Sunday, August 31, 2014

x 1: Last week was the first week of classes at RU. Imagine all the usual chaos (and some delight).

x 2: Last week was also the first week of classes at my future employer. My email address has been added to the department's distribution list, so I've already been sent dozens of messages, including two or three requiring detailed replies. I guess it's good to have a year to get up to speed, but--TWICE the administrative email! TWO sets of institutional drama!

x 3: I was hoping to take an Italian class at the local R1. But they don't start classes until Wednesday. And the instructor has been flakey about getting back to me. And my registration code doesn't work. And I don't know where the classroom is, or how to get parking privileges--and if I have to waste one more afternoon navigating yet another institution's bureaucracy, I just may lose my shit.

Friday, August 29, 2014

Crowdfunding is great. Except as a substitute for all the other ways that people used to make or raise money: through jobs, a living wage, a social safety net, or established charities and arts organizations.

A year or two ago, a fiftysomething INRU staff member who used to work in the English department mentioned on Facebook that he'd been laid off by the university after decades of employment. He was a deeply beloved figure, someone who knew every undergraduate and grad student by name; each May, his bulletin board was crowded with thank-you notes and photos of that year's be-gowned, be-capped graduates. When he mentioned his firing, dozens of people wrote on his wall to express outrage and sympathy.

I still see his posts in my feed occasionally, but if he said anything more about his employment situation, I hadn't noticed. Then, earlier this week, he shared a post by his wife. It turns out she was also a long-time university employee who'd been laid off the year before he was. She'd managed to find a part-time minimum-wage job, but he was still looking. She indicated that they'd been struggling but managing--until their landlord announced he was selling their home and they suddenly had to come up with several thousand dollars for a security deposit, first and last month's rent, and a moving van. Evidently embarrassed, she set up a crowd-funded account to see if they could raise the money.

They met their goal in a few days, mostly via lots of small gifts from former students and coworkers who apparently cherished their memories as much as I did mine.

Still, I've been distressed by this ever since. I'm glad to have been able to help, as I'm glad to have been able to donate to various friends and friends-of-friends when they wanted to mount an experimental play, or cover printing costs for a graphic novel, or provide winter-weather supplies for the homeless. I'm pleased to have a small stake in worthwhile projects, and at this point in my financial life it's easy enough to kick in $50 here and there.

But it only works, really, as a one-off: you can't keep tapping your entire social network in the way an established nonprofit can ask donors to commit to annual gifts or automatic monthly deductions. Or I suppose you can, but you'd probably see diminishing returns: the loose and diffuse friendships fostered by social media aren't built for it. There are plenty of people I haven't seen in 15 years whom I feel warmly toward--but not so warmly that I'd appreciate repeated attempts to leverage my affection into a cash donation.

That doesn't mean I don't care; it just means that each of us has limited means, and when push comes to shove it's usually our family members and closest friends who have most claim to our financial and emotional assistance. The awfulness of the crowdfunded emergency bailout is that it reminds us how insufficient both our resources and our goodwill are.

I hope my old friend and his wife will be okay from here on out, but what if they're not? What if there's another emergency--or what if nothing's an "emergency," but they simply can't get by any more? And what about all the other people I don't know, with fewer friends and family to call upon, but equivalent needs?

Monday, August 25, 2014

So about those journals. The first and most necessary surprise--necessary in the sense of allowing me to keep reading the damn things--is that they weren't nearly as cringe-inducing as I'd feared.

To be sure, there are lots of things I'm glad to have grown out of: endless fretting and insecurity, for one, and a species of boy-craziness I'd mostly forgotten about. I remembered mooning after various guys and obsessing over ones who didn't work out, but I did not remember commenting on the attractiveness of just about every man I met, or how many crushes-from-afar I apparently had. (Who's this cute Art & Architecture student I mention a dozen times? Or that barista I kept running into? Or the guy a friend dubbed "Taller Tom Cruise"? Not a clue.) I also forgot how sexually frank my journals were. Notional future children, I'm sorry for grossing you out.

But although I often wanted to tell Younger Flavia "snap out of it!" or "honey, he is not into you," that phase of my life is far enough away that I can regard my youthful silliness with more tolerance than I probably could have even five years ago.

What most interests me is the rich social world these journals conjure up. I'd forgotten just how enmeshed my life was with those of my friends--including friends who lived hundreds of miles away. My journals are full of references to two-hour phone calls or lengthy email exchanges or weekend visits, and I summarize in newsy detail all my friends' goings-ons: what they liked and hated about their jobs, their roommates, their significant others. I talk about which movies I saw with whom and what we said afterwards, and where we went and who we met up with--and why I really can't stand so-and-so's boyfriend. Young Flavia is often very funny, and good at characterizing people through a single quotation or brief anecdote that recalls them perfectly.

It's sad, in a way, how thoroughly that world has disappeared. In the endless catalogue I give of dance clubs and dive bars, coffee shops and restaurants, at least half are gone and another quarter I can't visualize or place geographically. More importantly, though I still have most of the friends I had then, we now have partners and kids and busy lives; I'm lucky to see or talk to many of them two or three times a year. Here they all are, though, living on the page not only in summary and paraphrase, but often in their own words: their insights, jokes and apt turns of phrase.

I'm also struck by how seriously my journals take the task of figuring myself out. Amidst all the mooning and insecurity, there's a lot of self-inquiry: why do I feel this way? What does this mean? Would I be happier doing something differently? I quote the things my friends say about me, turning over their assessments and agreeing or disagreeing, wondering if they're right. And I refer back, continually, to events that happened years earlier, sometimes consulting prior journals for reference.

Reading through several years at once makes growth more evident. Young Flavia's oscillations between madcap enthusiasm and weepy doubt become less extreme, and she's more inclined to be generous to others. I note with appreciation the friends who don't let me avoid difficult subjects or who make me admit when I'm mad at them--and I comment with pleasure when I succeed in raising a touchy issue myself.

There's a lot to miss about what I find in those journals. The close friendships and the apparently boundless free time are the most obvious, but I'm realizing that I also miss keeping a journal. Those notebooks didn't record everything, and towards the end they're especially spotty. But I'm sad, now, that the subsequent ten years have no comparable record. Reading about my early-grad-school lunacy reminded me of parts of the crushing grief of my big break-up seven years ago--but I have no record of the latter.

Naturally, I record bits and pieces of my life on social media and on this blog, and it has always been my goal to keep my blogging emotionally honest--not to paper over disappointments, anger, and frustration--but there's a lot that I can't say (whether due to professional discretion, personal discretion, or FERPA). For that matter, there's a lot I don't want to say in this format.

Indeed, in the era of social media and "don't say it if you don't want someone to see it," those journals feel vaguely illicit. I found myself grimacing occasionally at just how much I revealed about others' lives: their words, their actions, and my own occasionally nasty gossip or speculation. Though these notebooks exist in only a single hard copy, which no one else has access to, I've so internalized a sense of what I can't write about electronically that I almost can't believe I wrote such things at all.

I value my public writing, and I have no desire for it to be more rawly confessional. But I think I'm going to try keeping a journal again. The entries won't be as epic or as searching as they used to be, I'm sure--but I'm curious what I might have to say to myself when no one else is listening.

Saturday, August 23, 2014

I started grad school fifteen years ago next month, and the other night, as I was falling asleep, I had a vivid recollection of the apartment I lived in for my first four years and what falling asleep there had been like. It was a narrow studio, longer than it was deep, with my bed only a few yards from the front door. Under the door, even in the dark, a bright strip of light from the hallway shone in. Every second or third night I'd be unable to fall asleep, convinced that the framed poster that hung over the head of my bed was going to crash down in the middle of the night. So I'd take it down and hang it back up in the morning.

I've been trying to figure out what I've done in the past fifteen years, and finding the list wanting--professionally I'm perfectly on schedule, if that's the right word, but haven't done anything grand--but then I went back to the journals I kept in grad school. I kept a journal for a dozen years, from roughly ages 17 to 29, but haven't so much as laid hands or eyes on them in a decade. They lived in a sealed-up cardboard box, which I moved from place to place and then shoved in the back of a closet. Until now, I'd never had the nerve to re-read them. I knew what was in them, basically, and didn't want to revisit it.

But yesterday I did, and the experience was. . . surprising. I'll say more about that in another post, but reading the ones from my first two years of grad school make it clear that I was a lunatic. I remember with some clarity how depressed I was, and some of the reasons why, but that's not the same as reading entry after entry about walking home from class crying, about weeping at this party or that party, about my increasingly elaborate and paranoid social fears. No wonder I slept badly.

It's hard to believe how late I stayed up, how little I slept, and how much I drank. In retrospect it's clear that most of my friends were lunatics, too--even the ones who weren't literally alcoholics or addicted to drugs were in crazy, anguished places. My journals are full of worries about this friend who seems to have lost a quarter of her body weight, and that friend who's having an affair, or the other who's picking up strangers in bars. And I recount, drily, the story about this one falling over backwards in his chair or another passing out face-down on the table.

So though I was going to come up with a list of what I've done in the past fifteen years to make me feel accomplished and cheerful and whatnot (M.A.! Ph.D! Tenure-track job! Articles! Tenure! Book!), I have to say, I'm just glad we all survived.

Tuesday, August 19, 2014

In my twenties, I finished every novel I started--even those I was sure I hated by page 50. Partly this was about how much leisure time I had, in those days of fewer obligations (and a job that did not involve hundreds of pages of reading a week). I think, though, it was also about my distrust of myself as a reader: reading was important to the identity I'd constructed, and since most the novels I read were "classics," or influential, or somehow of the moment, I felt I couldn't just say "yuck," and set one aside. There were books I read all the way through only to throw across the room or toss in the trash, but I finished them. I needed to finish them in order to know that I disliked them, and to be able to formulate a reason why.

These days I have no such scruples. I try to make it to page 100 before setting anything aside, but life is too short to read crappy books--even well-reviewed crappy books, even books I've paid good money for, even books I expected to like. With this policy in place, it's rare that I read anything all the way through that elicits a sentiment worse than a "meh." But friends, I have now--for the first time in maybe a decade--finished a book that I want out of my house immediately. It cannot remain on my shelves. I can't bear even the sight of its spine from across the room. That book is Joshua Ferris's To Rise Again at a Decent Hour.

Now, it would be unfair to call this a bad book; it's well-crafted and people I respect liked it a lot. But somewhere between pages 100 and 337 it went from "has its charms, but not really doing it for me" to "OMG THIS IS EVERYTHING I HATE ABOUT EVERYTHING." I could say the problem was that I found nothing emotionally true or interesting about the characters. I could say there wasn't much of a plot. But the thing I really can't forgive this novel is its vague, sentimental treatment of religion (or the spiritual, or the existential, or whatever--they're all kind of mushed together in a lukewarm soup).

You know how some people are all, "I wish I could believe in God! I think religious people are, like, so lucky. I mean, even if they doubt or whatever? They still have this thing to fall back on--a community, a history. Something that gives life meaning. And sometimes, in religious spaces, I feel at home; I really do. I just don't, you know: believe."

This is a book about that guy. And the book has no perspective on belief or unbelief that is any more nuanced or interesting than his.

*

Readers: what was the last book you tossed aside lightly--or threw with great force? And why?

Sunday, August 17, 2014

Last week I finally got The Article of Eternal Return off my desk and back to the journal that had it most recently. That means that pretty much the only writing I got done this summer was an R&R of an essay that was already pretty polished--and perhaps 2/3 of which I left intact. I did some reorganization and made some major changes to the conceptual framework, but nothing that should have taken me two months.

Worse, I did nothing but work on that essay. I mean, sure: I went to the gym, and I ate and I slept and I faffed around on the internet. Maybe once a week I saw a friend or went to a movie. But I let the yard turn into a jungle and I put off errands for weeks at a time (taking 60 minutes to go to Target was way too much of a time commitment!); even running a load of laundry felt like an imposition.

There are always binge weeks here and there in the life of a project where I eat, drink, and dream whatever I'm working on--but usually they're pleasurable periods of mania when everything seems to be going right and all I want to be doing is writing. It doesn't feel grindingly painful. And it doesn't last for six weeks straight.

This tells me it was probably a mistake. Not the actual work I did, but my decision to gut it out until it was done. I'm in a dark psychological space with this piece, and probably the sane thing would have been to take a break, set it aside, and work on something I felt invigorated by and that might give me some renewed confidence. (In other words: what my advisor made me do with my first chapter.) But I don't know how to do that. I only know how to bite down hard, hold on, and not let go.

Sunday, August 10, 2014

With every round of revisions I make to this essay, I'm convinced I'm finally ready to write my conclusion. Everything else is falling into place. About a week ago I felt confident enough to scrap my old conclusion, which I'd been hanging onto in the hope that some portion of it might still work. Since then, I've occasionally started drafting something that seemed like it might be a note I could end on. So I write half a paragraph, and then I lose enthusiasm and leave it stranded there amid a bunch of white space.

So far I've got four or five of those maybe-conclusory, half-finished thoughts. They hang out like awkward dudes at a bar: keeping their distance; fiddling with their drinks; making occasional eye-contact and then pretending they didn't; never getting up the nerve to start a conversation.

I can't blame them. I'm not really interested in them either. So I ignore them, tinkering with the few places that still need work in the rest of the essay--a bit of framing here, a little historical background there. If I'm still not feeling it once that's done, maybe I'll fix my footnotes.

Eventually I'll know how I want this to end, who I want to go home with. Another guy will show up at the bar, and that'll be it. But that time is not yet.