DIS is a multimedia art magazine. DIS is a dissection of fashion and commerce which seeks to dissolve conventions, distort realities, disturb ideologies, dismember the establishment, and disrupt the dismal dissemination of fashion discourse that's been distinctly distributed in order to display the disenfranchised as disposable. All is open to discussion. There is no final word. DIS is Lauren Boyle, Solomon Chase, Marco Roso, Nick Scholl, and David Toro.

While Blood Orange sings “come into my bedroom,” Haley Wollens and crew has taken NY’s finest out of their IRL bedrooms and into URL ones we can all enjoy. This video is timeless… mixing 3D with 2D, Gaultier with Eckhaus Latta, bedroom eyes with split grinds. When’s the last time you danced in your room by yourself? Yeah, that what we thought.

Make the jump to see more exclusive behind the scenes photos by Kat Geran.

Recent Posts

A long time ago, in a suburb far, far away, I was a closeted teen, reading the copy of Entertainment Weekly my dad brought home from the office, assessing the box office performance of 8 Mile and quietly predicting to myself what percentage it would drop in its second weekend. As it turns out, I wasn’t alone. For that little cinefag inside us all, Film Fun is a place where it can run free. The… [read more »]

This Spring, LD50 gallery opened in London’s Dalston area with its first show, entitled Absolute Bearing. It features the work of British sculptor/writer Jesse Darling and artist-duo Brace Brace (consisting of Christopher Kulendran Thomas and Annika Kuhlmann). ‘Bearing’ carries a multiplicity of meanings and association, all loosely indicative of direction and movement, relative to a fixed point.. The show explores themes of extinction and loss through the prism of naval navigation, as indicated by the… [read more »]

A film on time and narrative by Christopher Roth with Armen Avanessian Hyperstitional thinking hijacks the present-forming daring interventions into conditions of cybernetic governance that foreclose contingency. Hyperstitions are not imaginary, they are virtual fictions situated in the chaotic unfolding of the Real. Philosophical hyperstitions bring about their own reality. They hold us captive, abducting our thought into alien territories. Techno-heretical action requires an intensification of futurity as the present races speedily toward uncertainty. Hyperstition… [read more »]

Feeling tired? Need to #exceed? This Michael Remix by NA NGUZU occupies the liminal space between excess and scarcity, deploying minimalist textures with a maximalist execution. The record’s out today from Escape From Nature. Artwork by Jessica Tsai

Let’s, for a moment, argue that art and politics (as we currently practise their convergent theories, and – with a secondary disclaimer – specifically in western visual art terminologies) has its roots in Italy. We’ll point out how the artists’ manifesto was the first real example of the merging of art and politics in the form of the art object, and that it was The Founding and Manifesto of Futurism (published in Bologna in 1909)… [read more »]

In 2014, Siliqoon hosted four artists at a residency in Bologna where they worked side-by-side with Italian artisanal companies that facilitated the production of new works. The resulting works are displayed in the Marsèlleria permanent exhibition in Milan, as Pure Disclosure. Daniel Keller was joined by Ella Plevin with whom he collaborated on his final work. The exhibition draws its concept from the creative incubation of four artists in the context of a transparent production… [read more »]

Inspired by Bas Jan Ander’s I’m Too Sad To Tell You, Mood Disorder is a “stock image” made by David Horvitz of himself to look like a typical stock image of depression (using research from his Sad, Depressed, People book and project). It was then put onto Wikipedia’s page for Mood Disorder, after which it became copyright-free and began to be used as a free stock image for depression on cheap websites all over the… [read more »]

In the last weekend of May, London’s Institute of Contemporary Art hosted FOMO, a three-day conference chaired by German video-artist, professor and philosopher Hito Steyerl. FOMO (fear of missing out) indicated the event’s overarching topic of anxiety – and its socio-cultural-political plentitude in the post-digital or ‘anthropocene’ era. The program featured an impressive cast of international theorists, artists, activist, and hackers, all engaging with contemporary digital existence. Theorist Judy Wajcman first presented a series of… [read more »]

“Hey, some of us are actually young, colored, and angry, but some of us aren’t, and we all have something to say” explains Elliot Brown Jr. over coffee at a midtown Starbucks near his part-time job assisting artist Hank Willis Thomas. When Elliott decided to start a magazine along with fellow NYU Tisch student Ashley Rahimi Syed, the two friends reasoned that whatever tone they expressed themselves in, they would inevitably be dubbed ‘young, colored… [read more »]