The story of Jehovah's arrival on Earth with Adam [and carrying Eve]
and their life in Adam's
Eden kindergarden, scripted, and choreographed to music, tells a plausible
beginning of current modern scientifically advancing society, of what actually
happened on Earth about 3670 BC, of our common past and our connected future.

introductory speech to cast & crews

Welcome and thank you all, for joining this SesQuaTercet production,
ARCHAEODUS.

I'm the Strategic-Director.

I want to say right-up, that I have served our USA national security
as a crypto-TEMPEST engineer in digital electronics and computing. I left
that job decades ago when I felt that better developing security techniques
and methodologies, not reorganizations, were requisite, and although we're
not working in national security here in this feature movie, we are working
in world-security - and we're not going to deviate one iota: I've
seen to that. If you think you don't qualify, if you think you prefer
a little sabotage here or there, in this place or that, leave now - this
introduction is being video-taped for your replacement - and while that's
not as good as being here, they'll know what you should have.

This story takes our audience back to the arrival of Jehovah and
Adam and Eve in the Garden eastward in Eden, ca. 3670 BC - this is, to
our best scholarly knowledge, the most recent singular introduction of
lordship on Earth - there may have been prior visitations on Earth over
preceding tens of thousands of years: archaeologic findings suggest visits
by spacer-types world-wide - great civilizations, worshipped, lost, remembered
- we don't specifically know whether those lords preferred unstable geographies
to cover their traces, or that they quit or were chased-off. We're following
Jehovah as the nearest we might catch-up, follow, or trail: For production
purposes we may not be on location: the safety of the performers and crews,
is a foremost company security concern.

Second, I want you to know right-up that, best, is not good enough.
This production must be, good: I've seen to that.
You shall have no opportunity to fail - if you willfully choose to fail,
you have a ticket home. We may not always be welcomed on location, but
we shall always have the authority and opportunity to do good - most of
you are as expendable as cameos - a few of you have some role continuity,
and are being reimbursed accordingly. The Uniform Code of Military Justice
ranks every army man and woman in a foreign country, an ambassador for
America. Be ambassadors: Don't die the death.

Thirdly, a word on your acting opportunity: Act - do not over-act!
Acting is like thinking: the engineer is hired not to think - he always
thinks: if he ever stopped thinking, he'd be unreliable for engineering
- he is hired to think thoroughly, perfectly about a particular effort
that is abundantly productive: broadcastly sellable at a small price, and
bigger profit. You are hired not to act - you always act: if you ever stopped
acting, you'd be unreliable for movie-making - you are hired to act thoroughly,
perfectly about this particular effort that is abundantly productive: broadcastly
sellable at a small price, and bigger profit. Act - do not over-act: To
put this in paraphrase of a reknown religious reformer: Act, truthfully
- do not over-act, do not re-act, do not in-act, do not dis-eased-act,
do not die the death. Act-throughly - follow-through your act like the
gymnast in the middle of her flip-flop: keep going: our editor needs something
she can edit-out!

Fourthly, two rules on the set - actors included:

Rule #1 - Never shout!

Rule #2 - actors have their appointed acting coach
to help them with Rule #1

The theory of measurement propounded in this work is not to be cited (as) considering contraband or corpses; Nor are the intellectual appurtenances hereïn to be used for or in the commission of crimes against persons, peoples, properties, or powers (States). May your tabernacle measure true.