Thursday, May 8, 2014

FOODFIC: Please Welcome Chantal Boudreau, Author of Magic University

Flavouring
Fantasy

by
Chantal Boudreau

Food
isn’t necessarily the first thing that you think of when you think of
fantasy... or the second thing... or the third or fourth thing. In fact, superseded by monsters and magic,
warriors and weapons, it may be ignored altogether in the typical fantasy
novel.

Understandably,
food isn’t likely to play an integral role in the usual fantasy plot, which is
why there is little focus placed on what and how things are eaten in many
fantasy stories. But considering world-building
is the cornerstone of fantasy fiction, and food is often a factor of ceremony,
culture and social interactions, it makes sense that the concept of who tends
to eat what and when be addressed as part of the backdrop of the tale. Fantasy writers often describe religions,
political systems, architecture and flora and fauna. Food is just another way of flavouring the
fiction.

This can be an
especially useful tool if the fantasy in question is based on existing myths or
cultures, as a means of highlighting this connection. For example, if the fantasy touches on the
Middle East, one might expect to see figs, goat cheese and falafel, or if it is
a northern tale, the writer might have characters feasting on seal or caribou
meat (or the fantasy equivalent.) In my
novel Magic University, which finds its basis in medieval Europe as is common
to many fantasy novels, the typical fare is ale, bread, smoked meats and
cheese, and fruits or vegetables one could expect to see growing in the average
European garden.

Researching this
component of a story is not that difficult in today’s day and age. You can even find books that specifically
discuss what might be eaten in a fantasy setting, such as What Kings Ate and
Wizards Drank by Krista D. Ball. There
are also cookbooks available that are based on existing fantasy series, such as Leaves from the Inn of the Last Home (Otik’s spicy fried potatoes is a
favourite of mine) based on the Dragonlance series or Nanny Ogg’s Cookbook
based on the Discworld series, just to give you a few ideas.

It also makes
sense to include examples of food and drink as part of both plot and character
development, giving the writer another means to an end. For example, in the opening scene of Magic
University (the first book in my Masters and Renegades fantasy series), there
is a small skirmish between Reid Blake’s imp, Stiggle and the dwarven
competitor, Shetland, which is instigated by food. The function of the scene is two-fold. It creates a tension between Stiggle and
Shetland that persists throughout the novel, allowing for later scenes of
discord that exist mostly for comic relief.
It also introduces Shetland’s obsession with food and drink, part of his
character development which shows itself again several times in the story.

Food can be used
to distinguish one setting from another, as well. A grubby pub for commoners will have very
different items on the menu than an upscale tavern intended for higher-class
patrons. Along with a description of
decor and existing customers, a description of the food and drink being offered
and served can help set the tone of the establishment. In Magic University, each competition Way
Station is being hosted by a different wizard, who provides refreshments that
match their personality. The variety of
food and drink found at each Way Station not only tells readers something about
the Way Station attendant, but also adds to the particular ambiance of the Way
Station.

Along with general
plot and character development, food can also provide an opportunity to flush
out the more unusual plot elements and distinct characters. A fantasy novel may contain characters with
very particular feeding needs, something that adds to the novelty and
fantastical nature of that character.
One of my characters in Magic University, Ebon, is a person who exists
trapped between two dimensions due to an accident that occurred when he was
apprenticed to a Renegade wizard. Rather
than feeding the way most people do, he draws his sustenance from magical
energies, draining power from magical spells or items in the process. As he puts it: “I still appreciate a good
meal, on a purely aesthetical level. It
is just something that is unnecessary. I
draw my energy from other sources.” I
even include one scene where his feeding needs interfere with his goals.

As
you can see, there are many reasons a fantasy writer would want to incorporate
food into a story. If you’ve never
really contemplated the role food can and does play in well-written fantasy,
you may want to give it a go. Consider
it food for thought.

Thanks for stopping by to share your food for thought, Chantal!

Chantal
Boudreau is an accountant/author/illustrator who lives in Nova Scotia,
Canada with her husband and two children. A member of the Horror Writers
Association, she writes and illustrates horror, dark fantasy and
fantasy and has had several of her stories published in a variety of
horror anthologies and magazines.Fervor,
her debut dystopian novel, was released in March of 2011 by May
December Publications, followed by Elevation, Transcendence, and
Providence.MagicUniversity, the first in her fantasy series, Masters & Renegades, made its appearance in September 2011 followed byCasualties of War and Prisoners of Fate.

3 comments:

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An entertaining and informative post. I enjoy reading fantasy, but I had not given much thought to food in the stories. I'll be looking for it in the next novel I pick up. Boudreau's comments also had me thinking of ways we use food in both contemporary and historical fiction.