“I Saw the Light” (Hank Williams) and “Born to Be Blue” (Chet Baker) are two equally mediocre biopics with radically different responses from critics. Both pictures portray musicians on the lost highway: Williams on

Imagine the promise of an Americana video channel that isn’t as basement-level godawful as Country Music Television (a.k.a., pop music with cowboy hats.) Imagine the interest that was aroused when, three songs into the first viewing