Use the right Logic template

As we know, there are many types of instruments. Each instrument differs from another not only in the sounds it can produce, but also in its features and functions. So, let’s see what type of features are relevant to our goals.

An instrument can be:

Multi Timbral

Multi Output

Channel Mode 4 capable (guitar mode)

None of the above

Multi-timbral means that the instrument can have different patches (sounds) loaded simultaneously, one for each MIDI channel; up to 16 MIDI channels (some have less).

Multi-output means that the instrument can have more audio outputs than the usual single (stereo or mono) output.

Channel Mode 4, aka guitar mode, means that the instrument can receive each note of polyphony by a different MIDI channel and each channel is monophonic; usually up to 16 voices of polyphony.

The following is a Venn diagram of the possible feature combinations:

The instruments that are just multi-timbral or just multi-output, and all the otherwithoutany of these features, are to consider as a generic instruments.

In view of our goals, we have three types of instruments:

Multi-timbral + Multi-output + Channel Mode 4

Channel Mode 4 only

Generic

In order to reach the goals with any type of instrument, we need three different configurations. We are going to create a Logic Pro template for each of these configurations.

NOTE: Obviously, you can use the “1 instrument instance” template with Automat or impOSCar2 but you don’t have separated audio output for FTs and HTs. And you can use the “2 instrument instances” template with Kontakt, M1, Lush-101 or Kore in order to use the Logic’s freeze feature, but you have to load the instrument twice (not multi-output).

Now, we are going to create the templates first, and then we’ll see how to set up each instrument.

The first thing to do is to open the Harmonync patch and set some basic options.

Open and setup the Harmonync

Double click on the “harmonync_gui.pd” file. If the .pd extension is not properly associated with the PD-Extended application, you can obviously load the patch from the “File” menu. The main window will open.

Check MIDI and Audio I/O

Check if the MIDI and audio ports are set in the right way as shown in the previous post at “Configuring Pure Data” section.

Initialize the Harmonync

Initialize the patch clicking on the green button on the top right.

Activate the MIDI-OUT Tuning Method

In the bottom right “PITCH-BEND method” box, switch to ON the “ACTIVE” switcher.

Output MIDI Channels and Pitch bend range

Clicking on the white “pd channels” button opens the channel management window. We don’t need this window at the moment. It will be opened at the appropriate time during the construction of the templates. For now, set a standard minimal configuration like the following:

Turn on the Built-in DSP (if needed)

As we have seen in the previous post, to get a reference sound, you can activate the DSP just clicking on the checkbox as in the following figure.

Click again to switch off the DSP.

Edit the Harmonync’s tuning settings (if needed)

Some patches in your instruments could have a shifted or limited range of playable notes. This may require some fixes on the Harmonync. The main settings you can try are the followings: