CINEMATIC REVELATIONS allows me the luxury of writing, editing and archiving my film and television reviews. Some reviews appeared initially in "The Commercial Dispatch" and "The Planet Weekly" and then later in the comment archives at the Internet Movie Database. IMDB.COM, however, imposes a limit on both the number of words and the number of times that an author may revise their comments. I hope that anybody who peruses these expanded reviews will find them useful.

Translate

Sunday, January 6, 2013

Hollywood loves to teach old dogs new tricks.
Christopher Nolan re-imagined the “Batman” franchise, and Batman will never be
that good again. George Lucas rebooted “Star Wars.” Now, Disney is
preparing a new “Star Wars” trilogy, not to mention a reboot of “The Lone
Ranger.” The people who made the new entry in “The Texas Chainsaw
Massacre” franchise are trying to teach an old chainsaw new tricks. Numerically, “Texas Chainsaw 3-D” (** OUT OF
****) qualifies as the sixth sequel to Tobe Hooper’s landmark slaughterhouse saga “The
Texas Chainsaw Massacre” (1974) that alarmed audiences with only half as much
blood and twice as much storytelling. Squeamish people should still avoid
this bloodthirsty idiocy. You get to see a grown man cut in two by a
chainsaw-wielding maniac. This same stout lad saws off feet at the ankles
as casually as you would clip your fingernails. He thrusts living people
onto meat hooks and stores half-dead dames in freezers. Yes, he wears a
mask of a dead man's face.

Basically,
“Takers” director John Luessenhop and “Conspiracy” scribes Adam Marcus and
Debra Sullivan, along with freshman scenarist Kirsten Elms, have abolished four
decades worth of sequels, prequels and remakes. You don’t need to have
seen Tobe Hooper’s follow-up “The Texas Chainsaw Massacre 2” (1986) with Dennis
Hopper to enjoy “Texas Chainsaw 3-D.” Neither should you worry about Jeff
Burr’s “Leatherface: Texas Chainsaw Massacre III (1990) with Viggo
Mortensen. Or for that matter Kim Henkel’s “Texas Chainsaw Massacre: The
Next Generation (1994) with Renée Zellweger and Matthew McConaughey. For
what it’s worth, Tobe Hooper and Kim Henkel created “The Texas Chainsaw
Massacre” characters. Let’s not forget “The Texas Chainsaw Massacre”
(2003) that toplined lovely Jessica Biel or “The Texas Chainsaw Massacre: The
Beginning” (2006) featuring “The Fast and the Furious” dame Jordana Brewster.
Indeed, Luessenhop and his writers ask us to consider “Texas Chainsaw 3-D” as
the new official sequel to the 1974 film.

Sounds
like somebody got their chainsaws tangled up. Not surprisingly, the
opening credits occur against excerpts from the Hooper original. Some
actors and actresses reprise their roles, notably Gunnar Hansen, who once
played Leatherface but portrays Boss Sawyer, and Marilyn Burns, cast Sally
Hardesty in the original. The filmmakers beg our indulgence when it comes
to a realistic timetable, too. This “sequel” doesn’t take place until 18
to 25 years later in the 1990s. Nevertheless, "Texas Chainsaw 3-D"
looks contemporary. Talk about stretching time out! Luessenhop and company make a huge leap of
faith. In the process, they give us something far more horrifying than
just another gore-soaked sequel. “Texas Chainsaw 3” amounts to a
revisionist sequel! In the 1950s, for example, Hollywood rehabilitated
Indian savages and converted them noble and sympathetic warriors wronged by
society. Essentially, “Texas Chainsaw 3-D” treats the murderous Leatherface
character with the same compassion that westerns conferred on Indians in movies
like “Broken Arrow,” “Apache,” and “Run of the Arrow.” One scene near the
end of “Texas Chainsaw 3-D” presents a tableaux with Leatherface and his only
surviving relative that reminded me of George and Lenny from the classic 1939
movie “Of Mice and Men.” This John Steinbeck movie concerned a mentally
challenged brute and his intelligent guardian. Horror has a new identity!

Altered
time-lines or not, our heroine, Heather Miller (Alexandra Daddario of “The
Babysitters”), carves up meat at a meat packing factory. Little does she
know what runs in the family. When she isn’t at work, Heather spends
quality time with her African-American lover, Ryan (Tremaine "Trey
Songz" Neverson), who isn’t above cheating on her. In fact, he
cheats on her with her own best friend. Bombshell of a babe Nikki ( Tania
Raymonde of“Wild Cherry”), has no fear of being caught by Heather and does everything
but flaunt their affair in front of her. Moreover, Nikki has her own
boyfriend, Kenny (Keram Malicki-Sánchez of “American History X”), who
preoccupies himself with his culinary skills. This quartet cruises off to
Newt, Texas, in a van after Heather learns she has received an inheritance from
a long, lost relative who she didn’t know she had. Along the way to Newt,
the quartet pick up a hitchhiker in the rain, Darryl (Shaun Sipos of
“Rampage”), who has a secret case of sticky fingers that comes back to doom him.
When they arrive at the house on Homestead Road, grandma's lawyer, Farnsworth
(Richard Riehle of “Office Space”) meets them, but declines to accompany them
after they proceed through the gates onto the premises.

Heather
is still reeling from the revelation that the couple who raised her weren’t her
biological parents. The father rescued her from the clutches of a dying
woman when the Sawyers were gunned down by vigilantes and their home burned to
the ground. Anyway, the realtor hands Heather a letter and advises her to
read it. Naturally, Heather ignores the letter when her friends and she
discover that this is no ordinary house but a palatial mansion with many
rooms. Curiosity leads to carnage when the man in the basement, none
other than Leatherface (Dan Yeager of “Metal Heads”) himself, comes up to investigate
and begins carving flesh. He cuts his way through a number of people
before he realizes that blood is thicker than chainsaws. Heather grovels
at his mercy as she was herself about to be slaughtered by the evil town mayor
who precipitated an orgy of violence that brought her back to her destiny.

The
switching chainsaws plot of “Texas Chainsaw 3-D” is imaginative stuff but this
doesn’t happen until half-way through the mayhem. Nevertheless, before
the villain is rehabilitated, several people have joined the ranks of the
dead. The best scene—again out of any chronological time-line—has a
curious deputy sheriff walking through the mansion following the smeared trail
of blood with his wrists crossed. He holds a pistol in one fist and an
iPhone in the other, documenting his progress through the house down into the
cellar where he encounters bodies carved up in all shapes. Luessenhop
generates a moderate amount of suspense and buckets of blood and gore, but “Texas
Chainsaw 3-D” cannot cut it as the classic that the original was.