The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

Archived Products

As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

DVDs & Books

Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

Looking for inspiration for your photography? Look no further than Learn & Explore, the area on the Nikonusa website that is packed full of educational articles, how-to tutorials and inspirational pieces on all sorts of photography topics.

Carry your camera manual, especially if your camera is new. When traveling you'll probably have a chance to try some new shots. It can also be the time you’re likely to forget the function of a particular button. Or you may just want to explore all the cool things today’s cameras offer.

Experiment with the white balance settings outside. White balance on your camera will alter the color temperature and appearance you get in your picture. For instance, a CLOUDY setting will give your pictures a warmer cast. The FLUORESCENT setting will make your photographs cooler, skewing to a purple cast.

When traveling abroad, check the power setting and type of plugs. Most modern chargers do both 110 volts (USA) and 220 volts (most of the rest of the world). Check yours, and then pick the right adapter for the plug. Be careful to not use a 110-volt power strip in higher-voltage countries.

Turn on the lights when shooting inside the house. Lamps and overhead lights will brighten any picture indoors. The light will add depth to the picture and often warm up the color. Most importantly, it will brighten up the background.

Be creative with your posing. Don't just line everybody up. Use the steps or the arm of a couch to experiment with some people standing and others sitting. Have kids sitting in laps or someone sitting on the floor or kneeling. Mix it up.

Get yourself in the picture. Nothing is worse than a vacation with no shots of the family photographer. Get in the picture by using a tripod (or a steady surface such as a wall or a car hood) and the camera’s self-timer to make sure you're included in the family memories.

Jump for fun. Have your kids line up for a picture. As the photographer, get low, and get ready to shoot. Have the kids all jump in the air at the same time. Capturing them mid jump can bring out their true personalities.

When photographing a lot of people at a party, use your camera’s Smart Portrait System to help you get better pictures. The blink mode lets you know if your subjects blinked, and the smile timer can snap the photo when the camera sees that your subjects are smiling.

Try turning off your flash at night to get what your eye really sees. If it's at all dark or dim, the camera will try to fire the flash. Find the flash off icon (usually a lightning bolt with a line through it) and select it. Make sure to hold steady, or use a tripod, because the shutter speed may be slow.

Use the pet scene mode when photographing cats and dogs. If your camera doesn’t have a pet mode, disable the audible beeps and focus assist lamps while photographing them so the lights and sounds aren’t a distraction.

Go shooting with a friend. Not only will you add another pair of eyes to find interesting subjects, but you’ll also feed off of each other’s ideas and energy. Try to organize regular shoots in the park. Share lenses or tips on making that unforgettable photo.

Use fill flash to add a little sparkle to your subject’s eyes when shooting portraits outdoors, during the day. Even in bright sunlight, fill flash can even out the lighting for a more pleasing photograph.

Compose photos using the “rule of thirds.” Think of the frame as being broken into nine rectangles (like a tic-tac-toe grid over the picture). Place your subject at one of the intersections of the lines for a more visually stimulating photo.

When shooting an image that has a subject looking off to one side, compose your photograph so there is more space where the subject is looking. This will give your photograph more of a natural feeling.

When shooting landscapes at dusk or nighttime, use a tripod and cable release or self-timer so you can slow down the shutter speed to let in more light. This is the technique used when you see pictures of car lights as lines, not pinpoints.

One of the rules of composition says that horizon lines should not be placed in the center of an image, but closer to the top or bottom of the frame. Sometimes rules are meant to be broken. When you’re photographing a subject and its reflection, its perfectly fine to place the horizon in the center of the frame.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Nikon's most powerful all-in-one zoom lens ever.

If you want a single lens that can cover every imaginable shooting situation, from wide-angle groups to ultra-high-power zoom shots, look no further than the new AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR. Boasting the longest reach of any NIKKOR all-in-one zoom lens, it delivers the equivalent of 450mm—enough reach to bring the most distant action up close. Nikon's second generation VR II technology ensures every photo and HD video is razor-sharp, and Nikon's advancements in lens design deliver consistent, exceptional performance in any setting. It's also great for close-up shooting. Even more amazing, the AF-S NIKKOR 18-300mm f/3.5-5.6G ED VR does all this in a surprisingly compact, lightweight lens.

No subject is too far or too close

450mm (equivalent) of super-telephoto reach

Building on the success of the AF-S DX NIKKOR 18–200mm f/3.5-5.6G VR, Nikon proudly introduces the AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR for those who want even more reach in an all-in-one lens. Its astounding 16.7x zoom range goes from a wide 27mm equivalent, great for group shots, vast landscapes and more, all the way to a super-telephoto 450mm equivalent, enough reach for wildlife photography and more. The lens can focus as close as 1.48-ft. from your subject at 300mm. This ultra-high-power zoom capability means no subject or composition will ever be out of reach again.

A lifetime of brilliant performances

Nikon innovations for stunning images

Nikon's innovations in optical design and lens technology have given way to a remarkable new class of NIKKOR lenses. The AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR is among them. From its Silent Wave Motor (SWM) for ultra-fast, ultra-quiet autofocusing to its Aspherical (AS) lens elements and Extra-low Dispersion (ED) glass elements for maximum contrast and minimum lens flare and ghosting—you can expect a lifetime of consistent brilliant performance from the AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR.

Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.

AS

AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.

Super Integrated Coating

Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses.

ED (Extra-Low Dispersion) Glass

An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.

IF Lens

A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.

Based on CIPA Standard. This value is achieved when: DX-format lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

At a Glance

Focal Length Range

18-300mm

Maximum Aperture

f/3.5

Format

DX

VR (Vibration Reduction) Image Stabilization

Yes

AF-S (Silent Wave Motor)

Yes

Approx. Dimensions (Diameter x Length)

3.3 in. (83 mm) x 4.7 in. (120 mm)

Approx. Weight

29.3 oz. (830 g)

Mount Type

Nikon F-Bayonet

Focal Length Range

18-300mm

Zoom Ratio

16.7x

Maximum Aperture

f/3.5

Minimum Aperture

f/22-32

Format

DX

Maximum Angle of View (DX-format)

76°

Minimum Angle of View (DX-format)

5°20'

Maximum Reproduction Ratio

0.32x

Lens Elements

19

Lens Groups

14

Optical Conversion Factor

1.5x

Compatible Format(s)

DX

VR (Vibration Reduction) Image Stabilization

Yes

Diaphragm Blades

9

Distance Information

Yes

ED Glass Elements

3

Aspherical Elements

3

Super Integrated Coating

Yes

Autofocus

Yes

AF-S (Silent Wave Motor)

Yes

Internal Focusing

Yes

Minimum Focus Distance

1.48 ft. (0.45m)Only at 300mm zoom setting

Focus Mode

AF, Manual

G-type

Yes

Filter Size

77mm

Accepts Filter Type

Screw-on

Approx. Dimensions (Diameter x Length)

3.3 in. (83 mm) x 4.7 in. (120 mm)

Approx. Weight

29.3 oz. (830 g)

Loading Ratings & Reviews

AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR
4.8
5
34
34

Great replacement for the 18-200
I have shot the 18-200 on my D7000 for the last three years, and even though the reviews have been somewhat neutral due to the size and weight of the 18-300, I purchased one. This lens is a tremendous improvement over the 18-200, especially the resolution at the 300 end of the range. I'm very impressed with the image quality, extremely low distortion, and color rendition. I love having a single lens (replacing my 18-200 and 55-300) with this one. I still am keeping my 10-24 superwide zoom, but I think the new 18-300 will be on my D7000 90% of the time. Great work Nikon!
December 24, 2014

Great All Around Travel Lens
During a recent two week trip to Italy's Tuscany and Umbria, I seldom removed this lens from my Nikon D7000 camera body. This lens is amazingly sharp and offers brilliant color and contrast. Below is a photo of the Florence skyline taken with a shutter speed of 1/200 of a second, an aperture of f/7.1, a focal length of 28mm, an ISO of 100, Auto White Balance, and Matrix Metering.
November 15, 2014

The One Lens to Rule them All!!!
Instead of going on some Get Away 25th wedding anniversary trip, my amazing husband bought this lens for me.
I LOVE IT. I'm able to do everything without switching out lens. I haven't missed a single shot opportunity. It's a keeper! My husband too!
July 12, 2014

Excellent Lens
I really like this lens. I have a D5100 and had been using a Nikon 18-70 and a Nikon 55-300 as my lenses, which I was constantly changing, and in the process losing shots. I bought this about six months ago, and have used it in a variety of situations, including photographing receptions, photographing art show entries, taking pictures in nature, and some really close-up shots where I used it like a macro. It does an excellent job on all of these. It is heavy, but it is a wonderful all-purpose lens that gives the user many options of focal length to capture a wide range of photos.
October 27, 2013

You'll love it!
I recently purchased the 18-300 to put on my D5200. I have been amazed. I really love pet portriat & pet action, nature and sunrise/sunset photography. This all-in-one has not let me down. I would switch lenses frequently, and worried about dust getting in the camera. Now, I never have to remove the lens from the camera and I'm always ready for any shot, whether it be a close-up of an flower or a wide angle sunset. It does have a little weight to it, so it won't spend much time just hanging on the strap, you'll want to hold it. It's well worth it... Another thing that I love is the ability to override the autofocus. When the shutter release is pressed half-way and the camera focuses, you can override it and focus manually simply by rotating the focus ring. No switching back & forth from auto to manual. If you can find one in stock, BUY IT! :-) I love the versatility and image quality. THANKS NIKON!
March 23, 2013

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I just purchased the D3200 and bought the big 18-300mm nikkor lens, I know it is compatible, but I am getting shadows cast on my photos. Why is this happening and how can I keep this from happening? or do I need a different camera body? So frustrated, please help!

1 year, 11 months ago

by

Mis

DC

Location :

DC

Age: 35-44

Favorite Subject: Travel

Nikon Family: 6-10 years

Experience: Less than a month

Role: Serious passion, hobbyist

1 answer

Answers

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If your using he cameras built in flash you will get shadows as the lens barrel protrudes too far. Get a hotshoe mounted speedlights such as the SB700 and he shadows will go away. If it is shadows in the corners without flash this is common in super zooms and can be corrected post processing.

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I have two questions and I would very much appreciate it if you could give me an answer. First, although I just bought this lens, so it's brand new, it feels loose on the camera mount. I sense a little movement there.Secondly, how can I mount my camera (D5100) with this heavy lens on on a tripod?

Thank you in advance for your assistance.

1 year, 10 months ago

by

Jay

Washington, DC, USA

Location :

Washington, DC, USA

Age: 25-34

Favorite Subject: Landscape

Nikon Family: 2-5 years

Experience: Less than a month

Role: Serious passion, hobbyist

1 answer

Answers

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1out of1found this answer helpful.

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When the 18-300mm lens is attached to the D5100 (Align the white dot at the bottom of the lens with the white dot below the fn button on the camera, push in and turn to the left till it clicks into place), you should feel no movement or looseness. Please carefully inspect the camera mount, and the bottom of the lens to make sure nothing is broken on it.

The lens does not have a tripod socket or collar, so the tripod has to be screw into the socket at the bottom of the camera.

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My concern is at 18mm I do not want the filter to infringe on the image. Thank you.

1 year, 9 months ago

by

JRT

New York

Location :

New York

Age: 55-65

Favorite Subject: Nature

Nikon Family: 21+ years

Experience: 6-12 months

Role: Serious passion, hobbyist

1 answer

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Yes, the AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR including all current line up of Nikkor lens are compatible with D1X. To find out which NIKKOR Lens Type is right for your D-SLR, please see the link below.http://www.nikonusa.com/en/Learn-An...

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I just purchased the new Nikkor 18-300m AF S lens. I started using for night club events. Would not focus in M/A, had to switch to Manual after many disappointing takes. It's hard to focus in manual at night and low light. Anybody else with this problem?

1 year, 7 months ago

by

Msada

Nikon Family: 0-1 years

Experience: Less than a month

1 answer

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Yes this is nothing new in photography. It can happen to anyone no matter the camera or lens. The camera needs something of contrast to be able to lock focus on. If the camera is unable to autofocus in low light you are suppose to turn on the AF-Assist. Some people may not like the AF-Assist light. If there's not enough light, and people do not what you point the AF-Assist ligh at them, you will have no choice but to focus manually. Hyper focus distance, depth of field calculator etc. There a lot of information out there that you can use to sharpen your manual photography skills.

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I currently own a D3000 Eventually I will upgrade it to the next level which i believe is D7100. Can I use this lens for both?

1 year, 3 months ago

by

Rizoto

washington, DC

Location :

washington, DC

Age: 25-34

Favorite Subject: Landscape

Nikon Family: 2-5 years

Role: Serious passion, hobbyist

1 answer

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Example: NikonPro. For privacy reasons, do not use your full name or email address.

Dallas, TX, USA

Location :

Dallas, TX, USA

Age: 35-44

Favorite Subject: Travel

Nikon Family: 0-1 years

Experience: Less than a month

Role: Just getting started with photography

1 answer

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Is it wrong to carry it around by the lens? Can the bayonet mount get damaged doing this? What is the best way of carrying this D3100 with the 18-300mm lens attached?

10 months ago

by

DAN

Iowa

Location :

Iowa

Age: 55-65

Favorite Subject: Landscape

Nikon Family: 6-10 years

Experience: 3-6 months

Role: Occasional user, memory keeper

1 answer

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At 830 grams the 18-300 is not a particularly heavy lens and you can carry it by the lens or the camera body. What ever is comfortable and as a safety feature wrap the strap around your wrist if you are not carrying it with the strap around your neck.

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The AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR will fully function with the D800E. However keep in mind that the D800E has an FX sensor and the lens is a DX format. This may cause cropping if the camera is not adjusted to Auto DX Crop (which can be found in the image area setting of the camera). Auto DX Crop will have the camera adjust to the DX crop when a DX lens is attached.

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I am considering which one of these lenses to purchase. I have reviewed the comparisons and have not been able to tell which would be a better lens for me. I am not a professional, but I want the best qualify photos possible. I have a D7000 and currently use the 18-200 lens. I shoot mainly wildlife, birds, horses in motion and nature. I see some disadvantages to this lens, being heavier and costing more than the newer one, but does it give a better result? Is the focusing, depth and sharpness of this lens superior to the newer, smaller, lighter 18-300 lens?

9 months ago

by

Horselover

Long Beach, CA, USA

Location :

Long Beach, CA, USA

Age: 45-54

Favorite Subject: Nature

Nikon Family: 2-5 years

Role: Serious passion, hobbyist

1 answer

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The AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR for those who want even more reach in an all-in-one lens. Its astounding 16.7x zoom range goes from a wide 27mm equivalent, great for group shots, vast landscapes and more, all the way to a super-telephoto 450mm equivalent, enough reach for wildlife photography and more. The lens can focus as close as 1.48-ft. from your subject at 300mm. Fortunately, the AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR features Nikon VR (Vibration Reduction) image stabilization that provides 3.5 stops* of blur free handheld shooting, assuring dramatically sharper still images and HD video capture.

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Yes, the D60 would be compatible with the AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR. The AF-S DX NIKKOR 18–300mm f/3.5-5.6G ED VR for those who want even more reach in an all-in-one lens. Its astounding 16.7x zoom range goes from a wide 27mm equivalent, great for group shots, vast landscapes and more, all the way to a super-telephoto 450mm equivalent, enough reach for wildlife photography and more. The lens can focus as close as 1.48-ft. from your subject at 300mm. This ultra-high-power zoom capability means no subject or composition will ever be out of reach again. For more information on finding a lens for the D60, please see the following: https://support.nikonusa.com/app/an...

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Example: NikonPro. For privacy reasons, do not use your full name or email address.

Age: 35-44

Favorite Subject: Family & Friends

Nikon Family: 2-5 years

Experience: More than a year

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My D800 camera has Nikon 24-70mm f/2.8G lens and Nikon 70-200 F/2.8G lens and Nikon 50mm f/1.4G lens. The problem is these zooms are too heavy to travel. I am thinking to sacrifice the quality for weight on the 18-300mm f/3.5-5.6G lens, when I am on travel. What do you think?

4 months, 1 week ago

by

JP

Bay Area, CA, USA

Location :

Bay Area, CA, USA

Age: 55-65

Favorite Subject: Nature

Nikon Family: 11-20 years

Experience: 3-6 months

Role: Occasional user, memory keeper

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