Before I founded Modern Storyteller and began making The Forgotten City, I was working as a legal and strategy advisor to a multi-billion dollar tech company. Yes, that is a bizarre career change, and yes, I completely understand why it leaves a lot of people scratching their heads. It’s extremely unusual to walk away from an established professional career path to enter into an inherently risky industry, where studios rise and fall constantly, and most indie games fail to turn a profit. So why did I do it?

Back in 2012 I was working in a field called Regulatory Strategy. Don’t worry, nobody knows what that means. All you need to know is that when I explained it to people at BBQs, they had no follow-up questions. It was a good traditional career path, but it left me with a lot of unused creative energy. So I decided to pour that energy into a passion project in my spare time.

That passion project was my mod, The Forgotten City, which has now been downloaded over 1.7 million times (at the time of writing), won a national Writers’ Guild award,and has received critical acclaim from the likes of PC Gamer, Kotaku, IGN, among others. I never expected it to become so popular. All I did was make the kind of game I wanted to play; one that respected the intelligence of players by presenting them with a complex interpersonal problem and giving them the freedom to solve it however they felt was best. It didn’t hold anyone’s hand. It punished players for making stupid decisions or trying to rely on brute force, and rewarded them for thinking laterally. I was amazed that it resonated with so many people. On reflection, I think there are a lot of intelligent gamers out there who are being ignored by big game studios, which are simplifying their games in an attempt to appeal to the broadest possible audience.

Back when I was making the mod, I could have happily worked on it all day, every day. It lit up parts of my brain that had been asleep all my life. Through trial and error, I learned level design, programming, story writing, casting, directing and mastering audio, among other things. It was a revelation to me that I could learn all these skills as and when I needed them. I felt like Neo plugging into the Matrix. I’d never been able to do that before. Why? Because I’d discovered something about which I was truly passionate. But I had a demanding job to go to, so I could only work on it in my precious spare time. So I worked on it for an average of 11 hours every week, for 3 years, totalling 1,700 hours in the end. As much as I loved it, working that hard is crazy, particularly as in the end, fewer than 0.01% of mod users donated. It became clear that modding wasn’t going to be sustainable in the long term.

Still, a lot of people wanted to know what I was going to make next, and I had to make a decision: game development or legal career? I knew that going to work for an established studio wasn’t an option, since I’m committed to living in Australia, where I just couldn’t see a viable career path for myself. Then I met some developers who encouraged me to start my own studio. At first I laughed it off, but I thought about it, from every possible angle, for about a year. I did my research, chatted with various developers, and spoke to my wife at length. I knew it would be hugely risky, since indie games tend to cost a small fortune to make, most of them don’t turn a profit, and the market becomes more crowded every year.

It was a classic head vs heart dilemma. Rationally, I knew I had a good traditional career which had taken me 10 years to build, and if I took a break from it, I might never be able to go back. But I had a burning desire to keep making games, and I’d connected with a market of intelligent gamers who kept asking about my next project.

I was on that precipice, agonizing over whether to take the leap, when I discovered I won a national Writers’ Guild award. A good friend told me at the time: “If there is a God, right now he’s going: Nick, how many signs do I need to give you?!”

I don’t believe in God, but I believe that playing it safe all your life and refusing to take any risks is, itself, an act of risk-taking. What if you spend the rest of your life wondering what would have happened if you had pursued your passion?

So, with the backing of my awesome wife, I took the leap.

So far, I have no regrets. We’ve had some wins already; I managed to recruit some seriously talented people to my team like Alex Goss, Ben Roach, Laura Michet and Michael Allen. We’ve received funding from the wonderful Film Victoria, and we were invited to reveal our game on stage at E3 and even won an Unreal E3 award. But there’s still a long journey ahead of us before we release The Forgotten City in 2019.

This blog will document that journey. I hope you’ll join us along the way.

Please note: If you haven’t yet added The Forgotten City to your Steam wishlist, you can do that now. You’ll be notified automatically when we release it!

The Forgotten City

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Insta-buy!!!!!

Seriously, this is literally the best fan-made content I've ever seen, and I'm so glad it is now a stand alone game! The mod is what brought me back to Skyrim and when I finally got to play the DLCs (only after playing the mod), I have to say I enjoyed th...

The voice actor that did the narration did an excellent job, and your level design is both believable, and beautiful. Great job Modern Storyteller.The story telling in The Forgotten City is extremely good for an indie level title as well.

I guess the dev is fine to link his thoughts on Steam as well:
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So far, I have no regrets. We’ve had some wins already; I managed to recruit some seriously talented people to my team like Alex Goss, Ben Roach, Laura Michet and Michael Allen. We’ve ...