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The sultan surrouned by his court are depicted on this manuscript leaf. Thirteen figures face the sultan who is seated on a large red throne. digital.library.unt.edu/ark:/67531/metadc36417/

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The surface decoration of the platform base is shown in this view. The view upward includes a portion of the superstructure at a raking angle. digital.library.unt.edu/ark:/67531/metadc45485/

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This view contains a platform and an intact temple in the background. People walking around perimeter in foreground show the massive scale of the height of the elevation. Some archaeologists can be seen digging at the base. digital.library.unt.edu/ark:/67531/metadc45482/

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This close view shows the south side of the entrance to the temple with its stairs and highly surface decorated columns. digital.library.unt.edu/ark:/67531/metadc45487/

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This close view shows a leonine type creature carved into the plinth of the marriage pavilion. digital.library.unt.edu/ark:/67531/metadc45489/

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This general view shows the area above the eastern courtyard and archaeologists digging in the foreground. digital.library.unt.edu/ark:/67531/metadc45483/

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The pier decoration shows Krishna killing a peacock. Other animal figures can be seen in the background. digital.library.unt.edu/ark:/67531/metadc45492/

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A close detail of the highly decorative animals are shown that grace the entrance to the marriage pavilion. digital.library.unt.edu/ark:/67531/metadc45491/

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The view shows a portion of the temple complex with many visitors milling around and the gateway is shown. digital.library.unt.edu/ark:/67531/metadc45493/

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The fiddle is highly carved on the sides of the body. The bridge making the instrument into a viol was added in the sixteenth century. digital.library.unt.edu/ark:/67531/metadc41254/