Private Coaching

Maybe you’re shy.

Maybe you’re famous.

Maybe you’re both.

Major audition? Solo concerto? Recital? Principal role in major play or film?

If you feel that you would thrive better in a one-on-setting, private coaching will deliver all the same material as the group masterclasses. The one-on-one nature will also allow for more personal tailoring of the information and skills.

If you have a particular event on the horizon that you’re gunning for and you want to make sure that your mental skills don’t get in the way of your artistic skills, then consider a one-on-one coaching intensive package.

It’s not cheap. It will range from $500 – $2000, depending upon whether you’ve already got a solid foundation in mental skills and how long we have before your big event.

It’s free, however, to ask. We can chat and have a complimentary consultation, and decide from there whether this is the path for you.

Contact me if you’d like to explore this option.

[contact_form]

What other artists are saying:

"Very thorough. Nothing is off limits."

-Physiology of Stage Fright participant

"Engrossing, informative workshop. Left me wanting to know more."

-Physiology of Stage Fright participant

“Mind blowing. Best… workshop on understanding the mind I have ever done… I am not a woowoo hocus pocus person.”

-Professional Musician

"(The) course sold out very quickly and the attendees praised your teaching skills and in-depth interactions with the class. I would certainly recommend you as an instructor and FTM would be delighted to program your course again in the future — Thank you again for all of your excellent work."

-Adam Smoluk, Program Manager; Film Training Manitoba

“…knowledgeable, passionate, interesting…and valuable.”

-Young Musician

" ...concise, informative and entertaining... displayed a great depth of knowledge both from the perspective of a performer and someone who clearly understands the physical and psychological effects of performance anxiety on a musician. The students came away armed with knowledge that will help them better understand and cope with performance anxiety. Bravo!"

-David Wiffen, Saxophonist and Instructor; Laurier University

“Knowledgeable… passionate… I found this very valuable.”

-Young musician

"Beautifully clear."

-Physiology of Stage Fright participant

“Fantastic. Thank you so much. You gave me hope.”

-Young Musician

“Great anecdotes, tips, charts, and facts. Pretty much everything!”

-Musician

“Very interesting and helpful.”

-Young Musician

“It was such a relief to learn that with all my anxiety about performing, I was not alone.”

-Professional Actor (Film/TV)

“Where were you 20 years ago when I really needed this? My career would have been quite different..."

-Professional Musician

“Very well planned and presented.”

-Musician

"Great tools to put to use."

-Physiology of Stage Fright participant

"Lisa is Relevant!"

-Physiology of Stage Fright participant

“My auditions have a new sense of focus now.”

-Professional Actor (stage/commercial)

“…knowledge and guidance in steering me forward to my own destiny was freakin’ fantastic.... (Lisa) knows her STUFF.”

-Professional Musician

“Craft. Ever since taking these workshops, I think that every time I practice. My craft.

No 75% Club for me!”

-Performance Artist

"Lisa's explanation of the physical manifestations of the "fight or flight" syndrome… was exceptionally well detailed. Laurier students have said that this was the best and most detailed discussion of this topic that they have heard to date."

Amy Hamilton, Professor of Flute and Coordinator of Winds, Brass, Percussion; Laurier University