Back in 1989 Marc McKee started creating skateboard graphics for World Industries, Blind, 101, Menace, A-Team and Almost. Probably most infamously known for his funny, offensive, and provocative graphics which were hugely popular then and remain so today. McKee, also editor of Big Brother Magazine for the first four years, later worked on Blunt Snowboard Magazine and continues to make art for skate companies today. Visiting Philadelphia artist Shawn Beeks and I went to check out this show, which we were both blown away by McKee's originals of some of the most notorious boards, from the Napping Negro graphic to Natas's Challegener Explosion board to the Fucked Up Blind Kids Series.

Love us Michael Leon from way back when and enjoy his Stacks nautical series as seen below... Remember the short we made back in 2003... Oh my God, that was so fucking long ago. The link doesn't even work. Jesus, we're old.

We just learned that probably most iconic San Francisco skate spot, HUBBA HIDEOUT, is being torn down. Besides the already dead EMB, Hubba was truely an SF Skateboarding icon and makes us sad to see it go. I personally have skated it many years ago, have filmed countless people skating it and have taken quite a few hippers on it over the years. Perfect height. Perfect location, and it will truely be missed... Kinda makes ya sad. A moment of silence.

The destruction of the long-time iconic San Francisco skate spot, Hubba Hideout began yesterday with the spot's top ledge already ripped out by city employees. The remainder of the walkway, including the retaining wall ledges that have been a tremendous part of street skating's history are scheduled for removal today, according to city employees on hand yesterday who were erecting fences around the area. -continue reading

Our buddy and long time Fecal Pal, Dan Wolfe, traveled to Brazil w/ Adidas to film and then edit this short. If you don't skate or haven't skated or don't care about skateboarding, this may not be for you... All others, please enjoy.

Fecal Pal Matt Irving does all of the creative work for Adidas Skateboarding along with Juice Design here in SF and guest blogs up a really interesting project Adidas was involved with last spring. Transworld Skateboarding invited 4 shoe teams to compete in an artistic competition where each team is given a warehouse, skate obstacles and given 10 days to shoot a short video which will be judged on the level of skating, creativity, the use of obstacles, and overall image and video quality.

This blog is a little behind the scenes from the 10 days in Matt's words.

Thanks to Almost Skateboards and Enjoi for completely rerigging my closet and setup with new gear. Been doing skateboard shit for over half my life, and amazed at how the quality has gone up. Enjoi makes some fine gentleman's clothing. Don't be shy, and we're digging on the man of the mountain vibes they got going on. Skating about town = hot. Camping with a bottle of whiskey = hot. Artshow going = hot. Win win.

Skateistan: To Live And Skate Kabul A beautifully shot film that
follows the lives of a group of young skateboarders in Afghanistan. Operating against the backdrop of war and bleak prospects, the Skateistan charity project is the world’s first co-educational skateboarding school, where a team of international volunteers work with girls and boys between the ages of 5 and 17, an age group largely untouched by other aid programmes.

My good friend Eric Wollam who I've known since high school has been the art director for Almost Skateboards for many years now. Besides being quite the ripper himself, Wollam is a talent with design and with the art workings. He'll be showing some boards he designed as well as some work this Saturday down in San Pedro @Sunken City Skates. Complimentary beer as well.

The FLATGROUND CASE STUDY is a short film I made, starring Chad Tim Tim, that played at the Love & Guts art show in Costa Mesa, on August 5th

The idea was to create a non-linear story that didn't rely on a musical soundtrack. This way people could watch from any point within the film, for any amount of time. So at the exhibition, the video looped seamlessly throughout opening night.

The film is an experiment in documenting style and technique, which was played back in a gallery setting (and now online) in a way that depicts the similarities of tricks through motion and style.

Most of the video is presented in slow-mo, with the hopes that you can observe the shapes and technique through overlapping imagery… The basics of skateboarding, silhouetted and colored, come alive and create a moving Rorschach test.

It was fun to come into this with a low-budget, creative way of thinking. The production process is simply Chad Tim Tim and myself, a white wall, two cameras, and a few lights, and then we edited it on Final Cut; no green screen or After Effects.

Kevin is the editor of The Skateboard Mag., a publication we dig. We contacted him and asked for a short interview about his home Nebraska, how he got his start in the editorial world and the name of his future dog. Fecal Face, meet Kevin Wilkins.

I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...

I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.

It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.

I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

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