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Category Archives: Genres

I’m not going to try to name it (ahem), but I do want to highlight its existence while it’s still young: a new web genre in which one person recommends one thing (often for one day). It’s another manifestation of modern web minimalism, akin to what is happening in web design. We are sick of the rococo web: the endless, illustrated, hyperlinked streams of social media, the ornate playlists, the overabundant recommendations in every corner of our screen. Too many things to look at and read.

The solution has occurred to several people at once: vastly reduce the choices for the recommender and the recommendee, the better to focus their attention. (Were I a staff writer for the New Yorker I would insert a pithy reference to Barry Schwartz’s The Paradox of Choice: Why More Is Less here.)

In music, there’s This is My Jam: one person, one song. For writing, The Listserve: one person, one message to a global audience via email. Perhaps most intriguing was the short-lived project Last Great Thing, which asked one person a day to name the most interesting, compelling work they had encountered recently. Recommendations included many websites but also novels, videos, music, and plays. As editors Jake Levine and Justin Van Slembrouck put it:

Last Great Thing was designed to take our mission to its extreme: from the endless stream of great content on the web, how would we go about creating an experience around a single compelling thing?

It’s worth reading their entire justification for the project, and what they learned. I suspect the model could be helpfully extended to other areas. The genre recaptures the advantages of scarcity that print had, in the same way that Readability and Instapaper recapture the advantages of distraction-free legibility for reading.

Sorry, I don’t have a better name for it, but I feel it needs a succinct name so we can identify and discuss it. It’s not a tossed-off short blog post. It’s not a long, involved essay. It’s somewhere in-between: it’s a blessay.

The blessay is a manifestation of the convergence of journalism and scholarship in mid-length forms online. (For those keeping track at home, #7 on my list of ways that journalism and the humanities are merging in digital media). You’ve seen it on The Atlantic‘s website, on smart blogs like BLDGBLOG and Snarkmarket, and on sitesthat aggregate high-quality longform web writing.

Some characteristics of the blessay:

1) Mid-length: more ambitious than a blog post, less comprehensive than an academic article. Written to the length that is necessary, but no more. If we need to put a number on it, generally 1,000-3,000 words.

3) Uses the apparatus of the web more than the apparatus of the journal, e.g., links rather than footnotes. Where helpful, uses supplementary evidence from images, audio, and video—elements that are often missing or flattened in print.

4) Expresses expertise but also curiosity. Conclusive but also suggestive.

5) Written for both specialists and an intelligent general audience. Avoids academic jargon—not to be populist, but rather out of a feeling that avoiding jargon is part of writing well.

I suspect readers of this blog know the genre I’m talking about. Am I missing other key characteristics of the blessay? What are some exemplary instances?

UPDATE: Unsurprising griping about the name on Twitter. Please: give me a better name, one that isn’t confused with other genres. Other suggestions: Giovanni Tiso: “essay” (confusing, but gets rid of the hated “bl”); Suzanne Fischer likes Anne Trubek’s suggestion of “intellectual journalism” (seems to favor the journalism side to me). As I’ve said in this space before, writing is writing; I’d love to call this genre just “the essay” or, yes, “writing,” but I wrote this post because I believe if we go that route the salient characteristics of the genre will be lost in a night in which all cows are black.

UPDATE 2: Much headway being made on Twitter in response to this post. Yoni Appelbaum puts his finger on it: “It’s not journalism. It’s not blogging. It’s practicing the art of the essay in the digital space.” That’s right. Thus Yoni’s suggestion for a name: “Simplest is sometimes best. These are Digital Essays – composed, distributed, and tailored for the format.” Anne Trubek and Tim Carmody worked to define the audience. Anne spoke of readers of the print Atlantic, the New Yorker, and other middle brow gatherings, and authors like Trilling. Tim responded: “The audience for this is similar: para-academic, post-collegiate white-collar workers and artists, with occasional breakthroughs either all the way to a ‘high academic’ or to a ‘mass culture’ audience.”

UPDATE 3: Back to the name: Some perhaps better suggestions are surfacing. Sarah Werner mentioned a word I often use in this space for the genre: “pieces.” Anne Trubek gives it that classic modifier: “thought pieces.” Kari Kraus reminds me that MediaCommons uses “middle-state,” which has some charms, but is a bit opaque.

UPDATE 4: So of course Stephen Fry would beat me to the coinage of “blessay” (thanks, Dragonweb). Again, the point of this exercise is less about the name than about a set of traits. A blessay—or whatever we want to call it—isn’t just a long blog post or a short academic article posted online. It has certain stylistic elements. And it doesn’t rule out other kinds of intelligent online writing.