Billy Walsh, C’est Moi

HOLLYWOOD—Rob Weiss, a writer and executive producer of the popular HBO series Entourage and the inspiration for its bombastic director character Billy Walsh, was sitting outside at the Bourgeois Pig, a dingy coffeehouse at the foot of Beachwood Canyon. He looked wary.

“No thanks, man,” Mr. Weiss said in a Long Island accent unmellowed by almost 20 years in Los Angeles. “That’ll get me too amped up. Who knows what’ll come outta my mouth.” He was wearing black sunglasses and a red U.S. Marine Corps baseball cap turned backward, and fingering an unlit Romeo y Julieta cigar.

Mr. Weiss’ nervousness with the press dates back to his days as the badly behaved writer-director of Amongst Friends, a film about young, affluent, aspiring gangsters (“Goodfellas meets Metropolitan”) that was the darling of the 1993 Sundance Film Festival. The film put Mr. Weiss, then 26, in the full glare of the media spotlight (he was photographed by Annie Leibovitz and Bruce Weber), but his self-important, swaggering tough-guy persona didn’t always come across well in print.

In one profile published in now-defunct Premiere magazine, Mr. Weiss, a former club promoter and dropout of the New School’s film program, coyly suggested—or at least did not deny—that he may have killed someone. He told The Observer he was misquoted, though, he allowed, “I’ve had some interaction with some unsavory characters in my life.”

Mr. Weiss does not deny that he has—or had—a temper; he once shut down the set of Amongst Friends over a lost cellphone and admits to“massive, screaming” fights with Mira Sorvino, who starred in the film. Now such youthful antics are being immortalized on the small screen via the fictional “suit”-hating auteur of Queens Boulevard and Medellin.

“We came up with the idea of putting a director in, and I wanted it to be Rob Weiss,” said Doug Ellin, the show’s creator, who went to high school with Mr. Weiss in the Five Towns section of Long Island and described him as “an extremely funny, slightly crazy, good-looking nutjob.”

In recent months, Billy Walsh has emerged as a surprise standout among Entourage’s ensemble of scenery-chompers, so much so that while the plan was to write him into five or six episodes this season, he will end up in nine or 10. According to Mr. Ellin, the character was becoming so dominant that he has received notes from HBO executives, warning him to “be mindful” about not overshadowing the show’s core cast: the buddy-family quartet of Vince, Drama, Turtle and “E,” and agent d’horreur, Ari Gold.

Mr. Ellin stressed that his own experience as a novice director (credits include Phat Beach) also informed the Walsh character, along with reading about Directors Gone Wild in books such as Final Cut and The Devil’s Candy. “I’ve taken all the crazy stories I’ve ever heard about directors,” he said, sitting in his Beverly Hills office, his blue and gold LeBron James Nike sneakers (“I only wear Nikes”) propped up on a coffee table. The Entourage episode in which a documentary filmmaker visits the haywire set of Medellin in South America was “an homage to Hearts of Darkness”—the documentary chronicling Francis Ford Coppola’s breakdown while making Apocalypse Now.

Nonetheless, it is Mr. Weiss who lies at the heart of Billy Walsh. And it’s not the first time filmic homage has been paid. He appeared as himself in Barry Levinson’s movie Jimmy Hollywood and surfaces, less flatteringly, in John Pierson’s indie-world tell-all Spike, Mike, Slackers and Dykes as, among other things, a “posturing director” and “Vanilla Weiss.” (Mr. Weiss had a falling out with Mr. Pierson in the aftermath of Amongst Friends, for which Mr. Pierson provided financial backing. “I have bad feelings about that guy,” he said of Mr. Pierson.)