Every week Riverfront Times holds a mirror up to St. Louis and challenges the city to look itself in the proverbial eye. Ever since its founding in 1977, the RFT has valued the craft of journalism in the very best...

More by Annie Zaleski

Four albums into its career, the St. Louis quintet continues to defy critics – and resist pigeonholing. Exhibit A: The Constant, the band's second LP for Epitaph Records and fourth album overall, which it recorded last summer with producer Elvis Baskette

Four albums into its career, the St. Louis quintet continues to defy critics – and resist pigeonholing. Exhibit A: The Constant, the band's second LP for Epitaph Records and fourth album overall, which it recorded last summer with producer Elvis Baskette

The question isn't how Pokey LaFarge, a 26-year-old, guitar-plucking blues singer — who was born in Benton, Illinois, and is now based in St. Louis — got to Florida. That's easy: Love and Interstates 10 and 75 took him there.

Old Lights played its first official gig in April of this year, and after only about fifteen shows, the band has become one of the most talked-about -- and most promising -- new bands to emerge from St. Louis in the last few years.

As the music industry struggles to (re)invent itself, more touring bands are tapping a new revenue source: themselves. From European cult bands to arena-size superstars, premium-package ticket deals are an increasingly popular part of the concert-business model.