In “The night, the black winged bird “Mercedes Bellido works the potential iconography of the Orphic goddess universe. The past is embodied in memories that flow like crawling animals through memory, fiddling with their disturbing bifid tongues all that they find in their wake, poisoning the future and, at the same time, instilling an insatiable curiosity for knowing a future that, ultimately, is no more than an already known morbid end: death.

The black birds presage the irremediable and fatal outcome. However, the pressing quest to find out our fate, under the relentless gaze of the Goddess of the Night, leads us to constant regeneration during our life.

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