Fuck yeah! Purveyors of premium quality grungey no-wave noise Arrows of Love serve up the second taster of their second album, Product, and ‘Beast’ is appropriately titled. A sprawling, squalling mess of chaos, it sums up everything that makes Arrows of Love the band they are.

Now, I was hooked on AoL from the moment I heard the opening bars of ‘Honey’ back in 2012 . That low-slung, dirty bassline and the fizzy guitar racket was one of the most exhilarating things I’d heard in years.

Granted, it’s live that they really come into their own, but their studio recording are a pretty accurate reflection of their wildly unpredictable, full-tilt, performances, and Everything’s Fucked was one of the most courageously raw albums -debut or otherwise – of 2014.

Beyond the music, Arrows of Love have a social and political conscience, too, as the band members’ Facebook postings and the press release in support of the single attest: ‘During the last few months Arrows of Love stepped away from their album recording process to fight a campaign against the ex-Olympic Authority LLDC. With their own warehouse community threatened with demolition as London continues to lose parts of its soul to gentrification, Vittoria Wharf hit local and worldwide news when residents stood up to fight closure. The band and a slew of local artists spearheaded the defence of what i-D called “a thriving centre for cultural and artistic output” during the #savevittoriawharf campaign… ‘Beast’ is a song built for speed. Its anthemic forward march is a sensibility that runs counter to the over-stuffed, of-the-moment world we live in and its context runs parallel with the bands defiant nature. “A lot of people have asked me if I’ve written any songs about this fight with the corporation” says Nima, “This song was actually written over a year ago, but as we’ve been playing and recording it this summer the lyrics turned out to be prophetically relevant”. Proving that Arrows Of Love are one of a rare breed of bands that stand by what they preach when the moment calls.’

All the more reasons to love the band: they’re not your regular egotistical musos, but a gang who give a shit about stuff that matters at a grass-roots level.

Produced with a suitably light touch by Mikko Gordon (Thom Yorke, Gaz Combes), and mastered with a full appreciation of the band’s intent by Bob Weston of Shellac, ‘Beast’ is a bass-driven sprawl of angular racket which indicates that Product will be even more gnarly and uncompromising than its predecessor. I for one am very excited by the prospect. You should be too.