The work of Sinéad Spelman (Ireland, 1978) focuses on a task of obsessive unfolding through a recurring character treated as a mask, in wich the artist indirectly exhibits a series of actions that speak about herself. Simple and direct drawings that give life to a female character. This character is close to the passivity and the non-action of the mystic, and continually confronts small actions of low spectacularity and latent danger that place her in a continuous situation of search for something that she can not find. A crisis in her own identity as an artist who fantasizes with the margins of what is possible to lead to an endless ‘anti-epic’ adventures full of ambiguous and impossible situations. A game of opposites that opens multiple possibilities of interpretation: some of them are kind and naive, others are grotesque and dark.