Friday, February 16, 2018

Various Artists-Altered Sweet: A Tribute to Matthew Sweet. Futureman Records' Keith Klingensmith knows his way around a tribute album, and 2016's Sloan tribute was one of the best of the genre. So to say this project covering another power pop luminary with a long track record of quality music was widely anticipated in the power pop community is a bit of an understatement, and unsurprisingly Futureman comes through here again. Like the Sloan tribute, Altered Sweet has a lineup dominated by artists I've featured on these pages, so the winning tribute formula of "songs you like covered by artists you like" is clearly present here.

Although Sweet has been active since the mid-to-late 80s and remains so through today, the bulk of the covers here are from his peak creative period in the 90s from Girlfriend through In Reverse. The title track of the former is probably Sweet's best-known track and Michael Carpenter (a master of covers himself with some 6 covers albums under his belt) does the honors here with a straightforward version. Lannie Flowers is a great choice for Girlfriend's jangle pop classic "I've Been Waiting", while Phil Ajjarupu has a breezy take on "Thought I Knew You" and the man with the plan, Klingensmith, handles the ultimate "feeling sorry for yourself" song "You Don't Love Me" with class. But as beloved as Girlfriend is, my favorite Sweet album is 1995's 100% Fun* and it too is well-represented here, with Greg Pope's vintage low-fi power pop making "Not When I Need It" sound like one of his own, Gretchen's Wheel's "Walk Out" sounding like a lost Aimee Mann track, and in the most radical re-imagining of the collection Simple Friend delivers an acoustic boy-girl folk-pop version of "Sick of Myself", one of Sweet's more heavier rocking tracks, proving its melody works well in either genre. 1997's Blue Sky on Mars is represented by Andy Reed's faithful reading of "Where You Get Love" complete with synths, while fellow Michiganer Nick Piunti tackles "Behind the Smile" with the guitars front and center and The Well Wishers rawk on "All Over My Head". And 1999's In Reverse (Sweet's most underrated album in my opinion) finds Paranoid Lovesick giving us a punchy version of "What Matters" and Donny Brown coming through with an excellent cover of my favorite Sweet ballad, "Hide".

Interestingly Altered Beast, the album from which the tribute derives its title, only has three covers here - Elvyn puts their jangly roots-pop stamp on "Time Capsule", Nick Bertling has a heavy version of "Falling" and Chris Richards & The Subtractions does Sweet proud with "Someone to Pull the Trigger". Also by my count, only 4 of the 27 covers come from outside those 90s albums: Trolley reaches back to 1986's "Inside" with "Quiet Her", The Hangabouts un-Earth "When I Feel Again" from 1989's Earth, Fireking offers "Dead Smile" from 2003's (originally Japan-only) Kimi Ga Suki, and Arvidson & Butterflies mines 2008's Sunshine Lies for "Byrdgirl", which is more rocking and less jangly than the title implies.

Futureman has hit another home run here, and I can only look forward to whatever artist Klingensmith turns his attention to next. (I helpfully suggested Marshall Crenshaw to him on Twitter, but we'll just have to see).

*I may have mentioned this elsewhere, but the title "100% Fun" was Sweet's response to those who criticized Altered Beast for being "too dark" (it certainly wasn't the followup to Girlfriend many were expecting). And after Blue Sky on Mars wasn't well-received by the critics, Sweet responded on In Reverse with the none-too-subtle "Write Your Own Song", giving him the title of thinnest-skinned popster since 1970s Billy Joel.

Friday, February 02, 2018

Mark Lane-New Memory. LA singer-songwriter Mark Lane doesn't release new music often, but when he does it's worth paying attention to. New Memory is only his third release in the last 14 years (after 2004's Golden State of Mind and 2012's Something New) and it's a pop gem that should place highly on 2018's year-end list*. Lane's Bandcamp page categorizes his sound as "classic pop" and the opener "Takin' That Ride" recalls Teenage Fanclub while the looping piano-based melody of "Something Grand" channels Harry Nilsson. Elsewhere, "Too Far into You" sounds like Gerry Rafferty jamming with Tom Petty, the 6-minute "Goodbye" (which is not the last track on the album) bears the influence of Lennon and Elvis C, and the title track is propulsive pop. New Memory is a tour-de-force of 70s singer-songwriter styles and definitely worth a listen.

*Yes, technically this was a 2017 release but it came out about a week before the end of the year so I'm going ahead and counting it for 2018.

Andy Reed & Jason Reed-Make Your Move. Andy Reed needs little introduction to AbPow readers with his long history of releases and involvement in the Michigan power pop "mafia", but here he introduces brother Jason to the mix on a new EP. They originally billed themselves as The Reed Brothers on the advance single "Left to Right" but it turned out there were some other musicians known as The Reed Brothers so they simply went with their full names. Whatever they're called, it's an interesting EP that of course fans of Andy Reed will want to hear. The moody, midtempo "The Longest Pause" opens the EP (but with only a pause of 6 seconds before the music starts) while the aforementioned "Left to Right" brings another brother combo, The Finn Brothers, to mind with its quirky melody. "The Welcoming Song" and "Find My Way Back Home" are a pair of anthemic, semi-ethereal tracks, and the EP closes with Jason at the mic on "Make Your Move", an 80s-influenced synth rocker. A bit off the beaten path for Andy Reed here, but an interesting and enjoyable diversion nonetheless.