Wednesday, August 24, 2016

With
KLOS (95.5 FM) on a roll under the direction of programmer Keith
Cunningham -- complete with a revised playlist, Jonesy’s Jukebox
offering an alternative slant, and a morning show that has held its own
-- it was no surprise when the station announced that hosts of said
morning show -- Heidi Hamilton, Frank Kramer, and presumably Lisa May --
were re-signed to a “multi-year” deal.

What
was a big surprise was the announcement that Frosty Stillwell, who left
what was once called the Heidi Frosty and Frank Show when it aired on
KLSX (now KAMP, 97.1 FM) and KABC (790 AM) years ago, would return to
the program effective September 6th.

Left
unsaid is whether Stillwell will move back to Los Angeles to do the
show in studio or, more likely, will stay in Colorado and do the show
via the magic of modern technology as was done by Mark Thompson on The
Sound (100.3 FM) until he left the station a few weeks ago.

The announcement is big news to fans of the show; while “Heidi and
Frank” has been successful for KLOS, especially in recent months, many
fans still missed Frosty. “I am so excited,” wrote reader Jeff Swanson
of Long Beach. “Heidi and Frank were great, but Frosty coming back will
reunite the triplets and make the show just that much better.”

Heidi, (soon to include Frosty) and Frank airs weekday mornings from 5:30 to 9:30 on KLOS.

Reunion II

It’s
not local, but with the internet you can pretend: Low-power FM station
KZAP/Sacramento has reunited Jeff Gonzer and Ace Young. Yes THE Jeff
Gonzer and Ace Young as was heard for years on our own Mighty Met, KMET
(now KTWV, 94.7 FM).

The
duo was first paired up in 1977 on KMET, and stayed together until
1986, much of that time toward the top of the ratings. They have not
broadcast together daily since that time.

You can hear them via the internet and various smartphone apps weekday mornings from 6-9 at k-zap.org.

Nasty Passes

Joe
Nasty, one of the original DJs to grace the airwaves of Ten-Q (KTNQ,
1020 AM) during the stations high-energy top-40 days in the mid 1970s,
passed away August 15th in San Antonio, Texas, where he had retired.

Born
Dennis Alvord, Nasty was hardly nasty on the air here. But his tight
delivery and quick wit made for some amazing radio, and he was perfect
for the evening shift on Ten-Q. You can hear a sample of him on ReelRadio.Com (small donation required).

From 1987 to 1988 he was heard on Power 106.

Ken
Levine, aka Beaver Cleaver on Ten-Q weekends at the time tells a story
of “poor Joe.” “I say ‘poor’ because for one promotion they made him
ride a rollercoaster at Knott’s Berry Farm for 24 straight hours. He
still walks into walls today,” Levine wrote in a blog from 2011.

Alvord is survived by his wife and daughter; no other information was available at press time.

Back Again?

Don Barrett’s LARadio.Com
has had a new posting almost daily for at least the past two weeks.
Apparently you can remove the boy from radio, but you can’t remove radio
from the boy. Nice to have him back.

Wednesday, August 17, 2016

Fans
of adult standards -- the smooth sounds of Sinatra and friends -- have
been without a local radio home (at least if they don’t own a digital HD
radio) since KGIL dropped the format and became classical K-Mozart
(1260 AM) in April, 2011. Since that time, standards have been available
only on the HD3 digital stream of GO Country 105, but of course you
need a special radio to hear it.

More than
five years have passed, and to the rescue is ... 1260 AM, which will --
or did, depending in when you read this -- return to playing standards
at 3 p.m. Friday.

Owner
Saul Levine loves classical music, so I know that the decision to
change was not made lightly. In fact, the change had been planned to
happen a few weeks ago, but he wanted to give classical one more chance.
“The advertising just isn’t there,” Levine explained, adding that the
station was losing money monthly.

The
new format is called The American Songbook, and will feature music
about which Levine says he is also passionate: “I consider it America’s
classical music.” He explained that the format will feature a distinct
modern flavor with recordings made more recently that is typical on
other Standards stations. “Frank Sinatra and Tony Bennett will be there,
of course, along with more recent artists such as Michael Buble, Steve
Tyrell, and Diana Krall. Sinatra is timeless, as is Bennett,” he
explained.

The
kickoff to the format is a continuous loop of popular Sinatra songs
which will run repeatedly and commercial-free through 6 a.m. Monday. As
of press-time, there is no word on DJs or a possible call-letter change;
I’ll have that information as it becomes available.

Classical will continue on 105.1 HD2, and Unforgettable will simulcast on 105.1 HD3.

Free to Retire

Paul
Freeman, who started his broadcast career as a junior in high school
and has been heard locally since 1970, has h8ng up his headphones and
will soon join his family in the state of Washington.

A
low-powered station set up in the basement of his childhood home led to
his first job reading news, but he hit the big time when he landed at
KEZY (now KGBN, 1190 AM) in 1970 soon after obtaining his broadcasting
license at the William B. Ogden Radio School. KEZY was Anaheim’s answer
to KHJ (930 AM) and was a powerhouse of talent throughout its history.

1976
brought him to KHJ and soon after KIIS AM/FM, which at the time was
programmed by Charlie Tuna. Freeman stayed at KIIS (later on FM only,
102.7) through numerous formats: pop, disco and dance. Then came the
station’s move into top-40 in the early 1980s, which saw the talented
staff work its way to the top of the Los Angeles ratings.

“That
is my favorite radio memory -- working at KIIS-FM when the station
earned a 10 share in the Arbitron ratings,” Freeman told me. “It was so
much fun ... you could feel the vibe when you stepped off the elevator
on the 11th floor of the Motown Records building (where the studios were
located). KIIS rocked the ‘80s ... we owned the city.”

It
was during that time when he worked for his favorite programmer in his
career. “Gerry DeFrancisco was amazing to work for. The best. He and
General manager Wally Clark knew how to build a winning station, promote
it and push us to our best.”

Clark,
along with his more recent employer, Saul Levine, wound up as his two
favorite General Managers. “Both Wally and Saul are so passionate about
radio, they inspire everyone they are near.”

His
resume includes KODJ/KCBS-FM (93.1 FM), KZLA (now KXOS, 93.9 FM), KYSR
(98.7 FM), KBIG (104.3 FM), and of course KKGO Go Country 105 FM where
he has worked the past nine years.

Did
it take long to get used to playing country songs on KZLA and Go
Country after such a long time playing pop? “I didn’t know the songs at
first,” he said. “But I quickly began to like them. It is much like
top-40 of years past as far as the sound, and every song has a story to
tell. There are so many songs to which people can relate!”

What
made him decide to retire? “I want to spend time with my family. I have
five brothers and sisters all living in Washington, and I want to spend
quality time with them. I just bought a house with deer in my front
yard; my house is just minutes away from my sister who’s house is on a
lake.

“It’s
time ... but I will miss being on the radio. It’s the only job I’ve
ever had and I am very fortunate to have been able to do it all these
years. It’s time to turn it over to someone else.”

“Paul
has been the Afternoon Drive Time air personality since Go Country 105
adopted the Country Format in 2007, said station owner Levine. “Not only
has Paul been one of the nicest persons to have around the station, but
his share of audience has been among the highest through out that time
to this date. Paul is always cheerful and upbeat, and that quality will
be missed by the entire staff.”

Christine Martindale has returned to the station to take over Freeman’s afternoon drive show.

Airwaves: August 12, 2016

The
big story of 18 months ago is the polar opposite of the big news of
last week: Mark Thompson is gone form The Sound morning show, aka Mark
in the Morning.

When
he made his debut on February 2, 2015, it was with great fanfare. Sound
programmer Dave Beasing and general manager Peter Burton were elated to
convince the former half of Mark and Brian to come out of retirement.

“I
wanted to make sure that they wanted what I do. That they were sure
they wanted me, not something else,” explained Thompson before the
show’s debut. That was always important to Thompson - being able to do
the show he wanted to do.

To
appease music fans, they added music. Four songs per hour, five if
needed. And it worked pretty well; when Entercom bought the station from
Bonneville just over a year ago, there was talk of syndication and
other such deals. Personality radio was considered strong enough to move
co-host Andy Chanley out of mornings in order to pair him with
Christian Hand for an afternoon-drive personality-driven show.

Then
something happened. It is uncertain when it happened exactly, but the
buzz seemed to be off. It may be total coincidence, but I personally
noted that the morning show lost something when Chanley left for
afternoons in January of this year ... it just wasn’t the same without
Chanley keeping Thompson in line, though Gina Grad stepped up as best
she could.

“We
started to get rumblings, borne out by research, that our listeners
wanted more music in the morning,” Beasing told me. “So we waited until
Mark was in town (he normally did his part of the program from his home
in North Carolina) and sat down with him.

Beasing
confirmed what Thompson said in the air. Thompson was told of the
research and that they needed to add more music. “Well, then you don’t
need me,” said Thomspon. “That’s not the type of show I do.”

There
was a lot of emotion leading up to the announcement, and when the
announcement and goodbyes were said on the air, they made for a very
touching show. “I love everyone here,” said Thompson. On Wednesday,
August 3rd, after a tear-filled morning, he handed over control of the
show to Chanley, Grad, and his daughter Katie Thompson.

So
now mornings on The Sound are Andy and Gina; Joe Benson starts at 9
a.m. instead of 10 (presumably making the entire day live unlike the
daily “best of Mark” that aired from 9-10 each morning ....a pet peeve
of mine, by the way). Afternoons as of press time are still up in the
air, though I am sure Beasing is dusting off my resume and aircheck I
submitted to him last year. I better be ready. Just in case.

All in the Family

Michael
Levine has been named program director of father Saul Levine’s Go
Country 105, replacing longtime PD Tonya Campos who left the station in
July. The younger Levine had been performing programming duties since
Campos departed.

Michael
began his radio career as Director of Marketing for the station back in
2004 and was there when the country format debuted in 2007. In making
the move, Saul said “It is with a profound sense of confidence that I
make the announcement.”

While
I am sure there will be those who call it a case of nepotism -- and
perhaps it is -- I personally don’t care. As long as he is competent, he
will do fine (and his father won’t put up with bad decisions!). I
sincerely want Michael to catch the same bug that Saul has, in order to
guarantee that stations like Go Country and companies like Mount Wilson
FM Broadcasters survive.

Saul
could have sold KKGO (or any of his other radio properties) years ago
and retired a very very rich man, but he decided to stay in it because
he loves the business, and he loves offering programming that can’t be
found elsewhere. He also likes sticking it to the big guys as well,
which is a wonderful trait to have. He is one of the few remaining
independent small broadcasters in the country, and I respect him highly
for that.

No News is Good News

The Radio Advertising Bureau (RAB.com) has announced it will no longer report radio revenue data. In doing so a spokesman told AllAccess.Com that there are companies whose business it is to forecast and report those numbers, and they are leaving it to them.

The
purpose of the RAB is to advocate for radio as a marketing tool, so
perhaps the decision is sound. I can’t help but feel the same as a
commenter to All Access, though, who wrote: “Better to not acknowledge
the grease spot on the garage floor than to address it and clean it up.”

Wednesday, August 3, 2016

Last
week I suggested how nice it would be to have a radio station with a
more open playlist ... playing both old and new songs from new and
established artists. Freeform radio, as is being done by low-powered
KZAP/Sacramento.

Then the emails came.

“It
would be nice to get underground broadcasts back on the airwaves. Do
you remember the old KPPC 106.7 circa late sixties? KSCN (88.5 FM)
comes close today. The music never stops.” -- Randy Lloyd, Los Angeles

“I
read with interest your column on the new KZAP in Sacramento. I do have
to point out that except for 7-Horse whom I've never heard of, all of
the other artists mentioned have all gotten great airplay on 88.5
KCSN-FM. I consider it the best L.A. radio station in the last 20 years.
All they do is play good music. Imagine that. I sure do remember Ace
Young. Glad to hear he is still around and doing good.” -- William
Dunaway

“Smart
rock KCSN is the station you say we don't have. It is brilliant and the
Nuys is amazing. And sky Daniels is very irreverent” -- Pat Gorman

Even
KCSN programmer Sky Daniels wrote in ... “KCSN’s mission is to support
musicians. We are privileged to do so in Los Angeles. If you review
KCSN’s Playlist at kcsn.org/playlist/

I think you will find it is exactly the station you wished L.A. had.

Yes,
I messed up. Not sure why, though my excuse is that it is a case of
being “out of mind” due to the fact that I cannot pick up the station
where I live over the air. Bit the excuse is somewhat hollow, due to the
fact that I have covered KCSN at least a few times in the past and as
mentioned above, it IS available via streaming.

In
speaking with Daniels I found that the KCSN engineers are working on a
signal expansion, so the station may indeed come in further outside of
the valley. Until then, I’m tuning in through kcsn.org/listen.html.

Saving Martini

Brad Chambers is the man behind MartiniInTheMorning.Com,
an internet station playing the music he once played as programmer and
morning man on KLAC and XETRA (The Fabulous 570 and later Fabulous 690).

The
problem with internet-based stations is that it’s tough to compete with
the Big Boys for advertising and support dollars. So Chambers recently
sent a message asking for listener support.

“We
are facing past royalties of tens of thousands of dollars, plus
associated legal fees, he wrote. “It's not that we wanted to skirt the
law. It's that we couldn't afford the royalties and the expenses related
to reporting. But we made a commitment more than 10 years ago that as
long as artists put out great music we would give them a place, on the
air and onstage, to expose their music and sell CDs, downloads and
tickets to their live performances. We made a commitment too, to our
listeners, to keep this music on the air even after it was largely
abandoned by the major corporate broadcasters and record companies.

“If everyone
who has ‘Liked’ MartiniInTheMorning on our Facebook page will do as
little as $10, that would be a game changer. We have 14,323 likes on our
Facebook page. $143,230 if everyone chipped in $10. So PLEASE don't
feel like your $10 or $20 or $25 won't make a difference. If you are
able or want to do more, do it. The faster we put this problem behind
me, the faster we can get back to the business of playing the greatest
songs ever written for you.”

Saving AM?

There’s
been much talk about “revitalizing AM.” One of the solutions is to use
FM translators -- low powered FM transmitters -- to simulcast the AM
signal. That’s right: “save” AM by moving people to FM.

Here’s
a better thought: program something that people want to hear. I’m not
sure what that is never mentioned in these discussions.

Airwaves: July 29, 2016

Los
Angeles has -- more accurately “had,” -- it’s KMET (now KTWV, 94.7 FM),
the legendary progressive rock radio station that set the standard for
counter-culture FM radio locally. In Sacramento, it was KZAP, which
broadcast “free-form” radio in one form or another from 1968 to 1992,
five years later than did KMET itself.

Proving
that life often goes full-circle, KZAP is back. This time as a
low-power no-commercial community FM station. The frequency has changed
to 93.3 FM from it’s “original” home of 98.5; of course other than the
name there is no direct relationship to the original.

Except
... the personalities. Many of the DJs heard on the station are
original to the original: Tom Cale, Dennis Newhall, Diane Michaels and
more, along with the young buck news director and morning show co-host,
Ace Young.

Yes, what comes around goes around: the same Ace Young who served as news director and morning co-host at KMET for many years.

The
play list, if you can call it that, includes everything from old to
new, and sounds just like freeform radio you may not remember. Some of
the new music comes from artists such as 7 Horse, The Jayhawks, Lucinda
Williams, Mudcrutch (Tom Petty), The Tedeschi Trucks, Ben Harper, and
Keith Richards new solo album to name a few.

This
is a perfect example of what local low-powered radio can do. And it is a
shame we don’t have anything like it here in Los Angeles. Granted,
available frequencies are tough to fine, but I often wonder why stations
like The Sound (100.3 FM), KLOS (95.5 FM) or even Jack (93.1 FM) don’t
take the lead and present such formats on their HD digital streams.
There you could even sell ads, and give people a reason to stay with
radio.

Full Circle II

I
just read a tech paper on how not only are analog LP (vinyl) records
coming back, it seems that reel to reel tapes are on their way back
again as well. Some feel that analog tape is superior to all other
recording media, as you don’t have to do anything to limit file size (as
in digital) or stylus movement (as in vinyl records).

Does
this mean that analog AM radio is on the verge of a comeback? From a
technical standpoint, AM radio can actually have a wider frequency
bandwidth than FM; with modern technology, interference and other issues
could be solved or reduced. Come on Boss Radio KHJ, Ten-Q, KEZY,
HitRadio KFI, KRLA, ...

Speaking of Sacramento

AllAccess.Com
reports that KCCL/Sacramento is flipped to Christmas music to celebrate
Christmas in July. I figured it would happen sooner or later.

Tobin Passes

You
may not know the name Karen Tobin, but anyone connected with LA radio
does. She was the marketing and promotions woman behind such powerful
stations as KIIS-FM (102.7) during its top-40 dominance days, KRTH
(101.1 FM) more recently, and such groups as Westwood One, Metro
Networks, and Fox Broadcasting.

She
had been fighting cancer for the past few years. On her Facebook page,
her husband John posted July 22, “My beautiful wife Karen passed at
about 8:45 this morning. We had a good night together and she was
surrounded by family to say goodby. Love to you all. John”

Karen
was one of the first people I met through this column. Always positive,
always competent, always right on top of things, she was a great asset
to radio. She will be missed.