Time Out:
A creepy score and Russell's sure grasp of the skewed logic of nightmares helps to sustain the ambiguity between the 'real' and 'dream' worlds, while Englund's Freddie now fits like a glove.
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Variety Staff,
Variety:
Debuting director Chuck Russell elicits poor performances from most of his thesps, making it difficult to differentiate between pic's comic relief and unintended howlers.
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Richard Harrington,
Washington Post:
While it's better than its predecessor, it's still not quite up to its inspiration.
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