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These items range from a set of andirons presumably used by the Clarks to RSC’s military uniforms. Items related to RSC’s horse breeding and scientific exploration are included, as are decorative objects.

Scope and Contents of the Collection

This eclectic series of objects includes personal items such as RSC’s military uniforms, as well as luggage, scientific equipment, horse tack, and decorative objects.

Biographical Note

Born in 1877, Robert Sterling Clark, along with his three brothers, was heir to the Singer sewing machine fortune. Their father, Alfred Corning Clark, was the son of Edward Corning Clark, Isaac Singer’s business partner. RSC attended Yale University and graduated in 1899 with a degree in engineering. He joined the army and his service during the Boxer Rebellion earned him the commission of first lieutenant. In 1908, RSC undertook an expedition to the Shaanxi and Gansu provinces in a remote area of northern China. He intended to carry out ethnographic and zoological research, as well as conduct surveys and create maps. His partner in this undertaking was Arthur de Carle Sowerby. Sowerby, in addition to being a naturalist, explorer, artist and editor, collected specimens for the British Museum and other museums of natural history in the United States and China. The expedition came to an abrupt end when Hazrat Ali, their translator and surveyor, was murdered.

Shortly thereafter, RSC moved to Paris. In 1909 he inherited various pieces of art from his family and these pieces became the foundation of the collection he was to build over the ensuing decades. He made his first purchases in 1912 and was initially attracted primarily to Dutch, Flemish and Italian old masters. Soon, his interests expanded to include silver, prints and drawings, rare books, and more contemporary artists such as Renoir, Degas, Sargent and Homer.

During this time RSC met Francine Clary. Formerly an actress with the Comedie Francaise, Francine was the mother of a daughter, Viviane Modzelewska. Francine and RSC began seeing one another in 1910, but didn’t marry until 1919. Their relationship was a source of tension with RSC’s family and eventually led to a rift between him and his brother, Stephen. Stephen, the youngest of the Clark brothers, had shouldered the daily administration of the family’s fortunes. RSC felt that he was at a disadvantage because of the way the Singer trusts were constructed. Should something befall RSC, the money would pass back into the Clark family rather than to Francine and her daughter. When he was unable to resolve the issue within the family, he and Stephen had a falling out that would never be mended and RSC sued unsuccessfully in court to break up the trusts.

RSC and Francine were partners in assembling the collections that would eventually be housed at the Sterling and Francine Clark Art Institute, visiting galleries and dealers together. Another keen interest was horse breeding. RSC owned large operations that bred, raised and trained racehorses, first in Belgium and then in Virginia. In 1951, his horse, Never Say Die, won the Epsom Derby, the first American-bred horse ever to do so.

After considering various options for the eventual disposition of their artworks and objects, including donation to the Virginia Museum of Fine Arts and founding a museum in New York City, RSC and Francine decided to locate their collections in Williamstown, Massachusetts. Beginning in 1950 and continuing through RSC’s death late in 1956, their lives were focused on building the Institute, both physically and administratively.

Index

Organizations:

A. Goertz & Co.

Berry Bros. & Rudd

Brooks Brothers (Firm)

Browning Firearms Company

Crouch & Fitzgerald

Dent

Dr. Auzoux

Duveen Brothers

F.E. Brandis, Sons & Co.

Field, Son & Co.

G. & J. Cary

Galle

Gaumont (Firm)

George Philip & Son

Gerrard and Company Ltd.

Gibson Distilling Co.

Green River Distilling Co.

H. Kohlbusch

H.V. Allen & Co.

Hatfield & Sons

Henry Vallien & Co.

Herbert Blockley

Hermès (Firm : Paris, France)

Hirsbrunner & Co.

I. M. Jenkins

Instruments et Compas Baraban

J. A. Doughtery's Sons, Inc., Distillers

Keuffel & Esser Co.

Lavoet

Lichon a Paris

Loewe (Ludwig) and Company, A.G.

London Armoury Company

M. Knoedler & Co.

McCutcheon's

Morse Twist Drill and Machine Company

Newton, Shakespeare & Co.

Old Overholt & Co.

Poliard

S. and J. Fuller

S.N. Meyer

S.W. Silver & Co.

Sherry-Lehmann, Inc.

Smith & Wesson

Societe des etablissements Gaumont

Sterling Watch Co.

Welch Margetson & Co. Ltd.

Whitaker & Co.

Whiteaway, Laidlaw & Co.

William Gramm

Subjects:

China -- History -- Boxer Rebellion, 1899-1901

Derby (Horse race)

Luggage

Military uniforms

Astronomy

Decorative arts

Firearms

Rubbing -- China

Saddlery

Surveying -- China

Tanagra figurines

United States. Army

United States. Army. Infantry Regiment, Ninth

Williams College

World War, 1914-1918

Document Types:

Animal equipment

Architects' scales

Art objects

Astronomical charts

Barometers

Belts (Costume accessories)

Black-and-white photographs

Cases (Containers)

Charts (Graphic documents)

Coatracks

Color photographs

Corkscrews

Desk lamps

Dress swords

Exhibit cases

Figurines

Frames (Furnishings)

French Curves

Illustrations

Lamps (Lighting devices)

Leveling rods

Lids

Mantel clocks

Manuals (Instructional materials)

Menus

Military uniforms

Models (Representations)

Muskets

Newspapers

Notebooks

Official documents

Personalia

Photoengravings (Prints)

Pistols

Planispheres

Plates (Dishes)

Pocket knives

Pocket watches

Prints (Visual works)

Revolvers (Firearms)

Rifles (Long guns)

Saddles

Scabbards

Scales (Weighing devices)

Sheaths (Cases)

Steel tapes

Stopwatches

Suitcases

Sword belts

Transits

Tripods (Stands)

Trunks (Containers)

Whisk brooms

Restrictions

Restrictions on Access

This material is currently restricted.

Administrative Information

Custodial History

The origin of these materials is largely unknown. Presumably they came from the Clarks’ apartment at the museum. Some of the items, such as the coat rack, were in use by employees of the Institute until recently. These items were and are all stored in the art vault or in other, less secure locations around the museum.

Preferred Citation

Processing Information

In 2000 a contract archivist conducted an inventory. The numbers she assigned to items were retained, as well as her groupings of like items into one record. The objects were examined and catalogued between November and December 2006 by Lacy Schutz, Archivist and Danielle Ryan, Archives Assistant.