Fabio Orsi

Electronic musician from Taranto (south of Italy...)
Field recordings and drone music,
discover other sounds with me...

Friday, September 29, 2006

foxglove135: fabio orsi "south of me" 3" cd-r

from the rugged coast of naples, italy emerges one of the brightest stars in the italian underground. fabio orsi, who is also a recent collaborator with his italian brethren, my cat is an alien, offers up a masterful journey of complex, organic drones and salutations to the sun. emotive guitar glances shoot off into the breeze like ancient magic being rekindled at birth. solemn organ tones search out the lost souls of yesteryear, all the while orsi is contemplating his next move toward the heavens. this music is so rich, so descriptive and full of emotion that its all-too-easy to get lost in its massive seas. 100 copies

Wednesday, September 20, 2006

Released in an elegant Matt varnished digi-sleeve. Limited Edition of 500 copies.Tribute album to ALAN LOMAX, the man who, more than any other, have worked to "bring the music to light", in the widest and most absolute meaning of the word. A record that the space brothers Maurizio and Roberto Opalio, aka MY CAT IS AN ALIEN, share with FABIO ORSI, considered by the impro duo as the most interesting emerging Italian musician, from the "bloody heart of Naples".

In his track, Orsi inserts lots of voices "stolen" from the infinite recordings made by Lomax along decades of meticulous and continuous work, and makes them hinge and nucleus of "Spring no more and love come in the wind", giving them new shape in order to make them his own; like for example a Sicilian fisherman's chant from the middle of the Twentieth century, which Orsi stretches into a low and hearthbreaking prayer, submitted to the personal and sensitive logic of his own elettroacoustic aesthetics. Though so different from each other, Orsi's and MCIAA's tracks sound complementary, and build up an original, complex and really unitary work. MCIAA's "Heart of the eartH" starts with an harmonica floating throughout cosmic sounds, while alien cosmic blues guitar chords slowly increase until an explosion of tumultuous space-noise, enhanced by Roberto Opalio's estranged vocal tune, which rises on the Great Void to celebrate the spirit of the artists which hav e always represented MCIAA's heroes, from Leadbelly to Blind Lemon Jefferson and Charlie Patton. The listener won't find difficult to see the great Alan Lomax materializing from the deepest Cosmos, as undiscussed discoverer of the American Primitive Music.