Pride Month has come and gone, Gentle Reader, with no comment from this desk.

It’s not that I’m in some way insensitive to the subject; instead it’s more of a desire, once again, to stay off the beaten path.

And in that spirit, I do indeed have a story of Gay History…but it’s not from the Summer of ’69…instead, this story was already well underway before the Summer of ’29.

So put on something très chic and let’s head on over to Harlem…at the time of the Renaissance…because it’s time to meet Gladys Bentley.

As so often happens, I had no idea I would be writing a Gay History (HerStory?) story—and the funny thing is, it’s all Groucho Marx’s fault.

For those not aware, Groucho starred in what is now an ancient television game show, “You Bet Your Life”. The basic concept was that the guest would come on and demonstrate a talent, do a little comedic banter with Groucho, and then answer questions for money.

There is a newly released DVD set of episodes from the show, and I was watching the very first episode of the set…and along comes this woman who introduces herself as Gladys Bentley. After a few words, she sits down at the portable piano that was provided, and much to my amazement she proceeds to pound out some of the most amazing boogie-woogie it has ever been my pleasure to watch.

Naturally, a Google search ensued…and that’s when it got interesting.

You see, Gladys Bentley, in 1920s and 1930s Harlem, was the most famous Drag King of her time (yes, Virginia, there are Drag Kings, just as there are Drag Queens)…and all of a sudden, it was time to write a “couple days after Pride Month” story.

The history of early 20th Century Harlem is associated with two notable trends: black migration caused by the gradual desegregation of the neighborhood and the introduction of Prohibition and the speakeasy culture.

“…a costume ball can be a very tame thing, but when all the exquisitely gowned women on the floor are men and a number of the smartest men are women, ah then, we have something over which to thrill and grow round-eyed.”

For those unaware, 1920s Harlem was the home of an active gay community, and it was apparently the perfect place for a black woman who once wrote that “even as I was toddling, I never wanted a man to touch me….”. By the end of the decade she had worked herself up from playing rent parties to stardom on “Jungle Alley”: appearing at The Cotton Club and eventually becoming the “headliner-in-residence” at the predominantly lesbian The Clam House (the entendre being entirely intentional).

It is reported that there was a surprising amount of integration on Jungle Alley—of multiple kinds—which helped Gladys Bentley soon became the darling of the white, black, gay, and straight social sets. (Langston Hughes even modeled a character in the play “Little Ham” after her.) Her ability to write and perform some of the bawdiest lyrics ever while “working the room”—especially the ladies–kept The Clam House packed…and it set her up for an even bigger gig to come.

Connie’s Inn, another famous speakeasy, had closed, and in its place was the Ubangi Club. To “kick things up a notch”, as it were, the new management not only hired Bentley, but provided for her an entire chorus line of “pansies”; the combination of the effeminate male chorus line and the female butch headliner forming a sort of gender-bending fugue that that came together in elaborate stage shows produced by the likes of Leonard Harper.

Eventually she moved over to the Mad House, performing under the stage name of Barbara “Bobbie” Minton…which, before long, caused the club to change its own “stage” name to Barbara’s Exclusive Club in her honor.

She recorded music as well, first in the late 1920s, for OKEH records; some of that music can be heard today by visiting just the right websites.

Bentley’s first marriage—to a white woman, in Atlantic City—was reportedly covered in the society pages of the New York papers. Bentley also reports that there were two marriages to men, in later years, both ending in divorce—a topic to which we will return later.

(Fun Fact: Some sort of club has occupied the same location as the old Mona’s right up to this very day, and if you find yourself in San Francisco you can visit Apartment 24, the current occupant of the spot (the website tells us to “think of classic age rock star David Bowie’s over the top apartment in the 1960s….”).)

In 1945 World War II came to an end…and not long after that, so did the “gender-bending” phase of Gladys Bentley’s life.

“I thought that nought is worth a thought,
And I’m a fool for thinking.”

Before we proceed further, a few words about the public ”presentation” of homosexuality.

If you read media accounts from the 1930s—and later–that deal with gay issues, one thing that will become quickly apparent is the way the gay lifestyle is presented as an aberrant condition. You will likely also note the admonitions that a gay person must be suffering from internal torment, and unable to live a happy life.

Here are a couple quick examples:

“…Dr. Berger reasons that 99 out of any 100 Lesbians are successful in hiding their strange sex habit…

…Since it is easier for a woman to hide the fact that she is sexually cold than for a man to hide the fact that he cannot satisfactorily perform functions expected of a normal husband…

“…still, in my secret heart I was weeping and wounded because I was traveling the wrong road to real love and true happiness. I could not find them in the cruel, unusual world of my strange private life.”

That second example is from an August 1952 “Ebony” Magazine article written by Gladys Bentley, “I Am A Woman Again”.

In the article Bentley renounces her entire life…and in doing so she paints a portrait of a woman who would have been a whole lot happier if she would have had the freedom to just be herself.

She describes a childhood that was spent mostly alone, parents who tried to “fix” her gender confusion by making her dress in something other than her brothers’ suits…an attraction to her teacher that she did not understand…and what she herself portrays as “extreme social maladjustment”.

Even then there was a feeling that you could cure “Teh Gay”, and as a child Bentley’s mother “began to take me from doctor to doctor…”; an effort to which Bentley herself would eventually return.

Fast forward again to post-1945…and the time she married a sailor.

“Don” was a friend-of-a-friend from San Diego via San Francisco who was told to introduce himself to Ms. Bentley if he should happen to find himself in Los Angeles…which eventually happened.

Despite the fact that “I hated sailors at the time” because of their aggressive nature they began to spend a great deal of time together—so much so that she began to introduce him as her brother.

“One day, I told Don all about my life. I admitted to him that he had me very confused because I couldn’t understand what I was doing letting a normal man pay attention to me.”

In the midst of tremendous anxiety about the future of their relationship (what with Don being the accepting type and all, they had decided to marry), she decided to visit another physician, to whom she announced the news of her impending marriage.

““That’s just what I wanted to hear” the doctor told me. “Now I can tell you what I’ve known for a long time. Your sex organs are infantile. They haven’t progressed past the stage of those of a fourteen-year-old-child.””

Eventually Bentley began to study religion seriously, and she was in the process of becoming an ordained minister at the time of her 1958 appearance on the episode of “You Bet Your Life” that was the genesis for this story in the first place.

(Another Fun Fact: An 11-year-old Candice Bergen appears as a contestant in the second half of that same episode.)

In one way, Gladys Bentley’s story came to an untimely end just two years later, in 1960, when she died from influenza…but in another, more profound way, the story remains unresolved to this day.

It is, after all, still impossible for most same-sex couples to marry—and the Federal Government has yet to acknowledge the legal marriages that have occurred.

And those who do choose to carve out a different gender rôle for themselves, as well as those who are merely “committing the crime” of being gay are still ostracized by many in the larger society, even to the point that “God Hates Fags” has become the rallying cry for a weird and twisted church.

That said, the story is moving in the right direction…Prop 8 notwithstanding…with several states now granting to same-sex couples the right to marry—and the LBGT community gaining more and more political power all the time (can you say gAyTM?).

The remainder of the Obama Administration promises to be an exercise in…well, we’re not sure: will the Administration live up to the Candidate’s promises—or will the LBGT community find itself feeling the same way vis à vis the Democrats as the “teabag” community (not that one…the other one…) feels about the Republicans: taken for granted while at the same time lacking better options.

So how’s that for a “not Pride Month” story?

History that stretches back more than 40 years before Stonewall…great music…a bawdy personal life…repression, regret, and recriminations…and in the end, an Administration that is having to face up to the demands of those who seek more equal treatment.

And all of that…because of Groucho Marx.

WARNING—Self-Promotion ahead: I am competing for a Netroots Nation Scholarship, and I was not selected in either the first or second rounds. There is one more chance…and while I’m not inclined to use the “hard sell”…I guess I will today.

If you like what you’re seeing here, and you’d like to help me make these stories even better, swing by the Democracy for America site (even if you have before…) and express your support.

All of us here thank you for your kind attention, and we now return you to your regular programming (which, in keeping with the “hard sell”, is rated PG, instead of the usual G).

The past six weeks have seen a narrowing of focus here at the blog as we concentrated first on the election, and more recently on the events unfolding in Egyptian politics.

As often happens when covering these major events, we have an abundance of stories that are piling up…and deserve our attention…and in this case, it’s a story that will take us far from the usual political real estate upon which we would normally slog.

It’s my happy duty, instead, to point you toward one of my favorite musicians…and in the course of doing that, to an event series that is also well worth your time…and in the course of doing that, to a bar that is working hard, every day, to fulfill your live music needs—and by an even happier coincidence, the three intersect this Sunday.

I’m a sucker for a chanteuse, I admit, be it Billie Holiday, or k.d. lang, or even Grace Jones…and I’m even more of a sucker for that Ralph Sharon sound—the stand-up bass, the piano, brushes, a nice sax solo…with a strong voice out front.

She’s a bit of an odd duck—she’s born in Georgia, but she moved to Paris as a teenager (with her mother the French teacher) and took to the streets…literally…to find her musical fortune, which led to her playing with bands such as the Riverboat Shufflers and the Lost Wandering Blues and Jazz Band, as NPR tells us.

She has a bit of an odd style as well: she strays from French-language classics such as “La Vie En Rose” or “J’ai Deux Amours” to “street jazz” songs like “Was I?” to unexpected “lounge jazz” remakes of songs like “Walkin’ After Midnight” (with James Carter on the saxophone…and thanks to ksingh for the correction) or Harry Nilsson’s “Everybody’s Talkin’” or “Smile” to the Ralph Sharon/Tony Bennett style in, for example, “Muddy Water” or “The Summer Wind”, a song made famous by Frank Sinatra almost half a century ago.

She also has a pop flavor to her music, with songs like “Lonesome Road” (which, I swear, has a bit of Bob Wills-like Texas swing guitar embedded in there…) or “I’m All Right” or “California Rain” being perfect examples of that pop sound.

(She has a great Web site as well, and these songs can all be heard there…and more besides…so go and enjoy, Musical Travelers…)

Over the course of the past dozen years she has released three of her own albums: “Dreamland”, “Careless Love” and, most recently, “Half the Perfect World”…but there is a really, really nice “hidden” album as well…a project she did with William Galison and Carly Simon—“Got You On My Mind”.

This is the stuff you listen to on a rainy afternoon…or sitting by the fireplace…or in the car, when it’s all over and you have had just about enough for one day.

Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness.

So let’s say, just for the heck of it, that you’ve been hanging around Tompkins Square Park (“Come for Charlie Parker’s House…stay for the dime bags!”), and it’s getting dark…and, just like Homer Simpson, you’re afraid of the C.H.U.Ds.

What’s a music lover to do?

Well, as it happens, you’re only about 10 blocks from a refuge: the Rockwood Music Hall, which offers somewhere between six and eight bands every night for your dining and dancing pleasure. (In truth, that’s a stretch. It’s not a restaurant…and it’s way too small for a Conga line…but in a hunger emergency, the Sugar Café is just a few steps away…or you could really go nuts and hit Russ & Daughters, which is just around the corner.)

The shows combine a lengthy conversation with live performance (not unlike “Piano Jazz”), and have recently included appearances by Casey Shea, Paul Brill, and, by way of Denmark, Greenland, Nashville…and Washington State, Simon Lynge.

You can get a feel for the thing by visiting Gasparro’s MySpace blog and listening to all the archived events…and for an extra treat, each artist has a playlist of what music interests them.

So here’s the part where the whole story comes together: this Sunday (doors open at 6:00, but get there early!) Madeleine Peyroux and Second Sundays collide at the Rockwood—and it should be awfully good.

And here’s the best part: there’s no cover.
Ok, that’s not actually the best part. The really best part is that, depending on who you ask, the capacity of the room is somewhere between 30 and 75 people.

The tip bucket will be passed, with the money going to right to Peyroux, so you can see a great show, learn about music and a great musician—and directly support that musician without the filters of a record company or promoters. (All the details can be found at the Second Sundays site.)

So that’s today’s story: this Sunday the most excellent Madeleine Peyroux will be at the most excellent Rockwood Music Hall for another installment of Danielle Gasparro’s most excellent “Second Sundays” series….and you can go see the show for the same price you paid to go see “Tropic Thunder” with the obligatory popcorn tub and tankard of Coke.

Trust me, it will be money better spent.

AUTHOR’S NOTE: I’m not connected with any of this personally or financially; and no music industry representatives have been hanging around doing lines with me or taking me to VIP rooms or anything like that….mostly because I’m nowhere near that cool or interesting. Instead, this is an actual unsolicited endorsement. So there you go.