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About this album :The album "Juste un fragment" is made of improvisations recorded in 2017 and 2018. They are then cut, stacked, sampled and re-orchestrated in a quick and intuitive process close to improvisation. As I usually do since 2001, many fragments of earlier recordings and albums are also reused, processed and handled in loops or textures. With this manufacturing method, the music is spontaneous, immediate, organic, but it is also the result of a slow evolution of a raw material constantly rediscovered.

About Philippe Zulaica :Architect, artist. Lives and works in Reims, France.

Tracklisting

"The album Morphose is made of improvisations recorded in 2015 and 2016. They are then cut, stacked, sampled and re-orchestrated in a quick and intuitive process close to improvisation. As I usually do since 2001, many fragments of earlier recordings and albums are also reused, processed and handled in loops or textures. With this manufacturing method, the music is spontaneous, immediate, organic, but it is also the result of a slow evolution of a raw material constantly rediscovered."

Tracklisting

In this record, Igor performs a free improvisation with his 8 strings guitar, no effects, pedals or any other instrument. Just clean guitar and his mind, practicing 4 songs totally alive in studio.The way how music is treated in industry it’s the reason why Igor choose the names of album title and its tracks."II" is the following of "I", released on tecnoNucleo Netlabel : http://www.tecnonucleo.org/

Photograph and design : M.J.

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At the time, we had dreamed of. In fact, they did.Here is a valuable archive emerged of the drawers of our three beloved monsters. A summit meeting between heavy electronica and Matter informalist duet Tuuli / Tulii (J.Gowthorpe and A.Degrenier) and joli-joli vocals spasms, closer to a Mark E. Smith in alcoholic coma as his usual testosteroned post-synthpop. These improvisations sessions dating from 2011-2012 were fortunately saved of waters (Nantaise ...) by our specialist of waterways joli-joli. And by the grace of his scissors, gives us to understand eight pieces really intense.And measured for what would have given the project if it had been pursued.

The compositions were produced in a manner of inner space revelation or even a dialogue between inner and outer space. Due to volumetric range of tones every track hatches from it’s own deep corner of an unknown universe... Figuratively about the canvas: in sound space of this work textures are mostly synthesized in transparent vacuum with warm shades in a move towards eternal, flavored with sharp cold spray of logical structures.Generally the author is an ordinary individual from Crimea, Konstantin Tolcheyev. He has been brought to condition of internal detonation and eventually that took a form of sound.

Composed by the Mini LP "Rock is Dead" (2013), the "Live at Fukushima" (2011, of course), and two Singles, "White" (2014) and "Pink" (2015), supplemented by two pieces Bonus, this concludes our fourth and last chapter of sound and mutant adventures of Picard and Jolibois duo.The original covers are included in the download file.

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"This piece was made with many electronic sounds, virtual instruments, field recordings and my own voice reading a poetic text i made in 2014, published in the book "La radio y la estática" edited by Zindo.

Photograph and design : M.J.

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An Ep "Yellow Flexi Disc" (2007), the mini LP "Tahiti Bitch" (2007), the "Johannesburg Session" (2010) and the mini LP "Poor Love" (2012), make up the third and penultimate part of the Picard et Jolibois retrospective. The "tubes" years.

Composed and arranged by José Sánchez and Niño de Elche.Produced by Natural Artifice (www.natural-artifice.com).Recorded at Studio Le Graal by Stephane Leyand studio Sputnik by Javi Morain July and August 2014.Mastered by Boris Beziat.Previously published in cd by Natural Artifice (Na-Na-1, 2014)

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Second volume of the Toulousain Mutant-Pop duo retrospective.We’ll find Picard and Jolibois in new psycho-sonic adventures,through three projects of the past decade : the mini-LP "Brown" (2009),the LP "WTC0911" (2001), and the EP7 "Cold Days" (2006).The original covers are included in the download file.

Tracklisting

Finally, the complete retrospective of the Toulousian duo.From 1995 to today, the solid friendship that binds led them to develop a project out of time, a kind of mutant pop, all in improvisation, a sweet madness sometimes rageful, purely analog.

This "Retrospektive 95-15" will include four volumes showing all their career and the completeness of their productions.

This first volume runs on the beginnings of the duo.It contains the first three EP7 "," Blue "(1995), "Green" (1997), and "Red" (1999), the "Jaune Pile Session" (2002), two tracks from the compilation "Shiny People" (2005), and finally the "Live in Odessa" (2008). The original covers are included in the download file.

Last month, the National Library of France (BNF, Paris) has invited us to make a deposit of phonographic works in his illustrious background. We received this invitation as a gift made in our humble label for its ten years of existence. Indeed, in 2005, we published the first Nowaki reccord, and up to 2008, we have released a dozen. We have filed the few references we had left in stock:

This online is a small compilation of this five reccords, a way for us to mark the occasion. A small booster shot too, just to remember from which comes Nowaki, originally a small self-production label based in Toulouse (south-west of France), a friends story, that has since much evolved.A way also to thank Mr Zanzotto of the BNF for the surprise and honor he brought us.

Tracklisting

" Mi música / Tarkovski / Scelsi / actriz porno " is a sound collage consisting of several early compositions of my work modified in real time. In this result is extrapolated different sound files by the filmmaker Andrei Tarkovsky , the composer Giacinto Scelsi and a pornographic actress of unknown name.

Tracklisting

01 - Journey :It was a long way from home. A new home. A colony, far away from Orderaki overlords. Epsilon Eridani, the home of human kind. Their birthplace destroyed, they journeyed far and within time, they have entered the system. Two planets, quite cold, a debris disk of remnant planetesimals and two belts of asteroids. "A beautiful place...", said Jaroslava Zadiska, captain of the Darius, the sleeper ship.Jaroslava was also a granddaughter of a famous but brutal space pirate, Drago, of the same surname. Most of the crew awakens as they arriveabove Epsilon Eridani b, and they begin to land. Creation of the first cities, farms and terraforming systems will take time.

02 - Colonization :Many years pass and the Eridanians have suffered, but endured. Their populations have grown, their factories built ships and transports. Even machines for war. Science was flourishing. Jaroslava slowly grew old as she led her people to a brighter future. How did she become a leader ? She was chosen - due to the fact that pirates of old gave birth to the rebellion against the Orderak empire. She knows her resolve must be strong. Rebuild, colonize, create a powerful Empire. Then fulfill your vengeance, even if you are old.

03 - Progress Driven By Vengeance :And it was not just Jaroslava Zadiska, their leader. Eridanian humans all had a wish for vengeance. Their home was destroyed, their birthplace.It was a great Empire that did it in the name of their own ’justice’, but they slaughtered the families of Eridanians, their friends, their freedom, their independence. They work for survival... and vengeance. United in these two tasks, they grow fast and well.The Republic of Eridania becomes one - a united but hidden power within the galaxy.

04 - Shadow Contacts :When economy was fully utilized and the food supply was no longer in danger, the leadership of Eridania began to plan. The plan to strike back, to seek out vengeance and destroy the Orderak Empire once and for all. Archives told of an enemy of the Orderak. The Shadows, Shades. The one enemy Orderak were never able to defeat and they hated each other. A thought - perhaps they will assist.Since defensive and powerful fleet was built, they have decided to try and send a message to the parts of the Milky Way where Shades lived.It was not long before Shades appeared right above Epsilon Eridani. It was a tense moment. However, communication was established.

05 - Diplomatic Tendencies :The ship of the so called Shades was large. Very large. Long approximately 4200 meters (while Eridanian ships were 1000 meters long). Fear was present in both. Who knows, this could all be Orderak trap. Tensions still existed, but eventually, the Shade diplomats agreed to land on the surface.

06 - Meeting Shade Face to FaceIt was strange as the Shades seemed new and unusual to Eridanian humans. During the talks it was found out that they are not called Shades or shadows, but Karodians, but were named Shades due to their advanced cloaking technology. The Karodians had five legs, which they could also use arms and hands, each with four fingers. Their single eye black, and they always had to keep masks on their faces, due to their life being based on selenium. They wielded strange black colored rifles, which, according to Karodians, used a large and high powered beams of alpha particles against organic and other life forms. They used other types of weaponry too.

07 - Common Enemy :The diplomatic talks began shortly after the cultural exchange. Once the language barrier was finally fully passed, they agreed - Orderak are a threat.The Karodians were fighting them for the last six hundred years. Many died in defense of Karodia, but once cloaking devices were created, it became easy. Although the war became a stalemate, the Orderak enslaved and conquered other galactic races to plunder their resources.Orderak were a powerful empire, which is filled with corruption, and "filth", as diplomat Xozoruk stated. They agreed, again, that with combinedmilitary operation, they should be able to reach Orderak, the capital of the Orderak Empire, and defeat them once and for all.

08 - Hatred Stronger Than Stars :Beautiful to see two kinds work together against a common foe, a foe that killed so many of them. Their thirst for vengeance has been great. War was their only option as they both thought diplomacy was certainly out of the question until the Orderak were brought to their knees. Death before surrender or defeat.

09 - Warlike Alliance Rises :"Within two of your years...", diplomat Xozoruk demands, "... we will begin the offensive. We will send you coordinates to Orderak and other planets closer to you. Together we will attack them.". Jaroslava, as the elected leader of humans, agreed. A treaty was signed.

10 - Through Krasnikov Wormholes :Eridanian human scientists worked for whole two years on new technologies that would allow them to attack the Orderak efficiently. They thought they would not succeed in time, but, basing his work off a scientist named Krasnikov, Jamal Darin, one of the brilliant Eridanian scientists, finished a faster than light drive that would deliver them to their destination very fast, even faster than Karodians. New ships, larger and better were built, now even up to 2200 meters long. It was a glorious two years for Eridanians.And when the time was ripe, the offensive began. The offensive lasted for several months, and many had fallen, until they finally reached Orderak Prime, the capital planet of the Orderak...

11 - Battle for Orderak :The old enemy of the Humans is here, in orbit of Orderak Prime, admiral Tonura, with a very large fleet of surviving Orderak spaceships. The combined two Eridanian and Karodian fleets were hardly a match for it. As soon as the two fleets came out of their respective faster-than-light drives, space mines activated and destroyed many ships. Admiral Tonura quickly ordered a counter attack and a vast battle began.The Orderak also had new technology, admiral Tonura commanded his fleet from their new behemoth, battlecruiser Daxzri, the largest ship in theknown universe, approximately 14 kilometers long. However, both humans and Karodians had something up their sleeves.Although an hour and a half late, Jaroslava and another human fleet came rushing into battle with 15 newly created ships, the newest of technology.The battle itself seemed to be a draw, no one being able to take advantage.The chaos of battle brought most of the ships some distance away from Orderak Prime and with main part of the battle now being fought near its moon, a new fleet came in. This one, however, was strange. It only had two small support ships and one larger battleship of Karodian design. It was different from other Karodian battleships. All three ships were headed straight for Orderak Prime, the two support ships defending thebattleship, shielding it from unwanted enemy fire. Once in position, it has fired many strange but slow moving missiles at the planet. Then, a large cannon, looking like one of their rifles, began to charge and fired at the planet.Large nuclear explosions began to appear on the planet. The cannon’s beam seemed to have heated up the atmosphere additionally, seeminglymaking a global firestorm on Orderak Prime. "An eye for an eye".The Orderak fleet was eventually defeated, with admiral Tonura and a few other ships retreating into unknown space.

12 - No more Orderak :The planet of Orderak Prime was still there - but like Earth, no living being was left on it. "An eye for an eye.".War has brought an end to an Empire. Only ashes remain of its home. Dark vengeance fulfilled, of both kinds. Jaroslava, however, received a message, from the diplomat of Karodian fleet. "Now, we are alone. Perhaps you shall be next. Our alliance is over, and our unending war finally finished.""We will retake the territories of our once mighty Empire, and you...", diplomat Xozoruk notified Jaroslava, "... and your little planet are in the way."The Karodian fleet turns against the Eridanian fleet now, and begins to attack. Eridanian fleet falls back to Epsilon Eridani, and beginspreparing for a mighty invasion...

13 - Ashes of an Empire :A fallen Empire that fought for its power and an existing Empire that has fallen. Chaos ensues the galaxy, as now free planets become independent. New opportunities are now here, for new alliances...Many are conquered by Karodians, some ally with admiral Tonura, some with Humans...But will there be the end to this war?Perhaps in the next chapter.

First release on Haze Netlabel, 02-2015.

Picture : Detail of the Eagle Nebula known under the title of the Pillars of Creation (Hubble Space Telescope, NASA/ESA, 1995) ; design : M.J.

Tracklisting

"2nd" is the second album by Roberto Massoni, alias Ovio. All tracks were created based on improvisation using the free tools package called "process".Gentle rhythms, chords pulsed, subtle layers of noise, incomplete melodies, audio bugs, polyrhythm, stillness, darkness, water of a pool moving slowly, the constant sound of a road in the distance, waiting time, fm radio passing the hit, nails freshly painted, the last days of summer.Music that embraces the wait, sounds that decorate the room, not wanting endure sounds, sounds that do not mean anything, sounds not want to be remembered.

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Beyond the baggage of its history generally, i.e. Appalachian folk tunes, hillbillies etc, there’s not much I actually know about the banjo as an instrument. The tenor banjo in particular (on which these back-porch and late-night-solace improvisations were recorded) I happen to know even less, except maybe that it was this four-string variant (as opposed to the more common five-string banjo with the extra tuning-key halfway up the neck) that was used backing pop/swing orchestras in the early to mid 20th century.

Anyways, my approach to the t.b. is more informed by the blues of Mississippi Fred McDowell or the harpsichord music of J.S. Bach (and of course our man Eugene Chadbourne has explored that territory; that is: banjo and Bach, thoroughly and peerlessly)… but even more so in the case of this assembly of captured mumblings, music of the Tao as played by Chinese Masters of the Giqin - another instrument I know little-to-nothing of, historically or culturally; but that it has a similar tone and timbre as my beloved banjo.

I hope then that listeners of these pieces can hear them as I did, as coming forth out of the sonorities of the instrument itself without any more intent than hearing its voice and resonances in fleeting moments - undoubtedly naive, indeed; but fragile and honest also… and informed by a deep love for the Way and the efficacy of uselessness.

This album, no one knows when it was started, he said one evening in August 1997, but since he’s gone who knows where, and although we do not know. "So go back there, in your city, and do not put your feet here ... ah but woe, woe, I saw nothing, I tell you, anything. and then I do not have to answer you, like .... "

Photographs : WMK ; design : M.J.

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"Wherever we are, what we hear is noise. When we ignore it, we are uncomfortable. When we listen, we find it fascinating. The sound of a truck at 90 miles per hour. The background noise from a radio station to another. Rain. We want to capture and control these sounds, to use them not as sound effects, but musical instruments. " John Cage.

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..."Having always played together as electroacoustic improvisation, in 2013 the meeting of two singular universe (industrial drives and dreamy shades) takes the form of an album of sound poetry, conceived as a disturbing dream movie: KTONOKINO - cinema of the embedded world for the ear around their own texts. They plan a live version."

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In Between is a remix, compilation album of Lord Havoc. Some songs on this album were released as singles, some are remixed and reedited by Zaman Cheh. This is Lord Havocs second full length, but still not his debut. Till now Lord Havoc released two debut EPs and his debut is out to be released somewhere these days. In Between is, as it was Futuristic Space Invasion, just a collection of tapes recorded and made on his way to his debut and first real ful length album. Watch out for it!

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Sonervols new album Hard as f_ck, hard as Katie is Sonervols recent trip into XXX noise adventure started around a year ago. It combines porn noise tapes with sharp field noise tapes recorded on Sonervols computer, mobile phone, dictaphone and photo camera. It’s mostly lo-fi pimped in some old version of Adobe Audition.

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"Our world is just information coded with an infinite number of numbers between 0 and 1, and controlled by the Great Organizer Dimensional with his huge capacity, G.O.D.Bugs exist, impossible events happen sometimes, incompatible states coexist as proofs.On this day of december 2012, three musicians leave Albuquerque at 3:13 pm toL.A. in a blue minibus decorated with mauve flowers. At 5:17pm, a meteorit crasheson the minibus. At he same time, G.O.D misfunctions. As Schrödinger’s cat before opening the box, passengers of the minibus are both dead and alive.Except that, in this case, the box was opened.The remains found between crushed iron sheets were buried,but even so the JCA trio journeyed on to LA in the same minibus perfectly blue with mauve flowers.Before G.O.D rectifies this bug, they came in a studio and recorded a proof, this album, two days after their death."

"Second album of The Owlest from Terebovlya, Ukraine, has more modern classical sounding than previous, but there are still notes of easy listening and fairy-tales. Imaginary Pianist Of Imaginary Orchestra is about imagination. It is about weird people, those like to imagine everything. Their fantasy is so powerful, that they can imagine little orchestra with piano and talented pianist. They could walk and hear music of their imaginary orchestra in their heads. Beautiful music with piano, because pianist playing louder, than other musicians and more wonderfully."

Tracklisting

This project was originally published on the super HAZE netlabel.http://h-a-z-e.org/archives/1845#.UlUl3lDwnAk

Tracks 1, 6, 9 written by SiJ and RMSS Systems Inc.Track 2 written by Morbid Silence and RMSS Systems Inc. Cutted version by SiJ.Tracks 4, 7 written by RMSS Systems Inc. Cutted version track 7 by RMSS Systems Inc.Tracks 3, 5, 8 written by SiJ.

Track 1 appeared on the competition "GENERATION.torrent-2013"http://rutracker.org/forum/viewtopic.php?t=4397590Track 2 appeared on the EP "RMSS Systems Inc. - Dark Sine Delusion" published on Ephedrinahttp://archive.org/details/eph047RmssSystemsInc.-DarkSineDelusionTrack 6 appeared on the compilation "Infraschall Vol.4" published on Dark Systemhttp://darksystem.bandcamp.com/album/infraschall-vol-4

All tracks were recorded at October 2011 - February 2013.All tracks mastered by RMSS Systems Inc.

"Oppressed by the heat of the asphalt. Crossing disused sites, narrow roads, dark and twisty, I feel human heaviness. Oppression watching me and eventually dissipate into the tortured excitement of urban river"

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For "European Night of Museums", May 18, 2013, the Museum of Art and History of the city of Narbonne (Fr) invited us to "sound to" its huge and beautiful pieces, lying to the top floor of the Archbishop’s Palace (XIII c.). Warm, place sublime, rare and wonderful experience. We present here a large part of this unforgettable evening. Big thank you to Bertrand Ducourau for his initiative, his home and his fidelity, and the entire staff of the museum.

"This album consists of various recordings (improvisations, fragments of unfinished models) made between 2001 and 2007, supplemented by some more recent catches in 2013. This raw material is assembled, stacked, cut and glued creating accidental but rather intentional harmonies."

"After more than six months to refine every sound, I reveal here a little bit of my world. Made from aqueous noises and surreal textures, I made this EP on the concept of a journey, each piece representing a stop. I hope you enjoy the journey. Happy listening. "Le Melodist (www.atomixproject.fr) and Robert Joseph Manning mastered those tracks.

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"This album is about the house, which is no more. About a man who comes into the house of childhood,but the place of the house only tundra."

Recorded in the period from February 2008 to July 2012. In recording took part: Gumpilen : idea, concept, and interpretation of the piano, reverb.Jafar : wind instruments. George P. : noise resonator, the concept, the implementation of. Lager : noise operator. The Driver The trolley : reverb. Engineers recording: Gumpilen and George P. Mixing and editing: Gumpilen

Photograph : Darya Kirillova ; Design : M.J.

Tracklisting

"Nothing is poison, everything is poison. Only the dose makes the poison " Paracelsus. The most important is not so much in the music than in the mental images which are the source. Intimate strangeness of the sensation is infinite, the rest is just babbling.

"Behind the hill hides another hill ..." was originally a series of impromptu recorded by Christophe André and D. MeulienAt their request, this session of improvised music has received input from a winter wind, intense and inspired from overseas sleeve.This is the trio version, with subtle and luminous contribution of Hervé Perez, we give you to understand here.Recorded in December 2012, between Cuers (France) and Sheffield (England).

Tracklisting

"This album collects some of the fallen fruit synth box the computer’s microphone piano.These are fruits harvested between late 2011 and April 2012. Found randomly picked, tasted, sorted, put aside a little cleaning. Here they are.Enjoy the game, the replay, I’ll say it again, re-link the electronic computer, the reinvite instrumental afford pulse again, and even a few voices.Finally for me this is the real return to the music itself after meter devoted to electroacoustic and multimedia only for 15 years.Hard-played sometimes, therefore, assumed, finally, human gesture, and the virtuosity of M.Ordinateur, beautiful metronomes. Claps a bit in places, hums, murmurs, it pulsates, it wanders it.Some fruits are ripe, others a little green, acids, sweets, weirds i hope.Pleasure to be published on the net-label, without a contract, without condition, without difficulty, without no.Best listening. "A.R.

"After finishing ’Leaving in waves’ last year, I had no idea what I wanted to do next. I only knew that I didn’t want to create something similar with my previous work. So I started experimenting with new sounds, trying to keep things simple. I deliberately kept the orchestrations as minimalistic as possible and made them relatively short, like a glimpse to what could someday become a real track. After working like this for about 5 months I realised I had come up with about 30 ideas, many of which were really bad, of course. So, I chose only 9 of them - the ones that still had a meaning to me - and edited them to this album. However, I wasn’t sure that I liked the result production-wise, so I decided not to ever release it. It was only a month ago that I listened to the whole work again, made a few changes in the sound and found it a good idea to share it with you and anybody else that could be interested." C.A.

Photograph : Lyconaut ; design : M.J.

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"Falling is indeed the primordial material from which feels dawn coherence, emergence of themes that we can shape and reflect our history. It is simple story: we vibrate among the myriad of whiteness bewitch us ... "

"Each Thursday evening at the Disquiet Junto group on Soundcloud.com a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment...

...The assignment was made early in the afternoon, California time, on Thursday, September 27, with 11:59pm on the following Monday, October 1, as the deadline...

...The netlabel phenomenon is a tremendous force in contemporary music, with hundreds of these small organizations around the world actively distributing for free the music of willing musicians. In many ways, the concept of the netlabel is at the forefront of the Creative Commons except for one lingering issue: Many netlabels set their tracks to a license that doesn’t allow for derivative works. On a label-by-label basis, that’s likely an informed decision. But from a broader perspective, it arguably stunts the promotion of shared culture.

In order to encourage the employment of licenses that allow for derivative works, such as remixes, the Disquiet Junto will focus its collective attention this week to a netlabel that allows for derivative works. We’ll take three tracks from three different releases from the Nowaki label, based in Toulouse, France, and combine them into remixed celebrations of the label’s vibrancy.

So, the assignment this week is simple. Please download the following three tracks from the netlabel Nowaki and combine them into a new track. You can process the sourced audio in any way you choose, but you can’t add anything to it...

...This Disquiet Junto project was done as a celebration of the efforts of the Nowaki netlabel, and to support its employment of licenses that allow for derivative works. This track is comprised of three pieces of music: Irise by Barascud (nk104), Sumatra by André D / Christophe Meulien (nk106), and She Likes to Look at the Sky by Kluge (nk089). More on the Nowaki label, and the original versions of these tracks."

"...The Nowaki netlabel was selected for the Juno project for a simple reason: while there are many netlabels (some 500 or so active ones at this stage, releasing music intentionally for free download), and while their practice embraces the Creative Commons, very few go the next step and make their music available for the production of derivative works. Nowaki is the sadly rare exception. So it was that, in the end, 19 Disquiet Junto members went to work on a handful of Nowaki tracks..."

Marc Weidenbaum.

http://disquiet.comhttp://soundcloud.com/groups/disquiet-junto/info

"All these bottles thrown into the sea eventually found recipients.This encourages. Greetings. Marc."

Conceived in a musical library style, Recollection Of The Worlds part 2 offers you the possibilities of a fast transportation, for less than an hour,through places and times.For less than an hour, you can go in Prague in 1968, in Malouine Isalnds in 1982, in Santiago de Chile in 1973 and many other places and many other times.So, be ready for this amazing experience, around the world, around the time and take a beer.Cheers.

Tracklisting

" Talk To Night Trees is an album of easy listening music, that takes your hand and bring you to a fairy world. This music is whole of different feelings, emotions and weirdness. If you close your eyes, you’ll find yourself in night forest. There is very dark and pleasantly. You feel any fear. You hear some noise in the grass. This is little hedgehog, you pet his back and go on.

You see big yellow moon, which look like a golden coin, through the branches. It lights on pine with a couple of owls in branches. They read letter aloud, because it is also intended for trees too. You shut eyes and feels smell not only of pines, but also of nettles and cinnamon. That aroma dopes your head. You open eyes and think that stars on a sky are like freckles on a face.

You hear noise of the wind and it breaks your thoughts in the middle. You go in deeper forest blindly, believing in your feelings and inside compass. You hear rustling of the lake bulrush, but there are no bulrush and no lake. There are your insomnia and entropy, which bites in head like an alcohol. You feel some touch to shoulder. That’s violet bird, which fly away in that moment, when you open your eyes.

You come close to big tree, hug it and begin to talk with it. You talk about everything in the world. You talk about hedgehogs and forests, about nocturnes and post marks, about more, than 9 centuries of Terebovlya and owls, which lives in that town, about ruins of the old fortress and town hall, about church bells and roadway, about birds, which have violet color and nettles among cinnamon.

You fall silent suddenly, cause understanding, that you living in real fairy. You and the tree. " Nazariy Zanoz.

Tracklisting

"I refreshed this morning by walking in these places that inspire me so much along the river. Mixture of forest roads, urban remnants, of questionable concrete huts, bridges and tagged industries where all semi-aquatic sleep seems an almost soothing, detached but also disturbing. Associated with a postoperative medicated contemplative state and unsteady, that’s an idyllic setting to feed my inspiration. "

Tracklisting

"Recorded under the influence of socio-cultural image of Paul Eluard. In compositions, listener can find frozen notes of nervousness, compositions and emotional isolation.You can just use concentration and imagination. The record was made byusing guitar, accordion, radio receiver, manipulation with objects,field recordings and subsequent processing."

Photograph : Kluge ; Design : M.J.

Tracklisting

After a first attempt having value of founding and exposing the possibles by the duo freshly made, sWeenDL seems to have found his breath and returns with a much more accomplished project.Experimenting with new techniques of work, the evolution of the agreement in terms of aesthetics and sound clearing, slowly transfigure their improvised productions, here are some pieces that one would swear premeditated.A second album a little less dark, smelling of maturation, where mastery of primitive tensions leaving the field open to sovereign climax, calm and dangerous at a time.

Photograph and design : M.J.

Tracklisting

For this centenary issue, we are pleased to offer you a selection of pieces, mostly unpublished, of artists who participated in the Nowaki adventure.One way to take stock, a renewed perspective of our catalog, and an opportunity to discover or rediscover rare and marginal approaches.Generous released (some thirty pieces), available in two volumes, the first satisfy fans of moods and voices, while the second will be focussing on rhythms and chords.Big thank you to all the artists for their talent and motivation, and to all the listeners for their curiosity. Thanks to you all, Nowaki exists, lives, and prosperous. The relay operates, the adventure continues, full of treasures and surprises.

For this centenary issue, we are pleased to offer you a selection of pieces, mostly unpublished, of artists who participated in the Nowaki adventure.One way to take stock, a renewed perspective of our catalog, and an opportunity to discover or rediscover rare and marginal approaches.Generous released (some thirty pieces), available in two volumes, the first satisfy fans of moods and voices, while the second will be focussing on the rhythms and chords.Big thank you to all the artists for their talent and motivation, and to all the listeners for their curiosity. Thanks to you all, Nowaki exists, lives, and prosperous. The relay operates, the adventure continues, full of treasures and surprises.

"My meeting with Marc is placed under the sign of synchronicity: the emergence of matter in our lives mysteriously happens when we need to prove completion assumed, to the point that it becomes an inner necessity deliciously devouring.I think of the empty, murder and Mother. ""Opus null" what appears as a selection, without alterations, moments of improvisation performed during the first half of 2011. A kind of draft, Catalog of sketches, mixing electric guitar of Fred Leblond, and electro-acoustic tribulations of Marc Jolibois (Traqueurs de combes, ultra-liberal, Pimp). Other numbers will follow.

Tracklisting

New album’s friend Gino, who, to escape the drabness of winter Berliners that point, propose us a trip around the world through a range of parts from various backgrounds and musical traditions, processed, kneaded , diverted and reconstructed in its own way. It’s rhythmic, colorful, wobbly, psychedelic, often with great moments of beauty (girl song). Volume two will follow soon.

Call Forth our friends had the nice touch to invite us for the second edition of their festival (very raced) of "Jardins synthétiques", inside the sublime walls of the museum Saint Raymond of Toulouse. This carte blanche given to Nowaki allowed to hear three projects (artists) label in the beautiful room Chiragan (Roman statues room).Here we present three full lives of Pimp, Philippe Lamy and Tuuli / Tulii. Special thanks to Bastien and Pierric.

Photograph and design : M.J.

Tracklisting

Nowaki second album for the prolific Philippe Lamy. Earlier this year, I told Philippe about the possibility of a concert this year (see live nk091). Never happened in public, the man is driven to work "live", using different pieces gleaned from our extensive catalog. A strength test, mixtures, it eventually led, by chance, a set of tracks, ultimately very ’Lamien". Kind of anti-remixes, evoking more the impression, the sketch, a any reconstruction. Tribute album to the label’s artists, this Nowaki mix (no-mix) reminds me of a project ten years ago, led by the famous Stephan Mathieu as Full Swing, which proposed, in terms of remixes , pieces of which nothing remained of the original frame a trace faded. Watercolours sound, much like here. Philippe is primarily a painter, and it shows.

"No Love, Please - a kind of this kind of dedication to any kinds of screaching and creaking... for different sound fragments, it (screaching) was removed from the different objects and sources: for example - from building facades and the crumpled foil to the guitar strings and five-day stubble of unshaven .. In addition, in the last song found a place a stereotyping of social-cultural perceptions of France...Its eternal struggle for justice, a politically youth activity and....love..love..."

Photographs : Kultivator ; design : M.J

Tracklisting

"These two pieces marked my debut : "Nuage secret ", with the MAO, which I did not feel very comfortable, and " T13 ", with Larsophone (sound sculpture acting on the feedback in the spread of galvanized steel) in which my spontaneity and freedom were at my appointment, my past where instruments, with the feelings arising, allowed me to be on a staging where the play was nice."Nuage secret" is a piece made from sounds taken from so-called traditional instruments(tubular bell, prepared piano). For the record, I do not yet know Morton Feldman when I have performed this piece. The sound and all the MAO were carried out by myself."T13", a piece made with the Larsophone, an MPC spitting sounds MS10 and full of pedals, was recorded by Thierry Dilger with Shoeps microphones. We hear occasional pedal clicks that I fully assume.I like the sensation of drawing music and, at times, of writing department. That’s why I approached the analog and the sound pure, preparing speakers, paying attention to materials and the places where I play.The human species has evolved technologically very quickly. As an artist, I think there is still much to discover with a soldering iron and acoustics, because they are living materials. "

As a bonus, in the Zip download a live video, and a small report after an installation MAKI Angoulême here : http://culturebox.france3.fr/all/10036/le-maki-d_angouleme-abrite-les-cagettes-sonores-de-l_amorce#/all/10036/le-maki-d_angouleme-abrite-les-cagettes-sonores-de-l_amorce

For the 2011 edition of the festival of music, the Grain d’Aile library of Carcassonne had the good sense to provide to our friend Jonathan Gowthorpe (aka Vompleud) to organize a series of concerts under helmets, a little at a how our colleagues of leplacard.org (the placard headphone festival), streaming and less.

Nine artists from Toulouse, Nantes, Marseille, Avignon and Carcassonne region have succeeded in this day of June 21 in the heart of this beautiful hall restored.

We have chosen to upload six of the nine "lives" on offer: three artists from the label (Golem mécanique, Traqueurs de combes, Tuuli / Tulii), and three artists whose sets were particularly impressed (Triton, Iris Lancery, Poborsk), and we hope future collaborations with them.

We would, by this uploads, keep track of this very pleasant day, and thank all the participants of this event intimate (even those that we have not chosen, another time perhaps), in particular Jonathan and David Ona for the excellent conduct of these concerts, and Emmanuel Pidoux, founder and head of Grain d’Aile for its initiative and its reception.

Parametic Delay is a duo from Malang, Java (Indonesia) formed in 2007 by Benk Robo and Ditta. The use of toy instruments characterized their electronic pop productions.Also being made members of the music in your room (chamber music), they created their own process of recording and mixing, using a simple software and hardware, while still demanding about the quality of production.The duo released its first mini-album SELF TITLE in 2009 and returned in 2010 with the well-received SUNDAY MORNING EXERCISE. We are very pleased to welcome on Nowaki their third EP, released simultaneously this month on NOSOURCE, an American net label from Boston. A true international co-production for an intimate and energetic, nostalgic andcolored work. Tenderness of the Tropics. Sharp waves.

Artwork : Benk Robo ; design : M.J.

"On this third mini-album we want to tell everybody that we as humans surely have a cycle of life that must had been around by every human, that is maturity. At our age that has passed through 20s we often imagine how our childhood was, wishing what if we shrink and back into a kindergarten who ran endlessly, tirelessly playing and filled with a joyous smile. The first song in our modest work is entitled "Childhood Reheated" that contains all of our imagines.We always fulfilled with many kind of dreams, filled with tales which told by our parents, start with the house made of cake and chocolate, playing football in the clouds, being a dwarf, being a superhero, up to dreaming about a small spots of ice cream rain although in our country was not snowing. These memories are presented in the next song, "Drizzle ice".When we are growing up we might be a bit forgotten with so many dreams in the past when we were as a kid, either because the dynamic of social life or other things that make us oblivious. We simply want to reachieve those childhood dreams, while it is difficult or maybe impossible to reach. This obsession is contained in a song "Depict the dream".When we were teenagers, as well as others we also falling love, but this love is universal, it could be affection, peacefulness, mutual understanding, also shared some happiness. Now love itself is too hard to get in this life, which nowadays full of war and chaos. Through the song entitled "Love song before sleep" we always not giving up to hope that love will always be around us, when we fall asleep and stay there when we open our eyes.We always want to share all the memories and hopes of this dream, not for everyone but for the hearts of all people. This is the emotion that we get when we were working on our last song "To your Heart". We hope, all of us which undergo a cycle of life, grow up and grow older stay awake in the memories, hopes, dreams and love that will always make the world warm." P.D.

Tracklisting

Kluge is one man project from Saint-Petersburg. He started to make fieldrecords and collect different sounds since he was 16 year olds and lived on Kola penitnsula (North of Russia, Mourmansk) in that time. Kluge starts with sound experiments, audiomontages and other manipulations with sound in 2004. Kluge is using fieldrecords, guitar, flute, metalophone, different objects and digital synthesis...

Photograph : Kluge ; Design : M.J.

Tracklisting

This polyptych, consisting of 4 moments of listening, traces an emotional and intellectual development. This is a double between research and auditory senses algorithmic analysis of music that is coming this work.

Designed initially for a multichannel distribution (spatialization of 5 speakers), Aléatoires (Random) is also expressive in all its richness stereo.

Aléatoires is the culmination of a long maturation of sound that now characterizes a bit more work.

The second time was used for the illustration of a performance by the Pièces et Mains d’Œuvre company in 2008."

Abstraction meets the dark.Responds to the sound of the single winding walks.And ink to erase the time ...Electronic project / solitaire / solidified the composer F.Alexis Degrenier (co demiurge duo Tuuli / tulii), it offers an account of a personal journey to the dark frontier of a geometric kingdom. Nothing is identical. Nothing recalls the blast happened.A radical journey. A violence.

Tracklisting

"Sizzling / saturate / close / forgotten / abandon / to / back...It took time because we had to try and understand the visions...(Hounsi ) closes the doors of a ancient world, a not said nostalgia .Un intuitive language. The vodoun throws the eyes and watches in all the angles...the wax listen to the sky, which calls a space starving for every stone..." Khan Jebane.

The United States has lost World War II and is occupied by foreign powers.The eastern seaboard has fallen under German control, while the West Coast is under the sway of Japan.The South is a Vichy-type regime with the strings pulled by Nazi collaborators, while the Midwestand Rocky Mountain regions are quasi-independent, buffer zones separating the two occupying powers.Tensions between Germany and Japan simmer beneath the surface, and the threat of a nuclear conflict between them is ever present.

2 - The Loneliness of the Long Distance Runner - 7:46

As the foot strikes the ground there is also some flexion in the knee.This should not be too excessive so leg strength must be developed to ensure stability in and around the knee.There is also some movement around the hip girdle.This can be excessive, so strength exercises for the whole region, especially abdominal and lower back are required.It is very important that this region is kept stable thus giving a strong platform from which to drive.

Jack Beauregard, once the greatest gunslinger of the Old West, only wants to move to Europe and retire in peace.But a young gunfighter, known only as "Nobody", idolizes him and wants to see him go out in a blaze of glory.He arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.

5 - Happiness - 7:11

Francois is a young carpenter married with Therese. They have two little children.All goes well, life is beautiful, the sun shines and the birds sing.One day, Francois meets Emilie, they fall in love and become lovers.He still loves his wife and wants to share his new greater happiness with her

6 - The Paper Chase - 7:07

Professor Kingsfield : "You teach yourselves the law, but I train your minds. You come in here with a skull full of mush,you leave thinking like a lawyer. Here is a dime. Take it, call your mother, and tell her there is serious doubt about you."Susan Fields : "I know there’s a lot of things to say, but it really isn’t worth saying them, so please just get out.They finally got you, Hart, they sucked all that Midwestern charm right out of you. Look, he’s got you scared to death.You’re going to pass, because you’re the kind the law school wants."

Captain Dan Tracey and his two lieutenants are ordered to investigate trouble on the resort planet Clitoris,a pleasure world filled with shopping and gambling where, according to the "Articles of the Venus Convention",only women are allowed. A variety of problems are occurring on the planet; most notably, several important pieces of "Girlinium"have been stolen from the Empress Nueva Gabor. "Girlinium", as explained by the Empress, is a very rare gem found only in the cavernsof the fourth moon of Girlina, a distant planet. It is used by the Empress to help the planet maintain its delicate orbit surrounding its sun.The stolen pieces must be found or the planet will fall into ruin as evidenced by increasingly violent earthquakes. The captain and his men,in order to remain undercover, become women via sex reversal pills and pose as showgirls from Earth performinga mid-twentieth century lounge act for the Empress’ annual off-world slumber party while investigating the crime.

Tracklisting

6pyT is the project of a young man living in Krasnodar, a large town south-west of the Russian Republic. Brut (his nickname) lovesexperiment, and appreciates the netlabels defending the so-called experimental music, even extreme. It makes noise (beautiful), miniatures, a kind of sound "design" quite adventurous, not afraid of extremes (calm, violence, noise, melody ...), also a nice technical quality and a mature aesthetic view of his young age. Brilliant, smart, instinctive : intelligence in the service of electricity.

"Piccoli pezzi per domani" is a particular musical project,the soundtrack of a road-movie which takes place from Berlin to Lisbon.Aboard Fiat 500 red, the protagonist leaves Berlin, loaded with sausagesthat he has to distribute throughout his route.His trip will leave Berlin, will cross by Prague, Frankfurt, Strasbourg, Zurich, Milan, Florence, Monaco, Marseille, Toulouse, Barcelona, Madrid, Salamanca, Porto to end in Lisbon.On his road he will cross a Syrian lost in Switzerland, a Czech transexuel without money, a couple of Red Setter, an alcoholic nun, a Satanist in mourning, a nerd syphilitic, a dead undertaker, a Roma Prime Minister, Swedish one blind, a band of old vegetarian punks, a Thai extremist and many other intriguing characters but always with a ruddy complexion.This journey will be for him a discovery as well as an introspection when in the question:Are we made more friends if we have sausages or is the life is only a delicatessen?

Nanopix lays us (this word is of an ardent current events for him) his best album to this day. More and more rich, more and more melodious, an inspiration which releases itself and a sound which improves, a work which clears up and becomes clearer, an artist who does not stop showing himself. In fact, I always say the same thing concerning the music of Benoît, but I repeat sincerely.

Tracklisting

We find Pimp in a project in diptych, sum of an enormous working year. "End of purity " at first, very "ambient, very cinematic volume, constituted by four big improvised parts, everything in material, in a varied instrumentation. A warm but very abstract music, in the strange hidden recesses.

Photographs : Fabrice Fortner ; design : MJ

Tracklisting

After two enormous projects of this summer, we find Ultraliberal in a brief and licked production. A "live" taking of a top level of listening, Sébastien who makes say things impossible for his guitar ( the last title), and the voice of Roland Barthes in homage to rebelled who come. Too brief and too beautiful...

Photograph and design : MJ

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Traqueurs de Combes’ thirteenth project. According to his words, the most accomplished in it days. Always in journey in the electricity, live totally, by means of a guitar, of a bass, of an old Korg Sygma, of varied microphones and of diverse objects, of a computer, he shapes a world which navigates between harmony and violence, beauty and noise. The sound documents speak about polutions, about poison, about news items, about close incidents, or about collective events. All evoke the fragility of our world, the difficulty living there, making empty our attempts of hope, our refuges in the religion. God becomes the engine of our loss, the person in charge of our misfortunes, freeing finally the man of his own responsibility in front of cataclysms whom he even created him. With strength of larsen, of carillons, pipes and toy, melodies and rhythms, testimonies and songs, Traqueurs de Combes embarks us on a vast sound fresco which oscillates between anger and sadness, Irony and moments of grace. And an enormous tenderness which returns this less abrupt, warmer music in spite of its dark comment. A length travels in a horrified bliss, a kind of abstract "pop" desperately optimistic.

Gino Niemiz is the new recruit of the label, and not the slightest. For those who followed the adventure since its Génèse, Bruno was already there. The first Ultraliberal " Chez Bruno " ( nk009 ) was a live one made at his home, and for whom he realized a movie which we presented you in December (http://www.dailymotion.com/video/xbicf9_ultraliberal-chez-bruno_creation). He also realized two videos for Traqueurs de Combes (http://niemiz.free.fr/Beetween.html and http://niemiz.free.fr/Darius.html). In fact, Bruno is a very old friend, who from Toulouse to Berlin, by way of Paris, always worked at extreme musics, of the most smiling to the nastiest. The work presented here reflects the experimental tendency of the chap, the dark or violent, abstract or funny, virulent pieces or planants, but always ordered with virtuosity, sense of the detail and " good taste ". Those who know his more dance productionsor his performances in public (live, DJ and VJ) are going to be surprised. This music is rough, sometimes, but always, the human being clocks behind, ready to make machines forget. And even if at the certain moments the atmosphere darkens, there are always moments when shines a light which is there to warm our feelings, to give a little of hope. Grave, deep, but with a smile in corner.

Photograph : Gino Niemiz ; Design : M.J.

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Nanopix, always so productive, returns to us with the third album.With tenacity, doggedness and talent, Benoît develops its sound world towards more melodic horizons, sometimes "ambient" for some. A serene tension escapes from this new opus, as proof of an evolution in continual progress, a universe which grows rich as the trust and the experiment accumulates. We are going to continue to follow him, because we like.

Painting : Benoît Balfet ; Design : M.J.

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After several years trying to make have a dialogue the random and the writing, having plunged the hands into the sound material and having looked if we could " sing the rumours", having to investigate a possible meeting between its guitars and the real-time electronics, Won gives up its machines and concentrates on the guitar.

Photograph and Design : M.J.

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Not long ago, we receive a record sent since London by a young Japanese. We listen to. We melt. We contact. And Here we are, it is there. Finally a real artist Japanese on Nowaki. It is brief, a quarter of an hour in five pieces, very touching. Something of obviously childish, made, tinkered in an instant, very close to the alive. And then there is a music, and a song, very dreamlike by moment. The last title evokes me a piece of Able. The same painful tenderness. Bizarrely, that makes the good.

Painting : Nao ; Design : M.J.

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Philippe Lamy is a painter and a musician: in these two domains, the expected density results from a stratification where appearance and disappearance chant a rhythm of crossing, an at once contained tone and in wait. In his music, diverse events (sound captures, worked again and transformed sounds, Chopped dialogues, voices, breaths, textures of varied origins), are diverted, confronted and assembled to produce sequences, durations or "narratives", in the particular tints. The asserted intention is to get the listening for instaler an at once dense, fluid and stretched sound space.

Second album of Benoît Balfet for Nowaki, who confirms all the good of which we think of its work. With, in this new opus, a more climatic dimension, a work of the sound in the depth, with always this rhythmic epileptic and this certain sense for the transparent melodies, this " Polar Beep " freezes us as much as it makes us melt. Finally hypnotic. Attention on trees!

Painting : Benoît Balfet ; Design : M.J.

Tracklisting

Three years after their first release on Nowaki, Elise and Felicia return to us with this music realized for the Arnold Pasquier’s movie "les3 Contents" , on a choreography by Julie Desprairies. A dragonfly sound ...

Photograph : Arnold Pasquier ; Design : M.J.

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Prolific duet Pimp, always in pursuit of an ideal sound world: a kind of aesthetic demand of the freedom to play. Improvisations becoming compositions, a set-up in perpetual motion, and always this ironic and humanist glance on our world, here in the form of reaction in front and after Summit of Copenhagen.

These new pieces run along 2009, busy year, between the evolution of Nowaki and mounted power project Pimp. Charged and tense then, like these songs which navigate between sweetness and violence, pain and happiness.

We begin this decade with the fiftieth listed of the label, an album of its "founding fathers". After years of prolific, Ultraliberal therefore much more rare these days. The duo no longer living in the same city, last met in the summer of 2008. This session, lost in an computer crash and found recently, introduced three duo improvisations for two guitars, loop station, a micro-switch and two effects pedals. A return to "sources", while gentle radicalism. Even the feedback began to sing. The fourth piece, with Fabrice, announces Pimp. We hope other impromptu sessions of the same barrel.

Photograph and Design : M.J.

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A new Pimp opus confirms the biting nature of their creations, their ability to create worlds where beauty competes with the abstraction, the cynicism with malaise, where various tools and technologies compete "live" : a reading of our world of over-communication / miscommunication, and permanent war.

Photography and Design : M.J.

Tracklisting

Better known for his graphic work (see his site in the links), Benoît makes discreetly rhythmic songs, hiding color and images, whose wealth is revealed gradually as the plays."I work my video for we no longer know if we listenimages or if it looks sound. I designed this album in the same spirit and hope he lets you travel to another reality. "B.B.

Painting : Benoît Balfet ; Design : M.J.

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"The Mass is an invisible object, a derailment, a boiler burning, agnosticism flooded with letters, words of love, words of revolt".Khan Jebane drives the point a second time and we lost feet. In violence ecstatic.

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"As you might already know, my dog Snoopy left us about a month ago, atage 18. My mom brought him home when I was 8, and I have been quitefond of him ever since. Losing that dog was quite tough for me and myfamily, and I chose to get over this by making music for my friend.I’d like to share these few demos with you; I hope you will like them.Feel free to pass them along to whoever you think might enjoy them aswell.

About the music: these songs were made pretty spontaneously, with noparticular "style" or anything in mind. The whole thing might soundheterogeneous, but I believe that most notions I associate my dog withare in there. All tracks were made this month, except "The LongestNap", which was recorded last year but only found its place now.I recorded everything, except:Smt.k from Arsonore(.net) recorded his version of "This Bell.." basedon the original guitar loop that I sent him. I, in turn, made myversion from his recordings. Bernold Delgoda played the drums on "TheSnack Hunt"; I also sampled his music for the intro of "This Bell..".Thank you guys!" Julien Demoulin.

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Created "live", 2 pieces in ellipse dedicated to friends who have left in November 2008: André "Tonton" Fourquet and Sebastien "GDZ" Fauvarque. One was airman , the other is on the cover, in the middle, in full light, ultimate image by Fabrice to a concert, shortly before.

Photograph : Fabrice Fortner ; design : M.J.

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Three plays written and performed by Sébastien Llinares (classical guitar). Initially, they had to be material to an ultra-liberal. And then, by dint of hearing them, they have become the new Won. A possible reflection of his current preoccupations. Plus a small synthesis proposed by Traqueurs de Combes.

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The clip "The Devil and the Deep Blue Sea" by Gino Niemiz in high quality here:http://niemiz.free.fr/Beetween.htmlor Dailymotion here:http://www.dailymotion.com/video/x4ked6_beetween-the-devil-the-deep-blue-se_music

Walking, sleeping, breathing are three indeterminate pieces for viola that highlight functions that are easily taken for granted cut essential for survival.Composed and performed by Jessica, the pieces sound like a natural musical flow from meditation to the irony, the rage in the sensuality of the absurd necessity.

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"Ecotourism" is their first album, released in DVD-Audio. It contains all the music they have played in public or in private, in summer 2004 to summer 2005, approximately 24 hours of music. Here is a selection exhautive not organized as an album.

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UMO is a creation based upon texts written and readed in french by Aurelie Le Floch with a sound design by Sebastien Llinares. The ambiance of beatless to the introspective shimmering keys, the delicate balance of emotion, melodies ponctuated throughout, digital fragment landscape constantly changing spatial perspectives and acoustic apperance. A fitting end to this thoughtful and meditational record.

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"A forest" is the second album performed by Won. These seven songs composed with a guitar and combined with digital / acoustic sculpture and intuitive movements carried by charming acoustic resonances, have a touch of introspection, deeply meditative. Here every intention is used as the basis for improvisation and abstraction and every sound is drawing, painting with watercolour on paper and have integral purpose and meaning, drawing the listener into an intimate and uniquely personal world.

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About Nowaki

Since 2004, Nowaki publishes, distributes and keeps close to artists interested in music and sound practices from today. We offer a catalog of music intimate and hybrid, and trying to reconcile new electronic practices, contemporary composition, art and sound design. Discographic producer for four years, we have chosen to continue our operations by building a platform for music on the Internet. A large platform free and abundant, which we hope will allow us to accommodate more artists, more public, and also to bring together circles, a priori, does not think so.

Virtuality is a tool to discover Nowaki from freely and without coercion. But behind the site, artists are invested and willing, ready to exchange, to meet, to work together, to propose.

We want to provoke a creative dynamic, reflecting concerns of young composers today. And if the music you hear here will not always be obvious, we try it always involves the listener and it generates creativity.

The music does not offer solutions, but it can accompany the life of a mysterious beauty that is not based on either the sense or reason. And we believe that, ultimately, we need this part of the imagination that only promotes the art of music.

Nowaki is run by Sebastian Llinarès and Marc Jolibois. We currently live and work between Paris and Toulouse. Your suggestions are welcome. You can send us your demo by mail or Internet. We will listen carefully and will contact you.

6pyT is the project of a young man living in Krasnodar, a large town south-west of the Russian Republic. Brut (his nickname) lovesexperiment, and appreciates the netlabels defending the so-called experimental music, even extreme. It makes noise (beautiful), miniatures, a kind of sound "design" quite adventurous, not afraid of extremes (calm, violence, noise, melody ...), also a nice technical quality and a mature aesthetic view of his young age. Brilliant, smart, instinctive : intelligence in the service of electricity.

Albums

After studying Fine Arts in Toulouse (Fr.), Alban Tournadre moving towards an exploration of the scene, driven by practicing juggling.Alongside his work as a photographer, draftsman and musician, he developed a polymorphic forms combining work and performative side to juggled art, poetry, contemporary dance and electronic music.

Albums

Christophe Meulien :Christophe Meulien making music, and free improvisation. Follower of the guitar, it also uses digital tablet, bass, piano, and voice, to enrich his music.In 2005, he met Barre Philips, and participates in workshops each month by this great musician Blue Beef Puget-Ville. Other important meetings followed, and Henri Roger-So what, Philippe Festou and Sound-painting, Corinne and George Montanard with whom he formed the group GMC ... He has participated in various projects with Alain de Fombelle Henri Roger and Jean Pezzali , Lerouge, JP Capes and Maria Petrova, GMC, Antoine Ulmann, Ophelia Brunet, Yoko Sato, Pascal Vandenheuvel, André D, etc..

André D. (Bass, Glockenspiel, synthesizer and various objects) :

Musician without borders, autodidact, atonal music enthusiast and improvised, it multiplies in the late 90s sound experiments in both groups solo include collaborations with Weronika Partyka (sax, duduk, fujara) Christophe Peyre (drums) , the plastic heart pendulum quartet, Yuri Yaremchuk (bass clarinet), Bassu Emanuel (Flute), Tommaso Cavallini (modular synth), David Smith (piano), Matthias Boss (violin), Christophe Meulien (guitar) and many others. ..Over time he turned to music more instinctive stripped of reason or prior intention, leaving the spotlight to a spontaneous improvisation guided by the spirit, mood, felt the time and place.Unbridled quest for the sublimation of the present moment.In 2011, he founded Darius Improvise an entity that aims to create and listen to free-form projects accents and free-jazz contemporaries, in following the publication of several albums on various netlabels European, Australian and Canadian.Active member of souncloud since early 2012 he experimented in collaboration with musicians from the whole world the various possibilities of creating music offered by the remote exchange of digital files.

Albums

Originally from the Netherlands, he develops his musical projects between his country and the South of France. His favorite instruments are the clarinet, various saxophones, flutes, "singing bowls" and various percussions.He has played with the Samaya Art Ensemble, the duo Madhyalaya (Karim Amari and Antoine Bourgeau) and with Karim Amari, he accompanied Alexandra Ré and his tales "Wonderlands".He composed music for documentary films and dance performances. He also writes poems he set to music by a work of spontaneous creation, search for "dance of words and timbres."He is interested in free improvisation, "with an open heart and an empty head."

Christophe Meulien :

Christophe Meulien making music, and free improvisation. Follower of the guitar, it also uses digital tablet, bass, piano, and voice, to enrich his music.In 2005, he met Barre Philips, and participates in workshops each month by this great musician Blue Beef Puget-Ville. Other important meetings followed, and Henri Roger-So what, Philippe Festou and Sound-painting, Corinne and George Montanard with whom he formed the group GMC ... He has participated in various projects with Alain de Fombelle Henri Roger and Jean Pezzali , Lerouge, JP Capes and Maria Petrova, GMC, Antoine Ulmann, Ophelia Brunet, Yoko Sato, Pascal Vandenheuvel, André D, etc..

André D. (Bass, Glockenspiel, synthesizer and various objects) :

Musician without borders, autodidact, atonal music enthusiast and improvised, it multiplies in the late 90s sound experiments in both groups solo include collaborations with Weronika Partyka (sax, duduk, fujara) Christophe Peyre (drums) , the plastic heart pendulum quartet, Yuri Yaremchuk (bass clarinet), Bassu Emanuel (Flute), Tommaso Cavallini (modular synth), David Smith (piano), Matthias Boss (violin), Christophe Meulien (guitar) and many others. ..Over time he turned to music more instinctive stripped of reason or prior intention, leaving the spotlight to a spontaneous improvisation guided by the spirit, mood, felt the time and place.Unbridled quest for the sublimation of the present moment.In 2011, he founded Darius Improvise an entity that aims to create and listen to free-form projects accents and free-jazz contemporaries, in following the publication of several albums on various netlabels European, Australian and Canadian.Active member of souncloud since early 2012 he experimented in collaboration with musicians from the whole world the various possibilities of creating music offered by the remote exchange of digital files.

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Hervé is an artist, composer and improviser.Working in different formations of free jazz and free improvisation, electroacoustic and contemporary music as well as solo performances. It also work audio-visual installations in situ.Active participant in the European scene since 2000, in collaboration with other art forms such as dance, visual art and writing, he is primarily concerned with how improvisation and the relationship between musicians and audience environment.His research focuses on vibrations and their effects, the vibrational frequencies of the natural elements and the relationship forms between sound and architecture, space and body.The soprano saxophone, he joined an approach to harmony and melody (free) jazz technique called extended improvised music, especially the abstract sounds devices to the instrument.A current project, "sounding out", explores the natural acoustics of sacred sites, caves, forests and chapels, churches and abbeys. These improvisations are inspired by the place, the moment and acoustics.Very interested in collaborations, a central part of his work as an improviser, Hervé has shared the stage with Mick Beck (sax, bassoon), martin archer (winds, violin, electronics), ian simpson (electronics), charlie collins (vibraphone , drums and percussion), constantin popp (live processing, spatial distribution), etc.. in Britain and also Michel Doneda (soprano sax), jonas kocher (accordion), simon berz (perc, electro), christian muller (electro) rodolphe Loubatière (drums), incise (electro, objects), jumped cyril (perc), heddy boubaker (sax, guitar), cia barbet (dance), anastasia Hvan (dance) on the European scene.

Christophe Meulien :

Christophe Meulien making music, and free improvisation. Follower of the guitar, it also uses digital tablet, bass, piano, and voice, to enrich his music.In 2005, he met Barre Philips, and participates in workshops each month by this great musician Blue Beef Puget-Ville. Other important meetings followed, and Henri Roger-So what, Philippe Festou and Sound-painting, Corinne and George Montanard with whom he formed the group GMC ... He has participated in various projects with Alain de Fombelle Henri Roger and Jean Pezzali , Lerouge, JP Capes and Maria Petrova, GMC, Antoine Ulmann, Ophelia Brunet, Yoko Sato, Pascal Vandenheuvel, André D, etc..

André D. (Bass, Glockenspiel, synthesizer and various objects) :

Musician without borders, autodidact, atonal music enthusiast and improvised, it multiplies in the late 90s sound experiments in both groups solo include collaborations with Weronika Partyka (sax, duduk, fujara) Christophe Peyre (drums) , the plastic heart pendulum quartet, Yuri Yaremchuk (bass clarinet), Bassu Emanuel (Flute), Tommaso Cavallini (modular synth), David Smith (piano), Matthias Boss (violin), Christophe Meulien (guitar) and many others. ..Over time he turned to music more instinctive stripped of reason or prior intention, leaving the spotlight to a spontaneous improvisation guided by the spirit, mood, felt the time and place.Unbridled quest for the sublimation of the present moment.In 2011, he founded Darius Improvise an entity that aims to create and listen to free-form projects accents and free-jazz contemporaries, in following the publication of several albums on various netlabels European, Australian and Canadian.Active member of souncloud since early 2012 he experimented in collaboration with musicians from the whole world the various possibilities of creating music offered by the remote exchange of digital files.

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Anonym 150 is a young project and Sergey Pogorelov is a composer of this project. He began his working in 2012, and his compositions had neoclassical character. Later in the experimental results with sounds, will this project transform in genre of Downtempo and Ambient, which are very popular by the listeners now. The confluence of those styles with keyboard instruments is a characteristically line of the project. In 2013 were written down two albums – «Near Melancholy» and «April In My Room». In this composition we can often hear experimental drummers, ambient – pads and atmospheric sounds of surrounding. His project develops and is constantly looking for new. But as before music expresses confluence of romantic and melancholic.

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"Born in 1970Musician and composer, multimedia artist, director of theatre, idéaste, author.Before 1990 few studies classical piano - first songs and pieces1989 - 1991 new-wave rock band, the Time of Ephemerals1988 - 1990 Studies Journalism Tours (DUT journalism). Discover the radio, and the press satirical. Writing poems etc..1990-1993 Freelance in rock newspapers (Guitare et Claviers magazine)In 1993, published an article in the « Idiot International » paper, and met Jean-Edern Hallier, his director.1991 -1993 « Objecteur de Conscience » in a place, Confluences, based in Paris, dedicated to the development of young artists.Opening to radical improvised music, song writing.First experiments in super 8 and expérimental cinema, and in theater (first participation as composer and actor).1993 Band music for Super 8 films and a feature film, not so far from Andromeda (Juan Vicente Araya).1994-1995 Diver in Paris in an associative restaurant, the Stromboli /Ramasse Miettes, where I take care of the musical programmation.1993-1996 Author Composer Performer in the name of George Paddock. I play a repertoire of "Experimental cabaret" for voice and piano, accordion and sometimes with rhythm, I diffuse some small places in Paris. I also accompanied Igor Agar.Series of performances with The Great Vicious Circus (Improvised music, super 8 projections, live poetry).1996-1997 Writing some poetry essays and theater sketches, that I’m not going to publish but that will be played in amateur shows.1997 I suspend my « Author Composer Performer » project and my writing projects. Here begins a cycle that will last nearly 15 years of musical studies and professional project with a theater company.Serious things.1997 - 1999 I spent two years in C.F.M.I. Poitiers for obtaining D.U.M.I. (musical teacher diploma). Openness to electroacoustic music and confirmation to contemporary music.1999 - 2003 Student at the Bordeaux Conservatory classes in electroacoustic composition and musical composition.I get my two "Composition Prizes" in 2003/2004.Many compositions for ensembles, electroacoustic music and mixed music. Also many improvisations (with Etienne Rolin, Mathias Pontevia etc).Gradually my taste for mixing text and music comes back, especially with a first piece, La Paupière Philosophale (after Ghérasim Luca), for narrator, electronic tape and small instrumental ensemble, and then with a second piece, Le Verbe (from the same author), that will be the prototype of my futur compagny project.1999 - 2003 I earn my living as a musician involved in schools first, but soon as a piano teacher in associative school as a musician, animator with autistic children, whose experience I keep a very good memory of.2002 - 2003 First experiences as a professional musician artist with Cie éclats (Bordeaux) where I creat my first professional show in young people, or Zoï ou les Boîtes à Sons.Become the videast for a professional theater play upon the Pasolini texte of Orgy.2002-2007 Member of the SCRIME (Electroacoustic Studio, Bordeaux). Projects with Meta-Instrument, implementation of a tactile pedagogical instrument, participation to the Dolabip project ...2003Ending Conservatory of Bordeaux, at last, I decided to drive in an irrefutable base my company iatus.I get « intermittent du spectacle ». Therefore I spend all my energy into the company (creation, administration, distribution, management, etc.). Huge project of linking between electroacoustic music, performance of comedians, contemporary poetry (Luca G., J.-M. Espitallier), scenographic « matierist » spaces, video environments ...with small lights works, and a lot of time spent in the multimedia development (with Max / Msp in particular).2003-2011Great achievements, often not seen enough, especially with the adult audience (2703 Moutons qui Sauntent, le Théorème, le Verbe, la Grotte), fortunately better broadcasted with the young audience (Expo Sonique, Onde l’eau, Chouette la Chouette). We also create a sery of shows for the outdoors on patrimonial sites (Radio-Sommeil N° 1 -2 - 3 -4). We play for the Pronomade(s), the National Theatre of Poitiers, the Athénor Theatre in Saint-Nazaire, the White Night in Amiens, Le Carré des Jalles in Bordeaux, the festival La Novela in Toulouse etc, etc..Meanwhile, I still have time to compose music for the following companies: Cie La Renverse, Cie La Nuit Venue, Cie Eclats, Cie Les Enfants du Paradis (Aquitaine), Cie Alise, Théâtre 2 l’Acte (Midi-Pyrénées), as well as for artists such as Alexander Poulhazan (Exhibitions(s)) or contexts such as architectural show (Agora Alert! In Bordeaux- 2008).2007Moving the company to the countryside near Toulouse (south-west of France) to a place called Autresens, a vast cultural wasteland reallypromising, but revealing unfortunately a catastrophic experience (the founder of place leaves, the place closes, associative conflicts, betrayals, mistakes, angers etc). Great achievements still up to a certain implosion early 2011 which marks a certain end of an ambition ...and of small enterprise....2011Starting from scratch...WHAT WAS I BEFORE THAT?Finding answers: before you wrote, you played music, you’d spontaneity, there was in your creations some air and certainly a lot of sarcasm and freedom.OK I will not ask for grants this time, not to play notes. I will not complete records for writing poetry: I’ll do as I want, depending on the pulse freely.Two years earlier I had bought an acoustic piano with a Silent Midi system, and I had gathered a small studio. Let’s go.In 2012 I redo music for itself, without issue.The Théâtre2 l’Acte Company (Toulouse) invites me to compose the music for Psaume, after the Georg Trakl’s poem. Very profound project.I start to write poetry and satire.In sum 2012 = 1997.(Then in 2013 I have a new light project with my company, iatus, which starts being active again, : an installation for electraocoustic and video, based on the archetype of the river, aiming at being relaxing, purifying…).Here are the Free Fruits." Arnaud Romet.

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It is around the improvised music that meet Romet Arnaud and Eric Demay in 1988. The first consists keyboards parts of a group of coldwave, the second practice of photography with attitude synestesique - music as vision. Over the years the collaboration matures slowly, conciler the fixed form of the writing and the opening of the unconscious collage and trance. Various attempts to explore the possibilities of theater sound, "Next Faramineux" played at Confluence (Paris), the "Spinalien" group, leading to Circus Vicious rich potential project combining psychedelic cabaret, puppetry and performance installations super8 (Circuit Court / les Films sans Qualités, Marseille) around 1993-1995. Creation to the Belle de Mai 1994 residence, a few dates in Marseille and Geneva but it lacks a strong organization in the project to disseminate the osmosis of a dozen designers. Arnaud forms in electroacoustic composition and initiates its multimedia theater company IATUS, Eric rides his 1KA experimental industrial project in 1995 and participates in the tribal techno adventure. Much later, with a certain "maturity" friendship gives rise to collaboration, this time formalized. In 2008 Arnaud Eric invites a reflection on a multimedia adaptation of Plato’s cave and write some rhythm parts to The Grotto. Having always played together as electroacoustic improvisation, in 2013 the meeting of two singular universes (industrial drives and dreamy shades) takes the form of an album of sound poetry, conceived as a disturbing dream movie: KTONOKINO - cinema of the embedded world for the ear around their own texts. They plan a live version.Arnaud and Eric live and work in the Toulouse area (France).

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Self-taught guitarist, Stéphane Barascud after passages in various formations of indie rock has conscripted several years to write, tinker, tweak, fiddle songs. In 2008 he drifts further from traditional formats, the guitar becomes an exploration tool that allows the space to question and to be closer to what passes through it.Alongside his solo work he has several collaborative projects: Moonrisings (blues, ambient, psychedelic), Dead Men’s Letters (Drone / exp) and the group’s L’Artha (contemporary dance). He lives and works in Toulouse.

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Christophe Meulien :Christophe Meulien making music, and free improvisation. Follower of the guitar, it also uses digital tablet, bass, piano, and voice, to enrich his music.In 2005, he met Barre Philips, and participates in workshops each month by this great musician Blue Beef Puget-Ville. Other important meetings followed, and Henri Roger-So what, Philippe Festou and Sound-painting, Corinne and George Montanard with whom he formed the group GMC ... He has participated in various projects with Alain de Fombelle Henri Roger and Jean Pezzali , Lerouge, JP Capes and Maria Petrova, GMC, Antoine Ulmann, Ophelia Brunet, Yoko Sato, Pascal Vandenheuvel, André D, Jan van Wissen, etc...

Jan van Wissen :

Next to his work as visual artist, Jan van Wissen (1946, Amsterdam) always loved to play music.In the sixties he played bass guitar in several Dutch coverbands (a.o. "The Hudsons"). Later on he got more interested in Jazz, improvised and experimental music.He tried out other instruments like saxophone, clarinet, keyboards, mouth harmonica and so on and also made sound machines.He played in several groups and with many individual musicians and made compositions with tape and computer.His latest collaborations were with the Trans Industrial Toy Orchestra (TITO) and visual artist/ performer/ improviser Peter Kastner from Hamburg, with whom he has since 2000 an ongoing collaborative relationship.He made one LP together with Ine Ophof and Peter Kastner ("Alzheimer Underground") and one with Kommisar Hjuler

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"I have been playing around with minimal and soundscape sounds for a few years but it had never occured to me to go public with any of it, except for some music that I had written for an installation project and 2 small theatrical shows. However, in 2011 I decided to use the name Clayton Alpha for everything I’m involved in and began to write music that is mostly inspired by"

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Rocked during pregnancy "The Apocalypse of Animals" by Vangelis.It meets at 6 years his first musical instrument: the Gmebogosse. This electroacoustic instrument developed by FLAG (Group Electroacoustic Music of Bourges), so it brings the first light that will guide later, namely the sound synthesis and loop.

During his early adolescence, her connection with music is that commercial and until the discovery of The Future Sound Of London, who reminds him so the relevance of synthetic music. Therefore, he designed his own concept of music by tapping its resources in the festival Summary (in Bourges, http://www.imeb.net/), Dead Can Dance, The Future Sound Of London, Front 242, among which he finds emotion and sensuality of the music.

In 1996, he met Xavier Maupetit, professor of French horn and a member of jazz band [Band ar Jazz], which will be a revelation to him. Indeed, Xavier will be a guide Maupetit implicit in the understanding and analysis of the music for David Gregory. It will help in particular in its mental construction of the music and the sounds visionary projection.

By 1998, Gregory David began composing on a computer using a "tracker, " in which he goes in search of a sound, its own sonic character. He then began a personal quest for him to determine what his senses and sensibilities.This research will last a decade, during which it will expand its sphere of creativity in digital imaging, both static and animated. He worked in particular in post-production film and will cause many multimedia performances (Sackboutboute, Nepenthes, Paradoxe Immobile, Decadence, see http://www.groolot.net/spectacle).

Today he is a composer of electronic music for his personal project (http://www.groolot.net), but also for entertainment (Little Tree Company Parts and labor) or art installations (http: / / www.prypiat.fr).

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"Walking, landscape, time. Acceleration / compression / accidents. Aymeric de Tapol, Carver sound and video craftsman, designs his music as a story without words, a sensory experience intimate. A puzzle of electronic sounds and organic thin , strange, sometimes oppressive, where saillent snippets of daily life. Listening is akin to a movement drift pan constantly changing. "

"The music I compose is strongly inspired by simple activities such as walking, light and the idea of a certain reality. The weather is stretched and accelerated, the seemingly tranquil landscapes come to confront situations turbulent, history is never completely known, it is felt ... " Aymeric de Tapol

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Composer, electric guitarist and laptop musician, his influences go through rock, jazz, improvised music and electronics.After traveling in different formations multifaceted, it will use as and "measures" the computer and his guitar as an instrument of composition or as a live instrument. It develops software instruments working on the synthesis ( Reaktor, Pure data) to create effects, generators or sound collages.

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"Free Variety Theatre" is an avant-garde composers/’musicians’ collective and forum. We, the founding duo, initiate collaborations, functioning as performers, producers and administrators in a social media music-making environment. F.V.T. is currently an active international forum on SoundCloud, in search of partners in experimental and improvised sound. Our line-up constantly reshuffles as returning members, musical volunteers as well as found artists from around the world take part at will. We have already established working relationships through attentive collaboration with musicians and producers in North and South America, Australia and throughout Europe, and have facilitated independent collaborations within this growing online community.

Riley Theodore is a musician from Minneapolis, United States, open to any weird, noisy, dissonant, half crazy experimental jams.

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"A key will be my home ..." .. The new born mechanical hides and escapes into the sounds that propagate and disperse all over the walls, all shears, wearing his armor of self PLC. The creature is more clay and feedback she loves her little voice cut into a ghost of itself. Khan Jebane.

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"I work like guitar teacher, I’m musician 100of my time. I can pay my counts and raise my two sons."Well know as a guitarist in Bloody Violence, the technical death metal band from Porto Alegre (Brazil), he goes to experimental too, as another way...In his career, released some cd’s with his bands and others projects :The Jokke - While flame burns (2009)Bloody Violence- Obliterate (2014)Bloody Violence- Divine Vermifuge (2015)Diego Dias

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I’m twenty years old and studying in the fine arts school of Toulouse (Fr). I like the sounds, ambiences, noises, situations... And machinery.I improvise or compose my music with machines so, with acoustic instruments, radios, vinyl records, microphones, and many other things...Straddling between a subjective sincerity, isolation, and an unbridled and squeaking approach of tools, I want to make music that resonates deeply in all of us, being the most honest to myself.

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Jesse Ricke (USA) :is a media practitioner working in audio/video, interactive, and music. The guitar is his oldest and deepest discipline. He is currently technical director for the new media non-profit CultureHub and adjunct professor for entertainment technology at CUNY. His musical experience includes jazz studies at Florida International University and work in signed and independent groups. Current projects includes Graphic Ships, a telematic performance/installation project, and The Truth, an avant-soul duo. The world is your rock band.

Christophe Meulien (France) :making music, and free improvisation. Follower of the guitar, it also uses digital tablet, bass, piano, and voice, to enrich his music.In 2005, he met Barre Philips, and participates in workshops each month by this great musician Blue Beef Puget-Ville. Other important meetings followed, and Henri Roger-So what, Philippe Festou and Sound-painting, Corinne and George Montanard with whom he formed the group GMC ... He has participated in various projects with Alain de Fombelle Henri Roger and Jean Pezzali , Lerouge, JP Capes and Maria Petrova, GMC, Antoine Ulmann, Ophelia Brunet, Yoko Sato, Pascal Vandenheuvel, André D, Jan van Wissen, etc...

André D. (France) :musician without borders, motivated by atonal and improvised music, he has been conducting sound experiments both in groups and solo situations since the end of the 90s. In 2011, he created "Darius Improvise" to produce

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Joachim De Lux has since very young, love for music with the piano as an instrument of choice. After immersed in classical music, he has a passion for the electric guitar idolizing David Gilmour, the Pink Floyd guitarist. Before his fifteen years, he has founded a group with whom he began a series of concerts in bars in Lille (France). Fascinated, he composed his first pieces in his room with his computer. Between organic and electronic music experimentation, Joachim De Lux today released his second EP

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joli-joli loves solitude, nature, women, telepathy, History with a capital H, stories with a smaller h, astral travel, evil, goodness also, images that frighten, images that move, moonless nights, the horse racing, the sound of a voice on a phone, the snow on the old televisions, psalms ... But he prefers foremost, and above all : get lost. Do not know where he is, where he comes from, what it was supposed to do, "these memories fluttering in my head are they really mine?" ...

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Graduated of the Traditional Musics State Diploma specialized in Flamenco, José Sánchez is teacher at the Institut Supérieur Des Arts de Toulouse and in La Fábrica Flamenca - Centro Flamenco De Toulouse®.As a guitarist and composer, his artistic journey has led him to explore areas of contactbetween flamenco, classical music and many other contemporary trends.For him or for others, he signs numerous compositions of many creations in France and abroad:«Qu’estcequetudeviens?» from the renowned Stage Director Aurélien Bory (Show nominated in 2014 Olivier Awards)«Homoblablatus» of the canadian company La Otra OrillaSeveral shows created in collaboration with the dancer-choreographer Stéphanie Fuster or with the singer Alberto GarcíaSTRATES A masterful creation between flamenco, classical, soundtrack and minimalist music with Niño de ElcheTela de Alma, a collaboration with Kiko RuizHe appears frequently on the most important european scenes with his compositions(Teatro Central - Sevilla, Teatro Alhambra - Granada, Theater Barbican - London, Théâtre Vidy - Lausanne, Les Amandiers – Nanterre...)

Niño de Elche :

Traditional Flamenco singer from the world of competition, tablaos, festivals and flamenco Peñas,Niño de Elche combines this path with other artistic disciplines such as performance, experimental music, "artivism" or poetryHis artistic journey has led him to criss-cross the world on the occasion of shows, recitals and masterclasses alongside many famous artistssuch as Belén Maya, Juan Carlos Lerida or Pedro G. Romero (artistic director of the choreographer and dancer flamenco Israel Galván)Committed artist, Niño de Elche contributes to exhibition and improvisations at the Picasso Museum, in the Tàpies Foundation in Barcelona, in the Centro de Arte de Sevilla or in the Théatre de la Ville in Paris.He also takes part to contemporary shows, accompanying dancers or performers.As an "artivist", he participates in many actions creation through videos, designs or interventions.

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Julien Adrien Lacroix, born in 1984, is a multi-instrumentalist musician turned to studio work. In regular home studio owners, he is interested in bonding different instruments and materials to order by conventional techniques of electro-acoustics and sound synthesis. It is in terms of offsets and noise residuals it seeks to find different spaces, more faithful to the melodic sounds of his recordings.

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Russian experimental music group formed in 2008 in St. Petersburg.Adepts of lo-fi, field recordings and reverbs.Lovers of dark ambient music, piano and saxophone.Explore sound and extreme minimalism. Open to cooperation and collaboration.The composition varies from 2 to 5 people.Music from noise to piano minimalism.Regular participants :Jafar : wind instruments, noise generation.Gumpilen : Reverb, piano, noise rezonatsii.

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Kluge is one man project from Saint-Petersburg. He started to make fieldrecords and collect different sounds since he was 16 year olds and lived on Kola penitnsula (North of Russia, Mourmansk) in that time. Kluge starts with sound experiments, audiomontages and other manipulations with sound in 2004. Kluge is using fieldrecords, guitar, flute, metalophone, different objects and digital synthesis... http://kluge.bandcamp.com

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..." Install a nutrient broth, produce a rumour, make one not aside and be inclined the head, look for in the magnifying glass of the buried indications, to draw something of dépliable, flexible; to take, to move, to adjust, to engage a process where causes and effects succeed one another and where the chronology of the decisions to set or to avoid gets lost. Then, turn around, to see and listen to what we made and get lost itself in a landscape to be cultivated, still. "...

..." My paintings are sensitive plates collecting and recording a narrative: that of the materials subjected to the gravity. This narrative, which spreads in rhythmical sequences, is built by the accumulation and the repetition of simple movements (fill a surface, let stream, recover). The expected density results from a stratification where appearance and disappearance (hang, get up) chant a rhythm of crossing, an at once contained tone and expectation. The main actor of these paintings is the time: it is the one who fixes the density, the various intervals of legibility. "...

Philippe Lamy, painter and plastics technician, teaches the plastic arts to the college of architecture of Toulouse. He is also a researcher in the laboratory li2a. He also develops, for some years, a work on the sound. Numerous exhibitions as well as sound publications on netlabels " La p’tite maison " and " high linear music " show it.

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Latin People With Breathing Problems is André Tejo (Portugal, 1987).André has a degree in Journalism in Faculdade de Letras da Universidade de Coimbra (University of Coimbra - Faculty of Arts and Humanities), but his artistic journey began some years before, probably boosted by his first steps into to the world of radio in 2005. He’s a radio broadcaster since the tender age of 18 and he currently hosts several radio shows on electronic music (experimental music, techno and house) on Radio Universidade de Coimbra. He composes under divers aliases - Latin People With Breathing Problems, Anders Blickmann, Rephrase and Berea - ambulating in a spectrum that can lead from the weirdest abstract texture to more conventional techno.

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Lee Noyes (Dunedin, New Zealand) is a musician working in the fields of improvised music and electroacoustic composition, with an emphasis on collaborative work, domestic and international. Primarily a drummer and percussionist, he also works regularly with strings and live electronics, with other Dunedin-based musicians and with visiting artists.

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"Light blue is a trap" is a project of sound poetry developed by Felip Costaglioli and Marc Jolibois.

Felip Costaglioli :Felip Costaglioli has been teaching at St Cloud State University (Minnesota,usa) since 1991. Raised and educated in Europe [France and Catalunya (Barcelona)] he is a native speaker of Catalan, French and Spanish. As a scholar, his interests, passion and expertise have been nourished by four parallel fields: Sociolinguistics, philosophy of language (and translation), comparative literature study and last but not least film studies.Felip is also a published poet (editions de la Margerides, Labreu édicions) as well as a performer. He constantly pursues collaborations with composers and musicians (Scott Miller, Zeitgeist), painters (Robert Lobet), photographers and of course filmmakers (Ron Gregg). His work has been shown in the United States, France, Spain and the Czech Republic.As a teacher Felip Costaglioli wants to instill in his students a passion for the aesthetics and ethics of cinema through developing a taste and ability for analytical and symbolic interpretation of a film. He also encourages his students to creatively explore what they have learned throughout the semester (through film, writing, photography and even music).

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Lord Havoc (Juš Koren, also called Rakun) started making music in about 2008. He has made many tracks since then and had a ’concert’ in Kranj so far. Lord Havoc, or Rakun, or Juš, is a (dark) ambient producer from Slovenia. His ambition to make music comes from life, experimentation and science fiction. He has been making it for a few years, mostly experimenting, but occasionally deciding to do more serious music. Lord Havoc likes to read a lot, is a mudder and very interested in science, nuclear stuff and astronomy. Lord Havoc uses Ableton Live.

Zaman Cheh is long time colaborator and promotor of Lord Havoc. Zaman Cheh uses Adobe Audition.

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Born in San Juan at 1987, a resident for 10 years in Mendoza, Argentina composer and improviser, some of his works have been premiered at various sites in Argentina, Chile, Brazil and Mexico. Since 2011 he formed together with Mauricio Gastón Lúquez Nuevas Emisiones Sonoras local broadcast group to present music which remain actively through concerts, workshops and lectures. In its search for improvisation has deepened his main instrument is the piano, but he has made inroads in exploring soundscapes using analog recordings, sound interpretation of everyday objects, etc. In 2014 he formed Espacio de Improvisación Grupal (E.D.I.G) which works with different modes of improvisation guided by a single pattern, given by a member other than the assembly each time. Currently, he is active as a composer and performing in duet with Karim Villalba focused on improvisation based collaborations with artists from other disciplines such as dance, poetry and drawing.

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Coming from a family whose members practice most of the music lover, Adrian Monteiro started the guitar at fourteen and goes quickly to the composition. He quickly acquainted with contemporary classical music, jazz, electronic music and rock. Those who inspire identities are as diverse as Varese, Mingus, Parmegianni, Hendrix, Schoenberg, Bailey, Feldman, Sonic Youth,Nancarrow.In 1997, he began training in guitar factor which the leads to be immersed in the professional world of music.In 2000, he became a sound engineer training to hone her knowledge of sound, to best meet the demands of professionals both in the recording studios on the great stages in which they occur.Meanwhile, he can put all this knowledge and techniques accumulated in the service of his own creations.In 2001, influenced the work of Cage and Schoenberg and accompanied by professional, he directed his first show as a songwriter, guitarist, performer, set designer and manufacturer of electro-acoustic instruments, analog and computer-assisted. "Agreement decor" is related staging and sound design. Multiplying experiences as a composer multi-instrumentalist musician, he made a series of performances combining musicand texts, and electroacoustic works staged ("Musical Tales" on texts by Edgar Allan Poe, "person" directing sound, music for the film "I float, you float, words of Archimedes", "Radiqual Mokete "jazz fusion County, etc ...).In 2006 he realized his experiences and research around the feedback by creating the "Larsophone" sound sculpture in galvanized steel, acting on the sound reflection and spread of the feedback. He then leads a research plastic forms in order to amplify the output from the spectrum of micro piezo and the security-related feedback, grades, stamps, inductance of wind instrument (saxophone, bassoon ) in sculpture.In response to the command Benoit Delepine, he composed a film with the Larsophone on his film "Avida." It then multiplies the experience on stage solo electroacoustic remaining in analog but also in a trio with Mr. Favriou (prepared guitar), Mr Jean Luc Petit (saxophone) and himself (Larsophone).As part of a school for creating audiovisual documentary of his region, he participated in the animation of lectures on sound mass and the ambiguities between music and noise.Finally, he co-authored the concept of self-destructive sound sculpture in 2009, "The BOOT" with Vincent and BOISSELIER RACTHAïA.

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Native of Dunkerque (Fr.), where he spent 30 years, Moxx arrived in Bordeaux (Fr.) in 2005. He always listened to music, buying records since the age of 10. He starts electronic music in 2000, mainly influenced by IDM and rhythms and dark atmospheres. He works pretty fast, do not spend much time on the arrangements but focusing the pace and voice processing. In parallel, he has made some websites, album covers, flyers.