Athematic forms, by contrast, have a suffix ending in a consonant, or no suffix at all (or arguably a null suffix):

*ph₂-tér-s 'father' > English father

*h₁és-mi '(I) am' > English am

For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE: Athematic paradigms (inflection patterns) are more "irregular", exhibiting ablaut and mobile accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar. In the Anatolian languages, which were the earliest to split from PIE, thematic verbs are rare or absent. Furthermore, during late PIE and in the older daughter languages, a number of athematic forms were replaced by thematic ones, as in prehistoric Greek *thes- 'god' versus *thes-o- > Classical Greek θεός (theós).

The Family Way (soundtrack)

The Family Way is a soundtrack recording composed by Paul McCartney, released in January 1967. The album is the soundtrack to the 1966 film of the same name, directed by Roy Boulting and starring Hayley Mills. Produced and arranged by George Martin, the album was credited to "The George Martin Orchestra" and issued under the full title The Family Way (Original Soundtrack Album). A 45rpm single, again credited to the George Martin Orchestra, was issued on 23 December 1966, comprising "Love in the Open Air" backed with "Theme From 'The Family Way'", as United Artists UP1165.

The Family Way won an Ivor Novello Award in 1967. It was remastered and released on CD in 1996 with new musical compositions not on the original 1967 soundtrack album.

The recording took place over November and December 1966, before the Beatles began work on their album Sgt. Pepper's Lonely Hearts Club Band. McCartney's involvement in the project was minimal, according to biographer Howard Sounes, who quotes Martin's recollection that he had to "pester Paul for the briefest scrap of a tune" with which to start writing the score. After McCartney had provided "a sweet little fragment of a waltz tune", Martin continued, "I was able to complete the score."

The Elves call the race of Men Atani in Quenya, literally meaning "Second People" (the Elves being the First), but also Hildor (Followers), Apanónar (After-born), and Fírimar or Firyar (Mortals). Less charitably they were called Engwar (The Sickly), owing to their susceptibility to disease and old age, and their generally unlovely appearance in the Elves' eyes. The name Atani becomes Edain in Sindarin, but this term is later applied only to those tribes of Men who are friendly to the Elves. Other names appear in Sindarin as Aphadrim, Eboennin, and Firebrim or Firiath.

Man (word)

The term man (from Proto-Germanic*mannaz or *manwaz "man, person") and words derived from it can designate any or even all of the human race regardless of their sex or age. The word developed into Old Englishman, mann meaning primarily "adult male human" but secondarily capable of designating a person of unspecified gender, "someone, one" or humanity at large (see also Germanman, Old Norsemaðr, Gothicmanna "man"). More restricted English terms for an adult male were wer (cognate: Latin vir; survives as the first element in "werewolf") and guma (cognate: Latin homo; survives as the second element in "bridegroom").

However, man in traditional usage refers to the species, to humanity, or "mankind", as a whole. The usage persists in all registers of English although it has an old-fashioned tone.

Equating the term for the male with the whole species is common in many languages, for example in French (l'Homme). On the other hand, some languages have a general word for 'human individual' which can apply to people of either gender. German has the general word Mensch (although the grammatical gender is masculine), next to Mann for (adult) male person. Modern Standard Chinese has 人 (/rén/), analogous to the German Mensch, not English Man; the words 男人 (man) and 女人 (woman) are both diglyphs with the gender designations of individuals prefixed before 人.