Here were two writers who aren’t only taking on a commission, but returning to their own nightmares. The writer is never more sensitive to the events explored in the film and in its making than when talking about Olga Wormser-Migot, who received some terrible responses for not quite getting her facts right.

Images, videos and audio are available under their respective licenses.In Sylvie Lindeperg’s book on Alain Resnais’ film the point lies partly in the theoretical and the researched.