He not only directed many types of films, but he took on multiple functions on each set. Though he didn’t usually take credit, he co-wrote many scripts, composed incidental music, produced, even consulted on makeup, costumes, and hair styling. His one blind spot in production seems to be the camera...When shooting a scene, Eddie was intent on capturing performers at their best and most truthful, but he left the mechanics of filming to his cameramen...he seemed adept at just about everything — comedy (Everybody Does It, We’re Not Married!), ensemble dramas (Grand Hotel), family relations (White Banners, Claudia), war (The Dawn Patrol, We Are Not Alone), psychiatry (The Flame Within), show business (Blondie of the Follies), male-female relationships (The Devil's Holiday, Riptide), and even existentialism (The Razor's Edge) and the dark arts of spiritism (Nightmare Alley).[1]