Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.

Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 218 seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.

The GoldScreen seats 27 and features high-definition digital projection

With 6.5 miles of trails winding through varied terrain, Rocky Woods is a year-round destination for outdoors lovers of all abilities. The 0.75-mile loop around Chickering Pond, the largest of the reservation’s five man-made ponds, is a family favorite.

From I-95/Rt. 128 (Exit 16B): Rt. 109 West for 5.7 mi. Turn right onto Hartford St. and follow for 0.6 mi. to entrance and parking (100 cars) on left.

From Intersection of Rts. 27 and 109 (Medfield): Take Rt. 109 East and bear left onto Hartford St. Continue as above.

$5 parking fee (not included in ticket price).

Parking is always free for members of The Trustees. Become a Member Today!

After nearly forty years of marriage, Joan and Joe Castleman (Glenn Close and Jonathan Pryce) are complements. Where Joe is casual, Joan is elegant. Where Joe is vain, Joan is self-effacing. And where Joe enjoys his very public role as Great American Novelist, Joan pours her considerable intellect, grace, charm, and diplomacy into the private role of Great Man’s Wife.

Joe is about to be awarded the Nobel Prize for his acclaimed and prolific body of work. Joe’s literary star has blazed since he and Joan first met in the late 1950’s. The Wife interweaves the story of the couple’s youthful passion and ambition with a portrait of a marriage, thirty-plus years later—a lifetime’s shared compromises, secrets, betrayals, and mutual love.

"What unites the film’s two halves — what makes it worth watching, period — is the road Close’s Joan travels as she decides whether to reclaim authorship of her own life. It’s a diamond forged under pressure — a performance of great fury that only finds its voice at the end." — Ty Burr, Boston Globe

"[Close] is a marvel of twisty understatement here, delivering emotions that conceal as much as they reveal, and offering onion-like layers that invite repeat viewings in light of some of the film's later revelations." — Andrew Barker, Variety