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Tuesday, January 25, 2011

Professor of history and opera expert Margarita López Cano has just brought out a fascinating new book, Ópera y vida cotidiana en la Puebla Imperial ("Opera and Daily Life in Imperial Puebla"), co-published by CONACULTA and the Secretary of Culture of the State of Puebla, as part of the "Colección Bicentenario 2010."

Puebla is that Mexican city made famous by the Cinco de Mayo, the temporary but devastating defeat of the invading French Imperial Army in 1862. One of Mexico's most splendid Spanish colonial cities, Puebla is strategically situated on the route inland from Veracruz; no power could rule from Mexico City without first controlling Puebla. The French did retake Puebla a year later, however, and then Mexico City; thus, only a year later than planned, by the spring of 1864, having been crowned Emperor and Empress of Mexico in Trieste, Maximilian and Carlota were en route.

The Second Empire has a rich and staggeringly diverse soundtrack (I've written up a full playlist, from Sawerthal to Chopin to French marching songs to nursery ditties, here), but European opera-- Verdi, Bellini, et al-- alien and modern as it must have sounded to so many Mexicans at the time, reigned supreme among the elite, favored as it was by Maximilian and his court.

From the back cover text of Margarita López Cano's book (and I will follow each paragraph with my translation for those of you who don't read Spanish):

[My translation: In spite of war and periods of crisis, in the second half of the tumultuous 19th century, and specifically the so-called Second Empire, opera took on great importance within the cultural context. Mexico became one of the most important venues on the American continent in which operas were presented by Italian, French, German, Brazilian and Mexican composers. The genre became a "must" event within the protocol of special events and its performances considered essential to honor outstanding men, offer a welcome to dignitaries, and to commemorate relevant dates and events.]

[My translation: Opera was a very important part of cultural life for Poblanos (residents of Puebla) during the Second Empire. Opera performances were an exclusive arena, where society was classified hierarchically in accord with socioeconomic status; they also served as an instrument by which people could express their identify by their preferences, tastes, sensibilities and perceptions. As Michel de Certeau says, for the elite and refined class, attending an opera, an erudite practice, constituted an excellent opportunity to socialize.]

[My translation: In this book, Margarita López Cano analyzes the importance and nature of opera during Maximilian's empire in the greater Puebla metropolitan area and offers a vivid and instructive social and cultural portrait of the period.]

I was very fortunate to be able to attend the excellent presentation in Puebla on Monday, in which Professor López Cano played some video clips from operas by Verdi and Bellini. Though these were 20th century performances with stars such as Luciano Pavarotti and Joan Sutherland, they were nontheless examples of the very operas that had been performed in Imperial Puebla.

As a result, I have at hand many books, articles, links, photos and more. Also, many people, including both amateur and professional historians, write to me about their books, articles, and other news related to this fascinating period. I would like to share this (always with permission, of course), and a blog seems like a good way to do it.

Specifically, this blog covers resources, both old and new, on Mexico's Second Empire, the tumultuous period also known as the French Intervention.

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THE LAST PRINCE OF THE MEXICAN EMPIRE

By C.M. Mayo. A novel based on the true story - named a Best Book of 2009 by Library Journal. Says the Austin American-Statesman: "A swashbuckling, riotous good time, befitting the fairy-tale promise of the opening sentence."