In 1934 Paris, trained coloratura soprano Victoria Bestow, a native Brit, can't get a job as a choir member and is having discommode making ends meet. She doesn't even tease satisfactorily money for the basics of sustenance and habitation. Gay nightspot minstrel Carole 'Toddy' Todd may befall the nonetheless fate as Victoria as he was unbiased fired from his singing gig at a aide-de-camp scale club named Chez Lui. To solve both their problems, Toddy comes up with what he considers an inspired conception: with Toddy as her supervisor, Victoria, pretending to be a man, get a province singing as ... a female impersonator. If they pull this course of action off, Toddy vows Victoria, as her virile alter ego, will be the toast of Paris and as such be bloody wealthy. That alter ego they decide is Gloss refine Count Conqueror Grazinski, Toddy's ex-lover who was disowned next to his family when they start outlying he was gay. The Trust auditions since the city's important agent, Andre Cassell, who, impressed, gets him a gig performing in the city's largest nightclub. In the audience on the celebrated opening night is Chicago nightclub owner and "businessman" Prince Marchand, a stereotypical macho man's who falls in the love with the woman he sees on the footlights, which doesn't sit incredibly with his current girlfriend, Norma Cassady. Majesty is shocked to learn that that lady is a people named Figure out Grazinski. While Majesty tries to reunite his romantic feelings for "Victoria" (in actually, Majesty doesn't truly believe the Be confident of is a man), his company associates won't stick his substitute in earthy orientation. Although ardour emancipated being treated as a the human race, Victoria, as herself, in ruminate over falls in love with Majesty. To pursue something with him as a piece of work would mean giving up this lucrative fly. But the career may also leak out to an end in a gaol time if the authorities find out that Victoria and Toddy have committed knave in this impersonation.
Set in 1930s Paris, starving opera soloist Victoria (Julie Andrews) is aided by gay cabaret trouper Toddy (Robert Preston). When Victoria dons Toddy's ex's clothes and then sends the vituperative ex flying with a booming call and an equally booming rational snitch, Toddy is hit with suggestion: he'll pass her situated as a female impersonator. A woman pretending to be a man pretending to be a woman? It all goes well until Chicago "businessman" Majesty Marchand (James Garner), starts to analyse, sure that a curb like himself could in no way be for another man! The news of Kings infatuation brings his density guard 'Squash' Bernstein (Alex Karras) roaring out of the closet and his spurned moll Norma Cassady (brilliantly acted during Leslie Ann Warren) incorrect to Chicago to plan revenge with Regent's other "business associates".
Victoria is a paucity-stricken soprano trying to locate being planned in Paris in the 1930's. With the help of a cool-wise nightclub singer, she invents her adjust-ego Champion, a female impersonator who is hired to sing at a in fashion night identify. "You want me to be a better half pretending to be a man pretending to be a woman?" Interwoven throughout the comedy and musical numbers are some surprisingly astute observations about gender perceptions, discrimination and the conflict of the sexes.Read moreLess

Comments

I can't believe my eyes. I have been looking for Victor Victoria for ages, and here it is. Such a moving story that I am almost charmed by it. I would certainly rate the film by 7/10.

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