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I wasn’t planning to borrow from Kinsey’s occasional tendency of reviewing something that everyone has already read and talked about, but Rebecca assured me that it hadn’t crossed her path until I told her about it.

In August of 1619, a ship appeared on this horizon, near Point Comfort, a coastal port in the British colony of Virginia. It carried more than 20 enslaved Africans, who were sold to the colonists. No aspect of the country that would be formed here has been untouched by the years of slavery that followed. On the 400th anniversary of this fateful moment, it is finally time to tell our story truthfully.

The more I read as an adult, the more I realize just how sanitized the history I was taught was, and most particularly when it comes to slavery. This project is a collection of writing looking at the history of slavery, how it has roots in every sector of our country, and the ongoing harm it does today. It includes over a dozen pieces – mostly written essays but also poems, short works of fiction, and photo essays. It is large in scope, both in size and range of topics, and it is a daunting read that I honestly wasn’t sure I could manage.*

Then I started seeing some of the buckwild responses from conservatives who very clearly had not read any of it, and decided that I had to read it, out of spite if nothing else (for proof of what I’ll read out of spite, see Atlas Shrugged). And no lie, it is a hard read, though I suspect less difficult for black readers, who may mostly feel relieved to see published acknowledgement of what they already knew. I’ve set myself to read just one of the entries each day, so I’m only four in at the point of this review, but I feel like every sentence hits me like a ton of bricks:

This violence was meant to terrify and control black people, but perhaps just as important, it served as a psychological balm for white supremacy: You would not treat human beings this way. The extremity of the violence was a symptom of the psychological mechanism necessary to absolve white Americans of their country’s original sin.

— from “Our democracy’s founding ideals were false when they were written. Black Americans have fought to make them true.” by Nikole Hannah-Jones

I promise that I’m going to review an actual book eventually, but in the meantime, here’s some more links!

We’ve all mourned the closing of The Toast on this blog (though thank god for the archive!), and before it closed, the editors tried multiple ways to make it financially sustainable but not exclusive without success. E-newsletters may be the answer! Both Nicole Cliffe and Daniel Mallory Ortberg, founding editors of The Toast, have ones that mirror their respective writing styles. Both newsletters are primarily for a paid subscription, though include periodic public posts for people who either cannot afford the subscription or want to read some samples first.

Nicole Cliffe’s daily newsletter, Nicole Knows, lists interesting reads from around the web, including long-form articles, YouTube videos, tweets, advice column letters, and my favorite, particularly juicy reddit posts. She also recently published an interview with Alanis Morissette in Self Magazine, and I’ve never been a huge fan of Morissette’s music, but reading these two smart and compassionate women talk about feminism and motherhood and individuality was a real inspiration.

Daniel Mallory Ortberg’s newsletter, The Shatner Chatner, is not as regular as daily, but several times a week, and my best idea is that it spans whatever he happens to be thinking of that day. It is often very funny, often very insightful, and sometimes so educational on trans issues that I’m scrambling to keep up.

And finally, this isn’t really a newsletter in the same way as the above, but R. Eric Thomas, an incredibly funny writer for Elle.com, writes a weekly tinyletter, in which he collects his 3-4 articles for Elle.com with some additional commentary or personal anecdote. They are free to subscribe to, and I look forward to them every Sunday as the only thing making current politics even remotely bearable.

So, I’ve moved to Michigan! My life got increasingly frantic leading up to the move, and now I’m surrounded by boxes, but things are calmer. I’m currently reading Rewind, the fourth in the Pinx Video mystery series, which continues to be a delightful mix of noir-ish detachment and absurdist humor. It is a perfect counterbalance to the stress of packing all of one’s belongings up in boxes and then having to unpack them again.

HOWEVER, have I got a podcast recommendation for you! It is fascinating, intense, and disturbing, and I have to take it a little at a time. “Running from COPS” is a widespread look at the show COPS, which I was shocked to realize has been on for 30 years and has aired more than a thousand episodes.

I was never a huge fan of the show, but also didn’t think very hard about it, assuming it was just a normal look at law enforcement, and how you viewed the show depended on how you viewed law enforcement in general. Which, according to the podcast, is an entirely intentional impression created by the show and has had truly insidious effects on the evolution of law enforcement.

The podcast interviews the creators of the show, network producers, retired police, lawyers, and most importantly the “criminals,” who are often found not-guilty after the cameras have turned away but will forever be “the person on COPS”. The creators ask a lot of very good questions and then follow up with the people that can answer them, which is the very best of critical-thinking media these days.

I think, like a lot of complacent, middle-class, white people, I had generally bought the argument that while flawed, law enforcement was generally trying its best, and the last decade or so has been a continual waking up to a very different reality. This podcast, for me, has been yet another wake-up call on how methodically the institution of law enforcement has been normalizing and even celebrating human rights abuses. It is not always an easy listen (honestly, in this day and age, just listening to the audio from episodes is upsetting), but I highly recommend it, not only because it is an important eye-opener but it is just great podcasting!

I can’t remember what social media recommended this, but a while ago, someone linked to this truly incredible ‘eulogy’ that Hunter S. Thompson wrote for Nixon on his death:

Some people will say that words like scum and rotten are wrong for Objective Journalism — which is true, but they miss the point. It was the built-in blind spots of the Objective rules and dogma that allowed Nixon to slither into the White House in the first place. He looked so good on paper that you could almost vote for him sight unseen. He seemed so all-American, so much like Horatio Alger, that he was able to slip through the cracks of Objective Journalism. You had to get Subjective to see Nixon clearly, and the shock of recognition was often painful.

It is also shockingly reflective of the current president, as well. In these terrible times, I’ve been really missing the political writers like Molly Ivins, who could make me laugh while exposing the most outrageous politics, and we need more of them. I hope to God someone writes something similar about Trump on his demise (or sooner).

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When I was relating this to my mom as perhaps the best literary take-down I’d ever read, she reminded me of Mark Twain’s savaging of Fenimore Cooper, which if you haven’t read, you need to go do right now:

We must be a little wary when Brander Matthews tells us that Cooper’s books “reveal an extraordinary fullness of invention.” As a rule, I am quite willing to accept Brander Matthews’s literary judgments and applaud his lucid and graceful phrasing of them; but that particular statement needs to be taken with a few tons of salt. Bless you heart, Cooper hadn’t any more invention than a horse; and don’t mean a high-class horse, either; I mean a clothes- horse. It would be very difficult to find a really clever “situation” in Cooper’s books, and still more difficult to find one of any kind which has failed to render absurd by his handling of it.

Honestly, is there anything better than a truly skilled author using their gifts for maximum snark?

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Unrelated, but since I’m linking to things, I’ve been obsessed with this tweet all week:

Some good samaritan put together a spotify list that I’ve been listening to all week, and just mulling over how hard it is to feel vulnerable in your teens, trying to make meaningful connections with other people. And, of course, it is just a total shot of pure 90s teenage longing!

Since the management of tumblr appears to be going insane as they implement rules to destroy their own user base, I’m going to recommend these stories while they’re still around to link to. None of these are fanfic, but they’re very much in that mode, ie, much more character driven than plot-driven.

This is a really interesting short story in the intersection of religion and supernatural fantasy, that strikes me as similar in tone to Manly Wade Wellman’s short stories in Who Fears the Devil?. If you haven’t read those, then you absolutely should as well. But in this as well as in Wellman’s stories, spirits and humans have intersecting needs and if you’re lucky, you can deal with the situation that occasionally arise without ever learning what the consequences of failure would have been.

This is hilarious and while I wouldn’t mind a full novel about it, it’s also a very cute if somewhat sketchy short story of high fantasy style with kings and castles and swords and sorcery. And it opens with the line, “Tell Miles, the wind whispers, that he’s a little bitch.” Which just cracks me up.

Some time ago I bookmarked this short story, intending to read it later, and then mostly forgot about its existence until I was searching through some old bookmarks wondering why I had so many of them.

It’s really good! It’s sort of magical-realism, fairy-tale like, with a cranky old woman as the main character and is a delight.

It reminds me of Zen Cho’s short stories, including “Prudence and the Dragon” which Anna reviewed previously, and the stories in “Spirits Abroad” which apparently I never got around to reviewing here, but are also fabulous.

As the days get colder and the nights get longer, treat yourself to some beautiful, sunny vistas of the Kenyan safari. I can feel my blood pressure sinking with each photo, regardless of whether they include any giraffes or not.

Zooniverse is a site that features projects in need of crowdsourcing large amounts of data. Wildwatch Kenya, the one I’ve gotten particularly attached to, is tracking giraffes in a research project for conservation. They have thousands of photos taken by motion-sensor cameras. Most of the photos have nothing in them, being triggered by wind or a bug or something, but the scenery is gorgeous, and the excitement of finally seeing a giraffe, zebra, or elephant is a bit ridiculous.

There are dozens of other wildlife-photo-based projects, but I also got interested in transcribing historical documents. You know various novels, like Jane Austen’s, where some character is complaining about another’s handwritten letters? I’m now full of sympathy! The transcribing also gives such a realistic look into the time periods from a more everyday perspective than is usually shown in the history books.

I started with some letters from Boston Public Library’s Anti-Slavery collection, and while it wasn’t as historically inspiring as I’d hoped, it was actually pretty thrilling to read the more trivial and petty infighting among the famous abolitionists of the day. That particular project is currently being updated, so I switched over to transcribing handwritten surveys from soldiers in WWII, and it is also fascinating, but grimmer.

All of the projects are particularly addictive because they’ve taken the Netflix approach: when you’ve finished identifying a photo/transcribing writing and submit it, the next one just pops right up! I’ve had many late nights this past week trying to tear myself away from “just one more”.