Films & Schedules
- PORTUGAL

BLOOD OF MY BLOOD

DIRECTOR: João Canijo - PORTUGAL

This year’s Portuguese submission for the Best Foreign Language Film Oscar and a critical and popular hit in Portugal, Canijo’s film balances nuanced social realism and intense melodrama to fashion a sprawling, humane portrait of a troubled working class family. Márcia is a weary matriarch who lives with her lonely sister Ivete and grown children—delinquent Joca and nursing student Cláudia—in suburban Lisbon. Cláudia’s affair with a married professor and Joca’s involvement with drug dealers threaten Márcia’s attempts to keep her family afloat. Employing tracking shots and overlapping dialogue, Canijo follows the family through the cramped spaces of the household, mapping...

This year’s Portuguese submission for the Best Foreign Language Film Oscar and a critical and popular hit in Portugal, Canijo’s film balances nuanced social realism and intense melodrama to fashion a sprawling, humane portrait of a troubled working class family. Márcia is a weary matriarch who lives with her lonely sister Ivete and grown children—delinquent Joca and nursing student Cláudia—in suburban Lisbon. Cláudia’s affair with a married professor and Joca’s involvement with drug dealers threaten Márcia’s attempts to keep her family afloat. Employing tracking shots and overlapping dialogue, Canijo follows the family through the cramped spaces of the household, mapping the physical and emotional distances between the characters in a way that lends a sense of vivid vérité. (131 mins.)

Selected Filmography: Get A Life (01), In the Darkness of the Night (04), Misbegotten (07)

TABU

DIRECTOR: Miguel Gomes - PORTUGAL

“The ghosts of F.W. Murnau, Luis Buñuel, Joseph Cornell, and Jack Smith hover above this exquisite, absurdist entry in the canon of surrealist cinema. Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in colonial Mozambique in the early 1960s. Phil Spector’s ‘Be My Baby’ belted...

“The ghosts of F.W. Murnau, Luis Buñuel, Joseph Cornell, and Jack Smith hover above this exquisite, absurdist entry in the canon of surrealist cinema. Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in colonial Mozambique in the early 1960s. Phil Spector’s ‘Be My Baby’ belted in Portuguese, a wandering crocodile, and a passionate, ill-advised coupling seen through gently moving mosquito netting make for addled movie magic.”—New York Film Festival (118 mins.)

Selected Filmography: The Face You Deserve (04), Our Beloved Month of August (08)

Winner of the FIPRESCI (International Film Critics) Award at the Berlin Film Festival.