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Monday, 5 March 2012

Postcard/philosophy piece

I had an extremely busy and productive weekend whilst visiting my parents. I completed this piece, which I am so excited about, and was kindly assisted by my mother, who cut out all the pictures.The premise is a 2000 word original philosophical text, presented in a visual way to be shown alongside my other exhibition pieces. I wrote about the nature of distance and separation, and it's effect upon relationships, as this is very relevant to my life and work. Originally I wanted to write the text onto postcards from Finland. However, the tourist postcards I found in Turku at Christmas cost €3 each, and as I used 30 postcards for this that would have amounted to €90 in total, plus I didn't particularly like any of the available options. Instead, I used blank postcards and printed some of my own images that I took during my time in Finland. Another advantage of this approach is that the imagery is much more personal to me, and will allow the viewer a better understanding of my personal experience. There is a huge variety of different images in this piece, including a photo of my old house in Turku, images of public artworks that were part of the Capital of Culture programme, and pictures of places that I particularly loved.Finally, I stitched the cards together to form a very long concertina. The cards can be flipped over to read the text or look at the picture. The finished work, when completely laid out, was the same length as my parent's living room! I'm still considering how to present this work in an exhibition space, but I'm keen on the idea of laying it out as it is in the above picture, probably on a table.I really love this piece, and feel it successfully shows more of my experience in Finland. This week I'll be working on an embroidered map I started last week of the subjects in the portraits, and the connections we have amongst ourselves.

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English fine artist living in London. I work in portraiture and fibre based art, and am currently experimenting with the effects of natural and deliberate weathering in my work. In order to do this more successfully, I undertook an artist residency in northern Iceland in September 2013.