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Monday, March 20, 2017

Learning Your Writing Style

Today is the first Indie e-Con day! I'm super excited to be a part of this e-Con. Today, our subject is... "Writing." There are a lot of authors sharing from their experience. You may check out the list of authors here.

"Learning Your Writing Style"

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“The
best way to learn writing is TO write.”

Agree?
Disagree?

What
about somewhere in the middle? A quote by C.S. Lakin kind of sums up my
thoughts: “Hands-on experience coupled with diligent ‘book’ learning make for a
sound education. And so too writers, to construct solid, lasting novels, need
both ‘hands-on’ experience and ‘book’ learning.”(from 12 Key Pillars of
Novel Construction)

I
have learned a lot about writing through reading various books on the craft
(and there are some great ones out there)! But more needful than that, by
writing, I have been learning MY personal method of writing. Unfortunately,
there is absolutely no book out there that will help you know that. Guess what
you have to do to figure it out? (*points back to the opening quote*)

From
what I’ve read, most authors agree to three main writing styles are: pantser,
plotter, and those in-between. But if you read a dozen books on the writing
craft, these three main styles are broken down into dozens of different
applications and approaches—based on the author’s personal method. Usually, all
of these approaches have very logical reasoning. However, it can be
frustrating. One book says to spend six months plotting before you even start
chapter one. Another book says just write. Yet another book says to make rough
sketches of where you’re going. Et
cetera, et cetera. It is easy to get swept into trying the dozens of
methods and ending up as a big, hot writer’s mess, still with nothing to speak
for all of our hard work. Am I the only one who has seen that frustration? What
do we do to get out of it? (I shall refrain from pointing up top again)

I
can only speak for myself, but something pretty neat has happened in the past
year, as I’ve completed three novellas. As I’ve gone from idea to rough draft
to publication (or soon-to-be publication for novella #3), I’ve noticed
something about myself: I’m a “layer” writer. First, I write down the general story
(the basic plot, telling the story). Usually, there are some very strong, key
elements missing in that first draft (like Edward’s letter in “Journey to Love”
and Belle’s awful sneaking habits in “Befriending the Beast”). But so far, I
haven’t been able to discover those missing elements until I’ve actually
written something (so, there goes the super-plotting for me; it bogs me down
and snubs out my creativity). For all three novellas, I’ve had to write my
first draft then sit back and do some planning—sometimes, serious planning (the
biggest changes has been in “The Secret Slipper” where I had almost completely
rewrite half of the story). The first time this happened, it felt like I was
thrown behind schedule. I was ready to be done, yet here I was, making some
pretty major changes. Fast-forward to now, and I’ve come to expect it. My first
draft will be missing those important themes and clinchers, which the rewrite
will improve. It’s just the way I write (might I add that I hope that someday, my
brain will catch up and fill in those gaps for the rough draft?).

Another
thing I’ve noticed as I’ve written is my writing weaknesses. I’d have to say
that number one in my weakness list is probably description (anyone else
there?). My beta-readers often come back with, “How did she feel? What did he
look like? Where are they?” Whoopsie! However, if I worry about this in my
rough-draft, I get so hung up on the description that my story begins to lose
its flavor. So, I don’t worry about in the rough draft. I might not even worry
about it too much in the rewrite. But, at some point, I will do a thorough run-over my manuscript and think about my story—through
the eyes of the viewer. If I need an extra bit of help (which, I usually do), I’ll
ask my draft-readers to specifically point out places they thought needed an
extra boost.

All
of this to say, I’ve discovered that cramming myself into someone else’s mold
just doesn’t work. Sure, we can get ideas from others’ methods. We just can’t
use them as our law (unless, by some chance, our writing style and method is
the identical twin to someone else’s). We have to learn what works for us, what
doesn’t work for us, and embrace our own, unique writing style and methods.

What
about you? How would you describe yourself as a writer? Have you learned your
writing method yet? I'd love to hear how you write!

4 comments:

I am an organic storyteller where the characters drive the story and action. That being said, I am learning how to plot and plan more for the sake of writing speed and planned depth to the story. From experience, I have learned that going straight plotter doesn't work for me. The stories lose their luster that way. On the other hand, I am developing a way that helps me plot on a large generic scale while leaving plenty of room for my characters to still rule the story's flow and throw curves when they want to. :)

@ Rachel - wow, that does sound a bit like me and how I write. At least, how I'm trying to learn. Straight plotter definitely does cramp my story's luster. It was neat to hear your side. Thanks for sharing!