Bleak House
By
Charles Dickens
Chapter 25 - Mrs. Snagsby Sees It All

"Of Terewth," says Mr. Chadband, hitting him again. "Say not to me that it is NOT the lamp of lamps. I say to you it is. I say to you, a million of times over, it is. It is! I say to you that I will proclaim it to you, whether you like it or not; nay, that the less you like it, the more I will proclaim it to you. With a speaking-trumpet! I say to you that if you rear yourself against it, you shall fall, you shall be bruised, you shall be battered, you shall be flawed, you shall be smashed."

The present effect of this flight of oratory — much admired for its general power by Mr. Chadband's followers — being not only to make Mr. Chadband unpleasantly warm, but to represent the innocent Mr. Snagsby in the light of a determined enemy to virtue, with a forehead of brass and a heart of adamant, that unfortunate tradesman becomes yet more disconcerted and is in a very advanced state of low spirits and false position when Mr. Chadband accidentally finishes him.

"My friends," he resumes after dabbing his fat head for some time — and it smokes to such an extent that he seems to light his pocket- handkerchief at it, which smokes, too, after every dab — "to pursue the subject we are endeavouring with our lowly gifts to improve, let us in a spirit of love inquire what is that Terewth to which I have alluded. For, my young friends," suddenly addressing the 'prentices and Guster, to their consternation, "if I am told by the doctor that calomel or castor-oil is good for me, I may naturally ask what is calomel, and what is castor-oil. I may wish to be informed of that before I dose myself with either or with both. Now, my young friends, what is this Terewth then? Firstly (in a spirit of love), what is the common sort of Terewth — the working clothes — the every-day wear, my young friends? Is it deception?"

"Ah — h!" from Mrs. Snagsby.

"Is it suppression?"

A shiver in the negative from Mrs. Snagsby.

"Is it reservation?"

A shake of the head from Mrs. Snagsby — very long and very tight.

"No, my friends, it is neither of these. Neither of these names belongs to it. When this young heathen now among us — who is now, my friends, asleep, the seal of indifference and perdition being set upon his eyelids; but do not wake him, for it is right that I should have to wrestle, and to combat and to struggle, and to conquer, for his sake — when this young hardened heathen told us a story of a cock, and of a bull, and of a lady, and of a sovereign, was THAT the Terewth? No. Or if it was partly, was it wholly and entirely? No, my friends, no!"

If Mr. Snagsby could withstand his little woman's look as it enters at his eyes, the windows of his soul, and searches the whole tenement, he were other than the man he is. He cowers and droops.

"Or, my juvenile friends," says Chadband, descending to the level of their comprehension with a very obtrusive demonstration in his greasily meek smile of coming a long way downstairs for the purpose, "if the master of this house was to go forth into the city and there see an eel, and was to come back, and was to call unto him the mistress of this house, and was to say, 'Sarah, rejoice with me, for I have seen an elephant!' would THAT be Terewth?"

Mrs. Snagsby in tears.

"Or put it, my juvenile friends, that he saw an elephant, and returning said 'Lo, the city is barren, I have seen but an eel,' would THAT be Terewth?"

Mrs. Snagsby sobbing loudly.

"Or put it, my juvenile friends," said Chadband, stimulated by the sound, "that the unnatural parents of this slumbering heathen — for parents he had, my juvenile friends, beyond a doubt — after casting him forth to the wolves and the vultures, and the wild dogs and the young gazelles, and the serpents, went back to their dwellings and had their pipes, and their pots, and their flutings and their dancings, and their malt liquors, and their butcher's meat and poultry, would THAT be Terewth?"

Mrs. Snagsby replies by delivering herself a prey to spasms, not an unresisting prey, but a crying and a tearing one, so that Cook's Court re-echoes with her shrieks. Finally, becoming cataleptic, she has to be carried up the narrow staircase like a grand piano. After unspeakable suffering, productive of the utmost consternation, she is pronounced, by expresses from the bedroom, free from pain, though much exhausted, in which state of affairs Mr. Snagsby, trampled and crushed in the piano-forte removal, and extremely timid and feeble, ventures to come out from behind the door in the drawing-room.

All this time Jo has been standing on the spot where he woke up, ever picking his cap and putting bits of fur in his mouth. He spits them out with a remorseful air, for he feels that it is in his nature to be an unimprovable reprobate and that it's no good HIS trying to keep awake, for HE won't never know nothink. Though it may be, Jo, that there is a history so interesting and affecting even to minds as near the brutes as thine, recording deeds done on this earth for common men, that if the Chadbands, removing their own persons from the light, would but show it thee in simple reverence, would but leave it unimproved, would but regard it as being eloquent enough without their modest aid — it might hold thee awake, and thou might learn from it yet!

Jo never heard of any such book. Its compilers and the Reverend Chadband are all one to him, except that he knows the Reverend Chadband and would rather run away from him for an hour than hear him talk for five minutes. "It an't no good my waiting here no longer," thinks Jo. "Mr. Snagsby an't a-going to say nothink to me to-night." And downstairs he shuffles.

But downstairs is the charitable Guster, holding by the handrail of the kitchen stairs and warding off a fit, as yet doubtfully, the same having been induced by Mrs. Snagsby's screaming. She has her own supper of bread and cheese to hand to Jo, with whom she ventures to interchange a word or so for the first time.

"Here's something to eat, poor boy," says Guster.

"Thank'ee, mum," says Jo.

"Are you hungry?"

"Jist!" says Jo.

"What's gone of your father and your mother, eh?"

Jo stops in the middle of a bite and looks petrified. For this orphan charge of the Christian saint whose shrine was at Tooting has patted him on the shoulder, and it is the first time in his life that any decent hand has been so laid upon him.

"I never know'd nothink about 'em," says Jo.

"No more didn't I of mine," cries Guster. She is repressing symptoms favourable to the fit when she seems to take alarm at something and vanishes down the stairs.

"Jo," whispers the law-stationer softly as the boy lingers on the step.

"Here I am, Mr. Snagsby!"

"I didn't know you were gone — there's another half-crown, Jo. It was quite right of you to say nothing about the lady the other night when we were out together. It would breed trouble. You can't be too quiet, Jo."

"I am fly, master!"

And so, good night.

A ghostly shade, frilled and night-capped, follows the law- stationer to the room he came from and glides higher up. And henceforth he begins, go where he will, to be attended by another shadow than his own, hardly less constant than his own, hardly less quiet than his own. And into whatsoever atmosphere of secrecy his own shadow may pass, let all concerned in the secrecy beware! For the watchful Mrs. Snagsby is there too — bone of his bone, flesh of his flesh, shadow of his shadow.