Meet Shepps and Gwen, Sid Vicious and Nancy Spungeon avatars, young and punk, but without even a hint of the aura of glamour that seemed, briefly, to redeem the stars. This is a love story of a decidedly bent sort, droll, fiercely witty, Rabelaisian, candid, amoral, real. Did I mention real? Susan Sanford Blades is a discovery. Her story has panache. She spanks out line after quotable line as if she speaks in aphorisms. “This one lied due to the unbearability of truth.” “Parenting is simpler for the absent.” Sentences carved out of the ether but anchored in an incredibly convincing, grubby, and hilariously inept reality. “She let him come in five minutes, tuck his limp sea cucumber into his pants, and slosh away because Gwen was twenty-one years old and beautiful boys didn’t need to try.”

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Shepps appeared at Pluto’s Diner carrying a duffel bag stuffed with Dorothy’s Rainbow posters and a roll of masking tape. He wasn’t an official band member but they let him play second bass sometimes. They’d adorn him with a black spiked wig and track marks on his forearms—a nod to Sid Vicious that guaranteed him a Nancy after the show.

Pluto’s offered two waitresses that day for the young and horny gentleman wandering Cook street with a stomach for grease. Tiffany of the two-inch tall sprayed-straight bangs and bra-less, off-the-shoulder sweaters and Gwen of the bleached-blonde witch’s broom and ever-moist Fire Red pout.

Shepps introduced himself to Gwen as the lead singer of Dorothy’s Rainbow but she had a nose for liars. Shepps couldn’t command a sentence, let alone a stage. Boredom and intrigue for this flop-footed sprout drove Gwen to let him lie to her at a booth in the corner while he drank glass after glass of apple juice. He told her he dug the band but wanted to quit. He bemoaned his toad voice. The girls. Every night like a line up for the dole outside his van—myriad desperate faces with ready palms. Shepps’ lies endeared him to Gwen. This one lied due to the unbearability of the truth.

She let him eat her out in a booth after closing that day, his lips sticky from the apple juice. When Gwen came he leaned his head on her slick thigh and said, you’re delicious.

Gwen kept strict rules for Shepps. He could visit her at the diner but not at home. He could fall in love with her if he wanted but he could not call her girlfriend. They smeared themselves over every inch of vinyl in the diner. Gwen’s boss pulled her into a booth one morning and said, “smell the bench, Gwen. What is that? Bleach? Pancake batter?” She dipped her nostrils, shrugged and told him Tiffany closed the night before.

Gwen attended her first Dorothy’s Rainbow show flanked by her roommates Mona and Christie. Mona blew Hubba bubbles and yelled menstrual anxieties into Gwen’s ear. “Can you tell I’m wearing a pad? Is there blood showing? I felt a gush.” Christie, a Bryan Adams fan, stayed only because the bassist was cute.

Shepps played second bass to Donny. Donny ferried to Seattle every five weeks to give blood for a living and, due to his anemic state, was the most punk-rock looking member of the band. Both twiddled their E strings with the same useless fervour. The real lead singer was Damian Costello. He was not 1983 beautiful. His hair had not made the acquaintance of gel. His testicles had not been heated to the point of sterility by a pair of tight, acid-washed jeans. His beauty transcended decades. God, how he moved. Skinny and lithe as a garden hose. Johnny Rotten’s death grip on the mic stand without the toothy maw.

The after party took place in Shepps’ home—an orange Westfalia he parked at Clover Point. Donny grabbed the available flesh around Christie’s waist and took her up to the pop top. The drummer, Ricky, supplied the band with weed, a steady beat, and a throaty guffaw from time to time, but spoke little and was therefore considered sexless. Damian stretched and released Mona’s bra strap a few times then excused himself to wade in the ocean.

“Keep Mona company,” Gwen said to Shepps. “You can finger her a bit, I won’t mind.”

“Where are you going?”

“I need to pee.” Gwen opened the sliding door. “Mona, I’ve told you about Shepps, right?”

“Sure,” Mona said. “Inarticulate, likes to eat pussy?”

Damian was out to sea, knee deep in kelp.

Gwen plunged out like a spoon through Jell-O and said, “howdy,” then wished she’d opened with something more punk-rock, like oi!, then realized that was too effortful and howdy was so unpunk-rock it, in fact, was punk-rock, then felt satisfied with herself. Smugly so.

“How’d you like the show?” Damian remained at attention to the Olympic range.

Damian yoinked a sea-salted strand of Gwen’s hair and said, “why look like Nancy Spungen? She was psychotic.” And everything Gwen had ever wanted for herself, at least since high school, shrank. “You look cute though,” Damian said. He lifted Gwen and carried her and splashed and stumbled and shimmied her onto the beach and banged her head on a rock like the furthest thing from a punk-rocker. She let him fuck her like a man who’d returned home after a day inking paper to his aproned wife and slipper-bearing dog, meatloaf firming in the oven. She let him come in five minutes, tuck his limp sea cucumber into his pants, and slosh away because Gwen was twenty-one years old and beautiful boys didn’t need to try.

Gwen pointed to the urine-soaked blue line and said, “do we want this?” Damian noodled on his guitar a few minutes, then peered over the sides of his knees toward the coffee table.

“Has it been long enough?”

“The line doesn’t disappear with time.”

“Baybeh.” Damian half-sang this and Gwen wasn’t sure whether it was a noodling emission or a proclamation of their future.

“So?”

“Do-we-want-a-baybeh.” Damian sang this.

“So, no?”

“Do-we-want-to-kill-a-baybeh.”

“I don’t think I do.”

“Me neither.”

“Which one?”

“The killing one.”

Damian put down his guitar. Gwen watched him pull up his socks from the corner of her eye. His saggy socks. She wondered if Johnny Rotten wore socks, and if he did, were they from the sale bin at Thrifty’s, greyish white with the elastic gone.

Damian picked up the test. “Fuck, yeah. A baby. An experiment. Mind control.” He waved the test around. Conducted.

“It’s not in the stick.” Gwen raised her eyebrows. Pointed to her stomach.

He tossed the stick back onto the coffee table. “I know, Gwen.” He grabbed the waistline of her shirt. Clenched, one-handed like he was unloading hot socks from the dryer. “We’ll get married,” he said.

Gwen smiled.

“We won’t tell anyone.”

Gwen frowned.

“Except Shepps. He’ll be the ring-bearer.”

Gwen smiled. “And the flower girl.”

“We’ll make him wear a dress.”

“Such a sad flower girl.”

Shepps did not wear a dress but he grasped the flowers like a little girl. Held with index finger and thumb, flopped over to the side as though ambling to the tune of his daydreams. He brought them himself. Lavender and daisies he’d picked on the way to City Hall. “I love lavender,” Gwen said. Shepps said “I know,” though he never knew.

Gwen wore her grade twelve graduation dress—a fuschia, puff-sleeved, polka-dotted number—because punk-rock would soon die but polka dots were forever. Damian wore something Gwen had never seen. Low-cut corduroy bell bottoms he’d rolled up tight to conceal their outdated girth and a black suit jacket sized for a ten-year-old boy. He looked like a lanky giant dragging two lumpy doughnuts at his ankles. Gwen wondered if she should marry someone whose full spectrum of pants she was not yet acquainted with.

Once declared man and wife by the province of British Columbia, Shepps took Gwen and Damian to Pluto’s for a milkshake. “My treat,” he said. Shepps hadn’t been to Pluto’s since he’d last secreted into a booth. Gwen cringed at the ease with which he sauntered in, waved his wallet around, said hello to Tiffany, lingering on the Ls to flaunt his skilled tongue. And Damian. How, when Tiffany nodded toward Gwen’s shoulder soufflés and asked “what’s the occasion,” he said “it’s Gwen’s birthday.” Then turned to Gwen with a finger to his lips, as though the secret was theirs to share.

Shepps shuffled into the postnatal ward of the Royal Jubilee Hospital two days after Sara Rae Costello was born. He had always been loose-gaited but that day he seemed invertebrate. Gwen was without company, baby, or makeup. She looked less desperate-for-heroine, more desperate-to-have-her-hemorrhoids-looked-after.

“You had a baby.” It was the most punk-rock thing Shepps had ever said.

“Long time no see, Shepps.”

“How’s married life?”

“The masochist in me loves it.”

Shepps smiled and looked at Gwen as though to say you’re delicious but he said “you’re tired.” Gwen asked him how he was and he nodded and said, “good” in a sleepy elastic tone that made her not want to know how good. So she said, “good.” And they sat and looked at the walls until a nurse brought in the baby. Shepps said, “she’s beautiful. You look beautiful holding a baby. You look beautiful feeding a baby.” And they sat and looked at the baby until he said, “I should go.” He left a pile of lavender on her night stand. Typical Shepps, to bring flowers without a vase.

Sara had a sly smile Gwen loathed. The same smile Damian formed when conjuring alibis. After two years of marriage, Gwen’s nose was full of lies. Sara reserved her smile for moments of mischief. Cheerio-paste paintings on the carpet, feces on the bathroom wall. She sensed Gwen’s frustration and up those lips curled, followed by a plea for Daddy. Daddy received genuine smiles. Giggles, even. Sara offered Gwen a jowly, Churchillian scowl.

Gwen dreaded all times Sara was not close-lidded. Dread of building blocks, tea parties, empty hours. Dread of mistakes. Every motion, emotion, utterance potentially lethal. This child weighed too much. At times, she would offer Gwen respite. Run a peanut-buttered finger through Gwen’s ratted hair and pronounce her unicorn-pretty. Allow Gwen’s lips to reach the crown of her head. Succumb to sleep on Gwen’s downy stomach.

Damian had no trouble with the girl. She responded to his muted commands. Parenting is simpler for the absent. Gwen understood. Damian’s quiet disinterest was a siren to her as well.

Sara’s limbs had softened to curlicues around afghans and bears and mythical creatures. Gwen retreated to the balcony. She watched passersby and felt glad she wasn’t them. They were old and crippled. Saddled with groceries and offspring. Fashion victims. Having obvious, pretend fun. Slumping along, zombie-like as though every crack in the sidewalk were an abyss to traverse.

Gwen was dishevelled, though now not purposefully. Thinner of face, thicker of hip. A small plum under each eye. Her hair long and unbleached. Squirrel brown.

“You’re not playing tonight?”

“There’s no gig.”

“Oh. Then where’s Damian?” Gwen dangled her arms between the bars. “Why don’t you come up?”

“You know why.”

“Why don’t you come up?” Her fingers grasped at the air as though to bail out the sky between them.

“Because,” Shepps said. “Maybe for a minute.”

“Five more minutes,” Gwen said. “Come in. Talk to me. Lie with me.”

Shepps lay with Gwen in her bed, a paternal palm to her hip. He told her the truth. About pumping at the Esso. She smelled his sweet and sour fingers. About quitting the band. “I don’t know if they need two bassists,” he said.

Then Shepps lied to her about a girl. Cindy or Sandy or Mindy. Worked the coffee stand at the Esso. Filled her uniform well. “Snug,” he said. She’d been to his van for a beer. He’d undone a few of her buttons. And a few more. He might take her up island, introduce her to surfing, black bears, his parents. “You don’t even have parents,” Gwen said. She pressed her palm to his palm on her hip. Gwen thought about his sickly sweet tongue. How disposable it once was. And how much depended on it right now.

—Susan Sanford Blades

Susan Sanford Blades lives in Victoria, BC. “Poseurs” belongs to a manuscript of linked short stories she’s currently working on. Two others from said manuscript have been published recently in Grain and Filling Station.

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