books.google.com - Jacques Ranciere was a student of Althusser before he famously turned against his mentor; now, he's regarded as one of the major thinkers of our age. In his new book, he examines how the West can no longer simply extol the virtues of democracy by contrasting it with the horrors of totalitarianism. As...https://books.google.com/books/about/Hatred_of_Democracy.html?id=zFfuAAAAMAAJ&utm_source=gb-gplus-shareHatred of Democracy

Hatred of Democracy

Jacques Ranciere was a student of Althusser before he famously turned against his mentor; now, he's regarded as one of the major thinkers of our age. In his new book, he examines how the West can no longer simply extol the virtues of democracy by contrasting it with the horrors of totalitarianism.

As certain governments are exporting democracy by brute force, and a reactionary strand in mainstream political opinion is willing to abandon civil liberties and destroy collective values of equality, Ranciere explains how democracy—government by all—attacks any form of power based on the superiority of an elite. Hence the fear, and consequently the hatred, of democracy amongst the new ruling class.

In a compelling and timely analysis, Hatred of Democracy rediscovers the ever-new and subversive power of the democratic idea.

From inside the book

13 pages matching France in this book

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Rancière produces a theory of democracy that is both constraining and destabilizing. He scathingly counters critics of the unrestrained liberty of democratic politics, of political action without any claim to legitimacy. Rancière claims that those who seek to foundationalize politics in ethics or reason are in fact afraid of unpredictable democracy and if they seek to maintain an illusory authority, then perhaps they should be.

About the author (2006)

Jacques Rancière is Emeritus Professor of Philosophy at the University of Paris-VIII. His books include The Politics of Aesthetics, On the Shores of Politics, Short Voyages to the Land of the People, The Nights of Labor, Staging the People, and The Emancipated Spectator.