Last night I attended the staff preview for the Art InstituteÂ of Chicago’s Modern Wing. The first floor has a Cy Twombly show and a photo show. I donâ€™t think that either of the rooms that these shows were hung inÂ do much justice for the new wing. The ceilings are rather low and there is a lot of work to be seen in such a small space, which makes the museum feel narrow. I didnâ€™t have a chance to see the film video new media section which will be showing a Steve McQueen piece. I was really into Gaylen Gerberâ€™s piece â€œBackdropâ€ which consists of large sheets of photo paper pinned to the wall. The photographs are then hung on top of the piece.

The third floor houses the Contemporary collection from 1960 to present. ThisÂ is where you get the picturesque views of Millenium Park. Yes, there is a lot of light and architecturally it really is a beautiful space to see work. My only gripe is that some of the rooms are filled with too much work. I like to have space to see each piece by itself or see a couple of pieces and how they play off each other. Viewing four pieces in all four walls plus a Calder mobile above you can feel claustrophobic, and causes all of the pieces to meld into one. This made meÂ consider, however,Â the $18 admission fee to the museum and the average visitor.Â I would prefer more thoughtfully installed work, but it may be aÂ more bang for your buck situation for the museum.

The Art Instiute of Chicago’s Modern Wing opens May 16th

Written by Meg Onli

Meg Onli is a visual artist and blogger born and raised in Los Angeles, California. Meg moved to Chicago, Illinois in 2005 where she received a Bachelor in Fine Arts from the School of the Art Institute of Chicago. She has been with the Chicago-based art and culture podcast/blog Bad at Sports since 2006 where she is currently the Associate Producer. She has an unfathomable apatite for documentary films, 60s & 70s performance art, and cute cats. Meg has exhibited work in Los Angeles, Chicago, and New York City. Currently, she is working on a project that documents her steps in recording Motwonâ€™s first girl group sensation, the Marvelettes, version of â€œWhere did Our Love Go?â€