Tag Archives: Beards

Death and Taxes

It seems everything is taxed these days, from bedrooms to tampons, oversized coffins and even death itself. Death and taxes, not the punk song by Kid Dynamite, nor the debut 1941 novel by accountant David Dodge about a tax expert and reluctant detective James ‘Whit’ Whitney, but those certainties first twinned by Christopher Bullock in his 1716 Cobbler of Preston, and no, it was not Mark Twain, either:

That devilish certainty was repeated by Daniel Defoe in his 1726 Political History of the Devil:

“Things as certain as Death and Taxes, can be more firmly believ’d.”

More familiar, perhaps is the reference by Benjamin Franklin in a letter to Jean-Baptiste Leroy, in the year of the French Revolution, 1789.

“Our new Constitution is now established, and has an appearance that promises permanency; but in this world nothing can be said to be certain, except death and taxes.”

Margaret Mitchell added a third inconvenience in her 1936 book Gone With the Wind:

“Death, taxes and childbirth! There’s never any convenient time for any of them.”

Will Rogers quipped that:

“The only difference between death and taxes is that death doesn’t get worse every time Congress meets.”

Death from Taxes

Of the two certainties in life, death and taxes, there are as many curious taxes as causes of death, indeed some of the former may be brought about by the latter. Government austerity cuts, a kind of reverse taxation but cutting benefits, can lead to deaths too – suicides, illness, and accidental – as one listener to BBC Radio 4 pointed out this week, having a DWP fitness for work interview pass you as fit when you suffer from blackouts and then you get a job as a driver and plough down innocent pedestrians in a dustbin lorry, for example.

The Window Tax

My favourite misguided tax is still the window tax, not the Windows tax – the cost of bundling Microsoft Windows with all new PCs. The 1696 tax is still much in evidence today by bricked up 17th-18th century building windows. Allegedly it is the origin of the term “daylight robbery”, and only repealed in 1851 after complaints that it was a “tax on health”, and a “tax on light and air”. Just like income tax there was a tax-free allowance of 6-8 windows. The origins of the first council tax, in fact, with property bands based upon the number of windows – so people cheated and bricked up their windows – when they could afford the bricks.

The Brick Tax

Bricked up, Jickling Lane, Wells-next-the-Sea

Thank god, not on Lego, but on bricks and taxed at manufacturing source on the builders during the revenue-raising needs of the Napoleonic and American Wars and after up until 1850. It was charged per brick so canny builders increased the size of them until the government of the day capped the maximum size of a brick by law. Clever tax avoidance is not a modern phenomena restricted to Amazon, Apple, Ebay, Google, Starbucks, Vodafone etc.

The Hat Tax

Another means of funding wars was the hat tax, which was essentially on the wealthy. Nonetheless milliners found ways round it, reclassifying their headgear leading to a legal definition of a hat in 1804, or faking the tax labels at great risk as hat tax avoidance could merit the death penalty – something to reconsider for Apple and Amazon?

The Hearth Tax

The late 17th century hearth and stove tax on heating and fireplaces served to take from the necessities of life to provide for the luxuries of life of King Charles II.

The Wallpaper Tax

Introduced under Queen Anne in 1712 but ran for 124 years on preprinted and painted wallpaper at least. This led to artistic ingenuity and spontaneous on-site stenciling on plain papers by creative builders and decorators.

The Soap Tax

The “mischievous and vexatious” soap tax raised as much as alcohol duty does today. It ran for 142 years until its repeal in 1853. It was levied upon the weight of soap not its quality or value and thus disproportionately affected the poor and prejudiced their cleanliness and overall health. It became a slave trade issue under William Gladstone who abolished it in favour of a less distorted market in African palm oil products.

“AMONGST our numerous taxes, this is one of the worst. It is levied on an article essential both to cleanliness and health; it is very unequal; for whilst the duty adds two thirds to the price of the coarse soap which the poor man uses, it becomes trivial when levied on the refined and scented soaps of the rich. It combines in itself, and that to a considerable extent, two of the most objectionable elements in taxation: duties are laid upon all the raw materials of its manufacture, and then a heavy duty, both mischievous and vexatious, is levied upon the manufactured commodity, the effect of the regulations under which it is collected being to encourage smuggling, and to shut out all improvement in the legitimate trade.” – The Spectator, 27 April 1833

A Beard Tax

A tax on beards – a surefire way to raise money today out of coiffured lumbersexuals – was apparently a myth. Razors and shaving items are, however, taxed at 20% which is actually a tax on non-beards!

A Tampon Tax

Yes, unlike beards but not shaving, they are taxed – albeit at a reduced rate of 5% rather than the 20% VAT on other allegedly non-medically necessary health and sanitary care products. That they should be taxed at all is a scandal, but it is a false argument to compare them to men’s sanitary products, despite shaving being a choice and bleeding, not one, since men’s grooming products are mostly charged at 20%.

The Royalist Tax

The Poll Tax

Poll Tax Riot, 31 Mar 1990, photo by James Bourne

Variations on this have been around since time immemorial. Censuses make it possible. The Peasants’ Revolt of 1381 opposed it as did the people’s revolt of 1990, i.e., the UK ‘Poll Tax’ riots under Margaret Thatcher. After the Black Death took out half the population there was a shortage of supply and increased opportunities for the surviving working population. This led to socio-economic upward mobility and a power shift towards labourers, something the property classes did not like. War with France needed finance and so repeated taxes on every adult were applied and raised. The second poll tax was actually quite fair based upon seven different English classes, and taxing the wealthiest upper classes the most. It was broadly evaded and avoided though and raised little, prompting a third flat rate tax on everyone, which was the one that caused the lower classes to rebel.

The Council Tax

Coming in as allegedly more progressive than the infamous headcount Poll Tax or Community Charge, the Council Tax is often raised for reform as the values of houses and banding have changed so radically since its inception and a review is well overdue. Adding additional higher bands would be an excellent tax on property, but it is the people with property that make the decisions and they are reticent.

The Bedroom Tax

Or “Spare Room Subsidy” as politicians on one side of the House tried to label it, but like the Poll Tax, the colloquial name stuck. It is a reduction in benefit, another tax by stealth, on housing benefit for having an alleged excess of bedrooms – leading to attempts to redefine the smallest room as a box room and uninhabitable. Of course private tenants, were already receiving reduced benefits for living alone as brought in under Labour. Council social housing tenants were not affected until the Conservatives applied similar but not identical rules to them. it cruelly and disproportionately affected the disabled and their carers, the elderly keeping a spare room for family, and families with those in the forces rendered unable to maintain a room at home for them.

The Inheritance Tax

This is at one at the same time the fairest and unfairest tax. It is a kind of tax on death itself, a double taxation on property acquired through previously taxed income and expenditure, since there is also a Stamp Duty Tax on property purchase. Whilst it is blatantly an unethical double taxation, it is obviously affordable, though the rich circumvent it and the asset rich, cash poor are most affected by being unable to pass on a family home without selling up.

Tax Evasion and Avoidance

The more you have, the easier it is to avoid responsibility and requirement. The irony of public ownership is the duty to shareholders to maximise profit and minimise tax on commercial enterprises. Artfully called tax avoidance or reduction, or even tax flight, only tax evasion is technically illegal. The rest, many regard as unethical. As Plato said, that avoidance is unjust.

“When there is an income tax, the just man will pay more and the unjust less on the same amount of income.”

Taxes, an evil force for good?

Taxes are necessary evils, originally bought in to finance wars rather than the welfare state. Tax collectors and money lenders are oft caricatured as evil themselves. In some countries, Hijra trans people are employed to shame and embarrass people into paying their taxes.

A number of Middle Eastern countries have just bought in taxes for the first time with the price of oil at a recent low meaning that they cannot live off their natural assets.

Competing economists and politicians have argued for a low flat rate tax that is paid by all and encourages compliance and simplicity versus complex and graduated taxes on income and wealth which are often avoided. From Churchill to Thatcher many have argued that lower taxes encourage prosperity and allegedly raise more revenues.

“It is a paradoxical truth that tax rates are too high today and tax revenues are too low, and the soundest way to raise the revenues in the long run is to cut the tax rates.” – John F. Kennedy

“For a nation to try to tax itself into prosperity is like a man standing in a bucket and trying to lift himself up by the handle.” – Winston Churchill

The UK tax handbook runs to thousands of pages, wouldn’t a simple flat tax be better? Even if it were true, it would raise prosperity for all, in an uneven, unfair way.

Taxes on consumption of alcohol and tobacco, fuel and certain foods, are the easiest to administer but fall heaviest on the poor.

No tax seems fair and more of us want to live off-grid, bringing back barter and local exchanged trading schemes as alternates to taxable currency, income and purchases, until, that is, we use a road, call the police, or need the NHS and wonder how we pay for it? The better the life we want, the more we will need taxes to pay for it, and the less we can rely on diminishing natural resources to prop up the state. Taxes are about responsibility and being wealthy enough to be income taxed at least means being better off than those that live below the minimum income tax bracket. I’d love to be rich enough to have to pay a 40-50% tax on higher income levels!

Hirsute Self-Love rather than Self-Loathing or Other-Lust

If you are different, queer, ‘other’, a bearded lady, or something else, the only two choices are not – be persecuted or be fetishised, be hated or loved for a mere body part/characteristic, be single and lonely or stuck in a settled-for second-best relationship.

“Don’t be grateful [for second-best] … Because someone out there will “actually” love you for who you are.”

Yes, that is possible. Various medical conditions (e.g., PCOS), and/or intersex variations, can mean that a woman’s hormones produce the extra secondary sexual characteristic of facial hair that can rival or beat that of some men’s attempts to grow a lumbersexual beard. Most would shave continually, indeed Schwarz did for 17 years. A rare few like Little Bear or Balpreet Kaur embrace the difference and are part of humanity’s out-and-proud diversity.

“I don’t need to perpetuate an idea that having being female-bodied and bearded is WRONG, as it is not. I am beautiful as I am.” – Little Bear Schwarz

Standing Out from the Crowd

But difference marks one out for mostly unwanted attention – abuse, curiosity, investigation, fetishisation, exclusion, or intervention and normalisation.

If you are different, othered by birth, choice, or accident, in some way, going unnoticed is not an option, there is no radar to fly under, you are under constant view and scrutiny.

“How do I assert that no one who chooses to live out loud is “asking for it?” Catcalling, entitlement, and body shaming exist among all people and to all genders. However, there is an expectation among people like me whose appearance is deemed “othered.”” – Lil Bear Schwarz

Fetish, Kink and Body Shaming

Little Beardy Bear Schwarz via Twitter

Schwarz says with bucket-loads of self-respect that:

“If all you can do is reduce me down to one small aspect so you can add me to your fetish collection, it is YOUR LOSS, because you are missing out on all the other things that make me beautiful.”

At the same time as Schwarz not wanting to be body-shamed, nor do they kink-shame, as they clarify on Twitter:

GenderQueer and Gender-full

Another word they use is “GenderQueer” or the fabulous “genderful” to describe their male-female blend, fluidity and, when performing, their focus on a part of the gender spectrum.

“Being both genderqueer and being billed as a “bearded lady” presents no conflict to me because it is not as much inaccurate as it is just incomplete. My gender identity is what I call “genderful” – a blend of masculine & female elements and everything in between.

See the full, pulling no punches, personal blog post by Lil Bear Schwarz on Ravishly, whose tagline is “There’s no wrong way to be a woman”. If you want to follow Little Bear more, having read their post and for all the right reasons, then they are on Twitter @LilBeardyBear and Facebook.

Loving yourself for who you are and how you look become even more vital to self worth and survival if you stand out in a crowd, in a non-stereotypically beautiful way. It is, in the end, the only route to self-confidence and happiness, and the best way to guarantee that anyone you choose to be with is with you for you, because you don’t need their affirmation, it is just the icing on the cake of self-love and self-respect. Genderqueer beard, beautiful person, and all.

The Eurovision Song Contest was established post-War to bring nations together in peaceful pop appreciation but as ‘greater’ Europe’s nations (including Russia and Israel) battled it out over national pop songs (mostly sung in English!) on 10 May, new conflicts arose.

First, there was the new enmity between Russian and Ukraine and the break-up of the former Warsaw-pact voting block. Second, there was the usual analysis and outcry at nationalist and neighbouring countries mutual self-interest voting patterns, not to mention vast divisions between the newer 50/50 split between public and professional jury votes.

Finally, there was the homophobia and indeed, transphobia, of some nations (Belarus, Russian and even some Austrians) complaining about Austria’s label-defying gay genderqueer drag diva Conchita Wurst, who went on to win the contest.

2014’s Eurovision Song Contest (ESC) in Copenhagen, Denmark, was the 59th competition, having begun in 1956. This year, 37 nations, competed, and it top-ten trended on Twitter most of the week, such is the European, if not international following of the entertainment extravaganza.

Eurovision 2014 – Russia and Ukraine

Tuesday’s semi-final had more at stake than music as rival posturing nations Russia and Ukraine continued their war of words.

Both Russia and Ukraine made the semi-finals with Ukraine’s entry drawing cheers and Russia’s, boos. Eurovision 2014’s tagline #JoinUs had a darker new meaning as Russia wants Ukraine to “join us” having already taken Crimea to a dubious vote – just like Eurovision!

One of last year’s Eurovision stories was Twitter top-trending as hundreds erroneously re-tweeted a BBC story about Azerbaijan’s failure to nominate any points to Russia’s entry in the Eurovision song contest and Russia’s foreign minister calling this “outrageous”! Except this was 2013, and a conspiracy theory at that, with the report that Azerbaijan’s President subsequently ordered an inquiry into how its votes for Russia apparently went missing. In the game of Eurovision “Risk” Russia had given Azerbaijan’s entry maximum “douze points”.

This year, Russia’s entry, the Tolmachevy Twins, aged 17, seemed perfect Eurovision fare, beautiful on the eyes and ears, a popular choice – apart from being Russian. Their song and teenage innocence with respect to all the international politics meant they were received well until they progressed to the final and were booed by the Danish and international semi-final and final audiences, who seemed strongly anti-Russia’s stance against gay rights, Crimea and the Ukraine. During the awarding of points almost every award of any points to Russia was greeted with jeers rather than cheers as the voting public punished Putin for Russian territorial aggression and anti-LGBT laws.

Ukraine’s own entry, Mariya Yaremchuk, also qualified for the final with the added visual drama of a suited male dancer running inside a giant hamster wheel to her song “Tick-Tock”.

In the end, Conchita Wurst of Austria won by a large margin 290pts (beating Netherlands 238pts), but Ukraine, with 113 points to Russia’s 89 points, will be pleased it came 6th over Russian’s 7th place! Ironically, Russia gave Austria (5pts) one more point than it gave to Ukraine (4pts).

Russian news sites during the week reported on the respective nations’ entries as “aggressive”, “militant” or about supposed political messages hidden in the songs.

Russian and International Reaction to the Eurovision 2014 Winner

The morning after Eurovision 2014 was won by gay genderqueer drag artist from Austria Conchita Wurst had Russian politicians reaching new lows of homophobia and European “liberal” condemnation.

The Russian Deputy Prime Minister, Dmitry Rogozin, tweeted that the Eurovision result “showed supporters of European integration their European future: a bearded girl.”

According to TheJournal.ie, another Russian politician, the ultranationalist leader of the Liberal Democratic Party (LDPR), Vladimir Zhirinovsky, told Rossiya-1 state television:

“There’s no limit to our outrage. It’s the end of Europe. It has turned wild. They don’t have men and women any more. They have ‘it’. Fifty years ago the Soviet army occupied Austria. We made a mistake in freeing Austria. We should have stayed.”

Zhirinovsky has been described as “One of the most enduring fruit loops in Russian politics” – note that was ‘enduring’ not endearing. He is stubbornly sexist, homophobic, racist, anti-Western. He has called for the deportation of Chinese and Japanese people, threatened a female journalist with rape, and crazily suggested that the British royal baby would suck Russian blood!

Russian hip-hop rapper Timati had over 76,000 likes in just 15 hours for his Instagram post about Conchita Wurst in which he wrote that her win was symptomatic of a “complex mental disorder of modern society”. He went on to bemoan having to explain gay kissing to children, bearded trans – “and that’s supposed to be normal”,and to praise Putin for banning LGBT Pride Parades.

Russia’s reactions are somewhat, ironic and hypocritical given that in the 2003 Eurovision Contest they were represented by faux-lesbian t.A.T.u. and their same-sex kissing. Again, in February, at the Sochi Winter Olympics the Russian Olympic team marched out to the music of t.A.T.u.’s Lena Katina and Yulia Volkova, dressed as schoolgirls, kissing in the rain.

Eurovision Block Voting Scandals

Eurovision’s extra political undercurrent this year is nothing new as block-voting has been allegedly going on for decades, whether Greece-Cyprus, Scandinavian, Balkan or Warsaw pact blocks. Whilst mutual voting may have helped Ukraine win in 2004, Russia in 2008, and Azerbaijan 2011, it seems that for many former Soviet Union/Warsaw Pact countries cooperation is now over with Russia’s perceived aggression in the real world outside of camp pop culture.

Eurovision’s Camp GenderQueer History

Eurovision is no stranger to camp, drag or trans artistes, such as Israel’s pioneering 1998 trans winner, Sharon Cohen performing as Dana International. Sharon had come out as transgender aged 13 and had transsexual surgery (SRS/GRS), aged 21, in London in 1993. Initially, she had performed as a drag act but she had also felt female from a very young age. Her background was Romanian and Yemenite Jewish and her Eurovision entry received strong opposition from Orthodox Jews, calling her “deviant” and other traditionalists who attempted to block her competing in Eurovision as Israel’s entry. She said after winning, “I want to send my critics a message of forgiveness and say to them: try to accept me and the kind of life I lead. I am what I am and this does not mean I don’t believe in God, and I am part of the Jewish Nation.” Winning meant Israel hosted 1999’s Eurovision and again conservative forces attempted to keep “sexual perversion” out of Israel’s “holy city”, Jerusalem.

Eurovision 2002 saw Slovenia set feathers ruffling by entering the first drag act, rather than a transwoman, a trio called Sestre.

In 2007 double divas ruled the competition as Denmark’s DQ performing “Drama Queen” came from the back to pip Ukraine’s own Dolce & Gabbana wearing drag act Verka Serduchka to win the contest. Verka, a.k.a. Andriy Danylko, had to overcome Ukrainian opposition to their act in the form of radio protests and statements in the Ukraine Parliament labelling him as “grotesque and vulgar”.

Last year, Turkey allegedly refused to broadcast the show because of a same-sex kiss by Finland’s entry.

Austria’s GenderQueer “Bearded Lady” Drag Queen

This year’s Eurovision has seen Austria’s innovative genderqueer entry, Conchita Wurst, steal the show and go on to win it. She has not been without controversy, though, and has attracted her own oppositional battles, but along gender/sex/uality lines not state sovereignty lines as with Russia and Ukraine.

Vienna-based Tom Neuwirth performed as a “drag” persona Conchita Wurst – a thinly veiled euphemism for “Vagina Sausage”. What makes this creation stand out further is that Conchita sports a very neat and kempt beard! Well, thickly brushed on eye shadow to be accurate.

It is ‘said’ that Tom-Conchita identifies as “gender neutral”, “trans” and prefers female pronouns. “While identifying as gender neutral, she uses female pronouns to describe herself but still likes to play with drag, satire and gender identity.” Hence most labels struggle to fit them, somewhere between gender identity and gender performance, neither traditional drag nor typical trans, male nor female, seem to 100% fit, and their preference for “gender neutral” seems best, whether that extends to non-binary is something we just don’t know.

Tom-Conchita’s Eurovision official profile page gets all the gender pronouns mixed up – and some people are still mixed up in trying to define her, I say, let her stay unboxable.

No doubt some trans may be horrified by Conchita’s depiction of a “bearded lady” after issues with British TV’s Little Britain and Paddy Power’s transphobic “Spot the Tranny” competition. Conchita is happy to use the term “bearded lady” and adopts it as a “symbol of tolerance”. Asked what was special about Conchita’s entry, she said:

“For me the most special and honoring thing is that Austria shows tolerance and acceptance and I’m so happy to be this statement. I’m allowed to be the voice of their beliefs during this time and this really makes me very proud. We, and not at least myself, want to stand for a society without hate and discrimination. And if I’m honest, I think everyone of the contestants should stand for the same, cause we are joining a very opend minded project, so they should be open minded too…I really hope that I get the chance to change some minds all around Europe. I want to show them that you can look whatever you want and that everybody must have the right to live their life however they want it, if nobody gets hurt…I really want to convince them to be the best version of themselves rather than a bad copy of someone else! You can do whatever you want if you’re not hurting anyone.” [sic]

No stranger to controversy and prejudice, their involvement has attracted protests from homophobes and transphobes in Austria, Belarus and Russia, describing the competition as full of “European liberals” and “a hotbed of sodomy”. One Russian politician has called Conchita an “Austrian freak” and that “the future of our children depends on us” banning them from Eurovision. Armenia’s entry, Aram Mp3, described Conchita as “not natural” and offered to, “help her to … decide whether she is a woman or man”. Conchita responded with:

“I am a working woman/queen and an incredibly lazy young man in my free time and that is not going to change. If you have problems understanding that, then I would be happy to sit down with you and explain it to you in more detail. And with your homophobic comments, that is a conversation that we really need to speak about.”

Curiously, trying to find the exact source of Conchita’s response results in about 50 references to “working woman” and some 80+ to “working queen”. For instance, the HuffPost version has “I told him I don’t want to be a woman. I am just a working queen and a very lazy boy at home.” For a transwoman, a beard and a name with all the sexual innuendos Conchita Wurst has would be somewhat strange. Yet for a drag queen she seems to prefer life as a woman to that of a gay man. Whatever her labels and self-identity she is free to be who she is and/or wants to be. Conchita said:

“I feel more comfortable in this persona than being a boy at home … Being a teenager, a gay teenager, in such a small village is not that much fun. I am part of the gay community and most gays have a similar story to mine.”

Even in liberal California a Psychology Professor polled their class and 77 out of 138 said they found Conchita’s appearance “offensive or confusing”. Obviously, it is confusing, but there is a big leap from confusing to offensive. They also said:

“I think having a beard and having a feminine body at the same time the singer shows that he/she is still in the process of transformation (from male to female, Which is ok) …[but] … there are only two kinds in all species in the world………male or female? Anything in between is considered unusual… But in Conchitas case, I think he/she is crossing a very thin line which actually is not only unethical, (and I don’t care about the ethical part) but just confusing, absurd and almost unexceptable. Every single one of my gay friends thinks this way and I can prove it… Even my gay friends are offended by Conchhita. Actually they’re furious and angry at her.” [sic].

You can follow Conchita on Twitter or on Facebook, where she has 40,000 likes, around the same number as the Austrian facebook campaign against her which also attracted nearly 5000 signatures on change.org. Conchita summed up her motivation and message in a Radio Free Europeinterview:

“My stance is that I fight for something positive rather than against something negative. I was always an outsider and I was confronted with discrimination. I don’t want this to happen to the next generation.”

Garrett Mulhall Of EurovisionIreland.net interviewed Conchita in November 2013 about her music and mission, ideology and identity, and she had this to say:

[Conchita] “I have arms like a man, face like a girl, and also the beard, and I told them that this is, that there are people out there who are in between you know and I took them by the hand and I said you are here (the boy), the girls – here, and I am just in the middle…I think they understood that there is more than a surface of a person” (11m27s)

[Garrett] “I think you being at Eurovision is a pivotal point in Eurovision’s history, and it’s one that I’m very glad about, because, … Eurovision was established so long ago to bring a war-torn Europe together and times have moved on now where we’re trying to bring different people from social backgrounds or gender backgrounds or … whatever, … we don’t want to label people anymore, and tolerance is obviously a very important thing to you…” (12m20s)

Many have challenged her sexuality, gender identity, presentation and pronouns – She prefers “she” and “her” and is more comfortable as Conchita than Tom the “lazy boy” she dresses down as, however. her male partner didn’t know she was Conchita as well for a week or two.

Our need to label, even as minority communities, to claim, correct or reject, her personal expression, is indicative of a common human need to categorise, define and then decide whether they are a threat or not. She is a threat to stereotypes of man, woman, gay, trans, drag queen, for she does not conform to any in a traditional way. Some trans are up in arms over her beard and for the possible inclusion of a drag queen under their umbrella. Some gays see her as too female too often. Some women oppose her use of female pronouns and, again, the beard.

By her own description, she does not fit, but is “in between”, non-binary, and that she is more than just her surface. By her own admission she is not transgender, or at least it is more artistic expression, “I am a drag artist”, she says.

Indeed, in performance, and initially in the interview there is a touch of drag and gender performance about her, but as she settles into talking about equality and acceptance, the seriousness takes over and her feminine expressions remain, but more integrated less performative. These are not judgements or criticisms, for I find the more I listen to her the more I love her. We all need to get beyond the “surface” of a person and cease visual and labelled judgements.

Her goal according to the Irish interview (around 15-17 mins in) is for people to engage and talk about difference, to start to think, to accept – whether they like/love it or not. That much she can 100% regard as being successful in. People are talking – good for her! Conchita made it through Thursday’s semi-finals to Saturday’s live final after some delays down in part to questions as to whether Belarus had even broadcast her act, such is the opposition to her from some quarters. Indeed, after her win on May 10, she was condemned by the Russian Orthodox Church and many in Russia were shaving their beards off in protest – the men that is!

Conchita Wurst performs at London LGBT Pride

After Eurovision Conchita Wurst has been in great demand and was the headline performer at 2014’s Pride show in Trafalgar Square, London on 28 June. She was introduced by veteran gay rights activist and Magneto/Gandalf actor Sir Ian McKellen with the words:

“Showbusiness has always led the way when it comes to the freedom to be yourself. So, Conchita is following in the footsteps of our predecessors. There is a long tradition of outrageousness and confidence that performers embody, and that has an enormous impact. It clears the way for others to dare to be themselves. She has done just that.”

Conchita Wurst said before the parade how much she was “looking forward” to it and what Pride meant to her:

“Let us be proud about who we are and let us give a statement for love, respect and tolerance. And most of all let us be proud and think about those LGBTI people around the world, who can’t make a Gay Pride in their countries.”

“Conchita is an incredible example of the power of having the #freedomto be oneself. Winning Eurovision, she raised the profile of the LGBT+ community across a continent and sent an important political message. We are thrilled that she is coming to celebrate Pride in London.”

Balpreet Kaur, bearded Sikh woman

All of this recalls the recent challenge to not only typical female gender presentation but also traditional Sikh expectations by Balpreet Kaur who has Polycystic Ovary Syndrome (PCOS) but has embraced her facial hair which it caused and let it grow to a full beard. Her baptism into the Sikh faith now requires her not to cut it. At school and online she was bullied to the point of self-harm and felt suicidal but found huge public support and acceptance for her brave stand. She has now accepted herself, her beard, and discovered a new confidence and humour – read more about her.