The workshopped results are inarguably congo-ruous with what you’ll find outta Du¨sseldorf’s Diskant label, and also bear a striking resemblance with the ferric tang of Konono No.1’s thumb piano techno, yet they hail from a rather different artistic process altogether, which possibly shares more in common with Jeff Keen’s self-built sound blatz or Pierre Bastien’s mechanical instrument compositions.

However, they all share a ruggedly rhythmic charge between them, one that relishes in the grit and infidelity of hypnotically repetitive, moire´-like pattern, and the friction of gear-grinding texture: something universally understood by DJs and dancers looking for ruder, unique styles to move mind and body.