"The primary merit for the picture is to be a feast for the eyes." Delacroix
“Design is not just what it looks like and feels like. Design is how it works.”
- Steve Jobs
"Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand." –Dr. Albert Einstein "Wonder is comes from the awareness of ignorance of religious mass"

2011. június 29., szerda

“Scientists think that ice will probably disappear from the North Pole for the first time by this summer 2008 due to the global warming. We would like to express our solidarity with the hungry – and probably angry – polar bears that will soon reach our lands (?) trying to find some dry land and food. What about architecture?”

This was how we started presenting our project - LONDON . BREATH . S - for a floating art gallery competition on river Thames in London. We were saying something like: “Hey, if architecture isn’t able to radically change his relation with nature, we’ll soon have some angry polar bears in London!”.

A few months after this competition, it’s surprising and very funny to see that 3d production experts “Hothouse IWG” created the Polar Bear and cub sculpture, seen floating down the Thames on Monday.

2011. június 25., szombat

The Story of Dream

Dream marks the fulfilment of a long-held ambition for St.Helens.

The local community had yearned for something to fill the void left by the colliery since its closure, while the idea of a gateway public art feature was first articulated in 2003 in the Borough's private sector led regeneration strategy.

Six years on and Dream has not only become a reality, drawing thousands of new visitors and both popular and critical acclaim, but has also been the star of a prime-time Channel 4 TV series and been nominated for the prestigious Marsh Sculpture Prize, awarded to the best public sculpture of the year.

There have been challenges and hurdles along the way, but ultimately Dream is a triumph, a stunning visual feast, and a spectacular object lesson in the "art of them... possible", demonstrating what can be achieved when committed people with a shared vision work together towards a common goal.

The following sub-sections chart the story of Dream...

There have been challenges and hurdles along the way, but ultimately Dream is a triumph, a stunning visual feast, and a spectacular object lesson in the "art of the possible", demonstrating what can be achieved when committed people with a shared vision work together towards a common goal.

Artist Anish Kapoor has won a commission to design a 115m high public artwork at Olympic Park in London, to be built as part of London’s Olympic Games in 2012.

The sculpture, called ArcelorMittal Orbit, has been designed in collaboration with structural engineer Cecil Balmond of Arup. Top image courtesy of Arup.

Here’s the press release:

–

ANISH KAPOOR TO DESIGN ICONIC LANDMARK FOR OLYMPIC PARK

The ArcelorMittal Orbit set to become UK’s largest sculpture. The Mayor of London Boris Johnson and Lakshmi Mittal, Chairman and CEO of ArcelorMittal, today unveiled the artist and design chosen to create a spectacular new visitor attraction in the Olympic Park.

Award winning London-based artist Anish Kapoor has been given the commission of a lifetime to design the spectacular new public attraction in the Olympic Park. The stunning artwork, to be entitled ‘The ArcelorMittal Orbit’, will ensure the Park remains an unrivalled visitor destination following the 2012 Games, providing the key Olympic legacy Mayor of London Boris Johnson envisaged for the East End.

The breathtaking sculpture – thought to be the tallest in the UK – will consist of a continuous looping lattice of tubular steel. Standing at a gigantic 115m, it will be 22m taller than the Statue of Liberty in New York and offer unparalleled views of the entire 250 acres of the Olympic Park and London’s skyline from a special viewing platform. Visitors will be able to take a trip up the statuesque structure in a huge lift and will have the option of walking down the spiralling staircase.

One of the world’s most distinguished contemporary artists, Turner Prize winning Anish Kapoor studied in London, where he is now based. He is well known for his use of rich pigment and imposing, yet popular works, such as the vast, fleshy and trumpet-like Marsyas, which filled the Tate’s Turbine Hall as part of the Unilever Series, the giant reflecting, pod like sculpture Cloud Gate in Chicago’s Millennium Park and his recent record breaking show at the Royal Academy, the most successful exhibition ever presented by a contemporary artist in London.

Anish Kapoor’s proposal has been developed in collaboration with one of the world’s leading structural designers, Cecil Balmond of Arup. Balmond, who trained and lives in London, is known for his innovative work on some of the greatest contemporary buildings in the world, such as the CCTV building in Beijing, as well as numerous Serpentine Gallery pavilion commissions. The two began working together on the Marsyas project in 2002 and have become renowned for their ambitious, large-scale public art projects.

ArcelorMittal will fund up to £16million of the £19.1million project with the outstanding £3.1 million provided by the London Development Agency. The unveiling also marks ArcelorMittal’s announcement to become a tier two sponsor of the Olympic and Paralympic Games, to support he infrastructure and success of 2012.)

The Mayor of London Boris Johnson and the Olympics Minister Tessa Jowell agreed the commission in partnership with Mr Mittal after bringing together a panel from the art and design world to advise on a long list of proposals. Anish Kapoor’s team made an outstanding proposal that would be accessible and leave a fitting 2012 legacy.

Anish Kapoor said: ‘I am deeply honoured to be invited to undertake this challenging commission. I am particularly attracted to it because of the opportunity to involve members of the public in a particularly close and personal way. It is the commission of a lifetime.’

London Mayor Boris Johnson said: ”Long after the Games are over our aim is to have a stunning spectacle in east London that will be recognised around the world. I’m thrilled that when visitors from every corner of the globe plan trips to our must see attractions they will now eagerly include the ArcelorMittal Orbit! It will be an internationally acclaimed family attraction and I would like to thank Mr Mittal for his generous support. Anish Kapoor’s inspired art work will truly encapsulate the energy and spirit of London during the Games and as such will become the perfect iconic cultural legacy.”

Lakshmi Mittal, CEO of ArcelorMittal, commented: “The Olympic Games are one of the few truly iconic global events. I was immediately excited by the prospect of ArcelorMittal becoming involved because ArcelorMittal is a global company with operations in more than 60 countries. And as someone who lives in this great city, I remember the great excitement felt when it was announced that London had been selected to host the 2012 Olympic and Paralympic Games. We set out to create a transformational piece of art that will be an iconic symbol for the Olympics and also a new landmark that will endure long after the Games themselves. Everyone at ArcelorMittal is delighted with the outcome of the ArcelorMittal Orbit. London will have a bold, beautiful and magnificent sculpture that also showcases the great versatility of steel.”

The attraction will stand in the southern part of the Olympic Park between the Stadium and Aquatics Centre and will open in time for the 2012 Games. After completion, the Olympic Park Legacy Company will take ownership and run the visitor attraction.

Minister for the Olympics and London Tessa Jowell said: “This stunning structure will become a new iconic London landmark towering 115 metres into the London skyline. Alongside the Olympic Stadium and Aquatics Centre, Anish Kapoor’s brilliant design will be like to honey to
bees for the millions of tourists that visit London each year. Having been involved in this project from the outset, I’m now looking forward to seeing it go from a great idea into a brilliant reality.”

Chairman of the London Organising Committee of the Olympic Games and Paralympic Games (LOCOG), Seb Coe said: “Our ambitions for the Games are very clear and very simple. We want to leave leaving a lasting legacy: of more young people playing sport, of changing public
attitudes towards disabilities through the Paralympic Games, of an extraordinarily transformed landscape in East London, in which this impressive sculpture will play a central role. The new sculpture will be an indelible memory, a declaration of legacy and a definable landmark that Londoners and people from around the world will enjoy visiting during the Games and long afterwards.

Margaret Ford, Chairman of the Olympic Park Legacy Company, said: “When you are able to combine an industry leader with a world renowned artist, supported by significant investment, we clearly see the significance of the Olympic Park. This visitor attraction will sit alongside our other iconic venues and, in animating the site, will encourage the public to use the park. This is a magnificent legacy asset.”

Advisory panel members Julia Peyton-Jones and Hans Ulrich Obrist of the Serpentine Gallery, said: “The success of Anish Kapoor’s Marsyas commission Tate Modern in 2003 and his exhibition at the Royal Academy in 2009 demonstrates that his work already strikes a chord with
many people. His close partnership with the distinguished engineer Cecil Balmond has created the exciting prospect of a sculpture to be climbed, an unexpected view of the city and a new place to visit and enjoy in London.”

Tate Director Sir Nicholas Serota, who sat on the advisory panel, said: “We are delighted that Anish Kapoor with Cecil Balmond will give London a new structure which is one of the most exciting new commissions of our time. The collaboration between Anish Kapoor, Cecil Balmond and Lakshmi Mittal bridges art, architecture, engineering and business to produce a new landmark for London.”

2011. június 22., szerda

designed in response to user surveys about the future of air travel, the 'airbus 2050' concept craft houses replaces
first, business, and economy classes with lifestyle 'zones', all housed in a panoramic transparent body designed
for both more comfortable travel and improved environmental efficiency.

in the concept cabin, hand luggage is taken at the entrance to the craft as passengers scan in via a biometric hand sensor,
and is moved automatically to one's seat. the chairs themselves morph to comfortably fit passengers' bodies, and collect
body heat for use in powering the cabin facilities.

video overview of the concept aircraft

airbus predicts the increased presence of bars and other social spaces on airplanes, providing a space for passengers
who wish to socialize with others. in the 'airbus 2050', personalized 'zones' replace the traditional cabin classes.

the 'smart tech' zone offers integrated technology and private 'pop-up pods' with immersive screens
that permit virtual meetings and lectures, or can connect travelers to friends and family.

foreseeing a growing demand for health and relaxation services, owing to the growth in the female and elderly populations,
the seats in the 'vitalizing zone' adapt to the passenger's body shape, as well as provide massages and relaxing 'sound showers'
and aromatherapy as desired.

the 'interaction zone' provides a place for passengers to engage in virtual activities. a virtual shopping wall,
perhaps used in conjunction with a sky mall -like service, projects clothing directly onto shoppers,
while a virtual gaming wall integrates gestural sports gaming. 'airbus fusion ball' lets passengers play catch
across travel destinations like new york skyscrapers and the himalayas.

seating in the 'smart tech' zone seamlessly integrates technology into the flight experience

the 'interaction zone' features private pods for virtual shopping and gaming, as in this golf game

full exterior view

the airplane itself benefits from the use of lightweight 'smart' materials and composites, as well as longer and slimmer wings
that improve air flow and fuel efficiency. engines will be embedded into the rear of the craft, optimizing fuel use
and reducing noise levels within. the electrical system is self-monitoring, capable of scheduling any required maintenance.

regarding the transparent body, airbus head of engineering charles champion states:
'the idea is to have a technology for the fuselage that's a bit like bones of birds that allows to have large spaces
that can turn transparent, in order to look outside and 'live' the panorama in which you are flying.'

the plane's empennage (tail section) is U-shaped to reduce external noise pollution, since the more reliable engines
prevent the need to have a vertical tail for directional stability.

the body's transparency can be turned on and off

rendering of interior night view

the cost of the innovative cabin designs would be defrayed by reducing maintenance costs in other areas,
relying on developments in self-monitoring, 'intelligent' technology and advances in innovative materials
such as dirt repellent coatings and self-healing covers.

2011. június 20., hétfő

Winner of the 2011 Gold Design Award of Germany (aka the country’s highest distinction for design, aka the “Design Oscar”) is the following project: Lufthansa Brand Academy 360degree Tower project. This architectural masterpiece was designed by Dan Pearlman, Berlin brand and experience group, and consists of a 360° projection in the tower of Brand Academy. That’s right, a spacial experience consisting of three hundred and sixty degrees of digital projection magic.

With this project, Lufthansa is able to bring their collective knowledge together and present it to 25,000 employees and executive in a fantastic and engaging way. The subject under examination here is the local and global connections of international air traffic – much better with teeny tiny airplanes flying overhead, yes?

Berlin-based interactive firm WHITEvoid is responsible for the 3D visualization for this gigantic project. With this project, students are able to see real-time 3D visualizations of 16,000 daily flights, the entire system of viewing these flights completely interactive. This project is located in Frankfurt Seheim, the Lufthansa Brand Academy offering its employees a floor area of 1,100 sq meeters in which to train. Gorgeous!

Current Time - Miskolc

trying to escape the emotional and spiritual limitations of their lifestyle

"Everyone has the right to freedom of opinion and expression: this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers." DECLARATION OF HUMAN RIGHTS