A child established with world displacement by parental and governmental abandon. The accents are tuneless, Goldwyn can take a beating, Kinski bears mother regret and Johansson freshens teenage rebellion. A deeper study could have generated considerable empathy and provoked an argument instead of halting lightly. 25-Oct-2018

Sean William Scott sheds the meathead to incorporate his interpretation of what a mental distortion feels like. I believed every humiliating nuance and exasperated breath. Gretchen Mol extols the beautiful appearance of it. It can't be happy because its truth. 01-Sep-2018

The movie never lets up its depressive state. Hoffman digs so deep and personal that its hard to withstand the character he ascribes. He has a mental illness beyond depression and his unwillingness to move forward after tragedy hints that what he mourns was not deserved. Anything eventually would have rendered him dependent and his wife knew that. 20-Jul-2018

Jane seeps the film with throwback adoration but switching the personality of its genre manages to give it a simulated appearance. When the direction veers towards Hitchcockian horror and suspense it succeeds. When he yanks natural acting dexterity from all performers its enlivening. 12-Jun-2018