Fifth National Monotype /Monoprint Juried Exhibition

May 6 – September 2, 2018

The Art Complex Museum
189 Alden Street, Duxbury, MA

“The monotype expresses the emotion of the artist in a way that no other medium does. Through monotypes, we have insights into the artist’s soul. One has only to survey the monotypes I have selected for this exhibition to see how the feelings of artists infuse the works and give them their impact.” – Judith Brodsky, Juror Statement

In celebration of the expansive vision and myriad techniques employed by monotype and monoprint artists throughout the United States, the Monotype Guild of New England is pleased to present 100 works of art by 100 artists for it’s 2018 National Juried Exhibition. These prints were selected from over 660 prints submitted by 248 American artists from across 33 states.

AWARDS: The Juror will review the selected work once it is delivered to the Art Museum Complex. She will select prize, and award winners–1st Prize: $1,000; 2nd Prize: $500; 3rd Prize: $300; plus Material and Honorable Mention awards. Click here for a full list of our Materials Awards sponsors.

Because women are told they aren’t reliable witnesses to their own lives

Sirarpi

Heghinian-Walzer

Reflections

Adriane

Herman

Wreckage Salad (Big White Board)

Rozanne

Hermelyn Di Silvestro

Saturation

Kate

Higley

Yellowstone Thermophiles

Joyce

Jewell

Jequie Park

Lynne

Johnson

Turtlebox 2 Plan

Karen

Karlsson

Lifeline: Suburbia

Annette

Kearney

Seeking Words of Wisdom

Patricia

Keough

Bridge with Writing

Clive

Knights

Corpus-animus

Stephanie

Kossmann

Structure

Rachel

Leaney

Cape Pogue, Evening

Bonnie

Lerner

Three Moons

Elizabeth

Lilly

Afloat V

Camila

Linaweaver

The Space That Lies Ahead

Mary Louise

Long

Ethereal Saturation

Sasja

Lucas

Day Into Night

Doris

Madsen

Hawley Pitcher Plant #4

Robert

Maloney

Freeway

Helene

Manzo

City Tangle with Yellow

Anna

Mavromatis

Stains That Don’t Wash Off

Devon

Mozdierz

Navigation (Collaborative Print)

Kelsey

Miller

In Assessing Damage, Plenty of Questions

Bonnie

Mineo

Winter with Ocean

Deborah

Mitchell

Body Count

Michelle

Muhlbaum

Bull

Jacob

Muldowney

Gomorrah

Leo J

Murphy

The Hatfields and McCoys

Rosetta

Nesbitt

Toxic Waters I

Carol

Odell

Triple Echo Spin

Kristin

Onuf

Blooddrop_2jpeg

Donna

Pfeffer

Night Creatures

Wendy

Prellwitz

Opening Diptych #2

Ron

Prigat

Still life with dried artechokes

Debra

Radke

All That Glitters…

Christine

Reising

Small Red Thing

Sara

Ringler

Fake Eye Chart 2

Margot

Rocklen

Winter Reverie Reflected II

Rebecca

Rolke

Old North Wind

Anne

Russell

Body in Motion 1

Lisa

Russell

#32 Reciprocity

Nicholas

Ruth

Everything Must Go

Barbara

Ryan Gartin

The Keep House

Maryellen

Sakura

The Forest Through The Trees

Kenneth

Schnall

Rosalia

Masha

Schweitzer

Steam and Smoke

Marilyn

Sherman

Dear Parents Redacted #6 (Pink & Blue)

Sarah

Sipling

Deteriorate 3

Kelly

Slater

September

Sarah

Smelser

No Small Talk, No Big Talk

Edward

Sorensen

Sweet Misery

Megan

Stone

Smoked Out

Laurie

Szujewska

All in

R. Leopoldina

Torres

Sublimation (Phase Transition in Yellow)

Marilyn Avery

Turner

The Beat Goes On

Janice

Wall

Industrial Triptych

Michael

Walton

Action2

Andrea

Warner

Aquatic Life #1

Lelia

Weinstein

Tension 1 & 2

Wendy

Weldon

Vertical Time

Patricia

White

Lalibela Hills #2

Esther

White

Clothes that are too small or no longer needed (lacey bra and socks)

Mary

Wojciechowski

Nature’s Palette

Karen

Wynn

Day Two

Lynn

Yetra

Summer In The City

Ahuva

Zaslavsky

In motion

Joyce

Zavorskas

Wind Symphony

JUROR:

JUDITH K. BRODSKY, Board Chair, New York Foundation for the Arts, is Distinguished Professor Emerita, Department of Visual Arts, Rutgers University; Founder, Rutgers Center for Innovative Print and Paper, renamed the Brodsky Center in her honor; Founder, Rutgers Center for Women in the Arts and Humanities and The Feminist Art Project, a national program to promote recognition of women artists; Organizer and Curator of The Fertile Crescent: Gender, Art, and Society (2012); Founder and Chair of the international city-wide print festival, Philagrafika (2010); Past National President of ArtTable, the College Art Association, and the Women’s Caucus for Art; Former Dean, Associate Provost, and Chair of the art department, Rutgers campus at Newark; Contributor to the first comprehensive history of the American women’s movement in art,The Power of Feminist Art; An organizer of Momentum, a project focusing on women and transgender artists who use technology.

A printmaker and artist, Brodsky’s work is in many permanent collections including the Harvard University Museums, Library of Congress,Victoria & Albert, London, Bibliothèque Nationale, Paris, and Stadtsmuseum, Berlin. Brodsky works in series. Her last series was titled “Memoir of an Assimilated Family,” over 100 etchings based on old family photographs. Her current series is “The 20 Most Important Scientific Questions of the 21st Century.” Learn more about Judith Brodsky here.

THE ART COMPLEX MUSEUM:

The Art Complex Museum, located in the historic town of Duxbury, Massachusetts 33 miles south of Boston, serves as a regional art center and houses the impressive collection of the Carl A. Weyerhaeuser family. Weyerhaeuser was drawn to works of art on paper, particularly American and European prints. More at http://www.artcomplex.org.