The autumn leaves are falling like rain. Although my neighbors are all barbarians and you, you are a thousand miles away, there are always two cups at my table.

T’ang Dynasty poem

Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't clouded by unnecessary things, this is the best season of your life.

~ Wu-men ~

Wednesday, September 10, 2014

Training Tips From the Budo Bum

Below is a an excerpt from an excellent post over at The Budo Bum on getting more out of your practice. The original post may be read here.

Training Hard And Training Well Are Not The Same Thing

We want to get the most
out of our training. We look up to people who train hard and constantly
push themselves. It seems obvious that the harder you train the better
you will be. In judo we respect the people who train harder, with more
intensity than anyone else. All that sweat dripping on the mat has to
mean something, doesn’t it?

I was practicing piano
and one of my weaknesses there struck me as identical to problems most of us
have in the dojo practicing budo. All practice is not equal. Some kinds
of practice give far superior returns on the time and effort invested than
other types of training. Poor training habits and techniques waste time.
Worse, they can lead to ingraining bad habits and techniques which
actually make us worse at what we are studying than we were before the training

I was practicing some
etudes (French for, get this, kata) that are fundamental exercises for
training the fingers on the piano. These are the boring exercises
everyone rushes through so they can get to the good stuff, the real music, the
real budo. Music etudes are like kihon waza practice in budo. These
are the fundamental movements that you have to practice beyond the ability to
do them properly, beyond the ability to do them properly without thinking about
them, to the point where you can’t do them incorrectly.

The tricky part is
practicing them correctly in the first place so you don’t develop bad habits
that slow you down later. The first, most common, and biggest mistake
with etudes and kihon waza is to treat them as mindless, boring exercises.
These exercises teach your body and mind the most critical foundations of
everything else you will do. If you try to rush them, or try to avoid
thinking about them by thinking about your laundry or your job or your friends
while doing them, you will likely be doing them wrong, and drilling this
wrongness into your bones.

To do basics correctly
as a beginner, you have to think about how you are doing them. When you
have stopped being a beginner, you probably don’t have to think about the
basics when you are doing more advanced things, but when you are practicing the
basics you still need to think about them. If you don’t, you risk letting
mistakes and poor technique slip in. You also miss all the benefits that
come from mindful practice. Be aware of what you’re doing. As you are
practicing basic techniques, look for things that can be improved. In 100
repetitions you’ll be lucky if you have 10 that you love. You’ll also be
lucky if you only have 10 that you hate. The rest will be somewhere in
between. The goal is to be aware of every repetition and to try and drag
your worst reps up to the quality of your mediocre ones, and the mediocre reps
up to the level of the best. Like all of budo, this is a never ending
activity, since as soon as you improve, you’ll start trying to reach a higher
level.

Another pitfall on the
practice path is rushing. If you’ve ever heard a young (or in my case not so
young) musician rush through a section of piece, you’ve heard how wrong rushing
can be. Don’t rush your practice, even if you don’t have much time.
Rushing through things is worse than not practicing. If you don’t practice, you
don’t improve, but you also don’t pick up bad habits. If you rush something you
are doing it at the wrong speed, which is just wrong. If you don’t have a lot
of time, just do what you have time to do properly. When you rush, correct form
is only the first thing that is lost. You also sacrifice the rhythm and feel of
proper technique, and you lose the awareness of what you are doing. In this
sort of situation, you’re training can only move backward as you reinforce bad
form, bad timing and poor thought.

One of the most popular
parts of Judo practice is also one of Judo practice’s biggest weaknesses. Randori,
or Judo style sparring, is fun, so much fun that often students would rather do
this than work on their basics. There are lot of things that can go wrong with
randori though. The first problem is all that fun. We are all susceptible
to this one. It’s easy to spend all our time doing the fun parts of training,
whatever it is, and neglect the parts that don’t grab our attention and gratify
our hearts. This is true in all arts, even in koryu budo where there is very
little sparring type practice. There are some kata that are just more
interesting, and others that frustrate me until I am ready to scream because I
just never seem to get them right.

One particular form this
trap takes is practicing what we are good at. We enjoy practicing things we are
good at much more than the parts that we haven’t mastered yet. I love doing harai
goshi and tai otoshi in judo because I do them better
than anything else. That’s exactly why should limit my practice of them though.
The fact that I can do them better than anything else should tell me how much
more I need to be practicing everything else. Spend most of your time
practicing what you aren’t good at. That’s where you’ll improve the most.