Sorcerer Records present the first reissue of Jody Harris and Robert Quine's Escape, originally released on the New York based No Wave label Infidelity (Lust/Unlust subsidiary) label in 1981. Jody made his name on the NY scene mainly through his work with the legendary avant-funksters, The Contortions, while Robert Quine, who sadly passed away in 2004, was one of the most acclaimed guitarists of his day, noted for his work with Richard Hell & The Voidoids, Lou Reed, Tom Waits, John Zorn, Matthew Sweet, and many more. The two recorded Escape in Quine's apartment with a whopping budget of $7 (that's what it cost Quine for the tape). The album sees them both engaging in guitar duels over a primitive drum machine, a kind of skeletal minimal-synth with avant-guitar excursions overhead. Outward-bound yet wholly listenable, the five tracks represent a great lost gem of the NYC underground scene of the day. Recommended to fans of No Wave, Rhys Chatham, Suicide, and the music of Robert Quine and Jody Harris, of course. This edition also comes with an inner sleeve featuring liner notes from Jody Harris detailing the recording, as well as exclusive photographs of the two. Remastered by Mikey Young and fully authorized by Jody Harris and Robert's brother, Van. Edition of 600.

Sorcerer Records present the reissue of Why Not Now?... Alan!, the debut LP from 1987 by Milwaukee space-rock gods, F/i. Available for the first time on vinyl since its initial release, it remains a holy grail item for lovers of cosmic rock n' roll sounds from underground Amerika in the 1980s. F/i had been churning out tape upon tape of experimental electronics since the early '80s. Influenced by krautrock (particularly Cluster, Tangerine Dream, Ash Ra Tempel) and the harsh noise of industrialists Throbbing Gristle and early SPK, by the mid '80s they morphed into a fully-fledged "rock" band, albeit one incorporating all of the above. This LP is the perfect synthesis of these sounds: grimy, lo-fi "rock" with elements of industrial clang and extended, Hawkwind-ish space-rock jams; from the two-step cosmic churn of "Electric Waltz" to the 'Neubauten-style bang and bash of "Zombie Theme". Remastered by Mikey Young. The sleeve replicates the original. Includes download card; edition of 500.

Sorcerer Records present a reissue of Lubricated Goat's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay Stu Spasm (ex-Beasts Of Bourbon, Salamander Jim, and much more) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers, Killdozer, Pere Ubu, Big Black, Birthday Party.

Sorcerer Records present a reissue of The Grifters' So Happy Together, originally released in 1992. Memphis's Grifters made some of the finest recordings of Clinton-era America, with a number of albums on labels such as Shangri-La (their second and third LPs) and then Sub Pop for their remaining two albums. Their mixture of Memphis blues/roots influences, classic pop songwriting, and lo-fi aesthetics saw them as one of the shining lights of the '90s indie-rock scene. Here, Sorcerer Records reissue their first full-length LP, So Happy Together, out of circulation for over two decades. Originally released in 1992 on the Chicago indie label, Sonic Noise, which ceased operations not long after the album was released (hence many Grifters fans having never heard this very recording), the Grifters' So Happy Together is an absolute masterpiece of lo-fi slapped-together rock & roll. Less "rootsy" than their subsequent music, it sees the band navigating their way through ten sublimely inventive, non-generic "rock" tracks which beggar comparison. Well, at the time they were compared to the likes of Pavement, Guided By Voices, Trumans Water, et al. and other practitioners of stumbling no-fi sounds, but the Grifters' deft grasp of song dynamics, mixing up quiet balladry with booming guitar explosions inhabiting the same song surely puts them in their own bracket, no? In a review of the album at the time, they were claimed to be the missing link twixt the Wipers and Mission Of Burma (stealing comparisons from others), and 25 years later, such a claim still doesn't seem totally ridiculous. Anyway! The time is ripe for the world to rediscover the sheer genius of the Grifters. The Fat Possum label reissued their second and third albums, and now it's time to hear where it all began. So Happy Together comes fully remastered from the original tapes by Mikey Young. Housed in the original artwork in a heavy 425gm sleeve; Includes an insert featuring exclusive photos from the time and new liner notes from the band's Tripp Lamkins.

Sorcerer Records present a reissue of the very first LP by Scotland's Dog Faced Hermans, Humans Fly, originally released in 1988. This presents the first time it's been available since its release nearly 30 years ago, and this edition features the two bonus tracks which were only available on the German version at the time. Dog Faced Hermans existed from the mid '80s until the mid '90s and released five studio albums and several live discs in their time. Touring internationally, often with their friends The Ex (whom DFH member Andy Moor has played with since), they fomented a reputation for their dynamic live shows, uncompromising politics, and inventive music. Heavily influenced by no wave, free jazz, and Brit post-punk, and aided by an eclectic array of instrumentation and singer Marion Coutts's scorching vocals, they cut their own musical path. This edition is fully remastered by the band from the original analog tapes. RIYL: The Ex, Contortions, The Pop Group, The Fall. Edition of 600.

Sorcerer Records present a reissue of F/i's Space Mantra, originally released on RRRecords in 1988. First time on vinyl for nearly 30 years for this classic slice of American space rock. Milwaukee's F/i have been an ongoing concern since 1981, pioneering a certain brand of experimental rock which encompasses elements of industrial and psychedelic space-rock sounds. Originally a purely electronic outfit heavily influenced by Throbbing Gristle and prolific in the underground tape scene, they made the transition to "rock band" in the mid '80s, and for many, 1988's Space Mantra LP remains the high point. With fuzzed guitars, metronomic rhythms, swirling synths, and occasionally bucolic forays into blissful acoustics, it's a masterful take on cosmic music during the Reagan years. It was previously only ever released on LP once by the famed RRRecords label. RIYL: Hawkwind, Amon Düül, Causa Sui, Cluster. Edition of 500.