* For a review of the previous episode, “Fear and Trembling” – click here
* For a review of the next episode, “Rhinoceros” – click here
The beginning of this episode begins with an excellent voice-over. I’ve awaited this moment. A bus flies by with REAGAN across it, all the while there’s Bruce Campbell giving a speech as the ole Gipper. Brief, but amazing.
Then, out in the middle of nowhere, Joe Bulo (Brad Garrett) and Mike Milligan (Bokeem Woodbine), alongside the Kitchen Brothers and a bunch of other men. Are they going out hunting? Looks like it. But hunting what? Bulo and a hunting guide of sorts head out to hunt, shoot skeet, whatever.
More of the excellent editing here. The splitscreen technique takes us between Reagan, back on, speaking to a crowd including Lou and Betsy Solverson (Patrick Wilson/Cristin Milioti), Constance (Elizabeth Marvel) and a ton of others – to Hanzee Dent (Zahn McClarnon) driving back to the Gerhardt Ranch. There, he gives Rye’s belt buckle back to the clan. Dodd (Jeffrey Donovan) and Bear (Angus Sampson) are not happy, neither is Mama Floyd (Jean Smart). Naturally.

Out in the woods, a massive shitstorm comes crashing down on Bulo. There are guns firing. People are shot, chaos descends. The Kitchen Brothers come out blazing, too. Then out of nowhere comes Hanzee – he annihilates the two shotgun wielding brothers with a huge knife. Incredibly wild. Especially afterwards, once Bulo comes shambling out of the woods to find Hanzee waiting for him by the cars. All the while we’re still hearing Campbell’s Reagan giving a speech. There are some parallels between Reagan and the sort of stuff happening in the small little Minnesota town. I expect the whole Reagan angle to make a nice overarching theme once the season is done.
Then we’re back to the troubles of Ed and Peggy Blumquist (Jesse Plemons/Kirsten Dunst). Poor Ed is having nightmares of Rye, the night of his death, all that. Even worse, Peggy is trying to convince her husband to take off. Lou really put the spook in her last episode. But Ed doesn’t want any part of that. He wanted such a normal, quaint life, and with Peggy’s mistakes – her massive blunders – it’s really all her that’s put them in such a terrifying position. I feel bad for Peggy, I mean, she’s sympathetic. Yet Ed is where my sympathies truly lie.

The Gerhardt youngsters are each their own type of fucked up. First there’s Charlie (Allan Dobrescu) who wants to pull the trigger, to avenge Rye, as he believes it has to be a Gerhardt to do the job on the butcher. To which Dodd agrees.
And then there’s Simone (Rachel Keller). She takes off from her father, out to see Milligan. Surprisingly, one Kitchen Brother remains; I thought he was also dead (“I see Thing 1, where’s Thing 2?” asks Simone). Things get damn tense. Milligan has a box with the head of Joe Bulo in it. He’s not completely convinced of Simone and her allegiance, whether it still lies with her family or with him, as her new lover: “If you want me to take you seriously, you have to be a serious person.” And he essentially gives her an ultimatum, to tell him everything before the Gerhardts even move on a plan, or else she can “die with the rest of ’em“.
Lou Solverson’s new contact in Fargo P.D., Bed Schmidt (Keir O’Donnell), gives him a call over the radio. He’s got the mess in the woods to deal with, the Bulo situation and all those puzzle pieces. Looks as if those two are going to have their hands full. Another trip to the Gerhardt Ranch is on the schedule. Can’t wait.

Noreen: “Camus says knowin’ we’re all gonna die makes life a joke”Ed: “So what, you just give up?”Noreen: “You could just kill yerself. Get it over with.”Ed: “C’mon ya gotta try”Noreen: “No”Ed: “You go to school, you get a job, start a family.”Noreen: “You die”

One of Fargo‘s incredible strengths comes through how the tension plays out, the suspense and the technique of drawing it out. Great sequence here where Charlie heads into the butcher shop in order to kill the butcher. There’s a very tense lead up, then a funny little exchange between Charlie and Noreen concerning the Camus book she’s reading, which really breaks the tension. Yet still, this tension switches back once Ed shows up through the door from out back – we get a split-second view, from Charlie’s P.O.V, as Ed looks mean and full of blood. Then it snaps to the natural, friendly Ed. So, as we all predicated, Charlie only walks away with some cuts of beef. No dead Ed.
At the Blomquist home, it appears Peggy has plain ideas about what she wants to do. She’s packing suitcases, though, it looks as if they’re only her own. Cut to: Peggy leaving a bus, suitcases in hand. She’s headed to the garage for the car. Awkwardly, she gets it back and fumbles through a conversation with the mechanic. This is the problem with Peggy: she is fundamentally a person without sense. She never does anything with a plan. But to my huge surprise, silly Peg goes to the garage instead of running. She takes a cold $700 from the mechanic for the car, seemingly intent on putting that towards buying the butcher shop. Is this a good thing? Will this help bring her and Ed closer back together, at least on the same page again? Hopefully so.

Bear: “How’d it go this mornin’?”Hanzee: “Killed a few, lost a few.”
There’s a ton of further tension in the Gerhardt family. We see a brief encounter between Bear and Hanzee. Then a worse one between Dodd and Bear – the latter is proud to serve with his mother as the head of their racket, the former has no time for “taking orders from a woman“. We’re going to see some serious fallout between the brothers, I think. First, there’s the fact of this confrontation. Then there’s also Dodd sending Charlie out to do a terrible thing; even though he didn’t do it, a good uncle would never involve a nephew like that.
Great meeting between State Trooper Solverson and Ronald Reagan in a washroom. Over a piss, Reagan relates a (partial) tale of some war picture he’d been in. Afterwards, Lou babbles on about the “sickness of this world” possibly being inside his wife, giving her cancer, as if he brought some of it back from serving in a nasty war. I feel for him. No doubt he has his demons. Although, Reagan isn’t anyone to try and assuage any fears. His only response once Lou asks an important question is to squeeze Lou’s shoulders, smile, then head off. Amazing, Campbell is such a perfect vision of Reagan that it baffles me. I couldn’t see how it was going to work when I first heard the casting news ages ago. Now, I kick myself to have thought anything other than: fucking awesome.

Lots of family relationships, good ones, in this show. Between the different Gerhardt dynamics – Dodd/Bear, Dodd/Charlie, Dodd/Simone, & Dodd/Floyd (a pattern emerges) – and the Solversons, I’m loving every minute of the scenes involving any of their characters.
Particularly, I love Hank Larsson (Ted Danson) and his daughter Betsy Solverson. They’re great together. I’m not usually even a fan of Danson’s, but there is a finesse and subtlety with which he plays the role I can’t deny. Especially in this episode, as he tries consoling his terminally ill daughter; there’s a point you could almost cry, he’s so tender and gentle and silly. Great few moments here.
Then we fall back to Charlie. He wants to go back to school, trying to call his father on the phone. But the man who Dodd sent with the boy wants to settle things. Thanks to Noreen, Charlie misses Ed. Then a massive fight breaks out between the Gerhardt henchman and Ed, a fire ignites after Charlie pumps a shot in the wrong direction.
Yet Ed proves to be almost superhero-like. He whacks the guy with a meat cleaver, plants a butcher’s knife in the henchman’s head, then gets Noreen + Charlie out to safety (even though the young Gerhardt took a bullet – maybe just a stray grazing or something). Then, instead of sticking around, Ed takes off. No doubt to make sure Peggy is okay. Or is he now convinced leaving town is best?

Dodd: “Bein’ grown’s got a price”
Ed flies back in the door trying to tell Peggy they need to pack and leave. Worst timing ever, right? They’re destined to never be on the same page. She’s already sold the car, changed her mind. Now, everything has changed in the blink of an eye. The shop burned up, anyways. MAN, OH, MAN! I feel so terrible for the Blumquists. There’s a nasty irony to everything happening in their lives. Tragedy lurks around each and every corner they come to.
The shit really hits the fan spinning when Ed and Peggy hear sirens, the reds and blues flashing around outside their door. Harsh and darkly comedic moment, as they both stare out towards the front door, seeing it all. We return to Billy Thorpe’s “Children of the Sun”, which played in an earlier episode – it plays as the credits roll. Quality finish to a solid episode.

Excited to see/review “Rhinoceros”. Stay tuned for the next episode’s rundown!

An Update from Father Gore

Seek & Ye Shall Find

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's student at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.