The perfect way to relax for me is to indulge in a book. My favorite author at the moment is Berlin based Sebastian Fitzek. His thrillers are so captivating, you won’t be able to put them down.

Here I am standing in the garden of the Villa Stéphanie next to the statue «Gold Candy» by Laurence Jekell that is available for purchase through the Eden Being boutique located on the ground floor of the Brenner’s Park Hotel for around € 40.000.

Fondation Louis Vuitton presents, in its Frank Gehry-designed building, an exceptional exhibition devoted to the unrivaled collection of the Museum of Modern Art. Featuring more than 200 renowned masterpieces and less familiar, but highly significant works. This exhibition highlights the pivotal role that MoMA, its curators and its exhibition program have played in the history of art in the 20th and 21st Centuries, ranging from the birth of modern art through trends and styles such as American abstraction, Pop art and Minimalism to the most contemporary art.

Now engaged in a significant expansion and renovation of its building, MoMA has chosen Fondation Louis Vuitton as its partner to bring its legendary artistic heritage to Paris, showcasing its mission to be perpetually modern.

Bernard Arnault, President of Fondation Louis Vuitton says:“I wanted Being Modern: MoMA in Paris to fall within the tradition of our previous major exhibitions such as Keys to a Passion, 2015, and Icons of Modern Art, The Shchukin Collection, 2016. All three have been organised in close collaboration with some of the world’s most prestigious international modern art museums. This exhibition marks, once again, our desire to provide the widest possible audience with the opportunity to engage with some of the world’s most remarkable works of art.”

This year marks the 15th anniversary of ‘Art in the Park‘ at the Baur au Lachotel and the tenth time it has been organised in collaboration with Galerie Gmurzynska. It is always a pleasure to visit the beautiful exhibition curated by Gigi Kracht. This year, some amazing artist were present such as Spanish Surrealist Joan Miró with a “supporting cast“ – Mel Ramos, Rotraut, Allen Jones, Silvester Stallone, Sophia Vari, and Louise Nevelson.

June 8th marksWorld Oceans Day whichis a global day of ocean celebration and collaboration for a better future. This year’s overall theme is «Our Oceans, Our Future», with the focus on encouraging solutions to plastic pollution and preventing marine litter for a healthier sea life.

To commemorate World Oceans Day, La Mer has created as in previous years a special collector’s edition of its much coveted miracle cream «Crème de la Mer Blue Heart» which will be available from now for CHF 490.00 (100ml). The ultra-luxury skincare brand has long been a committed guardian in assisting with the protection of sea habitats. Inspired by its healing power and the natural regenerating properties of plants, the Crème de La Mer creator and aerospace physicist Dr. Max Huber looked to the sea to transform the look of his skin.

THE MISSION

This year, La Mer is taking its mission a step further through a New York City-based art walk and auction in collaboration with ocean conservation organization Project 0 and the storied auction house Sotheby’s.

Here is a glimpse of the extraordinary sea-inspired sculptures on display in New York City through the end of June.

THE LA MERWAVE WALK

Partnering with La Mer, Project 0 brought together some of the world’s most influential artists, designers and culture-makers to create their own wave-inspired, charitable works of art.

On display in New York City during the months around World Oceans Day, the artworks will be auctioned off with all net proceeds going to ocean protection efforts. Theonline auction will be live until June 23rd, 2017. Sotheby’s will auction off select wave sculptures in an exclusive, live charity event on June 21st in NYC.

This morning while I was working on another post, I got an e-mail from Louis Vuitton that made my heart leap with joy and that I wanted to share with you immediately. The French Maison is collaborating with Jeff Koons for a collection called «Masters» for which the famous American pop artist remixes the iconic artworks of the old masters and presents them in a way that encourages new interpretations.

Since Marc Jacobs enlisted Stephen Sprouse to create the now-iconic graffiti range in 2001, Louis Vuitton has led the way in the fashion/art collaboration stakes. Koons, whose Balloon Dog (Orange) holds the record for the most expensive art work by a living artist after it sold for $58.4 million at Christie’s New York in November 2013, follows in the footsteps of Takashi Murakami, Richard Prince, Daniel Buren and Damien Hirst by partnering with Louis Vuitton.

For his collaboration with Louis Vuitton, Koons seeked inspiration from his Gazing Ball series that he started in 2013 as a series of plaster reproductions of famous ancient sculptures, each one set with a blue mirrored sphere. It’s these hand-painted Old Master reproductions that appear on the limited-edition Masters range of iconic Louis Vuitton handbags as well, from Da Vinci’s Mona Lisa, Titian’s Mars, Venus and Cupid, Fragonard’s Girl with a Dog, Van Gogh’s Wheat Fields and Cypressesto Rubens’ Tiger Hunt.

The name of each original artist is emblazoned across the front, and their biography and portrait are featured inside. Absolutely new for Louis Vuitton is that a collaborator features his own initials on the bags. A sign for the importance of his status.

Two weeks ago, I flew to Paris to attend the exclusive launch event of Ruinart’s new artist for 2017: Jaume Plensa, the renowned Spanish artist who is known for his monumental sculptures in steel, glass, marble, polyester resin, concrete and bronze.

He is recognized for his silhouettes of human bodies seated or kneeling who seem to scrutinize the horizon in a meditative manner, like the contemporary thinkers. His sculptures, which play with the relationship between words, signs and the human body, have today become his signature. They are recognisable amongst all the works of art throughout the world and have turned Jaume Plensa into one of the most important players of the contemporary artistic scene.

Plensa’s amazing art work for Ruinart

Each year, Ruinart invites an artist to create a special artwork for the oldest Champagne house of the world. With Plensa, Ruinart has chosen an artist who has been able to express language, but more importantly the alphabets, the cultures of the world, their spiritualities, their transmissions and the visionary and erudite spirit of dom Thierry Ruinart, a key personality in the history of Ruinart at the confluence of philosophy and the art, merging the heritage with the future.

The event took place at the École Nationale des Beaux-Arts in Paris where Plensa also gives lectures. First we had the possibility to explore historic documents while enjoying my favourite champagne, Ruinart‘s Blanc de Blancs. Later, we were asked to move into the next room where the stunning installation by Jaume Plensa was revealed in his presence that will later tour the world.

The sculpture takes up the shape of characters that he has already created, but there is never any repetition in his work. Every piece is unique. Every letter, assembled by hand, creates a second skin for the form, which is always reborn in a different manner. In the base of the sculpture he has engraved two dates: 1729 and 2016. They are like a secret code, an encrypted message, linking the history between the foundation of Maison Ruinart and the creation of the work of art.

With artist Jaume Plensa at the event in Paris

The next morning, I had the chance to interview Jaume Plensa who is a very witty, charming and interesting gentleman. I loved his answers, the most significant quotes are in bold. Enjoy!

What are the basics of creating for you? With what do you start?

That is a very interesting question as this is something I am asking myself every day in the studio. I guess the main subject in my work is that I try to create something that people could touch and be touched by. I work a lot in public spaces. Mainly my work is based to identify yourself in the myth of others. We have to break borders and the walls we have been permanently creating throughout history. When I am working with alphabets or portraits of people from different cultures, it is interesting to recognize that we are all so similar. It is just the little things that differ.

You use a lot of letters in your work. Do you have a favorite letter or alphabet?

You cannot compare one alphabet with another. When you see Hebrew for example which is very rigid and you compare it with Chinese, that seems to be fireworks. Hindi is so beautiful always with a line on top which makes it so rich to look at.

How long was the process to create for Ruinart and did you have immediately something in mind when you were approached?

In general the way I work is that an idea is born with the shape, the material and the specific scale. Obviously depending if it is for a show, a gallery or for a public space, my attitude can be changing.

It took me around 6 months to create the piece that had been revealed last night. I never understood art as a direction. My obsession was to grow up as a person, art was just the consequence of my life. I have never been interested in being in artist, but I enjoy it very much to express my emotions with visual art. The main material is life.

When I listen to you, I don’t get the impression that you will ever loose inspiration. Do you ever feel pressure to not being inspired?

Not at all. Creation is a way to breathe. I love when I am flying and the flight attendant is saying «If the pressure is low, please pull the oxygen mask, press it firmly on your mouth and breathe normally.» There are many moments when life asks us to breathe normally, I think it is something we must honor, it takes a little while but the most beautiful experience is when you understand that you are breathing normally.

Do you ever get frustrated when you are creating because something is not working out the way you have planned it?

Of course. My assistants are happy when I am not there. I have a lot of temperament. Creation is a dialogue with you and yourself. You could be your best friend, but also your worst enemy. That is one of the most beautiful experiences in creation when you must understand yourself, when you must accept yourself and this gives always a lot of frictions.

The best about Jaume Plensa?

I have the privilege to be an artist, so I have the capacity and ability to observe the world. That is an amazing situation.

Only 20 bottles of the special edition signed by Jaume Plensa will be available worldwide for €3500 worldwide.

As the women’s Royal Oak celebrates its 40th anniversary, I was invited last week by Audemars Piguet to join them for the unveiling of the new Royal Oak Frosted Gold in Florence at Palazzo Vecchio, which is the town hall of the Italian city.

The dinner was held inside the breathtaking Salone dei Cinquecento that has a length of 52 m (170 ft), is 23 m (75 ft) broad and dates back to 1494. On the walls are large and expansive frescoes that depict battles and military victories by Florence over Pisa and Siena by Giorgio Vasari. You immediately understand why it plays such a key role in Dan Brown’s «Inferno».

Interesting to know is that before the entrustment of Vasari, the two greatest Florentine artists of the time, Leonardo da Vinci and Michelangelo Buonarroti, were commissioned for the construction of two large murals to decorate the walls of the room. Leonardo started working on the «Battle of Anghiari», while Michelangelo focused on another portion of the wall for the «Battle of Cascina», but none of their work was ever completed. Attempts made to find Da Vinci’s original work behind the Vasari fresco have so far been inconclusive.

Two creative minds united: Jacqueline Dimier and Carolina Bucci

Personally speaking: The new Royal Oak Frosted Gold was love at first sight for me.

Coming back to the shining reinvention of an iconic design, that fast first created in 1976 for women by Jacqueline Dimier, the new Royal Oak Frosted Gold has been reinvented in collaboration with Florentine jewellery designer, Carolina Bucci. Both attended the gala dinner along with Jasmine Audemars, Chairwoman of the Board of Directors of Audemars Piguet, François-Henry Bennahmias, Chief Executive Officer, model Arizona Muse, as well as actress and brand ambassador Freida Pinto.

Having a great time with Sabina Hanselmann-Diethelm, Editor-in-Chief Style Magazine/Bolero and David Pantillon, Country General Manager Switzerland

Chef Annie Féolde and her team framed by Freida Pinto and François-Henry Bennahmias

After a sensational dinner imagined by local 3* Chef Annie Féolde, the evening ended with a showcase concert by Brocken Back, sending us off in the crisp Florentine night with lots of amazing memories.

Live performance by Broken Back

The next day my adventure continued. I flew with a private jet back to Switzerland to visit Audemars Piguet’s manufacture in Le Brassus.

Stay tuned for more for more details on the visit and the new Royal Oak Frosted Gold that has captured my heart in a second as well as an amazing interview with Carolina Bucci and Freida Pinto.

Each month, I could dedicate at least one post toM∙A∙C Cosmetics. Their collaborations get better and better. This one is definitely to die for as I am a huge fan of the late legendary photographer, Helmut Newton. Limited Edition celebrates the erotically charged and elegant work of this icon. A regular contributor to Vogue and Vanity Fair, Newton is known for his precise, glamorous and empowering photography of women.

Helmut Newton, October 31, 1920 – January 23, 2004

This limited-edition color collection captures the photographer’s provocative, exquisite taste, dressing wine-stained lips in sultry rogue while darkening eyes in the black and white shades of his signature aesthetic. Nails are lacquered in colors inspired by Monte Carlo and Berlin, two of his homes. A selection of Newton’s most iconic photographs adorns the bespoke packaging – his work remains as distinctive and influential as ever.

Albert Kriemler, who was awarded this week by the Couture Council of The Museum at FIT with its award for Artistry in Fashion, is one of the designers who has been impressing me with the creative background of his designs since many seasons. He is taking the term «inspiration» to the next level. For the first time, the Swiss designer showed in NYC at Lever House. The collection, which is one of his best ones, is dedicated to the work of New York artist Carmen Herrera.

The first look of the Akris S/S 2017 collection has obviously been inspired by Carmen Herrera’s work «Blanco y Verde».

“On my first visit to the new Whitney Museum in New York, in June 2015, I saw a painting I could not take my eyes off. It was „Blanco y Verde “, from 1959, an off-white plane with a green arrow-shaped triangle, by Carmen Herrera, born in 1915 and living in New York. Her sense of color and proportion, a blend of euphoria and perfect order, stunned me.” – Albert Kriemler

Albert Kriemler at the finale of his S/S 2017 show.

“The starting point in my creative thinking is pure intuition. It started with „Blanco y Verde “. It is a process of choosing from a multitude of options the one that blends emotion and purpose perfectly. I set out to translate her abstract, geometric lines which captured my mind and heart into a woman’s body language expressed in a relaxed and refined wardrobe.” – Albert Kriemler

“On her 101st birthday, I met Carmen Herrera in her studio and we spoke about our work. I received her approval to design my next collection with the inspiration of her exceptional paintings.” – Albert Kriemler

Albert Kriemler seems to have truly a nose for trends. On September 16, 2016, Carmen Herrera‘s solo exhibition «Lines of Sight» opens at the Whitney Museum. It is her first museum exhibition in New York City in nearly two decades and it will close on January 2, 2017. Find out more about the amazing artist and the upcoming show here.