While most well known for playing bass in Sadistik Exekution, Slave’s solo material depicts obscure and highly unpredictable emanations of a mind unrestrained by, but knowledgeable of, the conventions and trappings of underground metal. Indeed, there are few individuals in the underground metal scene who rival Dave Slave in terms of both talent and eccentricity. (Necrocock is one of the few that comes to mind.) It has been several years since he has executed a proper release and most of his solo projects are obscure and difficult to find. Doomed and Disgusting is the moniker of the most prominent of Slave’s current projects. Slave plays all of the instruments for Doomed and Disgusting, and the sound is every bit as unsettling and peculiar as Slave himself. With Doomed and Disgusting, Slave primarily focuses on doom of the most unconventional variety as only Dave Slave could produce. The track included on this 7”, entitled “Murder in the Dark,” is more aggressive and manic than much of the previous Doomed and Disgusting output. As such, it is perfectly suited for presentation with the Sadistik Exekution material despite the fact that the recordings are separated by more than 20 years. Of all the extreme underground metal bands to emerge from Australia, Sadistik Exekution was unquestionably among the most highly respected and generally depraved sounding. This split 7” contains Sadistik Exekution’s monumental “Suspiral” demo – the second release by the band. Originally released in 1991, it is a raw exploration of the sonic territory to which Sadistik Exekution would lay claim with its debut album, “The Magus,” that same year. Charged with the same spun out demonic psychosis that characterized all of Sadistik Exekution’s earliest work, “Suspiral” is among the most frenetic and anxiety-inducing recordings of its era.
Regular version on black vinyl with double sided fold over cover.
Die hard version on colored vinyl with two patches.

Japan’s Abigail has been a flagship band in the NWN! camp since the beginning of the label’s existence. In the more than 20 years of Abigail’s existence the bands has undergone a noticeable stylistic evolution from sinister Yakuza Black Metal to the band’s later period of sexualcoholic Street Metal Thrash. Up until the mid-1990s, Abigail was known exclusively for its Black Metal sound and ranked alongside Sabbat and Sigh among Japan’s most evil exports. The handful of demos Abigail released between 1992 and 1996 saw Abigail ushering in its malefic strain of Black Metal and securing for the band a prominent position among the elite bands within the genre’s Second Wave emanation. Abigail’s debut album, released by Modern Invasion in 1996, highlights the manner in which Abigail infused its traditionalist Black/Thrash approach with eccentric embellishments. The album, “Intercourse and Lust,” stands as a monument to the Far East Black Metal sound. When NWN! was still in its infancy, YK Insulter reached out to Abigail to seek approval to commit this legendary album to vinyl. Abigail agreed and, in 2002, NWN! released the LP, which became one of the first and most highly regarded releases on the label. Later that year, with the assistance of NWN!, Abigail made its first landing on U.S. soil and committed unholy acts before American audiences – monumental gigs that secured Abigail’s prominence in the West. “Intercourse and Lust” has stood the test of time and is as relevant in 2013 as it was when it was initially released. Driven by Yasuyuki’s bass combined with Youhei’s drums, the album is solidly anchored. Former guitarist Yasunori guided the band through searing, off-kilter Black Metal tracks such as “A Witch Named Aspilcuetta” and “Confound Eternal” while also steering more traditional Blackened Thrash oriented tracks like “The Bone Hunter” or the hammering frenzy of “The Crown Bearer.” “Intercourse and Lust” showcases the ability of the three-piece band to deftly interpose elements of myriad styles into the overall sound of the album. Yasuyuki’s familiar vocal rasp adds the final sonic flourish. The lyrics on “Intercourse and Lust” are noteworthy because many of the songs were written by Chuck Keller (Order From Chaos, Vulpecula, Ares Kingdom) and bear the evocative and poetic mark of his lyrical imagery. Juxtaposed with Keller’s lofty lyrical approach is the street-gutter violence of tracks like “Attack with Spell” and “Hail Yakuza,” the latter of which concludes the album with a series of Yakuza film samples. As Abigail’s popularity has grown dramatically through the past decade, “Intercourse and Lust” has assumed the stature of a classic album. NWN! is honored to make available once again this masterpiece of Far East Black Metal on vinyl.
Regular version on black vinyl with gatefold jacket and A2 poster.
Die hard version on beer colored vinyl with gatefold jacket, A2 poster, faux leather back patch, and sticker.
Wholesale pink vinyl is available as part of 10 copy increments. You will get 5 black and 5 pink with each set.

Although Singapore’s Nechbeyth has been active for over a decade, the band has just a few releases credited to its name, chief among which is its debut full-length album released in 2011. Released on CD by the Singaporean label, Vrykoblast, that album, “Blood.Axis.Domination,” has seen far less circulation and distribution than it deserves. After hearing it, NWN! immediately sought to commit this unholy assault to vinyl. With a style that evokes the controlled attack of Black Witchery combined with the frenzied intensity of Revenge, Nechbeyth are contemporary masters of the Bestial Black Death Metal sound. “Blood.Axis.Domination” reflects the completion of the first stage of Nechbeyth’s warfare ritual and foreshadows further bloodshed.
Regular version on black vinyl with insert and jacket.
Die hard version on silver vinyl with insert, jacket, patch and sticker.

The third 7" released by Gezol’s own Evil Records came at a pivotal period in Sabbat and Gezol’s life. The tragic passing of his father in the summer of 1987 had put a temporary halt to all live gigs and the band was at the edge of disbanding. However Gezol’s determination to continue with Sabbat lead to the release of the “Desecration” 7” in 1988. Graced with one of the best Elizaveat illustrations, this 7” further anchored Sabbat’s place in the worldwide metallic underground.
It is now the 30th Sabbatical year! NWN is celebrating this special year by unleashing a new series of high quality Sabbat merchandise.
T Shirt and bundle pack coming soon!

IN STOCK NOW!
Released by Buried by Time and Dust and officially distributed by NWN!

Radium “Through the Smoke / Live in Nottingham” LP+7"
DUST 038/39

Limited to 500 total (250 black and 250 orange vinyl).

At the beginning of 1980′s four bands from the same town by the names of Radium, Race Against Time , Paralex and later, Hell formed what was known as the East Midlands Band Cooperative. Put together to share gig costs , recording space and perhaps musical ideas the bands rehearsed and gigged within their small geographic location. Each band was able to squeeze out just one vinyl appearance before dissappearing, some to rise from the dead, some not. This is the story of Radium.
Before receding into obscurity the band was able to release on their own Isotope label the “Through the Smoke 7″ which showcased three tracks in their dark but aggressive style. The true shame was they had at least a dozen incredible tracks that never made it to the studio, namely “Into the Grave,” “Satan’s Hideaway,” “Doomed to Die,” “Through the Smoke” and many others. Luckily a gig was professionally recorded at recently found after 32 years gathering dust.

The material here show that Radium were among the heaviest of the NWOBHM movement. Fans of WFG/PA/MOTORHEAD/KILLER and VENOM will find interest here.

This release contains:
Through the Smoke 7″ reproduction
Isotope Records Radium 7″ marketing Poster
Into the Grave..Alive lp
8 page booklet with interview with Kevin Healey/Full Lyrics and dozens of pics from period.

Tracks:
SIDE A
ANGEL OF FEAR
MORE FUN IN THE RAIN
BACKSTREET GIRL
DUSTY ROAD
DOOMED TO DIE
SATANS HIDWEAWAY