You guys are gonna hate me for this but I'm trying to think of a reasonably obscure electronic album, cover is a ~60's/70's car in focus, generally darkish looking, album name is about halfway down. Album itself is kinda chill, female vocal. Band name is two words about 7-8 characters in length, album name is one. That's all I can remember. Not even sure if it qualifies as /bleep/ but if this rings the bells of anyone they are a lifesaver

Hey, doing some acid when I can find the time during the week. Last time I organised a playlist of chilled out tracks I love, but they were too familiar and I didn't respond to them well at all.

I then chucked on Carl Craig's Landcruising and it was amazing. There was this break at onepoint and I was hallucinating flying down a valley, it was great, the buildups, the breaks, it changed not too often, but often enough that it was interesting.

Anyway, I'm after some good recs, anything really.

I've been going through an UK old school binge lately, hardcore, jungle, acid sort of stuff.

>Everybody getting their hateboner on for Actress againWhy does he make you all so mad? I'd listen to him over your cheesy 4x4 techno and house tunes any day.Don't hate, appreciate https://www.youtube.com/watch?v=WmRipxhPpfg

>>48592427relating to something else but this RA comment applies well to the discussion

>The important thing is that good music is available to anyone that wants it. Plus, most of those vinyl releases are sold out now. So the only people profiting from them are Discogs sharks. This compilation allows Mister Saturday Night to generate more money, pay its artists their deserved royalties and continue to host excellent parties. All of this is good for music, meaning it's good for you and I, the people that enjoy that music.

>However, I do have some sympathy for what you're saying. Some record labels often release 'vinyl only' material that eventually ends up on CD or download. That's disappointing for me because the only vinyls that I buy are 'vinyl only' releases. I'm not a snob, and I purchase a lot of music digitally. I just still love vinyl. But considering the cost involved (postage fees in particular) I need an added incentive to fork out the cash. 'Vinyl only' is that incentive. So I get slightly annoyed when the entire basis of my purchase is nullified.

>And I guess you could argue that it's also unfair on digital DJs in a way. Take Andres' 'New For U' as an example. Many digital DJs would have loved to have supported that track right from the start, but they couldn't and still can't (unless they access to a vinyl rip) Now just imagine if that tracks was released digitally today. It would upset all of the 'vinyl only' brigade because they thought they had something exclusive. But it would also be unfair on digital DJs, because they missed out on that track when it was white hot and are only being allowed access to it now because the record label want to cash in. It's disrespectful. Record labels shouldn't look down their nose at digital DJs until an accountant tells them not to.

>I have no problem with digital releases because I enjoy having instant access to the latest sounds. I also have no problem with 'vinyl only' releases, because I adore vinyl and I appreciate a record label's right to its own ethos and brand identity. I just wish they'd make up their bloody mind about what that ethos is.

>>48600266>>48600235The third track was a bit boring imo but the title track is pretty banging. This H.S. remix hasn't been too special so far either. So after hearing the whole thing I can see why you might not have been so impressed.

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