I have just bought a new Fujifilm X-E2 equipped with the Fujinon XF
18-55mm f2.8-4 zoom lens, a highly rated, all metal, image stabilised
but relatively compact piece of kit. I also just bought a £15 lens
adapter for Pentax K lenses on eBay to explore whether some of my old
manual focus Pentax primes could get decent or even comparable results.
And here is a test:

Here is a section, blown up to 100%, taken from a handheld shot at ISO 400 on a dull day, 1/320th sec at f4, with the Pentax M 50mm f1.7 prime.

Here is the equivalent, 1/400th sec at f4, with the Fujinon. Again it is handheld, but the Fujinon has the advantage of image stabalisation.

To me the Pentax is clearly sharper.

OK, I am not comparing like with like. One lens is stopped down. The other is a zoom lens at full aperture. But that second lens has the advantage of being 30 years younger, image stabilised and connected to a camera within which software corrects for some of its flaws.

I also had to interpolate the result from the Fujinon by 10% so that side by side they came out the same size. But that really does not cause other than the most minor variation.

The purpose of this comparison was not to make a detailed test, but to test whether the Pentax 50mm might be any good. And clearly it is. I already have a Pentax M 50mm f1.4 and a 35mm f2.0. Since conducting this test I have already bought a mint condition Pentax M 85mm f2.0 to give me a fast 130mm equivalent f2.0 prime. At wider angles, because of the 1.5 factor of magnification, I will be sticking with Fuji lenses, in fact I have already ordered the 14mm.

For completeness here is the original image and some corner shots blown up to 100%:

Saturday, 6 December 2014

I've had a bit of a break from the Brighton music scene jn the last month or so but I wanted to get in some new bands before the end of this year and my new music afficionado Jon was heading to the Friday evening of the Drill Festival. With wristband admission to multiple venues I managed four bands at three venues ....

Bad Breeding at Audio

Sauna Youth at The Green Door Store

Lonelady at Concorde 2

All female band Savages live at Concorde 2

Savages adventuring into the audience at Concorde 2

Savages live at Concorde 2

All female band Savages live at Concorde 2

I really enjoyed Savages.A great stage presence and powerful and tight sound.

This was the first outing for my new camera, a Fujifilm XE-2, and, to make it all more of an adventure, it was sporting a manual focus Pentax 50mm f1.7 lens which was easy enough to focus except for Savages where the particular back lighting from the stage made it all pretty tricky. I used that lens all night and it should have been the only one I took with me because I stuck with it because I was happy with the way it was working. I had however started the evening with a little Fujifilm 27mm autofocus lens - which I lost - I must have left it on the seating in Audio after changing it at the very start of the evening. Sadly no joy in calling the venue to see if somebody had handed in in.

Tuesday, 21 October 2014

I took my latest lens purchase onto the streets of Brighton as my love/hate relationship with film continues. On the one hand the having to deal with a process with additional steps, sometimes involving chemicals because I develop my own black and white film, makes me feel more involved in a craft.. Something that involves skills beyond mere composition and exposure, something that generates far fewer throwaway images because film costs money and time and liberal snapping eats up both.

And then there are the cameras. Chunks of metal that make nice noises. Tools which feel like traditional tools rather than a variation on a mobile phone.

And does it look different? Yes. And I like it not to be perfect, I like the odd scrape or dust speck to be there, not necessarily obvious other than under close examination, but definitely there. And sometimes it can even be in colour....

Thursday, 14 August 2014

We have just returned from spending two weeks in Scotland following our noses but without any
predetermined plan, least of all finding previous owners of our camper van, and this led us to the Isle of Arran. There we spent a wet hour or so
in the seaside town of Lamlash.

We had just parked on the seafront when up walked a couple who joyously called out "That's our camper" - as if by magic it had returned to its first UK home and its owners Greg and Heather who were so pleased to be reunited with it.

One of the first things they noticed was that the number plates, front and rear, still bore the message "Gabrielle and Joley on tour", and although there had been three owners since, it was still more or less as they will have sold it on. What was extraordinary is that for a short period the camper slept six! Their two girls, Gabrielle and Joley, were in the pop up 'upstairs' with the baby in a carry cot sleeping on top of their cooking unit with their labrador sleeping on the floor.

It was really good to meet Greg and Heather and find out a little more of the camper's history. I knew that the original UK owners of our camper van lived somewhere in Scotland but did not have a clue where. Other UK owners have lived in Devon and London and I am not sure how many owners there were in Germany before it came to these shores. I guess that if you are a vehicle that tours and lives long enough then you are occasionally going to get reunited with previous owners, but this was quite a far flung encounter of a quite personal nature, and all the better for it.

I have just put the first few of my photos of Isle of Arran online. Lots more to come from Scotland over the coming weeks even if nothing has a story like this to go with it!

Wednesday, 23 July 2014

The Latitude Festival website said no alcohol, drugs, spray cans, umbrellas, reflective jackets or "cameras with detachable telephoto lenses", so that was a weight of my shoulder - pocket-sized cameras only. I shoved my little Canon into my oversized pocket knowing I could rely on it to get some half decent photos and took off from the camper to see what I could cram into the first day, otherwise known as...

DAY ONE - FRIDAY

Bone dry. But I knew from previous Latitude visitors that the well used thoroughfare known as Hollow Tree Way could turn into a quagmire given the wrong weather and the forecast was unpredictable. Other than THERE WILL BE THUNDERSTORMS...

First low key music encountered. But with commercial purpose. I wonder what they were selling.

The welcoming queue to get into Latitude "Have your bags open ready to be searched!"

What Latitude is about. Giving the middle classes somewhere safe to go to a festival. Or so the Comedy Tent tells us.

San Fermin's opening set in the Radio 6 Arena. This would become my favourite place to hang out.

Every Festival needs a funfair. Surprisingly low-key at Latitude and aimed squarely at pre-teens.

The Friends photo experience.

I will stop here to register here how much I hate Friends. Not my friends of course, but there was no way I was going to be persuaded by them to get involved in this sickly commercial enterprise. Sorry, I'd rather fall flat on my face in the mud. Which I did the next day.

Paul Heaton and Jacqui Abbott play the Obelisk Arena

I was never a follower of The Beautiful South but The Housemartins hit the spot. So I did not mind that they did not play Perfect 10, which apparently upset some 'fans', but a finish with the a capella Caravan of Love was a perfect one.

Billy Bragg plays the Obelisk Arena, Latitude 2014. A strong pinko contingent in the crowd. Not just me.

Pinko me made fat, Pinko's wife made thin. All by one mirror.

Crowd scene in the Obelisk Arena

Sheep scene on the meadow. I hope they stayed safe after the bars closed...

Now I have no idea what this was. But I would like to register my distress that there was no Radio 4 comedy stage

Temples on the Radio 6 Music Stage, Latitude Festival 2014

So there you have a photo of one of the personal highlights for me. Temples were excellent - they looked cooly androgynous, played cool melodic Byrds type harmonies with a certain psychedelic edge. They were introduced as "your new favourite band" and were certainly my favourite of the new bands I heard. Which is a different thing.

Not the type I'd expect to find at an Anna Calvi gig - at the back of the Radio 6 stage

Anna Calvi at Latitude Festival on the Radio 6 Stage

Seriously, Anna Calvi is even cooler than Temples. When she does her Hendrix guitar asides, it's spellbinding, and her voice is so strong. I need to see her again.

Kate le Bon on the Lake Stage, Latitude

Kate is a fellow Welsh person but unlike me has a really thick accent. The sound on the Lake Stage was unfortunately not doing her justice. Well worth checking out.

At this point I am having to pinch myself because I am still on Day One - Friday...

Editors at the Obelisk Arena, Latitude Festival 2014

The Obelisk Arena is Latitude's Pyramid Stage. What is annoying about it is that it slopes uphill to the stage. This design defect blights other venues at Latitude such as the Comedy Stage and the Film and Music Stage.

Editors were probably the most easily identifiable festival band playing. I know their music well, perhaps it's this Obelisk stage, I'd certainly prefer to see them at a more intimate venue.

Well it's not Arthur Smith, but it is a naked man. At this point I was not at all sure what was going on...

The Latitude Festival Waterfront Stage at night

A backlit fountain on the Henman Park Lake

Shirley, my other half, had no desire to see Lily Allen (I was vaguely interested but was put off by the crowds and mega-venue) so we finished the Friday by taking in some 'minor' acts before calling it a relatively early night before the main crowd departed. We expected to be woken by noisy neighbours or simply by passing revellers because we were parked a few yards from the entrance to the campervan field. But we fell asleep quickly ready for whatever Saturday brought. Which was a thunderstorm at 4am...DAY TWO - SATURDAY

"Pink Moon" Camping - possibly the bottom end of the 'glamping' spectrum

So what did I say about falling face first in the mud? Well, the overnight thunderstorms did not make it that muddy, in fact where I fell face first it was onto my Ricoh camera lens which broke my fall. I am at least glad it was not the rather more expensive Canon. I had chosen to carry a lighter option for Day 2 and the extending barrel was bent out of position. I had written the camera off in my head but fiddled and forced and turned it on and off several times before everything straightened itself out for my first photos of mud...

On Hollow Tree Way - Day 2

On Hollow Tree Way - Day 2

Stereo sketching in the woods - Latitude Festival

The queue for Jack Dee's Help Desk at the Latitude Theatre Stage

It was a slow start to Saturday. Having to queue one hour to see Jack Dee was a surprise and, while the show was enjoyable, I wondered how much more had been fitted into the equivalent two hours on Saturday. One thing I now regret missing was the Agnes Obel set on the Radio 6 stage; live and learn - there was lots to enjoy besides what we were queueing for.

I decided to avoid Daryl Hall and John Oates and The Afghan Wigs to take in The Bohicas, my chosen fix of young indy things for this Saturday. With audiences drawn elsewhere, I was right at the front but lucky not to be, when they started to play XXX, in the middle of a thrashing crowd. Again on this stage the sound did not seem right, but still Bohicas were hugely enjoyable.

Shirley did not hang around for The Bohicas but had taken off to see Vivienne Westwood. I joined her for what was 40 minutes well spent before I left to catch the end of the James set on the Obelisk Stage. But all I was greeted by was a notice declaring that James' flight had been delayed and the show would now take place on the smaller Radio 6 stage at noon on Sunday. I had last seen James more than 20 years earlier at the Brixton Academy so the smaller stage was something to be looking forward to. Somehow you know that is going to go wrong too, don't you?

Bombay Bicycle Club hit the Obelisk Arena at Latitude 2014

Somewhere two hours went missing between 6 and 8pm when Bombay Bicycle Club hit the stage. I think it was mainly spent under a tree munching a Pieminster pie to tunes from First Aid Kit and there are no photos to show otherwise. After a pleasant enough set from BBC, at 9.30pm...

DAMON ALBARN

Those capital letters are in place of any photos - from my teeniest camera with its bent lens they would be crap in the dark anyway. But Damon Albarn did provide what was for me by far the best show on the Obelisk Stage. And that was even before he stopped playing songs from his new Everyday Robots album and moved on to the Blur / Gorillaz encores.

The half hour of encores would have been memorable on their own but what set them apart was the natural light show. Lightning. Torrential rain. We could not hear the thunder but it was there. What a fantastic atmosphere - well over half the crowd were letting rip wearing the t-shirts they started the day with, nothing to protect them from what was an energetic 30 degree wash cycle.

I was dressed sensibly (of course) but my top half was soaked through. For two of the encores Damon was backed by his local London Gospel choir, there was Blur's 'Tender' and what I think was my personal single song highlight of the festival, a suped up version of "Mr Tembo" from the new Everyday Robots album coming over to the soaking crowd who joined in the choruses like a Blur song from way back.

DAY THREE - SUNDAY

Valerie June on the Radio 6 Music Stage, Latitude Festival 2014

So, onto Sunday. No photos from Hollow Tree Way this time, but it was a lot muddier than Saturday and it could have been much worse. The rain had probably stopped at about 1am and in the heat most untrodden ground had by 11am dried out.

Today we were going to meet our friends Jim and Sara who lived locally and came in on a day ticket. We arranged to meet at the comedy stage for Marcus Brigstocke hosting Andrew Maxwell and another guy, who was not credited by Latitude and MB and AM both forgot to mention on twitter, "putting the world to rights". I really enjoyed this but it went on longer than expected and dug into my intention to see James (the band). So I heard some James eating lunch outside before going into the tent to catch the interesting Tennessee twang of Valerie June.

I did that on my own and we met up again at the Obelisk Arena for The Jayhawks whose music we all found a bit ununspiring.

So there go a couple of personal photos. This was minutes after my refusal to sit on the 'Friends' sofa and succumb to the moral blackmail of the sales pitch "If you do not sit here you are not really friends are you?" And just to repeat, I hate that show!

We were at the Obelisk stage again to catch the tail end of Chrissie Hynde having just caught a one woman play in the Theatre Tent, "Soho Playhouse Inc, from NYC brings Jamaica Farewell to the Latitude Festival". Nice to have a sit down, not least because when we emerged it had obviously been raining outside.

Rex Horan on bass for the Neil Cowley Trio

Neil Cowley Trio on the Film & Music Stage, Latitude Festival 2014

6.30pm. That was better. James dragged us to hear Neil Cowley's "Jazz for Radiohead fans". Early Radiohead that is, for this was driving powerful rhythmic stuff. We might well catch them in Brighton in October. The only downer on that is that they are playing The Dome, a huge venue for 'jazz'. Well they look like a jazz band, even if at times they do not sound like one!

7.00pm James and I dashed across to the iArena for Future Islands before dashing back to the Radio 6 stage for The War on Drugs.

Future Islands play the iArena, Latitude Festival 2014

The War on Drugs on the Radio 6 Music Stage, Latitude Festival 2014

In case you cannot tell, we were late for the start of both gigs because of clashes and were well towards the back. So no intimate band photos here! I liked the immediate sound of Future Islands, who played in front of a great crowd, more than Jim did. He approved of The War on Drugs, as did I. The band anyway.

To the sound of Tame Impala (like!) from the Obelisk Stage we munched through another Pieminster. Long story on this Pieminster habit which I will not go into.

The decision was left on how to finish up the evening and after witnessing the dumbed down Black Keys t-shirt I knew that we were only going to be catching the first few Black Keys songs.

Julia Holter plays the iArena, Latitude Festival 2014

That's much better - close up to Julia Holter at a now stupidly sparsely populated iArena. I was with Jim and Sara - I bade them farewell and dashed back to the Radio 6 arena to find Shirley who was watching Lykke Li.

Girl in audience standing on shoulders in the Radio 6 Music stage - Lykke Li performing

Lykke Li closing the Radio 6 Music Stage, Latitude Festival

So that was it for us. Latitude Festival 2014 was over. Only one thing left to do...

About Me

I'm a Brighton based professional photographer, at a crossroads on whether I really am that any more.. To earn a living in commercial photography I took unposed photos of real people doing stuff in real situations, that same skill helping me to be a dab hand at parties.

But now photography is less to do with making a living and more about art. Using the skills I acquired, I hit the streets and try and get as close as I can to my human subject without getting attacked. The landscape gets my attention too. And I shoot film - medium format and 35mm in an assortment of Pentax cameras, developing monochrome myself which keeps me rooted...

I also simply get out to take photos for stock. You'll find my images at Alamy, iStock and Getty Images. And at my own website - all linked from this page.

I have a dislike for corporate headshots, studio work, 'glamour', brown nosing and 4x4s. I'm also not particularly interested in equipment or techniques. Especially HDR, unless you can't tell it's there in your images in which case there's no need to mention it. Please.