Notice: Moch’s striking aluminum ‘Laboratoire’ will be one of the highlights of a special exhibition dedicated to Gabriel Voisin, that will run from November 10, 2012, for six months at the Mullin Museum in Oxnard, California.For more information see: http://www.mullinautomotivemuseum.com/

The rebirth of a 1923 Voisin ‘Laboratoire’ was inspired by a book.

What moves man to recreate a masterpiece that someone else has already created a long time ago? In the world of music this is quite common. We all love to listen to concerts in which conductors and orchestras recreate the music from scores that were penned down by famous composers such as Bach, Beethoven, Haydn, Mozart, Sibelius or Leonard Bernstein, to name a few.

In films and theaters we applaud when directors and actors recreate the scenes and words originally fashioned by writers such as Jane Austen, Samuel Beckett, Arthur Miller, Oscar Wilde, Tennessee Williams or William Shakespeare.

Art students visit museums to find out how the old masters did it. Some of them then painstakingly recreate composition, lights and shadows, and sometimes colors and even brushstrokes. There’s nothing wrong with any of this…it is taken for granted.

However, in the world of visual arts, recreating is generally frowned upon by professionals. Not only because criminals have offered forgeries to unsuspecting buyers as being the original work of the well-known painters. Copying, or even painting in the style of an old master, is regarded as a lack of creativity and artistic imagination. [Read more…] about Re-Creating the Voisin Laboratoire

July 2, 1923, 8 a.m. For the start of the Grand Prix, seventeen race cars were placed in two rows. In 1923 the positions on the starting grid did not depend on lap times during practice but were, like the numbers on the cars, allotted by the organizers. Hence, pole position was taken by the V12 Delage (No. 1) with driver René Thomas and his mechanic Lhermit. Alongside was Guiness in the Sunbeam, car number 2. Guyot’s Rolland-Pilain was in the second row next to number 4, the Fiat of Bordino.

The noise and smell of the seventeen racing cars on the grid, with a total of 126 screaming cylinders, must have been similar to the noise and excitement of today’s Grand Prix starts. The pace car, driven by local motorcycle champion Paul Meunier, led the field before René Thomas in his blue Delage sprinted away with the Sunbeam of Lee Guinness. Above, Thomas and Bordino are already out of this photograph of the start. Number 2 is the Sunbeam of Lee Guiness, number 3 is Guyot in the Rolland-Pilain, the Voisin of Arthur Duray and the Friderich Bugatti, number 6.

At the end of lap one, Fiat of Pietro Bordino was in front; the Sunbeam of Lee Guiness second followed by the Delage of René Thomas; then Enrico Giaccone and Carlo Salamano both in the Fiats, Henry Segrave and Albert Divo in Sunbeams, Albert Guyot driving a Rolland-Pilain and Ernest Friderich the Bugatti. The race of the decade was on.

The race generated an immense amount of advance publicity. Numerous articles in the national and local newspapers and the sporting magazines created a great deal of curiosity and even greater expectations.

The Press
One of the reasons was that the editors of these publications were well aware of the growing interest of the French public in motorcars and motor racing. They properly reasoned that giving support to this great event would increase their circulations and advertising revenues.

Beautiful artwork by the French illustrator Mahias for the cover of Omnia magazine No. 27 portrayed a typical French racecar.

Since the Armistice in1918, France was rapidly recovering from the austerity and misery of the war, despite the death of nearly 1.4 million French soldiers. During their service in the army or with the Red Cross units, men and women from all social classes had learned to drive and to understand the mechanical mysteries of motorbikes and cars. Now that the French economy was flourishing, many of them aspired to own one.

The circuit was a closed-off triangle of public roads, just north of the city of Tours. The starting line was situated just outside a small borough called La Noue-Guérinet, between the villages Neuillé-Pont-Pierre and La Membrolle on the Route Nationale 158. The numbers on the map above correspond to the photographs below. The 1923 Grand Prix of Tours was much tougher and much longer than today’s Grand Prix events. In order to finish, the participants had to cover a distance of 800 km (497 miles). As the ‘Circuit de la Touraine’ had a total length of 22.83 km, (14.1 miles) this meant 35 grueling laps. On the straights some of the cars reached speeds of nearly 200 km/h (125 mph). Around the circuit. 22 marshaling posts had been installed each of them equipped with a telephone in direct and permanent contact with the officials at race control in front of the grandstand.

Come with us as we take a lap around the 1923 French Grand Prix.

Photo 1: At the starting line. At one side were the tribunes and a grandstand for 4000 spectators. Note the direction of travel.

The 1923 Grand Prix de la Touraine (The French Grand Prix at Tours) was not a battle of the “Tanks”, nor were the entries of the unique Voisin and the flat-iron Bugatti of truly great significance to motor racing. Author of the noted biography of André Lefebvre, Gijsbert-Paul Berk tells us why as he recounts the event from the very beginning, from a walk around the course to the final and surprising outcome with the help of a great number of historical photographs. (Above illustration by the author.)

By Gijsbert-Paul Berk (biography at end of this article)

The 1923 Grand Prix de Tours has been labeled ‘the Bugatti-Voisin duel’. But was it? Perhaps not; over the years the press and the ensuing legends have overshadowed the essence of the race itself and even the final outcome. Certainly, the teams of Bugatti and Voisin were adversaries. But the same is true for the teams of Fiat, Rolland-Pilain, Sunbeam and the Delage. It is our goal to review this famous race in a different light.

As we have all learned, Eric Davison has been around cars for a very long time, from his Watkins Glen days with his father to haunting car and art museums with his wife. So when we found he was going to the Mullin, we asked him to bring back a report on something off the beaten path. Said Davison of the assignment after he returned, “It sounds so very easy but when you are in the Mullin Museum and basically overwhelmed by the magnificence of the cars and of the building’s French decor and the general ambience, the task becomes more complicated.” So did he succeed and bring back a few surprises? We think so—[Read more…] about Musings at the Mullin

Panhard: the Dynamic was made from 1936-9. It was the largest unibody car made at that time, with the steering wheel in the center of the dashboard. Even today, the styling is very dramatic!

Story by Brandes Elitch
Photos courtesy of the Tampa Bay Automobile Museum

At Retromobile, a few years ago, I picked up a copy of “Le Guide: Musees Automobiles de France,” published by the magazine “Auto Passion.” The guide covers 36 car museums. Some are well known: the museum at the LeMans circuit, the Schumpf (their equivalent of a National Motor Museum), Le Manoir, near Rennes, the Cadillac museum near Tours, the Henri Malartre museum, housed in an old mansion, near Lyon. I’ve seen all of these, and they are definitely worth seeing. But as it turns out, you can visit one of the most outstanding French car museums, without even leaving the US. That’s because it is located on the west coast of Florida – the Tampa Bay Automobile Museum. [Read more…] about French Cars at Florida’s Tampa Bay Museum

André Lefebvre and the cars he created for Voisin and Citroën
by Gijsbert-Paul-Berk
Veloce Publishing, 2010
$39.95 USDOrder here

I admit to being heretofore unaware of the importance of André Lefebvre. There are two reasons I knew so little about this brilliant and accomplished French engineer. According to his biographer, Gijsbert-Paul-Berk, the first is that engineers, particularly in France, work more or less “incognito”. The second is that in 1958, Lefebvre suffered a stroke which prevented him from writing his memoirs. Lefebvre however, was also not one for self promotion. We might add a third. Few people in America today are cognizant of any type of French car. Should we expect much ado for the mere engineer?

Of course not, and that’s why VeloceToday does what it does, and why we are thankful for Paul-Berk to have gone to considerable lengths to bring us Lefebvre’s very interesting story. [Read more…] about The Amazing Mr. Lefebvre

For the 1923 French GP, French car builder Gabriel Voisin and his ‘spiritual son’ André Lefebvre, entered four highly advanced race cars equipped with a 2 liter six cylinder Knight sleeve valve engine, which was a mainstay of his fabulous line of luxury cars. But what is a sleeve valve engine, who was Knight and why did Voisin choose such a layout, straight from the American heartland?[Read more…] about Knight and Day