86 Items Found For the replacements

"...[Hackman and Reeves] both give smooth performances and the supporting cast is superb....Good, unpretentious fun..." Movieline's Hollywood Life "...It's a kick to watch Keanu acting silly....And score one for the Sentinel cheerleaders....You've never seen a halftime like this..." Rolling Stone73.30183

"...[Hackman and Reeves] both give smooth performances and the supporting cast is superb....Good, unpretentious fun..."Movieline's Hollywood Life "...It's a kick to watch Keanu acting silly....And score one for the Sentinel cheerleaders....You've never seen a halftime like this..."Rolling Stone73.30183

Rolling Stone (p.132) - 4 stars out of 5 -- "TIM caught a great American garage band stretching out, working Big Star pop and Fifties-style rock into a mix of punky abandon and regular-dude romanticism."Rolling Stone (12/11/03, p.128) - Ranked #136 in Rolling Stone's "500 Greatest Albums Of All Time" - "[A] crucial template for grunge, alternative country and, recently, the noisy introspection of emo."Rolling Stone (5/25/00, p.76) - 4.5 stars out of 5 - "...Rangy, obstreperous, unsparing, funny and ever tuneful - turning post-adolescent confusion into some kind of screwed-up enlightenment."Q (10/93, p.127) - 4 Stars - ExcellentAlternative Press (7/95, p.76) - Ranked #4 in AP's list of the `Top 99 Of '85-'95' - "...it's still just about impossible to put into words how great the Replacements were and how tremendous a record TIM is. Coming on the heels of possibly the greatest rock and roll album (LET IT BE) and preceding another classic (PLEASED TO MEET ME), TIM is the heart of an amazing trilogy..."CMJ (1/5/04, p.18) - Ranked #15 in CMJ's "Top 20 Most-Played Albums of 1986"Mojo (Publisher) (p.120) - 4 stars out of 5 -- "1985's TIM is where Westerberg found his range, and consistently so..."73.28152

Rolling Stone (9/19/02, p.108) - 4 stars out of 5 - "...Rude, crude pleasures...These songs are where the young Kurt Cobain found his voice - and he wasn't the only one."Q (6/93, p.120) - 3 Stars - Good - "...HOOTENANNY...saw Westerberg diversifying stylistically as he staked out what has since become his specialist lyric territory--a downbeat teen outsider angst heard in full flow on `Color Me Impressed'..."Q (10/95, p.146) - 4 Stars - Excellent - "...the group displayed humour and verve in equal amounts, although they were clearly tiring of playing punk..."NME (Magazine) (4/23/93, p.30) - 7 (out of 10) - "...HOOTENANNY [is] a mellifluous sideways step full of R&B and country touches..."Record Collector (magazine) (p.88) - 4 stars out of 5 -- "[With] The Replacements' willingness to experiment with their material adding to the freshness of the record."0.352935

Alternative Press (p.108) - 4 stars out of 5 -- "Frontman Eddie Argos' sing-speak ruminations are inspired once again..."Billboard (p.29) - "The seven-minute closer, 'Mysterious Bruises' is Art Brut's most ambitious song to date...a funky guitar hook and thoughtful lyrics make it a highlight."Q (Magazine) (p.117) - 3 stars out of 5 -- "With former Pixies man Frank Black producing, the results are hyperactive and punky..."Pitchfork (Website) - "Black gets the Art Brut spirit down on record better than anyone has before, with the blazing pop-metal vainglory of Weezer, the scruffy cheekiness of early Rough Trade bands, and lots of enthusiastic backing vocals."0.331708

Rolling Stone (p.74) - 3 stars out of 5 -- "[T]here's not a dud in the bunch, a handful are very good, and all of them sound at least as much like his beloved old band, the Replacements, as any of his recent solo work."No Depression (p.105) - "Unforgettable hooks, infectious melodies, and cleverly crafted, witty lyrics abound..."0.2910959

Uncut (p.106) - 3 stars out of 5 -- "MONEY MUSIC roars along like early Replacements hitched to Texan country-rockers the Old 97s."No Depression (p.77) - "The album continues his evolution from country-blues toward steady rolling pop-soul that rests in a comfortable pocket alongside John Hiatt and Marc Cohn..."0.2910959

Entertainment Weekly (12/1/00, p.103) - "...These rough-hewn, Replacements-style rockers have always seemed most comfortable slugging it out on the periphery of rock stardom..." - Rating: B-Q (12/00, p.151) - 3 stars out of 5 - "...These songs are full of pathos and are often memorably melodic..."0.2910959

Entertainment Weekly (12/1/00, p.103) - "...These rough-hewn, Replacements-style rockers have always seemed most comfortable slugging it out on the periphery of rock stardom..." - Rating: B-Q (12/00, p.151) - 3 stars out of 5 - "...These songs are full of pathos and are often memorably melodic..."0.2910959

Entertainment Weekly (12/1/00, p.103) - "...These rough-hewn, Replacements-style rockers have always seemed most comfortable slugging it out on the periphery of rock stardom..." - Rating: B-Q (12/00, p.151) - 3 stars out of 5 - "...These songs are full of pathos and are often memorably melodic..."0.2910959

Alternative Press (p.108) - 4 stars out of 5 -- "Frontman Eddie Argos' sing-speak ruminations are inspired once again..."Billboard (p.29) - "The seven-minute closer, 'Mysterious Bruises' is Art Brut's most ambitious song to date...a funky guitar hook and thoughtful lyrics make it a highlight."Q (Magazine) (p.117) - 3 stars out of 5 -- "With former Pixies man Frank Black producing, the results are hyperactive and punky..."Pitchfork (Website) - "Black gets the Art Brut spirit down on record better than anyone has before, with the blazing pop-metal vainglory of Weezer, the scruffy cheekiness of early Rough Trade bands, and lots of enthusiastic backing vocals."0.2764233

Entertainment Weekly (2/12/93, p.57) - "...these guys dig that playing loud and fast doesn't mean you ain't a fool for love and that the best punks may be those who temper Sturm und Drang with melody and melancholy..." - Rating: AAlternative Press (4/93, p.61) - "...the [Goo Goo Dolls] are progressing...even though they've smoothed out a bit, you can still get drunk and fall over to them..."Musician (4/93, p.85) - "...like all great pop, the Goo Goos stand cliches on their head, while the magnetic hooks suck you in and make it all sound new again...marks a quantum leap over their thrash beginnings, a move akin to the Replacements breakthrough record LET IT BE..."0.2328767

Rolling Stone (10/15/98, p.131) - 3 Stars (out of 5) - "...the Dolls traffic in raspy-voiced, guitar-fueled rave-ups with a sentimental streak....Nothing like a few hints of vinegar to make the gooey ballads go down."Spin (12/98, p.182) - 6 (out of 10) - "...Having watched their evil stepsisters, the Replacements, try and fail to fit their eccentricities into the square hole of success, the Dolls prove more amenable: DIZZY UP THE GIRL is a marketing department's dream, this year's Soul Asylum with the edges filed off its power pop and metalloid stomp..."0.2328767

Spin (p.86) - 3.5 stars out of 5 -- "[They] flood their debut with opposites: dark/light, quiet/loud, mid-period Replacements and obscure, angular '90s emo."Alternative Press (p.101) - 4.5 stars out of 5 -- "The main reason TWO TONGUES works so well is that Conley and Bemis are working in tandem instead of just contributing solo material. Their vocal tradeoffs in 'If I Could Make You Do Things' sound completely natural."Kerrang (Magazine) (p.56) - "The mature indie-rock on offer here has both emotional depth and the sort of hooks that stick after a solitary listen..."0.2328767