Thursday, April 2, 2015

Saturday, April 4: Corina Copp, Lanny Jordan Jackson & Andrew Maxwell

CORINA COPP is a
writer and theater artist based in New York. Her first full-length book
of poems, The Green Ray, has just been published by Ugly Duckling
Presse. Recent work can be found in Cabinet, BOMB, Corrected Slogans:
Reading and Writing Conceptualism (Triple Canopy), SFMOMA’s Open Space,
and elsewhere. Excerpts of her three-part play, The Whole Tragedy of the
Inability to Love, have have been presented in a group show, Un, Deux,
Trois, at Home Alone 2 Gallery (09/14, performed with Lanny Jordan
Jackson); at the NYC Prelude Festival, Dixon Place, and through the
support of the LMCC Workspace program. Copp is a curator at the Segue
Foundation.

LANNY JORDAN JACKSON is a filmmaker, writer,
artist, and performer living in New York. He is the author of the
chapbooks VILLI (2010), Dear Swimmer (2011), the films Vivian (2013),
Triple Shark Cerberus (2013), Scorpio vs. Glass Door Restaurant (2014),
and variety of performance pieces.

ANDREW MAXWELL's recent
collections of aphorism and poetry include Peeping Mot (Apogee, 2013)
and Candor is the brightest shield (Ugly Duckling, 2014). An artist's
book with illustrator Nathan Gelgud, Beggars of Life, is forthcoming
later this year. He lives in Los Angeles, where he co-directs the Poetic
Research Bureau reading series and DJs a weekly radio show of
outernational obscurites, The Dream of Harry Lime.

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Upper Limit Los Angeles

About the Bureau

The Poetic Research Bureau is a valise fiction and portable literary service in Northeast Los Angeles.

Our living room at 951 Chung King Rd in Chinatown hosts an extended community of autodidacts and guessworkers caught up in language, inquiry and the unguarded arts. Just as it is: a community free school by day, and by night, a non-professional public forum for presentations, readings, screenings and sundry intellectual exchanges.

As an out-of-pocket California milk-crate boosterist enterprise, the PRB also serves as the irregular literary umbrella for projects such as occasional poetry journal The Germ ('97-'05), edited by Andrew Maxwell and Macgregor Card; and art-lit mag Area Sneaks, edited by Rita Gonzalez and Joseph Mosconi.

As a research bloc, the Bureau attempts to cultivate composition, publication and distribution strategies that enlarge the public domain. It favors appropriations, impersonations, 'compost' poetries, belated conversations, unprintable jokes and doodles, 'unoriginal' literature, historical thefts and pastiche. The publication emphasis is on ephemeral works, short-run magazines and folios, short-lived reprints and excerpts in print-on-demand formats, and the occasional literary fetish objects of stupidly incomparable price and value.

Several reading series are hosted at 951 CKR, and we welcome writers whose work lacks the 'commercial tendency' while harboring the bright, high-minded intentions that often lead to broad panic, righteous perversions, improbable arguments, and the ill-served cul-de-sacs of genius. The series are coordinated by the aforementioned Messrs Maxwell and Mosconi. If you're sympatico, passing through town, or need a megaphone, 50 seats and a big blank space, give us a write.