It feels more like Porky’s or Girls Gone Wild (or Bayou Beavers as producer Shapiro calls the softcore film he’s making) than horror, but once the blood starts flowing (which does take a while) it doesn’t stop.

Sure you've sold a lot of machines to a new 'softcore' audience, but turning your back so quickly on the faithful who made you a success in the first place, is a bit like re-inventing the wheel instead of evolving the tyre.