Monday, December 14, 2015

Two thousand two
hundred members of Chicago society came together on this evening, December 13,
of 1904 to attend the dedication of the new home for the Chicago symphony
orchestra on Michigan Avenue.Three-quarters of a million dollars made up of voluntary contributions
from over 8,000 different people had made it possible to get the place built.

After 14 years with the orchestra its conductor, Theodore Thomas, finally had a home
for his musicians who had up to this point played in the cavernous Auditorium
building just down Michigan Avenue. The
Apollo and Mendelssohn music clubs joined with the members of the Chicago
symphony for five numbers, beginning with Tannhäuser’s “Hail, Bright Abode.”

Attorney and former
United States congressman George E. Adams dedicated the new hall with a short
speech, saying to the audience members who had helped fund the project, “We
hope and believe that this building will outlive every one of you and every one
of us.We hope and believe that it will
stand for generations to come.But if it
stands for centuries it will not outlast the beneficent influence which you
have bestowed upon the higher life of the American people.”

Unfortunately, when
the first reviews of the new hall emerged, it became clear that the impassioned
desire for it to stand for generations needed to be tempered somewhat.The critic for The Tribune, W. L. Hubbard, wrote, “It would be an act both
graceful and joyous to state that the concert last evening convinced that
Orchestra hall was all that could be desired – that it was a concert room
virtually faultless . . . But the facts so far as personal observation and
attention could establish them last evening, make such a statement now
impossible.And the disappointment felt
because of this is only the more keen because the contrary had been so
earnestly desired.”[Chicago Tribune, December 15, 1904]

The brass
instruments “swallowed up” the orchestra in louder sections.The quality of the strings “when heard” was
“hard.”A violin solo was “small and
colorless.”The kettledrums were
“hollow” and “tubby.”

Most devastatingly,
in the critic’s words, “For the first time since the Chicago orchestra has been
heard it sounded common . . . for last evening it seemed that instead of having
the Chicago orchestra given to us permanently, it had been taken away from us
and an inferior unfinished organization substituted.”

A tone deaf Chicago would find
a way to get along with Hubbard’s assessment for 91 years until a
major overhaul of what is now Symphony Center would begin, a project that
consumed the better part of two years from 1995 to 1997 and markedly improved the space.