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Thursday, May 23, 2002

Review - The Disappearing Body by David Grand

David Grand's second novel, The Disappearing Body, is an intriguing, well-written piece of 1930s crime fiction. It's a tale of murder, union busting, corruption and chaos on both sides of the law. It has everything you would expect in a post-Prohibition crime story set in fictionalized New York City: busty beautiful women, crooked newspapermen, grizzled tough guys, the politician with a shady past threatening to surface, hard-nosed detectives on both sides of the law, drugs, guns, mysterious voices on the phone, murders passed off as suicides, and unfortunate losers who are surprised by days when they aren't beaten up or shaken down.

There is also the daughter following in her reporter father's footsteps. She is drawn into a story that turns out to be the same story her father was researching when he ended up eating a bullet 20 years ago. She never felt he could have committed suicide, even though he left her a note, and now with the help of her father's old source she can learn the truth, if she can evade the bad guys long enough.

The storylines move right along and nothing is predictable. It's somewhat like a boxing match-when you think the story is going to go left, it goes right; when you're confident of a knockout, you get an unexpected twist.

The novel opens with a two-page list containing 47 character names and a brief description of each character. Scary stuff. This almost persuaded me to put the book down. If an author has to list the characters and describe them before chapter one there are probably too many characters. (I did need to refer to the list to get my bearings after having put the book down for a period of time.)

There are two disappearing bodies in the novel. One is a staged disappearance. The other is a Russian painting called "The Disappearing Body" that surfaces in the art world after having disappeared from a crime scene many years before. The painting is the image of the painter's suicide. He painted how he was going to kill himself and when the portrait was done, he didn't waste any time bringing the scene "to life." The person who removed the portrait from the crime scene is now in the United States trying to sell it.

There are violent scenes in the story that sometimes sneak up on the reader without preamble: physical beatings, torture, and painful deaths.

The Disappearing Body has interconnected storylines presented from various points of view, and each character within each storyline is somehow related to or affected by at least one character in another storyline. The reader is always in the action thanks to Grand's clean prose, which makes the reader feel like she is walking along with the characters or looking over someone's shoulder, always eavesdropping. Grand attended NYU's Creative Writing Program where he was awarded the Creative Writing Fellowship for Fiction. His first novel, "Louse," published in 1998, launched into the Barnes & Noble Discover Great New Writers program, the New York Times Notable Books, and the Los Angeles Times Best Books of the Year.

The Disappearing Body is a great read if you like mysteries, mobsters and surprise twists. The novel flows well with continuous action and exciting characters. Don't expect another book like this from David Grand, at least for a while. He isn't ready to choose a niche yet. Grand's next work is about the 1950s movie studio system censors that made up the Motion Picture Association's infamous Production Code.

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I'm a NH native and love New England. I love writing about the region, exploring it on foot, on my bicycle, and in my car. There are so many small communities and fun and interesting people in this area, that I could be here a lifetime and not do all it is I want to do. :)

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