Not a biography or a comment on Belmondo's sartorial habits, but rather a work of fiction inspired by Breathless and Jean-Paul Belmondo himself! Highly rated and shortlisted for the Publishing Triangle Award.

Jean-Paul Belmondo (born 9 April 1933) is a French film starand one of the actors most closely associated with the New Wave.His laconic, tough guy persona, expressive, unconventional looks, and considerable onscreen charm have made him an icon of French cinema.

Jean-Paul Belmondo was born in Neuilly-sur-Seine, the son of the sculptor Paul Belmondo. He performed poorly at school but developed a passion for boxing and football. By the time he reached his twenties, Belmondo had decided to pursue a career in acting. After a number of attempts, he was enrolled at the Paris Conservatory to study drama, although his tutors were not optimistic about his prospects.

After graduating, he began his professional career on stage and spent the first half of the 1950s working in the theatre. He made his film debut in 1956 and appeared in several minor films over the next years, most notably Les Copains du Dimanche (1957) and his first starring role, alongside another up-and-coming new actor named Alain Delon, in Sois Belle et Tais-Toi (1957)

The coming of the French New Wave in 1959 finally brought Belmondo real stardom. In that year he appeared first in Claude Chabrol’s A Double Tour, which received little notice. It was his next performance, however, as the anti-hero Michel Poiccard in Jean-Luc Godard’s A Bout de Souffle, whichmade him an international star. Defiant, reckless, witty and amoral, Belmondo’s Poiccard was the perfect protagonist for Godard’s revolutionary break with the past. The success of the film even resulted in a wave of “Belmondism” in the hipper circles of Paris, with young men modelling themselves on him.

Belmondo revealed unexpected versatility in his next roles, acting opposite Sophia Loren in Vittorio De Sica’s Two Women (1960)and as the enigmatic priest in Jean-Pierre Melville’s World War II drama Leon Morin, Petre (1961). He worked with Godard again for the musical comedy A Woman is a Woman (1961), and with Melville on the film noir/gangster homage Le Doulos (1963).

In Pierrot le Fou (1965), his next collaboration with Godard, Belmondo plays a writer who leaves behind his unhappy life and sets off on a crazy road trip with the babysitter played by Anna Karina. Together they battle gunrunners, gas station attendants, and American tourists in a story that mixes high and pop culture with brilliant artistry. Standing in for Godard, as a man who cannot choose between art and life, Belmondo inhabits his character effortlessly.

Although he had become synonymous at this stage of his career with the films of the New Wave directors, Belmondo also played more mainstream roles in films such as the period swashbuckler Cartouche (1962), the romantic comedy La Chasse a L’Homme (1964) and Philippe De Broca’s action comedy L’Homme de Rio (1964). Capitalising on his increasing drawing power, he founded his own production company called Cerito to produce many of his films.

Drawing on his earlier athletic prowess, Belmondo became renowned for doing his own stunts as well as for his charming screen presence in such movies as the hit Les Tribulations d’un Chinois en Chine (1965), the comic caper The Brain (1968), and the second film with Delon, Borsalino (1970). At the same time, Belmondo appeared in all-star international productions such as Rene Clement’s all-star World War II epic Is Paris Burning? (1966), and the James Bond spoof Casino Royale (1967).

The failure of this last film however, appears to have dissuaded Belmondo from working with the more experimental New Wave filmmakers, and, from this time forward, he began appearing almost exclusively in more commercially oriented features. Among them L’Incorrigible (1975), directed by de Broca, and the crime thrillers Peur Sur la Ville (1975) and L’Alpagueur (1976).

In 1978 Belmondo began a profitable collaboration with director Georges Lautner on the hit comedy thriller Flic ou Voyou. They continued their successful run with Le Guignolo (1979), Le Professionnel (1981), the comedy Joyeuses Paques! (1984), and the mystery L’Inconnu dans la Maison (1992).

In 1987, Belmondo returned to the stage for the first time since 1959 and divided his efforts between theatre and film from then on. Though he continued his genre work in the 1990s with the romantic comedy Desire (1996) and his third co-starring turn with Delon in Patrice Leconte’s action comedy 1 Chance Sur 2 (1998), Belmondo also branched out creatively as part of the ensemble in Agnes Varda’s homage to international cinema Les Cents et une Nuits de Simon Cinema (1995) and as the Jean Valjean figure in Claude Lelouch’s 20th century reworking of Les Miserables (1995).

Well regarded in the French film world as well as by movie audiences throughout his career, Belmondo was elected president of the French actor’s union in 1963, and was awarded a Cesar for his performance in Lelouch’s romance Itineraire d’un Enfant Gate (1988). He has also been made a Chevalier of the Ordre National du Merite and a Chevalier of the Legion d’Honneur. In 2001, he suffered a stroke and was absent from stage and screen until his acclaimed comeback performance in Un Homme et Son Chien (2008).

Belmondo has been married three times; first to Elodie Constantin with whom he had three children, Patricia (1958), Florence (1960) and Paul (1963). Paul became a Formula One driver; his eldest daughter Patricia was killed in a fire in 1994. In 1966, due to a well-publicised affair between Belmondo and actress Ursula Andress, Belmondo and his wife divorced. In 1989, he met Nathalie Tardivel who was 24 years old at the time and married her in 2002. In 2003, at the age of 70, his fourth child Stella was born.