Four decades after the great Hollywood rebel took up a teaching post, his class experiment and swansong We Can’t Go Home Again has finally been ‘completed’ by his widow Susan. She talks to Demetrios Matheou.

The Chilean writer-director’s follow-up to Tony Manero is the equally creepy Post Mortem, exploring Pinochet’s 1973 coup through the eyes of a high-level mortuary assistant. He talks to Demetrios Matheou.