"[Ducret] has developed a highly personal musical language that does not bind itself into any genre, as well as a fluidity of ideas and an affinity for adventurous improvisation. In his hands a guitar is much more than a wooden instrument with strings. He has always possessed a rhythmic/percussive attitude, one that is used on "From a Distant Land" and its reprise, ..."A Distant Land," where his plucking and strumming references the percussive sounds of the Japanese koto and West African kora." (src)

"Solo improvisation allows faster decisions, and the building of « bridges » between pieces; it is also an opportunity to re-assemble parts of different pieces in a totally different order, offering a new vision of the same music..." (src)