Month: December 2014

It seems there’s an unwritten rule in journalism that whenever a writer or blogger reaches the end of a year, he or she suddenly feels compelled to look back on it and remember the high points and the lows. I’m certainly not one to go against the flow, so hi! Welcome to the Otaku Ohana Year in Review!

While I’d be the first to admit that this has been a disappointing year in terms of Otaku Ohana output — for starters, I still haven’t had time to fully transcribe that interview with voice actor Kyle Hebert that I promised back in August, and let’s not even think about the last time you’ve seen a formal anime or manga review in this space — it certainly hasn’t been a disappointing year for the otaku community at large. One measure of just how vibrant we’ve had it here is the sheer volume of anime features that screened in theaters. Here’s what we saw this year:

Anohana: The Flower We Saw That Day: The Movie

Dragon Ball Z: Battle of Gods

Expelled From Paradise

Evangelion 3.0: You Can (Not) Redo

K Missing Kings

Ghost in the Shell

Ghost in the Shell: Arise

Madoka Magica: Rebellion

My Neighbor Totoro

Patema Inverted

Road to Ninja: Naruto the Movie

The Tale of the Princess Kaguya

Tiger and Bunny: The Rising

The Wind Rises

Throw in a bunch of live-action movies including the Studio Ghibli documentary The Kingdom of Dreamsand Madness, Thermae Romae II, Lupin the Third and Kikaider Reboot — the last of which proved so popular, the DVD’s backordered online.

Granted, there were a few bumps in the road along the way. A pair of hurricanes forced Taku Taku Matsuri to be pushed back from August to November. That’s more than can be said for Oni-Con Hawaii, which we can safely consider a lost cause with the lack of any solid communication since early May. And the deathof Sharon Sakai, wife of Usagi Yojimbo artist Stan Sakai, was a story that resonated far beyond the usual readership of this blog.

But let’s remember all the good that happened in 2014. I went through my photo files and picked out 14 memorable moments from the year. Some of these pictures you might have seen before, whether in this space or on my various social media accounts.

Dorae-mania hits home (April 20)

Fujiko F. Fujio’s mecha-cat creation was all over town this year, whether plastered on Lea Lea trolleys, in statue form at various sites from downtown to Kahala as part of HIS Hawaii’s Wakuwaku Stamp Rally, on Kindles and Kindle apps in manga form, or on Disney XD in anime form. The biggest attraction in the first few months of the year, however, was “Meet Doraemon: Japan’s Time-Traveling Cat,” an exhibition co-presented by Bishop Museum and the Fujiko F. Fujio Museum. Visitors could see pages of Fujio’s original artwork for the first time on American soil, watch a 10-minute anime short, read the English-translated Doraemon manga on iPads or the manga in other languages sitting on bookshelves nearby; and buy piles upon piles of Fujio character merchandise that also was appearing for the first time on American soil. Tripinator Doraemon looked a little shifty here in the foreground as visitors browsed through the manga at the iPad station.

Ultra-combo! (April 27)

Not to be outdone by a cartoon mecha-cat, Ultraman and several of his longtime enemies made peace and came down to cavort around Hawaii as part of a promotion by Hawaii Tourism Japan and Tsuburaya Productions. Four statues showcasing different iterations of Ultraman were placed at locations around Oahu — Polynesian Cultural Center, Kualoa Ranch, DFS Galleria and the Hilo Hattie flagship store in Iwilei — and visitors who bought certain tour packages could go around, get their cards stamped and redeem them for cool Ultraman in Hawaii merchandise. As I mentioned in my original post, I love this picture of the Hilo Hattie statue because of the way the lights in the store flared behind it.

Panel de pon! (March 12)

This is the only picture in this roundup that wasn’t shot by me (it was taken by cartoonist Roy Chang), and for good reason: I was kinda sitting on the panel at the time. I have to confess that I’m usually not one to be the center of attention — it’s the reason why I’ve never done a panel at any event on my own, and why I have an Anonymous Otaku Ohana Director of Forced Social Interaction with whom I attend a number of events these days — so when I was asked to be part of the “Made in Japan, Loved in Hawaii” panel at the Honolulu Festival, I was worried about how things would go. I needn’t have worried — panel mates Brady Evans, Jon Murakami, Roy Bann and Audra Furuichi all helped turn that panel into a lovely lengthy chat about our various fandoms. If you haven’t listened to the panel yet, the audio (which weighs in at 121 MB) remains available for download at ow.ly/uwyBr, while the slides are available at ow.ly/uwyTQ.

Eboshimaro, friend to all children (March 8)

Ahhhhhhh yes, yuru-chara, the Japanese phenomenon in which mascot characters are called upon to promote certain aspects of their prefecture, company or event. They’re also usually awesomely cute, which would explain why Eboshimaro here, the mascot representing Chigasaki, Japan, had a steady stream of people coming up to him at the Honolulu Festival asking for pictures. Apparently he was tweeting regularly from the festival, too; here are his tweets and pictures from that weekend.

And that wasn’t the only regional mascot to visit Hawaii this year. At the very beginning of Star-Advertiser photographer Krystle Marcellus’ video from the Honolulu Marathon (www.youtube.com/watch?v=ckleJBr–ns), you can catch a good look at Mojaro, the walking monjayaki from Isesaki’s annual Monja Festival. (Monjayaki is okonomiyaki’s messier-looking, higher-stacked cousin.)

That’s right. There exists a pile-of-foodmascot. And one that looks like one of the ghosts from Pac-Man had an unfortunate accident, at that.

I’ll give you some time to ponder that.

Singing in the lane (April 4)

What would a year-end roundup be without at least one highlight from what’s become the biggest event on the annual otaku calendar, Kawaii Kon? As longtime attendees know, a necessary evil of attending anime cons year after year is waiting in lines to get into the various events. This year, though, this guy made waiting for opening ceremonies more tolerable, going up and down with his guitar singing his original song about Kawaii Kon.

It’s all about the details (July 3)

MangaBento, the anime/manga-inspired group of young artists, held its annual show on the second floor of the Honolulu Museum of Art School. this year’s show, “Showme,” featured this mural lining the elevator. A nice mural, to be sure. But upon closer examination, several smaller flourishes really stood out.

That’s what I love whenever I look at art: taking in the piece as a whole, then looking close-up at the finer details. It’s an experience I hope (and pretty much expect!) to repeat next year.

Sparkle pretty “Ponponpon” party time (July 20)

Yes, super-omega-popular boy band Arashi performed out at Ko Olina to the delight of thousands of fans both from here and visiting from Japan, and they had the benefit of a pop-up store at Shirokiya and those visitors snapping pictures of pretty much every poster put up around Ala Moana. But their concert tickets were kinda pricey and I didn’t have a vacation day to spare, so this was my J-Pop concert experience for the year: Kyary Pamyu Pamyu, the singer who burst onto the scene with eyeball-dotted shorts, pastel-colored human hearts and flying bread slices and has kept up a consistent pace of releasing weirdly wonderfully artsy odd music videos ever since. Her concert was an extension of that, a whirlwind of tightly choreographed sequences on a toybox-themed stage with a nice selection of her hits to date. And a giant neon-colored bear, too. (The afternoon heat was a bit much for her, though; she said during the concert that she hoped to do an arena show next time she’s in Hawaii.)

Jan-ken-po, art-to-show (May 17)

In another one of those events that I attended but have yet to write about in this space (*sob*), Patsy Iwasaki and Avery Berido, the Hawaii island-based writer-artist team behind Hamakua Hero: A True Plantation Story, came to Honolulu to talk about the book as part of the revival of the Crossing Cultures: The Art of Manga in Hawaii exhibit at the Japanese Cultural Center of Hawaii. Well, okay, so it was Iwasaki doing most of the talking while Berido drew, but it’s okay, we love them both.

Berido’s drawing was given away at the end of the talk via a series of jankenpo matches among audience members. It came down to these two, and the guy on the left won this original piece. Sweet victory, I must say.

Smiles to go, to go! (May 31)

I said back in June that this was my favorite picture of the year to date, and now, looking back on a year’s worth of pictures, it remains a favorite of mine. Taken back at the during the Crossing Cultures artist meet-and-greet, it just captures a certain joy between the boy and his newly purchased Blue plushie, and artist Audra Furuichi. Making a child smile with the fruits of what you do for a living is a heartwarming talent to possess, indeed.

Simply having a wonderful Mini Con time (Sept. 27)

I’ve noticed that at pretty much every midsize and larger event with cosplayers that I’ve attended this year, two people inevitably show up: one guy who cosplays as Deadpool (and who we’ll see later in this roundup, by the way) and Furry Red Friend, a cosplaying Elmo with his human handler. So when the Merc With a Mouth and Captain America Elmo showed up at Mini Con at McCully-Moiliili Library, with a nemu*nemu: Blue Hawaii postcard cutout just begging for a photo op? Hijinks ensued. Naturally.

Striking a pose (Oct. 11)

Kawaii Kon’s annual Anime Day event showed up at Windward Mall with a mini Artist Alley, several drawing stations and a variety of cosplay competitions. One of those contests was a “pose-off,” where contestants had to come up with choreographed poses within a time limit. Here, two cosplayers prepare to do battle with Street Fighter poses! And then they rushed into battle! Who would reign supreme?!?

… yeeeeeaaaah, okay, that didn’t end well.

We made it happen (Nov. 22)

The story of Taku Taku Matsuri 2014 was a story of perseverance on the part of organizer Yuka Nagaoka. A Kickstarter campaign succeeded after much 11th-hour nail-biting. Then Hurricanes Iselle and Julio’s approach prompted her to postpone the event, a decision that drew some criticism when Iselle hit Hawaii island and fell apart and Julio veered away from the islands. Original guest of honor Kyle Hebert and a number of vendors also couldn’t return for the rescheduled event, forcing her to find replacements. And a second crowdfunding campaign on GoFundMe was … well … sluggish.

Yet despite all of that, and with a rallying cry of “We will make it happen,” the rescheduled Taku Taku Matsuri went out without any apparent hitches (although I must admit, I cringed while a full game of Quidditch took place outside the Manoa Grand Ballroom, praying the quaffle didn’t bounce off into one of the glass showcases or over the fifth-floor wall into the courtyard below). Attendees, it seemed, had a good time throughout the event. And Yuka is already proceeding with planning for the 2015 event, so we’ll see how that goes.

Cardboard carnage (Nov. 22)

The concept of the cardboard mega-brawl: Combatants craft armor and shields from cardboard, then go one-on-one in a ring trying to knock strategically placed foam cups off each other using foam bats. But what do you do when your opponent is someone who showed up at Taku Taku Matsuri wearing full-on Danbo cosplay? Simple: Flail like a bat out of hell.

“Modern Love” meets modern mangaka (Dec. 3)

We had a number of famous people in the anime and manga industries come to our fair rock in the middle of Pacific this year, among them Masako Nozawa, the voice of Goku in Dragon Ball Z; Hironobu Kageyama, who sang the Dragon Ball Z theme song “Cha-La Head-Cha-La”; Jim Cummings, the voice of Darkwing Duck and Tigger; and Cristina Vee, Mars/Rei Hino in the new Sailor Moon dub. Heck, Jamie Lynn Lano, former assistant to Takeshi Konomi on The Prince of Tennis, moved to Oahu to fulfill a lifelong dream of hers.

But the person who stands out in my mind at the moment is also the one who most recently visited Honolulu, the one whom (shameless plug) we interviewed and will be the subject of one of our first posts of 2015: josei mangaka Erica Sakurazawa, who wrote several books published by Tokyopop in the mid-2000s including The Aromatic Bitters, Angel and Between the Sheets and whose work Love Vibes is currently on display as part of the Honolulu Museum of Art’s “Modern Love” exhibit. Sakurazawa is shown here talking to exhibit curator Stephen Salel during a talk she gave at the museum in early December. Quite a bit of ground was covered in that talk and our interview, and I hope I can get all that out to you, dear readers, sooner rather than later.

So that does it for 2014! On behalf of tag-team partner in fandom Wilma J. and the Anonymous Otaku Ohana Director of Forced Social Interaction, I wish you all the best for the new year. Here’s hoping for many more good memories to come.

This hasn’t exactly been the most productive of months here at Otaku Ohana Central. You probably could have figured that out from the fact that this is the first post I’ve made here this month … and the month, not to mention all of 2014, is almost over. Apologies for the long delay between posts.

There are more posts in the works — my look back on the year that was in the otaku community will be coming up shortly, followed by my long overdue profile of/interview with josei manga artist Erica Sakurazawa, and then my even longer overdue chat with voice actor Kyle Hebert will be coming after that. But first, we have some housekeeping to tend to here, so let’s dig in (and get my writing chops back up to speed!) with a pair of recent music-themed news tidbits.

The freshest news comes from the Kawaii Kon camp, with the Christmas Day announcement that singer Eir Aoi — that’s her at right — will be the headlining musical guest at the anime convention in 2015. The 26-year-old is the voice behind a number of popular anime theme songs, including Fate/Zero, Kill la Kill, Mobile Suit Gundam AGE and Sword Art Online and its sequel. All of her music — including her two albums to date, Blau and Aube — are available digitally via iTunes or Amazon’s digital music department. This will be Aoi’s first appearance in Hawaii.

Meanwhile, those of you who are more into symphonic music and video games — specifically, of the Legend of Zelda variety — will be pleased to know that Nintendo’s officially licensed concert tour, The Legend of Zelda: Symphony of the Goddesses, will be stopping by at 8 p.m. Jan. 30 at the Blaisdell Concert Hall. From the official concert website (zelda-symphony.com):

Designed to be a journey as epic and thrilling as the Legend itself, The Legend of Zelda: Symphony of the Goddesses presents the music of this celebrated franchise with all-new arrangements directly approved by franchise producer Eiji Aonuma and Nintendo composer and sound director Koji Kondo (Super Mario Bros., The Legend of Zelda).

Featuring a first in video game concert history, The Legend of Zelda: Symphony of the Goddesses has been arranged and programmed with classical sensibilities in mind, organizing the music of this beloved franchise into a complete, 4 movement symphony, worthy of the Hero of Hyrule himself.

You can expect selections from Majora’s Mask, Link Between Worlds, Ocarina of Time, Wind Waker and Twilight Princess, along with chicken skin and/or loud cheering when the opening strains of the “Legend of Zelda Overture” begin to play. I understand there’s going to be a rather large contingent of cosplayers coming to see the show, so bring your cameras (but please stow them away during the performance itself).

Want tickets. Sure, you do. Because there are plenty. (The dark spots show available seats as of Christmas Day.)

Everything from the back-of-the-house seats ($48.05 including fees) to the hard-core fan VIP seats ($138.55, includes a limited-edition poster and a meet-and-greet with the producers following the show) remain available. Just click on that ticket map above to order via Ticketmaster (and get an up-to-date view of tickets sold, to boot).