Enter to win passes to experience the world class Royal Ballet at a New Jersey Cinema.

Fathom Events invites you to experience world class ballet shows on the big screen when The Royal Ballet’s The Winter’s Tale and Swan Lake are screened at select cinemas nationwide on 2/17 and 3/19. These shows are ONE-DAY ONLY. Enter now to win a pair of passes to the events. (this giveaway is being held by the promotional company)

Following his delightful full-length ballet Alice’s Adventures in Wonderland, Christopher Wheeldon continues his highly successful collaboration with designer Bob Crowley and composer Joby Talbot to create his first ballet based on a Shakespeare play, the late romance The Winter’s Tale. The story follows the destruction of marriage through consuming jealousy, the abandonment of a child, and a seemingly hopeless love. Yet through remorse and regret – and after a statue comes miraculously to life – the ending is one of forgiveness and reconciliation. It is powerful material for ballet, with a story that allows for the portrayal of intense emotions between and within the characters, and the opportunity for th.e Company to create not just new central characters but the whole world around them

Swan Lake, surely the greatest of all Romantic ballets, is the captivating story of a beautiful woman transformed into a swan, and a heart-rending tribute to the power of love. Swan Lake is a perfect synthesis of choreography and music and, though Tchaikovsky did not live to see it become a success, his first ballet score is now synonymous with ballet itself, inspiring generations of dancers and crossing over into popular culture. From the earliest days of the Vic Wells Ballet, Swan Lake has been one of The Royal Ballet’s signature works. In creating this production, Anthony Dowell aimed to return to an authentic version of the choreography created by the great Marius Petipa and Lev Ivanov for the Mariinsky Theatre in 1895. Yolanda Sonnabend’s designs draw on the Russian Imperial Court of that period with an inspired blend of historical accuracy and gothic fantasy. The court scenes of Acts I and III have a dark glamour rooted in the opulent style of Carl Fabergé, while the famous lakeside ‘white’ acts are rich with mist, shadow and moonlight.