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Back by reader demand…. wait, no, that’s just a lie. Sorry, guys. I hope that people are enjoying my quarterly updates on the books that I’ve loved reading throughout the year, but I haven’t seen anyone expressing more than a tepid appreciation for these posts. Mostly I’m doing this again this year for two important reasons:

It provides bloggable content.

I find it enjoyable.

Writing-wise, I’m working on a lot of things on my end, but unfortunately there’s nothing that I can really talk about yet, since I don’t like discussing projects publicly until there’s a contract involved and some assurance that people will eventually see the end product. I’m pretty optimistic that I’m going to have a good announcement soon about an anthology that I was asked to contribute to, but until that gets a little further, I can’t announce anything.

Bummer, I know. Anyway, fingers crossed!

On to the main topic — what have I been reading so far in 2016? Well, I’ve read 20 books as of March 30th, and here are the ones that blew my mind. You’ll probably notice two trends — I read a lot of non-fiction, and I read a lot of Django Wexler:

In the latest Shadow Campaigns novel, Django Wexler continues his “epic fantasy of military might and magical conflict”* following The Shadow Throne and The Thousand Names, as the realm of Vordan faces imminent threats from without and within.

In the wake of the King’s death, war has come to Vordan.

The Deputies-General has precarious control of the city, but it is led by a zealot who sees traitors in every shadow. Executions have become a grim public spectacle. The new queen, Raesinia Orboan, finds herself nearly powerless as the government tightens its grip and assassins threaten her life. But she did not help free the country from one sort of tyranny to see it fall into another. Placing her trust with the steadfast soldier Marcus D’Ivoire, she sets out to turn the tide of history.

As the hidden hand of the Sworn Church brings all the powers of the continent to war against Vordan, the enigmatic and brilliant general Janus bet Vhalnich offers a path to victory. Winter Ihernglass, newly promoted to command a regiment, has reunited with her lover and her friends, only to face the prospect of leading them into bloody battle.

And the enemy is not just armed with muskets and cannon. Dark priests of an ancient order, wielding forbidden magic, have infiltrated Vordan to stop Janus by whatever means necessary…

You know what I love about this series? I mean, other than the cannons, the battles, the characters, the ever-increasing cast of amazing and diverse female characters, the attention to detail, the brewing stew of magic and religion, and the political undercurrents?

That each book in this series as a distinct tone. Different enough to keep things interesting and exciting, but without losing internal continuity.

Duel with the Devil is acclaimed historian Paul Collins’ remarkable true account of a stunning turn-of-the-19th century murder and the trial that ensued – a showdown in which iconic political rivals Alexander Hamilton and Aaron Burr joined forces to make sure justice was done. Still our nation’s longest running “cold case,” the mystery of Elma Sands finally comes to a close with this book, which delivers the first substantial break in the case in over 200 years. In the closing days of 1799, the United States was still a young republic. Waging a fierce battle for its uncertain future were two political parties: the well-moneyed Federalists, led by Alexander Hamilton, and the populist Republicans, led by Aaron Burr. The two finest lawyers in New York, Burr and Hamilton were bitter rivals both in and out of the courtroom, and as the next election approached—with Manhattan likely to be the swing district on which the presidency would hinge—their animosity reached a crescendo. Central to their dispute was the Manhattan water supply, which Burr saw not just as an opportunity to help a city devastated by epidemics but as a chance to heal his battered finances. But everything changed when Elma Sands, a beautiful young Quaker woman, was found dead in Burr’s newly constructed Manhattan Well. The horrific crime quickly gripped the nation, and before long accusations settled on one of Elma’s suitors, handsome young carpenter Levi Weeks. As the enraged city demanded a noose be draped around the accused murderer’s neck, the only question seemed to be whether Levi would make it to trial or be lynched first. The young man’s only hope was to hire a legal dream team. And thus it was that New York’s most bitter political rivals and greatest attorneys did the unthinkable—they teamed up. At once an absorbing legal thriller and an expertly crafted portrait of the United States in the time of the Founding Fathers, Duel with the Devil is a masterpiece of narrative nonfiction.

Romantic Outlaws is the first book to tell the story of the passionate and pioneering lives of Mary Wollstonecraft – English feminist and author of the landmark book, The Vindication of the Rights of Women – and her novelist daughter Mary Shelley, author of Frankenstein.

Although mother and daughter, these two brilliant women never knew one another – Wollstonecraft died of an infection in 1797 at the age of thirty-eight, a week after giving birth. Nevertheless their lives were so closely intertwined, their choices, dreams and tragedies so eerily similar, it seems impossible to consider one without the other.

Both women became famous writers; fell in love with brilliant but impossible men; and were single mothers who had children out of wedlock; both lived in exile; fought for their position in society; and thought deeply about how we should live. And both women broke almost every rigid convention there was to break: Wollstonecraft chased pirates in Scandinavia. Shelley faced down bandits in Naples. Wollstonecraft sailed to Paris to witness the Revolution. Shelley eloped in a fishing boat with a married man. Wollstonecraft proclaimed that women’s liberty should matter to everyone.

Not only did Wollstonecraft declare the rights of women, her work ignited Romanticism. She inspired Coleridge, Wordsworth and a whole new generation of writers, including her own daughter, who – with her young lover Percy Shelley – read Wollstonecraft’s work aloud by her graveside. At just nineteen years old and a new mother herself, Mary Shelley composed Frankenstein whilst travelling around Italy with Percy and roguish Lord Byron (who promptly fathered a child by Mary’s stepsister). It is a seminal novel, exploring the limitations of human nature and the power of invention at a time of great religious and scientific upheaval. Moreover, Mary Shelley would become the editor of her husband’s poetry after his early death – a feat of scholarship that did nothing less than establish his literary reputation.

Romantic Outlaws brings together a pair of visionary women who should have shared a life, but who instead shared a powerful literary and feminist legacy. This is inventive, illuminating, involving biography at its best.

In Being Mortal, bestselling author Atul Gawande tackles the hardest challenge of his profession: how medicine can not only improve life but also the process of its ending.

Medicine has triumphed in modern times, transforming birth, injury, and infectious disease from harrowing to manageable. But in the inevitable condition of aging and death, the goals of medicine seem too frequently to run counter to the interest of the human spirit. Nursing homes, preoccupied with safety, pin patients into railed beds and wheelchairs. Hospitals isolate the dying, checking for vital signs long after the goals of cure have become moot. Doctors, committed to extending life, continue to carry out devastating procedures that in the end extend suffering.

Gawande, a practicing surgeon, addresses his profession’s ultimate limitation, arguing that quality of life is the desired goal for patients and families. Gawande offers examples of freer, more socially fulfilling models for assisting the infirm and dependent elderly, and he explores the varieties of hospice care to demonstrate that a person’s last weeks or months may be rich and dignified.

Full of eye-opening research and riveting storytelling, Being Mortal asserts that medicine can comfort and enhance our experience even to the end, providing not only a good life but also a good end.

As the “audacious and subversive”* Shadow Campaigns novels continue, the weather is growing warmer, but the frosty threat of Vordan’s enemies is only growing worse…

As the roar of the guns subsides and the smoke of battle clears, the country of Vordan is offered a fragile peace…

After their shattering defeats at the hands of brilliant General Janus bet Vhalnich, the opposing powers have called all sides to the negotiating table in hopes of securing an end to the war. Queen Raesinia of Vordan is anxious to see the return of peace, but Janus insists that any peace with the implacable Sworn Church of Elysium is doomed to fail. For their Priests of the Black, there can be no truce with heretics and demons they seek to destroy, and the war is to the death.

Soldiers Marcus d’Ivoire and Winter Ihernglass find themselves caught between their general and their queen. Now, each must decide which leader truly commands their loyalty—and what price they might pay for final victory.

And in the depths of Elysium, a malign force is rising—and defeating it might mean making sacrifices beyond anything they have ever imagined.

Ha, ha! I got to read this months before the rest of the unwashed masses! Nyeh-nyeh!

Anyway, the release date is August 2016, so put in your pre-orders now, because you’re going to want to read this as soon as it hits bookstores. Motherfucker is gamechanging, ya’ll.

Ketterdam: a bustling hub of international trade where anything can be had for the right price—and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone…

A convict with a thirst for revenge.

A sharpshooter who can’t walk away from a wager.

A runaway with a privileged past.

A spy known as the Wraith.

A Heartrender using her magic to survive the slums.

A thief with a gift for unlikely escapes.

Kaz’s crew are the only ones who might stand between the world and destruction—if they don’t kill each other first.

In terms of construction, and the intricacies of the heist, this actually reminds me a lot of Scott Lynch’s Locke Lamora series, but of course very Bardugo-ized. I’m always a fan of the way that Bardugo constructs characters and relationships, and this book was no exception. Loved it.

On a cold and snowy night in 1910, Ursula Todd is born, the third child of a wealthy English banker and his wife. Sadly, she dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual.

For as she grows, she also dies, repeatedly, in any number of ways. Clearly history (and Kate Atkinson) have plans for her: In Ursula rests nothing less than the fate of civilization.

Wildly inventive, darkly comic, startlingly poignant — this is Kate Atkinson at her absolute best, playing with time and history, telling a story that is breathtaking for both its audacity and its endless satisfactions.

What a delightful historical fiction mindfuck! Imagine Groundhog Day, but if instead of a day, it was the character’s entire LIFE. Really, really good.

Florence Nightingale was for a time the most famous woman in Britain–if not the world. We know her today primarily as a saintly character, perhaps as a heroic reformer of Britain’s health-care system. The reality is more involved and far more fascinating. In an utterly beguiling narrative that reads like the best Victorian fiction, acclaimed author Gillian Gill tells the story of this richly complex woman and her extraordinary family.

Born to an adoring wealthy, cultivated father and a mother whose conventional facade concealed a surprisingly unfettered intelligence, Florence was connected by kinship or friendship to the cream of Victorian England’s intellectual aristocracy. Though moving in a world of ease and privilege, the Nightingales came from solidly middle-class stock with deep traditions of hard work, natural curiosity, and moral clarity. So it should have come as no surprise to William Edward and Fanny Nightingale when their younger daughter, Florence, showed an early passion for helping others combined with a precocious bent for power.

Far more problematic was Florence’s inexplicable refusal to marry the well-connected Richard Monckton Milnes. As Gill so brilliantly shows, this matrimonial refusal was at once an act of religious dedication and a cry for her freedom–as a woman and as a leader. Florence’s later insistence on traveling to the Crimea at the height of war to tend to wounded soldiers was all but incendiary–especially for her older sister, Parthenope, whose frustration at being in the shade of her more charismatic sibling often led to illness.

Florence succeeded beyond her wildest dreams. But at the height of her celebrity, at the age of thirty-seven, she retired to her bedroom and remained there for most of the rest of her life, allowing visitors only by appointment.

Combining biography, politics, social history, and consummate storytelling, Nightingales is a dazzling portrait of an amazing woman, her difficult but loving family, and the high Victorian era they so perfectly epitomized. Beautifully written, witty, and irresistible, Nightingales is truly a tour de force.

And that was what blew my mind in the year’s first quarter.

Now your turn — what has blown YOUR mind between January and March, in terms of books?