Adobe Story Streamlines Production for ITV with Coronation Street & Emmerdale

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About This Episode

Dan Jackson, Senior Strategist for Production and Facilities at ITV, presents on the Adobe main stage at IBC, talking about how Adobe Story has been incorporated into the production workflows of Coronation Street & Emmerdale.

Joran Maaswinkel, a Dutch post production professional, shares his reaction to Adobe Anywhere for video. The upcoming release of Adobe Anywhere will enable him to take his local company to new locations worldwide by removing the boundaries of time and location on his collaborative post production process.

With the launch of Production Premium CS6, continual updates to Premiere Pro, and now the reveal of Adobe Anywhere for video, Adobe is working to bring collaboration without boundaries to post production teams worldwide.

Feature film, "A Liar's Autobiography - The Untrue Story of Monty Python's Graham Chapman" premiered at the 2012 Toronto Film Festival. Direct from Toronto to Amsterdam animation producer, Justin Weyers, joins Adobe at IBC and shares his belief that only with Premiere Pro and After Effects was this epic animated feature able to become a reality.

Sean Rodgers, an operational manager for documentary and educational productions out of South Africa, shares his reaction to the reveal of Adobe Anywhere for video. He believes that with Anywhere Adobe is bringing a complete mind-shift to the post production marketplace.

Continuing the excitement built by Al Mooney's presentation of Premiere Pro CS6, Product Managers Michael Coleman and Al Mooney show the SuperMeet crowd how fast and easy collaboration will be with the upcoming release of Adobe Anywhere for video.

At the 2012 Amsterdam SuperMeet Product Manager Al Mooney demos Premiere Pro CS6, with recent updates including support for open CL for the Mac Book Pro as well as CUDA and improved support for ARRI Raw.

Adobe team members and clients discuss Project Primetime, a unified video platform that helps you achieve broadcast audience reach, lower operating costs, and boost revenue from ad sales. In this video learn more about the platform as well as how its addressing the needs of the marketplace.

Denis Bulichenko, CEO of Denivip talks about the pain points Broadcasters are experiencing publishing and monetizing video content for viewing on desktops and devices and how Adobe is addressing those needs.

Mike Nann, Director of Marketing & Communications at Digital Rapids, talks about the changing marketplace for digital video content on desktops and devices and how Adobe's vision for the future is addressing broadcasters' needs.

Marc Schwellenbach, Supervisor of Post Production at Grundy UFA, Germany's leading producer of daily drama, discusses why Grundy believes that Adobe is the premiere partner to provide reliable, integrated tools that answer the needs of demanding television broadcast workflows.

Adobe Story Streamlines Production for ITV with Coronation Street & Emmerdale

Dan Jackson, Senior Strategist for Production and Facilities at ITV, presents on the Adobe main stage at IBC, talking about how Adobe Story has been incorporated into the production workflows of Coronation Street & Emmerdale.

Nicolas Bourdon, Marketing & Communications Director at EVS talks about how EVS now enables full integration between its high-speed production servers and Adobe Premiere Pro CS6. Two industry leaders come together to bring customers new efficient workflows.

Henning Radlein, Head of Workflow Solutions, tells about the developing relationship between ARRI and Adobe. With improved support for ARRI RAW in a new Premiere Pro labs release, now the ARRI/Adobe workflow is easier and more complete than ever.

The Multi-Screen Reality - From Creation to Distribution & Monetization

Adobe Director of Product Management, Bill Roberts, discusses the plan to playback strategy, along with multi-screen distribution and monetization and the overwhelming number of partners who will be demo'ing Premiere Pro CS6 at IBC.

Principle Worldwide Evagelist, Jason Levine, shares responses he's experienced in the worldwide evagelists' tour for CS6 and Creative Cloud. With new updates and offerings still coming out months after launch, there's no better time to switch to Production Premium for all your post workflows.

#TeamAdobe has an incredible schedule planned for NAB Show 2014. Find details here: http://bit.ly/AdobeNAB2014 & see exciting new features in action in this collaboration with Ryan Connolly: http://bit.ly/AdobeandtheFrog

Filmmaker, Iva Radivojevic, discusses her documentary "Evaporating Borders", how she defines herself as a creative, her switch to Premiere Pro through Adobe Creative Cloud and how access to so many creative tools further expands her ability to express her creative vision. Learn more at http://www.evaporatingborders.com and http://www.ivaasks.com

Moving from Final Cut Pro to Adobe Creative Cloud for the Making of Sundance Film "C.O.G"

See how filmmaker Kyle Alvarez created the first film adaptation of David Sedaris’ short story “C.O.G.,” which premiered in US Dramatic Competition at the 2013 Sundance Film Festival. Alvarez wrote the screenplay, as well as directed and edited the film. This presentation will cover Kyle's switch from Final Cut Pro to Adobe Premiere Pro and use of other Adobe Creative Cloud products.

Switching to an all-Adobe Workflow for the Making of Cartoon Network's "Annoying Orange" Series

See how Kappa Studios switched from Avid to an all-Adobe workflow, including Adobe Premiere Pro, to tackle all the visual effects, compositing, off-line, on-line, and audio for The High Fructose Adventures of Annoying Orange, the TV adaptation of the amazingly popular web series. This presentation will cover the workflow for this technically complicated, multi-dimensional, and fast-paced comedy show that airs on Cartoon Network.

Adobe Story is far more than a script-writing application. Story knows the difference between interior and exterior scenes, recognizes character names, and can even keep track of props and special effects. All of this information can be used to automatically generate production reports and schedules. Learn how in this lesson.

Animator Dusty Grella explains his longstanding project the Animation
Hotline and how it comes to life at the 2014 Sundance Film Festival.
Creativity is Dusty's lifeblood and he explains why it is so important to
his life and shares advice for aspiring creatives.

Filmmaker Sterlin Harjo describes his 2014 Sundance entry "This May Be the Last Time." Using his grandfather's 1962 car accident as a starting point, the film explores a Muskogee Indian singing tradition that incorporates Scottish missionary songs, Christian hymns, and slave spirituals.

Join Meagan as she talks to Kenny Mosher, winner of the Red 4k Portrait Challenge, about his project and his experience working with Adobe Premiere Pro & Adobe After after Effects.
www.showdownvisual.com