Who’s Afraid Of The STRAIGHT WHITE MEN?

LA has a theater problem. That should come as no surprise: LA is primarily a music and visual arts city, and it’s hard to compete with the plethora of beautiful museums and concert halls scattered across the map. Anthony Byrnes goes into greater detail about LA’s theater problem in his article for KCRW, but also into possible solutions. He highlights our recent co-presentation of Young Jean Lee’s Theater Company as an example of reaching across the void to connect the city’s theaters. We are co-presenting Lee’s play Straight White Men in collaboration with Center Theatre Group, who also co-commissioned the work. Our director Kristy Edmunds was recently featured alongside Lee on a podcast from Center Theatre Group, with the discussion led by CTG’s associate artistic director Diane Rodriguez. If three intelligent, driven women discussing avant-garde theater, collaborative power, and exchanging silly stories sounds like something you’re into, click here to listen online.

Lee recently spoke to the LA Times about the production, describing her creative process and the birth of this production. There is always a subversive element to Lee’s work, and she continues that trajectory by tackling the responsibilities of straight white men as an Asian-American woman.

“It’s the question of, ‘What do we want straight white men to do that they’re not doing? And what happens when they do that?'” Lee told the LA Times . “It’s a very current question. Because being a straight white man is a relatively new thing, historically. For years, they got to be the default human. And now, suddenly, they’re being slapped with labels, and they hate it. So it’s sort of approaching a timeless question from a slightly different perspective.”

We were thrilled to collaborate with CTG and Young Jean Lee on co-presenting Straight White Men, and not simply because we are always happy to have our name associated with an exciting and provocative event. It’s not the first time we’ve worked with Young Jean Lee—you may remember her cabaret performance WE’RE GONNA DIE in our 2013-2014 season. Lee is doing brave, outspoken work on gender politics and personal identity, and we are proud to support it. But our true excitement stems from working alongside Lee and CTG to bring awareness of the production to an audience that might be unfamiliar with the company. LA’s theater problem isn’t insurmountable. We just all have to be willing to put the strength of the community above the desire to be number one.

Straight White Men runs at the Kirk Douglas Theater until December 20th.