My French translator Christophe, who is currently working on the book Claymore, had a friend who made a trailer for his (Christophe’s) book. Christophe was excited about it and persuaded me to hire his friend (Alexandre) to make a trailer for my books. I chose the lower end of the price scale, but am happy with the result. He also gave me a French version.

My latest book (still in the Tomek Universe) is taking forever to write, and still has a long way to go. I am hiring a ghostwriter (gasp) to write a draft of a chapter I am having difficulty with. Assuming her idea for the chapter makes it into the final book, I will give her credit in the acknowledgments section of the book, to be transparent and honest. I will be very interested to see her work.

As before, I plan to invite outside amateur writers (like myself) to write a short story each for the appendix of the book. They each will be instructed to select a minor character and invent a backstory for them or write an incident involving them. It’s too early for that yet. I am still trying to stabilize the plot and its current characters. I’m telling you now so you can start thinking about writing an appendix story for me.

Note: Quantum Entanglement transceivers are used as fictional communication devices in each of my books that allow my characters to communicate over vast interstellar distances instantly. Julie Schoen (from fiverr.com) did some research for me and published her result here. I am also publishing it on my blog.

Detangling Quantum Entanglement: Can You Really Communicate at the Speed of Light?

Although people might like to believe that aliens and extraterrestrials are only relegated to the pages of science fiction books or the screens in our movie theaters, for centuries there have been people who firmly believe otherwise. From astronauts who have walked on our moon to, more recently, the founder and CEO of SpaceX, Elon Musk, there have always been those on “the fringe” who not only believed in ET life, but felt like they had evidence to prove it.

The famous crash in Roswell, New Mexico thought to be one of the events that did such that, offering the proof of a ship and a body, although many still argue its validity.

In one of Musk’s recent interviews, he not only shared that he believes extraterrestrial super aliens a feasible possibility, he went on to say that, if they exist, they existed, but that “they’re probably already observing us… and we’re just not smart enough to realize it.”

How’s that for a kick to your human ego?

A long time ago, my middle school Language Arts teacher asked my class to read Ender’s Game. Not my typical cup of tea, considering Jane Austen was, and still is, the be-all-end-all author in my book, I found myself fascinated by the world Orson Scott Card created.

But, being the daughter of an engineer who constantly questioned and destroyed every possibility of Star Wars being possible, I found myself skeptic – and I went back to Emma and her matchmaking (which, if you’re an Orson Scott Card or sci-fi fan probably means very little to you).

Yes, I live in New Mexico. No, I’ve never felt like I have seen something inexplicable streak across the night sky.

However, I was interested to see what the possibility of all of this really could be. Now, I’m far from being an expert but I have some incredibly smart people in my life that let me pick their brains, especially about communication with extraterrestrials: is it actually possible to talk with life on other planets in real time? Or, at least, without having to wait hundreds of years for a text message to finally arrive in your inbox?

I found myself tangled in quantum entanglement, which apparently is no surprise to anyone familiar with the concept. In a nutshell, quantum entanglement is a phenomenon that joins particles in their quantum state so that they are no longer separate – everything becomes one whole no matter how far apart they are. Albert Einstein is one of the scientists to write about this phenomenon, something non-scientist folk can understand as “spooky action at a distance”.

To break this down in an easier to understand way, quantum entanglement posits that if a particle were spun on one side of the world and it was entangled with another, the spinning of that first particle would cause the second to spin as well and in the same direction.

Yep, spooky.

Some physicists believe that quantum entanglement is the answer to extraterrestrial communication, although it hasn’t been proven yet that information can actually be carried and passed through this phenomenon. There is an interesting book that was written about quantum entanglement being a possible scientific explanation for ESP and psychic readings, although, of course, everything in this realm of science is always up for debate.

(Haven’t Sheldon and Leonard taught you anything?)

So the big question is if you can find a way to send information with entangled particles as doing so would allow for speed of light (or faster) communication that could put us in cahoots with super smart aliens on Planet X (or was it Y?)

While the decision is still out with the jury, many physicists say that you can’t simply because trying to alter the state of an entangled particle breaks the entanglement. And then, there are the ones that argue there’s a way around it – they just haven’t figured it out exactly yet.

But, where there’s a will, there’s usually a way.

And if quantum entanglement isn’t the answer, is there somewhere else to look?

Perhaps interstellar beacons can be used to create some sort of informative light show, like an EDM festival crossed with Dan Rather.

Others believe that learning to understand dolphins may hold the key to unlocking extraterrestrial communication. In fact, researchers in Hawaii are currently practicing communicating with animals, like dolphins, in order to prepare for contact. Researchers involved with this project say that when they’re asked if they believe “we’re alone”, they answer, “No, we’re not alone. There are many animals communicating right here that we don’t understand.”

Point taken.

And this is where my dizzying exploration into the detangling of quantum entanglement came to a screeching halt. Can you learn to communicate at the speed of light? My guess, contrary to Elon Musk’s belief in our lack of intelligence, is that of course we can – it’s just a matter of time. But, until an alien comes up to me on the street to try to ask for directions, I’m going to focus on honing my communication skills for the intelligent beings on this planet.

My latest book ‘Claymore’ has been on Amzon.com for a few weeks in all three formats now (ebook, black & white paperback, and color paperback). Besides my day job as an engineer, I have been a bit lazy since then, playing games and watching shows on Netflix. Soon I will need to start my next project in earnest.

Meanwhile I have had some exposure and sales for the new book, especially with friends and relatives. My illustrator bought an expensive version of the book (the version with color interior illustrations) for her daughter. As you can see in the attached picture, she is really happy to have my story in her hands. (Okay, she is happy to have the illustrations in her hands.) I appreciate her positive response.

I am indecisive about my next project. I have two more books planned and outlined for the Tomek series that I want to complete, but I also want to do a ‘hard science fantasy’ story that I have in my head.

I’ve never heard that term (hard science fantasy) before and I may have made it up. The general concept is a world similar to the one Tolkien created (not too similar, but with magic, magical beasts, and wizards). Earthling astronauts land there and try to make sense of it. I have specific ideas in mind (about the science behind the magic and about plots and characters) but haven’t outlined them in any document yet. I would want the plots and characters to dominate and not have it all about the science. It would be, at some stage, a battle of science against magic where science is losing. Later as they ally with the good guys they learn to meld the two technologies together.

I am sure something like that has been done before somewhere, but I want to do my idea with it.

My latest book is listed for sale on Amazon.com. That seems like the final proof that it’s published and the work is done. I can show my friends that I am a published author with multiple books.

Actually, I still need to publish the kindle version, especially since that is expected to sell the most. And I will publish the paper color version with color interior illustrations, but that will sell the least because of the high cost. But that will be easy on my part, once createspace.com has it formatted.

This is the best moment in writing a book, when it’s done and on sale. Tiziana from freelancer.com designed a beautiful book cover for it.

I submitted my book cover and interior to createspace.com. They will send me the printed author’s proof (first copy of the book for my review). I already know it will be perfect (from the electronic proof) so I expect to click the “Publish” button. My book should be on Amazon in a couple weeks. It’s exciting.

Last week I told you I would include the first chapter page from the interior of an earlier book (Baktu in this case) which I formatted myself using default Microsoft fonts and styles (BaktuInterior6x9.paperBW.FirstPage), and the first chapter of this new one that I paid to have it professionally formatted (Claymore_Proof_Interior_FirstPage). I am real happy with the professional one. It is clean and stylish.

As I mentioned, the cover is done (by Tiziana of Freelancer.com) and I will feature it in another blog. It’s beautiful.

It’s always a relief to me to have finished a novel. But getting it on Amazon is when it will really be finished. However, in this case, I still need to submit the color version to createspace.com, so it won’t really really be finished until that one is also on Amazon. Color is so expensive on createspace.com that it is hard to recommend buying the color version of a book to friends with a straight face. But Tiziana’s color illustrations are so beautiful that I must publish it.

The featured picture this week is the illustration for chapter 49, the last illustration. This is a moment of suspense when Claymore is injured and fading. One of is nemeses is about to kill his friends that are chained to the wheelchairs.

I sent my final manuscript to the createspace.com “custom interior” service. This service includes formatting the document to the book’s 6″ x 9″ page size, selecting the ideal fonts and style for my story (influenced by my selected preferences) and placing my 10 illustrations.

I usually do this myself. It’s not that hard, especially since I tend to keep Microsoft Word’s default fonts and header styles. This time my curiosity got the better of me and I decided to try the mysterious service. It costs about $349, so I am hoping for a noticeable improvement from my own simple format. I will show a sample of my chapter one page from a previous novel to their chapter one page after they finish.

Meanwhile, it was a bit of a rocky start since they rejected my manuscript a couple of times for things I thought were trivial, and that they should of been capable of fixing. First, there was a change left from the Microsoft track changes feature, and their rule is all track changes must be accepted or rejected and turned off. It took me a while to find that a space had been added or deleted, or some invisible thing I am still not sure of, and I had not accepted it. Sigh.

The second time they sent it back, they said the title page had a subtitle: “Book Three in the Tomek Universe”, while in the form I filled out I indicated there was no subtitle. In the createspace.com requirements, it listed all the things that could be on the title page, including a subtitle and the book number in the series, which I assumed were two different things. Sigh.

I found it annoying at the time because it delayed the project two days. But I’m still optimistic and excited to see the result. It is due April 26. I will report on the results in two weeks.

This week’s featured illustration is for chapter 41. Here Tiziana shows almost the whole crew of the significant characters. On the wall screen is Tomek and Spri telecommuting to the conference. Tomek and Spri can’t be there in person because they are busy making my next book’s plot happen. The plots overlap. I was hoping for a scene that showed them all, even the tentacled Scod, and Tiziana made it happen. I see paper is still used in the far future, but it’s probably electronic paper, like a flexible and superthin Kindle tablet.

For my latest manuscript the editing is done and all the interior illustrations. This illustration featured today is for chapter thirty-one. This chapter has Claymore finding exactly where prisoners are being kept.

When I wrote my first book, my editor complained that I had my character solve problems almost instantly. I learned challenging obstacles are important in a story, something everyone seems to know, but I didn’t back then. Obstacles that are quickly overcome are not really obstacles.

Now I am on my third book, and in this particular case, the character Claymore has spent over half the book trying to find where the prisoners of the evil covert organization are. Here he finally gets a peek into the bad guy’s surveillance room and recognizes video feed of one of the prisoners. Now he can switch to planning the rescues.

I am still an amateur writer, but here I have the produced the most serious struggles for the protagonist. I just wonder if I went too far. Nah. It was a struggle for me personally though. I have a tendency to want my character to be masterful or expert. And I still do that to a degree by making the opposition stronger.

I try to have the character to be strong in some things, but also have some significant flaws that cause him or her problems. In Claymore’s case as an example, he is a bit snobby and overconfident. He is a wealthy and clever lawyer. That is one of his weaknesses that make his problems worse. At a point before this illustration, he is living homeless and broke. While he never gets his wealth back, he does become successful again and makes a difference in the lives of the victims.

I’m excited to be finished writing and editing my science fiction novel titled ‘Claymore’. I have both of the appendix short stories completed by my guest authors, Siriano Lambert and Gavin Parish. I am waiting for the last one of the ten illustrations then I can send all the interior to createspace.com for them to format into the 6″ x 9″ page size. I will then put my illustrator to work on the cover. In the meantime I can take a break and do something with my spare time other than write.

Siriano

My guest authors each wrote a short story about a different minor character. Siriano chose the minor character Jak, a police officer caught selling confidential police information to an alleged journalist. Siriano is my nephew, and as far as I know, this will be his first work published in a book. He does have writing samples available on different web sites. Here the first paragraph of his short story for Claymore:

Rain tapped softly on the hood of the air car. Jak sat motionless in the driver’s seat, eyes glued to the dash-screen video feed. It had taken so long to get approval for this stakeout that he was afraid the suspect would have moved on before he could get the cam-bot installed. Of course, he’d had to pay for the cam-bot out of his own pocket. That had been difficult to get Melysa to understand, but in the end they had agreed the risk would be worth it.

I was excited to involve Siriano and he came through with a nice story that I feel will enhance my book. Siriano focuses successfully on emotions and relationships. There is action here also. After reading Siriano’s story about Jak and his family, you understand why Jak felt justified in his later actions, even though Claymore wasn’t sympathetic.

Gavin

I had hired Gavin Parish in the past with my novel ‘Baktu’ and enjoyed his results. He chose the minor character ‘Lucy’, a person of a race known for their intellect but physically comparable to cephalopods (octopuses). He went the extra mile and read my other novels for more background information. Here is his first paragraph:

Lucy was in deep water, and wouldn’t have had it any other way. The plajoni home world was mostly ocean, but here on Regalia she had grown accustomed to spending much of her time on dry ground of late. Even so, it felt good to get her tentacles properly wet once in a while, though the level of toxicity in the water was an ever-present concern. Strict antipollution laws had long been in place across the planet, but busy traffic around a major spaceport posed a heightened risk she would be foolish to ignore. Nevertheless, she would only use the breathing filter Scod had given her as a last resort. It went against her instincts to swim with any kind of aid, and she had not liked the fit and feel of the thing when she tried it on for a test run before setting out.

He made blatant and subtle references to several other characters in the Claymore novel and my other novels (in the same universe), including the Baskin Shipping Yards, Death Ray, and others. At the end the amnesia that he gave Lucy subtly explains how she ended up a homeless tramp when she first appears in the main novel. It’s Interesting story of suspense and action.

Tiziana

The featured picture this week is the one Tiziana made for chapter 29. Here Claymore is poses as a customer in a hanger for spaceships. He is actually spying on the bad guy’s ships. Claymore ends up leasing a spot even though he has no space ship. The picture shows the environment, the open ceiling, and the general busyness of the place.

Some of the feedback that I got back from an editor on my sequel sci-fi manuscript was that I did not explain particular things, such as various sentient races and what they looked like. This is a sequel, and I did go over those details in my previous books. That means readers of my previous books would not need those explanations again. So it did not occur to me to explain them again. Right?

I suppose the decision is whether the author wants to require the reader to read each book in the series, and in order. I’ve read some first-of-a-series books that ended on a cliffhanger such that none of the major plot lines were resolved. You had to buy the next book to get any resolution. I decided against this. I did design in a series plot line that would require reading all five books to resolve. However, I wanted each book to be a satisfying novel all by itself. So I made special efforts to have a special plot for each book, with the series plot being secondary. This may be an old concept to experienced writers.

Anyway, since I want the Claymore novel to be good and satisfying without reading the previous ones, I took the editors concerns seriously. But then I was still concerned about boring the readers that already know what the races (or other things) look like. So I tried to either be concise, or to explain it in a way that added insight that previous readers wouldn’t already know, or “show, not tell” in a way that was an important to moving the scene or story forward or to show the particular character’s unique personality compared to others of her race. I think I was able to address most of the issues that the editor brought up in a good way.

On another front, the appendix short story for the minor character Jak is almost finished. The guest author just needs to review some editing that was done to his story. It is a backstory that explains some of Jak’s motives and dilemmas. I am excited to include it in my novel.

Tiziana created the illustration below for chapter 23. Here, Claymore, the lawyer accustomed to wealth and power, is penniless and homeless. With help, he has escaped from prison. But the bad guys are monitoring all his accounts. If he spends anything, they will know where he is. The picture shows this scary new experience as he and Phee try to find a place to sleep in a strange city.

I wanted to update you on the three short story writers I recruited. I had hired three writers to write a short story each about some minor character in my science fiction manuscript for $250 each. For a peek at the formal invitation with requirements and details click ‘Short Story Invitation‘.

So far two of them have picked characters (tentatively). They picked Jak and Lucy. They had been busy with other things when I contacted about this and just recently have been able to turn more of their attention to the project.

I had my manuscript edited by http://www.scribendi.com using their proofreading package (with query letter, etc). It was my first time with scribendi.com for editing, and it was a positive experience. The editor went beyond proofreading and pointed out some important inconsistencies in the story that I intend to follow up on. A great edit even though I was hoping it would be my last one. Below are the comments from the anonymous editor who did the work (not counting the comments in the actual documents). They were glowing and made me feel good.

This is really an outstanding work, well written and well edited. Naturally, I have made grammatical and other editorial changes, but since the text was already in good shape, I’ve focused most of my efforts on spotting inconsistencies, discontinuities, loose ends, and things of that nature. I’ve made copious notes throughout the revised copies of your manuscript, and have also summarized some overall things I noted about the novel at the end of the TRACKED version of the document.

I think I read on your blog that you were looking for short stories from other authors aiming to develop some of the minor characters. This is a great idea and I would love to contribute, though you’re probably looking to finalize content at this point rather than add new material. Nevertheless, reading this novel has really made me curious about the backstories of some characters, and I’d love to help you fill in the blanks.

The attached TRACKED_REVISED version of your manuscript shows all changes and comments. The CLEAN_REVISED version shows just the comments (apart from my overall comments at the end of the work, which I’ve retained in the TRACKED version only). In addition, the query letter aims to pitch your work to your prospects. The synopsis is a concise one-page summary of your novel, highlighting the major points. The outline provides a more detailed summary on a chapter-by-chapter basis, laying out the plot, characters, action points, and ideas in the novel.

It’s been a pleasure to review your novel, and I mean that as fact–it really is an interesting story. Feel free to contact us again for any additional help. You can request me specifically by entering EM1229 in the Editor Code field after uploading your order. If you make further edits to your manuscript and you want us to proofread them, you can just highlight the new/edited sections and include only those in the word count. Thanks for using our services. I wish you success with your novel, and I look forward to seeing it in print.

The editor was wanting to do a short story for me. I was flattered and intrigued. The problem is, scribendi.com enforces the anonymity of their editors. Customers have no way of contacting the editor directly. I am not complaining about their business choices, I am just sad about it in this case. However, once he (she?) saw my meager $250 price tag, he may have changed his mind anyway.

The next illustration I am presenting from Tiziana is chapter 17. Here Claymore is imprisoned by the bad guys. Tiziana went for mood here, capturing the hopelessness of Claymore’s tiny isolated world for the next indefinite amount of time, with death the most probable resolution.