Gill says English Department chair at Northeast Campus told her the state and the school ‘do not like homosexuals’

Jacqueline “Jackie” Gill

HURST — Jacqueline “Jackie” Gill filed suit Wednesday, Sept. 7, against a professor and a dean at Northeast Campus of Tarrant County College in Hurst, claiming that she was denied the opportunity to apply for a permanent, full- time teaching position there because of the English Department chair’s bias against what he perceived her sexual orientation to be.

Tarrant County College adopted a nondiscrimination policy prohibiting discrimination based on sexual orientation on March 9 of this year.

Frank Griffis, director of public relations and marketing for Tarrant County College, said it “would not be appropriate” for school officials to comment on pending litigation. He also said school officials had not yet been served with papers and therefore had not read the complaint.

Gill said she had worked as a full-time temporary English professor for about a year at the Northeast Campus. But when the position was to be made permanent, English Department Chair Eric Devlin refused to allow her to apply for the permanent position.

Gill said when she complained about Devlin to Northeast Campus Humanities Division Dean Antonio R. Howell, he initially seemed to side with her, but after speaking to Devlin, Howell refused to communicate further with her. Gill said although she is a lesbian and has never tried to hide that fact, she had never talked about her orientation with Devlin or anyone else at the school.

Both Devlin and Howell are named as co-defendants in the lawsuit.

Gill is represented in the lawsuit by Lambda Legal South Central Region staff attorney Ken Upton, joined by pro bono counsel Benjamin D. Williams from the law firm of Gibson, Dunn and Crutcher.

Gill and Upton held a press conference Wednesday to announce that the lawsuit had been filed earlier that morning in U.S. district court in Fort Worth. The press conference was held at a Hurst hotel located just a few blocks from the Tarrant County College campus where Gill had taught.

According to the complaint filed Wednesday, and statements Gill made during the press conference, Gill was first hired on a full time, temporary basis as an English professor on Aug. 21, 2009. A little more than a month later, at the end of October, a female “dual-enrollment” student — a high school student who was also taking college classes — in Gill’s distance learning class cheated by stealing an exam and skipped some classes.

The student’s high school counselor told Gill that the student has a history of disruptive behavior, and when the student dropped the class, Gill was told the situation was closed.

On Nov. 9, however, Devlin called Gill into his office and told her the student had accused Gill of “flirting” with female students. Gill denied the accusations, noting that there was always another teacher in the class at the same time.

That’s when Devlin responded with “a lengthy diatribe about homosexuals and how the Texas public views them,” according to the complaint. Gill said Devlin went on to say that Texas is a conservative state and TCC is a conservative school, and that “Texas and Tarrant County College do not like homosexuals.”

Gill continued to teach at TCC, receiving high praise and compliments from students and staff alike, including from Devlin. Then in May 2010, she and other full-time temporary professors were told by Howell that all seven temporary full- time positions were being made permanent, and that they were being re-designated as adjunct faculty until the permanent positions were filled.

Gill said Howell also encouraged her and the other temporary professors to apply for the permanent jobs. Gill applied for all seven but was the only one of the seven temporary professors not hired for the permanent positions. Gill said that she was, in fact, not even allowed to interview for any of the positions, even though her experience and credentials were as good as or better than those who were hired.

Gill said she met with Howell and told him about Devlin’s anti-gay comments and refusal to allow her to interview for the permanent positions. She said Howell promised her to discuss the situation with Devlin immediately, but that he never got back in touch with her.

She said she also got no response when she tried to discuss the situation with the vice president and president of Tarrant County College.

Gill continued to teach as an adjunct professor at the campus through December 2010, although, she said, Devlin’s attitude toward her became “even more hostile.”

And she said that although she was originally assigned classes for the 2011 spring term, as she was preparing for those classes she discovered she had been removed as the professor. When she inquired about the status of the class, Gill said, she was told that Devlin had specifically instructed that those classes be taken away from her.

Upton said that Devlin and Howell violated the equal protection clause of the U.S. Constitution by refusing to allow Gill to apply for the permanent teaching position. He said Gill’s suit is asking that she be allowed to complete the application process and that she be compensated for the time she has been unemployed.

Gill, who is a Ph.D. candidate at the University of Texas at Arlington, said she would love to get a teaching job with TCC, and while she would prefer to work at another campus, she is willing to go back to the Northeast Campus and work again in Devlin’s department.

“I worked hard. I earned it,” Gill said of the permanent position. “I have nothing to be ashamed of. If it [her working in Devlin’s department again] would be awkward for anyone, I think it would be awkward for him [Devlin] because he is the one who was in the wrong.”

This article appeared in the Dallas Voice print edition September 9, 2011.

Lexus series adds queer event to upcoming season of musicals

What’s gay about ‘Jersey Boys’? The GLBT Broadway subscriber series at the Winspear will tell you.

The Lexus Broadway Series offers a muscular lineup of shows that feature classic stories and contemporary rock ‘n’ roll. But they go one step further in the 2011-12 season with the stage equivalent of special edition DVDs, featuring enhanced performances and pre-show engagements for subscribers — including its gay patrons.

Dallas Voice Life+Style Editor Arnold Wayne Jones will host a conversation every second-week Tuesday about 45 minutes before each show. The series, called GLBT Broadway, will highlight the appeal for queer audiences for the shows in the series. The discussion will touch on issues of gender identity and sexuality in regards to the show and the teams behind them. Some — such as the season lead-off, Hair — might be easier to analyze from a gay perspective than, say, Jersey Boys, but that’s part of the fun of the series.

The season starts with Hair, which won the Tony in 2009 for best musical revival. Youth in 1960s America are all about peace, love and understanding — including nudity and homosexuality — in this iconic musical. Sept. 20–Oct. 2.

Best musical Tony winner In the Heights details the immigrant experience as characters find a new life in their new country. March 13–25.

Alt-rockers Green Day went Broadway with American Idiot, touted as a mashup of a rock concert and staged musical. May 8–20.

The season concludes with Jersey Boys and Frankie Valli and the Four Seasons. Classic hits like “Big Girls Don’t Cry” and “Can’t Take My Eyes Off of You” tell the tale of this well-accomplished music group from the ‘50s. June 12–July 15.

Other subscriber series include Broadway University, hosted by SMU theater professor Kevin Hofeditz which will explore themes of the show and its place in theater history (every second Saturday matinee) and Broadway Uncorked (every second-week Wednesday), where an expert sommelier will host a wine tasting based on the show. We wonder what American Idiot’s wine will be.

— Rich Lopez

For more information on the Lexus Broadway Series and its enhanced performances, visit ATTPAC.org.

This article appeared in the Dallas Voice print edition August 26, 2011.

MUY FUNNY | Dan Guerrero works for laughs while being gay and Latino in his one-man show.

Before he could write ‘¡Gaytino!,’ Dan Guerrero first had to find his roots

Growing up gay and Latino can be a tough hand to play. In a culture that revels in religion and machismo — hell, the word “machismo” is Latino — coming out poses pitfalls.

But Dan Guerrero lucked out. With some artsy upbringing by a musician dad and a not-so-practicing Catholic background, Guerrero’s closet was easy to open. In fact, it was harder for him just to be Hispanic.

“Los Angeles never made me feel like I was good enough,” he says. “I fell in love with musicals in junior high. I wanted to hear Julie Andrews in Camelot! Who gives a rat’s ass about mariachi?”

His dad might have given one. He was famed musician Lala Guerrero, the father of Chicano music who popularized the Pachuco sound in the 1940s (the beats most associated with Zoot suits and swing dancing). While Guerrero appreciated his father’s legacy, he established his own identity by moving to New York to become an actor. That didn’t work out so much, but becoming an agent did.

“It was kind of by accident, but I ended up being an agent for 15 years,” he says. “I got into producing and I loved it.”

Although he stepped away from performing, Guerrero finds himself back onstage Friday and Saturday at the Latino Cultural Center with ¡Gaytino! The autobiographical one-man show is part comedy, part cabaret, with Guerrero recounting in lyrics and punch lines his experiences growing up gay and Latino, life with father … and having to rediscover his roots after moving back to L.A.

“The main reason I did the show is, I wanted to know more about my dad and my best friend. I was already fabulous,” he laughs. “So I don’t think of this as my story. I wanted to embrace his legacy and celebrate him and our lives, but also tell of being a born-again Hispanic.”

In L.A., Guerrero rediscovered his heritage. While still working in entertainment, he noticed a lack of Latinos behind the scenes. He started a column in Dramalogue to change that, interviewing actors like Jimmy Smits and Salma Hayek and producing shows that spoke to Latin audiences.

And then came ¡Gaytino!

“Well, the word itself hit me first so I trademarked it. Then it was madness as I set about writing it,” he says.

When the show debuted in 2005, Guerrero hadn’t performed in 35 years. He was a different man, no longer a young buck with nothing to lose and untarnished optimism. He was a behind-the-scenes producer and casting agent. He was — gasp! — older.

“I remember thinking, ‘What am I gonna do? What if I forget my lines?’ I’m an old codger,” he says. “But I got onstage and it was like I had did it the day before. Performing is just part of who I am.”

With his successful day job (he once repped a young Sarah Jessica Parker), a healthy relationship (32 years this November) and irons in many other fires, why bother with the daunting task of writing a show and carrying it alone?

“It still feels like I’m breaking into show business. At least when you’ve been around as long as I have, you can get the main cheese by phone,” he answers. “But really, I had something I wanted to say and I love doing it. I’ve been lucky to stay in the game this long but it’s not by accident; it’s all been by design.”

What he loves isn’t just doing his show, but how it pushes positive gay Latino images. He’s dedicated this chapter in his life to that. Guerrero now feels parental toward the younger generation — maybe because he has no children of his own.

“I do feel a responsibility and not just to younger people, but to all,” he says. “For ¡Gaytino!, I first want them entertained, but I hope audiences will leave more educated about some Chicano culture and history and Gaytino history.”

……………………………………

QUEER CLIP: ‘BEGINNERS’

Beginners is such a dreadfully forgettable and generic title for what is the year’s most engaging and heartfelt comedy, you feel like boycotting a review until the distributor gives it a title it deserves.

Certainly the movie itself — a quirky, humane and fantastical reverie about the nature of love and family, with Ewan McGregor as a doleful graphic artist who, six months after his mother dies, learns his 75-year-old dad (Christopher Plummer) is gay and wants to date — charts its own course (defiantly, respectfully, beautifully), navigating the minefield of relationships from lovers to parent/child with simple emotions. It’s not a movie that would presume to answer the Big Questions (when do you know you’ve met the right one? And if they aren’t, how much does that matter anyway?); it’s comfortable observing that we’re all in the same boat, and doing our best is good enough.

McGregor’s placid befuddlement over how he should react to things around him — both his father’s coming out and a flighty but delightful French actress (Melanie Laurent) who tries to pull him out of his shell — is one of the most understated and soulful performances of his career. (His relationship with Arthur, his father’s quasi-psychic Jack Russell, is winsome and winning without veering into Turner & Hooch idiocy.) But Plummer owns the film.

Plummer, best known for his blustery, villainous characters (even the heroic ones, like Capt. Von Trapp and Mike Wallace), exudes an aura of wonder and discovery as the septuagenarian with the hot younger boyfriend (Goran Visnjic, both exasperating as cuddly). As he learns about house music at a time when his contemporaries crave Lawrence Welk, you’re wowed by how the performance seethes with the lifeforce of someone coming out and into his own. His energy is almost shaming.

Writer/director Mike Mills’ semi-autobiographical film suffers only being underlit and over too quickly. It wouldn’t be a bad thing to spend more time with these folks.

—Arnold Wayne Jones

Rating: Four and half starsNow playing at Landmark’s Magnolia Theatre.

This article appeared in the Dallas Voice print edition June 10, 2011.

Nikki Araguz

Transgender widow vows appeal if she loses case

JUAN A. LOZANO | Associated Press

WHARTON, Texas — The transgender widow of a Texas firefighter will likely learn next week whether his family’s request to nullify their marriage and strip her of any death benefits will be granted, a judge said Friday.

State District Judge Randy Clapp made the announcement after hearing arguments in a lawsuit filed by the family of firefighter Thomas Araguz III, who was killed while battling a blaze last year. The suit argues that his widow shouldn’t get any benefits because she was born a man and Texas doesn’t recognize same-sex marriage.

The widow, Nikki Araguz, said she had done everything medically and legally possible to show that she is female and was legally married under Texas law. She believes that she’s entitled to widow’s benefits.

“I believe the judge is going to rule in my favor,” Araguz said after the court hearing.

The lawsuit seeks control over death benefits and assets totaling more than $600,000, which the firefighter’s family wants to go to his two sons from a previous marriage. Voiding the marriage would prevent Nikki Araguz from receiving any insurance or death benefits or property the couple had together.

Thomas Araguz died while fighting a fire at an egg farm near Wharton, about 60 miles southwest of Houston, in July 2010. He was 30.

His mother, Simona Longoria, filed a lawsuit asking that her son’s marriage be voided. She and her family have said he learned of his wife’s gender history just prior to his death, and after he found out, he moved out of their home and planned to end the marriage.

But Nikki Araguz, 35, has insisted that her husband was aware she was born a man and that he fully supported her through the surgical process to become a woman. She underwent surgery two months after they were married in 2008.

The ruling upheld a lower court’s decision that threw out a wrongful death lawsuit filed by a San Antonio woman, Christie Lee Cavazos Littleton, after her husband’s death. The court said that although Littleton had undergone a sex-change operation, she was actually a man, based on her original birth certificate, and therefore her marriage and wrongful death claim were invalid.

Ellis presented medical and school records that he said showed Nikki Araguz was born without female reproductive organs and that she presented herself as a male while growing up and going to school. He also said her birth certificate at the time of her marriage indicated she was a man.

“By law, two males cannot be married in this state,” Ellis told the judge.

Nikki Araguz, who was born in California, did not change her birth certificate to reflect she had become a female until after her husband’s death, said Edward Burwell, one of the attorneys for Thomas Araguz’s ex-wife, Heather Delgado, the mother of his two children.

But one of Nikki Araguz’s attorneys, Darrell Steidley, said that when his client got her marriage license, she presented the necessary legal documents to show she was a female. He also noted changes made in 2009 to the Texas Family Code that allowed people to present numerous alternatives to a birth certificate as the proof of identity needed to get a marriage license. That was an example, he argued, of the state trying to move away from the 1999 appeals court ruling.

The changes in 2009 allowed transgendered people to use proof of their sex change to get a marriage license. The Texas Legislature is currently considering a bill that would prohibit county and district clerks from using a court order recognizing a sex change as documentation to get married.

After the hearing, the firefighter’s family and attorneys for his ex-wife criticized plans by Nikki Araguz to star in a reality television dating show and implied she was only interested in money and fame that the case would bring her.

“That is absurd,” Nikki Araguz said in response. “I’m after my civil equality and the rights that I deserve as the wife of a fallen firefighter.”

If the judge rules against the firefighter’s family in their motion for a summary judgment, the case would then proceed to trial. Araguz said if the judge rules against her, she would appeal, all the way to the U.S. Supreme Court if necessary.

Fiesta on the street

Sure Cindo de Mayo has turned into a drinking-based American celebration, but we’re gonna drop some history here on you.From the completely reliable source of Wikipedia, May 5 is the “date observed in the United States as a celebration of Mexican heritage and pride, and to commemorate the cause of freedom and democracy during the first years of the American Civil War.” What’s that? Still wondering where your margarita is? Well, hit up the Strip tonight as it gets a touch of Latin flair for the holiday. From Sue Ellen’s to TMC: The Mining Company, the celebration highlights the block tonight.

In my cover story for this week’s paper, I made a minor mistake. Actually it was fairly major. The opening paragraph of the story, as originally written, stated that 2011 marks the first time in history that all major candidates for Dallas mayor have actively courted the LGBT vote.

As former DV staff writer David Webb pointed out in the comments to the story, that’s not true. In 2002, Laura Miller, Tom Dunning and Domingo Garcia — the three major candidates for mayor — all courted the LGBT vote.

From The Dallas Mornings News on Jan. 15, 2002:

Dallas gays and lesbians, who used to hope that they could just find a candidate who wouldn’t be hostile to their interests, find themselves for the first time being wooed from all directions in what boils down to a three-way citywide race – and disagreeing about whom to support.

“It’s the first time I haven’t had to go vote for the lesser of two evils,” said Deb Elder, a Laura Miller supporter and political organizer. “Nothing has piqued my passion like this mayoral vote.”

Put another way, with major candidates Ms. Miller, Tom Dunning, and Domingo Garcia all touting their support for including gays in a nondiscrimination ordinance, a sector of voters that was shunned not long ago can’t lose this time around.

“It’s historic. I knew it would happen, but I didn’t know it would be this soon,” said Michael Milliken, one of the city’s first publicly identified gay appointees. “The gay community is in a unique position this year.”

I had based my report on statements by openly gay former City Councilman Ed Oakley, who called the 2011 mayoral election “a watershed moment for the community” and “unprecedented.”

While that may be true in some other respects, this isn’t the first time all major mayoral candidates have sought the LGBT vote, and I apologize for the error.

President Obama just said in his press conference, referring to DADT repeal, that people get all upset and think something isn’t happening if it doesn’t happen immediately.

Sorry, but that bird isn’t gonna fly.

DADT repeal was dead in the water. The President’s plan to wait until 2011, endorsed by HRC, was scotched by the GOP takeover of the House – something a lot of us predicted, or at least fretted about, a good year ago. The President and HRC decided to have the Pentagon do a study, due in December, a month after the 2010 elections, thinking they could handle repeal in 2011. They were wrong.

Repeal didn’t take a long time because that was part of the plan. The legislation passed because we got lucky. As you’ll recall, it was dead, having been filibustered repeatedly by the GOP. The only reason it came back up, at the very last minute, was because the GOP filibustered the continuing resolution and Harry Reid had had it, pulled the CR, and suddenly there was one last final chance for DADT repeal (or something short of repeal) to pass.

You’ll recall that HRC sent out an email in December basically calling repeal dead for the year. Was that part of the secret plan too? Here’s HRC’s email, dated December 9, 4:52pm, sent out at literally the same moment that Lieberman, Udall and Collins were announced a last minute effort to get a stand-alone bill passed. HRC had no idea the stand-alone bill was even coming. They thought DADT repeal was dead in the Congress. So with all due respect, the “plan” failed.

HRC seems to have forgotten its own email of two months ago. Today, in their magazine, HRC is now claiming that DADT repeal was all part of a well-oiled plan. Uh huh. That’s why HRC announced that repeal was dead just as the legislation, that was ultimately to pass, was being announced. Here’s their magazine today:

A WHITE HOUSE MEETING IN NOVEMBER 2009….

What’s crucial to note, says HRC’s Smith, is that the gears to repeal started rolling intensively in November 2009. That’s when Solmonese, along with Smith, met with Jim Messina, one of President Obama’s deputy chiefs of staff, in his White House office. Solmonese stressed to Messina that HRC was ready to mount a massive campaign to get “Don’t Ask, Don’t Tell” repealed in 2010. It was after this meeting that things began to move, said Smith.

Yeah right. Good try, though.

So, please, stop the “it was all part of our plan” stuff. It wasn’t. If it weren’t for GetEqual, Dan Choi, the gay blogs, our straight blog allies, groups like SLDN, .SU and Palm Center, and lots of current and former gay servicemembers, DADT repeal would not still be on the table.

The following is from HRC’s Editorial and Web Content Manager, Carolyn Simon:

African-American leaders are some of the strongest voices advocating for equality. And no wonder. The civil rights victories during the 1960s, led by the black civil rights movement, helped propel civil rights advancements for many communities, including the LGBT community.

There’s U.S. Rep. John Lewis, D-Ga., who gave an impassioned speech on the House floor, urging his fellow representatives to “vote yes” on the repeal of “Don’t Ask, Don’t Tell.” There’s Whoopi Goldberg, a comedian, actor and a New Yorker for Marriage Equality. There’s Bishop John Selders, a founding member of HRC’s Religion Council, who speaks eloquently about the role of sexuality-based stigma in contributing to the spread of the HIV/AIDS epidemic – especially within communities of color. There are Drs. Johnnetta Cole and Michael Lomax, black educators and scholars who are unafraid to raise the issue of LGBT inclusion in black higher education. And there are Rosalyn Taylor O’Neale and Lee Daniels, who are showing our black LGBT youth that being black and being out as LGBT is a powerful way to walk in this world.

We salute and celebrate these and countless other African-American leaders – straight allies and LGBT people – each February as part of Black History Month. HRC is thankful each and every day that we can draw strength from the diversity of the LGBT community and our allies.

“Our sisterhood and our brotherhood – black, gay and straight alike – are found in the common hopes and dreams that we all share for full equality and freedom,” said Cuc Vu, HRC’s Chief Diversity Officer.

The GLBT History Museum, a 1600 sq ft. facility housing archives from the GLBT Historical Society, is now open at 4127 18th Street in San Francisco's Castro district. The grand opening is next week, on January 13, from 7-9 pm, and is open to the public.

Following are a few images from within the museum, and some info about its origins and support.

The "Textiles" section of "Great Collections" features the pantsuits worn by lesbian pioneers Del Martin and Phyllis Lyon when they became the first same-sex couple to wed during San Francisco's "Winter of Love" in 2004 and again when California briefly legalized such marriages in 2008. A couple for more than half a century, Del and Phyllis were cofounders of the Daughters of Bilitis, established in 1955 as the first lesbian organization in the United States.

Said Paul Boneberg, executive director of the Historical Society, in a statement to press.: "A quarter century after the founding of the GLBT Historical Society, we're proud to open a museum to showcase our community's history. The GLBT History Museum is in the heart of the Castro, a neighborhood visited not only by locals, but also by tens of thousands of tourists every year who come in search of queer culture. At our museum, they'll discover treasures from our archives that recount the diverse and fascinating stories of our lives. We have gone all out to create a museum as rich, diverse and surprising as the GLBT community itself. Whether they are gay, lesbian, bisexual, transgender or straight, visitors are sure to be moved, enlightened and entertained."

"Military Matters: Divergent Duties" in "Our Vast Queer Past" focuses on both GLBT demands for equality in military service and GLBT opposition to war and militarism. The document at upper left is the 1919 honorable discharge of gay novelist and short-story writer Clarkson Crane, who served in the U.S. Army medical corps in combat in France in World War I. It's one of the oldest items on display in the exhibition.

The museum will feature two debut exhibitions: In the main gallery, "Our Vast Queer Past: Celebrating GLBT History," curated by historians Gerard Koskovich, Don Romesberg and Amy Sueyoshi; and in the front gallery, "Great Collections of the GLBT Historical Society Archives."

"Bar Life: Going Out" section of "Our Vast Queer Past." The display includes 120 different matchbooks from San Francisco and Bay Area GLBT bars and clubs (1950s-1990s). The screen in the center shows more than 100 slides of façades of San Francisco LGBT bars (1968-1973) taken by Henri Leleu.

Funding for the museum has come from Levi's, the City of San Francisco, Castro district merchants, and numerous other sponsors and individual donors.

You can check out a whole gallery of these photos HERE (if you're on Facebook).