Les Miserables sets the bar

February 2, 2010|Monika Kluziak, South Plantation High

Dramatic lighting, poised silhouettes, a melodious orchestra, and clear, ringing vibratos- such were the impeccable components of University School’s ÃÂLes Miserables, an awe-inducing production that assessed the themes of compassion, social injustice, and revolution.

Originally a novel by French author, Victor Hugo, ÃÂLes Miserables was translated onto the stage in the 1980’s and has become famed in the theater world ever since. It follows the central character of Jean Valjean and the complex relationships and political strife that ensue in 19th century France. This opera differs from most musicals in that it is entirely underscored and does not contain the traditional scenes in between musical numbers, which is an intimidating concept. The cast, however, handled this extremely well and proved that they were on the ball by never losing time or dropping lyrics.

The production was greatly enhanced by the functional and aesthetically pleasing technical aspects, as well as the commitment and devotion from the entire 50 person cast. Energy, consistency, and well executed harmonies made the ensemble extremely enjoyable to watch, and the unique quirks and ceaseless characterization of even the smallest ensemble actors truly rounded out the show.

Shining actors included the comic Thenardiers, played by Hayley Brooks and Max Ackerman, whose absurd antics and slapstick comedy were an asset to the otherwise gloomy show. The terrible two had the audience in stitches during ÃÂThe Innkeeper’s Song and always stayed true to their over the top characters.

Many of the lead characters excelled in their roles. Jared Corak was riveting as Jean Valjean and his grand voice rang throughout the theater. Richard Swieton also commanded the stage as the sinister Javert, and provided a multi-dimensional character as well as solid vocals, while the wild Eponine, played by Brooke Weisman, proved to be brilliant whenever she sang and provided one of the most believable characters on the stage.

One of the most impressive parts in the production was the live, student orchestra that played almost ceaselessly during the show and perfectly underscored the vivid vocals. The sound was near perfection, with little feedback and great microphone levels, but could have benefited from a louder accompaniment. One of the more intricate parts of the show, the lighting design, was truly a feat in itself, and it aptly accessorized the set while adding the needed dramatic flair to such a heavy piece of theater.

With a wonderful blend of skill, energy, and ceaseless devotion, ÃÂLes Miserables was an impressive production that truly set the bar.