Variety Robert De Niro's The Comedian will be getting an Oscar qualifying run. I guess Cinelou really wants to make these Oscar Qualifying runs their thing (see also Cake). Sigh. Women & Hollywood Emma Thompson and Stanley Tucci will star in the adaptation of Ian McEwan's bestseller "The Children Act" to be directed by Richard Eyre (Notes on a Scandal) -- ooh, sign us up. Awards Daily Oscar hopeful Loving about the famous right to marry case from the 1960s has released interracial and same sex emojisTracking Board Wolverine 3 gets a title, Logan, and a spirit of the beehive poster moment The Guardian another report on Hollywood whitewashing of Asian stories and characters. I love Billy Magnussen but am sad that he's now involved in this too. Apparently the Bruce Lee biopic Birth of the Dragon has been saddled with a white character as lead, sidelining Bruce Lee in his own story What the actual fuck?Variety Ian McKellen is getting the documentary treatment in McKellen: Playing the Part

Today's VideoKristin Chenoweth sings the Game of Thrones theme song

Finally...Winter is Coming looks at the top paid actors per TV episode via Variety. These are so weird to look at. The numbers rarely align with what you think of as pop cultural worth. Though if you're on a phenomenal success like Game of Thrones the two sometimes line up. One assumes the numbers have a lot to do with how long a show's been running and whether actors have been able to renegotiate. And also network pays more than streaming which pays more than cable, etcetera. For instance... how weird is it that Taraji P Henson as the key figure on one of TV's biggest smashes (Empire) makes the same figure per episode as Michelle Monaghan a less famous star on a show people don't talk about (The Path).

Professor Indiana JonesAfter teaching for years as a graduate student, then as a postdoc, and then as a Visiting Assistant Professor, I’ve finally started a proper position as Assistant Professor of Film Studies. As semesters begin all over the country, I turned to thinking about my favorite on-screen professors. High school movies tend to serve as microcosms of society; they’re all emotional peaks and valleys, in-groups and out-groups, and the goal is to get out. In college movies, from Animal House and Old School to Legally Blonde and The House Bunny, the goal is to stay on the rip-roaring ride of university life.

Not surprisingly, college teachers don’t feature heavily in these movies. And in other genres where professors pop up, they’re not exactly realistic. Think Harrison Ford as Indiana Jones, Eddie Murphy in The Nutty Professor, Natalie Portman in Thor, Hugh Grant in The Rewrite, and so on. (Propriety dictates that I not comment on the realism of Bruce Humberstone’s 1952 Virginia Mayo vehicle She’s Working Her Way Through College.) Television doesn’t fare much better, as the patently absurd characters in How to Get Away with Murder or Transparent attest.

Here's Murtada speculating about which lovely ladies might appear at the Cannes Film Festival.

There is one thing that is certain to happen at Cannes every May. Marion Cotillard appears on the famous steps, resplendent in Dior couture, to represent a film in competition. She knocks everyone's socks off with her performance, then invariably fails to win best actress from the jury. It happened with Rust and Bone (2012), The Immigrant (2013), Two Days One Night (2014) and Macbeth (2015). Is there a Cotillard/Cannes awards curse?

This year she will have two more chances to lose, and cement the legend of the curse...