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Pitts, Jessica., Dorothy F. Schmidt College of Arts and Letters, Department of English

Abstract/Description

If queer is an applicable label for that which aims to subvert or counteract normativity, then Sir Gawain and the Green Knight, The Wife of Bath's tale, and her Prologue are each, in their own ways, queer texts. I examine the ways in which the feminine presences of Morgan le Fay and the Loathly Lady influence and challenge the heteronormative, homosocial space of Arthur and his knights. The two knights in each respective tale journey away from their heteronormative spaces, in which a complex... Show moreIf queer is an applicable label for that which aims to subvert or counteract normativity, then Sir Gawain and the Green Knight, The Wife of Bath's tale, and her Prologue are each, in their own ways, queer texts. I examine the ways in which the feminine presences of Morgan le Fay and the Loathly Lady influence and challenge the heteronormative, homosocial space of Arthur and his knights. The two knights in each respective tale journey away from their heteronormative spaces, in which a complex system of homosociality and chivalric patriarchy dominate, to a queer space where each must go against his societal norms and rely on feminine agency and talismans in order for their quests to succeed - and to ensure their survival. It is this very convergence of heteronormative and queer spaces that enables Morgan's defiance of heteronormativity and dominance over those who enter her feminine, non-normative domain. Show less