How wrong could I be? It's totally brilliant. From the dub groove of the title track to the sprightly acoustic pop of Big Jumps to the trip-hoppy Dead Duck to the PJ Harvey-esque Gun to the sublime Birds it's inventive and interesting without feeling like it's all over the place. I can't be sure, but I think a lot of it is down to her producer, Mr Dan (Dan Carey), who seems to have been responsible for most of the instrumentation. If I remember correctly he also worked with Dot Allison on the excellent Mo' Pop 12" and in a weird six-degrees-of-separation thing I have friends who know both Ms Allison and Mr Carey. Spooky or what?