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Meyer was born in New York City, New York, to a Jewish family. He is the son of Elly (Kassman), a concert pianist, and Bernard Constant Meyer, a Manhattan psychoanalyst.[1][2] Meyer graduated from the University of Iowa with a degree in theater and filmmaking, and also wrote film reviews for the campus newspaper. Meyer first gained public attention for his best-selling 1974 Sherlock Holmes novel The Seven-Per-Cent Solution, a story of Holmes confronting his cocaine addiction with the help of Sigmund Freud. Meyer followed this with two additional Holmes novels: The West End Horror (1976), and The Canary Trainer (1993).

Intrigued by the first part of college friend Karl Alexander's then-incomplete novel Time After Time, Meyer optioned the book and adapted it into a screenplay. He consented to sell the script only if he were attached as director. The deal was optioned by Warner Bros., and the film became Meyer's directorial debut. Meyer freely allowed Alexander to borrow from the screenplay. The latter published his novel at about the same time the movie was released.

Meyer, along with writer/producer Harve Bennett, is one of two people credited with revitalizing and perhaps saving the Star Trek franchise after the problems of the first film, Star Trek: The Motion Picture, almost caused Paramount Pictures to end the series. Paramount had been unhappy with the creative direction of the first film, as well as the cost overruns and production problems. However, the film was also a great financial success, and they wanted a sequel. Bennett, a reliable television producer, was hired to help.

Introduced to Bennett by Paramount executive Karen Moore, Meyer was hired as a potential director for Star Trek II: The Wrath of Khan despite never having seen the first film.[7]:96 Due to problems with the early drafts of the script, which most readers disliked, Meyer quickly became involved in re-writing the film's screenplay. After meeting with Bennett and other members of the cast and crew regarding the script, Meyer impressed Star Trek's actors and producers by delivering a superior draft of the script in only twelve days. The draft had to be completed so quickly, in fact, that Meyer agreed to forgo the negotiation of a contract or credit for his writing in order to begin work on the script immediately. As a result, he is uncredited as a writer on the final film.

In his direction, Meyer made stylistic alterations, such as adding more of a naval appearance. Meyer and Bennett together created a film that was engaging while also reducing costs and avoiding the production fiascoes of the first Star Trek film. The Wrath of Khan became a financial success, grossing $78 million in the domestic market, and is considered by many to be the best Star Trek film to date.[8]

Although he "refuse[d] to specialize" and so vowed to not work on another Star Trek project,[9] Meyer co-wrote the screenplay for the fourth Star Trek film, Star Trek IV: The Voyage Home with Bennett. For that film, Bennett wrote the first and third acts, which occur in the 23rd century, and Meyer wrote the second act, which occurs in 1986 San Francisco. Meyer has said that one of the most enjoyable aspects of working on this film was getting the chance to re-use elements which he had been forced to discard from his earlier film, Time After Time. Star Trek IV proved to be successful financially,[10] notable for succeeding with general moviegoers as well as science fiction and Star Trek devotees.

Meyer worked for the Star Trek franchise again for the sixth film in the series, Star Trek VI: The Undiscovered Country (1991). He developed the story with Leonard Nimoy and co-wrote the screenplay with long-time friend and assistant Denny Flinn. He directed the picture, which was the final film to feature the entire classic Star Trek cast. Like its predecessors, this film was successful financially, grossing $74 million in the domestic market.[11] Many of Meyer's personal papers from his involvement with the Star Trek franchise are housed at the University of Iowa Libraries.[12]

In February 2016, it was announced that Meyer would be returning to Star Trek by joining the writing team for CBS's new TV series, Star Trek: Discovery, set to premier in January 2017.[13] The premiere was subsequently moved to May 2017.[14]