Browsing through Rajnesh Domalpalli’s cine résumé, we see more than two dozen awards from various film festivals across the world, against just one film. The sole bullet point in his filmography reads Vanaja (2006), a quiet little film that has conquered its own domain, won its own set of hearts with its sheer brilliance in thematic and visual execution and perhaps gained an entry to the list of best films of that year.