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Few artists have made a claim for so drastically altering the shape of their medium than Cecil Beaton, the fashion photographer turned war photographer turned royal photographer turned costume and production designer, who arguably forever reshaped the concept of possibility in the static image. Beaton faced his share of adversity and controversy, rubbed shoulders with the biggest stars and the Queen herself, and generally lived the sort of bohemian life that artists dream of. And while he is best known for the iconic images that he captured of the likes of Marilyn Monroe, Cary Grant, and the Duke and Duchess of Windsor, Beaton himself was a fascinating, lively character who imprinted himself on the lives of anyone whose orbit he entered. And all of this is the life that “Love, Cecil” aims to — and mostly succeeds in — capturing, despite taking such an openly adoring stance. The rest…