Status of Flanders

The Flemish Community (and Flanders Region, both institutions
having merged into a single one) has competencies on the Flemish
provinces and Brussels.
The Flemish Council and the Government of the Flemish Community
exercize the legislative power of the Flemish Community. The Flemish
Council is made of all the 118 Councillors directly elected in the
Flemish Region and six Dutch-speaking, directly elected members of
the Council of the Region of Brussels-Capital. The six Councillors from
the Region of Brussels-Capital cannot vote the Decrees of the Flemish
Region.
Ten members of the Flemish Council are delegated to the Senate.
The Flemish Council votes Decrees: the Flemish communautary and
regional Laws.

The Governement of the Flemish Community exercizes the executive
power and is made of no more than ten ministers and a
Minister-President. At least one of the Ministers shall live in the
Region of Brussels-Capital. The Minister(s) from Brussels, member(s)
of the Government of the Flemish Community, cannot state on decisions
attributed to the Flemish Region.

Ivan Sache, 13 July 2001

Flag of Flanders

Official flag

The official flag of Flanders is yellow with a
black lion outlined in white and with red claws
and tongue. The flag with a completely black lion is
unofficial, although very popular in
Flanders.
Real flags, even official ones, do not always match the official design, as for instance the flag hoisted in front of the town hall of Neerpelt, shown on a photography available on the Neerpelt Internet Gazette blog.

Ivan Sache & Jan Mertens, 17 June 2007

According to Album des Pavillons
[pay00], the Flemish flag is also hoisted on pilot ships, lights and tugs operated by the Flemish administration.

Željko Heimer, 2 March 2001

Legal background

Law from 6 July 1973 prescribes the flag, anthem and day of the Dutch Cultural Community.
Law of 11 July 1985 includes an official picture of the flag of
the Flemish Community (replacing the Dutch Cultural Community) in
colour (not shown in the Belgian official gazette) and in black and white
(shown in the Belgian official gazette). The proportions of the flag are prescribed as 2:3.
Law of 13 April 1988 prescribes the flag, arms (as seen on the seal of the Dutch Cultural Community), anthem and day of the Flemish Community. The arms are "Or a lion sable crowned armed and langued gules surrounded by five mullets sable".
Law of 7 November 1990 prescribes the same symbols except the arms, which are "Or a lion sable armed and langued gules".

There is no law on the use of the flag, therefore everybody (Flemish authorities and citizens) can use it.

Pascal Vagnat, 17 May 1996

Unofficial flag of Flanders with a completely black lion

Unofficial Flemish flag, as sold by VVB - Image by Ivan Sache, 30 March 2004

Basically, the flag of Flanders with a completely black lion is
clearly perceived as anti-Belgian. It states that the flag user is in
favour of a free Flanders, independent or autonomous.
The use of this flag does not amount to being a right extremist,
although right-wingers consistently use it.
Ivan Mertens, coordinator of Vlaanderen Vlagt (VV), the
volunteer body known as the frenetic flag wavers at cycling events,
used the following arguments (reported in the Flemish quality
newspaper De Standaard of Saturday 12/Sunday 13 April 2003):
- we want to put Flanders on the map in a positive way;
- the [completely black] Flemish lion does not belong to the
Vlaams Blok, just as the
French tricolour does not belong to Le Pen's Front National;
- although most VV people are right of centre, a few come from
the left.
In 2007, more than 10,000 flags were sold representing 100,000
Euros, half of which was raised by the VV volunteers and half by
sponsors.
VV now often uses a vertical flag showing the non-official lion above the
official one, the important fact being that no choice is made.

The completely black Flemish lion was used long before the
Vlaams Blok existed. The influential Vlaamse Tooeristenbond / Vlaamse Automobilistenbond (Flemish
Tourist Association / Flemish Automobile Association) for instance
expressly chose this flag version instead of the traditional one.
There are different artistic renditions of the lion, as for years
Davidsfonds, a Flemish Catholic cultural organization, offered
both a traditional design, by Joe English, a Flemish artist of Irish descent (1882-1918) and a revered name in emancipatory Flemish iconography, and a very modern design by Arno Brys. In both cases, the flag is shown either with a black or a black and red lion.

Jan Mertens, 5 January 2010

Unofficial flag of Flanders with the official logo

A variant of the Flemish flag, which should not exist at all, shows the
official lion designed for printed and related materials only.
Over the years I have seen this flag variant in the cloth on several occasions, flying at or near Antwerp.
Such a flag was offerred on the local auction site Hebbes in August 2006, as "showing the Belgian lion" (sic). Dimensions of the flag were given as 88 cm x 150 cm.

Jan Mertens, 29 November 2008

Erroneous representations of the flag

The flag of Flanders is shown erroneously, with the lion outlined in yellow and having a black tongue and red claws, in the Flags of Aspirant Peoples chart [eba94], #72, with the following caption:
FLANDERS (VLAANDEREN)
Dutch-speaking Comunity (Flemings)
North Belgium

Ivan Sache, 17 June 2007

Origin of the Flemish lion

The motto Vlaenderen die Leu (Flanders the lion) was
according to Eug. Sanders present on the arms of Pieter de Coninck at
the Battle of the Golden Spurs on 11 July 1302 near the
Groeningekouter. Some three hundred noblemen shouted it too when they
saw, having fought in the French rows, that chances were turning in
favour of the Flemish. In Spiegel Historiael, Louis van
Velthem also refers to the lion in a song describing the battle of
Blangys-Guinegatte, August 1472. Later, Hendrik
Conscience used the motto in his Lion of Flanders.

The first known attempt to establish the origins of the Flemish lion
comes from John the Long, better known as Iperius, abbot and
historian at the St. Bertinus abbey in Saint-Omer (today in northern France). According to his story, from the first Count on, the Counts of Flanders used arms called Oude Vlaenderen (Old Flanders). However, during the Crusade of 1177, Count of Flanders Philip of Alsace, bravely won a black lion on a
golden field from a Mohammedan monarch in a fight against the
Sarracens. At his return, Philip dropped the Oude Vlaenderen
and adopted "Or a lion rampant sable" as his arms. Since then,
all Counts of Flanders have used those arms.
Dr. E. Warlop noticed that the lion appears for the first time on a
seal of Philip of Alsace in 1162, that is fifteen years before the
"acquisition" of the lion in the Holy Land. Iperius' story dates from
the second half of the 14th century - two centuries after the facts
- and may therefore not be accurate. Moreover, there is no scientific
proof that the Oude Vlaenderen was ever used by one of the
early Counts of Flanders. All known descriptions and depictions of it
date from after Iperius' story. Warlop concluded that the
descriptions found their origin in the story, which admittedly was
made up for some convenient reasons. The origin of the lion should
therefore not be sought in the Holy Land, but in the environs of
Philip of Alsace.

Four years older than Philip's seal, a counterseal of William of
Ieper from 1158, shows a lion passant, walking to the right. William may have inherited these arms from previous
Counts, or maybe he brought it home from England, where he had stayed
for twenty years as the leader of mercenary troops in the King's
service. Maybe Philip chose these arms because he was the son of
Sybilla of Anjou, sister of Geoffrey
Plantagenet, who used arms showing two lion rampants (walking to the
left). He could also have chosen these arms because of his stay in
England, where he had been under the protection of the King of
England, Henry II Plantagenet, while his parents were on a Crusade.
Henry used arms with lions passants.

In the 12th century, the lion passant, actually a descendant of the
dragon, became the symbol of paganism and rebellion against the
Church. The lion rampant on his turn became the symbol of the
Christian knights. That makes it plausible that Philip of Alsace, who
went to the Holy Land twice, used this symbol.
A second reason could be that both Thierry and Philip of Alsace
wanted to take over the inheritance of William of Ieper against his
illegal but legitimized son. As to prevent the danger of usurpation,
William's arms weren't taken over litterally: the lion passant became
a lion rampant.
Finally, the arms could also be taken after Geoffrey Plantagenet, as
the symbol of the Christian knight. A lion rampant fitted better to a
triangular shield, however.

Therefore, one may conclude that the story of the "acquisition" of
the lion during a fight against the Sarracens might have been made
up, to cover up the not so fine truth.

Filip van Laenen, 29 October 1997

Seal of the Cultural Council of the Dutch Cultural Community

Seal of the Cultural Council of the Dutch Cultural Community - Image by Mark Sensen, 18 March 1996 - (Click on the seal for larger version)

The former arms of Flanders can be seen on the seal of the Culture Council of the Dutch Cultural Community. The stars in the seal were black. These five stars represented the five Dutch speaking provinces. These arms
were (unofficially?) in use since 1972, according to H. de Vries
[vri95].