What? it's true! M. Night is living off his past success and you guys worship the ground he walks on like he's still a genius who pops out one Oscar-worthy blockbuster after another ... which he doesn't! He's not the next Spielberg, he's the new Mike Cimino.

The Four Horsemen of the Moviepocalypse: uncalled for sequels/remakes/reboots, 3-D surcharges, untalented "celebrities", and anything with Michael Bay's name attached to it.

Whatever it is I think of Shyamalan, I accept that others don't like him. I never said he was the next Spielberg. My point was that what you said earlier about MWG and me was obviously an insult, and I thought it came out of nowhere.

It was mentioned that Dev Patel might have choosen to star in "Last Airbender" due to M. Night Shyamalan, who has been getting his work greenlit based on successes he had in the (distant) past. Considering you and MWG are so quick to defend him, it would appear that, like Shyalmalan's career, your love of his movies are best on his (distant) past successes.

I know you didn't call him the next Spielberg, a magazine writer did ... and he couldn't have been any more wrong.

RESPONSE from Head RAZZberry: Actually, Shyamalan wasn't just written about as "The Next Spielberg," he was featured on the cover of NEWSWEEK with that headline in the wake of his early successes SIXTH SENSE and SIGNS...

The Four Horsemen of the Moviepocalypse: uncalled for sequels/remakes/reboots, 3-D surcharges, untalented "celebrities", and anything with Michael Bay's name attached to it.

"Sex and the City, Too" really hits home in a lot of the essential emotional elements of filmmaking, but it goes about these desired effects in an entirely backwards fashion. This is a film that may quite easily have the audience laughing, crying, getting sick to their stomachs, vomiting, and even contemplating suicide. The emotional rollercoaster that is "Sex and the City, Too" achieves such successes by literally forcing viewers to sit through nearly two and a half hours of greedy, whiny, stubborn, ignorant, lazy, and UGLY middle aged women who are obsessed with dressing up like drag queens despite the fact that they are presented as females. Not only does this movie contain the same excruciatingly gluttonous (lack of a) plot as the series and the first movie, it is set in Dubai making it all the more "in your face". Featuring guest appearances from Miley Cyrus and Liza Manelli, "Sex and the City, Too" should easily "win" a few categories and hopefully it will be re-considered by certain people for "Worst Picture" before the spray painted gold is handed out.

"Sex and the City, Too" really hits home in a lot of the essential emotional elements of filmmaking, but it goes about these desired effects in an entirely backwards fashion. This is a film that may quite easily have the audience laughing, crying, getting sick to their stomachs, vomiting, and even contemplating suicide. The emotional rollercoaster that is "Sex and the City, Too" achieves such successes by literally forcing viewers to sit through nearly two and a half hours of greedy, whiny, stubborn, ignorant, lazy, and UGLY middle aged women who are obsessed with dressing up like drag queens despite the fact that they are presented as females. Not only does this movie contain the same excruciatingly gluttonous (lack of a) plot as the series and the first movie, it is set in Dubai making it all the more "in your face". Featuring guest appearances from Miley Cyrus and Liza Manelli, "Sex and the City, Too" should easily "win" a few categories and hopefully it will be re-considered by certain people for "Worst Picture" before the spray painted gold is handed out.

Yep, that sums up the movies and TV series quite nicely.

The Four Horsemen of the Moviepocalypse: uncalled for sequels/remakes/reboots, 3-D surcharges, untalented "celebrities", and anything with Michael Bay's name attached to it.

If you ask my opinion, either 'The Last Fart-Bender' or 'Vampires Suck... BUT NOT AS MUCH AS THIS MOVIE!' have the Worst Picture trophy in the bag (unless there are dark horses, like 'Burlesque' and 'Eek-Lips', waiting in the wings to seize their chances).

You see in this filmmaking world there's two types of people my friend. Those with the knowledge of film and those who think they do but really don't.

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