In 1950s post-war England, the working classes faced an unappetizing choice between drudgery, degradation, and despair or the materialist blandishments of deadening suburban affluence. Arthur is the prototypical 'angry young man'--outspoken, dissatisfied with the status quo, rebelling against stifling class distinctions--insolent and self-confident, his high wages enable his disdain for following orders and his hard drinking, red-blooded weekends. He is determined to enjoy his freedom as long as he can get away with it, before being trapped by marriage into conformity, surrounded by nappies and rent books in a new housing estate.Meer lezen...

Winner, 1961 British Academy of Film and Television Arts (BAFTA) Film awards Karel Reisz--Best British film; Rachel Roberts--Best British actress; Albert Finney--Most promising newcomer to leading film roles.

Metro-Goldwyn-Mayer ; Bryanston presents a Woodfall Film ; a British Lion-Bryanston release ; screenplay adapted from his novel by Alan Sillitoe ; produced by Tony Richardson ; directed by Karel Reisz.

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In 1950s post-war England, the working classes faced an unappetizing choice between drudgery, degradation, and despair or the materialist blandishments of deadening suburban affluence. Arthur is the prototypical 'angry young man'--outspoken, dissatisfied with the status quo, rebelling against stifling class distinctions--insolent and self-confident, his high wages enable his disdain for following orders and his hard drinking, red-blooded weekends. He is determined to enjoy his freedom as long as he can get away with it, before being trapped by marriage into conformity, surrounded by nappies and rent books in a new housing estate.

"Winner, 1961 British Academy of Film and Television Arts (BAFTA) Film awards Karel Reisz--Best British film; Rachel Roberts--Best British actress; Albert Finney--Most promising newcomer to leading film roles."

"In 1950s post-war England, the working classes faced an unappetizing choice between drudgery, degradation, and despair or the materialist blandishments of deadening suburban affluence. Arthur is the prototypical 'angry young man'--outspoken, dissatisfied with the status quo, rebelling against stifling class distinctions--insolent and self-confident, his high wages enable his disdain for following orders and his hard drinking, red-blooded weekends. He is determined to enjoy his freedom as long as he can get away with it, before being trapped by marriage into conformity, surrounded by nappies and rent books in a new housing estate."@en