When actor David Hewlett decided to write a Sci-Fi movie, I’m sure the concept looked pretty good on paper and – you know what? – even with a couple of black holes in the plot and unspoken back stories (due, no doubt, to time and budgetary constraints), the finished product looks pretty good, too. Hewlett’s script is equal parts 2001: A SPACE ODDYSEY, TRON, WAR GAMES and just about every slasher movie ever made; toss in some nifty KILL BILL style fight scenes and a cast of beautiful – if limited – actors and you have a rollicking good time of a space opera with DEBUG.

DEBUG (Tenika Davis, Jason Mamoa) (publicity still)

The concept is relatively simple: Convicts on a work release derelict spaceship clean-up detail (got that?) are dispatched for one final debugging assignment before returning to lock-up; the debugging is of the computer kind, as long dormant vessels with still-functioning systems tend to become infected with various viruses and need to be cleaned before a reboot and a return to active service. We get a glimpse of just how corrupt the system is in a prologue that sees the sole survivor on-board, one of 1,200 prisoners (a terror-fraught cameo by Tenika Davis), stalked by a physical manifestation of the infected security program (malevolently played by future Aquaman, Jason Momoa). Suffice to say, bad things happen. The cleaners are under the supervision of a no nonsense (though somehow good-natured) guard named Capra (Adrian Holmes), who gets hijacked by the virus, doing its gruesome bidding. Capra’s eventual demise is kind of a side-splitter.

DEBUG (Adrian Holmes) (publicity still)

Of course, each member of the convict crew has their own little secret: Lara (Sidney Leeder) and team leader Mel (Kerr Hewitt) are – if not romantically – sexually involved; Diondra (Jaydn Wong) is looking for a quick score, but ends up with a splitting headache for her troubles; Samson’s exit (and, by extension, CARRIE’s Kyle Mac) was so quick, I’m not too sure I can even tell you what his secret was or what happened to him; tough-as-nails scarey chick Kaida (who really has a heart of gold, much like – I’m sure – the actress who portrays her, Jeananne Goossen) is all business, as she hacks into the rogue system for a bit of virtual butt kicking; James (played by Adam Butcher, Momoa’s co-star in WOLVES) is a former cadet whose dreams were smashed after pleading guilty to a cyber-crime committed by his younger brother. Each, seemingly working against the others, are given their own little vignette, as they are assigned different sections of the ship to work on; most interact with various “creature comfort” programs, all under the control of the evil “I Am” (Momoa), leading to varying degrees of pain and suffering. The final confrontation with the I Am and the ultimate sacrifice by one team member is right up there with other such selfless gestures for which the genre is so well known (Spock’s final moments in STAR TREK II: THE WRATH OF KHAN remain untouchable in that area).

DEBUG (Jeananne Goossen) (publicity still)

There are a plethora of direct-to-DVD Science-Fiction movies released every week, most of which are totally forgettable and many of those are utterly regrettable; DEBUG rises above the dross with an imaginative script and cold, antiseptic sets that add to the creepy machines-in-control aspect; the small blasts of color (the convicts’ orange jumpsuits and, yeah… a whole lot of blood) tend to be rather jarring against the bright lights and stark white of the spaceship. This is a movie that would have benefited from another 20 to 30 minutes. That’s something that I very rarely say about any movie but, here, the extra time would have definitely made an already strong feature into a great one, allowing the characters to be fleshed out more fully (we don’t really know why most of the crew are in prison or what motivates their actions on this mission), as well as offering a more in-depth examination of just how the ship’s computers became so corrupt.

DEBUG is unrated but, due to some strong language and some fairly brutal scenes of violence and death (a couple of which are quite imaginative), this one probably shouldn’t be viewed by anyone younger than, say, twelve. It’s not really a great date flick or family movie night fare… in fact, it may not be anything that the female of the species will find appealing at all. Having said that, it’ll play really well for a bunch of guys just hanging out in a man cave somewhere.