Yes, once again, it’s pilot season: the time when the broadcast networks put all of the potential projects for the 2011 – 2012 season on the table, take a cold, hard look at what’s available to them, and decide which ones have the most potential for success come the fall…or spring, depending on how much or how little confidence they end up having in the final product.

Critics everywhere should be throwing parades in honor of TV Guide’s Natalie Abrams, who has done the heavy lifting for the rest of us and offered up The Complete Pilot Report, listing off all of the pilots currently in the running for ABC, CBS, The CW, Fox, and NBC, along with their creators, their premises, and the actors currently attached to them as of this writing.

Having taken a gander at Abrams’ decidedly comprehensive list, here’s our list of the 20 shows we’d most like to see turn up come the kickoff of the Fall 2011 season:

1. Alcatraz (Fox): A cop (Sarah Jones) and a team of FBI agents track down a group of missing Alcatraz prisoners and guards who reappear in the present day after disappearing 30 years earlier. J.J. Abrams will executive-produce and Liz Sarnoff (“Lost”) will be the showrunner. Jorge Garcia, Sam Neill, Jonny Coyne, Jason Butler Harner, Parminder Nagra, Santiago Cabrera and Robert Forster also star.

3. Brave New World (NBC): The project centers on a group of characters at Pilgrim Village, a theme park that recreates 1637 New England. Peter Tolan (“Rescue Me”) wrote the pilot and will executive-produce with Michael Wimer (“2012”). Ed Begley Jr., Nick Braun, Will Greenberg, Jazz Raycole, Robbie Benson and Anna Popplewell will star.

4. The Council of Dads (Fox): Based on the non-fiction book by Bruce Feiler, a man who learns he’s dying enlists five men to help his wife raise their two children. The project comes from “Rescue Me” creator Peter Tolan. Kyle Bornheimer, Diane Farr, Patrick Breen and Ken Howard will star.

5. Hail Mary (CBS): An Atlanta-set P.I. drama tells the story of a suburban single mom (Minnie Driver) who teams up with a street hustler (Brandon T. Jackson) to solve crimes. Jeff Wadlow will write and executive-produce with Joel Silver and “The L Word” creator Ilene Chaiken. Enrique Murciano and Stephen Tobolowsky will also star.

6. How to Be a Gentleman (CBS): An uptight guy (David Hornsby) learns to live his life with the help of an old high school friend. The project comes from Hornsby (“It’s Always Sunny in Philadelphia”). Dave Foley, Nancy Lenehan and Rhys Darby will also star.

8. Pan Am (ABC) – The stewardesses and pilots of the titular airline are the stars of this soap set in the Jet Age of the 1960s. Jack Orman (“ER”) wrote the pilot and will executive-produce with Nancy Hult Ganis and Tommy Schlamme (“The West Wing”). Christina Ricci, Margot Robbie, Karine Vanasse and Michael Mosley will star.

9. Person of Interest (CBS): A presumed-dead CIA agent (Jim Caviezel) is recruited by a billionaire (Michael Emerson) to catch violent criminals in New York City. “Memento”‘s Jonathan Nolan and J.J. Abrams will executive-produce. Taraji P. Henson will also star.

11. Reconstruction (NBC) – In the aftermath of the Civil War, a soldier (Martin Henderson) crosses the country and settles in a complicated town where he is welcomed as its savior — whether he likes it or not. “St. Elsewhere” co-creator Josh Brand wrote the pilot. Bill Sage, Claire Wellin, Emma Bell and Rachelle Lefevre will also star.

12. REM (NBC): A police detective (Jason Isaacs) who’s involved in a traumatic car accident wakes up in two fractured realities. The project comes from Kyle Killen, creator of Fox’s short-lived “Lone Star,” and “24”‘s Howard Gordon will also executive-produce.

A Brit who’s been successfully playing Americans for decades and a charmingly laid back Canadian with a definite air of California dude-ism about him, actors Minnie Driver and Scott Speedman might seem like a somewhat random pairing. Even in the new film version of the late novelist Mordecai Richler’s tragicomic swan song, “Barney’s Version,” their characters make for some pretty strange bedfellows. On the other hand “Driver and Speedman” does sound like the title of a late seventies cop show.

Ms. Driver portrays the second Mrs. Panofsky, an otherwise unnamed Jewish Canadian princess who marries the very flawed Montreal TV producer Barney Panofsky (Paul Giamatti, who picked up a Golden Globe for the part Sunday night), only to find her new husband oddly distant, starting on the very day of their wedding. That’s because that’s also the day Barney meets – and goes completely nutso over – the woman who will eventually become Mrs. Panofsky #3 (Rosamund Pike). In Mrs. Panofsky’s corner: her outspoken ex-crooked policeman father-in-law (Dustin Hoffman), who speaks approvingly of her “nice rack.”

Speedman, for his part, is Barney’s multiple drug using novelist pal, Boogie. Best known for handsome-guy roles in the “Underworld” films opposite Kate Beckinsale and as the male lead in “Felicity” opposite Keri Russell, Speedman’s Bernard “Boogie” Moscovitch is a frequently charming rascal/jerkwad who both fails and assists his best friend in rather spectacular fashion, eventually starting a chain of events that may or may not lead to his murder by Barney.

Speedman entered the room first in typically low-key fashion, acting every bit the likable thirty-something surfer dude or ski-bum he could easily be cast as. Ms. Driver followed along, making a flirtatious joke about Speedman’s good looks and generally providing jovial company for a room full of entertainment writers one Beverly Hills winter’s day.

If you’re going to be shallow about it, Paul Giamatti and Rosamund Pike might seem like a slightly odd pair of movie lovebirds. However, the love affair between their characters in “Barney’s Version” hasn’t aroused any of the complaints Seth Rogen regularly gets when his movie character gets lucky with a beautiful woman. No offense to Rogen, but maybe that’s because Giamatti gets a pass for being an extraordinarily brilliant actor — who, as it happens, just picked up a well-deserved Golden Globe for his performance in this very film — and Pike gets points for having the sense to work with him, not to mention for being rather extraordinary herself.

In fact, the pair have some things in common. Pike’s parents are accomplished serious musicians and she is an Oxford Graduate. Paul Giamatti’s father was the noted Yale University President and Commissioner of Baseball, A. Bartlett Giamatti. Naturally, the younger Giamatti is himself a graduate of Yale. Both have also been busy working actors for some time. After “American Splendor,” “Sideways,” and — on a more heroic level — the miniseries “John Adams,” not to mention innumerable outstanding supporting roles, Giamatti is a bonafide star. The sky is the limit for Ms. Pike, a vastly-above average “Bond girl” opposite Pierce Brosnan in 2002’s “Die Another Day,” who more recently has received a lot of notice for her very diverse roles as a less than brilliant conman’s girlfriend in “An Education” and, more under the radar but no less brilliant, as a highly educated but frustrated housewife and mother in “Made in Dagenham.”

When I and a bunch of other junket journos encountered Giamatti and Pike, they were promoting the new adaptation of Mordecai Richler’s tragicomic final novel about the life and loves of a youthful hustler and bohemian turned aging Montreal television producer and crank. For us shallow types, Giamatti bats 1000 well out of his league with three wives in the course of “Barney’s Version,” played by the lovely Rachelle Lefevre, Minnie Driver, and Pike as Miriam Grant-Panofsky, whom he actually loves. If you read my review, you’ll see that I think the film is a very mixed bag, but the performances are first rate throughout. In addition to that Golden Globe, Giamatti’s performance was praised by his colleague Ron Perlman, and easily deserves whatever accolades it may find. Pike is, as the cliche goes, luminous in a role as a really good person that a lesser actress would have rendered merely saintly and dull.

“Yes, you did,” he argued. “You tricked me into saying it on camera. She said, ‘When you became an indie darling,’ and I went ‘Well, when I became an indie darling…'” and I thought, ‘I just said those words! Goddammit, that’s on film now, forever.'”

Giamatti, a born comedian as well as a master thesp, was already breaking up the room.