3/5/11

The Big Apple Chase

The witty and cleverly constructed detective novels by Kelley Roos, a joined pseudonym of the husband-and-wife writing team of William and Aubrey Roos, was one of the greatest serendipitous discoveries in my never ending quest for great-but-forgotten mystery writers – and on my list of personal favorites they rank almost alongside the unexcellable John Dickson Carr.

When they were at their best, they managed to combine a sparkling sense of humor and some risible banter, between the two protagonists, a wisecracking, mystery solving couple named Jeff and Haila Troy, with clever and well thought out plots. These qualities are most evident in their 1942 novel, The Frightened Stiff, an unsung masterpiece, in which the recently married couple move into their first apartment that turns out to be a former speakeasy (one that Jeff used to frequent, much to Haila's dismay) and comes with a naked corpse in the garden who was drowned in their bathtub. Hilarity ensues!

Ghost of a Chance (1947) is a bit different from the other Rooses I have read thus far and starts off with an ominous phone call from a stranger – asking Jeff's help in preventing the murder of an unnamed woman that is about to take place any minute. Well, the Troy's never been the ones to pass up a good mystery and follow a trail of instructions that eventually leads them to the subways, only to find the man's exanimate remains on the tracks and they are rather skeptical of the whole drunken accident theory the police cooked up. As a result, they find themselves faced with the daunting task of preventing a second murder in a city with several million potential victims!

What follows is a race against time, as the Troy's tramp about New York in search for leads that will help them safe a life, but almost everyone they meet along the way seems to be part of a sinister conspiracy and will stop at nothing to prevent them from reaching the intended victim. But despite the odds that are stacked against them, and the many dangers they have to dodge, they keep a level head and their recognizable sense of humor, which makes the book somewhat reminiscent to other humorous chase novels such as Crispin's The Moving Toyshop (1946) and Carr's The Punch and Judy Murders (1937) and The Blind Barber (1934).

Now, granted, this might not be the most ingenious detective story ever conceived, certainly not by the Rooses own standards, but tagging along with Jeff and Haila around town, sidestepping or crawling out of dangerous pitfalls and snooping for clues, is just plain fun and offers the reader a picture of a time when mysteries were allowed to be diverting and entertaining.

2 comments:

The Roos books remind me of the Lockridges when they were cooking with gas. The early ones have the same effervescence and clever plots. Later their Jerry & Pam North books got routine and plodding.

I've read Sailor Take Warning! and I've seen the French movie with Brigitte Bardot that became Voulez-vous danser avec moi? It was based on The Blonde Died Dancing. Both are impossible crime books. Sailor Take Warning uses a famous gimmick similar to the one in Chesterton used in his "The Invisible Man." For some reason Robert Adey missed this impossible crime aspect of the book in his Locked Room Murders bibliography. I have three other Roos books and keep meaning to read them.

The book that I keep praising ad nauseum, The Frightened Stiff, also has a fairly clever impossible situation: how could a top floor apartment been stripped of all its furniture without anyone noticing it?

If you have this one in your collection, I recommend you place it on the top of your TBR pile!

The Usual Suspect

An Elementary Observation

Welcome to the niche corner, dedicated to the great detective stories of yore and their neo-classical descendants.

Witnesses' Statements

"It's my job to fan the fires of your imagination with tales of doom and gloom; right now I have another chilling tale for you. A tale of danger and mystery..."- Vincent Price (Grandmaster of the Macabre)."The detectives who explain miracles, even more than their colleagues who clarify more secular matters, play the Promethean role of asserting man's intellect and inventiveness even against the Gods."- Anthony Boucher.

"I like my murders to be frequent, gory, and grotesque. I like some vividness of colour and imagination flashing out of my plot, since I cannot find a story enthralling solely on the grounds that it sounds as though it might really have happened. I do not care to hear the hum of everyday life; I much prefer to hear the chuckle of the great Hanaud or the deadly bells of Fenchurch St Paul."- Dr. Gideon Fell (telling it like it is since 1933).