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It was not until the 20th century that the United States developed its own type of the humorous essay. The rustics and cracker-barrel philosophers of 19th-century America, from Sut Lovingood to Artemus Ward to Mr. Dooley, were fictional characters whose humor was mainly dialect humor. Even reallife figures such as Davy Crockett, Mike Fink, and Jim Bridger were turned into tall tales. Mark Twain used the essay form to pillory James Fenimore Cooper, but was himself primarily a fiction writer, as the title of perhaps his best-known essay, “How to Tell a Story” (1895), indicates.

The “little man” has bumbled through the 20th century, but his female counterpart has not. The decline of gentility meant that women essayists no longer needed to worry quite so much about being decorous. As Victorian proprieties eroded, female essayists could be more unabashed. Virginia Woolf and Dorothy Parker wrote wickedly funny essays— though this activity did not allow them to escape all the restrictions on their gender in their societies. Parker, in particular, should be regarded as a 20th-century woman, not a 19th-century lady. Woolf was cleverer than most men, Parker was quicker, and both were funnier. Among contemporary female practitioners of the humorous essay, some, such as Nora Ephron, Molly Ivins, and Fran Lebowitz, find their subjects in the (still) masculine public sphere, while others, such as Jean Kerr, Shirley Jackson, Peg Bracken, and Erma Bombeck, focus on domestic life; but all feel free to be both clever and incisive.

Mark has been a nationally syndicated humor columnist for the and is currently a regular humor essay blogger for The Huffington Post. (Check out one of his columns .) His humor essays have also appeared in and magazines, among others. He contributes radio comedy sketches and original material to Premiere Radio Syndicate and to the Jack FM series of CBS Radio stations nationwide. Finally, Mark has contributed comedy material to Showtime, the Playboy Channel, America Online, Weekly World News, and to nationally syndicated cartoonists including Bizarro's Dan Piraro. He is currently developing an edgy new children's feature film called , and sincerely hopes for world peace, and for both Paris Hilton and Angelina Jolie to respect his restraining orders.

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But 500 Dates is about much more than dating. Its humor essays also cover romance, relationships, breakups, attraction, the nature of love, and how both men and women view the art, science, expectations, and reality of courtship and turning courtship into something deeper and longer lasting in the twenty-first century. Throughout these essays, a portion of which were previously published in various media, Miller provides a sense of hope about one’s romantic prospects. Readers will find that the end of a marriage, even a long-term one, does not mean the end of romance—or one’s sense of humor.

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Within the essay tradition Montaigne’s anecdotal humor was offset from the start by Bacon’s more serious, instructive, and epigrammatic approach. If humor is broader, slower, and more open, while wit is more incisive, rapid, and neat, then the tradition of the humorous essay can be traced to Montaigne and the witty essay to Bacon. During the 17th century, La Rochefoucauld explored a sort of middle ground. His maxims were aphoristic and instructive in the manner of Bacon, but retained Montaigne’s skepticism and ironic self-deprecation.

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Over the last 20 years, Scheft has contributed humor essays and short pieces to the New Yorker, New York Times, Esquire, TV Guide, George, Talk, Slate, Modern Humorist, the collections Mirth of a Nation, 101 Damnations, May Contain Nuts, Howl, The Enlightened Bracketologist and a few other places that may or may not exist anymore. He is now a regular contributor to the New York Times Book Review.

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Now several years post-divorce, relationship expert and humorist Mark Miller has experienced more than five hundred first dates. In 500 Dates, composed of fifty-five humor essays, Miller features the highlights and lowlights of those dates.

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“ Try and Avoid the Speed Bumps is the follow up book to the successful Life on the Off Ramp which included some of the most popular earlier humor essays by Donna Cavanagh. In this book, Donna Cavanagh takes us down life's path where middle age, teenagers, the empty nest and suburban existence can sometimes result in a rough ride. As you read through these essays, you will not only laugh at her experiences but you might see yourself in the same driver's seat too. ”

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Here is a collection of my humor essays. Read them. Laugh at them. Share them with friends. Brian Eden Performs at the Baltimore 510 Reading Series

On the basis of a long view of the history of the humorous essay, one could, if reducing the form to its essentials, say that while it can be aphoristic, quick, and witty, it more often harks back to the 17th-century character’s slower, fuller descriptions of eccentricities and foibles—sometimes another’s, sometimes the essayist’s, but usually both.