Brooklyn Electronic Music Festival
The mult-venue BEMF continues today with some great shows, including Actress at 285 Kent, Giraffage at Brooklyn Bowl, Oneohtrix Point NEver at Glasslands, Kasper Bjorke at Output's Panther Room, The Magician at Villain, and more. Check out tonight's full schedule below:

Juan Wauters @ Queens Museum
The Beets singer plays this show as part of the opening of Matthew Volz's (who does all The Beets artwork) installation at the Queens International biennial. He'll be playing intermittently from 6:30 - 8 PM.

Moonface, Saltland @ Le Poisson Rouge
Spencer Krug is a man of many projects (Wolf Parade, Sunset Rubdown, etc) and lately he's been dedicating time to his solo project Moonface, which he just released the third album for, Julia With Blue Jeans On, an album of piano and voice that maintains Spencer's songwriting style that we all know and love. Opening the show is Saltland, aka Rebecca Foon who was Spencer's bandmate in Fifths of Seven, and also of Esmerine, Thee Silver Mt Zion, and more.

Mutual Benefit, Tape Deck Mountain @ Baby's All Right
Mutual Benefit's recently released debut LP mixes Sufjan-style chamber pop arrangements with Microphonesy cacophony, and singer Jordan Lee's voice is just a bit like Peter Silberman of The Antlers. They've been picking up some internet buzz, so catch 'em now before they're huge.

The Lovely Bad Things, Diarrhea Planet, Desert Sharks @ Glasslands
If you're looking for a sweaty rock 'n' roll show tonight, this just might be your best bet. The Lovely Bad Things mix Burger-style garage rock and Lookout!-style pop punk and Diarrhea Planet are a garage punk force to be reckoned with that their album only hints at.

Justin Timberlake, The Weeknd @ Izod Center
JT and The Weeknd already did their NYC show at Barclays Center earlier this week, but tonight's another chance to catch their double dose of future-R&B in the area at NJ's Izod Center.

Lady, Justin Baron @ Mercury Lounge
Using Lee Fields backing band, Lady made one of 2013's more underrated records, exuding old school soul/R&B vibes without being slavish to retro-sonics.

One of the best albums of the last decade, hands down. Sadly, judging by the (mostly) spotty quality of their subsequent releases, it appears they will never top it. And that's o.k. Any band that makes an album this fully realized has nothing left to prove, to themselves or anyone else.﻿