Evil Dead 2013

Like anyone with any taste in film I love The Evil Dead. That series is as close to perfect as movie making can be so so many reasons, not the least of which is the obvious fact that the filmmakers (actors included) approach a completely absurd plot as if it’s completely absurd. It works because it’s campy. The horrific gore is kept in check by the humor laced all the way through it. I could watch those films over and over again, enjoy them every time, quote them repeatedly. They are fantastic.

Like anyone with any taste in film when I heard they were going to remake the original Evil Dead I wanted to die before it was released so I wouldn’t have to suffer through seeing yet another classic destroyed by soulless studio execs who have no understanding of what made the original so great and just want to capitalize on an existing brand and a built in fanbase.

And then I started hearing all the whispers. This was not being made by some soulless studio execs who have no understanding of what made the original so great and just want to capitalize on an existing brand and a built in fanbase, but rather the original producers. Both Sam and Bruce were on board with it. It would be faithful to the original. Hell, it might be one of those rare cases where the remake is better (or at least as good) as the original. Could that be true?

I didn’t want to be a jaded fuck and just write it off, even though the trailer was telling me to just write it off. I told myself that maybe that was just the marketing department cutting something together to try and sell it to a different audience who just wanted another boring torture porn flick and would have been just as happy going to see SAW 27 or whatever. I kept telling myself Sam and Bruce say it’s faithful to the original. I kept telling myself to ignore my gut and give it a chance.

So when I heard the other day that a specific screening of the new Evil Dead at Arclight (the best theater ever) would have a personal introduction by Fede Alvarez (director of the new version) I thought, if I’m going to see it this is the time to do that. See what Fede has to say. Keep an open mind. Allow myself to get won over. So I grabbed tickets and went.

I should have trusted by gut.

Fede’s introduction was useless. He could have been introducing 2 hours of static and been more passionate. He didn’t seem to care about the movie, other than saying he made it and that it was really scary. So, right away off to a bad start. It got worse from there.

OK, let’s keep something in mind here: Since Evil Dead came out 30+ years ago in 1981 there have been a lot of movies riffing on the “cabin in the woods” theme. Not the least of which is The Cabin In The Woods. Given how satirical the original is, you can’t remake this film without having some self awareness of how much of a joke the theme is to begin with. Or maybe you can, because that’s what was done here. The things that made the original so great are completely stripped out of this version. There’s nothing funny about the new one. There’s no humor. There’s no soul. It’s a completely run of the mill torture porn movie all the way down to a heavy handed dramatic storyline transparently devised to make you really care about the people, but falling short because it’s so poorly constructed. The “junkie/withdrawal” set up is tossed out the window as soon as they find the book, which makes that entire thing a waste of time.

Now all of this wouldn’t have been so terrible if they had just used the name, a few plot points, and then just made a totally new movie. But instead this is peppered with visual references so you can’t escape the fact they they are shitting all over the genius of the original. I am disappoint.

I don’t know why Sam and Bruce made such a big deal publicly about how “true” this version was, other than to assume they just wanted the paycheck. But that’s a small price to pay for their trust. I certainly won’t believe anything they say about movies again.

And truthfully, I don’t know much my take on this even matters. The theater was filled. People cheered at the gore and blood. They applauded the ever so crappy references to the original – although maybe they did that because they also desperately wanted this to be that, and would jump at any morsel handed to them. I guess time will tell, but I thought it was a piece of crap.

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Hi, I’m Sean Bonner

Most of the time I live in Los Angeles, though I spend a lot of time in Tokyo too. I've run hackerspaces and blog networks, an art gallery, design firm and a record label. I'm one of the co-founders of Safecast, and currently act as Global Director. I'm a Shuttleworth Fellow, an MIT researcher and sit on the board of CicLAvia.