From the production vaults of Whatley, this is a blended framing of both artistic theater and fashion that is labeled as the "Theatrical FashionReliefShow" 1993. This was an expression for the art festival PiccoloSpoleto (http://www.piccolospoleto.com), in which Whatley was a strong supporter and art guild member. The essence of the work was part of an experiment to display that fashion could be implemented as a theatrical performance, if true artist were involved. Interestingly, when Whatley was commissioned to develop this new art form, he recalls being laughed at by fellow artist as saying "how can a fashion show become art?" As you can see by the film, that Whatley accomplishes the task, which was the largest performance and was sold-out that year at the festival! Truly a remarkable and rare masterpiece, Enjoy! FYI: (The text editor goofed in spelling Whatley's last name in the credits)

published:04 Mar 2009

views:846

matilda

published:03 Dec 2012

views:9218557

From the production vaults of Whatley, this is a creative "Theatrical Fashion MusicVideo" that promotes the inner-functionality of the "Theatrical FashionReliefShow" 1993. This was a fun little production film that displays a simple, yet remarkable spectrum of Whatley's talented perspectives on fashion and the arts. This was enjoyable to do, not just of the challenge, but working with such beautifully talented young ladies. Hope you Enjoy!

Best epic celtic music - Fantasy - Medieval relaxing orchestral compilation 2015
● FollowFacebook https://www.facebook.com/bestmusicompilation
Google + https://plus.google.com/u/0/b/106446036630933312013/106446036630933312013/posts/p/pub
● Epic
An epic is traditionally a genre of poetry, known as epic poetry. However in modern terms, epic is often extended to other art forms, such as epic theatre, films, music, novels, plays, television shows, and video games, where in the story has a theme of grandeur and heroism, just as in epic poetry.
http://en.wikipedia.org/wiki/Epic_%28genre%29
All material is copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

published:06 May 2015

views:1098232

Do you travel a lot? Get yourself a mobile application to find THE CHEAPEST airline tickets deals available on the market: ANDROID - http://android.theaudiopedia.com - IPHONE - http://iphone.theaudiopedia.com or get BEST HOTEL DEALS worldwide: ANDROID - htttp://androidhotels.theaudiopedia.com - IPHONE - htttp://iphonehotels.theaudiopedia.com
What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning - THEATRE OF THE ABSURD definition - THEATRE OF THE ABSURD explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
The Theatre of the Absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work focused largely on the idea of existentialism and expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down, in fact alerting their audiences to pursue the opposite. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.
Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the 1952Samuel Beckett play Waiting for Godot. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play". These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.
While absurdists believed that living in general and everything else that one does while in the living state is absurd, they also believed that death and the "after life" were equally absurd if not more, and that whether people live or not all of their actions are pointless and everything will lead to the same end (hence the repetitiveness in many of these absurdist plays).
In his 1965 book, Absurd Drama, Esslin wrote:
The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.
Playwrights commonly associated with the Theatre of the Absurd include Samuel Beckett, Eugene Ionesco, Jean Genet, Harold Pinter, Luigi Pirandello, Tom Stoppard, Friedrich Dürrenmatt, Miguel Mihura, Alejandro Jodorowsky, Fernando Arrabal, Václav Havel, Edward Albee, Malay Roy Choudhury, Tadeusz Różewicz, Sławomir Mrożek, N.F. Simpson and Badal Sarkar.

published:15 Apr 2017

views:25588

The full length and official Rowan AtkinsonLiveDVD is now available on Youtube!
Whether mesmerising us with the sheer visual mastery of Mr. Bean, beguiling us with the acerbic wit of Edmund Blackadder, or simply entertaining us as the suave, but rather hapless BritishSecret AgentJohnny English, you surely won't have escaped the comic genius that is Rowan Atkinson. In Rowan Atkinson Live, co-written with Richard Curtis (4 Weddings & a Funeral, Notting Hill, Love Actually) and Ben Elton, Atkinson runs the whole gamut of his remarkably versatile 30 year career, with sketches, mimes and monologue's that are guaranteed to have you shedding tears of laughter. Performing live on stage alongside "straight man" Angus Deayton, the show features a number of original and familiar routines, including sketches that appeared in the original Mr. Bean series.

published:13 Jul 2010

views:4222844

published:10 Jan 2018

views:2186

This collection of films offers performance extracts from the National Theatre’s production of King Lear, alongside interviews with the cast and director about elements of the play.
Discover more about the art of making theatre with the National Theatre:
http://www.nationaltheatre.org.uk/discover
Bookshop: http://www.nationaltheatre.org.uk/bookshop
Twitter: http://www.twitter.com/nationaltheatre
Facebook: http://www.facebook.com/national.theatre.london
iTunes: http://www.nationaltheatre.org.uk/itunes
TES: http://www.tes.co.uk/nationaltheatre
SoundCloud: http://www.soundcloud.com/nationaltheatre

published:15 Jul 2015

views:164784

Directed by Ibed SurganaYuga and produce by Seni Teku, “Brungkat” is a site-specific theatre performance which has taken space in Candi Sukuh, an acient temple in Central Java. The texts were taken from the temple relief stories and history of the temple.

published:31 May 2015

views:1226

Directed by Mike Poole - William Shakespeare's brilliant comedy of love, lies, and other misunderstandings. Set in 1945, using beautiful costumes, uniforms and music of the period, performed live in the picturesque gardens of a sixteenth century manor house.
"Fast and sharp, it still rings as true today as when the masses stood and cheered its first performance!"
This record-breaking production was filmed in July 2013. The closing credits give full details of the cast and production team - The Bexhill Amateur Theatrical Society website can be found at http://www.the-bats.co.uk/
Disclaimer: All music is used with the written permission of the artists and rights holders.

Relief

Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone (relief sculpture) or wood (relief carving) is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.

Terrain

Terrain, or land relief, is the vertical and horizontal dimension of land surface. When relief is described underwater, the term bathymetry is used.

Terrain is used as a general term in physical geography, referring to the lay of the land. This is usually expressed in terms of the elevation, slope, and orientation of terrain features. Terrain affects surface water flow and distribution. Over a large area, it can affect weather and climate patterns.

Importance

The understanding of terrain is critical for many reasons:

The terrain of a region largely determines its suitability for human settlement: flatter, alluvial plains tend to have better farming soils than steeper, rockier uplands.

Theatre of the Absurd

The Theatre of the Absurd (French:théâtre de l'absurde[teɑtʁ(ə) də lapsyʁd]) is a designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down, in fact alerting their audiences to pursue the opposite. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.

Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to Vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play".

Biography

2004 2005

In mid-March 2006, Bilan was chosen internally by Russian broadcaster Channel One to represent Russia at the Eurovision Song Contest in Athens, Greece. Out of 37 participating countries, Bilan took second place with the dark pop song "Never Let You Go", equalling one of Russia's best ever showing at Eurovision — Alsou's "Solo" was runner-up back in the 2000 contest.

In September 2006, for second year in a row, Dima Bilan won Artist of the Year and Song of the Year at MTV Russian Music Awards. On 2 November Bilan represented Russia at MTV EMA in Copenhagen.

Theatrical Fashion Relief Show '93

From the production vaults of Whatley, this is a blended framing of both artistic theater and fashion that is labeled as the "Theatrical FashionReliefShow" 1993. This was an expression for the art festival PiccoloSpoleto (http://www.piccolospoleto.com), in which Whatley was a strong supporter and art guild member. The essence of the work was part of an experiment to display that fashion could be implemented as a theatrical performance, if true artist were involved. Interestingly, when Whatley was commissioned to develop this new art form, he recalls being laughed at by fellow artist as saying "how can a fashion show become art?" As you can see by the film, that Whatley accomplishes the task, which was the largest performance and was sold-out that year at the festival! Truly a remarkable and rare masterpiece, Enjoy! FYI: (The text editor goofed in spelling Whatley's last name in the credits)

6:18

When I Grow Up - Matilda the Musical

When I Grow Up - Matilda the Musical

When I Grow Up - Matilda the Musical

matilda

5:04

Theatrical Fashion Music Video '93

Theatrical Fashion Music Video '93

Theatrical Fashion Music Video '93

From the production vaults of Whatley, this is a creative "Theatrical Fashion MusicVideo" that promotes the inner-functionality of the "Theatrical FashionReliefShow" 1993. This was a fun little production film that displays a simple, yet remarkable spectrum of Whatley's talented perspectives on fashion and the arts. This was enjoyable to do, not just of the challenge, but working with such beautifully talented young ladies. Hope you Enjoy!

Best epic celtic music instrumental - Fantasy 2015

Best epic celtic music - Fantasy - Medieval relaxing orchestral compilation 2015
● FollowFacebook https://www.facebook.com/bestmusicompilation
Google + https://plus.google.com/u/0/b/106446036630933312013/106446036630933312013/posts/p/pub
● Epic
An epic is traditionally a genre of poetry, known as epic poetry. However in modern terms, epic is often extended to other art forms, such as epic theatre, films, music, novels, plays, television shows, and video games, where in the story has a theme of grandeur and heroism, just as in epic poetry.
http://en.wikipedia.org/wiki/Epic_%28genre%29
All material is copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

4:07

What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning

What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning

What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning

Do you travel a lot? Get yourself a mobile application to find THE CHEAPEST airline tickets deals available on the market: ANDROID - http://android.theaudiopedia.com - IPHONE - http://iphone.theaudiopedia.com or get BEST HOTEL DEALS worldwide: ANDROID - htttp://androidhotels.theaudiopedia.com - IPHONE - htttp://iphonehotels.theaudiopedia.com
What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning - THEATRE OF THE ABSURD definition - THEATRE OF THE ABSURD explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
The Theatre of the Absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work focused largely on the idea of existentialism and expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down, in fact alerting their audiences to pursue the opposite. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.
Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the 1952Samuel Beckett play Waiting for Godot. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play". These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.
While absurdists believed that living in general and everything else that one does while in the living state is absurd, they also believed that death and the "after life" were equally absurd if not more, and that whether people live or not all of their actions are pointless and everything will lead to the same end (hence the repetitiveness in many of these absurdist plays).
In his 1965 book, Absurd Drama, Esslin wrote:
The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.
Playwrights commonly associated with the Theatre of the Absurd include Samuel Beckett, Eugene Ionesco, Jean Genet, Harold Pinter, Luigi Pirandello, Tom Stoppard, Friedrich Dürrenmatt, Miguel Mihura, Alejandro Jodorowsky, Fernando Arrabal, Václav Havel, Edward Albee, Malay Roy Choudhury, Tadeusz Różewicz, Sławomir Mrożek, N.F. Simpson and Badal Sarkar.

1:10:12

Official Rowan Atkinson Live - Full length standup

Official Rowan Atkinson Live - Full length standup

Official Rowan Atkinson Live - Full length standup

The full length and official Rowan AtkinsonLiveDVD is now available on Youtube!
Whether mesmerising us with the sheer visual mastery of Mr. Bean, beguiling us with the acerbic wit of Edmund Blackadder, or simply entertaining us as the suave, but rather hapless BritishSecret AgentJohnny English, you surely won't have escaped the comic genius that is Rowan Atkinson. In Rowan Atkinson Live, co-written with Richard Curtis (4 Weddings & a Funeral, Notting Hill, Love Actually) and Ben Elton, Atkinson runs the whole gamut of his remarkably versatile 30 year career, with sketches, mimes and monologue's that are guaranteed to have you shedding tears of laughter. Performing live on stage alongside "straight man" Angus Deayton, the show features a number of original and familiar routines, including sketches that appeared in the original Mr. Bean series.

3:10

Anna Cleveland -Theatrical runway walk

Anna Cleveland -Theatrical runway walk

Anna Cleveland -Theatrical runway walk

5:18

King Lear: Act 1, Scene 1

King Lear: Act 1, Scene 1

King Lear: Act 1, Scene 1

This collection of films offers performance extracts from the National Theatre’s production of King Lear, alongside interviews with the cast and director about elements of the play.
Discover more about the art of making theatre with the National Theatre:
http://www.nationaltheatre.org.uk/discover
Bookshop: http://www.nationaltheatre.org.uk/bookshop
Twitter: http://www.twitter.com/nationaltheatre
Facebook: http://www.facebook.com/national.theatre.london
iTunes: http://www.nationaltheatre.org.uk/itunes
TES: http://www.tes.co.uk/nationaltheatre
SoundCloud: http://www.soundcloud.com/nationaltheatre

2:23

Brungkat, a site-specific theatre performance

Brungkat, a site-specific theatre performance

Brungkat, a site-specific theatre performance

Directed by Ibed SurganaYuga and produce by Seni Teku, “Brungkat” is a site-specific theatre performance which has taken space in Candi Sukuh, an acient temple in Central Java. The texts were taken from the temple relief stories and history of the temple.

2:11:05

Much Ado About Nothing (HD) - Bexhill Amateur Theatrical Society 2013

Much Ado About Nothing (HD) - Bexhill Amateur Theatrical Society 2013

Much Ado About Nothing (HD) - Bexhill Amateur Theatrical Society 2013

Directed by Mike Poole - William Shakespeare's brilliant comedy of love, lies, and other misunderstandings. Set in 1945, using beautiful costumes, uniforms and music of the period, performed live in the picturesque gardens of a sixteenth century manor house.
"Fast and sharp, it still rings as true today as when the masses stood and cheered its first performance!"
This record-breaking production was filmed in July 2013. The closing credits give full details of the cast and production team - The Bexhill Amateur Theatrical Society website can be found at http://www.the-bats.co.uk/
Disclaimer: All music is used with the written permission of the artists and rights holders.

fashion theatrical show 2013

Theatrical Fashion Relief Show '93

From the production vaults of Whatley, this is a blended framing of both artistic theater and fashion that is labeled as the "Theatrical FashionReliefShow" 1993. This was an expression for the art festival PiccoloSpoleto (http://www.piccolospoleto.com), in which Whatley was a strong supporter and art guild member. The essence of the work was part of an experiment to display that fashion could be implemented as a theatrical performance, if true artist were involved. Interestingly, when Whatley was commissioned to develop this new art form, he recalls being laughed at by fellow artist as saying "how can a fashion show become art?" As you can see by the film, that Whatley accomplishes the task, which was the largest performance and was sold-out that year at the festival! Truly a remar...

published: 04 Mar 2009

When I Grow Up - Matilda the Musical

matilda

published: 03 Dec 2012

Theatrical Fashion Music Video '93

From the production vaults of Whatley, this is a creative "Theatrical Fashion MusicVideo" that promotes the inner-functionality of the "Theatrical FashionReliefShow" 1993. This was a fun little production film that displays a simple, yet remarkable spectrum of Whatley's talented perspectives on fashion and the arts. This was enjoyable to do, not just of the challenge, but working with such beautifully talented young ladies. Hope you Enjoy!

published: 03 Mar 2009

WRECK IT RALPH 2 Trailer 2 (2018)

Best epic celtic music instrumental - Fantasy 2015

Best epic celtic music - Fantasy - Medieval relaxing orchestral compilation 2015
● FollowFacebook https://www.facebook.com/bestmusicompilation
Google + https://plus.google.com/u/0/b/106446036630933312013/106446036630933312013/posts/p/pub
● Epic
An epic is traditionally a genre of poetry, known as epic poetry. However in modern terms, epic is often extended to other art forms, such as epic theatre, films, music, novels, plays, television shows, and video games, where in the story has a theme of grandeur and heroism, just as in epic poetry.
http://en.wikipedia.org/wiki/Epic_%28genre%29
All material is copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

published: 06 May 2015

What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning

Do you travel a lot? Get yourself a mobile application to find THE CHEAPEST airline tickets deals available on the market: ANDROID - http://android.theaudiopedia.com - IPHONE - http://iphone.theaudiopedia.com or get BEST HOTEL DEALS worldwide: ANDROID - htttp://androidhotels.theaudiopedia.com - IPHONE - htttp://iphonehotels.theaudiopedia.com
What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning - THEATRE OF THE ABSURD definition - THEATRE OF THE ABSURD explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
The Theatre of the Absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as ...

Anna Cleveland -Theatrical runway walk

published: 10 Jan 2018

King Lear: Act 1, Scene 1

This collection of films offers performance extracts from the National Theatre’s production of King Lear, alongside interviews with the cast and director about elements of the play.
Discover more about the art of making theatre with the National Theatre:
http://www.nationaltheatre.org.uk/discover
Bookshop: http://www.nationaltheatre.org.uk/bookshop
Twitter: http://www.twitter.com/nationaltheatre
Facebook: http://www.facebook.com/national.theatre.london
iTunes: http://www.nationaltheatre.org.uk/itunes
TES: http://www.tes.co.uk/nationaltheatre
SoundCloud: http://www.soundcloud.com/nationaltheatre

published: 15 Jul 2015

Brungkat, a site-specific theatre performance

Directed by Ibed SurganaYuga and produce by Seni Teku, “Brungkat” is a site-specific theatre performance which has taken space in Candi Sukuh, an acient temple in Central Java. The texts were taken from the temple relief stories and history of the temple.

published: 31 May 2015

Much Ado About Nothing (HD) - Bexhill Amateur Theatrical Society 2013

Directed by Mike Poole - William Shakespeare's brilliant comedy of love, lies, and other misunderstandings. Set in 1945, using beautiful costumes, uniforms and music of the period, performed live in the picturesque gardens of a sixteenth century manor house.
"Fast and sharp, it still rings as true today as when the masses stood and cheered its first performance!"
This record-breaking production was filmed in July 2013. The closing credits give full details of the cast and production team - The Bexhill Amateur Theatrical Society website can be found at http://www.the-bats.co.uk/
Disclaimer: All music is used with the written permission of the artists and rights holders.

fashion theatrical show 2013

Theatrical Fashion Relief Show '93

From the production vaults of Whatley, this is a blended framing of both artistic theater and fashion that is labeled as the "Theatrical FashionReliefShow" 19...

From the production vaults of Whatley, this is a blended framing of both artistic theater and fashion that is labeled as the "Theatrical FashionReliefShow" 1993. This was an expression for the art festival PiccoloSpoleto (http://www.piccolospoleto.com), in which Whatley was a strong supporter and art guild member. The essence of the work was part of an experiment to display that fashion could be implemented as a theatrical performance, if true artist were involved. Interestingly, when Whatley was commissioned to develop this new art form, he recalls being laughed at by fellow artist as saying "how can a fashion show become art?" As you can see by the film, that Whatley accomplishes the task, which was the largest performance and was sold-out that year at the festival! Truly a remarkable and rare masterpiece, Enjoy! FYI: (The text editor goofed in spelling Whatley's last name in the credits)

From the production vaults of Whatley, this is a blended framing of both artistic theater and fashion that is labeled as the "Theatrical FashionReliefShow" 1993. This was an expression for the art festival PiccoloSpoleto (http://www.piccolospoleto.com), in which Whatley was a strong supporter and art guild member. The essence of the work was part of an experiment to display that fashion could be implemented as a theatrical performance, if true artist were involved. Interestingly, when Whatley was commissioned to develop this new art form, he recalls being laughed at by fellow artist as saying "how can a fashion show become art?" As you can see by the film, that Whatley accomplishes the task, which was the largest performance and was sold-out that year at the festival! Truly a remarkable and rare masterpiece, Enjoy! FYI: (The text editor goofed in spelling Whatley's last name in the credits)

Theatrical Fashion Music Video '93

From the production vaults of Whatley, this is a creative "Theatrical Fashion MusicVideo" that promotes the inner-functionality of the "Theatrical Fashion Reli...

From the production vaults of Whatley, this is a creative "Theatrical Fashion MusicVideo" that promotes the inner-functionality of the "Theatrical FashionReliefShow" 1993. This was a fun little production film that displays a simple, yet remarkable spectrum of Whatley's talented perspectives on fashion and the arts. This was enjoyable to do, not just of the challenge, but working with such beautifully talented young ladies. Hope you Enjoy!

From the production vaults of Whatley, this is a creative "Theatrical Fashion MusicVideo" that promotes the inner-functionality of the "Theatrical FashionReliefShow" 1993. This was a fun little production film that displays a simple, yet remarkable spectrum of Whatley's talented perspectives on fashion and the arts. This was enjoyable to do, not just of the challenge, but working with such beautifully talented young ladies. Hope you Enjoy!

Best epic celtic music - Fantasy - Medieval relaxing orchestral compilation 2015
● FollowFacebook https://www.facebook.com/bestmusicompilation
Google + https://plus.google.com/u/0/b/106446036630933312013/106446036630933312013/posts/p/pub
● Epic
An epic is traditionally a genre of poetry, known as epic poetry. However in modern terms, epic is often extended to other art forms, such as epic theatre, films, music, novels, plays, television shows, and video games, where in the story has a theme of grandeur and heroism, just as in epic poetry.
http://en.wikipedia.org/wiki/Epic_%28genre%29
All material is copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

Best epic celtic music - Fantasy - Medieval relaxing orchestral compilation 2015
● FollowFacebook https://www.facebook.com/bestmusicompilation
Google + https://plus.google.com/u/0/b/106446036630933312013/106446036630933312013/posts/p/pub
● Epic
An epic is traditionally a genre of poetry, known as epic poetry. However in modern terms, epic is often extended to other art forms, such as epic theatre, films, music, novels, plays, television shows, and video games, where in the story has a theme of grandeur and heroism, just as in epic poetry.
http://en.wikipedia.org/wiki/Epic_%28genre%29
All material is copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning

Do you travel a lot? Get yourself a mobile application to find THE CHEAPEST airline tickets deals available on the market: ANDROID - http://android.theaudiopedi...

Do you travel a lot? Get yourself a mobile application to find THE CHEAPEST airline tickets deals available on the market: ANDROID - http://android.theaudiopedia.com - IPHONE - http://iphone.theaudiopedia.com or get BEST HOTEL DEALS worldwide: ANDROID - htttp://androidhotels.theaudiopedia.com - IPHONE - htttp://iphonehotels.theaudiopedia.com
What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning - THEATRE OF THE ABSURD definition - THEATRE OF THE ABSURD explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
The Theatre of the Absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work focused largely on the idea of existentialism and expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down, in fact alerting their audiences to pursue the opposite. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.
Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the 1952Samuel Beckett play Waiting for Godot. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play". These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.
While absurdists believed that living in general and everything else that one does while in the living state is absurd, they also believed that death and the "after life" were equally absurd if not more, and that whether people live or not all of their actions are pointless and everything will lead to the same end (hence the repetitiveness in many of these absurdist plays).
In his 1965 book, Absurd Drama, Esslin wrote:
The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.
Playwrights commonly associated with the Theatre of the Absurd include Samuel Beckett, Eugene Ionesco, Jean Genet, Harold Pinter, Luigi Pirandello, Tom Stoppard, Friedrich Dürrenmatt, Miguel Mihura, Alejandro Jodorowsky, Fernando Arrabal, Václav Havel, Edward Albee, Malay Roy Choudhury, Tadeusz Różewicz, Sławomir Mrożek, N.F. Simpson and Badal Sarkar.

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What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning - THEATRE OF THE ABSURD definition - THEATRE OF THE ABSURD explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
The Theatre of the Absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work focused largely on the idea of existentialism and expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down, in fact alerting their audiences to pursue the opposite. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.
Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the 1952Samuel Beckett play Waiting for Godot. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play". These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.
While absurdists believed that living in general and everything else that one does while in the living state is absurd, they also believed that death and the "after life" were equally absurd if not more, and that whether people live or not all of their actions are pointless and everything will lead to the same end (hence the repetitiveness in many of these absurdist plays).
In his 1965 book, Absurd Drama, Esslin wrote:
The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.
Playwrights commonly associated with the Theatre of the Absurd include Samuel Beckett, Eugene Ionesco, Jean Genet, Harold Pinter, Luigi Pirandello, Tom Stoppard, Friedrich Dürrenmatt, Miguel Mihura, Alejandro Jodorowsky, Fernando Arrabal, Václav Havel, Edward Albee, Malay Roy Choudhury, Tadeusz Różewicz, Sławomir Mrożek, N.F. Simpson and Badal Sarkar.

The full length and official Rowan AtkinsonLiveDVD is now available on Youtube!
Whether mesmerising us with the sheer visual mastery of Mr. Bean, beguiling us with the acerbic wit of Edmund Blackadder, or simply entertaining us as the suave, but rather hapless BritishSecret AgentJohnny English, you surely won't have escaped the comic genius that is Rowan Atkinson. In Rowan Atkinson Live, co-written with Richard Curtis (4 Weddings & a Funeral, Notting Hill, Love Actually) and Ben Elton, Atkinson runs the whole gamut of his remarkably versatile 30 year career, with sketches, mimes and monologue's that are guaranteed to have you shedding tears of laughter. Performing live on stage alongside "straight man" Angus Deayton, the show features a number of original and familiar routines, including sketches that appeared in the original Mr. Bean series.

The full length and official Rowan AtkinsonLiveDVD is now available on Youtube!
Whether mesmerising us with the sheer visual mastery of Mr. Bean, beguiling us with the acerbic wit of Edmund Blackadder, or simply entertaining us as the suave, but rather hapless BritishSecret AgentJohnny English, you surely won't have escaped the comic genius that is Rowan Atkinson. In Rowan Atkinson Live, co-written with Richard Curtis (4 Weddings & a Funeral, Notting Hill, Love Actually) and Ben Elton, Atkinson runs the whole gamut of his remarkably versatile 30 year career, with sketches, mimes and monologue's that are guaranteed to have you shedding tears of laughter. Performing live on stage alongside "straight man" Angus Deayton, the show features a number of original and familiar routines, including sketches that appeared in the original Mr. Bean series.

King Lear: Act 1, Scene 1

This collection of films offers performance extracts from the National Theatre’s production of King Lear, alongside interviews with the cast and director about ...

This collection of films offers performance extracts from the National Theatre’s production of King Lear, alongside interviews with the cast and director about elements of the play.
Discover more about the art of making theatre with the National Theatre:
http://www.nationaltheatre.org.uk/discover
Bookshop: http://www.nationaltheatre.org.uk/bookshop
Twitter: http://www.twitter.com/nationaltheatre
Facebook: http://www.facebook.com/national.theatre.london
iTunes: http://www.nationaltheatre.org.uk/itunes
TES: http://www.tes.co.uk/nationaltheatre
SoundCloud: http://www.soundcloud.com/nationaltheatre

This collection of films offers performance extracts from the National Theatre’s production of King Lear, alongside interviews with the cast and director about elements of the play.
Discover more about the art of making theatre with the National Theatre:
http://www.nationaltheatre.org.uk/discover
Bookshop: http://www.nationaltheatre.org.uk/bookshop
Twitter: http://www.twitter.com/nationaltheatre
Facebook: http://www.facebook.com/national.theatre.london
iTunes: http://www.nationaltheatre.org.uk/itunes
TES: http://www.tes.co.uk/nationaltheatre
SoundCloud: http://www.soundcloud.com/nationaltheatre

Brungkat, a site-specific theatre performance

Directed by Ibed SurganaYuga and produce by Seni Teku, “Brungkat” is a site-specific theatre performance which has taken space in Candi Sukuh, an acient temple...

Directed by Ibed SurganaYuga and produce by Seni Teku, “Brungkat” is a site-specific theatre performance which has taken space in Candi Sukuh, an acient temple in Central Java. The texts were taken from the temple relief stories and history of the temple.

Directed by Ibed SurganaYuga and produce by Seni Teku, “Brungkat” is a site-specific theatre performance which has taken space in Candi Sukuh, an acient temple in Central Java. The texts were taken from the temple relief stories and history of the temple.

Directed by Mike Poole - William Shakespeare's brilliant comedy of love, lies, and other misunderstandings. Set in 1945, using beautiful costumes, uniforms and music of the period, performed live in the picturesque gardens of a sixteenth century manor house.
"Fast and sharp, it still rings as true today as when the masses stood and cheered its first performance!"
This record-breaking production was filmed in July 2013. The closing credits give full details of the cast and production team - The Bexhill Amateur Theatrical Society website can be found at http://www.the-bats.co.uk/
Disclaimer: All music is used with the written permission of the artists and rights holders.

Directed by Mike Poole - William Shakespeare's brilliant comedy of love, lies, and other misunderstandings. Set in 1945, using beautiful costumes, uniforms and music of the period, performed live in the picturesque gardens of a sixteenth century manor house.
"Fast and sharp, it still rings as true today as when the masses stood and cheered its first performance!"
This record-breaking production was filmed in July 2013. The closing credits give full details of the cast and production team - The Bexhill Amateur Theatrical Society website can be found at http://www.the-bats.co.uk/
Disclaimer: All music is used with the written permission of the artists and rights holders.

Theatrical Fashion Relief Show '93

From the production vaults of Whatley, this is a blended framing of both artistic theater and fashion that is labeled as the "Theatrical FashionReliefShow" 1993. This was an expression for the art festival PiccoloSpoleto (http://www.piccolospoleto.com), in which Whatley was a strong supporter and art guild member. The essence of the work was part of an experiment to display that fashion could be implemented as a theatrical performance, if true artist were involved. Interestingly, when Whatley was commissioned to develop this new art form, he recalls being laughed at by fellow artist as saying "how can a fashion show become art?" As you can see by the film, that Whatley accomplishes the task, which was the largest performance and was sold-out that year at the festival! Truly a remarkable and rare masterpiece, Enjoy! FYI: (The text editor goofed in spelling Whatley's last name in the credits)

Theatrical Fashion Music Video '93

From the production vaults of Whatley, this is a creative "Theatrical Fashion MusicVideo" that promotes the inner-functionality of the "Theatrical FashionReliefShow" 1993. This was a fun little production film that displays a simple, yet remarkable spectrum of Whatley's talented perspectives on fashion and the arts. This was enjoyable to do, not just of the challenge, but working with such beautifully talented young ladies. Hope you Enjoy!

Best epic celtic music instrumental - Fantasy 2015

Best epic celtic music - Fantasy - Medieval relaxing orchestral compilation 2015
● FollowFacebook https://www.facebook.com/bestmusicompilation
Google + https://plus.google.com/u/0/b/106446036630933312013/106446036630933312013/posts/p/pub
● Epic
An epic is traditionally a genre of poetry, known as epic poetry. However in modern terms, epic is often extended to other art forms, such as epic theatre, films, music, novels, plays, television shows, and video games, where in the story has a theme of grandeur and heroism, just as in epic poetry.
http://en.wikipedia.org/wiki/Epic_%28genre%29
All material is copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning

Do you travel a lot? Get yourself a mobile application to find THE CHEAPEST airline tickets deals available on the market: ANDROID - http://android.theaudiopedia.com - IPHONE - http://iphone.theaudiopedia.com or get BEST HOTEL DEALS worldwide: ANDROID - htttp://androidhotels.theaudiopedia.com - IPHONE - htttp://iphonehotels.theaudiopedia.com
What is THEATRE OF THE ABSURD? What does THEATRE OF THE ABSURD mean? THEATRE OF THE ABSURD meaning - THEATRE OF THE ABSURD definition - THEATRE OF THE ABSURD explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
The Theatre of the Absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work focused largely on the idea of existentialism and expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down, in fact alerting their audiences to pursue the opposite. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.
Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the 1952Samuel Beckett play Waiting for Godot. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play". These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.
While absurdists believed that living in general and everything else that one does while in the living state is absurd, they also believed that death and the "after life" were equally absurd if not more, and that whether people live or not all of their actions are pointless and everything will lead to the same end (hence the repetitiveness in many of these absurdist plays).
In his 1965 book, Absurd Drama, Esslin wrote:
The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.
Playwrights commonly associated with the Theatre of the Absurd include Samuel Beckett, Eugene Ionesco, Jean Genet, Harold Pinter, Luigi Pirandello, Tom Stoppard, Friedrich Dürrenmatt, Miguel Mihura, Alejandro Jodorowsky, Fernando Arrabal, Václav Havel, Edward Albee, Malay Roy Choudhury, Tadeusz Różewicz, Sławomir Mrożek, N.F. Simpson and Badal Sarkar.

Official Rowan Atkinson Live - Full length standup

The full length and official Rowan AtkinsonLiveDVD is now available on Youtube!
Whether mesmerising us with the sheer visual mastery of Mr. Bean, beguiling us with the acerbic wit of Edmund Blackadder, or simply entertaining us as the suave, but rather hapless BritishSecret AgentJohnny English, you surely won't have escaped the comic genius that is Rowan Atkinson. In Rowan Atkinson Live, co-written with Richard Curtis (4 Weddings & a Funeral, Notting Hill, Love Actually) and Ben Elton, Atkinson runs the whole gamut of his remarkably versatile 30 year career, with sketches, mimes and monologue's that are guaranteed to have you shedding tears of laughter. Performing live on stage alongside "straight man" Angus Deayton, the show features a number of original and familiar routines, including sketches that appeared in the original Mr. Bean series.

King Lear: Act 1, Scene 1

This collection of films offers performance extracts from the National Theatre’s production of King Lear, alongside interviews with the cast and director about elements of the play.
Discover more about the art of making theatre with the National Theatre:
http://www.nationaltheatre.org.uk/discover
Bookshop: http://www.nationaltheatre.org.uk/bookshop
Twitter: http://www.twitter.com/nationaltheatre
Facebook: http://www.facebook.com/national.theatre.london
iTunes: http://www.nationaltheatre.org.uk/itunes
TES: http://www.tes.co.uk/nationaltheatre
SoundCloud: http://www.soundcloud.com/nationaltheatre

Brungkat, a site-specific theatre performance

Directed by Ibed SurganaYuga and produce by Seni Teku, “Brungkat” is a site-specific theatre performance which has taken space in Candi Sukuh, an acient temple in Central Java. The texts were taken from the temple relief stories and history of the temple.

Much Ado About Nothing (HD) - Bexhill Amateur Theatrical Society 2013

Directed by Mike Poole - William Shakespeare's brilliant comedy of love, lies, and other misunderstandings. Set in 1945, using beautiful costumes, uniforms and music of the period, performed live in the picturesque gardens of a sixteenth century manor house.
"Fast and sharp, it still rings as true today as when the masses stood and cheered its first performance!"
This record-breaking production was filmed in July 2013. The closing credits give full details of the cast and production team - The Bexhill Amateur Theatrical Society website can be found at http://www.the-bats.co.uk/
Disclaimer: All music is used with the written permission of the artists and rights holders.

fashion theatrical show 2013

Relief

Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone (relief sculpture) or wood (relief carving) is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.