1. “Legends of the Fall” (1992) – Edward Zwick directed this dull and overrated adaptaion of Jim Harrison’s 1979 novella about the lives of a Montana ranching family during the early 20th century. Brad Pitt and Anthony Hopkins starred.

2. “Barbary Coast” (1935) – Howard Hawks directed this turgid tale about an Eastern woman who arrives in San Francisco during the Gold Rush and comes between a corrupt gambler/saloon keeper and a miner. Miriam Hopkins, Edward G. Robinson and Joel McCrea starred.

5. “Becky Sharp” (1935) – Miriam Hopkins earned a surprising Best Actress nomination (surprising to me) in this unsatisfying adaptation of William Makepeace Thackery’s 1847-48 novel, “Vanity Fair”. Directed by Rouben Mamoulian, the movie is known as being the first full-length production in Technicolor.

6. “Gods and Generals” (2003) – Stephen Lang, Jeff Daniels and Robert Duvall starred in this adaptation of Jeff Shaara’s 1996 Civil War novel and prequel to the much superior 1993 movie, “Gettysburg”. Ronald Maxwell directed.

7. “The Hindenburg” (1975) – Robert Wise directed this rather dull account of the Hindenburg air disaster. The movie starred George C. Scott and Anne Bancroft.

9. “Glorious 39” (2009) – Stephen Poliakoff directed this slow and pretentious thriller about a young woman who discovers that her family are pro-appreasers who wish for Britain to seek peace with Nazi Germany on the eve of World War II. Romola Garai starred.

Recently, I noticed there were a good number of television productions in both North America and Great Britain, set during the 18th century. In fact, I managed to count at least six productions. Astounded by this recent interest in that particular century, I decided to list them below in alphabetical order:

THE 18TH CENTURY IN TELEVISION

1. “Banished” (BBC TWO) – I do not whether this is a miniseries or regular series, but it is basically about a penal colony in New South Wales, Australia; where British convicts and their Royal Navy marine guards and officers live. Russell Tovey, Julian Rhind-Tutt, and MyAnna Buring star.

3. “Book of Negroes” (CBC/BET) – This six-part miniseries is an adaptation of Lawrence Hill historical novel about a West African girl who is sold into slavery around the time of the American Revolution and her life experiences in the United States and Canada. Aunjanue Ellis, Lyriq Bent and Cuba Gooding, Jr. star.

4. “Outlander” (STARZ) – This series is an adaptation of Diana Gabaldon’s “Outlander” book series about a 1940s woman who ends up traveling back in time to 18th century Scotland. Caitriona Balfe, Sam Heughan and Tobias Menzies star.

5. “Poldark” (BBC ONE) – Aidan Turner and Elizabeth Tomlinson star in this new television adaptation of Winston Graham’s book series about a former British Army officer who returns home to Cornwall after three years fighting in the American Revolution.

6. “Sons of Liberty” (HISTORY Channel) – Ben Barnes, Rafe Spall and Henry Thomas starred in this three-part miniseries about the Sons of Liberty political group and the beginning of the American Revolution.

7. “Turn: Washington’s Spies” (AMC) – Jamie Bell stars in this series about a pro-American spy ring operating on behalf of General George Washington during the American Revolution.

Four years ago, Assaf Bernstein directed a movie about three retired Mossad agents confronted by a challenge from their past in a movie called “THE DEBT”. Just recently, John Madden directed a remake of this movie with the same title. Although originally intended for a December 2010 release date, the movie was finally released at the end of August.

This new version of “THE DEBT” The espionage thriller began in 1997, when two retired Mossad agents, Rachel as shocking news reaches retired Mossad secret agents Rachel Singer and Stefan Gold have received shocking news about their former colleague David Peretz. All three have been celebrated by Israel for thirty-one years for successfully tracking down a Nazi war criminal named Dieter Vogel back in 1965-55 in East Berlin. However, the reactions of both Rachel and Stefan and several flashbacks questioned whether or not if the team’s mission was accomplished.

I have never seen the 2007 version. Which means there is no way I could compare this new version to the older one. But I could say this about “THE DEBT” . . . I thought it was one of the best movies I had seen this past summer. In fact, I thought it was one of the best movies I have seen this year. “THE DEBT” is a superb thriller about a dangerous mission to capture a Nazi war criminal – a mission that led to a labyrinth of lies, guilt, regrets and a desire to correct a mistake. The sequences set in Israel and Russia of the late 1990s and in flashback sequences, 1965-66 East Berlin. The three protagonists in the film proved to be a complicated trio, haunted by not only the Holocaust, but also their personal demons and desires.

The central figure in the story is Rachel Singer, a former Mossad agent who gave up her career when she became pregnant with her only child. Rachel spends the years 1965 to 1997 being caught between two men – the team’s charismatic and womanizing leader, Stefan Gold; and the quiet and intense David Peretz. Both of them became attracted to her. But whereas Stefan viewed Rachel as a brief romance, David began falling in love with her. Rachel felt the same, but turned to Stefan for a one night stand – an act that ended up having major consequences in the relationship between the trio. In a very intense and well directed sequence, the agents finally managed to capture Vogel. But a bad encounter with East German guards at the Wollankstraße Station forced them to take Vogel back to their safe house and guard him, until they can find another way to get him to Israel. What followed was a deliciously acted cat-and-mouse game between manipulative Vogel and his three captors. The shocks and tensions continued, once the story shifted permanently to 1997. In that time frame, Rachel was forced to travel to Russia and clean up a mess caused by the major secret created by the three colleagues back in 1966. I wish I could give away the story, but to do so would give away the plot twists. All I can say is that one of the best aspects of this movie are the plot twists.

The acting was superb. Jesper Christensen, who had impressed me in the last two James Bond movies, was even more fascinating in his subtle performance as the ruthless, yet manipulative Dieter Vogel. Both Tom Wilkinson and Ciarán Hinds gave solid performances as the older Stefan and David. But the real star of the 1997 sequences was Helen Mirren, who was wonderful as an older Rachel, who believed that she had finally put the past behind her. She also proved that one could still be a first-rate female action star at the age of 65/66. If Helen Mirren was the star of the 1997 sequences, the real stars of the entire movie were Jessica Chastain, Sam Worthington and Marton Csokas. In my review of 2010’s “MURDER ON THE ORIENT EXPRESS”, I had not been kind to Chastain’s performance in that movie. A lot of my criticism had to do with how her character was written. But I must admit that she was superb as the younger Rachel, who found herself caught up not only in a deadly mission with a dangerous adversary; but also in an emotionally confusing situation between two men. Cskokas gave an enlightening performance as the colorful and commanding Stefan, whose extroverted facade hid an ambitious drive that made him willing to do anything to maintain his career. It was good to see Sam Worthington in a first-rate role after nearly two years. His portrayal of David Peretz was probably the most intense in the entire episode. Worthington did a superb job of conveying not only David’s quietly expressed desire for Rachel, but also his reluctance to get emotionally involved with others following the loss of his entire family during the Holocaust.

If “THE DEBT” had one flaw – at least for me, it was the ending. I have to be honest. I usually do not mind if a movie ends on an ambiguous or vague note . . . as long as it works. For me, such an ending worked for the 2010 movie, “INCEPTION”. The vague note on which “THE DEBT” ended, failed to work for me. It simply did not feel right and I had the suspicion that either Madden or screenwriters Matthew Vaughn, Kris Thykier, Eduardo Rossoff were trying to be just a little too artistic. And “THE DEBT” struck me as the type of story that did not need an ambiguous ending of that kind.

Despite the movie’s unnecessarily vague ending, I must admit that I truly enjoyed “THE DEBT”. It had an exciting and fascinating story that was served well by the screenwriters, director John Madden and a superb cast led by Helen Mirren and Sam Worthington. As I had stated earlier, it became one of my favorite movies of both the summer and of this year so far.