Community Radio’s Australian Music Catalogue and Distribution Service

Any Australian community radio program maker or station music coordinator can apply for a free
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Future Popes

“Validation details the struggle of never being sure of yourself, the constant need for someone to tell you what you're doing is okay” says Candy AKA Calum Newton. The track blends elements of krautrock and post-punk flecked with warmth by Newton’s signature home production.

Fair Maiden return with "Fire and Blood", following on from their split 7inch with MOD CON earlier this year

With frontwoman Ellen Carey's dramatic songwriting at its core, "Fire and Blood" features the unearthly majesty of her vocals, with lush harmonies and accompaniment from guitar master Steph Crase, Harriet Barbour-Fraser and Hamish Baird.

Australian songwriter Laura Imbruglia's been releasing records since the early noughties. She's covered a range of genres, released three albums, played almost every corner of Australia + pockets of Europe

“Tricks” is about the feeling you get when you can’t be certain what you’re seeing/hearing is the real thing. It’s about the efforts people go to to present an untrue image of themselves, their loved ones, or a situation they’re in." - Laura Imbruglia

The product of four Canberra-based music grads who find purpose in making loud noises together. Their music operates somewhere between composed restraint and fuzzed-out, life-affirming alternative rock.

"Comfortable was written during that in-between period of dating...it's a confident, albeit sardonic, journey from accepting to celebrating being by yourself." - Charlotte Versegi (vocals, guitar)

Dark Fair is an alt-rock duo made of singer/guitarist Ramona Moore and drummer Ellie Dunn. Described as a mix of PJ Harvey, The Kills, The Breeders and Yeah Yeah Yeahs.

The band’s second single from the album, ’Distance in the Line’ is hard hitting. It was written about the increase of gun-related violence around the world – in particular, the Tunisian shooting at Port El Kantaoui in 2015, and the harrowing conflict in Syria.

Dark Fair is an alt-rock duo made of singer/guitarist Ramona Moore and drummer Ellie Dunn. Described as a mix of PJ Harvey, The Kills, The Breeders and Yeah Yeah Yeahs.

‘Off Into My Head’ is the latest single by Melbourne duo Dark Fair. Nobody likes reality. It’s full of obligations, promises, routine, nuclear goal setting, criticism and too many farewells. It’s a song about escaping off into your head and creating your own reality or obscurity....a blue sky, locked in coping strategy.

Moaning Lisa produce restrained, fuzzed-out and life-affirming alternative rock. The four-piece have garnered attention across community radio and Triple J with the recent release of "Carrie (I Want A Girl)".

"Good" is another alt-rock gem, with 90s leanings. Taken from Moaning Lisa's forthcoming EP.

MOD CON make incisive and contemplative alt-rock which has attracted overwhelming support across community radio. Their debut LP, Modern Convenience is out April 6 on Poison City Records.

“Kidney Auction Blues” throws girl group/60s surf on its head in an aggressive turn of tables which leaves the listener contemplating capitalism, consumerism and the black market price of a human kidney.

Moaning Lisa produce restrained, fuzzed-out and life-affirming alternative rock. The four-piece have garnered attention across community radio and Triple J with the recent release of "Carrie."

‘Carrie (I Want a Girl)’ is an edgy, fun, at times tongue-in-cheek punk song about being queer and loving women. Named after rock icon Carrie Brownstein and referencing a slew of prominent queer women in music and popular culture, the song celebrates sexuality and self-determination.

MOD CON (all caps, all the time) is the new collaborative project of Erica Dunn, Sara Retallick and Raquel Solier. Forthcoming album out April via Poison City Records.

Upon the imagery of manicured lawns and the smell of BBQ on the breeze, "Neighbourhood" examines the “chilling ease with which mainstream Australia ignores its Indigenous history.” With its anti-chorus structure, the song is punctuated by instrumental breaks that increase in urgency with each verse.