I came across Correia’s name on social media in regard to the Puppies and the Nova awards. I didn’t particularly take much interest in the goings on, Correia may have had a point, but George RR Martin also wrote very eloquently about it. In the end I wasn’t bothered one way or another; that awards can be manipulated, or unfairly given to cronies isn’t a surprise to a former member of the British Fantasy Society.

Whatever politics were involved didn’t particularly interest me. I like to read lots of different types of books, different types of SF and fantasy, and I was looking for something action-packed and I remembered something I’d read about Correia’s novels and thought I’d give him a try.

This is the first book in the Monster Hunter International series, and here we meet Owen Zastava Pitt, a former bare-knuckle fighter and now accountant, whose life is turned upside down when his ass of a boss turns into a werewolf and tries to eat him.

As Owen recovers from his injuries, having managed to fight off and kill the werewolf, he’s offered a job as a mercenary monster hunter and that’s when the real fun begins. What follows is a quick boot-camp and then a race to save the world from a group of master vampires and a mysterious figure known only as the Old One…

If you like guns and action and urban fantasy set in a B-movie then you’ll love this. It’s straight-up action, no holds barred, but with decent characters, enough attention to detail to make it realistic, and a few twists and turns to keep things extra interesting. I liked this book. Is it likely to be award winning? In the same way that if it were a film it wouldn’t get an Oscar, no it’s not likely to win awards, but does it fulfil the role of entertainment, will it appeal to a mass market audience (like Fast and the Furious or Star Wars), damn it, yes it will!

Correia may be as well known for the wrong reasons, but try his books. Monster Hunter International is a powerhouse of a novel, it’s exciting, it’s intelligent, it’s fun.

I can’t remember the last time I enjoyed a book that has so many problems. But I did rather enjoy this.

The Romans have taken control of Jerusalem, but the Jewish population aren’t happy about it. A young rabbi named Jesus is causing problems. And a vampire assassin is loose in the city…

Romans, vampires and Jesus. What more could you ask for?

The story begins as a kind of murder mystery as Roman Legionary Taras sets out in search of the murderer of two city guards. He comes across a Vampire Gatehouse, although he doesn’t know what it is, when he follows a man suspected of the murders. That man isn’t a man at all, but a vampire assassin, sent out by the Council of Thirteen to rid the world of any that know about their secret.

What follows is conspiracy, betrayal, murder, lies, more conspiracy, bloodshed, torture, another conspiracy, and treachery.

McAfee doesn’t lack ambitious, the plot involves various nefarious doings and plots by the main characters, and he manages to imbue this ancient world with a realism that holds. The action is plentiful and keeps the pace of the story going along fast enough to take your mind from the various small problems the book has.

And now we come to those problems… As a small-press book you don’t expect the sheen and polish you would expect from a major publisher, so the many typos can be forgiven. The stupidity of some of the characters and their actions becomes a little tedious as it continues throughout the book. The predictability of many of the plot “twists” and ease with which everything falls into place, calling into question the presence of an editor’s firm hand, become sigh-worthy by the end of the book.

There are times when this book will make you groan, as the writer writes himself into a corner and then must abuse his plot to find his way out; there are times when you will sigh with frustration, knowing what is going to happen before the hapless characters falls into the obvious trap or plot twist; and there are times when you will want to scream at the writer to not repeat himself, again, and just get on with telling the story.

And yet these are minor foibles that do take away from the book, but don’t ruin it. This is still an enjoyable romp. With the steading hand of a good editor and a bit of rewriting, this could be a bloody excellent book.

Action, violence, vampire conspiracies, Roman soldiers, lust, murder and Jesus. Surely you can’t want more than that? Shows great promise, and it’s not too difficult to look past the problems and enjoy this lusty, bloodthirsty tale.

Jamie Carpenter’s dad is a traitor who was killed in front of his very eyes. The murder of his father still haunts him when he returns home to find a vampire kidnapping his mother.

Then Frankenstein appears and saves his life.

Swiftly, Jamie finds himself in The Loop, a secret hidden base of operations for Department 19, the most secret service in the UK. A vampire-hunting group who his father worked for before his death. Jamie is desperate to find his mother and with the help of Frankenstein, his father’s loyal companion, and a young female vampire who failed to kill him, Jamie will stop at nothing, including hunting down the second most powerful vampire to ever live…

Anyone who is familiar with the Hellboy comics or films with find similarities with the Bureau for Paranormal Research and Defense, this is very much the English version of that, with a hint of James Bond thrown in for good measure.

The story is simple enough, the set up is well thought out, with some nice touches such as the t-bone weapon, and there’s plenty of action here to keep you entertained.

Despite some miss-direction it’s clear from the start who the goodies and baddies are, there’s no shock when the traitor is finally revealed. There is also rather a lot of crying at the end of the book, fair enough there might be some crying, but it just feels a bit forced and fake after the twenty-seventh person in the last thirty-odd pages balls their eyes out. If this is an attempt for us to engage with the characters emotionally then it fails, miserably.

The biggest problem with the book is the distinct lack of decent characters, ok, we have some work put into this area for Jamie, but there’s nothing to flesh the rest of them out. A shame because a little more work in characterisation and this would have been a great book.

Exciting and entertaining, the world of Department 19 is interesting and needs further exploration. The plot works well enough and the action and story carry it through, although it feels a little long, a bit contrived at the end, and the characters are pale facsimiles.

The second book is the series is out now, and I enjoyed the first enough to give the second a try, but I have high standards and expect them to be met, otherwise I will abandon the series after that. Shows promise.

What could be better? The world’s greatest detective and vampires. In fact, better than just your average vampire, Dracula himself.

The story starts in 1765 at a pirate hanging, told to us by Prince Dracula himself, in the prologue.

The story proper starts with the irascible Dr Watson’s narration as he and the great detective are requested to attend a séance where a wealthy family’s eldest daughter has previously been conjured. Their daughter died weeks ago of drowning while out with her fiancé and sister.

So far so good.

Saberhagen has Watson’s style down pretty good, and the story rolls along in the traditional style. But somewhere towards the middle of the book things begin to go awry.

The book switches narrator between Watson and Dracula, which far from adding to the story, is jarring and confusing. There is some overlap between the stories being told, and there is the constant “I, Dracula take over the story” every time there is a change, which grates. At times both narrators use the third person to describe themselves, adding to the confusion.

Holmes is a facsimile, a mere name, without any of the characteristic genius, the clever detection, or humour of the original. Dracula, although an aristocrat, was never a gentleman. Beneath his suave exterior lies the rotting heart of monster. Even at his best he is a creepy and chilly individual. Not so here, Dracula rivals Watson for pompous Victorian etiquette.

Despite the ruinous use of two of my favourite characters, I persevered to the end, only to find one of the weakest climaxes in the history of the novel, and everything tied up so easily it hardly felt worth the effort, without any ingenuity or integrity.

Although I have savaged, quite comprehensively, this book, I still found myself enjoying some small parts of it. It is after all, Dracula and Holmes, even if they are poor copies.

This could have been such a brilliant book, perhaps my expectations were too high, or perhaps this book doesn’t deserve the name of Holmes associated with it. I might try another in the series to check, but this definitely does not live up to the originals.

Mmmm… A modern re-telling of the Dracula story, moved to New York, and with vampirism a mutating virus, turning its victims into blood-sucking fiends with proboscis-like extra tongues that act like blood-seeking whips.

For all its modern-twists, this is a basic vampire story in which the Master plots his domination of the new world, and travels on a plane which is the centre of the story for about half the book. The build up is very well done, but feels like the first part of a trilogy, as the plane lands dark, no lights, no power. When investigators go in to see what’s going on they find the entire plane is dead, including all the passengers. The CDC (Centre for Disease Control) is called in and the investigation begins with Dr Ephraim Goodweather in charge, that is until he is set-up by the Master’s mysterious human aids, and the entire planeful of bodies goes missing from the morgue, returning home to kill their families.

Some parts of the book work well, the build-up with the plane is intense and completely feasible. The second half of the book, as a rodent-killer traces the vampires to the World Trade Centre ruins, and our heroes suddenly become much better as handling the deadly undead, and the vampires act more like rodents or zombies than traditional vampires, and things start to get a bit stretched. Even more so when our unlikely squad of heroes head down into the vampire’s nest and kill most of them with a light-bomb, and almost everything goes back to normal. A rather weak ending.

For all its clichés, and reinventions, it’s still a fairly exciting book to read. With such a lack of originality in vampire fiction, this still rates as one of the better modern takes on the evil breed in many years, despite it feeling a little like a remake.

Not quite up there with Anno Dracula, possibly the best vampire novel since Dracula, but The Strain holds a lot of promise, despite its problems, and I certainly look forward to the second and third instalments to see where this will go.

How do you create a possible successor to one of the greatest fantasy characters to ever live? I’m obviously talking about sword and sorcery legend Conan. The Cimmerian Barbarian has entertained readers for eighty years, and film goers for thirty. There hasn’t been a new Conan novel for a long time, but if you read any of the Tor novels you’ll find them remarkably similar – a plot on rails with very little imagination.

Conan is a prototypical fantasy barbarian, with well-known characteristics that many have tried to emulate.

Kell’s departure from these characteristics is what makes this story work so well. He’s a grumpy old man, a warrior past his prime and discarded by society, hiding away in a small northern town where he makes soup and is visited by his granddaughter, Nienna. After one such visit, the ears of the old warrior prickle as he hears screams. His door is kicked in by albino warriors who bleed white blood when he kills them using his trusted blood-bond axe, Ilanna, and the fight is on to save Nienna. It soon becomes clear that the albino soldiers are part of an invading army, and Kell is joined in his cause by a seducer and popinjay Saark, who’s more interested in saving his own skin and bedding Nienna or her friend Kat.

The invasion is led by General Graal, a leader of the Vachine, a race part vampire part machine. Graal is a cruel and twisted warrior who will stop at nothing to capture the entire human race, so that he and his people may feed.

Kell is a hero for the modern era, complete with idiosyncrasies, a deep and troubled history, and dealing with his own set of problems whilst struggling desperately to survive. The other characters in the novel are also very well drawn, and as the world gradually expands on their voyage, so too does the world become more detailed.

This book isn’t read as much as it is experienced. It draws you in deeply in the first hundred pages and then, as more and more dangers are thrown at our band, you feel you are surviving with them. Remic isn’t afraid to kill off a great character or throw in another challenge to spice things up and ramp up the tension. You can’t help feeling like you have to hold on tight just to stay on for the ride. It’s that tension and excitement that make the book stand out. There is real danger here. In most fantasies you know that the main characters are always safe because they have to appear in the next book, but although this is Book I of the Clockwork Vampire Chronicles, it’s not the Tales of Kell chronicles and you really do believe that at any moment another character could be killed. There’s an evil and twisted streak to Remic, which not only gives us added danger (and a little torture), but also provides the grim humour that is sadly lacking for many modern fantasy novels.

Okay, so it’s not perfect. For a start, you have to wait for the second instalment. (Grr! I have no patience.) There are far more typos than you would expect from a major publishing house and this can be bothersome, but not overly so. Also, the start of the story is a little slow, but only for the first couple of chapters and then it’s full speed ahead!

Kell’s Legend is a rare book. It’s one of those reads that makes you sit up and slaver with excitement. It has the page-turning quality of a thriller, the depth of an epic, the kind of protagonist that comes round one in a lifetime, and a story that twists and turns like a snake. It’s imaginative, brilliant, exciting, amazing, and truly inspiring. Yeah, I really did fucking love this book!

The cliffhanger ending will leave you on the edge of your seat begging for the next instalment. This series has the potential to be truly legendary and I really can’t wait for the next chapter.