Some of the Sala Keoku sculptures tower up to 25m in the sky. Those include a monumental depiction of Buddha meditating under the protection of a seven-headed Naga snake. While the subject (based on a Buddhist legend) is one of the recurrent themes in the religious art of the region, Sulilat's approach is highly unusual, with its naturalistic (even though stylized) representation of the snakes, whose giant protruding tongues beautifully complement the awe-inspiring composition.

The Sala Keoku pavilion is a large three-story concrete building, whose domes bear a surprising resemblance to a mosque. It was constructed following Sulilat's plans after his death. The 3rd floor hosts a large number of Sulilat-related artifacts, as well as his mummified body.

Perhaps the most enigmatic part of the park is the Wheel of Life, a circular multi-part group of sculptures representing the karmic cycle of birth and death through a progression of tarot-like characters. The composition culminates with a young man taking a step across the fence surrounding the entire installation to become a Buddha statue on the other side.