2. Twenty-one years after her first solo show, Jenny Kee’s installation at the Overseas Passenger Terminal had more colour, texutre and volume than when she first steamrolled onto the scene. (Who would have thought that was possible?!)

3. Never shy of a statement piece, Ellery’s collection was almost architectural in its lines.

4. The queen of the Gypset, Camilla, didn’t dissapoint with a joyous riot of colour and pattern.