Ts.Zu.K.La.La

In these works a photograph of an explosion scene from a film is printed on paper and glued to transparent wallpaper - the side on which the print was made gets covered by wallpaper. Later, the bare paper is scraped until its absolute erosion, leaving only the color particles that stuck to the wallpaper's glue. The result looks like sticky tape that succeeded in peeling an entire image off a painting

The relationship between the object, the action and the photograph are reversed, as the photograph produces the action. The image photographed is in any event a simulacral image, eroding reality. Not only dose the cinematic effect of explosion not reflect reality, it replaces it. What is more real than the experience of an explosion on the screen? The only element which marks it as fiction is its context - the cinematic effect. This mark destroys the claim to reality on which the image relies.