Tuesday, 28 December 2010

We have been staying with family in Kintbury in Berkshire over Christmas, and went for a walk on Boxing Day (26th December) when it was very cold, but fine, with a hazy sun. The fields and woods looked wonderful in the snow.

I especially liked the dead cow parsley heads outlined in frost. They reminded me of Angie Lewin's prints - I got a lovely book on her work for Christmas - a complete surprise and very well-chosen.

We passed a small plantation of Christmas trees, looking almost artificial with their dusting of frost.

And for canal fans, here is the Kennet and Avon canal, completely frozen.

Boxing Day was the last snowy day, at least for now. Yesterday the temperatures got above freezing for the first time in about two weeks, and today most of the snow has gone. It's very grey and damp - easier for travelling, but nothing like so picturesque.

Monday, 27 December 2010

Now that Christmas Day is past, I can write about the things I made as surprise presents. I sent my daughter and her girlfriend a pair of mitts each. They are in Oregon, so we spoke to them via Skype on Christmas Day (evening here, before breakfast there). We have webcams at both ends, so I could take a snapshot of them wearing their mitts.

One is a pair of convertible mitts, with a button-down top, in merino DK.

The other is a pair of fingerless mitts in Manos del Uruguay merino/silk DK. The pattern is Nalu, which is free on Ravelry. I love the way that three stitches break away from the wrist rib, skid across the back of the mitt, and then end up soberly as part of the top rib again.

Both very successful, I think.

I asked J for something knitty for Christmas, but he said he wouldn't know what to choose, so I bought some yarn, put it in a gift bag and showed him on Christmas Day what he was giving me. Who says romance is dead? Apparently, I gave him a 4-volume regimental history of the 7th Hussars.

The yarn is Rowan Felted Tweed DK in Grey Mist. I already had one ball in a soft green (Herb?) that I acquired two years ago when two Rowan people gave a talk on the company at the local Oxfam shop. They handed out pairs of knitting needles with a ball of yarn and 20 stitches cast on, so that we could knit while listening. They retrieved the needles at the end of the session, but we got to keep the yarn, and the perfectly pointless piece of knitting. It is very nice yarn and good to knit with, so I have been looking for a use for one ball of Felted Tweed ever since. (They also had a wicker basket full of odd balls of Rowan yarn that we were invited to help ourselves from, so I am looking for a use for several other single balls of lovely yarn, too.)

Louisa Harding's Old Moor jumper

When I saw Louisa Harding's Little Cake book, I liked many of the patterns and thought immediately that the Old Moor pattern would be suitable for my odd ball of Felted Tweed. It is designed for Willow Tweed, which is also DK, so I think the pattern will be adaptable, and it uses one ball of a second colour. So that will be my next project.

Tuesday, 21 December 2010

Today is the shortest day of the year, the winter solstice. It's as dark as it's going to get this winter, so like good pagans, we should have a celebration some time about now.

According to this website, today's sunrise in Manchester (about the same latitude as here) was at 0825, and the sun will set at 1548. From now on, the days will slowly start to get longer, although by Saturday, the length of the day will be only be a minute longer (0827 to 1551), so it takes a while for the change to be noticeable. But in a month's time, the day will be nearly an hour longer. Of course, it will probably still be cold (although hopefully not as cold as today - this December has been exceptionally cold).

One good thing about being retired is that I no longer have to leave the house before it gets light in the morning. I used to feel like a troglodyte in the months when I left for work in the dark and got home again in the dark. Much more civilised to stay indoors until it's light.

Thursday, 16 December 2010

I finished knitting a cardigan for myself two or three weeks ago and I have been wearing it a lot because of the cold weather - and I haven't yet written a word about it. Very slack of me. Anyway here it is - it is knitted in Rowan Cocoon, which is a thick, warm, soft yarn in merino wool and mohair.

I have a long-standing prejudice that mohair is scratchy, but this is definitely not. It does shed a little bit, though actually I only noticed when I wore a black t-shirt underneath.

The pattern is Elise, by Sarah Hatton, from the Rowan Cocoon Collection book.

I have made some changes - I made the body longer and the sleeves a lot shorter. (I do not have ridiculously short arms, really and truly - the jumpers I buy generally have sleeves that are about the right length for me, I don't find my coat sleeves hanging below my fingertips - but I usually find the sleeves on Rowan patterns are several inches too long.)

The main modification was that I knitted the button bands at the same time as the fronts. The pattern specified that the button band should be knitted sideways, picking up stitches all round the edge. I hate picking up stitches anyway and in this case, I thought that it would be especially hard to do it neatly, because the fabric is knitted on 7mm needles and so is quite loose. Instead I adopted a rib pattern that is used for the button bands in an old (machine-knitted) cardigan of mine. Normally you can't use single rib for an integral button band, because it is too stretchy, but if you slip all the knit stitches on one side, it becomes much tighter, both widthways and lengthways. In my old cardigan, the side with the slipped stitches was used as the 'public' side, but here I have used it the other way round. I haven't yet found this stitch pattern in stitch dictionaries, but it is like a rib version of heel stitch, I suppose. It makes a firm and substantial button band.

Following my own advice, I used short rows to slope the shoulders and then Russian grafting for the shoulder seams. The result is very neat - I think a conventional seam, being more bulky, might flatten out the cables. And so far the shoulder seams have not shown any sign of stretching under the weight of the sleeves.

There is another important modification that I made to the pattern, that I will write about in another post.

It is a really comfortable warm cardigan - just what I need for the weather we have had this month. It's cosy without being heavy. I love the cables too - though I found that it was quite easy to make a mistake, especially in the very wide cable pattern, and not notice for several rows. Someone said somewhere that Cocoon is impossible to unravel, so you should never make a mistake. Fortunately for me, that's not true. I love the colour, too. Altogether a successful project.

Tuesday, 14 December 2010

I have just finished the scarf that I have been knitting for my sister's Christmas present, that I started in October, as described here. I can write about it here, because it is not going to be a surprise and she saw it three-quarters finished a few weeks ago.

Unblocked scarf

After blocking

Blocking it made a huge difference, especially to the scalloped edging which was something that M particularly liked in the pattern. It wasn't really evident in the finished, unblocked scarf, but after pinning it out to dry on the ironing board, it looks much more as it is supposed to do.

She also asked me to make her a fingerless mitt, because she has arthritis in her left thumb and thought that keeping it warm by wearing a mitt might help. Just one mitt, not a pair. So I have sent her one made with left-over yarn. It's also Sublime baby cashmere merino silk 4-ply, like the scarf. The back of a mitt is a good place to try out new stitch patterns - this one has Elizabeth Zimmermann's Sheepfold pattern (from The Opinionated Knitter). It looks complicated, like a flattened cable, but is easy to knit and doesn't need a cable needle. Worth using again.

Monday, 13 December 2010

I started a little stripy bag in shadow knitting back in October, described here. I finished it this week, as a birthday present for a friend who is 11 today. Happy Birthday, Sarah!

I had to make the handles stripy as well, because I was running out of the navy blue yarn, but I like the effect. (It's moss stitch, two rows of each colour.) And I lined it with fabric in a sort of batik print.

Friday, 10 December 2010

Last night we went to see the National Theatre's production of Hamlet, with Rory Kinnear. We saw it at the Pictureville cinema at the National Media Museum in Bradford. Last night's performance (in London) was broadcast live to cinemas around the country, and around the world, as part of the National Theatre Live programme.

It's a great production, and it was wonderful to be able to see it in that way - the fact that it was live did make it a different experience from a pre-recorded film. At the same time, we could see the actors in close-up on the big cinema screen, so in some ways we had a better view than we might have had in the National Theatre itself. Rory Kinnear's performance made even the very familiar soliloquies fresh, meaningful and affecting - he gave a very convincing portrayal of increasing despair at the awfulness of everything. It was so involving that at the end of the play when the actors took their bows, you felt like joining in the applause (and many people did, in fact), even though the actors were hundreds of miles away and obviously couldn't hear us.

And for the first time in two weeks or so, the temperature got above freezing. It stayed above freezing all night too, so almost all the snow and ice has gone. So a good day altogether.

Tuesday, 7 December 2010

I have been musing on what to knit with the 6 balls of bronze-y coloured Rowan silk-wool yarn I bought recently. I have borrowed a copy of Barbara Walker's Knitting from the Top, so that will give me the structure of a raglan-sleeved cardigan that I can knit downwards until the yarn runs out, but I still need to choose a stitch pattern.

Because of the slightly metallic sheen, I've been thinking of fish-scales and the sort of armour made of small plates. So on a bus journey yesterday, I tried some possible stitch pattern that might look vaguely like that.

(For anyone who thinks, like my husband, that the photo is upside-down, it's not. I'm going to knit top down, so I want to see how the stitch pattern will look that way up.)

I started (after the moss stitch band) with the Openwork Diamonds pattern from Walker's A Treasury of Knitting Patterns. But a lacy stitch doesn't seem appropriate if you are thinking of fish scales or scale armour. So for the rest of the swatch, I filled in the holes in the lace pattern (on the row after a yarn over, I purled into the back of it, to twist it rather than leaving a hole). I think either of these stitch patterns would work well with the raglan increases for the sleeves and would look neat.

But now that I have tried knitting with this yarn, it seems quite thick for double knitting, and it's producing a denser fabric than I expected (on 4mm needles). So I'm not sure it's going to be suitable for a light evening cardi. Maybe a more open stitch would be better, maybe some sort of mesh. That would be kind of chain mail, rather than scale armour or fish scales.

And since I'm going to unravel my swatch, maybe I could measure the yarn I've used and estimate the required area of a small cardigan and see if I'm going to have enough. The plan is to stop when the yarn runs out, but I don't want it to look stupidly short. More investigation needed.

Monday, 6 December 2010

At the Knitting and Stitching Show in Harrogate, I bought a copy of Stitchcraft from September 1934. Amongst other things, it has several knitting patterns, almost all for clothes for (young, slim) women. There's one outfit for a toddler, but otherwise no men or children to be seen. The fashion then was to wear a close-fitting top with a long slender skirt, and many of the knitting patterns for jumpers look almost wearable today, except that they are probably too short for most of us - they are only 18 in. long.

There is also a charming ad for Patons and Baldwins knitting wools, entitled "Heard at the Vicarage sewing party". Alison, Janet and Enid are discussing the jumpers they are wearing. (It's a Knit and Natter session, in fact.)
They are obviously intended to look (to a 1934 reader) young and fashionable, as they admire each other's handiwork, as well as the Patons and Baldwins' patterns and yarns.

Janet: ..... Patons & Baldwins never design stodgy styles. How do you like the bright idea I'm wearing now?Alison: Lovely, dear. What pretty little cape sleeves! But you know I'm all for cosiness, so this long-sleeved style is more suitable for me.Janet: Well, the squiggly white hairs all over do make it attractive.

And so on... (No idea what the "squiggly white hairs" are - the yarn is called Kempy.)

I think that the whole magazine is aimed at young women aspiring to be fashionable, though it's a bit difficult to grasp that the styles they feature were once the latest thing. For instance, it's suggested that you could make a dressing table set with the free embroidery transfer, and it is just the sort of thing that would have appealed to my Grandma.

And elsewhere there is a puzzling piece about what an "older schoolgirl" could wear, by the magazine's Paris Correspondent. (Stitchcraft had a Paris Correspondent!) "With the older school-girl in mind, I asked Anny Blatt to choose two models from her collection of knitted frocks". The suggested outfits look very smart, though you wouldn't think of them as suitable for a teenager (especially as most girls then left school at 14).

Thursday, 2 December 2010

We don't often eat cake, so we don't often bake cakes. But we had some bananas lurking in the kitchen that had got a long way past the point where anyone wanted to eat them au naturel. And last week, J watched a TV cookery programme in which Nigel Slater made a banana cake that requires over-ripe bananas. So we tried the recipe today.

It has chocolate in as well as bananas, and it is very good. And it's easy to make (as long as you remember to watch the hazelnuts while they are toasting so that they don't burn). The recipe is here.

About me

I'm retired and live in West Yorkshire (in England). I returned to knitting at the end of 2009, after a long gap. I'm fascinated by old knitting patterns and women's magazines.
Since 2011, I have been sorting and cataloguing the collection of publications held by the U.K. Knitting and Crochet Guild - magazines, pattern booklets, pattern leaflets and other publications. It is a wonderful resource for researching the history of knitting and crochet in the 20th century.
With the centenary of the First World War in mind, I have been investigating the knitting and crochet activity at that time - the vast quantities of knitted comforts for the troops, but also what women made for their families and their homes.