Tag: the danish girl

Last year, four of the five nominees for Best Actor were receiving their very first Academy Award nomination. It was a group of rookies. That simply is not so this year. In fact, Bryan Cranston is the lone actor in the category receiving his first Oscar nod. The other four nominees this year have combined for ten previous nominations. It is also noteworthy that last year’s winner for Best Actor—Eddie Redmayne—is again nominated in this category. But as we all know, this year is all about whether Leo DiCaprio will finally take home his first Academy Award. The following is my Oscars ballot for this category, Best Actor in a Leading Role:

WINNER: Leonardo DiCaprio (The Revenant)

As I wrote earlier today in my post about The Revenant, the Academy absolutely needs to give this man an Oscar. And when he wins, it will not be the Academy giving Leo a make-up call for his past snubs—this one will be because he took on the challenge of a lifetime and succeeded in glorious fashion. As most of you already know, The Revenant tackles the legend of the real-life Hugh Glass, a 19th-century fur trapper on the American frontier. After an attack by a wild grizzly bear renders him essentially lifeless, Tom Hardy’s character buries him alive and leaves him for dead. Glass ultimately crawls from his grave, still very much alive, and proceeds to journey across the wilderness to avenge his son’s murder. DiCaprio did everything in his power to deliver one of his greatest performances to date. As is well documented, many crewmembers abandoned the film’s director Alejandro G. Iñárritu because of the cold weather and exhausting shooting schedule. DiCaprio, despite nearly suffering from hypothermia throughout, stuck it out and rose to the occasion. He knew that “film is forever” and he sacrificed his body and soul in ways most actors could never dream. He ate a raw bison liver. He slept in the carcass of a dead horse. He was whisked up and down ice-cold rivers. It is a wonder he even made it out alive, to be honest. But with his unrelenting spirit, Leonardo DiCaprio, albeit silent throughout, delivered one of the gutsiest performances in the history of American cinema. Leo, your very first Oscar is long overdue. But I am pretty positive that it is finally coming your way this Sunday! DiCaprio has previously been nominated for five Oscars, four of which were in acting categories (he was also nominated for Best Picture for 2013’s The Wolf of Wall Street as a producer).

Michael Fassbender (Steve Jobs)

In Steve Jobs, Michael Fassbender gave us an amazing performance as the titular Apple genius. In my post regarding the film, I made special mention of screenwriter Aaron Sorkin’s wildly rapid-fire dialogue, and an actor with Fassbender’s competence was truly needed to give those words a visual representation on the screen. Steve Jobs was by all appearances an innovative marvel, but, as I mentioned in an earlier post, “the skeletons in his closets were always present, feeding off his stressful life.” Fassbender thrived off his character’s duality—he brought to life the calamitous intersection of Jobs’s professional and personal lives. Jobs was maniacal at times—he was devoted to his work and did not care who he had to step over to get to the top. Although the film delves into this eccentric part of Jobs’s personality, I was most impressed with the focus on his relationship with his daughter Lisa throughout the film. This, for me, is where Fassbender proves himself. Fassbender is uncanny as a Steve Jobs who boasts and brags and yells and fights, but when Lisa is present, Jobs is at his most vulnerable—Fassbender drips with subtle sensitivity in those moments. The film as a whole is great, and Michael Fassbender holds down the fort as Steve Jobs with striking legerdemain. Fassbender has previously been nominated for Best Supporting Actor (12 Years a Slave).

Bryan Cranston (Trumbo)

Bryan Cranston is critically acclaimed in TV circles for his award-winning role as Walter White on AMC’s Breaking Bad. But in Trumbo, Cranston asserts himself as a force to be reckoned with in feature films. In the film (which is set between the 1940s and early 1960s), Cranston portrays the real-life Dalton Trumbo, an Academy Award-winning screenwriter who was a member of the “Hollywood Ten,” a group of filmmakers that were cited for contempt of Congress and blacklisted after refusing to answer questions about their alleged involvement with the Communist Party. Forced to write in secret, his uncredited work on The Roman Holiday and The Brave One received Oscar wins. This is a movie about the movie industry—the Academy loves to reward these pieces (see 2011’s The Artist). But I think the Academy nailed this nomination because Bryan Cranston was absolutely fantastic as Trumbo. His performance is full of range and gravitas, and Cranston knocks it out of the park. Cranston has never previously been nominated for an Academy Award.

Matt Damon (The Martian)

Matt Damon. On an empty Mars. Talking to himself. Wow, what a challenge for the 45-year-old actor. Never would I have thought that such an isolated role could be such fertile ground for an incredible acting performance, but Matt Damon delivered just that. Damon plays Mark Watney, an astronaut that is presumed dead during a Mars mission and abandoned by his crew. Watney is thus stranded on the red planet with limited supplies, but, with cleverness and resourcefulness, Watney signals to NASA that he is in fact still alive. The film then follows his journey to survival. In an earlier post about The Martian, I stated that Damon evoked a series of complex emotions in his performance: “[H]e moves from scared, to humored, to terrified, to hopeful, to exhausted, to thrilled, and Damon does so with skill and radiance.” Although this is one of my favorite Matt Damon performances—and despite the fact that I believe the Academy got his nomination spot-on—it just did not have enough oomph for me to rank it much higher. Damon has previously been nominated for three Oscars, two of which were in acting categories (he was also nominated for Best Original Screenplay, along with Ben Affleck, for 1997’s Good Will Hunting).

Eddie Redmayne (The Danish Girl)

Last year, Eddie Redmayne had my vote for Best Actor for his heartfelt portrayal of Stephen Hawking in The Theory of Everything. The Academy had a similar feeling as me, handing Redmayne the award. Clearly the Academy values his acting prowess, as it has again nominated him for the Best Actor award. However, this year, Redmayne would have no place near the top of my ballot in this category—in fact, I would have him probably pegged as giving the tenth-best performance behind a number of better, yet snubbed, actors. In The Danish Girl, Redmayne plays Einar Wegener, the true-life accomplished Danish painter who endured an identity crisis as to his gender. Ultimately, Einar transformed into Lili Elbe, the product of the first documented sex-reassignment surgery. The story, although set in the mid-1920s, is as relevant as ever given issues faced by transgender people today. But no matter the film’s importance, Redmayne just simply didn’t sell it for me. As I mentioned in my post about the Best Supporting Actress category, Alicia Vikander stole the show as Einar’s wife. Her performance was powerful and emotionally affecting. But although Redmayne did a good job in his role, his emotional breakdown was not believable to me from an acting standpoint. In my opinion, his performance prevented the film from being great. Redmayne was previously nominated and won for Best Actor for his role in The Theory of Everything (2014).

The Oscar for Best Production Design recognizes achievement in art direction. Since 1947, the award has been shared with both a film’s art director and set decorator. Aside from the acting, directing, and musical compositions within a film, the production design and set decoration help illuminate the visual image depicted on the screen. The following is my Oscars ballot for this category, Best Production Design:

The Oscar for Best Costume Design is awarded each year to a particular film for the greatest achievement in costume design. The costumes in the nominated films must have been conceived by a costume designer. The award is given to the film’s principal costume designer(s). This year, costume designer Sandy Powell is up twice for this award. The following is my Oscars ballot for this category, Best Costume Design:

WINNER: Mad Max: Fury Road (Jenny Beavan)

2. The Revenant (Jacqueline West)

3. The Danish Girl (Paco Delgado)

4. Cinderella (Sandy Powell)

5. Carol (Sandy Powell)

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