Sunday, September 18, 2016

Controversy in Fiction: Censorship

Welcome back to my five-part series, Controversy in Fiction.
Today, I’ll be writing on a similar issue to last week’s post: Censorship.
Unlike Banned Books, however, Censorship allows for certain books but
contains many restrictions all the same.

Disclaimer: This post may contain controversial
opinions that are not necessarily the same as those of readers. However,
despite the subject of this post, it contains no profanity. I like to keep my
posts appropriate for any age audience.

If you haven’t gathered already, I was raised in a
conservative, Christian family. So swear words simply weren’t allowed in our
house. To this day, my exclamations consist of mild words from drat to goodness and insults from knucklehead
to idiot. But that doesn’t mean I
didn’t come across profanity in other ways, especially in movies.

My first shocking encounter with a book peppered with swear
words was Eleanor and Park. I was so
taken aback by the amount of cussing within the first five pages, that I had a
difficult time enjoying the rest of the book. Paper Towns had a similar feel with its amount of profanity, but
was less startling by that point.

But young adult books like the ones mentioned above, are not
the only books to contain profanity. I don’t read too many adult books, my
preferred genres ranging from YA to children’s books. But every now and then,
I’ll pick one up, or I’ll decide on a classic. And I’ve found that fiction
within the last one-hundred years, includes more and more profanity. It’s not
just in some classics or popular books, either. Even some Christian fiction
I’ve read contains the occasional swear word.

So, what’s the big deal? And how much swearing is too much?
Should it be allowed at all in fiction?

Censorship is often a means of controlling language for an
audience. Like book banning, it may have good intentions, but other times, it
could harm fiction. For instance, if somebody were to take out every offensive
word in Tom Sawyer or Huckleberry Finn, it might just be
easier to ban the book. It might be easier to remove the word “the” from the
dictionary than to childproof some books.

Don’t get me wrong, I don’t like profanity. I won’t even use
it. But I’m not entirely for censorship either. Instead of crossing out major
sections of books or limiting accessibility to certain books, discretion should
be used when selecting them. Here are just a few of my basic principles for
both readers choosing a book and writers writing a book.

Know Your Audience

Just like ratings on movies, such as PG-13, if you’re in the
kid’s section of the library, you probably won’t find any swear words. Most
parents would frown upon hearing such language coming out of their child’s
mouth. (Anything resembling a swear word meant I had to have my mouth washed
out with soap as a kid.)

As a rule for my own writing, I don’t write anything I don’t
want my little sister reading. Or if I’m going to read a piece aloud in front
of an audience of one or twelve, there will be no profanity.

That’s not to say that all new adult or adult books should
contain profanity. Goodness, no! But adults typically have more maturity and
understand the weight, meaning, and power of words. Maturity I write as I sit at my desk that is guarded by a plush
green dragon.

Know Your Characters

Every character is different, and some tend to be more
dramatic than others. Some might even be verbally explicit. Often times, a
character’s personality is reflected in the way he or she speaks, and the way
people speak isn’t always nice.

In my novel Breaking a Thief, my protagonist Lorne was raised as a thief, so picking up swear
words was natural for her. But because the story was a young adult novel, I
substituted actual profanity for mentions of its use. It’s probably the only
instance where I strove to tell, not show. In fact, when I sent the novel off
to my editor, she suggested that I cut back on some of present mentions of
cursing in consideration of my audience.

Another character to consider is the narrator. In my latest
short story series, I have two narrators with different storytelling
styles. Rhona speaks in a sophisticated manner, so whenever other characters
swear, she just mentions a curse. Ellard, on the other hand, comes from a more
rural background and tends to explain things exactly as he hears and sees them.

When reading about characters, it’s often important to
consider their background before criticizing their personalities or speech.

Know Your Story

A light-hearted book about baking or romance will not
necessarily contain instances of profanity, but a book about the struggles of
cancer or war might.

Sometimes darker stories call for darker themes and darker
language. That isn’t necessarily to say that we have to like all of the
language or the scenes, but such things often reflect the depravity of our
cruel, real world. Words aren’t always meant to be liked, but they are meant to
tell stories and truths.