Inspired by the success of Star Wars, Universal began developing Buck Rogers for television, spearheaded by Glen A. Larson, who had a production deal with the studio. Production began in 1978. Initially, Larson and Universal had planned on making a series of Buck Rogers TV movies for NBC. The pilot for Larson's other science-fiction series, Battlestar Galactica (1978), had been released theatrically in some countries and in key locations in North America, and had done well at the box office. Universal then opted to release the first Buck Rogers TV movie theatrically on March 30, 1979. Good box-office returns led NBC to commission a weekly series, which began on September 20, 1979, with a slightly modified version of the theatrical release.[4]

The production recycled many of the props, effects shots, and costumes from Battlestar Galactica, which was still in production at the time the pilot for Buck Rogers was being filmed. For example, the "landram" vehicle was made for the Galactica series, and the control sticks used in the Terran starfighters in the pilot movie were the same as those used in Galactica's Viper craft. The Terran starfighters were also concept designer Ralph McQuarrie's original vision of the Colonial Vipers.

The new series centered on Captain William Anthony "Buck" Rogers, played by Gil Gerard, a NASA/USAF pilot who commands Ranger 3, a spacecraft that is launched in May 1987. Due to a life-support malfunction, Buck is accidentally frozen for 504 years before his spacecraft is discovered adrift in the year 2491. The combination of gases that froze his body coincidentally comes close to the formula commonly used in the 25th century for cryopreservation, and his rescuers are able to revive him. He learns that civilization on Earth was rebuilt following a devastating nuclear war that occurred on November 22, 1987, and is now under the protection of the Earth Defense Directorate.

The series followed him as he tried (not always successfully) to fit into 25th-century culture. As no traceable personal records of him remained, he was uniquely placed, due to his pilot and combat skills and personal ingenuity, to help Earth Defense foil assorted evil plots to conquer the planet. In many respects, this version of Buck Rogers was more similar to James Bond or Steve Austin than Nowlan's original character, and Buck would often go under cover on various covert missions. Buck is aided in his adventures by his friend and sometimes romantic interest, Colonel Wilma Deering (played by Erin Gray), a high-ranking officer and starfighter pilot. He is also assisted by Twiki, a small robot or "ambuquad", as they were known. Twiki was played mainly by Felix Silla and voiced mainly by Mel Blanc (who had previously voiced Daffy Duck as Duck Dodgers in spoofs of the early Buck Rogers and other science-fiction serials) using a gruff voice very similar to the one he used for Barnyard Dawg. Twiki became Buck's comic sidekick and communicated with an electronic noise that sounded like "biddi-biddi-biddi", but also spoke English (usually after saying "biddi-biddi-biddi-biddi" for several seconds.) Also aiding Buck was Dr. Theopolis or "Theo" (voiced by Eric Server), a sentient computer in the shape of a disk, about 9 inches wide with an illuminated face. He was capable of understanding Twiki's electronic language, and was often carried around by him. Theo was a member of Earth's "computer council" and one of the planet's scientific leaders. During the first season, Buck and Wilma took their orders from Dr. Elias Huer, played by Tim O'Connor, the head of the Defense Directorate. Some episodes suggested Huer was the leader of the entire planet, though this was never made completely clear.

The series' chief villain (at least in the first season) was Princess Ardala (played by Pamela Hensley), whose goal was to conquer the Earth while making Buck her consort. She was aided by her henchman Kane (played in the pilot film by Henry Silva and in the series by Michael Ansara). All of these characters were featured in the original comic strip, except for Dr. Theopolis and Twiki (whose closest counterpart in earlier versions would likely be Buck's human sidekick, Buddy Wade). Kane (or Killer Kane as he was then known) was also featured in the 1939 film serial and was actually the chief villain himself, rather than Ardala's henchman (Ardala did not appear in the film serial).

The pilot film depicted human civilization as fairly insular, with an invisible defense shield that surrounded the entire planet, protecting it from invaders. Civilization was restricted to a few cities; the main city seen in the pilot and weekly series was New Chicago, which was also known as the Inner City. Travel beyond the Inner City was hazardous, as much of the planet was said to be a radioactive wasteland inhabited by violent mutants (as Buck discovered when he visited the derelict remains of old Chicago).

The first made-for-TV movie was released theatrically in March 1979 as Buck Rogers in the 25th Century.[2] The film made $21 million at the North American box office, prompting Universal to move ahead with a weekly series later that year. The film, which was also released internationally, featured all of the main protagonist characters who would appear in the weekly series, including Princess Ardala of the planet Draconia, and her henchman, Kane.

The theatrical film also served as a pilot and two-part first episode for the series, entitled "Awakening". Several scenes were edited, some to remove the more adult dialogue in the film (including when Buck refers to Wilma as "ballsy", and later when he says "shit"), and a scene in which Buck kills Ardala's henchman, Tigerman, was edited to allow the character to return in later episodes[5] (the TV version of the pilot for Battlestar Galactica had similarly removed the death of a supporting character (Baltar) to allow the character to become a regular in the TV series[6]). Also, some new and extended scenes were added for the TV version, including several scenes within Buck's new apartment, which was the setting for a new final scene in which Dr. Huer and Wilma try to persuade Buck to join the Defense Directorate. This scene ends with Buck actually declining their offer, though he opts to join them in an unofficial capacity by the first episode of the series proper, "Planet of the Slave Girls".

Including the two-part pilot episode, the first season comprised 24 episodes, with four of the stories being two-parters. The tone of the series was lighter than the pilot movie, and showed a more positive picture of future Earth. The Inner City was now known as New Chicago, and it was established that human civilization had spread once again across the planet, and also to the stars. After the movie pilot, no reference to barren radioactive wastelands was made, and in several episodes, the world outside is shown as lush and green. The mutants seen in the pilot film were no longer seen, and Buck sometimes ventured outside New Chicago with no hazards encountered. As opposed to the isolationist planet seen in the film, Earth no longer has an invisible defense shield surrounding it and is shown to be the center of an interstellar human-dominated government, sometimes called "the Federation" of "the Alliance", with its capital at New Chicago. During the first season, references were also made to other "new" Earth cities such as New Detroit, New Manhattan, New Phoenix, New Tulsa, Boston Complex, and New London. A "City-on-the-Sea" was also seen, mentioned as being the former New Orleans.

Wilma Deering and Dr. Huer were the only Defense Directorate personnel seen in every episode, though several others were seen in individual episodes. Most Defense Directorate personnel regard Buck as being at least an 'honorary' captain, in reference to his 20th-century American military rank, but his membership in Earth's defense forces is unofficial. Nevertheless, Buck often flies with the fighter squadrons, and uses his 20th-century U.S. Air Force background to assist in their training. Dr. Huer regularly meets, greets, and otherwise deals with representatives of other sovereign powers. Huer was also seen in military uniform (at formal occasions), thus indicating he is or was a member of the military.

Travel between the stars was accomplished with the use of stargates: artificially created portals in space (similar in appearance to wormholes), but referred to as "warp" travel on at least one occasion by Wilma Deering. Stargates appear as a diamond-shaped quartet of brilliant lights in space that shimmered when a vessel was making transit. Some people find the transit through a stargate to be physically unpleasant (transit resembling a "spinning" of the spacecraft). Buck's dislike of them is shown in part one of the episode "Planet of the Slave Girls" and again in part two of the episode "The Plot to Kill a City".

To portray futuristic-looking buildings on Earth, the show used stock shots of the remaining national pavilions of Expo 67, particularly the French and British pavilions as well as shots of the Bonaventure Hotel in downtown Los Angeles.

Juanin Clay, who played Major Marla Landers in the first-season episode "Vegas in Space", was originally cast as Wilma for the TV series (Erin Gray had initially opted not to return after the pilot film, but she later changed her mind). A relationship between Buck and Wilma was hinted at, but rarely expanded upon, and in the first season, Buck was involved (to some degree) with a different woman almost every week. Producers demanded that Wilma have blonde hair and dye jobs were needed to lighten Erin Gray's brunette locks. During the final episodes of the first season, Gray was allowed to return to her natural hair color, and Wilma was dark-haired thereafter. Buck's best-known enemy during the first season was Princess Ardala, played by Pamela Hensley, whose desire was to conquer and possess both Earth and Buck himself. She appeared in four separate stories, including the pilot film, two single episodes ("Escape From Wedded Bliss" and "Ardala Returns"), and the two-part first-season finale ("Flight of the War Witch").

The opening title sequence for the series included stock footage from the Apollo 4 and Apollo 6 launches.

The series had an overall budget of $800,000 per hour of air time, according to Starlog issue #32 (March 1980).[7] Former actor Jock Gaynor served as producer for 20 episodes. Although reasonably popular with viewers, the first season failed to receive much critical acclaim. One vocal critic of the series was Gerard himself, who pushed for more serious storytelling and often clashed with the producers and the network (NBC) over the show's tone and handling. In the November 1980 issue of Starlog, even Gerard said he had hoped the series would not be picked up for a second season because he had no wish to go through another season like the first one.[8]

Production of the second season was delayed by several months due to an actors' strike. When production resumed in the fall of 1980, the series had a new set of producers (headed by John Mantley, who had primarily worked on television westerns) and the format of the series was changed. Instead of defending the Earth from external threats, Buck, Wilma and Twiki were now a part of a crew aboard an Earth spaceship called the Searcher. The Searcher, which displayed the Latinmotto "Per ardua ad astra" ("through adversity to the stars" or "through work to the stars") on its side, had a mission to seek out the lost "tribes" of humanity who had scattered in the five centuries since Earth's 20th-century nuclear war. (This is a theme present in Glen A. Larson's previous science-fiction television series, Battlestar Galactica.)

Another notable change in the second season was the disappearance of many of the regular characters of the first season, such as Dr. Huer, Dr. Theopolis, Princess Ardala, and Kane. However, several new characters were added:

Crichton (voiced by Jeff David), a snobbish robot, built by Goodfellow, but who finds it difficult to believe that lowly humans could have ever built him

The character of Wilma Deering was "softened" in the second season as the producers attempted to tone down the militaristic "Colonel Deering" image, who often gave Buck orders, and tried to make her more "feminine".[10] Another change in the second season was the sound of Twiki's voice. Mel Blanc left the series after the end of the first season and another actor, Bob Elyea, supplied Twiki's voice. Blanc returned for the final six episodes of the second season, though no explanation was given for the change in Twiki's voice.

The opening narrative was also modified for the second season, both in terms of the narrator's voice and content. In the first season, William Conrad delivered the following opening narrative:

"The year is 1987, and NASA launches the last of America's deep space probes. In a freak mishap, Ranger 3 and its pilot, Captain William "Buck" Rogers, are blown out of their trajectory into an orbit which freezes his life-support systems, and returns Buck Rogers to Earth, 500 years later."

In the second season, Hank Simms (best known for his announcing work on many of the programs produced by Quinn Martin Productions) delivered the following alternate narrative:

"In the year 1987, NASA launched the last of America's deep space probes. Aboard this compact starship, a lone astronaut, Captain William "Buck" Rogers, was to experience cosmic forces beyond all comprehension. In a freak mishap, his life-support systems were frozen by temperatures beyond imagination. Ranger 3 was blown out of its planned trajectory into an orbit one thousand times more vast, an orbit which was to return Buck Rogers to Earth, 500 years later."

These were abbreviated and altered versions of the narrative heard in the original pilot movie, delivered by Conrad:

"In the year 1987, at the John F. Kennedy Space Center, NASA launched the last of America's deep space probes. The payload, perched on the nosecone of the NASA rocket, was a one-man exploration vessel: Ranger 3. Aboard this compact starship, a lone astronaut, Captain William "Buck" Rogers, was to experience cosmic forces beyond all comprehension: an awesome brush with death. In the blink of an eye, his life-support systems were frozen by temperatures beyond imagination. Ranger 3 was blown out of its planned trajectory into an orbit a thousand times more vast, an orbit which was to return the ship full circle to its point of origin, its mother Earth, not in five months...but in 500 years."

"For 500 years, Buck Rogers drifted through a world in which reality and fantasy merged into a timeless dream."

The introduction narrative from the pilot episode ("Awakening") was also different:

"For 500 years, Captain William "Buck" Rogers has been miraculously preserved, frozen by temperatures beyond imagination. Now, in Earth year 2491, he is rudely awakened by the sinister forces of the Draconian realm."

The substance of the storylines also changed in the second season. Less emphasis was placed on militaristic ideals and, with a few exceptions, Gerard scaled back the humor in the second season in favor of more serious episodes. Buck's and Wilma's relationship became slightly more romantic during the second year, though most romantic activity was implied and took place off-screen.

As well as its parallels to Larson's previous television series Battlestar Galactica, the second season is similar in theme to Star Trek, with the Searcher roaming through space much like the USS Enterprise had, Buck being the maverick explorer true to the style of Captain James T. Kirk, and the serious, rather stoic Hawk being a revamped version of Mr. Spock. Even Wilma had, to some extent, been remodeled after Lt. Uhura from Star Trek, often dressed in a mini-skirt uniform and regularly sat at a communications console on the bridge of the Searcher.

Ratings dropped significantly after the season premiere. NBC canceled the series at the end of an 11-episode strike-abbreviated season. No finale storyline was produced, with the final episode broadcast being a normal standalone episode.

The series was shown in the UK by ITV, beginning in late August 1980, with the feature-length two-part episode "Planet of the Slave Girls" (the pilot film, which had been released theatrically in Britain in summer 1979, was not actually shown on British television until 1982). ITV broadcast Buck Rogers in an early Saturday evening slot, where it competed against, and beat, the BBC's long-running science fiction series Doctor Who, which started its 18th season on the same day.[citation needed] As a similar effect had occurred a few years earlier when several ITV stations screened Man from Atlantis against Doctor Who; this prompted the BBC to move Doctor Who to a new weekday slot for its next season in 1982, though Buck Rogers had been cancelled in the US by then. The BBC would repeat the Buck Rogers series on BBC Two in 1989 and again in 1995-96.

The series also aired in Canada on CTV, on the same day and time as the NBC airings.

Contemporary assessments of Buck Rogers in the 25th Century were generally mixed. In his book Sci-Fi TV from Twilight Zone to Deep Space Nine, writer James van Hise claimed the show's scripts "just never took advantage of what they had at hand" and criticized Larson's version of Buck Rogers as a cynical attempt to exploit one of the most loved characters in American popular culture.[11] John Javna's book The Best of Science Fiction TV included Buck Rogers in the 25th Century on its list of the "Worst Science Fiction Shows of All Time" (along with The Starlost, Space: 1999 and Manimal).[12] Journalist Bill Lengeman also strongly criticized the program, stating "the acting is so wooden that Ed Wood himself (no pun intended) would surely have gone weak in the knees and wept openly upon witnessing it". Lengemen also called the Buck Rogers episode "Space Rockers" the worst episode of TV science fiction he had ever seen.[13] On a more positive note, writing in the UK's Observer newspaper in October 1980 (shortly after the series began showing there), journalist Clive James stated "the best comic-strip science fiction on at the moment is Buck Rogers in the 25th Century. The hardware looks good and Wilma Deering looks simply sensational, like Wonder Woman with brains."[14]

Gold Key Comics published fourteen issues of a Buck Rogers in the 25th Centurycomic book based upon the show. The comic book started with issue number two, picking up the numbering from an issue published in 1964 in the style of the old comic strips. Starting with issue five, new adventures were created in the series continuity. The first three issues (two - four) were reprinted in a "Giant Movie Edition" which was distributed by Marvel Comics. Artists on the series included Al McWilliams, Frank Bolle and José Delbo. Ironically, the comic outlived the series by several months. Issue number ten was never published and this comic book series was cancelled after issue number sixteen. The comic book remained within the continuity of Season 1 and did not feature any characters from Season 2.

A strip based on the television series also ran in two publications in the UK: Look-In with 64 weekly installments covering 10 separate adventures between autumn 1980 and early 1982, and TV Tops, which picked up the rights from 1982 for two shorter runs. Both were based on the format of the first year of the series.

Two sets of action figures were produced by Mego, including a 12" line and a series of 3.75" figures and scaled spaceships.[15] Milton-Bradley produced a Buck Rogers board game and a series of jigsaw puzzles. Other companies produced a variety of tie-ins, including model kits of the spaceships from Monogram, die-cast toys from Corgi, Topps trading cards, and a painted metal lunch box.[16]

In 2011, Zica Toys began production of a new line of action figures based on the TV series. These 8" action figures are loosely based on Mego designs, but as noted above, Mego did not produce an 8" line of Buck Rogers figures, so Zica's line is actually the first line of 8", cloth-costumed action figures based on the TV series. Characters planned include Buck Rogers, Hawk, Killer Kane, Tigerman, and Draconian Warriors.

The popularity of the TV series led to the revival of the Buck Rogers newspaper strip, daily and Sunday, drawn by Gray Morrow and written by Jim Lawrence. The strip ran from September 9, 1979 to October 26, 1980, and was reprinted in its entirety, with the Sundays in color, in a large trade paperback.

Though the theatrical version of the pilot film was released on home video in the 1980s, the series was not released on home video until the late 1990s. In the U.S., each episode was released individually on a VHS cassette. In other countries, such as the UK, two episodes were released on a single cassette.

Universal Studios Home Entertainment released the complete series on DVD in North America (Region 1) on November 16, 2004. While it does contain every episode (from both seasons), the pilot episode included is the theatrical version and not the TV version. The set contains five double-sided discs.[17][18]

The series was released on DVD in Europe (Region 2), though each season was released separately as opposed to in one set like the Region 1 release. Season 1 was released on November 22, 2004 and season 2 on October 31, 2005, neither of which had the same cover artwork or menu screens as the Region 1 release. Notable differences are the addition of subtitles for various European languages.

On January 24, 2012, Universal Studios re-released Season One by itself in North America, as a six disc set. The discs were single-sided for this release, in contrast to the double-sided discs released in 2004. Season Two was re-released with single-sided discs on January 8, 2013. As a bonus feature, the second season set includes the television version of the original pilot film, "Awakening", the first time this version has been released on DVD.[19]

On August 17, 2016, Madman Entertainment (a company that produces titles for release in Australia and New Zealand) released the series on Blu-ray Disc in 1080p. The eight-disc set includes each episode in HD. Extras include: theatrical version of the Pilot episode and feature-length version of "Flight Of The War Witch" (both in standard definition), the syndicated two-part version of "Journey to Oasis" (in HD), textless opening and closing credits sequences, opening credits without voice-over narration, and isolated music & effects audio tracks on each episode.[20]

^Leyland, Andrew (October 14, 2014). "Revisiting Buck Rogers in the 25th Century". Den of Geek. Dennis Publishing. Retrieved December 2, 2016. 1) "The fight between Buck and the mutants is longer in the theatrical version and a little more violent, and a line of dialogue in which Buck describes Wilma as “ballsy” was omitted from the TV Version." 2) "The theatrical version differs again here from the TV version with Buck saying “shit” at one point during the fight and then clearly taking Tiger Man out with a well-placed kick to the Johnson and then, rather brutally, blowing him to pieces. Needless to say, these moments were trimmed for TV."

^McDonnell, David (March 10, 2015). "John Colicos: Full Expression". Star Trek.com. CBS Studios. Retrieved December 2, 2016. "Colicos' performance was so engaging that Galactica creator Glen Larson reshot an execution scene (in the pilot's original cut and a theatrical release edition, Baltar had been beheaded). Instead, the futuristic quisling lived on to indulge in further deviltry (as Colicos did in the subsequent TV series)