The Oscars are supposed to be a barometer for greatness in the movie industry, but sometimes the Academy just misses the mark. Think about it: Three Six Mafia has an Oscar, but Leonardo DiCaprio does not. Snubs inevitably happen every year and some are more egregious than others. As we prepare for the next batch of nominations, let us reflect on some of the biggest snubs that still have us scratching our heads.
1. Leonardo DiCaptio in The Departed
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Leo has been nominated a lot, we know this, but he was at his best in this Martin Scorsese flick. It still pains us that this wasn’t his year.
2. Leonardo DiCaprio in Revolutionary Road
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We thought Leo/Kate Winslet reunion would equal Oscar magic. But alas, it was not to be.
3. Leonardo DiCaprio in Catch Me If You Can
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We still love this movie and think he was fantastic as con man Frank Abagnale Jr. Technically he played more than character, as Frank faked his way into becoming an airline pilot, a doctor and a lawyer.
4. Leonardo DiCaprio in The Aviator
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Last Leo one, we promise. But man did he do a good job playing Howard Hughes’ descent into madness.
5. Brokeback Mountain
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With the exception of Ang Lee winning for Best Director, Brokeback Mountain got completely shut out of the Oscars. Crash beat it for Best Picture in an upset, and Heath Ledger, Jake Gyllenhaal and Michelle Williams all inexplicably lost in their categories despite delivering amazing performances.
6. Alfred Hitchcock
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Can you believe the Master of Suspense never won an Oscar for directing? Despite all of his directing techniques that are now famous, poor Hitch never got Oscar recognition. Couldn’t they have at least given him the Best Cameos in All His Films award?
7. James Dean
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We expect that if James Dean had lived longer than his young 24 years, he would have taken home Oscar gold. But the impressive trifecta of films he made during his much-too-short career (A Rebel Without a Cause, East of Eden and Giant) are enough to make us sad he never won.
8. Saving Private Ryan
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This Steven Spielberg wartime epic starring Tom Hanks was beat out for Best Picture by Shakespeare in Love. Rumblings have indicated power producer Harvey Weinstein’s purse strings – rather than the film’s merit - are what actually got Shakespeare the gold.
9. Marilyn Monroe
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The iconic bombshell never got to make a breathy Oscar acceptance speech. She was probably most deserving for her part in Some Like It Hot, but it just wasn't in the cards.
10. Amy Adams
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Doesn’t it seem like she gets nominated every year? She’s like the female Leonardo DiCaprio at this point. She was great in The Fighter and she was our favorite part of American Hustle last year. Such a shame.
11. Robert Redford
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Redford, aka the Brad Pitt before Brad Pitt, has never won an Oscar for acting. He nabbed one in 1981 for directing Ordinary People and got a Lifetime Achievement award in 2002, but the founder of the Sundance Film Festival was never acknowledged for the talent that made him famous.
12. Paul Newman for The Hustler
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It took Paul Newman way too long to claim his Oscar glory. He was notoriously snubbed all throughout his prime years – most notably for The Hustler in 1962. The Academy finally gave him an honorary award in 1986 and then a Best Actor Oscar in 1987 for his role in the subpar sequel to The Hustler - The Color of Money.
13. Citizen Kane
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This film has been number one on so many AFI Greatest Movies of All Time lists that we kind of just assumed it had won the Oscar for Best Picture. Not so. The Orson Welles masterpiece was beat out by How Green Was My Valley, a movie about a Welsh mining village.
14. Michael Fassbender in Shame
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When you put aside the jokes about "best performance by a penis in a movie," you’ll realize that Fassbender actually turns in an Oscar-worthy performance in Shame (clothed or unclothed). We’ll give him time though – we think a statuette is in his future.
15. Ewan McGregor
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Ewan (or as we like to call him: every straight man’s mancrush) has turned in some brilliant work over the years – like his roles in Beginners and The Impossible. But sadly it seems it wasn’t enough to catch the Academy’s attention.
16. Johnny Depp
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Johnny Depp does not have an Oscar. We repeat: Johnny Depp does not have an Oscar. How can the guy who played iconic characters in Edward Scissorhands, Pirates of the Caribbean, and Finding Neverland be lacking a trophy, you ask? It’s a mystery for the ages.
17. Jessica Chastain
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Remember when Jessica Chastain had like a million movies come out in 2011? In luckier years, we think at least ONE of those would have gotten her a win. Maybe 2015 will be her year.
18. Keira Knightley in Pride &amp; Prejudice
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Reese Witherspoon beat her out that year for Walk the Line, but Keira would have had our vote for her pitch perfect portrayal of Jane Austen heroine Elizabeth Bennett.
19. Atonement
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Talk about a beautifully made film. It even won the Golden Globe for Best Drama that year, which is usually a sign that an Oscar imminent. Nope. No Country for Old Men took it instead. Guess nothing beats a Coen Brothers film with an ambiguous ending.
20. Short Term 12
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If you've seen this gem of an indie movie starring a riveting Brie Larson, you'll understand why this was a major snub. It was one of the best movies of 2013, but presumably because it was so small, it didn't get any awards love. Travesty.
21. Mary Elizabeth Winstead in Smashed
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Another small movie, but a huge Oscar-worthy performance by Winstead as a young wife coming to terms with sobriety. Or at least worthy of a nomination. Pay better attention, Academy!
Who do YOU think has been snubbed? Tell us on Twitter by following the links below!
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Hollywood veteran Robert Redford is to receive a special award named after Charlie Chaplin from the organisation behind the New York Film Festival. The Film Society of Lincoln Center is to honour the star with the Chaplin Award in recognition of his lengthy career in the entertainment industry which has stretched from acting and directing to theatre.
The organisation's chairperson Ann Tenenbaum says, "The Board is thrilled to have Robert Redford as the next recipient of the Chaplin Award. Not only is he an internationally known and loved actor, director, and producer, but perhaps no other single artist has done more to champion the work of independent filmmakers... (The film world is) immensely richer because of his contributions."
Redford is set to pick up the award at a ceremony in New York on 27 April (15).
Previous honourees include Alfred Hitchcock, Dame Elizabeth Taylor, Meryl Streep, Tom Hanks and Martin Scorsese.

A&amp;E Network
Psycho is not only renowned as one of Alfred Hitchcock’s most notable films, it’s also a significant part of movie history. The classic film doesn’t lend itself to a prequel without giving away one of the biggest spoilers in film history. It suffices to say Bates Motel manages to offer an intriguing suspenseful drama without relying too much on the Hitchcock mythology. In fact, the series offers unexpected twists and turns and a ton of psychoses.
Norma (Vera Farmiga) and Norman Bates (Freddie Highmore) leave after the mysterious death of Norman’s father. They head to picturesque town of White Pine Bay, Oregon where Norma buys a motel in a flight of fancy. This town isn’t as wholesome as it seems. It’s full of murder, secrets, and mysteries. Deaths can’t seem to stop happening around the Bates family. Plus, there’s growing sexual tension… between Norma and Norman?!? To amp up the drama, Norma’s older son Dylan Massett (Max Thieriot) manages to provide help, trouble, and help in getting into trouble. Sherriff Alex Romero (Nestor Carbonell) has a bone to pick with the family and secrets of his own.
The series bears a striking resemblance to one of the most famous canceled series in history Twin Peaks. Creator Carlton Cuse even admitted during a panel for the show, "We pretty much ripped off Twin Peaks." The series is memorable for blending the dark and twisted with an offbeat sense of humor and irreverence. Like Twin Peaks, the small Oregon town is chock full of secrets, people with dark desires, and even darker murderous impulses.
Not only does Bates Motel capitalize on the fandom of its source material, it also blends some pretty high caliber acting. Farmiga, sister of American Horror Story actress Taissa Farmiga, is able to transition from flighty dingbat to overbearing lioness in a heartbeat. She’s well-meaning but pathologically narcissistic and neurotic. She lords over Norman enough to mold him into the twisted person we all know he’ll become. Highmore also captures the sense of tension and awkwardness that could snap as he becomes a murderer. He also manages to channel Anthony Perkins by consistently calling Norma "Mother."
Now’s the time to catch up with the series, before it returns in March. Luckily, the first season is available on Netflix. But if you’d like a primer for the series read on for a recap of Season 1 but beware of spoilers.
Norma buys the new Bates motel as a foreclosure. Former owner Keith Summers shows up and rapes her. Norma kills him and she and Norman try to cover up the crime. In the process of trying to hide the body, they stumble on Keith’s side business of human trafficking. He used the hotel as a front to traffic in sex slaves. This causes a ton of trouble for the Bates clan as his former business associates pester the family, with the sheriff convinced Norma did away with Summers. Norma gets some help from her new boyfriend, Sheriff Zack Shelby (Mike Vogel), but he turns out to have one of the sex slaves hidden in his basement.
The economy of White Pine Bay is falsely inflated because of a huge pot field hidden in the forest. Dylan gets drafted into the drug trade and rises the ranks. But he still hasn’t met the mysterious leader of the town’s side business. He wants to make enough money to take Norman away from Norma’s overbearing ways. He clashes with the family but knows that Norma is a bad influence. Meanwhile, Sheriff Romero is definitely tied to illegal dealings.
Norman makes fast friends with rich girl Bradley Martin (Nicola Peltz) and outcast Emma Decody (Olivia Cooke). At first, both girls are interested in Norman. But when Norman gets de-virginized by Bradley he gets a little obsessed with her despite her creepy boyfriend. Norman starts to get haunted by visions of his mother when she’s not there. He also exhibits some creepy behavior, like keeping a souvenir of the incident with Keith. Norma confesses to Dylan that Norman is responsible for his father’s death. The season ends with Norman fleeing from a flirtatious teacher’s house, seemingly scared by the sexual tension, leaving her bleeding body on the floor of her bedroom.
Hooked yet?
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Actor/director Rob Reiner will be the 2014 recipient of the Film Society of Lincoln Center's Chaplin Award. The When Harry Met Sally director will be the guest of honour at the 41st gala in New York in April (14). Previous recipients include Alfred Hitchcock, Laurence Olivier, Elizabeth Taylor, Martin Scorsese, Meryl Streep and Tom Hanks. Last year (13), Barbra Streisand was honoured.

Matthew Mcconaughey found himself sweating with nerves before meeting director Martin Scorsese after the Hollywood star was approached to join the cast of The Wolf Of Wall Street, because he studied the moviemaker at film school. The Sahara actor admits he felt a little starstruck by the revered Goodfellas filmmaker, but he was immediately put at ease by the Hollywood veteran's easy-going nature and sense of humour.
He tells MTV News, "I studied Martin Scorsese in film school in 1992, at the University of Texas. All of the sudden, a year and a half ago or two years ago, I'm going to meet Martin Scorsese at this apartment in New York.
"I was just nervous to meet an icon like that. And the first thing I got from him was, 'This guy loves funny.' It occurred to me that most of the people who are great at what they do, they love funny."
The meeting led to McConaughey landing a small part as a Wall Street hot shot in the new dramatic comedy, an adaptation of disgraced New York financier Jordan Belfort's memoir, which chronicles his lavish life in banking and his subsequent downfall as he was jailed for securities fraud and money laundering.
McConaughey wasn't the only castmember in awe of Scorsese - actor/director Jon Favreau, who plays an attorney in the new movie, revelled in watching the master at work on set.
Favreau says, "I love the guy. I always have. To work on this type of movie with him, was a huge treat.
"He's such a visionary, so I expected him to come in with a book of notes and storyboards, like a (Alfred) Hitchcock type. I was amazed at how loose he is, how collaborative he is, how much fun he has, and how much he laughs."

Actor Tony Musante has died, aged 77. The Oz star passed away on Tuesday (26Nov13) at Lenox Hill Hospital in New York City after suffering complications following surgery.
Musante began his career on stage, and received a New York Drama Desk award nomination for his Broadway debut in a 1975 production of P.S. Your Cat Is Dead!, and he went on to star alongside Meryl Streep the following year (76) in 27 Wagons Full of Cotton.
His film career included a star turn opposite Martin Sheen in 1967 thriller The Incident, and 2007's We Own the Night with Joaquin Phoenix and Mark Wahlberg.
Musante also headed the cast of 1970s TV crime drama Toma and was nominated for an Emmy Award for his appearance in Medical Story. His other TV credits include playing Mafia boss Nino Schibetta in acclaimed prison drama Oz, as well as appearances in Maverick, The Rockford Files and The Alfred Hitchcock Hour.

Veteran funnyman Mel Brooks is to be honoured with the American Film Institute's Life Achievement Award. The Blazing Saddles director will receive the 41st honour from fellow legendary Hollywood moviemaker Martin Scorsese at a ceremony next month (Jun13).
The prestigious award will be handed out as a tribute to Brooks' 60-year entertainment career.
Sir Howard Stringer, chairman for the AFI Board of Trustees, says, "For over 50 years, Mel Brooks has given the world its greatest gift - laughter. At the American Film Institute, we also want to shine a proper light on his contributions to the art form as writer, producer, director and actor - and who better to bestow this honour than one of the masters of American film, Martin Scorsese."
Brooks will receive the honour at a ceremony at the Dolby Theatre in Hollywood on 6 June (13). Previous recipients of the award include Alfred Hitchcock, James Cagney, Sidney Poitier and Gene Kelly.

It's hard to believe that, with Roger Ebert's death at 70, the balcony is now closed for good. From 1975 to 2006 Ebert appeared on television as an on-air movie reviewer, in addition to his day-job duties as the film critic for The Chicago Sun-Times. Ebert and co-host Gene Siskel, critic from the archrival Chicago Tribune, sparred with each other from the balcony of a movie theater and passed judgment on each week's new movies with their zero-sum, gladiatorial ratings system of "thumbs up" and "thumbs down." (Siskel &amp; Ebert would later trademark the Thumbs. For real.) Sometimes they agreed with each other. Sometimes they were at each other's throats. But they were almost always insightful...and usually pretty funny too. It's why their show Sneak Previews became the highest-rated entertainment series in PBS history. By the time it rebranded as At the Movies in 1982 and moved into broadcast syndication, Siskel &amp; Ebert were truly a dynamic duo.
RELATED: Remembering Roger Ebert: Film Critic, Pulitizer Winner, Internet Troll
As much as their personalities drove the show, Siskel &amp; Ebert's true success may have been due to how they didn't let their egos overshadow the movies they were reviewing. Not to mention that, in terms of sheer word count, many of their on-air reviews rivaled or outmatched film reviews in newspapers or magazines. So as we're paying tribute to Ebert, let's remember what an amazing institution At the Movies was in its heyday. Here are 10 moments from the series that show Ebert (alongside Siskel and several other cohosts) at his very best.
1. The Takedown of Leonard, Part 6
There was nothing more satisfying than a Roger Ebert pan. That's because he cared so much about the movies. He genuinely wanted stinkers to be good films. Witness his critique of Leonard, Part 6, a movie starring Bill Cosby, for whom Ebert has obvious affection. It's because he knew Cosby was capable of so much more that he accused him of "prostituting himself" in this "cynical exercise" of a flick.
2. Ebert Feels for the Actors in Blue Velvet
Don't get me wrong. Ebert could be as wrongheaded as any critic. While Siskel recognized David Lynch's Blue Velvet for what it was as a spiritual heir to Psycho, Ebert saw only nihilistic trauma. In fact, his reaction to the film mirrors famed New York Times' film critic Bosley Crowther's horror upon first witnessing Bonnie &amp; Clyde, a film Ebert went against mainstream critical opinion to champion, twenty years earlier. But, again, his reason for dismissing Blue Velvet is fascinating. He actually suggests that Lynch's actors, especially Isabella Rossellini, were exploited by their director in the making of the film. It's an incendiary charge, and totally unfounded, but shows the deep streak of humanism that informed his critical worldview.
RELATED: Roger Ebert’s Many Pop Culture Parodies from ‘The Critic’ to ‘Godzilla
3. Siskel &amp; Ebert's 500th Episode Retrospective!
Despite being famous for getting paid to sit in a darkened movie theater and watch much more famous people onscreen, Siskel &amp; Ebert developed a flair for showmanship, having a rotating roster of canine assistants during their segment "Dog of the Week," a spotlight on their pick for the worst movie of the week, sporting an incredible variety of facial hair, and even telling showbiz tall tales about why they're called "Siskel &amp; Ebert" and not "Ebert &amp; Siskel." (Siskel claimed they flipped a coin.) Both of them showed their stage presence when filming before a live audience for the first time in 1989 for their 500th episode.
4. Siskel &amp; Ebert Play a Videogame
During the '80s and early '90s, they'd have an annual show called "The Video Gift Guide," focusing on movies from the previous year, along with a few classics, worth adding to your home entertainment collection. They'd cap these shows by engaging in another home entertainment pastime: playing a videogame! This clip from 1993 has them virtually boxing each other via an early ancestor of Kinect. They have to stand inside a metal hoop and it'll sense the movements of their fists and feet as they trade pixelated body blows!
RELATED: Pres. Obama, Steven Spielberg, Howard Stern Remember Roger Ebert
5. But, In all Seriousness, the Show Really Could Be Legit As Criticism: The Decalogue
Just check out this 15-minute segment from the early 2000s of Ebert reviewing Krzysztof Kieślowski's The Decalogue for its DVD release. A shorter version appeared on the At the Movies telecast, while the full 15-minute clip ended up on the DVD box set. Ebert basically gives us a shot-for-shot analysis of several scenes, going into a far greater level of detail than you really could in a print review. It's a clip like this that shows Ebert could be a kind of college film studies professor, with his TV viewing audience as his students. As if he didn't already have enough jobs, he really did teach a class or two a year at the University of Chicago before his battle with cancer.
NEXT: The Blistering Takedown That Actually Inspired a Book. And Ebert Gets Siskel to Change His Mind!
6. The Takedown of North
One thing a film professor doesn't have to do, though, is subject himself or herself to the vast majority of new movies that are released in order to make a tight deadline for a review. Ebert had to do that. And that meant having to see movies like Leonard, Part 6, or what for him was even worse, Rob Reiner's North in 1994, a film he called the worst he'd seen in the almost two decades that he'd done the show and "one of the most hateful movies in years." In fact, his TV and print reviews of North would give birth to one of Ebert's most popular books: Your Movie Sucks, a collection of his one-star reviews.
7. That Time Ebert Actually Got Siskel to Change His Mind
Only one time did it ever happen. Siskel &amp; Ebert were reviewing John Woo's Broken Arrow in 1996. Siskel thought the movie was dumb but enjoyable, and he gave it a thumbs up. Ebert hated it, and in the span of a couple of minutes he got Siskel to change his mind and give the movie a thumbs down.
8. Ebert Says GoodFellas Is One of the Best Movies of the '90s...to Cohost Martin Scorsese
After Gene Siskel's death in early 1999, a succession of substitutes filled his seat in the balcony opposite Ebert. Some were critics from other publications. One, Richard Roeper, was a critic from Ebert's own publication, the Chicago Sun-Times. He'd eventually get the permanent gig. Other subs, though, were filmmakers. For the "Best of the '90s" listathon special that closed out 1999, Ebert tapped Martin Scorsese as his co-host, meaning that he could tell the director to his face that he thought GoodFellas was the third best film of the decade. (FYI: Hoop Dreams was No. 1.)
9. Scooby-Doo Deux
Ebert never really went in for the puns like fellow TV critic Gene Shalit — if you're not following @FakeShalit on Twitter right now, what are you doing with your life? — but when he did, they were epic. Like his imagining of what 2004's Scooby-Doo 2 would be called in France, which also conveyed precisely what he thought of the movie.
10. How Exactly Is Herbie "Fully Loaded"?
Some of Ebert's best writing didn't occur just when he was mining subtext from Kieślowski films or dissecting Alfred Hitchcock's lighting choices in Notorious. It happened when he let his geek flag fly and ask the really meaningful questions. Like when he asked during his review of Toy Story 3, "If Mr. Potato Head lost an ear, would it continue to hear, or if he lost a mouth, would it continue to eat without a body?" Or how he devoted much of his review of Zack Snyder's Watchmen to a discussion of Dr. Manhattan's ontological status. Or, best of all, this gem from 2005 when he asked, while reviewing Herbie: Fully Loaded, if sentient cars are capable of having sex.
What's your favorite moment from At the Movies?
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[Photo Credit: Michael L. Abramson/Time Life Pictures/Getty Images]
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Here are two people who wouldn't even hurt a fly. Unless they're really, really provoked, that is. A&amp;E's Bates Motel, a modern-day prequel to Alfred Hitchcock's Psycho, kicked off Monday night in appropriately creepy fashion. Starring Freddie Highmore as Norman Bates and Vera Farmiga as his mother, Norma (the creepiness extends even to their names!), Bates Motel featured a whole bunch of callbacks to Psycho. But that alone isn't the reason Hitch himself might have approved of this version of the story.
‘Bates Motel’ At SXSW
Bates kicked off with Norman and Norma arriving in an Oregon town, shortly after the death of Norman's father, where Mom had just purchased a motel and its adjacent Gothic mansion. These are almost exact duplicates of the ones featured in Hitchcock's film, right down to little details like the framed bird sketches hung on the walls of the motel's Cabin No. 1, where Janet Leigh's Marion Crane will one day take her fateful shower. A couple shots from Psycho are almost exactly recreated, including the famous overhead shot of the mansion's second-floor landing, where "Mother" will attack Arbogast (Martin Balsam) many years later. When Norma actually does stab the former proprietor of the estate, who breaks into their house and rapes her in his fury over having lost the place to foreclosure, she wields the exact same kind of butcher knife her son will later find to be his weapon of choice. And, of course, there's a lengthy, lengthy clean-up scene in the bathroom of Cabin No. 1. I half expected Norman, when a bunch of girls invite him to a party, to instead insist they have some sandwiches while he regales them of his love of taxidermy. For a later episode, perhaps.
Above all the references, the thing that's most Hitchcockian about Bates Motel is its identification with its characters. You're rooting for Norman and Norma, especially when she kills her attacker, a disgusting rapist who truly had it coming. And you're terrified that they might get caught with the body when, in the middle of their cleanup, two cops show up to check on them. What's particularly brilliant is that it isn't Highmore but Farmiga who's turning in the Anthony Perkins impression throughout the episode, with her hands in her pockets, hunched shoulders, and oddly contorted facial expressions — the mannerisms of someone trying and failing to act normal. That's what made Hitchcock such a perverse genius: his ability to make you identify with people who are mentally unbalanced or even outright murderers. Think about how, even before the final revelation in Psycho, we've almost completely shifted our loyalty from Marion Crane, ceremoniously dispatched halfway through the film, to Norman Bates, even though he's covering up her murder. The challenge for Bates Motel will be this: can Norma or Norman kill downright likable people, like a Marion Crane, and even still have us relate to them? That's something a show as self-consciously "edgy" as Dexter has never managed to pull off (he only kills bad guys!). It requires a remarkable level of characterization to achieve.
‘Bates Motel’ EP Carlton Cuse Says the Idea of a ‘Psycho’ Homage Isn’t Engaging
After the glossy, high-toned Vertigo and North by Northwest, Hitchcock returned to black and white on a shoe-string budget of $800,000 to shoot Psycho in 1960. For the production, he employed the crew for his TV show, Alfred Hitchcock Presents. So Psycho has always been tied to the small screen, and bringing it to TV now in the form of Bates Motel isn't nearly as presumptuous as a more snobbish cinephile might think. And thankfully it's a helluva lot better than the 1987 TV movie-pilot Bates Motel, a sequel to Psycho III involving neither Norman nor Norman and starring Bud Cort (as the motel's new proprietor), Lori Petty, Robert Picardo, and Jason Bateman. Yes, that happened.
Did you watch Bates Motel? Take our poll!
&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://polldaddy.com/poll/6974087/"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;What did you like most about 'Bates Motel'?&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;
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[Photo Credit: Joe Lederer/A&amp;E]
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