This special collection from The Royal Ballet includes nine of Frederick Ashtons most loved short ballets, which showcase the range of his style.

The pure classical perfection of Symphonic Variations is contrasted with the light-hearted exuberance of Voices of Spring. Both are complemented by the passion and drama of Marguerite and Armand and the romance and comedy of The Two Pigeons and The Dream. The collection is completed by Rhapsody, La Valse, Monotones and Méditation from Thaïs, four of the most iconic abstract works created by The Royal Ballets founding choreographer. ``...a bill which revealed the variety of the Royals founder choreographer from the perfumed sway of La Valse, to the lyrical loveliness of the Thais pas de deux, and the audacious joy of Voices of Spring.

Monotones I and II, on the other hand, show his geometric modernism and his ability to conjure a kind of mysterious beauty by the simplest of means... the performances throughout the evening made the choreography look as fresh and important as ever.`` (The Daily Telegraph)

History

Ballet

In classic or contemporary ballet, dancing may tell a story, express a mood, or simply reflect the music in movement. Ballet as part of staged performances originated in the Italian Renaissance courts of the 15th and 16th centuries and from there spread to France. The creation of classical ballet as we know it today occurred during the reign of the art-loving French king Louis XIV in the mid-17th century. During the Romantic era, ballet technique evolved to express new ideas, most notably with women dancing en point, or on their toes, allowing them to appear weightless and otherworldly.

Among the choreographers who helped bring ballet into the modern age by exploring new visual and dramatic styles are George Balanchine, Antony Tudor and—bridging the worlds of classical dance and Broadway—Agnes de Mille and Jerome Robbins.

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