The above symbols are made with specific ancient geometry
principals and contains resonating mathematical sequencing number
patterns and word intentions.

Symbol 1 contains a powerful higher harmonic frequency,
Tibetan Buddhist colors, and one of the most powerful symbols we
have ever tested, the 12-Pointed Tesseract (see the book "Shape
Power" by Dan A. Davidson), and the standard 9 Solfeggio
Frequencies.

Symbol 2 also contains a powerful higher harmonic frequency,
Tibetan Buddhist colors, the symbol for Nuclear Evolution, and
the 12-Pointed Tesseract along with the complete set of 12
Solfeggio Harmonic Frequencies.

Symbol 3 is a simplified version of the pattern. You can try
either or both symbols and compare results.

If you print the patterns out and place them under or on your
drinking water container they may, have a beneficial effect on the water. When you drink the
water it might be different (and better) than ordinary water without
this energetic patterning treatment. This could be amplified by
thanking the water and loving the water directly from your
heart/mind/being during a silent moment.

We printed several copies of Symbol 2 with our color laser
printer, laminated them, then cut them out like circular coasters
and place them under water bottles and glasses. We also carry them
in our pocket to use under cups, glasses, and food plates in
restaurants. As an added boost, we sprinkled magnetite (black sand)
on the back side of some of the symbol coasters, and then laminated;
on others, we placed a miniature flat disc magnet on each of the 12
points on the front side of Symbol 2 and then laminated all
together.

Dr. Emoto in Japan has done extensive research with this type of
symbolism which produces results that cannot be denied. When you
drink the charged water, the benefits may be noticeable. It could be
good for pet water, plant water, swimming pools, and so forth. Use
your intuition and imagination. Now who wouldn't drink to that!

For your convenience, we have placed four of the primary symbol on a
single sheet of paper in Adobe .pdf format so you can easily print
a full sheet of symbols at one time in high quality on any color printer. Download
the .pdf file
HERE. (Right-click and choose "Save Target As...")

The Use of Tonal Frequencies to Enhance, Heal, & Rejuvenate by
Philip Ledoux

In Healing Codes for the Biological apocalypse Dr. Leonard G.
Horowitz and Dr. Joseph S. Puleo published the Secret Solfeggio
Frequencies. Basically it is the "Doe, Rae, Mi, Fa, So, La, Ti, Doe"
diatonic scale which we all learn in the first few grades of school.

Over time, the pitch of this diatonic scale has changed and
somehow Horowitz and Puleo found the original pitch frequencies.

In the Solfeggio, "Ti" is missing and what we call "Doe" was
known as "Ut". Here are the original pitch frequencies of these six
notes:

They also state that Mi is for "Miracles" or 528Hz - is the exact
frequency used by genetic engineers throughout the world to repair
DNA.

Another interesting tidbit that the authors included as a musical
scale with words, from the work of John Keely; where Keely related
the hues (not pigment colors) of light related to musical notes. On
the "G-Clef" with "C" being the first line below the staff and
continuing up the scale and up the staff:

C = Red = Tonic

D = Orange = Super Tonic

E = Yellow = Mediant

F = Green = Sub Dominant

G = Blue = Dominant

A = Indigo = Super Dominant, Sub Mediant

B = Violet = Leading Tone, Sub Tonic

C = Red = Octave

Also included with this chart was another from the Dinshah Health
Society:

LA - 852 Hz - Returning to Spiritual Order Larger print out
of this graph

The basic Solfeggio frequencies totaled six (6). Horowitz
continued his search through the years and extended it to 9
frequencies. 'Most everyone is familiar with the Star of David which
uses two triangles (inverted to each other) inscribed within a
circle. If one uses the same approach for three triangles
overlapping (no inversions) and space them approximately 40 degrees
apart around a circle, some amazing relationships appear. Orient the
circle with one triangle apex at North or zero degrees. Label that
396. At the next clockwise point label 417, the next 528, the next
639, the next 741 and the last 852. You now have the basic six
Solfeggio frequencies.

The numbers we have so far added to our circle of numbers have a
pattern to them: Any number connected by a line, for example 396 and
639, if you take the smaller number and move the last digit to the
first position, you have created the line-linked number. [move the 6
of 396 to the front and you have 639] Likewise 417 by moving the 7
creates 741, both numbers are line linked. And 528 by moving the 8
creates 852 both numbers line linked.

As created so far, we have 3 missing numbers, but they can easily
be created by applying this moving of digits positions. Take the
triangle that has 396 and 639. If we take the 9 and move it to the
first position we have 963, which is one of the extended Solfeggio
frequencies! Thusly we can now continue the circle one more position
by adding 963. Applying this same logic to the 417 and 741 triangle
to fill in the missing number we move the 1 to the first position to
develop 174 which is another extended Solfeggio number. Continuing
clockwise add 174 to the number sequence. And the 528 and 852
triangle if we move the 2 to the first position we have 285, the
final missing extended Solfeggio number. So elegantly simple.

Take a piece of paper and lightly grid it off for a large
"tic-tac-toe" game. Across the top place the smallest number in the
upper left corner; continue horizontally with the line-linked
(triangle) numbers 417, 741. In the middle line, left position place
the second in clockwise numbering (285), continue horizontally with
its line-linked numbers 528, 852. The last horizontal line starts
396 and continues 639, 963. Now for some surprises. Compute the
difference between all the vertical row numbers; they are all 111.
Compute the differences between the horizontal row numbers; left row
and center row all = 243 and center row to right row differences are
all 324. And here we go again with the move the last digit to the
first position move the 3 of 243 to the front and we have 324.

The end result of all this or summation is the simple fact that
you need to remember only two numbers: 174 and 111, and remember the
principle of 3 overlapping triangles so that their points are about
40 degrees apart creating nine points around a circle and moving the
last digit to the first position.

Harmonic Sums

Once the diagram is set, and 174 is placed in any starting
position, move the last digit to the first position creating 417
which is the next number (clockwise) in the triangle, then move 7 to
the first position creating 741 which is the last number in the
triangle. This connects 174, 417 and 741. The next step is to add
111 to 174 which gives 285; this becomes the next clockwise number
from 174. Now move the last digit to the first position creating 528
of this triangle and so on to complete the total 9 frequencies and
their relative positions. Logical, sequential and amazingly simple!

One does not need to be a number genius, nor a math PhD to
recognize that there must be something special to this numbering
sequence of the extended Solfeggio numbers. Horowitz places 528 in
the center of the circle with the words "LOVE" and "THANKS." I am
not thoroughly conversant with the application of these numbers.
Horowitz and Puleo state that these numbers are the key to creation
and destruction. On other sites, it is implied that one should apply
the real frequencies to the corresponding points on the circle we
constructed, I assume a metallic plate. With the equipment that most
people have available, only one frequency at a time can be
generated. Thusly, 9 different frequencies at their appropriate
points for equal amounts of time. I personally wonder what would
happen if one would apply 9 frequency generators to their respective
points all operating simultaneously.