Roberta’s Pizza, Bushwick Suzy Spence – Artist and Curator and the creator of The Online Archive for Womanhouse – and Irina Milahache, Author and Professor of Museum Studies at the University of Toronto, join Coral Lee in an interdisciplinary discussion of the woman’s role in writing culinary history.

Several dozen of Ann Agee’s Hand Warmers, as she titles her diminutive ceramic shoe-like forms, make for a sumptuous display at P.P.O.W (Booth E3). On some of them, the artist has stenciled a logo, “AGEE MFG,” making them seem like multiples, whereas in fact they’re individually rendered.

Lara Schnitger’s Suffragette City is a protest/procession in which volunteers carry hand-crafted banners and ornate textiles fastened to wooden sticks. This stylized political event moves around Frieze in four timed performances, with the last one scheduled for Saturday at 3pm. Thursday’s, photographed her, included around a dozen individuals, most of them women, either clothed in navy-blue mechanics’ jumpsuits or black floor length gowns with lace decolletages and stripes extending from shoulder to hip like a sash.

Despite the fact that the famous African Americans in Rico Gatson’s “Icons,” , are pictured at the height of their power and creativity (in their iconic moment), each photograph of these heroes of music, art, and politics is scaled small in relation to the expanse of paper in which they are collaged. In the surrounding space, hand drawn lines edge ecstatically around the figure in individualized emanations. In colored pencil and marker at a width of about a third of an inch, lines of radiation, a system of repeating vectors, emanate from the subject’s head or chest, marking a relationship to mind or heart.

A CONVERSATION WITH SUZY SPENCE in collaborative event with the Brooklyn Museum at The Gallery at One Grand Army Plaza. The two consider the gallery exhibition 'kissbite' where Cherubini discusses her artistic process, her artistic and cultural influences, and the historical division between craft and art. The event provides an opportunity for guests to engage the artist and the curator in conversation and to ask questions about the exhibition.

This year, in its press communications at least, Frieze New York touted a number of galleries showing feminist artists and under-appreciated women of various important movements. This is a newly fashionable area of connoisseurship and does indeed provide an Ariadne’s thread through the labyrinth of a major international art fair.

In this salon-style dialog on the occasion of the exhibition "Stephen Maine: Paintings", Maine and Spence discuss the development of Maine’s work, highlighting Book#14-0103 and the motifs that emerge in a quasi-narrative format. This oversized, 80-page bound work on paper will be on display for this event only.