A piece in the LA Times this week notes the challenges the LACMA renovation’s new concrete walls will pose for the mounting of work. “Faith in concrete’s sober virtue reminds me of all the cooing back in 2008-2010 over “column-free space” in Renzo Piano’s LACMA designs for BCAM and the Resnick Pavilion. Wide-open, uninterrupted interiors without pesky ceiling supports were touted as representing curatorial freedom and artistic respect — the liberty to subdivide interior museum space in whatever way might best flow from the art being shown,” writes Christopher Knight. “Yes, but: Art installation budgets roughly tripled when BCAM and Resnick opened, several people with direct knowledge of the column-free plan told me. Earthquake-zone building codes guide construction of those temporary interior walls. The structural demands approximate those for permanent walls — including their expense.”