In 1961, Gorgona fled from the then powerful communism into the irrational, the incomprehensible. The inactivity of Gorgona was noticeable. Several young people whose mutual affection was the decisive connective factor met occasionally. Gorgona did not have any messages! It was a particular type of activity, auto-ironic, affording a feeling of being unusual. Perhaps it brought something new; perhaps it only resolved its life problems, feelings of being hemmed in. Perhaps it left nothing behind apart from friendship and spiritual closeness.

Josip Vaništa

ŻAK | BRANICKA is delighted to present its first exhibition by the proto-conceptual Zagreb-based group Gorgona that unrealised itself between 1959 and 1966.

Josip Vaništa (1924), Julije Knifer (1924-2004), Radoslav Putar (1929-1994), Marijan Jevšovar (1922-1998), Dimitrije Bašičević Mangelos (1921-1987), Matko Meštrović (1933), Ivan Kožarić (1921), Đuro Seder (1927) and Miljenko Horvat (1935-2012) occasionally met, talked, corresponded, exchanged “thoughts for the coming months” among themselves, sent one another “homework” and “questionnaires”, went on “inspection tours of the seasons”, organised exhibitions in a glazier’s shop they called “Studio G”, published the anti-magazine Gorgona, arranged themselves, performed group- and auto-choreographed movements, set up, posed and photographed. All of the above was permeated with humour, wit and paradox, modelled by taking over the terminology and the form of the society they had isolated themselves from through their activities.

The most recognized work by the group is the aforementioned Gorgona anti-magazine, which was published between 1961 and 1966. Aside from designs by group members, Victor Vasarely, Harold Pinter and Dieter Roth also made additional contributions.

The exhibition at ŻAK | BRANICKA gallery seeks to highlight not only the work of Gorgona but also its wide range of collaborative efforts. Contact was established with numerous international artists, who like Gorgona, sought expression through reduced means: Lucio Fontana, Robert Rauschenberg, Piero Manzoni, Piero Dorazio, François Morellet and Enzo Mari. In reference to Yves Klein, for example, Gorgona created a suggestion for the colour “Gorgona’s Black”, which coincided with Klein’s establishment of IKB (International Klein Blue).

The title of the exhibition, Please Attend, refers to the invitation to the exhibition entitled Modern Style curated by Gorgona at Studio G in 1962. In lieu of a press release or invitation to the exhibition, the group provided only these two words.