If you're an artist/art student, don't forget to add a brief artist's statement and photos of three of your art works to either your "comment wall" or "text box." This is your basic St. Louis Art Directory information. Later you may add images, videos, post a blog, and much more.

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Critics of Joan Lluis Montanè Lecchi Marino

Critics of Joan Lluis Montanè Lecchi Marino

Marino Lecchi: from evolution towards transition.

We are living in an epoch that can clearly be defined as transitional – but where is it leading us? We are moving onto new ways of regarding things, of ideas, of life in general. It feels as if time is flying by even faster, while outer space expands; or better still shrinks, granting a spacial mobility, almost as far as that point of connecting us up again with the normal state of proceedings; of being able to travel simultaneously through different dimentional parameters.

Marino Lecchi’s new work presents a new particularity, a structural formula, or rather, a multi structural formula, in which the shapes are mere suggestions of an invisible transformation that affects all the others, even those that are apparently following their own universal meanderings, considering themselves as the centre of the universe, or whether just travelling along the fringe of it.

We are in full spate of evolution towards novel ways of looking at things; everything is in a state of change.

We must get used to going beyond the normal set up, beyond flat dimensions, and of time in space that only exists in a reality of the third dimension. So consequently his work leads us towards new inflexions, still in their embrionic stage.

And all this appears within a framework which could be defined as ‘standard’ in 3D dimensions, which on the surface does not change, even if what is really happening is that doors are opening and linking up different worlds, portals that can only be surpassed by tuning in to a specific wavelength

(We are among those who when faced with existing, have the will to keep the flame of liberty and independence alive.)

We are in a phase of expansion, in full transformation. Indeed, change does exist, we are all being carried along a new path of life, converging from different points and situations. And so this Italian artist has come through considerable changes, all part of an already well trodden macroprocess, which never ceases to declare its exact nature, in a sense that it comes out a bit here or over there, wherever it can, in different situations.

A global change towards transition is on the way, towards a new manner of bringing things into focus, transforming also the level of the wavelengths.

Everything changes, nothing stays as it was, everything is movement in action, despite it sounding a paradox.

However sometimes we are unaware of it and believe we are still immutable. The most emigmatic aspect is that what renders us immutable is this very alteration; because even if it transforms us, at the same time we become immortal.

The reality of lost there, it is a creation of our mindThere are many realities as there are possibilities of our brain to analyze and test

Having said that, contrary to what we all call the sight of my painting "abstraction informal it is and wants to be" other. "

My research starts from the creative consciousness of the human condition, that quantum mechanics, said to be anything but real, as we generally understand the real, to go over the same MQBecause at this point M.Q. also becomes a fraction, infinitesimal, an "ultimate reality" that I have called "The INFINITE REAL"

Why "infinity real?"

Because all other infinities of human history, until now, has attempted to outline do not represent the "REALTA'ULTIMA.

"The actual infinite" which I outlined in my notes, is the most extreme frontier of the "cognitive" to which it is received, a rigorous and highly plausible, do not forget the impossibility of certainty.

My works are and try to be the aesthetic expression of this search and this port "forever real".And in them is the response from carp, going beyond the trivial to the casual verisimilitude abstract.

Then searches for a "code" aesthetic expression, which summarizes a 'reality' ULTIMA "but also" new human reality. "

Why a "new vision" that wants aestheticized, needs ahigher effort of research and implementation of concepts.

From a "INFINITE REAL", theorized, a pictorial context, made up of media, shapes and colors, which attempts to decode the inner meaning.

That is how and what is "INFINITE REAL?".

Obviously I hope someone sees, not only with their eyes, understand and help me realizeThis is only decode the contents revolutionary because it opens up in its pronouncements and future developments.