Introduction

Photo-Inventarium / Photo-InventariumPhotographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004. With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation, why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.SourceSample

In contrast to other UFO groups, which deal exclusively with the phenomenon of UFOs, for us the spiritual (geistige) and consciousness (bewusstseinsmässige) background occupies a much higher priority than all ufological concerns taken together.[1] Nevertheless, we cannot and don't want to renounce the topic of ufology, especially since we have the world's most extensive and best evidence that's ever existed. There is no UFO case on this Earth comparable to that of Billy Meier. The extraterrestrial human beings that Billy Meier has been selected and prepared to communicate with and be educated by, have encouraged and assisted him to take over a thousand photographs and film recordings of their many different types of spaceships, beamships, high-technologies and personnel, as well as various other interesting and supporting things. It’s a moderate, modest presentation considering what you’re looking at. [continue reading]

A crop from Billy Meiers photo used in promotion of the fantasy fiction television series X-Files, seasons 1-3. It's proven a more popular image-crop amongst those that want to believe than amongst those that want not know for some reason.

Although often referred to as fake, and if fake surely nothing more worth knowing about it, Billy Meier's photographs are used around the world in the press and on television as a means of illustrating reports of UFOs. It's significant that Meier's copyright is regularly disregarded and in all these years he's received only a few very small royalties and in about three cases.[2] The more famous photos in the collection were taken in the 1970’s and early 1980’s. One of which notably ended up being used for the original X-Files series 1-3 "I Want To Believe" TV poster in the 1990's, which demonstrates how fiction is a stronger popular interest than non-fiction and how believing is more interesting than knowing, therefore regrettably that truth isn't commercially viable and profitable.

The lesser known non-famous images by BEAM and by those other photographers at higher resolutions, span a greater time-frame. When the images from India are taken into consideration, from the 17th of May 1964 to the 5th of February 2004, and others even to the present day, when vessels from the wider Plejaren Federation are taken into consideration (however it all began much earlier in 1937). The collection includes other interesting things including; archaeological discoveries, drawings, event related happenings, natural and unnatural formations, experiments, geographical imagery, universal symbols and imagery related and in support of specific explanations in the Contact Reports.[citations needed] Its all already heavily steeped in heritage despite first being documented properly in just the second half of the 20th century. When we consider the tied-in events i.e. mission associated with ancient times,[citation needed] within at least what we from our perspective designate as ancient.[citation needed] The collection isn't particularly clear in terms of origination, context and/or descriptions with the images. There are several dubious images which have been woven in, some supportive, others not so much.[citations needed] Its generally accepted that the independent studying person will be on their own, to make up their own mind about which is which and what is what for themselves.

Billy was not the first nor last to photograph beamships but is the only in the world to have any quantity.[citation needed] Ufology is as big as it is today after just a few decades, not exclusively because of him, but because of a Plejaren Federation and Andromedan High Council decision for limited but open disclosure in the 20th century.[citation needed] We have been deemed mature enough for a small, lesser reveal, at this particular stage of our rapid history, because it’s always been as worldwide and openly-concealed as they've said it is,[citation needed] with at least 5 races in a large federation who have been known to quietly visit Earth for some time,[citation needed] and because their life expectancy is roughly 12x our life duration.[citation needed] They've therefore been able to oversee those rapid succession of developments and because Earth is known to have an ancient ancestral extraterrestrial heredity,[citation needed] and we're in the midst of another civilisation restart[citation needed] in the lofty scheme of time. I suppose you could say it's all been a big openly-concealed matter for a long time.[citation needed]

The gallery below contains selected images and represents a smaller quantity of the totality of all available imagery. It’s become collectable and a hobby to read and study by many.[citation needed] On the other hand Eduard's claims have been widely characterised globally as fraudulent by carping scientists, sceptics,[3] and most ufologists (the UFO Community ideologically opposes the Meier Case); who say that his photographs, films, evidences etc., are tricks and story is too fantastic.[citation needed] Some find this layering interesting in and of itself.[citation needed] The website does include some of those more sceptical analyses, it covers everything, however the FutureofMankind is mostly focused on the interesting published works, and presenting everything in a neutral way. Other websites are available if your looking for a morbid even macabre tone,[citation needed] you won’t find those kinds of tones and approaches here. The website is somewhat aligned[citation needed] to the FIGU itself (FutureofMankind is not an official FIGU website), which takes a no proselytising,[citation needed] calm, neutral approach to the sceptical. For most and normal readers it has all been presented by FIGU beautifully, and most don’t need or have not needed analysts to know. Frankly those who have found themselves reading the entirety of the works, have discovered that position of FIGU, of not proselytising; refreshing, honourable and on some level revealing, intriguing and enjoyable to continue reading. But no proselytising means you’ll have to decide for yourself what you think about it. Besides, most are capable of finding out by themselves, that it’s possible to have a difference of opinion.[citation needed]

The witnesses speak and think differently about it all than the television documentaries and silence from the authorities has lead that majority to perceiving it to be.[citation needed]

The story behind the photos is after all big.

The hand-drawings of the Plejaren personnel (assigned to Earth and the tasks) at the more so forefront of the exchange, are by several sketch artists who have logically-embellished a more simple original drawing by the Plejaren themselves which Billy has then passed along.[citation needed] The drawings may therefore differ slightly and as they're drawings are never going to be perfectly accurate like a photo. There is a slither of part of one of them with the hair and lazer showing.[citation needed] The reason photos don't show them has several reasons, among those reasons we are told is that by revealing their identity they would no longer be able to walk among us without being identified,[citation needed] and presumably facial recognition technologies may have even allowed authorities to track them,[citation needed] but the most important reason is 'the might of thoughts and feelings'; being as numb as we are and them being as sensitive as they are; or else they wouldn't be able to use telepathy;[citation needed] plastering their images all over the internet may have caused them various problems, being disturbed by all sorts of ignorant signals etc.[citation needed]

If your looking for how a Plejaren looks, look at yourself, in a mirror, or at an average European, African or Asian. That is another aspect covered in the Contact Reports, with the exception of the wider Plejaren Federation, where then there are several types of human that may look different even strange to us. It’s part of why it’s been an open-secret with open-evidence until the 20th century, because they’re waiting for us to realise what we are as independently as possible.

Some of the images are of, near, or taken at the 'Semjase Silver Star Centre', SSSC. They’re usually identifiable by the buildings, features and tree varieties etc.

Nearer the bottom of the collection we’ve included a few of the symbols of the spiritual teaching from the book ‘Symbole der Geisteslehre’. The book contains 601 out of the total of 52,476,812 (52 and a half million) spirit symbols, which Billy has retrieved from the Storage Banks, which required a lot of effort for him.[citation needed] The more complex symbols might have been too difficult to convey.[citation needed] They are used in Spirit-Telepathy (not regular Telepathy / primary-telepathy), a fact which is explained in ‘Geisteslehre No. 17’, p.179.

In the introduction section of the book ‘Symbole der Geisteslehre’, p. XVI, Bernadette Brand describes the value of the symbols as a self-education tool.

".....The symbols of the Spirit Teaching embody not only the concepts they represent, but they contain any of a whole universe of meanings. They generate in the person who deals with them, a new bond / attachment to the symbol and the idea for which it stands for. Occupying oneself meditatively on the symbols of the spiritual teaching in detail, from my own experience, causes an extremely valuable and helpful, self-knowledge, self-education and character development and personality development. The symbols accommodate not only nice and edifying or foreboding and awful ‘images’, but in themselves are very involved, and to deal with them radically and unreservedly, is informative and valuable....."

".....With the feelings and stirrings they evoke in us when we inspect, perceive and deal with them, can be bit by bit a help to us on our stony and laborious path of evolution. Our reactions to the symbols are not neutral, but in fact shaped by our thinking and our personality."

The ability to use Spirit-Telepathy is only available to those who have reached level 4[citation needed] and mastery of primary-telepathy may be a requirement which precedes this. Billy mentioned[citation needed] that only a small percentage of individuals in the Plejaren Federation have developed the ability to use primary-telepathy,[citation needed] and that as far as Earth humans are concerned, our life expectancy is just a little too shy of the amount of time necessary to learn it.[citation needed] Ptaah explained that one of their investigations[citation needed] indicated that Earth, on the whole knows some very basic, baby-shoes, consciousness-related-telepathy, but is some way off primary- and volitional telepathy.[citation needed]

The symbols represent a materialist / coarse material representation i.e. solid image in the visible light spectrum of the electromagnetic spectrum, of what is essentially and inherently pure-material and fine-material indigenously.[citation needed] Which is probably an important fact to know.

So what is the Billy Meier story about? Well opinions vary and you can make your own mind up about it by starting at the Contact Reports page.

Some, asked to describe the story in one word as a good review, have called it a story of dependence.

Evolution by definition is dependant on the starting position. It’s about the Plejaren being at the very top of the ladder of technological dependence. About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder; like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to the relationship between developing-world-aid contributions from the developed nations and mass migration. Dependence on their legal system to do any of what they’ve been granted to do. Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up. Dependence on sensitivity and soundness of mind. The Prophets dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it. Dependence on religion. Dependence on the internet being developed at the time it was. The mission dependant upon voluntary contribution. Dependence on there being enough wealth generally; wealthy dependent on poor, poor on wealthy. Dependence on health. Dependence on the knowledge of the time. Dependence on the group members stepping up to the task. Dependence on the natural-laws, creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material. Dependence on us sharing a very ancient ancestry with them. Switzerlands dependence on foreigners. Dependence on our genetics limiting time through life-expectancy allowing the schedule to be manageable by them, and since ancient times. Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization. Dependency on the codex. Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing, and the right one. We’re dependent on each other, and they’re dependent on each other, separate humanities. It’s a story about many dependencies, depending on the readers perspective and the quantity of times they’ve read the archive.

Q: What does this story matter?

A: Well assuming you’ve now read the story in the Contact Reports, which takes some years to get ones head around on it’s own, and your now on that secondary level of what does it matter. Then your probably ready to tuck into the real good advice which is all about making life better and being more successful at whatever you decide to do. It takes going through the story (of Earth and of life) in a similar way that it takes a child to go through school, for individuals to identify it and for it to stand out to them and be clear.

FIGU Filmaufnahmen (UFO) Video Gallery (German) (External)Filmed in Switzerland by 'Billy' Eduard A. Meier with a Super8 camera, with the exception of the "Bachtel" footage, which was filmed with video camera. The full video sequences were incorporated into the films "Contact from the Pleiades", "Beamship: The Meier Chronicles" and "Beamship: The Movie Footage" and can be watched on youtube and other video sharing platforms.

Photo's FAQ[Show/Hide]

Q: Who took the photos?

A: Most were taken by Billy Eduard Albert Meier, however a fair few were taken by other photographers, see description, reference, source, attached links etc., for all similar questions e.g. who is in the photo, location, investigation, publication etc.

Q: What year were the photo's taken?

A: It varies by image, between the 1960's and 2000's, most of the famous photos were taken in the 1970's, for more info it's a similar answer as above, most photos have a lengthy documented story attached to them, research it some more.

A: Over 1500, however many were stolen, sabotaged at the local dark room where he had them developed or replaced to make him look a fool which he had to then withhold,[citation needed] but we have a good enough quantity. Regarding the photo's by other photographers and images of symbols and drawings etc, there is many more of those and we don't host them all.

Q: When was the computer software photoshop invented?

A: Those types of photo editing technologies were developed some time in the mid to late 1980's. If the question is related to the authenticity of the photo, see the decades of all sorts of different investigations that have taken place in the various links in the sidebar on the left of the website and the external links page has many additional websites on top of that which have investigated various aspects of it all. This is a good investigation: Analysis by Rhal Zahi second edition (PDF)

Q: How did Billy take these with one and half arms?

A: It's more difficult but still possible.

Q: How big are these UFO's?

A: Most have about a 7 metre diameter at their widest, some are half that 3.5 and some are much larger than that, you will have to read the connected links and the Contact Reports is where the details of the photos are explained by Billy and Plejaren.

A: There is a description in the above sections extended reading area.

Q: Why have there been scientific investigations?

A: Because some folks want the truth and some don't allow anything to stand in their way.

Q: Why are these photos not on television?

A: They have been on television many times, probably in every decade since they were taken we have not checked, but a few of the photos were proven to be fraudulent and most investigators don't bother to look any further at something if a small part of something is deemed unworthy. On top of that, many of the claims associated with the images and the story and explanations Billy has given have been deemed heavily offensive to many worldwide organizations with very large audiences and often with a very long history, so they are hardly going to leap for joy and begin promoting what the investigators have discovered are they. Television networks only broadcast what they can sell, the worlds greatest hoax is a better sale than the world has some very serious problems which we deceive ourselves about and this one man in the Swiss countryside has been more capable than we have been with our quadrillion dollars; so the story associated with the photos has been offensive to the majority and so it's irrelevant whether even 1 single photo in the collection is genuine or not, they don't like what Billy is doing.

A: Netflix and major networks for example? Well it is a similar answer as above, it’s too loaded even if they had the time to explain their way around the hoax portrayal element, most audiences like a palatable entertainment arrangement which doesn’t challange them and makes them feel comfortable, special and offers up an easy reward, doesn’t demand of them to think and is easy on the mind. The truth is also particularly difficult to sell and it would be difficult to fill out a documentary with sufficient conflict and action with the boring truth. A similar question would be why academic papers had not been written instead, well they have it’s just that UFO’s is the kind of interest which tends to lead academics, professionals, e.g. pilots etc., to loose their jobs, becauae large organisations don’t want to be seen to be having anything to do with it. So a very limited variety and at a very shallow depth. Billy Meiers Books and Contact Reports are where the depth is, and most of it can’t be talked about easily.

Q: Why have you put the rubbishy discrediting photos at the front of the collection and the high resolution images are buried in some obscure page somewhere?

A: They are all presented here. The thing about the Consciousness and Ratio is that it will take some years to look clearly at what you're looking at, so the order and sequence of the photos presentation is not greatly important anyway.

#116.[22]Semjase's beamship at Winkelriet, Switzerland, Europe, on 18th March 1975.

One of the photos taken on 20th April 1975 at 10:00 am that survived Semjase's attempt to destroy the negatives. The day of Contact report 012 at 3:11 pm.[23]

Original 8mm film,[24]Semjase’s UFO disappears in and out in one frame.[25]

#62.[26] Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.

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Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.

Close-up of Semjase's ship at Berg-Rumlikon, 14th June 1975.

#61.[27] Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.

Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.

#638.[28] Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.

#93.[29] Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.[30]

Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.

Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14th June 1975.

Two beamships side by side, photographed from inside a third beamship during Contact Report 027 over Berg-Rumlikon. Rumlikon in the background, Berg-Rumlikon, 25th June 1975.

Two beamships side by side, taken from inside a third beamship during Contact Report 027) over Berg-Rumlikon, 25th June 1975. Departing for 2 hour 34 minute trip to Mars, Jupiter and Saturn, passing through the asteroid belt.

Two beamships side by side, photo from inside a third beamship during Contact Report 027) over Berg-Rumlikon, 25th June 1975. [31]

#55.[32] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#57.[33] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#64.[34] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#65.[35] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#66.[36] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#69.[37] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#71.[38] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#76.[39] Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9th July 1975.

#65. #119. #57. #71.[40] Four of Billys photos from 9th July 1975 superimposed on a background panorama taken in 2001.[41] FIGU distances themselves from the composite, they had nothing to do with the making of it.

#139.[73] 20th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland. The photo shows two ships, but is only one. The effect was caused by Semjase jumping from one location to another during exposure time of 1/100 sec, so her ship was captured twice during the same exposure time.[74]

#114.[82] 14th June, 1975 at 16:00.Test spirit-image projection[83] photo over Fuchsbüel-Hofhalden/Ob. Balm-Wetzikon. With Semjase’s help, the three present (Hans Jacob, Jakobus Bertschinger and Leuenberger) were projected onto the film [bottom right], even though standing sideways and behind the camera. Film negative exposed by Mr. Liniger.[84]

#138.[85] 20th May, 1975 at 15:00. Beamship of Semjase over the Wihaldenstrasse in the north in Hinwil, Switzerland. The ship is semi-transparent. The proximity of the vessel and its vibrations may have affected the quality of the film.[86]

Photo Inventarium 2014 - cat no. #8. 20th May, 1975 at 15:00. Beamship of Semjase over the Wihaldenstrasse in the north in Hinwil, Switzerland. The ship is semi-transparent. The proximity of the vessel and its vibrations may have affected the quality of the film.[87]

#720.[98] 22.6.79, 2:40 AM. One of the Energy Ships above the parking lot of the Centre. The cars that were in the radiation area of the Energy Ships, needed about 5 litres more fuel per 100 km after the disappearance of the ships.[99]

#724.[100] High Resolution. 22.06.79 at 5:25 AM. One of the energy ships, fading in the daylight, in the west direction from the Center.[101]

#725.[102] High Resolution. 22.06.79 at 5:25 AM. One of the energy ships, fading in the daylight, in the north-west direction.[103]

#728.[104] 23.06.79 at 4:20 AM. Two energy ships above the parking lot of the Centre. Only a radiation light from the second ship is visible in the picture on the right.[105]

#925.[139] 21st September 1981. Quetzalsbeamship hovers and rotate about 10 meters above the parking lot, while burning static energy which has a rotating effect with the ship. Billy stands in this fire ring and holds a microphone above. See Contact Report 148.

#808.[141] Details of the coloured crystals and the lenses. A blue lens is inside of one sphere.

#808.[142] Reflection on one of the spheres. Carriage House visible. A little brown mark might be Billy Meier. At the right; sketches of the Building wall and Billy profile. Only a 3.5 meters UFO can produce this reflection.

#873.[143] WCUFO at night (left). On the right, enhanced image shows a terrain below the UFO with a pole. If the pole is 1 meter tall, this UFO is 7 meters in diameter.

#841.[144] 3rd April, 1981 at 13:20. Zoomed and enhanced. Notice the shadows casted by the WCUFO on the tree branches that is fully visible here. The sun is behind the photographer (Meier). These shadows are the same as the ones shown in Photo #844.

#844.[145] The bottom of the WCUFO displays a dark shadow at the left, reflecting the nearby tree. Notice the shadow casted by this WCUFO on the tree branches. This tree is a big one, not a little tree or a bonsai. WCUFO of 7m

#841.[146] Enhanced and zoomed. The WCUFO of 7 meters is casting a shadow on the branches.

Landing track of Menaras ship, created during a lightning fast flying visit on 23/11/1977 at 09:05 am, during the time Billy's wife was away in neaby town Schmidruti for about 10 minutes taking children to school (ice thickness 12cm).

Billy, in the same position in front of the stone, in which he was struck by lightning. Photo from the 24th of April, 1990: Freddy Kropf.[168]

The surface hole in the stone, caused by the lightning’s impact. Photo from the 24th of April, 1990: Bernadette Brand.[169]

Main piece of the tree crown, in which the lightning entered and shattered this. Photo from the 24th of April, 1990: Freddy Kropf.[170]

Engelbert Wächter holds the 5.5-meter tall crown piece of birch that was knocked down by lightning, which had gotten stuck in the branches of the tree and was taken down three months later. Photo from the 23rd of July, 1990: Freddy Kropf.[171]

Same as crop used in X-Files season 1-3 "I want to believe" poster.[172]

Ober-Sadelegg, Switzerland in 2009.

Comparison of Ober-Sadelegg in 2009 with Billy Meier's photo of Semjase's ship over Ober-Sadelegg on 8th March 1975.

Billy demonstrating Semjase's flight path over Ober-Sadelegg, Switzerland, on site with his accompanying photo series, to Lt. Colonel Wendelle Stevens and Lee Elders, in the documentary "Contact".

↑Later changed to manufactured fake composite by producers, presumably to avoid alienating those who didnt live in a high precipitation, moderate temperate climate with rare rolling hills surrounded by evergreen conifer forest that included cedar, cypress, Douglas fir, pine, spruce and in order to lower the shows value all the way down to where audiences tastes for entertainment were, in the cheap.

↑The universe including all its dimensions and features is said to have this particular configuration, this is how it's said to look, were an image captured of the full formation externally and from quite some distance. Fictitious artists representation.

↑Most Planets naturally develop some form of similar cultural interpretation. Based in the growing and thriving in nature, where momentum tends to proceed upwards.

↑The top section is said to resemble a lotus flower or aquatic based flower, water lily however most flowers follow the same growth principles.

↑We've associated a downward momentum to the flourishing of nature on Earth. Peace tends to occurs when things are permitted to develop normally.

↑Upside down represents struggling life, anti-life, death, war, anti-flourishing and holds several other denotations and connotations including based with barren manifestation. It doesn't represent peace as popularly thought.

↑Some eastern cultures have similar iconography and symbolism which has developed over into garden and architectural features.

↑The underside veins of leaves tend to grow with the natural pattern formulation. The arrangement holds several excellent transfer, supporting and development advantages over others.

↑Similar to pestle and mortar, ancient Egyptian and Rapa Nui symbols which have held similar values.

↑Similar to the iconography utilised by the Judaism religion which however is not necessarily befitting of its values yet has been known to be perceived that way. See history of anti-semitism.

↑Forms of perversity are necessary at certain times of evolution. Similar composition is found in the Union Jack, the national flag of the United Kingdom. Which may upon thought, be advantageous in light of the time schedule and other factors on Earth.

↑Associated with repulsion. Beamships master repulsing, pushing and pulling of matter, for flight control purposes.