The Politico Opens the Kimono. And then Pretends it Never Happened.

Jun.24

“Think about what the Politico is saying: an experienced beat reporter would probably not want to ‘burn bridges’ with key sources by telling the world what happens when those sources let their guard down.”

As everyone who pays attention to the news knows by now, an article appeared in Rolling Stone this week by freelance reporter Michael Hastings that wound up forcing the resignation of General Stanley A. McChrystal as commander of American troops in Afghanistan. Invited to hang out with McChrystal and his staff, Hastings was witness to their contempt for the civilian side of the war effort, which he then reported on. It was a shock to everyone in Washington that McChrystal would make such a blunder, and the press began immediately to dissect it.

The Politico was so hopped up about the story that it took the extraordinary step of posting on its site a PDF of Rolling Stone’s article because Rolling Stone had not put it online fast enough. In one of the many articles The Politico ran about the episode the following observation was made by reporters Gordon Lubold and Carol E. Lee:

McChrystal, an expert on counterterrorism and counterinsurgency, has long been thought to be uniquely qualified to lead in Afghanistan. But he is not known for being media savvy. Hastings, who has covered the wars in Iraq and Afghanistan for two years, according to the magazine, is not well-known within the Defense Department. And as a freelance reporter, Hastings would be considered a bigger risk to be given unfettered access, compared with a beat reporter, who would not risk burning bridges by publishing many of McChrystal’s remarks.

Now this seemed to several observers—and I was one—a reveal. Think about what the Politico is saying: an experienced beat reporter is less of a risk for a powerful figure like McChrystal because an experienced beat reporter would probably not want to “burn bridges” with key sources by telling the world what happens when those sources let their guard down.

Let me enumerate why this is worth noting:

1.) It’s an admission that preserving their own future access is a hidden factor in what institutionally-bound reporters are willing to tell us today.

2.) Carol Lee covers the White House for the Politico. She is a beat reporter, so she would know, right? She’s not going to let an observation that rings false to her ear go out under her by-line… is she? Doesn’t make sense.

3.) This is exactly the sort of observation in which the Politico trades: the “inside” fact you might not know that tells you how Washington really works. It’s part of the brand.

4.) The Politico was actually founded to reveal just this sort of fact. The idea from the beginning was to open the kimono on journalism itself. This is from the days (2006) when it was first announced that John Harris and Jim VandeHei would be leaving the Washington Post to start a new online publication.

Mr. VandeHei, a former Wall Street Journal reporter, said he hoped that the venture would knock down some of traditional journalism’s “state secrets,” such as how stories get leaked and whose motives are served by certain political stories.

Right. And that’s exactly what Gordon Lubold and Carol E. Lee did. They revealed one of political journalism’s state secrets: beat reporters have a motive to preserve key relationships, so they often don’t tell us everything they could, which makes them more reliable, more predictable, in the eyes of the powerful people they cover. They were being good Politico people by asking: how could McChrystal and his staff be so unsavvy?

And Andew Sullivan picked up on it. “Why, one wonders, have we not heard a peep of this from all the official MSM Pentagon reporters and analysts with their deep sources and long experience? Politico explains…” Then he cut to the passage from reporters Lubold and Lee that I began with.

Meanwhile, Thomas Ricks, formerly a beat reporter covering the military for the Washington Post, made a similar observation at his blog for Foreign Policy magazine:

Reporters doing one-off profiles for magazines such as Rolling Stone and Esquire have less invested in a continuing relationship than do beat reporters covering the war for newspapers and newsmagazines. That doesn’t mean you should avoid one-off reporters, but it does mean that they have no incentive to establish and maintain a relationship of trust over weeks and months of articles.

Our reveal is looking pretty good, isn’t it? Gordon Lubold and Carol E. Lee have no motive to make it up. Lee is a beat reporter herself, qualified to speak on the subject. Lubold has covered the military for years. Politico trades in this kind of observation; it was founded to reveal some of journalism’s “state secrets.” Tom Ricks, a former beat reporter for the Washington Post who also covered the military, says pretty much the same thing: beat reporters have an investment in continuing the relationship so they are less risky for a powerful figure like McChrystal. (Jamie McIntyre, former Pentagon reporter for CNN, says the same thing.)

And then, the next day… the reveal disappears. The Politico erased it, as if the thing had never happened. Down the memory hole, like in Orwell’s 1984. The story as you encounter it online today doesn’t have that part (“would not risk burning bridges…”) in it. Clint Hendler of Columbia Journalism Review, who discovered the missing lines, asked The Politico about it…

Managing editor Bill Nichols declined to discuss the deletion with me or to send on a version of the article as it was originally published—making it quite difficult to tell how extensively the article was revised or updated beyond this excision.“[W]e don’t get into why we make editing decisions, Nichols wrote in a brief email.

The current version notes that it was updated at 8:35 this morning, but there’s no note to inform readers how or why the article was changed.

The paragraph was widely touted as a perhaps unintentionally revealing diagnosis of the dangers of Washington reporters becoming captive to the institutions on their beat.

Now there is a debate about whether the reveal is accurate. Jack Shafer, Press Box columnist for Slate, says it is not:

According to this theory, freelancers happily burn their subjects because they’re not likely to return to them, whereas beat reporters must rely on maintaining good day-to-day relations with them. I don’t buy this. Feature writers and beat reporters are equally capable of taking a dive for their subjects. I don’t know of any beat reporter who wouldn’t have gotten a promotion for catching McChrystal and his staff shooting off their mouths, and I don’t know any newspaper that would have hesitated to publish the story.

I don’t think Shafer quite grasps the suggestion here. The suggestion is that a beat reporter would know when he’s being trusted not to reveal back stage behavior. It would never get to the point of “should I publish this damaging but spectacular story or hold it back to preserve my access…?” because the reporter would mentally label what he saw as unusable material. It wouldn’t be a question of “catching” the General and his staff because he would have internalized the difference between “on” time and down time, and this might even be part of his sophistication.

Joe Calderone, formerly a reporter for Newsday and the New York Daily News and someone I know because he teaches at NYU, said on Twitter than anyone who thinks beat reporters are just as likely to write damaging articles about key sources they will need later “never worked as a beat reporter I guess.”

What grounds could the Politico possibly have for redacting its own reporters’ work, and then refusing to talk to the profession’s leading journalism review about it? I can only speculate because the editors refuse to explain. But my guess would be that other beat reporters complained to the bosses and said…this makes us look bad! And the bosses, instead of standing up for their creed—revealing journalism state’s secrets—decided to cave and go Orwell on us. “That never happened” is the new story they offer readers. Along with “no more questions.”

They revealed too much, and quickly covered it up. That’s what I think. Now if John Harris, top editor of The Politico, wants to recover his senses and explain what was wrong with the original passage, I may change my mind. And while he’s at it, he can explain why he posted on his site the PDF of an article Rolling Stone was about to publish, in a brazen attempt to “win the morning” with someone else’s work. Until then I am flunking The Politico on this month’s legitimacy exam.

UPDATE: Yesterday, the Politico said it doesn’t explain its editing decisions, so why are you asking? Today, I got this explanation from The Politico’s Tim Grieve:

Having done my share of media criticism at Salon, I know how satisfying it is to score a gotcha on the press. But I can tell you that there’s no “there” there on this one.

As we often do on big, breaking stories, we wrote through and reposted our main McChrystal piece many times Tuesday and Wednesday – adding new facts and shedding less relevant ones along the way. At around 5:45 Tuesday evening, I re-worked the piece to add new comments from President Obama and otherwise reflect the latest news. Together with the other adds that had come in during the day, my inserts made the story very long and unwieldy, so I quickly deleted or substantially reworked more than a dozen paragraphs that struck me as either tangential or out-of-date.

The “offending” paragraph about beat reporters vs. freelancers was one of them. No one – no source, no reporter, no editor above or below me – had said a word to me about the paragraph. I removed it solely for the purposes of keeping the story tight and readable. And in fact, I thought so little about doing it that I didn’t even remember taking it out when we first got an inquiry from CJR Wednesday.

I love a good conspiracy as much as the next guy, but this ain’t one.

Tim Grieve
Deputy Managing Editor
POLITICO

And Comedy Central’s Jon Stewart comments on the same issues I tackle in this post, but… better!

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Introduction

"We need to keep the press from being absorbed into The Media. This means keeping the word press, which is antiquated. But included under its modern umbrella should be all who do the serious work in journalism, regardless of the technology used. The people who will invent the next press in America--and who are doing it now online--continue an experiment at least 250 years old. It has a powerful social history and political legend attached..." Read more

Highlights

In the age of mass media, the press was able to define the sphere of legitimate debate with relative ease because the people on the receiving end were atomized– connected “up” to Big Media but not across to each other. And now that authority is eroding. I will try to explain why. It’s easily the […]

“You don’t own the eyeballs. You don’t own the press, which is now divided into pro and amateur zones. You don’t control production on the new platform, which isn’t one-way. There’s a new balance of power between you and us.”

“Like reluctant migrants everywhere, the people in the news tribe have to decide what to take with them. When to leave. Where to land. They have to figure out what is essential to their way of life. They have to ask if what they know is portable.”

“Here is one advantage bloggers have in the struggle for reputation– for the user’s trust. They are closer to the transaction where trust gets built up on the Web. There’s a big difference between tapping a built-up asset, like the St. Pete Times ‘brand,’ and creating it from scratch.”

“It’s remarkable to me how many accomplished producers of those goods the future production of which is in doubt are still at the stage of asking other people, “How are we going to pay our reporters if you guys don’t want to pay for our news?’”

“Just so you know, ‘the media’ has no mind. It cannot make decisions. Which means it does not ‘get behind’ candidates. It does not decide to oppose your guy… or gal. It is a beast without a brain. Most of the time, it doesn’t know what it’s doing..”

“I’m just advising Newsroom Joe and Jill: make room for FDL in your own ideas about what’s coming on, news-wise. Don’t let your own formula (blog=opinion) fake you out. A conspiracy of the like minded to find out what happened when the national news media isn’t inclined to tell us might be way more practical than you think.”

“We’re at the twilight of the curmudgeon class in newsrooms and J-schools. (Though they can still do a lot of damage.) You know they’re giving up when they no longer bother to inform themselves about what they themselves say is happening.”

“Were ‘winning’ to somehow be removed or retired as the operating system for news, campaign reporting would immediately become harder to do, not because there would be no news, but rather no common, repeatable instructions for deciding what is a key development in the story, a turning point, a surprise, a trend. Master narratives are thus harder to alter than they are to apprehend. For how do you keep the story running while a switch is made?”

“Any good blogger, competing journalist or alert press critic can spot and publicize false balance and the lame acceptance of fact-free spin. Do users really want to be left helpless in sorting out who’s faking it more? The he said, she said form says they do, but I say decline has set in.”

“It’s a “put up or shut up” moment for open source methods in public interest reporting. Can we take good ideas like… distributed knowledge, social networks, collaborative editing, the wisdom of crowds, citizen journalism, pro-am reporting… and put them to work to break news?”Read moreIntroducing NewAssignment.Net:

“Enterprise reporting goes pro-am. Assignments are open sourced. They begin online. Reporters working with smart users and blogging editors get the story the pack wouldn’t, couldn’t or didn’t.”Read moreWhat I Learned from Assignment Zero

“Here are my coordinates for the territory we need to be searching. I got them from doing a distributed trend story with Wired.com and thinking through the results.”

“Those in journalism who want to bring ethics to blogging ought to start with why people trust (some) bloggers, not with an ethics template made for a prior platform operating as a closed system in a one-to-many world.”Read moreThe View From Nowhere:

“Occupy the reasonable middle between two markers for ‘vocal critic,’ and critics look ridiculous charging you with bias. Their symmetrical existence feels like proof of an underlying hysteria. Their mutually incompatible charges seem to cancel each other out. The minute evidence they marshall even shows a touch of fanaticism.”

“This White House doesn’t settle for managing the news–what used to be called ‘feeding the beast’–because there is a larger aim: to roll back the press as a player within the executive branch, to make it less important in running the White House and governing the country.”Read moreRetreat from Empiricism: On Ron Suskind’s Scoop:

“”Realist, a classic term in foreign policy debates, and reality-based, which is not a classic term but more of an instant classic, are different ideas. We shouldn’t fuzz them up. The press is capable of doing that because it never came to terms with what Suskind reported in 2004.”

“Savviness–that quality of being shrewd, practical, well-informed, perceptive, ironic, ‘with it,’ and unsentimental in all things political–is, in a sense, their professional religion. They make a cult of it. And it was this cult that Karl Rove understood and exploited for political gain.”

“We’re headed, I think, for schism, tumult and divide as the religion of the American press meets the upheavals in global politics and public media that are well underway. Changing around us are the terms on which authority can be established by journalists. The Net is opening things up, shifting the power to publish around. Consumers are becoming producers, readers can be writers.”Read moreNews Turns from a Lecture to a Conversation:

“Some of the pressure the blogs are putting on journalists shows up, then, in the demand for “news as conversation,” more of a back-and-forth, less of a pronouncement. This is an idea with long roots in academic journalism that suddenly (as in this year) jumped the track to become part of the news industry’s internal dialogue.”

“An industry that won’t move until it is certain of days as good as its golden past is effectively dead, from a strategic point of view. Besides, there is an alternative if you don’t have the faith or will or courage needed to accept reality and deal. The alternative is to drive the property to a profitable demise.”

“Woodward and Bernstein of 1972-74 didn’t have such access, and this probably influenced–for the better–their view of what Nixon and his men were capable of. Watergate wasn’t broken by reporters who had entree to the inner corridors of power. It was two guys on the Metro Desk.”Read moreMaybe Media Bias Has Become a Dumb Debate:

“This here is a post for practically everyone in the game of seizing on media bias and denouncing it, which is part of our popular culture, and of course a loud part of our politics. And this is especially for the ‘we’re fair and balanced, you’re not’ crowd, wherever I may have located you.”Read moreBill O’Reilly and the Paranoid Style in News:

“O’Reilly feeds off his own resentments–the establishment sneering at Inside Edition–and like Howard Beale, the ‘mad prophet of the airwaves,’ his resentments are enlarged by the medium into public grievances among a mass of Americans unfairly denied voice.”

“Among foreign correspondents, there is a phrase: ‘parachuting in.’ That’s when a reporter drops into foreign territory during an emergency, without much preparation, staying only as long as the story remains big. The high profile people who might parachute in are called Bigfoots in the jargon of network news. The problem with being a Bigfoot, of course, is that it’s hard to walk in other people’s shoes.”Read moreThe Abyss of Observation Alone.

“There are hidden moral hazards in the ethic of neutral observation and the belief in a professional ‘role’ that transcends other loyalties. I think there is an abyss to observation alone. And I feel it has something to do with why more people don’t trust journalists. They don’t trust that abyss.”

“Opinion based on information ‘everyone’ has is less valuable than opinion journalism based on information that you dug up, originated, or pieced together. So it’s not important to us that contributors keep opinion out. What’s important is that they put new information in. Read moreSome Bloggers Meet the Bosses From Big Media:

“What capacity for product development do news organizations show? Zip. How are they on nurturing innovation? Terrible. Is there an entreprenurial spirit in newsrooms? No. Do smart young people ever come in and overturn everything? Never.”

“It’s pirate radio, legalized; it’s public access coming closer to life. Inside the borders of Blogistan (a real place with all the problems of a real place) we’re closer to a vision of ‘producer democracy’ than we are to any of the consumerist views that long ago took hold in the mass media, including much of the journalism presented on that platform.”

“And Big Media doesn’t entirely own the press, because if it did then the First Amendment, which mentions the press, would belong to Big Media. And it doesn’t. These things were always true. The weblog doesn’t change them. It just opens up an outlet to the sea. Which in turn extends ‘the press’ to the desk in the bedroom of the suburban mom, where she blogs at night.”Read moreHorse Race Now! Horse Race Tomorrow! Horse Race Forever!:

“How is it you know you’re the press? Because you have a pass that says PRESS, and people open the gate. The locker room doors admit you. The story must be inside that gate; that’s why they give us credentials. We get closer. We tell the fans what’s going on. And if this was your logic, Bill James tried to bust it. Fellahs, said he to the baseball press, you have to realize that youare the gate.”

“The answer, I think, involves an open secret in political journalism that has been recognized for at least 20 years. But it is never dealt with, probably because the costs of facing it head on seem larger than the light tax on honesty any open secret demands. The secret is this: pssst… the press is a player in the campaign. And even though it knows this, as everyone knows it, the professional code of the journalist contains no instructions in what the press could or should be playing for?”

“I think it’s a bankrupt form. It serves no clear purpose, has no sensible rationale. The journalists who offer us strategy news do not know what public service they are providing, why they are providing it, for whom it is intended, or how we are supposed to use this strange variety of news.”Read moreHe Said, She Said, We Said:

“When journalists avoid drawing open conclusions, they are more vulnerable to charges of covert bias, of having a concealed agenda, of not being up front about their perspective, of unfairly building a case (for, against) while pretending only to report ‘what happened.’”

“Maybe irony, backstage peaking and “de-mystify the process” only get you so far, and past that point they explain nothing. Puzzling through the convention story, because I’m heading right into it myself, made me to realize that journalism’s contempt for ritual was deeply involved here. Ritual is newsless; therefore it must be meaningless. But is that really true?.”Read morePhilip Gourevitch: Campaign Reporting as Foreign Beat:

“‘A presidential election is a like a gigantic moving television show,’ he said. It is the extreme opposite of an overlooked event. The show takes place inside a bubble, which is a security perimeter overseen by the Secret Service. If you go outside the bubble for any reason, you become a security risk until you are screened again by hand.”Read moreWhat Time is it in Political Journalism?

“Adam Gopnik argued ten years ago that the press did not know who it was within politics, or what it stood for. There was a vacuum in journalism where political argument and imagination should be. Now there are signs that this absence of thought is ending.”

“The assignment was straightforward enough,” writes Marjie Lundstrom of the Sacramento Bee, “talk to people.” When a writer dissents from it or departs from it, the master narrative is a very real thing. Here are two examples: one from politics, one from music.Read more