Richard Rhodes, author of two of my favorite books of all time (Making of the Atomic Bomb and Dark Sun), has written a book about one of the most intriguing people of the 20th century, Hedy Lamarr, big-time Hollywood bombshell and inventor of a frequency-hopping spread-spectrum communication system.

Hedwig (Hedy) Kiesler may be one of the greatest unsung heroes of twentieth century technological progress. An opportunistic Austrian immigrant driven by curiosity and a desire to make it as a Hollywood actress in the early years of World War II, Hedy worked with avant-garde composer George Antheil to create the technology that we depend upon today for cell phones and GPS: frequency hopping. Though Richard Rhodes presents details about everyone involved in the separate experiences that the two inventors drew upon to make their breakthrough in Hedy’s Folly, the invention itself takes center stage, driving the remarkable story with precision. Rhodes skillfully weaves together all the disparate parts of the story, from how Hedy learned about Nazi torpedoes to why George’s knowledge of player pianos was key to the invention, in order to create a highly readable genesis of the technology that influences billions of lives every day.

2. BoxAnother toy that is quite versatile, Box also comes in a variety of shapes and sizes. Need proof? Depending on the number and size you have, Boxes can be turned into furniture or a kitchen playset. You can turn your kids into cardboard robots or create elaborate Star Wars costumes. A large Box can be used as a fort or house and the smaller Box can be used to hide away a special treasure. Got a Stick? Use it as an oar and Box becomes a boat. One particularly famous kid has used the Box as a key component of a time machine, a duplicator and a transmogrifier, among other things.

13. Buy your own fruit. It sounds simple. It is simple. Just do it. You’ll love it. And I don’t mean, if there happens to be a fruit stand outside your hotel door you should buy some, because you need to have 9 servings a day. What I mean is, find fruit and buy it. Make it a daily task that you’re going to track down a fruit stand, a farmers’ market (they’re not just in San Francisco) and get some good fresh fruit. The entire process will expose you to elements of daily life you would have otherwise ignored. Trust me: You’ll have memories from your trips to buy fresh fruit.

“I didn’t think that happened until I sat on the showroom floor and heard someone say, ‘I’m not going to pick the car up until the 24th,’” said Rosario Criscuolo, the owner of two Lexus dealerships in Michigan. “It blew my mind. But if your wife needs a car, it’s a good way to do it, right? It saves you from having to go to the malls.”

Mr. Criscuolo said that each year, about a half-dozen customers wait until Christmas Eve to pick up their new cars.

And the demand for the oversize red bows is so strong that Lexus stockpiles them in a warehouse near its North American headquarters in Torrance, Calif.

Little Printer lives in your front room and scours the Web on your behalf, assembling the content you care about into designed deliveries a couple of times a day.

You configure Little Printer from your phone, and there’s some great content to choose from - it’s what Little Printer delivers that makes it really special. We have an incredible group of launch partners, and in the run-up to shipping we’re working with them all on custom publications.

Underlying Little Printer is our new technology for connecting and controlling wireless products in the home, and we call it BERG Cloud.

We think of BERG Cloud as the nervous system for connected products. It’s built to run at scale, and could as easily operate the Web-enabled signage of a city block, as the playful home electronics of the future.

Each panorama takes between 3 to 30 minutes to produce, depending on the available light, and is added to a database where detectives can access it. Before the switch to the Panoscan, crime scene images sometimes took days to process. Now, soon after the photos are posted, investigators can point and click over evidence from a scene that they might have missed in the hectic hours after the crime.

Famed pizzeria Grimaldi’s is being forced out of their space under the Brooklyn Bridge and is moving up the block…without their coveted coal oven. But now comes word that Patsy Grimaldi, former owner of Grimaldi’s, is moving into the old space with a new restaurant called Juliana’s. If I recall correctly, about half of the Grimaldi’s menu is devoted to a telling of the Patsy’s/Grimaldi’s feud…looks like they’re gonna need another page or two.

When dense briny water (left behind by newly formed sea ice) sinks, it freezes the water around it, forming an icicle that stretches to the sea floor. Then it freezes water and wildlife on the sea floor. David Attenborough narrates:

The latest results suggest LUCA was the result of early life’s fight to survive, attempts at which turned the ocean into a global genetic swap shop for hundreds of millions of years. Cells struggling to survive on their own exchanged useful parts with each other without competition — effectively creating a global mega-organism.

It was around 2.9 billion years ago that LUCA split into the three domains of life: the single-celled bacteria and archaea, and the more complex eukaryotes that gave rise to animals and plants (see timeline). It’s hard to know what happened before the split. Hardly any fossil evidence remains from this time, and any genes that date that far back are likely to have mutated beyond recognition.

Inspired by the collaborative intelligence of her fellow software designers, Kare stayed on at Apple to craft the navigational elements for Mac’s GUI. Because an application for designing icons on screen hadn’t been coded yet, she went to the University Art supply store in Palo Alto and picked up a $2.50 sketchbook so she could begin playing around with forms and ideas. In the pages of this sketchbook, which hardly anyone but Kare has seen before now*, she created the casual prototypes of a new, radically user-friendly face of computing - each square of graph paper representing a pixel on the screen.

I can’t find a great account of it (go here and here for the basics), but the story of how Tony Stewart won the 2011 Sprint Cup Championship at the Ford 400 in Homestead, FL is flat-out amazing and as thrilling as anything that’s happened in sports over the past 12 months: an aging former champion wins five out of the last ten NASCAR races (more than 10% of his total career victories), including a final race in which he recovered from two slow pit stops (one of which was agonizingly slow), passed 118 cars total, came from back of the pack twice, made several ballsy four-across passes, and was saved from defeat by a passing rain shower. And the guy he was chasing the whole time (in this race and the points standings) was driving great…it’s just that Stewart was racing insanely great, right on the edge.

I’ve seen very little coverage of this on the big generalist sports blogs…nothing on Deadspin and only a short “Tony Stewart won some NASCAR thingie” on Grantland. Come on! Simmons, Klosterman, someone, get on this!

I’ve been on the web for 17 years now, I’m a professional link finder, and I have never in my life seen anything like these guys performing on an Indian talent show. They *start off* by biting into fluorescent light bulbs and it just gets more nuts from there.

You never really see this much bleeding on American Idol… (via unlikely words)

In this 15-minute video, Terry Gilliam talks about how he does the cut-out animations that defined the Monty Python visual aesthetic. Gilliam’s technique is all about simplicity and embracing constraint.

For years, I’ve wanted to make a movie about the John F. Kennedy assassination. Not because I thought I could prove that it was a conspiracy, or that I could prove it was a lone gunman, but because I believe that by looking at the assassination, we can learn a lot about the nature of investigation and evidence. Why, after 48 years, are people still quarreling and quibbling about this case? What is it about this case that has led not to a solution, but to the endless proliferation of possible solutions?

The Updike piece from the New Yorker is available here (subscribers only, but the abstract is informative):

For example, “the umbrella man”: though the day was clear and blowy, he can be detected, in photographs, standing on the curb just about where the assassination would in a few seconds occur, holding a black umbrella above him; seconds later he is again photographed, walking away, gazing tranquilly at the scramble of horrified spectators. His umbrella is now furled. Who was he? Where is he now?

This is Arnold Schwarzenegger doing the DVD commentary for Total Recall. Instead of adding any context to the film, he simply describes exactly what was happening in each scene.

I have three guesses as to what’s going on here:

1. It’s a fake from a really good impersonator.

2. Arnold is dumb and he’s unaware of how dumb he is.

3. But my money’s on this one: Arnold was contractually obligated to do the DVD commentary but when it came to it, he didn’t really want to. So he torpedoed the whole thing and had some fun in the meantime. (via stellar)

The sordid tale of how Jim Romenesko ended up leaving The Poynter Institute.

“How did this go off the rails?” Poynter’s attorney asked me during a Nov. 12 phone conversation about my threat to file a cease and desist order against the institute for using my name on their website after being taken off the payroll.

What a jumble! Cannons, wall construction, studying the sun, ice skating in Flanders, optics, and that oh-so-casual, “Draw Milan.” It’s like his mind could wander off in any direction at any time. How did he concentrate? How did he focus?

Maybe he went in and out, plunging into a task that concentrated him fully, and then, once done, he’d spring back to the rough and tumble of Anything Goes. Great minds can go as they please.

Another giant, Michel Montaigne, the inventor of the essay, wrote that no single idea could hold him. “I cannot keep my subject still,” he wrote. “It goes along, befuddled and staggering, with a natural drunkenness.”

Beginning with Allen’s childhood and his first professional gigs as a teen — furnishing jokes for comics and publicists — American Masters — Woody Allen: A Documentary chronicles the trajectory and longevity of Allen’s career: from his work in the 1950s-60s as a TV scribe for Sid Caesar, standup comedian and frequent TV talk show guest, to a writer-director averaging one film-per-year for more than 40 years.

The first part aired last night (it’s rerunning throughout the week so check listings, etc.) and the second part is tonight.

For nearly three decades, Landis has visited museums across the US in various guises and tried to donate paintings he has forged. As well as Father Scott, he has posed as “Steven Gardiner” among other aliases. He never asks for money, although museums have often hosted meals for him and made small gifts. His only stipulation is that he is donating in his parents’ names — often his actual father, Lieutenant Commander Arthur Landis Jr, a former US Navy officer.

Landis has been prolific and amazingly persistent. A few weeks before he came to Lafayette, “Father Scott” arrived at the Nelson-Atkins Museum of Art in Kansas City, Missouri, with a forgery of Head of a Sioux by Alfred Jacob Miller that he said he was giving in memory of his mother, “Helen Mitchell Scott”. Landis has so far offered copies of that work to five other museums. Yet in all this time, although curators speculate about his motives, no one has found out why he is doing it.

Update: Landis is the subject of a documentary film called Art and Craft.

Mark Landis has been called one of the most prolific art forgers in US history. His impressive body of work spans thirty years, covering a wide range of painting styles and periods that includes 15th Century Icons, Picasso, and even Walt Disney. And while the copies could fetch impressive sums on the open market, Landis isn’t in it for money. Posing as a philanthropic donor, a grieving executor of a family member’s will, and most recently as a Jesuit priest, Landis has given away hundreds of works over the years to a staggering list of institutions across the United States.

When New York State sentenced convicted murderer William Kemmler to death, he was slated to become the first man to be executed in an electric chair. Killing criminals with electricity “is a good idea,” Edison said at the time. “It will be so quick that the criminal can’t suffer much.” He even introduced a new word to the American public, which was becoming more and more concerned by the dangers of electricity. The convicted criminals would be “Westinghoused.”

Westinghouse was livid. He faced millions of dollars in losses if Edison’s propaganda campaign convinced the public that his AC current would be lethal to homeowners. Westinghouse contributed $100,000 toward legal fees for Kemmler’s appeal to the U.S. Supreme Court, where it was argued that death in the electric chair amounted to cruel and unusual punishment. Both Kemmler and Westinghouse were unsuccessful, and on August 6, 1890, Kemmler was strapped into Harold Brown’s chair at Auburn prison and wired to an AC dynamo. When the current hit him, Kemmler’s fist clenched so tight that blood began to trickle from his palm down the arm of the chair. His face contorted, and after 17 seconds, the power was shut down. Arthur Southwick, “the father of the electric chair,” was in attendance and proclaimed to the witnesses, “This is the culmination of ten years work and study. We live in a higher civilization today.”

Moby has a web site where filmmakers can download his music for use in non-profit projects. Cool!

this portion of moby.com, ‘film music’, is for independent and non-profit filmmakers, film students, and anyone in need of free music for their independent, non-profit film, video, or short. to use the site you log in(or on?) and are then given a password. you can then listen to the available music and download whatever you want to use in your film or video or short. the music is free as long as it’s being used in a non-commercial or non-profit film, video, or short.

Something to keep in mind when you’re tempted to slap a Sigur Ros song on your viral video. (via ken murphy)

Sour candy is sour because of the acidity level. The Minnesota Dental Association has compiled a chart listing several popular sour candies, all of which are acidic enough to cause tooth enamel loss and some of which are almost as acidic as battery acid! Here’s part of the chart:

Update: I meant to add that the ph scale is logarithmic (like the Richter scale) so that a pH of 3.0 is 10 times more acidic than a pH of 4.0. That means that even the pH 1.6 & 1.8 candies on the list aren’t quite battery acid, but it also means that a pH 2.0 candy has 100x more acidity than is required to cause enamel loss, not just 2x.

This is not your typical sky time lapse…instead of looping through 365 days in one video, each day gets its own little movie in a grid.

A camera installed on the roof of the Exploratorium museum in San Francisco captured an image of the sky every 10 seconds. From these images, I created a mosaic of time-lapse movies, each showing a single day. The days are arranged in chronological order. My intent was to reveal the patterns of light and weather over the course of a year.

Drinkify matches up the music you’re listening to with a suggested drink. According to the site, Daft Punk pairs best with 6 oz. Bombay Sapphire Gin served neat, Philip Glass should be accompanied by a bottle of red wine, The Clash goes with 1 oz. cocaine + 1 oz. grenadine served in a highball, and you can probably guess what you drink while listening to Snoop Dogg:

Next is a restaurant like no other. Every season the menu and service explore an entirely different cuisine. Buying a ticket is the only way to get in… and the entire season sold out in a few hours. The inaugural menu took diners back to Paris: 1906, Escoffier at the Ritz for a multi-course pre fixe dinner that was described by the New York Times as “Belle Epoque dishes largely unseen on American tables for generations.”

Ok, someone needs to do this: 1. Open a restaurant (in New York, say) that features old menus from Next every three months using the Next cookbooks to plan menus. 2. Call it Previous. 3. Profit!

Speaking of going fast, this is a lovely 22-minute documentary about a downhill skateboarding race in Teutonia, Brazil where the competitors reach speeds in excess of 70 mph on almost unbelievably rough pavement.

“I do know how the whole show ends,” he told us. “It came to me in the middle of last season. I always felt like it would be the experience of human life. And human life has a destination. It doesn’t mean Don’s gonna die. What I’m looking for, and how I hope to end the show, is like … It’s 2011. Don Draper would be 84 right now. I want to leave the show in a place where you have an idea of what it meant and how it’s related to you.”

Rival protesting groups clashed with police and each other during Independence Day festivities in Warsaw, Poland and someone caught some of it on a camera mounted on a remote control helicopter.

This shorter video of police double-timing it down a narrow Warsaw street is almost cinematic. It reminds me of how the different camera views in the Madden NFL video games inspired the NFL broadcasting networks to invent camera systems to provide similar views. In the future, the news will look more and more like movies. (via @coudal)

One of the many micro-genres featured on kottke.org is the “going fast video”. In that spirit, here’s a car going 462 mph on the Bonneville Salt Flats.

My favorite part is right around 30 seconds, when he hits the gas and you can see the dirt fly up from the rear wheels. Also, the driver’s demeanor is an odd combination of frightened and bored, like Bill Murray on the elliptical in Lost in Translation. Help! (via devour)

If not for the photos, I would not have believed this story: a woman duct-taped a bunch of food to her body in order to attract raccoons. No, really:

Just before entering coon HQ, duct-tape your bounty of trash food all over yourself. Raccoons’ propensity to enjoy garbage-can snacks, coupled with their shitty attitude and distinct facial markings, makes them the crust punks of the animal kingdom (without the heroin problem and terrible taste in music). And just like crusties, they’ll approach without warning and snatch a turkey sub right out of your hands, so you can only imagine how appetizing you’re going to look with two-week-old baguettes for arms.

One comestible raccoons seem to find yucky, however, is broccoli. Use their aversion to your aesthetic and protective advantage by surrounding danger zones (i.e., your junk) with appropriate amounts of the leafy green stuff.

Hey Edith, Kreayshawn is nothing…join me in waving your cane at this girl in the food suit. The kids today, really.

Most of the This American Life production staff spent the weekend at Penn State, and found that drinking is the great unifier at the school. Ira Glass, Sarah Koenig, Lisa Pollak and Jane Feltes report on tailgating parties, frat parties, an article of clothing known as a “fracket,” and a surprising and common drunken crime.

A video compilation of deaths from old school video games, from Pong and Space Invaders right on up to Afterburner.

The music is a MIDI version of Mad World, originally done by Tears for Fears but probably best known in the gaming community as the music in the most poignant trailer ever done for a violent third-person shooter game.

Our app is called Mixel. It’s a collage-making tool and a social network rolled into one. With Mixel, anyone can create and share digital collages using images from the Web, Mixel’s library, or your own personal photos from Facebook or what’s right on your iPad.

Mixel is such a great name…can’t wait to play with this when I get home tonight (I left my f’ing iPad at home today).

At this volume, and with the impermanence of the sandwich, it only makes sense for McDonald’s to treat the sandwich as a sort of arbitrage strategy: at both ends of the product pipeline, you have a good being traded at such large volume that we might as well forget that one end of the pipeline is hogs and corn and the other end is a sandwich. McDonald’s likely doesn’t think in these terms, and neither should you.

Oh and speaking of pipelines:

And for its part, the McRib makes a mockery of this whole terribly labor-intensive system of barbecue, turning it into a capital-intensive one. The patty is assembled by machinery probably babysat by some lone sadsack, and it is shipped to distribution centers by black-beauty-addicted truckers, to be shipped again to franchises by different truckers, to be assembled at the point of sale by someone who McDonald’s corporate hopes can soon be replaced by a robot, and paid for using some form of electronic payment that will eventually render the cashier obsolete.

There is no skilled labor involved anywhere along the McRib’s Dickensian journey from hog to tray, and certainly no regional variety, except for the binary sort — Yes, the McRib is available/No, it is not — that McDonald’s uses to promote the product. And while it hasn’t replaced barbecue, it does make a mockery of it.

The results show that the pollen frequently has been filtered out of products labeled “honey.” The removal of these microscopic particles from deep within a flower would make the nectar flunk the quality standards set by most of the world’s food safety agencies.

The food safety divisions of the World Health Organization, the European Commission and dozens of others also have ruled that without pollen there is no way to determine whether the honey came from legitimate and safe sources.

In the U.S., the Food and Drug Administration says that any product that’s been ultra-filtered and no longer contains pollen isn’t honey. However, the FDA isn’t checking honey sold here to see if it contains pollen.

It’s that last sentence that really pisses me off…the FDA and USDA are pathetic jokes.

Anyway, there is speculation that the pollen removal is masking the use of unregulated, uninspected, and illegally imported Chinese honey.

Eric Wenger, director of quality services for Golden Heritage Foods, the nation’s third largest packer, said his company takes every precaution not to buy laundered Chinese honey.

“We are well aware of the tricks being used by some brokers to sell honey that originated in China and laundering it in a second country by filtering out the pollen and other adulterants,” said Wenger, whose firm markets 55 million pounds of honey annually under its Busy Bee brand, store brands, club stores and food service.

“The brokers know that if there’s an absence of all pollen in the raw honey we won’t buy it, we won’t touch it, because without pollen we have no way to verify its origin.”

When I was a kid, one of my favorite things on one of my favorite shows (3-2-1 Contact) was Al Jarnow’s Cosmic Clock, a short video animation showing a billion years of time passing in fewer than two minutes. There’s so much science in this little video.

This is one of those things I thought I’d just never see again. YouTube is truly a global treasure.

Over the weekend we had a chance to visit the long-abandoned Waldorf-Astoria train platform, which allowed VIPs to enter the hotel in a more private manner — most famously it was used by Franklin D. Roosevelt, possibly to hide the fact that he was in a wheelchair suffering from polio. The mysterious track, known as Track 61, still houses the train car and private elevator, which were both large enough for FDR’s armor-plated Pierce Arrow car. Legend has it that the car would drive off the train, onto the platform and straight into the elevator, which would lead to the hotel’s garage.

In the 1840s, when Marie Taglioni went on pointe for a few seconds in La Sylphide, her momentary weightlessness became an icon of the transcendent power of ballet. A pair of her shoes sold for 200 rubles and was cooked and eaten by her admirers.

Morris Lessmore may be the best iPad book in the world. In July, Morris Lessmore hit the number one spot on Apple’s iPad app chart in the US. That is to say, Morris Lessmore wasn’t just the bestselling book, but the bestselling *app* of any kind for a time. At one point or another, it has been the top book app in 21 countries. A New York Times reviewer called it “the best,” “visually stunning,” and “beautiful.” Wired.com called it “game-changing.” MSNBC said it was “the most stunning iPad app so far.” And The Times UK made this prediction, “It is not inconceivable that, at some point in the future, a short children’s story called ‘The Fantastic Flying Books of Mr. Morris Lessmore’ will be regarded as one of the most influential titles of the early 21st century.”

For over forty years Christopher Hitchens has written and spoken with passionate commitment on matters that others fear to broach. His life has been one of defiance, wit and humility. Now his life is threatened by cancer, but his devotion to the truth and his extraordinary courage are undiminished. In this special event for Intelligence^2, Hitchens will be in conversation via satellite in Washington D.C. with his friend Stephen Fry who will be onstage at Southbank Centre’s Royal Festival Hall, London, in front of a sell-out audience of 2,500. Don’t miss this chance to hear one of the great public intellectuals of our age discussing politics, literature and, as he puts it, “the things that make life worth defending - foes like faith and false consolation”.

It’s £5 for a live-stream and 30 days of unlimited on-demand viewing.

Update: Nuts, Hitchens has pneumonia, so Fry will be joined instead by Martin Amis and Richard Dawkins.

They will be examining their own and Christopher’s ideas of what constitutes the good life and the good death — seen against the backdrop of Christopher’s career, the causes dear to his heart, the controversies that he has so enjoyed provoking and the things that make life worth defending.

I was planning on suing this restaurant but kept driving past it. Later, the mold in my ravioli also triggered a rare neurological disorder called “Geoagnosia.” It’s an inability to recognize or remember familiar places, like my home or office.

DO NOT EAT AT THIS RESTAURANT IF YOU WANT TO LIVE OR PERFORM LONG DIVISION OR REMEMBER WHERE YOUR CAR IS EVER AGAIN.

There were a variety of cakes and sweet things there. The desserts paraded by in their desperate decadence, at once a fading and colorless memory.

A Bavarian chocolate cake stood apart, on a simple plate. Like a rancher’s wife it was seasoned by hardships and nature’s brutal arithmetic. Flourless, it awaited a lonely fate.

A Tiramisu teetered like the oldest prostitute in a mining town, reeking of saccharine liqueur. The faint scent of virtue lost amid the hellish musk of ten thousand outrages.

A torte, covered in glistening fruit, a lie as old as memory. Its flavor joyless, a pyrrhic dessert atop a mountain of meaningless artifice. Hasn’t been real sugar in this torte since before the highway was built here. Since before the first settlers came through with bibles and Henry rifles. The slow mockery of corn syrup.

He reached for the Tiramisu with a hand that had been dried by the sun and wind and bathed in the steaming blood of another human being. All that now was behind him.

Jobs’s sensibility was editorial, not inventive. His gift lay in taking what was in front of him-the tablet with stylus-and ruthlessly refining it. After looking at the first commercials for the iPad, he tracked down the copywriter, James Vincent, and told him, “Your commercials suck.”

“Well, what do you want?” Vincent shot back. “You’ve not been able to tell me what you want.”

On October 26th, a hole was blasted in the base of 125’ tall Condit Dam on the White Salmon River in Washington. In less than 2 hours, the reservoir behind the dam drained completely and the White Salmon flowed unimpeded by a dam for the first time in 100 years.

The time lapse at the end of the reservoir draining is awesome. (★interesting)

KOYAANISQATSI, [Godfrey] Reggio’s debut as a film director and producer, is the first film of the QATSI trilogy. The title is a Hopi Indian word meaning “life out of balance.” Created between 1975 and 1982, the film is an apocalyptic vision of the collision of two different worlds — urban life and technology versus the environment. The musical score was composed by Philip Glass.

Writer turned knife maker Joel Bukiewicz of Cut Brooklyn talks about the human element of craft, and the potential for a skill to mature into an art. And in sharing his story, he alights on the real meaning of handmade-a movement whose riches are measured in people, not cash.

At Cut Brooklyn, Bukiewicz also does knife sharpening, holds open shop hours in his workshop, holds knife skills classes, and has various knives for sale.

I got word that Pepsi had bought the first spot in the 1984 Grammy telecast and they were gonna play a new Michael Jackson Pepsi ad. I’m like, “Michael Jackson belongs to MTV, not the Grammys.” I wasn’t gonna let it happen. So I called Roger Enrico, the head of Pepsi, and said, “Roger, I’ve got a major problem. This Pepsi Michael Jackson spot that’s gonna run in three weeks on the Grammys? That should run on MTV first.”

“Well, Garland, I’ve already made a deal with the Grammys.” I go, “Wait a minute. You know how we do world premieres of videos. What if I world premiere the commercial? And what if I give you 24 promos a day for two weeks leading up to it? Would that interest you?”

He goes, “How much do you want for this?” I said, “Nothing.” He goes, “What? You’re telling me you would promote a commercial 24 times a day for two weeks before playing it? Garland, I like your style. Done.” So it played for the first time on MTV.

Why not the same thing [as Newsstand] for TV channels? We’re seeing the beginnings of this, with iPhone and iPad apps like HBO Go, Watch ESPN, and the aforementioned Bloomberg TV+. Letting each TV network do their own app allows them the flexibility that writing software provides. News networks can combine their written and video news into an integrated layout. Networks with contractual obligations to cable operators, like HBO and ESPN, can write code that requires users to log in to verify their status as an eligible subscriber.

This smells right to me…it’s a very Apple-y way of approaching the TV/movie problem. Rather than fight with the studios and networks over content sold through the iTunes Store (where the studios control the licensing rights), just provide a platform (iPhone + iPad + iTV + App Store) controlled by Apple and if the studios/networks want to reach those customers, they need to provide an app…with Apple taking a 30% cut of the App *and* content sales.