ON THIS DATE (42 YEARS AGO)May 6, 1970 – Poco: Poco is released.# ALL THINGS MUSIC PLUS+ 4.5/5# allmusic 4/5

Poco is the self-titled second album by Poco, released on this date in May, 1970.

This sophomore album continues the appealing country-rock hybrid established on their Atlantic debut, Pickin’ Up the Pieces. The sound of country-rock became so pervasive throughout the 1970s (thanks largely to the Eagles’ early hits), that it is difficult to remember what a creative and surprising mix it was at the outset of that decade. Though generally less acclaimed, Poco belong next to the Flying Burrito Brothers and the Eagles as one of the best acts in the genre.

Poco bears all the hallmarks of the group’s sound: a driving, rock-influenced feel, high, sweet group harmonies, and a fair bit of country twang. Though later plagued by personnel changes, this initial lineup, featuring Richie Furay and Jim Messina, was one of the best, as songs like Furay’s “Keep on Believin'” and Messina’s “You Better Think Twice” attest.

REVIEWby Jim Newsom, allmusicThe first two-thirds of Poco’s second album is 25 minutes of some of their best music. These songs represent the group’s blend of country and rock at its finest and brightest, with the happy harmonies of “Hurry Up” and “Keep on Believin'” totally irresistible. Jim Messina’s “You Better Think Twice” is a perfectly constructed and arranged song, one that should have been a huge hit but mysteriously never found its place in the Top 40 pantheon. Listening to this recording, though, it’s easy to see why unimaginative radio programmers and much of the record-buying public couldn’t find a niche for Poco. The knock was “too country for rock, too rock for country,” but in fact, they were just ahead of their time, a tough spot to be in the world of popular entertainment. What about the last 15 minutes of this disc? It’s a lengthy instrumental called “El Tonto de Nadie, Regressa.” A cynic would say it’s filler, but given the trend at the time toward side-long cuts, it’s probably simply Poco’s attempt at hipness. In retrospect, it can be seen as the forerunner to Messina’s lengthy jams with Loggins & Messina a few years later; the sound is remarkably similar. While overshadowed by Pickin’ Up the Pieces, which preceded it, and Deliverin’, which followed, Poco is well worth owning by anyone interested in the early days of this particular band, and of country-rock in general. The trademark sweet, high harmonies belying the heartbreak expressed in Richie Furay’s lyrics, Messina’s distinctive lead guitar, and Rusty Young’s amazing ability to get an organ sound out of his pedal steel guitar are all here in full blossom.