Remembering through facsimile

This weekend I finally sat down to watch Shinkai Makoto’s breakout anime hit of 2016 「君の名は。」Your name.. It was an entertaining story with some nice twists, great voice acting, and some cute scenes.

In preparation for this film I watched two other Shinkai films in order to get more familiar with his work. First was his homemade work Voices of a Distant Star which was pretty trippy. Then I watched 5 Centimeters per Second, which, even though it is ten years old, feels like a predecessor to Your name. All three of these films deal with unrequited teenage love, mobile phones, and lense flares.

Setting that aside, what I really want to comment on is Shinkai’s depictions of Japan in his films, especially 5cm and Your name. (Voices was handmade by Shinkai on his Power Mac G4 in 2002, so the quality of visual is not as tight as the other two films). These two films are visually amazing… art imitates life with extremely detailed illustrations of the objects daily life. His camera work makes normal things seem foreign, since he can place the point-of-view in spots that only the sharpest animator’s pen can fit. It is beautiful.

Yet, it is cold. The lines are surgical. I get a very different feeling about Japan when I watch these films compared to when I watch Ghibli films. Pretty much every film Miyazaki and his crew produce makes my eyes fill up with the tears of nostalgia. I can’t put my finger on it… they are so gentle. Even Kiki’s Delivery Service and Howl’s Moving Castle — which aren’t even set in Japan!

Does the lack of fidelity in Miyazaki’s work leave room for my own idealized notions of Japan to creep in? Whereas Shinkai’s photo-realistic facsimile keep any and all emotion at bay?

Or maybe it has to do with relationships. It could be because I didn’t grow up in Japan as a lovesick 15 year old. Pubescent relationships are central to the three Shinkai films. Ghibli films on the other hand tend to focus more on inter-generational stories — on families. Maybe that is why I identify more with them?

Either way, I find it interesting that I don’t have the same natsukashii (懐かしい) feeling watching Shinkai’s hyper-realistic Japan, even though it is much closer to my own experience of that place. I sure hope I am not falling for some sort of idyllic Ghibli Japan. It has already changed so much in the seven years since I left and if ever I move back to Japan, I would hate to be disappointed by my own remembrances.

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About

Chad Kohalyk thinks and writes about the intersection of technology and politics. He has a master's degree in War Studies, and is active in the startup community. He resides in Kelowna, BC Canada, often making trips to Japan. More →