Set in an alternate reality where terrorists jump off ledges on being shot at, a hottie like Isha Koppikar can achieve orgasm by merely stealing a glance at Gap-tian, and Raghuvaran isn't the main bad guy, Narasimma is a film that everyone must watch. At least thrice.

The film kicks off in grand style, when Gapton suddenly appears to assist the cops in apprehending some terrorists, along with his 'Dog Squad' – a random assortment of Alsatians equipped with wireless headsets, in order to help them obey Gabtian's hi-specialty orders meant specifically for commando canines- such as 'Go', 'Come' and 'Sit'. Vijaykanth (I'm just calling him that to improve google results) then stuns everyone by gunning down the cops, blowing up some colonial-looking buildings, and being captured because, even when being chased by cops, he brakes for schoolkids.

This is followed by some sequences (made famous on YouTube) in which the cops torture Gabtun, and the audience simultaneously, by, in no particular order, stripping him, and exposing him to electricity, fire and some really big ice cubes. If you ever yearned to see a semi-naked Vijaykanth chirpily perched on a large block of ice, Narasimma delivers in spades.

During the course of the next two hours or so, Gaptian performs feats such as cunningly changing his contact lenses from blue to green to throw off pursuing investigators, reviving a drowning Isha Koppikar by rubbing her inner thighs, disco dancing, kicking ass, and demonstrating that he cannot be betrayed by carrier pigeons named 'Vallarasu'. All of this, even the last bit, is absolutely true – ask anyone who has seen Narasimma if you don't believe me.

Radharavi reacts on seeing the bomb that Gabtun has planted in his heart, conveniently indicated by a blinking light on the X-Ray! This movie is awesome!

He also proceeds to kill some evil guys in three different states, kidnap some other evil guys, bash up their evil underlings, expose some evil plots, and outsmart some evil plans using gadgets that look like Chinese toys made in Bangladesh. All this while managing to seduce Isha Koppikar with his Gabtun-ness and Gaptianity. He even saves her life on her deathbed, by marrying her – thaali, kumkumam and all. The complete man.

Somewhere along the way, Nasser and Anandraj attempt to shoot Gaeptun, believing him to be a terrorist. Of course, he dodges the bullets in Neo-fashion, and then allows Raghuvaran to look eerily into the camera and reveal the truth – Gabtun is in fact not a terrorist at all, but a government secret agent who is gifted with a mix of the various talents of Batman, The Atom Bomb, The Flash, The Silver Surfer and God.

After a truly stunning detective scene involving elements such as Adobe Photoshop, some glaciers, a leering Rahul Dev, the 'Enter' key, and Anandraj managing to mispronounce the word 'clue' twice in eight seconds, Gaptian launches the final onslaught with the stirring war cry - “Let us Start The Missen', and leads his troops to storm the ancient fort that Rahul Dev (Akthar Rasool, the terrorist) is using as a hideout.

Anandraj pulls off a Resident Evil-style headshot! Pwned!

The greatest action sequence that cinema has witnessed follows, with inerruptions only so that Gaptian can reform a terrorist, and yell “Staaaaaaaaart the Countdownnnnnnnn!”, before continuing to use twin revolvers to take down hundreds of Jihadis. Eat this, Johnny Rambo. Plus, this is probably the only recorded instance of Nasser wielding a rocket launcher, so afficionados take note.

Then, a one-on-one ass-kicking session with Rahul Dev, and a short and tender scene where Gabton snatches a revolver away from a six year old boy and throws it into a nearby fountain, Narasimma draws to a close. Trust me people, this is a film that everyone must watch – easily one of the greatest cinematic experiences in history.