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Enrico (Henri) Pranzini was held to account for the gruesome 1887 murders of courtesan (high class prostitute) Marie Reginault and her servant, Annette Gremeret and Gremeret’s young daughter at Reginault’s Paris apartment in Rue Montaigne. Highly successful in her profession, Reginault lived a life of luxury. Some of her clients were said to be prominent men in the French government and army. The three victims’ throats had been slashed so badly they were nearly decapitated.

Enrico Pranzini and the three victims. Page from the “Album of Paris Crime” by Alphonse Bertillon. Collection of the Metropolitan Museum of Art in New York.

A handsome, 30-year-old man with a muscular build, Pranzini was popular with the ladies and was described in the press as a “gigolo.” Born in Egypt, he was intelligent, worldly and spoke several languages. Prior to the murders he worked as an interpreter and translator and traveled widely throughout Europe and the Near East. The press described Pranzini as a “professional blackmailer” who used his good looks and charm to “make love to older woman, get them in his power and then compromise them if they refused to pay.”

Letters, cuff links and a belt found at the crime scene implicated another man, Gaston Geissler, as the murderer, however the police believed they had a better case against Pranzini, despite the fact that he had no history of violence. Salacious details about the murders were reported widely in the press and the public clamored for a scapegoat. Pranzini filled the bill.

Reports of the murders in the press included illustrations, some of which were based on morgue photos and mug shots.

Pranzini maintained his innocence throughout his trial for the triple murder. The prosecution’s case was circumstantial—it was based on the fact that he left Paris on the night of the murders and that he gave jewelry similar to some that was missing from the murdered woman’s apartment to prostitutes in Marseilles in the days following the crime.

He was convicted and given the death penalty — execution by guillotine.

Pranzini marched from his cell to the scaffold with a firm step and defiant air. When the executioners seized him the murderer resisted and fought desperately, demanding they let him alone. The executioners overpowered him and threw him upon the machine and in an instant had him securely bound. Immediately the terrible knife was started. It descended with horrible slowness at first, but then its movement quickened and the head of the murderer rolled into the basket.

— The Times, Philadelphia, Pennsylvania, September 1, 1887

After his public execution, Pranzini’s body, minus the head, was removed to a Paris medical school, where parts of it disappeared. Subsequently it was discovered that some of his skin had been removed and used to make wallets. Other parts apparently went to well-connected curiosity seekers.

If you are visiting Paris, you might drop by the Police Museum of Paris, where you can see not only a wax model of Pranzini’s head but also a display of Parisian policemen taking a rogues’ gallery photo, like the one of Pranzini at the top of the page.

Featured image: Enrico (Henri) Pranzini mugshot by Alphonse Bertillon. Collection of the Metropolitan Museum of Art.