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I enjoyed this talk from long-time Singaporean diplomat Bilahari Kausikan for its relatively objective view of the peculiarities of both the US and China, and how it roots the difficulties the two countries have in their respective sense of identity. I’ve pulled out some of the key passages below:

The essential source of American and Chinese nationalism is a sense of exceptionalism; the US and China both consider themselves exceptional countries. But the conclusions they draw are different.

America is an inclusive culture that wants everyone to become like it and believes that the world would be a better place if this were so. … China’s rise has been psychologically unsettling to many in the West because in China, capitalism flourishes without democracy. This is regarded as unnatural and illegitimate because it punctures the western myth of the universality of its political values and of the inevitability of the development of political forms similar to its own. Unlike the former Soviet Union, China cannot be dismissed as an economic failure and thus challenges in a very fundamental way the western sense of self which assumes its political and moral superiority as a key element. …

I think the US knows that preservation of CCP rule is the most vital of Chinese core interests and is reluctant to endorse this explicitly. The US deals with the CCP pragmatically; it has no choice. But to invest CCP rule with legitimacy requires a redefinition of American values, including a de facto abandonment of the idea of universality that is apparently too painful to bear. …

China has an exclusive culture that rejects the notion that anyone could become like China as impossibly pretentious. To China, the best others can do is humbly acknowledge China’s superiority and the sooner we do so the better for everyone.

This is a very ancient and deeply ingrained feature of China’s approach to international relations. Throughout its history, China took great pains to preserve the forms of its centrality, at least in its own mind, even when the facts were otherwise. It never lost its sense of superiority even when powerless before the West and Japan. Now that China has re-emerged as a major power, this sense of superiority has become the underlying cause of the difficulties in China’s relations with many countries. The attitude that China is entitled to have its superiority acknowledged and that failure to do so can only be due to recalcitrance or ill-intention, is why I think China will always suffer a deficit in ‘soft power’ and evoke resentment. …

One of the basic functions of diplomacy is to see the world through your competitors’ eyes in order to understand the frame of reference he is operating within, and thereafter one of the basic purposes of statecraft to use what means are available and appropriate to manoeuvre him into your preferred frame of reference or if this is not possible, to operate within the same frame in order to achieve your purposes. A stable modus vivendi can only be reached if all parties are operating within the same frame of reference. Are the US and China operating within the same frame of reference? I think they do substantially but not entirely and therefrom arises the complexity and risks of the relationship. Can they be brought within a common framework? That is not yet clear. …

If a new modus vivendi requires the US to acknowledge that different political systems can have their own legitimacy, it requires China to resist the temptations of triumphalist nationalism.

There’s a lot more, but I had to condense more than usual to keep this post from getting too long; a transcript and video of the full talk is at the link.

I know I’m late to the party on this one, but hey, I live in China. I finally watched Spotlight this weekend, mere hours before it won Best Picture, and boy howdy is it fantastic. All the things the reviews say are true: An unbelievable cast, full of stars but without showboating. A hugely emotional and compelling subject. A timeless portrayal of how a society tries, laboriously, to correct itself.

But what really grabbed me about the film was that so much of it is about research, about finding things out. Usually research in films is reduced to eureka moments or the mysterious workings of ineffable genius. In Spotlight, we see exactly how the reporters figured it out, step by step. There is brilliant, gripping drama in the reporters getting access to the right public records, and in learning where to find and how to use a crucial data source (an early use of data journalism in fact plays a big role in the story). It is visually low key–no confrontations, chases, explosions. But few movies have so successfully dramatized this process–at the end, you share the reporters’ satisfaction in having uncovered the pattern.

This aspect of the film seems to have also resonated with a lot of journalists. Here’s Ty Burr of the Globe:

Actually, one of the reasons that “Spotlight” is so deeply, absurdly satisfying to this newspaper writer — and to most of those I’ve spoken with, at the Globe and elsewhere — is that Tom McCarthy’s movie doesn’t turn its journalists into heroes. It just lets them do their jobs, as tedious and critical as those are, with a realism that grips an audience almost in spite of itself. …

If you like your true-crime dramas torqued up to high RPMs, you’re in for a letdown. Most of the movie is people talking, in chairs, in meetings, on the phone. The film’s action alternates between combing through dusty files and harrowing interviews with abuse victims who’ve given up on being heard.

Sacha Pfeiffer, one of the reporters portrayed in the film, recounts in a piece for Variety how skeptical she was about the project, and how completely she was won over:

I was highly wary. Never mind that the grim topic would likely have little appeal to mainstream audiences. Never mind that our jobs are hardly cinematic — we make phone calls, review documents, collect data — and were unlikely to be compelling on screen. …

In spring 2015, they showed us the final product. Once we absorbed the shock of how uncannily the actors had captured our speech and mannerisms, we were struck by what a remarkably authentic portrayal of our jobs was depicted on screen. The movie captures — somehow cinematically — the often tedious, painstaking work that reporting entails, while conveying the critical importance of investigative reporting.

There’s lots of reasons to watch and enjoy Spotlight, but it should be a particular pleasure for anyone who has ever done a research project.