The aim of this paper is to cast light upon the moral visionÂ—the vision of what is good and what is obligatoryÂ —that governs many if not most of the motion pictures produced in the United States in recent years. I especially have in mind productions such as Pleasantville, Cider House Rules , and American Beauty , and will give special attention to these three movies in what follows. But the phenomenon in question extends far beyond these cases. The basic (...) idea governing these films is now a wide-spread and deep-lying conviction in the contemporary American soul. It is that moral rules and rigorous moral order in life, as traditionally understood, are meaningless or pointless at best, and really are repressive of the best aspects of human relationships, individuality and creativity . What would have traditionally been thought of as moral propriety and human goodness is now generally thought of as arbitrary and as harmful to life, if not downright vicious (at least in its effects), largely because they eliminate or repress feelings , the true elixir of life. (shrink)

Toot. Pass gas. Break wind. Cut the cheese. Float an air biscuit. Burp from behind. Blow the brown horn. The backfire, bant, bucksnort, booty bomb, colon cologne, drifter, fanny bubble, gasser, gurgler, moon beam, nether belch, pants puffer, pooh tune, rip-snort, sphincter whistle, thunder dumpling, tush tickler, and trouser cough. These are synonyms for a bodily function that is as natural as breathing, eating, or sleeping. Yet unlike other physiological functions, the ‘flatus’ is a source of endless humor – perhaps (...) more so than any other subject in human experience. But why are farts funny? That is a question that is both serious and philosophically interesting. (shrink)

Ever since George Berkeley first published Principles of Human Knowledge his metaphysics has been opposed by, among others, some Christian philosophers who allege that his ideas fly in the face of orthodox Christian belief. The irony is that Berkeley’s entire professional career is marked by an unwavering commitment to demonstrating the reasonableness of the Christian faith. In fact, Berkeley’s immaterialist metaphysical system can be seen as an apologetic device. In this paper, I inquire into the question whether Berkeley’s immaterialist metaphysics (...) is congruent with the Christian scriptures. I conclude that not only are Berkeley’s principles consistent with scripture, a case can be made for the claim that certain biblical passages actually recommend his brand of immaterialism. (shrink)