Louis Poulsen Reflections 4

50 Q&A with Shoichi Uchiyama Functional, simple forms. Minimalist beauty. A passion for working with and enhancing natural light. As essential as these elements are to Danish design, they are also at the root of the Japanese aesthetic tradition – and, in this case, the work of Tokyo-based designer Shoichi Uchiyama. So it’s little wonder that Louis Poulsen has found a natural affinity with Uchiyama, and that the collaboration that began in 2003 with his stunning white-shade Enigma pendant continues as the design takes on a new expression in elegant black. We spoke to Uchiyama about culture, process, and vision as he continues to seek new inspiration while honouring tradition. What does “good light” mean to you? In my definition, good light makes us feel good and comfortable in day-to-day life. It makes people and objects look natural, creates natural spaces, and sets a beautiful atmosphere. How would you describe the characteristics of Japanese lighting design? Japanese lighting is known to use techniques that allow sunlight, moonlight, and any other external light to be masterfully incorporated into interior spaces. Japanese paper and other natural materials have traditionally been used to filter and convert daylight or light from artificial sources into soft light to create peaceful spaces. It’s often said that the Japanese and the Danes share similar traits and values – do you agree? Yes, I do agree. In my opinion, Danish and Japanese people share something common in their national character. They are self-effacing and humble. Plus, their lands are surrounded by the sea, and both have rich natural environments. And when it comes to illumination, both countries prefer subdued light. How do the Japanese use light in their interiors? As LED has become a prevalent light source here in Japan, the use of light in residential settings has changed. The mainstream approach is shifting toward the use of linear LED lighting for base lighting, which produces soft, indirect