Blue of Noon

Set against the backdrop of Europe's slide into Fascism, this twentieth-century erotic classic takes the reader on a dark journey through the psyche of the pre-war French intelligentsia, torn between identification with the victims of history and the glamour of its victors. One of Bataille's overtly political works, it explores the ambiguity of sex as a subversive force, bringing violence, power and death together in a terrifying unity.

"Georges Bataille is one of the most important writers of the century"—Michel Foucault

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Dentro del libro

Resultados 1-3 de 20

Página 15Facing him , I became derelict . Next to me lay the second victim . The utter
repugnance on her lips made them resemble the lips of a certain dead woman .
From them dribbled something more dreadful than blood . Since that day , I have
been ...

Página 29In fact , I ' d read about a man who took his pleasure with them while they played dead between two candles , with their bodies whitened with talcum powder - but
that was beside the point . I spoke to Dirty about things we could do , I started ...

Página 111Chapter 5 The Feast of the Dead Dorothea had arrived on the 5th . On October 6 ,
at ten in the evening , I was sitting next to her while she told me what she had
done in Vienna after leaving me . She had gone into a church . There had been
no ...

LibraryThing Review

Crítica de los usuarios - Kristelh - LibraryThing

A nihilist novel by Georges Bataille, Blue of Noon, is set during the Spanish Civil War and the early years of Nazi movement. The protagonist, Henri Timmermann is a sick man (physically and ...Leer comentario completo

LibraryThing Review

Crítica de los usuarios - amerynth - LibraryThing

While I didn't actually hate Georges Bataille's "Blue of Noon," I really didn't get it either. This supposed to be a novel that used eroticism to show how sex, violence and power is intertwined and ...Leer comentario completo

Acerca del autor (2002)

Georges Bataille was a French poet, novelist, and philosopher. He was born in Billon, Puy-de-Dome, in central France on September 10, 1897. His father was already blind and paralyzed from syphilis when Bataille was born. In 1915, Bataille's father died, his mind destroyed by his illness. The death marked his son for life. While working at the Bibliotheque National in Paris during the 1920s, Bataille underwent psychoanalysis and became involved with some of the intellectuals in the Surrealist movement, from whom he learned the concept of incongruous imagery in art. In 1946 he founded the journal Critique, which published the early work of some of his contemporaries in French intellectual life, including Roland Barthes and Jacques Derrida. Bataille believed that in the darkest moments of human existence-in orgiastic sex and terrible death-lay ultimate reality. By observing them and even by experiencing them, actually in sex and vicariously in death, he felt that one could come as close as possible to fully experiencing life in all its dimensions. Bataille's works include The Naked Beast at Heaven's Gate (1956), A Tale of Satisfied Desire (1953), Death and Sensuality: A Study of Eroticism and the Taboo (1962), and The Birth of Art: Prehistoric Painting (1955). Bataille died in Paris on July 8, 1962.

Harry Mathews was born in New York City on February 14, 1930. He attended Princeton University in 1947, but left in his sophomore year to join the United States Navy. Once his military service was completed, he received a B.A. in music from Harvard University in 1952. He was the only American to become a member of Oulipo, an experimental group of French writers and mathematicians who believe constrained writing techniques are the key to invention. He was an author and editor of the Paris Review literary magazine. His novels included The Conversions, My Life in CIA, and The Solitary Twin. He died on January 25, 2017 at the age of 86.