You would think with VR hitting its stride most people would be using it for gaming and you would be wrong. The adult industry is reaping the benefits of VR so much so that companies like Naughty America have booths at E3 and CES. However, there has been some pushback and rules put in place to tuck them away, keep them out of the spotlight.

J.A. and Randy figure out how to solve all the problems with the various police departments across the nation, get them playing games like Police Trainer and the FMV version of COPS and only let the best of the best get back on the street.

It’s the ultimate superhero team up in this episode of M.A.M.E of the game. With all the hero movies from both DC and Marvel we wanted to go back and play some of the classic arcade games featuring some of the biggest heroes from both franchises and we did just that.

The game features little cut scenes that explain the story over the course of the game. Goofy, Max, Pete & PJ were out fishing together in separate boats. All of a sudden Pete & PJ’s boat is taken by a pirate ship. Goofy & Max go to rescue them but along the way find out that Pete resembles Keelhaul Pete, the pirate’s leader hence the problem. The pirates thought they were rescuing their leader. Pete of course takes advantage of this, but when the real Keelhaul Pete returns the rescue mission kicks up a notch as Pete & PJ really are in danger now.

Overall Street Fighter Alpha plays like a sightly superior Street Fighter II though some of the characters I didn’t care much for. There also isn’t a whole lot to the game either. Just an arcade mode and a versus mode. Typical for a fighting game in the 1990s, but now we expect a tad more.

The game was not a traditional platformer but instead a 3D action-adventure. Imagine Metroid meets Ocarina of Time with walking/movement akin to Resident Evil, and you sort of get the picture. You travel around towns, and go into caverns/dungeons defeating bad robots.

You play as Kwon, who is apparently strong. You have to knock down (no K.O’s here) your opponent a number of times to win, your first battle is against Igor, once you’ve defeated him you then fight his dog (I’m assuming) which in my mind is just plain mean. I didn’t get much further than that, the collision detection is terrible, the controls unmanageable, and the poor animation lets down the relatively good graphics and backgrounds.

Here’s the problem though. Mega Man 9 is hard, and any fan of the series should expect that. However, Capcom has taken that mentality and multiplied it, creating some absolutely absurd level designs that even die-hard masochists will frown upon. While past Mega Man games relied on memorization and precision, Mega Man 9 requires a higher level of both. You can almost hear the level designers laughing at how devilishly difficult certain segments are.

Most gamers worth their salt know that the first game to truly establish the conventions of the genre known as the “Beat ‘Em Up”, was 1987’s Double Dragon. Developed by Technos, DD became an arcade smash hit that spawned a franchise, and the rest is history. Most gamers worth their salt are ALSO aware of the fact that while Double Dragon started it, another game that came along in 1989, pretty much perfected it. And that would be Capcom’s Final Fight. Originally meant to be a semi-follow up to their first (and terribly obscure) Street Fighter game, this classic was originally going to be called “Street Fighter ’89”. But once they realized it had really nothing to do with their first foray into one-on-one fighting, they renamed it “Final Fight”, and it was off to the races.

While Capcom canned the Gameboy Color remake of the the original game, that didn’t stop them from developing on the system completely. They made a “kiddie” version of Resident Evil for the GBC near the end of it’s lifespan.

Early on levels are designed around whichever mutant you are going to play (Psylocke, Wolverine, Cyclops, Beast and Gambit). It’s an interesting idea, since most games of this sort let you pick from a pool to get through a level – and that happens later in the game, but early on each X-Man is assigned a task in a different location, forcing you to use them all. This is a good and bad thing since you may prefer one character over the others, but it does add a bit more variety to the gameplay as well when you have someone like Wolverine who just tears through people using his claws while moving left to right, as opposed to someone like Beast who can cling to ceilings and attack enemies from above as well.

It’s basically what you would expect from Capcom in the past 15 years. Since I already played the 2nd game to death, I was a tad unthrilled at the offerings on the table. I was also mad that they didn’t include analog control even though the PS1 version was released in 2002. I loathe the PS1’s D-pad, and during fighting games my hands feel cramped and the stiff buttons prevent me from reaching my true potential. If you’re not bothered by the PS1/PS2 controller’s D-pad then this a decent fighter, but there’s plenty of better ones to choose from.

Rival Turf isn’t terrible, but it’s generic and brutally difficult. The two characters, Jack Flack and Oozie Nelson (seriously) patrol the streets in levels that are nothing short of blatant knocks on better games. Enemies are the real issue, coming in with names like Skinny and Butch. They’re incredibly overpowered, laying on unblockable combos at will.

In our student house at uni we’d often play through games together, or we’d play the same game but using different saves. Not long after I started playing Code Veronica, Paul, my housemate, began playing through it too. We’d swap stories about good bits in the game, and I’d drop excited hints about what was coming up next. All was fine and dandy until right near the end of the game, when I inadvertently uncovered a bug that made finishing the game all but impossible.

Looking back at this game, it’s clear just how much gaming has moved on in the last twenty years, and I even remember thinking at the time that shoot ‘em ups were ‘a bit old-fashioned’. The entire genre is based around repetitiveness, and any attempt at complexity rarely extends beyond choosing which special weapons to equip. Having said that, it’s hard to beat shmups for a pure adrenaline rush, and now that I have less and less time to play games, a quick five-minute blast on a traditional side scroller like this has more and more appeal. U.N. Squadron was certainly one of the better genre efforts, and it’s surely overdue for a revival.

The episode environments are varied but you’ll end up doing basically the same thing in every one. While the game tells you that the objective is to take control of a train or cause a mining drill to spin out of control it always comes down the same thing: taking control points. The T-ENG data-posts from the original game seem to be the most important thing on EDN III. These points are apparently the only control scheme on the planet so every mission has you capturing all of the posts on the map while shooting waves of faceless goons.

‘Street Fighter’, as you may have guessed, is based on Capcom’s 1987 arcade game. You enter the worldwide martial arts tournament as Ryu and fight opponents from across the globe in order to become the street fighting champion. Ryu’s fighting arsenal is made up of various punches and kicks – that’s it (no special attacks!). Each battle has timed rounds; the winner being the last fighter standing. After each battle, Ryu competes in bonus rounds, smashing bricks to earn extra points.