Black Powered
What's the frequency, what's the location Africa from the Zulu Nation

Sunday, October 12, 2008

Passing ?

Some people to this day think that Johnnie and Shuggie ARE BLACK.When Prince first came out on the scene they compared him to Shuggie. Johnnie sometimes PASSED FOR BLACK.That's Field Negro behavior for you.

Johnny Otis (born John Alexander Veliotes on December 29, 1921 in Vallejo, California) is an American blues and rhythm and blues pianist, vibraphonist, drummer, singer, bandleader, and impresario. Johnny Otis was one of the most prominent white figures in the history of Rhythm and Blues.[1]

After playing in a variety of swing orchestras, including Lloyd Hunter's Serenaders,[2] he founded his own band in 1945 and had one of the most enduring hits of the big band era, "Harlem Nocturne". This band played with Wynonie Harris and Charles Brown. In 1947 he and Bardu Ali opened the Barrelhouse Club in the Watts district of Los Angeles. He reduced the size of his band and hired singers Mel Walker, Little Esther Phillips and the Robins (who later became the Coasters). He discovered the teenaged Phillips when she won one of the Barrelhouse Club's talent shows. With this band, which toured extensively throughout the United States as the California Rhythm and Blues Caravan, he had a long string of rhythm and blues hits through 1950.

In the late 1940s he discovered Big Jay McNeely, who then performed on his "Barrelhouse Stomp". In the 1950s he discovered Etta James, for whom he produced her first hit, "Roll With Me, Henry", (also known as "The Wallflower"). Otis produced the original recording of " Hound Dog" written by Jerry Leiber and Mike Stoller with vocal by Big Mama Thornton, and was given a writing credit on all six of the 1953 releases of the song. As an artist and repertory man for King Records he also discovered Jackie Wilson, Hank Ballard, and Little Willie John, among others. He also became an influential disk jockey in Los Angeles. However, he continued to perform, and in April 1958, he recorded his best-known recording "Willie and the Hand Jive", which went on to be a huge hit in the summer of 1958. His most famous composition is "Every Beat of My Heart", first recorded by The Royals in the 1952[3][4] but which became a huge hit for Gladys Knight.

In the 1960s he entered journalism and politics, losing a campaign for a seat in the California Assembly (one reason for the loss may be that he ran under his much less well known real name). He then became chief of staff for Democratic Congressman Mervyn M. Dymally.[citation needed] He was also was the pastor of Landmark Community Church. In 1969 he recorded an album of sexually explicit material under the name Snatch and the Poontangs. In 1970 he played at the legendary Monterey Jazz Festival with Little Esther Phillips and Eddie "Cleanhead" Vinson.

In the 1990s Otis bought a farm near Sebastopol, California, north of San Francisco. For a time he ran a coffee shop / grocery store / blues club, where one of featured singer was the Georgia-born singer Jackie Payne. Around this time Otis also founded and pastored a new church, Landmark Community Gospel Church, which held weekly rehearsals in the tiny town of Forestville, California and Sunday services in Santa Rosa, California. Landmark's worship services centered on Otis' preaching and the traditional-style performances of a gospel choir and a male gospel quartet, backed by a rocking band that featured Otis' son Nicky Otis and Shuggie's son, Lucky Otis. The church closed its doors in the mid 1990s.

Otis continued performing through the 1990s and headlined the San Francisco Blues Festival in 1990 and 2000, although because of his many other interests he went through long periods where he did not perform.

Otis was elected to the Rock and Roll Hall of Fame in 1994.

Otis, of Greek descent, is the older brother of Nicholas Veliotes, former U.S. Ambassador to Jordan (1978-1981) and to Egypt (1984-1986). He is the father of Shuggie Otis.

Frank Zappa has cited Otis as the inspiration for his distinctive trademark facial hair, stating in an interview conducted by Simpsons creator Matt Groening and Guitar Player magazine editor Don Menn, "It looked good on Johnny Otis, so I grew it."

Otis had a popular radio show on KPFA, called The Johnny Otis Show. This show was aired every Saturday Morning, live from the Powerhouse Brewery in Sebastopol. Listeners were invited to stop in for breakfast and enjoy the show live. Alas, the show's frequency deteriorated along with Johnny's health. When Otis moved to Los Angeles, the show stuttered, then stopped completely and now even the Powerhouse has closed its doors. Last real show was August 19, 2006. Last show with Johnny was some time before that.

"Strawberry Letter 23" is a song written by Shuggie Otis, although known most prominently by the version done by The Brothers Johnson. Otis wrote the song for a girlfriend, who used strawberry-scented paper in letters to him. George Johnson of The Brothers Johnson was dating one of Otis' cousins when he came across Freedom Flight, Otis' 1972 album that featured the song. The group would later record it for their 1977 album Right On Time, under legendary producer Quincy Jones. The album would go platinum. "Strawberry Letter 23", as recorded by The Brothers Johnson, in a funkier, more dance oriented vein than the original Otis version, hit the Hot 100 #5 and R&B #1 in 1977. The famous solo in this song was originally recorded by Shuggie Otis. Studio guitar player Lee Ritenour later recreated Shuggie Otis' original solo for the Brothers Johnson 1977 album.

The song's title appears at initial glance to be a misnomer, the actual lyrics reading in part: "...a present from you, Strawberry Letter 22." The song describes the feelings evoked by "Strawberry Letter 22," the title indicating the hopes of another letter. Another explanation is that the song is a reply to strawberry letter 22 and the title refers to the song being like a "strawberry letter 23"

10 comments:

It's funny because passing is so different than pretending. I saw a guy the other day who really made me feel icky, like he was trying to pass but he couldn't, he looked phonylike Brittany Spears ex-husband.

Some credit Johnny with the word "Honky", he's Hungarian,so hence the word.If you see a photo of Suggie he looks like Prince,when Prince had a 'Fro.

Suggie can write songs.Many of my musician friends ,STILL THINK HE'S BLACK.I found out THIS YEAR that Shuggie is not black.It don't matter to me.His lyrics are like Prince and Joni Mitchell's , they form a picture."hello, my love I HEARD a kiss from you",that's bad.

Also to this day Ahmad Ertugun the founder of Atlantic Records is thought of in the black community as black.My mom says he's black,he's Turkish.

Hey Kathy a confession to make, I thought you were black/hispanic.Like I say it don't matter to me. In college there was a girl we called "Farrakhan",we thought she was black.I was trying to "rap" to her friend and she was trying to talk to me.As Franz Fanon said Negritude.I'm sorry to say this she was blacker than me,that's deep.She would kick your a@@ if you called her white.

I am sorry, I thought you knew, I have always posted on some of the same sites as you about my life and who I am.I kinda think a white person who denies their whiteness and racism is copping out, trying to avoid the responsibility or something. I don't know how to express it best right now, somehow I feel kind of shitty, but I really thought you already knew.I do speak Spanish however :-) and since my grandfather was in an orphanage at the turn of the century, I don't know that family tree, but trees don't matter that much to me anyway. I will post a picture of my father sometime, you might be surprisd. I like you a lot, Kid, I like your music, and the bloggin has been fun.

to follow up on some of kids comments, johnny otis (fka ioannis veliotes) is greek, not hungarian- his parents also have other mediterranean ties such as egyptian, tunisian, & even cypriot- although his complexion is considered to be very light, his mother had extremely kinky hair & full lips...

he married a black/filipino/native american woman (together for over 65 years now) & they have four children- one of them is shuggie...

under this criteria, the otis family qualifies as being black in both the cultural & ethnological sense...

let's be honest... in addition to the time & place (los angeles circa 1947), johnny's fair skin color & almost exclusive affiliation w the black community was the perfect combination- the fact that he was 'in' w the black folks made him the primary middleman for their introduction into the white world... big band swing, then rhythm & blues, then rock & roll- the rest is history (& a very clouded one at that!)...

other than that- gobama...

a concerned friend of jo himself

ps. 3 things...1. the fact that trees don't matter much to kathy shows me she's the kind of person that isn't really concerned w where her oxygen comes from...2. as a talented showman as prince is, he begged, borrowed, & stole many guitar licks & arrangement ideas from shuggie otis (although prince has cited santana as his favorite guitarist, he's never credited shuggie as being an obvious influence)...3. oh, & besides not even mentioning one slightly meaningful thing about johnny, you two ought to get a room & contemplate on how ignorant you both sound in regards to real issues- leave the comments to the mindful~

(please respond in regards to any other information on the otis legacy- long live the real r&b!) @;)