The new Kong: Skull Island movie trailer has launched from Warner Bros. Pictures and Legendary Pictures, taking you deep into the heart of the jungle.

A trip back to the strange and risky home of the king of the apes, the Legendary Pictures and Warner Bros. Pictures launch tells the tale of a different group of researchers, soldiers and adventurers working together to explore a mythical, unknown island in the Pacific, as risky as it is wonderful. Cut off from everything they know, the team ventures into the domain of the mighty Kong, igniting the ultimate fight between man and nature. As their mission of discovery becomes one of survival, they must battle to escape a primal Eden in which humankind does not belong.

Tom Hiddleston, Brie Larson and Samuel L Jackson take us behind the scenes of Kong: Skull Island movie, and its impressive scale in this new IMAX featurette.

The movie is a re-imagining of the King Kong story set in the Godzilla universe. In it, a team of travellers, researchers, and soldiers are sent onto a remote island to track the beasts that lurk within Skull Island.

Stars Tom Hiddleston, Brie Larson, Samuel L. Jackson and film director Jordan Vogt-Roberts are among those appearing in the featurette, with Hiddleston calling the film an “immersive spectacle” and Vogt-Roberts discussing it up as “a different world where things are wonderful and scary all at the same time.”

The formal summary says the story follows “a different group of scientists, soldiers and adventurers working together to more about a mythical, unknown island in the Pacific, as risky as it is wonderful. Cut off from everything they know, the group ventures into the domain of the great Kong, stimulating the ultimate fight between man and nature. As their objective of finding becomes one of survival, they must fight to escape a primal Eden in which humankind does not belong.”

It seems sensible that a new take on King Kong would come out in the wake of Gareth Edwards‘Godzilla. In regards of tone and style, Edwards’ Godzilla rewrote the book for many monster films. The stress was no long merely on the size of the creature and the vibrant bedlam – orange flame attaining up to the heavens, 30-story buildings collapsing into wreckage and dust – that it introduced in search for whatever monster or factor it required. Edwards instead seemed to find out elegance and god-like amazement at his creatures, and in calibrating his visions, the director at once faced the real death toll from a monster strike and the existential indifference to those deaths in contrast to the appearance of something like a god on Earth.

Even in the 1st movie trailer for Kong: Skull Island, it was obvious that director Jordan Vogt-Roberts had grasped a few of Edwards’ techniques, which the Rogue One helmer had perfected while working on Creatures, his debut work. There is a obvious concentrate on how someone might see the monster surrounded by around destruction and characteristics in the early trailers as well as the newest TV spot for the movie. Vogt-Roberts has also apparently included another appealing factor to his visual palette in his bewitching use of color. The one thing that affected Edwards’ Godzilla was it’s mostly monochromatic aesthetic and Vogt-Roberts has apparently discovered from that. The arena of Kong: Skull Island looks like a joy to merely discover creatively, which will helps out in films when scripts hit a rough patch of exposition or any dialogue-heavy scene really. There is no telling how the script will turn out from what the movie trailers reveal but from the look of things overall, Kong: Skull Island could be as enchanting in its way as Godzilla.