Giger's "Vlad Tepes"' (1978) foundations in a Hugo Steiner-Prag illustration for "The Golem"

a) Foundations in an illustration from The Golem
Much like the starting point of Biomechanic Landscape ii (work-319),
Giger took a certain illustration from The Golem, here it is only the
architecture. The divide of the arched ceiling became my first clue as
it is shown in the first stage, and then I noticed that the railings on
the top left had been transformed into wings.

"Vice" by Hugo Steiner Prag

b) Stairway and arched entranced transformed into a female
The
post at the bottom of the stairs on the left became a phallus
penetrating the anus of a female figure and her spine generally follows
the direction of the banisters of the stairs. The arch entrance at the
top of those stairs becomes the head and curling tentacle coming from
the back of the woman's head. The railings original became part of the
back of her head until it had been painted over.

female figure developed from stairs and an arch with post at the bottom as a phallus

c ) The right stairway
The
arched entrance on the right become the coiling form above the head
dress of the woman that I have decided is Kookaburra and also a Nautilus
cephalopod. The right stairs become a hanging ribbed form ending in the
face of a small animal face with puffy cheeks and hollow spaces for
eyes and a dome covering the flat head and pointed ears, that comes down
right next to the Pluto dog,

d) The chatting couple
Perhaps
the chatting couple in the drawing become the floating wide head
of a human that generally conforms to the shape of the shoulders of the
man and the woman's arm transforms into the snout of the Pluto
dog, her breasts become the eyes of the creature and her upper arms
become the ears. Her mouth extends to become a parted beak or pincer
extending from another tentacle stretching from the left of the image.

Biomechanised Pluto?

e)The divide in the man's legs
The
divide in the man's
legs eventually transform into the lower female torso at the bottom of
the later version of the picture. His head is transformed into the
floating phallic head, the parting in his coat. Perhaps the girl's arm
transforms into the serpentine thing slithering down to the legs.

f)Leaping back to the Aaron Wassertrum illustration from The Golem
Again
Giger goes back to the illustration of Aaron Wassertrum from The Golem ,
turning the large nose into a deformed cheek, the cheek already
existing is bloated out, the hat transformed into a phallus, the ear
into an eye and the eye on the far right turned into an ear, and an eye
at the centre of the image of his eye almost retains similarity. However
it is this face where we can almost see the vampire fangs protruding
from its mouth. (See: Biomechanic Landscape II (work 319) inspired by artwork for Gustave Meyrink's The Golem)

g) Left stairway , arched entrance and support wall
In
the final version where the dark shadowy entities are
added stretching from top to bottom, the one on the left seems to once
again be the arched entrance on the left at the top of the stair. The
support wall with a diagonal top on the right of the left image has
transformed into a strange tentacled face, while he arch on the right
has become the strange bulbous shoulders of a monstrous creature, and
perhaps the man at the top of these stairs has turned into this dark
entity with his hat turning into the jaws and the rest of his body
begins to merge with the stairs transforming into this tentacled thing.