This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interv...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by pr...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video A...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.

The overall goal of the Video Archives Program is to create an original "manuscript" of Bal...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded

2015

Field of Study

Dance

Content Type

Masterclass, Interview

Performer / Ensemble

New York City Ballet, Jean-Pierre Bonnefoux, 1943-, Violette Verdy, 1933-2016

This supplemented version of Volume I of Dancetime! dances through four centuries of Western social dance history, combines the video work with the source text describing the dancing itself. Authentic recreations of the dances teach the viewer about socializing and romance in past times. Explore the revelry of the...

This supplemented version of Volume I of Dancetime! dances through four centuries of Western social dance history, combines the video work with the source text describing the dancing itself. Authentic recreations of the dances teach the viewer about socializing and romance in past times. Explore the revelry of the Renaissance, the elegance of the Baroque style, and the charm of Regency Country Dances.Watch as the Regency era's scandalous Waltz gr...This supplemented version of Volume I of Dancetime! dances through four centuries of Western social dance history, combines the video work with the source text describing the dancing itself. Authentic recreations of the dances teach the viewer about socializing and romance in past times. Explore the revelry of the Renaissance, the elegance of the Baroque style, and the charm of Regency Country Dances.Watch as the Regency era's scandalous Waltz grew into the exuberant, swirling dances of the Romantic era, and were later refined into codified and precise Victorian couple dances. Volume I showcases a compelling, entertaining, and illuminating recreation of 400 years of dance. In period costumes, the talented dancers introduce historical context with short songs and swirl through tales of romance both regal and provincial. Observe the fascinating evolution of social dance as steps are recreated. Dancetime Volume I surveys the course of Western dance history, imparting the viewer with wide-ranging information and impressions of social dance throughout the times. Explore how many social dance styles migrated from Europe to America, such as Italian Renaissance formalism, French Baroque classicism, and 19th century Romanticism. Dancetime! 500 Years of Social Dance, Volume I captures a performance by Carol Téten's Dance Through Time company and their survey of 15th-19th century dances.
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This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Balle...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Ballet Imperial. Also Anna Kisselgoff interviews Merrill Ashley.

The overall goal of the Video Archives Program is to create an original "m...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Ballet Imperial. Also Anna Kisselgoff interviews Merrill Ashley.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto,...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto, renamed in 1973 Stravinsky Violin Concerto. Also Charles Joseph interviews Kay Mazzo and Peter Martins.

The overall goal of the Video...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto, renamed in 1973 Stravinsky Violin Concerto. Also Charles Joseph interviews Kay Mazzo and Peter Martins.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

RELIEF IS ON ITS WAY! When you feel stiff and sore, your muscles are asking for help. They want to be touched and massaged. You may not be able to see a massage therapist when you need to, so it’s a good idea to know to make yourself feel better at home. Here are 13 different self-massage techniques using 15 dif...

RELIEF IS ON ITS WAY! When you feel stiff and sore, your muscles are asking for help. They want to be touched and massaged. You may not be able to see a massage therapist when you need to, so it’s a good idea to know to make yourself feel better at home. Here are 13 different self-massage techniques using 15 different tools which you can apply whenever needed. Learn how you can massage and loosen the tight muscles that restrict movement and lim...RELIEF IS ON ITS WAY! When you feel stiff and sore, your muscles are asking for help. They want to be touched and massaged. You may not be able to see a massage therapist when you need to, so it’s a good idea to know to make yourself feel better at home. Here are 13 different self-massage techniques using 15 different tools which you can apply whenever needed. Learn how you can massage and loosen the tight muscles that restrict movement and limit your activities. This video will show you how to get rid of those muscular roadblocks that pinch and pull, bother you during the day, and keep you awake at night. SO, LET THE RELIEF BEGIN!
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Billy Elliot meets First Position in Ballet Boys, a documentary that follows, over four years, the struggles, set-backs and accomplishments of three friends and hopeful future dance stars: Lukas, Syvert, and Torgeir. The boys sacrifice a normal high school experience (including parties and dating) for the sake of...

Billy Elliot meets First Position in Ballet Boys, a documentary that follows, over four years, the struggles, set-backs and accomplishments of three friends and hopeful future dance stars: Lukas, Syvert, and Torgeir. The boys sacrifice a normal high school experience (including parties and dating) for the sake of ambition and a love of dance. Facing pressure from their parents, school teachers and ballet mentors, they prepare for potentially life...Billy Elliot meets First Position in Ballet Boys, a documentary that follows, over four years, the struggles, set-backs and accomplishments of three friends and hopeful future dance stars: Lukas, Syvert, and Torgeir. The boys sacrifice a normal high school experience (including parties and dating) for the sake of ambition and a love of dance. Facing pressure from their parents, school teachers and ballet mentors, they prepare for potentially life-altering and career-making auditions at some of Europe's most prestigious ballet schools.
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You will benefit most from this video if you have first studied and learned the fundamentals of ballet technique taught by Finis Jhung in Ballet Barre for the Adult Absolute Beginner. That video prepares you mentally and physically for this video, which is designed to be the second level of our new "red" series of...

You will benefit most from this video if you have first studied and learned the fundamentals of ballet technique taught by Finis Jhung in Ballet Barre for the Adult Absolute Beginner. That video prepares you mentally and physically for this video, which is designed to be the second level of our new "red" series of instructional videos for adult beginners. This class repeatedly reminds you to correctly align your supporting side from the shoulder...You will benefit most from this video if you have first studied and learned the fundamentals of ballet technique taught by Finis Jhung in Ballet Barre for the Adult Absolute Beginner. That video prepares you mentally and physically for this video, which is designed to be the second level of our new "red" series of instructional videos for adult beginners. This class repeatedly reminds you to correctly align your supporting side from the shoulder to the toe so that you are always "on your leg" and ready to move. In addition, the exercises have been created with special emphasis on the importance of learning the correct way to plié-relevé so that you arrive on balance quickly with elegant ease. The difference in your dancing will be apparent to all, and you will be ready for the third level video in the "red" series, Ballet Barre Stretch & Strength.
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