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Summary

DISTINCTIVE FEATURES *Balances the history of the music business and the impact of social and cultural movementson the story of rock *Integrates lively pedagogy: ╗Boxed insertson significant individuals, recordings, and cultural issues ╗ More than forty detailedlistening guidessummarizing the most important elements of recordings discussed in the text ╗ More than 100full-color photos ╗ Boldfaced key terms and aglossary *Robust support package: ╗Instructor Resource CDcontaining a computerized Test Bank (978-0-19-975837-1) ╗Companion Website(www.oup.com/us/schloss)

Author Biography

Joseph G. Schloss is Visiting Scholar and Adjunct Assistant Professor of Music at New York University. He is the author of Foundation: B-boys, B-girls, and Hip-Hop Culture in New York (OUP, 2009) and Making Beats: The Art of Sample-Based Hip-Hop (2004), which won the 2005 Book Award from the International Association for the Study of Popular Music. His writing has appeared in URB, Vibe, The Seattle Weekly, The Flavor, and the anthologies Classic Material and Total Chaos.

Larry Starr is Professor of Music at the University of Washington. He is a respected scholar on the music of Gershwin, Copland, and Ives, and on popular music. He is the author of George Gershwin (2011), The Dickinson Songs of Aaron Copland (2003), and A Union of Diversities: Style in the Music ofCharles Ives (1992). His articles have appeared in American Music, Perspectives of New Music, and The Musical Quarterly.

Christopher Waterman is Dean of the UCLA School of the Arts and Architecture. An anthropologist specializing in the music of Africa and the Americas, Dr. Waterman is the author of J¨j˙: A Social History and Ethnography of an African Popular Music (1990) and guest editor of the volume Globalization:Cultural Expression, Creativity and Innovation (2010). He is also a bassist who has performed professionally in a wide variety of popular genres.

Table of Contents

Each Chapter ends with a Conclusion PrefaceList of Listening GuidesIntroduction Music and IdentityWhat Is Rock?A Note on the Terms "Rock 'n' Roll" and "Rock"Chapter 1: The Prehistory of Rock 'n' Roll Popular Music Before the Rise of Rock 'n' RollThe Southern Roots of Rock 'n' RollPre-Rock 'n' Roll Rhythm & BluesCountry and Western MusicThree Big Hits of the Pre-Rock 'n' Roll Period-- "Goodnight, Irene" (Strophic Song Form)-- "Choo Choo Ch' Boogie" (12-Bar Blues Form)-- "Love and Marriage" (AABA Song Form)Chapter 2: The Rise of Rock 'n' Roll, 1954-1959 Cover Versions and Early Rock 'n' RollThe Rock 'n' Roll BusinessChapter 3: Early Rock 'n' Roll Musicians The First Generations-- Chuck Berry-- The Electric Guitar and Rock 'n' Roll-- Little Richard-- Boogie-Woogie Piano MusicThe Next Generation-- Elvis Presley-- Jerry Lee Lewis-- Buddy Holly-- Latin American InfluencesWild, Wild Young Women: The Lady VanishesSongwriters and Producers of Early Rock 'n' RollChapter 4: Pop Music in the Early 1960s The Rise of Soul Music: Ray Charles and Sam Cooke-- Ray Charles and Soul Music-- Sam CookeThe Twist"Teenage Symphonies": Phil SpectorBerry Gordy and MotownThe California Sound-- Brian Wilson and the Beach Boys-- Other "Surf Music"Chapter 5: The British Invasion and American Responses The Beatles and the British InvasionThe Rolling Stones and Other InvadersMeanwhile, Back in CaliforniaUrban Folk Music: Bob DylanChapter 6: From Rock 'n' Roll to Rock: 1965-1970 The Influence of the Counterculture-- Sgt. Pepper's Lonely Hearts Club Band-- Satanic Majestics: The Rolling Stones after Sgt. Pepper-- The San Francisco Scene-- The DoorsFolk Rock and Country RockRock and Soul-- James Brown-- Aretha Franklin-- Otis Redding, Stax Records, and the Relationship of Rock and Soul-- Sly Stone and Santana: The Rebirth of Rock MulticulturalismGuitar Heroes: Jimi Hendrix and Eric ClaptonChapter 7: The 1970s: Rock Becomes Established Rock Comes of AgeThe Rock AlbumRock CultureLed Zeppelin and Hard RockStadium RockSouthern RockJazz RockSinger/Songwriters and Soft RockThe EaglesChapter 8: The 1970s: Rock Offshoots and Responses Punk Rock and New WaveReggae Music--Rock in the Diaspora-- The Rastafarian Movement-- Jimmy Cliff and Bob Marley-- The Popularization of Reggae in the United StatesFunk MusicThe Rise of DiscoMixing and Scratching: The Origins of Rap MusicChapter 9: Rock Superstars of the 1980s MTV As Hit Maker: Peter Gabriel's "Sledgehammer"The Impact of Digital TechnologiesThriller and Born in the U.S.A.-- Thriller (Michael Jackson, 1982)-- Born in the U.S.A. (Bruce Springsteen, 1984)New Wave Goes Dancing: "Sweet Dreams""Baby I'm a Star": Madonna, Prince, and the Production of Celebrity-- Madonna-- PrinceChapter 10: 1980s Rock: New Alternatives, New Accents Heavy MetalHardcore PunkHip-Hop Breaks ThroughThe Rise of "World Music"Paul Simon's Graceland and the Politics of "Worldbeat"Chapter 11: Rock in the 1990s: Alternative Becomes the Mainstream Home RecordingOn the Term "Alternative""Smells Like Teen Spirit": Alternative Rock Hits the ChartsThe 1990s Rock MainstreamJam BandsHip-Hop in the 1990s-- The Rise of Gangsta Rap-- Hip-Hop, Digital Sampling, and the Law-- Gangsta Rap Conflicts-- All Hail the QueenWorld Music/Rock CollaborationChapter 12: The Internet Era: 2000- Music and the Internet: The Revolution Will Be DownloadedThere's No Place Like Home: Digital Recording, Pro-Tools, and Rock Music"The System Is Broken": Changes in the Music BusinessRock Music in the Age of Digital ReproductionRock around the WorldHip-Hop in the Early Twenty-First Century-- Jay-Z-- Kanye West-- Eminem-- OutkastCoda: Patterns in Rock History GlossaryBibliographyCreditsIndex