When first introduced to Orlando, the rich gold hue colours of his costume and multi textured velvets suggest that he is of an upper class social standing. The detailed gold trim and complex design are signs of wealth and prosperity. Yet as shorts and doublet are young mens clothing, we are able to see that he is still regarded as somewhat juvenile and immature by his peers.

The costume of Queen Elizabeth is incredibly intricate and detailed. The large ruff and abundance of jewellery show status and power. The Queen has the most elaborate clothing, as she is the most important. Despite her increasing age her elaborate headpiece fine dress give her a graceful and beautiful appearance.

The difference between the two characters is exemplified through costume. Orlando's costume is covered in pearls, a traditional sign of purity, as he has not been tainted yet by the 'treachery of women'. Sacha is the exotic foreigner, who's costume is abundant in misty dark colour and and thick primal furs.

8x10" black and white photograph of Orlando and the Khan drinking in desert

We are able to see the 'foreignness' of the Khan in comparison to Orlando through his radically different costume. Yet in this setting it is Orlando's clothes that stand out from everyone else's. The Khan is obviously of a high social standing due to his rich fabrics and deep colours.

Here we are able to see Orlando's transition deeper into the Turkish culture. He has shed all past English influence and now dresses similarly to the Khan. We can also see plenty of foreshadowing for his upcoming transition into a women as the costume is very androgynous and halfway between the Turkish men's clothing and what we see the women of Constantinople wearing.

Here we see Orlando taking on the clothes of a woman after transition. The heavily structured outfit incorporates a bodice and hoop to emphasise the curves of the new womanly body. The feminine details such as ribbons and ruffles also suggest the embracing of the female sex. As Orlando holds the mirror it suggest that she is still fascinated by her new found womanhood, and is still getting to grips with it.

The silhouette of Orlando's new feminine body is heavily emphasised in this dress. The corset and skirt emphasise the waist and hips (that will eventually be used to give birth), yet the fine fabric and ruffles still show wealth. It is interesting to compare the dress to the covered furniture in the background. They almost blend into one another suggesting the new woman Orlando is ready to be uncovered, just like the furniture. The dress is also white in colour the colour of virginity (perhaps for Orlando's uncorrupted body as a woman), and also the colour of a wedding dress foreshadowing her imminent proposal.

Here we see Orlando fully dressed and made up as a woman. From this costume we can clearly see she has retained her wealth and stature. The complicated and opulent design emphasis beauty and matches the sentiment that woman should be decorated. Yet The over the top wig and make up also seem to hint at an underlying pomposity and self consciousness when out in public compared to the simple costume when at home. The soft blue tones also suggest a slight melancholy, perhaps at her new diminished stature as a woman.

8x10" black and white photograph of Orlando holding bowl

Here the costuming seems almost reminiscent of Queen Victoria. It is still feminine, yet demure and looks almost like a mourning dress. This links with Orlando's response upon meeting Shelmerdine. 'I am dead'. Orlando is in mourning for herself and her former freedoms and liberties as a man.

Here we can see sexuality through the costume of Shelmerdine. His shirt is unbuttoned at the top giving him a string masculinity. However the cascading ruffle of his shirt and long hair do suggest a slight femininity. His androgyny is similar to that of Orlando, just from the other side.

8x10" black and white photograph of Orlando on steps of Great House reading legal document

Here we see for the first time a far more sexualised image of Orlando. Although depicting the same time period as before, her costume is very different. She reveals a lot more flesh and it is almost 'saloon girl-esque' in appearance. This clearly down to her sexual encounter with Shelmerdine. The dress is extremely figure fitted and appears to be much more liberated then the demure dress from before. There is an abundance of colour, showing Orlando's sexual awakening, yet it is still distinctly feminine.

Here we see Orlando's final incarnation. She is not only dressed in a contemporary style of clothing now, but the androgynous look seems to suggest a new sense of power equal to that of a man. The publisher in the backgrounds costume is not so fundamentally different from Orlando's. She is not longer downplayed as a woman but rivals men. Her assumption of a more male style of clothing (shirt, boots etc) suggests she has reached a happy medium between both genders.

Here we can see the evolution of Orlando's costume throughout the film. The evolution in costume mirror evolution in character and we are able to empathise with Orlando's emotion through the hints the costume provides. This marks costume development for when male.

We can see here Orlando's female costuming now and chart her evolution from one sex to another. Through the choice in colour and design we can distinguish the character's feeling without prose or dialogue.