North PolarNorth Polar was created for the Lorne Sculpture Biennale, Lorne, Victoria.

Supermodel (the exhibition)Supermodel is a series of small assemblage sculptures constructed from found plastics, alongside abstract paintings, which are interpretations of these sculptures or 'supermodels'.

Ursa MajorUrsa Major was specifically created for the Melbourne Prize for Urban Sculpture 2014, Federation Square, Melbourne.

2013

Emporium
Louise Paramor: Emporium - A survey exhibition 1990-2013 was held at The Glen Eira City Council Gallery from 27th September to the 3rd November.

Wild CardsThe Wild Card series are a set of assemblages that, alongside industrial and domestic found plastics, incorporate ready-made fibreglass animals.

Noble ApeNoble Ape was specifically created for the exhibition Melbourne Now. The invitation to participate in the show provided an opportunity to produce a large scale Wild Card assemblage.

2012

Panorama StationPanorama Station is a permanent public sculpture commissioned by Southern Way for the Peninsula Link Freeway at the EastLink interchange, Melbourne in 2012.

2011

Six PerfectionsCreated for the ‘Buddha Enlightened 2BE’ , international workshop organised by Delhi based artists Sanjeev Sinha and Dianne Hagen. ‘Buddha Enlightened 2BE’ took place in Bodhgaya, Bihar, India in January 2011.

Stupa CityStupa City is comprised of four sets of works. The starting point is a group of figurative paper collages assembled from the residue of an earlier work (Letters, Lies & Alibis, 2004). The forms of these characters have been increased in scale to form the second set of works, painted onto glass, creating a different sensibility again, where geometric abstraction meets cubist funk.

2010

Top ShelfAward winning piece, created specifically for the McClelland Sculpture
Survey and Award, Victoria.

Mood BombMood Bomb was an exhibition of abstract oil paintings on (the back of) glass. As the title indicates these works were conceived intuitively and the paintings themselves ultimately suggested their own titles. Nellie Castan Gallery, Melbourne.

A Bunch of FlowersA Bunch of Flowers showcased three distinct groups of works: the first of many plastic assemblage Jam Session sculptures; three large bill-board scale Classic Shazzy car/girl collages and several large abstract collage works.

2005

Up She GoesUp She Goes is a 4-minute video loop where the hanging of a large collage work (in pieces) is reversed and sped up, with sound added. Linden – St Kilda Centre for Contemporary Arts, Melbourne

FOREVERYOURSFOREVERYOURS is a series of large collages meticulously assembled using pre-hand-painted gloss paper, which is cut into numerous shapes and then pasted to form images. This imagery comprises a variety of over-scaled interpretations of the Mills and Boon series’ covers.

Off-CutsOff-cuts was an exhibition of the first in a series of abstract collages constructed from the refuse of the FOREVERYOURS series of collages. Künstlerhaus Bethanien, Berlin

2002

The Love ArtistArticulated around the theme of eroticism, The Love Artist presents itself as an installation in three complementary parts. Breitengraser – room for contemporary sculpture, Berlin.

Outback
Heat (rug)Made specifically for the exhibition Elvis Has Just Left the Building, Perth Institute of Contemporary Art , Western Australia and Künstlerhaus Bethanien, Berlin, curated by Boris Kremer.

2001

Heart-OnHeart-On was an exhibition of honey-comb
paper sculptures, found objects and borrowed text, and was created
during a 3-month residency at IASKA

Up She Goes is a 4-minute video loop where the hanging of a large collage
work (in pieces) is reversed and sped up, with sound added. It is mesmerising
and annoying at the same time, as it is unclear as to what is actually happening.

This work came about during a residency in Rotterdam where I created the Classic
Shazzy series of car/girl collages.

Gallery wall text:
Everyone has at one time or another walked into a garage of which the walls were
covered with pin-ups advertising fancy sports cars. Men can gaze at these images
forever, and dream their dreams of power, money, and sexual fulfilment. We tend
to forget that cars are 4-wheeled mechanical vehicles, which are used to take
us from on point to the other. Cars and girls alike are represented as fetishistic
objects. By doubling these images and bringing them into the realm of art, Louise
Paramor adopts an attitude of careful attention towards ‘some of the things men
dream about’. In her video ‘Up She Goes’, Louise Paramor deconstructs the life
size image of a girl leaning over an Italian sports car, in reverse. It is as
if we can hear her say ‘eat this, because at the end of the line, or at the real
beginning of it, there’s me; a real girl.’
Jeroen Eisinga, Rotterdam, 2005