When I first heard Nikon wanted $999 for a 35mm F1.8, I had a good laugh. When you pick the Z lenses up they don’t feel $999 I can tell you that much. The optics are superb but they feel like $200 lenses. Is the Z series a consumer or pro system? Who knows? Meanwhile, Canon brought out a range of pro lenses but forgot to bring out a pro body.

any dynamic range or high ISO noise differences will likely be hidden by most photographer’s inability to nail every single exposure to within 1/3 EV of “perfect”. In other words, If you upgrade cameras (let alone switch entire systems) for a mere 1/2 or 1/3rd EV of dynamic range or noise levels, but on average you miss your exposures by a whole 1-2 EVs, then the joke is on you!

The Sony a7 III handles this much better, fading to black in between live frames - at a faster frame rate no less. This gives more of an impression of continuous subject movement, making it easier to follow the action. The Nikon holds a live frame for a few frames, then immediately switches to a black frame for many frames, leading to a jarring blackout experience that makes it hard to follow action.