Juwan’s first public performance came on Kweisi Mfume’s talk show in Baltimore. Mfume, then the head of the NAACP, had Juwan on to represent the best of hip-hop at a time when the violence was at its peak. He’s since toned down his politics. “It just happened. I just became discouraged and really didn’t want to spend time to try and be a freedom fighter. There’s still concepts and lyrics that go a lot farther than just ass shaking.” And he was emphatic about having his lyrics included with the CD. “My favorite thing about buying an album is seeing the lyrics inside. I’ll buy a David Bowie album and read the lyrics so I can get a better understanding of what he’s trying to say.”

So in Yoyoyoyoyo’s booklet we get lines like “Slain tracks and left them hanging like a runaway slave/For young eyes to gaze/A permanent image to raise them/In my footsteps/Revolutionaries to hood rats” (from “Rick Rubin”). “What we are doing is interactive. It’s not like the people in the scene who inspired me. We never came off as, ‘Yo! I’m the cool guy! Follow me! You should know who I am.’ ”

Spank Rock live comprise Juwan as MC, xxxchange on laptop, and two DJs. “It’s not all about me,” Juwan insists, “even though I do perform my hardest and I do try and show off a little bit. I’d rather people be dancing and interacting with one another instead of watching me.”

A-Trak is on the same track. For the first leg of his tour, he’s also enlisted French party-rockers Cuizinier and DJ Orgasmic — particularly for the party-heavy scenes in Philly, Boston, DC, and New York City. “I want to build a journey and not just play one record for the sake of playing a record. Like a mixtape but doing it live.” In other words, don’t go to A-Trak or Spank Rock unless you’re willing to dance. As party tours become a regular feature at rock clubs, so too should crowds come ready to move. “I always say it ain’t about me,” says Juwan. “It’s about the music. I’m just up here to dance, and you better be doing the same when I turn around.”

Goodbye nasty Anyone even minimally versed in Ms. Blank's œuvre would chuckle at the idea of her trying to keep things clean. Emerging from Philly dirty-rap crew Spank Rock, Blank distinguished herself among a sea of rap dudes with her dizzying spitfire attack and willingness to get nasty in a manner that was both playful and intimidating.

Vowel free Rcrd Lbl pays both artists and labels like Warp and Modular in exchange for permission to post songs.

Carb unloading After spending Thanksgiving gorging yourself on turkey, mashed potatoes, and all manner of high-calorie treats from candied yams to kaleidoscopic Jello molds, you should have energy to burn.

Linwood bounce Beat Research is going large this Friday with Bouncement, a party of extreme bass sound and huge beats with an experimental touch. Juelz Santana, "Santana's Town (Ghislain Poirier remix)" (mp3)