Posts Tagged ‘convention’

This weekend (Feb 15 thru 18) is the 38th annual Capricon Science Fiction Convention, an event I always look forward to. As usual, I’ll be participating in the convention’s programming as both a panelist and as a panel moderator. Even though Capricon is a convention about science fiction and fantasy, my participation will not be all that different than my participation in last weekend’s NIRCON, the annual convention of the Northern Illinois Rocketry Association, where I gave a presentation on the future of human space exploration.

Given that at Capricon panelists "apply" to be on specific panels, the list of panels that I am on will give you a good idea of the types of topics I am most interested in and most qualified to discuss and debate.

How Soon Artificial General Intelligence

My lead-off panel will be How Soon Artificial General Intelligence, moderated by Bill Thomasson. The panel description asks us to answer the questions of how soon AGI (artificial general intelligence) might become a reality and how will that development affect human society. The question of how long it will be before true artificial intelligence becomes a reality is anyone’s guess. I do not believe that anyone can with any degree of accuracy answer this question. As to the impact on human society, that is an easier – and quite interesting – subject to tackle. With respect to workplace automation, AGI could be considered as being automation on steroids. Some will view this as a threat to their livelihood while others will be beneficiaries of this development.

Capture Deflect Destroy

Next I’ll be serving as moderator for the panel Capture Deflect Destroy in which the panel discusses the options we have in dealing with an identified asteroid or comet that is on a collision course with Earth. As moderator I’ll be expanding the panel’s discussion to include asteroid mining as a use of these objects. What I see as relevant areas for our discussion are background on the environmental impact of collisions, asteroid/comet detection and tracking programs, the classification of asteroid/comet families (orbital and compositional), and of course the technologies associated with altering the orbits of these bodies.

Pirates of the Asteroids: Who Owns ET Resources?

From talking about asteroids as a threat to civilization, I’ll be segueing to the panel Pirates of the Asteroids: Who Owns ET Resources? which may well be the most interesting as we debate the question of ownership and the making of territorial claims in outer space. Despite the panel’s title, taken from the title of a science fiction novel by Isaac Asimov, this is a very serious international space policy concern that must be addressed.

What Are Acceptable Risks in Space Exploration?

Continuing with the theme of space exploration is the panel What Are Acceptable Risks in Space Exploration? moderated by Dr Michael Unger. In this age of the emergence of commercial space exploration, this question is particularly relevant. In his book Disturbing the Universe, Freeman Dyson made an interesting observation on this subject as it pertains to cost:

“As soon as our government takes responsibility for such as project, any serious risk of failure or loss of life becomes politically unacceptable. The costs of Island One (Gerard O’Neill’s space colony proposal) become high for the same reason that the costs of the Apollo expeditions were high. The government can afford to waste money but it cannot afford to be responsible for a disaster.”

Supporting Dyson’s observation is the fact that within the realm of NASA and space projects we have multiple examples of commercially provided goods and services successfully delivered at a fraction of the cost of their NASA/government counterparts. While our panel’s description is oriented towards the risks associated explicitly with NASA programs, I hope that our scope extends beyond that to include commercial (private) alternatives.

Science Fiction Cover Art: A History to Modern Day

Having served on both computing (AI) and space exploration panels, my final Capricon panel will be on the subject of art. The panel Science Fiction Cover Art: A History to Modern Day (moderated by friend and physicist Bill Higgins) will talk about the past and future of science fiction art with a particular focus on the publishing industry. Over the years, styles of science fiction cover art have come and gone while production methods (medium) went largely unchanged. The advent of personal computers and software tools for the creation of digital art has had a dramatic impact in this arena – and this will be a central feature of our panel’s discussion.

The Rest of The Time

When not on a panel, I look forward to being an audience member for those panels that interest me. These panels tend to be either space, science, computing, or art business related. Some of the panels that have caught my eye and which I’d like to attend include:

The Singularity: Mechs or Shapers?

Photo Color Temperature: What it is, Why it Matters

Computing Before Computers

Exobiology for Dummies

SETI: To Lurk or To Post?

Marketing Your Book

Science For World Progress

I, For One, Welcome My New Robot Overlords

Clearly Capricon offers quite a diversity of programming. For complete details about all the programs being offered at Capricon, please see the Capricon Programming Guide.

Closings Thoughts From Bruce Sterling and Robert Heinlein

I’d like to leave you with a couple of closing thoughts. First, this observation from science fiction author Bruce Sterling:

Designers talk and think a lot like science fiction writers do, except in a much less melodramatic and histrionic way.

More importantly, I’d ask folks to give serious consideration to the words of science fiction great Robert Heinlein who in a speech at the 1961 World Science Fiction Convention made the following statement:

Remember this: once the human race is established on more than one planet and especially, in more than one solar system, there is no way now imaginable to kill off the human race.

Illustration from Planet Earth As Art When Seen From Space presentation

I’ll be spending the next few days at the Capricon Science Fiction Convention at the Westin in Wheeling IL and once again I’ll be participating in the convention’s programming. The highlight for me will be my presentation on Saturday Planet Earth As Art When Seen From Space My presentation begins with a brief overview of image processing and the techniques I use to process satellite images. Then I dive in to a diverse selection of images I’ve processed – most of which are from the Landsat 8 program.

One point: the most challenging and aggravating part of putting together this presentation was not working with the images but trying to identify the names of the geographical features in the image. In terms of naming geographical features, particularly extended features, I give Google Earth a solid F. To identify feature names I had to resort to quite a variety of online resources. On the bright side, the quest to locate geographic feature names was quite the learning experience and led me to a number of resources that I had no idea existed.

While I greatly enjoy the opportunity (and honor) of doing solo presentations at the conventions I attend, I usually find that being a participant on a panel is more interesting because of the dialogs that occur between panelists. At this year’s Capricon I’ll be participating in three utterly unrelated panel discussions.

On Friday I’ll be serving as the moderator for the panel Science Fiction Art – Classic vs New Mediums. Joining me on the panel are Meg Frank, Brian Babendererde, and Carol Metzger. Our objective is to answer the question of what makes art classic versus contemporary? We’ll also explore how the artist’s medium affects the "feel" of the artwork and how the advent of digital art has changed the way we view art.

On Saturday, I will once again be on a panel about scientific literacy. Titled Science Literacy for ALL 2.0 moderator Alicia Choi has the challenging task of moderating Pat Sayre McCoy, Richard Garfinkle, Carol F Metzger, and myself while we debate/explore the meaning of science literacy and it’s importance in today’s society. This panel is a continuation of the panel we did at the 2016 Capricon. And for my money, that was the best panel I participated in that year. This year though I think I’m going to argue against an emphasis on scientific literacy and for an emphasis on the development and promotion of critical thinking skills and critical reasoning.

Also on Saturday, I’ll be putting on my military thinking helmet and exploring the subject Mighty Space Fleets of War – in which Chris Gerrib will lead his staff of armchair generals J.A. Sutherland, Joseph Stockman, and myself on an exploration of the design of future space battleships and their armaments. Of particular interest to me is the question "why would they fight" as this plays into economics and my own presentation The Globalization of the Solar System, a talk I gave at a number of venues in 2016 as a representative of the Chicago Society for Space Studies.

Outside of the programs I am participating in, some of the other programs at Capricon that I would like to attend include:

Is Art School Worth it? – whose title says it all.

Do We Live in a Petri Dish? – addressing the age old question of are we just the specimens in some grand experiment.

Separating Art from the Artist – explores how an artist’s personality affects how you view their art.

The Future of Publishing – discussing the future of Self-publishing, e-books, Kickstarter, etc.

The Future’s So Bright…Or Is It? – a discussion of dystopias – a fascinating subject for me and a subject area for which I been a SF panelist at past cons.

Art in the BEFORE TIMES – a discussion of how art was made in the pre-digital age.

Improve Your Photography Using Histograms – where Jay Kreibich will share his perspectives on the use of histograms in image processing.

The Illustration

To illustrate this post I’ve used an image of the Bissagos Islands, an archipelago off the coast of the west African nation of Guinea-Bissau. This is one of the images I use in my presentation. Some of the remote sensing images I’ve processed are available as merchandise on Redbubble in my Planet Earth Satellite Imagery gallery.

I spent last weekend attending the Capricon Science Fiction Convention at the Westin Chicago North Shore in Wheeling IL. While I normally participate in the convention’s art show, this year I decided to opt out. I did of course participate in the con’s programming, doing one presentation and participating in three panels.

A few months back I suggested a presentation idea to Capricon’s programming staff. Titled The Globalization of the Solar System, I described it as a lecture about the possible economics of a human civilization that spans the solar system. Specifically I wanted to address the question of whether or not the globalization we’ve seen here on Earth will be possible with a human presence that is spread across the solar system. I had originally developed the idea as a submission for the International Space Development Conference but had a change of heart once I decided to attend the Eyeo Festival instead. So as a long shot I proposed it to the folks at Capricon. I was delighted when they accepted – surprised as well since globalization and economics are not your typical topics at a science fiction convention.

I was really pleased with the size of the audience my talk attracted (far more than attended all three of the panels I participated in). Between my prepared talking points and addressing the numerous questions I received while my talk was underway, I wound up speaking for a total of 88 minutes – well over the 75 minutes I was allotted but finishing with a few minutes to spare before the start of the next program.

I am next scheduled to give my Globalization of the Solar System talk in July at the Elgin Public Library and may or may not give it at the June meeting of the Chicago Society for Space Studies.

The panel I most enjoyed and was most disappointed with was the Science Literacy for ALL panel. Granted it was a Sunday panel held at noon but I still expected that we would have attracted a substantial audience. It was the lack of a much larger audience that was my source of disappointment. Subject wise, I found this panel to be truly enjoyable because of the way in which we panelists bounced so nicely off one another and the wide ranging topics we addressed. Joining me on this panel were Henry Spencer, a fellow space enthusiast who actually works in aerospace and with whom I’ve been on numerous panels in the past. Also on the panel was Dexter Fabi. Turns out Dex, whom I’ve also been on panels with in the past, was on all three panels I was on this year. Our other panelists were the moderator Alicia Choi, Patrick O’Connor, and Kelly Strait.

Another panel was The Importance of Visual Design in Movies and TV which took some interesting twists and turns as we explored how the look of a movie or TV show affected viewers perceptions of the story. We also discussed how science fiction design has impacted our perceptions of the look of the future. My copanelists were Dexter Fabi, Jan Gephardt, Karen Ann Hollingsworth, Daniel Levin, and Lucy Synk.

Lastly there was the panel Alien Landscapes on Earth. The focus of the panel was not just on discussing alien landscapes here on Earth, but also about how such landscapes influenced the art we made (all the panelists were artists). My co-panelists were Dexter Fabi, Sandra Levy (moderator), Samantha Haney Press, Lucy Synk, and Capricon Artist Guest of Honor Eric Wilkerson.

While as a con-goer I toured the art show, prowled the dealer’s room, attended other panels, and chatted with friends in the Green Room, the two high points of the convention for me were my talk and the science literacy panel.

Illustration: Capricon Particle String.

To illustrate this post I used a custom typography. Specifically I used a particle system that assembled itself using an image mask to define the area of the individual letters in the text string, in this case "Capricon". A random starting location was selected as well as a target location inside one of the letter areas. As the system ran, particles would do a random walk within a vector field from their initial location to their final destination. The screen shot was taken once all particles had more or less arrived at their final destination.

This last Halloween weekend I had the opportunity to give two presentations at a Chicago regional Mensa convention dubbed Halloweem, held at the Westin in Wheeling IL. The two presentations I gave were

It was a very enjoyable experience for me, made all the better by the inquisitiveness of the audience. The only downside was that I over indulged in the convention’s great food offerings. Also speaking at the convention was Kent Nebergall. Kent and I are both members of the Chicago Society for Space Studies Speakers Bureau. Curiously neither of us were giving space exploration presentations at the convention.

Shortly I’ll be leaving for the Windycon Science Fiction Convention being held at Westin Lombard Yorktown Center in Lombard IL. While I won’t be giving any presentations this year, I will be participating in some panels. The panels are:

Space Seconds which is a panel covering space missions that were not the first of their kind, but the second.

Pluto Update is a panel addressing the findings of the New Horizons mission to Pluto.

Autographing was to be an autographing session that I am forced to cancel as my book on algorithmic art is not yet available.

Why Social Media Sucks takes a look at the world of social media, both from a operational perspective as well as a communicational perspective.

Art Media is a panel that I’ll be moderating on how artists decide on their artistic media and the strengths and weaknesses of each media.

As noted above, I originally agreed to do an autograph session at a time when I thought that I would have print copies of my book The Beauty of Algorithmic Art available. However, in searching for a publishing platform I wound up discarding my original two finalists (Blurb and Lulu). I have investigated several additional vendors and am currently focusing on Bookbaby and IngramSpark.

In addition to participating in the panels identified above, I will also have several artworks in the convention’s art show.

This Post’s Illustration

While working on a program to implement an ant colony simulation, I discovered that I had a program that did a nice job of simulating natural media painting. The landscape image Ant Colony Landscape is the result of an initial test of a program where the ants sample an underlying photograph and paint their trail. I must point out that this output was generated during an early stage of the program’s development. Coding was done using the Processing framework. The motto of the story is that sometimes algorithms can take you to surprising destinations. For more information about ant colony optimization, see the Wikipedia entry on ant colony optimization algorithms.

Today I’m off to the Windycon Science Fiction Convention. Fortunately for me I have an active interest in a fairly broad range of subject areas: art (space art, astronomical art, SF art, and digital/new media art), computer science, astronomy, planetary science, space exploration and space development, social media, software engineering, and economics. This variety of subjects has made it possible for me to both deliver a broad array of presentations and to participate in a wide variety of panels at past science fiction conventions.

Strangely I’ve been attending science fiction conventions for 20 years but have never participated in a panel about science fiction literature. The closest I’ve come has been to be on panels that dealt with issues of economics (like interstellar trade), political organization (think space colonies and intra-galactic empires), and the impacts of technology on societies (nanotechnology and genetic engineering being examples). As to science fiction literature, my interests have always been in the hard SF genre.

Unfortunately this year’s Windycon has flushed science-related programming from the schedule. Out of approximately 120 programming items there are no programs dealing with either astronomy or space exploration or space development, or science in general. In terms of science, there is The Science of Beer and a panel on Women in Science but that is really a sociological panel wondering why there aren’t more women in the sciences and what the science fiction community should do about it. (I have a great suggestion – provide science-related programming to heighten interest in science!) There is another program with ‘science’ in the title: The Science Behind the Legends but that’s a panel about werewolves, vampires, and witches.

With respect to technology, there is the Critter Crunch and panels on Geek Culture and Magic Mirrors: Surveillance in Modern Society but that’s it. Based on a categorization of the programming, it appears that Windycon has largely turned into a costuming convention this year. And that may be what the majority of con-goers want. For me, the most interesting programming has always been that which dealt with science and technology, especially space development. Perhaps I’m that odd-ball character who actually likes a little bit of science with their SF con. In fact this is why I don’t go to Star Trek conventions. It seems that the entire focus of those conventions is the acquisition of autographs and a quest for movie/TV trivia.

Other than my own presentation and the two panels I’m on, the only programs I plan to attend are:

The Future of Art and Artists in Modern Times

Dystopias

Self-Publishing and You

Oops. As always seems to happen to me, even with three full days of programming, two of the panels I want to see are both at the same time: Dystopias and The Future of Art. Fortunately there are no scheduling conflicts with the Art Show Wine and cheese Reception Saturday night.

As to my own participation, following is my schedule for the con.

Gender-balanced Panels, or How I Really Tried to Get It All to Work Out

Description: Diversity on panels is a hot topic right now and some have suggested that if the Programming staff can’t get it right, the panelists should. Okay, how does that actually work? Is this anarchy? Does it successfully “right a wrong”?
Participants: R. Jackson, H. Montgomery, J. Plaxco, P. Sayre McCoy (Moderator)
Saturday 10:00, Lilac D

Computer Art Tools

Description: So many platforms, software, and peripherals to choose from. What do you use to make art on your computer?
Participants: P. Charlifu, M. Frank, J. Plaxco (Moderator), U. Vernon
Sunday 10:00, Grand Ballroom GH

Instagram and Pinterest for Artists and Photographers

Description: A tutorial presentation for artists and photographers on how to use Instagram and Pinterest to promote their work.
Presented by J. Plaxco
Sunday 1:00, Grand Ballroom GH

This Post’s Illustration: The First Human Mission to Titan

To illustrate this post I’ve used a cropped version of a digital painting I created last week. Titled The First Human Mission to Titan, it features a rocket entering Titan’s atmosphere. The rocket trail is barely perceptible in this down-sized version of the painting. I did use artistic license in the creation of this painting. Of the three offenses, I may correct one of them before actually printing the final version. As to just what those offenses are, I leave it to you to identify them.

Closing Thought For Windycon Attendees

If you are unhappy with the programming that the convention is offering this year (namely a lack of science-related programs), please let the programming staff know. Perhaps the lack of science programming is due to a lack of feedback from the attendees who like science programming.

Once again I’ll be attending the Windycon Science Fiction Convention, which is this coming weekend. My schedule is light this year: three panels and no presentations. That means I’ll have abundant time to attend other programming – although in the past my luck has been such that the programming I most want to see is at the same time as one of the programs I’m participating in.

Here is my programming schedule for Windycon.

Title:

Digital Art: The Art for Everyone

Description:

Can’t afford a Rembrandt? Don’t have room for the Moore? Well, if you have room for a computer or a laptop, you’ve got art. Art that doesn’t really physically exist (yet). Art galleries everyone with wi-fi can access. Democratic art in a way fine art never was and never will be. Hear our panelists discuss the pros and cons of art for everyone all the time.

This should be a most interesting panel. Computer technologies have done more to democratize art than any other technology. This extends not just to the ability to share finished works of art but also to greatly expanding the number of people involved in the creation of art. And for those people, like myself, who write their own art-creating programs, there is the ability to share source code so that what one digital artist creates can be shared with others who can then modify that art and so on down through successive generations.
With respect to the pros of digital art, they are abundant and I’m sure we’ll spend much time discussing them. As to the cons, they are few and do not detract from the value of the computer as a tool for the creation of art.

Title:

Colonizing Space

Description:

Will space travel ever be safe enough and cheap enough to really colonize other planets? Can a moon or Mars colony really work? Will space colonization be government sponsored or private citizens? What happens if we can’t leave Earth?

Here are my first thought answers to the questions asked.Will space travel ever be safe enough and cheap enough? Yes – if the space industry is allowed to develop and if the natural economic incentives are allowed to operate.Can a moon or Mars colony really work? Yes – again given the right operating environment and economic incentives.Will space colonization be government sponsored or private citizens? The only way for space colonization to have a chance of really working is if it is freely undertaken by private citizens employing Adam Smith’s invisible hand.
And what happens if we are forever bound to the surface of the Earth? Then I fear that as a species we will one day go the way of the dinosaurs.

Title:

The Future of Private Space Exploration

Description:

Now that NASA is out of the space business private developers are stepping in. Can private space exploration really give us the future sf predicts? How can we help get there?

I haven’t yet checked on what other programming Windycon is offering that I may have an interest in attending but if you stop by the Windycon Art Show be sure to check out my art as I will have several pieces in the show.