Modeled after European
summer academies, the new initiative makes use of MoMA PS1 – which is, the
organizers point out, suitably housed in what was once a school itself – as a
setting for “candid conversation, experimentation and practice” centered on the
art and intricacies of filmmaking.

Based on a recent collaborative project, Franco and Van Sant were
invited to go to the head of the class as teachers at this ephemeral school for
the soul. The two got to know each other several years ago when Van Sant cast Franco in Milk
(2008), the most recent of such better known films of his as Finding Forester
(2000) and Good Will Hunting (1997).

Franco, the multitalented actor
(127 Hours, Howl, Pineapple Express,
the Spider Man series), filmmaker,
writer and artist who’s now also a RISD student, was moved and inspired by
the unreleased footage and dailies Van Sant had shown him from his 1991 classic My
Own Private Idaho, starring Keanu
Reeves and late great River Phoenix. Mesmerized by
Phoenix’s “uninhibited acting,” Franco edited a 100-minute alternative film that captures
the young actor at his most physically dynamic and emotionally expressive.

The new film, called My
Own Private River, made its debut earlier this year in Unfinished, Van Sant’s and Franco’s two-man show at Gagosian Gallery. It’s currently being shown at MoMA PS1,
running continuously in the main theater through September 5.

Since Trecartin’s solo
show, Any Ever, is also at
MoMA PS1 through September 3, he’s taking part in some of the Summer School discussions this month, too. And the discourse will be informed by several other films on view there, too,
including Satantango (1994) and Werckmeister Harmonies (2000) by
Bêla Tarr, Jeanne Dielman (1975) by Chantal Akerman, Stroszek
(1977) by Werner Herzog and a few other Van Sant favorites.

Given the celebrity teachers and free tuition, it’s not surprising that Summer School filled to capacity a nano-second after enrollment opened. But for anyone who
considers August to be open season on seaside vapidity, maybe that’s not so bad. As it turns out these RISD guys are serious, assigning heady “homework” – replete
with probing, no-nonsense questions
about morality, metaphor, psychology, cinematography and more – before the first class even met.