In a 10-year period between 1967 and 1977 - John Martyn (one of the UK’s finest Folk-Soul troubadours) made so many albums that it was all too easy to 'not notice' the rough diamonds amongst the polished paste.

Most music fans will be aware of his acknowledged masterpieces - 1973's "Solid Air" and 1977's "One World" – but they miss out on the truly lovely Folk simplicity of his October 1967 Mono debut "London Conversation" (see review) and the gorgeous Nick Drake vibe that flows off his equally forgotten November 1971 album "Bless The Weather". But there’s also "Sunday's Child" - his unfairly ignored LP from early 1975. Featuring some of his loveliest songs - "You Can Discover", "Lay It All Down" and a spine-tingling rendition of an English Traditional "Spencer The Rover" - sat alongside Jazzier pieces like "Call Me Crazy" and the straight-up Pop of "Clutches" – the whole record is a wonderful fusion of trippy Acoustic warmth, Funky-Rock and Echoplex Folk-Soul. There is only one bum note for me (a misplaced Rock song called “Root Love”) – but apart from that – it’s another gem from JM...

Recorded in August 1974 at Island's Studios in Hammersmith and released January 1975 - few people outside of diehard fans seemed to heed its release. It was his sixth LP (not counting his own privately pressed live album “Live At Leeds”) for the ever patient Island Records but the public just weren’t buying in sufficient numbers to make a real break through. Hell even something as obviously brilliant and tuneful as the "One World" LP that hit the shop racks in November 1977 would have to wait until February 1978 to chart - and even then it was for one week at No. 54.

Martyn toured and promoted the "Sunday's Child" album extensively - joined on stage most nights by his Double Bass playing rhythm section and integral piece of his sound - Danny Thompson. Even Paul Kossoff of Free legendarily pulled out his axe on occasion on that tour (struggling as he was with drug addiction even then). Musically "Sunday's Child" saw Iain David McGeachy in a really good place - married with a daughter and another child on the way (his son would be born after the album’s release in May 1975) - his contented family vibe oozes off tracks like the gorgeous "Lay It On Down" (lyrics from it title this review) and "You Can Discover". Time to get to the CD Reissue details...

UK released November 2005 - "Sunday's Child" by JOHN MARTYN on Island Masters IMCD 323 (Barcode 602498307359) is an 'Expanded Edition' CD Remaster that offers the 11-track 1975 LP bolstered up with 7 Previously Unreleased Bonus Tracks and plays out as follows (63:16 minutes):

1. One Day Without You2. Lay It On Down3. Root Love4. My Baby Girl5. Sunday's Child6. Spencer The Rover7. Clutches [Side 2]8. The Message9. Satisfied Mind10. You Can Discover11. Call Me CrazyTracks 1 to 11 are his 8th studio album "Sunday's Child" - released January 1975 in the UK and USA on Island Records ILPS 9296 (same catalogue number for both countries - it didn't chart in either). Produced by JOHN MARTYN - all songs written by JM except "Spencer The Rover" and "Satisfied Mind" which are Traditional Song cover versions.

BONUS TRACKS (all PREVIOUSLY UNRELEASED):12. Ellie Rhee - recorded 26 August 1974 at Island Studios in Hammersmith, London13. Satisfied Mind (First Mix) - recorded 25 August 1974 at Island Studios in Hammersmith, London14. One Day Without You15. You Can Discover16. My Baby Girl17. The Message18. Spencer The Rover - Tracks 14 to 18 recorded 7 January 1975 for a BBC Radio 1 'John Peel Session'

Compiled for CD by Mark Powell of Esoteric Recordings - the 12-page colour booklet has new liner notes from noted Martyn expert JOHN HILLARBY. The reminiscences go into a brief history of his career with Island Records who stuck with him to 1986 despite any real chart success - the before, during and after of the album and his sad demise in 2009 - as beloved as ever. There are photos of Martyn in various live poses (usually with his Acoustic Guitar) and a fabulous new PASCHAL BYRNE Remaster that makes everything sing. This is a beautiful sounding CD...and one that comes with genuinely excellent and exciting Bonus Tracks too.

The album opens on a great one-two sucker punch of winning melodies - "One Day Without You" and the immensely touching "Lay It All Down". John Martyn's style at this time had been honed right from 1971 through to "Solid Air" in 1973 - a sort of half Folk-half Jazz feel - all Acoustic Guitars heavily strummed while a funky rhythm section headed up by Upright Bass genius Danny Thompson. I love these songs (especially "Lay It All Down" where he sex-slurs that deep voice of his into a sensual drawl that would make audience knicker-elastic melt at ten paces. But then he does what he did on too many albums - he throws in something way too harsh and out of step with the other songs. In this case it's the brash and cynical Hard Rock of "Root Love" - a poor riffage tune that I can't abide even now - 41 years after the event. Side One thankfully gets rescued by a trio of sweethearts - a ballad to their daughter Mhairi (who was born February 1971 and is pictured on the rear sleeve of the original vinyl LP), the sexy Funk of "Sunday's Child" and the gorgeous Traditional acoustic amble of "Spencer The Rover" - a song he wrestled out of Robin Dransfield in the mid Sixties at the Glasgow Folk Centre when he accosted the Guitarist post gig and forced him to teach a 16-year old Martyn the song.

Side 2 opens with the Little Feat boogie funk of "Clutches" - and again - even though it's good - it feels slightly out of place on a largely mellow album. Back to business with "The Message" that incorporates the Traditional Folk ditty "Marie's Wedding" into its lovely rhythms and lyrics. Written by Joe 'Red Hayes and Jack Rhoads - Country superstar Porter Wagoner had a hit in 1955 on RCA Victor with "Satisfied Mind" - here Martyn slows it down into a creeping Blues song - a troubled mind longing for peace (a bit like himself I'm guessing). The Byrds, Dylan and Tim Hardin have covered “Satisfied Mind” amongst many others.

Fans adore "You Can Discover" - a great Martyn groove that turns up on Best Of's and Anthologies - and surely one of the LPs real highlights (the Remaster has brought out Bundrick's piano playing). It ends well. Just when you think you know the measure of the seven and half minute "Call Me Crazy" (Funk Rock) - about 4:20 minutes in - it suddenly grinds to an almost halt and you get an Acoustic three minutes of astonishing beauty. Plucked guitar strings rattle and shimmy - his Acoustic Guitar plugged into an echo chamber while Danny Thompson runs up and down the frets of his Double Bass caressing sliding refrains. It's like a precursor to the beautiful "Small Hours" eight-minute Echoplex and workout on "One World". Fabulous stuff...

Fans will flip for the truly gorgeous "Ellie Rhee" - an entirely Acoustic Folk song dating from the American Civil War with a properly lovely feel and melody. Hillarby reproduces its lyrics in the booklet on Page 10 and it should have replaced the awful "Root Love" on Side 1 in my books. The 'First Mix' of "Satisfied Mind" is superb too but I can hear why the released version was instead. The excellence continues with five recorded for John Peel's Radio 1 show in January 1975. Good news on all fronts - the Audio is shockingly good even if there is a little wobble here and there (especially on "The Message") and the performances (largely Acoustic) are thrilling. He slays "One Day Without You" as he plucks and slaps his Guitar's scratch plate. An equally pretty "You Can Discover" follows but an overloaded tape distortion does for a beautiful version of "Spencer The Rover" - a song that often made me cry and leaves you wondering how come no-one noticed this quality back in the day?

Would it have been different if he'd included "Ellie Rhee" and dropped the 'too heavy' "Root Love" - a song that confused listeners and killed the mood before it had a chance to blossom. Whatever way you look at it I've always felt "Sunday's Child" was a couple of whippets short of a Folk-Soul masterpiece and this wickedly good (and dirt cheap) CD only hammers that home.

"...As valiant a man as ever left home..." he sang on the beautiful "Spencer The Rover". Gorgeous and then some...be with the angels you songsmith hero...

Top critical review

I had remembered hearing Spencer The Rover, years ago and heard it again, on a recent tribute tv programme, toJM. In nmy opinion, this is the best track on this record and for myself,I,m happy to have bought it for this alone - beautiful.

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My feedback is to say how great it is to see so many people write good stuff about a gifted man, John Martyn's singing and playing is in a place of it's own with a lot of imitators (best form of flattery) but none to come near him, sadly missed.

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Even if you already have this on CD, get the extended reissue with bonus tracks. The unreleased studio track 'Ellie Ree' is a lost gem - simple, acoustic, solo - and the 5 tracks recorded for John Peel are perhaps a career peak - beautifully played and sung by someone who sounds at ease with himself and with life. OK, so many moments of genius have come from the guy expressing his pain like no-one else ever could, but for those of us to whom his music has meant so much for so long, it's great to hear him happy. That's how it sounds to me anyway - see what you think!

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"Sunday's child" is a bit of a disappointment after the glory of its predecessor "Inside out". To be sure, there are some great tracks here, like "One day without you", "My baby girl" and "Spencer the rover", but the album just doesn't have the impact the earlier albums had. It occurred to me that quite a few of the songs on this album just don't speak to me as clearly as those on earlier albums. There are two tracks, "Root love" and "Clutches", which point to Martyn's future where there's more room for electric guitar, but they don't seem to fit easily here.

This edition, like many recent remastered albums, has some welcome bonus tracks on offer, the last 5 of which recorded live for Radio One.

"Sunday's child" may suggest a lucky guy (and apparently John was born on a sunday), but the album itself is less lucky - to be standing between the towering and powerful "Inside out" and "One world" means a life in the shade.

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This is my all time favourite John Martyn album. His muse is at a peak, his songwriting superb (and in particular his 'love' songs - isn't JM one of the best writers of romantic song ever?) and as for the playing, well, as ever he excels as a guitar player, and with the rich accompaniment of Danny Thompson (of Pentangle fame) on bass, there are textures here to satisfy the most discerning musical ear. Highlights for me are 'Lay It All Down' (a beautiful soft ambient song), 'Sunday's Child' (wonderful guitar & bass in a harsh lyric of a song), 'You Can Discover' (dreamy romantic and sexy love song with haunting flute - exceptional!) and the short 'Clutches' (funky, tight and mean). However, there is a not a duff track on this album. Be warned - if you buy this you will end up going back to it and playing it for years to come, as I have. An underrated masterpiece, and in my mind far better and rounded than the (rightly) much triumphed 'Solid Air' album.

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Where do you start to appreciate the brilliance of John Martyn,very few artists issue albums of this calibre,and John Martyn rarely failed,Sundays Child oozes class.The album is a mixture of rock influenced songs and stunning jazz influenced songs.

The classic meeting with Danny Thompsons double bass is well to the fore,especially on the title track,also listen out for two stunning versions of the magnificent"Spencer the rover".John described this as a "Happy,family album" and it really is sprinkled with Martyns magic!!

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I had remembered hearing Spencer The Rover, years ago and heard it again, on a recent tribute tv programme, toJM. In nmy opinion, this is the best track on this record and for myself,I,m happy to have bought it for this alone - beautiful.