Example: For us, leaving Roadrunner in 2006 was necessary for the band to continue. We didn’t feel part of a team, so I simply asked our A&R Monte Conner to let us go. The pro was we got our freedom; the con was our career in the UK suffered drastically. While we paired up with good company after, Nuclear Blast had less of a presence in the country and our sales (both, album sales and live tickets) dwindled in the UK while they went up in the rest of the world.

I can’t recommend what’s right or wrong, I can only guarantee there will be unforeseen consequences to any path you take. Some labels might have a market cornered — like heavy metal in the UK — so you actually might be better suited to stay in that “hell.”

He also addresses the question of piracy and free distribution in general, and the beginning of his comment is very reminiscent of rapper/producer El-P's comments in his recent guest post, which is interesting since the specific question he was answering was about how hip-hop has been faster to embrace these things than metal:

Personally speaking, spending energy yelling at fans of music for their method of intake would be trite, not to mention hypocritical. Chimaira got popular thanks to Napster, Limewire, and various other file-sharing platforms. We embraced YouTube in the beginning, and were one of the first metal bands to make webisodes.

The full interview is a good read and includes links to some other great comments from Mark Hunter, who is clearly a guy with a lot of smart stuff to say about the music industry.