At Hyperallergic, a great essay on Piero della Francesca, who has become my favorite Renaissance painter. Much of Thomas Micchelli’s precision and eloquence in reflecting on this painting would have applied as well to Virgin and Child Enthroned with Four Angels, where angels and architecture seemed to be echoes of one another and arrayed on a single plane, as well as figures standing within the illusion of a three-dimensional scene. Seeing it at The Frick was the opportunity of a lifetime, and I was so grateful to be there for the time I spent with it. Oh to be able to see The Dream of Constantine some day. Not likely. (You can get as good a view of it as possible here, without seeing the actual painting itself. That angel’s arm. Those stars above his wing . . .)

Also, I love the notion that “all art is contemporary” now, because, well, it is.