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Sony launches Virtual Production at Red Bull Alpenbrevet

Posted: 24/07/2018

Sony Professional Solutions Europe has announced Sony Virtual Production, an on-demand cloud production service that provides a complete production toolset for multi-platform content creation and delivery, at Red Bull’s Alpenbrevet motorcycle race in Sarnen, Switzerland, which took place last weekend.

Anevia, a leading provider of OTT and IPTV software solutions, is collaborating with Red Hat, the world's leading provider of open source solutions. As a result, Anevia is now part of the Red Hat Technology Partner Program and can integrate Red Hat’s enterprise-grade, fully-supported open source technology, with added professional support, within its product ranges. These include the Genova low-latency live encoders, OTT packaging, cloud DVR and CDN solutions (NEA-LIVE, NEA-DVR and NEA-CDN) and Anevia’s multiscreen TV head-end, Flamingo.

Red Giant and Premiere Gal Debut Short Cuts Training Series on YouTube

Posted: 10/07/2018

Red Giant has teamed up with Kelsey Brannan, AKA Premiere Gal to launch “Short Cuts,” a bi-weekly video tutorial series on YouTube. In the new series, Kelsey will show viewers how to quickly up their YouTube game with tools and techniques for getting slick results, quickly. In episode one of Short Cuts, debuting today on the Red Giant YouTube channel, Premiere Gal shows you how to add video transitions and how to quickly build unique transitions with some of the plugins in Red Giant Universe.

Red Giant has just released a brand new Trapcode Form 3 training series, available free of charge on the Red Giant YouTube channel and led by award-winning filmmaker and motion designer Chad Perkins. The new training videos are the latest to come out of Red Giant, on the heels of the captivating short film “TANK,” created by ILM veteran Stu Maschwitz, and Dan “Hashi” Hashimoto’s “Cheap Tricks: Wakanda Form-ever!” where he demonstrates how to use Trapcode Form's OBJ Model settings to create sand sculptures in true 3D space.

RED Digital Cinema is advancing its product portfolio of high-quality cameras and sensors with a focus on simplicity, price and quality for customers. Beginning today, RED’s camera line-up will be modified to include one DSMC2 camera BRAIN with three sensor options - MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35. The single DSMC2 camera BRAIN includes high-end frame rates and data rates regardless of the sensor chosen and, in addition to this new value, the streamlined approach will result in a price reduction compared to RED’s previous camera line-up.

Domke, a division of The Tiffen Company, has introduced Ripstop Nylon fabric to its two most popular bags, the F-2 and F5XB. The combination of Ripstop, a lightweight highly durable fabric, with Domke's proven bag design provides a new solution for carrying your DSLR or Mirrorless Camera Systems.

Padcaster, the company that transforms an iPad into an all-in-one video production studio, now introduces Verse, an elegantly simple, completely modular system that turns any smartphone into a professional mobile video production tool. The Verse is a turnkey solution that enhances content creation - live streaming or conventional acquisition - on a smartphone.

RED’s Dan Duran will be joining us from Hollywood, California to present "RED Workflow and its new Image Processing Pipeline.” Attendees will learn about the colour science behind RED’s Image Processing Pipeline (IPP2), which offers a completely overhauled workflow experience, featuring enhancements such as better management of challenging colours, an improved demosaic algorithm, smoother highlight roll-off and more. We will also be discussing modern RED workflow and a comprehensive overview of the advantages of High-Resolution RAW REDCODE files.

Tech4home, a leading provider of integrated wireless remote control solutions for the home environment, announced today that its NOTUS remote control system has won a Red Dot Award for Product Design. During an extensive evaluation process, industry experts individually tested and assessed products, judging them on a variety of criteria related to design quality, including functionality, formal quality, ergonomics, and durability.

Red Bee Media, formerly Ericsson Broadcast and Media Services, is now an independent business and will be showcasing its unique capabilities and end-to-end portfolio at NAB Show 2018 in Las Vegas, Nevada (Booth #SU11625MR). The focus this year will be on Access Services, with new developments around ASR (Automatic Speech Recognition), and Content Discovery, with a strong focus on Sports Data and IMDB ratings integration. Other areas of interest will be OTT Services, PIERO Sports Graphics and Media Management.

“A Sound in Motion started as a camera test for the new Sony VENICE CineAlta 6K Digital Cinema Camera and evolved into a much bigger project. The film, presented by Golpe Filmes and released this summer, was directed/edited by Ricardo Teixeira. It is a fictional story based on the way deaf people adapt themselves to daily life situations. The intent of the film is to be a positive influence in the way people think about the ‘differences in human beings’ and about issues related to social inclusion, but without turning it into something moralistic or that seems fundamentalist. Through sounds not speech, words or verbal expression we want to relay a positive message and display a clear gaze upon that difference.”

That heart-dropping, cold-sweat evoking moment your external hard drive fails to connect to the computer and you realise the precious project you’ve been working on for weeks is lost for good (unless you want to spank hundreds on a recovery service that may or may not retrieve some of the mangled data!)

Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K ProRes RAW on a full-scale production.

At the time of writing, the summer World Cup is providing its usual challenge to camera crews trying to televise the bright sunlight of the stadium without losing detail in shaded areas such as the covered terraces. It is a perfect demonstration of the need for high dynamic range. Several broadcasters are experimentally covering this year's tournament in 4K HDR, including the BBC which is streaming dozens of matches via its iPlayer service. HDR is also accompanied by a wider colour space, meaning millions more colours can be displayed than previously. Yet another advance is the adoption of 50p delivery rather than traditional 50i.

I have a curious relationship with technology. I’ve been doing it all my life and I see topics come and go over the years. This is the 3rd time around that I’ve seen Artificial Intelligence become trendy and this time, I think it will stick. There are 4 things that are different this time around and they are (in alphabetical order) Amazon, IBM, Google, Microsoft. All of those companies have had AI research programs running for years, but the big change now is that there is enough ubiquitous compute resource in the form of the cloud to make it commercially viable to build products around the platforms.

Recent reports show pay TV in the US peaked in 2012 and will keep dropping over the next five years. Digital TV Research’s North America Pay TV Forecasts state the US will see a 20% drop between 2012 and 2023. Should the UK be readying for a similar change in consumer viewing, or is something different happening here?

As with all major events, planning for the Royal Wedding and surveying potential broadcast locations and securing reliable connectivity for video over IP workflows was top of mind for Canada’s Global TV. For major live broadcasts, in particular, when the entire world is watching, an extremely high degree of confidence is crucial because the live feeds need to be transmitted without fail.

ESL, the world’s largest esports company, relied on a full Blackmagic Design live production workflow at the inaugural League of Legends European Masters tournament. The new league launched this Spring, with the first split taking place in the UK, specifically, at the historic Haymarket Theatre in Leicester.

I am writing this in the middle of a record-breaking heatwave in southern England. Yet it is time to be thinking about the mists and mellow fruitfulness of autumn, or at least the predictably damp and chilly Amsterdam when IBC hits town.

What will be the hot talking points of IBC this year? I am not in a position to talk about what the big vendors will be showing: I have so far received just the one preview press release (take a bow, Calrec).

I currently find myself in between two landmark moments. A few weeks ago I was completely immersed in producing live television content,Â and in a few weeks time I will become an official BSc (Hons) Television & Broadcasting graduate from the University of Portsmouth. When I look back at who I was in my first year of university, I remember a shy girl from the other side of Europe, unsure at whether a career in television was the right path to take. Now, after three years of university, I can definitely say that I made the best choice of my life by choosing this degree. I’m leaving university confident and motivated, knowing that I made the right choice in study, and I really want that career in the television industry.

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