Blue Beetle

Blue Beetle

(pop culture)

The Blue Beetle was the second superhero to have his own comic, and went on to more changes and publishers (six in all) than almost any other character in comics history. He also spanned the quality spectrum from excellent to absolutely awful. In 1939, Victor Fox was an accountant at DC Comics who had noticed with envy the profits coming in from the company’s new Superman character. Moving to a different floor in the same building, he set up his own company, Fox Comics, and hired the Will Eisner/Jerry Iger creative shop to provide the story and artwork for his new venture. Unfortunately, their first character, Wonder Man, was immediately hit by a lawsuit from DC, and so they quickly dreamed up a new hero, the Blue Beetle. In his first appearance (drawn by Charles Nicholas in Mystery Men Comics #1), the Beetle was little more than a Green Hornet clone, but he was soon given a blue chain mail costume with a mask and hood topped off with antennae; the latter sadly disappeared by his fourth strip.

In his civilian identity, the Beetle was rookie cop Dan Garret, whose athletic prowess made him a powerful hero as soon as he donned his costume—though the gun he toted in the early days probably helped. As far as superpowers go, he really had none, although he often projected his beetle insignia on dark walls. Soon he was given a girlfriend, reporter Joan Mason, and a special vitamin mixture (2X) that beefed up his muscles. The Blue Beetle briefly had his own radio show and newspaper strip, but the poor overall quality of Fox’s product led the company to close shop in 1942. A few months later, the Beetle was back on the stands, this time published by Fox’s printers, Holyoke, who (historians believe) took over the character in lieu of debts. The Holyoke years saw the character gain a sidekick called Spunky, which didn’t help, as the strip got even worse. By 1944, Victor Fox had come back into publishing and took over the comic again for a series of catastrophically awful strips in which the Beetle could suddenly fly, and also mysteriously acquired the Beetlemobile and the Beetleboat.

One of the hottest comics of the postwar years was the ultraviolent Crime Does Not Pay, and in 1946 Fox decided to get a piece of that action. This new direction concentrated more on the Blue Beetle’s shapely girlfriend, and featured a series of so-called “true crime stories,” which were little more than an excuse for acres of flesh and gallons of blood. Story titles such as “Satan’s Circus,” “The Vanishing Nude,” and “House of a Thousand Corpses” tell it all. By the end of the decade, Fox had left comics forever, but the Beetle was soon picked up by bargain-basement publisher Charlton, who brought out a few nondescript issues in 1955. Somehow, I.W. Comics got their hands on some old artwork and, in 1964, released it in two issues inexplicably retitled The Human Fly. That same year, Charlton was back again with a ten-issue run of staggeringly silly strips in which the beefed-up hero appeared to resemble the Pillsbury Doughboy.

Then something strange happened: The Blue Beetle finally starred in some good stories—very good stories, in fact. Soon after leaving his astonishingly successful Spider-Man comic, artist Steve Ditko moved over to Charlton and completely revamped the Beetle. Ditko’s hero was now scientist Ted Kord and he had a stylish new costume, his own designer flying vehicle (in the shape of a beetle, of course), and genuinely exciting, well-drawn stories. Inexplicably, despite action scenes that rivaled Spider-Man at its best, the public simply wasn’t interested, and the comic was canceled after barely a year. (The Ted Kord Blue Beetle was eventually murdered by his former ally, businessman Maxwell Lord, in Countdown to Infinite Crisis #1 [May 2005]).

A generation later, the few fans who bought Ditko’s issues were creating comics of their own, and the first of many revivals saw print in 1981 in the semi-pro Charlton Bullseye. A few years later, another fan publication, Americomics, pitted the two Blue Beetles against each other in pitched battle, before things came full circle and DC Comics (the impetus for the Beetle’s creation in the first place) bought the rights to the character. For much of the 1980s, he starred in amiable yarns in his own comic and enjoyed great success in one of several incarnations of the Justice League. He was frequently teamed with his best friend in the League, Booster Gold, the time-traveling hero from the twenty-fifth century, who was created by Dan Jurgens in Booster Gold #1 (February 1986).

Jaime Reyes, a Latino teenager who first appeared in Infinite Crisis #3 (Feb. 2006), found the magical blue beetle scarab, which transformed him into the third Blue Beetle two issues later. The new Blue Beetle starred in his own comic (from 2006-2008) and in a backup feature in Booster Gold (starting in 2009). He has also joined the Teen Titans. DC launched a new Blue Beetle comic, starring the Jaime Reyes version, written by Tony Bedard with art by Ig Guara and Ruy Jose, in September 2011.

The third Blue Beetle has appeared in numerous episodes of the animated television series Batman: The Brave and the Bold. The new Blue Beetle also appeared in the live action Smallville series in the same episode as Booster Gold and Ted Kord. —DAR & PS

com)-- In 2013, fantasy author Ron Glick debuted his Golden Age Preservation Project through the Kindle publication of the entire “Amazing-Man Comics” series, and earlier this year published the entire original “Mystery Men Comics” series featuring the Golden Age Blue Beetle.

nl They came from Rio and they're playing in a band THE story of the how the blue beetle got its coat is a South American folk tale - the story goes that the colours of the Brazilian flag are taken from the coats of green beetles and blue beetles.

Not specifically; originally the watchmen characters were going to be some characters published by Charlton Comics who were bought by DC, and these were people like The Blue Beetle and The Question and Captain Atom and they were kind of archetypal superheroes - the kind of atomic superhero, the Batman-type character and the vigilante detective character - so when we designed the Watchmen characters we really did them out of whole cloth, we really just wanted to come up with some costumes that were interesting to draw and I made sure that I really enjoyed drawing them all - I still love to draw The Comedian and Rorschach and I suppose in as much as they were archetypal superheroes we looked at the archetypes of superhero costumes to come up with the different elements.

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