“The Office”: The Full Monty

First there was the director’s cut of “Apocalypse Now.” Then, the director’s cut of “Patch Adams.” Now comes the director’s cut of “The Office,” containing outtakes that didn’t makes the original, er, cut. The additions add some terrific shadings to the broadcast version, not the least of which is the deal Meredith made to sleep with someone (not, apparently, Michael) on their last day of work, the fact that for Roy, working with Pam would be “like loading trucks without any meaning” and Creed’s strategy to raise “like, twelve hundred bucks” by selling no-longer-needed office equipment.