Jesus, at Your Name - Brass Score/Parts by Mark Hayes. For 2 trumpets, horn, trombone 1 and trombone 2 (tuba). Sacred Anthem: Christ the King, General, Holy Week, Lent. Brass Score & Parts. Published by Exaltation Publications (LO.30-2204L).
With a text underscoring the sovereignty of Christ, this inspirational anthem reminds us that Christ laid aside His crown to become a humble servant to all, even to the point of death on a cross. In the end, though, every knee shall bow and every tongue confess that Jesus is Lord of all!

Jesus Christus, Gottes Sohn by Johann Sebastian Bach (1685-1750). Arranged by Robert S. Wallace, II . For Brass Quintet and Organ . Score and set of parts. Published by AK Brass Press (AK.AKBP173).
This chorale arranged for brass quintet and organ preserves all the color and flavor of the original solo aria, but on a larger scale. .

An Easter Collection from The Messiah by George Frideric Handel (1685-1759). Arranged by Kenneth Amis. Brass Quintet. For 2 trumpets, french horn, trombone, tuba. This edition: Brass accompaniment score and parts only. This is an arrangement of brass accompaniment parts which are to be performed with the organ and choral parts (sold separately).. Classical. Brass accompaniment score and parts. Duration 12:15. Published by Amis Musical Circle (AI.AMC-BR-045).

Crown Him the Glorious King! by Larry Shackley. Instrumental ensemble (brass). For brass quintet and piano. Brass and Ivory Series. Eastertide. Instrumental ensemble (brass). Published by Exaltation Publications (LO.30-2338L).
Built around a brass quintet nucleus with piano accompaniment, this series is designed to provide practical yet creative resources for church musicians. The arrangements in this series are crafted by some of today's leading arrangers, and they are worthy considerations for preludes, offertories and general service music. They are accessible for most church, school and community brass ensembles.

Lamb of God by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon, Bb Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, Horn 1/2, Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpani (3 drums), Percussion ). Grade 5. Score only. Duration 12:10. Published by C. Alan Publications (CN.05241).
Lamb of God is a tone poem based on the Christian story of the passion. The work is cast in five connected sections progressing to the chronology of the story. The motivic material, which unites the work, is taken from the Easter sequence, Victimae paschali laudesi ("Praises to the Paschal Lamb"). In the Catholic Church, the "Paschal Lamb" is representative of Christ who was sacrificed on the cross to redeem the people (or "sheep") of the world.The first section, O crux, portare talentum mundi ("O Cross, to bear the treasure of the world") seeks to depict Christ's torturous walk bearing his own cross. Motives from the Easter sequence are clearly articulated under and over dissonant harmonies and a regular march-like rhythmic drive. There is even the incessant cracking of a whip throughout the section. As the site of crucifixion nears, there is a quieting of activity, taking pause at the thought of death with the xylophone continuing the intensity. The walk then resumes to the crucifixion and segues into the second section, Dux vitae mortuus ("The leader of life is slain"). Announced by timpani and snare drum rolls, Christ is nailed to the cross. Muted bass drum and brake drum make the torture vividly clear. Crying dissonance in the ensemble, which grows with each successive nail, follows each nail. Intense suffering follows. An alto saxophone solo alludes to Hans Hassler's tune, O Sacred Head Now Wounded. This intensity grows to a climax on the penultimate strain of Hassler's tune. Sever chant-like statements follow this in piccolo, bass clarinet, bells and piano representing the final words of Christ. In the ensuing section, Sepulchrum Christi viventis ("I saw the sepulchre of the living Christ"), a timpani roll followed by three loud, grieving cries of the full ensemble signifies the stormy darkness following the death of Christ on the the cross. The section ends morbidly in C# minor. The vibraphone continues to sustain a C# into the next section, Surrexit Christus spes mea ("Christ my hope has risen"), which begins with small, but bright outbursts by bells and high woodwinds. The outbursts grow and begin to cascade joyously leading to dramatic strains of Victimae pachali laudes by the low brass. The section continues to grow in rhythmic and textural activity and finally reaches an apex in the key of C major. The final section, Agnus redemit oves ("The lamb has redeemed the sheep"), is a benediction in G major consisting of harp-like passages in the piano, chant-like motives and fragments of the Victimae paschali laudes. The work closes in Eb major, a chromatic change from G major which, to my ear, suggests eternity.

Lamb of God by David Gillingham. Arranged by Michael Brand. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon, Bb Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, Horn 1/2, Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpani (3 drums), Percussion ). Grade 5. Score and parts. Duration 12:10. Published by C. Alan Publications (CN.05240).
Lamb of God is a tone poem based on the Christian story of the passion. The work is cast in five connected sections progressing to the chronology of the story. The motivic material, which unites the work, is taken from the Easter sequence, Victimae paschali laudesi ("Praises to the Paschal Lamb"). In the Catholic Church, the "Paschal Lamb" is representative of Christ who was sacrificed on the cross to redeem the people (or "sheep") of the world.The first section, O crux, portare talentum mundi ("O Cross, to bear the treasure of the world") seeks to depict Christ's torturous walk bearing his own cross. Motives from the Easter sequence are clearly articulated under and over dissonant harmonies and a regular march-like rhythmic drive. There is even the incessant cracking of a whip throughout the section. As the site of crucifixion nears, there is a quieting of activity, taking pause at the thought of death with the xylophone continuing the intensity. The walk then resumes to the crucifixion and segues into the second section, Dux vitae mortuus ("The leader of life is slain"). Announced by timpani and snare drum rolls, Christ is nailed to the cross. Muted bass drum and brake drum make the torture vividly clear. Crying dissonance in the ensemble, which grows with each successive nail, follows each nail. Intense suffering follows. An alto saxophone solo alludes to Hans Hassler's tune, O Sacred Head Now Wounded. This intensity grows to a climax on the penultimate strain of Hassler's tune. Sever chant-like statements follow this in piccolo, bass clarinet, bells and piano representing the final words of Christ. In the ensuing section, Sepulchrum Christi viventis ("I saw the sepulchre of the living Christ"), a timpani roll followed by three loud, grieving cries of the full ensemble signifies the stormy darkness following the death of Christ on the the cross. The section ends morbidly in C# minor. The vibraphone continues to sustain a C# into the next section, Surrexit Christus spes mea ("Christ my hope has risen"), which begins with small, but bright outbursts by bells and high woodwinds. The outbursts grow and begin to cascade joyously leading to dramatic strains of Victimae pachali laudes by the low brass. The section continues to grow in rhythmic and textural activity and finally reaches an apex in the key of C major. The final section, Agnus redemit oves ("The lamb has redeemed the sheep"), is a benediction in G major consisting of harp-like passages in the piano, chant-like motives and fragments of the Victimae paschali laudes. The work closes in Eb major, a chromatic change from G major which, to my ear, suggests eternity.

O Little Town of Bethlehem arranged by J. Scott Irvine. For Brass Quintet. Brass Ensemble - Quintet. Eighth Note Publications. Christmas; Winter. Published by Eighth Note Publications (AP.81-TNB015).
ISBN 1554733456. Christmas; Winter.
This arrangement cleverly combines both melodies: the traditional English with the American version by Redner. Trumpets and Trombone may use Cornets and Euphonium for a more mellow sound within the group.

Music for Four Brass, Volume 2, Part 4 - Bass Trombone/Tuba (Brass). By Various. Arranged by Daniel Kelley. For Bass Trombone or Tuba. Quartets. Music for Four. Sacred / Spirituals. Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing (LR.60241).
Music for Four Brass is designed to be used by the following instruments:Part 1: Bb TrumpetPart 2: Bb TrumpetPart 2: French Horn in FPart 3: TrombonePart 3: French Horn in FPart 4: Bass Trombone or TubaKeyboard/GuitarAll parts are sold separately.