the Eye of Sauron, it burns (and other adventures in social networking)

What my followers on Facebook, Twitter, and Google+ saw today:
• This: “There was a film she’d always wanted to do, she explained, but she could not raise financing. She’d tried for years. Decades. Wrap your head around this: Nora Ephron couldn’t make the movie she longed to make…. [E]ven if we believe in the economics of action films, how does one explain that Wes Anderson (Royal Tannenbaums, Rushmore, Life Aquatic), Spike Jonz (Adaptation, Being John Malkovitch), Clint Eastwood (Gran Torino, Bridges of Madison County) and a dozen other boy directors get funding to create whatever they want to make, year after year. Can you imagine an audience of young men in Saudi Arabia grasping the nuance of Susan Orleans dealing with Chris Cooper’s toothless orchid grower in Adaptation? Does this make economic sense?” Uphill With Nora Ephron