Poel writes of his dream to build an Elizabethan playhouse in Stratford-on-Avon. He also mentions his upcoming lecture on the disappearing art of the actor. The envelope is addressed to Green-Armytage in Bath.

Writing from Dublin, Lawrence discusses the controversy currently surrounding the definition of "the nocturnal," a specialized type of comedic play popular from 1597 to 1601. He lists his objections to Ernest Law's article describing traditional...

Material consists of a two-page prologue handwritten by Garrick placed next to an engraving of Garrick with his signature. Both materials have been pasted to a thicker sheet for protection and presentation. Prologue contains secondhand notations at...

W. C. Macready writes from Lambeth to J. Gallott regarding payment for a copy. Page 4 is a self-cover. W. C. Macready probably refers to William Charles Macready and J. Gallott probably refers to John Gallott. The letter is inlaid and torn.

Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....

In an undated letter written to Archer in London, Lawrence discusses the evolution of the physical characteristics of the European playhouse. [This letter may be the enclosure referred to in http://ccdl.libraries.claremont.edu/u?/phl,852.]

Brief article published by Playbill, Incorporated containing a brief biography of the actor Edwin Booth and the history and customs of the Players Club at 16 Gramercy Place, which he founded. The publication also contains advertisements for...

In a letter dated November 10, Garrick writes to actress Elizabeth Young to tell her to abstain from performing until she is "quite able." Garrick also gives her a short schedule of her future theatre roles. While letter addresses a "Miss Young,"...

Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...

In a typed letter from Dublin, Lawrence writes that he has sent the slides requested by Archer in his last letter and discusses various theories about the structure of the traditional playhouse, including the existence of a central curtain and a...

Lawrence writes to Archer telling him that he has found it very difficult to gather information about the evolution of the Japanese Theatre. He talks about a collection of Moronobar Hishikawa's theatrical sketches and describes a particular screen...

J. P. Kemble writes Woodfall about the disapproving behavior of George Colman, the Younger, at Kemble's farce production. Kemble recounts his own favors to Colman and Colman's father, and his disappointment at Colman's unnecessary actions. The...

Contract between Wynn Miller, Edwin Booth's manager, and R. Pateman, hiring Pateman and his wife for Edwin Booth's 1882 tour of Great Britain. The contract enumerates Mr. and Mrs. Pateman's obligations to act in the season's shows and provide...

Lawrence writes to Archer thanking him for the translation and also talks about the obserbvations of a man named Platter who saw Shakespeare's Julius Caesar at the Globe. Lawrence talks about prices and possible methods of paying to get into the...

In a typed letter from London, Lawrence discusses the progress of his book and asks Archer to send some of the notes and manuscripts he will soon require. He mentions a letter from Holloway which he encloses.

C. Kean writes an unnamed correspondent asking for a three night engagement in January. In the postscript, Kean writes about his success at Exeter. C. Kean refers to Charles Kean. The unnamed correspondent may be the manager of Sheffield...