the cards and dice - 1. the transposition\nace - four of clubs face-down on table with a die on top of each with one to four to top, dice exchanged and cards follow\nbill simon\ncards & dice\nwilliam p. miesel\nlos dados mandan y las cartas obedecen\narturo de ascanio
1954
sleightly sensational Bill Simon

The Cards and Dice - 1. The Transposition

Ace - Four of clubs face-down on table with a die on top of each with one to four to top, dice exchanged and cards follow

2. the big change\nace - three with three dice on top, they transpose and eventually all change to threes and back\nbill simon\nlos dados mandan y las cartas obedecen\narturo de ascanio
1954
sleightly sensational Bill Simon

2. The Big Change

Ace - Three with three dice on top, they transpose and eventually all change to Threes and back

penetration of thought\nodd-backed, two packets of four aces each\ndai vernon\npenetration of blank\nphilip t. goldstein\nthoughts in transit\nalex elmsley\nthe trick of the wise\narturo de ascanio
1957
the dai vernon book of magic Dai Vernon

kings through the table\none by one, change to aces, kings in pocket\nbrother john hamman\nkings through the table\nbrother john hamman\ncards through the table\narturo de ascanio
1958
the card magic of bro. john hamman s. m. Brother John Hamman

the mystic nine\nnine black and one red become nine red and one black\nbrother john hamman\nthe really wild nine-card trick\nbrother john hamman\narturo de ascanio\nthe magical nine\narturo de ascanio
1958
the card magic of bro. john hamman s. m. Brother John Hamman

the technique of the ascanio spread - "el culebreo"\ni. the standard ascanio spread
ii. the right first finger push-off variation of the ascanio spread
iii. concluding observations\narturo de ascanio
1976
the ascanio spread Arturo de Ascanio

The Technique of the Ascanio Spread - "El Culebreo"

I. The Standard Ascanio Spread
II. The Right First Finger Push-Off Variation of the Ascanio Spread
III. Concluding Observations

barocke transposition ii\ncard in pocket transposes with card reversed in deck, then with bill in wallet\nalexander de cova\narturo de ascanio\n"barocke transposition" (ascanio)
1990
horizons Alexander de Cova, Arturo de Ascanio

Barocke Transposition II

card in pocket transposes with card reversed in deck, then with bill in wallet

transposición barocca\ncard from pocket transposes with reversed card in the middle of the deck\narturo de ascanio\na baroque transposition\narturo de ascanio
1992
la magia de ascanio - vol. 6 Arturo de Ascanio

Transposición Barocca

card from pocket transposes with reversed card in the middle of the deck

las dos cartas que aparecen vueltas\ntwo selections are found reversed, one in a small packet, the other in the middle of the deck\narturo de ascanio\n"cedam" 1959. p. 833.
1992
la magia de ascanio - vol. 4 Arturo de Ascanio

Las dos Cartas que aparecen Vueltas

two selections are found reversed, one in a small packet, the other in the middle of the deck

magicas coincidencias\nfor selections are returned to the deck and deck is dealt, each spectator stops at his card\narturo de ascanio\n"ilusionismo" n° 160, 1958.\npadre wenceslao ciuró's "causalidad inexplicable" in "mas de 200 juegos de manos", p. 402.\nmagical coincidences\narturo de ascanio
1992
la magia de ascanio - vol. 4 Arturo de Ascanio

Magicas Coincidencias

for selections are returned to the deck and deck is dealt, each spectator stops at his card

aparición de cuatro ases\nperformer and spectator each have half the deck and twice exchange a card, four aces are found\narturo de ascanio\n"circular de la s.e.i." 1954.
1992
la magia de ascanio - vol. 4 Arturo de Ascanio

Aparición de Cuatro Ases

performer and spectator each have half the deck and twice exchange a card, four Aces are found

the really wild nine-card trick\nnine black and one red become nine red and one black\nbrother john hamman\narturo de ascanio\nthe mystic nine\nbrother john hamman
1996
card college - volume 2 Brother John Hamman, Arturo de Ascanio

presentation\n- outline of this series of lectures
- presentation
- presentation as a quality of the magician
- virtues a magician should exercise
- presentation as an aspect of a trick
- presentational resources to create emotions\narturo de ascanio
2005
the magic of ascanio - the structural conception of magic Arturo de Ascanio

Presentation

- Outline of This Series of Lectures
- Presentation
- Presentation as a Quality of the Magician
- Virtues a Magician Should Exercise
- Presentation as an Aspect of a Trick
- Presentational Resources to Create Emotions

technique\n- the features of technique
- the value of technique
- the importance of technique\narturo de ascanio\nvalor de la técnica en la magia\narturo de ascanio
2005
the magic of ascanio - the structural conception of magic Arturo de Ascanio

Technique

- The Features of Technique
- The Value of Technique
- The Importance of Technique

how to study magic\n- to whom is this lecture addressed?
- magic as a subject of study
- efficiency in the study of magic
- allocating your time
- deciding on subjects
- source of knowledge
- books
- oral tradition
- practice on your own and rehearsal
- mental practice
- performances in front of an audience
- the process of learning a trick
- summing up and ultimate goal\narturo de ascanio\ncomo estudiar magia\narturo de ascanio
2005
the magic of ascanio - the structural conception of magic Arturo de Ascanio

How to Study Magic

- To Whom Is This Lecture Addressed?
- Magic as a Subject of Study
- Efficiency in the Study of Magic
- Allocating your Time
- Deciding on Subjects
- Source of Knowledge
- Books
- Oral Tradition
- Practice on your Own and Rehearsal
- Mental Practice
- Performances in Front of an Audience
- The Process of Learning a Trick
- Summing Up and Ultimate Goal

on misdirection\n- misdirection in the first degree
- misdirection in the second degree
- misdirection in the third degree\narturo de ascanio\nin "misdirection" n° 1, 1964.\nmisdirection\narturo de ascanio
2005
the magic of ascanio - the structural conception of magic Arturo de Ascanio

On Misdirection

- Misdirection in the First Degree
- Misdirection in the Second Degree
- Misdirection in the Third Degree

an interview with a genius of magic\n\njuan tamariz\narturo de ascanio\nin "misdirection" n° 8, 1965.\nentrevista\narturo de ascanio\njuan tamariz
2005
the magic of ascanio - the structural conception of magic Juan Tamariz, Arturo de Ascanio

arturo and juan chat\n- on the anti-contrasting parenthesis
- spectator participation
- the assisting spectator sitting next to the magician
- performing up close
- magical impact in relation to the size of the audience
- mixed audiences
- length and structure of a session
- spectators
- magic, law and life\njuan tamariz\narturo de ascanio\n"la circular de la escuela mágica de madrid" february, 1979.\ncharlan arturo y juan\narturo de ascanio\njuan tamariz
2005
the magic of ascanio - the structural conception of magic Juan Tamariz, Arturo de Ascanio

Arturo and Juan Chat

- On the Anti-Contrasting Parenthesis
- Spectator Participation
- The Assisting Spectator Sitting Next to the Magician
- Performing Up Close
- Magical Impact in Relation to the Size of the Audience
- Mixed Audiences
- Length and Structure of a Session
- Spectators
- Magic, Law and Life

eight-card oil and water\n4&4, three phases\narturo de ascanio\nsimilar version in "ilusionismo" n° 180, 1960.\nun juego inedito\narturo de ascanio
2006
the magic of ascanio - studies of card magic Arturo de Ascanio

a hunger for dreaming\nshown to ascanio by garcia, packet cut off and counted, packet shuffled in rest and left outjogged, card chosen from this condition, then original number counted down\narturo de ascanio\nfrank garcia\nriffle shuffle control\nkarl fulves
2006
the magic of ascanio - studies of card magic Arturo de Ascanio, Frank Garcia

A Hunger for Dreaming

shown to Ascanio by Garcia, packet cut off and counted, packet shuffled in rest and left outjogged, card chosen from this condition, then original number counted down

the ascanio spread - standart handling\nthrough extraction by the left forefinger
a) spreading the four cards
b) the wriggling action
c) squaring up
pushing with the right forefinger\narturo de ascanio\n"el culebreo" in "ilusionismo" no. 251, 1971.\nel culebreo\narturo de ascanio
2006
the magic of ascanio - studies of card magic Arturo de Ascanio

The Ascanio Spread - Standart Handling

Through extraction by the left forefinger
a) Spreading the four cards
b) The wriggling action
c) Squaring up
Pushing with the right forefinger

rotating the fourth card\ndifferent handling for closing the ascanio spread\narturo de ascanio\nrevoloteo de la cuarta carta\narturo de ascanio
2006
the magic of ascanio - studies of card magic Arturo de Ascanio

from the pocket of one spectator to that of another\nin two spectators pockets\njean carles\ndel bolsillo de un espectador al de otro\njean carles\narturo de ascanio
2006
the magic of ascanio - studies of card magic Jean Carles