2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2007 ILDA Awards
Submitted December 2007
Judged and announced in 2008
Presented at the ILDA Conference
September 10 2008
on board Carnival Imagination
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
About the ILDA Awards
For 20 years, ILDA has recognized the worldʼs best laser shows and achievements
through the ILDA Awards. Any ILDA member may enter the various artistic and
technical categories. Any person, whether an ILDA Member or not, may be nominated
for ILDAʼs highest honor, the Career Achievement Award.
In December 2007, ILDA received 100 artistic entries from 21 companies, along with
three technical entries and 11 Career Achievement Award nominations. The winners
are being honored tonight at a gala presentation on board the Carnival Imagination,
during ILDAʼs Annual Conference.
About tonightʼs presentation
Due to the shipʼs schedule, this will be the shortest ILDA Awards presentation ever.
We have just 90 minutes for all awards. Because of this, ILDA will present brief
excerpts from the winning entries -- we are not be able to show the complete 4-minute
submissions which the judges viewed.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2007 ILDA Artistic Awards
2007 Judges:
Jeroen Jansen, Netherlands
Marco Stumpel, Germany
Ensar Turan, Turkey
Judging Host Company: Hugo Bunk, Laserimage bv
Judging Coordinator: Peter Mayer, Creative Laser Production
Beams/Atmospherics
3rd Place
Mad Piano
Laserlight Showdesign
Producer and sound editor: Patrick Dietzel
Laser programming: Thomas Gramatke
Music: Mad Pianos, Howard Goodalle, plus additional tunes
This show was originally created for the Lange Nacht der Wissenschaften 2009 (Long
Night of Natural Sciences 2009) in Berlin. It became so popular with our clients that it
was shown at four different events this year, in combination with other shows mixed
together. We chose this musical piece for its stirring atmosphere.
2nd Place
Standing in Motion
spectrabeam.de
Programmer: Johannes Coppes
Music: Standing in Motion (excerpt), Yanni
Our programmer Johannes edited the music and worked hard for a long time, to
produce a very nice beamshow in three versions. This show is available for 1, 2 or 3
output boards, so you can control up to three independent scanners (or more than
three mirrored scanners).
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
1st Place
Chleocan
LOBO
Show Designer: Roman Schuetz
Creative Director: Alex Hennig
Music: The Final Countdown, LSOP
The Final Countdown is one of the strongest musical themes of the last century. It took
quite a long time until our company decided to produce a show which should have the
same natural strength as the music itself. But what is it, creating a strong impact in
laser shows?
The creative concept behind Chleocan is easy to explain: What a Bauhaus chair of
Mies van der Rohe is to product design, the design philosophy behind Chleocan is to
atmospheric beam show design. Clear and simple shapes. Nothing obstructs the view
on the essential aspects of the result.
Following simplicity as the central design concept takes a lot of experience to ﬁnd out
the substantial elements of the music and to reduce them to clear animations. The
same philosophy applies to the projector allocation. It is not just a copy-and-paste
action, but a carefully chosen arrangement.
Graphics Show
Hon. Mention
Pumpinʼ Up the Party
Strictly FX
Animator, Programmer: Doug Cenko
Digitizer: Lauren Nelson
Producers: Mark Grega, Ted Maccabee
Music: Pumpinʼ Up the Party, Hannah Montana
This piece was created for a theme park. It was designed to be very kid-friendly, but
we feel it can be enjoyed by everyone.
3rd Place
An Outstanding Archeological Discovery
Orion-Art Production
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
Creative Director: Alexey Panin
Programmers: Kirill Nikitochkin and Alexey Panin
Music: Metallica with SF symphonic orchestra
Shrek soundtrack
The show is devoted to the great discovery of archeologists. The ancient Asian
fortress on the island was discovered. All the main objects which were found during
the archeological dig are presented in this show. The scientists were rewarded by
President Putin, who visited the fortress himself.
2nd Place
Spiderman
Laser Show Design
Director: Doug McCullough
Animator: Dave Oxenreider
Programmer: Jeff Hwang
Music: Spiderman, remix of TV show theme
This piece was created to accompany the release of Spiderman III. It features an
entire world which we made in 3D modeling. From the extensive city scenes to the
animated Spiderman character -- all original creations in 3ds max, specially designed
to be rendered into vector-based laser graphics.
It looks so much like an animated movie you actually forget youʼre watching a laser
show!
1st Place
Happy Halloween
LOBO
Show Designer: Iris Schua, Peter Wild
Creative Director: Alex Hennig
Music: Tetsuin, Don Davis
Rocky Horror Laser Show Soundtrack, Tom Stevens, Refreshed Records
During the Halloween season one of our theme park attractions showed in an
alternating pattern the main show as well as a dedicated Halloween spectacular. The
animation presented on the video shows the driving opening trailer of the parkʼs
“Happy Halloween” season as well as a creepy animation show.
The basis of the animation part was a 10-years-old show made for one of our old
animation systems. For this occasion, the show was completely re-produced to
comply to todayʼs technical standards and aesthetics. All animations were re-done
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
with smooth camera movements. All 3D objects were re-arranged and re-modeled
using state-of-the-art 3D masking technologies.
The show was recorded in our studios with the orginal settings of the park.
Abstract Show
3rd Place
Fire
Laser Show Design
Director: Doug McCullough
Programmer: Jeff Hwang
Artist: Jerry Wallace
Music: Fire, Jimi Hendrix Experience
This piece was designed to visualize guitar virtuoso Jimi Hendrixʼs foray into soul
music with abstract images precisely timed to represent the drums, bass and guitar.
The song builds to a soaring guitar solo which is visualized by a fast zooming circle
that is modulated with streaming psychedelic color combinations.
The abstracts on this piece were generated with an image synthesizer comprised of
digital oscillators played in real time with analog controls (knobs, joysticks, switches,
etc.)
2nd Place
Where is the Line
Strictly FX
Programmer: David Kennedy
Producers: Mark Grega, Ted Maccabee
Music: Where is the Line, Björk
Created for the Björk 2007 tour. The graphics were displayed on a screen behind the
band as they performed.
1st Place
Faeries
Strictly FX
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
Programmer: Doug Cenko
Producers: Mark Grega, Ted Maccabee
Music: Faeries, Heritage Wesleyan
This piece was created for a holiday concert. We wanted to capture the feel of the
music with just lines and abstract shapes.
Beams and Screen Show
3rd Place
WaterWorld
HB Laserkomponenten
Show Designer Graphics: Christian Kaiser, Jan Friedrich, Michael Stachorski
Show Designer Beams: Dirk Dudek, Michael Stachorski
Art Director: Christian Kaiser, Dirk Dudek
Music: Das Boot 2001, U96
This show was created as a combination of graphics and beams. Most of the graphics
were drawn in 2D, digitized and animated. The part of the boat was 3D animated in
3ds max. The whole graphic show was implemented in a beam show. That means that
atmospheric beams are shown during the graphic part, not like the old way: ﬁrst
graphic and then a beam show with different music.
2nd Place
Lose Control
Laser Show Design
Director: Doug McCullough
Animator: Carl Graves
Programmer: Jeff Hwang
Music: Lose Control, Missy Elliott
This piece was designed to entertain family audiences at an outdoor theme park show.
Our goal was to give the graphics a “hip hop” feel and the mid-air beams looking like
something youʼd see in an urban nightclub. The graphics were all created to visualize
the music -- turntables, DJ, speakers, etc.
We used high contrast video of dancers as a source to capture individual frames
which we translated via edge-detection software for rendering as vector-based laser
animation. The background scenes with striking color changes were designed to build
energy as the piece progressed.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
1st Place
Noaptea Alba
LOBO
Cells: Bella White; Digitizing: Bernhard Settele
Beams: Roman Schuetz, Iris Schua, Simon Boettecher
Technical Director: Bernd Noss; Setup Supervisor: Stefan von Olearius
Laser Engineer: Ulrich Wagner; Laser Operator: Peter Wild
Local Crew: Martin Malorny, Christi Mocancu; Director: Alex Hennig
Music: Santori, Yanni; Boat Chase, John Powell; Wind of Change, Deadly Sting Suite,
BSOP + Scorpions; MacArthur Park, LSOP
80,000 spectators on Liberty Boulevard next to the impressive Houses of Parliament
(the worldʼs second-largest building) joined the show, the highlight of the White Night
Festival in Bucharest.
Using a giant water screen, as well as a multi-redundant color laser system in the
center with two green long-range laser projectors at the sides, it was possible to
create rapid and driving changes between screen projections and atmospherics.
The show started with a sophisticated animation sequence about Romania and
Bucharest, continued with atmospheric 3D beam effects, never before seen in
Romania on such a level of perfection, and ﬁnally culminated in an interaction of laser
abstracts, massive ﬁre effects and beam effects.
Just one hour after the show, dozens of YouTube videos with extraordinarily high
ratings and views were available on the Internet.
Note: This represents the 100th ILDA Award received by LOBO.
Please join ILDA in a toast, congratulating Lothar Bopp, Alex Hennig,
and everyone at LOBO on this unique achievement!
Nightclub/Disco Show
3rd Place
Merging Oceans
Lightwave International
Production: Alan Fuehrer, George Dodworth
Music: Merging Oceans, Rotersand
Excerpt of a nightclub show designed as a sales tool for solid state lasers. Content
from the Pangolin library was matched via LivePro to live music in real time. Simple,
but highly effective.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2nd Place
Baptised
HB Laserkomponenten
Show Designer: Michael Stachorski
Art Director: Dirk Dudek
Music: Amaranth (album version), Nightwish
This show was created especially for a nightclub. The customer also
proposed the soundtrack. We selected this show for an entry because it is
one of the shows with the most positive feedback we got from this customer
and their audience.
1st Place
Eternity
LOBO
Show Designer: Roman Schuetz
Creative Director: Alex Hennig
Music: Touch to Remember, Schiller
Discotheques are not the same as they used to be 1-2 years ago. Chill-out lounges or
chill-out sessions in established clubs take a substantial share of the overall market
today. Eternity has been produced to serve the needs for this market.
It was surprisingly hard to cut the show to the ILDA Award entry 4-minute limit,
because the show slowly develops over time, transferring the subtle modulations of
the underlying musical theme to laser light.
The show comes up with new ideas right from the start, as for example the
implementation of the vocals at the beginning of the show, using masking to blend a
tunnel into a wave-like fan.
The show has been produced for a show service on subscription basis especially for
discotheques which includes the monthly delivery of one beam show. The perfect
optimization to the speciﬁc venue is automated by means of a parameterized setup
description which is applied to each new show. As the show is shipped to many
discotheques at the same time, it premiered at many venues simultaneously (such as
for example, Prosper Club in France, Le Bataclan in France, Tattingerʼs in Malta,
Galaxy in Turkey, Amman in Jordan and Elang in Jakarta).
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
Innovative Application
1st Place
Fendi Grafﬁti “Laser Tag”
Laser Entertainment srl
Grafﬁti artist: Damiano Tacchi
Hardware set-up: Nicholas Di Fonzo Grafﬁti system: GRL
Music: Hallo Nasty, Beastie Boys
Using the innovative technology presented on the Internet by GRL, we applied this
new technique to a client event. The Italian fashion company Fendi was opening their
new commercial shop and headquarters in Beijing, September 2007. For the evening
they organized a big presentation event and a party.
Onto a new building there was a projection of their famous original Rome
headquarters building, where a grafﬁti artist was drawing scripts, logos and other
drawings to entertain the audience and display some communications.
This may be one of the ﬁrst applications of the open-source laser tag grafﬁti system.
For the projectors, we used three high-power Christie projectors of 20,000 ANSI lumen
each. The laser pointer is 300 mW green, controlled by the artist. He was taught how
to safely handle it, and tested it for a few days in our facility before the event.
Multimedia Show
3rd Place
TVC-10 Years
Orion-Art Production
Production: Orion-Art Production
Directors: Victoria Rakhlinskaya, Alexander Timofeyev, Dmitri Orlikov
Laser design: Alexey Panin, Kirill Nikitochkin, Sergey Pavelev, Pavel Korotkov
Water fountains and light design: Anton Korzakov
Pyrotechnics design: Dmitry Orlikov; Video production: Sergey Mironov
Sound design: Alexey Malishev
Music: Rain Man and The Rock soundtracks
Con te partrio, F. Sartori and L. Quarantotto
This multimedia show on the riverside of the Moscow River was a ﬁnal part of the 10th
anniversary celebration of TV channel TVC (TV-center). The technical tools include:
fountains and water curtain, colorful laser projector, DPSS lasers, video beamer,
approximate and aerial ﬁreworks.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2nd Place
Space Journey Part 2
HB Laserkomponenten
Show Designer Graphics: Christian Kaiser, Michael Stachorski
Show Designer Beams: Dirk Dudek, Timo Feifel, Christian Kaiser, Michael
Stachorski
Sound Designer: Crishan Boehner
Art Director: Christian Kaiser, Dirk Dudek
Music, beams: The Miracle, Mark Isham
Music, graphics: Crishan Boehner, HB Laser
Space Journey is a concept of a show which changes between graphic parts
and laser parts. The idea was to have the possibility to exchange the
atmospheric beam parts as the customer wants. So the show has many
different looks, depending on the implemented beam parts. The transition
between graphic and beam parts are a mix of both and looks like a
“hyperspace” access or exit.
Space Journey was shown ﬁrst at the Musikmesse Frankfurt exhibition, with
great success. The show also uses video and moving light effects.
Many customers asked for the show with different ideas for the beam parts.
The graphics were designed in 3D with 3ds max. The sound for the graphic
parts was created in-house. The idea was to have sound effects which
interact with the laser graphic. This would add more than just music to the
show.
Part 2 of Space Journey shows a 3D city planet and a space ﬂight.
1st Place
Amaceon
LOBO
Director: Alex Hennig; Director of Photography: Peter Wild
Editing/Compositing: Iris Schua; Computer Animation: Bernhard Settele
Technical Director: Stephan von Olearius; Cell Animation: Bella White
Cell Digitizing: Janine McDonald, Simon McDonald, Tanja Bleicher
Executive Producer: Lothar Bopp
Music Director: Roman Schuetz; Composer: Christian Vaida
Sound Design: Tom Ammermann; On-Site Mix: Bernhard Settele
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
Amaceon undoubtedly is one of the most sophisticated laser multimedia shows ever
created... [housed] in a former dolphinarium of the Holiday Park in Hassloch. Within
less than six months and an overall budget ranging in the millions, the show designers
created an experience re-deﬁning the use of the medium “laser” in multimedia shows.
Using laser and video projections on a water screen in front of a 100-foot panorama
projection, fountain effects, water bombs, real ﬁre effects as well as water dispensers
above the audience, real water cloud effects and wind generators, the show designers
took special care in bundling the strength of every medium to a perfectly integrated
overall experience with a high degree of immersion.
Spectators witness the Big Bang, the creation of life and the origins of the human
race. One minute Mother Earth is sending down lightning and ﬁre or spraying the
spectators with powerful fountains. The next minute she is playfully attending to the
origins of life and her favorite creation, humans....
To get the show ready for the start of the season within less than four months, the
work of over 60 specialists had to be synchronized.... After a few months running,
surveys have proven that the show now ranges among the top attractions of the park.
Live Stage Performance
3rd Place
EnBW International Gymnastics Team
LOBO
Laser Design: Peter Wild
Lighting: Frank Chzich
Director of Photography: Peter Schönamsgruber
Creative Director: Alex Hennig
Music: Various artists
The video was made by a monitoring camera during video recordings for the EnBW
Turnteam, one of the worldʼs leading gymnastics teams being very successful at the
last Gymnastics World Championships.
The video was made in our studio for an American show competition between different
teams for gymnastics show concepts. According to the rules of the competition, the
different performances include different levels of professionalism. There are
performances with beginners as well as with gymnastics pros.
Lasers were used to create a deep scenic background without competing with the
actual performance in the foreground.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2nd Place
Kornʼs “Bitch, We Have A Problem” Tour
Lightwave International
Video of show as performed by Korn during their 2007 tour.
Lighting and laser design: George Dodworth and Martin Potoczny (Lightwave
International) and Chris Kantrowitz (Frank the Plumber).
Toured, operated and teched: Martin Potoczny
Additional touring tech support: Matthew Coon
Music: Various songs from the tour
The 2007 Korn tour had one goal: Attempt to use lasers as a replacement for
automated lights. The idea was simple: Lasers now take less power than automated
lights, they produce more impactful effects, and can produce more effects with a
smaller ﬁxture count and smaller tech count. The truck pack is smaller, faster and
lighter. This is quite the opposite of ion laser mentality, and a new idea for tour
designers.
For this tour, a new process ﬂow was created that mimics that of a video media server.
Highly skilled artists program the media server and arm it with highly powerful
effects.... The end result is the ability for show designers to program lights and lasers
on the same board, using familiar tools that they have already mastered.
For touring crew, it means lasers hang and provision like any other ﬁxture -- requiring
only DMX and standard single-circuit power. A laser operator remains to ensure safety
of the effects by masking occupied crowd areas and other means of control.
The show used a total of 10 laser projectors -- each with completely independent
control. The ability to make subtle changes in timing and offset between projectors can
create looks that were not possible before without signiﬁcant control infrastructure.
More impressive is watching lighting designers create looks with lasers that ... break
the mold of “traditional laser show” or “traditional touring lasers.”
1st Place
Mysteria
LOBO
Director: Achim Schnitzer; Technical Director: Andreas Römer
CA: Christian Schnitzer; Laser Engineer: Ulrich Wagner
Beams: Roman Schuetz; Setup Manager: Bernd Noss
Laser Animations: Peter Wild; Laser Technician: Martin Malorny
Creative Director: Alex Hennig
Music: Mysteria, Calren Studios
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
The huge outdoor laser and ﬁre show Mysteria was the highlight of every evening
during Europa Parkʼs “Creepy Weeks”. Within this extraordinarily pompous musical,
unparalleled among European theme parks, the park visitors were abducted into a
mystic dream world for 30 minutes. Besides six laser projectors, also water and ﬁre
effects, video projections onto water surfaces, a whole armada of moving lights and
impressive ﬁreworks contributed to the spectacle about the forces of nature.
The show received the best reviews ever in the history of Europa Parks spectaculars.
Never before has there been such a seamless interaction and perfect balance
between actors on stage, video and lasers.
Mysteria received the IAAPA Award 2007 as the best Outdoor Show.
Lasers Used In Video/Film
No awards given in 2007
Laser Photography
3rd Place
Touched by the Light
Lightwave International
Photograph of show as performed by Lightwave International for a Christian retirement
facilitiesʼ outdoor festival
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2nd Place
Devilʼs Angel
Laser Entertainment srl
Graphic Design: Lorenzo Pompei
Photography: Alberto Kellner using a Nikon D40
Lorenzoʼs great aptitude for freehand drawing brought him to create one more nice
one ... why not take a picture?
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
1st Place
Reﬂection
Laserlight Magic
Producer, animator, artist and laserist: Manick Sorcar
It is an experimental scene for Manick Sorcarʼs forthcoming stage production
“Shakuntala”. In one scene, an animated fawn is required to be standing near water,
awed by seeing her own reﬂection in the calm water with mild ripples and leaves. The
challenge is that the feet of the fawn needed to be on the stage ﬂoor (screen
perpendicular to the stage) and her reﬂection on the stage ﬂoor (parallel to the ﬂoor).
To accomplish this, the laser graphic of the fawn was projected onto a wall, with the
bottom of the graphic barely touching the ﬂoor. Two wide Plexiglas sheets were placed
on the ﬂoor to reﬂect the image. Fluorescent “day-glo” papers were cut in the shape of
two ripples and three leaves, and were placed on the Plexiglas. These were
illuminated by 4-foot long ultraviolet “black light” tubes. The photograph was shot with
one click of the camera, with absoutely no digital manipulation.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2007 Fenning Awards
for Technical Achievement
ILDA's Fenning Awards honor the year's most notable technological
developments in all areas of laser display. Past awards have
honored developments in solid state lasers, show control systems,
optical projection hardware, software and new techniques for
creating laser images.
The Fenning Awards commemorate the late Fred Fenning, who
pioneered laser display technology and standards during his 21-year
career in the laser ﬁeld.
2007 Judges:
Richard Gonsalves, Canada
Carlos Kelisek, Mexico
Joachim Mueller, Germany
3rd Place
High End RGB Showlaser Projector “Inﬁnity”
MediaLas
The Inﬁnity is a state-of-the-art high-end full-color RGB showlaser projector with the
latest laser- and micro-technology, full safety features, wireless remote control, LAN
control, and power up to 10W balanced white. It uses both diode and DPSS lasers,
modern electronics and noiseless air cooling. Housing components are milled from full
aluminum blocks, including the internal heat exchanger and the massive rear
connection plate.
The projector can be run through a network in real time, without delay through
uploading frames or animations, simply by a mouseclick. It is fully network compatible
with Mamba and Phoenix software. The extra ILDA input also allows the use of
standard software solutions, such as Pangolin or any other computer system which
offers a differential ILDA connector.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
There is a high-speed digital scanfail safety with serial control for multiple safety
windows, and a wireless RGB convergence alignment tool.
2nd Place
(not awarded)
1st Place
Patented Remote Control Color Convergence Alignment
Tool for RGB Laser Projectors
MediaLas
By using a wireless remote control with joystick, or an automated external sensor, the
three laser beams (red, green and blue) inside an RGB laser projector can be shifted
and aligned at any time, even during a running laser show.
The exponental function of the remote allows shifting colors within a tenth of a
milliradian to assure the ﬁnest and most exact matching. On ﬁxed installations and/or
cruise ships, this technology can be automated by using an external optical sensor
somewhere in the installation room, which links wirelessly to the projector unit.
Two patents have been ﬁled on this device.
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
ILDA Volunteer Awards
Certificates of Appreciation
Hugo Bunk
For hosting the ILDA Artistic Awards judging for a number of
years
Greg Makhov
For continuing contributions to ILDA
in the area of laser show safety
Peter Mayer
For coordinating the ILDA Artistic Awards judging for many
years
Plaque of Appreciation
Tom Harman, LaserNet
For hosting the 2008 ILDA Conference on the Carnival
Imagination
ILDA Volunteer of the Year
Christine Jenkin
LaserNet
For her tireless and cheerful work producing the
2007 ILDA Laser Theater at the LDI Trade Show in Orlando
and the 2008 ILDA Conference on the Carnival Imagination
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2007 ILDA Awards • Sept. 10 2008 • Carnival Imagination
2007 ILDA
Career Achievement Award
ILDAʼs highest award honors exceptional individuals with a
distinguished history of achievement in the laser display industry.
2007 Judges:
Daniel Cohn, USA
Alberto Kellner, Italy
Jim Martin, USA
William R. Benner, Jr.
Pangolin Laser Systems Inc.
From the nominating statement submitted to the CAA judges:
Bill Benner has revolutionized the laser show industry by creating
technology that has made very advanced programming technology
available to a mass, worldwide market at an affordable price.
Billʼs Pangolin technology has become the standard of the industry --
a yardstick by which all other programming systems are judged. Not
resting on his laurels, Bill has continuously introduced new
innovations into his programming capabilities -- which have in turn
given users more powerful tools to produce more sophisticated
presentations and increase the viability of laser shows in the global
marketplace.
Bill has also been one of ILDAʼs staunchest supporters --
contributing much in time and money. Billʼs groundbreaking work as
chairperson of the ILDA Technical Committee has been especially
noteworthy in forwarding the use of new technology and establishing
standards.
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