»Among [the first-class soloists] was Canadian soprano Theresa Plut, whose dramatic capabilities for the role of Gretel included the essential childishness and authenticity, to which her mature, register-rich voice complimented perfectly.«

»The soprano Plut dominated in the second half of the concert. Händel’s Aria »I know that my Redeemer liveth« rose touchingly above the strings and cembalo. Clear, with a soft timbre and touching Tristesse, the soprano transported the lamenting Aria of Bachs farewell cantata […] Upon the Aria »Ricetta gramezza e pavento«, which oscillates between plead and confidence, shouts of »Bravi« broke out once again throughout the Bosco Hall.«

„The soprano (Theresa Plut) and tenor (Dieter Wagner) had especially difficult arias to create. The soprano managed the top register brilliantly. She created her role mainly through the exactness of her voice itself.“

»And the clarinettist Marc Bätscher, but also the soprano Theresa Plut were esteemed because of the quality of their interpretation. The soprano revealed herself wonderfully through her musicality and absolutely excellent expressivity of the chosen Art Songs.«

»Then one saw the mythical Island Hierakon, felt Nature’s powers, gently – merciless, and heard, above it all floating, spherically carried away, the voice of Theresa Plut, who described »the world in you, so near and yet so far«. The unbelievable top notes, which her voice controlled, shifted the listeners in her Encore once again to enchantment. […] The musicians’ dream of a white Christmas swung in their Encore and the soloist sang »Silent Night« so heartfelt, it made one shudder.«