PEN International is deeply saddened by the passing of our friend, colleague and fearless defender of free expression, Judith Rodríguez.
PEN International President, Jennifer Clement, said:
'The news of Judith's death is not just heartbreaking for PEN and its members, but also for me personally. I have lost a dear friend and confidant. Judith dedicated her life to the promotion of literature, and the defence of the voiceless. While we mourn this monumental loss, her legacy will continue through her extraordinary poetry and through PEN's work for years to come.'
PEN International Executive Director, Carles Torner, said:
'She was a very close friend. An extraordinary poet, her poems stay with me for days and months every time I go back to her writing. And someone able to put together a good sense of humour with a deep commitment to PEN's mission: when we were debating about campaigns for writers in prison or forced to exile, or about linguistic rights, her presence in the room was always giving us serenity, hope, wisdom.'
The PEN International Women Writers Committee pays tribute to Judith Rodríguez:
A Farewell to Judith Rodríguez
Judith Rodríguez died today, November 22, 2018. A beloved friend to many of us, Judith was a distinguished Australian poet and human rights advocate. She served the PEN community for many years in many roles, both locally and internationally.
Born Judith Catherine Green in Perth, Western Australia, on 13 February 1936, she grew up in Brisbane and attended Queensland University. From there she went to Cambridge for an MA. While teaching at Kingston University in Jamaica she met her first husband, Fabio Rodríguez. They were married in 1965.
Professionally, she combined poetry, university teaching, publishing, and printmaking. She sometimes illustrated her poetry with woodcuts and had exhibitions of her prints in Australia and Paris. In 1979-82 she was the poetry editor of the literary journal Meanjin while teaching at La Trobe University (1969-85). From 1988 until 1997 Rodriguez was poetry editor with Penguin Australia but was back in academe at Deakin University from 1998 until 2003. Along the way nine collections of her poetry were published, and a play and an opera were performed. Her work has been rewarded with numerous prizes and fellowships.
Judith joined PEN Melbourne in 1984 and was a leading member of the center’s committee for three decades. She was President of PEN Melbourne during 1990-91, edited The Melbourne PEN newsletter from 1991 to 1995, and was Vice-President of PEN Melbourne for over 15 years.
In 1986 while she was Resident Fellow at Rollins College in Florida, Judith attended her first PEN International Congress in New York. From the 1995 PEN International Congress in Australia, Judith was PEN Melbourne’s Congress delegate and reported on the following:1995 Fremantle; 1996 Guadalajara, Mexico; 1997 Edinburgh; 1999 Warsaw; 2001 London; 2002 Macedonia; 2003 Mexico City; 2004 Tromsø; 2005 Bled; 2006 Berlin; 2007 Dakar; 2008 Bogotá; 2009 Linz; 2010 Tokyo; 2011 Belgrade; 2012 Gyeongju, South Korea; 2013 Reykjavik; 2014 Bishkek, Kyrgyzstan; 2015 Québec City; 2016 Ourense, Galicia; and 2017 Lviv, Ukraine.
Judith Rodriguez was elected a Member-at-Large of the PEN International Board 2001-2004, 2004-2006; a member of the Search Committee from 2006, and its Chair 2008-2009, re-elected and Chair 2009-2012. In 2017 she was elected an International Vice-President of PEN.
Judith was much loved in Australian and international writing communities as a writer, mentor, teacher, and supporter of emerging writers. She taught at universities on four continents and read her poetry in Europe, North America and India.
In 1994 she was made a Member of the Order of Australia, for services to literature, and she is also a recipient of the FAW Christopher Brennan Award. Her poetry collection Mudcrab at Gambaro’s (1980) received the PEN International prize for poetry. Who’s Who in Contemporary Women’s Writing, comments: ‘Her poetry constructs strong female voices which insist on justice, clearly perceiving the intricacies of the personal and the relational. They are not confessional, but draw deeply on experience.’
Judith was a fierce campaigner for social justice, a lover of the written word, an inspiring poet, and a true internationalist who has lived a life of commitment and service both within and beyond many borders. This great woman will be very much missed.
She is survived by her four children: Sibila, Ensor, Rebeca, and Zoë Rodríguez and her second husband, Tom Shapcott, whom she married in 1982.

PEN International is deeply saddened by the passing of our friend, colleague and fearless defender of free expression, Judith Rodríguez.
PEN International President, Jennifer Clement, said:
'The news of Judith's death is not just heartbreaking for PEN and its members, but also for me personally. I have lost a dear friend and confidant. Judith dedicated her life to the promotion of literature, and the defence of the voiceless. While we mourn this monumental loss, her legacy will continue through her extraordinary poetry and through PEN's work for years to come.'
PEN International Executive Director, Carles Torner, said:
'She was a very close friend. An extraordinary poet, her poems stay with me for days and months every time I go back to her writing. And someone able to put together a good sense of humour with a deep commitment to PEN's mission: when we were debating about campaigns for writers in prison or forced to exile, or about linguistic rights, her presence in the room was always giving us serenity, hope, wisdom.'
The PEN International Women Writers Committee pays tribute to Judith Rodríguez:
A Farewell to Judith Rodríguez
Judith Rodríguez died today, November 22, 2018. A beloved friend to many of us, Judith was a distinguished Australian poet and human rights advocate. She served the PEN community for many years in many roles, both locally and internationally.
Born Judith Catherine Green in Perth, Western Australia, on 13 February 1936, she grew up in Brisbane and attended Queensland University. From there she went to Cambridge for an MA. While teaching at Kingston University in Jamaica she met her first husband, Fabio Rodríguez. They were married in 1965.
Professionally, she combined poetry, university teaching, publishing, and printmaking. She sometimes illustrated her poetry with woodcuts and had exhibitions of her prints in Australia and Paris. In 1979-82 she was the poetry editor of the literary journal Meanjin while teaching at La Trobe University (1969-85). From 1988 until 1997 Rodriguez was poetry editor with Penguin Australia but was back in academe at Deakin University from 1998 until 2003. Along the way nine collections of her poetry were published, and a play and an opera were performed. Her work has been rewarded with numerous prizes and fellowships.
Judith joined PEN Melbourne in 1984 and was a leading member of the center’s committee for three decades. She was President of PEN Melbourne during 1990-91, edited The Melbourne PEN newsletter from 1991 to 1995, and was Vice-President of PEN Melbourne for over 15 years.
In 1986 while she was Resident Fellow at Rollins College in Florida, Judith attended her first PEN International Congress in New York. From the 1995 PEN International Congress in Australia, Judith was PEN Melbourne’s Congress delegate and reported on the following:1995 Fremantle; 1996 Guadalajara, Mexico; 1997 Edinburgh; 1999 Warsaw; 2001 London; 2002 Macedonia; 2003 Mexico City; 2004 Tromsø; 2005 Bled; 2006 Berlin; 2007 Dakar; 2008 Bogotá; 2009 Linz; 2010 Tokyo; 2011 Belgrade; 2012 Gyeongju, South Korea; 2013 Reykjavik; 2014 Bishkek, Kyrgyzstan; 2015 Québec City; 2016 Ourense, Galicia; and 2017 Lviv, Ukraine.
Judith Rodriguez was elected a Member-at-Large of the PEN International Board 2001-2004, 2004-2006; a member of the Search Committee from 2006, and its Chair 2008-2009, re-elected and Chair 2009-2012. In 2017 she was elected an International Vice-President of PEN.
Judith was much loved in Australian and international writing communities as a writer, mentor, teacher, and supporter of emerging writers. She taught at universities on four continents and read her poetry in Europe, North America and India.
In 1994 she was made a Member of the Order of Australia, for services to literature, and she is also a recipient of the FAW Christopher Brennan Award. Her poetry collection Mudcrab at Gambaro’s (1980) received the PEN International prize for poetry. Who’s Who in Contemporary Women’s Writing, comments: ‘Her poetry constructs strong female voices which insist on justice, clearly perceiving the intricacies of the personal and the relational. They are not confessional, but draw deeply on experience.’
Judith was a fierce campaigner for social justice, a lover of the written word, an inspiring poet, and a true internationalist who has lived a life of commitment and service both within and beyond many borders. This great woman will be very much missed.
She is survived by her four children: Sibila, Ensor, Rebeca, and Zoë Rodríguez and her second husband, Tom Shapcott, whom she married in 1982.

Shared note

Notes from Judith continuing from notes against her Father, Gerald.
I won a Walter and Eliza Hall Fellowship to Cambridge. I wasted time anddid not do a Doctorate, but got Firsts for my College, made goodfriendships and travelled widely! I took a lectureship at the Universityof the West Indies in Jamaica, where I met Fabio Rodriguez. Fabio and Idivorced in 1981 and I married Tom Shapcott in 1982. My main lecturingjobs have been at St Mary's College Twickenham (1966-68), La TrobeUniversity (1969-85), RMIT (1988-1989), Deakin University (1989 to thepresent). In 1988 I changed from teaching Literature to teaching Writing.I've had several periods off lecturing on Literature Fellowships, andthese took me in 1986 to Rollins College in Florida and to CurtinUniversity, Western Australia For two months each year from 2000 I'vebeen a Visiting Fellow at the University of Madras, Chennai in India.I've had nine books of poetry published (four of them with my ownlinocuts), edited half a dozen anthologies, and collaborated in a playand an opera - the opera is to be produced later this year. I've alsodone a fair bit of reviewing, but published only two stories. Narrativedoesn't seem to be the way my mind works.