I Love You, Daddy (2017): When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.

WARNING: STRONG Language Below. You have been warned.

This is one of the worst movies I have ever seen. If someone wanted to torture another individual with a movie, they would show them this travesty. I'm just gonna say it, because it needs to be said.....I Love You, Daddy is a real piece of s**t. It's sexist, misogynistic, and even racist at points. (Because why not add racism to everything else, right?) It's filled with gender stereotypes and mansplaining and so. Much. Projection. My GOD does Louis C.K. project his thoughts on to the poor female actresses SO MUCH here. I had to pause this.....thing so many times just to clear my head and regain my composure. I had to pause this thing more than I did for Manos The Hands of Fate. And that movie features a man who was high on LSD while it was being filmed! Even if you try and remove the disgusting ties to Louis C.K.'s sexual harassment accusations, you still have a movie that is filled with stereotypes and a character that we're supposed to sympathize with even though HE'S BASED OFF OF WOODY ALLEN. YOU KNOW, THE GUY WHO MOLESTED HIS OWN DAUGHTER. AND LUSTS AFTER YOUNG GIRLS. AND HERE HIS MOLESTATION IS CAST ASIDE AS "Oh. It's merely accusations! So it's ok, right?" WRONG. WHO THE ACTUAL FLYING F**K THOUGHT THIS WAS A GOOD IDEA. AT ALL. Oh, I know! Sexist pigs who think it's ok to pretend to jerk off in a public setting over a women when they're on the phone. (Which Charlie Day does, at one point.) Or someone who thinks it's ok to jerk off in front of people in real life! Wait, it's almost as if that second one may be true....

​​I have lost a significant amount of respect for all the people who agreed to be in this s**tshow. ESPECIALLY Charlie Day. His character is a f**king misogynist scumbag, and Day plays him FAR too convincingly. And JESUS some of the things that are said in this movie......it's disgusting. Utterly disgusting. The clear projections are the worst of it. There's a scene where Louis C.K. is talking to Rose Byrne about him being uncomfortable that his daughter is dating a child molester, and Byrne is the one telling C.K. that it's ok and trying to justify it. All I could think was "Louis C.K., you tool, you may think that the premise of your ENTIRE movie becomes ok because a woman in the movie says it's ok, but.....YOU WROTE THIS. She's saying what you told her to say! So NO. It does NOT make it ok." GAAAAAAAAAH F**K THIS MOVIE. See this pic of Pamela Adlon from this travesty? That's your RESTING face as the viewer for EVERY. FREAKING. SCENE. (Screams into the void)

​Ok. Deep breath. Regain my composure. Alright. Louis C.K. bought the rights back to this film after The Orchard (rightly) decided not to release it, (A bit of sweet justice here-The Orchard did cancel the release of this thing but not before they sent out thousands of awards consideration screeners. Because of course they thought this would be Oscar-worthy! SERIOUSLY? YOU THOUGHT THIS WOULD BE WORTHY OF OSCAR CONSIDERATION? HOW STUPID DO YOU HAVE TO BE? [Screams into the void again]) but I hope we as a society never regress to a point where ANYONE finds it acceptable to release something like this. Don't you DARE try and profit off this, dude. If I was monetizing this blog I'd feel bad just talking about it and making a few pennies off my review. It's that slimy. And don't worry, I didn't spend a dime to watch this, either. No royalties are being made here by any party. It's a travesty that's not funny, and not even that good of a movie when you (try to) take away the blatant sexism. It's overlong, the ending is VERY rushed, and Chloe Grace Moretz clearly does not care. She's in it for the paycheck, and I don't blame her at all. She has no chemistry with Louis C.K., who's also bad, and John Malkovich is..... uncomfortable in every sense of the word. Rose Byrne is charming because it's impossible for her not to be, but all the projecting Louis C.K. puts on her makes her nothing more than a cheap plot device. And the black and white feels like a cheap Snapchat filter and doesn't add anything to the film at all. It has as much depth as when you're one friend who's had everything in their entire life handed to them uses the B&W filter and calls it "art." There are no redeeming qualities to be found here. None. Go watch grass grow for two hours instead of this trainwreck because it won't leave you anywhere near as FRUSTRATED THAT ANYTHING LIKE THIS WAS EVEN ALLOWED TO BE FILMED. F**k this piece of s**t movie. Now, if you'll excuse me, I need to go and wash my eyes and ears out with soap to try and get rid of this thing's stench.

My Number: 0/10. This sorry excuse for a film does not even deserve a tenth of a point for being in focus.

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