This body of work imagines alternate histories; worlds in which the idealism of such early 20th Century art movements as Suprematism, Constructuvism, and De Stijl have been implemented as the complete cultural revolutions that their manifestoes demanded. What happens to revolutionary zeal and the fervent desire to forge a New Humanity over the course of decades and in the face of seemingly immutable human nature? The specter of the Soviet Union’s doomed experiment in compromised ideals helps to inform these dystopian visions. Here we find Imperial cities on the verge of decline, dominated by geometric edifices in primary colors, and over-flown by menacing architectonic drones. Worlds very different from those exhorted by artistic doctrine, but also not unlike our own world today.