Dear LilyPond user community,
As the issue reappeared again, I'm currently implementing triple
flats/sharps (as exotic as they may be).

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There are very few examples and therefore, I'd like to ask the community at
large what they think about the glyphs I've prepared.
It's a question of design (and usability), that's why I'm not writing to the
development list for this inquiry.
*Triple flat*
You can find a combination of flat and flatflat ligature.
This takes up a lot of space and, to me, looks rather uneven.
Therefore, I've created a triple-ligature by adding another (slightly
compressed) left b to the existing bb glyph.
The new note names for triple-flat just extend the existing standard (e.g.
Suffixes -fff in English, -eseses in Dutch, -bbb in French/Spanish/... etc.)
*Triple sharp*
Common representation seems to be #x, albeit there is an example of x#.
I'm going for #x.
The English note names for double-sharp can be coded with suffix -ss and -x
(mimicking the double-sharp cross symbol).
English note names for triple sharp:
Suffix -sss and -sx (because of #x)
All other languages: extending the standard
The are mainly two real-life examples hovering in the internet (Reger and
Alkan):
Real-life triple flat example (Reger)
<http://dictionary.onmusic.org/terms/3683-triple_flat>
Real-Life triple sharp example (Alkan)
<http://dictionary.onmusic.org/terms/3687-triple_sharp>
The two new signs demonstrated in simplified excerpts taken from the above
examples currently look like:
<http://lilypond.1069038.n5.nabble.com/file/t3887/triple-accidentals-in-use.png>
Any comments, improvement proposals, complaints, Vetos?
Thanks for having a look
Torsten
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
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