As I promised last time, here’s a more detailed article to explain what will happen to Milk. In fact, Milk~La légende des étoiles is quite a special case: since we’re talking about an incomplete episodic game, it’s inevitably stuck between our hobbyist period and the upcoming commercial period.

We could have carried on without change but, as I explained in the last post, it’s precisely because it’s now impossible that the Träumendes Mädchen team decided to become pro. Following that logic, the only way for us to keep making Milk would be to make it commercial. Which is problematic insofar as, considering we gained experience since our first steps, the quality gap between Episodes is huge, especially with visuals. We cannot sell a visual novel with mixed assets like that. Especially because ties have been severed with several former teammembers and it’d be tasteless to sell their work without their permission.

There’s no two ways about it: we’re going to remake Milk in order to adapt the game to our current standards. So the graphics will be harmonized and I will take that chance to rewrite some parts of the script. Up until now, I hadn’t touch anything, even though the story had been finished back in 2011, which is quite extraordinary, but I’m not satisfied with the way I did Episode 1 and what should have been Episode 6. The timing is perfect to review my work based on your feedbacks (I’m still looking for those BTW). I also want to offer additional scenes inside Khzi’s story (that I’m only slightly going to change) to develop the mercenaries, especially those have less “screen time”. Presentation will stay rather linear but the result should look a bit more dynamic. Most of the teammembers who worked on the first version will come back for the remake and Laniessa will become the main artist!

Here’s what the new sprites should like. Looks better, right?

However, the workload being astronomical, the development of Milk’s remake would have to get unfolded across several year, in the “background” of Chronotopia, our commercial project. Unfortunately, there won’t be another Episode until a while, that’s why I really wanted to reduce the waiting time by finishing Khzi’s story. For the same reason, news about our progress are going to become scarce. And, commercial game oblige, the new version will only be available to a limited sample of testers for as long as the common route isn’t complete. If you wish to be part of that sample, it’s simple: you’ll either have to become one of my patrons (insofar as I give early access to my games to them starting from a certain amount), or to send me a mail through the team’s address asking me to be added. In that case, I’d simply ask you to give me your opinion on the game (since I’m looking for feedbacks) so that I can improve Milk as much as possible. The first version will stay online for a while and I’ll publicly announce its removal once the remake would have reached a satisfying state. So you still have the time to make the most of it!

Random screenshot to show the different sizes that can be used.

There we go, good and less god news: on one hand, you’ll have to be patient, but on the other hand Milk will come back all clean and beautiful! It might sound a bit masochistic to sign for another long period of development but, at the same time, we already proved we could handle that kind of things and I think it’s worth it. In any case, I hope you’ll like the change =).

Roundly six months after the release of Episode 4, we’re back with the next part of Milk~La légende des étoiles. I have to say I’m pleased by the fact that we managed to be ponctual (two episodes per year). After all, we don’t want you to wait too much ;). As usual, the download link is available on the game’s page and the new version includes, of course, plenty of improvements !

It’s the end of Khzi’s journey. The albino and her companions have to defeat the High Priest once and for all, but an ominous feeling is telling them that things won’t end as nicely as they want.

As the synopsis is giving away, this Episode will be the end of Khzi’s adventures. If you’ve stopped at some point, it’s the perfect moment to start up reading again (plus you’re served right with that amount of reading)! Anyway, enjoy the story, because Episode 6 won’t be available before a while.

Indeed, the team is now going to take a new form and it’s necessarily going to have consequences on Milk developement. More details to come in the big announcement I’m planning on the subject. I’m counting on you to read it when it’ll be available because it’s something important to me.

Hello everybody. It’s been strangely cold here since the end of summer, so much that I ended up sick, hence the interval between the Android release of HVNCML and the Android release of Garden of Oblivion. As announced last time, the latter is now available in English AND French for free, valid for all types of OS!

As for Milk, the release is just around the corner! We only have 2 CGs missing, the last bit of the translation and some tweaks for Episode 5 to be complete. So I’m pretty confident when counting on publishing the game by the end of the month. It should be noted that this would be the last until a very long time. I’ll explain everything in details later but there are big change lying ahead…

If you’re following us on social networks, you already know that Being Beauteous and Ambre were both released on Google Play a few days ago. At first, I hesitated over giving you the technical details, but since Mystery Corgi dev asked me for precisions on Twitter, here’s my experience with Android ports. Warning: it’s gonna get ugly!

It makes you proud to see your game working on a phone *__*

To get started
You finally finished your latest visual novel and you’re thinking that multimedia is the future. So, you want to make your work available on every platform possible in order to be read. The good news is that RenPy provides you with a small guide. So you start to download a succession of softwares that you will never open but that RenPy will use in your place.You’ll need Java Development Kit, Apache Ant and Android SDK. Once you’re done, you will still need to get the Ren’Py Android Packaging Tool, if you haven’t yet. This RAPT consists of a file that you’ll have to place in the Ren’Py directory you’re using. If you open RenPy, you will now be able to configure your project.

Configuration of a Google Play Publisher Account
Here’s where things are going to get complicated. Because you can’t create a build yet, you’ll just make RenPy crash, as I did. Before going to the next step, you’ll need something important: a signing key. And nobody will explain you how to do it. From what I understood (but it’s really not clear), you’ll have to get a Google Play Publisher Account, even if you don’t want to publish your product in their store (?). In order to get that account, you have to sign in with a Google account (I think almost everybody has one) and pay a $25 USD registration fee.

I couldn’t change the language setting on my Google Play account so you’ll have to bear with my French screenshots <_<

Once you got it, you’ll have a whole lot of options to configure. It seems that you absolutey need a OAuth client and a service account (see the API Access menu above) and for this, you’ll have to retrieve the SHA-1 certificate footprint. Which turned out to be quite a headache for me. I searched through the web how to get this from the android.keystore file generated by RenPy at the start of the operation, but in vain, nothing I tried worked. In desperation, I turned to Keul who suggested I download the HashCheck Shell. extension.Thanks to that tip, I only had to open the properties of the file to retrieve the SHA-1. I have no idea if iI did it the way it was intended to or not but configuring that account was annoying as hell. I rarely saw more uselessly complicated and it made me realize how life was easy with the community around RenPy: there’s always someone with an advice or a guide T_T.

At this point, you should be able to create projects and generate a key for each one (don’t lose it!).

RenPy takes care of everything…almost
Back with RenPy, you have to put the key in your game. Following the advices of Sleepy Agents I found on the net, I copypasted mine in the options.rpy file.

You’ll also need another sequence of numbers, and once again you can’t find an easy generator to do that for you, so you’ll have to take care of it yourself (or use the simple but risky sequence that the RenPy guide is showing you as an exemple). Once those two lines are added to your code, you will finally be able to make a build.

One last word concerning the configuration: RenPy will ask you if you want expansions for your Android port (depending of the size of the file). You will actually need both versions: the 1st one will allow you to install the game on any Android device to quietly go through your testing phase, whereas the 2nd one is crucial if you want to put the game on Google Play. The limit being of 50MB, it’s nearly impossible to have a smaller file, even with a short project.

Configuration of a Google Play store page
Let’s work on the basis that you want to put your game on Google Play, here are some tips that, I hope, will help you.

• To begin with, you need to upload your APK file. I suggest you do so by directly assigning it to the Alpha track, otherwise Google Play won’t allow you to upload an expansion file (thankfully, you’re still able to modify that anytime).
• When filling the description page of your project, you will quickly realize you have to be concise. Be careful, Google Play will try several time to encourage you to use the translation service. It may sounds harmless but those services are not free and you will soon be asked to pay an amount that isn’t that small! Unless you have money to spend, I’d advise you to do the translation yourself or just pass.
• The questionnaire you have to fill to get a rating really isn’t adapted when it comes to visual novel. And it isn’t always clear on top of that. It’s quite difficult to get what each option really means. Like this, the confusion caused me to get a 18+ rating with Garden of Oblivion on my first try because I didn’t know the difference between “far” and “close” portrayal of violence. Pay attention and don’t hesitate to fill the form again to compare the results!
• In order to sell a game, you have to use a Merchant account and for that, you’re asked informations about your company. If you don’t upgrade to Merchant account, your games will have to be free.

With all that, your app should be ready to be published. But before clicking on that fateful button, you really should make a small verification: is your game adapted to Android?

Ergonomics issues
In order to make you think a bit, here’s a sequence of issues I got when I asked Keul to test the games on his phone for me.

As you can admire, thanks to Keul’s finger, it’s difficult to click with the original GUI…

• Most quickmenu (you know, the navigation buttons above the textbox or below in NVL mode) were way too small. So I needed to turn some pictures into text in order to increase their sizes as I wanted (it was the case with Ambre) but also increase the space between each button.
• Needless to say the font in general had to be increased as much as possible as well to allow some reading comfort.
• It got more complicated when the games were using lots of pictures. HVNCML, especially, took me a whole afternoon to get fixed; I had to increase the background picture to put bigger buttons and space them out, which lead to text collisions since the text was scrolling under that picture. Same with the PM system. Only after many tests was I able to balance everything.
• Just as bothersome, Garden of Oblivions icons were too small and too close to each other, which meant I had to increase them and adjust their positions. Another problem: the button that should be used to make the pause menu with all the options appear was, according to Keul, not really used by people anymore. So he advised me to add a quickmenu and I had to create new buttons inspired by the existing GUI and place them accordingly. For exemple, I had to keep an eye on whether the quickmenu was running over the sprites (it was the case with the rabbit). I also had to hide that quickmenu during the puzzle phases in order not to bother the player.
• Since you can only play a game in fullscreen on Android, the Fullscreen/Window button in the Options menu became completely useless! However I decided to keep it because I didn’t want to make a hole X).

Anyway, if you don’t have to remake entirely your visual novel for an Android port, you will still need to adjust the GUI!

To conclude
Here you are, finally ready to publish your app! You still need to wait for Google Play validation (it can take a couple of hours) and your game will be available. You suffered but it was for a good cause! Fortunately for you, I’m here to tell you all I did wrong so that you’ll suffer less than I did =’D.

Screenshot of the Android version: look at the new quickmenu on the right =’)

Don’t forget that HVNCML will be released wednesday and GoO the week after that! If you have some time, try out our Android ports and tell us what you think about it, it’ll make me happy :3.

There we are, start of the school year again! It’s time to review the situation. Concerning developement of Milk Episode 5, I’m rather satisfied insofar as I usually have troubles progressing during the summer time. Yet, this time, we managed to finish all the backgrounds, thanks to Kinect and Orties speed, and we started the rest, which isn’t half bad. I hope I’ll be able to release this Episode in the following weeks, let’s cross fingers!

Fog animation, Milk Episode 5

Having given it much thought, I decided to swap distribution service by putting all the projects of the Short Story Compilation on itchio, that turned out to be way more practical than Gumroad, hence the big move this weekend. Concretely, it doesn’t make much of a change for you but I think the reslt will be more pleasant (no more confusion with Pay what you want).

Torture chamber background, Milk Episode 5

Speaking of our short projects, I also have a good news : every week starting from now, we’ll be releasing Android versions of our games and they wil be available on Google Play. That way, wherever you are, you will be able to read a visual novel on your phone or tablet in no time! We’ll be starting with the latest version of Being Beauteous, that includes a Spanish and Japanese translation (this version is already available on itchio BTW), and finish with Garden of Oblivion in English and French.Nothing has been decided for Wounded by Words yet insofar as it’s our most recent project: indeed, I’d like to keep some exclusive content for the physical version owners. So, we’ll see later…

I’ve talked a bit about it to the people I had the chance to meet at Japan Expo but here’s a more formal announcement: the Träumendes Mädchen team will most likely not entering Ludum Dare again, nor similar game jam. Here’s why.

This picture makes a good header!

Searching and finding yourself

To those who didn’t know it yet, a game jam is a gathering where devs try to make a gae frm scratch in record time. This type of contest is now super popular and there’s more and more game jam organized each year, so much that it can be really confusing sometimes. The main appeal of a game jam is that it’s a really favourable setting for creation. There are various scenarios:

If you’ve just begun to create something, finishing a short project is really helping to gain experience. That’s why it’s the first advice ever given to novice: starting small to get the hang of it.

If you’re lacking knowledge in a certain domain and wish to get better at it. Life can be pretty eventful, so you may not have the time or the motivation for it, unless there’s a good motivation.

If you’re struggling with deadlines. Getting surrounded by devs like you, living the exact same thing at the exact same time, is pretty stimulating, and even more when you’re supporting each other. So it’s perfect for people who are good at throwing ideas but can’t get to make them.

If you need to relax between two big projects. Yes, it can happen! Even after years of experience, a highly qualified dev can be fed up with endless projects and just like to work on something « simple ».

For a long, long time, our team did match with one of these scenarios : thus Being Beauteous had a symbolic meaning because it was our first finished project, and our following games were all ideas I wanted to try out. But it’s not really the case now. It’s important to experiment things in order to find your identity but I think I’m slowly coming to find and answer and game jams don’t really help me anymore. Well, it’s a reason but not the most important one.

Eleesha After Story scene, only available on the hard copy of Wounded by Words ~

The Novel and The Game

What really justify my choice is the conditions around Ludum Dare and some other game jam: they’re not adapted to story-focused games. At all. For a start, because if the length of the contest.

You asked for a challenge?

People tend to forget it but a visual novel needs a lot of time to be made. With the reflexion needed to write a story, but also to make all the assets. Of course, a VN doesn’t ask as much time and skills in programmation as more classic games but, in return, the experience is incredibly static. The player cannot move freely, there’s no gameplay mechanic, only text to read with some illustrations that lightly change. And sometimes choices. So, the dev often has to multipy the number of illustrations (sprites expressions, backgrounds, event CG, light animations) to try to break this impression. A small VN that doesn’t need much assets (at random, taking place behind closed doors) is already asking a lot of illustrations. And they’re HD ones (you can’t cheat a little as with pixel art) ! Let’s say it’s a miracle we finished all our projects with a deadline that tight!

My head after a game jam, metaphor…

Making the impossible

Besides, let’s not forget the key element of a visual novel is the story. Some kind of games can cheat, gamble on the atmosphere or the gameplay, and it’s no big deal. As an interactive book, a visual novel just cannot give it a miss. Except that a story, even a really short one, can’t be written as fast as some might think. It depends on the author of course, but in my case I have a really slow maturation process. It can take me months to pile up elements before being able to mentally bring the puzzle together. Once the image is clear in my head, I can writte pretty fast. The problem is that game jam tend to bypass my maturation process since everything has to be done RIGHT NOW. I might have an idea but I don’t have the time to really develop it and I find myself having to make it before it’s even ready. You can see that with Garden of Oblivion since this game doesn’t really have a story. Since it’s an hybrid with point & click elements, it’s still possible to rely on the atmosphere but there’s no strong plot (even though it’s supposed to be my forte, or at lest my aspiration). It’s also the case with Wounded by Words. This game drove me into a corner: I spend a whole three days furiously writing. The idea in my head was incomplete, which put me in troubles several times. It might sound stupid to you, like a writer’s complain, but it’s really frustrating for me to be unable to be satisfied with my work.

At least I could practice to make exploration scenes!

Inspiration doesn’t come to you that easily

Beyond the deadline, what’s really discouraging me with Ludum Dare now is the theme. During each edition, the participants make suggestions and vote for their favourite. After rounds of voting, the officiel theme is announced and open the contest. However, this theme is almost never adapted to the making of a story-centric game. Most of the time, the theme is suggesting a gameplay mechanic. Unconventional Weapon, the latest, inspired devs to make funny games with the most over the top weapon conceivable. Entire Game on One Screen, the previous one, was encouraging devs to use wisely the background limitations. Connected Worlds did let a little more freedom to devs but it was still stronly pointing at the gameplay possibilities around “links”. I stop here, I think you got what I’m trying to say. It’s difficult to think of a plot with so little food for thought…

Yes, there are new characters in some After Story scenes~

« Real » games and the others

It’s even more difficult as the Ludum Dare community still struggle to open to novelty. Each and every time I voted on Twine or RenPy games, I came across THAT comment, the one that says “It’s not a real game, it sucks”. Might explain why so few women enter… And if you’re here to try to get some visibility, tough luck: there are big favourites who enter each time, and they kinda monopolize press coverage because journalist almost only bother to try their games. Not very interesting if you’re one of the others.

More female devs, we said!

Conclusion

All these elements make so that I don’t see myself joining Ludum Dare or a similar game jam again:there are too many constraints and too little fun. Maybe it’s also that I don’t have anything to prove myself. Anyway, if I really have to do it again, it will be with good old Nanoreno (Lemmasoft’s contest) or with a game jam that is explicitely suited to story-focused games. Won’t be right way! Of course, I don’t prevent anyone from trying the experience, even though I’d still advice visual novel developpers to go with Nanoreno. The only problem is that there’s only one per year ;).

Since it’s been two weeks since the competion, now would be a good time to reflect on what we’ve done for Ludum Dare 32. It was our second time as a team…and everything went differently!

1st try on the corridor background (by @Orties)

Preparation, what preparation?
I wanted to take some time to calm down and think before the competition, in order to be ready for whatever may come. I tried to make a bit of research on various subjects I wanted to talk about in a future game but, honestly, the period before the actual game jam was hectic! Not only was I lacking time due to the (very) late release of Milk Episode 4, but my team was completely freewheeling. One or two days before the launch, I still didn’t know which artist was available and which was not… So yeah, I was relieved to get a full team on time.

Sketch of the corridor background (by @Orties)

Conventional rules for unconventional games
As I said before, I’m the kind of person who sucks at improvising: I need time to think about a story before actually writing it. The announcement of the theme was a bit of a shock. I knew « Unconventional Weapons » was popular but I really hoped for Companion to overtake it. That Saturday morning, in front of my cup of coffee, I felt powerless. Unconventional Weapons is a nice theme for non-narrative games, it sure encourages people to make funny concepts (and we all know that’s what people like the most about game jam entries), but it’s a disaster for a narrative game! I saw a Twine dev on Twitter giving up because of that. And afterwards, I realized with disapointment there were fewer visual novel than what we had for Ludum Dare 30. I think it’s not far-fetched to say most RenPy dev, either were too tired after Nanoreno (another game jam that had taken place a month before), either felt as uninspired as I was. Anyway, I was on the verge of giving up when my teammates urged me to find some motivation back. It took me an hour to get out of my lethargy befire I decided to go all out. As such, I chose the « Words as Weapons » approach. I also used some ideas I had for a while to make a visual novel that would recquire of me to go out of my comfort zone and add choices to my work. Let’s see how we did!

Gabriel Sprite Progression (by @Kinect)

What went right
I never saw my artists that fired up in my entire time as a dev! In the matter of two days, three quarters of the art was done. Three quarters! And I thought I was asking a lot from them, Laniessa even told me it would be a bit too much when I told her the amount of work needed. Everything was finished way before the end of the third day and I had actually trouble keeping up with the artists to give them directions. Orties and Kinect sure makes a dangerous pair! Roganis too seemed inspired since he composed the whole soundtrack in the matter of two days…and he was partying right in the middle of the contest! Are those people even human? How cant hey be so efficient 0__o?

Line of the corridor background (by @Orties)

Code was surprinsingly a piece of cake too. I had actually been practicing for some days in order to know how to use « affection points » and trigger the various endings. Since I’ve learned so much from Garden of Oblivion, our previous LD game, implanting the interactive adventure game system was easy and I knew what I had to do. I’ve learned a lot from Milk Episode 4 too as I made the little animations by myself. The only thing I didn’t have the time to learn beforehand was the blinking animations and I really wanted to add it. It took me between one and two hours before actually understanding how I should do it and I only had to ask Keul for a little help with the optimisation. Since he was there as a backup, it was pretty simple to get organized: I only had to ask him for the difficult elements I couldn’t do due to lack of skill/time.

Flat colors of the corridor background (by @Orties)

As for the writing, I didn’t feel comfortable obviously, since English isn’t my native language, but it went better than expected. I read into that fact as the result of my recent practice: since I’m writing on my devblog in English now, I’m starting to get the hold of it. It wasn’t the case back in August. I wasn’t inspired by the theme per se, but I really wanted to tell that story and my reseach did come in handy, since I didn’t have to check for the smallest fact.

What went wrong
Err, nothing? No, really, nothing actually went « wrong » 0_o. I couldn’t finish the story on time (nor proofread it) but it wasn’t because of bad management: I was glued in front of my computer during the whole contest, writing and coding like crazy. True, I could have woken up a bit earlier, but I really felt too tired for that (I didn’t have time to rest for days even before the start of the competition, after all). No, I really think I just saw too big. The story needed more time to be developed and I just didn’t have enough in three days. Planning different endings was a bad idea for a game jam, since it only added me more work, but i twas the core of the visual novel,it couldn’t be removed.

Eleesha Sprite Sheet (design by @Kinect and colouring by @Laniessa)

Ok, maybe I should have put our previous game release on hold to be able to rest properly but it was out of the question: I just couldn’t afford to fall behind schedule =’). Or post-dare fatigue maybe? I’ve been a vegetable for a couple of days because I badly needed some rest. But it took me less than a week to get back on my feet. And I still had time to try some other entries and release the updated version of the game with fixed typos and new content (Dave and Hassan routes).

Sooooo…it was super difficult and challenging for me, yet it didn’t went wrong.

What now?
As I mentionned above, there is a new build available fixing most of the problems/missing things. I’m still not completely satisfied because I couldn’t polish the story as well as I wanted, so I very likely will try to make another update later on. But, hey, you know how I am: I’m never satisfied with my work anyway X’).

GIF of the exploration scene (final assets, colouring by @Laniessa)

I think it’s the best looking game we’ve released so far and one of the more optmistic given my tendancy to make my characters suffer horrible things (still not joyous though !). I’m also quite proud to be able to create a diverse cast for a change and it plays a big part in the story. For now most feedbacks I got were rather encouraging…I hope you’ll all enjoy Wounded by Words :3.

A little more than six months after the dematerialized release of Episode 4, we’re back with the new part of Khzi’s adventures, our favourite nutty alien!

Well, once again, the production has been rather chaotic. I think we can definitively assert that the previous time was an exception and that I’m utterly unable to draw up a believable deadline… There were some changes in the team too with the departure of Jeungo and the arrival of Kinect who’s proving to be quite efficient ! It remains that the waiting time between each release is slowly decreasing (from one year to six months), which is good news for the most hungry readers ;).

A wonderful in-game illustration by @Orties

Khzi and her team hold a series of half-baked plans in order to outwit the priests on their heels. The mercenaries don’t know that the worst is yet to come: a storm is brewing…

Milk ~La légende des étoiles Episode 4 (the link is on the page, as usual) includes many small alterations on sound, illustrations and text, all in hope of making the reading more interesting. I hope it’ll pay. It should also be noted that Episode 5 will be the last part of Khzi’s adventures.

We’re once again open to all feedbacks, negative and positive alike, as long as you help us improving! I invite you to keep following us on Facebook, Twitter and Tumblr to see the progress we’re making on our différent projects. Next goal: Ludum Dare ~

Today, there are various subjects I’d like to talk about, so bear with me for the moment (development updates at the end of the post)!

Rondo Duo and the future of visual novel

I already lightly touched the subject on my personal blog (French only, sorry :<) but I really wanted to talk about Rondo Duo in more details.

As you might know it, Rondo Duo ~Dawn at Fortissimo is a japanese visual novel that’s been released by doujin group Tinkle Bell last Halloween. Plot-wise, it has little to no importance (it’s a nukige, so don’t expect more than lots of H-scene) but from an artistic perspective, it’s very interesting. In fact, Tinkle Bell uses an handmade Flash engine to make everything animated. Whereas rival japanese companies (like Windmill Oasis who introduced it first with Witch Garden back in 2012) primarily uses the « Emote » system as a light gimmick, this new system does reproduce the illusion of movement pretty well. The art is gorgeous and coherent with the animation, and the sound effect really adds a lot too. In short, the cinematics are great.

Seeing the intro scene of Rondo Duo makes you wonder what it’d be like if visual novel with a real plot used cinematics like that. Of course, I’m not speaking of a full-animated visual novel, it would be expensive as hell for indie creators. Tinkle Bell itself took 6 years to finish their game (it was announced back in 2008) and there was like two or three people working in the team during all that time (I don’t think they were working full time on this though). Not bad for a doujin group but you see my point. What I’m really curious to see is a visual novel with ponctual cinematics like that, done only for key scenes. I have the feeling it would add a lot to the experience. I’m sure every visual novel reader had seen moments where static pictures weren’t enough to convey the right emotion (like fight scenes or dramatic scenes).

It’s clearly not within everybody’s range (my team would never be able to do that, for example XD), but maybe the biggest visual novel developpers can try it out. I would be very curious to see that. What’s your opinion? What visual novel do you think could include such cinematics?

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Game dev updates

Nearly a month went by since last time and it only feels like yesterday. Developping visual novel makes you kinda disoriented: since you’re working on the the same things over and over again, you can easily lose track of the time…

Concept art of two new characters by @Laniessa. If you’re nice, you’ll be able to see the finished version soon ;)

We’ve been progressing surely but quite slowly on the next part due to everybody being busy. The truth is that Episode 4 is way bigger than Episode 3, so it’ll take longer to finish it, especially with the number of CGs (there are a lot of action scenes in this one, I’m sure you’ll love it !).

Sketch of the forest background by @Orties

The good thing is that almost all the backgrounds are ready to enter coulouring phase! I hope the work on the sprites (mostly colouring) and the chibis will also be over soon, in order to be able to complete the script. I’m hoping to send it to translators in December, so let’s cross fingers!

Others

Milk put aside, we did work on other things. For example, we released Being Beauteous on Desura in mid-november and we plan on doing the same for Ambre when the time’ll be suitable (read: after the crazy month of December where everybody is broke and most AAA games are published). We’re really proud to be able to make our visual novel more visible to a larger audience, I hope it’ll go on ^^.

Speaking of Being Beauteous, we also realized we never released its new soundtrack. Since Roganis did such a good job, it would be a shame not to share it, right? That’s why the Being Beauteous Soundtrack will be available on Bandcamp next Monday (1st December) on a « Pay what you want » basis (the OST is so short we felt it wouldn’t be fair to ask for a definite amount). You can get it for free or give him a little tip to support his work. I’d be you, I’d definitily give him a few bucks, the guy deserve it ;).

And after the release of the Being Beauteous Soundtrack, Roganis will also publish his new album on Bandcamp. For those who couldn’t get it at the last Japan Expo convention, it’ll be your chance! So, as usual, follow us on social networks to be the first one informed o/.