Really, is coarse language the de rigueur of contemporary theater? It grows tiresome. I guess to be hip with the younger set, it's a requirement. (But it was not a younger audience at the performance I attended.)

Years ago when I saw the troupe in Chicago on two occasions, they were much funnier, and years ago, I was much younger and don't recall constant, explicit "f's" and "s's" every 30 seconds. But those were the days, my friend, when things and language were not frequently vulgar and base which are contributing factors to the erosion of today's society.

Anyway, the acting in Spoiler Alert: Everybody Dies was superb (Jessica Frances Dukes and Aaron Bliden are Woolly Company members who participated), and the music (Matthew Loren Cohen), spot-on. The props were minimal, and they (accessories, chairs) worked well with solitary lighting (Colin Bills and Jennifer Sheetz).

Audience participation was the best scene (sic; sorry) anywhere and quite effective. Do you think it is going to become an award since it grows more frequent?

Was the production worth $50? (Saturday's matinee prices.) Probably not. If you're looking for political comedy, the Capitol Steps are much better.