Filmconvert 1.31 (released today) adds support for the Canon C300 and with it opens the doors to all cameras using the C-LOG gamma. This means you can now also match the C100, C500 and 1DC to accurately reproduce the look of certain famous film stocks.

We’ve seen many grading apps and plugins made to take our footage that extra step towards the film look many of us are so keen to achieve: To make our films look cinematic, organic and nice. But none of them is quite as easy to use and gives you as spot on beautiful results as FilmConvert.
Does it work? Yes it does. I’ve been using FilmConvert for the past several weeks now and I’m very pleased with everything it has done. On any other software doing a quick film grade takes time and I have to smear up my footage with numerous looks, most of them being way to exaggerated. FilmConvert applies just the subtle changes needed to get digital footage where film would be.
The people from FilmConvert measured the exact differences from certain cameras to certain analogue film stocks. The software detects which camera your footage was shot with and alters it accordingly. The result is always right and each of the included 8 (light version) or 19 (pro version) stocks looks very nice. There’s also an exposure and colour temperature tab to do primary corrections and a 3-way colour correction and levels tab to do some rough grading.
FilmConvert has become an essential asset for colour correction workflow. From now on every digital material will go through FilmConvert in one way or another.