It will continue to embarrass for as long as production is allowed to churn arid cornpop. They can't orchestrate a thrilling action sequence, the costumes don't befit a hero and it certainly doesn't flatter the artists (everyone clunks around) and the villain seems extracted from an outdated RPG. Cavill wakes up to serve us what's left of the Superman character and Amy Adams and Diane Lane are the only Amazons. Most of the artists left their joy elsewhere.

The lengths a man will go to provide for his family. The actors are emotionally fit, the action roars and the suspense is panic-induced but the saves are miraculous. You can't generate a strike without balls. 01-May-2018

There are moments where saccharin and fraternity are cast aside to serve impish amusement, like Aniston snapping to a bratter to go fuck herself, but it's mostly underwritten sitcom blather incapable of boosting their TV Q. 23-Dec-2017

As soon as Travolta opens his mouth to spit fey Shakespearean New York, the attention-span for the story disappears. While you wait for Travolta to stop putting us on you start noticing that the character's rubber hands bend and lay inappropriately, the Eiffel Tower boots adds clunk and slump to their walk and that their pouches swell at attention. I left before any of it made it to my bloodstream. 21-Dec-2017

The writers fudge a story whose heft relied on outlaws braving to protect a Mexican village that couldn't help themselves from marauders. The victims are mostly white christians which wafts of self-service. Though the cast is inclusive we are not privy to anything more from them than a diversity stamp.

The director lends no distinction or heroism to the action, has no sense of panoramic beauty and no credibility in the western genre. If you let the music tell half the story, your task remains incomplete. 20-Dec-2017

The fondness evaporates like the wave it rolled in. The males are directed to reach a pitch that only dogs can hear while sexism and adolescence occupy the vigor in their stance.

The beauty and a drip of magic are found underwater esp. when Darryl Hannah sadly conveys the predicaments of being special and the awkwardness in trying to be a woman.

Allen Bauer's (Tom Hanks) betrayal at discovery of Madison's (Darry Hannah) etherealness is absurd and painful. Why would a man condemn a love interest he's been fantasizing about since childhood? 20-Nov-2017

The silliness high count makes the film hard to snort. The characters suffer from inappropriate and volatile lunacy. The main gay character is a pig and the women are too easily bartered and no one surpasses Three Stooges definition.

The eye is fed as the screen is barraged with bursts of color, fanciful effects and uninhibited stamina. I fantasized how much beauty Hollywood omits in the cinematic world fantastic by somber representation. 18-Oct-2017