Excerpt: There is an inherent creative disconnect in 360: writer Peter Morgan likes telling stories more so than weaving them together, and director Fernando Meirelles likes weaving the stories more so than telling them straight.

Excerpt: You’d hardly recognize the inspiration of Arthur Schnitzler’s 19th century play “Reigen,” or its previous cinematic interpretations (by Max Ophuls in 1950 and Roger Vadim in 1964), in Fernando Meirelles’s somber take on “La Ronde.”