Classic Waldorf Dolls. They have simple bodies--a trunk and legs together without clearly defined feet, arms at reach out and a head. They typically stand up better than they sit down, but if stitched carefully at the top of the legs, they can sit.

I only recently started making Classic Waldorf Dolls. I have to say, they are fun to sew and they have charming character. I use the patterns in the book Making Waldorf Dolls by Maricristin Sealey.

I made Douglas, shown above, simply because I have been collecting fun doll clothes made by Bamboletta for a for a while now. I was planning to purchase one of their 15 inch Sitting Friend dolls but boys that size have been few and far between. So I decided to make a doll myself. Douglas is wearing all Bamboletta clothes except for his shoes (and undies)!

I was reading about hair styling in the book mentioned above. It said you can create curls by knitting yarn, dampen the knitting and let it air dry and then undo it. That sounded like fun!

I decided to just use straight yarn on the lower two layers of the hair and put the knitted curls on just on the outer third layer. It gives Douglas a cute, sort of un-tidy, free-spirited boy look!

Here he is sitting. I managed to sew in decent leg folds on this doll. He's wearing clothes made by the Bamboletta Sewing Mamas! (I made the shoes).

NOTE: Notice the difference in his hair in these two photos. The first humid day we had, Douglas lost most of his curls! I used merino superwash yarn and it just relaxed in the humidity. Next time I think I'll use yarn that felts and smaller needles than the #10 US needles I chose this time!

Douglas in the crab apple tree wearing the red overall shorts and firefighter T shirt I made for him

Clementine is the another Classic Waldorf Doll I recently made. She is smaller at 11 inches. If you have never made a Classic Waldorf type doll, 11 inches is a great size to start with. it is easier hold and sew a smaller doll. And the finished doll is a great size for a child to take places.

11 inch Classic Waldorf

I used heavy weight loose mohair boucle yarn by De Witte Engle for her curly hair. Unlike most of my dolls, I only used one type of yarn for her hair. I love how it turned out!

Here area a couple more photos of Douglas in his Bamboletta made clothes taken at the beginning of May when it was still chilly. He is one super cute little dude!!

You've probably noticed that I've been posting fewer quilts this year while there have been more posts about dolls. I've been on a quest!

I usually use doll patterns that I draft myself when I make Waldorf type dolls. But I've had trouble with nodding heads . Nodding heads are loved by some, but the best Waldorf dolls don't nod. So my goal for the year was to keep making dolls until I solved the nodding problem. Making more dolls really does improve doll-making skills.

My initial pattern was cut with a neck that was about 2 inches high. That turned out to be the cause of the nod. While I turned it under when I attached the head, the neck was too long to hold up a heavy head of solidly rolled sheep's wool roving. Gradually as I cut down the neck length each doll got better. I've learned that NOT having a raised neck in the pattern results in dolls with very steady heads. Just having just enough fabric at the top of the body to turn under 1/4-1/2 inch gives the best results. Finally figuring that out was really exciting.

Here are my three newest girls.

All the 15 inch dolls I've made have been gifts or commissions. That meant I never had one on hand to show as an example or to use to draft new clothes. The doll with the reddish brown boucle hair and the green shoes is going to be my sample doll. I finished her on Patriot's Day (a Massachusetts-only holiday in April) so she is named Abigail after Abigail Adams, one of the true patriot women in Colonial New England.

Next week I'll share two classic Waldorf Dolls I've just made which should conclude the dolls posts for a while!

The quilt guild I belong to, Proper Bostonian Quilters, makes dozens of quilts for charity every year. Quilts of all sizes and shapes are collected but quilts for toddlers and preschool children are especially welcome.

I was so excited when I saw the free tutorial and pattern for the Strip Quilt on Modern Textiles website. It's perfect for a small quilt that works up quickly. I especially love the way the wide strips can feature a special fabric. (The pattern has options for a variety of sizes. I made the crib quilt).

One of my friends has an adorable English Springer Spaniel. I've been squirreling away patterned brown fabrics for a long time with the plan to make some sort of Springer project some day. That day arrived recently!

Here's the drawing I made from a photo of my friend's dog.

Springer drawing, folded in 4 quadrants to aid placement of the components on the pillow cover

I scanned this to my computer and then flipped the drawing horizontally. For fused applique, pattern pieces need to be a mirror image of the original drawing. I made 3 copies of the inverted drawing so I could cut up the pictures to make patterns to cut pieces to make a raw-edge applique. It's important to have multiple copies as it's not possible to cut out all the parts from one copy.

Here's a list of the patterns pieces I cut from the drawing: separate ears, muzzle with the white forehead blaze, tongue, nose, eyes, freckles, both halves of the face and a triangular neck piece. With raw-edge applique, the pattern pieces don't need any seam allowance.

First fuse the Heat-n-Bond to the BACK side of each fabric. (This product includes excellent directions for its use). Then using a pencil, trace around each pattern piece on the paper side of the fused Heat'n Bond. Cut out each component of the applique. Remove the paper and fuse to the pillow cover. Stitch around each piece using either a narrow width zig-zag stitch with a very short stitch length or use a blanket stitch if your machine has one. Before you start sewing: Practice the stitching on some scraps of the fused fabric to see what works best on your sewing machine and which type of stitching you prefer. I used a zig-zag on this piece.

The sparkle in each eye is an embroidered French knot, and the lips were also embroidered using a back stitch.

I added a border to my appliqued square. The back of the pillow is the same fabric as the border. I chose to use an envelope closure, but lots of other pillow finishes would work too.

In my April 5, 2018, posts I promised to show a couple revised 8" Waldorf type dolls. These two dolls have larger heads than first 8" doll I made. I think the slightly larger head, 5-5 1/2 inches looks a lot better on this size doll. The first one I made had a head just under 5 inches in diameter.

The pattern is the traditional limbed doll found in Maricristin Sealey's book, Making Waldorf Dolls, Creative Doll-Making with Children. I copied the pattern and decreased it to 70% original size with the scanner on my printer. The author does give very good information about the head size for the patterns in the book. But when I decreased the pattern size, decreasing the head size by 30% was just a tad too much. That's why I increased the head size when I made these dolls.

Here's another 8" doll I made. This doll has her arms sewn on with the seams top and bottom on the arm. Her arms are always outstretched. The doll above has arms sewn on with seams medially, front and back. Her arms hang more naturally. It's interesting to see what a difference that small change makes. I happen to like the arms both ways.

The pink hair is a mix of a variegated pink/natural/lavender yarn and two other pink yarns. This was fun, but I'll probably stick with more natural hair colors!

My brother gave me a gift certificate to Weir Crafts for Christmas. One of the items I purchased was a bag of doll skin scraps in assorted skin tones. I've only used skin fabric imported from the Netherlands and I wanted to see this American fabric. I also wanted to have some fabric to experiment or practice with that wasn't so precious as the rather expensive brand new tubes of imported knit fabric.

This doll was all made with just the palest skin scraps. I still have some pale skin fabric left as well as lots of other skin tones from light tan to dark brown. That little bag of scraps was a great value!

One the things I have really needed to practice is making heads. On my larger dolls I tend to get mixed results...sometimes they are perfect, other times the heads nod a bit (endearing but they aren't supposed to nod) and the neck is sometimes a bit wrinkled. So I've been making little heads and things have been looking up! (No pun intended)!!

Josie, the doll above is 8" tall. She is a very small classic Waldorf type doll with straight legs and outstretched arms. I used a pattern in the book Making Waldorf Dolls by Maricristin Sealey but decreased the pattern size 70% to match one of the heads I'd made. Her head is stable and they aren't any wrinkles, but when I make this doll again, I'll make the head a little bigger and the arms a bit shorter. But I do love that you can put this doll's arms over her head like a ballerina!

8" Josie's long arms!

Josie's hair is a brownish-auburn Victorian boucle from Halcyon Yarns that I purchased from Weir Crafts. I love how it glows in the sunlight! Her dress's fabric is a reproduction 1930's feed sack. It suits her perfectly!

Love the light bouncing off her auburn boucle hair!

In a couple weeks I'll show two other 8 inch doll make with the revisions I discussed above.

Isn't this scrappy version of "Plus Surround" from the new book, Modern Plus Sign Quilts by Cheryl Brickey and Paige Alexander, a great quilt top? I had so much fun making it!

The pattern calls for all solid fabrics. I had the solids, but looking at my stash I realized I had enough small/subtle fabrics of similar color and shades to make a scrappy quilt. I thought it might be more interesting to see some slight color gradations in the finished quilt. But that made the quilt significantly harder to make! Fortunately, only one of my fabrics had clearly directional design. I chose to turn that directional fabric 3 ways intentionally so it wouldn't matter which way this square quilt is used.

The plus signs directions in the book are all strip pieced. Obviously that won't work if you chose to make a scrappy quilt. I'm sharing the cutting instructions to make a scrappy quilt but you will need a copy of the book to make the quilt. You need to really pay attention when piecing this quilt. I was really trying to be careful but I still to do a bit of un-sewing!

These cutting instructions are only for the plus signs, not the finished blocks.

Each of the middle size blue plus signs in my quilt are a different fabric so the plus signs will be pieced individually, not strip pieced.

First 2 rows of the "Plus Surround" Quilt from modern PLUS SIGN QUILTS

First 2 rows of the "Plus Surround" Quilt from modern PLUS SIGN QUILTS

I've been working on the "Plus Surround" quilt, a pattern in the book I reviewed last week, Modern Plus Sign Quilts. The instructions for the quilt are excellent and it's really exciting to sew this project.

Check out the situation above: Can you see what is coming? Pictured are 2 straight rows of square blocks...but the pattern is circular! That's so great!

The pale yellow background fabric is Kona® cotton "meringue" and the plus signs in the photo are an assortment of mostly small pattered blues and blue greens.

There is a central plus sign in this quilt. I have a beautiful marbled blue and yellow fabric that is a perfect match with this soft yellow and the blues. But when I made the block the sameness was okay but frankly, boring.

Quilt with the blue and yellow central marbled block

So I went looking through my stash for an orange which is the complement color to the blues and an analogous color to the yellow background. I found a hand-dyed cotton that adds just the right pop. The design went from flat to fun!

"Plus Surround" with complementary orange central block

The quilt pattern calls for solid colors. I chose a scrappy look. That made both cutting and assembling the quilt significantly more complicated. I'll show the finished top next week and will share cutting instructions for making scrappy plus signs like the ones in my quilt.

It's been a while since I've seen a new quilt book with really exciting patterns, so today I want to share a bit about this great new C&T Publishing stashBOOKS, Modern Plus Sign Quilts by Cheryl Brickley and Plaige Alexander.

This book has something for everyone. There are pieced quilts, appliqued patterns and foundation pieced patterns. They range from a simple table runner which would be great for a new quilter to complex geometric designs.

There are 3 quilt patterns in this book that I really want to make. My favorite is "Plus Surround", a quilt with concentric circles of plus signs. Because of the circular design, it looks complicated but all the but all the blocks are square! It's a really fun quilt!

Another of my favorites is "Celestial", the navy an white quilt shown above on the cover of the book. This pattern makes a queen size quilt, using large blocks, so it go together quickly.

My other favorite quilt is "Transparency Chains". It uses a single Irish change with pieced plus signs that appear to float inside the chains.

These are modern quilts with deep roots in classic patterns. They have lots of negative space with many of them using 3 to 7 plus yards of background fabric. I often guesstimate yardage when purchasing fabric but I recommend you make a list to take to the store if you are going to make these quilts!

Row 15 Knit 2 together around. Decrease the number of needles to 2 as you knit. (4 stitches)

Row 16 Knit around

Knit 2 together until just 2 stitches remain

Cut yarn leaving an 8-10 tail. Using the yarn needle, run the tail through the 2 remaining stitches. Pull tight.

Weave in the 2 loose tails

Now your tiny Waldorf Doll will have a warm head!

If you use finer yarn (such as a #4 yarn using US 5 - 3.75mm needles) or want a slightly larger hat for a 5 inch circumference head, cast on 24 stitches and divide them, putting 6 stitches on each needle. Starting in step 5, knit 1 additional stitch before knitting the last 2 stitches together at the end of each needle. Continue with knitting with cast-off row, followed by 1 knit around row until just 2 stitches remain as in step 13.

Above are two little Waldorf Type Dolls. I drew the pattern for the doll's body but it is possible to find patterns for very similar dolls.

Both dolls were made with essentially same body pattern (with a slight tweak in the arms) but the larger doll has a body of knit fabric and the doll on the right has a body of woven fabric. I was surprised by how much smaller the doll was with the woven fabric body!

After living with these two dolls for a couple weeks, I revised the pattern a third time. This final pattern works very well. He's a tad taller, has a slightly larger head, the arms have a larger circumference and they come straight off the shoulders.

6 1/4 inch soft Waldorf doll with the snowdrops

These little dolls are fairly easy to make. Their only hair is a few strands of scrap yarn and the knit hats are sewn on. I'll post the pattern for their tiny hat next week.

The three dolls below are 4 inch Pouch dolls. The pattern for these little dolls are from Making Waldorf Dolls by Maricristin Sealey. I added the ribbon around the waist. The little bows in back are so cute! The prop holding up the dolls is a cheerful pot of artificial light pink roses I picked up at Ikea which they call Fejka.

These tiny pouch dolls are fun to make...and I got to practice making 3 little heads!

Free range chicken quilt!! Five chickens, one rooster and one egg hiding in the grass!

As I explained in my last post, the foundation-pieced chickens and rooster started as patterns from the Electric Quilt 8 Block Library to which I added some details. I love the resulting birds! The free motion quilting was so much fun to do!

Here's how I quilted the wing on the chicken. I used the corner on the chicken's back as my Two initial anchor points for my scallop design. Then I stitched the pattern freehand without any marking. That's how I do all my free motion quilting unless I am quilting an animal shape. I have to pre-draw animals so they stitch out consistently. Use the arrows on the photos below to scroll through the steps I used to make the chicken's wing.

Here's the backing fabric on the quilt--another of Makower UK's fabulous prints! I can walk through a fabric store and am always drawn to fabrics printed by this company! This fabric has been in my stash for a while and not longer readily available.

"Lila's Kitchen Hens" The Henley Studios, Makower UK

This quilt makes me happy! It could be a table topper but I'll probably hanging it up.

I was flipping through Electric Quilt's EQ8 Block Library book with all the photos of the blocks in the EQ8 block library and found simple chicken and turkey foundation piece blocks. I wasn't planning on making a chicken quilt....but what fun!

The chicken and turkey in the Electric Quilt block library didn't have combs on their heads and I wanted the rooster to strut his stuff a bit more. So I put each block into the EQ8 EasyDraw Block function and added combs, changed the turkey's wattle a bit and gave him a wing so he could be more colorful. The two patterns from the EQ8 block library are left and center below. My revised rooster is on the right.

Here is the chicken with the added comb. It is still a fairly simple foundation pieced block.

8 inch finished Chicken block

I'm using a variety of fabrics for my chickens that have subtle designs but read as white or cream. The other blocks in the quilt are blues, greens and lavenders with some yellow accents in the border. It takes time to do these foundation pieced blocks, but I really like the results!

If you have EQ8 and are designing quilts and not necessarily starting from scratch all the time, I highly recommend purchasing a copy of the Electric Quilt 8 Library book. While all the blocks are available online in the program, I see things flipping through the book I might not have found (or knew I even wanted) looking at the blocks in the program.

My inkle loom has been gathering dust. Literally! The band shown above had been on the loom for a long time. I warped the band on two different days and accidentally used two different weights of cottolin thread. I left the warp, but wasn't really happy doing the weaving.

A couple of weeks ago, I decided just to cut it off and start something new. Because the band was dusty, I washed it. And of course, now I love it! The band isn't very long but it looks great as a belt on this "Winter Outfit" made by the ladies at Bamboletta for this Bamboletta Sitting Friend doll!

Wool and Cottolin woven belt on a doll and doll outfit made by Bamboletta.com

I have a new warp on the inkle loom now, doing a simple pink and white cotton band, just to get my hand back into the feel of weaving again.

Wait...could that be an Inkle on the back of the loom? (No one is quite sure what an Inkle is, so why not?? He's actually trial of a new little soft doll I'm designing).

I think this pink and white band will make a lovely trim for a doll dress! Using my bands on doll dress could become a thing!!

It's a combination of 2 blocks in the EQ8 Block Library--"Strawberry Smoothie" and "Road to California." I really like the diagonal line in the quilt from the "Road to California" blocks. They make what is essentially a star quilt more interesting!

Here's the back:

This isn't a Valentine's Day quilt, but I did find it very cheerful working on a pink quilt in January and February!!

I've been wanting a ginger haired boy Waldorf type doll. So I made one! Here's Russell. His named even means redhead in old Anglo-Norman!

Russell didn't come together as easily as some of my dolls. When I tied his head, I didn't anchor the strings around the cheeks. Sometimes I do, sometimes I don't. I found out with Russell that it's wiser to anchor them!

Here are photos of a head (not his) with the cheek strings not anchored on the left and anchored on the right.

When I pulled the tight fabric "skin" over Russell's head, the left cheek string slipped up. I didn't noticed it right away when I could have easily fixed it. But when I did see it what had happened, I figured it probably wouldn't matter a lot. It did.

By the time I had the doll's head stitched on to the body and the first layer of head was attached at the center top of his head, a raised ridge had formed across his rather flat left cheek. There was no way to move the strings back on the finished head. What to do???

I finally took a deep breath and decided to carefully clip and unpick all the stitches holding his head to his body. I don't recommend doing this. The fabric skin is a knit and can easy develop runs. I was fortunate. No damage occurred. I was able to pull up his head covering just enough to put the strings back in the proper position. Then I anchored them and stitched the head back onto the body. Whew.

Russell now has two chubby cheeks. There is a line across his left cheek where the ridge had been is just barely visible. He's staying with me, so I'm fine with that.

I designed most of his clothes except his sweater is pattern which is the "Heart to Heart Pullover Vest" designed for Heart to Heart Bears based in Shanghai, China. It's available on Ravelry.com. I needed to narrow it bit through the body but the pattern made that adjustment easy to do. I drew the pattern for his socks but got the idea to form the toe seam from socks sold by Bamboletta.com.

Here are his moccasins. If found some rawhide laces for crafts at Joann's. They are rated safe for children age 14 and older. Fine for my doll, but not something for a young child. But they sure are cute!!

Wow! My Improv Scrappy Block Project had a total of 30 blocks that finish at 12 inches square. i took a set of 9 patch variation blocks from on old project that didn't work out and used them as vertical sashing.

I can't believe this project has turned out to be a queen size quilt! I put it on a bed to see what the top looked like. Two of the dogs instantly gave it their seal of approval!

I found a sweet light blue 30's floral feedsack reproduction fabric to use for a backing. The quilt is all ready to be basted and quilted! I'll do a final post when it is completed. Hopefully soon!

Here is the other quilt I made using the quarter square triangle variation blocks I made at this years New Year's Day quilt party. It's the quilt the four of us designed together that I showed in the process in my post on January 11, 2018.

We thought it looked like streamers! So appropriate for a New Year's Day Quilt!

Here are some photos of the back, a flannel with woodland animals, and the quilting mostly a leaf motif and straight lines. There are also a few flowers in the quilting (not shown below) that look a bit like the flowers printed the background material seen on the right side below.

I really enjoy sitting in my upstairs workroom quilting on these January days. The white and blue grey light from the snow outside is so lovely. I wish the screen wasn't visible in this photo, but it was about 5 degrees F. the day I snapped the picture--opening the window wasn't an option!!

Quilting on a January day

I have 4 blocks left! A big pillow cover is in the works!! A stack of blocks sewed together in a few hours on New Years Day has kept me busy quilting all month!

As promised last week, here's one of the two quilts I designed using the blocks from a New Year's Day Mystery quilt which I didn't end up making.

This is the second of the two quilts I made. I had a stack of blocks left over after completing the first quilt (to be shown at a later date) so had to come up with a design with what I had. It took a while to get the design balanced but I really like the end result!

This quilt has all the fabrics I had put together as a collection. They have probably been in my stash for at least 5 years. At the time, I'd just made a quilt using similar colors and didn't choose to make another like it then. But I've always liked the fabrics.

The quilt backing is another vintage stash fabric--a very soft fabric, grey with little white polka dots. Altogether a very satisfying project!

The breeze conveniently flipped over an edge to reveal the backing. Note the snow drift in front of the fence!!

Note to web searchers: This post is about Y blocks, a Quarter Square triangle block variation. This is not about Y seams. That's a completely different topic.

It's become a tradition for a group of us to get together on New Year's Day to sew. Each of us makes our own quilt but we use same quilt pattern. Truth be told, we do as much chatting and eating as we do sewing!! It's a fun day! I highly recommend it!

At least that's what we started to do! Of the 3 of us sewing together, none of us ended up using the final quilt layout! One friend, who was sewing at home but came over to chat, ended up using using the design but turned it 90 degrees. So much for following directions!! The major blocks in the project were Y blocks, a Quarter Square Triangle Variation, shown above.

I loved the blocks made in these fabrics. Once I saw them I decided not to go further with the Mystery Quilt directions. I wasn't sure what I was going to use as for layout, but I knew these blocks would work well together.

I ended up designing 2 very different quilt tops with my blocks. The 4 of us worked out the layouts for one of the quilts at the New Year's Day party and the other I created on my design wall.

Here's a sneak peak from the party!

Thinking about possible layouts using the Y blocks

I'm just finishing both quilts up and will post them over the next couple weeks.