As he points out, the fiction of a corpulent Christ is not as plausible as that of a video-arted Annunciation that displays the tromperie at work behind angelic illusion, while the modern visage of a placid Jerusalem presents itself as chrnological partner to Andy Warhol’s notorious Brillo Box in a kind of pluralistic regression. Altogether, Carrier’s miniature cycle of reviews comes at the perfect time, and is a welcome enrichment of holiday festivity.