This blog will present news items about the motion picture business, with emphasis on lower budget, independent film in most cases. Some reviews or commentaries on specific films, with emphasis on significance (artistic or political) or comparison, are presented. Note: No one pays me for these reviews; they are not "endorsements"!

About Me

Since the 1990s I have been very involved with fighting the military "don't ask don't tell" policy for gays in the military, and with First Amendment issues. Best contact is 571-334-6107 (legitimate calls; messages can be left; if not picked up retry; I don't answer when driving) Three other url's: doaskdotell.com, billboushka.com johnwboushka.com Links to my URLs are provided for legitimate content and user navigation purposes only.
My legal name is "John William Boushka" or "John W. Boushka"; my parents gave me the nickname of "Bill" based on my middle name, and this is how I am generally greeted. This is also the name for my book authorship. On the Web, you can find me as both "Bill Boushka" and "John W. Boushka"; this has been the case since the late 1990s. Sometimes I can be located as "John Boushka" without the "W." That's the identity my parents dealt me in 1943!

Friday, July 17, 2015

"Puncture": Chris Evans stars as idealistic but flawed lawyer going against corporate interests that may have made HIV much worse

“Puncture” (2011), directed by Paul and Adam Kassem with
story by Paul Danziger, is a bit like a John Grisham legal thriller (like “Rainman”)
with evil insurance and pharmaceutical companies, set in the late 1990s.

Mike Weiss (Chris Evans) and Paul (played by Mark Kassem)
are the underdog Houston lawyers, and Mike has a character weakness – drug addiction,
which puts him in the hospital after a vomiting spell in the film’s middle section. Are such fallibilities of rooting-interest
protagonists necessary? This is appears
to be based on a true story (Weiss’s dates are given as 1967-1999).

The lawyers stumble upon a plaintiff Vicky (Vanessa Shaw)
with HIV from a hospital needlestick. The course of the litigation shows that
the corporate defendants conspired to keep safer syringes out of the market to
boost profits. The script at one point
seems to blame the companies for the entire HIV epidemic explosion in the
1980s, as well as the subsequent outbreak of Hepatitis C.

The screenplay has a lot of exposition, with characters
explaining the sins of the companies rather than engaging in natural
dialogue. Maybe this argues that the
film should have been a documentary.

The
film is a bit low-keyed for the seriousness of the subject matter.

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