ABOUT US

Steve Friess is a 2011-12 recipient of the prestigious Knight-Wallace Fellowship at the University of Michigan, where he will be studying the impact of the rapid expansion of Vegas-style gaming on Asia. He's a podcaster, author and Vegas-based freelance journalist who writes regularly for USA Today, The New York Times, Newsweek and many others. His column, "The Strip Sense" appears every Thursday in the Las Vegas Weekly. His books include "Gay Vegas" from Huntington Press and Knopf Mapguides' "Las Vegas."Friess co-hosts the weekly celebrity interview podcast The Strip Podcast "The Strip" with his husband, Miles Smith, the executive producer at KSNV-TV, Channel 3. For four years, Steve also co-hosted The Petcast with Las Vegas Sun education scribe Emily Richmond.

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Meanwhile, also in DEATH RAY news, as I predicted, "Wait Wait Don't Tell Me" used the item on this week's show. Hat tip to Dave Lifton for pointing it out first, and you can hear just that six-minute segment by right-clicking here. Funny stuff, although the joke's been told so many times this week it actually feels stale. Had Mo Rocca been on the show this week, he might have pulled off a line like this classic from the Twitter feed of @Misadventurer:

Oh, and right after I wondered on this blog (a) why the R-J hadn't followed up on their own scoop, (b) why the Sun hadn't done anything at all and (c) why nobody else locally had written anything on the absurd amount of press coverage devoted to this, the R-J and the Sun both chimed in with...pieces on the absurd amount of press coverage devoted to this. Of course, neither of them referenced the AOL News piece that was the first national follow-up and which actually advanced the story beyond Joan Whitely's original, but that's to be expected from the insecure souls who run our version of the MSM.

That's OK. We sorta got the Sun back over at AOL with this possibly misleading headline:

Friday, October 1, 2010

We are back with The Petcast after a monthlong hiatus following The Great Petcast Roadtrip, so we begin our cycle of guest-hosts with Amy while Emily is away until May. We will be recording two new episodes of The Petcast from noon-1, followed by an episode of The Strip with me and Miles from 1-2 p.m. Pacific at LVRocks.Com.

On The Petcast, we'll speak with Lori Birdsong of LinensForAnimals.Org, and then we'll interview Dr. Nicholas Dodman, author of the new book, "Good Old Dog: Expert Advice for Keeping Your Aging Dog Happy, Healthy, and Comfortable."

Then Miles and I will mull the week's Vegas news plus we'll play my interview with a surprisingly humble and contrite Pete Rose.

As always, you can listen live at via LVRocks.Com and join the chat with fellow listeners. Or wait and grab the podcast version via iTunes, Zune or that nifty "Listen Now" player on TheStripPodcast.Com.

Thursday, September 30, 2010

[UPDATE: Due to Tony Curtis' death, KNPR will air an archived interview with the late star on Friday and bump the Oscar-BBC interview to Monday. Will post the time when I know.]

KNPR General Manager Flo Rogers emailed me earlier to let me know that she has obtained the rights to re-broadcast the BBC World Service's "HardTALK" episode featuring the weirdest, most entertaining interview Mayor Oscar Goodman has ever granted. (Here's my take on it from when it first emerged.)

This is great news because the BBC site only made it available for a week and did not provide a podcast. Rogers said that they will air it on State of Nevada at 10:30 a.m. on Friday and that it will also become part of the show's podcast feed so you'll all be able to hear it, own it, savor it, share it with your kids and at cocktail parties and stuff.

By the by, I encountered Goodman the day after that blog post went up at Temple Beth Shalom while shadowing Rep. Shelley Berkley on Rosh Hashanah for a feature. He interrupted my interview with Berkley to say hello and we had this exchange:Berkley: Oh, Mayor! Oh, Mayor! This is Steve Friess...Goodman: The Jewish Steve Friess!Berkley: Yes!Friess: I've gotta tell ya, I listened to this interview you did with the British guy?Goodman: The toughest interview I ever had in my life.Friess: Oh my God, it was a riot to listen to. And you didn't lose your cool or anything.Goodman: I tell ya, I got more e-mails from London, saying I'm the coolest mayor they've ever seen.Berkley: Ha! You are!Goodman: Every question this guy -- and he was a smart guy -- every question he asked me was negative.Berkley: That's what Steve told me.Goodman: He was blaming me, that there's no water, that's my fault. The foreclosures are my fault. The weather was too hot, that was my fault.Friess: He said, 'Why didn't the mayor tell Sheldon Adelson and Steve Wynn to stop building?'Berkley: I ask myself the same question!Friess: Did you know that this was what this guy does?Goodman: No, I didn't know that. I said, 'Uh, what did I do this for?' For a half an hour I had to defend Las Vegas.Friess: Considering the times that you've gone nuts at journalists, I was waiting for you to just explode.Goodman: Couldn't do it because they tell me like 15 million viewers were watching.Friess: You also said you're the only politician in Las Vegas who hasn't been indicted.Berkley: Hell-o-o-o?Goodman: Well, the only local...anyway, Happy New Year.

Is this an important story? No. Is it fascinating and amusing and bizarre? You betcha.

Enough so, in fact, that Today had me at Miles' station late yesterday filming this bit. As I understand it, they were moving quickly so NBC could have its version done and out before CNN. Yes, folks, CNN. God I hope that means Jeanne Moos. That would be killer.

By the way, the Today Show's graphic was much more accurate, if not nearly as sensational, as the R-J's.

But I do have some hot questions:

* Why hasn't the R-J's Joan Whitely followed up yet on what is clearly the biggest, most widely disseminated story of her career? Why hasn't she done more of the MGM-knew-in-2008 story? You'd think if nothing else they'd do a media story about how much play this thing has gotten, no?

* Why haven't the local TV stations or the Las Vegas Sun followed, given the enormous national interest?

* Will this be a "bluff the listener" question or a "lightning fill-in-the-blanks" question on "Wait Wait Don't Tell Me?"

* Would this have taken off in the pop culture and mainstream media without the term "death ray"? And where can go to tip the pool attendants who dubbed it such?

The AP is reporting that the legendary actor Tony Curtis has died in Henderson. His downward spiral began when he collapsed in a Costco with a breathing problem in July. On July 27, Curtis' wife Jill told me he expected to make a full recovery and she was upset that his illness had prompted producers to replace him in his first Hollywood film role, a Sigourney Weaver flick called "Vamps" that shoots in November. He'd even done a wardrobe fitting, she said.

Curtis spent the latter part of his life in a state of both comfort and despair, happy in his marriage with Jill but unsettled by his film legacy, his physical infirmities and other personal issues. In October 2008, I spent several hours with him for a USA Today piece on his autobiography. It also yielded a Las Vegas Weekly column in which I wrote this:

“I don’t know why I’m so dissatisfied,” confides the star of Some Like It Hot, Spartacus, The Defiant Ones and another 120 films. “What am I looking for? What am I chasing?”

If he doesn’t know at this stage of his life, I’m not sure who or what is going to supply that answer.

You can hear that classic -- and very, very filthy -- interview because the two-part shows related to Curtis from 2008 are being reissued into "The Strip" podcast feed. It's free, so subscribe via iTunes or Zune or download PART ONE and PART TWO by right-clicking on those links.

Also cool are the pictures I took and posted of his home and art studio in Henderson. I also ended up with this (left), my copy of the book not just signed by Tony Curtis but with a line drawing of...me!

Wednesday, September 29, 2010

My LV Weekly column on Vegas' beleaguered Top Chef cheftestant Stephen Hopcraft was all too short for the many fans of the show and those curious about the Emmy-winning Bravo reality TV show. So I've decided to supplement that with a podcast that goes into greater depth about how Hopcraft felt and what he experienced. It's in The Strip feed, so subscribe via iTunes or Zune or download it by right-clicking here.

But, of course, many of you won't have time or patience to listen to the whole podcast. So I'm also blogging some of the choice, juiciest bits. For background, of course, Hopcraft was eliminated in the eighth episode on an ill-advised flank steak. He's the executive chef at Seablue, a Michael Mina restaurant within spitting distance at MGM Grand of what earlier this year was renamed Tom Colicchio's Craftsteak. It was just Craftsteak, but Top Chef's top judge Colicchio is now such a celeb he's in a Diet Coke ad.

That's the background. Here's the good stuff about Colicchio, being robbed, the pea puree mystery, Eric Ripert, cooking in a manure pasture, that Emmy and much more.

Friess: Has Tom Colicchio ever been in here?

Hopcraft: As long as I’ve been the chef, he’s never come and dined here.

Friess: Oh really.

Hopcraft: Yeah, yeah. And I will say I’m thinking really hard, I’ve never seen Tom Colicchio in this hotel. And you can put that.

* * *

Friess: You’re away for how long?

Hopcraft: Five weeks.

Friess: Five weeks. It’s always so funny when you’re watching these reality shows and the second person gets kicked off and everybody starts crying and you’ve known them for like…

Hopcraft: That’s a good point, and I get how ridiculous that does look, but when you’re forced into that situation, you start to build a very quick bond with these people because you’re basically being carried around in a shoebox and then the shoebox is opened up and there are people in your shoebox all of a sudden and you become friends with them really quickly because it’s like, "Oh, OK, these are the people I get to talk to, great." You do make quick bonds and quick likes and dislikes. It’s not like a normal situation where it's like, "OK, I’ve just met this guy, I’ve known them for two days but in between I’ve gone home, I’ve talked to my wife and my kids. I’ve had my life away from it." There’s no life away from it. It’s so magnified that there is that kind of comraderie where it’s like, "Oh no, the guy that I got along with best is now leaving." That would bring you to tears because then you realize it’s five weeks of you dealing with the rest of the assholes who are left, maybe.

Friess: Did that happen?

Hopcraft: For me, no. I honestly got along well with pretty much everybody. There were some people I liked more than others. The people I roomed with were the people I got along best with, which was Angelo, Timothy and Alex.

Friess: The pea puree guy!

Hopcraft: Yeah, the pea puree thief.

Friess: So what happened?

Hopcraft: The pea puree mystery! Well, he didn’t steal it. He made his own pea puree and Ed lost his pea puree.

Tuesday, September 28, 2010

I am a very lucky reporter. I know this, that I have a knack for accidentally being in the right places at the right times. And so it was yesterday when I headed over to the Vdara pool to check out the vaunted "death ray" for myself for an AOL News follow-up to the Saturday Review-Journal cover story that has set the Web afire.

As good fortune would have it, I was there right when no less than Bobby Baldwin, CityCenter's CEO and president, was also walking the area with a group of suits and pantsuits examining what it is that Joan Whitely exposed in her R-J piece.

That is, in short, that the position of the glass, concave Vdara tower is producing unbearably hot reflections of the sun onto areas of the pool deck. The hotspot moves from place to place as the Earth rotates, melting things and singeing hair. It's nicknamed the "death ray" and is certain to be a question on "Wait Wait Don't Tell Me" this weekend or my name is Ralph.

So, anyhow, here's Baldwin, in the white shirt and red tie, leading his team as they inspect the ground in various places and then look up, unmistakably, at the side of the building.

Many people think, thanks to the R-J graphic that has been heavily replicated across the Web, that the "death ray" is something you see, that there's a glowing sphere that you can wisely avoid.

It's not so simple. It does move from place to place even during the hour I was there and you don't really know you're in it until you walk through it. Then it is very noticeably hotter. The ground, which I could walk on without sandals, became scorching, and I nearly burned my fingers touching the metal lounge chairs. I am not sure how this fellow here is bearing it, but he's going to have a rude awakening, to be sure. Hard to imagine what it must be like out there when it's 115 degrees out or how it took until late September for visitors to alert the media.

I'm pleased with my AOL piece, which did add something new to the conversation inasmuch as I've obtained letters and emails from 2008 showing that a vendor warned CityCenter officials that their solution to the known problem would be inadequate. Some of that may be the sour grapes of a vendor who didn't get a contract, but that company is the leader and innovator in the field and their warnings, as it happens, turned out to be right.

Also, I got to quote from "Five Hundy By Midnight," although my editors removed the line by Tim Dressen about your organs cooking. They also removed my reference to a hilarious Tweet from @misadventurer noting that it was ironic that the resort that starts with the letters VD would produce a "burning sensation." Oh, well!

Meanwhile, I really loved this particular shot of Vdara. With the inexplicable black background, it certainly does read "death ray."

Monday, September 27, 2010

My LV Weekly column on Vegas' beleaguered Top Chef cheftestant Stephen Hopcraft was all too short for the many fans of the show and those curious about the Emmy-winning Bravo reality TV show. So I've decided to supplement that with a podcast that goes into greater depth about how Hopcraft felt and what he experienced. It's in The Strip feed, so subscribe via iTunes or Zune or download it by right-clicking here.

But, of course, many of you won't have time or patience to listen to the whole podcast. So I'm also blogging some of the choice, juiciest bits. For background, of course, Hopcraft was eliminated in the eighth episode on an ill-advised flank steak. He's the executive chef at Seablue, a Michael Mina restaurant within spitting distance at MGM Grand of what earlier this year was renamed Tom Colicchio's Craftsteak. It was just Craftsteak, but Top Chef's top judge Colicchio is now such a celeb he's in a Diet Coke ad.

That's the background. Here's the good stuff about Colicchio, being robbed, the pea puree mystery, Eric Ripert, cooking in a manure pasture, that Emmy and much more.

Friess: Has Tom Colicchio ever been in here?

Hopcraft: As long as I’ve been the chef, he’s never come and dined here.

Friess: Oh really.

Hopcraft: Yeah, yeah. And I will say I’m thinking really hard, I’ve never seen Tom Colicchio in this hotel. And you can put that.

* * *

Friess: You’re away for how long?

Hopcraft: Five weeks.

Friess: Five weeks. It’s always so funny when you’re watching these reality shows and the second person gets kicked off and everybody starts crying and you’ve known them for like…

Hopcraft: That’s a good point, and I get how ridiculous that does look, but when you’re forced into that situation, you start to build a very quick bond with these people because you’re basically being carried around in a shoebox and then the shoebox is opened up and there are people in your shoebox all of a sudden and you become friends with them really quickly because it’s like, "Oh, OK, these are the people I get to talk to, great." You do make quick bonds and quick likes and dislikes. It’s not like a normal situation where it's like, "OK, I’ve just met this guy, I’ve known them for two days but in between I’ve gone home, I’ve talked to my wife and my kids. I’ve had my life away from it." There’s no life away from it. It’s so magnified that there is that kind of comraderie where it’s like, "Oh no, the guy that I got along with best is now leaving." That would bring you to tears because then you realize it’s five weeks of you dealing with the rest of the assholes who are left, maybe.

Friess: Did that happen?

Hopcraft: For me, no. I honestly got along well with pretty much everybody. There were some people I liked more than others. The people I roomed with were the people I got along best with, which was Angelo, Timothy and Alex.

Friess: The pea puree guy!

Hopcraft: Yeah, the pea puree thief.

Friess: So what happened?

Hopcraft: The pea puree mystery! Well, he didn’t steal it. He made his own pea puree and Ed lost his pea puree.

Friess: How do you lose pea puree?

Hopcraft: You know, there’s a lot of travel that goes on. Like we cook at the Marriott kitchen and then we travel to wherever, that was the Palm Restaurant. In between, there’s a lot of other people who handle your stuff. As you see that clock ticking down, you’re packing up your stuff and it’s kinda like, "Did I get everything in there? Once that clock goes to zero, it’s not like you can go back to the refrigerator and say, "Oh, I forgot to pack my pea puree" or even check the refrigerator to see what you forgot to pack. I think it’s pretty obvious Ed forgot to pack it, thought that he had it in there and by the time he got there it was gone and Alex, coincidentally, had pea puree and that was probably the greatest twist of the season because that is the No. 1 question, did Alex steal the pea puree.

Friess: Couldn’t the cameraman tell someone if something was left behind?

Hopcraft: Their job was to pick up the story and they do that very well. These guys are pros at just fly on the wall. And a fly on the wall is never going to tell you you forgot your pea puree, Ed. [Imitates Tiffany] Eddie! Eddie, baby. You forgot your pea puree, Eddie. [Cackles]

* * *

Friess: It dawned on my while I was watching you on the show that maybe not all publicity is good publicity. You’re up there, and you’re being criticized by the judges, do you worry about what people think about your restaurant?

Hopcraft: Um, it’s a good point. And I see that. But first of all, I’m very very confident of my ability to cook and produce really good food in a restaurant. There are a number of misconceptions about the show. First of all, the name, "Top Chef," I wonder about that. I think "Top Cook" should be a better name for it because when you look at what a chef does, there’s so much more to it than cooking. Cooking is where you start and you have to be a great cook in order to become a chef, but there are so many more angles to it, like organizing a team, inspiring a team every day, dealing with the front of the house, dealing with numbers, making a restaurant profitable, filling a restaurant with people. These are all things a chef does and that I’m very good at, so I feel confident in my ability and my rstaurant’s reputation. Yeah, it definitely hurts your ego a little bit to be a chef and then you have Tom Colicchio or Padma or one of those guys say my rice sucked or this is inedible, who would eat this? But in all reality, I would challenge Tom in a heartbeat to any Top Chef challenge that he’d want to do and I know he’d say no.

Friess: Wow.

Hopcraft: He would not do that. It’s taking a great risk to get up there and put your food. Not to say anything bad about Tom or Padma or any of them. But when you do that, you’re putting your heart out on your sleeve and I know that there are a lot of chefs in this country who wouldn’t do that. All that being said, now that I have done it, I realize that it’s probably not my bag as far as going on and being able to make up a dish and be able to produce it in two hours time for 150 people in a chafing dish. It’s probably not where I’m at my best. … Once I create a dish, it takes a lot of trial and error to get a dish that I’m happy with and that I would put on my menu. … I coneive it, draw it out, make the dish five different ways, that’s the kind of thing you don’t really have time to do on "Top Chef." Not every great chef is the fastest guy who can whip something up right in front of you and you’re blown away and this is great.

Friess: One of the high points of your time on the show was the pie challenge. What kind of pie was it?

Hopcraft: It was a curry apple whiskey date pie.

Friess: I was infuriated by that part of the episode because making a pie is like that thing that normal people know how to do. And the other chefs on the show were almost angry by the notion that they had to do this. Are the high-end chefs so removed from the way that normal people cook that they don’t know how to make a pie?

Hopcraft: There’s a lot of chefs that really don’t cook a lot at home. Even though I guess that pie is something that you should ordinarily be able to whip up, I mean, a lot of people buy the crust when they make pie. Do you make your own pie crust?

Friess: Yes. I do.

Hopcraft: Well, that’s impressive. I think that making those types of things at home and compared to making it at that level is a different. I’ve never made a pie from scratch before. I know what goes into it, so obviously I was able to turn something out that was really really good and Gail really really loved it, so it was awesome.

* * *

Hopcraft: I think the highlight in my mind of all the shows for me was a quickfire challenge to shrink an entrée down to a toothpick. I wound up in the Top 3 and honestly I do believe I won that challenge. I don’t know why they gave it to Angelo. The reason why I think I won it was that I actually did the challenge. … There were three people that were on the top. One was Kevin, who ended up winning Top Chef, and there was Angelo, who came in second. And basically Angelo did a cucumber cup hollowed out with fried rice in it. Kevin did, basically, he did a soup cup and he dropped a toothpick in it. There was nothing really on the toothpick. It was a cup of soup. I actually did something where I made a potato cake, a grilled piece of filet mignon, there was a grilled vegetable in between there, so it had its starch and vegetable, and then I made it surf-and-turf with a baked scallop on top opf the filet and did a Bearnaise sauce on top of that. So that’s actually a dish you could go to Craftsteak and get today. I don’t know that you would ever find cucumber and fried rice as the main course on anyone’s menu in the country and I would challenge anyone out there to find that and, if they do, I’d be very happy to find that restaurant and enjoy such an awesome entry that I’m sure is ordered all the time, cucumbers and fried rice. If I sound a little bitter about it, I am.

Friess: Did you complain to anyone about it?

Hopcraft: Oh, yes I did. That’s not on TV, so I can’t really talk about off-camera stuff.

Friess: Why is that?

Hopcraft: Why is that? I don’t know, because I’d love to sit here and spill a bunch of stuff about off-camera stuff. Don’t pretend like I’m not mad about it, either. A lot of things happen that you don’t see. But basically it’s Bravo’s show, you know, and what they chose to look at through their looking glass, they get their Emmy for editing, correct? I was on an Emmy-award-winning show. Hah. That’s funny. … There are a lot of things I’d like to say about that particular challenge and other challenges where maybe I didn’t do so well, but maybe something happened. It is what it is. If Ed had just muttered under his breath, ‘Fricking Alex stole my pea puree’ and it didn’t get on camera but later on he chose to come out with it after the show, they would be very angry. He would be in breach of his contract.

Friess: You didn’t win, so what can they do to you?

Hopcraft: Right! They could come after me and take my upside-down house or something. You can have it, bitches. It ain’t worth nothing anymore! But you know, yeah I didn’t win, but I feel like I was portrayed pretty well on the show in some lights, I think in some lights not. But maybe there’s stuff I can do with Bravo or "Top Chef" in the future.

* * *

Friess: Your personality came across well.

Hopcraft: Good. As far as me as a cook, I didn’t come across very well. [laughs]

Friess: Did you feel like you carried the reputation of this restaurant on your shoulders when you were on that show?

Hopcraft: God, yes, I did. I felt like I carried the reputation of not only this restaurant but of Mina group and the hotel. And that was the part that was really crushing. I could tell as the season got going that I wasn’t going to be hugely successful. Although I wasn’t giving up by any means, but it was going to be really hard for me to be successful and to win the judges over. And the most crushing blow was the toothpick challenge when I put that dish up. … After I did that toothpick challenge, I felt like I was now back up to speed, I put everything on that dish that I wanted. I made that dish, I conceived that dish in a half an hour and I thought it was priceless. It came out exactly as I wanted. And when I turned and saw that Angelo beat me with a cucumber cup and some fried rice, I was like FUCK This. Fuck you, fuck you, fuck you, I’m going home.

Friess: Did you get the sense that there were certain chefs that from the beginning they expected to make it to the end and…

Hopcraft: And they gave them money? Because that was the other thing, they gave them $20,000 for that. That’s a very important point.

Friess: Why do you think you didn’t win?

Hopcraft: I honestly don’t know. I’ve been over it a hundred times. I’ve even lost sleep over it.

Friess: Really?

Hopcraft: Yeah. I mean, $20,000, I think you lose a little sleep over that. When your wife says, "Didn’t you win any money, honey?"

* * *

Hopcraft: It’s very tough to keep your food pristine as they go around the room. There are 12 people there. They start off right next to you and they go around that way and you’re like, "Aww." Then they say, "It’s kinda dry." Yeah, no shit it’s kind of dry. Shoulda ate it an hour ago, idiot. But the thing is, that crushed me, you know? Then the next day I chose ninth and I got Brazil. It really gets into your psyche. And that really stumbled me up. I felt like if I could have kept my demeanor and attitude, I would have definitely made it through a little bit longer. Even though a lot of times I was on the bottom, I didn’t have the worst dish and a lot of times they were nitpicking my stuff.

Friess: Kevin was in the bottom five times in the last eight episodes or something.

Hopcraft: He sure was. Yeah.

Friess: We were surprised at home when he won.

Hopcraft: Oh, I’m sure. When I found out Kevin won, I was like, "Hold on, who won? What’s wrong with my reception? What are you talking about?"

Friess: Who do you think was the best chef there?

Hopcraft: It’s hard ot count myself out of the best chef, but I would have to say, besides myself? Of the food that I tried, Kelly’s food was really good. I think that Angelo’s food was really good. There was so stuff about Angelo’s food I didn’t like. A lot of sugar, a lot of sweet in his savory cooking, which some people like but I don’t like it all the time. Each person has their strong point.

Friess: I guess the question should have been, which of those chefs should have won the show?

Hopcraft: I think Angelo should have won the show. When first broke out, he was like, "I’m going to crush it," he was so full with his confidence. And then second show he was on the bottom, and once he got a taste of what it’s like to get your food criticized and to be in that light, it strips your confidence to a level that started to go against him.

Friess: Did it shake your confidence when you had that?

Hopcraft: Not at first. It did toward the end of the show. I was on the bottom a lot. Actually what shook my confidence more was, like, the pie challenge. The food that I put up where I was like, this rocks, this is gonna win. I looked around and saw the other dishes and I thought, "I got this one, I’m gonna win this one" and then they they call someone else’s name. That shook me more because most of the time when I put up a bad dish, I knew it sucked and I knew why. It was a time thing, it was an ingredients thing. But when I put up those dishes like the couple that were on the top, i was like, I’m going to win, I feel totally confident I’m going to win it. And to not win it, that stripped my confidence more than anything. You know, you just swung as hard as you could at the ball, you hit the ball square and you nailed it and it’s streaming toward the fence, and it just doesn’t go far enough. And you’re like, "Can I hit the ball harder than that? No, I just hit the ball as hard as I could. What the f-bomb, man!"

Friess: Do people come in here wanting the food you made on the show?

Hopcraft: I do have a "Top Chef" menu. I sell the bacon-wrapped bass that I did on the show and I sell it quite a bit. Probably 20 a night.

Friess: Is that a dish you invented for the show?

Hopcraft: No, I sold it before that.

Friess: But you did make it on the show?

Hopcraft: I made it on the show and they hated it. And people come in here all the time and love it. And again, there were some problems with the product that I got that didn’t go the way that I wanted to go. That’s why the dish wasn’t representative as it should’ve been. But I still think it was a good dish.

Friess: Did you worry while you were being criticized that people would not come to this restaurant? People in Vegas see there are so many restaurants around here. Oh, that’s the one with that guy from "Top Chef" who got criticized all the time?

Hopcraft: Well, I’m a confident person. I think people are smarter than that. The people who have come in and had my food, they realize what level this food is at and they realize what food was being put out on that show. We’re talking amazing stuff here. When people come here and they eat the food I do and they realize I’ve been on the bottom five times, they’re like, ‘If this is food that was on the bottom five times, then I can’t imagine what the food is.’

Friess: The MGM Grand publicist gave you the Top Chef DVDs, but you didn’t watch them before?

Hopcraft: I was like, "I don’t need to watch it." Kind of an overconfidence thing, maybe. Two days before, it really dawned on me that I was going away for six weeks for a cooking competition. It takes a while to sink in, like, ‘I’m going to go on Bravo’s Top Chef right now.’ You talk about it, you forget about it for a little while. You can’t tell anybody so you try not to think about it because if you do you want to go up to someone and say, hey, guess what? I’m on Bravo’s Top Chef. No, the next one that’s coming up, I’m going to be on it. You put it out of your head. But two days before, I bought the New York one because I knew Fabio and I wanted to see how Fabio did, I sat there and I watched as much as I could in two days before I was going to leave and I was like, "OK, I’m not prepared." I’ve got to start studying recipes. I was able memorize two or three recipes before I left.

Friess: Has your restaurant seen a bump at all since the show aired?

Hopcraft: Oh yeah, definitely. There’s a lot of people who come in and who really liked me. I even had one lady come in and tell me I was an icon. HAHAHA. I was like, I don’t think so. It’s funny I’ve told everybody that.

Friess: What happens after you’re knocked out?

Hopcraft: You go and stay at a knockout hotel, the loser house.

Friess: Do the same personality conflicts that we see on TV come out there, too?

Hopcraft: Oh my God, times 10, bro! That is the most entertaining part. I had it worked out where I’d wake up around 1 o’clock and happy hour down the street started at 2 o’clock. I could wake up, take a shower, watch a little TV, stroll down there and stay there until 11 and do it again. I had just about a week of being in the loser house.

Friess: So whose personality, as it was shown on TV, surprised you?

Hopcraft: I think the way they showed Alex as such a mischevious hurtful bastard. He really came off horrible, as a horrible person. But he’s not a horrible person and I think that surprised me.

Friess: Are you a fan of the show?

Hopcraft: Will I watch it? Yeah, I think I will. I’m not sure if I’m going to get into the "Just Desserts" show they’re doing, but I am a fan of "Top Chef" and all of its spinoffs. I’ll say that. I am a fan of "Top Chef All Stars."

Friess: Tom Colicchio can be really harsh.

Hopcraft: Yeah, he can. But it’s in every chef’s nature to be like that, though. … Eric Ripert was scary to cook for, umm…

Friess: Well, he had trouble with...

Hopcraft: …saying words in English?

Friess: ...with the skewer. That was just so weird. He’s at a ballpark and he’s annoyed. Whoever put it on the skewer, he’s like, "Well, if I do this, I’m going to cut the back of my throat."

Hopcraft: How does one eat of a stick? Uh, you don’t have to shove it all the way down your mouth there, Eric. He wasn’t my favorite judge. Great chef, of course. The guy from Little Washington, I think he was my least favorite judge. I called him Thurston Howell III. He was out on the farm. It was freezing there. Not only was the food cold, but your hands were cold. And the fact that you’re cooking in a cow patty pasture and I’m serving raw salad. I’m going to give everybody here e. coli. It’s a cow pasture. Could there be a worse place to plate up and eat food? And then turn around and say you suck.

The Internet is abuzz over the Review-Journal's great Saturday story about the Vdara "death ray," the sunlight that reflects off the side of the glass hotel tower and unbearably heats up sections of the pool deck.

It's such a terrific story that it's been linked to by even those who have sworn off the R-J and vowed not to link to them because of the paper's campaign to curb copyright infringements by suing dozens of website owners. Here's one of those examples:

Now, while the R-J is not actually suing anyone who merely links to their work, I feel it might be smart to note that the paper's Righthaven campaign doesn't just cover the stolen written word. The R-J's graphic artist, Mike Johnson, created a great illustration that has been lifted wholesale by RawVegas.TV, Gizmodo.Com, HospitalityNet.Org and many others, see. It's vaguely possible they asked for permission, but the R-J has said that stuff that is used with permission should be labeled as, uh, "used with permission."

Sunday, September 26, 2010

...turned out like. That's the version shown on SmittenKitchen.Com, where I found and the recipe for the Chocolate Peanut Butter Cake. Yes, mine was a bit different, but that's because I couldn't replicate the evenness of the three layers of cake and ended up using the chocolate-peanut butter glaze to cover up my circumferential errors. (Also, I put the peanut brittle on, which the SK folks did not for the photo.)

Not that it mattered because this...

...looked great and tasted even better. Mmm. Highly recommended. Have some Lipitor handy, though.

As I had Tweeted, it was Walt's 85th birthday this weekend, so I had him, his partner and one of his close friends over for dinner. (Who's Walt? See here.) Walt is a vegetarian, so I studied up in Vegetarian Times and made a four-course meal that started with a homemade green chile hummus that seemed to have broken my blender but tasted delicious. Boo. I also learned -- and this gives you some idea how new I am at this sort of thing -- that garbanzo beans = chickpeas. I spent a long time in the beans aisle before that dawned on me and I checked the Web for confirmation. Duh.

For salad, I did a raw kale salad with root vegetables which was supposed to look like this:

It looked like this...

...which is reasonably close. It was fresh and tasty, with grated turnip and rudabega, among other items. Vegetarian Times doesn't seem to make it easy to find or link to recipes from its current issues, but this is from the October issue and I'm happy to share the recipe privately if anyone asks.

On this course, my only real fudge was on the whole roasted/seasoned pecans because there were perfectly delicious roasted/seasoned pecans available for a lot less than buying fresh pecans and all the ingredients to make my own. Also, I may have gotten the wrong style of kale because mine was much more Afro-ish and not given to being cut chiffonade, one of my new words.

For our main course, I did the vegetable ragout in acorn squashes as well as a farfalle with tomato-goat cheese cream sauce. The squash was pretty labor-intensive -- soaking apricots and prunes a day in advance, chopping all those veggies, making the stew and then stuffing and baking the squash. This is what it was supposed to look like:

Here's how well it went:

I learned two things from this. (a) Farfalle is a fancy word for "bowtie" and (b) I deduced on my own that I'd have to cut the bottom of the squash in order to not have it tip over in the oven. It was a good call, but I was glad to have had a sixth squash to practice on because that first attempt didn't go so well.

Then came dessert. Mmmm. Let's look at that again:

I swear, I wouldn't even think about trying these things if not for "Top Chef." Like, here's my version of mis en place:

Miles made it home for about a half-hour of the meal before he had to return to work, so I managed to get the whole place looking pretty spiffy before the poor soul got in after midnight:

The whole endeavor was a lot of fun. Miles had framed this photo that Emily took of me in front of Walt's childhood home in Beatrice, Neb., when we were on the Great Petcast Roadtrip last month, and that led Walt to tell all sorts of tales of the people in his old neighborhood and all that. A lovely little trigger down memory lane, indeed.

You know who else had a good time, speaking of pets?

Yes, I let Black and Jack lick the peanut butter frosting residue off the mixer thingies. (There's a word for that, right?) Don't worry, Emily, they didn't get any chocolate.

Despite the troubles I ran into with the publicist for Liz Claiborne who kept interrupting to cut my time with Tim Gunn shorter than promised, the chat was fun and the rest of this show is pretty funny. How funny? While editing, something Miles said made me do this with my coffee. Click on the date below to listen or right-click to download and listen at your leisure or subscribe to get the episodes instantly when they're available via iTunes or Zune.

The nattiest man on TV is coming to the naughtiest city in America for the very first time. Tim Gunn, the mentor of TV’s Project Runway, will be here next weekend for an event as part of his role as chief creative director of Liz Claiborne, so Steve spoke to him about the hit fashion show, Vegas style and which celebrities Gunn would like to make over.

Sorry I didn't get to post this until now, but there will also be a forthcoming podcast of this interview and a transcript of some particularly fun parts coming to the blog later today. For the moment, though, here's the most recent Las Vegas Weekly column:

Stephen Hopcraft took lumps on ‘Top Chef’,but he’s doing just fine, thank you

By STEVE FRIESS

Stephen Hopcraft knew he wasn’t long for Top Chef when he lost the toothpick challenge. The cheftestants—yes, I gagged as I typed that word, but that’s what they’re called—had to take a dinner entrée that might be served in a restaurant and reduce it to a toothpick-handled hors d’oeuvre.

After being harshly critiqued repeatedly in prior rounds, the executive chef at MGM Grand’s Seablue felt due for some recognition. He had stacked a piece of grilled filet mignon and a grilled vegetable atop a potato cake, then topped it with a baked scallop with Béarnaise sauce.

Alas, he didn’t win. In fact, Hopcraft, 40, would be eliminated from the show in the next episode on a subpar flank steak, eighth among 17 cheftestants to be bounced. The season ended last week, so the next day I asked him, in the nicest possible way, how it feels to lose.

THE STRIP FINALE

Below are links to the final episodes and last week of special editions of The Strip Podcast. Right-click on any of these to save and hear at your leisure. Otherwise, click on them and they should play. Enjoy, and thanks for the wonderful years.