Back during “The Zygon Inversion,” I thought I finally saw Peter Capaldi’s Doctor shine through. It was also around that point, when he truly became poignant, that I worried about the character’s upcoming fate. After all, almost every time The Doctor has a particularly striking moment, it heralds the beginning of his next regeneration.

Well, perhaps I was wrong. Maybe it was an omen for something else entirely. Certainly, Clara as a Doctor substitute would suffice here: she died attempting to imitate him. But we see in “Heaven Sent” that there are many other ways you can die which do not necessitate regeneration.

Perhaps you were expecting the righteous wrath of a furious Doctor being unleashed on an opponent after “Facing the Raven.” Instead, after The Doctor appears in a teleport tube with his Time Lord threats quite clear in the air is a particularly vicious and cerebral form of torture: tailor-made specifically for this current incarnation. There is a lot that is excellent about “Heaven Sent.”

For instance, we get to see — intimately and in detail — precisely just how The Doctor’s mind actually works. It’s no mean feat. Steven Moffat truly brings out an advanced and alien mindset that is still affected by intense emotion. His mind is specifically assembled, probably through mnemonic training, like his TARDIS and he retreats and interacts with this fortress — his safe place and home — in his psyche even as he deals with death-dealing situations with a sharp and analytical mind.

But this episode is brutal. It didn’t take me long to realize who the person who activated the teleporter at the beginning truly was. There also was too much time to figure out whom each of those skulls in the bottom of the sea in the abandoned castle and its turning gears also belonged. In early stories pertaining to The Doctor, he dealt with the Eternals of Time and Death: which makes the shuffling monster surrounded by flies coming after him a bad pun and something eerie altogether. Even the music sometimes veers into strange eighties synthesized tones.

Moffat could have seriously ended “Heaven Sent” on a major down note. He was quite capable of having The Doctor get out of this in the upcoming “Hell Bent.” But that would be nonsense. Instead, through watching The Doctor fall over and again, you have a reminder of precisely how strong-willed and relentless he truly is. The way his prison works is that he would get a moment’s respite for every fear-based truth he told. But it was a losing proposition.

Think about it. If The Doctor told all of his truths, he would still die over and again. He would continually go insane. And his enemies, whomever they are, would know everything about him. If he just continued moving throughout the castle, he would still die and come back to life each time. A lesser mind would break either way.

But then The Doctor realizes something. He notices, each time after he brings himself back through the teleporter, that the stars are not in the right alignment as his innate Time Lords senses tell him. He also keeps punching a crystal in front of him: whittling it away through each incarnation, dying again, and crawling back to resurrect himself. The gears in the castle turn. It’s as though the entire prison is a puzzle calibrating precisely at certain temporal and spatial coordinates.

By the time The Doctor smashes through the crystal and finds himself in a desert, he doesn’t seem at all surprised by the revelation. First, we find that his prison was actually his confession dial. Second, he is back on Gallifrey.

The third truth is for us though. You know that Hybrid we’ve been hearing about from Davros onward this season? Well, apparently, it’s The Doctor. And from the way he looks at the end of the episode, there is going to be a reckoning.

For all the brilliance of this Doctor Who episode made by Sisyphus, there are still some issues. If The Doctor drowned in several incarnations — becoming those stacks of skulls underwater — how did he get to the teleporter to bring himself back those times? And, I’m sorry, but even in death Clara seems to be tagged on by the writer: a continuation of how important she actually is, while you just don’t really … feel it. Even her dialogue from the subconscious of The Doctor is contrived and outright callous. The episode keeps telling us we should care about Clara but it’s hard to when you already weren’t doing so. It just makes you aware that even though she’s gone, the badly written Clara Oswald is unfortunately going to linger on for a while.

All that said, however, here are some questions to consider. Who last held The Doctor’s confession dial? And is The Doctor lying for the benefit of whom might have done this to his dial? Are long time fan theories and certain lines from the 1996 Doctor Who movie about The Doctor’s origins true? Just how did Missy get out of Gallifrey exactly? Why did The Doctor leave Gallifrey to begin with? Who else did he leave with? And when he says “The Hybrid is me,” does he mean “Lady Me?” The same Lady who had a vast portion of pages torn out of one of her journals?

Perhaps we will find out next time on Doctor Who: “Hell Bent.”

Share this:

Like this:

LikeLoading...

Related

About matthewkirshenblatt

I am a writer and blogger living in the Greater Toronto Area of Ontario in Canada. When I'm not writing for the Sequart Research & Literacy Organization and GeekPr0n, I tend to write science-fiction, epic fantasy, horror, literary and mythological revisionisms, and generally weird fiction stories though I have been known to make poetry, television and comic book scripts. Also, when left to my own devices I tend to write weird and strange hybrid creative opinion piece articles like those you will find on this Blog.
I am also very interested in comics, video games, Star Wars, table-top role-playing games, Neil Gaiman's works, H.P. Lovecraft, vampires, zombies, and budgies.