Author: Thomas Royal Nimen

A slain revolutionist with her or his living counterpart on a wall near Tahrir Square, Cairo, Egypt

Graffiti was, at one time, unauthorized written or illustrated messages placed in public places using a variety of art materials that facilitated speedy application for the graffiti author. Speed was important, of course, because the author-artist had only a small window of opportunity to paint without being apprehended. Now, however, unauthorized graffiti has given birth to a highly sophisticated authorized art form, and it has changed from an on-the-run public nuisance to a highly respected and sought-after public space art genre, especially in urban areas where graffiti artists can attain significant popularity and media presence. Yet for artists in politically-challenged areas of the world who use graffiti to graphically chronicle resistance, money, public recognition and celebritydom are often forfeited to advance social justice for them and their people. read more

Nada Debs, a Beirut-based furniture, home, and accessory designer uses cultural influences from at least four regions from where she has lived: Lebanon, Japan, the United States, and the United Kingdom — merging them into striking product lines that might seem more appropriate coming from Milan, London, Tokyo, Paris, or New York instead of Lebanon. Yet, while her work is stylish and modern, she imposes, none-too-subtly, timeless Arabic motifs that compliment her modernist approach resulting in pieces that function outside of their original Lebanese territory into a contemporary international aesthetic. read more

Twenty years ago, Nargis Latif began Gul Bahao (Flow of Flowers) as a research project to propel Pakistan into the twenty-first century, and in doing so, she learned that industry depends on nature, and that business and manufacturing needed to change how they functioned in a way that did not damage nature while conducting business or making things. She began her endeavor in the same place other countries began their sustainability efforts: in the trash. read more

Words written in Arabic invoke a variety of responses from Latin-based language speakers. One one hand, Arabic appears otherly and foreign — the language of people enduring political and social conflict — a secret code perhaps, disguising malicious intent. On the other hand, Arabic writing is a historically recognized conveyor of poetry, music, philosophy, doctrine, and verse. The letters, always cursive, never Gothic, flow right-to-left in the opposite direction from that of the inquisitive West. An extremely orderly language in its Modern Standard or classical form, it is somewhat ironic that its speakers, obsessed with maintaining its complex written and pronounced nuances, has respected, encouraged, and subsidized free and creative graphical interpretations by its artists throughout centuries, and it continues today on a startling scale as demonstrated by poet-artist, eL seed. read more

Dubai photographer, Tamara Abdul Hadi, lets Palestinians capture their own images. She sets up a camera with an extended shutter cable and lets the subjects photograph themselves. In this fashion, the photo subjects display greater apprehension to take a more formal photo versus that of the common smartphone selfie. read more