A Doll's House

By Henrik Ibsen

The file download will begin after you complete the registration.
Downloader's Terms of Service | DMCA

Description

A Doll's House One of the best-known, most frequently performed of modern plays, A Doll's House richly displays the genius with which Henrik Ibsen pioneered modern, realistic prose drama. In the central character of Nora, Ibsen epitomized the human struggle against the humiliating constraints of social conformity. Nora's ultimate rejection of a smothering marriage and life in "a doll's house" shocked theatergoers of the late 1800s and opened new horizons for playwrights and their audiences.But daring social themes are only one aspect of Ibsen's power as a dramatist. A Doll's House shows as well his gifts for creating realistic dialogue, a suspenseful flow of events and, above all, psychologically penetrating characterizations that make the struggles of his dramatic personages utterly convincing. Here is a deeply absorbing play as readable as it is eminently playable, reprinted from an authoritative translation., a doll's house, a doll's house pdf, a doll's house sparknotes, a doll's house summary, a doll's house part 2, a doll's house quotes, a doll's house act 1, a doll's house themes, a doll's house setting, a doll's house movie

Reviews

I loved it

5

By Fjskfnejxnanc

Omg this book was amazing . It was detailed extremely well .you can understand everything clearly . It is shut a plot twist . The ending is so sad, I nearly cried! I really thought they were meant to me , I really thought he world understand y she did what she did and that he would love her even more for it but what happens was, crazy . He truly loved her and I believe that she will some day fall in love with him again and realize she made a mistake because she did. She left the love of her life , her children,her home . How could someone do that .there is no way she truly felt that how can she have children with this man and not be in love with him!!!! All I know is that he truly loved or loves her and he always will!!💕😖😭😭💕

More by Henrik Ibsen

Henrik Ibsen It's a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on stage. The play ushered in a new social era and "exploded like a bomb into contemporary life".

Henrik Ibsen A Doll's House is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month.

The play is significant for its critical attitude toward 19th century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argues that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity."

Henrik Ibsen One of the best-known, most frequently performed of modern plays, A Doll's House richly displays the genius with which Henrik Ibsen pioneered modern, realistic prose drama. In the central character of Nora, Ibsen epitomized the human struggle against the humiliating constraints of social conformity. Nora's ultimate rejection of a smothering marriage and life in "a doll's house" shocked theatergoers of the late 1800s and opened new horizons for playwrights and their audiences.But daring social themes are only one aspect of Ibsen's power as a dramatist. A Doll's House shows as well his gifts for creating realistic dialogue, a suspenseful flow of events and, above all, psychologically penetrating characterizations that make the struggles of his dramatic personages utterly convincing. Here is a deeply absorbing play as readable as it is eminently playable, reprinted from an authoritative translation.

Henrik Ibsen From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: “Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little or no prospect of my being able to complete it in July.” Ibsen did not leave Munich at all that season. On October 30 he wrote: “At present I am utterly engrossed in a new play. Not one leisure hour have I had for several months.”

Henrik Ibsen The winter of 1879-80 Ibsen spent in Munich, and the greater part of the summer of 1880 at Berchtesgaden. November 1880 saw him back in Rome, and he passed the summer of 1881 at Sorrento. There, fourteen years earlier, he had written the last acts of Peer Gynt; there he now wrote, or at any rate completed, Gengangere. It was published in December 1881, after he had returned to Rome. On December 22 he wrote to Ludwig Passarge, one of his German translators, “My new play has now appeared, and has occasioned a terrible uproar in the Scandinavian press; every day I receive letters and newspaper articles decrying or praising it.... I consider it utterly impossible that any German theatre will accept the play at present. I hardly believe that they will dare to play it in the Scandinavian countries for some time to come.” How rightly he judged we shall see anon.

Henrik Ibsen This dark psychological drama was first produced in Norway in 1890 and depicts the evil machinations of a ruthless, nihilistic heroine: the infamous Hedda Gabler. Readers will discover a masterly exploration of the nature of evil, along with the potential for tragedy that lies in human frailty. A true masterpiece.

Henrik Ibsen A Doll's House (Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play written by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town circa 1879.
The play is significant for the way it deals with the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male dominated world. It aroused a great sensation at the time, and caused a “storm of outraged controversy” that went beyond the theatre to the world newspapers and society.

Among the greatest and best known of Ibsen’s works, these four plays brilliantly exemplify his landmark contributions to the theater: his realistic dialogue, probing of social problems, and depiction of characters’ inner lives as well as their actions. Rich in symbolism and often autobiographical, each of these dramas deals convincingly and provocatively with such universal themes as greed, fear, and sexual hostility, and confronts the eternal conflict between reality and illusion. These Rolf Fjelde translations have been widely acclaimed as the definitive versions of the major works of the father of modern theater.

Translated and with a Foreword by Rolf FjeldeAnd an Afterword by Joan Templeton

Henrik Ibsen Widely regarded as one of the foremost dramatists of the nineteenth century, Norwegian playwright Henrik Ibsen (1828–1906) brought the social problems and ideas of his day to center stage. Creating realistic plays of psychological conflict that emphasized character over cunning plots, he frequently inspired critical objections because his dramas deemed the individual more important than the group.In this powerful work, Ibsen places his main characters, Dr. Thomas Stockman, in the role of an enlightened and persecuted minority of one confronting an ignorant, powerful majority. When the physician learns that the famous and financially successful baths in his hometown are contaminated, he insists they be shut down for expensive repairs. For his honesty, he is persecuted, ridiculed, and declared an "enemy of the people" by the townspeople, included some who have been his closest allies.First staged in 1883, An Enemy of the People remains one of the most frequently performed plays by a writer considered by many the "father of modern drama." This easily affordable edition makes available to students, teachers, and general readers a major work by one of the world's great playwrights.

Henrik Ibsen With The Master Builder—or Master Builder Solness, as the title runs in the original—we enter upon the final stage in Ibsen’s career. “You are essentially right,” the poet wrote to Count Prozor in March 1900, “when you say that the series which closes with the Epilogue (When We Dead Awaken) began with Master Builder Solness.”

Henrik Ibsen

Henrik Ibsen A Doll's House is an 1879 play by Norwegian playwright
Henrik Ibsen. The play was the first of Ibsen's plays to create a sensation
and is now perhaps his most famous play, and required reading in many secondary
schools and universities. The play was controversial when first published, as it
is sharply critical of 19th century marriage norms. It follows the
formula of well-made play up until the final act, when it breaks convention by
ending with a discussion, not an unravelling. It is often called the first true
feminist play, although Ibsen denied this.

— Excerpted from Wikipedia, the free encyclopedia.

Henrik Ibsen From Pillars of Society to John Gabriel Borkman, Ibsen’s plays had followed each other at regular intervals of two years, save when his indignation over the abuse heaped upon Ghosts reduced to a single year the interval between that play and An Enemy of the People. John Gabriel Borkman having appeared in 1896, its successor was expected in 1898; but Christmas came and brought no rumour of a new play. In a man now over seventy, this breach of a long-established habit seemed ominous. The new National Theatre in Christiania was opened in September of the following year; and when I then met Ibsen (for the last time) he told me that he was actually at work on a new play, which he thought of calling a “Dramatic Epilogue.” “He wrote When We Dead Awaken,” says Dr. Elias, “with such labour and such passionate agitation, so spasmodically and so feverishly, that those around him were almost alarmed. He must get on with it, he must get on! He seemed to hear the beating of dark pinions over his head.

Henrik Ibsen This 1884 masterpiece may have its genesis in the hostile reception Ibsen — widely regarded as the father of modern realist drama — had received from the Norwegian public and critics for Ghosts (1881), which gave theater-goers a larger dose of truth than most were willing to bear. His next three plays — The Wild Duck, An Enemy of the People (1882), and Rosmersholm (1886) — focused on the consequences of telling the truth, or forbearing to do so.In The Wild Duck, the idealistic son of a corrupt merchant exposes his father's duplicity, but in the process destroys the very people he wishes to save. Convinced that reality is always superior to illusion, Gregers Werle forces his friends, the Ekdals, to face the truth about their lives. Unfortunately, the truth, involving scandal, illegitimacy, imprisonment, and madness, only serves to wound the Ekdals further. In the play, the wild duck is a symbol of this injured family, and perhaps of the loss of Ibsen's youthful idealism.Moving and powerful, this thought-provoking tragedy shows clearly why Ibsen is regarded as one of the giants of modern theater.

Henrik Ibsen SCENE.—DOCTOR WANGEL’S house, with a large verandah garden in front of and around the house. Under the verandah a flagstaff. In the garden an arbour, with table and chairs. Hedge, with small gate at the back. Beyond, a road along the seashore. An avenue of trees along the road. Between the trees are seen the fjord, high mountain ranges and peaks. A warm and brilliantly clear summer morning.

Henrik Ibsen The classic play about a woman’s fight for independence and her desire to break free of her role as housewife.

One of the best-known, most frequently performed modern plays, A Doll’s House richly displays the genius with which Henrik Ibsen pioneered realistic prose drama. The central character, Nora, epitomizes the human struggle against the humiliating constraints of social conformity. Her ultimate rejection of a smothering marriage and life in a “doll’s house” shocked theatergoers of the late nineteenth century and opened new horizons for playwrights and their audiences.

However, daring social themes are only one aspect of Ibsen’s power as a dramatist. A Doll’s House demonstrates his ability to create realistic dialogue and a suspenseful flow of events, and bring to life the psychologically penetrating characterizations that make the struggles of his dramatic personages utterly convincing. Here is a deeply absorbing dramatic work as readable as it is eminently playable.

This ebook has been professionally proofread to ensure accuracy and readability on all devices.

Henrik Ibsen (1828–1906) is the Norwegian playwright deemed the “father of realism.” Born in Skien, Norway, Ibsen was exiled in 1862 to Italy, where he wrote the tragedy Brand. After moving to Germany in 1868, he wrote A Doll’s House (1879), one of his most famous works; Hedda Gabler (1890), the title character of which is one of theater’s most notorious roles; and many other plays. In 1891, Ibsen returned to Norway, where he remained until his death.

Henrik Ibsen According to Wikipedia: "Henrik Johan Ibsen (20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright of realistic drama and poet. He is often referred to as the "father of modern drama" and is one of the founders of modernism in the theatre. Alongside Knut Hamsun, Ibsen is held to be the greatest of Norwegian authors, celebrated as a national symbol by Norwegians, and one of the most important playwrights of all time. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen introduced a critical eye and free inquiry into the conditions of life and issues of morality."

Henrik Ibsen Among the masterpieces of world literature, this early verse drama by the celebrated Norwegian playwright humorously yet profoundly explores the virtues, vices, and follies common to all humanity — as represented in the person of Peer Gynt, a charming but irresponsible young peasant. Based on Norwegian folklore and Ibsen’s own imaginative inventions, the play relates the roguish life of the world-wandering Peer, who finds wealth and fame — but never happiness — although he is redeemed by love in the end.As the play opens the young farmer attends a wedding and meets Solveig, the woman who is eventually to be his salvation. However, the rascally Peer then kidnaps the bride and later abandons her in the wilderness. This dismal performance is followed by a string of adventures (many of which do not reflect well on Peer) in many lands. After these soul-chilling exploits, an old and embittered Peer returns to Norway, eventually finding solace in the arms of the faithful Solveig.Like other early Ibsen plays, such as Brand (1866) and Emperor and Galilean (1874), the work is imbued with poetic mysticism and romanticism, and in Peer we find a rebellious central character in search of an ultimate truth that always seems just out of reach. In this sense Peer can be seen as an alter ego of Ibsen himself, whose lifelong search for artistic and moral certainties resulted in the great later plays (Hedda Gabler, The Wild Duck, An Enemy of the People, etc.) upon which his reputation chiefly rests. This rich, poetic version of Peer Gynt is considered the standard translation.

Henrik Ibsen Controversial for its time and groundbreaking in its structure, Ibsen’s most famous play is a powerful critique of marriage and the oppression of women.

Henrik Ibsen "A Doll's House" is the story of Nora Helmer who has secretly borrowed a large sum of money to help her husband recover from a serious illness. Nora who has borrowed this money by forging her father's signature soon discovers the value of the relationship she has with her husband, Torvald, when he becomes the director of the bank that employs the man, Nils Krogstad, who has lent the money to Nora. When it is discovered that Nils has commited a forgery himself, Nils threatens to reveal Nora's secret to her husband if she does not convince Torvald to allow Nils to keep his position at the bank. "A Doll's House" is a gripping drama about a failing, loveless marriage.

Henrik Ibsen According to Wikipedia: "Henrik Johan Ibsen (20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright of realistic drama and poet. He is often referred to as the "father of modern drama" and is one of the founders of modernism in the theatre. Alongside Knut Hamsun, Ibsen is held to be the greatest of Norwegian authors, celebrated as a national symbol by Norwegians, and one of the most important playwrights of all time. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen introduced a critical eye and free inquiry into the conditions of life and issues of morality."

Henrik Ibsen (SCENE—The sitting-room at Rosmersholm; a spacious room, comfortably furnished in old-fashioned style. In the foreground, against the right-hand wall, is a stove decorated with sprigs of fresh birch and wild flowers. Farther back, a door. In the back wall folding doors leading into the entrance hall. In the left-hand wall a window, in front of which is a stand filled with flowers and plants. Near the stove stand a table, a couch and an easy-chair. The walls are hung round with portraits, dating from various periods, of clergymen, military officers and other officials in uniform. The window is open, and so are the doors into the lobby and the outer door. Through the latter is seen an avenue of old trees leading to a courtyard. It is a summer evening, after sunset. REBECCA WEST is sitting by the window crocheting a large white woollen shawl, which is nearly completed. From time to time she peeps out of window through the flowers. MRS. HELSETH comes in from the right.)

Henrik Ibsen SCENE.—A large room looking upon a garden door in the left-hand wall, and two in the right. In the middle of the room, a round table with chairs set about it, and books, magazines and newspapers upon it. In the foreground on the left, a window, by which is a small sofa with a work-table in front of it. At the back the room opens into a conservatory rather smaller than the room. From the right-hand side of this, a door leads to the garden. Through the large panes of glass that form the outer wall of the conservatory, a gloomy fjord landscape can be discerned, half-obscured by steady rain.

Henrik Ibsen Henrik Ibsen's 1884 drama, "The Wild Duck", is the story of Gregers Werle, an idealist who returns to his hometown after some absence. While there he begins to meddle in the affairs of the Ekdals, an odd family that have constructed a strange way of living by ignoring the skeletons in their respective closets. The Ekdals escape the reality of their existence by the construction of various delusional fantasies. Gregers, who believes that the pursuit of the ideal demands the exposition of absolute truth, summons the Ekdals to expose for themselves the truth that is hiding behind the facade of their lies. In so doing, a tragic unraveling of the very fabric of the Ekdals lives occurs in classic Ibsen fashion.

Henrik Ibsen Little Eyolf was written in Christiania during 1894, and published in Copenhagen on December 11 in that year. By this time Ibsen’s correspondence has become so scanty as to afford us no clue to what may be called the biographical antecedents of the play. Even of anecdotic history very little attaches to it. For only one of the characters has a definite model been suggested. Ibsen himself told his French translator, Count Prozor, that the original of the Rat-Wife was “a little old woman who came to kill rats at the school where he was educated. She carried a little dog in a bag, and it was said that children had been drowned through following her.” This means that Ibsen did not himself adapt to his uses the legend so familiar to us in Browning’s Pied Piper of Hamelin, but found it ready adapted by the popular imagination of his native place, Skien. “This idea,” Ibsen continued to Count Prozor, “was just what I wanted for bringing about the disappearance of Little Eyolf, in whom the infatuation [Note: The French word used by Count Prozor is “infatuation.”

Henrik Ibsen Norwegian-born Henrik Ibsen's classic play about the struggle between independence and security still resonates with readers and audience members today. Often hailed as an early feminist work, the story of Nora and Torvald rises above simple gender issues to ask the bigger question: To what extent have we sacrificed our selves for the sake of social customs and to protect what we think is love? Nora's struggle and ultimate realizations about her life invite all of us to examine our own lives and find the many ways we have made ourselves dolls and playthings in the hands of forces we believe to be beyond our control.

Henrik Ibsen When originally released, A Dolls House caused much controversy for its critical attitude towards 19th century marriage.
With the main character, Nora, leaving her husband and children as she wants to discover herself.

Henrik Ibsen The innovative dramas of Henrik Ibsen created a sensation among 19th-century audiences with their mordant attacks on social conventions. Among the finest of these ground-breaking works was Ghosts, first performed in 1881. In it, the playwright assailed the hypocrisy of moral codes, offering a daring treatment of such then-taboo issues as infidelity, venereal disease, and illegitimacy. Ibsen substituted the modern scientific idea of heredity for the ancient Greek concept of fate, exposing hidden sins of the past as the roots of corruption.The sins of the past are at the heart of the play, whose haunted heroine, Mrs. Helen Alving, has accepted her pastor's counsel and endured her husband's many infidelities in silence. Ten years after Alving's death, she is to dedicate an orphanage in his memory. Her son Oswald, kept innocent of his father's profligacy, returns home for the dedication. Oswald's attraction to the housemaid — in reality, his half-sister — conjures up the ghost of his parents' unhappy marriage. This disastrous romance, along with Oswald's increasing symptoms of the venereal disease inherited from his father, force Mrs. Alving to confront her own "ghosts."A powerful and engrossing psychological drama, Ghosts serves as an excellent entrée to Ibsen's other works and helps confirm his status as "the father of modern drama."

Henrik Ibsen This collection was designed for optimal navigation on iPad and other electronic devices. It is indexed alphabetically, chronologically and by category, making it easier to access individual books, stories and poems. This collection offers lower price, the convenience of a one-time download, and it reduces the clutter in your digital library. All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography.

AppendixList of Works in Alphabetical Order List of Works in
Chronological OrderHenrik Ibsen Biography

Henrik Ibsen One of the most remarkable facts about Ibsen is the orderly development of his genius. He himself repeatedly maintained that his dramas were not mere isolated accidents. In the foreword to the readers in the popular edition of 1898 he urges the public to read his dramas in the same order in which he had written them, deplores the fact that his earlier works are less known and less understood than his later works, and insists that his writings taken as a whole constitute an organic unity. The three of his plays offered here for the first time in English translation will afford those not familiar with the original Norwegian some light on the early stages of his development.

Henrik Ibsen "A Doll's House and Other Plays" is a collection of eight of the most popular dramas by Henrik Ibsen. In "A Doll's House" we have the story of Nora Helmer, the wife of the prideful bank manager Torvald. Nora finds herself the victim of a blackmail scheme by Nils Krogstad, a man whom she has borrowed money from in order to save her husband's life. Probably Ibsen's most famous work, "A Doll's House" is accompanied by the following and equally dramatic works: "The League of Youth", "Ghosts", "An Enemy of the People", "The Wild Duck", "The Lady From the Sea", "Hedda Gabler", and "The Master Builder". In this volume fans of Ibsen and the dramatic theater will find a representative selection from one of the greatest dramatists to ever have lived.

Henrik Ibsen According to Wikipedia: "Henrik Johan Ibsen (20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright of realistic drama and poet. He is often referred to as the "father of modern drama" and is one of the founders of modernism in the theatre. Alongside Knut Hamsun, Ibsen is held to be the greatest of Norwegian authors, celebrated as a national symbol by Norwegians, and one of the most important playwrights of all time. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen introduced a critical eye and free inquiry into the conditions of life and issues of morality."

(This Norwegian edition of Peer Gynt is based on the complete Copenhagen edition of Ibsen's collected works, published by Gyldendal in 1898-1902, and is presented in the common Danish-Norwegian written language, as they were originally published during Ibsen's lifetime.)

Henrik Ibsen First performed at the Royal Theatre in Copenhagen, Denmark, on December 21, 1879, “A Doll’s House” is one of Henrik Ibsen’s most famous plays. It is the story of Nora Helmer who has secretly borrowed a large sum of money to help her husband recover from a serious illness, sometime prior to the beginning of the play. Nora who has borrowed this money by forging her father’s signature soon fears that her secret will be discovered when her husband, Torvald, becomes director of the bank and fires an associate, Nils Krogstad, who knows of Nora’s transgression. When Krogstad threatens to reveal Nora’s secret, she begs her husband not to reinstate him, however, he refuses. The tension that arises in Nora and Torvald’s marriage ultimately comes to a head when Torvald finally learns of the forgery. A gripping drama about a failing, loveless marriage, “A Doll’s House” was very controversial when it debuted, because of its critical attitude toward 19th-century marriage norms. Ibsen himself believed that the male dominated society of the 19th-century society failed to allow women to truly be themselves, and thus advocated, through his work, for an advancement of women’s rights. This edition includes an introduction by William Archer.

Henrik Ibsen 'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.'

Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage.

This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012.

'Ibsen's great feminist drama' Daily Telegraph

Henrik Ibsen & R. Farquharson Sharp Norwegian playwright Henrik Ibsen wrote An Enemy of the People in 1882 as a response to the public outrage over his play Ghosts. Part comedy, part serious drama, the play looks at Dr. Thomas Stockmann's struggle to uphold the truth in the face of intolerance and willful ignorance, as his entire community turns against him. Branded an "Enemy of the People," Dr. Stockmann can only take solace in the idea that "the strongest man in the world is the man who stands most alone."

Henrik Ibsen A fresh American version of Henrik Ibsen’s final prose play, rendered in clear language faithful to the original Norwegian by translator Anna Jensen. The full script is accompanied by video and photographs from live performances of the premiere production at Austin College (of Sherman, Texas). This text is available for public distribution and classroom use. Performance rights available on request.

Henrik Ibsen & Nicholas Rudall Ibsen's seminal play, which changed modern drama, is a searing view of a male-dominated and authoritarian society, presented with a realism that elevates theatre to a level above mere entertainment. The reverberations of Nora's slamming the door as she leaves Torvald continue to the present day. Plays for Performance Series.

Henrik Ibsen A Doll's House is a three-act play in prose by the playwright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month.
The play was controversial when first published, as it is sharply critical of 19th century marriage norms. Michael Meyer argues that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Women's Rights League in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement,"since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity." The Swedish playwright August Strindberg attacked the play in his volume of short stories Getting Married (1884).
—————
At Cricket House Books we strive to craft an aesthetically pleasing product that complements (rather than distracts) the timelessness of the author’s masterpiece. By paying special attention to formatting, punctuation, and style, we aim to provide the reader with editions of classic books that look much more like a book and less like a webpage or text document. And we hope that our readers, consider that as something of value. Enjoy the read!

Henrik Ibsen Six Plays by Henrik Ibsen is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
• New introductions commissioned from today’s top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader’s viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader’s understanding of these enduring works.
The father of modern drama, Henrik Ibsen shook off the stale conventions of nineteenth-century theater and made the stage play an instrument for brilliantly illuminating the dark recesses of human nature.
After writing historical plays and imaginative epic dramas in verse, such as Peer Gynt, Ibsen turned away from history and romanticism to focus instead on the problems of the individual and modern society. The plays of his middle period—A Doll’s House, Ghosts, The Wild Duck, and his most popular play, Hedda Gabler—are masterpieces of stark psychological realism. In his final plays, including The Master Builder, Ibsen mixed realism and symbolism to enrich his examination of our subconscious drives and urges.
Ibsen was criticized and denounced during his lifetime for expanding the boundaries of what is acceptable fare for the stage. Audiences were shocked when he wrote of feminist yearnings, venereal disease, and the deep emotions that underlie the sadness involved in being human. James Joyce put the criticism in perspective: “Henrik Ibsen is one of the world’s great men before whom criticism can make but feeble show. . . . When the art of a dramatist is perfect the critic is superfluous.” Ibsen has since come to be considered one of our greatest playwrights.
Martin Puchner is Assistant Professor of English and comparative literature at Columbia University. He is the author of Stage Fright: Modernism, Anti-Theatricality and Drama (Johns Hopkins University Press, 2002).

Henrik Ibsen Bored by her marriage, Hedda Gabler seeks escape. But when a friend falls for Ejlert, a former lover of Hedda, Ibsen's heartless heroine decides to engineer his brutal demise.

Henrik Ibsen “Deprive the average human being of his life-lie, and you rob him of his happiness” is the central message of this classic play. The drama starts with the return of Gregers Werle to his father’s home where, fuelled by idealism, he sets out to reveal the secrets and lies that hold his family together with tragic results.

Henrik Ibsen From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: "Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little or no prospect of my being able to complete it in July." Ibsen did not leave Munich at all that season. On October 30 he wrote: "At present I am utterly engrossed in a new play. Not one leisure hour have I had for several months." Three weeks later (November 20) he wrote to his French translator, Count Prozor: "My new play is finished; the manuscript went off to Copenhagen the day before yesterday.... It produces a curious feeling of emptiness to be thus suddenly separated from a work which has occupied one's time and thoughts for several months, to the exclusion of all else. But it is a good thing, too, to have done with it. The constant intercourse with the fictitious personages was beginning to make me quite nervous." To the same correspondent he wrote on December 4: "The title of the play is Hedda Gabler. My intention in giving it this name was to indicate that Hedda, as a personality, is to be regarded rather as her father's daughter than as her husband's wife. It was not my desire to deal in this play with so-called problems. What I principally wanted to do was to depict human beings, human emotions, and human destinies, upon a groundwork of certain of the social conditions and principles of the present day."

(This Norwegian edition of Hedda Gabler is based on the complete Copenhagen edition of Ibsen's collected works, published by Gyldendal in 1898-1902, and is presented in the common Danish-Norwegian written language, as they were originally published during Ibsen's lifetime.)

Henrik Ibsen, Rolf Fjelde & Terry Otten The foremost dramatist of his age, Ibsen changed theatre forever with his realistic dialogue and depiction of contemporary social problems. Here are four of his greatest works: Ghosts, An Enemy of the People, The Lady From the Sea, and John Gabriel Borkman.

Henrik Ibsen The best known works of Henrik Ibsen in one collection with an active table of contents.

Works include:
A Doll's House
Early Plays
An Enemy of the People
The Feast at Solhoug
Ghosts
Hedda Gabler
John Gabriel Borkman
The Lady From The Sea
Little Eyolf
Love's Comedy
The Master Builder
Pillars of Society
Rosmersholm
When We Dead Awaken

Henrik Ibsen Written in 1892, later in Ibsen's life, "The Master Builder," or "Bygmester Solness," is a 3-act play that explores the conflicted thoughts and feelings of the hardened and powerful artist Halvard Solness. He is an older architect who painstakingly worked his way to professional distinction at the cost of his personal life. As he reflects on his career, Halvard is frustrated with his ambition and dreams of achieving genuine satisfaction in his life. At the same time, he fears being surpassed by a younger generation of talent, including by his own son, a younger member of the firm. A symbolic and semi-autobiographical play, "The Master Builder" portrays a creative man's confusion and downfall.

Henrik Ibsen Born in Skien, Norway in 1828, Henrik Ibsen has often been referred to as the founder of modern drama and modernism in theatre. Ibsen was widely known as an atheist and political radical, and channeled some of those sentiments into his works. "Peer Gynt" captures humankind's unsure, imperfect and opportunistic nature in many memorable scenes: a portrait so intimate and accurate that the play has become a classic in Norwegian literature. This five act play was based on the Norwegian fairy tale, "Per Gynt", and broke down the structural barriers of Norwegian theatre, as Ibsen wrote the entire play in verse-form. "Peer Gynt" drifts between the conscious and unconscious, blending realism and folkloric fantasy. Ibsen used this play to satirize transcendentalist ideas, new and revolutionary at the time, that encouraged a return to nature and simplicity. A year after finishing this work, Ibsen suffered his first severe stroke, and never wrote again. This play was incredibly controversial at the time it was written, and holds true to its evocative nature today.