This is a serious handheld mic for live performance, and now those living in the US can easily get their hands on one.

The EHR-H is a high-end, handheld condenser mic designed for live use manufactured by Swedish company Ehrlund, and it's now available in the U.S. Here's what you need to know.

Momentum Audio Sales, the exclusive US distributor of Sweden-based Ehrlund Microphones, announces the availability of the new EHR-H Handheld Condenser Microphone in the US market.

The EHR-H is a handheld condenser microphone that is optimized for live performance. This new mic utilizes the same unique triangular Ehrlund membrane found in their studio microphones combined with their patented phase and frequency linear electronics. The result is a pure and clean sound on stage that Ehrlund microphones have become known for in the studio.

The triangular shape of the Ehrlund membrane dissipates resonances faster than a traditional round membrane, preventing the buildup of sound impulses that lead to a “muddy” sound. Once amplified by Ehrlund’s proprietary ultra-low-noise amplification electronics, the result is a very open, transparent and real sound, without altering the phase or frequency and without added noise.

Features And Specifications

Handheld Condenser Microphone for live performance

Patented triangular capsule design

Transparent and natural sound

Ultra-low-noise performance

Natural reproduction of fast transients

Frequency range of 7Hz-87kHz

Sensitivity @1kHz: -42dBV/Pa (8 mV/Pa)

Equivalent noise level: Signal to noise: 85 dBA

Dynamic range: 127 dB

Max SPL: 155 dB

Low power consumption: ~2.0 mA

The EHR-H is housed in a road-ready aircraft-grade aluminum body that is insulated to effectively suppress handling noise on stage while a hardened nickel-plated stainless-steel grill and windscreen protect the sensitive triangular membrane.

Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys.
A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications.
As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely.
Hollin is Contributing Editor at Ask.Audio.

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