1/27/03 - Tony Patchell sends the following note on Zen dreams.
But now on 9-22-06, I'm updating the stuff on him and his wife of many
years Darlene Cohen herein and he sent me a new editing of this piece.
This is his same old note though.

Dear dchad,

'Twas poking around my stuff, found this which I wrote some years ago
for the hell of it. Changed names & appearances to protect the guilty.
Used Ashey for myself because the name came in a dream. Ashey as in
burnt-out, up from the ashes, etc. Darcy for Darlene [Cohen] because she
was so aware of being a mid-western Jew in a class rigid east coast
milieu. These weren't really dreams; I was awake but somewhere else.

Tony

Ashey Has
Two Zen Dreams That Were Not Dreams in 1971

Ashey
decided, finally, to become a Zen man in 1969 after yet another
melodramatic fight with his girlfriend, Darcy D’Agincourt, a tall rich
blond from New England. She was good looking, very smart, & deeply
intuitive. The shadow side of her abundant gifts was an intractable,
extraordinarily dense obtuseness that had finally found a match with
Ashey’s rigid, hide-bound fear of almost everything. They were a folie å
deux if there ever was one. All their friends in Cambridge thought they
were a poor match, especially the Harvard Square hippie men who lusted
after Darcy’s body & strongly disapproved of Ashey’s West Coast ways.
Ashey felt it was his duty, his mission, his affliction, to drag, push,
pull Darcy into zen practice. Recently, she had attempted suicide by
sticking her head in an oven, but she had been stoned on acid & had
forgotten to turn on the gas. Ashey felt the pressure was on to make a
move, get out of town. Darcy was not supportive of his ideas though she
was amused. “He’s the only person I know who actually uses the word
‘cosmic’ in a sentence,” she would tell everyone over & over. Even so,
Darcy finally went to California with Ashey. She screamed & moaned all the
long way that she was the only woman in Cambridge who definitely did not
want to go to the West Coast. Ashey & Darcy sat a sesshin in San Francisco
in December, 1970. They slept in a VW bus alongside Zen Center & on the
third night they were mugged by two young black men with guns. Darcy had
already entered the bus & they didn’t see her.They took Ashey’s money,
turned & walked away. Ashey stood there with his hands in his pockets. He
felt his single remaining quarter. He said to their backs, hey, you forgot
something. They turned around & Ashey flipped the quarter into their
faces. The older boy caught it with a flick of his wrist & stared hard at
Ashey. The two men & Ashey stood still waiting to see what would happed
next. Ashey could see the lines of feeling, cables of intensity,
connecting them through the foggy sulfur yellow street light. Ashey didn’t
care. Fuck ‘em if they couldn’t take a joke. He was, at that moment, free
from pain. It was not a matter of control, & he could have danced with a
bullet, dissolved before its spinning path.

The first
Zen dream, Ashey had no other words for it, was in June of the next year,
1971. High on Mount Tamalpais overlooking the city & the ocean, a group of
Zen men & women were sitting zazen. Each had found a spot on the golden
grass, random unknowing buddhas on the living breast of the mountain.
Suzuki Roshi was there too. He turned his head & looked at Ashey. There
was some doubt or concern in his face, as if he were thinking, “Is this
OK? Are you sure you want this?” He then raised his right arm & pointed to
the sky, the bright blue dome above him, & lightning hissed, the dome
cracked open in a dozen places & pieces fell. Behind the sky was another
sky, darker, deeper, multidimensional, & powdered with all the stars of
all the ages with all their power gracing the mountain with a terrifying,
inconceivable love.

The second
dream, or experience, occurred on the night of the day Suzuki Roshi died.
Suzuki Roshi had been dying for a long time. He rarely left his rooms. His
skin was a uniform yellow, as if he had been dipped in curry powder or
saffron. Ashey considered himself to be a student of this man; he had
never had dokusan with him, and, in fact, he had never spoken with him.
One day over a year before as Darcy & Ashey entered the Zen Center front
door, Suzuki Roshi was going into the Buddha hall to perform evening
service. As he stopped & turned & slid his slippers from his feet he
looked up at them & smiled as if he had just discovered long lost friends.
Here, Ashey thought is truly a fisher of men, but one who cast no net &
threw no line. Then all language dropped & in that incremental vacuum
between segments of time Ashey found oh so briefly his true home. The air
was golden, the meeting a glittering flower that grew, shone, & faded
unencumbered by a sense of consequence. Suzuki Roshi turned & entered the
Buddha hall. Ashey saw that this man left no trace whatsoever, that he was
totally, absolutely, unafflicted with a sense of self.

The first
Saturday of December, 4:50 A.M. Ashey went to the zendo to begin the
rohatsu sesshin. He sat on his cushion, turned & faced the wall. He put
his legs into a half lotus position. His hands assumed their oval mudra &
he straightened his spine. The air was thick & cold & it enclosed small,
layered pockets of incense. Ashey felt as if he were breathing syrup.
Suzuki Roshi was dying, breathing his last breaths this very moment &
everyone in the room knew it. Angels & bodhisattvas were floating in the
zendo, filling the air with soft brushes of movement as they gathered &
slid around molecules of incense smoke & oxygen. Ashey could not center
his breath; his bones itched & he felt his sitting posture as fragmented.
He was a cubist sculpture draped in black displaying multiple aspects of
his form, a flickering, angular shadow solidly rooted to the world only by
his cross legged, triangular sitting posture. He wanted to turn & look at
the air behind him but he did not. Out of the corners of his eyes he heard
rather than saw soft & gentle colors, reds & blues, small bending clouds
that stayed just out of visual reach. The bell rang, the sound turning
immediately back into itself as it announced the end of the forty minute
sitting period. Ashey, along with the other students, turned from the
wall, stood in front of his cushion, & then began the slow ten minute walk
which took place between each sitting. The students circumambulated the
zendo. It was quiet except for a muffled cough & the silky hush of bare
feet on the cold lineoleum . The bell rang again, the students returned to
their cushions & settled into their sitting postures & silence dropped
upon the zendo, a hazy pall pressing on their shoulders. Ten minutes into
the period a number of older priests & senior students entered the room,
their black robe sleeves & skirts rustling like the wings of slowly moving
birds, & the announcement was made that Suzuki Roshi was dead. The
students formed into a line & wound up to the second floor where his body
lay on the straw matted floor of his room. He looked to be sleeping. His
eyes were closed & a thick quilt was pulled up to his chin. Each student
walked by, stopped, & bowed farewell. The students returned to their seats
& one of the priests gave a short talk in which he urged them all to renew
their efforts toward concentration & sitting still. Ashey barely heard
this & was not inspired. The morning dragged on. Hour after hour Ashey sat
still. His thoughts were dull & humid. His knees & spine became stiff,
unyielding in their lack of movement, & he could feel the pain, liquid
fire, collect in small pockets along the curvatures in his body where bone
& flesh meet, stretch, & retract. He felt his heart beat, each pulse an
intense, heavy, little globule coursing its way to his extremities through
primary arteries, medians of pain, before returning sucked up & dark blue
through his veins & into his chest.

Early that
afternoon, Ashey slipped out of the zendo & went up to the Buddha hall. He
stood near one of the large front windows & watched a blue & white
ambulance pull up & double park in front of the entrance to Zen Center.
Two white coated attendants slid a gurney with adjustable legs from the
rear of the vehicle & took it inside. A few moments later he heard motion
& whispering voices in the lobby outside the Buddha hall. Thin winter
sunlight sliced through the windows & onto the tatami mat floor. The
yellow straw looked warm & dust particles floated, almost stationary, in
the light. Ashey felt drowsy & could feel air pressure on his eardrums. He
heard the front doors open & he watched through the window as the two men
carried the gurney down the steps, its tubular steel legs rigid, the
wheels making a clinking sound as they reached the sidewalk. Suzuki
Roshi’s body, wrapped in a white sheet, was as small as a child’s. They
opened the rear doors of the ambulance, slid the body in, closed the
doors, got into the front, & drove away. Ashey did not want to go back to
the zendo. He felt embarrassed with himself; he did not want any special
feelings or experiences. This, he thought, was the antithesis of his
intention, a small return of the devil, a cloud across the cold, barely
formed moon of his practice.

That night,
Ashey along with twenty or so other male students, slept in the Buddha
hall, which functioned as a makeshift dormitory during sesshins. The last
sitting ended around 10 PM. Students unrolled their sleeping bags &
dropped, their bodies aching & buzzing with pain, into sleep. Ashey’s spot
was near the door. He lie on his back with his hands folded underneath his
head & his eyes open. He thought of Suzuki Roshi’s ashes soon to be in a
box firmly wrapped in a white cloth with a knot on top, Japanese style,
the size of a gift. Then he saw Suzuki Roshi enter the Buddha hall. He
walked in the space between the tatami mats & the wall until he was
directly in front of the altar, a large wooden box-like affair covered by
brocade, incense bowls, statues, & unlit candles. Behind the box was a
large, closed, gray fireplace trimmed in marble with a narrow mantle.
Ashey looked around the room. Everyone was asleep. He raised his head &
shifted onto his left side in order to watch Suzuki Roshi approach the
altar. Ashey checked himself out; his body was loose, his vision clear,
his mind as still as a lake. A car went by outside, its lights slipping
like a moonbeam across the walls, its brakes & suspension system groaning
softly as it stopped & turned at the corner. He could hear the men in the
room breathing. Suzuki Roshi walked up to the altar, turned his head &
looked at Ashey. He put his hand upon the right corner of the mantle piece
& pulled it & the altar from the wall & pushed them aside. There they
stood, now insubstantial & transparent, & where they had been before was
an identical altar except this one was all one piece standing clear & by
itself, made of gold, solid, three dimensional, pale & shining in the
dark. Suzuki Roshi continued to look at Ashey. He was clearly interested
in Ashey’s response. The distance between them, the breathing air, was at
peace. Ashey’s body remained still & unmoving as he collected himself into
his chest & curled, fetus-like around his softly rising & falling
blood-rich heart. Ashey, a child forever, closed his eyes & went to sleep.