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The noise and mayhem of Brexit and Trump has meant that many political developments have largely escaped attention and public debate. They have, in effect, been able to slip under the radar. One such development in the UK has been the Digital Economy Bill which is due to pass into law in 2017. For those of us concerned about the erosion of liberal values, the new legislation (alongside the Investigatory Powers Act, which grants to the police and security services the power—long exercised by them illegally—to harvest confidential phone and internet data, and to hack into private accounts, even when targeted individuals are not suspected of wrongdoing) is likely to confirm suspicions that we may be entering a new age of expanding state control, surveillance, censorship and restrictions on individual freedoms.

The Digital Economy Bill seeks to address various issues pertaining to online content, in particular piracy, file-sharing, copyright and pornographic material. Here I will be discussing only the last of these. The post will be in two parts. In this first one I will consider the practical implications of the legislation, above all as it may affect erotica authors. In the second part I will discuss some of the wider cultural issues surrounding the impact of the bill on erotica.

An important preliminary point to make is that the thinking behind the bill’s sections on pornography is, in principle, admirable. The legislation attempts to realize the government’s intention to protect children from pornographic material by making it impossible, or at least extremely difficult, for those under eighteen to access that material. Understandably and deservedly this intention enjoys widespread public support: there are undoubtedly serious and important issues with the easy availability to children of hardcore and explicit adult content. However, whether the legislation is the right way of addressing the issue, and whether the bill has stemmed from a sufficiently insightful debate, are both open to question.

* * * * *

The effects of the legislation on pornographic material can be summarized as follows: age verification will be required in the UK to access pornographic sites (whether or not those sites are based in the UK or not); a regulator will be appointed to police pornographic content, with the power to order a site to implement age verification; sites that are in contravention of the law can be blocked, and site owners can be fined (up to a maximum of £250,000 or 5% of the site’s turnover, whichever is the greater).

Before considering how the legislation may affect erotica authors, it is worth briefly noting its effects in general on the production of and access to pornography. These have been discussed eloquently and intelligently elsewhere by, among others, Pandora Blake and Girl On The Net, so here I will only note the main points of their arguments.

The bill is likely to force most small, independent producers of adult content to close down their sites due to the prohibitive costs of implementing age verification. It will have less of an impact on large producers of pornography, who will have the means and resources to accommodate the legislation, to ignore it and even to circumvent it. The overall effect may be to strengthen the commercial power of the large producers. It will also affect those of us who wish to access adult material: not only will this be much harder, and some of it no longer available (because the producers will no longer be able to operate), but there will be much less free content. Moreover, those users willing to provide the required details for age verification (such as credit card details, a passport or diving licence) will be entrusting personal and confidential data with organizations, and potentially the state. In addition to the risk of that data being compromised, not everyone is comfortable with being on a database that keeps a record of the personal details of all consumers of adult material. In short, the bill (unintentionally, since its principal aim is to protect children) spells bad news for both producers and adult consumers of pornography, an outcome that will no doubt be welcome to many campaigners, be greeted by others as an acceptable price for protecting children, but be lamented by those who value the freedom to produce, explore and enjoy perfectly legal erotica and pornography.

But what about the impact on erotica authors and readers, that is, those who enjoy erotica (and pornography) in the form of the written word?

In general terms, the bill should have no impact on written erotica. The legislation specifically concerns pornography in the form of video, still images and audio. Those who write erotica, and those who publish books (including e-books) should be unaffected. As long as something is currently legal according to the Obscene Publications Act, it should remain legal in the future. Erotica bloggers and authors will not require age verification on their personal blogs.

Furthermore, the legislation applies only to commercial sites. Amateur, non-commercial blogs will be unaffected by the legislation, and that will presumably include blogs that contain images and video. (Indeed, as far as I can tell from reading the bill, potential anomalies may arise: a commercial site that displays softcore pornographic images will face restrictions to its access and even possible blocking; but a non-commercial amateur blog showing hardcore images does not seem to be covered by the legislation, and hence will be able to continue without age verification.)

While most erotica authors and bloggers can breathe a sigh of relief (for now at least), the bill potentially does raise issues for their work. Most blogs tend to contain images alongside the text. Sometimes a blog post may specifically be about a particular image or video (e.g. an erotic photograph or film). Since the Digital Economy Bill concerns ‘pornographic’ images, this aspect of an author or blogger’s activity is likely to be affected. Whether or not the regulator will deem such images as requiring age verification will depend on whether the blog is commercial or not.

For example, here’s how I understand the legislation in relation to this website. Firstly, I would maintain that this is a non-commercial blog. The content I provide is free, there are no sections of my blog requiring subscription or payment, and I do not sell anything from my blog. However, the non-commercial status of my blog might be questioned. I have published one e-book (and hope to publish more), for which I provide a link to the relevant Amazon page. So it could be argued my blog forms part of an overall commercial enterprise (no matter that sales of my book are virtually non-existent, and that I regard my erotica writing as essentially something that interests me personally rather than commercially). In addition, this is a WordPress site; WordPress are a commercial company, and (unless a blogger pays not to have them) WordPress can include adverts on a blog. So there are arguments both for and against this being a non-commercial site; at the very least it is not a straightforward issue.

Assuming the worst-case scenario—that this is technically a commercial site—I would then need to consider the nature of my content. The written content is not covered by the legislation, so I don’t need to worry about that. But I also have a few images, none of them hardcore, but one or two that show states of undress and partial nudity. Do the few, fairly tame, images on my site constitute pornography according to the new legislation? Section 16 of the bill defines what is meant by ‘pornographic material’. Such material is: (a) R18 video content; (b) any material (such as still images) that was included in (a); (c) any other material that would receive an R18 certificate; (d) any video that is issued with an 18 certificate, and that was ‘produced solely or principally for the purposes of sexual arousal’; (e) any material (such as still images) that was included in (d); (f) ‘any other material if it is reasonable to assume from its nature, (i) that it was produced solely or principally for the purposes of sexual arousal, and (ii) that any classification certificate issued for a video work including it would be an 18 certificate’.

In the case of the images on this site, the only one of these categories that potentially applies is (f), since none of the images I use are stills from video. Several of my images (e.g. pictures of women in underwear) should be fine, since it is highly unlikely that they meet the requirement of (f) (ii), and it is arguable whether they even meet the criteria of (f) (i). Images that display naked breasts or bottoms should likewise be acceptable, so long as they do not portray any sexual act, since such images (on their own), were they to form part of a video, would not fall into the 18 certification. However, I have one image of a woman over a man’s knee receiving a spanking. This one is more problematic, since it arguably fulfils the criteria of (f). Finally, there is the image on my front page (a sixteenth-century erotic painting). Since this is a painting, rather than a photograph, and hence could not form part of a video, I doubt that it is affected by the legislation. Were it, say, an artistic and photographic reenactment of the original painting, it may be affected, but then we would enter into various complex areas: would two topless women, one tweaking the other’s nipple, warrant an 18 certificate if it were included in a video? If so, it is likely that the image would be regarded differently according to context: it might be regarded as pornographic in the context of an erotica blog, but as non-pornographic if it was displayed on an academic blog about erotica (since the former would be deemed as aiming at sexual arousal, whereas the latter would not).

Bearing in mind that I am not a lawyer, and that I am simply interpreting the law as best I can in relation to my website, my conclusion is this: assuming (and this is highly questionable in my view) my site is commercial, I have one image that may warrant it requiring age verification.

Of course, my solution to this is straightforward: if I want to be sure my site is unaffected by the legislation, I can simply remove that single image (and all images if I want to be ultra-safe). Whether I will sit tight and wait to see what happens, or whether I will pre-empt any potential difficulties (either from the regulator or my web host) is something I haven’t yet decided. But it is worth noting that I tend to use very tame images on my site—I’m drawn much more to sexy, subtle erotica than to explicit, hardcore images. Many bloggers use images more overtly pornographic than anything I include. For some, those images could be taken down; others, however, might consider the images essential to their blog. The latter are likely, therefore, to face difficult decisions, if their blogs are commercial (or deemed to be so), and perhaps would have to adopt age verification to comply with the law. For most bloggers, the cost and technical implications of age verification are prohibitive.

For erotica authors, the new legislation will mean that great care will need to be taken when it comes to including images alongside text. Blogs that include video and images potentially become subject to the bill. Only those authors and bloggers who eschew all images can feel entirely safe from the Digital Economy Bill.

Finally, it is worth noting two other problems that may confront erotica authors. The first concerns the issue of audio. Some authors like to include audio versions of their written material, and many authors release audio books. As I understand the bill, any audio files are affected by the legislation. An erotic short story in textual form is fine; but a blogger who provides an audio file of that story being read (for example, to widen access to their writing to the visually impaired) risks bringing the regulator and age verification to their blog. A curious aspect of the new law is the way that, on the face of it, words have entirely different legal status depending on whether they are written or spoken.

The second problem concerns how blog-hosting companies respond to the new legislation. It may be that they are spooked enough to introduce much tougher terms-of-service that will limit what erotica bloggers and authors can do or say. The legislation may be creating a climate in which erotica generally is policed in a much more intrusive and heavy-handed way, with resultant restrictions and difficulties facing all of us who regard erotica and sex as important topics worthy of attention, creativity and freedom.

Whenever I am a little minxy or difficult, at a dinner party, say, or on a night out or simply at the shopping centre, Ben will say: “remember the paperclip, Wendy.” Sometimes friends, overhearing, give us quizzical looks; the bolder ones may even ask what Ben means. We tell them it is a private joke, too complex and trivial to be worth explanation; so far this has always forestalled further curiosity. But the paperclip is not a joke. It is an invisible key inserted into a hidden lock. Later, at a convenient moment, I will whisper into Ben’s ear “yes, I remember” or “no, I forget”, determining whether the lock will open or not. It is our secret code, and it is always sealed with a kiss.

There really is a paperclip. It is here in the upstairs study, on the leather-topped mahogany desk at which I am typing. The question is whether to move it or not. Today it is sitting at the right-hand edge of the desk, just where it was yesterday and for most of the past week. Do I want to move it or not? A lot hinges on my answer, as it does every day. Most days I move it. If, when I awake, it is on the left edge of the desk, I will at some point during the day transfer it to the right edge; the next day I will put it back on the left edge. This can continue day after day. Once, even, for three consecutive weeks the paperclip made a daily journey from one side of the desk to the other. But I haven’t been feeling quite myself recently, and the paperclip hasn’t been touched for six days. Today I think it is time to move it again.

The ritual is not about moving the paperclip; the ritual is about asking and answering the question whether to move it. I first began asking the question nearly five years ago. At the time my life was an awful mess. A few months earlier I had deregistered from my doctoral programme, putting on hold three years of fraught research on a PhD I no longer cared about or even understood. The plan was to reassess my life, my ambitions, my goals. I visualized days occupied by reading, thinking and exercise, and some freelance proofreading and translating to pay the bills, all leading to clarity about the meaning, shape and direction of my life. But mostly I did nothing. Waking up late, I drifted through the hours in my pyjamas, smoking cigarettes to the background noise of Radio 4, eating cereal or toast or snacks at odd times, picking up books only to set them aside after a few minutes of desultory reading, doodling, lounging, staring, napping. In bed at night I made resolutions about new days and new starts. These resolutions had no more substance than my dreams. My motivation evaporated, the cycle repeated itself.

But I had Ben. And me, my poor diet, my empty bank account, my lethargy and listlessness—he took them in and gave them a home. We’d been dating for a couple of months. Casually, not seriously, I supposed—I’m not sure I considered it even a relationship, and the mental fog of my inertia clouded my ability to discern how much I liked him—but it was the one thing I managed to rouse myself for. On an October evening, curled up on his sofa, the final glasses from a bottle of wine in our hands, I suddenly burst into tears and sobbed my narration of the wilderness in which I was lost. With tender touches and loving attention, he listened, he consoled, he comforted—and he asked me to live with him. For a moment, speechless, I was determined to refuse, for a “yes” seemed too cynical and obvious: I had no money and no job, whereas Ben was a successful lawyer, and I had fallen behind with my rent, whereas Ben owned a small but comfortable two-bedroom terrace house in a smart area of the city. Then I looked from his face down to his large hands wrapped around mine and I realized I loved him. I moved in the following day.

Ben shone a light for me to head towards. He cherished me and nurtured me; he cooked me nutritious meals; he encouraged my hopes; he indulged my despair; he was patient with my confused mind; he was gentle and passionate with my receptive body. But still I struggled to reach the light.

One day he suggested a new idea. It was, he informed me, an approach he had learned from a counsellor he had consulted in his youth. The principle was that mental strength—which I so singularly lacked—needed training just as physical strength does. It requires disciplined exercise, routines and habits. Every evening, before I went to sleep, I was to decide upon a task that I would complete without fail the following day. If I succeeded, I would decide on a slightly more difficult task the next evening; if I failed, then I would choose an easier task to get back on track. The key was to succeed consistently—day after day resolving on doing something and then actually doing it—thereby building mental strength, much as the performance of daily physical exercises builds physical strength. It was, he had learned from his counsellor and from experience, surprising how many people struggled with this mental strength training. This was why it was important to decide upon tasks that I was sure I would complete. What the task was didn’t matter: it could be something meaningful, such as writing a paragraph, or it could make no sense, such as moving a paperclip. All that mattered was doing it.

The straightforward, persuasive logic of the idea appealed to me. Because it was as meaningless and easy as a single press-up, and because Ben had mentioned it as an example, I decided to start the training with the paperclip task. Before going to bed I placed one paperclip on one side of the desk and resolved to move it to the other side the next day. I took to bed an expectant faith that this simple act would begin clearing a path, a path of fulfilled resolution and mental fortitude, that would direct me out of the wilderness. And yet the following day, and the day after that too, I failed to move the paperclip. Did I just forget? Was I being self-defeating? Was I incurably lazy? I did not understand. A mysterious, inner resistance was rendering me incapable of carrying out the simplest of tasks. Tearfully I suggested to Ben that I was a lost cause.

“No, you’re not a lost cause,” he replied. “You should never think that. But perhaps we could introduce a variation on the approach that might help. Perhaps if there were certain consequences for failure, you might discover an incentive to succeed. Mild consequences, but ones you would remember and would help you focus your mind.”

I asked him what he meant, but he refused to elaborate, only indicating that he would give some thought to appropriate consequences. “But you’re going to move the paperclip tomorrow, aren’t you?” he said. “That will make it unnecessary for me to devise consequences and for you to learn what they may be.”

Ben returned home from work late the following evening. I had already eaten the pasta salad he had prepared the previous day, and I was lazing in my pyjamas on the sofa watching television. He kissed me and went upstairs to take a shower. Twenty minutes later he came back down to the living room with a serious look on his face. “You didn’t move the paperclip,” he said. “It’s in exactly the same place now as it was when I left this morning.”

“Oh god, I completely forgot,” I said with genuine surprise. “I really meant to move it, honestly. It was even on my mind a couple of times, but I was downstairs at the time and thought I’d do it later.”

“But the point is that you didn’t do it later. You didn’t do it at all.”

“I could move it now,” I suggested.

“No, it’s too late now. The purpose of the exercise is that you shouldn’t need to be told to do things, but that you develop mental strength and self-discipline. No, you’ve failed the task today. Yesterday we agreed that we would introduce consequences for failure. Is that something you are still prepared to try?”

“Yes,” I nodded uncertainly. “But what…?”

“I’d like you to open my briefcase. Inside you’ll find a plastic bag, and inside that you’ll find an object. Unwrap that and bring it to me.”

I walked across the room to his briefcase and took out an unbranded black plastic bag. Out of that I pulled a light, flat object wrapped in paper. I unpeeled the paper—and took a sharp intake of breath at the black leather item I saw in my hands.

“You know what that is, don’t you?” Ben asked.

“Yes…,” I replied. “It’s a… it’s a paddle.”

“And you understand why I’ve bought it?”

“Because you’re going to… to spank me,” I said slowly.

“And do you agree that you ought to be spanked?” I nodded slightly, remembering the few, and enjoyable, occasions when he had playfully slapped my bottom during sex. “If so,” he continued, “come here and hand me the paddle.”

An aura of relaxed authority and gentle power surrounded him as he sat on the sofa. He had never looked so attractive. Without a second thought, I walked over and passed him the paddle. He looked at it, turning it over in his hands, before resting it on the arm of the sofa. “First I’m going to put you over my knee,” he said, “and give you a hand spanking. Then you’re going to receive six strokes of the paddle.”

Compliantly I leaned forward as he eased me over his lap. He manoeuvred me so that my bottom was raised. I waited, tense and a little thrilled, ready to receive the first smack. Instead, I felt his fingers inside the waistband of my pyjama bottoms and then the sensation of them being pulled down to my knees. I quietly gasped at my position: submissively held over Ben’s lap, my bare backside positioned to be punished. A second later I felt his palm land firmly on one cheek, quickly followed by a slap to the other cheek. Then again and again, calmly and firmly, rhythmically and without pause, he spanked me for two or three minutes, sending waves of tingling, warm pain rippling over the soft cheeks of my bottom. Finally he stopped and told me to stand up. I did so, rubbing my sore bottom gently. He picked up the paddle.

“Now bend over the arm of the sofa,” he said. “I’m going to give you six strokes of the paddle, three on each cheek.”

My pyjama bottoms around my knees, impeding my movement, I shuffled gingerly to the side of the sofa and bent over its armrest, stretching my arms out in front of me. My heart skipped as he tapped the leather against my exposed bottom.

“You’ll move the paperclip tomorrow, won’t you Wendy?” he said.

“Yes, I promise,” I said.

“Because the next time you forget I’ll give you twelve strokes. Let’s begin.”

The leather struck firmly against one cheek, sending a stinging rush through my bottom. When the second stroke landed hard on the other cheek I let out a soft gasp. Gritting my teeth, I silently counted off the next two strokes. I let out a low cry of pain as the fifth stroke landed loudly and firmly against my throbbing behind, then a louder yell when the final stroke of the leather smacked hard against my tender, bare flesh. I lay very still, as the stinging pain danced across my behind, before being replaced by the gentle touch of Ben’s caressing hands.

“You can stand up now,” he said. “The punishment is over.”

I did as he said. He turned me around, embracing me warmly and tightly, kissing my neck lovingly. Then he lifted my pyjama top over my head, lay me on the sofa and pulled my pyjama bottoms off. I opened my legs, my pussy wet and wanting him, his tongue, his cock. There on the sofa, my bottom tingling from my spanking, we made beautiful, passionate love.

The next day, the faint soreness of my bottom serving as a reminder, I moved the paperclip. And I did so again the following day. Then, on the day after that, I stood at the desk, about to pick the paperclip up. But instead I turned around and walked out of the study, the paperclip untouched and unmoved. For the rest of that day I waited, eager and impatient, for Ben to return home and discover my failure, and for the consequences that would inevitably follow. He did not disappoint me, neither that evening nor on the two subsequent days when I had failed in my small task.

“I thought this might happen,” he said, rubbing my sore bottom after my third consecutive spanking. “It’s almost as if you want to be spanked.” I remained silent, my slight blush unseen. “Be honest with me, Wendy. Do you enjoy being spanked?”

“Yes,” I said, quietly and a little ashamed. “I love it. I absolutely love it. Is that wrong of me?”

He went to the sofa and asked me to sit on his lap, my pyjama bottoms dangling around my ankles. “No, of course it’s not,” he said. “I thought you would. I hoped you would. But it means we’ll have to adapt our approach. Starting from tomorrow, you’ll be spanked if you successfully move the paperclip. If you fail, then no spanking. How does that sound?”

“It sounds wonderful.” I put my hands around his neck and kissed him. I whispered in his ear: “Yes, spank me to reward me, I know that will work.”

And the rewards did work. Over the following week I moved the paperclip every day. Gradually we introduced more difficult tasks, and, to encourage and motivate me with those, we bought a cane, the stinging strokes of which I sincerely strived to avoid. But we never stopped the paperclip task, not even when I returned to my thesis and completed it, not even when I published my first book, not even when I applied for and was awarded a postdoctoral fellowship, not even when I no longer needed to build my mental strength because I could carry out almost every task I set my mind to.

I’m looking at the paperclip now, the same paperclip that has been on this desk for nearly five years. As soon as I finish typing this sentence I will move it across the desk and then wait with excited anticipation for Ben to return home and punish me.

[Inspiration for the mental strength exercise came from Mark Forster, Get Everything Done and Still Have Time to Play (2000).]

Two things are exciting me right now: the first concerns my writing, about which I’ll publish a separate post in due course (in short: I’ve been doing some); and the second is the recent publication of Lust on the Wing (available on Amazon), a hot and spicy anthology of paranormal erotica with lots of romance. It is the second in a series of anthologies: the first, Lust by the Sea (also available on Amazon) takes the reader on an erotically watery mythological odyssey; the third, Lust in Tooth and Claw (available for pre-order on, yes, Amazon and for general release on 4 October) promises erotic tales about werewolves, vampires and the Sidhe.

Lust on the Wing contains novellas by four talented erotic authors from the United States, New Zealand and Great Britain, who “love looking to the sky and imagining all the paranormal creatures that break the bonds of Earth’s gravity”. The stories present deliciously sexy monsters, demons and creatures of myth and legend, a lusty journey designed to tantalize, titillate and electrify the reader. I include extracts from two of the stories below so you can see for yourself.

The individual stories and their authors are:

Devi Ansevi, Captive Mate

If it weren’t for bad luck with men, she’d have no luck at all. In Devi Ansevi’s Captive Mate, reality will never be the same for graduate student Berry Randall. She’s just learned that shifters are real, and they want her for their mate. Can she escape her captors? Or will she find freedom in the arms of the winged gryphons?

About Devi Ansevi: Devi is a prolific author, avid reader, closet romantic, incurable optimist, and owner of a very fertile, very naughty imagination. In her books you will find two or more people enjoying vanilla and non-vanilla sex, including spanking, bondage, dominance, toys, delicious punishments, and other naughty but oh-so-nice things. All of her stories explore the dynamics of power in a relationship, and all have an HEA or HFN.

Jacqui Greaves, Blood of Stone

In Jacqui Greaves’ Blood of Stone, Fredegund has guarded her petrified charges for a century. With the rising of the twin moons, the Grotesques are awakening, hungry for more than food. Meanwhile, the human hordes have created the Charm, a seductress destined to destroy the balance of power between Grotesques and humans. Can Fredegund prevent the coming disaster, or will her world be changed forever?

About Jacqui Greaves: Jacqui is a Melbourne-based writer of erotica, fantasy, science fiction and historical fiction who loves nothing more than mixing the genres together in weird and wonderful ways. Her stories seldom have happy endings and do not lean towards the romantic. She loves to explore the gritty, dark side of nature and has a passion for strong female characters.

Most days you can find her on Facebook and she’d love you to visit her webpage to find more of her stories.

Ina Morata, Flights of Fantasy

Lila seeks a man who can satisfy her darkest desires. Porphyro and the virginal Madeleine are preparing to elope. In Ina Morata’s Flights of Fantasy, Lila sets her sights on entrapping Porphyro, and sets sexy enticements to dispose of Madeleine. When her plans go awry, Lila must use her Lilitu wiles to seduce them both.

(I also know, since Ina is a good friend of mine, that her story was inspired by her favourite poem, Keats’ “The Eve of St Agnes”, in which Porphyro and Madeleine elope one miserable night in winter. Flights of Fantasy came to her having re-read it, she tells me, for the thousandth time!)

About Ina Morata: Ina is a raging bibliophile who is fascinated by mythology and the human experience alike. She enjoys exploring power dynamics in her longer work and in her short stories, writing from the heart about the psychological and emotional, as well as the physical, in her erotica and erotic romance. As such, she likes to experiment with her characters’ boundaries. Her work contains vanilla and non-vanilla sex between two or more people, and includes spanking, dominance in real and virtual situations, bondage, voyeurism, and a whole number of other delicious, erotic themes. Matters of the heart play a big part, one way or another, throughout her writing.

Essemoh Teepee, Leonora:Marked by Daemons

In Essemoh Teepee’s Leonora: Marked by Daemons, we meet a feisty young woman with a secret. The SHAKKAN are the Shepherds, and humanity is their flock. For millennia they have bred Mark Bearers like Leo to withstand the most extreme forms of pleasure and pain. But nothing ever stays the same, and this is a time of great change.

About Essemoh Teepee: Essemoh has been published by Circlet Press, Cleis Press and Renaissance/Sizzler. He shares in an IPPY Gold Medal for the acclaimed anthology Carnal Machines, published by Cleis Press, which includes his steampunk story ‘Doctor Watson Makes a House Call’. While he enjoys writing erotic fiction that skirts the darker side of human experience, many of his stories turn out to have romance lurking in them, however hard he tries to expunge it!

Essemoh has spent several years creating the frighteningly erotic world of the SHAKKAN Universe. This story of Leonora, a Mark Bearer for the Aliens has never before been published and is part of a story arc begun in the first volume of this series, Lust by the Sea. Full of strange and exciting adventures, sex, romance, monsters, more sex, heroines, heroes, even more hot sex, blood and death, all too hot for Amazon; these stories are continued elsewhere. Go to Essemoh’s website www.smotp.com for more.

Extract from Jacqui Greaves, Blood of Stone

The Charm had almost reached the massive wooden gates when events changed overhead. Even to her inexperienced eye this new challenge was different from the rest. She watched the small challenger draw his larger opponent down amongst the lower structures of the chateau with a strange mix of admiration and lust. As they flew low along the ramparts she ducked her head to avoid the searing heat from a blast of flame. When she lifted her gaze, the Charm found herself staring into the eyes of the one she sought.

Her heart snagged and breath faltered as she drank in his glory. The muscles of his legs were defined with such sharpness she could count them individually, while those of his arms bulged and stretched in magnificent rivalry.

He sank towards her, vast wings blocking all else from view. Although his face twisted into a fearsome grimace, his full lips begged to be bitten and his eyes…her thoughts trailed away as she surrendered to his eyes.

With the barest movement of air, he sank to the ground in front of her, crouching until they were eye to eye.

“I am the Charm.”

“I am Clovis.” His voice sounded like rocks being tumbled in a flooded river.

The Charm lifted her hand to cup his face, “I give myself to you, Clovis. The twin moons have led me to you.”

Her fingers rippled over the corrugated muscles of his midriff. Before her hand could sink lower, he grabbed her wrist in an iron grasp. His free hand slid down her spine, over the curve of her buttocks and pushed between her thighs. She sank into his grasp. His fingers slid between her hot folds.

Then they were airborne.

The sensation was everything and more than she had imagined. The ground rushed away. The air pressed against her, whipping copper waves of hair around their bodies. Spots formed before her eyes and she became dizzy until she remembered to breathe. The odours of rocks, lichens, fire and flesh faded along with the chittering of the putti and the guttural cries of his clan as he lifted her higher and closer to the twins.

The Charm wrapped her legs around him, rocking her hips. She writhed in abandon, crying out in climax against his uncompromising grasp on her cunt. The waves of pleasure abated and she brought her mouth to his, sliding her tongue between lush lips to explore within. His forked tongue twisted and twirled around hers, dragging a groan from the depths of her throat.

Clovis lifted her by the hips to sit on his shoulders, his face between her thighs. Any fear at such a vulnerable perch at their altitude was obliterated by the magic of his tongue. The forks at first flicked in unison over the nub of her clitoris, teasing it out of its fleshy hood with gentle strokes. Then to her amazement, one fork worked its way into the opening of her vagina while the other continued to torment her aroused bud.

He alternated between probing her with his tongue and using his teeth and lips to graze, nibble and suck at her sex. The pleasure grew more intense and the Charm grasped his head, pushing him deeper into her. Releasing his hold on her hips, he slid one hand up her back for support. She groaned as he thrust several fingers into her slick cunt without warning, then, with no further prelude, the fingers were replaced by his thumb. She felt a wet pressure against her arse, her muscles strained to resist his incursion but were overwhelmed by his insistence. The waves of her orgasm surged through her over and over again, dragging forth screams of ecstasy.

In limp bliss, she fell.

Falling backwards, powerless to save herself, she could only stare up at her lover. He watched for a moment, then folded his wings and speared into a dive. The Charm spread her legs and opened her arms. He penetrated her at speed, the head of his cock seeking its way into her as their bodies crashed together in sublime sensation. He filled her, fitting her depth with perfection. This time Clovis cried out his pleasure, fingers digging deep into the rounded flesh of her hips.

He spread his wings to slow their descent and withdrew. Her cunt ached at his absence and she arched towards him but he maintained their separation. He kissed her with slow passion. Then, eyes molten with lust, he pushed forward with slow restraint until he immersed himself fully.

The Charm was in no mood to find out how long he would have maintained this slow torture. She raked her nails down his back to the base of his tail, causing him to arch in reflex. She mirrored his movement and their hips crushed together. She repeated the action while at the same time latching her teeth onto his lower lip and biting hard. His thrust was violent, fingers bruised her flesh. Releasing his lip, she tipped her head to expose the base of her neck. Teeth latching onto the soft skin, with a growl he unleashed his desire.

Every beat of his wings accompanied a thrust of animalistic savagery. They coupled in pure instinct, devoid of love or affection. He pounded into her with relentless ferocity. She responded in kind, clawing the skin from his back with her nails and tearing the flesh from his shoulder with her teeth, shuddering in growing excitement at each penetration.

Their grinding rhythm turned to frenzy, and their ascent towards the twin moons faltered. Thrashing together, they hovered, grunts turned to orgasmic cries. Her insides liquefied, flowing over him as he filled her with his seed. Clovis shuddered his last, raised his head and roared with a flame that overshadowed the light of the moons.

Exhausted and replete they fluttered earthwards towards the chateau. With her final shred of energy, the Charm pointed towards her red pavilion at the base of the path. Clovis altered his course without question, landing with such care the canvas didn’t even flutter. She led him inside to the softness of her bed, where, bodies tangled, they fell asleep.

The Charm’s slumber was so profound she did not hear or feel her limbs pushed aside as massive iron cuffs clamped shut on her lover’s wrists and ankles.

Extract from Ina Morata, Flights of Fantasy

“What is it, Alice?” Madeleine’s gaze is glued to the reflection of Alice’s fingers that deftly unlace her corset from behind and drop the garment to the floor, leaving her hand brushing against the fair fluff between Madeleine’s legs, and coming to light upon her little nub. She moans, and blushes once more. Alice keeps her hand there, moving her fingers every so often to the sound of tiny, low moans.

“I thought that, maybe, holding up the fine fabric to here—” Her hand is replaced with the finest netting, and Madeleine’s pussy throbs at the sight of the mystery between her thighs almost visible through the fabric. “Or maybe here—” Her body squirms under the expert hand that slides the netting up her torso and onto her naked breasts. Holding it there, she sees her nipples visible through it, and how they have grown darker than usual, and protrude quite clearly.

“Do you not think it a little too fine, Alice?” Her eyes close as she feels the touch of Alice’s thumbs on her hardening tips. Lost in the feeling, and the tingle that converges on her little nub, something cold and hard pressing up against her skin makes her body jolt.

“What is it you have gripped so hard in your hand, Alice? What is it you are holding around me?”

Alice stares at her, and for some reason, Madeleine shrinks a little under her eyes.

“Nothing but the dressmaker’s shears, Miss. I thought slicing the little piece in two…but it seems…maybe I am unable…”

Alice’s face breaks into a troubled frown as she lowers the shears.

“Will you excuse me, Miss? I have realised that I have forgotten my measure. I cannot ensure an accurate fit without it, can I?”

“Very well.” Madeleine’s breath is erratic, her body heaves. Still clinging to the feel of fingers floating over her body, she lets Alice leave the room. Standing there, her naked form staring back at her, she lets her own fingers tease her nipples and tantalise her clit, trying to imagine Porphyro’s fingers against her flesh. The image will not form clearly. A frustration sweeps over her, and she screws her eyes up tight. When she opens them, she squeals.

“I’m sorry, Miss. Alice has been called away elsewhere by your father. I am sent to finish you off.”

Madeleine’s first instinct is to grab something to cover herself. But there is something about the owner of the voice that captivates her, and her instinct is lost. She looks at the woman who appears as a reflection standing behind her: at her dark hair, and her dress covered in a cloak. She has the most beautiful face, ageless, although her eyes seem to hold ancient mysteries. As she lowers her cloak, Madelaine is fascinated by the dress she wears—it seems only an intertwining of laces and ribbons hold the bodice together down to her hips, the flesh of which is on display. It clings to her curves as if she has been poured into it, and is the most heart-stopping garment she has ever seen—worn by a servant whom she has never met. Could this be some mistress of her father’s? The dress trails around the woman’s feet, its draping train curling about her as if she has appeared on a sweep of the wind. On contact with eyes that pierce green in the glass, a pain accosts Madeleine, starting between her legs and ending in her chest. A couple of deep breaths and she is herself again, but blushing crimson at her state of undress.

“Why is it you wear such a—I have never seen the like of such a dress. You are a servant, are you not?”

The woman smiles. From behind her, something moves, and it takes Madeleine a moment or two to realise what she is seeing. Two stunning black wings begin to fan outwards, and the woman speaks to Madeleine’s reflection.

“Oh yes, Miss. I’m here to service you. My name is Lila.”

Utterly mesmerised by the sight, Madeleine stretches out her fingertips to the glass, and meets flesh. She jumps, confused, enchanted, and touches the dress, moving her fingers further up the bodice, finding all the holes between the web of ties. For every second her fingers seek the reflection, she feels the scrape of long nails over her skin. It makes her shiver, and each wave converges between her legs. She reaches further up towards the reflection’s breast, and the nails scrape softly across her tender mounds, flicking at her nipples and making them stand out enough that the nails can hook them upwards, and she watches as Lila releases them with a long, low moan, her eyes fiery green flames of a netherworld.

“Touch your body. Let me see you find pleasure in yourself. Show me what it is you want to feel.”

With no more invitation that this, and unable to control herself, Madeleine’s fingers slide down her skin, her fingertips making contact with her sensitive little nub. As she does, the reflection flicks at her own shoulders, and her entire dress falls away, leaving Madeleine’s other hand to roam the revealed flesh in amazement.

“Do you like touching, Miss?”

Madeleine blushes. “Yes. I—yes, I do.”

The reflection smiles at her, sending hot quivers through every part of her body.

“Then put your hand here, Miss. While I put mine just there.”

Lila’s pussy lips open to her fingertips, and Madeleine gasps. Her own folds are subject to expert work that make her writhe and moan.

“Why not sit down? Open your legs, wide.”

She does as she is bid, forgetting who is the Lady and who is not. The sight before her makes her mew. Her juices pool in her entrance as she watches those in the reflection do the same. The scent of her own arousal drifts and fills her with heady excitement.

Slowly, pushing herself up towards the glass, she feels the hot flesh of Lila’s legs making contact with hers; first over the calf of one leg and the shin of the other, then over her knees, pressing up against the soft flesh of her thighs. Her heart begins to race, and her breath is shallow, erratic. She inches her way towards the mirror, starting to shake at the fairy tale to come, because this cannot be real, surely? Her tender, swollen folds brush against Lila’s own, pushing, sliding, and her orgasm begins to rage as her flesh meets Lila’s hot, wet slickness. She moans, uncertain, knowing this cannot be happening, wanting to feel more—.

Followers of this blog may be forgiven for thinking it has become moribund. It is true (and this is an understatement) that little has happened here for a few weeks. Consider it a hiatus while a number of pressing tasks—academic work, editorial projects, the process of writing itself—made demands on our hours and energy. For neither of us are full-time bloggers and writers of erotica (we both blog and write on other things). This has caused us to reflect on the process of blogging, writing and marketing erotica—indeed, any genre of writing—and we will at some point share those reflections. But for now we thought it best to provide a brief update. While we may have been quiet, we have certainly not been idle.

I will at some point be publishing sequels to Charles and Susan: A Romance. My plan is for two further books, one of which will take the form of short writing about the wonderful couple and should be published later this year. It is in an embryonic state at present.

In the meantime a few projects are under development. The first, a novella (possibly a novel) entitled The Pen is well advanced. It began as no more than an attempt to dash off and publish quickly a short story; it has burgeoned into something quite different, an erotic novel about writing and erotica, and a project that has become increasingly important to me.

Another advanced project—indeed, the one most likely to be published in the near future—will be penned under the name ‘Stephanie Peach’ and entitled Texas Stories. This, too, has grown from its original idea: a series of loosely connected and racy short stories is now becoming a more defined novella.

Lacey and I have also been working on some short stories which we hope to publish soon, both here and in a collection (provisionally entitled Peach and Other Stories).

Lacey, for her part, when not immersed in the demands of academia and philosophy, has been conducting some interesting ‘research’ for her own erotica. When I mentioned to her that we should be posting an update on what we are doing, she suggested not only that, when next we meet, I would be ‘perfectly entitled’ to spank her for the delays in her writing, but also that I should ‘tell our readers that much of my very limited free time is spent taking my knickers off in the name of art’. Excitingly, she also tells me that along with the resulting ‘art’ itself, she also intends writing about the ‘research’ that goes into making it.

So that’s what we have to look forward to: a lot of new writing, and a spanking for Lacey.

It is hard to underestimate the importance of the PhD supervisor. Taking on a doctoral thesis—essentially a book-length piece of research with the requirement to meet rigorous academic standards—is a daunting prospect. For most students, nothing in their previous experience prepares them for such an undertaking. Sure, a Master’s dissertation is useful training in how to interpret sources and organize analysis, but a 10,000-word dissertation completed in a few months can hardly be compared to a 100,000-word piece of research over three or four years. It is not the scholarly expectations that present the biggest obstacles; rather, the challenge is to remain disciplined, focused and productive over several years while working largely alone. Distractions, doubts and isolation can easily derail the process. One of the key roles of the supervisor is, crucially, to keep the student on track.

I will freely admit the difficulties I had with my thesis. Once my initial enthusiasm for the project had subsided, I quickly became lost among the sources and began to doubt the viability of the thesis. For a long time I remained in denial about my difficulties, blithely informing all around me that my research was progressing smoothly, even occasionally convincing myself of this—or at least of the possibility that I would sort it all out in the end. But increasingly I found myself bewildered by what I was doing, to the extent that I stopped doing much of anything. I’d read a bit, take a few notes, pop into the library occasionally, but without any clear structure or sense of what my thesis was about or where it was going. Instead I found ways of avoiding the reality: I partied, I drank a lot, I took drugs.

But eventually I woke up to the fact that I was floundering. Matters came to a head early in my second year when my supervisor asked to see a draft of a chapter I said I’d been working on. For a couple of weeks I managed to defer submitting this work to him. Finally he insisted on seeing something, so over a couple of days I dashed off a few thousand words and emailed it to him. A few days later I received an email from him:

Dear Lacey, Many thanks for the draft of chapter two that you sent me. However, having read it, I have some concerns about the state and progress of your thesis. I think we need to discuss this urgently. I’m very busy the rest of this week, but would it be possible to meet next Monday at 5 p.m. in my office? Kind regards, Professor D___

My heart sank on reading Professor D___’s message. I realized he was right to have concerns, and that I had no idea how I would address those concerns satisfactorily. I replied to confirm the meeting and spent the next few days in a fog of panic and anxiety, to the extent that I persuaded myself that the best course of action was to abandon the thesis.

I was in a wretched state by the time I was standing outside Professor D___’s office at the appointed time. I nervously knocked on his door; I heard a loud “Come in” and entered.

“Ah, Lacey, excellent, please do take a seat,” Professor D___ said while tapping away at his keyboard on a table at right angles to his desk. “Forgive me while I finish writing this email. Utterly tedious admin, I’m afraid. But there you go, that’s modern academia for you.”

I sat down in the chair facing his desk and looked around his office. For an academic it was remarkably uncluttered: the books were arranged neatly along shelves, and his desk was clear apart from a couple of journals, a notebook and two ordered trays each containing a few folders and papers. I stared out of the window to my left: the last time I had sat in Professor D___’s office the trees, almost within touching distance of the window, were a lush mass of green; now, through their branches and scattered brown leaves, I could glimpse the university library in the distance. It felt like a sad image of decay reflecting my thesis so I turned to look at my supervisor, a picture of concentration at his computer. And this made me feel sad too: for in front of me was one of the leading international experts in his field, a status he had achieved despite not yet reaching fifty, and here was I squandering the opportunity that I had been given when I was awarded a scholarship.

He clicked his mouse and turned to me. “Sorry about that,” he said. “I do sometimes wonder if the whole point of academics these days is to support administrators rather than the other way round. Anyway, thanks for coming along. How have things been?”

For a moment I thought of doing what I usually did: telling him that everything was fine, that there had been a few bumps in the road but that I was confident my thesis was going well. But I stopped myself and contemplated his question for a moment. It occurred to me that now was the time to start getting real about my situation.

“Not great, to be honest,” I replied. “I think I’m struggling with the thesis.”

He nodded and fixed his eyes on me. “Yes, that seems like a fair assessment. I’ll get straight to the point: the chapter you sent me was very weak. I’m increasingly worried that you are badly off the pace that would be expected of someone at your stage. As you know, you are supposed to have an upgrade around about now, but you’re clearly not ready. And if we can’t upgrade you, then you won’t be able to continue as a PhD student. So, as I say, I’m very concerned about where you’re at in the process.”

His direct assessment felt like a physical blow—but one that, over the previous weeks, I had anticipated would come at some point. I struggled to stop myself from crying. Feebly I said: “I know, I’m worried too.”

“So what seems to be the problem? You’re clearly a highly intelligent student. You achieved outstanding results for your first degree and your Master’s. You’ve got a good topic and for the first few months you seemed to be making solid progress. But over the past few months I’ve seen very little work from you, and what I have seen has, to be quite frank, not been up to the standard expected of a thesis.”

“I’m sorry,” I answered, unable to think of what else to say.

“It’s not a question of apologies,” he responded. “It’s a question of identifying the problem and finding a solution to it.” He paused, waiting to see if I replied, but I said nothing. “So tell me, what have you been doing over the past few months?”

Panic gripped me as I realized I had no satisfactory answer to this question. I sat silently, looking at the papers on his desk, wishing I was not there. For an instant I thought of standing up and fleeing. I turned to look at the tree and its dying brown leaves, tears coming to my eyes. And it dawned on me that now was the moment to confront my struggles, my doubts and my anxieties.

“I feel lost in it all,” I said, still looking out of his window. “I don’t know what I’m doing. I don’t think I’m up to doing a PhD. Maybe I should abandon it.”

There was a brief silence before he answered. “No, you should not abandon it,” he said at last. I turned to look at him again. He continued: “I’ve been honest about your work so far, so I’ll be honest about this too: you’re one of the brightest PhD students I’ve come across. You have enormous potential, and it would be a sad waste if you abandoned your research. Your ability and potential are not in doubt. So I suspect it is something else. Are you still motivated?”

“Well, if it’s not that—and it’s clearly not your ability or intelligence—then perhaps it is your self-discipline. A PhD for someone of your ability should actually be quite straightforward: it becomes simply a question of putting in the hours in the library, reading the books, studying the sources, and then making the time to write. So is that the issue? Are you simply not putting in the hours?”

Guilt seized me. I knew I had been spending my time doing anything but my thesis. I looked at the floor, with a feeling that I had long forgotten: the feeling that I had been naughty and that I was in trouble. “No,” I meekly replied. “I don’t think I have been working hard enough. I feel really bad about it.”

“So what have you been doing? Have you got a part-time job?”

“No. I’m not sure what I’ve been doing. Not much, clearly. I just find it really hard to organize myself or to get any structure.”

“And why do you think that is?”

I decided to be honest. “Because I’m easily distracted. Because, when I find something difficult, I end up being lazy I guess.”

He was silent for a moment. Finally he spoke: “I applaud your honesty. Not everyone would admit to being lazy. In fact, I have wondered if that was the problem in your case. So how are you going to address your laziness?”

“I don’t know, sir.” It took me a couple of seconds to realize what I’d just said. I blushed furiously.

“That’s interesting that you should address me like that. Do you think that I should be dealing with your laziness?”

“I don’t know,” I muttered. “Maybe. I’m not sure.”

“And how do you think I should deal with it? By punishing you?”

I glanced at him. His gaze, commanding and authoritative, was locked on me. I had a sudden, strange feeling inside me and an indistinct, confusing idea forming in my mind. Without thinking I replied: “Maybe you should.”

“And how do you think I should punish you?”

I looked directly at him now, my eyes wide and suggestive. “I don’t know. What do you think would be best?”

He deliberated for a moment. “It’s not as if there are a whole range of things I could do,” he said finally. “What do you expect? That I spank you?” He made it sound like a joke, yet I suspected he was concealing a serious suggestion. I didn’t answer, instead making a small motion with my head to indicate interest in his idea. “Do you think that would help?” he continued.

I let out a quiet, nervous laugh. “Maybe. What do you think?”

He looked out of the window for a long moment. I sat tensely, an odd excitement welling up inside me. I had no idea what I was doing, only that I felt impelled towards something that was outside my experience, that had never even occurred to me before.

Finally he spoke. “Okay, Lacey, why don’t you stand up and come round here? I’m willing to try anything if it means that you’ll buck up your ideas and get on with your thesis.”

Not for a second did I question what I was doing. I got up, walked round to his side of the desk and stood next to him.

“You’re quite sure you think this will have a positive effect on your research?” he asked.

I kicked off my shoes, gripped the waistband of my jeans and pushed them down. I could see him staring at my white knickers as I eased my legs out of the denim.

He took hold of my knickers. “If I’m to do this, then I think it should be done properly,” he said. With a quick tug he pulled my panties down to my knees. I let out a small gasp at the sudden sensation of my pussy being exposed to him. “Right, get yourself over here,” he ordered, pointing at his lap.

Lightheaded and scarcely breathing, I leaned forward over his thighs. I felt his hands on my waist, shifting me into position, holding me down. I suddenly became acutely embarrassed to be in such an undignified position, my bare bottom raised, my knickers around my knees. I began wriggling.

“Keep still,” he commanded. “It’s a bit late for you to start resisting. Now let’s see if a spanking on your bare bottom cures you of your laziness.”

A second later I felt his hand come down hard on my right cheek—a strange, wonderful sensation, so humiliating yet so exciting. Then again on my left cheek. I could feel my pussy moisten; I nuzzled it against his thigh. His hand came down again and again, alternating from cheek to cheek. With each stroke the brief sting as his hand landed on my arse was followed by a rolling pleasure across and into the flesh of my bottom.

“Clearly this is the only way to deal with you,” he said as he delivered stroke after hard stroke. “If you’re going to be a bad girl, then I will punish you accordingly. Do you understand?”

“Yes sir,” I responded pathetically. “I’m sorry sir.”

“You will be sorry. I will make quite sure of that.” And he increased the speed and force of the spanking, landing rapid blows to my increasingly sore bottom, interspersing them with a few slaps to my upper thighs.

He carried on spanking me for several minutes, and my initial excitement gradually gave way to a hope that he would stop. “I am really sorry,” I gasped. “I promise I won’t be lazy in future.”

And then he did stop. A feeling of relief mixed with the throbbing pain in my bottom. I took some deep breaths and began easing myself from his lap. He put his hands on me firmly and pushed me back down. “Where do you think you’re going?” he said sternly. “Your punishment is not quite finished yet.” I heard him open a drawer on his desk; a few seconds later I felt the tap of wood against my bottom. “I think a dozen strokes of the ruler should help you learn your lesson.”

Before I could protest I felt the intense sting of the ruler across my backside. I let out an anguished sigh. And then another stroke, and another. By the fourth stroke I could no longer prevent myself from responding to each blow with a pained “ouch”. Tears filled my eyes, and for the final three or four strokes I was openly crying.

At last I heard him place the ruler on his desk. “There, I think you’ve been punished enough for now,” he said, while gently rubbing my bottom. “But if necessary we’ll repeat this until such time as you start producing work of a satisfactory standard. Do you understand?”

“Yes sir,” I answered with a quiet sob.

“Good. Right, you can get up now. Pull your knickers up and put your jeans back on.”

I did as instructed, eager to cover up my pussy, intensely self-conscious all of a sudden at the nakedness I had presented to him.

“I think this has been a very productive supervision session, don’t you?” he asked.

I nodded and muttered “yes sir.”

“Excellent. Now, I’d like you to send me a revised version of chapter two in, let’s say, a couple of weeks, and we can arrange to meet again a week or so after that. Will you be able to do that?”

“Yes sir.”

“Good Lacey. Now if that’s all you can go.”

I hesitated for a moment without knowing precisely why. My bottom was burning and my pussy was wet, and I had the vague idea that I wanted something more. But it seemed too confusing for me to act on. “Thank you sir,” I said at last. I turned around, opened his door and left his office. I made my way straight to the library.

* * * * *

On the acknowledgements page of my doctoral thesis I reserved my most effusive thanks for my supervisor. ‘Above all’, I wrote, ‘I am indebted to my PhD supervisor, Professor Simon D____ without whom I would never have been able to complete this thesis. Thanks to his support, encouragement and guidance, I have become aware of areas of interest that would never have occurred to me when I first started this project.’

I’m delighted to announce that my debut novella Charles and Susan: A Romance has now been published as an ebook and is available to buy on Amazon and Smashwords. If you do buy it, please think of leaving a review!

The book emerged from a 9,500-word story that I originally posted on this blog; the novella is 37,500 words and has been significantly revised, edited and developed from its shorter version. I have now taken the original story down, but if anyone would like to read it please do contact me and I will send you a pdf version.

The story is a sensuous spanking romance—and I hope one that is moving, arousing, intelligent and well written! It consists of a Prologue, ten chapters and an Afterword; below are the Prologue and first chapter. I hope you enjoy them enough to want to read on…

Charles and Susan

A Romance

__________

‘Bittersweet Eros’

Prologue

A few weeks after Charles and Susan had shown initial, albeit cautious, interest in my idea of writing about their experiences, an incident occurred which convinced me that I had to tell their story. I was at their house, ostensibly to talk over the project and gather information, but primarily as a friend (and in Charles’s words, a ‘kindred spirit’). Having already drunk our way through a couple of bottles of wine, we had just uncorked the Bordeaux I had brought along. We were talking freely, and with increasing inebriation, on all manner of topics: politics, novels, films and, since we all shared a devotion to it and for Charles and Susan it was the world in which they operated, art. Susan had been bold, occasionally provocative, in her views all evening, and she became noticeably animated in an argument over portraits and the work of one artist in particular (Lucian Freud, I think, though I cannot now be sure). I remember her standing up to refill her glass, demonstrably annoyed.

“God, Charles, you can be such a dick!” she suddenly and loudly pronounced, directing an irate glare at him.

The atmosphere abruptly tensed for a few seconds. Charles seemed taken aback; Susan aggressively filled her glass almost to the brim; I nervously smiled and stared hard at my hands. Typical of the man, it was Charles, his reassuringly steady and confident demeanour quickly restored, who assumed control of the situation.

“I’m sorry, Susan, what did you just say?” he asked in a measured and calm tone, laced with a hint of amusement.

Oblivious to his calmness, Susan remained enveloped in agitation. “I mean, I know you’ve read loads of books and been to loads of shows, but sometimes you talk such shit. Jesus, just because other people wank off to what you say doesn’t mean I’m going to. It’s fucking boring, this whole ‘everybody else is wrong and I am right’ thing you do. It fucks me off big time.” She was gesticulating carelessly and I watched in horror as a miniature tide of wine climbed the side of her glass, looped over the brim and splashed onto the wooden floor. “Oh Christ!” she gasped in annoyance and shock. She set the glass down on a coaster and dashed out of the room.

“Would it be better if I left?” I suggested uncertainly, simultaneously unnerved and excited by these developments.

“God, no! Absolutely not! This sort of thing happens from time to time. It’s nothing. It happens and then it is dealt with. In fact, I think it’s interesting for you to observe it.”

Susan returned to the room carrying a damp cloth and a handful of kitchen towel. Averting her eyes from Charles, she spoke to me. “I do apologize, J___. You should never have had to see us behave like this.”

Before I could respond Charles leapt in. “Us? No, Susan, you. You’re the one who is behaving badly.”

“There you go again…” Susan began as she knelt down to clean up the spillage.

“That’s enough Susan,” Charles interrupted sternly. “Do you understand? We’ve had enough of your tantrum.” Susan made a childish face, sighed petulantly and turned her attention to wiping the floor while Charles concentrated on her watchfully. I gazed at my glass intently, but with mounting curiosity about what would happen. At last, after a protracted effort to mop up the wine, Susan stood up.

“Have you wiped it all up?” Charles inquired. Susan nodded sullenly. “Good,” he continued. “You’ve had far too much to drink, you’ve been ridiculous and your behaviour is embarrassingly bad.” He paused for a moment, weighing up what to say next. “You need to go to your room and calm down. I’ll be up shortly to deal with this.”

“Look, I’m sorry,” she pleaded. “I shouldn’t have said what I said, but it’s just that sometimes you can be…”

Charles authoritatively raised his hand to stop her. “I’ve already said that’s enough. I don’t want to have to tell you again. I’ve put up with you being tetchy all evening. But I’m not tolerating infantile and rude outbursts. Now do as you’re told.”

She became desperate. “But J___ is here,” she appealed, looking at me, hoping I might intervene on her side. But scarcely believing what I was witnessing, I wanted simply to observe matters taking their natural course. I flashed her a brief, sympathetic smile, before turning away to look at Charles.

“Yes, I am well aware that J___ is here,” he replied. “But J___ knows full well that I discipline you. You don’t mind that he’s even writing about it. I see no reason why he shouldn’t witness this. Indeed, I think it’s probably good that he has some first-hand evidence.” He paused briefly, and I marvelled at his unflustered, commanding composure. “This is the final time I’m going to tell you. Go to your room and reflect on your behaviour. I’ll be up in ten minutes. I expect to find you bent over the bed, dress up, panties down, with the leather paddle beside you. Now go!”

Blushing, Susan opened her mouth to say something, then immediately shut it again. She looked humiliated and for a moment I thought she might be about to cry. Then, in a rapid burst of defiant activity, she smacked the wine-stained cloth and paper towel onto the table, turned without looking at either Charles or me, and walked briskly towards the door. She stopped, half turned back towards us, and, her voice fractured and upset, angrily shouted “You’re being fucking unfair!” Then she marched out and I found myself craning slightly to hear her footsteps as they stomped up the stairs.

Charles turned to me with a smile. “I hope you’re not embarrassed.”

“Well…” I started, but without knowing what to say.

“It will be fine,” he reassured me. “You’re a kindred spirit. You know that, on some level, even if she’s not fully conscious of it, this is something she wants. That’s why she acted as she did. Really. So it’s all good. And I meant what I said, about this being good for the book. You know, we’re both very keen on the book. We loved the writing you sent us.” Then he laughed and gave me a conspiratorial look. “I probably shouldn’t say this—you might use it as a quote for the blurb—but it turned us on reading about ourselves!” He got up to fetch the bottle of wine. “Anyway,” he said, as he refilled our glasses, “I think we’re all a bit pissed. Let’s have another glass, then you can watch me give her a spanking. Maybe, if you’d like,”—the conspiratorial expression returned—“you can even spank her yourself?”

* * * * *

What happened next is a story I will tell another time. But the scene I have just recounted, still vivid in my memory, not only amazed me at the time but also turned me on hugely—and still does. It persuaded me that what was then only a vague and half-formed idea to write about Charles and Susan was worth getting serious about. The book that follows is the result.

Before getting to the story itself, readers may well be interested in a few further points relevant to it.

Although they are real people, Charles and Susan are not their real names; and while this is a true story, I have consciously fictionalized it, for example by creatively reconstructing dialogue or by altering some details. For obvious reasons, it was important to disguise the true identity of Charles and Susan. Moreover, all three of us agreed that the story would be more interesting if presented in a novelistic form than in that of, say, reportage.

I have known Charles and Susan for eighteen months, during which time we have become good friends. (It was not, incidentally, via any spanking-related interests that we came to know one another; that I share their interest is a happy coincidence and there was an element of fortune in the discovery of this coincidence—another story I will relate elsewhere.) They knew I was interested in writing, and when I proposed, not entirely seriously I must admit, the idea of telling their story, they were immediately intrigued. By then I knew the main outlines of how they met, so I wrote up something based on that (this is the ‘writing’ that Charles refers to in the scene above). They told me they loved it; enthusiastically, they encouraged me to progress with the project. We agreed that I would conduct ‘interviews’ with them, and that I would fashion the story from these interviews.

It may seem odd that, despite the care taken to conceal their identities, Charles and Susan would so readily agree to this aspect of their lives being made public. But they have both told me how exciting they find it to read about themselves (“not that we’re self-obsessed!” Susan jokily commented) and equally arousing that their spanking life is in a sense now ‘in the open’ (“nor that we are exhibitionists!” Susan added, to which Charles replied with mock grandness, “no, we just love the idea of immortalizing something so important to us”). We agreed that everything I wrote would first be approved by them. The following story is, therefore, published with their full consent and approval.

Finally, what attracted me to their story is not only that I find it intrinsically interesting and worth telling, but also that I am curious about so-called Domestic Discipline (or Taken in Hand) relationships. Despite my own love of spanking and discipline, the idea of DD as a 24/7 lifestyle choice has never appealed to me. (In addition, I have enough of a ‘submissive’ side not to be interested in an exclusively dominant role.) Nor was I convinced that these relationships ever really worked as some DD couples claim. Although Charles and Susan are not part of any DD network or scene, they recognize, even if at times grudgingly, that their own relationship might be characterized as a DD one. So I was eager to discover more about it, and to gain greater insight and understanding from learning about their experience. The story told in this book does not trace their full journey (it is intended that this will be picked up in future books), but it does present the essential background of how Charles and Susan met.

Above all, of course, my hope (and one shared by Charles and Susan) is that the story both moves and excites you!

Chapter One: Charles

Susan first contacted me in the spring of 2010, a couple of months after I had seen Meredith for the last time. For nearly a decade, three or four times each year, Meredith had come to my house, removed her clothes, placed her stocky naked body over my lap for ten minutes of spanking and paddling, and then bent over for twelve strokes of the cane. On that final occasion, as she hurriedly put her panties back on, covering up the red stripes across her fleshy bottom that I would never see or feel again, she informed me plainly that “I’ve just been offered a new job up north.” She hooked the clasp of her bra and put on her blouse, habitually checking her watch, the one item she never removed. “I can be with my fiancé again. It’s been ridiculous that we’ve been so far apart for the last few months. And we’ve finally sorted out a date for the wedding next year. So this is probably the last time that I will visit you.” And that was that: no suggestion that I would be invited to the wedding, no mention that we would remain in touch however remotely, just a formal, polite thanks and goodbye from a woman whom I had been spanking and caning from her undergraduate days, through her years in law school, to her besuited life as a solicitor in a branch of law she never did reveal to me. Five minutes later she was briskly walking away from my house, checking her watch again, her mobile phone clamped to her ear. I watched her, wondering if she would turn her head, until she disappeared around the corner at the end of the street. Then I went to my living room, stood at the French window and stared vacantly at the scruffy flower beds and unkempt lawn of my small garden.

I felt miserable. Not so much because of Meredith, with whom there had never been any intimacy or connection, just an increasingly functional routine of undressing, spanking, caning and dressing. Nor because of any one of the others who had gone the same way—and at one point, during my ‘golden period’ as I sarcastically and sardonically thought of it, I had had six regular spankees. Barbara and Lisa had sent Christmas cards a couple of times, but the rest had simply dropped out of my life completely. They moved abroad, or got married, or had children, or felt guilty, or lost interest; sometimes they said goodbye, sometimes, without a word, they ceased contact. Meredith, Barbara, Lisa, Aysun, Katya, Jennifer—they were just names I had said, and arses that I had spanked, and, some of them, mouths and cunts that I had tongued and fucked. But what else? Just spanking and fucking, slippers, paddles, straps and canes, lips around my cock and the taste of pussy—and now not even these things.

I sat down at my desk, opened my laptop and checked my inbox. There was an email from Jessica requesting that I look at the attached proofs of the catalogue for a forthcoming auction. I replied that I would do so and return them by the end of the week. Nick had sent a couple of scanned images of an etching with a query whether it was a genuine Boucher print or a later copy. I began replying to arrange a time to come to his shop, but then decided I would phone him instead, to catch up with our lives and perhaps to arrange lunch too. I made a note on my pad. There were no more new emails. I stared for a moment at the nineteenth-century erotic print over my desk, then I got up, poured myself a whisky, and logged on to a spanking website I occasionally visited. I browsed a few images before clicking on the ‘Personals’ page and then on the ‘Submit new personal ad’ button. I quickly composed a few sentences describing myself, emphasizing my education and interest in culture, briefly outlining my experience and stating that I was seeking ‘to meet women of all ages interested in receiving traditional spanking, slippering, strapping and caning, over clothes, underwear or on the bare bottom’. It didn’t feel right. I pondered the text for a moment and then altered the first part to ‘I am looking for friendship and meetings with a woman of any age (but preferably 25-45)’. Finally I added: ‘Ideally I would like this friendship to grow and develop over the long term.’ Then I clicked ‘Submit’, opened up Jessica’s catalogue proofs, and immediately noticed a typographical mistake in the dating of the second item.

* * * * *

For a few weeks the only responses were from women who wanted to be paid to be spanked. Tempting though one or two of the attached photos of bare behinds were, I had no interest in this type of arrangement. But, at last, after the ad had been up for two months, I received the following email:

Dear Charles, I am very interested in your personal ad and I wonder whether you may be able to provide me with what I think I am looking for. I have never been spanked before, but it is something I have been curious about for a long time. I am extremely nervous about taking this step. I look forward to your reply and to discussing this further with you. Susan

Previous experience has taught me how many such replies are not genuine, and that even the genuine replies, after a promising start, often lead nowhere, either because the woman eventually reveals that she is a professional or more usually because she develops second thoughts. For all the intentions to bridge the gap between fantasy and reality, for many people interested in spanking it proves too daunting a challenge. So I remained no more than cautiously optimistic that anything would come from Susan’s email. I endeavoured to reassure her in my reply: I told her how common her interest in spanking was, how normal it was to feel nervous, how I had experience of dealing with spanking novices, and how I would be more than happy to discuss this further and to take matters at a pace with which she would be comfortable. Finally I wondered if she might elaborate on her interest.

For a few days I heard nothing and assumed that she had, like so many others, taken fright at her own initial boldness. But then another email arrived in my inbox:

Dear Charles, Many thanks for your email. I am sorry for the delay in replying to it, but I have been very busy at work. Also, I am still nervous and uncertain about this, so I hope this is something you are used to. Spanking is something that I have thought a lot about for many years, and often I think I would like to try it. But it also seems a bit… weird. (I know it probably isn’t, and that it’s quite common as you write, but I can’t help feeling this.) I suppose also that I think I need to be ‘punished’ occasionally. I’m not sure I know how to explain that idea, even to myself… Perhaps we could email for a while at first, and then see what happens. I hope that seems OK. Susan

It was hard to rein in the excited anticipation generated by an email like this, despite the high chance that the only outcome would be wasted time, but I resolved to be stoical. Over the following weeks we exchanged several emails. Early on we discovered that both of us worked in the art world, which led to a sprinkling of discussion about artists and galleries throughout our correspondence, something which noticeably helped to relax her. I told her more about my own fascination with spanking, how it went back as far as I could remember, how I was fortunate when younger in meeting an older and more experienced woman who helped remove my inhibitions, and about how erotic, although not necessarily sexual, I find it. She was curious about my experiences, and she seemed pleased not only that I had been spanking women for a long time but also that I was older than her by nearly twenty years. She admitted (although adding that ‘it was probably a bit of a cliché’) that she found confident, dominant men who took control to be attractive, and that most of her spanking fantasies involved significantly older men. I cautiously tried to tease more information from her, and, although she would occasionally go silent for a week or so, gradually she became more forthcoming about her curiosity. When I asked her how she imagined her first spanking, she replied:

I worry that it will hurt a lot, and I probably worry more that it will be hugely embarrassing. You ask me what type of spanking I have in mind. As a first spanking, I think I would only be interested in a hand spanking over the knee, over clothes and then maybe over knickers. I suspect that anything more than that would be far too embarrassing! (Although I do think about it…)

I sent her a photograph of myself, and in return she sent me a slightly blurry, indistinct head-and-shoulders portrait, enough to reveal a pretty young woman with pale skin and light brown, possibly reddish, hair. And finally, hesitantly, after much deliberation, she agreed to my suggestion that we meet for coffee with no other purpose than to talk and become better acquainted.

* * * * *

I arrived a few minutes early at the coffee shop, bought myself a large Americano and found a small, secluded table at the back of the shop. Foreseeing the possibility of having to wait, and even of being stood up completely, I’d brought along a copy of the New Yorker to read, but my nervous anticipation made it almost impossible to concentrate. Checking my watch, I noted that she was already ten minutes late. I made another attempt at reading, trying to dispel the fear that she had decided not to show up.

“Charles?”

I looked up and there she was: a petite, slim woman with shoulder-length ginger hair and a youthful complexion. She was casually dressed in jeans and a light green top. “Susan,” I smiled, standing up to offer her my hand. “How great to meet you at last!” Her handshake was nervously weak. “Let me get you a coffee. Please, I insist.”

I brought back the latte she had requested and sat opposite her. I tried to make small talk about her journey, about the disappointing May weather, about the dismaying proliferation of Starbucks and Costa, but she was clearly tense: avoiding eye contact, she sat leaning forward, either clasping her hands together or gripping her coffee, her conversation brief, clipped and guarded. Even when I mentioned a couple of major exhibitions that I had visited, hoping that the topic of art would ease her tension, she was hardly forthcoming. The stilted conversation was not helping me conceal my own nerves, so I decided to adopt a more direct approach.

“So Susan, you contacted me, you’ve remained in contact, and now you’re meeting me. Are you having any regrets?”

She glanced at me and then focused her eyes again on her coffee with an anxious and barely audible laugh. “No, but… I mean… it doesn’t really feel like a normal situation.”

“I’m not sure how one might define normal,” I replied. “I’d say that we are two people, with a shared interest, meeting for coffee in order to get to know one another. I think that probably counts as fairly normal. Maybe we should talk more about our interest. How would you feel about that?”

There was a long pause before her response: “A little embarrassed.”

“I understand that,” I said. “But perhaps embarrassment is the point. It’s something you want to avoid, because it is uncomfortable, but—if you don’t mind me trying to read you—it is also something that in some way you want. The feeling of embarrassment can sometimes be exquisite. But really it is about the sexiness of power and powerlessness. When someone is embarrassed they have lost power over a situation and over themselves, in such a way that they feel ashamed and exposed. Embarrassment feels like a threat. The psychologists and evolutionary biologists tell us that we respond to this with one of two options: fight or flight. But maybe there is a third option: to give in to the feeling, to explore how potentially exciting it is, and in doing that to embrace it and gain a kind of power over it.” I noticed her looking at me attentively as I spoke and how she smiled as if to signal that she understood completely. “You once wrote to me that sometimes you feel as if you need to be punished. What did you mean by that?”

“God, you see it’s embarrassing that I wrote that!” I drank some more coffee, not saying a word, letting her find her way to an answer. She looked upwards as if in deep thought for a minute, before continuing. “What you just said about embarrassment, I really like that. I need to think about it more, but I think I get it and that I agree with you. So I will try to give in to the embarrassment, so to speak.” She paused to take a sip of coffee. “Sometimes I feel so frustrated with my life, as if I have no control over it. I’ve got good qualifications, a job I find interesting, nice friends, but I don’t think I’m realizing my potential. I don’t see where my life and career are going. It’s as if I just drift at times. Like there’s no proper structure. And then other times I think that I make bad decisions, stupid choices. Really stupid choices that hurt people. And hurt myself too. There are things I’ve done which I shouldn’t have done, and I regret them.” She shook her head and suddenly looked sad. “But I don’t want to talk about that. Only that I feel I often do stupid, bad things, that everything is out of control, and that’s why I think that… why I wrote what I did. So I suppose I think this might be a way of dealing with it… I don’t know, perhaps it is really silly.”

With utter clarity I recognized that this was the moment to be decisive, assertive and confident—to seize the initiative and take control of the situation.

“It’s not silly, for the simple reason that you think this might be worth trying. I suggest you value your instinct that following this course—the one that has led you here, sitting and drinking coffee with me—may help you. Because I think I could help you. You say that you need some discipline in your life, and if that’s what you think then you’re almost certainly right, because you know yourself better than anybody else does, and you have a better idea than anyone else what it is you need. And I can give you that discipline, and I can do it in a way that I suspect you will find enjoyable and personally fulfilling as well as useful.”

Shyly she murmured: “Possibly, maybe.”

“What you need,” I continued, leaning my head towards her, lowering my voice and making as much eye contact as she would allow me, “and I have a feeling you know this, is for me to put you over my knee and soundly spank you.”

Susan blushed and nervously laughed. But something in her eyes, in her expression, told me that my words had pushed a button inside her. “Yes,” she said, “I think so… I’m not sure.” She smiled uncertainly: “I need to think about it.”

I kept my eyes locked on her and adopted a tone of calm, clear, authoritative detachment: “Of course, you should think about it. But you’ve been thinking about it for a long time, for many years in fact, so I think you need to ask yourself when you will begin taking control of your life by taking control of this desire, by understanding that this is something you need to do and then to do it. Trust me, this desire, these thoughts, these fantasies, they’re not going to go away. They’re an important part of who you are—you and lots of other people too. So ask yourself: are you ever going to act on something that important to you? Are you forever going to leave it as a fantasy, burning but buried away deep inside you? You could try to repress it. Or you could start acting on it, you could start exploring what is important in your life, and in doing so you may find that the structure you say is lacking may gradually appear. You seek discipline. Well, the first stage in that quest is the discipline of understanding who you are and acting in accordance with it. And your desires are at the heart of who you are.”

I sipped some more coffee and observed the way she carefully and attentively considered my words. “Not now, not this instant,” I resumed. “Now, we will finish our coffees and go our separate ways. But then you have a choice. You can choose never to write to me again. Or you can contact me again. But if you choose to contact me, then it will be to indicate that you accept the need to address practically this question of discipline and to arrange a meeting during which you will be spanked.”

She seemed to have fallen into a reverie. Then she nodded and, in little more than a whisper, said “Okay”. As we finished our coffees and left, I made some jokey small talk, and I mentioned a small exhibition that she ought to check out. I smiled at her, and she smiled back. She seemed relaxed now, even a little buoyant as she thanked me for meeting her and said goodbye. With how much finality, it was hard to tell—but my instinct was that she would be in touch again.

However, in the two weeks that followed I heard nothing from her, and had reached the point of supposing that my instinct had deceived me and that I was never likely to hear from her again. And then I received the following email:

Dear Charles, I really enjoyed meeting you. I have been thinking about it a lot, about everything you said. And so much of what you said was incredibly helpful and useful and… wise. I am still apprehensive (as you know, because I have emphasized it so much, this is all completely new to me and it feels like a HUGE step), but I am more convinced than ever that I need to be punished. I think you should punish me. (In the way that you suggested.) Please send me your address and suggest a day and time. Susan

My first ebook, Charles and Susan: A Romance, should (all being well) be available on Kindle this week. As I write this, it is going through the review process on Amazon. I shall post more news as and when it appears in the Kindle store (and elsewhere, particularly All Romance and Smashwords).

Some readers will have noticed that there is already a six-part story on this website entitled Charles and Susan. This is the original version of what has become the ebook. I will be leaving this story up for a few days, but once the ebook has been published I shall take it down (although I will be happy to distribute a pdf version privately to anyone interested). There are significant differences between the original story and the forthcoming ebook: the story is in six parts and is 9,500 words long; the ebook is in ten chapters and is 37,500 words long. Unsurprisingly, given the increase in length, the ebook is a much more developed story, with richer characters and a deeper narrative. Although it has taken a little longer than I had anticipated, I am very happy with the end result!

I will be posting more on this once the ebook has been published, as well as linking of course to the various places where it can be bought.