Miscegenation in America started not in the thirteen original colonies but in Africa. English, French, Dutch and American slavetraders took black concubines on the Guinea coast and mated with females on the slave ships. It should be noted that many Africans and Europeans were themselves the products of thousands of years of mixing between various African, Asian and Caucasian peoples.

This essay is an expanded and revised version of a paper read at the 8th International Conference On the Short Story in English, organized by the Instituto Universitario de Investigación en Enstudios Norteamericanos, Alcalá de Henares (Spain), 28–31 October 2004.

This essay argues that while Langston Hughes‘s short story “Red-Headed Baby” (from The Ways of White Folks) may initially seem to depart from the Hughes repertoire (through its dizzying modernist style, for one), it ultimately endorses the author’s signature concerns of race, genre transgression and imaginative appropriation of alterity. I also seek to historicize Hughes’s text, inscribing it within a modernist practice, studies of which have traditionally promoted the Euro-American paradigm of a dehistoricized “modernist construction of authorship through displacement” (Cora Kaplan). Few writers of the first third of the twentieth century have undertaken travel—figurative and literal—as intensely as Hughes has. His work is anchored in representations of displacement and “Red-Headed Baby” is no exception, with its miscegenation motif and sailor protagonist. Hence my reading of Hughes’s short story will also draw on modes of inquiry that promote displacement as central to an understanding of cultural practice. I draw substantially on Paul Gilroy‘s black Atlantic model and formulations of diaspora—not least because his influential work barely mentions Hughes, that most diasporic of modernist writers. I will argue that travel was aesthetically enabling for Hughes, enhancing what elsewhere I have termed his poetics of reciprocity or mutuality. Finally, Duboisian double consciousness also contributes to my discussion, which proposes a dialogic relationship between The Souls of Black Folks and The Ways of White Folks.