​Angela has worked in representational and non-objective high relief 3D artworks using a distinctive sculpted cloth process. She is represented in a number of collections in the United States and internationally. Angela has been interviewed by Segmation Art Magazine, and has participated in many juried regional and national exhibitions including Contemporary Art Projects USA - Art Basel Miami, Contemporary Craft Market in Pasadena, Healdsburg Art festival, Sonoma, California, and Wallowa Festival of the Arts, Joseph, Oregon.

Statement ​My work falls into the category of non-objective painting that comes out of the American Mid-Century modern styles such as Abstract Expressionism. I believe that their investigation into the discipline of art is still worthy of continued exploration. By utilizing a different type of traditionally feminine material, sculpted cloth, curvilinear shapes are created and then they are subsequently painted. The final result is a continuous organic textured surface that pushes the viewer into an emotional place of meditation.

"Having always been a tactile person, I loved sticking my hands into materials like clay and paint without a thought. Using my hands to mold glue-soaked fabric and create non-objective abstract work has been an effective way to non-verbally express deeply painful experiences that I have come to terms with over the years because of my artistic endeavors. In 2002, I sat in the museum in front of a highly textured mid-20th century abstract piece with its thick, raised plaster and was so in awe that I, to the dismay of the docent, reached out and touched the ridges and folds of tempting color and texture. I left before I was banned from the museum but on returning to my studio, to my disappointment, I didn’t have plaster or gesso, yet I wanted, or actually needed texture! Having always sewn my own clothes and other necessities, I was in the middle of creating a fifteen-foot, floor to ceiling curtain that begged to be pulled down and glued to the canvas to see what would happen. It was then that the Sculpted Cloth idea began to develop. A texture you want to touch, scale that smacks you in the face, fills you with fascination and a desire to immerse yourself for hours and freely explore the surface of each line and curve.. The wild sensation of constant, repetitive movement and folds of fabric that are reminiscent of the use of drapery in classical art are created with a technique that breaks the boundaries between sculpture and painting."