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Production  Production is the actual shooting of a movie or video. shooting of a movie or video.  Includes the crafts of acting, cinematography, directing, lighting. cinematography, directing, lighting.

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Post- Production  Raw film or video is assembled into an order that assembled into an order that conveys a story. conveys a story.  Final sound mix –music, sound effects, etc.– is sound effects, etc.– is created. created.

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Distribution and Exhibition  Who will see your program?  How will they see it?  When will they see it?

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Film Crew & Producers A film crew is a group of people hired by a production company for the purpose of producing a film or motion picture. Separate and different from the Cast.

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Executive Producer  Executive Producers are responsible for the overall quality control of productions.  A producer who is not involved in the technical aspects of the filmmaking process, but has played a crucial financial or creative role.  Must be an excellent negotiator. Need a keen business sense, and an intimate knowledge of all aspects of film production, financing, marketing and distribution.

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Executive Producer (cont.)  May be involved in some aspects of scripting, casting, and crewing. Often work on a number of projects simultaneously.  Experienced industry practitioner; usually worked previously for a number of years in any one of a variety of roles, such as producer, writer, director or script editor.

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Producer  Involved throughout all phases of the film- making process from development to completion of a project.  Creates the conditions for making movies.  Initiates, coordinates, supervises, and controls matters such as raising funding, hiring key personnel, and arranging for distributors.

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Line Producer  Prepares all the financial details –budget-- of a film’s shooting script.  The liaison between the Studio or Producer and the Production Manager.

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Production Manager  Responsibility to help make sure filming stays on schedule and within its budget.  Supervises the physical aspects of the production (not the creative aspects) including personnel, technology, budget, and scheduling.  Receives the budget from the Line Producer.

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Production Manager (cont.)  Also helps manage the day-to-day budget by managing operating costs such as salaries, production costs, and everyday equipment rental costs.  Often works under the supervision of a Line Producer and directly supervises the Production Coordinator.

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Unit Manager  Fulfills the same role as the Production Manager but for secondary "unit" shooting.  In some functional structures, the Unit Manager subsumes the role of the Transport Coordinator.

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Production Coordinator  The PC is the information nexus of the production, responsible for organizing all the logistics from hiring crew, renting equipment, and booking talent.  The PC is an integral part of film production.

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Production Assistant  Referred to as PAs, assist in the production office or in various departments with general tasks, such as assisting the First Assistant Director with set operations.

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Screenwriter  The Screenwriter, or Scriptwriter, may pitch a finished script to potential Producers, or may write a script under contract to a Producer.  A Writer may be involved, to varied degrees, with creative aspects of production.

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Script Supervisor  Keeps track of what parts of the script have been filmed and makes notes of any deviations between what was actually filmed and what appeared in the script.

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Script Supervisor (cont.)  They make notes on every shot, and keep track of props, blocking, and other details to ensure continuity from shot to shot and scene to scene.  The Script Supervisor's notes are given to the Editor to expedite the editing process.  The Script Supervisor works very closely with the Director on set.

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Stunt Coordinator  Where the film requires a stunt, and involves the use of stunt performers, the Stunt Coordinator will arrange the casting and performance of the stunt, working closely with the Director.

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Casting Director  Chooses the Actors for the characters of the film.  This usually involves inviting potential Actors to read an excerpt from the script for an audition.

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Director  Responsible for overseeing the creative aspects of a film, including controlling the content and flow of the film's plot, directing the performances of Actors, organizing and selecting the locations in which the film will be shot, and managing technical details such as the positioning of cameras, the use of lighting, and the timing and content of the film's soundtrack.

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Director (cont.)  Though Directors wield a great deal of power, they are ultimately subordinate to the film's Producer or Producers.  Some Directors, especially more established ones, take on many of the roles of a Producer, and the distinction between the two roles is sometimes blurred.

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First Assistant Director  Primary aim is to ensure the film comes in on schedule while maintaining a working environment in which the Director, principal artists (Actors) and crew can be focused on their work.  They oversee day-to-day management of the cast and crew scheduling, equipment, script, and set.

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First Asst. Director (cont.)  May also be responsible for directing background action for major shots or the entirety of relatively minor shots, at the Director's discretion.

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Second Assistant Director  Responsible for creating Call Sheets that let the crew know the schedule and important details about the shooting day.  May also direct background action and extras in addition to helping the 1st AD with scheduling, booking, etc.

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Location Manager  Oversees the Locations Department and its staff, typically reporting directly to the Production Manager and/or Assistant Director.  Responsible for final clearing (or guaranteeing permission to use) a location for filming and must often assist Production/Finance dept(s) in maintaining budget management regarding actual location/permit fees as well as labor costs.

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Production Designer  Also known as the Creative Director, is responsible for creating the physical, visual appearance of the film -- settings, costumes, character makeup, all taken as a unit.  Works closely with the Director and the Cinematographer to achieve the look of the film.

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Art Director  Reports to the Production Designer, and more directly oversees artists and craftspeople, such as the Set Designers, Graphic Artists, and Illustrators who give form to the production design as it develops.  Works closely with the Construction Coordinator to oversee the aesthetic and textural details of sets as they are realized.

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Set Designer  The Set Designer is the Draftsman, often an Architect, who realizes the structures or interior spaces called for by the Production Designer.

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Set Decorator  In charge of the decorating of a film set, which includes the furnishings and all the other objects that will be seen in the film.  Work closely with the Production Designer and coordinate with the Art Director. In recognition of the Set Decorator's importance, the Academy Award for Art Direction is given jointly to both the Production Designer and the Set Decorator.

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Costume Designer  Responsible for all the clothing and costumes worn by all the actors that appear on screen.  Also responsible for designing, planning, and organizing the construction of the garments down to the fabric, colors, and sizes.

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Costume Designer (cont.)  Works closely with the Director to understand and interpret "character," and counsels with the Production Designer to achieve an overall tone of the film.  In large productions, the Costume Designer will usually have one or more Assistant Costume Designers.

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Costume Supervisor  Works closely with the Designer. In addition to helping with the design of the costumes, they manage the wardrobe workspace.  Supervises construction or sourcing of garments, hiring and firing of support staff, budget, paperwork, and department logistics.  Also called the Wardrobe Supervisor, although this term is used less and less.

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Hair & Makeup  Makeup Artist - work with makeup, hair and special effects to create the characters look for anyone appearing on screen.  Their role is to manipulate an Actor's on-screen appearance whether it makes them look more youthful, larger, older, or in some cases monstrous.  Hairdresser - responsible for maintaining and styling the hair of anyone appearing on screen.

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Special Effects Supervisor  Instructs the Special Effects crew on how to design moving set elements and props that will safely break, explode, burn, collapse and implode without destroying the film set.  Also responsible for reproducing weather conditions and other on-camera magic.

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Special Effects Assistant  Carry out the instructions of the Special Effects Supervisor, building set pieces like breakaway furniture and cities in miniature, lighting pyrotechnics, and setting up rigging equipment for stunts.  They also assist in prosthetic makeup..

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Cinematographer  Also called “Director of Photography,” or DP though some professionals insist this only applies when the Director of Photography and Camera Operator are the same person.

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Cinematographer (cont.)  The DP this person is the chief of the camera and lighting crew of the film. Not to be confused with the Director.  Makes decisions on lighting and framing of scenes in conjunction with the film's director.  Typically, the Director tells the DP how he or she wants a shot to look, and the DP chooses the correct aperture, filter, and lighting to achieve the desired effect as per the Director's requirements.

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Camera Operator  Uses the camera at the direction of the Cinematographer, Director of Photography, or the Film Director to capture the scenes on film.  Generally, a Cinematographer or Director of Photography does not operate the camera, but sometimes these jobs may be combined.

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First Asst. Camera  Or “Focus Puller,” is responsible for keeping the camera in focus as it is shooting, as well as building the camera at the beginning of the day and taking it apart at the end.  They also thread the film when a new magazine is loaded. The “Loader.”

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Second Asst. Camera  Or “Clapper,” operates the clapperboard at the beginning of each take and loads the raw film stock into the camera magazines between takes.  Also in charge of overseeing the meticulously kept notebooks that record when the film stock is received, used, and sent to the lab for processing.  Oversees organization of camera equipment and transport of the equipment from one shooting location to another.

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Production Sound Mixer  Head of the sound department on set, responsible for recording all sound during filming.  This involves the choice and deployment of microphones, operation of a sound recording device, and sometimes the mixing of audio signals in real time.

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Post- Production Supervisor  Responsible for the post-production process, during which they maintain clarity of information and good channels of communication between the Producer, Editor, Supervising Sound Editor, the Facilities Companies (such as film labs, CGI studios and Negative Cutters) and the Production Accountant.

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Post-Production Supervisor (cont.)  Although this is not a creative role, it is pivotal in ensuring that the film's post-production budget is manageable and achievable, and that all deadlines are met.  Because large amounts of money are involved, and most of a film's budget is spent during production, the post-production period can often be difficult and challenging.

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Sound Designer  Or “Supervising Sound Editor,” is in charge of the post-production sound of a movie.  Sometimes this may involve great creative license, and other times it may simply mean working with the Director and Editor to balance the sound to their liking.

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Dialogue Editor  Responsible for assembling and editing all the dialog in the soundtrack.

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Sound Editor  Responsible for assembling and editing all the sound effects in the soundtrack.