Dunce

Ruefle (My Private Party) delivers a giddy, incisive ode to failure, fragility, and unknowing in her 12th book. “It may be our heads/ are filled with feathers/ from the stuff/ we don’t know,” she hazards, tiptoeing through one after another outlandish scenario sketched with uncanny delicacy. Many of these poems conceal sly fragments of lyric allusion or history: “I loved to wander, utterly alone”; “The fourteenth way of looking at/ a blackbird is mine.” Rhymes abound as though refusing resistance to such play, and a poem that opens in euphoria (“What a beautiful day for a wedding!”) ends, just a few lines later, in despair (“I hate my poems”). However, the poet reassures the reader that such states are kindred, even twinned. Ruefle celebrates the world’s imagination and mystery: “I want to thank my clothes for protecting my body. I want to/ fold them properly—I want/ the energy that flows from my hands/ to engulf the world./ Upon reflection, this is not/ possible. Upon reflection/ it is I who am pummeled by/ the world, that vast massage/ machine.” These poems grace the readers with wonder, wisdom, and whim “conducted/ without compromise,” securing Ruefle’s reputation among poets as the patron saint of childhood and the everyday. (Sept.)