AMSAC charted a plane that took over one hundred artists, writers, and intellectuals to Dakar for the 25-day Festival.

Even though he did not make the claim of CIA co-option in 1966, five years later Fuller would assert in Journey to Africa, his politico-biography of Guinea and Senegal, that while at the Festival in Dakar he learned firsthand of the insidious relationship between AMSAC and the CIA.

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