Manifold Greatness blogInside take on a Folger, Bodleian, and Ransom Center exhibition on the creation and afterlife of the King James Bible on the 400th anniversary of its publication.

Q and A With Bible Translator Robert Alter

The Holy Bible, conteyning the Old Testament, and the New: newly translated out of the originall tongues: & with the former translations diligently compared and revised, by his Majesties speciall commandement. Appointed to be read in churches. London, 1611. New Testament internal title page. Folger Shakespeare Library.

Last week, Dr. Robert Alter, a professor of Hebrew language and comparative literature, spoke at the Harry Ransom Center at the University of Texas on translating scripture and the influence of the King James Bible. This interview originally appeared on the Harry Ransom Center’s Cultural Compass blog.

In several interviews you have stated that you appreciate the King James Version. You have also created your own translations of many books of the Hebrew Bible. Are your goals in translating different from the King James Version translators’?

For me, the power of the Hebrew Bible is inseparable from its stylistic virtuosity—its strong, compact rhythms; its expressive use of syntax; the subtlety and liveliness of its dialogue; the fine precision of its word-choices; the purposeful shifts of levels of diction. Though the King James Version often has its own stylistic beauty (though not as consistently as people tend to remember), the 1611 translators paid attention to none of these considerations and probably were unaware of most of them. Their goal was to provide as exact an equivalent as they could, according to their own understanding, of each word in the original. I share their commitment to a certain literalism but as part of a tight weave of stylistic effects in the Hebrew.

In your book Pen of Iron you examine the influence of the King James Bible on famous American writers such as William Faulkner and Herman Melville. Do you see the same influence in the work of any contemporary American writers?

Fewer American writers now, for rather obvious cultural reasons, are drawing on the King James Version, but its influence has far from disappeared. Two contemporary novelists I discuss in Pen of Iron who reflect the language of the King James Bible are Marilynne Robinson and Cormac McCarthy. Another is the late Barry Hannah.

With so many new translations available, is the King James Version still important and relevant today?

Translations that cast the Bible in up-to-the-minute American English are definitely cutting into the constituency of the King James Version because they are easier to read and seem more “accessible.” My own sense is that such translations lack any literary grace and distort the feeling and the meaning of the Bible. Though we are distanced from the 1611 version now because of its archaic language, its beauty is undiminished, and I think it will always have readers as a great literary achievement that altered the course of the English language.

Kelsey McKinney is an undergraduate intern at the Harry Ransom Center and a regular contributor to the Cultural Compass blog. The King James Bible: Its History and Influence, a companion exhibition to Manifold Greatness: The Creation and Afterlife of the King James Bible, is on view at the Ransom Center until July 29, 2012.

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Manifold Greatness:
The Creation and Afterlife of the King James Bible
has been made possible in part
by a major grant from the
National Endowment for the Humanities: Because democracy demands wisdom.

The Manifold Greatness website has been awarded the 2012 RBMS Leab Exhibition Award in the “electronic exhibition” category. Learn more about the award from this American Library Association announcement.