FEATURED SHOWSunday, January 20, 1:30 PMDave Watkins @ The Pump House (1708 Pump House Dr) – $30 (order tickets HERE)
Our city has a long and fascinating history, going back hundreds of years, and one result of this fact is that there are random neglected corners of Richmond that hold fascinating treasures mostly undiscovered by the city’s population at large. A great example of this is the old Richmond Pump House, which can be found at the end of a little-used road just up the hill from the toll booths at the nickel bridge (aka the Boulevard Bridge). Long ago, it pumped the city’s water out of the Kanawha Canal and uphill to the Byrd Park reservoir, from which it made its way to the taps and spigots of the city.

The Pump House is a big old stone castle of the building, and its gothic spires are irresistible when you come around the curve and see them standing tall. It’s been almost a century since it supplied the city with water, and almost as long since the huge dance hall on the balcony was open for events. When I first discovered it in the mid-90s, my friends and I enjoyed wandering around its dusty depths, but these days it is not open to the public due to safety issues. However, the non-profit Friends Of Pump House have some grand wishes for it, and are currently working with Enrichmond and the city’s Parks and Recreation Department to restore it to its former glory and gain it an occupancy permit, so it can host events and dazzle visitors once again.

To that end, they’re holding a pretty excellent and unique music-related event this Sunday afternoon, and while tickets are extremely limited, there were still a dozen or so left when I checked this morning, so you absolutely still have a chance to be part of it. The event will begin at 1:30 with a full tour of the Pump House, and if you aren’t old enough to have had the chance to explore it years ago, it’s definitely worth getting a full tour (especially since you’ll have knowledgeable people there to tell you what you’re looking at and what its purpose was). Then at 2 PM, Richmond mainstay Dave Watkins will break out his homemade dulcitar and grace all in attendance with a beautiful set of avant-garde music incorporating his fascinations with old-time folk music and electric-guitar ambience. I talk a lot about great shows in this column, but full-on experiences that incorporate this city’s rich history are rare indeed. Make it your business to be part of this one.

Wednesday, January 16, 8 PMThe Spliffs @ Vagabond – Free!
When I hear a name like the Spliffs, my mind goes in one of two directions — either irreverent punk or marijuana-scented jam-band. However, the Spliffs coming to Vagabond tonight to play a free show for us all occupy neither of those genres. Instead, they’re a vehicle for the amazing soulful vocalizations of Brittany O’Neill, a lady who has been lighting up stages and recordings around the Richmond scene for years — I first saw her take a guest vocal for The Big Payback at The Republic, so you know that was a while back.

She’s been back and forth between RVA and LA for the past couple of years, but she’s home now, and she’ll be fronting the Spliffs for a set of soulful jazz fusion at Vagabond tonight. And she’s got some powerful friends backing her up — the group also consists of People’s Blues of Richmond drummer Neko Williams, jazz pianist Macon Mann (probably better known to RVA Mag readers as “Mc Chicken,” the rapper responsible for the viral “Richmond River Rat” video of a few years ago), and brothers Paul and Dmitri Yeonas of the Twin Brothers Band (and they are indeed identical twins). This quintet’s sure to be responsible for some deep grooves down in the Vagabond’s downstairs space, known as “The Rabbit Hole.” So head down the stairs and enjoy the underground sounds.

Thursday, January 17, 7 PMJackie Cohen, Angelica Garcia, Strawberry Moon @ Gallery 5 – $10 (order tickets HERE)
Spacebomb Records isn’t always right in your face with what they’re up to, but one thing’s for sure — they never sleep. This past year saw them release music from a variety of artists, and one particularly striking voice on their roster came from Jackie Cohen. She released two EPs on Spacebomb in 2018, known as the Tacoma Night Terror EPs, parts one and two. The nine songs in total presented by these two dispatches from Cohen’s personal emotional landscape that might have started out as quirky indie-folk tunes, but bear the unmistakable stamp of Spacebomb in their final form, harking back to the funky smoothness of the 70s Laurel Canyon music scene just as easily as they evoke post-y2k oddball indie singer-songwriter vibes.

It’ll be fascinating to see what form this sound takes in a live environment, and we’ll have just that opportunity on Thursday night, as Jackie Cohen takes the Gallery 5 stage and presents us with her unique tunes, including such hits as “Make U Sick,” “Ladies’ Man,” and the memorably-titled “I Hate My Body.” She’s joined in this endeavor by Richmond singing sensation Angelica Garcia, who’s currently hard at work on the follow-up to her attention-grabbing 2016 debut, Medicine For Birds. Recent Bandcamp uploads indicate promising results being achieved in the studio, and Ms. Garcia always brings her A game to the live environment, so you’re sure to enjoy this one. Strawberry Moon opens up with their entrancing ambient indie-pop — get there on time, and stay all night. Not a minute of this evening will be missable.

Friday, January 18, 7 PMGabby’s World, Yowler, Missangelbird @ Capital Ale House Music Hall – $10 in advance/$12 day of show (order tickets HERE)
This is one for all you young indie kids. Gabrielle Smith hasn’t been performing under the name Gabby’s World for very long; previously, she was known as Eskimeaux, a name that undoubtedly got the boot due to dodgy cultural implications. However, both under that name and at the head of her new quartet, she’s produced some undeniably memorable music. Beast On Beast, the album Gabby’s World released a couple of months ago, show that her delicate vocals and assured songwriting touch are both very much intact; indeed, this just might be her best work yet.

You’re not going to want to miss out on what Gabby’s World conjure up in a live environment. Equally, you’re going to want to catch every second of the set from Yowler, a solo vehicle for Maryn Jones, who previously grabbed attention as the leader of All Dogs. On Yowler’s second full-length, Black Dog In My Path, Jones brings us a set of hushed, mournful songs that center on her softly plucked acoustic guitar and vocals delivered at a near whisper. The room will have to get quiet for this performance, but it will certainly be worth it to hear the dark, delicate beauty of Yowler’s music. Richmonders Missangelbird will get this one started off right, and it’ll only get better from there.

Saturday, January 19, 8 PMLouis York, Calvin Presents, Weekend Plans @ Capital Ale House Music Hall – $15 in advance/$18 day of show (order tickets HERE)
Louis York is a group whose name you may not know as yet. They’ve been recording for a few years now, and have released three installments in their Masterpiece Theater series of EPs. But what really makes the duo of singer Claude Kelly and pianist/multi-instrumentalist Chuck Harmony so distinctive is their background in the behind-the-scenes world of the pop music industry. Both have some heavyweight songwriting credits to their name — Kelly for Miley Cyrus’s “Party In The USA,” Harmony for Rihanna’s “Russian Roulette, among many others of course — and both made quite a name for themselves in that world separately.

The combination of their talents into the duo known as Louis York has only produced more gold in a variety of genres, from the dance-club bounce of “Don’t Play” and the cocktail jazz of “I Enjoy You” to the orchestral R&B-pop of “Clair Huxtable” and the Queen/MCR power balladry of “Nerds.” This isn’t a group with limited ambitions, by any means, and they certainly don’t seem to have any limit to their talent, so when they hit the stage, there’s no telling what sort of amazing flights of musical fancy you’ll be privy to. What we can tell you, though, is that you’re sure to enjoy every moment of it.

Sunday, January 20, 7 PMBrower, Nightcreature, Weird Tears, Brain Drain @ Gallery 5 – $7 in advance/$10 day of show (order tickets HERE)
I love it when a band I’ve never heard of shows up in town and blows my mind. Well, Brower aren’t here yet, but considering it’s my job to write this column every week, I always get a little bit of advance warning — which is my cue to alert all you Richmond music fans. And this week, it falls to me to ensure that all of you are aware of Brower, the New York power-pop group who’ll be taking the Gallery 5 stage this Sunday night. A fuzzy garage-rock edge is certainly present in Brower’s music, but what really makes this group stand out is their flawless sense of pop-rock songcraft.

Led by Nat Brower, a singer-songwriter with credits from garage rockers Nancy, Brower does quite a bit to evoke the best sounds of 70s rock radio, from David Bowie to T. Rex, on their new album, Buzzsaws. The result is a recipe for nonstop dancefloor action, of the sort that’ll have you smiling all night. We all could use a bit of that, especially since we’ll all have to head back to work the next morning. Excellent local support from garage-punk up-and-comers Nightcreature, post-Cherry Pits rockers Weird Tears, and bubbling-under punk group Brain Drain will only make this evening even sweeter.

Monday, January 21, 6:30 PMCracker, Camper Van Beethoven @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
It’s always nice when post-punk bon vivant and one-time Richmond hero David Lowery brings his music back to a stage in RVA, and this particular event promises an overview of Lowery’s entire career in one enchanted evening. It all got started back in the early 80s with the formation of Camper Van Beethoven, who both ascended from the California punk scene of that era and tweaked its incipient orthodoxy by breaking all sorts of unwritten rules: using acoustic instruments and violins, incorporating country and folk sounds into their punk-tinged melodies, and Lowery’s iconoclastic lyrics, always delivered with biting wit.

But it was Cracker that really made David Lowery a star. Brought together in the Oregon Hill neighborhood, long before it was gentrified beyond all recognition, Cracker grew to international stardom with early-90s heartland-rock hits like “Low” and “Get Off This.” Today, David Lowery plays and records regularly with both of his bands, and double-billed shows like this one have been an outstanding result of that synergy. We’ll all get an amazing overview of David Lowery’s entire four-decade career, from “When I Win The Lottery” to “Euro Trash Girl” to “Waited My Whole Life.” And every moment of it is going to be excellent. We don’t get a treat like this every day here in Richmond — I’m counting on you not to miss out on this one.

Tuesday, January 22, 8 PMBrunswick @ The Hof – Free!
One way you can tell that Richmond is a great town for music is by taking a look at the caliber of mid-week free shows we get around here. For a great example, look no further than this jazz performance taking place in The Hof’s “Darkroom” performance space on Tuesday night. Brunswick is a name that might not grab as much attention in discussions of local jazz groups as more prominent leading lights like No BS! Brass and Butcher Brown.

Nonetheless, this 13-piece ensemble is a local mainstay, and features members who’ve done time in all sorts of other noteworthy jazz groups around town. Last summer, they released Five Years, their debut LP, which celebrated the amount of time leader John Hulley and his talented bandmates had been working toward this milestone. Live, they’ll intersperse original tunes from the album with brilliantly unorthodox covers of artists like Frank Ocean and Daft Punk, giving you an up-close experience of jazz in the 21st century. And you get all this for free on a Tuesday night — how awesome is this town?

Bonus Hampton Roads Picks:

Saturday, January 19, 7 PMGhouli, dad, Bato, Nervous System, Single Use Plastic @ Charlie’s American Cafe – $5
Both of the picks for the Hampton Roads area this week are on Saturday night, which is something I usually try not to do. However, with the way everything stacked up this week, unless you want to catch up on what Jimmie’s Chicken Shack are up to in 2019, or see a solo show by one of the ICP guys, you’re gonna have to try and double up on Saturday night. So it goes. The question you must answer, in order to know which of these is more up your alley, is: are you more of a punk rocker, or a hardcore kid?

If you picked the former, you’re going to want to head to Charlie’s American Cafe, where two RVA groups head up a bill of punk rock excellence. Ghouli keep it raging and ranting with their straight-ahead punk riffs, while dad’s pensively furious queercore summons up memories of pre-Sleater-Kinney group Heavens To Betsy. A fierce trio of Tidewater punk rock crews are also on the bill, with the hyperspeed punk rage of Bato being a standout. Nervous System has a creative D-beat sound, mixing that genre’s expected UK punk gnarl with a surprising talent for multi-layered guitar harmonies. Local newcomers Single Use Plastic get things started off right. This one will rule.

Saturday, January 19, 7 PMFaded, Circle Back, Beggar’s Row, Down To This, Violent Life Violent Death @ West Beach Tavern – Free!
But don’t get us wrong, this one will be a ton of fun too, and if you answered “hardcore kid” to our question above, it will appeal to you in particular. This one will offer chances aplenty for serious mosh pit action, as a quintet of hardcore bands from Tidewater and the Carolinas come together to lay the brutality on ya. VB rippers Faded have shown a serious talent for metallic hardcore of the breakdown-laden variety; they’ll get the spin-kicks flowing for sure. And of course, fellow Virginia Beachers Beggar’s Row take things in a thrashier direction, picking up the speed without dropping an ounce of the metal.

These groups are joined by a trio of powerhouses from the Carolinas, bringing their riffs northward to devastate the Tidewater region. Circle Back in particular has a powerful sound with an outright death-metal undercurrent, but rest assured, these guys keep it core all the way. This Charleston SC band comes to us in the company of Charlotte, NC’s Violent Life Violent Death, who have the most direct appeal for those who want their hardcore to bear at least a passing resemblance to Swedish thrash (I’m definitely one of those people). And of course, Down To This, who hail from the oceanside military town of Jacksonville, NC (not FL), have some serious thick-necked beatdowns to deliver. This one’s gonna be heavy as fuck, so come prepared to move.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

FEATURED SHOWTuesday, December 4, 6 PMNegative Approach, Battlemaster, Shadow Age, True Body, Slump, Unmaker, Serqet, Gumming, Loud Night @ Strange Matter – $15 (order tickets HERE)
The holiday season is here, but for the Richmond music scene, it’s a sad time, as perhaps our most reliable mainstay for live music over the past decade is going away. However, while it’s hard to think of how we’ll get by without Strange Matter in 2019, the venue’s imminent closing seems to have created an absolute bonanza for people who love seeing awesome bands. Between now and their final closing on December 15, they’ve booked a whole passel of action-packed, star-studded farewell shows to close out their time on a high note.

Indeed, there are so many that I couldn’t possibly fit all of the worthy bills happening at Strange Matter this week into this show column without ignoring some really great shows happening around town elsewhere. But rest assured, if any of the following picks isn’t in your lane, there’s probably something amazing happening at Strange Matter that night — check out the full schedule from now til their last night over here.

All that being said, I couldn’t possibly avoid mentioning this show. It was already stacking up to feature an abundance of excellent local bands from a variety of genres… and then Negative Approach came calling. This legendary first-wave US hardcore band came roaring out of Detroit in the early 80s with an amazing treasure trove of hardcore bangers that made their debut EP and Tied Down LP classics of the era. These days, vocalist and human whirlwind of rage John Brannon keeps the band alive in the company of the band’s original drummer, plus former members of fellow hardcore legends The Necros and Easy Action on bass and guitar.

And believe me, when they hit the Strange Matter stage, they’re going to rip your fucking head off. And yes, I intend that as a very high compliment. If you haven’t seen the reunited Negative Approach on any of their previous trips through Richmond, this is the time to make it happen. After all, you’ll not only be getting to see John Brannon go wild up close and in person, you’ll be celebrating the past decade of greatness Strange Matter brought to us, and in the company of some of this town’s best local bands. Its brought Shadow Age back from their recent retirement to play their first-ever set as a quintet, the dynamic psychedelic-postpunk duo of True Body and Slump are both on the bill, Unmaker’s fresh off the release of their new album and ready to lay you flat with Killing Joke-style heaviness… and there’s a whole lot more. I’ve already taken up too much space saying even this much. Just go.

Wednesday, November 28, 6 PMBroadside, With Confidence, Sleep On It, Small Talks @ The Canal Club – $15 in advance/$18 at the door (order tickets HERE)
Broadside have been at it for a long time here in Richmond, and they’ve been through a lot during their decade or so of existence as a band. In fact, no one we talked to for our first interview with Broadside back in 2011 is even still in the band — so that should give you an idea. However, since singer Ollie Baxxter joined the band in 2013, they’ve had a standout sound that sets them apart from the pop-punk pack and helped get them signed to Victory. Second LP Paradise showed them branching out in their sound, increasing the emphasis on melody as Ollie grew as a vocalist and showed off some teen-idol vocal chops.

But rest assured, this band still packs the sort of punch you’ll need to get you jumping and dancing even as you sing along to all those heartbreaking lyrics we’ve all memorized alone in our rooms late at night. And they’re coming to town with Australians With Confidence, who have a similarly sure-footed approach to melodic, emotional punk sounds, though these guys are more on the emo tip than Broadside’s whole post-easycore approach. New album Love And Loathing is an excellent listen, and the band will bring all those tunes to life in glorious Technicolor when they hit the Canal Club stage. Wear your basketball shoes for this one, because the club is gonna be jumping.

Thursday, November 29, 8 PMManatree, Stray Fossa, Bottled Up, missangelbird @ The Camel – $5 in advance/$7 at the door (order tickets HERE)
If you’d like a one-night crash course in what’s going on in the indie scene around VA, you can’t do much better than this show at the Camel. Your star attraction, as it’s been so many times, is Manatree, a group that started out as bouncy teenagers but have grown up, matured, and been through some lineup shifts in order to evolve into their current form. They’ve developed a new approach that moves away from the alt-rock and emo tinges they had on earlier material in favor of delicate, mathematically complex precision, which they showed off on Engines, the full-length they released this past summer. If you haven’t caught them live since 2016 or so, rest assured, a lot has changed — and in good ways.

To our west up 64, Stray Fossa has been putting together some excellence of their own of late, releasing debut EP Sleeper Strip earlier this fall to give us all a taste of their pensive UK-style tuneage. It borders on shoegaze, but the way frontman Nick Evans’ voice sits above the multi-layered guitars is so strong and assured that the end result is closer to pre-shoegaze UK guitar slingers like House Of Love and The Chameleons. DC’s Bottled Up let loose with a bit more distortion than the two previous bands we’ve discussed, but there’s a great deal of space in their sound nonetheless, and delicate, bouncy pop is ultimately the best way to describe their music. Recent EP BU2 is a lot of fun, and their performance at this show seems certain to be as well. Finally, Harrisonburg’s missangelbird, which grew from a series of quiet solo demos into a softly powerful indie-folk trio over the past few months, opens up, easing you into a night of lovely sounds from around the state. Don’t miss a moment.

Friday, November 30, 7 PMDrug Church, Gouge Away, Seattle’s New Gods, Twin Drugs @ Strange Matter – $12 (order tickets HERE)
Just to show you a little bit about how the sausage is made: this double-headline bill was a major candidate for Featured Show this week. I couldn’t deny the outstanding nature of the Negative Approach show, but it in no way reduces the greatness this truly stacked lineup has to offer. Drug Church and Gouge Away have both released new albums this year, and both of them show some major growth. Drug Church’s third LP, Cheer, just came out and finds this crunching (post?) hardcore band dishing out their usual top-quality distorted midtempo riffs, only now with a slight undertone of minor-key melody that increases the emotional quotient even as lead vocalist Patrick Kindlon (also of Self Defense Family and the Axe To Grind podcast — yeah, you know this dude) is still blasting you with his usual acerbic wit and cutting insights into the darker sides of human character.

Drug Church have always had a lot to offer, and seeing them on this tour is sure to make that clear. But don’t get too excited about them and miss out on their touring partner — Gouge Away’s new LP, Burnt Sugar, is clearly the best thing this already shit-hot band has done. It finds them cleaning up their sound but continuing to lean into their driving, furious punk rock sound, with the end result landing somewhere between the excellent emotional hardcore of Xerxes circa Collision Blonde and White Lung at their career peak (that being the “Blow It South” single). Both of these bands are guaranteed to offer powerful live performances that you won’t soon forget, and openers Seattle’s New Gods and Twin Drugs only make this show even cooler and more interesting. Get there.

Saturday, December 1, 6 PMInter Arma, Black Tusk, Earthling, Humungus, Hoboknife, Buzzard Dust, Prayer Group, The Astral Void @ Strange Matter – $15
OK I can’t talk about ALL of the Strange Matter farewell shows, but some of them definitely need specific mention, and this is one of them. This one is for all the kids who wear old faded metal t-shirts with the sleeves cut off all summer, and denim vests covered in patches all winter. It’s the perfect evening for people who like the idea of doom metal, but prefer bands to be too creative to fall squarely within that genre’s rather narrow borders. That description perfectly fits headliners and local metal legends Inter Arma, who have shown us over their decade-plus career that they are equally skilled at all genres of metal, and are willing to fit pieces from the majority of them, as well as some completely uncategorizable elements, into any given song of theirs. And it always rules.

But there are a ton of other bands on this bill, and all of them deserve your attention, especially Black Tusk. This Savannah, GA band has persevered despite tragedy, returning this year with TCBT, their first album since the death of founding bassist Jonathan Athon. The album’s unrelenting heavyosity makes clear that these guys still have an immense amount of metal power running through their veins, and their set at Strange Matter should make it even clearer. Of course we’ll get a ton of other great metal from around the state on this bill, from Earthling’s blackened crust rage to Humungus’s power-metal triumph and the psychedelic noise of The Prayer Group. Plus more! Get that vest out and let’s rage.

Sunday, December 2, 3 PMDoll Baby, American Television, Alex Jonestown Massacre @ Hardywood – Free!
It’s always fun to visit Hardywood on a Sunday afternoon when Handmade Holiday is in full swing. Tons of crafters, artists, and other local vendors will be on hand to offer you an artisanal alternative to the Christmas gifts the big-box stores are all pushing this year. And what makes this Sunday afternoon’s Handmade Holiday presentation even cooler is the presence of three excellent bands to liven up your afternoon and give you sounds to tap your foot to as you browse through the tents and get some holiday shopping done.

American Television are the out-of-towners, but they’re from just up the road in DC, and they’ve got a great sound that will find a home in RVA’s heart for sure. The “Death Defier” single they released this summer, which was sold in conjunction with a signature dark roast coffee if you can believe that, has the kind of caffeinated rush you’d expect from a melodic punk band with an addiction to the dark nectar of the bean. The signature roast is sold out, but they’ve still got plenty of killer tunes to deliver to you this Sunday afternoon, as do local favorites Doll Baby and up-and-coming young band Alex Jonestown Massacre. It’s free, it starts at 3 PM, there are food trucks where you can score a late brunch, and you can get all your gift-shopping done in one place. What more could you ask for?

Monday, December 3, 7 PMWHY?, Lala Lala @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Remember when people used to talk about “backpacker hip hop”? It doesn’t get brought up as much now, but all that stuff released during the 00s on Anticon, Definitive Jux, and similar labels had a real effect on the culture and stretched the sounds and ideas of hip hop into new realms. Why?, a group formed by former cLOUDDEAD rapper and Anticon all-star Yoni Wolf in the mid-2000s, was a big part of that expansion. The project started as a de facto solo thing for Wolf, but soon evolved into a four-piece band that incorporated guitars, keyboards, and drums into a sound that was almost closer to indie than anything anyone would expect from a project associated with the hip hop genre.

But Wolf was still rapping over it all, and it created an intriguing fusion, one that Why? were largely responsible for creating, most prominently on their landmark 2008 album, Alopecia. You might hear about the fusion of rap and rock and think cringingly of Limp Bizkit, but Why?’s sound was about as far as you could get from that, accentuating Wolf’s thoughtful lyrical pensiveness with a quiet, contemplative indie sound that fit in well with groups like the Silver Jews — who Why? actually toured with back then. And they made their mark on a whole generation of music lovers, from hip hop heads to indie kids and everything in between. On this 10th anniversary tour for Alopecia, they’ll be bringing all those fans into the same room once again, and it’s sure to blow your mind whether you were there for the first go-round or you’re just discovering Yoni Wolf and his excellent band today. It’s something you need to see.

Tuesday, December 4, 8 PMGhost @ Dominion Energy Center – $39.50 – $79.50 in advance (order tickets HERE)
Nearly a decade after their formation, Sweden’s Ghost remain a very interesting band. Their theatrical Satanism, always exemplified by elaborate characters and onstage costumery, took a bit of a hit after legal action by former members of the group revealed the identity of mastermind Tobias Forge. Forge has actually been the band’s frontman throughout the many transferrences of the vocal position between different characters over the years, and he’s portraying yet another new character on the current Ghost tour — Cardinal Copia, a break from the Papa Emeritus lineage.

However, neither official character changes nor demystification has slowed Ghost down one bit. While their image might lead you to expect King Diamond/Cradle Of Filth-style theatrical thrash, their music has always hewed to a more classic proto-metal sound in line with late 60s-early 70s pioneers like Covenant, Bloodrock, or Blue Oyster Cult. That remains true on Prequelle, their latest offering, which carries their spooky, organ-fueled sound forward into a haunting, multi-layered extravaganza. It’s a bit late in the holiday season for Ghost’s current tour to arrive in Richmond — Halloween would have been much more appropriate — but with two full sets of excellent music and an incredible stage show, we’d be total grinches to complain.

Bonus Hampton Roads Picks:

Wednesday, November 28, 7 PMKaonashi, Cryptodira, Vatican, Accident Prone, Nhibitions, Split Wrist @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
It’s been nice to see a new generation of metallic hardcore kids who aren’t afraid to embrace the influence of nu-metal on their music. Because the fact is, the best of those bands had a lot to offer. When PA metalcore maniacs Kaonashi hit us with unabashed Slipknot and Mudvayne influences on their latest EP, Why Did You Do It?, it demonstrates clearly what sort of value can still be gained from those angst-ridden late-90s thrashers who loved tuning down and sporting eyeliner. Kaonashi songs like “My 5 Year Plan” and “You’ll Understand When You’re Older” mix the out-of-control moments of emotional meltdown that marked the best nu-metal into a recipe cobbled together from the best elements of deathcore’s downtuned thud and the gothic emo-prog of groups like Chiodos and Coheed And Cambria.

Kaonashi aren’t alone in following this thread to wherever it leads them — Sworn In has done quite a bit with it over the past few years, and Vein are certainly dipping a bit more than just a toe into the nu-metal pool on their new album. But Kaonashi’s new EP shows that they’re on the forefront of this musical territory, and they are sure to take it to another level entirely in the live arena — making attendance at this Charlie’s American Cafe show tonight all but mandatory (assuming you can make the drive). New Jersey’s Cryptodira are also on this bill, bringing an erudite take on progressive death-metalcore to the table, as showcased on 2017’s excellent The Devil’s Despair. Straight edge metalcore thrashers Vatican, who hail from Georgia, will also hit the stage with metalcore fury that harkens back to the genre’s 90s roots (so you know I’m stoked). All that plus three heavy-as-fuck local openers… gas up the Mustang, y’all. We’re going.

Thursday, November 29, 8 PMRaven, Songe, Doomsday Lullaby @ Riffhouse Pub – $10
In a world where it seems musicians spend just as much time reinventing the wheel as they do building on the traditions of those that came before, it’s no surprise that some younger metal fans today don’t even remember the legends of the early 80s “New Wave of British Heavy Metal” scene. But that doesn’t make it any less vital, essential, and important to everything that followed. You might not know the name Raven as well as you do other legendary NWOBHM acts like Iron Maiden and Motorhead, but they’re every bit as good, and if you value the history of the music you love, you need to be paying attention.

Raven’s probably best known today for their mid-80s albums — 1983’s All For One featured a song called “Athletic Rock,” in which Raven named their own musical genre years before the “active rock” format was even a twinkle in a Clear Channel exec’s eye, while 1985’s Stay Hard produced their biggest hit, “On And On.” Three decades later, though, Raven’s founding Gallagher brothers, bassist John and guitarist Mark, are still going strong, and 2015’s ExtermiNation showed that they’ve still got the furious metal power they wielded at the height of their fame. So get a history lesson at Riffhouse Pub tomorrow night, and let Raven show you that metal was heavy as hell even before you were born.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

FEATURED SHOWFriday, September 28, 8 PMMDC, The Elected Officials, Cult Of Frost, Lipid, The Alex Jonestown Massacre @ Strange Matter – $12 (order tickets HERE)
I grew up going to punk and metal shows, losing my mind over harsh music with provocative lyrics. I grew up with radical left-wing politics, which are even farther outside the mainstream than they were when I was a teenager, being treated as perfectly normal ways of seeing the world (and to be honest, I still think they are). Therefore, when I see that a band whose nominal acronym has meant (many things, but most often) “Millions Of Dead Cops” is coming to town, all I think is “Oh wow, classic punk band with tremendous career gracing us all with their presence! FEATURED.”

So maybe this isn’t the most family-friendly pick. For those of you who that bugs, I’d recommend scrolling down to the Steely Dan blurb below. For the cool kids among you who stuck around, though, let me explain why MDC are both outstanding and important. Their 1980 debut single, “John Wayne Was A Nazi,” was a groundbreaking early example of re-examining the myths of pop culture to expose the racism, misogyny, and xenophobia lurking at their heart. Their 1982 debut LP, Millions Of Dead Cops, brought us the classic left-wing protest slogan, “No War! No KKK! No Fascist USA!” And it isn’t just their earliest material that deserves celebration; by their 1987 third LP, This Blood’s For You, they had become “Millions Of Damn Christians,” and were infusing their classic speedy hardcore with complex song structures and mind-bending riffs that they still delivered at a million miles an hour.

They’re still relevant today, too. In 2016, they rerecorded their classic tune “Born To Die” as an anti-Trump anthem (chanting “No Trump! No KKK! No Fascist USA!”), then followed that with their first album in over a decade (this time under the name “Millions of Deceived Citizens”), Mein Trumpf, which showed that the hardcore veterans (who still feature three of their four original members) are as fired-up, pissed-off, and full of raging punk tunes as ever. They’ll be joined by fellow politically-informed Texas punk rippers The Elected Officials, as well as Ohio’s Cult Of Frost, who are, of all things, a Celtic Frost tribute act who only play the Hellhammer demos and the first three albums (aw, Monotheist though…). Local freakers Lipid and The Alex Jonestown Massacre will get this started in fine fashion so you can circle-pit all night. No Trump! No KKK! No Fascist USA!

Wednesday, September 26, 8 PM1476, Paint Store, Desert Altar, Vulcanite @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
As a relatively old lady who was born exactly 500 years after the year Salem, Massachusetts band 1476 named themselves after, I’m a little fuzzy on what was actually going on that year, but if you check Wikipedia, you’ll find that notorious Romanian prince Vlad The Impaler was killed that year, and I think that gives you somewhat of an idea. This band pulls from all sorts of dark, mysterious genres of guitar-based music, from ambient folk and moody progressive rock to hardcore punk and black metal.

On their 2017 album, Our Season Draws Near, they create a foreboding musical atmosphere highlighted by passionate vocals and intricate multilayered guitar riffing, all driven by a ferocious rhythm section. They’re sure to take you on a dark journey of the mind when they hit Strange Matter’s stage tonight, and they’ll be aided in their mission by a trio of local bands who all capture a different aspect of 1476’s multi-genre melange: Paint Store, whose technical instrumental metal sound summons memories of long-gone Richmond legends Breadwinner, for one. For another, Desert Altar, who take a fascinating and fun approach to the whole retro-doom thing. And then there’s the groovy sludge of Vulcanite, starting this night off right. Get into it.

Thursday, September 27, 7 PMLow Cut Connie, Ruby Boots @ Capital Ale House Music Hall – $15 (order tickets HERE)
When you think of rock n’ roll these days, the piano is not the first instrument you think of. However, we’d be fools to ignore the legacy this instrument has in the history of the music: founding figures like Little Richard and Jerry Lee Lewis used their pianos to generate firestorms of rockin’ energy that set the dancehalls and roadhouses of the mid-50s American South on fire. And now, 60 years later, Low Cut Connie frontman Adam Weiner is coming to Richmond to do it all over again.

Low Cut Connie have a hellacious reputation for killer live shows, and in an NPR interview earlier this year, Weiner talked about his onstage activity, and how he can’t stand to sit still in front of his piano when there’s a crowd to interact with. It’s the fact that he’s able to mix it up, getting sweaty and wild onstage every night, while continuing to crank out the old-school country-tinged rock n’ roll sound of Low Cut Connie — as displayed on new LP Dirty Pictures (Part 2) — with flawless aplomb that makes this group an absolutely unmissable live act. Bloodshot recording artist Ruby Boots, who’s got a raging femme energy and a powerful country-punk sound, kicks things off in a manner worth arriving early for. So you know what to do — get down to Capital Ale House tomorrow night and see it all for yourself!

Friday, September 28, 6 PMCome Clean, Sharp Sleeves, Nine Line, We Call This Courage @ Cornerstone Cigar Bar – Free!
I may write a weekly column about music, but y’all, I’ve never claimed to be the coolest girl in the world. I just know what I like. Honestly, that’s a whole lot of stuff, and sometimes it’s stuff that no one else seems to pick up on. About a decade back, the thing I was into that no one else (or at least, no one else over 25) was picking up on was “easycore,” a genre that mixed the chunky guitars of melodic hardcore with the catchiness and emotional tone of pop-punk. A whole bunch of bands were doing this par excellence circa 2010 — Four Year Strong, Fireworks, Set Your Goals — but they all either changed their sound or broke up, and it’s been years now since I heard a really good example of the sound. I miss it.

That’s why I’m stoked to hear about North Carolina’s Come Clean coming to town. Their new EP, From Down The Street, isn’t quite out yet, but their 2016 debut, Won’t Wait, hits all the same pleasure centers for me as classic New Found Glory and first-LP Saves The Day did, and I can never get enough of stuff like that. They’ll be coming to the Cornerstone Cigar Bar (really? I hope they don’t allow smoking in the show room) in the company of Sharp Sleeves, who hail from Blacksburg and have a bit of a Florida tinge (a la Hot Water Music) to their pop-punk. With the addition of RVA locals Nine Line and We Call This Courage, you’re looking at a stacked bill of mid-Atlantic pop-punk excellence. Best of all, this show is free! That might even be worth braving a bit of cigar smoke for (be ready to wash everything you wore immediately afterwards though).

Saturday, September 29, 8 PMCenterfolds, Something More, Nominee, House & Home @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
One good pop-punk show deserves another, right? And this time, the headliners are local. Centerfolds have a bit of an easycore connection, as some members of Centerfolds used to play music with members of RVA’s leading easycore export, Broadside. However, since their 2017 LP, Bad Heaven, they’ve definitely moved in a more angst-ridden emotional direction — the desperation in their vocals and the minor-chord moods of the guitars are sure to make this band a fave for anyone who stays up late blasting Real Friends and Knuckle Puck records with the lights off (yes, that has definitely been me at times).

Now, if you were paying attention to this column last year around this time, you probably noticed the Common Grounds fest, an eight-band pop-punk package show that featured not only Centerfolds but also the other two headliners on this bill, Baltimore’s Something More and RVA’s own Nominee. I have never hidden the fact that I love Nominee — last year’s Drag Me Out EP was a big personal fave — and Something More have won me over with excellent tunes like “Brentwood Park” (from their split with Carry The Banner) and “All My Best Friends Are Dogs” (from their Dogs EP). Local newcomers House & Home kick this one off, and it’s gonna rule. Get stoked.

Sunday, September 30, 8 PMOcean Heights, Venus Milo, Cupid McCoy, Solace Sovay, Missangelbird @ The Camel – $10 (order tickets HERE)
A decade after we first learned that Beyonce was a Grizzly Bear fan, the ever-increasing cross-pollination between the worlds of indie and r&b is a well-established reality. However, there’s still a lot of new territory to explore in the intersections between the two genres, and New Jersey’s Ocean Heights are one of the first groups to start mapping that interstitial space out. The results they’ve generated, showcased most prominently on recent single “No Waves,” are both fascinatingly unpredictable and pleasing in the extreme.

Mixing the sort of jangly guitar that early 80s UK bands like Orange Juice and Tears For Fears were drawing from 70s R&B records anyway with a smooth soul vocal and electronic sound results in some incredibly delicious tunes, the sort of thing that will appeal to anyone who ever wished Chromeo were more sincere, or Mac DeMarco had a bit more funk to his sound. A whole bunch of local groups on a similar tip, including up-and-coming standouts Cupid McCoy, the excellently-named Missangelbird, and the dirty-faced, angel-voiced boys of Venus Milo, are also on the bill. Solace Sovay, who are a bit closer to the indie-shoegaze side of things, will make an appearance to start things out and get the atmosphere in The Camel perfectly aligned for a night of musical deliciousness.

Monday, October 1, 7:30 PMSteely Dan @ Altria Theater – $49.50 – $149.50 (order tickets HERE)
Would you believe that one of the highest-selling, most-played artists of the 70s and 80s, one of the best-produced and most polished-sounding bands of all time, were also a celebration of decadence with a name derived from a sex toy in William Burroughs’ Naked Lunch? Well, it’s true; not only is that really where Steely Dan’s name comes from, singer Donald Fagen loved to write lyrics glorifying debauched behavior, from giving your phone number to a woman marrying one of your friends in case the relationship doesn’t work out (“Rikki Don’t Lose That Number”) to gratuitous drunk driving (“Deacon Blues”) to getting ratted out by a friend and busted for drugs at Bard College (“My Old School”). So much for your family-friendly alternate show pick, huh?

After the 2017 death of founding guitarist Walter Becker, Steely Dan aren’t quite the same as they once were, but singer-keyboardist Donald Fagen is still holding it down behind the mic, and anyone who ever listened to their records knows that the best element of Steely Dan’s many classic progressive rock albums is the top-notch work from hired-gun studio musicians under Fagen and Becker’s direction. Rest assured the backing band will be a thousand percent on point at this show, and Fagen will sing just as wonderfully as ever about major dudes and Haitian divorces; it’ll be totally worth the $50 second-balcony tickets. Get yours now.

Tuesday, October 2, 7 PMDeath Bells, Narrow Head, True Body, Serqet @ Capital Ale House Music Hall – $10 (order tickets HERE)
I love the way the hardcore kids who are hitting their late 20s these days are all going full-on goth. Something about having that sort of musical background makes bands do a really good job at the whole dark, moody postpunk thing — witness Iceage, Ceremony (the CA one, not the VA one that’s been goth the whole time), and quite a few other bands. Death Bells, who started out in Australia but are located in Cali these days, have a similar thing going on.

Their most recent single, “Echoes,” uses wire-tight guitar leads and foreboding synths to create an atmosphere that is then infused with a dark, spectral energy by their rumbling rhythm section and the powerful, hypnotic voice of frontman Will Canning. For a band that had already hit a high-water mark with 2017 debut LP Standing At The Edge Of The World, it’s a pleasantly surprising ascension to new heights. That’s certainly something you’ll want to experience, as is the set that you’ll get from Death Bells tourmates Narrow Head, who are tapping into that same sort of super-loud shoegaze sound that Jesu and Nothing have done so well with. Norfolk post-punkers True Body and RVA goth-peacepunk band Serqet round out this incredible bill, taking place within the refined halls of Capital Ale House. How strangely appropriate.

Bonus Hampton Roads Picks:

Friday, September 28, 7:30 PMMeg Myers, Adam Jones @ The NorVA – $18 in advance/$22 at the door (order tickets HERE)
Meg Myers is a new discovery for me, but I really dig her. Her latest album, Take Me To The Disco, has a variety of different sounds going on at once, to the point that it’s hard to know what genre it is or how to even describe it. The best I can tell you is that it should appeal to fans of everything from Bat For Lashes to Garbage to Florence And The Machine; it has that sort of dark postpunk appeal while also incorporating a strong electronically-based pop songwriting sense.

Despite the use of the word “disco” in the title of her latest record, there’s no dance music here — you’re more likely to find crunchy guitars running up against programmed beats, like the best of the post-Nirvana 90s meeting the progressive alt sounds of the 21st century. It is at times tough to categorize, but it’s just as tough to dislike — Meg Myers is a talented lady with a ton of emotional intensity injected into her music, and you’re sure to feel the effects, especially when it’s all happening right in front of you in a live environment.

Saturday, September 29, 7 PMSuper Whatevr, Beach Goons, Dube, Morningside, Party Wave @ 37th and Zen – $12 in advance/$15 day of show (order tickets HERE)
I’ve seen a lot of different ways to render the word “whatever” over the years, from people making a “W” with their fingers to a fad amongst my friends back at the dawn of the current millennium to say “whatev” or even “whatev2k” (boy, that’s aged poorly). I’ve never seen “whatevr” before, but in this time of dropping vowels to look cool, I’m not surprised — just kind of amazed that Super Whatevr don’t write their name in all caps. But I’m actually glad they don’t, because this California alt-rock band have a much more fun and creative sound than I’d expect from any band pulling the MGMT move in 2018.

Their new album, Never Nothing, is full of catchy choruses and bouncy rhythms, mixing a bit of the ol’ emo revival with that disco-fied garage rock thing that a bunch of bands used to make hay while the sun was shining around the turn of the millennium — think the Strokes, Franz Ferdinand, etc. Why am I talking so much about the Y2K era? Maybe this band put me in the mood — but considering how great music was back then, it’s certainly not a bad thing. They’re joined by fellow Californian rock revivalists Beach Goons, who are capable of evoking everything from mid-60s garage raunch to late 50s teenage-queen balladry. Canadian group Dube will also be on the bill, bringing a similarly fun brand of loud-guitar rock n’ roll. If you wanna dance, this show is really where you’re gonna want to be this Saturday. These groups will get you moving.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

FEATURED SHOWThursday, August 16, 8 PMBig Freedia, Jafar Flowers, Sofia Lakis, DJ Skrt Skrt @ The Broadberry – $20 in advance/$22 day of show (order tickets HERE)
The Queen Of Bounce is back! Big Freedia is one of the foremost practitioners of the New Orleans-based style of music known as bounce, and she’s brought the sound worldwide with an LGBTQ-centered presentation and a collection of nuclear-powered dance floor bangers. She had a big moment here in RVA several years ago, getting huge crowds of people dancing everywhere in town, from The Hat Factory to Hadad’s Lake. It’s been a couple of years since Freedia has hit town, but she’s here to get booties shaking once again tomorrow night at The Broadberry. And if you’re not ready for the dance explosion that will take place once she hits the stage, you better start limbering up now.

It’s been four years since Freedia’s 2014 LP, Just Be Free, entered the world, and she’s been busy with a variety of projects, from a book and a Christmas album to working with Beyonce on “Formation,” but she’s back with 3rd Ward Bounce, a brand new EP that is her first major-label release. Her sound is still the sort of nonstop parade of banging beats that it’s always been, but new singles like “Rent” introduce a bit more dynamics into the mix — it no longer has quite the same sensory-overload quality of groundbreaking early singles like “Y’all Get Back Now.” But if you think Freedia’s music is going to be a less powerful inducement to getting on the floor and shaking that azz, you’ve got another think coming.

So get out your dancing shoes and get ready to lose control at the Broadberry tomorrow night. And get there on time, because the festivities will start well before Big Freedia takes the stage. The DJs of Ice Cream Support Group will be on hand to open things up; back-to-back sets from DJ Skrt Skrt, Sofia Lakis, and Jafar Flowers will get the party turned up to the maximum velocity, and do a great job of representing Richmond’s POC and LGBTQ communities in the bargain. This one’s gonna be epic; whether you’ve caught Big Freedia in the past or this is your first time encountering the reigning diva of bounce, you need to be at The Broadberry for this one.

Wednesday, August 15, 8 PMBand Of Horses, Bonny Doon @ The National – $27.50 in advance/$33 at the door (order tickets HERE)
I admit it — I’ve always had a soft spot for Band Of Horses. Their melodic indie sound, which mingles dashes of alt-country twang and folk atmosphere into a mix of incredibly tuneful choruses and subtly infectious guitar melodies, has always had the ability to connect on that same gorgeously emotional level that the best work of Wilco and My Morning Jacket hits. They’ve had a variety of lineup shifts since their excellent 2006 debut LP, Everything All The Time, but leader Ben Bridwell has kept things together smoothly throughout that time, and continued to explore intriguing new facets of the group’s sound on each new release.

Their latest LP, Why Are You OK, saw the band (of horses) get together with Grandaddy leader Jason Lytle to add a few more electronic ingredients to their sound, with fabulous results. But really, it’s just more of what we’ve come to expect; from recent singles like “Casual Party” to the old-school favorites like “Funeral,” Band Of Horses have plenty of excellent songs at their disposal. And now they come to The National to present fans who’ve stuck with them over the past decade with a collection of gorgeous tunes that are sure to put a smile on anyone’s face — even if you’re just discovering them now. Don’t miss the boat.

Thursday, August 16, 8 PMEnemy Soil, Suppression, Ampallang Infection, Disintegration @ Strange Matter – $15 (order tickets HERE)
Here’s a huge treat for grindcore lovers past, present, and future. Enemy Soil, one of the most brutal and prolific bands of the 90s grind/power-violence heyday, have returned to action once again. Founder and only constant member Richard Johnson, affectionately known as “the grindfather,” is taking some time away from his current project, Drugs Of Faith, to resurrect the band that originally brought him fame. And while Enemy Soil spent a considerable portion of their career existing as a drum-machine backed mostly-solo project, this reunion brings back several original members of the group to restore the full-band lineup that (in my humble opinion, at least) was responsible for their best stuff.

And see, this is where you should really get stoked. Because this lineup features some real heavyweights, including longtime Enemy Soil bassist Russ Mason, also of Reeking Cross; drummer Adam Perry, who longtime Richmonders will remember from his tenure with chaos masters PCP Roadblock; and vocalist JR Hayes of Pig Destroyer. From lightspeed grind slaughteramas to brutally heavy breakdowns, this group has it all, and this lineup is the perfect one to bring their outstanding sound to light once again. 90s grind survivors and certified hometown weirdos Suppression will join Enemy Soil on this gig to make it a double dose of legendary VA blastbeat insanity. Plus, we’ll get sets from DC drum-machine grind maniacs Ampallang Infection (um, ouch) and RVA thrash-grinders Disintegration, just to sweeten the pot. Outstanding.

Friday, August 17, 6 PMSports Bar, New Lions, Magnus Lush, Naked Pictures @ Hardywood – Free!
Ah, Sports Bar. You’ve gotta love these guys, no matter how slack they are. And make no mistake, Sports Bar are slackers. They’ve released three songs in the past four years. They’re still using a 2010 quote from this magazine in their promo material, even though we’ve written about them several times since then. They don’t even play shows very often anymore — this Friday’s Hardywood appearance is their first Richmond show since early spring. But all of that is 100 percent OK, because when they do get material out, it’s invariably outstanding. From “Get Da Body” to “I Was Going To Shave My Beard, But I Took A Nap Instead” to “Big Mac Yeah” to “Roll High, Lie Well (Kuriki),” their catalog is full of catchy classics that’ll stick in your head for weeks after you hear them.

And they’ve got a whole lot more of them for you in the coming months. Eight years after getting together, Sports Bar is finally about to release their debut LP, and while it doesn’t officially come out until October, the word is they have copies. Will you be able to score one for yourself at this show? I have no idea — but I do think it’s pretty highly likely you’ll at least hear a few tunes from it during Sports Bar’s set. And that’s worth coming out for right there — especially since this show, part of Hardywood’s ongoing “Fresh Can Friday” series, is absolutely free! You’ll get sets from excellent RVA bands New Lions, Magnus Lush, and Naked Pictures as well, so you really don’t have any reason not to go. Show up ready to sing along — you’ll have plenty of opportunities.

Saturday, August 18, 8 PMLazer/Wulf, Backwoods Payback, Dumb Waiter, The Bronzed Chorus @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
This show promises to be a festival of the senses for those of you who appreciate serious musical craftmanship, but also like it heavy and energetic as hell. Lazer/Wulf, an Atlanta band that reincarnates the classic spirit of RVA’s own (mostly) instrumental math gods, Breadwinner, and mingles that complex crunch with the shred-tastic power of Coalesce or the Dillinger Escape Plan, are coming to town to bowl us all over — and simultaneously inspire us to marvel at the complexity of their instrumentation and arrangements. Indeed, their 2014 LP, The Beast Of Left And Right, was “written as a musical palindrome,” with songs at the beginning of the album constructed as musical mirror images of songs at the end.

Now, I know what you’re thinking: How the hell does that work? Honestly, you don’t have to worry about it. Regardless of the multi-layered elements of their song structures, it’s simplicity itself to just let yourself be rocked like crazy by the pulverizingly heavy riffs this band dispenses. And they’ll be joined on this bill by the equally heavy (though far less instrumental) PA sludge-rock group Backwoods Payback, who recently drafted Erik Larson (Alabama Thunderpussy/Avail/Parasytic) to hold down the drum kit, as well as releasing an excellent new LP, Future Slum, earlier this month. If you don’t know this band, you’ll need to check it out. The bill is rounded out by instrumental tech-math wildmen The Bronzed Chorus and local jazz-thrash freaks Dumb Waiter, and you can expect to get a massive kick out of all involved. It may have nothing to do with lawnmowers, but this one’s gonna be fun regardless.

Sunday, August 19, 9 PMCaptive, The Concussion Theory, Curtana, Dr. No @ The Camel – $7 (order tickets HERE)
The emo scene in this town is kind of a well-kept secret, and if you ask me, that’s a real shame. We can all help shed more light on some of the excellent bands plumbing the depths of this genre Sunday by heading out to The Camel, though. Captive might not strictly count as emo, at least by their own definition, and their ability to bust out some nearly prog-metal breakdowns — as demonstrated on 2016 concept album A Lost Dream; The Dreamer Lost — shows that if nothing else, they’re stretching the limits of the genre. But the way they always return to emotionally-resonant melodic choruses with a subtle underlying crunch, a la Moving Mountains or Hopesfall, shows where their roots lie.

Therefore, it makes a ton of sense to see them sharing a bill with The Concussion Theory, who’ve been making melodic yet passionate music here in Richmond for about half a decade now. Recently released EP Lament shows that they’ve only improved over the course of that time, as songs like “Simile Of Light” create the perfect mixture of driving rock riffs and emotionally-driven melodic choruses. They’re in completely different scenes, but these guys would probably appeal strongly to fans of fellow Richmonders Sea Of Storms (have these two bands really never played together?), and if you’re one of those, you should definitely make your way to the show this Sunday night. This all-local bill is rounded out by progressive instrumental guitar-slingers Curtana and Deftones-style metallic post-hardcore rockers Dr. No. Get familiar with it.

Monday, August 20, 7 PMAntiphons, Treadles, Jupiter Styles, missangelbird @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Keeping up with the indie scene in this town is a full-time job, but it’s a really FUN full-time job, and you’re sure to have a blast at the Camel this Monday night when Antiphons headlines a group of indie bands from both within and outside of RVA. Antiphons themselves are taking solo form on this show; recent facebook posts indicate that the full-band version is still getting up to speed after some lineup changes, which means leader Brian Dove will be going this one alone. Tunes like “Benadryl” and “Human Bruise” are sure to reveal entirely new dimensions in the solo format, and maybe we’ll even get a stripped-down preview of some new material. We can hope.

New Orleans’ Treadles add a powerful inducement for attendance to this show on their own behalf. This quartet’s latest EP, Bees Are Thieves Too, shows that they’ve grown ably from their origins as a solo project into an excellent example of a complicatedly melodic indie rock band with a ton of tricks up their sleeves. They’re joined on this tour by Chicago’s Jupiter Styles, who have a bit more of an alt-garage slacker rock sound, full of wry irony and melodic sincerity. Both bands have an infectious spirit that’s sure to have you bopping along. Local opener missangelbird will kick things off with another solo set full of jangly-rockin’ indie tunes. The whole thing’s gonna be a blast.

Tuesday, August 21, 11 PMThe Impalers, Iron Reagan, Lipid @ En Su Boca – $8
Oh my goodness, all you hardcore punks and punked-out hardcore kids better get out your boots for this one, because the Impalers are gonna inspire a powerful urge within you to put down the tacos and start the pit. That’s my way of saying… get the munchies out of the way early at this one. It shouldn’t be hard, since this rager of a gig doesn’t even get going til 11 PM, but I want to make sure to emphasize the point, because The Impalers’ 2017 LP, Cellar Dweller, is such a nonstop blast of outta-control USHC/punk n’ roll riffs that once it gets going, you’ll have to either jump on the ride or get the hell out of the way. We humbly suggest the former.

You’ll have to be careful to have some energy left for the Impalers set, too, because with Iron Reagan going on right before them, the velocity’s sure to be high. Their last LP, Crossover Ministry, demonstrated that this project of Municipal Waste, Cannabis Corpse, and Suppression members has retained its masterful ability to bust out the exact sort of incredible mid-80s thrash-core that made the original wave of DRI and Suicidal Tendencies fans want to flip their hat-brims up and scribble slogans onto the underside. “IRON REAGAN” will fit under their with ease; grab your sharpie. This show will open up with a set from relative newcomers Lipid, who just released an EP full of snarky hardcore punk rage on Vinyl Conflict and are ready to drag the classic Dead Kennedys sound into the 21st century and kick off this show in proper fashion. Make sure you’re ready; this one’s gonna get nuts in a hurry.

Bonus Hampton Roads Picks:

Thursday, August 16, 8 PMEnsepulcher, Organ Trail, Redundant Protoplasm, Kryptcest @ Riffhouse Pub – $5
As if there isn’t enough happening in Richmond on Thursday night, there’s also this incredible show happening just down the highway at Chesapeake’s Riffhouse Pub. It’s an appropriate name for a venue that will host Fresno, CA death metal trio Ensepulcher, a crew of no-frills headbangers who keep the classic sound alive in fine fashion on their debut EP, No Sanctity In Death. Subsonic guttural vocals join rumbling drums and downtuned axes cranking out classic Florida-style riffs that is eminently appropriate from members of Fiend and Acephalix. If the sounds of Autopsy, Dismember, and Left Hand Path-era Entombed are music to your ears, you’ll need to gas up the hatchback for this one.

PA’s Organ Trail are also on this bill, and anyone who caught them at the Tired & Pissed showcase last week will know that they’re the kind of band who’ll fit perfectly on this bill. Not quite as full of low-end as Ensepulcher, this band’s sound is nonetheless deep, dark and brutal; what’s more, it’s got the sort of gore-drenched over-the-top lyrical madness going on that makes Exhumed such a fun listen. This one’s appointment listening, for sure. The bill also features Redundant Protoplasm, whose name reminds me of Ren chastising Stimpy and whose song titles remind me of early Carcass’s medical-textbook examinations. Sonically, these guys are pure lo-fi death-grind, while fellow VA Beach group Kryptcest are pure low-end brutality. This one will be loud.

Monday, August 20, 8 PMPusha T, Valee @ The NorVA – $37.50 in advance/$43 at the door (order tickets HERE)
It’s not like I need to tell you who Pusha T is. Even if you’re not aware of hip hop at all, his beef with Drake this year has been at the forefront of pop culture news, and you’re sure to have heard. But if you actually pay attention to hip hop, you know that this beef is way, way down the list of reasons why you should hit The NorVA on Monday to see Tidewater native Pusha T headlining a show in his old stomping grounds. For one thing, there’s the legacy of amazing material left behind by the Clipse, the groundbreaking duo that originally brought Pusha and his brother, No Malice, to fame.

Since the Clipse dissolved, though, Pusha’s continued to make incredible music, most recently on Daytona, which was produced by Kanye West as part of his five-part “Wyoming Sessions” earlier this year. From LP tracks like the excellent “If You Know, You Know” and spooky-sounding single “What Would Meek Do” to the fiery Drake-diss single “The Story Of Adidon,” Push’s lyrical style can’t be touched right now, and the top-quality production provided by Kanye and others results in some of the best hip hop being made right now. And it’s out of Virginia — so what better place to see it brought to life onstage? This show’s gonna be off the hook. Make sure you’re part of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]