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A homemade bomb was detonated outside of Manchester Arena on Monday night, killing 22 people and injuring 59 others. The Dart Center has resources and tips for journalists who are tasked with covering this tragedy.

An article by Frank Smyth, CPJ's senior advisor for journalist security, on the risks and rewards of covering sexual and gender based violence, as well as links to more resources for those covering sexual violence in the United States and abroad.

A tractor-trailer slammed into a large crowd at a Christmas market in central Berlin on Monday night, killing 12 people and injuring dozens. The Dart Center has resources and tips in German and English for journalists who are tasked with covering this tragedy.

In the summer of 2016, in advance of a two-day conference commemorating the centennial of the Pulitzer Prize, Dart Center researchers interviewed 10 Pulitzer Prize winners from the past 20 years who were honored for their coverage of traumatic events or investigative reporting on trauma-related issues. Navigate through sections of this article to find pieces by: Alex Hannaford, who wrote on the relationship between Pulitzer winners and their sources, and on the impact of Charles Porter's 1996 Prize-winning photo; Elana Newman, who gathered advice from honorees on best practices in trauma reporting, and created teaching notes for the classroom with Matthew Ricketson and Autumn Slaughter; Matthew Ricketson, who also wrote a conference recap for those who could not be in attendance.

In her book The Long Shadow of Small Ghosts,Laura Tillman examines the lasting effects of a deeply troubling crime—the brutal murder of three young children by their parents in the border city of Brownsville, Texas. Over six years, Tillman surveyed those surrounding the crimes, speaking with the lawyers who tried the case, the family’s neighbors, relatives and teachers, as well as one of the murderers: John Allen Rubio, whom she corresponded with for years. Over the course of their correspondence, Tillman wrestled with a series of tough questions: In the pursuit of a story, what constitutes manipulation? Is some degree of manipulation in this context inevitable? Is it wrong for a murderer to be gratified by the result?