Harald Krebs, Fancy Footwork: Distortions of Poetic Rhythm in Robert Schumann's Late Songs

Nathan John Martin, Schumann’s Fragment

Joseph E. Morgan, Weber, Schumann, and the Latent Motive

Mitch Ohriner, On Methodological Pluralism in Music Analysis: A Review of William Caplin, James Hepokoski, and James Webster's Musical Form, Forms, and Formenlehre: Three Methodological Reflections, edited by Pieter Bergé