Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously witty and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

1/5

This is a tale of banks and bankers. A tale of credit and discredit. This is a tale of a single woman in nineteenth-century Cheshire town, who does something truly radical.

When Hester is offered a merger to cancel her debts, she finds a neat, but risky, solution

By Margaret Oliphant

Dramatised by Kate Clanchy and Zena Forster

Penelope Wilton and Lyndsey Marshal star in this high Victorian tale of a woman who runs her own bank.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously witty and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

2/5

When Hester is offered a merger to cancel all her debts, she finds a neat, but risky, solution.

Penelope Wilton and Lyndsey Marshal star in this high Victorian tale of a woman who runs her own bank.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously perceptive and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

3/5

By Margaret Oliphant

Dramatised by Kate Clanchy and Zena Forster

When Hester takes her wayward cousin Edward back into the Vernon family bank, she reckons without the influence of his vapid wife Ellen.

Producer/Director - Jonquil Panting.

04

20140102

04

20140102

Hester does not want to see it, but here it is: the other side of Edward's picture.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously perceptive and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously perceptive and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously witty and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

1/5

This is a tale of banks and bankers. A tale of credit and discredit. This is a tale of a single woman in nineteenth-century Cheshire town, who does something truly radical.

When Hester is offered a merger to cancel her debts, she finds a neat, but risky, solution

By Margaret Oliphant

Dramatised by Kate Clanchy and Zena Forster

Penelope Wilton and Lyndsey Marshal star in this high Victorian tale of a woman who runs her own bank.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously witty and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

2/5

When Hester is offered a merger to cancel all her debts, she finds a neat, but risky, solution.

Penelope Wilton and Lyndsey Marshal star in this high Victorian tale of a woman who runs her own bank.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously perceptive and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

3/5

By Margaret Oliphant

Dramatised by Kate Clanchy and Zena Forster

When Hester takes her wayward cousin Edward back into the Vernon family bank, she reckons without the influence of his vapid wife Ellen.

Producer/Director - Jonquil Panting.

04

20140102

04

20140102

Hester does not want to see it, but here it is: the other side of Edward's picture.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously perceptive and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.

Sometimes called 'the feminist Trollope', Margaret Oliphant is an unjustly-neglected British writer of the nineteenth century, famed for her perceptive, ironic psychology, and her strong female characters. And Hester has a striking premise: a young woman in a nineteenth-century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger of a run, she pledges her whole private fortune to save it. But instead of merely underwriting it, in return she insists on running the bank herself, as a single woman, in defiance of all convention.

Using Oliphant's deliciously perceptive and sardonic narration, allied to a radical dramatisation by Kate Clanchy and Zena Forster, 'Hester' reveals a flawed and fascinating heroine, reborn for radio.