The boys are back for their last episode of Saturday Night Movie Sleepovers for 2017! J. Blake and Dion Baia are going back once again to that endless well that has been so plentiful for them this year, and tackling one more from 1987! This time around they’re chatting an action classic, one that kick-started an entire franchise. To answer the age-old question: what do you get when you take an unhinged cop who gets partnered up with another whose got retirement on the mind? Well you get the Richard Donner essential, Lethal Weapon, from 1987.

The guys jump right into this Christmas-centric flick by discussing the sub, subgenre of Christmas-related action movies. They chat about what the allure is of having so many of these type of genre films set within the Holiday season. They talk about screenwriter Shane Black and the original script that was even deemed “to dark” by the studio and others involved. Dion and Blake analyze the insane ‘what-if ‘ game for this go-around, looking at how different of a movie this could have been with an alternate cast, had the other actors considered, been chosen. They also look back at the other influences in cinema and within the ‘police genre’ that led Hollywood to Lethal Weapon, and how this benchmark reset the action film for the years to come. So, what 1980’s action flick do the boys think shouldhave been set at Christmas time? Was this actually the first use of a modern cellphone within a movie? And did Dion actually think once upon a time that the film’s title had to be spoken within the movie? Well everyone better make sure their Beretta‘s and Smith & Wesson‘s are cleaned and ready for use, cause the boys are taking you for one last ‘ride along’ on this last, all new 2017 holiday edition of Saturday Night Movie Sleepovers!

Hello again and welcome back to another all new episode of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are talking another absolute cult classic film that turns 30 this week. A movie about beach boardwalks, teen angst, and of course vampires, Joel Schumacher‘s The Lost Boys from 1987.

The boys fondly reminisce about the era The Lost Boyscame out within, and how the concept of teenage vampires was a relatively new idea for audiences. Blake and Dion discuss the vampire lore and the ‘classical’ representation these characters had in cinema, and how this film kind of turned that traditional idea on end. They talk about the obvious connections to novelist J.M. Barrie‘s story Peter Pan, as well as the other cultural influences peppered in the story, such as the reoccurring presence of rock icon Jim Morrison and the symbolism invoked, which goes to the greater themes layered within. They discuss the family dynamics in the story, be it the Emerson family’s or the Lost Boys gang themselves. The lads go into the Corey connection, and the relationship between Haim and Feldman that all started with this movie. They compare this film to the novelization, and interject some of the subplots and scenes that were discarded in the final cut of the 1987 movie. And they also chat about the sexual tension between the main characters in the story, and ponder the question: who is really attracted to who here? So, how monumental was The Lost Boys’soundtrack when it came out? Did director Joel Schumacher maybe put himself a little bit into young Corey Haim‘s character? What’s Blake‘s Billy Wirth story? How about Dion‘s Jason Patric encounter? Well it’s about time that you sharpen those wooden stakes, gather as much Holy Water as you can find, and above all, don’t invite any strangers into your house because an all new edition of Saturday Night Movie Sleepovers is coming your way!

Welcome to a new SNMS feature that we are affectionately referring to as Saturday Night Movie Guestovers, where an esteemed guest comes over and joins in on the movie sleepover fun!

Suffering from Halloween horror withdraw, this week J. Blake invites a good friend of the SNMS podcast, writer/podcaster/musician extraordinaire Mike Vanderbilt (@MikeVanderbilt), to discuss a mid-1980s horror film that Mike, in particular, holds near and dear to his heart, 1985’s Fright Night—written & directed by the great Tom Holland and starring the late Roddy McDowall.

After a brief introduction of Mike to the SNMS listeners and a discussion about writer/director Tom Holland’s career before Fright Night (as well as a bit of swapping stories about their own personal interactions with the horror movie living legend), the boys make their way through the beloved vampire classic, discussing the strength of its cast of actors and what they brought to the plot and their characters during the film’s extended rehearsal period. The guys also revel in the film’s numerous practical special effects, examine the state of horror and classic movie monsters at the time of Fright Night’s release, discuss the film’s original intended ending, its sequel as well as its remake, its fan-favorite soundtrack, the tie-in comic book series and much much more! Is this film actually the start of both the 1980s vampire boom and the “meta” horror film? Were all 80s teenage boys’ bedrooms exactly the same? Do vampires really eat apples? Are the film’s vampiric villain and his loyal manservant the “Odd Couple” of the 80s? Do they have thin crust pizza in Chicago? Was Marvel’s casting of Tom Holland as the new Spider-Man a bold choice? These are just some of the important questions J. Blake and special guest Mike Vanderbilt try to answer in this giant-sized premiere of Saturday Night Movie Guestovers!

As always the podcast is also available on iTunes, Stitcher and most other podcast apps and sites.

Dion Baia and J. Blake are back for another must-listen to edition of Saturday Night Movie Sleepovers! The dog days of summer are wrapping up for the boys in the mean streets of the asphalt jungle, and they had the perfect film to cover at the end of August. This week they take on an urban classic, something near and dear to a generation of film goers, Joel Schumacher‘s Falling Down, starring Michael Douglas as William D-Fens Foster, from 1993.

Truly a poster child film for the frustrated 9-5 worker who is fed up with their job and maybe the system in general, Blake and Dion figured this would be a great movie to wrap up this hot and steamy summer season. They get right into it and chat about how the film almost became a TV movie because of Hollywood’s passing on the script due to the controversial content. They also frame the historical context of the era it was released within, hitting on the recent recession at the time, as well as the LA riots that occurred in the Spring of 1992 (while the film was being shot). They discuss the amazing choice of casting, the fantastic Michael Douglas and once again discuss the importance of the likeability of an actor playing a role, for the audience to be on board and like that character. Dion and Blake chat about the D-Feds character and if he’s actually the protagonist or perhaps the antagonist. And they compare him to his foil in the film, Detective Prendergast, played by the legendary Robert Duvall and how they both cope with the stress of daily life. They also discuss how this story translates to today’s audience; not just by how Douglas’ character is perceived and the glorification of some of his actions, but also how modern audiences in today’s highly politically correct environment may even jump to conclusions without fully understanding the context of the era, not only of 1993, but cinema in general and the background of D-Fens as a character. Well it’s a rip-roaring blast for the lads in this fun and exciting, all new episode of Saturday Night Movie Sleepovers! #wolfmansnards

For week 4 of SNMS’ epic October Halloween Month of Horror, J. Blake takes the show on the road and does a totally impromptu special Sunday Night Movie Sleepover “Side-Cast” from the nation’s capitol with a cherished old friend, former classmate and fellow sleepover & horror movie enthusiast, Dave…covering one of their all-time favorite 80s horror classics, Silver Bullet(1985).

In this first all new and original edition of SNMS’ “Side-Casts,” Blake calls on Dave’s love and knowledge of Stephen King to help examine this seldom mentioned King penned masterpiece. They discuss King as an author, Cycle of the Werewolf, (the novelette the film is based on) and King’s original screenplay. They discuss how the film is, at its core, really a beautifully executed family drama and marvel at the performances of Gary Busey and the late Corey Haim. They talk about composer Jay Chattaway and the film’s musical score. They explore the werewolf legend as metaphor. Blake tells the bone-chilling story about the first time he ever saw this movie and while under the influence of perhaps one growler of beer too many, the guys get a little deep.

Did Stephen King mean for some the dialogue to be a “tongue in cheek?” How does this film’s take on the werewolf transformation really work? Are we, as an audience, supposed know who the werewolf is before Janie does and are his intentions actually good? How loose is “The Buse” in this movie and why do Blake and Dave love this movie so darn much? Try your best not to “make lemonade in your pants,” because all these questions and more are answered in this special Halloween edition of SNMS’ Side-Casts!