Best Lenses for Sony A7RII of 2019 | by Camera Professionals

Last Updated On May 19, 2019

Sony FE 28mm F2

While this lens is known for taking very sharp images, especially at the long end, its biggest asset is probably its wide focal range, which allows for one lens to be used in a variety of settings. F2.0 on the Sony FE 28mm F2 seems to be the sweet spot regarding center sharpness and combined with the excellent bokeh. It does get softer at 28mm as expected, but stopping down to ~f/8 greatly improves sharpness. There may be a small amount of vignetting and evidence of colored fringing, but both are easily fixed in RAW conversions. The bokeh-balls in the Sony FE 28mm F2 are a bit more ovular in shape than I’m used to seeing with some of my other lenses. Colors and sharpness are also really colorful, contrasty and astonishing for a lens this price. If you feel like your current lens is not wide enough for night time/sky, buildings, beaches, landscape, and indoor/real estate, definitely check out the Sony FE 28mm F2. First of all, it is a good lens for mountain photography when used in the aperture, shutter, or manual mode, because it tends to give lower ISO values allowing for larger prints.

Sony FE 24mm F1.4 GM

This Sony lens boosts an impressive wide field of view on 35mm FF cameras. It incorporates an XA (extreme aspherical) + ED elements, Nano AR coating into its 13-element, 10-group optics, and offers superb, versatile image reproduction, even at the maximum aperture of F1.4. The wide aperture lets you blur the background, getting a wonderful, creamy, out-of-focus area, referred to as bokeh, that helps to draw attention to your subject. F1.4 on the Sony FE 24mm F1.4 GM seems to be the sweet spot concerning center sharpness and combined with the spurious bokeh. This is one of the sharpest lenses ever made by Sony and with your Sony A7RII, it produces very sharp images. I was pleasantly surprised with how much bokeh can be produced at F1.4 with this lens. As for image quality, the Sony FE 24mm F1.4 GM delivers stunning, dreamy images whether shot wide open at F1.4 or stopped down to smaller apertures. Its purpose is for landscapes, but it is also a great lens for food photography, real estate or even event photography. You can use this for a wedding, mountain photos, or just as your only lens if you want a do-it-all lens.

Sony Distagon T FE 35mm F1.4 ZA

It’s a versatile focal length that works well for street photography, portraits, and more. The Sony Distagon T FE 35mm F1.4 ZA offers a huge aperture for shooting shallow depth of field shots and for shooting in low-light conditions. It does get softer at 35mm as expected, but stopping down to ~f/8 greatly improves sharpness. Edge-sharpness is a little lacking at both ends of the zoom range, but center-sharpness is very good on the whole. This lens will let you isolate your subject with versatile, superb, blurry bokeh. Colors are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of Sony A7RII. If you feel like your current lens is not wide enough for night time/sky, buildings, beaches, landscape, and indoor/real estate, definitely check out the Sony Distagon T FE 35mm F1.4 ZA. This impressive Sony excellent piece of glass also delivers exceptionally sharp images with detailed colors and upstanding sharpness and has a fast autofocus motor to make it better for focusing on moving targets as well. Still, it is a good lens for wedding photography when used in the aperture, shutter, or manual mode, because it tends to give lower ISO values allowing for larger prints.

Tamron 28-75mm F2.8 Di III RXD

I bought the Tamron 28-75mm F2.8 Di III RXD a few years ago, and it’s a beast. Look at any wedding/portrait photographer’s bag, and you’ll most likely see the 28-75mm there. It’s tack sharp and has great colors, not to mention it’s far more weather-proof than regular lenses. Bokeh – You know how sometimes in portrait photography the subject is in focus and the background has a beautiful blur? That blur is called bokeh, the larger the aperture, the more bokeh you will get. On your Sony A7RII, this lens produces sharp images with only a hint of softening near the corners when shot wide open. Ghosting and sun flare are very minimal with this lens although its bokeh leaves something to be desired. Complementing the optical attributes, this lens also sports an internal focusing design to deliver fast and quiet autofocus performance. Price – Price is important but, with glasses, it isn’t a place where you should skimp. More expensive lenses have fixed apertures so even if you zoom all the way, the opening doesn’t get smaller. Whether you’re traveling to America for a month or want a lens that covers it all and delivers excellent results, you’ll love it.

Sony FE 24-70mm F4 ZA OSS CZ

Wedding photographer or not, 24-70mm allows you to fit enough in the frame to tell the story, while at the same time being equally suited to shoot a solo portrait, group shot, landscape image. It also offers Vibration Compensation for tripod-free photography. The lens provides sharp, crisp image reproduction, even at the maximum aperture of F4.0. It does get softer at 24-70mm as expected, but stopping down to ~f/8 significantly improves sharpness. If you work as an architectural photographer, vignetting might present a problem for you, but if you’re a wedding photographer, I won't give it a second thought. Bokeh – You know how sometimes in portrait photography the subject is in focus and the background has a beautiful blur? That blur is called bokeh, the larger the aperture, the more bokeh you will get. This worthy lens is stunning. The feeling, contrasty details, and style of the versatile photos are incomparable. Crisp performance and agile telephoto make it ideal for fast action sports to spot news to posh weddings.

Sony FE 24-70mm F2.8 GM

I bought the Sony FE 24-70mm F2.8 GM a few years ago, and it’s a beast. Look at any wedding/portrait photographer’s bag, and you’ll most likely see the 24-70mm there. Colors are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of Sony A7RII. I was pleasantly stunned with how dreamy bokeh can be produced at F2.8 with this lens. Packed with Sony A7RII this lens produces sharp images with only a hint of softening near the corners when shot wide open. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. Complementing the optical attributes, this lens also sports an internal focusing design to deliver fast and quiet autofocus performance. Weight & Size – Don’t forget that telephoto lenses are the heaviest of all a tripod or at least a monopod, is a must if you want to shoot for hours. Let’s say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, then this forward-looking, high-quality lens is a good choice. A fast and constant F2.8 maximum aperture renders cluttered environments well out of focus, extends low-light shooting freedom and enables a brighter viewfinder image.

Zeiss Batis 85mm F1.8

We call the Zeiss Batis 85mm F1.8 the winner for wedding, concert and portrait photography. And the optical quality in my reviewed lens proved to be very respectable and sharp across the entire focal range. This Sony FE mount lens produces dreamy bokeh, especially for being on elegant Sony A7RII. This innovative lens produces images that are reasonably sharp in the center at and convincing sharp by the time you hit f/5.6. As can be expected with a lens with this focal range, some barrel distortion is evident in photos. Thanks to a high speed internal focusing mechanism, the Zeiss Batis 85mm F1.8 delivers fast, silent and precise auto-focus. Ultra-compact and lightweight, this is a lens you’ll be happy to take anywhere. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, then this beautiful, high-quality lens is good choice. The wide aperture lets you blur the background, getting a lovely, creamy, out-of-focus area, referred to as bokeh, that helps to draw attention to your subject. I bought the Zeiss Batis 85mm F1.8 a few years ago and it’s a beast. look at any wedding/portrait photographer’s bag; you’ll most likely see the mm there.

Sony FE 85mm F1.4 GM

Outstanding, amazing, a marvelous Prime impressive lens with F1.4 brightness at maximum aperture, this lens incorporates 11 optical elements in 8 groups. The lens is a high-grade choice if you want to shoot vivid bokeh, landscapes, and fantastic wedding photos. In fact, the metallic barrel, rubber grip focus ring, and generously sized switches add up to an ergonomic experience that’s satisfying and feels conversant. Easy to focus, sharp across the full sensor, lifelike photos and with only little CA. And the optical quality in my reviewed lens proved to be very respectable and detailed across the entire focal range. Price – Price is important but, with glasses, it isn’t a place where you should skimp. A fast and constant F1.4 maximum aperture renders cluttered backgrounds well out of focus, extends low-light shooting freedom and enables a brighter viewfinder image. Furthermore, it is a good lens for wedding photography when used in the aperture, shutter, or manual mode, because it tends to give lower ISO values allowing for larger prints. This lens is a reliable, capable workhorse for those who find themselves shooting portraits in a variety of lighting and space situations.

Sony FE 85mm F1.8

This 85mm F1.8 prime lens is perfect for photographers who like using longer focal length primes for portrait photography. The Sony FE 85mm F1.8 offers a very large aperture for shooting shallow depth of field shots and for shooting in low-light conditions. It does get softer at 85mm as expected, but stopping down to ~f/8 greatly improves sharpness. Sharpness is good across most of the zoom range – but drops off more at the end than with any of the other lenses on test. If you can get close enough to the model, the bokeh exhibited by the Sony FE 85mm F1.8 is smooth and creamy. Colour rendition is also dependent on the camera used, but at least with the Sony A7RII, you’ll know it’s not the lens letting you down!. Price – Price is important but, with glasses, it isn’t a place where you should skimp. Then Sony FE 85mm F1.8 mounted on the popular Sony A7RII, and it makes an exceptional kit for any wedding photographer.

Sony FE 90mm F2.8 Macro G OSS

Never owned a prime lens before and can’t understand what the big deal is about this Sony FE 90mm F2.8 Macro G OSS? Colors are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of Sony A7RII. This Sony lens is razor sharp around f/4 and, for the price, produces very stunning and top-tier bokeh. On your Sony A7RII, this lens delivers sharp images with only a hint of softening near the corners when shot wide open. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. The AF, when coupled with a decent DSLR, is quite fast, confident and very usable for landscapes or mountain. Price – Price is important but, with lenses, it isn’t a place where you should skimp. The Sony FE 90mm F2.8 Macro G OSS offers a huge aperture for shooting shallow depth of field shots and for shooting in low-light conditions.

Sigma 105mm F1.4 DG HSM Art

We call the Sigma 105mm F1.4 DG HSM Art the winner for a wedding, concert and portrait photography. Colour rendition is obviously also dependent on the camera used, but at least with the Sony A7RII, you’ll know it’s not the lens letting you down!. Bokeh – You know how sometimes in portrait photography the subject is in focus and the background has a beautiful blur? That blur is called bokeh, the larger the aperture, the more bokeh you will get. This lens produces images that are very sharp near the center, especially when shot between f/4 and f/5. Ghosting and sun flare are very minimal with this lens although its bokeh leaves something to be desired. Complementing the optical attributes, this lens also sports an internal focusing design to deliver fast and quiet autofocus performance. Weight & Size – Don’t forget that telephoto lenses are the heaviest of all a tripod, or at least a monopod, is a must if you want to shoot for hours. Investing in a high quality lens will get you more bang for your buck than putting that money toward a new body. The worthy Sigma 105mm F1.4 DG HSM Art is slightly wider, sharper and lets in just a little bit more light. A must-have for portraits and everyday use, this optical device allows you to capture breathtaking images with a shallow depth of field while letting your subject stand out from their backgrounds.

Sony FE 70-200mm F4 G OSS

One of the most anticipated, extremely high-quality lenses, the Sony FE 70-200mm F4 G OSS is made for skillful photographer. The Sony FE 70-200mm F4 G OSS is an excellent choice if you want to shoot razor-sharp wedding, bokeh and stunning traveling photos. Still, the metallic barrel, rubber grip focus ring, and generously sized switches add up to an ergonomic experience that’s satisfying and feels refined. This is spurious, superb 70-200mm/F4.0 Zoom you can buy for your convincing Sony A7RII. With the sun at your back, images out of the Sony FE 70-200mm F4 G OSS are stunning, sharp, razor-sharp and unusually contrasty. If you’re into landscapes, wedding or traveling photography, get the Sony FE 70-200mm F4 G OSS and you’ll never look back. The lens offers sharp, crisp photos reproduction, even at the maximum aperture of F4.0. Overall, detailed Sony FE 70-200mm F4 G OSS lens is a well-priced, and an excellent choice for buyer's who are looking an upgrade from the kit lens regarding quality and focal range.

Sony FE 70-200mm F2.8 GM OSS

A 70-200mm zoom or 85mm prime lens will be great where you have a lot of room to work, but inside someone’s house, you will probably want a shorter focal length. It also offers Vibration Compensation for tripod-free photography. It’s so simple and easy to get an impressively blurry background when you’ve got a lens that can go f/2.8, f/2 or even lower, you can do that in less than a second on the Sony A7RII. This impressive lens produces images that are sharp in the center at F2.8 and sharp severe by the time you hit f/5.6. Sharpness is good across most of the zoom range – but drops off more at the end than with any of the other lenses on test. Bokeh produced by the crisp Sony FE 70-200mm F2.8 GM OSS is merely excellent and fantastic. With the sun at your back, images out of the Sony FE 70-200mm F2.8 GM OSS are stunning, contrasty, sharp and impressively dreamy. Then Sony FE 70-200mm F2.8 GM OSS mounted on the modern Sony A7RII, it makes an exceptional kit for any wedding photographer.

Zigmars
Author

A very enthusiastic expert in technology and cameras. Who has been in the digital technology business for over 20 years.

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