Three completly different sides of the Kvik project are displayed in this new release. Three 3 inch CDRs that ranges from synth drones to harsher feedback-based manipulations. Linograph stamp created for the cover, stamped in three different ways to create each cover. Wood binded by leather with nails for packaging.

SADE 127 – KVIK – FEEDS – CDR – (For this third release on Brise-Cul, KVIK develops a more mature sound in my sense. This project, that is perhaps the most underrated in Montreal, explores more rythmic structures while keeping on the loud droney sound he’s been pleasing us with for a while. (slight grammatical edits by kvik)

A much different exploration of electronics in which feedbacks are manipulated in pulses and sometimes more complex rhythms. Synth drones complete the picture as background source. This album Attempts to package the sounds that have been the norm in KVIK ina different, perhaps more palatable, guise. These explorations remain with singular focus on the bleak, dark and melancholic spectrum of emotions that has been there from the beginning.