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It's Fun to Play the Piano ... Please Pass It On!

I just had my hammers replaced and the piano regulated so this is the first classical piece I've recorded with the "new sound". The sound before was quite bright and brittle. I think it sounds a lot nicer now. (It can be compared to my Chopin nocturne recording).

I especially love this small piece from Schumann. For that matter, I love many of Schumann's short works. They have just the right amount of challenge and beauty in a small package for my amateur fingers...

Lovely, lovely, lovely!!! You did a great job of projecting the melody; the LH was not too loud based upon what I can hear. I recommend you try for possibly even a bit more projection of the melody. Thanks for sharing.

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Close only counts in horseshoes, hand grenades, and nuclear weapons.

Lovely, lovely, lovely!!! You did a great job of projecting the melody; the LH was not too loud based upon what I can hear. I recommend you try for possibly even a bit more projection of the melody. Thanks for sharing.

That was outstanding - great playing, great piano sound, great recording. I listened to your "From Foreign Lands and People" as well - I've been polishing this one, too. I've heard it described as "very easy", but it most certainly is not easy to play it as well as you. Delightful.

That was outstanding - great playing, great piano sound, great recording. I listened to your "From Foreign Lands and People" as well - I've been polishing this one, too. I've heard it described as "very easy", but it most certainly is not easy to play it as well as you. Delightful.

Thank you so much. I agree that "very easy" is a misnomer. From Foreign Land and People" as with so many of Schuman's "easy" pieces has it's inner complexities. I'm still working at it and probably will be for many years to come....

That's really excellent. It's obvious that you enjoy playing this piece.

If I can offer two suggestions, they would be:

1) The piece is marked "agitato", and your playing seems to be missing that nervous energy. It's a little too "pretty". The left hand probably needs to be a bit faster and lighter, maybe less rubato.

2) More prominent melody in the RH, sure, but you also need bigger phrases. You do this thing where you build up in the RH and then suddenly pull back. That seems to lead to a drop in energy that disrupts the forward motion of the piece. I think the LH and RH need to contrast each other in this piece (rather than LH just being an accompaniment for RH), LH quick and nervous and RH long and cantabile. Try singing the RH part while playing (or listening to a recording) of the LH.

I'm using two Behringer C-2 mics going into a Behringer mixer, then to a motu 828 and finally via firewire to my Mac. The software program is Metro. I keep playing with where to set the mics, how much to open the piano etc. for this recording I opened the top all the way and situated the mics about a foot up from the middle.