Art Fix Friday: April 29, 2016

Quartz applauds Beyoncé’s collaboration with African artists Laolu Senbanjo and Warsan Shire while The New York Times explores Shire’s life and poetry further. Slate examines one scene where Beyoncé smashes a car window with a baseball bat, comparing it to Swiss artist Pipilotti Rist’s iconic video installation Ever Is Over All. NPR describes the album as “too much and not enough and gorgeous and mesmerizing and messy.”