Beecher and Keller (from the TV show Oz) are one of my favorite couples. Their relationship screams unhealthy. But it's the drama and the pain that makes the romance so poignant.

I've been working on two series of shorts. One is fluffy and light. The other is dark. People seem to like the fluffy light one way more, the terms "abuse" and "Stockholm syndrome" are tossed around a lot in relation to my darker series.

So what about you? Do you like your romance twisted? Or do you prefer heroes that are pillars of goodness?

This book is most definitely different. I can't claim to have read a book anything like it ever before.

After a young man is brutally attacked, a non-practicing doctor takes him home and nurses him back to health.

I loved the characters, they were both completely unique and had strong voices. Evan did seem older than his age, with some of the pet names he had for Jamie, he reminded me of a grandfather which sometimes got creepy. But Jamie's pet names for Evan were off the charts, hysterical.

The story took some suspension of disbelief (antibiotic lube? really?). But if you didn't examine the premise too closely it was a fun romp. And there was A LOT of romping. Chapters and chapters of romping. But the author gets credit for keeping that much sex varied and interesting.

All in all, I really liked the book. I'd recommend it to anyone looking for something different and a little pervy.

Since my renewed interest in writing, I've come to realize that not every company that calls itself a "publisher" is what we imagine when we hear the word. While in some minds the word "publisher" is synonymous with the big six, anyone can call themselves a publisher. Even me.

Blue Kitty Publishing -- there now I'm a publisher, got a company name and everything. If you aren't jumping to mail me your manuscript, then read on. If you are, read on with attention and care...

There are three kinds of groups that call themselves publishers. The most dangerous of these groups are often referred to as "Vanity Publishers". These are companies whose goal isn't to sell books to the public, but instead to sell writers their own books. They are the lowest of the low, getting rich off the broken dreams of hopeful writers. Sometimes places you submit to will sell your information to these predators who will contact you making it seem like they are offering you a book contract, when really they only want to swindle you out of thousands of dollars.Ways to Spot Vanity Publishers

They contact you instead of the other way around

They call over and over like bill collectors (The call center employees' job is to sell you copies of your own book. They have high sales quotas and are desperate to keep their job)

Their website is geared towards writers and not readers

They ask for money in exchange for print, marketing, proofread and editing services (some even promise to pay it back if you sell a certain number of books, they end up with your savings and you end up with a thousand copies of your poorly edited dreams)

The next group of publishers, I don't think have a commonly used name because they blend in with indie publishers. But for the sake of clarity I'll call them amateur publishers. Amateur publishers are everyday people like you and me, who have discovered self-publishing. And they decide wouldn't it be neato to run a publishing company. Their mom can do the editing, her BA was in English Lit. Their cousin Vinnie can draw, he can do the bookcovers. As for marketing, well, they have a Twitter account...

Amateur publishers aren't inherently bad or ill-willed. They aren't trying to jack you out of your money. They simply have about as much experience selling books as you do. Maybe a few months more. There is nothing wrong with using an amateur publisher, maybe their mom proofreads better than your mom, and their cousin makes nicer covers than any of your relatives. And if only six copies of the book sells because no one has heard of it, does it matter that the 18 bucks profit is being split down the middle? Just realize that this is pretty much the same as self-publishing, but someone else is uploading it to Amazon.When you get published by an amateur, please don't brag about it in your queries to agents and traditional publishers, it makes you look like a n00b.

Ways to Spot Amateur Publishers

Their webpage has "wordpress" or "blogger" in the URL

Books? There isn't a single book on their webpage (because they haven't published any)

Contracts? Who really needs those? (Or more accurately, who knows what they are for or where to get them)

Marketing plan? We'll give copies of the book away for free using Amazon's KDP Select. That counts as a marketing plan, right?

The last group are the people we are really imagining when we say "publisher". People with years of experience, with staff that are paid salaries and don't stalk writers. The people who can send your books to reviewers and actually get a response back.

Ways to Spot Traditional Publishers

They plan on selling your book to someone other than you

They have contracts that clearly spell out your rights and responsibilities

They offer an advance (gasp! money for the writer?!?! No way!)

They have tons of books that are selling well (because it's what they do)

They have marketing plans that will cost them money!

When they accept your manuscript the attitude is that they are going to make an investment in you and your work and they expect for it to pay off

What people seem to have forgotten lately is the reason we hold publishers in such high regard wasn't because they were the gatekeepers of quality (they never were). It's because they were the people with the money. And as writers we were begging for that money like Oliver Twist holding out his empty bowl. So, of course they got to treat us like the broke orphans we were.

Before ebooks, being published meant that thousands upon thousands of dollars had to be invested in the writer to print his/her books and to bribe stores to sell them, then to convince readers to buy them. As writers we were asking for something. That's what gave the word "publisher" it's power.

But if the person calling themselves a publisher isn't offering what publishers used to offer, don't be so quick to bend your neck. There are options now. Amazon and Smashwords have offered to be our foster parents. We might not be eating fine cuisine, but we aren't going hungry anymore.

When it comes to your work, act like a diva. "What can you, do for me?" And if the answer is "nothing." Take your book and keep steppin'.*

*if the answer is "we can get you into Oprah's Book Club", pull out your rag and start spit shining those boots

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About ten years ago, there was a summer I was working in a daycare program. I had let my relaxer grow out. My hair had reverted back to its curly state. For me, this was akin to being too lazy to keep up with your hygiene regime, and relatable equivalent would be not shaving your legs. It was summer, and I was only around children. So I had no reason to look, nice or professional. I just tossed a bandana over it and paid it no mind. I’d get my hair relaxed when school started again. There was this five year old girl in my group. The epitome of what beauty is supposed to be: smooth light skin, bright blue eyes, long blonde hair. Her shoe came untied and when I knelt down to tie it she saw my hair under my bandana. She touched my hair and delightedly squealed, “fluffy!” No one had ever taught her that the natural state of my hair was wrong. Something that needed to be burned and pressed until it was more like hers. To her, the differences between us were something marvelous, to be celebrated, not hidden. I learned on that day that everyone in this world, no matter how young or how different, has something to teach me. Even if that lesson is simply how to look at myself with new eyes.

A thousand dollars for reviews? People will buy just about anything, won't they?

I couldn't fathom why someone would spend even a dollar, let alone a thousand dollars for someone else to review their work. Don't these people have mothers?

But of course, at the time, everything I had published was paid for with a flat fee. I had no investment on how the anthologies did because I had already gotten every penny I'd ever see from the story (at least for the next few years).

Then I took my first step into self-publishing and my eyes were opened. Learned all kinds of new things like Amazon's fancy pancy algorithms for which books show up first in searches. And I also learned the most important lesson regarding reviews.

Most of the time, people don't write reviews.

I don't know why this didn't occur to me. I mean I'd had an Amazon account for years, and I'd written maybe two reviews over a 10 year period. Why wouldn't I expect others to think and behave the same way I do?

So after my first promo, after I'd given away hundreds upon hundreds of books, I sat back and waited for my first reviews. And waited...and waited...

Were they not reading the book? No, my webpage was linked at the last page and my traffic soared. If they hadn't read it why would they go to my webpage?

Did they hate it and not want to say anything bad? No, people sent me fan mail. Bought the other books I had written. Gave ratings on Goodreads. But Amazon reviews weren't happening.

Then I remembered back to so long ago, when I wondered why someone would pay for a review and thought..."Oh...".

So what do you do when it looks like no one is reading your book? Hit up your friends and family for reviews. Let me tell you now, it's worse than begging for money. Can't do it. Mom raised me with too much pride. So really, this is all her fault. Wait! Mom!

Mom raves about my books (cept the one with torture, she had to put that one down). Surely, she'd transfer her love for her daughter and everything she creates into wonderful, adoring praise. Right?

To this day my mom has never reviewed a single one of my books. But she did do a review for Kresley Cole's book, where she gave it one star, ranted about how she hated it, and wanted to post the link to my books if people wanted to read something good instead.

"No, mommy. No!"

This is the part where I'm supposed to offer the solution that solves all your problems. Uh...I'm not that kind of blogger. Sorry.

Honestly, I'm still on the quest that leads to fair, honest reviews raining down upon me. When I figure it out. I promise to let you know.

But at the moment reviews are low on my list. There are only so many hours in a day, and I like to put most of it towards creating the best fiction I can (and fiddling with my blog layout).

I had a really hard time getting into this book. And a lot of that is because Bettina is the most hateable female character I've ever read in any of her books. What makes the Immortals After Dark series stand out is how amazingly powerful the women are. They have these alpha males coming at them full force and they can give it as hard as they take it, sometimes harder. I'm used to Reign the Radiant hurling cars at guys that get in her way.

But now we have Bettina, a self-described mouse of a woman that jumps at the sight of her own shadow. She makes Emma (pre-Lachlain) look like a hardcore gangsta. She's literally a protected princess in a tower. Of course there is a reason for this, but we never see Bettina before the incident, so she just comes off as...weak. Sadly, pitifully, weak.

Not only physically weak and mystically powerless, she is weak of character. She allows herself to be controlled, manipulated and used. And had the self-awareness of a fifteen year old, not understanding her own feelings. Throwing herself at a man who couldn't have made it more clear he wasn't interested.

It was like Kresley Cole whipped out the old bodice ripper mold to make this character.

Fortunately she didn't do the same for Trehan. He was awesome and one of the most patient men in all of the Lore. He was definitely her mate, not many would have had the patience or tolerance to handle her so carefully. Most of the past heroes in this series would have fractured her psyche after the first meeting.

Once you get past wanting to murder the heroine and taking the hero for yourself, the rest of the story has Kresley Cole's signature storytelling which is exceptional, as it always is. Only KC could make me like a book starring a character I couldn't stand.

I don't believe perfection is obtainable with something subjective because we all have different taste, so what one person loves, another may hate. That being said, certain things are concrete, we know what a filter verb is and what affect it has, we know what affect head hopping has, there is no "sorta head hopping". So we can fix the concrete things to get a few steps closer to that abstract notion of perfection. Otherwise it's the same mentality of "why wash my ass, it's just gonna get dirty again". Even if there is no concrete finish line, since there is always room for improvement, I say improve til the point you're proud to show others what you've done and are willing to stake your name and reputation on your work. Some of my pieces I feel like "this is me, this is the best I can do with the resources I have, one day I may become a better writer, but right now this is the best of Ms. Morgan". And there are other pieces I feel, "uh...we're going to put this in the drawer here, close it, lock it, and leave instructions for the pages to be burned upon my death." So to me it's not all the same, there is SOMETHING to strive for, even if it's not perfection.

I can't lie. I read reviews for my stories. I try to avoid them because nothing can be more cruel than what someone believes to be their anonymous opinion of your baby. But even so, I read them. And every now and again some scathing review makes me pout for a few hours. However, I'd like to think once you make a billion kajillion dollars from your writing you can't hear the criticisms over the loud rustle of all your money. But I guess that's not true.