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Category Archives: Asana

This is a question I ask often when I see idle feet, just lying around, not doing their part. I like to think that they know that I mean that yoga poses usually require the whole body get involved and even the tiniest body part has a role to play to bring about the “ease and steadiness” to the pose. Therefore, being more present in the pose will facilitate this ease and steadiness. Or. maybe, they just think that I am weird!

In my experience, yoga asana is more mental than physical. Whilst it is certainly possible to bend a knee without thinking too much about it, what makes yoga yoga is the fact that we pay attention, not to perfect the pose, but to observe and notice how it feels to be in the pose. The ultimate objective of asana is said to be to prepare the body to train the attention. Some would say that this should/can only be done in a sit-down meditation but I beg to differ, there is no reason why we shouldn’t train the attention to be more present in yoga asana and actually and sincerely mean to practice.

The following quote by Ray Long is an example of how our little big-toes go a long way to support our largest muscle, gluteus maximus:

… So how does the anatomy work? Muscles in your big toes support the ligaments and bones that make up your arches. Healthy arches (as opposed to fallen ones) act like shock absorbers, transmitting kinetic forces, or the forces of motion, up through the ankles to the knees and up the kinetic chain of the body, potentially causing issues with alignment, joint health, and muscle strength. For example, weak big-toe flexors, the muscles that bend the toe, may change the strength and effectiveness of your largest glute muscle, gluteus maximus. And the glute max is critical in supporting most poses. For the big-toe muscles to do their job well, protecting your body from impact and instability, they need to be dynamically stable, meaning they should respond to shifts in movement, weight, and balance. … * – Ray Long (M.D) full article

Big toes are important but other toes, too. So, next time instead of looking at the chipped nail polish on your toes or trying to carry your weight with your hands in phalankasana, put your toes to work and observe how that feels. 🙂

I don’t think any particular movement or yoga pose is inherently dangerous, but I do think that certain movements or yoga poses can be dangerous if done carelessly and mindlessly. Each asana is a challenge to contort the body, and therefore the mind, and some more than others. I’ve been reading about the demonisation of salamba sarvangasana (shoulderstand) and salamba sirsasana (supported headstand) for a while now and I fail to understand the particular problem with these poses. Meanwhile, I don’t see anyone talking about the dangers of super deep back bends, arm balances, or nasty twists, not to mention handstands. If anything, I have to scroll through numerous handstand photographs on Instagram or Facebook! But no-one is writing blogs about how they stopped teaching chaturanga dandasana or phalankasana because the shoulders and wrists have to carry a lot of weight and might easily get injured, instead we talk about the ways to perform such poses safely. Although, one obvious reason for this maybe the relative importance the neck and the head compared with the wrists and the shoulders!

Just yesterday, I watched online an Ashtanga Primary Series class with full vinyasas between poses and half vinyasas between right and left sides of a pose. A full vinyasa in the context of Ashtanga yoga is Sun Salutation A. A half vinyasa, a.k.a THE vinyasa in popular yoga jargon, is the transition as such: (plank)-chaturanga-urdva mukha savanasana-adho mukha savanasana.

This class lasted for two hours and everybody was really really tired at the end. In the normal practice, when we are not as ambitious, we do half vinyasas between poses and between sides of each pose.

After I posted the article on adho mukha svanasana, I came across a Facebook status update by Diane Bruni that she called The Hand Rant. In the rant Diane Bruni challenges the generally accepted alignment principles of the yoga hand. She first explains how she was taught to align her hands in Iyengar yoga, which is how we normally teach: press down all four corners of the hands and later argues that this may not really be the best alignment to protect the wrists. Bruni suggests, instead that one should release the knuckles and let them form the natural dome of the hand. Here is what she means:

As someone with very fragile wrists and generally very rigid joints, I am always aware of my hands and wrists during my practice. I get the occasional wrist pain in upward facing dog and other arm balances. The alignment of the hands when the hands are to bear weight, of course, has a lot to do with how the weight of the body is distributed. General tendency amongst new beginners is, to lift the hand off the floor and leave the wrist to carry the entire weight. This is no good for the wrists. So, we tell them to press the entire hand down. This i.e. turning the palm down also pronates the forearm and directs the weight from shoulders down through the wrist to the hands. Bruni’s suggestion makes sense because it leaves enough room for shock absorption when more weight is loaded upon the hand.

The yoga courses have begun and this week was their 2nd week. In the course, downward facing dog i.e. adho mukha svanasana is usually the first pose that I teach, as I have infinite admiration for the pose.

As a general principle, adho mukha svanasana is (Yes, it is!) the backbone of vinyasa and ashtanga vinyasa yoga practice. Here is a few reasons why I love the pose some much: