From Publishers WeeklyKate Talkingtree, the 57-year-old writer protagonist of Walker's latest
concoction, is a lifelong seeker after enlightenment in the carnal, political
and religious realms. After dreaming of a dry river, she decides to take this as
a spiritual clue and makes two river-centric spiritual quests. In one, she
embarks on an all-female white-water rafting trip down the Colorado River,
coming home to her boyfriend, Yolo, a painter, with potentially startling news.
She has decided that it is time to give up her sexual life and "enter another:
the life of the virgin." Yolo, a feminist-friendly guy, takes this as well as he
can. Soon Kate is off on another quest, this time in the Amazon rain forest,
where she hopes to heal herself through trances induced by yag‚ administered by
an Amazonian shaman, Armando Juarez. Yag‚, a hallucinogenic beverage, is also
known as Grandmother to the native peoples. Indeed, it turns out that Kate's
Grandmother archetype-representing the Earth, the ancestors and those violated
by patriarchy and racism-has been calling out to her. Meanwhile, Yolo, on
vacation in Hawaii, encounters a transsexual Polynesian shaman, or Mahu, who
charges him with the mission of giving up addictive substances. A subplot
involving corporations conspiring to patent yag‚ creates an unintended irony:
isn't the mindset that exploits native wisdom for Western corporate greed
similar to the mindset that exploits native rituals for the sake of Western
spiritual "healing"? Luckily, followers of the goddess, and presumably Walker's
readers, are not very keen on irony. Those who retain some affection for that
hopelessly outdated and patriarchal trope are advised to bypass this inflated
paean to the self.