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Pre-order Vinyl Records

Okovi: Additions (Pre-Order)

Zola Jesus’ Okovi: Additions LP offers a new angle on her 2017 album, Okovi. The
collection pairs four previously unreleased songs from the Okovi sessions with
four remixes by a diverse cast of artists.

Johnny Jewel turns “Ash to Bone” into a late-night cinematic torch song, Tri
Angle Records composer Katie Gately’s “Siphon” is a dark choir of warping angels,
black metal band Wolves in the Throne Room’s take on “Exhumed” makes
the pounding industrial anthem even denser and heavier, and Toronto producer
Joanne Pollock (formerly one half of Poemss with Venetian Snares’ Aaron
Funk) makes “Soak” feel like an aching classical standard— until it starts warping
in on itself and goes somewhere else entirely.

The songs on Additions traverse a vast amount of sonic ground, but taken together,
they cohere remarkably well as an album, all while serving to enrich the experience
of Okovi.

“These four new songs were intended to be on Okovi,” Nika Roza Danilova
explains. “Each of them represents a snapshot of my journey in making the record,
and are just as precious to me as the songs that made it onto the final track listing.
The remixes are beloved in their own way, as most were born from organic circumstances,
and have drawn the original songs into completely new atmospheres.”

Bad The John Boy (Awaiting Repress)

On the heels of David Lynch’s hugely successful sophomore full length, The Big Dream, comes a very limited edition 12", “Bad the John Boy.” While technically this track qualifies as a non-album or bonus track, Dean Hurley, Lynch’s producer had this to say about the song: “it wasn’t really recorded with the lP in
mind, but it was done around the end of last year when the bulk of the album
was being made. It was earmarked for something else entirely, but that thing
didn’t happen in a way that required the song … so up until now, it was ‘a song
with no home.’ ”

Complimenting Lynch’s left-of-center A-side, the B-side proudly features a
Venetian Snares remix of the album’s title track. Despite the fact that Canadian
electronic musician Aaron Funk has been known for reinventing breakcore,
with this remix he breathes a completely new approach into the song, turning it
into something far from your typical dance remix. Hurley describes this track
as, “music for the end crawl of a bootlegged sci-fi/horror film that you borrowed
from your friend’s older brother and caused you to realize for the first time that
you were actually scared in broad daylight.”

III (Awaiting Repress)

Föllakzoid began seven years ago as a trance experience between childhood
friends Diego, Juan Pablo, and Domingo from Santiago, Chile. Heavily informed
by the heritage of the ancient music of the Andes, the band has learned to integrate
this influence with contemporary sounds of their times, creating a rich yet
minimal atmosphere.

For III, the band wanted to expand their sound while building an atmosphere
with mainly monochords and reiteration. After recording and mixing the album
on their own at their studio at BYM Records, they partnered with German electronic
maestro Atom TM to flesh out the album's synth parts. Most of the sounds
he provided were atonal electronic sounds, aiming for concrete frequencies and
sampled organic glitches. (The Korg synthesizer Atom TM plays on this record
was used by Kraftwerk on a tour during the ’80s and given to him by Florian
Schneider.)

III is a four-part minimal sound voyage in which you can hear Föllakzoid's musical
language developing into something more upbeat, obscure, and sharp, yet
even simpler in terms of elements. During the past year, the band played more
than 80 gigs, including at Primavera Sound Festival (both Porto and Barcelona),
ATP Festival in the UK, Musique Volantes in Lyon, and Lollapalooza Chile. The
shows for III, including a confirmed set at Austin Psych Fest in May, should
spread the band's fog-enshrouded gospel to an even wider audience.

World Eater (Awaiting Repress)

As humans, we are aware of our inner beast and should therefore be able to control it. We understand our hard-wired primal urges and why they exist in an evolutional sense. We understand the relationship between mind and body. Highly evolved and intelligent, we should be able to recognize these genetic hangovers and control them as a means to act positively and move forward as a compassionate species. Unfortunately, this is not the case. Recent global events have proven this. The human race is consuming itself. World Eater, the new album by Benjamin John Power's Blanck Mass project, is a reaction to this. There is an underlying violence and anger throughout the record, even though some of these tracks are the closest Power has ever come to writing, in his words, "actual love songs."

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