Usually during a press tour all-star party, there's one or two unexpectedly popular stars who just seem to attract throngs and throngs of reporters for the entire night. A couple of years ago, it was George Takei right after he started on 'Heroes.' This year, the NBC star attracting the attention at their all-star party in Pasadena last month was Alison Brie.

Why? Well, besides being cute and chatty, having significant supporting roles in two critically-acclaimed shows probably helped. Brie not only plays the uptight and naïve Annie on the comedy 'Community,' but she also plays Trudy, the hard-driving wife of Pete Campbell (played by Vincent Kartheiser) on 'Mad Men.'

I managed to wait out the crowds and get a few solo minutes with Brie. We talked about how she shifts between the high comedy of 'Community' and the intense drama of 'Men,' and if her presence in 'Men's' finale means she'll be back for season four.

Well, you guys were absolutely right. Season five of Angel is awesome, and I'm so glad I slugged through some of the earlier seasons that didn't exactly float my vampire boat.

The writing in season five is excellent, the characters are both fun and multidimensional (especially Wesley, whose story only gets more and more tragic), and it's just a great all-around season. Here are five reasons why I loved this season as much as any TV show (including Buffy).

Well, I've covered Buffy the Vampire Slayer here on Jane After Dark, and my nephew, who loaned me his Buffy DVDs, also got me into Angel. Nearly everyone I talked to about Angel said they just couldn't get into it. After Buffy, maybe everything else pales in comparison.

I have to say, I really only started watching Angel out of respect for Buffy and Joss Whedon, and because I really loved the character of Angel (and David Boreanaz is not hard to look at). I was alternately watching Buffy and Angel at the same time (one disc of Buffy, one of Angel, and so on); it was a good way to do it, because there were a few crossover episodes that made a lot more sense watching them that way.

If Don were ten years older and this was 1972 instead of 1962, we'd be saying that Don Draper is going through a mid-life crisis. After spending last week contemplating a new future with the jet set, or at least getting the offer of a hobo-existence without the worries of finances or fidelity, Don was compelled to look back before making a choice. That phone call at the end of The Jet Set was to the real Mrs. Draper.

Back home, meanwhile, Betty is again faced with having to grow up. Between her father's decline, Don's disappearance and her rebukes of Arthur and Glenn, Betts has been forced to be more than she's been in the past. Sally's latest stunt shouldn't be a shock considering that she's snuck a drink earlier this season and clearly idolizes everything her father does.

Sally blames Betty for Don's absence, and Betty realizes that pain she's been feeling is just as acute for her child and she does something human about it -- she gives Sally the boots to cushion the blow of the truth that Daddy may not be coming back.

"By the way, Matherton? He has the clap." - Pete, to a pretty store clerk.

I have a relative who's an alcoholic, even if he doesn't admit it. But even he doesn't drink as much as Roger Sterling does. My God, did you see how much he sucked down tonight? Straight vodka, whiskey, Martinis with chocolate cake. He even brought in a bottle of vodka as a gift for Don and took a glass - not a cup or bottle, but a glass - of booze and drove home with it. When Don said to him the next day that it looks like he got home OK, I was thinking, you knew he was drinking a lot, so why did you let him drink and drive? Even if it is 1960, the fact that Don wondered if he got home in one piece is proof that drinking and driving was a concern back then too.

I've been going back and forth on whether Roger is a nice, misunderstood guy or a first class jerk. This episode made me tilt a little toward the latter.