But what happens if digital meets drawing, certainly one of the most archaic techniques of representation? With more than 20 artists on display, the exhibition at XPO systematically (and sometimes playfully) explores the effects of these encounters, trying to understand where and how they interface.

But whatever the themes explicitly addressed by the works in the show, one thing is clear: many of the creations on display will be appropriated, tweeted, tagged, commented on, shared or liked, conveying new meanings and even undergoing visual transformations as they appear on profiles or facebook walls. In a certain sense, the “after digital” dimension of drawing is just one – particularly interesting case – of the influence of the former on the latter and it could be argued that we live in a time where even a marble statue is, in a certain sense, prone to becoming digital.

Lost Smile

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The curator:
Klaus Speidel is an art and image theorist. He holds a Ph.D. in philosophy from Sorbonne University and leads a project on narrative pictures at the Lab for Cognitive Research in Art-History at the University of Vienna. In 2015, he won the AICA France prize for art-criticism.