Sunday, January 11, 2015

The Greatest Literary Thieves

I’ve always enjoyed coming up with new story ideas and
pitching them to my friends. The only downside is none of them are actually
new. I sometimes get a response like “That’s been done before.” Technically
speaking, every story idea has been done before. Although all writers are told
to come up with an original story, there are only so few plots structures
(about 7) out there.

Given the time, I could point out the similarities between Tangled and Phantom of the Opera. They both contain obsessive parent-figures (Mother
Gothel and the Phantom) who kidnap a young girls (Rapunzel and Christine) for
their own gain while the handsome young men (Flynn and Roule) comes to the rescue. Have I convinced you yet? I’m not saying that these two stories are by any
means identical in plot or in theme, but they have similar elements. There are
probably other stories I could list that have these elements as well.

David Bevington's The Complete Works of Shakespeare

Overall, it’s not the originality of the story but rather
how the story is told. Many of the greatest thieves masters of all
literature even borrowed from other works when they created their well-known
stories. Many of Shakespeare’s plays were based off other plays or works,
including As You Like It, Macbeth, and many of his history plays,
just to name a few. Other writers such as C. S. Lewis and J. R. R. Tolkien were
influenced by medieval writings or ancient legends in their fiction. Even
Tolkien’s Lord of the Rings trilogy
had some influences from Shakespeare’s Macbeth.

While it may appear that book and film adaptations are
merely a recent trend, they are not. Classics borrowed from previous literature
and previous literature borrowed from legends and legends borrowed from people.
Ultimately, there may be “nothing new under the sun” (Eccl. 1:9), and nearly
every writer is a thief in some way, whether it be in plot structures, genres, or characters.

So what does this all mean for writers today? No work of
fiction can ever be 100 percent original, but some pieces may be stellar, even
if they do draw from other works. While writer’s shouldn’t copy all the writing
trends or create nothing but fan-fictions hoping to be the next Shakespeare,
they may retell a story or make references to past works of literature. No
writer is the same, and it is his or her voice and writing style that
ultimately determines a lasting piece of literature.

What are some of your favorite classics that have influence
on or are influenced by other works? Are there any recent books you have read
that have a well-written, distinct voice?

Literary references: David Bevington’s The Complete Works of Shakespeare, Disney’s Tangled, Gaston Leroux’s Phantom
of the Opera, William Shakespeare’s As
You Like It and Macbeth, J.R.R.
Tolkien’s Lord of the Rings trilogy,
and the Holy Bible.