Faith in Science Fiction and Fantasy

T18: Submission Guidelines

(When the blog gets going, the original post will be pushed farther into the archives, so here’s the permanent spot for the Call for Submissions, now with Submission Guidelines from Edge Books.

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Well this is an all new topic for Tesseracts! And possibly a completely new topic for an anthology: a multi-faith, creative faith anthology of science fiction and fantasy. Who would have thought?

Here’s our thoughts on that kind of anthology:

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Jacob wrestled with an angel in the night, earning him the name “Israel”, which means “struggles with god.” Buddha wrestled, and the hero of the Mahabarata wrestled too. Wrestling is a part of faith. Having a faith can help immensely with struggles in our lives, but we also must struggle against the rules, the boundaries, and the very doctrine at times. We all wrestle with our cultures and our gods, whether we believe in them or not. Faith is not passive. Human progress has relied on brave souls willing to challenge convention through their beliefs. And faith is not separate from Fantasy and Science Fiction. Fantastic elements are integral to all major faiths–they have their gods, fantastic creatures, miracles, blessings, power and magic. We continue that journey into space, possibly encountering worlds with their faiths. Since our cultures all began with fantasy and struggling with faith, Tesseracts 18 will continue the Science Fiction and Fantasy tradition of wrestling with Faith, without declaring all-out war.

The anthology will include a diverse representation of both real-world religions and faiths of fictional cultures. Instead of looking to pass historical or cultural judgement, it will feature character-driven stories including faith, doubt, miracles, spiritual journeys, and diversity of opinion within a faith. It will avoid blanket stereotypes of faith-based cultures. We’d love to see faith surprise us, and surprise science fiction and fantasy readers.

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Some questions we think naturally come from this:

How does Faith inform a culture, change a culture? What does it mean to really believe? What kinds of religions and faiths are out there in the universe? How does faith play out already through established fantasy cultures? How can people keep believing, sometimes with very little evidence? Or is there evidence that is so personal, it is never shown to others? How does faith effect an individual, a family, a city, a society, a race, a conflict, love?

Starting soon, we’ll start posting conversations about how science fiction and fantasy has dealt with faith and religion in the past—just to be able to talk about where we’ve come from, how those representations challenge the genre or challenge readers and writers.

Mostly we just want to create a conversation about faith in fantasy and science fiction–in all its diversity! PLEASE join us. We’ll talk a blue streak with ourselves, but we’d just as soon have as many voices as possible in this conversation.

SUBMISSION DETAILS:

This anthology will include as diverse a representation of both real-world religions and faiths of fictional cultures as possible. Stories should not be looking to pass historical or cultural judgment, instead they should feature character-driven plots that include faith, doubt, miracles, spiritual journeys, and diversity of opinion within a faith. Please avoid blanket stereotypes of faith-based cultures. The editors want to “see faith surprise us”, as well as “surprise science fiction and fantasy readers”.

The Tesseracts Eighteen anthology will reflect as broad a spectrum of stories as possible; highlighting unique styles and manners.

The maximum length for stories is 5,000 words, with shorter works preferred.

The Tesseracts anthology series is only open to submissions from Canadians, landed immigrants living in Canada, longtime residents of Canada, and Canadian expatriates living abroad.

Canadian authors who write in languages other than English are welcome to submit an English translation of their work, provided it otherwise falls within the parameters of this anthology. Translation into English is the sole responsibility of the author. Please supply details of original publication for any submission that originally appeared in a language other than English.

Emails MUST contain the word “submission” in the subject line, or they will be deleted automatically by the server. Please also include the story title in the subject line.

Submissions MUST come in an attachment: only .RTF and/or .DOC formats are acceptable.

Emails MUST contain a cover letter in the body of the email; for security reasons, email attachments with no cover letter will be deleted unread and unanswered.

Cover letter: include your name, the title of your story, your full contact information (address, phone, email), and a brief bio. If you do not live in the place where you were born, please also include your place of birth.

Do not describe or summarize the story.

If your address is not within Canada, please indicate in the cover letter your status vis-à-vis Canada.

Reprints (stories having previously appeared in English in any format, print or electronic, including but not limited to any form of web publication) can be considered but will be a hard sell; reprints must come from a source not easily available in Canada. If your submission is a reprint, please supply full publication history of the story. If your story appeared previously, including but not limited to anywhere on the web, and you do not disclose this information to the editor upon submission, you will be disqualified from consideration.

Submission format: no strange formatting, colour fonts, changing fonts, borders, backgrounds, etc. Leave italics in italics, NOT underlined. Put your full contact information on the first page (name, address, email address, phone). No headers, no footers, no page numbering. DO NOT leave a blank line between paragraphs. Indent paragraphs. ALWAYS put a # to indicate scene breaks (a blank line is NOT enough).

ALWAYS include your full contact information (name/address/email/phone number) on the first page of the attached submission.

Payment for short poetry is $20.00. Payment for short stories is prorated as follows: $50 for stories up to 1,500 words, rising to a maximum of $150 for stories up to 5,000 words (longer stories are paid a slightly higher fee, but in order to exceed the word length limit of 5,000 words, the editors must judge a story to be of surpassing excellence.)

Rights: for original fiction, first World English publication, with a two-month exclusive from publication date; for all, non-exclusive anthology rights; all other rights remain with the author.

Spelling: please use Canadian spelling, as per the Canadian Oxford Dictionary.

Response time: initial responses (no / rewrite request / hold for further consideration) will be prompt, usually within fifteen days. Please query if you’ve not heard back within 30 days. Final responses no later than 15 February 2014.

Submit only one story or poem. Multiple submissions will not be accepted.

Like this:

Unfortunately I accidentally erased a comment here about multiple submissions. At this time, due to the volume of submissions, we ask that you send only one story or one poem. Not one of each and not more than one. Thanks!