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Trish Clowes Mermaid Arts Centre Bray, Ireland February 9, 2018 Almost five years had passed since saxophonist/composer Trish Clowes' only previous gig in Ireland, at the Derry Jazz and Big Band Festival 2013. Since then, Clowes has released a couple of well-received albums and was selected as a BBC Radio 3 New Generation Artist--a prestigious residency programme that recognizes talent deserving greater exposure. Clowes has also founded Emulsion, a collective-cum-annual festival dedicated to improvised ...

There's an energy and a focus about this, Clowes fourth album for UK indie Basho records, that suggests a creative breakthrough. My Iris has kept that restlessness and love of music irrespective of genre apparent in Clowes earlier work, but feels a better constructed programme where the stylistic shifts are organic developments that blend naturally into the set-up of the compositions. Jazz is the core, but the breadth that comes from listening widely lifts this above the herd.On ...

Firstly, each individual in the Trish Clowes Quartet, Trish Clowes on various saxophones, Ross Stanley on piano and Hammond, Chris Montague on guitar and James Maddren on drums, fits their corner perfectly, providing the extra dimension that makes their cohesive playing effortless. There are no shirkers or hang back components in this line up. My Iris is mistressful and masterful musical wizardry and it sounds fascinating. One Hour" starts with an uncommon horn-like guitar sustain, acting both other-earthly ...

On her debut album, Tangent (Basho Records, 2010), saxophonist Trish Clowes gathered together a large group of musicians and included a full orchestra on two tracks. For her impressive second album, And In The Night-time She Is There (Basho Records, 2012), she streamlined the line-up, adding just half a dozen guests to the core quintet but ensuring that the string players had the talent and opportunity to improvise. Pocket Compass is built once again around Clowes and her core group, ...

Shortly after the release of And In The Night-Time She Is There, her second album, saxophonist Trish Clowes became a BBC Radio 3 New Generation Artist, an honor that goes to the most talented young musicians from the worlds of classical and jazz music. Clowes is a worthy recipient, not least because she crosses the increasingly blurred line between the genres, as a player and composer, with a maturity of thought and a breadth of imagination that belies her relative ...

There doesn't seem to be an award for the best album title of the year anywhere in the wide world of jazz, but if there was then And In The Night-Time She Is There (Basho Records) would surely be a contender for 2012. The romantic and mysterious title belongs to the second album from saxophonist/composer Trish Clowes. On one hand, it captures the life of the jazz performer, onstage in the hours of darkness, the focus of an audience's attention. ...

Trish Clowes' Tangent is an ambitious project that brings together free improvisations, small band numbers and full-scale orchestral pieces to create a fascinating collection of new music. Projects of this scale in jazz are far from easily achieved, and the fact that this is composer, leader and tenor saxophonist Clowes' debut--recorded at the age of 25--renders her ambition, and the project's success, praiseworthy, indeed. Clowes is accompanied on Tangent by some of the brightest and most innovative ...

In the fifties I enjoyed latin music. Then in the sixties I heard Stanz Getz and Charlie Byrd with Desafinado. That led me on the path to jazz.
Always interested in photography, so in the early '70s I started combining the two

In the fifties I enjoyed latin music. Then in the sixties I heard Stanz Getz and Charlie Byrd with Desafinado. That led me on the path to jazz.
Always interested in photography, so in the early '70s I started combining the two. No financial rewards, but immense satisfaction and, thanks to
linking up with writer Stan Britt, managed to meet (and photograph) some of my heroes: Stan Getz, Dexter Gordon, Count Basie, Oscar Peterson.
Best gigs? Sinatra with Basie at the RFH, London, and Dexter Gordon at Ronnie Scott's.
Advice to new photographers? Be polite, obtain permission, remain invisible, and always thank when possible the musicians and venue operators.

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