Panasonic Lumix DMC G5 review: New features and a new sensor

The Panasonic Lumix DMC G5 progresses rather than regresses in image quality. Its dynamic range took a one-stop leap over its predecessor. It also has a better knack for taking in a broader swath of colors over its older sibling, the G3. Yet, it takes a slight step back for low-light.

This small disappointment was exacerbated when the G5 was compared to Sony’s NEX-F3 and Olympus’ OM-D E-M5. The two rivals showed Panasonic has work to do on the image quality front, especially for low-light shooting.

Further readings for the Panasonic Lumix DMC G5 review: New features and a new sensor

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Panasonic has added a new member to its highly esteemed Lumix G-line. The 16-megapixel Lumix DMC G5 adopts the Japanese brand’s mirrorless and Micro Four Thirds technology, and it replaces the one-year-old G3. But did Panasonic’s renovation of features and design for the G5 extend to the camera’s image quality? DxOMark has some answers.

Comments

am eagerly awaiting this!

I am contemplating the G3 or G5 and whilst I think the latter is a worthwhile upgrade on features, there is quite a price premium, and I wouldn't want to pay it if the sensor wasn't a significant upgrade. thanks.