These are the last characters I expected to be adapted to a series. Still waiting for that Moon Knight.....

The shows will be based on the following Marvel characters: Howard the Duck, M.O.D.O.K, Hit-Monkey, and Tigra and Dazzler. Like the Marvel-Netflix “Defenders” shows before them, the four characters will then team up in the animated special “The Offenders.” Marvel’s head of TV, Jeph Loeb, will executive produce each project. Disney–which owns Marvel–will become a majority shareholder in Hulu once the Fox-Disney merger is completed.

“Howard the Duck” will be written and executive produced by Kevin Smith and Dave Willis. Smith is known for his Askewniverse films, including “Clerks,” “Mallrats,” and “Jay & Silent Bob Strike Back.” Smith has also written for Marvel Comics in the past, writing for popular characters like Daredevil and Spider-Man. Willis previously co-created popular animated shows like “Aqua Teen Hunger Force” and “Squidbillies” for Adult Swim in addition to his work as a voice actor.

Smith is repped by WME. Willis is repped by CAA and Brillstein Entertainment Partners.

In the series, Howard the Duck is trapped in a world he never made, but America’s favorite fighting fowl hopes to return home with the help of his unstoppable gal pal Beverly before the evil Dr. Bong can turn him the crispiest dish on the menu.

“M.O.D.O.K.” will be written and executive produced by Jordan Blum and Patton Oswalt. Blum’s previous credits include “Community” and “American Dad.” Oswalt is an Emmy-winning stand up comedian. He currently appears on the NBC series “A.P. Bio,” the Syfy series “Happy!,” Netflix’s “Mystery Science Theater 3000,” and serves as narrator on ABC’s “The Goldbergs.”

Blum is repped by UTA and Circle of Confusion. Oswalt is repped by UTA and Generate.

“M.O.D.O.K,” or Mental Organism Designed Only for Killing, centers around an egomaniacal supervillain with a really big head and a really little body, who struggles to maintain control of his evil organization and his demanding family.

“Hit-Monkey” will be written and executive produced by Josh Gordon and Will Speck, the team that previously co-directed films like “Blades of Glory” and “Office Christmas Party.” They are repped by CAA and Management 360.

The show tells the tale of a wronged Japanese snow monkey, mentored by the ghost of an American assassin, as he cuts a wide swath through the Tokyo underworld.

“Tigra & Dazzler” hails from writers and executive producers Erica Rivinoja and Chelsea Handler. Rivinoja worked on the story for the film “Girls Trip” and her previous writing credits include shows like “The Last Man on Earth,” “South Park,” and “Grounded for Life.” Handler is known for hosting her own talk shows on both E! and Netflix, “Chelsea Lately” and “Chelsea” respectively.

These are the last characters I expected to be adapted to a series. Still waiting for that Moon Knight.....

The shows will be based on the following Marvel characters: Howard the Duck, M.O.D.O.K, Hit-Monkey, and Tigra and Dazzler. Like the Marvel-Netflix “Defenders” shows before them, the four characters will then team up in the animated special “The Offenders.” Marvel’s head of TV, Jeph Loeb, will executive produce each project. Disney–which owns Marvel–will become a majority shareholder in Hulu once the Fox-Disney merger is completed.

“Howard the Duck” will be written and executive produced by Kevin Smith and Dave Willis. Smith is known for his Askewniverse films, including “Clerks,” “Mallrats,” and “Jay & Silent Bob Strike Back.” Smith has also written for Marvel Comics in the past, writing for popular characters like Daredevil and Spider-Man. Willis previously co-created popular animated shows like “Aqua Teen Hunger Force” and “Squidbillies” for Adult Swim in addition to his work as a voice actor.

Smith is repped by WME. Willis is repped by CAA and Brillstein Entertainment Partners.

In the series, Howard the Duck is trapped in a world he never made, but America’s favorite fighting fowl hopes to return home with the help of his unstoppable gal pal Beverly before the evil Dr. Bong can turn him the crispiest dish on the menu.

“M.O.D.O.K.” will be written and executive produced by Jordan Blum and Patton Oswalt. Blum’s previous credits include “Community” and “American Dad.” Oswalt is an Emmy-winning stand up comedian. He currently appears on the NBC series “A.P. Bio,” the Syfy series “Happy!,” Netflix’s “Mystery Science Theater 3000,” and serves as narrator on ABC’s “The Goldbergs.”

Blum is repped by UTA and Circle of Confusion. Oswalt is repped by UTA and Generate.

“M.O.D.O.K,” or Mental Organism Designed Only for Killing, centers around an egomaniacal supervillain with a really big head and a really little body, who struggles to maintain control of his evil organization and his demanding family.

“Hit-Monkey” will be written and executive produced by Josh Gordon and Will Speck, the team that previously co-directed films like “Blades of Glory” and “Office Christmas Party.” They are repped by CAA and Management 360.

The show tells the tale of a wronged Japanese snow monkey, mentored by the ghost of an American assassin, as he cuts a wide swath through the Tokyo underworld.

“Tigra & Dazzler” hails from writers and executive producers Erica Rivinoja and Chelsea Handler. Rivinoja worked on the story for the film “Girls Trip” and her previous writing credits include shows like “The Last Man on Earth,” “South Park,” and “Grounded for Life.” Handler is known for hosting her own talk shows on both E! and Netflix, “Chelsea Lately” and “Chelsea” respectively.

Best not to take any chances. If Tony Stark survives endgame, which hopefully he does, reckon there is any chance of another Iron Man movie somewhere down the line? Or do you think they've done all they can with his story and want to move onto new heroes?

Is anyone almost considering seeing Captain Marvel as a bit of a means to an end, rather than a good film in its own right? Like, I'm sure it'll be a good film, but I'm more interested in knowing how she ties into endgame than the actual Captain Marvel film itself, if that makes sense. I suppose that is just the effect of the scheduling, any film that has to come right before endgame wouldn't generate the same level of interest.

Is anyone almost considering seeing Captain Marvel as a bit of a means to an end, rather than a good film in its own right? Like, I'm sure it'll be a good film, but I'm more interested in knowing how she ties into endgame than the actual Captain Marvel film itself, if that makes sense. I suppose that is just the effect of the scheduling, any film that has to come right before endgame wouldn't generate the same level of interest.

I've come to terms that it's just a setup to add her to Endgame. It does look fun, but I have low expectations.

According to Deadline, Marvel's also apparently trying to push out a Shang-Chi movie to do with the Asian market what they did with Black Panther. With the right action choreographer this could be amazing, think Keanu Reeves Man of Tai Chi was the only time I ever saw it pulled off well in American movies.

Personally can't wait for the outrage over him being the son of Fu Manchu.

Is anyone almost considering seeing Captain Marvel as a bit of a means to an end, rather than a good film in its own right? Like, I'm sure it'll be a good film, but I'm more interested in knowing how she ties into endgame than the actual Captain Marvel film itself, if that makes sense. I suppose that is just the effect of the scheduling, any film that has to come right before endgame wouldn't generate the same level of interest.

I've come to terms that it's just a setup to add her to Endgame. It does look fun, but I have low expectations.

According to Deadline, Marvel's also apparently trying to push out a Shang-Chi movie to do with the Asian market what they did with Black Panther. With the right action choreographer this could be amazing, think Keanu Reeves Man of Tai Chi was the only time I ever saw it pulled off well in American movies.

Personally can't wait for the outrage over him being the son of Fu Manchu.

People are already upset with the first Asian super hero movie being the Son of Fu Manchu alone.