This largest ever Easter egg hunt launched on 21 February 2012. By participating the egg hunt, you can win an exclusive Diamond Jubilee Egg with 60 fine gems encrusted on this 18 carat gold egg, worth over £100,000! Each egg has a unique keyword at its location, and text this word to 80001 to enter (entries are open until April 3rd). 12 zone maps are available online. You can entry once for each egg, so the more eggs you find, the greater chance you will get to win the prize.

You can be the owner of one of these eggs through their “eggsclusive auctions“; around 30 of the eggs are to be auctioned on March 20, and the others are being auctioned online, with bids closing at 5pm on April 9. If you cannot afford to buy on auction, you can also get the egg goodies including hand-painted miniatures of the Big Egg Hunt eggs, Oyster wallets, tote bags, and Paint-Your-Own-Egg packs at The Big Egg Shop at Selfridges. All profit go to the charities Elephant Family and Action for Children.

This is what I saw. It is made by a sculptor and President of the Society of Wildlife Artists, Harriet Mead. I checked her egg on the website, but I didn’t see the lizard and glass hopper on the actual egg??

One New Changeの1階で見かけた、頭やお尻、そして着ているコートにたくさんのキスマークのついた黒犬の像。これは、メンタルヘルスのチャリティ団体・SANEが、うつ病やメンタルヘルスへの認識を高めるため、「Black Dog Campaign（黒犬キャンペーン）」の一環としてロンドン各地に設置した40体の黒犬の一つ。団体の設立25周年の年に合わせ、昨年7月から今年7月まで行われるこのキャンペーンは、精神疾患の持つネガティブなイメージを払拭し、身体疾患のように誰でもかかる可能性のある病気として一般に認知されることを目的とし、スティーヴン・フライやレイ・デイヴィスなど、自らも精神疾患に悩むセレブなどもサポートしている。

I spotted this black dog statue, wearing coat with lots of ‘kisses’ (also on his head and buttock), on the ground floor in the One New Change shopping mall. This is one of the 40 black dog sculptures placed across London by mental health charity SANE, as a part of a “Black Dog Campaign” to raise awareness of depression and mental health, running throughout the organisation’s 25th anniversary year from July 2011-July 2012. The goal of the campaign is to reduce the stigma surrounding mental illness and to normalise it to be perceived like any physical condition. The campaign is backed by celebrities including Stephen Fry, Ray Davies, Clive Anderson and Rory Bremner.

First coined by the Roman poet Horace, the metaphor of the “black dog” for depression has been used from ancient time to the present day, and is adopted by Winston Churchill to describe his darker mood. Each black dog wears a ‘coat’ designed by celebrities, artists and members of the public, along with a ‘collar of hope’ that gives details of SANE’s mental health helpline. The coat in the photo above is designed by Joanna Lumley, British actress and also known as human rights activist who recently involved in the Gurkha Justice Campaign.

The campaign will culminate in a ‘black dog parade’ this year before the dogs are put on auction to raise funds for mental health.

There will be a charity print sale/auction of photographs, “For Japan,” tomorrow between 6-8pm at Hotshoe Gallery in Farringdon, to raise funds for the long term reconstruction of the tsunami devastated north east region of Japan. The photographs, which evoke and celebrate Japanese culture, were submitted from all over the world, and selected 100 photographs have been on show from August 2 to 5. The proceeds will go directly to the Architecture for Humanity project office in Sendai.

Architecture for Humanity is a non profit organisation which offers building and design support in response to humanitarian and emergency needs. It is working in Sendai on a number of projects including an orphanage, an art and music therapy centre, an ‘urban acupuncture’ initiative to help get small businesses back on their feet to kick start economic recovery on a local level, a small scale fishing village reconstruction (rebuilding along the coastline is not included in the Japanese government’s 10 year plan).

I went to see the “Design” auction on Sept 28 at Phillips de Pury & Company, an auction house specializing in contemporary art, photography, 20-21st century design, art and jewelry. It was my first auction house experience, and I was nervous before I stepped in the auction room, thinking that this kind of auction was filled with well-dressed ladies and gentlemen and I might not fit in. But surprisingly there were many young people sitting on Phillip Stark‘s Louis Ghost Chairs in the auction space and this made me feel more relaxed.

When an auctioneer with French accent introduced a lot projected on a screen, prices in GBP, USD, Euro, CHF, JPY, RUB, and CNY appeared as buyers bids came in and the numbers changed constantly until the price was finalized. Bidders were mainly the professionals occupied a side counter equipped with phone lines, but also people sitting in the auction room who registered in advance and others on the internet and over the phone. The cheapest sale price at the auction was ceramic bowl by John Ward at £1,000, and most expensive piece was snake-shaped “Unique ‘Le Serpent’ carpet” by Francois-Xavier Lalanne at £94,850. There were some pieces that I could afford if I saved up for it, but I lost the sense of money after watching those ever-changing numbers for over 1 hour and half, and it would be dangerous for an amateur like me to involve in the ‘magic’ world of auction.