SLY Theatre - Mountain Language

Pint-size Pinter packs a punch

Shining Lights Youth Theatre: Mountain Language, at New Greenham Arts, on Monday, April 12 and Tuesday, April 13

Shining Lights Youth Theatre's production of Harold
Pinter's Mountain Language was a challenging choice for this
young company. Set in a prison compound with unnamed guards
in an unnamed country the play was apparently inspired by
the Kurds suffering under the Turkish oppression.

The production opens with a menacing soundscape where a
group of frightened women are held captive. Who are these
people and why are they there? Are they refugees or
prisoners? Why have they been standing in the snow for five
hours?

An officer (Jak Ford-Lane) wants names; the atmosphere is
tense. A young woman (Abigail Kalikwani) explains that a
girl has been badly bitten by a Doberman pinscher dog. The
officer demands to know what was the name of the dog: "If
you tell me the name of the dog I will have it shot", he
barks.

The women's relatives are accused of being enemies of the
state and as they are mountain people they are forbidden to
speak their own language and must communicate using the
language of the capital.

A black-hooded man (Daryl Hurst), his hands bound to a
wooden pole, stands on the stark white raised rostra in the
centre of the stage. He appears dejected and is taken to a
visitor's room where his mother (Natalie Poernig) is
waiting. The smug guard (Karim Newton) harshly reminds them
that they must use the language of the capital, but the
mother does not speak it, creating a poignant heart-rending
moment.

The man is returned to his cell and beaten when the guard
announces that the language ban has been lifted. Despotism
is now the rule as authority and dignity collapse and the
audience are left with many questions about the human
condition.

There was strong acting throughout from the 14 members of
the cast, who perfectly captured Pinter's style, using
pauses and silences to great effect. There was a tangible
feeling of tension in some fine ensemble performances.
Directed with aplomb by Pete Watt this short play was an
ideal channel for the actors to display their talents. A
most engaging production.