Pierre Grassou from the Author: Honore de Balzac. This short story is part of the Scenes of Paris Life section of Honore de Balzac's epic masterpiece The Human Comedy. Pierre Grassou is an artist who has many of the attributes necessary for success -- but lacks that spark of creativity. Rather than painting original works, he begins painting copies of the great masterworks. Sure, it's financially lucrative, but will it be enough to allow Grassou to find happiness?

The Physiology Of Marriage And Pierre Grassou from the Author: Honore De Balzac. Who is the husband who can now sleep quietly beside his young and pretty consort, after learning that at least three bachelors are on the lookout to rob him; that, if they have not already encroached upon his property, they regard his bride as their legitimate prey, who, sooner or later, will fall victim to them, whether by force, by ruse, or by her own free will, and that it is impossible that, some day, they will not be victorious!-from "Meditation IV: On the Virtuous Woman""I am not deep," Honor de Balzac is reported have quipped, "but very wide." His satiric width is on full display in The Physiology of Marriage, a sociological essay on matrimony masquerading as a novel... or is it a novel masquerading as a sociological essay on matrimony? Bold and cynical-or so his contemporaries perceived-this 1829 work is startling modern in its spirit and approach, a dryly witty expose of the underlying tensions of the enduring battle of the sexes.Also in this volume: Balzac's short tale "Pierre Grassou," an 1840 story about a terrible painter who uses marriage to the daughter of a wealthy art collector as a stepping stone to success.French writer HONOR DE BALZAC (1799-1850) is generally credited with the invention of realism in fiction, and his novels are considered among the greatest ever written in any language. His grand La Com die Humaine consists of a vast array of novels and short stories depicting French society of his time, among them Louis Lambert (1832), Les Illusions perdues (1837), and La Cousine Bette (1847).

Balzac And The Model Of Painting from the Author: Diana Knight. Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Commedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays, Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France.

Confrontations from the Author: Kathryn M. Grossman. The result of interdisciplinary collaboration rarely undertaken in such a systematic manner.Confrontations brings together literary critics, historians, and art historians to reflect on a cluster of themes inspired by the commemoration of the centenary of the Dreyfus Affair. From literary expressions of revolt in all its excess â€” and nuance â€” to the complexities of political confrontations illuminated by analyses of â€śJ'Accuse...!â€ť, this book explores the tensions and dissent kindled throughout the century by rhetorical, artistic, and political audaciousness. These essays invite the reconsideration of diverse forms of opposition, repression, and resistance, from the most blatant to the most subtle, as expressed through a variety of objects: word, act, and image become political gestures, just as politics is inspired by artistic and literary creation. After examining diverse forms of textual negotiation, the book explores acts of defiance and concludes with a discussion of a range of polemics, including but not limited to the Dreyfus Affair. This volume represents a reference source rich in new perspectives on the emblematic controversies of the nineteenth century â€”, literary, artistic, social, and political.