In the Qing Dynasty, the level of porcelain making of the Han working people was the highest. Thousands of years of experience, together with Jingdezhen's natural raw materials, the management of the supervisor of pottery officials, Kangxi, Yongzheng and Qianlong three generations in the early Qing Dynasty, due to political stability and economic prosperity, the emperor attached great importance to porcelain achievements, and the emperor's love and advocacy, made the porcelain production in the early Qing Dynasty superb technology, fine decoration, gorgeous, and extraordinary achievements, fully reflecting the ancient Han working people And artistic creativity. It is the most glorious page in the long history of Chinese ceramics.

In the Qing Dynasty, apart from Jingdezhen's official kilns as the center, the local folk kilns were very prosperous and prosperous, and made great achievements, especially the gradual development of the western style, the export of ceramics, the introduction of Western raw materials and technologies, which made the ceramic industry more abundant and colorful. Also, due to the mass production and imitation, the painting academy pursued fine workmanship, although it had amazing works, but it was less creative And it's all about craftsmanship. Dehua white porcelain in Fujian Province is crystal white and transparent. It is famous for producing Buddha statues. In the early Qing Dynasty, Jingdezhen porcelain represented the highest level of porcelain making in China and even in the world. With the increasing demand of Jingdezhen porcelain at home and abroad, Jingdezhen porcelain industry of Kang, Yong and Qian dynasties has entered the peak of porcelain making history. Kangxi's blue and white, multicolor, tricolor, langyaohong, cowpea red, enamel and other decorative varieties have a unique style; Yongzheng's pastels, fighting colors, blue and white, and high and low temperature color glazes are soft, simple and elegant. Qianlong's porcelain making process is unparalleled in its sophistication and craftsmanship. Blue and white exquisite porcelain, Xiangsheng porcelain carving, antique copper, bamboo, lacquerware and other special craft porcelain are lifelike and ingenious. Porcelain industry flourished and all kinds of industries flourished. Tang Ying, the pottery official in Qianlong's reign, said in the painting of Cultivation: "Jingdezhen is only ten miles long, surrounded by mountains and rivers, and in a corner of the secluded area, there are four merchants of pottery. There are two or three hundred districts of folk kilns, and there are not less than hundreds of thousands of craftsmen and men. There are many cannibals here." In the middle of the Qing Dynasty, ceramics for export developed in a wide range of colors.

Qianlong period was the peak period of social development in Qing Dynasty. A large number of management personnel and skilled craftsmen gathered in the imperial kiln, which improved the level of porcelain firing in Qianlong Dynasty. Although the products of this period were technically elaborate and cost-effective, they were complicated and complicated in terms of artistic style. Compared with the previous dynasties, the products of this period showed signs of decline and became a turning point in the porcelain industry of the Qing Dynasty. Qianlong porcelain kept its ancient essence while absorbing western art. The appearance and shape are mostly regular. In addition to the common utensils, there are some strange and strange objects, which are mainly used for enjoying. They are called "less thick than Kangxi, less beautiful than Yongzheng". At this time, it is popular to use such skills as turning the center, turning the neck, etc. on the carving tools, and the manufacturing process is extremely exquisite. Like raw porcelain technology, imitation of wood grain, imitation of bamboo, imitation of lacquer, imitation of metal, and so on, can be confused. This is closely related to the superb skills of the porcelain makers at that time. They have mastered the preparation of glaze and the control of fire with high accuracy, so as to imitate other material effects vividly. In Qianlong period, the finished generation of pastels replaced the five colors, but the quality of products was not as good as that of the previous generation. The decoration means of hollowing and stacking are emphasized on the pastel vessels, supplemented by the "rolling process" and the opening, carving and so on. The precious porcelains of the ancient moon pavilion are named after the ancient moon Pavilion in the Qianlong palace. They are selected from Jingdezhen and made into the capital. They order the inner court to worship the painting masters and bake them in the oven in the capital.

This is a straight mouthed, bulging pot of Qinglong's Pink character story. The whole appearance is covered with white glaze, with figures painted. The composition is exquisite, the style is elegant, the whole picture is quiet, a blank name is clear and quiet, full of a fresh atmosphere. The bottom tribe had a "Qianlong year system" reception. The overall painting lines are smooth, the depiction is delicate and lifelike. The overall shape and system are regular, the tire glaze is meticulous and meticulous, the craft is exquisite, and the color is soft, which is a fine product of pastel porcelain.