Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Heyn, 1509 Douglas Street, Omaha, Nebraska

THE SITTER(s):

Name(s): H. C. Bartelt and Unknown men

Description: Cabinet card of H. C. Bartelt and two unidentified men. The card is dark and has beveled edges. Both these facts suggest the photo was taken between 1884-1895, as do the massive amount of studio props. Bartelt is sitting in a fringed chair while the two men stand on either side of him.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Heyn’s Portrait Photograph of H.C. Bartelt, c. 1884-1895

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Heyn, 1509 Douglas Street, Omaha, Nebraska

THE SITTER(s):

Name(s): H.C. Bartelt

Description: Cabinet card of H. C. Bartelt. The card is dark and has beveled edges. This suggests the photo was taken between 1884-1895. Bartelt's hair is slicked and combed, and his moustache is neatly groomed.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Horace E. Hunt

THE SITTER(s):

Name(s): Mabel Black Putnam

Description: Cabinet card of Mabel Black Putnam. Putnam has short curly bangs and the rest of her hair is pulled back. She is wearing a dress with big sleeves, characteristic of the late 1890's. There is pleating along the chest, ruffles around the sleeves, and a high collar. The photographer’s embossed signature, and Putnam's dress date the photo to the late 1890's.

Biographical Note: Mother of Rutherford Putnam, the husband of Petaluma mayor Helen Putnam. It seems Mabel B. Putnam was the namesake for Rutherford and Helen's daughter.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

N.R. Davidson’sPortrait Photograph of William Burnes, c. 1862-1864

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: N.R. Davidson

Studio Location: 219 Fourth Street, Santa Rosa, California

THE SITTER(s):

Name(s): William Burnes

Description: Unique format carte de visite of William Burnes' bust. Burnes is wearing a three-piece suit with a tie. His hair is combed and parted. Possible relation to Peter Burnes, though the extent is unknown. Photographer is N.R. Davidson of 219 Fourth Street, Santa Rosa, Ca.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

J.W. Baker, Portrait Photograph of John H. Davis, May 1898

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

THE SITTER(s):

Name(s): John H. Davis

Description: 20th century cabinet card of John H. Davis. Davis is wearing a suit with a striped tie. The back reads, John H. Davis, May 1898. Davis Ln. Penngrove, Father of Ed Davis. Bernadette Davis was a niece.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Description: Boudoir card of Charlotte Edwards Denman's wedding portrait. Denman is standing with her hands, gloved, and folded in front of her. She is wearing a corseted, bustled dress of silk. The skirt has a flower design, while the top has beaded tassels around the sleeves, and chest. Her veil hangs down her back and out of shot. She is standing in front of a painted studio backdrop. Boudoir cards are a type of cabinet card, though larger in size.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

THE SITTER(s):

Name(s): Frank Denman

Description: Boudoir card of Frank Denman. The sepia tone of the photo suggests it was processed with albumen. Denman is wearing a suit with a striped tie, pinned at the base. His hair is combed and parted, and his moustache is neatly groomed. Married Charlotte Edwards Denman in 1885.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Taber

Studio Location: 8 Montgomery St., San Francisco, California

THE SITTER(s):

Name(s): Isabell Grigsby St. John Denman

Description: Boudoir card of Isabelle Grigsby St. John Denman. Denman's hair is parted down the middle, slightly waved, and pulled back. She has on a black dress with an elaborate black lace collar. Pinned at her neck appears to be an ivory brooch of a girl's silhouette, with matching earrings. Denman's fashion, as well as the size of the card, suggest the photo was taken in the 1890s.

Biographical Note: She is the mother of AnnaBellle St. John Whitney who married Arthur Whitney, son of Senator Albion P. Whitney and Susan Eastman. It is unclear to which Denman Isabelle was married.

Description, Reverse:“Mrs. C. Denman. Isabell Grigsby St. John Denman. Mother of AnnaBell St. John Whitney”

Date: c. 1890-1899

Condition:(note tears, foxing, fading)

Owner:Petaluma Historical Library & Museum,1992-IDI-03

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

THE SITTER(s):

Name(s): Isabelle Grigsby St. John Denman

Description: Cabinet card of Isabelle St. John Denman. Denman wears a corseted dress with buttons going down the bodice, and a chain hanging around her neck. She has a high collar, with a brooch pinned at the base of her neck. There are three rows of tassels along the skirt. Her hair is braided into a crown. She is sitting in front a studio scene of branches and leaves.

Biographical Note: Isabelle Grigsby St. John Denman is the second wife of Ezekial Denman, married August 5th 1877. Their daughter AnnaBelle St. John Whitney married Arthur Whitney, the son of Senator Albion P. Whitney and Susan Eastman.

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: J.H. Peters

Studio Location: 914 Market St., Petaluma, California.

THE SITTER(s):

Name(s): Frank and Letitia Doss

Description: Cabinet card with gold beveled edges and foil stamped text of Frank and Letitia Doss. Frank is standing next to Letitia, holding her arm, and wearing a suit with a chain at his vest. Letitia is wearing a corseted, bustled dress with a flower appliqué along her collarbone. She has short curly bangs, characteristic of the late 1880's/early 1890's. Frank and Letitia appear to be the parents of Floyd E. Doss

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: J.H. Peters

Studio Location: 914 Market St., Petaluma, California

THE SITTER(s):

Name(s): Frank and Letitia Doss

Description: Cabinet card with gold beveled edges and foil stamped text of Frank and Letitia Doss. Frank is standing next to Letitia, holding her arm, and wearing a suit with a chain at his vest. Letitia is wearing a corseted, bustled dress with a flower appliqué along her collarbone. She has short curly bangs, characteristic of the late 1880's/early 1890's. Frank and Letitia appear to be the parents of Floyd E. Doss

Reproduction rights:The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.