Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.–Ursula K. Le Guin

Planetary ethics and aesthetics, interspecies communities, post-gender and anarchist societies, indigenous knowledge, vegetal sentience… The paths Ursula K. Le Guin has opened for our imagination to travel are numerous, subtle itineraries through which we might find ways to better inhabit the 21st century.

A visionary thinker, engaging storyteller, and superb stylist, Ursula K. Le Guin passed away on January 22nd, 2018, leaving behind a substantial body of fiction and non-fiction that appears more vital every day.

The international bilingual conference Le Guin’s Legacies will engage with her work from a multiplicity of perspectives, tracing its literary, ecological, philosophical, socio-economical and anthropological ramifications: its potential for re-engineering the world we live in. The conference follows a number of recent events inspired by her works, such as the three-day open-studio exhibition at the Cité internationale des arts, Nous ne sommes pas le nombre que nous croyons être (Paris, Spring 2018). Building on these events, Le Guin’s Legacies will curate writers, artists and scientists roundtables alongside scholarly investigation and debate.

In her crafting of alternative worlds and myths, Le Guin combines science and literature, delineating new methodologies for the weaving and sharing of knowledge. As the daughter of Alfred Kroeber, one of the the 20th century’s most important American anthropologists, much of her work contains elements considered anthropological in inspiration. But, with depth and erudition, Le Guin also draws upon other social sciences such as sociology, political science, psychology, and linguistics; physical sciences such as physics, biology, and ecology; and the humanities such as literary theory, philosophy, historiography, comparative religion and mythology.

Far from intellectual window-dressing, these epistemic layers deeply structure Le Guin’s fictions. Her writing engages in complex thinking without seeming to do so, touching the reader’s affective and sensitive body with its elegant and fluid style and finely tuned narratives. This level of epistemic exigency is matched, in Le Guin, with moral exigency. Le Guin is a politically engaged writer, dealing not only with issues related to anarchism but also feminism, racism, cultural and linguistic diversity, ecology, animal rights, military disarmament, etc. Her work requires us to redefine what it means to be human, by decentering a traditional, potentially racialized and gendered vision of the human and placing it in a continuum involving animals, technology, and more generally the environment.