The so-called Zulu War came at the moment of greatest British imperial presence in South Africa. Though understood differently today, in 1879 - the year of the event depicted in de Neuville's famous canvas - the violent exchange was seen in terms of Britain's rightful defence of its own colonial prestige. Rorke's Drift was a small outpost on the banks of the Buffalo River in Natal Province. A large Zulu force, having slaughtered around 900 troops and native levies at nearby Isandlhwana, set upon the eighty soldiers of the Warwickshire Regiment stationed at Rorke's Drift. The defenders managed to hold off their attackers, usually characterised as an undisciplined horde, in a bloody hand-to-hand battle of Boys' Own proportions. The subsequent awarding of eleven Victoria Crosses confirmed the heroic dimension of the skirmish, though it hardly explains the interest of a Parisian Salon painter in this quintessentially English subject. De Neuville based his pre-cinematic version of events on military reports and survivors' accounts.