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Born in St. Boniface in 1837 of French and Indian parentage, Gabriel Dumont's childhood was spent in the Saskatchewan country, where he grew accustomed to the semi-nomadic existence of the Métis. These were the proud days of the Métis nation, when its people roamed freely throughout the Prairies. The most stable social institution was the annual buffalo hunt with its rules. When Gabriel Dumont became head of the Great Saskatchewan Hunt in 1862 the end of the nomadic lifestyle was already in sight.

As the buffalo herds dwindled, the Métis began to form more permanent settlements, but were alarmed when their pleas for recognition of their land rights were ignored by Sir John A Macdonald's government. Dumont appealed to Louis Riel, leader of the Red River Rebellion.

Riel spoke up for the Saskatchewan Metis, but their petitions were ignored. In 1885, the Métis took up arms against the government forces. Dumont spurred the outnumbered rebels to several victories. After the Métis defeat, Dumont fled to the United States where he spent time with Buffalo Bill's Wild West Show until an amnesty was declared and he was able to return to his home.

Educator & Series InformationThis book is part of The Canadians Series.

Gabriel Dumont's memoirs present a rare view of Metis history as told by one of their key heros.

In 1903, eighteen years after leading the Métis Army against the Northwest Expeditionary Force and the Northwest Mounted Police at Fish Creek, Duck Lake and Batoche, Louis Riel’s Adjutant General Gabriel Dumont dictated his memoirs to a group of friends, one of whom is thought to have written Dumont’s stories out in longhand during that epic meeting. This manuscript languished unseen and unpublished in the Manitoba Provincial Archives as part of L’Union nationale métisse de Saint-Joseph collection until its discovery there by Michael Barnholden in 1971. Now re-translated into English, it preserves the record of an unrepeatable oral recital, offering us a rare opportunity to view one of the central events in the history of the Métis in a new context: as perceived by one of their key heroes.

Like Riel, Dumont put the interest of his people ahead of his own. Although he could neither read nor write, he was an eloquent speaker, sought after to defend Métis rights both in Canada and the United States throughout the 1880s and 1890s. Known to have spoken Blackfoot, Sioux, Crow, Cree, French and English, Dumont dictated his memoir in “incipient Michif,” thought to be his first language: using Cree syntax and some verbs, with a vocabulary that was primarily French.

Dumont’s first-person account of the details of his early life, leading up to the events variously referred to as the Riel Rebellion, the Northwest Rebellion or the War of 1885, provide a third reading of the “Rebellion” from the point of view of its military leader, as well as many personal, cultural and historical revelations worthy of examination. In addition, Dumont’s sheer strength of narrative carries these decisive events with a conviction, drama and suspense that only the tradition of oral history can deliver.

Gabriel Dumont is an iconic figure in Métis and Canadian history. In the popular imagination, he is well known for leading the Métis forces during the 1885 Resistance, and for being a renowned bison hunt leader, a Wild West show performer, and a husband to his beloved Madeleine. But outside of printed history and a fragmented oral history what do we really know about him? How has he been imagined over time? This book answers these questions by focusing on visual and journalistic representations of Gabriel Dumont through time and space. Compiled together for the first time, these eclectic sources provide poignant vignettes of Gabriel Dumont’s life, which will greatly contribute to our knowledge about him, and will further contribute to his legend.

After budget cuts force the Southside Saints football team to disband, Jamal and his friends have to settle for playing pickup on the hardscrabble field behind their high school. Then the president of a sporting-goods company offers to donate $20,000 worth of equipment to the team. There's only one catch: he wants to be the coach. Thrilled to have a real team together, the players turn a blind eye to Coach Fort's racism, bullying and discrimination. Until he takes it too far. Now it’s up to Jamal and his teammates to take back their team and show what they’re made of.

Accustomed to the dark, dripping stands of Douglas–fir, spruce and hemlock that blanketed the Hudson's Bay Company outposts on the remote western coast of the "new World", the first Europeans were surely startled to see the wide–open landscapes of the Garry oak meadows they encountered on Southern Vancouver Island ––– landscapes that might have reminded any explorers who had ventured into the African savannahs of what they had seen there.

Though slow in comprehending what they had stumbled upon, the Europeans immediately recognized the deep, rich deposits of black soil that extended many feet below the surface, and James Douglas chose the site as the ideal location for the HBC's new fort, and settlement.

What the newcomers failed to appreciate is that these meadows were not the work of nature alone, but of the Coast Salish peoples who had been living in these parts for millennia. With the construction of the fort of Victoria began an encroachment on these Garry oak meadows, built up over centuries if not millennia, a process that continues today.

In Gardens Aflame, Victoria writer and environmentalist Maleea Acker tells us about this unique and vanishing ecosystem, and the people who have made it their life's work to save the Garry oak and the environment ––– including the human environment ––– it depends on.

Acker tells us about the Garry oak species and its unique habits and requirements, including its unusual summer dormancy period, when all the surrounding plants are coursing with life. We learn something about the scientists, arborists, and Garry oak–loving volunteers who have dedicated themselves to this tree; and about Theophrastus, Humboldt, and their other forebearers who are still reshaping our notions of nature and humans' place in it.

And in the course of Acker's story, we see her fall under the spell of the strange beauty woven by these magnificent trees, and the ecosystems they tower over ––– until, in the final act, she decides to turn her own front yard into her own version of a Garry oak meadow, defying City Hall and the neighbours, and bringing to a head in 2011 all the issues raised 150 years ago when Europeans first saw the open meadows of Southern Vancouver Island.

Gatherings XV: Youth - Water Anthology features writing submissions from B.C. based Indigenous Youth on the theme of water.

This special book marks the return of the Gatherings anthologies that were a mainstay of Theytus Books’ publishing program for a decade.The Gatherings-Water project reflects the cultural rejuvenation of Indigenous Youth in B.C. It is not only a revival of a respected anthology series, but also a new level of engagement between publishing house and community, between established writers and emerging voices, and finally a testament to the connection of Indigenous Youth with the life-sustaining power of water.

George Littlechild: The Spirit Giggles Within is a stunning retrospective of a career that has spanned nearly four decades. Featuring more than 150 of the Plains Cree artist's mixed-media works, this sumptuous collection showcases the bold swaths of colour and subtle textures of Littlechild's work. Littlechild has never shied away from political or social themes. His paintings blaze with strong emotions ranging from anger to compassion, humour to spiritualism. Fully embracing his Plains Cree heritage, he combines traditional Cree elements like horses and transformative or iconic creatures with his own family and personal symbols in a unique approach. George Littlechild: The Spirit Giggles Within shows the evolution of an artist from his earliest works to the present day, including hints of future directions and themes.

An insightful foreword by artist and curator Ryan Rice, a Mohawk from the Kahnawake First Nation in Quebec, and Littlechild's reflections on each piece build a broad understanding of Littlechild's work, his life and his views on the role of art within all cultures.

“Like the ceremonial unwrapping of a sacred medicine bundle, this salient retrospective of masterworks is clearly George Littlechild’s master narrative . . . a rare autobiographical gaze into the artist’s private and public space.” —Barry Ace, Artist, Michigiwadinong First Nation

“George Littlechild paints with light and butterfly medicine. This retrospective showcases the brilliance, beauty and grace of his work.” —Richard Van Camp, author of A Man Called Raven

This book invites the reader, through stunning photographs and vivid words, to accompany Giant (Michel Andrew) as he journeys 400 kilometres across northeastern Nitassinan (Labrador) on snowshoes pulling a toboggan. Inspired by his deceased grandfather's counsel conferred in a dream, Giant elicits the help of his uncle Nikashant to organize a walk to raise awareness and funds for diabetes, a disease afflicting so many of his people. Readers will cheer through their tears.

Glass Beads is Lynxleg’s first collection of poetry published by Black Moss Press. It is the manifestion of Lynxleg’s bravery through rich poetry that expresses history, language, culture and a journey to the self. Lynxleg says “Glass Beads is my fourth brave act”, and every reader should read it and be inspired to live in the same brave manner.

First published in 2003, GLBTQ quickly became the indispensable resource for gay, lesbian, bisexual, transgender, queer, and questioning teens (often referred to as LGBT or GLBTQ). This fully revised and updated edition retains all of the straightforward information and practical advice of the original edition while providing a contemporary look at society and its growing acceptance of homosexuality and transgender people.
Included are updates on efforts to promote equality regardless of gender identity or sexual orientation, the current status of legislative initiatives concerning safe schools, gay marriage, workplace equality, and transgender expression, and the repeal of Don't Ask, Don't Tell. Resources point the way to books and websites with more information, and quotes from GLBTQ teens (and allies) who have - been there - share stories of personal experiences.

Glimpses of Oneida Life is a remarkable compilation of modern stories of community life at the Oneida Nation of the Thames Settlement and the surrounding area. With topics ranging from work experiences and Oneida customs to pranks, humorous encounters, and ghost stories, these fifty-two unscripted narrations and conversations in Oneida represent a rare collection of first-hand Iroquoian reflections on aspects of daily life and culture not found in print elsewhere.

Each text is presented in Oneida with both an interlinear, word-by-word translation and a more colloquial translation in English. The book also contains a grammatical sketch of the Oneida language by Karin Michelson, co-author of the Oneida-English/English-Oneida Dictionary, that describes how words are structured and combined into larger linguistic structures, thus allowing Glimpses to be used as a teaching text as well.

The engrossing tales in Glimpses of Oneida Life will be a valuable resource for linguists and language learners, a useful source for those studying the history and culture of Iroquois people in the twentieth-century, and an entertaining read for anyone interested in everyday First Nations life in southern Ontario.

After creating the Mi’kmaqs, the great Glooscap was certain that he had established harmony on earth. But a problem remained: the beavers had built a huge dam across the Restigouche River, preventing the salmon from swimming upriver as far as the camp of the Mi’kmaqs who had come to fish there. Young Mi’kmaq men were convinced they could remedy the situation. However, completely failing to put things right, they asked the loon to call Glooscap to help them. Will the beavers once more outmaneuver Master Glooscap?

Educator InformationDelivered in a triple-language format of English, French, and Mi'kmaw.

Roy has written his version of a Mi’kmaq legend in this story, mentioning special places such as Sugarloaf Mountain.

While panhandling outside a coffee shop, Johnny, a Cree woman who lives on the streets, is shocked to recognize a face from her childhood, which was spent in a residential school. Desperate to hear the man acknowledge the terrible abuse he inflicted on her and other children at the school, Johnny follows Anglican bishop George King to his office to confront him.

Inside King’s office, Johnny’s memories are fluid, shifting, and her voice cracks with raw emotion. Is the bishop actually guilty of what she claims, or has her ability to recollect been altered by poverty, abuse, and starvation experienced on the streets? Can her memories be trusted? Who is responsible for what?

At its core, God and the Indian, by celebrated Aboriginal playwright Drew Hayden Taylor, explores the complex process of healing through dialogue. Loosely based on Death and the Maiden by Chilean playwright Ariel Dorfman, the play identifies the ambiguities that frame past traumatic events. Against the backdrop of Canada’s Truth and Reconciliation Commission, which has facilitated the recent outpouring of stories from residential school survivors across the country, the play explores what is possible when the abused meets the abuser and is given a free forum for expression.

In Richard Van Camp's fictionalized north anything can happen and yet each story is rooted in a vivid contemporary reality. The stories offer a potent mix of tropes from science fiction, horror, Western and Aboriginal traditions. The title story pits Torchy against Smith Squad, fighting for love and family in a bloody, cathartic, and ultimately hopeful narrative. Van Camp's characters repeatedly confront the bleakness of sexual assault, substance addiction and violence with the joy and humour of inspired storytelling.

The year is 1959, and fifteen-year-old Nipishish returns to his Metis reserve in northern Quebec after being kicked out of residential school, where the principal tells him he's a good-for-nothing who, like all Indians, can look forward to a life of drunkenness, prison and despair.

The reserve, however, offers nothing to Nipishish. He feels even more isolated here. He remembers little of his late mother and father. In fact, he seems to know less about himself than the people at the band office. He must try to rediscover the old ways, face the officials who find him a threat, and learn the truth about his father's death.

Adolescents will find inspiration in his courage to reclaim his identity and claim his rightful place on the reserve. The book also provides great insight into the roots of many ongoing Indigenous issues.