Originally exhibited in the year 2000 at multiple locations across Australia, Canada, South Africa and England, the artistic, cultural and political dialogue spurred by “The New Republics” is once again circulating in the public sphere. It is the purpose of The New Republics Digital Archive to forge a connection between the content of original exhibition of visual art and current discourse of nationalism, post-nationalism, post-colonialism, identity and diaspora.

“The New Republics” was an exhibition that looked at the cultural histories and contemporary art practices of each of three great land mass states: Australia, Canada and South Africa. These countries share a common legacy of British colonization and immigration and a similar sense of destiny that was tied to the settlement of a “frontier.” Currently each country also seems to be struggling with ideas of nationhood and national identity.

The exhibition drew connections between diverse experiences held together by a particularly English heritage, whose legacy was being challenged in the late 20th century as represented by works of the artists. Drawing on post-modern ideas and multiple heritages, both indigenous and brought in by the migrants who settled there, the artists also raised questions about what can be considered acceptable ethically and aesthetically in the making of art.