FILM, TELEVISION + MUSIC

I often struggle with picking a definitive list of my favorite movies, but on today, here’s the shortlist: Silence of the Lambs, The Godfather, and Coming to America. I could easily write an argument for the greatness of Silence of the Lambs or The Godfather, but the clear underdog in my top-three is Coming to America. This is completely unfair, however, and thus why I want to discuss why Coming to America is an undeniable masterpiece that doesn’t get nearly enough credit.

Love Jones debuted in theaters on March 14, 1997, in the midst of what I’d argue is a peak in Black cinema. Although this renaissance arguably begins as far back as the late-1980s, the Black romance films of the mid-1990s introduce this extremely wild concept of young, successful, upwardly-mobile African-Americans having the same love issues as, you know, everybody else.