story

When people tell me their largest stories I am helpless as a page under pen.

A woman told me how, as a child of 11, she struck out when her grandparents were ignored rather than served at a restaurant in the deep South. Her anger was so heated that she used the restaurant’s complementary matches to start the place on fire.

It wasn’t entirely the content of the memory or the force in her voice. It was the way she strung words together; spare yet detailed. She talked about her grandmother’s arthritic hands picking up and putting down a salt shaker. She described her grandmother’s dark green dress and sensible heels, the patient smile she wore even though no one came to take their order. Before this raised-up-North granddaughter could utter a word of complaint she was shushed by her grandmother’s stern look. As her grandparents stood to go the girl ducked into the cloakroom and in seconds set to smoldering the hair oil soaked fedoras left there by white gentlemen. Of the fire she said little, except that the restaurant was forced to turn everyone away that day.

A teen described how, when he was a small child, his mother got so strung out that she’d leave him alone for days at a time.

He ended most sentences with “you hear me” and “wasn’t nothing” as he talked about licking his fingers before running them along the insides of drawers and cupboards to find crumbs. He said his mother got angry if she caught him sleeping curled next to the apartment door. She’d yell “I didn’t raise no dog.” When his story ended a refrain continued. He said “wasn’t nothing” four times, each repetition softer until his moving lips made no sound at all.

An elderly woman recounted the story of union busters coming by their cabin at supper time to beat up her father, who’d been organizing his fellow coal miners.

She didn’t recognize her own family any longer but vividly remembered this tale from her earliest years. Her words were impressions. I saw her mother standing fearfully at the door insisting her husband wasn’t home, children clustered behind her wide-mouthed with alarm. I envisioned this little girl with the presence of mind to hide her father’s dinner dishes. “Just laid em in the stove with a cloth over,” she said. When the men barged in they found only enough place settings for mother and children on the table. They left, never looking under the porch where her father hid. She had no other stories left to tell. This one was large enough for a lifetime.

Not only do I feel what they’re saying, I’m awestruck byhowthey say it.

When people talk about extremes they’ve experienced they speak as poets do. They rely on verbal shorthand made up of sensory description and metaphor. They drift from past to present, change viewpoints, dip into myth and scripture. Often they end abruptly, as if what they’re trying to say can’t truly be said. Their stories, powerful already, gain a sort of beauty that sends ordinary language aloft. It’s truth that trembles. To me, it’s poetry.

We tend to suppress certain aspects of ourselves in order to fit in. (Although when we display whatever weirdness is ‘in” I think that’s also a sort of conformity too.)

When I was growing up I did everything I could to hide what was odd and different in myself, letting out the funnier aspects in measured doses with my friends but keeping most tucked tightly in some inner compartment of my being. (To some extent I still do. You probably do too.)

When I work with youth, I try to assist them in discovering their own unique essence. The sad fact is that everything in this culture is working against that essence. Mass culture is opposed to the uniqueness of individuals. Young people, whose job it is to become themselves, are walking into a culture whose goal is to turn them into everybody else. What I try to do is help young people realize who they already are inside. American culture says that you must make something of yourself, but the mythological understanding is that everybody already is someone. They have a seeded self at birth. As soon as young people are aware of the uniqueness inside them, they can begin to manifest the stories they’re carrying.

Meade’s comments echo a remarkable book, The Soul’s Code, by the late James Hillman.Hillman described each of us as coming into the world with a uniqueness that asks to be lived out, a sort of individual destiny which he termed an “acorn.” It’s a remarkable lens to view who we are. A child’s destiny may show itself in all sorts of ways: in behaviors we call disobedience, in obsession with certain topics or activities, in a constant pull toward or away from something. Rather than steering a child to a particular outcome, Hillman asks parents to pay closer attention to who the child is and how the child shows his or her calling. He also asks each of us, at any age, to listen to our weirdness. It’s integral to who we are on this moment-to-moment path of becoming.

All images courtesy of pixabay.com.

“All sorrows can be borne if you put them in a story or tell a story about them.” Isak Dinesen

The woman wrapped blankets around her children, a small boy and a smaller girl. The little ones clamored for their nightly story. It didn’t seem to matter to them that they huddled in what was left of their home. They didn’t seem disheartened after spending another day searching for food. Their mother began the story as she always did, “Not far from here and not long ago.”

The children stepped into the story.

Some of her stories ended the same night they began. Most went on night after night. Each story started with some kind of yearning that turned into a quest. Many times the characters in the story had to step aside to wait or go another way before continuing on. They were confronted by danger, hunger, and riddles. The characters learned to be patient and clever.

Sometimes decisions they made earlier came back to help them or hinder them. In one story they were grateful to find humble roots growing along their path. Weak from starvation the characters dug them up, rinsed them in a nearby stream, and boiled them over a tiny fire. Just as they were finally about to eat some fellow travelers came by asking if they had food to share.

“Careful,” the boy and girl’s mother interrupted the story. “Notice the travelers’ eyes and their hands. Are they thieves? You must show them your strength as well as your kindness. What would you do?”

The boy and girl said they would share. As the story went on these same thieves protected the characters from an enemy but later stole the only stone that warded off a trickster’s wicked prank. When the boy and girl exclaimed that it wasn’t fair their mother explained that the characters saved four lives by sharing the food, which was good, but they’d forgotten thieves could never be trusted. The children nodded as their mother went on with the story.

The characters in the story were always a mother with her boy child and girl child. They weren’t always people. Sometimes they were animals searching for their rightful place in the world. Or elf-like creatures seeking to restore lost magical powers. Or a queen traveling with the prince and princess, gathering clues to unlock a mystery. Often they were joined in their quest by other characters. Some of these characters had wisdom to offer. Others tricked and cheated them. Others ignored them entirely.

Image courtesy of eliq.deviantart.com

The children protested each night when their mother’s voice grew increasingly hoarse and she finally told them it was time for sleep. They felt as if they’d fallen from the story world. But she always promised there would be more to tell the next evening.

The family spent years waiting. For what, exactly, the children weren’t sure. A better home awaits us, their mother assured them, but it’s a long way away and not all will be easy once we arrive. During the daytime she taught them to speak a language no one else knew. It sounded like birds chirping and scratching on the roofline. Sometimes she taught them songs while they ground grain or chopped vegetables for stew. Mostly she taught them to be wary and watchful. The little ones barely noticed as they got taller except that it was a struggle to keep them in clothes that fit. They rarely had jackets or shoes. Sometimes they had no food either.

The nightly stories grew longer. Sometimes it took weeks to finish one tale. The story’s characters found many obstacles in their way and often, just when the troubles were unendurable and the characters ready to give up, the story would change in ways they couldn’t have imagined. The only thing that seemed to matter was that the characters didn’t lose heart.

Then everything changed. The mother showed the boy and girl a packet she had carefully hidden in the folds of her sweater. “Passports and documents,” she whispered. That very day the family left on their own journey away from the place they’d lived their whole lives. The children had never before encountered such hurry and so many crowded places. They stayed close to their mother as they waited in lines, were scrutinized by men behind tall counters, and had papers stamped. Before long they were strapped into seats on a huge craft. As it began to move the mother told a story. They didn’t know it would be her last.

There were three characters, a mother wolf traveling with a female pup and a male pup nearly as large as his mother. Although they lived in a land filled with sunsets that inspired beautiful wolf songs to rise from every hilltop, they were driven away by something worse than hunger. Their journey took them to a bridge so long they couldn’t see the other side. Behind them were wolves like themselves, thin and desperate. They weren’t sure what kind of creatures lived on the other side of the bridge but still, they were determined to get there. Suddenly in front of them loomed a fearsome beast with no eyes but many claws. He made the bridge shake so hard that they tumbled off, all except for the young male wolf who clung to the underside. He tried to pull himself up as he challenged the beast to fight. The beast loomed over him, roaring loudly with breath that crackled and smoked. Still the young wolf struggled to get back on the bridge. Then he felt something grab his feet from below. He kicked with all his strength but couldn’t loosen the hold. It wasn’t until he looked down that he saw his mother and sister wolves pulling his feet. They hadn’t fallen far. Just below the bridge was a forest of fruit and nut trees with branches reaching nearly to him. But he wouldn’t let go. He hauled himself up for battle. Just then the huge creature stomped down on his paw. His leg curled up at the monster’s touch as if scorched by fire and the wolf fell down, down, down to land on his mother wolf and sister wolf where they crouched in a tree. When he opened his eyes his mother was unable to speak and his sister unable to hear and his leg was twisted.

The story went on through the night. The boy and girl sat enraptured as their mother unfolded a tale rich as legend. The wolf characters trekked through strange forests finding nourishment that slowly began to heal them. Brightly colored birds taught them to fly. When the rocks under their feet started to crumble the wolf family lifted in the air, soaring toward mirrored mountains that appeared in the distance. The mother wolf could now speak in a whisper, the female pup could hear loud sounds, and the nearly grown male pup’s leg was nearly straight. Their fur prickled in fear but their journey had made them powerful in ways they were only now beginning to recognize. By the time they landed they knew that together they were invincible.

The story ended as the craft came to a halt. The girl held back, looking out the window at the unfamiliar surroundings. The mother stood, taking the boy and girl’s hands. “We have arrived,” she said. “No more of my stories. It is time for you to tell stories to me.”

Passengers streamed past them, people whose clothes and skin looked as foreign as mythical creatures. Most of them looked straight ahead but some of them smiled at the family. Their mother said to her children in a voice fierce with pride, “Always remember the word “immigrant.” It means you are one of the strong.”

Laura’s background includes teaching nonviolence, writing collaborative poetry with nursing home residents, facilitating support groups for abuse survivors, and writing sardonic greeting cards. She is currently a book editor. She also leads workshops on memoir, poetry, and creative thinking for Cuyahoga County Public Library, Literary Cleveland, and elsewhere. Her poetry appears in such places as Verse Daily, J Journal, Neurology, Literary Mama, and Penman Review. Her creative nonfiction and essays appear in such places as Wired, MOON Magazine, Christian Science Monitor, Praxis, and Under the Gum Tree.

She also blogs optimistically on topics such as learning, creative living, mindfulness, and hope.

Laura lives on a small farm where she works as an editor while also slooowly writing the 17 books she alleges she’ll actually finish.

Although she has deadlines to meet she tends to wander from the computer to preach hope, snort with laughter, cook subversively, ponder life’s deeper meaning, talk to livestock, sing to bees, walk dogs, make messy art, concoct tinctures, watch foreign films, and hide in books.

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