Friday, 14 October 2016

Hoorah for Denzil Forrester!

Denzil Forrester, 'Witchdoctor', oil on canvas, 240 x 360cms, 1983

Hoorah for Denzil Forrester!

I saw some photos an artist friend recently
posted on Facebook of her attendance at a Denzil Forrester exhibition in
London, a painter I used to, and still do, admire a great deal but whose work I
rarely see or hear of these days. Curious, I found myself looking Denzil and
this exhibition up on the internet the following day at work and was delighted
to see that Denzil seems to be enjoying some renewed and much belated critical
acclaim and recognition for his work in an exhibition curated by none other
than Peter Doig in a gallery, ‘Tramps’, that he runs in London.

Artist Peter Doig and Denzil carrying one of Denzil's paintings at his home in Truro, Cornwall

Apparently Doig too has long been an admirer of
Denzil’s paintings, and has been also been instrumental in introducing
Forrester’s work to a New York audience with a forthcoming show at the White
Columns gallery in that city, which is run by British curator Matthew Higgs,
following a sell out show of Denzil’s drawings at Frieze New York.

A selection of Denzil's nightclub drawings at NY Frieze. These drawings were all made on location in these clubs in the Seventies and Eighties

It’s great to see a painter so talented, yet
overlooked, getting some much deserved recognition and success. I first came
across Denzil’s paintings of London’s Blues and Dub clubs and British Black
Caribbean street life when I was an undergraduate student at the University of
Sunderland in 1990 when his touring exhibition, ‘Dub Transition’, came to
Newcastle’s Laing Gallery. Forrester was a friend of our Head of Painting,
Virginia Bodman from their days at the Royal College of Art together and he
came to the Painting Department as a visiting tutor twice, giving the most
amazing talk to students which contained a strong political and social
dimension, to a packed out lecture theatre, and I had tutorials with him on
both occasions about my paintings I was making at the time about the white,
working class night life of West Yorkshire.

Denzil Forrester, 'Untitled', oil on canvas, 180 x 120cms, 1983

He became a big influence for a while on this
work, especially his dynamic and very intelligent use of colour and the very
sophisticated way he described space in his complex compositions, and I learned
a lot from his work, but I did also feel a bit pushed in that direction by the
tutor’s enthusiasm for his work, and it ended up being a bit more difficult to
find my own language for my ideas.

'Carnival Dub', oil on canvas, 240 x 300cms, 1983

Funny now that I know Doig is an admirer, how I
can see Denzil’s influence in his own work inspired more by the tropical
landscape of Trinidad, his adopted home, particularly in his own use of colour,
but especially in his increasingly expressionist depiction of the figure.

Peter Doig, 'Cricket Game/ Figure By The Pool', oil on canvas

Denzil back in the Eighties

So, I love Denzil Forrester’s paintings,
but the ones I know and have seen, and are currently on show at Tramps, were
all painted in the Eighties: I can find no evidence of any paintings since….so
what has he been doing all this time? He has said, I noticed, with his new
found New York success he is giving up his teaching work to concentrate on painting
full-time so I will eagerly await to see the results.