Category: Mayoiga

Dozens of people of every disposition and background suddenly isolated in a strange place full of mysteries…Mayoiga, I’ve decided, is the Lost of anime. This episode made that decision a lot easier, especially with the group’s need to hastily grope their way through some kind of rudimentary justice system after one of them tries to harm another.

One reason “Jack” is looking for a new life is that he was heavily bullied in school, lost it, lashed out, and ended up in juvy. Just because he was released doesn’t mean all his trauma and neuroses are gone; so when Judgeness prods him too far, he lashes out again.

That gets him tied up, and ultimately it’s decided they’ll throw him in a creepy undergound prison for the night, even though some (cough-Lovepon-cough) wants him swiftly executed for his wrongdoing.

Meanwhile, Valkana searches feverishly for Yottsun after Masaki is found, with a story of him leading her along until he went off on his own an vanished. Valkana’s obsession with finding him stems from his absolute need not to be called a scapegoat—after just such a thing happened in his “previous” life as a systems engineer (ah, the flashback…one of Lost’s primary narrative devices).

That obsession makes Valkana very short-fused, and Koharun gets a taste of his wrath when she suggests deep down he’s lonely, otherwise he’d never embark on an adventure involving so many other people. The truth hurts some more than others.

In case anyone was in doubt, Maimai kinda likes Mitsumine, despite her standoffish demeanor towards him. When they encounter one another on the bridge, she’s clearly flattered by his desire to keep her safe, even if that desire extends to, say, Masaki.

Lovepon, meanwhile, remains as loopy as ever about doling out swift justice to those who upset the balance or safety of the group. She believes Jack deserves execution, and anyone who stands in her way deserves it to, as she grabs Mitsumine, falls off the bridge, and tries to drown him.

She does not succeed, but while fighting her off, Mitsumine notices the drowned body of Yottsun floating down the stream. Did Masaki kill him when he tried to rape her, or did he just get killed by a bear? The mind races with possibilities based on the scant information we know. And once more, an episode ends with a hook I can’t quite escape from…

…AND YET, were I to keep saying “One more episode”, I may one day turn around and see that I’ve watched the whole thing, and wasn’t worth it. I committed to watching three episodes, and I’ve watched those three. As enticing as the mysteries ahead may be, I think it’s time to move on.

Mayoiga makes liberal use of its CGI bus model…until it careens down a muddy hill, leaving all the passengers to continue on foot…but not before tossing the bus driver all their wallets as compensation for getting them this far.

The thirty clean-slaters are all different, but they’re alike in one regard: they don’t much care about the driver’s dignity; or at least those who do don’t speak up strongly enough when it counts.

We learn a little more about Mitsumune, like how Speedstar AKA Hayate is his classmate, friend, and long-time protector…and how he’s easily wooed by girls, due to not having much experience with them (all boy’s school).

With Koharun and her map, the group trudges through the forest, hoping to avoid bears (or bear-like monsters) and eventually come upon a bridge that leads to a village that matches the descriptive details Koharun has at hand. They’ve arrived at Nanaki Village.

They soon determine that there’s nobody home, which is kind of strange to start. The village has been abandoned for at least a year. There’s no talk of food or lodging, just exploration in various random groups branching off from the whole.

Mitsumune had hoped to accompany Masaki, but he’s snagged by two other girls who seem to have plans for him. Speaking of plans, the sunglassed Yottsun seems to have unsavory ones for Masaki, and manages to end up alone with her. A strange shadow in the woods catches her eye, and that’s the last we see of either.

Mitsumune, meanwhile, manages to ruin a potentially fun time with Maimai by congratulting himself on not getting so hot and bothered in her presence, which is a little insulting. Maimai then reveals she was only going to toy with him, but they’re interrupted by the sudden emergence of the bus driver from the woods.

Was the driver the shadow Masaki saw? And what did the driver see after everyone left him? Who sent Koharun the anonymous email telling her how to get to the village? And, of course, what happened to Yottsun and Masaki? Is this group only the latest of many who have inhabited this lost village, and have they suffered their first two losses?

Huh…Well, that was strange. My first taste of Spring 2016 had me riding along with no less than thirty passengers in various states of sanity on a seemingly dubious”Life Do-over” bus tour to the mysterious Nanaki Village, where they’ll presumably all start their lovely new lives.

The word “bizarre” came up in my head again and again as I was watching this. The characters, though we only get a line out of most of them, are bizarre. Their online aliases are bizarre. The pitch blackness of the world outside the bus is bizarre. The whole premise is bizarre.

Everything is so bizarre, I was not, after one episode, able to determine whether I actually liked all this bizarreness or not…but I do know I want to learn more.

After everyone introduced themselves and their various reasons for being there (which, for many, included the various problems in their lives they’re trying to escape), the bus driver chimes in, almost as an audience surrogate, calling them nothing but a bunch of self-involved babies.

The ostensible MC Mitsumune is also intentionally normal and dull, at least on the outside; he has some very disturbing dreams that may or may not be related to his past…or his future. For all the introductions of all these people, we leave week one knowing next to nothing about them beyond their most outward personalities.

Mitsumune starts taking care of a little wounded baby bird of a young woman named Masaki, who seems to have some OCD to go along with her carsickness. Then there’s the cynical Hayato, who hasn’t come because he’s bought into what the operators are selling, but to find out the truth about Nanaki Village.

So everyone here has their reasons for being on this bus. The driver’s reason is to make some money, and his frustration with the loonies he’s transporting almost provoke him into driving the bus off the road, but he regains his senses, and after one last stop, they reach the gloomy bridge to the village where everything is supposed to happen.

This episode creates far more questions than it answers, which is almost always a good way to entice an audience to stick around to learn more, bit by bit. Pitfalls may include a vast cast of characters, none of which we may end up caring about, and the hard-to-shake sense that the show and its mysteries aren’t as clever as they want to be.

We’ll see if Mayoiga can avoid or at least minimize those pitfalls. One thing it’s clearly got down is the overall creepy gloomy atmosphere suffused with that most dreaded of elements: the unknown.