“Get Avion” by San Francisco musician and globetrotting hatmaker Andre Wiken is a watercolored and dreamlike house stomp that sits nicely alongside the uptempo beat collages of the Avalanches and Tycho. … Continue reading →

Stewart Bronaugh and Joshua Jaeger, otherwise known as Lionlimb, are a duo from Nashville. “Clover,” the opening song from their new album, Tape Recorder, is a wistful indie-folk meditation flush… Continue reading →

Doncaster-via-Johannesburg songsmith Skinny Pelembe has signed to Gilles Peterson‘s Brownswood Recordings, the perfect home for his new single. “I’ll Be on Your Mind” is a despondent doo-wop-hop complete with ominous Massive Attack-ish atmospherics,… Continue reading →

Stuck on “Glu.” 22-year-old Norwegian musician Sofie Tollefsbøl and her 9-piece band make music as Fieh. Their latest track is irresistible from the start, with ascending horn lines, jazz… Continue reading →

One of 2017’s most innovative artists, Korean-American singer and producer Yaeji turns in an irresistible and delicate house rework of the Manu Chao-assisted “Leave Me Alone” by New York’s Calypso Rose. … Continue reading →

Chileans Brian Silva and Jossip Tkalcic came all the way to Barcelona to meet Carlos Ramos and Marc López and form the Zephyr Bones, a band who specialize in crafting exquisite and lazy psychedelic… Continue reading →

The stunning, psychedelic, freeform acoustic jazz effect. LA-based singer-keyboardist Eli Goss and NY-based drummer-bassist Harry Terrell are the Breathing Effect. Their song “Josephine,” which I played on my… Continue reading →

That scraped-flute-meets-old-violin intro. On the instantly interesting “Sideways,” the 19-year-old Ghanian-Australian singer-songwriter Genesis Owusu takes inspiration from the music of William Onyeabor and enlists the production expertise of Simon Mavin and Perrin… Continue reading →

When the LA-via-Berlin-via-Saskatchewan multi-instrumentalist isn’t co-writing songs for Kelela or producing Feist’s album Pleasure or working on his own sixth full-length album, expected in 2018, he’s unleashing the fourth installation of his excellent “Moxtape” series, How to Hit… Continue reading →

Future perfect. Three of Vienna’s best reunite for “Four-Eighteen,” a laid-back jazz excursion patrolled by sky-high firewalls of MicroKorg synth. (And if you haven’t heard it previously,… Continue reading →

While an “internet dance” is probably something you did in 1995 while you were waiting for AOL to load, here Pretorian music wonder Sibusile Xaba gently gathers a storm of finger-picked guitar… Continue reading →

Vintage instrumentation blends with sun-stunned vocals on “Been So Long” by Los Angeles musician Mike Edge, the result of which is a grapefruit-cherry cocktail that’s part Mac DeMarco, part Ned Doheny, and all… Continue reading →

A deft and delicate Floating Points-meets-broken beat-meets-synth jazz wonderwork courtesy of London producer Kieron Ifill, one half of DanDigs.com favorites Profusion and better known as K15. Track of the day.… Continue reading →

Jumped back on WWLA, the Los Angeles branch of Gilles Peterson’s Worldwide FM, this week to host and spin my favorite new tracks live from the esteemed Red Gate Recorders studio in Highland… Continue reading →

Manchester, UK producer Sam Vicary, otherwise known as Hunrosa, is a member of perennial DanDigs.com faves The Cinematic Orchestra and Paper Tiger. On “All,” his debut single as Hunrosa,… Continue reading →