We love doujin shooters here on Bullet Heaven so when we heard a pretty snazzy STG was released at the 2018 Comiket and we could get it in as easily as we could, we just had to check it out. What we didn't expect was the amazing quality held on the DVD that arrived. In this episode of Bullet Heaven, we're taking a look at Rolling gunner!

Defenders of Ekron was a title we really should have examined back in 2017, but the stars never really aligned for us to do it. With the recent release of the Definitive edition of the game on PS4, Xbox One and PC on August 7th, we thought it was about time. How does this amalgamation of shooting game and adventure title hold up? Let's take a look!

Ikaruga is an incredibly influential game, one that has greatly inspired many to adopt a colour polarity system. Some are great and some, unfortunately, are not. Iro (Color) Hero on Nintendo Switch and Steam tries to emulate the subtle, elegant simplicity of Ikaruga while throwing more mechanics into the mix. But how does it stack up?

fter less than a year from its initial release, the folks over at Head Cannon, Pagoda West, and some other new faces at work have released a new expansion to the critically successful Sonic Mania, with Sonic Mania Plus. The extra content includes a new arranged campaign mode with remixed levels, a four-player split-screen competitive mode, and the inclusion of two more playable characters, (both of which haven’t been seen a commercial sonic title in over 20 years,) and more.

While Sonic Mania proved that it was more than just a simple throwback release for the fans, however, the added “Plus” to the title’s re-release ironically struggles to augment the core package with any upgrade significant enough to differentiate it from the same game that casual players have already played all those months ago.

Note: The author originally wrote this feature for Pixel Jizz; a gaming culture publication for California’s Bay Area Queer community, and has been given permission to publish it on to Press Pause Radio as well. You can obtain the latest issue from Comikake this upcoming September.

nder the creative direction of Cory Balrog, Santa Monica Studio was able to deliver a radical reimagining for the God of War series that not only changed some of the most fundamental gameplay dynamics of the series, but it also managed to re-characterize its protagonist into something more than a bland cipher for juvenile aggression. While there’s no denying the quality of the franchise and what it did for the character-action genre of video games, the heart of the property was ultimately nothing more than a navel-gazing male power-fantasy that embellished upon all the token signs of toxic masculinity to an obnoxiously troubling degree. There are plenty of reasons to celebrate the newest God of War title, but my favorite reason has to be the fact that it finally redeemed its hero with something far more meaningful than revenge porn, and I couldn’t be happier with the effect it’ll have on male culture as a whole.

ith so many open-world adventures on the indie game market today, a majority of newer titles are now throwing all of their weight behind the craziest gimmick they can offer with their experience in hopes of finding a large enough of an audience that will praise it. While the experimentation hasn’t paid off every title, there is one new idea that has crossed expansive level-design into a territory that it has never been in before—pinball dynamics.

Villa Gorilla’s premier title explores the juxtaposition between side-scrolling platforming and a pinball table turned on its side in Yoku’s Island Express, a tale about a dung beetle who employs his spherical excrement as a means to bounce around and about through the obscure tropical arrangement of flippers and bumpers just so he could deliver some mail. In all honesty, the game is a lot weirder than that made it sound, but fortunately, it’s a whole lot more enjoyable too.

hen people think about video game nostalgia, their minds immediately fix upon images of pixelated sprites, alongside beats of synthesized chiptune sounds, and other trademarks from the early years of the medium. With so many throwbacks, and love letters out on the market these days, developers are now more pressed to celebrate the past in a way that’s more innovative than a majority of the retro-inspired titles that are currently flooding storefronts; callbacks are now starting to pull from some of the more nuanced moments of gaming history.

Which brings us to Bonus Level Entertainment’s Fox ‘N Forests, a 2D action-platforming side-scroller that was Kickstarted back in 2016 in an effort to deliver a very specific kind of nostalgia—the kind that’s reserved for a majority of the early SNES titles that defined the system before fighting games swept the scene. While there’s plenty of fan service to indulge upon and enjoy in this self-aware romp, a majority of Fox ‘n Forest’s charm is fleeting at best, and largely obnoxious the rest of the time, or worse—all too forgettable.