måndag 10 juni 2013

Magic Slim - Let Me Love You (Superb Blues Album US 1978)

250:-(24-Bit Limited Remaster Edition. Mycket bra blues.)

Morris Holt (August 7, 1937 – February 21, 2013), known as Magic Slim, was an American blues singer and guitarist. Born at Torrance, near Grenada, Mississippi, the son of sharecroppers, he followed blues greats such as Muddy Waters and Howling Wolf to Chicago, developing his own place in the Chicago blues scene.Magic Slim was forced to give up playing the piano when he lost his little finger in a cotton gin mishap. He moved first to nearby Grenada. He first came to Chicago in 1955 with his friend and mentor Magic Sam. The elder Magic (Sam) let the younger Magic (Slim) play bass with his band and gave him his nickname.At first Slim was not rated very highly by his peers. He returned to Mississippi to work and got his younger brother Nick interested in playing bass. By 1965 he was back in Chicago and in 1970 Nick joined him in his group, the Teardrops. They played in the dim, smoke-filled juke joints popular in Chicago in the 1970s on bandstands barely large enough to hold the band.Slim's recording career began in 1966 with the song "Scufflin'", followed by a number of singles into the mid 1970s. He recorded his first album in 1977, Born Under A Bad Sign, for the French MCM label. During the 1980s, Slim released titles on Alligator, Rooster Blues and Wolf Records and won his first W.C. Handy Award. In 1980 he recorded his cover version of "Mustang Sally".

In 1982, the guitarist John Primer joined the Teardrops and stayed and played for him for 13 years. Releases include Spider in My Stew on Wolf Records, and a 1996 Blind Pig release called Scufflin', which presented the post-Primer line-up with the new addition of the guitarist and singer Jake Dawson.In 1994, Slim moved to Lincoln, Nebraska where the Zoo Bar had been booking him for years. Slim was frequently accompanied by his son Shawn (Lil' Slim) Holt, an accomplished guitarist and singer.In 2003, Magic Slim and the Teardrops won the W.C. Handy Award as 'Blues Band Of The Year' for the sixth time. They released a live performance on CD and DVD in August 2005 entitled Anything Can Happen.Slim died at a hospital in Philadelphia, Pennsylvania on February 21, 2013 at age 75. He had health problems that had worsened while he was on tour several weeks earlier. His manager had stated bleeding ulcers had sent Slim to the hospital, but that he also suffered from heart, lung and kidney problems.In May 2013, Magic Slim was posthumously awarded a Blues Music Award in the 'Traditional Blues Male Artist' category.Magic Slim & the Teardrops proudly upheld the tradition of what a Chicago blues band should sound like. Their emphasis on ensemble playing and a humongous repertoire that allegedly ranged upwards of a few hundred songs gave the towering guitarist's live performances an endearing off-the-cuff quality: you never knew what obscurity he'd pull out of his oversized hat next. Born Morris Holt on August 7, 1937, the Mississippi native was forced to give up playing the piano when he lost his little finger in a cotton gin mishap. Boyhood pal Magic Sam bestowed his magical moniker on the budding guitarist. Holt first came to Chicago in 1955, but found that breaking into the competitive local blues circuit was a tough proposition. Although he managed to secure a steady gig for a while with Robert Perkins' band (Mr. Pitiful & the Teardrops), Slim wasn't good enough to progress into the upper ranks of Chicago bluesdom. So he retreated to Mississippi for a spell to hone his chops. When he returned to Chicago in 1965 (with brothers Nick and Lee Baby as his new rhythm section), Slim's detractors were quickly forced to change their tune. Utilizing the Teardrops name and holding onto his Magic Slim handle, the big man cut a couple of 45s for Ja-Wes and established himself as a formidable force on the South Side. His guitar work dripped vibrato-enriched nastiness and his roaring vocals were as gruff and uncompromising as anyone's on the scene. All of a sudden, the recording floodgates opened up for the Teardrops in 1979 after they cut four tunes for Alligator's Living Chicago Blues anthology series. After that, a series of tough-as-nails albums for Rooster Blues, Alligator, and a slew for the Austrian Wolf logo fattened Slim's discography considerably.the Teardrops weathered a potentially devastating change when longtime second guitarist John Primer cut his own major-label debut for Code Blue, but with Slim and bass-wielding brother Nick Holt still on board, it became doubtful that the quartet's overall sound would change dramatically in Primer's absence. In 1996, Slim signed with Blind Pig and cut some of the most celebrated albums of his career, including Scufflin' in 1996, Black Tornado in 1998, Snakebite in 2000, and Blue Magic in 2002. A live recording taped in 2005 at the Sierra Nevada Brewery was released that same year on both DVD and CD as Anything Can Happen. Tin Pan Alley, a set of recordings made between 1992 and 1998 in Chicago and Europe, was released in 2006 by Austria's Wolf Records. Midnight Blues appeared in 2008, followed by Raising the Bar in 2010. Bad Boy, a collection of covers given the Magic Slim makeover, hit the streets in 2012. However, while on tour with the Teardrops in January 2013, Slim experienced breathing difficulties and was hospitalized first in Phoenixville, Pennsylvania and then in Philadelphia; he died there on February 20, 2013 at the age of 75. 01. That's All Right02. Josephine's (instr)03. As the Years Go Passing By04. Everything Gonna Be Alright05. Let Me Love You (aka Truckload Of Lovin')06. The Things I Used To Do07. That Ain't Right08. Honest I DoBonus:09. Nineteen Years Old 10. Mary Lou 11. Please Love Me

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Om Mini LP CDs

Bra att veta om dessa CDs: Replica CDs are official audiophile releases manufactured in Japan with incredible attention to detail. CDs made in Japan are revered by collectors and specialists for their very clean sound, production quality, and they are superior in nearly every way to pressings from other countries.The Japanese packaging of classic albums in cardboard sleeve miniature is a wonder to behold. Mini-LP CD albums are like precious stones or perfectly cut diamonds.The superb mastering (often SHM-CD, 20 Bit, 24 Bit, K2, DSD, or HDCD) and resultant sound quality is superior to that of MFSL releases.Replicas are often the nearly exact duplications of the first pressings of the 12" LPs and everything that was present in the original LP may be included such as gatefolds, booklets, lyric sheets, posters, printed CD sleeves, stickers, embosses, special paper or inks, and die cuts.In nearly all replica releases a detail sheet is included, and although the text may be in Japanese, the insert will often include the lyrics in English, which is a big plus if the original LP did not include them. Japan promotional strips, also called OBI, are usually included with the package as a way of advertising the CD to the Japanese buying public.On occasion a replica CD will have bonus tracks included that were part of a later CD release. However, the notes about the bonus tracks are never added to the album artwork, only the promotional strip or the detail sheet. Thus the integrity of the original LP artwork is maintained.Replica CDs are not officially for sale outside Japan, but they are worth the trouble and cost to get them. Replica CDs are expensive in Japan. New releases of replica CDs cost anywhere from $30 to $60 a piece and Japanese law forbids putting "new" CDs on sale or selling at any price other than listed on the Obi (promotional strip).Most replica CDs are manufactured in a limited quantity and sell out quite quickly after release. Because of this replica CDs are splendid keepsakes that hold their value and will likely continue to be items sought by collectors.

About Paper Sleeve CD's

The world of paper Jacquet collected the best of technology that Japan is proud of. Work is not only the music, the stunning artwork of the LP era, which has been talked about with its jacket, original color and form, of course, it has been thoroughly reprinted up to the texture and texture of the paper. Especially from the late 60's and 70's, special specification jacket elaborate stiffness are also many announcement, a perfect reproduction of them with miniaturized is also reminiscent of a miniature garden and elaborate model

Flipback Konvolut

Folding the printed paper itself, pasted-made light jacket. This is called because many have been adopted in the United Kingdom (E). Especially works of 60's, laminated in order to give a gloss on the surface (PP stick) has been there are many. Other, form and the back of the upper and lower has been narrowed down, the margin of bonding there are variations, such as flipback cover.

Utvik Konvolut

Open When the jacket of luxury specifications on the inside, such as photos and lyrics are printed. Because it is similar to the photo of the album, there is a theory that began to call the album LP record for singles. Overseas called gatefold. Front and back, medium surface within bag work of Keefe and hypnosis that was designed (to be described later) in a consistent concept is popular. In addition, 2-Disc LP, etc., open state in the double-jacket that there is a pocket for accommodating the LP to the left or right, but what there is no pocket only one with a single thing called a semi-double jacket, double as their generic name - sometimes referred to as a jacket.

Special Konvolut

That of the jacket with a special design / production process in order to get a personality. It has been originally produced on the basis of a certain standard LP is there, spread and may become like the poster, or attach the 3D (three-dimensional), embossed ( embossing) or the processing, die cut (hollowed out) processing or the, that or use a paper that has been with the textured and pattern, the more attractive for the fans It increases. The box set that was bundled a booklet of materials and bonusand, what made a jacket with a special material.

Special Konvolut

Special Konvolut

Relief Konvolut

Exakta Mini Boxar

"Obi" Fliken

Many are wound on the left side of the jacket, that of paper that describes the artist name and title in Japanese. Put the jacket top there is also a variation such as "covering zone". Japan and it is a unique specification, for the listener is often discarded after the purchase, a band with a valuable record LP is popular with enthusiasts around the world as "with OBI". In recent years, the design has been growing number of cases, which is also reproduced in the paper jacket CD.

EXTRA TILLBEHÖR SOM PÅ ORIGINAL LP'.

BONUS KONVOLUTOriginal and different (different) things jacket using the design. Or if the Publisher of the label in the UK and the US different, especially many in the world release of the mid '60s. The SHM-CD / paper jacket of Universal International, for a Def Jacquet title, has been set as much as possible in the form of "bonus paper jacket".

INNERPÅSEThat of the bag to protect the records that are in the inside jacket. Although often nothing of what print is also not pure white, is designed with a jacket and a similar concept, that such as photos and lyrics are printed is reproduced even paper jacket CD. Other, there is also what is referred to as Company Sleeve which has been used the same general-purpose design and other LP that was released around the same time. The foreign Release LP disc was housed directly in these paper bags, Japanese board LP often are housed in clear plastic bag called Shaw Rex.

LÅTTEXTERGeneric name of the hand, adjunct that is not a bag-shaped. Many have described such as musicians, referred to as the ones that are especially me lyrics and lyrics card. Of course, it is the part that is reproduced in the paper jacket CD.

CD ETIKETTPaper label on the center of the record. Rarely in such singles some of which were the direct printing on PVC material. Artist name, album name, music, music creator, the label name is described, the production process, since the time of jacket printing to others not determined the song order is an important part reveal the recording contents. But usually it is used record company common design, there is also a place that changed the design to the each time as Island Records, become material, even for understanding the issue time of record. In addition, there are also those that are designed with a jacket and a consistent concept. The SHM-CD / paper jacket of Universal International, has this label was two-sided printing (AB surface) "label card" as much as possible inclusion.