Alberto Lezaca's 2015 painting, La Densidad Del Reflejo, presents neutrally colored geometric masses, evocative of Utopian modern architecture, against flat, taped, vertical stripes. While the aesthetic of Lezaca's work appears modernist, his pictures do not exist for their own sake. His forms are signifiers in paintings that are to be read rather than experienced. This exhibition illustrates the divide between an era of investigative expression and one of informed discourse.