Prada

Prada (Milano) approached me to collaborate on the women's Spring/Summer 2018 ready-to-wear collection, which was inspired by 90's punk feminism and comic books.

Three of my artworks were featured heavily in the show space and clothing in the collection; 'Something Wicked', 'Girls Invented Punk Rock', and 'Fatale' which were all created in 2014 for my debut solo exhibition 'Fatale'.

Vans Park Series

I was commissioned by Vans to paint the temporary concrete skate bowl they built for an international BMX and Skate competition called Vans Park Series in February 2017. The competition ran as part of the Australian Open of Surfing.

All photos by Chris Loutfy.

The Bald Faced Stag

Poster design and illustration for 'Life is Peachy' alternative night club at the Bald Faced Stag, Sydney.

This series of ongoing posters make nostalgic references to the songs and bands that feature throughout the night.

Life is Peachy is a monthly club-night featuring alt-metal, nu-metal and heavy classics such as Slipknot, Nine Inch Nails, Type O Negative, Deftones, Machine Head and Marilyn Manson.

'Fatale'

From my 2014 debut solo exhibition 'Fatale'

The Galeries Victoria

I was commissioned to create artwork on four large scale panels for display at The Galeries Victoria in Sydney in celebration of Chinese Lunar New Year.

'Possession'

Created as part of my sophomore solo exhibition 'Paranoid' in 2015

'Eat shit pilgrims'

'Eat Shit Pilgrims' was created for the 2 year anniversary of Goodspace Gallery in May 2017.

Indian ink on Canson drawing paper

'Girls invented punk rock not England'

An ink painting Inspired by the Riot grrrl feminist punk movement of the 90's.

The title was taken from a photo of Kim Gordon wearing a t-shirt with the slogan printed on it.

Indian ink on canson drawing paper

Endless Heights

Various t-shirt designs I created for Sydney melodic hardcore band Endless Heights.

The Bald Faced Stag

Poster design and illustration for 'Life is Peachy' alternative night club at the Bald Faced Stag, Sydney. This series of ongoing posters make nostalgic references to the songs and bands that feature throughout the night.

Life is Peachy is a monthly club-night featuring alt-metal, nu-metal and heavy classics such as Slipknot, Nine Inch Nails, Type O Negative, Deftones, Machine Head and Marilyn Manson.

The Bald Faced Stag

Poster design and illustration for 'Life is Peachy' alternative night club at the Bald Faced Stag, Sydney.

This series of ongoing posters make nostalgic references to the songs and bands that feature throughout the night.

Life is Peachy is a monthly club-night featuring alt-metal, nu-metal and heavy classics such as Slipknot, Nine Inch Nails, Type O Negative, Deftones, Machine Head and Marilyn Manson.

'Girls to the Front'

From my 2014 debut solo exhibition 'Fatale'

The Bald Faced Stag

Poster design and illustration for 'Life is Peachy' alternative night club at the Bald Faced Stag, Sydney.

This series of ongoing posters make nostalgic references to the songs and bands that feature throughout the night.

Life is Peachy is a monthly club-night featuring alt-metal, nu-metal and heavy classics such as Slipknot, Nine Inch Nails, Type O Negative, Deftones, Machine Head and Marilyn Manson.

Sydney Opera House

I created editorial illustrations to accompany articles written by notable feminists for the Sydney Opera House's 'All About Women' Festival in 2015.

The 'All About Women' Festival explores issues ranging from equality, unconscious bias and violence, to education, the depiction of women in media, and the impact of war. Packed with ideas, conversation and debate from leading thinkers and culture creators from around the world, All About Women is a festival relevant to everyone.

Some Kind of Stranger

typographic and textural experimentation based on the song 'Some Kind of Stranger' by The Sisters of Mercy

Void

Typographic and textural focussed artwork with focus on negative space.

As a Hong Kong born Australian, I wanted to use the chinese language as a way to both play with shapes and negative space while relearning a language I had grown up with but neglected.

Women In The Arts

Commissioned illustration for WOMEN IN THE ARTS

WOMEN IN THE ARTS an online platform that connects creative women with opportunities in contract, gallery and government art roles.

Black Dove Vodka

I created an illustrated brand icon for Black Dove Vodka, a vodka distillery based in Sydney who specialise in dark cherry infused vodka.

Black doves are often interpreted in dreams and fortune telling as a signifier of a contradiction or turn of events in ones life. Using the aesthetic of tarot cards as inspiration, we wanted to create something macabre but beautiful. The symmetry in the tree branches and the doves feet were deliberate as well, as it create a disturbing and surreal atmosphere.

Black Dove Vodka is inspired by the unity of opposites. Taking vodka, a bitter and colourless spirit, and infusing it with the intensely sweet flavour of dark cherries.

Doomsday Society

Sunday Walls

Arre! Arre!

I was commissioned to design the album artwork for Swedish Punk band Arre Arre's debut album 'A.T.T.A.C.K' in 2015.

The surf-rock/riot grrrl inspired sound of the album is reflected in the album artwork, where the four members are eating ice-cream on the beach as a young girl surfs while playing the electric guitar in the background.

Arre Arre toured with legendary Swedish hardcore punk band Refused in 2016 during their bout in Sweden for the release of their latest album 'Freedom'.

Lyleu Jewellery

Logo wordmark design for Lyleu, a bespoke jewellery designer based in Sydney.

Along with the hand-drawn wordmark, I also illustrated a promo image for the brand based on a photograph taken by Dakota Gordon, for use across their social media platforms.

Lyleu jewellery is Influenced by fine art, horror and dark romanticism. All of her jewellery possesses a subtle, dark intricacy with a focus on creating timeless and beautiful textures with metal.

'Dear Sandy'

From my 2014 debut solo exhibition 'Fatale'

'Slumber party'

From my 2014 debut solo exhibition 'Fatale'

'Horns'

From my 2014 debut solo exhibition 'Fatale'

'Penny Dreadfuls'

From my 2014 debut solo exhibition 'Fatale'

'In the end they all drowned'

'Jane Doe' was a collaboration with my friend Dakota Gordon in an effort to express our love for horror films using the trope of "the final girl", the one surviving female protagonist who lives to tell the tale. Each piece was created using real models and real locations that I would photograph and then paint in my studio. The final exhibition was a display of my drawings and Dakota's photographs on opposing sides of the exhibition space.

Indian ink on Canson drawing paper

'Unrequited Love'

'Jane Doe' was a collaboration with my friend Dakota Gordon in an effort to express our love for horror films using the trope of "the final girl", the one surviving female protagonist who lives to tell the tale. Each piece was created using real models and real locations that I would photograph and then paint in my studio. The final exhibition was a display of my drawings and Dakota's photographs on opposing sides of the exhibition space.

Indian ink on Canson drawing paper

'The forest nearly took her too'

'Jane Doe' was a collaboration with my friend Dakota Gordon in an effort to express our love for horror films using the trope of "the final girl", the one surviving female protagonist who lives to tell the tale. Each piece was created using real models and real locations that I would photograph and then paint in my studio. The final exhibition was a display of my drawings and Dakota's photographs on opposing sides of the exhibition space.

Indian ink on Canson drawing paper

'Suspiria'

This piece was inspired by one of my favourite cult horror films 'Suspiria'. I painted a portrait of Sarah using the iconic red and blue colours featured heavily throughout the film.

This piece was exhibited at the Halloween group exhibition at Goodspace Gallery in 2015.

Red and blue ink on canson drawing paper

'An unholy manifestion'

'Jane Doe' was a collaboration with my friend Dakota Gordon in an effort to express our love for horror films using the trope of "the final girl", the one surviving female protagonist who lives to tell the tale. Each piece was created using real models and real locations that I would photograph and then paint in my studio. The final exhibition was a display of my drawings and Dakota's photographs on opposing sides of the exhibition space.

Indian ink on Canson drawing paper

'What happened next door'

'Jane Doe' was a collaboration with my friend Dakota Gordon in an effort to express our love for horror films using the trope of "the final girl", the one surviving female protagonist who lives to tell the tale. Each piece was created using real models and real locations that I would photograph and then paint in my studio. The final exhibition was a display of my drawings and Dakota's photographs on opposing sides of the exhibition space.

Indian ink on Canson drawing paper

'Something Wicked'

From my 2014 debut solo exhibition 'Fatale'

'The Chanteuse'

A sultry lounge singer is mysteriously poisoned during a performance one night. Inspired by noir films and 1950's mystery comics.

This piece was exhibited at the LOOK SEE Creative Festival group show 'Life and Death' in 2015.

Uninvited

Created as part of my sophomore solo exhibition 'Paranoid' in 2015

'Stars'

This piece was inspired by one of my favourite paintings 'The Evening Star' (1870) by Pre-Raphaelite painter Edward Burne-Jones.

Created as part of my sophomore solo exhibition 'Paranoid' in 2015

'Forest Witch'

Created as part of my sophomore solo exhibition 'Paranoid' in 2015

'Cheese man'

To celebrate the 20th anniversary of the cult series 'Buffy the Vampire Slayer', I created this portrait of the mysterious Cheese man who appears in the dreams of each character in one of my favourite episodes, 'Restless'.

This piece was exhibited as part of the 'Buffy 20th anniversar'y group exhibition held at Junky Comics in Brisbane in 2017.

'Smile Therapy'

When women in the 1940's were unhappy or not "pleasing their husbands" they would be sent to a mental asylum where they were subjected to such therapies for "attitude adjustments". The were made to wear masks with smiling lips painted on them, as they believed if a woman saw herself "smiling" she would be cured. These treatments were commonly practiced in conjunction with shock therapy.

In learning this (whether the information sourced on the internet was 100% fact I am not sure), I was inspired to draw this image by the frustration and disgust that I felt.

'The house on the corner'

Experimental illustration using negative space created by the light from houses I saw on the walks I took around my neighbourhood.