A copy of this book was provided by the publisher for an honest review at The Romance Evangelist.

This review contains spoilers for JUST ONE NIGHT, the first book in this series. You can read JUST ONE LIE as a standalone. In fact, I think you might prefer it that way.

I still remember how blown away I was by Kyra Davis’s fantastic JUST ONE NIGHT serial. It was only three parts, but the plot was paced perfectly between them, with a relentless knife-edge tension that I rarely see in romance stories that aren’t dependent on physical threats to the heroine. So when I heard there was a follow-up book about that heroine’s doomed older sister, I was more excited than I probably should have been. Because although I did enjoy reading JUST ONE LIE, it was in spite of my elevated expectations, not because of them.

In the previous story, JUST ONE NIGHT, our heroine Kasie Fitzgerald had lived her whole life to her parents’ extreme specifications, never allowing herself to step out from behind their imposed facade of the good girl who never makes mistakes. After all, Kasie’s sister Melody made all the wrong decisions and that’s why she’s dead. Or is she? Because as we eventually discover in the opening chapters of JUST ONE LIE, Melody might be dead, but Mercy is very much alive, and trying desperately to stay that way.

Now the man who helped kill Melody, as Mercy keeps telling us, is back in her life and wants to pick up where they left off. Ash doesn’t seem like the best choice for Mercy but she can’t resist the pull, even as she’s becoming more drawn to Brad, the new drummer in her band. Which man will help Mercy heal from her tragic past, and which man will drag her back to the grave she thought she’d buried Melody in for good?

I’ll confess that although I knew this book was about Kasie’s sister, I was a bit lost at the beginning. Once I figured out what was going on, I was able to settle down and enjoy what turned out to be something completely different than what I had expected.

Because unlike JUST ONE NIGHT, JUST ONE LIE is a New Adult romance in every respect, and I was not prepared for that. Mercy made terrible choices as Melody, and continues to do so as Mercy for a major portion of this story. Ash was the guy who helped get Melody evicted from her home and life, yet she wants to him to be the one who saves her now. Brad is clearly the better choice, yet there there’s no clear path between them and real happiness either. Between the drama and a series of flashbacks and flash-forwards, it was sometimes only my need to see how all this tied back into Kasie’s story that kept me going. But once the book stopped jumping around in time and began its final approach to Mercy’s HEA, I was all in.

Although I did enjoy reading JUST ONE LIE, I honestly think I would have liked it more as a completely standalone book. The connection to the previous book set up assumptions that weren’t correct or fair. And that’s not the fault of the story, which is a touching romance about two people who eventually learn the right lessons from their past mistakes so they can be truly happy together. If you love dramatic angsty New Adult romance, JUST ONE LIE is what you want. It’s not JUST ONE NIGHT, but it’s still a good read.

A copy of this book was provided by the publisher for an honest review at The Romance Evangelist.

SUDDENLY ONE SUMMER is only the second book I’ve ever read by Julie James, but she has already become a writer I trust to provide a couple I can’t resist in an interesting story filled with seemingly effortless dialogue and just enough plot twists to keep it lively. In this latest entry in her ongoing FBI / US Attorney series, our hero is an investigative journalist who was introduced as a secondary character in a previous book and his heroine is a divorce attorney determined to keep her life free from romantic entanglements.

Victoria Slade wasn’t supposed to move into her new house until the end of summer, but when burglars send her to the hospital with a panic attack, she’s forced to find another less frightening place to live until then. When she meets Ford Dixon, her temporary neighbor, Victoria is tempted, but refuses to let her libido or her heart get her in trouble. What she didn’t count on was getting pulled into Ford’s quest to find the father of his sister’s baby, and how their constant proximity would soon blossom into a romance neither Victoria nor Ford is quite ready to handle.

What I loved the most about SUDDENLY ONE SUMMER is how Julie James takes two people who are complicated characters in their own right and throws them together in a way that not only seems possible but inevitable as we feel every moment they experience on the way to their happy ending. Although Ford and Victoria come from different worlds, the childhood traumas that shaped them aren’t all that dissimilar, and when they reach the inescapable black moment of the story we can see their coping mechanisms are also variations on the same theme. The search for the father of Ford’s sister’s baby may at first seem not directly related to the romance, but as Ford and Victoria become more engrossed in their shared quest, their teamwork helps build the rapport and trust each needs to take their summer affair into something deeper. It’s also what ultimately keeps them in each other’s lives long enough to realize what they have is stronger than any past trauma, and pushes them into the shared leap of faith a real commitment requires.

It’s hard to fully describe the feeling I get when I read a Julie James book without sounding either pretentious or hackneyed. For me, her writing is like a perfectly mixed cocktail or a flawlessly constructed dessert, where you know there was extensive effort behind the scenes to make it all work but all you experience is the sublime result. SUDDENLY ONE SUMMER made me laugh, made me cry, and made me swoon, sometimes all in the same paragraph. It’s one of the best books I’ve read this year and reminds me I still need to go back and read all the other titles in this excellent series.

A copy of this book was provided by the publisher for an honest review at The Romance Evangelist (but I bought my own copy afterward).

ASKING FOR IT is an unusual story from a new author, or at least a new name to the genre. I wish I knew the name that Lilah Pace used for her other books, because I want to glom her backlist. Because I loved ASKING FOR IT. I loved it so much that I bought my own copy when it was released weeks after I read the ARC. It’s easily the best book I’ve read so far in 2015, and the only book I’m anticipating being better is the follow up book to come later this year.

Vivienne Charles has a special need for sexual satisfaction, an overwhelming need and a secret shame. Secret until one fateful evening when her drunk ex blurts out the truth in front of the one man who hears and understands. For Jonah Marks has his own wants and desires, and what he wants is what she needs. The forces that let them to this point may be pushing them together, but when long buried secrets are revealed, those same forces will drive them apart just as quickly, perhaps for good.

I’m not going to drop any spoilers to show why I found this book to be so incredibly good because as always, the joy is in the reading. But there is one thing I need to reveal because I’m convinced it will make you like the book more, not less. ASKING FOR IT is not a stand-alone book – it’s book 1 of a duology. That means the romance started here in ASKING FOR IT will not have its happy ending until book 2, BEGGING FOR IT.

If you hate cliffhangers, please know that I hate them just as much, and if I hadn’t known this story was continued in the next book, I’d have felt blindsided. Yet I did know, and as a result, the ending felt more like an intermission between acts, a natural break as opposed to an arbitrary stopping point. Vivienne and Jonah just have so many problems to work out both individually and together that any HEA in this book would have to be rushed and completely unbelievable. By the time ASKING FOR IT ends, there’s so much we know about Vivienne, but we’ve only just begun to plumb Jonah’s depths, and why what Vivienne wanted is what he wanted to give her…until it wasn’t.

If you’ve read the blurb or the disclaimers, you know what this book is about. It’s a woman with rape fantasies and a man willing to make them happen for her. But what this book is also about is consent, in big flashing capital letters. Consent is what brings Vivienne and Jonah together. Consent is what differentiates their relationship from any other either has ever had. And lack of consent is what could ultimately tear them apart. Because consent needs to be mutual, or it doesn’t exist at all.

The line that resonated with me the most about consent is also what I keep coming back to when someone asks me why their story had to be in two separate books. It was spoken by Vivienne’s therapist about Jonah, and it’s part of why this book was so different for me in a genre overrun with dub-con, non-con, and every variation of what is sold as “dark romance” these days.

“But he gets to have limits too.”

Readers also get to have limits. ASKING FOR IT might hit your limits, and that’s understandable. But if this is the kind of book you think you might like, I think you might like it a lot. I know I did.

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