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With a third of the latest work-in-progress written, I’m now ready to try out the Hemingway App. The Hemingway App is freeware that LifeHacker shared back in February 2014. Now, there are a lot of different writing apps, and I don’t put much stock into “write without distractions” software. If you want to write without distractions, turn off all your screens, turn on the radio, open a notebook, grab a pen, and start that shitty first draft.

So why did I want to try the Hemingway App? Because it promises to edit efficiently by highlighting common writing errors. It becomes, in essence, your copy editor. It will tell you a number of stats, including the:

Readability level

Number of adverbs

Number of complex phrases

Number of passive voice uses

Number of hard to read or difficult to read

Catching these errors by “yourself” could probably save you a cool thousand (or more) in editing fees! Find the easy stuff yourself so you can pay someone else to edit your plot. I’m all for it.

How did I do?

In short: not well. Not as bad as it could have been, but I was surprised by a couple of things. I thought I was doing much better at not using adverbs since reading Self-Editing for Fiction Writers, but lo, I had 128 adverbs! Similarly with passive voice… 92 times? Really?

Let’s take a look at what happened when I began editing the text. I removed adverbs either outright, or replaced the verb-adverb combination with a better word. Passive voice? Gone, if I could help it. Complex sentences? Simplified, if it didn’t make the book seem juvenile (remember, I’m writing for young adults and older, 13+ years).

Let’s check out the results…

Just by editing chapter 1, I removed: 15 hard sentences; 18 difficult sentences; 10 adverbs. Not too shabby! I was worried this work would make it feel less like I was writing. Instead, the story feels more compelling.

Things to Keep in Mind with Hemingway App

Compatible with Microsoft Word

Importing a Microsoft Word file is super easy. They have a special import option for this, and the resulting text will match the hierarchy you put in place i.e. headings, bold, italics, and the like. The export back out to a Word file worked as expected. However, I edited in Word on half my screen with the Hemingway App open in the other half screen, because…

Clunky Experience with Large Amounts of Text

The Hemingway app does not like huge chunks of text. I imported my entire Word .docx file, which had over 24000 words. This included everything; chapters I didn’t know if I would use, back cover blurb, elevator pitch, etc.

Editing was tedious, I assume because the app was recalculating every time I made a change. I would hit enter to separate a sentence from a paragraph, and watched the app hang for a couple seconds to catch up to my keystroke. This was upon opening the app, too!

My suggestion is to dual-screen with this app so you can keep moving with your edits. Then, just re-import later to see your improved statistics.

Contractions are Not Your Friend

The Hemingway app thought every contraction (couldn’t, wouldn’t, didn’t) was a misspelled word. I suppose that’s fine, I’m writing historical fiction so contractions are a form of lazy writing, if you ask me. They work fine for dialogue, but probably should not exist in the prose.

Conjunctions are Not Your Friend

If you’re going for an easy reading level, conjunctions (however, but, and) bump the difficulty. Or rather, conjunctions with many adjectives bump the difficulty. I often found myself trying to write a sentence into two separate ones. Then I would lose the meaning I wanted, so I would rewrite the conjunction, and take out the adjectives. This made the Hemingway app happy and removed the highlight.

Conclusion

You don’t have to follow all of the Hemingway App suggestions. I’m going with it because it forces me to write cleaner sentences. I’m pleased with how this app is influencing my rewrite. Let me know how you guys like (or dislike) using this app!

Hello! I return after ruminating about writing for months between family stuff, getting engaged(!), and rejoining the swing dance team. I’ve gotten a little breathing room, and my authorpreneur brain is whirring back into gear.

In the midst of it all, I despair over missing my writer’s group meetings, which are direct conflict with the swing dance team practices. I lament over my inability to concentrate on my research in the evenings. Instead I practice choreography, hunt for budget wedding supplies, veg out on Property Brothers and other Netflix necessary evils, and attempt to keep my place clean.

This is a creative outlet that balances me mentally and emotionally compared to my other creative outlets

This is a learning outlet that exposes me to a greater understanding of my Anglo-majority culture

What are my lines I won’t cross?

Smutty material; no sex scenes

Gore; egregious violence

Private life; only writing-related personal details will be shared

How do I want to improve?

Each book should display a stronger craft of writing than its predecessors

Each book should showcase better awareness of genre and audience marketing than its predecessors

In summary…

Bright Bird Press intends to spearhead the authorpreneurship and marketing of Belinda Kroll’s fiction. By December 2016, Bright Bird Press intends to earn enough royalties to cover the editing, design, and marketing costs of Kroll’s as yet unnamed book. Each book published will be in print and eBook formats, and will try to meet a minimum 4.5 star average (measured by Amazon.com reviews). Any book published will attempt to gather 25 book reviews within the first twelve months of publication and over fifty reviews by the end of the first three years.

To reach these goals, each book should improve on writing craft compared to previously released books, and Kroll will release one full-length novel every two years. Kroll will maintain a website and blog, post interesting internet finds on Twitter, and will release a newsletter announcing new releases and giveaways.

Bright Bird Press will make decisions toward reaching these monetary and quality goals while also respecting Kroll’s moral standards. Additionally, if a decision is made which puts Kroll’s personal life at risk, she reserves the right to reevaluate her writing career with impunity to reader expectations. Kroll is accessible to fans through her website and select social media accounts; names and stories of her family are to remain private.

Choosing Stories

What are common threads in books you enjoy reading?

Young women coming of age in eras where society has high expectations of them; so many apply to today’s society

A touch of romance, which either begins between friends, or presumed antagonists who have to join forces

This romance would be categorized as sweet; never going beyond kissing on the page

A moderate plot pace, which ends in a generally happy, perhaps bittersweet, ending

Belinda Kroll will write Victorian historical novels (or novellas) of between 50,000 and 75,000 words. These historicals will feature sweet romances, where physical contact does not progress beyond kissing on the page. Kroll and Bright Bird Press intend to build a brand where readers can look forward to coming of age stories featuring father-daughter relationships and bittersweet endings.

Kroll’s books will highlight challenges of establishing oneself in the face of an unsympathetic society. These books will explore the theme of trust, specifically the importance of working to trust oneself despite failings and mistakes. Readers should leave each reading experience with a sense of renewed determination to love oneself.

– – –

That’s it so far! I’m looking forward to the next installment in Janice’s series. I’m finding this helpful for me, and I’m curious to see how this influences my writing. I don’t think I realized my writing length has shortened over the years… my first book was a little over 100k and now I’m interested in writing fiction half that length!

My one concern is that heretofore, I’ve been a pantser… all this thinking and plotting and general authorpreneur stuff makes me worry that I’ll lose my creativity by documenting my (existing) constraints. Oh well! We shall see where this takes me.

Looking for an alternative to lugging your laptop around to finish that novel? Frustrated with carrying your phone, your laptop, and your writing journal to make sure you have everything to reference when writing that next chapter? Let me tell you a story about abandoning my laptop, and using my new tablet instead.

Backstory

The last couple of years I have been traveling many weekends, which used to be my dedicated writing time. The reason for all the traveling was (and is) to attend lindy hop dance exchange and workshop weekends… kind of like mini-conferences about lindy hop dancing technique and methodology.

It’s been a frustrating process, trying to balance my dancing and my writing. Lindy hoppers are pretty obsessive about the hobby… and the culture itself isn’t super forgiving for those who want to dance but also maintain other passions. That said, I’ve been modifying my attendance at dance events (maybe I don’t attend all the classes, and write instead during the day so I’m fresh for the evening fancy dance). I’ve also been modifying the technology I take with me.

The last dance event I attended, I brought my pen+paper notebook, and my smart phone. I did research on my phone in the hotel room while The Boy taught dance classes, and wrote my amnesia character’s backstory in the notebook. It worked out pretty well.

I was excited to be able to do research and get inspiration on the road, and not have to bring an extra bag just for my laptop. We dancers bring at least three pairs of shoes for a weekend, just to give you an idea of how packing works.

But there was a gap. Even though I save my novel drafts to Dropbox (I love their versioning so I can compare differences between first draft and #25), it’s almost impossible to edit a Word docx on a smart phone.

I was determined to not carry my laptop around. But I couldn’t bite the bullet on getting a tablet because they were expensive, I knew I wanted an Android so I could utilize all my apps on my phone, and I wanted one known for handwriting recognition.

Enter my newfangled device, the Galaxy Note 8.

Writing by hand is very important to me. It gives me time to think. So I bought the Galaxy Note 8 because it comes with a stylus designed by Wacom. Those of us who are designers in our day jobs know Wacom is kind of the standard for a good stylus that recognizes pressure, proximity to the screen, etc. I figured if I found a tablet which recognizes my handwriting, I could mimic writing in my journal on the tablet. So far, it’s been pretty awesome.

Using a Tablet to Write a Novel

I created a handy-dandy infographic to illustrate my process, mainly because words can muddy what is otherwise a simple process…

Sync via Dropbox

Ensure your latest draft is on Dropbox, then install the Dropbox app on your tablet.

Immediately save a copy of your file to your actual tablet, in case you are ever without data or wireless. That way you can continue to work if you’re “unplugged.” When you’re done with editing/writing, navigate to your documents folder and share the file back to Dropbox.

I edit the file using Polaris Office, which apparently can read and edit the docx file format. This is awesome, because I can write and edit whenever I want on a thing that fits in my purse and will sync with my desktop so I’m prepared for the inevitable hours-long, binge-writing session.

* I have found that if I leave the file open, let the device sleep for hours, and then try to continue to work, the cursor jumps all over the place. I had to save the file, close it and the app, and re-open for the cursor to stop freaking out. Which then allowed me to stop freaking out, because for ten minutes I thought I’d have to scrap the entire process.

Build Your Digital Research Library

If you use the Chrome browser, you can install the Evernote browser extension. Makes it super easy to save research, articles, etc across the web. It’s like a scholarly, private Pinterest.

Also don’t be afraid to go to the library and take pictures of your research and upload those photos to Evernote. You can literally digitize your entire research journal!

Evernote lets you save full PDFs, images, and copies website content so you don’t have all the distracting ads. I love that I can pinch-zoom the large PDF scans of the old Ohio Daily Statesman so I can pull quotes from the local newspaper.

That’s it!

Pretty simple, right? So far it’s working well for me. I like to write on the sofa, in a terrible slouched position, which just doesn’t work with a laptop. Having a tablet I can angle any-which-way to write on and then sync, is awesome.

I love pen and paper, and could probably buy out any office supply store in the blink of an eye (that is, if I had unlimited funds, which, thankfully, I do not).

That said, I’m sure it wouldn’t surprise you to hear that I adore Post-it notes. The image in this post shows how I visualize the love triangle(s) from Haunting Miss Trentwood. I would make the image bigger but then it might spoil some of the plot twists!

You see, dear Reader, this is a sort of map for me. I use this to remind me where tensions occur between characters. I’m color code so I know which character is part of which plot or subplot, and then I draw arrows with visuals to tell me the generics about the relationships.

I was thrilled to read Deanna Raybourn’s blog when she said she does something similar: a collage of images that help inspire her current work-in-progress. I love learning other types of writing exercises that don’t—shock!—require you to write. I need to make things because I am a Maker. I need to use my hands while I’m figuring something out, even something as cerebral as a plot twist. And then after I’ve made the thing, I want to share how I did it. Like this.

How to make a Character Map

Grab a tabloid-sized sheet of paper, multiple colors of small sticky notes, a pen, and a pencil.

Write the names of the main characters on different colors of the sticky notes. Try to group the characters based on their primary plot lines.

Play around with the configuration of the character sticky notes on the page until you can get them to fit, and represent the relationships.

Draw arrows from one sticky note to the other to show direct connections.

Use dotted lines to show indirect connections.

Use a pencil because you might make a mistake and try to draw one arrow over another.

To keep the character map legible, try to arrange the stick notes so you won’t have to cross arrows.

Have fun with it! I drew a funny angry face to show antagonists, hearts to show love interests, and broken hearts to show tragedy.

Put the character map somewhere you can glance at when you need inspiration.

I had so much fun with this, I might do it for the relationships I have in my life, and use it as a sort of art piece in my apartment. Or as a way for me to remember who is who at work. Learning the organizational scheme of a new workplace is always so stressful…

I am a fan of the indie-publisher in the same way that I’m a fan of a lot of indie musicians. It’s a scary thing to put your work out there for others to judge. And as there will always be artists that maybe shouldn’t have released their work, there are authors that shouldn’t release theirs.

But that goes vice-versa, too. There are indie artists who are so good at what they do that they gain fans, word-of-mouth publicity, and possibly even a big label contract, which may or may not be their end goal. Lucky for us, the same thing goes for authors… except there is still a stigma behind “self-publishing.”

Today, I’m listing some useful websites that will help you decide if you want to take that leap into the unknown and become an independently published author.

Indie Publishing Revolution
Maintained by Zoe Winters, a frequent commenter and even a guest blogger here at Worderella Writes. She’s an intense supporter of independent publishing and is doing her best to make sure that you know what you’re getting into if you’re interested in doing the same.

Publetariat
Self-described as an “online community and news hub for the independent author.” The people behind it claim to be experts in editing, marketing, journalism, etc, and are determined to help you make the best product you can. It’s not that you’re “resorting” to independent publishing, it’s that you “choose” to independently publish.

Selling Novels on the Amazon Kindle
A first-hand account from an author who experimented with selling a draft version of his novel on the Amazon Kindle and in e-book format. Very interesting and useful; read the comments to gain more insight as to whether you want to follow a similar path.

Hi all, I know I’m disrupting my posting schedule, but this is too cool to pass up. Zoe Winters, our guest blogger today, clued me in on a new networking opportunity that is both fun and useful, too. It’s called Crit Partner Match, and the premise is that it’s like eHarmony.com or Match.com… but for writers looking for a critique partner. I’ve already set up a profile and wrote my introduction in the Historical forum.

For you writers looking for a word processor that caters to you as a writer (i.e. something that isn’t Microsoft Word), you NEED to get over to Giveaway of the Day. For today only they are releasing the Liquid Story Binder, a program made specifically for writers.

Believe me, this thing is amazing. I thought I’d never leave MS Word… it’s my baby. I know more keyboard commands than a person should, I use MS Word that much. But Liquid Story Binder has embedded outline, timeline, and association modules so all of your novel information stays in one program. You can link to mp3’s for a customized playlist as you write. You can embed images so you always know what your setting looks like (for example), and create dossiers for characters. You can have each chapter in a separate file, and Liquid Story Binder is smart enough to link them together for when you print the entire thing out.

Plus, the program is small enough to install on your portable USB drive… so you can literally take all your notes for your novel with you. Outstanding.

There seems to be a slight learning curve, but the chapter outlining and character/chapter timeline modules have me sold. Get your copy now! You only have 18 hrs left by the time I post this entry (9am American Eastern time)!

In other news, I’ve grown tired of my blog and website theme, so I’ve changed it. I didn’t create the blog theme, but I think it’s perfect (for now, haha). I’m still tweaking the website.

The real secret is to do it because you love writingrather than because you love the idea of being a Writer.
– Iain Banks

I once got into an odd conversation with someone about writing… let’s call this person Frank the Writer. So Frank saw my pile of writing magazines, and I could tell by his expression upon opening one of the issues that he was surprised I highlighted certain sentences which I found insightful or helpful to me as a writer. Watching him read my notes in my old Writer’s Digest, Poets & Writers, and The Writer issues was, for some reason, like watching a child realize there is no Santa.

Frank asked why I think I’m a writer, and I responded, “Because I have to write, or face the possibility of insanity.” I added something about how I’m drawn to writing, that I get personal satisfaction from it. I asked him if he didn’t feel the same.

“No,” he said. I’ve never heard anyone sound so mournful. “I don’t. I read these books that tell me I should feel something that tells me I’m a writer, just like how you just told me, but I don’t. I never feel anything when I write.”

This was puzzling to me. How can you write something and not feel anything while writing it? I asked Frank a series of questions which led me nowhere until, frustrated, I asked, “Do you want to write, or be considered a writer?”

“I want to be a writer.” No wonder he never felt anything when writing. His motivation was all wrong. He wanted the fame without the work. He wasn’t writing because he felt any special need to, or because he wanted to send a message of sorts out into the world, or even because he thought he had a story to tell, but because he wanted the recognition for being brilliant. No wonder his writing felt cold, empty.

Writing takes guts, patience, and stamina to do what it takes to be “considered a writer.” It takes years to be “discovered,” and by that point you will have numerous drafts hidden beneath your bed, stuffed in a back cupboard, shoved between cracks in the wall. Even if you go the self-publishing route, you have to be a savvy business-minded writer to make the publishing process worth it.

What do you think? I know some of you have multiple drafts lurking in the dark corners, and others of you with agents. What do you have to say to Frank and his misplaced motivation? Can I help him learn to love the process that is writing rather than love the idea of being a Writer?

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Though this is more about feature writing in a newsmagazine or some such publication, I thought this article was helpful for us fiction writers as well. Just um…whenever he writes “journalist,” substitute “fiction writer.” In general, it works out.

The Heart of the Story
by Jon Ronson, feature writer for The Guardian

Finding a Story to Tell
How do you begin your story? All journalists are, to a greater or lesser degree, paranoid conspiracy theorists. This is because stories do not have natural boundaries, every lead can take you to another lead, every thought to another thought, and eventually – if you allow yourself to become crazy – every story you write can incorporate the past, present, and future of all human civilisation. You don’t believe me? Okay, I’m going to pick a topic at random. The Paris fashion shows.

Every journalist is – at some point in their career – asked to cover the Paris fashion shows. The brief is this: we are slobs with no fashion sense. Wouldn’t it be funny to send us to this strange world, where we can be wide-eyed, sardonic innocents, making fun of the pomposity, the circus, and the expensive clothes?

So you start with that very brief, but the conspicuous, garish wealth on display starts to grind you down. Where are the clothes produced? Are they stitched together in some sweatshop where the workers are beaten up for complaining about their conditions? So it becomes a story about that. And you feel so superior in your slobbishness, and you think it’s all a con, but what if you’re wrong? I don’t like looking like a slob. Are they happier than me? What is happiness? How old is that girl? Oh my God, am I a dirty old man for finding her attractive? Why does the age of consent differ from country to country? Is the Law as fragile as a shifting sandbank? Should the Law respond to the moral climate or dictate it? Is she too thin? She looks ill, yet attractive. Why is that? Why did Ali McGraw become better looking the sicker she got in Love Story?Read More →

Using Foreshadowing
Heighten the themes of your story or increase the tension by using small incidents which echo later, more significant events, known as foreshadowing. Keep it subtle though, and the reader will be quietly thrilled to have spotted your literary trickery!

Multiple Viewpoints
Don’t be afraid to tell your story from multiple viewpoints if you feel it’s right, but be careful not to confuse the reader – make it clear which character is in pole position at any one time.

Question Your Decisions
Once you’ve decided on a structure (or as one develops while you write), ask yourself what your chosen structure adds to the story. If your answer is that it seemed like a good idea at the time, it might be worth reconsidering!

I found this article online to help you structure your projects. It seems simple enough, and isn’t a strict outline, which I have never been able to do. Instead, it helps you make a list of major plot points, which does make it seem suspiciously like an outline. Perhaps it’s just how Parnell talks about his method, but I just seemed to find this article helpful. Give it a try, it might help with your writer’s block (even if you are in the middle of a project).

Building Novel Templates
by Rob ParnellFirst, know your characters inside out, work through a rough story outline either in your head or on paper, making sure it’s your characters that define the story and not the other way round. Okay, so that’s the tough bit. Now for the easy bit:

Get a piece of paper and write 1 to 10 down the left hand side with plenty of space for writing in between.

Next to No 1, write Intro.

Next to No 10, write Finale

At No 1, write one sentence, no more, describing your opening scene.

At No 10, write one sentence describing the last scene in your book.

For instance, if you were writing a love story, next to No 1 you might write: ‘Jane finds herself alone after husband John dies’

At No 10, you might write ‘Dirk asks for Jane’s hand in marriage.’ It’s simplistic I know but that’s almost the point.

Now, against 2 to 9, write down the major plot points that will take your reader from the beginning of your novel to the end. These will act as cues for scenes in your writing.

Now read it through. Is there logic? Does it seem satisfying? Is there a moral, a point to the story? If so, good. If not, start again. Its no big deal.If you’re happy with what you’ve got, write a couple of words, lines etc. linking the plot points. These act as more cues for scenes in your novel. Next, transfer everything on to PC and begin to expand on your short sentences.

Start to describe how you’re going to open scenes, what you’re going to write about, what actions take place, what the various conversations will be about and how issues might be set up and resolved. At the end of this process you should have a draft template for your novel. Read over if a few times to see if it includes everything you want to mention in your novel.

This is a great exercise for many reasons, not least that it helps you visualize your novel in its entirety, probably one of the best tricks you’ll ever have to pull as a writer! Not only that, it can help you iron out problems before you start writing. Too many writers stumble during their novels because they run out of steam and cant remember where it was going, or discover its now different from how they imagined it.

I know planning novels is not everyone’s idea of creative bliss. Indeed many writers tell me they just cant do it, donut want to do it, and will fight to protect their right to make up the story as they go along. Fine. That works for some. But let me tell you something I’ve learnt, in my long career teaching writers to write novels. With a novel template you are at least twenty times more likely to finish your novel than without one! Sobering thought, eh? So before you dismiss the idea, at least give the template a fair go.

Today is a list from The Writer (July 2006) that quickly describes how to create convincing characters by Corey Blake. Blake begins the article, Creating believable characters takes time and discipline. Creating dynamically real individuals and not imposing your own thoughts and impressions on them is not easy to do, and is often the difference between a novel or screenplay that sits in a closet and one that finds its way into the hands of audiences.

Label the desire essences of your main characters. Come up with lists of desires, fifty of them, and slowly condense them into twenty. Focus on the ones that feel right for each of your main characters, considering their religious beliefs, major life events, appearance, intelligence, siblings, education, parents, music, sex, etc, anything and everything a person in real life faces.

Label the fear essences of your main characters. This is a little easier now that you’ve come up with the desire essences. The fear essences are the “polar opposites” of the desires. They battle the desires, and at each decision, either the desire or the fear will win. Make the pairs, and discard the pairs the character doesn’t feel strongly about. Keep doing this until you have 10 pairs that excite you.

Get specific in the backstory to understand how these essences came to be. As Blake says, “A character’s current behavior is a battle between fear adn desire, and his or her immediate choices are made based on very specific (yet unconscious) experiences from the past–experiences that leave imprints.” Write as much as you can about each half of each pair, so you have pages and pages on the character describing how they think or would think in a given situation because you know the history behind that certain essence.

Describe their current behaviors. Take the essences and specific examples and determined the kinds of behavior your character has because of it.

Raise the stakes. Don’t be afraid to throw horrible obstacles at your characters! Watching them deal with obstacles is what makes a story interesting; no one wants to read about a girl who sails through life.

Don’t meddle. A “truthful story is going to grow from your willingness to let your characters make their own decisions based on how you defined them. As their parent, you have to let your children go.”

Let your characters play. At this point, your characters will be writing themselves.

This is an article I found on the BBC – Get Writing website, written by Sue Chester. I took out the exercises and etc, focusing mainly on the content. If you’d like to see the original article, click here. It’s a pretty long article, so reader beware:

Setting Off
For the last few weeks I’ve been on a journey through the Caribbean. It was very cheap. Gabriel Garcia Marquez took me there personally for less than a tenner in Love in the Time of Cholera.

The setting of a novel is integral to the story. It’s the stage set where the action takes place, the unifying factor where the plot unfolds and where the characters develop. Not just the geographical backdrop, setting is also reflected in time and place. Time could mean the time of day, the season, the future, past or present. Place can mean anything from the specific geographical location to a house, kitchen, car, football stadium, a Swiss ski slope or a Norfolk beach.

Description is the first port of call when it comes to creating your setting, lifting your readers into a vivid, imaginary world that rings true and feels real – exactly why I enjoyed reading Marquez. A good descriptive passage isn’t just a random list of what was in the landscape or in the room, but has enough striking and original detail to paint an image of the scene.

So what makes description work? It’s a combination of observation, detail, imagination and creating a sensory experience for the reader; all through use of the writer’s kit – nouns, verbs, adverbs, adjectives, and figurative language.

Before you describe anything you need to really observe the world around you, just as a fine artist would when painting. If you haven’t properly looked and absorbed, how can you describe to others with enough accuracy and intensity to hold their interest?Read More →

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