Former leading New Zealand publisher and bookseller, and widely experienced judge of both the Commonwealth Writers Prize and the Montana New Zealand Book Awards, talks about what he is currently reading, what impresses him and what doesn't, along with chat about the international English language book scene, and links to sites of interest to booklovers.

Friday, January 18, 2013

Why the fuss over Tony Harrison's poem V?

By Brian WheelerBBC News Magazine

Tony Harrison wrote V in 1985

It was described by the Daily Mail as
a "torrent of filth". MPs called for it to be banned from the airwaves. But does
Tony Harrison's controversial poem V still have the power to shock?

BBC Radio 4 is braced for a backlash over its decision to broadcast in
full Tony Harrison's poem about the desecration of his parents' grave.V is an angry, rueful reflection on Leeds-born Harrison's estrangement from
his working class roots and the divisions that scarred society in the mid-1980s,
from the miners' strike to racism on the football terraces. The last time it was broadcast, in a film for Channel 4 in 1987, it was
described by the Daily Mail as a "torrent of filth" in which "the crudest, most
offensive word is used 17 times".The Observer said it was "the most sexually explicit language ever heard on
television".Conservative MP Sir Gerald Howarth attempted to get the broadcast banned,
tabling an Early Day Motion entitled "Television Obscenity" and accusing Channel
4 of trying to "assault the public [with] more effing and blinding".He described Harrison as "another probable Bolshie seeking to impose his
frustrations".

Sir Gerald, until recently a defence minister, now confesses he had not read
the poem in full when he made these comments - and had not realised it was about
the desecration of Harrison's parents' grave. "I had read enough to get a flavour of it," he says.But he says he has no regrets about calling for it to be banned.

"I have every sympathy for Tony Harrison and what happened to his parents'
grave. But the increase in the common currency of that sort of language is more
likely to result in profanities on people's graves."Art is never an excuse for broadcasting profanities, he argues, and he
believes there is simply no place for the "c-word" and the "f-word" on
television and radio."I do understand Harrison's deep sense of anger and frustration but I still
do believe that it does not excuse the language. I do believe that it completely
undermines his own objectives because it enhances the respectability - and
acceptability - of that language."Full article