This is Liam Guilar's Blog, mostly about poetry, mine and other people's, and anything else of interest. Over the years it has unintentionally developed into an online poetry resource, check the names in the sidebar but Bunting, Yeats, Pound, Joyce, Tennyson and the medieval poets get fair coverage. Lady Godiva and Me was a sequence of poems that linked Lady Godiva, both the historical Godgifu and the legendary Lady G, to a character growing up in the city of Coventry after the second world war.
You can see a short film about the collection Here.
My most recent book of poems, Anhaga is published by Vanzenopress and avialable from my website. Further information, full length articles and sample poems are available on my website Here .

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Saturday, July 17, 2010

From Dave Lordan’s review of “identity Parade: New British and Irish poets” in the Stinging Fly issue 16/volume two summer 2010-07-18

The poems here are nearly all beautiful in the sense that they are very well-sculpted and clearly and sonorously expressed. Sometimes, however when confronted with such apparent technical faultlessness I am put in mind of Ron Silliman’s question of ‘what is more deadly than a poem that seeks to be told it’s beautiful?’ What I find lacking are formal and thematic reflections of our commonly experienced fragmentation , confusion, disturbance, upset, instability and insecurity. By and large the senses of all prevailing danger, irredeemable human failure and imminent total disaster that characterise the zeitgeist are not well communicated here…” (p123)
“Our commonly experienced….”
[resist the urge to list all the things that are more deadly than a poem….]

The eerie near total absence of political poetry in our era of neo-imperialism, neo-liberalism and climate change is also deeply troubling, but not suprising. The cultural and intellectual scene overall is far less radical and interesting than it was even twenty years ago and it apt that the general retreat from commitment and strong ideas and concurrently from passion, risk and invention, should be reflected in poetry. (p123)

“The general retreat from commitment and strong ideas…..”

Compare with Bunting, replying to this request (Poetry 1972):

DearI wish to publish a special issue of Poetry protesting the acceleration of the undeclared Indo-Chinese War and shall be grateful to consider any poem on this terrible and topical subject that you might wish to contribute as soon as possible. I am not an American citizen , but this is not an American issue. IT is of global importance. Poetry is a matter of life and death.Sincerely,Daryl HineEditor.

Bunting replied:Poetry does not seem to me to have any business with politics. Whatever thoughts the war in Vietnam puts into my head, they are not as could be well expressed in verse. …There’s not a soul who cares twopence what I or any other poet thinks about the war, Nixon, Wallace, marijuana, pills, oil spills, detergent advertisements or the fog from Gary. We are experts on nothing but the arrangements and patterns of vowels and consonants, and every time we shout about something else we increase the contempt the public has for us. We are entitled to the same voice as anybody else with the vote, no more. To claim more is arrogant.So I won’t be contributing to your special issue.

in a short talk that prefaced the reading he gave at Keats' House in 1979 Bunting said:

Poetry hampers itself when it undertakes advocacy, however indirectly… Poetry that advocates obscurantism, or on the other hand naïve slogans of liberalism is a nuisance to everybody who can read. What I have tried to do is to make something that can stand by itself and last a little while without having to be propped up by metaphysics or ideology or anything from outside itself; something that might give people pleasure without nagging them to pay their dues to the party or say their prayers. It’s brought me just what I expected from the first: nothing….and after sixty years of fairly good work without pay I haven’t even a house of my own to die in.

Friday, July 16, 2010

I have been researching the attitudes and assumptions that underwrite the production, publication reception and consumption of modern poetry. And the history of their development. It’s a lot more interesting than it sounds.

I was thinking that Salt’s 2009 “just one book” campaign would be a good example and so went to their website to see if I there were details I could reference.

So I was feeling guilty, not because I didn’t buy a book, but because I can’t help but wonder what the reaction would have been if any other business had tried the same line. Imagine the car producers in Coventry in the sixties and seventies: Humber, Roots, Triumph, Chrysler, Rover going public: ”We are going broke because no one wants the cars we make. SO if everyone would just buy one car we can stay in business and continue to make the cars you don’t want.”

Their disappearance was devastating: not just on the families coping with unemployment, but in the broader sense where schools stuttered, trying to sell the future to kids who knew there wasn’t one: the precinct with its shut and empty shops, even Woolies, shrinking and then finally going.

So feeling guilty for the cynicism, I went to the website, read this and gagged.

“Support the good work here. Don’t let Salt fall. If the recession is going to take things down, let it be motor manufacturers, let it be bad banks, let it be chains of fast food restaurants. We can lose a few of them, but we don't have enough small independent and daring publishers like Salt. I think I can be a little more forthright than Chris and say ‘Just six books’. Buy dozens why don’t you? It’s a great list. And apparently you will help the economy in many subtle ways too complicated for studious folk like us.” — GRYFF RHYS JONES

“We can lose a few of them”!!! Who does he speak for? Who are these “Studious folks like us”? Obviously not people who have jobs. Or intelligence despite their study if the last sentence is anything to go by

Then I thought maybe it was a joke. Someone poking fun at the whole thing. Irony.

But I’ve never been good at being “Outraged from Anywhere”.

I cut it and pasted it and put it in the file as a prime of example of what I’m studying.