I found this outstanding article on www.picturecorrect.com I came across from photographer Paul Brown. Make sure you checkout the video at the end hilarious.

Photo captured by Tatiana Garanina (Click Image to See More From Tatiana Garanina)

Before I go into what the requirements are on the wedding day from a second photographer, it would be a good idea to think about what should be considered before the day.

First things first, you may be someone who is trying to get work as a second photographer to get started in the industry before launching into a wedding as a lead photographer.

This can often be difficult so be prepared to travel to an area outside what would be considered your territory. Photographers are business people and are always wary of training a competitor, but they may also be looking for a regular second who they can trust and work with.

Find out about the principal photographer’s style. The main photographer will have been booked based on things such as style of images, personality and customer service. So it would be sensible to find out a bit about the lead. Find out their dress code and be respectful of it even if it is not your normal dress code. Prepare your equipment, make sure it is clean, batteries charged, cards formatted if using your own and find out if the principal photographer requires your cameras time to be synchronized.

So on the day, make sure you are very punctual, fairly obvious really, but if it is somewhere you haven’t been before do a bit of preparation to know the area. Google street mapping is often a useful tool for research and during my time as a wedding photographer in Lancashire, it has proven to be invaluable. Then comes the time meeting the wedding party for the first time. Be confident, polite and respectful to everyone, including other vendors that are part of the day. You may be thinking this is all obvious, but little things can often be forgotten when nerves and pressure kick in.

Now we come to the working side of the day and I will break these down to bullet points. There may be other things that can be added to the list, but these are the ones that I consider important.

Be an assistant to the main photographer. Running errands, gathering guests for groups, moving kit around, watching kit, hold reflectors, flashes, video lights and generally any task that is asked of you.

Get the shots you are asked to get and inform the lead when you have them.

Take the camera away from your eyes and look around for the reportage shots, kids playing, different angles that can make a shot look natural and details that the main photographer may not see.

Watch for things that the main photographer may miss, background distractions is one example.

Get detail shots that may be of use for album design as background images.

“Karina & Roman” captured by Elena Zotova (Click Image to See More From Elena Zotova)

Be prepared to take the lead in the event of main photographer having to break away. This may be the scary part, but act with confidence and it will be fine.

Be aware of what the main photographers plans are, remind him/her if you think something has been missed. It will be appreciated that you are showing you are thinking about what is happening.

Finally for the ‘to do’s, think ahead. If you think the need for a reflector is coming, get it to hand, if you know the need for a tripod is coming, get it and extend the legs in preparation, but most importantly, learn something every time and enjoy it. You will be part of a team so make sure you work that way.

If you have your own photography business, don’t give out your cards or try and drum up your own business. They are not your clients and that is to be respected at all times.

Do not shoot like the paparazzi unless you are specifically told to. The main photographer would rather a smaller set of well executed, high quality shots than a thousand shots taken in the hope of 20% being successful.

Do not just shoot over the shoulder of the main photographer to get some portfolio shots unless permission has been gained. It can be very off putting if it hasn’t been discussed. If it has been agreed in advance, then the main photographer will have just to inform clients that some training is taking place.

Do not publish images on blogs etc without permission from the main photographer. If permission is given, credit the main photographer. The copyright remains with the photographer/business that you are working for.

Do not chew gum, smoke, drink alcohol, swear etc if that is what is requested by the main photographer.

“Olga” captured by Olesia Kliots (Click Image to See More From Olesia Kliots)

So these are just a few of the basic things to be considered and this list can be added to. So hopefully this may be of help to some and that it will help you to be an asset if you are a second shooter at any time.

Check outDigital Wedding Secrets;a very popular and comprehensive instructional eBook package for aspiring wedding photographers and has guidance on virtually everything needed to start a professional wedding photography business. With 189 pages of information and many other materials such as shot lists and sample contract templates, there is immense value here for any level of photographer interested in wedding photography.

A word of guidance…Their website is a little obnoxious to navigate – you’ll see what I mean. But I have found them to have the best wedding photography training package. Their free eBook that comes with the newsletter is a little helpful, but the primary ebook package and all it’s extras are a lot more useful and actionable.