This article is a quick primer on how to work with Red's proprietary file format, called Redcode RAW. We'll look at:
What it is,
How it is structured, and
How it can be used by your favorite ... Read more →

In Part One we looked at how to process R3D files in Redcine-X Pro to Avid Media Composer. In this part of the Avid-Red workflow, we'll look at how to round-trip from Avid to Redcine-X Pro, and also how to ... Read more →

Avid Media Composer is a 1080p program that can work with higher-resolution files under certain constraints.
Red cameras shoot 4K and above (though you can shoot low-rez footage too), and the typical ... Read more →

In Part One, we looked at how to set up a hard drive and folder system for Adobe Premiere Pro. We also looked at the two fundamental ways in which to import clips into the NLE.
In Part Two we looked at how ... Read more →