The music was largely electronic, drawing from shoegaze and ambient and the slow and low remixes of DJ Screw. At its best, it was blown out and textured; at its worst, it was just a decent enough concept to work off of — all surface, with one idea dragged across multiple songs.

When you can burn through a season of a show in a day, those seasons take on different tones. Suddenly ‘Friends’ is no longer a 30-minute sitcom about small moments. It’s a monolithic viewing experience, during which you watch the same characters doing basically the same things for 88 real-life hours.