Fifty years ago today Elvis Presley recorded what would prove to be one of the iconic standards of the rock'n'roll canon, LeiberandStoller's Jailhouse Rock. The song's sly allusions ("number 47 said to number three, you're the cutest jailbird I ever did see") to same-sex prison liaisons went unnoticed (or at least uncommented on) at the time, and it stayed a US #1 radio hit for 7 weeks straight. The unisex productionnumber[youtube] from the movie of the same name has come to be recognized as one of the grandfathers of the pop/rock video. A black-leather-clad, still-svelte Presley performed the song on his 1968[youtube] "comeback" TV special, and was singing it (slurred delivery, sequins and all) right up into 1977[youtube], the year of his death. In 1980 John Belushi and company turned in a fine version[youtube] as the closer to the Blues Brothers movie, and the song was a regular feature of their live[youtube] shows as well. Happy 50th birthday, Jailhouse Rock!posted by flapjax at midnite (52 comments total)
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So, two sources indicate that today, May 2, is THE recording date. But another source maintains the recording date was April 30. Hmmm... If anyone has the iron-clad last word on this, please chime in.posted by flapjax at midnite at 6:48 AM on May 2, 2007

Thank you for this post flapjax, thank you very much.posted by Shfishp at 6:50 AM on May 2, 2007

"Elvis looked good. I'm no fag, but Elvis was good-lookin'. I always said if I ever had to fuck a guy... I mean had too 'cause my life depended on it... I'd fuck Elvis." - Clarence Whorley, True Romanceposted by jonmc at 7:12 AM on May 2, 2007

Must we sexualize everything?
Next you'll tell me "Baby Hit me One More Time" isn't about blackjack.posted by Dizzy at 7:23 AM on May 2, 2007 [1 favorite]

"Hit Me Baby One More Time," Dizzy.
The song you're referring to is about infants abusing their parents.posted by CitrusFreak12 at 7:32 AM on May 2, 2007

Well, I take that back. It's implied in Guralnick's book that Elvis knew the score ("He thought Jerry was completely crazy." but was caught up with his ideas.) It is said, however, that he got so caught up in singing the song on the film set that he ended up getting a temporary crown stuck in a lung, after swallowing it while sliding down a pole. A doc later had to go through Elvis' vocal cords to take the crown out.

I was just reading Elvis IMDB bio page. Apparently he was offered a chance to co-star with Robert Mitchum in Thunder Road, but the Colonel nixed it. The Colonel was an idiot.posted by jonmc at 7:41 AM on May 2, 2007

No matter what you think of Elvis (and I go back and forth on this all the time), that '68 performance is fire. '77? Not so much.posted by kosem at 7:51 AM on May 2, 2007

Speaking of the Blues Brothers (anybody check that live Jailhouse Rock yet? It's quite good) I came across this little gem. Rubber Biscuit! Brilliant!posted by flapjax at midnite at 7:52 AM on May 2, 2007

"Elvis looked good. I'm no fag, but Elvis was good-lookin'. I always said if I ever had to fuck a guy... I mean had too 'cause my life depended on it... I'd fuck Elvis." - Clarence Whorley, True Romance

I also thought it was odd they let someone bring in a "slide trombone" to prison.posted by thekilgore at 7:55 AM on May 2, 2007

Yeah kosem, I was just about to say that the '68 comeback special really shows why Elvis was special. I also waver on how great Elvis really was, but that show was amazing.posted by ob at 7:56 AM on May 2, 2007

Ditto on '68. Overall, I'm not the biggest Elvis fan, but the '68 comeback special was fucking fantastic, a show for the ages.posted by psmealey at 8:05 AM on May 2, 2007

Roger that. For that night, he was rock and roll personified.posted by jonmc at 8:06 AM on May 2, 2007

I miss Belushi a lot more than I miss Elvis. (I had forgotten that jailhouse rock scene in the Blues Brothers. Genius.)posted by leftcoastbob at 8:11 AM on May 2, 2007

I've always felt that I had a weird relationship with Elvis' music. Like the Beatles and Dylan, I've never really found myself a fan of their performances, and yet, I truly enjoy their music when performed by other artists; The Blues Brothers cover, Hendrix's All Along the Watchtower, etc.

Possibly it's the old production values, instrumentation, guitar or drum tones that leaves you cold, but underneath, they are still incredible songs.

This is actually an age old phenomenon. I mean, how many (more :-) times did Led Zeppelin re-write Howlin Wolf songs and their audience thought they were hearing the tunes for the first time?posted by psmealey at 9:48 AM on May 2, 2007

Incidentally, quin, I personally have the same experience with Bowie. Almost without exception, I love the covers of his tunes but the originals leave me a bit cold. I think it might have something to do with the cold 70s production or the timbre of his voice putting me slightly on edge. Sacrilege, I know, but I'll take the Wallflowers' version of "Heroes" and the Bauhaus's cover of "Ziggy Stardust" over the originals every time.posted by psmealey at 9:54 AM on May 2, 2007

Thanks for this post. Not my favorite Elvis song, but any Elvis post gets a shoutout from me.posted by blucevalo at 10:05 AM on May 2, 2007

Great post!... John Goodman (in character as "Dan" on television's "Roseanne") did a great version of "Jailhouse Rock." It used to be on YouTube, but I can't find it now.posted by amyms at 10:07 AM on May 2, 2007

Bonus points for being the first to use Leiber Stoller tags!posted by kimota at 10:12 AM on May 2, 2007

(I still am fond of Mojo Nixon's Elvis is Everywhere though it has nothing to do with the post, really...but heck, we're talking about Elvis.)posted by maxwelton at 12:15 PM on May 2, 2007

The song's sly allusions ("number 47 said to number three, you're the cutest jailbird I ever did see") to same-sex prison liaisons went unnoticed (or at least uncommented on) at the time

At the time, it was common for men in confined situations (jail, POW camp, Navy) to have dancing parties where some of them dressed up as women. All in good fun, you know. See Stalag 17 for an example.

Homosexuality was kept so far under the radar that this had no negative connotations.

So, I really don't think those were "sly allusions" in the nudge-nudge wink-wink sense. I can't say that nobody in the audience would ever think otherwise, but I don't think the majority had it cross their mind.

There are other related aspects of this. I was surprised to see Tony Curtis practically holding Roger Moore's hand as they walked down a street in The Persuaders! (1969), as if it were the most natural thing in the world for two ladies' men (in real life, and in character) to do.

There are theories that homophobia in Western society leads to male alienation because of what you "can't do", thus straight men may grow up resenting gay men for being able to obtain the male affection they can't. Etc.posted by dhartung at 12:19 PM on May 2, 2007

I’d be very suspicious of a warden throwing a party in jail wherein the inmates are given instruments and prisoners openly weeping are mocked.
I’d also watch out for an inmate who refuses to escape given the chance. Bugsy may be an informer.posted by Smedleyman at 2:57 PM on May 2, 2007

prisoners openly weeping are mocked.

He wasn't mocked, he was invited to join the festivities with a fine piece of handcrafted furniture.posted by jonmc at 3:01 PM on May 2, 2007

Ok, jonmc you have a fine handcrafted point.
Still, I think Bugsy’s a rat, see? Yeaaaah.posted by Smedleyman at 6:00 PM on May 2, 2007

This is a great post and a wonderful thread, a fine example of when MeFi works.posted by nola at 6:52 PM on May 2, 2007

I didn't plan it this way, but there's an alignment of the 50's here: The song is 50, I turn 50 this month, and this was my 50th MeFi post. Crazy...posted by flapjax at midnite at 8:24 PM on May 2, 2007

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