Blaise Pascal, (born June 19, 1623, Clermont-Ferrand, France—died August 19, 1662, Paris), French mathematician, physicist, religious philosopher, and master of prose. He laid the foundation for the modern theory of probabilities, formulated what came to be known as Pascal’s law of pressure, and propagated a religious doctrine that taught the experience of God through the heart rather than through reason. The establishment of his principle of intuitionism had an impact on such later philosophers as Jean-Jacques Rousseau and Henri Bergson and also on the Existentialists.

Pascal’s father, Étienne Pascal, was presiding judge of the tax court at Clermont-Ferrand. His mother died in 1626, and in 1631 the family moved to Paris. Étienne, who was respected as a mathematician, devoted himself henceforth to the education of his children. While his sister Jacqueline (born in 1625) figured as an infant prodigy in literary circles, Blaise proved himself no less precocious in mathematics. In 1640 he wrote an essay on conic sections, Essai pour les coniques, based on his study of the now classical work of Girard Desargues on synthetic projective geometry. The young man’s work, which was highly successful in the world of mathematics, aroused the envy of no less a personage than the great French Rationalist and mathematician René Descartes. Between 1642 and 1644, Pascal conceived and constructed a calculating device to help his father—who in 1639 had been appointed intendant (local administrator) at Rouen—in his tax computations. The machine was regarded by Pascal’s contemporaries as his main claim to fame, and with reason, for in a sense it was the first digital calculator since it operated by counting integers. The significance of this contribution explains the youthful pride that appears in his dedication of the machine to the chancellor of France, Pierre Seguier, in 1644.

Written in defense of Antoine Arnauld, an opponent of the Jesuits and a defender of Jansenism who was on trial before the faculty of theology in Paris for his controversial religious works, Pascal’s 18 Lettres écrites par Louis de Montalte à un provincial deal with divine grace and the ethical code of the Jesuits. They are better known as Les Provinciales. They included a blow against the relaxed morality that the Jesuits were said to teach and that was the weak point in their controversy with Port-Royal; Pascal quotes freely Jesuit dialogues and discrediting quotations from their own works, sometimes in a spirit of derision, sometimes with indignation. In the two last letters, dealing with the question of grace, Pascal proposed a conciliatory position that was later to make it possible for Port-Royal to subscribe to the “Peace of the Church,” a temporary cessation of the conflict over Jansenism, in 1668.

The Provinciales were an immediate success, and their popularity has remained undiminished. This they owe primarily to their form, in which for the first time bombast and tedious rhetoric are replaced by variety, brevity, tautness, and precision of style; as Nicolas Boileau, the founder of French literary criticism, recognized, they marked the beginning of modern French prose. Something of their popularity, moreover, in fashionable, Protestant, or skeptical circles, must be attributed to the violence of their attack on the Jesuits. In England they have been most widely read when Roman Catholicism has seemed a threat to the Church of England. Yet they have also helped Catholicism to rid itself of laxity; and, in 1678, Pope Innocent XI himself condemned half of the propositions that Pascal had denounced earlier. Thus, the Provinciales played a decisive part in promoting a return to inner religion and helped to secure the eventual triumph of the ideas set forth in Antoine Arnauld’s treatise De la fréquente communion (1643), in which he protested against the idea that the profligate could atone for continued sin by frequent communion without repentance, a thesis that thereafter remained almost unchallengeable until the French church felt the repercussion of the revocation of the Edict of Nantes (which had granted religious freedom to French Protestants) in 1685. Whereas the Jesuits seemed to represent a Counter-Reformation predominantly concerned with orthodoxy and obedience to ecclesiastical authority, the Provinciales advocated a more spiritual approach, emphasizing the soul’s union with the Mystical Body of Christ through charity.

Further, by rejecting any double standard of morality and the distinction between counsel and precept, Pascal aligned himself with those who believe the ideal of evangelical perfection to be inseparable from the Christian life. Although there was nothing original in these opinions, Pascal nevertheless stamped them with the passionate conviction of a man in love with the absolute, of a man who saw no salvation apart from a heartfelt desire for the truth, together with a love of God that works continually toward destroying all self-love. For Pascal, morality cannot be separated from spirituality. Moreover, his own spiritual development can be traced in the Provinciales. The religious sense in them becomes progressively refined after the first letters, in which the tone of ridicule is smart rather than charitable.

Pascal finally decided to write his work of Christian apologetics, Apologie de la religion chrétienne, as a consequence of his meditations on miracles and other proofs of Christianity. The work remained unfinished at his death. Between the summers of 1657 and 1658, he put together most of the notes and fragments that editors have published under the inappropriate title Pensées (“Thoughts”; Eng. trans., Pensées, 1962). In the Apologie, Pascal shows the man without grace to be an incomprehensible mixture of greatness and abjectness, incapable of truth or of reaching the supreme good to which his nature nevertheless aspires. A religion that accounts for these contradictions, which he believed philosophy and worldliness fail to do, is for that very reason “to be venerated and loved.” The indifference of the skeptic, Pascal wrote, is to be overcome by means of the “wager”: if God does not exist, the skeptic loses nothing by believing in him; but if he does exist, the skeptic gains eternal life by believing in him. Pascal insists that men must be brought to God through Jesus Christ alone, because a creature could never know the infinite if Jesus had not descended to assume the proportions of man’s fallen state.

The second part of the work applies the Augustinian theory of allegorical interpretation to the biblical types (figuratifs); reviews the rabbinical texts, the persistence of true religion, the work of Moses, and the proofs concerning Jesus Christ’s God-like role; and, finally, gives a picture of the primitive church and the fulfillment of the prophecies. The Apologie (Pensées) is a treatise on spirituality. Pascal was not interested in making converts if they were not going to be saints.

Pascal’s apologetics, though it has stood the test of time, is primarily addressed to individuals of his own acquaintance. To convert his libertine friends, he looked for arguments in their favourite authors: in Michel de Montaigne, in the Skeptic Pierre Charron, in the Epicurean Pierre Gassendi, and in Thomas Hobbes, an English political philosopher. For Pascal, Skepticism was but a stage. Modernist theologians in particular have tried to make use of his main contention, that “man is infinitely more than man,” in isolation from his other contention, that man’s wretchedness is explicable only as the effect of a Fall, about which a man can learn what he needs to know from history. In so doing, they sacrifice the second part of the Apologie to the first, keeping the philosophy while losing the exegesis. For Pascal as for St. Paul, Jesus Christ is the second Adam, inconceivable without the first.

Finally, too, Pascal expressly admitted that his psychological analyses were not by themselves sufficient to exclude a “philosophy of the absurd”; to do so, it is necessary to have recourse to the convergence of these analyses with the “lines of fact” concerning revelation, this convergence being too extraordinary not to appear as the work of providence to an anguished seeker after truth (qui cherche en gémissant).

He was next again involved in scientific work. First, the “Messieurs de Port-Royal” themselves asked for his help in composing the Élements de géométrie; and second, it was suggested that he should publish what he had discovered about cycloid curves, a subject on which the greatest mathematicians of the time had been working. Once more fame aroused in him feelings of self-esteem; but from February 1659, illness brought him back to his former frame of mind, and he composed the “prayer for conversion” that the English clergymen Charles and John Wesley, who founded the Methodist Church, were later to regard so highly. Scarcely capable of regular work, he henceforth gave himself over to helping the poor and to the ascetic and devotional life. He took part intermittently, however, in the disputes to which the “Formulary”—a document condemning five propositions of Jansenism that, at the demand of the church authorities, had to be signed before a person could receive the sacraments—gave rise. Finally a difference of opinion with the theologians of Port-Royal led him to withdraw from controversy, though he did not sever his relations with them.

Pascal died in 1662 after suffering terrible pain, probably from carcinomatous meningitis following a malignant ulcer of the stomach. He was assisted by a non-Jansenist parish priest.

Assessment

At once a physicist, a mathematician, an eloquent publicist in the Provinciales, and an inspired artist in the Apologie and in his private notes, Pascal was embarrassed by the very abundance of his talents. It has been suggested that it was his too concrete turn of mind that prevented his discovering the infinitesimal calculus; and in some of the Provinciales the mysterious relations of human beings with God are treated as if they were a geometrical problem. But these considerations are far outweighed by the profit that he drew from the multiplicity of his gifts; his religious writings are rigorous because of his scientific training; and his love of the concrete emerges no less from the stream of quotations in the Provinciales than from his determination to reject the vigorous method of attack that he had used so effectively in his Apologie.

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