1982, Geena Davis debuted with “Tootsie”, directed by Sydney Pollack that had ten Oscar nominations. However it is with “Thelma & Louise”, by Ridley Scott, the par excellence film of feminism, that something changed in her.

She shows me the results of the White House project, a study that finished in 2010: while the public opinion declares itself to be favorable to the presence of women in key positions, the reality is different. And Hollywood is no exception.

“It is always the same story. Even though now the success of “The Help” has stirred souls. But nothing will change because men don’t want to see films with women protagonists, while the opposite is true. So? So we educate starting from children.”