Comic book and movie reviews!

Main menu

Tag Archives: Alfredo Alcala

Post navigation

It’s always cool to get a good deal on a comic/magazine. It’s even better when it’s a “Pulse-Pounding First Issue!” Admittedly, this post is sort of a continuation from last week, as the back up story in this magazine is the next chapter in the comic book life of a certain monster hunter. But that’s for later, as first, we must see what’s going on in the life of the Jade Giant, The Hulk!

The firs story in this incredible mag is a tale of the Hulk and Rick Jones, as they investigate an alleged flying saucer in Spain! We actually get a re-telling of the Hulk’s origin first (in a couple of glorious pages), then the main story. We see everything you could want in this one. Betty, Thunderbolt Ross, Rick Jones, The Gargoyle, an alien and of course the Hulk (and puny Banner)! This one has a good story by Doug Moench, and incredible artwork by Walt Simonson (pencils) and Alfredo Alcala (inks)!

The second tale involves that monster hunting madman, Ulysses Bloodstone! Last week’s post familiarized you (hopefully) with the character, now see him in all his glory as he battles aliens that have come to…do…something! No, really, it’s more of a continuation of his search for answers, and then being attacked by a giant lizard creature and his old nemesis, Ulluxy’l. Special guest appearance by Killer Shrike! Written by John Warner, art by “Big” John Buscema (breakdowns) and Rudy Nebres (finishes)! The incredible cover is by Ken Barr (one of the best painted covers of the entire series!).

What is this…? Back to back posts about Simon Garth, A.K.A. The Zombie? YES! Yes it is! And another look at Simon Garth is definitely in order during the month of October! The covers, the content, the amazement, these mags are wondrous. Even the advertisements are special (and I’ll post some pics along with my usual story images).

In this particular book, Marvel gives us three chapters of a story about the zombie, and one extra story without him tucked in at the end (plus a little one-pager by Isabella and Win Mortimer). The three-part story about the Zombie has with one exception a different creative team on every chapter. There is one constant, as Tony Isabella (writer/plotter), is there throughout. We do get one chapter scripted by Chris Claremont, but Isabella plots that one and writes the others. This story has a very interesting angle in that we get to see Simon Garth in human form once again! No spoilers other than that from me though!

The artists in these chapters include – Virgilio Redondo, Alfredo Alcala, Yong Montano, Ron Wilson, Pablo Marcos, and that last little story I mentioned (“Herbie the Liar said it wouldn’t Hurt“) is written by Doug Moench! Lastly, the incredible painted cover is by the late, great Earl Norem! Check out his work online as he did some fantastic covers just like this one, plus interiors too!

After being a Marvel Zombie for many moons, I really cranked up buying DC comics over the last few years. Focusing mostly on horror (and the absurd), the 100page issues are where the bargains live! These books are fantastic and are packed full of comic book goodness. With eight stories, this 100 page book brings it with the heat of a demon, or maybe the hair of the werewolf, or…well, you get it.

This issue has a great list of creators that includes- Michael Fleisher, Nestor Redondo, Joe Orlando, Sergio Aragonés, Don Glut, Joe Maneely, Paul Levitz, Alfredo Alcala, and more! Each story has it’s own unique flavor because of the myriad of creators in this one. It also contains one of the best clown stories ever (definitely not as good as “Night of the Laughing Clown” by Steve Gerber though)! Definitely seek out these 100page books, especially the horror titles!

The black and white magazines from the 1970s are treasures that should be on every comic book collectors list. The artwork is typically phenomenal, and the stories cool as well. One of the best of these without doubt is The Savage Sword of Conan! Each magazine is filled with stories from the barbarian and his adventures. Whether he faces a wizard, a monster, or an army, Conan will prevail!

The mags almost always have extras in them as well. In this particular issue, you’ll see a frontispiece by the terribly underrated Keith Pollard and a pin-up by Gene Day! Also, sandwiched between two tales of the Cimmerian, you get a story called “The Kozaks Ride” by Fred Blosser and some illustrations by “Marvel’s finest.” The other two stories were adapted by Roy Thomas!

The first tale, “The City of Skulls,” was a story written by L. Sprague de Camp and Lin Carter. These two sci-fi writers have a ton of credits and were obviously huge fans of Robert E. Howard! The artwork is by Mike Vosburg and Alfredo Alcala. The second story, “Wolves Beyond the Border” was written by Robert E. Howard and L. Sprague de Camp.The artwork in this story is by Ernie Chan.

Now, you may be wondering how these other names came to write stories starring everyone’s favorite barbarian. Well, the truth is, many stories were written by others after Howard’s death in 1936. They were either new material using the characters created by Howard or sometimes old material that had not been completed yet by Howard himself. Throw in an incredible painted cover by Clyde Caldwell, and you have a masterpiece of fiction brought to you by Marvel Comics!

You know, Treasury Editions aside, there’s no better format than the Giant Size comic books of the 1970s. From Superheroes to horror, they were great, and really packed a wallop as far as content. Yeah a good portion of the time they were reprints, but in this day and age the original material they show is extremely pricey and every-day Joes just can’t afford them. Probably the most important editions of this title were in The Avengers, where it was new material and tied into a huge arc (The Celestial Madonna).

Instead of making a joke about a character that was also given the Giant Size treatment, let us journey into this book, Giant-Size Chillers 1, from 1975. With only two reprinted stories it showcases some oddities, traditional stories, and some definite re-hashed work as well. With work from Tony Isabella, Gene Colan, Tom Palmer, Carl Wessler, Alfredo Alcala, Larry Lieber, Miguel Ripoll Guadayol, Doug Moench, Win Mortimer, Ralph Alphonso, Adolfo Buylla, Paul Reinman, Dave Gibbons, Dick Ayers, Mike Lombo, George Roussos, Mike Esposito, and John Romita.

The character Man-Thing is not only one of the best from the Bronze Age, but also for all time in the horror genre. Yes, the Heap predates him (also another character called “IT” from the pulp era in a sci-fi story by Theodore Sturgeon predates The Heap) but his staying power wasn’t so great for one reason or another. Manny has been around since the early 1970s, and still going to this day. A lot of horror characters (other than the public domain ones), fizzled out and all but disappeared after the Bronze Age came to a close, but not Man-Thing. One of the reasons is because he had great creators behind him virtually all of the time.

You may ask yourself, what does a wizard, a viking, a barbarian, a high school full of kids, and a duck have in common? Nothing, and that’s the sheer brilliance of Steve Gerber (writer, both issues, the Man-Thing stories plus Howard the Duck). He can take these random things and deliver a great story using a swamp monster that can’t even speak. On the surface, most Man-Thing stories just appear as action/adventure stories, but there is usually an underlying message that is/was very relevant.

The artwork in these two books is nothing short of excellent. In issue three, you get Alfredo Alcala (pencils/inks), Petra Goldberg (colors), and Marcos Pelayo (letters) on the interiors. The cover is by Gil Kane (pencils) and Klaus Janson (inks, with alterations by John Romita). There are two back-ups that feature work by Paul Reinman, Don Heck, Dick Ayers, and Jack “King” Kirby!

The following issue contains more incredible work, starting with an amazing cover by Frank Brunner! Ed Hannigan, Ron Wilson, Frank Springer, Phil Rachelson, Tom Orzechowski, round out the creative team, and a back-up story by Gerber and Brunner to top it all off!

Back so soon? And for more fright I see…well, lets see if some DC comics can do the trick! Their horror titles in the 1970’s were awesome, and anthologies like The Witching Hour! were right at the top. Out of all the DC horror titles I own, this is the one that I own the most issues of, and that is a good thing. Top to bottom the series had the standard fair of the times, but always slanted towards the side of death. Whether it was supernatural (as it was most of the time), or just your garden variety psychopath, the book delivered. Oh, and skulls are a major cover theme!

One of the things that made this title a winner was the huge names that graced the credits early on, but let us not pass over the great group of artists from foreign countries that made a huge breakthrough in this decade. The most prominent cover artist of this title in the books you’ll see here, is Luis Dominguez. You do get a couple from the always awesome Nick Cardy as well, and even one by Ernie Chan. The interiors were a mixed bag for the most part but were always solid. You get names like Ruben Yandoc, Rico Rival, E. R. Cruz, Ricardo Villamonte, Nestor and Frank Redondo, Dick Ayers, Chic Stone, Gerry Talaoc, Alfredo Alcala, Curt Swan, and more!