Whistler's mistress, nicknamed Fumette, was his model for this print. She embodies the grisette, a working-class woman of Paris, demonstrating Whistler's realist tendencies at this time. With its lace collar, fitted bodice, full skirt, and apron, Fumette's costume may indicate her occupation as a seamstress or Whistler's budding fashion interests. Her loosened hair and informal crouched position accentuate her bohemian character, while her calm expression belies her reportedly fiery temper, which prompted Whistler to call her "the tigress."