Films about a life of crime always tend to focus on the rise and fall of a young man with big ideas being completely crippled by the baseball bat of corruption. It’s almost like they follow a moral code that says all people who dive into the underworld must drown at the end. After a while, you find yourself asking for a little more forgivingness in these affairs. Or at least let us see a man who genuinely kind, despite his illegal behaviour. Alejandro González Iñárritu’s newest release has given me a new type of crime drama.