texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' now that blogger has included the ability to reproduce fonts more accurately, alpha-numeric visual-poetry will be welcomed for consideration. formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...

Saturday, April 27, 2013

Reactions to eternity, empowered by
farewells, interest in bringing sight.

Making; terrorists are going to
call, invested with farewells.

Rage breaks, an exciting adventure
that takes an inviting adventure from the mouth. In the end. Feelings
that could smash creatures. A long time for physical freedom. Shot
through the windscreen. Against writing, an illegal discharge.
Stupidity in a tradition, hot through against writing; an illegal
discharge, into good doubts. And the doubts into the papers happening
to enemies.

The enemies translating most
exciting linguistic developments. The enemies?

Translation is to depart. To depart,
against the past? One could make sense. Rage at rest. Stupidity,
rather. Going to your creature, the soul the word. The malevolent
flash, tricky from power.

sources: discipline, by mary brunton; from the caves and jungles
of hindostan, by helena pretrovna blavatsky; the ashiel mystery,
by mrs. charles bryce; the kings highway, by g p r james;
the affair at the semiramis hotel, by a e w mason: a cardinal
sin, by eugene sue; a crooked path, by mrs alexander; deerbrook,
by harriet martineau; a fair barbarian, by frances hodgson burnett;
emmeline, the orphan of the castle, by charlotte turner smith;
guy livingstone, by george a lawrence; house of the wolf, by stanley
weyman; nancy, by rhoda broughton