Great movie on transformation,
resurrection, clinging to the past, resisting transformation . . .Main
character has experience of "drowning" in childhood with uncaring father
that effects his life, is able to find new life in new place, is able to see
how the past gets "drug" into everything and finally how to break free of
that past. Great moive on so many themes. I plan to buy it for my
collection. Watch it! (Rebecca Herring)

One of the last scenes when the
Nobel prize committee rep takes John to tea. John is transformed from a
paranoid-schizophrenic working in relative obscurity to an honored, noticed
man. "The pens" are offered by his Princeton colleagues.
(Bil Shappell)

At the beginning of the movie, Ethan Hunt is climbing a
mountain. At one point, he hangs facing out from the cliff face, arms
spread as though he were being crucified. He makes it to the top of the
mountain, and stands looking out in a moment of exhilaration. Almost
immediately, he is presented with the latest impossible mission, which
will send him out to potential rejection and death -- "the
secretary will disavow all knowledge..." (FUMC, Natchitoches, LA)

"The Emperor's New Groove" (Disney, 2000; rated
G) is about a self-centered emperor who is transformed into a llama . . . and,
in his search to become human again, learns some lessons about humility and love
along the way. Whether the folks at Disney knew it or not, the plot is
remarkably similar to the story told about King Nebuchadnezzar in Daniel
4:28-37, in which Nebuchadnezzar -- so pleased with his accomplishments as ruler
of "magnificent Babylon" -- learns a lesson in humility at God's hands, as his
madness forces him to eat "grass like oxen." When Nebuchadnezzar is restored, he
praises God.

This movie takes place in a small town in France in
1959. The town has always expressed their community life using the word
?tranquilite? (tranquility). You knew what was expected of you, you
knew what your place was. And if you happened to forget, someone would
remind you. They trusted the wisdom of ages past, lived with the values
of tradition, family, and morality. Into this town comes Vianne, played
by Juliette Binoche. She does not go to church, has a daughter without a
father present, and has the gall to open a chocolaterie right in the
middle of Lent! As she opens and conducts her business, it becomes clear
that she is anything but traditional. Vianne does nothing by the book.
She does nothing out of obligation, but everything out of love. It is
her encouragement that brings Josephine out of her abusive marriage. It
is her encouragement that brings Armande together with her grandson. It
is her encouragement that brings a widow of 30-some-years out of
mourning and into a new relationship. The town is transformed by her
chocolaterie and her grace. (Carla Thompson Powell, Livonia, MI)

Invisible Boy claims to become invisible when no one,
including himself, is watching. How can he know this? He just feels
invisible. The test comes when his group of dubious superheroes must
bypass electronic "seeing eyes" in order to enter a
supervillain's fortress. Everyone closes their eyes as Invisible Boy
takes off his clothes and maneuvers through the electronic surveillance
area. If he isn't really invisible, the fortress' defense system will
kill him. He makes it through, disables the defenses, and shouts that he
did it. When his teammates opens their eyes, he immediately becomes
visible again. One of them says, "Maybe you should put some shorts
on or something, if you wanna keep fighting evil today." (David K. Miller)

Roy is a pussycat who wants to be considered dangerous. Calling
himself Mr. Furious, he allies himself with a bunch of misfits also
claiming to have superpowers. Never quite mustering enough fury to do
anything more than to key a car or break off its hood ornament. When
the woman he has fallen in love with is in danger, though, he truly
transforms into Mr. Furious.
Mr. Furious: Rage... taking over...
Casanova Frankenstein: Yes, yes, we've heard that before.
Mr. Furious: No. Rage... REALLY taking over...
(David K. Miller)

A rather literal transformation:
"Neo (New) is literally reborn, sprung from his womb in the Power
Plant, sent down a channel and plunged into the water. He is then
plucked up by the rebels, rising towards a light of the
hovercraft's interior. He is awakened from a dream. Of
course the name of the hovercraft is Nebuchadnezzar who, in
Daniel, asked for his dreams to be analyzed." (Mike
Clark, Hamilton, Canada)

The final scene from "Men In Black" was
helpful in a communion sermon on remembering and forgetting. Sometimes a "neurolizer"
would be very helpful as we seek to put painful memories behind us so we can
move on in life in healthy ways. (Holly Boardman)

After Buffy has gotten in to her new calling, there is
a scene where her girlfriends confront her. "You've
changed." They are still focused on the Senior Dance and on
the Mall. Buffy is a new person now, though, and her former life
seems trivial to her now. Illustrates how, when we respond to the
call of discipleship, our old world, and often friends and family, do
not understand, and cannot relate to the new persons we have become.
(Paul Wiberg)

Early in the film, Billy Crystal's character is getting
outfitted for the cattle drive, but can't find a real cowboy hat that
suits him. He ends up just wearing his same old baseball cap. When
Curly, the old-time cowboy, dies, Billy Crystal's character wears
Curly's hat away from the gravesite -- it is a transformative moment for
him as he becomes the leader of the group and gains understanding of the
meaning of his life. (Amy Parker, Charleston, West
Virginia)

Lt. John J. Dunbar is "converted/transformed" into Dances
With Wolves by learning a new language, learning new stories, and learning
to tell his story in a new way. This is very much how Jesus trained the
first disciples and how today's disciples are most fruitfully
transformed. The Gospel story is the story that claimed us before we knew
we didn't have a story. (paraphrased from Dr. Stanley Hauerwas
by Jon/Holly Stouffer)

The whole movie is about ArchBishop Oscar
Romero who is martyr. You can add that it is about Transformation,
because Romero is transformed by his encounter with the poor. The
most powerful scene in the movie is one about the spiritual battle
between good and evil. "Romero goes to the village that is
under martial law. He enters the church that has been transformed
into the barracks to get the eucharist where he is beaten by the
soldiers. He returns to confront the soldiers and the power of
good seen in the poor of El Salvador overcomes the soldiers, the forces
of evil." (Guido Climer)

The film After Hours by Martin
Scorcese ends with the hero breaking out of a plaster shell that he has
been encased in to escape his tormentors. The movie involves a
long strange evening in the life of a quiet office worker. Highly
reccommended. (Mike Clark, Hamilton Canada)

I would suggest "The Breakfast Club" for
discussion about Transformation and the Body of Christ. All five of these
teenagers start the day off looking at the world through their own personal
filters. By the end of the movie they are transformed to realise that they
are all one and the same. (Emily Young)

A very early Robert Young film about disfigured war
veteran and a very Plain Jane who keeps house for him in an old cottage.
Neither thinks much of the other to begin with, but they fall in love,
and those who see them later see them as lovely. They see each other and
themselves as lovely, too. (Leslie Gregory, Crane, TX)