CHICAGO – Film is often an expression of our society, either as a depiction of how it really is or how it should be. Few films are as daring as Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri,” which isn’t afraid to show us the state of our society and offer a realistic solution through a grim drama that is as humorous as it is devastating.

CHICAGO – Any blacksmith will tell you that their job is much more than the brute action of slamming a hammer onto steel. There is some finessing and an attention to detail that needs to take place in order to make something truly notable. With Taika Waititi manning the hammer, he takes the “Thor” franchise out from the Dark Ages and into the technicolor light.

CHICAGO – Having lived in both the suburbs and in major cities throughout my lifetime, I can say without hesitation that the suburbs tend to be dull, boring and bereft of creativity. To be fair, it’s not their fault since they’re built for efficiency and with placidity in mind. “Surburbicon” is made in much the same way, becoming the one thing a film shouldn’t be: boring.

CHICAGO – Since the time of early hominids, there has been a battle raging with your side being chosen before you’re even born. It all began when men claimed they were superior to women, forcing women to fight for the right at equality. Unfortunately, it remains as alive in the 70’s, when “Battle of the Sexes” takes place, as it is now.

CHICAGO – Seeing so many films on a daily basis, you would think that I would grow tired of them. I don’t. Instead, I begin to notice the same formulas in films, like the one in “Home Again”. Unfortunately for “Home Again” you’ll spend most of the film wondering just how much longer before you can be the same.

CHICAGO – Separating a performance from the rest of the film is usually an easy task. One may be stronger than the other, or vice versa, but either way, they can be judged individually and as a whole. “Lady Macbeth” proves to be that rare character study where a single performance (from breakout actress Florence Pugh) not only makes the film but essentially is the film.

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CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.