In the following video, Rob Rives shows off the Resident Audio T4 Thunderbolt Audio Interface. Rives discusses the features of the interface, including how it provides four mic preamps with phantom power while being exclusively bus powered, its color LED gain indicators, and its master volume knob. Rives also shows you the unit's multiple output options and MIDI I/O. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.

In the following video, Rob Rives, from B&H, demonstrates the Focusrite iTrack Dock for the iPad. He explores the dock’s form factor, input capability, and monitor control knob. The video showcases the dock's microphone preamps, taken from Focusrite’s Scarlett interfaces, and Rives mentions its maximum recording resolution of 24-bit/96kHz. He also demonstrates the iTrack’s app compatibility. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.

In the following video, Rob Rives, from B&H, overviews the new Presonus AudioBox iOne and iTwo audio interfaces for recording one or two tracks at up to 24-bit 96 kHz resolution into your Mac, PC, or iPad. Rives explores the different methods of powering the interfaces, the input connectors, and features such as phantom power for condenser microphones and the available gain of the Class A microphone preamplifiers. The video also showcases the user controls for monitoring, MIDI I/O capabilities, as well as the included Presonus Studio One Artist DAW for computers and Capture Duo app for iPad. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com

In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern. The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.

In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.

In the following video, Rob Rives, from B&H, discusses the new RØDE RodeLink Wireless Filmmaker Kit, a camera-mounted digital wireless microphone solution. With the system mounted on a Canon 5D mk III, the video explores the system’s 100-meter wireless range and ease of use in pairing the transmitter to the receiver when using the 2.4GHz spectrum. The system supports 8 discrete channels with 8,000 channel combinations and utilizes dual internal antennas at 90-degree angles for maximum signal radiation and space diversity at both ends. The video demonstrates the system’s shoe mount, which allows you to attach the receiver to your camera, as well as the additional 3/8" thread for expanded mounting options. Powered by a pair of AA batteries or via a USB port, both the transceiver and receiver have a battery life of at least 7 hours. The receiver’s OLED screen shows you levels, battery status, mute, and channel selection. The video further explores the system’s user interface, as well as the gain, pad, and mute functions, to ensure your camera receives a signal at the appropriate level. The video also demonstrates the included omnidirectional lavalier mic (with foam windscreen), and shares Rives’s advice on getting the most of the system in real-life applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com

In the following video, Rob Rives demonstrates Audio-Technica’s System 10 camera-mount digital wireless system, and how it can be integrated into your camera rig for wireless audio. The video explores some of the functionality of the system, as well as discusses its digital audio quality and operating range. Rives shows off both the lavalier and handheld microphone options, letting you hear their sound quality firsthand. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com

In this video, Rob Rives shows us the RØDE VideoMicro, a compact camera-mountable microphone that features a cardioid condenser capsule for capturing pro-quality recordings. Highly portable, and great indoors or outdoors, the mic is powered by plug-in power from your camera, and it comes with a 3.5mm coiled connection cable, Rycote shockmount and furry windshield. It’s an ideal choice for ENG, wedding videos, film, and much more. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.

In this video, Rob Rives shows us a new six-track audio field recorder from Tascam, the DR-701D. An update to the DR-70D, the DR-701D now represents Tascam's flagship audio recorder for single-shooter video production. Designed specifically as an audio-recording solution for DSLR video applications, the DR-701D boasts dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power. In addition, the recorder features time code support, HDMI Start/Stop, improved audio quality, and the track count has been expanded from four to six so each XLR input can be recorded to an individual track and the stereo mix of those inputs can also be recorded to two tracks. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.

Join Enrique Martinez as he composes a dance track—on the spot—using the Novation Launchpad Pro with Ableton Live. Though it’s been designed specifically for Ableton Live, the Launchpad will work equally as well with any DAW or hardware MIDI device. The enhanced RGB LED back-lit pads are velocity and pressure sensitive, allowing for fluid expression and creativity when composing and performing. The layout is designed to keep your focus on the performance, giving you hands-on access to all your sounds, effects, and mixer controls. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.