The new gold standard in interiors

Warm-toned furnishings have replaced cool nickel and chrome

There was a certain warmth at the Fall International Home Furnishings Market, and it wasn't simply the smiling vendors anticipating a stronger season. It was the unmistakable glow of gold tones emanating from so many showrooms.

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By PATRICIA SHERIDAN

poconorecord.com

By PATRICIA SHERIDAN

Posted Feb. 2, 2013 at 12:01 AM

By PATRICIA SHERIDAN
Posted Feb. 2, 2013 at 12:01 AM

» Social News

There was a certain warmth at the Fall International Home Furnishings Market, and it wasn't simply the smiling vendors anticipating a stronger season. It was the unmistakable glow of gold tones emanating from so many showrooms.

Upholstery, hardware and veneers all had the Midas touch at the High Point, N.C., market. Getting the cold shoulder were the nickel, chrome and silver hues that have been dominant over the past decade.

"Rich gold colors and other 17th-century Baroque influences leapt to the forefront this fall from Dolce & Gabbana's runway to our showroom," said Heather Eidenmiller, director of brand development at Bernhardt Furniture.

The warmer ambience of brass, bronze, gold and even copper may herald a return to a consumer appreciation of higher-caliber furnishings, perhaps echoing the precious metal's escalating value.

"After years of minimalist, monochromatic neutrals and doing with less, I think people are ready to incorporate a bit of joyful emotion in their interiors," said Eidenmiller, adding, "A beautifully constructed piece, with a bit of glamour and glow, communicates quality. Quality comforts and quality lasts."

Here is a sample of the manufacturers returning to the gold standard:

Bernhardt Furniture issued a strong statement with the Fitzgerald sofa upholstered in gold velvet. Portia armless chairs are paired with the Brielle end tables and coffee table done in a patina brass base and ivory lacquered tops. The look speaks to a healthy bottom line.

Appreciating the value of all that glows is the Bill Sofield lighting collection for Baker furniture. It includes the Valerian chandelier in antiqued white gold leaf covering steel leaves for a one-of-a-kind look. The Signature table lamp from the same collection is more contemporary in molded and hammered natural brass.

Global Views expressed its lust for luster with several introductions, including the Egg and Palm brass and bronze lamp and a stunning Collectors cabinet. The cabinet, in hardwood with black lacquer finish and gold detail, features two locking doors that open to reveal adjustable glass shelves. With solid-brass-ring pulls and gold eglomise mirror doors, this dynamic piece exudes elegance.

Councill Furniture was not shying away from rich veneers, either. The Parker cabinet speaks to affluence, with a gold-leaf finish, poppy-lacquer interior and ebony-lacquer base. A member of the same club is Councill's Devin chest, also with gold-leaf exterior.

Studio A demonstrated a desire to go for the gold with its gold Waves martini table (although it also comes in silver and graphite). For warmth without the glint, there is the Izmir cocktail or end table, both done in hammered brass.

Hancock & Moore has been looking to the fashion industry for inspiration. The venerable leather-chair company aimed for glamour, but it hit the glitzy bull's-eye with the Flirt chair in gold leather. It's the seat of luxury.

The Clairval coffee table by French Heritage features a glittering gold-shard glass top sitting on a metal base covered in gold leaf. It's a rich addition to any room and comes in console or end-table versions.

It isn't just interiors that are looking Fort Knox-worthy. Brown Jordan brought back Kantan, originally designed in 1956 in aluminum for pool and patio playtime. This timeless mid-century, low-slung profile has been upgraded to brass and has been christened Kantan II. The strapping is no longer the old hard nylon that left its mark. Known as Sun Cloth, it's a revolutionary soft design with lots of give and many colors.