The most cosmically expansive and exciting work yet from
composer/coronet player Rob Mazurek's Exploding Star Orchestra – dedicated to
Amiri Baraka, and infused with the righteous, poetic spirit of Baraka's work
with Sun Ra! The Exploding Star players include some Chicago underground heroes
and heroines of longstanding brilliance, including flautist Nicole Mitchell,
guitarist Jeff Parker, drummers John Herndon and Chad Taylor, bassist Matthew
Lux, and Damon Locks on electronics and with some subtly righteous spoken word
– along with Mazurek's Sao Paolo Underground cohorts Mauricio Takara and
Guilherme Grandando, and last but not least, pianist Angelica Sanchez – all of
whom have ample space to shine. Galactic Parables Vol 1 is a 2 disc set, one
featuring the compositions as performed in Sardinia, and a second CD of their
performances at the Chicago Cultural Center, which is a smart approach, given
the improvisational nature of the material. There's plenty of space for the
players to explore, and the differing performances are no doubt colored and
shaded in different ways by different environments. Amazing stuff! Titles
include "Free Agents Of Sound", "Make Way To The City",
"The Arc Of Slavery #72", "Helmets Of Our Poisonous Thoughts
#16", "Collections Of Time" and "Awaken The World
#41". ~ Dusty Groove

KENNY BARRON / MARK SHERMAN - INTERPLAY

A great meeting between jazz piano legend Kenny Barron and
the younger, brillant vibes player Mark Sherman – Barron being a veteran of top
notch duo settings, and Sherman newer to it – but Sherman succeeds here
mightily! Interplay couldn't be a more fitting title, as the pair are perfectly
simpatico – working together on a range of material and a lone Barron original,
it's wonderful from track-to-track – feeling like one of the coziest, strongest
latenight jazz club sessions you'd ever be lucky enough to see. Includes nice
takes on the tried-and-true "Afternoon In Paris", "Dear Old
Stockholm" and "Indian Summer", the Barron composed waltz
"Venture Within", Dexter Gordon's "Cheese Cake", the
Charles Mingus gem "Orange Was The Color Of Her Dress, Then Blue
Silk", "Polka Dots And Moonbeams", "Without A Song"
and more. ~ Dusty Groove

PAQUITO D’RIVERA & QUINTETO CIMARRON – AIRES TROPICALES

One of the most creatively adventurous efforts in years from
Paquito D'Rivera – which is saying something, as he's never lacking in ambition
– and it finds the style-straddling clarinetist joined by the Cimarron string
quintet! Quinteto Cimarron is a Cuban combo that leans more towards
contemporary small combo classical, with a pair of violins, viola, cello and
contrabass – and Paquito's clarinet and occasional saxophone feels right at
home in the mix. There's no additional accompaniment, nor is it needed, it
works brilliantly as is, with arrangements by Eduardo Cana Flores, and titles
that include "Alborada Y Son", "Wapango",
"Habanera", "Afro", "Contradanza",
"Martica", "Longina", "Notas De La Habana",
"La Rity", "Dna Vainilla", "Zumolanida",
"Isora Club", "La Rity" and more. 17 in all! ~ Dusty Groove

This new
compilation “Young Girl Sunday Jazz” makes Greetje Kauffeld’s lost jazz songs
from the 1960s available on CD and vinyl LP. Mainly included are recordings
from the private vaults of the singer or from musicians’ and collectors’
archives, with music performed between 1960 and 1969 at concerts, in the studio
or at sessions for radio and tv. Greetje in top form, accompanied by some of
the most excellent Dutch and German jazz musicians! Moreover, all four tracks
of her first and only jazz EP from 1960, entitled “Makin’ Whoopee”, are
reissued here for the first time.

The 16
remastered songs fill a major gap in her discography. Not even one jazz record
by Greetje Kauffeld was released during the course of the 60s, although she
regularly performed on stage as a truly gifted jazz singer. Her story of a
recorded but never released Bossa Nova album, produced 1967 with Oscar Castro
Neves in Los Angeles, and its corresponding master tape that somehow landed in
the trash bin, fits well into the picture: Until today, she remains one of the
great European jazz voices of the 1960s, but without accompanying releases from
that period.

Already as a
little girl Greetje sang while listening to jazz recordings on the radio or on
records. She gained a broad knowledge of the song repertoire, by listening only
and without the need to memorize the English lyrics. Greetje had music in her
heart and knew exactly: “I want to be a singer”. In the school band “The
Raindrops” she had her first practical experience. Then in 1957 the artist
began to work in a professional environment. The German magazine “Jazz Podium”
reported: “The 17-year-old Greetje Kauffeld is the new singer of the Dutch big
band The Skymasters. Greetje made her debut in Cologne, where her predecessor
Annie Plevier found a new home. Annie has left the Skymasters because she got married
in Cologne”.

This is
something of a leap in the dark for the young and self-confident lady from
Rotterdam, who responded to a newspaper advertisement placed by the popular
Radio Orchestra under the direction of Bep Rowold. Greetje made her first appearance
as the new vocalist of the band at Guerzenich Cologne, also sang at the
Tanzbrunnen and then went on a four-week tour with the musicians through the
Ruhr area. A little later her first shellac record with the Skymasters was
released on the Dutch Decca label, but “Kindje” appeared to be a naive pop song
and a foolish idea by her record company. Her other Dutch pop records of the
time largely flew under the radar and commercially failed.

However, in
the same year the song “Who Knows Why”, with which the singer won the first
prize at the Song Festival in Venice, incorporated an intense jazz feeling.
Erwin Lehn sat in the audience and invited the young artist to work with his
Big Band of the South German Radio. As late as 1960 a recording of the song was
included in her first and only Dutch jazz EP, produced with the quartet of
saxophonist Tony Vos. This Decca 7inch record contains three more songs and
remains Greetje’s only jazz release from the 60s: “Almost Like Being In Love”,
“Makin’ Whoopee” and “Orange Coloured Sky”.

A year later
she moved to Stuttgart and topped the German charts with Schlager songs for
Polydor and Columbia. Her record bosses were happy and helped to establish the
pretty girl as a successful German pop singer. Nevertheless, in the background
she continued to focus on her jazz career, clearly audible in these recordings
with top-notch musicians, both from the Netherlands and Germany. But then,
after the beginning of the 70s and a long stay in Los Angeles, Greetje finally
left the entertainment industry and decided to devote herself entirely to her
passion for jazz, especially to the songs from the Great American Songbook.

From 1974
on, her husband Joop De Roo produced the vocal jazz albums “And Let The Music
Play” (arranged by Jerry Van Rooyen and Rob Pronk), “He Was A King Uncrowned”
and “Some Other Spring”. Most of the included songs were already re-released on
Sonorama Records and have been sold in many countries. During those times,
Greetje performed with the who’s who of the European jazz elite and with
American stars such as Phil Woods, Stan Getz, Mark Murphy or Herb Geller. In
the 1980s and 90s she also released outstanding jazz records as a freelance
singer, including the marvelous album “The Real Thing” with Humphrey Campbell.

In addition,
Greetje became a singing teacher, first at the conservatories in Hilversum and
Zwolle. Later she also worked as a vocal coach for artists like Roger Cicero or
Ulita Knaus. Her album “My Shining Hour”, released in 2005 and recorded with
the Paul Kuhn Trio featuring Paulo Morello and Kim Barth, was highly praised by
critics and audiences alike. These days, she perfoms up to 80 concerts a year,
with small and large ensembles between Trio and big band – in small clubs and
at major festivals in Germany and Holland, e.g. over twenty times at the famous
“North Sea Jazz Festival”. Thank you for the music, Greetje. Your modesty is
one of your greatest charms!

Thursday, May 28, 2015

Jazz guitarist Jimmy Dale is turning heads with his new original single “Dear Mr. Benson”. This week Dale hits SmoothJazz.com’s Radar chart at #61. Right now his single is getting spins on numerous terrestrial and online radio stations such as CJazzChannel.com, KSHK 103.3 in Hawaii, Phase-Radio Show 90.5 FM, Smooth Jazz Florida, SmoothJazz.com, WFSS 91.9 in North Carolina, WOWE 98.9 in Michigan, and WTCC 90.7 in Massachusetts. His musical journey started at the age of 12 when he first learned how to play the guitar. When he first saw the movie A Hard Days Night from The Beatles, he claimed “I was lost in the life of music forever.” Jimmy also attended Berklee College of Music in Boston and UC Santa Cruz. He studied music with guitarists: Ted Greene, Carl Verheyen and Davis Ramey, trumpet/composition with Randy Masters and Tony Horowitz, mathematical composition with Joe Sekon, bass with Ray Drummond, and music arranging with Don Schamber.

JACK PACK

Jack Pack is a uniquely contemporary swing pop group is made
up of four distinct vocalists Andrew Bourn, Alfie Palmer, Martin McCafferty and
Sean Ryder Wolf, who channel an elegance reminiscent of the last days of true
Hollywood glamour with a quintessentially British twist. After signing to Simon
Cowell’s Syco Music roster following Britain’s Got Talent 2014, Jack Pack
release their self-titled debut album. Jack Pack has been recorded with a
72-piece orchestra, hearing the group put a contemporary stamp on much-loved
classics like “Light My Fire”, “I Put A Spell On You” and “My Way”. The album
also features brand new original recordings including a previously un-released
track penned by Grammy and Academy Award-winning singer/songwriter Randy Newman
titled “Forever”. ~ Amazon

VINICIUS CANTUARIA – VINICIUS CANTA ANTONIO CARLOS JOBIM

A truly beautiful tribute to the classic songcraft of
Antonio Carlos Jobim – done with warmth, reverence and soul-stirring voice and
guitar by Vinicius Cantuaria! The Tom Jobim songbook is timeless, of course, so
it shouldn't come as a surprise that one of the finer Brazilian voices of a
later generation could handle it, but this set is exceptionally strong! Some of
the best numbers are on the spare side, with Cantuaria's voice up front in the
mix, giving it an intimate quality that we love – but it also includes some
wonderful musicians from both Rio and Tokyo – where the tracks were recorded –
plus some nice guest guitar work by Bill Frisell on a couple tunes and a lovely
duet with Joyce. Includes "Ligua", "Caminhos Cruzados"
featuring Joyce, "Vivo Sonhando", "So Danco Samba",
"Este Seu Ohlar", "Retrato Em Branco E Preto",
"Felicade", "Insensatez", "Inutil Paisagem",
"Voce Vai Ver", "Por Causa De Voce" and more. 13 in all. ~
Dusty Groove

Pianist and composer Caili O'Doherty steps into the top tier of promising young
jazz artists with the release on July 7 of her sparkling debut album, Padme, on
her ODO Records imprint. O'Doherty's prowess on acoustic and electric keys, her
proclivity for writing airy, flowing melodies, and her clear vision as a leader
are much in evidence on the new CD.

The album title means "lotus flower," which
"begins growing at the bottom of a muddy pool, emerges and blooms on the
surface of the water during daylight, and then closes and sinks below the
surface each night, to bloom clean the next day," she says. "To me,
it embodies the idea that each person, despite the conditions they start from,
can hope to realize their dreams."

For Caili (pronounced "KAY-lee"), jazz is an
extension of the lotus flower, imbued with qualities that resonate in people
living through difficult circumstances -- helping them to recognize and connect
with their dreams. Nourished by her experiences in Africa, Central and South
America, and Europe, as well as in New York, Washington, DC, and her hometown
of Portland, Oregon, O'Doherty's interest in the unifying impact of music
across different cultures finds a stirring voice in her beautifully varied
compositions.

The recipient of two DownBeat awards and an ASCAP Foundation
Young Jazz Composer Award in 2009, Caili has an unusual approach to composing.
She writes lyrics to her songs to imbue in them the stories of her journeys and
discards the words when the pieces are completed. This gives her melodies a
natural rhythm of language.

All of the songs on Padme have an engagingly light quality,
even when probing dark themes. Her lyrical touch on piano opens the way for
fetching arrangements involving violin and trombone, wordless vocals, the
guitar of guest artist Mike Bono on the title track, and the earthy drumming by
the stellar Adam Cruz on the gorgeously harmonized "Prayer Song."

Padme captures a terrific group of young artists with whom
O'Doherty enjoys strong ties. They include bassist Zach Brown, violinist Alex
Hargreaves, and guitarist Mike Bono, who were all at Berklee with Caili;
drummer Cory Cox and tenor saxophonist Ben Flocks, who were at the Stanford
Jazz Workshop with her; and alto saxophonist Caroline Davis and trombonist Eric
Miller, whom she met after moving to New York.

The 23-year-old O'Doherty started classical piano lessons at
five and began playing jazz at 11, studying under celebrated educator Thara
Memory. After being selected for the Berklee Summer Jazz Workshop band, led by
drummer Terri Lyne Carrington, Caili was awarded a full scholarship to the
Boston school. Since she had only completed her sophomore year of high school
when she received the offer, she took extra courses and graduated a year early
in order to attend Berklee. As a member of Berklee's Global Jazz Institute,
directed by Danilo Perez, she got to perform with him and other greats
including Joe Lovano, Dave Liebman, and John Patitucci.

In 2010, O'Doherty was one of five pianists invited to
participate in the inaugural season of the Mary Lou Williams Women in Jazz
Emerging Artists Workshop at the Kennedy Center in Washington, DC. After
graduating from Berklee with a degree in jazz piano performance, she moved to
New York.

As witness her voluntary teaching and performing, as well as
her efforts at WeBop, an early-childhood jazz education program at Jazz at
Lincoln Center, and at the Stanford Jazz Workshop, where she has been a member
of the faculty since 2012, Caili retains her commitment to music education and
outreach even as she devotes herself to performing jazz.

"When you're very clear what you're doing it all for,
it gives everything a bigger purpose," she said. "I've seen how music
can be a vehicle for social change and healing. I strive to incorporate those
ideas in my daily life."

Alan Hewitt, platinum keyboardist/producer to the stars, releases a jazz CD with his new super
band Alan Hewitt & One Nation entitled "Evolution”. The album is now
available on iTunes, Amazon and other electronic retail outlets. Full album
streaming on Rdio here.

What happens when you put world class musicians together,
stir in some jazz, rock, prog and a whole lot of inspiration? You get Alan
Hewitt & One Nation… a fusion of great songs combined with great musicians
and great performances influenced by their predecessors, Return to Forever,
Weather Report and Mahavishnu Orchestra.

Alan Hewitt, multi platinum composer/writer/producer and
keyboardist for the Moody Blues created the jazz super group Alan Hewitt and
One Nation; he is featured on piano and keyboards. The band is made up of JV Collier, Bass
(Bruce Hornsby Noisemakers, The Temptations, Earl Klugh, Freda Payne, Ron Banks
and the Dramatics, Enchantment and the Floaters); Sonny Emory, Grammy winning
drummer (EWF, Steely Dan, Bruce Hornsby Noisemakers, Stanley Clarke); Jamie
Glaser, Guitarist (Anderson/Ponty Band, Chick Corea’s Electric Band, Manhattan
Transfer) and Duffy King, Guitarist and six time Detroit music award
winner. Special Guests on Album include
Orianthi, the Guitarist best known from Michael Jackson's "This is
It" and vocalist Alex Boye, the #1 YouTube Artist of the Year.

“This music has no boundaries nor relies on the current
norm. It’s inspired, energetic, artful, melodic and edgy! I wanted to return to
the music that I listened to and loved so much when I was growing up, which was
fusion- and put my own stamp on it! ” says Hewitt.

Hewitt just finished up a U.S. and will be embarking on the
European leg of the tour in June, with The Moody Blues performing at legendary
venues such as the Greek Theatre in Los Angeles, the majestic Red Rocks
Amphitheatre in Denver and The Apollo in London. Hewitt is also being showcased
on “Justin Hayward’s Spirits…Live at Buckhead” DVD airing nationwide on PBS
which has already charted at #2 on the Billboard Charts. You can view Alan’s
press coverage here.

Alan Hewitt has made his living painting musical tapestries
about the lives of others. Hewitt began
his career performing in the club scene but quickly graduated to the production
room, where he had the honor of working as Co-Producer alongside Maurice White
of Earth Wind and Fire (EWF) for over half a decade with EWF's Greatest Hits
album going platinum in 2000. However, it was co-writing and piano/B-3
contributions on the platinum record Cherry Pie with Warrant that would
solidify Hewitt as a monster musical talent capable of crossing genres.

Hewitt's list of record production credits as both a
Producer and recording artist spans across various major labels and genres with
over 12 million records sold. A first call composer for a long list of major
film and television productions, Hewitt's film & television credits include
National Lampoon's Van Wilder, Bridget Jones: The Edge of Reason, Survivor,
MTV, Access Hollywood, Tom Holland's Twisted Tales and is a favored composer
for the Oprah Winfrey Show (including Oprah's Big Give). The list of accolades
from the industry includes a "The Golden Planet Award", “Best Score
at New York International Film Fest” and the "ESPY Award for Excellence".

An amazing little package of classic late 60s 5th Dimenion –
with the complete Up, Up And Away, Magic Garden, Stoned Soul Picnic and Age Of
Aquarius LP, back-to-back on 2CDs – and bonus tracks, too! Up Up & Away is
the fab first album – and as groovy a batch of pop soul harmonies as you'll
ever hope to find! Jimmy Webb is already at the helm on this one – arranging
and conducting the group with his heavenly 60s pop approach – all produced to
perfection by the amazing Bones Howe!

The record soars to the top with the hit
"Up Up & Away", and features many other great numbers
–lesser-known, but really wonderful gems like "California My Way",
"Another Day Another Heartache", "Pattern People",
"Rosecrans Blvd", "Learn How To Fly", and the group's great
cover of Tim Hardin's "Misty Roses"!

Magic Garden is also brilliant
work – arguably their best! The reason for this is partly Jimmy Webb – who
arranged and conducted the album, which is comprised entirely of his own work.
Titles include the sublime "The Girls Song", a track that
out-Bacharachs Burt himself – plus "Requiem 820 Latham", "The
Worst That Could Happen", "Paper Cup", and "Carpet
Man". CD also features 3 bonus tracks – "I'll Be Loving You
Forever", "Train Keep On Movin", and "Too Poor To Die"
– all by Willie Hutch!

Stoned Soul Picnic is a great leap forward for the 5th
Dimension – with a strongly soulful quality that moves past just pop, and which
hits even deeper territory than before! Titles include the group's hit version
of "Stoned Soul Picnic" – plus "California Soul",
"Bobbie's Blues", "It's A Great Life", "Sweet
Blindness", "Broken Wing Bird", "Good News", and
"The Eleventh Song (What A Groovy Day)".

Age Of Aquarius is one of
their biggest albums ever, built around the group's hit version of
"Aquarius/Let The Sun Shine In", and featuring some other psychedelic
pop soul gems like "Sunshine Of Your Love", "Blowing Away",
"The Hideaway", "The Winds of Heaven", and "Working On
A Grooving Thing". Also includes the excellent "Wedding Bell
Blues" – one of the greatest songs of all time! CD features 2 bonus tracks
– "Chissa Se Tornera" and "East Of Java"! ~ Dusty Groove

Led by drummer and vocalist Christian Urich, US Soulful House
trio Tortured Soul deliver four-on-the-floor beats topped by a Maxwell-like
falsetto and poppy hooks. Influenced by such classic artists as Prince,
Heatwave and Kool & The Gang, the band now release their third cool,
groove-centred album, "Hot For Your Love Tonight", dedicated to the
memory of keyboard player and founding member Ethan White, who passed away
suddenly in March at the age of 39.

"Hot For Your Love Tonight" is ripe with the
awesomely soulful Tortured Soul signature style that their fans globally have
come to adore. Opening with the heartfelt "I’ll Be There For You",
with other highlights including the Deep House flavoured "Don’t Lead Me On"
and the seductively catchy album title cut, sandwiched among some Tortured Soul
recent stunners including the hot under the collar "Dirty" and the
beautiful Disco groove "Can't Keep Rhythm From A Dancer".

Tortured Soul have astounded audiences around the world with
their performances, including playing to a 15,000-plus crowds at the Montreal
Jazz Festival, headlining Southport Weekender and performing at the Big Chill
festival, while their recorded oeuvres push the genre boundaries of soul,
dance, and pop. Tortured Soul is both an echo of the past and a challenge to
the future, combining elements of old soul and funk with a modern dancefloor
sensibility. They have been dubbed the undisputed worldwide leaders in live
soulful house music and their productions have received remix treatment from
such luminaries as Osunlade, DJ Spinna, Alix Alvarez, Quentin Harris and
Dimitri from Paris among others.

Impetus is the third album from the David Smith Quintet,
featuring Smith's working band for the past several years, Dan Pratt on
saxophones, Nate Radley on guitar, Gary Wang on bass and Anthony Pinciotti on
drums. On Impetus Smith offers six original
compositions that explore subtle tensions that drive the music forward.

The trumpeter/composer explains, "in several tunes I
was looking for a tempo that was laid back enough that it created a subtle
tension to move forward, like a spring that is pulled just a bit causing it to
pull back." While Smith considers his compositions the foundation of his
records, he is intent on finding the point of balance whereby the tune
communicates a musical idea but remains open enough to allow creative space for
the band to explore.

The first three tunes of Impetus make a continuous
"suite". "Moments" is an understated, lyrical melody that
sets the tone for the album. "Bond" was built upon the last two
chords of "Moments" with the intention of them being continuous.
Smith elaborates, "as a pair of tunes they sort of needed a foil to
balance them out and segueing into "The Toaster" was working on gigs
so I kept it. "The Toaster" was written in tribute to a tragically
unfortunate mouse." "Seven" borrows its harmony from the
Allegretto second movement of Beethoven's Seventh Symphony, resulting in
something very different. "Starr St" is about a rough and tumble part
of Bushwick, Brooklyn. "Intersection" was another attempt to capture
the energy Smith was describing earlier, with the tempo sitting back and the
"F" that exists throughout the entire tune creating a subtle but
building tension until the last four measures of the recording when it is
finally released.

Impetus was recorded live in a one-room studio to two-track
analog tape, and also mastered directly from the tape; the mixing was completed
before the band started playing. Smith wanted to capture the organic nature of
the tunes and band dynamic and felt this was the best way to accomplish that.

At times Impetus betrays a rock influence, both musically
and emotionally. Smith explains, "I feel this is acknowledging a part of
where I came from musically, earlier in life. It wasn't a conscious decision,
but rather what came out when I tried to write honest music." From the
twenty-four minute suite that opens the recording, to the resolution in the
last four measures, this is an album in the truest sense.

Pianist and composer David Cook possesses the ability to compose
music that allows his massive talent to shine through unimpeded, creating a
bond with the listener with every note.On May 26, Cook follows up his debut recording, Pathway (produced by
Bruce Barth and released on Brooklyn Jazz Underground Records) with the release
of Scenic Design, a compelling set of original music, and a brilliant duo
version of Taylor Swift's "Safe and Sound" (with trumpeter David
Smith), produced by Ben Wendel, and featuring his quintet of David Smith -
trumpet, Ben Wendel - sax, Matt Clohesy - bass, Kendrick Scott - drums, and
special guest Shayna Steele on vocals (on "I Know You Know").In addition to leading his own bands, Cook is
a first-call artist in multiple genres, working as the long time music
director/pianist for seven-time Grammy Award winner, Taylor Swift, and with
such notable musicians as Lizz Wright, Donny McCaslin, the late Lew Soloff,
John Ellis, Nir Felder, Sunny Jain (of Red Baraat), Alan Ferber, Michael Blanco,
Greg Howe, and pop artists N-Sync (during the heyday of their career), Justin
Timberlake, Natasha Bedingfield, and many more.

"I'm really fortunate to have been able to record
Scenic Design with Ben, Dave, Matt and Kendrick. These are 4 of my favorite
musicians, all total pros that have strong and clear voices on their respective
instruments . . . really all I had to do was write the music and get out of the
way. The goal was for a true collective sound, and I hope this album has
achieved it," said Cook.

The idea of doing a
quintet recording was both daunting and exciting for Cook. He explains, "I
knew that I wanted to spread the melodies out past the piano on this record,
but in which direction? Is it possible to say something unique and true to the
history of this music at the same time? As a starting point, I picked three of
my favorite quintets - Woody Shaw with Dexter Gordon, Fred Hersch and Kneebody
- and tried to write music that might exist in the middle of a triangular plain
with those three points." Producer/saxophonist Ben Wendel (Kneebody) was
instrumental in making this happen, as he "had so many great arrangement
and orchestrational ideas; the tunes really came together once he put his ears
on them," said Cook.

Highlights on Scenic Design include, "Flower +
Hope", written for a dear friend of Cook's who is facing an uphill battle
with his health. "He told me what he was up against (with his typical
Viking strength and wit) while standing on a street corner in Los Angeles, and
looking in both directions was Flower Street and Hope Street. The juxtaposition
of fighting for life in this world but spiritually being fine with any outcome
was a powerful moment," explained Cook. "80s TV theme song":
"I wanted to write a Keith Jarrett tune circa, 'Somewhere Before' or 'Life
Between the Exit Signs', and what came out sounded more like an 80s TV theme
song, so there you go," said Cook. "I Know You Know" is for
Cook's daughter Caia, written by the pianist and his wife, vocalist Shayna
Steele. Cook describes the inspiration behind this beautiful composition,
"every parent out there knows the feeling of stepping back, taking a look
at your child and being overcome with emotion that you're responsible for someone
this beautiful and precious. We wanted to put music and lyrics to that
moment." "'Scenic Design' is my favorite tune on the record, mostly
because it allows everyone to 'paint' however they'd like. Kendrick Scott ate
this one up, although that goes for every tune on the session."

In addition to his original compositions, Cook and Wendel
also arranged Cook's favorite Taylor Swift song, "Safe & Sound,"
Cook has been working with Taylor for the last five years and has witnessed up
close how serious she is about writing, recording and performing music, while
simultaneously living her life in the public eye. Scenic Design closes with the
contemplative tunes, "Midwestern" and "Still", one looking
back and another dealing with the present and future. "'Midwestern' is a
tribute to the beauty of the part of the country where I grew up, trying to
carry some of that vibe with me wherever I go," David Cook.

After the recent release of his first-ever live album, Live In
Williamsburg (available on CD, vinyl and DVD), R&B legend Shuggie Otis is
once again bringing his talents to the stage for a 20+ date, coast-to-coast
tour starting July 5th. Nobody brings as much soul, style, and swagger to a
live performance as Shug with his signature red Gibson SG, and fans who have
followed this multi-talented performer’s tumultuous career know that a Shuggie
Otis concert is not an event to be missed. Whether it be the fabulous grooves
of “Inspiration Information” or the funkdafied rhythm of the all-time classic
“Strawberry Letter 23,” Shuggie’s songs have a magical sway over audiences,
both young and old, guaranteed to get them on their feet and dancing in the
aisles!

The son of
renowned bandleader and musician Johnny Otis, Shuggie Otis began his incredible
career at the tender age of 15, playing as a session guitarist alongside Al
Kooper before releasing his first solo album Here Comes Shuggie Otis in 1970.
Already being hailed as a uniquely skillful guitarist, Shuggie proved his
mettle as a songwriter the following year with the hit single “Strawberry
Letter 23” from his second solo album. Now one of the most sampled songs in all
of modern music, “Strawberry Letter 23” became an even bigger smash when The
Brothers Johnson recorded their version in 1977 (produced by Quincy Jones).
After the release of his third album Inspiration Information failed to meet
outsized expectations, Shuggie seemed to retire permanently from music. But,
thankfully, he reemerged in 2013 with a deluxe reissue of Inspiration
Information that included a new album of previously unreleased recordings
called Wings Of Love. Since then, Shuggie has returned to the stage and been
re-embraced by an adoring public who have waited a long time and never lost
faith!

Wednesday, May 27, 2015

++$1000
AND MORE++ULTRA RARE++SOUGHT AFTER! The reason why labels work so hard to track
down musicians to re-issue their privately released music is normally because
the original records are very hard to find and very expensive. Demand within
the 'collectors scene' is crucial. So what do we have here?

None of
the adjectives mentioned above apply for the albums of Don McCaslin's Warmth.
Born in Tacoma Washington in 1926, Don moved to the San Jose area during the
first year of life. He took a few piano lessons as a child, but it was boogie
woogie music that really inspired him. While attending San Jose State he formed
a band which had piano, guitar, vibes, bass and drums. Following his graduation
from college, Don played music on the weekends and worked as a high school
English teacher for fifteen years. Then in 1970 he quit his teaching job and
moved to Santa Cruz, making music his main pursuit. In 1971 he was invited to
bring a jazz combo to play at a political rally. The event took place in the
patio of the 19th century courthouse building, now called the Cooper House. The
owner told Don that he was putting a sidewalk cafe there and invited him to
play on opening day. Don ended up playing there until the 1989 earthquake
ruined the beautiful old building.

Don and
his fellow musicians were forced to move to the Warf House, a restaurant
situated at the tip of the Capitola pier, and played there for 20 years. Today
you can find Don's band The Amazing Jazz Geezers play at Severino's Lounge in
Aptos, California. The Geezers are not necessarily "amazing" because
of their musicianship. To become an "Amazing Jazz Geezer" one must
merely be over 75 years of age, know over 1000 tunes written between 1935 and
1950, and still be able to play a full gig.

Regardless
of rarity and demand, for Don McCaslin the time has come for representation and
appreciation. Neither of Warmth original albums are considered to be sought
after nor they sell for big money. Until now.

The journey continues! Stevie Holland's swinging jazz phrasing, sense of humor, and sheer vocal beauty shine brighter than ever on her fifth release Life Goes On. With Randy Ingram on piano, Peter Brendler on bass, Jeff Davis on drums, Nicholas Payton on trumpet, and a String Quartet on some select tracks, Life Goes On, is a stunning collection of powerful songs from writers including Johnny Mercer, James Taylor, Stephen Sondheim, as well as originals by Stevie Holland and award-winning composer Gary William Friedman, who also did the arrangements. Review: "Effortless swing and a radiant wit...a self-possessed tour de force" --Gary Giddins // "Holland straddles pop and jazz with effortless elegance and warmth" --USA Today // "I hear Stevie Holland and I get goosebumps. Need I say more?" --Smoothjazz.com. ~ Amazon

Theo
Parrish takes on Marcos Valle – and the results are even more wonderful than we
might expect! Valle's "1985" is really expanded by Theo – and pushed
into territory that makes the extended cut feel more like Parrish's own cosmic
territory than Marcos' usual mode – although there's this sweet Fender Rhodes
line and spacious way of handling the cut that's definitely respectful of the
original! "Prefixo" gets more of an upbeat approach from Daz I Kue –
with a pulsating bassline that sets the groove strongly underneath the
fluttering woodwind melody of the original!
~ Dusty Groove

POLAR BEAR
– SAME AS YOU

2015
release by the indie band, the follow-up to 2014's Mercury Prize shortlisted In
Each And Every One. Given it's short gestation, it is striking how far removed
the new album is from it's immediate predecessor. There is a startling
freshness in the songs, both thematically and sonically. After the dark
complexity of recent output, Same As You is presented in sharp focus, as inclusive
and accessible as the title suggests, while still maintaining the playful
experimentation on which the band has made it's name. Driven by a renewed
vitality, bandleader Sebastian Rochford has made several bold artistic moves
with this new music. Originally conceived as a single long-form piece, Same As
You employs a constant tempo on top of which the band builds swells of raw,
joyous, often life-enhancing energy. The vocal performances and the heartfelt,
spiritual lyrics of Same As You are an inspired addition to the rich
instrumental line-up. A highlight of Polar Bear's second album, 2005's
critically acclaimed Held On The Tips Of Fingers was 'Life That Ends Too Soon,'
an intense, heartfelt lament. Same As You stands as something of an optimistic
rejoinder to that song-a celebration and embrace of love as a great guiding
force within a setting of mature musical invention. ~ Amazon

Four-time
SESAC Award-winning and Grammy nominee Pianist/Arranger Bob Baldwin continues
his flow of music, and follows up with his tributes to Michael Jackson and Songwriter
extraordinaire Thom Bell with his MelloWonder/Songs In the Key of Stevie CD.
MelloWonder… takes some of his favorite songs from the catalog of Stevie
Wonder, and particularly a huge chunk between 1969-1974, when Baldwin believes
this was the beginning of an era where Wonder turned the keyboard into a
“one-man orchestra.” The project is a dream project, which took two years to
complete.

“As a
young budding musician and keyboardist, the key albums that impacted me the
most were ‘Innervisions’, ‘Fulfillingness First Finale’, ‘Music of My Mind’,
and ‘Talking Book,’” says the New York native. “These projects featured this
behemoth analog keyboard they called ‘T.O.N.T.O.’ and Stevie’s Producers at the
time (Bob Margouleff and Malcolm Cecil) were the most forward programmers of
that instrument, and the producers of those projects. While they are flipping
knobs and pushing buttons on T.O.N.T.O. machine, Stevie was getting busy on the
creativity with the funky bass-lines, clavinets, Wurlitzer and Rhodes Keyboards.
Those projects had a warmth that was unexplainable, and as a result, those four
projects are very unique to his entire catalog, so I wanted to create my own
vibe that spoke to his use of the keyboard as an arranging tool, which of
course, is miles ahead these days due to the application of digital
technology.”

“When I do
a cover project, I want to make sure I’m not covering music that has not been
overdone in the market. Stevie’s music has been covered thousands of time over
the years but rarely by a keyboardist. Hugo Montenegro did a moog-based project
back in the 1970’s, George Duke produced a record for Najee years ago “Songs in
the Key of Life”, so we wanted to stay away from that period, but by-and-large,
a keyboard-focused disc covering Stevie Wonder has not been done in 40 years. I
pulled out the old vintage pieces; the Moog, Rhodes, Wurlitzer, but also added
some new keyboard pieces to keep things current.”

Add to the
fact that Stevie Wonder’s birthday is 65 (5/13), and his recently intense tour
schedule, the timing of this project is pretty special in its’ own way. “In
observing the vehicle that this living legend is driving today as he approaches
his 65th birthday and his tour theme, the title “MelloWonder/Songs in the Key
of Stevie” just felt right.

His 21st
disc contains 14 songs total, of which 2 are original Baldwin tracks. He added
some flava to a few of Stevie’s originals, such as “Rocket Love / Down to
Earth”, “Love’s Light in Flight / Love Trippin’”, and “The Real Thing / Keepin’
it Real”. The disc features Marion Meadows, U-Nam, Chieli Minucci, Toni Redd,
Ragan Whiteside, and Stevie sideman Ryan Kilgore, who was on his most recent
2014-2015 “Songs in the Key of Life” tour.

Bob
Baldwin has been obliterating the lines between Urban, Jazz, and Gospel for
years since his earlier works in 1988. This project is no different - a
must-have for your BB collection. ~ bobbaldwin.com

Stunning
work from Lucas Arruda – a record we love even more than his first – and we
totally loved that one to death! The sound here is prime Brazilian 70s at its
best – that magical moment when jazz, fusion, and older bossa-schooled styles
all came together in a really unique blend – and also helped Brazil find its
own unique sense of soul, too – a quality that really came forth in the best
work from Azymuth and Marcos Valle at the end of the decade! No surprise, Lucas
has Azymuth bassist Alex Malheiros and Valle collaborator Leon Ware both on
board to help out with the record – but the strength of the set is clearly all
Arruda's own – as his vocals are wonderful, with a soulful expression that's
vaguely in the Ed Motta side of the spectrum – mixed with his own warm lines on
Fender Rhodes, which totally warm things up! Production is perfect, and equally
vintage – and the album's a treasure we'll be loving for years. Titles include
"Uma Onda", "Melt The Night", "Vento Sul",
"Kalunga", "Solar", "O Mar O Samba E O Sol",
"Beyond The Sea", and "Agua". ~ Dusty Groove

THE
POLYVERSAL SOULS – YELLE BE BOBRE

Yelle Be
Bobre is the first single to be taken from Invisible Joy, the debut album from
Max Weissenfeldt's (Poets of Rhythm / Whitefield Brothers / Dr. John / Bombino)
new band The Polyversal Souls. With this album, the band has successfully
create a globalised style of soul music with; raw funk grooves, enchanting
melodies from a faraway world, polyrhythmic hip-hop coming together to take you
on a musical trip around the world. Guy One's unique voice and energic Kologo
play features here - as also heard on last year's 7" on Philophon Records
(Suro Yuama / A Me Bayela Do Me). The Frafra poet from north Ghana teams up
again with his German music brothers and fills the Trans-Saharian distance with
his haunting voice and his proto-banjo, which - you won't believe it - has just
two strings. The Polyversal Souls' debut album, Invisible Joy, will be
available on Philophon Records in July 2015.

FABIO
FRIZZI – REWIND: THE STUDIO ALBUM

A really
surprising studio project from Italian soundtrack legend Fabio Frizzi – a set
that has Frizzi himself on guitar and a bit of vocals, working with a small
string group, and a bit of tenor sax! The music is mostly pulled from older
film scores – penned by Frizzi and contemporaries like Piero Piccioni and Carlo
Rustichelli – but there's also a few vocal tunes by Paul McCartney and Noel
Gallagher – sung by Frizzi in this earthy voice to offset the mostly-instrumental
modes of the record. The soundtrack numbers are our favorites – and are taken
in these cool, intimate ways that are really nice – like a composer going back
on his generation, and delivering things with a more personal vibe overall.
Titles include "Fantozzi", "Bla Bla Bla", "Butta La
Lunda", "La Marcia Di Esulapio", "Sette Note In Nero",
"Baby Sequenza 2", "Junk", "If I Had A Gun", and
"Ibo Lele". ~ Dusty Groove

Tuesday, May 26, 2015

Keyboardist and composer Jason Miles has teamed up with trumpeter
Ingrid Jenson on the new CD – Kind Of New. Inspired by Miles Davis' Cellar Door
sessions, ""Kind Of New"" creates a new vibe mixing
electric and acoustic, percussion with electric grooves, and drums with
electronic percussion. Six new studio tracks and four live tracks see Miles and
Jensen joined by such eminent players as Jay Rodriguez, James Genus, Jeff
Coffin, Adam Dorn, Amanda Ruzza, Steve Wolf, Jon Wikan, Nir Felder, Cyro
Baptista, Mike Clark and Jerry Brooks. Ingrid Jensen has been hailed as one of
the most gifted trumpeters of her generation. She has released three highly
acclaimed CDs for the ENJA record label, soon becoming one of the most
in-demand players on the global jazz scene. Miles is a Grammy-recognized
producer and keyboardist, whose credits also include work with Luther Vandross,
Roberta Flack, Chaka Khan and Sting, among many others. Tracks include: The Faction of Cool, Super
City, Shirley, Film Noir Interlude, Ferrari, Seeing Through the Rain, Close to
the Action, Kat’s Eye, Street Vibe, Twilight Interlude, Sanctuary, and Jean
Pierre.

BOBBY HUTCHERSON - COMPONENTS

An essential Blue Note album by the great vibist Bobby
Hutcherson, and a record that's split into 2 different sides, each of which
display different aspects of Hutcherson's talents. The first four tracks are
mellow and lyrical, with the kind of lovely melodic writing that is best
illustrated by the cut "Little B's Poem" – included here, and still
one of Hutcherson's most enduring works. The next four tracks show Hutcherson
more as the accomplished modernist, working with edgey talents like James
Spaulding on alto and flute, Freddie Hubbard on trumpet, Herbie Hancock on
piano, Ron Carter on bass, and the great Joe Chambers on drums – who also wrote
all 4 of the tracks in this segment. The work is a key example of Hutcherson's
devotion to the Blue Note "new thing" sound, and titles include
"Air", "Juba Dance", and "Pastoral". ~ Dusty Groove

BOBBY BYRD - GOT SOUL: THE BEST OF BOBBY BYRD

Essential material by this funky soul legend – even if
you've got his one and only album! This is an excellent compilation of the very
hard to find work of this James Brown partner and singer, with a track list of
22 cuts that includes lots of cool rare funky 45 tracks, and a number of previously
unreleased tracks! Bobby is excellent throughout, and the set's filled with
loads of rare James Brown-produced grooves that includes "I'm Just A
Nobody", "Keep On Doin What You're Doin", "We're In
Love", "No One Like My Baby", I'm Not To Blame", "I Know
You Got Soul", "Funky Soul (parts 1 & 2)", "Baby Baby
Baby", "I Need Help", "Never Get Enough", "Hang
Ups We Don't Need", "Sayin It And Doin' It Are Two Different
Things" – and lots lots more, including a rare PSA urging the listener to
"Fight Drug Abuse". ~ Dusty Groove

An essential
library collection chronicling the sonic evolution and abiding achievements of
the unprecedented R&B ensemble, The Isley Brothers: The RCA Victor and
T-Neck Album Masters (1959-1983) follows The Isley Brothers through their
transformation from a 1950's doo-wop/gospel vocal group into the world's
preeminent R&B rock 'n' soul powerhouse party band. As evidenced in this
quarter century of recordings, The Isley Brothers absorbed the music and
culture surrounding them to continually create contemporary sounds spanning the
decades.

The Isley
Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) showcases tracks
written (excepting "covers"), arranged, performed and produced by The
Isley Brothers. This definitive new
Isley Brothers anthology was compiled and produced by Grammy Award®-winner Leo
Sacks, co-produced by Jeffrey James and Jeremy Holiday, and mastered from the
original analog tapes by Grammy Award®-winner Mark Wilder at Battery Studios.

The Isley
Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) features newly remastered versions of The Isley
Brothers' 21 albums released for both labels, nearly all of which are expanded
with rare mixes and tracks making their CD and digital debuts. The new collection includes 84 rare and
previously unreleased bonus tracks.

This set
also includes, released here for the first time in its entirety, the
"Great Lost Isley Brothers Album": Wild In Woodstock: The Isley
Brothers Live At Bearsville Sound Studio 1980.
First conceived as a "live" double album (with overdubbed
crowd noise), this newly restored performance offers an immersive look at a
crucial chapter in The Isley Brothers' history, a pivotal moment in the fusion
of rock and funk music in an era fueled by the sound of the Isleys.

By the
1990s, The Isley Brothers' dominant influence over hip-hop music and culture
could be felt at every turn. "Footsteps In The Dark" from 1977's Go
For Your Guns was sampled in Ice Cube's "It Was A Good Day," while
The Notorious B.I.G.'s "Big Poppa" interpolated the title track of
1983's Between The Sheets. The Isleys' flashy fashion sense directly inspired
the "bling" aesthetic embraced by rappers everywhere. R. Kelly
proclaimed the group his biggest influence, collaborating with them on his Top
5 hit "Down Low (Nobody Has To Know)" in 1995 (featuring Ronald Isley
in a career-redefining role as Mr. Biggs in the accompanying video). Kelly's
writing and production for the group continued through the 1990s and 2000s, peaking
with Body Kiss which hit No. 1 the Billboard 200 in 2003, a full 44 years since
their first hit with "Shout."

The Isley
Brothers' classic works continue to reach new fans through consistent radio
airplay, film and television licenses and samples: in 2015, Kendrick Lamar won
two Grammy Awards® for the track "I," built upon the groove of
"That Lady" (from 1973's 3+3), while singer/rapper Frank Ocean
covered "At Your Best (You Are Love)" from Harvest For The World
(previously covered by Aaliyah in 1994, who made it a Top 10 hit).

The Isley
Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) offers new music
fans an opportunity to revisit the seminal R&B sounds that continue to
reverberate through contemporary soul, rock, hip-hop and pop records.

Born and
raised in the suburbs of Cincinnati, Ohio, The Isley Brothers--O'Kelly Isley,
Jr., Rudolph Isley, Ronald Isley and a fourth brother, Vernon Isley (who died a
couple of years after their first incarnation)--began performing as a
gospel-based vocal group in 1954. Moving
to the New York City area in the late 1950s, The Isley Brothers scored some
modest regional chart successes before their fourth single (and first for RCA
Victor), "Shout"--written by O'Kelly, Rudolph and Ronald--catapulted
them into the pantheon of pop immortality in 1959. One of the most immediately identifiable and
infectious party anthems ever written or recorded, The Isley Brothers
"Shout"--with its irresistible call-and-response structure--combined
gospel heat and doo-wop soul with a high-powered rock 'n' roll energy. The much-covered "Shout" was
inducted into the Grammy® Hall of Fame in 1999 and placed No. 118 on Rolling
Stone's list of The 500 Greatest Songs of All Time.

The Isleys
followed up "Shout" with a variety of tracks (including their Top 20
single, "Twist & Shout," a song later famously covered by The
Beatles).

Perhaps the
most musically adventurous vocal ensemble in American pop history, The Isley
Brothers were adding rock, funk, R&B, soul and ballad elements into the
gospel and doo-wop music at the foundation of their sound.

In the
1960s, while The Isley Brothers bounced between various labels (including
Atlantic, United Artists and Motown), they briefly employed a then-unknown Jimi
Hendrix (aka Jimmy James) as their lead guitarist, buying him a white Fender
Stratocaster guitar and moving him into the Isley home. Though Jimi's stint with the Isley Brothers
was brief, his musical sensibilities remained in the group, with younger
brother Ernie Isley carrying the fiery experimental rock 'n' soul guitar sound
they shared into the Isley Brothers future.

Tired of
labels that didn't fully understand or support their R&B/rock fusion
musical vision, The Isley Brothers launched their independent T-Neck imprint
with distribution through Buddah Records. At T-Neck, the Isleys finally enjoyed
the freedom to make music the way they wanted, recording and producing their
own material as well as assisting in the distribution and promotion process.
The T-Neck label's lead single, the irresistible Grammy Award®-winning funk hit
"It's Your Thing," instantly established the band and label as a
commercial powerhouse, its lyric a mantra for the trail The Isley Brothers
would blaze in the next decade.

The Isleys'
ever-expanding musical repertoire in the 1970s included funky covers of
pop/rock favorites ("Love The One You're With," "Lay, Lady,
Lay") that helped spread these songs through urban markets. The group
would hit a new peak with the album 3+3 and single "That Lady" in
1973.

They added
younger brothers Ernie Isley (lead guitar, drums) and Marvin Isley (bass
guitar) and Rudolph's brother-in-law Chris Jasper (keyboards, synthesizers)
into the mix, turning The Isley Brothers vocal trio into a self-contained
pop/rock/R&B/funk ensemble, writing, producing, performing, arranging,
distributing their own works on T-Neck Records throughout the 1970s into the
early 1980s.

With Ernie,
Chris and Marvin leading the way creatively, the group pushed the barriers of
soul music, bringing funk and laid-back quiet storm into the mainstream and
earning the band three gold and seven platinum or multi-platinum
albums--including 3+3 (1973), the #1 chart-topping The Heat Is On (1975) and
1983's Between The Sheets--and 14 Top 10 R&B albums (seven of which hit No.
1). In the world of R&B, only Parliament-Funkadelic and Earth, Wind &
Fire have achieved success rivaling the Isley Brothers.

The Isley
Brothers have had 19 Top 10 singles (7 of those at #1) in the US Billboard
R&B chart, with 16 Isley albums hitting the Top 40. 13 of their albums have achieved RIAA gold,
platinum or multi-platinum status. The
Isley Brothers were inducted into the Rock and Roll Hall of Fame in 1992. They got their star on the Hollywood Rockwalk
in 1997 and were inducted into the Vocal Group Hall of Fame in 2003.

The Isley
Brothers, through an unprecedented seven decades, have remained one of the most
consistently successful groups of all time. The Isleys were present at the
birth of rock and roll, their biggest hits have influenced R&B, rock and
roll and funk music from the 1950s onward while their deep grooves helped form
the rhythmic backbone of hip-hop, a sound the Isleys would embrace in the 1990s
and 2000s.

Still active
as a duo of Ronald and Ernie Isley, The Isley Brothers earned a Grammy®
Lifetime Achievement Award in 2014. The
Isley Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) brings all
of their works for the Sony Music family into one impressive package.

The Isley
Brothers: The RCA Victor and T-Neck Album Masters (1959-1983) (* includes bonus
tracks):

A great
partnership between pianist Marilyn Crispell and drummer Gerry Hemmingway –
both musicians who've worked together often over the years, and find a way here
to really summarize their best qualities! On some tracks, Crispell's piano has
all those sharp, angular lines we love so much – and Hemmingway often matches
her energy with these compact bursts on his drums – although other numbers have
the pair exploring more spacious styles together, almost hanging in air with a
new sense of balance that's a really nice surprise. Hemmingway plays vibes on
most of these tracks, which comes in with a different tonal range than the
piano – and titles include "Waterwisp", "Assembly",
"Windy City", "Table Of Changes", "Roofless", and
"Spirings". ~ Dusty Groove

MOSTLY OTHER
PEOPLE DO THE KILLING - HANNOVER

We love
these guys to death – even if we always get out of breath saying their name in
a hurry – and they really shine strongly here, on a long live album that
perfectly captures their non-stop sense of imagination and restless creativity!
Unlike some of their other recent projects, which were thematic in nature, this
concert performance has the group moving through so many different modes at
once – often in the short space of a longer song – with that strong sense of
jazz history that's always made them so unique – especially in the way that
they find to set a whole new fire to sounds we thought we already knew so well!
Moppa Elliott drives the group on some beautiful bass – and the rest of the
lineup includes Peter Evans on trumpet and piccolo trumpet, Jon Irabagon on
tenor and sopranino sax, and Kevin Shea on drums and electronic – on titles tha
tinclude "Pen Argyl/Ulysses At Troy/Andover/Blue Ball/Effort Patience
Dilligence", "My Delightful Muse/Hideaway/A Night In Tunisia",
and "Is Granny Spry/Dunkelbergers/Baden/Little Hope". ~ Dusty Groove

HOWARD RILEY
– 10.11.12

Brilliant
work from pianist Howard Riley – the British modernist who's been making
amazing music for decades, but often through very obscure records like this!
Riley's got this sense of balance, tone, and timing that sits justly in a
legacy that starts with Herbie Nichols and runs up through Alexander Von
Schlippenbach – and in a solo setting like this, hets one of the few that could
hold our attention as rapt as those other two – playing at once in a mode
that's very free, but still always surprisingly tuneful, and with a sense of
cohesion. The album's a perfect document of everything that makes Riley so
great – and titles include "Identification", "From
Somewhere", "Dwelling One", and "Understanding". ~ Dusty Groove