This is part of the Artists and Ancestors collection of miniature portraits. This Gallery holds American miniatures from 18C to 20C acquired for the collection from January 2008.

Thursday

Wagner, Daniel and Maria Louisa - portrait of Miranda Wagner

There are a number of American miniature painters who are deservedly well known for the quality of their painting.

There are others, sometimes demonstrating even more skill than those well known names, whose names are completely unknown, or whose name is known, but their work is very rare. In my opinion, this stunning miniature portrait comes into the latter category.

The photos displayed here, while illustrating the skill of the artist, do not convey the depth of colors and the vibrancy of the miniature when viewed in the hand or under a magnifying glass. It is 95mm x 77mm and contained within a leather case.

The portrait has moved straight to the top echelon of my personal favourites among the American miniatures in this collection.

I feel the actual painting skill is similar to that displayed by John Henry Brown. However Brown was trying to emulate photographs and his miniatures tend to be flat, whereas this miniature was painted just before the introduction of photography and has a depth that very few other miniature painters have equalled.

Unfortunately, the name of the sitter is unknown, although the previous owner has believed it had probably been in a drawer in the same house in Raymond, Maine since before 1880.

If any of the occupants of the house at that date had been known, it may have been possible to back track through census records to determine the likely sitter.

The skill of the artists can be seen in the close ups of the head, her wrap, and her hands. It is almost possible to read the writing on the letter she is holding.

The miniature is clearly signed on the reverse "D and M L Wagner December 1839". Above the signature there is an earlier erased signature which is indecipherable. It appears to start "By Daniel ......." but there are two interpretations.

Firstly, that it read "By Daniel Wagner" but then it was amended to include his sister's name.

Secondly, that it may have read "By Daniel and Maria Louise Wagner" but the wording was then found to be too long to fit on the reverse of the miniature when the paper was cut down to size and so the signature was rewritten to fit the piece of backing paper.

In August 2015 there has been a very interesting development with respect to the miniature portrait depicted here.As included much further below I have been contacted by a descendent of the Wagner family who has several oil portraits by Maria Wagner. On of them is of Miranda Wagner, Maria's sister-in-law. The visitor has suggested there such a close likeness, that this miniature is also of Miranda Wagner.

I must say with great gratitude that I agree with that opinion, and have therefore altered the title of this post to record her name, instead of "portrait of a lady". It is rare to be able to give an unidentified sitter back their identity, but it is very satisfying to do so.

Since the miniature was first listed here, more has been discovered about the lives of Daniel (14 Apr 1802- 21 Jan 1888) and his sister Maria Louisa Wagner (1815-20 Oct 1888) and added below. Daniel was born in Leyden, MA and worked in Utica NY, Albany NY, NYC and died in Norwich NY.

They have been found in the 1880 census record which shows Maria Louisa as born in NY state, elsewhere she is recorded more precisely as born at Preston, Chenango, NY in 1815. She worked in Chenango Valley, NY, Albany NY, NYC and died in Norwich NY in the same year as her brother. Maria Louisa is buried at Mt Hope Cemetery,Norwich, NY.

In the 1880 census, they are recorded as living in Rochester NY, Maria as 62 years old and with no occupation, but Daniel describing himself as 78 and as "portrait and landscape painter". They record both their parents as born in Massachusetts. Daniel is not referred to as crippled, despite the references below to him being crippled.

Their father was Frederick Wagner (1777-16 Jul 1868) who had been born in Worcester, MA, son of John Frederick Rudolf Wagner born on 19 May 1778 in Worcester, whose parents were Caterina Elizabetha Wagner and Johan Jacob Wagner. Their mother was Anna Walworth.

Frederick Wagner married Anna or Hannah Walworth (21 May 1778-6 Sep 1847) who had been born in Leyden, Franklin, MA. They were married on 03 Jan 1799 at Leyden, Franklin, MA and had 13 children, of which Daniel was the eldest of four sons, and Maria Louisa was the seventh of nine daughters.

The reverse of the ivory shows how some artists added depth to their work. In comparing the reverse with the front, it can be seen that the dress, necklace, and hair are different. Presumably, at the request of the sitter.

Among American miniature painters there are very few examples of miniatures being jointly signed. Other examples include; "Inman and Cummings" and "Doyle and Williams". However, the Wagner's seem to be unique as signing as brother and sister.

Other works by them seem to be rare. The only one I can find is a reference to this portrait of Henry Rowe Schoolcraft by Maria Louisa Wagner, which is inscribed on the reverse "Painted by/Mary Louis Wagner/Washington ["Albany" is crossed out] /June 1852/The Property of Ester Schoolcraft." This seems to suggest that they also worked as individuals.

The year 1839 that this fine miniature of a lady by Daniel and Maria Louisa Wagner was signed, is poignant in the history of miniature portraits, as it is the year before the introduction of daguerreotypes began to hit miniature painters like a tsunami.

Thus 1839 could be said to represent the high tide mark for American miniature painting. This miniature certainly deserves to be regarded as a worthy example to mark that high tide. 1322

Subsequently, the following extra information has been found out. "Daniel and Maria Louisa Wagner, were a brother and sister team from Norwich, New York who travelled from town to town in a covered wagon painting portraits and miniatures.

One day they met the great William H. Seward in Ithaca, NY who later became Governor of New York. He was so taken with their work that he advised them to open a studio in Albany, NY.

They soon won acclaim among the elite, painting portraits of many famous people of the day...Martin Van Buren, Erastus Corning, Silas Wright, Millard Fillmore, and many others. Showing here is a partial list of the portraits they painted. A larger list is now held as part of the Chenango County museum. Also showing are some newspaper articles about the Wagners.

"Some commentators proclaimed the two country children to be "THE WORLDS GREATEST PAINTERS OF MINIATURES" In 1852 upon the advice of Mr. Fillmore, the two headed to Washington, DC. There they made paintings of Daniel Webster, President Fillmore's family, and a great many other notables. Then they went to New York City where they opened a studio.

Throughout their entire lives the brother and sister remained inseparable. They returned to their home town of Norwich, New York in later years where Daniel Died in Feb. 1888, and his sister died a few months later apparently of grief at the loss of her brother. They are buried side by side in Mt. Hope Cemetery in Norwich."

A kind visitor found the miniature by Daniel and Maria Wagner in this collection and has sent in for display another miniature by Daniel Wagner. Wagner painted this one of his niece, Altheda Sheffield (Phelps) at age 14 in 1840. She was the great-great-grandmother of the visitor.

For those interested, the visitor was able to provide more information about the Wagner family. There were 13 children, with Daniel being the third and Maria the eleventh. The following obituary is from an 1888 newspaper clipping found at the Gurnsey Memorial Library in Norwich, New York. As there is little information readily available about the Wagners, it has been repeated here in full for any interested family or art researchers.

"Death of Daniel Wagner
At his home on Hayes St, Saturday evening, Mr Daniel Wagner the well known artist died at the advanced age of 86 years. As noticed in a former issue he had a shock of paralysis about two weeks ago. He was too feeble to rally after lingering till Saturday evening quietly passed away. He was born at Layden Mass. April 14, 1802 and removed to this town with his parents in the fall of 1805. At sixteen years of age he was a well grown youth five feet ten inches high a well proportioned and could out work, out run or out jump any one of his age. In those days, farmers had all their own grain ground at the mills near by, and boys went to mill evenings so as to be in school in the day time.

One evening he went to mill with grain, and having to wait his turn, played a game of "goal" with the other boys. When his grist was brought out, though in a great perspiration, he placed the grist on his horse and rode nearly two miles, in the teeth of a northwest wind. He took a severe cold which settled in his right hip joint. He was treated with "calomel and jallop and freely bled." He suffered intense pain and his right leg contracted about three inches. Drs. Mitchell and Packer were called in consultation and pronounced his disease "acute hip disease." Dr. Mason, who had just been Chenango’s Representative in Congress, was also consulted and gave it as his dictum that his patient might live three months.

Despite the prophecies of the physicians, he rallied and could move on crutches. Then the socket joint of the left leg was attacked and that hip thrown out of joint. He was confined to the bed for a year by this trouble. He finally recovered so as to be able to get about with short crutches.

While in this crippled condition he began to sketch the heads of his friends for amusement. He soon found he had decided talent for drawing giving individuality. His friends soon began to insist upon keeping his sketches and paying him for them. One day he was a guest in a home where the daughter had just returned from boarding school and had a box of water colors. She taught him how to use them and he colored a head of her, with which she was greatly pleased. Going to Oxford soon after he saw a portrait of a beautiful lady by Rembrant Peale. He copied it in oils with gratifying success.

He then began to teach his sister, Miss Louise Wagner, the details of drawing and gave her the head of "Thomas Jefferson," to copy. She succeeded so well that they determined to pursue art. About this time he was confined to his bed for a year, but, his health slightly improving , he began to paint miniatures "lying on his back and having his sitter beside his bed. His sister having decided to devote herself to the same line of art, they spent several years painting portraits in the towns of Chenango Valley, going as far south as Binghamton and north to Utica and Whitestown and west to Ithaca. At the latter place the became acquainted with William E. Seward and under his advice went to Albany, where they painted miniatures of the members of legislature. From Albany they went to New York taking letters of introduction.

From a short autobiography we take the following, "We took rooms at the Astor House and being lame I sent my letters to those for whom they were intended. Among them was one Newman the bookseller. He called, looked at our specimens, pronounced them excellent but said he - "I fear there is one thing you lack to succeed well in New York and that is brass. My motto is that brass is gold in New York. You must keep a brass candlestick by you and rub your face morning and night till you get brass enough for New York. Then you will succeed."

Among the New York visitors was Dr. Valentine Mott, the great surgeon. He examined Mr. Wagner and pronounced his case one of the most remarkable he had ever seen. "I have never known," said the great surgeon "one to live through a dislocation of both hips."

From New York, the brother and sister returned to Albany, where they painted portraits of Erastus Corning, Martin Van Buren and Silas Wright. In 1848 the painted Vice President Millard Fillmore. In 1853 they went to Washington and painted the family of President Fillmore, visiting the White House and attending the receptions. They painted many Congressmen and Daniel Webster, then Secretary of State.

Returning to New York they established a studio in the Dodworth Building and took a landscape painting in oils. They made studies on the Hudson and in the Adirondacks. Some of these paintings were exhibited at the Centennial. About 1870 they returned to this village, where they have resided since. Mr. Wagner was a very pleasant and interesting man to meet. His struggle and victory over the disease which made him almost a helpless cripple for sixty years was as remarkable as pathetic. His sister who has been his inseparable companion all these years, is left to mourn her great loss.

His funeral was attended Monday afternoon from the residence of Elmore Sharpe, Esq, on Hayes Street whose wife is a niece of the deceased where Mr and Miss Wagner have made their home for several years. Rev A J Van Cleft officiated and made some most appropriate and excellent remarks.

Another kind visitor has also sent images of a nice miniature by Daniel Wagner, signed and dated Albany Jan'y 1845.

It is interesting to compare the signature with the one above. The word Wagner seems a little different and hence it appears one signature is by Maria Louisa and one is signed by Daniel.

The case containing the portrait is engraved on the reverse "John J P de Puy", but so far the owner has not been able to find out more about John de Puy.

Later - The owner has now advised this information;

I've been able to find a bit more about
Mr. De Puy. Basically, as the Web has grown, and more texts are added,
things appear that didn't even a year or two ago. It appears he was a member of the New York State Legislator for just one
year, 1845, representing New York City. So, he must have had the miniature
done when he was serving at the Capitol in Albany. He was listed as an
"American Republican" party member, a short-lived Nativist minor party
which swept the NYC election in 1844. They later became part of the "Know
Nothing Party". However, in 1848 he's mentioned in the newspapers as
Chairman of the Democratic Whig Young Men of New York City, and then in 1850
I find him in San Francisco as Chairman of the local Whig Party. So, he
probably moderated his views as the Whigs were a more liberal party, in
modern terms. Finally, I find a "J. J. R. De Puy" of New York as a minister of the
Methodist Church......maybe him, maybe not.

Later - yet another kind collector has provided a photo of a further miniature portrait by Maria Louisa Wagner. It is of a young lady and is signed and dated on the backing paper "Painted by M Louisa Wagner Albany Nov 1847".

The miniature is another example of the excellent work of this artist and in a relaxed, informal pose.

There is some paint loss on the red chair, as is the case with red area in her other portraits. At this time artists often mixed their own colors and hence it seems Maria had difficulties in striking the right mix of ingredients for the color red.

August 2015 - I have received a great deal more information about the Wagner family from a descendent.
They have advised as follows:

Dear Mr. Shelton,

The recent discovery of your blog entitled “ American
Miniature Portraits” attributed to Daniel and Maria Louisa Wagner (from January
of 2008), has opened what I hope will be a whole new chapter for my family and
I hope will also provide you with more information about the artist.

Since they
were originally painted, we have kept in the family a set of four portraits
painted by M. Louisa Wagner. Of the four paintings, only one is signed: “Painted
by M.L. Wagner, 1880,” on the lower right corner of the canvas. It is the
portrait of the woman that we believe to be Miranda Wagner.

Anna Farnsworth Wagner,

I have included photographs of the paintings, a detail of
the signature, and a scan of what we know about the Wagner family, given to me
by my mother, Martha Daughhetee (nee Austerman), and typed up by her, perhaps
taken from some record she still has. We will be sharing all of our new
information with her, she is 90, and will be delighted by this discovery.

We have long believed that the older portraits were the
artist’s grandparents, and the later ones were her parents, but thanks to
information you provided, which we then compared to the info in the scanned
documents, we now believe that the man and woman depicted in the later
portraits are the artist’s elder brother and his wife; and that the earlier
portraits are of her parents.

We have long wondered how such an accomplished painter could
have flown under the radar and have conducted occasional searches for
information about Ms. Wagner since the internet became available.

Your
information is the first we have found, and it has given us a great deal of new
information about our ancestry, and about the painter and the story of her
brother.

There are some inconsistencies between the information we
possess and what you provide, but we may very well want to chalk that up to
less than accurate records, distance, and the passage of time. For example we
have always believed that Ms. Wagner’s father was John Jacob Wagner III, while
your research indicated that their father was named Frederick.

John Jacob Wagner IV,

Also that her
mother’s maiden name was Farnsworth, whereas your research indicates it was
Walworth. Another is that Daniel and Maria Louisa were two of thirteen children,
whereas our family record says there were eight.

As to that point, infant
mortality being what it was, that detail does not cause us to believe that the
artist you wrote of, and the one that painted our paintings is not one and the
same.

While she may not have painted Lincoln’s portrait, as we have long been
led to believe, her introduction to William Seward and the record of portraits
of notables from our nation’s capital that your research indicates were painted
by the brother and sister is an area of consistency.

The dates on our portraits is consistent with
her life span, and the time during which one might expect both she and her
brother to have painted with the most proliferation.

Miranda Wagner

Here’s an area where we enter into wild speculation. My wife
believes that the woman featured in the miniature in your article, who is
unknown, may very well be the same woman in our later portrait, the artists’
sister in law, Miranda Wagner. There are enough physical similarities, but the
fact that your miniature turned up in Maine is inconclusive, and no doubt we
can never be sure.

At any rate we invite
you to compare the two and we welcome your thoughts and any additional
information you can provide. We would very much appreciate learning of your
source information for the research you conducted about the Wagners, we hope
there is much more to learn about the family.

I look forward to hearing from you,

Sincerely,

Mark Daughhetee

P.S. I am also an artist, and have always been very curious
about this particular aspect of my ancestry. Thank you again.

This is the comparison of the two images that he sent me. I replied to Mark as below and he kindly agreed I could post the above information here for the benefit of other people interested in the Wagner family.

Hello Mark,
Many thanks for your kind comments and all the extra information.
I am glad that the information I had accumulated at 3
American Miniature Portraits: Wagner, Daniel and Maria ... was of use to you. The whole purpose of
the website was to try and add to the public record, information
about "forgotten" artists and sitters, so that their lives were in
fact not forgotten! [ Perhaps a sort of artistic, "Who Do You
Think You are? ! ]

Other than where I mention that the information came from a
visitor to the website, the information was collected from the
Internet via various "trial and error" name combinations, or from
www.ancestry.com Both often tedious processes! - but which did
uncover odd "nuggets". However, even there I may have made the odd
error.

While I am unable to guarantee the accuracy of any information
provided by visitors which differs from your own information, I
happily accepted that it was given by those visitors in good
faith. Hence, there is probably an opportunity for you to
undertake more detailed research and to hope to reconcile them.

I have not checked the relative ages of the paintings with her age
at the time, but do agree with your wife that the portrait in the
miniature is very likely Miranda Wagner. The quality of that
miniature is exceptional, so the attention given to the detail
becomes explainable by it being of a close relative. (There are in
the collection a few miniatures by other artists, of a single
sitter at different ages, and it has amazed me how well paintings
can convey a person's likeness at different ages.)

About Me

The term "historical detective" may sound a little strange, but is the easiest way to express the intent of this research.
Seeking information to expand historical knowledge and finding, surprisingly often, "conventional wisdom" needs revision