The purpose of this research is to determine the aesthetic parameters and the different
narrative structures that can constitute an interactive video. On this basis we propose the
category of narrative postmontage, a theoretical and philosophical notion that allows
the approach and understanding of the anatomy and modes that make up this format.
And, also,we propose a road map as a practical tool for the creation of a branched
structure script. In this way, we understand the interactive video as interrupted and
fragmented sequences, designed to be intervened and mounted later by the spectator, in
charge of reconstructing the final meaning that the narration will take and, therefore, the
story, which makes it responsible for its own audiovisual experience. Fact that must be
planned and designed from the writing of a postmontage literary script.