* So what can we do? The solution is very simple! Don’t date your students. Don’t stalk, harass, or overshare your feels with your students. Don’t expect them to perform emotional or sexual labor for you. Treat them like professionals, so that they can become the professionals they want to be without being humiliated or having their or your intellectual enthusiasm questioned or second-guessed.

* In effect, we have two American economies. One is made up of expensive coastal zip codes where the pundits proclaiming “recovery” are surrounded by prosperity. The other is composed of heartland regions where ordinary Americans struggle without jobs. Over 50 million Americans live in what the Economic Innovation Group calls “distressed communities”—zip codes where over 55% of the population is unemployed. Of those distressed communities, over half are in the South, defined generously by the census as the region stretching from Maryland and Delaware to Oklahoma and Texas. The rest tend to live in Midwest rust belt cities that have long suffered from economic decline, like Gary, Indiana and Cleveland, Ohio. It is nearly impossible for Americans of the latter group to move to the cities of the former group—or to work in the industries that shape public perception of how the economy is going.

* “The apocalypse is never that single cataclysmic event,” remarks a resistance leader of an imaginary nation to her psychiatrist in a conversation at the heart of “In the Future They Ate From the Finest Porcelain” (2015), the most recent film of Palestinian artist Larissa Sansour and the central piece in her solo exhibition at Sabrina Amrani Gallery. In the film, a resistance group is on a mission to produce a future history for a made-up civilization: by making underground deposits of elaborate porcelain, the group supports its claims to the existence of a people before their obliteration by a colonial power. In line with the classical sci-fi format, the digital film is set in a dystopian territory without a future, or at the very end of historical time. The master narrative of the end-of-times is not an event but a condition: Disaster becomes not sheer bad luck, but a fixed lens through which history is narrated.

* #welcometonightvale: For all the advances in transplant surgery in the 62 years since doctors first moved a kidney from Ronald Herrick to his identical twin, Richard, the method of transporting organs remains remarkably primitive. A harvested heart, lung, liver or kidney is iced in a plastic cooler, the kind you might take to the beach, then raced to an operating room where a critically ill patient and his surgical team are waiting. The new approach flips that idea — emphasizing warmth instead of cold and maintaining an organ’s natural processes rather than slowing them down. That may speed an individual heart or liver’s return to service, and it offers the eventual possibility of more: the potential to reduce the chronic shortage of organs for transplant by expanding the pool of usable ones.

* The planet would warm by searing 10C if all fossil fuels are burned, according to a new study, leaving some regions uninhabitable and wreaking profound damage on human health, food supplies and the global economy. ^when