Friedrich Nietzsche

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Introduction.

For a while now I’ve been contemplating writing an essay on “proletarian nihilism.” By this I don’t mean the nihilisme prolétarien Vercesi wrote about in the Bordigist journal Bilan, a pejorative term he applied to German and Dutch council communists who denied the October Revolution had been anything more than bourgeois. Rather, proletarian nihilism would be the listlessness, apathy, and self-destructive instinct that gave rise to punk rock, or else that odd mixture of fatal resignation and reckless abandon that underlies so much of mass psychology.

Of course this is all a bit too simple, grounding the self-abolition and self-realization [Selbstaufhebung] of the working class in some sort of subjective mentalité. Self-overcoming, a term used by both Hegel and Nietzsche, is a key term for any adequate Marxist theory of the transition to a classless society. Marxism’s truth depends on the self-directed negativity of the proletariat, whose interest it is to do away with class altogether. This is why its particular interest is simultaneously universal, in the best interest of all society, which is central to Marx’s conception of the proletariat as the “universal class”:

Just as the condition for the liberation of the third estate, of the bourgeois order, was the abolition of all estates and all orders, so the condition for the emancipation of the working class is the abolition of every class. The working class in the course of its development will substitute for the old civil society an association which will exclude classes and their antagonism, and there will be no more political power properly so-called, since political power is precisely the official expression of antagonism in civil society. Meanwhile the antagonism between the proletariat and the bourgeoisie is a struggle of class against class, a struggle which carried to its highest expression is a total revolution. And indeed, is it at all surprising that a society founded on the opposition of classes should culminate in brutal contradiction, the shock of body against body, as its final denouement?

Incidentally, this is also why it’s so misguided to conceive of class as just another identity alongside gender and race. The world-historic significance of the proletariat is not at all its permanent position within capitalist society, but its negation of that society. Negation of identity is not identical to the affirmation of difference. Only on its basis is the dissolution of religion, family, and the state imaginable. Robert Rives La Monte, whose work I mentioned in my last post, formulated this essentially annihilative aim of Marxism as “the nihilism of socialism.”

As La Monte explained, “…‘nihilism’ is not used in strict technical or philosophical sense, but simply as a convenient term by which to designate the aggregate of those aspects of socialism which, viewed from the standpoint of the existing regime, appear as negative and destructive.” Marx famously described this corrosive nihilism as the “rational kernel” of dialectical methodology in the 1871 postface to the second edition of Capital:

In its mystified form, the dialectic became the fashion in Germany, because it seemed to transfigure and glorify what exists. In its rational form it is a scandal and an abomination to the bourgeoisie and its doctrinaire spokesmen, because it includes in its positive understanding of what exists a simultaneous recognition of its negation, its inevitable destruction; because it regards every historically developed form as being in a fluid state, in motion, and therefore grasps its transient aspect as well; and because it does not let itself be impressed by anything, being in its very essence critical and revolutionary.

Engels later counterposed the revolutionary method of Hegel’s philosophy with its conservative system, writing in Ludwig Feuerbach and the End of German Classical Philosophy that “all that is real in the sphere of human history becomes irrational in the process of time, is irrational by its very destination, tainted beforehand with irrationality… In accordance with all the rules of the Hegelian method of thought, the proposition of the rationality of everything which is real resolves itself into the opposite proposition.” Quoting Goethe, Engels wrote: “All that exists deserves to perish.”

La Monte’s essay, which follows, is concerned above all with three negations: “the atrophy of religion, the metamorphosis of the family, and the suicide of the state.” He locates “the nihilism of socialism” in the materialist conception of history. I would do him one better, and locate it in the historical formation of the proletariat. For as La Monte himself says: “the nihilism of socialism has no deterrent terrors for him, for as Marx said long ago, ‘he has nothing to lose but his chains, and a whole world to gain’.”

Positive ideals..

In their negative proposals the socialists and anarchists are fairly agreed. It is in the metaphysical postulates of their protest and in their constructive aims that they part company. Of the two, the socialists are more widely out of touch with the established order. They are also more hopelessly negative and destructive in their ideals, as seen from the standpoint of the established order.

— Thorstein Veblen, The Theory of Business Enterprise. Pg. 338.

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To label a truth a truism is too often regarded as equivalent to placing it in the category of the negligible. It is precisely the salient obviousness, which makes a truth a truism, that places it in the direst peril of oblivion in the stress of modern life. Such a truth was well stated by Enrico Ferri, the Italian Marxist criminologist, in a recent lecture before the students of the University of Naples: “Without an ideal, neither an individual nor a collective can live, without it humanity is dead or dying. For it is the fire of an ideal which renders the life of each one of us possible, useful and fertile. And only by its help can each one of us, in the longer or shorter course of his or her existence, leave behind traces for the benefit of fellow beings.”

Platitude though this may be, our greatest poets have not hesitated to use their highest powers to impress it upon us. Robert Browning put this truth into the mouth of Andrea del Sarto in one of the strongest lines in all English verse, “Ah, but a man’s reach should exceed his grasp.” Continue reading →

Robert Rives La Monte is today a largely forgotten figure in the history of Marxian socialism. He’s probably best remembered for his epistolary exchange with the fiery journalist H.L. Mencken, published in book form as Men versus the Man in 1909. Like Mencken, La Monte was a Nietzsche aficionado and committed advocate of Darwin’s theory of natural selection. Unlike his individualist adversary, however, he did not feel a system of collective ownership was incompatible with modern freedom, stressing the Marxist remark that this future society would be “an association in which the free development of each is the condition for the free development of all.”

Outside this public back-and-forth, La Monte also translated some works by Karl Marx, as well as by Gabriel Deville (one of Marx’s early French supporters) and the Italian Marxist criminologist Enrico Ferri. To be sure, he was quite critical of Deville’s more conservative turn in the 1890s, to say nothing of his horror at Ferri’s sudden admiration for Mussolini late in life. Along with Jack London, the young Walter Lippmann, and a few others, La Monte was an unabashed Nietzschean Marxist. In a magnificent line, he quipped that “today the world’s workers need not Jesus, but Dionysus.” As he went on to explain in his article “Nietzsche, Iconoclast and Prophet” (1908):

In every sense, the red-blooded socialist proletariat seems to me Dionysian, and I’d find it difficult to define class-consciousness in terms that would not to a Nietzschean suggest the Dionysian spirit. You and I would like to see the Proletariat aware of its own tremendous strength, glorying in it, and resolved to use it to emancipate themselves and humanity; we would like to see them living in the actual world of reality instead of dreaming in the fictitious world of Apollonian or bourgeois art; and our highest and ultimate hope is to see them reveling in the joy of the earthly paradise, undeterred by any preacher or moralist. Only a Dionysian working class can accomplish the social revolution. The rank and file of the Socialist Party today are undoubtedly Dionysians.

It was Nietzsche’s misfortune to preach the Gospel of Dionysus to a bourgeoisie close upon senile decay and moral degeneracy and live his life in utter ignorance of the only class which in our day is capable of breeding Dionysians — the proletariat.

La Monte was quite adamant on this point: “We socialists must recognize [Nietzsche] as a brother revolutionary… His chief theme seized upon the violent contradiction between the ruthless self-seeking of capitalism in an age when the cash nexus had become the only tie between man and man. No mercy was shown and no quarter given upon the fields of industrial and commercial warfare, despite the [Christian] religion of love, sympathy, and self-sacrifice professed in all capitalist countries.” For Trotsky, writing around the same time in 1908, Nietzsche’s brazen amorality was a weapon against “moralizing populism.” Davidovich rushed to defend Nietzsche against Narodnik platitudes.

Indeed, many Marxist revolutionaries in Russia — Anatoly Lunacharsky, Stanislav Volski, Aleksandr Bogdanov, and Vitaly Bazarov, to name only those listed by George Kline — also took inspiration from Nietzsche. Maksim Gorky, the great realist author, likewise drank deeply from the well of Nietzsche’s philosophy. Clara Zetkin and Erich Mühsam, prominent Marxists in Germany, along with literary champions of socialism like Karl Henckell and Alfred Klineberg, all cited Nietzsche as a formative influence. Even Franz Mehring eventually came around. Upon first encountering the philosopher’s writings in the 1890s, he’d described Nietzsche as “the philosopher of financial capitalism,” writing:

Absent from Nietzsche’s thinking was an explicit philosophical confrontation with socialism. That was a big mistake for a philosopher at the end of the nineteenth century, because a philosopher who doesn’t know how to confront the most powerful movement of his time is anything but a philosopher. But the real problem was that this gap left open the possibility to whitewash Nietzsche’s philosophy of monopoly capitalism and to aestheticize away the fact that he combated proletarian class struggle from the same elevated circles of thought as did the next best stockbroker or the next best reptile.

By the early 1900s, Mehring had changed his tune. “The Nietzsche cult is useful to socialism,” he wrote. “No doubt, Nietzsche’s writings have their pitfalls for young people growing up within the bourgeois classes, laboring under bourgeois class-prejudices. For such people, however, Nietzsche is often a gateway to socialism.” Victor Serge adopted an opposite approach in a 1917 article, but arrived at the same conclusion about Nietzsche: “He was our enemy. So be it. But he himself said to us: Desire perfect enemies. One can fraternize with ‘perfect’ enemies; our struggle with them makes us more beautiful, more fertile.”

Remarks such as these have not ceased to scandalize Stalinists like Georg Lukács. Or at least the one who wrote The Destruction of Reason in 1952, which Adorno hilariously dubbed “the destruction of Lukács’ own reason.” He read National Socialism back into Nietzsche’s philosophy in such a way that it became simply a straightforward anticipation of the views later promulgated by Alfred Rosenberg. Mazzino Montinari, the Italian Marxist critic who co-edited the critical German edition of Nietzsche’s complete works, observed that “there are cases in which Lukács’ Nietzsche is more of a strict national socialist than [Nazi state philosopher] Alfred Bäumler’s Nietzsche.” Continue reading →

Below you can read Joseph Kay’s excellent 2008 post on affirmation, negation, and identity. Many of the themes I touched on in my last post are covered here as well, but couched in less philosophical language. I have taken the liberty of editing it lightly, Americanizing the spelling and fixing some minor grammar mistakes. While I might take issue with a couple of its claims, for the most part I agree entirely.

Enjoy..

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Political debate often tends to quickly polarize into simple binaries. This is perhaps even more so online. Mainstream politics has its liberals versus conservatives and left versus right. Radical politics has its Marxists versus anarchists and reform versus revolution. Almost invariably these dichotomies are false ones, obscuring the subtleties of the debate and leading to endless circular slanging matches with the protagonists becoming ever more entrenched.

However, there is one pairing I’ve often found useful: that which distinguishes between leftist politics and communist politics. This is not to use “leftist” as a slur, although many (generally North American) post-leftists and primitivists are wont to do just this. (As indeed are Trots, with “ultra-left”). Rather, it is deployed here as a political term in order to distinguish between the politics which characterize “the left of capital” — sectarian groups, union bureaucrats, NGOs — and the communist movement.

To this end, I tend to use the following definitions: Communist demands are those which stress the concrete material needs of the class (wage demands, universal healthcare, the length of the working day, through to the rejection of wage labor altogether). Leftist demands are those which stress how capital should be managed to accommodate the struggles to impose those needs (tax this! nationalize that!).

While this definition is fine to distinguish communist politics from those of your average Trots in many situations — as they push union candidates to manage the struggle “better” on the workers’ behalf, demand nationalization of the banks, or call for higher taxes on the rich, etc. — it doesn’t adequately address a host of other political positions that cluster around leftism. These include support for national liberation movements and identity politics, particularly with regard to gender, race, and sexuality (though in light of the SWP’s recent love affair with Islam, now ethno-cultural identity too).

For example, consider the argument of the prominent platformist Wayne Price. “Central to anarchism is a belief in self-organization and self-determination of the people,” writes Price. “But there are topics on which many anarchists reject the pro-freedom position, particularly involving free speech and national self-determination.”

Here, he clearly envisages particular groups as subjugated, as needing to affirm themselves by practicing “self-determination.” Implicitly, Price means workers, women, and/or ethnic minorities. Explicitly, but perhaps more controversially, he means “oppressed nations.” As Price goes on to state, “revolutionary anarchists must be the champions of every democratic freedom, every struggle against oppression, whatever its immediate relation to the class struggle as such” [my emphasis]. The oppressed need to assert themselves. (The fact there are ample precedents for this position within the anarchist tradition is not at issue here.)

I would like to juxtapose this leftist approach to one of my favorite political quotes, from Gilles Dauvé. For me, this is emblematic of a communist politics:

If one identifies proletarian with factory worker, or with the poor, then one cannot see what is subversive in the proletarian condition… The proletariat is the dissolution of present society, because this society deprives it of nearly all its positive aspects. Thus the proletariat is also its own destruction… Most proles are low paid, and a lot work in production, yet their emergence as the proletariat derives not from being low paid producers, but from being “cut off,” alienated, with no control either over their lives or the meaning of what they have to do to earn a living.

I will for the time being ignore that Dauvé is talking only of the proletariat and not other possible subject-positions. (I do hope to return to the important differences — not hierarchies — between class politics and politics of race, gender, as well as sexuality in a future blog). The important thing here is that Dauvé is outlining a politics of the dispossessed, a negative politics which must destroy both its adversary along with itself in the course of its liberation. That is to say, a politics of negation.

This is in contrast to the position above, of which Wayne Price is just a convenient example: a positive politics of self-determination for the oppressed, a politics of affirmation. Continue reading →

The earth will rise on new foundations. We have been nothing; we will be everything.’Tis the final conflict, let each stand in their place.The International will be the human race.

— L’Internationale, 1871

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Universality today seems a lost cause, the mild resurgence of Marxism in recent years notwithstanding. A number of prominent theorists have championed this category in their critiques of multicultural neoliberalism, perhaps most notably Slavoj Žižek and Alain Badiou, but have made little headway. Vivek Chibber’s noble (if somewhat flawed) 2013 polemic against Postcolonial Studies was made to suffer the indignity of a public scolding by whiteboy academic Chris Taylor, who writes under the handle Of CLR James: “If postcolonial theorists want to hold onto the particularity of the particular, and engage the universal through it, Chibber uses these ‘two universalisms’ [the universalism of capital and the universalism of labor] in order to denude the particular, to remove the particularity of the particular in order to reduce it to the universal.” He claims that Chibber’s book is thus not even Marxist, since the real Marxists à la mode have already all accepted the legitimate points raised by postcolonial and decolonial theory and moved on:

The Marxism fashionable both inside and outside the academy today is one which has learned to meet people where they are, that has learned that a caring approach to particularity and a concern to foster difference is not opposed to the universal but is, rather, one way of producing new universals, of realizing freer modes of being in common. Indeed, the Marxism fashionable today is that one which has taken postcolonial theory as a serious incitement, as a spur to think critically about its own deficits but also as a challenge to uncover its hidden possibilities.

Obviously, there’s no accounting for fashion. And I won’t even touch the platitude about “meeting people where they are.” Loren Goldner is perhaps a little old-fashioned. In any case, he has little patience for this fashionable nonsense. Deploring postcolonial theory as “a relativizing discourse of cultural ‘difference’ incapable of making critical judgments,” Goldner argues that Marxist universality must be recovered, reasserted, and boldly upheld. “Today, the idea that there is any meaningful universality based on human beings as a species is under a cloud, even if the opponents of such a view rarely state their case in so many words (or are even aware that this is the issue),” he writes. “For them, such an idea, like the idea that Western Europe from the Renaissance onward was a revolutionary social formation unique in history, that there is any meaning to the idea of progress, or that there exist criteria from which one can judge the humanity or inhumanity of different ‘cultures,’ are ‘white male’ or ‘Eurocentric’ constructs designed to deny to women, people of color, or gays the ‘difference’ of their ‘identity’.”

Goldner’s fulminations against the influential Heideggerian idea of ontological difference and its French variations are well known. He suspects that the partisans of “the current climate of postmodern culturalism” are mostly disturbed by the fact the Marxian critique does not have recourse to its usual explanatory mechanisms: “What bothers them is that the concept of universality for Marx and Engels was ultimately grounded neither in cultural constructs nor even in the metaphysics of ‘power,’ which is the currency in which today’s fashion trades.”

Questions of fashion aside, it might still be asked whether the method described above by Taylor is the way Marxists actually approach matters of universal import. In what does the universality of Marx consist? Goldner tells us: “The universalism of Marx rests on a notion of humanity as a species distinguished by its capacity to periodically revolutionize its means of extracting wealth from nature, and therefore as free from the relatively fixed laws of population nature imposes on other species.” According to Marx, then, the special characteristic that sets humanity apart from the rest of the animal kingdom, or rather potentially sets it apart, is that humans exist historically. Unlike other species, knowledge and customs are transmitted from one generation to the next through record-keeping, allowing individual humans to participate in the past as more than just temporary embodiments of genetic code. “History itself is a real part of natural history and of nature’s becoming man,” Marx concluded in Paris 1844. Élisée Reclus, a prominent nineteenth century anarchist and professional geographer, put it pithily: “Man is nature become conscious.”

One crucial detail is omitted in Goldner’s otherwise accurate formulation of Marx’s view, however: namely, that this uniquely human capacity manifests only at a specific moment in history, though perhaps it was always latent in its nature. By a confluence of factors, many of them fortuitous and by chance, a systemic logic took hold which would sweep away older forms of local community in the name of a global society founded on exchange. With the historic emergence of capital, new vistas of possibility are opened up (even if today they seem to have closed). Powers and capacities that did not hitherto exist become available for the first time. Continue reading →

There comes a moment (though not always) in research when all the pieces begin to fall into place, as in a jigsaw puzzle. But unlike the jigsaw puzzle, where all the pieces are near at hand and only one figure can be assembled (and thus the correctness of each move be determined immediately), in research only some of the pieces are available, and theoretically more than one figure can be made from them. In fact, there is always the risk of using, more or less consciously, the pieces of the jigsaw puzzle as blocks in a construction game. For this reason, the fact that everything falls into place is an ambiguous sign: either one is completely right or completely wrong. When wrong, we mistake for objective verification the selection and solicitation (more or less deliberate) of the evidence, which is forced to confirm the presuppositions (more or less explicit) of the research itself. The dog thinks it is biting the bone and is instead biting its own tail.[1]

In this way Carlo Ginzburg and Adriano Prosperi synthesize the labyrinthine path of historical analysis and the dangers with which it is fraught, in one of the few recent volumes that have had the courage to describe, not the Olympian and definitive results of research, but rather its tortuous and complex iter. But why should we propose, at the beginning of a volume dedicated to the adventures of architectural language, the problem of the “jigsaw puzzles” characteristic of historical research? In the first place, we could answer that our intention is to follow an indirect path. Contrary to those who pose the theme of architectural writing — the term “language” should, it seems to us, be adopted only as a metaphor[2] — we shall present the theme of critical writing: is it not the function of criticism to constitute the historical (and thus the real) specificity of artistic writings? Does not historical work possess a language that, entering perpetually into conflict with the multiple techniques of environmental formation, can function like litmus paper to verify the correctness of discourses on architecture?

Only in appearance, then, will we speak of something else. For how often, when probing what is on the fringes of a given problem, do we discover the most useful keys for dealing with the problem itself — particularly if it is as equivocal as the one that we are about to examine.

Let us further define our theme. Architecture, language, techniques, institutions, historical space: are we simply lining up on a wire stretched over a void a series of problems, each with its own intrinsic characteristics, or can we legitimately contest the “terms” used here to trace these problems back to an underlying or hidden structure, in which these words can find a common meaning on which to rest? It is no accident that we have reduced to “words” the density of historically stratified disciplines. Every time, in fact, that the critic’s zeal causes his guilty conscience to erupt, constructing linear routes that force architecture to migrate into language, language into institutions, and institutions into the all-encompassing universality of history, one feels the need to ask how such a totally illegitimate simplification could gain currency.

After the persuasive demonstrations of the untranslatability of architecture into linguistic terms, after Saussure’s discovery that language itself is a “system of differences,” after the calling into question of the conspicuous features of institutions, historical space appears to dissolve, to disintegrate, to become a justification for disordered and elusive multiplicity, a space of domination. Is this not the final outcome reached by a good part of the “Lacanian left” or by an epistemology of pure registration? And after all, is not architectural writing (this phantasm that we now recognize as divided and multiplied into techniques incommunicable among one another) itself an institution, a signifying practice — an ensemble of signifying practices — a multiplicity of projects of domination?

Is it possible to make a history from such “projects” without breaking away from them, without abandoning the multiple perspectives of history itself, and without inquiring into that which permits the very existence of history? Is it still necessary to remember that the totality of the capitalist means of production is a condition for both the cohesion and the diffraction of techniques, that the “mystical character of the commodity” breaks up and multiplies the relationships that are at the base of its own reproduction?

A series of questions confronts the historian who discovers the dishomogeneity of the materials of his work. These questions go to the very roots of historiographical work, uniting indissolubly the question of languages, of techniques, of sciences, of architecture, with that of the languages of history. But which history? Toward what productive ends? With what long-term objectives?

The questions that we are posing arise from a precise assumption. History is viewed as a “production,” in all senses of the term: the production of meanings, beginning with the “signifying traces” of events; an analytical construction that is never definite and always provisional; an instrument of deconstruction of ascertainable realities. As such, history is both determined and determining: it is determined by its own traditions, by the objects that it analyzes, by the methods that it adopts; it determines its own transformations and those of the reality that it deconstructs. The language of history therefore implies and assumes the languages and the techniques that act and produce the real: it “contaminates” those languages and those techniques and, in turn, is “contaminated” by them. With the fading away of the dream of knowledge as a means to power, the constant struggle between the analysis and its objects — their irreducible tension — remains. Precisely this tension is “productive”: the historical “project” is always the “project of a crisis.”[3] Franco Rella writes:

Interpretive knowledge has a conventional character and is a production, a positing of a meaning-in-relation and not an uncovering of the meaning. But what is the limit of this operari, of this activity? What is the locus of this relationship? What lies behind the Fiktion of the subject, of the thing, of the cause, of the being? What, then, can bear this “awful plurality”? The body. “The phenomenon of the body is the richest, the most significant [deutlichere], the most tangible phenomenon: to be discussed first [voranzustellen] methodologically, without coming to any decision about its ultimate meaning.”[4] This, then, is the limit of interpretation, that is to say the locus of the description… In fact, through criticism and the “plurality of interpretation” we have acquired the strength “not to want to contest the world’s restless and enigmatic character,” and in this way genealogy has proved itself to be a critique of values, for it has discovered the material origin of them, the body.[5]

Thus emerges the problem of the “construction” of the object — disciplines, techniques, analytical instruments, long-term structures — to be put in crisis. Immediately the historian is confronted with the problem of the “origins” of the cycles and phenomena that are the objects of his study. But is it not precisely in the study of long-term phenomena that the theme of the origin seems mythological? However much Weber’s “ideal types” or Panofsky’s conceptual structures appear to be instrumental abstractions, is it not precisely in them that the fundamental difference between beginning and origin is posed? And why a beginning? Is it not more “productive” to multiply the “beginnings,” recognizing that where everything conspires to make one recognize the transparency of a unitary cycle there lies hidden an intertwining of phenomena that demands to be recognized as such?

Manfredo TafuriDesign Book ReviewNo. 9: Spring 1986

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Manfredo Tafuri is a prolific author on a wide variety of subjects ranging from 16th-century Venice (L’armonia e I conflitti, coauthored with Antonio Foscari) to more alien topics such as The American City (coauthored with Giorgio Ciucci and Francesco Dal Co). Each of his works serves as a platform for questioning the methods of architectural history, which, as he so emphatically states below, is not to be distinguished from criticism. In Theories and History of Architecture, he identified a major problem of “operative criticism,” endemic to architects who write about architecture. His suggestion to counteract this tendency to impose contemporary standards on the past was to shift the discourse away from the protagonists and individual monuments and consider architecture as an institution. His most widely read book in America, Architecture and Utopia, advanced this position, proposing an ideological analysis of architecture. His disconcerting message for those who had hopes of a “progressive” architecture was that there can be no class architecture which can revolutionize society, but only a class analysis of architecture. In his most recent theoretical work, La sfera e il labirinto, he has outlined a method of history called the progetto storico. This historical project, which is deeply indebted to Michel Foucault’s “archeologies of knowledge” and Carlo Ginzburg’s “micro-histories,” seeks to study the “totality” of a work, disassembling it in terms of iconology, political economy, philosophy, science, and folklore. His goal is to penetrate the language of architecture through non-linguistic means. At the core he still finds the problem of “the historic role of ideology.” The job of the Tafurian critic-historian is to “reconstruct lucidly the course followed by intellectual labor through modern history and in so doing to recognize the contingent tasks that call for a new organization of labor.” In November, 1985, we interviewed Professor Tafuri on the subject of criticism.

— Richard Ingersoll

There is no such thing as criticism; there is only history. What usually is passed off as criticism, the things you find in architecture magazines, is produced by architects, who frankly are bad historians. As for your concern for what should be the subject of criticism, let me propose that history is not about objects, but instead is about men, about human civilization. What should interest the historian are the cycles of architectural activity and the problem of how a work of architecture fits in its own time. To do otherwise is to impose one’s own way of seeing on architectural history.

What is essential to understanding architecture is the mentality, the mental structure of any given period. The historian’s task is to recreate the cultural context of a work. Take for example a sanctuary dedicated to the cult of the Madonna, built sometimes in the Renaissance. What amazes us is how consistently these buildings have a central plan and an octagonal shape. The form cannot be explained without a knowledge of the religious attitudes of the period and a familiarity with the inheritance from antiquity — a reproposal of the temple form devoted to female divinities. Or take the case of Pope Alexander VII, whose interest in Gothic architecture at the cathedral of Siena [mid-17th century] compared to his patronage of Bernini in Rome can only be explained through a knowledge of the Sienese environment and traditions. The historian must evaluate all the elements that surround a work, all of its margins of involvement; only then can he start to discover the margins of freedom, or creativity, that were possible for either the architect or the sponsor.

The problem is the same for comprehending current work. You ask how the historian might gain the distance from a new work to apply historical methods. Distance is fundamental to history: the historian examining current work must create artificial distance. This cannot be done without a profound knowledge of the times — through the differences we can better understand the present. I’ll give you a simple example: you can tell me with precision the day and year of your birth, and probably the hour. A man of the 16th century would only be able to tell you that he was born about 53 years ago. There is a fundamental difference in the conception of time in our own era: we have the products of mass media that give us instantaneous access to all the information surrounding our lives. Four centuries ago it took a month to learn of the outcome of a battle. An artist in the 15th century had a completely different reference to space-time; every time he moved to a new city (which was very rarely) he would make out his will. In earlier centuries, time was not calculated but was considered to be a gift from God. Knowledge was also considered to be God-given and thus teachers in the Middle Ages could not be paid; only later was their payment justified as a compensation for time. These factors belong to the mental web of another era. The way for us to gain distance from our own times, and thus perspective, is to confront its differences from the past.

One of the greatest problems of our day is dealing with the uncontrollable acceleration of time, a process that began with 19th-century industrializations; it keeps continually disposing of things in expectation of the future, of the next thing. All avant-garde movements were in fact based on the continual destruction of preceding works in order to go on to something new. Implicit in this is the murder of the future. The program of the “modern” artist was always to anticipate the next thing. It’s just like when you see a “coming attraction” ad for a film, essentially you have already consumed the film and the event of going to see the film is predictably disappointing and makes you anxious for something new. Continue reading →

Against the Proudhonian popery of Père Naphtha

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Père Naphtha is a delightful contradiction: a self-identified papist with pretensions to Marxism. Specifically, he belongs to the Maoist/Stalinist persuasion. It’s possible that he, like Roland Boer, thinks his religiosity adds some sort of unexpected “twist” or nuance to his otherwise pedestrian “heartthrob for the welfare of humanity,” to quote Hegel. Recently his tempers have been roused by the controversy over Mark Fisher’s “Vampires’ Castle” article and identity politics on the Left, and by the flurry of responses (some okay, most bad) that issued from it. He has thus seen fit to pen his own reply “On Identitarianism: A Defense of a Strawman.”

Though it’s probably poor form to dismiss an entire article and its argument out of hand, in one sweeping gesture, I feel confident in characterizing Naphtha’s “response” as basically an excuse to bang on about Nietzsche‘s pernicious influence on the Left. Obviously, this has been getting a lot of play lately, with Malcolm Bull‘s book Anti-Nietzsche having come out recently, followed by a long and seemingly interminable debate on Doug Henwood’s wall about the (un)salvageability of Nietzsche, which has since been reprised several times in other contexts. Evidently Père Naphtha had a horse in the race here, though the main knight tilting at the Antichrist was Harrison Fluss, an Hegelian and HM groupie. (Fluss is, for the record, a far more worthy opponent than Naphtha in this debate). For Naphtha, the true problem plaguing the Left is not identity politics, as authors such as Fisher, Dean, and Rectenwald believe, but rather the ominous silhouette lurking behind their haughty denunciation of ressentiment: Friedrich Nietzsche.

If for nothing else, however, we should thank Père Naphtha for proffering yet more proof of Nietzsche’s suspicion that most self-proclaimed socialists are in fact Christians in disguise. As if any more proof was needed given the maudlin, moralizing sentimentality of most leftists today. Naphtha’s brand of anti-Nietzscheanism seems to be lifted from the standard Stalinist sources: Georg Lukács and Domenico Losurdo.

Continuing our narrative: In the comment thread below his article, Naphtha took exception to the harsh rhetoric I slung his way, describing his own position as “an egalitarian argument against elitism.” Nietzsche was anti-egalitarian, to be sure, and anti-moralistic. Most pointedly so in his polemics against those famous anti-semites who were for him exemplars of socialism: Pierre-Joseph Proudhon (also by extension, the 1848 Proudhonist Richard Wagner), Bakunin, and Eugen Dühring. Continue reading →

Continuing this metaphor, common to both Nietzsche and Marx, we might still ask: What is it, exactly, to which “old collapsing bourgeois society” is giving birth? Nietzsche saw two possibilities, depending on whether the self-overcoming of the present had been borne “[of] a desire for fixing, for immortalizing, for being, or rather [of] a desire for destruction, for change, for novelty, for future, for becoming.” If the former, Nietzsche warned, the impulse is romanticand regressive, an attempt to return to the static existence of tradition. “The desire for destruction, for change and for becoming,” by contrast, “can be the expression of an overflowing energy pregnant with the future.”[72] Once more, the present’s pregnancy with the future is intimately bound up with the problem of conscience and self-becoming. As Nietzsche indicated in The Gay Science: “What does your conscience say? — ‘You should become who you are.’”[73] How is this accomplished? Through boundless negativity, through a fearless commitment to self-transformation, by embracing “the eternal joy in becoming, — the joy that includes even the eternal joy in negating…”[74]

In a similar fashion, Marx understood the bourgeois epoch to be characterized by perpetual flux, the annihilation of existing conditions to make way for those arising out of them: a ceaseless motion of becoming. Materialist dialectic, by standing the doctrine of its Hegelian predecessor on its head, was no less negative or pitilessly destructive than its Nietzschean counterpart: “In accordance with the Hegelian method of thought, the proposition of the rationality of everything that is real dissolves to become the opposite proposition: All that exists deserves to perish. But precisely therein lay the true significance and the revolutionary character of Hegelian philosophy, that it once and for all dealt the deathblow to the finality of all products of human thought and action.”[75] Moreover, the concept of freedom was always understood by Marx as the freedom to become what one will be, rather than the ontological notion of freedom promulgated by romanticism and postmodernism as the freedom to be (e.g., a Jew or a Muslim, a sculptor or a painter, heterosexual or homosexual) what one already “is.” Marx saw this possibility for self-becoming as grounded in the historical emergence of the capitalist mode of production, which, after establishing itself, reproduces the conditions of its own existence, as well as those conditions by which it might be superseded:

[Capitalism’s] presuppositions, which originally appeared as conditions of its becoming — and hence could not spring from its action as capital — now appear as results of its own realization, reality, as posited by it — not as conditions of its arising, but as results of its presence. It no longer proceeds from presuppositions in order to become, but rather it is itself presupposed, proceeding from itself to create the conditions of its maintenance and growth…This correct view [of its development] leads at the same time to the points at which the suspension of the present form of production relations gives signs of its becoming — foreshadowings of the future. Just as, on one side, the pre-bourgeois phases appear as merely historical, suspended presuppositions, so do the contemporary conditions of production likewise appear as engaged in suspending themselves and hence also as positing the historic presuppositions for a new state of society.[76] Continue reading →

Marx, Engels, and Nietzsche
on equality and morality

In his defense, Bull is hardly the first to have made this mistake. Many of Nietzsche’s latter-day critics, self-styled “progressives,” actually share his vulgar misconception of socialism. The major difference is that where Nietzsche vituperated against the leveling discourse of equality, believing it to be socialist, his opponents just as gullibly affirm it — again as socialism. Noting that Nietzsche’s antipathy toward the major currents of socialism he encountered in his day was an extension of his scorn for Christianity and its “slave morality,” which he saw apotheosized in the modern demand for equality, some critics go so far as to uphold not only the equation of socialism with equality, but also to defend its putative precursors in traditional religious practices and moral codes. This is of a piece with broader attempts by some Marxists to accommodate reactionary anti-capitalist movements that draw inspiration from religion, whether this takes the form of apologia for “fanaticism” (as in Alberto Toscano’s Fanaticism),[48] “fundamentalism” (as in Domenico Losurdo’s “What is Fundamentalism?”),[49] or “theology” (as in Roland Boer’s trilogy On Marxism and Theology).[50] These efforts to twist Marxism into a worldview that is somehow compatible with religious politics ought to be read as a symptom of the death of historical Marxism and the apparent absence of any alternative.

According to the testimony of Peter D. Thomas, “[Losurdo] argues that Nietzsche’s…critiques of Christianity…were a response to the role [it] played in the formation of the early socialist movement. The famous call for an amoralism, ‘beyond good and evil,’ is analyzed as emerging in opposition to socialist appeals to notions of justice and moral conduct.”[51]Corey Robin touches on a similar point in his otherwise uninspired psychology of “the” reactionary mind, a transhistorical mentalité across the centuries (from Burke to Sarah Palin, as the book’s subtitle would have it): “The modern residue of that slave revolt, Nietzsche makes clear, is found not in Christianity, or even in religion, but in the nineteenth-century movements for democracy and socialism.”[52] Finally, Ishay Landa differentiates between Marxist and Nietzschean strains of atheism in his 2005 piece “Aroma and Shadow: Marx vs. Nietzsche on Religion,” in which he all but confirms the latter’s suspicion that socialism is nothing more than a sense of moral outrage against empirical conditions of inequality.[53]

To make better sense of this confusion, it is useful to glance at the various texts and authors that Nietzsche took to be representative of socialism. Once this has been accomplished, the validity of his claim that nineteenth-century socialism was simply the latest ideological incarnation of crypto-Christian morality, repackaged in secular form, can be ascertained. Notwithstanding the incredulity of Losurdo,[54] even the German Social-Democrat and later biographer of Marx, Franz Mehring, who had little patience for Nietzsche (despite his indisputable poetic abilities), confessed: “Absent from Nietzsche’s thinking was an explicit philosophical confrontation with socialism.”[55] (Mehring added, incidentally, much to Lukács’ chagrin, that “[t]he Nietzsche cult is…useful to socialism…No doubt, Nietzsche’s writings have their pitfalls for young people…growing up within the bourgeois classes…, laboring under bourgeois class-prejudices. But for such people, Nietzsche is only a transitional stage on the way to socialism.”[56] Other than the writings of such early socialists as Weitling and Lamennais, however, Nietzsche’s primary contact with socialism came by way of Wagner, who had been a follower of Proudhon in 1848 with a streak of Bakuninism thrown in here and there. Besides these sources, there is some evidence that he was acquainted with August Bebel’s seminal work on Woman and Socialism. More than any other, however, the writer who Nietzsche most associated with socialist thought was Eugen Dühring, a prominent anti-Marxist and anti-Semite. Dühring was undoubtedly the subject of Nietzche’s most scathing criticisms of the maudlin morality and reactive sentiment in mainstream socialist literature. Continue reading →

If Ni­et­z­sche’s ar­gu­ments could be said to have gone un­chal­lenged dur­ing the second half of the twen­ti­eth cen­tury, as the above-cited au­thors sug­gest, the same can­not be said today. Be­gin­ning in the early 1990s, but then with in­creas­ing rapid­ity over the course of the last dec­ade, a dis­tinctly anti-Ni­et­z­schean con­sensus has formed — par­tic­u­larly on the Left. Re­cent years have wit­nessed a fresh spate of texts con­demning both Ni­et­z­sche and his thought as ir­re­deem­ably re­ac­tion­ary, and hence in­com­pat­ible with any sort of eman­cip­at­ory polit­ics. Nu­mer­ous au­thors have con­trib­uted to this shift in schol­arly opin­ion. To wit: Wil­li­am Alt­man, Fre­drick Ap­pel, Mal­colm Bull, Daniel Con­way, Bruce De­twiler, Don Dom­bow­sky, Ishay Landa, Domen­ico Los­urdo, Corey Robin, and Geoff Waite. The list goes on.

Even a curs­ory glance at these writ­ings, however, suf­fices to re­veal some of the deep fis­sures that run between them. A great meth­od­o­lo­gic­al het­ero­gen­eity in­forms their re­spect­ive ap­proaches. Bull, for ex­ample, in­sists that to over­come the se­duct­ive qual­ity of Ni­et­z­sche’s ideas it is vi­tal not to read like him (“read­ing for vic­tory”);1 Alt­man seems to be­lieve, in­versely, that in or­der to un­der­mine his per­vas­ive in­flu­ence, it is ne­ces­sary to write like him.2 The con­tent of their cri­ti­cisms is far from uni­vocal, either. One com­mon thread that unites them is Ni­et­z­sche’s no­tori­ous hos­til­ity to mod­ern demo­crat­ic ideals, but even then the points of em­phas­is are ex­tremely di­ver­gent. While some crit­ics of Ni­et­z­sche prefer to re­main with­in the realm of polit­ics prop­er, oth­ers re­gister his op­pos­i­tion to demo­cracy at the level of eth­ics or aes­thet­ics. Dom­bow­sky falls in­to the former of these camps, seek­ing to trace out — through a series of elab­or­ate and im­pres­sion­ist­ic in­fer­ences re­gard­ing the au­thor’s read­ing habits, a kind of bib­li­o­graph­ic­al “con­nect the dots” — the secret of “Ni­et­z­sche’s Ma­chiavel­lian dis­ciple­ship.”3 Us­ing a more eth­ic­al frame­work, writers like Con­way rather look “to il­lu­min­ate the…mor­al con­tent of his polit­ic­al teach­ings.”4 Con­versely, in his book Ni­et­z­sche Con­tra Demo­cracy, Ap­pel loc­ates Ni­et­z­sche’s anti-demo­crat­ic im­pulse as emer­ging out of his con­cern with artist­ic prac­tices, in the con­stru­al of “polit­ics as aes­thet­ic activ­ity.”5

But whatever dif­fer­ences may ex­ist in their in­ter­pret­a­tion of the man and his thought, one thing is cer­tain: the tide has turned de­cis­ively against Ni­et­z­sche on the Left of late. Not that this is an en­tirely un­wel­come de­vel­op­ment. The vogue of French Ni­et­z­schean­ism, from Ba­taille and Deleuze down through Der­rida and Fou­cault, has been every bit as tire­some as its vul­gar anti-Ni­et­z­schean coun­ter­part. In light of the re­cent re­valu­ation of Ni­et­z­sche’s philo­sophy, however, we find ourselves com­pelled to ask wheth­er the anti-Ni­et­z­schean turn of the last few years truly sig­nals an end to the sway his ideas have held over the Left. Are we to be fi­nally dis­ab­used of his “per­ni­cious” in­flu­ence? Is this per­haps the twi­light of the ido­lo­clast? Continue reading →

Russian/Soviet History

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Pictures at an exhibition

Fantastic Structures

“Comrades!

The twin fires of war and revolution have devastated both our souls and our cities. The palaces of yesterday’s grandeur stand as burnt-out skeletons. The ruined cities await new builders[…]

To you who accept the legacy of Russia, to you who will (I believe!) tomorrow become masters of the whole world, I address the question: with what fantastic structures will you cover the fires of yesterday?” ⎯ Vladimir Maiakovskii, “An Open Letter to the Workers” (1918)

“Utopia transforms itself into actuality. The fairy tale becomes a reality. The contours of socialism will become overgrown with iron flesh, filled with electric blood, and begin to dwell full of life. The speed of socialist building outstrips the most audacious daring. In this lies the distinctive character and essence of the epoch.” ⎯ I. Chernia,“The Cities of Socialism” (1929)

“The idea of the conquest of the substructure, the earthbound, can be extended even further and calls for the conquest of gravity as such. It demands floating structures, a physical-dynamic architecture.”⎯ El Lissitzky, The Reconstruction of Architecture in the Soviet Union (1929)