Prominently displayed in the lobby of the Bank of America’s Corporate Center are “creepy” frescoes, filled with occult symbols. Even more unsettling is the fact that those images seem to predict events of a radical world change inthe not-so-distant future. Are those murals predicting the coming of an occult New World Order? We will look at the occult meaning of the symbols found on the Bank of America frescoes.

Painted by Benjamin Long, the paintings are said to revolve around the themes of “making/building, chaos/creativity, and planning/knowledge in a “daring blend of abstract and realism, set off with touches of gold“.

Although we normally read from left to right, there are clues within the frescoes hinting the viewers to read the paintings from right to left. The “planning” stage (visually represented by the fresco on the right) is normally the first step of any process so it would make sense to start from there. There is also alchemical symbolism hinting towards the chronology of the frescoes, so we will begin with the one on the right:

We see here a young blond boy standing on a standard Masonic checker-board pattern floor. His feet are placed at a 90 degrees angle, in accordance to Masonic initiation ritual:

“Q. On your return to the Lodge, where were you placed, as the youngest Entered Apprentice?

A. In the northeast corner, my feet forming a right angle, my body erect, at the right hand of the Worshipful Master in the east, an upright man and Mason, and it was given me strictly in charge ever to walk and act as such.” – Malcolm C. Duncan, Duncan’s Masonic Ritual and Monitor

Seemingly underneath the boy are people dressed in business suits, seemingly strategizing while pointing at the Masonic boy. Does the boy represent the “new generation”?

This blond boy is very reminiscent of the blond boy featured at the center of one of the murals of the Denver International Airport.

Blond boy hammering a sword into a plowshare. Note that the boy is wearing a traditional Bavarian costume … perhaps as in Bavarian Illuminati?

Burning Bush, Woman in Cube and Pyramid

Symbolism overload

Behind the boy is a tree on fire, which is a reference of the Burning Bush of the Old Testament. The Burning Bush is of great importance in Masonic ritual, especially for the 33rd degree, whose members are considered to be “near the Burning Bush”.

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Mural 1

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Detail.

Prince William

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Who is the boy in the Nazi overcoat? He appears to be the same boy found in the Denver Colorado Airport mural but he is older in this “continuation” mural. Compare to Prince William’s boyhood AP photographs: (Source)

Like most elitist art, the frescoes on display at the headquarters of Bank of America, the largest bank in America, tell a story intended to be decoded by those in the know. The frescoes seem to depict three stages of world transformation – planning, chaos and achievement – and are color-coded to be analogous to the three stages of hermetic alchemy: Nigredo (blackness), Albedo (whiteness) and Rubedo (redness). The frescoes bare many resemblances to the murals of the Denver International Airport, which also depict progressive phases of a profound transformation of society after a period of intense turmoil.

The first fresco displays a wide array of occult symbols, some directly referring to Freemasonry. This is quite astonishing as the painting is in the lobby of the headquarters of the United States’ most predominant bank and not in a Masonic lodge … but perhaps there is some overlap. Those who are “in the know” and initiated to the Mysteries are those who are qualified to accomplishing the planning process, which in this painting seem to be the men in suits, whose ties match the red and white checker-board floor, and who make plans for the future generation, represented by the blond Masonic boy.

In the second fresco, civil unrest, riots, protests and repression are all taking place. Historically, the masses only usually go into an outright revolt when their living conditions deteriorate significantly or when hugely unpopular policies get adopted. Does this piece refer to the loss of civil liberties and the rise of a police state? There is also a metaphysical aspect to the image, represented by the spinning naked bodies that appear as the sun, implying that the period turmoil is also happening on a cosmic level.

The last fresco gives a sense of “mission accomplished”, with the dominant figure surveying the work, while also conveying the message that “the work is never totally done” as labourers are still hard at work in the underground. This is reminiscent of the movie Metropolis, where a class of workers silently slave away underground to sustain the elite’s utopia. (Source)

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… What we seek to offer through these books is an actual initiation into our Cult of Qayin, for if practiced correctly and if meant to be the initiates will find their ways to the Inner Sanctum and at that point there are physical rites that can be offered to those who feel the need to join our Temple. But, few are those with such needs and if one practice correctly and according to protocol the Spirits themselves will grant all the empowerments needed and our Temple become thus raised within all such initiates of the Hidden Cult belonging to the Bloodline of Cain and His Bride, our Holy Mother…granted by the Holy Serpent [Satan] to Eve.”…>/i>

Shall the innocent searchers for truth and for god be mislead by such a pseudo-wise-sermon…? Evil is evil and to say that the true Holy Mother of Christ is the [Holy] mother of Cain [granted by the Holy Serpent/Satan to Eve] is an incredible blasphemy!!

And what kind of ‘initiation’ are they talking about? the Cult of Qayin?? Who needs that crab? It’s pure witchcraft!!!!!! and satanism!

The gospel and the true old faith are essential and the true catholic church, which has nearly disappeared and is persecuted…. No ‘initiation’ is needed. It’s a trap for the unwaries and careless to be initiated for hell…