Opus 405, “Love Circles”

Over complimentary levels of underlying colors (mainly maroon over green, warm vs. cool) Cano spread acrylic skins in a cohesive red/orange/yellow sequence. At the center he placed a wide-eyed skull (cut-out and collaged in place). There are what he named ‘love circles’ embedded in the green perimeter and suggested by rounded and raised color spheres wedged around the centerpiece. They constitute the ‘Love Circles’ as the reference highlighted above in his unmistakable, calligraphic fashion.