This is a fun and brilliant post about what I’ve been saying (not on the blog, but in “real” life) about book reviews. Tara crushes this post, and it’s just the kind of thing I wanted to read at 1 a.m.

Number 2 and 10 on this list is spot on. It also takes a number 2 on some of the “high society” views on swearing, smut, and general tomfoolery. Seriously folks, write the book you want to read and people will give you a shot.

Look at my face. Seriously. Take a good long look at this face. It’s blue. And why is that? Why is my face the colour of childish summer skies, frozen computer screens, and musical moons?

It’s because I’m BLUE IN THE FACE telling you that 5-star reviews do not sell books. Stand-alone 5* reviews (rather than bunched together in aggregate, which I admit wield pens of power and therefore refuse to deal with here) are as much of an incentive to readers to buy a book as broccoli yoghurt is to naughty children to behave. They are meaningless: often vapid: frequently regarded as fake, and I have blogged about them so many times that my fingers are weary and my face is blue.

You know what can sell your books, though? A bad review, that’s what. And why is that? Because bad reviews contain 97.5% more useful information than good reviews, that’s why.

One of my clients suggested a blog post about getting your self-published book onto the shelves of a library. After a brief flashback to tiny drawers packed with musty index cards and the confusing Dewey Decimal System, I decided to look into it. There is something magical about libraries for me. Thinking of someone walking out the door of their local library clutching a book with my name on it is pretty exciting.

Outside of being fun idea, it’s a smart move. According to the American Library Association (ALA), more than 60 percent of American’s have a library card. (I’m not sure of the stats for my non-American friends). Contrary to popular opinion, people still frequent libraries for their book needs. While there seems to be reduction in people using libraries for reference materials (thanks to the interwebs), many people still turn to those dusty shelves for their fiction needs.

I think of libraries as a passive method to generate potential book reviews, as well as readership. Now that most libraries have transitioned their paper records to digital, a person wouldn’t have to search a genre long to stumble across your book (at least I feel this method is simpler than using a gazillion index cards). Sure, you won’t be making money for every read, but in my opinion, having people simply read your story is rewarding.

Additionally, depending on your genre, you might even be able to host book readings at the library at little to no cost. I mention genre because the libraries are going to be more accommodating to certain ones.

The first place I went to look for information was the ALA. I found a resource called, Marketing to Libraries. This is a long article embedded with a metric clickload of links to check out. They also offer some resources for donating books to needy libraries—what a great way to outsource some of those extra books you aren’t selling!

I was interested to see the criteria for submitting to libraries. I was also surprised to learn not all libraries are the same. Much like bookstores, each library’s needs will vary. Some will have more of one genre than another, and thus, only accept certain types. There are also submission guidelines to consider, and these are not always standard. The ALA link I offered above spells out some of this information.

Again, I found many gems of information I was completely clueless about here. I didn’t know many libraries work with specific wholesalers and by getting your book listed by these wholesalers (both digital and physical versions) you can increase the odds of your book being accepted by a library. This apparently is a way to streamline the process.

I also didn’t know the library would look at multiple reviews to determine whether your book can grace its shelves or not. According to Collins, priority is placed on certain review authorities (I won’t list them because the original link I provided has it all hyperlinked). It might be wise to send your books to some of these reviwers if you plan to approach libraries.

That’s it for today. This is a brand new concept for me, and one I’m very interested to learn more about. I wanted to drop a line into the water and fish. If you’ve had success conspiring with librarians and navigating this topic—please share your story or even whatever links you know of that are useful. I’ll copy your comment straight into this blog post and link people to your page if the information is solid. Until we cross quills again, keep reading, keep writing, and as always—stay sharp!

One area of infernal mystery for me is marketing. Many of us blog, tweet, tumble, and war our way to market our books and products. There is an essential element missing though; the human element. By this I mean word-of-mouth exchanges.

A great way of reaching the customer directly is going to conventions. Going to conventions, getting face-to-face with customers, selling your book, and generating author buzz always confused me. I’ve been to Comic-Con and I’ve seen the rows of tables with artists offering their wares. It’s intimidating.

How do you get behind one of those tables and how do you sell your product? More specifically, (1) which convention to choose, (2) how do you get a table, (3) how many books to bring, (4) what do you put on your table, (5) what kind of extras to bring, and (6) how do you focus your message?

Matt at his booth.

My good friend M.L.S. Weech (author, gentleman, and fellow Brown Piper) recently wrote a post that cuts away some of the mystery. Weech frequents conventions and bookstores in an effort to promote his books and I consider him to be very experienced in this subject. He’s figured out a lot of amazing information and he shared it recently on his blog. As my blog is also about demystifying the writing process (from start to finish) I felt you all might find some amazing tools and tips in his words.

In the way of cyber-tastic interweb promotion, if you are into paranormal fantasy books involving beings who moonlight as soul shuttling reapers, you will likely enjoy Matt’s book,The Journals of Bob Drifter.

Below are a few of the marketing books on my shelf right now. As I read them I will break down applicable information and share it with all of you. After all, that’s what I try to do here at QE.

My goal is to isolate and develop tips that will allow us to reach down and grab readers by their ankles and shake out their pocket change. Matt’s post (this reblog) will be the first “Marketing” category post on QE. I plan to start populating this category with relevant and timely information.

Anyways! Here’s the list:

Do it! Marketing, by David Newman This is more of a general marking book, but covers some pretty sound technology aspects. I picked it because it has 275 ratings and is sitting at 5 Stars. That’s cooking with fire!

Contagious: Why Things Catch On, by Jonah Berger. First of all, this book has a beautiful cover. Secondly, it has 4.5 stars with 600+ reviews. Lastly, it’s an amazingly insightful read that goes way deeper than simple advertising schemes. It looks at how people think and spread information. It’s a brilliant read and one I will likely blabber on about more in the future.

I’ve already talked about Write to Market, by Chris Fox here. We had some good discussion on the idea of writing a book tailored to market on that day. (I just moved that post into the newly created marketing category.)

That’s a wrap for today. In short, check out Weech’s post! I found it immensely helpful and it was just the kind of information I was looking for. Until tomorrow, keep reading, keep writing, and as always – stay sharp!

Some of my indie friends requested that I start doing more research regarding publishing and marketing books. To this end, I recently finished reading Write to Market by Chris Fox. At 100 pages this book now takes the top spot on my, “Shortest Books On Writing,” list (coming to a blog near you). It edged out The Elements of Style by a whopping five pages!

Now before I talk about this book I want to say two things:

This book is not about marketing a preexisting book. It is about gauging the market and writing a book to meet market demand.

This concept is probably going to make some of you want to raise a ruckus and talk about how this method of writing is an author selling his/her soul for a buck (or multiple bucks).

When I started reading this book my feet were planted firmly in the second category. I read the first ten percent of this book (ten pages) and was less than impressed. Mostly because I thought this was a book on marketing a preexisting book, and also because I felt like writing a book for someone other than myself was akin to punching kittens.

As I continued to read I felt myself being persuaded. Fox was offering a sound argument packed with ethos, pathos, and logos. Here are a few points to help you gauge if this book is for you or not. I’m not going to share too much content because this book is so short.

This book is current. It offers advice that can be applied now. This makes it a strong reference text.

This book is written by a successful indie author specifically for other indie authors.

This book is short. It isn’t packed with exposition. It is packed with useful tools to leverage online sources and listing tools to examine the writing market.

Fox shows you how to use Amazon and other online tools to examine your genre for trends.

Fox explains how tracking trends in your genre and writing a book that fits popular demand isn’t really selling out.

Fox explains if you want to write and make money, write books people want to read.

If you don’t care about making money, write purely for yourself.

Those last two bullets probably have some of you getting ready to beat on your keyboards. I’ve thought about it over the last few days and this is what I have come up with. If I would apply this books principles this would be my basic process (there’s more to it in the book).

I outline my book premise. Then stop.

Use tools provided in book to research genre.

Find the top 20-100 books of my genre.

Read reviews and examine story elements.

Find what unites these books in popularity.

Take the story I was already going to write, and apply some of those elements.

I have written to market.

Example: I write post-apocalyptic fiction. So I research the market and see what is popular. Not just now, but over the last few months. I look at those books and find what the repeat elements are. Standard zombies are out, mutant zombies are in. City scenes are out, fantasy lands are in.

I look at the failed books. Again, what are the repeat elements? A group of survivors led by a male protagonist is a story line that is getting old. They are also getting tired of the whole, “Ushering the mad scientist to the lab of glory to save the world story line.” Okay cool.

I take the story I was already going to write and tweak it in just a few areas to fit market demand and write it. That’s really it. Is writing the story you wanted to write, but adding an element readers want to read make you a sell out? That’s for you to decide.

[Begin Rant Here]

Here’s my opinion. I want to tell my story and I want people to read it. I also would like to make money. Because money is good (i.e. pays bills, feeds my family, legitimizes the time spent slaving away).

If I’m cracking some beers open with my cop or military buddies, our stories often turn toward past exploits. If I would tell my parents those same stories, I would likely tell them in a slightly different way (less vulgarity, drunkenness, and belly laughter). I want to share those stories, but I also want to be mindful of the listener. To do this I place a filter on the story. It’s the same story, but with slight modifications.

I think if we are honest, we all do this to some extent. At least in the context of how we conduct ourselves with different people. As long as we aren’t sociopaths about it, it’s normal. We do this in our daily life, but for some reason we are compelled to take an ethical stand on the stories that could put bread on the table. If the story is designed to be read by others, shouldn’t we ensure we know what others want to read?

I understand that I’m a noob writer. I’m not going to sway the market with my stories. Maybe when one of us is a multi-platinum New York Times best-seller of destiny we will be able to push readers one way or the other. So for now, I’m not going to try to change the flow of a river. I’m going to test the waters (market) and float explosives (books) down it to blow the dam to smithereens (readers minds). At least that’s my plan…

[End Rant]

At 100 pages this book is thought provoking. Your alternative to gauge market trends is Writer’s Market 2016, which is a soul crushing 868 pages. It can also heat your home the following year because it will be outdated.

If you are curious about market trends, marketing a future book, or just want to be more educated in regards to authors who write to match market trends, I would encourage you to pick this book up. What are your thoughts? Do you feel matching a book’s content to meet market trends is bad mojo? I’ve shared my thoughts, I’d be curious to know yours. Until tomorrow, keep reading, keep writing, and as always – stay sharp!