The Merry Widow by Franz Lehar (1870-1948). For Reduction for 1111/111/Percussion, Harp & Strings, First score ever available in U.S.. This edition: Score. Commissioned by Opera North in 1988. Published by Trillenium Music Company (TR.893).

Gloria - Full Orchestra Score and Parts. (For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Mark Hayes. For orchestra. Major Work, Christmas, General. Orchestral score and parts. Published by Roger Dean Publishing (LO.30-2474R).
Mark Hayes's unique and distinctive blending of contemporary rhythms and harmonies with more traditional elements is a hallmark of his style, and one of the many qualities that has endeared his choral music to singers of all levels and genres. With this three-movement Gloria for SATB "divisi" choir, solo quartet, and orchestra, Hayes has made yet another important contribution to the serious concert repertoire, and added to the already published "Magnificat" (45/1147R). The chamber orchestra accompaniment is an exceptional complement to the choral writing while also allowing for a more accessible performance option, and the full orchestral version makes a first-rate concert showpiece worthy of all fine choirs and orchestras. Instrumentation: Fl/Picc, Ob/Eng Hn, Cl, Bsn, Hn, Tpt, Perc, Harp, Pno (for rehearsal only), Vln 1 & 2, Vla, Cello, Bass.

Gloria - Chamber Orchestra Score and Parts. (For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Mark Hayes. For orchestra. Major Work, Christmas, General. Orchestral score and parts. Published by Roger Dean Publishing (LO.30-2476R).
Mark Hayes's unique and distinctive blending of contemporary rhythms and harmonies with more traditional elements is a hallmark of his style, and one of the many qualities that has endeared his choral music to singers of all levels and genres. With this three-movement Gloria for SATB "divisi" choir, solo quartet, and orchestra, Hayes has made yet another important contribution to the serious concert repertoire, and added to the already published "Magnificat" (45/1147R). The chamber orchestra accompaniment is an exceptional complement to the choral writing while also allowing for a more accessible performance option, and the full orchestral version makes a first-rate concert showpiece worthy of all fine choirs and orchestras. Instrumentation: Fl/Picc, Ob/Eng Hn, Cl, Bsn, Hn, Tpt, Perc, Harp, Pno (for rehearsal only), Vln 1 & 2, Vla, Cello, Bass.