When Thomas Jefferson's Notes on the State of Virginia first appeared in successive editions between
1784 and 1788, most of his readers in Europe and America knew little of the vast lands to the west of
the Appalachians. Won by the United States in its war of independence from Britain, the first American
West stretched from the Great Lakes south to Spanish Florida and from the crest of the Appalachians
westward to the Mississippi River. For those eager to exploit the untapped western riches described in
Jefferson's book, the history of the great territory was a blank page waiting to be written upon.

Today's western historians face a far different documentary landscape. Scholars seeking to interpret the
trans-Appalachian West are faced with the challenge of untangling the complex and contradictory body
of written records and testimony left in the wake of the settlement era. Equally important, they must
examine the past through a powerful and distorting haze of myth, legend, and folklore that has shaped
American understandings of the West since the late eighteenth century.

The earliest writings on the trans-Appalachian West were created while the forcible occupation of
Native American lands was still underway. The authors of these works sought to soften the harsh
realities of western conquest and transform a brutal and often bitter struggle into an inspiring and heroic
narrative.

Nowhere was this more evident than in the reconfigured biography of Daniel Boone. A Carolina hunter
and explorer, Boone made an intermittent living in the newly settled Kentucky as surveyor, land
speculator, and store owner. Two of the earliest western narratives to be published, John Filson's
promotional tract The Discovery, Settlement, and Present State of Kentucke (1784) and Daniel Bryan's
epic poem The Mountain Muse (1813), refashioned Boone's frontier career as an epic saga of noble
adventures.

Boone's legend also emerged in more sophisticated literature. When James Fenimore Cooper published
The Pioneers (1823), the first volume of his widely read Leatherstocking Tales, he introduced Nathaniel
(Natty) Bumppo as a fictional counterpart to the mythic wilderness figure of Daniel Boone. Popular
books and magazines, along with literature for children, fixed a legend of Boone and his dauntless
pioneer contemporaries firmly in the nineteenth-century imagination.

Boone's legendary persona swelled not only in America but also in Europe, where he was seen as the
embodiment of the ideal natural man unmarked by the complexities and flaws of civilization. Lord
Byron devoted part of the eighth canto of his Don Juan to a celebration of Boone's imaginatively
enlarged accomplishments.

Academic interpretations of the West emerged in the late nineteenth century as a generation of
antiquarians and gentleman historians were building collections of original source materials and shaping
the public image of Western history.

Lyman C. Draper, an antiquarian, collector, and secretary of the State Historical Society of Wisconsin,
devoted fifty years to amassing original manuscripts and interviews on the settlement of the trans-Appalachian West. Bound in more than 500 volumes, Draper's notes preserve significant and
frequently unique information on western settlement. Draper's successor, Reuben Gold Thwaites,
directed attention to these materials through a monumental series of historical publications.

Colonel Reuben T. Durrett, an attorney and newspaper editor in Louisville, Kentucky, followed
Draper's lead in collecting all types of books, manuscripts, maps, drawings, and paintings dealing with
the history of Kentucky. Durrett, like Draper, held fixed assumptions about what was worth preserving,
principally material on political and military history and Kentucky's prominent families.

The Filson Club founded by Durrett and his circle of Louisville antiquarians and local historians
provided a forum for discussion, but it also played an important role in collecting and publishing texts
and narratives essential to the writing of western history.

The transition from amateur to professional historian occurred just as Theodore Roosevelt's triumphalist
saga, The Winning of the West (1889-1896) was appearing in print.

In Chicago in 1893, at a historical conference held in conjunction with the World's Columbian
Exposition, Professor Frederick Jackson Turner of the University of Wisconsin declared that the
western frontier was the most important factor in defining the nation's history. The "existence of an
area of free land," Turner proclaimed, "its continuous recession, and the advancement of American
settlement westward, explain American development." Strongly influential for many decades but now
frequently criticized, Turner's thesis was among the earliest attempts to craft a new and more critical
understanding of Western history.

Today's historians of the trans-Appalachian West are re-examining the development of the region from
fresh perspectives. Drawing on materials collected by nineteenth-century antiquarians but moving
beyond their assumptions and prejudices, these scholars are writing a new history that emphasizes the
complexities of the settlement era and the powerful impact of race, class, and gender in shaping the
western experience.