American Captain in commercial form is a 6-font family with complete character sets and language support for Central European characters, Cyrillic, Greek and Hebrew. OpenType features include: small caps, fractions, stylistic sets, hundreds of glyph replacements, ligatures and much more.

American Captain Eternal is the bolder than bold headline weight of the "AMCAP" family. It's loaded with extra features & Central European ranges.

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If there's one backup font AMCAP really needed, it's PATRIUS. In 3 incarnations! In extended form, Patrius 02 is inclined to start building movie posters and theatrical trailers. After all, Patrius is a supporting cast member of complementary qualities that commands an audience's attention.

For a more normal stance, there's Patrius 01. You can find it beefing up the layouts on the AMCAP posters. Call on it often. It's always eager to help.

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The beefiest incarnation of Patrius is a headline font not unlike Eternal, and yet not like Eternal at all. When the rigidness of AMCAP or Eternal isn't called for, when you need subordinate headlines to complement your main design, call on Patrius once again. In massive headline form no less.

Patrius in every form is a workhorse font. The character and language options are a bit more limited, but they are there and willing to serve!

If you keep doing this, you'll never stop. Stop what, you ask? Why, you'll never stop pondering all the different faces and options available within the American Captain font family.

Patrius 01 provides a normal stance for almost any application. Patrius 02, as can be seen in the "movie" graphic above, has an extended stance. The main Patrius font is a headline face. Its bold stance has power aplenty, with more to spare.

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American Captain is a multi-language family that spans the Latin ranges (including many Central European applications), plus Greek, Cyrillic and even modern Hebrew.

Opentype replacements abound in the Hebrew range. Use a character map and OpenType features to access a wide variety of alternates. There are optional zayins, alefs, qofs and at least a dozen different variations on the shin.

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if you haven't clicked on the spec book yet, or you haven't been paying close attention, then you probably haven't realized yet just how sincere we are about this font's claim to language support.

Cyrillic is covered too. Which probably isn't that much of a surprise since I even included Hebrew into the mix! And of course there are OpenType replacement features. To see and learn more, scroll up and visit our specimen book.

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Greek is another of the main language sets available with American Captain.

And there are some interesting unicode options included to complement the Greek range of OpenType replacement features. Look for hidden goodies like the "ramshorn" Upsilon, the curved-descender rho and a few custom tweaks our Greek-speaking customers will truly appreciate. Suitable for Greek "houses" and Greek language.

As you peruse the American Captain font family, you'll discover an interesting cast of supporting characters. Some are even offered as freeware downloads at fontspace.com. Try them out at no cost. If you like what you see and want them in full commercial trim, the entire family is only a BUY NOW click away.

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AMCAP also covers the Central European range of characters, not to forget basic Latin-1. When you find a font with this much to offer, it might be time to visit the main specimen book to see it all.

You'll find pleny of alternates too. So when, say, an alternate R is available, then every R with an accent mark has to be available in corresponding alternate form. Visit the main spec book at the top of the page to learn more.

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This font represents the unparalleled strength of one man who saved an entire world from the crushing yoke of tyranny. This man was an outstanding captain of men, an American patriot of unquestionable calibre. And within this font is captured his fighting spirit, his unyielding determination. This face is dedicated to him, the captain America knows and respects, the captain American font designers like myself have strived to symbolize in their work.