating voice is fast-paced, powerful and unquestionably authentic, Hick is a debut novel.

Beyond this voice, what makes the book so extraordinary is that, although all of the worst things imaginable do befall this 13-year-old girl, she is never defeated by them. Luli always fights back; she always resurfaces.

Set as a coming-of-age novel, Hick tracks the real perils that modern teenagers so often face. And it does so with bright wit, energy, and an indomitable spirit.

This is a book that will grab the reader from the first page and not let go.

And it is written by a woman who is becoming a cultural force in the hippest parts of Los Angeles.

The bestselling author of Anatomy of Misfit and The Fall of Butterflies, Andrea Portes, is back with another irresistible snarky heroine in Liberty.

What is a hero? Paige Nolan knows. Edward Raynes, the young man who exposed America’s unconstitutional spying techniques, is a hero, even if half the dum-dums in the country think he’s a traitor. Or Paige's parents, journalists who were captured by terrorists while telling stories of the endangered and oppressed. They were heroes, too. Were. . . or are—no one has ever told Paige if they’re still alive, or dead.

Not heroes? Anyone in the government who abandoned her parents, letting them rot somewhere halfway across the world. And certainly not Paige herself, who despite her fluency in five languages and mastery of several obscure martial arts (thanks, Mom!) could do nothing to save them.

Couldn’t, that is, until she’s approached by Madden Carter, an undercover operative who gives her a mission—fly to Russia, find Raynes, and discover what other government secrets he’s stockpiled. In exchange, he’ll reopen the case on her missing parents. She’s given a code name and a cover as a foreign exchange student.

We Were Liars meets Looking for Alaska in a uniquely funny and heartbreaking teen novel about a passionate-yet-doomed friendship set against a backdrop of wealth and glamour.

Willa Parker, 646th and least-popular resident of What Cheer, Iowa, is headed east to start a new life. Did she choose this life? No, because that would be too easy—and nothing in Willa’s life is easy. It’s her famous genius mother’s idea to send her to ultra-expensive, ultra-exclusive Pembroke Prep, and Willa has no intention of fitting in. But when she meets peculiar, glittering Remy Taft, the richest, most mysterious girl on campus, she starts to see a foothold in this foreign world—a place where she could maybe, possibly, sort of fit in. When Willa looks at Remy, she sees a girl who has everything. But for Remy, having everything comes at a price. And as she spirals out of control, Willa can feel Remy spinning right out of her grasp.

Andrea Portes, author of the hilarious, heartbreaking Anatomy of a Misfit, spins a similarly incandescent, heartfelt story that explores the meaning of friendship, new beginnings, and the precarious joy and devastating pain of finding home in a place—a person—with wings.

If twenty-five years can discover the internet, the cell phone, this thing called the iPod, can twenty-five years discover the secret of a girl murdered, abandoned, by the side of the road?

That is the haunting premise of Bury This, an impressionistic literary thriller about the murder of a young girl in small-town Michigan in 1979. Beth Krause was by all intents a good little girl – member of the church choir, beloved daughter of doting parents, friend to the downtrodden. But dig a little deeper into any small town, and conflicts and jealousies begin to appear. And somewhere is that heady mix lies the answer to what really happened to Beth Krause.

Her unsolved murder becomes the stuff of town legend, and twenty-five years later the case is re-ignited when a group of film students start making a documentary on Beth’s fateful life. The town has never fully healed over the loss of Beth, and the new investigation calls into light several key characters: her father, a WWII vet; her mother, once the toast of Manhattan; her best friend, abandoned by her mother and left to fend for herself against an abusive father; and the detective, just a rookie when the case broke, haunted by his inability to bring Beth’s murderer to justice. All of these passions will collide once the identity of Beth’s murderer is revealed, proving once again that some secrets can never stay buried.

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