Madison, Wisconsin based composer and Cycling '74 researcher Gregory Taylor composed the two pieces on offer here by applying spectral averaging and a structure inspired by systems music to source material taken from a recording of the gamelan piece Danaraja. All talk of the process (as documented in Taylor's extensive liner notes) aside, the end result is two pieces of exquisite beauty: the first a flowing miasma of bell-derived drones which resonate peacefully even as they twist and turn, and the second a bouncing series of reverb-drenched tintinnabulation.