As a change of pace, been watching some classic horror comedies (I totally heart you The Ghost and Mr. Chicken/1966). But the best horror comedy you’ll ever see is coming from the White House. That thing should be a g’damn film studio.

Here’s some upcoming horror films that won’t make you laugh…

CAUGHT (2017)
“While on an afternoon walk with their children, two small town reporters notice the military camped on a hilltop. Debating the possible significance of this activity, they answer their door when two unusual strangers come knocking and find themselves held hostage in their own home.”

Don’t let the bland and uninspired press release put you off; this is an alien home invasion movie. So what could extraterrestrials possibly want from our shelves, cupboards and nightstand drawers? Given their galaxy-known probing procedures, they’re probably look for lube. The director is describing this movie as “alien art house.” Sounds cool, but I have no idea what that means.

LEMON TREE PASSAGE (Available now Australia/Russia/2017 U.S.)
“A group of young backpackers in Australia discover that a legendary local ghost tale turns out to be true.”

The trailer looks pretty cool, introducing a bunch of young people to a much shorter lifespan in creative ways. The legend goes that if a car load of disposables travel down Lemon Tree Passage (in the States we call that a “road”) a light follows them. My advice to annoying young people — you can find Lemon Tree Passage on Google Maps™. Go there. Today, if possible. Unfortunately, this movie will be re-titled to the supremely generic/boring Death Passage for its US release.

IT STAINS THE SANDS RED (2017)
“Following a zombie apocalypse, Molly finds herself lost in the Las Vegas desert with one of the rabid living dead hot on her trail. Although at first she finds it hard to give him the slip, the situation gets even more complicated when the girl realizes that, unlike her pursuer has no physical need to stop and rest.”

Sorry about the art — was unable to find official stuff after 30 seconds of frantic clicking around the web. Interesting premise — a zombie pursing a chick in the desert like he was Jaws: The Revenge (1987), wherein the shark follows Chief Brody’s widow halfway around the world, just to have a nosh with her.

THE SOUND (2017)
“Kelly is a writer and a skeptic of the supernatural. As a specialist in acoustic physics she uses low frequency tactile sound-waves to debunk reported paranormal activities for her online blog. When presented a new case of a supposedly haunted subway station Kelly sets off to uncover the truth behind the hoax that involves a 40-year-old unexplained suicide. Her investigation takes her deep into the abandoned station where her skepticism is tested. As Kelly ascends into the depths of the metro’s darkness she is confronted by an unforeseen evil. In the vastness, she must face her own haunted memories to find the truth and surface back into the light.”

How can you be a skeptic of the supernatural with all those ghosts goonin’ out everyone who dares venture into a haunted subway station/7-Eleven™? And while we’re on the subject, why is it ghosts are always of the “unforeseen evil” variety? Are there no more nice ghosts left? (I don’t count Casper the Friendly Ghost as he’s more emo than friendly. Nothin’ worse than a whiny poltergeist.)

THE HOUSE THAT JACK BUILT (2018)
“Over a span of 12 years, the highly intelligent Jack introduces the murders that define his development as a serial killer. We experience the story from Jack’s point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork.”

Gotta love an artist who commits to his craft. Wonder what he uses as his medium? Acrylics? Water colors? Pottery clay? Needle point? The “As Seen On TV” Aero Knife™, the one where nothing sticks to it? (At $19.95, that’s a kick ass bargain. Gotta get me one and see if it makes peanut butter fall to the wayside.)