Mezzanine Equipment

Console

SSL 4064 G/G+

SSL 4064 G/G+

DAW

Avid Pro Tools 10 HD

Avid Pro Tools 10 HD

Pro Tools 10 is a watershed release for Avid's industry-standard music and audio creation system. In addition to offering a host of new features, including a completely new plug-in format, Pro Tools 10 also supports HDX, the long-anticipated DSP hardware successor to HD. And, if this wasn't already enough for existing users to consider, Avid are also taking the opportunity to encourage the adoption of various support and maintenance packages, both new and existing, alongside more traditional upgrade options.

Avid Pro Tools HD3

Avid Pro Tools HD3

Digidesign 192 Interface (x3) providing 48 IO

Digidesign 192 Interface

The Digidesign 192 I/OTM 16-channel digital au- dio interface is for use in a Pro Tools|HD system and features 24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters. The 192 I/O supports sample rates of up to 192 kHz for supe- rior dynamic range and low noise floor.

Apple Mac Pro 2 x 3.46GHz 6-Core Intel Xeon

Apple Mac Pro 2 x 3.46GHz 6-Core Intel Xeon

Multitrack Recording

Otari MX 5050 Reel-to-Reel Tape Recorder

Otari MX 5050 Reel-to-Reel Tape Recorder

Otari MX 5050 1/2" Tape Recorder

Otari MX 5050 1/2" Tape Recorder

Otari MX 5050 1/4" Reel-to-Reel Tape Recorder

Otari MX 5050 1/4" Reel-to-Reel Tape Recorder

Monitoring

Dynaudio BM15 Active Two Way Nearfield Monitor

Dynaudio BM15 Active Two Way Nearfield Monitor

Dynaudio MR

Dynaudio MR

Genelec 8020 Studio Monitors

Genelec 8020 Studio Monitors

Yamaha NS10 Monitors

Yamaha NS10 Monitors

Mic Pres and Equalisers

API 550A Discrete 3 Band EQ (x4)

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

API 560B Graphic EQ (x2)

API 560B Graphic EQ

Originally conceived for use in API consoles of the '60s and '70s, the 560B is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560B remains unmatched.

Altec V1567 Mic Preamp

Altec V1567 Mic Preamp

Chandler Limited LTD-1 Mic Preamp/EQ

Chandler Limited LTD-1 Mic Preamp/EQ

Daking 52270 Mic Preamp (x2)

Daking 52270 Mic Preamp

Focusrite Quad Mic Preamp

Focusrite Quad Mic Preamp

Khan 2242 Mic Preamp

Khan 2242 Mic Preamp

Neve 1272 Mic Preamp

Neve 1272 Mic Preamp

PreSonus M80 Mic Preamp

PreSonus M80 Mic Preamp

Telefunken V72 Mic Pre-Amp

Telefunken V72 Mic Pre-Amp

At the dawn of the 1960s, AEG-Telefunken was a major manufacturer of broadcast equipment, and their systems were found in radio stations around the globe. The venerable V72 and its relatives were an important part of these facilities: rugged, dependable, quality units that stayed in operation for decades, and are still highly valued today.

Universal Audio 2-610 Mic Preamp (x2)

Universal Audio 2-610 Mic Preamp

Dynamics

Chandler Limited LTD-2 Compressor

Chandler Limited LTD-2 Compressor

Manley ELOP Stereo Electro-Optical Limiter

Manley ELOP Stereo Electro-Optical Limiter

Manley Variable Mu Mastering Compressor (x3)

Manley Variable Mu Mastering Compressor

Urei 1176 LN Blackface

Urei 1176 LN Blackface

Urei LA-3A Compressor (x2)

Urei LA-3A Compressor

Urei LA-4A

Urei LA-4A

Reverbs

Alesis Quadraverb 2 Signal Processor

Alesis Quadraverb 2 Signal Processor

EMT 140 Plate Reverb

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

Lexicon PCM70 Digital Effects Processor

Lexicon PCM70 Digital Effects Processor

This digital effects unit has a range of reverbs & delays to suit any mix. This unit encourages you to tweak and explore the capabilities to get any desired sound.

Lexicon PCM80 Digital Effects Processor

Lexicon PCM80 Digital Effects Processor

Delays and FX Processors

Alesis Midiverb II Digital Effects Processor

Alesis Midiverb II Digital Effects Processor

Alesis Midiverb IV Digital Effects Processor

Alesis Midiverb IV Digital Effects Processor

Korg SDD-2000 Digital Delay

Korg SDD-2000 Digital Delay

Lexicon Prime Time Digital Delay

Lexicon Prime Time Digital Delay

Lexicon PCM 41 Digital Delay Processor

Lexicon PCM 41 Digital Delay Processor

Lexicon PCM 42 Digital Delay Processor

Lexicon PCM 42 Digital Delay Processor

Roland RE-201 Space Echo

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

TC Electronic System 6000

TC Electronic System 6000

Yamaha SPX90 Multi Effects Processor

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

Microphones

AKG 414 (x6)

AKG 414

AKG 460

AKG 460

AKG D 112 (x2)

AKG D 112

Audio-Technica ATM41a

Audio-Technica ATM41a

Beyerdynamic M 160 Ribbon (x2)

Beyerdynamic M 160 Ribbon

Beyerdynamic M 260

Beyerdynamic M 260

Beyerdynamic MK II

Beyerdynamic MK II

Cascade Fat Head II Ribbon (x4)

Cascade Fat Head II Ribbon

Coles 4038 (x2)

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential. The 4038 is a proven performer, and is in use around the world by broadcasting networks such as the BBC as well as top engineers and studios on hit recordings.

Electrovoice N-D868 Dynamic Cardioid Kick Drum Microphone

Electrovoice N-D868 Dynamic Cardioid Kick Drum Microphone

Electrovoice RE 20

Electrovoice RE 20

The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

Microtech Gefell UM92

Microtech Gefell UM92

Neumann KM 140 (x2)

Neumann KM 140

Neumann KMS 105

Neumann KMS 105

Neumann U 47 FET (x2)

Neumann U 47 FET

he U 47 fet is an essential contributor to the 1960s and 1970s. As a secret weapon for recording producers eager to experiment, it was not only a top microphone for soloists, but also decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 87

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Schoeps CMC 5 (x4)

Schoeps CMC 5

Sennheiser 421 (x7)

Sennheiser 421

Sennheiser 441 (x2)

Sennheiser 441

Shure 520DX Green Bullet

Shure 520DX Green Bullet

Shure BETA 56

Shure BETA 56

Shure BETA 58 (x2)

Shure BETA 58

Shure Beta 57A

Shure Beta 57A

The Beta 57A is a precision-engineered dynamic microphoneDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.Read moreGo to the glossary designed for detailed reproduction of amplified or acoustic instruments. A tight supercardioid polar pattern provides high gain before feedback in demanding environments.

Shure Beta 58A

Shure Beta 58A

The Beta 58A dynamic vocal microphone is precision-engineered for live performance and project studio recording. A tailored frequency response accentuates vocals, and the supercardioid pattern isolates from other sound sources.

Shure SM57 (x4)

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58 (x2)

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.