Year In Review: The 11 Best Soundtracks and Scores of 2011

It has been quite the year in film, but even more so when it came to the music in those films. We got scores that pushed the envelope, soundtracks that were full of nostalgia and orchestration that could easily fit in to the 1930s. It was an eclectic year that introduced us to new talent while also reestablishing the music from existing ones.

Normally when the year comes to close, I look back on the various soundtracks and scores from the films that came out and I can easily hone in on a handful that most stood out to me.

2011 was not that kind of year.

With even more artists becoming composers (The Chemical Brothers and Basement Jaxx), impressive composers coming to the forefront (Cliff Martinez with his scores for The Lincoln Lawyer, Contagion and Drive, two of which made this list) and childhood favorites back on the big screen (The Muppets and Winnie the Pooh), there was a huge pool of talent and good music to choose from. And although it makes my task of rounding up the top picks more difficult, it also means films are getting filled with more and more good music – a trend I hope (and expect) will continue in 2012.

But on to this year’s picks!

11.The Artist

In a silent film music is not just an additional element, it becomes an important character itself providing all the sound within the film. When director Michel Mazanavicius decided to make a throwback to the silent film era, he turned to composer Ludovic Bource to fill that silence with expansive and rich orchestration. Any score that can keep you entertained for two hours (especially when it is the only sonic element) is an impressive feat and a risky idea in an era when 3D and electronic elements are becoming more and more prevalent. Bource rises to the challenge and created a score that was exciting, romantic, funny and sad, all while helping the performers on screen to not miss a beat.

10. Winnie the Pooh

Winnie the Pooh is a “willy, nilly, silly ol’ bear” and has a catchy theme song to prove it. For this latest installment in the series, the adorkable Zooey Deschanel took on this classic tune and sang a few news ones (“A Very Important Thing To Do” and “So Long”) with Pooh Bear and Tigger (Jim Cummings) themselves taking on “The Tummy Song,” “It’s Gonna Be Great” and “Everything Is Honey.” Catchy and endearing, both the new songs and old took me right back to feeling like a kid wanting to go to the hundred acre woods and make up adventures with my biggest worry being looking out for the Baxon.

9. Footloose

Remaking a film is always tricky business, but even more so when it is a film that also had such iconic music attached to it. But if you’re going to do a remake, you might as well put your own spin on things, and this soundtrack did just that. With a slowed down version of “Holding Out For A Hero” by Ella Mae Brown we also got a bit more country with Big & Rich’s “Fake ID” and a bit more hip-hop with David Banner’s “Dance The Night Away” all of which worked to update the sound of the film without losing the feeling that hearing “Footloose” (no matter who’s singing it) always drums up.

8. Fast Five

Who knew that the fifth time would be the charm? Watching Vin Diesel, The Rock and Paul Walker’s chase scenes (both on foot and in the cars) on the big screen was some unexpected fun at the theater this spring, but it was really the unrelenting score from Brian Tyler that had me on the edge of my seat. Tyler returned to the series (having also composed music for the previous films) to keep viewer’s adrenaline pumping while also incorporating the sound effects into his score to make those chase scenes even more electrifying and seamless. Add in a dash of Brazilian instrumentation (because, in case you forgot, “This is Brazil!”) and you ended up with one of my favorite action scores of the year.

7. The Muppets

We here at FSR didn’t dedicate a guide to our felt friends for nothing – they are pretty darn entertaining! And as I pointed out in my Muppet Music roundup, more than a bit musically inclined. With Jason Segel and Amy Adams added into the mix this time, we got new Muppet tunes like “Man Or Muppet,” “Life’s A Happy Song” and “Me Party,” but you know Muppet fan Segel wasn’t going to bring the Muppets back without original classics like “The Muppet Show Theme” and “Rainbow Connection.” And I’m still wiping the tears from my eyes over “Pictures In My Head.”

6. Like Crazy

Who knew heartbreak could sound so good? Dustin O’Halloran’s piano heavy score blended in perfectly with the more quirky and upbeat tracks from artists like Paul Simon (“Crazy Love, Vol. II”), Figurine (“Impossible”) M83 (“I Guess I’m Floating”) whose song titles alone read like scenes from the film. There is nothing easy about a long distance relationship and not being able to be with the one you love, but with music like this it was hard not to ignore those warning signs and fall in love right alongside Jacob (Anton Yelchin) and Anna (Felicity Jones).

Allison has always been fascinated by the power music has when paired with an image – particularly its effect in film. Thanks to a background in recording and her days spent licensing music to various productions (including, of course, movies), Allison can usually be found sticking around to see all the songs noted in a film’s credits and those listening to her iTunes inevitably ask, “What movie is this song from?”

More from Around the Web:

Reject Nation

11 Comments

Leave a comment

Comment Policy: No hate speech allowed. If you must argue, please debate intelligently. Comments containing selected keywords or outbound links will be put into moderation to help prevent spam. Film School Rejects reserves the right to delete comments and ban anyone who doesn't follow the rules. We also reserve the right to modify any curse words in your comments and make you look like an idiot. Thank You!