"..I considered Art to be generally especially game through which the personal, the local and the universal come to play. Providing a space to question and redefine that conversion - become - time that is sense-making.
During my studies and reflections I have come to the following uncompleted notions about the creation of and the moment of genesis in a work of art: I believe genesis to be the fine line between a state of complete revelation of the self through public language and the complete isolation wherein nothing is revealed or produced. The artist thus always risks losing himself in the impersonality of language in the hope of sharing his solitude. But this sharing is what compels him to produce art.
Statement About My Artwork
The purpose of writing this text is neither presenting a manifesto nor a prescriptive guide to reading (using) my paintings.
"Why use letters in a painting?"
The Signifier only manifests itself in the absence of the signified. Not only doesn't a signifier lead us to the signified but, by constantly referring to other signifiers, gets ever further from a signified and enters into a symbolic game.
No true Gemeinschaft cannot be created on the basis of a presupposition - whether it be a humanistic, national or linguistic one- what unites human beings (Dasein) among themselves is neither natural (not using any natural elements e.g. trees), nor phonological, nor linguistic (Worterlich), and not even confinement in a signifying language (word reduction but still using letters) but a knowledge of language limit & its final borders. True Gemeinschaft is only that which has no preposition. My paintings have tried to represent such a Gemeinschaft. Beings who don't recognize themselves as a result of divine or human creation but a fundamental harmony (looking at the painting) and in its own solitude, a sharing in a world created by the painting."

What do you do after setting up your own website and posting those images for the world to discover your talent? While waiting for that enlightened day, figure out the true art of the web - the art of communication. Then strike up a dialogue with the only person who'll ever really understand what you do - another artist.

I really like the concept and the colours and the openes of the brush work. So here you are opening a new field besides seascapes and portraits. And here you are able to keep a sketchy atmosphere you do not have in the seascapes and only sometimes in your portraits. And I see that you enjoy this freedom. For me it's avery good and promising beginning. I will come and kiss it . . ... [Goto..]

I see her as comfortably dissociated. She's almost grounded (look at her feet and their distance from eachother) but it is as though she is lingering between two expectant moments versus, perhaps, where she'd prefer to be. I like this one very much. [GoTo..]

Dear Jp: the she is of course a he now and i didn't manage to leave him out. He walked into the painting without announcing it. I will see if i can find space for "she" somewhere, in the coming days. I didn't manage to listen to what i can leave out. Sorry Miles. [GoTo..]

Yes, it was a lot of fun! I'm Hoping do it again as soon as I 'can'. This gave me the opportunity to revive the time I did this as a kid, and break my mind box. There are some artists migrating from street to galleries and some are not. Those who are going to galleries are changing their work and everybody is happy [GoTo..]

nice story, i we like to learn more on this issue please any body [GOTO..]

There are not many places to exhibit, in this local area without having to join a art group. There are two but I decline to join as they do selection on the art work and no guarantee you will get your work in exhibition. It costs a lot to frame your work, and also the amount of hours spent on the work. There was a census for a gallery to be opened in the area, said it was not viable.

There was a group, the main problem is getting people to help with the exhibition. Peopl [GOTO..]