The latest track to be lifted from their seventh straight No.1 album, No Tourists, finds The Prodigy digging deep into the late 80s east London pirate radio sound.

The band dominated the illegal rave scene, challenged anti-rave legislation and redefined the whole idea of what a band should be like.

They brought UK electronic music to the US heartland, turning metal kids onto raving and ravers into metalheads…effectively reaching global audiences without compromise.

There is, still, nobody quite like The Prodigy, who in No Tourists appear to have tapped into (says Howlett) a wider need for escapism:

"It's about the want and need to be derailed and not to follow that easy set path. In these times we live in people have become lazier and forgotten how to explore.

"Too many people are allowing themselves to be force fed, with whatever that may be. 'No Tourists' is about reaching out further to find another alternative route where the danger and excitement may be to feel more alive… not accepting that you can just be a tourist. That's what the title is about for us."

The album sees The Prodigy return with venom in the way that only they can.

Though much has changed in the musical and social landscape, what remains a constant is The Prodigy's resolute focus to always do things their own unique way.

Brighton-based musician, promoter and studio owner, Stuart Avis, recently sat down with Steve Hackett, who, as one fifth of Genesis during their 1970's prime prog phase, has gone on to build himself a reputation as one of rock's leading and most innovative guitarists.

The Ballad of Johnny Longstaff is the story of one man's adventure from begging on the streets in the north of England to fighting against fascism in the Spanish Civil War, taking in the Hunger Marches and the Battle of Cable Street.

In 1978, after having sold millions of records and become one of the biggest international artists of the 1970s, Cat Stevens decided to step out of the rock star spotlight and walk away. That year, he was to release his final album under that name.

Creators of stage showWild, Laura Mugridge and Katie Villa, want us to think about that thing we have all been through, but very few of us talk about, through a bold, riotous and strikingly visual show.

Brooklyn-based band Air Waves' new album, Warrior, is about being a Warrior in a queer body in this political climate, lead-singer Nicole Schneit's mother being a Warrior fighting chemotherapy, and being a Warrior in relationships.

Written just a year apart, Lone Star in 1979, Laundry & Bourbon in 1980, the plays share the same setting, themes and connected characters and, not surprisingly, are usually presented on the same bill.