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“The 60s” Isn’t a Good Excuse: Hermeneutics and Star Trek

A few years ago, I decided to finally sit down and watch all of TOS in order and blog about it. As you might expect, one of the comments I got most frequently was essentially, “Give it a break – it was the ’60s.” We started Women at Warp not long after this, and we heard it even more, and it made me think long are hard about this particular defense of the original Star Trek, and I talked about it without whoever would listen. And I came to the following conclusion:

“It was the ’60s” is a cop out.

Yes, it is important to understand any media in its original context. However, it is also important to understand how different people of different generations will interpret the same media in a different time period. And this brings me to hermeneutics.

Herme-what-now?Hermeneutics, in general, is the study of meaning and interpretation. The term is often used when discussing religious texts – “biblical hermeneutics” may sound more familiar – but there’s also “literary hermeneutics” and “aesthetic hermeneutics.”

As Zachary Fruhling – philosopher, professor, and co-host of Meta Treks – explained to me, “Hermeneutics is like a Venn diagram, with the meaning of a text (or work of art or a television episode) being the intersection of the author’s original intentions (from his or her historical context) and the reader’s/viewer’s subjective interpretation based on the contemporary context. The author’s original intentions don’t preclude the possibility of finding new meaning. But it’s important to consider the author’s intentions to ensure that new interpretations are plausible interpretations that are well-grounded in the source material and not way out in left field.”

When you apply the principles of hermeneutics to something like Star Trek, you get questions like:

What was the original intent of the episode’s writers?

What did it mean in 1966 (or 7/8/9) when it first aired?

What does it mean when we watch it today?

What do the social and political messages in the episode mean in light of contemporary social issues and political events? (For example, what does an episode like “Balance of Terror” mean in a post-9/11 world?)

Science fiction, in my opinion, has a heavier burden than other media when it comes to this kind of interpretation. Especially sci-fi that attempts to depict an idealized world in the future. And then we consume that media 10-50 years later and find those ideals dated, lacking, or even problematic. It’s easy to understand the historical and social context of, say, To Kill a Mockingbird, which was published in 1960 and set only about 25 years prior. It’s not as easy to understand social trappings of the 1950s and ’60s in stories set in the 24th Century and beyond.

I tend to think there’s also extra pressure on Star Trek because it has a reputation for being progressive. For the time it was made it, it often was. But not always. And it’s worth noting that, in Letters to Star Trek (compiled by Susan Sackett), you can find several instances of women fans writing in and objecting to the portrayal of women of TOS. In the ’60s. (Some examples can be found here.) So, saying “it was the 60s” obscures and dismisses that history.

Let’s look at a non-Trek example: The Left Hand of Darkness by Ursula K. LeGuin was published in 1969 and is the “most famous examination of sexless androgyny in science fiction.” (Wikipedia) The book won several awards, including the Hugo and Nebula for Best Novel of the Year, and is often found on “best sci-fi literature” lists. However, today, many people see the work as problematic and transphobic. So, who’s right? Is it groundbreaking? Or problematic? Well, both, depending on who is interpreting the work, when, and the experiences they bring to at interpretation. Does that mean you shouldn’t read it? Not necessarily. If you do, it’s important to understand the book’s historical context. But you don’t ignore its problems when you talk about it today.

Yes, Star Trek has been around for a long time. It’s a pop culture phenomenon. And that means that it’s going to continue to be around for a long time. And people are going to continue to watch TOS (and TAS, TNG, DS9, Voyager, and even Enterprise) for the first time. Never again will anyone watch any of these shows in the same decade that they originally aired. Never again will anyone have the same historical or social context as the show’s writers.

Zachary, quoted above, also wrote, “It may be helpful to think of the meaning of a text or show as something more like an ongoing and active two-way conversation; the author speaks to you through the work of art, and you speak back by reading your own meaning into the art. And this is an ongoing process, both as an individual in the course of your own life and over time as new generations continually find new interpretations and shades of meaning.”

So, this idea applies not just on a societal level, but on an individual level, as well:

What did this episode mean to me the first time I saw it; 5, 10, 15, or 50 years ago?

What does it mean to me now?

How have I changed and how and why has that changed my perception of the episode?

What will someone 20-50 years from now think of these social and political messages?

While the era that a piece of media was made is important and can shed new light on an idea as you explore that context, anyone coming to it – especially those coming to it for the first time – will interpret it differently. We will all have different opinions about it based on our own personal circumstances and experiences, because media does not exist in a vacuum. And the time period during which something was made in does not automatically establish a protective bubble that shields it from criticism and discussion through any lens.

To sum this all up, I’ll share what may be my favorite comment on this topic, which came from a seminarian, someone who has studied biblical hermeneutics: “The idea is to go beyond the surface of the printed page and dig deeper into what the meaning of (again, in this case) a TOS episode was and how we might interpret it today. Times, they are a-changing and how we look at the themes of well, all the manifestations of Star Trek change too. What an episode was saying 50, 30, even 10 years ago may not be how we interpret it today.“

Don’t let an original air date prevent you from digging deeper to analyze art with a modern lens.

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4 comments for ““The 60s” Isn’t a Good Excuse: Hermeneutics and Star Trek”

Phillip Gilfus

March 16, 2017 at 12:19 pm

Great read – it’s always interesting to note that folks who say “it was the 60s” are creating their own version of what that means. In other words, is the person using that statement actually from the 60s? If not, then that belies the assertion. If they are, are they talking about their viewpoint? The perceived viewpoint of the culture? I think — whether we admit it — when we say that was “the 60s,” I think that’s meant to be “more white, straight, and male-dominated.” Yet non-whites, LGBT, and women did IN FACT exist in the 60s. Heh.

The perception of the culture is usually more conservative than it actually is … and the perception of what TV viewers will tolerate — doubly so. We can even look to the “hey day” of Trek – the 90s, and it still comes across as a perceived “conservative” culture, but that would not actually be true.

And to those who are overly defensive about certain things in TOS, I like how you point out that the writers/creators’ intent is only one part of that package. The viewer’s perception, like you write, also “counts.”

I enjoy TOS (not my first or second Trek-rated series, but still…) but I can recognize what elements don’t work. I think some people are worried that if we criticize TOS, we are just trashing Trek. I think it’s just a loving “hey, that’s not cool today” pointing out of how we expect a lot from our beloved franchise, regardless of series.

Great Essay!
I’m an TOS purist (I consider Berman to be the anti-rodenberry),
but the problematic artifacts of TOS are pretty much inexcusable.
As much as I respect Gene, he was Misogynistic as all get-out.

Sadly: Trek never recovered from that foundational issue.
( IMO, anyway. YMMV, obviously.)
Voyager could have redeemed quite a bit,
but instead we were force-fed the Janeway/7-of-9 “dom/sub Action Hour”:

heavy sigh

And, no: I don’t consider Next Gen very progressive in regards to feminism, at all
(except -maybe- Pulaski).
Troi was so stereotypically “female!” it makes me gnash my teeth in frustration,
and Crusher (the ultimate Mommy Issue) wasn’t much better.

I mean: those archetypes are fine and all, (if you’re into that sort of thing)
but they’ve just been done to absolutely death since the beginning of recorded time!
(Exaggeration you say? Try Crusher=Hera and Troi=Venus.)
Me? I want a modern SF female “Malala Yousafzai, Icon of Peace” story arc/character.

Some contemporary post-modern deconstructionist Kali figure strong enough
to take the “man” out of ‘Woman’ and make us call her ” WO-AH!”
Ah, well. At least we have Bab5
… and Head-Cannon crypto-revisionism/FanFic Admiral Uhura!!!