Why I no longer look forward to the weekend

1. I no longer think “God, I can’t wait until Friday.” Instead, I trudge through my work week with the constant fear that Friday is coming; that terrible day where people just say all the things that are happening and auto-tune everything to death.

2. Did Rebecca Black write these lyrics herself? If not, who did, and is that person going to come forward or do we need to find him/her?

3. Why is she waiting for the bus if her friends are picking her up? Why didn’t they offer her a ride in the first place? Did they steal that car?

4. When you can’t auto-tune somebody into hitting the right notes, then maybe they shouldn’t sing.

5. Who’s the grown-ass man rapping in the car at the 2:30 mark? She’s just a child, likely pushed into this hideous project by an overbearing parent(s). What’s your excuse? Shame on you, sir.

The music video is put out by The Ark Music Factory, an independent music label that specializes in what can generously described as auditory terror. The label specializes in young (pre-)teen girls, and also has that one rapper (“Pato”) that shows up in the above video and just wraps about school buses and stuff.

GenWar – re: seating. What I find fascinating is that this is a continual dilemma for her. In the morning, waiting for the bus, they pull up: front seat or back seat? Then, on their way to a party after school: front seat or back seat? Then, everyone’s partyin’ partyin’ fun fun fun fun, and again she asks: front seat or back seat?

Maybe we’re taking these lyrics too literally. Perhaps “front seat or back seat” is meant to represent all those hard choices we make as a teenager when in these delicate social situations that can change the course of our entire lives.

1. “Biebermill” is perhaps the greatest word I will witness being invented in my lifetime.

2. If the young talent got to LA, couldn’t cut it, needed to make ends meet, and got taken advantage of, wouldn’t you rather it be by Ark than the porno biz?

3. I think you guys are underestimating how fun this song is. To remedy this, I’ve isolated the most fun part of the song (the monotone chanting of “Fun fun fun fun”) and put it in a minute-long loop. Stare into the abyss and see if it gazes back at you: http://www.mediafire.com/?eput0m6kx8pg48v