Welcome to HerStory 2019! This year, we are focusing on artists of all stripes from all over the world. Our line-up is absolutely amazing, full of inspiring women, ass-kicking empowerment, and the most transcendent art you’ve experienced in many different mediums. We’re honoring women who create art in all kinds of ways, and our first artist is one the inspires the fearless leader of Knitted Wit daily, singer/visual artist/dancer/producer/everything, Beyoncé. She’s one of the few people in history who need only one name.

Why is Beyoncé our first HerStory recipient of 2019? Oh, let us count the ways: she is unapologetically herself, a black woman in the United States today. She tells the story of the struggle, and celebrates her culture in a way that is empowering and uplifting. Her recent work is all about telling stories of and for the women who have been left out of so many conversations, those who haven’t had a seat at the table. She uses her art to broaden feminism and center blackness in a time in which we are seeing more in-your-face racism and misogyny than we have seen in a long time.

Beyoncé’s public persona has taken on almost-mythic proportions, striking even in a society that lives to mythologize its celebrities. And she has taken full advantage of that mythologizing, using her celebrity to elevate the black voice, to celebrate black womanhood, and to refuse to allow even those who have put her on that pedestal to write her narrative. In short, Beyoncé is everything we need in today’s society, plus her music is catchy as hell.

Our Beyoncé-inspired colorway, Goddess, takes both its color inspiration and its name from Beyoncé’s centering of black feminism, black beauty, and black motherhood. The gold in the skein is directly inspired by her 2017 Grammy performance, in which an unapologetically pregnant Queen Bey paid homage to multiple goddesses who signify womanhood and fertility, from the African water spirit Mami Wata to Yoruba water goddess Oshun to Hindu goddess Kali. All three of these deities embody feminity, sexuality, and fertility, and Beyoncé channeled every single one in her performance. If you haven’t watched that performance, we strongly suggest you do so, and quickly. The other end of the skein is inspired by the stunning floral arrangements that surrounded her in the pregnancy and birth announcements she shared on Instagram in 2017. We are constantly struck by how much meaning she injects into everything she does, and these images were no different: in both her pregnancy and birth announcements, she mashed the Madonna/Venus archetypes together into her own beautiful interpretation. She deconstructed the Madonna/whore complex, enthusiastically stating that, in her and in all women, both and neither can be and are true at the same time, and womanhood and motherhood and sexuality are all a part of who and what she is.

Whew! We are inspired to listen even more closely to Queen Bey’s music and spend some time watching her visual works, to suss out even more of the meaning she infuses into everything she does. All while knitting socks out of Goddess, of course. How about you? Are you feeling as inspired as we are? Show us! Remember to share your projects on Instagram, by tag @knittedwit, and use hashtags #knittedwit and #herstory2019kal. On Facebook, join the Knitted Wit Knitalongs Group (https://www.facebook.com/groups/knittedwitkal), to be inspired by what your co-HerStory knitters have made, and inspire all of us with your creations.

Here at Knitted Wit, we are always growing, changing, evolving. Developing new colors, trying out new bases, working with new designers and companies: one thing you can definitely say about us is we don’t let dust grow on this business of ours. It is one of the new policies we are putting into place that we want to share with you today. We are discontinuing a yarn-handling policy that you may or may not even realized we’ve been doing: we are no longer rewinding our skeins after dyeing. As some of our peeps have said to us (and this really shows our age and theirs, as you’ll see shortly):

Be Kind, Don’t Rewind

(This is a take on the mantra of the VHS rental shop: Be Kind, Rewind, meaning, rewind the VHS tape after watching it, so the next person who rents this movie can just watch it instead of spending the felt-like-an-eternity time it took to rewind. You see, children, technology has come a long way in the last 30 years or so. A long long way.)

Once upon a time, we decided to rewind all of our skeins. Rewinding distributes colors aesthetically throughout the skeins, and softens things up a bit. Once a skein has been rewound, you can’t tell where different dye colors have been applied, and for our semi-solid colors, the subtle transitions are even more subtle. However, rewinding skeins is very time consuming, and over the past several months, we’ve been engaging in something we all engage in: looking for more time. We realized that we could save quite a bit of that oh-so-elusive time by merely twisting and labeling our skeins once they are dry after dyeing, AND we talked to a lot of our customers, both retail and wholesale, for their take on it. The consensus was: Be Kind, Don’t Rewind.

What does this mean for you? Well, it means your skeins will look a bit different than you may be used to. The exact same skein that you have grown to know and love will look a bit less color-muddled, with color transitions more evident. Here’s a photo of our Yosemite colorway as an example:

The skein on the left has not be rewound; the colors appear more concentrated and chunky. The skein on the right HAS been rewound, and the colors are more distributed. One of the biggest pieces of feedback we received in favor of NOT rewinding was that crafty folk can more easily see how a colorway is going to play out in the creating if the skein hasn’t been rewound. They can more easily see how much of one color as opposed to another color lives in that skein, and they can more readily plan out a project or choose complementary colors for something.

As we roll out the non-rewinding policy, we are also getting all of our variegated colorways knitted up into swatches, so you can see how each colorway behaves when worked. It’s a process, so will take a while, but, eventually, we’ll have photos of all of our skeins (un-rewound, of course), as well as a blocked swatch, on our Etsy site, so you can see how a particular skein behaves itself when knitted. Pretty cool, huh?

We are sharing our love letters for the HerStory Sock Club here, just in case you misplaced yours, didn’t get one, or want to check out what we send prior to signing up. Remember that there are many LYS’s that carry HerStory (listed on our front page), but if your local shop doesn’t, or if you love getting unicorn-encrusted mail from us, you can purchase a 3-month or year-long subscription from us here.

As a child in Kanpur, Uttar Pradesh, India, Seema Prakash became interested in science at an early age. She dreamed of becoming a pediatrician, after becoming enamored with Florence Nightingale, but even though as she grew, so did opportunities for women in India, the barriers to medical school were just too high. She attended an all-girls college in her hometown, earning her Masters in Botany before getting married and moving to England for a bit. During the early years of her children’s lives, she concentrated on parenting, but it was while in England that she began her journey on the work that would eventually land her on our 2018 HerStory list. One website we found stated that, in the end, she DID become a pediatrician of sorts, although to plants instead of human babies.

In the 1990s, her family moved back to India and Seema earned her PhD. Inspired by Bob Geldof’s activism in support of raising money for the famine in Africa, including the recording of “Do They Know It’s Christmas” and the Live Aid concerts, she began working diligently on figuring out a less expensive way to clone plants. You see, before Dr. Prakash’s groundbreaking work, plant cloning was prohibitively expensive for most, and thus was reserved for the big dogs of farming: the corporate farms who could afford the large price tag associated with it (the medium in which cloning traditionally occurs (agar) is very expensive). Dr. Prakash, seeing that having access to cloned plants, which have a higher yield, are more resistant to environmental factors that affect lesser plants, and are easier to propagate, would greatly help impoverished areas (such as great swaths of India), experimented with other media in which to culture plant tissue. After lots of trial and error, she discovered that sterilized glass beads and liquid nutrients, which are inexpensive and easy to come by, are just what the doctor (aka Dr. Prakash herself) ordered.

In the mid-1990s, Prakash founded a company to market this new way to clone, called In Vitro International Private Limited. (If you go to the website, know that it appears to not have been updated since the mid-1990s, and will show you just how far internet technology has come.) Her company is doing good works, pioneering different ways for small-scale farms to up their production and therefore better support themselves in an environmentally-friendly and sustainable way. The goal is a balanced growth, encouraging farmers to marry economics and ecology to support economic AND environmental sustainability for all. She has also created an education program for school-aged children, encouraging them to learn about plants and plant propagation through a “Plant Passport” program, with the goal of inspiring children to care about preservation and conservation.

We found ourselves very inspired by Dr. Prakash (although we also found that information about and images of her are hard to come by). Her efforts include creating a trust to ensure that rural farmers in developing countries have access to information and knowledge about economically-sustainable plant propagation free of charge; tireless advocation for women in agricultural and sustainable rural development work; and the introduction of technological advances to developing countries to introduce food self-sufficiency to parts of the world that have not yet achieved those goals, mostly because of economic and environmental disadvantages. We hope that this love letter, and the accompanyingly-inspirational colorway, Famine Fighter, that we created in honor of Dr. Seema Prakash teach you a thing or two about this amazing August HerStory recipient.

Speaking of Famine Fighter, we had so much fun creating this colorway! We did a massive google image search of saris, scrolling all around and mentally choosing colors to apply, and then we headed into the dye room and started playing. We have so enjoyed the creation of each of our HerStory colorways so far this year, but this one was particularly fun. Super-saturated silky blue and green and yellow, all in a skein of yarn? YES PLEASE!

This park is something else. Ginormous vistas in an almost-monochromatic color scheme that beg for subtle color play. Just check out our inspiration photo, and tell me you don’t want to make a garment out of this park. Or, add a pop of neon to it and pretend you are hiking through the Petrified Forest wearing something bright! The stunning rounds of petrified wood and the striated mesas give us all the feels. The fossilized trees you see there were alive during the Late Triassic Period, about 225 million years ago. Wowza!

This week’s National Park is practically in our back yard here in Portland. Olympic National Park is stunning. Like, can-barely-catch-your-breath, eyes-full-of-wonder stunning. There are so many different possibilities, inspiration-wise, that it was difficult to choose one photo that encapsulated what the park means. This one, however, really spoke to us: the trees growing out of their deceased bretheren, the moss, the ferns, the riot of life and greens and browns…

This week, we’re heading to Northern California and the breathtakingly-beautiful Lassen Volcanic Park. Our inspiration photo is courtesy of the always-stunning photography of National Geographic and their guide to the park, from which we learned a great deal.

Did you know that the volcano was slowly erupting from June 1914 through May 1915? And then, through June 1917, it erupted with more force and ash and steam, but has been relatively quiet ever since? In the one park, you can walk past and up and around four different types of volcanoes: shield, composite, cinder cone, and plug dome. And our Lassen Volcanic yarn is the perfect representation of the grays and greens inherent in the scamper we hope you’ll make through the park.

If you do a google image search for Katmai National Park in Alaska, your results are overwhelmingly photos of bears. Big bears, little bears, mama bears, papa bears, and oh, so many baby bears. So of COURSE we had to use as our inspiration photo a bear family. DUH. This skein of yarn is the perfect bear-family brown, shaded and deep and just plain perfect.

We are sharing our love letters for the HerStory Sock Club here, just in case you misplaced yours, didn’t get one, or want to check out what we send prior to signing up. Remember that there are many LYS’s that carry HerStory (listed on our front page), but if your local shop doesn’t, or if you love getting unicorn-encrusted mail from us, you can purchase a 3-month or year-long subscription from us here.

We all know the feeling: you walk into your kitchen, prepared to start your day, and a cloud of wee annoyances lift off of an overripe banana on your countertop. Your kitchen has been besieged by those unruly, buggy little things we all know as fruit flies. But just imagine if you will, that you look at one of these wee annoyances and instead see the key to understanding just how genetics work. Imagine seeing the beauty and the possibility in a cloud of fruit flies. Well, that’s what our July HerStory recipient, Christiane Nüsslein-Volhard, did. She embraced (not literally, because fruit flies are teensy) the little buggers and figured out how genes control embryonic development.

Born in 1942 in Magdeburg, Germany, Nüsslein-Volhard was a precocious child, always interested in biology and the natural sciences. Her grades throughout primary school were mediocre, as she professed to not give time and energy to the subjects that didn’t interest her. She attended Goethe Frankfurt University in Frankfurt in the early 1960s, but found herself feeling unchallenged and bored, so transferred to the University of Tübingen when they debuted a biochemistry program in the mid-1960s. Tübingen housed the Max Planck Institute for Virus Research, and was host to visiting scientists from a variety of fields, which proved to be inspiring to our young researcher. While at Tübingen, she briefly married and gained a hyphenated name, but when the marriage ended in divorce, she kept both names, as she had begun to be published, and preferred the continuity of having the same name. Her PhD work led her to study molecular biology and genetics in more depth, but she found that the course of study she had chosen was limited and not as inspiring as she hoped. She moved on to cellular biology, and studied at the University of Basel in Switzerland for a time, learning more and more about how genes behave, and what effects introducing mutations into a developing embryo have. She moved back to Germany to continue her work on genetics, and in 1980, along with her research partner, published a paper identifying fifteen genes that compromise the fruit fly.

After publishing this seminal paper, in 1986, Nüsslein-Volhard went home, to Tübingen, Germany, and became the director of the Max Planck Institute for Developmental Biology. She held this position for many years, and continued her work on genetics. Inspired by her genetic discoveries with fruit flies, she began working on isolating genetic structures of vertebrates, and began studying zebrafish.

Nüsslein-Volhard also began working on social, ethical, and philosophical issues in the sciences. She served on the National Ethics Council of Germany and became a leader on ethics and gender equality issues. Nüsslein-Volhard established the Christiane Nüsslein-Volhard Foundation, an organization which seeks to promote gender equality in science by providing support and resources to female scientists. One of things that most inspired Nüsslein-Volhard to found this organization was the realization that, no matter how accomplished a female scientist was, at the end of the day, for many women, the burden of homemaking, otherwise known as the invisible workload, most commonly falls to women. Her foundation provides funding resources to help female scientists hire out that invisible workload. She has spoken on the ongoing difficulties women face in the sciences: how hard it is for women to balance research and family obligations, and the fact that this is the leading reason women are so underrepresented in leading scientific positions.
Christiane Nüsslein-Volhard won the Nobel Prize Physiology and Medicine in 1995. She later reflected that it was a double-edged sword: she enjoyed the legitimacy and professional honor, but found it a distraction in many ways. She was torn between feeling the need to accept all invitations to speak and the desire to get back to work, and felt that there was a definite sexist slant to some of the reception to her award. Throughout her career, and throughout the careers of many women in fields that have been dominated by males, she’s had not only to do the work, put in the time, and make sure her work is exemplary, but also to fight against the sometimes-fragile male egos of her contemporaries.

She’s currently Director Emeritus at the Max Planck Institute for Developmental Biology, and in her spare time, loves to cook (she’s even published a cook book!) and play the flute and sing. She continues to be a leader in the field of genetics, and even has an asteroid named after her. So, the next time you find yourself with some overripe fruit and overzealous fruit flies, take a moment before smashing them all to think about how these humble pests helped to further our understanding of how genes work, and inspired the career of a truly inspiring HerStory recipient.

Who wants to go on a road trip to Michigan with me? Because Isle Royale National Park is the dreamiest, and I’m feeling the need for some of that beauty in my life. Oh, well, I’ll just have to be content to cast on some Isle Royale socks, huh?