Variety Casino

Gambling is a fascinating theme for movies since it’s essentially theatrical. Gamblers are appealing typeset for movies, because it’s simple for stories to place them in great state. Good gambling movies have handled to carry optimistic thought to the world of gambling and even brought in new online casino player, who were conspired and strained by the luxury and money. Watching gambling movie, we can practice the enthusiasm of online casino gambling without the risk. Some movies did the conflicting and presented a bleak image of addicted gamblers who are on the edge of self devastation. Many enormous gambling movies have been made, Many Casino Movie have centered on the depiction of gamblers and the convincing surroundings of casinos, because the concept of gambling is striking to spectators as much as a well known actor or an exciting plan are. There are dozens of gambling movies, some are luminous and some are dreadful.

Some of the best of the best casino movies are on our site. Find out which movies the variety casino thinks are the best movies ever made! The incorporation of gambling, casinos, poker and other games in Casino movies goes all the way back to the 1930's with Gambling Lady starring Barbara Stanwyck. This list contains the most resent and gambling movies and all of them provide their own unique outlook on the vast world of gambling. This list does not crown the "best gambling movie of all time" but presents some of the more prominent films that revolve around the world of gambling. The latest gambling-related the 21 casino movie is one of my best online gambling movie I have a review about this movie in our site it will surely interest you a lot. Astonishing actors such as Paul Newman, Robert De Niro and Edward Norton, films with exciting stories such as The Sting, Casino or The Cooler and realistic portrayals of a gambler's life such as presented in The Gambler.

The 21 Casino Movie

21 star Kevin Spacey as a professional, manipulative college professor Micky Rosa who can beat the casinos at their own game: royal blackjack. Ben Campbell is a youthful, extremely clever, student at M.I.T. in Boston who struggles to be successful. Looking for a scholarship to transfer to Harvard School of Medicine with the wish to become a doctor, Ben realize that he cannot afford the $300,000 for the four to five years of school since he comes from a deprived, working-class background. But one evening, Ben is introduced by his math professor Micky Rosa into a tiny but mysterious club of five. Students Jill, Choi, Kianna, and Fisher, who are being trained by Professor Rosa of the skill of card counting at blackjack, ruse by the desire to make money, Ben joins his new friends on covert weekend trips to Las Vegas where, using their talent of code talk and hand signals, they have Ben make hundreds of thousands of dollars in winning blackjack at Multi Casino after casino.

He recruits costar Jim Sturgess, who plays a white and nerdy student at MIT named Ben Campbell. Ben can do serious math on the fly, gets all A's at MIT, and plans to go to Harvard Medical School. But Ben needs Gambling money. He works at a men's clothing store for $8 an hour, and can't pay for med school. Ben only wants to make sufficient money for the tuition to Harvard and then back out. But as fellow card counter, Jill Taylor, predicts, Ben becomes tainted by voracity and his conceit at winning which lets his feelings get in the way, and it also puts Professor Rosa, as well as the group, on the radar of a cruel casino security enforcer, named Cole Williams, who holds a personal complaint of some kind against Rosa which intimidates to untie everything the students have learned and earned.

The Casino Royal

Daniel Craig has exposed himself completely competent of captivating on a British icon: a man of style, cruel willpower, gripping sex appeal and a lethally critical way with women. But that's sufficient concerning his presentation as Ted Hughes. Daniel Craig is a fantastic Bond, in Casino Royal, and all those wingers’ and nay-sayers out there in the blogosphere should hang their heads in shame. Craig was inspired casting. He has effortless presence and lethal danger; he brings a serious actor's ability to a fundamentally unserious part; he brings out the playfulness and the absurdity, yet never sends it up.

He's effortlessly the best Bond since Sean Connery, and possibly even - well, let's not get carried away. Now he has taken on the mantle of 007, and the result is a death-defying, sports car-driving, female-back-fondling, cocktail-recipe-specifying triumph. With Craig's unsmiling demeanor and his unfashionably, even faintly un-British dirty blond hair, he looks like a cross between the Robert Shaw who grappled with Bond in From Russia with Love and Patrick McGoohan's defiant Prisoner. The key to his X-factor is that Craig looks as if he would be equally at home play lucky a Bond villain.

This is the story of James Bond's inception, transferred forward in time to an insecurely anticipated post-9/11 present. After a very nasty and violent killing in a men's room, shot in grainy monochrome, Bond earns his official double-0 rating with a second wet job: the unofficial whacking of a traitor in the higher reaches of MI6. His spurs earned, Bond must now tackle his first super-villain: Le Chiffre, banker to Smersh in the unique, now accountant and banker to international terrorists everywhere, though al-Qaida and someone else from the Middle East are coyly left unmentioned. M even involves that influenced airline stock prices was an inspiring factor for 9/11 - a sly piece of cynicism that would have amused Fleming himself.

The Gambler

The Vegas gambler is an intensely directed and written movie maybe too academic in its approach for most people. A sequence of effective vignettes take place during which Axel disclose an idealistic faith that he can will him to win and be victorious. The height of his self delusion is revealed when Sorvino tells his debtor that he will reveal a secret he has never told an obsessive gambler like Axel before - he wants to lose. Axel tells him scornfully that he knows this, but really he wants to cherish the illusion that he can control his destiny. Never more so than when during a game of blackjack he doubles his bet when holding 18, saying to the dealer 'Give me the three'.

The utmost movie ever made about gambling and risk taking. Axel Freed is addicted to risk, but more than that he must take risks to justify his existence. The movie begins with Axel being told by his bookie (Sorvino) that he must repay the $45,000 he owes on gambling debts and follows Axel through a journey of self abasement, self hatred and rage as he recoups, then loses the money. Axel goes into a ghetto area and allows himself to be stabbed by a knife wielding pimp (Antonio Fargas) whom he tries to incite into killing him. Once again he is taking risk to the limit - he has just dedicated an act that has further injured is battered self esteem and his way out is to take a serious risk - this time with his life as the stake - because he is never more alive than when he has 'proven' his false theory that he is the captain of his destiny.

Logically it is shown in this movie as a value of limited use if unconfirmed by character, as Axel's life philosophy sees a clever and complicated man allowing him to be made the victim of some of the most mockingly played low life gangster in cinematic history. Axel's literary induced and hold up love of wish and belief in the affectivity of the will of the entity is the illusion destroying him. The street elegant sense of his uneducated grandfather and the bookies and hustlers who prey upon him wins out every time over Axel's academic delusionalism.