7/2016Hansen Compound Center of Design and Media, Jerusalem, to take place in 7/2016”Cycle of Violence"Cycle of violence – Eitan's solo exhibition based on three installations dealing with violence and power (one-man show)

5/2016Vitrina Gallery, Holon Institute of Technology, Holon, Israel “NO Graphics”Brands of Terror Game - digital game in which the participant obeys the symbols of terrorism and religious fanaticism to progress in the game (group show)4/2016Beit Ha'Ir celebrating the release of the book The Walking Man"Soon I'll get far"During the event: The Walking Man Award for "Urban Activism" ceremony2015Vitrina Gallery, Holon Institute of Technology, Holon, Israel "Still optimistic"Artists in a tribute to Dudu Geva memorial exhibition on HIT Faculty of Design (group show)2015Vitrina Gallery, Holon Institute of Technology, Holon, Israel "Twenty Years Later: Shaping Rabin's Memory"Yigal Tigal - inflatable boxing doll, illustrated with the image of Yigal Amir. The assassin of Prime Minister Yitzhak Rabin.Inflatable PVC (group show)2014Benyamini Contemporary Ceramics Center, Tel-Aviv, Israel "Design Underground"Electric Totem - installation mimics the common modes of display in major electrical appliance stores which present their mass produced products at clearance prices. It incorporates daily appliances, in which Eitan juxtaposed the temporary with the timeless, to create cheap disposable objects made of ceramics. The obsessive use of cheaply manufactured appliances made in China represent the ease with which modern culture dispenses of poorly manufactured productsCeramic casting (group show)

2013Vitrina Gallery, Holon Institute of Technology, Holon, Israel"The Walking Man is Still Walking”The Walking Man retrospective keeps walking and relevance is still maintained, urban activism twenty years ahead of the current social protests and the awakening of urban ecology awareness and activism. The Walking Man has become a cultural icon and fictitious election campaign proved how propaganda and media manipulation can influence public opinion. )one-man show (2013ARS Electronica Festival, Linz, AustriaIL(L) MachineLOVE JUDE - inflatable interactive work affected by the viewer's emotional state as reflected in the measurement of his Heart Rate. The viewer forced to take part in the work by measuring his heart rate – the installation inflates only if the pulse of the observer’s heart proves that he has been moved by the work. Can the creation construct a new image: LOVE JUDE Installation, heart rate sensor, inflatable PVC (group show)

2012A5 Design Magazine.+ Teder Music and Culture Group, Tel-Aviv, Israel "Ritual""100 grams blacks" - Video Installation refers to the Hebrew slang for sunflower seeds, a common snack in Israel sold at local kiosks. In this piece, Eitan slowly spins for a full hour, while cracking, eating and spitting the shells of 100 grams of sunflower seedsVideo projection (group show)

2007Vitrina Gallery, Holon Institute of Technology, Holon, Israel "Cumming Soon"Cumming soon - Painting series confronts the sensational aspect of pornography with aesthetic tools commonly used in design (geometry, typography). The result is a painting series that is both appealing and disturbing at the same time, which succeeds on various levels of interpretationCharcoal oxide on paper (one-man show)

1998 "Reading Power Station" Gallery, Tel-Aviv, andShenkar College of Engineering and Design, Israel "50X50"For the humiliated only - poster on the theme of Israel’s 50th Independence Day in 1998. The theme “50X50” reflects the concept that 50 artists would create posters (group show)

1998Biennale Sculpting Exhibition, Ein Hod, Israel "Humanism 2020"Cut was created in a period of highly charged political tension. The piece was created by cutting the earth’s surface, calling to mind a human cut caused by a sharp razor.natural soil, concrete and oil (group show)

1995Tel-Aviv Museum of Art, Tel-Aviv, Israel"Real Time”"“Koll Israel” (Voice of Israel) - A tin man statue, listening to the radio making noises like those heard before the alarm in the period of the “Golf War” (group show)

1994Ein Hod Biennale, Tel-Aviv, IsraelThe Ein Hod 3 Sculpture BiennaleIt Was, and Is No More, melting ice-statues in the shape of “The Walking Man” were positioned in main junctions and shopping malls in the city, at the entrance to Dizengoff Center as a part of The Ein Hod Biennale 3 Sculpture Biennale (group show)

1990Tel-Aviv, Israel"Solo Expedition"Walking-bikes project, streets installation. Statues of bicycles, whose rear wheel was “The Walking Man”, were displayed in dozens of attention provoking locations all over Tel-Aviv. Accompanied by unique 3 part poster of the Manifesto of this project. Mix media (one-man show)

2. OTHER GALLERY EXHIBITIONS commercial, private galleries etc.

2014Designjunction, London, UK"Ventura Project"Electric Totem - sculpture mimics the common modes of display in major electrical appliance stores which present their mass produced products at clearance prices. The piece demonstrates how modern commercial culture propagates compulsive product consumptionCeramic casting sculpture. (group show)​2011Talent Design Gallery, Tel-Aviv, Israel “Editions # 002”Angry chair - is a blow up of a slingshot - an ancient weapon or a children’s toy. The sculptural creation presents a new use for the weapon as a rocking chair. The piece presents both a child's fantasy and a dangerous weapon. The name of the piece references the popular iPhone game “Angry birds", thereby linking an old object with a contemporary and advanced technological development. Sculpture, wood, rubber, leather and stainless steel (group show)2010Rothschild 12 Gallery, Tel-Aviv, Israel "Neo-barbarism"For My Art - A beggar with a golden arm sculpture touches on a very charged issue in the art world: the relationship between the art work and the need (or the will) to market and sell it - in order to make a living and profit from it. The work does not wait for its viewer's response. Instead, it turns to them, as if asking for their reaction: "donate me", "don't pass by without stopping", "help me create my art", "respond", "get involved"Sculpture, leather, epoxy, aluminum & paper (group show)2010Design Space Gallery, Tel-Aviv, Israel "Tet" Art in TypographyJUDE- the work creates a jarring conflict between the word Jude, with its charged historic meaning, and the light, shallow execution that is unable to contain its burden. The confusing pop inversion (as a re-make of pop artist Robert Indiana’s LOVE) subverts the original and deplorable meaning of the “yellow badge” which was constructed from distorted shards of Hebrew letters to create the word JUDE Inflatable PVC (group show)

2008Rothschild 69 Gallery, Tel-Aviv, Israel ARTLV_08 FestivalVagrancy in the City - Installation of the walking man as part of a series of works in the exhibition on the subject loitering in Tel-Aviv (group show)

2007A5 Design Magazine and Art Saloona Gallery, Tel-Aviv, Israel "Portrait"White stool - Artist and objects are presented in a series of photographs that comprise the piece, situated on a wooden chair that once belonged to Eitan Bartal’s grandmother. The piece is in dialogue with Bartal's personal history and with his attraction to the street, to arbitrariness, to the poeticism of the banal, to disorder as a means of creating order. Life, for him, is not methodical. He has no ordered plan (one-man show)