Everything Photos

2013年12月27日星期五

New Year is coming soon filled with best
wishes and nice dreams. To welcome the year of 2014, and to express our gratitude,
ArcSoft has provided special offers for you guys.

Photography Bundle – 52% OFF

This bundle includes five
photo editing software: Portrait+, Panorama Maker, PhotoStudio, Perfect365 and
Group Photo. At the price of a copy of Portrait+ $249.99, you can get all these applications! For more
details, pleaseclick here.

With precise auto detection of facial
features and visible skin, fast batch-processing and one-click presets, Portrait+
helps save time, reduce costs and make stunning portraits. It also has a
Photoshop plug-in version to make it perfectly integrated into your current
workflow.

Now you can get this
awesome program, the best companion for portrait photographers, at $98.99 with coupon code Portrait45. That’s 60% OFF the original price!!! A deeper discount we
offer than the one on our website, exclusively for you lucky guys who see this
post.

2013年2月19日星期二

Backlight photos are of great artistic expression, and welcomed by many professional and amateur photographers. To take a good backlight shoot, it is of great importance to control over light. Concerned with sunlight, it is changing all the time especially the conversion of light intensity and angle. Every tiny difference changes the mood of a picture. Let’s find easy ways to get your desirable backlight photos.

Today, we focus on achieving backlit photos with the natural sunlight. To get a full grasp, we divide it in to two sections.

Section 1: Sunrise and sunset hours.

(Taken by KettyRao)

The best light is the golden "liquid light" of the early morning and late afternoon. The weak light intensity is conducive to backlit photo shooting, particularly those small staffs. A huge benefit to having portraits backlit with the sun is that lovely rim lighting--where the edges of your model(s) are outlined by a thin thread of light. You need to pay attention to the fast variation of sunlight at this period. Splendid senses gone soon, thus the preparation before shooting is far more important.

Section 2: Midday hours.

(Taken by Tyler and Katie)

If it is a good day, you will find strong light intensity. It is easy to take backlit photos with vignette blur, strongly decreasing the photo expression. Try to avoid taking the backlit photos with the direct sunlight at this time. If you do have to shoot with a high sun, a day with broken cumulus clouds can be ideal. Those clouds can act as a giant soft box and give you wonderful light without harsh shadows. Take full advantage of the reflected light from other objects.

l Refined preset and custom styles make the editing process easy and
accurate

When you have to deal with numerous photos within a limited time,
Portrait+2.0 helps you handle the tricky task easily with high quality results guaranteed.
Whether you use it to soften skin, improve complexion or put on makeup, Portrait+
will meet all your retouching needs.

Try it immediately
to remove your blemishes and make your portraits beauty.

2013年1月23日星期三

In 2013, for the third year running, the
awards return, searching for the best street photography from around the globe.

After the success of the International and
Student Street Photography Awards in 2011 and 2012, these prestigious awards
return for a third year running in 2013, but they are now being run by the
exciting new home of photography: Fotoura.

The past two years saw entries from 113
countries, and allowed street photographers from across the globe the chance to
have their work seen on an international platform.

The 2013 Fotoura International Street Photography
Awards will include Open and Student categories, and will of course be open
to photographers all over the world. The winners and a selection of the best
entries to this competition will be shown in an exhibition in central London in
Spring 2013.

There are a few differences to this year's
contest including a theme which is HOMETOWN (read more about the theme on the
Fotoura website.), and some exciting ways for entrants to have their photos
added to the Fotoura App, which will enable people from around the world to
browse images and vote for their favorites.

In doing this, Fotoura hopes to not only
continue to celebrate the tradition of street photography and engage more
practitioners, but also to build a huge archive of extraordinary moments
spotted in people's daily life, all over the world.

The first prize winner will receive £2000
cash, an exhibition of their work in London, a camera and £100 book publishing
voucher. Second and third prizes will also be awarded, as well as ten runners
up.

Entrants can choose whether they want an
image from their entry to be added to the Fotoura App, and included in a global
public vote, which will result in a winner for every single country! These
country winners will also be exhibited in the London exhibition alongside the officially
judged first, second and third prize winners and runners up.

The entry price is £30, and £15 for
students. (All entrants to the International Street Photography Awards receive
a £30 voucher to print their own photo-book at Blurb.com.)

2013年1月21日星期一

ArcSoft (a company specializing in
post-processing software) has recently announced a new noise-reduction program
called low-light NR, which
introduces a feature called multi-frame noise reduction on top of conventional
noise reduction algorithms. They are giving away 5 free copies of this software
through an exclusive PentaxForums.com giveaway, and it only takes a few minutes
to enter, so we highly encourage you to do so. Details on the giveaway
are foundhere.

Below is an example of how this new noise
reduction technology outperforms traditional algorithms:

As you can see, noise is obliterated and
details are retained almost perfectly.

The reason this works so well is that
multi-frame NR collects pixel data from multiple consecutive photos of the same
subject. Such photos can be obtained by shooting in burst mode or using exposure
compensation. Since the noise patterns will differ slightly from photo to
photo, the software is able to recover detail lost in your original photo by
looking at the other frames.

Our Low Light NR giveaway raffle will close
in 3 weeks, so enter today if you're interested in
winning a free copy of this $80 software! No purchase necessary. You
can also try afree trial of the software while
you wait for the winners to be announced.

In case you weren't aware, ArcSoft is also
the developer of some of the software that Pentax bundles with their cameras!
If you are interested in any ArcSoft products, the coupon code PENTAXARCSOFT
will save you 25%.

2013年1月16日星期三

We’ve
talked about 5 tips of getting great candid shots, today I’d like to share
further tips on this topic. It’s really nice to learn how pro photographers get
stunning candid photos from their photo works and word descriptions. Hope
today’s tips could give you more inspiration of shooting better candid
photography.

1. Photograph People Doing Things

Images of people doing things tend to be
much more interesting than people sitting passively doing nothing. For one your
subject will be focused upon something which adds energy to a photo (and takes
their focus off you) but it also puts them in context and adds an element of
story to your image. Timing is everything in Candid shots so wait until they
are distracted from you and fully focused upon what they are doing or who they
are with and you’ll inject a feeling into your shots of them being unaware and
that the viewer of your image is looking on unseen.

2. Photograph People with People

Something very interesting happens when
you photograph more than one person in an image at a time – it introduces
relationship into the shot. Even if the two (or more) people are not really
interacting in the shot it can add depth and a sense of story into the viewing
of the image. Of course ideally in candid shots you’d like some interaction
between your subjects as that will add emotion into the shot also as we the
viewer observe how the people are acting.

3. Shoot from the Hip

If your subject is aware that you’re there
and that you have your camera out they might tense up or act a little
unnaturally as they see you raising your camera to the eye. The beauty of
digital cameras is that it doesn’t cost you anything to take lots of shots and
it can be well worth shooting without raising your camera. To do this most
effectively you might want to set your lens to a wider angle setting to make up
for any aiming problems you might have.

4. Mix up Your Perspective

The other beauty of shooting from the hip
is that it gives you a slightly different perspective to take the shot from (i.e.
shooting from 3 feet height instead of 6). This adds to the candid nature of
the shots. In fact sometimes it’s the slightly crooked, slightly out of focus
or poorly composed shots taken from this type of angle that ends up looking the
best because they come across as quite random. Of course you can add all these
new perspectives to your shots without shooting from the hip. Crouch down, get
up high, frame your shots on an angle, zoom in close and then quickly zoom out
to a wide angle, break the rules of composition etc. and you will add a new
perspective to your shots that can mean they look fresh and surprising.

5. Frame Images with Foreground Elements

A trick that I often use in candid shots
is to purposely include something in the foreground of the shot to make it look
as though I’m hiding behind it. You might do this with by shooting over
someone’s shoulder, by including a little of a tree branch or the frame of a
doorway.

6. Take Posed Shots into Candid Territory

One of my favorite times to shoot candid
shots is when other people are taking formal ones. This is because everyone in
the shot is focused on the one element (the other photographer) – but it’s not
you. If the main photographer has posed the happy couple of the day or their
bridal partly look for a different angle to them to take a shot of the same
subject. Often if you take a few steps to the side and shoot from almost a
profile position you can get great shots. Also zooming in to take shots of just
one or two of the people in a larger group at these times can work well. Also
try zooming right out to take a shot of the photographer and their subject all
in one. If you’re the only photographer and you’re taking formal shots a great
technique is to take your posed shot and then continue to shoot after everyone
thinks you’ve finished. It’s often the shots just after the posed one that are
the best as people relax and look at each other.

2013年1月15日星期二

Candid styles of photography are increasingly becoming popular both in general day to day photography but also in formal photographic situations. Last time I was asked to photograph a wedding the couple actually hired me purely to take paparazzi style shows of them and their guests throughout the day. They had another photographer for the formal shots and gave me the brief of getting a behind the scenes look of the day.

The results, when they put together my shots with the formal ones were a wonderful blend of photos that told a fuller story than if they’d gone for one or the other.

Below are a number of tips to help photographers improve their ‘candid’ photography. Please note that these tips are not about taking sneaky, voyeuristic or true paparazzi shots (i.e. photographing people without their permission) but rather about how to add a more candid feel to the shots you take of people that you know.

1. Take Your Camera Everywhere

Probably the best way to take spontaneous photographs is to always be ready to do so. I have a DSLR which I take out when I’m on a shoot but between shoots like to carry with a quality point and shoot camera that I can whip out at a moments notice to capture the many opportunities for a good photo that life presents us with. Taking your camera with you everywhere also helps people to be more at ease with you taking their photo. I find that my friends and family just expect me to have my camera out so when I do fire it up it’s not a signal to them to pose but it’s a normal part of our interaction – this means that they are relaxed and the photos are natural.

Obviously the further you are away from your subject the less likely they will be to know that you’re photographing them and the more natural and relaxed they’ll act. Using a telephoto lens or long zoom enables you to shoot from outside their personal space but keep the feeling of intimacy in the shot you’re taking.

3. Kill the Flash

Perhaps the most obvious way that you can signal to another person that you’re photographing them is to use a flash. There’s nothing like a blinding flash of light in the eyes to kill a moment. If possible (and it’s not always) attempt to photograph without the flash if you’re aiming for candid shots. When in lower light situations increase your ISO setting, use a faster lens, open up your aperture or if your camera has a ‘natural light mode’, turn it on. Hopefully one or a combination of these approaches will help you blend into the background a little more.

I've written about this before on this site but when you shoot multiple images quickly of a person you can sometimes get some surprising and spontaneous shots that you’d have never gotten if you shot just one. Switch your camera to continuous shooting mode and shoot in bursts of images and in doing so you’ll increase your chances of that perfect shot.

5. Position Yourself Strategically

While Candid Photography is about capturing the spontaneity of a moment and getting that perfect shot at the right split second of time I find that if you think ahead and anticipate what is about to unfold in front of you that you can greatly increase the chances of getting some great shots. So at a wedding get to the church early (or even go to the rehearsal) and think about what will happen during the ceremony and where will be best for you to stand to capture each moment. Which way will people be facing? What will they be doing? What will the light be like? Thinking through these issues will save you having to run around repositioning yourself when you should be shooting images – it’ll also mean you take a whole heap less shots of the back of people’s heads!