4 comments:

Most of mine are Great Pan editions illustrated by Peffer, who really was the business. I have a suspicion that when contemporary designers try to emulate that kind of work, they doing so with an element of parody, because they don't have much insight into or appreciation of that kind of illustration.

These really capture the whole 60s/retro vibe as far as I am concerned! I also have a number of Bond paperbacks, from the late 60s and early 70s. If anyone were to produce a book just covering Bond book cover and poster art I'd buy it, but there's probably not the market. Especially as a lot of it would be deemed too sexist or misogynist by the thought police who seem to hold so much sway over such perceptions at the moment.

There was a book covering the posters a few years ago, PC, but posters aren't easily acquired, hence the book. With the Bond paperbacks, it's better to actually have them (especially as they're readily available when first released) than a book about them, I suppose.

STUDIO 77

About the artist:

From 1985 to 2000 A.D. (little joke there), I contributed to a variety of high profile comics and magazines for various companies.

For IPC/FLEETWAY/EGMONT, I freelanced as a lettering and logo artiston various weekly comics and monthly magazines, and also as a resize comic artistandspot illustratoron pocket books, summer specials and annuals.

ForMARVEL U.K., BLACK LIBRARY, REDAN and USBORNE BOOKS, I again freelanced as a lettering artist, also working as arestoration artistfor MARVEL U.S., restoring and re-creating certain pages of JACK KIRBY art for their MARVEL MASTERWORKS editions.

I also lettered the MARVELMAN sample pages submitted to MARVEL U.S. when they were considering acquiring the character, which - as we all now know - they DID.

Supplied comic strips, cartoons and illustrated advertisements for local business campaigns and newspaper publication on a professional basis since the age of 16. Did my first paid art job for publication at 14 or 15 for Lanarkshire Education Board.

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