Friday, 29 April 2005

I stumbled across this today, while looking for one of Evelyn Waugh's short stories, and was drawn into it instantly. Davis evidently knows his subject extremely well, and manages to pull off writing a fictional biography of Waugh that carries through his style well, especially the later style of Pinfold. I'm dying to read more then the 3 chapters available so far. If you, like me, have used up all the Waugh novels, this is what you have been missing.

It's wonderful to hear this long lost recording of Louis in his prime, though the tempo is slower than was usual for his Hot Five period, the rich and measured tones and suprisingly contemporary lyric make this an unforgettable addition for any collector.

Monday, 25 April 2005

I'm at the Social Computing Symposium today, and absorbing thoughts faster than I can write them. One theme that recurs is the analogy between urban architecture and social software.

When I read Jane Jacobs' Death and Life of Great American Cities, I kept getting recognition flashes for things that make online communities work too - the need for 'public characters'; how high foot traffic streets are safer than open parkland; how places used for multiple purposes are richer than distinct purpose-designed zones.

Saturday, 23 April 2005

The first thing to realize is that many decisions are driven by honest delusion, not corporate corruption. The delusion is maximalism: the more intellectual property rights we create, the more innovation. This is clearly wrong; rights raise the cost of innovation inputs (lines of code, gene sequences, data.) Do their monopolistic and anti-competitive effects outweigh their incentive effects? That’s the central question, but many of our decision makers seem never to have thought of it.

The point was made by an exchange inside the Committee that shaped Europe’s ill-starred Database Directive. It was observed that the US, with no significant property rights over unoriginal compilations of data, had a much larger database industry than Europe which already had significant “sweat of the brow” protection in some countries. Europe has strong rights, the US weak. The US is winning.

Did this lead the committee to wonder for a moment whether Europe should weaken its rights? No. Their response was that this showed we had to make the European rights much stronger. The closed-mindedness is remarkable. “That man eats only a little salad and looks slim. Clearly to look as good as him, we have to eat twice as much, and doughnuts too!”

Part of the delusion depends on the idea that inventors and artists create from nothing. Who needs a public domain of accessible material if one can create out of thin air? But in most cases this simply isn’t true; artists, scientists and technologists build on the past. How would the blues, jazz, Elizabethan theatre, or Silicon valley have developed if they had been forced to play under today’s rules? Don’t believe me? Ask a documentary filmmaker about clearances, or a free-software developer about software patents.

Which brings me back to the BBC Creative Archive. Some of the reaction I got to the previous suggestion was that the cost of rights clearance would make it impractical, and why should the UK subside the rest of the world?

Sound recordings in the UK made before 1955 are now out of copyright. The BBC was founded in 1922. Start with those 33 years of material in the global pubic archive and see how it goes. If we're right about building on the past encouraging creativity, once the rights-holders see what this does for awareness and CD & DVD sales from those eras, they'll be lining up for a new contract.

Thursday, 14 April 2005

The trial means the BBC will offer its first daily podcasts - the Today programme's 8.10am interview - along with weekly titles and speech highlights from Radio 1 programmes for listeners to download and transfer to portable audio players. [...] The three programmes taking part in the first mp3 download trial - In Our Time (Radio 4), Fighting Talk (Radio Five Live) and TX Unlimited (1Xtra) - were downloaded a total of 270,000 times in the first four months of the trial.

that means my long campaign to listen to BBC programmes as MP3's, not streams, is finally getting traction. As I said then:

WHAT WE WANT:

MP3's not streams - we don't always have a live internet connection. Instead of streaming RealMedia versions of recent programs we can only play on computers with live net connections, we want MP3 files we can download and play later on portable players.

WHY WE WANT IT:

Taking programs with us while doing other things. We don't sit around the radio any more - why sit around the computer? Listening to spoken word radio while at a computer is unsatisfactory - it makes reading and writing text very difficult. Listening to spoken word radio on an iPod while cycling, walking the dog, riding on the bus or tube or even driving the car is much better.

The fact that the Beeb is putting up single items from Today, rather than the whole show, is an important step - this move further along the road I outlined at Bloggercon 2003, to making online media more bloglike:

Something I said a few times at Bloggercon is that video and audio are missing the essence of blogging. You can do live video, or you can use your computer to edit together a professional-looking video presentation, but the equivalent of the 'just-in-time' publishing that blogging provide is not there.Adam Curry and I had a chat about trying something more like blogging using the RSS 'enclosures'. I have the beginnings of a tool to automatically move audio posts into iTunes (and hence iPods) as I just can't listen to speech radio at the computer - I need to do it while driving.

If we can have an auto-assembled morning commute playlist of brief items from lots of people, rather than a 45-minute 'experience' from one, that is a great improvement for both listeners and creators.The BBC Creative Archive proposals show promise here - imagine people mining 75 years of historic recordings for great snippets, like the wonderful Douglas Adams at the BBC CD set that brightened my commute last week.

About Me

Kevin Marks works on IndieWeb and open web tech. From 2011 to 2013 he was VP of Open Cloud Standards at Salesforce. From 2009 to 2010 we was ay BT as VP of Web Services. From 2007 to 2009, he worked at Google on OpenSocial. From 2003 to 2007 he was Principal Engineer at Technorati responsible for the spiders that make sense of the web and track millions of blogs daily. He has been inventing and innovating for over 20 years in emerging technologies where people, media and computers meet. Before joining Technorati, Kevin spent 5 years in the QuickTime Engineering team at Apple, building video capture and live streaming into OS X. He was a founder of The Multimedia Corporation in the UK, where he served as Production Manager and Executive Producer, shipping million-selling products and winning International awards. He has a Masters degree in Physics from Cambridge University and is a BBC-qualified Video Engineer.One of the driving forces behind microformats.org he regularly speaks at Conferences and Symposia on emergent net technologies and their cultural impact.