This is the complete member’s area of Ben Sword’s Music Marketing Classroom. This includes the “Music Marketing Classroom Classic” course, his new “Musician Apocalypse Survivor” course, and all bonuses and expert interviews.

Today’s the day I pull back the curtain on something I’ve
been working on like crazy for you … in fact it’s taken
6 MONTHS to get here and probably around 1460 hours
in-front of the iMac.

The mission is to work with a hand-picked
intimate group of talented people, and not stop
until each and every one is making at least $100
per day PROFIT from our push button tactics and tools.

(If you’re already making that then you’ll be
able to use this stuff to systematically DOUBLE
or TRIPLE your income)

To be honest it won’t actually be hard at all because
we’ve really got this stuff nailed down now, you
simply need to spend a few minutes copying it.

Your new income will come not through tricks or anything
dodgy, but as a by-product of amazing music and a
smart and straightforward marketing process.

YES! You Have To Qualify For This One…

The thing is my brain can’t focus on too many people
at a time, so right off the bat I want to lay out the criteria…

Is this you?
You have $397 to invest in your music and are prepared to wait a month or so to make a profit on it.
You can find ten minutes 3 times a week to follow easy steps.
You must have at least one AWESOME piece of music.
You are proactive and follow-through on simple clear instructions.
If you meet the criteria please continue below to learn more…

I chose the Hollywood sounding name because you’ll finally be
content and setup for a lifetime in music stress free, while other
musicians beg for pennies year after year dying that slow and
painful death.

(I’ve been there and it sucks…but it’s easy to fix)

So do you want to be one of the “Special Group”?

You’re hearing about this before the masses because my
super ninja tracking tools tell me you read my emails
and watch my videos.

But if needed I’ll email the rest of my subscribers on in a few hours.

So my best advice is not to dilly dally if you know deep down
this is the right opportunity.

Anyway, this new stuff is like my Sgt. Pepper’s…

…or in other words the most power-punch straightforward
training I’ve ever put out, which means every single
second is focused on YOU getting fast results.

You can expect to come away with a complete map of
your entire life-long music career – fully optimized – all
focused around the four pillars:
A perfectly set up website to capture contact info
Getting 100’s of hits per day to that site
Being the most entertaining person your fans know
Making a regular and predictable income
This program will take zero additional thought on your
part (thinking is my job) if you just copy the plan you can logically
expect the “buckets of awesomeness” previous graduates enjoyed.

Because it’s all based on systematically solving the biggest challenges
we’ve overcome with past members…

Those messages usually look something like this:

“Ben help! I’ve got…

No hits, No gigs, No press, No income,
No time, No contacts, No web skills,
Spiralling confusion … and a hatred for cheesy marketing”

This is the complete member’s area of Ben Sword’s Music Marketing Classroom. This includes the “Music Marketing Classroom Classic” course, his new “Musician Apocalypse Survivor” course, and all bonuses and expert interviews.

Today’s the day I pull back the curtain on something I’ve
been working on like crazy for you … in fact it’s taken
6 MONTHS to get here and probably around 1460 hours
in-front of the iMac.

The mission is to work with a hand-picked
intimate group of talented people, and not stop
until each and every one is making at least $100
per day PROFIT from our push button tactics and tools.

(If you’re already making that then you’ll be
able to use this stuff to systematically DOUBLE
or TRIPLE your income)

To be honest it won’t actually be hard at all because
we’ve really got this stuff nailed down now, you
simply need to spend a few minutes copying it.

Your new income will come not through tricks or anything
dodgy, but as a by-product of amazing music and a
smart and straightforward marketing process.

YES! You Have To Qualify For This One…

The thing is my brain can’t focus on too many people
at a time, so right off the bat I want to lay out the criteria…

Is this you?
You have $397 to invest in your music and are prepared to wait a month or so to make a profit on it.
You can find ten minutes 3 times a week to follow easy steps.
You must have at least one AWESOME piece of music.
You are proactive and follow-through on simple clear instructions.
If you meet the criteria please continue below to learn more…

I chose the Hollywood sounding name because you’ll finally be
content and setup for a lifetime in music stress free, while other
musicians beg for pennies year after year dying that slow and
painful death.

(I’ve been there and it sucks…but it’s easy to fix)

So do you want to be one of the “Special Group”?

You’re hearing about this before the masses because my
super ninja tracking tools tell me you read my emails
and watch my videos.

But if needed I’ll email the rest of my subscribers on in a few hours.

So my best advice is not to dilly dally if you know deep down
this is the right opportunity.

Anyway, this new stuff is like my Sgt. Pepper’s…

…or in other words the most power-punch straightforward
training I’ve ever put out, which means every single
second is focused on YOU getting fast results.

You can expect to come away with a complete map of
your entire life-long music career – fully optimized – all
focused around the four pillars:
A perfectly set up website to capture contact info
Getting 100’s of hits per day to that site
Being the most entertaining person your fans know
Making a regular and predictable income
This program will take zero additional thought on your
part (thinking is my job) if you just copy the plan you can logically
expect the “buckets of awesomeness” previous graduates enjoyed.

Because it’s all based on systematically solving the biggest challenges
we’ve overcome with past members…

Those messages usually look something like this:

“Ben help! I’ve got…

No hits, No gigs, No press, No income,
No time, No contacts, No web skills,
Spiralling confusion … and a hatred for cheesy marketing”

Name Product: Stone River eLearning – Become a Professional Graphic Designer

Author: Stone River eLearning

Size: 3.39 GB

COST: [COLOR="#FF0000"]$99= Your Free[/COLOR]

This course will prepare you for a job in the field of graphic design. This course is intended for complete beginners or those relatively new to design in order to understand what a graphic designer does and how to get a job in the graphic design field — either as a full time job or as freelance designer.

Course Structure

This course is structured in such a way that anyone can begin with absolutely no knowledge of graphic design and leave with a full understanding of the graphic design profession, an understanding of the skills and tools necessary for success in graphic design, and understanding of how to get a job or freelance work in graphic design, and an understanding of how to use the industry standard graphic design tools to create outstanding graphic design work.

Work From Home

Although some graphic designers go to an office to work every day, many graphic designers work from their home. You can make a good living doing freelance graphic design work, but many companies will employ you full time but allow you to work from home.

WHAT’S IN THE COURSE?

Over 71 lectures and 8 hours of content!
To learn what graphic design is and how to become a graphic designer
Learn what a graphic designer does on the job
Learn the principles of great graphic design
Learn graphic design as it relates to Photoshop, Illustrator, InDesign and Acrobat
Learn graphic design for the web using Dreamweaver
Learn visual communication fundamentals
Learn successful layout in graphic design
Learn how to get a job as a graphic designer

[/center]]]>Stone River eLearning – Become a Professional Graphic Designer[/center]

Name Product: Stone River eLearning – Become a Professional Graphic Designer

Author: Stone River eLearning

Size: 3.39 GB

COST: [COLOR="#FF0000"]$99= Your Free[/COLOR]

This course will prepare you for a job in the field of graphic design. This course is intended for complete beginners or those relatively new to design in order to understand what a graphic designer does and how to get a job in the graphic design field — either as a full time job or as freelance designer.

Course Structure

This course is structured in such a way that anyone can begin with absolutely no knowledge of graphic design and leave with a full understanding of the graphic design profession, an understanding of the skills and tools necessary for success in graphic design, and understanding of how to get a job or freelance work in graphic design, and an understanding of how to use the industry standard graphic design tools to create outstanding graphic design work.

Work From Home

Although some graphic designers go to an office to work every day, many graphic designers work from their home. You can make a good living doing freelance graphic design work, but many companies will employ you full time but allow you to work from home.

WHAT’S IN THE COURSE?

Over 71 lectures and 8 hours of content!
To learn what graphic design is and how to become a graphic designer
Learn what a graphic designer does on the job
Learn the principles of great graphic design
Learn graphic design as it relates to Photoshop, Illustrator, InDesign and Acrobat
Learn graphic design for the web using Dreamweaver
Learn visual communication fundamentals
Learn successful layout in graphic design
Learn how to get a job as a graphic designer

It has been just over 16 years since The Darkness -- a character that debuted in Witchblade #10 -- became a monthly series from Top Cow Productions and Image Comics, featuring the all-star creative team of writer Garth Ennis and artists Marc Silvestri and Batt. Their work on the opening storyline "Coming of Age" set the tone for the title.

From Wikipedia:

The Darkness is the story of Mafia hitman Jackie Estacado who, on his 21st birthday, became the bearer of the Darkness, an ancient elemental force of nearly limitless power that allows those who wield it access to an otherworldly dimension and control over the demons who dwell there ...

------

This torrent updates the torrent "The Darkness (Complete)" from October 2011, posted here on TPB by my friend GunningHawk90, and originally by the uploader Rickradchak. All credit must go to the original scanners!

I have chosen to include here the core monthly series, #001-110. (Although it has sometimes been published much more infrequently -- I'm lookin' at you, Dale Keown!!)

You may already know that Top Cow re-numbered The Darkness -- starting again with #1 -- twice, only to revert to the original numbering in 2009. I chose to organize all issues as one series, but the file names also reflect the alternate numbering.

It has been just over 16 years since The Darkness -- a character that debuted in Witchblade #10 -- became a monthly series from Top Cow Productions and Image Comics, featuring the all-star creative team of writer Garth Ennis and artists Marc Silvestri and Batt. Their work on the opening storyline "Coming of Age" set the tone for the title.

From Wikipedia:

The Darkness is the story of Mafia hitman Jackie Estacado who, on his 21st birthday, became the bearer of the Darkness, an ancient elemental force of nearly limitless power that allows those who wield it access to an otherworldly dimension and control over the demons who dwell there ...

------

This torrent updates the torrent "The Darkness (Complete)" from October 2011, posted here on TPB by my friend GunningHawk90, and originally by the uploader Rickradchak. All credit must go to the original scanners!

I have chosen to include here the core monthly series, #001-110. (Although it has sometimes been published much more infrequently -- I'm lookin' at you, Dale Keown!!)

You may already know that Top Cow re-numbered The Darkness -- starting again with #1 -- twice, only to revert to the original numbering in 2009. I chose to organize all issues as one series, but the file names also reflect the alternate numbering.

Do you ever wonder if you lived another life? Are you fascinated to find out who your current relationships were before? Do you wonder what happens to your soul after it leaves the body?

You will love this exciting program of delving into the mystery of the mind. Past Life Regression has been featured on “Oprah” with Brian Weiss and has allowed us an opportunity to look beyond our current reality into what could have been before.

Each time you listen to the CD you will be able to access the subconscious mind quickly and with greater ease. Don’t forget to write down your journey and all of the important details after each session to research your past lives. You might be surprised how accurate you truly are!

This program includes an in-depth discussion of past lives, karma and the process of hypnotic regression.

Do you ever wonder if you lived another life? Are you fascinated to find out who your current relationships were before? Do you wonder what happens to your soul after it leaves the body?

You will love this exciting program of delving into the mystery of the mind. Past Life Regression has been featured on “Oprah” with Brian Weiss and has allowed us an opportunity to look beyond our current reality into what could have been before.

Each time you listen to the CD you will be able to access the subconscious mind quickly and with greater ease. Don’t forget to write down your journey and all of the important details after each session to research your past lives. You might be surprised how accurate you truly are!

This program includes an in-depth discussion of past lives, karma and the process of hypnotic regression.

Out of the Deep Woods (issues 01-05)
Following on the heels of THE NOBODY, his Vertigo graphic novel debut, writer/artist Jeff Lemire pens his very first ongoing series SWEET TOOTH. A cross between Bambi and Cormac McCarthy's The Road, SWEET TOOTH tells the story of Gus, a rare new breed of human/animal hybrid children, has been raised in isolation following an inexplicable pandemic that struck a decade earlier. Now, with the death of his father he's left to fend for himself . . . until he meets a hulking drifter named Jepperd who promises to help him. Jepperd and Gus set out on a post-apocalyptic journey into the devastated American landscape to find 'The Preserve' a refuge for hybrids.

In Captivity (issues 06-11)
In this second arc, Lemire explores the heartbreaking story of Jeppard and how he went from a devoted husband to the ruthless mercenary he is now. Meanwhile, Gus is captured in a camp with other hybrid creatures where he meets Dr. Singh, a scientist studying the plague that's wiped out so much of the world. By traveling more into Gus' past, Singh will learn more about the plague, as well as clues at how some of it might relate to Gus and his father.

Animal Armies (issues 12-18)
In this third arc, Jeppard begins to form an army to topple the militia camp so he can rescue Gus and the other hybrid kids. But will he arrive too late to save anyone?

Endangered Species (issues 19-25)
Gus reluctantly joins Jepperd on missing persons hunt, but the tension between the two continues to grow. Meanwhile, Singh and Johnny come face to face with a deadly new threat, and Lucy and the girls meet Walter Fish, an enigmatic survivor who may have more to offer than meets the eye. Will this lead to a new sanctuary for them, or something far more dangerous?

The Taxidermist (issues 26-28)
Who is Captain James Thacker and what are he and his crew doing in the far northern reaches of Alaska? As Thacker and his crew man a deadly expedition, they will uncover secrets centuries old, but what does any of this have to do with Gus and Jepperd? The answers will shock you and change the course of SWEET TOOTH forever! A bold new storyline begins! Featuring special guest artist Matt Kindt (REVOLVER, Super Spy).

Unnatural Habitats (issues 29 to 32):
Jeff Lemire returns as regular artist for the start of "Unnatural Habitats." While Jeppard, Singh and Gus make plans to head to Alaska, things start to deteriorate for the rest of the group back at the sanctuary in the dam.
Interlude (issue 33):
A very special issue of SWEET TOOTH as we check in on "The Continuing Adventures of The Big Man and The Little Boy." It's a children's story unlike any other - and a major step forward in the series.

The End:
Dr. Singh arrives in Alaska and uncovers the origins of Gus and the hybrid children and the cause of the plague that decimated the world. And as Gus and Jepperd finally arrive in Alaska and come face to face with the truth, the militia continues to bear down on them. Their deadliest battle is still ahead.

Out of the Deep Woods (issues 01-05)
Following on the heels of THE NOBODY, his Vertigo graphic novel debut, writer/artist Jeff Lemire pens his very first ongoing series SWEET TOOTH. A cross between Bambi and Cormac McCarthy's The Road, SWEET TOOTH tells the story of Gus, a rare new breed of human/animal hybrid children, has been raised in isolation following an inexplicable pandemic that struck a decade earlier. Now, with the death of his father he's left to fend for himself . . . until he meets a hulking drifter named Jepperd who promises to help him. Jepperd and Gus set out on a post-apocalyptic journey into the devastated American landscape to find 'The Preserve' a refuge for hybrids.

In Captivity (issues 06-11)
In this second arc, Lemire explores the heartbreaking story of Jeppard and how he went from a devoted husband to the ruthless mercenary he is now. Meanwhile, Gus is captured in a camp with other hybrid creatures where he meets Dr. Singh, a scientist studying the plague that's wiped out so much of the world. By traveling more into Gus' past, Singh will learn more about the plague, as well as clues at how some of it might relate to Gus and his father.

Animal Armies (issues 12-18)
In this third arc, Jeppard begins to form an army to topple the militia camp so he can rescue Gus and the other hybrid kids. But will he arrive too late to save anyone?

Endangered Species (issues 19-25)
Gus reluctantly joins Jepperd on missing persons hunt, but the tension between the two continues to grow. Meanwhile, Singh and Johnny come face to face with a deadly new threat, and Lucy and the girls meet Walter Fish, an enigmatic survivor who may have more to offer than meets the eye. Will this lead to a new sanctuary for them, or something far more dangerous?

The Taxidermist (issues 26-28)
Who is Captain James Thacker and what are he and his crew doing in the far northern reaches of Alaska? As Thacker and his crew man a deadly expedition, they will uncover secrets centuries old, but what does any of this have to do with Gus and Jepperd? The answers will shock you and change the course of SWEET TOOTH forever! A bold new storyline begins! Featuring special guest artist Matt Kindt (REVOLVER, Super Spy).

Unnatural Habitats (issues 29 to 32):
Jeff Lemire returns as regular artist for the start of "Unnatural Habitats." While Jeppard, Singh and Gus make plans to head to Alaska, things start to deteriorate for the rest of the group back at the sanctuary in the dam.
Interlude (issue 33):
A very special issue of SWEET TOOTH as we check in on "The Continuing Adventures of The Big Man and The Little Boy." It's a children's story unlike any other - and a major step forward in the series.

The End:
Dr. Singh arrives in Alaska and uncovers the origins of Gus and the hybrid children and the cause of the plague that decimated the world. And as Gus and Jepperd finally arrive in Alaska and come face to face with the truth, the militia continues to bear down on them. Their deadliest battle is still ahead.

Truby’s Great Screenwriting course has trained the writers, directors, or producers of Shrek, Planet of the Apes, Flamingo Rising, The Negotiator, Inspector Gadget, Outbreak, Sleepless in Seattle, The Addams Family, Beetlejuice, Nightmare on Elm Street, Scream, Kiss of the Spider Woman, Back to School, Rambling Rose, Star Wars and many more. How about you?

Key point: top professionals use fundamentally different tools than amateur writers. These techniques include everything from grand story strategy to scene sequencing to setting up and paying off scene patterns to blending dialogue.

Yet most books and courses on screenwriting in today’s market teach a simple one-size-fits-all approach useful only by beginners. Isn’t it time you abandon obsolete script theories and step up to the professional ranks?

This course will teach you literally hundreds of professional techniques that will allow you to compete with the best. This flagship class of the Truby’s Writers Studio, taken by over 20,000 students worldwide, wins awards year after year as the best writing class in America. Don’t miss this rare opportunity to master your craft.

DVD runs 8 hours.

Highlights

* 22 Building Blocks of every great script
* 3 Variations to classic structure and how to tell which is right for you
* 7 steps to a great premise
* 4 requirements of a good hero
* 5 major character changes
* 4 keys to the perfect opponent
* The secret to creating a strong middle
* Building the reveals
* How to write 3-track dialogue
* Secrets of building the scene

Truby’s Great Screenwriting course has trained the writers, directors, or producers of Shrek, Planet of the Apes, Flamingo Rising, The Negotiator, Inspector Gadget, Outbreak, Sleepless in Seattle, The Addams Family, Beetlejuice, Nightmare on Elm Street, Scream, Kiss of the Spider Woman, Back to School, Rambling Rose, Star Wars and many more. How about you?

Key point: top professionals use fundamentally different tools than amateur writers. These techniques include everything from grand story strategy to scene sequencing to setting up and paying off scene patterns to blending dialogue.

Yet most books and courses on screenwriting in today’s market teach a simple one-size-fits-all approach useful only by beginners. Isn’t it time you abandon obsolete script theories and step up to the professional ranks?

This course will teach you literally hundreds of professional techniques that will allow you to compete with the best. This flagship class of the Truby’s Writers Studio, taken by over 20,000 students worldwide, wins awards year after year as the best writing class in America. Don’t miss this rare opportunity to master your craft.

DVD runs 8 hours.

Highlights

* 22 Building Blocks of every great script
* 3 Variations to classic structure and how to tell which is right for you
* 7 steps to a great premise
* 4 requirements of a good hero
* 5 major character changes
* 4 keys to the perfect opponent
* The secret to creating a strong middle
* Building the reveals
* How to write 3-track dialogue
* Secrets of building the scene

Superboy is the name of several fictional characters that have been published by DC Comics, most of them youthful incarnations of Superman.

The first, and arguably best-known, Superboy was simply Superman as a boy, acting as a superhero in Smallville, where Kal-El (Superboy's Kryptonian name) lives under his secret identity, Clark Kent. The character was featured in several series from the 1940s until the 1980s and developed a mythos and supporting cast of his own, including foster parents Ma and Pa Kent, love interest Lana Lang and the time traveling allies the Legion of Super-Heroes.

The character was adapted into a Superboy television series (19881992) and a teenage Clark Kent, secretly using his powers in heroic acts, appears in the highly successful Smallville TV series (2001?present), drawing to a great extent on the comic book continuity in its depiction of young Clark's life.

This is my first DC post. This torrent contains Superboy v1, v2 and also New Adventurs of Superboy. It covers Kal El(Superman) only the orignal Superboy. DC has created a lot of clones of Superman and named them as Superboy, but they are not covered here. For all those who are familiar with only that clone 'Superboy', they just dont know Superboy if they havent read these comics.

Superboy is the name of several fictional characters that have been published by DC Comics, most of them youthful incarnations of Superman.

The first, and arguably best-known, Superboy was simply Superman as a boy, acting as a superhero in Smallville, where Kal-El (Superboy's Kryptonian name) lives under his secret identity, Clark Kent. The character was featured in several series from the 1940s until the 1980s and developed a mythos and supporting cast of his own, including foster parents Ma and Pa Kent, love interest Lana Lang and the time traveling allies the Legion of Super-Heroes.

The character was adapted into a Superboy television series (19881992) and a teenage Clark Kent, secretly using his powers in heroic acts, appears in the highly successful Smallville TV series (2001?present), drawing to a great extent on the comic book continuity in its depiction of young Clark's life.

This is my first DC post. This torrent contains Superboy v1, v2 and also New Adventurs of Superboy. It covers Kal El(Superman) only the orignal Superboy. DC has created a lot of clones of Superman and named them as Superboy, but they are not covered here. For all those who are familiar with only that clone 'Superboy', they just dont know Superboy if they havent read these comics.

Jeff presents a complete working process, featuring five of the most highly-acclaimed writing tools in Hollywood, as well as the development of an original screenplay from scratch to demonstrate these tools. He teaches the 36 Dramatic Situations; Dilemma, Crisis, Decision & Action, Resolution, and Theme; the Enneagram; the Central Proposition; and “Sequence, Proposition, Plot” which Hollywood studio development executives consistently call the most advanced development tool in the film industry.

* Master the craft of the dramatist.
* Witness the construction of an original screenplay.
* Jeff creates, develops and structures an original script on the spot so you can see all the tools in action and learn how to really use them to build your own screenplays.

Jeff Kitchen regularly charges over $700 to attend his full day class. Now you can benefit from the same material for only a fraction of the cost.

Part of the Screenwriting Expo DVD Series, this 10-hour masters course is an exceptional value. Don’t miss this opportunity to learn from the finest faculty teaching screenwriting today.

This DVD set contains Jeff’s complete method and over 90 minutes of bonus material as Jeff applies his method to a new script he is writing.

Jeff Kitchen’s Two Tools for Advanced Screenwriters

“Jeff is a master teacher who truly understands the art and technique of the screenplay. His course is worth its weight in gold.”

– Chris Brancato, writer/producer of Hoodlum, North Shore

Create gripping dramatic power with two state-of-the-art screenwriting tools. Jeff presents an in-depth use of Dilemma, Crisis, Decision & Action, and Resolution to build a solid dramatic foundation for your plot. He also teaches the three-step process, Sequence, Proposition, Plot which Hollywood studio development executives consistently call the most advanced development tool in the film industry.

* Trap your protagonist between two equally unacceptable alternatives.
* Turn mere Story into compelling Dramatic Action.
* Make every part of your script tight and dramatic as you build it.

Brainstorming with the 36 Dramatic Situations

“Jeff is a master teacher who truly understands the art and technique of the screenplay. His course is worth its weight in gold.”

– Chris Brancato, writer/producer of Hoodlum, North Shore

Shatter cliché and vaporize writer’s block with this powerful free-association tool. The 36 Dramatic Situations is a set of raw elements that help jump start a plot from square one. Draw on potent situations like Madness, Disaster, The Necessity of Sacrificing Loved Ones, and An Enemy Loved. Explode your story into unexpected new dimensions and broaden your own storytelling habits.

* Discover infinite story possibilities with this powerful and versatile tool.
* Great for story building and brainstorming.
* See what elements are already active in your plot and build from there.

Sequence, Proposition and Plot

“Jeff is a master teacher who truly understands the art and technique of the screenplay. His course is worth its weight in gold.”

– Chris Brancato, writer/producer of Hoodlum, North Shore

Hollywood studio development executives consistently call Sequence, Proposition, Plot the most advanced development tool in the film industry. This three-step process helps you systematically tighten and dramatize every part of your screenplay as you build its structure. Take all the energy that goes into rewrites and put it into properly engineering your script before you write it.

* Apply it to your whole script, to each act, each sequence, and each scene.
* Use reverse cause and effect to separate the Necessary from the Unnecessary.
* Create consistently compelling dramatic action.

Jeff presents a complete working process, featuring five of the most highly-acclaimed writing tools in Hollywood, as well as the development of an original screenplay from scratch to demonstrate these tools. He teaches the 36 Dramatic Situations; Dilemma, Crisis, Decision & Action, Resolution, and Theme; the Enneagram; the Central Proposition; and “Sequence, Proposition, Plot” which Hollywood studio development executives consistently call the most advanced development tool in the film industry.

* Master the craft of the dramatist.
* Witness the construction of an original screenplay.
* Jeff creates, develops and structures an original script on the spot so you can see all the tools in action and learn how to really use them to build your own screenplays.

Jeff Kitchen regularly charges over $700 to attend his full day class. Now you can benefit from the same material for only a fraction of the cost.

Part of the Screenwriting Expo DVD Series, this 10-hour masters course is an exceptional value. Don’t miss this opportunity to learn from the finest faculty teaching screenwriting today.

This DVD set contains Jeff’s complete method and over 90 minutes of bonus material as Jeff applies his method to a new script he is writing.

Jeff Kitchen’s Two Tools for Advanced Screenwriters

“Jeff is a master teacher who truly understands the art and technique of the screenplay. His course is worth its weight in gold.”

– Chris Brancato, writer/producer of Hoodlum, North Shore

Create gripping dramatic power with two state-of-the-art screenwriting tools. Jeff presents an in-depth use of Dilemma, Crisis, Decision & Action, and Resolution to build a solid dramatic foundation for your plot. He also teaches the three-step process, Sequence, Proposition, Plot which Hollywood studio development executives consistently call the most advanced development tool in the film industry.

* Trap your protagonist between two equally unacceptable alternatives.
* Turn mere Story into compelling Dramatic Action.
* Make every part of your script tight and dramatic as you build it.

Brainstorming with the 36 Dramatic Situations

“Jeff is a master teacher who truly understands the art and technique of the screenplay. His course is worth its weight in gold.”

– Chris Brancato, writer/producer of Hoodlum, North Shore

Shatter cliché and vaporize writer’s block with this powerful free-association tool. The 36 Dramatic Situations is a set of raw elements that help jump start a plot from square one. Draw on potent situations like Madness, Disaster, The Necessity of Sacrificing Loved Ones, and An Enemy Loved. Explode your story into unexpected new dimensions and broaden your own storytelling habits.

* Discover infinite story possibilities with this powerful and versatile tool.
* Great for story building and brainstorming.
* See what elements are already active in your plot and build from there.

Sequence, Proposition and Plot

“Jeff is a master teacher who truly understands the art and technique of the screenplay. His course is worth its weight in gold.”

– Chris Brancato, writer/producer of Hoodlum, North Shore

Hollywood studio development executives consistently call Sequence, Proposition, Plot the most advanced development tool in the film industry. This three-step process helps you systematically tighten and dramatize every part of your screenplay as you build its structure. Take all the energy that goes into rewrites and put it into properly engineering your script before you write it.

* Apply it to your whole script, to each act, each sequence, and each scene.
* Use reverse cause and effect to separate the Necessary from the Unnecessary.
* Create consistently compelling dramatic action.

Spider-Girl first appeared in a one-shot story in the ongoing series What If. Following positive fan response to the concept, Spider-Girl and two other series (A-Next and J2) set in the same alternate future universe were launched under the MC2 imprint. Although each of these titles were slated to be 12-issue limited series, Spider-Girl's initial sales justified their continuation as ongoing titles.

After initial interest, Spider-Girl drew low sales. However, the book's active fan base caused Marvel to revoke several cancellation announcements. Reprints of the series in digest size trade paperbacks sold well. Marvel Associate Editor Nick Lowe revealed in a November 2005 interview that "Spider-Girl, for the first time, is completely safe from cancellation."

However, despite Lowe's statement, Marvel announced that #100 would be the title's final issue. Although the Spider-Girl title was indeed canceled, the book was relaunched as The Amazing Spider-Girl, with issue #0 appearing in October 2006.

On October 11, 2008, Tom DeFalco announced that Amazing Spider-Girl would be canceled with issue #30, though he revealed that, due to the company's love of the character, she could possibly be given a sixteen-page back-up strip in Amazing Spider-Man Family. On November 8, 2008, Marvel EIC Joe Quesada confirmed that Spider-Girl would indeed become a feature in the monthly anthology magazine Amazing Spider-Man Family. The series would replace the feature Mr. and Mrs. Spider-Man, written by DeFalco, which served as a prequel series to the Spider-Girl universe.

On March 18, 2009, Marvel announced that Spider-Girl would continue publication as Spectacular Spider-Girl, a web-comic released through Marvel's Digital Comics Unlimited. The title would continue to be simultaneously published in paper form within Amazing Spider-Man Family. Amazing Spider-Man Family #5 (published April 2009) through #8 (July 2009) contained these Spider-Girl stories until the title's cancellation with issue #8.

The new "Spectacular Spider-Girl" stories were then contained in Web of Spider-Man. This lasted for 7 issues before being moved to its own eponymous 4-issue limited series, Spectacular Spider-Girl, which wrapped up most of the series plot threads. This was followed by one last Spider-Girl tale, Spider-Girl: The End.

In November 2010 a new Spider-Girl series started, but this series starred Anya Corazon and had nothing to do with the Mayday version of the character. It was cancelled after a mere 8 issues.

Spider-Girl first appeared in a one-shot story in the ongoing series What If. Following positive fan response to the concept, Spider-Girl and two other series (A-Next and J2) set in the same alternate future universe were launched under the MC2 imprint. Although each of these titles were slated to be 12-issue limited series, Spider-Girl's initial sales justified their continuation as ongoing titles.

After initial interest, Spider-Girl drew low sales. However, the book's active fan base caused Marvel to revoke several cancellation announcements. Reprints of the series in digest size trade paperbacks sold well. Marvel Associate Editor Nick Lowe revealed in a November 2005 interview that "Spider-Girl, for the first time, is completely safe from cancellation."

However, despite Lowe's statement, Marvel announced that #100 would be the title's final issue. Although the Spider-Girl title was indeed canceled, the book was relaunched as The Amazing Spider-Girl, with issue #0 appearing in October 2006.

On October 11, 2008, Tom DeFalco announced that Amazing Spider-Girl would be canceled with issue #30, though he revealed that, due to the company's love of the character, she could possibly be given a sixteen-page back-up strip in Amazing Spider-Man Family. On November 8, 2008, Marvel EIC Joe Quesada confirmed that Spider-Girl would indeed become a feature in the monthly anthology magazine Amazing Spider-Man Family. The series would replace the feature Mr. and Mrs. Spider-Man, written by DeFalco, which served as a prequel series to the Spider-Girl universe.

On March 18, 2009, Marvel announced that Spider-Girl would continue publication as Spectacular Spider-Girl, a web-comic released through Marvel's Digital Comics Unlimited. The title would continue to be simultaneously published in paper form within Amazing Spider-Man Family. Amazing Spider-Man Family #5 (published April 2009) through #8 (July 2009) contained these Spider-Girl stories until the title's cancellation with issue #8.

The new "Spectacular Spider-Girl" stories were then contained in Web of Spider-Man. This lasted for 7 issues before being moved to its own eponymous 4-issue limited series, Spectacular Spider-Girl, which wrapped up most of the series plot threads. This was followed by one last Spider-Girl tale, Spider-Girl: The End.

In November 2010 a new Spider-Girl series started, but this series starred Anya Corazon and had nothing to do with the Mayday version of the character. It was cancelled after a mere 8 issues.

Poison Elves V1 The Mulehide Years
Collects the seven issues 'I, Lusiphur' (the original title) and the thirteen issues of 'Poison Elves' (20 issues in total)that Drew self-published between 1991 and 1993 under the 'Mulehide Graphics' moniker.
Sirius Entertainment, 2004 (this edition), 445 pages
Written and Illustrated by Drew Hayes

Issues 1-79 of Poison Elves V2
Sirius Entertainment, 1995-2004
Written and Illustrated by Drew Hayes (a vast majority of it was, anyway - Ben Hansen did some inking on a few issues and Matt and Shawn Fillbach wrote and illustrated issue 61 - otherwise, I believe Drew did all the writing and illustrating)

Poison Elves Companion
Sirius Entertainment, 2002, 43 pages
Illustrated and Created by Drew Hayes
Written by Keith Davidsen
This is a much smaller, more concise version of the Poison Elves Encyclopedia

Poison Elves Encyclopedia
Sirius Entertainment, 2002, 203 pages
Illustrated and Created by Drew Hayes
Compiled by Keith Davidsen
This is a PDF conversion of a PC CD-ROM Sirius Entertainment released in 2002.

Poison Elves V1 The Mulehide Years
Collects the seven issues 'I, Lusiphur' (the original title) and the thirteen issues of 'Poison Elves' (20 issues in total)that Drew self-published between 1991 and 1993 under the 'Mulehide Graphics' moniker.
Sirius Entertainment, 2004 (this edition), 445 pages
Written and Illustrated by Drew Hayes

Issues 1-79 of Poison Elves V2
Sirius Entertainment, 1995-2004
Written and Illustrated by Drew Hayes (a vast majority of it was, anyway - Ben Hansen did some inking on a few issues and Matt and Shawn Fillbach wrote and illustrated issue 61 - otherwise, I believe Drew did all the writing and illustrating)

Poison Elves Companion
Sirius Entertainment, 2002, 43 pages
Illustrated and Created by Drew Hayes
Written by Keith Davidsen
This is a much smaller, more concise version of the Poison Elves Encyclopedia

Poison Elves Encyclopedia
Sirius Entertainment, 2002, 203 pages
Illustrated and Created by Drew Hayes
Compiled by Keith Davidsen
This is a PDF conversion of a PC CD-ROM Sirius Entertainment released in 2002.