You know what they are, right? They’re usually found at the back of the opus—the part so many folks gloss right over as the writing is mostly filled with names and one line quips about what these names did to contribute to the publishing process, and how life, the universe, and all of mankind could not have been birthed and evolved into what it is today without these sage and wondrous mortals.

Not terribly interesting for the average Joe—unless, of course, you happen to be one of those sage and wondrous mortals.

But in writing my page of “thanks yous,” I can easily see just how out of hand one of these notes of gratitude can become.

It’s critical that one includes the upper echelon of those who ultimately gave your book bound words a chance to be seen.

For instance, you must absolutely never forget to flatten yourself to the floor with a giant thanks to your editor—el supremo persona, le meilleur, un eroe—whatever language you choose to describe one of the most erudite, patient, resourceful, and good looking people you’ve ever met. Even if you’ve never “met”.

Without your editor you are toast.

Maybe less than toast.

You’re just one slice of bland bread among dozens stacked in front and behind you and all the way down the shelf from side to side.

Your editor lifts you out of the endless mass and puts a fire beneath your feet—or whatever body part is molded to the anchor that’s producing your fairly vapid, stale, lifeless literary efforts. They then carefully tease out the aromatic notes, the visually enticing imagery, and the tantalizing flavors of your story while expertly identifying the exact dressing you need, applying a perfect layer of topping that will make the meat of you shine.

Yes, one must thank one’s editor profusely, and all your lucky stars if you have a truly divine one. And then eat, because just writing about editors and their skills makes one unreasonably hungry.

Your agent—should you have one of those as well—is also on the list for high-priority praise. They are the sleuth who, when first presented with your writing, siphoned out the thread of ability that wove itself in and out of the tapestry of clunky words you put down on paper. They are the individual who gets a first look glance at your work before bravely putting their name to an email that is then cast widely out into the pool of editors who are fishing for something new the public is hungry to bite on.

Or they are the one who picks up the tab at a gulp and go lunch where they pitch your work to those same bleary-eyed editors in hopes of convincing them to take on the task of giving up another night’s sleep in favor of reading one hundred thousand of your best and shiniest words.

Don’t forget the copy editors. These folks examine your one hundred thousand words, parse them, and then reconstruct them into more appropriate linguistic elements that will have true value to the reader. They will leave you dumbstruck with awe to realize that there are individuals out there in the world who truly understand all the principles and rudiments of grammar. They should be given many basketfuls of cookies for their efforts and patience.

The marketing department, the art department, the line editors, the assistant editors, and publicists—where does one begin? Each of them, inundated with so much work and so little recognition, really should have a small shrine erected in their names.

So I have.

I’ve built a large altar in a separate room in my house—a temple where I’ve placed magic stones, a dozen candles, tiny false gods, myriad pagan symbols, and any other sorcerous talisman I can collect for my ritualistic moments of devotion and homage. It is a room filled with smoky incense and funneled in melodramatic and lamenting bagpipe music. It is the best I can come up with to replace what I believe they all probably truly deserve over my feeble prostrations: a cruise.

I just don’t make enough money to make that happen. Sorry.

But you really should see the altar I’ve set up for you guys. It’s amazing.

And scares the hell out of the cat.

And lastly are the people who truly know you. Like—know you know you. The ones who had to read all those diabolically dreadful first drafts. The folks who see you drinking three-day old coffee and eating mac and cheese that you made for an end of school potluck last month. The family members who have had to learn to wash their own laundry, make their own lunches, write their own college essays, and attend their own parent-teacher conferences because you were “just finishing that last sentence,” or “editing that final paragraph,” or passed out on your keyboard.

Speaking on behalf of many writers, we know who you all are, and are so incredibly surprised to look up and discover that not only are you not in the house where we were certain we last spotted you, but are now living in another, entirely different city from us and have taken all of our pots and pans with you.

We thank you too. Except for the theft of our housewares.

Lastly, as the orchestra music swells over our words, we thank our fifth-grade teachers, or librarians, or fairy godmothers. It’s that one individual who told us we had promise, we had potential, we had possibility.

It’s that one special person who started this whole domino effect of thanks and recognition: the one who gave us that first nod of acknowledgment.

So to all those sage and wondrous mortals—whether they see you as a product or a parent, family or a friend—the thanks are endless and the gratitude unfathomable.

Now it’s probably time to acknowledge the fact that there is no food in the house and the cat litter seriously needs to be addressed. Life goes on—even after The End.

~Shelley

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Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.

According to Eckhart Tolle—one of the world’s greatest living, spiritual philosophers—my brain has been hijacked and taken over by an all-encompassing, unbounded and unremitting dictator.

This domineering tyrant is in charge of my mind and directs my focus and attention to whatever puzzle or curiosity it’s attracted to—like a magpie spotting a shiny piece of tinfoil on the ground and heading into a nosedive.

Or a bee getting that little zing up its tiny spine and making a straightaway for his morning shot of nectar dusted with trendy macha powder.

Or discovering what kind of homing pigeon call four competing gas companies receive that announce a newly made cross section of road.

All that scattered focus is part of what Eckhart defines as a wretched epidemic running rampant across our globe—a dreadful affliction, an incessant enslavement, a blight of flesh-eating, biohazardous decrepitude that is pure poison.

Okay, that last part I added myself for pungent emphasis, so scratch that if you’re a stickler for purity, but his message remains:

Thinking has become a disease.

Huh.

Apparently, the real me is buried deep within a place that requires a treasure map to locate and which is about as obtainable as nuclear warhead access codes.

But it’s there.

And from what I gather, it’s shaking its head at me and making some thoroughly annoying tsking sounds.

Super judgy, if you ask me, but that’s probably the ‘thinking’ part of me saying that, and according to Eckhart, I gotta SHUT HER DOWN.

Well, not entirely.

I’m thinking—er, guessing—that if I close off those roads the devilish despot situated in my brain’s bus driver seat will plow through and easily make a few detours. He’s determined and relentless. A big bulldozing control freak. And I can’t have him behind the controls, running rampant and unshackled.

Thinking about fewer things could be helpful.

Actually, thinking about fewer things is the new ordinance. It’s written in tiny, black ink letters at the bottom of the contract I just signed with my new publishers on page 79.

Thou shalt not obliterate brain cells unless in the effort to complete labor on our behalf.

I get it.

They’re Eckhart Tolling my evil overlord. He’s been too busy with fingers in more pots than those found in a Cuisinart factory. Which means when he rouses from slumber tomorrow morning, he’ll find a cup of tea in a cardboard mug and a bran muffin in a paper bag waiting for him by the front door, as well as his suitcase and passport.

Along with breakfast and the clean underwear I’m making sure the taskmaster is taking with him, he’ll also be tucking a calendar beneath his arm.

The one that contains my blog post schedule.

After nearly four years of popping out weekly essays, the winds of fate are asking I blow hot air in a different direction. So, if it’s not become easy enough to read between the lines thus far, here it is in plain speak:

I’m going into Monk Mode.

Hands have shaken all around. Publishing dates are set. Editors have been met. And sleeves have been rolled up to reveal many sets of attractively sculpted forearms.

I’ve split open a fifty-pound bag of dog chow for the hound and placed it in the middle of the kitchen floor.

I’ve allowed the mouse population to flourish in the basement for the benefit of the cat.

And I’ve filled the pantry with four season’s worth of tinned beans and tuna for my teenage son.

Everyone will be happy.

I’ll be wheeling around a rolling intravenous infusion pole that will alternate two bags filled with either French roast coffee or chamomile tea, and once a week I’ll slip in a dram of whisky for good measure.

This is the new normal. This is the new now.

The other half of this blog posting team will be up to his earballs in new and exciting work as well. As many of you know already, Rob’s talents extend far beyond his side-splitting sketches, and during the next year he’ll be trying to get a new theater show off the ground in Sweden. As the ground is often frozen and frequently unforgiving, it will require extra effort and a massive sense of humor.

Thank God Rob has all that in spades.

We’ve had to ponder and plan the roads in front of us.

This is not goodbye, I promise, but rather the announcement of a new schedule for Rob and me.

It’s what we’re referring to as “No Schedule,” just random, occasional posts when we both find ourselves popping up above ground for a breath of fresh air and a check to see who’s ahead in any political polls.

Change is good for all of us. It challenges, invigorates, and inspires us to see and create with fresh eyes. And just like underwear, fresh is hugely appreciated by those who take the time to sit beside you and see what new alluring and inviting art you’ve fashioned since the last time you all had a good chin wag.

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.

We both sign on the line that’s either too short, too narrow or too good to be true, promising we’ll each do our thing and come out smelling like roses on the other end of it.

Well, that’s what’s supposed to happen, right?

Although the Chinese Zodiac has determined that this is the year of the sheep, I, personally, would take issue with this. This is not my year of the sheep or the goat, or any other cloven foot animal. It is the year of the treaty. It is the year in which I have spent a good portion of my time, hunched over paperwork with a magnifying glass, or peering onto my monitor and growing ever closer all with the hopes that if I can move near enough to the words, they will magically make sense with the intensity of my gaze.

Wrong.

They will make sense only if we stuck to something like a common language.

Or if I backed up two decades and decided to go to law school.

Or if maybe Plato, in all his soft and flowy robed glory was sitting beside me and explaining each Latin-based line as we moseyed through them.

Some contracts are wonderfully exciting—like the one I’m scanning with a fine-toothed comb right now—the one that says, We, publishers of great stories big and small, want your book, and then a second to follow the first, and quite possibly a third one to boot.

These pieces of paper are exactly the kind of documents that make authors realize they are actually gymnasts because of all the back flips and flying Dutchman leaps of joy that ensue. But sometimes you discover that you’re going to have to become an extraordinarily flexible gymnast—like Cirque du Soleil Chinese acrobat flexible because of the Silly Putty stretching you’ve done to come to an agreement.

And most authors I know are so excited to get published they would be willing to exchange their bones for rubber bands if it would launch their books onto the other side of obscure.

It helps to have a clever agent who speaks contract law, or studied Latin, or can easily recall her past life when she lived in Ancient Rome and clerked for Cicero. So, thanks, Jennifer. Super glad you’ve got my back.

Other contracts will keep you awake at night with a backlit calculator under your pillow for easy access.

Refinancing a mortgage. Need I say more?

Okay, I will.

You own a home. Correction: you live in a home the bank owns. The bank has you sign a contract that states: If you want to live in this home and pretend it belongs to you, you can pay us x amount of dollars for y amount of time.

Now this would all work out fine and dandy if they’d all just leave you alone until you either run out of money, pay off the debt, or run away to open a lobster kabob food truck on the island of Saint Kitts.

Instead, before the ink has a chance to dry, you’ve already received three offers from a few other financial institutions who announce they’ve got a slightly better deal—at least on the first page of the glossy brochure and as long as you don’t read the fine print. And I think we’ve all been in plenty of situations where because we didn’t read every word of the fine print, we realize something unpleasant is about to hit the fan and we immediately start scouting eBay for that ‘lobkabob lorry.’

A few contracts are meant to make your life considerably easier. The tax accountant who you visit once a year and beg to make sense out of your refrigerator-sized box of receipts. A box which happens to be balancing a plate of homemade cookies on top—cookies you hope will convey the depth of your appreciation.

Or your health insurance agent who sends you a card on Christmas and your birthday with a fridge magnet and a 500 mg vitamin C tablet taped to the inside of it.

And how about your automobile insurance agency who sends you a monthly email in recognition of payment saying, “Thank you. Now don’t drink and drive. In fact, just don’t drive period. It’s a beautiful day. Go for a walk.”

There are also the everyday ordinary contracts that have become such a part of our mindless existence we don’t see them as contracts any longer.

The library—you give me a snazzy, plastic card and all the books I could possibly shove into six bags each week so that I may read them all for free and in return I will tell you: What? I’m not late with that book. What do you mean I owe twenty-five cents for an overdue book? I KNOW I handed that story in last week. I’m POSITIVE this is your clerical mistake and it’s sitting right now on your shelves—just go take a look … oh, wait. Here it is.

The garbage collector—you come every week on Thursdays to pick up my wretched refuse and do with it what you will, and once a month I’ll send you a check for thirty dollars. Fingers crossed I remember to do it and the check doesn’t bounce.

The internet provider—I will hemorrhage money your way for the promise of magical world wide connection beyond my wildest dreams, you will occasionally come through with that promise, but not in any reliable fashion, and I will regularly scream bloody murder at those who work within the company, imagining painful, fiery deaths for you all, but in truth have absolutely no recourse.

So there we have it. A cross-section snapshot of my ink and paper maelstrom thus far this year—not a farm animal in sight.

And umm … hey, kids? Head’s up: I may or may not have just agreed to give my new publisher both of your first babies by signing this linguistic puzzle. Time will tell. But I give you my word I won’t do anything like that again.

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.