The sound piece I.N.S.T.I.T.U.T.I.O.N.S (2009), weighs the artist's absences or presences within the loaded parameters of the white cube. At the same time, the work queries the artist's position and treatment as a resistive individual who must function along lines of power that exist in the art world. Only his disembodied voice is heard, mechanically pronouncing each letter that forms the acronyms of the names of famous museums, a jarring sound that collides with the fact that the artist's work has yet to feature in many of the powerhouses on his list.