Saturday, March 24, 2007

I'm thoroughly committed to unschooling, but my own upbringing (academic household, interaction with children very focussed on teaching and testing - though I doubt they'd put it in precisely that way) and rampant perfectionism (working on that) occasionally undermine my practice. Over the past few weeks I've been finding it hard to ignore the Oyster's latest phase in pronunciation, whereby he speaks much less clearly than he was doing a couple of months ago. He swallows syllables, drops consonants and homogenises vowels. We still understand him (most of the time), and so I don't consider it defensible to try to persuade him to speak more distinctly.

Defensible or not, however, I've cracked a few times. For instance, "tell a story about..." is currently pronounced (approximately) dalladawbow, and I've once or twice found myself trying to pretend I don't understand, or stalling over starting the story until he says it "properly".

Doesn't work. It doesn't achieve its (ostensible) primary aim, which is to make him realise that he's speaking indistinctly and correct himself; it also doesn't achieve its (ostensible) secondary aim, which is to make me feel better. Instead, he gets frustrated, and I concede that I know what he's saying. Oh well.

(I'm reminded of an incident from my mother's childhood, when at the age of six or so she suddenly developed a lisp. My grandmother - not the world's most laid-back parent - was terribly worried by this, and had my mother Seen At Once by the finest speech specialist in the land. Whereupon it turned out that a girl in her class had a lisp, and she thought it was really cool.)

Anyway. At dinner this evening, we had a genuine misunderstanding. We'd been talking about a book, and the Oyster, at a pause in the conversation, said, "Mama help O. with vweeding."

"Yes, I'll help you with reading when you're going to bed," I said.

A few minutes later, he repeated, "Mama help O. with vweeding."

This time, I wasn't so sure that I knew what he meant. I asked him if he meant "reading", and he said, "No, vweeding."

Then I got it. "Oh, feeding! Sorry, love, I thought you meant reading."

"Feeding," he said - perfectly enunciated. It was the first time I'd heard him do a successful initial "f".

So I fed him a few forkfuls of not very cohesive quiche.

Then at bedtime, we were settling down to read The Snail and the Whale, and the Oyster remarked, "O. says ’nail."

We've joined the Irish Home Education Network, and I was sitting on the sofa today reading an article in the newsletter that was making me unexpectedly rageous about the idiocies of mainstream schooling.1 I came to the end of the article, and N. caught my eye and raised an eyebrow, and I said, "So, school, yeah? It's all bad."

Whereupon the Oyster, who is two and seven months, exclaimed, "School is not all bad!"

Radzer: OK, no, it's not all bad, all the time, but I don't like school.Oyster: Mama doesn't like school. N. likes school.Radzer: No, N. doesn't like school either.Oyster: He does.Radzer: N., do you like school?N. (who happens to be the most equivocal person in the history of humankind; expecting him to make a definitive statement - much less a condemnation - is a non-starter): Hmmm. Well, I'd have to say that, on the whole, I find myself unable to enjoy a positive relationship with it in all its aspects.Radzer: That means he doesn't like school.Oyster: Tell a story about O. was on the school bus with all the other children, and Eddie was driving it!

So I did.

I wouldn't mind,2 only this is a boy who watches next to no TV, and whose pro-school book collection is (as far as I know - there have been a few grandmother imports recently) limited to I Am Too Absolutely Small for School (featuring Charlie and Lola), which makes me gnash somewhat because it's about the older male teaching the younger female that she's All Wrong, so I don't read it much.

And yet somehow, the propaganda has found a way in. Already. Sigh.

1 It was about a trip by a group of home-educated children to an exhibition called "Planet Aqua", where the staff spiel was clearly designed to disguise the educational material so that the children would learn something in spite of themselves, and about how this view - that you need to trick children if you want them to learn - is endemic and unquestioned in our society. Full of anecdotes about people saying "X is great - they don't even realise it's educational". Nothing startling or new, but it pushed my buttons in a big way.2 Lie.

Thursday, March 22, 2007

"There was food in the kitchen of our rocket, and there was plates, and a table, and a bathroom, and a other room, and a dining room. Oh no! You agotten your space boots! There! Now, Emer's space boots. There! There. That's a only thing for a frog."

Dressed in saggy, soggy nappy, and a sleeveless vest (undershirt for Americans): "You watcha me do my ballet?" Then she held her arms out in fourth position and her legs were - well, sort of like a plie from second position but with the left foot raised, very Indian Dance looking. Then she did roly-poly arms, then a drumming move. "My have two - three moves!" she declared.

We cruelly made her have a new nappy anyway.

In The Night Garden is a new CBeebies TV show, made by Ragdoll, who also made the Teletubbies. It is entirely incomprehensible, impenetrable, and dreamlike, and Linnea adores it so much that I have managed to find time to have her watch it four times in a day. Twice.

It contains the phrase "Isn't that a pip?" which is apparently good, though in my lexicon to give someone the pip is bad.

Saturday, March 17, 2007

We are teaching Linnea femininity. Not quite the submissive, learn-to-be-a-devoted-wife-and-helpmeet kind of femininity, but she's definitely keen on being a girl and on all things girlish.

It's all about hair. She doesn't have a great deal of hair - she has almost none, in fact, three years old at the end of April and never a haircut needed - but what she has she wants girlified. Her cousins have blonde curls in bunches, wispy fringes held out of their eyes with clips, cute and feminine and utterly impossible for Linnea.

I got her some little snappy clips, but they slid out of her fringe. I got her some smaller ones which worked a little better. I figured out how to achieve bunches that last long enough for her to admire them in the mirror - twizzle the hair into a bunch over her ear by swirling my finger in it, then use toothed, bulldog-style clips (with little flowers on) to hold them in place. Cute.

Today she had a birthday party to go to, so I tried one last thing. I got her a narrow little hairband, the horseshoe-shaped kind covered in fabric.

Friday, March 16, 2007

I don't like the phrase "home-schooling" because I don't like the verb school unless it's applied to fish. I don't much like "training" either, applied to children.

I home-educate. That is, I offer my children opportunities for learning, and sure enough they learn. Linnea finds opportunities to learn that I hadn't seen coming; that's what being two is all about! I provide a safe environment, up to a point, and plenty of interactions with people who are not exactly the same as us. We have books, a kitchen, a garden, and pets. We have television and radio and art materials.

When my two-years-ten-months-old daughter, just the other day, walked into the room with a sippy cup of water, with the lid on, I asked my guest "Did you fill that for her?"

No, he hadn't.

Later she walked in with some bread and butter. The butter was not exactly spread, more daubed; we discovered that that was because there were no knives readily available and she used the handle of a teaspoon.

Wednesday, March 14, 2007

I learned to play elastics at school. We had two games: infants played "England, Ireland, Scotland, Wales, inside, outside, off the rails" and older children played "Frenchies," which had no rhyme but a series of jumps up to ten. Both were played on two parallel elastics, usually made by having a child stand legs-apart at each end of a loop.

One: Straddle the nearest elastic. Do not jump off. This is the only number where you don't jump off afterwards.Two: Jump in place (one) then straddle the other elastic (two).Three: Both feet in the middle, both feet on an elastic, both feet outside.

Four: One foot on the nearest one, one foot on the other one, both in the middle, both outside.

Five: First jump onto the nearest elastic so that your right foot is underneath and your left foot is standing on the elastic. Then jump forwards to the other elastic, left foot underneath and right foot standing on the elastic. That's one and two. Jump back (three), forwards (four), and back again (five).

Six: Straddle the near elastic. Jump up and cross your legs and land. Turn without raising your feet. Repeat on the other elastic. This one has a mini-rhyme; it's "hot cross buns."

Seven: Stand with your back to the elastics. Put your right leg back, hooking the near elastic with your ankle so that as you step back it slides up to your knee. Put your right foot behind the other elastic, so one is behind your knee and the other is in front of your ankle. That's one. Now jump and swap legs repeatedly for two 'til seven.

Eight: As for three, it's centre, on top, outside - each jump to the centre is counted. NO pausing allowed.

Nine: As five, start by jumping to the near elastic with right foot under, left foot over. Jump to the far elastic while turning 180 degrees, but you'll be glad to know that you don't also have to swap feet. Always jumping in the same direction, do nine of 'em! Pausing is frowned upon.

Ten: Looks very simple. Straddle the near elastic, then jump 180 degrees to straddle it again. Count ten jumps, either always jumping in the same direction or changing direction after 3, 6, and 9.

We used to play these alone, too, using chairlegs to hold the elastics. And there were degres of difficulty; the elastics moved up from ankles to knees to thighs - even waists for some people - and then started again at ankles on a narrower guage.

Sunday, March 04, 2007

She's been watching "A Bug's Life" over and over and over - sometimes twice a day. She talks about it, in little snatches. She refuses to let me skip the scary parts. We discuss them as best we can later on, never in the middle of the night when she wakes homesick and ill, but often in the daytime when we're out walking or indoors playing or reading or doing boring household stuff.

It's got some pretty big themes; it's fairly obviously about The Oppressed Majority, which is nice because I've been reading various books about South Africa lately, and my aunt has just come back from Zimbabwe. There's also a little bit about small weak children growing up into big strong adults; she's not sure she wants Emer to get big but she's intermittently keen on the idea that she will herself. And she likes it when the grasshoppers (oppressive minority) get their come-uppance but doesn't like the grasshopper-on-grasshopper violence one leetle bit. She'd prefer honour among thieves.

The biggest thing, of course, is violent death - squishing and being eaten by birds. I'm never sure how I feel about her watching things with or about explicit death.

It's strange that something I feel so guilty about - parking her in front of a screen for hours so that I can cope with the rest of life - is so obviously interesting and stretching for her.