“Mary Queen of Scots” stars Margot Robbie and Saoirse Ronan take the WIRED Autocomplete Interview and answer the internet’s most searched questions about themselves. Is Margot Robbie British? How do you pronounce Saoirse Ronan? Was Margot in a soap opera? Robbie and Saoirse answer all these questions and more!

Margot Robbie’s been in full Sharon Tate mode while filming Quentin Tarantino’s new Manson flick … and shots like these show just how strong a resemblance she bears to the ’60s actress. QT’s leading star for “Once Upon a Time in Hollywood” was on…

France, 1572. During an uneasy break in the wars of religion, Catholic King Charles IX (Jean-Hugues Anglade) concludes a marriage of state between his sister, Margot (Isabelle Adjani), and the Protestant Huguenot King Henry of Navarre (Daniel Auteuil), by ramming forward a reluctant Margot’s head in lieu of a ‘Oui’. But Margot’s skull-faced Queen Mother (Virna Lisi) is already plotting the attack on the Huguenots that would come to be known as the St. Bartholomew’s Day Massacre, and Margot is in the throes of a throbbingly romantic affair with the Protestant La Môle (Vincent Pérez). The late Patrice Chéreau’s high octane adaptation of the Alexandre Dumas novel begins in ﬁfth gear and never lets up, plunging in hip-deep in history and into a dizzying array of characters, with assionate performances and a riveting, horriﬁc staging of the Massacre. Originally released in the U.S. in a truncated version, this is the complete 159-minute director’s cut.

Margot Robbie looked absolutely incredible sitting next to Nicole Kidman and Laura Dern at a recent NYFW show. Robbie was spotted next to the actresses at Calvin Klein’s NYFW event which totally makes sense given she’s the new face of…

Check your kneecaps at the door – Tonya Harding and Margot Robbie, the woman playing Tonya Harding, were hanging out together for the premiere of the Tonya biopic. Margot and Tonya were face-to-face and even cheek-to-cheek at Tuesday night’s…

Margot Robbie had just two small television show arcs under her belt before she was slapping Leonardo DiCaprio across the face during an audition for The Wolf of Wall Street, securing her brash and kittenish breakout role as the Duchess of Bay Ridge. It would have been easy, even logical, for the 25-year-old Gold Coast native to keep going along the bombshell-in-short-skirts path. But Robbie opted out. “I was very aware that once Wolf came out, people were going to have a very specific idea of me,” Robbie told us by phone. “I kind of wanted to show them that I was capable of doing something else and that I was keen to do something else.”

Which brings us to her latest project, Z for Zachariah. Adapted from a dystopian novel of the same name, the film tells the story of Ann Burden, a preacher’s daughter who was the sole survivor of a nuclear attack—until a man in a makeshift space suit (played by Chiwetel Ejiofor) enters her solitary, pastoral world. The film is one part Swiss Family Robinson, one part apocalyptic love triangle (later, Chris Pine appears, and you can guess what happens then). Despite its sci-fi bent, the film is overwhelmingly naturalistic, a strange and captivating examination of, as Robbie explains, “the common courtesies that plague us in everyday life.” We caught Robbie on a break from shooting the hyped-up superhero film Suicide Squad to chat about her big departure role and her slow-but-sure adjustment to celebrity.

The casting process had a lot of ups and downs, and it was drawn out for more than a year. What kept your interest?
I was just really keen to do something a little more character-driven and something different to what I had been doing already, and it kind of ticked all the boxes in that regard. It was just written in a very interesting way, and Craig Zobel has a very interesting way—almost seems like he kind of can manipulate his character onscreen, that’s how I felt at least about Compliance—so I was kind of intrigued to work with him and see how he would develop it. And it was so different than anything I had been doing; I wanted to prove myself in a different way than people were about to see in Wolf of Wall Street.

Both in Wolf and Z, you take on accents—one Brooklyn, one Southern—that are very different than your native Australian. What was the inspiration here?
Actually, Ann Burden’s accent in Z for Zachariah was by far the most difficult I had done—mainly because I had such little time to prepare for it. I found out I got the role five days before we started shooting, and it’s a very specific accent. It’s not an accent that you hear often. There was no TV character I could associate with having an Appalachian accent. We decided that she was from Southwest Virginia, so that’s an incredibly specific place, and that’s an incredibly unique sound. I just usually go on YouTube and find someone who’s from that area who posts video of themselves, and they just talk for ten minutes about rubbish. But with Z for Zachariah, there was a particular girl from Southwest Virginia on YouTube that I would listen to all day.

Wow. Does she know?
No, she’s got no idea! I’ve listened to like everything she’s ever put on YouTube, and I know it all by heart.

Was there much improvising on set?
Yeah, there was actually quite a lot of improv. I mean, not as much as Wolf of Wall Street, for example, which was like all improv. We had a lot of freedom and Craig’s always keen to try new things. He’s got a really interesting way of directing. He would whisper in Chiwetel’s ear and tell him to do something in a certain way, and then he would whisper in my ear the complete opposite sort of vibe. And then we would come at the scene in totally different ways and both be caught off guard by the other person’s reaction. And it was perfect because [our characters] were never really in-step. They were almost on the same page, but just on totally different wavelengths.

Last year you said that your sudden rise to fame after Wolf took you by surprise. Are you more adjusted to this world now?

I don’t know if everyone else adjusts to it, or if there are just no other options and you just get on with it. I haven’t really wrapped my head around it. I guess I’m slowly getting more adapted, and slowly learning the tricks, like how to handle paparazzi. A lot of things change and every time you do another movie, it changes all over again. Suicide Squad is going to take things to another level again. I don’t know, it’s weird—when you take these jobs, and when you’re filming them, you don’t really consider the repercussions. And then a year later or more, when the film comes out and the wave hits, you’re kind of taken by surprise. So I’m slowly getting my head around it.

Margot Robbie is out of the game … on the bench … off the market … NOT ever going to be yours — ’cause the Aussie hottie and her man are flashing gold bands that reek of marriage … we think. Margot was walking around Toronto — where she’s…

“Wolf of Wall Street” star Margot Robbie’s boyfriend has his hands full … of that ass. Looks like Robbie and aspiring director BF Tom Ackerley want everyone to know they’re not only in deep, but they’re also not afraid to put the PDA on full throttle…

It was the chic version of move-in day at Milan Fashion Week, with press appointments revealing both Agnona’s new digs and Paula Cademartori’sjewel box of an HQ, with the fashion set taking in Giambattista’s latest scene, tallying up The Royal Tenenbaums references and taking in the always glamorous Versace show. Here are all the best bits from our agendas.

1. Agnona’s housewarming party: Sleek new offices and an intensely chic take on outerwear—from tailored overcoats, tunics, and waistcoats to a new take on tweedy English toppers, here done in a Prince of Wales check and Shetland tweed double cashmere—made Agnona a very welcome stop this morning.

2. Giamba gets groovy:Giambattista Valli unleashed his psychedelic baby dolls in the middle of Milan this afternoon with a giddy, girlish runway show (the temporary face tattoos sported by the girls were less Charles Manson than one might have imagined) that was one part Janis Joplin, one part Fifty Shades of Grey (hello, leather harnesses!).

3. Rainbow’s End at Marco de Vincenzo: Marco de Vincenzo’s fall 2015 show took place in the Teatro Franco Parenti, with a glass-fronted set (all the better to build the anticipation!) created by the artist Patrizio Travagli, and it felt both uber-hip and entirely perfect for his latest buzzy offering: from sleek, slinky lurex looks in rainbow tones looks to imminently covetable footwear (chunky boots came with thickly braided heels, bicolored heel versions called to mind the uber-chic equestrian and strappy stiletto sandals with that same braided velvet; a good night out).

4. The Margot Tenenbaum movement picks up steam: From Alessandro Michele’s beret-clad Gucci girls to Veronica Etro’s mink intarsia wrappers, it’s been a full-on Milanese lovefest for the Wes Anderson–created Margot Tenenbaum. Bally had its own take on the Gwyneth Paltrow character, imagined at its presentation as sporting an electric purple moto jacket. (And can’t you just see it?)

5. Versace goes viral: With an intricate set—a metal grid of its iconic insignias disguised a pair of staircases through which models entered to some
catwalking heavy hitters (Natasha Poly, Karlie Kloss) and a series of final looks encrusted with all the makings of a Twitter trending topic (hashtags, “@” signs, et al)—Versace’s runway show was very wham, bam, thank-you-ma’am glam: and decidedly meant for the modern era.

A veteran grifter takes a young, attractive woman under his wing, but things get complicated when they become romantically involved.

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So, the hot chick from “The Wolf of Wall Street” has a boyfriend … and she proved it by getting all touchy-feely with the guy at the Rangers game Wednesday night.Her name’s Margot Robbie — she’s the chick who banged … and then had a kid…