Transcription

Contents

Plot

On November 30, 1962, a month after the Cuban missile crisis, George Falconer is a middle-aged English college professor living in Los Angeles. George dreams that he encounters the body of his longtime partner, Jim, at the scene of the car accident that took Jim's life eight months earlier. He bends down to kiss his dead lover. After awakening, George delivers a voiceover discussing the pain and depression he has endured since Jim's death and his intention to commit suicide that evening.

George receives a phone call from his dearest friend, Charley, who projects lightheartedness despite her also being miserable. George goes about his day putting his affairs in order and focusing on the beauty of isolated events, believing he is seeing things for the last time. At times, he recalls his sixteen-year-long relationship with Jim.

During the school day George comes into contact with a student, Kenny Potter, who shows interest in George and disregards conventional boundaries of student-professor discussion. George also forms an unexpected connection with a Spanish male prostitute, Carlos. That evening George meets Charley for dinner. Though they initially reminisce and amuse themselves by dancing, Charley's desire for a deeper relationship with George and her failure to understand his relationship with Jim angers George.

George goes to a bar and discovers that Kenny has followed him. They get a round of drinks, go skinny dipping, and then return to George's house and continue drinking. George passes out and wakes up in bed with Kenny asleep in another room. While watching Kenny, George discovers that he had fallen asleep holding George's gun, to keep George from committing suicide. George locks the gun away, burns his suicide notes and in a voiceover explains that he has rediscovered the ability "to feel, rather than think". As he makes peace with his grief, George suffers a heart attack and dies, while envisioning Jim appearing and kissing him.

Jon Hamm has an uncredited voice cameo as Harold Ackerly. He is Jim's cousin, who calls George to tell him of Jim's death.[5]

Production

Fashion designer Tom Ford, as a first-time director, financed the film himself.[6] The film places emphasis on the culture of the 1960s; the production design is by the same team that designed AMC television's Mad Men, which is set in the same era. Mad Men star Jon Hamm has an uncredited voice cameo as the cousin of George's partner, Jim.[7] The actual house where the character George lives in the film was designed in 1948 by John Lautner, his first house after leaving Frank Lloyd Wright.[8]

The film was shot in 21 days, according to "The Making of A Single Man" on the DVD.

Marketing controversy

An early theatrical poster for A Single Man featured a close-up shot of Colin Firth and Julianne Moore lying side by side, their arms and shoulders touching. This led to speculation that the work's gay content and themes were being deleted or diminished in its marketing materials to improve its chances of success with a wider audience. A new poster with Moore relocated to the background was issued. The film's original trailer placed more emphasis on the relationship between George and Jim but a re-cut trailer omitted a shot of George and Jim kissing while retaining a kiss between George and Charley. Also deleted were a shot of George staring into a male student's eyes, while keeping a shot of George staring into the eyes of a female student, shots of George meeting hustler Carlos outside a liquor store, and shots of George and Kenny running nude into the ocean.[9]

Speaking of the controversy, Moore said that director Tom Ford expressed concern that the original poster made the film appear to be a romantic comedy and that he ordered that the poster be changed.[10] However Ford, noting he does not see the film in terms of gay or straight, said, "I don't think the movie's been de-gayed. I have to say that we live in a society that's pretty weird. For example, you can have full-frontal male nudity on HBO, yet in cinema, you can't have naked male buttocks. You can't have men kissing each other without it being considered adult content. So, in order to cut a trailer that can go into broad distribution in theaters, certain things had to be edited out. But it wasn't an intentional attempt to remove the gayness of the movie."[11] Conversely, Colin Firth said, "[The marketing] is deceptive. I don't think they should do that because there's nothing to sanitize. It's a beautiful story of love between two men and I see no point in hiding that. People should see it for what it is."[12]Harvey Weinstein would only say, when asked about marketing a gay romance, "Brokeback Mountain did pretty well. Midnight Cowboy did pretty well. If you know how to market, you can market. There's an audience for it." When pressed about the poster, Weinstein cut off the interview, saying, "I'm good. You got enough. Thank you."[13] Peter Knegt of Indiewire suggested that The Weinstein Company "de-gayed" the trailer to better the film's chances of receiving Academy Award nominations.[9]

Reception

Critical response

The film has received an overall positive reception from critics, with most reviews singling out Colin Firth's performance. It currently holds an 85% "Fresh" rating on Rotten Tomatoes, based on 175 reviews, with the site's consensus being that "Though the costumes are beautiful and the art direction impeccable, what stands out most from this debut by fashion designer Tom Ford is the leading performance by Colin Firth."[14]Metacritic has compiled an average score of 77 (generally favorable reviews) from 35 critic reviews.[15]

Michael Phillips of the Chicago Tribune wrote "Some films aren’t revelations, exactly, but they burrow so deeply into old truths about love and loss and the mess and thrill of life, they seem new anyway"[16] Bob Mondello of NPR commented “An exquisite, almost sensual grief suffuses every frame of A Single Man.”[16] Marc Savlov of The Austin Chronicle wrote “Everything fits perfectly, from titles to fin, but most of all Colin Firth, who dons the role of George like a fine bespoke suit.”[16]

Critics who liked the film include The A.V. Club film critic Nathan Rabin, who gave the film an A- score, arguing that "A Single Man is a film of tremendous style wedded to real substance, and rooted in "Firth's affecting lead performance as a man trying to keep it together for one last day after his world has fallen apart."[17] Critic Roger Ebert of the Chicago Sun-Times also praised Firth, saying that he "plays George superbly, as a man who prepares a face to meet the faces that he meets. He betrays very little emotion, and certainly his thoughts cannot be read in his eyes."[18]

The Times newspaper of London called the film "a thing of heart-stopping beauty . . . There will be critics who will be unable to get past the director's background, but rest assured: Tom Ford is the real deal."[19]Variety's verdict: "Luminous and treasurable, despite its imperfections. An impressive helming debut for fashion designer Tom Ford."[20]