Good things come to those who wait – particularly in a work of uniquely detailed and highly curved architecture. Nearly a decade in the making, this structure by Robert Harvey Oshatz is much like a tree house – lofted toward the top of the canopy around it – only bigger, grander, more complex and curved than most any tree house in the world.

The perimeter of the structure is pushed out into the forest around it, curving in and out to create views as well as a sense of intimacy with the coniferous and deciduous tree cover. The wood and metal detailing is incredible in its variety and customization – each piece designed to fit a particular form and function. Wood and stone carry naturalistic themes from the outside in and even the metal looks naturally rusted.

The curved, organic mix of materials continues to the interior of this elevated forest home – a conceptual play on the fluidity and complexity of music (the source of inspiration for the architect and client in the design). A sense of organic flow carries one from one interior space to the next.

Complexity and contradiction tefine this semi-abstract, semi-modern, semi-naturalistic house design – one form flows into the next, materials are used and reused in various parts and ways and structural and decorative elements continuously pass by and intersect one another, inside and out.