Tag Archives: Annotations of an Autopsy

If UK metallers Mutagenocide have not reached your neck of the woods or gaze yet never fear they are coming with their ferocious and feverishly flavoured sound, certainly if new EP Devolve gets the breaks and attention it deserves. Made up of seven voracious onslaughts which rage and stampede with pure metal aggression, the release unleashes an unpredictability which is as compelling as the invention and array of styles which fuels its adventure. The band has been making a stir across the metal underground in the UK and now Devolve suggests the time is ripe for the quintet to find a wider intensive attention.

Oxford based, Mutagenocide showed their intent and brewing depth of sound with a self-titled debut in 2012, the four track EP a potent reinforcement of their already keenly followed and recognised live performances. Now the line-up of vocalist Jay Taylor, guitarists Pat Scott and Paul Clayton, bassist Tom Greenway, and drummer Ben Wilsker pounce with a provocation which suggests they are ready to stir up a countrywide hunger with the potential to fuel attention much further afield.

From the first swipe of sonic belligerence over a persistently winding flume of guitar, opener Hysteria has ears and appetite wide awake. It is a dramatic entrance which is soon twisted into a tempestuous charge of thrash bred antagonistic riffing and vicious rhythmic hostility, this ridden by the caustic vocal squalls of Taylor. But as is a constant across the whole release, it is merely a moment in an evolving landscape, grooves and addictive hooks as well as subsequent progressively seeded ideation, veining and working its way into the heart of the fierce and impressive incitement.

The immense start is swiftly emulated and surpassed by the title track, it also an immediate fury and explosive assault through ears. A melodic and progressive teasing plays within the demanding surge before merging into an addictive web of tenacious grooving and venomous melodic metal coaxing. It is a blistering mix which again seems to find a new avenue to investigate and contagious bait to expel within the unrelenting voracity of the song. It is a brilliant encounter which is full of drama and intrigue, incendiary craft and seductive predation, but most of all sheer compelling invention.

Entombed and Swallowed makes a reserved entrance next, a guitar painting an emotive hue into an evocative atmosphere which carries no threat yet has an air of foreboding to it. It is the same as a melodic wind of progressive rock spicing opens up its narrative, guitars impressing with every expressive note but the darker shadows of the bass ensures a portentous tempering is lurking. That darkness seeps into the growing weight and punch of the rhythms before fuelling a corrosive maelstrom of acidic sonic endeavour, acutely jagged riffery, and an increasing spite to the commanding swings of Wilsker. Like a brawl instigated by Lamb of God and Sybreed with thoughts of Cambion also making their hints, but an aggressor with the poise and exploratory expression of melodic metal and the emprise of post metal, the track is a riveting blaze of adversarial emprise. It is soon outshone though by the similarly cultured but rigorously individual Half-Born, it’s closing seduction before a corrosive finale alone passion firing but as a whole proposition the song is a startling and ruggedly imposing and shifting triumph.

Remeron Nightmares with its stomping thrash sculpted entrance and Wretched bring the release to a mighty conclusion. The first proceeds to spin a malevolent web of precision crafted inhospitable toxicity encased in a simultaneously intimidating and alluring storm, its presence as primal as it is intensively honed. Equipped with a familiar swagger, a sonic invention which leaves lips licked, and a primal virulence the track is a monstrous treat. The same which can almost be said about its successor, a final enthralling furnace of raw and hellacious enterprise which whilst lacking the stature and uniqueness of its predecessors, is still a mighty end to an outstanding triumph.

There is very little to put up against the Stu Mckay (Malevolence, Desolated, Ingested, Annotations Of An Autopsy, Eternal Lord) recorded and Tim Turan (Nuclear Blast, Candlelight Records) mastered release though a bit more variety to the admittedly excellent vocal delivery of Taylor would be welcome and interesting. It is a minor thing in a big thrilling step from Mutagenocide, a band you can expect to hear and see a lot more of ahead.

Like the effect of sand in a wind tunnel notched up to the maximum, the new album from Italian deathcore band Corroosion is as abrasive and lethal as their name gives hint to. It is a nasty and destructive piece of work, a sonic blistering without mercy or respect. It is also corruptively magnificent. Dirt Awareness is not the easiest of listens or probably not the most appealing for some at times but stare it right in the eyes and it is becomes one of the more rewarding albums to assault the senses this year and has the makings of an insatiable addiction.

From Turin, Corroosion emerged from the ashes of Hekatomb in 2005. Consisting of vocalist AnD, guitarists Sentenza and Lino, bassist Marco, and Dave on drums, the band made their first mark with their 2008 demo Maze Of Human Deprivation. Relentless gigging followed as well as the six track EP Two Steps Before The Vein, the band all the time creating attention grabbing strokes with their storm of extreme metal leading them to sharing stages with bands such as The Acacia Strain, Deicide, Neaera, Annotations of an Autopsy, Knights of the Abyss, and Slowmotion Apocalypse. Mid 2009 and the band signed with Rising Records and set to work on their debut album Punish The Mind with producer Alan Douches (Killswitch Engage, Emmure, Carnifex, The Acacia Strain, Cannibal Corpse),which was released the following year. 2011 saw the band destroy stages alongside the likes of The Ghost Inside, Bleed From Within, Suffokate, Trigger The Bloodshed, For The Fallen Dreams, before working on their second album. Produced by Fredrik Nordstrom (At The Gates, Job For a Cowboy, Bring Me The Horizon, Dimmu Borgir, In Flames) and released again on Rising on July 23rd, the album is a titanic treat of invention, imagination and outright violence.

The album creeps up on the ear with the opening to Awareness as echoes of war emerge from the sinister whispers to be replaced by the intrusive windings of guitar grooves and flesh grating vocals. At full stretch the track badgers the senses with crisp punchy rhythms and bruising riffs through an attack which seems tempered, as if the band is simply teasing and taunting its victims. The intensity though is oppressive throughout and heightened in the climaxing storm of scowled group vocals, rigid beats, and manipulative guitars, and the song itself the intimidating beginning and appetizer for the annihilation ahead.

The crushing and quite brilliant track The Loser Slave flies for the jugular within seconds of its appearance, air flaying riffs and grinding grooves to open up the deepest sores laying siege upon the senses. The song evolves into a raging stomp of sounds and bestial borne vocals with a ravenous hunger not to be denied. It is pure malevolence brought with the surest ferocity but dive beyond the surface and there is a continual evolution of invention and sound going on which makes every rampage a new offering. It is this which has the band standing out over other similar bands and makes Dirt Awareness far more than a great album.

More impressive brutality comes in the form of the greedily consuming and relentlessly raging Crimes Of Fathers Times with its dehabilitating diversity of riffs and rhythms skewered with a cruelly niggling groove and the stunning Polarity, both further scarring on the ear and scrambling of synapses with sharp twisting manipulations. The second of the two is a maelstrom of hellacious energy and sounds which use their notes like kinder to spark an inferno of fury and creative excellence to bring one to their knees.

The release is simply one continual high quality and imaginative brute with just the intensity and the caustic covering uniformal. The songs twist and turn within their skins, tempo disruptions, unexpected breakdowns, and perfect unpredictability raging in the eye of every storm such as in further triumphs like Collective Humiliation, Falena, and Repulsion, though every track deserves a mention such the depth of excellence.

The suspicion is Corroosion is still an unknown most have yet to discover but with Dirt Awareness the days of that secret is numbered with the band surely on the verge of deserved major attention.

The RingMaster Review

The RingMaster

Music writer/reviewer and band/release promo/bio writer.
Artists previously worked with include: In Vain, The Capsules, Solar Halos, Seneron, Crashgate, Able Archer, Machine Rox, Fahran, Centre Excuse, Evanstar, and many more as well as FRUK and Pluggin' Baby.

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Presenter of The Bone Orchard and RingMaster Review podcasts promoting the best underground bands and sounds from metal to rock, punk to noise and more; continually presenting the cream of new independent releases across all genres.

Dark poet at The Carnivale of Dark Words and Shadows http://carnivaleofdarkwordsandshadows.webs.com

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