Over several nursing sessions, I flipped through all 750+ of my sketches from 2016 on my phone. It was a quick and wonderful overview of the past year. It’s amazing to see how much ground we’d covered one day at a time.

Taking 5-10 minutes at night to draw a visual journal worked out well. It was my second year with daily/weekly/monthly sketches, and my workflow held up to the demands of caring for a newborn. Some nights I fell asleep before A- let me sneak away, but the text notes I jotted throughout the day helped me reconstruct events even after several nights. I really liked having a record not just of what happened, but also what I was thinking about, and the little moments that would have been hard to capture in a picture. When we were dealing with lots of uncertainty, thinking out loud helped me untangle my thoughts and feel like things were manageable. Looking back over the past year, I think I like the person I was and the person I’ve grown to be.

I didn’t have much time or energy to dress up my sketches or go beyond a simple style. It was nice to see the sketches I spent some time colouring for presentation, though, and the drawing practice I occasionally indulged in. My copies of characters from the books I read to A- reminded me of those stories, and rough sketches of her (mostly sleeping, since that was the only time I could draw from life) made me smile. I think I’d like to make more time for drawing, not just capturing thoughts.

Still, it was so useful to have a tool for making sense of my fragmented thoughts. There was so much to figure out about parenting, time, uncertainty, anxiety, boundaries, philosophy, plans…
I found it easy to go through my sketches and remember what it was like at that point in time. Sometimes I wasn’t sure what a cryptic note on my sketch meant, especially if I didn’t cover it in my weekly review, but that’s okay.

I’m looking forward to continuing this habit in 2017. I’ve been experimenting with jotting down sketch ideas on my phone, so I can move more of the thinking out of my limited computer time. I’d like to make sure I play with more formats than just lists, though, since the nonlinearity of drawing can support thinking in a different way compared to writing. It would be nice to mix in more non-journal sketches, and more actual sketches and drawing exercises too. Maybe a daily cycle, to prompt me to expand…

I still haven’t finished my yearly review, but having all those weekly and monthly sketches sure made the process easier. Onward!

In 2015, I built the habit of drawing daily index-card-sized thoughts. Some days, I reached (or blew past!) my target of five index cards a day. Other days, I backfilled my daily journal entries based on fuzzy memories and my time logs. In February 2015, I started using a yyyy-mm-dd<letter> naming convention so that I could easily refer to individual cards. For a while, I tried to be fairly disciplined about organizing sketches into outlines and building up chunks into blog posts. That fell by the wayside when I found it difficult to concentrate, but I kept drawing anyway. I saved the images to my hard drive, started tagging them with keywords in the filenames, and uploaded my sketches to Flickr as a way to back up and share my files.

I’ve recently been exploring ways to take advantage of the Samsung tablet that W- bought some time ago. It works wonderfully as a second screen that I can use to review an old sketch while I draw another one. The FlickFolio app lets me do a random slideshow of the past 2000 images in my photostream or in an album. This turns out to be an excellent way to jog my memory and prompt me to revisit questions or decisions.

Now those fragmented thoughts are starting to pay off. Many of my old index cards are on topics I haven’t thought about in a while. It’s fun to see what I’ve learned in the meantime, or to follow up on things I’ve forgotten. It’s like I’d been filling an idea pipeline or seeding an idea garden. I get this steady stream of questions, decisions, observations, memories, ideas, and notes, and I can build on those prompts instead of having to start from scratch.

I want these index cards to help me shuffle ideas and possibly see serendipitous combinations. They’re small, so capturing thoughts on them doesn’t require as much effort as, say, writing a blog post. They’re a good way to smooth out and organize thoughts, and I can chunk up those thoughts into longer posts. The sketches are easy to review, too, so they work well as digital footprints. I re-read the year’s blog posts as part of my annual review and sometimes I reread my posts on a monthly basis as well, but it’s not as immediate or as wide-ranging as flipping through a random selection of images.

A random slideshow is a good start, but I’ve been meaning to make a sketch browser that’s a little more tuned to what I want.

2016-01-18d What do I want in a sketch browser – index card #drawing #coding #plan.png

I wrote a simple NodeJS server that I can run on my laptop and access from the tablet (or other devices) while I’m on my home network. At first, I was trying to figure out an interface that would let me navigate by month/week/day, but then I realized that something simpler might be a more useful way to begin.

I started off by making it display random sketches:

Then I extended it to let me browse by tag:

And then to see a list of tags by frequency:

Or by alphabetic order, since that might be handier if I’m trying to look for something specific on a mobile device

I like distinguishing between daily/weekly/monthly/yearly reviews and non-journal sketches, too:

Some days it’s hard to hold a single thought and dive deeper into it. Sometimes it’s because I get distracted by other shiny thoughts. Sometimes my interest peters out. Sometimes I bump into the limit of what I can think about on my own, without experiments or research.

I’ve come to really like the way index cards let me capture ideas that aren’t quite blog-post-sized. Technically, I haven’t drawn a physical index card since early February, but the digital index cards I draw are calibrated to that scale.

Still, some days it takes me a really long time to draw five index cards. I catch myself wondering if I’ve picked a good question. Sometimes it takes a while to find the next step in the thought. Sometimes it’s easier to let my attention drift to other things.

On the other hand, there are some days when my mind is overflowing with little thoughts. It’s pretty easy for me to switch to another index card, scribble down part of a thought, and then come back to it later.

I’ve been figuring out a better way to work with fragmented thoughts. I tried flipping my habit by writing before drawing. Sometimes that’s a good way to clear my backlog, but sometimes it means I don’t get around to drawing.

Lately I’ve been experimenting with quickly capturing text fragments – a chunk even smaller than index cards. A few taps on my phone bring up a single-line prompt. Whatever I type into that dialog gets saved to a timestamped file named something like yyyy-mm-dd hh.mm timestamp - keyword.txt, and that’s synchronized over Dropbox to my computer. I have some code in Emacs to read those files and add them to a date-based outline, and I’ve included the code at the end of this blog post just in case it’s handy.

I’ve found myself capturing more and more of these snippets these days. When a possibly interesting thought occurs to me while I’m walking around, it’s easy enough to take a moment to unlock my phone and add a note. My Emacs-based workflow fits me a bit better than the Evernote-based one I used to use, but that’s the benefit of customization.

There’s still the challenge of bringing those thoughts together, of course. The text titles and fragment keywords are often enough to remind me of what I was thinking and how the different thoughts might be connected to each other, and I can always open the sketches in a new window if I want to refer to them. I have an ever-growing outline of sketches that haven’t yet been chunked into blog posts, and now I have a chronological tree of these little fragments. I have another bit of Emacs Lisp that lets me quickly get a montage of the sketches listed in part of my outline. Maybe I could use that more often – perhaps even randomly picking an outline node, coming up with a montage, and prompting me to either glue the chunks together into a blog post or draw whatever’s missing.

and then the text fragments feed into the beginning of that thinking process.

It’s been almost six months of thinking with index cards. I sometimes feel pretty fragmented, but there are confounding factors so I don’t know whether that’s a side-effect of this way of thinking. But I think it’s unlikely that my past self was that much more coherent and better at concentrating. Remembering what it was like to write my notes before and what it’s like to write my notes now, I think I like this way a lot. I feel like I’m getting better at writing about the small things, not just the big things, and I’m gradually getting better at tying things together.

It might be cool to visualize how much has been chunked and what’s still isolated, in a way that’s more engaging than my outline. I’m also curious about the time separation of thoughts. For example, this post brings together four cards spread over a little more than a month, a set of connections I probably wouldn’t have been able to follow without these notes.

I replaced my Flickr uploading process with a script. Then I replaced the paper index cards with digital index cards. I wrote another script to make renaming files easier. Then I built an outline of questions and used that to create index card templates. So now my workflow looks like this:

I use Org Mode in Emacs to collect and organize questions. I use TODO states to track ones that need further research, ones that are ready to be drawn, and ones that are ready to be blogged.

When I switch to tablet mode, I can select questions to draw using a custom pen-friendly Emacs interface that sets up the template for me.

I upload the images using another script and add the links to my outline.

After I draft the blog post, I use another bit of code to move the relevant images out of my “To blog” directory and into another directory so that I can easily upload them (since I still haven’t tweaked the all-Emacs way of doing things the way I want them).

An index card is a good size for a chunk. It’s smaller than a blog post, so I can accelerate my learn-do-share-review cycle. If I invest more time into creating, organizing, and sharing them, I think they’ll pay off well. Other people report that their Zettelkasten (index card organization systems) become almost like conversational partners and collaborators. I already feel that way about my blog archive, and it will probably be even more

Hmm… Should I add a unique identifier to sketches so that I can refer to them more concisely than giving the full link? This mostly matters for referring to sketches in the drawing itself, since I can use links in text or metadata. For example, I can assign codes to each chunk, possibly differentiating between sketches (letters?) and blog posts (numbers?). So, maybe “2015-01-01a” for the first sketch on January 1, and “2015-01-01-1” for the first blog post? I could omit the dashes, but then searching requires that mental translation, so we’ll keep the dashes in there. The downside is that there’ll be a little additional clutter, but it might be interesting to experiment with – adding a reference line, and maybe even adding the info to the filename. It gives some linking capability that can survive the disparate systems I publish sketches to (my blog, Evernote, Flickr), even for sketches that don’t get turned into blog posts.

Sometimes making five cards feels like a stretch, since I have to Think Interesting Thoughts. Using templates can help – I could make four cards and a journal entry, for example. I expect the awkwardness will subside as I build up my question store and do more research/experimentation.

Colour slows me down if I think about it too much or worry about becoming too repetitive. It might be fine to just quickly highlight things most of the time and save the development of colour sense for sessions of deliberate practice.

In terms of thinking, spending the extra few minutes to think about and capture the next questions or actions for a card can make a big difference in my focus. I can also relax my chunking guidelines so that a single sketch can be fleshed out into a quick blog post instead of waiting until I accumulate several sketches related to the topic – taking my own advice to schedule Minimum Viable Posts. If I phrase my outline in terms of questions instead of keywords, I’ll probably find that more motivating and easier to scope.

That will probably also help me with some of the bottlenecks I identified while contemplating how I can make better use of my laptop. I’m doing okay at generating questions and drawing index cards, but I can do better at translating those ideas into research, experiments, and blog posts. So, I can clear out more of my backlog of index cards that I want to share (probably ending up with two months of scheduled blog posts, or maybe even more!). Then I can research and try out more ideas, so I’m not just drawing questions that I can answer with what’s currently in my head. =)

I started by digging out the coloured pens that W- gave me a long time ago. They still worked, yay! I started mixing green (and sometimes red) into my index cards. Sometimes I remembered to draw with them from the beginning, and other times I drew over black ink.

While going through my drawer, I came across a ten-pack of Sharpie accent highlighters and started using them too. I highlighted the cards before scanning them, which gave me an opportunity to review the card and think about what was important. I liked the highlighters more than the pens because the colours were more vivid. It was fun putting together blog posts that had index cards with different colours on them.

Now I’ve been experimenting with digital colour. I like this even more than the highlighters, as I get to pick any colour I want and I can erase or layer things as needed. To colour these, I added a layer on top of my image and set the layer’s mode to Multiply. The last image in this set was done with a Sharpie marker, since there were a bunch of coloured markers at the lab.

It’s surprisingly relaxing to colour things on my computer. I think about what colours different concepts feel like, pick a colour from the Copic colour swatches built into Autodesk Sketchbook Pro, and paint it onto the scanned index card. While I’m doing that, follow-up questions sometimes occur to me.

I’ve also been thinking about how I can draw more of these index cards on my computer. I’m going through quite a lot of index cards and I’m just about due for a pen refill, so maybe there’s a way I can draw more on my computer while reducing the mental friction. Hmm.

There are trade-offs, of course. It’s not as easy to see other cards or organize them into piles, and my computer isn’t as handy or as portable as a deck of index cards. But still, it’s fun.

Drawing on my computer gives me more flexibility, since I can move things around or use whatever colours I want. The main thing I need to do, I think, is to calibrate the aspect ratio and the grid size so that the digital sketches feel like my paper ones, since an index card seems to be a good size for thoughts. I think that drawing digitally also nudges me towards more colourful sketches. Here’s an example “index card” that I drew on my computer:

Hmm. Actually, digital index cards are working out wonderfully. I’ve been tweaking my workflow and I’m quite happy with the reduced friction.

I’m still not as comfortable with vibrant colours as I used to be, but I’ll get there. And yeah, it feels a little indulgent to spend the extra couple of minutes colouring each card (not that the thoughts on those cards are particularly insightful or worthy of attention), but it’s fun and it helps me learn.

When people are starting out with sketchnoting, it’s helpful to remember that sketchnoting’s about “ideas, not art” (as Mike Rohde says in The Sketchnote Handbook). It’s easy to get intimidated by the visually-impressive sketchnotes people post, so the reminder is useful.

I’ve been using sketchnotes to explore my own thoughts instead of recording other people’s content. I like flipping things around, so that got me thinking: What can I learn from the way artists work, and how can I apply that to learning and drawing?

Observe: Artists draw what’s there, not what they think is there. They also analyze the techniques other artists use and the effect of these techniques on the piece.

Imagine: Artists aren’t limited to what they see. They can draw what isn’t there. They can draw the essence of a thing.

Transform: Great art transforms the way people see.

Experiment: Artists try different techniques and styles to figure out what works for them.

Craft: Artists refine their work and improve their tools.

Sketch: Artists do quick studies to try several views or focus on different aspects before making the commitment of paint on canvas.

I was particularly curious about this idea of making studies or sketching things in order to experiment with different views or to focus on small parts before composing the whole, so I dug into that further.

Using index cards for “studies” of an idea might be a useful technique. Each card is a small chunk, quick to capture, complete in itself, and yet linkable with others. The cards are easier to rearrange. If each card represents one idea or summary, I can keep more ideas in view.

There are trade-offs, naturally. Sometimes the desire to fill a large sheet makes me to sit with a question longer, letting me discover more. Large sheets gives me the ability to draw and describe relationships between ideas. If I have many small chunks, I need to invest more time in summarizing and filing in order to make the most of them.

Artists might make studies in preparation for a specific work, or they might make studies just because. If I have a specific question in mind, it’s easy to sketch my way around the topic and then organize those thoughts into a whole. I’m not as good at managing fragments over an extended period of time, although I’m getting better at linking to and building on previous blog posts.

What can I learn from the way artists keep working on something? Artists might work on a piece for weeks or more, keeping it visible on an easel, taking a step back from time to time, looking at it in different light. They might have several such pieces on the go. I still prefer publishing early instead of waiting until something is a masterpiece. Feedback is great, and even small chunks can be surprisingly useful.

If I improve the way I manage my studies, though, I might get better at refining ideas. I think it’s like the way an artists might clip photos or sketch things that have caught their eyes, and then return to that inspiration years later when they think of something that needs it.

Speaking of archives: I’ve written about index cards before as a way to develop thoughts (2014; much like this post), plan my life (2007), and prevent boredom by writing (2005!). I haven’t quite mastered this yet, but I’m getting somewhere. What can I add to this based on this reflection on artists?

I don’t do enough zoomed-in focus or variations on a theme yet, I think. Studies aren’t just about capturing the gist of a thing so that you can reproduce it later in your studio. They let you minutely observe a specific aspect, and they let you experiment with different ways to portray something.

What would that look like, if I could do it really well? For observation, I might have index cards that focus on sub-topics, like the way I’ve built up this post from the sub-questions in the illustrations. For variety, I might experiment with visual vocabulary and metaphors, improving my creative expression.

There’s also something to be said about sheer practice in exploring thoughts, like the way artists might sketch for sketching’s sake. James Altucher recommends coming up with ten ideas a day (also related: his post from 2012). I’ve been experimenting with setting myself a minimum of five index cards a day. I write the dates for all of them before I start on the first one so that the desire to fill in the blanks pushes me to complete all of them. This usually leads to even more cards as the first set of ideas sparks more questions.

Actually, the challenge isn’t generating ideas. Artists never run out of things to sketch – they can look around and find more! I have an archive of ideas I haven’t exhausted and a cornucopia that generates more every day.

Looking at something from different angles, and developing opinions about the alternatives I can pick – like the way artists learn about composition and light

Retrieving subsets of my archive – like the way artists might pull out the relevant studies or reference photos when they’re working on a piece

Comprehending the whole – the way people can step back and talk about impressionism, Picasso’s Blue Period, and other things that require zooming out

What would masters of this be like, and how can I emulate them? I think of Leonardo da Vinci’s studies, asking and observing. I think of writers who name and describe things, and in so doing, they help me see better – the way the light behind an object separates it from the background. I may never draw or write a thousandth as well as they do, but I can grow through emulating the way they slow down and pay attention, the way they turn things over and over instead of rushing on.

sachac M-x customize-variable, or you can look for org-modules in my config at http://sachachua.com/dotemacs to see how I do it with (setq org-modules ...) and (org-load-modules-maybe... – Org-mode and habits