The sonnet seems to be the epitome of the lover's message. It is a type of poetic form that was extremely popular in Elizabethan and Victorian England. The sonnet form was invented by Giacomo da Lentino in the mid-13th century. Search for comparative and methaphoric analysis of William Shakespeare's various sonnects and contrasting poets...

A 3 page explication of “Sonnet 73” by William Shakespeare. In addition to his plays, Williams Shakespeare is famous for his beautiful sonnets. In “Sonnet 73” Shakespeare presents three metaphors that collectively show his gradual acceptance of his progression towards death. Each metaphor illustrates his understanding and conceptualization of death, and culminates in an appeal ...

The writer argues that the Poet/Narrator of Shakespeare’s sonnets (who is not to be confused with Shakespeare) uses Shakespeare’s favorite themes of beauty, love and aging to make his points. There are three sources listed in the bibliography of this five page paper.

In four pages this paper argues that the homoerotic analysis of this sonnet is the most effective interpretation offered of this sonnet by William Shakespeare. Five sources are cited in the bibliography.

This essay pertains to Sonnets 18 and 73 by William Shakespeare. Figurative speech that utilizes the changing of the seasons to the human lifespan is discussed. Four pages in length, only the primary sources are cited.

In twelve pages this paper discusses sonnets and how they evolved during the Renaissance in a consideration of works by William Shakespeare, Mary Wroth, Philip Sidney, Henry Howard Earl of Surrey, and Sir Thomas Wyatt. Eight sources are cited in the bibliography.

In seven pages this paper examines the near dismemberment of an object of affection represented in early modern poetry such as 'Hero and Leander' by Christopher Marlowe, 'Sonnet 98' by William Shakespeare, and 'Astrophil and Stella 29' by Sir Philip Sidney. There are no other sources listed.

In ten pages William Shakespeare's life is examined and his sonnets and plays are assessed for their historical importance and include such criteria as definition, description, contrast and comparison, cause and effect, classification, and process. Fifteen sources are cited in the bibliography.

The ways in which this poem's poetic imagery contributes to the central metaphor of the comparison between a lover and a summer day are analyzed in this paper consisting of five pages. There are four bibliographic sources cited.

In seven pages this paper provides an analysis of the poet’s style, compares text similarities, discusses relevant literary devices, and explores Shakespeare’s literary characteristics. Five sources are cited in the bibliography.

This essay pertain to fools and clowns in Shakespeare's plays. The writer describes the role of the actor's performance on creating comedic effect and how fools evolved throughout the course of Shakespeare's career. Five pages in length, three sources are cited.

This essay discusses Shakespeare's "Twelfth Night" and Chaucer's "The Miller's Tale." The writer asserts that Chaucer's narrative has a more positive slant that contrasts with Shakespeare's cynicism. Five pages in length, five sources are cited.

In seven pages this paper discusses what needs to be considered when examining the conflict of freedom vs. order in this historical play by William Shakespeare. Five sources are cited in the bibliography.

In eleven pages Queen Margaret in William Shakespeare's Richard the Third and Lady Percy in Shakespeare's historical play Henry IV, Act I are contrasted and compared in a discussion of Elizabethan gender issues. Ten sources are cited in the bibliography.

This research paper/essay analyzes the relationship of Romeo and Juliet in the famous Shakespeare play. The writer argues that Shakespeare pictures Juliet as helping Romeo to mature in his conception of a romatnic relationship and, therefore, their love is genuine, and not simply adolescent infatuation. The writer also addressses a review of the play ...

In six pages this paper contrasts and compares the relationships between Richard II and the Duke of York in Shakespeare's play Richard II with that between Richard III and Buckingham in Shakespeare's Richard III. There are no other sources listed.

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