PRISM international

Get to Know is an interview series dedicated to introducing you to our favourite writers and contributors by way of a range of questions that touch on quotidian details, public spaces, risk-taking, and advice for emerging artists.

This week it’s our pleasure to introduce you to our summer cover photographer Yumna Al-Arashi, a Muslim American who was raised in Washington, DC, and holds a degree in International Politics with a focus on the Middle East. Al-Arashi’s work often focuses on the self-expression and strength of women—from North African matriarchs with face tattoos to nude women in a Beirut bathhouse. This October, her work will be projected onto the International Center of Photography Museum’s windows as part of “Projected,” a series that focuses on photographers “exploring empowerment, catalyzing social change, and giving voice to the unheard.” Scroll down for morning routine inspiration and some stellar music recommendations from this visionary artist.

Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner, and writer. She is also the Artistic Director of b current performing arts. Her plays include The Femme Playlist, a one-woman show; Singkil; Eating with Lola (first developed by fu-GEN Asian Canadian Theatre); Kilt Pins; and Future Folk, which was collectively written by the Sulong Theatre Collective. She is the author of the children’s book M is for Mustache: A Pride ABC Book and her plays Kilt Pins and Singkil were published by Playwrights Canada Press.

Last October, my friend David Alexander (Modern Warfare, Anstruther Press, 2016) and I went to an Anstruther Press and Baseline Press chapbook launch to see a few poets we knew. When I heard Aidan Chafe read from his debut chapbook, Sharpest Tooth (Anstruther Press, 2016), I immediately wanted to buy his collection. I was drawn by Chafe’s strong imagery and measured, almost laconic consideration of the destructive ferocity and violence of the natural and human worlds.

When I saw that Chafe had released a second chapbook, Right Hand Hymns (Frog Hollow Press, 2017), I was eager to read his new work. The theme of violence continues in this collection, but instead of exploring this theme in poems about hunting, woods, and wolves, Right Hand Hymns evokes a similar wildness and chaos in poems about family, religion, and mental health.

Prompt #13: Endings As writers, we think a lot about endings. In stories, there are good endings and bad endings, true endings, and endings that feel forced or contrived. But in real life, endings are not always straight forward:...

There are times when we feel forgotten, extraneous, and burdensome to the people or institutions in our lives. Sometimes the coin flips the other way around and we realize the people in our lives who are not our top...

Get to Know is a new PRISM interview series dedicated to introducing you to our favourite writers and contributors by way of a range of questions that touch on quotidian details, public spaces, risk-taking, and advice for young writers. This week it’s our pleasure to introduce you to Jessica Bebenek (@notyrmuse), a writer and transdisciplinary artist currently pursuing an MA at Concordia University in Montreal. Her non-fiction piece “For J” appeared in PRISM’s Spring 2017 issue after being shortlisted for our Non-Fiction Contest; this piece is part of Writing for Men, a non-fiction collection she’s currently working on.

Bebenek’s poetry chapbook Fourth Walk was released this Spring by Desert Pets Press, and she is currently completing her first full collection of lyric poetry, No One Knows Us Here. This Fall, the knitted tapestries in Bebenek’s k2tog series, which explore how women speak to each other through both ‘art’ and ‘craft,’ will be displayed at The Gladstone’s Hard Twistexhibition, alongside the launch of her accompanying chapbook of knitting patterns (k2tog), forthcoming from Berlin’s Broken Dimanche Press. You can find further info on publications and readings on Bebenek’s website.

Interview by Jasmine Sealy. Photo by Carly Shaia. Beasa Dukes writes ghost stories. But these stories are far from ephemeral. These stories are about spirits that are born of the earth, that inhabit bodies and influence our every waking...

Prompt #10: Loss Loss is a complicated, sometimes all encompassing, experience that comes with waves of pain, confusion, anger, and denial. Sometimes it’s a temporary loss, and other times it’s something more permanent. Whatever the case, loss is something...

Joi T Arcand is a multidisciplinary artist from Saskatchewan, currently living in Ottawa. A nehiyaw iskwew from the Muskeg Lake Cree Nation, Joi’s body of work includes representations of the Cree language in photography and other mediums, and she has been exhibited across Canada, including at Vancouver’s grunt gallery. She co-created kimiwan, a quarterly publication for and by Indigenous visual artists and writers that published eight issues between 2012 and 2014. Her piece Northern Pawn, Southern Vietnam appeared on the Spring 2017 cover of PRISM international.

Who We Are

PRISM international is a quarterly magazine out of Vancouver, British Columbia, whose mandate is to publish the best in contemporary writing and translation from Canada and around the world.

The mandate of the magazine’s website is to provide a supplement to the print edition that connects readers with the literary community through author interviews, book reviews, news about Canadian writing and publishing events, and other information of interest to our readers, many of whom are writers themselves.