Mitsu Okubu’s products and publications are known for their excessive cheekiness and ironic exploitation of certain artists and art-world buzzwords. This work, entitled 60 Collages, splices together sexually explicit imagery with further images of violence, film stills, or indiscriminate phenomena recorded in photograph form. Okubu organizes the pictures in order to emphasize the area in which the disparate content connects; due to the pornographic nature of the photos chosen as a consistent background atmosphere, these connections often take on a humorous,
erotic, or disturbing association.