Caden Manson and Jemma Nelson have been published in Yale’s Theater Magazine. They were part of “What Could We Build, or Is the Future Already Behind Us?: A Forum” during Prelude15 Festival along with David Levine, David Conison, Ryan McNamara, Alexandro Segade, and Tom Sellar. Available online at Duke Journals.

“For the 2015 Prelude festival, held at New York’s Martin E. Segal Theatre Center, cocurator Antje Oegel and I wanted to think about architecture in two ways. First, we invited artistic leaders of New York’s newest theater buildings—Performance Space 122 and St. Ann’s Ware- house—to present their plans to an audience of artists and professionals. We wanted to know why these structures were going up and what the ideas were behind their designs. We talked about how they would (ostensibly) contribute to the urban ecology and what opportunities they might o er artists and audiences.

For the second part of this initiative, we invited a handful of hometown theater makers to imagine ideal architectures for future performance: anything from a building to a technol- ogy, a public assembly or any other kind of structure. They presented their projects live and in a modest exhibit—and a spirited discussion ensued. Is architecture about more than just buildings? What’s the use of utopian fantasies like this—are they essential nourishment in a city dominated by commerce, where culture easily becomes another commodity? Was the curato- rial prompt a form of entrapment for artists who prefer to work around limitations and come up with something real? What did these artists’ thought experiments reveal about the creative needs of the city when placed next to the building projects actually going up in the metropolis?” – Tom Sellar

http://bigartgroup.com/wp-content/uploads/2017/03/THE_new_pr.jpg800600Big Art Grouphttp://bigartgroup.com//wp-content/uploads/2013/07/bignontranslogo3.pngBig Art Group2017-03-04 08:47:032017-03-04 08:47:03"What Could We Build, or Is the Future Already Behind Us?: A Forum" - Big Art Group published in Yale's Theater Magazine