Here is nice old sewar I picked up with a very good provenance dating from a collection started in 1890, and ended in 1920.

This old sewar has some lovely features and a very unusual hilt. When I first saw the hilt I thought it was Phytelephas macrocarpa, sometimes called "vegetable ivory", but I realized the outer layers were too thick for that. It is a wooden hilt with a wooden inlay of some sort at the end with the same material making tiny "teardrops" on each side.The hilt rests on a low-grade gold and enameled series of four "crowns" which is attached to a solid swassa bolster.

The blade is pattern welded, but not in an attractive way so I polished the blade.

The scabbard features an elongated mouth with a gold finial. This may have been decorative, but often when a finial of this type is seen it has been created to cover damage or repaired damage. I do not know the case here.

Here is nice old sewar I picked up with a very good provenance dating from a collection started in 1890, and ended in 1920.

Any more details?

Quote:

It is a wooden hilt with a wooden inlay of some sort at the end with the same material making tiny "teardrops" on each side.

This pommel is made from high-quality wood. It has lost the typical gold disk on top of the pommel and the traditional gold "bracket" which helps to secure the disk (these are fixed on the side of the pommel and the holes filled here with the "tear drop" inlay).

Quote:

The hilt rests on a low-grade gold and enameled series of four "crowns" which is attached to a solid swassa bolster.

Usually these gold crowns have a rather high gold content - I'd recommend to have it tested!

The crowns look very nice. Could you post close-ups with higher resolution, please?

Quote:

The scabbard features an elongated mouth with a gold finial. This may have been decorative, but often when a finial of this type is seen it has been created to cover damage or repaired damage. I do not know the case here.

Tough to tell from the pics - the odds will mostly depend on the quality of the work!

Silver bands are very common later add-ons when a worn scabbard needs added stability.

You have not only been very busy in searching for new items, but exceedingly fortunate in the wonderful pieces you have been so fortunate in obtaining for your collection. Another absolutely beautiful addition.

Thanks so much for this pics, and confirmation of what others have said. Your sewar is AMAZING! What is the hilt material? It looks both beautiful and unique. You also helped answer a question about the filigreed terminal of the mouthpiece. Again, thanks!

I also agree that the scabbard bands were originally gold filigree, possibly with enamel as well.

I can't remember seeing any scabbard stem rings with enamel.

If there were any bands originally, I'd bet on suasa. However, the most pristine examples seem to come without any bands; my guess is that these were usually added to fix a scabbard (for rencong and nobility siwaih) while for other daggers bands of precious metals are well known.

Yes Kai, the hilt is made of huge akar bahar or black coral while the stones used on the gold filigree on both the hilt and sheath I presumed are intans or low grade diamonds. There used to be rings on the sheath based on the stain marks.

You write: 'The scabbard features an elongated mouth with a gold finial. This may have been decorative, but often when a finial of this type is seen it has been created to cover damage or repaired damage. I do not know the case here.'

I think the gold finial is standard on this type of status siwaih, e.g. the attached from Rotterdam Wereldmuseum; the only exceptions I have come across are when the whole extension on the mouth is covered in gold, like the two attached, from the Museum Volkenkunde, Leiden and the Tropenmuseum, Amsterdam.