Putting together an exhibition with Armando Andrade Tudela is working and then not working. It’s experiencing a transition – the moment when “The sun refused to set or, no, the Earth refused to move so that the sun could set, yes.” It’s conceiving a space-time in which, in order to preserve them from that fixed mode of existence, the works are maintained in a kind of ambiguity, a process of transformation or of adaptation to paradoxical desires.

The project designed by Mathieu Mercier combines objects from his own collection with those from the museum’s collections. These pieces have essentially been chosen with regard to the Notes taken by Marcel Duchamp, many of which reveal the process of reflection and execution of his unfinished creation Le Grand Verre – original name La Mariée mise à nu par ses célibataires, même – also mythical work enigmatic.

Buoni come il Pane presents a multi-form interpretation of bread by leading designers, artists, chefs, writers and a famous photographer, for the 120th anniversary of the charity Pane Quotidiano Onlus.

Twenty internationally-famous Italian artists and designers and 10 famous chefs have devised 30 new, surprising types of bread. Both the ceramic versions, produced through the support of Bosa Ceramiche, and the edible ones will be displayed.

The exhibition adds another stage to the artist’s research with a new thought that starts from his first years of production and arrives to the present day, through a wide selection of past works and the creation of new works designed specifically for the PAC spaces.

Through the photographic shot made by Mimmo Jodice on the monastic citadel of Suor Orsola, the photographic exhibition aims to enhance the artistic heritage of the citadel and the prestigious artistic effort of the photographer.

The title “Lo strano colore del rosso” is inspired by the poetry “The Rain” by Jorge Luis Borges and, the ArchiViVitali Cultural Association ask to the artists to participate with works inspired by the flower, aims to be a “dedication” to the artist Giancarlo Vitali in the year of his disappearance.

Presentation of Misura per misura, Giulio Paolini’s artist book, published by Gitti & Bertelli. It is composed from nine lithographs and a text of the artist, that, even in its brevity, effectively sums up the artist’s poetics.

Fascinating, multifaceted and profound: These are the words that come to mind when describing the Italian art that will be on view in the show Tutto. Visitors will be treated to more than 100 works – mainly paintings and photographs – by more than 30 Italian artists . Most of the artworks date from the early 1950s to the late 1980s.