A stellar performance that brings this remarkable story to blazing life.

This biblical story, with its historical references to specific cities, generals and kings, is accepted as canon by Roman Catholic theologians, although it doesn't appear in either Hebrew or Protestant scriptures. The Book of Judith is set in the time of the mighty Assyrian ruler Nebuchadnezzar, King of Nineveh. Seeking to expand his empire, the king sends armies, led by General Holofernes (Oloferne), to subdue neighboring kingdoms, all of whom surrender under his powerful forces. The only ones who refuse to capitulate are the Israelites, who cordon off their mountain passes and gather provisions to resist a siege. Instead of a massacre, Holofernes discovers and commandeers their water sources. Faced with drought, the elders of Israel prepare to surrender. Their leader, Prince Ozias, suggests a five-day wait, during which interval Israel's prayers for help may be heard by God. It is at this point that Scarlatti's oratorio takes up the story, depicting the entrance of the pious Judith (Giuditta) who will distract Holofernes until she is able to slay him and make her escape, displaying his severed head, causing the enemy to retreat, sparing the Israelites. Scarlatti's score is in the Italianate style of the period, and the work is largely continuo-driven, with string ritornelli concluding most of the arias. This stellar performance, with the renowned Julianne Baird in the role of Judith/Giuditta, brings this remarkable story to blazing life.