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Tag Archives: Michael Che

Why is it the Emmy Awards telecast feels like something only your old auntie would watch in real time so she can root for her shows?

Because it is?

Because there is too much TV to have a favorite show if you’re under 90?

Because there are too many award shows and none of them carry much weight?

Because who wants to watch anything except the slow disintegration of the country?

Notice there is no all of the above choice.

At 70 years of age Auntie Emmy is a bit quaint. She’s sort of the equivalent of a pop culture painting of Elvis on a velveteen blanket or arriving with a box of Fannie Mae chocolates for the beau you’re taking to the church social.

nuff said

Of course, the Chair has never been to a church social, purchased a box of Fannie Mae anything or really knows if there is such a thing as a velveteen blanket, much less one with Elvis painted on it.

Still, it sounds right, doesn’t it? Something that used to be frivolous, fun and fiercely IMPORTANT now feels almost dull, superficial and, well…unpatriotic to spend any spare time on.

Except….

We Are Americans.

The only thing we love more than competition is…

TELEVISION!!!!!!

Lest we forget COMPETITION TELEVISION #ChoppedAllDay

So who am I/we kidding? We’ll be watching, tweeting, DVRing, reading, dishing and paying some sort of mind – even if it means going out of our way to proclaim both the show AND awards never entered our minds.

This became apparent to me about 10 years ago when I ran into a show biz guy I knew who had just been nominated for an Emmy at a trendy brunch spot that morning and, upon congratulating him, he synthetically replied:

Oh really, were those today?

Well, yes, that’s why you are in the trendiest show business watering spot in town, you fake, I replied knowingly.

Okay, of course I didn’t. I mean, I was there too.

Still, those were the days when Emmy was not an auntie and we were both A LOT younger so what does it matter? He is no doubt still denying he cares as he grudgingly watches, along with the rest of us, silently cheering, or perhaps audibly jeering, for or against his shows.

Which is why every year from now until the end of our republic we will feature:

THE CHAIR’S EMMY CHEAT SHEET:

DRAMA SERIES

Nice try but I will NOT shut up about this show #BlessedBetheFruit

The Handmaid’s TaleGame of ThronesThis Is UsThe CrownThe AmericansStranger ThingsWestworld

Sadly, there is nothing more timely than The Handmaid’s Tale. Don’t say you know, but it’s too depressing to watch. You owe it to your country to be forewarned. Or at least keep up with current events by way of Gilead.

Yes, all of the aforementioned nominees have their merits, and yes The Americans is all wrapped up and sure Game of Thrones has won twice before and wasn’t up last year when The Handmaid’s Tale won the first time. So what? Stranger Things and Westworld are audience favorites too and yes, This Is Us could sneak in because it’s the one network show critics, industryites and audiences all love. But we’re going with the Zeitgeist.

Trusting our gut here. The season long tease of Jack’s death on This Is Us gave Milo Ventimiglia all season to be the 70s Dad, man, hottie (NOTE: NOT all three at once, step back) of our dreams. Prognosticators don’t give him a chance but sometimes ya get a feelin’.

You’re gonna bet against OfFred? Really? No, really? We didn’t think so. And if one more person tells you Keri Russell gave the performance of the decade or that Sandra Oh’s win will make history ask them if their characters could endure sub freezing temperatures in the suburban wilderness nine months pregnant and then give birth by themselves in the middle of drafty house with only the fireplace to light their way. Please.

Tough category and all of these actors deserve the honor. But in any other year The Crown could win best series and best actress. So it’s Matt Smith here – an actor who somehow managed to make a younger Prince Phillip sympathetic and sort of sexy while not shying away from him also being a lying, priggish philanderer and full on abusive father. That alone is award-worthy.

One of the only sure thing categories. I myself find Serena the most heinous character on television so it’s amazing to see an actress who is actually able to make us believe she’s human. Don’t know what that means because you haven’t watched the show? Then WATCH IT!!!

There has never been a pilot episode of a television series less likely to break through as both an audience and critics TV favorite as much as The Marvelous Mrs. Maisel. As I said to my sister, who first turned me on to the show: This is the most Jewish thing I’ve ever seen, I can’t believe anyone but us and our family is watching it!!

It will be a close race with the depth of storytelling in Atlanta and the sheer originality of Barry but count on Mrs. Maisel for bringing us an escape from reality by way of late 1950s Greenwich Village.

Donald Glover will deservedly and rightly win. Everyone else in the category is good but he’s doing something different and real here we haven’t seen before – and doing it consistently in between his tasks as its creator and sometime writer.

The other sure thing category. It’s Midge in a w.a.l.k. And when you watch Rachel Brosnahan being interviewed and see how far she is in real life from the character she portrays, well….it’s Midge in a w.a.l.k.

Henry Winkler was first nominated for an Emmy 42 YEARS AGO and has never won. Five nominations and – bupkus. This guy was THE FONZ! Plus, his work as a deluded yet somehow effective acting teacher on Barry is heartfelt, fresh and more than deserving. Not to mention, in real life he’s the nicest man. Don’t mean to name drop but…..

A REALLY tough call. Alex Borstein should win for being laugh out loud hilarious as Mrs. Maisel’s snide, baked beans eating manager and Megan Mullally has made Karen Walker one of the most popular female supporting characters in the history of TV. Still, in the 24/7 world of politics Kate McKinnon playing the clown from It as Kellyanne Conway is so frighteningly…something that it trumps all else.

There was something so revolting and alluring about the Assassination of Gianni Versace that it’s hard to imagination it not taking the honors here. It felt doubtful that this lurid tale warranted an American Crime Story show at all until we watched it use the tale of a twisted killer of one of fashion’s legends as a way to tell an American tale of class and sexual repression at the turn of this past century.

Darren Criss played Andrew Cunanan as the boyishserial killer next door and against all odds it worked. Criss never fell into psycho cliché or gave us outsider gay sociopath 101, which made his presence all the more disturbing and riveting. It was hard to turn away even though, honestly, there were spots where you had to turn away. Perhaps he was too much of an awful thing for some voters, which could shift the trophy to the equally good Benedict Cumberbatch – but probably not.

An odd category this year with no true standout. Still, in the #MeToo era Laura Dern deserves the credit for a smart portrayal of a difficult character – a woman who must delve back into her past in order to save herself in the present. She made the transitions between the adult self and the other actresses who played the younger versions of her character seamless, which elevated the material far beyond where it could have landed.

SUPPORTING ACTOR LIMITED SERIES/MOVIE

I mean.. OK sure.

Jeff Daniels, Godless
Brandon Victor Dixon, Jesus Christ Superstar Live in Concert
John Leguizamo, Waco
Ricky Martin, The Assassination of Gianni Versace: American Crime Story
Edgar Ramírez, The Assassination of Gianni Versace: American Crime Story
Michael Stuhlbarg, The Looming Tower
Finn Wittrock, The Assassination of Gianni Versace: American Crime Story

Not going to lie. This is a guess based on prognosticators. But EVERYONE agrees it’s Jeff Daniels and the more you read his reviews the more you will also agree.

SUPPORTING ACTRESS LIMITED SERIES/MOVIE

But also kudos to hair and makeup because this is late 90s perfection.

However, Judith Light brought a new level of denial as the successful and privileged businesswoman wife of a closeted gay man. It was a strange yet real type of character we don’t see much on television and she could easily get the Emmy for it if it doesn’t go to Merritt Wever or Lettia Wright. Meaning, we’re not sure but we’re going with Judy.

VARIETY TALK SERIES

We seriously cannot forget about Marlon Bundo. #thebest

The Daily Show with Trevor NoahFull Frontal with Samantha BeeJimmy Kimmel Live!Last Week Tonight with John OliverThe Late Late Show with James CordenThe Late Show with Stephen Colbert

Every single show is worthy. It really depends on what their producers submitted. But Last Week with John Oliver feels like the gold standard here and the rightful successor to Jon Stewart’s Daily Show, especially after his win last year. Though what do we know, we and everyone else we know voted for #HILLARY.

VARIETY SKETCH SERIES

This happened!

At Home with Amy SedarisDrunk HistoryI Love You, America with Sarah SilvermanPortlandiaSaturday Night LiveTracey Ullman’s Show

Until Trump gets impeached it’s Saturday Night Live. Never has there been a more perfect match of time, material and talent (Note: The White House being the exception). Though it’s safe to assume SNL would gladly make a deal to give up the honor if they could get him out. ……Wouldn’t they??