Sunday, April 27, 2014

It was a dark and stormy night… and no one cared because
inside we were having a marvellous time, drinking, eating, and discussing
matters literary and epic.

It was author’s night in The Beaches with three very
different authors celebrating their works and sharing them with an avid and
diverse crowd of bibliophiles, graphic designers, screenwriters, writers and
musicians of Toronto’s eclectic artistic community.

eager bibliophiles find the wine and some choice seats

And what better place to celebrate diversity in literature than in The Beaches, a bohemian community of funk and glam in Toronto’s East end.
Dominated by tree-lined streets and turn of the Century Victorian/Edwardian
houses turned into niche-style shops and cafes, The Beaches embraces paradox
(the artist’s talisman) from its location—on the magnificent beach of Lake
Ontario—and its laid-back post-hippy lifestyle to the sophistication of its
commercial community and services. The venue for our Author’s Night (on Boardwalk Drive) combined
spacious posh and high ceilings with the warmth of colour and comfortable
chairs you’d sink into for the duration.

Glasses charged with fine wine and taste buds titillated
with homemade cookies and savouries, the audience settled into those chairs ready for a
treat.

Nina Munteanu

I was celebrating the completion and release this month of
the final book (Metaverse) of my science fiction metaphysical thriller The
Splintered Universe. Celebrating with me was the artist who created the
covers of the trilogy, Costi Gurgu, and his wife Vali. Costi is himself a
celebrated award-winning author from Romania. Vali Gurgu—the model for Rhea
Hawke—is the artistic director for a major Toronto magazine. I was so happy to
see some of my UofT and George Brown students in attendance too!

Metaverse concludes the metaphysical journey of detective Rhea
Hawke, a complex heroine on a quest for justice in a shape-shifting universe of
intrigue and paradox.Rhea Hawke’s
unlawful quest throws her into a treacherous storm of politics, conspiracy and
self-discovery. The Splintered Universe is a high-paced thriller with a mystery
of cosmic proportions that explores the nature of the universe and paranormal
phenomena such as multi-dimensionality, clairvoyance, quantum entanglement,
morphic resonance and synchronicity. Rhea Hawke's story is one of a soul's heroic journey "home". And home isn't what you might think it is!

Merridy Cox Bradley

Merridy Cox Bradley

Merridy Cox Bradley had just released her annotated e-book
of Part 1 (Beasts) of Frank Finn’s charming and deliciously entertaining
Edwardian book “Pets and How to Keep Them”. Here’s an Amazon review: “This
charming Edwardian book on pets and how to keep them…is now wonderfully annotated
with delicious historical and up-to-date material by editor Merridy Cox
Bradley…This would have certainly been a book that Downton Abbey’s Lord
Grantham would have consulted on matters to do with his yellow lab, Isis, or
Mrs. Patmore on her chicken-filching cat.”

Merridy read some wonderful excerpts of the book and added some
interesting context. Here’s an excerpt: “It
is obvious that a Wild Cat cannot afford to be so particular about wetting its
feet as a tame one is, so that the feline aversion to wet may be an acquired
and civilized taste.”

Nina Darrell

Nina Darrell read excerpts from her inspirational book Dancing
in the Streets: Stories to Inspire,

Nina Darrell

Guide and Transform Your Spiritual
Life. The titles of chapters are as interesting as their contents. Here are
some: Paying Attention to the Weirdand the Strange; Flying Trees; the
Mysterious Gardner…

“We are living in an age of spirit, and spirit’s desire is
to inspire, guide and transform every life,” says Nina Darrell. Her accounts
and anecdotes of synchronicity and life-symbols provide a spiritual landscape
for discovery. The collection explores the language of spirit toward a
connection to the divine.

*****

Three very different authors; three very different stories—a
diverse, eclectic audience. What an evening!

Participants discuss quantum mechanics and angels

By the end of the evening, I found that we were all using
the same language that embraced observation, communication, inspiration, and transformation.
My story of shape-shifting and heroic transcendence was not so different from
Nina Darrell’s story collection of spiritual observation and transformation.
Merridy’s account of connection between animal and human was not so different
from my broken hero’s journey of finding connection with other beings not
human. Not so surprising; because story is universal and speaks through
metaphor on topics of the human condition and what we value, what we strive to be or fear.
The other. The unknown. The misunderstood. The wonder. The awesome. The soul’s
journey home. The universal metaphors began to morph into a braided stream of
common language and thought that settled into a warm pool of resonating chaos.

Or was it the wine?

Nina Munteanu is an
ecologist and internationally published author of novels, short stories and
essays. She coaches writers and teaches writing at George Brown College and the
University of Toronto. For more about Nina’s coaching & workshops visit www.ninamunteanu.me. Visit www.ninamunteanu.ca for more about her writing.

Nina Munteanu is an
ecologist and internationally published author of novels, short stories and
essays. She coaches writers and teaches writing at George Brown College and the
University of Toronto. For more about Nina’s coaching & workshops visit www.ninamunteanu.me. Visit www.ninamunteanu.ca for more about her writing.

Wednesday, April 9, 2014

As expected, the Ad Astra Science Fiction & Fantasy
Convention was superb. I also enjoyed its new venue—the venue used by
Polaris previously: the Sheridan Parkway North on Hwy 7 in Richmond Hill (north
of Toronto).

Thanks to Kris Webb and the rest of programming for a
terrific job. I participated in several panels, an author’s signing session and
I also gave two well-attended workshops. Let’s start with the end first: the
last panel I participated in.

The panel was called “Stealth Science Fiction in Person of Interest”, and was the
brainchild of Ira Nayman, an avid watcher of the show and a colleague of mine. Unbeknownst
to me, the panel I’d been assigned to participate with Ira and another panelist
was about a TV show (“Person of Interest”) I’d never seen! I beg pardon; I don’t
own a TV or watch it much. In fact, I first learned about one of my soon to
become favorite TV shows, Farscape, at a convention such as this one—but not
before the show had been long cancelled!

I bumbled in the beginning as realization dawned on me that
this was what the panel was about and quietly berated myself for not rereading
the short description (which had been sufficiently vague—at least to me).

I finally let the panelists and audience know my limitation
when Ira astutely noted that I was being extra reticent (not one of my usual
traits in panels). We muddled along, despite my infirmity, and the panel went
along admirably—mainly because Ira moderated with great astuteness and audience
members participated enthusiastically.

One of the plot points of the show led Ira to share a
personality-defining hypothetical dilemma that he’d encountered in another
show. Here’s how he described it: if you knew you could save five people by
instigating the death of another person, would you do it? Or would you, by your
inaction, allow the five to die by not instigating that person’s death? The
premise, of course, is that you could tell the future of two divergent actions.

I realized soon after that this is exactly the situation
that my main character Vivianne Schoen, the Baroness Von Grunwald, faced in her
journey to change the history she’d inadvertently authored (in The Last Summoner). As a medieval time
traveler, she was presented with several courses of history and needed to
choose her actions carefully in accordance with both short-term and long-term
consequences. Faced with the possibility of saving utterly millions of people
who were fated to perish in World War I by instigating the death of one
man—Kaiser Wilhelm II—Vivianne sets out to do the deed.

Besides her ability to time travel, Vivianne is able to
manipulate

Kaiser Wilhelm II

metal through mind-wave energy. Because of this power, she decides
to participate in a momentous event in which her power will have a potentially
deadly effect. The year is 1889, just a year after Kaiser Wilhelm II was
crowned Emperor, and the place is Charlottenburg Race Course in Berlin in this excerpt from The Last Summoner:

VIVIANNE pulled up the collar and hood of her fur
coat to ward off the November chill as she walked next to Jurgen von Eisenreich
in Berlin’s Charlottenburg Race Course. The coat barely kept the winter wind
from cutting through her cream- colored evening gown. Fastened at the back, it
had no bustle and signaled the upcoming style. They were here to watch Europe’s
latest touring attraction from America: Buffalo Bill’s Wild WestShow.
Steering her by the elbow, von Eisenreich guided her up the rafter stairs
toward the Royal Box, where the new Emperor was already seated with his retinue
of several statesmen, including his aides-de-camp, and two imperial guards.
Vivianne recognized the odious and obsequious Count Alfred von Waldersee,
seated beside the Emperor. Twenty-seven years the Kaiser’s senior, the Count
was a power-mongering anti-Semite, who would prove to mold the weak-minded
Crown Prince into the bigoted warlord Kaiser Wilhelm II was becoming.

Vivianne stole a long glance to the Reich’s young
ruler. It had been just a year since the Crown Prince had ascended to the
imperial thrown and he had already stirred up trouble with his insulting
behavior of his mother, the dowager Empress, and his uncompassionate handling
of his father’s funeral; then his shabby treatment of England’s Queen and her
son, the Prince of Wales.

Vivianne furtively studied the dashing thirty-year
old ruler with deep interest. Dressed impeccably in uniform, he was rakishly
handsome, she decided, with sharp intelligent eyes, a long aristocratic nose
and well-waxed handle-bar mustache. She found herself staring at his withered
left arm, which he rested on his lap. Though she could not make it out, it was
a good six inches shorter than the other arm and partially lifeless. He’d been
a breech birth and both he and his mother were lucky to be alive.

Vivianne reflected on that eventful day when she’d
botched her attempt to save the last Emperor of Germany from an unnatural
birth. While Oskar had been instantly killed, the doctor had survived the
carriage accident with only a severe concussion; he’d still only managed to get
to Unter den Linden by early afternoon, having lain unconscious and unattended
for most of the morning then having awoken at Humboldt Hospital where he’d
ironically been scheduled to speak that day and had then foolishly insisted on
tending to Vivianne first, who’d suffered a nasty head wound that she hadn’t
even been aware of receiving.

The Emperor—like Vivianne—was here, in the Districtof
Charlottenburg in West Berlin, to see the show’s star attraction, Annie Oakley,
who acquired world fame for her skills with a Colt .45. The young sharpshooter
had been invited by the Kaiser for a private performance for the Union-Club.
Vivianne found her breaths escalate at the thought of what the impetuous Kaiser
was about to do; and what she intended to do, as a result. Was it an ironic
twist of history that only months ago Adolf Hitler was born this year? Vivianne
glanced down at the program in her gloved hand:

Programme of Miss Annie Oakley’s Private
Performance Before the Members and Their Friends of the Union-Club, Berlin, on
November 13, 1889, at Charlottenburg Race Course.

There followed a list of up to seventeen feats she
would perform, beginning with her exhibition of rifle shooting, followed by
clay-pigeon sharp-shooting then various feats involving trapping and agility in
weapon handling. She was not fated to get very far in her program before
calamity of sorts would strike, Vivianne thought cynically.

“He’s alone...without his family?” she asked von
Eisenreich. That would make it much easier, she concluded with an inward sigh.

“Dona prefers the comfort and warmth of the royal
palace in Potsdam, and the company of her children,” he responded. “She’s not
interested in this sort of thing. She has few interests other than church
service, I’m afraid.” Then he leaned his head close to hers to confide. “Ten
years ago, Wilhelm was smitten by his beautiful cousin, Victoria Elizabeth, the
second eldest daughter of the Grand Duke and Duchess of Hesse and the Rhine.
But Ella wouldn’t have him.” Then von Eisenreich surveyed Vivianne with an
appraising look and smiled enigmatically. “In fact, she looked a lot like you.”

Vivianne swallowed down a sudden discomfort, not
sure of its source. Von Eisenreich went on, “Poor Wilhelm became very
self-conscious about his arm and thought himself unattractive. That might be
why he chose a plain and simple, but pious woman.”

More like narrow-minded, anti-Semitic and bigotedthought.
Unfortunately the Empress fit in too well with the Kaiser’s own bigoted views
and apparently her nature only served to exacerbate the Kaiser's arrogance and
insufferable nature.

Von Eisenreich chuckled to himself. “I heard that
the Empress Dona was called unimaginative and prejudiced by the Emperor’s own
mother. Dona hates the English. But don’t we all!” He laughed.

Vivianne thought of the cutting words of the
gossiping socialite, Daisy, Princess of Pless: for a woman in that position
I have never met anyone so devoid of any individual thought or agility of brain
and understanding. She is just like a good, quiet, soft cow that has calves and
eats grass slowly then lies down and ruminates.

“Apart from that homosexual, Count Philipp von
Eulenburg, I’m the Emperor’s only real friend,” von Eisenreich confided rather
smugly to Vivianne as they approached the Royal Box.

As if he felt her stealthy glance, the Kaiser
turned to look directly at her. After an unabashedly long appraisal, he let his
eyes drift away and leaned out, looking past his aide to focus on von
Eisenreich. “Ah, Jurgen! So that’s why you dallied and missed my retinue!” The
Kaiser yelled in a coarse Potsdam accent, eyes flitting back critically to Vivianne
like she was merchandize. He stood up and clapped von Eisenreich hard on the
back, clearly happy to see him. Vivianne got a clear view of his short left arm
with dark brown mole on his shriveled hand. She noted that he was rather short
in stature for a man, about her height or less, with a squat and slightly
lopsided neck—owing to his left arm being shorter than the other. Eisenreich
drew Vivianne forward.

“This is the Comptesse d’Anjou,” von
Eisenreich said.

She pulled down her hood and curtsied slightly,
eyes downcast. “I’m honored and humbled, your Imperial Majesty,” she said.

“No doubt you are!” he responded, swiftly tucking
his left hand in his pocket. When she raised her eyes to meet his, Vivianne
caught the brief instant as his eyes grew wide and deepwith hidden
intensity. Jurgen caught it too. “I thought so, also,” he said withamusement
to the Emperor. He was, no doubt referring to her likeness to the Princess
Ella.

The Kaiser sucked in a breath and straightened with
an imperceptible tremble, as if to shake off an old memory. Then he gave
Vivianne a cold smile and extended his good hand to her in greeting. She
accepted and instantly winced with excruciating pain. He barked out a cruel
laugh and said, “The French are, I’m afraid, just like the English when it
comes to my German mailed fist!”

Vivianne had heard of his sadistic handshake: he
was in the habit of turning his many rings inward prior to clasping one’s hand
with a vice-like grip. Somehow, she hadn’t expected him to inflict her with it.
Perhaps it was his way of punishing his cousin for not accepting his marriage
proposal, she concluded, regretful of her resemblance. The Kaiser hung on to
her hand much longer than he needed to, Vivianne decided, squirming and
attempting to retract it from his painful grasp. His grip was too strong.

Their eyes locked. And to her frustrated anger, her
eyes teared up with the stinging pain through her glove.

In that moment she saw the hurt little boy in that
bigoted, arrogant and angry face. She instantly knew that she’d misjudged one
of his critical nexuses. Her mission this day might have been prevented. If
she’d intersected with his life earlier, and somehow convinced his beloved Ella
to accept his proposal, the single-minded but compassionate princess might have
softened him, completed him, inspired him to be the great man he could have
become instead of the bitter and insecure bully he now was.

Something passed between them and he abruptly let
go of her hand with a sudden intake of air. “I beg pardon,” he said, voice softening
from that harsh Potsdam accent. “You reminded me of someone I once knew...” In
a flush of solicitous emotion, he pulled off her glove to inspect the damage
he’d inflicted on her hand. Several red welts had surfaced on the inside of herlower
palm where his rings had gouged into her flesh. “Ahh...such dear soft and warm
hands...” he cooed in near reverence. “How remarkable...the soft insides of
your hands...”

Vivianne slowly pulled her hand away.

They both looked awkward for a moment. Then the
Kaiser broke out into a blustery laugh and turned to von Eisenreich.

“So, where’s your good wife, von Eisenreich?”

“Like you, I left her at home with my dear
children, where she should be, your Majesty,” von Eisenreich responded
cheerfully. “They’re no fun at these sorts of things.”

“Ah, but I wager the Comptesse is,” said the
Emperor brashly and took the opportunity to rake her over with appreciative
eyes.

Von Eisenreich let loose a conspiratorial laugh, as
if to ratify the Kaiser’s innuendo. He then leaned into Vivianne beside him
with a chuckle until his shoulder collided into hers. “I brought my lovely
companion, the charming Comptesse d’Anjou, to improve my demeanor and
make me interesting.”

The Kaiser threw his head back and shouted an open-
mouthed laugh of abandon then stomped his foot. “Indeed, she has managed that!”
He surveyed Vivianne with critical eyes that flashed with approval. When she’d
first been introduced to him, she’d felt the Kaiser’s burning gaze roam over
her like the eager hands of a lover. “Good choice,” Wilhelm said.

He’d clearly deduced that she was von Eisenreich’s
mistress and Jurgen had as much as confirmed it. The Kaiser had several
mistresses of his own and Vivianne had the impression he wouldn’t have minded
another.

As Uta had predicted, Vivianne had indeed filled
out into what most men commonly considered a woman of striking beauty. And
she’d had many years to cultivate it into an irresistible package. She was now
over four hundred years old, yet she looked no more than in her early twenties.
That arcane quality alone, she knew, was enough to drive men to distraction.

Vivianne had only met von Eisenreich last week at a
masked ball and, knowing his weakness for beautiful women,she’d
shamelessly flirted with him; within short order she’d seduced his keen
interest in her and ensured for herself an invitation to this event.

The Kaiser let his gaze stray to Vivianne as he
spoke to von Eisenreich. Then he finally let his eyes rest openly on her with a
cool smile. “You speak German very well for a French woman, Comptesse,”
he said to her. “I detected no accent when we were first introduced.”

She smiled demurely and didn’t bother to correct
him on her German lineage.

Then the show began and their attention was
diverted to the ring below. Vivianne’s heart raced when Annie Oakley finally
emerged. The diminutive woman stood facing the royal box in a smartly collared
buckskin dress, bedecked with glittering metals from contests she’d won, cowboy
hat, and holding her Colt .45.

Von Eisenreich leaned his head close to hers.
“Chief Sitting Bull gave her the nickname of ‘Little Sure Shot’ because of her
dead shot with a pistol, rifle and shotgun. Did you know that she began
handling firearms at the tender age of nine to supply her widowed mother with game
and eventually paid off the mortgage on her mother’s house.”

Vivianne let her brows rise in impressed surprise.
In truth she knew. She knew everything about the American sharp- shooter. At 90
feet Annie could shoot a dime tossed in the air. With the thin edge of a
playing card facing her at 90 feet, she could hit the card and puncture it with
five or six more shots as it settled to the ground.

Vivianne felt her mouth go dry; she knew what came
next.

With a flourishing turn, Annie faced the royal box
and announced, “For my final act, I will attempt to shoot the ashes from the
cigar of a lady or gentleman in the audience. “Who will volunteer to hold the
cigar?” she asked the audience. Vivianne’s heart pounded. She knew that the
little sharpshooter from Cincinnati expected no one to volunteer; Annie had
simply asked for laughs. Her attentive manager-husband, Frank Butler, always
stepped forward and offered himself. Not this time—

Just as laughter bubbled up in the crowd, Kaiser
Wilhelm leapt out of the royal box and strutted into the arena to a stunned
audience. Laughter turned to gasps as the Kaiser approached the sharpshooter.
Annie Oakley visibly stiffened. In horror, Vivianne thought. The two guards
scrambled forward from the rafters but the Kaiser gruffly waved them off.
Vivianne marveled at Annie’s cool resolve; after handing the cigar to Wilhelm,
the performer paced off her usual distance and the Kaiser lit the cigar with
flourish.

Several German policemen rushed into the arena in a
panicked attempt to preempt the stunt, but the Kaiser brusquely waved them off
too. Then he lifted his head and placed the cigar to his mouth in a pose of a
statue.

Vivianne swallowed the gorge in her throat. This
was the moment she’d waited for; the moment for which she’d come. If this
volatile and ambitious ruler were removed from the scene, one of the key
reasons for World War I would also vanish. An entire world war would likely be
averted. She only had to redirect the bullet; it was made of metal, after all.
Kill a bully and incriminate and ruin the life of an innocent young woman ...
in exchange for over two million lives and the prevention of an age of non-stop
violence—

Annie fired.

Nina Munteanu is an ecologist and internationally published author of novels, short stories and essays. She coaches writers and teaches writing at George Brown College and the University of Toronto. For more about Nina’s coaching & workshops visit www.ninamunteanu.me. Visitwww.ninamunteanu.ca for more about her writing.

About Nina

I'm The Alien Next Door. I'm an ecologist and a published author of several novels, articles and reviews. I teach writing at George Brown College and UofT. I also coach writers. For more on writing (articles and advice) and more information about my coaching, visit me at Nina Munteanu Writing Coach. Visit Nina Munteanu Writer for more about my own writing. My new site The Meaning of Water is devoted to our precious water and brings my interest as an ecologist and limnologist to help understand the meaning and importance of this precious and mysterious element. Inside, you'll find articles that explore what water is and its meaning to this planet and to us as a species and life form.