Best worst thing you’ll see all week: Silent Hill: Revelation

Michael J. Bassett might be the new Paul W.S. Anderson when it comes to translating videogaming absurdity into cinematic silliness. So if you’re willing to sit through a Resident Evil movie, there’s no reason not to sit through the latest Silent Hill movie. Bassett is an ideal man for the job, considering his Solomon Kane is another one of the best worst things you can see all week. Say what you will about the guy’s movies, but he’s got style and he knows how to gather watchable actors. This Silent Hill features Carrie-Anne Moss as Edgar Winters, Malcolm McDowell as a really lame boss fight, Sean Bean sitting out most of the action, Martin Donovan as a detective you’ll forget was in the movie before it’s over, and Michelle Williams look-a-like Adelaide Clemens showing the sort of commitment that will serve her better in her small role in The Great Gatsby and in her kick-ass turn in Versus director Ryuhei Kitamura’s surprisingly good No One Lives.

Of course, you don’t come to Silent Hill for the human players. Revelation does an admirable job collecting a bunch of cool sets and weird creatures, all loosely connected by what might be a story. Pyramid Head moonlights variously as a carny, a prison warden with an effective solution for grabby inmates, and even a Big Daddy. The nurses are disturbingly erotic in a way that I’m not sure I noticed playing the videogames. And the movie’s counterpart to Silent Hill 2’s disturbing mannequin rape is a wonderfully creepy introduction to a new creature as memorable as anything from the games. What sense does it make? What story does it tell? What do we find out about the town itself? What motivates the characters? Forget it, Tom. It’s Silent Hill.