Saturday, December 31, 2011

During a recent visit to the Rochester area I recognized yet another important witness to the area's gods that is simply brilliant. It signals the entombment of the fallen ones while marking the passage of time in a way that is incredibly elegant. This sign warrants reviving the Rochester series, which I last posted to way back in October of 2010: Part 25 - Rochester, NY - From out of Gates, Greece Came Forth

This series began in July of that year with this post: Rochester, NY and the Gateway to High Falls. In brief, it featured different kinds of evidence from the area that suggests the ancient Mercury (Hermes) is the Baal, the local god of the region. I believe his primary agenda through all his activity is as it is everywhere else, to facilitate the coming of Horus. Evidence suggests there are Nephilim buried in the area, also known as Djinn. The branding iconography of Eastview Mall, about 20 minutes southeast of downtown Rochester, bears the same testimony!

If I weren't already acutely aware of what the Lord showed me about the area I wouldn't likely suspect Eastview Mall and its iconic sundial of being signal devices. Knowing what I know, however, this name and branding really strongly validates what I already reported!

The first picture of the mall at the top of this post was taken during my visit in early December, 2011. In front of the giant Christmas Tree with the star on top sits their branding icon, a sundial. You can see it in this Google map satellite image, casting its shadow. If the embedded map appears below, you can see it if you zoom in all the way (click the plus sign to zoom in).

Eastview Mall is not so named just because it lies southeast of Rochester. The sundial is a clue. This is about the Sun.

14) Then He brought me to the entrance of the gate of the LORD’S house which was toward the north; and behold, women were sitting there weeping for Tammuz.
15) He said to me, “Do you see this, son of man? Yet you will see still greater abominations than these.”
16) Then He brought me into the inner court of the LORD’S house. And behold, at the entrance to the temple of the LORD, between the porch and the altar, were about twenty-five men with their backs to the temple of the LORD and their faces toward the east; and they were prostrating themselves eastward toward the sun.
17) He said to me, “Do you see this, son of man? Is it too light a thing for the house of Judah to commit the abominations which they have committed here, that they have filled the land with violence and provoked Me repeatedly? For behold, they are putting the twig to their nose.

Ezekiel 8:14-17

Eastview Mall is about honoring the Sun god, Apollo aka Horus, which is idolatry, an abomination. A sun dial isn't evil of itself. When you name a mall, Eastview, and brand it with a sun dial, however, the meaning is obvious to pagans and sun worshipers and those who are familiar with such. “A Higher Form of Shopping” is the Mall's slogan. Get it?

Here's a pair of images comparing Eastview Mall with the Vatican. Guess which one is for worship of the Sun god. OK. Trick question. Which one serves Mammon? Uh, right. So, which one may be identified as Babylon? Still not falling for it? Good!

Several posts in this series featured Midtown Plaza and that shopping center's icon, the Clock of Nations. Eastview Mall is a shopping center (honoring Mercury/Hermes - the god of commerce) like Midtown Plaza and both have a timepiece for an icon. (Midtown Plaza is closed and the Clock of Nations has been relocated to the ROC airport terminal.) Now, what's really notable is this other feature they have in common, buried star/angel/Nephilim references!

The name Rochester, the Genesee Beer (Genny) brewed in caves below High Falls, the Jenny aircraft; such as these make reference to buried Nephilim in the area. The Clock of Nations does too, known to me through a number of personal signs given to me that pivoted around a fictional short story that had been written about that very clock. (See Part 17 - Rochester, NY - The Blood Sealed Vault of Cthulhu) This creepy tale (of the H.P. Lovecraft Cthulhu mythos genre) presents the clock as magickally connected to a vault, which, after the clocks removal from Midtown Plaza, required the ritual application of blood at the former location to seal it off, to close the gateway. Here's an excerpt from that story.

"The gist of the letter was that I needed to come to visit the professor in Arkham, or what I had done so long ago would be undone and some sort of vault or gate would reopen and creatures with a whole lot of consonants and not many vowels in their names would be free to terrorize Rochester."Short stories: Inspired by H. P. Lovecraft - by Terry Mahoney

So, beyond the pointers to buried Nephilim that includes Midtown Plaza's timepiece, Eastview Mall's iconic timepiece graphically suggests a buried angel. Consider how it pictures the point of an angel signaling star sticking out of the ground. As with an iceberg we might infer the greater part lying below, underground, buried.

Consider how the stylized brand imagery isn't readily recognized as a sundial because there's no dial. We see the style and gnomon, the parts that stick out of the dial, and the shadow they cast. Without the dial in view, even with the shadow present what exactly it is that we're being shown isn't obvious. It's like a pyramid, like the letter A signaling Apollo, perhaps, but what is it, we wonder.

Here's some insight to consider. Shadows of objects in brand imagery are often occult elements that signal the Hermetic Maxim: As Above, So Below. As the object, so is the shadow it casts, the very form of it. With regard to the Eastview Mall brand with its shadow, this extends or expands to; as above ground, the point of the star, so below ground, the rest of the star.

What really seals the deal on this interpretation is the slogan, “A HIGHER FORM of SHOPPING.” In the context of the branding graphic, the higher form is visible, which suggests a counterpart lower form that's hidden, the whole being a star. The shadow naturally connects to the object that casts it at the ground or sundial face and thus forms another star point, connected, on the ground, seeming, too, to hint at other points that might be connected below the ground.

The branding is elegant - evil genius! The devil is no slouch. Don't underestimate your adversary.

Here's a photo I took while exploring the inside of the mall, of a picture that hangs in a hallway gallery of sorts. The upper of the two in the set was apparently taken while the mall was under construction in 1970-71. The lower one was taken during the latest remodel. Compare and consider the buried star image I made. The style and gnomon are not unlike the typical henges and monuments that appear all over the world.

Curious about the technical detail, I gave the angle of the monument some consideration. A proper horizontal sundial at that exact latitude requires the style to incline at 43.03 degrees. A regular pentagram tilted to present a vertical line has an angle of the incline of 180-90-36 or 54 degrees. The current one looks accurate for a sundial, but the one built earlier does not, and it very nearly matches the angle of a pentagram. This suggests to me that it's the point of a buried star under the pretext of being a sundial.

Consider what appears in the animated feature Rango during a dream sequence. Phallic cacti transform into giant rattlesnake rattles that stick up out of the sand. The rattling serpent tails present the picture of serpents buried in the ground, alive! These cast distinct shadows on the desert floor, which may be easily used to read the general time of day. If Rango was set in the Rochester region, there would probably be a big shopping center with a food court in sight, right? (Actually, in the big zombie resurrection scene such a setting could be inferred because the venues in which troupes of traveling thespians would perform were courtyards of taverns called inn-yards.)

Compared to Rango's rather obvious implication of buried serpents, the buried star implied by Eastview Mall's shadow casting icon seems less obvious, but the clues add up to present a pretty substantial testimony. Compared to that, the buried Nephilim reference made by the Clock of Nations through the fictional short story may seem lacking in substance, but it should be noted that further reference to what's underground is provided in the adjacent and closely associated fountain. Under the water of the visible fountain was a hidden pentagram, involving the star lighting and circle water system. (See comment here by Dave N.)

So, Eastview Mall has a timepiece associated with buried angel beings, like the defunct Midtown Plaza and present ROC airport atrium plaza. Why are these devices that are being used to signal the buried Nephilim both timepieces? I perceive two reasons.

One reason is because the Nephilim are buried only for a season. Seventy generations were appointed for their binding in the earth, after which term their release will come. The clock is ticking. The countdown timer is nearing the preset limit. If you've been following this blog for a while, this theme should be getting pretty familiar. The devil and his agents are eager for this present season to pass and even hell-bent on a jail break!

The other reason is certainly highlighted in the sundial because Horus is coming as the Sun rises at dawn, returning as the Sun god in a new guise. This will come at the appointed time, and that day is looked to with great anticipation as the days, hours and minutes pass!

It should be noted that it is not likely a coincidence that Eastview Mall is located in Victor, NY. The name "Victor" is used to signal victory over death in resurrection and eternal life, or more correctly, their counterpart versions. The countdowns for the raising of the buried star Nephilim and Horus being signaled in Victor are fit for the Eastview scheme. Those who worship to the East are seeking the victory over death relating to this Sun rise!

If you recall the images comparing Eastview Mall and the Vatican, both have their Isis dome set opposite the Osiris member. The same sex magick is at work, even as in Washington DC between the Washington Monument and the Capitol Dome. This magickal ritual involves raising Osiris from the dead every morning, continually exhibiting the victory over death that is assured. Again, those who worship to the East are seeking the victory over death relating to this Sun rise!

The palm tree is a symbol of victory over death, but you won't find them in Victor, NY because the climate is not suited for them. Unless you go inside the mall. Appearing above is the second frame of three in the rotating Web site header graphic sequence. Notice the palm trees by the door. The other picture is me, inside the mall. See the palms?

Unless you know what's going on already, none of these things appear to have any real significance. Once you know the plan and can interpret the signal language, the message comes through loud and clear. Praise the Lord! We are less ignorant of Satan's devices! We are being freed from the spell!

Thursday, December 29, 2011

Continuing from the previous post, here is the last scene before the theft. Sheriff Rango is walking through town when a hole appears in the middle of the street in front of him. Two characters poke their heads out of the hole.

Jedediah:This ain't the bank.Ezekiel:I told you, Jedediah!Sheriff Rango:Hold it right there! [pointing his pistol in their faces]Ezekiel:It's the Sheriff!Sheriff Rango:Get them hands up where I can see them. Just as I suspected! Prospecting without the authorized equipment. Don't move a muscle.Jedediah:Prospecting?

Rango runs off and returns with an armload of supplies.

Balthazar:Ezekiel! Jedediah! What in the Sam Hill's goin' on up there?

A stick pokes out of the hole and whacks the two on their heads. Balthazar emerges between them.

Balthazar:I've had polyps removed smarter than the two of you! Hell's fire! This ain't the bank!Ezekiel:Hey Pappy, the Sheriff is standin' right here! Helpin' us out.Jedediah:Gonna give us a permit for prospecting.Sheriff Rango:That's right, sir. Just doin' my duty. The lonely constable on his rounds, keepin' an eagle eye out for mayhem and malfeasance.Balthazar [to Jedediah]:He look like he sounds?Jedediah:Uh-huh.

Rango, the “head of the house,” still doesn't have a clue what's unfolding. Those he represents and those who follow them are pictured in 1 Thessalonians 5 as those asleep in darkness who most definitely do need to be written to about times and epochs.

1) Now as to the times and the epochs, brethren, you have no need of anything to be written to you.
2) For you yourselves know full well that the day of the Lord will come just like a thief in the night.
3) While they are saying, “Peace and safety!” then destruction will come upon them suddenly like labor pains upon a woman with child, and they will not escape.
4) But you, brethren, are not in darkness, that the day would overtake you like a thief;
5) for you are all sons of light and sons of day. We are not of night nor of darkness;
6) so then let us not sleep as others do, but let us be alert and sober.

1 Thessalonians 5:1-6

The scene continues.

Balthazar:Well Sheriff, if we was to hit the motherlode, being prospectors and such, where would we deposit said annuity?Sheriff Rango:Well, here in the town of dirt, we happen to have the finest financial institution this side of the Missouri, protected morning, Noon and night, by yours truly.

Rango points. This image of the Bank of Dirt appears with the sound of an angelic choir. Behold, the holy temple! Right? Rango hands Balthazar a handwritten piece of paper, his prospecting permit.

Balthazar:Much obliged.

There's a lot here and I'll return to explain some of it, but let's focus on the prospecting permit and how it relates to the Bride and those who are left behind, which is The Big Deal at the present time. That official document turns up after the crime in the vault right near the hole in the floor. From the previous scene, the next in sequence cuts immediately to dawn, where we see the bank clerk running frantically through town.

Bank Clerk:The bank's been robbed! The bank's been robbed! Oh, good Lord, the bank's been robbed!Furgus:What's going on?Bank Clerk: [running past] It's all gone! The water's all gone!

Even while he's yelling, the porcupine asks, What did he say? -- He said the bank's been robbed!

The bank robbery is the Bride Theft. Technically, the bank of Dirt wasn't robbed. Robbery involves violence or the threat of violence. The treasure of Dirt was left unguarded. It was stolen by an undetected thief in the night. It was a theft.

Cut to a scene inside the jail. A trumpet sounds loudly and Sheriff Rango wakes up from his beauty rest with a start (allusion to 1 Thessalonians 4:15-16).

Sheriff Rango:Dr. Martz I'm on fire! Embrace me!

The mariachi band is playing, standing on the table in the jail. Providing narrative, they sing this ballad.

The banks been robbed. The town is dry.
They'll die of thirst, the people cry.
He promised to protect the vault.
Water's gone, it's all his fault.

Clearly, the guardian on watch has failed to perform his duty. Rango puts on his boots and heads over to the bank, the scene of the crime where the fearful residents have gathered.

Sheriff Rango:All right, folks! Stand back. Clear the area. This is a crime scene now. Secure the perimeter, dust for prints, check for fibers, scan for DNA, I want a urine sample from everyone - and get me a latte. Don't mix up the two.

Rango marches straight to the vault, where he finds the bank clerk bending over a hole in the floor.

Rango grabs it, and then we see the bank clerk, alone in the vault, with the other key figures involved in the scene's frame.

Ok, so what's with the prospecting permit. Obviously, this particular one connects Rango to the criminal activity. Beyond that, it's a document that gives permission. In Dirt, anyone prospecting is legally required to obtain permission from the authorities. The permit is the official document that is the physical evidence of that permission. What is prospecting? If you search the web for prospecting equipment you'll always find gold pans. When we think of prospectors, we picture miners panning for gold like the 49ers. Now, here's a verse that provides our reference (which appears in exactly the right context - look it up).

Simon, Simon, behold, Satan has demanded permission to sift you like wheat;
32 but I have prayed for you, that your faith may not fail; and you, when once you have turned again, strengthen your brothers.

Luke 22:31-32

The action of sifting someone like wheat separates out the valuable from what is not. This compares to gold panning where the similar action separates out the gold nuggets. Panning for gold is prospecting. When Satan demanded permission to sift Peter like wheat he was demanding a prospecting permit, you see.

Notice how the Lord did not say he refused Satan's request. Satan was granted the prospecting permit, so to speak, and Simon was sifted. The Lord prayed that Simon's faith would not fail, not that he would not be sifted. The meaning goes beyond the historical account of that man in that day because it's a prophecy about the church. Notice that the disciple is called Simon there, even twice. The name “Simon” means “hearing.” This Simon Peter represents the church, a people sometimes represented as barley and wheat, and also gold and silver. Those of you with a hearing ear recognize that this Simon-hearing comes through the process of being sifted, a necessary work with inherently severe trial. This work is Satan's to perform, with express permission given by the Sovereign God. The result of this prospecting activity is a people, refined and pure, valuable! In this season, the Bride! Has Satan been panning you like gold? Are you still resisting? He's authorized to do this, and it must be done - and better now than later!

This interpretation is validated with some pertinent observations. You have to know these Rango folk know things, and what I'm presenting here should really be taken very seriously.

At discovering the theft of the water, the bank clerk ran frantically through town giving the report. The bank clerk represents those left behind, who will be frantic, rightly panicked, knowing straightaway that they had been found lacking and rejected. A bank clerk is the common laborer at the bank, the average church-goer who serves dutifully under the bank manager and under those to whom the manager must give account, the “owner of the house.” The bank clerk is then pictured alone in the vault after the theft, as remaining after the theft of the valuable Bride. The bank clerk discovered the prospecting permit in the vault at the presumed point of departure, the witness to why he had been left behind. Reflection upon what the prospecting permit means must bring an undeniable conviction of personal failure to genuinely love the Lord. It bears witness to one's refusal to take up the cross and follow the Lord, accepting the trials and discipline necessary to learn obedience, to develop the character necessary to qualify as one who is worthy. The bank clerk didn't qualify as fine gold and was rejected.

21) “Not everyone who says to Me, ‘Lord, Lord,’ will enter the kingdom of heaven, but he who does the will of My Father who is in heaven will enter.
22) Many will say to Me on that day, ‘Lord, Lord, did we not prophesy in Your name, and in Your name cast out demons, and in Your name perform many miracles?’
23) And then I will declare to them, ‘I never knew you; DEPART FROM ME, YOU WHO PRACTICE LAWLESSNESS.’

Matthew 7:21-23

I pray this is not what you or I will hear, but most will, the vast majority of saints.

The prospectors are identified as Satan, hell's agents. They emerge from underground, the underworld, hell. Balthazar uses 2 expressions that give a clear signal. First, he says, “What in the Sam Hill's goin' on up there?” This expression is typical Rango style obfuscation. “Sam Hill” is a personified euphemism, a minced oath, a substitute cuss word for hell that is equivalent to heck. Balthazar also says, “Hell's fire! This ain't the bank!” These prospectors from hell's fire were on a mission to the bank to address Simon, hearing, the Bride. They had the prized valuables targeted, and had permission and the equipment to carry out their mission.

The following passage applies in principle to the Bride as being refined as by a “Hell's fire” smelter, but directly to those who will be left behind because “the Lord, whom you seek” is the Beast.

1) “Behold, I am going to send My messenger, and he will clear the way before Me. And the Lord, whom you seek, will suddenly come to His temple; and the messenger of the covenant, in whom you delight, behold, He is coming,” says the LORD of hosts.
2) “But who can endure the day of His coming? And who can stand when He appears? For He is like a refiner’s fire and like fullers’ soap.
3) He will sit as a smelter and purifier of silver, and He will purify the sons of Levi and refine them like gold and silver, so that they may present to the LORD offerings in righteousness.
4) Then the offering of Judah and Jerusalem will be pleasing to the LORD as in the days of old and as in former years.

Wednesday, December 28, 2011

I closed Part 35 with a brief illustration of the Bride Theft from Rango. I do expect to be returning to the opening sequence but first I'm going to expand on that Bride Theft scenario to focus on related elements, like how those left behind are presented who are particularly of the church. If you're not privy to The Bride Theft scenario in the sense that the Lord Himself has opened it to you, these next posts may help or inspire you to get to that place.

A large part of why I'm so convinced of what I know about the Bride Theft and related events is how it came to me, through the very convincing evidence of dramatic modeling. The Lord brought this revelation to me first through scriptural passages like Genesis 45, Acts 12, Haggai 2 and John 21, with characters playing prophetic roles. He's not the only one who uses dramatic models though. Case in point: Rango. When we find such as these kinds of allegorical enactments of historical and prophetic scenarios they should be received as messages that are the more valuable, as specially sent through high-level encryption. If you've been granted a hearing ear - listen up!

What I refer to as the Bride Theft doesn't represent some unique interpretation of the pre-trib rapture (PTR). That popular doctrine is a collection of truths, half truths and lies. The Bride Theft describes a harvest event that shares some elements with the PTR but they should not be equated. Some of you will fail to grab hold of what I'm teaching here because you will try to use rapture doctrine and language as the basis of some refinement process. Would you also use the Eucharist language from Romish Mass to teach about the Lord Y'shua? You see, Babylon will not be fixed. Her doctrines and practices can not be reformed or refined. Let it go. Come out from her. The pre-trib rapture is a doctrine of Babylon. I was weaned on it, and when the Lord took me in as a student at His feet, believe me when I tell you I had plenty of unlearning to do. Humility is required. The Lord is not going to be getting with your program or mine. I do hope we catch on to that soon, if we haven't yet. There is a prize that is worth every effort!

So, of the elements in Rango's rapture scenario.... HEY! No. I'm just testing you. It's not a rapture scenario but a barley harvest scenario, a dramatic modeling of events during a coming Chag HaMatzot, or Feast of Unleavened Bread. Rango signals this season with an Ash Wednesday segue.

Ash Wednesday points to Easter Sunday as the other end point of Lent, and the pagan Romish Easter Sunday occurs near to the Feast of note. The shift to the "Easter Sunday" resurrection season is evidenced in Rango's abrupt transition from the hydration ceremony at the spigot to the water reserve at the Bank, the scene of the coming crime.

Beans interrupted Mayor John at the “chapel of the holy spigot.” Hold it! Hold it! Now this whole thing stinks three ways to Sunday. First the bank's run dry and now this here spigot! Ash Wednesday segue to Easter Sunday. Panic ensued as the Dirtonians caught on to the beans spilled by Beans about the critical water reserves at the bank. The scene cuts from the spigot to a run on the bank. The focus shifts from hope in the spigot flow to their last hope in the bank's reserve.

From the scene of the run on the bank, the focus is on guarding the critical reserve and then the failure of that plan as it is stolen, and then upon securing it's return. It's all about the water reserve.

Rango: As long as we've got water, we've got ourselves a town.
Mayor John: Sheriff Rango is right! As long as we have this water we have some hope.

The town's response to the theft of the reserve isn't rational because they should have simply left town, given the best case scenario of only five days of water left. What you should see in this is that it really is all about the Bride.

The hope of salvation truly is the Bride. In Rango's model, the water was kept in the bank vault, the most secure place where you keep valuables for protection. The bride is associated with fine gold, as in Psalm 45:9 and 13. That's valuable. This is not to say that it isn't about the Bridegroom Y'shua, because He is always at the center of it, but this phase of the plan depends upon His essential work in the agency of His Bride. If you grasp the prophetic meaning of Benjamin in Genesis 45 and know why he had to be brought before Joseph by his brothers, you may also understand the Bride's key role at the present time in the dynamic of Romans 11:13-15. The Bride's interaction with 144,000 sons of Israel (Revelation 7:4-8) is crucial, but with regard to the church, the wheat harvest depends upon the barley-Bride crop being plowed under to condition the soil and make the good ground for that hundred-fold increase (Luke 8:8,15) seen in the harvest of a “great multitude” in Revelation 7:9-17.

The vault of the Bank of Dirt as the scene of the crime has an symbolic meaning, which ties in to the meaning of the prospecting permit, the role of the bank clerk, and helps explain why the bank manager was later found drowned in the desert.

The bank building represents the church, the holy temple and house of God, the heavenly and invisible body of Christ. This is illustrated in Rango as the virtue of the Bank of Dirt is extolled by Rango ("the finest financial institution this side of the Missouri") and a picture of it appears with the audio of an angelic choir signaling something worthy of worship, heavenly, divine. It resembles a Greek Temple, as a great many banks do. (Hint- here is the reason why!) This one has a subtle Sun Eye located centrally, appropriately pictured as a Sun cult institution where the worship of mammon occurs alongside the worship of the Sun god. Like the “Holy Roman Church.” The Bride is found inside the Body of Christ as a subset of that corporate body, the valuables in the vault of the bank. She is as the precious refined gold of the Bank of Dirt, the last hope reserve water, the very hope of salvation for red dirt Adam-kind. When the water is stolen out of the bank vault, the Bride is stolen out of the temple, out of the house of God by her Bridegroom Thief, Y'shua!

Now, given that identification, we have the context for interpreting the role of Rango as the guardian of the bank's precious water reserve, and that of the bank clerk and its manager.

Rango is the authority appointed over the bank and its assets as a guardian. He is what this passage refers to as the head of the house, the house of God.

42) “Therefore be on the alert, for you do not know which day your Lord is coming.
43) But be sure of this, that if the head of the house had known at what time of the night the thief was coming, he would have been on the alert and would not have allowed his house to be broken into.
44) For this reason you also must be ready; for the Son of Man is coming at an hour when you do not think He will.

Matthew 24:42-44

The thief of verse 43 is the Lord of verse 42 and the Son of Man of verse 44. From this passage, observe how the time when this thief visits may not be known by the head of the house, even if published right out into the public domain. He will not know when, will not be alert, and his house, as he considers it, will be broken into.

The head of the house is played by Rango as a classic dude, a strutting comic dandy, a buffoon who is less perceptive than a blindfolded mole. He's like a fancy TV evangelist, the oft parodied public face of the church.

This is the set-up for the theft, and this post is preparation for the next, Lord willing!

Monday, December 26, 2011

With all the present concerns over leaks about this and that, data security and network security remain some of the hottest topics of the day. I want to tell you that the most valuable information of all has an unbreakable system. The Lord Y'shua protects this greatest treasure and no one will access and aquire it without His grant. Period. He is quite generous with it, but it is only for the qualified, and much of it only on a need-to-know basis. No one can hack into His "network." No one can break into His vault. Every attempt through meditation, DMT, tantric sex or any other means of third eye activation won't breach His firewall. Even having the Sword of Destiny won't allow you to hack in. His secrets are absolutely secure. Access is through Him, and Him alone.

Those who come to Him and receive of this treasure do so through a process and technology of sorts, via what's called a seeing eye or hearing ear. Do you want it? The price is right, but get it now.

“Iserbyt also talks about her Skull and Bones grandfather clock which her father always ordered be set five minutes ahead of time to symbolize the fact that Bonesmen were always one step ahead of the rest of society.”

An enclosing net is being completed as yet another knot is being tied, right under our noses.

Sunday, December 25, 2011

What follows here has appeared on The Open Scroll for several years. It is not a popular message but one that is the more necessary in this late hour.

The traditional telling of the story of Christmas saddens me now. Or, maybe "disappoints me" might be a better way to describe how I feel. What bothers me is that half the message is omitted, so it falls short of passing on the great value of the full story! This writing has nothing to do with gripes about Santa Claus, cutting down trees from the forest, the commercial nature of the season or erroneous calendar dating. I'd like to share something personal with you about what brought me to this place of understanding before I share the story of Christmas that should be told, so you know where I'm coming from.

A few years ago, my wife (now, ex-) and I had hoped to have another child, but were very disappointed with a miscarriage that had quite an emotional impact on both of us. It was not long after that, while I was in a definite season of grieving, that I was led in my studies into the record of Matthew 2. I had read that chapter many, many times before, which gives an account of the decree made by Herod to put the young boys around Bethlehem to death in an attempt to eliminate the threat of competition for his position as King in Judea. On this particular day I began to consider how the execution of that decree must have impacted the community and in particular the mothers and fathers of the slain toddlers. Quite unexpectedly, the grieving I knew very personally for my own recent loss was replaced or displaced with something else. By a kind of transference, a deep and heavy grief with weeping came upon me as I identified with those parents. I was aware it was not a natural emotional kind of experience, but supernatural. The spirit of God was upon me. It was like an intercessory substitution because it was not for my loss but for theirs. In this state of having this open wound, I poured out my heart to the Lord about why these boys were allowed to be killed - about why He permitted such a tragedy. It was very intense and very personal. This experience continued for several minutes, and then, I was struck with a chilling conviction. The answer was given; I understood the reason why. I had never considered it before - but I immediately knew it to be true, and, that God was just. This is how the Lord led me to what I'm about to share with you; the story of Christmas that should be told.

About the traditional telling of the story of Christmas, to clarify my feeling about it, I am not wholly ungrateful, for the hearers will at least receive the testimony that there was born in the city of David a saviour, which is Christ the Lord. I am glad the message is brought forth that good tidings were proclaimed of great joy that shall be for all people, and that the angelic host gave glory to God and declared peace on earth to men on whom His favor rests. These truths still bring joy and hope, but yet, the balance of the message must be brought forth as its complement. There are two sides to this story, and the other side is one of justice and judgment. May the Lord of Glory grant you spiritual insight, understanding and conviction as His love unfolds in the telling of this precious and powerful story as it should be told.

The Christmas Story

The sun was sinking low in the darkening autumn sky over Israel. The sun was doing what it had been appointed to do, marking the close of one day and the beginning of the next. It was also marking the transition into the first month on the Hebrew civil calendar, in a time now over 2000 years past, as the thin crescent of the new moon appeared out of the dusk above the western horizon. Every new moon signals a Feast day, but this new moon was more rare, marking the arrival of Yom Teruah, Rosh HaShanah! This day would be celebrated as in years past with the blowing of trumpets, the shofar and the shouting of praise throughout the land! This was a special day, but yet the arrival of the festival of the first day of the first month comes around each and every year. That's not so rare, but yet, there are two more features of this particular day that make it stand out. This was a pivotal day in the accounting of the passage of the years from Adam. The fourth millennium came to an end and the fifth began! That was noteworthy, yes, but what was most special about that night was this: The Messiah of Israel, the savior of all the world was being brought forth!

On this night, a gift of great magnitude would be given to the people of the world! Now, what might seem like a small detail is really very, very important to note. Those in the vicinity of that fabled little town of Bethlehem would receive an additional blessing; the invitation to come and celebrate in the presence of the holy one of Israel would be proclaimed in their very midst! It is the exclusivity of this opportunity that distinguished the locals from all others in Israel. It is this feature that allows us to peer into the scriptural account and discern the sobering lesson that I pray will speak to your heart today.

Friends, it is a fact that with every gift given to men by the Creator of heaven and earth comes a responsibility to use it. According to our savior's own declaration, an accounting will be made in accordance with what has been given.

From everyone who has been given much, much will be demanded; and from the one who has been entrusted with much, much more will be asked.

Luke 12:48(b)

Even small children can judge such a matter as just and fair. This element of justice, my dear brothers and sisters, is not to be taken lightly. In the telling of this story about what the Bethlehemites received that night, if you will consider the magnitude of that gift and their accountability as its recipients, you may discern by the working of the holy spirit that what followed must be seen as a consequence of their response.

In those days Caesar Augustus issued a decree that a census should be taken of the entire Roman world. 2 (This was the first census that took place while Quirinius was governor of Syria.) 3 And everyone went to his own town to register. 4 So Joseph also went up from the town of Nazareth in Galilee to Judea, to Bethlehem the town of David, because he belonged to the house and line of David. 5 He went there to register with Mary, who was pledged to be married to him and was expecting a child. 6 While they were there, the time came for the baby to be born, 7 and she gave birth to her firstborn, a son. She wrapped him in cloths and placed him in a manger, because there was no room for them in the inn. 8 And there were shepherds living out in the fields nearby, keeping watch over their flocks at night. 9 An angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were terrified. 10 But the angel said to them, "Do not be afraid. I bring you good news of great joy that will be for all the people. 11 Today in the town of David a Savior has been born to you; he is Christ the Lord. 12 This will be a sign to you: You will find a baby wrapped in cloths and lying in a manger." 13 Suddenly a great company of the heavenly host appeared with the angel, praising God and saying, 14 “Glory to God in the highest, and on earth peace to men on whom his favor rests.” 15 when the angels had left them and gone into heaven, the shepherds said to one another, “Let's go to Bethlehem and see this thing that has happened, which the Lord has told us about.” 16 So they hurried off and found Mary and Joseph, and the baby, who was lying in the manger.

Luke 2:1-16

Isn't that wonderful! What an awesome privilege for those humble shepherds to receive such a blessing! It seems likely that, of all those living in that day, an angel of the Lord and a great company of the heavenly host made a special appearance to these particular men. They responded to this great honor in the appropriate manner. They hurried off and found the baby, the Savior, as they had been told. The character of these men may be seen in something you may never have considered. Shepherds were responsible for the flocks they tended. Leaving their flocks in the field meant putting their own lives in jeopardy because they were liable for the safety of the sheep! If sheep were lost due to their negligence, they didn't risk merely being fired, they might be executed! Yet, these men counted obedience and the privilege offered them worth the risk.

Now, pay close attention to what these men of faith did next.

When they had seen him, they spread the word concerning what had been told them about this child,

Luke 2:17

After finding Mary, Joseph and the baby, they broadcast the news, sharing the good news of great joy with the neighborhood! They excitedly proclaimed the word that had been given, that, on this very night, in that very town, a Savior had been born to them, and that he was their Messiah and Lord! Remember, this testimony was given on the holy day Yom Teruah, so the people of the land were at that very moment caught up in celebrating the traditions they were commanded to keep. This was no "sleepy little town," as you may have been taught. People were awake and actively celebrating with great blowing of trumpets and praise according as was their custom! Now, I want to bring to your attention the fact that the very event for which that festival had been appointed was being fulfilled in their midst! The occasion for which they had actually been rehearsing every year for nearly 15 centuries had finally arrived! But, dear listener - they were not ready. The people of Bethlehem were tragically missing the point! What irony! "How is that"? you may ask. "How do you know"? Consider the biblical record, my dear friend, and hear what the holy spirit is speaking to you today.

When they had seen him, they spread the word concerning what had been told them about this child, 18 and all who heard it were amazed at what the shepherds said to them. 19 But Mary treasured up all these things and pondered them in her heart. 20 The shepherds returned, glorifying and praising God for all the things they had heard and seen, which were just as they had been told.

Luke 2:17-20

We are given an account of two kinds of response to the shepherd's testimony in verses 18 and 19. The response of "all who heard it" is contrasted with Mary's. They were amazed, and we may infer they neither treasured up all those things nor pondered them in their hearts like Mary did. With this key observation, we are about to turn to the book of Matthew to continue developing the story.

I have brought to your attention the fact that the people of Bethlehem and its vicinity were given a very special gift, in that they, alone, of all Israel, received the testimony of the shepherds. I have pointed out their response, which is simply that they were amazed. Was their response appropriate for what they had been given, or, according as we are warned in Luke 12, would more be demanded of them?

On the night of the Messiah's birth, the heavens themselves bore testimony of the wondrous events taking place in Bethlehem, shining forth for the whole world to see. Certain men faithfully observed the season's celestial signs and, with confidence in their understanding of this testimony that was further validated by angelic visitation, began a long journey westward. Magi from the East sought out the one foretold, traveling by caravan to Jerusalem with gifts in anticipation of finding and worshiping the child. As the shepherds before them, these men of extraordinary faith came to be honored with that very privilege!

After Jesus was born in Bethlehem in Judea, during the time of King Herod, Magi from the east came to Jerusalem 2) and asked, "Where is the one who has been born king of the Jews? We saw his star in the east and have come to worship him."

Matthew 2:1-2

After they had heard the king, (Herod) they went on their way, and the star they had seen in the east went ahead of them until it stopped over the place where the child was. 10 When they saw the star, they were overjoyed. 11 On coming to the house, they saw the child with his mother Mary, and they bowed down and worshiped him. Then they opened their treasures and presented him with gifts of gold and of incense and of myrrh. 12 And having been warned in a dream not to go back to Herod, they returned to their country by another route.

Matthew 2:9-12

When Herod realized that he had been outwitted by the Magi, he was furious, and he gave orders to kill all the boys in Bethlehem and its vicinity who were two years old and under, in accordance with the time he had learned from the Magi. 17 Then what was said through the prophet Jeremiah was fulfilled: 18 "A voice is heard in Ramah, weeping and great mourning, Rachel weeping for her children and refusing to be comforted, because they are no more."

Matthew 2:16-18

If you know your biblical history, you know Rachel was the favored wife of Jacob. She bore him two children: Joseph and Benjamin. When the land of Caanan was distributed among the sons of Jacob, Bethlehem was among those appointed to Benjamin. Those in the vicinity of Bethlehem were Benjamites. What was said through the prophet Jeremiah was fulfilled at that time because the Benjamite children of Rachel "were no more"; Herod's decree had just been carried out!

And so it happened that, within two years of Jesus' birth, a grievous act was visited upon the very same people who had received the shepherd's testimony! Coincidence? No! Consequence! It was only after I was brought into identification with the grief those mothers and fathers had felt that I knew the reason why their God and mine would allow such a tragedy to be visited upon them. While you may have previously considered this event only with regard to the logic in jealous Herod's attempt to kill Jesus, consider this new perspective with sobriety. Remember, with every gift from God comes an accounting for its stewardship.

On the night that the fathers and mothers of Bethlehem received the news of the birth of God's only begotten son, did they even go visit the child? The shepherds were glorifying and praising God. Mary treasured up those things she had heard and pondered them in her heart. But the people, all others in the neighborhood who heard, were amazed. Merely amazed. In other popular translations, the texts read: "wondered at." If you consider other scriptures where the same Greek word is used, you see there is no further action indicated. Could such a response have been adequate? Would there not have been a higher expectation given the magnitude of the gift they received? Could it have been merely coincidental that those affected by Herod's decree were the very same who had received the shepherd's testimony on the night of God's only begotten son's birth? Could there be no connection between their feeble response and the slaughter of their sons, whose ages at that time were directly related to the age of God's Son? The decree that brought the tragedy was directly related to the birth of that Son! Oh, there is a connection, friend. Cause and effect. In having received much by way of the special opportunity they received, according to the Lord's own words, much was demanded of them.

From everyone who has been given much, much will be demanded; and from the one who has been entrusted with much, much more will be asked.

Luke 12:48(b)

The penalty was severe but just, and, swiftly executed, as the Roman tetrarch Herod unwittingly became God's agent in the visitation of judgment upon His people.

Here is a revelation of truth: As it was, so it will be. This story of the distant past and its people is for the present; for us! Our day and theirs are not so different, and neither are we so different from they. There was at that time an eager anticipation and heightened expectancy among God's people about the arrival of the Messiah, and so it is today. Few in number had been given the message directly, and so it is once again as a timely and important message goes forth falling upon the ears of a people small in number. Why do I say that? Because, the lesson of the inadequate response of the Bethlehemites and the justice poured out upon them is not so broad as to speak to every person and every gift. This lesson is more narrow, more specific to a particular season, people and message. No, another child savior will not be born in Bethlehem with shepherds broadcasting the news. But the son has come as judge already, and the news has been widely broadcast. Many are amazed. And few receive it with faith. The revelation is to us an example and a warning. Let me say to you - do not make the same mistake they made!

You know as well as I that the hearts of most people today are unprepared to receive what tremendous blessings the Lord longs to give.

This is the verdict: Light has come into the world, but men loved darkness instead of light because their deeds were evil. 20 Everyone who does evil hates the light, and will not come into the light for fear that his deeds will be exposed.

John 3:19-20

Light has come into the world, and Jesus, Y'shua, is that light. If you prefer the darkness over the light, you are like the Bethlehemites of old who could not accept the invitation extended to come into His presence and worship Him.

Meditate on these words:

It's like a man going away: He leaves his house and puts his servants in charge, each with his assigned task, and tells the one at the door to keep watch. 35 "Therefore keep watch because you do not know when the owner of the house will come back--whether in the evening, or at midnight, or when the rooster crows, or at dawn. 36 If he comes suddenly, do not let him find you sleeping. 37 What I say to you, I say to everyone: 'Watch!"

Mark 13:34-37

Those servants the Master has placed in charge with the assigned task of keeping watch at the door are giving you and I good news of great joy. You have been hearing from those who "walk in the footsteps" of the Bethlehemite shepherds that the return of that same small child - now grown to a full age and appointed as judge of all mankind - is near. We are on the threshold of His coming in glory! Are we amazed, idle and skeptical - are we asleep? Or, are we watching as He commanded?

Are you willing to bet you and I will be spared the consequences of neglecting the gift we have received, who reject the message of His appointed watchmen? God forbid! Unto whom much is given, much is demanded.

The one who listens to you listens to Me, and the one who rejects you rejects Me; and he who rejects Me rejects the One who sent Me.

Luke 20:16

Lest we think skepticism is safe and excuses might be able to be offered on our behalf, let me bring this story to a close with a comment about signs. What do we watch for but signs? Confirming signs are always given by the Lord who loves mercy. The problem is and always has been that most choose to disregard them. Consider what had been declared to the shepherds:

This will be a sign to you: You will find a baby wrapped in cloths and lying in a manger.

Luke 2:12

They paid heed, at great personal risk. I say to you, many confirming signs have been given for which to watch in our day. Have you really paid heed? Are willing to risk losing what has been so dear, to gain what reward the Lord has appointed for those precious few? I pray you will!

Search me, O God, and know my heart; Try me and know my anxious thoughts; 24 And see if there be any hurtful way in me, And lead me in the everlasting way.

You could associate the two of these news items together because the ultimate agenda is the same: To enable and justify to the worldly collaborators large scale persecution of the saints and those who are truly God's chosen people.

The illusion some have of the US or any country being a sovereign independent nation is very persistent. I became convinced of the reality of a present global order when Michael G. New was being courtmartialed. Look it up. On the 3rd of May, 1994, President and Commander in Chief Bill Clinton signed Presidential Decision Directive 25, ordering the submission of US troops to multinational and multilateral operations. Such an action would have been recognized as treason not long before, but the time had come for America and every country to be sold out as the nations of the world are gathered together for judgment. Today, the false flag event of 9/11 continues to be falsely promoted with little challenge, despite widespread recognition that the official reports don't fit the facts and therefore represent a massive conspiracy to deceive on the part of the federal government and the media. The media continues to play that tune, and the government continues to keep the beat. The sheeple march right along smartly and with building momentum carry forward the agendas fueled by that pretext.

Today and in this season, pagans around the world celebrate with a variety of rituals. Some among the saints participate, knowing better, convicted of the truth but failing to abide in it. If this is you, you have suffered loss. If you are enjoying victory over the temptation to participate with the pagans in the practices of their worship of other gods, you know the joy and reward of obedience, as an overcomer. I praise the Lord for His great love in drawing us to Himself and revealing Himself to us. He is rich in mercy and generous in favor!

14) For this cause I bow my knees unto the Father of our Lord Jesus Christ,
15) Of whom the whole family in heaven and earth is named,
16) That he would grant you, according to the riches of his glory, to be strengthened with might by his Spirit in the inner man;
17) That Christ may dwell in your hearts by faith; that ye, being rooted and grounded in love,
18) May be able to comprehend with all saints what is the breadth, and length, and depth, and height;
19) And to know the love of Christ, which passeth knowledge, that ye might be filled with all the fulness of God.
20) Now unto him that is able to do exceeding abundantly above all that we ask or think, according to the power that worketh in us,
21) Unto him be glory in the church by Christ Jesus throughout all ages, world without end. Amen.

Thursday, December 22, 2011

Continuing from the previous post, it should by now be very apparent that Rango is witnessing to a jail break by resurrection. The thespian chameleon's terrarium theater production's script elaborates upon what I noted earlier about this jail break scheme, modeled for us when the mole Balthazar and his underground dwelling kin entered the vertical stream of water and ascended out of their prison cell. The serpent dragon is eager for the 70 generations appointed for the binding of his underground kin to pass. Intensely, passionately eager. This recurring theme is a really big deal.

We must ask at some point where the cryptic elements pointing to Osiris might be found in all of that scene's excessive symbolic death and resurrection messaging. Beyond the obvious featuring of the almost ever-present green-skinned chameleon himself as the green-skinned Osiris, both the dead bug and the palm tree have links to this essential identity.

Here's the Osiris link with the palm tree. After the chameleon gives his line as the director about acting being reacting, he turns and addresses the palm tree.

“Victor, you were wooden. There, I said it.”

Yuk yuk. Of course he is, he's a tree. But here's the Osiris signal. A popular version of the Osiris legend had him encased and preserved inside the acacia tree like a mummy. The acacia is a symbol of eternal life and the hope of resurrection, like the palm tree's victory over death. (Acacia; trees of Ethiopia - SPRIG OF ACACIA - Masonic World) Victor, wooden; Osiris, encased in wood. Palm tree. Acacia. Victor. Osiris. Dot. Dot. Connect.

I've already shown in another post how the doll torso represents Isis. Here they are together on the terrarium stage, Osiris and Isis. Before I move on to the bug's link, here's another that loosely links the palm tree and Osiris but strongly associates the chameleon with Horus-Apollo. According to legend, Apollo was born while his mother Leto clung to a palm tree. Think about it.

By the way, at the base of the palm tree grows some aloe, plants renowned for their healing properties. The tree is all about healing, from death. And, speaking of properties, the acacia are known sources of DMT, a pineal gland and Eye of Horus activating agent used for transdimensional access.

Now, the bug, Dr. Martz, plays the aging father of the princess, thus, he's a king like King Osiris. He's dead and dismembered, like Osiris. He's floating in the water, like Osiris in the Nile. There's a fish nearby, like the one that ate the phallus of Osiris. Fish eat bugs. That's enough to establish a link, but, ahhh, there's more!

We know on a few levels why the palm tree is named Victor. Why is the bug played by Dr. Martz? There's a clever clue in this scene and another hint that's dropped in a later scene. Together, they reveal the mysterious identity of Dr. Martz and establish an unmistakable link to Osiris!

During the dress rehearsal of the mock theatrical production, after the dead bug fails to respond to the hero's threatening sword, the chameleon interrupts the scene, playing the role of acting director.

Who is this Dr. Martz and why does he play the dead bug? In December of 2001, a certain Dr. Martz died, an author and long tenured professor at Yale University. Being dead, he can't very well play a living bug, right? Unless he's raised, of course.

Please note from that official announcement that he had served as “acting director” for two institutions. Hey - ACTING DIRECTOR? The chameleon actually named Dr. Martz while playing the role of acting director! Well, the professor was not the dramatic acting kind of acting director, but this does effectively serve the purpose of association.

Dr. Martz happened to specialize in English Renaissance literature and 17th-century metaphysical poetry. Hmmmmm. That includes some very layered esoteric literature! Rango featured just such as that in the Elizabethan style terrarium stage production. Rango's Renaissance period drama borrowed the character Malvolio from Twelfth Night, a Shakespearean (Baconian - Sir Francis Bacon) classic. A later scene involved a closely related production put on by Rango's posse as the era's troupe of traveling thespians. We hear Rango deliver this line after he autographs a Bible. "Now remember son, stay in school, eat your veggies and burn everything but Shakespeare." (Burn the Bible?) Assigning Dr. Martz this role in Rango does more than pay homage to the man as a simple cameo might. The point is in the Osiris connection. It's coming.

In another scene, the bank has just been robbed and a character runs through town at dawn, loudly announcing the deed. The stir awakens Sheriff Rango abruptly, who had been in the midst of a dream while sleeping soundly in the jail. He blurts out the following line.

Dr. Martz - I'm on fire - embrace me!

Huh? Is that just a non sequitur outburst from a silly dream, or, comparing to Bean's cryptic but meaningful outbursts on stirring from tonic immobility episodes, a clue providing some insight into why the dead bug was called Dr. Martz? Option 2? Good call!

On page 124, you'll read the professor's critical analysis of the D. H. Laurence story titled The Escaped Cock, where, after presenting a particular excerpt, he writes, “Whenever I have taught this story the class at this point has erupted in a gale of laughter.” I imagine any student who might have fallen asleep in class would have awakened suddenly at the eruption of laughter, like Sheriff Rango. What Rango blurted out makes sense in this context.

The story illustrates the intensity of the pilgrim character's sexual desire poetically using figurative language drawn directly from that used of Osiris, when sought by Isis.

“She was looking for the fragments of Osiris, dead and scattered asunder....And through the years she found him bit by bit, heart and head and limbs and body. And yet she had not found the last reality, the final clue to him, that alone could bring him really back to her. For she was Isis of the subtle lotus, the womb which waits submerged and in bud, waits for the touch of that other inward sun that streams its rays from the loins of the male Osiris.”

Picture now the dead and dismembered bug as the Osiris of Dr. Martz's commentary on The Escaped Cock. The ready Isis Barbie appeared in the adjacent corner of the set, also dismembered, for NLP association, playing her role as the gravely ill King's daughter. The Isis of legend was the sister of King Osiris, not his daughter, but, hey, that's plenty close enough for NLP.

The next section excerpted from Laurence's story follows.

“He crouched to her, and he felt the blaze of his manhood and his power rise up in his loins, magnificent.
"I am risen!"
Magnificent, blazing indomitable in the depths of his loins, his own sun dawned, and sent its fire running along his limbs, so that his face shone unconsciously.”

Dr. Martz's reading of the “for mature audiences only” prose that so vividly illustrates an Osiris experience prompted classes of students to erupt in laughter. Any sleeping in the class would surely be startled awake. Rango, startled awake, blurts out: “Dr. Martz - I'm on fire - embrace me!” There it is. There's the knowing reference connecting the dead bug with Osiris.

Any man who has awakened from such a dream feeling “the blaze of his manhood” can relate to what's being further implied here. I'm sure this scene is a source of immense amusement for the few in the know.

This covert reference to Yale University isn't the only one in Rango. You may recall from an earlier post how the Skull and Bones Society at Yale was referenced by the grandfather clock in the banker's office. That clock closely matched the one in the popular picture that shows George Bush standing near the clock.

The theme of the dawn of the sun god Osiris is unmistakably imported by Rango's clever line, and it may be seen that this is attended by supporting visual imagery. Rango was sleeping with cucumber slices on his eyes, pampering himself and getting his beauty rest while he was supposed to be guarding the bank. When stirred from his erotic dream, the slice covering his right eye fell off immediately, exposing it to us in a Horus identifying visual as Harmerty, Horus who rules with two eyes - Horus on the horizon, awakened, and dawning at sunrise as the incarnation of Osiris, the Beast!

It may be noted that when Rango awoke you can see bars on the window. After waking, he exits immediately. He's free. Hmmmm. This is yet another release from jail by resurrection. It's also another version of the ubiquitous phallic Eye of Horus transformation, right?

If you're able to watch the video of this scene you'll hear a rooster crowing as the sequence begins. The town crier character announcing the theft is pictured at sunrise, running frantically down Main Street. A rooster crows as he begins to yell, “The bank's been robbed! The bank's been robbed! Oh, good Lord, the bank's been robbed!” Hey, where did that rooster in the scene come from? Would that be The Escaped Cock? Apparently so! This adds even more support to the link!

Rango. Have I mentioned yet that it's rich with embedded symbolism?

If we intend to draw some line with Rango to say this here is credible but that there's too much of a stretch, where would we draw it? Let's not underestimate our supernatural adversary's capabilities. One thing we should be taking away from this blog's presentations is that he has woven quite an intricate spell in this world of ours, and we, even immersed in it, have been practically oblivious to it's mechanisms and their working. Another takeaway should be that our Lord Y'shua has these matters well in hand, and you and I, whose eyes He is surely opening! Those of you associated with Rango's production who read here and are still invested in the agendas promoted, make note: It's not yet too late to repent.

So, the palm tree and dead bug both have distinct Osiris connections, with Isis and Horus implicit in the linkings. We know why. Beyond hammering such a simple point home in this series, there's implications made in this valuable intelligence gleaned about the serpent's operations that some of us need to get hold of. How much does the devil know about what's going on now and what's coming? What is the Lord teaching us through this? There's far more that I don't know than what I think I know, but I'm learning.

One item of particular interest to me in the rooster crowing scene is how the devil signals a recognition of the Bride Theft. This resurrection harvest will appear to those left behind as though a theft has occurred. What is most valuable will have been left unguarded and stolen away in the night while they sleep. I wrote about this harvest event at length in a study featured as a Beyond the Veil appendix. The Bride Theft

Here's a couple relevant scriptures.

38) Whether he comes in the second watch, or even in the third, and finds them so, blessed are those slaves.
39) “But be sure of this, that if the head of the house had known at what hour the thief was coming, he would not have allowed his house to be broken into.
40) You too, be ready; for the Son of Man is coming at an hour that you do not expect.”

Luke 12:38-40

33) “Take heed, keep on the alert; for you do not know when the appointed time will come.
34) It is like a man away on a journey, who upon leaving his house and putting his slaves in charge, assigning to each one his task, also commanded the doorkeeper to stay on the alert.
35) Therefore, be on the alert—for you do not know when the master of the house is coming, whether in the evening, at midnight, or when the rooster crows, or in the morning—
36) in case he should come suddenly and find you asleep.
37) What I say to you I say to all, ‘Be on the alert!’”

Mark 13:33-37

Sheriff Rango was the assigned doorkeeper. Did the master of the house come at midnight, or when the rooster crowed? Notice the words used as the report of the theft was made.

“The bank's been robbed! The bank's been robbed! Oh, good Lord, the bank's been robbed!”

Three times a phrase is repeated. Resurrection. A resurrection robbery. The Bride Theft! Oh, good Lord! Baruch haba b'shem Adonai! Blessed is he who comes in the name of the Lord!

There are four phrases. Three are the same. It's another instance of “three things and then four,” another signal expression of the 4th Shemittah from 1991's sign being the season appointed for these events to be fulfilled.

The bank robbery was a key trigger that changed the course of the story in Rango. Not unlike the Bride Theft. Watch and see.

Wednesday, December 21, 2011

During the opening sequence of Rango the umbrella drink chalice was a major signal device. I addressed that terrarium stage's prop pretty thoroughly in the previous post. Another featured prop is the palm tree, which I've already introduced as a signal device but there's more to be gleaned by leveraging that valuable insight.

Again, you can watch this clip posted online: [video] First 14 minutes of Rango. For this post, the clip of interest spans from about 2 minutes in to a little past the 3 minute mark. You might find it helpful to open the video in another window to keep it available for ready review alongside this post's commentary.

The palm tree is a symbol of victory over death, as rightly noted by Masonic author Albert Mackey. The palm tree on the chameleon's theatrical stage set is a pretend actor named Victor. “Victor,” as in “victory over death” in resurrection. The first use of the palm as a signal comes early. The chameleon's show begins. He picks up two palm branches and holds them behind his head to form a curtain that obscures the set from view.

The narrating chameleon:The stage is set, the night moist with apprehension. Alone in her chamber, the princess prepares to take her own life.

The palm branches symbolically form the curtain or veil that separates the realm of the living from that of the dead, a veil which the princess prepares to cross. If she were dead, victory over death would raise her from death through the veil to life. This is dramatized for us as the chameleon, while saying “to take her own life,” parts the two branches in vertical action moving one up and one down to expose the maiden as she is about to cross over.

The play continues.

Princess (dubbed by the chameleon):It is far better to nourish worms than to live without love.The narrating chameleon:She reaches for the poison chalice. Meanwhile, the wicked Malvolio plots his ascension to the throne. [Dubbing Malvolio's evil laugh.] While her aging father lies gravely ill. Princess' father (dubbed by the chameleon):Yes, I'm gravely ill.

At this point, the focus is upon the bug, obviously dead, floating on the water with some detached limbs floating nearby. We hear a fanfare and what should appear? Not the chameleon, but Victor, the palm tree. After an awkward moment passes, the chameleon voices Victor's part.

“Hark, who goes there!”

Then, the chameleon finally leaps into the frame, with dialogue that reveals he has come to rescue the maiden. The fanfare, however, was for Victor, who arrived right on cue to rescue the bug from death. That's the role of the palm tree, after all! The NLP suggestion of "grave" was embedded twice in the repeated expression “gravely ill.” There was an obvious need to rescue the princess' father, a king, from the grave. Victory over death, to the rescue!

Continuing, the self-narrating actor has leaped into the scene.

Tis I, the much anticipated hero, returning to rescue his emotionally unstable maiden. Unhand her, you jailers of virtue, or taste the bitter sting of my vengeance! [No response from the lifeless prop-characters - so he repeats as if they might have missed their cue.] The sting of my - eh!

There is a passage of scripture that deals with dead bodies, victory over death, and a related sting, a word used twice in the stage play and twice in this passage.

50) Now I say this, brethren, that flesh and blood cannot inherit the kingdom of God; nor does the perishable inherit the imperishable.
51) Behold, I tell you a mystery; we will not all sleep, but we will all be changed,
52) in a moment, in the twinkling of an eye, at the last trumpet; for the trumpet will sound, and the dead will be raised imperishable, and we will be changed.
53) For this perishable must put on the imperishable, and this mortal must put on immortality.
54) But when this perishable will have put on the imperishable, and this mortal will have put on immortality, then will come about the saying that is written, “DEATH IS SWALLOWED UP in victory.
55) O DEATH, WHERE IS YOUR VICTORY? O DEATH, WHERE IS YOUR STING?”
56) The sting of death is sin, and the power of sin is the law; 57 but thanks be to God, who gives us the victory through our Lord Jesus Christ.

1 Corinthians 15:50-56

Verse 54 could be described as the palm tree verse, and this is immediately followed by the “sting” verses, cleverly modeled in Rango's dramatic sequence, you see. Rango's intent, however is not by any means to advance the genuine but rather counterfeit it with a twisted version. The chameleon delivers his dramatic line then repeats it, leaving off a word to highlight it. Attention is drawn to what's missing - vengeance. More accurately, two words are left off, “bitter” and “vengeance”. We've seen this testimony before and I've noted it on this blog with some frequency. The victory over death that the agents and agencies behind Rango have in mind is about bitter vengeance!

The Lord's way for his obedient saints who walk by His spirit is as follows.

Never take your own revenge, beloved, but leave room for the wrath of God, for it is written, “VENGEANCE IS MINE, I WILL REPAY,” says the Lord.

Romans 12:19

The enemies of God take what is God's upon themselves. The dragon and his hero seek vengeance with bitterness. For what? Rango drops a clue.

Unhand her, you jailers of virtue, or taste the bitter sting of my vengeance!

Unhand her. Yuk yuk. Her is already unhand-ed, with but a torso and a single arm. What's not so funny is what is implied by the rather awkward expression, jailers of virtue. Sure, imprisoning the virtuous maiden, ok, superficial, but the word “virtue” has another meaning that is the key to the deeper plot!

A Virtue is the fifth of the nine orders of angels in medieval angelology. This is a fitting definition, and one that comes from medieval times. This is a Shakespearean production, from long ago when the language was very different, right? Jailers of Virtue. Jailers of angels. Are you getting this? Is someone bitter about jailed angels? Is there some bitter vengeance plotted against the jailer of angels? Does this plot involve some fashion of resurrection, a claim of victory over death? Isn't all this, somehow, familiar? It should be, by now!

The play continues with the chameleon pointing his sword threateningly at the dead bug, which does not respond, of course.

Meaning? The action plotted for revenge is a reaction, a response to the action taken by the jailers. What is coming is in response to the judgment and sentence executed upon those responsible for the flood of Noah's day. There is bitterness in their ranks, and vengeance is plotted against the jailers. A jail break is part of the plan!

Tuesday, December 20, 2011

I saw an interesting picture today, the one you see here. In preparation for the 2012 Olympics, the French access to the Chunnel has been decorated with this choice promotional imagery. I was immediately struck with the realization that this is a mark of the Beast portal. Thanks Lord, and thanks Jeff (Jeff Davis of Acceleration Blog) for bringing this image to my attention!

The openings are as eyes and the Olympic rings logo marks the Chunnel as on the forehead. Compare the face of the Chunnel to the face of Apollo on this poster from 1936. Giant Olympic Rings? Really? Like this Giant?

These leverage the unseen bindi / bindu chakra, the third eye, the Eye of Horus. Apollo aka Horus is the identity of the implied magical ring number 6, the white capstone of the truncated pyramid created by the inverted rings logo. In 2010, I explored the meaning of the Olympic rings in a 15 part series on this blog. What Does the Olympic Rings Logo Really Mean?

The poster (from the games in Berlin often referred to as the Nazi Olympics) connects this with the Brandenburg Gate, a physical gateway and charged portal identified with the Apollo idol quadriga and emblems. Now, the Zeus worshiping Olympic promoters have repeated, leveraging the Chunnel as an updated Brandenburg Gate - a spell casting magick portal. It reminds me of Rochester, NY's Gateway to High Falls.

The sex magick is implicit, and the train pictured coming or going in or out of the tunnel leaves little left to imagine. Phallic Eye of Horus.

The Chunnel portal eyes are dark.

33 “No one, after lighting a lamp, puts it away in a cellar nor under a basket, but on the lampstand, so that those who enter may see the light.
34 The eye is the lamp of your body; when your eye is clear, your whole body also is full of light; but when it is bad, your body also is full of darkness.
35 Then watch out that the light in you is not darkness.
36 If therefore your whole body is full of light, with no dark part in it, it will be wholly illumined, as when the lamp illumines you with its rays.”

Luke 11:33-36

The light of this enlightenment scheme is Luciferian, Illuminati, a match to the light of the Olympic torches procured from Mount Olympus in ceremonies paying tribute to the source of the light, Zeus. The Bible identifies Zeus as Satan in Revelation 3. It was Zeus that was worshiped by Antiochus Epiphanes, who defiled the altar in Jerusalem in the act identified with the abomination of desolation.

Why do you suppose they didn't just use the 2012 Olympic logo instead of the rings? Would that have been too easily identified as an Eye of Horus?

With this mashup of miscellaneous bits we could play "one thing is not like the others." Except that each thing is like the others.

The London summer games are the Olympics anticipated in the 2008's highly charged occult ritual referred to as the London Presentation. These are the games where Underworld will have significant musical oversight. If the games will indeed be held, they will be a very, very big deal!

Police employ Predator drone spy planes on home front (LA Times - 12/10/2011)
“As the unmanned aircraft circled 2 miles overhead the next morning, sophisticated sensors under the nose helped pinpoint the three suspects and showed they were unarmed. Police rushed in and made the first known arrests of U.S. citizens with help from a Predator, the spy drone that has helped revolutionize modern warfare.”

WikiLeaks details surveillance industry (Brisbane Times - 12/2/2011)“"Today we release over 287 files documenting the reality of the international mass surveillance industry - an industry which now sells equipment to dictators and democracies alike in order to intercept entire populations," Assange told reporters in London on Thursday.”

Monday, December 19, 2011

I'm wrapping up this series. No, really. It's just that, well, it's a relative thing. I intend to see this project through to its end as the Lord directs, so this probably isn't the last post in the series.

Right from the start of the animated feature Rango, the theme of death and resurrection is presented. Layers of symbolic images and language are cleverly combined with more obvious elements that make it oh so obvious to those who can interpret this messaging system that Rango is a stealth weapon in the ancient serpent's arsenal. It is also an operations manual, of sorts, broadcast into the public domain. Some of the messages signaled are contained in passing snapshots and some in sequences like vignettes. Others are woven in like a thread through a tapestry. This post covers the full range, highlighting several elements in the opening sequence.

You can watch this clip posted online: [video] First 14 minutes of Rango. The quality is not very good, but it's helpful to see what I describe unfold as presented. The clip of interest spans from about 2 minutes in to just past the 6 1/2 minute mark. You might find it helpful to open the video in another window to keep it available for ready review alongside this post's commentary.

The coming resurrection-transformation realities of the Beast and mark of the Beast are signaled as the chameleon sheds his skin like a snake twice. After the chameleon has been ejected from the car and his terrarium shattered on the road, he watches the wind-up fish “die” as the puddle of water he landed in dries up on the hot pavement. As he turns and looks up at the desert sun he himself also dies, symbolically. His skin crinkles and goes crisp. The dead flesh flakes away and new flesh appears. This shedding immediately happens again, which makes the final skin that appears the third version of chameleon flesh. Meaning: Third day and triple-helix resurrection. He had reached the end of his former bodily existance and was transformed by the heat or power of the light of the Sun, which is to say by the agency of Apollo and the light of Zeus, aka Satan. His serpent nature is revealed as his skin shed alluding to how a snake sheds his skin.

The umbrella bursts into flame just as the second layer of skin falls to the ground and the third has fully appeared. With the attending umbrella sign, what's conjointly signaled is that the end of the line for his genetic line had been reached. I'll explain.

Notice in this image sequence how the umbrella, burnt, resembles the empty dry seed cone of Liriodendron tulipifera, a magnolia called the tuliptree. The picture I found shows a snowy cone frozen into the winter ice of a pond, an interesting match to Rango's fire version.

Rango's symbols are very specific and I've learned there are good reasons why. A particular magnolia seed is pictured. There is an umbrella magnolia, but the seed cone Rango presents is that of the tuliptree. The tuliptree only grows in Appalachian and Chinese forests, and Rango's drink umbrella comes from the Orient. “The tuliptree is a magnolia specialized for wind dispersal of seeds.” (SourPersimmon Blog) While it fell from the sky, the parachuting Oriental umbrella was a wind borne seed. All this is to establish that the umbrella represents a seed pod.

Then God said, “Let the earth sprout vegetation, plants yielding seed, and fruit trees on the earth bearing fruit after their kind with seed in them”; and it was so.

Genesis 1:11

Man is likened to a tree in the Bible. Much of the dynamic of history (and present and future) can be understood as a conflict between two trees and their heritage, their offspring, seed.

And I will put enmity between you and the woman, and between your seed and her seed;

Genesis 3:15a

The burnt umbrella signals that the chameleon is no longer His Creator's fruit tree on the earth bearing fruit after their kind with seed in it. He's been converted, his posterity cut off. This is the mark of the Beast plot. It's not so much towards the goal of simply building an army to enable the Dragon's war against God as it is towards the goal of hijacking everything that is the Sovereign Creator's, even His heritage in a grand scale substitution ploy. Then, this tactical maneuver will maximize the Dragon's resources as the converted assets are no longer Yahweh's but deployable as his own troops. It's a brilliant scheme, but still doomed.

The water glass represents the fruit of the tree, expressing Rango's procreative viability. The umbrella drink with water (life) and umbrella (seed) in the glass signals that he is virile and connected to his Creator. When the umbrella-seed was pictured floating down from the sky, it landed and perched on the edge of Rango's glass. If the seed fell back into the glass, his ability to bring forth offspring “after their kind” would remain. When the umbrella-seed fell outside the glass, the seed was no longer going to remain viable. It shortly burnt, when the chameleon's third skin appeared. The chameleon's glass was empty, signaling that the seed life of his Creator was gone, and with it His heritage. The season had passed where he had the ability to bring forth offspring after his Creator's kind.

This is why you see Rango holding the tipped glass in front of his loins. The glass so tipped would, according to the picture, be pouring out right between his legs, and also in line of his tail that signals the spiral of life. That cycle of life ended as the water of life was drained, as he dehydrated, his glass emptied. The reproductive theme, you should note, is still being signaled by the chameleon's floral shirt, with the flower being the plant's reproductive structure, where, as associated with fruit, its “seed in itself” is openly displayed.

Let not the foreigner who has joined himself to the LORD say, "The LORD will surely separate me from His people " Nor let the eunuch say, "Behold, I am a dry tree."

Isaiah 56:3

The chameleon has become a dry seed pod and a dry tree, even separated from the Lord's people as no longer able to be accounted among them.

But I was like a gentle lamb led to the slaughter; And I did not know that they had devised plots against me, saying, "Let us destroy the tree with its fruit, And let us cut him off from the land of the living, That his name be remembered no more."

Jeremiah 11:19

9) and do not suppose that you can say to yourselves, 'We have Abraham for our father'; for I say to you that from these stones God is able to raise up children to Abraham.
10) The axe is already laid at the root of the trees; therefore every tree that does not bear good fruit is cut down and thrown into the fire.

Matthew 3:9-10

The chameleon had the axe laid to his root, declared as bad fruit. And the seed pod burns as the whole tree thrown into the fire. The Creator's tree.

If what you see in Rango doesn't offend you, you haven't really grasped what you're being shown!

In this image sequence you see the glass illustrating procreative viability.

At top, the chameleon's head is craned forward to momentarily appear over the torso of the doll at the instant the umbrella drink appears superimposed over her loins. Not to overlook the obvious, let's note that the bare breasts are mammary glands, for nursing offspring. Like the shirt whose flowers have both male and female elements, this picture of a hermaphrodite Rango with male and female parts is the Baphomet. The umbrella shape is as an inverted bowl, the womb symbol. It appears in this screenshot like an x-ray view. It is the fertility goddess and god combined - Hermes and Aphrodite.

In the middle, the glass is pictured over his loins with the umbrella perched on the rim like an erect phallus, wilting. Some of you may recall how a very similar umbrella symbol was featured during the London Presentation segment of the closing ceremonies of the 2008 Olympics in Beijing.

By the way, when the phallic umbrella falls off the glass of the green skinned chameleon, allusion is made to the Osiris story, whose privy member was severed by Set and, of all his parts, never recovered. It was eaten by a fish, and a fish just happens to appear next in the scene. Yes, this is even one more subtle but “over the top” evil genius reference to the bringing forth of Horus.

In the bottom image, the umbrella-seed lies on the ground while the chameleon throws off vestiges of the former image of his Creator, shedding his skin. Again, the drink glass is superimposed over his loins, tipped and emptied.

To emphasize this, at the top of this sequence of screenshots we see the chameleon lying in the embrace of his naked lover. We don't see her in the middle image. Why not? The context and thus its meaning would be just too obvious. When the chameleon begins to get up, we see her still lying next to him. The umbrella is definitely not in the glass. Between the chameleon's legs appears a flaccid member. He is post-coital and impotent. When the umbrella-seed burns, we know this is permanent.

I should note at this point that the utility pole in the background is a cross, a tau cross. It's used for power lines and telephone lines. It signals the intersection of the vertical and horizontal that is the union of the sons of god with the daughters of men. It looks like a sacrificial altar scene.

The focal symbols rest upon a piece of the terrarium that is reflective glass with a cloudy sky pictured on it. Above, we see a cloudy sky. As above, so below; the classic occult signaled Hermetic Maxim. This is the same dynamic the reflecting pool has that's located between the Washington monument and Capitol building, the magically mediating device set between the phallic obelisk and womb dome. Soon Horus will be brought forth from the interlude!

After Rango gets up he watches the ICHTHYS dry up and die, the resurrecting fish. Then he looks up and everything happens I described with the skin shedding and umbrella-seed burning. Then he holds up the glass to drink any water that might remain, and the tiniest drop comes out. The glass is dry as a bone. He is as a eunuch.

Then the chameleon hears the armadillos' voice in the distance. He puts the glass to his eye like a makeshift telescope, creating the signal eye of Horus, Harmerty. Given that this glass is the device signaling procreative viability, this can be considered equivalent to a phallic eye of Horus signal. Isn't that rich? The chameleon has experienced the eye of Horus activation and transformation. This puts an exclamation point on all that had just been signaled. The chameleon hears the armadillo's voice again and drops the empty glass. It shatters on the pavement. Everything it represented is most definitely past.

I'll close this post with a couple observations about how the symbolism of the glass began to be developed even as the terrarium theater scene began and how that particular layer of interpretation is strengthened in a later vignette.

The narrating chameleon:The stage is set, the night moist with apprehension. Alone in her chamber, the princess prepares to take her own life.Princess (dubbed by the chameleon):It is far better to nourish worms than to live without love.The narrating chameleon:She reaches for the poison chalice...

Obviously, wanting to drink from a poison chalice is to invite death, and we understand that the princess intends to kill herself because she is distraught about being denied what love she values more than life. The language used suggests something beyond that. The glass represents fertility and procreative viability, right? The glass filled with water and with the umbrella in it signals a fertile vitality, with the water of life and viable fruit with seed in itself. When the princess prepares to take her own life, she reaches for the umbrella drink. Instead of a euphemism for suicide, consider it more literally as preparing to take her own life, as preparing to take the umbrella drink into her hand that represents her own life, her reproductive life. There's heavy NLP going on here, signaling that this is really all about her love life, romance, procreative sex and offspring, establishing a link with the signal umbrella drink that will later be exploited to illustrate its end.

The night is moist? Hey, nights are not moist. Damp maybe. What's moist is the maiden, preparing for procreative activity. She's alone in her chamber. We see her with bare breasts. She uses another euphemism for dying that suggests the purpose of the mammary glands displayed, which nourish offspring with milk. Hey, worms are like little snakes, aren't they? She says, "to live" which adds to the narrator's earlier use of the word "life" to make two mentions. She uses the word “love” in connection with “live,” and so “love life” just bubbles up below the threshold of consciousness in the midst of this passionate and classically romantic scene. Her romance, her love life, her intense desire for love - these set the stage (“The stage is set”) for the unfolding of the ancient romance between the sons of god and the daughters of men. This is the subtle attraction of the mark of the Beast. It's sexy to some. Dangerous and sexy. Do not be seduced by the old lies. The serpent is not a worthy lover. What he offers is really the poison chalice that brings death, even the second death.

The lower image pictures a seductive flirtation between the lovers. On one side of the lovers we see the guitar. On the other, the symbol of fertility and procreative viability. The umbrella drink combines with the lovers and guitar in the timeless pharmakeia seduction trinity: Wine, women and song. Sex, drugs and rock & roll.

In this scene, against the backdrop of the palm tree signaling victory over death in resurrection, we hear the chameleon as a Latin lover Don Juan testing his lines on the lady.

The chameleon:: I couldn't help but notice you noticing me noticing you.

He traces his finger around the top of her neck, which you may recognize as the ubiquitous dot-in-circle male-in-female Eye of Horus Sun god symbol. In the midst of delivering his comical reflexive pick-up line, he reaches into the cavity in her neck and plucks something out, flicking it away. What's that? That's nearly where in the body the pineal gland is found, the gland associated with enhanced perception as a dimensional gateway, gnosis and the illumination sought by the armadillo on his quest. The chameleon's enhanced perception - the pineal gland - the activated third eye and Eye of Horus illumination - mark of the Beast - ye shall be as gods, knowing good from evil. Got it.

Then we hear:

The chameleon:: You know the womens find me uncomfortably good looking, but you seem remarkably a tease.

This line just shows the Rango folk being clever and subtle. Depp, voicing the chameleon, actually says what I wrote if you listen carefully, but what we are led to hear is, “remarkably at ease.”

The Rango ploy is seductive indeed. The Eye of Horus and mark of the Beast just seems sexy and almost irresistable. Indeed, it is irresistable to many. It's too late for them - and many won't be spared.

As an obedient saint who watches according to the Lord's command, learn how to interpret the pervasive symbols that surround you. Look at and see what you are being shown. As the Lord directs, learn to read the signs and learn to hear the Lord's voice clearly as the good shepherd, discerning it from the droning din of the hireling's continual lies. Time is short. Seek the Lord diligently for all He is and everything He has for you. The value of having a hearing ear cannot be overestimated.

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