The Big So-So

By Erika Satifka

We’re both sitting on the rotting front porch one muggy July day when Dorcas asks me if I want to break into Paradise with her. I lace up my sneakers and we do the old huff-and-puff up Negley Avenue to the big Cygnian compound on the hill.

It’s dark, which doesn’t mean much. Most of the compound-heads are wired up to the pleasure-juice on a more-or-less constant basis, and who needs light when you’ve got that? Still, it only takes about three minutes until we’re spotted climbing over the semi-permeable barrier that separates the Chosen Ones from the Not There Yet. And it only takes eight minutes until we’re sitting in the bare-bones holding tank, waiting for an attendant to rouse one of the compound-heads from their ecstasy.

I look over at Dorky. She looks over at me. She mouths the words “play along.”

And I mouth the word “what?” because for the life of me I can’t figure out what the hell the point of this little stunt is.

The compound-head enters in a thick bathrobe that hides just how fucking skinny they all are. It picks up its slate and starts to write. The chalk squeaks.

Colorless ideas sleep furiously still.

“We want to stay.”

Sonic results spiral within documentation.

The Cygnians say they’re preparing the compound-heads for life on their homeworld, the real Paradise. For three weeks all of us were jacked up on pleasure-juice dialed to Max Effect, while the Cygnians ran tests to decide which of us got to live in the compounds. They shepherded their lucky few into one of the many squat nanofoam villages that dot the entire globe. Then they turned off the tap.

The Endangered Camp

By Ann Leckie

After the terrible push to be free of the Earth was past, we could stand again. In a while, the engineers had said, everything would float, but for now we were still accelerating. We were eight in the small, round room, though there were others on the sky-boat–engineers, and nest-guardians examining the eggs we had brought to see how many had been lost in the crushing, upward flight. But we eight stood watching the world recede.

The floor and walls of the room were of smooth, gold metal. Around the low ceiling was a pattern of cycad fronds and under this scenes from the histories. There was the first mother, ancestor of us all, who broke the shell of the original egg. The picture showed the egg, a single claw of the mother piercing that boundary between Inside and Outside. With her was the tiny figure of her mate. If you are from the mountains, you know that he ventured forth and fed on the carcass of the world-beast, slain by the mother, and in due time found the mother and mated with her. If you are a lowlander, he waited in the shell until she brought the liver to him, giving him the strength to come out into the open. Neither was pictured–the building of the sky-boat had taken the resources of both mountains and lowlands.

On another panel was Strong Claw, her sharp-toothed snout open in a triumphant call. She stood tall on powerful legs, each foot with its arced killing claw, sharp and deadly. Her arms stretched out before her, claws spread, and her long, stiff tail stretched behind. The artists had worked with such skill that every feather could be distinguished. Behind her was the great tree that had carried her across the sea, and in the water were pictured its inhabitants: coiled ammonites, hungry sharks, and a giant mososaur, huge-mouthed enough to swallow a person down at a gulp. Before Strong Claw was forested land, full of food for the hunting, new territory for her and her daughters yet unhatched.

A third panel showed the first sky-boat departing for the moon that had turned out to be farther away than our ancestors ever imagined. That voyage had been a triumph–the sky-boat (designed, all were ceaselessly told, by lowlander engineers) had achieved a seemingly impossible goal. But it had also been a disaster–as the mountain engineers had predicted, and the lowlanders refused to believe until the last, irrefutable moment, there had been no air on the moon. But as we had now set our sights on Mars, the artist had left off the end of the tale, to avoid ill-omen.

The engineers had used mirrors to cast an image of the Earth on the last, blank panel of the curved wall. It was this that held our attention.

As we watched, disaster struck. A sudden, brilliant flash whited out the image for an instant, and after that an expanding ring began to spread across the face of the world, as though a pebble had been dropped into a pond. Almost instantly a ball of fire rose up from the center of the ripple and expanded outward, obscuring it. I blinked, slowly, deliberately, sure that my vision was at fault. Still the fire grew until finally it dissipated, leaving a slowly-expanding veil of smoke.

When We Fall

by Kameron Hurley

I don’t remember the first time I was abandoned and forgotten, but I have told the story of the second time so often that when the memory boils up it feels hot and gummy, like the air that day.

Whoever cared for me – and I can’t be certain they were legal guardians, let alone relatives – took me with them to beg at the crossroads just outside the interplanetary port. I don’t know how long they had me, but I know they were not the first. I remember being hungry. I remember a tall woman with dark hair pulling me close and saying, “Stay here Aisha.” She gave me a length of sugarcane and a mango. Her skirt was red. I still think of the red skirt when I think of home.

The people I saw as I sat out there, day after day, were all engineered for different worlds. The world I was on then, there was something about the sky… bloody red most of the day; stars the rest of the day, and a night filled with blue light. People were tailored to fit where they were from, or the place they’d chosen as home, whether that was a world or the deep black between the stars. Some were tall and fat, short and squat, or spindly; willowy as leaves of grass. Gills, webbed toes, ears that jutted out sharply from faces with eyes the size of jack bolts… many had tails; a few had four arms or more. Many wore respirators; teeth gleaming purple behind translucent masks or fuzzy full-bodied filters or suits that clung to their bodies like a second skin.

Even then, sitting alone on the mat with my mango and sugarcane, I couldn’t imagine that none of these people wanted me. I used to pretend, sitting at every port then and later, that somebody would come up and recognize me, or see me and just want me, not for some gain of theirs, but out of pure, unadulterated love. I was skinny and long-fingered, with squinty eyes and tawny skin covered in fine hair. I had a high forehead and a bright shock of white hair that stood straight up. I still wear it that way, long after I figured out the tricks for taming it, because I never did like being tamed. I suppose it never occurred to me to ask why none of them looked like me, because none of them even looked much like each other. I heard once that there’s a test you can take to find out what system your people are most likely in, but I can’t afford the test, and sure couldn’t afford to go back. And who’s to say they’d want me now, when they didn’t before?

It’s difficult to reconcile this memory, still, with what I’m told about our society, about how our people are supposed to be. I see close-knit families and communities embracing one another in media stories. Every audio play and flickering drama squirming at the corner of my vision tells me we care for one another deeply, because we are all only as healthy, happy, and prosperous as our least fortunate member. There is no war, no disease that cannot be overcome, and every child is guaranteed a life of security and love.

But the grand narrative of societies often forgets people like me. They forget the people who fall between the seams of things. They don’t like to talk about what happens below the surface.

I went through a series of homes – waystations, temporary shelters – is probably more accurate. When this story drips out now, to engineers or star hustlers or bounty hunters at whatever watering hole I’m drunk at, most insist I had to be part of some community foster system organized by one government or another.

I wasn’t. I’ve made my own way around, getting work in junk ports and on dying organic ships. I’ve done salvage of old trawlers, rotting on the edge of the shipping lanes, half consumed by some star.

An Equal Share of the Bone

By Karen Osborne

To kill a theriida, you need gunboats and suits, laser cutters and open-mawed cargo bays, brawn and a stout heart, and God on your side.

We, of course, had none of that.

I learned in the merchant marines to never shoot a theriida with a standard railgun. They’ll thrash and writhe and put angry holes through your hull, and eating vacuum is nobody’s idea of a good trade run. No: a theriida’s distributed brain needs a distributed solution. If you don’t have a spinal lance capable of wide-range dispersal, move on. Don’t even try. Back in the academy, before Eliot and I signed on with Garuda, we used to inflate massive plastex balloons with pressuregel and deploy them beside our training vessels, taking turns at the lance control. It wasn’t anything like the real thing.

Inexperienced spacers often believe that the glimmering purple sac in a theriida’s bioluminescent belly is the animal’s brain, but that is only because we mammals forget that the universe is a multifarious, violent parade of a hundred thousand ways to be mortal. But we weren’t inexperienced. Our captain, Nate, had thousands of hours of piloting time. I was the best gunner this side of the Mercy War. Eliot could make a working engine out of spit and vomit. That’s why we believed we could handle a theriida kill.

Jen locks her bike and heads towards the theater. She needs a break from studying, but more importantly, she needs to find Ash, who has her Soil Science notes. Jen promises herself she won’t try to kiss Ash–they’ll see the midnight movie, Ash will hand her the notes, and then, summer vacation. That’s it.

Before she reaches the theater, Jen feels a familiar frisson, disorienting, dizzying. When the red lights of the marquee blink 12:45 a.m., Jen isn’t surprised. The clock thing is happening again. She left her house with enough time to meet Ash outside, buy a ticket, grab a soda. But now, it’s 12:45 a.m. One hour later than it should be.

Daya had been in no hurry to become a mother. In the two years since she’d reached childbearing age, she’d built a modular from parts she’d fabbed herself, thrown her boots into the volcano, and served as blood judge. The village elders all said she was one of the quickest girls they had ever seen — except when it came to choosing fathers for her firstborn. Maybe that was because she was too quick for a sleepy village like Third Landing. When her mother, Tajana, had come of age, she’d left for the blue city to find fathers for her baby. Everyone expected Tajana would stay in Halfway, but she had surprised them and returned home to raise Daya. So once Daya had grown up, everyone assumed that someday she would leave for the city like her mother, especially after Tajana had been killed in the avalanche last winter. What did Third Landing have to hold such a fierce and able woman? Daya could easily build a glittering new life in Halfway. Do great things for the colony.

But everything had changed after the scientists from space had landed on the old site across the river, and Daya had changed most of all. She kept her own counsel and was often hard to find. That spring she had told the elders that she didn’t need to travel to gather the right semen. Her village was happy and prosperous. The scientists had chosen it to study and they had attracted tourists from all over the colony. There were plenty of beautiful and convenient local fathers to take to bed. Daya had sampled the ones she considered best, but never opened herself to blend their sperm. Now she would, here in the place where she had been born.

She chose just three fathers for her baby. She wanted Ganth because he was her brother and because he loved her above all others. Latif because he was a leader and would say what was true when everyone else was afraid. And Bakti because he was a master of stories and because she wanted him to tell hers someday. (Continue Reading…)

Show Notes

Artemis Rising returns to Escape Pod for its third year! This month-long event highlights science fiction by women and non-binary authors. We have five original stories this year that range in topics from biotech to far-flung A.I, virtual reality, and nanotech.

The Zombee Project 3.0

By Allison Mulder

Jensen brought the job offer to each of them in person, like no one did anymore. She poached them from the best labs and the best apiaries, all over the world. Put everything she knew on the table, in out-of-the-way cafés and fine-but-nothing-fancy hotel rooms and home kitchens which smelled strongly of coffee and not much else.

She handpicked them. She made that very clear. Like she was assembling heroes, forming a unit—a rescue unit, with a crucial task.

At that point, it wasn’t recruitment. It was a higher calling.

“It’s not legal,” Jensen told each of them. “But no one who could enforce that knows about it.”

None of them cared. They signed Jensen’s contracts and confidentiality agreements.

Help support the Pseudopod Kickstarter to support pay for narrators (… and get this awesome Tiki mug with a donation of $40 or more).

about the author…

Natalia Theodoridou is a media & cultural studies scholar currently based in Exeter, UK. She is also the dramaturge of Adrift Performance Makers
(@AdriftPM). Her fiction has appeared in Clarkesworld, Nature, Daily Science Fiction, and elsewhere. Find out more at her website or follow @natalia_theodor on Twitter.

about the narrator…

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on Twitter or Instagram.

When They Come Back

By Natalia Theodoridou

They were called Maria, and Michael, and Siobhan, George, Elise, and Sarah, and Violet, Daisy, Jasmine, Rose–

no, perhaps these were not people names, these were flower names, weren’t they?–

and Gabriel, Raphael, Bacchus, Athena, Io, Muhammad,

but these were mythical names, and god names, and prophet names, so hard to tell them apart all these years after the–

all these years after they–

and Natalie, Vasilis, Dmitri, Ousmane…

#

The angel is rotting. He’s leaning against the trunk of an olive tree. I examine his body but avoid his eyes, as always, just in case. I would like to have been a man, he’d said once, so I always think of him as one, no matter what his body looks like. Today he has a mane of dark curls that reach all the way down to the roots of his wings. No beard. No breasts. No hair on his body except a little around his crotch.

Kristin Janz is a Canadian speculative fiction writer who has lived in the Boston area since 1998. Her fiction has appeared in Daily Science Fiction, On Spec, and Crowded Magazine, and she is a graduate of the Clarion West Writers Workshop.

My husband Donald S. Crankshaw and I have edited and are independently publishing an anthology of speculative fiction stories that engage with Christianity in some way–Christian characters, themes, or cosmology. Mysterion: Rediscovering the Mysteries of the Christian Faith will be available in both paperback and ebook in August of 2016, and includes stories by Nebula-nominated authors Beth Cato and Kenneth Schneyer.

narrator Ibba Armancas

about the narrator…

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on twitter or instagram.

As Travelers in Sky Boats
by Kristin Janz

My sister blames the Travelers. Before they came, she says, we were content within the small world we knew. No one wondered what lay beyond the flat blue horizon where ocean met sky, or who journeyed between the stars. Children never complained that there was an easier way to mend fishing nets, that they did not like the taste of seaweed. Men did not abandon responsibilities to pursue the impossible fantasy of becoming Travelers themselves.

One rainy night, when both she and the water leaking through our roof were keeping me awake, I told her that she sounded like a Traveler when she spoke that way. Who was she–or they–to tell me how I should live, what I could know or not know?

She did not speak to me the rest of that night or most of the day that followed. I did not enjoy her silence as much as I had expected to.

#

“May I hold that?”

Traveler Jarrett hesitated before answering me, as Travelers often did. Unable to understand our words, they relied on their tools to tell them what we said and how to answer. But I did not think Traveler Jarrett’s hesitation came from not understanding, not this time. I had pointed to the tool on his wrist while asking and then held my hands out, palms facing up. How could he not understand that?

Traveler Tess murmured a warning in Traveler Speak, but Traveler Jarrett unfastened his wrist tool anyway and placed it in my outstretched hands.

Traveler Tess moved her finger around in the air in front of her, listened for a moment to a voice no one else could hear, then looked directly at me and said, “Please be careful with that.” As if I were a small child and might start bashing the wrist tool against the packed earth floor of the Travelers’ house! Traveler Tess tried to act like a mother to the other Travelers, like my sister did with me. I did not think they heeded her any better than I with my sister. (Continue Reading…)

Samantha Murray is a writer, actor, mathematician and mother. Not particularly in that order.

She lives in Western Australia in a household of unruly boys.

narrator Ibba Armancas

about the narrator…

Raised by swordfighters and eastern European freedom fighters, Ibba Armancas is a writer-director currently based in Los Angeles. Her darkly comedic genre sensibilities are showcased in two webseries and a feature film forthcoming later this year. One day she will find time to make a website, but in the mean time you can follow her projects and adventures on twitter or instagram.

Divided By Zero
by Samantha Murray

As a child I already knew that there were different kinds of infinity.

When I asked my mother whom she loved the most–me or my brother–she would pause and then say she loved the both of us.

How much did she love us? I wanted to know. And she’d say she loved me an infinite amount and my brother an infinite amount too.

From this I knew implicitly that two infinities did not have to be the same size.

As a child I knew this although I had no words for it. It was what drove me to ask the question. I knew also that I was waiting for her not to pause.

She always did. Every time.

Secure in his answer, my brother never asked the question. I was the lesser infinity; that of whole numbers perhaps, while his was of real and irrational numbers, which could be complex, and transcendental.

My brother won awards and prizes, was tall and athletic while I could not use my legs, but this is not why his infinity was infinitely bigger and infinitely better than mine. I’m sure people wondered how anyone could fail to love my brother when he was so brave and shining–but I think they have the causality backwards. Everybody loved him and he took all of that love inside himself until he could not help but glow like a nebula pinpricked with stars.

#

My lover indicates the space between our two bodies. She moves so that the space is gone, my skin flush against hers, no gaps. “Is this not enough for you?”

I let her words fall away into silence, receding from us, shifting into red.