The sound of Bow Bells can be heard every 15 minutes as the clock strikes the quarters of the hour. A toll is heard before daily services and the Angelus is rung morning and evening, as is a seasonal hymn. All this chiming is done automatically.

Change ringing (where each of the 12 bells swings through 360 degrees and is rung by an individual person) happens on feast days and other special occasions such as City events or weddings. At other times, many bands of experienced ringers from around the country come to practise on this large and famous ring of bells.

A sound control system keeps the volume of practice peals to a very low level, while peals for special occasions ring out across the Square Mile and far beyond.

The schedule below is regularly updated. For further information please contact the Steeple Keeper, Simon Meyer.

* denotes ‘open’ ringing

Ringing for LIVE in the Churchyard 2018

Steeple Keeper Simon Meyer describes what was rung:

Monday 25 June 2018 17.30 – 18.30

We rang a quarter peal, starting at 17.30, which lasted about an hour. We need to prepare the bells (ring them up – you can liken this to an orchestra warming up) before we start, and ring them down at then end.

On this occasion we rang a method called Bristol Surprise Royal. ‘Bristol’ describes the particular sequence of changes we will ring (changes being the different orders in which the bells ring). ‘Surprise’ is a broad category of methods – think of it like Toccata or Rondo. ‘Royal’ means we will be ringing 10 bells. Although we have 12 at St Mary-le-Bow, ringing the heaviest 10 provides a stately and grand sound which can be contrasted with the performance listed below for Thursday.

Ringing a quarter peal means we will ring at least 1,250 different changes – all from memory! Bristol is a very musical method within the realms of bell music. We generally consider that runs up and down the scale are a nice feature and you will hear lots of this spread throughout the performance, often with either the big or little bells working together.

Thursday 28 June 2018 18.30 – 19.30

We rang a quarter peal, starting at 18.30, which lasted about an hour. We need to prepare the bells (ring them up – you can liken this to an orchestra warming up) before we start, and ring them down at then end.

On this occasion we rang a method called Stedman Cinques. ‘Stedman’ describes the particular sequence of changes we will ring (changes being the different orders in which the bells ring) and is a method that has been rung for hundreds of years. ‘Cinques’ means that 11 bells will be involved in the changes and the 12th will always strike last, setting a steady rhythm. If you heard the ringing on Monday you might notice that this ringing seems more rapid which is because the bells swing at the same pace but we will have 2 more bells to fit into the same time period, hence the spacing is closer.

Ringing a quarter peal means we will ring at least 1,250 different changes – all from memory!

The music in Stedman tends to be grouped together, so you get what will sound like fairly random changes then, every 4 or 5 minutes, some particularly musical rows. The music was of two types, each for roughly half the time:

Titums: where the big bells ring down the scale but with little bells in between. In the run up to this you actually hear the inverse – the big bells ringing up the scale with little bells in between. The big bells then group at the back and rotate before the real titums music begins.

Handstroke rollups: where the big bells ring down the scale without any bells in between.

Watch LIVE ringing here

You can watch a recording here of the most recent bell ringing to be streamed from the tower through the Twitter feed on this page.

To be alerted to future LIVE streams, and to keep in touch with what’s happening at St Mary-le-Bow, follow us on Twitter here.

Bell 6: 519kgs: note BTHEY SHALL SING IN THE WAYS OF THE LORD FOR GREAT IS THE GLORY OF THE LORD.THE BELL OF THE PARISH OF ST. FAITH UNDER ST. PAULS SIDNEY ERNEST SANDLE M.C., C.C. NAMED ME FAITHMEARS & STAINBANK 1956