I stayed off of social media (except for my classic-cartoon Facebook groups) after the Seahawks’ devastating last-minute loss (or rather failure to win) in Super Bowl Eks El Eye Eks.

I’m still not ready to see any replays of that fatal last play, or to really discuss it.

But I will say this:

After cheating death so many times, the Seahawks’ lucky streak finally ran out with one ill-advised pass play at the game’s end.

But that single moment can’t erase the team’s great achievements this season and last.

And it can’t lessen how coach Pete Carroll and the players (including and perhaps especially Marshawn Lynch) have performed, both on the field and as members of the larger community.

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The game telecast provided an intriguing addendum to our recent story about Anheuser-Busch taking over the local Elysian craft brewery and brew-pub chain.

Just over a week after the Elysian announcement, AB ran a Super Bowl commercial touting Budweiser as the drink of choice for real beer drinkers, not those artsy craft-beer snobs who go for “pumpkin peach ale.”

I.e., just the sort of product that Elysian has made, marketed, and championed.

Super Bowl Eks Ell Eye Eks begins some time after 3:30 p.m. our time on Sunday. By 7 p.m. the mighty Seahawks will either “Re-Pete” as NFL champs (a slogan based on the name of beloved head coach Pete Carroll) or not (perish even the possibility of the thought).

This time the whole civic zeitgeist about the game seems different.

Nothing can compare to the city’s first major men’s pro sports championship of the century, of course, for collective excitement, enthusiasm, and pride.

This time the civic experience (on the streets, on sports talk radio, in the sports bars, in social media, at home-game tailgate parties, etc.) seems more familiar, even rote.

It sure wasn’t expected, though. Not by everybody here; not during all of the season and post-season.

Yeah, right after last year’s game, the team and the 12s were full of confidence that our boys would be the first in a decade to win consecutive Super Bowls.

But then the ’14 season began with the Seahawks going 3-3.

But then the team got its collective act together, and sealed the top seed in the conference by the regular season’s end.

But then the Packers looked invincible for three and a half quarters of the conference championship game.

But then the Seahawks, who’d come back from halftime deficits throughout the regular season, pulled off the Miracle on FieldTurf®, sending them (and, by extension, us) straight into the Big Game.

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So here we are, back at the biggest event of the year (in either sports or entertainment) in this country. The eyes of the sports world (or at least the U.S. and Canadian sports world) are upon our noble and valiant gents.

Even The Nation, a publication that seldom pays any attention to sports (or, despite its name, to anything beyond the NY/DC corridor), is chanting “Solidarity and Seahawks Forever.”

Writer Dave Zirin admires how Seahawk players have spoken out about racist cops, racist sports-media, and college sports’ frequent neglect of injured players.

When I took an unplanned, unscheduled blog break last summer, I also neglected maintenance on the web links at the left side of this page.

I’ve gone back to some of them today.

Turns out I’m not the only one who just drifted away from writing on the Web.

Plenty of the links that had been on this page now lead to “404 Not Found” alerts, or to other enterprises altogether.

Then there were the sites that, like mine for much of last year, were neither closed nor updated.

I’ve removed most of them from the link list.

But there are a couple of more ambitious group sites that I wish would come back:

ArtDish, a lively and insightful guide to major visual-arts events throughout the Northwest region. It premiered a big relaunch early last year, but hasn’t added any new content since then.

Three Imaginary Girls, “Seattle’s Sparkling Pop Press,” a witty and loving chronicle of musical artists in (or touring to) our city. Its Facebook page has new posts (mot of which are links to the site’s old posts), but the site itself hasn’t had anything new up in months.

If their reasons for going away are anything like mine were, these sites’ operators simply had other lives, other things to do (or attempt to do). Continuing to send words and/or pictures out into the ether (or the cloud), with little to no compensation or hope of any, just ain’t something some people want to keep doing forever.

In other words, today’s Web 2.0 status quo isn’t just killing most of the “old media” industries.

The Belgian beer conglomerate that bought Budweiser (and commands 47 percent of the nation’s total beer sales) is now buying up craft brewers around the country. Just weeks ago, it snapped up Oregon’s 10 Barrel. It already owns 32 percent of the now-merged Redhook and Widmer Brothers.

And now, Elysian has joined the empire.

The craft brewers’ national trade group, the Brewers Association, automatically expels any member company that sells out to AB or MillerCoors. (However, the group altered its rules a few years back to allow Boston Beer (Sam Adams) to remain in the group.)

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For almost 19 years now, starting with a single (albeit spacious) brewpub in the Pike/Pine Corridor, Elysian has steadily become a big fish in the no-longer-so-small pond of regional craft brewers. Its product line has included over 350 different brews over the years, many of them short-term and seasonal (like its annual pumpkin ales). Its products are distributed in 11 states and two Canadian provinces.

One of those products is Loser Ale, originally introduced as a promotional tie-in with Sub Pop’s 20th anniversary in 2008. Its slogan (based on Kurt Cobain’s hand scrawled T shirt on a Rolling Stone cover, which in turn was based on SST Records’ old slogan): “Corporate Beer Still Sucks.”

Many “craft beer” drinkers see their choice of drink as meaning a lot more than just a matter of quality product. They think of indie beer (just as many think of indie music) as a crusade of the Regular Folk fighting back against a bland, monolithic corporate culture.

The sky is not falling. This is not a sign that the end is near. There are still over 3,400 breweries in America that Anheuser-Busch does not own…. As craft beer lovers, we’ve been taught that Anheuser-Busch and the other big beer companies are our enemies. So what gives? Is Elysian now evil? Not in my mind, but that’s a decision you’ll have to make for yourself.

Another view on the Elysian sale comes from Jeff Alworth at the Canadian blog Beervana, who ties Elysian’s past success to its savvy local management:

It’s long been my favorite Washington brewery, and it’s always my first stop when I hit Seattle. It has always seemed the most Seattle of the Seattle breweries—an extemporaneous brewery that could be equal parts gritty and urbane and credibly support local sports teams or indie bands. Elysian always seemed to be right where Seattle was at the time….

Just because a brewery is local doesn’t mean it can channel the local mores, culture, and zeitgeist. Elysian could and did—which is a big part of why they were so good. Can they still do that as a division of AB? In the short term, almost certainly. But I fear we’ve lost a little bit of what made Seattle Seattle.

If, as Elysian’s owners publicly insist, joining the big boys was the only way to support the company’s continued growth and to fund further expansion, maybe there’s a natural business limit to how big a microbrewer can be and still remain independent (if no longer truly “micro”).

neonsign.com

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In other news:

Chop Suey, the venerable live-music club located not far from the original Elysian brewpub, may remain open (or rather, reopen) after all.

Here’s how out-of-it (locally) I’ve been: Richard Hugo House, the city’s premier writing and literary-arts center, is getting demolished and rebuilt at the same site. Didn’t even know.

The Seattle City Council and City Attorney Pete Holmes apparently believe sex workers will be less abused by pimps and traffickers if we just create harsher penalties for sex-work customers. Uh, no; it doesn’t work that way. Try again. This time, try to work on the pimps and traffickers themselves (and on support services for the workers).

There’s still no real replacement for the still-mourned Fun Forest amusement area at Seattle Center. But we may be getting a 1,000-foot water slide this summer.

Our pal Lindy West remembers the cool stuff found in the now-bankrupt SkyMall catalog, and also ponders whether its fate is that of all that is fun and quirky.

Folks of all races and backgrounds came together for peaceful MLK Day rallies in Seattle. But the local media focused almost exclusively on the almost-all-white group that forcibly obstructed rush hour traffic.

Yep, Wash. state’s tax system is still the nation’s “most regressive.” Yep, nobody’s really gonna do a darn thing about it.

T-Mobile, the Bellevue-based US subsidiary of a German telecom giant, probably can’t afford to keep offering the cell-phone deals it now offers, and may still need to merge itself out of existence.

A Fortune.com headline stated, “Target says it will pull out of Canada after failed expansion.” A frustrated Canada could not be reached for comment.

The Sun, Rupert Murdoch’s UK tabloid daily, will apparently no longer include its famous bare breasted “Page 3 Girls®,” at least not in its print edition. (The Sun will still show the models in the paper; but now it’ll show the models with tops on, like the non-related Toronto Sun does.) The other big Euro paper with such a feature, Germany’s Bild Zeitung, had scrapped its own newsprint nudes in 2012. In both cases, the pictures ended up costing the papers more readers than they gained. (UPDATE: It was all a publicity stunt, wouldn’t you know. The lo-res breast pix are back in The Sun as of Wednesday.)

For most of the game, the Seahawks’ offense could no nothing right. (The team’s only score through three quarters had come from special teams, on a fake field goal executed for a surprise touchdown.)

Then with the clock inexorably winding down toward certain doom, Russell Wilson and co. suddenly could do everything right.

With impossible play after impossible play, they got a touchdown, a successful onside kick, another touchdown, and a two-point conversion, taking a three-point lead with less than a minute and a half left.

After the Packers re-tied it with a field goal in the last minute of regulation, the Seahawks won the coin toss for the first possession in overtime. Then they quickly scored a sudden-death touchdown to win it all, send the Seahawks to their second consecutive Super Bowl Game (the first time in more than a decade any team did that), and cause more jubilation all the way up First Avenue and throughout the region.

During my long “blog silence” last year there were many things I could have written about, for sure. Some of them I mentioned in my little space in the little paper City Living Seattle (I’ll repost those soon here). Others I didn’t get to there either.

Among them:

The smallest Seattle Times in my lifetime, a mere 18 pages, was published on December 2. Many regular parts (editorials, comics, stocks, weather, sports stats) were missing; the content that was there contained many typographical oddities. The skimpier-than-usual edition was due to still unexplained “severe technical difficulties” that also apparently prevented new posts to the paper’s web site the previous night. This trip-up was never fully explained by the Times; nor, as far as I could find, was it even mentioned by other local media outlets.

I’d heard about, but didn’t write about, the sad final days of the art deco ferry Kalakala. After Seattle metal artist Peter Bevis, who’d gotten it back to Seattle from Alaska (where it’d become a gronded fish-processing factory) ran out of money, the Kalakala got evicted from its Seattle moorage, and got sold and moved to the Port of Tacoma. There it sat for several years, forgotten—except by the Coast Guard, who repeatedly cited the decrepit former floating palace as unseaworthy and as a potential menace to navigation. Just after New Year’s, the boat’s final owner said he’ll scrap it.

I mentioned in City Living Seattle about the impending end of the Hurricane Cafe, which occurred on New Year’s Day evening, ending 20 years of unpretentious grub at Seventh and Bell (where the even more legendary Dog House had stood for decades before that). But I didn’t mention the ends (all due directly or indirectly to redevelopment mania) of Kidd Valley Burgers on lower Queen Anne, the Ballard exile location of the former Capitol Hill landmark B&O Espresso, and the original Mercer Street location of the Streamline Tavern. The latter was one of the city’s last un-upscaled storefront beer halls, which once numbered in the hundreds. By the end of January, however, the Streamline will have reopened (bar, fixtures, and sign intact) at the former Jabu’s Pub site on East Roy Street.

Also now shuttered: the legendary Harvard Exit and Varsity movie theaters. The Varsity on University Way, once the only non-drive-in property of the former United Theaters chain, later became the last home of the the repertory-calendar format made famous at the nearby Neptune (itself saved as a live-performance venue). And the Harvard Exit near Broadway, with its spacious, chess-board-festooned lobby and its import-heavy programming, was one of the places where “art film” going in this town had begun. The buyer of the Exit’s building has gone on social media saying he’d consider ideas to incorporate the theater auditorium in his planned office-restaurant project.

And due to be razed any month now: the First and Seneca retail strip. It includes the old Myers Music storefront (where, legend has it, the young James M. Hendrix got his first guitar) and the former Check Mart space (which was the last remnant of the “underworld” settings depicted in the classic Seattle-filmed movie House of Games). The historic Diller Building, on the University Street end of the block, will survive.

In the realm of institutions coming instead of going, I got into the flamboyant new ultra-deluxe Starbucks Reserve Roastery and Tasting Room on East Pike Street on its first day of business, without even having to wait in line outside. As for what I found, I’ll quote what USA Today‘s puff piece called it: “…A gathering spot for the well-to-do, where industrial age aesthetic meets information age reality.… The smell of the roasting coffee permeates the air like invisible java junkie insulin.”

I finally got around to watching the first season of the AMC series The Killing. The drama was clearly meant to be a single-minded barrage of unrelenting grimness. Except that it’s often unintentionally funny. Those welcome monotony-breaking moments are often, though not always, due to its many hilarious “set in Seattle, filmed in Vancouver” goof-ups. No, a King County Metro bus doesn’t look like a Vancouver Transit bus with a new label slapped on. No, Discovery Park doesn’t look like the hill above Wreck Beach. And so on.

This next bit has nothing to do with local affairs, but I found myself at a pizza place on Christmas Eve-eve. They started by playing holiday songs performed by American Idol style diva singers. Then they switched to holiday songs interpreted by hair metal bands. I realized that modern diva emoting is the true feminine counterpart to old hard-rock macho grunting.

Then there was time in October at an art gallery when I apparently talked to comedy legend Eric Idle but didn’t know it.

this year's space needle fireworks were sponsored by t-mobile and heavily emphasized the color 't-mobile magenta.'

As promised previously, MISCmedia is back for two-ought-one-five with a new commitment to try and make sense (or at least document the nonsense) of Life in the Demitasse Size City.

To start things off, and for the 29th consecutive year (really!), we proudly present the MISCmedia In/Out List, the most trusted (and only accurate) list of its kind in this and all other known media relay systems.

As always, this list operates under the premise that the future is not necessarily linear. It compiles what will become torrid and tepid in the coming year, not necessarily what’s torrid and tepid now. If you believe everything hot now will just keep getting hotter, I’ve got some RadioShack stock to sell you.

The mood I’ve been in has been something other than the positive, assertive persona I’ve maintained in the blog and its print precursors over the years.

Besides, the ultra luxury-obsessed, alpha-techie ruled city that is much of modern-day Seattle is, in many aspects, so different from the funky, spunky, and, yes, grungy city I had known and loved. To truly cover the “pulse” of such a place, one would need to care about hedge-fund-financed dotcoms and hundred-dollar-a-plate bistros a helluva lot more than I ever will.

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And then there’s the matter of trying to convince people, even long standing acquaintances, that I need a job.

NOT an idea for something to write about, but a job.

NOT an unpaid writing “opportunity” for a commercial website, but a job.

It doesn’t have to be “writing” work, just paying work.

I’ve told this to everyone, sometimes repeatedly.

But some people I’d known for years didn’t get it.

They seemed to believe that, since they had identified me as “a writer,” all I needed was to “write” all the time.

(“Don’t worry about the money,” one dude sincerely exhorted me one evening, after I’d almost lost my second apartment in one year.)

The only way I thought I could convince these folks that I needed actual monetary income, not sub-minimum-wage (or, worse, “for the exposure”) freelance crap, was by ceasing to “be a writer.”

It didn’t really work. Either at convincing these well-meaning but ignorant folk, or at getting me a real for-the-money job. (I have gotten a long-term-temp, part-time dishwashing gig, but that’s it.)

So I’m quitting the quitting.

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Actually, I have been posting on so-called “social media” sites all this time. I like the knowledge that someone’s at least reading my stuff when I post it there.

But the MISCmedia site, I promise for real this time, will be back in full force in Two Ought One Five.

I’ve got a major publishing project in the works (still), and a plan to revamp the site into a daily local news “aggregation” and commentary source (still).

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But we’ll start the year, as we always have, with the mellifluous MISCmedia In/Out List, always the most accurate list of its type seen anywhere at any time.

And, as always, we need YOUR input to make it happen.

In the comments box below, please recommend what will become hotter and less-hot in the twelve months to come, in the fields of music, fashion, food/drink, the arts, architecture, socio-political trends, etc. etc.

The list’s simple rules, as always:

For every OUT there has to be a corresponding IN. These two can be related directly, or simply by clever wordplay.

Went to the ol’ hometown on Tuesday. Marysville had never been a particularly “fun” or “friendly” place. Even the tiny “old” downtown has essentially no “street life.”

You drive, or are driven, everywhere, across long and increasingly crowded roads between subdivisions, strip malls, churches, schools, the golf course, the casino, the surviving still-rural patches, and the relatively low-density sidewalked streets of the original central town.

Still, there is a sense of community.

And it comes together in times of crisis, of which last week’s is the biggest in years.

These ribbons are in the Marysville-Pilchuck High School colors. When the old Marysville High (in the old town) was merged with the newer Pilchuck campus (out further into the suburban sprawl), the combined institution took Marysville High’s colors (strawberry red and white) and team name (Tomahawks).

We now know a little more about the boy who committed the murder-suicide shootings at Marysville-Pilchuck High. He’d had an emotional breakup with a girlfriend (who didn’t go to MPHS); and he may have wanted to get back at the same-age relatives and friends whom, he may have decided, had helped to cause that breakup.

I had to break my three-month unplanned blogging hiatus to write about this.

But it’s been more than three days since the event, and I still haven’t figured out what to say.

As a few of you know, I went to the old Marysville High School. After I left, it merged with the newer Pilchuck campus. The combined Marysville-Pilchuck school took Marysville High’s red-and-white colors and “Tomahawks” team name.

My younger brother attended MPHS. (The campus is just up the road a bit from the family’s old house.) He knew many of the families involved in last Friday’s horrible shooting, including the extended family that included the shooter and the shooter’s cousins (two of the victims).

Marysville was never much of a town. The half-mile square old town (grid streets, sidewalks) was just a centrifugal point for miles of suburban and exurban sprawl, and for the Tulalip Indian Reservation.

“The Rez” was where dozens of tribes (some of whom hated each other) had been forcibly relocated in the second half of the 19th century. While the Tulalips as a whole were not as impoverished as some other tribes, they still had to deal with issues of cultural identity, drug/alcohol abuse, and the rest.

I left Marysville long before the shooter, Jaylen Fryberg, was born. But Everett Herald writer Andrew Gobin did know Fryberg. Gobin can’t figure out what happened either.

But if he or I don’t have a clue, at least we’re more knowledgable than the wingnuts who are already spreading so-called “false flag” conspiracy theories and blaming, of all people, New York ex-mayor Michael Bloomberg. (The premise being that gun-control advocates would hypnotize boys into shooting people, in order to promote taking guns away from other people.)

It’s patently false and ridiculous, but it’s more of a “rational” explanation than anything you can find in the reality of the tragedy.

Seems every week, something important from this once fair little seaport city is taken away from us in the name of density, development, or “disruption.”

Cool old bars and restaurants and shops, yes. But also a men’s pro basketball team, a daily newspaper, a radio host, a live theater space.

And the new things that replace the old things tend to be costlier, louder, hoity-toity-er. Dive bars get turned into upscale bistros; cheap apartments become luxury condos.

For someone who came of age loving the old Seattle, for all its faults and limitations, today’s city seems more and more like an alien land.

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The Soul of Seattle is a hard thing to define, and different people have defined it differently. But this is how I define it.

Seattle’s soul is not loud or pushy. It doesn’t scream at you to order you to love it.

It’s quiet and confident; yes, to the point of dangerously smug self-satisfaction.

Yet it’s also funny in a self-deprecating way. Seattle’s sense of quirky humor can be seen in Ivar Haglund, J.P. Patches, John Keister, the Young Fresh Fellows’ songs, the comic art of Jim Woodring and The Oatmeal.

It believes in beauty, in many forms. The delicate curves and perfect proportions of the Space Needle; the slippery warmth of a bag of Dick’s fries; the modest elegance of a Craftsman bungalow.

It believes in old fashioned showmanship. The fringe theaters of the ’70s and ’80s; the burlesque troupes of the ’90s; the alternative circus acts of the 2000s.

Yet it also believes in schmoozing and in deal making. Boeing got on such good terms ith the airlines of the world that Lockheed never sustained. Microsoft made deals to put MS-DOS and Office on almost every desktop computer.

And it believes in civic progress, however it’s defined. It created monuments to its own “arrival” (the Smith Tower, the Olympic Hotel, the Century 21 Exposition). It built public spaces more beautiful than they had to be (the UW campus, the Volunteer Park Conservatory). It leveled hills, filled in tide flats, raised streets, lowered Lake Washington, and put up parks everywhere from freeway airspace to an old naval base.

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There are several places around town where this Soul of Seattle still lives and even thrives.

Here are just a few of them:

Aurora Avenue just north of Green Lake. The Twin Teepees, that beloved “roadside vernacular” restaurant, may be gone, but this stretch of the old Pacific Highway still boasts a pair of culinary opposites. On the east side: PCC Natural Markets, the local pioneer in “healthy” groceries (even if it’s less of a “consumers co-op” than it used to be). On the west wide: Beth’s Cafe, home of the 12 egg omelet and unabashed (and un-prettified) all-night diner.

West Marginal Way South, heading north. A biking/walking path keeps pedal and foot traffic separate from the semis. Container docks along the Duwamish River are now interspersed with mini parks, some restored to something approximating a “natural” state. The Duwamish Longhouse and Museum honors local native design arts while hosting ethnic cultural programs. Just uphill from the river is a sliver of a residential neighborhood once tributed by author Richard Hugo.

Red Square (officially “Central Plaza”) on the UW campus. The gorgeously Gothic Suzzalo Library, and the equally classic Administration Building, represent an era when public architecture could be both monumental and populist. The other buildings, dating from the 1960s and 1970s, are more simply designed and more cheaply built but still (especially Meany Theater) manage to express an understated humanism in their “big box” forms. The square itself is the lid of a parking garage, with air vents hidden inside sculptural pieces.

The Museum of Flight and the Living Computer Museum. One south-end landmark honors the industry that made our city’s past. The other honors the hardware that ran the software that’s making our city’s future.

I saw you had linked to HotDog.org in the past and wanted to suggest this for your readers. If you decide to share, all I ask is that you credit the source and I can send visitors to your site as a thank-you if you are interested.

Bertha, the humungous deep-bore (or deeply boring) tunnel digging machine, is still stuck under the ground, and won’t resume creating an underground Alaskan Way Viaduct replacement highway until perhaps some time next year.

But that delay won’t stop the rest of the total central-waterfront makeover from going forward.

A new seawall (which won’t protect us from long-term rising sea levels) will resume construction any month now, following a summer hiatus.

And the planning stages for a post-viaduct remake of Alaskan Way’s real estate, combining a surface street with a mile-long pedestrian/recreational “promenade,” continue apace.

At the end of May, the Seattle Office of the Waterfront (waterfrontseattle.org) released a new set of drawings and paintings depicting the project’s latest plans.

Unlike the project organizers’ previous set of sketches, which some online pundits snarked at for depicting all lily-white citizens enjoying the sights, these new illustrations show a healthy variety of skin tones on their make-believe happy citizens.

But the images still depict sizable groups of adults and kids walking about and enjoying sunny, warm days near Elliott Bay.

Days which, as anyone who actually lives here knows, are both precious and rare.

What would this landscaped playground look like the rest of the time?

It would probably look as barren and windswept and unpopulated as the waterfront mostly looks now during the wintertime, only prettier. (Which would, at least, make it friendlier to early-morning joggers and bicycle commuters.)

And, unlike some of the Waterfront Project’s earlier conceptual images, these new paintings don’t make the place seem too precious, too upscale, too (to use a far overused term these days) “world class.”

This is good.

It’s not so good that the fictional laid-back and mellow waterfront enjoyers in the images aren’t doing much of anything.

One image shows some kids splashing around a set of small, floor-level fountains (officially called a “water feature element”) at the planned Union Street Pier (to be built between the Great Wheel and the Seattle Aquarium).

Another image shows a few mellow aging-hipster couples (apparently all hetero) waltzing to the tunes of a small acoustic combo at the same Union Street site at dusk (with the “water feature element” turned off).

Otherwise, the fantasized open-space enjoyers are seen mostly just standing, sitting, strolling, bicycling, and talking on cell phones.

If we can’t have industry on the central waterfront in the container-cargo age, we can at least have industrious leisure there.

I want (at least seasonally) food trucks and hot dog carts, art fairs and circus/vaudeville acts. I want a summer concert series like the waterfront had years ago. I want a roller coaster to complement the Seattle Great Wheel, and smaller amusement attractions and rides nearby (finally replacing Seattle Center’s sorely missed Fun Forest).

Some of these events and attractions would require ongoing funding. The Waterfront Project doesn’t have that funding authority; its duty is only to design and build the promenade and to rebuild piers 62-63, using a part of the funding for the viaduct replacement.

So activities in this area, along the promenade and the rebuilt piers 62/63, would need to be supported separately. The Seattle Parks Department is having enough trouble supporting its current operations. But a semi-commercial amusement area, with concession and ride operators paying franchise fees, could support a variety of warm-weather-season activities and at least some off-season events.