Taji Mag | Black Culture

Here’s When Cultural Appropriation is OK

Cultural Appropriation: A Beginner’s Guide

Curtis M. Wong at Huffington Post celebrated Ben Yahr, a gay white man who thought it’d be cool to inject cultural appropriation into Beyonce’s maternity photos. He thought wrong. While Wong is no critical race scholar, it is still surprising he finds Yahr’s behavior celebration-worthy. Just like it’s never okay for gay white men to call themselves “Black women,” Yahr is not functioning as an ally in this series of photos where he appropriates Beyonce’s Black body. It’s disappointing that the Huffington Post has chosen to give this microaggression a platform. It’s time for white people to fall back.

In the article, Wong quotes Beyonce by noting that Yahr’s series of photos is flawless. Here I agree with Wong, these photos are a flawless. They are a flawless example of how gay white men can be racist too. Congratulations. For Wong to suggest that this effort by Yahr encourages everyone to embrace body positivity is another way of telling us our Black bodies are not good enough or that some white man can perform Blackness better. As a Black woman who struggles with body positivity, Yahr’s work only silences the joy I felt when I saw Beyonce’s photos.

We collectively smiled at Blue Ivy kissing her mother’s belly. It was a contrast to of the way pregnant Black women were tortured during chattel slavery. Seeing Nefertiti in the background of her photo inspired the hope of resurrection for our culture. I thought about last Black History Month when she performed at the Super Bowl in a way that made me forget all the trauma we face on a daily basis as Black women.

Yahr attempted to desecrate that.

This is the norm: ignore Black culture until it is legitimized by whites. For example, there is an unlimited supply of young Black girls twerking, but white girls are often credited with popularizing the dance. Andy Cohen is an excellent example of a gay white man who appropriates Black women, yet fails to acknowledge his racial bias. The Bravo “Watch What happens Live” host called Amandla Stenberg a “jackhole” after she commented on Kylie Jenner’s cultural appropriation. This ignored the undeniable ways he has directly benefitted from the work of Black women: his show only came into existence after the predominantly Black Real Housewives of Atlanta, despite several all white Real Housewives series.

To say Yahr’s appropriation “slays” is an overstatement at best. What he really does is get a little more famous on the back of a hard working Black woman. That is not innovative. That is simply cultural appropriation. Please miss me with that.

Many of us remember Laganja Estranja whose cultural appropriation rivaled that of Elvis Presley. Estranja, a contestant on RuPaul’s Drag Race, was the epitome of appropriation. This is a person known for twerking like Beyonce and fake code switching. Isobel DeBrujah notes that this is all “an obvious imitation of black voice/speech patterns, specifically black female voice/speech patterns, specifically black, southern, speech patterns popularized by white people at black people’s expense.”

The lack of respect and outright unwillingness to accept when they are called out is rampant.

Why do white men–especially gay white men, who in a better world should be our allies–feel like it’s ok to use our bodies without our knowledge or permission? There are ways to prove your point without the unapologetic cultural appropriation Black women. Any intended commentary is invalidated when you represent the same disregard for our existence as the people/systems you criticize. This is not some one-off incident. There is a litany of gay white men who enjoy our Black womanhood, while routinely dismissing our grievances.

We have been telling white gay men about their blatant cultural appropriation for years, but the message hasn’t quite sunk in for the Huffington Post. The proliferation of polite racism is why we can’t have anything. White supremacy persists because of the invisible privilege that white LGBTQ communities ignore. Yes, there are some people coming to Yahr’s defense and adding context, but this blatant disrespect will never be ok. There will always be white people who apologize and make excuses for their racist peers. Cultural appropriation and its apologists are not new and they are not acceptable.

I know what some readers are thinking, though. Can’t we celebrate everyone? Why does it have to be racial? What if we just enjoy the culture? These are all completely natural questions.

About Africa Jackson

Africa Jackson is a politics and culture writer from the deep South now living as an international nomad. She is a fervently nasty woman who spends her days offer unsolicited whistles and comments to construction workers. In her spare time, she volunteers by working with at-risk adults and randomly calls white people the “C” word. (It’s ok, her best friend is white.) Her critically acclaimed multi-national lecture series is a figment of her imagination. She specializes in making the best of poor decisions (#lemonade), but doesn’t let that get in the way of her mission to amplify the voices of marginalized groups.
As a Black Chahta scholar, her research focuses primarily on the arts. Africa is a staff writer for Black-Owned Taji Magazine. Her writing has also been featured at Black Girl Dangerous, Role Reboot, and The Tempest. Her articles about anti-Black microaggressions piece and Self Esteem Among Girls of Color have been published by The Establishment. Africa is currently working on her non-traditional anthology about the power of unearthly orgasms as a natural remedy for anxiety and depression.
Her #MustLoveBeards series featured on Taji Magazine celebrates entrepreneurship. You can follow Africa Jackson on twitter @AfricaJwrites and on Facebook: AfricaJacksonWrites.
Or don't. Jerk.
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