Melissa Leo

Melissa Leo came to the fore as the lone female in the original cast of one of the most lauded shows in television history, "Homicide: Life on the Street" (NBC, 1993-99). Holding her own amongst the h...
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Leo became the censors' worst nightmare when she uttered to 'f' word during her acceptance speech a year ago and funnyman Crystal was dumbfounded when co-hosts Hathaway and Franco failed to mention it immediately afterwards.
The When Harry Met Sally star, who will return as the Academy Awards shepherd on Sunday (26Feb12), tells Entertainment Weekly magazine, "They didn't say a word! That's when I knew maybe I should come back. It's fun to be out there when moments like that happen.
"You really have to want to be up there (onstage) and those who haven't you could tell they really didn't embrace it the way you have to."
Crystal, who received a standing ovation at the Oscars last year (11) when he stepped onstage to present a tribute to legendary entertainer and fellow Academy Awards host Bob Hope, agreed to lead the 2012 ceremony and telecast when Eddie Murphy dropped out as host late last year (11).

In This Means War – a stylish action/rom-com hybrid from director McG – Tom Hardy (The Dark Knight Rises) and Chris Pine (Star Trek) star as CIA operatives whose close friendship is strained by the fires of romantic rivalry. Best pals FDR (Pine) and Tuck (Hardy) are equally accomplished at the spy game but their fortunes diverge dramatically in the dating realm: FDR (so nicknamed for his obvious resemblance to our 32nd president) is a smooth-talking player with an endless string of conquests while Tuck is a straight-laced introvert whose love life has stalled since his divorce. Enter Lauren (Reese Witherspoon) a pretty plucky consumer-products evaluator who piques both their interests in separate unrelated encounters. Tuck meets her via an online-dating site FDR at a video-rental store. (That Lauren is tech-savvy enough to date online but still rents movies in video stores is either a testament to her fascinating mix of contradictions or more likely an example of lazy screenwriting.)
When Tuck and FDR realize they’re pursuing the same girl it sparks their respective competitive natures and they decide to make a friendly game of it. But what begins as a good-natured rivalry swiftly devolves into romantic bloodsport with both men using the vast array of espionage tools at their disposal – from digital surveillance to poison darts – to gain an edge in the battle for Lauren’s affections. If her constitutional rights happen to be violated repeatedly in the process then so be it.
Lauren for her part remains oblivious to the clandestine machinations of her dueling suitors and happily basks in the sudden attention from two gorgeous men. Herein we find the Reese Witherspoon Dilemma: While certainly desirable Lauren is far from the irresistible Helen of Troy type that would inspire the likes of Tuck and FDR to risk their friendship their careers and potential incarceration for. At several points in This Means War I found myself wondering if there were no other peppy blondes in Los Angeles (where the film is primarily set) for these men to pursue. Then again this is a film that wishes us to believe that Tom Hardy would have trouble finding a date so perhaps plausibility is not its strong point.
When Lauren needs advice she looks to her boozy foul-mouthed best friend Trish (Chelsea Handler). Essentially an extension of Handler’s talk-show persona – an acquired taste if there ever was one – Trish’s dialogue consists almost exclusively of filthy one-liners delivered in rapid-fire succession. Handler does have some choice lines – indeed they’re practically the centerpiece of This Means War’s ad campaign – but the film derives the bulk of its humor from the outrageous lengths Tuck and FDR go to sabotage each others’ efforts a raucous game of spy-versus-spy that carries the film long after Handler’s shtick has grown stale.
Business occasionally intrudes upon matters in the guise of Heinrich (Til Schweiger) a Teutonic arms dealer bent on revenge for the death of his brother. The subplot is largely an afterthought existing primarily as a means to provide third-act fireworks – and to allow McGenius an outlet for his ADD-inspired aesthetic proclivities. The film’s action scenes are edited in such a manic quick-cut fashion that they become almost laughably incoherent. In fairness to McG he does stage a rather marvelous sequence in the middle of the film in which Tuck and FDR surreptitiously skulk about Lauren's apartment unaware of each other's presence carefully avoiding detection by Lauren who grooves absentmindedly to Montel Jordan's "This Is How We Do It." The whole scene unfolds in one continuous take – or is at least craftily constructed to appear as such – captured by one very agile steadicam operator.
Whatever his flaws as a director McG is at least smart enough to know how much a witty script and appealing leads can compensate for a film’s structural and logical deficiencies. He proved as much with Charlie’s Angels a film that enjoys a permanent spot on many a critic’s Guilty Pleasures list and does so again with This Means War. The film coasts on the chemistry of its three co-stars and only runs into trouble when the time comes to resolve its romantic competition which by the end has driven its male protagonists to engage in all manner of underhanded and duplicitous activities. This Means War being a commercial film – and likely an expensive one at that – Witherspoon's heroine is mandated to make a choice and McG all but sidesteps the whole thorny matter of Tuck and FDR’s unwavering dishonesty not to mention their craven disregard for her privacy. (They regularly eavesdrop on her activities.) For all their obvious charms the truth is that neither deserves Lauren – or anything other than a lengthy jail sentence for that matter.
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If Sundance is the studious valedictorian of film festivals, than South by Southwest is the party animal younger broth—who's just as smart (if not more) as his stuffy sibling. Held in Austin, Texas every March, SXSW is a rootin' tootin' celebration of cinema, hosting big Hollywood premieres, the best of the best from Sundance and plenty of off-beat indies primed and ready for discovery. Some of the year's best films premiere at the festival—need I remind you of Kill List—and most make their way to release, making SXSW a festival to keep your eye on.
The line-up for this year's fest has been officially release, and sports highly anticipated movies like Jonah Hill's 21 Jump Street and Cabin in the Woods, the long-awaited meta-horror from Lost/Cloverfield writer Drew Goddard and producer Joss Whedon, the premiere of Judd Apatow's new TV show Girls (written and starring Lena Dunham) and new projects from acclaimed directors like William Friedkin (The Exorcist), Kevin McDonald (Last King of Scotland), Will Ferrell, Jay Chandrasekhar of Broken Lizard and the Duplass Brothers (Cyrus).
Check out the films below and let us know which ones you want to hear more about!
HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with some major and rising names in cinema.
Films screening in Headliners are:
21 Jump Street
Directed by: Phil Lord &amp; Christopher Miller, Screenplay by: Michael Bacall, Story by: Michael Bacall &amp; Jonah Hill
Police officers Schmidt (Jonah Hill) and Jenko (Channing Tatum) get sent back to high school as undercover cops in the action-comedy 21 Jump Street. Cast: Jonah Hill, Channing Tatum, Brie Larson, Dave Franco, Rob Riggle, with Ice Cube (World Premiere)
BIG EASY EXPRESS
Director: Emmett Malloy
Emmett Malloy’s latest film invites us aboard a train ride unlike any other with Mumford &amp; Sons, Edward Sharpe &amp; the Magnetic Zeros and Old Crow Medicine Show.
(World Premiere)
The Cabin in the Woods
Director: Drew Goddard, Screenwriters: Joss Whedon &amp; Drew Goddard
Five friends go to a remote cabin in the woods. Bad things happen. If you think you know this story, think again. From fan favorites Joss Whedon and Drew Goddard comes The Cabin in the Woods, a mind-blowing horror film that turns the genre inside out. Cast: Kristen Connolly, Fran Kranz, Anna Hutchison, Chris Hemsworth, Jesse Williams, Richard Jenkins, and Bradley Whitford (World Premiere)
Decoding Deepak
Director: Gotham Chopra
Filmmaker Gotham Chopra spends a year on the road decoding his father and spiritual icon Deepak Chopra. (World Premiere)
Girls
Director/Screenwriter: Lena Dunham
Created by and starring Lena Dunham (Tiny Furniture), the HBO show is a comic look at the assorted humiliations and rare triumphs of a group of girls in their early 20s.
Cast: Lena Dunham, Allison Williams, Jemima Kirke, Zosia Mamet, Adam Driver (World Premiere)
The Hunter (Australia)
Director: Daniel Nettheim, Screenplay by: Alice Addison, Novel by: Julia Leigh, Original Adaptation by: Wain Fimeri
A mercenary is dispatched from Europe to the Tasmanian wilderness by a mysterious biotech company to search for the last surviving Tasmanian tiger.
Cast: Willem Dafoe, Frances O'Connor, Sam Neill (U.S. Premiere)
Killer Joe
Director: William Friedkin, Screenwriter: Tracy Letts
A garish, Southwestern tale - a violent black comedy about a desperate Texas debtor (Hirsch) who plots to kill his mother with help of his family (Haden Church, Gershon). They hire a crazy Dallas cop who moonlights as a contract killer (McConaughey) to do the job, but Killer Joe asks for their teenage daughter (Temple) as a retainer. The film is based on Pulitzer Prize winner Tracy Letts' (August: Osage County) award winning play. Cast: Matthew McConaughey, Emile Hirsch, Gina Gershon, Juno Temple, Thomas Haden Church (U.S. Premiere)
MARLEY (UK / USA)
Director: Kevin Macdonald
The definitive life story of Bob Marley - musician, revolutionary, legend - from his early days to his rise to international superstardom. Made with the support of the Marley family, the film features rare footage, incredible performances and revelatory interviews with the people that knew him best. Directed by Academy-Award-Winner Kevin Macdonald. (North American Premiere)
NARRATIVE FEATURE COMPETITION
This year’s 8 films were selected from 1,112 submissions. Each film is a World Premiere.
Films screening in Narrative Feature Competition are:
Booster
Director/Screenwriter: Matt Ruskin
When Simon’s brother is arrested for armed robbery, he is asked to commit a string of similar crimes in an attempt to get his brother acquitted.
Cast: Nico Stone, Adam DuPaul, Seymour Cassel, Kristin Dougherty, Brian McGrail (World Premiere)
Eden
Director: Megan Griffiths, Screenwriters: Richard B. Phillips, Megan Griffiths, Story by: Richard B. Phillips &amp; Chong Kim
A young Korean-American girl, abducted and forced into prostitution by domestic human traffickers, joins forces with her captors in a desperate plea to survive. Cast: Jamie Chung, Matt O'Leary, Beau Bridges, Jeanine Monterroza, Scott Mechlowicz (World Premiere)
Gayby
Director/Screenwriter: Jonathan Lisecki
Jenn and Matt, best friends since college who are now in their thirties, decide to have a child together, the old-fashioned way - even though Matt is gay and Jenn is straight. Cast: Jenn Harris, Matthew Wilkas, Mike Doyle, Anna Margaret Hollyman, Jack Ferver (World Premiere)
Gimme the Loot
Director/Screenwriter: Adam Leon
When Malcolm and Sofia’s latest graffiti masterpiece is buffed by a rival gang, these two determined Bronx teens must hustle, steal, and scheme to get spectacular revenge and become the biggest writers in the City. Cast: Tashiana Washington, Ty Hickson, Meeko, Zoe Lescaze, Sam Soghor
(World Premiere)
Los Chidos (Germany / Mexico / USA)
Director/Screenwriter: Omar Rodriguez Lopez
The Gonzales family tries hard to hold on to their beautiful Latino traditions of misogyny and homophobia when a tall, white, industrialist stranger appears, challenging their place in the exploitative food chain. Cast: Kim Stodel, María De Jesús Canales Ramírez, Manuel Ramos, Cecillia Gutiérrez, (World Premiere)
Pilgrim Song
Director: Martha Stephens, Screenwriters: Martha Stephens, Karrie Crouse
A pink-slipped music teacher ponders his stalled relationship and place in the world during an arduous trek across Kentucky’s Sheltowee Trace Trail. Cast: Timothy Morton, Bryan Marshall, Karrie Crouse, Harrison Cole, Michael Abbott Jr. (World Premiere)
Starlet
Director: Sean Baker, Screenwriters: Sean Baker, Chris Bergoch
The film explores the unlikely friendship between 21-year-old Jane (Dree Hemingway), and 85 year-old Sadie (Besedka Johnson), two women whose worlds collide in California's San Fernando Valley.
Cast: Dree Hemingway, Besedka Johnson, Stella Maeve, James Ransone, Karren Karagulian
(World Premiere)
The Taiwan Oyster
Director: Mark Jarrett, Screenwriters: Mark Jarrett, Jordan Heimer, Mitchell Jarrett
Two Ex-Pat Kindergarten teachers in Taiwan embark on a quixotic odyssey to bury a fellow countryman. Cast: Billy Harvey, Jeff Palmiotti, Leonora Lim (World Premiere)NARRATIVE SPOTLIGHT
High profile narrative features receiving their World, North American or U.S. Premieres at SXSW.
Films screening in Narrative Spotlight are:
The Babymakers
Director: Jay Chandrasekhar, Screenwriters: Peter Gaulke, Gerry Swallow
Unable to impregnate his wife, Tommy and friends rob a sperm bank - to get Tommy's long-ago donated sperm back. The crazy plan goes hilariously awry and shows how far a couple will go to create a new life.
Cast: Paul Schneider, Olivia Munn, Kevin Heffernan, Wood Harris, Nat Faxon (World Premiere)
Crazy Eyes
Director: Adam Sherman, Screenwriters: Adam Sherman, Dave Reeves &amp; Rachel Hardisty
Just another story about love.
Cast: Lukas Haas, Madeline Zima, Jake Busey, Tania Raymonde, Regine Nehy (World Premiere)
Do-Deca-Pentathalon
Director/Screenwriter: Jay Duplass, Mark Duplass
Two brothers compete in their own private 25-event Olympics.
Cast: Mark Kelly, Steve Zissis, Elton LeBlanc (World Premiere)
Fat Kid Rules The World
Director: Matthew Lillard, Screenwriters: Michael M.B. Galvin, Peter Speakman
Troy, a depressed overweight teenager, gets sucked into the punk rock world by Marcus, a charming street musician. But when Troy discovers Marcus’ drug addiction, he suddenly must figure out the true boundaries of friendship.
Cast: Jacob Wysocki, Matt O'Leary, Billy Campbell, Lilli Simmons, Dylan Arnold (World Premiere)
frankie go boom
Director/Screenwriter: Jordan Roberts
a flick by bruce about his little brother frank who's a crybaby fuck who shouldn't do lame-ass embarrassing shit if he dozn't want people 2 see it
Cast: Charlie Hunnam, Chris O'Dowd, Lizzy Caplan, Ron Perlman, Chris Noth (World Premiere)
Hunky Dory (UK)
Director: Marc Evans, Screenwriter: Laurence Coriat
From the producer of Billy Elliot comes this funny, coming of age film featuring songs from artists such as David Bowie, Lou Reed, The Beach Boys, Simon and Garfunkel, Dusty Springfield and Electric Light Orchestra. Cast: Minnie Driver, Aneurin Barnard, Danielle Branch, Robert Pugh, Haydn Gwynne
(North American Premiere)
In Our Nature
Director/Screenwriter: Brian Savelson
Taking place over a single weekend, an estranged father and son accidentally end up in the same country house with their two girlfriends.
Cast: Zach Gilford, Jena Malone, John Slattery, Gabrielle Union (World Premiere)
Keyhole (Canada)
Director: Guy Maddin, Screenwriters: Guy Maddin, George Toles
I'm only a ghost... but a ghost isn't nothing.
Cast: Isabella Rossellini, Jason Patric, Udo Kier, Kevin McDonald, Tattiawna Jones (U.S. Premiere)
See Girl Run
Director/Screenwriter: Nate Meyer
What happens when a 30-something woman allows life's "what ifs" to overwhelm her appreciation for what life actually is. Disregarding her current obligations, she digs into her romantic past in hopes of invigorating her present.
Cast: Robin Tunney, Adam Scott, Jeremy Strong, William Sadler, Josh Hamilton (World Premiere)
Small Apartments
Director: Jonas Åkerlund, Screenwriter: Chris Millis
When Franklin Franklin accidentally kills his landlord, he must hide the body; but, the wisdom of his beloved brother and the quirks of his neighbors, force him on a journey where a fortune awaits him. Cast: Matt Lucas, Billy Crystal, James Caan, Johnny Knoxville, Juno Temple (World Premiere)
Somebody Up There Likes Me
Director/Screenwriter: Bob Byington
Time flies for everyone: Thirty-five years in the life of Max, his best friend Sal, and a woman they both adore. A deadpan fable about time sneaking up on and swerving right around us.
Cast: Keith Poulson, Nick Offerman, Jess Weixler, Stephanie Hunt, Kevin Corrigan (World Premiere)
DOCUMENTARY FEATURE COMPETITION
This year’s 8 films were selected from 845 submissions. Each film is a World Premiere.
Films screening in Documentary Feature Competition are:
Bay of All Saints
Director: Annie Eastman
As the last of the notorious water slums is demolished in Bahia, Brazil, will three single mothers face homelessness or rally for a better life? (World Premiere)
Beware of Mr. Baker
Director: Jay Bulger
Ginger Baker is the original rock ‘n roll madman junkie drummer superstar who everyone thought was dead but somehow survived 50+ years of heroin abuse, disastrous experiments and 5 marriages on 4 continents. (World Premiere)
The Central Park Effect
Director: Jeffrey Kimball
The film reveals the extraordinary array of wild birds who grace Manhattan’s celebrated patch of green, and the equally colorful, full-of-attitude New Yorkers who schedule their lives around the rhythms of migration. (World Premiere)
Jeff
Director: Chris James Thompson
A documentary about the people around Jeffrey Dahmer during the 1991 summer of his arrest for the murder of 17 people in Milwaukee. (World Premiere)
Seeking Asian Female
Director: Debbie Lum
When an American man with "yellow fever" meets a Chinese woman half his age online, documenting their attempt to build a marriage from scratch reveals hilarious and troubling complications for the couple and the filmmaker. (World Premiere)
The Sheik and I
Director: Caveh Zahedi
Commissioned by a Middle Eastern Biennial to make a film on the theme of "art as a subversive act," independent filmmaker Caveh Zahedi (I am a Sex Addict) is threatened with a fatwa. (World Premiere)
The Source
Directors: Jodi Wille, Maria Demopoulos
The Source Family was a radical experiment in '70s utopian living. Their popular restaurant, rock band, and beautiful women made them the darlings of Hollywood; but their outsider ideals led to their dramatic undoing. (World Premiere)
Welcome To The Machine
Director: Avi Zev Weider
Upon fathering triplets, filmmaker Avi Zev Weider explores the nature of technology, seeking answers about what it means to be human. (World Premiere)
DOCUMENTARY SPOTLIGHT
Shining a light on new documentary features receiving their World, North American or U.S. Premieres at SXSW.
Films screening in Documentary Spotlight are:
$ELLEBRITY
Director: Kevin Mazur
Renowned celebrity photographer, Kevin Mazur, gives us an all access pass to the life behind the velvet rope and in front of the camera. Candid, revealing and bold interviews with Jennifer Aniston, Sarah Jessica Parker, Jennifer Lopez, Elton John and more, take us inside the blurred lines of privacy, pliable journalism, celebrity, fame and what it feels like to be consumed. (World Premiere)
America's Parking Lot
Director: Jonny Mars
Pull up a front row seat as two die-hard fans of 'America's Team' spend their last season with the Dallas Cowboys at historic Texas Stadium, and scramble to preserve their place in America’s Parking Lot. (World Premiere)
The Announcement
Director: Nelson George
On Thursday, November 7, 1991, Earvin “Magic” Johnson made the stunning announcement that he was HIV-positive and would be retiring from basketball immediately. The Announcement gets to the core of Magic’s incredible personal journey. (World Premiere)
Beauty Is Embarrassing
Director: Neil Berkeley
A funny, irreverent and inspirational look into the life and times of one of America's most important artists, Wayne White. (World Premiere)
Brooklyn Castle
Director: Katie Dellamaggiore
Amidst financial crises and unprecedented public school budget cuts, Brooklyn Castle takes an intimate look at the challenges and triumphs facing members of a junior high school’s champion chess team. (World Premiere)
Code of the West
Director: Rebecca Richman Cohen
Frames a high stakes showdown in the halls of the Montana State Legislature. The future of medical marijuana is at stake. (World Premiere)
Degenerate Art: The Art and Culture of Glass Pipes
Director: M. Slinger
A true document of the art and culture of glass pipe-making. It is the first film to ever bring to light this invisible sub-culture in a comprehensive and well-informed format. (World Premiere)
Girl Model
Directors: A. Sabin, David Redmon
Young Russian girls join a modeling agency to seek work in Japan, but get caught up in an unregulated system that reveals an unseemly side of the fashion industry. (U.S. Premiere)
Gregory Crewdson: Brief Encounters
Director: Ben Shapiro
Acclaimed photographer Gregory Crewdson’s 10-year quest to create a series of haunting, surreal, and stunningly elaborate portraits of small-town American life — filmed with unprecedented access as he makes perfect renderings of a disturbing, imperfect world. (World Premiere)
Just Like Being There
Director: Scout Shannon
Through the eyes of Daniel Danger, Jay Ryan, and the gig poster community, Just Like Being There focuses on poster artists, the music they commemorate, MONDO film posters, fans, bloggers, galleries, collectors and everything in between. (World Premiere)
Scarlet Road (Australia)
Director: Catherine Scott
The film follows the extraordinary work of Australian sex worker, Rachel Wotton. Impassioned about freedom of sexual expression and the rights of sex workers, she specializes in a long over-looked clientele - people with disability. (North American Premiere)
Trash Dance
Director: Andrew Garrison
A choreographer finds beauty and grace in garbage trucks, and against the odds, rallies reluctant city trash collectors to perform an extraordinary dance spectacle. On an abandoned airport runway, two dozen sanitation workers -- and their trucks -- inspire an audience of thousands. (World Premiere)
Waiting For Lightning
Director: Jacob Rosenberg
From the producers of Step into Liquid, comes the story of visionary skateboarder Danny Way, who jumped China’s Great Wall and created a new movement in sport. (World Premiere)
Wikileaks: Secrets &amp; Lies (UK)
Director: Patrick Forbes
The in-depth story of Wikileaks told by all the key players. Sulphurous, personal and moving, it documents history in the making at the lawless frontier of new technology and mainstream media. (North American Premiere)
WONDER WOMEN! The Untold Story of American Superheroines
Director: Kristy Guevara-Flanagan
This documentary examines the fascinating evolution and legacy of Wonder Woman and introduces audiences to a dynamic group of real life superheroes who continue to fight the good fight both on and off the screen. (World Premiere)
EMERGING VISIONS
Audacious, risk-taking artists in the new cinema landscape that demonstrate raw innovation and creativity in documentary and narrative filmmaking.
Films screening in Emerging Visions are:
Black Pond (UK)
Directors: Tom Kingsley, Will Sharpe, Screenwriter: Will Sharpe
An ordinary family is accused of murder when a stranger dies at their dinner table. Stars BAFTA-winner Chris Langham and British Comedy Award Winner Simon Amstell. Cast: Chris Langham, Simon Amstell, Amanda Hadingue, Colin Hurley, Will Sharpe (North American Premiere)
Dollhouse (Ireland)
Director/Screenwriter: Kirsten Sheridan
Five street teens break into a house in a rich Dublin suburb for a night of partying. But games are twisted into something more emotional and ultimately out of control through a series of surprising revelations. Cast: Seana Kerslake, Johnny Ward, Kate Stanley Brennan, Shane Curry, Ciaran McCabe (North American Premiere)
Eating Alabama
Director: Andrew Beck Grace
A quest to eat locally becomes a meditation on community, the South and sustainability. Eating Alabama is a story about why food matters. (World Premiere)
Electrick Children
Director/Screenwriter: Rebecca Thomas
Rachel, a 15-year-old fundamentalist Mormon, believes she's had an immaculate conception by listening to rock and roll. She flees to Las Vegas to escape an arranged marriage, seeking answers to her mysterious pregnancy.
Cast: Julia Garner, Rory Culkin, Liam Aiken, Billy Zane (North American Premiere)
Extracted
Director/Screenwriter: Nir Paniry
A scientist is trapped in the memories of a criminal and must solve a crime in order to get back home to his family.
Cast: Sasha Roiz, Dominic Bogart, Jenny Mollen, Nick Jameson, Brad Culver (World Premiere)
Francine (Canada / USA)
Director/Screenwriter: Brian M. Cassidy, Melanie Shatzky
Academy-Award-winner, Melissa Leo, plays Francine, a woman struggling to find her place in a downtrodden lakeside town after leaving behind a life in prison.
Cast: Melissa Leo, Keith Leonard, Victoria Charkut (North American Premiere)
Funeral Kings
Director/Screenwriter: Kevin Mcmanus, Matthew Mcmanus
For three 14-year-old boys at St. Mark's Middle School, it's always a good day for a funeral.
Cast: Dylan Hartigan, Alex Maizus, Jordan Puzzo, Charles Odei, Kevin Corrigan (World Premiere)
Hard Labor (Brazil)
Director/Screenwriter: Juliana Rojas, Marco Dutra
Helena prepares to open her own business: a neighborhood grocery store. She hires a maid. But when her husband Octavio is suddenly fired from his job, Helena is left to support the family alone.
Cast: Helena Albergaria, Marat Descartes, Naloana Lima, Marina Flores (U.S. Premiere)
La Camioneta - The Journey of One American School Bus
Director: Mark Kendall
On a 3,000-mile adventure across the borders between the Americas, La Camioneta follows the journey of one out-of-service American school bus as it is repaired, repainted and resurrected into a Guatemalan camioneta. (World Premiere)
The Last Fall
Director/Screenwriter: Matthew A. Cherry
An NFL journeyman struggles to deal with life's complexities after his professional career is over at age 25.
Cast: Lance Gross, Nicole Beharie, Vanessa Bell Calloway, Harry Lennix, Keith David
(World Premiere)
Leave Me Like You Found Me
Director/Screenwriter: Adele Romanski
Big trees, broken hearts. The story of a lovesick couple’s breakup &amp; makeup while camping in the wilds of California. Cast: Megan Boone, David Nordstrom (World Premiere)
PAVILION
Director/Screenwriter: Tim Sutton
Max, a quietly troubled 15-year-old, leaves his lakeside town to live with his father on the sun-blasted fringe of suburban Arizona. What begins in a calm and lush environment ends in a drastic, frayed confusion. Cast: Max Schaffner, Zach Cali, Cody Hamric, Addie Barlett, Aaron Buyea (World Premiere)
Sun Don't Shine
Director/Screenwriter: Amy Seimetz
Two lovers, on the back roads of Florida, do very bad things.
Cast: Kate Lyn Sheil, Kentucker Audley, AJ Bowen, Kit Gwinn, Mark Reeb (World Premiere)
Sunset Stories
Directors: Silas Howard, Ernesto Foronda, Screenwriter: Valerie Stadler
When May returns to LA and runs smack into JP, the man she left behind, past and present collide sending them on a twenty-four hour journey in search of what they lost.
Cast: Monique Curnen, Sung Kang, Joshua Leonard, Mousa Kraish, Michelle Krusiec (World Premiere)
Tchoupitoulas
Director: Bill Ross, Turner Ross
Three young brothers' immersive journey into the sensory wonders of the New Orleans night.
(World Premiere)
Thale (Norway)
Director/Screenwriter: Aleksander L. Nordaas
The film revolves around huldra, a mythical, tailed creature, found by two crime scene cleaners in a concealed cellar. Someone’s been keeping her down here for decades, for reasons soon to surface. Cast: Silje Reinåmo, Jon Sigve Skard, Erlend Nervold, Morten Andresen (North American Premiere)
Wildness
Director/Screenwriter: Wu Tsang
A magical-realist portrait of the Silver Platter, a historic bar in Los Angeles that provides a safe space for Latin/LGBT immigrant and queer art communities to come together in love and conflict.
WOLF
Director/Screenwriter: Ya'ke Smith
A family is shaken to the core when they discover their son has been molested. As they struggle to deal with the betrayal, their son heads towards a total mental collapse.
Cast: Irma P. Hall, Mikala Gibson, Jordan Cooper, Shelton Jolivette, Eugene Lee (World Premiere)
24 BEATS PER SECOND
Showcasing the sounds, culture and influence of music and musicians, with an emphasis on documentary.
Films screening in 24 Beats Per Second are:
Amor Cronico (Cuba / USA)
Director: Jorge Perugorria
Weaving footage of singer Cucu Diamantes’ Cuban tour into a fictional love story. The result is an energetic display of her glamorous and infectious performance style and a fascinating portrait of Cuba today.
Cast: Cucu Diamantes, Adela Legra, Liosky Clavero, Andres Levin, Jorge Perugorria (World Premiere)
Bad Brains: Band in DC
Directors: Mandy Stein, Benjamen Logan
How four young men from DC changed music forever. (World Premiere)
Charles Bradley: Soul of America
Director: Poull Brien
The incredible late-in-life rise of 62-year-old aspiring soul singer Charles Bradley, whose debut album rocketed him from a hard life in the projects to Rolling Stone magazine’s top 50 albums of 2011.
(World Premiere)
Daylight Savings
Director: Dave Boyle, Screenwriters: Dave Boyle, Michael Lerman, Joel Clark, Goh Nakamura
After a devastating breakup, musician Goh Nakamura hits the road with his irresponsible cousin to pursue a promising rebound with fellow musician Yea-Ming Chen.
Cast: Goh Nakamura, Michael Aki, Yea-Ming Chen, Lynn Chen, Ayako Fujitani (World Premiere)
Grandma Lo-fi: The Basement Tapes of Sigrídur Níelsdóttir (Iceland / Denmark)
Director: Kristín Björk Kristjánsdóttir
At the tender age of 70 she started making music - and then she couldn't stop! A tribute to the Danish/Icelandic artist and late bloomer Sigrídur Níelsdóttir.
Paul Williams Still Alive
Director: Stephen Kessler
A documentary filmmaker tracks down actor/singer/songwriter Paul Williams in an attempt to find out what happened to his idol. (U.S. Premiere)
Rock 'N' Roll Exposed: The Photography of Bob Gruen (UK)
Director: Don Letts
Iggy Pop, Debbie Harry, Yoko Ono, Alice Cooper, Billie Joe Armstrong and others discuss the incredible life and work of the world's foremost rock 'n' roll photographer, Bob Gruen.
(North American Premiere)
Sunset Strip
Director/Screenwriter: Hans Fjellestad
The 100-year history of the loudest street on the planet, The Sunset Strip. (World Premiere)
Under African Skies
Director: Joe Berlinger
Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he received for allegedly breaking the UN cultural boycott of South Africa designed to end the Apartheid regime.
Uprising: Hip Hop &amp; The LA Riots
Director: Mark Ford
20 years after riots ripped through Los Angeles, Uprising documents how hip hop forecasted – and some say ignited – the worst civil unrest of the 20th century. (World Premiere)
SX GLOBAL
A diverse panorama of international filmmaking talent, including premieres, interactive documentaries and shorts.
Films screening in SX Global are:
BIJUKA (India)
Director: Ashtar Sayed, Screenwriter: Dr. Mahendra Purohit
Inspired by a true event. Scarecrow tells the true story of a young woman who is attempting to escape from an abusive arranged marriage. Cast: Arti Rautela, Amit Purohit (North American Premiere)
Crulic - The Path to Beyond (Romania / Poland)
Director: Anca Damian
The animated documentary feature-length “Crulic – The Path to Beyond” tells the story of the life of Crulic, the 33-year-old Romanian who died in a Polish prison while on hunger strike.
Cubaton - El Medico Story (Estonia / Sweden)
Director: Daniel Fridell
El Medico - a Cuban house doctor who wants to become a cubaton star - is facing a serious choice between serving the state and becoming a popstar. (North American Premiere)
Her Master's Voice (UK)
Director: Nina Conti
Watching someone talk to themselves has never been so interesting. (World Premiere)
ITALY LOVE IT OR LEAVE IT (Italy / Germany)
Directors: Gustav Hofer, Luca Ragazzi
Gustav and Luca, two Italians, have to decide: Should they stay in Italy, or leave it? (North American Premiere)
Mustafa's Sweet Dreams (Greece / UK)
Director: Angelos Abazoglou
Mustafa, a 16-year-old pastry shop apprentice dreams of becoming a famous baklava chef in Istanbul. (North American Premiere)
Pompeya (Argentina)
Director: Tamae Garateguy, Screenwriters: Tamae Garateguy, Diego A. Fleischer
When a film director hires two screenwriters to make a gangster movie, a fiction feast starts: femmes fatales, mobs fighting for the same neighborhood and a limitless hero who defies every movie concept. Cast: José Luciano González, Joel Drut, Chang Sung Kim, Vladimir Yuravel, Miguel Forza de Paul
(U.S. Premiere)
¡Vivan las Antipodas! (Germany / The Netherlands / Argentina / Chile)
Director: Victor Kossakovsky
Haven’t we all wondered at some point what was happening just at this moment beneath our very feet at the other side of the planet?
FESTIVAL FAVORITES
Acclaimed standouts and selected previous premieres from festivals around the world.
Films screening in Festival Favorites are:
Beast (Denmark)
Director/Screenwriter: Christoffer Boe
How long will you go, to hold on to the person you love?
Cast: Nicolas Bro, Marijana Jankovic, Nikolaj Lie Kaas
The Comedy
Director: Rick Alverson, Screenwriters: Robert Donne, Colm O'Leary
Indifferent even to the prospects of inheriting his father's estate, Swanson (Tim Heidecker), a desensitized, aging Brooklyn hipster, strays into a series of reckless situations that may offer the promise of redemption or the threat of retribution.
Cast: Tim Heidecker, Eric Wareheim, James Murphy, Kate Lyn-Sheil, Alexia Rassmusen
Dreams of a Life (UK / Ireland)
Director: Carol Morley
An imaginative quest to go beyond the newspaper reports and solve the mystery of who thirty-eight year old Joyce Vincent was and why she lay undiscovered for three years after her death in one of the busiest parts of London. (North American Premiere)
God Bless America
Director/Screenwriter: Bobcat Goldthwait
Loveless, jobless, possibly terminally ill, Frank has had enough of the downward spiral of America. With nothing left to lose, Frank takes his gun and offs the stupidest, cruelest, and most repellent members of society. Cast: Joel Murray, Tara Lynne Barr (U.S. Premiere)
The Imposter (UK)
Director: Bart Layton
In 1994 a 13-year-old disappears without trace in Texas. Three years later he resurfaces in Spain with accounts of a horrifying kidnap. His family is overjoyed – but all is not as it seems.
Indie Game: The Movie (Canada)
Directors: Lisanne Pajot, James Swirsky
With the twenty-first century comes a new breed of artist: the indie game designer. These innovators design and program their distinctly personal games in the hope that they may find connection and success.
KID-THING
Director/Screenwriter: David Zellner
A fever-dream fable about Annie, a rebellious girl devoid of parental guidance or a moral compass. She roams the countryside looking for adventure, and finds it one day in the form of an abandoned well. Cast: Sydney Aguirre, Susan Tyrrell, Nathan Zellner, David Zellner, David Wingo
Last Call at the Oasis
Director: Jessica Yu
A powerful argument for why the global water crisis will be the central issue facing our world this century.
Lovely Molly
Director: Eduardo Sanchez, Screenwriters: Eduardo Sanchez, Jamie Nash
Exploring the parallels between psychosis, addiction and demonic possession, Lovely Molly tells the story of what really happens before the exorcist arrives.
Cast: Gretchen Lodge, Johnny Lewis, Alexandra Holden (U.S. Premiere)
The Raid (Indonesia)
Director/Screenwriter: Gareth Huw Evans
Rama and his special forces team fight their way through a rundown apartment block with a mission to remove its owner, a notorious drug lord.
Cast: Iko Uwais, Joe Taslim, Doni Alamsyah, Yayan Ruhian, Pierre Gruno
WE ARE LEGION: The Story of the Hacktivists
Director: Brian Knappenberger
We Are Legion takes us inside the world of Anonymous, the radical "hacktivist" collective that has redefined civil disobedience for the digital age.
SPECIAL EVENTS
Live Soundtracks, cult re-issues and much more. Our Special Events section offers unusual, unexpected and unique film event one-offs.
Films screening in Special Events are:
An Evening With Sacred Bones Records
Director: Jacqueline Castel
Brooklyn-based record label Sacred Bones presents an evening of original and curated programming of music videos, short films, works in progress, and a rare screening of their first film production, Twelve Dark Noons. (World Premiere)
Bernie
Director: Richard Linklater, Screenwriters: Richard Linklater, Skip Hollandsworth
Based on real-life events, this dark comedy follows Bernie Tiede, his recently deceased friend Marjorie Nugent and District Attorney Danny Buck Davidson who is determined to get to the bottom of the crime. Cast: Jack Black, Shirley MacLaine, Matthew McConaughey, Brady Coleman, Richard Robichaux
Big Star: Nothing Can Hurt Me
Director: Drew Denicola
A feature-length documentary about the massive critical acclaim, dismal commercial failure, and enduring legacy of pop music’s greatest cult phenomenon, Big Star. (Work in Progress)
Casa de mi Padre
Director: Matt Piedmont, Screenwriter: Andrew Steele
Will Ferrell plays a Mexican rancher who must defend his father's home against the country's most infamous drug lord. Cast: Will Ferrell, Gael García Vernal, Diego Luna, Genesis Rodriguez, Pedro Armendáriz Jr., Nick Offerman
Girl Walk // All Day
Director/Screenwriter: Jacob Krupnick
A feature-length dance music film that combines freestyle dance with the daily chaos of New York City, set to Girl Talk's recent mashup album, All Day. Cast: Anne Marsen, John Doyle, Daisuke Omiya
Re:Generation
Director: Amir Bar Lev
5 DJ's Turn the Table on The History of Music.
Renga (UK)
Directors: Adam Russell, John Sear
A ground breaking feature-length show controlled entirely by the audience using laser pointers. It is the first viable example of a standalone interactive experience capable of running in commercial movie theatres. (North American Premiere)
The Oyster Princess (1919) with original live score by Bee vs. Moth (Germany)
Director: Ernst Lubitsch, Screenriters: Hanns Kraly &amp; Ernst Lubitsch
The Oyster Princess is Ernst Lubitsch’s tart 1919 silent comedy that parodies the rich and the spoiled. Austin jazz/rock band Bee vs. Moth performs their original score live with the film for the first time. (World Premiere)

In the cinematic desert that is the January-February movie-release schedule one gains a greater appreciation for mere competence. And that’s precisely what you’ll get with Man on a Ledge a mid-budget thriller with modest aspirations and genuine popcorn appeal. Sam Worthington (Avatar Clash of the Titans) stars as Nick Cassidy a former New York City cop wrongly convicted for the theft of a prized diamond. After exhausting all judicial avenues for exoneration he takes the unusual and seemingly desperate next step of planting himself on a ledge outside the penthouse of midtown’s Roosevelt Hotel and threatening to jump. An NYPD psychologist (Elizabeth Banks) is summoned to talk him down unaware that Nick harbors an ulterior motive. From his perch above midtown he is secretly orchestrating a scheme to take revenge against the corrupt corporate chieftain (Ed Harris) who engineered his demise and prove his innocence once and for all.
Director Asger Leth making his U.S. feature-film debut with Man on a Ledge keeps the pace brisk and never allows the tone to stray into self-seriousness which is crucial for a movie whose premise is so devoutly ridiculous. The script from Pablo F. Fenjves provides enough feints and twists to keep us engaged. Jamie Bell and Genesis Rodriguez aren’t the most believable of couples but there’s a screwball charm to their comic routine as amateur thieves charged with aiding Nick’s scheme. (Leth can’t resist inserting an entirely superfluous – but nonetheless greatly appreciated – scene of the criminally gorgeous Rodriguez stripping down to a thong in the middle of a heist.) Worthington makes for a likable populist protagonist even if his Australian accent betrays him on copious occasions and Harris’ disturbingly emaciated frame lends an added menace to his devious plutocrat villain.

The actor is hoping to shoot the film in Miami, Florida this summer (12) and admits Lopez is chasing the role of 'Godmother' Griselda Blanco "like crazy".
He tells satellite radio show Sway in the Morning that he's just waiting for a final script before announcing who will join him in the project about the drug trade that swept through southern Florida in the 1970s and 1980s.
And he isn't surprised Lopez is so interested in the role of Blanco - because it could be her ticket to an Oscar nomination.
He says, "It's one of those characters that will go down in history... If I could play Griselda, I would. That's Academy Award (material) right there."
Wahlberg has developed a reputation as a lucky charm for Oscar hopefuls after his The Fighter co-stars Melissa Leo and Christian Bale both won Best Supporting honours at the Academy Awards last year (11).

The 2009 film garnered Oscars for co-stars Christian Bale and Melissa Leo and chronicled the ups and downs of celebrated boxer 'Irish' Micky Ward.
Insiders suggest the follow-up film will focus on Ward's infamous battles with his arch-rival Arturo Gatti.
But it appears David O. Russell will not be back for the film.
Wahlberg tells The Playlist, "We got to do that film before I get too old, so maybe in the next year, year and a half. We have to wait for the script and then we'll choose a director."

Last year director Garry Marshall hit upon a devilishly canny approach to the romantic comedy. A more polished refinement of Hal Needham’s experimental Cannonball Run method it called for assembling a gaggle of famous faces from across the demographic spectrum and pairing them with a shallow day-in-the-life narrative packed with gobs of gooey sentiment. A cynical strategy to be sure but one that paid handsome dividends: Valentine’s Day earned over $56 million in its opening weekend surpassing even the rosiest of forecasts. Buoyed by the success Marshall and his screenwriter Katherine Fugate hastily retreated to the bowels of Hades to apply their lucrative formula to another holiday historically steeped in romantic significance and New Year’s Eve was born.
Set in Manhattan on the last day of the year New Year’s Eve crams together a dozen or so canned scenarios into one bloated barely coherent mass of cliches. As before Marshall’s recruited an impressive ensemble of minions to do his unholy bidding including Oscar winners Hilary Swank Halle Berry and Robert De Niro the latter luxuriating in a role that didn’t require him to get out of bed. High School Musical’s Zac Efron is paired up with ‘80s icon Michelle Pfeiffer – giving teenage girls and their fathers something to bond over – while Glee’s Lea Michele meets cute with a pajama-clad Ashton Kutcher. There’s Katherine Heigl in a familiar jilted-fiance role Sarah Jessica Parker as a fretful single mom and Chris “Ludacris” Bridges as the most laid-back cop in New York. Sofia Vergara and Hector Elizondo mine for cheap laughs with thick accents – his fake and hers real – and Jessica Biel and Josh Duhamel deftly mix beauty with blandness. Fans of awful music will delight in the sounds of Jon Bon Jovi straining against type to play a relevant pop musician.
The task of interweaving the various storylines is too great for Marshall and New Year’s Eve bears the distinct scent and stain of an editing-room bloodbath with plot holes so gaping that not even the brightest of celebrity smiles can obscure them. But that’s not the point – it never was. You should know better than to expect logic from a film that portrays 24-year-old Efron and 46-year-old Parker as brother-and-sister without bothering to explain how such an apparent scientific miracle might have come to pass. Marshall wagers that by the time the ball drops and the film’s last melodramatic sequence has ended prior transgressions will be absolved and moviegoers will be content to bask in New Year's Eve's artificial glow. The gambit worked for Valentine's Day; this time he may not be so fortunate.

The shortlist was revealed on Tuesday (29Nov11), with critically-acclaimed apocalyptic drama Take Shelter and silent movie The Artist leading the way with five nominations each.
Ryan Gosling, Woody Harrelson and Michelle Williams were among the celebrities named in the acting categories - and Smith is fuming the stars of his horror were not recognised.
In a post on his Twitter.com page, he writes, "How the f**k did the SpiritAwards NOT nominate Michael Parks? Nor John Goodman? Nor Melissa Leo? F**k your idiotic organization. FakeIndie."
The winners will be unveiled at a ceremony in Santa Monica, California on 25 February (12).

The trio will join Jeremy Piven, Tony Shalhoub, Jamie-Lynn Sigler, Vincent Piazza, Billy Crudup, Kathleen Turner and Annabella Sciorra, among other big names, for the two-night performance of Sarah Tuft's 110 Stories at New York University's Skirball Center for the Performing Arts (08-09Sep11).
Proceeds from the production will benefit volunteer service New York Says Thank You Foundation.
The play is based on first-person accounts of the 9/11 atrocities in 2001 and Baldwin is honoured to be a part of the show, stating, "My motivation for joining the 110 Stories cast was due in part that it was inspired by getting back to that place of unity and remembering what makes our country great regardless of personal or political point of view."

An unnamed businessman offered up his sprawling Utopia ranch to the cast and crew and invited them to live and film there.
Duvall says, "It was the best location of my career, right at the top. Utopia has the best, blue waters and a beautiful spring river that my wife and Melissa Leo jumped right in in their clothes; it was so inviting.
"They opened their arms to us and the ranch was owned by a very wealthy guy... They gave us full use for filming and they offered us their livestock, motorcycles, horses and places to live while we were filming there.
"The owner built his daughter a French restaurant right in town that was only open for dinner one night a week."
Leo adds, "It was a welcome change from eating tuna fish and chips from craft services... It was amazing."

Featured in independent drama "Black Irish," written and directed by Brad Gann

Portrayed the brassy and controlling mother of nine children, including boxers Micky Ward (Mark Wahlberg) and Dicky Eklund (Christian Bale) in David O. Russell's "The Fighter"

Began working in community theater at age 13 in Brattleboro, VT

Co-starred in drama "The Three Burials of Melquiades Estrada," directed by and starring Tommy Lee Jones

Appeared in CBS miniseries "Scarlett" as title character's kid sister

Briefly left college to appear in world premiere of Tennesee Williams' "Will Mr. Merryweather Return From Memphis?"

Appeared in "Flight," starring Denzel Washington

Played a woman dealing with the death of her daughter in "Welcome to the Rileys"

Co-starred in Henry Jaglom's "Always"

Guest starred on three episodes of Showtime's "The L Word"

Featured in the drama "Prisoners"

Played a Senator's daughter in "Immaculate Conception"

Cast as a civil rights lawyer on HBO drama series "Treme"

Third film with director Henry Jaglom, "Last Summer in the Hamptons"

Made feature debut with leading role in "Streetwalkin'"

Co-starred in HBO's five-part miniseries "Mildred Pierce" opposite Kate Winslet in title role

Re-teamed with Jaglom for ensemble feature "Venice/Venice"

Portrayed Det. Kay Howard on NBC series "Homicide: Life on the Street"

Co-starred with Misty Upham as working class women who turn to illegal immigrant smuggling to make ends meet in "Frozen River"

Featured in "The 24 Hour Woman"

First role as a series regular, playing Emma Shannon on first season of ABC's "The Young Riders"

Played the grieving next door neighbor in "Hide and Seek" opposite Dakota Fanning and Robert De Niro

Summary

Melissa Leo came to the fore as the lone female in the original cast of one of the most lauded shows in television history, "Homicide: Life on the Street" (NBC, 1993-99). Holding her own amongst the heavyweight cast of actors like Richard Belzer and Andre Braugher, she was a standout in a show unappreciated in its time. She went on to carve an indie film niche with acclaimed turns in a raft of films, most notably "21 Grams" (2003) and "Frozen River" (2008). The latter film provided the go-to character actress with a career-redefining role which drew nearly universal accolades and earned her the sobriquet of "actor's actor" from <i>The New York Times</i>. Two years later, Leo would once again find herself on the receiving end of universal critical acclaim with her performance as the tough-as-nails mother of a boxer in the lauded biopic, "The Fighter" (2010). Time and again, Leo demonstrated the uncanny ability to render herself nearly unrecognizable as she surrendered herself to the characters she played. While it may not have made her a household name to the average moviegoer, it undoubtedly cemented her reputation as one of the most respected - and sought after - actresses in American film.