Due out in May, this is one of those books that I want to write about now and talk about now because it’s great. Simple as that; I have been looking for books and for writers that historicise their work from a female and a feminist perspective because, so often, that is a perspective that is lacking. And it’s a perspective that I’ve not come across that much in comics and so, because of all of that, and the characters that this text covers, and the sheer welcome presence of it, that I review it and tell you to get it on order and get it on request and to find a hole in your budget for it now.

Nicholson writes with a lot of love for her subject and isn’t afraid to pull and poke at the holes within it. There are always problems in beloved things; nothing is not perfect and there’s a skill in being able to love and to address the problematics within your subject. Nicholson doesn’t shy away from addressing these and I was struck most powerfully by this with her discussion of Witchblade. Witchblade is a comic I’ve always struggled with visually and Nicholson both reassured me with this perspective whilst helping me to understand the aesthetic more. And I like this; I like people that make me think twice about something.

So yes, this is an early review, but it’s a review that I’ve sat on for about two weeks now and that I don’t want to sit on any more. This is an important and relevant book that talks about heroines ranging from Squirrel Girl through to Xavin through to The Wing. Nicholson ranges widely and freely around her topic and I like that a lot. I like this book, can you tell? There’s a place for it in the world, and I’d like it to inhabit it quite solidly. As Nicholson herself writes, strong female protagonists “belong in comics [and] they’ve been there all along.”