I’m not convinced that the second season, while musically not that adventurous (R&B and hip-hop tracks take up a lot of the disc) doesn’t measure up (and occasionally surpass) the heights of season one and the group’s self-titled debut.

Freaky succeeds not just because it's hysterically funny, but because the songs themselves are authentically good, with hooks and melodies and instrumentation solid enough that you'd go back and listen again even if there were no jokes at all. [Fall 2009, p.58]

Individual tracks will wax and wane in popularity, and the genitalia humour of 'Sugar Lumps' et al might attract a wider audience who don’t understand the deadpan atmosphere of the rest of the show, but it’s hard to grow tired of this peculiar couple and their music.

It’s antithetical to quibble over issues of originality and cohesion when dealing with song parody, anyway; even when resting on their laurels, the Conchords have a singular ability to pen a damn funny song.