A road-movie dedicated to the last years of Christa Päffgen, known by her stage name “Nico”. One of Warhol's muses, singer of The Velvet Underground and a woman of legendary beauty. The story of Nico's last tours with the band that accompanied her around Europe in the Eighties: years in which the "priestess of darkness", as she was called, found herself again, shaking off the weight of her beauty and rebuilding the relationship with her only forgotten son. It is the story of a rebirth, of an artist, of a mother, of the woman beyond the icon.

On a remote desert highway a makeshift Border Patrol checkpoint is manned by three agents: Flores (Gabriel Luna): with an uncanny ability to track; Davis (Johnny Simmons): joined the Border Patrol with dreams of romancing señoritas and riding on horseback; Hobbs (Clifton Collins Jr): one of the old guards who believes a college degree can’t stop a bullet. It's like most boring days, but soon the contents of one car will change everything. What follows is a journey to uncover the surreal, frightening secrets hidden behind the facade of this lonely outpost. The end of the path may cost them their lives along a border where the line between right and wrong shifts like the desert itself.

Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he's living on the edge and making small money by giving music lessons to people who don't seem to want them.

Fred (Stanley Tucci) arrives at the doorstep of his beautiful young mistress Velvet (Alice Eve) after four years apart, claiming to have finally left his wife. But when she rejects his attempts to rekindle their romance, his persistence evolves into obsession — and a dark history between the former lovers comes into focus. A return to form for writer/director Neil LaBute (In the Company of Men, Your Friends & Neighbors), Some Velvet Morning is an astutely written portrait of a very modern romance.

15 year-old Lily (Juno Temple) and her best friend Alison (Kay Panabaker) live on the shores of the Salton Sea among rundown trailers parks, rotting household items, drained pools and decaying streets. What was once an oasis for the wealthy and famous has become a near ghost town, leaving its residents fighting for breath in the deep end. Lily feels eternally claustrophobic and rebellious, living with her manic, single mother (Leslie Mann), clinging to hope for something more exciting than visits with her young and already washed up Aunt (Kate Bosworth).

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.

In this darkly comedic odyssey, Academy Award nominee Rinko Kikuchi (Babel, Pacific Rim) stars as Kumiko, a frustrated Office Lady whose imagination transcends the confines of her mundane life. Kumiko becomes obsessed with a mysterious, battered VHS tape of a popular film she’s mistaken for a documentary, fixating on a scene where a suitcase of stolen cash is buried in the desolate, frozen landscape of North Dakota. Believing this treasure to be real, she leaves behind Tokyo and her beloved rabbit Bunzo to recover it – and finds herself on a dangerous adventure unlike anything she’s seen in the movies.

Terri Hooley is a radical, rebel and music-lover in 1970s Belfast, when the bloody conflict known as the Troubles shuts down his city. As all his friends take sides and take up arms, Terri opens a record shop on the most bombed half-mile in Europe and calls it Good Vibrations. Through it he discovers a compelling voice of resistance in the city’s nascent underground punk scene. Galvanising the young musicians into action, he becomes the unlikely leader of a motley band of kids and punks who join him in his mission to create a new community, an alternative ulster, to bring his city back to life.

Robin Wright, playing the role of herself, gets an offer from a major studio to sell her cinematic identity: she'll be numerically scanned and sampled so that her alias can be used with no restrictions in all kinds of Hollywood films — even the most commercial ones that she previously refused. In exchange she receives loads of money, but more importantly, the studio agrees to keep her digitalized character forever young — for all eternity — in all of their films. The contract is valid for 20 years.

Based on Julia Hart’s revered 2012 Black List screenplay, and directed by Academy Award® ￼Nominated Daniel Barber (Harry Brown), The Keeping Room is a tense and uncompromising ￼tale of survival that also shatters both gender and genre conventions.