Monday, November 26th, 2012

This month’s State of the Thing, LibraryThing’s monthly newsletter of features, author interviews and various forms of bookish delight, should have made its way to your inbox by now. You can also read it online. It includes a reminder about SantaThing (signups continue through November 29, so head right over to the SantaThing page to join the fun!), as well as author interviews with Jon Ronson, Nancy Marie Brown, Jon Meacham, and Christopher Bonanos.

For those who haven’t had a chance to read it yet, give us the nutshell version of Lost at Sea. What’s the thread that ties these twenty-two short pieces together?

These are funny, sad stories about people lost at sea, trying to make their way through the world. Sometimes they reach for crazy ideas to get them through, sometimes horrifying ideas, sometimes silly ideas, sometimes even inspiring ideas. I see this as an empathetic book about people spiraling out of control.

They sometimes feel like adventure stories. I get into some dangerous scrapes. Other times they feel like mystery stories: there are actual mysteries that need solving. Sometimes the mystery is, Why does this person believe this crazy stuff? Or, Why does this person act in this baffling way?

There’s a Christmas-themed town in Alaska where every day is Christmas and the kids have to be Santa’s elves. A bunch of them were recently arrested for being in the final stages of plotting a school shooting. There’s a real-life superhero who dresses in a supersuit of his making and breaks up gangs of armed crack dealers in the dead of night. I went along with him. It was terrifying. There’s a billionaire filtering her money into creating a robot version of her real-life partner that she’s convinced is about to burst into spontaneous life. I interviewed the robot. And so on.

How much follow-up do you do on your stories? Do you keep in touch with folks you’ve profiled? Once you’ve finished writing, do you move on to other projects?

I like to keep in touch—I’m never happier than when people from my stories appreciate how they’ve been portrayed. That doesn’t always happen. I’ve stayed in touch with maybe half the people in my books. Just today I corresponded with two of them: Phoenix Jones, the real-life superhero, and Mike Coriam, the father of Rebecca Coriam. Hers is the title story of the collection. Rebecca was a young woman who worked on the Disney Wonder, a cruise ship. She went missing on it one day—she just vanished. The Coriams have had no luck trying to find out what happened. They feel they’re hitting a brick wall. I went on a cruise on the ship to learn what I could.

If you could interview or profile one person you haven’t had the chance to talk to, who would it be? What would you want to ask?

Right now—and this is unusual for me, because I’m not so interested in writing about famous people—David Bowie. He seems to have retreated from the world. He’s barely been seen for six years. I would love to know why, and would like to ask him to reflect on his life.

What’s your home library like? What sorts of books would we find on your shelves?

My whole house is a library—my husband, Charles Fergus, is also a writer—so it depends which floor you are on. The basement holds our general fiction, poetry, fantasy, and science fiction collections. In my husband’s office is mostly nature and science. Upstairs is the general nonfiction collection and a small collection of children’s books and young adult novels, which I’m studying to learn how to write one. My office is taken over by Icelandic literature (both modern and medieval, in English and Icelandic) and books about Scandinavia, Vikings, folklore, medieval literature and scholarship, and travel (mostly to Iceland and northern Europe).

As part of your research process, you spent a night in Jefferson’s bedroom at Monticello. Can you tell us about that experience? What insights did you gain from being there that helped you understand the man better?

I was struck by the play of light in his rooms. The sun strikes his chambers first, and he always woke at first light—a sign of his constant engagement with the
world, and of his endless energy.

You write in the Epilogue about Jefferson’s legacy, and about how he has, over time, “provided inspiration for radically different understandings of government and culture.” What is it about the Founders in general, and perhaps Jefferson in particular, which has lent itself to such wide-ranging interpretations? What do you see as some of the most common misconceptions of Jefferson’s philosophy or positions today?

Jefferson represents the best of us and the worst of us—our highest aspirations and our most disappointing failures. It’s easy, then, to find ourselves in a kind of
conversation with him as we look to the past for inspiration and for instruction. I think the most stubborn misconception about him is that he was solely a man of ideas. My view is that he was at once a philosopher and a political realist.

If you had the chance to interview Jefferson, but could only ask a single question, what would it be?

How did this book come about? What first got you interested in the story of Polaroid?

I was always a Polaroid shooter, from my teenage years, when I got a secondhand camera. (A Model 900, from 1959, marked $5, bargained down to $3.) And when Polaroid film was discontinued for good in 2008, I wrote a little magazine story that led me to the story of the company’s rise and fall and rebirth, and Land and his extraordinary invention. You find a good story with an amazing central character, and if you’re a writer, you start to think “that’s a book.”

Tell us about your research process: what sources did you find most useful? What was the most surprising thing you learned?

Polaroid’s archive contains a few million documents and photos, and during the company’s bankruptcy, the whole pile went to Harvard Business School’s Baker Library. The person in charge of it, a librarian named Tim Mahoney, is going to spend his whole career on this one collection, it looks like, and the first tranche of it came open to researchers around the end of 2009. So in January 2010, I started logging a lot of time there. Also, the company’s museum collection (prototypes and such) went to the MIT Museum, where I also did quite a bit of digging. And then a lot of the extraordinarily smart people Land hired are still around, and I spoke to lots of them.

Surprising things I learned: Polaroid kept everything. EVERYTHING. In the company’s early days, Land had been involved in a patent dispute, and after that, each idea was disclosed, signed, witnessed, and dated. I’ll tell you, there’s nothing like those files when you’re trying to figure out how an invention got off the ground.

Another big surprise: Land made a point of hiring woman scientists, which was highly unusual back then. He was friends with an art-history professor at Smith College who would recommend his smartest students, and Land would scoop them up every year. A lot of them were, as you’d expect, art-history majors, and he’d send them off for some chemistry classes and build his own scientists that way. It was an end run around the usual pool of graduating talent, and it also made those women extremely loyal. A lot of them stayed at Polaroid for decades.

You’re something of a Polaroid enthusiast yourself, I understand? How long have you been using Polaroid cameras? Are you still using them today?

I started shooting as a kid, though that camera is no longer useful: it uses a film format that’s out of production. But I do carry another camera (Model 180, for the cultists) with me every day, and I try to shoot my son at least two or three times a week. I’ve been keeping an album since he was born, and I have to assume he’s one of the very last kids who will be documented that way. (I take plenty of digital photos of him, too, of course.)

Tuesday, November 20th, 2012

For every bookstore and library event added to LibraryThing Local from now until January 1 April 4, 2013, LibraryThing will donate up to 15 cents to put books in the hands of the needy.

Adding events is easier than ever. To add events go to LibraryThing Local and choose “Add event” there or under a specific venue (bookstore or library).

In addition to manually entering events, programmers can also use our new Add Events API (also see blog post) to add events by the hundreds. Go ahead, cost us millions.

Price list.

$0.15 Manually-added event with author and work touchstones$0.05 Manually-added event with no touchstones$0.04 Automatically-added event with working author and work touchstones$0.02 Automatically-added event without touchstones

We’re only going to count events added to real-world bookstores and libraries, and the events must be future events, not past ones. Events can be in any country.

What happens after January 1 April 4? We don’t know. If it’s a success, we’ll probably keep doing this.

Where Will The Money Go? We need to find a good place for the money to go, and ask for help finding one—or creating our own project from the ground up. Some projects that inspired us include:

Why we’re doing this. LibraryThing Local has been a success, but mostly as a way for members to mark and broadcast their favorite bookstores and libraries.

LibraryThing Local Events originally included some automatically-added events, especially a full event feed from Booksense/IndieBound, but IndieBound eventually decided to stop providing event feeds to sites like LibraryThing after booksellers complained that their events were being, yes, listed on the web. (Really.) Meanwhile, automatic feeds from some other sources foundered on the lack of a good way for members to filter out low-interest events, such as daily storytimes.

Meanwhile, LibraryThing has become a profitable company (clap, clap, clap). We’re not wildly profitable, and are spending most of our money on hiring new people, but I feel it’s important to give something back the moment we can do so. Staff and members have long wanted to help build a library in a poor country, or for a disadvantaged population. As someone said, “what you can do, you should do.” We can do this.

But if we’re going to do it, why not get members involved–improving the site for all and “buying into” the charitable project?

The Fine Print. Events added to LibraryThing Local, whether manually or using the Add Events API must be connected to a unique LibraryThing account and conform to the the LibraryThing Terms of Service. The addition of spurious, spam or any other non-events is not permitted, will not count and may result in the suspension of your LibraryThing account. If event quality suffers, we may have to adjust what qualifies. What events qualify is up to our sole and final discretion.

LibraryThing shall determine how the money will be spent, when and where. We are setting an initial, optional limit of $1,000 per member and $5,000 overall, just in case someone figures out how to add 500,000 events we didn’t know existed.

We reserve the right to modify the fine print at any time, and to cancel the program as well.

We are giving ourselves legal leeway here. We want no basis for getting sued. But if we scrooge this up, you are encouraged to excoriate us for it everywhere you can.

Monday, November 19th, 2012

We’ve been making some changes to how events are added and displayed in LibraryThing Local. The big change is a simplified way to add events: the old system, involving picking authors, picking books and characterizing the event (“X reads from Y”) is out, replaced by a simple description box, but with the ability to add touchstones, just like on Talk.

To add events, go to the venue page or just go to “Add event” http://www.librarything.com/local_add_v2.php

The goal is simplicity. The new interface requires less—some people will just paste descriptions in. But events are primarily about what’s going on near you, not finding out where in the country so-and-so is speaking next month. If you use touchstones, however, it creates the links and puts the events on the author’s LibraryThing page, which is handy.

Events added under the new system can also include a cover image (it will display the most popular cover of a work touchstoned in the event description):

And finally (though there’s more coming soon!), there’s now a way to filter out events you don’t want to see or aren’t interested in (by author, store, or keyword).

When you mouse over the event, clicking on the “x” leads you to a list of options. Basically, you can filter out the event, the venue, or any events with certain words in them (eg., “storytime”). You can set your event filters at http://www.librarything.com/editprofile/local (the “Local” option under “Edit profile and settings.”). Come discuss here.

The idea is simple. You pay into the SantaThing system (choose $15, $20, $25, $30, $35, or $40). You play Santa to a LibraryThing member we pick for you*, and choose books for them. Someone else (secret!) does the same for you. LibraryThing does the ordering, and you get the joy of giving AND receiving books!

You can sign up as many times as you like, for yourself or for someone else. If you sign up for someone without a LibraryThing account, make sure to mention what kinds of books they like, so their Secret Santa can choose wisely.

Even if you don’t want to be a Santa, you can help by suggesting books for others.

Important dates:

Sign-ups close Thursday, November 29 at 4pm Eastern time. Shortly afterwards, we will tell you who you are matched up with by sending a profile comment and you can start picking books.

Picking closes Thursday, December 6th at 12pm Eastern time. As soon as the picking ends, the ordering begins, and we’ll get all the books out to you as soon as we can. There’s no guarantee that we’ll have books to you by December 25th, but we’re going to do our best!

The details. Every year we tweak SantaThing a little. This year we’re thrilled to be able to involve Portland’s own Longfellow Books as one of the bookstore choices. We’ve also adjusted the payment levels given the demand from last year, adding $35 and $40 options and removing the little-used $10 option (it also proved very difficult to find a book that hit that price point well). Like last year, though, you choose to pay what you want: if you pick $15, for example, someone will pick $15 worth of books for you. Choose $30, and someone will pick $30 worth of books for you.

If you choose the $15, $20, or $25 options, you can choose to have your books picked and sent from Powell’s Books, Longfellow Books or BookDepository.com. Book Depository ships to the most number of countries (see the full list), but if you’re located outside the UK, they can’t promise that your books will arrive before Christmas.

If you select the $30, $35, or $40 options, you can choose from any of the options above in addition to Amazon.com or its national subsidiaries (.uk, .ca, .de, .fr, .it, .es).**

You don’t need to factor in shipping. There’s also no profit “cushion” built into this for us, although we expect under-orders to pay for situations where the shipping isn’t free. We do this for fun, not money.

We’re allowing folks to request e-books this year, but only via Amazon.com and you must live in the US. We’re sorry to limit it, but last year proved very tricky to manage in terms of rights and availability for e-books outside the US.

Update: As in past years, LibraryThing members are sponsoring SantaThing gifts for others. You can join in the fun here. We love that our members do this: you all are awesome.

*We match members based on the contents of their catalog, thereby matching you with a Secret Santa you share tastes with. In theory. No guarantees.
**Restricting Amazon to the $30 option or higher is necessary because LibraryThing can’t get free shipping unless the gift totals $25 or more.

Thursday, November 8th, 2012

As promised the top three reviews (those with the most “thumbs-up” when the contest closed) win a $50 gift card to Amazon, Abebooks, Booksense, or any independent bookseller of their choice, a LibraryThing t-shirt and a lifetime membership (to keep or give away).

Congratulations to everyone who participated! If you won a membership: I’ve upgraded your own if you weren’t already a lifetime or annual member; otherwise, go here to send your gift membership. For winners of the top prizes, I’ll be sending you a profile comment shortly!

The deadline to request a copy is Monday, November 26th at 6 p.m. EST.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, and more. Make sure to check the flags by each book to see if it can be sent to your country.

Monday, November 5th, 2012

LibraryThing members have added more than 91 million tags. It’s a truly unique repository of how real readers think about their books—the only sizeable bookish “folksonomy.” To bring out more in that data, I’ve added three new ways to slice the books for a given tag—sorting by a weighted proportion, recent popularity and recent publication.