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Monday, December 30, 2013

Major Pasolini film series coming to the Cinematheque

[Press release from the Cleveland Cinematheque.]

Italy’s late, great writer and film director Pier Paolo Pasolini will
be the subject of a near-complete retrospective at the Cleveland
Institute of Art Cinematheque in January and February. Sixteen of
Pasolini’s movies—most in restored new 35mm film prints from Italy—will
show in the Cinematheque’s series “Pier Paolo Pasolini: Poet and
Provocateur,” taking place in the Aitken Auditorium of the Cleveland
Institute of Art, 11141 East Boulevard in University Circle. The series
stretches from Pasolini’s first feature ACCATTONE (1961) to his
scandalous final film SALÒ, OR THE 120 DAYS OF SODOM (1975), and
includes such masterpieces as THE GOSPEL ACCORDING TO ST. MATTHEW (1964)
and TEOREMA (1968) and films starring Anna Magnani, Totò, Franco Citti,
Jean-Pierre Léaud, Silvana Mangano, Maria Callas, and others. Admission
to each program is $12; Cinematheque members $9; age 25 & under $7.

Susan Sontag once called Pier Paolo Pasolini "indisputably the most
remarkable figure to have emerged in Italian arts and letters since the
Second World War." Pasolini (1922-1975) was already a successful (if
scandalous) poet, novelist, and essayist when he began directing movies.
Born in Bologna in 1922, the son of a military officer, Pasolini
repudiated his father's fascist leanings in three major ways. He
embraced Marxism and championed Italy's underclass. He rejected the
Church and became an atheist (though an atheist fascinated by God, and
sympathetic with the human need for religious belief). And he lived
openly as a homosexual.

These aspects of his character are clearly visible in his films.
Pasolini's early movies, which are populated by non-professional actors,
are pitiless portraits of pimps, prostitutes, thieves, hustlers, and
other outcasts living on the margins of society. Later films tackle
faith, the Church, and religion—both Christianity and the paganism of
the ancient world. His final films are wildly libidinous (teeming with
sexual couplings of various persuasions) and often sacrilegious and
scatological. Yet throughout his checkered filmmaking career, Pasolini
remained a poet—one whose searing slices of life and sardonic satires
never failed to ruffle the feathers of officialdom. Though attacked by
some as a blasphemer, he always celebrated the sacredness of ordinary
people and the everyday world; "religion" had nothing to add to his
reverential outlook.

Regrettably, Pasolini's sensational death in 1975—he was murdered by a
17-year-old hustler whom he had allegedly propositioned—overshadowed
much of his life. His enemies saw his shocking demise as the logical end
to a depraved and degenerate existence. But his friends doubted the
"facts" surrounding his sudden death. Three decades after the crime,
Pasolini's convicted killer recanted his confession, saying he was
merely the fall guy for a gang of right-wing thugs who really did the
deed. To many, the case remains unsolved to this day. And somehow it
seems fitting that someone as brilliant, mercurial, contradictory, and
polarizing as Pasolini could still spark controversy almost 40 years
after his burial.

Free parking for filmgoers is available in the adjacent Cleveland
Institute of Art lot, located off of East Boulevard. For further
information, call John Ewing or Tim Harry at (216) 421-7450, email cinema@cia.edu, or visit www.cia.edu/cinematheque

“Pier Paolo Pasolini: Poet and Provocateur” is co-produced by Luce
Cinecittà, Rome, and Fondo Pier Paolo Pasolini/Cineteca di Bologna. The
exhibition is organized by Camilla Cormanni and Paola Ruggiero, Luce
Cinecittà, with Roberto Chiesi, Fondo Pier Paolo Pasolini/Cineteca di
Bologna. It is presented in association with the Ministry of
Culture of Italy. Special thanks to The Italian Cultural Institute. This
series is part of the celebrations of the Year of the Italian Culture
in the U.S. All copies are 35mm, in Italian with English subtitles, and
realized by Luce Cinecittà, unless otherwise noted. The series is
presented in Cleveland with the support of Cuyahoga Arts and Culture and
the Ohio Arts Council.

“Pier Paolo Pasolini: Poet and Provocateur”

SAT 1/11 5:00 PM ACCATTONE

SUN 1/12 3:30 PM MAMMA ROMA

SAT 1/18 5:00 PM THE GOSPEL ACCORDING TO ST. MATTHEW

SUN 1/19 3:45 PM THE HAWKS AND THE SPARROWS

SAT 1/25 5:00 PM TEOREMA (THEOREM)

SUN 1/26 4:00 PM OEDIPUS REX

SAT 2/1 5:00 PM PIGSTY

SUN 2/2 4:00 PM MEDEA

SAT 2/8 5:15 PM NOTES FOR AN AFRICAN ORESTES

SUN 2/9 4:00 PM THE DECAMERON

SAT 2/15 5:15 PM LA RICOTTA & WHAT ARE THE CLOUDS?

SAT 2/15 9:05 PM THE WITCHES

SUN 2/16 3:45 PM THE CANTERBURY TALES

SUN 2/16 6:30 PM THE WITCHES

SAT 2/22 9:45 PM SALÒ, OR THE 120 DAYS OF SODOM

SUN 2/23 3:45 PM ARABIAN NIGHTS

Saturday, January 11, at 5:00 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Print!

ACCATTONE

Italy, 1961, Pier Paolo Pasolini

Pasolini’s
sympathy for Italy’s underclass and his preference for non-professional
actors can be seen in this, his first film. Set in a squalid section of
Rome, the movie focuses on an impoverished young ne’er-do-well
(“accattone” or “scrounger’) who scrapes together a paltry living as a
pimp and petty thief. Film debut of Franco Citti (The Godfather). Subtitles. 120 min.

Sunday, January 12, at 3:30 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Print!

MAMMA ROMA

Italy, 1962, Pier Paolo Pasolini

A
middle-aged prostitute (the great Anna Magnani) tries to distance
herself from her sordid past for the sake of her teenage son in this
moving drama that was originally banned in Italy. Subtitles. 110 min.

Saturday, January 18, at 5:00 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Print!

THE GOSPEL ACCORDING TO ST. MATTHEW

IL VANGELO SECONDO MATTEO

Italy/France, 1964, Pier Paolo Pasolini

Probably
the greatest life of Christ ever filmed! Pasolini turned exclusively to
Matthew’s Gospel for this direct, unvarnished life of a radical,
activist Jesus. It was shot in Italy in b&w with non-professional
actors (including Pasolini’s mother). The magnificent music ranges from
Bach to Billie Holiday. “Pasolini’s most satisfying movie.” –Time Out Film Guide. Subtitles. 137 min.

Sunday, January 19, at 3:45 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Print!

THE HAWKS AND THE SPARROWS

UCCELLACCI E UCCELLINI

Italy, 1966, Pier Paolo Pasolini

In
Pasolini’s delightful comic fable, a father (Totò), his son (Ninetto
Davoli), and a talking crow embark on a picaresque journey to emulate
St. Francis of Assisi and bring the Gospel to the birds. Like The Gospel According to St. Matthew (see 1/18 at 5:00), this is a singular mix of Christianity and Marxism, with a terrific Ennio Morricone score.Subtitles. 91 min.

Saturday, January 25, at 5:00 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Color Print!

TEOREMA

aka THEOREM

Italy, 1968, Pier Paolo Pasolini

Terence
Stamp stars in one of Pasolini’s greatest and most enigmatic films.
Stamp plays a mysterious man who moves in with a wealthy Italian family
and proceeds to seduce everyone in the household—from the maid to family
members of both sexes and different generations. With Silvana Mangano,
Laura Betti, Ninetto Davoli, and Anne Wiazemsky. Music by Ennio
Morricone. “[Pasolini’s] most perfect fusion of Marxism and religion…A
film that is both political allegory and mystical fable.” –Time Out Film Guide. Subtitles. 105 min.

According to The Time Out Film Guide, Pigsty “is
not only an exquisitely revolting satire, it is also Pasolini’s most
fascinating piece of cinema.” A kind of warm-up for his even more
unsavory Salò, Pigsty tells two outré stories about consumption.
One, set during the Middle Ages, follows a cannibalistic bandit; the
other, set during Germany’s post-WWII “economic miracle,” focuses on the
affluent son of an ex-Nazi industrialist who grows unnaturally enamored
of pigs. The all-star Euro-counterculture cast includes Jean-Pierre Léaud, filmmaker Marco Ferreri, Ugo Tognazzi, Pierre Clémenti, Franco Citti, Anne Wiazemsky, and Ninetto Davoli. No one under 18 admitted! Subtitles. 99 min.

Pasolini's documentary captures his preparations for an Africa-set film version of the Ancient Greek play Orestes
(about a man who kills his mother). Though the movie was never made,
the documentary survives as a fascinating time capsule of 1970 Africa
and as a portrait of Pasolini himself. With jazz great Gato Barbieri.
"Key to an understanding of the particular Freudian-Marxist-Christian
worldview that was Pasolini's." -J. Hoberman. Subtitles. 70 min.

Sunday, February 9, at 4:00 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Color Print!

THE DECAMERON

IL DECAMERON

Italy/France/W. Germany, 1971, Pier Paolo Pasolini

Giovanni
Boccaccio's ribald medieval tales of love, lust, sex, deceit,
malefaction, and murder are rollickingly, bawdily brought to the screen
in the first part of Pier Paolo Pasolini's "Trilogy of Life" (three
adults-only films based on three celebrated story cycles). Franco Citti,
Ninetto Davoli, and Pasolini himself star. Music by Ennio Morricone.
The trilogy continues with The Canterbury Tales and Arabian Nights on the next two Sundays. No one under 18 admitted! Subtitles. 111 min.

Saturday, February 15, at 5:15 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Print!

LA RICOTTA

Italy/France, 1963, Pier Paolo Pasolini

Originally included in the four-part anthology film Ro.Go.Pa.G. (with
segments directed by ROssellini, GOdard, PAsolini, and Gregoretti),
this 35-min. movie is one of Pasolini’s key works. A funny but scabrous
attack on institutional Christianity, the film was seized by authorities
for “insulting the religion of the state” and Pasolini spent four
months in prison for making it. Orson Welles stars in the movie (the
title refers to ricotta cheese), playing a pompous film director
shooting a biblical epic about the death of Jesus. But he is callously
oblivious to the plight of the poor, starving extras who are acting in
his Passion play. La Ricotta will be preceded at 5:15 by What Are the Clouds? (Che cosa sono le nuvole?), Pasolini’s segment from the 1968 omnibus film Capriccio All' Italiana, in which Totò and Ninetto Davoli play puppets who comes to life. 35mm color & scope print! Subtitles. Total 57 min.

Five
major Italian filmmakers—including Pasolini, De Sica, and
Visconti—contribute segments to this five-part rarity that does not deal
with witches of the supernatural variety. Silvana Mangano stars in all
five episodes, playing everything from a famous movie star to an
unhelpful good Samaritan. She is supported in individual stories by
other famous actors: Alberto Sordi, Totò, and even a very young Clint
Eastwood! Pasolini’s amusing 30-min. segment, The Earth as Seen from the Moon (La Terra Vista Dalla Luna) with Totò, Ninetto Davoli, and Laura Betti,
follows a widowed father and his son as they search for a new wife and
mother. Music by Ennio Morricone. Subtitles. 35mm. 105 min.

Sunday, February 16, at 3:45 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Color Print!

THE CANTERBURY TALES

I RACCONTI DI CANTERBURY

Italy/France, 1972, Pier Paolo Pasolini

The
second part of Pasolini's sexy, scatological, slapstick-laden "Trilogy
of Life" (see 2/9 at 4 pm) finds an all-star cast (Pasolini, Franco
Citti, Laua Betti, Hugh Griffith, Tom Baker, et al.) bringing some of
Chaucer's randy tales of horny students, willing wives, and clueless old
men to exuberant life. The director takes liberties with some stories.
Music by Ennio Morricone. No one under 18 admitted! Subtitles. 123 min.

Saturday, February 22, at 9:45 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Color Print!

SALÒ, OR THE 120 DAYS OF SODOM

SALÒ O LE 120 GIORNATE DI SODOMA

Italy/France, 1975, Pier Paolo Pasolini

Pasolini's
notorious final film (made before his brutal 1975 murder) is one of the
most controversial, revolting, and disturbing movies ever made.
Transposing the Marquis de Sade's 1785 novel to Mussolini's Italy, the
film is set at a palatial villa where beautiful young people are
humiliated, abused, and tortured by sadistic and powerful members of the
upper class. Intended as a parable about fascism, it's an explicit,
dispiriting downer and remains banned in several countries even to this
day. Michael Haneke regards it as one of the ten best movies ever made.
No one under 18 admitted! Subtitles. 114 min.

Sunday, February 23, at 3:45 pm

Pier Paolo Pasolini: Poet and Provocateur

Imported New 35mm Color Print!

ARABIAN NIGHTS

IL FIORE DELLE MILLE E UNA NOTTE

Italy/France, 1974, Pier Paolo Pasolini

The
final part of Pasolini's "Trilogy of Life" (see 2/9 at 4 pm) is the
longest and most intricate. Filmed in Yemen, Eritrea, Iran, and Nepal,
this opulent work follows a young man as he searches for his beloved
slave girl who has been kidnaped. But this main narrative is dissected
and amplified by a series of other erotic tales. With Ninetto Davoli and
Franco Citti; music by Ennio Morricone. No one under 18 admitted!
Subtitles. 130 min.