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POV ("point of view") is a series that addresses many of the same themes covered in my Equals Record column: growing up, saying yes to adventure, learning to embrace a quarter-life crisis. While my previous column focused largely on ideas, POV focuses on moments - glimpses, glances, tiny stories.

"The difference between a community and a network is that you belong to a community, but a network belongs to you. You feel in control. You can add friends if you wish, you can delete them if you wish. You are in control of the important people to whom you relate. People feel a little better as a result, because loneliness, abandonment, is the great fear in our individualist age...But most people use social media not to unite, not to open their horizons wider, but on the contrary, to cut themselves a comfort zone where the only sounds they hear are the echoes of their own voice, where the only things they see are the reflections of their own face."Read more from Ricardo de Querol's interview, here. Photograph by Grzegorz Lepiarz.Three more, just because:
-You had me at "cotton soft."
-A sommelier samples bottled water.
-From poet Eileen Myles (whom I've quotedbeforeon this site): "That horrible line of F. Scott Fitzgerald’s, 'There are no second acts in American lives,' was the notion of somebody who died of alcoholism quite young. Yes, there are second acts, and there are third acts. I live in New York, where there are fifth acts and sixth acts, even."

More recommended reads, here. Wishing you a very happy Monday. (Also: I was derailed by the excitement of snow, but the POV mentioned last week is still to come!)

Sculptor Pedro Reyes and clothing designer Carla Fernández make their home in a beautiful Brutalist structure in Mexico City, surrounding themselves with color, plant life, and an ever-growing collection of books. I was lucky enough to interview the couple for Freunde von Freunden last month, for a feature that went live this week. My favorite moment in our conversation? Pedro's comparison of the home to both a factory and a playground—and his description of the contents of his library.

"Our collection is very diverse," he says. "Just last week, I came back from Japan with two suitcases full of books, including an atlas of sand and a book about caterpillars. It all seems random—but it's not."

This week, from The Atlantic (again): a powerful piece by Ta-nehisi Coates called "Bill Cosby and His Enablers." A small snippet:

"There is no real difference in claiming that a woman in a married man’s hotel room forgoes the right to her body, and asserting that a black boy wearing a hoodie forgoes the right to his. Brutality is brutality, and it always rests on a bed of lies."

Read the article in its entirety, here. Photo by Gabriella Demczuk for The New York Times.

A few more, just because:

-A stockpile of beautiful sentences.
-Chef Angela Dimayuga of Mission Chinese Food shares a mesmerizing account of everything she ate the week of January 7th.
-One more from David Bowie: "'It's not hip to be cool,' he said one day, sipping a beer. 'It really isn't. I had a heyday with the whole iceman-cometh bit. I'm cooled out, man. I've seen so much cool, it's just left me cold.'"

Wishing you a wonderful Tuesday. More reads, here—and new POV to come.

This week, from The Atlantic: an article by Julie Beck on what exactly constitutes adulthood. Are we adults when we've reached a certain age? When we've accomplished specific goals? When we're married, or mothers, or making it financially on our own? As Beck says, "Society can only define a life stage so far; individuals still have to do a lot of the defining themselves."

Says an OB/GYN featured in the piece: "I think the answer to 'when do you become an adult' has to do with when you finally have acceptance of yourself. My patients who are trying to stop time through menopause don't seem like adults even though they are in their mid-40s, mid-50s. My patients who seem secure through any of life struggles, those are the women who seem like adults. They still have a young soul but roll with all the changes, accepting the undesirable changes in their bodies, accepting the lack of sleep with their children, accepting the things they cannot change."

I recently stumbled across Artist Unknown, an online archive of found photographs—little did I know I'd spend the next hour sifting through its posts. What I love about the site is that its images are sorted into categories, so that each entry is a collage of eras and locations, linked by a common theme. Below: Mirrors, Jumping, Long Roads, Happy and Glow.

Back in Brooklyn after ten days on the road—seven in LA and another three in Austin (where, ironically, it was colder than it was at the time in New York). Though the Monday after the holidays is always a little rough, I'm happy to be here, where I look forward to sharing more as the year unfolds. To start, here are a few photos from a recent shoot and Q+A I did with Urban Outfitters at my apartment, just prior to the holidays. During the interview, I was asked for my thoughts on resolutions—as I shared then, I've never been one to make any. My only wish for this year, and every year, is to be surprised at where it takes me.

Four days in, I'm not disappointed.

Find the Q+A, here. (Also featured: the amazing artist Elise Peterson, who I had the pleasure of interviewing this fall, and photographer Emma Jane Kepley.)