This exhibition—which will be held at the GAM and the Castello di Rivoli from 25 April to 8 November and at the Fondazione Sandretto and Fondazione Merz from 25 April to 11 October—showcases the artistic interpretations of the concept of the real, or of reality, across two centuries: from 1815 to 2015. For TUTTTOVERO, the curator has selected from the immense, diversified, and rich art heritage in Turin’s public and private museums, works that narrate how the world has changed, transforming us and the notion of reality in our culture and society.

TUTTTOVERO begins from 1815, the year Napoleon was defeated at Waterloo and when the history of modern and contemporary Europe began, up to 2015, when Europe has to face a dramatically different global reality. Bonami emphasizes: “At the time of the Expo 2015, Turin and Piedmont accept the challenge of not importing culture, but rather displaying and showcasing what its own public and private civil culture has wisely accrued over the years. If the Expo 2015 is dedicated to feeding the planet, Turin and Piedmont interpret this theme by offering the best nourishment for the human spirit, which for millions of years has proven to be indispensible for the growth and survival of humanity: art.”

Each of the four venues will exhibit a selection of works that best represent their respective identity as museums.

The GAM will present, alongside its permanent collections, the modern and contemporary archeology on the concept of the real: historical photos and artist videos. The itinerary leads the museum back to its utopian and experimental origins, while immersing the audience in an active experience through reflection and analysis. As the curator points out: “The GAM will become the symbol of dynamism where it is up to the public to experiment with its own desire to relate to art and history.”

Through its display of works, the Castello di Rivoli and its immense spaces will symbolize that reality is also what is able to renew itself without changing, while large-scale architecture and sculptures enhance its calling to permanence: “A museum where visitors keep coming back to see exceptional masterpieces that may be enjoyed only here, in their fullness and uniqueness.”

Both private foundations—Sandretto Re Rebaudengo and Merz—will offer exhibitions that reflect their specific identities, also hosting works from the GAM and Rivoli, to underline the unique synergy that Turin and Piedmont have always tried to nurture and stimulate, convinced that art is a heritage for all and an act of social and cultural sharing.

The Fondazione Sandretto Re Rebaudengo will display installations by emerging artists, focused on narrating what contemporary investigations suggest on the notion of the real and the reconstruction of reality.

The show at the Fondazione Merz, covering the Foundation’s ten years as an exhibition venue, reflects upon the specific identity of a place named after two artists—Mario and Marisa Merz—through their works presented along with those by others who, with their own personal investigations, have shared and contributed to a specific art historical course from this past century. The other works on display, showcased in a sort of temporal countermelody, represent a rupture with more recent experimentation.

The exhibition TUTTTOVERO is part of Contemporary Art Torino Piemonte.

TUTTTOVERO is promoted by the City of Turin, in collaboration with the Fondazione Torino Musei, and with the participation of the Fondazione per l’Arte Moderna e Contemporanea CRT and the Compagnia di San Paolo.

This exhibition—which will be held at the GAM and the Castello di Rivoli from 25 April to 8 November and at the Fondazione Sandretto and Fondazione Merz from 25 April to 11 October—showcases the artistic interpretations of the concept of the real, or of reality, across two centuries: from 1815 to 2015. For TUTTTOVERO, the curator has selected from the immense, diversified, and rich art heritage in Turin’s public and private museums, works that narrate how the world has changed, transforming us and the notion of reality in our culture and society.

TUTTTOVERO begins from 1815, the year Napoleon was defeated at Waterloo and when the history of modern and contemporary Europe began, up to 2015, when Europe has to face a dramatically different global reality. Bonami emphasizes: “At the time of the Expo 2015, Turin and Piedmont accept the challenge of not importing culture, but rather displaying and showcasing what its own public and private civil culture has wisely accrued over the years. If the Expo 2015 is dedicated to feeding the planet, Turin and Piedmont interpret this theme by offering the best nourishment for the human spirit, which for millions of years has proven to be indispensible for the growth and survival of humanity: art.”

Each of the four venues will exhibit a selection of works that best represent their respective identity as museums.

The GAM will present, alongside its permanent collections, the modern and contemporary archeology on the concept of the real: historical photos and artist videos. The itinerary leads the museum back to its utopian and experimental origins, while immersing the audience in an active experience through reflection and analysis. As the curator points out: “The GAM will become the symbol of dynamism where it is up to the public to experiment with its own desire to relate to art and history.”

Through its display of works, the Castello di Rivoli and its immense spaces will symbolize that reality is also what is able to renew itself without changing, while large-scale architecture and sculptures enhance its calling to permanence: “A museum where visitors keep coming back to see exceptional masterpieces that may be enjoyed only here, in their fullness and uniqueness.”

Both private foundations—Sandretto Re Rebaudengo and Merz—will offer exhibitions that reflect their specific identities, also hosting works from the GAM and Rivoli, to underline the unique synergy that Turin and Piedmont have always tried to nurture and stimulate, convinced that art is a heritage for all and an act of social and cultural sharing.

The Fondazione Sandretto Re Rebaudengo will display installations by emerging artists, focused on narrating what contemporary investigations suggest on the notion of the real and the reconstruction of reality.

The show at the Fondazione Merz, covering the Foundation’s ten years as an exhibition venue, reflects upon the specific identity of a place named after two artists—Mario and Marisa Merz—through their works presented along with those by others who, with their own personal investigations, have shared and contributed to a specific art historical course from this past century. The other works on display, showcased in a sort of temporal countermelody, represent a rupture with more recent experimentation.

The exhibition TUTTTOVERO is part of Contemporary Art Torino Piemonte.

TUTTTOVERO is promoted by the City of Turin, in collaboration with the Fondazione Torino Musei, and with the participation of the Fondazione per l’Arte Moderna e Contemporanea CRT and the Compagnia di San Paolo.

This exhibition—which will be held at the GAM and the Castello di Rivoli from 25 April to 8 November and at the Fondazione Sandretto and Fondazione Merz from 25 April to 11 October—showcases the artistic interpretations of the concept of the real, or of reality, across two centuries: from 1815 to 2015. For TUTTTOVERO, the curator has selected from the immense, diversified, and rich art heritage in Turin’s public and private museums, works that narrate how the world has changed, transforming us and the notion of reality in our culture and society.

TUTTTOVERO begins from 1815, the year Napoleon was defeated at Waterloo and when the history of modern and contemporary Europe began, up to 2015, when Europe has to face a dramatically different global reality. Bonami emphasizes: “At the time of the Expo 2015, Turin and Piedmont accept the challenge of not importing culture, but rather displaying and showcasing what its own public and private civil culture has wisely accrued over the years. If the Expo 2015 is dedicated to feeding the planet, Turin and Piedmont interpret this theme by offering the best nourishment for the human spirit, which for millions of years has proven to be indispensible for the growth and survival of humanity: art.”

Each of the four venues will exhibit a selection of works that best represent their respective identity as museums.

The GAM will present, alongside its permanent collections, the modern and contemporary archeology on the concept of the real: historical photos and artist videos. The itinerary leads the museum back to its utopian and experimental origins, while immersing the audience in an active experience through reflection and analysis. As the curator points out: “The GAM will become the symbol of dynamism where it is up to the public to experiment with its own desire to relate to art and history.”

Through its display of works, the Castello di Rivoli and its immense spaces will symbolize that reality is also what is able to renew itself without changing, while large-scale architecture and sculptures enhance its calling to permanence: “A museum where visitors keep coming back to see exceptional masterpieces that may be enjoyed only here, in their fullness and uniqueness.”

Both private foundations—Sandretto Re Rebaudengo and Merz—will offer exhibitions that reflect their specific identities, also hosting works from the GAM and Rivoli, to underline the unique synergy that Turin and Piedmont have always tried to nurture and stimulate, convinced that art is a heritage for all and an act of social and cultural sharing.

The Fondazione Sandretto Re Rebaudengo will display installations by emerging artists, focused on narrating what contemporary investigations suggest on the notion of the real and the reconstruction of reality.

The show at the Fondazione Merz, covering the Foundation’s ten years as an exhibition venue, reflects upon the specific identity of a place named after two artists—Mario and Marisa Merz—through their works presented along with those by others who, with their own personal investigations, have shared and contributed to a specific art historical course from this past century. The other works on display, showcased in a sort of temporal countermelody, represent a rupture with more recent experimentation.

The exhibition TUTTTOVERO is part of Contemporary Art Torino Piemonte.

TUTTTOVERO is promoted by the City of Turin, in collaboration with the Fondazione Torino Musei, and with the participation of the Fondazione per l’Arte Moderna e Contemporanea CRT and the Compagnia di San Paolo.