Crime and Punishment
By
Fyodor Dostoevsky
Part 4:
Chapter 5

When next morning at eleven o'clock punctually Raskolnikov went into the department of the investigation of criminal causes and sent his name in to Porfiry Petrovitch, he was surprised at being kept waiting so long: it was at least ten minutes before he was summoned. He had expected that they would pounce upon him. But he stood in the waiting-room, and people, who apparently had nothing to do with him, were continually passing to and fro before him. In the next room which looked like an office, several clerks were sitting writing and obviously they had no notion who or what Raskolnikov might be. He looked uneasily and suspiciously about him to see whether there was not some guard, some mysterious watch being kept on him to prevent his escape. But there was nothing of the sort: he saw only the faces of clerks absorbed in petty details, then other people, no one seemed to have any concern with him. He might go where he liked for them. The conviction grew stronger in him that if that enigmatic man of yesterday, that phantom sprung out of the earth, had seen everything, they would not have let him stand and wait like that. And would they have waited till he elected to appear at eleven? Either the man had not yet given information, or . . . or simply he knew nothing, had seen nothing (and how could he have seen anything?) and so all that had happened to him the day before was again a phantom exaggerated by his sick and overstrained imagination. This conjecture had begun to grow strong the day before, in the midst of all his alarm and despair. Thinking it all over now and preparing for a fresh conflict, he was suddenly aware that he was trembling — and he felt a rush of indignation at the thought that he was trembling with fear at facing that hateful Porfiry Petrovitch. What he dreaded above all was meeting that man again; he hated him with an intense, unmitigated hatred and was afraid his hatred might betray him. His indignation was such that he ceased trembling at once; he made ready to go in with a cold and arrogant bearing and vowed to himself to keep as silent as possible, to watch and listen and for once at least to control his overstrained nerves. At that moment he was summoned to Porfiry Petrovitch.

He found Porfiry Petrovitch alone in his study. His study was a room neither large nor small, furnished with a large writing-table, that stood before a sofa, upholstered in checked material, a bureau, a bookcase in the corner and several chairs — all government furniture, of polished yellow wood. In the further wall there was a closed door, beyond it there were no doubt other rooms. On Raskolnikov's entrance Porfiry Petrovitch had at once closed the door by which he had come in and they remained alone. He met his visitor with an apparently genial and good-tempered air, and it was only after a few minutes that Raskolnikov saw signs of a certain awkwardness in him, as though he had been thrown out of his reckoning or caught in something very secret.

Raskolnikov sat down, keeping his eyes fixed on him. "In our domain," the apologies for familiarity, the French phrase tout court, were all characteristic signs.

"He held out both hands to me, but he did not give me one — he drew it back in time," struck him suspiciously. Both were watching each other, but when their eyes met, quick as lightning they looked away.

"I brought you this paper . . . about the watch. Here it is. Is it all right or shall I copy it again?"

"What? A paper? Yes, yes, don't be uneasy, it's all right," Porfiry Petrovitch said as though in haste, and after he had said it he took the paper and looked at it. "Yes, it's all right. Nothing more is needed," he declared with the same rapidity and he laid the paper on the table.

A minute later when he was talking of something else he took it from the table and put it on his bureau.

"I believe you said yesterday you would like to question me . . . formally . . . about my acquaintance with the murdered woman?" Raskolnikov was beginning again. "Why did I put in 'I believe'" passed through his mind in a flash. "Why am I so uneasy at having put in that 'I believe'?" came in a second flash. And he suddenly felt that his uneasiness at the mere contact with Porfiry, at the first words, at the first looks, had grown in an instant to monstrous proportions, and that this was fearfully dangerous. His nerves were quivering, his emotion was increasing. "It's bad, it's bad! I shall say too much again."

"Yes, yes, yes! There's no hurry, there's no hurry," muttered Porfiry Petrovitch, moving to and fro about the table without any apparent aim, as it were making dashes towards the window, the bureau and the table, at one moment avoiding Raskolnikov's suspicious glance, then again standing still and looking him straight in the face.

His fat round little figure looked very strange, like a ball rolling from one side to the other and rebounding back.

"We've plenty of time. Do you smoke? have you your own? Here, a cigarette!" he went on, offering his visitor a cigarette. "You know I am receiving you here, but my own quarters are through there, you know, my government quarters. But I am living outside for the time, I had to have some repairs done here. It's almost finished now . . . . Government quarters, you know, are a capital thing. Eh, what do you think?"

"Yes, a capital thing," answered Raskolnikov, looking at him almost ironically.

"A capital thing, a capital thing," repeated Porfiry Petrovitch, as though he had just thought of something quite different. "Yes, a capital thing," he almost shouted at last, suddenly staring at Raskolnikov and stopping short two steps from him.

This stupid repetition was too incongruous in its ineptitude with the serious, brooding and enigmatic glance he turned upon his visitor.

But this stirred Raskolnikov's spleen more than ever and he could not resist an ironical and rather incautious challenge.

"Tell me, please," he asked suddenly, looking almost insolently at him and taking a kind of pleasure in his own insolence. "I believe it's a sort of legal rule, a sort of legal tradition — for all investigating lawyers — to begin their attack from afar, with a trivial, or at least an irrelevant subject, so as to encourage, or rather, to divert the man they are cross-examining, to disarm his caution and then all at once to give him an unexpected knock-down blow with some fatal question. Isn't that so? It's a sacred tradition, mentioned, I fancy, in all the manuals of the art?"

"Yes, yes . . . . Why, do you imagine that was why I spoke about government quarters . . . eh?"

And as he said this Porfiry Petrovitch screwed up his eyes and winked; a good-humoured, crafty look passed over his face. The wrinkles on his forehead were smoothed out, his eyes contracted, his features broadened and he suddenly went off into a nervous prolonged laugh, shaking all over and looking Raskolnikov straight in the face. The latter forced himself to laugh, too, but when Porfiry, seeing that he was laughing, broke into such a guffaw that he turned almost crimson, Raskolnikov's repulsion overcame all precaution; he left off laughing, scowled and stared with hatred at Porfiry, keeping his eyes fixed on him while his intentionally prolonged laughter lasted. There was lack of precaution on both sides, however, for Porfiry Petrovitch seemed to be laughing in his visitor's face and to be very little disturbed at the annoyance with which the visitor received it. The latter fact was very significant in Raskolnikov's eyes: he saw that Porfiry Petrovitch had not been embarrassed just before either, but that he, Raskolnikov, had perhaps fallen into a trap; that there must be something, some motive here unknown to him; that, perhaps, everything was in readiness and in another moment would break upon him . . .

He went straight to the point at once, rose from his seat and took his cap.