Baheyya on Aslan

Aslan is by far my favourite writer among his contemporaries. While very readable, Sonallah Ibrahim’s work is highly cerebral and lacks beauty (with the exception of his latest oeuvre). Baha’ Taher has become too transparently didactic and self-conscious in his writing, Khairy Shalabi’s storytelling is exuberant but unrestrainedly verbose and showy, Gamal al-Ghitani’s prose is too opaque and impenetrable, and reading Edwar al-Kharrat is grim work, what with all of his avant-garde philosophising. Mohamed El-Bisatie’s writing comes closest to Aslan’s poetic power and economical style, but his fixation on village life over-relies on predictable themes and characters.

Beautifully put! Check out Maalik el-Hazeen, or The Heron, if you haven’t read his fiction.