For our new segment on the hoax of the Gosford Glyphs, it’s a good idea to take a closer and more analytical look at the story itself, as translated by the Australian Ray Johnson. For anyone who is versed in the ancient Egyptian culture, religion, and inscriptional material, the story presents a number of notable oddities. For the sake of convenience, I repeat the translation below:

THUS SPEAKS HIS HIGHNESS THE PRINCE FROM THIS WRETCHED PLACE WITHIN THIS LAND, TRANSPORTED THERE BY SHIP.

DOING THIS WRITING FOR THE CROWN OF LOWER EGYPT, ACCORDING TO GOD’S WORDS. THE FELLAHEEN CALL OUT FROM THIS PLACE IN THIS STRANGE LAND, FOR SUTI.

I, NEFER-DJESEB, SON OF THE KING KHUFU, THE KING OF UPPER AND LOWER EGYPT, BELOVED OF “PTAH” HAVE TRANSPORTED “SUTI.”

THE SNAKE BIT TWICE, ALL THOSE BEHIND THE DIVINE LORD OF KHUFU, THE LORD OF THE TWO ADZES , MIGHTY ONE OF LOWER EGYPT. NOT ALL GO BACK. (WE ARE) MARCHING FORWARD, (WE) DO NOT LOOK BACK.

(WE) ALL DAMAGED THE BOAT AT LOW TIDE. OUR BOAT IS TIED UP. THE SNAKE CAUSED THE DEATH. (WE) GAVE HALF AN EGG (FROM MEDICINE) BOX (OR CHEST), (AND) PRAYED TO THE HIDDEN ONE, FOR HE WAS STRUCK TWICE.”

A HARD ROAD, WE ALL WEPT OVER THE BODY, KEEPING TO THAT, WHICH IS ALLOWED. “SEATED (BY) THE SIDE WAY.” “WITH CONCERN AND DEEP LOVE, (THE) FELLAHEEN.

PLANTS WILTING, LAND DYING, IS THIS MY LOT FROM THE MOST HIGH GOD, OF THE SACRED MER. THE SUN POURS DOWN UPON (MY BACK), O! KHEPERA, MOST HIGH, THIS IS NOT AS THE ORACLE SAID. MY OBELISK IS OVERTURNED, BUT NOT BROKEN.

THE BANDAGED ONE IS CONFINED, HEAR, THE RED EARTH REGION.” THEN OF TIME TO GROW, (I.E. SPRING), WE WALLED IN WITH LOCAL STONES THE ENTRANCE TO THE SIDE CHAMBER. I COUNTED AND IMPOUNDED THE DAGGERS (OF THE) FELLAHEEN.

THE THREE DOORS TO ETERNITY ARE CONNECTED TO THE REAR END BEHIND THE BULWARK (OF THE GRAVE).

A NECKLACE PLACED BY HIS SIDE. A ROYAL TOKEN, SIGNIFYING HEAVENS GIFT, AS FROM THOU…! O HOLY SHINING ONES. TAKEN ACROSS (TO) PRIVATE SANCTUARY (OF THIS) TOMB. (ALONG WITH) THE SILVER DAGGER, A ROYAL TOKEN (OF THE) GREAT MAKER.

SEPARATED FROM (THE CITY OF) “ PENU” (IS) THE ROYAL BODY (AND FROM) ALL OTHERS. THAT REGAL PERSON THAT CAME FROM THE HOUSE OF GOD, NEFER-TI-RU, THE SON OF KHUFU, KING OF UPPER AND LOWER EGYPT , WHO DIED BEFORE, IS LAID TO REST.

HE IS NOT OF THIS PLACE. HIS HOME IS PENU. RETURN HIM TO HIS TOWN . ONE THIRD OF (THE) FRUITS, I MYSELF DIVIDED FOR THE BURIAL SERVICE. HOLD HIS SPIRIT WITH LOVE, O MOST HIGH. WORMS IN THE BASKET OF FRUIT, GOING INTO (HIM), SHALL NOT BE.

MAY HE HAVE LIFE, EVERLASTING. AM I NOT TO GO BACK BESIDES THE WATERS OF THE SACRED MER, THEN CLASP HIM, MY BROTHER’S SPIRIT TO THY SIDE, O FATHER OF THE EARTH.

The Egyptians left us a veritable wealth of inscriptions and texts from all periods of pharaonic history. Indeed, until Jean-François Champollion cracked the hieroglyphic code in 1822, no one knew anything meaningful or substantial about ancient Egypt. Almost two centuries of steady decipherment, linguistics, and philology have opened Egypt to us—teaching us everything from their personal names to the names of their deities to the most enigmatic rituals in their religion.

I’ll pull only some examples of oddities from Ray Johnson’s translation. The more I read it, the more fault I can find in the translation, to the point that almost every line presents something dubious or unlikely.

We can start with the main players in the story, the princes Nefer-Djeseb and Nefer-Ti-Ru. As I explained in Part I, these were supposedly sons of King Khufu, the builder of the Great Pyramid and one of the most powerful monarchs of the entire Old Kingdom. If we search actual monuments from the reign of Khufu, can we find evidence for two sons named Nefer-Djeseb and Nefer-Ti-Ru? This should be easy enough. In the tombs of Giza, especially in the mastaba field to the east of the Great Pyramid, we find the family members of Khufu—their names inscribed not only in their own tombs but also in the tombs of fellow family members. Khufu’s family is well attested, in other words.

The answer for Nefer-Djeseb and Nefer-Ti-Ru is: No. They are not mentioned. And yet we know the names of Khufu’s children, both sons and daughters: Neferetiabet, Kawab, Hetepheres II, Djedefre, Hordjedef, Minkhaf, Babaef A, Meryetyotes II, Bauefre, Khufukhaf I, Meresankh II, Horbaef (Dodson & Hilton 2004: 52-61). So why should two sons named Nefer-Djeseb and Nefer-Ti-Ru be completely unattested except for a dubious smattering of glyphs on rock faces in Australia? This alone is highly suspect.

Whoever etched the Gosford Glyphs may have been decidedly unlearned in Egyptian hieroglyphs but they knew at least enough to be clever. The “nefer” element was safe to go with. Meaning such things as “beautiful,” “good,” and “perfect” in the ancient language, “nefer” was a common part of names for both males and females (think of two of pharaonic Egypt’s most famous queens, Nefertiti and Nefertari). To the uninitiated, then, the two “nefer” names at Gosford have a familiar ring and are therefore believable. However, as much as “Djeseb” might sound like ancient Egyptian, try as I might I could not find any record of this name or root or word in the ancient language. It’s a modern invention. As for “Nefer-Ti-Ru,” I could find very little at all. The only thing I came across that might be close is the name Nefertiry (another way to render Nefertari), and there was a Nefertiry B: a daughter of Tuthmosis III whose name appears in that king’s tomb, KV34 (ibid 140). This of course would have no relation with the invented “Nefer-Ti-Ru.”

So right off the bat the two main players in the story clearly come across as a modern attempt to represent Egyptian-sounding names. What else can the translation tell us?

Quite a lot. It’s loaded with factual errors. One that jumped out at me is the reference to the “Golden-haired god Re-Heru.” Re was of course the principal solar deity of ancient Egypt, and Heru is a decent rendering of the name of the falcon god Horus as it might have actually been spoken in the ancient tongue. The synthesis of these two gods, Re and Horus, goes back to the very earliest times in Egypt, but the proper form of the name is Re-Horakhty. This might be a fussy point for me to make but I admit to being a stickler for details, and this is not the sort of error a real translator should make. More bizarre, however, is the epithet “Golden-haired god,” which makes Re-Horakhty sound like some sort of Scandinavian studmuffin. In point of fact the Egyptians themselves held that the skin of Re was made of gold, his bones were of silver, and his hair was of lapis lazuli (which means his hair wasn’t golden but blue).

There is also the repeated reference to “fellahin.” I can’t think of any modern translation that would use this term to refer to ordinary people or a work crew of sailing crew in ancient Egypt. In fact, “fellahin” is an Arabic word to describe farmers or agricultural workers. A word in ancient Egyptian for ordinary people would be “khet” (Xt) or even more commonly “rekhyt” (rxyt) (Faulkner 2002: 152, 200). To refer to the men specifically as the crew of a ship, as these men were supposed to be, the term would be “iset” (ist) (ibid 30). This might also be a fussy point, but it goes to the accuracy of translation (or lack thereof) and whether the translator is merely making it up based on his or her lack of training in the ancient script.

Titles and epithets in the story are particularly odd. In one line, for instance, Khufu is provided the title “Lord of the Two Adzes.” King’s titles and epithets are particularly well attested from all periods, understandably, but this isn’t one of them. “Lord of the Two Lands” was certainly a common title for kings, but one wonders where “Two Adzes” comes from? “Father of the Earth” is found at the end of the story but who or what is “Father of the Earth?” Geb was a prominent earth deity but this isn’t a title for him. The phrases “Great Maker” and “O Most High” sound a lot more Judeo-Christian than ancient Egyptian.

Unusual is the point near the middle of the story where we’re told the crew “prayed to the Hidden One.” Now, this does fit well with the god Amun, whose name more or less translates as “Hidden One.” It is a decidedly noticeable anachronism in this case, however, because Amun was a very minor deity in the Old Kingdom and isn’t seen in the Egyptian pantheon until the earliest appearances of the Pyramid Texts at the end of Dynasty 5, more than 150 years after the time of Khufu. This was not a deity to whom this sailing crew should have been praying. Amun would not have been important to them. Amun did eventually become an extremely important deity, but in Egyptian history he didn’t start to emerge as prominent until the Middle Kingdom (Wilkinson 2003: 92).

At one point we are told of an obelisk that was “overturned, but not broken.” The obelisk is one of the hallmarks of ancient Egypt, and a familiar sight to us all. It was co-opted by all sorts of cultures, ancient and modern; think of the Washington Monument. However, obelisks were not always a fixture in pharaonic Egypt. The earliest one on record which was carved for someone other than a king dates to Dynasty 6 at the end of the Old Kingdom (Quirke 2001: 135), and this is of course well after Khufu.

On a last note, one of the most prominent carvings at Gosford is this tall figure:

Gosford Glyphs: Courtesy of All things Woy

This is the deity recorded as “Suti” in the translation of Ray Johnson. Even most kids whom I’ve met would immediately know that this is supposed to be Anubis, one of the primary deities of the underworld and patron god of ancient Egyptian embalmers, so where does “Suti” come from? “Suti” is an alternate spelling for the name of the god Set, the deity associated with chaos, storms, and the desert. So why did Johnson “translate” the above figure as Suti and not Anubis?

This is a bit of a puzzle. One of the followers of Ray Johnson’s work is an Australian man called Hans-Dieter von Senff. He wrote a paper titled “Ancient Egyptians in Australia: The Kariong Glyphs, a Proto-Egyptian script deciphered.” It’s one of those papers you can download on the internet, which is the only place it exists. Von Senff clearly worked hard to support Johnson’s translation and his “Ancient Egyptians in Australia” paper stretches on to 149 pages. It’s a tortured attempt to make Johnson’s translation seem legitimate and, aside from falling well short in that regard, von Senff attempts to explain this odd discrepancy between Anubis and Set by framing “Suti” as more suitable for travelers and the only deity that could be used in this Australian setting for the deceased Nefer-Ti-Ru.

One could go on for a while refuting the flawed reasoning in von Senff’s explanation, but one is immediately caused to ask: if the Egyptian carver intended the figure to be Set, why not use a figure of Set instead of Anubis? The forms and iconography of Anubis and Set are entirely different and would’ve been very familiar to ancient Egyptians, from all periods. In any case, Set was not an afterlife deity in most respects, especially in the Old Kingdom when our story is supposed to have taken place.

In my next installment on the Gosford hoax I’ll go into more detail on other clear errors in the glyphs. But all in all, whoever carved the glyphs and initiated this hoax, they don’t seem to have anything whatsoever in common with the translation Ray Johnson concocted. It’s a completely transparent invention on the part of Johnson, and it’s just plain silly. This is not the translation work of anyone truly acquainted with the ancient Egyptian language, the orthography of hieroglyphs, or the fundamentals of ancient Egyptian religion and culture.

Australia brings up images of exotic landscapes and vast tracts of wilderness. It was originally inhabited by Aborigines tens of thousands of years ago and, much later, by Europeans as a penal colony. Australia has brought us colorful characters like Crocodile Dundee (I’m dating myself by that reference) and Steve Irwin. The dialect of English spoken there is charming and immediately recognizable. This land is a modern tourist destination for those among us who want to experience the culture of Sydney and the adventures of the Outback.

But who would’ve thought that one of the first bands of tourists were ancient Egyptians, thousands of years ago? Few would imagine that the builders of the Great Pyramid and the founders of the world’s first nation-state would also sail the wide-open seas and find themselves Down Under.

If you find yourself in southeast Australia in the area of Gosford, not far from the coast, you can see the evidence for yourself. There, on numerous sandstone rock faces, are hieroglyphs carved by Egyptians themselves. If you have Google Earth, plug in the coordinates 33°27’4.69″S, 151°18’9.44″E and you can explore the area yourself. Google “Gosford Glyphs” and you’ll come up with all sorts of photos of these enigmatic hieroglyphs, such as this one:

Gosford Glyphs: Courtesy of All things Woy

What do the glyphs tell us? What story lay hidden in the ancient script?

Well, of course, the glyphs have been translated and the translation is widely available on the internet. I shall share the story here:

Thus speaks his Highness the Prince from this wretched place within this land, transported there by ship.

Doing this writing for the Crown of Lower Egypt, according to God’s Words. The fellaheen call out from this place in this strange land, for Suti.

I, Nefer-Djeseb, Son of the King Khufu, The King of Upper and Lower Egypt, beloved of “Ptah” have transported “Suti.”

The snake bit twice, all those behind the divine Lord of Khufu, the Lord of the two Adzes , mighty one of LOWER EGYPT. Not all go back. (we are) marching forward, (we) do not look back.

(We) all damaged the Boat at low tide. Our boat is tied up. The snake caused the death. (We) gave half an egg (from Medicine) Box (or Chest), (and) prayed to the Hidden One, for he was struck twice.”

A hard road, we all wept over the body, keeping to that, which is allowed. “Seated (by) the Side way.” “With concern and deep love, (the) Fellaheen.

Plants wilting, Land dying, is this my lot from the most high God, of the sacred Mer. The Sun pours down upon (my back), O! Khepera, most High, this is not as the Oracle said. My Obelisk is overturned, but not broken.

The bandaged one is confined, Hear, The Red Earth Region.” Then of Time to grow, (i.e. Spring), We walled in with local Stones the entrance to the side chamber. I counted and impounded the daggers (of the) Fellaheen.

The three doors to Eternity are connected to the rear end behind the bulwark (of the Grave).

A Necklace placed by his side. A Royal Token, signifying Heavens Gift, as from thou…! O Holy Shining Ones. Taken across (to) private sanctuary (of this) Tomb. (Along with) the Silver Dagger, a Royal Token (of the) Great Maker.

Separated from (the city of) “ PENU” (is) the Royal Body (and from) all others. That Regal Person that came from the House of God, Nefer-ti-ru, the Son of Khufu, King of Upper and Lower Egypt , who died before, is laid to rest.

He is not of this place. His home is Penu. Return him to his town . One third of (the) fruits, I myself divided for the burial service. Hold his Spirit with love, O most High. Worms in the basket of fruit, going into (him), shall not be.

May he have Life, everlasting. Am I not to go back besides the Waters of the Sacred Mer, Then clasp him, my Brother’s Spirit to thy side, O Father of the Earth.

There you have it. We have two princes, Nefer-Djeseb and Nefer-Ti-Ru, sons of the great king Khufu, leading a band of Egyptian sailers to far-off Australia. Their ship ran aground, and evidently Prince Nefer-Ti-Ru succumbed to a snake bite. He was interred there, in the rocky outcrops near modern Gosford, 4,500 years ago.

We know the timeline because of the clear mention of Khufu, builder of the Great Pyramid, one of the mightiest edifices of pharaonic Egypt. Khufu reigned around 2547-2524 BCE, the second king of Dynasty 4, early in the Old Kingdom. His father was Sneferu (2597-2547 BCE), builder of three large masonry pyramids.

So, we know the backstory, we know the timeline, we know the main players. We can see the hieroglyphs for ourselves, splashed over those sandstone rock faces. The inscriptions are most commonly referred to as the Gosford Glyphs due to the nearby community of Gosford. They’re also known as the Kariong Glyphs because they’re located in the Brisbaine Water National Park, Kariong, which is a wilderness area governed by Australia’s National Parks and Wildlife Service.

But are the inscriptions real? Did a hardy band of Egyptian sailors really set out from Early Bronze Age Egypt and ply the open waters of the ocean for thousands of miles to travel to Australia? Logic and reason would tell you, no.

Logic and reason would be correct, of course.

This is absurd on the face of it. Nevertheless, the Gosford hoax has a zealously loyal band of believers, most of whom seem to be a number of Australians who passionately build on the hoax to deliver it to us as authentic. Whether some or most of these Australian believers had anything to do with the creation of the hoax is not clear, and it’s not even clear if they honestly believe in it themselves, but goodness, do they rise up in defense of it!

So in honor of the Gosford Glyphs I’m writing this article to explain and demonstrate in no uncertain terms why they’re so obviously a fraud. If nothing else, my humble article will be one more voice of reason out there on the Net. There is too much material to cover in one segment, so I intend to break it up into more than one entry.

To begin, let’s introduce a couple of the modern players who defend the Gosford Glyphs. The above translation was concocted by an Australian named Ray Johnson, who passed away some years ago. You will see on any number of web pages mentioning that Mr. Johnson was an Egyptologist. This is not accurate. By the statements Johnson made and by the things he wrote, it is abundantly clear that Johnson did not possess much understanding of pharaonic Egypt and definitely did not understand the protocols and techniques necessary to translate hieroglyphs.

You will see any number of people who promote the Gosford Glyphs proclaiming themselves to be archaeologists and/or Egyptologists, when it’s clear none of these people possess any credentials in those fields. You’ll also notice they love attaching “Ph.D.” to their names. While I’ve spent years studying Egyptian hieroglyphs myself, and have worked hard on my ability to conduct translations, I have no problem stating outright that I am neither an archaeologist nor an Egyptologist. Honesty is critical in historical studies and research, so few things push my buttons like folks who enjoy pretending to be things they are not.

Some of the characters in this Gosford drama have written documents you can find and download on the internet. They’re in this format, of course, because no publisher would dare to touch them. I am not interested in promoting their work or linking you to their “papers,” so I leave it to you to hunt them down, if you wish to.

Ray Johnson is obviously something of a cult hero to these fringies. They proudly refer to him as an Australian Egyptologist and intimate that Johnson performed cutting-edge linguistic research at the Gosford site. As laughable as the whole thing is, admittedly I’ve taken the time to download and read their papers. There is immediate confusion with the name Ray Johnson, and to me this is troublesome.

Many people familiar with the field of Egyptology will probably have encountered an Egyptologist named Ray Johnson. Indeed there is one. Dr. Ray Johnson is from the University of Chicago, Oriental Institute, and is the director of the Chicago House in Luxor, Egypt. Dr. Johnson is a leader in the field of Egyptian epigraphy.

It must be stressed that the Australian Ray Johnson and the University of Chicago Ray Johnson are two different men. Do the acolytes of the Australian Johnson make this clear? One would think so, especially given the fact that the Australian Johnson is deceased and the University of Chicago Johnson is still very much with us (he was one of the speakers around five years ago at the Oriental Institute when I was training to be a docent there). But it’s not always that clear, in fact.

One of those papers you can download from the internet is called “Burial Site of Lord Nefer-Ti-Ru,” by an individual called Dr. R.M. de Jonge. The manner in which de Jonge provides citations and references is very loose and free, and at least two different references definitely refer to the University of Chicago Ray Johnson in a manner that seems to imply he was involved with the study of the Gosford Glyphs. I can’t outright state that de Jonge is trying to pull a trick on us because it might be nothing more than a case of an individual not knowing how to cite properly.

This matter was brought to the attention of the University of Chicago Ray Johnson, who kindly replied by email and explained:

That Ray Johnson is not me. I have never translated any faux Egyptian hieroglyphic inscriptions in Australia (those rock inscriptions were clearly not done by any ancient Egyptians). That Ray Johnson, whoever he is/was, has/had no association with the Oriental Institute of the University of Chicago, and I suspect is not an Egyptologist…

That’s clear enough, then. But the real Dr. Ray Johnson is not the only Egyptologist who’s weighed in on this issue. Professor Nageeb Kanawati, from the Department of Egyptology at Macquarie University, stated in May 2011:

…A few years ago I examined, only from photographs, these so-called Egyptian inscriptions at Kariong, and am sure that they mean nothing and are mere scratches made by a amateur…

Additionally, another Australian Egyptologist named Dr. Gregory Gilbert, noted in 2000:

I recognise these photographs as being from an Australian rock depiction which supposedly has evidence of Ancient Egyptian hieroglyphs. I believe that the inscription is a modern forgery, and not a good one at that.

I bother to share the words of these three Egyptologists because one of the claims of the fringies who so ardently support the Gosford Glyphs is that they’ve never received attention from academia and that all counterarguments are sloppy and incorrect. In other words, they present their own work as infallible while all negative comments are inherently flawed. As arrogant and unrealistic as this is, it is a common tactic of fringe adherents.

Incidentally, another big promoter of Gosford is an Australian named Rex Gilroy. He has his own website. I’m sure pretty much everyone living in Australia must know of Rex Gilroy, and no doubt many fringies enjoy his work. Gilroy argues that not only Egyptians but Phoenicians were ancient visitors to his land. Then again, Mr. Gilroy also argues in favor of UFOs and the Australian version of Bigfoot (Yowie), so I don’t know how credible he is to begin with. I’ll bet he’s a hell of a story teller, however.

In my next installment I’ll break down the specifics of the Gosford Glyphs: when they actually date to, the nature of the hieroglyphs, the story the Australian Ray Johnson concocted, and how we know for certain all of this is just a tremendous load of bull-flop.

On a closing note, the photos I’m sharing in the Gosford articles are used with the permission of Steve S., author of a terrific Australian blog named All things Woy (LINK). More than probably anyone Steve has documented the Gosford phenomenon, its origins, its development, and its investigations. I’m indebted to Steve and highly recommend his blog.

My own personal studies of Egypt have led me into researching the foreign peoples with whom it came into contact, either through diplomacy, trade, or war. Egypt would never have become the superpower of the Near East had it not been for its conquests of the New Kingdom, in the Late Bronze Age. These studies eventually nurtured in me a strong interest in ancient Israel and the development of its kingdoms and the Old Testament.

Some years back I read Israel Finkelstein and Neil Asher Silberman’s David and Solomon. Finkelstein is a colorful and outspoken biblical scholar, and is certainly regarded as controversial by some of his colleagues (especially William Dever, another noted scholar). What I like about Finkelstein is his secular approach through the latest findings of archaeology and his careful, pragmatic dissections of biblical passages, as well as extrabiblical texts. Even to this day too many biblical scholars tend to take the Bible at its word, which is a stale and unreliable approach. Finkelstein is especially adept at searching out the kernels of historical truth at which the Old Testament hints. To be honest, however, Finkelstein’s minimalist leanings are quite obvious, and he goes against the flow. But maybe that’s why I enjoy his work.

David and Solomon takes a close look at these two principal characters in the earliest stages of the Judaic kingdom, and sorts out the facts from the fables. There is very little evidence that either of these two men actually existed, though David himself, as Finkelstein argues convincingly, may have arisen mythically from an actual leader of bandits at the dawn of the first millennium BCE. It’s possible the real David headed a group of Apiru, those raiding ruffians who made life so difficult for the rulers of Canaanite city states at that time—and even as far back as Dynasty 18 in Egypt (the Amarna Letters allude to them).

But what interests me here is the campaign of the Libyan pharaoh Sheshonq I (950-929 BCE), who ruled from Tanis at the start of Dynasty 22. This is one rare instance in which the Old Testament provides the name of a particular Egyptian pharaoh, in the Book of Kings. There is little doubt among scholars that the biblical Shishak and the historical Sheshonq I are one and the same; moreover, it’s an historical fact that the Egyptian army swept through the Levant at this time in a decisive military victory. The fact is we can’t be certain if there was one or two or more campaigns, but it is certain that Sheshonq I invaded Canaan. His reign in Egypt was one of the brief stretches of former glory and conquest in the otherwise bleak Third Intermediate Period.

One of the victims of the invasion from the perspective of the Old Testament was Jerusalem. In 1 Kings 14:25-26 it is written:

In the fifth year of King Rehoboam, Shishak king of Egypt attacked Jerusalem. He carried off the treasures of the temple of the Lord and the treasures of the royal palace. He took everything, including all the gold shields Solomon had made.

Rehoboam is actually the first Judaic king for which scholars have some extrabiblical evidence; he reigned from 931 to 914 BCE. These numbers don’t mix perfectly with the recorded reign of Sheshonq I (950-929 BCE), but the figures for this early time in Judah are especially muddled and not always reliable. And it’s important to note that Rehoboam’s link to the Deuteronomistic History at the time of Sheshonq I’s invasion “may be more theological than historical,” as Finkelstein puts it. It’s a memorable example of the “Deuteronomistic principle of sin and divine retribution” (Finkelstein & Silberman 2006: 74). Rehoboam was sinful to the extent that he allowed idolatry, so he darn well deserved to get beat up by the Egyptians. The truth is we can’t be absolutely certain who was in charge of the chiefdom of Judah at this particular time in history.

In any case, this account of the sack of Jerusalem at the hands of Sheshonq I brings up a serious problem. On a massive inscription at the Temple of Amun (Karnak), Sheshonq I left a detailed account of his campaign in the Levant :

Relief carving of Sheshonq I at Karnak

Nowhere on this list does the town of Jerusalem appear. In fact, not a single village or town from the southern Judah highlands is on the list. Some scholars argue that Jerusalem may have been inscribed in one of the sections of the inscription that has broken off and been lost, but this is unlikely. The area of the inscription listing that whole area of Canaan is well preserved.

The archaeological evidence in fact shows that at this time Jerusalem and all of the Judah highlands was little more than a minor dimorphic chiefdom—a simple socio-political unit based on subsistence farming and herding. But to the north of Judah was an emerging polity of greater note (what would later be called the northern kingdom of Israel, though the word “kingdom” doesn’t quite fit in that area at the time of Sheshonq I’s invasion). The north developed at a much faster and more healthy rate than the south in the highlands of Canaan, and it was much heavier populated and contained more towns. And in fact northern settlements like Gibeon and Megiddo are included on the Karnak list of Sheshonq I.

So why does the Old Testament proclaim that Jerusalem was one of the Egytpians’ main targets, when most likely Judah was of little consequence to Sheshonq I? It so happens the rising power in the northern highlands of the Early Iron Age would, biblically speaking, correspond with the kingdom of Saul, the original king of Israel. But the Old Testament teaches us that Saul was deeply flawed (bug-nuts insane might also be an apt description, in his later years), and it is written that God himself more or less regreted anointing Saul as king. Saul would later die a violent and unpretty death along with some of his sons in a battle far to the north, at the hands of the Philistines. This is how David came to the throne, then to unite all of Judah and Israel, and to be followed by his son Solomon.

Again, this is all from the Bible and is not reflected in the archaeological record, but the point is, the scribes who started to write down the first passages of the Old Testament sometime in or after the eighth century BCE, were free to record history as they saw fit. And as the kingdom of Judah saw the kingdom of Israel as wicked, it was best always to record Judah and Jerusalem as the rightful power. It was important to make Jerusalem come across as the most important city of the highlands, even though at the time of Sheshonq I it was likely just a marginal and backward chiefdom.

Ironically, Sheshonq I’s invasion may have been the impetus for the rise of Jerusalem. Destruction levels clearly show that many of the smaller settlements in the northern highlands were never repopulated to any significant extent after the Egyptians withdrew, and it’s likely a lot of these displaced people fled the north and resettled in the southern highlands of Judah.

——————————————————–

Finkelstein, Israel and Neil Asher Silberman’s David and Solomon. 2006.

Many people are convinced that the ancient Egyptians were an extremely advanced civilization possessing all sorts of technology that would not be seen again until modern times. Imagined technologies range from remarkably sophisticated machinery to nuclear capabilities. I have no problem whatsoever conceding that the ancient Egyptians were an advanced civilization, but the proper context must be observed. What exactly is meant by “advanced”? To be sure the Egyptians were masterful builders, engineers, and artisans, but all this means is that they were advanced for a mostly Bronze Age people. Facts need to be separated from whimsical fiction.

The image above is notorious for just this thing. You’ll see it all over the internet on half-baked websites; very few authors of websites have bothered to analyze it properly. You can’t help notice that at the right end of the image is a collection of what seems to be flying machines: a helicopter, jet, flying saucer. I concede the unusual coincidence is there, but that’s all it is: a coincidence. Here’s a closer look:

What’s actually going on here? First, when encountering such a thing, one must approach the analysis of it with logic and reason. Where does it appear? What’s its context? What other explanations are there? A common failing of the fringe is to rush to judgement, accept coincidences at face value, and abandon any further attempt at evaluation. “Yes, that thing looks like a helicopter, so it has to be a helicopter!” Well, no, of course it doesn’t. Let’s dig deeper. Below is a wider shot of the actual context for the image:

The image is part of the decoration plan of an architrave, an architectural beam resting atop columns. It can be found in the temple built by Seti I in honor of the god Osiris, ruler of the underworld. This temple is wonderfully preserved and stands in Abydos, one of the most ancient necropoli of pharaonic Egypt and the primary cult center for the veneration of Osiris. Here is the facade of the temple as it stands today:

A true architectural masterpiece. The plan of the temple shows that it is quite large, and is indeed one of the largest temples in the Abydos necropolis. It was commissioned by Seti I (1296-1279 BCE), second king of Dynasty 19 and one of the most powerful monarchs of the New Kingdom, the Egyptian period of empire. He died before the Abydos temple was finished, so it was completed by his son and successor, Ramesses II (1279-1212 BCE). That Ramesses II stepped in to finish his father’s temple is significant to the nature of the odd image which is the subject of this article, so we shall return to that in a while.

A king’s most important monument was his tomb. Seti I was buried in the Valley of the Kings in the tomb designated KV17 (also known as “Belzoni’s tomb” in honor of its discover, the charismatic Giovanni Belzoni). Of next importance, one might argue, was the king’s mortuary temple. This is where his soul would be venerated and serviced in perpetuity. As with almost all of the other many New Kingdom pharaohs interred in the Valley of the Kings, the mortuary temple of Seti I was located to the east of the valley, on the other side of the ridge and near the cultivation bordering the River Nile. Beyond that, a king might commission any number of monuments, depending on his longevity, the stability and wealth of the kingdom when he happened to be on the throne, and his overall status. The Abydos temple was one of these ancillary temples of Seti I, and a very important one for his own ideology and status.

The Abydos temple honored numerous deities, including Isis, Horus, Set, Amun-Re, Re-Horakhty, and Ptah. But the deity who received the focus of veneration was the great god Osiris, for while in life the king was regarded as a deity like Horus or Amun-Re, in death he was recognized as none other than Osiris. The formal name for the temple was “Menmaatre Happy in Abydos” (Menmaatre was Seti’s throne name), although it was also called “The conclave of deities which resides in Seti’s temple” in honor of the above-named deities (O’Connor 2009: 45).

The beautiful decoration plan of the Abydos temple makes its overriding purpose quite clear: it was meant to present Seti I in the guise of Seti-as-Osiris. The temple complemented Seti’s tomb and mortuary temple at Thebes in the further assurance that he would not only reach the afterlife but would become one with Osiris, forever (ibid: 43).

So that’s the background for the temple of Seti I at Abydos, as well as the proper context for the odd image that seems to show flying machines. As I mentioned earlier, Seti’s son and successor, Ramesses II, finished the temple where Seti I himself had been unable to. The sections completed by Ramesses were in particular the outer pylons and courts as well as the first hypostyle hall. By all appearances, Ramesses II was in a hurry to finish the temple; in fact, numerous doorways were filled in and closed off, indicating an abbreviation of the original temple plan. And significantly, the portions finished by Ramesses II were only hurriedly decorated (Wilkinson 2000: 146). The architrave in question belongs in one of the areas finished off by Ramesses II.

The architrave itself is a good example of a palimpsest, which is a piece of writing material on which later writing has been superimposed. This was commonly done in pharaonic times for reasons of cost or expediency, the latter of which was more the case for Ramesses II. This king reigned for 67 years and was an enthusiastic builder, but archaeologists like to call Ramesses “the Chiseler” due to his penchant for helping himself to other, older monuments. The fact that the Abydos temple belonged to his father is immaterial: as long as Ramesses II was taking the time to finish it, he was going to leave his presence there.

Below is a color-coded image showing how glyphs were superimposed on the architrave when Ramesses II commissioned its reinscription (credit):

Also at play is erosion, which has obliterated portions of the original inscription, so together with the over-writing, that part commissioned by Seti I is very difficult to read and is not fully translatable. But along with the rest of the architrave the portion over-written by Ramesses is simple enough to translate, and it’s a fairly ordinary royal titulary. It begins Nbty mk kmt waf xAswt…, meaning “The two mistress, he who protects Egypt and repels the foreign lands…” To the left of that are the standard epithets “He of the Sedge and Bee, Lord of the Two Lands,” followed by the cartouche containing the throne name of Ramesses II, Usermaatre Setepen-re, which over-writes the original name of Seti I (see the image at the top of the article).

This is actual explanation for the “flying machines” of the Abydos temple. There are no flying machines, of course. They are merely the eroded glyphs of a palimpsest. Anyone familiar with the workings of hieroglyphs understands that they represent a fully developed written script guided by grammar and syntax, just like any written language, so it would be illogical in the first place to suppose that the Egyptians were tossing random images of flying machines onto this architrave. The context would not make sense. Nor would such images have anything to do with the purpose of the temple itself, in its intent to unite the deceased Seti I with the great god Osiris.

That is, unless Seti-as-Osiris was hoping to bop around the afterlife in helicopters, jets, and flying saucers. I think not.

——————————————————–

O’Connor, David. Abydos: Egypt’s First Pharaohs the the Cult of Osiris. 2009.

As someone who studies and researches ancient Egypt from a very conservative and traditional perspective, I’ve witnessed a lot of misrepresentation and speculation attributed to this long-ago culture. A great many people have an innate affection for the civilization of ancient Egypt: the scholars and academics who research it professionally, enthusiasts and amateur historians such as I, and those who are drawn to it for mystical and New Age reasons. Along the way the civilization of ancient Egypt is frequently misrepresented among the general public, whether this be from a simple lack of familiarity with the civilization or from alternative historians or fringe adherents striving to serve a personal agenda.

One such example is the ancient Egyptian word “netjer,” sometimes also spelled “netcher” and, somewhat astray, “neter.” It is transliterated as nTr, where the “T” represents a prepalatal stop usually rendered in Western speech as a “ch” sound. In their hieroglyphic, hieratic, and demotic scripts the Egyptians did not employ symbols representing vowels, so the most we can reconstruct from this ancient word are the consonants transliterated nTr. That is, as with so many words from the ancient Egyptian vocabulary, absent the vowels we cannot know for sure how nTr sounded as spoken in pharaonic times; hence “netjer.”

There is essentially no reason to doubt our understanding of nTr, however. The use of this word is amply attested in the historical record all the way back into the late-prehistory of the Nile Valley. But before we break down what this word meant to the ancient Egyptians, let’s eliminate a couple of examples of what nTr did not mean. It is not the origin of our word “nature,” for instance. Our word “nature” and its meaning of the collective world of plants, landscapes, animal, and people ultimately derives through Old French from the Latin nasci(link). In point of fact the Egyptians do not appear to have had a word that would equate to our word “nature.” My own feeling on this is–as with the absence of a name for their religion in the way we use terms like Christianity, Judaism, Islam, and Hinduism today–the natural world was an innate and intimate part of every-day life and was not viewed as something separate.

Also sometimes suggested is that the word “natron” comes from nTr. This has been argued for ages in academic circles but no convincing linguistic evidence has ever been posited to corroborate the argument (Hornung 1971: 41). There is an Egyptian word ntryt that exists in one fragmentary source that has been posited as “natron,” but even here the evidence is not compelling (Faulkner 1962: 143).

The word nTr is usually translated as “god” or, as an adjective, “divine.” Based on how the Egyptians themselves used the word, this translation is sound. In Greek the equivalent word is theos, and in late bilingual inscriptions where nTr and theos appear more or less side by side, it is clear that “god” is the meaning (Dunard & Zivie-Coche 2004: 8). Going in the other direction, all the way back to the dawn of state formation in Egypt (c. 3100 BCE), the meaning seems to have started in the same way. The ancient word nTr survived through pharaonic history and in the worship of Coptic Christianity became the word noute for God (ibid).

There are numerous ways the word was written in hieroglyphs when pertaining to gods, goddesses, or other divine concepts, and a number of different semantic determinatives developed through pharaonic history to help to clarify meanings; the most common determinative was, however, the pole and banner, which resembles a flag:

From their own iconography, the Egyptians showed us that such a standard was typically presented in pairs outside the entrances to temples. This was the case as well in prehistory (Wilkinson 2003: 27), such as at important ritual sites like Hierokonpolis (ancient Nekhen). From the start the symbol was intimately associated with the divine and with ritual. Drawing from the above diagram, the most common form of the pole and banner through pharaonic history was the example at left (a); the middle example ( b ) appears in iconography in the earliest dynasties, and early scholars originally mistook it for an axe (Hornung 1971: 34); the example at far right ( c ) is how the symbol appears in iconography in late prehistory.

That this symbol came to represent the word “god” or “divine” must have been a natural progression for the Egyptians; examine the ritual slate palettes of late prehistory and the Early Dynastic Period, and you will see how standards and banners stood as important iconography from the beginning. The term nTr in the singular generally meant “god,” as in a singular male deity; it was abundantly used in this sense and often without reference to a specific god. This should not be taken to mean the Egyptians believed in the One God as in the Judeo-Christian sense, a misconception under which many early scholars labored (given their classical training in biblical studies). In his important book Conceptions of God in Ancient Egypt (1971) the eminent Egyptologist Erik Hornung laid this idea to rest definitively. Polytheism is the general consensus today, and it has been noted how the flag could be used to denote “deity” in a generic sense (Wilkinson 2003: 27). The feminine marker was used to indicate a goddess (nTrt), and the plural (nTrw) could be indicated in a number of ways: three flags; a single flag with three vertical strokes; and, in late examples, three flags interspersed with three cobras (Wilson 1993: 85-87), the cobra itself representing divinity and/or divine kingship.

Facets of nTr are evident in the mortal world of the ancient Egyptians. It is an exaggeration to suggest that all Egyptian kings were regarded as gods, but these kings were certainly viewed as someone much closer to the gods than ordinary people were. The king’s status as semi-divine is reflected in one of his titles, nTr nfr, meaning “Perfect God” or “Beautiful God.” The dead were seen as somewhat divine themselves, having gone on to live forever in the land of the gods. The Egyptian word for “incense” was snTr, which literally means “to make deified, divine” (Dunard & Zivie-Coche 2004: 12).

The Egyptian nTr seems also to have been intimately associated with the dead, as I intimated above. Until recent times flagpoles were commonly set up outside tombs in North Africa and Sudan, reflecting a tradition seen in pharaonic Egypt going back into prehistory; some have argued that nTr may have originally referred to the dead (Hornung 1971: 37, 42). The etymology and origin of the word nTr remains unknown, despite decades of attempts by linguists to try to identify cognates and other connections to Afro-Semitic languages, but its meaning is not a mystery. The Egyptians themselves left us an ample record of the word to examine.

Probably no monument of ancient Egypt has been so intensively poked, prodded, explored, researched, and published as the Great Pyramid. Similarly, among fringe circles, no monument of ancient Egypt has suffered so many bizarre speculations as the Great Pyramid: from the landing site of alien spacecraft championed by Zecharia Sitchin (1980) to a giant psi-org energy plant posited by Moustafa Gadalla (2003). Other decidedly odd fringe arguments for the Great Pyramid include a colossal water pump and nuclear reactor. Fringe themes range far and wide, but in the end none of them stands up to scrutiny.

Among many in the fringe camp, the Great Pyramid is stated emphatically not to have been a tomb. Fringe adherents will put forth numerous examples for why this is so, but such arguments also fall in the face of scrutiny. One of the chief problems with the fringe position is the tendency to pull the Great Pyramid out of context, as though it somehow stands alone, unrelated, in the span and breadth of pharaonic Egypt. This dooms the fringe stance from the start.

I would like to relate some points in the orthodox position that makes it clear the Great Pyramid was a tomb. This article is not about how the pyramid was built, which is another debate altogether. I will discuss evidence relating only to the pyramid’s purpose as a royal burial.

Provenance & Attestation

To begin, we need to establish a couple of things: when the Great Pyramid was built and for whom it was built. Both points are often called into question by fringe adherents. A common fringe theme is that the Great Pyramid was built by a lost civilization on the order of 10,000 or more years ago. However, on two separate occasions, in 1984 and 1995, numerous monuments dating to the Old Kingdom and Middle Kingdom were subjected to extensive carbon dating; more than 450 organic samples were extracted for analysis (Bonani et al 2001: 1297). More than forty samples were extracted from the Great Pyramid alone–principally from mortar in many different spots all over the monument. The orthodox date for the Great Pyramid is generally 2500 BCE, and the carbon dating has established that the Great Pyramid might have been erected a little earlier (c. 2604 BCE) but no more than around 150 years earlier than conventionally thought (ibid: 1315).

Naturally, when presented with this science, fringe adherents typically resort to such statements as: “Well, the dating is wrong because C14 is not reliable.” This statement itself is wrong. By this point in time C14 dating has become a highly accurate and reliable method for dating most anything organic up to about 50,000 years old. Indeed, all such a statement shows is the fringe’s inability to learn about the science or to deal with it in realistic terms.

As mentioned, also questioned by the fringe is the fact that the Great Pyramid was erected for King Khufu, in Dynasty 4 (conventionally spanning 2597-2471 BCE). Khufu is believed to have reigned between 2547 to 2524 BCE. The carbon dating might be telling us he lived somewhat earlier, but the fringe camp argues that the Great Pyramid bears no inscriptions proving the pyramid was built for Khufu. This is incorrect. There is ample graffiti in the sets of relieving chambers above the King’s Chamber that prove the Great Pyramid was built for Khufu.

I’d like to return to the workmen’s graffiti a little later, but provenance and attestation are established: the Great Pyramid was built in the Early Bronze Age, during Dynasty 4 of pharaonic Egypt, and it was built for Khufu.

The Pyramid in Cultural Development

Many fringe arguments are very misleading, either on deliberate grounds or simply due to a lack of familiarity with the known facts of pharaonic Egypt. For instance, you will often see a fringe argument stating in wonder how the Great Pyramid seemed to have popped up out of nowhere, with no observable cultural or architectural antecedents; indeed, this is often stated of the dynastic civilization in general. It is patently false. Egypt became a kingdom around 3100 BCE, some 600 years before the Great Pyramid was erected, and there is ample evidence in the archaeological and material record for the dynasties preceding Khufu’s time.

The earliest kings of Egypt came from the south or upper valley; in the current literature this is sometimes referred to as Dynasty 0, more often as Dynasty 1 of the Early Dynastic Period, and also often by the designation Naqada IIIc; again, this was around 3100 BCE. These kings were buried in tombs at an ancient cemetery at the site of Abydos (ancient Abdju). Specifically, they were buried in Cemetery B, known by the modern Arabic name Umm el Qaab. Nearby is an even older site known as Cemetery U, where powerful regional rulers had been interred in the times soon before state formation; in Cemetery U was found the tomb designated Uj, from which was excavated the oldest-yet known hieroglyphs, dating to around 3200 or 3300 BCE. About a mile to the north of the tombs at Umm el Qaab, these kings erected large enclosures of mud brick. The largest that survives is that of Khasekhemwy, last king of Dynasty 2. It goes by the name Shunet el Zebib today. The precise purpose for the enclosures is uncertain, but there is consensus among scholars that some sort of cult for the deceased king took place in them (O’Connor 2009: 159-163). This pattern will be seen in pyramid complexes, which I’ll discuss below.

Several royal tombs dating to Dynasty 2 were built in Saqqara, revealing that the siting of the royal necropolis was moved from ancient Abydos to the area of the new administrative capital of Memphis (ancient Mennefer), in the north. These tombs are poorly understood because the pyramid complex of King Djoser, to be discussed presently, was built over a couple of them and the superstructures were obliterated (Verner 2001: 122). The same is true for a couple of other Dynasty 2 royal tombs just to the south, which were obliterated by the pyramid complex of King Unis in Dynasty 5. In fact, while the subterranean spaces of these Abydos and Saqqara royal tombs are fairly well preserved, their superstructures are not. It’s not clear what form the above-ground portions took. It’s evident at Abydos that the royal tombs were topped by a large, landscaped mound, at least over the areas of the burial chambers, and this was likely the genesis of the mastaba tomb, which would be a common means of burial for elite individuals throughout the Old Kingdom.

A powerful king named Netjerikhet came to the throne around 2663 BCE, at the start of Dynasty 3. Netjerikhet was most likely the son of Khasekhemwy, mentioned above. Netjerikhet is more commonly known today by the name Djoser, which may have been an alternate name for him but this much is unclear. The name Djoser appears in graffiti dating much later, but this is the name I’ll use because it’s more familiar to the general reader. Djoser’s principal claim to fame is his magnificent Step Pyramid complex in Saqqara. Rightly so. This complex represents not only many innovations in stone architecture by ancient Egyptian craftsmen, but features as its focal point the first pyramid built by mankind. It is actually a series of stepped mastabas, one atop the other, and careful analysis of the monument has revealed that it underwent a number of architectural revisions before it was completed. This was the first royal tomb also to bring the various elements into one place: the tomb in which the king was buried, and the cultic buildings wherein his soul was venerated and sustained (recall the Abydos tombs and their temple-like enclosures a mile to the north). Djoser’s complex includes structures for the eternal celebration of his Sed-festival, a ceremony of renewal forever guaranteeing the existence of the deified king (ibid: 129).

So we can see through these examinations how the royal tomb developed from Dynasty 1 to Dynasty 3 into a pyramid. Several unfinished pyramids date to after the reign of Djoser, and the next great king to come to the throne was Sneferu at the start of Dynasty 4, who reigned 2597-2547 BCE. Sneferu was the greatest builder of the entire Old Kingdom and erected three different pyramids during his reign: his first pyramid at Meidum and then the Bent Pyramid and Red Pyramid, both at Dashur. The Medium pyramid, also known as the Tower Pyramid from the exposed core due to the outer casing stones collapsing in ancient times, is sometimes argued to have been built by Huni, last king of Dynasty 3. Most scholars today, however, agree that it was Sneferu’s first pyramid. The significance with Sneferu is that he was the first to perfect the true pyramid. This was actually the Bent Pyramid, despite its odd shape. The Meidum pyramid began as a stepped structure and analysis has shown that it was converted to a true pyramid later in Sneferu’s reign. And in these three pyramids of Sneferu we see design and architectural elements that were perfected in the Great Pyramid (ibid: 176-177), such as the corbelled ceiling.

Sneferu’s son and successor was none other than Khufu, builder of the Great Pyramid. Thus far, then, we can trace the history of royal-tomb building all the way back to Dynasty 1, if not even farther. We can see how the pyramid evolved in royal mortuary architecture, and how it developed from stepped to true form. This brings us to the Great Pyramid.

Akhet Khufu

The Egyptians called the Great Pyramid Akhet Khufu, the “Horizon of Khufu.” This king took the throne around 2547 BCE (I continue to use conventional dates, although reminding the reader that the carbon-dating analyses might be pushing us a little farther back in time). The sites discussed so far–specifically Abydos, Saqqara, Meidum, and Dashur–were royal necropoli. Cemeteries for kings, in other words. At these sites were interred family members of these kings as well as noblemen and other officials who served in the courts of these kings. The same is true for Giza, which Khufu established as a new royal necropolis when he ascended to the throne. These were not farm fields or sites of industry but cemeteries, exclusively. They were cities for the dead.

The carbon dating establishes that the orthodox timeline is essentially correct for the Great Pyramid, and the above-mentioned workmen’s graffiti establishes that the Great Pyramid was built for King Khufu. I’d like to spend a moment discussing this graffiti now. It’s important to understand that this graffiti was written within relieving chambers designed to lessen the stress on the King’s Chamber, given the enormous mass of masonry existing above the King’s Chamber. These relieving chambers were sealed and entirely unknown to us until an explorer named Colonel Richard Howard Vyse blasted his way into them in March 1837. The lowest chamber actually had been found by Nathaniel Davison in 1765 but contained no graffiti; Vyse speculated there may have been more chambers above this one. His method of getting into the upper chambers was certainly reckless, but he was correct. It was in these chambers that the graffiti was found.

Fringe adherents have tried to argue that the graffiti was a hoax on the part of Vyse. This was strenuously argued by Stichin in The Stairway to Heaven (1980), but his argument and all subsequent arguments built along these lines have been absurd. There is no question the graffiti is authentic. Some of it disappears between massive blocks of masonry, and can be seen but not accessed in loose joins. In other words, some of this graffiti had to have been painted onto the stones before they were put into position inside the relieving chambers. The graffiti is without question contemporary to the time of the building of this pyramid. It’s also quite interesting.

Deciphering the linear glyphs was arguably not fully possible in the time of Colonel Vyse, but it is fairly well understood today. The earliest such graffiti is actually found on the Meidum pyramid of Sneferu and records the names of phyles (work crews) that had labored there (Roth 1991: 125); the graffiti in the relieving chambers of the Great Pyramid contain even more information. The names of three different phyles are extant, all based on permutations of Khufu’s name (ibid):

Seven blocks of masonry with the king’s Horus name, Medjedu (Hr-mDdw)

Ten blocks of masonry with the king’s full name, Khnum-Khuf (Xnmw-xwf)

Two blocks of masonry with the king’s abbreviated name, Khufu (xwfw)

In fact, the spatial arrangement of the graffiti allows us to determine which crews were responsible for specific parts of the relieving chambers as they were being built (ibid: 127). These phyles left us no doubt the great monument they were building was for their king, Khufu.

Although the Great Pyramid has several architectural features and arrangements that make it stand out a bit from other pyramids before and after, it is not so different that we have license to pull it out of context and separate it from pharaonic Egypt altogether. It belongs in the development of royal tomb architecture and it is but the largest pyramid built for the interment of a king. Also clarifying the purpose of burial is the granite sarcophagus in the King’s Chamber. This is one of the earliest sacrophagi of granite the Egyptians ever attempted, but to the point, sarcophagi in pharaonic Egypt served one purpose and one purpose only: the interment of a body. It is strictly a form of burial equipment. In my own experience, I have never seen a fringe adherent adequately provide an alternative explanation for this sarcophagus.

Ancillary Constructions

No Egyptian pyramid stands alone. In every case where one was built, it was part of a wider complex. This is so with Khufu’s, and it is another reflection of the development of royal burial cults. The pyramid was the structure in which the king’s body was interred and from which his soul would ascend to the heavens, but adjoining the pyramid was a temple connected to another temple via a stone-built causeway. The temple adjoining the pyramid, usually on the east face as is the case with Khufu’s, is typically referred to as the mortuary temple. At the other end of the causeway was the structure typically called the valley temple. In Khufu’s case only a small portion of the valley temple has been found because nearly all of it lies under the modern suburban sprawl of Cairo. The causeway itself is in ruined condition. All that one sees of the mortuary temple today, against the east face of the pyramid, are the basalt paving stones. However, careful archaeology of the site over the years has enabled us to get a working idea of what it might have originally looked like.

Archaeology has also recovered fragments of inscribed masonry once adorning the walls of the mortuary temple, causeway, and theoretically the valley temple. These fragments have been excavated from the Giza site itself (example here), and others have been recovered from the Dynasty 12 pyramid of a Middle Kingdom king named Amenemhat I (1994-1964 BCE); his pyramid is at Lisht. It was common for kings throughout pharaonic history to incorporate bits and pieces of monuments from the reigns of earlier kings, particularly kings who were remembered as great in their time. These inscribed fragments from Giza and Lisht show typical mortuary scenes such as personified estates, male and female, bringing offerings to sustain the soul and the cult of the deceased king (Hawass 2006: 69). Numerous instances of Khufu’s titulary are also extent in the fragments. Other fragments bear scenes of the Sed-festival (ibid: 72), stressing the renewal of Khufu just as Djoser had done for himself in his complex at Saqqara. Khufu’s fragments further preserve an unusual scene depicting the canid god Wepwawet (ibid). The name of this god means “Opener of the Ways” and he is seen in numerous examples of iconography dating all the way back to Dynasty 1 (Wilkinson 2000: 297-298). Although Wepwawet served functions to the king’s cult in life, he was a primary underworld deity who guided the king into his afterlife.

Other fragments preserve scenes of the king with foreigners, in some instances receiving them and in others subduing them in typical pharaonic combat posture. These fragments are believed to have come from the valley temple or along the early portions of the causeway, based on extant examples in other pyramid complexes. Altogether, these fragments reveal the traditional purpose for the temples and pyramid: the site where the king’s soul would ascend to the heavens, and where he would forever be venerated and sustained. Moreover, the cemetery that grew around the Great Pyramid, much of which was probably being planned and laid out at the same time as the pyramid itself, contains the burials of family members to the east and high court officials to the west. Included among the former is Khufu’s mother, Hetepheres; a prince named Kawab; another prince named Djedefhor who would end up succeeding Khufu under the name Djedefre (he would build a pyramid at Abu Rawash); and yet another prince named Khafkhufu who would succeed Djedefre under the name Khafre (he would return to Giza, where he built the second pyramid) (Hawass 2006:95-96). And of course there were the three small queens’ pyramids outside the east face of the Great Pyramid.

All of these structures–Great Pyramid, mortuary temple, causeway, valley temple, neighboring tombs–were built at about the same time. There is no doubt the entire complex was funerary in nature.

Tomb Robbing

A frequent argument put forth by fringe adherents is that no body was found in the Great Pyramid, so it cannot have been a tomb. This is one of the weakest arguments of all. There were more than three thousand years of kings in pharaonic Egypt, and with but a scant handful of exceptions–the tomb of Tutankhamun and a couple of royal tombs from a later period, at the site of Tanis–no royal tomb has yet been found unviolated. Indeed, it’s safe to say that of all of the tombs in general which archaeologists have excavated, the vast majority had experienced tomb robbing at some point in ancient times. It is extremely rare for archaeologists to find an intact or mostly intact tomb. Pharaonic Egypt experienced numerous periods of decline and destabilization–especially during the three intermediate periods–and in each of these periods, the breakdown of state authority was matched by the influx of tomb raiding.

Giza was no different. The first instance of the breakdown of state authority began around 2200 BCE, at the end of Dynasty 6. This marks the close of the Old Kingdom and the beginning of the First Intermediate Period. This period lasted at most about 200 years but was particularly marked by destabilization and civil war. The Giza necropolis bears ample evidence of plundering during the First Intermediate Period (Kákosy 1989: 145). It’s not so easy to say that the Great Pyramid was violated at this time, however. In fact, it’s unlikely that it was, although its attendant temples and neighboring tombs probably were. Exactly when the Great Pyramid was raided has long been debated, although Strabo records a movable stone in the face of the monument that led to a sloping passage; Arab accounts in the early Islamic period mention numerous mummies found within the pyramid (ibid: 159, 161), suggesting intrusive burials from later pharaonic periods. Based on available evidence, the lower corridors and chambers were raided first and the upper ones at a later time. In all probability Khufu’s monument could’ve been raided in the later Persian Period, prior to the conquest of Alexander the Great, although raiding could’ve occurred as late as the time of Caliph Al-Ma’mun, in the ninth century CE. (ibid: 162).

The point is, at some point in time the Great Pyramid was raided. All Egyptian pyramids were. Almost nothing contemporary to the time of a pyramid has been found in that pyramid by archaeologists. In only a couple of cases have human remains of a king been found in the burial chamber. Tomb robbers were thorough, and tomb robbing occurred in the same tombs down through time until literally nothing worth taking was left.

An argument based on the absence of a body is, quite honestly, pointless.

Pyramid Texts

This is the last evidentiary point I wish to make. I usually shy away from arguments employing the Pyramid Texts in relation to the Great Pyramid because no know example of the Texts exists from the time of Khufu. The earliest Pyramid Texts we have are those inscribed inside the pyramid of King Unis (2385-2355 BCE), who reigned at the end of Dynasty 5. This was roughly 150 years after the time of Khufu.

Still, it can be useful to turn for a moment to the Pyramid Texts, which is the oldest religious corpus in the world. These were funerary spells devised to aid the soul of the deceased king in its journey up into the heavens. That they existed prior to the time of Unis is generally agreed by scholars; earlier examples were probably written and kept on papyrus and did not survive. The language of the Texts is written in a form antiquated even by the time of Unis; the language evidences phonological and grammatical differences from other inscriptions of the Old Kingdom, and it’s clear the orthography was still in the process of development (Hornung 1999: 5). Changes in pronoun usage suggest the Texts were undergoing different applications of a funerary nature through time (ibid: 4).

The spells that comprise the Texts make it abundantly clear that they were used for the dead. They are replete with references to the pyramid as a tomb. Many of them were probably read aloud during the funeral, and their permanent inscription onto the stone masonry made them available to the soul of the king forever. The spells were inscribed in such a way that an order is observable. They start in the burial chamber and continue in a logical sequence past the antechamber and down the corridors to the exit of the pyramid: in other words, the direction in which the soul of the king was meant to travel. The burial chamber corresponds to the underworld, from which the soul of the king would arise to rejoin his mummy; the antechamber represents Akhet, the horizon, where the soul of the king became an akh, or “effective spirit;” the corridor leading from there to the exit represents the passage by which the king’s soul would arise into the heavens. All of the spells inscribed into the walls make this clear.

Khufu’s pyramid may not have Pyramid Texts, but bear in mind Unis’ pyramid was built only around 150 years later. The Pyramid Texts in his burial and in all of the pyramids down to the end of Dynasty 6 reveal that the pyramid was regarded as a tomb. It would be highly illogical to suspect that the purpose of a pyramid fundamentally changed between the time of Khufu and Unis.

The pyramid was a tomb. In the above article I have attempted to explain some of the highlights whereby orthodox research has made this clear to us. And as long as this article is, trust me, I have provided but a summary of evidence. I could fill a book, as many professional historians have–and much abler than I have. The Great Pyramid cannot be viewed out of context. It does not exist in a vacuum. When viewed in its proper context, there can be no other conclusion than that it was built for King Khufu and was specifically for the burial of this great monarch of Dynasty 4.

Over the years on the internet I’ve encountered the subject of an ancient Egyptian glazed plaque supposedly mentioning the “Anu People.” You will see this plaque featured on some web pages, including this one, and usually in historically revisionist form. It is particularly popular among the afrocentric set of historical revisionists. These folks are of proud African descent and in their zeal they try to present ancient Egypt as a homogeneous, unwavering race of black Africans. In the other extreme are eurocentrists who try to paint the founders of the great civilization of ancient Egypt as European in origin.

Both are wrong. Professional research and scientific inquiry have demonstrated to us that, not surprisingly, the original population of the Nile Valley was a lot more complex than that. It is extremely rare in the analysis of ancient history for us to find a topic so black and white, so to speak. Ancient history was not produced by a cookie-cutter pattern. It is our own failing that many of us bring modern racial baggage to historical debates, which is something that would be certain to confuse an ancient person. Taking ancient Egypt as an example, there is really nothing in the historical record of the ancient Nile Valley that would lead us to suspect the Egyptians thought in rigid racial terms. Indeed, ancient Egyptians were like so many other neighboring civilizations: as long as you belonged to the group, you were fine; if you belonged to another group, you were inherently inferior. Xenophobia was the rule, not racism. Skin color was not necessarily a factor.

More on that at the end of this article, but suffice it to say the ancient Egyptian glazed plaque in question has entered this sphere of racial debate. It appears in Flinders Petrie’s 1939 publication The Making of Egypt, wherein Petrie produced a badly mangled translation of the few glyphs appearing on the plaque. Here is how it is typically presented on the internet:

Recently there was an exhibition called “Visible Language” at the Oriental Institute Museum, in Chicago. This plaque is in the collection of the O.I. (OIM E7911) and was one of the artifacts on display in the exhibition. As a docent, when I gaze at this relic what I appreciate is its great antiquity–coming as it does from the very dawn of the Egyptian kingdom. Unfortunately I am also reminded of how it’s treated on the internet. A person’s skin color is irrelevant to me, but what rankles me is when a bit of history, even this small and unassuming glazed plaque, is twisted to suit a modern socio-political agenda.

Now, here is a color-coded photo of the plaque with its glyphs offset at right. The hieroglyphs are faint to see on the plaque itself, so I thought representing them in line-art would be more helpful for my purpose:

The above translation from the web page is wrong on all counts, although the name of the individual in the figure standing at left comes close. His name (shaded in red) is transliterated as tri-nTr. It can be rendered as Terinetjer (as one example) and can be translated as “One who worships the gods.” This is his name, not a title. The translation of the glyphs I’ve shaded green are still the subject of dispute but the current transliteration is nxn.w (MacArthur 2010: 136), which can be rendered as Nekhenw. It is believed that this is the name of an estate of which Terinetjer may have been in charge (ibid); more on that presently.

The translation from the web page breaks the next set of glyphs into two lines: “of the god Seth / Net Annu-u: ‘of the Cities of the Annu People’s.'” This is incorrect. In my own image this is the area I’ve color-coded blue, and it’s simply a cadrat or square of glyphs all of which belong together when read. The correct translation is Menhet (transliterated mnH[.t]), and is the name of a town. It’s location is not known today but it was probably the nearest settlement of size to the estate called nxn.w (Nekhenw).

The word “Anu” or “Aunu” or other variations does not appear anywhere on this plaque. The web page to which I’ve been referring (see link in opening paragraph) quotes Petrie from his The Making of Egypt:

The Aunu People. Besides these types, belonging to the north and east, There [sic] is the aboriginal race of the Anu, or Aunu, people (written with three pillars), who became a part of the historic inhabitants. The subject ramifies too doubtfully if we include all single-pillar names, but looking for the Aunu, written with the three pillars, we find that they occupied Southern Egypt and Nubia, and the name is also applied in Sinai and Libya (Petrie 1939: 68).

This information about the Anu and the pillars is incorrect and is not linguistically supported in the hieroglyphic script in this instance. It must be understood that in this early time the understanding of hieroglyphs was leaps and bound behind what we know today; moreover, Petrie himself was the first to admit his own acumen with hieroglyphs was quite limited. He never delved into comprehending the script as he did with other things historical, and his achievements as the “founder of Egyptology” lay in other matters altogether, particularly in stratigraphy and other dating methods and archaeological techniques.

Perhaps some of you are wondering where I’m going with this. I opened with a caution against revisionist tendencies like afrocentrism and eurocentrism, and Terinetjer’s plaque has fallen into this sphere. For one thing, afrocentric websites point at the negroid appearance of Terinetjer, and they turn to Petrie’s own descriptions in The Making of Egypt (in which Petrie notes physical characteristics of Terinetjer together with human remains he had excavated at Tarkhan [ibid]). Terinetjer may or may not appear as what we might think of as a black African. As any well-trained student of ancient Egyptian art history can tell you, deducing racial types from pharaonic art is often fruitless (albeit not always). The way Terinetjer appears on the plaque may be nothing more than a stylistic preference or a lack of skill, for that matter.

The point is, when one understands an artifact such as Terinetjer’s, one knows that depicting the race of the individual was irrelevant. Preserving that individual’s name and titles is what mattered to the ancient mind. This is why Terinetjer is presented with the probable name of an estate he served, nearest the town where it was located. The plaque was found in a funerary context in Abydos, one of the most ancient cemeteries of Egypt and the first royal cemetery. It was recovered in one of Petrie’s excavations there. The web page mentions that the glazed plaque is predynastic, but it is not. It is dated to Dynasty 1 (MacArthur 2010: 136). Egypt had become a kingdom, and Terinetjer served a king of Dynasty 1. A myriad of estates grew produce and prepared other goods for the funerals of kings, and the names of these estates are preserved on many tags and plaques from this period. Plaques like Terinetjer’s reflect the prestige of belonging to the central administration and contributing to the funerary economy (Stauder 2010: 144-45). This is what Terinetjer’s plaque is about.

It is well understood that the kingdom of Egypt grew from tribal societies scattered throughout the Nile Valley. Something of this tribal origin is preserved in the complex and varied religion of pharaonic Egypt, but identifiable socio-political traits of the original tribes quickly disappeared once state formation was achieved. Henceforth, the king and nobles and other elites presented themselves not as members of this or that tribe but as the ruling class of the kingdom. This is to stress the fact that no group of Egyptians, to my knowledge, ever called themselves the “Anu People.” Such a claim is a fallacy based around a bungled translation.

There is a sad irony in the afrocentric promotion of Terinetjer’s plaque. The web page quotes a number of statements from Petrie’s 1939 publication, probably due to the assumption that as the founder of Egyptology Flinders Petrie is a solid source to use. In most ways he is, but the fact is, Flinders Petrie was one of numerous scholars in the early days of Egyptology who believed the kingdom of Egypt was founded not by the population of the Nile Valley but by a “dynastic race” that came in from the outside (Drower 1995: 181, 213, 217). Bearing colonial attitudes, Europeans of the day had a hard time fathoming that Africans could have created such a remarkable, powerful, and long-lasting kingdom.

This notion is no longer credible (Wilkinson 2003: 187). It might be easy for us to condemn such a bias attitude, but it’s also true that in Petrie’s day very little was known of the origins of pharaonic Egypt. In fact, in Petrie’s day, many thought the Old Kingdom was the beginning of pharaonic Egypt. We know today that the kingdom stretched much farther back than that. And another irony is that Petrie himself was one of the archaeologists most responsible for opening this reality to us. Petrie excavated sites that helped us to begin to understand the prehistory of Egypt and the origins of the peoples who had lived there. Nevertheless, Petrie went to his grave rigidly holding to the outdated notion of the “dynastic race.”

More current archaeology and research has settled this issue. Dynastic Egypt was founded by the Egyptians themselves. Peoples moved from the south into the Nile Valley, from the western deserts, from the eastern deserts, and from the northeast. From the beginning, the population of the Nile Valley was racially and ethnically mixed. To me, personally, this had to have been one of the strengths of the kingdom of Egypt. In the words of Toby Wilkinson, one of the leading researchers of prehistoric and Early Dynastic Egypt: “…at its most fundamental, pharaonic civilization is an Egyptian, indeed an African phenomenon” (ibid).

When it comes to studying ancient Egypt or any other ancient civilization, it behooves us to dispense with our modern racial baggage. We must approach the ancient civilization on its own terms: how its own people thought and felt, not how we think and feel. As difficult as this can be for many modern people to do, it is essential to do so. With ancient Egypt in particular, what most matters is what this great civilization accomplished in the course of more than 3,000 years. What color their skin was is irrelevant. I’m quite certain Terinetjer would agree.