Tag: encouragement for writers

Dear writer, you know that writing takes a long time. There are some who claim to be able to knock out a novel in a couple of hours, and perhaps they can, but I’m pretty cynical that the average writer would be able to do that without cutting some major corners and coming away with a substandard novel as a result. Good writing takes time. That’s why it’s so important to write frequently and regularly.

‘Ah but you don’t understand!’ I hear you cry. ‘I simply don’t have the time to write for hours on end, day after day!’

‘Really?’ Some writing-guru glibly cries back before I get a chance to answer. ‘Don’t you have the same twenty-four hour days; the same seven day weeks and the same fifty-two week years as Tolkien, Dickens, Twain and–‘

‘No, that’s not what I mean!’ I hear you cry back, somewhat irked by Mr. Writing-Guru’s superior attitude. ‘I mean, I’ve got so much other stuff that demands my attention! I’ve got a job, a spouse, a mortgage, a budgie, six kids and one more on the way! I can’t just renounce them for the sake of a few extra hours of writing time!’

‘Well then!’ Mr. Writing-Guru replies. ‘Maybe writing just isn’t for you if you care more about your family and–‘

But before Mr. Writing-Guru can finish this latest patronising utterance, you lunge across the table and begin attacking him with his own ceramic coffee flask while he tries to defend himself behind his trilby.

…

Leave him alone, friend. I understand your situation. There are some things (not many, but some) that simply matter more than writing; other things you simply have no choice but to prioritise, such as a day-job to pay the mortgage. That’s okay. All that matters is you make the best use of the time you do have for writing, no matter how little it is.

First, sit down with a planner (whether physical or mental). Start by working out those times you absolutely cannot write. For instance, I work a day-job from 9-5, Monday-Friday. This makes it absolutely impossible for me to write in those hours (though could you squeeze some juice out of your lunch break?). However, that does leave me evenings and weekends. Surely that’s plenty of time?

‘You don’t understand,’ I hear you cry, warily eyeing Mr. Writing-Guru to make sure he’s still unconscious. ‘I use that time to socialise with my family, to feed my baby, to play a little bit of that new Spider-Man PS4 game…’

Oh but I do understand. Some of these things are essential. Others are optional. Ask yourself honestly what things you can and should give up to make time for writing. You might still find that only leaves you a couple of hours every evening to write, but friend… that’s all you need. You can easily knock out 500 words in an hour or two. I, myself (who am by no means the greatest of writers), wrote the first draft of this blog in just over an hour. Do a little bit of arithmetic with me (I know it’s hard) and you’ll soon see why the ‘little and often’ approach is so useful.

A bog-standard novel tends to be around about 80,000 words, give or take 10,000.

If, like me, you’ve only got evenings and all day Saturday to write, you might be tempted to think Saturday will be your Big Writing Day. Indeed, you certainly shouldtake advantage of Saturday however:

If you write only 3,000* words one day a week, every week, you’ll have 156,000 words by the end of the year. Technically adequate, but I can’t recommend this approach for for these three reasons:

Your friends and family are more likely to want a piece of you during what they perceive as your ‘free-time’, even if you’ve not got any regular business on those days.

Writing only once a week can seriously bust up your rhythm, meaning you constantly have to get back into the flow every Saturday.

Large daily word count goals are hard to accomplish even without distractions. It is difficult to guarantee success.

However, if you allow yourself one hour to write only 500 words (half the length of this article) every evening, when the kids are tucked up in bed and your office is shut for the night, you’ll have 182,500 by the end of a year. That’s more words than you would’ve had writing in a single huge weekend burst and it’s a heck of a lot easier to accomplish. And let’s not forget, you can still take advantage of any weekends or holidays that do become available to you.

If you’re still struggling, however, here are a few more simple tips to make sure you make the best use of your precious minutes.

Disconnect your internet. No excuses. Every second you spend looking at Instagram, checking your e-mails or ‘researching’ your novel is a second you’re not spending writing.

Turn off your phone and put it somewhere you can’t reach it.

Make sure your family, friends or anyone else who depends on having a slice of your attention understands that you write between the hours of x and y every day, and that you cannot be disturbed for all but the most life-and-death reasons. No, not even for two minutes. They’ll probably be cool with that if they know you are available during your non-writing hours.

Establish clear goals for each writing session. Aimless writing wastes time, so have a realistic goal in your mind for each particular session. E.g.: ‘Today I will write 500 words of my first draft’ or ‘today I will complete my chapter outline’. Keep your goals ambitious(after all, you want to accomplish as much as possible in the time available) but most importantly of all, keep them realistic.

If you have time, experiment with pre-writing techniques like free writing.

Write fast; edit slowly.

You can do this, dear writer. I believe in you.

*3,000 words is about the average output I tend to manage on a single Saturday session. It’s certainly possible to do more but it’s increasingly unlikely you’ll achieve it week after week, especially if you’ve got family and friends etc. clamouring for your attention.

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what organises your calendar.

ATTENTION AUTHORS:

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Well, we’ve already had fifty quotes about fiction in general so today it’s time for another fifty quotes, this time providing advice, encouragement and general reflections on the process of writing. So without further ado…

‘I love deadlines. I love the whooshing noise they make as they go by.’ — Douglas Adams

‘There is no greater agony than bearing an untold story inside you.’ — Maya Angelou

‘There is nothing to writing. All you do is sit down at a typewriter and bleed.’ — Ernest Hemingway

‘Writing is easy. All you have to do is cross out the wrong words.’ — Mark Twain

‘If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.’ — Stephen King

‘It’s hell writing and it’s hell not writing. The only tolerable state is having just written.’ — Robert Hass

‘We write to taste life twice, in the moment and in retrospect.’ — Anaïs Nin

‘Writing is an exploration. You start from nothing and learn as you go.’ — E.L. Doctorow

‘A writer, I think, is someone who pays attention to the world.’ — Susan Sontag

‘You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.’ — Madeleine L’Engle

‘If a story is in you it has got to come out.’ — William Faulkner

‘You never have to change anything you got up in the middle of the night to write.’ — Saul Bellow

‘I’m not a very good writer but I’m an excellent rewriter.’ — James Michener

‘You only learn to be a better writer by actually writing.’ — Doris Lessing

‘If you want to change the world, pick up your pen and write.’ — Martin Luther

‘Write about what really interests you, whether it is real things or imaginary things, and nothing else.’ — C.S. Lewis

‘Fill your paper with the breathings of your heart.’ — William Wordsworth

‘Imagination is like a muscle. I found out that the more I wrote, the bigger it got.’ — Philip José Farmer

‘I write to find out what I’m talking about.’ — Edward Albee

‘Throw up into your typewriter every morning. Clean up every noon.’ — Raymond Chandler

‘You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.’ — Annie Proulx

‘Don’t be a writer. Be writing.’ — William Faulkner

‘Writing is like giving yourself homework, really hard homework, every day, for the rest of your life. You want glamorous? Throw glitter at the computer screen.’ — Katrina Monroe

‘Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.’ — Natalie Goldberg

‘To write well, express yourself like the common people, but think like a wise man.’ — Aristotle

‘You can make anything by writing.’ — C.S. Lewis

‘I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I’m afraid of.’ — Joss Whedon

‘I need solitude for my writing; not “like a hermit” — that wouldn’t be enough — but like a dead man.’ — Franz Kafka

‘Writers don’t make any money at all. We make about a dollar. It is terrible. But then again we don’t work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck’s book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man’s stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.’ — Donald Miller

‘A writer is someone for whom writing is more difficult than it is for other people.’ — Thomas Mann

‘Writing is thinking. To write well is to think clearly. That’s why it’s so hard.’ — David McCullough

‘Serious writers write, inspired or not. Over time they discover that routine is a better friend than inspiration.’ — Ralph Keyes

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what inverts your commas.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

“Brevity is the soul of wit” — W. Shakespeare

If you’ve been following Penstricken for any length of time, you’ll know that I appreciate the delicate art of the six word story (don’t worry though, today’s post isn’t going to be another instalment of 6 Six Word Stories). When I first encountered this phenomenon several years ago, I wasn’t sure it was possible to cram any meaningful kind of narrative into so restrictive a word limit. Even if it could be done, I wasn’t convinced of its artistic or literary value.

I was wrong. And really, I should’ve known better. Ernest Hemingway’s(?) six word story about the death of a baby and the subsequent sale of his/her clothing proves that you can pack a mighty punch with very few words indeed. It’s no small task, however. Some of the traditional rules of writing need to be bent or artfully re-imagined to make it work.

I’ve said before that all good stories, no matter how short, must have a beginning, a middle and an end. This is also true of six word stories, however unlike in longer prose (even 50 or 100 word stories), it’s almost impossible to make each stage of the story arc explicit. Instead, you need to do what Hemingway(?) did and imply the beginning, middle and end.

This story takes the form of a newspaper headline. It includes only two specific statements:

The king is dead.

All nine of his assassins have been executed for the crime.

However, from these words, we can glean a whole lot more. For a start, this story is set in a felinocracy (a world ruled by cats). Not only that, but there is a whiff of revolution in the air. Nine people have conspired together to end the king’s life (that’s our beginning). They succeeded (middle), but were finally caught and executed (the end).

Unsurprisingly, the format in which you decide to write your six words will be pivotal in determining whether or not you succeed in implying a full story arc. In King Felix Dead, I decided to write in the style of a newspaper headline for two reasons.

When world-leaders get assassinated, it tends to make the news. It therefore seemed an obvious way to draw my readers into my feline fantasy world.

Newspaper headlines, by their very nature, are designed to imply a story in a few short words.

This second reason was the most important. Real newspaper headlines grab a prospective reader’s attention by making them say to themselves, ‘Surely they don’t mean such-and-such has happened…?!’. In short, the reader instantaneously makes up a story based on the headline, then reads the actual story to find out if they were correct. It implies a big story in a small way; the very thing we six word story writers hope to accomplish.

Of course, the newspaper headline is only one possible format. It is certainly not always the best option. The Hemingway(?) story we referred to earlier takes the form of an advertisement. Alternatively, you might opt for something more simple, such as a single line of dialogue as I did in ‘”I shall avenge thee!” Bambi vowed.’ or a single line of narrative, such as ‘Remembered and avenged every unicycle “performance”’. It’s worth spending time trying out a few different formats to see what works best.

For example, if Hemingway(?) had decided to write his story in dialogue format (instead of as a newspaper advert) he might have written something like “I’m selling these unused baby shoes”. However, it wouldn’t have been nearly as effective. It’s still six words long and it communicates the same explicit information (someone is selling brand new baby shoes), but it doesn’t imply anything beyond that. While technically, it could be the words of a bereaved parent, the matter-of-fact conversational tone makes it sound more like a door-to-door salesman who is trying to make a quick quid selling baby clothes. But a short advert, probably published in a local rag somewhere… that sounds far more specific. There is one person out there with one pair of unused baby shoes they want to get rid of as efficiently as possible (but perhaps can’t bear to simply throw them in the bin). All the grief of bereavement is implied by this simple choice of formatting.

The other thing you need to think more creatively about than usual is characters. Under normal circumstances, your story would have a handful of characters (each with their own biographies), who would gradually be developed throughout the story (your so-called ‘character arc’). You might give a little description of their physical appearance but most of their personality and backstory will be revealed by what the characters do and say. But – uh oh!– we’ve not got nearly enough words for all that!

If you want characters of substance (and who wouldn’t?), less is definitely more. It’s highly unlikely (though not impossible) that you’ll create excellent characters if you have more than one character in a six word story. Even so, six words still doesn’t give you much scope. Formatting your story as a line of dialogue or first-person narrative will certainly make it easier for the reader to encounter your character directly, and therefore, get to know them better (if that’s the effect you’re going for, of course). For example, here’s two six word stories about a man enquiring about his evening meal:

John asked what was for dinner.

‘Woman! What’ve you made for tea?’

The first one tells us sod all about John except that he’s curious about dinner. The second one may not tell us John’s name, but it it implies much more important information about him: specifically that he’s a chauvinist pig who expects his dinner on the table when he gets home (or else!) and that he’s curious about dinner. Not only is he curious about dinner, but there’s an implied threat in his question. What if he doesn’t like the answer? We can only imagine, but that’s the point: we canimagine. In six words, we’ve created a bad guy. But as for the guy in the first story… we don’t know anything about him. He’s just a name and a question without substance.

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what tickles your toes.

There seems to be a notion in a lot of folks’ minds that while lots of people may wish to be authors, and may even actually sit down and try to thrash out an original work of fiction, not all of these are real writers. If you look around the internet or other public forums where writers gather, you’ll see what I mean. People will say things like ‘if you don’t write something every day, you’re not areal writer,’ or ‘real writers read at least twenty books a year– oh and newspapers as well!’

These are just examples but you get the idea. Many try to be writers, but only those who do this-this-and-that are realwriters. But wait just a minute. What does it even mean to be a ‘real writer’?

Oxford Dictionaries has a rather lengthy definition of ‘real’ you can view here, but let me draw your attention to the important bits:

I would suggest that when people talk about being a ‘real’ writer, they are referring to something akin to this: ‘[attributive] Rightly so called; proper’. So, a ‘real writer’ is someone who displays certain key attributes we might expect a writer to possess, and is therefore justly called a writer. In other words, ‘real writers’ are people who do a certain thing, behave a certain way, drink a certain brand of coffee or write in a particular genre (or who spit out the word ‘genre’ are if it were an insult); something which separates them from other unreal/pretend/bogus/inferior/impostor writers.

Well I think you can see where I’m going with this. I’m here to set the record straight. And I’m going to do it with a parable.

The Parable of the Real and Pretend Writers

by A. Ferguson

In a certain town there lived an Aspiring Author. This Aspiring Author religiously attended the local coffee shop every day with his laptop. He would arrive early in the morning and drink their most expensive coffee and diligently study blogs about how to be a writer (he was a particular fan of Penstricken.com). His mug said ‘WRITER AT WORK’, and his table was always littered with notepads (with snazzy writer slogans on the front) and pens. He had even scribbled out a few character profiles and he had a strong idea for a plot in his mind. He got to know the staff there and told them all about the novel he was writing and promised to give them all signed copies when it got published. He also had a Twitter page which he used to communicate with other Aspiring Authors, tell the world about the novel he was writing and to share inspirational quotes about writing.

This Aspiring Author also had a five year old daughter. She spent most of her time in her bedroom scribbling out stories in crayon (complete with illustrations) which she then sellotaped together into a book and sold to her long-suffering relatives. To date she has “published” seventeen such books and is now working on her eighteenth: The Day Mummy Took Me To The Zoo (We Saw Lions!).

So… the question is, who was the real writer: Aspiring Author or the daughter?

The answer is the one who displayed the attributes of a real writer. Specifically, the one who actually wrote stuff: the daughter!

Dear friends, writing stuff is the only truly defining attribute of a writer that I know of. If you’re writing stuff, you’re a writer. If you’re not writing stuff, you’re not a writer. If you publish ten thousand best sellers, all of which get made into films, then stop writing, you’re no longer a writer. You may be the author of Such-and-Such a Work but you’re no longer a writer. Similarly, if you are writing with any kind of regularity, you are a real writer. You might be a professional or only an amateur, but you are a writer. Really.

‘But you don’t understand…’ I hear you lament. ‘I only manage to write five days a week!’

That doesn’t invalidate the fact you write. I agree that you should write as often as possible, and certainly if you intend to become a professional writer you might want to do it as close to daily as possible, but I’ve found that writing regularly is far more beneficial than writing constantly. In any event, how often you write does not define you as a writer, as long as you write often.

‘But you don’t understand…’ I hear you lament. ‘I care about my husband/wife and kids more than I care about writing. Why, I even missed a deadline to attend my husband/wife while s/he was in hospital!’

That proves nothing except that you prioritise your family above your writing (a perfectly right and healthy thing, if you ask me). Believe it or not, I’ve actually heard it suggested that ‘real writers’ put their writing before their families, but I for one profoundly disagree. In any event, how you prioritise your life does not define you as a writer. When my daughter was born, I took the day off my day-job as a clerical officer to attend her birth. When I returned to work, no one questioned whether or not I was a ‘real clerical officer’, just because I had other things that mattered more to me. In the same way, whether writing is your life, your day-job or just a hobby: real writers are people who write.

‘But you don’t understand…’ I hear you lament. ‘I only seem to be able to write YA space operas!’

So what? You still wrote it, didn’t you? If you write, you’re a writer. Don’t let snobs get you down. No genre is any more valid than any other so write what you’re going to write. People that like your writing will read it and people that don’t, won’t, but the same is also true of people who write so-called ‘serious literature’.

There seems to be a strange mysticism surrounding writers, as if being a writer is something otherworldly; an awesome gift bestowed upon only the Chosen Few. Worst of all, I fear it has perhaps gone to some of our heads; that we may be tempted to believe we really aresomehow supernatural or unusually gifted. But we’re not. Writers are people who write. Excellent writers practice their craft, yes, but ultimately they’re still just people who write. If you are in any way committed to writing, then I hereby acknowledge and publicly confess (for better or worse) that you are a real writer.

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what buckles your shoe.