Welcome to The Hartford Recording Studio, a world-class audio production facility located in Downtown Hartford, Connecticut. Offering the highest Industry Quality Recording, Mixing, Mastering and Production in CT by our experienced team of Engineers and Producers. You can record with us or bring your sessions in and get them mixed and mastered. Our blend of State of the Art and Vintage Equipment gives you the best of both worlds with the Accuracy and Control of Digital and the Warmth and Feel of Analog setups. Performance Recordings, Vocal Over Dubbing for film, Music Production/ Engineering Lessons, Song Writing, Pitch Correction, Vocal Alignment, Mixing, Mastering and even Cd Duplication. If it has to do with Audio and Recording... We Can Help. Our State of the Art Studios are in a Prime Location and has been the Go-to Studio in the area for more than 15 years. Contact Us Today and Give Your Project The Sound it deserves.

Phil Tan's work has appeared on albums and singles that have sold in excess of a staggering 150 million in the US alone. He specialises in R&B and hip-hop, and his credits include Usher, Snoop Dogg, the Neptunes, Fergie, Ne-Yo, Nelly, Ludacris, Destiny's Child, Gwen Stefani, Mariah Carey, Alicia Keys, Janet Jackson, Busta Rhymes, Aretha Franklin, Elton John, Cee-Lo, Toni Braxton, Run DMC and many, many more. In November 2006, when this interview took place, 16 songs mixed by him featured in the US Billboard Hot 100 & Hot R&B/Hip-Hop Songs chart, and 23 albums containing his mixes were in the Billboard 200 album chart

Get comfortable and settle in for some serious advice from the fantastic Greg Wells on the back of his recent week-long recording seminar at La Fabrique Studios in France for Mix With The Masters. Greg knows a thing or two about being versatile — he's produced and written with an extraordinary range of artists including Adele, Rufus Wainwright, Keith Urban, Weezer, Pink, Deftones, Elton John and the Count Basie Orchestra.

Streaming overtakes sales for the first time as the leading driver of revenue for the U.S. recorded music business.

It looks like happy days are here again: U.S. recorded music sales were up 11.4 percent in 2016. The industry brought in $7.65 billion in revenue, according to the RIAA, up from $6.87 million in 2015. Although the music business showed signs of a recovery at the half-year mark, the 2016 year-end results show more significant growth, led by streaming revenue.