Joel’s imagry tends to be pretty rough and it gives it that “cut out of a magazine and pasted onto construction paper” feel. Early on in his work the mouths of his subjects wouldn’t move in sync with the words they were supposed to be saying, he would opt to just have the mouths opening and closing rapidly or slowly depending on the speed of the audio. Rather than looking incomplete or lazy, it actually gives his work another level of creepiness. Love or hate the subjects, or his Flash work, he’s right up there when it comes to obscurity, imagination, and musical talent. My favorite peice is “seepage” baby seals, can you feel it?