Product Omschrijving

Each mic channel features 4-band Perkins EQ with dual sweepable mids,
providing truly professional tone-shaping. Band-friendly features like the
dedicated talkback section with built-in mic allow you to easily communicate
with the talent, whether behind the glass or in front of stage monitors. Deep
FireWire integration, along with complete platform support allows you to easily
record in the studio, or at the gig. The matter is settled then…the 1620i is a
true band workhorse.

DEEP FIREWIRE INTEGRATION
The Onyx-i Series features deeper FireWire integration than any other mixer out
there and offers immensely powerful routing capabilities:

Wet or Dry? — Every channel on the mixer can be
routed pre or post EQ to the computer, allowing you to choose whether to
implement ‘EQ to tape’ or not. Studio Quality Effects — Aux sends are routable to the
computer, allowing you to utilize your computer as a powerful FX engine by
implementing your favorite plug-ins in a live scenario. Preserve Your Mix — Master L/R is routable to the
computer for recording your analog mix. Burn and sell CDs of the mix at the end
of the gig!Mix Integration — Stereo return from the computer can
be routed to either the control room for instant monitoring or to a stereo
channel for mix integration.Latency-Free Overdubs — Having a “real” mixer has its
benefits. Latency-free overdubs are simple since you are using an analog mixer.
No more wasted time dealing with the complicated “DSP” mixers commonly used on
standalone interfaces.

The 1620i delivers hassle-free FireWire connection to your favorite DAW. All
channels, auxes and (of course) the master L/R are available to your DAW. And
since you can return your DAW outputs straight into a channel strip, mix
integration is easier than ever.

PREMIUM ANALOG MIXER
When it comes to the high pressure environment of a recording session or live
performance, you simply cannot beat the stability and reliability of an analog
mixer. With features honed over 20 years of design by some of the legends in the
industry, the Onyx-i Series mixers are simply the best sounding full-featured
analog mixing boards available to the modern sound engineer.

The 1620i has a plethora of analog features that are sure to please. First
off, there are eight Onyx mic preamps which have been proven as some of the best
boutique quality preamps available today. That is, without having to re-mortgage
your house in order to pay for all the inputs you need. Then there’s the Perkins
EQ, which offers highly musical Q filter without sacrificing the precise control
that Mackie EQs are known for. Eight mono mic/line channels feature 4-band
Perkins EQ with dual sweepable mids, the additional four stereo line channels
have 3-band Perkins EQ. So, regardless of the type of signal you need to input,
there is sure to be a channel with the right EQ for the application. Other
analog tools include four aux sends with pre/post fader assignment, allowing for
monitor mixes, effects loops or additional headphone mixes. There are built-in
DIs on the first two channels for direct connection of guitars or bass and a
dedicated talkback section with a built-in mic that lets you easily communicate
with band members while on stage or recording. With all these proven,
great-sounding analog features, it is easier than ever to create a memorable
mix.

SMACKS OF QUALITYThe Onyx 1620i offers a tremendous collection of professional analog
features and extremely deep DAW integration, but it is so much more than that.
The sleek, modern design might even tempt you build a museum quality display for
your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that
it is “Built-Like-A-Tank” and will survive years of abuse.

Any audio company can cram a bunch of inferior components into a chassis and,
believe us, a lot of them do. This is never the case with a Mackie mixer.
Everything about the Onyx-i Series smacks of quality, because only the most
quality, high-end components are used throughout the entire signal path. At the
front end, you have the pristine signal boost offered by the Onyx mic preamps,
which will likely get routed through the legendary Perkins EQ. The signal then
passes through a series of sealed rotary knobs, which keep dust and grime out of
the potentiometer. Then your mix hits the summing bus, which has been
custom-designed to offer the highest possible headroom while preserving the
sonic quality offered by the aforementioned components. Maybe you assigned the
signal to stream across the FireWire outputs. If so, they had the pleasure of
passing through the high-quality Cirrus analog-to-digital converter on their way
to your computer. Or maybe you were overdubbing and streamed your backing tracks
from your DAW and integrated them into the mix. In that case, you can thank the
ridiculously high-end AKM digital-to-analog converter for the immaculate quality
of the playback. These converters are extremely high-quality and easily rival
the most esoteric (and expensive) interfaces out there today. From start to
finish, no matter how you use it, the 1620i offers the quality demanded by
industry professionals.