The Doll’s Alphabet

"Imagine a long-suffering unnamed wife of a mid-century academic who transcribes his research on a chitinous black typewriter. If that typewriter could dream, these stories are the deadpan nightmares it would dream."

"This doll's eye view is a total delight and surveys a world awash with shadowy wit and exquisite collisions of beauty and the grotesque." —Helen Oyeyemi, author of Boy, Snow, Bird "Down to its most particular details, The Doll's Alphabet creates an individual world—a landscape I have never encountered before, which now feels like it was been waiting to be captured, and waiting to captivate, all along." —Sheila Heti, author of How Should a Person Be "Marvellous. Grudova understands that the best writing has to pull off the hardest aesthetic trick—it has to be both memorable and fleeting." —Deborah Levy, author of Hot Milk Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies—by constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has built a universe that's highly imaginative, incredibly original, and absolutely discomfiting. The stories in The Doll's Alphabet are by turns child-like and naive, grotesque and very dark: the marriage of Margaret Atwood and Angela Carter. Camilla Grudova lives in Toronto. She holds a degree in Art History and German from McGill University, Montreal. Her fiction has appeared in The White Review and Granta.

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