There are two things about Tennessee Williams’s The Glass Menagerie that suggest a staging including puppets. The first is that the piece is a memory play. Puppets love memory plays. The second is that Laura lives in a world of glass animals.

Every object has natural properties. For the moment, I will use the words puppet and
object interchangeably. The puppet is, after all, an animated object, and while object
theater is different from puppet theater,