Well look who came to bestow some happy Chanukah tidings? The Figgs were kind enough to bequeath us with a steady flow of singles and such during their tenure in the Clinton-era, and I was kind enough to hem together as many of the disparate and sometime random non-LP Figgs jams that I was fortunate to collect over the years. In fact, this entry has been in the pipeline for awhile now. I had been procrastinating out of sheer fear that assembling this collection would be a bear of an undertaking, but I finally nailed it, save for a couple of tracks from tribute albums, and the elusive “I Am Clean” from a Blue Lunch Records comp cassette that I’m sadly missing.

As the long held notion goes, Beatles b-sides were usually superior to most other band’s A-grade material. So far as I’m concerned, The Figgs were another “fab four” (later pared down to three, but I digress) whose non-LP catalog could go head to head with their strongest album tracks. Case in point, a spate of four exquisite singles that came down the pike between 1993-95, beginning with “Miss Velvet” and ending with my favorite Christmas record ever, the Christmas Shakeep which I originally posted here in 2007. Still performing and recording, the Figgs sassy and charm-schooled power pop formula is microbrewed by two key singer-songwriters Pete Donnelly and Mike Gent, with drummer Pete Hayes contributing text on a less frequent basis, in proportion to say, Ringo Starr. The net result isn’t Beatle-esque, so much as Material Issue getting juiced up on Elvis Costllo’s genius, late ’70s tear. Edgy, indigenous and endearing The Figgs halcyon era in the mid-90s was a sight/sound to behold, and proper full lengths, Banda Macho and Lo-Fi at Society High, were merely half the story.

Since I don’t have the time to provide you with a track-by-track spiel, let me cherry pick a few highlights. The Figgs first single, “Happy” was backed with a cover of the Green Pajamas winsome “My Mad Kitty.” Other single sides from the same era “Let’s Get Arrested” and “One Hit Wonder” were big audience favorites, and rightfully so. You can read more about the Christmas record in the link I supplied below.“What Became of It” was initially released as the b-side to the Banda Macho era “Girl, Kill Your Boyfriend” single, not on 7″ wax, but would you believe a 5″ compact disk sized record. If you ever gone to the trouble of playing a 5″ piece of vinyl on a record player you know how dicey it is to get the needle to drop without the arm automatically retracting to it’s resting position, but anyway. There’s more covers too. The Figgs’s spin on “Father Christmas” is even more breathless and strident than the Kinks, while Chuck Berry’s “Don’t You Lie to Me” is virtually reconfigured into a lounge number. Yet another Kink’s tune, “Johnny Thunder” is capably executed, as is an Undertones oldie. There are some really obscure compilation tracks here too. Immediately after the tracklist is a source listing for everything, MP3 bitrates may vary slightly from song to song.