SUP 5.0 and SUP 5.1 Main Features

Improved Options for Multi-camera Broadcast ShootsAvailable for all AMIRA models, the Multicam mode makes the exceptional image quality of ARRI’s ALEV III sensor – also used by ALEXA – available to productions within the multi-camera broadcast sphere. Through a Multicam setup, the AMIRA’s shallow depth of field, unrivalled dynamic range and natural colorimetry can lend a cinematic look to live broadcasts, music concerts, TV soaps, and other fast-paced, multi-camera productions.

At its core, Multicam is a simple and flexible interface that can be used with virtually any transmission system required. It allows the image parameters of multiple AMIRA cameras, including iris setting, to be controlled remotely using a Sony Remote Control Panel (RCP).

Multicam Updates

Dual 6G support (4K UHD up to 60p)

Load and modify looks in Multicam mode (incl. new Look Library)

Connection to separate Wifi infrastructure mode

EF lens support for RCP iris control

Return switch command in SDI meta-data

Sync and genlock improvements

ARRI Look LibraryARRI is introducing an exciting new way to implement high-quality looks. The ARRI Look Library puts on-set look management within the reach of all productions, not just those with the time and budget to develop bespoke looks prior to shooting.

Offering 87 looks in three intensities, the ARRI Look Library caters to a huge variety of different shooting scenarios.

Master Grip SupportThe capabilities of the ARRI Master Grips has also been expanded upon, with 3-axis control of ENG lenses with AMIRA PL LDS mount and the option to configure Master Grip user buttons. The ability to adjust focus and iris of EF mount lenses using Master Grips allows for an interesting package solution for documentary and handheld operators, who prefer smaller EF lenses due to their weight and cost.

1.3 Anamorphic Desqueeze in Preview

Support for 1.3x anamorphic lenses

1.3x de-squeeze for EVF and SDI outs in 1.5G and 3G available in 3.2K and 4K UHD rec-formats