Among the eligible feature-film titles are the final three scores from the late James Horner: “The 33” (in photo), “Wolf Totem” and “Southpaw.” And the exec committee OK’d the Ennio Morricone score for “Hateful Eight,” which includes about 30 minutes of new material along with several minutes of old scores written by him. Notable exclusions include “Love & Mercy” (Atticus Ross), “Crimson Peak” (Fernando Velázquez), “The Revenant” (Alva Noto and Ryûichi Sakamoto) and “Youth” (David Lang).

The eligible scores and their composers are listed below, in alphabetical order by film title:

A Reminder List of works submitted in the category will be made available with a nominations ballot to all members of the music branch, who will vote in the order of their preference for not more than five achievements. The five receiving the highest number of votes will become the nominations for final voting.

According to the Academy, “To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Scores diluted by the use of tracked themes or other preexisting music, diminished in impact by the predominant use of songs, or assembled from the music of more than one composer shall not be eligible.”

The 88th Academy Awards nominations will be announced on Jan. 14. The Oscars will be held on Sunday, Feb. 28.