Monday, October 27, 2008

First things first, the animation is pretty impressive. Alright, granted that the mouths merely flap generically most of the time instead of approximating lip movement, but then it would be wrong to expect a Pixar-level animation anyway.

This is a well-animated movie with finely detailed backgrounds, and despite a lack of overall consistency, Roadside Romeo looks nice, bright and shiny enough to ensure kids are drawn to it. So well done, animators and debutant director Jugal

The premier production house [Yash Raj Films] teams up with one of the biggest studios of West [Walt Disney Pictures] for an animation film. You expect this collaboration to yield incredible results. Animation movies like THE LION KING and SHREK have appealed to every strata of movie-going audience the world over. Although 'Made in India' animation films are making their way into our plexes, the results, most of the times, are amateurish

The premier production house (Yash Raj Films) teams up with one of the biggest studios of West (Walt Disney Pictures) for an animation film. You expect this collaboration to yield incredible results.

Animation movies like THE LION KING and SHREK have appealed to every strata of movie-going audience the world over. Although 'Made in India' animation films are making their way into our plexes, the results, most of the times, are amateurish.

But Roadside Romeo pulls it off. In terms of animation (Tata Elxsi/VCL), it's a step forward as compared to the other animation films. But there's a hitch: Hackneyed script (penned by debutante director Jugal Hansraj).

Films like LION KING or SHREK, even FINDING NEMO, worked because they were innovative concepts. They had interesting stories to tell. Plus, most importantly, they were rich in emotions. You'd laugh when they laughed, you'd cry when they cried, the writing was so effectual.