Search Results for: why-men-fight-serapis-classics

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Written in response to the devastation of World War I, "Why Men Fight" lays out Bertrand Russell's ideas on war, pacifism, reason, impulse, and personal liberty. Russell argues that when individuals live passionately, they will have no desire for war or killing. Conversely, excessive restraint or reason causes us to live unnaturally and with hostility toward those who are unlike ourselves.

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EDITH WHARTON (1862-1937) was one of the most remarkable women of her time, and her immense commercial and critical success-most notably with her novel "The Age of Innocense" (1920), which won a Pulitzer Prize-have long overshadowed her small but distinguished body of supernatural fiction. Some of her finest fantastic and detective work (which oft times overlap) was first collected in 1909 in "Tales of Men and Ghosts." The psychological horror is as important as the literal one here, and subtle ambiguities characterized by the best of Henry James's work (such as "The Turn of the Screw") are also present in Wharton's character studies, such as "The Bolted Door." Is the protagonist a murderer, or is he mad? In the end it may not matter, for it is his descent into madness and obsession that gives the story its chilling frisson. Other tales present men (or ghosts, or what men believe to be ghosts) in a variety of lights, from misunderstood monsters to vengeful spirits to insecure artists. If you have never read Edith Wharton's fantasy work before, you will be captivated and delighted.

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INTRIGUE IN EARTH'S OUTER ORBIT Tremendous and glittering, the Space Station floated up out of the Big Dark. Lieutenant Corriston had come to see its marvels, but he soon found himself entrapped in its unsuspected terrors. For the grim reality was that some deadly outer-space power had usurped control of the great artificial moon. A lovely woman had disappeared; passengers were being fleeced and enslaved; and, using fantastic disguises, imposters were using the Station for their own mysterious ends. Pursued by unearthly monsters and hunted with super-scientific cunning, Corriston struggles to unmask the mystery. For upon his success depended his life, his love and the future of Earth itself.

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THERE once reigned in a town called Alba in Italy a king whose name was Numitor. He had a brother called Amulius, who was a proud and wicked man, and could not bear that his elder brother should be king over him. So Amulius plotted against his brother. He got together a number of men who were as bad and cruel as himself, and they attacked Numitor and drove him from his throne, and made Amulius king in his stead. They took the sons of Numitor, and his daughter Rhea Silvia, and killed them. Then Amulius seized the two little sons of Rhea Silvia, who were still only babies; he gave them to his soldiers, and told them to throw the poor little boys into the River Tiber. "Then," thought he, "they will be drowned. There will be none of my brother's children left to trouble me, and I shall be king all my life." The soldiers took the two babies in their cradle, lying side by side fast asleep, and carried them to the river...

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Bran Mak Morn is a hero of five pulp fiction short stories by Robert E. Howard. In the stories, most of which were first published in Weird Tales, Bran is the last king of Howard's romanticized version of the tribal race of Picts.

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A bold new history of the rise of Christianity, showing how its radical followers ravaged vast swathes of classical culture, plunging the world into an era of dogma and intellectual darkness “Searingly passionate…Nixey writes up a storm. Each sentence is rich, textured, evocative, felt…[A] ballista-bolt of a book.” —New York Times Book Review In Harran, the locals refused to convert. They were dismembered, their limbs hung along the town’s main street. In Alexandria, zealots pulled the elderly philosopher-mathematician Hypatia from her chariot and flayed her to death with shards of broken pottery. Not long before, their fellow Christians had invaded the city’s greatest temple and razed it—smashing its world-famous statues and destroying all that was left of Alexandria’s Great Library. Today, we refer to Christianity’s conquest of the West as a “triumph.” But this victory entailed an orgy of destruction in which Jesus’s followers attacked and suppressed classical culture, helping to pitch Western civilization into a thousand-year-long decline. Just one percent of Latin literature would survive the purge; countless antiquities, artworks, and ancient traditions were lost forever. As Catherine Nixey reveals, evidence of early Christians’ campaign of terror has been hiding in plain sight: in the palimpsests and shattered statues proudly displayed in churches and museums the world over. In The Darkening Age, Nixey resurrects this lost history, offering a wrenching account of the rise of Christianity and its terrible cost.

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Far from the world of his white parents, the sixteen-year-old youth, Jan, was raised in a cage under the watchful eye of half-crazed Dr. Bracken. Guided by his foster mother, Chicma the Chimpanzee, Jan was destined to execute the doctor's fanatical plot for revenge against Jan's real mother. A monster with the mind of an ape and the body of a man, that was his part in Bracken's twisted scheme. But just on the eve of the intended onslaught, Jan and Chicma escaped to the jungle and emerged near the Lost Empire of Mu. There, Jan must do battle with the gigantic puma, the grotesque thunder bird, and the god-monster Sebek. With all his fighting skill, there remained only one challenge to Jan: trace his origins and locate his man-parents.

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"A pioneering book by an author who knows how to use archaeological as well as literary evidence. It is an important contribution to an understanding of the religious attitudes of ordinary men and women who lived under the rule of the Caesars." -- Times Literary Supplement

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The clash between the American Bonhomme Richard and the British HMS Serapis during the American Revolutionary War is perhaps the most famous single-ship duel in history. This epic battle between two very similar ships – and crews – off the coast of Britain in September 1779 created two naval heroes: in victory, John Paul Jones became a figure that all future American naval officers would aspire to emulate, while Richard Pearson, in defeat, became a hero to the British for a tenacious defence that allowed the merchant vessels under his protection to escape. Featuring specially commissioned full-color artwork, this is the story of an epic maritime clash at the height of the Revolutionary War that provided a founding legend for generations of US naval officers and demonstrated the intrepidity and fighting prowess of the fledgling US Navy.

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Chronicles the dramatic collapse of Alexander the Great's empire, discussing the unsuccessful reigns of his half-brother and posthumously born son, the infighting among his generals, and the ensuing war that set the stage for modern conflicts.

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Famed as a classic naval duel, a one-on-one clash between two sailing frigates offered the victor immeasurable fame and glory. During the War of 1812, the Royal Navy and United States Navy squared off in four such duels, the most famous that between the USS Constitution and HMS Guerrière. Ships and tactics between the two nations varied enormously, with the American navy favouring a revolutionary design of frigate, with twenty-four pounder guns and heavy structural timbers, while the British, used to fighting the French and Spanish navies, relied on smaller, eighteen-pounder frigates. Through first-hand accounts of these four single-ship actions and fascinating comparisons of artillery, crew ability and tactical achievements, this book offers an unparalleled insight into the ruthless reality of frigate battles in the War of 1812.

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Cut off from the life of ranching he has come to love by his grandfather's death, John Grady Cole flees to Mexico, where he and his two companions embark on a rugged and cruelly idyllic adventure

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The New York Times bestseller from master biographer Evan Thomas brings to life the tumultuous story of the father of the American Navy. John Paul Jones, at sea and in the heat of the battle, was the great American hero of the Age of Sail. He was to history what Patrick O’Brian’s Jack Aubrey and C.S. Forester’s Horatio Hornblower are to fiction. Ruthless, indomitable, clever; he vowed to sail, as he put it, “in harm’s way.” Evan Thomas’s minute-by-minute re-creation of the bloodbath between Jones’s Bonhomme Richard and the British man-of-war Serapis off the coast of England on an autumn night in 1779 is as gripping a sea battle as can be found in any novel. Drawing on Jones’s correspondence with some of the most significant figures of the American Revolution—John Adams, Benjamin Franklin, Thomas Jefferson—Thomas’s biography teaches us that it took fighters as well as thinkers, men driven by dreams of personal glory as well as high-minded principle, to break free of the past and start a new world. Jones’s spirit was classically American.

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David Swan was written in the year 1837 by Nathaniel Hawthorne. This book is one of the most popular novels of Nathaniel Hawthorne, and has been translated into several other languages around the world. This book is published by Booklassic which brings young readers closer to classic literature globally.

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They stood together at the parapet, their arms about each other's waists, her head against his cheek. Behind, the broad leaved shrubbery gossiped softly with the wind, and from the lower main terrace came music and laughing voices. The city of Wardshaven spread in front of them, white buildings rising from the wide spaces of green treetops, under a shimmer of sun-reflecting aircars above. Far away, the mountains were violet in the afternoon haze, and the huge red sun hung in a sky as yellow as a ripe peach. His eye caught a twinkle ten miles to the southwest, and for an instant he was puzzled. Then he frowned. The sunlight on the two thousand-foot globe of Duke Angus' new ship, the Enterprise, back at the Gorram shipyards after her final trial cruise. He didn't want to think about that, now. Instead, he pressed the girl closer and whispered her name, "Elaine," and then, caressing every syllable, "Lady Elaine Trask of Traskon." "Oh, no, Lucas!" Her protest was half joking and half apprehensive. "It's bad luck to be called by your married name before the wedding." "I've been calling you that in my mind since the night of the Duke's ball, when you were just home from school on Excalibur."...

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"When a mixed martial arts (MMA) gym moves in across the street from his office, Jonathan Gottschall sees a challenge, and an opportunity. Pushing forty, out of shape, and disenchanted with his job as an adjunct English professor, part of him yearns to cross the street and join up. The other part is terrified. Gottschall eventually works up his nerve, and starts training for a real cage fight. He's fighting not only as a personal test but also to answer questions that have intrigued him for years: Why do men fight? And why do so many seemingly decent people like to watch?"--Amazon.com.

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Crushing gravity. Thin air. Winters of unimaginable cold Searing summers under two suns. A deadly wasteland teeming with monsters and killing fever. That was Ragnarok, the most dreaded planet yet discovered. And Ragnarok was where a thousand untrained Earthmen -- and women and children -- were brutally marooned by a sadistic enemy. Two hundred died the first night. In the morning, the survivors knew what they must live for...revenge!