The story of
jazz musician and classical pianist Nina Simone including her rise to fame and
relationship with her manager.

A foolish
endeavor on every level, using the biopic cinematic structure merely as a
dumpster to throw in insipid scenes of celebrity discomfort and clichés on
hope. One could slot almost any other figure into its architecture and the
result would be the same.

Henry is
resurrected from death with no memory, and he must save his wife from a
telekinetic warlord with a plan to bio-engineer soldiers.

A dreadful ordeal
and a rather cynical one: Filmed entirely in first-person perspective, so that
we feel we are its main character, it attempts to recreate the experience of a first-person-shooter
game, and succeeds. Though what that is meant to accomplish remains unclear,
other than the presupposition that modern audiences are so lazy and apathetic
that even the freedom of individual interpretation is no longer sought after.