Search results for 'gig bag'

You know vintage guys can be kind of snobby about guitars. I'm guilty of that. I used to say things like, "I won't play anything made after 1965". Kind of silly really, but that's how it was. Collings changed that for me. I was forced to admit their guitars stood up against old Martin and prewar Gibsons, and in some ways even exceeded them. Here we have a 2002 Collings D-2H. This is a Martin D-28 style with Indian Rosewood back and sides, Herringbone trim, Grover tuners and Sitka spruce top. It shows light wear, nothing major at all. This guitar was played but well taken care of. The frets are in near perfect condition. The action is great with plenty of room on the saddle to come down. An LR Baggs Anthem pickup has been installed (a $300 upgrade). It is loud and toneful. A guitar for a lifetime. Comes with original hard case.

Here's a 2016 PRS CE24 in a custom color - Charcoal Metallic with Black neck. It's in amazing condition. Near mint. It has scarcely been played, but should be because it plays amazingly. The 85/15 pickups are tone machines that can play any type of music from jazz, blues, classic rock, all the way to metal. With the push/pull you can get a nice Fender style single coil tone out of the neck or bridge pickups. Another great feature that benefits the tone is the brass contact points where the strings go around on the locking tuners. Paul Reed Smith himself has stated that it leads to better tone and sustain. With 24 frets the CE24 has endless capabilities and is a great addition to any guitar collection! Comes with original papers and gig bag.

The S2 Custom 24 takes the original PRS guitar, the Custom 24, and re-imagines it with stripped-down features and a new aesthetic. Retaining the classic maple top/mahogany back combination with our classic body shape and a asymmetrical beveled top, this guitar is resonant with a funky familiarity. Its versatility comes from its 85/15 "S" pickups, push / pull tone knob, and 3-way blade switch. Familiar for PRS players of old, and a fresh take for players of all types.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.

One of a limited Edition of 200! The Limited Edition Modern Plus Curly features a beautiful Curly Maple top. This Gradient finish was previously only available on custom guitar orders. Suhr is especially excited about the variety of figuring patterns they see in the Curly Maple tops that were selected for this series. The sleek elliptical neck profile, balanced asymmetrical body, and innovative neck heel make the Suhr Modern an instrument without rival when it comes to performance and playability.

"It’s been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart. Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash. Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

The 2018 Classic S Antique features a new 60’s C vintage medium neck profile with Indian Rosewood fingerboard and V60LP single coils. The Classic S Antique retains many of the original specifications of the Classic Antique including the SSCII hum cancelling system, nitrocellulose finish, and stainless steel frets. Proprietary Suhr locking tuners and the Gotoh 510 tremolo provides superior tuning stability.

A beautiful F-Style mandola, this Eastman MDA315 features a rich classic brown finish. It has a solid spruce top with f-holes and solid maple back and sides to offer rich mandola sound with plenty of projection.

The Mercury V, older British cousin of Carr's award winning Skylark, is back with a highly evolved feature set borrowing the best of the past while rocketing into the future.The Mercury V is highly touch sensitive with a huge range of English tones from 60s aggressive clean thru 70s rock into 80s and 90s tasty crunch. The built in attenuator delivers real power tube overdrive at very low levels retaining the feel and juice of full volume fun. Like recording on your computer? Just plug the Mercury V line out into your A/D interface and go! The Luscious Spring Reverb, full ranging Overdrive options, and effective tone controls make the Mercury V an invaluable recording tool. Home player? Experience big amp satisfaction with domestictranquility. Gigging musician? 16 burly watts in full power means the Mercury V is a commanding stage amp. Mercury V wins the six string triathlon. Home, Studio, Stage. Plus, you get everything Carr is known for, in-house crafted solid pine dovetailed cabinets, bleeding edge power supply components mixed with Mid-Century signal elements, and true point to point wiring. The Mercury V: Scary Good!