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Designed by Leo Maggs. Initially drawn in c. 1964 or 1965 at
Hazell Sun Group’s design studio for an article in About the
House, the magazine of The Friends of Covent Garden Opera
House. Maggs based his all-caps lettering on the numerals of the
E-13B MICR
typeface, and later completed the alphabet, “based […] on the
classic proportions of Gill Sans”. Rejected by Letraset, but
produced by Photoscript Ltd., including a lowercase. [S.
Mercer] Release date unknown. It is shown in the 1968
Photoscript catalog. Depicted in Lettera 4 as
Programm (with descending ‘J’ and narrow ‘V’, unlike
in the digital Westminster).

Designed by Leo Maggs. Initially drawn in c. 1964 or 1965 at Hazell Sun Group’s design studio for an article in About the House, the magazine of The Friends of Covent Garden Opera House. Maggs based his all-caps lettering on the numerals of the E-13B MICR typeface, and later completed the alphabet, “based […] on the classic proportions of Gill Sans”. Rejected by Letraset, but produced by Photoscript Ltd., including a lowercase. [S. Mercer] Release date unknown. It is shown in the 1968 Photoscript catalog. Depicted in Lettera 4 as Programm (with descending ‘J’ and narrow ‘V’, unlike in the digital Westminster).

Named by Robert Norton of Photoscript. According to Microsoft, Westminster was named “after the bank that helped Photoscript fund the font's production.”

Later passed on to Berthold. Appears in their E1 Fototypes catalog. In 1993, it was licensed to Microsoft and a digital version produced by Eraman, Ltd. and Type Solutions, Inc. was bundled with Windows 98.