This late summer scene from Blackhope Glen near Moffat was from shortly after sunset. The sky was illuminated in pastel colours and throwing a vibrant glow across the hills. The 20 cm x 15 cm print using 8 pigment inks is on 300 gsm cold press (NOT) textured watercolour paper and mounted in an acid free bevel-edged 25 x 20 cm white card mount.

Seen from the Caledonian MacBrayne ferry on a September evening approach to Castlebay, Kisimul Castle and the eponymous island in the foreground, the town of Castlebay beyond, with the island's highest mountain, Heaval soaring into the mists.

On an autumn evening when the rain was lashing at the window, it seemed appropriate to light a candle and enjoy a glass of wine. Serendipity threw some great shadows and reflections so I resisted drinking the glass dry and made an image by the light of the off picture candle casting its own reflection in the wine glass, which in its turn was casting a shadow across the wall.

From between the pillars at the door to the Glasgow Museum of Modern Art on Queen Street, the Equestrian Wellington Statue, seen with its customary traffic cone on top, and with a banner 'Pollution Zone' ! In the background, Ingram Street, and the early afternoon shoppers and workers hurrying by.

A wonderful view of Staithes in North Yorkshire, seen in the early afternoon of the 10th August 2017. The scene from the footbridge over Staithes Beck is up-river towards the houses overlooking the inner harbour and the boats waiting for the sea to float them.

A different view of the abbey, seen at sunset one evening in April 2017. The scene from the field towards the ancient abbey captures the sun behind one of the crosses in the adjacent cemetery.
The 20 cm x 15 cm print using 8 pigment inks is on 300 gsm cold press (NOT) textured watercolour paper and affixed to an acid free bevel-edged 25 cm x 20 cm white card mount.