Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
`Forward, the Light Brigade!
Charge for the guns!' he said:
Into the valley of Death
Rode the six hundred.
`Forward, the Light Brigade!'
Was there a man dismay'd?
Not tho' the soldier knew
Some one had blunder'd:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd and thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.
Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army, while
All the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack and Russian
Reel'd from the sabre-stroke
Shatter'd and sunder'd.
Then they rode back, but not
Not the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley'd and thunder'd;
Storm'd at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro' the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.
When can their glory fade?
O the wild charge they made!
All the world wonder'd.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!

To call 'Charge of the Light Brigade' an old favourite is perhaps to
understate its popularity - few poems before or since have caught the public
imagination to the extent Tennyson's account of heroism against all odds has.
To quote the French Marshall in the Crimea, Pierre Bosquet's famous remark
on the Charge, "It is magnificent but it is not war"; and Tennyson has
captured both aspects beautifully. While lauding the heroism of the noble
six hundred, he makes no attempt to downplay the pointlessness of the charge
itself - "Not tho' the soldier knew/ Some one had blunder'd: / Their's not
to make reply, / Their's not to reason why, / Their's but to do and die:".
The above verse is easily the best known, and oftenest quoted, for its vivid
portrayal of bravery in the face of stupidity - the poem has become a sort
of anthem of futility.
Formwise, the series of dactylics not only echoes the insistent rhythm of a
cavalry charge, it is sufficiently unusual that it is seen as
'characteristic' of the poem (compare Longfellow's 'Hiawatha').
m.
Author's note: "This poem (written at Farringford, and published in The
Examiner, Dec. 9, 1854) was written after reading the first report of the
Times correspondent, where only 607 sabres are mentioned as having taken
part in this charge (Oct. 25, 1854). Drayton's Agincourt was not in my mind;
my poem is dactylic[1], and founded on the phrase, "Some one had blundered."
At the request of Lady Franklin I distributed copies among our soldiers in
the Crimea and the hospital at Scutari. The charge lasted only twenty-five
minutes. I have heard that one of the men, with the blood streaming from his
leg, as he was riding by his officer, said, `Those d--d heavies will never
chaff us again,' and fell down dead.".
-- http://www.library.utoronto.ca/utel/rp/poems/tennyson1c.html
[1] A dactyl is a three syllable foot, following the pattern / x x
/ x x / x x / x x / x x
Though it was obvious Someone had blundered (pause)
Links:
An interesting interspersal of the poem with scans of the original
manuscript: http://etext.lib.virginia.edu/britpo/tennyson/TenChar.html
A nice overview (and then some) of all things Tennyson:
http://landow.stg.brown.edu/victorian/tennyson/tennyov.html
An essay based around a parody in Punch:
http://landow.stg.brown.edu/victorian/punch/lim.html
An overview of the Crimean War:
[broken link] http://ds.dial.pipex.com/town/avenue/aca01/obsinfo/events.htm
And of the charge itself (recommended - contains a passage from the Times of
London war correspondent):
[broken link] http://chomsky.arts.adelaide.edu.au/person/DHart/Films/ChargeOfLightBrigade.html
A good essay on Victorian poetry, and the Modern attitudes towards it:
[broken link] http://www.thenewrepublic.com/magazines/tnr/archive/1199/110199/kirsch110199.html
And finally, for an interesting sequel, see poem #357

>Formwise, the series of dactylics not only echoes the insistent rhythm of a>cavalry charge, it is sufficiently unusual that it is seen as>'characteristic' of the poem (compare Longfellow's 'Hiawatha').

Theirs not to reason why, theirs but to do or die.

>Examiner, Dec. 9, 1854) was written after reading the first report of the>Times correspondent, where only 607 sabres are mentioned as having taken^^^^^^^^^^^^^

Wao...I mean....only and just wao! Do you understand the importance and how amazing this poem is? I am out of words, and Ive read this poem since Im ten. Each time is different, and at the same time, the same feeling, the exact same sense of being with the Brigades.Any comments or ideas, please be welcome to answer back.

I clicked on the link in your item, and I got to a Waymark page with thecomment Error: 404 Page not foundWhere can I see the original text? And who wrote "Their's"? What's thebasis for that? I disagree with Fred Kirk's analysis. My guess is thatat some time "their's" was considered proper for the possessive (if youdo it with apostrophe-s for nouns, why not for pronouns?), but I wonderwhat Tennyson wrote. And why do some versions say "honor" instead of"honour"?

i think tat the poem is a eye opener because it tells you how brave those 600 men wer 2 go with sumbodys commands coz i no for a fact the first sounds of guns an am out of er lol but it is a verry good poem i had 2 reed this for my english corsework but 2 b onist i ant propa in2 poetry i thi k its just a doss arund but wen i red this i thoughgt wow it realy makes you think and how frightnin it must of bin

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