- Precision cut metal covers that fit right over your existing set up.
- Fit perfectly snug with deck lids up or down.
- Cut-outs for the hinges.
- Four folds ensure maximum strength.
- Installing the cover is a breeze. Simply slide them over the tonearm assembly and the cover drops in place.

Comb is an IIR peaking comb filter with control over cutoff frequency, resonance that can be driven into self oscillation, and a dampening filter in the feedback path. An incredibly short, tuned delay line will alter the character of your input by imposing harmonic peaks on the source. Subtle settings can result in thickening timbres, reminiscent of phaser-like effects, while more extreme settings can create lustrous string sounds from white noise, or tear your waveform to shreds. Explore new sonic territory with Comb.

LFO is a voltage controlled low frequency oscillator. 8 waveforms are available with smooth morphing between each, allowing for complex and unique patterns.

In addition to sine, triangle, sawtooth, and square waveforms on the primary output, four alternate waveforms are accessible simultaneously via the secondary waveform output. The alternate waveforms have been designed with modulation in mind and provide an innovative voltage source to use on filters, oscillators, and everything else.

MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.

The Gemini 2412 is a creamy, extremely fat sounding dual filter based on vintage Oberheim SEM circuits. In addition to high-pass, band-pass and low-pass, there is the infamous variable filter type, which allows you to blend between several characteristics. Thanks to its dual concept, serial and parallel modes of operation and an ingenious modulation system, the Gemini 2412 should not only be able to achieve classic, extremely bulbous results, but also wafting stereo effects and lively formant sounds.

The Alesis CompactKit 7 is a tabletop electronic drum kit with seven velocity-sensitive drum pads that deliver realistic drum sound with the feel and response of real drums. It also comes with two pedals for hi-hat and kick drum, so you'll really feel as if you're sitting down at an actual set. There are 100's of built-in percussion voices, preset drum kits and play-along songs, so you can get started right away with your own customised sound.

The 3-digit LED display shows the status of all your operational settings and separate LEDs light up in response to which pad is being struck, giving you instant visual feedback. The self-recording function records you as you play and retains the recording even after you turn the unit off. Want to expand your sound potential? Use the USB-MIDI output to connect CompactKit7 to your favorite DAW and plug-ins.

Sticks are included and so is an AC power supply. But you can take CompactKit 7 with you and play anywhere, by using 6 C batteries (not included).

Each of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.

Oscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.

Mr Hyde is the first in a new series of 'synthBlocks'. These are small table top effects processor, and later synthesisers and sequencers. Designed by renowned UK synth designers Analogue Solutions who have over 24 years in the industry.

Mr Hyde is an analogue filter effects box use for subtle to extreme filtering and modulation effects.

SynthBlocks are used to process any sound that you feed into it from your DAW, Mixer or some musical instrument (with prior pre-amplification where necessary). To give your plug-ins some real analogue hardware life.

Mr Hyde has 1/4" input and output jacks on the rear, so it can be connector straight to a mixer or DAW audio interface without the need for adaptors.

On the top panel are mini jack sockets to patch with a semi-modular synth, such as AS's very own Fusebox, or to Eurorack and other modular systems.

Mr Hyde can change the sound in subtle ways, such as nice sweeping filtering, right up to mangled FM mayhem!

The AFA Baron Samedi Fuzz pays homage to the legendary Jordan Bosstone, but sounds nothing like one. Additional gain and a very strange tone control add aggression, fullness and bite to the sound. The interactivity of the top three knobs make this a raucous device that yields an entire variety of sounds, from a great vintage fuzz tone to synthier sounds with faux-portamento decay.

Guaranteed to summon harmonics from other worlds, the AFA Baron Samedi encapsulates the vulgarity, the madness and sheer joy of the electric guitar. Whether you're playing mellower brass sounds on a jazz solo from hell, gated faux-bass single-note riffs or all-out scooped mid riffs, this pedal will take every note to the afterlife and back.

Did we just say guitar? For those unafraid to experiment and stand out, the Baron is a devastating effect, live or in the studio, to use on drum machines, synthesisers and bass guitar too.

Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Notes: Arturia's best-selling small-format analogue monosynth has been re-designed with a new black and metallic colour scheme.

The striking stylized snippet of "The Creation of Adam" by Michelangelo, one of humanity's finest works of art, is emblazoned across the front panel, and the whole instrument has been decked out with metallic trim.

MicroBrute is pure analogue sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super-fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.

The MicroBrute was designed to be small but still retain an amazing sound quality. With a 100% pure analogue voice path and advanced interconnectivity via MIDI, USB, CV/GATE, this machine is a true powerhouse synthesiser that takes your sound to a new level.

A synthesiser is a musical instrument that is meant to be played. However, playing a synthesiser is more than just playing some notes on a keyboard and recalling someone else's presets. If that was the goal you could be looking at accordions or going to a department store to buy your keyboard (along with socks, milk and toilet paper) - but you aren't because you are more creative than that.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute give you the means to create, perform and be completely original every time you power up, it does so with astounding sound quality.

This product keeps the basic design of non magnetic core MC type cartridge AT50ANV and changed the coil winding frame from a pure titanium armature to a newly developed liquid crystal polymer armature by an injection molding. This product also succeeds in reducing the weight of the vibration system compared to AT50ANV and provides the extremely natural and clear sound quality and ability to express three-dimensional sound fields inherent to non magnetic core types. ln addition, this product enables an output voltage of 0.12mV, a relatively high output level for a non magnetic core system.

Liquid crystal polymer used for the coil winding frame has not only an extreme mechanical strength but also an unique property which increases the mechanical strength as the product becomes thinner. Therefore it is the most suitable material for the vibration system of cartridges. This has high intensity and vibration absorption properties, enabling high-quality sound by suppressing unwanted vibration when from power generation.

The magnetic circuit of this product uses a large-sized neodymium magnet with approximately twice the volume of conventional Audio-Technica ferrite core MC types. (Maximum energy product BHmax: 50 [kJ/m3]) The permendur magnetic circuit parts located around the magnet have also been newly designed to maximize the strength of the intensive magnetic field in the coil gap. This magnetic circuit increases the output voltage, and also enhances playback capability in the medium-to-low-frequency range that is said to be a weak point of conventional non magnetic core MC types. This provides a very accurate frequency response.

The stylus tip is a special line contact type with a 40um x 7um curvature radius (used in the AT50ANV) and a solid boron cantilever with a 0.26 mm diameter. This allows accurate transfer of music signals read by the stylus tip to the power generating moving coils.

The base that supports the magnetic circuit and vibration system is made of machined aluminium material. This enables it to serve as a solid base to support stable playback capability.

The housing is made of machined aluminium materials and the cover is made of hard plastic materials. This disperses parasitic resonance and results in clear sound quality.

Notes: The AT-ART9 inherits the basic magnetic design from the AT50ANV, which was developed as our 50th anniversary model. Also, It reproduces the highest-quality sound using the vibration system from the AT-OC9/III.

A neodymium magnet is employed with a maximum energy product BHmax of 50[kJ/m3] whilst a permendur yoke is used with a high saturation flux density and excellent magnetic materials.

The housing is made of machined aluminium materials and the cover is made of hard plastic materials. This disperses parasitic resonance and results in clear sound quality.

The base that supports the magnetic circuit and vibration system is made of machined aluminium material. This enables it to serve as a solid base to support stable playback capability.

The basic structure is an original MC type, with separate cylindrical coils to the left and right channels. Since power is generated independently in each of the left and right channels, this structure offers truly superior separation. If the signal from the opposite channel escapes, this can cause intermodulation distortion and have a decisive impact on audio quality and how the stereo sound spreads. The structure of this product ensures a clear and smooth sound. Additionally, the two coils have a reverse-V shape which reduces effective moving mass as seen from the stylus tip, limiting unnecessary movement of the coil and further eliminating distortion.

The stylus tip is a special line contact type with a 40 um × 7 um curvature radius (used in the AT50ANV) and a solid boron cantilever with a 0.26 mm diameter. This allows accurate transfer of music signals read by the stylus tip to the magnetic coil.

Two brass mounting screws are provided to attach the cartridge to the shell. They are optimally suited to the high sound quality of the cartridge itself.

The PCOCC coil enables purer transmission because it does not produce grain boundaries in the direction of the transmission.

The OM6 is a dynamic vocal microphone used for live performances, studio and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144dB without distortion.

The OM6 has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2kHz -10kHz along with a flat, fully extended bass response from 60Hz - 1kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 an excellent choice for broadcast and live recording.

Notes: Designed in conjunction with the expertise of mixer Chris Lord Alge, the CLA10 studio monitors are the faithful modern reproduction of the most iconic studio monitor of the last 30 years. Mix with the studio monitors that truly define "the sound of hits".

CLA10 is Avantone Pro's keenly reworked take on the classic Yamaha NS10M design known from recording studios around the world. The speaker's role is to highlight shortcomings from any mix to appropriate the sound for consumer listening devices such as TVs, radios and in-ear headphones.

The CLA10s are not the easiest of speakers to listen to. They provide a mid-heavy, almost fatiguing sound with limited bass shelving and can, at times, sound clinical to the point of chilliness. However, the benefits of mixing with CLA10s for engineers who stick with them are bountiful, such that if a mix can be made to sound pleasing on this speaker it is almost guaranteed to translate well whatever system the track is played on thereafter.

Avantone Pro took every measure in the design of the CLA10 to physically and sonically match the frequency response, resonance and power of the classic NS10M. The tweeter dome uses the same phenolic resin doping technique to match the original performance curve, whereas the woofer is composed of the same original pulp - sourced from the same original manufacturer. Crossover network capacitors are also set at the same value, and the MDF chassis matches the resonance of the original NS10 exactly.

To ensure uniformity across each new CLA10, Avantone opted for a machine-pressed technique for the AV10LHF woofer (in place of the lapped seam design). Also, whilst the capacitors have been carefully matched, higher quality components for the crossover have been selected for increased life. The speaker's banana plugs have also been upgraded to ensure extra stability and longer-term guarantee.

From bare bones rock n' roll to a mellow folk ensemble, the 10 input, 2 bus Xenyx 1002 can give an intimate performance the vibe it needs to sound great in the crowd as well as on record. It's simple to transport, simple to use and simply essential.

The Xenyx 1002 has two Xenyx mic preamps with +48V phantom power, making it possible to use two dynamic or condenser microphones. The 3 band British EQ ensures warm, musical sound. Simple controls with rich musicality make it possible to create beautiful mixes with minimal technical expertise.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.
FX Send

Add some outboard digital magic to your sound using the FX SEND. Simply connect an outboard device to apply effects such as reverb or delay.

Weighing in at just 2.3 pounds (1.05 kg), the Xenyx 1002 is the portable, practical way to turn a small performance with two vocalists into an arresting sonic spectacle.

When it's time to make recording history, you need the best audio interface you can get, and you need one you can count on. That's why we're kicking it up a notch with our new U-Phoria Series USB audio interfaces. With 4 unique models to choose from, the U-Phoria series has the ideal interface to make your recording experience legendary.

Renowned for their mastery of digital console design, our sister company Midas developed the world class preamps for the UMC204, UMC202 and UMC22 interfaces and thanks to the available +48V phantom power, you can even use professional grade studio condenser mics to create outstanding tracks.

You take your tracks seriously, and the U-Phoria Series respects that, providing your choice of 96KHz resolution (UMC204/UMC202), or 48KHz resolution converters (UMC22/UM2), depending on your application. Both sampling rates offer better than CD recording quality for professional results.

The incredible U-PHORIA UMC202HD bridges the gap between your creativity and your fans. This blazingly fast USB 2.0 studio in a box will have you recording your next masterpiece in minutes with all the connectivity required for your microphones, guitars, keyboards and even MIDI devices.

Record the perfect vocal right to your computer-based DAW thanks to the 4 astonishingly pure, world-class MIDAS-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/192 kHz converters for the best possible sound quality. Whether you're a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra- dependable U-PHORIA UMC202HD will help you shine in the digital domain.

When it's time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC202HD's 2 combination XLR/TRS inputs for the ultimate in studio flexibility! Connect and communicate with MIDI devices to add the benefit of control surfaces to your studio workflow.

You take your tracks seriously, and the UMC202HD respects that, providing up to 192 kHz resolution for even the most demanding applications in music as well as video post production. Work with confidence and accuracy in your favorite recording software for professional results every time.

Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.

MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.

BEHRINGER is proud to incorporate a MIDAS designed mic preamp for the ultimate in high-quality audio reproduction in both live and studio environments. Find out more about MIDAS' amazing legacy by visiting their extensive website.

The UMC202HD mix control allows zero-latency direct monitoring, which means musicians can experience their performance clearly - with no delay or lag in the returning signal, resulting in a better performance and recording. A powerful phones output has its own level control and Monitor A/B source select for DJ-style cueing. To make it a done-deal, Behringer provide free audio recording, editing and podcasting software, plus 150 instrument / effects plug-ins - just a download away at behringer.com.

On the rear panel of the UMC202HD, you'll find the USB 2.0 port for simple and easy connection to your computer, along with plenty of analog playback options including 1/4" TRS, RCA and XLR. The UMC202HD also features 2 analog Inserts for use with external effects such as compressors, gates and EQs, etc. Built-in MIDI I/O allows you to connect keyboards and all your favorite outboard MIDI hardware.

Tracktion is one of the world's fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources.

As a way of saying "Thank You", when you register your product at behringer.com, Behringer will reward you with a complimentary download code for the full version of Tracktion 4. Recording and editing couldn't be easier. To learn more about Tracktion, visit tracktion.com/support/videos.

The U-PHORIA UMC202HD is a powerful 2 input, 2 output USB recording interface featuring genuine MIDAS-designed mic preamps with exceptional 24-Bit/192 kHz high-resolution converters, designed to help your recordings and mixes sound their absolute best. Visit your local dealer or online reseller and find out what a great addition to any studio or mobile recording rig it can be.

This compact unit provides a polished, recordable sound with 8W output through the 6.5" speaker. For production quality on the move, the Mini Rock Station can be operated from battery power and can even hang from a shoulder strap. Incredible flexibility is afforded by this little amp for a near limitless variety of situations.

Welcome to the world of the ETC, Critter & Guitari's video synthesizer! The ETC reacts to music to create endlessly mesmerizing visuals. It is simple to use, just plug it in and start creating. But don't be fooled by the simplicity of the ETC, there are many features and goodies hidden inside. Whether you are creating live visuals, working on a music video, or want to program your own graphics, the ETC will become an indispensable tool.

The ETC comes with numerous pattern generators called modes. Navigate the modes using buttons, and then tweak their visual appearance using four knobs. The modes respond to audio input in various ways; from smooth undulating patterns to rapid fire animations. There is a global control for background colour and a setting that allows the graphics to pile up in vibrant collages.

When you happen upon a setting that you like, press the scene save button to save it. Now this scene can be recalled at a future time. The screenshot button saves the current frame as a JPEG to the USB drive on the side of the device.

The ETC features MIDI inputs so you can automate it with other devices or your favourite computer performance software. Program change messages recall saved scenes and CC messages control the visual parameters. You can easily create visuals in sync with the rest of your tracks!

If you really want to go deep, you can also program your own modes for the ETC. Modes are written in Python. Attaching a USB WiFi adapter (sold separately) turns the ETC into a WiFi hotspot so you can edit and create modes right from a web browser.

Notes: SDRUM is the world's first intelligent drum machine for guitarists and bassists. By simply scratching across your guitar strings, you teach the SDRUM a kick and snare pattern that forms the foundation of the beat you want to hear. Based on this pattern, the SDRUM supplies a professional sounding drum beat with different embellishments and variations to perfectly complement your beat. Gone are the days of having your creative flow disrupted by searching through lists in a frustrating attempt to find the beat you want.

The SDRUM stores up to 36 different songs. Beats are played from a choice of 5 different kits covering a wide range of genres. The pedal also supports three different parts (e.g. verse/chorus/bridge) for each song that can be switched on the fly for enhancing live performances and exploring song ideas.

SDRUM is the fastest way to go from a beat idea to a working drum track.

Module A-110-2 is a low-cost voltage-controlled oscillator. It's a slightly reduced version of the standard VCO A-110-1. Compared to the A-110-1, the A-110-2 has no sine output and the (expensive) octave rotary switch is replaced by a 3-position toggle switch. In return, the A-110-2 is equipped with an additional linear FM input and a soft sync input. A jumper is used to select the range of the tune control between about 1/2 octave and about 4 octaves. The width of the module is only 8 HP compared to the 10 HP of the A-110-1.

The core of the A-110-2 is - like the A-110-1 - a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinitely fast but takes a little bit of time the triangle is not perfect! At the bottom of the waveform it has a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converter. If a perfect triangle is required, the A-111-1 is recommended.

The sawtooth output of the A-110-21 has a falling (or negative) slope. The front panel shows erroneously a rising (or positive) slope. This has no influence on the sound but becomes important when the module is used as an LFO or is mixed with the sawtooth output of another VCO.

The control voltage applied to the socket 1V/Oct is added to the control voltage coming from the bus (interruptible by removing the jumper JP2). Connecting a cable to the socket 1V/Oct does not interrupt the bus CV connection!

Module A-122 is a voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum, and lets lower frequencies pass through.

The cut-off frequency determines the point at which filtering takes effect. You can control this manually, or by voltage control (filter modulation, for instance by an LFO). Two CV inputs are available.

The cut-off slope is -24 dB/octave. The circuitry uses a Curtis chip, and is very similar to the classic Oberheim filter sound. Because of its different circuitry and controls, the A-122 has a considerably different sound to the A-120 'Moog-like' filter, especially in the way the resonance behaves.

Voltage controlled resonance: on the A-122, resonance can be controlled not just manually, but by voltages as well, right up to self-oscillation. In this case, the filter behaves like a sine wave oscillator.

Notes: The Dark Energy III is a monophonic stand-alone synthesizer with USB and MIDI interface. The sound generation and all modulation sources are 100% analog, only the USB/MIDI interface contains digital components. It is built into a rugged black metal case with wooden side plates. High quality potentiometers with metal shafts are used and each potentiometer is fixed to the case (no wobbly shafts and knobs). The distance between the controls is wider compared to A-100 modules, and knobs with vintage look are used.

Doepfer say that the main differences between II and III are an improved VCO (no warm-up period, additional triangle waveform, wider frequency range), resettable LFOs, improved ADSR and a lot of internal access points for DIYers.

With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation.

The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2 pedal, only we think it's better.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron.

The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy.

Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal.

Octavix delivers the definitive late 1960's fuzzed out, octave up sound together with modern enhancements that update the classic concept.

Housed in EHX's rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.

A period-evocative, psychedelic design and blue LED contribute to the pedal's vintage vibe. Octavix runs on a 9 volt battery or accepts a standard EHX9.6DC power supply.

The Analog Keys is a flagship analog synthesizer. Analog synthesis, digital controls, and unprecedented playability make it an instrument for the expressive musician.

The Analog Keys is a four voice polyphonic analog synthesizer, capable of generating the finest basslines, chords, leads, and sounds imaginable. The warm and deep tone represents the pinnacle of analog synthesis and the acclaimed Elektron sequencer stands ready to arrange and warp the analog sounds in real-time. Complete the experience by treating the four voices with incredibly well-crafted master effects. A new world of sounds awaits.

The Analog Keys is tailor-made for the stage. The 37 semi-weighted keys of the keyboard give instant fingertip control of the analog tones. The special performance mode offers direct access to user-defined parameters, and the joystick, capable of controlling up to fifteen parameters, allows for extreme morphing of sounds. Improvising when playing live has never been this easy.

Compatibility with other instruments is well catered for. Simply press a button to transform the Analog Keys into a MIDI keyboard, ready to control external MIDI gear. Thanks to the dedicated CV sequencer and the CV/Gate and DIN sync outputs, analog instruments of both today and yesteryear can be played, sequenced, and controlled with precision. Use the multitude of control options to breathe new life in vintage and modern rigs alike.

The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.

In our project Orage Magnetique to recreate a sound spaciolab to recreate sounds from space , this quad multimode filter has been designed to simulate the action of magnetic fluctuations on the sound landscape. The effecs of ionisation variations are modified by the different filters cutoff frequencies and the way they are synced. The module Fluctuations magnetiques (magnetic fluctuation) is a module from the modular synthesizer Orage Magnetique. This quad mutimode filter combines 4 independent multi-mode filters with selectable low-pass, band-pass & hi-pass. Each filter can be synced to one another to build to a 48dB low-pass/hi-pass filter or 24dB band-pass. Each filter has an modulation input and an individual output to create stereo effects a well as quadriphonic textures. The filters A & B and C & D can be used in parallel mode or serial mode.

Black Stereo Mixer is just what you need, if your setup has several nowadays gaining popularity modules with stereo inputs or outputs, like Black Hole DSP, Erica Fusion Delay, MI Clouds or some other. In order to save rack space, we designed compact mixer with lot of cool, performance oriented features.

In order to save rack space, we designed a compact mixer with a lot of cool, performance oriented features.

Check out also the Black Pre-fade Listen Expander that is a satellite module to Erica Synths Black Stereo Mixer!

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

The Euro DDL features 10 seconds of pristine delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum. Soft saturation clipping, low pass filter, feedback, insert loop, relay bypass, and +20 dB boost are all analog. Delay time can be varied smoothly either manually or by connecting an LFO to the remote input allowing short delays to be used for comb filter and flanging effects.

The Euro DDL is also capable of extremely long delays (up to 160 seconds at a 16 kHz sample rate) allowing long passages to be captured for looping.

From short delays for double tracking, to ridiculously long delays for whatever reason, to creating swept delay and tape echo class effects, the Euro DDL brings it all to your Eurorack rig.

Notes: Stop Wasting Time:
Everything you need to make studio-quality recordings from home:
You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.

The World's Top Selling USB Interface:
Get your hands on the top selling USB audio interface of all time. It's a compact and versatile 2-in, 2-out interface that gives singer songwriters two natural-sounding Scarlett mic preamps and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range.
Take it anywhere, connect by USB, plug the CM25 condenser mic and your guitar straight in, and easily make studio-quality recordings that sound just the way you intended.

Perfect Partners:
Plus, because Focusrite interfaces are the perfect partner for Pro Tools, this studio pack comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software with a further suite of software and samples so you can start recording straight away.

Sound As Good As You:
If you want your recordings to sound as good as your performances, you want this studio pack. It gives you an interface with the best sound quality and digital conversion in its class, plus a large diaphragm condenser microphone that captures every detail of your sound.
Combined, they'll make sure your recordings that sound as true to life as possible. You also get a long mic cable and a stand clip, so you can get started straight away.

Hear Everything:
The art of recording is all about getting lost in the music. You don't want background noises interfering or distracting you when you're trying to concentrate.
The closed-back headphones in this studio pack block out background noise, giving you honest and accurate playback. They let you hear everything you want to hear, and nothing you don't - so you can stay entirely focused while recording and mixing.
Balanced jack outputs let you connect professional monitors, as well.

Effects In Real Time:
Don't let interface latency hold you back. Enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (depending on your software, settings and computer).

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i2 works with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Absolutely Anywhere:
Never miss another moment of inspiration. Everything in this studio pack is compact, lightweight and sturdy enough to take with you anywhere, so you can lay down ideas at a friend's house or record your next gig. You don't need a power supply, either - just connect with a USB cable and start recording.

Designed for the Guitarist:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.

New Generation - Better In Every Way
The latest generation Scarlett 2i2 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i2 has the best converters of any interface in its class. You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.

Trying to find your gateway into modern DJing? Look no further than the MDJ-500 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software.

MDJ-500 - Tiny, Yet Fierce:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Fast Learning, Faster Results:

The MDJ-500's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 5-inch touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-500 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.

Trying to find your gateway into modern DJing? Look no further than the MDJ-500 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software.

MDJ-500 - Tiny, Yet Fierce:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Fast Learning, Faster Results:

The MDJ-500's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 5-inch touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-500 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.

The VHF-01 single-channel wireless system offers crystal clear clarity, exceptional sound quality with many more added advantages for the best price in the market. Embrace the freedom from dangling wires and limited mobility. Perform to your heart's content to impress the audience with energy.

The top-notch technology featured in the VHF-01 single-channel wireless system is unbeatable. The dual configuration mechanism that is ultra-versatile offers you the opportunity to use any of the prevailing applications in the industry without a hassle. The hardware component of the VHF-01 single-channel wireless system comprises of a unidirectional microphone. This mic features an ultra-sensitive cardioid capsule that plays a key role in reproducing voices. This is not the only reason that makes the VHF- system perfect for singers, DJs, and others who require a high-quality voice amplifier. Special inbuilt noise absorption techniques available in the mic help to deliver a clear and undisrupted voice to the audience. This is why our product is trusted by renowned artists, public speakers, audio service providers, DJs, presenters, lecturers and many other professionals throughout the country.

One of the key features of the VHF-01 system is its superior quality (single channel) VHF receiver with a 100-feet operating range. This microphone system stabilizes within the frequency range 170-260 MHz. The output level is optimized with the single channel volume rotary control mechanism to provide an unbeatable experience each time you make use of this dynamic single-channel wireless system. Monitoring the signal strength of the sound is not an issue because of the straightforward super bright RF LED indicators that indicate the signal strength for your convenience. In addition, the standard 14-inch unbalanced output jack makes it even easier to use the VHF-01 system wherever you go whenever you need.

Make your next public appearance on stage a better experience for yourself and your audience with the top-notch VHF-01 single-channel wireless system.

If you need a bulletproof 4 x 4 MIDI interface and routing system, then you need to get your hands on an iConnectivity mio4. While the mio4 can do everything a standard 4 x 4 USB MIDI interface can, that's just the beginning. Not only can you connect two computers to the mio4 via USB, it's also fully Ethernet MIDI compatible, allowing you to share its 48 MIDI channels among up to six computers. On the flip side, fully software-programmable onboard MIDI routing, filtering, and merging make complex setups easy, and once you program the mio4, you can use it as a standalone MIDI router for computer-free performance.

Multi-computer connectivity supports complex setups:
If your dream MIDI rig includes connecting multiple computers, then iConnectivity makes the MIDI interface you need. Even this simple 2 x 2 mio4 MIDI interface includes support and connections for up to two computers at once. That means you can not only control 32 MIDI channels across four discrete MIDI ports, but you can also link in two computers' worth of virtual instruments and sequencing, providing you with an impressive amount of creative power. What's more, the mio4 fully supports Ethernet MIDI, so you can connect up to six computers to it via Wi-Fi or network cables.

Standalone operation for mobile MIDI management:
While MIDI itself hasn't changed in the past 30+ years, its role in music production certainly has. Once there were dozens of standalone MIDI routers on the market, but modern MIDI gurus in need of computer-free hardware aren't exactly spoiled for choice. That's why the synth and sequencing nuts here at Sweetwater are so excited about iConnectivity's mio series. Use the dedicated configuration application on your Mac or Windows PC to set up routing and other functions, and everything will still be set up when you use your mio4 without your computer. It's that simple!

Includes in-device MIDI merging, filtering, and processing:
One of the things that makes the mio4 (and other mio MIDI interfaces) so flexible is that it includes a comprehensive set of onboard functions that operate completely independently of any associated software. These functions include MIDI merge, MIDI filtering, and more. And since the mio4 can operate in standalone mode, you can program it from your computer and run your entire synth rig without a computer in sight.

The pioneers in mobile music making now bring you the new iRig HD-A - the next generation of the immensely popular iRig interface. iRig HD-A is the first high-quality 24-bit audio interface that fits in your pocket and connects directly to your Android device and PC.

iRig HD-A features superior digital audio quality and offers a premium 24-bit A/D converter for a crystal clear digital signal that's free from noise and crosstalk. Plus, its ultra-low-draw power consumption circuitry eliminates the need for batteries - it's powered by your mobile device or computer. An onboard gain control allows you to dial in the perfect signal level for your instrument and apps, and a multicolor LED lets you know what's going on with your interface and signal.

iRig HD-A is compatible with AmpliTube for Android as well as any other real-time processing apps which support USB/OTG audio input. Use the iRig HD-A anywhere you play guitar - on the go, in the studio or on your PC at home.

No matter where you are, iRig HD-A delivers a pure high-quality digital input signal. It features an ultra-transparent 24-bit A/D converter that accurately preserves the nuances of your instrument. This means you can rock out on your Android device, PC laptop or desktop computer with studio quality sound. iRig HD-A features a standard 1/4" Hi-Z instrument input jack, and connects to your Android device with the included OTG cable.

The beauty of the iRig HD-A is that it works everywhere you do. It also comes with a handy USB cable and is class compliant, so you can plug right in to your laptop or desktop PC computer and keep jamming.

Now for the good stuff. Download the AmpliTube FREE for Android app from the Samsung Galaxy Store. Plug your guitar into iRig HD-A, plug your headphones into your device headphone jack and launch the app. Immediately you'll see something very familiar - a complete guitar rig.

AmpliTube for Android turns your Android device that supports Samsung Professional Audio technology - like the Samsung Galaxy Note 4 and Galaxy Note Edge, and soon to be available on the Galaxy S5, Galaxy Note 3 and other devices - into the ultimate mobile guitar and bass multi-effects processor, offering up digital versions of some of the most coveted amplifiers and stompbox effects of all time.

Introducing the First studio quality mic preamp for the iOS platform. Here's how you use it: Take the microphone you use every day on stage or in the studio and plug it into your iOS device. It's that simple. Need Phantom Power? Flip the Phantom Power switch. Congratulations, you've just become a professional user.

This is perhaps the most important product introduction for musicians and the rest of the civilized world since the iPod and iPad. Now, thanks to the iRig PRE, you can hook your favorite microphone to your iOS device and join the mobile music revolution. Create music any time, anywhere with your own high quality microphones on your iPhone, iPod touch or iPad.

So now if you want to record that special riff using your own ribbon microphone and mix it on your iPhone, you can. Simply plug the iRig PRE into the headphone jack of your iOS device, activate phantom power if necessary, launch your recording software and wail away.

The iRig PRE sports an ultra-compact design so it fits pretty much anywhere. Just slightly larger than a 9V battery, you'll be amazed at how quickly you'll misplace your iRig PRE. But don't let the small size fool you. The iRig Pre is a professional sounding mic preamp that will dazzle you and your friends.

The iRig PRE has a 48V Phantom Power feature that lets you use your favorite condenser microphone with your iOS device. The phantom doesn't eat your device battery, it takes a standard 9V. No longer are you shackled by the chains of passive microphones for your mobile recordings. Now inject the shocking awe-inspiring power and clarity of the ever popular condenser microphone into the lifeless muddy world of AM radio sounding recordings. You'll be the hero of the entire civilized recording world when you unleash the beast onto unsuspecting virgin ears, now thanks to the technological marvel that will become known to the rest of the world as iRig PRE, but you saw it here first. And you can plug a SM58 into it and sound like your fabulous normal self as well.

The iRig Mic PRE features a 3.5mm headphone out that allows you to monitor the processed sound, however you sound. So now you can finally tell if you're idol material.

Unlike some other mic cable companies, IK provide you with an astonishing 40cm (that's like 15.75") of space to place your device. So if you want to Velcro your iRig PRE to your mic stand and use the iKlip Mini to hold your iPhone, you can. And with total peace of mind. Rest assured, you're secured. However, if you Velcro it to the singer's pants, you're on your own. Sorry, that voids the warranty.

In addition, you get 2 free apps to get started recording and effectualizing your voice: the iRig Recorder, a simple-to-use waveform recorder and editor, and the VocaLive, IK's premium live vocal effects processor.

Please notice: the iRig PRE does not support 1st generation iPod touch models, due to their lack of a mic input

This product is also compatible with many Android devices too, check the IK Multimedia website for further details.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***

iRig Stomp I/O is a brand new type of USB pedalboard controller that integrates a professional, high-resolution, MFi certified audio interface with MIDI input/output for iPhone, iPad, Mac, and PC. It comes bundled with state-of-the-art guitar, vocal processing, and recording software for flexibility and usability, both live and in the studio.

Sturdy and robust, yet easily transportable, iRig Stomp I/O features four onboard metal stomp switches plus an expression pedal with a switch, all with LED indicators. To further extend its control possibilities, you can connect up to 2 additional switches or pedals. The MIDI IN/OUT ports make it possible to seamlessly control external processors when iRig Stomp I/O is used as a stand-alone MIDI foot controller, without any device or computer connected to it.

The Neutrik 1/4" XLR combo jack accepts instruments and microphones including condenser mics with switchable 48V phantom power. The balanced stereo output connects to an external amp, mixer or PA, and a 1/4" stereo headphone output is available for silent monitoring. The input gain and volume output knobs are easily accessible on the front panel, each with its dedicated LED VU-Meter indicator, for the quick-and-easy setting of levels.

Ready to rock, ready to record:

iRig Stomp I/O boasts an elegant all-in-one design that perfectly highlights its flexibility and versatility. In a single piece of equipment, you now have everything you need to record in the studio, rehearse, or go out on stage and gig, without having to assemble a bulky and costly hardware setup.

With its high-quality 96kHz/24-bit audio interface, iRig Stomp I/O lets you easily record your guitar, bass or microphone - including studio condensers requiring 48VDC phantom power with true studio quality on iPhone/iPad, Mac and PC. The seamless integration with AmpliTube and VocaLive makes it as easy as plug-and-play to record on multiple devices using IK's powerful, state of the art, 64-bit software. iRig Stomp I/O features a Class A preamp that can rival, if not surpass, the sound quality of floor processors costing up to three times as much.

The integrated headphone output allows you to monitor the signal during tracking or when practicing, while the balanced stereo outputs can be used to send the signal to an amplifier, a mixer, a PA or powered speakers.

As a floor controller, iRig Stomp I/O features an onboard expression pedal and four foot switches, allowing you to seamlessly flip through your favourite presets for natural, hands-free performance. The two optional control inputs let you connect up to two additional external pedals/switches. To further extend your control possibilities, you can exploit its MIDI functionality to send MIDI control messages via its MIDI OUT to your external gear and processors, using iRig Stomp I/O as a MIDI interface or as a stand-alone controller (even without a device).

Ideal for guitar, bass, vocals and synths:

iRig Stomp I/O is designed to give guitarists, both electric and acoustic, bass players, vocalists, and songwriters a new way to have full control over their tone, in any situation.

Seamless software integration:

iRig Stomp I/O is designed to seamlessly integrate with AmpliTube for Mac/PC and iOS as well as with VocaLive for iOS, for full-blown performance in the studio and live.

While using AmpliTube or VocaLive with iPhone, iPad, Mac, PC and PC tablets like Microsoftr Surface, you can easily browse your tone presets, preset banks, control wah processors in real time using the integrated expression pedal, as well as quickly access useful functions like the Looper, the Tuner, and more.

With your device or stand-alone:

A unique advantage of iRig Stomp I/O is its plug-and-play ease of use. As an MFi certified audio interface, it is designed to work right out of the box with your iPhone and iPad using the included lightning cable as well as with Mac and PC via USB.

It is the only floor controller to feature a convenient device bay, where you can safely position your iOS device - charging it during use - for an immediate and clear view of the interface. Used with PC tablets like Microsoftr Surface, you can take advantage of the touchscreen interface for enhanced speed and flexibility in creating and tweaking your tones.