And talking of
‘grannies’ (see Gordon Lawson), here is what the composer says about his latest
Fagus offering: “Wedding congregations offer a unique challenge to the organist.
Music is required with tunes that ‘granny’ will recognise in a style to satisfy
the ‘coolest’ net surfer. Hopefully, this lively set of pieces goes some way to
meeting that need and proves, yet again, what a vibrant instrument the organ is.
As a recital item, audience participation can be encouraged by the offer of a
small prize for the correct identification of all the hidden melodies, recalling
the heyday of the popular music quiz ‘Face the Music’.

The composer is
organist at St John the Divine, Brooklands Sale, and one imagines he is
professionally and happily obliged (and able) to sometimes be trendy (and
manages rather better than your publisher - see Newsletter). You too now have
the chance to enjoy his wit and inventiveness, and to share his enthusiasm for
what for better description might be called a 'cross-over' style.

These
pieces were written for the composer’s son when he began to learn the organ,
having mastered the piano to grade 3. This is a suite of a short set of pieces
introducing some of the main colours of the organ. Technical difficulty
particularly in the pedals is restricted, whilst at the same time the writing is
attractive and exciting. The movements are varied in tempo, texture and style
and would be particularly suitable for Weddings or Recital use on any two manual
instrument.

These
3 pieces were composed for a recital given in July 2004 as part of the 37th
Season of “Music for a Summer Evening at Hawkshead” held in the delightful
Parish Church. The pieces are a highly poetic attempt to capture the flavour of
the Lakeland scenery and people.

This suite of folksong arrangements was
written in 2002 for a series of recitals given in Norfolk in the summer of
that year. It was an immediate success. The tunes were selected in
consultation with the noted authority Alan Waller. There is a Grainger-like
vigour to these settings which is highly stimulating, and there is no doubt
that this work would be very effective in a recital.

Conceived in
honour of one of Norfolk’s most celebrated folk singers these sparkling
movements based on traditional tunes are a real delight; this is especially true
of the concluding Toccata where Percy Grainger may be seen to shake hands with
John Adams, in a splendid perpetuum mobile.

The carol is the ‘Song of the Nuns of Chester’ and the piece consists of
the Theme, Introit, 9 Variations (following the Christmas Story) and Sortie.
It made considerable impact at it’s first performance given by Philip in
Sheffield Cathedral. There is ten minutes of good music and good fun here.

The Confession of Brother Haluinn - The Raven in the
Foregate - One Corpse too many - The Virgin in the Ice - St Peter’s Fair

This work is based on the titles of the Cadfael books
by kind permission of Brother Cadfael Products. Brother Cadfael is the
fictional main character in a series of historical murder mysteries written
by the linguist-scholar Edith Pargeter under the name "Ellis Peters". The
character of Cadfael himself is a Welsh Benedictine monk living at
Shrewsbury Abbey, in western England, in the first half of the 12th century.
The work is largely based on original melodies of the 12th and 13th
centuries reworked in a contemporary musical idiom. A persistent feature is
the use of an idée fixe based on the letters of the names CADFAEL. Philip
has given many successful performances of this suite, though individual
movements may be used as voluntaries.

This piece takes as its starting point Bach’s supreme Toccata, Adagio and
Fugue. The chorale Vom Himmel Hoch is central to the entire work but, as
though in a meeting of the United Nations, other familiar Christmas tunes
from around the world put in more or less recognisable appearances. This
piece will make a highly entertaining contribution to a December recital.

£7.505 copies and more £6.00each
(Items are available separately - please ask for a quotation)

O Magnum Mysterium - a Babe has been born - The Camel’s Carol - A Mystery -
John the Baptist - Journey’s Ending - Shall I still be as sure? - The King
of the Jews.

The composer says ‘These carols were specifically
written for the choir of St John’s, Brooklands, Sale. The eclectic range of
styles included in the carols is intended to make them appealing to all age
groups. Some are specifically aimed at younger members, making use of riffs
and jazzy rhythms. It was also the intention to try to keep the level of
difficulty within the range of the average church choir, which is why there
is a men’s part as opposed to separate tenor and bass parts. The texts have
been kindly written by four members of our congregation.’ The ‘Camels’
Carol’ is particularly worthy of attention.

This fine music is clearly cast in the form of a Baroque suite, and is a
splendid tribute to one of the UK’s most famous organs. The flamboyant
‘Overture’ can stand on its own, and the other movements can also be played
separately.The composer says: ‘This piece is suitable for any keyboard
instrument. When performed on the organ, players with smaller hands may use
the pedals. ‘The piece was composed for our annual visit to play the
1693 Father Smith (?) organ located in Adlington Hall Cheshire, some 7 or 8
miles from Stockport. The work is based on "The Hunting Song" with words by
Charles Legh (owner of the hall at that time) set to music by Handel in 1751
(the theme is quoted as Mvt. II). Handel seems to have stayed at Adlington
Hall on several occasions and is believed to have composed "The Harmonious
Blacksmith" on the organ there.’

The Wise Men follow the Star
- The Star - Meeting with Herod - Mary and the baby (Lullaby) - The
Wise Men offer their Gifts - The Warning - Rejoicing.

£12.00

Offering and Finale for
Epiphany Sunday

(B/C)

(Movements 5 and 7 of the
above)

£6.00

Philip’s note below details the provenance of this work. For those who
are unable to take up the whole, the ‘Offering and Finale’ will make a
particularly useful and valuable pairing.

The composer says: ‘After
the hype of Christmas, it is easy to pat ourselves on the back for a job
well done and pack the Christmas organ music away for another year. This is
a pity because the story is not complete without the arrival of the Wise Men
on Epiphany Sunday. ‘In this little collection of pieces we accompany
the Wise Men on their often difficult and dangerous journey, and share with
them the wonder and joy of seeing the new-born Christ. Many well known
Epiphany hymns and carols are to be found more or less hidden in this music;
much of this is in a neo-baroque style which I hope will be enjoyable and
accessible to a wide range of listeners. ‘The pieces may be performed as
a continuous set or individually at suitable points in an Epiphany Service.
They could even be combined with a performance of some or all of the
Brookland's Epiphany Carols for choir and organ which also published by
Fagus-music.com.’