Aspinwall Dormitory, the oldest building on main campus, from the northwest. The photograph appears to have been taken some time after the construction of the hall, but before Stone Row was built in 1884.

This photograph depicts the Moore building as the home of 'Choinsky's 'Acorn Store.' The square tower visible in the earlier postcard is gone, and there appears to be a traffic light attached to the exterior of the building. Open awnings lend a...

Tivoli Village Board Meeting in February, 1972. Back of photograph identifies participants counterclockwise around table from far right as: "Dora Gruntler, Mortimer Appel, Robert Barrett, Herbert Mead, William Herman, and William Bain."

This image is the only known photograph of the interior of the Bard Home. Taken after Margaret Bard's death, the house was not regularly occupied by John Bard and his second wife Annie Belcher at this time. The room appears to be well appointed and...

This photograph of the lawn at Annandale is dated Thanksgiving, November 29, 1888. Margaret Bard had been dead many years, and John Bard was remarried to Annie Belcher with whom he had a daughter, Marjorie. Annandale was a financial burden, and...

This is copy of a letter from President Reamer Kline dated March 17, 1967 thanking Paul Hartzell for his gift of this photograph album to Bard College. President Kline makes reference to its value to future chroniclers of the college history--...

This page contains five photographs. From top left and moving clockwise, the first is a team portrait identified as "S.S.C., 1914 squad". A student seated in the front row can be seen holding a football. The second photograph is labelled "the...

Photograph albums; St. Stephen's College (Annandale-on-Hudson, N.Y.); College buildings--New York (State); Annandale-on-Hudson (N.Y.)

Four photographs depicting various views of the campus. Notable is the image of the Chapel with what appears to be a path at the south face. Identified here as the "circle," this walkway no longer exists. Also of interest is the photograph...

The opening of the Proctor Art Center would have been a particularly auspicious event for Harvey Fite, since the Art department had lost its home with the destruction of Orient Hall by in 1959. Individuals are identified on the photograph as...

Though during Fite's lifetime Opus 40 was not open to the public, he would open the grounds to large groups by pre-arrangement. This enabled him to preserve both his privacy and time for his work. In this photograph he speaks to a group of...