Well, over a month after it happened and almost two weeks after I wrote this thing, I am finally putting up my live report from the front row of the Mayhem show. I blame my not-nearly-as-quick-as-I-had-anticipated recovery from oral surgery (turns out, getting your wisdom teeth out when you’re 27 kind of sucks), as well as preoccupation with school (one month left til I start my prelims, y’all).

But anyway, here it is. I treated this review as of a co-headlining tour, as I picked up from The Internet that that’s what it was, with Mayhem and Watain alternating the closing spot each night.

***

A couple of weeks ago, I got the rare, rare chance to see two of my favorite bands on the same stage in the same night. I don’t think I need to tell you all exactly how I feel about Mayhem, and Watain likewise holds a special place in my heart. Currently, I am in the midst of cultivating a love of Revenge, who I have clearly not paid enough attention to, although I know that they are a favorite amongst some friends of mine. Considering that they were one of the bands I missed at Maryland Deathfest a couple of years ago, too, I was looking forward to the opportunity to see them live and make that up (although I absolutely do not regret trading my potential time with them at MDF for meeting fucking Ihsahn).

A and I tried to get there early this time, figuring that there would be a ton of people going. Earlier in the day, A told me that she had seen several dudes in black battlejackets roaming the streets in downtown Minneapolis, so you know something was brewing. It’s not every day that black metal fans roam downtown in packs in broad daylight. However, we really didn’t have to wait in line long at all, the ticket handling seeming to run rather smoothly.

When we got inside the venue, A and I made our way to the front to stake our claim on the rail. Revenge started us off, obliterating everything with sheer, military-grade force. A friend of mine said that the sound was really bad during their set, but I admit I didn’t notice; I don’t know Revenge’s catalog that well (I KNOW. I’M WORKING ON CHANGING THAT. JEEZ.), and anyway, everything is exceptionally noisy when you are that close to the speakers. Revenge played several songs from the breadth of their career, including “Altar of Triumph,” “Traitor Crucifixion,” and “Banner Degradation- Exile or Death.” Despite any potential issues with the sound, Revenge’s set was pure brutality, and their straightforward approach to war-inspired black metal made for a devastating clarity.

[Also, it was fun to see all the dude-friends freaking out like little schoolgirls. Masculine ones, of course.]

If you ever wondered if Watain pulls out ALL of their stage set for an co-headlining slot, I can now tell you: the answer is yes, indeed. The Dark Gods are not going to settle for anything less, not when they know what they can expect from Watain. Even though their set was shorter than a standard headlining one, Watain completely destroyed it, both theatrically and musically. All the ritual was there too, with E praying at the altar at the end of the set and everything. The only thing that would have made it more perfect would be if the crowd had not seized the opportunity to yell a lot.

Watain also played songs ranging throughout their albums; “The Wild Hunt” was of course the mystical ballad song this time around (I am finally ready to admit that I may have missed my chance to see “The Waters of Ain” live), but they also played “Underneath the Cenotaph” (which I don’t think they played last time), “I Am the Earth,” and “On Horns Impaled,” ending with “Malfeitor.” It was nice to see a setlist so varied from the last one I saw Watain play, and they even altered the stage set this time around too, with skeletons and cages replacing the fence-like structures they brought with them last time.

Last but certainly not least was my beloved Mayhem. Attila did not disappoint in his unusual fashion choices; this night he was wearing military trappings on an unbelievably ugly sports jacket, and what I believe were rain boots. Throw in the bottle of wine that Necrobutcher was plowing through and you’re ready for a Mayhem party. Teloch was right in front of A and I, fully decked out in shrouded hood and cloak, which is cool, because I really dug his riffwork on Esoteric Warfare and it was fun to see that reproduced live.

Despite the fact that Mayhem is undoubtedly touring in support of Esoteric Warfare, their set was not concentrated on the new album (and when you have such an extensive backlog and history as Mayhem, that’s not surprising). “Psywar” they played, of course, but the set also featured songs such as “My Death,” “Chainsaw Gutsfuck,” “Freezing Moon,” and “Carnage” (for which I completely lost my shit. I LOVE that song). Of course they opened with “Deathcrush,” as usual, and they also played a track from Grand Declaration of War- hearing Attila’s version of Maniac’s voiceover live is its own kind of awesome. “Funeral Fog” was conspicuously missing, but that’s alright; there was more than enough old school Mayhem to keep the crowd satisfied.

[Follow the Freezing Moon…]

And speaking of the crowd, the one at this show was not the best, or so I am told. A and I were right up front, as I said, so we were out of the press for the most part, but I do recall some moshing going on, something I’ve never really understood at black metal shows. Watain got on and off stage without P having to crush anyone’s hands this time, though, thanks to Mill City’s stage setup, and as I mentioned, the only thing that I would have liked is if the crowd had quieted at the end of Watain’s set. But I guess we’re not all there for the same thing, and that’s okay too.

I had a Mayhem night at the merch booth. I had planned on getting a Revenge hoodie because I love their hoodies, but they didn’t have any, and Watain had very little merch as well. However, I was able to nab myself a standard issue Mayhem shirt (good because as least one of my Mayhem shirts is falling apart), as well as a Mayhem hoodie. Combined with a high five from Necrobutcher after the show, and that makes for a pretty awesome Mayhem experience.

Pretty standard, but awesome nonetheless.

Hoodie front

Hoodie back

Surprisingly, I didn’t experience any issues with security this time, although they apparently made life a little hard for a friend of mine delivering a stage prop to Hellhammer (it was not, nor had it ever been, alive, if that’s what you’re wondering). The security guys in front of me and A seemed cool enough, and they kept a good handle on some of the rowdier crowd participants without using the opportunity to be jerks.

Overall, I had a great time. I got to watch two of my favorite bands share a stage, and I got to grow a little more familiar with Revenge, whose music I clearly need to spend more time with. For a show that fell right after Dead’s birthday, it couldn’t get much better.
-H

Well, it’s that time of year again, when everyone starts pairing off in preparation for the annual spring mating season, which may or may not come to Minnesota this year considering that within the past couple of days we have plummeted into a second ice age. I will be spending MY Valentine’s day with some Schell’s Chimney Sweep and some retro sci-fi flicks, along with mini bundt cakes that my sent me in the mail. Which is really just as well.

Image from fuckyeahmetalecards on tumblr.

But since nothing says “I love you” like a heaping pile of noisy extremity, I decided that I would post a playlist today for all your Valentine’s needs. So without further ado…

#11. Iron Maiden- 22 Acacia Avenue

For all the lonely hearts out there, Charlotte’s gotcha covered.

#10. Bathory- Woman of Dark Desires

Who knows how far Ms. Bathory’s desires went beyond bathing in the blood of virgins?

#9. Ghost- Monstrance Clock

Let’s play the word association game, boys and girls!

#8. Mayhem- Necrolust

Yeah, ok. So that’s pretty self-explanatory.

#7. Cannibal Corpse- Fucked With a Knife

You know. If you’re into that sort of thing.

#6. The Devil’s Blood- Cruel Lover

“I am the sound of the whip, and the pleasure of slaves…”

#5. Anal Cunt- I Respect Your Feelings as a Woman and a Human

Ah, romance.

#4. Gorgoroth- Unchain My Heart

Every time I hear this song or see the title, I’m reminded of the following, which was a big hit back when I was in junior high.

#3. Marduk- Bleached Bones

You know, in case you want some more necrophilia.

#2. Carcass- Microwaved Uterogestation

“Genital Grinder” is the obvious choice here. But you have to admit there’s something romantic about “Microwaved Uterogestation,” too.