Welcome to the Event Calendar, where you will find tour dates and special events. The calendar on the main Hittin' The Web page shows all the events from all HTW sites. The calendar on each individual band's site show just the events for that band.

No rush, I don't wanna be a jerk, but I'd REALLY appreciate this recording! It was my first ABB show EVER, and my dad's first since '71 at the Fillmore East. Will b&p or trade, depending on if I have what you want! e-mail IceFire813@aol

For those of us there this was the show of '04. Horn section was incredible, as were all the guests! New to HTW and to trading. Need someone to help me get started. Willing to pay if need be. Please help with this show. Many thanks!

This was a really great show. Great guest musicians and the band was in near perfect form. I was there and while so many highlights stick out in my mind (Ain't wastin time, statesboro blues, the night they drove old dixie down!!, revival, southbound, mountain jam and more) there were a few songs i didnt recognize that blew me away. If anyone has the full setlist of this show Please Post! Also, if anyones got a recording for sale or trade let me know. dont have much allman but lots of other great jam band recordings. Thanks.

After 8 nights, I decided to take Sunday off and just listen... so this is probably going to be a shorter review than usual... or is it...

No One Left to Run With
Aint Wastin' Time No More
Statesboro Blues
Rocking Horse
Every Hungry Woman
Been Loving You Too Long (Jukes horns)
The Same Thing (horns; Danny Louis; Tain Watts)
The Night They Drove Old Dixie Down (horns)
Revival

Kirk tells me before the show that "according to Haynes, last night was the best of the run-- and unless something goes wrong, tonight will be even better."

After the joyous colors the band had painted across the Manhattan sky on Saturday, you had to figure the closing show was going to be the cherry on the sundae-- not quite a let down, but maybe a sort of easing off. Getaway day.

You'd be wrong. Very wrong.

After some extended tuning that was entertaining in itself, the show starts on the upbeat with a blast of "No One Left to Run With." The band rocks hard over the bed of Gregg's keyboards. Warren is especially creative on his solo, and when the band locks into that Bo Diddley beat is there is glory in simplicity. Derek's solo work is riveting on "Aint Wastin' Time No More." Gregg's keyboard solo on "Statesboro Blues" is an early highlight. It is an upbeat but easygoing 1-2-3 punch to open the show.

Warren busts out one final "Rocking Horse," and things get less easygoing in a hurry. He plays a particularly ripping solo; after the hand-off, Derek plays some jazzy chords, then stops time for a moment, you drop to your knees, and then he's off and running again. "Every Hungry Woman" keeps the adrenalin pumping.

The Asbury Jukes horns-- with several familiar faces from the Conan O'Brien show; a 5-piece horn section-- take the stage and the band slows things down with "Loving You Too Long," something of a curve ball given that they'd been featuring "Dreams to Remember" from the Otis Redding song book this run. The horn lines are outstanding. Warren belts out soulful vocals as the horns swell, then a horn section break; their sound is full and punchy, the charts beautifully arranged. After a second round of vocals Derek steps up for a solo, then he's trading voices with the horns, who are now doing more improvising. Back into the verse, Derek accenting Warren's singing, with the horns providing counterpoint.

Danny Louis joins the party for "The Same Thing;" Jeff "Tain" Watts is sitting in on drums for Jaimoe (Starbucks run?) The riff to the song is big and brassy, and Warren is directing traffic, pointing to Louis for the first solo. Louis is all over the keyboards in a soulful romp. The ball is tossed to the horns for a sax solo (Eddie Manion?); then the full section joins him. Derek's lead lines take the song back to the verse, which in turn gives way to yet another horn interlude. Then Oteil grabs the reins for his funk workout, staying in the pocket created by the horns. Then Oteil throws it back to Warren with a nod, and Warren passes the ball back to the horns. It is as if the music is moving around and around, each player or section grabbing it, adding to it and passing it on. The horn players trade lines, then Derek solos over furious Warren chording that brings the song to a forceful close. As usual, it is a highlight.

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