Tag: creative pieces

The Refugee Hosts project is delighted to invite you to join us for the Moving Objects symposium and exhibition launch event on the 14th March at University College London. Both events will provide an opportunity to reflect on the exhibition, and our project's own work with displaced communities in Lebanon and Jordan, whose involvement is … Continue reading Moving Objects Symposium and Exhibition Launch

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Shadows and Echoes in/of Displacement: Temporalities, spatialities and materialities of displacement by Prof. Elena Fiddian-Qasmiyeh, Refugee Hosts In line with our project's Spaces and Places not Faces approach to representation, a key question arising in Refugee Hosts is how we can represent, and conceptualise, the 'field-sites' where we are conducting research. Through diverse media - … Continue reading Shadows and Echoes in/of Displacement

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This piece continues a series of poetic responses to photographs taken by Refugee Hosts PI Dr Elena Fiddian-Qasmiyeh during a field-trip to Baddawi refugee camp and the neighbourhood of Jebel al-Baddawi in North Lebanon, and to a range of neighbourhoods in Beirut in March-April 2018. Written by Refugee Hosts Writer-in-Residence Yousif M. Qasmiyeh and PI Dr Elena Fiddian-Qasmiyeh, … Continue reading There will always be a vendor before and after the picture

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This piece continues a series of poetic responses to photographs taken by Refugee Hosts PI Dr Elena Fiddian-Qasmiyeh during a field-trip to Baddawi refugee camp and the neighbourhood of Jebel al-Baddawi in North Lebanon, and to a range of neighbourhoods in Beirut in March-April 2018. Written by Refugee Hosts Writer-in-Residence Yousif M. Qasmiyeh and/or PI Dr Elena Fiddian-Qasmiyeh, … Continue reading A daily rhythm inside which time can grow…

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Name by Frances Timberlake, Refugee Women's Centre The name lands on the pavement slapped down like spilt water A person a body a name tumbling from this young boy's mouth like spilt water Like a splash from the Black Sea waters the man drowned in four months ago as the young boy sat watching with the … Continue reading Name

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As part of her research into how humanitarianism has been changed by Calais, Hari Reed and collaborators, under the umbrella of the IMAGINE charity, have curated an exhibition called Protestimony, which was first shown at the Edinburgh Festival in August 2017. Here she showcases some of the images, questions and dilemmas of the show. Protestimony … Continue reading Protestimony

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This and the following poem describe a trivial yet emotionally charged object: the thermo-blanket distributed to migrants in emergency situations. Is the thermo-blanket a sign of our welcome or the symptom of a tendency to cover and make ourselves blind to what is difficult to see? Through the simple yet powerful image of the blanket, … Continue reading Stelle (Stars)

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How can poetry, creative writing and translation unearth and represent experiences of displacement? In this poem - the first of two pieces by Giulia Balestra of REFUNITE which will feature on Refugee Hosts' Representations of Displacement series - Giulia offers a reflection on belonging and positionality, with an English translation sitting alongside the original Italian. Through reflecting … Continue reading Paese (Country)

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This piece, by George Mantzios (whose artistic and creative work is completed under the pseudonym Yanni Ye) offers a visual representation of the Mediterranean 'Migration Crisis'. Yorgos' work also reflects on the role of art as a form of hosting, capable of articulating meaningful encounters that are built on 'vernacularised' art practices. The Refugee Hosts … Continue reading Leviathan’s Maw

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Refugees are Dialectical Beings: Part Two by Yousif M. Qasmiyeh, University of Oxford and Refugee Hosts Writer in Residence To the ones who are en route, the ones whose stomachs are compasses and whose compasses are manifestos of nothing… Refugees are dialectical beings I The aridity of a camp presupposes the aridity of life. … Continue reading Refugees are Dialectical Beings: Part Two