Another entry has been made into my bucket list of “need to see shows.” This one came in the shape of a Holy Grail! Broadway in Richmond is presenting Monty Python’s Spamalot at the Carpenter Center at Richmond CenterStage.

This Broadway show is presented in a Broadway quality theater, with a Broadway quality atmosphere, sound and lighting equipment. The theater itself is a spectacle to behold, reminiscent of the classic opera houses and Vaudeville Theaters of old.

As for the show, it is an ingenious mix of classic Monty Python material intertwined with modern references — and even many local references written into the script. There’s even some surprising and funny audience participation.

There’s the classic Monty Python shtick and slapstick, including men dressed as women; but also gorgeous women dressed as…women. The show even utilizes many of the well-known, low-budget Monty Python animations via a huge projection backdrop. Even Eric Idle himself makes an appearance of sorts as the voice of God.

“King Arthur and his Knights of the Round Table first embarked on a search for The Holy Grail in the very, very low-budget 1975 movie, ‘Monty Python and the Holy Grail.’ The film was written by the Pythons and directed by Terry Gilliam and Terry Jones. It was produced by Mark Forstater with music by De Wolfe and Neil Innes. Python Pictures Limited re-released the film in 2001, with a PG rating.”

Monty Python’s Spamalot was “lovingly ripped-off” from that motion picture. It won three Tony Awards including Best Musical in 2005, and a Grammy Award for Best Musical Show Album in 2006.

Clearly a large segment of the near sell out audience were Monty Python fans — both young and old. All many of the actors had to do was make an entrance, and the audience immediately burst out in laughter and applause knowing some of what was about to come. Again, having seen the movie several times, I was pleased with not only the addition of the songs, which were all humorous yet melodic and memorable, but also new twists in the dialogue and plot. I am not one who is prone to LOL in public; yet I found myself bursting into laughter, along with the rest of the audience, repeatedly. For me the best scene takes place at the end of Act 1 in France. Even the overture was funny.

The entire cast was of the highest quality, but the two principal actors, Arthur Rowan as Arthur and Abigail Raye as the Lady of the Lake, were stellar. Rowan’s deep majestic singing voice and comic timing were a pleasure to watch. Raye’s range of acting and singing styles were amazing.

Just like this weekend’s rare January heat wave, Monty Python’s Spamalot is only here until Sunday. I promise you it will help you “Always Look on the Bright Side of Life,” and you will surely have a Good Knight!