Notes: The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!

Notes: The Super Switcher, as its name implies, offers a powerful solution for players who are tired of "tap dancing" around their pedalboard. In effect, it moves all of your pedals to your pedalboard's front row while delivering control of them with one button push. The result is that it puts the player back in control of an unruly pedalboard!

It's also perfect for any guitarist using the "four-cable method" because it makes it easy to properly route effects that should go in front of an amp and those that are best in the effects loop.

When it comes to live performance, the Super Switcher can efficiently organize presets into banks that are easy to recall and match your show's set list. If you're playing to a click track and want to have the presets recalled via MIDI programmed to a song, the Super Switcher can handle that, too. It's also a great way to sync time-based effects to the same master clock.

The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2 pedal, only we think it's better.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron.

The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy.

Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal.

Notes: The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2 pedal, only we think it's better.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron.

The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy.

Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal.

Notes: The all-analogue circuitry of the Nano Battalion provides an amazing array of bass tones in a sturdy, compact package. A versatile MOSFET drive circuit that can deliver everything from subtle, light overdrive to fully saturated distortion forms the pedal's core.

The Nano Battalion features a three-band EQ with three EQ position modes for maximum flexibility and sound shaping control. The three-band EQ includes Treble (boost/cut above 1kHz) and Bass (boost/cut below 200Hz) controls, plus a Mid switch which provides a 9dB boost or cut at 500Hz. Three signal path options determine where the EQ is applied. In Distortion Mode the EQ comes after the distorted signal and has a powerful effect on its timbre while the clean signal is not affected. In Input Mode the EQ comes first in the signal path affecting both the clean and distorted signals. Boosting frequencies in this mode can drive the distortion to a more saturated state. In Dry Mode the EQ affects the clean signal, but not the distorted signal.

The Nano Battalion includes a 1/4" input jack and 1/4" output jack. When a normal TS cable is connected to the output jack it delivers an unbalanced signal. When a TRS cable is plugged into this jack, it outputs a balanced signal that can go directly into a mixing console or recording interface.

Notes: Did you know? The circa 1991 Sovtek "Civil War" Big Muff (dubbed that because of its blue and grey chassis) used the same circuit as the "Tall Font Green Russian" Big Muff and our EHX Green Russian Big Muff! The new Sovtek Deluxe Big Muff expands on that big, woolly sound with the addition of the Deluxe Big Muff's advanced controls while paying homage to the Civil War Big Muff aesthetic.

It's all here in one integrated pedal. The Sovtek signature sound. The devastating low end, crisp highs and non-scooped mids, plus the advanced control of the Deluxe Big Muff in a single, completely integrated pedal.

We've kept the familiar Sustain, Tone and Volume knobs, and we've added a ton of extras from the Deluxe Big Muff for those who crave its deep sound shaping abilities.

Here's what the Sovtek Deluxe Big Muff Pi provides:

1. MIDS EQ - Parametric MIDS EQ section with a selectable centre frequency ranging from 310Hz to 5.0kHz, a level control with up to 10dB of boost or cut and a high/low Q switch that sets the resonance/bandwidth of the EQ

8. INTERNAL INPUT BUFFER SWITCH - An internal slide switch to engage a buffer on the Big Muff's input circuit that increases the high-end content of both the distorted and clean signal being blended in

Effects pedal for guitar, bass & synthesisers featuring up to four simultaneous modulation sections synced together in time

Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Notes: We have reissued the original Version 1 Big Muff and it's dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls, this is the one that started it all. The new Triangle Big Muff is a faithful re-creation of the original circa 1969 circuit now housed in a pedalboard friendly, die cast chassis.

Electro-Harmonix founder, Mike Matthews, stated: "The Big Muff Pi is the pedal we are best known for so I wanted to commemorate EHX's 50th Anniversary (1968-2018) by re-releasing V1, the very first Big Muff. Original pedals are now selling for hundreds of dollars and this reissue absolutely nails that creamy, violin-like sustain and musical tone at a price a working musician can afford.

A natural overdrive and clean boost for the tone conscious player to enhance the original sound of an instrument and amp while retaining their essential character.

Its gain stage, treble control and signal path are optimized for bass guitar and guitarists wanting extended low frequency response. An adjustable clean blend assures an articulate, full tone while boosted power rails deliver extended headroom.

EHX Founder and President, Mike Matthews, stated: "Our Soul Food put 'Klon-like' transparent overdrive into the hands of players at an unprecedented price point. Now we want to bring that to bass guitarists and guitar players who want more low-end definition. The Bass Soul Food delivers a wide range of overdrive and clean boost sounds, and has plenty of volume to assert your place in the mix. It will give your tone a lift in all the right places!"

Selectable true or buffered bypass modes and a switchable -10dB pad for active instruments complete the package. Bass Soul Food runs on a 9V battery and ships with a EHX9.6DC-200 power supply.

Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Loop station with 6 mono tracks, for use as a tabletop module or floor pedal

Notes: EHX introduces the 95000 Performance Loop Laboratory, the company's most advanced looper to date, featuring six mono tracks and one stereo mixdown track per loop. It will record up to 375 minutes and 100 loops with a 16GB Micro SD card and switching between loops is quick and easy.

The new 95000 is housed in a rugged, aluminium, all metal chassis with a control layout that has been optimized for use as both a tabletop and foot-pedal unit. This new design ensures that the player can take maximum advantage of the looper's powerful performance capabilities.

The 95000 also features a robust I/O including two audio inputs, each capable of handling a microphone (phantom power is included), instrument or unbalanced line input so the unit can readily connect to all sound sources. Left/right outputs, a Monitor out and a Headphone out are included.

Faithful reissue of the original 70's classic with several practical enhancements

Notes: Electro-Harmonix has reissued their late-1970's era Op-Amp Big Muff Pi. Sometimes also referred to as the IC or V4 Big Muff, the original circuitry has been faithfully re-created while several practical enhancements have been added including a compact, die-cast chassis and true bypass switching.

According to Electro-Harmonix founder, Mike Matthews, "The Op-Amp Big Muff was popularized by the brilliant Billy Corgan who first used it on the Smashing Pumpkins' epic 1993 album Siamese Dream. After he was videotaped playing and talking about the reissue, Billy stated: "The magic's still in the box, I can still get what I'm looking for!"

The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It's a sound that's been described by noted Big Muff collector and historian, Kit Rae, as: "a huge, crushing Big Muff sound with more crunch...great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads."

The Op-Amp Big Muff Pi features standard controls: Sustain, Tone and Volume, plus a Tone switch for bypassing the tone circuit. It comes equipped with a 9V battery or can be powered by an optional 9-volt AC adapter.

Notes: Building on the synthesis platform of the award-winning Superego, our new Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we've added a complete effects section featuring 11 effects types, an EXP input for effect parameter control and an EXT jack for a 3-button controller.

The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four foot-switchable Freeze modes: Moment, Sustain, Auto and Latch, plus a Live Effects mode where the dry signal is routed thru the built-in effects and the internal synth engine is disabled, are included.

The polyphonic Superego+ works with guitar as well as other instruments including bass, keyboards, vocals, drums, etc. and comes equipped with an EHX 9.6DC-200 AC Adaptor.

The EHX Cock Fight Plus offers up the award-winning tone of the original Cock Fight in a rugged, lightweight pedal and with a traditional rack and pinion style operating mechanism. It contains two different expressive filters: a traditional wah pedal filter and a formant filter used for vowel sounds. The Cock Fight also features a lively fuzz section that can be added before or after the filter section, or taken out of the signal path completely.

The Wah toggle switch selects between the classic wah tones of the Crying Tone and the dual formant filter of the Talking Pedal, which creates vowel-like sounds. The Bottom control blends back in clean bass frequencies to beef up the low-end and make the wah sound more bass-friendly. The Volume control sets the master output level.

The Fuzz section features a three position toggle switch for Off, Pre-wah, and Post-wah settings. The Drive and Tone controls set the amount and overall brightness of the fuzz respectively. Bias controls the amount of bias voltage supplied to one of the transistors in the fuzz circuit and can create a full, saturated tone or a sputtering, gated fuzz sound.

The Cock Fight Plus comes equipped with a 9V battery or can be powered by an optional 9-volt AC adapter.

Notes: The EHX Cock Fight Plus offers up the award-winning tone of the original Cock Fight in a rugged, lightweight pedal and with a traditional rack and pinion style operating mechanism. It contains two different expressive filters: a traditional wah pedal filter and a formant filter used for vowel sounds. The Cock Fight also features a lively fuzz section that can be added before or after the filter section, or taken out of the signal path completely.

The Wah toggle switch selects between the classic wah tones of the Crying Tone and the dual formant filter of the Talking Pedal, which creates vowel-like sounds. The Bottom control blends back in clean bass frequencies to beef up the low-end and make the wah sound more bass-friendly. The Volume control sets the master output level.

The Fuzz section features a three position toggle switch for Off, Pre-wah, and Post-wah settings. The Drive and Tone controls set the amount and overall brightness of the fuzz respectively. Bias controls the amount of bias voltage supplied to one of the transistors in the fuzz circuit and can create a full, saturated tone or a sputtering, gated fuzz sound.

The Cock Fight Plus comes equipped with a 9V battery or can be powered by an optional 9-volt AC adapter.

The EHX Cock Fight Plus offers up the award-winning tone of the original Cock Fight in a rugged, lightweight pedal and with a traditional rack and pinion style operating mechanism. It contains two different expressive filters: a traditional wah pedal filter and a formant filter used for vowel sounds. The Cock Fight also features a lively fuzz section that can be added before or after the filter section, or taken out of the signal path completely.

The Wah toggle switch selects between the classic wah tones of the Crying Tone and the dual formant filter of the Talking Pedal, which creates vowel-like sounds. The Bottom control blends back in clean bass frequencies to beef up the low-end and make the wah sound more bass-friendly. The Volume control sets the master output level.

The Fuzz section features a three position toggle switch for Off, Pre-wah, and Post-wah settings. The Drive and Tone controls set the amount and overall brightness of the fuzz respectively. Bias controls the amount of bias voltage supplied to one of the transistors in the fuzz circuit and can create a full, saturated tone or a sputtering, gated fuzz sound.

The Cock Fight Plus comes equipped with a 9V battery or can be powered by an optional 9-volt AC adapter.

Notes: Electro-Harmonix unveils the new Hot Wax pedal which combines the Crayon full-range overdrive and the Hot Tubes, a reissue of the classic 1970s CMOS overdrive. Each pedal can be used individually or they can be stacked with the Crayon driving the Hot Tubes to create new tones and textures.

Independent Volume and Drive controls are included for both overdrives as are dedicated pop-free footswitches and effect status LEDs. A master EQ section featuring Bass and Treble, plus a Blend control which lets the player mix in their dry signal, provide superior tonal control and flexibility making the Hot Wax ideal for guitar and bass.

Notes: Back by overwhelming demand... in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.

Kongratulations Komrades:

You now have in your possession the authentic reissue of the legendary Green Russian Big Muff Pi. Now you've got the exact same sound beloved by guitarists and bassists alike at your fingertips, but in a smaller, more pedalboard-friendly enclosure. So, throw off your chains and unite with the finest harmonic distortion-sustain device ever made.

Volume Knob:

Use the Volume knob to set the output level.

Tone Knob:

Adjust the Tone knob to explore a range of sounds from high treble to deep bass. Turn the knob clockwise to increase treble and decrease bass. Turn the knob counter-clockwise to increase bass and decrease treble.

Sustain Knob:

The Sustain knob adjusts the amount of sustain and distortion.

Footswitch & Status LED:

Use the footswitch to toggle between effect and bypass. The Green Russian Big Muff is active when the LED is lit. When the LED is off, the pedal is in true bypass mode.

IN Jack:

Plug the output of your instrument or another effects pedal into the 1/4" IN jack. The input impedance presented at this jack is 130kO.

OUT Jack:

Connect the Green Russian Big Muff's 1/4" OUT jack to the input of your amplifier or another effects pedal. When the Green Russian Big Muff is in bypass mode, the OUT jack is connected directly to the IN jack. The output impedance is nominally 25kO.

Notes: The EHX Performance Series Expression, single-output pedal, is affordable and versatile enough to control virtually any device with an EXP input. The pedal's sweep can be fine tuned with the range knob while its sweep direction can be flipped with the reverse button. It comes with a six foot TRS cable.

- Single-output design
- The pedal's sweep can be fine-tuned with the range knob while sweep direction can be flipped with the reverse button
- Polarity switch for maximum compatibility with a wide range of gear
- Advanced polymer construction yields a roadworthy pedal with a significant weight savings
- Affordable
- Six foot TRS cable included

The Dual Expression Pedal's dual-output design gives hands-free control of two devices from a single source. Each expression output has independent range and reverse plus a polarity switch for maximum compatibility with a wide range of gear. Two six foot TRS cables are included.

Notes: Packed with more power than pedals taking up more real estate, the compact Canyon features a collection of awe-inspiring effects. From pristine digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer... even an exquisite Deluxe Memory Man emulation. There are ten different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience.

The SYNTH9 is also super easy to use with DRY volume, SYNTH volume, CTRL1 and CTRL2 knobs that provide precise control over each preset's parameters.

If you dig the kind of classic synth sounds made famous on recordings by groups like ELP, EVH, Kraftwerk, Joy Division, P-Funk, Peter Gabriel and more, we think you'll love the SYNTH9.

TIPS ON GETTING OPTIMUM PERFORMANCE FROM THE SYNTH9:

1. The SYNTH9 is generally best used as the first pedal in an effects chain. Place modulation, delay, and reverb effects after the SYNTH9. The unit will not perform well if placed in the effects loop of a guitar amp.

2. For optimal playability, set the guitar's pickup selector to the bridge pickup and turn the volume knob all the way up ("10").

3. Avoid placing a distortion or overdrive in front of the SYNTH9, which could muddy up the input signal and cause the tracking to be unstable. If you want to add overdrive or distortion, place it after the SYNTH9.

4. The SYNTH9 has a built in compressor that is active on the synth sounds at all times. We recommend you do not insert another compressor into your signal chain while the SYNTH9 is in effect mode.

Notes: EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument's sound like an envelope filter, but instead of the filter's response being controlled by playing dynamics, it's controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory!

Introducing the Blurst, a radical modulating filter. It's an effect often used on synthesizers, but we've designed the Blurst especially for guitar players and bassists who want to explore new sonic territory.

It features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo with tap divide and EXP control over Range, Rate or Filter. An EHX 9.6DC/200 AC adapter is included.

The Blurst is a must have for the experimental musician and works well with an expression pedal, the EHX 8-Step Program and other control voltage sources. Whether used alone or with other effects, the Blurst's hypnotic effects are spellbinding!

Compact chorus pedal with variable parameters for a range of modulation effects

Notes: The Bass Clone chorus pedal's core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Bass Clone's Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch, they provide precise sound shaping that lets the player achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

The Bass Clone features a compact footprint plus true bypass switching for maximum signal path integrity when in bypass mode. It runs on a 9V battery or an optional EHX 9.6DC/200mA AC adapter.

Notes: A faithful reissue of the cult-classic released in 1979, the SSD uses analog synthesis techniques to create mind-blowing sounds ranging from deep kicks to high toms to sci-fi drums. Trigger it from the built-in pushbutton or an external (non-MIDI) electronic drum pad. Pass external sounds through the gated amplifier via the aux input. The Super Space Drum lets you create, control and manipulate a stunning array of synthesized sounds.

Notes: A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer's three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.

I/O includes 1/4" Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery.

Notes: A natural overdrive and clean boost for the tone conscious player to enhance the original sound of an instrument and amp while retaining their essential character.

Its gain stage, treble control and signal path are optimized for bass guitar and guitarists wanting extended low frequency response. An adjustable clean blend assures an articulate, full tone while boosted power rails deliver extended headroom.

EHX Founder and President, Mike Matthews, stated: "Our Soul Food put 'Klon-like' transparent overdrive into the hands of players at an unprecedented price point. Now we want to bring that to bass guitarists and guitar players who want more low-end definition. The Bass Soul Food delivers a wide range of overdrive and clean boost sounds, and has plenty of volume to assert your place in the mix. It will give your tone a lift in all the right places!"

Selectable true or buffered bypass modes and a switchable -10dB pad for active instruments complete the package. Bass Soul Food runs on a 9V battery and ships with a EHX9.6DC-200 power supply.

Notes: Octavix delivers the definitive late 1960's fuzzed out, octave up sound together with modern enhancements that update the classic concept.

Housed in EHX's rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.

A period-evocative, psychedelic design and blue LED contribute to the pedal's vintage vibe. Octavix runs on a 9 volt battery or accepts a standard EHX9.6DC power supply.

Notes: We've created a convenient, secure way to mount any of the Next Step Effects pedals to a pedalboard. The new Pedalboard Cradle is custom-designed of a lightweight, durable polymer. Measuring 8.875 x 4.375 x 0.625 inches, it adheres to a pedalboard with hook and loop fastener and the pedal rocks freely and securely within the cradle. When the musician is ready to pack up their pedalboard, a security strap locks down the Next Step Effect for transport.

Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Personal practice amp that captures the character sound of your live instrument

Notes: The go anywhere Headphone Amp delivers a musical quality and attitude that defines the spirit of Electro-Harmonix. As uniquely musical as it is portable, the ultra-light Headphone Amp let's you practice as loud or funky as you want without waking up your old lady.

With voicing inspired by the battle-tank green, Russian Big Muff and a classic Big Muff Pi layout of Sustain, Tone and Volume controls, it provides sounds ranging from a slight but satisfying grit to an over-the-top wall of bass fuzz.

Notes: Tone aficionados kept telling EHX's Mike Matthews about a pedal that had achieved a lot of buzz because it was only obtainable at an exorbitant price. That pedal was the KLON CENTAUR.

A believer in bringing great tools to starving musicians, Mike tasked his trusty team to create an affordable alternative, and that is how the SOUL FOOD was cooked up.

The SOUL FOOD delivers transparent overdrive with great touch and response. Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don't have to be a rock star to own one!

Notes: The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam.

Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.

Notes: Enter the Cathedral and surround your music with the aria of divine presence. True stereo reverbs reveal your inspirations while programmability recalls your spirit of creation. The Cathedral is the performer's mantra creating the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground.

Notes: Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we've added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more.

Analog delay effects pedal with chorus vibrato and up to 500ms delay time

Notes: What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970's, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.

The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC's the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

Notes: The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency.

A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic.