Although the movie itself fiercely divided critical opinion, one thing all rational beings agreed on is that Cliff Martinez’s score to The Neon Demon was pretty fucking great. Reminiscent of ’80s Tangerine Dream with a sprinkling of Eno’s ambient works, it’s a proper treat for any discerning movie listener.

An early member of the Red Hot Chili Peppers, Martinez began scoring in the late eighties and first came to our attention with his excellent collaborations with Steven Soderbergh. He’s been consistently great ever since. Sadly it was recently announced that he will no longer to be scoring the upcoming Logan movie – the somewhat bland Marco Beltrami will take his place – hopefully this doesn’t mean that the movie itself has been similarly defanged.

Evidence for the prosecution in the case of Mitch versus Christopher Nolan’s Excruciating Exposition-filled Dialogue. Why cast the delightful Ellen Page if she’s only there for the benefit of the members of the audience glued to their phones? It’s madness I tell you!

The ‘Burbs was featured in Episode 25 and Morricone’s score for The Hateful Eight was a 3 Men favourite of 2016. Here’s the splendid scene from Joe Dante’s movie using Morricone’s score from My Name Is Nobody, with lots and lots of Leone-esque camera moves.