To date, I’ve read 96 books in 2016, which is up from the 87 I read last year. Since you’ve already called me a nerd in your head, please allow me to further strengthen the case. Those 96 books add up to 37,872 pages, myriad reading devices, and two dried out eyeballs. I also managed to get engaged, help build a website at my day gig, edit and shop a novel, and feed and bath myself.

While I’m troubled by the direction the United States and the world are headed in, I’m just as confident that art and literature will continue to inform, illuminate, and ignite a global citizenship that needs to be more engaged and educated than ever before.

Without further adieu, enjoy the 30 best books of 2016. Feel free to share your favorites in the comments section, on our Facebook page, or tweet us @WritersBone.

There was a lot to love about Louie Cronin’s debut novel. Cranky radio personalities, quirky Cambridge denizens, awkward love triangles, and jazz on vinyl all made Everyone Loves You Back one of the most fun reads of 2016.

I’ve said it before, and I’ll say it again: Hannah Duston is a badass! Author Jay Atkinson’s passionate retelling of her story offers a glimpse of early American life and the steely resolve women needed (and still need) to brave the New World.

Matthew Hefti’s main character is writing a letter to a lifelong friend, but he could have easily been writing a letter to the ongoing conflicts the United States has been involved in since 2001. Hefti is a talent to watch, and he delivers a heartfelt and moving debut.

This remains one of the best lines I’ve read this year: “We’re all here for one thing,” Eli says to Jack, “to find a live connection and hold onto it until it bucks us off.” Well done, W.B. Belcher. (Killer cover too!)

During a “Friday Morning Coffee” episode earlier this year, author Richard Dalglish implored writers not to forget about craftsmanship. There’s no finer example of craftsmanship than Zadie Smith’s new novel Swing Time. Smith asks big, important questions, and I hope that readers debate the answers throughout the new year.

I don’t think Matthew Norman’s main character Andy Carter truly recovers from getting dumping at an Applebee’s (and, really, who would?), but it’s fun watching him try to cobble his life back together. Midwestern sensibilities have never been so hilarious.

Nick Mainieri’s debut features two of my favorite characters from 2016. Jonah McBee and Luz Hidalgo’s fervent and turbulent relationship sets off a chain of events that leads to an unexpected conclusion. The Infinite is one of the best debuts I’ve ever read.

The Most Famous Writer Who Ever Lived is essential reading for aspiring authors and journalists. Tom Shroder explores his Pulitzer Prize-winning grandfather’s life while also recounting his own writing career. The passionately researched narrative will fill up your creative tank.

The more I learn about Tim Murphy and his work, the more I like him. His effortless nonlinear storytelling in Christodora perfectly complements his damaged, but tenacious, characters and his exploration of the AIDs epidemic. It’s a gut-wrenching read, but a necessary one.

Sonya Chung puts her characters through hell throughout her sophomore novel. Their responses to tragedy and inner demons don’t make them the best human beings at times, but you’ll easily fall in love with them despite their myriad flaws. The Loved Ones also features one of the most haunting and beautifully sad farewells you’ll ever read.

Disappearance at Devil's Rock scared the bejesus out of me. Top-notch suspense. Paul Tremblay also experiments with his prose by featuring text conversations, fragments of diaries, and police interview transcripts.

Joe Hill’s brand of apocalyptic fiction ranks alongside Emily St. John Mandel’s Station Eleven and José Saramago’s Death With Interruptions. Much like those works, The Fireman features a harrowing (and down right sexy) epidemic, a sense of humor, and characters you wouldn’t mind spending damnation with. Hill is one of fiction’s best world builders, and his enthusiasm for the craft of writing is infectious. (His live readings also tend to feature kazoos!)

Considering that Nathan Hill’s debut novel tops many year-end book lists, The Nix is arguably ranked too low here. That’s a testament to the quality of fiction we read in 2016. The Nix is a compulsive read that, at times, gets weighted down by some of its pop culture and societal critiques. However, since 2016 proved to be a bitch of a year culturally and politically, I’d much rather have too much of Hill’s wit rather than not enough.

Louisa proved to be a very welcome and refreshing look at Revolutionary War-era America. Louisa Thomas explored the life of Louisa Adams, our first foreign-born First Lady. While Mrs. Adams does spend a good chunk of time recovering from or feigning illness, she proves more than a match for her surly, ambitious, and misunderstood husband (everyone’s favorite dinner guest, John Quincy Adams).

If “The Wire” had decided to spend a whole season devoted to a road trip with Bodie, Wallace, Poot, and D’Angelo Barksdale, I imagine it would have resembled something close to what Bill Beverly crafted in Dodgers. It’s a thriller with real heart and muscle, thanks in large part to its conflicted main character East. The opening chapters are written as if they were fired from a gun, and set the tone for the rest of the novel’s coming of age journey.

The Kennedys have been dissected ad nauseam, however, Larry Tye finds a fresh angle to examine the life of Robert Kennedy. Tye follows John F. Kennedy’s younger brother’s astounding political transformation from his days working as a lawyer under Senator Joe McCarthy to his tragic campaign for President in 1968. Bobby Kennedy is unsparing and objective, but also gives RFK aficionados plenty of new reasons to admire their hero.

Matthew Gallagher’s novel Youngblood is right up there with Elliot Ackerman’s Green on Blue, Ross Ritchell’s The Knife, Ben Fountain’s Billy Lynn’s Halftime Walk, Kevin Powers’ The Yellow Birds, and the aforementioned A Hard and Heavy Thing. Essential reading for anyone trying to make sense of our foreign policy and understand the men and women who execute it.

Kristopher Jansma’s prologue, interlude, and epilogue are the most beautiful words ever written about New York City. His prologue in particular captures everything I feel about the city I’ve loved since childhood. This novel is a must read for anyone that’s been ensorcelled by the Big Apple’s many temptations.

It’s nice to know that the creators of one of the best sitcoms of all time were as eccentric as the characters many of us have come to love. Jennifer Keishin Armstrong discovers one great story after another about “Seinfeld” and its writers’ room. She also lovingly investigates the show’s curious, quirky fans who have kept it relevant well past its final episode. Seinfeldia is a breezy, energetic read that will have you binge-watching the show on Hulu by the time you’re finished. Not that there’s anything wrong with that.

Ben H. Winters is the master of dystopian fiction, and he outdoes himself with Underground Airlines. In the novel, the Civil War never happened, slavery still exists, and a slave catcher desperate to repress and erase his past takes on an assignment that threatens to crack his carefully manufactured persona. This book is an absolutely thrilling and original tale that should shake a few assumptions of your own.

During a recent podcast interview author Jade Chang advised aspiring authors “to be ambitious.” Anyone who has read her debut novel The Wangs vs. the World knows how wonderfully ambition can pay off. Chang reinvigorates the immigrant narrative through the eyes of Charles Wang and his hilariously flawed family. Like many of the novels on this list, The Wangs vs. the World stress tests and critiques all of the tenets of the American Dream, but does so with an abundance of mirth and cynical optimism.

What a pleasure it was to revisit Sully and all of the misfits that live in North Bath, Maine. Richard Russo is one of my literary heroes, and he didn’t disappoint with this follow up to the classic Nobody’s Fool.

Megan Abbott’s novel should have been titled, You Will Hold Your Breath The Whole Time. I barely survived reading this incredibly tense and finely crafted mystery; I can’t imagine what it was like writing it. She has more than earned the “maestro of the heebie-jeebies” distinction from The New York Times.

The Underground Railroad is why fiction exists. The novel serves as a brutal reminder of the past and a cautionary tale for how easily we can slip into easy violence, subjugation, and intolerance. Colson Whitehead has established himself as one of the great voices in fiction.

Taylor Brown’s achingly beautiful debut established itself as my favorite book of 2016 way back in August 2015 (I read an advanced copy leading up to its January 2016 pub date). It took two special novels to knock it off the top spot. After going back and rereading a few chapters while preparing this list, I was reminded of what made the book such a joy to read: hearty prose, snappy and spare dialogue, earthy characters, and a hard driving plot.

Viet Thanh Nguyen’s Pulitzer Prize-winning novel is great from the first line: “I am a spy, a sleeper, a spook, a man of two faces.” Nguyen crafts a timely, gritty tale that lives in the past, but has an eye on our uncertain future.

We met a lot of memorable characters this year, but there was only one Frank. Be Frank With Me is an unforgettable debut that everyone should read. (And, according to the author, the paperback edition can easily fit in a stocking!)

Honorable Mention

Any of these books could have been added to the top 30. I wrestled with this list for days. I'm just grateful that I got to read so many great novels and nonfiction titles this year! Give plenty of love to these authors’ books as well!

Valiant Ambition by Nathaniel Philbrick, Whatever Happened to Interracial Love? by Kathleen Collins, Perfect Days by Raphael Montes, Thanks for the Trouble by Tommy Wallach, Seven Sins by Karen Runge, A Single Happened Thing by Daniel Paisner, The Last Days of Magic by Marc Thompkins, The Duration by Dave Fromm, The Girls by Emma Cline, An Honorable Man by Paul Vidich, The Far Empty by J. Todd Scott, Come Twilight by Tyler Dilts, The Unseen World by Liz Moore, Nefarious Twit by Tony McMillen, The Point Is by Lee Eisenberg, and Born to Run by Bruce Springsteen

Every month, the Writer’s Bone crew reviews or previews books we've read or want to read. This series may or may not also serve as a confessional for guilty pleasures and hipster novels only the brave would attempt. Feel free to share your own suggestions in the comments section or tweet us @WritersBone.

Daniel Ford: Jade Chang’s debut novel, The Wangs vs. The World, crackles with angsty verve, frustration, and familial crisis. The Wang family is incredibly dysfunctional, but also fervently proud and wondrously entertaining. Patriarch Charles Wang’s delusions of reclaiming ancestral lands in China, which exacerbate after losing his cosmetic empire, set the story in motion, and events quickly envelop his unsuspecting, and somewhat damaged, children. A tragically comedic family road trip ensues, offering one cringe-worthy humiliation after another. Chang brilliantly shifts perspectives between the main characters—including the car Charles repossesses from his hired help!—and doesn’t let the narrative let up for a moment.

While the plot and tone certainly make for exciting reading, what distinguishes The Wangs vs. The World is its truly unforgettable characters. One can’t help but love the self-made (and self-destroyed) Charles, his successful, yet recently disgraced, eldest daughter Saina (whose Upstate New York house the family is fleeing to), and his youngest daughter grace, a financially needy social media star. However, for me, Andrew, the lone Wang son, stole the spotlight. He’s unfailingly earnest and sweet, even when he’s bombing on stage trying to get his stand-up comedy career off the ground. To be sure, each of them faces issues that are serious and potentially ruinous, but the Wangs also make you laugh out loud while you watch them burn their lives to the ground.

In The Wangs vs. The World, Chang explores many of the themes you’ll find in the other novels we recommend this month—family bonds, the struggle with the American dream, the immigrant experience, wealth, financial ruin, and race—but does so with an unparalleled joie de vivre. This novel is landing on a lot of “Best Of” lists for 2016, and deservedly so. Don’t miss out on one of the most fun reads of the year!

Daniel: I picked up Nick Mainieri’s stellar debut novel The Infinite thinking I’d only read a few chapters to get a feel for his work so that I was prepared for my interview with him. I ended up racing through 100 pages, and only put the book down because my eyes had dried out, my hands were cramped, and morning was rapidly approaching outside my window.

The Infinite’s star-crossed teenage lovers, the unflinchingly loyal Jonah McBee and Luz Hidalgo, an illegal immigrant trying to outpace her “ghost runner,” are two of my favorite characters from 2016. Jonah attempts to hold everything in his life together with baling wire and a dream, while Luz struggles to find acceptance both in New Orleans and across the border in Mexico. When an unexpected pregnancy tears their relationship apart, Luz and Jonah travel paths that converge, but never really intertwine as tightly as during their charmed beginning. Luz’s experiences in particular are jarring and violent, ending in a place far different than you might imagine.

That’s the other hallmark of Mainieri’s freshman novel. It is a constant surprise that never feels overburdened with red herrings or unnecessary plot devices. John Irving once remarked that good writers shouldn’t indulge in twists and turns that the reader doesn’t see coming. He said the most effective literary surprises are those the reader will look back on and think, “Oh, yeah, that makes sense.” That logic is exactly what Mainieri expertly deploys in The Infinite. Jonah and Luz’s fates feel earned and appropriate.

I had to keep reminding myself that this was a debut novel. Much like Taylor Brown’s Fallen Land, Julia Claiborne Johnson’s Be Frank With Me, and M.O. Walsh’s My Sunshine Away, The Infinite reads like it’s penned from a well known master storyteller. Mainieri deftly explores post-Hurricane Katrina New Orleans and a drug war-addled Mexico in pursuit of discovering the true natures of his main characters. I very much look forward to what Mainieri does next.

Adam Vitcavage: Kathleen Collins might not be a name you recognize. She was a playwright, filmmaker, writer, and an African-American civil rights activist who died in her forties in 1988. So why is this 27-year-old white guy, whose life never overlapped with the author’s, writing about her? A collection of her stories called Whatever Happened to Interracial Love? knocked me on my ass, that's why. Her sixteen stories offer poignant insight into everyday life for African-Americans in the ‘70s and ‘80s. Collins earnestly invites readers into intimate stories like they were lifelong bosom buddies. The ease of the author’s writing balances the explosive content filling the collection, and while these stories are decades old, their themes are more relevant than ever at the close of one of the most racially turbulent years in modern history.

Daniel: Sonya Chung’s The Loved Ones is a compulsive read that is exquisitely structured. The novel’s crunchy, broken characters tell a mutigenerational immigrant saga, a mixed race family struggle, and a coming-of-age tale all at once. Chung juggles these multiple perspectives and cultures with ease, and allows her themes to unfurl deliberately throughout a narrative that’s set primarily in Washington D.C. during the mid-1980s and early 1990s.

You can’t help rooting for Chung's characters despite some of their actions. Charles Lee, the African American patriarch whose father abandoned him, tries to do right by his family while also fighting against his inner demons and an increasingly distant wife. Hannah Lee, the teenage daughter of Korean immigrants who were shunned by their own family for falling in love, uncertainly steps into adulthood and becomes tragically intertwined with Charles’ family. Hannah’s parents silently internalize being ostracized, while also stubbornly clinging to their once forbidden love. Charles’ daughter Veda anchors the novel’s final act, coming into her own without being hurt too much by her family’s dysfunction.

A death early on in the novel sets all of these threads in motion, and sends Chung’s main characters in various, and often times opposite, directions. The second half of The Loved Ones is a fascinating exploration of grief and self-discovery that pairs so well with the author’s heartfelt prose and poignant dialogue. The resolution to Hannah Lee’s parent’s story, in particular, is one of the most moving scenes I’ve read in fiction this year. I’m getting dusty in Writer’s Bone HQ just thinking about it.

Chung’s voice isn’t just a welcome one in the literary world; it’s a necessary one as we try to make sense of our increasingly uncertain future.

Daniel: I would pay good money to write like Zadie Smith. There’s real craftsmanship behind her prose, dialogue, and characters, and she asks big questions without beating you over the head them. Her exploration of a lifelong friendship touches on myriad themes that could easily be extrapolated into individual novels. Race, class, philanthropy, politics, family, friendship, companionship, globalism, identity, wealth, poverty, fame, commercialism, and art are all issues that are examined through her ever-evolving narrator’s eyes.

Swing Time lives up to its name, swaying effortlessly through multiple decades of the main character’s life and cities and villages around the world. However, with the exception of a scandal hinted at in the prologue, there’s nothing that necessarily propels the narrative forward; you’ve got to completely buy into a character study that, as a Kansas City Star reviewer pointed out, lacks a certain mirth at times. Rather than a weakness, I think that Smith’s straightforward, unadorned style is a strength; she’s much more interested in her characters’ search for joy than whatever cheap thrill one might feel when watching a performance of “Guys and Dolls” or a Fred Astaire film.

Swing Time will certainly inspire discussion and debate between readers, and I imagine those conversations will intensify once the novel is brought to the small screen.

Daniel: There's something Paul Auster-like about Jonathan Baumbach's new short story collection The Pavilion of Former Wives. You may not always be able to figure out what’s real and what’s imagined in his characters’ lives, but you will appreciate the author’s determined pursuit of universal truths. Baumbach utilizes tough, but tender, dialogue, and provocative prose to explore the nature of relationships. This collection features a man who gets to re-live some of the most sorrowful moments of his life, a relationship purely defined by emails, a man who loses his parked car (!), and, my personal favorite, a stranded poet who meets a troubled woman at a train station. The Pavilion of Former Wives, much like Kelly Link’s Get in Trouble, finds the humanity in oddball stories that will haunt you well after you put them down.

Daniel: I’ve been reading Lee Child’s work since my college roommate put Killing Floor in my hands more years ago than I’m willing to admit. It was a pleasure being the audience while Child discussed Jack Reacher and his approach to writing with Stephen King last year at Harvard. It was even cooler hearing Child’s passion for his character and future plans during his appearance on “Friday Morning Coffee” with Sean Tuohy. We recommend a lot of weighty fiction, particularly this month, but it’s important to remember that reading should also be fun. There’s no better literary palate cleanser than a Jack Reacher adventure, and Night School is no exception. It’s pure escapism that will remind you why you started reading in the first place.

Author's Corner

Dive into the pages of Margaret Atwood’s recently published Hag-Seed and suddenly find yourself caught up in a play within a novel within the retelling of another play. Part of Hogarth’s new series where contemporary authors were asked to reinterpret several of the Bard’s texts in a modern day setting, The Tempest is the tossed landscape here. Atwood’s task was considerable and the resulting novel is as touching and beautifully orchestrated as are the magical works of Prospero himself.

Truman Capote’s haunting coming of age novel Other Voices, Other Rooms is exquisitely crafted and filled with fluttering, unforgettable characters clinging to a lazy, long ago South, as seen through the eyes of a young boy. If you haven’t read Capote’s explosive debut before or lately, the Master awaits.

The Goldfinch certainly takes its time, but anyone familiar with Donna Tartt knows there is no rush when she’s telling the story. While the novel winds mostly around a shadow-struck Manhattan, it also feels lush and richly told as our hero navigates his Salinger-esque way through the sudden loss of his mother and the uncertainty of what else could possibly happen afterward.