Digital synchronicity concretizes spacetime as it folds outside the individual. Assisted by digital spheres, Ear in the gardens of silence, side streets sets up drops of what can be heard outside the human memory, in order to be able to utter them again, repeat them infinitely with the mouth of technology. Not only is it recreating topographical knots and spatial (non-)presence, it also makes time, and with it voice, transfer differently along the riverbeds weaving in myriad curves ... the deep time of bodies.

About Me

Petra Kapš (aka OR poiesis) is an artist, curator, writer.
She waves her work in between sound art, radio, poetry sonor, performance; she engages with critical reflection of art and is curating art exhibition and projects.
Word, her core medium, she extends with sonic spheres of khronos-space poetry – poetry sonor. She develops performative practice of field uttering and recording, is researching possibilities of intimate (field) radio and is concerned with spatial, incarnated aural memory, underlaid with ”time”. Her working periphery includes digital and acoustic tools, incorporating syntemporal presence through digital spheres. Her sound works are located solitudes.
Writings on art she publishes in slovene and international media. She self-published art book -OR- changes of art, Being poetic in correspondence with an oracle (2010). Her scientific work Wording(s) deals with poetical, etymological, ontological and aesthetic dimensions of »oration«, oracle, order, meaning and understanding.