Dresser: PG-13, Jack/Ianto. "To be dressed by a skillful man is something to be proud of." (Post also links to the fic at AO3.)Naked: PG-13, Jack/Ianto. Sequel to Dresser. Jack thinks this is all about him (Jack would). That's okay.

The Quiet Room: R, Ianto/Tosh, Ianto/Jack, Ianto/Gwen/Jack. "Inside this room, no one talks. It isn't allowed. What goes on here stays here and, outside of it, never happened. Other than that there are no rules, in a manner of speaking."

In Every Minute: PG-13. Jack/Ianto. Jack will live forever, but that's no reason not to live for now.

Defender Of The Faith: PG, Gen. Torchwood answers to the Queen, serves the people, and shoots some wildlife.

The Harkness Variations: PG-13 (mainly for violence), some Jack/Ianto. Ten ways Jack's life could have been different -- some better, some worse, for him and for others.

Delight of Battle:: R, Jack/Ian Chesterton. Torchwood/Doctor Who crossover. Earth is a hard place to be stuck after having all of time and space at your feet. Sometimes, even Torchwood can mean freedom.

Compromise: PG, Jack/Ianto. After the Beacons, Ianto's inner censor is offline and Jack refuses to go home. German expressionism ensues.

And Yet: PG, Ianto/Lisa, Ianto/Tosh, Ianto/Jack, Ianto/Rose, Jack/Jackie. Three ways that things were; three ways that things could have been.

Interrogation: R, Jack/Ianto. After Jack returns and John Hart departs, Ianto and Owen both get to confront Jack about his immortality in their own way.

Job Description: R. Ianto/Everyone (consecutive, not concurrent). "I can't tell if that's open-mindedness or prostitution." "I prefer to call it an unwritten line on the job description."

All That I Ain't Got: PG, Jack/Ianto. The letters exchanged between Jack and Ianto during the three month time period of "Won't You Come Home To Me".

Price: PG-13, Ianto/Gwen/Jack. Price (Rewritten): R, Ianto/Gwen/Jack. Surely, given that Ianto had made his own peace with Jack and Gwen's bizarre sexless love affair, they had known they were having it.

The Edge Of The Roof: R, Jack/Ianto. Ianto's only seen Jack drunk three times; two of them weren't pleasant.

Carnival Show: PG-13, Jack/Ianto, hint of Tosh/Owen. Something has gone horribly wrong at the Electro Cinema. As it falls through time, the team must find a way to escape without Jack's help -- or at any rate, without their Jack's help.

Family Secrets: PG, Jack/Ianto. Ianto and Rhi finally manage to have Words about his new job and his new boyfriend. Predictably, nothing goes as planned. Coda to the Virtual Series episode Family Business.

Sing Morning Out Of Night: PG-13, Torchwood/Who/Sarah Jane Adventures crossover. A strange deck of Tarot cards, a dying TARDIS, and UNIT's invasion of a coastal Welsh village lead Torchwood to investigate the disappearance of the Doctor, with some help from Sarah Jane and Luke Smith.

Punching is Touching: PG, Gen, Ninth Doctor. There was a word for a person who was at once Me and Not Me. For those rare times when you had to talk to yourself. Eillul.

The Gift Of The Mad Guy: PG, Gen. The Doctor joins some Kings of Orient following a star, helps a quartet of sociologists, gets thrown in prison, meets shepherds (ditto: talking sheep), finds a baby in a stable, uses Christmas carols for nefarious ends, and learns The True Meaning Of Camel.

Bar TARDIS: G, Gen. When Rose starts feeling a little too much kinship for the banana tree in the kitchen, the Doctor takes her for a quiet drink. A really quiet drink.

Rotten Petty Perfect Sexy: R, Jack/Eleven, Torchwood/Who crossover. For the first time in four hundred years, the Doctor regenerated with a sex drive. Fortunately, he knew exactly who to consult about it.

In Geneva: PG-13, Brigadier/Eleven. The Brigadier was always a companion on his own terms.

Wonders Never Cease: R, Doctor/Shakespeare. Kissing the Doctor isn't like kissing other people.

De Bello Rorii and Vita Longa: PG-13 (some sexual content), Rory/Amy, Rory/Amy/Eleven. Two versions of the same story: De Bello Rory is the short first version, Vita Longa is the expanded and more well-written one. Follows Rory through all his myriad lives as he looks for people to love.

The Stainless Steel Rat Lives Forever: PG-13, Jack/Angelica, Jack/Ianto. Torchwood/Stainless Steel Rat crossover. Written with Madripoor_Rose. It was a quiet Tuesday afternoon when a beautiful, heavily armed woman fell through the Rift, and Jack swore in Esperanto and tried to hide under his desk.

At The Still Point: R, Ten/Jack. Torchwood/Doctor Who crossover. Written with Shane_Mayhem and 51stCenturyFox. On the eve of regeneration, the Doctor has one last gift for Jack. (Post also links to the fic at AO3.)

Blink Twice For Coffee: PG, Jack/Ianto. Hints of Doctor Who crossover. Written with Cruentum. It's like this: I died and turned into a fifty-second century bartender. It's very distracting.

The Doctor And Mr. Jones: R, Jack/Ianto. Torchwood/Doctor who crossover. The Doctor thought he was alone in the universe -- but Torchwood is about to prove him wrong.

The Theory of Two Centres: R, Jack/Ianto. Ianto Jones woke up in a bed that wasn't his, in a flat that wasn't his, wearing clothing that definitely wasn't his.

The Rulesverse: PG through R (individual stories are marked) Jack/Ianto, hints of Jack/Ianto/OMC. The Rulesverse is a series of stories centred around an OC named Nicholas who comes to work for Torchwood after Jack's disappearing act at the end of Season One.

In Another Life: R, Rose/alt!Ten. An all-too-human Doctor begins to build a life with Rose Tyler, but old ghosts -- both real and imagined -- still haunt him. And there's only so much human life you can live without a name.

The Lo-Verse: R, multiple ships focused on Jack/Ianto. Follows Jack Harnkess, aka Lo Boeshane, through his first year at the 51st Century Fleet Academy, where he meets a time-displaced librarian named Ianto Jones and has a mysterious admiral for a mentor.

Condition of Release: PG-13 (R in the final chapter), Jack/Ianto. Jack has studied the Cybermen for forty years, and he's damned if he'll let one take any of his people away from him without a fight.

Writer In A Drawer: Ratings between G and PG-13 (listed with stories). A set of stories written for the Writer In A Drawer fanfic contest in 2009.

Torchwood Season Zero: PG-13 (violence). A set of summaries, logs, quotes, and ephemera for an imagined "season zero" that might have taken place before Torchwood S1.

Torchwood USA: PG-13 (language), canon ships plus some ships between original characters. Alternate Universe reimagining of Torchwood and Doctor Who which contains some RPF. If Torchwood and Doctor Who had been created and filmed in America, this is what might result.

Sublimation And The Snitch: PG-13, Gen. SUBLIMATION AND THE SNITCH: QUIDDITCH IN HUMAN SEXUAL RELATIONSHIPS by Remus J. Lupin, Hogwarts School, History of Magic Class.

The Uncle: PG-13, Remus/Sirius. In an alternate universe, Remus Lupin is a crime boss, and he wants to teach Harry everything he knows....

In Every Word: PG-13, not gen but no major character ships. For mctabby, who if memory serves requested "something, anything Slughorn". I have done my best to show him as his favourite student saw him.

No Treaty: PG-13, Harry/Draco. He had agreed not to be a complete arse if Harry agreed not to be a wanker. Granted, Harry was being a wanker, but Draco could be the bigger man.

Conservatory: PG-13, Draco/Ron. Someone had written a revisionist history book claiming that the idea for the piano was stolen from a wizarding instrument of great antiquity. Draco had to admit that anything involving stringing cat's guts on pegs and pounding them with hammers did seem about in the Pureblood line.

Gathering: PG-13, Godric/Salazar. For the short few years Salazar had remained at Hogwarts, he'd always kept his windows open, even in the chill of winter, and burned fires on the floor of his rooms if he grew cold.

The Spell Journal: PG-13, gen with multiple implied ships. A True And Detailed Account of the Goings On of Four Loyal Friends while Attending Hogwarts School as Recorded by Sirius Black, Esquire.

Faces: PG-13, Snape/Tonks. It was a minor irritation in a life filled with minor irritations that nearly everyone he knew called him Professor.

The Report: PG-13, Gen. Hermione ends up in the worst possible place for her.

Time To Understand: PG-13, Gen. A detailed arrangement of some vague ideas I had in my head for the backstory of "my" Lupin -- most of the stories I write about him, he has a similar background, though his presents may be different from each other.

Matched: PG-13, Remus/Snape. He looked like he knew the precise breaking point of his bones, and knew he was near to it.

The Visit: PG-13, Harry/Draco. Cho was still being a damp sponge and Ron and Hermione were off subjugating and Colin wouldn't do it without his camera and Ginny wouldn't do it at ALL and Harry's last really great fuck had died during the bloody awful TriWizard mess.

Tween:

Registration: PG, Gen. Registering a child for Hogwarts is a big deal.

The Children: PG, Gen, Draco/Hermione implied. They will always be the children of the war.

Games Almost Played: PG, Harry/Cedric, Remus/Sirius implied. Three unusual Tasks which could have happened in three Triwizard Tournaments that never did. Alternate Universe.

The Three Trials of Severus Snape: PG, Gen. Minerva McGonagall narrates three events in the life of Severus Snape, in an attempt to show his true character. Written as a Radio Play for a Spellcast Live event at Phoenix Rising.

Reclamation: PG, Remus/Sirius implied. Themes of suicide and references to major character death. In an alternate universe, one man still struggles with a moral decision made many years before.

Anywhere But Here: PG, Gen. Seventh year; the time children become adults, the time that one faces decisions, the time responsibility for one's own life, the life of one's fellows, becomes distressingly clear...

Fixing: PG, Gen. Harry sees more than Remus gives him credit for, and fills his own need for occupation.

Pygmalion: PG, Gen. Harry was stone that summer, hard face, cold eyes; he didn't feel and didn't think anything about anything, or if he did he didn't show it.

The Last Dance: PG. Remus/Tonks. Once upon a time in the X-Files fandom, there was an entire genre devoted to the "annual dance" at which our hero and heroine finally realised they were perfect for each other.

Asleep: PG, Remus/Tonks implied. She liked even less, however, the tired, uncaring look on Remus' face. She saw it too often these days. Inch by inch he was giving up.

Black And Blue: PG, Gen. Yap challenged me to write a fanfic where Remus Lupin was a total and complete ass. I tried as best I could.

Sweet Home: R, Remus/OFC, Remus/OMC. Chronicling the twelve lost years between the night Remus Lupin's friends were slaughtered and the day he came back to Hogwarts.

Amid My Solitude: R, Remus/Tonks. After the death of Sirius Black, Remus and Tonks grow closer together as Remus takes over leadership of the Order of the Phoenix.

Acts Infernal:: PG-13, Gen. Harry attempts to harrow Hell to get Sirius back; he didn't count on Draco coming along, or the helpful young spirit guide named Tom Riddle. (This fic is only available at AO3.)

Year In The Life: PG-15, Remus/Minerva. Over the year Remus taught at Hogwarts, he and Minerva McGonagall built something fragile and lovely.

Three Galleons: R, Snape/Hermione, Snape/Hermione/Remus. After the war, Hermione has settled into a quiet if unorthodox life with Severus -- until a small problem in the form of a refugee spy calls for an even more unorthodox solution.

Cartographer's Craft: R, Harry/Sirius, Remus/Tonks, Ron/Hermione. When a young Sirius Black is resurrected from the Marauder's Map, the Order has to decide what to do with him -- and Harry has to decide how he feels about it. Alternate Universe version of book seven.

Stealing HarryAll Stealing Harryverse fics are also available here at AO3.

Stealing Harry: R, Remus/Sirius, Alternate Universe. If Sirius Black had missed Peter Pettigrew the day Harry's parents were killed, life might be very different...
ePubs of Stealing Harry are available from Chandri (containing all 'verse files) and from Deinera (containing only Stealing Harry). There is also a mobi version of it available from Mickawber-fics.

Tales From The River House: Russian Literature: PG, gen. Harry copes with death in his own way. Fever Dream: PG, Remus/Sirius. Remus, delirious, catches a glimpse of another world. Birds, Bees, and Snakes: Harry, sex ed, and his two dads. Lessons In Hiding: Draco, PG. Mentions of child neglect/abuse. Draco learned early how to hide.Bullfinch's Mythology: PG, Snape/Tonks. Severus and Dora are circling each other, trying to decide what their story will be. Eclipse: PG, Snape/Tonks. The moon does funny things to people.

Laocoon's Children: R, Remus/Sirius, Snape/Tonks, some canon ships. Laocoon's Children follows the Stealing Harry alternate universe through Harry's school years, paralleling the canon. Please be aware that this story is unfinished and unlikely to be completed; years 1 and 2 are complete, year 3 is nearly complete, and I have posted notes regarding years 4-7.

Marvel (Film and Comics Verses)
(All Marvel fics are available at AO3)

The Best Bad Ideas: R, Clint/Coulson. When Clint Barton put on the Captain America costume for a mission, he didn't count on Phil Coulson's reaction. Coulson didn't count on Clint crashing his new team to do something about it.

Dummy's First Christmas: G, Steve/Tony. Weird and comfortable aren't mutually exclusive; Steve Rogers is going to do exactly what he wants this Christmas. (Set in Scifigrl47's Tales Of The Bots 'verse.)

Angry Genius White Noise: PG, Tony/Pepper. One of Pepper’s favorite activities after a long day is putting on sci-fi movies and watching Tony dissect their bad science. He’ll happily spend two hours curled up against her and ranting about the flawed central plan in Armageddon and how REALLY, HE HOPES AN ASTEROID HEADS FOR EARTH, HE’LL SHOW HOLLYWOOD HOW TO REALISTICALLY AVOID AN EXTINCTION-LEVEL EVENT, DAMMIT.

Coulson's Eleven: PG-13; Tony/Pepper, hints at Natasha/Loki. After Vanko destroyed the Stark Expo, SHIELD instituted a Superhuman Detention program, designed to capture and hold dangerous people -- dangerous people like Tony Stark, Steve Rogers, and others who made themselves noticeable. The superhumans SHIELD has imprisoned -- and some SHIELD agents themselves -- have other ideas about what constitutes 'dangerous'...

I Shall Not Want Honour In Heaven: PG, Peggy Carter/Gabriel Jones. Peggy Carter's life after the war: Howard Stark, Gabriel Jones, SHIELD, and a little boy named Nicholas.

Captain Marvelous: PG-13, Clint Barton/Carol Danvers. Clint and Carol have an understanding when it comes to sex.

Hawkeye And Anklebiter: G, Clint/Coulson. Clint wants to give his kid the world. Isobel's not complicated; she'll settle for a couple of superheroes and a train set.

Exclusive: PG, canon background ships. Heroes In Manhattan: From Captain America's Hidden Talents To The Truth About The Hulk, We Debunk The Myths And Expose The Daily Lives Of The Avengers.

Hard Rock Swing: R, Steve/Tony. It turns out, in the 21st century, Steve's best friend is an eighteen-year-old genius named Tony Stark. This might be trouble.

Ain't Nobody's Business If I Do: R, Steve/Tony. The year is 1930, Prohibition and the Depression are both in full swing, and Chicago Police Detective Steve Rogers has his hands full. There's a dead body on the banks of Lake Michigan, the entire city's legal system is corrupt, and the king gangster of the North Side, Tony Stark, has taken more than a passing interest in him.

Feed The Body, Nourish The Soul: PG, Gen. Steve Rogers just wanted to sell good, nourishing, cheap food from his food truck. Now the crazy fusion chefs from TOBRU are calling him a hipster, the avant garde restaurant "Shield" across the street has declared war on chains, and...well, then there's Thor, who thinks Steve's habit of licking food is weird.

Better to Reign in Hell: PG-13, Gen. Loki has known since childhood that he was Jotun. He's been told all his life that he was a fosterling sent to Asgard to cement the bonds between their realms. He's been led to believe one day he would ascend the throne of Jotunheim. Loki has been lied to.

The Photograph: PG, Gen. Steve had body-modesty trained out of him in boot camp, and apparently his attitude is infectious.

Iron Men: R, Tony/Steve. When a second Tony Stark slips through from an alternate universe, Steve suddenly finds his hands very full.

After The End: PG-13, Bruce/Betty. “You looking for someone?” “A friend. My friend Bruce. I came here to find him.”.

American Patrol: R, Steve/Bucky, Steve/Peggy, Steve/Tony. Steve has had three great loves in his life. None of them are what you might call normal.

Transfer Students: PG, Gen. Five times the Avengers pawned kids off on the Jean Grey School.

Fake Empires: PG-13, Clark/Bruce. Bruce Wayne can't possibly be as dumb as he acts, and Clark Kent isn't as ordinary as he appears.

Victory Bonds: PG, Clark/Lois. The year is 1947, and Daily Planet front-pagers Clark Kent and "Louis" Lane are about to get the story of their careers, courtesy of the fledgling Justice League: the enigmatic Superman, the spy-turned-vigilante codenamed Bat, intelligence agent and newly minted Green Lantern Alan Scott, and Ambassador Diana, Princess of Themyscira.

Exquisite: NC-17 (language and sexual content), Peter/Neal/Elizabeth. There's a place in Neal Caffrey's head where he doesn't have to lie to himself or be three steps ahead of the other guy, but so far only Peter has found it -- and Peter won't give him what he really wants. Elizabeth, meanwhile, is slowly adjusting to the idea of abetting felons...

Somewhere I Have Never Traveled: R, Peter/Neal predominantly; Alternate Unvierse. In another universe, Peter Burke went corporate. He wouldn't have met Neal Caffrey -- except Neal tried to rob his company. And Peter, naturally, caught him.

Jeffrey Nullier's "Man With Fedora": PG (language), Gen (Peter/Elizabeth background). A routine investigation into an art theft turns up Neal's fingerprints on a stolen painting. Neal swears he's never stolen a Nullier painting, but that's only half the truth.

A Long, Strange Story: PG-13 (language), some Neal/Kate. Stealing from the Illuminati can be problematic.

Four Meals: PG-13, Neal/Peter/Elizabeth. Eros, Philios, and Agape are three Greek terms generally used to refer to romantic, familial, and spiritual love. Anam Cara is drawn from Irish Gaelic tradition, and translates roughly to "Friend of the soul".

Homicide Love: NC-17, Mike/Harvey. Mike has been waiting all his life for someone who understands -- but Harvey might care too much to survive. (Contains gore/cannibalism; please check full warnings in header before reading!)

Come Go With Me: PG, Suits. Harvey started out in the mail room, but Jessica's always been good at spotting potential.

Quarantine: PG-13, Suits. After a client pukes on Mike and dies, Pearson Hardman is put under quarantine. Mike ends up in Harvey's office watching Inherit The Wind -- at least until Harvey notices something is wrong...

Or Down You Fall: R, Suits. Drug testing at Pearson Hardman does not have its desired preventative effect. (Sex, drugs, and a little bit of Soul.)

God's And Satan's Brood: R, Suits/American Psycho crossover. Sean and Patrick Bateman just want Harvey to be part of the family.

The Rational Mind. PG-13, Holmes/Watson; Classic canon. Watson has not entirely left the war behind him, but Holmes doesn't care.

Finder's Fee: PG, Gen; Sherlock BBC canon. Repatriating a priceless cultural artefact shouldn't involve housebreaking, handcuffs, or John Watson. But it does, and it's still the right thing to do.

Lab Book: R, Sherlock/John; Sherlock BBC canon. "The likelihood of finding a cab on Christmas Eve is fast approaching nil." "So was the likelihood of you kissing me in the middle of the pavement, and yet."

It's Not The Violin: R (violence), Gen; Sherlock BBC canon. Somewhere between Alejandro and the fistfight, John Watson became someone Sherlock Holmes would kill for.

Technically: PG, SGA/Torchwood crossover. The Rift has a sense of humour and it's not afraid to use it.

Quis Custodiet Ipsos Custodies: Pg, SGA/Torchwood crossover. Ianto neglected to introduce himself as he informed the senior staff that Atlantis was now under the jurisdiction of Torchwood, whatever Torchwood is.

My Home And Native Land: PG, Gen. Ronon's friendship with Chuck, the head Gate Tech of the Atlantis mission, leads him to discover the strange and alien ways of Canadians and helps him lay his past to rest.

Angles Thus And So: R, McKay/Weir, McKay/Sheppard. The city belongs to Sheppard and McKay, and the boys belong to Elizabeth -- especially Rodney.

The Difference Engine: R, Sheppard/McKay, alternate universe. Sheppard remembered dying in Afghanistan, but since he was still walking around he didn't pay that memory too much mind.

Good Omens
(All Good Omens fics, except Corrupted File, are also available at AO3.)

Cagaran Gaolach: PG-13, Gen. He didn't know if he would disappear like the Invisible Woman in the comics, or if he'd disappear completely and stop existing. This is quite the existential dilemma for your average six-year-old.

Seven Long Years: PG-13, Gen. "I think if Claude had still been in Claire's life, he would have been someone she could go to about this, and as soon as she did, he'd have started a ball in motion to conceal her. It'd make a great AU."

Close Encounter: G, Gen, Heroes/Doctor Who crossover. Hiro has a meeting of the minds.

The Hiatus Continuations: PG-13, multiple ships with Claire/OMC and Peter/Claude (preslash) predominating. I decided to boycott the Hiatus and wrote this conclusion to S1 to fill in the long gap.

Southland: Ben Sherman And The Lion: PG-13 (profanity). Ben and Cooper get a home invasion call that turns out to be a little more than Ben bargained for.

Merlin: Advisor To The King: R, Arthur/Merlin, Arthur/Merlin/Gwen. Arthur is king, and change is in the wind.

Merlin: Harry Of The Caves: PG. Merlin doesn't trust this new tournament knight at all. He probably has good reason.

Merlin: Oh What A Show: PG, Merlin/Arthur, Gwaine/Ragnell. Circus Camelot has a building it doesn't own, a trick rider who just ran off to do panto, and a serious sponsor problem. Fortunately, it also has Merlin Emrys, master illusionist, and Arthur Pendragon, prince of tumblers.

Multifandom: Half A Dozen Laconic Bastards: PG-13 (language), gen, multi-crossover (Stargate: Atlantis, White Collar, Eureka, Teen Titans, and Torchwood). John Sheppard didn't know he was part of an ATA-gene cloning project until it was much, much too late. Neal and Zane have a serious case of sibling rivalry, Ianto and Tim don't like the uniforms, and Gwen isn't sure she wants to be leader after all.

Multifandom: The Royal Society. PG, Gen. Torchwood/Discworld/Nero Wolfe/Lord Peter/Harry Potter/SGA/Jeeves&Wooster/Sherlock Holmes. It's just a quiet game of poker among colleagues.

Multifandom: Hydrocodone Midnight Theatre: G through R, multi ships. This is a compendium of the "Hydrocodone Midnight Theatre" posts I did while I was recovering from surgery in late November. Essentially I would sit up after my folks went to bed and write fanfic to various prompts while tripping out on my (prescribed!) painkillers.

The Dead Zone: I'm Having A Vision. PG-13, Bruce->Johnny. Bruce knew he was in trouble when Sara mistook his date for Johnny.

Harry Potter and the Legion of Ghosts: PG, Harry/Ginny. Please note this story is unfinished and likely to remain so. Four years after the events of Deathly Hallows, people have begun to move on, even to forget. For one young soldier of the war, however, the past he laid to rest has begun to resurface...

Nothing Constant. PG, Gen. Hellblazer/Lovejoy/Sandman/LPW crossover. Everyone wants the book of dreams, but only John Constantine can find it -- with a little help from a Divvy named Lovejoy and a Lord named Wimsey.

Wolves At The Door: G, Gen. Harry Potter/Peter Wimsey crossover. When Auror Investigator Potter's hands are legally tied in the case of an Oxford professor accused of murder, the elegant and inquisitive Draco Malfoy is asked to investigate. Unfinished and likely to stay that way.

Warnings: All one-off stories and the first-chapter of multi-chapter stories should contain a warning field in the header. "Warnings: None" means that I cannot think of any triggers the story would set off. If there is no warning header, please let me know. If you have questions about any of the stories, please feel free to contact me, copperbadge at gmail, or leave a comment on this post.

I've marked these to the best of my ability but if you find yourself triggered, I apologise. Please let me know so I can add a warning as appropriate.

Ratings: I've tried to rate with fandom's general idea of what ratings mean in mind. If you feel I've rated something in extreme error (G for an R-rated fic, for example) please let me know.

Criticism: Is always welcome, including pointing out typos, broken links, and factual errors as well as criticism of characterisation, plot, &etc.