i did start my own “label” because the book projects i’m working on are getting less and less lucrative, in the sense that you won’t sell as many poetry books as a comic book. you work 6 months on a book that will have a 250 copies printrun you get 10% of the sales…that means you’re paid at best $300. for 6 months work. it is just not worth it. also i had a few such small projects that publishers agreed to publish…someday…i got tired to wait. and since i can print and all, it really doesn’t cost me much to produce the book.

The 157th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, August 30, 2016 at 7pm at Parsons School of Design, The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public.

A conversation with Benjamin Marra and Josh Bayer. Join Ben and Josh for a lively discussion about process, influences and what it means to be cartoonists who are much indebted to comics history as they are committed to making their permanent mark on comics’ future.

Staatliches Bauhaus
Via Open Culture, the Harvard Art Museums have made an astonishing amount of Bauhaus-era work available online.

Harvard’s web site represents its physical collection, but it does not duplicate it. Many of the small images in its online archive do not expand to larger versions and cannot be downloaded. However, if you follow the guided tour by clicking “Continue Reading” under the site’s introduction, you’ll be able to click on the several dozen examples in each section and see them up close. You’ll also get a thorough survey of the Bauhaus school’s brief history and mission. The best way to access the collection is to click here, then scroll down to the box where it says “Search the Bauhaus special collection by keyword, title, artist, or object number, and by using the filters below.”

While the end has no real solutions in sight for her affliction, she at least is in control of her own fate and own decisions. Delporte’s use of colors is disorienting in a way that’s meant to reflect her own increasing sense of alienation in her own environment. That alienation is something she has to cope with, understanding that the very forces she tried to cling to early in the book were literally killing her and driving her insane.

On Oliveros:

The book works as a metaphor for any kind of personal endeavor that’s endangered by the whims of the market, and it’s not too much of a leap to transfer the sheer absurdity of a three-person envelope manufacturing concern to an equally small art-comics publishing company. Yet one can see Oliveros in D&Q’s darkest days, betting on the next book to keep the company going. That said, what marks the characters in this book are their unrelentingly obsessive personalities, an obsession that borders on narcissism and self-delusion.

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Religion & Comics, Comics & Religion
From the Pink News site:

The American Family Association, which is strongly opposed to LGBT rights, has partnered with Revival Fires International to give away 65,000 copies of the ‘Truth for Youth’ Bible across the US, encouraging evangelical teens to “commit to give the Bibles to their unsaved friends in school”.

The excerpted comics posted in the article are pretty offensive, from a subject-matter standpoint as well as an aesthetic one. The published work is supposedly based on the teachings of the Bible, which, depending on your belief system, may either be a science fiction anthology of dubious authorship or the divine text of the Christian religion. The article is here. Anyway, 65,000 is a lot of funny books.

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