Here are three substantial concertos from the pen of the Czech-Jewish composer Ervin Schulhoff (1894-1942), the earliest being the second (though not labelled as such) of his piano concertos. Composed in 1923, it's an exuberantly inventive, bewitchingly colourful and often affectingly tender creation in three linked parts, brimful of cocky personality and culminating in a veritable knees-up of a finale featuring a battery of percussion. Jazz plays a prominent role in this riotous movement, as it does in the memorably bluesy central section of the finale of the scarcely less appealing Concerto doppio for flute, piano, string orchestra and two horns. Conceived in 1927 for the French virtuoso Rene Le Roy, it's a bustling concerto grosso stylistically akin to contemporaries such as Hindemith and Martinu, and wears an altogether more approachable demeanour than the Concerto for string quartet and wind ensemble that Schulhoff composed in 1930. …