Chinese are aghast at the pathetically low quality of a recently unveiled Chinese anime movie which boasted a budget of some 12 million yuan, causing many to wonder just how their anime industry will ever catch up to those overseas.

The criticism centres on a “historically themed” anime movie recently unveiled in China, “The Legend of the Hero” (“戚继光英雄传”), the trailer of which is viewable online.

Although for once free from plagiarism accusations, the movie has attracted a storm of criticism for its “pathetic” production values, not least because the studio responsible was boasting of having spent some 12 million yuan producing it.

Poor quality animation and art, constant use of the same footage, and overall slipshod production values have all caused particular umbrage, which spread online rapidly through the likes of Sina Weibo and soon had the producers scrambling to defend their work.

Figures in the Chinese animation industry have panned the work as embarrassing even by Chinese standards:

“The level of Chinese anime is widely acknowledged as being very low, but even by those standards this is atrocious.”

Even the local government has distanced itself from the series (despite being named in the credits), after being accused of having funded or subsidised it:

“The 12 million yuan figure is something they announced themselves, we don’t really know how they spent the money. We did not fund the project in any way.”

The studio responsible says the title is only for children so the quality hardly matters, although it does not address the rather glaring cost-performance issue:

“This work is aimed at children, not adults. The criticism online is irresponsible and dogmatic.”

Critics in China (and latterly, Japan) have been unsparing:

“This is Flash animation level stuff.”

“This has to be the worst anime in history.”

“How did they spend 12 million on this rubbish!?”

“Half of the production budget probably ended up being embezzled, that’s all.”

“Only half? More like 90%?”

“80% went on bribes?”

“There’s no way you could make a feature production for so little in any case. Maybe a TV drama or sitcom…”

“It really does look like a Flash title though. Although most of China’s Flash anime are probably better…”

“Looks like South Park.”

“It reminds me of Amepigu…”

“If it is aimed at children, who cares if it is rubbish?”

“Aimed at children and ripping off children are two different things.”

“On the opposite end of the spectrum, look at the amount of effort they put into the ED for Precure season 2…”

“How did they spend so much on this…”

“And they had access to top staff from an art college too… they need to think long and hard about why they couldn’t make anything decent.”

“This cost more to make than Perfect Blue and Millennium Actress…”

“Average incomes in China are about 1/6th or 1/7th of those in Japan, so the equivalent Japanese budget would actually be much higher.”

“In Japan this budget would still produce a major title.”

“It might pass if it was all made by one guy.”

“It would compare favourably to something on the Cartoon Network, I guess.”

“Their ‘it’s just for kids’ excuse for it being so bad is pretty poor…”

174 Comments

You gotta be kidding… Even brazilian animation is much, much better, and of course, with a reasonable budget. At least they build that gigantic highway overseas while here, a bridge 10 times smaller was build with the same price and double the time. JAPAN IS BETTER \(^_^)/ desu

The local government may deny all they like, but somehow I get the feeling this unreasonably huge budget is used as a front to launder these corrupt officials’ ill-gotten gains, much as they have done via real estate properties around the world.

It’s an open secret in Hong Kong that corrupt Party cadres from mainland China have been using the real estate market there to launder their dirty money, thus artificially driving property prices to ridiculously high levels unaffordable by locals, and the cause of much resentment.

12mil yuan? looks like they played 1 day millionaire after they finished making the movie for half a day. still, whoever wanted to make this sorta stopped in just wanting an anime regardless of the quality. ive seen poop anime with better animation than this

Dude…this looks way better than Hero or House of Flying Daggers. I don’t see what all the fuss is about. I mean yeah Hero was all pretty and well acted and had gorgeous set peices, but this looks like someone tried to make Windwaker on a PS1! How awesome is that!? I mean, who needs the natural beauty of a place when shitty(oh did I just say that, I mean amazing) rendering can do that easily. Oh fuck it I can’t lie anymore. HELP HELP I’M IN A CHINESE PRISION BEING FORCED TO TALK UP CHINESE PRODUCTS!!11!! SOMEONE PLEASE SAVE ME! THEY TORUTURE US DAY AND NIGJFKAL;FJLKFAJLFKJDFSK.

I am so sorry, I am not knowing what I’m saying. China has always number 1 top best products. Down with Japanese horrible quailty!!

What the hell is wrong China these day? Why are they so hell-bent on ripping off anything Japan or any other country have? Don’t they have any form of originality? Are they really trying to make themselves look bad in front of the world?

… how the hell is this even ripping off …
If you are going around by logic, then Japan ripped off USA since USA pioneered the usage of large eyes in animation.
Don’t be so close minded. The usage of large eyes and deformed proportions doesn’t make everything a rip off of anime.
And orz… it’s a flash animation….

Most of the money was probably spent on rows and rows of top of the line computers with large monitors, huge internet bandwidths and blazing fast graphics cards. Unfortunately this caused the animators to load them up with pirated games which they played during working hours. This resulted in having little time and hard drive space for complex animations.

Nah, I’m kidding. Most of the time spent on those computers was to troll the internet on anti-Chinese sites.

Why do they even go through the trouble? When you reach that level, the consumer won’t be more dissatisfied if there’s just an empty disk in the box.
And what would it be like to actually work on that shit as an animator? It must be the most depressing experience on the planet.

Seems like normal animation studios in China are pretty shit, while stuff produced by a small team of amateur animators are considerably better.
In China, it seems that there’s a severe case of ‘commerce kills’.

Here’s a PV from the Seven Stones Studio, a small and independent studio of amateurs:

Despite it being still not up to highest standards, it is actually bearable and interesting to say the least:

it looks ok, I say remake it with the talents of people who know more what they are doing…and pay them well.
Hell create something good and try to use as less many as possible, look in the past how things with little to no funds made the largest impact to us.

This is the result of decades of plagiarism. They don’t really care much about the success of the project. They only care about money and this shitty quality show us how bad Chinese can perform. What next ?

In Japan, all animation is called anime regardless of it’s source. Disney, Pixar, Matt Groening shows, Seth McFarlane shows… All of it is anime to the Japanese. Even outside Japan, most western countries call animation or comics from China, Taiwan, and Hong Kong, Singapore, and Malaysia “manhua anime” or “manhua manga.”

And seeing as this is primarily the Chinese and Japanese perspectives from a site dedicated to Japanese culture (albeit a very small portion), you can blow it out your ass.

If you’re posting entirely in Japanese, Simpsons could be anime. Since in English, anime is a loanword specifically for animation from Japan, neither Simpsons nor Chinese animation would count as anime, but seemingly unlikely shows like Hello Kitty would.

It sucks even more when compared to that. Japanese animators in the early days of the industry were very enthusiastic about their work and it’s amazing what they did with the limited means and resources of that time.

Chinese animators (or workers in general) on the other hand are wage-slaves who do their job because they’re told to and because they will starve if they don’t. They simply don’t care for the products they make and that shows – not only in animation, but in almost ANYTHING coming from China. It’s all mass-produced junk with no heart and soul …

I’m glad somebody mentioned it! My Little Pony is a good example of some well-done flash animating. Wakfu is also so well-done, I had to do a double take when I read that it was made in Flash.

Keeping up with Newgrounds for many years, I’ve seen Flash animations come a very long way.

Ten years ago, this would have been considered a decent Flash animation. Maybe not amazing, but decent. Flash animations were laughable to professional animators compared to more traditional methods of animation. With time, more and more talented artists showed just how good Flash animations could be.

The Brackenwood series of animations from Bitey Castle are some especially fine examples of Flash animation. Adam Phillips has works from 2002-2011 up there, and you can see some noticeable improvement in that time. Even in 2002, the animation was very good, although it still appears to have a little bit of that “Flash animation feel” in the way some of the characters move. His later works, from 2005 onward, are incredibly smooth and fluid.

Nowadays, the best Flash animations are pretty much indistinguishable from animations created through other methods. They really have no excuse for a supposedly major animation with a $2 million budget to look like this, especially when animators are putting out much higher quality animations, in Flash, just for fun and for free.

Actually you have that incorrect Anon, the other anon was correct. Craig is indeed an animator, and he did indeed animate PPG.

Craig attended the California Institute of the Arts and majored in animation

http://www.youtube.com/watch?v=zdUgSKHN6TA
This is his very first animated short of the PPG by Craig himself – but they weren’t called the Power Puff Girls at first. At first he was going to call them the “Whoopass girls” but once he got a deal with Cartoon Network, of course the name had to change.

He also did work on and oversee the other two animated shows mentioned. A small search will turn up the two interviews he did about Samurai Jack and Foster’s.

I guess you can Google Dat, but you don’t need to. I spelled it out for you

Not yet, but if they print it on nitrate film and run it on a projection system with no safety equipment and it breaks or jams AND there’s nobody watching it with the proper fire extinguisher near by, it would burn quite vigorously.

I had a side job as a projectionist for about 6 years during and after high school. The one theater I worked at had some old nitrate film trailers stored upstairs and of course, the owner (a volunteer firefighter) and I decided to burn one for the hell of it out in the back alley.

We tried dousing the fire with water, an ABC fire extinguisher, and a specialty foam extinguisher. When nitrate film burns, it produces its own oxygen and fuel source so it kept right on burning regardless of what we did. Needless to say, after this experiment, we safely disposed of the remaining trailers.

Corrupt and crooked no matter where, but Chinese government’s hand in all this .. no doubt.
It seems those old Japanese anime of the 70s but with today’s technology, this quality with a production so costly is a shame ..

$2 million is actually pathetically low for an animated movie, hence the quality. Sleeping Beauty cost $6 million in 1959 dollars, which today would be about $47.5 million–the difference is staggering. And you can see that reflected in the end product.

LOLOLOLOLOLOL
Why are you comparing it with American cartoons.
Asian anime uses different production styles to cut costs (like using key frames). Disney films have astronomical costs compared to Japanese anime.
This shit (90minutes) costs more than 3 episodes of Fate/Zero, now that is a more reliable comparison

00:05
The quality, based on my previous company’s standard, would be max of 1.5 million yuan.

There’s like ten times the embezzlement with this company. They need an audit of this company. In fact, they need to audit the local government, if not to clear their name then at least to know how one of their local tax paying company can mess up that sort of budget and credit the government as a sponsor.

A more relatable example (for visitors of this site) could be Mononoke Hime, which had a budget of €25M / $30M.
On the other hand, there seems to be a feeling that they could have gotten this Flash animation style creation for a lot less. (Maybe taking Chinese wages into account?)
Whatever the case may be, there seems to be a really wide gap between the maximum sensible budget for low-quality animation and the minimum possible budget for a high-quality feature film.

I’m not sure what’s implied here by the ‘well paid’ comment, but seriously, that’s not a reason for animators to do poor quality if that’s what you mean. If anything, that means we’ll work harder in nearly every case.

This is the result of someone who is at the top of the food chain making horrendous decisions. It always is. If they have shitty animators, it’s their fault, if the production sucks, it’s their fault. They are the ones who can get the needed people with the level of skill they want, and have the responsibility to do so. I know I can’t comment for China, but since after the 90s, there are virtually no more creative companies that have grunts who don’t do their work.

For games companies in the early 90s and such though, there were stories of three-hour lunches and playing around a lot in the studio which delayed many titles. I won’t say that it’s always been the studio managements’ issue, but it most definitely mostly is now. There is no shortage of people like me who would sooner go sleepless nights than let shit hit the shelves.

I mostly agree, but there is definitely a distinction between employees who perform a task well and employees who seek out tasks to perform well. Most creative industries that treat their stock worse than comparative industries pretty much only consist of the latter type of employee, which then yes, production decisions are almost always the reason why shit happens.

This holds true with any creative industry, so while it may explain why this is an utter disaster (for a similar event, compare APB’s $110 million budget and its utter trainwreck of a development process), it doesn’t explain why it’s commonplace in China. That is largely because the industry is young – an analogue to that would be our current casual games industry. Despite the massive amounts of revenue found there, the industry pumps out incredible amounts of drivel. Those who cut corners undercut those who don’t, and those who don’t lack the expertise to add true value to their product.

That is the current state of the Chinese animation industry. This show is a symptom.

i don’t give a shit if it surpasses any japanese anime. is it funny? because if it is as funny as south park, then no problem seeing how south park >>>>>>>>>>> way better than most anime anyways. it’s been on air for 14 years.