Venice Film Festival

Venice Film Festival

Recipients of the’96 Festival’s Golden Lion, recognizing service to filmmaking are Robert Altman, Vittorio Gassman, Dustin Hoffman, and Michele Morgan. Hoffman was presented with his award at Wednesday’s opening ceremony, while the other recipients will be honored at Friday’s closing event. The jury for this year’s festival is headed by Director Roman Polanski (“Rosemary’s Baby“, “Chinatown“).

Aussies and Hoffa

The Venice Film Festival moved into its second half with Roman Polanski hosting a “virtual” set chat. The Filmmaker, who is the head of the film festival’s jury, met with press in front of a blue screen which carried simulated background scenes.

Last night, saw the Venice premiere of “Love and Other Catastrophies“, a lowbudget Australian film. Co-star Matt Day (“Muriel’s Wedding“) told indieWIRE,“When we were making it we all just thought it was a low-budget film, wenever thought it would be here (in Venice).”

Abel Ferrara’s “The Funeral” has been playing to seriously mixed reactions,some people loving it and other disliking it. Many audience memberscommented that Annabella Sciorra, Chris Penn and Christopher Walken gavegreat performances, but people are divided over the film. Meanwhile, at apress conference, Ferrara received a large ovation from the Italian press.One reporter asked him, “How do you feel about perpetuating the sterotypeand the myth of the mafia, which doesn’t really exist?” Ferrara responded,“Tell that to Jimmy Hoffa.”

Christopher Walken, also here to promote “The Funeral”, was asked why he keepsplaying psychos and killers. He replied, “Gosh, I’d love to play a normalguy, with a wife and kid,…and you know, a dog, but no one seems to want tooffer me those roles!”

Mozart and Markets

Wednesday night marked the premiere of Jean-Luc Goddard’s latest film “Forever Mozart“, which was met with a less than appreciative response from the packedscreening. “Forever Mozart” is a surreal, non-linear story about thetravesties of the war in Bosnia. The project follows many characters, andhas a dream-like quality to it. Little to no applause followed the film,which some audience members described as extremely disjointed, and somewhathard to follow.

An interesting aspect of this festival, is the lack of a marketplace. WhileSundance and Cannes, seem primarily made up of buyers and sellers, Venice hasthe feel of a laid back, relaxing gathering place for the European filmcommunity. Sure, cell phones are still ringing here, but people take theirtime about answering them.

And the Winners Are:

Director Neil Jordan’s “Michael Collins”, the controversial film about the IRA,won the top award at the Venice Film Festival Saturday. It pulled down theGolden Lion awards for best film and Liam Neeson took home the best actorprize.

The film, which also stars Julia Roberts, Aidan Quinn, Stephen Rea, and AlanRickman, tells the story of Collins who was the IRA’s director ofintelligence when he helped fight for Ireland’s independence from 1919 to1921. The film has caused some controversy in England, where some politiciansfear that the tension in Northern Ireland might be flared by the film.“Collins” will be released in Britain later this year. Jordon’s 1992 film, “The Crying Game” came under similar criticism for what some saw as a sympatheticportrayal of the IRA.

4-year-old French actress Victoire Thivisol took home the Golden Lion awardfor best actress. She starred in director Jacques Doillon’s film “Ponette“.Thivisol plays a girl who trying to deal with the absence of her mother aftershe is killed in a car accident.

Chris Penn won the best supporting actor prize for his role in Abel Ferrara’s“The Funeral”.