Videos

“Povero Ernesto…Cerchero lontana terra”
Nicholas Sharratt sings the opening scene from Act 2 of Don Pasquale by Gaetano Donizetti, recorded live in the Recital Room at Blackheath Halls on 13th August 2015, accompanied by Stuart Wild.

“Que les destins prospères”
Nicholas Sharratt sings the Count’s opening aria from Act 1 of Rossini’s ‘Le Comte Ory’, recorded live in the Recital Room at Blackheath Halls on 14th August 2015, accompanied by Stuart Wild.

“Loin de son amie”
Nicholas Sharratt sings Léopold’s Sérénade from ‘La Juive’ (Halévy), recorded live in the Recital Room at Blackheath Halls on 13th August 2015, accompanied by Stuart Wild.

“Languir per una bella”
Nicholas Sharratt sings the cavatina from Lindoro’s opening aria from Rossini’s ‘L’italiana in algeri’, recorded live in the Recital Room at Blackheath Halls on 14th August 2015, accompanied by Stuart Wild.

“Comfort ye…Ev’ry Valley”
Nicholas Sharratt, tenor soloist in Handel’s Messiah, recorded live at the Cadogan Hall, London on Sunday, 16th September 2012 with the New London Orchestra.

“Thou Shalt Break Them”
Nicholas Sharratt, tenor soloist in Handel’s Messiah, recorded live at the Cadogan Hall, London on Sunday, 16th September 2012 with the New London Orchestra.

news

More award nominations for The Devil Inside!

After a nomination for best new opera at the UK Theatre awards in London's Guildhall and a nomination for outstanding contribution to opera in the WhatsOnStage awards, The Devil Inside has been nominated for a Scottish Award for New Music, and was made the best opera of the year by George Hall in The Stage's review of 2016.

'A Midsummer NIght's Dream' sold out!
All performances at Snape Maltings in June are now sold out. Please check with the box office for returns.

The Nose online!

The live screening of Barrie Kosky's new production of The Nose is still available to watch for free via the Opera Europa online platform.

reviews

“Best is Nicholas Sharratt, whose poised singing and acting put Paris's dilemmas rather than Priam's at the centre of the drama.” Rupert Christiensen, The Daily Telegraph