Bullz-Eye Blog » American Reunionhttp://blog.bullz-eye.com
men's lifestyle blog, blog for guysFri, 09 Dec 2016 17:00:09 +0000en-UShourly1http://wordpress.org/?v=4.2.10Blu Tuesday: Another Slice of Pie, Batman Goes to China and Morehttp://blog.bullz-eye.com/2012/07/10/blu-tuesday-another-slice-of-pie-batman-goes-to-china-and-more/
http://blog.bullz-eye.com/2012/07/10/blu-tuesday-another-slice-of-pie-batman-goes-to-china-and-more/#commentsTue, 10 Jul 2012 13:47:47 +0000http://blog.bullz-eye.com/?p=15837Last week’s Blu-ray haul was so lackluster that I didn’t even bother writing a column, but thankfully, that doesn’t look like it’s going to be a problem in July. In addition to today’s great selection of new releases, the rest of the month promises to be just as bountiful, which is good news for anyone trying to get out of this insane summer heat.

“American Reunion”

It’s easy to forgive the cast of “American Reunion” for having some hesitations about returning for another installment of the comedy franchise (especially after that terrible line of direct-to-video spin-offs didn’t do much for its reputation), but credit to co-writers/directors Jon Hurwitz and Hayden Schlossberg for not only getting everyone on board, but delivering one of the better films in the series. Nothing will ever compare to the 1999 original, but seeing Jim, Stifler and the rest of the gang all grown-up is just as ripe for comedy as when they were horny teenagers. Though not every subplot (and with this many characters to juggle, there are quite a few) works as well as others, the chemistry among the core cast remains intact, and that’s a major reason for its success. It’s also clear that Hurwitz and Schlossberg are fans of the franchise themselves, and it definitely shows in their understanding of the characters’ relationships, as well as the balance between the sweeter moments and gross-out humor. And yes, there’s plenty of both to go around.

Blu-ray Highlight: There’s a ton of bonus material on the disc, but most of it feels like filler. The audio commentary with Jon Hurwitz and Hayden Schlossberg, however, offers some nice insight on making the film and other behind-the-scenes anecdotes.

“The Flowers of War”

The Nanking Massacre, which is arguably China’s most tragic event in modern history, has been portrayed in numerous films before, but not nearly with as much grace as Zhang Yimou’s “The Flowers of War.” The director doesn’t exactly shy away from the brutal and violent behavior by the Japanese soldiers who invaded the city, but he brings a beauty to the movie that you wouldn’t expect from such grim material. Though there are some subplots that could have easily been cut to prevent the film from feeling so bloated, in many cases, those scenes allow for the supporting cast to be developed beyond simple background extras. The cinematography is gorgeous as always, and the performances are pretty good across the board (particularly newcomer Ni Ni and Christian Bale as the Westerner caught in the middle of the conflict), but the real star is the story itself, which earns its emotional beats without feeling like it’s pandering to the audience. “The Flowers of War” may not be Yimou’s best work, but it’s a well-crafted drama that definitely deserves to be seen.

Blu-ray Highlight: Although there’s no “Play All” option for the five-part behind-the-scenes featurette, each section is worth watching for various reasons. “The Birth of ‘The Flowers of War’” is undeniably the most interesting of the bunch, as it crams in a lot of material (including casting the children and hookers, as well as their preparation for the roles), but the one dedicated to Christian Bale’s involvement is also fascinating, even if the Chinese cast and crew go a bit over the top with their adoration for the actor.

“Margaret”

Kenneth Lonergan’s long-delayed follow-up to his directorial debut “You Can Count on Me” received a mini publicity boost at the end of last year when some fans launched a Twitter campaign under the name Team Margaret to get the film a wider release and a bigger push for award season. Unfortunately, all the fuss was for naught, because “Margaret” is every bit the mess that its tortourous post-production saga suggests. Shot back in 2005, the movie not only looks really dated, but its behind-the-scenes drama is clearly evident on the screen. Characters pop in and out of the story with little explanation; others yell and fight with each other for no reason; and Anna Paquin (who plays one of the most annoying film characters in recent memory) simply isn’t a good enough actor to carry the whole thing on her shoulders. Though the movie probably would have been more effective if it was released when originally intended (especially with the tragic events of 9/11 still fresh in our minds), “Margaret” fails to weave its interesting premise into anything of actual substance.

Blu-ray Highlight: There are no special features to be found, but fans will want to check out the included extended cut of the film, boasting 36 additional minutes of footage.

“Being Flynn”

I’ve never read “Another Bullshit Night in Suck City,” the award-winning memoir on which “Being Flynn” is based, but if it’s even half as depressing as the film version, then I don’t have any interest in ever doing so, despite Amazon always recommending it to me. While it’s admirable to see a movie this incredibly honest and uncompromising in its storytelling (even the mildly happy ending isn’t particularly feel-good), author Nick Flynn’s real-life tale about reconnecting with his estranged father is so bleak that it’s really no surprise so few people saw it. “Being Flynn” is one of those movies that probably worked a lot better on the page, especially in regards to Paul Dano and Robert De Niro’s shared narration. Although it was likely utilized to greater effect in the book, the decision to jump back and forth between their characters causes the narrative to feel fractured. And when it’s not very engaging to begin with, that only makes it harder to become emotionally invested in the story.

Blu-ray Highlight: The only extra on the disc is an EPK-style featurette titled “The Heart of ‘Being Flynn’” that includes interviews with various cast and crew (as well as author Nick Flynn) about making the movie, but it’s much too short to be anything substantial.

Aptly enough for a sports comedy, our interviewees today are a ragtag collection of lovable underdogs. Unavoidably geeky, Jay Baruchel’s starring roles in “She’s Out of My League,” “The Sorcerer’s Apprentice,” and “How to Train Your Dragon” have left him short of the A-list; he’s still perhaps best known as the lead alum of Judd Apatow’s beloved, quickly cancelled 2001 sitcom, “Undeclared.” Leading man Seann William Scott has worked in numerous films in a pretty wide variety of genres, yet to almost everyone he’s still obnoxious Steve Stifler of the “American Pie” series; he’ll be reprising the character for a fourth go-round in the upcoming “American Reunion.” Director Michael Dowse has some indie successes on his CV, but his last attempt to break into the mainstream, “Take Me Home Tonight,” was an unmitigated commercial disaster and, for the most part, a critical flop. (We, however, liked it a lot; so much for the Bullz-Eye bump.)

Already available on VOD, “Goon” is one underdog movie we’re definitely rooting for. Loosely inspired by minor league hockey star Doug Smith’s memoir and co-written by Canadian hockey fan Baruchel and veteran Apatow-scribe Evan Goldberg, the film focuses on Doug Glatt (Scott), a goodhearted bouncer of no great intellect who finds himself promoted to full-time hockey thug.

Featuring an outstanding supporting cast comprised of Baruchel, Liev Schreiber, Eugene Levy, Kim Coates (“Sons of Anarchy“) and Alison Pill as the dysfunctional love of Doug Glatt’s life, “Goon” doesn’t gloss over the ugliness of sports violence even as it humorously celebrates it. For that, it took some punches from the traditionally violence-averse British press on its earlier UK release. The Yankee press, however, has been kinder, and there may be some hope of a wide release if enough of you hit the initial U.S. screenings starting this Friday.

Low-key Minnesota native Seann William Scott, intense Montrealite Jay Baruchel, and matter-of-fact Canadian filmmaker Michael Dowse were still high on the afterglow of a successful industry screening the night before when a bunch of us journos met with the trio at the Beverly Hilton. Some amusing and informative highlights are below.

My dad used to have this expression, which was “Don’t complicate a ham sandwich.” In my experience, a lot of the hardest guys I know are also the kindest and most mild-mannered and gentlest. This in no way means that [their kindness] should be mistaken for weakness. He’s a man who knows what he wants, or finds out what he wants and where he’s supposed to be. He’s fulfilled.

Seann William Scott on playing Doug Glatt.

He’s written to be such a lovable guy and so good to his core. It was written with that specificity and I consider myself to be a good guy, so it’s not hard for me to play that… I was always aware of wanting to make sure there were different colors. Anything that I could bring, but it was already written with that kind of code of honor that he has. He’s self aware of the kind of guy he is and where he is in the world, but it is kind of black and white.

Jay Baruchel on the casting of Seann William Scott.

There’s no movie without him and there’s virtually no alternative… We had no #2. With anything, it’s in your best interest to cover your ass and have your sort of top list of who you’d want. Literally, for Doug it was [a list of] one. It was that or maybe find an unknown, because there’s not a lot of boys in movies who look like they could kick the shit out of somebody that you’d find sympathetic, who would embody everything the guy has to embody. As slow as he is, he’s not simple in the least. I don’t know who can take credit for [first] mentioning Seann but it was a light bulb moment. When we all met him, within five seconds of meeting him we were like, “This is clearly our fuckin’ guy.”

That was something that Jay and Evan [Goldberg] brought in there. It came out of Jay’s personal history. His dad is Jewish and played hockey. He had to negotiate that. It’s not a pretty picture, being a Jewish hockey player in Quebec.

Seann William Scott on how playing Doug Glatt fits into his (so far) Steve Stifler-dominated filmography.

[“Goon”] would have been a movie that I would have loved to have done when I started off my career… I’ve been typecast for sure, but I still appreciate every job I get and you just have to make the best of it. [With “Goon”] I didn’t have to make the best of it. This was already great and I got this opportunity to work with filmmakers who believed in me as an actor…Then I got to go back and do “American Pie 4″ and I had an absolute awesome time. Would I love to go play a character like Eric Bana in “Chopper” or [Tom Hardy in] “Bronson”? That would be great, but I’m pretty psyched that I was in this.

Jay Baruchel on the “Goon” approach to depicting hockey, fights and hockey fights.

Everyone got a bit dinged up. Everyone tagged each other at some point. Not on purpose but I don’t even know how many fights we have in our movie. When you have as much fighting as we had with as many big boys together on skates, somebody’s bound to tag somebody.

… I don’t want anybody to smell bullshit because I think that hockey has, for the most part, been very poorly photographed in movies. I think it’s the lack of space and the speed and the size. For whatever combination of reasons, people have never shot hockey the way it should be shot in a movie, for the most part. We needed to nail that.

We [also] needed the audience to feel every punch. There are different types of fights in the movie. They run the gamut. Some are played more for fun; some are meant to be exhilarating. Some are meant to be straight unpleasant — as it is. We wanted people, when they sit down to watch our flick, that they’ll either experience on their inside kind of what it feels like to be out there or, at the very least, what it feels like to be in the stands. It’s a love letter to a very specific, strange job in professional sports.

Seann William Scott on learning to skate and fight like Doug Glatt, who initially doesn’t know how to skate at all but definitely knows how to fight.

I knew [how to skate] probably better than most non-skaters. I hadn’t put skates on since I was a little kid. I was able to move around a little bit. I did the best that I could before the shoot to practice. What you see in the movie — those are my highlights. That’s my A-game. The fights were pretty intense [and were harder to accomplish than the skating] but it was worth it. Watching the movie, the fights looked awesome… Surprisingly, there weren’t major injuries. There should have been.

Michael Dowse on improvising with Jay Baruchel.

Jay is a filthy improvisor. I knew he was talented but until you actually work with him on the day [you can’t tell]. I mean, he disgusted me with some of the stuff that came out of his mouth. That’s saying a lot. I’ve heard a lot of bad shit. I would turn to [the continuity person] and say, “What did he just say? ‘Colostomy bag’?”

Jay Baruchel on hockey movies.

The only hockey films that have any influence on me would be “Slap Shot” and then it’s pretty barren after that. I’d also put what I think is at least one of the best sports documentaries of all time, a very under seen movie called “Les Chiefs,” following a minor league team outside of Montreal for one season in a fight league. That doc centers around this guy who was born to a family of doctors. His brother’s a filmmaker, and he has no interest in doing [medicine] and they all shit on him constantly for it. That, plus the book itself, Goon, and my dad. Just a bunch of different ingredients came into it.

Michael Dowse, who plays hockey, on hockey movies.

I just thought there was a need to make a really good hockey movie again. It had been a while and there’d been a lot of really bad hockey films. I don’t know why they make such bad hockey films. There’s always chimpanzees and tooth fairies and weird shit going on.

Seann William Scott on his work out regimen for “Goon.”

You don’t see me with my shirt off in the movie. There’s a reason for that. To be absolutely honest, before the movie got its money, I’d been training my whole life as an athlete or just to stay in shape. I said, “I’m going to take some time off.”

I’m the kind of guy who, if I don’t work out, I will get a little bigger and look like a guy who used to play sports. Then, when it looked like we were going to do the movie, it was a combination of already changing how I used to train and to gain weight, which was easier. I thought the only way it would look legit for me to take on these guys was to look bigger… It wouldn’t make sense for me to be a gym rat.

The first couple of times I watched the movie, [I’d say] “Man, I’m pretty big there.” But it works so well for the character and makes him more lovable. Now, when I watch the movie, I don’t notice how many Twinkies I ate that day.

One of my bucket list things is to work with every single member of SCTV and see if I can get them in a film somehow. So, to work with Eugene was a dream come true. We wanted to do something different, and I think he responded to that idea. Because of the history of Seann and Eugene in a movie together, we definitely needed Eugene to play it seriously. I think he’s actually shown some really great dramatic chops in this film… He kind of surprises people because they expect his eyebrows and all that jazz. What they get is just a really concerned father.

Jay Baruchel on the sense of validation he’s getting from the good response to “Goon.”

We weren’t paid any heed for a very, very long time or taken seriously at all [in Hollywood]. To show it down here last night and to have this sort of jaded L.A. industry crowd — a lot of agents and execs and shit in there, they couldn’t care less about anything… So, when they see our movie and it connects the way that it did, I was like, “Yep, see. Toldja.”

Sean William Scott on the inevitable question: What’s “American Reunion” going to be like?

I’m pretty excited about it, I have to say. We set out to try to just make a great comedy with these characters. Obviously, if I was going to play this role for a fourth time, I didn’t want it to be cheap. I’ve already been typecast — it doesn’t bother me, but if I’m going to do it again, I want it to be a standalone great comedy. It exceeded my expectations. The guys are in their 30s now; they’re dealing with a little bit more real stuff… I think coming back for the high school reunion, it almost feels like a direct sequel to the first one. I was surprised, when I saw it, that it has a lot of heart and a lot of romance for that kind of movie.

Seann William Scott on whether Steve Stifler has married anyone by the start of “American Reunion.”

With the summer movie season just around the corner, Hollywood is gearing up for what promises to be its most exciting slate of films in a long time by heading into the blockbuster-filled madness of May on a high note. This month has something for just about everyone, including several promising comedies, an innovative horror film with “Scream”-sized potential, and a new movie from action guru Luc Besson. It may not compare to what this summer has to offer, but it’s better than the doldrums of winter.

“AMERICAN REUNION”

Who: Jason Biggs, Alyson Hannigan, Seann William Scott and Eugene LevyWhat: The gang is reunited in East Great Falls, Michigan for their high school reunion.When: April 6thWhy: I’ve been a fan of the “American Pie” series (not including those terrible direct-to-DVD spinoffs, of course) since the original film was released back in 1999. It’s a purely generational thing; when the characters are having the same major life experiences as most people your age, it makes them easy to relate to. The movies also happen to be pretty entertaining in a guilty pleasure kind of way, and it’ll be great to see the whole cast reunited for the first time since they all went their separate ways to become big movie stars. Though that didn’t exactly work out for any of them (Alyson Hannigan and Seann William Scott are arguably the most successful of the bunch), as long as their chemistry is still intact, “American Reunion” should be a fun trip down memory lane.

“COMIC-CON: EPISODE IV – A FAN’S HOPE”

Who: Chuck Rozanski, Holly Conrad, Eric Henson, Anthony Calderon and Skip HarveyWhat: A behind-the-scenes look at the fans who gather by the thousands each year in San Diego, California to attend Comic-Con.When: April 6thWhy: It’s actually quite surprising that no one has thought to make a documentary about Comic-Con until now, because although it’s not really a hard-hitting subject matter, it already has a built-in audience that continues to grow every year. Morgan Spurlock isn’t the first person you’d think of to direct a documentary about the popular geek Mecca, but he’s wisely chosen to stay out of the spotlight this time around, instead opting to focus on the lives of five attendees (including a toy collector, an aspiring artist and a costume designer) who have traveled to the annual convention for various reasons. And with guys like Stan Lee, Joss Whedon and Kevin Smith all involved in some form, Spurlock’s latest doc has the makings to be the perfect love letter to comic book geeks everywhere.

“THE CABIN IN THE WOODS”

Who: Kristen Connolly, Chris Hemsworth, Richard Jenkins and Bradley WhitfordWhat: Five friends head to a remote cabin in the woods for the weekend where they get more than they bargained for.When: April 13thWhy: I’ve had the good fortune to see Drew Goddard’s “The Cabin in the Woods” twice now, and it’s every bit as original and entertaining as you’d expect for a movie co-written by Joss Whedon. This is one of those films that you need to go into knowing as little as possible, so while the trailer has been provided below, I’d recommend that you don’t watch it in order to avoid spoiling anything. It may look like just your average slasher flick on paper, but the movie has a few tricks up its sleeves. Fueled by a great script that not only defies most horror conventions, but does so with tongue firmly planted in cheek, “The Cabin in the Woods” is either going to be the movie that everyone can’t stop talking about, or that no one goes to see. Do your part and make sure it’s the former.

“THE THREE STOOGES”

Who: Chris Diamantopoulos, Will Sasso, Sean Hayes and Jane LynchWhat: While trying to save their childhood orphanage, Moe, Larry and Curly inadvertently stumble into a murder plot and wind up starring in a reality TV show.When: April 13thWhy: I’ve never really understood the appeal of “The Three Stooges,” so I’m not too surprised that the Farrelly brothers’ big screen adaptation looks as terrible as it does. Despite my personal feelings on the Stooges, however, it’s strange to see their fans showing so much animosity towards the film, because it looks like the Farrellys have absolutely nailed the slapstick brand of comedy that the bumbling trio is known for. Though the movie has been in development for years (with Sean Penn, Jim Carrey and Benicio del Toro all involved in the project at some point), it no longer has the star-studded cast it once did, although that may be for the best. Then again, the Farrellys haven’t made a good movie in almost 15 years, so there’s definitely cause for concern.

“LOCKOUT”

Who: Guy Pearce, Maggie Grace, Joseph Gilgun, Peter Stormare and Lennie JamesWhat: A wrongly convicted man is offered his freedom if he can rescue the president’s daughter from an outer space prison taken over by violent inmates.When: April 13thWhy: When the first trailer for “Lockout” was released, there were some people who jokingly referred to it as “‘Taken’ in space,” and to be honest, they weren’t too far off. Writer/producer Luc Besson (who also co-wrote the Liam Neeson action thriller) has essentially been making the same movie for the last 20 years, and although most of his Euro-trash action films haven’t been as successful as “Taken,” they’re always a lot of fun to watch. Plus, this marks the first time that Besson has dabbled in sci-fi since “The Fifth Element,” and we all know how that turned out. Maggie Grace must be thrilled that she has more to do this time around, but it’s the pitch-perfect casting of Guy Pearce that could prove to be the real coup behind turning “Lockout” into this month’s breakout hit.

“THE FIVE-YEAR ENGAGEMENT”

Who: Jason Segel, Emily Blunt, Chris Pratt, Alison Brie and Rhys IfansWhat: A comedy that charts the ups and downs of an engaged couple’s relationship.When: April 27thWhy: There are a number of great comedy writing teams in Hollywood, but perhaps one of the most underrated is Jason Segel and Nicholas Stoller, who already have a pair of terrific films to their names in “Forgetting Sarah Marshall” and “The Muppets.” Those are both difficult movies to outshine, but Stoller’s third trip behind the camera (having previously directed “Sarah Marshall” and its quasi-sequel “Get Him to the Greek”) promises to be his funniest yet. Not only is it an interesting twist on the rom-com genre, but it’s loaded with tons of comedic talent, including Segel and fellow TV stars Chris Pratt and Alison Brie. Nevertheless, it’s the involvement of Emily Blunt that has me most excited, because the actress doesn’t get nearly enough opportunities to show off her comedic chops. And believe it or not, she might just be the funniest one of the bunch.

“THE RAVEN”

Who: John Cusack, Luke Evans, Alice Eve and Brendan GleesonWhat: When a madman begins committing murders inspired by Edgar Allan Poe’s stories, a young detective joins forces with Poe to stop any more from coming true.When: April 27thWhy: In what can only be described as a half-hearted attempt at cashing in on the success of the “Sherlock Holmes” films, James McTeigue’s “The Raven” re-imagines American poet Edgar Allen Poe as a sort of makeshift action hero who solves crimes. It’s the latest in a line of projects driven by Hollywood’s new fascination with revisionist history, but is Poe really that popular of a literary figure that people will care? Don’t get me wrong: the idea of someone performing copycat murders based on an author’s work of fiction has potential (even if it’s been done before, most recently in the pilot for the TV drama “Castle”), but there’s nothing in the trailer that suggests the film will be anything other than a generic whodunit. John Cusack deserves much better than this.

“THE PIRATES! BAND OF MISFITS”

Who: Hugh Grant, Salma Hayek, Jeremy Piven, Brendan Gleeson and Imelda StauntonWhat: Pirate Captain sets out on a mission to defeat his rivals Black Bellamy and Cutlass Liz for the Pirate of the Year award.
When: April 27thWhy: Considering how long it takes to make a stop-motion animated film, “The Pirates! Band of Misfits” likely went into production way back when pirate movies were still in the midst of a mini-renaissance. Of course, now that the subgenre has been exhausted by the very same franchise that brought it back to life (please stand up, “Pirates of the Caribbean”), it’s hard to tell whether moviegoers will be in the mood for another pirate adventure so soon. But if there’s anyone that can make it worthwhile, it’s the guys at Aardman Animation, best known for their witty and charming “Wallace & Gromit” shorts. And between its excellent voice cast (led by an unrecognizable Hugh Grant) and the involvement of Aardman co-founder Peter Lord, the movie couldn’t be in better hands.

“SAFE”

Who: Jason Statham, Catherine Chan, Chris Sarandon, Anson Mount and James HongWhat: A former cop must protect a Chinese girl who’s been entrusted with the combination to a safe that every criminal organization in town is after.When: April 27thWhy: The fact that Lionsgate has already pushed back the movie’s release date several times doesn’t exactly exude confidence on the part of the studio, but I’m still cautiously optimistic about director Boaz Yakin’s first foray into the action genre. Although “Safe” looks eerily similar to just about every film to come out of the Jason Statham Factory of Ass-Kicking since the original “Transporter,” at least his movies are rarely dull, and that has a lot to do with Statham’s seemingly endless supply of charisma. He’s probably the most entertaining action star working today, even though he’s a good enough actor that he doesn’t need to rely on his fists so much. But regardless of how bad the movie may actually be, I’d gladly watch Statham kick ass and take names any day of the week.