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Saturday, April 27, 2013

Here is a piece of art from a new project I'm working on. It's an all ages comic called NorthStars which will feature a favorite Flashback Universe character of mine, Artifact, as well a ton of new characters.

The story takes place in a world that is an extrapolation of the fantasy elements found in the old Rankin Bass holiday specials which have always intrigued me...

...with the lighthearted action of Asterix and Obelix...

...and the grand adventure you might occasionally see in classic Uncle Scrooge stories (where it seemed they were discovering lost cities and ancient civilizations every other issue.)

This has been a concept I've been wanting to work on for quite some time as the seeds for this story stretch far back into the original days of the Flashback Universe. As a matter of fact, if you were a keen reader of the Saturn Knight Christmas story, you would have noticed a rather odd Easter egg on one of the pages. Check it out here:

What that strange metal sarcophagus is will be explained in the story but let's just say, the adventures of Artifact span many worlds. ;)

Monday, April 22, 2013

One of the posts that seems to be a favorite among people who stumble upon this blog for the first time is my article on the villians created by Ross Andru during his Spider-man tenure. To many old school fans, Andru became synonymous with the character he drew. I think that is also true of another one of my favorite artists from that era: Herb Trimpe!

Herb Trimpe is a bit like Kirby in that some people just don't like his stylistic approach. A far cry from the photo realistic Bryan Hitch clones that seem to be the norm of today, Trimpe's art embraces a simplicity and dynamism that you rarely see now. His style has been praised by many comic luminaries including Erik Larsen.

Here are some of my favorite covers from his prodigious seven year run on the Hulk with some reasons why I like them.

159 – Two Years Before The Abomination

In all fairness, this cover isn't on this list because of the art. (It's actually one of the poorer examples of Trimpe's skills.) The reason I picked this one was because this was first modern Hulk comic I ever bought during my collector

phase of my life. (I had sampled a few issues as a wee lad during the late 60's, but nothing had stuck.) This was issue wherein I experienced reading a story
that referred to events from several years ago.

Year spanning
continuity?! At the time, the idea that these stories could go on for
years was staggering.

Also, this cover added the tagline At Bay!
The next time we see that tagline was also an issue that featured the
Abomination. (We'll get to that cover in a bit.)

160 – Nightmare At Niagara Falls

This is a MUCH better example. Check out the the way we are viewing the scene from such a distorted angle here.

164 – Phantom From 5,000 Fathoms!

Trimpe uses the technique of having a character break proscenium on this cover and he will use it again on 166 and 172 And Canst Thou Slay... The Juggernaut? (another one of my all time favorites.)

169 - Disaster Eight Miles High

This is cool because of how the transformation scene gets played out on the cover.

171 – Revenge!

Easily my all time favorite issue from this time simply because of the battle royale between Hulk, Rhino and The Abomination. The cover is great too because it almost has a 3D effect with the way perspective has been used to heighten the drama.

173 – Anybody out There Remember...The Cobalt Man?

Trimpe tilts the ship in this cover to make the fight scene more
exciting. As a result, it gives him room to draw the figures a bit broader than a regular horizontal plane would have allowed.

182 - Between Hammer and Anvil

This issue uses a bit of the same perspective and angle we saw on 171. Notice how the prison is a bit distorted to add to the perspective (and echo the lines of the logo.)

189 - None So Blind

Great use of framing here.

And finally, probably the most remembered (and homaged) Hulk cover from this era.

181 - And Now, The Wolverine!

The curious thing about this issue is Wolverine only appears in just a few panels is this issue which was odd after making such a big deal of him on the
cover.

I hope you enjoyed seeing those even if you aren't as enamored with the Trimpe style as I am!

Saturday, April 13, 2013

I was recently asked to contribute to How Would You Fix... a blog edited by Nathan Adler. It's an entertaining site which posts theories and continuity patches for the various holes in the Marvel universe. For my contribution, I chose the The Secret Origin of Rick Jones, a normal teenager who has somehow been able to wield both the Destiny Force and Cosmic Awareness at various times in his life.

My apophenia driven entry reveals how Arnim Zola, Moon Boy and Korvac all played a part in the events that have led to the rather auspicious life of Rick Jones.

While I haven't ever tried my hand at such a speculative article, I found reviewing the history of the Marvel universe and connecting the dots to be a fun challenge.

Sunday, April 7, 2013

I've got this rule about sitting in a chair all day and working on the computer.
Basically, I try not to do it.
And since I was working all day yesterday on new comic book project, I'm going to cut my computer chair time short today by going light on the commentary and simply post some great unseen artwork from old projects from the Flashback Universe.

First up are two pages from our defunct Kharon, Scourge of Atlantis project, which was picked as a nomination Zuda, but sadly did not win that month. (Click to see this at full size.)

Over the past couple of years, I've had the fortune of running into other Zuda contestants online and like me, they often lament the lack of such a competition today. Mostly because it was a cool way to get exposure for a project and if you got picked, DC would pay out for the pages you submitted. The one thing most people didn't like was the marketing aspect. Basically, you had to do you own marketing, which is hard for people. I think Kickstarter strikes people this way too.

Next up is a cover for a Godspeed vs Lady Nemo comic that was written by Jason Wright. The script was completed but Pierre got busy with another animation project (a part time gig that turned into a promotion and then a career) so the comic was unfinished.

Finally here are two images from another Zuda project I worked on with Pierre. This was going to be another League of Monsters story that had some flashbacks to the WW II era of heroes. This image was simply used as a background image in the story, but it's such a awesome piece that I thought you might enjoy see in at full size.

This next one wasn't really part of the story, but Pierre created it to sell me on the idea of having a WW II story.

Any of you guys ever work on a project that never was completed?
I would love to hear about it and find out what happened.