Magic: the Gathering has been around for 20 years, and an integral part of the game's popularity has always been the art that appears on each card. Check out this greatest hits gallery of Magic art through the years.

I asked other Magic fans for their personal favorite pieces of Magic art, and picked some of my own, plus some that are iconic or perfect examples of Magic's evolving art style. Special thanks to Wizards of the Coasts' PR team and their art department for helping me track down hi-res versions of many of these works. Click any image to enlarge.

Perhaps the most iconic card in Magic history is Black Lotus (above), which today sells for $3,000 to $5,000. The original art by Christopher Rush may be instantly recognizable, but it's a bit bland. When Wizards of the Coast introduced a collection of older, powerful cards to the online version of Magic in 2012 (for a special draft format called Cube), they commissioned new art for Black Lotus. The velvety black petals and the corpses of fallen foes by Chris Rahn really does the original justice.

Damnation - Kev Walker

There are a lot of Magic cards that destroy things en masse, and a lot of ways to depict that. Damnation's sucking black void is the most unnerving to look at, though.

This card with a seemingly subtle effect (it gives you a small flying creature each turn at the cost of 1 life point) fueled a monstrously successful faerie-themed tournament deck in its heyday. Rebecca Guay's art reminds us that Magic isn't all about massive warriors and gruesome beasts. It can be beautiful, too.

For their "joke" sets, Unglued and Unhinged, Wizards ordered special full-card art for the basic lands. Those lands, including this one by John Avon, look so good they've become collector's items. Your EDH deck isn't truly pimped out until you have all Unhinged lands in it.

Akroma, Angel of Wrath - Chippy

One of Magic's classic creature types is the angel. They've appeared in many incarnations, some more demurely dressed than others. I like this version of Akroma both due to Chippy's use of light glowing through her wings and the determined expression on her face, which clearly says, "Just because I'm an angel doesn't mean I'm not a bad-ass."

Elspeth is a planeswalker, one of the most powerful beings in Magic's mythology. This is not only an example of the hyperdetailed pseudo-realism that is the de facto art style for Magic in recent years, but it also shows that Magic sometimes defies fantasy art cliches when it comes to depicting female characters.

There are plenty of ways to depict a zombie horde, but subtly showing them pressed against the other side of a beautifully lit pane of stained glass is probably the best way. Brilliant idea brilliantly executed.

Some of the best art appears on basic lands, like this Forest from the Ravnica expansion. How do you depict a forest that's actually in a city? Martiniere pulls it off with moody, dramatic lighting and an eye for architecture.

Island - Stephan Martiniere

Another stunning basic land from Martiniere. The level of detail is mind-blowing.

I love this art because it shows how amazing abstraction can be. In this case, it was necessary because the card itself does something somewhat abstract and confusing within the game (both players set their hands aside and draw new hands that they can only use until the end of the turn).

Hurloon Minotaur - Anson Maddocks

Magic art has advanced pretty far since this image was created, but for many years this was the image that Wizards used to represent Magic. I give Maddocks credit for creating an original and unique interpretation of a basic fantasy creature.

For this promo card, Guay not only created a beautiful image, she captured both the card's flavor (it removes a creature from the game instead of killing it) and allusions to fantasy stories and folk tales.

This card was suggested to me for this list, and on closer inspection, it's quite amazing. The transition from the eerie green flames at the top to the shadowy tentacles at the bottom is perfectly done.

More pseudo-realism. Magic didn't invent that style of fantasy art, of course (Jeff Easley is my favorite example), but Staples shows a mastery of the form here. Could anything possibly look more heroic than a gleaming knight riding a majestic lion?

Regeneration - Quinton Hoover

This early Magic card provides a nice contrast with the detailed, intricately lit works that would come later. The clear, simple lines remind me of some of the best bronze-age comic book art. George Tuska comes to mind.

Baneslayer Angel - Greg Staples

Here, Staples eschews pseudo-realism for a gorgeous, almost Impressionist angel. This card is one of the most powerful creatures in Magic, and at one time cost almost $60...while it was still in print.