You know, it also makes me think about Beefheart and what an asshole he could be, and yet that doesn't stop me from collecting his work...

Well, we can all be arseholes...and it's all relative isn't it? It's easy to call someone an arsehole when it's directed at you personally, and they're saying stuff you maybe don't want to hear, y'know?
It's a good thing that it doesn't stop you though...collecting someone's work because they're a nice guy/gal/group is just symptomatic of what's wrong with popular music, and again was something FZ railed against.

_________________"Well, look, it depends on what the intent is. If the intent is to rip me off, then I hate it. If the intent is to find out what's going on, then I think it's fabulous. ."
- Frank Zappa (from They're Doing The Interview Of The Century)

This man is not David Robertson. He is the photographer Bobby Davidson. I met him in 2006 at the Mighty Baby concert at the Borderline. He knew the band when they were the earlier 'The Action'. He lost out as he claimed to me that Zappas bodyguard took the rolls of film. He might be referring to Herb Cohen.

This man is not David Robertson. He is the photographer Bobby Davidson. I met him in 2006 at the Mighty Baby concert at the Borderline. He knew the band when they were the earlier 'The Action'. He lost out as he claimed to me that Zappas bodyguard took the rolls of film. He might be referring to Herb Cohen.

Right, he is Robert Davidson. He was about 10 minutes explaining his case at Zappanale 21 & how he was forced to provide his negatives if he wanted to keep his arm undamaged.

This man is not David Robertson. He is the photographer Bobby Davidson. I met him in 2006 at the Mighty Baby concert at the Borderline. He knew the band when they were the earlier 'The Action'. He lost out as he claimed to me that Zappas bodyguard took the rolls of film. He might be referring to Herb Cohen.

So did Herbie make the posters then???

Al Fresco wrote:

He was about 10 minutes explaining his case at Zappanale 21 & how he was forced to provide his negatives if he wanted to keep his arm undamaged.

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