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The fonds consists of Schroeder's literary manuscripts, radio plays, filmscripts, manuscripts by others, personal correspondence, financial records, and printed material which chronicle his development and contributions as a writer, journalist, broadcaster, editor, translator, and literary/cultural activist. Included among the subjects documented in the papers are: Schroeder's published and unpublished fiction and nonfiction works, including short prose, novellas, poems, translations, a prison memoir, literary columns, and feature articles; production of documentaries for the CBC radio show "Ideas"; publication of the literary magazine of translation "Contemporary Literature in Translation"; the author's nine-month prison sojurn; the founding of the League of Canadian Poets and the Writers' Union of Canada; and, the establishment of the Public Lending Rights Commission of Canada.

The fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

Fonds documents Brant’s pre-doctoral research in Burma. As a Fulbright scholar working with the United States Educational Foundation, Brant submitted quarterly reports to the foundation detailing his arrival and adjustment to life in Burma, as well as his sociological research in the community of Tadagale and other areas of the country. Brant also provided the U.S. Foreign Service with his observations of life in the Shan States, where Brant and his wife first lived when they arrived in Burma in 1949. After returning to the United States in 1950, Brant published articles on the research he completed while in Burma. Records in this series include academic and government reports; articles; Brant’s curriculum vitae; a digitized slide show and 8 mm movie; a grant application; notes; and photographic negatives and prints. It is likely that most of the photographs were taken by Jane Brant, but these are not identified.

Fonds consists of theatre programs from Victoria, opera clippings, photographs of the Chinese Carnival in 1936, a copy of the Chinese Times, and Yip’s reminiscences of the establishment of The Chinese Canadian Times in Vancouver and the Chinese Opera in Victoria.

Fonds consists of matted prints of engravings made from sketches created by John Webber as official artist on Captain James Cook’s third voyage. Prints depict landscapes, animals, people, clothing styles, architecture, and events that were encountered on the voyage in places such as New Zealand, the Friendly Islands (Tonga), the Sandwich Islands (the Hawaiian Islands), Nootka Sound (Vancouver Island, BC), and Van Dieman’s Land (Tasmania).

The fonds consists of correspondence, questionnaires, and photographs relating to Bob Kingsmill’s research for his book A Catalogue of British Columbia Potters (1978). In order to gather material for his book, Kingsmill created a questionnaire requesting information and photographs, which he sent to about 70 potters throughout British Columbia. The fonds consists mainly of the responses Kingsmill received, which include the completed questionnaires containing short biographical and artistic statements by each potter, together with black and white or colour photographs of the artists and their pottery.

The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

The fonds consists predominantly of slides of various petroglyphs and pictographs, primarily from locations on the Northwest Coast of British Columbia. The fonds also contains location charts of petroglyphs and the creator’s typed notes about various sites.

The fonds comprises records created by Duke from approximately 1946 to 2006. They are related to all aspects of Duke’s life and career. Among other types of records, the fonds includes: drafts of Duke's articles, essays and speeches; personal and production photographs; annotated working scripts of various television and film productions; personal and administrative correspondence; legal records, personal and administrative correspondence pertaining to the takeover of CKVU-TV; awards; personal notes; journals; press clippings featuring work by and about Duke; ephemera collected by Duke; and audio/visual material.

Series have been determined during archival processing and are primarily based on the various activities that Duke engaged in over his life and working career (see the Arrangement note below for more details about series arrangement). The series are: CKVU (1974-1991); CBC (1984-2005); Friends of Canadian Broadcasting (1994-2004); Banff Television Festival (1997-2004); Vancouver Awards Show (1987-1990); general business correspondence (1965-1990); personal correspondence (1948-2007); essays and articles (1940-2005); personal notes (1981-2005); personal journals (1945-2005); agendas (1977-1984); personal publicity (1960-2004); film and television works (1950-2000); speeches (1980-2004); research (1993-2003); ephemera (1946-ca. 1990); audio recordings ([ca. 1969-ca. 2002]); videocassettes ([ca. 1990-ca. 2002]); and photographs ([ca. 1940]-2006).

The collection consists of a selection of Meg Torwl's artworks, and the documentation of her artworks, including video and audio, writings (poetry, scripts, and essays), performances, and drawings/paintings. It also includes publicity, biographies, resumes, and proposals. The collection also consists of materials of commemoration, written by people close to Meg following her passing, along with documentation of the 2013 BOLD Fest Woman of the Year Award, bestowed upon Meg posthumously. Finally, the collection includes photographs, primarily snapshots of Meg throughout her life along with her partner Adrienne Bradley. The collection is divided into 6 series:

The fonds consists of promotional materials, most notably full-colour posters, surrounding the shortlisting and adjudication of potential winners and the subsequent selection and celebration of winners of the prestigious prizes. Also included are media clippings and press releases surrounding the event.

The fonds consists of administrative and operational records of the Bowen Island Historical Preservation Association, including its constitution, minutes (1990-2004), correspondence (1981-2001), as well as copies of printed and published materials and collected reference materials pertinent to BIHPA activities.

The fonds reflects the development of Harrison's career as a painter following 28 years as a teacher, and consists of the following series: Harrison Family and Personal; Accounting; Teaching; Art Works; Production; Harrison Appearances; Publishing; Projects; Galleries; Photography; and Miscellaneous Objects.

Fonds consists of the textual records of the Society for the Furtherance of BC Indian Arts and Crafts from 1940-1944, 1981; and annual report from B.C. Indian Arts and Welfare Society, 1947. Includes the constitution, agendas, reports, annual reports, publications and a clipping.

Society for the Furtherance of British Columbia Indian Arts and Crafts