DSpace Collection:http://hdl.handle.net/2381/40032015-08-02T22:26:48Z2015-08-02T22:26:48ZArgentina 2001. Videoactivismos.Garavelli, Clarahttp://hdl.handle.net/2381/318812015-03-17T02:02:13Z2015-03-16T15:33:55ZTitle: Argentina 2001. Videoactivismos.
Authors: Garavelli, Clara
Abstract: Brief web-entry that describes the emergence of video-activist groups after the events of December 2001 in Argentina.2015-03-16T15:33:55ZA magical balance of opposites’. Reading Luigi Ghirri’s photography through Walter Benjamin’Spunta, Marinahttp://hdl.handle.net/2381/315592015-02-04T02:01:48Z2015-02-03T10:14:38ZTitle: A magical balance of opposites’. Reading Luigi Ghirri’s photography through Walter Benjamin’
Authors: Spunta, Marina
Abstract: In this article I contend that Ghirri’s photography can fruitfully be read through Benjamin’ thought, in particular through his key notions of experience, montage, aura, beauty, mystery and dialectical image, and at the same time I seek to redress a common misreading of Benjamin’s work in some art theory. This approach allows me to illuminate from a new angle Ghirri’s aesthetics and the change it underwent between the late 1970s and the early 1980s, and to demonstrate that his work effectively draws on Benjaminian dialectics to achieve a ‘magical balance of opposites’. Through a close analysis of selected Ghirri’s photographs from two of his main series from the 1970 – Kodachrome (1970–1978) and Still life (1975–1979) – and from two series from the 1980s – Il profilo delle nuvole/The Outline of Clouds (1980–1989) and Atelier Morandi (1989–1990) – I show that Ghirri’s photography moves from an early effort to deconstruct the assemblage of images that compose reality to an attempt to re-create an aura of places that are felt to be on the brink of disappearing. In so doing he both expressed a postmodern sense of loss of experience and history and challenged this by presenting photography as a means of achieving knowledge and experience of the world, before the onset of the digital age.2015-02-03T10:14:38ZEstudios sobre nuevos mediosGaravelli, Clarahttp://hdl.handle.net/2381/292272014-10-30T02:01:33Z2014-10-29T16:55:48ZTitle: Estudios sobre nuevos medios
Authors: Garavelli, Clara
Abstract: Establecer una historia de la liter
atura exist
ente en la Argentina
abocada a los
Estudios sobre Nuevos Medios
es remont
arnos a un
pasado reciente y prácticamente inexplor
ado. A pesar de ello, reconstruir
esta tradición dispersa supone un co
mplejo trabajo de arqueología, ya
que la mayoría de los pocos textos e
scritos al respec
to se encuentran
perdidos o en mano de unos pocos afor
tunados que estuvieron presentes
en el momento de su ap
arición en público. Gener
almente se trata de
publicaciones de pocas tir
adas, y muchas de ellas
fueron financiadas por
instituciones sin fines de lucro, lo c
ual hace su localiz
ación al día de hoy
aún más complicada, ya que
no han ingresado en sus or
ígenes al circuito
comercial. [Opening paragraph]
Description: The file associated with this record is embargoed while permission to archive is sought from the publisher. The final published version may be available through the links above.2014-10-29T16:55:48ZA shared star imagery : The Argentine actor Ricardo Darín through Spanish postersGaravelli, Clarahttp://hdl.handle.net/2381/292262014-10-30T02:01:32Z2014-10-29T16:25:44ZTitle: A shared star imagery : The Argentine actor Ricardo Darín through Spanish posters
Authors: Garavelli, Clara
Editors: Maio, B.
Abstract: From the early days of cinematography to the present, images have been at the center of its star system. A host of pictures are involved in the production, distribution and exhibition of films and they contribute not only to a film’s commercial success, but also to the construction of the personas that strengthen the foundations of the film industry. Among these images, billboards have played a crucial role and have become cult objects inhabited by the stars’ auras. The composition and strategic locations of these posters have contributed to the promotion of specific actors/actresses within local cultural arenas. This is the case of the Argentine actor Ricardo Darín in Spain. Since the release of the film Nueve Reinas (Bielinsky 2000) and, shortly after, of El hijo de la novia (2001) -by the Oscar winning director Juan José Campanella-, Darín has risen to stardom in Spanish film culture. Accordingly, this article aims to analyze how the billboards of the films starred in by Darín and released in Spain have slowly changed their focus from images of landscapes with allegorical connotations to the plot of the film and ultimately to close-ups of Darín’s face, and how this change reflects his rising star status in the peninsula as well as a shared star imagery between Spain and Argentina.2014-10-29T16:25:44ZMemorias en transición. Producciones videográficas argentinas contemporáneas entre el video de creación y el corto documentalGaravelli, Clarahttp://hdl.handle.net/2381/292242014-10-30T02:01:36Z2014-10-29T15:35:49ZTitle: Memorias en transición. Producciones videográficas argentinas contemporáneas entre el video de creación y el corto documental
Authors: Garavelli, Clara
Abstract: In the past thirty years, the reinstatement of democracy in Argentina has been accompanied by an upsurge of audio-visual productions that deal with the impact of the last dictatorship. Whereas most of these works have been widely studied within traditional disciplines, there are certain hybrid productions located at the interstices of art and cinema, which still need to be properly analyzed. Accordingly, the aim of this article is to explore an array of short experimental videos that employ ‘a creative treatment of actuality’ (Grierson dixit) but which have not been the focus of academic attention within documentary theorists. Their ways of dealing with memory and its modes of representation reconfigure the traumatic past in the present whilst challenging the traditional documentary genre.
Description: The file associated with this record is embargoed while permission to archive is sought from the publisher. The final published version may be available through the links above.2014-10-29T15:35:49Z¿Qué es lo experimental en el cine y video experimental argentino?Garavelli, ClaraTorres, Alejandrahttp://hdl.handle.net/2381/292232014-10-30T02:01:35Z2014-10-29T11:53:23ZTitle: ¿Qué es lo experimental en el cine y video experimental argentino?
Authors: Garavelli, Clara; Torres, Alejandra
Editors: Garavelli, C.; Torres, A.
Abstract: Enmarcado dentro de los estudios que abordan la denominada Cultura Visual (Mirzoeff, 2003), el presente Dossier se propone explorar la problemática que acarrea la noción de “experimentalidad”, particularmente cuando es utilizada dentro del ámbito del cine y video argentino.
Description: The file associated with this record is embargoed while permission to archive is sought from the publisher. The final published version may be available through the links above.2014-10-29T11:53:23ZGoya's inquisition : from black legend to liberal legendRawlings, Helen E.http://hdl.handle.net/2381/287092014-03-27T02:01:46Z2014-03-26T11:16:26ZTitle: Goya's inquisition : from black legend to liberal legend
Authors: Rawlings, Helen E.
Abstract: In the opening decades of the 19th century, Goya sketched around 39 ink wash drawings, collected in his Album C (c. 1814-24), that depict with dramatic intensity the corporal and psychological punishments inflicted on those individuals whose behaviour or beliefs challenged the values of the conservative regime that had ruled Spain for generations. Around half of the drawings clearly relate to the practices of the Spanish Inquisition, the court of law founded at the end of the 15th century whose function was to root out heresy from within society and so strengthen its Catholic foundations. The captions that accompany the images refer to the judicial charge being brought to bear on the victims in each case and a stark contrast is established between the seemingly harmless nature of their alleged crimes and the severity of their treatment. Goya thus invites the viewer to perceive the Inquisition as a barbarous, inhumane institution, emblematic of Spain’s backwardness and its failure to embrace the concepts of liberty and reason associated with the modern age. This reputation, borne out of its early history and embodied in the so-called Black Legend perpetrated by Spain’s Protestant enemies in the 16th century, survived throughout the tribunal’s 300-year existence, although in practice by Goya’s time its propensity for abuse and the necessity of its role – fiercely defended by conservatives – had considerably diminished. Nevertheless, as this article will demonstrate, its past injustices were skilfully exploited by the artist, along with fellow political sympathisers, as if a current reality to serve the needs of their own liberal legend. [Introduction]2014-03-26T11:16:26ZThe religious orders and the crisis in the nomination of bishops in Castile under Philip IV (1621-1665)Rawlings, Helen E.http://hdl.handle.net/2381/286732014-03-27T11:26:53Z2014-03-19T14:14:51ZTitle: The religious orders and the crisis in the nomination of bishops in Castile under Philip IV (1621-1665)
Authors: Rawlings, Helen E.
Abstract: The seventeenth-century Spanish Church stood out among other Catholic countries of western Europe on account of the high percentage of members of the religious orders —especially Dominicans— recruited as bishops. While their authority as preachers and theologians, schooled in the post-Tridentine tradition, made them eminently suitable candidates for office, they had little of the secular experience regarded as a fundamental requirement of an episcopate that worked in close alliance with the state. The political and fiscal pressures placed on this alliance under Philip IV prompted an unprecedented crisis in the preferment of candidates to Castilian bishoprics, which resulted in the rise of the religious orders in the career of bishop.2014-03-19T14:14:51ZMatter, Memory and Pre-Hispanic Myth: The Poetry of Bernardo Ortiz de MontellanoPenn, Sheldon C.http://hdl.handle.net/2381/281302013-09-27T01:45:09Z2013-09-04T10:41:53ZTitle: Matter, Memory and Pre-Hispanic Myth: The Poetry of Bernardo Ortiz de Montellano
Authors: Penn, Sheldon C.
Abstract: In ‘La poesía indígena de México’ (1935), Ortiz de Montellano argues that the indigenous poetic image survives in translation. He equates the poetic word to the physical body and the image to the soul: the body/written word (in the divine, creative sense) may have perished but the soul (metaphysical essence) remains. This article shows how Montellano’s poetry – mediated through indigenous and classical influences – reflects the essay in its exploration of the relationship between dream, life and death. The poems discussed are ‘Segundo sueño’ (1933), ‘Muerte de cielo azul’ (1937) and, briefly, ‘Primero sueño’ (1931). Building on Flores Esquivel’s study of ‘Segundo sueño’, I contextualise Montellano’s work within contemporary aesthetic and intellectual currents, linking these to the cosmology of the Libro de Chilam Balam de Chumayel and the Popol Vuh. The article argues that Montellano’s appeal to the indigenous soul in his poetry is best understood within the contexts of Henri Bergson’s concept of durée, a philosophy that was influential in the early twentieth century in Mexico.2013-09-04T10:41:53ZHome Space, Language and Non-lieux in the late 20th Centure: Inscribing Loss, Plurality and Exile in the work of Régine RobinJones, Elizabeth H.http://hdl.handle.net/2381/279382013-06-06T01:01:47Z2013-06-05T14:46:40ZTitle: Home Space, Language and Non-lieux in the late 20th Centure: Inscribing Loss, Plurality and Exile in the work of Régine Robin
Authors: Jones, Elizabeth H.
Description: Embargo length currently unknown. Permission to make the text available has been requested from the publisher and the full text may be made available once this has been received.2013-06-05T14:46:40ZEsplorazioni sulla via Emilia e dintorni—la fotografia italiana degli anni ‘80 in dialogo con la scrittura di paesaggioSpunta, Marinahttp://hdl.handle.net/2381/276982013-01-18T14:37:24Z2013-01-18T14:36:47ZTitle: Esplorazioni sulla via Emilia e dintorni—la fotografia italiana degli anni ‘80 in dialogo con la scrittura di paesaggio
Authors: Spunta, Marina
Description: Full text of this item is not currently available on the LRA2013-01-18T14:36:47ZConversazione con Jacopo BenciSpunta, Marinahttp://hdl.handle.net/2381/276972013-01-18T14:18:46Z2013-01-18T14:13:48ZTitle: Conversazione con Jacopo Benci
Authors: Spunta, Marina
Abstract: Jacopo Benci lives and works in Rome. His work encompasses photography, video & film, installation, performance, and has been shown in galleries and museums, and screened in festivals, in Italy, Argentina, France, Germany, Hungary, The Netherlands, Russia, Thailand, UK, USA. His most recent solo exhibition, Sentieri invisibili (Invisible paths) was held at Hybrida Contemporanea gallery, Rome, 2010. Since January 1998 he is the Assistant Director for Fine Arts at the British School at Rome.
Description: Full text of this item is not currently available on the LRA.2013-01-18T14:13:48ZIntervista a Claudio PiersantiSpunta, Marinahttp://hdl.handle.net/2381/276652013-01-12T02:01:32Z2013-01-11T15:02:19ZTitle: Intervista a Claudio Piersanti
Authors: Spunta, Marina2013-01-11T15:02:19ZClaudio Piersanti e la "fuga dal mondo"Spunta, Marinahttp://hdl.handle.net/2381/276642013-01-11T14:13:43Z2013-01-11T14:11:33ZTitle: Claudio Piersanti e la "fuga dal mondo"
Authors: Spunta, Marina
Description: Full text of this item is not currently available on the LRA.2013-01-11T14:11:33ZBook review : Archbishop Carranza hard times, vol 2, Gallery of personalities by Jose´ Ignacio Tellechea Idı´gorasRawlings, Helen E.http://hdl.handle.net/2381/272072014-03-27T14:37:57Z2012-10-24T09:23:03ZTitle: Book review : Archbishop Carranza hard times, vol 2, Gallery of personalities by Jose´ Ignacio Tellechea Idı´goras
Authors: Rawlings, Helen E.
Abstract: Review of 'El arzobispo Carranza Tiempos recios, II : Galerı´a de personajes' By Jose´ Ignacio Tellechea
Idı´goras. Pp. 590. Salamanca: Publicaciones Universidad Pontificia/Fundacion
Universitaria Espanola, 2004.ISBN 84 7299 611 5; 84 7299 610 72012-10-24T09:23:03ZBook review : The world of Catholic renewal, 1540-1770 by R. Po-Chia HsiaRawlings, Helen E.http://hdl.handle.net/2381/272082014-03-27T14:44:46Z2012-10-24T09:23:03ZTitle: Book review : The world of Catholic renewal, 1540-1770 by R. Po-Chia Hsia
Authors: Rawlings, Helen E.
Abstract: Review of 'The World of Catholic Renewal, 1540–1770' by R. Po-Chia Hsia. Cambridge : Cambridge University Press, 2005; pp. 268.2012-10-24T09:23:03ZFratricidal war: The conflict between the Mouvement national algérien (MNA) and the Front de libération nationale (FLN) in France during the Algerian war (1954-1962)Aissaoui, Rhttp://hdl.handle.net/2381/271872012-10-24T09:23:01Z2012-10-24T09:23:01ZTitle: Fratricidal war: The conflict between the Mouvement national algérien (MNA) and the Front de libération nationale (FLN) in France during the Algerian war (1954-1962)
Authors: Aissaoui, R2012-10-24T09:23:01ZWho's there? Shakespeare in production as heterotopia in FranceFayard, Nhttp://hdl.handle.net/2381/258902012-10-24T09:21:04Z2012-10-24T09:21:04ZTitle: Who's there? Shakespeare in production as heterotopia in France
Authors: Fayard, N2012-10-24T09:21:04ZSense of home and 'exile' in Giorgio Messori's narrative fictionSpunta, Marinahttp://hdl.handle.net/2381/258922013-01-11T14:32:46Z2012-10-24T09:21:04ZTitle: Sense of home and 'exile' in Giorgio Messori's narrative fiction
Authors: Spunta, Marina
Abstract: In this essay, I explore Messori's rendering of place by focusing on the coexisting themes of home and exile in his Uzbekan diary/travel narrative, Nella città del pane e dei postini (2005) and in some of his main short stories, which appeared posthumously in the volume Storie invisibili e altri racconti (2008). I investigate Messori's aesthetic consonance with other writers and artists, in particular with the late photographer, Luigi Ghirri, and argue that his work both builds on a long tradition of place and landscape representation, and makes an original contribution to the current critical debate on place and landscape, positing them as memory, contemplation, and imagination, highlighting the affective and relational experience of place, and voicing the postmodern condition of inhabiting displacement.
Description: Full text of this item is not currently available on the LRA.2012-10-24T09:21:04ZMassimo Bontempelli between de Chirico and Nietzsche: Mannequins, Marionettes, and the De-Humanized Subject in La scacchiera davanti allo specchio and Eva ultimaStorchi, Shttp://hdl.handle.net/2381/248532012-10-24T09:15:37Z2012-10-24T09:15:37ZTitle: Massimo Bontempelli between de Chirico and Nietzsche: Mannequins, Marionettes, and the De-Humanized Subject in La scacchiera davanti allo specchio and Eva ultima
Authors: Storchi, S2012-10-24T09:15:37ZGreen mansions to green hell: Travel writing on the Putumayo, 1874-1905Wylie, Lhttp://hdl.handle.net/2381/248552012-10-24T09:15:37Z2012-10-24T09:15:37ZTitle: Green mansions to green hell: Travel writing on the Putumayo, 1874-1905
Authors: Wylie, L2012-10-24T09:15:37ZDaniel Mesguich's Shakespearean play: Performing the Shakespeare mythFayard, Nhttp://hdl.handle.net/2381/248582012-10-24T09:15:37Z2012-10-24T09:15:37ZTitle: Daniel Mesguich's Shakespearean play: Performing the Shakespeare myth
Authors: Fayard, N2012-10-24T09:15:37ZA balanced language: Spoken and dialogic style in the narrative of Francesca DurantiSpunta, Marinahttp://hdl.handle.net/2381/248462013-01-11T13:48:18Z2012-10-24T09:15:37ZTitle: A balanced language: Spoken and dialogic style in the narrative of Francesca Duranti
Authors: Spunta, Marina2012-10-24T09:15:37ZAlgerian nationalists in the French political arena and beyond: The Etoile nord-africaine and the Parti du Peuple Algérien in interwar FranceAissaoui, Rhttp://hdl.handle.net/2381/248322012-10-24T09:15:36Z2012-10-24T09:15:36ZTitle: Algerian nationalists in the French political arena and beyond: The Etoile nord-africaine and the Parti du Peuple Algérien in interwar France
Authors: Aissaoui, R2012-10-24T09:15:36ZNi Putes ni Soumises: A republican feminism from the quartiers sensiblesFayard, NRocheron, Yhttp://hdl.handle.net/2381/248432012-10-24T09:15:36Z2012-10-24T09:15:36ZTitle: Ni Putes ni Soumises: A republican feminism from the quartiers sensibles
Authors: Fayard, N; Rocheron, Y2012-10-24T09:15:36ZTurkey and the European union: An analysis of how the press in four countries covered Turkey's bid for accession in 2004Negrine, RKejanlioglu, BAissaoui, RPapathanassopoulos, Shttp://hdl.handle.net/2381/247782012-10-24T09:15:32Z2012-10-24T09:15:32ZTitle: Turkey and the European union: An analysis of how the press in four countries covered Turkey's bid for accession in 2004
Authors: Negrine, R; Kejanlioglu, B; Aissaoui, R; Papathanassopoulos, S2012-10-24T09:15:32ZRecycling Shakespeare in the 1990s: Contemporary developments on the French stageFayard, Nhttp://hdl.handle.net/2381/247822012-10-24T09:15:32Z2012-10-24T09:15:32ZTitle: Recycling Shakespeare in the 1990s: Contemporary developments on the French stage
Authors: Fayard, N2012-10-24T09:15:32ZFrance's 'Other' National Playwright? The Performance of Shakespeare in France and the Shakespeare MythFayard, Nhttp://hdl.handle.net/2381/247692012-10-24T09:15:31Z2012-10-24T09:15:31ZTitle: France's 'Other' National Playwright? The Performance of Shakespeare in France and the Shakespeare Myth
Authors: Fayard, N2012-10-24T09:15:31ZShakespeare with a differance: Daniel Mesguich and the revisiting of the canon in late 20th-century French theaterFayard, Nhttp://hdl.handle.net/2381/247662012-10-24T09:15:31Z2012-10-24T09:15:31ZTitle: Shakespeare with a differance: Daniel Mesguich and the revisiting of the canon in late 20th-century French theater
Authors: Fayard, N2012-10-24T09:15:31ZPerpetrators and victims: Wolfdietrich schnurre and the bombenkrieg over GermanyRoberts, Ihttp://hdl.handle.net/2381/221112012-10-24T09:11:08Z2012-10-24T09:11:08ZTitle: Perpetrators and victims: Wolfdietrich schnurre and the bombenkrieg over Germany
Authors: Roberts, I2012-10-24T09:11:08ZBook review : Creating Christian Granada. Society and religious culture in an old world frontier city, 1492-1600Rawlings, Helen E.http://hdl.handle.net/2381/220162014-04-02T13:18:13Z2012-10-24T09:10:58ZTitle: Book review : Creating Christian Granada. Society and religious culture in an old world frontier city, 1492-1600
Authors: Rawlings, Helen E.
Abstract: Review of David Coleman, Creating Christian Granada. Society and Religious Culture in
an Old World Frontier City, 1492–1600, Cornell University Press: Ithaca, NY and London, 2003; 304 pp.; 08014411102012-10-24T09:10:58ZBook review : Reforming Catholicism in the England of Mary Tudor. The achievement of Friar Bartolome Carranza. Edited by John Edwards and Ronald TrumanRawlings, Helen E.http://hdl.handle.net/2381/219952014-03-27T14:55:01Z2012-10-24T09:10:56ZTitle: Book review : Reforming Catholicism in the England of Mary Tudor. The achievement of Friar Bartolome Carranza. Edited by John Edwards and Ronald Truman
Authors: Rawlings, Helen E.
Abstract: Review of 'Reforming Catholicism in the England of Mary Tudor. The achievement of Friar Bartolome Carranza' Edited by John Edwards and Ronald Truman. (Catholic Christendom, 1300–1700.) Pp. xx+235. Aldershot : Ashgate, 2005. ISBN 0 7546 5236 X2012-10-24T09:10:56ZBook review : The lives of women : A new history of inguisitional Spain by Lisa VollendorfRawlings, Helen E.http://hdl.handle.net/2381/220002014-04-03T12:18:02Z2012-10-24T09:10:56ZTitle: Book review : The lives of women : A new history of inguisitional Spain by Lisa Vollendorf
Authors: Rawlings, Helen E.
Abstract: Review of Lisa Vollendorf, The lives of women : A new history of inguisitional Spain. Nashville, Tenn. : Vanderbilt University Press, 2005, ISBN 0826514812; 97808265148132012-10-24T09:10:56ZBook review : Ferdinand and Isabella by John EdwardsRawlings, Helen E.http://hdl.handle.net/2381/219932014-04-02T11:25:39Z2012-10-24T09:10:55ZTitle: Book review : Ferdinand and Isabella by John Edwards
Authors: Rawlings, Helen E.
Abstract: Review of John Edwards, Ferdinand and Isabella, Profiles in Power series, Pearson Longman : Harlow, 2005; ISBN 0582218160.2012-10-24T09:10:55ZBook review : The 'great favourite'. The duke of Lerma and the court and government of Philip III of Spain, 1598-1621 by Patrick WilliamsRawlings, Helen E.http://hdl.handle.net/2381/219882014-04-02T13:47:10Z2012-10-24T09:10:54ZTitle: Book review : The 'great favourite'. The duke of Lerma and the court and government of Philip III of Spain, 1598-1621 by Patrick Williams
Authors: Rawlings, Helen E.
Abstract: Review of Patrick Williams, The great favourite. The duke of Lerma and the court and government of Philip III of Spain, 1598–1621; Manchester–
New York: Manchester University Press, 2006. ISBN 07190 5137 1 / 97807190513712012-10-24T09:10:54ZFrontier fictions: The place of Amazonia in César Uribe Piedrahita's ToáWylie, Lhttp://hdl.handle.net/2381/219922012-10-24T09:10:54Z2012-10-24T09:10:54ZTitle: Frontier fictions: The place of Amazonia in César Uribe Piedrahita's Toá
Authors: Wylie, L2012-10-24T09:10:54ZBook review : The Spanish Inquisition, 1478-1614. An Anthology of Sources. Edited and translated by
Lu Ann Homza.Rawlings, Helen E.http://hdl.handle.net/2381/219472014-04-03T12:23:29Z2012-10-24T09:10:30ZTitle: Book review : The Spanish Inquisition, 1478-1614. An Anthology of Sources. Edited and translated by
Lu Ann Homza.
Authors: Rawlings, Helen E.
Abstract: Review of The Spanish Inquisition, 1478- 1614. An Anthology of Sources. Edited and translated by
Lu Ann Homza. Indianapolis: Hackett Publishing Company. 2006. 272 pp.2012-10-24T09:10:30ZBook review : Journeymen-printers, heresy and the inquisition in sixteenth-century Spain by Clive Griffin.Rawlings, Helen E.http://hdl.handle.net/2381/219532014-04-02T12:45:55Z2012-10-24T09:10:30ZTitle: Book review : Journeymen-printers, heresy and the inquisition in sixteenth-century Spain by Clive Griffin.
Authors: Rawlings, Helen E.
Abstract: Review of Clive Griffin, 'Journeymen-Printers, Heresy and the Inquisition in Sixteenth-Century Spain' Oxford : Oxford U.P., 2005; ISBN 9780199280735; 01992807382012-10-24T09:10:30ZBook review : The Virgin of Atocha : Austria and miraculous images by Jeffrey SchraderRawlings, Helen E.http://hdl.handle.net/2381/219182014-03-27T14:53:19Z2012-10-24T09:10:29ZTitle: Book review : The Virgin of Atocha : Austria and miraculous images by Jeffrey Schrader
Authors: Rawlings, Helen E.
Abstract: Review of 'La Virgen de Atocha : Los Austrias y las imágenes milagrosas' by Jeffrey Schrader (tr. Teresa Sans and Fabián Chueca ) Madrid : Ayuntamiento de Madrid ,
2006 ; pp. 2372012-10-24T09:10:29ZRare models: Roger Casement, the Amazon, and the ethnographic picturesque.Wylie, Lhttp://hdl.handle.net/2381/219302012-10-24T09:10:29Z2012-10-24T09:10:29ZTitle: Rare models: Roger Casement, the Amazon, and the ethnographic picturesque.
Authors: Wylie, L
Abstract: In 1910 Roger Casement was sent by the British government to investigate the alleged humanitarian abuses of the Peruvian Amazon Company in the Putumayo, a disputed border zone in North West Amazonia. Casement brought more than verbal and written testimony back to London. On 26 June, some six months after he returned from the Amazon, Casement collected two Amerindian boys - Omarino and Ricudo - from Southampton docks. This paper will reconstruct the brief period that these young men spent in Britain in the summer of 1911 and assess, in particular, to what extent they were treated as 'exhibits' by Casement, who not only introduced them to leading members of the British establishment but also arranged for them to be painted and photographed following contemporary ethnographic conventions.2012-10-24T09:10:29ZWeimar Cinema: an essential guide to classic films of the eraRoberts, Ihttp://hdl.handle.net/2381/219322012-10-24T09:10:29Z2012-10-24T09:10:29ZTitle: Weimar Cinema: an essential guide to classic films of the era
Authors: Roberts, I2012-10-24T09:10:29ZShell Shock Cinema: Weimar culture and the wounds of warRoberts, Ihttp://hdl.handle.net/2381/219352012-10-24T09:10:29Z2012-10-24T09:10:29ZTitle: Shell Shock Cinema: Weimar culture and the wounds of war
Authors: Roberts, I2012-10-24T09:10:29ZŒdipe à jéricho. L'œuvre testimoniale d'Henri RaczymowLouwagie, Fhttp://hdl.handle.net/2381/215122012-10-24T09:10:11Z2012-10-24T09:10:11ZTitle: Œdipe à jéricho. L'œuvre testimoniale d'Henri Raczymow
Authors: Louwagie, F2012-10-24T09:10:11Z'Il fascismo è una Casa di Vetro': Giuseppe Terragni and the politics of space in fascist ItalyStorchi, Shttp://hdl.handle.net/2381/215242012-10-24T09:10:11Z2012-10-24T09:10:11ZTitle: 'Il fascismo è una Casa di Vetro': Giuseppe Terragni and the politics of space in fascist Italy
Authors: Storchi, S2012-10-24T09:10:11ZThe violence of modernity: Baudelaire, irony, and the politics of formFayard, Nhttp://hdl.handle.net/2381/214522012-10-24T09:10:08Z2012-10-24T09:10:08ZTitle: The violence of modernity: Baudelaire, irony, and the politics of form
Authors: Fayard, N2012-10-24T09:10:08ZExile and the politics of return and liberation: Algerian Colonial workers and anti-colonialism in France during the interwar periodAissaoui, Rhttp://hdl.handle.net/2381/214322012-10-24T09:10:07Z2012-10-24T09:10:07ZTitle: Exile and the politics of return and liberation: Algerian Colonial workers and anti-colonialism in France during the interwar period
Authors: Aissaoui, R2012-10-24T09:10:07ZL'imaginaire de Jorge Semprun: Narcisse entre miroir et fleurLouwagie, Fhttp://hdl.handle.net/2381/213382012-10-24T09:10:02Z2012-10-24T09:10:02ZTitle: L'imaginaire de Jorge Semprun: Narcisse entre miroir et fleur
Authors: Louwagie, F2012-10-24T09:10:02ZBetween the general and the particular - Reminiscences of Plato's 'Timaeus' in Piotr Rawicz's 'Le sang du ciel'Louwagie, Fhttp://hdl.handle.net/2381/212972012-10-24T09:09:59Z2012-10-24T09:09:59ZTitle: Between the general and the particular - Reminiscences of Plato's 'Timaeus' in Piotr Rawicz's 'Le sang du ciel'
Authors: Louwagie, F2012-10-24T09:09:59ZFocalizing the body in contemporary women's writing and filmmaking in FranceFayard, Nhttp://hdl.handle.net/2381/212782012-10-24T09:09:58Z2012-10-24T09:09:58ZTitle: Focalizing the body in contemporary women's writing and filmmaking in France
Authors: Fayard, N2012-10-24T09:09:58ZFossati's and Messori's Viaggio in un paesaggio terrestre: An imaginative journey through writing, photography, landscape, and paintingSpunta, Marinahttp://hdl.handle.net/2381/211792013-01-11T14:00:13Z2012-10-24T09:09:50ZTitle: Fossati's and Messori's Viaggio in un paesaggio terrestre: An imaginative journey through writing, photography, landscape, and painting
Authors: Spunta, Marina
Abstract: In this essay I analyse a recent phototext, Viaggio in un paesaggio terrestre (2007), by the photographer, Vittore Fossati, and the late writer, Giorgio Messori. I demonstrate how it engages with a tradition of visual and literary landscape representations that celebrate an affective, imaginative approach to the exterior and to art, from the chosen masters of European art to contemporary artists, such as Luigi Ghirri and Gianni Celati. I will argue that Fossati's and Messori's work makes an original contribution to the critical debate on landscape that is in line both with classical reflections, such as those by Petrarch and Ritter, and with current aesthetic theories of landscape, which seek to recover an all-round appreciation of landscape, including sensorial perceptions, imagination, and memory. Finally, I will show how Fossati and Messori succeed in redressing the tradition of the photobook and of the illustrated book, showing 'come fotografia e scrittura potessero andare assieme, come qualcosa "che scalda il cuore"'2012-10-24T09:09:50Z