Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

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Reviews

'Adès' touch with the piano parts is at once live-wire and beautifully stylish, with Marwood matching this flair for deftly characterised light and shade … the Pulcinella suite and Divertimento from The Fairy's Kiss both scintillate from start to finish … the recorded sound, too, has marvellous presence' (BBC Music Magazine)

'Pulcinella, The Nightingale, the Firebird and Petrushka take on fresher, lighter, more subtle colours and timbres, all exquisitely revealed in this masterly recording from the celebrated composer and pianist Thomas Adès and his long-time collaborator, the fine violinist Anthony Marwood' (The Observer)

'This fabulous two CD-set offers so many pleasures it's hard to know where to begin … Adès handles the finger-twisting difficulties of the Duo Concertant with total aplomb, and has exactly the right incisive, luminous and chaste sound. Marwood, too, has that springy balletic quality always needed in Stravinsky, but he finds a myriad of colours to go with it: sly sentimental in the 'Chanson Russe' from Mavra, tender in the Duo. In all, it's a marvel' (The Daily Telegraph)

'It's the collective rhythmic energy and control of these players, along with their very obvious knowledge of the inner workings and details of the score, that make this such an impressive performance' (International Record Review)

'Nothing could be more invigorating than Stravinsky's music for violin and piano … Anthony Marwood finds infinite subtleties in the music's dance, while at the piano Thomas Adès is forceful without being domineering' (The Times)

'Marwood and Adès do the music every justice, bringing to their playing a sharp sense of rhythm and attack' (The Sunday Times)

'Stravinsky makes considerable understated demands on his violinist, with frequent quantities of double stops, which Marwood dispatches with great style' (The Strad)