Shaolin 2011 2010 The New Shaolin Temple Movie 2011 2010

Shaolin 2011 2010 (The New Shaolin Temple Movie 2011 2010) is really a film directed by Benny Chan, starring Fan Bingbing, Nicholas Tse, Wu Jing, Xing Yu, and Andy Lau, with a unique appearance by Jackie Chan. It really is the latest version of Jet Li's film debut(The Shaolin Temple 1982 film)

In 1982, The Shaolin Temple puts Jet Li into the spotlight as a young man highly skilled in martial arts, which path-ed his acting career into the fame he has nowadays.(After watching the film I spent ten months to research Shaolin Kung Fu Training in China and I really like Shaolin Spade,one kind of shaolin monk weapons)

About 29 years later, director Benny Chan comes having a new adaptation of the classic, which shares a comparable story with a new cast,Shaolin 2011 2010 (The New Shaolin Temple Movie 2011 2010).

Shaolin 2011 2010 The New Shaolin Temple Movie 2011 2010

It's of a moment of distinction to proclaim that Benny Chan's newest blockbuster, not just revisited the glory days of Jet Li's 1st ever movie, but also reunited two of the greatest Hong Kong actors ever. Mr. Andy Lau and Mr. Jackie Chan appears on screen together for the very first time considering that 1994's Drunken Master 2.

Shaolin 2011 2010 (The New Shaolin Temple Movie 2011 2010)The story is set in China following the fall of Qing Dynasty,Hou Chieh commands a massive army that wages war to take manage of the city Tengfeng,Henan, China. This ruthless, dispassionate tyrant is portrayed quite convincingly by Andy Lau, who has very an impressive film career, I recall him from House of Flying Daggers. Second in command to General Hou is Cao Man (Nicholas Tse) who is very astute in taking in all the Tyranny 101 lessons.

Shaolin 2011 2010 (The New Shaolin Temple Movie 2011 2010)this film centers itself squarely on the central character of the ruthless and cunning warlord Hao Jie (Andy Lau), who has no qualms in consistentlyprobably had understood his mentor's philosophy that no man is indispensable to quash his insatiable appetite for energy and glory, and through the numerous of indoctrination inside the Hao-Jie-School-of-Thought, it really is no wonder that Cao Man ultimately decides to betray his master. Believe of it as striking when the iron is hot to turn out to be leading dog and creating decisions, instead of taking them.

Hou Chieh, a ruthless warlord who bear grudges with Shaolin Temple and sets to get rid of the people around him for his own positive aspects, was betrayed by his right-hand man, Tsao Man (Tse). It not simply leads towards the death of his daughter, but also makes his wife (Fan Bing Bing) decided to leave him for excellent. Following becoming taken refuge by the cook (Chan), the cook enlightens him and Hou decided to grow to be a monk in Shaolin, leaving down the past behind him and commence a new life. Although disciples in Shaolin bears grudges with Hou in the past, they accepted Hou. Eventually, we will see how Hou and also the disciples defend Shaolin from the invasion of Tsao's army along with the Western powers.

The plot sounds no novelty in it, where we can see how the protagonist repents from his sin towards the mistake made in the past, to how they'll defend in what they think in. Here, we have seen how the Buddhist teachings have been integrated into the plot. In relating towards the Buddhist teaching on the term 'you reap what you sow' with trigger and effect, Hou saw the fall of his energy and death of loved ones by betrayal, which he gets it from his belief of the dog eat dog globe.

An additional perspective of Buddhism that could be observed in Shaolin is 'evil begins with the greed and obsession for power'. This is shown by the portrayal of the sufferings from the civilians throughout the civil war, with warlords fighting for energy and wealth. The perspective has turn into the major theme of the movie, where not just we have observed how Tsao wanted to control the territory, but also the Western powers who aims to take over China making use of gun power. This has somehow reflect on what has happened in today's society, on how stronger bodies are finding rid the culture, values and history making use of destructive powers.

Lau's role of Hou Chieh is different from Li's leading role in Shaolin Temple, in terms of characters and also the incidents they have been by way of. Each shared similarities in their fate and enlightenment, to how they discover a strategy to save the majority of the folks around them. Chan's cameo appearances as the cook supplies some comic relief for the audience right after having a lengthy intense and pressure from Tse's evil character. The comic relief did not final very long, considering that the fate of Shaolin Temple is the major concern of the film.

In a tale about retribution and karma, Shaolin does not deviate quite far from those themes, of how evil intentions can lead 1 astray and suffer inconsolable consequences, only for religion to point one back towards the path of righteousness and all things great.

But a lot of the co-stars had been severely under-utilized in Shaolin 2011 2010 (The New Shaolin Temple Movie 2011 2010), as the story, with responsibility coming from no less than 5 writers, did not pay the other people an excessive amount of attention. Nicholas Tse almost certainly had the meatier role as the chief villain who schemes and sneers, whilst the rest are in to showcase much more of Shaolin martial arts in one film, except for Xiong Xin Xin getting the villainous sidekick to Cao Man, with no dialogue. Wu Jing, Xing Yu and Ye Shaoqun all starred as the requisite monks caught up in the firefight as the latter two turn into part of a group who steals from the army to feed the villagers. Fan Bing Bing was a complete waste as the token female amongst the cast, and though she had a scene or two in a big action sequence in an ambush, little can be mentioned as soon as she appears on and off as the damsel constantly in distress.

Overall, Shaolin makes a really excellent begin for Hong Kong's film market in the beginning of 2011, where it not only shows how Hong Kong film market are making a turn from numerous disappointments in 2010, but also pins hope for far better productions in the coming months