Last Sunday morning, all the houses were covered with snow; during the week, there was plenty of sun. It felt like spring has come and gone, and back again, in the space of one week, even though it felt longer. Changes of weather are like music – they distort our sensation of natural time flow.

My first meeting with Colin Matthews happened three days ago. Other than getting some interesting tips on ‘What and What Not’, we had some interesting discussion on music by other composers – some dead, some alive – and it transpired to be a very helpful exercise. We both agreed Nielsen’s Sixth Symphony is an underrated masterpiece; I would go as far as saying all Nielsen’s symphonies are underrated masterpieces, as well as his three concerti, two operas, and other orchestral pieces. Nielsen and Sibelius should be on equal ground. How long will we have to wait to hear the next Nielsen Symphony Cycle in London? Well, at least something is happening across the Atlantic, according to Alex Ross.

The title of the my piece, Xocolatl, came to me when I was re-reading Philip Ridley’s The Pitchfork Disney. On the day I went to see Colin, I found the perfect little preface to the score:

In that November off Tehuantepec
Night stilled the slopping of the sea.
The day came, bowing and voluble, upon the deck,

Good clown … One thought of Chinese chocolate
And large umbrellas. And a motley green
Followed the drift of the obese machine

Of ocean, perfected in indolence.
What pistache one, ingenious and droll,
Beheld the sovereign clouds as jugglery