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Ai Weiwei proclaimed that “art is a very important weapon to achieve human freedom.” When examining the civil rights movement, there is no doubt that art played a pivotal role in shaping and advancing the fight for equality. Throughout the era, countless artists reacted to issues of violent racism, segregation, and black identity in the United […]

As explained in Phaidon’s The Art Museum, the world’s most comprehensive exhibition of fine art to be collected and presented in book format (each page is its own gallery room!), Conceptual Art “is not meant to be looked at aesthetically, but to be thought about intellectually.” In the following excerpt, we present 9 distinct approaches to this […]

British minimalist sculptor Rachel Whiteread (b. 1963) is known for her innovative use of negative space as sculptural object. Most renowned for her plaster casts of architectural spaces and utilitarian found objects, Whiteread’s haunting, tomb-like works evoke themes of loss, memory, and invisibility. Whiteread’s work is currently on view at Monnaie de Paris as part of the Women House Exhibition, which […]

Year 2017 saw its fair share of controversies, culture wars, and political upheavals, and in some ways, it seems like the art world has run parallel to mainstream culture more than ever in recent decades. Artists have not only responded to the difficult issues that have come to light this year; some have raised controversy […]

In a 1967 Artforum article titled “Paragraphs on Conceptual Art,” the artist Sol LeWitt gave a simple definition for what would soon become one of the crucial facets of contemporary art in the 20th century and beyond. “In conceptual art,” he writes, “the idea or concept is the most important aspect of the work….The idea becomes the machine that makes the […]

How did we get to where we are today in the realm of fine art? Who were the artists that changed the course of art history and what were the artworks that broke the mold? In Part I of this two-part series we described the advances in Modern art starting with the advent of abstraction and ending […]

Today, art can be almost anything. But there was a time in the not-so-distant past when abstraction was inconceivable, and it was believed that art could only represent something that already existed in the real world. There was a time when an object couldn’t be considered art unless it showed evidence of the artist’s touch. And until […]

The sculptor Carol Bove likes to play with associations and forms as she builds her assemblages of constructed and readymade objects. Time and space to experiment are crucial elements of her process, as is a certain psychological sovereignty—Bove writes that “creating a nonpurposive, free space in which to play and have fun is essential.” Here, the Brooklyn-based artist […]

When a single work at the Metropolitan Museum of Art catches your attention and stops you in your tracks, it can feel like you’ve unearthed a hidden treasure. In Phaidon’s upcoming book The Artist Project: What Artists See When They Look at Art, over 100 artists reflect on this same experience—the moment when an artwork from the Met’s collection overwhelmed […]

The pricing of artworks is not a simple matter. And while the basic economic principles of supply and demand do still apply to the art market, the factors that contribute to an artist’s “supply,” or the availability of their art for sale, and an artist’s “demand,” or how many collectors are willing to buy their […]

Textbooks tend to organize art history chronologically. But what if we re-told art history through color instead? Artspace is publishing a series of articles excerpted from Phaidon‘s Chromaphilia: The Story of Color in Art, each one offering a close look into the history of a single color in its relation to art. Last week we examined red, […]

Artspace Article Published: April 3, 2016: Stretched out alongside the east flank of Central Park like a satisfied cat lying in the sun, the Upper East Side—longtime home to tycoons and celebrities—is still the most luxe neighborhood in New York City, where foreign billionaires plant their money in $100 million manses and ridiculous trend stories […]

Barely a month goes by without the launch of an online initiative that aims to disrupt the art market and bring the “Uber and Airbnb effect” to art transactions. But witness the crowds pacing the aisles at a big-league art fair, or spilling out of the salesrooms during the evening auctions, and the impact of […]

When the influential Museum of Modern Art curator Laura Hoptman claims that she’s “a painting person,” it’s no joke. A veteran organizer of cutting-edge exhibitions, she built her career in part through her insistence on championing the medium, even—or perhaps especially—through its perennial periods of unpopularity and critical disdain. This has earned her both accolades and […]

At an exhibition entitled “0.10” (“Zero Ten”) in St Petersburg in 1915, Black Square (completed in 1913), the first Suprematist work by Kazimir Malevich (1878–1935), hung in the corner of the room, the traditional setting for an icon in an Orthodox Russian home. The artwork was a square canvas painted black. Malevich claimed in 1927 […]

Painting has always served as a kind of laboratory for innovative ways of looking at the world, from the perspectival experiments of Alberti all the way to Impressionism, Cubism, Surrealism, abstraction,Minimalism, et cetera. Painters often saw themselves as an advance guard, pushing a kind of investigation forward in new terrain. Here, you’ve mentioned how in […]

Sculpture has gone through a plethora of transformations in the modern era, from Rodin’s emotionally charged, erotic figures in the 1880s, to Judd’s geometric, stoic forms of the 1960s, to the current anything-goes approach of contemporary sculptors. Naturally, the best (or at least best-remembered) artists use their work to respond to the pressing political and […]

Among radical 20th century art movements (of which there are more than a few), Surrealism is one of the few that’s been able to establish a hold on the popular as well as avant-garde imaginary, in no small part due to the outlandish public persona of its self-proclaimed ringleader Salvador Dalí. What’s sometimes forgotten, however, […]

Despite its status as one of the most widely cited and recognizable art movements to come out of the early 20th century,Surrealism remains (perhaps appropriately) something of an enigma to contemporary art viewers. In some ways, it’s simply too strange—the paintings, sculptures, and writing that the loosely defined philosophy has produced appear to have little […]