Christopher Hibbault, Roadmaker

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irit of waning July hung heavily over London. In mean streets and alleys it was inexpressibly dreary: the fagged inhabitants lacked even energy to quarrel. But on the high ground westward of the Park, where big houses demand elbow-room and breathing space and even occasionally exclusive gardens, a little breeze sprang up at sundown and lingered on till dusk. In this region lies one of the most beautiful houses in London, the country seat of some fine gentleman in Queen Anne's day. It hid its beauties, however, from the public gaze, lying modestly back in a garden whose size had no claim to modesty at all. All one could see from the road, through the iron gates, was a glimpse of a wide portico, and a long row of windows. It stood higli and in its ample garden the breeze ran riot, shaking the scent from orange and myrtle trees, from jasmine and roses, and wafting it in at the wide open windows of a room which, projecting from the house, seemed to take command of the garden. It was a large room and the windows went from ceiling to floor. It was also a very beautiful room. In the gathering dusk the restful harmonies of its colours melted into soft, hazy blue, making it appear vaster than it really was. Also, it was unencumbered by much furniture and what there was so essentially fitted its place that it was unobtrusive Three big canvases occupied the walls, indiscernible in the dim light, but masterpieces of world fame, heirlooms known all over Europe. There was a curious dearth of small objects and unessentials, nothing in all thegreat space that could fatigue the eye or perplex the brain of the occupant. The owner of the room was lying on a big sofa near one of the open windows. Within reach was a low bookcase, a table with an electric reading lam...

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