"There are tenors as natural phenomena, and then there are tenors as modern architecture. Mr. Domingo's upper range is as beautifully managed as ever, and probably because it was so meticulously built upon its low-lying foundation. His role on Saturday lay comfortably enough that concentration could be directed toward articulation and taste... the dance forms, rhythmic quirks, guitar-driven modal scales and bright instrumental colors of 19th- and 20th-century Spain are nicely assembled and splendidly displayed." -The New York Times (on a live performance of Luisa Fernanda in Washington, DC)