Members of the drag and transgender community have inherited a polarizing identity in contemporary cinema, embodying characters that seem either condemned to brutal tragedy and emotional disturbance (In A Year With 13 Moons, Boys Don’t Cry) or adored for their otherworldly glamor, fearlessness and sex appeal (The Crying Game, Kinky Boots, Divine in anything by

Like the best road movies, you’ve got to drop out to tune in: embarking on a journey across sweeping plains of South Dakota, Payne’s new film sees two men looking at themselves and their shared family past.