“Broder has a virtuosic sense of herself and is able to convey, through poetry, the form of her whole mind process. In turn, we see our deepest selves reflected back.” –Daniel Lopatin, Oneohtrix Point Never

“The poems of Melissa Broder pull off a strange and compelling trick: to exist meatily, viscerally, and even bloodily at the center of a void. Holes thump through the pages, blankness crunches bone, zeros growl with hunger. Each line is a little heartbeat hurling down the abyss.” –Patricia Lockwood

“Melissa Broder is absolutely one of the most important poets writing today. Her poems eviscerate the reader with their misty and murky charm, with their ability to say what is and not what should be, for their love of life and the sensual, for their knowledge of what it is like to be a person right now. Last Sext is a master work, a text of brilliance written in a dusky field, for all of us. ‘Can you feel it?’ is what it asks us. And we must answer: for chrissakes, of course, yes.” –Dorothea Lasky

“Broder’s poems offer a postmodern twist on the confessional, and they push for action in the face of despair.” –Publishers Weekly

One Response to “”

Was really happy I got to catch the last few poems via YouTube tonight Melissa. Wish we could’ve met when I was still in Los Angeles, think I tried reaching out via email but I forget. Anyway, I’ve really enjoyed your stunning output and unique voice (finally snagged a copy of SoSadToday and had a much needed moment of clarity after reading a particular chapter this afternoon). Thanks for being you and for releasing your creative work, it means a lot in like an Ingmar Bergman’s Winter Light sort of way. —Matt

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"What separates Broder from her confessional cohort...is that she doesn’t seem to be out to shock, but to survive." –Elle

"Broder presents a dizzying array of intimate dispatches and confessions…She has a near-supernatural ability to not only lay bare her darkest secrets, but to festoon those secrets with jokes, subterfuge, deep shame, bravado, and poetic turns of phrase." –New York Magazine

"A triumph of unsettlingly relatable prose." –Vanity Fair

"Her writing is deeply personal, sophisticated in its wit, and at the same time, devastating. SO SAD TODAY is a portrait of modern day existence told with provocative, irreverent honesty." –Nylon

"At once devastating and delightful, this deeply personal collection of essays…is as raw as it is funny." –Cosmopolitan

"Broder writes about the hot-pink toxins inhaled every day by girls and women...and the seemingly impossible struggle to exhale something pure, maybe even eternal...there's a bleak beauty in the way she articulates her lowest moments." –Bookforum

"Broder may be talking about things like sexts, Botox, and crushes, but these things are considered alongside contemplations about mortality, identity, and the difficulty of finding substance in a world where sometimes it’s so much easier to exist behind a screen." –The Fader

"…So Sad Today is uplifting and dispiriting in seemingly equal measure. It’s a book that’s incredibly human in the way it allows for deep self-reflection alongside Broder, which speaks not only to her powerful writing but also the internet’s magical ability to foster connections." –A.V. Club

"...delightful...Broder embarks on an earnest, sophisticated inquiry into the roots and expressions of her own sadness...deeply confessional writing brings disarming humor and self-scrutiny...Broder's central insight is clear: it is ok to be sad, and our problems can't be reduced to a single diagnosis. " –Publishers Weekly

"Broder is probably the Internet’s most powerful merchant of feelings…" –GQ

"If Melissa Broder weren’t so fucking funny I would have wept through this entire book. Love, sex, addiction, mental illness and childhood trauma all join hands and dance in a circle, to the tune of Melissa’s unmatched wit and dementedly perfect take on this terrifying orb we call home."
–Lena Dunham

"So Sad Today is a desperately honest collection of essays, the kind that make you cringe as you eagerly, shamelessly consume them. Melissa Broder lays herself bare but she does so with strength, savvy, and style. Above all, these essays are sad and uncomfortable and their own kind of gorgeous. They reveal so much about what it is to live in this world, right now."
–Roxane Gay

"Broder manages to conjure a psychic realm best described as one part twisted funhouse and two parts Catholic school, heavy on libido and with a dash of magick. This gritty, cherry soda–black book...is bizarrely sexy in its monstrousness." –Publishers Weekly

"I don’t know what a book is if not a latch to elsewhere, and Scarecrone has pressed its skull against the hidden door. It is neither drunk nor ecstatic to be here—it is a state unto itself." –VICE

"Lushly dark and infused with references to black magic, Broder's work often feels less like a book and more like a mystical text." –PAPERMAG

"Out to 'crucify boredom,' her poems show us how any relationship with the divine is no less at risk of engendering grotesque lust...What makes Broder such a pleasure on the page is her insistence that these dramas play out on a workaday stage infused with surreal Pop and imaginative muscle..." –Publishers Weekly

"With a title recalling Yeats...Broder risks the divine in her second book...shrewd, funny, twisted, sad poems..." –The Chicago Tribune

"Meat Heart...is unbelievable and overwhelming for its imaginative power alone, but if you listen past the weird you can hear all sorts of things: sadness, seriousness, life, death, and a whole lot of laughter....Broder is a tremendous talent" –Flavorwire

"...Meat Heart embodies that strain of sustenance, that sort of psychosomatic excitement most valiant art more or less tries to pull off…Her poems don’t bore or bear down. They beam oracle energy. They pump a music of visions for the life-lusty death dance." –BOMB