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According to the scholars at the
Sonorous Academy, there are three important songs in Marielda. The
first, “High Pyre Adagio,” has its origins in songs of performative
devotion, and emulates the distant, yet deep affection of the
God-King Samothes with a temperate piano. The second is “The Last
Eve of Summer,” a chamber sonata composed by the so-called traitor
Samot during his stay in the City of Light—allegedly written for a
particularly talented clarinetist, though no records support this
claim. The third, “The Autumn (Lasts A Long Time Here),” predates
both Marielda and the City of Light. Built around a memorable
guitar melody, it has no clear origin—both the elves of the Western
Wood and the refugee population of Emberboro independently claim
that it has been in their respective cultures for
centuries.

These, say the scholars of the
Sonorous Academy, are the three songs that matter in Marielda. But
the people in that city by the sea don’t care what the scholars
say. They’re too busy dancing to a tune that hasn’t yet left the
island.