In 1709 (or was it 1710?) the Statute of Anne created the first purpose-built copyright law. This blog, founded just 300 short and unextended years later, is dedicated to all things copyright, warts and all. To contact the 1709 Blog, email Eleonora at eleonorarosati[at]gmail.com

Wednesday, 9 May 2012

Willis wins reversion of copyrights in YMCA case

In
a court ruling which has significant implications for the music industry, a
Californian judge has dismissed a suit by two song publishing companies aimed
at preventing Victor Willis, former lead singer of The Village People, from
exercising his right to reclaim ownership of YMCA and a number of other massive
Village People hits he wrote and co-wrote in the 1970s. The right to reclaim arose when the
Copyright Act amendments went into effect in 1978 and it meant that songwriters
could terminate copyright grants to publishers and record labels 35 years
later. If they were to do so, however, they need to send their termination
notices not fewer than two or more than 10 years from the intended termination
date. The floodgates have opened! But Willis met with resistance from music
publishers Scorpio Music and Can’t Stop Productions who countered by arguing (a)
that Mr. Willis had no legal standing to reclaim the song’s copyrights because
he had “no right, title or interest in the copyright” as the songs had been created
under the provisions of a “works for hire” relationship – in effect Willis and
his co-writers were employees of the companies that managed the group and (b) also
further arguing that Willis could not reclaim his share of the song because a
majority of the other copyright holders had not agreed. It was on the latter
point that the court made it’s decision.

Chief
Judge Barry T. Moskowitz in the Federal District Court in Los Angeles rejected
the song publishers’ claim that Mr. Willis was not eligible to reclaim his
share of ownership of “YMCA” whose
lyrics he wrote, and 32 other songs recorded by the Village People saying “The
purpose of the Act was to safeguard authors against unremunerative transfers
and address the unequal bargaining position of authors, resulting in part from
the impossibility of determining a work’s value until it has been exploited ” adding
in his 10-page ruling “under plaintiffs’ interpretation, it would be more
difficult to terminate an individual grant than it would be to make it in the
first place” and Judge Moskowitz added "It would be
contrary to the purpose of the [Copyright] Act to require a majority of all joint
authors who had, at various times, transferred their copyright interests in a
joint work to terminate the legally permissible separate grant by one joint
author of his undivided copyright interest in the work”.

Willis’
attorney, Brian Caplan is quoted as saying “This is the first case that’s
interpreting the statute that deals with termination rights .... the
significance of the ruling is that one author who gives a grant to a publishing
company has the right to recapture the copyright interest he created 35 years
ago regardless of what other co-authors do or don’t do, and that the author
gets back that which he created regardless of the income stream he agreed to
over 35 years ago.”

Interestingly,
the issue of whether the songs were created as ‘works for hire’ remains undecided
as the claimants withdrew that claim.

Mr.
Willis’s has now regained (partial) ownership not just of “YMCA” but also of other hits, including “In the Navy” and “Go West”
and said in a written statement “I’m extremely pleased with the court’s
determination” adding “And I look
forward to controlling my copyright interests in 2013, as the law provides.”

Other
acts including Bob Dylan, Tim Waits, Bryan Adams, Bruce Springsteen, Billy
Joel, Kenny Rogers, The Doobie Brothers, Fleetwood Mac and Tom Petty are said
to be similarly asking for the revision of both song writing and recording
copyrights.

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