Downton Abbey: The Exhibition has landed in Boston at The Castle at Park Plaza for an extremely limited three month run. An appropriately themed afternoon tea was held on Friday, June 14th, featuring Executive Chairman of Carnival Films, Gareth Neame, and members of the press and socialites (aka social media influencers).

…there is an extended train fight, daresay, ‘train battle’ that of course perked me right up! Lots of metal for Magneto to play with in a train fight!

One of SNL's newest cast members is rising star Chris Redd. Chris is also known for appearing on Netflix' Disjointed and in movies Popstar: Never Stop Never Stopping opposite Andy Samberg, The House and A Futile and Stupid Gesture. Yesterday, Redd dropped his new album But Here We Are on Comedy Central Records (available everywhere).

The Cloudis the latest graphic novel release from Archaia, an imprint of BOOM! Studios. This fantasy world is set far in the future as a boy and his trusty flying wolf Cloud travel to discover the secrets of his father and seek after a totem for wishes.

Come along and get lost in this beautifully delightful adventure story with pirates, defiant pachyderms, and talking statues.

This adventure story of a boy and his wolf will transport you to another world that is familiar but forever changed by the actions of our time. In the future ofThe Cloudwe are left with mountain cities in the sky as the earth below is no longer fit from the actions occurring in “The Great Before”.

Each page of this graphic novel is beautifully painted by Vincenzo Balzano (Revenge: The Secret Origin of Emily Thorne) borrowing thoughtful stylistic elements from the likes of Dave McKean (Sandman) and Bill Sienkiewicz.

Fans ofThe Sandman: The Dream Hunterswill most certainly enjoy this story tonally. The pitch and solicit also make sure to mentionThe NeverEnding Storya bit and for good reason. Cloud and Falkor have much in common. The boys in both stories are adventurers on a quest.

While based in 1936, Jonathan Case’sThe New Dealis not a hum-drum historical drama based on FDR’s realignment.

No sir, this is a beautifully rendered period heist comedy based the Waldorf Astoria highlighting income disparity from the bellhops and chamber maids kowtowing to the needs of the very rich that choose to make the ritzy hotel their home.

Published under Dark Horse’s seldom used, but high end Dark Horse Originals imprint,The New Deallooks as if it was published at Fantagraphics or Drawn and Quarterly, not necessarily at the home ofBarb WireandItty Bitty Mask.

Nice production design, classy art deco endpapers and a black and white plus wash look to the pages make for an excellent looking hardcover.

Shortly beforeThe Dark Knight Risesclosed the chapter on director Christopher Nolans’ cinematic take on Batman, DC Comics released the hardcover original graphic novelBatman: Earth One(2012) written by Geoff Johns and drawn by Gary Frank.

Johns, protege toSuperman: The Movie’s Richard Donner, became famous for hisGreen Lantern, JSAandThe Flashruns before becoming DC Comics’ Chief Creative Officer.The Blackest Nightscribe also is the link between comics and movies across the lot at Warner Bros., consulting on everything fromGreen LanterntoBatman v. Supermanand down to the successfulFlashandArrowprograms on CW.

Gary Frank, artist forBatman: Earth Onedrew an uncanny Christopher Reeve as Clark Kent/Superman in 2009’s pre-FlashpointSuperman: Secret Origin. While many artists have taken on the iconic DC heroes, Frank’s style rises to the top as a modern master.

Batman: Earth One Volume 2featuring the same creative team was released earlier this month.

Batman: Earth One Volumes 1&2are out of the current DC continuities as we know it, are perhaps meant as chain bookstore (mass market) sellers but the two great hardcovers make great gifts for Batman fans of varied interest levels. Everyone from the enthusiastic FOG! crowd to yourmore causalThe Dark KnightTrilogy orGothamtv series fans will get lost in this version of the Caped Crusader.

This Thursday at the Brattle Theatre, Gene Luen Yang discusses Boxers and Saints, his latest two-volume work from First Second Books. Joining him for the discussion is author M.T. Anderson. The two books tell the story of the Boxer Rebellion from the different perspectives of Bao and Four-Girl. Boxers and Saints illustrates how how Eastern and Western spirits can color the experience of those growing up and getting involved in a conflict of different cultures. Gene was kind enough to tell us a bit about the book, Avatar: The Last Airbender, The Green Turtle, and what we can expect on Thursday.

DIGBOSTON: Hi Gene! Thanks for joining us today to talk about Boxers & Saints. Why revisit The Boxer Rebellion in comic book form?Gene Luen Yang: The Boxer Rebellion is a war fought on Chinese soil just over a hundred years ago, in the year 1900. It was the first global conflict involving both Western and Eastern nations. Many historians believe it to be a harbinger of the World Wars that followed.

It was also the first military conflict in the age of mass media, the first conflict that people all over the world followed through their newspapers.

On one side of the conflict were European and Japanese soldiers, Europeans missionaries, and Chinese Christians. On the other was an army of poor, uneducated young people from the Chinese farmlands. These Boxers, as they came to be known, believed that they could call the Chinese gods down from the heavens by performing a mystical ritual. The gods would possess their bodies and give them superpowers. Given the fact that superheroes have been the dominant genre in American comic books for decades, the Boxer Rebellion and comics are a great fit. To me as a comics fan, the Boxers seemed like a Chinese version of Shazam!

Born in Hungary during World War II, Miriam Katin is a child of the war. In 2006 Drawn and Quarterly published her first graphic novel at the age of 63, her story of surviving the Holocaust, We Are on Our Own. Miriam signs her new book about her relationship with her family and the country that caused so much pain at Brookline Booksmith on Tuesday, March 19 at 7 p.m. The followup to her first acclaimed graphic novel is called Letting It Go. We had the honor of asking Miriam some questions about her work and how she got in to the intimidating art of autobiographical graphic storytelling at an age when many others might consider retiring.

DIGBOSTON: How did you get started working on comics after your career as an animator?

MIRIAM KATIN: It was around 2000 and I was working in Disney’s New York studio. Some young animators who did comics decided to self publish their stories and they started a series of anthologies titled Monkeysuit.

They asked me if I had anything to contribute and in my desk, for ten years I had a rough for a short comic. I competed that story and they published it. It received very favorable reviews and this encouraged me to continue.

Today we get to celebrate comics by remembering the birthday of the father of the graphic novel, Will Eisner (March 6, 1917 – January 3, 2005). Known for creating The Spirit and longer stories such as A Contract With God, Eisner continues to be a reigning influence on comics and graphic storytelling. The high school friend of Bob Kane started his comics career at an early age and continued working until his death. Tufts University screens the 2007 film Will Eisner: Portrait of a Sequential Artist on Thursday as we celebrate Will Eisner Week at Earth Prime Time.

Sure, we’ve gushed about Stan Lee and Jack Kirby, but a man important to comic books has escaped the public’s consciousness over the years. Will Eisner’s cinematic visions of the comic book page alongside a kinetic lettering style continues to define the look of the comic book page as professional artists continue to learn from his masterful storytelling techniques.