Luang Phu Ya Tan Suan was a great Master Monk who managed to evade the fame of other more willing publicly known monks of his era, but was one of the great monks with powerful Wicha, of an equal status to many other Masters whose names may be more well known Internationally.

Luang Phu Ya Tan Suan Jantaro of Wat Na Udom was very famous for his cord wrapped Takrut amulets, which are highly revered by the devotees of Wat Na Udom and the province around the temple, and which are Nationally famous as perhaps the most popular talismanic charm of this great Arya Sangha Monk. Famous for his cord wrapped Takrut Tone, Takrut Bailan, and Takrut Hnang Glong Plae, as well as his Guru Monk Coins, which carry many stories of miraculous events from devotees who wore them.

The Rian Taep Yin Dee Block Raek Luang Phu Ya Tan Suan was made in three different types of sacred metal, 3 made in solid gold, 200 in solid silver, and 10,000 in sacred copper (Nuea Tong Daeng), with Code Na. Some with two types of code stamps were made,, of which only a few were handed out during the ceremony (Gammagarn). Only an estimated 20 coins were made with two code stamps.

Below; Bia Gae LP Ya Tan Suan

Bia Gae Phu Ya Tan Suan Wat Na Udom

Luang Phu Ya Tan Suan was born in the year 2543 BE and was the son of a family of famers, and had 8 siblings. he helped his parents with the farm until he was 20 years old, and since he had been feeling inclined to ordain into the Monkhood (Sangha) for some years already, decided to ask his parents for permission to ordain into the Buddhist clergy and go stay at a temple to practice the Dhamma.

He was ordained at the temple of Wat Na Udom in Pibun Mangsaharn. his Upachaya Ordaining Officer was Pra Atigarn Prohmma, and his Pra Gammawajajarn Prompting Officer was Pra Dee. Pra Bua was his Pra Anusawanajarn Witness. After ordinations Luang Phu Ya Tan Suan received the ordained name of ‘Jantaro’ which means ‘he who knows the difference between what is needed and what is merely desired’.

Below; Takrut Tone Thak Chueak Luang Phu Ya Tan Suan – Wat Na Udom

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After his ordination into the Buddhist clergy he dedicated himself to very diligently learning the Dharma and to practice chanting prayers in Pali. He would always attend and study the Patimokkha every month during the Patiimokkha recitations of the Vinaya Pitaka.

Luang Phu Ya Tan Suan

He remained at the temple for a period of 3 years under the tutelage of the abbot Luang Por Jao Atigarn Suan, where after he moved on to stay at the temple of Wat Kam Hwa. He then remained there to practice for 3 months, where are after, he traveled to study the Dharma vinaya add the temple of Wat Samrong Yai in Bangkok, where by coincidence, Por Tan Hmon, who was the Abbot of this Temple was an uncle of Phu Ya Tan Suan.

It was here, that he studied the basics and began to apply the first practices of Vipassana Kammathana Insight Mindfulness Techniques. His uncle Luang Por Hmon was a very strict monk indeed with very strong rules about keeping the Buddhist Vinaya. Whatever his monks would be doing he would expect them to do it with full concentration and fullest effort, without distraction which was part of his method of teaching them to concentrate which is of course, the heart of meditation

Below; Pra Gleep Bua Roop Muean 2542 BE Amulets Luang Phu Ya Tan Suan

Pra Gleep Bua Roop Muean 2542 BE Amulets Luang Phu Ya Tan Suan

Luang Por Hmon would take Luang Phu Ya Tan Suan into the forest cemetery, to teach and demonstrate to him the methods of controlling the breathing in and out, and would take him regularly to spend nights meditating in the cemetery, to master his techniques of breath mindfulness. After a few sessions, Luang Por Hmon, who was both his mentor and uncle gave him permission to go alone and continue this practice in solitude in the Cemetery as often as possible.

After this he began to teach his nephew Luang Phu Ya Tan Suan, th secret practices of occult sorcery, and instructed him in reading and writing Khom ancient Khmer Sanskrit script, which is the script that must be used for inscription of magic spells In Thai Buddha Magic. Luang Phu Ya Tan Suan also learned how to write the inscriptions in Khom, Khmer, and Aksorn Tam Isan type magical alphabets.

Ya Tan Suan Jantaro Wat Na UdomLuang Phu Ya Tan Suan as a Young Monk

Famous for his cord wrapped Takrut Tone, Takrut Bailan, and Takrut Hnang Glong Plae, as well as his Guru Monk Coins, which carry many stories of miraculous events from devotees who wore them. His Sacred Power was considered immeasurable, as devotees noticed that Luang Phu’s Look Om Chan Hmak betel areca balls, and his hair after head shaving, would turn into ‘Pratat’ relic crystals.

A pictorial documentation of the Buddha Abhiseka (Putta Pisek) at wat Sri Jantr, of the special edition series of Takrut Tone alchemically forged metal talismanic charms, with Muan Sarn Sacred Powders from the great Luang Por Kong (Kroo Ba Ajarn of Khun Phaen Legend) inserted into the hollow interior of the tubular Takrut amulet. Wat Sri Jantr is an Ancient Temnple which has had Monks staying there uninterrupted since the times of the Ayuttaya Era.

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The Takrut is made using a compendium of ‘Laekh Yant’ Numerology and Sacred Geometry based Spells with Khom Agkhara Incantations inscribed on Sacred Yantra Foils, smelted into Ingots, Inscribed and empowered once more, and then cast into the metallic alchemically forged Takrut amulets we see before us in the slideshow. Blessed at Wat sri jantr, the amulets have special Muan Sarn Sacred Powders from the ancient Kroo Ba Ajarn of Supanburi Magical legend and Kroo Ba Ajarn of Khun Phaen himself, Pra Ajarn Kong. These Powerful Powders provide Maha Sanaeh, Metta Maha Niyom, Kong Grapan Chadtri and Klaew Klaad Power for Successful Profession and Invincibility/Protection.

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The Takrut is useful for people of all walks of life, for it contains a compendium of Yant that cover all the many facets of Human needs;

Below; Yant Pra Putta Jao 16 Pra Ongk

Yant Pra Putta Jao 16 Pra Ongk Sixteen Buddhas Yantra

These Kata have to be imbued within the first handful of rice of the almsbowl of a monk on three different occasions, and repeated for a period of three months during the rainy retreat as part of the Traimas Trimester Empowerment). This is the invocation of the Graduk Tong Daeng (copper bones) spell, which makes one invincible to normal types of weaponry. The Invocation uses the sacred Agkhara and Yantra of the Dtamra Prawaet of the Buddha Sasana (White Buddha Magic)

Below; Yant Maha Ud

The Yant Maha Ud is also embedded as a double-sided Yantra Spell within the Wicha, on one of the smelted Yantra foils used to make the ingots, which possesses both Kong Grapan Chadtri and Metta Maha Niyom Powers.

The Yant Pokasap was also Imbued within the Sacred Chanuan Alchemical Admixture through Inscription of the Yantra on foils smelted within the ingots, for Wealth and Treasure Accumulation, to improve wealth and prosperous living.

Below; Yant Pokasap for Wealth Increase

Yant Pokasap For Wealth And Treasures

The Sacred Yant Takrut Tone was also inscribed on sacred yantra Foils for smelting into the Chanuan Alchemical metallurgical Admixture, which is considered most powerful protection against all forms of weaponry.

Below; Yant Takrut Tone

Yant Takrut Tone Gan Awut

In addition, the Sacred Yant Gan Sakot Yantra Spell was Inscribed upon Yantra Foils for smelting into the Chanuan Muan sarn metallic Alloy, to Protect against Thieves and Robbers.

Below; Yant Gan Sakot

Yant Gan Sakot – Protection against Thieves and Burglars

In addition, a sisxth yantras Spell in the form of an Incantation was performed and imbues, the Yant I SA WĀ SU, and a seventh Maha Yant Solos Mongkol was added to the compendium of Sacred Yantra Foil spells used for the metallurgical forging of the sacred Ingots to make the Takrut with. The Yant Maha Solos Mongkol is Universal Auspicious Blessings and karma Improvement.

Blessed at Wat Ballangk on 26th November 2560 BE, with the eminent presence of Somdej Pra Puttajarn Sanit Chawana Banyo of Wat Traimit, and Archbishop of the Sangha for the North Eastern Region of Thailand, who lit the Victory Candle for the initiation of the Buddha Abhiseka Blessing Ceremony. The extinguishing of the Victory Candle at the end of the Ceremony was performed by Pra Kroo Prachote Bunyakorn (Luang Por Koon Worabanyo)