We’ve gotten used to the Leftist tilt in entertainment over the years. We whine about it to each other (as I have here, here, here, and here), but that’s about all that we do. We accept it as not a necessary evil but an inevitable evil. That attitude encourages a certain passivity.

Sometimes, though, it’s worth making a loud noise, and that’s the case with Hollywood’s newest action flick, Non-Stop. The film has a high-profile star (Liam Neeson), lots of interesting cameos and co-stars, a big budget, and a clever plot about a well-disguised terrorist on a plane who is killing a new victim every twenty-minutes. (Thinking about it, for all it’s flash and newness, the plot is simply a re-hash of Agatha Christie’s And Then There Were None.)

Superficially, it sounds like a fun movie for those who, like me, enjoy a well-produced, fast-paced thriller/whodunnit. Indeed, John Boot, writing at the conservative PJ Media, says that it’s a fun movie, and enjoys the way the ending is unexpected. (He also noticed the Agatha Christie parallel.) It’s that surprise ending, though, that has stirred outrage across the conservative blogosphere. You see, it’s not merely a surprise, it’s a “jump the shark” kind of surprise.

(For the uninitiated, the phrase “jump the shark” originated with the last season of Happy Days, when the show had gotten irrevocably stale. In an effort to jazz things up, they put the Fonz on water skies and had him jump over a blatantly mechanical shark. If a show has to stoop so low, it should already have been put out to pasture. Since then, the phrase is used not only to describe shows that should long-since have been shark chum, but also to describe plot turns that are too stupid to exist even in the magical entertainment universe.)

SPOILER ALERT. NON-STOP’S PLOT DENOUEMENT WILL BE REVEALED BELOW. YOU HAVE BEEN WARNED.

Judging by the movie’s review at Breitbart, John Boot is correct that Non-Stop’s creators managed to avoid having a predictable ending. They did so, however, only by pushing a hard-Left world view that is going to be swallowed whole by every uninformed adolescent and young person who sees the movie. That is, while one can appreciate that the ending makes for a good movie, it is so unreal — such a high jump over a such a hideous, faked shark — that it should be soundly castigated, rejected, and ruined.

As I mentioned above, the plot device is Agatha Christie on steroids: people trapped in an enclosed space with a hidden killer bumping them off. Today’s headlines say it ought to have been a Muslim, since they’re the ones using terrorism against the rest of the world. If you’re a filmmaker who wants to add a good twist to reality, you make sure your terrorist is a well-disguised Muslim, along the lines of the British, Christian-born Black Widow who headed the grotesquely violent attack against a Kenyan shopping mall.

Having that kind of ending, however, would have failed to advance the movie’s real purpose: propaganda. Breitbart explains precisely what agenda the movie is pushing (and this is your last warning that there are spoilers ahead that will make watching the movie forever unnecessary):

Counting pilots and crew, there are around 150 souls on board. Marks has 20 minutes to figure out which one is the bad guy. Red herrings abound. Is it one of the many actors whose faces we recognize but names we can’t remember? People start to die. Marks is fingered as the hijacker. Who’s doing this? Why are they doing this? What is their motive?

Here’s the answer:

It turns out that the villain is not a hijacker but a terrorist — someone who wants to murder everyone on the plane to further a political goal.

You ready…?

The terrorist is a 9/11 family member. Yes, you read that right; the terrorist is a 9/11 family-member who lost a loved-one in the World Trade Center on that terrible September morning.

It gets worse…

After 9/11, this 9/11 family member-turned-terrorist then joined the military but found himself disillusioned by the pointless wars.

And now…

The 9/11 family member-turned-terrorist is upset because America hasn’t done enough to ensure there will never be another 9/11. And so he figures that if he can get an air marshal blamed for a terrorist attack, America will wake up and anally probe us before we’re allowed on a plane, or something.

It gets worse…

The villain’s sidekick is a member of the American military willing to murder 150 innocent people for a payday.

It gets worse…

The one passenger on the plane who is forever helpful, kind, reasonable, noble, and never under suspicion is a Muslim doctor dressed in traditional Muslim garb including a full beard.

Screw you, Hollywood.

Non-Stop didn’t stop at just jumping the shark. Instead, it embraced it and then made mad, passionate love to it. The filmmakers weren’t going for an element of surprise; they were sending a message to those credulous, uninformed Americans churned out by America’s public school system: Americans are bad; Muslims are good. Ignore the headlines telling you otherwise.* Hollywood knows better.

So what can you do? Well, I don’t recommend giving out spoilers unless people ask for them. Otherwise, you will be deservedly hated. However, to the extent that word-of-mouth is the most powerful advertising any Hollywood movie has, start mouthing off. If someone you know, in real conversation or on social media, expresses an interest in it, you can honestly state something along the lines of “I heard it was stupid” or “It’s supposed to be really bad. I’d never pay $14 to see a really bad movie.”

*The usual disclaimer: Not all Muslims are bad. Most Muslims aren’t bad, but to the extent that almost none of them take a stand against the terrorists in their midst, the silent majority are complicit in the Muslim-inspired terrorism taking place in North America, South America, Europe, Africa, Australia, Eurasia, the Middle East, and Asia.