Archive for the ‘adaptations’ Category

Without Garfield, Jon Arbuckle is a sad, sad man. And surprisingly, Garfield Minus Garfield takes on an entirely new and powerful poignancy. From the site:

Who would have guessed that when you remove Garfield from the Garfield comic strips, the result is an even better comic about schizophrenia, bipolar disorder, and the empty desperation of modern life? Friends, meet Jon Arbuckle. Let’s laugh and learn with him on a journey deep into the tortured mind of an isolated young everyman as he fights a losing battle against loneliness in a quiet American suburb.

I just got back from seeing Hellboy: the Golden Army. I had been planning to see it because I had liked (but not loved) the first one and because director Gulliermo Del Toro had truly impressed me with Pan’s Labyrinth. But of the summer movies I had put on my to see list (such as Forgetting Sarah Marshall, Iron Man, Wall-E, Hancock, and Dark Knight) I was not anticipating it the way I was some of the others. Which is why I was so pleasantly surprised to have loved it. I mean really loved it! I mean gasping with shock, laughing hysterically, wishing for a pause button to get a look at all the cool creatures stuffed in a scene, and bouncing giddily waiting for whatever it threw at me, loved it! It was so geared to my sensibilities, reminding me at times of Star Wars, the Princess Bride, the Muppets, Crouching Tiger, LOTR; that I don’t know if people who don’t share my tastes would love it as much. In fact of the thirty or so other people in the theater only a man a few seats away from me (who happened to have a fidgety, but enthusiastic, six year old with him) was not just the only one laughing and ooing at the same places I was, but also the only one displaying any kind of reaction at all. Perhaps it was just a subdued crowd, I certainly did not hear any one complaining or dissing the film on the way out, but nobody was praising it either. I am sure it will not beat Hancock at the box office, which is sad in it’s own right because it is a far superior film. I think it is more sad that most six year olds will be seeing Wall-E (which I did think was excellent) for the second or third time instead of Hellboy 2. Because it was seeing similar movies at that tender age that had me grow up to be the kind of person who loves them at this advanced and tender age. I definitely recommend it, if only to gage what people who are not me thought of it. Also I now am very glad that Del Toro has signed on to direct the Hobbit. I am only sorry that Peter Jackson’s team did such a good job of establishing the look of Middle Earth, because I would have loved to see what Del Toro would have come up with from scratch.

I’ll admit that the movie made me do it. I decided I wanted to read some Iron Man. I never have before, and I didn’t know if it made sense to start at the beginning, so I just decided to see what was at the library, and read some of that. There I found the collection The Many Armors of Iron Man, which starts with this comic, Iron Man #47.

Much to my surprise, when I cracked open the TPB, I discovered that this is the comic that tells the first part of the story from the movie! I looked for some sign that the trade was simply a movie tie in, but I didn’t see any. I’m sure I could probably dig online here and find some indication of whether this book was published before or after the script for the movie, but it probably doesn’t matter. It tells Iron Man’s “origin story”, so it’s a natural choice to base a movie after.

I quickly finished the comic, and now I’ll give you my impressions. (Note: SPOILERS AHEAD!)

This is probably old news to just about everyone, but I hadn’t heard about this book, called Comic Book Tattoo, so I’m posting it here anyway. I don’t know how much editorial control singer/songwriter Tori Amos really had, but supposedly she had her fingers in the book-making pie from start to finish.

I found information about this all over the place (when I started looking), but the best article was at Comic Book Resources, as it has a lot more details and includes some sweet art from the collection.

Join us for our third podcast in which we record from an AMC theater while waiting in line for a sneak preview of the new Iron Man film. At the end of the podcast, we also record our impressions after the film, but there are loud spoiler warnings ahead of that in case you don’t want to hear about it before you’ve seen it. (They are relatively minor spoilers, but we do end up discussing and giving our impressions of the final scene in the movie.)

We had a larger cast than usual as we discuss our limited knowledge of Iron Man, the sneak preview, various other movies, LifeLock (identity insurance), The Amazing Adventures of Kavalier & Clay, our final impressions of the movie, and try to answer the burning question: How many costumes has Iron Man worn?

Notes: The podcast also features some musical clips from “Iron Man” by Black Sabath, and what I believe to be a band called Giant Sand covering said classic track. (The latter via Cover Freak.) This is our first real editing job here at Read Comics, so we hope you enjoy it. The speaking portions of this comic were recorded on Marty’s iPhone, which was a gift from his lovely wife and fellow podcaster, Florence. Also, big thanks to everyone we interviewed (badly) in line for the movie. If you’re reading this, leave a comment, cause you were awesome!

My friend and fellow author on here, Mike, has been after me to read George R. R. Martin’s “Song of Ice and Fire” novels for some time now, and I haven’t shown much interest. I’ve found that I’m not really a fan of high fantasy that much, preferring the humourous fantasy novels of Pratchett. I’ll even admit that I didn’t really enjoy the Lord of the Rings movies. Much like Matt Fraction’s opinion, if you put an elf on a horse, I’m falling asleep. Oddly enough, I remember enjoying reading the Dragonlance novels as a teenager; I wonder what I would think if I picked one up now.

While doing my regular perusal of the graphic novels section at the library, I came across The Hedge Knight, co-produced by the Dabel Brothers and Marvel, along with Raymond Feist’s Magician: Apprentice Vol. 1. I figured that I’d give them a shot, and if I wasn’t into it after the first issue of the collections, I’d just return them unfinished. Colour me surprised. Both The Hedge Knight and Magician: Apprentice were very enjoyable, with the former not really having any true fantasy elements, and instead being more a tale of knights, heraldry, and tournaments. The latter was closer to what I think of as high fantasy, with wizards, firedrakes, and trolls, adding in the regency of the medieval era. Having not read the originals, I can’t speak to how well they were adapted, but the stories were compelling in their own right. There was adventure, humour (though not the broad humour of Pratchett), both were about young heroes in the making.

Mike Miller’s art in The Hedge Knight conveys broad-shouldered knights quite well, although everyone seems to have a very youthful appearance, even the older men. Brett Booth’s art for the first three issues of Magician: Apprentice also worked for me, better than his similar work for Anita Blake: Guilty Pleasures, also from Marvel and the Dabel Brothers. Booth draws pretty men. Extremely pretty men. Painfully pretty men, but likewise his representation of Anita makes her look less like an executioner and more like an ingenue. That same innocence works very well on Pug, the young student magician. The last three issues were drawn by Ryan Stegman, who is billed in the back as an “emerging artist”. I didn’t dilike his art, but the transition between the two styles was jarring, particularly since the transition took place during a cliffhanger. His character designs are so different that it’s hard to think of them as the same people. The linework is also much thicker than Booth’s making the transition that much harder.

Not exactly fantasy, but still by Marvel and the Dabels, Laurell K Hamilton’s Anita Blake, Vampire Hunter: Guilty Pleasures didn’t keep me as entertained as the other two collections, but I had read the original work years ago. It seemed pretty faithful, in that I’m still not sure if Hamilton is writing a romance, a horror, or a detective novel. Art is by Booth, as I said above, and he draws incredibly sexy male vampires. Long and lanky with cascades of hair, I’d say he’d be an ideal candidate for the Queeries category of “Best Non-Queer Artist Who Draws Awesome Male Asses”, but he generally draws more front views than rear.

After reading these collections, I’d like to think that I’m more inclined to read the original works, but I have a feeling that I’m more likely to read more graphic adaptations than check out the text only versions. Maybe if I get that Kindle, I’d load one up on it, but I can’t see myself carrying one of Martin’s tomes with me. As far as sequels to these collections, I know that the Anita Blake series is being continued, but with the Dabel Brothers being split from Marvel, I’d imagine the future of the other series is more unsure. I believe Marvel retained the rights to the licenses so I guess it’s all up to how sales figures worked for Marvel.