Huasen digitally erased the bicycle out of photos of people riding bicycles, but left the bicycle’s shadow and the people.

A few things stand out for me in this exhibit. First of all, the shadows of the bicycles illustrate that these people are using everyday city bicycles – several of which are equipped with baskets.

Similarly, the people on these bicycles are dressing for the destination, not for the ride. You will see a girl dressed in her school uniform, while the adults seem to be dressed for work. It is very difficult to find bicycle commuters wearing “cycle gear” in China.

The photos also illustrate the upright nature of the bicycles. Upright bicycles provide a more natural and comfortable sitting position, while elevating the rider to be able to better see her surroundings. They also foster a more relaxing pace and help remove ourselves from the feeling of being part of the “rat race”.

Lastly, this exhibit illustrates how intimate bicycling can be. Unlike sitting in a car, you can see the man and (presumably) his daughter in the following photo are cozy and the father is embracing and protecting his child while riding.

Being in a car fosters a more distant, disconnected experience between a parent and their child, while bicycling often encourages closeness.