What is the Tomatometer®?

The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.

From the Critics

From RT Users Like You!

Fresh

The Tomatometer is 60% or higher.

Rotten

The Tomatometer is 59% or lower.

Certified Fresh

Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.

2 Days in Paris may seem familiar, with its manic, walking-and-talking rhythms reminiscent of Woody Allen and Diane Keaton in the 1970s. But you never know where it's going, which is one of the film's greatest pleasures.

Delpy is such an infectiously appealing personality, she almost wills this movie to work. And for laughs, Goldberg has some pretty funny moments as an eternally frazzled, put-upon neurotic who hates Paris and the French.

As 2 Days in Paris zings along from one overamped frogs-vs.-Yanks cliché to the next, two things happen: Delpy's direction begins to give the characters more air and space, and you adjust to its hectic pace.

With the dithery Marion playing off Jack's nattering nebbish of negativism, Delpy invokes the Woody Allen-Diane Keaton chemistry of the '70s as consciously as Allen referenced the European art movies of the '60s.