Background

#MafiaMonday has become something of an occasional tradition for BAMF Style, but there’s no reason why every celebration of mob style needs to feature an actual gangster. Take the case of Joe Pistone, a real-life FBI agent and undercover pioneer whose six years infiltrating the Bonanno family of the New York Mafia was so effective that NYPD investigations and even some FBI files had mistakenly marked the agent as a mob associate named Don Brasco. Pistone was ordered to end his operation in the summer of 1981, despite the agent hoping to at least be “made” and inducted into the ranks of the mob.

Background

It’s been quite some time since I’ve visited Public Enemies, the Michael Mann-directed action thriller depicting the life and crimes of Depression-era desperado John Dillinger. The film received mixed to positive reviews upon its release with much of the praise going to Michael Mann’s usual attention to detail as well as Johnny Depp’s performance as the Indiana-born outlaw.

Colleen Atwood’s period costumes are also worthy of attention and praise. High fashion was the signifier of success for Depression-era gangsters, and Dillinger rarely led his gun-toting cronies into a bank without being dressed to the nines.

Even when on the run, such as this scene set not long after Dillinger’s narrow escape from an FBI ambush at the Little Bohemia lodge in Wisconsin, John Dillinger made a consistent effort to dress well. (The film plays with historical accuracy to present its own narrative, pushing Billie Frechette’s arrest to after the Little Bohemia raid; in real life, Billie was arrested on April 9, 1934, two weeks before Melvin Purvis’ federal agents attempted to trap the Dillinger gang at Little Bohemia.) Continue reading →

Vitals

Background

“In summary, this airman, although talented, will not be guided by policy,” heralded Hunter S. Thompson’s honorable discharge from the U.S. Air Force in November 1957, a considerable understatement given the iconic writer’s eventual symbolic anti-authoritarian status.

Following his discharge, Thompson tried a few journalistic stints in New York but was fired by Time (for insubordination) and the Middletown Daily Record (for damaging a candy machine) and moved to Puerto Rico in 1960.

Having failed to procure a position with the San Juan Star, Thompson wrote for the El Sportivo sporting magazine… though it folded quickly after his arrival. His experiences in San Juan formed the basis of The Rum Diary, a novel that he penned shortly after his return to the U.S. the following year, although it wasn’t published for more than three decades.

While it would be inaccurate to describe The Rum Diary as a strict roman à clef, its morose, restless narrator Paul Kemp is clearly modeled on Thompson himself, and Thompson’s friend Johnny Depp was naturally tapped to play the role in the film adaptation. Continue reading →

Background

All the balls that Paul Kemp was juggling at this point have begun to fall. His grasp on his job, his shady dealings with PR whiz Sanderson, and his flirtation with Sanderson’s girlfriend. The bottom falls out when Kemp and photographer pal head to Carnival at Saint Thomas in the Virgin Islands after visiting island property for Sanderson’s budding real estate scam.

Bruce Robinson’s script perfectly nails the feeling of the scene as Chenault leads Kemp by the hand to Sanderson’s yacht:

Like walking the plank in reverse, they invade a small drinks party.

Other than the glamorous Chenault, none of the new visitors fit in with Sanderson’s cosmopolitan set. Continue reading →

Vitals

Background

While 1973’s Dillinger took a “just the facts” approach to retelling the life of bank robber John Dillinger (albeit with very exaggerated facts), Michael Mann’s Public Enemies painted the farmboy-turned-criminal as a more mythical figure. This seems to be the trend in recent years.

Vitals

Background

Pablo Escobar: So, you’re the man, huh? Who takes fifty kilos and make them disappear in one day.George Jung: Actually, it was three days.

As a multimillion dollar-earning international drug dealer, George Jung was well-known to the drug culture and law enforcement by the time Bruce Porter’s 1993 book, Blow, was released. However, it was the Ted Demme-directed 2001 film of the same name that brought Jung’s life into the mainstream with Johnny Depp in the lead role. Continue reading →

Background

Car week continues with a story by an American icon involving an iconic American car.

More than a decade before becoming the face and beautifully twisted mind of Gonzo journalism, Hunter S. Thompson was a struggling writer who had recently been discharged (honorably, but with prejudice) from the U.S. Air Force and had a few legal issues to his credit, not the least of all being the sinking of nearly every boat in a Kentucky harbor by shooting holes into the boats’ hulls just below the waterline. Continue reading →