Up until the current MARDUKITE efforts and work of Joshua Free, few of the publicly visible “New Age” writers and occult spokes-people really had much to say concerning the SIMON NECRONOMICON – many of them wishing it would just go away, or at the very least, that people would stop bothering them about it.

Needless to say, in the post-Lovecraftian world it was, up until the MARDUKITE efforts, the only of the ‘possible versions’ available to the public that was of ‘true’ and ‘authentic’ merit in regards to a historical tradition. Many people criticized the SIMON NECRONOMICON for not being Lovecraftian enough – which was interesting, since the same people also said that the book had been invented by Lovecraft.

NEW FIFTH ANNIVERSARY 2ND EDITION OF LIBER-555!

“The debate over the title of the work has never been satisfactorily resolved by or to anyone. The use of the term
by Lovecraft already comes from questionable sources (presumably his own dreams) – and why it should appear on an allegedly 7th-8th century manuscript is also unsettling, even assuming such to even be true. We have no real reason to believe that the Simon work should have held such a title, nor is the book ever referred to as such in its corpus. Therefore, the title itself may have been fabricated.” — explains Joshua Free in “Crossing to the Abyss: Unveiling the Secrets of Simon’s Necronomicon“br />

“It may be the manifestation of a tangible book – wholly obscure for its time – with the title across the front: Necronomicon – is what really launched the success of the book (contents aside). For many, the chances to own and possess such a legendary work was a dream come true. But as with many dreams and wishes, the dreamer does not always know what is for their own higher good. As soon as the Necronomicon was celebrated or coming into being, it was just as quickly renounced for its existence – and not simply by the right-wing and others you would normally expect, but by the same pulp-fiction fans who rejoiced in its arrival!”~ Liber-R, Necronomicon Revelations.

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This current discourse (Liber 555) is an expert commentary on the Simon Necronomicon as it appears – meaning a bastardized tradition emerging from the catacombs of ancient “Mardukite” Babylon. What we do not see evident, as we should expect (and clearly what threw many people off the track) is the lack of Lovecraftian themes in the Simon Necronomicon. Any mention or similarity within the text of the Simon work as compared to the ‘stories’ of H.P. Lovecraft is most likely the ‘creation’ of the modern editors in order to market their Mesopotamian Magic as the Necronomicon.

“For the moment, the current truth seeker will simply have to take the work at face-value. We can concur that the semantic title – Necronomicon – may very well be the creation of an early 20th century writer and that no such book, as he describes it, may exist verbatim. Assuming this, we might be quick to disregard any and all resources that bare this title – something which our own critics are often likely to do – but this is again, folly – and the human spirit should not be so easily ‘led about’ in their understanding based on the ‘languages’ and ‘title semantics’ adopted.”

In these types of post-Christian era accounts, such as we see with the Medieval and Dark Age era grimoires of the period, the magick and traditions are reflective to a ‘polarity’ that does not actually exist. For example, the entire idea behind ‘devil worship’ and ‘satanism’ is entirely dependent on the existence of these beings as they are generally understood – something which only came about as a result of the Judeo-Christian level of consciousness that came to occupy the masses. Prior to this ‘introduction’ of the ‘devil’ by Christian standards it would have been completely impossible to have proper ‘devil worship’ or satanism. The entire mythology that people are most likely to know regarding these matters is Hebrew and Christian in origin, making suggestion toward an understanding of the world based on a moral or ethical dualism that is not at all present in the traditions and writings of the more antiquated ancient world.

Unveil the secrets of Simon’s Necronomicon by expert occultist Joshua Free in the new Fifth Anniversary 2nd Edition of Liber-555: CROSSING TO THE ABYSS

The Mardukite Epic of Creation — the Enuma Elis — illustrates a unique perspective, spiritually speaking: as already fragmented beings, the Anunna (or Anunnaki) knew of the true nature of reality and used it to their advantage politically (religiously) when dealing with humans…

Instead of a practical cosmogenetic message, we are given a political account of MARDUK slaying the serpent or dragon (representative of the ‘overcoming of chaos’ in the universe, meaning: a universal or world order) in the tradition (literary styling) of pre-Babylonian (Sumerian) use of the kur in mythology. By performing this feat or conquest, MARDUK becomes self-proclaimed King of the Anunnaki, although the tablet renderings explain that the title was bestowed upon him as a reward for the dragon-slaying feat. In doing this, even if only symbolically and in consciousness, the Mardukite forces are given Divine Right to exercise the powers of the Anunnaki on Earth – thus beginning the Babylonian legacy to occult Sumerian religion in Mesopotamia. (excerpting Gates)

The Enuma Elis forms the cornerstone of Mardukite usurpation of the Sumerian Anunnaki hierarchy. The work also illustrates a distinction between the ancient era and older generations who existed prior to the formation of the priesthood (a race some call the Ancient Ones; led by the primordial dragon, TIAMAT) and the Elder Gods (Anunna) of prehistorical renown, who were acknowledged within the Babylonian pantheon under MARDUK [including Enlilites; NANNA, INANNA-ISHTAR, SHAMMASH (SAMAS) and NERGAL.]

In Eridu, MARDUK is actually not attributed among the Anunnaki gods – not listed among the pantheon – by Sumerian standards. In fact, MARDUK is initially the primary high-ranked leader of IGIGI (Watchers), setting a status quo in Eridu – and then in Babylon – concerning the intermarriage between Anunnaki with humans (as described on the ancient cuneiform tablets). For this ‘indiscretion’, by Enlilite‘World Order‘ he was denied his Divine Right, but his argument remained that it was never going to be given to him anyway and that MARDUK’S chosen consort, SARPANIT, mother of NABU, was actually of royal blood by ENKI (being a seventh generation descendent of Adapa, a hybrid born of direct genetics from ENKI).

The Enuma Elis is named after its opening lines in Babylo-Akkadian, translated to mean: “When in the heights…” This series is better known among scholars and seekers alike as the ‘Babylonian Epic of Creation‘ or ‘Seven Tablets of Creation‘, which are in fact too often misrepresented as “Sumerian.” As religio-political propaganda, the Enuma Elis is a significant ‘document’, which historians and biblical scholars also note to be the base origins of the Judeo-Christian Genesis, is similar to the “Donation of Constantine” (a famous religio-political ‘forgery’ used to gain power) responsible for the Catholic Church of the Vatican in attaining Divine Right on Earth and the worldly means (from the Romans) to execute it. (excerpting Gates)

Following a dramatically unsuccessful campaign earlier in Sumerian history c. 3650 B.C. – an archetype in human consciousness called the ‘Tower of Babel’ incident – the Enuma Elis program is officially installed c. 2150 B.C. by the Mardukite Nabu-Priests in Babylon (Borsippa).

Archaeologists first became away of this particular series in 1849 when cuneiform tablets were recovered from an expedition into the ‘Royal Library of Ashurbanipal‘ in ‘Nineveh’. Contents of the tablets were first published academically in 1876 and received significant attention by historians, mythographers and biblical scholars – not only because of their antiquity, but because of how significant the work turned out to be in deciphering the ‘methodology’ of Babylonian civilization and religion in addition to its high resonance with our contemporary and ‘classical’ “Epic of Creation” given in the Judeo-Christian Book of Genesis.

Although the text of the ‘Enuma Elis’, appears in the original Year-1 cycle of Mardukite work, the cycle is more closely analyzed in the Year-3 cycle discourse, NECRONOMICON SPELLBOOK I, wherein it explains how multiple versions of ‘Mesopotamian-originating’ tablets exist – but there is one key point that many esoteric practitioners and historians miss when appropriating what ‘purpose’ the tablets have within the ‘greater’ tradition – the ‘bigger’ world picture.

For example, all tablet-cycles that make reference to “MARDUK” are purely Babylonian or a direct influence thereof – meaning that they are born of the post-Sumerian Anunnaki tradition that surrounded another key element – the usurpation and transfer of “power” in Mesopotamia to Babylon, the control of the empire by the priest-magicians and dragon-kings there residing as well as authority in the religious and spiritual systems of the people and their relationship with the “Sky Gods” (Anunnaki) – all shown to be executed by “Divine Right” and in accordance with the “World Order” decreed by ANU, ENLIL and ENKI in prehistoric times… (excerpting Gates)

…for Mardukites, the Enuma Elis made this all possible for their own elevation of MARDUK and the development of Babylon as the earthly seat of godly power!

THE NECRONOMICON: SIMON vs. MARDUKITE — Whether actually from some insane “Arab” from the eighth century A.D., or the result of attention to scholarly transliterations available of ancient Mesopotamian tablets simply coupled with ceremonial magic, traditions alluded to in Simon’s Necronomicon are neither an indigenous form of shamanism or a folk-magic of the masses…

As has been expressed in our cycle of work regarding it, the tablets are a part of the literary collection of the ancient “Mardukite Order of Nabu” that led the religion and government in Babylon – and Egypt under a different guise.

One modern ceremonial occultist bridging the gap between Crowley’s era and the modern one, is Kenneth Grant. While some of Grant’s earlier works could only allude to connections between Crowley’s magick and specifically Lovecraftian interpretations of the Necronomicon, more recent installments of Grant’s work make citations from what he calls: the Schlangekraft recension – the Simonian Necronomicon.

The manner in which the tome is related to in Grant’s volume from the Typhonian Tradition of the Ordo Templi Orientis, titled Outer Gateways, concerning communications made by ceremonial magicians of magical lodges with the “Old Ones” or “Deep Ones” shows that he evidently took this seriously. That Kenneth Grant essentially inherited the O.T.O. organization and following of Aleister Crowley establishes that the Schlangekraft recension was far from the only means, or even remotely close to their own means of making contact with alien intelligences. But Grant knew of, acknowledged (no doubt made successful use of) and celebrated the work at length as a very real “portal to the Abyss.”

“Where the New Age is concerned, a lot of the occultism is ‘Judeo-Christian’ – the Keys of Solomon, for example; the Secret Books of Moses and all of that stuff. It was all based on a Jewish and Christian concept. With the coming of the New Age you did have a rise in neopaganism, but there was not a system of ‘ceremonial magick’ for a neo-pagan mentality; it [ceremonial magick] was, again, based on Jewish and Christian concepts, which were themselves borrowed from pagan origins, but the pagan origins were gone for the most part. In a sense the Simon Necronomicon filled a need for people with a true neopagan interest to become involved with the ‘higher magics’ so to speak.”
–Peter Levenda

Necronomicon: Anunnaki Legacy (Silver Edition)

Rather than a “Cthulhu mythos” drawn from the semantics used by H. P. Lovecraft to describe the dreams and visions he experienced and accounted for in his artistic creations, the Schlangekraft recension offers a preliminary means by which someone with no background in Mesopotamian cultures or ancient cuneiform tablets can quickly immerse themselves – thereby unlocking that personal subconscious portal into the “Other.” It is by no means complete and certainly not wholly accurate, but that is not to say it has not served its purpose in the greater scheme – in the system – just as the contributions of others, intricately interwoven, have.

During a “new age” of revivals in ancient paganism and earth oriented spirituality, people have flocked to the ranks of neo-paganism, Wicca, Druidry and Scientology, and for good reason: the state of the world is in demand for a complete shift in human awareness. And while H.P. Lovecraft may have been alluding to such a tradition nearly one hundred years ago (even if only subconsciously) and the 1960’s witnessed a gigantic practical rebirth in such traditions, it was really in the late 1970’s that a separate but synchronous mainstream awakening occurred: the renewed interest in the the most antiquated Sumerian and Babylonian mysteries, specifically the role of the Anunnaki, “Great Gods” who once roamed the Earth and became the figures of our ancient mythologies.
–excerpted from preface of the Necronomicon Anunnaki Bible by Joshua Free

Originally composed by Joshua Free and privately released by the Mardukite Truth Seeker Press in four installments during 2009, the NECRONOMICON ANUNNAKI BIBLE, currently in its 5th Edition, remains the cornerstone of the Mardukite Babylonian Anunnaki Tradition — the most important ancient and antiquated cuneiform tablet writings from the oldest religion of the past made clear for the modern revival of a NEW BABYLON and beyond!

Since the arrival of the NECRONOMICON by “Simon” and THE TWELFTH PLANET by Zecharia Sitchin in the late 1970’s, the most ancient mysteries of modern humans have become the primary focus of the occult underground. Why? Because they bring to light the “true tradition” of the Great Mystery School that has otherwise eluded even the pop-culture mainstream metaphysical world.

To be effective and progressive in our understanding and personal growth — to be able to glean more of the past than our faculties with their spoon-fed programming have so far allowed — we must be able to refine our awareness and interpretation of what we have been told by those charged to protect the past. For example, figures who appeared in our ancient mythologies as “Gods” were of common origin (including the very divine encounters referred to in the Old Testament and throughout the even more antiquated cuneiform tablets from which the Judeo-Christian worldview was originally adopted), called ANUNNAKI by some, and that this was a very important key to understanding the convoluted evolution of the original tradition that developed into the variegated systems now bursting from the new age.

THINK ABOUT THIS… if all of these concepts do centralize with some type of ancient alien inter-dimensional intelligences, then certainly the foundations of all modern religious, mystical and even anthropological lore are in serious need of reevaluation. Such a reevaluation is the intended direction of energy made by the current editor in shedding new light on these mysteries in a medium and at a time when they might be best received, or be prophetically found necessary.

Seekers from all over the globe have begun a mass movement toward the MARDUKITE path and for good reason: it makes sense – it is whole and complete, drawing from the most ancient origins capable of our understanding, making no excuses for itself and in it’s own self-evidence requiring nothing be taken blindly on faith. Looking back to the beginnings we find the origins for all of contemporary beliefs and life-structure among the ancient Sumerian and Babylonian lore. The echoes of these vibrations have been carried throughout all cultures since and are deeply ingrained or impressed on the entire consciousness field that the planet shares…

“Within post-Christian era mystical accounts, such as we see with the Medieval and Dark Age era grimoires of the period, the magick and traditions are reflective to a ‘polarity’ that does not actually exist.”
— Joshua Free, Liber 555

WHAT IS REAL??? — the entire idea behind ‘devil worship‘ and ‘satanism‘ (or the entire ‘left-hand’ interpretation of reality, as a whole) is entirely dependent on the existence of these beings as they are generally understood – something which only came about as a result of the Judeo-Christian level of consciousness that came to occupy the masses.

Prior to this ‘introduction’ of the ‘devil’ by Christian standards it would have been completely impossible to have proper ‘devil worship‘ or ‘satanism‘. The entire mythology that people are most likely to know regarding these matters is Hebrew and Christian in origin, making suggestion toward an understanding of the world based on a moral or ethical dualism that is not at all present in the traditions and writings of the more antiquated ancient world.

“Humans have always had a predilection to ‘patron’ one face of divinity over another. Such is programmed into their being and similarly the way in which ‘order’ was first introduced to the most ancient of the modern human civilizations. The idealism of monotheism is not as prevalent in the ancient world either.”— Joshua Free, Liber-555

While all mystics and spiritualists understood the concept of the ‘unifying’ and ‘supreme’ force that tied all existence together, they also understood that such did not
make a direct ‘physical’ and ‘singular’ presence in the material ‘level’ of perception encountered everyday. Therefore, there was no confusion about the nature of the ‘divinity‘ held by ancient men in their encounters with the ‘ancient gods’.

“The idea that the Necronomicon emphasizes ‘darkness’ or that it is an ‘evil’ book all stems from the idea of it reflecting a pre-Christian ideal from the ancient world that immediately is dubbed ‘pagan’ or ‘satanic’ when reflected in a Judeo-Christian light.”

If the NECRONOMICON is ‘evil’, then it would be ‘evil’ in the same light as all ‘neo-pagan’ reconstructions including Celtic Druidism, Norse Shamanism and obviously any of the pantheons and cultural traditions being revived by Wiccans and members of other ‘sects’, ‘societies’ and ‘orders’ in the occult realm of society.

Most of the ‘forbidding’ nature connected to the NECRONOMICON comes first and foremost from the ‘air’ that it carries, remnant of the literary styling H.P. Lovecraft attached to it and then secondly, from the overtones given to the ‘occult’ in the 1970’s for the release of the Simon Necronomicon – and even the very marketing of the book as that name and the ‘dangerous’ and ‘forbidding’ aura that the title carries…