Tag Archives: New Vegas Joshua

As stated on Twitter, I recently picked up Wastelands: Stories of the Apocalypse an anthology of post-apocalyptic shorts. The series includes many notable authors, some of whom were recommended to me. With this series, I want to look at each story to get a better grasp on the plot, characters, and the apocalypse itself. This promises to be one of the few times The Rad-lands will be breaking away from specifically post-nuclear fiction.

“Salvage” is one of those stories that just makes me roll my lips and go “brrrrrtttt” until I run out of air. I had to read this story twice because the first run just didn’t stick with me. It’s purely subjective, but something about the prose or the way characters talk gave my internal narrator an uncomfortable southern drawl that made the words feel slow and sticky, similar to Willem Dafoe’s performance as Rat in Fantastic Mr. Fox. While hunting down illustrations for this piece, I noticed that discussion on this story is pretty scant. Frankly, I wasn’t surprised to find “Salvage” has a 2.5/5 average on Goodreads. That having been said, if you can get past the thick dialect and the lack of context for the surrounding world, I think you’ll find something worth salvaging from the murky depths of The Mormon Sea. Continue reading →

Following the success of Mad Max 2 was a handful of post-apocalyptic B-movies. Among those was The New Barbarians (aka Warriors of the Wasteland), a dirt-cheap Italian knock off. Despite a slow start, this movie actually isn’t terrible, it just has low production values. However, I noticed a lot of similarities between this film and She Wolves of the Wasteland. Both have alternate titles. Both have promising, but underdeveloped plots and concepts. Both suffer from poor editing and a lack of closure. For that reason, let’s use a similar four points system as She Wolves, with one exception.

The Plot

Interesting concepts

Editing

Characters

The Plot: The year is 2019. It has been 9 years since the nuclear holocaust of 2010 (thanks, Obama). The film opens on a small caravan who has just discovered “The Signal,” a mythological radio frequency supposedly originating from the last civilization on Earth. Unfortunately, before the tribe can decipher the coordinates, they’re attacked by a rival tribe of motorized marauders called “The Templars” whose only goal is to destroy all human life…because reasons.

The Templars crush their enemies with a mixture of explosives and laser guns. That night, timid humans wrapped up in white rags appear to loot the burned out caravan. We never learn who these scavengers are, but they have a striking resemblance to the Buzzards from Mad Max: Fury Road. Before they can divvy up the loot, a muscle car with a glowing green roof roars out of the blackness. Enter our hero, Scorpion. Continue reading →