Sunday, December 06, 2009

Hey bros! Thanks for checking out my list of 20 songs I liked this year. I hope you like them too. This week, you can check out similar lists from all us Rose Quartzers; next week, we give you our top albums of 2009 - WITH A TWIST. We'll tell you about it next week. Anyway, here are the songs:

I'd use the word magical to describe the way this masterpiece balloons and unfolds as you listen: tinny beats become drums, synthesiser brass becomes a technicolour Sgt. Peppers horn section. It's fitting that this lush pop imaginarium is called 'Dream Sequence': it treads (actually, waltzes) the line between reality and artifice, incredible flights of fantasy mingling with vivid & eclectic flashes of memory.

So much to love in this song - the swaggering 3/4 time signature, Conor/Jim/Matt trading vocals - but best of all is the motherfucking guitar solo which is both melodic and face-melting in a way I thought only J. Mascis remembered how to do.

“This absurdly FUCKING good garage pop gem is full of lovestruck madness, but in a way that you can, y’know, respect, because it’s all loose and raw and kinda manly. Girls... is all joyful, lust-fuelled abandon... with its transcendental Guided By Voices supermelody.”

4. The Pains of Being Pure at Heart - Come Saturday
from The Pains of Being Pure at Heart

In about 10 years when everyone who's cool right now is making overly-sentimental films about their life circa 2009 they're gonna use this song because it's such a golden indie rock gem it's making me nostalgic for this year now.

"...rather than producing big, shiny, plastic beats that sound custom-made to blare out of lousy car speakers, tracks like Feel It All Around have the noise and the dust and the charm turned way up, like Ariel Pink for the dancefloor... all heavenly and shit with twinkly synths and spacewalk harmonies."

"This is a ridiculously classy jam, like Guided By Voices fucking around with Pavement, and it’s the kind of thang you’d play at a party if you wanted to make sure that it turned out to be UNBELIEVABLY memorable."

I interviewed Ira Kaplan earlier this year and I was like, "lulz, how did you think of such an amazingly dorky and neurotic and cerebral character for this song?!" and he was like "...". White boy funk is the best and so is the weird Casio breakdown in this song.

Maybe one day New Zealand will teach everyone else how to make three-minute pop songs sound like the freshest, most incredible things ever invented, even better than the chewing gum with the liquid centers.

12. The Daredevil Christopher Wright - Clouds
from In Deference to a Broken Back

"There’s highs and crashing lows, falsetto and handclaps, fucking polyrhythms. Constant surprises: references to the pastoral pop that’s going crazy right now as well as vintage pop and 70s guitar heroism. And really, really good songwriting."

Feels like Here We Go Magic got kinda lost in the hypnagogic pop avalanche despite a) being one of the best things about it and b) touring with Grizzly Bear, which at this stage is pretty much the best thing that could happen to any band. The album's solid but this is an amazing song with basically the best use of that kind of production I've ever heard.

"...rich, lush melodies are kind of a Faux Pas hallmark but Silver Line mirrors the Flaming Lips' recent transition to a more muscular kind of pop glory. It floats and shimmers and throbs, surging forward and dissolving and surging again, all wondrous and cosmic but with a vibe that's ever so slightly unnerving."

"This is some hazed out space-age shit, like getting high through a motherboard in 2200. Pretty fucking creepy, too: the white noise builds and builds and the whole time there’s this melody way up high that’s all noble and righteous yet out of reach, like the human spirit facing the apocalypse or a lone astronaut adrift in a galaxy of evil."

19. Ganache - In Pidgin
from A Halter Pardon Him and Hell Gnaw His Bones!

This song is so hilariously wordy and boppy I pretty much listened to nothing else for about a fortnight after I heard it the first time. Feels good to know if anything should ever happen to Stephin Merritt we've got another hilarious dude with a badass baritone to turn to.