9:00 The Milk of Sorrow – “despite a lifetime of certainty of the worst, Fausta hasn’t been entirely crushed. In the core of her being smolders an incredible power and beauty,” writes Matt Griffin. Read the whole review>>

At MoMA:

6:15 Harmony and Me

9:00 Can Go Through Skin – Tim Young writes that the film “employs striking camerawork and occasionally transcendent use of pop music to create an intimate, nonjudgmental portrait of a woman working her way through a serious trauma.” Read the whole review>>

6:30 Ordinary Boys, with Killer “For us, the experience of playing Killer was a unique part of being a teenager in NYC – riding the subways in the middle of the night, staking out opponents in random neighborhoods for hours on end, breaking into houses and getting chased through the streets. It was stupid and reckless and cool,” says Killer co-director Jack Pettibone Riccobono. Read the whole interview>>

9:00 Parque Via – Writing for indieWIRE, Howard Feinstein says: “Another addition to the resurgence of quality Latin American film, this revelation from Mexico is minimalism at its most effective, an assured work that shocks the blase viewer when it steps into thriller territory.” Writing for the filmlinc blog, Melanie Shaw says: “Parque Via is minimalist, realist and humanist. Rivero charms the audience with the gentle, peculiar, loyal Beto and propels the movie with one question: how, without this house, will Beto live?” Read the whole review>>

7:00 We Live in Public – Nick Feitel writes: “at it’s best, We Live in Public plays like Shakespeare; it gives us a tragic figure to illuminate the folly in our own lives. For if we can intuit from the film that a world where we are all in the public eye is one doomed to failure, then we must wonder what sort of world exactly we live in now. Read the whole review>>