There is skulduggery afoot in Redport, but the victim refuses to believe the truth—and the person trying to sort it all out winds up in gaol:

The almost insuperable difficulty of telling a story with even a grain of truth in it is this—or, I should rather say, the two insuperable difficulties are these: firstly, there is never the faintest dramatic point about really true stories; secondly, if they are worth telling at all, they are almost always incredible. And the truer they are, the more pointless and the more incredible they are. The story I am going to tell is neither dramatic nor probable. And yet it seems to me worth telling . . .

Principal characters:~ Charles Standish, a solicitor: Enmeshed.~ John Buller, a businessman: Unpredictable.~ Adam Brown, a financial clerk: Untrustworthy.~ George Richards, a bank manager: Duty-bound.Comment: A 20th- or 21st-century mystery author could have given this story a neat twist, but Francillon has chosen to be prosaic and disappointingly predictable; the characterization, which is good, alone carries the narrative weight.

Resources:- When the author says "very few men indeed are Timons," see HERE and HERE for what is meant; the plot hinges on a case of monomania, detailed HERE.- The Early Office Museum has information about 19th-century check protection measures HERE.- We can't find very much about R. E. Francillon, the most being bibliographical at FictionMags HERE.- One of Francillon's most enduring works has been Gods and Heroes (1894), a children's mythology book that's still in print, online HERE and HERE.The bottom line: "The handwriting on the wall may be a forgery."— Ralph Hodgson