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Live 9 Suite from Ableton is a solid update to the company's "think different" DAW software that is particularly popular with electronic and beat making creators. Two GUI views include a traditional, vertical-track display with time moving from left to right (Arrangement View), while the Session View is a place for experimentation that provides room for improvising, playing and performing with musical ideas without the constraints of the timeline. The top of the line version includes 9 instruments, 41 effects, over 3,000 sounds, along with Max for Live with its instruments and effects and further access to more devices.

Aside from the particular way of presenting the creative process, the software also includes standard features such as unlimited multi-track recording with up to 32-bit/192 kHz resolution with nondestructive editing and unlimited undo. Essential automatic plug-in delay compensation is available, along with multiple automation lanes and track freezing for conserving DSP. Warping and real-time, time-stretch processing can be applied to any clips, and unlimited instruments, audio effects and MIDI effects can be utilized per project.

MIDI sequencing, remote control instant mapping, and MIDI output to hardware MIDI devices allows the software to play a central role in any studio situation. New in Live 9 is an audio-to-MIDI functionality that can extract musical ideas from samples, or convert drum-breaks with the Drums-to-MIDI feature and reuse them with custom sounds. MIDI clock synchronization and ReWire ensures that the software functions with external hardware and software.

Max for Live, based on Max 7 by Cycling '74, comes with a collection of instruments, effects, and tools. Users can create custom versions along with the ability to access more devices from a community of artists who share their creations. Every Max for Live device is ready to use and can also be edited and customized to suit specific needs. Each device includes an edit button, which when engaged, displays how it was constructed and allows for further modification. Additionally, Max for Live comes with a collection of Live's native interface elements that allows for building devices that look and feel like Live.

The software supports multi-core and multiprocessor computer configurations, includes support for WAV, AIFF, MP3, Ogg Vorbis, FLAC file formats, and functions under both Mac and Windows operating systems.

Note: his product is an educational discounted version available to qualified, accredited academic institutions only (not for individual teachers or students). Proof of current educational status is required.

What's New in 9.7

New Slicing Options: Chop samples by beat divisions or regions, as well as manually or by transients (a new Simpler feature that works with or without Push)

New Drum Layout: 16 set velocity levels for playing and programming more dynamic beats

Hands-On Audio Routing: Select and record ins and outs directly from Push for sampling internal or external audio without disrupting your flow

Visual Feedback for Tighter Recordings: New display info shows clip phase and count-in so you can start and finish clip recordings more accurately

Hands-On Color Customization: Color pads, tracks and clips using Push to make your live performance easier

Better Sampling with Simpler: Simpler has been completely overhauled with a new interface, warping, slicing, and new analog-modeled filters built in conjunction with Cytomic. Slice samples across the keyboard, play single hits, or warp long samples so that they always stay in time with your song

Improved waveforms and coloring: New waveforms show more detail and zoom and scroll smoothly. To help keep your Sets organized, new clips take their track’s color, and tracks are now automatically colored by default

Peak and RMS Meters: Updated meters show both peak and RMS, to indicate both sudden changes in level as well as perceived loudness. This makes it easier to control the dynamics of both individual tracks and your overall mix

Analog-Modeled Filters: Based on classic vintage hardware models that will self-resonate, feedback, and distort beautifully. These filters were built in collaboration with Cytomic and are included in Simpler, Sampler, Operator, and Auto Filter

More Sounds, Samples, and Drums: The library of included sounds has been updated to get you making music even faster. This includes new drum kits, presets using the new analog-modeled filters, hundreds more one shots, and new audio clips

New Max Essentials: The new Max Essentials Pack includes three stunning new synthesizers with wide-ranging sound design possibilities and a streamlined set of controls

Play in Time with Link: Jam with Live and a growing collection of other music applications. Link is a new technology that keeps you in time over a wireless network

What's in Ableton 9

Create new Session View scenes from Arrangement tracks with a single click, or drag and copy individual clips from Arrangement to Session

Browser

Find sounds fast via new browser

Browser puts all instruments and effects, samples, Packs and VST/Audio Units plug-ins into a single easy-to-navigate view

Drag and drop folders into the browser from anywhere on the computer

Search while typing, navigate from the keyboard, and sort items by various categories

Browse by type with samples, devices, presets, and VST/Audio Units plug-ins all available from the same view

View items by frequency of previous use

Store sounds and Packs on any hard drive, or multiple drives

Instant preview of all Ableton Packs

Effects

Analog-modeled Glue Compressor and redesigned studio effects

Glue Compressor modeled on a classic 80's console bus compressor, both its sound and also to provide musical results with a simple set of controls

Studio effects (compressor, gate and EQ Eight) have been improved with new displays and enhanced controls and sound

EQ Eight includes a breakout display, an Audition mode for soloing frequencies, an analog-style adaptive Q option, and improved filters

Audio-to-MIDI

Extract musical ideas from samples and build upon them

Convert drum-breaks with the Drums-to-MIDI feature and reuse them with custom sounds

Speed up remixing work by using Harmony-to-MIDI to get the notes and chords from the original audio stems

Sketch out ideas quickly by singing (or beatboxing) into Live and converting the recording into MIDI

Sing, beatbox, tap a rhythm, or play any solo instrument to capture musical ideas as they come and then use the Melody- or Drums-to-MIDI feature to turn the recordings into MIDI clips that can edited and reused with any sound

Hover the mouse near envelope segments to select and drag them without using a modifier

Editing grids are now "sticky," allowing notes to be freely moved and resized while still snapping when close to grid lines

Warp clip automation alongside the audio

Envelopes in MIDI clips can be stretched using stretch markers

Hold a modifier while dragging to create and edit curves in automation envelopes

Max for Live

Collection of instruments, effects, and tools, with more available from artists who share their Max for Live creations

Create custom synthesizers, samplers, sequencers, and audio effects

Create other tools to do exactly what's needed

Edit button displays how a device was constructed and provides for further modification

Includes Live's native interface elements for building devices that look and feel just like Live

Change how Live works by building devices that modify Live, including the properties of tracks, clips, and native devices

Includes tools for modifying the way controllers and other hardware interact with Live, such as common MIDI controllers, multi-touch surfaces, and even "non-musical" tools like video cameras - turn pad controllers into step sequencers, trigger video from drum pads, and much more

Based on the latest version of Max 7 software from Cycling '74

Features

Recording and Editing

Software that allows for creating ideas and making changes without stopping using two project windows

Arrangement View uses the traditional track-style convention where time moves from left to right, while tracks are stacked vertically

Session View is a sketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline

Freely and independently start and stop any number of audio or MIDI loops while everything stays in sync

Almost everything works in real-time - add, reorder or remove devices, play with track routing and more, all without interrupting the creative flow

Instruments and Sounds

Includes a collection of instruments, sounds, kits and loops for creating any kind of music

Nine instruments

Devices including FM and physical modeling synthesis as well as sampling