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His mother, Frances (née Frances Mildred Fullman, also known as Fannie Fullman; 1899–1980), worked at the Hollywood neighborhood cinemas playing piano, accompanying silent movies. At the age of 8, Geller was presented with an alto saxophone, purchased from a local music store owner and music teacher who was also a family friend and had a used instrument for sale. Two years later he started playing the clarinet. Geller attended Dorsey High School in the southwestern part of Los Angeles and joined the school band which among others included the musicians Eric Dolphy and Vi Redd. At the age of 14, he heard Benny Carter perform at the Orpheum Theatre in Los Angeles and was so impressed that he decided to pursue a career in music, specializing on the alto saxophone. Two years later, he had his first professional engagement in the band of jazz violinist Joe Venuti.[1]

Lorraine Geller died of an acute asthma attack in 1958. Deeply depressed, Herb Geller decided during a tour through Brazil with the Benny Goodman Orchestra not to return to the United States, but instead to stay in São Paulo for six weeks playing Bossa Nova music at a local club and then depart on a ship to Europe.

In 1962 he was offered a job with the big band of the Radio in the American Sector (RIAS) station in Berlin.[2] He accepted this engagement and performed there along with other Americans expatriates In Europe such as Benny Bailey, Joe Harris, and Nat Peck, as well as European musicians like Jerry van Rooyen, Ake Persson, and Francy Boland. In Berlin he met his second wife, Christine Rabsch. Geller stayed there for three years and then accepted a contract to play lead alto and also arrange for the big band of NDR in Hamburg. Here he was engaged for 28 years and made Hamburg his home. During this time the NDR big band developed from a post-war dance orchestra into a leading modern jazz ensemble. The endless list of participating musicians ranged from Don Byas, Joe Pass, Slide Hampton, Bill Evans, Red Mitchell, Art Farmer, Georgie Fame and Chet Baker to avant-garde musicians and rock/fusion, and included nearly all the big names of European jazz.

He also composed the music and lyrics to two musicals: Playing Jazz (a musical autobiography) and Jazzy Josie B. (based on the life of Josephine Baker).

In 1996 the Senate of the Government of Hamburg gave him the title of "Professor". He taught at the Hochschule für Musik in Hamburg until his retirement. He continued teaching jazz improvisation and composition, occasionally doing seminars at various national and international institutes. He wrote a method of improvisation called "crossover" for Schott and Sons.