In the past, movies about the war on drugs have played like procedurals — crime films — and they have played like cinematic journalism. This is especially true in the case of Steven Soderbergh’s 2000 film ‘Traffic,’ probably the most notable film ever made about the drug trade on the U.S.-Mexico border. But as the war on drugs has become the drug war, and as the prism through which we view the conflict has become increasingly militarized, so has the cinema surrounding it. And now this war has its ‘Apocalypse Now.’