This was a tricky image to print. I tried to get the balance right between detail in the shadows, but still having the landscape dark with just the top of the fog lightening as the sun first peaks over the horizon. It was also hard to figure out the right white balance to use—the Auto WB on my camera was quite cool (very blue shadows), and setting it to Daylight WB made everything very orange-y. I set a manual balance somewhere in the middle, leaning towards cool—does anyone know a good tip for setting white balance for sunrise/sunset so accurately represent how the scene was perceived at the time?

This’ll be my last post for a little while as I’m going up for another shift, but hopefully I will return with many more new photos to share!

I took this photo on my way to work earlier this summer—I just happened to be lucky enough to be commuting in a helicopter out to a gorgeous old-growth boreal mixedwood site about 100km north-west of Fort McMurray to do bird surveys for the morning! It was a neat experience to get to spend so much time flying over the boreal landscape that I know so well from the ground, and to get a bit of a different perspective on things. I’m sure I’ll print and share here a few more photos from my past couple shifts up there.

I notice when I look through my photo archives, that my colour palette tends to be rather subdued, even sombre at times. If I then look through the photographs made by other photographers that I’ve marked as my favourites, (primarily on the terrific photography-sharing website 500px.com (here’s my 500px collection and my favourites from other 500px photographers)) I notice that the overall impression is very similar—I guess it turns out that’s just what I’m most drawn to… So, for today’s print I decided to choose an image with a bit of colour.

I chose this photo in particular because of the bright, highly saturated orange/red band on the horizon. When Lightroom 4 was released (the software I use for 95% of my processing), I’d read about its new soft-proofing ability (here’s another good article as a pdf), but never actually used it before. I was pretty sure the intense warm colours in this image would be out of gamut for my printer and paper combo that I’m using for this Daily Print project (an Epson 3880 and Canson Baryta Photographique). Sure enough, Lightroom was showing me clipping warnings, but with just a little finessing (lower saturation and highlights, increase vibrance and contrast, tweak tone curve, etc), I got it looking good, and not showing any clipping. I ran the print off, and was quite impressed how closely the print matched my monitor. I’m looking forward to seeing the print in the daylight tomorrow…

I made this photograph back in August of 2008 on a beautiful, calm morning at Beaverhill Lake but which didn’t last long—by mid-morning the clouds had completely rolled in, and I proceeded with getting soaked (all part of the experience).

I printed this photo today, as the first two prints (here and here) in my Daily Print project (explained here) were both highly-detailed, finely textured images with bold colours, so I thought I’d try something different, and a little out of the ordinary for me. It was interesting to see the finished print—the colours turned out great, but let’s say I need to practice printing more soft-textured images… (that’s what this whole exercise is about though, I guess, and I’m having fun doing it too)

This photograph is from a gorgeous morning that I spent in the Obed Lake Provincial Park in western Alberta. This is not actually Obed Lake itself, but one of the smaller lakes in the park. There were loons swimming around, sparrows and warblers singing, and it was too chilly still for the mosquitoes to be flying—perfect.

The yellow colour in the image is actually toned down a little from what it looked like straight out the camera—it was really yellow. (I guess that’s why they call dawn and dusk the “golden hour”.)

Happy New Year! After a great trip to the west coast for the holidays, I had the pleasure of spending my first photography trip of the new year in the heart of the Rocky Mountains—Jasper National Park. I could hardly have asked for a better way to start the year than to be out there watching the sun come up over freshly snow-blanketed peaks, and freezing my fingers on my camera. I have a bunch of new photos that I’m excited to share, so check back soon!