“A fascinating edition of US diplomat DeWitt Clinton Poole’s oral account of his experience in revolutionary Russia from 1917 to 1919. . . . His views of the early Bolshevik government, like those of other Americans who were there, are critical as the centennial of the Russian Revolution approaches. Highly recommended, all levels/libraries.“—Choice

“A historical treasure trove for an era that will never be short on paradoxes, colorful characters, brutal conflict, and harrowing circumstances. Poole, one of the last American diplomats in Russia after the Bolshevik revolution and before recognition in 1933, was a cool, detached observer of events, and rather prescient in his predictions.”—Russian Life

“The Body Soviet is the first sustained investigation of the Bolshevik government’s early policies on hygiene and health care in general.”—Louise McReynolds, author of Russia at Play: Leisure Activities at the End of the Tsarist Era

“A masterpiece that will thoroughly fascinate and delight readers. Starks’s understanding of propaganda and hygiene in the early Soviet state is second to none. She tells the stories of Soviet efforts in this field with tremendous insight and ingenuity, providing a rich picture of Soviet life as it was actually lived.”—Elizabeth Wood, author of From Baba to Comrade: Gender and Politics in Revolutionary Russia

“The book is well-written and richly illustrated. It is a pleasure to read both in the old-fashioned slow way and to browse in the accelerated fast-forward mode. This highly stimulating study responds to a long-standing need to address speed as an aesthetic category in modern Russian art and constitutes a very welcome and important contribution to the field.”—Nikolai Firtich, Slavic Review

Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters.

“A beautifully written, compact history of the Soviet circus.”—Janet M. Davis, author of The Circus Age: Culture and Society under the American Big Top

For more than seven decades the circuses enjoyed tremendous popularity in the Soviet Union. How did the circus—an institution that dethroned figures of authority and refused any orderly narrative structure—become such a cultural mainstay in a state known for blunt and didactic messages? Miriam Neirick argues that the variety, flexibility, and indeterminacy of the modern circus accounted for its appeal not only to diverse viewers but also to the Soviet state. In a society where government-legitimating myths underwent periodic revision, the circus proved a supple medium of communication.

EPIC REVISIONISMRussian History and Literature as Stalinist Propaganda
Edited by Kevin M. F. Platt and David Brandenberger

“Platt and Brandenberger have collected first-rate contributors and produced a coherent and powerful volume that amplifies what we know about the uses and abuses of history in the Soviet 1930s.”—Ronald Grigor Suny, University of Chicago

“A boon to graduate students and a delight to aficionados of Soviet culture.”—Jeffrey Brooks, John Hopkins University

A wide-ranging study of empire, religious prophecy, and nationalism in literature, Russia’s Rome provides the first examination of Russia’s self-identification with Rome during a period that encompassed the revolutions of 1905 and 1917 and the rise of the Soviet state.

“Gives a new and significant context to the work of some of Russia’s major poets and prose writers of the early twentieth century. Kalb’s main contribution is to show that the interest in the Roman Empire was not an incidental part of Russian literature in this period, but a genuine obsession.” —Michael Wachtel, Princeton University

DENVER - Two of the 2018 Stonewall Book Awards were announced Sunday, Feb. 11 by the Gay, Lesbian, Bisexual and Transgender Round Table (GLBTRT) of the American Library Association (ALA), during the A...

Chile's gulag under Pinochet serves as a brutal reminder of what is at stake in a military coup ■ Prisoner of Pinochet: My Year in a Chilean Concentration Camp, Sergio Bitar, translated by Erin Good...