~ Phil Legard

Monthly Archives: March 2017

It was a great pleasure to travel to Aberystwyth at the start of the month for the Listen to the Voice of Fire: Alchemy in Sound Art symposium at the National Library of Wales. The day was organised by Dafydd Roberts, of Our Glassie Azoth, and brought together a variety of academics, composers and musicians to explore diverse responses to the theme of alchemy and its relationship with sonic arts. Below are some thoughts on the day – along with a little digression into the music of Radulescu! You can also find photos of the event here.

Prior to proceedings, it was a delight to hang out with Electroscope (in this configuration John Cavanagh, Gayle Brogan and Ceylan Hay aka Bell Lungs), and also to unexpectedly encounter Johann Wlight, whose Gold of a Thousand Mournings, was one of my favourite Larkfall releases from ‘back in the day’. I am pleased to say that he is still making his music, and hope to be able to hear some more sometime soon…

Dafydd Roberts introduced the day, talking about his own interest in alchemy and noise music – as well as his PhD thesis on the work of ‘alchemistical philosopher’ Thomas Vaughan, aka Eugenius Philalethes. The idea of alchemy as the ‘phenomenology of revelation’ also came up, which caught my ear and gave me the title of this post. This segued into a precis of his essay Born out of Chaos [Academia.edu], which connects the aesthetics of Our Glassie Azoth to both the work of Louis and Bebe Barron and cybernetic theory. An interesting connection was also made between the description of alchemy as a ‘history of error’ and the fetishisation of ‘error’ as an aesthetic via databending and glitch music. This reminded me of Kim Cascone‘s attitude that errors somehow upset our reality by confounding our expectations, and can be used as potent jumping off points for creative exploration. The talk of databending also pointed toward sonification, which would be a recurrent theme for many artists over the course of the day, which I touched on as an alchemical idea here, and which Kristina Wolfe has also suggested manifests a sort of contemporary apophatic mysticism.