Whenever an author sits down and works on their WIP, there are many important aspects that go into the project. From knowing the beginning, middle and end, to character development, and an idea of what the theme might be, it is imperative to have a few things in mind when working on a book (or script, or play…).

One of these other must-haves is…who is your audience?

Meaning, who are you writing for?

Image via Flickr via Creative Commons. Photo by Sam Greenhalgh.

You’re not really writing for yourself when you work on a book. It may feel like it, especially since writing a book is a one-person project – at least, until an editor gets involved. But yes, being an author is a solo project. So that is why it may feel like you are writing the book for you. After all, it was you who came up with the story idea. It was you who found the perfect names for your characters. It was you who can foresee how this story would end. Sounds like you are your own audience, right?

Nope!

Whether you know it or not, you are writing for other people. And these people are the ones you’d like to read your book. You can’t say that your book is for everyone because it is not. Yes, anyone could read it, but not everyone is going to like it. You want readers to like your book, and not for the sake of your ego. When someone reads a book, they are on a journey created by you, the author. So, who do you want to go on the journey with you?

That is when you become aware that you have to have a target audience in mind when you set out to write a book. Is your book for men or women? Young or old? Those are the basics.

Then you have to consider what your book is about and its theme. That’s when you begin to narrow it down to who your audience is. Writing a dark thriller? Your audience are people who can stomach it. Writing a sexy romance? Your audience are women who enjoy such stories. Writing a sci-fi/fantasy? Your audience are probably are what some call “nerds” who consider “The Lord of the Rings” their favorite trilogy and movies.

Then comes your theme, what makes it unique and what stands out about it. Take my first book for example. A young woman tries to cope with her vampire boyfriend forcing her to become a vampire, or else. So, that means my target audience is mostly young and female, those who like vampire stories and prefer evil vampires over the softer ones, and may enjoy a thriller-type of story. There you go. That was my audience.

Now, that is not to say other people who are not on that list would not want to read your book. I’ve had male readers, those who aren’t really into thriller-type stories, or one that does not have a happy ending. Anyone can read your book, but not all will like it – although there is always room for surprises!

Come to think of it, learning and understanding who your audience is, is the first step towards marketing your book. And all authors – whether indie or traditional – must be aware of the marketing aspect of their books. Since selling book is a business, you have to know who your audience is as you write your book.

And you cannot create your audience or force it. It comes naturally at times, as naturally as you writing your story. Meaning, as natural as it was for your own story to form in your mind and then on paper or Scrivener, your audience will be as organic. There’s no controlling aspect to it. You cannot control who your audience is. All you can do is write what you feel is in your instincts, and your audience will take shape along with it.

Before I get started, I know I mentioned that I would be writing my weekly posts on Mondays. However, it looks like Tuesdays work better for my schedule. So for now on, expect posts from me on Tuesdays.

Photo via Wikimedia Commons

So, I am currently watching the Starz series Outlander on Amazon. For those who do not know, it is about a 1940s Englishwoman, Claire Beauchamp, who is transported back two hundreds in 18th century Scotland. Since this is the 1740s, there’s a lot of brutality going on, especially with a captain of the English army in Scotland, “Black Jack” Randall, who tortures the Scottish people left and right. There’s even a scene where Claire’s husband, Jamie Fraser, is tortured and then raped by Randall.

Now, I didn’t read the books that this series is based on, but I understand that the show is closely based on the books written by Diana Gabaldon. If so, it makes me wonder why she would put in a scene where a man graphically rapes another man. Yes, there are a lot of male-on-female rapes, floggings and beatings in Outlander, but it is easy to brush them off as that was the time period back then. But that scene has been haunting me. I guess it is because I’m one of those who has grown attached to Claire and Jamie, and couldn’t tolerate Jamie being tortured that way. Yes, Claire was raped or almost raped herself, but the show didn’t graphically display that as much as Jamie.

It also haunts me because last week, I was working on my WIP, which picks up where Claire McCormick and Daniel Poncher are in the trilogy. I was writing feverishly and in a stream-of-consciousness way. As a result, I ended up writing a part where Daniel graphically rapes Claire. Yeah, I did that. I went there.

Now, there are other scenes when Daniel does that, but it is not as brutal and more of a coerced sex way. But when I wrote that part, I was so bothered and disturbed that I had done that, and I ended up deleting it. Watching that scene on Outlander helped me do so.

Which has me thinking about why we writers write such graphic scenes, and just what the hell are we thinking? When I wrote that scene in my WIP, I was rattled and wondered if I have a sadistic side of me somewhere deep in my sub-conscious. I have to admit part of me felt truly satisfied with that scene, and was disappointed when I deleted it. I am now considering adding it back in.

Is there something wrong with me? Do I love torturing my characters? Am I sadistic somehow?

Heck, it makes you wonder if someone like George R. R. Martin, the author of the books that would inspire the HBO series, Game of Thrones, is sadistic. I mean, all of his characters go through hell, and some get brutally raped or brutally murdered. It is enough to leave readers and viewers shaken.

So, what are we writers thinking? Are we cruel? Or just going along with the muses in our heads?

I think the bottom line is whether these brutal scenes are worth it for the entire story. If it does not add something to the whole story, however violent it is, then it is pointless – and even sadistic. Perhaps what should be more disturbing is how violent human nature is, and we writers are just representing and expressing that in our work. If human nature were not so cruel and barbaric itself, then maybe we would not write such things.

But what of the satisfaction that comes with writing those parts? I think the reason why part of me was satisfied with the now-deleted scene where Daniel rapes Claire is because it flowed so well, from one action to another and another. The part before Daniel attacks Claire had me excited because there was so much emotion and action going on. But once I wrote the rape part, I was like, ‘what have I done?”

Is it worth having in the story? I don’t know yet, I’m still debating. But one thing I’ve been learning while watching Outlander, and even other shows, is that writers aren’t really sadists. Human nature is, and so are our muses. We’re just writing what works for the story and the characters, and what is streaming out of our consciousness.

But it is also vital for us to wonder whether all the violence is gratuitous and even worth portraying at all.

When you write a story, you’re telling yourself the story. When you rewrite, your main job is taking out all the things that are not the story.

Wise words from the Master himself.

As a writer, I’ve noticed there is a balance between writing for yourself and writing for your audience. It seems like it is a delicate balance because a writer wants to please his/herself but at the same time, the audience must be kept in mind. We all write for someone when we write, and that someone isn’t always ourselves.

Image by Sideways Sarah via Flickr

Who do we write for? Is there a specific person in mind? Is it a specific demographic? Group of people? When I wrote The Dark Proposal, it was for people who wanted vampires to be evil again. The abusive relationship part was for me, I admit. But I did have an audience in mind when I wrote my first book, and have one in mind for its follow-up, which I’ll get to in a future post.

But I agree with Stephen King that when we first write a novel, it is to be for ourselves. Or else, it wouldn’t be fun. Writing to please someone the first time around is exhausting and takes to fun out, I think. It is when the actual work of a story, the editing part, is when it is time to get serious about the story.

I believe editing is where we all get serious about our writing work. We become aware of the mistakes and the things that don’t make sense. We become aware of what our audience really thinks, or at least, what we think they think. We become aware that our work is going to be read by hundreds or thousands of people. We realize this is serious business here. Enough of fun stuff, let’s get serious here.

That doesn’t mean rewriting and editing can’t be fun. You may be relieved to get rid of a couple of sentences or a whole scene that doesn’t fit in with the rest of the story, once you read everything over again. And let’s face it, if we didn’t love writing, we wouldn’t mind the rewriting and editing parts. It’s part of the job, so to speak. And don’t we want our work to be as polished as possible?

Come to think of it, the first draft of a story is more than just for you. It’s a gift you give yourself. The final draft of the story is a gift to your readers.

How does a writer decide which story they are going to work on? What makes them choose, out of all the ideas in their head, one specific one to work on and devote all their energy to?

Image via Flickr

From my perspective, it is all about timing. Sometimes there is something going on in the world that a writer has to respond to or interpret. Kind of like the 2011 novel, When She Woke by Hillary Jordan. That book is a take on the anti-abortion sentiment in the United States, which is relevant to many in recent years.

Or perhaps someone has something to say, such JRR Tolkien when he wrote The Lord of the Rings trilogy. Supposedly, he was inspired by the events of WWI, which he fought in, as well as his take on male friendships, which he supposedly felt was too fractured.

Or some writers pay attention to trends. A few years ago, BDSM erotica books were all the rage, thanks to the Fifty Shades of Grey Trilogy. At the same time, YA dystopian books were widely popular, and there were many different books of that genre.

Or quite simply, a writer is inspired by a muse, and they have to get that story out. No matter the trends, no matter what is going on in the world. There is something in their subconscious that is forcing words to get to paper, or a computer screen. Sometimes the muse chooses what book to write, not the author.

How about you? Who or what inspired you to write your most recent work?

When I was in junior high, I read a lot of vampire stories. I read books by R.L. Stine and Anne Rice. I even attempted to read Bram Stoker’s classic novel, but could not get into it. But one book that stands out during my vampire book days was “The Last Vampire” by Christopher Pike.

Here’s an overlook of the book, and the other five that followed it in a series. The books are about Sita, a 5,000 year old vampire who is, seemingly, the one and only vampire left on earth. Although she is tiny, she is incredibly beautiful, extremely strong and quick, and falls in love quite easily. The latter means she falls in love with the son of a detective, mainly because she believes the son, Ray, is the reincarnation of her husband from 5,000 years earlier, Rama.

But Sita is not the last vampire around; her maker, the world’s first vampire, Yaksha, is still out there and is looking to kill her to rid the world of vampires. Yet, Sita survives Yaksha’s attempt and turns a dying Ray into a vampire, to save his life. This breaks a promise she made to Krishna that she won’t create any vampires, and thus will always have Krishna’s grace.

Click here to find on Goodreads

So begins the adventures of Sita, Ray and Yaksha. The adventures involve a trip to Las Vegas, flashbacks to Renaissance Italy, massive explosions, the death of Ray and Yaksha, Sita meeting a non-vampire who managed to live hundreds of years through alchemy (I forget the character’s name), and being changed back into human form. She also winds up pregnant, Ray comes to back to life as some sort of ghost, the baby grows at an abnormally quick pace and later turns out to be some sort of demon that Sita has to destroy. In the end, Sita meets with space aliens – or something like that – and is able to go back in time to kill Yaksha when he is born, and thus, never becomes a vampire and returns to life as though she never lived for 5,000 years.

At the very end, readers learn that Sita’s human nerdy friend, whom she cures of AIDS, had created the story of Sita in order to cope with having full-blown AIDS, and readers are to believe that the story of the last vampire was a product of his imagination.

Hmm. Sounds like a bad movie, right?

Now that I think of it…

Anyway…

I am aware that the series is being continued, years after the sixth and final book was written. I am not sure if I will ever take a peek at any of these books, especially now that I am aware that The Last Vampire series doesn’t sound very plausible. I mean, it certainly isn’t akin to the Harry Potter series in terms of storytelling.

But I do remember a few years ago, during the Twilight craze, walking through a bookstore, and seeing The Last Vampire being marketed as a new series called Thirst. I was thrilled to see that book cover, and thrilled to have memories of my early-teen days come back to me.

Those memories included chatting with friends about Sita and her adventures, and what will happen to her next. It seemed Christopher Pike’s vampire series was widely read in the mid-90s. Also included was my introduction to Hindu mythology, which these books are heavily based on. It showed me a new world, which back then was largely influenced by Catholicism.

I also grew fascinated with vampires, and wrote little short stories about myself becoming a vampire and what sort of adventures I would have as one.

Clearly, The Last Vampire series influenced me, as imperfect as they are. They also influenced the way I created my vampires. For example, I made my vampires walk around in the sunlight, depending on how old they were. This is all thanks to Sita, who could also walk freely in the sun, although she would be exhausted later on. In addition, my vampires, like Sita, do not sleep in coffins.

Even though The Last Vampire series is not the best one out there, it still has a special place with me. It made me fall in love with vampires, let my imagination run wild, and influenced me as a writer and storyteller. Creating stories are like building blocks, and sometimes there’s just that one book that leads to the foundation stone being placed. For me, it is Christopher Pike’s The Last Vampire series.

Writing a book teaches you a lot of things. You think you know, but you don’t know, and writing a book is quite an experience.

Writing a sequel is the same thing, only more. You continue to grow as a writer, while also learning tons about writing a follow-up.

Click here for original image on Jim Delorey’s website

One thing I am learning about writing a sequel is, don’t overdo it.

Heck, you shouldn’t overdo it when you write a first or stand-alone book.

But as I write my sequel, I realize there are times when I lose focus and I start to overdo it with my storytelling. Writing a sequel means picking up where you left off with the first book, and carrying on into another story or extending with the first book’s story. It is not as easy as it sounds. Especially when you realize there were some things that could’ve gone into the first book, and now you’re mentioning it in the second book.

And then you realize others things could be brought up. It’s like opening a can of worms when you write.

As I mentioned in my post about writing about vampires, world building is so much fun. But at times, it can be too much fun, and you might lose direction. That was a problem I had writing my sequel; I was having too much fun exploring the vampire world that I lost track of what I wanted the story to be about. When I revisited my work recently, I saw this and had to delete or re-arrange a few things.

Writing a story is so much fun. Writing a book is such a delight. But don’t try too hard. Don’t overdo anything. You can lose track and overwhelm yourself, your characters and the story altogether.

Why are you writing this story? Why are you writing about these characters? What is it about their journey that has drawn your heart? What is the core of the tale? Justice, mercy, love, revenge, self-discovery? Whatever it is that’s moving the characters is what’s also moving your story. That’s your theme.

Supposedly, theme cannot be planned or forced, but instead come naturally. Theme appears in the story as you write your arcs and developments. It blossoms on its own, an echo of your subconscious. It is the fuel for your story. It is the reason why a writer writes in the first place.

Anne Rice wrote Interview with the Vampire to explore death, mortality and losing God. The Kite Runner is look at the complicated relationship between fathers and sons. Love in the Time of Cholera‘s theme is love in all its variations.

The reason why I wrote my first book is because I wanted to explore abusive relationships. Having been in difficult ones – though no where near as Claire did with Daniel – I felt like I needed a release. I also wanted to write a vampire story where the vampires were once again evil and deadly – the exact opposite of what was popular four years ago.

Every story’s trying to say something. It’s trying to beam an idea, a message, into the minds of the readers. In this way, every story is an argument. It’s the writer making a case. It’s the writer saying, “All of life is suffering.” Or, “Man will be undone by his prideful reach.” Or “Love blows.” Or, “If you dance with the Devil Wombat, you get cornholed by the Devil Wombat.” This argument is the story’s theme.

A friend of mine says the central idea of The Dark Proposal was “be careful what you wish for”. He explains that Claire so wanted to have a rich lifestyle, that she was blind to Daniel’s abusive ways, and then later, used it as escapism for the vampire life she was about to enter. That’s one way to look at the argument.

Image via Pixabay

I have grown so much as a writer during the four years since I wrote my first book. Today, I am focused on going deep with my stories and being more honest with myself when I write. I don’t think I was very honest as a writer when I wrote The Dark Proposal. Part of me cringes when I admit that. But as one musician friend told me, if you do that, then it means you are growing as an artist.

Writing from the heart is not easy. You are literally exposing yourself as a human to hundreds, thousands and maybe even more to judge and tear apart. It is scary enough to produce a book that you poured your heart and soul into. And by that, I don’t mean every part of your mind. The best artworks come from the very essence of the person, their heart.

So as I seek to be more honest as a writer, what theme do I hope will come out of The Dark Proposal’s sequel? I know I cannot force it, but I really hope redemption and healing would be one or both. Actually, I hope it will be the theme for the whole trilogy (yes, my book was meant to be the first of three). I also like the whole “be careful what you wish for” theme will come into play. I’m sure there’s always more than one theme in a story, or different ways to figure out the theme.

Or rather, what kind of redemption and healing do my characters need in order to fuel that theme?

Claire needs to heal and be redeemed from her mistakes and naivete. Daniel needs to be redeemed from being so evil. There is room for redemption and healing for Hilde, the Five Brothers and even The Black Roses. Even Samantha and Monica need to heal. There’s a lot of pain in The Dark Proposal, and everyone has a lot of coming to terms to do.

Which raises another question: what kind of writer do I intend to be? Sure, I want to be one that goes deep with questions and the human experience. But will be the regular theme in my stories? Will there always be a re-occurring one? Who knows? But since themes come from the heart of the writer, maybe the themes of my stories will be similar, just written differently. Or not. It also depends on the perspective of the reader.

The key here is to keep on writing, and get more to the heart of what I’m trying to say, or express. But I obviously cannot force myself to expose my heart in a story, just like a theme cannot be forced.

I’ll let Chuck Wendig finish off the meaning of theme:

A writer can engineer the theme — building it into the work. Or a writer can unearth it — discovering its tendrils after the work is written.

I have to say that writing a story is like those adult coloring books. You probably have heard that the latest trend now is coloring books made for adults. I have a book myself, and I find it so addictive! It certainly helps me focus when I feeling stressed.

Image by Maxime De Ryuck via Flickr

Anyway, as I color and as I write, I notice how the two are related. When we color in our adult books, we are filling in the blanks with the most appropriate colors for a specific drawing, or the best color that blends well with another.

I feel it is the same with writing a story. You have a blank page, and then the outlines are put in. Then slowly, bit by bit, you color in those outlines with the best colors to detail the story. Once all the colors are in, you’ve got your story fully done.

What I mean by that is, the outline of a drawing in a coloring book could represent the basic outline of your story. It could be a literal outline, or the first draft. The colors, especially the main ones to fill in the large blanks, are the major factors of the story. They include character development, climax, resolution, and all the others that make a story a story. Finally, when you color in the smaller blanks, you are adding specific details, such as a description, background information or brief dialogue. That is what I mean by a coloring book being like writing a story.

Of course, unlike coloring books, you are free to delete certain scenes or re-do them with different…colors, so to speak!

Writing a novel is not easy. There’s a lot of blanks to fill in and the outline has to be well-done in order to proceed with those blanks. But if done carefully, you can create a beautiful story.

I’ll be the first to say that I am a Spreadsheet Queen. I can’t live without spreadsheets. Whether it is to keep track of finances, freelance work, or plans for the summer, spreadsheets is the way to go for me, and likely for many other people.

That probably also includes fellow authors outlining their next book. Some authors choose between outlining or flying by the seat of their pants when it comes to writing. I myself have debated this issue. But lately, due to my crazy schedule, I find it best to outline. And I’ve made that possible for myself through spreadsheets.

How do I outline using spreadsheets? Simple. I make each column represent each chapter. So when you see my sheet, you’ll see Chapter 1, Chapter 2, Chapter 3… all lined up in columns. Next, I put the scenes of each chapter in the rows. This is a good way to figure out which scene should end or begin a chapter, or which scene belongs in which chapter.

Photo by Craig Chew-Moulding on Flickr via Creative Commons

Doing this has made the planning of my sequel very easy. Granted, I do not stick to it religiously; I have moved a few scenes around and added a few more without consulting my spreadsheet. But overall, spreadsheets has been helping me keep track of the scenes of my second book.

It is not unusual for authors to use this to help plot their books. JK Rowling plotted her Harry Potter books using spreadsheets, and I’ve seen a few other, less-known authors do the same thing.

Because life can be so busy sometimes, I recommend authors to outline their stories. It is too easy to come up with an idea, only to not be able to write it down because either you’re at work, going to or from work, or busy with home life. Also, writing is a discipline, and if you are working on a book, you need to be organized and professional about your craft and your story. I was not like this when I wrote my first book, but then again, I was unemployed at the time. That meant having plenty of time to write whenever I pleased, as much as I wanted.

Nowadays, I do not have that luxury and I have to rely on spreadsheets to make my next book possible. It is funny how being a professional these days has made me rely on a program intended for professionals, in order to be more professional with my story!

Earlier this month, I finally did something I was afraid I wouldn’t be able to do.

I completed the third chapter of my sequel.

Holy crap. I did it!

Photo via Wikimedia Commons

I always felt the third chapter should be the springboard in a story. It certainly was with “The Dark Proposal”, and I wanted the same with its sequel. The first two chapters were like a gathering of information, an intro to what the book will be based on. The third chapter feels like it will build on all of that, and set off the rest of the book. But for a long time, every time I worked on the sequel, I just couldn’t get past the third chapter.

This was due to a lot of reasons. There were times where I wasn’t fully sure with what I wanted from my story and characters. It is tough to write a sequel because you have to improve on a lot of things from the first book. You have to delve deeper into the story, develop the main characters (and possibly other characters) more, and really improve on your storytelling skills. In other words, a sequel is a step up from the previous story in many ways.

Then came times when I wasn’t sure if I was really over the hurdle. Meaning, I would read over the third chapter again and again, revising and revising it, trying to make sure it was good enough. Was it as much of a springboard that it needed to be? Did it really prepare the reader for the rest of the book? Was the chapter strong enough for me to move on to the rest of the story?

Well, a couple of weeks ago, I felt that way. I felt my third chapter was satisfying enough for me to continue writing the story. The springboard had a bounce to it.

While it will obviously go through rewrites and revisions like the rest of the book, I felt it was good enough for me journey on. I had gotten past the hurdle.