As fans, I think we sometimes underestimate the vast number of variables that have to align to create a great Phish show. Probably more so now, when everyone is older, travel and logistics are more complicated, the setup is so much more intense, and more.

Welcome to the 338th edition of Phish.Net's Mystery Jam Monday, the second of August. The winner will receive THREE MP3 download codes courtesy of our friends at LivePhish.com / Nugs.Net (and @johnnyd, who threw his double code victory back into the pot last week). To win, be the first person to identify the songs and dates of the two mystery clips, which are connected by a theme that needn't be part of the correct answer. Each person gets one guess to start – if no one answers correctly in the first 24 hours, a hint will be posted. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Good luck!

Phish returned to Columbia, Maryland, last night for a traditional Saturday/Sunday two-night run at Merriweather Post Pavillion, a celebrated venue that the band started headlining 20 years ago (1998-08-08, well worth a nostalgic listen). MPP has made some significant changes in the three years since Phish last visited. Most are improvements, including a raised pavilion roof for better sight lines from the lawn, and a renovated parking infrastructure that made getting in and out a bit easier. Many fans are saddened, however, by the trading-in of field and forest for a more corporate-park vibe. Tailgating was still on, though, even in the new “Lot 2” parking garage that’s only a short walk from the gate. Despite its corporate feel, the venue seems to have done much to accommodate the Phish community and our shenanigans, and even named one of their new streets “Divided Sky Drive” in the band’s honor.

[Thanks to Josh Martin (@JSAUCE) for recapping Raleigh for the blog. -Ed.]

Greetings, everyone. Jsauce, of the Gorge 2 review, here to give you the lowdown on last night's proceedings in Raleigh.

When Phish goes on tour, I pay a lot of attention and I’m sure there are many, many people besides myself who’ve listened to every note of this tour this far. We care. That’s great. An inevitable consequence of caring is that people are going to disagree. That’s also great. That’s how lively debate happens. However, I can’t help but get a little down when I read the comments section underneath the .net reviews. Maybe it’s always been this way and I just never noticed, but it seems as though it’s gotten way more, you know, PERSONAL all of a sudden. Go back and read the comments on the review of 8/5. Half the people seem to think it was one of the heaters of the tour (my votes would be for 7/20 or 8/3) while the other half seem to think the show was flub city bordering on unprofessional. Am I wrong for thinking that opinions seem to be skewing to one direction or the other in a way they didn’t before? Maybe so, maybe not. More on that later.

The all-volunteer, fan-run Mockinbird Foundation is once again celebrating Phish tour by making unsolicited "miracle" tour grants supporting a music program near each of the venues the band will play. To celebrate Phish's upcoming two shows at Merriweather PP in Columbia, MD (which start tonight), we've sent a $1,500 check to the Harper's Choice Middle School Orchestra. Watch for news posts here at Phish.net, or the evolving press release at mbird.org, for news on other "miracle" tour grants this summer. And please consider making a contribution, to help us give back to the communities we've touched. (Or, maybe you golf?)

The all-volunteer, fan-run Mockingbird Foundation is once again celebrating Phish tour by making unsolicited "miracle" tour grants supporting a music program near each of the venues the band will play. To celebrate Phish's show tonight at Walnut Creek in Raleigh, NC, we've sent a $1,500 check to the Community Music School. Watch for news posts here at Phish.net, or the evolving press release at mbird.org, for news on other "miracle" tour grants this summer. And please consider making a contribution, to help us give back to the communities we've touched. (Or, maybe you golf?)

[Many thanks to Ryan Harrell for recapping Camden2 for the site. -Ed.]

The BB&T Pavilion in Camden, New Jersey, is storied not for its architecture or aesthetic, but rather for the high quality of shows Phish has brought to its stage over the years. This was my first run at this venue, and what struck me the most was the great sound quality one could find at almost any place on its large lawn. In particular, the drums and bass guitar sounded noticeably crisp and tight. I wondered if the individual band members have any venue-specific knowledge about how their instruments carry out to the crowd. While I have no idea if they have such knowledge, given the strong, confident performances by Mike and Fish last night, it wouldn't surprise me if they did.

[Thanks very much to Dianna Hank for writing the recap of last night's show. -Ed.]

East Coast tour continued last night with yet another hot and humid show at Camden’s BB&T Pavilion. Phish opened with this year’s debut of “Crowd Control,” perhaps acknowledging all the "fools" staying on the hill who were about to get poured on by the incoming storm. Next up, synth-funk Page stepped up to bat to lead the band in a concise--albeit solid--“No Men In No Man's Land” groove, with Mike playing a heavy supporting role. In fact, this entire show saw Trey taking a bit of a back seat to this fiery Page/Mike combo, and some really incredible things were able to happen because of that. So thank you for that, Trey.

The all-volunteer, fan-run Mockinbird Foundation is once again celebrating Phish tour by making unsolicited "miracle" tour grants supporting a music program near each of the venues the band will play. To celebrate Phish's upcoming two shows at BB&T Pav. in Camden, NJ (which start tonight), we've sent a $1,500 check to the Settlement Music School's Camden branch. Watch for news posts here at Phish.net, or the evolving press release at mbird.org, for news on other "miracle" tour grants this summer. And please consider making a contribution, to help us give back to the communities we've touched. (Or, maybe you golf?)

Beyond the Pond is a bi-weekly podcast in which Brian Brinkman (@sufferingjuke) and David Goldstein (@daveg924) use the music of Phish as a gateway to introduce the listener to many other bands, the vast majority of which are not jambands. An episode generally begins with a deep dive into a designated portion of Phish improvisation, and then can spin off to any variety of musical themes and other acts, the overarching purpose being introducing the listener to as many new and different bands as possible.

We’re 13 shows into an 18-show summer tour, and by this point in the arc of a campaign we would expect to see a band in firm command of its powers. It’s also Sunday, so we’d also expect to see Phish do what they so often do on Sundays: stretch out, bust out, and show out. Let’s plunge right in.

Welcome to the 337th edition of Phish.Net's Mystery Jam Monday, the first and easiest of August. The winner will receive an MP3two download codes courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery clip. Each person gets one guess to start – if no one answers correctly in the first 24 hours, a hint will be posted. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Good luck!

Reminder: For the first MJM of each month, only folks who have never won an MJM are allowed to answer before the hint. If you have never won an MJM, please answer as a blog comment below. If you have previously won an MJM, but you'd like to submit a guess beforethe hint, you may do so by PMing me; once the hint has been posted, everyone should answer on the blog. If that's confusing to you, check out the handy decision tree I threw together to help guide you. If you're not sure if you've won before, check in the MJM Results spreadsheet linked below.

Answer: Congrats to first-time winner @johnnyd, who was actually in attendance for this week's clip: the 7/12/96 "Jam" that precedes "NICU." As John points out in his comment (and as mentioned on the setlist), this jam came from audience members yelling out random chords, and the band jamming around the made-up progression. While that does sound unique and quite interesting, especially considering the show was played in Amsterdamn, 7/12/96 is known as one of the worst Phish shows of all time – people who think ripcords are bad in 3.0 should check out this second set. Per John's request, we'll float the prize to next week's MJM, meaning that the winner of MJM338 will take home THREE codes! See you Monday?

The all-volunteer, fan-run Mockinbird Foundation is once again celebrating Phish tour by making unsolicited "miracle" tour grants supporting a music program near each of the venues the band will play. To celebrate Phish's upcoming three shows at Verizon Amph in Alpharetta, GA (which start tonight), we've sent a $1,500 check to the Holcomb Bridge Middle School Choral program. Watch for news posts here at Phish.net, or the evolving press release at mbird.org, for news on other "miracle" tour grants this summer. And please consider making a contribution, to help us give back to the communities we've touched. (Or, maybe you golf?)

The all-volunteer, fan-run Mockinbird Foundation is once again celebrating Phish tour by making unsolicited "miracle" tour grants supporting a music program near each of the venues the band will play. To celebrate Phish's show tonight at Austin 360 Amphitheater, in Del Valle, TX, we've sent a $1,500 check to the Del Valle ISD Fine Arts. Watch for news posts here at Phish.net, or the evolving press release at mbird.org, for news on other "miracle" tour grants this summer. And please consider making a contribution, to help us give back to the communities we've touched. (Or, maybe you golf?)

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The Mockingbird Foundation

The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.

And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.