> Prestige leather – group 1

leathers

> Nevada leather – group 2

Nevada is a full-grain, vacuum-tanned, smooth aniline leather. The hide is firm, but supple with an exceptional grain. The best choice when looking for Saddle-type leather. Visible insect bites, healed wounds and fat stripes contribute to the exclusive look.

> Elegance leather – group 4

> Classic leather – group 3

Elegance is an exquisite type of leather of the finest quality European oxhide. It has an exclusive and natural look and is soft and pleasant to the touch. Elegance is aniline leather and is chrome tanned but then subsequently vegetable tanned, which gives the leather greater firmness. This type of leather has a natural and raw surface, allowing the leather to breathe and offers excellent sitting comfort as well as a feeling of exclusivity. The leather is full grain, which means that its natural surface structure has been preserved and all natural markings are visible. Natural markings are the hallmarks of the animal’s active life and give the piece of furniture a unique sense of character. Elegance leather varies in colour from hide to hide and acquires a beautiful, lighter patina with use and exposure to sunlight.

Classic is a durable and very user-friendly type of leather, giving a more uniform look on upholstered furniture. Classic is pigmented and has a strong surface finish, making the leather resilient to dirt and light exposure so that the leather maintains its looks over time. The surface has a slight grain, which means that the natural structure is visible. This gives a very pure expression, almost without visible natural markings.

As a teenager, Finn Juhl wanted to become an art historian, having a passion for the fine arts since childhood. His father stopped him and Finn Juhl started architectural studies. Later, when his fame as a designer of furniture acquired, he speaks of himself as an autodidact, in reference to this upset vocation that forced him to walk intellectually on a lonely way. His style owes much to this singular trajectory, with its non academic interpretation of art visible in his work. Finn Juhl started his studies in 1930, a key period which saw the birth of modern design and furniture.

His modern offices in central Copenhagen was greeting his visitors with a huge Japanese fish in paper, symbol of imagination. And rather than addressing the design of a furniture from an functional angle, in the classical manner, Finn Juhl approached his work in the manner of a sculptor, seeking the beauty of the volume and shape, life and expressiveness, an approach that, in the 1940s and 1950s, was then completely new. For Finn Juhl, it was clear that furniture could not be limited to function, but should also express an artistic sensibility.

Finn Juhl

(1912-1989)

Just like its close relative, the 108 Chair, the 109 Chair was originally manufactured by cabinetmaker Niels Vodder. In this design, it is in particular the uniquely detailed armrests, that make this chair interesting and elegant. The chair is manufactured in walnut, oak or teak and it is the perfect dining or conference room chair. Its elegant and comfortable qualities mean that the chair also easily lends itself to hotels and restaurants.