On her 25th birthday, Charlotte Appleby receives a most unusual gift from the Faerie godmother she never knew she had: the ability to change shape.

Penniless and orphaned, she sets off for London to make her fortune as a man. But a position as secretary to Lord Cosgrove proves unexpectedly challenging. Someone is trying to destroy Cosgrove and his life is increasingly in jeopardy.

As Charlotte plunges into London’s backstreets and brothels at Cosgrove’s side, hunting his persecutor, she finds herself fighting for her life -- and falling in love ...

* * *

My Review:

When her father died, Charlotte Appleby lost everything and now depends on the charity of her uncle's household -- but it isn't without any strings attached: her aunt and cousin treat her like a servant, and actually call her "Charity" and her uncle isn't any better. Charlotte is ready to leave, and strike out on her own but, she has no money and no connections -- how would she survive?

Enter her Faerie Godmother, who visits Charlotte on her 25th birthday and grants her one wish. I liked that idea that the Faerie Godmother has to bestow one wish to every daughter born in Charlotte's maternal side. Charlotte's own mother wished for the ability to fly, and Charlotte very wisely chooses for the ability to change her form. There was a part of me that wished there was a preface to the story, which would tackle the interesting arrangement between the Faerie Godmother and the women in Charlotte's family. (I'm also curious about how her mother used her ability, and how come Charlotte never realized her mother could fly.)

With her new ability, the world suddenly opens up new opportunities for Charlotte: she could now, literally, be anyone she wanted to be. As she read through the classified section, two ads stood out: one for a schoolmistress, and the other as secretary to a lord. Charlotte chooses to apply for the position of secretary, but she could not apply as a female. And so, Charlotte becomes Christopher Albin.

I've read novels where the heroine masquerades as a young lad, but I don't think I've ever read one where the heroine actually becomes male -- and the author does a good job of describing how disorientating the experience is for Charlotte. What is a penis and how does it work? What do men wear underneath all those layers, and how do you go about acquiring them?

The lord in search of a secretary is Marcus, the Earl of Cosgrove, a very vocal opponent of slave labor and he is preparing to make his case in the House of the Lords, then there is the personal scandal involving his wife, and both of these have brought trouble to his door. From broken glass windows, the attacks have escalated, and the latest one resulted in the injury of his secretary, which is why Lord Cosgrove is looking for a replacement, to help him uncover who is behind all these attacks.

Charlotte/Christopher proves to be a very capable and perceptive secretary, but he also proves to be a very innocent and naive secretary -- it's very clear to Marcus, Lord Cosgrove, that Charlotte/Christopher had led a very sheltered life, and it brings out a protectiveness in him. The relationship that grows between Marcus and Charlotte/Christopher is one of master and apprentice, and Marcus is almost a father figure to Charlotte/Christopher. Almost. Again, I love how the author doesn't shy away from exploring Charlotte/Christopher's attraction to Marcus, and, in a few circumstances, the attraction has a *koff* physical manifestation.

The story reads very well as Marcus and Charlotte/Christopher continue to investigate the attacks on Marcus, and the motives behind it, and it would have worked well as a detective story a la Sherlock Holmes, but, of course, this is a Historical Romance novel, and the author manages to create a convincing scenario in which Marcus also meets and interacts with Charlotte.

It's an ironic situation: the reader knows it's the same person, and there are some similarities in the mannerisms of Charlotte and Christopher, and I kept waiting for Marcus to make the connection. But I think Marcus was too immersed in his investigation to realize it sooner.

When the story began, and Charlotte was presented with her powers, I worried about how limitless it seemed. All superheroes have a weakness, and Charlotte, with her new ability, didn't seem to have one: she could metamorphose into anything she wanted and any time. It's worrisome to think of how this power might be abused if it was given to the wrong person, but Charlotte never gets tempted to use it beyond her needs.

Overall, this was an engrossing and entertaining read. Emily Larkin hints at some very interesting tidbits about Charlotte's parents, and I hope she writes about them. ^_^

Unmasking Miss Appleby is the first book in Emily Larkin's new series, A Baleful Godmother. To find out more about Emily Larkin and her books, click below:

Sunday, October 23, 2016

***Please note, "Only For His Lady" was previously featured in the "With Dreams Only of You" collection. It now features a prologue and epilogue! It is an approximately 30,000 word novella.

A curse. A sword. And the thief who stole her heart.

The Rayne family is trapped in a rut of bad luck. And now, it's up to Lady Theodosia Rayne to steal back the Theodosia sword, a gladius that was pilfered by the rival, loathed Renshaw family. Hopefully, recovering the stolen sword will break the cycle and reverse her family's fate.

Damian Renshaw, the Duke of Devlin, is feared by all--all, that is, except Lady Theodosia, the brazen spitfire who enters his home and wrestles an ancient relic from his wall. Intrigued by the vivacious woman, Devlin has no intentions of relinquishing the sword to her.

As Theodosia and Damian battle for ownership, passion ignites. Now, they are torn between their age-old feud and the fire that burns between them. Can two forbidden lovers find a way to make amends before their families' war tears them apart?

In the first book of her dazzling new series, bestselling author Ella Quinn introduces the soon-to-be Earl and Countess of Worthington -- lovers who have more in common than they yet know. The future promises to be far from boring ...

Lady Grace Carpenter is ready to seize the day -- or rather, the night -- with the most compelling man she's ever known. Marriage would mean losing guardianship of her beloved siblings, and surely no sane gentleman will take on seven children not his own. But if she can have one anonymous tryst with Mattheus, Earl of Worthington, Grace will be content to live out the rest of her life as a spinster.

Matt had almost given up hope of finding a wife who could engage his mind as well as his body. And now this sensual, intelligent woman is offering herself to him. What could be more perfect? Except that after one wanton night, the mysterious Grace refuses to have anything to do with him. Amid the distractions of the Season he must convince her, one delicious encounter at a time, that no obstacle -- or family -- is too much for a man who's discovered his heart's desire ...

He's the dangerously charming owner of a gambling hell.
She's the brilliant daughter of a gentleman drowning in debt.
Forced to use her talent for mathematics to save her family, Emma finds herself drawn from London's glittering ballrooms deep into its gritty underworld ... and discovers there the pleasure of falling from grace.

Emma Chadwick always assumed she'd live and die the daughter of a gentleman. But when her father's death reveals a world of staggering debt and dangerous moneylenders, she must risk her good name and put her talent for mathematics to use, taking a position as bookkeeper at London's most notorious gambling hell. Surrounded by vice and corruption on all sides, it is imperative the ton never discovers Emma's shameful secret or her reputation -- and her life -- will be ruined.

But Roderick Bentley, the hell's sinfully wealthy owner, awakens a hunger Emma cannot deny. Drawn deep into an underworld of high stakes gambling and reckless overindulgence, she soon discovers that to win the love of a ruthless scoundrel, she will have to play the game ... and give in to the pleasure of falling from grace.

"You should not have kissed me," she replied breathlessly.
"I do a lot of things I shouldn't. It does not mean I won't do them again."

Annabel had planned to become a nun. But when her mother arrives at the Abbey to bring her home to marry a Scottish laird -- her runaway sister’s intended husband -- her life takes a decidedly different turn.

And though Annabel isn’t the wife he’d planned for, strong, sexy Ross McKay is taken with his shy, sweet bride.

Annabel knows nothing about being a wife, running a castle—or the marriage bed. But her handsome new husband makes her want to learn. When Annabel’s life is threatened, Ross vows to move the highlands itself to save her and preserve the passion that’s only beginning to bloom.

By edict of the king, the mighty Scottish laird Alec Kincaid must take an English bride. His choice is Jamie, youngest daughter of Baron Jamison -- a feisty, violet-eyed beauty. Alec aches to touch her, to tame her, to possess her ... forever. But Jamie has vowed never to surrender to a man she considers a highland barbarian.

Alec is everything Jamie’s heart has warned her against—an arrogant scoundrel whose rough good looks speak of savage pleasures. While Kincaid’s scorching kisses set fire to her blood, she is determined to resist him ... until one rapturous moment quells their clash of wills, and something far more dangerous than desire threatens to conquer her senses ...

The Duke of Jervaulx was brilliant and dangerous. Considered dissolute, reckless, and extravagant, he was transparently referred to as the ′D of J′ in scandal sheets, where he and his various exploits featured with frequency. But sometimes the most womanising rake can be irresistible, and even his most casual attentions fascinated the sheltered Maddy Timms, quiet daughter of a simple mathematician.

Friday, October 21, 2016

In the second book of Anne Stuart's Scandal in the House of Russell series, she features two characters who aren't who they claim to be: Mary Greaves, is really Madeline Russell, the second of three daughters of the disgraced shipping magnate, Eustace Russell, who died while being investigated for embezzling his own company. And Thomas Morgan isn't really an English privateer-turned-shipping magnate, but Luca, a Gypsy, with a less-than-pristine background.

Following the same theme of cat-and-mouse, Maddy enters Thomas's house as Mary, a maid-of-all-work, hoping she could find some evidence to exonerate her father. Maddy doesn't count on being attracted to Thomas, and it proves to complicate her already-complicated situation: she's the help, and he's her employer; and, he's also supposed to be her enemy.

Unlike Bryony, Maddy is beautiful and still has prospects, fending off (but also considering) the proposal of an aging lord, but she is more determined to clear her family's name and restore a bit of her family's status in society. To say that life in service came as a culture shock to Madeline is an understatement -- and I got the sense that Stuart reveled in going into detail just how far down the Russells had fallen. Madeline continues to reminisce about the luxuries of her past life as she scrubbed and cleaned Thomas's house. In many instances, she looks at her hands and bemoans their current condition, knowing she could never have them be smooth and flawless ever again.

There was a part of me that felt that the author dwelt too much on this detail of Maddy's life -- but there was also another part of me that felt it was necessary for Maddy to go through this trial by fire. And I have to admire her for her tenacity -- a lesser person would have given up after an hour with the dust and the bats, but Maddy remained. A lesser person would have quit after being asked to work to the point of exhaustion, and then given very little to eat and very little time to rest. But Maddy was fighting for something greater than herself -- and I'm glad to see that our heroine isn't just a self-absorbed heiress intending to regain her life of comfort. What Maddy was fighting for was for her and her sisters to regain their father as they had known him: a man who worked hard, and provided well -- and it is tragic that their last memory of him is that of a man on the brink of a breakdown, suspicious of everything and everyone.

I liked seeing Thomas and Maddy dance around each other -- they both know they're there under false pretenses. Thomas is trying to marry a lady who would cement his position in society, but the part of him that is Gypsy, Luca, is suffocating under all the politeness and manners, and yearns to break free and sail away. Thomas knows Maddy/Mary isn't who she claims to be, and he is just waiting for her to make a slip. There's a clear attraction between the two, but I don't see a development in the relationship -- there's definitely admiration and respect, but I don't see love nor do I see how it could've developed in such difficult and limited circumstances.

But I have to admire that neither one compromises on their principles because of lust -- Maddy is focused on her goal to find evidence, and Thomas wants her to admit her real identity first. The author maintains a tense dynamic between our hero and heroine -- then she introduces a silent, unseen villain who is intent to do bodily harm to Maddy. This is the other weakness of the story -- the villain isn't clearly established, and I was initially confused about who he was in the story. As the story gained momentum, though, it because clearer who he was and his connection to the downfall of Maddy's father.

I felt that the author was considering two endings for our heroine: one involved the ship named after her, which Thomas had been wanting to acquire. It was clever for the author to put Maddy in this interesting position: neither Maddy nor her sisters knew that Maddy still owned something of monetary value. They had believed that all of their possessions had been seized. Thomas wanted to buy the ship, but needed to locate the owner to sign it over. I would've wanted to see how this particular plot thread would have played out: it would restore something to Maddy and her sisters, and put them in a less-desperate situation. But the author decided to resolve this in the conventional way: with Thomas and Maddy falling in love with each other.

Anne Stuart sets the stage very well for the third, and final book in the series: the list of suspects has been narrowed down to one, but, even the sisters agree that he is the most unlikely of villains. It will be very interesting to see how the author plans to resolve this mystery.

Never Trust a Pirate is Book 2 in the Scandal in the House of Russell series by Anne Stuart. To find out more about Anne Stuart and her books, click below:

Saturday, September 10, 2016

The final book in Laura Lee Guhrke's An American Heiress in London series features Denys, fun, theater-loving Viscount Somerton: heir to an earldom -- who, six years ago, used all of his money, and mortgaged his estate to fund a theater production that headlined his mistress, Lola Valentine. It was a gamble that failed miserably, both critically and financially -- and, to add salt to the wound, Lola eventually left him, after rejecting his offer of marriage. Denys has since picked up the pieces of his near-bankrupt life, and has regained the trust of his family. He's getting ready to court his childhood friend, Lady Georgiana -- and life seems to be going smoothly for him.

Until he receives news that his partner in the Imperial Theater has died, and has left his half of the theater to his former mistress. Old resentments, and old pain become new again as our former lovers try to redefine their business partnership. The power struggle is inevitable, but I felt Denys was really caught off guard by Lola's return to his life -- Lola plans to revive her theater career, and prove to the London theater community that she is an actress, and also plans to be an active partner in running the Imperial.

Lola's presence threatens to destroy the fragile trust that Denys and his father Earl Conyers have built up, and also threatens to destroy the budding relationship he has with Lady Georgiana. So much was at stake for Denys, and I didn't see what Lola had to lose -- she really could just pack up and leave any time she wanted: with or without her, the theater would continue to operate, and she would continue to receive her share of the profits -- that, and the money she inherited from Henry Latham, could allow her to live comfortably the rest of her days.

So why return to London? Why risk an established career and reputation in New York? Why risk a confrontation with a spurned former lover? There are a lot of unexamined motivations that drive Lola forward, and I kept waiting for her to realize them.

Denys, on the other hand, stood to lose everything he had worked for up to that point -- and, if I were him, I would have taken the option to sell their half of the theater (as he and his father discussed). but, there was still a part of him that really longed to be with Lola, and that's the reason he stays and works with her. Denys's motivation is simple: it's love -- it has always been love. During their first relationship, Denys was prepared to sacrifice everything and marry Lola, and it's still that fundamental desire that propels him to make the decision to trust Lola again.

There's a lot of tension in Denys and Lola's encounters -- so many truths unsaid, so many emotions kept hidden -- especially on Lola's part. She was worried that Denys would see her differently if he knew everything about her past, and, perhaps there was a part of Lola that doubted Denys's love, and she kept trying to test it. As I read further, I felt that Lola's doubts were unfounded -- yes, Denys was young when he first proposed to her, and, yes, Denys didn't know the full extent of her scandalous career before they met -- but Denys gave me the impression that he knew what he was doing, and he knew what he felt.

But, perhaps, Denys wasn't completely aware of the class difference between him and Lola, or that he chooses to ignore it. I understand that Lola worried about how her affiliation with Denys could affect his standing in society as Viscount Somerton. Lola knows she cannot be selfish, and separate Denys from everything that he has grown up with. She made the painful decision of walking away all those years ago -- it was a selfless, but painful sacrifice that hurt both of them.

I did love the idea of history repeating itself: Denys is in the same situation he was in all those years ago. They're getting a second chance at their relationship, and we wonder whether our hero and heroine have learned from the past, or will the outcome be the same?

Finally, I would like to see Lady Georgiana get her happy ending. While Denys explains that he made no overt statement about his intentions towards her, it was very obvious where their relationship was headed -- but it was all interrupted by Lola's reappearance. I really thought she and Denys had a very good relationship.

No Mistress of Mine is Book 4 in Laura Lee Guhrke's An American Heiress in London series. To find out more about Laura Lee Guhrke and her books, click below:

Wednesday, August 31, 2016

One of this novel's wonderfully novel treats is a family named after trees -- Willow Dorning is our hero, the second of many Dornings, a titled, but impoverished family. Four of them are in London for the Season, with the sole purpose of finding Grey, the eldest, and the Earl of Casriel, a wife. Will is especially invested in this endeavor, because, having his older brother married would mean freeing him from the responsibilities of being the heir. I love how steady Will is. He provides great support to his brother, the Earl, who clearly depends on him. He's also able to reign in his siblings. Perhaps his calm comes from being a dog trainer, which he views more as a passion project than as a means to make money. Will really, really loves dogs.

Susannah Haddonfield is also in London, accompanying her sister Della, and hoping to get her married. Susannah is also invested in her family's endeavor, because, having Della finally married, would allow Susannah to retire quietly in the country and enjoy her life of spinsterhood. On the surface, things seem to be going well for Della (and Susannah): she's enjoying the attentions of a handsome gentleman, Viscount Effington, who seems to be getting ready to propose to her at the end of the season, but, as the Season progresses, speculations about Della's parentage start to circulate around the ballrooms, and Susannah wants to know who is the source of these damaging rumors.

Then, dogs start to go missing, leaving a trail of heartbroken, and desperate aristocratic owners wanting their beloved pets back -- and suspicion falls on Will and his brothers.

I love how Grace Burrowes presents separate, but connected problems to our hero and heroine: it shows that Susannah, on her own is capable, and Will, on his own, is similarly able -- and I have no doubt that they would have figured out the solutions on their own, but, when they lean in, and contribute their time and skills to help the other -- there's just a magnification of each other's strengths and weaknesses. It was really exciting to see them work together.

Then there is their shared problem: Susannah and Will love each other, but Will (literally) can't afford to get married yet -- he has an older brother to marry off, younger brothers to settle down, and his own finances to take care of. He's asked his brother in-law to invest what little he has earned from training dogs, and he's hoping to reap the benefits of his investments some time in the future -- but not yet. Susannah doesn't really care about the money, but she respects that Will has goals that he wants to accomplish, and she's there to help him.

I'm trying to think of how to describe Susannah and Will, and they're really not the most interesting members of their family -- or the most distinguished. The most unique thing about Susannah is her love for Shakespeare, and the thing that makes Will stand out from all his siblings is his love for dogs -- but these are loves that both our hero and heroine have pursued passionately and diligently. They're really the boring middle children, but, there's something so comforting and so apt that these two would find and fall in love with each other, and you know that they will pursue this relationship with the same passion and diligence.

Once again, Grace Burrowes presents tension and conflict that simmer just a little on the surface -- a lot of it occurs quietly in the shadows and the backrooms of London. The author presents all the clues: missing pets, bear baiting, a titled peer who secretly desperately needs money, etc. It seems easy to connect the dots, but Burrowes excels in surprising you when you least expect it.

All in all, this was another satisfying offering from this beloved author.

Will's True Wish is Book 3 in Grace Burrowes's True Gentlemen series. To find out more about Grace Burrowes and her books, click below:

Wednesday, August 24, 2016

Helen Ravenel isn't the first frail, but strong beauty that Lisa Kleypas has written about: there's Evie from The Devil in Winter, there's Win from Seduce Me at Sunrise, there's Tasia from Midnight Angel -- and Kleypas always pairs them with very strong, very capable men. It's a great pairing that always produces very interesting chemistry, as the couples explore the dichotomy between strong/fragile, virile/ultra-feminine, dark/luminous -- but Kleypas never does a disservice to her heroines by suggesting that they are less than their male counterparts -- she always shows that, hidden beneath that delicacy and innocence are cores of steel that do not bend or break when tested.

Rhys is Welsh and a businessman, which makes him an outsider of Helen's world, and Rhys has always felt that he needed to prove himself to society. Despite his wealth and success, Rhys feels he still doesn't have what he needs to validate himself: society's acceptance and approval. In the early chapters of the book, Rhys remembers how he thought Helen was repulsed by his size, his lack of upbringing, etc, and he resented her for it.

Despite my excitement (and love) for Cold-Hearted Rake, it took me a while to finally buy and then read Marrying Winterborne, the second book in the Ravenel series. Here's why -- I wasn't certain there was a story left to tell here: Rhys and Helen are attracted to each other, and got engaged very quickly in the first book -- yes, there was that kiss and the grand misunderstanding that ensued, leaving Rhys to believe that Helen had broken off their engagement, and for Helen to wonder what she did wrong. This picks up a few weeks after the first book, and Helen and Rhys are trying to negotiate the new terms of their newly-restarted engagement. I wondered what sort of tension and obstacle Kleypas would come up with to test our couple's love and resolve --

I didn't like the bargain Rhys and Helen struck -- exchanging sex for the engagement, and there were times I felt that our couple only "communicated" when they were physically intimate. Outside of the bedroom, their conversation didn't seem to progress beyond Rhys's hatred for Albion Vance (the villain in this story) and also how he feels he isn't gentle enough with Helen. In return, Helen's only role seems to be to placate and assure him that he takes very good care of her. I understand that Helen wanted to delay the wedding, so that she could observe the mourning period for her brother, but, they way they behaved in society (traveling from Eversby Priory to Ravenel House in London, and then back) and then going out to Winterborne's didn't seem characteristic of people in mourning. Yes, it added to the tension of "will they or won't they (get married)" -- but it felt more like a convenient excuse rather than a sincere desire to me.

The obstacle Kleypas placed in the path of our hero and heroine is Albion Vance -- I'm trying to recall if this enmity is something that was established in the previous story, but I could see why Helen was hesitant to talk to Rhys about Albion Vance. A lot of the conflict is really internal: Helen carried the burden and guilt of her secret, which she knew, could potentially destroy her relationship with Rhys.

What I did like is how Helen gradually becomes more and more assertive as she spends more time with Rhys. I love how she ventured out on her own, with the help of Dr. Garret Gibson -- and how, eventually, she realizes that she is her own person, and that she doesn't need her family or Rhys to define who she is. Her one great act of courage came at the end when she had to make a difficult decision between pursuing her own happiness, or to continue as she is -- and be content in making others happy.

The standout characters here are Dr. Gibson and Mrs. Fernby -- both employed at Winterborne's. Mrs. Fernby is the unblinking, and terribly loyal secretary, who handles all of Rhy's affairs. It's amazing she handles everything so capably, and that she doesn't cower to Rhys -- she voices out something that I kept thinking about: that Rhys ought to do the decent thing and protect Helen's reputation. Dr. Gibson is a revelation -- literally and figuratively -- I look forward to reading more about the new doctor Rhys has hired in future books. (There seem to be some sparks between her and Tom Severin.) ^_^

Marrying Winterborne is the second book in the Ravenel Family series. To find out more about Lisa Kleypas and her books, click below:

Tuesday, August 16, 2016

To begin, I read this book in one night -- with all the things that are happening in my life, that's a big deal for me, because it usually takes me a week to finish one book.

Sarah Pevensey's father arranged a marriage for her with St. John Sutcliffe, Viscount Fairfax, and heir to the Marquess of Estley -- after two weeks of married life, Sarah still isn't convinced that she and St. John are a good fit. She worries about her future with St. John's coldness and indifference, but her marital problems are small compared to the problems that face her when she was found in a compromising position with another man during the ball to celebrate their marriage, and then being accused of stealing the Sutcliffe Family sapphires.

Believing her family had turned their backs on her, and believing her new mother-in-law, Sarah agrees to Lady Estley's plan to disappear from St. John's life.

It's three years later, and Sarah, as the Widow Fairfax has lived a quiet and comfortable life in the small village of Haverhythe -- she doesn't know that her husband fought a duel for her, and believing he had killed Captain Brice, the man who was with Sarah that fateful evening, quickly left the country and set off for the West Indies.

But St. John is back, and, when he discovers that his wife had not died (as his family had told him), sets out to find her -- intending to conclude the unfinished business between them. He wants to discover what happened to her that night, and what happened to his family's sapphires.

It's a strange reunion for our estranged couple who never wanted to be married to each other, but I have to admire St. John's determination to honor his marriage vows, even when Sarah offers him a way out. It's one of the many questions that the author addresses in her story: how do you convince two married people in an arranged marriage that there is a happily-ever-after for them? Would Sarah's perceived indiscretion matter? Would the missing sapphire necklace matter? Should they?

Their first foray into their marriage didn't start off well, but Sarah and St. John have an opportunity to try again -- but, can they build a new relationship on a foundation of unanswered questions? It doesn't help that Sarah never gives St. John a direct answer, but, instead, constantly challenges his faith in her by letting him arrive to his own conclusions based on what he observes of her.

This is a novel that has a lot of twists and surprises, but none of them are unexpected -- the author does a wonderful job of leaving enough hints and clues, so that we, too, can come to a our own conclusion about who is/are responsible for the tangle that Sarah and St. John find themselves in.

It's truly a compelling read from beginning to end.

To Kiss a Thief is Book 1 in Susanna Craig's Runaway Desires series and her debut novel. To find out more about Susanna Craig and her books, click below:

Decades of war with France are over and Napoleon Bonaparte is safely confined on Elba. Yet Major Lord David Trent finds his homecoming far from peaceful. His father, the Duke of Braughton, is determined to see his son wed, and he has a very specific bride in mind his neighbor's daughter. David cannot recall that the neighbor even has a daughter, much less one he might find appealing! And after years spent fighting on the Peninsula, he is in no mood to be ordered to court anyone. Wilhelmina Caswell has always been in love with Lord David, as her family is well aware. Her preference, and the designs of both their fathers, would seem to make the match inevitable. But as the spring of 1815 advances along with an emboldened Bonaparte, a looming battle threatens thousands of lives and one growing love at Waterloo.

When Lady Elizabeth Wilde and her sisters are summoned once again to their chronically anxious father’s deathbed, she’s shocked to find that his worries are at last justified. He’s terribly ill, and Lizzie suspects poison. But when she seeks help from the Bow Street Runners, her request is answered by a rough-hewn rogue known only as Dysart. Though his irreverent charm by turns shocks and captivates her, a man of Dysart’s background is an altogether inappropriate choice for a duke’s daughter -- isn’t he?

Although Dysart has his reasons to disdain polite society, the promise of supplemental income from a noble’s coffers is too tempting to deny. But if Dysart means to apprehend the culprit who poisoned the duke, he’ll need to avoid any and all distractions -- like the delicious swish of Lady Elizabeth’s hips. Yet as the investigation begins to unearth secrets he’d rather remain hidden, Dysart must decide at a moment’s notice whether to hold Elizabeth at arm’s length ... or pull her dangerously close.

When Lady Josephine accepts a wager to lure a kiss from the most scandalous and depraved rake in England, she thought it an easy enough task. But one glimpse at the man in question and she foresees her reputation going up in glorious flames. It will not stop her from winning the wager, however, not even the vexing Marquis of St. Aldwyn, who is determined to stay firmly planted in her path to victory.

HE IS NOT PLAYING ANY MORE GAMES ...

The Fifth Marquis of St. Aldwyn, Damien Grenville, has come to the conclusion that he has lost his mind. Why else would he be drawn to the reckless Lady Josephine? And when he begins to realize she is up to no good, will he do everything in his power to ensure her reputation remains intact or will he decide to seduce her himself? But danger lurks in the shadows and when Lady Josephine is taken, Damien will stop at nothing to get her back.

Lucas Alexander, the ninth Duke of Arlington, is a man who gets what he wants. So when he sees the alluring Miss Pippa Welby from across a crowded ballroom, he vows to make her his. But the bold and spirited Pippa has sworn never to marry into the haute ton. Now Lucas must win her the only way he knows how -- one wicked kiss at a time.

The daughter of a wealthy tradesman, Pippa has been sneered at by the upper echelons her entire life. So when the duke arrives on her doorstep with an invitation to her own engagement ball -- to him -- in ten days, Pippa hatches a daring plan. She must lose the duke before the ball, or risk losing her own heart.

280 pages, 119 reviews (Average customer rating: 4.5 stars)
THE DOUGLAS LEGACY
The Douglas sisters, beauties all, are valuable pawns in their family’s bitter struggle to control the Scottish Crown. But when powerful enemies threaten, each Douglas lass will find she must face them alone.

CAPTURED BY A LAIRD
Haunted by his father’s violent death, David Hume, the new laird of Wedderburn, sets out to make his name so feared that no one will dare harm his family again. The treacherous ally who played on his father’s weakness is dead and beyond David's vengeance, but his castle and young widow are ripe for the taking. The moment David lays eyes on the dark-haired beauty defending her wee daughters, however, he knows this frail-looking lass is the one person who could bring him to his knees.

Wed at thirteen to a man who tried daily to break her spirit, Lady Alison Douglas is looking forward to a long widowhood. But when the fearsome warrior known as the Beast of Wedderburn storms her gates, she finds herself, once again, forced to wed a stranger. Alison is only a pawn to serve his vengeance, so why does this dark warrior arouse such fiery passion and an unwelcome longing in her heart?

With death and danger looming, these two wounded souls must learn to trust each other ... for only love can save them.

Saturday, August 13, 2016

What drew me to this story is the premise, and the title says it all: Avery Quinn is entering a world that wasn't meant for her, and she is up against very challenging odds. For one, Avery Quinn wasn't born a lady -- she's the daughter of the Dalton Family gamekeeper, who happened to have saved the Marquess of Strand's life. Then, in a moment of sheer inspiration, asked to have his daughter receive an education, as a reward for his service.

So Avery Quinn received the best education any woman (or man) could have -- and, she has used the great gift her father and the Marquess has given her and used it to discover a comet. Now she intends to present her discovery to the Royal Astronomical Society -- a mens-only organization -- and hopes to become their first female member.

Avery is undaunted, because she has a plan -- but she needs the current Marquess of Strand, Giles Dalton, to help her.

Giles has always respected and thought very fondly of Avery -- but he recognized the risk of her most current scheme. If she is discovered, her reputation and her credibility would be destroyed. If she was discovered, his reputation and place in society would be destroyed as well. But Giles agrees -- because, for the first time in a very long time, he is participating in something that is meaningful ... though, admittedly, a bit crazy.

But Giles's agreement isn't purely out of goodwill -- he needs a cover as he investigates the disappearance of his friend Jack Seward.

The story proceeds at a very uneven pace -- the first half of the book establishes Giles's backstory and motivation, then discusses (at length) Avery's plans to masquerade as a male Avery Quinn. The story gets interesting when Giles and Avery admit to the attraction that has long brewed between the two of them -- and London serves as an interesting background for their most unusual courtship. There are no dances in ballrooms or dinners together -- Avery masquerades as a man in and out of Giles's London house, so their relationship develops through conversation.

What's interesting is that both of them seem to have felt this attraction long before the novel started, but neither of them acted on it. It's not an attraction that Giles had ever intended to pursue: he wants to do the honorable thing and leave Avery chaste, and Avery had never dreamed to overstep the social boundaries that separates her and Giles -- a gamekeeper's daughter does not fall in love with the master of the house.

But you could clearly see that they are perfect for each other: Giles's backstory reveals how he's never been able to be his true self, he's always had to play a role -- for his father's sake, for his late brother's sake, etc. -- with Avery, he's really able to say and be exactly who he is. I get the sense that Avery was lonely -- despite living at Killylea (the Strand seat) with an army of servants, Avery didn't really have any confidantes or friends. Giles is the closest thing to a friend that Avery has.

What suffers the most is the investigation into Jack Seward's disappearance -- the blurb for the book hints that this is a major plot point in the story, but it is relegated to a few chapters. It does serve a purpose in resolving the story between Giles and Avery, but I did wish there would be more of Giles searching for his friend, with Avery's help. Avery shows that she has a very clever mind, and she could've been a big help to Giles -- instead, Giles kept that part of himself separate from his endeavors with Avery.

I had expected more based on the blurb, but Connie Brockway does deliver a solid story -- one that resolves quite nicely (and happily), though a bit too neatly in the end.

No Place for a Dame is Book 3 of Connie Brockway's Royal Agents series. To find out more about Connie Brockway and her books, click below:

Friday, July 29, 2016

This week, I had started and stopped reading three novels -- making it to 25%, and then giving up on them. I was about to call it a bad week of reading for me, and then I started reading Thomasine Rappold's debut novel, The Lady Who Lived Again, finished it, and loved it.

It's New York in the Gilded Age, but Thomasine Rappold has chosen to set her story in the gray and bleak, and appropriately named town of Misty Lake. I like the idea of "mist" -- that not-quite middke ground between clear and hazy -- not as solid-looking as clouds, but not a shapeless notion as fog -- it's perfect for the world where Madeline lives in: where her gift of healing lives alongside modern science.

Madeline Sutter was, perhaps, the fairest of the Fair Five. The leader of a group of the most beautiful and sought-after girls in Misty Lake. The world was their oyster, and everyone adored them. Life was good, and the future for all four girls was bright. Then the world turned upside down, when a birthday picnic in the mountains of Misty Lake ends in the tragic death of Madeline and her friends, but, strangely, Madeline returns from the dead a day after -- coincidentally on Friday the 13th.

Now Madeline bears the scars of the accident, the hostility of the families of her friends, the directed enmity of the town's pastor, and the suspicion of the rest of the town.

For three years, Madeline has accepted her lot as outcast, but, when her only friend, Amelia, one of the Fair Five (who was on holiday at the time of the accident), decides to return to Misty Lake for her wedding, and asks her the be part of the wedding party, Madeline's first instinct is to refuse, but, then, she realizes that Amelia might be right -- that this might be her chance to regain her place in society.

Jace Merrick is the new town Doctor: young, fresh from the Big City -- armed with skills and modern ideas. Jace is looks my for a fresh start after serving in the emergency rooms of Pittsburgh. He is weary and wary, and he is hoping that Misty Lake might restore a little bit of his faith in the world.

This is Thomasine Rappold's mesmerizing and compelling story of two people seeking for the light at the end of the tunnel. Both of them have handled themselves very well and survived on their own, but they discover that life, and the world becomes more bearable when they are together. What keeps you reading Rappold's debut novel is following Madeline's arduous journey, and how she bears the unbearable burden of being the only survivor of the town's worst tragedy. Her only allies are her grandfather, who is too sick and frail, and is confined to the house, her friend Amelia, whose family moved away from Misty Lake, and Jace Merrick, a new addition to the town.

You can't help but admire Madeline, who possesses a quiet dignity, and an overwhelming grace in the face of open hostility, but she is not perfect. You can see Madeline struggle, stumble, and fall -- but you also see a different Madeline, remnants of the old Madeline, one who charms and teases her way to getting what she wants. And I love that Madeline does not wallow in being a martyr -- she keeps herself active and proactive, despite all opposition.

Jace is a modern man who now lives in a town that hasn't moved forward: they've had the same pastor, they've had the same doctor, the same mercantile store owner, etc. -- it's a town that is alive, and bustling, but not quite at the same pace as the rest of the country. When Jace first meets Madeline, he is intrigued by her beauty -- and when he finds out Madeline's story, the scientist in him is intrigued even more.

Love and logic are at opposing poles for Jace, who struggles to maintain a professional distance from Madeline -- and with good reason: if he is to help Madeline regain the town's good opinion, she must preserve her reputation, and, if Jace is to be Madeline's greatest defender, he must show that he is an unbiased opinion. Madeline knows that her gifts are counter Jace's medical background, and the last thing she wants to do is expose herself to more scrutiny and judgment -- but the temptation to experience desire, to be admired for herself and not for her past -- it is irresistible.

Our hero and heroine represent opposite ends of the spectrum: Madeline relies on her emotions and feelings, and Jace is very analytical -- but, they compliment each other very well. Both are able to provide a unique perspective for the other -- I really love how well they worked together in Jace's clinic. ^_^

The Lady Who Lived Again, is, at it's core, a story of "you and me, against the world" -- and Thomasine Rappold could have easily created flat one-dimensional villains, but, the author does the fair thing, and provides the town with an honest, legitimate reason: someone's daughter, sister, granddaughter, cousin, or friend, died that day -- and they can't help but resent and be angry at Madeline, who survived, despite being the one driving the wagon. The town pastor, and the town doctor, could have, as moral pillars, called for calm, and order, but, they, too -- lost that day, and would stand to lose even more if they had stood by Madeline.

How the author resolves all is just as wonderful, and, for me, seals the deal -- making this a true 5-star read for me.

The Lady Who Lived Again is book 1 in Thomasine Rappold's Sole Survivor series, and her debut novel. To find out more about Thomasine Rappold and her books, click below:

The Earl of Marcham has decided to put the excesses of his colorful youth firmly behind him so that he may find a wife and beget himself an heir. But a straitlaced spinster may stand in his way after she releases a morality pamphlet exposing some of his most private misdemeanors. Determined to have his revenge and teach her a much-needed lesson, the earl decides that his best course of action is to seduce her ...

Miss Georgiana Blakelow has long given up the hope of marriage. Instead, she’s resigned to serving as governess to her siblings and saving the family estate from ruin. She might succeed, if only the wretch of an earl who won the estate at the gaming table would be reasonable.

As the sparks fly, and as Lord Marcham finds himself unexpectedly attracted to Miss Blakelow, she becomes even more determined to keep him at a safe distance. The closer he gets, the more likely he is to discover that his bluestocking isn’t all that she seems.

She has captivated fans with unforgettable romance novels filled with suspense, seduction, mystery, and passionate love. Now bestselling author Madeline Hunter introduces “the Seducer” in a dazzling tale of a powerfully sensual man, a headstrong young innocent, and a scandalously perilous affair as forbidden as it is irresistible ...

THE SEDUCER

From the moment he arrived to rescue her, Diane Albret saw more in the darkly handsome, charismatic gentleman than just a guardian. Over the years that have passed since she first laid eyes on Daniel St. John, he had become, quite simply, the most dangerously irresistible man she could ever have imagined. Diane herself has changed from a bewildered schoolgirl, tragically orphaned, into a determined young woman of alluring charm and beauty. Now, leaving the cloistered life of her school, she has been brought to Daniel’s home with dreams of her own amid rumors and hints of scandal. But the legendary seducer seems to have other plans for Diane -- and he possesses a secret about her lost past that he will do everything to keep: a secret that will put both their lives in jeopardy, even as the passion they have denied for so long threatens to break out of all control.

When Lady Josephine accepts a wager to lure a kiss from the most scandalous and depraved rake in England, she thought it an easy enough task. But one glimpse at the man in question and she foresees her reputation going up in glorious flames. It will not stop her from winning the wager, however, not even the vexing Marquis of St. Aldwyn, who is determined to stay firmly planted in her path to victory.

HE IS NOT PLAYING ANY MORE GAMES ...

The Fifth Marquis of St. Aldwyn, Damien Grenville, has come to the conclusion that he has lost his mind. Why else would he be drawn to the reckless Lady Josephine? And when he begins to realize she is up to no good, will he do everything in his power to ensure her reputation remains intact or will he decide to seduce her himself? But danger lurks in the shadows and when Lady Josephine is taken, Damien will stop at nothing to get her back.

When straitlaced spinster Margaret Andrews tries to stop her headstrong younger sister Amelia from eloping with the wrong man, the last thing she expects is to be caught in a coach accident. Stranded in Scotland with a dangerously handsome Highlander, she must put aside her genteel sensibilities and learn to survive.

Cain Sinclair rescues the prim and proper Margaret, but he knows she’ll never want a man like him. As a self-proclaimed sinner, he lives his life from one day to the next. He unravels every thread of decorum she possesses, tempting her to throw away propriety.

Margaret sees a man worth saving, but Cain fights her efforts to reform him. When Cain risks everything to save his brother from the hangman's noose, Margaret must break all the rules to get him back…or lose him forever.

When Maximillian Wilder hides his noble identity and joins the notorious body snatchers known as the London Supply Company, the last thing on his mind is love. He’s worried about Madeline, his vanished half sister, who was last seen in the company of Jack Hurtsill, the gang’s conscienceless leader. Raiding graveyards, stealing corpses, and selling them to medical colleges as dissection material is dirty work, but Max knows he must gain Jack’s trust. He’s determined to find out what happened to Madeline -- and to bring Jack to justice if she was murdered for the coin her body could earn.

Beautiful, spirited Abigail Hale, daughter of the surgeon at Aldersgate School of Medicine, detests the challenging, hard-bargaining Max almost as much as Jack. But she must procure the necessary specimens if she is to save the college and her father’s career. She believes she is going to be successful -- until Jack double-crosses her. Then she’s swept into a plot of danger and intrigue, one where Max must intervene to protect her, no matter the risk to his plan…or his heart.

Thursday, July 14, 2016

Bryson Courtland, Viscount Rainsleigh is everything his father is not -- and he is taken great pains to ensure that he avoids any comparisons with his father, who was, in Bryson's opinion, and to put it politely, the worst version of a human being to walk the earth. Now Bryson needs a wife to gain further acceptance in society -- and he has a criteria: she must be pure and pristine in body and reputation -- a woman above reproach. Bryson believed he had met such a lady when he is introduced to Elizabeth, the niece of the Countess of Banning.

What Bryson doesn't know is that this isn't his first time to meet Lady Elizabeth. Fifteen years ago, Bryson actually rescued Elizabeth from a brothel, where she had been forcibly brought after her parents were murdered in a roadside robbery. It was a moment that changed the course of Elizabeth's life for good: she has devoted her life to saving women and helping them to find new, more respectable work -- and she has devoted her heart to loving (from afar) the man who rescued her, Bryson Courtland.

Elizabeth never thought she would meet Bryson -- she has never made an appearance in society, nor attended any of her aunt's events. And she wasn't in attendance when she met Bryson at her aunt's dinner party -- Bryson had accidentally overheard a conversation Elizabeth had with Stoker, her most-trusted ally in her rescue work. Then Elizabeth's aunt uses the opportunity to force Elizabeth's hand in attending dinner, where Lady Frinfrock proceeds to grill Bryson on his notorious parents.

Bryson isn't a stranger to that sort of scrutiny, and was preparing to politely end the conversation, when Elizabeth stands up and defends him so spectacularly. I have to say, I loved what Elizabeth said at that dinner party -- it's everything that anyone placed in such an awkward situation has thought to say, but never had to courage to do so. But Elizabeth dared -- and showed spine and mettle. And, at that moment, Bryson knew he had found the one he would marry.

Our hero is meticulous and rigid -- a perfectionist to the core. I found myself identifying with Bryson and his obsessive need to plan and schedule everything, including his courtship and marriage. Bryson had envisioned marrying a particular kind of female, and believed that Elizabeth fit the criteria -- but, when Elizabeth revealed her work with the ladies of ill-repute, you could see Bryson struggling to adjust to this unplanned, unforeseen hitches.

But Elizabeth hadn't even revealed her biggest secret -- and the one that would effectively disqualify her from being Bryson's wife. Except, Elizabeth doesn't know what she wants: she has loved and admired Bryson since that night fifteen years ago, and, meeting him and talking to him is a dream-come-true for her. But she understands that her past experience, and her current work aren't considered acceptable in society, and knows that Bryson needs a woman who could help him gain society's acceptance and respect -- and she knows she isn't that lady.

Charis Michaels presents two characters who are so beautifully human -- despite Elizabeth's selfless and passionate work with her charity, she displays a slight hint of personal selfishness when she allows herself to enjoy the fantasy of having Bryson's attentions and affections. Despite Bryson's perfectly-timed, perfectly-calculated life, he hasn't anticipated that the woman he wants doesn't fit the mold of the woman he thinks he needs.

Elizabeth understands what drives Bryson to seek out a purpose: when she lost her parents, she lost her direction in life, and she lost the future that was meant for her. But she carved out a new path for herself, which is, perhaps, more meaningful and worthwhile. Though, sadly, it came at the terrible cost of the loss of her innocence. And, of all people, Bryson should understand what it feels like to be forced into a situation not of your doing -- to be a victim of circumstances. His parents were selfish, hedonistic, thoughtless, and cold -- and Bryson really made sure he would be the exact opposite of his father. What's interesting to see is how well our hero and heroine love each other -- there's so much acceptance and understanding -- and passion. But there's also a sense that they're both holding back: Bryson is constantly worried that he is one social misstep away from being the disgrace his father was, and Elizabeth is afraid to reveal her secret to Bryson -- because she knows how he would react to it.

While there are out-and-out villain in Charis Michaels' debut novel, The Earl Next Door, the greatest enemy of Bryson and Elizabeth are themselves. Bryson needs to make peace with his past -- and realize that society has already accepted him. That The Viscount Immaculate can survive and be a little bit tarnished. And Elizabeth needs to finally share her story with someone -- she has never told the full story to anyone -- not to her aunt, not to Stoker -- and, maybe Bryson may be the person who could help her finally move past the experience of that terrible night.

There's a final bombshell that the author drops in the latter part of the book, and it's something that upends life as Bryson has known it. It's interesting how he deals with it, and equally interesting to see Elizabeth's role as this is revealed.

Charis Michaels is an amazing storyteller, and this is an amazing follow-up to The Earl Next Door.

The Virgin and the Viscount is Book 2 in Charis Michaels' The Bachelor Lords of London series. To find out more about Charis Michaels and her books, click below: