Irini and Cal return from Venice and Toronto respectively, worn out but nevertheless enthused about many of the films showing in this year’s festival season. Tune in for thoughts on the prizes from each festival, plus commentary on La La Land, Arrival, Toni Erdmann, Jackie, and much much more! We also dig a little into the entries for this year’s Foreign Language Oscar, and speculate on whether this can finally be the year of Amy Adams. Elsewhere, there’s a silent prayer for Brad and Angelina’s marital collapse, thunder threatens to halt the podcast, and nobody can seem to find Irini’s cat Chiara.

Intro Music: Lana Del Rey, “High By the Beach”Outro Music: B*Witched, “Blame It On the Weatherman”

This week we sliced up the new releases, which include Tom Hardy’s dual-role as the Kray twins in “Legend,” Willem Dafoe as famous Italian director Pier Paolo “Pasolini,” and action-packed thriller “No Escape.” Cal caught this year’s German entry for the Foreign Language Film Oscar, “Labyrinth of Lies,” and Woody Allen’s latest, “Irrational Man,” starring Joaquin Phoenix and Emma Stone, plus the week’s birthdays see us discuss the great Alexander Korda, and everyone’s favourite beefcake, Mickey Rourke. Elsewhere, the pair of us lament the absence of “Phoenix” from this year’s Oscar hunt, a Lake Bell monologue is memorable for all the wrong reasons, and one of the biggest surprises on the podcast ever sees one of the week’s performers redeemed in Pete’s eyes.

The week’s news: Featuring discussion of Wendy Ide’s exit from The Times, the week’s birthdays, and the winners from this year’s Venice Film Festival!

In this episode, we turn our attention to the awards race, as this week sees the release of two films vying for Oscars, Alejandro Gonzalez Inarritu’s meditation on the theatre, “Birdman,” and spirited Stephen Hawking drama “The Theory of Everything”. We also take the opportunity to discuss the Producers Guild Award nominations and the winners from the National Society of Film Critics’ annual round of voting, touching (lightly) upon a victory for Jean-Luc Godard, and speculating about the Oscar chances of Timothy Spall, Marion Cotillard, and Rene Russo among others. Elsewhere, Pete’s improvable opinion of Denis Villeneuve is tested when Jake Gyllenhaal takes on a double role in “Enemy” and last year’s Norwegian Foreign Language Oscar entry “Kon-Tiki” finally made British shores, while some disappointing controversy about the latest Nicholas Cage film, “Dying of the Light,” threatens to overshadow the review. Meanwhile, there’s news of upheaval for the Factor and Range, Cal’s latest reading material provides a window into the Best Picture Oscar race of 1967 and Rex Harrison’s bad behaviour, and Felicity Jones’ sixties attire may finally have won over her childhood cohort.

The Week’s News:

Mark Schultz turns his back on “Foxcatcher”

Producers Guild Award nominations are announced

National Society of Film Critics winners

[2:40 – 14:45]

Preconception Corner

Reviews of:

The Theory of Everything

Kon-Tiki

Dying of the Light

Enemy

[26:00 – 1:03:10]

Closing Segment: Our take on Alejandro Gonzalez Inarritu’s “Birdman,” discussing the Best Picture race, and our favourite films about the theatre!

After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.

This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.

The Week’s News

Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”

This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!

This week we take the opportunity to discuss all things Nicholas Cage, with the release of two of his films, the silly action thriller “Stolen,” and the prehistoric animated adventure “The Croods.” Cal sat through Ray of Light supremo Jonas Akerlund’s “Small Apartments” while his veto of “Identity Thief” meant that Pete was all alone with Melissa McCarthy, a terrifying thought in itself. And then we get onto “Compliance,” which may be the biggest casualty of ‘In the Mood’ vitriol since “The Lorax,” and proves that the fast food industry can indeed get more repulsive. A budget reveal of “Jack the Giant Slayer” knocks us for six, while we consider the fate of the once-great Bryan Singer, and the potential disaster brought on by his film’s final scene. Fee Fi Fo Fum! We smell the blood of a sequel!