Wednesday, August 9, 2017

Pietr the Latvian, by Georges Simenon -- the very first Maigret novel and it's a good one.

9780141392738
Penguin Classics, 2013
first published in serial as Pietr-le-Letton, 1930
translated by David Bellos
162 pp

paperback

"Inside every wrong-doer and crook there lives a human being."
Due to the nature of his job, my husband travels a lot, and that's the time I watch foreign television. Normally at my house TV comes on about 7:30 pm and goes off about 10:30, but when the spouse is away, viewing time has been known to start much earlier and sometimes last until the sun comes up the next day. Over the last few weeks of his intermittently being gone, I've slowly been watching the French-language production of Maigret on MHz, starring Bruno Cremer in the title role; on arriving at season two, I decided that I really need to read these books.

I'm no stranger to Simenon's work, but the Maigret books have just been sitting here gathering dust for eons. Most of them are the old Penguin versions from way back when, but I'm slowly replacing those with the Penguin Classics editions for my home library.

Pietr the Latvian is the first of several (and I do mean several) books in this series, written over forty-plus years of Simenon's life. As the novel opens, the Detective Chief Inspector has learned that an internationally-known, "Extremely clever and dangerous" criminal known as Pietr the Latvian is on his way to Paris on board the Étoile du Nord. At the station as the passengers begin to depart, Maigret lies eyes on his quarry, whose physical traits he's memorized carefully. At that moment, there's a flurry of excitement, and it turns out that there's been a body found in Carriage 5 of the train. To Maigret's surprise, the body turns out to be that of the man Maigret's been waiting for -- none other than Pietr the Latvian. Or is it? This is where the case begins, one that will become even more enigmatic before it is solved.

It's here that we begin to understand Maigret and his methods. He is relentless to a fault as he dogs his quarry through the streets of Paris in the pouring rain, and he employs all the current tools of the profession. But there's more to police methodology at play here -- Maigret also uses his head. He's developed what he calls his "theory of the crack in the wall:"

"Inside every wrong-doer and crook there lives a human being. In addition, of course, there is an opponent in a game, and it's the player that the police are inclined to see. As a rule, that's what they go after."

But Maigret has learned to bide his time, because

"...what he sought, what he waited and watched out for, was the crack in the wall. In other words, the instant when the human being comes out from behind the opponent."

In this case, that patience and particular ability will serve him well, but along the way to that "instant" he will undergo a lot of inner turmoil as things get to the point where it becomes, as Maigret says, "between them and me."

While being an armchair detective is fun here because of the puzzler Simenon gives us, more importantly my attention was drawn to the final chapters where all is unraveled. Even then, it's not so much the solution -- instead I noticed that what comes out of these last few pages is the very stuff of his excellent romans durs, in which, as John Banville noted in the New York Review of Booksin 2015:

"... a man who has spent his life in servitude to family, work, society, suddenly lays down his burden -- 'Lord, how tired he was now!' -- and determines to live for the moment, and for himself, in full acceptance of the existential peril his decision will expose him to."

What that "existential peril" is in this book I won't say. However, while many readers may see Pietr the Latvian, or for that matter any of the Maigret mysteries as yet just another police procedural, it goes well beyond that into examining just what it is underneath someone's exterior self that leads him or her to do what they do. In short -- I get the feeling that as I travel through the Maigret mysteries, I'll find myself in the mind of a policeman who genuinely understands human nature, and that's a place I want to be.

Once again, anyone considering reading this book should be aware of the times in which this book was written because there is some definite racial/ethnic stereotyping being done here, but I can definitely recommend the novel to crime readers of all sorts.

1 comment:

I am experiencing deja vu: it's as if I have either read this book or watched the movie or discussed at some point in time. Ok, I am pulling it together, now. This is very good, Nancy, and although I have never read Georges Simenon, I am familiar with this ( for whatever reason). I adore John Banville's comments, and there is something quite intriguing about this book/series. Thank you.

What I've read this year in crime fiction and mystery, a split off of my regular reading journal

Hands down, crime fiction is my favorite genre. I am a wee bit picky, though, and I trend toward the darker side of crime. My focus in reading in this genre is to explore what makes people do what they do -- whether it's the bad guy or the good guy. I truly believe that the best crime fiction should explore human nature and how one's actions are determined by both outward and internal influences.

The crime segments is part of my overall online book journal -- it's neither a literary nor expert take on crime fiction/mysteries, but rather a way to keep a record of my reading as I explore different authors, different subgenres and currently works from obscure writers. Have fun and do feel free to comment!

About Me

bottom line: I love to read.
I use this space to record and to talk about what I've read during the year. You won't see descriptions like "lush, lyrical prose" here ... I'm just an ordinary reader person who wants to share a love of the written word. I don't really "review" -- that's for the pros. I just offer opinions. Feel free to comment any time.