developed through prolonged points of intercultural contact" as one modality through which "the narrative of the master"--in this case Britain--could be recast and thereby re-imagined (29, 26), Analogously, although coming from the other direction as it were, Geoffrey Nash, in "Friend's Across the Water: British Orientalists and Middle Eastern Nationalisms," examines "the identification of English travelers with specific oriental peoples and societies in nineteenth and early twentieth century travel and political writing" (87) as an identification that renders Orientalist/imperialist discourses unstable, even fractured, opening them up to "counter-Orientalist/anti-imperialist ones" (93).

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