Additional Digital Resources:

Many of the largest collections of seventeenth-century broadside ballads have been digitized in the English Broadside Ballad Archive created by the Early Modern Center in the English Department at the University of California, Santa Barbara.

A 3-D tour of seventeenth-century London before the Great Fire of 1666, produced by a team from De Montfort University.

Further Reading

Austern, Linda Phyllis. “‘For Musicke Is the Handmaid of the Lord’: Women, Psalms, and Domestic Music-Making in Early Modern England.” In Psalms in theEarly Modern World, ed. Linda Phyllis Austern, Kari Boyd McBride, and David L. Orvis. Farnham, Surrey, and Burlington, VT: Ashgate, 2011. http://www.worldcat.org/oclc/756484126

Holman, Peter. Four and Twenty Fiddlers: The Violin at the English Court, 1540–1690. Oxford Monographs on Music. Oxford: Clarendon; New York: Oxford University Press, 1993. http://www.worldcat.org/oclc/27265398

Pollack, Janet. “Princess Elizabeth Stuart as Musician and Muse.” In Musical Voices of Early Modern Women: Many-HeadedMelodies, ed. Thomasin La May. Women and Gender in the Early Modern World. Aldershot, Hants, and Burlington VT: Ashgate, 2005. http://www.worldcat.org/oclc/54974608

Uribe, Patrick Wood. “‘On that single Instrument a full Consort’: Thomas Baltzar’s Works for Solo Violin and “the grand metamorfosis of musick.” Journal of Seventeenth-Century Music 15, no. 1 (2009). http://www.sscm-jscm.org/v15/no1/uribe.html

Winkler, Amanda Eubanks. O Let Us Howle Some Heavy Note: Music for Witches, Its Melancholic, and the Mad on the Seventeenth-Century English Stage. Bloomington: Indiana University Press, 2006. http://www.worldcat.org/oclc/64688662