Friday, March 13, 2015

Against the Day by Thomas Pynchon

In the nearly-1100-page steppes of this novel, Pynchon
starts at the Chicago World's Fair in 1893, carrying us through the tumult,
political and scientific, that lay the tracks to World War I. We cross
continents and oceans to linger in the mining boom-towns of Colorado; observe competing
strains of obsessed mathematicians who gather in Illinois, at Yale, in London,
Gottingen and Ostend to disagree about the shape of time; fly with a crew of
perpetually adolescent extra-dimensional balloonists - The Chums of Chance -
materialized from the pages of dime novels to ply the skies, unseen by the
earthbound as they undertake missions-for-hire; loathe an evil plutocrat who
perceives that money is the next ruler of the world; and most especially,
follow the family of Webb Traverse, Anarchist dynamiter of mines whose murder
scatters his wife Mayva, sons Frank, Reef and Kit, and daughter Lake to lives
seasoned by explosion, whose travels suggest the scattering of bomb shrapnel:
revolts in Mexico, mines and railway tunnels of the Alps, uprising in the
Balkans, a journey in Siberia during the Tunguska Event of 1908. And to Venice,
where they don't have purpose so much as compulsion to spend time.

Secret organizations advance their chess-games of strategic
mayhem, at times in opposition but perhaps always in cahoots, their purpose the
domination of masses of people by means of exhausting work, controlled
information, and the lure and necessity of money, using nationalism and war to
stamp out the anarchist dream of humanity in cooperation.

The students of time gather annually at Candlebrow
University in Grossdale, Illinois, where one might find patrons, professors,
lunatics, and a time machine junkyard:

"Up and down the
steeply-pitched sides of a ravine lay the picked-over hulks of failed time
machines - Chronoclipses, Asimov Transeculars, Tempomorph Q-98s - broken,
defective, scorched by catastrophic flares of misrouted energy, corroded often
beyond recognition by unintended immersion in the terrible Flow over which they
had been designed and built, so hopefully, to prevail... A strewn field of
conjecture, superstition, blind faith, and bad engineering, expressed in
sheet-aluminum, vulcanite, Heusler's alloy, bonzoline, electrum, lignum vitae,
platinoid, magnalium, and packfong silver, much of it stripped away by
scavengers over the years. Where wasthe safe harbor in Time their pilots might have found, so allowing their
craft to avoid such ignominious fates?"The time machines' names are made up, and some of those materials
would seem to be too (packfong silver? bonzoline?), but Pynchon didn't invent
them - he's just very skilled at finding obscure terms and ideas, then making
them both exotic and necessary.

Meanwhile, gaps open between dimensions, and the alert and
perceptive can use them to inhabit paired worlds. And it wouldn't be a Pynchon
novel without hefty doses of kinky sex.

As a lover of words, Pynchon gives us indelible names:
Scarsdale Vibe, the American financier/archvillain.We also have Yashmeen Halfcourt, a beautiful mathematical
genius of Russian descent; her inamorata spy-bait Cyprian Latewood; Merle
Rideout, an itinerant American photographer and his daughter Dahlia (Dally),
abandoned by wife/mother when Dally was little; Lew Basnight, a private
detective hired by Vibe and his henchman Foley Walker to break up Anarchist
gangs in the Colorado mines; the Quaternions (a mathematical cult who believe
in four-space) vs. the Vector Analysts who dispute their conclusions. And there
is Shambhala, an other-dimensional paradise to which only the pure of purpose
have access.

There are mystical instruments: the paramorphoscope, which
allows the viewer to see "...Earth
not only as a three-dimensional sphere but, beyond that, as an imaginary
surface, the optical arrangements for
whose eventual projection onto the two-dimensional page proved to be very queer
indeed." And the Hypopsammotic Survival Apparatus, or Hypops, "revolutionizing desert travel by providing a
practical way to submerge oneself beneath the sands and still be able to
breathe, walk around,so forth."

He gives us Iceland Spar, a calcite crystal through which
one may see a pair of refractions - the same image in different space/time. Mined in Iceland and Mexico, it was used by mirror-makers in a sunken portion
of Venice where the craftsmen were held prisoner and eventually went mad thanks
to the clarity of their creations.

Okay, so what happens?
Plot, please! Thematically, we have the hegemony of money and nationalism
against unions and anarchists; war against cooperation; light against darkness,
but with light the villain; we have the dominance of materialism over mystic
options and dimensions; we have the importance and the futility of family ties
- though the murderers of Webb Traverse are soon known, and two
of his sons agree to go after Deuce Kindred and Sloat Fresno, years go by and
the brothers keep getting sidetracked. Revenge tugs at them like ill-fitting
clothes, not quite annoying enough to do something about.

Pynchon draws some parallels between that era a century
gone, and our own: the acceleration of travel and communications forming a web
that entraps and constrains us as surely as the network of train tracks bound
the earth; military uses of light in the 1900's evolving to today's lasers;
sophistication of weapons enabling less human-to-human combat, tending instead toward
large-scale deployment and slaughter; Muscle, whether in the guise of private
enforcers like Pinkertons and thugs or well-funded armies, does the
unquestioned bidding of Authority; and surely, the more factually-"understood" our world, the more we crave the lighter
touch of mysticism: Tarot, travel through dimensions and time, the hidden
relationships between things, places, people which our logical minds deny, but
whose connections govern us.

He frames the Tunguska Event in Siberia as a rupture in the
fabric of space-time. We think of it now as a large meteorite impact, but in
this novel, people all over the world are affected by it in varying ways,
depending on their sensitivity to extra-rational activity. It represents a
great pause in the onrush of mechanization, war and the pitting of groups
against one another by nationality, belief and class. As memory of it fades,
accessibility to a higher plane of existence is lost.

When a novelist creates and populates a world, the details
have to ring true. Recognizing inaccuracy ejects a reader from the story,
damaging our faith in our guide through a place we do not know. My travels and
interests have intersected Pynchon's at many points, and not once did I catch
him in error. In an era of sloppy off-the-cuff "information" I find
it refreshing to read a well-researched book. He so skillfully interweaves what
we only believe with what we have proven, that his most outlandish-sounding
ideas make more sense than much of what we take for "reality" these
days.

About Me

NC Weil (ncweil.com) prefers the elbow room of novels to the restricted arc of short stories. Her novels Karmafornia and its sequel Superball are available for purchase (through FoolCourtPress.Net or Amazon.com) and she blogs at http://aestheticpoint.blogspot.com/. Her short stories have appeared in the anthology Electric Grace (Paycock Press, 2007) and the online journal ArLiJo. Weil is National Website Co-Chair, WNBA Award Chair, and Washington DC Chapter Newsletter editor of the Women's National Book Association (wnba-books.org/wash), a network of women and men devoted to books and literacy celebrating its Centennial in 2017.