A press conference with Vargas Llosa took place at 1 p.m. today at the Instituto Cervantes in New York City. All media inquiries about the press conference should be e-mailed to Barbara Celis at the Instituto Cervantes.

Vargas Llosa will present a public lecture in Spanish about the trend of trivialization in modern culture at 7:30 p.m. Monday, Oct. 11, in Richardson Auditorium in Alexander Hall. The lecture is free and open to the public.

Known for his deep engagement with politics and history, as well as his deft storytelling and eye for the absurd, Vargas Llosa has been a major figure in Latin American fiction since his debut novel, "The Time of the Hero," was published in Spanish in 1963.

He won this year's Nobel "for his cartography of structures of power and his trenchant images of the individual's resistance, revolt and defeat," the Swedish Academy said in announcing the award today.

"I was wondering if it was a joke," Vargas Llosa said of the early-morning phone call he received from the academy, according to an interview on the Nobel Prize website. It was 5:30 a.m. but he was already awake, he said, preparing for one of the Princeton classes he is teaching next week.

"I'm deeply moved and grateful," he said. "I feel very surprised. Writing has been such a fantastic pleasure for me all my life that I cannot believe I am honored and recompensed for something that has been so recompensive to me." He will receive 10 million krona ($1.5 million) as the prize winner.

At a midday press conference at the Instituto Cervantes in New York City with a crowd of more than 150, Vargas Llosa was asked how the prize will affect him. "I'll keep on writing to the last day of my life. I don't think the Nobel Prize will change my writing, my style, my themes -- that comes from a very intimate part of my personality. What I think the prize will change is my daily life," he quipped. "I thought these months I will spend in the United States will be very quiet, (but) everything has changed. My life will be, I think, a life in a madhouse."

At Princeton this fall, Vargas Llosa is teaching a course in Spanish on techniques of the novel and another on Argentine writer Jorge Luis Borges. Vargas Llosa has had a relationship with the Program in Latin American Studies for several years and taught at the University in the 1992-93 academic year. In addition, his literary papers -- including notebooks, correspondence, and manuscripts of novels and other writing -- are housed in Firestone Library.

"Our students have already had a great opportunity to work directly not only with a first-rate writer, of course, but a writer who's been seen to take on social issues directly and decisively," said Paul Muldoon, chair of the Lewis Center, who is a Pulitzer Prize-winning poet. "It's important that our students, and the rest of us, are reminded that literature is a real force in the world."

Maria Julia Gutierrez, a junior from Mexico who is in Vargas Llosa's class on the techniques of the novel, said that her family was astonished that she was able to take a class with the distinguished author.

"It's something that will mark my Princeton experience and is something that I will never forget," said Gutierrez, who is majoring in the Woodrow Wilson School of Public and International Affairs and pursuing a certificate in Latin American studies. "The class has been amazing. Not only are we able to hear this famous author, but interact with him on a personal level."

Vargas Llosa is a prominent voice in the world of Peruvian politics -- as a prolific essayist and as a candidate for the country's presidency in 1990 -- who has often written about historical events in his fiction.

"He has an especially keen eye for the absurdity that characterizes Latin America's strangest historical moments," said RubÈn Gallo, a professor of Spanish and Portuguese languages and cultures and the director of the Program in Latin American Studies. "He gives historical events a beautiful novelistic form. His plots are elegant and compelling, and he gives the perspective of how these historical and political episodes affect the everyday person living in Latin America."

Literary scholar Arcadio DÌaz-QuiÒones, who has known Vargas Llosa since the late 1960s, said the award validated the writer's broad influence in Latin American literature and politics through his fiction and his essays.

"This is a recognition not just for him, but a recognition of Latin American literature," said DÌaz-QuiÒones, the Emory L. Ford Professor of Spanish Emeritus at Princeton. "He is a representative writer in so many ways of Latin American literature. This prize is a recognition of the richness and wealth and variety of Latin American literature."

Those sentiments were echoed by Gabriela Nouzeilles, professor and chair of Spanish and Portuguese languages and cultures. She said that Vargas Llosa's "literary fictions explore humanity in its multiple and contradictory dimensions, from the horrors of history and the violent legacy of colonialism and political madness, to the sweeping forces of erotic desire and the miracle of laughter."

"He is masterful storyteller, able to bewitch the reader with the power of his poetic prose and the fascinating complexity of his fictional worlds," Nouzeilles said.

Historian Jeremy Adelman said that many of Vargas Llosa's political crusades have been on individual rights and freedoms.

"He has always defended the space and autonomy of culture," said Adelman, the Walter Samuel Carpenter III Professor in Spanish Civilization and Culture and director of Princeton's Council for International Teaching and Research. "Writers need to have autonomy from political structures. It's not always a popular stance but he was always a defender of it. He's a classical liberal with a fabulous imagination."

At the press conference, Vargas Llosa addressed questions about whether he believed the prize was associated with his political beliefs.

"I am a writer but I am also a citizen. I have literary ideas and values, but I also have civic and political ideas," he said. "But I am basically a writer, and I would like to be remembered, if I am remembered, for my work. On the other hand, I am also a citizen and I have political ideas, which I think is a moral obligation of every citizen."

Vargas Llosa's most well-known works include "ConversaciÛn en la catedral" (1969; "Conversation in the Cathedral," 1975), "TÌa Julia y el escribidor" (1977; "Aunt Julia and the Scriptwriter," 1982) and "La guerra del fin del mundo" (1981; "The War of the End of the World," 1984). His 2000 novel "The Feast of the Goat" portrays the final days of General Rafael Trujillo's dictatorial regime in the Dominican Republic in 1961.

"I felt that I had never been on such intimate terms with power," said Edmund White, a professor of creative writing in the Lewis Center, of reading "The Feast of the Goat." "The will, the self-discipline, the paranoia, the deliberate cruelty, the vanity, the concealed fearfulness -- all of these aspects of an autocrat were portrayed in unforgettable and convincing detail.†Vargas Llosa, unlike most writers who live quiet campus lives, has been at the very center of politics and understands it better than any other living novelist."

While on Princeton's campus this semester, Vargas Llosa is giving students an intimate opportunity -- through his courses and other opportunities for interaction -- to gain insights into his thinking about the craft of writing.

"I am basically a writer, not a teacher, but I enjoy teaching because of the students, and the chance to talk to them about good literature," Vargas Llosa said earlier this fall. "Good literature is not only entertainment -- it is a fantastic entertainment -- but it’s also something that gives you a better understanding of the world in which you live. Literature is an exploration of all the possibilities of human life."

Vargas Llosa tells his students that composing fiction is an all-consuming endeavor. "Writing is the commitment of your entire personality and life, and I think it's the only way you can succeed as a writer -- with discipline and also a stubbornness," he said.