The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

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From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

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As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

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Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

Looking for inspiration for your photography? Look no further than Learn & Explore, the area on the Nikonusa website that is packed full of educational articles, how-to tutorials and inspirational pieces on all sorts of photography topics.

Carry your camera manual, especially if your camera is new. When traveling you'll probably have a chance to try some new shots. It can also be the time you’re likely to forget the function of a particular button. Or you may just want to explore all the cool things today’s cameras offer.

Experiment with the white balance settings outside. White balance on your camera will alter the color temperature and appearance you get in your picture. For instance, a CLOUDY setting will give your pictures a warmer cast. The FLUORESCENT setting will make your photographs cooler, skewing to a purple cast.

When traveling abroad, check the power setting and type of plugs. Most modern chargers do both 110 volts (USA) and 220 volts (most of the rest of the world). Check yours, and then pick the right adapter for the plug. Be careful to not use a 110-volt power strip in higher-voltage countries.

Turn on the lights when shooting inside the house. Lamps and overhead lights will brighten any picture indoors. The light will add depth to the picture and often warm up the color. Most importantly, it will brighten up the background.

Be creative with your posing. Don't just line everybody up. Use the steps or the arm of a couch to experiment with some people standing and others sitting. Have kids sitting in laps or someone sitting on the floor or kneeling. Mix it up.

Get yourself in the picture. Nothing is worse than a vacation with no shots of the family photographer. Get in the picture by using a tripod (or a steady surface such as a wall or a car hood) and the camera’s self-timer to make sure you're included in the family memories.

Jump for fun. Have your kids line up for a picture. As the photographer, get low, and get ready to shoot. Have the kids all jump in the air at the same time. Capturing them mid jump can bring out their true personalities.

When photographing a lot of people at a party, use your camera’s Smart Portrait System to help you get better pictures. The blink mode lets you know if your subjects blinked, and the smile timer can snap the photo when the camera sees that your subjects are smiling.

Try turning off your flash at night to get what your eye really sees. If it's at all dark or dim, the camera will try to fire the flash. Find the flash off icon (usually a lightning bolt with a line through it) and select it. Make sure to hold steady, or use a tripod, because the shutter speed may be slow.

Use the pet scene mode when photographing cats and dogs. If your camera doesn’t have a pet mode, disable the audible beeps and focus assist lamps while photographing them so the lights and sounds aren’t a distraction.

Go shooting with a friend. Not only will you add another pair of eyes to find interesting subjects, but you’ll also feed off of each other’s ideas and energy. Try to organize regular shoots in the park. Share lenses or tips on making that unforgettable photo.

Use fill flash to add a little sparkle to your subject’s eyes when shooting portraits outdoors, during the day. Even in bright sunlight, fill flash can even out the lighting for a more pleasing photograph.

Compose photos using the “rule of thirds.” Think of the frame as being broken into nine rectangles (like a tic-tac-toe grid over the picture). Place your subject at one of the intersections of the lines for a more visually stimulating photo.

When shooting an image that has a subject looking off to one side, compose your photograph so there is more space where the subject is looking. This will give your photograph more of a natural feeling.

When shooting landscapes at dusk or nighttime, use a tripod and cable release or self-timer so you can slow down the shutter speed to let in more light. This is the technique used when you see pictures of car lights as lines, not pinpoints.

One of the rules of composition says that horizon lines should not be placed in the center of an image, but closer to the top or bottom of the frame. Sometimes rules are meant to be broken. When you’re photographing a subject and its reflection, its perfectly fine to place the horizon in the center of the frame.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Fun and compact fisheye lens for DX-format cameras

This compact and lightweight fisheye lens makes anything you shoot more interesting. With its frame-filling 180° angle of view and unique bending effects, every scene and subject will take on new dimensions through the viewfinder. Achieve great low-light results with its fast f/2.8 maximum aperture, and get as close to your subjects as 1.2-in. (3-cm) with edge to edge sharpness in every shot.

Freedom from visual boundaries

Frame-filling 180° viewing angle

The AF DX Fisheye-NIKKOR 10.5mm f/2.8G ED achieves an ultra-wide picture angle of 180° on DX-format cameras while remaining compact and lightweight. Its unique fisheye bending effect with edge-to-edge sharpness opens up entirely new compositional possibilities. Try different viewpoints and angles to turn ordinary scenes into extraordinary photographs. And with a minimal focus distance of just 1.2-in. (3-cm), you can get an entirely new perspective on just about any subject.

Experience It

Sample Photography

Lens Feature Icons

Lens Construction

MTF Curves

Product Tour

An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.

CRC (Close Range Correction) System

The Close-Range Correction (CRC) system is one of Nikon's most important focusing innovations, for it provides superior picture quality at close focusing distances and increases the focusing range. With CRC, the lens elements are configured in a "floating element" design wherein each lens group moves independently to achieve focusing. This ensures superior lens performance even when shooting at close distances. The CRC system is used in fisheye, wide-angle, micro and selected medium telephoto NIKKOR lenses.

At a Glance

Focal Length

10.5mm

Maximum Aperture

f/2.8

Format

DX

Approx. Dimensions (Diameter x Length)

2.5 in. (63 mm) x 2.5 in. (62.5 mm)

Approx. Weight

10.8 oz. (305 g)

Mount Type

Nikon F-Bayonet

Focal Length

10.5mm

Maximum Aperture

f/2.8

Minimum Aperture

f/22

Format

DX

Maximum Angle of View (DX-format)

180°

Maximum Reproduction Ratio

0.20x

Lens Elements

10

Lens Groups

7

Compatible Format(s)

DXFX in DX Crop Mode

Diaphragm Blades

7

Distance Information

Yes

ED Glass Elements

1

Aspherical Elements

1

Super Integrated Coating

Yes

Autofocus

Yes

Minimum Focus Distance

0.46 ft. (0.14m)

Focus Mode

AutoManual

G-type

Yes

Accepts Filter Type

Gelatine

Approx. Dimensions (Diameter x Length)

2.5 in. (63 mm) x 2.5 in. (62.5 mm)

Approx. Weight

Great almost fisheye...
On a DX body minimal edge fall off, not the super wide angles of years ago however not the price of them. Anyone that needs the maximum wide angle for a DX body this is the lens. Nikon Qualify. I have used only Nikon product since 1964 and am a retired Medical Photographer.
February 13, 2015

Stadium Lens Requirement
Below is a photo I took with the Nikon 10.5mm "fisheye" lens in the press box of the home of the Boston Red Sox--Fenway Park. This lens has amazing resolution and infinite depth of field, even at large apertures. The railing near my feet and the center field scoreboard are equally in focus. This image was taken with a Nikon D200 camera body at a shutter speed of 1/125 of a second (hand held), an aperture of f/4, an ISO of 400, Auto White Balance, and Center Weighted Metering.
November 3, 2014

Great fun lens
I'm a big fan of wide and ultra wide angle lenses, and always wanted a linier fisheye for that something extra.
This lens delivers. Super sharp, with amazing DOF.
I can put it in my pocket when I walk around for that different perspective so it usually comes along when I go out to shoot.
I often use it vertically for doorways, windows and buildings.
the fisheye effect can be easily corrected in Capture NX2 for great ultra wide shots if desired.
February 1, 2014

Fun and useful lens
I always wanted a fisheye, but dropping close to seven hundred bucks on a lens that would only be used occasionally made me hesitate. When I finally decided to drop the hammer (and the credit card) I decided that if I bought it, I would make sure to use it often. I use only prime lenses on my D7000, I started photography back in the '70s when zooms were not that good, and when I go out to shoot I only use the one lens on my camera. The go-to lens is the 35 f1.8 and my second one is the 85 f3.5 micro. Once a while I mount the 50 f1.8. When I got the fisheye I started to go out with it and try to get creative.
Creative I got. I have taken some amazing photos with this lens. As a food blogger I have used it for food, sushi especially looks good with a fisheye, and restaurant interiors. One thing, the lens allows you to get so close that I got food on it once. Winter scenes are cool and it has given some neat shots at the beach.
The lens is solid and well-made with plenty of glass and metal. It has a smooth feel and balances well on the D7K. The fisheye effect can be minimized by centering the horizon and you can make some amazing panoramic photos that way. The effect can be exaggerated by angling up or down. I've made the grill of my Mustang look like it was smiling by hitting the right perspective. The color at the edges is more intense and blue skies look like I used a polarizer, which I like.
Overall, this is an amazing lens and a fun tool. If you buy it, make sure you use it often.
January 17, 2014

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Want to use this lens for VR walkthroughs.How well does this lens preform on a D800 & what do I need to know to make it work correctly?

1 year, 1 month ago

by

Jim

Helena, MT

Location :

Helena, MT

Age: Over 65

Favorite Subject: Landscape

Nikon Family: 2-5 years

Role: Serious passion, hobbyist

1 answer

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I don't think you will be happy, even though the D800 will go into DX crop mode, the corners will have black edges and the viewfinder image size will be small and mp will drop to 15.3 in jpeg. I think you would be happier with the AF Fisheye-Nikkor 16mm f/2.8D. Same field of view (180 degrees), and just a few hundred dollars more new. Plenty of used ones around.

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I own the 10.5mm DX fisheye but have recently gone to a full frame Df body and see that it does not cover the full image area. If anything the lens is still usable but the image area has less resolution than just using my old D200.. I really enjoyed the odd perspective and sharpness it provided for my D200. You could get an inch away from your subject... and there was a definite bulbous/fishy quality to the distortion. How different or similar is the 16mm on a full frame sensor? Can you focus as close? If you can't I read online you can remove the rear filter to get closer? Is the bulbousness/distortion similar or more subdued? Thanks!

1 year ago

by

Gushingred

NYC

Location :

NYC

Age: 45-54

Favorite Subject: Travel

Nikon Family: 21+ years

Experience: More than a year

Role: Serious passion, hobbyist

1 answer

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Put on the AF Fisheye-NIKKOR 16mm f/2.8D and watch nearly every setting or space open up to a stunning new view. Achieve dramatic 180-degree fisheye coverage with edge-to-edge sharpness, even at the lens’ widest f/2.8 aperture setting. From lanscapes and action to architecture and interiors, the AF Fisheye-NIKKOR 16mm f/2.8D delivers consistently spectacular images. The technology behind the AF Fisheye-NIKKOR 16mm f/2.8D assures that every image will meet and exceed your expectations as a photographer. Close-Range Correction (CRC) system enables closer-than-typical focusing—as close as 0.8-ft from your subject. Nikon's Super Integrated Coating (SIC) minimizes flare and ghosting while providing rich color balance and contrast. Create stellar images, even in demanding shooting situations. The AF DX Fisheye-NIKKOR 10.5mm f/2.8G ED achieves an ultra-wide picture angle of 180° on DX-format cameras while remaining compact and lightweight. Its unique fisheye bending effect with edge-to-edge sharpness opens up entirely new compositional possibilities. Try different viewpoints and angles to turn ordinary scenes into extraordinary photographs. And with a minimal focus distance of just 1.2-in. (3-cm), you can get an entirely new perspective on just about any subject. With a rounded diaphragm that makes out-of-focus elements appear more natural, a built-in flower-type lens hood and a 16mm equivalent focal length, the AF DX Fisheye-NIKKOR 10.5mm f/2.8G ED is optimized for DX-format Nikon D-SLR cameras. Its Extra-low Dispersion (ED) glass ensures superior sharpness and color, and Close-Range Correction (CRC) system provides high performance when taking pictures up close.

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AF DX Fisheye-Nikkor 10.5mm f/2.8G ED is compatible with the D3100 however you will have to manually focus. The AF Fisheye-Nikkor 16mm f/2.8D also is compatiblw with the D3100 however it will have to be manually focused. The two fisheye lenses that are listed would both have to be manually focused with the D3100.

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