Internationaler Buchtitel. In englischer Sprache. Verlag: UNIV OF CHICAGO PR, 375 Seiten, L=229mm, B=154mm, H=24mm, Gew.=617gr, [GR: 25740 - TB/Literaturwissenschaft/Englische, Amerikanische], [SW: - Politics / Current Events], Kartoniert/Broschiert, Klappentext: &lt;div&gt;What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England.&lt;/div&gt; &lt;div&gt;What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England.&lt;/div&gt;

What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England. 16th century,criticism and theory,english literature,history,history and criticism,humanities,literary criticism,literary criticism and collections,literature,literature and fiction Humanities, University of Chicago Press

[EAN: 9780226326344], Neubuch, [PU: The University of Chicago Press, United States], Literary Criticism|European|English, Irish, Scottish, Welsh, Brand New Book. What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England.

&lt;div&gt;What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England.&lt;/div&gt;