"This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on." John Jeremiah Sullivaninvestigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan's music journalism, read his piece on the origins of ska.

The new David Mitchell novel, The Bone Clocks, ends in rural Ireland, which explains why Kathryn Schulz chose to interview Mitchell on a walk through the Irish countryside. At Vulture, she talks with Mitchell about supercontinents, writing in childhood and the global scope of his work. You could also read the story Mitchell recently wrote on Twitter.