It starts with Professor Celluloid after a successful Hostile Show Takeover. He then tries to review Die Hard. About a minute in, Celluloid gets punched from offscreen, and then it smash cuts to Film Brain starting his intro as normal while nursing his sore hand.

"Originally intended as a biopic of the late Ayrton Senna, it evolved into a racing movie set in Formula One. One problem: the Formula One bosses took one look at the script and told Stallone to get stuffed."

"So the film starts in Long Beach, no it starts in Miami, no it's in Mexico, HOLY CRAP WHERE ARE WE?"

Or the bit shortly afterwards, when the opening Info Dump says that humanity found alien life in 2009. It being 2009, Professor Celluloid appears and announces that he's done just that. Cue dramatic music and a shot of space as... the That Guy With The Glasses logo comes into view. It then goes to telescope view and shows Linkara waving.

When the Eskimo dressed as a raven starts cawing (no, I'm not making this up), the look on Film Brain's face is priceless. And it gets even better when he asks if someone spiked his tea.

From 10,000 B.C.:

Playing The Flintstones theme song during the end credits of the review was a stroke of genius.

His numerous hilarious fits of rage over the plentiful history fail and geography fail. Especially the fact that they trekked all the way from Russia to the pyramids and it's supposed to be set thousands of years before there were ANY pyramids in Egypt.

Using the death tune from Super Mario Bros. (twice!) for the deaths of two characters was hysterical.

"What next, nuclear weapons? Well, that might actually make the film entertaining."

This echoes, zooming out progressively and progressively further, until we get a full picture of Earth, at which point the audio goes completely mute.

See? No sound.

At one point, he goes on an EPIC QUEST to try to understand a stupid joke about Salt Lake City.[1] After his computer freezes up, he runs halfway across town, threatens someone into letting him use their computer, looks the city up on Wikipedia, laughs... then says the joke wasn't funny and it wasn't worth it. All accompanied by the Indiana Jones theme.

Chris: I don't know! It tastes like sugar with a bit of something that I can't pinpoint. It says it's citrus but I don't really know what it tastes like. It tastes like...it tastes like what I imagined carpets tasted like before I actually tried to eat the carpet.

Mathew: It wasn't that bad!

Chris: No when I was little I would look at the carpet and go "Mmm, that looks tasty"! Until the day I actually tried to eat it...

Just as Woody Harrelson's character dies: "This one's for Money Train!"

Early on in the second half, we get a bit of description of the 2012 disaster hitting Tokyo. This is cut off by Mathew on his sofa, explaining he cut out a joke because of events that took place not long after the intended release. His solemn tone conveys just how dead serious he is as he explains the scene in detail, why he was originally going to joke about it, and that he meant not to make light of recent events as much as he did the film. Right after this, he plays the scene where the Vatican collapses. The sound of bowling pins is heard right as the ruins crush the crowd.

When Todd eventually gets Mathew to calm down, Todd mentions reviewing Crossroads. Not only does Mathew mention two other works with the same title, but when Todd finally just tells him it's the Britney Spears movie, Mathew just deadpans "We're not going to review that".

And then one of the eponymous Sunday schools turns out to be actually named Crossroads, leading to an additional plea from Todd.

A character's father explains a prayer her mother would say, "Lord, let this bubble take away my trouble." Smash cut to Mathew and Todd fake-puking.

The montage of Todd trying to get people to review with him, especially Obscurus Lupa.

Brain asks Todd how he got in his room when the door was locked. Todd deadpans "I move in the space between spaces" and they leave it at that.

Transformers: Revenge of the Fallen: Film Brain remarks that as a child of the nineties, he missed the initial Transformers craze by a few years & can only judge the Michael Bay films on their own merits, before acknowledging he knows people who feel differently. Cut to Spoony.

Spoony: FUCK YOU! *punches a DVD copy of the original film*

"With each sex and groin joke, Bay brings society closer to the days of Ow, My Balls!."

Why does Film Brain have the poster of the movie on his wall? " Well, after all the negative comments about the Transformers poster, I put it up there just to dick with you."

"That's right folks, Castle has turned into a complete Saturday Morning Cartoon Villain who wants to take over the world." *cut to Lo Pan saying "Indeed"* "Unlike this Movie, I don't like to be cliche.*

Another one of his live streams took place in the same house as several of his friends, who (to his dismay) where watching the stream in the next room and, somehow, getting a laugh out of the five second delay between him saying things in real life and saying them on the stream. Eventually they decided to crash into his room with nerf guns and mooning. As many people put it, "It's like a bad live action fanfic".

Film Brain demands that Jesu prove that the room is hers. Cue a sleeping Nash rolling over and trying to spoon with him. And somehow, Film Brain managed to get into the bed without noticing that anyone else was there.

The Rap Critic's response to Trent's constant use of "Damn!" whenever he sees a hot girl:

Rap Critic: Damn! Damn! Damn! I swear, the stereotypical black guy from Not Another Teen Movie had more variation than this!

"Synthetic. Vagina."

At the end, when Big Momma starts rapping:

Film Brain: That's it. Rap is dead.

Rap Critic: I would just like to personally apologize for letting anyone know that this happened.

During the Universal Soldier: the Return review, Dr. Insano shows up with a shot glass full of what he claims is a Jean Claude Van Damme sperm sample, which he'll use to clone an army of Van Dammes that will fight his army of Bruce Lees solely for his own amusement.

From his crossover review with Lupa on Metal Man, a hilariously poor mockbuster of Iron Man:

All the jokes about the main character's situation and how it seems to keep getting worse with every new development, as well as the Alternate Character Interpretation of Dr. Blake.

To elaborate: the main character is forever trapped against his will in a metal suit without knowing beforehand it's impossible to remove, and must constantly listen to the AI Dr. Blake. Later on, his parents are murdered, he must forever subsist on a foul-tasting liquid (which will eventually run out, as Film Brain points out), having the suit damaged makes him prone to heart attacks and strokes and the AI Dr. Blake can view his dreams.

Film Brain: Hate to break it to you Doctor, but wearing a mechanical suit doesn't make you another species. And that certainly doesn't explain why you've condemned one of your students to wearing it for the rest of his life. You've successfully taken away his family, his girlfriend and his ability to take a piss forever. That doesn't make you a hero, that makes you a dick!

The reviewers pointing out the film's high Special Effect Failure (especially considering it was made by a special effects expert), such as the screwed-up invisibility effect that causes the background to double up.

Film Brain: I think calling this "Metal Man" is probably pushing it. But let's face it, "Plastic and Rubber Man" wouldn't shift the DV Ds off the shelves.

The completely random part of the climax in which Metal Man deflects a missile, sending it skyward and hitting a plane.