When my drummer was here recently for the recording of my sixth self-help singer-songwriter album, titled The Great Something, he talked about how much he loved the old 1960’s hit television show, The Twilight Zone.

It’s Twilight Zone-ish enough that my drummer has the same name as me, grew up in the same area of Ohio as me, and went to the same college as me – but we never met until five years ago, for the making of my first singer-songwriter album.

Drummer Joe Vitale with author Joe Vitale

But it gets even stranger when one night an episode of The Twilight Zone aired on television – one I don’t recall ever seeing before.

As I watched, an idea for an “instant change” self-help technique came to me with a jolt.

Oh, this is good, I thought to myself, laughing.

Wait till I tell everyone about this!

And this is where the story gets really interesting.

But let’s start at the beginning.

William Shatner in The Twilight Zone

I’m a huge fan of The Twilight Zone TV show.

I was five years old when it first aired in 1959, but I saw virtually every episode after that, and still watch them today. Each show was genius. Great acting, great stories, great lessons.

Over half of the 150 episodes were written by the man who created the show: Rod Serling.

Serling deeply influenced me when I was a teenager.

I studied his scripts, short stories, and movies to unlock his mastery at writing.

I loved his screenplays for Seven Days in May and Requiem for a Heavyweight.

Talk about hypnotic writing!

Rod Serling’s Advice to Writers (1962)

DON’T LET SENTIMENTALITY REAR ITS UGLY HEAD!!!

MAKE PEOPLE THINK… STUN THEM… GRAB YOUR AUDIENCE IMMEDIATELY

DON’T OVERLOAD DIALOGUE

HAVE A POINT OF VIEW… DON’T ACCEPT SOMEONE ELSE’S CONCEPT

OVERALL THEME LEADS TO CHARACTERS THEN ON TO PLOT

RESEARCH BACKGROUND FOR ANY STORY

CONTINUITY… TIE SCENES OR PARAGRAPHS TOGETHER

I almost signed up for the Famous Writers School, as Serling was on their board (as was John Caples, another writer who would influence me decades later).

It didn’t happen. I was still in high school, and my parents couldn’t or wouldn’t swing the tuition for the correspondence course.

But something even better happened.

I met Rod Serling.

He was giving a presentation in Youngstown, Ohio, not far from my home. Two friends and myself went to hear the great one speak. It was around 1970.

I was too excited to sit still.

I was star-struck and eager to meet the icon.

He walked out on stage, cigarette in hand, tanned, tiny, unshaven, tight lipped, and uncomfortable.

I was instantly disappointed.

Serling was a chain-smoking little man with darkness and insecurity in him.

He said if there was a thump at night, he’d be the first one outside in his shorts.

He said he was the only boxer who had to be carried into as well as out of the ring.

He was articulate, self effacing, and entertaining.

But I wanted to see a super human, not a mortal.

Though I was shy and nervous, I managed to ask him a question.

I raised my hand.

He nodded at me.

“Do you plan to write your autobiography?” I asked.

“No,” Serling replied. “Nothing much has happened in my life. It’d be boring.”

I was shocked.

Here was one of early television’s most influential writers.

A creative mind on the level of genius.

He wrote screenplays for some of the most haunting TV shows and movies ever.

He won several Emmy Awards for his work.

He served in the war and received the Purple Heart and Bronze Star, as well as trauma and wounds that would give him nightmares his entire life.

He was known as “the angry young man” of Hollywood, fighting with TV executives over censorship, racism, and war.

He was also unhappy.

“I was traumatized into writing by war events,” Rod Serling explained. “By going through a war in a combat situation and feeling the desperate sense of terrible need for some sort of therapy. To get it out of my gut, write it down. This is the way it began for me.”

And he thought his life story would be boring???

It was a turning point for me.

I decided if this insecure man can become a scrip writing legend, than there was a chance for me to make it as an author, too.

And now, before I get to the point of this entire article, let’s pause for a commercial break….

Preorder today! I dedicated my sixth singer-songwriter album to the great Melissa Etheridge

Be the first! Preorder my new album “The Great Something” as a limited edition collectible audio CD. All original transformational songs. All dedicated to Melissa Etheridge. You’ll get a surprise bonus gift when it ships in March. See http://www.thegreatsomethingalbum.com/

And now let’s continue with this article….

Back to the episode I saw the other night.

It took place in an office.

A businessman is talking to his secretary.

He is preparing to go on a trip.

He goes to his phone, starts to dial his wife’s number, when suddenly someone shouts, “CUT!”

The man freezes.

He watches as his office walls are moved.

And then he sees an entire film crew looking at him.

He is on a movie set.

The yelling of “CUT!” caused him to freeze.

He is almost traumatized by this turn of events.

He didn’t know he was on a set, or in a movie, or was an actor.

Imagine how you would feel if right now you heard a booming voice yell “CUT!” and then you saw the walls around you move apart, only to reveal a film crew that has been watching you the whole time.

The episode is from 1960. It’s #23. It was written by Richard Matheson. It’s called “A World of Difference.” Howard Duff is the key actor. Find it and watch it sometime.

And now let’s get to the point:

Here’s how I discovered a self-help “instant change” technique:

Whenever you notice anything not going the way you want it to, mentally or out loud yell, “CUT!”

PS — One of my favorite screenplays by Rod Serling was titled, Patterns. It was a live television drama in 1955. It became a movie in 1956. Yelling “CUT!” is a great way to break a pattern. Just sayin’.

At my recent presentation at Sundance in Utah, I invited everyone to think of a problem that they wish would go away — a nagging one that seemed to stick no matter what — one that they never even tell anyone about because it hurts so much…

I wanted them to feel the block — whether a block preventing them from attracting money, health, love, or anything else — so I could help them release it once and for all.

I then played just four of the eight tracks from the new healing album, “Invoking Divinity.”

My ninth album

I knew the inspired music, calming 432 Hz frequency, and clearing ho’oponopono prayers would help them melt anything in the way of their experiencing bliss right now and being free to have, do, or be virtually anything they could imagine.

Did it work?

Here’s what one person said..

“As I listened to Invoking Divinity for
the first time, in my mind I thought about
something recent that had happened to me
that was very painful emotionally.

“Each time I thought or talked about the painful
experience, I couldn’t help but cry. Even though
I tried to let go of the emotions, it seemed like
I couldn’t. When Joe Vitale asked me to think
about something that needed clearing, I immediately
thought of that event.

“As I listened to the first track, sure enough,
the tears streamed down my face. I felt the emotion
of the event very deeply. Somehow, by the third track,
the pain was gone. After all this time, just sitting
and listening to your healing music soothed my pain,
and then completely healed me. As the fourth track
started, I began to have clear inspiration about what
I should do with my class (I’m an elementary school
teacher) and particularly with some of the students
that struggle for one reason or another.

“Not only did the music heal me, it opened up a portal
to inspiration for me. I believe this shift from within
me will create miraculous positive influence on my
students and many others. Thank you, from the bottom
of my heart, for the blessing of your healing music.
Now I have a deep desire to get the music translated
in Chinese so my Chinese-speaking family can benefit
like I did!”

Yang Yue
Huai Nan, China

And…

“Listening to your newest album Invoking Divinity was
profound for me, thank you for healing me, thank you
for inspiring me– again.

“That was probably the best 20 minutes I could ever
spend. Moving from track to track on the CD and just
feeling my energy shift was absolutely profound. Your
music is a blessing to humanity.”

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