Trentemøller’s recent album opus Lost already served as the logical continuation of his varied work and delivered his signature sound intact, yet it really didn’t sound like anything he’d ever produced before. Streamlined, song-structured and guitar-driven, whilst still sporting electronic twists Lost boasted a dozen tracks, each offering something of interest for anyone who has ever been a fan of the Copenhagen producer.

As original as it is classic, Lost mixed the tried-and-tested with all sorts of sonic surprises, merging the extrovert and introvert qualities the man has in his command. Also notable for being his most collaborative effort yet, Lost paired him with a vibrant and varied cast of guests – the legendary duo Low, Jonny Pierce from The Drums, Marie Fisker, Kazu Makino of Blonde Redhead, Jana Hunter of Lower Dens, Ghost Society and Sune Wagner of The Raveonettes.

Now the new ‘Lost Reworks’ release gleefully rips up the rule book again and adds further electronic elements, as Trentemøller is joined by some carefully-chosen conspirators – Toydrum (aka James Griffith and Pablo Clements of UNKLE), Jenny Wilson, T.O.M. And His Computer, Unkwon and Trentemøller – in dismantling the intricate musical tapestry of the album, recontextualising the instrumental experimentation, the trashed analog consoles, and the entire sweep of influences, from krautrock to classical.

The original version of “River Of Life” abandons its throbbing guitars and soaring strings for dark and retro electroclash tones on Trentemøller’s own remix, and introspective, electro-gaze in the hands of T.O.M. And His Computer. “Come Undone” stalked at a slow and measured pace, and Trentemøller’s steamy new version recalls vintage Goldfrapp in marrying sultry vocals and seductive machine music, while Toydrum beefs up the raw, spiky electro rock elements. The melancholic pop beauty of “Candy Tongue” is remade with ghostly atmospherics and evocative, exotic instrumentation via Jenny Wilson’s version, and while one remix of “Deceive&rdquo ; made its debut in a stunning EP package from earlier this year – Unkwon’s misty, dusty broken beat version – it is counterbalanced by Trentemøller’s own glitchy, cinematic Lost & Found Remix.

For the digital version of Lost Reworks, even more treats abound: Trentemøller’s extended, frisky Club Mix of “Deceive” which turns up the pressure on the beat and the bass; re-arranged melodies and a hypnotic build on Pinkunoizu’s “Gravity” remix and a stripped-back instrumental version of Toydrum “Come Undone” rework. Prior to the album release Unkwon’s stunning re-lick of “Deceive (feat. Sune Rose Wagner)”

Some of the best tracks from albums,ep’s,compilations…arrived at our mailbox extramusicnew(at)gmail.com.
If you want your music at our promo charts-send your music!
Use Search for more info:stream,free downloads,tour…

Some of the best tracks from albums,ep’s,compilations…arrived at our mailbox extramusicnew(at)gmail.com.
If you want your music at our promo charts-send your music!
Use Search for more info:stream,free downloads,tour…

DEAS, DJ and music composer from Poland, remixed by Harvey McKay, Martin Eyerer and Pig& Dan, releasing in such labels as Baroque Records, Deeperfect, Proton, I Am Techno and Material Series, decided to join forces with the legendary vocal in house music history of Roland Clark, author of such hits as I Get Deep, My Place, Flowerz, Have A Good Time, releasing in Toolroom, Off Recordings, Strictly Rhythm and last in Skint, label of Fatboy Slim.
Adding a booming, encouraging Roland Clark‘s voice to the psychedelic techno track of DEAS, the tune stays with you. Supported by smooth bassline and hypnotizing acidic synths the tempo adds flavor. The track itself is leaded by meaty synth, strong enough to slash the air at any party, but yet smooth enough when listened to in a cosy environment. Also the breakdown seems to be one of a kind. Vocal bits and the unexpected drop, proclaims another approach of the impact.Artist: DEAS feat. Roland Clark
Title: Let It Go
Genre: Techno
Label: Secret Room Records
Release date: 30.06.2014

Plastikman, aka Richie Hawtin, recorded EX at the Guggenheim, New York’s iconic art museum. This very special performance was at the invitation of influential Belgium fashion designer and artistic director at Dior, Raf Simons, for the Guggenheim’s annual fundraiser, performed around a specially constructed LED obelisk.

Richie Hawtin explains, “I knew that Raf was a long time Plastikman fan so by accepting his offer to perform at the Dior event at the Guggenheim I knew I’d set myself up to a huge challenge. Although Raf was happy to have the already complete Plastikman Live 1.5 show, I locked myself away in a series of intense studio sessions and quickly recorded enough new material for the performance and realized I might also have enough for a complete new album. The music came out of me effortlessly as I was very inspired by the opportunity to play in this beautiful architectural space renowned more for art than music. The location also allowed me to step far away from the dancefloor, giving me a huge amount of freedom to EXplore any sonic ideas that I had. Art, music, architecture, painting, sculpture – these mediums are supposed to live together.”