Likely Keith’s best known kit, for its unique look, Keith had Premier custom-... more

Likely Keith’s best known kit, for its unique look, Keith had Premier custom-build at least three of these kits to his specification. It was Moon’s idea to incorporate “Pictures of Lily” in the design.

Keith bought a transparent acrylic drumkit from Zickos drum company, during T... more

Keith bought a transparent acrylic drumkit from Zickos drum company, during The Who’s 1970 U.S. tour, before a show in Kansas City on July 2. Several weeks later, Moon ordered one more drumkit. Zickos had only been in business in less than a year, and Keith was the second drummer to order a kit, so Zickos didn’t have all of their own hardware available. Zickos have reported that some of the hardware used was probably Sonor and Camco in addition to Zickos’ own.

Designed by the legendary Keith Moon, this stick has a unique in its design w... more

Designed by the legendary Keith Moon, this stick has a unique in its design with the combination of a medium shaft, fast sloping medium taper and a length just short of 16". Crafted with an oval wood tip.

Moon changed his 16'' crash for an 18'' crash in 1968 when he used his signat... more

Moon changed his 16'' crash for an 18'' crash in 1968 when he used his signature drume kit, Pictures Of The Lily, used arround 1968-1974, in Pictures Of The Lily says he used various manufactures cymbals but must used were Paiste and Zildijian.

Microphones 4

Used for the kick drum on "Who Are You", as mentioned by producer Jon Astley ... more

Used for the kick drum on "Who Are You", as mentioned by producer Jon Astley in this Sound on Sound "Classic Tracks" interview.

"On the bass drum I used an AKG D30; I had a Neumann KM84 on top and underneath the snare; I used a Shure SM58 with a pad in it for the hi-hat; overheads were Neumann U87s; and for toms I used anything I could find that matched, such as Sennheiser 421s. Then, the day after I'd set all this up, Keith came in and went around the kit for me. I just wanted to make sure the stereo imaging was OK, so he played and then asked 'Is that all right?' I said 'Yeah, that's fantastic,' at which point he stood up and walked straight through the bloody kit. He obviously was aware that I'd put a lot of work into it, balancing the whole thing, but I just thought 'Oh, well, welcome to the Who. Here we go..."

Used for the snare drum on "Who Are You?", as mentioned by producer Jon Astle... more

Used for the snare drum on "Who Are You?", as mentioned by producer Jon Astley in this Sound on Sound "Classic Tracks" interview.

"On the bass drum I used an AKG D30; I had a Neumann KM84 on top and underneath the snare; I used a Shure SM58 with a pad in it for the hi-hat; overheads were Neumann U87s; and for toms I used anything I could find that matched, such as Sennheiser 421s. Then, the day after I'd set all this up, Keith came in and went around the kit for me. I just wanted to make sure the stereo imaging was OK, so he played and then asked 'Is that all right?' I said 'Yeah, that's fantastic,' at which point he stood up and walked straight through the bloody kit. He obviously was aware that I'd put a lot of work into it, balancing the whole thing, but I just thought 'Oh, well, welcome to the Who. Here we go..."

Used for the toms on "Who Are You?", as mentioned by producer Jon Astley in t... more

Used for the toms on "Who Are You?", as mentioned by producer Jon Astley in this Sound on Sound "Classic Tracks" interview.

"On the bass drum I used an AKG D30; I had a Neumann KM84 on top and underneath the snare; I used a Shure SM58 with a pad in it for the hi-hat; overheads were Neumann U87s; and for toms I used anything I could find that matched, such as Sennheiser 421s. Then, the day after I'd set all this up, Keith came in and went around the kit for me. I just wanted to make sure the stereo imaging was OK, so he played and then asked 'Is that all right?' I said 'Yeah, that's fantastic,' at which point he stood up and walked straight through the bloody kit. He obviously was aware that I'd put a lot of work into it, balancing the whole thing, but I just thought 'Oh, well, welcome to the Who. Here we go..."