With giants walking alongside men, monstrous serpents wreaking havoc and kingdoms doing battle with sorcery, we think this is ideal for anyone who likes their fantasy big, epic and about the ultimate clash between good and evil.

Whilst in some ways the series could be said to hearken back to the “old school” or “traditional” type of fantasy, in many other ways we really felt this series was one of the most original we’ve read in years – having a beautifully lyric, mythical tone and what we considered to be a very unique, distinguished style.

We were really interested to hear about how this style of writing came about. So we asked John what the influences behind his series were:

I could write a whole book answering this question, but I’ll try to contain myself.

Lord Dunsany was perhaps the inventor of the modern fantasy tale. His work never ceases to inspire me, and his novel The King of Elfland’s Daughter is an immortal classic. His gift for speaking with clever metaphor and concise imagery is stunning, even a hundred years later. Fantasy writers should study his works the way classical composers study Mozart and Bartok.

I’m also a big Robert E. Howard and H. P. Lovecraft fan, but Clark Ashton Smith is my favorite of the old-school Weird Tales writers. In my opinion Smith invented the whole dark fantasy genre. He had the lost cities, the sorcerers, the creatures from beyond space and time, the mummies, the vampires, the decadent dying empires of Zothique and the primordial ooze of Hyperborea. Read the rest of this entry »