It is tuned to B. I used it on a recording once and slackened the B off. I accidentally hit it in the recording a few times and it gave a very nice double bass slack tone which I left in the take. I did have a few goes at playing bass runs with the B into certain chords and could see the benefits but did not keep it up.

A one take wonder on all the tracks and bear in mind I'm a singer/bass player first! heheheh. I think the lead guitar over it was either a Takemine G series or my Ovation Custom balladeer....I cannay remember.I'll find out from Ken about the wood he used. I know he likes exotic and rare timbers.

It is tuned to B. I used it on a recording once and slackened the B off. I accidentally hit it in the recording a few times and it gave a very nice double bass slack tone which I left in the take. I did have a few goes at playing bass runs with the B into certain chords and could see the benefits but did not keep it up.

A one take wonder on all the tracks and bear in mind I'm a singer/bass player first! heheheh. I think the lead guitar over it was my either a Takemine G series or my Ovation Custom balladeer....I cannay remember.I'll find out from Ken about the wood he used. I know he likes exotic and rare timbers.

BTW: at my conference at Ramirez shop in Madrid last May the 9th., I gave the new that George's Ramirez Spanish guitar was bought by Klaus Voormann in May 1963, on his return back to Germany from Tenerife (=you already know: PM, GH, RS and Astrid Kirchherr spent 10 days at Voormann familiy house in Tenerife from April the 28th. to May the 10th that year. There are photos from those days which you probably know...) What I didn't know that very day (=i.e.: last May the 9th.) was George's Ramirez guitar whereabouts. I finally have found it: it's in Friar's Park. I'm trying to get a photo of it, although it's VERY difficult, because George's family is VERY private...