Foster, Hal. "The
‘Primitive’ Unconscious of Modern Art." October (Fall 1985), 34:46n4.
Acknowledges a debt to Homi K. Bhabha's
views for his discussion of primitivism as a fetishistic colonial
discourse.

Frankenberg, Ruth and Lata Mani. "Crosscurrents, CrossTalk: Race, ‘Postcoloniality’, and the
Politics of Location." Cultural Studies
(May 1993), 7(2):294, 295, 302, 308.
Observes that the theorists identified
with the term "postcoloniality", Edward Said, Gayatri Spivak and Homi
Bhabha, "are themselves first-generation disaporic intellectuals,
displaced to the US and UK from an elsewhere that shaped them in
fundamental ways."

Friedman, Jonathan. "Americans Again, or the New Age of Imperial Reason? Global
Elite
Formation, its Identity and Ideological Discourses." Theory, Culture & Society: Expolorations in Critical Social
Science (February 2000), 17(1):141, 145.
Part of a Special Section on
Multiculturalism and the Intellectuals.

Fusco, Coco. "The Other
History of Intercultural Performance." TDR:
The Drama Review: A Journal of Performance Studies (Spring 1994), 38(1):153, 166.

Fuss, Diana. "Interior
Colonies: Frantz Fanon, and the Politics of Identification."
Diacritics: A Review of Contemporary Criticism
(Summer-Fall 1994), 24(2-3):24, 38n27, 39-40.
Diana Fuss quoting Homi K. Bhabha's "Of
Mimicry and Man" (1984) says: "Bhabha's theory ofr colonial
mimicry, developed through a series of important readings of Fanon's work,
reminds us that it is precisely through the figures of 'trompe l'oeil, irony, mimicry, and repetition' that the
discourse of colonial imperialism exercises its authority."
Issue is entitled "Critical Crossings,"
and is edited by Judith Butler and Biddy Martin.