By Tony Wilson, this book addresses academics and researchers in communication studies, marketing, psychology and social theory, as well as university methodology courses, recognising philosophy guides a discipline’s investigative insight.

By Natalie Khazaal
This groundbreaking book shows how the history of television in Lebanon is a history not merely of corporate technology but of a people and their continuing demand for responsive media, especially during times of civil unrest.

A book about the Respublika! project,which was initiated and curated by Nico Carpentier and co-organised with NeMe and CCMC. The catalogue highlights the 18 Respublika! art projects, through project narratives, artist interviews and more than 200 photographs.

By María Soledad Balsas
Published in Spanish, this book recalls the belonging of audience studies as a way of thinking possible strategies for contemporary democracies from a cultural-communication perspective.

Edited by Kirsten Drotner, Vince Dziekan, Ross Parry, Kim Christian Schrøder
This book explores what it means to take mediated communication as a key concept for museum studies and as a sensitising lens for media-related museum practice on the ground.

Edited by Joan Pedro-Carañana, Daniel Broudy, and Jeffery Klaehn, this volume locates recent studies on media systems within the wider body of work already built on the propaganda model so as to contextualise, refine, clarify and improve the model’s utility and validity.

An examination of deformative transparency and its different manifestations in political communication, propaganda and public health. "This book illustrates commonly used discourses of extremists, radicals, and organizations advocating for difficult causes."

In this book, Jane Duncan assesses the relevance of Snowden’s revelations for South Africa. In doing so she questions the extent to which South Africa is becoming a surveillance society governed by a surveillance state.

"This is a book that will change the way you think about television audiences. In Media Experiences, Annette Hill offers a vivid and original account of audience agency in the internet age, focusing on everyday "push-pull" engagements between viewers, producers, and platforms." - Ramon Lobato, RMIT University, Australia