April 17, 2019, 11:00 am
Colorfront, which makes on-set dailies and transcoding systems, has rolled out new 8K HDR capabilities and updates across its product lines. The company has also deepened its technology partnership with AJA and entered into a new collaboration with Pomfort to bring more efficient color and HDR management on-set.
Colorfront Transkoder is a post workflow tool for handling UHD, Continue reading →
April 17, 2019
The post Colorfront at NAB showing 8K HDR, product updates appeared first on Ra...

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September 5, 2019, 12:38 pm
Initially interested in working in a music studio, once this sound pro got a taste of audio post, there was no turning back.
NAME: Torin Geller
COMPANY: NYC’s One Thousand Birds (OTB)
CAN YOU DESCRIBE YOUR COMPANY?
OTB is a bi-coastal audio post house specializing in sound design and mixing for commercials, Continue reading →
September 5, 2019
The post Behind the Title: One Thousand Birds sound designer Torin Geller appeared first on postPerspective.

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September 5, 2019, 9:04 am
In another new addition to the Nvidia RTX Studio of laptops, the Nvidia Quadro RTX 6000 GPU will power the Asus ProArt StudioBook One, making it the first laptop to offer the Nvidia Quadro RTX 6000 in a mobile solution so creatives can run complex workloads regardless of location.
The Quadro RTX 6000 within the ProArt StudioBook One provides creatives a similar high-end experience as a deskside workstation. Continue reading →
September 5, 2019
The post Nvidia and Asus offer first laptop...

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September 4, 2019, 2:26 pm
At IBC, SGO will be showing enhancements and upgrades of its subscription-based finishing solution, Mistika Boutique. SGO will be demo-ing color management solutions as well as HDR content delivery workflows with recently integrated Dolby Vision support.
This pro color grading toolset combined with the finishing functionality of Mistika Boutique will be showcased running on a Mac Pro workstation with Tangent Arc control panels and output to Canon 4K HDR reference display through Blackmagi...

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August 29, 2019, 12:12 pm
By Amy Leland
Once Upon a Time… in Hollywood is marketed in a style similar to its predecessors — “the ninth film from Quentin Tarantino.” It is also the third film with Fred Raskin as Tarantino’s editor. Having previously edited Django Unchained and The Hateful Eight, Continue reading →
August 29, 2019
The post Fred Raskin talks editing and Once Upon a Time… in Hollywood appeared first on postPerspective.

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August 28, 2019, 1:23 pm
HBO’s Divorce, which stars Sarah Jessica Parker and Thomas Haden Church, focuses on a long-married couple who just can’t do it anymore. It follows them from divorce through their efforts to move on with their lives, and what that looks like. The show deftly tackles a very difficult subject with a heavy dose of humor mixed in with the pain and angst. Continue reading →
August 28, 2019
The post The sounds of HBO’s Divorce: Keeping it real appeared first on postPerspective.

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August 27, 2019, 1:23 pm
By Mike McCarthy
“This year, I oversaw the editing process for a large international film production. This involved setting up a collaborative editing facility in the US, at Vasquez Saloon, with a large amount of high-speed storage for the source footage. While there was “only” 6.5TB of offline DNxHR files, they shot around 150TB of Red footage that we needed to have available for onsite VFX, Continue reading →
August 27, 2019
The post Building a massive editing storage setup on a...

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August 23, 2019, 6:59 am
By Jennifer Walden
HBO wrapped up its seventh and final season of Veep back in May, so sadly, we had to say goodbye to Julia Louis-Dreyfus’ morally flexible and potty-mouthed Selina Meyer. And while Selina’s political career was a bit rocky at times, the series was rock-solid — as evidenced by its 17 Emmy wins and 68 nominations over show’s seven-year run. Continue reading →
August 22, 2019
The post ADR, loop groups, ad-libs: Veep‘s Emmy-nominated audio team appeared first on ...

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August 21, 2019, 4:31 am
Technicolor has Patrick Smith to head its visualization department partnering with filmmakers to help them realize their vision in a digital environment before they hit the set. By helping clients define lensing, set dimensions, asset placement, and even precise on-set camera moves, Smith and his team will play a vital role in helping clients plan their shoots in the virtual environment in ways that feel completely natural and intuitive to them. Continue reading →
August 20, 2019
The pos...