Theatre and Climate Change. What can we do?

Devoted and Disgruntled Archivist

Theatre and Climate Change. What can we do?

Kevin Lewis, 17 September 2012

Session called by Kevin Unfortunately as it was the last session of the day only a few people turned up. The question was provoked by the front page news in the Guardian on Saturday read just before coming to Devoted and Disgruntled. The Arctic Ice cap is melting much quicker than expected. How as theatre makers do we respond to this? Mention was made of the recent Emergence conference at Centre for Alternative Technology nr Aberystywth. Presumably there are or will be this reports about this on the Emergence website. The three of us who were in this group felt a bit overwhelmed and lonely and scared and angry and sad so we made an instant sculpture with upturned chairs from our group circle , tore up the white paper with the question on and scattered the pieces around the chairs and impaled bits of the paper on the chair legs. I'm still thinking on this question as I imagine are other people.

How we keep in touch

As well as contacting you about administrative issues connected to your report submissions, donations or event bookings, we would love your consent to tell you about upcoming Devoted & Disgruntled events, and Improbable news and productions. We won't share your details with third parties. For more information, please see our Privacy Policy.

We will normally only ever contact you via email. However, if you prefer to be contacted in another way, please select channels below.

If you'd rather we didn't contact you at all, please leave all channel options blank.

Your Privacy

We store all your personal details securely. We'll use your data to communicate with you in the ways you have specified, and may use data for analysis to make sure we're providing the best service possible. for more information, please see our Privacy Policy.

Latest

A discussion about how to create a genuinely safe and open atmosphere in improv classes from the first class someone takes.
How do we protect students from potentially harmful experiences which can arise from the rigidity or literal interpretation of 'Yes, and' ?

These are notes taken as Guy Hartnell shared about the Oogly Boogly project, where performers improvised with babies by copying their movements and sounds, while the babies' parents watched. It took place inside a large inflatable venue. The notes were taken by Catherine Ryan.

This was an experimental workshop combining the work of Frank Torino and Richard Coaten who met on the pavement on the way to Day 4. I discovered Frank had an interest in mental health and in improv work with theatre students in Denmark, mine was in how carers of people living with dementia might benefit from having access to improvisation and its role in maintaining their resilience, quality of life and relationship with their loved ones...meta theme - great link made between Franks' You Be Me'

Related

A discussion about how to create a genuinely safe and open atmosphere in improv classes from the first class someone takes.
How do we protect students from potentially harmful experiences which can arise from the rigidity or literal interpretation of 'Yes, and' ?

These are notes taken as Guy Hartnell shared about the Oogly Boogly project, where performers improvised with babies by copying their movements and sounds, while the babies' parents watched. It took place inside a large inflatable venue. The notes were taken by Catherine Ryan.

This was an experimental workshop combining the work of Frank Torino and Richard Coaten who met on the pavement on the way to Day 4. I discovered Frank had an interest in mental health and in improv work with theatre students in Denmark, mine was in how carers of people living with dementia might benefit from having access to improvisation and its role in maintaining their resilience, quality of life and relationship with their loved ones...meta theme - great link made between Franks' You Be Me'

Part of the Fringe Central Programme for Fringe participants. Artist, technician, venue staff or audience member – you’ll know the pains as well as the joys of the Fringe. This is your chance to help make the Fringe work better for the very people who give it reason. You. Bring your own questions and ideas – you set the agenda and nothing is censored. An open space – come for as much or as little as you want.

Sign up for our newsletter

First name

Last name

Email

By signing up to our newsletter, you are giving your consent for us to contact you via email with news of Devoted & Disgruntled events and other projects run by Improbable. For more details on how we hold your data and how we are complying with GDPR, please see the Privacy Policy.