Friends and neighbors inCOMMON Community Development hosted a walking tour for the Neighborhood USA national conference last weekend. In preparation for it, and to help support their mission (which includes introducing a lot of people to Hanscom Park’s fair neighborhood), we designed a walking tour map for them, along with some temporary wayfinding for the conference tour. We used temporary chalk spray paint and custom laser cut stencils from the good people at MTRL, and with the help of inCOMMON’s Evelyn, marked each stop.

At the heart of both project is 13 unique logos for a selection of the community assets highlighted on the map and featured on the walk. These are part of a larger suite of logos (40-50 in total) that will be part of a project we launch later in the summer (consider this a sneak peek).

The sun is out, baseball season is in stride, and the College World Series is a month away. To celebrate, I teamed up with the good people at Omaha Screen Co. to revive the logo of the 1927 Omaha Buffaloes for a long-sleeved baseball-T. Snag one at the Ak-Sar-Ben Farmer’s market this summer, or here.

We helped one of our favorite clients, The Bemis Center for Contemporary Arts, launch their quarterly newsletter, Time + Space, this month. We love the modern, uncoated look and its unique size. At 8″ x 13″ and 16 pages, it stands out in readers’ mailboxes but is small enough for museum patrons to pick up and carry around the galleries. Visit the center to pick up your own copy.

For the past year or so, we’ve been designing the gallery guides for The Bemis Center for Contemporary Arts. We worked with them to come up with a format that is compact enough to be easy to carry around and fit in a standard brochure rack. They had to fit in with the Bemis’ now year-old practice of opening three or four new exhibits in their galleries at a time. It’s a whole new center every three months, so these needed to fit together while having a distict look. They’re printed on a nice, heavy stock so they hold their creases well and are anchored with a key spot color that fits the themes of the new exhibits.

The issue of Hail Varsity on newsstands now, which covers the Huskers’signing day and 2017 recruiting class, focuses on the strong connection the program has with California. It’s been dubbed “Calibraska,” so for the cover, I imaged the connection as a rail line bring talent to Lincoln. So, I illustrated the cover with a train engine using the style of mid-century travel posters.

HPS’s most fun project of the early part of 2017 has been a series of six full-page illustrations featuring more than 60 Omaha landmark buildings for The Omaha World-Herald‘s annual Outlook section. The goal was to use uniform, thin stroke weights to create a heavy image with lots of contrast. Similarly, the buildings were simplified elements in a sea of dense pattern and detail. The very simple color scheme (four colors: blue, green, black and grey) kept things from getting too noisy, and also suited the newsprint background. Even the slight shifts in registration help its simple, lo-fi but highly detailed look.

I generally don’t relish glibly criticizing others’ design work. Designing a logo is a hard enough job, and artists who design logos for bowl games likely have far more stakeholders influencing the design than a typical project, which is generally a recipe for a weak product. But I decided to have a little fun by ranking and briefly critiquing all 41 bowl game logos for Hail Varsity this year.