This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी" (Tukaram: For a bedbug a bed is like a castle. so much climbing up and down!)... George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

Shel Silverstein : “Talked my head off Worked my tail off Cried my eyes out Walked my feet off Sang my heart out So you see, There’s really not much left of me.” ~

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”

Sunday, October 30, 2011

Bhau Padhye, A Mavali: Loveable Rogue or Lumpenproletariat?

Today October 30 2011 is the 15th death anniversary of Bhau Padhye (भाऊ पाध्ये).

Kathryn Schulz:"...the lazy man’s “Every unhappy family is unhappy in its own way” is “Fuck this shit.”...In The Mother Tongue, Bill Bryson argues that okay is “the quintessential Americanism” and “the most grammatically versatile of words.” Okay. But surely it has a rival—or a compatriot—in fuck. Wherever it originated (the jury is out), the F-word has flourished in our adolescent American soil. And pace Bryson, its grammatical versatility cannot be topped: You can use it as noun, verb, adverb, adjective, or interjection, not to mention in any mood whatsoever, from exultation to rage..."

('Ode to a Four-Letter Word/ And I don’t mean "okay."')

Jason Flores-Williams:

“Hipster culture today is harmless culture. And that’s an epic tragedy because being hip used to mean that you were heroic and dangerous. That you waged war on soullessness and greed through art and resistance. Being hip meant that you wanted upheaval in society. Being hip meant you were intense lower class, not detached upper class. Being hip meant being revolutionary.”

[Durga Bhagwat: Those who teased others as "establishment-writers" themselves became establishment-writers (insiders)]

The one guy who never became one- Bhau Padhye.

(Contrast this with, from another field, some one like Mr. Sunil Gavaskar, once an enfant terrible of Indian cricket, is now the establishment.)

The title of this post contains a Marathi word मवाली ('Mavali'). Mavali translates as rogue/ hooligan/ hoodlum/ ruffian. One meaning of 'rogue' is 'something or someone different from what is normal or expected'. Indeed, if anyone, Bhau was different.

Recently I came across following.

Economic and Political Weekly dated July 31 2011 has an essay by Juned Shaikh: "Translating Marx: Mavali, Dalit and the Making of Mumbai’s Working Class, 1928-1935"

'The Communist Manifesto' was translated into Marathi as 'Kamyunista Jahirnama' (कम्युनिस्ट जाहीरनामा) in Meerut jail in 1930-31 by Gangadhar Adhikari (गंगाधर अधिकारी) a scientist who had completed his PhD in chemistry from Berlin University in 1926.

The Jahirnama’s classified people in the city of Mumbai into the categories of such as kamgaar, Mavali and dalit.

"Adhikari used the term “mavali” to signify the lumpenproletariat. Mavali, a moniker for people from the hilly regions of western Maharashtra in the Bombay Presidency, signified categories of people prone to create law and order problems for the colonial police. In his explication of key words to the Marathi edition of the Manifesto that was published along with the Jahirnama, Adhikari characterised the Mavali as a class below the working class, who were “paupers” and lived in the city’s slums...Destitute and unemployed workers, paupers, and the lumpenproletariat are a step below the kamgaar varga on the social ladder...

He translated a passage from Das Capital to explain this point further:

"उद्योगधंद्यातून काढून टाकलेले लोक मोठ्यावस्तीच्या शहरातून गर्दी करुन राहतात; व गुंड, दादालोक, मवाली म्ह्णून प्रसिद्धीस येतात. उत्पादन क्रियेची व यांची कायमची फारकत झाली असते; असे लोक अर्थातच पैशा करीता वाटेल त्या प्रतिगामी पक्षाला स्वताला विकण्यास मागे पुढे पहात नाहीत. (The paupers who have been fired from work live in crowded slums in cities and become famous as criminals- (mavali). They have been permanently separated from the means of production and therefore these people do not think twice before selling themselves to counter-revolutionary forces for money).

Mavali indeed is a very complex term.

My affection for Bhau Padhye has been expressed a few times on this blog. One such instance is here.

(Acharya Atre called me a rogue in his article on 'Vasunaka' and Bhatkal promised help to file a lawsuit for libel. But I thought, Acharya Atre has really given me a very good title. I don't know why my image in real life was formed- just because I never abandoned the house- did everything else, (means alcohol, women etc!) I think - my glasses, Shoshanna's social work and socialist background- they created mixup. You believe it or not, but in college life some girls indeed concluded that I was a rogue!")

Now this 'rogue' quality of Bhau is captured so beautifully in following 'cool' picture- spiky hair- more like Havells : Shock Laga ad- on head, wrinkles on forehead, beedi dangling from mouth, glasses, his horizontal stripe little short shirt exposing his crotch, hands in pockets, slightly bent right knee, a bunch of chest hair, and don't-give-a-damn attitude...

(Bhau would have surely liked my reference to Havells ad! For him life was sum total of all that happened around him. There was nothing higher or lower.)

ERIN MCKEAN has said: "We like to think that human languages should be more like computer-programming languages: logical, orderly, efficient and goal-oriented. But they are more like our own DNA: complicated and full of junk information but at the same time gloriously mutable, able (for good or ill) to give rise to new living forms." (WSJ, August 10 2011)

Bhau played his part in the process of Marathi's mutation and while doing it, I think, he never sold himself to counter-revolutionary forces for money. He always remained orthogonal. And many Marathi lovers are luckier for it.

Pages

Henry Miller: "A picture… is a thousand different things to a thousand different people. Like a book, a piece of sculpture, or a poem. One picture speaks to you, another doesn’t… Some pictures invite you to enter, then make you a prisoner. Some pictures you race through, as if on roller skates. Some lead you out by the back door. Some weigh you down, oppress you for days and weeks on end. Others lift you up to the skies, make you weep with joy or gnash your teeth in despair."...Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.” John Berger: “Seeing comes before words. The child looks and recognizes before it can speak. But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled.” Ezra Pound: "Make it new"...Mark Twain: "Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that “plagiarism” farce! As if there was much of anything in any human utterance except plagiarism!... For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources.”… John Crowley: "Meanwhile the real world then, no matter what, will be as racked with pain and insufficiency as any human world at any time. It just won’t be racked by the same old pains and insufficiencies; it will be strange. It is forever unknowably strange, its strangeness not the strangeness of fiction or of any art or any guess but absolute. That’s its nature."...Alexander Waugh: "Beware of seriousness: it is a form of stupidity"...Charles Simic: "There is a wonderful moment when we realize that the picture we’ve been looking at for a long time has become a part of us as much as some childhood memory or some dream we once had. The attentive eye makes the world interesting. A good photograph, like a good poem, is a self-contained little universe inexhaustible to scrutiny." ... Hilary Mantel: “It’s for Shakespeare to penetrate the heart of a prince, and for me to study his cuff buttons.”… Ingmar Bergman: "It is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life"... Graham Greene: "Kim Philby betrayed his country-yes, perhaps he did, but who among us has not committed treason to something or someone more important than a country?"... Friedrich Schlegel: "Hercules…labored too…But the goal of his career was really always a sublime leisure, and for that reason he became one of the Olympians. Not so this Prometheus, the inventor of education and enlightenment…Because he seduced mankind into working, [he] now has to work himself, whether he wants to or not"... Walt Whitman: “Do I repeat myself? Very well then, I repeat myself.”...W H Auden: "…though one cannot always/ Remember exactly why one has been happy,/ There is no forgetting that one was"...Walter de la Mare: "No, No, Why further should we roam / Since every road man Journeys by, / Ends on a hillside far from Home / Under an alien sky"...Franz Kafka: “You can hold back from the suffering of the world. You have free permission to do so, and it is in accordance with your nature. But perhaps this very holding back is the one suffering you could have avoided.”..."Over these unremembered marble columns, / birds glide their old remembered way. / Dive in red gold setting tide and write dark alphabets on evening sky /whether an epitaph, chorus or strange augury / little man you only hope to know!"