Posts Tagged ‘Sam Rockwell’

Once again, it’s a brand new episode of The Flickcast. But don’t worry, still not counting them to make sure you know we’re awesome and can deliver a new episode every week. Well, maybe a little bit because, well, we are awesome.

On this week’s show, Chris and Joe talk about a whole bunch of stuff including the return of The Walking Dead, the new Poltergeist trailer, Game of Thrones Season 5, the upcoming Daredevil series from Netflix, the New New 52 and what’s going on with DC comics and a whole lot more, more more. Yep, it’s another long episode, but it’s chock full of good stuff. We hope you enjoy.

Picks this week include Chris’ pick of the new Star Wars comic from Marvel and Joe’s pick of the new TV series Backstrom, starring Rain Wilson.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

Another day, another trailer (or two) for the reboot of a movie you probably loved from the past. Case in point this time is Sam Raimi’s reboot of the Tobe Hooper classic Poltergeist.

To be fair, the reboot isn’t directed by Sam Raimi. The director is actually a guy named Gil Kenan, who’s known for films like Monster House and City of Ember. But since everyone knows Raimi’s name, especially in the horror world, it’s being touted as his film.

Don’t feel too bad for Kenan, though, we’re sure his check cleared and he does get directing credit on the actual film. Plus, we’re reasonably sure he did the job. He’s gonna be okay.

Anyway, the movie looks pretty scary, but also kinda like quite a few other horror movies of late. Still, that’s not necessarily a bad thing.

Check a couple trailer after the break. Look for Poltergeist, starring Sam Rockwell, Rosemarie DeWitt and Jared Harris, to hit screens on July 24.

If it weren’t for the fact that writer/director Martin McDonagh is every bit as handsome as his favorite leading man, you’d think he was going down the Woody Allen vanity route, casting Colin Farrell as his obvious surrogate—a screenwriter named Marty M—in his second feature film, Seven Psychopaths. Fellow Irishman Farrell was also the star of McDonagh’s 2008 sleeper hit In Bruges, which also wove its story around a band of incompetent low-level criminals who accidentally get into the crosshairs of a big time criminal sociopath, played very winningly in that first film by a rewardingly cast-against-type Hugh Grant.

The tone of Psychopaths feels very much the same as Bruges in that Farrell again plays a likable fuck-up (this time an alcoholic screenwriter who is finding it hard to produce a follow-up to his first success) whose loser friend Billy (Sam Rockwell, playing very much TO type here) makes his living through a sloppy dog kidnapping operation that he runs with his mysterious elderly pal Hans (Christopher Walken). Unfortunately, Billy nabs a cute little Shih Tzu who happens to be the darling of his owner, mafia overlord Charlie Costello (Woody Harrelson), and thus begins the chase. A shaggy dog story, indeed.

If you are one of the people who have not been exposed to the splendor that is In Bruges you really ought to do yourself a favor and seek it out post-haste. It has an energy about it that is hard to describe, and until you have seen it you really wont get as excited about Seven Psychopaths as you should be.

Director Martin McDonagh as teamed once again with Collin Ferrell for his next feature, and while the standard trailer does show promise, it is the red band trailer that really cements this as a must see. For those of you new to this project, here is the synopsis:

Everything about the film feels right, from the paring of Farrell with Walken & Rockwell, to Tom Waits with a fluffy white bunny rabbit. Seven Psychopaths just might be a worthwhile successor to one of the surprise best films of 2008.

There’s a breezy charm to Jonah Hill. His nervousness is not on the level of Michael Cera, nor is he as biting a social observer as Seth Rogen. He just eases into the world, fires off some quips, and seems perfectly happy to stay where he is—good enough is good enough, and that’s just fine. Though that’s the roles he plays, I can’t speak much for the guy himself.

Nevertheless, The Sitter recognizes that and enjoys putting him in every situation possible to make him squirm. Jonah plays Noah (both biblical names, and both would be appropriate to describe the character), a 20-something jobless slacker with priors living at home with his single mother. If that weren’t enough, his something of a girlfriend Marisa (Ari Gaynor) refuses to, uh, toss him a lifejacket when he goes swimming below the equator (that’s so vague I’m not sure I even get it). And he’s dad’s a crook who ran away with Noah’s sitter, fathered another child, and runs a successful diamond business while neglecting to pay alimony. Damn.

Through a series of events (what the hell—his mom has a double date, the other couple’s sitter cancels, and Noah’s guilted into filling the role), Noah ends up as sitting for some friends three children, whose personalities range from closeted homosexual (not really a spoiler, since it’s announced in the kid’s first scene), trash-diva-in-training, and Danny Trejo’s illegitimate child—Slater (Where the Wild Things Are‘s Max Records), Blithe (Landry Bender), and the adopted Rodrigo (Kevin Hernandez), respectively.

Since the early 90s, babysitter films have become a lost art. Films like Adventures in Babysitting, Don’t Tell Mom the Babysitter’s Dead, and several others with the occupation in the title have faded away into 80s obscurity. Until now.

The ever mass-changing Jonah Hill has got a brand new movie to promote, in which he’s finally the lead, and he’s the world’s worst babysitter. Here’s the premise:

A comedy about a college student on suspension who is coaxed into babysitting the kids next door, though he is fully unprepared for the wild night ahead of him.

The beauty is in its simplicity, really. Directed by Eastbound and Down creator David Gordon Green, the film will definitely raise a few flags in terms of “child endangerment”, but that may just work in its favor.

Check out the full red band trailer after the jump, and catch Hill in The Sitter on December 9th.

It has cowboys. It has aliens. It has cowboys and aliens. It’s not a bad film. It’s not a good film. It is a movie. That’s a pretty lackluster opener, but, walking out of the screening, I felt almost completely neutral about Cowboys and Aliens–it was like the things I liked and the things I disliked were in perfect balance.

The film doesn’t fail to deliver on anything the title promises, and you can lose count of the standard tropes from either genre that it hits, but it’s tough to maintain the toothy grin I expected all throughout. Though I’m getting ahead of myself.

Daniel Craig plays Jake Lonergan (one of many last names I suspect are puns but am not entirely sure), a notorious outlaw who awakes one morning with a heavy case of amnesia and one hell of a bracelet on his left arm. He makes his way to the nearest town, controlled by the gruff cattle rancher Colonel Woodrow Dolarhyde (Harrison Ford) and his uppity son Percy (Paul Dano), whose favorite pastime is terrifying the community at large and in particular the local bartender (Sam Rockwell) and his wife (Ana de la Reguera).

It’s not long before Jake endears himself to the locals, among them the soused preacher (Clancy Brown), the woman with a secret (Olivia Wilde), and, naturally, the sheriff (Keith Carradine) by punching out Percy, and not long after that that his identity is revealed, and he’s locked up. Still less longer, the aliens arrive, capture a handful of significant townsfolk, and everyone’s differences are set aside as they form a posse to recover the abductees. ‘round about this time, Jake discovers that his bracelet is able to sense the aliens and, better yet, can blow ‘em up real good.

As if yesterday wasn’t a big enough day for trailers, between Green Lantern, Your Highness, and Red Riding Hood, but it looks like the best was yet to come, as the first trailer for Jon Favreau’s Cowboys & Aliens, starring both Daniel Craig and Harrison Ford, hits the web.

Based on the 2006 graphic novel by Scott Mitchell Rosenberg, the story is both classic and awesome. Here’s the official synopsis.

1873. Arizona Territory. A stranger (Craig) with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don’t welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford).

It’s a town that lives in fear. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. Now, the stranger they rejected is their only hope for salvation.

As this gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents–townsfolk, Dolarhyde and his boys, outlaws and Apache warriors–all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival.

Check out the full trailer after the jump and check out Cowboys & Aliens in theaters on July 29th.

Whatever your feelings about director Jon Favreau’s work on the recent Iron Man 2 (for the record both Matt and I enjoyed it but didn’t love it) he’s moving forward with his next project. Not surprisingly, it will also be an adaptation of a comic book. In this case, that would be the comic Cowboys & Aliens written by Fred Van Lente and Andrew Foley.

We’ve brought you info on this film previously, including some casting and script news, and now thanks to DreamWorks Pictures, we can bring you the official synopsis for the film, which is being adapted by scribes Alex Kurtzman, Roberto Orci and Damon Lindelof and stars Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell and Noah Ringer:

1873. Arizona Territory. A stranger (Craig) with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don’t welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It’s a town that lives in fear.

But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known.

This week on The Flickcast Chris is on vacation so Matt teams up with guest host Elisabeth Rappe for all kinds of interesting discussion and debate on lots of different topics. Some of these topics include the new Jonah Hex trailer, Huge Weaving as Red Skull in Captain America, Matthew Vaughn taking on X-Men: First Class and the trailer for a new J.J. Abrams project supposedly attached to screening of Iron Man 2, which hits theaters this Friday.

Matt and Elisabeth also made some new picks this week including Elisabeth’s pick of the Western 3:10 to Yuma and Matt’s pick of the indie Sci-Fi film Moon, featuring Sam Rockwell.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, at Facebook and MySpace or via email.