As a child, I would watch Michael Jackson’s “Man in the Mirror” video and wonder why people would be so overcome with emotion that they would cry hysterically, faint and be carried out of the crowd lifelessly. That mystery was solved, twenty-five years later; when the ‘Legendary Roots Krewe from Philly’ obliterated Bear Creek’s Amphitheater Stage. After living out a dream (thanks to festival curator Paul Levine, who arranged for me to bring my hometown heroes onstage), I assumed the position riding the rail directly in front of emcee Black Thought. The entire Amphitheater was packed to the gills, people were screaming the band’s name with a vehemence! Ahmir ?uestlove Thompson led ‘The Illa-Fifth Dynamite Foundation’ as they launched into a gargantuan run of classics; “Table of Contents” gave way to “Next Movement,” ‘Hot Hot Music’ filled the dank air. The following seventy-five minutes was a whirlwind of unparalleled hip-hop fury: Capt. Kirk, Kamal Gray, Knuckles, Tuba Gooding Jr., Ray Angry and Mark Kelley followed their leaders thru the swamp and beyond. Roots chestnuts like “Proceed,” “Step into a New Realm” and “Mellow My Man” were delivered with vigor, the songs and style fresh to def.

Legendary as advertised. Indeed, this writer is from Philadelphia; but please don’t get it twisted, this was fucking nuclear! The Roots headlining set on Saturday night is immediately on the short-list for greatest in the festival’s storied history.

When The Roots embarked on the world tour for their 5th album, Phrenology, in early 2003, they had entered one of their most experimental stages (just as Common had recently done with his Electric Circus album, released only 2 weeks after Phrenology.) The Roots had fully embraced the jam band aesthetic; with guitar now an integral part of their live sound each band member took time on stage for extended solos and improvisations every night. At the same time, their sound was as tight and hard hitting as any funk/soul revue you can remember. At the top of their game, they consistently rocked crowds and impressed critics.

With 10 years of hindsight, we can look back and see just how on point this group was as they paved the way for the next generation of hip hop and soul musicians. On the 10 year anniversary of the Phrenology tour I present four broadcast videos of The Roots from 2003, each with different lineups and guitarists.

First up is their homecoming show at New York City’s Roseland Ballroom near the end of the tour. This show featured a slew of surprise guests, including Nice & Smooth, Brand Nubian, and Special Ed. Watch the full video below in 2 parts, download the DVD, or download the full audience audio recording.

Next up is a video from their European Tour just a few weeks later. By this point, guitarist Ben Kenney had left to join Incubus on bass. Having been with The Roots since the summer of 2001 when he filled in on bass while HUB was out, he switched to guitar in mid-August of 2001, then departed in mid-March of 2003.

For this short European tour, Vernon Reid & Martin Luther both held down guitar duties. By May of 2003, Captain Kirk Douglas stepped in on guitar and has been in the band ever since. Presented for the first time with upgraded audio, you can watch this video on youtube, download the DVD, or download the broadcast audio.

Next up is a broadcast video from the North Sea Jazz Festival during the summer of 2003. This video features both Martin Luther and Captain Kirk Douglas on guitars. And by this point, Scratch had departed from the group.

The Roots
July 11, 2003
The Hague, Netherlands @ North Sea Jazz Festival

When Robert Glasper arrived at St. Louis’ premier jazz venue, Jazz At The Bistro, he promptly apologized for twice canceling prior engagements at the club (one due to the birth of his child and another due to a call from Maxwell to go on tour). He more than made up for it with 2 sets of his pensive yet blissful piano playing. With him were fellow Houstonian Alan Hampton on upright bass and St. Louis native Mark Colenburg on the drum kit.

Glasper recounted how he met Colenburg back in 1999 at this very club and how he recommended Colenburg to Common for the Like Water For Chocolate tour. Quite expectedly, Colenburg showed and proved in his hometown with two snare drums, plenty of chops, and a heavy nod to J Dilla‘s fluid yet angular sense of rhythm.

With the news of Whitney Houston‘s unexpected passing, Glasper dedicated the first tune to her, beginning the 20+ minute piece with a meditative and lengthy solo piano improvisation. After a short “J Dillalude”, Glasper jokingly name dropped 11 of the 12 guests appearing on his new album, Black Radio, and reminded everyone that the new album drops in 2 weeks. In his words, “cop that”. He closed the early show by taking requests, to which at least two audience members immediately shouted “F.T.B.” without hesitation. When someone asked “what does it stand for?”, Glasper declined to answer, preferring to “keep it off record”. Your guess is as good as mine. Notably, the trio teased The Roots‘ Grammy award winning song, “You Got Me”, as the final notes of the set.

Playing to a totally different, and noticeably younger and whiter, crowd for the late show, the trio stretched out much further. The set began with 30 minutes of non-stop music that shifted from on point jazz changes to open solos to an improvisation in which Glasper took a candle holder from the front table and held it to the piano strings as he played. (In fact, this is the section you hear on the streaming audio, above). After an hour of mesmerizing sounds, as icing on top, the show closed with a vamped out instrumental version of Q-Tip‘s track “You” from The Renaissance album. Completely satisfied, the crowd didn’t push for an encore, content to disperse back out into the cold night.

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