On Stage: Celebrating Holi with Red Baraat

In a few days, the main color will be green when St. Patrick’s Day arrives. Prior to that, there is an event tonight that features a huge array of colors – and music.

On March 8, the World Café Live (3025 Walnut Street, Philadelphia, 215-222-1400, www.worldcafelive.com) will host “Festival of Colors,” which is Red Baraat’s annual Holi celebration tour. The tour had its debut in 2012 and has since expanded to a major annual tour. Each year, bandleader and dhol player, Sunny Jain curates a vibrant night of music and art highlighting the South Asian Diaspora in America and beyond through a diverse range of styles and mediums.

Holi is a Hindu holiday marked by public gatherings of families, friends, and strangers rejoicing in song, dance, and the exchange of “colors.” The holiday signifies the victory of good over evil, the arrival of spring, an opportunity to meet others, play and laugh, forget and forgive, and repair ruptured relationships. It is celebrated at the approach of vernal equinox on the Phalguna Purnima (Full Moon). The festival date varies every year, per the Hindu calendar, and typically comes in March in the Gregorian Calendar.

It is safe to say that there is no other band in America like Red Baraat.

Brooklyn-based Red Baraat is a Bhangra band — and a whole lot more. Bhangra is party-style folk music from the Punjab regions of India and Pakistan.

Red Baraat’s founder and leader is Sunny Jain, a New York jazz musician of Indian descent whose main instrument is the dhol (a double-headed drum from India).

“I had been playing drums and tabla before I started playing dhol,” said Jain, during a phone interview from his home in New York.

“One time when I was in India, I was in a shop buying a tabla. I saw a dhol there and decided to buy one. I took lessons in New York and instantly fell in love with it.

“It was a great feeling because I wasn’t confined to a drum set. And, with the drum hanging at your gut, the sound resonates through your entire body.

“My family are Jains from Punjab so I grew up listening to music that had dhol in it. I did a lot of learning how to play it by watching dhol performances on YouTube. I also listened to old recordings — especially Pappa Saen, who was a Sufi dhol player.”

The band’s influences extend beyond bhangra and include jazz, Latin, funk, brass band and Bollywood.

“I wanted to play something that was upbeat and joyful,” said Jain, who is a respected drum and percussion player in the New York jazz scene.

“It was just another project of mine — drums and a brass band with no guitar and no electric instruments. That changed when we added Jonathan Goldeberger on guitar.

“I wanted horns, drums and sousaphone. I didn’t want jazz musicians. I didn’t want it to be perceived as a jazz project. I wanted smaller, tighter songs. And, I wanted it to be mobile so we could get down into the audience and play there too.”

Red Baraat has released six albums. The most recent is “Bhangra Pirates.” The album has similar song titles to those on a previous album “Gaadi of Truth,” which now no longer exists.

“I worked on ‘Bhangra Pirates’ in the fall of 2016,” said Jain. “I got it together within a few months. The material on it came from a digital EP ‘Live Wire,’ some songs that were never recorded before and some from ‘Gaadi of Truth,’ which we have withdrawn from the catalog.

“For the last two-and-a-half years, we’ve had a guitarist in the group and people wanted a recording by this band. All the songs in our repertoire took on new shape when we added guitar.

“We added guitar and then remixed and remastered everything. I didn’t realize how excited I was at the change in sound until we went back in the studio. Four of the songs from ‘Gaadi’ were replaced by four from the digital EP.”

Listening to the originals back-to-back with the versions on “Bhangra Pirates,” Red Baraat’s new direction becomes obvious.

“Bhangra Pirates” (Rhyme & Reason Records) reflects a more evolved and elaborate sound developed over the last two years of heavy touring and the addition of a full-time guitar player.

The new album is the first release to represent this updated version of the ensemble that is well- known for its consistent experimentation, innovation, and ability to develop raw energy by pulling the best elements of trial and error.

“It took me about four months to do it,” said Jain. “I was working feverishly – bouncing files back-and-forth for months. I’ve also made some changes with the dhol. I’m processing it through reverb and then processing it through delays and phasers.

“Adding guitar made a big difference. I had known Jonathan for a while. At that point, we were experimenting with bringing in a chordal instrument.

“After that, I decided that we needed a guitar in the group. We auditioned a lot of guitarists and Jonathan was the one. He can play jazz and he understands Indian music.

“With the old lineup, there was too much of an acoustic sound. It didn’t have the energy I wanted it to have. Our producer Dave Sharma produced it more like rock and that made me feel more alive.

“Musically, we keep expanding the sonic territory. We’re expanding the palate of what this band is. Where we’re headed is opening up more sonic explorations. We play bhangra, Indian jazz, Punjabi music and so much more.”

Red Baraat presents a musical smorgasbord that keeps adding new dishes all the time.

“‘Bhangra Pirates’ marks a growth for us as our acoustic instrumentation evolves into new sonic spaces,” said Jain. “The process was so incredibly inspiring. We’re super excited for this album and think it’s our best yet.

“Spontaneity and improvisation are at the heart of playing our music, but moreover, the energy of the crowd is something we feed off. The purpose of Red Baraat is to bring joy and togetherness — to take people on a journey and let our music fill the room and do all the talking.”

Punjabtronix

Punjabtronix is a new collaboration of award-winning British electronic music producer DJ Swami and an ensemble of gifted traditional Punjabi folk musicians from his ancestral homeland of northern India — including multi-instrumentalist Vijay Yamla on tumbi, tumba, algoza and bugchu; sought-after sarangi player Dheera Singh; dhol and dholak virtuoso Naresh Kukki, and acclaimed vocalist Gurtej Singh. The music they make together is a merging of cutting-edge UK electronic music and technology with tradition, connecting and conversing with the raw energetic DNA of India’s culturally rich northwestern Punjab region.

“I’ve been working with amazing Punjab folk muiscians,” said DJ Swami, during a phone interview last week from his studio in London, England. “In our live shows, there are five of us on stage and we also have live visuals. I play the electronics. We really did deep into Punjab folk instruments.”

The group’s unique concerts feature striking visuals programmed live on-site for every event by English filmmaker John Minton, known for his experimental, hallucinatory, low-fi style of grainy, super-8 textures, iridescent glowing hues, and mesmerizing imagery. For each Punjabtronix performance, his visuals blend vivid images of Punjabi culture, landscapes, and archival footage, producing an evocative complement to the music.

PunjabTronix performances are a live mixture of electronic dance music with thunderous Punjabi dhol drums, dazzling vocals, traditional sarangi and tumbi stringed instruments, and the hypnotic double flute called algoza. They weave traditional melodies with live electronic drum machines, synthesizer arpeggios, and basslines, layered with the distinctive rhythms and melodies of the Punjab.

“I’ve been going to Punjab for years on my own projects,” said DJ Swami. “When I was in Punjab last February, I was introduced to Vijay and had a jam session with him. Then, the project grew with the addition of other musicians and got perfected as a fusion of Punjab folk and electronics.

“There are parallels between Punjab folk music and EDM (electronic dance music). They both make you want to dance. Also, Punjab folk rhythms are looped. There are a lot of similarities.”

Mercury Award-nominated DJ Swami has always explored the hybrid diaspora identity, finding synergy and pushing the boundaries of British and Indian contemporary music to create exciting new musical milestones. His unique creative perspective and fusions of western popular/contemporary with Indian music has been widely honored – including a 1993 Mercury Music Prize nomination, a 2004 Grammy nomination, and a Best Producer Award at the UK Asian Music Awards in 2005 and in 2008.

Pumjabtronix also provides life parallels for DJ Swami.

“This is music that defines who I am,” said DJ Swami. “What’s really interesting for me is that it’s been more a personal thing. I’m Indian but I’m from the U.K. I’m into electronic music here in England but I grew up with Punjab folk music

Other upcoming shows at the World Café Live are Nada Surf on March 9, Alive! ’75 on March 10, and Shane Smith & the saints on March 14.

Imagine if Comic-Con hooked up with a fast food chain and got reincarnated as a metal music tour.

Mac Sabbath

The result would likely be very similar to Mac Sabbath’s “I Got a Bad Feeling About This Tour,” which is out on a one-month run across North America.

The tour, which features Mac Sabbath and Galactic Empire, will touch down locally on March 8 at The Foundry at Fillmore Philadelphia (1100 Canal Street, Philadelphia, 215-309-0150,www.thefillmorephilly.com).

If you like food from MacDonald’s and music from Black Sabbath, then Mac Sabbath will rock you – and make you hungry for a hamburger

And, if you like music parodies and intelligently humorous lyrics that poke fun at a fast food icon, then you’ll probably really like Mac Sabbath.

Actually, even if you just like well-played metal music by experienced musicians, then you’ll probably really like Mac Sabbath.

Mac Sabbath is a band from Los Angeles with no peers. The veteran musicians – Grimalice, bass; Ronald Osbourne, vocals; The Cat Burglar, drums; Slayer MacCheeze, guitar – are the kings of “extra cheesy” metal covers. Together, they put on a theatrical, multimedia stage show with a smoking grill, laser-eyed clowns, bouncing burgers and many more magical surprises.

Despite the obvious references to a multi-national fast food chain, the band has to be very careful not to verbally reference said food chain lest it be devoured by a horde of “Mac Lawyers.”

Mac Sabbath is an American parody/heavy metal ban that focuses on the music of Black Sabbath and employs lyricism and imagery based on fast food. In Mac Sabbath’s hands, Black Sabbath’s “Iron Man’ becomes “Frying Pan” while Ozzie and the gang’s “Paranoid” becomes “Pair-a-Buns.”

None of the band members speak to the press but the task is ably handled by the group’s manager Mike Odd, former lead singer of Rosemary’s Billygoat and owner of a bizarre shop on Sunset Boulevard in L.A. called The Rosemary’s Billygoat Odditorium.

“I used to run Odditorium in Hollywood and I chased down weird stuff,” said Odd, during a phone interview. “I got an anonymous call to meet this guy at a fast food place in Chatsworth, California.

“This mess of a clown burst through the door wearing a costume of bright yellow and red, and giant shiny shoes. His costume was trailed by long, tattered, hippie fringe that was dirty from scraping the floor and his face was caked in ghostly make up. He said his name was Ronald Osborne, and he that he was familiar with my band Rosemary’s Billygoat.

“He said he had a concept I might appreciate — something he described as ‘drive-thru metal.’ He invited me to come to a secret 3 a.m. meeting to watch him and a cast of characters named Slayer Mac Cheeze, Grimalice, and the Cat Burglar perform.

“They played Black Sabbath songs that had been changed to lyrics about fast food and they screamed about Monsanto and GMOs. He wanted me to manage them. He said it was a secret project and he wanted me to bring it above ground.”

Odd told Ronald that he would manage his band — even if it was a disturbed clown and a band of Monsanto mutants who refuse to reveal their identities because they think they came here from a wormhole in space time direct from 1970.

“We filmed one of our first public shows and then put ‘Frying Pan’ on YouTube,” said Odd. “It got picked up by everybody. Even Black Sabbath pushed it. They got it. And, when they posted the video, it went out to 10 million Black Sabbath fans.

“These Monsanto Mutants are tough. There are a lot of unconventional things about this project. For example, Ronald has told us that we have to go back to the 1970s when music and food was real — back to a pre-Orwellian time. He doesn’t respond to any technology past the 1970s.”

On the “I Got a Bad Feeling About This Tour” will be joined by equally mesmerizing pop culture-inspired band – Galactic Empire.

Galactic Empire

On Galactic Empire’s Facebook page, the band posts this biography – “A long time ago in a galaxy far, far away…. actually fairly recently – a new heavy metal band was formed by some of the most infamous and feared villains in the galaxy. Introducing Galactic Empire. The band performs classic pieces from the iconic soundtrack of the Star Wars films written by John Williams.

“Dark Vader (guitar) had the following to say — These instruments are crude but should be adequate to shred some faces as we journey across the galaxy. We have been doubling our efforts to complete our debut full-length album in time for the Emperor’s arrival. If you are not part of the Rebel Alliance or a traitor, buy our single on iTunes and prepare to succumb to the Dark Side upon our album’s release.”

The show at The Foundry, which has Counterfeit as the opening act, will start at 7:30 p.m. Tickets are $18.

Other upcoming shows at The Foundry are Crooked Colours on March 9, J. Boog on March 10, Amy Shark on March 11, SAINT WKND on March 13 and The Hunna and Coasts on March 14.

Anyone familiar with rock music in the 1980s should be well acquainted with The Revolution – the band formed in Minneapolis, Minnesota in 1979 by Prince.

The Revolution

The Revolution rose to international fame in the mid-1980s with “Purple Rain,” an album that sold more than 13 million copies in the United States alone. The band was one of the most successful music acts of the 1980s and sold over 16 million albums just in the United States. Prince and The Revolution achieved two Number One Billboard 200 albums (“Purple Rain” and “Around the World in a Day”), six Top 10 singles on the Billboard Hot 100 chart and won three Grammy Awards.

Now, The Revolution has been resurrected. On March 9, The Revolution will perform at Sugarhouse Casino (1001 North Delaware Avenue, Philadelphia, 877-477-3715, https://www.sugarhousecasino.com).

“When Prince disbanded The Revolution in 1986, he had me remain onboard for another four years until I left,” said Dr. Fink, during a phone interview last week from his home in Minneapolis.

“The Revolution got back together in 2003 for a one-time gig – a Sheila E charity event for her Little Angel Bunny Foundation. We considered reuniting with Prince but he was indecisive.

“We re-united again in 2012 for an American Heart Association benefit in Minneapolis after Bobby Vee had a heart attack. We talked to Prince then about re-uniting, but he still didn’t want to. Fast forward to Prince’s death. That forced our hand to do a tribute to him.”

The Revolution was back.

“We gathered the troops,” said Dr. Fink. “It was fairly easy to get it back. Everybody had to re-tool a little. We were all a bit rusty but it came back quickly. It’s like riding a bike – you never forget what to do. I did need to go back and brush up on some of the songs.”

Fans of Prince and The Revolution have greeted the band’s shows with great enthusiasm and that has led to the quintet’s decision to keep on playing.

“Right now, we’re looking to do two or three weekends a month,” said Dr. Fink. “Right now, we have 13 shows booked and there should be more along the way. It’s highly probable that we’ll continue to do this for a few years. And, we’ll probably do some recording. There will probably be some material Prince’s estate releases – The Revolution songs with Prince.”

The music made by Prince and The Revolution has spanned generations.

“Our audiences are interesting,” said Dr. Fink. “Some of the older fans are bringing their kids. Because Prince was active until he passed, he brought in a younger demographic and they’re aware of who we are. The key for us is to create an awareness for people in their teems and to collaborate with young artists.”

The thought of The Revolution teaming up with Bruno Mars for a project is definitely an exciting thought.

“Yeah, something like that would be great,” said Dr. Fink. “We’d really enjoy playing with someone like him.”

The show at Sugarhouse Casino will start at 9 p.m. Tickets are $49 and $59.

Rapper/producer D.Lynch is coming home and that is bringing a smile to his face.

D.Lynch, whose real name is Dan Byelich will be performing at MilkBoy Philly (1100 Chestnut Street, Philadelphia, 215- 925-6455, www.milkboyphilly.com) on March 9 on a bill with fellow native Philadelphians Little Stranger

Several years ago, he graduated from Council Rock North High in Bucks County and then spent time living in Drexel Hill. Then, he relocated to sunny San Diego, California.

“Coming back to Philly is great,” said D.Lynch. “I may live in California but I tell people I’m from Philly. Living in Philadelphia shaped me into what I am now.”

D.Lynch recently released his new album “1985” through Red Label Records LLC. The album features guest appearances by Snoop Dog, Wiz Khalifa, Rick Ross, Royce Da 5’9, Havoc of Mobb Deep, and production work by Hopsin. The album has been garnering the attention of hip-hop press from the likes of HipHopDX and HotNewHipHop.

“I started making ‘1985’ two years ago,” said D.Lynch, during a phone interview Wednesday afternoon during a stop in New York City. “The first song I did back in 2015 was ‘What Would You Do?’

“I have my own studio here in San Diego. I originally started making the album with Alan Vega in his studio and then moved to my studio.

“I went to school for audio engineering so making my studio wasn’t hard. The studio is nothing fancy but it has everything I need. I have a trained ear so I don’t need much of anything.”

D.Lynch’s studio skills are apparent on “1985.”

According to D.Lynch, “The writing and producing of this album took two years. This album is the highest level of blood, sweat, and tears that I could have possibly put into it. ‘1985′ heavily focuses on traumatic events that played out in my life and is correlated with what is currently happening in American society.

“I was very fortunate to have some of the top guys in hip-hop work on this project, they really gave it their all, and really helped make this album better than I could have ever imagined.”

Dan Byelich, aka D. Lynch, has been grinding through the ranks of the hip-hop scene. As a producer, D. Lynch has written songs for labels such as Roc Nation, Shady Records, Sony Records, and Universal Music Group.

His artist and production credits range from legends such as Snoop Dogg, Royce Da 5’9 and more to underground artists such as Cage and Masta Ace. As an M.C., D.Lynch’s versatile style and a sound reminiscent of the grimy east coast style mixed with the ruggedness of west coast rap. He has done tracks with hip-hop heavyweights Hopsin, Cage, and Famous Dex amongst others.

“My producing started when I was in high school,” said D.Lynch. “I had a music technology class that was basically a production class. I started working with Garage Band and moved up to Logic.

“I was always interested in lyricism and rapping. In 2014, I put up my first track. I don’t know how it caught on but people were finding it and listening to it. It got a lot of streams.”

Little Stranger is an alternative/hip-hop duo born in Philadelphia and transplanted to Charleston, SC. John Shields and Kevin Shields (of no known relation) make up the charismatic two-piece as an “interchangeable, indispensable pair in limbo between rapper and singer-songwriter.”

With the two artists performing as a duo, Little Stranger is a fresh hybrid of John’s singer-songwriter magnetism and Kevin’s hard hitting, in-your-face delivery. Stylistically reminiscent of Gorillaz and Twenty One Pilots, Little Stranger inhabits a relatively unexplored niche at this point in time. They’re all about originality, every song is a separate work unto itself with all the strangeness that their name implies.

2015 saw the band’s formation followed quickly by its first full-length release, “Buddha the Beast.” Recorded in Philadelphia and Charleston, “Buddha the Beast” offers a “mashup of electronic beats, surf-ready sounds, and hip-hop…each song is an experience all its own.”
What started as a side-project quickly moved into the forefront as the duo’s chemistry on stage and in the studio sparked a unified vision. With influences from artists such as Beck, Gorillaz, and Outkast, Little Stranger combine melodic songwriting with hip-hop-inspired lyricism.

Little Stranger was quickly recognized at home, named “Hip-Hop Act of the Year” in the 2016 Charleston City Paper Music Awards and listed jointly as one of “17 People to Watch in 2017” in the Charleston Indie blog, Out of the Woodwork.

Other upcoming shows at MilkBoy Philly are Waverunner on March 8, and Gain Strive on March 10.

Julia Johnson and Felicia Berrier

On March 11, Kennett Flash (102 Sycamore Alley, Kennett Square, 484-732-8295, http://www.kennettflash.org) will host a special show featuring two talented young music acts from Chester County — Julia Johnson and Felicia Berrier.

Johnson is a 17-year-old classically trained electric violinist from West Chester. She attends school at Downingtown West High School and participates in Women’s Choir, the Chester County Youth Orchestra, and Tri-M Honers Society. Aside from her everyday activities and practicing routines, she enjoys writing and arranging her own original music and performing covers at open mics.

Her inspiration comes from various artists such as Lindsey Stirling, Blackmill, and OneRepublic. Julia performed her first open mic at The Flash in December 2016 and since then has had a show at The Flash and has performed in local open mics such as The Boxcar, and Steel City. Julia continues to follow her passion as an electric violinist and keep creating original music.

Berrier is a fifteen-year-old singer, songwriter, and musician from Kennett Square. She is currently a freshman at PA Leadership Charter School’s Center for Performing and Fine Arts (PALCS/CPFA). She has loved singing and music all her life but soon decided to branch out and take her music to the Kennett Flash’s open mic in October 2016.

Berrier released her first single “Figure It Out” in May 2017 when she was 14. She plans to continue releasing music as well as performing locally. The young singer gets inspiration from musicians such as Taylor Swift, Adele, and Sia. She has the ability to make every song her own when both covering songs and singing songs she has written.

Doors open at 5 p.m. and the show starts at 6 p.m. Tickets are $10.

Other upcoming shows at Kennett Flash are James Maddock on March 9, Stu Hamm and Tom Griesgraber on March 10, and Julia Johnson & Felicia Berrier on March 11.

The Steel City Coffee House (203 Bridge Street, Phoenixville, 610-933-4043, www.steelcitycoffeehouse.com) will present Tin Bird Choir on March 10.

The Colonial Theatre (Bridge Street, Phoenixville, 610- 917-1228, www.thecolonialtheatre.com) will host Five for Fighting with String Quartet with special guest Marie Miller on March 11.

The Ardmore Music Hall (23 East Lancaster Avenue, Ardmore, 610-649-8389, www.ardmoremusic.com) will have Melvin Seals with special guest Toubab Krewe on March 9 and “An Evening with Jeff Mattson & Friends” on March 10.

Burlap & Bean Coffeehouse (204 South Newtown Street Road, Newtown Square, 484-427-4547, www.burlapandbean.com) will present The End of America with Letitia VanSant on March 9, and Christine Havrilla & Gypsy Fuzz with Meredith Rounsley on March 10.

The Keswick Theater (291 N. Keswick Avenue, Glenside, 215-572-7650, www.keswicktheatre.com) presents The Borowitz Report Live with Andy Borowitz on March 8, Dave Mason on March 9, Real Diamond on March 10, and the Righteous Brothers on March 11.

Cactus on March 8, Roomful of Blues on March 9, Edwin McCain on March 10, The Four Bitchin’ Babes on March 11, and Peter Asher & Jeremy Clyde on March 13.

The Grand Opera House (818 North Market Street, Wilmington, Delaware, 302-652-5577, www.thegrandwilmington.org) will have the Dixie Dregs on March 8, Five for Fighting with String Quartet with special guest Marie Miller on March 10, Jeff Boyer’s Bubble Trouble on March 11 and My Father’s Dragon on March 14.