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Like a skidmark through history the Edmund Blackadders left an indelible dirty stain on every era they passed through. No one knows where the notorious Blackadder family originated from - some say the shallow end of the gene pool others just nod and point to the cess-pit behind the pig-sheds. Every new era produces a more contemptuous Edmund Blackadder each incarnation bearing a striking resemblance to the last carrying forward the family traditions of cowardice treachery and political corruption. Accompanying each generation of Edmund Blackadders is the 'Baldrick' family a loyal breed of human pack-animal and the byword for all things stupid.

Bean is back in all new digitally re-mastered episodes! Re-live all of your favourite episodes across four hilarious DVDs in this side-splitting box set which has been digitally re-mastered for the first time. Watch from a safe distance as Mr. Bean's haphazard misadventures are brought to life in vivid jaw-dropping clarity. This very brilliant box set contains all 14 of the original episodes 2 sketches that were never seen on Television and a behind the scenes look at the story of Bean from the creators of the series.

Set in a fictitious suburb rather like, say, Pinner (only more so), The Thin Blue Line is the wickedly funny story of a rather down-at-heel police station headed by Inspector Raymond Fowler (Rowan Atkinson), a pompous, repressed but well-intentioned anachronism who wants to do the right thing but who is constantly hampered by his own shortcomings, not to mention his blundering CID colleagues. Atkinson expertly balances his character's inflated sense of self-importance with the insight born of old-school police values, for which his galumphing, shiny-suited CID counterpart, DI Grim (David Haig) has no time at all. Strongest among the supporting cast is Sgt Pauline Dawkins (Serena Evans), who also happens to be Fowler's live-in lover--a moral dilemma that his traditional values won't allow him to resolve. He salves his conscience by avoiding sex with her whenever possible, an amusing subplot enhanced by Evans's brilliant performance--she positively vibrates with contained, ladylike lust in a manner only equalled by Penelope Keith in the classic sitcom To the Manor Born. Scripted by Ben Elton, this series manages to satirise provincialism, institutionalised pig-headedness and dated moral values in one fell swoop, while also being chock-full of quick-fire, Blackadder-esque dialogue. --Roger Thomas

Scooby Doo Two years on from going their separate ways after solving their last cryptic case Fred Velma Daphne Shaggy and of course Scooby reunite for a Mystery Inc. investigation on the intriguing Spooky Island... Scooby Doo 2 - Monsters Unleashed They came. They saw. They ran! More live action thrills with Scooby and the gang as they investigate the dastardly plans of a masked villain who wants to take control of Coolsville...

Titles Comprise:Johnny English: He knows no fear. He knows no danger. He knows nothing!Bumbling British intelligence officer Johnny English has to step into the breach when all his fellow agents are suddenly bumped off. With the machinations of mysterious millionaire Pascal Sauvage becoming increasingly threatening, it's up to Johnny to save the crown jewels and the very fate of the Royal family!Johnny English Reborn: Rowan Atkinson returns to the role of the accidental secret agent who doesn't know fear or danger in the comedy spy-thriller Johnny English Reborn. In his latest adventure, the most unlikely intelligence officer in Her Majesty's Secret Service must stop a group of international assassins before they eliminate a world leader and cause global chaos. In the years since MI-7's top spy vanished off the grid, he has been honing his unique skills in a remote region of Asia. But when his agency superiors learn of an attempt against the Chinese premier's life, they must hunt down the highly unorthodox agent. Now that the world needs him once again, Johnny English is back in action. With one shot at redemption, he must employ the latest in hi-tech gadgets to unravel a web of conspiracy that runs throughout the KGB, CIA and even MI-7. With mere days until a heads of state conference, one man must use every trick in his playbook to protect us all...

Box Set Comprises: Bean: The Ultimate Disaster Movie: When the Royal National Gallery of London is asked to send their finest scholar to oversee the unveiling of Whistler's Mother in California they send their most inept and detested employee in a desperate attempt to get him out of their lives. That employee is Mr. Bean - the master of disaster! Mr. Bean's Holiday: Disaster has a passport! Mr. Bean returns but not for long as he goes on his travels to the south of France where mishap and mayhem begin by the end Bean even has his video diaries at the Cannes Film Festival.

Johnny English: Bumbling British intelligence officer Johnny English has to step into the breach when all his fellow agents are suddenly bumped off. With the machinations of mysterious millionaire Pascal Sauvage becoming increasingly threatening, it's up to Johnny to save the crown jewels and the very fate of the Royal family!Johnny English Reborn: In his latest adventure, the most unlikely intelligence officer in Her Majesty's Secret Service must stop a group of international assassins before they eliminate a world leader and cause global chaos. In the years since MI-7's top spy vanished off the grid, he has been honing his unique skills in a remote region of Asia. But when his agency superiors learn of an attempt against the Chinese premier's life, they must hunt down the highly unorthodox agent. Now that the world needs him once again, Johnny English is back in action. With one shot at redemption, he must employ the latest in hi-tech gadgets to unravel a web of conspiracy that runs throughout the KGB, CIA and even MI-7. With mere days until a heads of state conference, one man must use every trick in his playbook to protect us all...

This hilarious sequel to Hot Shots! delivers plenty of gags and countless movie parodies (Leonard Maltin)and has a more humorous edge...than the original (James Berardinelli ReelViews)! Charlie Sheen(TV&#39;s Two and a Half Men TV&#39;s Anger Management) returns as former renegade pilot Topper Harley once again recruited for a secret mission. This time the country&#39;s incompetent president (Lloyd Bridges)sends him to the Middle East to rescue US hostages...and the countless men who have already been sent in to rescue them. Pining for his former lover (Valeria Golino) in a Buddhist temple Topper manages to pull himself together and sets forth to conquer this action-packed -and laugh-filled - task

Willy Wonka And The Chocolate Factory (Dir. Mel Stuart 1971): It's everybody's non-pollutionary anti-institutionary pro-confectionery factory of fun! Thirty-five years after this merry movie charmed audiences with a colourful mix of song humour and life lessons the Candy Man still wields magic especially now in a vibrant new print with a soundtrack in true stereo. From the classic Roald Dahl story comes a lip-smacking delight with jolly tunes among them 'The Candy Man' and 'Pure Imagination'. With a golden ticket young Charlie Bucket (Peter Ostrum) wins a tour of the factory of wily mogul Wonka (Gene Wilder) and run by his Oompa-Loompa crew. There Charlie his Grandpa Joe (Jack Albertson) and others discover a kind heart is a finer possession than a sweet tooth. Don't let the tour leave without you! Danny Champion Of The World (Dir. Gavin Millar 1989): In a small English town a widowed father and his son own and operate a gas station that rests on land coveted by a local developer. They must fight to keep their land and retain the traditional values they have come to live by against harsh government inspectors who are privately in league with the developer. The Witches (Dir. Nicolas Roeg 1990): Saving the world from witches is a tall order for a boy they've turned into a mouse! Luke a young boy recently orphaned is brought to England by his grandmother. At a hotel in which they are staying a group of witches have gathered to prepare a plot to rid the world of all children!

Sean Connery is back for his final performance as agent James Bond in this high-velocity action thriller. This explosively entertaining 30th Anniversary Edition includes audio commentary and three featurettes! Agent 007 is hurled into a pulse-pounding race to save the world from Armageddon when two atomic warheads are hijacked by the evil Spectre organisation.

Although now regarded as the opening salvo of a classic series, the original Blackadder series was not considered a great success, either among critics or many viewers, so a major rethink took place when it was recommissioned. On the writing front, future-Four Weddings And A Funeral scribe Richard Curtis was joined by Ben Elton, while the expensive War of the Roses-era sets were replaced by cosier Elizabethan ones. The most important change, however, was with Rowan Atkinson's eponymous character who, in the first series, had been a fairly weak-willed idiot but now emerged as the familiar Machiavellian fiend which would cement Atkinson's place in the pantheon of great British sitcom actors. Moreover, even if so many of the script's lines have been subsequently ripped off by lesser hands that it can't help but occasionally sound dated, the central performances of Atkinson, Tony Robinson (Baldrick), Tim McInnery (Lord Percy), Stephen Fry (Lord Melchett) and, of course, Miranda Richardson as the childishly psychotic Queen Elizabeth ("I love it when you get cross. Sometimes I think about having you executed just to see the expression on your face") remain note perfect. Yet the real pleasure for viewers may be in rediscovering the raft of excellent guest star performances--not least Tom "Doctor Who" Baker's berserk turn as a literally legless old sea dog given to guzzling his own urine long before the drinking water has run out. --Clark Collis

The final Blackadder series, which first appeared in 1990, was the most highly evolved of all of the Richard Curtis/Ben Elton-scripted excursions. Having contrived to attain the Crown at the end of the third series, Rowan Atkinson's Edmund Blackadder is now reduced to a mere Captaincy in the trenches during World War I, with these episodes finding him shooting messenger pigeons, grumbling about Charlie Chaplin and unscrupulously evading his patriotic duty to pile over the top and be slaughtered pointlessly. Hugh Laurie plays the upper class silly arse to the hilt while Baldrick, who has grown progressively more stupid throughout the four series, can barely muster the intelligence to move from the spot. Blackadder Goes Forth stoutly refused to the end to abandon its relish for broad, puerile scatological puns: "Captain Darling will pump you thoroughly in the debriefing room," growls Stephen Fry's General Melchett. However, Blackadder's cynicism is laced with genuine despair at the recent madness of World War I. The closing moments of the final episode, as Blackadder and co. finally receive their orders, are handled with sober poignancy and became a frequent fixture in Remembrance Day TV scheduling. --David Stubbs

Rowan Atkinson's irredeemably wicked Edmund Blackadder has moved forward in time from the court of Queen Elizabeth but a little down the social ladder. He's now butler to Hugh Laurie's congenitally stupid Prince Regent on the cusp of the 18th and 19th centuries, and if that wasn't bad enough he's still accompanied by Tony Robinson's dim-witted Baldrick, whose cunning plans never fail to make an impossible situation worse. Blackadder's desperate scheming and utter contempt for all he surveys hasn't changed, nor have the baroque complexities of the situations in which he becomes embroiled: from an anachronistic war of words with Dr Johnson (Robbie Coltrane relishing every syllable) to taking on the Scarlet Pimpernel at his own game, to fighting a duel with a psychopathic Duke of Wellington, Edmund's luck never seems to change. Richard Curtis and Ben Elton's sharp scripts have more fun with the period setting than ever before, as contemporary literary archetypes from Samuel Johnson to Jane Austen are ripe for lampooning. Howard Goodall's theme tune is updated to a glorious classical pastiche, while the extravagant costumes of the times hardly need altering to achieve the desired effect. The comedy is so good it seemed this could never be bettered, until Blackadder Goes Forth that is. --Mark Walker