Romullo Baratto

Architect graduated from the Federal University of Santa Catarina in 2013, currently pursuing a master’s degree in architecture at FAUUSP. His fields of interest include film, architectural theory, urban art and public space. In ArchDaily Brasil he is the Editor responsible for the sections of News, Events and Competitions, besides often acting as a collaborator of ArchDaily.

Not all architects get the opportunity to design a museum. Between budget, scale and factors external to the field of architecture, designing a museum--and actually getting it built-- may mark the pinnacle of one's professional trajectory.

These public buildings provide an invaluable service to the communities in which they are located; from education to commemoration and (occasionally) the provision of public space, museums are "shining lights" in which architecture plays a fundamental role.

Public Without Rhetoric is the project selected to represent Portugal at the 16th International Architecture Exhibition of La Biennale di Venezia. The curators Nuno Brandão Costa and Sérgio Mah propose a tour of the “Public Building” of Portuguese origin through 12 works created at a time when Western Europe is confronted with its limits and possibilities and as architecture manifests its nonconformist nature in reinforcing its role in political and social intervention.

The well-known saying “all roads lead to Rome” seems to be true--at least, that’s what Moovel Lab, a team from Stuttgart dedicated to urban mobility research, points out. Titled "Roads to Rome," the project has mapped out over-land routes across Europe that converge to the city.

From a grid of 26,503,452 square kilometers covering all of Europe, the researchers defined 486,713 starting points that were superimposed on the continent's street map. Then an algorithm was developed for the project that calculated the shortest route between each of the points and the Italian capital.

Modern architecture has had many faces and developments, ranging from post-war reconstruction strategies in Europe to the International Style in the United States. One of these facets - perhaps the least glorious - are the social housing buildings of the eastern part of Europe, the results of initiatives by the Soviet regime to offer low-cost housing to the population.

Often associated with unsuccessful programs, these buildings were generally very similar to each other, presenting very simple prismatic geometries with little chromatic variation. Blocks, so to speak, that in the hands and imagination of designer Lukas Valiauga take on a ludic aspect that has never been natural to them.

Architect Filipe Vasconcelos goes beyond obvious alikeness and explores, through digital collage, the similarity between architectures and objects. He creates scenes in which the works are reimagined in displaced situations, with nothing to do with original context or use.

It is rare to find artists who can instigate critical reflection on architecture by combining references such as 'The Red Wall' (La Muralla Roja) by Ricardo Boffil, with the complex illustrations of Giovanni Battista Piranesi and pop culture icons. But Tishk Barzanji, a London artist, is one who does.

Through his digital illustrations, he explores elements of modern architecture from a filtered view by using references that create a dreamlike and surreal universe, producing compositions that express an austere and somewhat disturbing atmosphere.

This year, ArchDaily marks our 10th anniversary as a global platform for architecture. In the past 10 years, we have democratized access to architecture and brought a daily dose of information, knowledge and inspiration to students and professionals.

To celebrate this important milestone, we have compiled a series of projects that recall our iconic logo: the blue three-story, prismatic house. We've curated over 33,543 built projects so far, including classics and flashbacks. We went through this enormous archive of projects and made a note of the ones that amused us and delighted us with their rectangular prism shapes and oddly occurring windows. They remind us of the beloved ArchDaily logo, and we're pleased to see that this shape can take on so many forms, all over the world.

Art, in general, is produced to be seen or experienced by another, an interlocutor, who, in turn, establishes various relationships with the work. However, this does not appear to be the case with the Bataan Chapel, built by the Swiss artist Not Vital in the Philippines.

Punished by constant winds, the work rises on a hill in rural Bagac, a town of just under 30,000 inhabitants located about 50 kilometers west of Manilla. The remote location of the installation makes it difficult to access and makes the journey a task that takes on the air of pilgrimage—part of its grace lies precisely in its inaccessibility.

Following up on their series of urban block flashcards, Spanish publisher a+t architecture publishers recently launched a new deck of cards featuring architecture that "promote[s] the compact city and the desirable dwelling." Titled 50 Housing Floor Plans, this new version contains examples of recent collective living projects, featuring buildings constructed between 2000 and 20017.

To avoid hyperrealistic renderings we have witnessed the emergence of other options for architectural representation which seduce the viewer, not for their overwhelming resemblance to reality but rather the opposite, its resemblance to everyday life's textures presented through unpretentious drawings inspired by collage, watercolor, and painting. Digital collage and other similar representation tools have gained more popularity when discussing how architecture can be communicated.

Is there an aspect, a recurring mark, that reveals a difference in the way that male and female architecture photographers see the world? This is, perhaps, one of those rhetorical questions often used as an argument to shed light on works produced by women and for which there is no precise answer.

Stanford University experts digitally assembled what is considered the largest world map produced in the 16th-century. The representation of the world of 1587 by the Milanese cartographer Urbano Monte was divided into 60 pages and published in atlas form, but with clear instructions on how to reassemble it.

David Rumsey, director of the university's historical map collection, acquired the map from a historian in 2017. The publication has only one other handwritten copy in the world and has never been assembled in map form.

Gardens by the Bay in Singapore. Public domain photography available at Visualhunt

There are different methods for estimating how green a city is. We can count the parks, add up all green areas, quantify only the forested areas, specify the number of trees planted, and more recently, according to this new, we can now analyze inhabitants perspective. A team of researchers led by Newsha Ghaeli, at MIT's Senseable City Lab has developed a method to find out how green an urban space is from the perspective of pedestrians.

Images taken from Google Street View are processed by an algorithm that estimates the percentage of each image that corresponds to trees and other types of vegetation. "It is important to understand the number of trees and treetops that cover the streets, as this is what we perceive in cities," Ghaeli said.

Check out below the top 10 greenest cities according to the algorithm.

The SDG Academy online education platform recently launched a series of free online courses on topics ranging from sustainable development and urbanization to climate change and the use of natural resources. According to the description on its website, SDG Academy "creates and curates free, top-level courses on sustainable development for students around the world."

In many parts of the world, such as Brazil, more women have architectural degrees than men. However, this fact hasn’t translated past college into the working world as women continue to be underrepresented.

Oscar Ribeiro de Almeida Niemeyer Soares Filho, or simply Oscar Niemeyer, (December 15, 1907 – December 5, 2012) was one of the greatest architects in Brazil's history, and one of the greats of the global modernist movement. After his death in 2012, Niemeyer left the world more than five hundred works scattered throughout the Americas, Africa, and Europe.

Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Born in Italy as Lina Achillina Bo, she studied architecture at the University of Rome, moving to Milan after graduation. In Milan, Bo Bardi collaborated with Gio Ponti, and later become editor of the magazine Quiaderni di Domus.

With her office destroyed in World War II Bo Bardi, along with Bruno Zevi, founded the publication A Cultura della Vita. As a member of the Italian Communist Party, she met the critic and art historian Pietro Maria Bardi, with whom she would move permanently to Brazil.

This week, the Portuguese center for architecture Casa da Arquitectura (House of Architecture) celebrates the opening of its new premises in Matosinhos, Porto. In order to mark the occasion, the architecture museum has planned three days full of activities from the 17th to the 19th of November, with guided tours, performance, talks, music and films.

Within the new gallery spaces, Casa da Arquitectura will hold two exhibitions open to the public, including their inaugural exhibition Poder Arquitectura. Organised by the architects Jorge Carvalho, Pedro Bandeira and Ricardo Carvalho, the exhibition will be open until March 2018, with several talks and debates by national and international figures that have been involved in the exhibition scheduled to take place during this time.