Russian PresidentVladimir Putin showed off his skills on the piano on Sunday, playing classic Soviet tunes as he waited for a meeting with his Chinese counterpart Xi Jinping on the sidelines of the Belt and RoadForum in Beijing. His chosen numbers were “MoscowWindows”, a tune about friendship, and “City on the FreeNeva,” the unofficial anthem of St. Petersburg.
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Tribune

Tribunus, in English tribune, was the title of various elected officials in Ancient Rome. The two most important were the tribunes of the plebs and the military tribunes. For most of Roman history, a college of ten Tribunes of the Plebs acted as a check on the authority of the senate and the annual magistrates, holding the power of ius intercessionis to intervene on behalf of the plebeians, and veto unfavourable legislation. There were also military tribunes, who commanded portions of the Roman army, subordinate to the higher magistrates, such as the consuls and praetors, promagistrates, and their legates. Various officers within the Roman army were also known as tribunes. The title was also used for several other positions and classes in the course of Roman history.

Tribal Tribunes

The word "tribune" is derived from the Roman tribes. The three original tribes known as the Ramnes or Ramnenses, Tities or Titienses, and the Luceres, were each headed by a tribune, who represented each tribe in civil, religious, and military matters. Subsequently, each of the Servian tribes was also represented by a tribune.

Borussia Dortmund

Ballspielverein Borussia 09 e.V. Dortmund, commonly known as Borussia Dortmund[boˈʁʊsi̯a ˈdɔʁtmʊnt],Dortmund, or BVB, is a German sports club based in Dortmund, North Rhine-Westphalia. The football team is part of a large membership-based sports club with more than 115,000 members, making BVB the third largest sports club by membership in Germany. Dortmund plays in the Bundesliga, the top tier of the German football league system. Dortmund is one of the most successful clubs in German football history.

Since 1974, Dortmund have played their home games at Westfalenstadion. The stadium is the largest in Germany and Dortmund has the highest average attendance of any association football club in the world. Borussia Dortmund's colours are black and yellow, giving the club its nickname die Schwarzgelben. Dortmund holds a long-standing rivalry with Ruhr neighbours Schalke 04, known as the Revierderby. Dortmund also has a rivalry with Bayern Munich. In terms of Deloitte's annual Football Money League, Dortmund is the second biggest sports club in Germany and the 11th biggest football team in the world.

Putin surprises with impromptu piano performance in Beijing

Russian PresidentVladimir Putin showed off his skills on the piano on Sunday, playing classic Soviet tunes as he waited for a meeting with his Chinese counterpart Xi Jinping on the sidelines of the Belt and RoadForum in Beijing. His chosen numbers were “MoscowWindows”, a tune about friendship, and “City on the FreeNeva,” the unofficial anthem of St. Petersburg.
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Russian PresidentVladimir Putin showed off his skills on the piano on Sunday, playing classic Soviet tunes as he waited for a meeting with his Chinese counterpart Xi Jinping on the sidelines of the Belt and RoadForum in Beijing. His chosen numbers were “MoscowWindows”, a tune about friendship, and “City on the FreeNeva,” the unofficial anthem of St. Petersburg.
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Russian PresidentVladimir Putin showed off his skills on the piano on Sunday, playing classic Soviet tunes as he waited for a meeting with his Chinese counterpart Xi Jinping on the sidelines of the Belt and RoadForum in Beijing. His chosen numbers were “MoscowWindows”, a tune about friendship, and “City on the FreeNeva,” the unofficial anthem of St. Petersburg.
Subscribe to us on YouTube: https://goo.gl/lP12gA
Watch CGTN Live: https://www.youtube.com/watch?v=L2-Aq7f_BwE
Download our APP on Apple Store (iOS): https://itunes.apple.com/us/app/cctvnews-app/id922456579?l=zh&ls=1&mt=8
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WORLD WAR II RESTRICTED FILM GERMAN INDUSTRIAL MACHINE "BEHIND NAZI GUNS" 28824

While World War II raged across the globe, the U.S. TreasuryDepartment and the Office Of War Information, Bureau Of Motion Pictures, produced numerous short subjects such as these to patriotically inspire and motivate America to buy War Bonds, out-produce enemy workers and generally be prepared to sacrifice and pay the price that freedom would require.
One of these films is BEHIND NAZIGUNS, a U.S. Navy industrial incentive film narrated by the great journalist and writer William L. Shirer. The film was primarily shown to the workers of America's war plants. With captured enemy footage, the might and military achievements of German industry and the fanatic devotion of Nazi workers are vividly depicted. The film vividly shows the "duel" between German and American war workers. The German...

Höllensturm Offiziell Die Vernichtung Deutschlands YT edit

"All Jews world wide -- declared war on the Third Reich." (The LondonDaily Express, Front Page Story, 3/24/1933).
'Fourteen million Jews dispersed throughout the world have banded together as one man to declare war on the German persecutors ... to stand by the 600,000 Jews of Germany.'
"Judea declares War on Germany." (Daily Express, March 24, 1933)
"Each of you, Jew and Gentile alike, who has not already enlisted in this sacred war should do so now and here. It is not sufficient that you should buy no goods made in Germany. You must refuse to deal with any merchant or shopkeeper who sells any German-made goods or who patronises German ships or shipping.... we will undermine the Hitler regime and bring the German people to their senses by destroying their export trade on which their v...

published: 02 Jul 2016

Goethe Faust Teil 1

documenta 14 - learning from Athens | DW Documentary

documenta 14’s exhibit in Athens has opened its doors for its fourteenth season. Germany’s renowned modern art exhibition is running in two cities for the first time in its history: Athens and Kassel.
Learning from Athens is the tagline given by artistic director Adam Szymczyk to documenta 14. The modern art exhibition is one of the largest in the world and has been held in Kassel, Germany, since 1955. But this year, the exhibit is split between two cities in two different countries: it’s a controversial move.
Athens is currently struggling with economic problems and is also on the frontline of the refugee crisis. While curators and artists hope it will reinvigorate the Greek capital’s art scene, the plan’s detractors complain that it smacks of cultural imperialism.
One of the criti...

While World War II raged across the globe, the U.S. TreasuryDepartment and the Office Of War Information, Bureau Of Motion Pictures, produced numerous short subjects such as these to patriotically inspire and motivate America to buy War Bonds, out-produce enemy workers and generally be prepared to sacrifice and pay the price that freedom would require.
One of these films is BEHIND NAZIGUNS, a U.S. Navy industrial incentive film narrated by the great journalist and writer William L. Shirer. The film was primarily shown to the workers of America's war plants. With captured enemy footage, the might and military achievements of German industry and the fanatic devotion of Nazi workers are vividly depicted. The film vividly shows the "duel" between German and American war workers. The German war worker is shown hypnotized, listening to propaganda broadcasts on the radio. High tech German laboratories are shown, as well as industrial zones, factories, and munitions plants. The film includes wonderful and rare footage of Berlin at the 3:39 mark, prior to the heavy bombings and battles that would nearly flatten the city. The pre-war poverty is shown at the 4:00 mark, but the good times of the Weimar Republic are also shown at the 4:20 mark, as well as the fall of the Republic due to the appearance of the Brown shirt fascists at the 4:50 mark. The Nazi era is seen emerging as a war machine at the 7:30 mark, with the invasion of Poland and the Blitzkrieg, as well as U-boat attacks in the Atlantic (9;40 mark). At the 13:40 mark, slave labor is shown and prisoner labor as well. The ruined French Army's war munitions are shown being mobilized by the Germans for use against the Allies. At 14:30, Fortress Europe is shown with its huge guns and bunkers. At 16:40, a celebrated German ace is shown along with Hermann Goering, visiting a German war plant. Air raids are shown at the 17:20 mark with German workers scrambling to shelters, and German fighter aircraft scrambling to shoot down Allied bombers. The German retreat from Russia and the blast and destroy work is seen at the 18:30 mark, with railroads and factories demolished in their wake. German civilians are seen at the end of the film, still be exhorted by their leadership to produce more, and push harder, to win the war.
William Lawrence Shirer (February 23, 1904 – December 28, 1993) was an American journalist and war correspondent. He wrote The Rise and Fall of the Third Reich, a history of Nazi Germany that has been read by many and cited in scholarly works for more than 50 years. Originally a foreign correspondent for the Chicago Tribune and the International News Service, Shirer was the first reporter hired by Edward R. Murrow for what would become a CBS radio team of journalists known as "Murrow's Boys." He became known for his broadcasts from Berlin, from the rise of the Nazi dictatorship through the first year of World War II (1940). With Murrow, he organized the first broadcast world news roundup, a format still followed by news broadcasts.
Shirer wrote more than a dozen books beside The Rise and Fall of the Third Reich, including Berlin Diary (published in 1941); The Collapse of the Third Republic (1969), which drew on his experience living and working in France from 1925 to 1933; and a three-volume autobiography, Twentieth CenturyJourney (1976 to 1990). His brother was an analyst for the Securities and Exchange Commission and his niece, Jean Ingold, was an employee of the Bureau of Labor Statistics.
We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example like: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference."
This film is part of the PeriscopeFilmLLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com

While World War II raged across the globe, the U.S. TreasuryDepartment and the Office Of War Information, Bureau Of Motion Pictures, produced numerous short subjects such as these to patriotically inspire and motivate America to buy War Bonds, out-produce enemy workers and generally be prepared to sacrifice and pay the price that freedom would require.
One of these films is BEHIND NAZIGUNS, a U.S. Navy industrial incentive film narrated by the great journalist and writer William L. Shirer. The film was primarily shown to the workers of America's war plants. With captured enemy footage, the might and military achievements of German industry and the fanatic devotion of Nazi workers are vividly depicted. The film vividly shows the "duel" between German and American war workers. The German war worker is shown hypnotized, listening to propaganda broadcasts on the radio. High tech German laboratories are shown, as well as industrial zones, factories, and munitions plants. The film includes wonderful and rare footage of Berlin at the 3:39 mark, prior to the heavy bombings and battles that would nearly flatten the city. The pre-war poverty is shown at the 4:00 mark, but the good times of the Weimar Republic are also shown at the 4:20 mark, as well as the fall of the Republic due to the appearance of the Brown shirt fascists at the 4:50 mark. The Nazi era is seen emerging as a war machine at the 7:30 mark, with the invasion of Poland and the Blitzkrieg, as well as U-boat attacks in the Atlantic (9;40 mark). At the 13:40 mark, slave labor is shown and prisoner labor as well. The ruined French Army's war munitions are shown being mobilized by the Germans for use against the Allies. At 14:30, Fortress Europe is shown with its huge guns and bunkers. At 16:40, a celebrated German ace is shown along with Hermann Goering, visiting a German war plant. Air raids are shown at the 17:20 mark with German workers scrambling to shelters, and German fighter aircraft scrambling to shoot down Allied bombers. The German retreat from Russia and the blast and destroy work is seen at the 18:30 mark, with railroads and factories demolished in their wake. German civilians are seen at the end of the film, still be exhorted by their leadership to produce more, and push harder, to win the war.
William Lawrence Shirer (February 23, 1904 – December 28, 1993) was an American journalist and war correspondent. He wrote The Rise and Fall of the Third Reich, a history of Nazi Germany that has been read by many and cited in scholarly works for more than 50 years. Originally a foreign correspondent for the Chicago Tribune and the International News Service, Shirer was the first reporter hired by Edward R. Murrow for what would become a CBS radio team of journalists known as "Murrow's Boys." He became known for his broadcasts from Berlin, from the rise of the Nazi dictatorship through the first year of World War II (1940). With Murrow, he organized the first broadcast world news roundup, a format still followed by news broadcasts.
Shirer wrote more than a dozen books beside The Rise and Fall of the Third Reich, including Berlin Diary (published in 1941); The Collapse of the Third Republic (1969), which drew on his experience living and working in France from 1925 to 1933; and a three-volume autobiography, Twentieth CenturyJourney (1976 to 1990). His brother was an analyst for the Securities and Exchange Commission and his niece, Jean Ingold, was an employee of the Bureau of Labor Statistics.
We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example like: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference."
This film is part of the PeriscopeFilmLLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com

"All Jews world wide -- declared war on the Third Reich." (The LondonDaily Express, Front Page Story, 3/24/1933).
'Fourteen million Jews dispersed throughout the world have banded together as one man to declare war on the German persecutors ... to stand by the 600,000 Jews of Germany.'
"Judea declares War on Germany." (Daily Express, March 24, 1933)
"Each of you, Jew and Gentile alike, who has not already enlisted in this sacred war should do so now and here. It is not sufficient that you should buy no goods made in Germany. You must refuse to deal with any merchant or shopkeeper who sells any German-made goods or who patronises German ships or shipping.... we will undermine the Hitler regime and bring the German people to their senses by destroying their export trade on which their very existence depends." - Samuel Undermeyer, in a Radio Broadcaston WABC, New York August 6, 1933, (reported in the New York Times, August 7, 1933)
"We Jews are going to bring a war on Germany." - David A. Brown, National Chairman, UnitedJewishCampaign, 1934 (quoted in I TestifyAgainstThe Jews by Robert Edward Edmondson, page 188 and The Jewish War of Survival by Arnold Leese, page 52)
"Hitler doesn´t want war but he will be forced to it, and in fact soon. England has the final say like in 1914." -- Zionist Emil Ludwig Cohn "Annalen"1934
"Hitler will have no war (does not want war), but we will force it on him, not this year, but soon." - The Jewish Emil Ludwig Cohn in Les Annales, June, 1934 (also quoted in his book "The NewHoly Alliance"). "We Jews are going to bring a war on Germany." - David A. Brown, National Chairman, United Jewish Campaign, 1934
"Our Jewish interests demand the final destruction of Germany." - W. Jabotinski, founder of "Irgun Zwai Leumi" (January 1934)
"The fight against Germany has now been waged for months by every Jewish community, on every conference, in all labor unions and by every single Jew in the world. There are reasons for the assumption that our share in this fight is of general importance. We shall start a spiritual and material war of the whole world against Germany. Germany is striving to become once again a great nation, and to recover her lost territories as well as her colonies. But our Jewish interests call for the complete destruction of Germany..." (Valadimir Jabotinsky, in Mascha Rjetsch, January, 1934)
"There is only one power which really counts. The power of political pressure. We Jews are the most powerful people on earth, because we have this power, and we know how to apply it." - Vladimir Jabotinsky in Jewish Daily Bulletin (July 27, 1935)
"Germany is the enemy of Judaism and must be pursued with deadly hatred. The goal of Judaism of today is: the complete destruction of the nation. We demand a complete blockade of trade, the importation of raw materials stopped, and retaliation towards every German, woman and child."-(Jewish professor A. Kulischer, Oct, 1937.)
"It is our cause to organize the moral and cultural blockade of Germany and to split this nation into four pieces. I t is our cause to finally get our war without mercy." Zionist Bernard-Lecache Lifschitz December the 18th , 1938 in his newspaper "Le droit de vivre"
"Before the end of the year, an economic bloc of England, Russia, France and the U.S.A will be formed to bring the German and Italian economic systems to their knees." - PaulDreyfus, La Vie de Tanger (May 15, 1938)
"On the 3rd of June, 1938, the AmericanHebrew boasted that they had Jews in the foremost positions of influence in Britain, Russia and France, and that these "three sons of Israel will be sending the Nazi dictator to hell." - Joseph Trimble, The American Hebrew.
"Germany is our public enemy number one. It is our object to declare war without mercy against her. One may be sure of this: We will lead that war!" - Bernard Lecache, the president of the "International League Against Racism and Anti-Semitism," in its newspaper Droit de Vivre (Right to Life) (9 November, 1938
"The war now proposed is for the purpose of establishing Jewish hegemony throughout the world." - Brigadier GeneralGeorge Van Horn Mosely, The New York Tribune (March 29, 1939)
"The millions of Jews who live in America, England and France, North and SouthAfrica, and, not to forget those in Palestine, are determined to bring the war of annihilation against Germany to its final end." (The Jewish newspaper, Central Blad Voor Israeliten in Nederland, September 13, 1939)
"When the National Socialists and their friends cry or whisper that this [the war] is brought about by Jews, they are perfectly right." - The Jewish magazine Sentinel of Chicago (8 October 1940)
"Even if we Jews are not physically at your side in the trenches, we are morally with you. This war is our war and you fight it with us." -- Schalom Asch, Les Nouvelles Litteraires (February 10, 1940)

"All Jews world wide -- declared war on the Third Reich." (The LondonDaily Express, Front Page Story, 3/24/1933).
'Fourteen million Jews dispersed throughout the world have banded together as one man to declare war on the German persecutors ... to stand by the 600,000 Jews of Germany.'
"Judea declares War on Germany." (Daily Express, March 24, 1933)
"Each of you, Jew and Gentile alike, who has not already enlisted in this sacred war should do so now and here. It is not sufficient that you should buy no goods made in Germany. You must refuse to deal with any merchant or shopkeeper who sells any German-made goods or who patronises German ships or shipping.... we will undermine the Hitler regime and bring the German people to their senses by destroying their export trade on which their very existence depends." - Samuel Undermeyer, in a Radio Broadcaston WABC, New York August 6, 1933, (reported in the New York Times, August 7, 1933)
"We Jews are going to bring a war on Germany." - David A. Brown, National Chairman, UnitedJewishCampaign, 1934 (quoted in I TestifyAgainstThe Jews by Robert Edward Edmondson, page 188 and The Jewish War of Survival by Arnold Leese, page 52)
"Hitler doesn´t want war but he will be forced to it, and in fact soon. England has the final say like in 1914." -- Zionist Emil Ludwig Cohn "Annalen"1934
"Hitler will have no war (does not want war), but we will force it on him, not this year, but soon." - The Jewish Emil Ludwig Cohn in Les Annales, June, 1934 (also quoted in his book "The NewHoly Alliance"). "We Jews are going to bring a war on Germany." - David A. Brown, National Chairman, United Jewish Campaign, 1934
"Our Jewish interests demand the final destruction of Germany." - W. Jabotinski, founder of "Irgun Zwai Leumi" (January 1934)
"The fight against Germany has now been waged for months by every Jewish community, on every conference, in all labor unions and by every single Jew in the world. There are reasons for the assumption that our share in this fight is of general importance. We shall start a spiritual and material war of the whole world against Germany. Germany is striving to become once again a great nation, and to recover her lost territories as well as her colonies. But our Jewish interests call for the complete destruction of Germany..." (Valadimir Jabotinsky, in Mascha Rjetsch, January, 1934)
"There is only one power which really counts. The power of political pressure. We Jews are the most powerful people on earth, because we have this power, and we know how to apply it." - Vladimir Jabotinsky in Jewish Daily Bulletin (July 27, 1935)
"Germany is the enemy of Judaism and must be pursued with deadly hatred. The goal of Judaism of today is: the complete destruction of the nation. We demand a complete blockade of trade, the importation of raw materials stopped, and retaliation towards every German, woman and child."-(Jewish professor A. Kulischer, Oct, 1937.)
"It is our cause to organize the moral and cultural blockade of Germany and to split this nation into four pieces. I t is our cause to finally get our war without mercy." Zionist Bernard-Lecache Lifschitz December the 18th , 1938 in his newspaper "Le droit de vivre"
"Before the end of the year, an economic bloc of England, Russia, France and the U.S.A will be formed to bring the German and Italian economic systems to their knees." - PaulDreyfus, La Vie de Tanger (May 15, 1938)
"On the 3rd of June, 1938, the AmericanHebrew boasted that they had Jews in the foremost positions of influence in Britain, Russia and France, and that these "three sons of Israel will be sending the Nazi dictator to hell." - Joseph Trimble, The American Hebrew.
"Germany is our public enemy number one. It is our object to declare war without mercy against her. One may be sure of this: We will lead that war!" - Bernard Lecache, the president of the "International League Against Racism and Anti-Semitism," in its newspaper Droit de Vivre (Right to Life) (9 November, 1938
"The war now proposed is for the purpose of establishing Jewish hegemony throughout the world." - Brigadier GeneralGeorge Van Horn Mosely, The New York Tribune (March 29, 1939)
"The millions of Jews who live in America, England and France, North and SouthAfrica, and, not to forget those in Palestine, are determined to bring the war of annihilation against Germany to its final end." (The Jewish newspaper, Central Blad Voor Israeliten in Nederland, September 13, 1939)
"When the National Socialists and their friends cry or whisper that this [the war] is brought about by Jews, they are perfectly right." - The Jewish magazine Sentinel of Chicago (8 October 1940)
"Even if we Jews are not physically at your side in the trenches, we are morally with you. This war is our war and you fight it with us." -- Schalom Asch, Les Nouvelles Litteraires (February 10, 1940)

documenta 14 - learning from Athens | DW Documentary

documenta 14’s exhibit in Athens has opened its doors for its fourteenth season. Germany’s renowned modern art exhibition is running in two cities for the first...

documenta 14’s exhibit in Athens has opened its doors for its fourteenth season. Germany’s renowned modern art exhibition is running in two cities for the first time in its history: Athens and Kassel.
Learning from Athens is the tagline given by artistic director Adam Szymczyk to documenta 14. The modern art exhibition is one of the largest in the world and has been held in Kassel, Germany, since 1955. But this year, the exhibit is split between two cities in two different countries: it’s a controversial move.
Athens is currently struggling with economic problems and is also on the frontline of the refugee crisis. While curators and artists hope it will reinvigorate the Greek capital’s art scene, the plan’s detractors complain that it smacks of cultural imperialism.
One of the critics, former Greek finance minister Yanis Varoufakis, called it ‘a gimmick’ to exploit the tragedy in Greece. Will the troubled city end up little more than a striking backdrop for the international art élite? What can wealthy northern Europe really learn from a city that’s struggling to stay afloat?
What happens when the event is over? And what purpose does art serve in times of crisis? A look behind the scenes of documenta 14, which kicks off in the Greek capital on April 8 and moves on to Kassel in June.
Find out more about documenta 14 in our web special: http://www.dw.com/english/documenta14
_______
Exciting, powerful and informative – DW Documentary is always close to current affairs and international events. Our eclectic mix of award-winning films and reports take you straight to the heart of the story. Dive into different cultures, journey across distant lands, and discover the inner workings of modern-day life. Subscribe and explore the world around you – every day, one DW Documentary at a time.
Subscribe to DW Documentary:
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documenta 14’s exhibit in Athens has opened its doors for its fourteenth season. Germany’s renowned modern art exhibition is running in two cities for the first time in its history: Athens and Kassel.
Learning from Athens is the tagline given by artistic director Adam Szymczyk to documenta 14. The modern art exhibition is one of the largest in the world and has been held in Kassel, Germany, since 1955. But this year, the exhibit is split between two cities in two different countries: it’s a controversial move.
Athens is currently struggling with economic problems and is also on the frontline of the refugee crisis. While curators and artists hope it will reinvigorate the Greek capital’s art scene, the plan’s detractors complain that it smacks of cultural imperialism.
One of the critics, former Greek finance minister Yanis Varoufakis, called it ‘a gimmick’ to exploit the tragedy in Greece. Will the troubled city end up little more than a striking backdrop for the international art élite? What can wealthy northern Europe really learn from a city that’s struggling to stay afloat?
What happens when the event is over? And what purpose does art serve in times of crisis? A look behind the scenes of documenta 14, which kicks off in the Greek capital on April 8 and moves on to Kassel in June.
Find out more about documenta 14 in our web special: http://www.dw.com/english/documenta14
_______
Exciting, powerful and informative – DW Documentary is always close to current affairs and international events. Our eclectic mix of award-winning films and reports take you straight to the heart of the story. Dive into different cultures, journey across distant lands, and discover the inner workings of modern-day life. Subscribe and explore the world around you – every day, one DW Documentary at a time.
Subscribe to DW Documentary:
https://www.youtube.com/channel/UCW39zufHfsuGgpLviKh297Q?sub_confirmation=1#
For more information visit:
https://www.dw.com/documentaries
Instagram:
https://www.instagram.com/dwdocumentary/
Facebook:
https://www.facebook.com/dw.stories

Putin surprises with impromptu piano performance in Beijing

Russian PresidentVladimir Putin showed off his skills on the piano on Sunday, playing classic Soviet tunes as he waited for a meeting with his Chinese counterpart Xi Jinping on the sidelines of the Belt and RoadForum in Beijing. His chosen numbers were “MoscowWindows”, a tune about friendship, and “City on the FreeNeva,” the unofficial anthem of St. Petersburg.
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Watch CGTN Live: https://www.youtube.com/watch?v=L2-Aq7f_BwE
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WORLD WAR II RESTRICTED FILM GERMAN INDUSTRIAL MACHINE "BEHIND NAZI GUNS" 28824

While World War II raged across the globe, the U.S. TreasuryDepartment and the Office Of War Information, Bureau Of Motion Pictures, produced numerous short subjects such as these to patriotically inspire and motivate America to buy War Bonds, out-produce enemy workers and generally be prepared to sacrifice and pay the price that freedom would require.
One of these films is BEHIND NAZIGUNS, a U.S. Navy industrial incentive film narrated by the great journalist and writer William L. Shirer. The film was primarily shown to the workers of America's war plants. With captured enemy footage, the might and military achievements of German industry and the fanatic devotion of Nazi workers are vividly depicted. The film vividly shows the "duel" between German and American war workers. The German war worker is shown hypnotized, listening to propaganda broadcasts on the radio. High tech German laboratories are shown, as well as industrial zones, factories, and munitions plants. The film includes wonderful and rare footage of Berlin at the 3:39 mark, prior to the heavy bombings and battles that would nearly flatten the city. The pre-war poverty is shown at the 4:00 mark, but the good times of the Weimar Republic are also shown at the 4:20 mark, as well as the fall of the Republic due to the appearance of the Brown shirt fascists at the 4:50 mark. The Nazi era is seen emerging as a war machine at the 7:30 mark, with the invasion of Poland and the Blitzkrieg, as well as U-boat attacks in the Atlantic (9;40 mark). At the 13:40 mark, slave labor is shown and prisoner labor as well. The ruined French Army's war munitions are shown being mobilized by the Germans for use against the Allies. At 14:30, Fortress Europe is shown with its huge guns and bunkers. At 16:40, a celebrated German ace is shown along with Hermann Goering, visiting a German war plant. Air raids are shown at the 17:20 mark with German workers scrambling to shelters, and German fighter aircraft scrambling to shoot down Allied bombers. The German retreat from Russia and the blast and destroy work is seen at the 18:30 mark, with railroads and factories demolished in their wake. German civilians are seen at the end of the film, still be exhorted by their leadership to produce more, and push harder, to win the war.
William Lawrence Shirer (February 23, 1904 – December 28, 1993) was an American journalist and war correspondent. He wrote The Rise and Fall of the Third Reich, a history of Nazi Germany that has been read by many and cited in scholarly works for more than 50 years. Originally a foreign correspondent for the Chicago Tribune and the International News Service, Shirer was the first reporter hired by Edward R. Murrow for what would become a CBS radio team of journalists known as "Murrow's Boys." He became known for his broadcasts from Berlin, from the rise of the Nazi dictatorship through the first year of World War II (1940). With Murrow, he organized the first broadcast world news roundup, a format still followed by news broadcasts.
Shirer wrote more than a dozen books beside The Rise and Fall of the Third Reich, including Berlin Diary (published in 1941); The Collapse of the Third Republic (1969), which drew on his experience living and working in France from 1925 to 1933; and a three-volume autobiography, Twentieth CenturyJourney (1976 to 1990). His brother was an analyst for the Securities and Exchange Commission and his niece, Jean Ingold, was an employee of the Bureau of Labor Statistics.
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This film is part of the PeriscopeFilmLLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com

Höllensturm Offiziell Die Vernichtung Deutschlands YT edit

"All Jews world wide -- declared war on the Third Reich." (The LondonDaily Express, Front Page Story, 3/24/1933).
'Fourteen million Jews dispersed throughout the world have banded together as one man to declare war on the German persecutors ... to stand by the 600,000 Jews of Germany.'
"Judea declares War on Germany." (Daily Express, March 24, 1933)
"Each of you, Jew and Gentile alike, who has not already enlisted in this sacred war should do so now and here. It is not sufficient that you should buy no goods made in Germany. You must refuse to deal with any merchant or shopkeeper who sells any German-made goods or who patronises German ships or shipping.... we will undermine the Hitler regime and bring the German people to their senses by destroying their export trade on which their very existence depends." - Samuel Undermeyer, in a Radio Broadcaston WABC, New York August 6, 1933, (reported in the New York Times, August 7, 1933)
"We Jews are going to bring a war on Germany." - David A. Brown, National Chairman, UnitedJewishCampaign, 1934 (quoted in I TestifyAgainstThe Jews by Robert Edward Edmondson, page 188 and The Jewish War of Survival by Arnold Leese, page 52)
"Hitler doesn´t want war but he will be forced to it, and in fact soon. England has the final say like in 1914." -- Zionist Emil Ludwig Cohn "Annalen"1934
"Hitler will have no war (does not want war), but we will force it on him, not this year, but soon." - The Jewish Emil Ludwig Cohn in Les Annales, June, 1934 (also quoted in his book "The NewHoly Alliance"). "We Jews are going to bring a war on Germany." - David A. Brown, National Chairman, United Jewish Campaign, 1934
"Our Jewish interests demand the final destruction of Germany." - W. Jabotinski, founder of "Irgun Zwai Leumi" (January 1934)
"The fight against Germany has now been waged for months by every Jewish community, on every conference, in all labor unions and by every single Jew in the world. There are reasons for the assumption that our share in this fight is of general importance. We shall start a spiritual and material war of the whole world against Germany. Germany is striving to become once again a great nation, and to recover her lost territories as well as her colonies. But our Jewish interests call for the complete destruction of Germany..." (Valadimir Jabotinsky, in Mascha Rjetsch, January, 1934)
"There is only one power which really counts. The power of political pressure. We Jews are the most powerful people on earth, because we have this power, and we know how to apply it." - Vladimir Jabotinsky in Jewish Daily Bulletin (July 27, 1935)
"Germany is the enemy of Judaism and must be pursued with deadly hatred. The goal of Judaism of today is: the complete destruction of the nation. We demand a complete blockade of trade, the importation of raw materials stopped, and retaliation towards every German, woman and child."-(Jewish professor A. Kulischer, Oct, 1937.)
"It is our cause to organize the moral and cultural blockade of Germany and to split this nation into four pieces. I t is our cause to finally get our war without mercy." Zionist Bernard-Lecache Lifschitz December the 18th , 1938 in his newspaper "Le droit de vivre"
"Before the end of the year, an economic bloc of England, Russia, France and the U.S.A will be formed to bring the German and Italian economic systems to their knees." - PaulDreyfus, La Vie de Tanger (May 15, 1938)
"On the 3rd of June, 1938, the AmericanHebrew boasted that they had Jews in the foremost positions of influence in Britain, Russia and France, and that these "three sons of Israel will be sending the Nazi dictator to hell." - Joseph Trimble, The American Hebrew.
"Germany is our public enemy number one. It is our object to declare war without mercy against her. One may be sure of this: We will lead that war!" - Bernard Lecache, the president of the "International League Against Racism and Anti-Semitism," in its newspaper Droit de Vivre (Right to Life) (9 November, 1938
"The war now proposed is for the purpose of establishing Jewish hegemony throughout the world." - Brigadier GeneralGeorge Van Horn Mosely, The New York Tribune (March 29, 1939)
"The millions of Jews who live in America, England and France, North and SouthAfrica, and, not to forget those in Palestine, are determined to bring the war of annihilation against Germany to its final end." (The Jewish newspaper, Central Blad Voor Israeliten in Nederland, September 13, 1939)
"When the National Socialists and their friends cry or whisper that this [the war] is brought about by Jews, they are perfectly right." - The Jewish magazine Sentinel of Chicago (8 October 1940)
"Even if we Jews are not physically at your side in the trenches, we are morally with you. This war is our war and you fight it with us." -- Schalom Asch, Les Nouvelles Litteraires (February 10, 1940)

documenta 14 - learning from Athens | DW Documentary

documenta 14’s exhibit in Athens has opened its doors for its fourteenth season. Germany’s renowned modern art exhibition is running in two cities for the first time in its history: Athens and Kassel.
Learning from Athens is the tagline given by artistic director Adam Szymczyk to documenta 14. The modern art exhibition is one of the largest in the world and has been held in Kassel, Germany, since 1955. But this year, the exhibit is split between two cities in two different countries: it’s a controversial move.
Athens is currently struggling with economic problems and is also on the frontline of the refugee crisis. While curators and artists hope it will reinvigorate the Greek capital’s art scene, the plan’s detractors complain that it smacks of cultural imperialism.
One of the critics, former Greek finance minister Yanis Varoufakis, called it ‘a gimmick’ to exploit the tragedy in Greece. Will the troubled city end up little more than a striking backdrop for the international art élite? What can wealthy northern Europe really learn from a city that’s struggling to stay afloat?
What happens when the event is over? And what purpose does art serve in times of crisis? A look behind the scenes of documenta 14, which kicks off in the Greek capital on April 8 and moves on to Kassel in June.
Find out more about documenta 14 in our web special: http://www.dw.com/english/documenta14
_______
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