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Historically speaking, Stephen King adaptations tend to be better when the master of literary horror isn’t involved — which may bode well for Andy Muschetti’s new adaptation of IT, as the author recently revealed that he did not participate in the development of his iconic tale of terror. For his part, Muschietti apparently had his reasons, and the way he tells it, they seem like pretty good ones.

Things are moving along quite nicely for Disney’s live-action redo of Aladdin, and the casting momentum of recent weeks continues today with yet another new addition: Numan Acar, best known for recurring roles on Homeland and FOX’s Prison Break revival, has joined the ensemble for Guy Ritchie’s upcoming reimagining of the 1992 animated classic.

As it turns out, asking Ewan McGregor about reprising the role of Obi-Wan Kenobi in a Star Wars spinoff is basically like a publicity version of Bloody Mary — say it enough times and it’ll appear. Despite the actor’s numerous expressions of interest in revisiting one of the only good things to come of the Star Wars prequels (aside from Watto, of course), the decision ultimately rests with Lucasfilm. And it looks like Lucasfilm is most definitely down.

You’ve probably noticed that The Last Jedi has been taking up quite a bit of internet real estate over the last few days. With the latest chapter in the Star Wars saga hitting theaters in four months, this week’s flood of new photos and plot details is just the tip of the promotional iceberg — and we’re bound to see a steady increase in marketing from now until December, making The Last Jedi impossible to ignore. And yet, Mark Hamill and director Rian Johnson want you to do just that.

One of the biggest hits at this year’s SXSW Film Festival was also one of the most pleasant surprises: The Disaster Artist, James Franco’s new film based on Greg Sestero’s book of the same name, which recounts the making of 2003’s The Room. In addition to directing, Franco stars in the film as Tommy Wiseau, the eccentric (to say the least) filmmaker behind the so-bad-it-might-be-genius cult favorite. While many have praised The Disaster Artist as a weirdly touching love letter to filmmaking, there’s arguably only one opinion that really matters: That of Wiseau himself.

On the heels of last week’s Aladdin update comes another exciting bit of casting news for another big Disney remake. This time it’s Jon Favreau’s take on The Lion King, which has enlisted Alfre Woodard as the voice of Sarabi — head lioness, partner to Mufasa, and mother of Simba in the upcoming live-action (ish) version of the studio’s beloved animated classic.

Now this is a thrilling combination of nouns: Amazon Studios has snatched up Lucy and Desi, an upcoming biopic written by Aaron Sorkin and starring Cate Blanchett as TV icon Lucille Ball. A masterful actress playing a masterful comedian in a film scripted by a masterful screenwriter is quite a catch, to say the least — all that’s missing is Desi himself, and given the talent involved so far, you have to imagine it’ll be someone great.

Atomic Blonde is an easy sell: It’s Charlize Theron in a stylish spy thriller from one-half of the directing duo behind John Wick. But the first solo directorial effort from David Leitch is a little more James Bond than Blonde Wick — James Blonde, maybe, and that’s not a bad thing. It’s certainly more plot-driven (and at times, slightly convoluted) than John Wick, but no less enjoyable, and though the action scenes are every bit as awesome as you’d hope, it’s not quite the film you might be expecting.

Nicholas Hoult might be adding another iconic author to his filmography. The star of the upcoming J.D. Salinger biopic Rebel in the Rye is reportedly the frontrunner for the title role in Tolkien, which will explore the life of the man whose beloved novels introduced readers all over the world to Gandalf, Hobbits and Gollum — and inspired countless works of fantasy fiction for decades to come.

An animated film featuring anthropomorphic emojis like Poop and High Five is probably not the best, um, vessel for a parody of a dystopian series in which fertile women are forced to procreate with wealthy men. But that’s exactly what happened late yesterday afternoon, when the marketing for The Emoji Movie took a decidedly dark and exceedingly ill-advised turn. In a tweet that has since been deleted, the film’s official account shared a promotional photo parodying The Handmaid’s Tale, Hulu’s acclaimed series adaptation of Margaret Atwood’s classic novel. Unsurprisingly (and delightfully), the public response was swift and savage.

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