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Wednesday, October 31, 2012

‘The Cabinet of Dr. Caligari’ – Silent cinema’s finest fright film

By Steve D. Stones

This landmark 1919 German expressionistic film may
be difficult for contemporary audiences to view because of the heavy handed
digital effects of today’s movies, but it is well worth the effort. The film
relies heavily on psychological horror effects, gestural movement of actors and
flatly painted, angular sets that give the film an unrealistic and surreal
feeling.

Based on an 11th century myth of a mountebank
monk, a carnival hypnotist named Dr. Caligari arrives in a German town to
exhibit his walking somnambulist, who has been asleep in a coffin for over 20
years. The somnambulist, played by German actor Conrad Veidt, has the ability
to predict when carnival attendants will die. He predicts that a local man
named Alan will die. That night Alan is murdered in his bed. His death is revealed through a brilliant use
of silhouette and shadows projected on the wall above him, avoiding any graphic
horror.

Alan’s friend Francis, who is the narrator and
protagonist of the film, is convinced that the somnambulist killed Alan. He
sets out to prove that Caligari and his act are responsible for Alan’s death
and the deaths of other locals. The viewer is lead through a number of sets
that emphasize shadows and hard-edged angularity. Francis’ investigation leads
to a mental institution where he discovers that Dr. Caligari is the head doctor
of the institute.

In a complete switch of plot, the film ends with
Francis being fitted with a straight-jacket by Dr. Caligari at the mental
institute. The viewer realizes that Francis is insane and that his story has
been a fabrication of his mentally twisted mind. The hard-edged, angular sets are symbolic of
Francis’ insane mind. His role as the protagonist is now questioned by the
viewer.

Critics of Caligari in 1919 felt that the somnambulist
was a symbol of mindless European soldiers marching off to war to kill without
question. The film was banned in a number of U.S. cities and European
countries. Some film historians have
labeled Caligari as the first ever “cult film.”

The influence of “The Cabinet of Dr. Caligari” on
contemporary artists and filmmakers cannot be overstated. Rob Zombie’s 1998 MTV
video “Living Dead Girl” is a complete homage and reenactment of Caligari.
Caligari’s influence can also be seen in many Tim Burton films, such as “Edward
Scissorhands,” “The Corpse Bride,” “Beetlejuice,” and others. “Edward
Scissorhands” looks similar to the somnambulist character in Caligari,
particularly his movements and gesturing.

If you have not seen “The Cabinet of Dr.
Caligari,” I highly recommend it as part of your movie viewing this Halloween
Season. Caligari makes a great double-feature with another German-Expressionist
silent classic – “Nosferatu” (1922). Both films have been digitally remastered
and can be purchased by Kino Lorber International Video. Beware of cheap public
domain prints of “Caligari” and “Nosferatu” for sale. These prints cut
important scenes and have poor image and sound quality. Happy Halloween!!