Tag Archives: “9 to 5”

When Linda Fry, Laurel Ann Bogen, and I went to see “The Last Word” a week ago, the previews included the upcoming release of a remake, “Going in Style.” I was disappointed instantly. The original starred a trio of men, and the remake has recast it with three males. As much as I enjoyed the original film back in 1979. I equally remember my main problem with it. The story-line involves three old men who decide that the possible benefits of robbing banks would probably outweigh the penalties, given that none of them had much likelihood of serving even a small portion of any lengthy prison sentence. As a comic premise, it served its purpose, but let us consider that the majority of individuals who might entertain that option as a solution to their predicaments would most likely be women. Impoverished old women confined to bleak circumstances far outnumber men, and if the comic requires the unexpected, a trio of aging women would easily provide a multitude of punch-lines and gags using the same premise.

The gender shift I proposed in my critique of the first “Going in Style” did in fact show up in a middle-aged variant a year later. The success of “9 to 5,” which starred Lily Tomlin, Jane Fonda, and Dolly Parton, demonstrated that a comedy in which women took the law into their own hands was certainly a viable project. If one were to propose a remake, I would be more inclined to see this one in a theater rather than the upcoming release featuring Morgan Freeman, Alan Arkin, and Michael Caine.

However, given the patriarchal backlash in this country right now, it is not surprising that this remake of “Going in Style” blithely presents the crisis of masculinity as the bedrock for its antics. The context for this remake has been building for years. At the end of the last century, Susan Faludi’s Stiffed, for instance, examined the challenges that working men faced within the economics of gender. Nevertheless, to have three men react to the loss of their pensions by launching careers as senescent criminals only serves to distract us from the machinations of an aging baby boomer in the recent presidential election. Trump and his inner circle are giving us a new definition of “style” and they don’t intend the aftermath to be comic.