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gods, demigods, and heroes

What if gods have nothing whatsoever to do with people?

I don’t mean that they ignore them or refuse to commune with them. I mean that they have no relationship with humans at all?

We’ve invented gods largely as explanations. We have gods of things, gods that explain lightning, famine, plague. And as we’ve added our own explanations through observation and analysis, our gods have become more esoteric but still explicative, now chased into the remote corners of spaces unknowable. Gods now explain why we exist, what comes after, and guarantee that there is a point. They are present to give a face to a concept and to let us know that there is a plan, that it’s all fine, that there are reasons.

So what would a god look like who is not any of those things?

In Sand Dogs the tombs that stud the desert are the places where gods dwell. I was going to say “the homes of gods” but that’s not really right because the gods don’t have homes. They aren’t sitting inside the tomb watching Deity TV. They don’t have lunch. They are just in there somewhere, inert, for reasons of their own. And these gods are unfathomable. Not unfathomable in the sense that they know so much and have a plan that’s just too complex for us. Unfathomable in the sense that they are thinking and doing things that are not just beyond us to understand because we are too simple, but they are beyond us to understand because they have nothing to do with us. They have bigger fish to fry and at different time scales (and directions).

This god thought that Leonardo da Vinci was a good touchstone for all humans but also decided that the most important bit was the beard and not the face. And what are eyes even FOR anyway?

That doesn’t mean that they don’t intersect with us. They do. We will meet gods in Sand Dogs and they will be strange and weirdly half approachable. They make an effort to seem humanish but they are bad at it. They will choose icons from our histories (and from histories that don’t exist in our world but do exist in others with humans in them) and sort of be like them physically. Sort of. They will make strange choices that to them make perfect sense. But they appear humanoid only so as to make the meeting and communication slightly less bizarre and not because they have motivations that have anything to do with us.

Gods travel the planes at will. Since there are infinite planes there are multiples of that infinity of purposes for gods. Since humans do no appear on all those planes and even where they do, those humans have nothing to do with you, gods can have incredibly rich, compassionate, intense feelings for people somewhere. Just not here and not you. Imagine an entymologist with a passion for the ticks that live off reindeer in Siberia. Now imagine that scientist on vacation in Mexico, lying on the beach, bothered by sand fleas. You are the sand flea and not the tick. The scientist is not near you on business and even if they were, you would not be that business.

Gods leave garbage lying around. It’s just stuff they don’t need any more. Its purpose is as unknowable to you as their thoughts. But this stuff has properties. It has behaviours. But from your perspective and like the gods, they lack a purpose. Or rather whatever their purpose is, it’s not a purpose that intersects with your needs. But their incidental properties might! Or might not. In fact this garbage might be crazy dangerous. What does a god care? Yes this is drawn very much from the Strugatsky brothers’ classic novel, Roadside Picnic and it’s important. It asks what a story looks like that’s just not about us? What if our story is the story of intersecting with this other narrative, this impenetrable story, that has nothing at all to do with us? Our story is still important (the most important) but we are forced to confront the fact that not everything is about us.

And this is intended to be consternating. We want the story to be about us. Not just our story but their story. And so we bend a little. We invite the characters, eventually, into the grander story.