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Here's a trick that does work with E-piano (and maybe more, not sure yet about acoustic piano voices): layering the same voice with slightly different layer dynamics keeps the timbre the same while getting a fatter and more dynamic sound experience:

TADutchman; The presets you have posted are good. I have tested a lot of them and I'm very surprised that it is possible to create so many different sounds. I also have to say, the CA93/63 is the best digital piano I have ever played on. I'm very satisfied.

I must say that I am thoroughly enjoying this thread and have the strange urge to print the thing out and spend the half day that it takes to trudge my way all the way to a Kawai dealer who will only have the CA63 if anything in stock to actually try some of these out.

I must say that I am thoroughly enjoying this thread and have the strange urge to print the thing out and spend the half day that it takes to trudge my way all the way to a Kawai dealer

@theJourney: you apparantly have the guts to say that you like this thread. Now, what about the next step: if you would just order a CA93/CA63 then you could help us out by developing some professional presets, as there's a heck of a lot more ground to cover.

@KawaiJames: I'm currently living from half compliments, or more in general any kind of feedback, as Kawai isn't paying me anything (so far) for improving and expanding upon the factory presets, you know?

These settings are very good for my taste and I play with and without headphones.

That reminds me of what I do for developing presets: I tend to listen with my CA93 live at about 4.8 volume and interchangeably with my HD595 at the same master volume. Of course, there can be a slight perception difference, as you use a combination of CA63 and AKG K701.

These settings are very good for my taste and I play with and without headphones.

That's reminds me of what I do for developing presets: I tend to listen with my CA93 live at about 4.8 volume and interchangeably with my HD595 at the same master volume. Of course, there can be a slight perception difference, as you use a combination of CA63 and AKG K701.

I played with master volume of 6.0 (to 6.5), but now I use the same master volume of you (4.5 to 4.8) since I play with your settings. Maybe it is because of the layered sounds...

Some major advantages of using the CA93/CA63's dual voice mode:+ More authentic piano and other state-of-the-art timbres possible.+ By using a natural sounding combination of EQ Tone control, Dynamic Layering and Voicing (Hammer Hardness), dynamic range and complexity of tone/decay can be vastly expanded. + Exploring the whole sample pool of 80/60 sounds becomes attractive, by layering sounds you would never use standalone.+ Up to 3dB(/6dB?) improvement of 'pre-amp' signal-to-noise ratio.+ No detectable difference in polyphony compared to single voice mode.+ This is a unique major feature if combined with the CA93/CA63's coherent UPHI sample quality: other console type digital pianos simply cannot do it!+ ...

Some minor disadvantages of using layered sounds:- Harder to develop and set-up than a single layer preset.- Changing one sound on the fly leads to unpredictable results.- Incompatibility: not all variety of (piano) sounds can be layered successfully (some combinations yield phasing issues).- Some acoustic Piano's don't sound right yet when layered ontop of itself with different Layer Dynamics (Electric Piano's do). A simple delay, i.e. a single millisecond(s) flatter echo, would help; different layer volumes already can do the trick now. It seems like firmware v1.07 already has improved behaviour.- ...

Some general remarks/feature requests related to custom settings:* Currently, only 8+1 presets can be stored in memory.* No USB loading/saving presets functionality available (yet).* Would love to see a 4-band full parametric EQ or if that's impossible because of CPU limitations, add mid freq operating range control to the 3-band EQ. * Expose more hardware related parameters in the Virtual Technician, including full ADSR control per layer!* Add Trigger Delay, Stereo Pan, Layer Transition [Midi note dependent] and Detune options for Dual Sounds, further enhancing the Unique Selling Point of dynamic layering!!!* ...

Before purchasing my CA93, I actually considered buying a CA111, partly because of its beautiful appearance. In the music store, I have 1:1 compared the action and sample quality of the CA63 and CA111 (I cannot directly relate to the CA61, although I guess that the basic sound signature is similar). Surprisingly for me at that time, the CA63 outperformed the CA111 by far, although the speaker system of the CA63 obviously is much weaker. The CA93/CA63 is much tighter, crispy and more coherent. Also the new action and ivory feel add to the experience. In combination with the Virtual Technician this makes that for the CA93/CA63 the whole is more than the sum of its parts. Nevertheless, connectivity of the CA111 is excellent and owners could plug-in (multiple instances of) a virtual instrument anytime they want to...

Also based on your experiences, I'm sorry to conclude that this thread, especially in case of layered piano sounds, is less relevant for previous generation Kawai DP owners. So, at least the title appears to be correct.

Some general remarks/feature requests related to custom settings:* Currently, only 8+1 presets can be stored in memory. * No USB loading/saving presets functionality available (yet).

yeah... 8 memories are definitively not enough. It would be great if the new firmware allow USB loading/saving settings.

Originally Posted By: TADutchman

* Would love to see a 4-band full parametric EQ or if that's impossible because of CPU limitations, add mid freq operating range control to the 3-band EQ. * Expose more hardware related parameters in the Virtual Technician! * ...

* be possible to adjust the touch curve "manually", not by the current "teaching" process.

Here's a quote from an old SOS article that inspired me to start experimenting with layering CA93/CA63 piano sounds in the first place:

"The secret — and it's an important one — lies in the combination of two sounds that are similar enough to be indistinguishable within the composite, but different enough to create a sound that is more interesting than either of the components in isolation."

LOL. Bach's toccata and Fugue in d minor is fun to play as a duet this way!

You might want to talk to van Kerkwijk in Amstelveen. He still has a home organ trade and might be offered used pedal sets for resale. Roland used to have a couple of relatively cheap midi solutions. You could also contact Hammond in Vianen to see if they have ideas, especially if you want a full size pedal board.

BTW. There will be some great organ concerts in the Westerkerk next week during the Grachtenfestival from the illustrious Jos van der Kooy.