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In his early twenties, Peter Schickele was profoundly affected by a performance of Boulez?ÇÖs Second Piano Sonata, changing his impression of contemporary music forever. According to Schickele, these Four Pieces for Piano were ?Ç£one of the earliest manifestations of that reckoning. [They] have many of the hallmarks of the so-called post-Webern style: wide skips, extreme range, and no regular beat, but, unlike Boulez?ÇÖs sonata, those pieces constantly flirt with old-fashioned tonality and jazzy rhythms.?Ç¥ For advanced players. Contemporary. Here is a listing of related products.