Overview

Editorial Reviews

Publishers Weekly

First published in 1998 in Arabic by a Beirut publisher, and then translated into Hebrew and French, this book was Le Monde Diplomatique's Book of the Year in 2002; Khoury's ambitious, provocative, and insightful novel now arrives in the U.S. Well researched, deeply imagined, expressively written and overtly nostalgic, the book uses the lyrical flashback style of 1001 Arabian Nights to tell stories of Palestine. At a makeshift hospital in the Shatila refugee camp on the outskirts of Beirut, Dr. Khalil sits by the bed of his gravely ill, unconscious friend and patient, Yunes, a Palestinian fighter, and reminisces about their lives in an attempt to bring him back to consciousness. The collage of stories that emerges, ranging from the war of 1948 to the present, doesn't have a clear beginning or end, but narrows the dizzying scope of the Israeli-Palestinian conflict to comprehensible names and faces, including sympathetically tough and pragmatic women. Davies has translated Naguib Mahfouz and does a nice job with the lyrical, outsized text. Khoury, born in 1948 in Beirut, has authored 11 other novels (The Little Mountain and The Kingdom of Strangers are available in translation) and published numerous essays; he now teaches at NYU each spring. A film version of the book was shown in New York in 2004. 9-city author tour. (Feb.) Copyright 2005 Reed Business Information.

Kirkus Reviews

Absorbing epic of the Palestinian people. Khoury (The Kingdom of Strangers, 1996), born to a Lebanese Christian family, steals a page from the Tales of the Thousand and One Nights, his narrator not a Scheherazade preserving her virtue but a Palestinian doctor who tells winding tales in hope of keeping alive an old friend, comatose in a refugee-camp hospital. The sleeping man, it seems, is meant to represent his people, victims of the Nakba, or "catastrophe," of 1948: as Dr. Khalil observes, with some exasperation, "Why do we, of all the peoples of the world, have to invent our country every day so everything isn't lost and we find we've fallen into eternal sleep?" But Dr. Khalil himself is awake and alive, and very much observant. His stories, one building on the next, become a history and ethnography of the Palestinian people from that year of massacres and flight to the post-1967 loss of even the hope of a homeland and on to the 1982 Israeli invasion of Lebanon: A woman explains that she has a duty to return to her ancestral village so that she can shake the souls of the abandoned dead out of the trees, while another explains the small victory attendant in finding vintage olive oil in the homes of those forced to flee-and no worries, either, for "We don't get high cholesterol. Peasants are cholesterol-proof." Though Khoury's sympathies are evident, he takes a wide and mostly evenhanded view of things political. There are admirable characters of every stripe and tribe, and a few not-so-admirable ones as well, living side by side if not always comfortably; by the close of the book, Dr. Khalil is reporting on the children of the Shatila refugee camp, one of whom "is studying businessmanagement at Tel Aviv University and is getting ready to marry a Christian."Well received internationally-not least in Israel-Khoury's novel reports events little known outside Palestine, woven into an elaborate but effective structure.

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Read an Excerpt

Umm Hassan is dead. I saw everyone racing through the alleys of the camp and heard the sound of weeping. Everyone was spilling out of their houses, bent over to catch their tears, running. Nabilah, Mahmoud al-Qasemi’s wife, our mother, was dead. We called her mother because everyone born in the Shatila camp fell from their mother’s guts into her hands. I too had fallen into her hands, and I too ran the day she died.