Cent has a secret. She lives in isolation with her parents, hiding from the people who took her father captive and tortured him to gain control over his ability to teleport. Her parents are also hiding Cent from the government agencies who want to use them for their own purposes. She’s connected; movies, TV, Internet, but Cent’s parents are absolutely firm: no one can know where they live. There can be no images of them, or of Cent, anywhere.Cent has seen the world, but only from the safety of her parents’ arms. Her mother has not neglected her daughter’s education. She’s been all over, met people rich and very poor, has worked on her mother’s global relief projects. Cent has teleported more than anyone on Earth, except for her parents, Davy and Millie, but she’s never been able to do it herself. Her life has never really been in danger. Until the day she went snowboarding without permission and triggered an avalanche. When the snow and ice thundered down on her, she suddenly found herself in her own bedroom. That was the first time. The second time will change all their lives forever.

Progression of the Jumper series:

Book 1, Jumper: Let’s take a simple concept and weave a cool story that’s brilliant in its simplicity.

Book 2, Reflex: Let’s take that simple concept and add to it by restraining it, but while also pushing boundaries. Also, let’s add a cool mystery and some spies.

Book 3, Impulse: Let’s take all the great things we’ve built up so far … and add teenage angst! A forced romance! A holier-than-thou attitude for all the characters!

(Okay, these are misleading, cause it’s not teen angst in the hilarious or awesome way.)

Impulse takes up a number of years after Reflex, enough time for the jumping couple to have a daughter, Cent, who is now a teenager. She’s repressed to say the least, especially owing to the family’s understandable obsession with secrecy. Cent doesn’t even have a birth certificate, they’re so afraid of word getting out about them.

Also understandable. However, she’s a teenager now and she’s dying for friends, so she finally convinces her parents she can go to school without screwing things up.

Of course, there are bullies, and love interests, etc. and it’s just about impossible to not screw things up like we already knew.

First, I felt judged much of the time. This family of jumpers spends most of its time doing humanitarian things, keeping all it’s actions green and reducing it’s carbon footprint. Usually, I’m all for this stuff, but I felt like the message was, if you stray in the least you’re the worst person in the world.

Second, it was a little hard to believe the tale from Cent, who is this shut-in who immediately befriends some girls, has guys crushing on her, and is the absolute best at everything in the world. And add to that the paragraph above and it gets a tad annoying.

Third, there wasn’t really any plot going on. Midway through the book, nothing’s really happening because Cent’s just barely getting things going at school and facing bullies and whatnot, but nothing that amounts to an overall plot to keep you glued. Nothing that pushes you to keep going because you have to find out what happens!

At the very end, I was finally entertained, and that’s why I can’t completely hate this book. If I weren’t listening to it on audiobook, I probably would have given up at the midway point. It’s a case of too little too late.

Speaking of audio, I thought the narration was great, though a bit jarring at first. It’s been the same male narrator for the first two books and now it switches, again understandably, to a female narrator. It’s just weird hearing a woman do Davy and even Milli for that matter, but only for the first disc or two. It’s quickly forgotten.

Talked about on today’s show:
accent on the new releases, The Abyss Beyond Dreams by Peter F. Hamilton, Liviu’s Goodreads review, four dark Jack Cady novels, Jenny‘s Star Wars tweetfest, less chattering and battles, Scott Westerfeld’s Afterworlds, Westerfeld’s Uglies inspired by Ted Chiang, Hardboiled Wonderland And The End Of The World by Haruki Murakami, A New Dawn: Star Wars by John Jackson Miller, “Is this Firefly?”, the new canon, Marvel can make a movie about anything, Station Eleven by Emily St. John Mandel, Luke’s unstarred review of Connie Willis’s Doomsday Book, Jenny liked Blackout/All Clear, A Slip of the Keyboard: Collected Nonfiction by Terry Pratchett, Future for Curious People by Gregory Sherl, mainstream or sf?, Puttering About in a Small Land by Philip K. Dick, it’s mainstream, Fairy Tales From The Brothers Grimm: A New English Version by Philip Pullman, Tex Avery’s Red Hot Riding Hood, Baba Yaga, Mage’s Blood by David Hair, What is a starred review?, Goodhouse by Peyton Marshall, Tales Of Terror Collection, The Best Ghost Stories, The Scarifyers 09: THE KING OF WINTER (audio drama), “winter is coming”, Devoured by Jason Brant, A Walk Among the Tombstones: A Matt Scudder Mystery and Defender of the Innocent: The Casebook of Martin Ehrengraf by Lawrence Block, put out his own audiobooks, Man of Two Worlds by Frank Herbert and Brian Herbert, Echopraxia by Peter Watts, same world as Blindsight, it’s got a lot of references, books with “day” in the title, This Perfect Day by Ira Levin (author of Rosemary’s Baby), Far Futures edited by Gregory Benford, they list the stories and describe them!, The Sound of His Horn by Sarban, Wild Hunt, The Rolling Stones by Robert A. Heinlein, Edge of Tomorrow (All You Need Is Kill) by Hiroshi Sakurazaka, where is the Full Metal Bitch?, Groundhog Day, Steven Gould’s new Jumper book Exo is inspired by Heinlein, Geek’s Guide interview, the cool first page, Darin Bradley’s Chimpanzee audio drama?

What if you could go anywhere in the world, in the blink of an eye? Where would you go? What would you do? Davy can teleport. To survive, Davy must learn to use and control his power in a world that is more violent and complex than he ever imagined. But mere survival is not enough for him. Davy wants to find others like himself, others who can Jump. And that’s a dangerous game.

It’s actually interesting to note the timing for my reading of this book. I’d just finished Larry Correia’s Hard Magic and jumped (pun intended) right into Jumper by Steven Gould, the new SFWA president.

I absolutely loved Hard Magic and Correia’s book dealt with a wide variety of different magics, from the Pale Horse who can make people die to the Heavies who can use magic to move objects (and much more as we find out) and even teleports who can disappear and appear anywhere they want. Jumper, on the other hand, only deals with one power, teleportation. How could this book even compete?

And yet as complicated and well-thought-out as Hard Magic is, even going so far as to explain what happens when you teleport into a bug (it melds with your skin and really hurts), Jumper was an excellent story in its simplicity. Jumper explains some of the nuances of the powers of teleportation, but not nearly as in-depth as Correia (I know, even with all the other powers it deals with).

Davy learns about his powers through some pretty brutal circumstances. His dad is an alcoholic who regularly beats him, but in the middle of one episode, he suddenly “jumps” away to his local library. From there, he decides not to go back, but that doesn’t mean he understands or even knows how to use his newfound skills. Davy gets into more trouble out on his own with scumbags who try to rape him and again he accidentally teleports out of the situation and back to the library.

And so begins Davy’s use of his powers and his fledgling understanding of what he is able to do. This, this right here, is the genius of this story. I can’t imagine finding myself with these powers, especially at a young age and with such brutal circumstances, but I’m sure it would be something very similar to this. Okay, with a few less problems because not everyone encounters one problem after the next, but overall it works so well. The performance by MacLeod Andrews is a good capture of being a teenager, crackly voice and all.

I’m also happy to report that the book is leaps and bounds better than the movie. With such a cool premise and such great previews, how did that movie suck so much? Oh yeah, they got the worst actor in the world to be the lead.

On the topic of the movie, if you are one of the poor souls who sat through it (it did have its moments of not being terrible I have to admit), the movie follows the book pretty well for the most part although there are some things that are added, but I’m wondering if those elements don’t appear in the sequels to this book which I’ll have to read and get back to you about.

To recap. Jumper is much better than the movie and works well because of its simplicity. It’s nothing that will change the world in terms of ideas or writing, but it’s great for what it’s meant for – action and exploration. It displays a power we all wish we could have and does so brilliantly and realistically.

Talked about on today’s show:Infinivox, Summer, the first time we had Allan Kaster on the podcast, The Year’s Top Ten Tales Of Science Fiction, Great Science Fiction Stories, Audible.com, Cibola by Connie Willis is going out of print, modern audiobook contracts, Kindle eBooks, The Year’s Top Ten Tales Of Science Fiction 2, the influence of Audible.com’s credit system, the influence of podcasts, the FREE On The Human Plan by Jay Lake MP3, Ted Chiang, transformation, The Island Of Doctor Moreau, Clarkesworld, Subterranean Online, Lightspeed Magazine, Jim Baen’s Universe, Tor.com, what makes Infinivox a different audiobook company, Aliens Rule edited by Allan Kaster, We Robots edited by Allan Kaster, Microcosmic God by Theodore Sturgeon, Thunder And Roses by Theodore Sturgeon, The Fluted Girl by Paulo Bacigalupi, Pump Six by Paulo Bacigalupi, investing in authors, A Colder War by Charles Stross, Elizabeth Bear and Sarah Monette, the “inspired by Lovecraft” sub-genre, A Walk In The Sun by Geoffrey Landis, Rammer by Larry Niven, the possibility of a Ted Chiang short story collection, BoingBoing’s interview with Ted Chiang, Infinivox is all Science Fiction all the time, Fantasy, A Song Of Ice And Fire, George R.R. Martin, Scattered Suns by Kevin J. Anderson, Saga Of The Seven Suns, the pronunciation of saga, Vanessa Hart, a cross between Homicide: Life On The Street and Frederick Pohl’s Heechee, the proper pronunciation of “Lagrange“, ZZ-Top, “feral”, Erosion by Ian Creasey, Ian Creasey, Mongoose by Elizabeth Bear and Sarah Monette, Boojum Universe, upcoming from Infinivox: Starship Vectors edited by Allan Kaster, Boojum, Nancy Kress, Charles Coleman Finlay, Stephen Baxter, what “Boojum” means (it comes from Lewis Carroll), H.P. Lovecraft, plush Cthulhu, remixing Lovecraft, A Story With Beans by Steven Gould, As Women Fight by Sara Genge, feminist Science Fiction, Ursula K. Le Guin, post-singularity stories, body switching stories, Mindswap by Robert Sheckley, Passengers by Robert Silverberg, Peter Watts, “the Earth is dying”, dying earth, Shine: An Anthology Of Optimistic Science Fiction edited by Jetse de Vries, dystopia, the Jackaroo sequence, The City Of The Dead, the return of the fix-up novel, Jack Vance, Ian McDonald, River Of Gods by Ian McDonald, Cyberabad Days, ebooks, “I like Audible much more than I want to”, Amazon’s announcement about Kindle sales exceeding hardcover sales, Fictionwise.com, getting used to the digital universe, from scrolls to books, clay tablets to scrolls, “download it to your brainstem.”