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Down Beat (1/02, pp.69-70) - 3.5 stars out of 5 - "...A small jewel...lyrical, playful and intense..."JazzTimes (12/01, p.137) - "...A historic musical summit...finding the pair resonating in sympathy with each other, both sonically and conceptually..."h

Tracks

[ Disc 01 Track 01 ] Salvador

[ Disc 01 Track 02 ] Maracatu

[ Disc 01 Track 03 ] First Song

[ Disc 01 Track 04 ] Palhaco

[ Disc 01 Track 05 ] Silence

[ Disc 01 Track 06 ] Em Familia

[ Disc 01 Track 07 ] Loro

[ Disc 01 Track 08 ] Frevo

[ Disc 01 Track 09 ] Don Quixote

Songs / Tracks

[ Disc 01 Track 01 ] Salvador

[ Disc 01 Track 02 ] Maracat£

[ Disc 01 Track 03 ] First Song

[ Disc 01 Track 04 ] Palhaco

[ Disc 01 Track 05 ] Silence

[ Disc 01 Track 06 ] Em Fam¡lia

[ Disc 01 Track 07 ] Loro

[ Disc 01 Track 08 ] Frevo

[ Disc 01 Track 09 ] Don Quixote

Genre

Jazz

Duration

78m 55s

Country

South Africa

Notes

Personnel: Charlie Haden (acoustic bass); Egberto Gismonti (piano, guitar).Recorded at the Montreal Jazz Festival, Montreal, Canada on July 6, 1989.Personnel: Charlie Haden (double bass); Egberto Gismonti (guitar, piano).Recording information: Festival International De Jazz De Montreal (07/06/1989).Editor: Denis Leclerc.In 1989 the Montreal Jazz Festival presented Charlie Haden in a series of eight completely different concerts. A number of these have already appeared on CD as volumes in the MONTREAL TAPES series. This concert presented him in a series of duets with Brazil's Egberto Gismonti, who plays primarily guitar and also some piano. The bulk of the pieces are by Gismonti and have a folkish bearing, rich with the rhythmic and harmonic characteristics of the guitarist's homeland.Haden's "First Song" has been recast in numerous settings (among the most unforgettable is a version by Abbey Lincoln), and here again its simple beauty wields tremendous emotional power. As befits the tradition of the ECM label, this album is clean-sounding and warmly recorded, with every quiet note captured in perfect detail. The intimacy of the two musicians' interplay makes one forget that this was a performance before a large audience (who were roused to thunderous applause at the conclusion of each number).