Wednesday, 31 December 2014

Thirty-three & a third

You may know the drill by now: in a sincere though inevitably clunkily artificial attempt to spread recognition as widely as possible without devaluing it too much, LMYE’s co-authors each independently pick 15 releases that particularly mattered to them during the year – but under two faintly hair-shirted constraints: no more than one selection per artist & one per label. Duplication across our 2014 line-ups was very limited. Only Lawrence English’s Wilderness of Mirrors (a highlight of another stand-out year for his Room40 imprint, our 2012 Label of the Year), Fennesz’s Bécs (eMego), Stephan Mathieu’s Sacred Ground (Schwebung) and Janek Schaefer’s Lay-By Lullaby (12k) featured on both initial drafts. This year we expand the resulting master list to a Festive 33-1/3. In particular, we throw in two epic collections that were too significant to exclude, even if they weren’t strictly speaking new music: Chris Dooks’ The Motherlode & The Otherlode (Broken20) & Kenneth Kirschner’s Imperfect Forms (Tokafi). In addition, a wry part-vote for Le Berger’s Interwoven Sonic Tapestry – formally released at a minute to midnight (EST, presumably) today “to ensure avoidance of any 2014 and / or 2015 'top' lists” – rounds out our initial 2014 roll-call. Mandatory health warning: plenty of other artists & other labels than those featured here made great music this year. As previously, we’ll acknowledge the broader universe of releases that resonated with us in a follow-up post…