Jacket2 - Farid Matukhttp://jacket2.org/taxonomy/term/3819/0
enComplete works http://jacket2.org/commentary/complete-works
<div class="field field-type-text field-field-subtitle">
<div class="field-items">
<div class="field-item odd">
<h3 class="subtitle"></h3> </div>
</div>
</div>
<div class="field field-type-filefield field-field-image-feature">
<div class="field-items">
<div class="field-item odd">
<figure><img src="http://jacket2.org/sites/jacket2.org/files/imagecache/wide_main_column/06.sm_.jpg" alt="" title="Image by Noah Saterstrom" class="imagecache imagecache-wide_main_column" /><figcaption>Image by Noah Saterstrom</figcaption></figure> </div>
</div>
</div>
<p>This playlist includes recordings of authors reading the entirety of a book or chapbook. I find that longer recordings allow me to become immersed in the textures of the work, to register the ambient sonic environment, and to perceive other small shifts and variations within and between pieces. I sometimes listen to one long recording that allows me to settle into a particular mode of listening and then follow it by listening to another recording that suggests another form of attention. I like the feeling of becoming engrossed and hypnotized by a recording and then using another recording to snap myself out of the experience so that I can see the initial recording with more critical distance.</p>
<p>While listening to the following recordings over the last few weeks, I was reminded of Christine Hume’s review/essay <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_3/harryman/hume.html" target="_blank">“Carla Harryman’s Baby: Listening In, Around, Through, and Out”</a>&nbsp;published in <em>How2</em>.</p>
<p><a href="http://jacket2.org/commentary/complete-works" target="_blank">read more</a></p>Barbara GuestC.D. WrightClark CoolidgeDana WardFarid MatukHR HegnauerNoah SaterstromSummi KaipaSusan HoweMon, 20 Jun 2011 07:32:35 +0000ebaus5742 at http://jacket2.orgHearing spaceshttp://jacket2.org/commentary/hearing-spaces
<div class="field field-type-text field-field-subtitle">
<div class="field-items">
<div class="field-item odd">
<h3 class="subtitle">Ambience and audience</h3> </div>
</div>
</div>
<div class="field field-type-filefield field-field-image-feature">
<div class="field-items">
<div class="field-item odd">
<figure><img src="http://jacket2.org/sites/jacket2.org/files/imagecache/wide_main_column/saterstrom.jpg" alt="image by Noah Saterstrom" title="Image by Noah Saterstrom" class="imagecache imagecache-wide_main_column" /><figcaption>Image by Noah Saterstrom</figcaption></figure> </div>
</div>
</div>
<p>I’m always interested in the physical, digital, and in-between spaces audio recordings document and inhabit. This playlist samples some combinations of various recording environments, paying a bit of attention to often overlooked aspects such as tape hiss and telephone distortion, as well as considering sonic contexts like the classroom and direct-to-digital readings. </p>
<p><a href="http://jacket2.org/commentary/hearing-spaces" target="_blank">read more</a></p>Bernadette MayerEmily CritchleyFarid MatukJoseph CeravoloLeonard SchwartzLisa RobertsonNoah SaterstromMon, 25 Apr 2011 07:51:44 +0000ebaus5443 at http://jacket2.org