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Lot essay

Although not dated, the present work can be placed within the context of Feiler's early 1950s paintings. Discussing these paintings, John Steer comments, 'The works have something of the character of visual research and they are notable for their severity of structure and absence of any overt emotional or sensuous appeal. But although they lack romance and sweetness and treat a rather neutral range of subjects with an almost self-abnegatory austerity, we yet find floating, as it were, to the surface within them the motifs which have become central in Feiler's later paintings and are at the personal essence of his art' (J. Steer, exhibition catalogue, Paul Feiler, Crawford Centre for the Arts, University of St Andrews, September 1982. p. 10).

Cataloguing & details

Special Notice

No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Provenance

with Annely Juda Fine Art, London.
with Fine Art Society, London, where purchased by the present owner's father during the 1960s.

Saleroom Notice

Please note that the present lot is indistinctly signed and dated 'FEILER 53' (lower right).