Contents

Summary

Geordi La Forge, Data, and Beverly Crusher are testing an interface which allows La Forge to use the VISOR circuitry in his brain, along with an interface suit, to control a probe by remote control. Via this connection, Geordi can use the probe to virtually enter areas that would be too dangerous for actual crew members to enter, and the probe transmits information directly into Geordi's cerebral cortex, providing the sensation that he is actually there.

Despite the apparent loss of his mother, Geordi interfaces with the probe and goes to see if there are survivors on the Raman. He finds that there is no one left alive on the ship. However, Geordi believes that he encounters his mother on the ship, who states that she and the crew of the Hera are actually trapped on the planet's surface. Continued use of the probe soon exposes Geordi to unhealthy levels of neural stimulation, forcing his disconnection from the interface.

Geordi becomes convinced that his mother was on the Raman, and wants to use the probe to communicate with his mother. Dr. Crusher and Picard refuse to allow him to use the interface suit again, and attempt to explain that it is highly improbable that he actually communicated with his mother who was last seen over 300 light years away. Geordi decides to use the interface suit anyway and, with Data's reluctant assistance, returns to the Raman and again encounters the being who appears to be his mother. Geordi eventually learns that she is actually a subspace creature native to the gas giant's lower atmosphere who became trapped when the Raman entered, then left the atmosphere. These creatures inadvertently killed the crew of the Raman in their attempt to communicate, but were able to successfully read Geordi's mind via his interface with the probe. Geordi takes the ship closer to the planet so that she and others like her trapped on the ship can return home.

Finally, Geordi realizes that his mother is in fact most likely dead, and that his encounter with the subspace creature enabled him to, in some fashion, say goodbye to her.

Memorable Quotes

"Geordi... your mother's gone.""Yeah, well, you can think that if you want, but until I see some hard evidence I'm not going to give up hope."

- Geordi's father and Geordi

"Do you need to be comforted?"

- Data to Geordi, after learning that his mother on the Hera is missing

It was during the production of this episode that Ronald D. Moore felt TNG had gone as far as it could be taken. "I think it was a point where we were in the room and we were talking about bringing Geordi's mother in, and we all kind of looked at each other and we were like, "This is sad. This is the best we can do? Is this the best we can do, is Geordi's mother?" It was such a "who cares" idea that we were just sort of, "Oh man… This show has got to end."[1]

This episode marks the first appearance of a new hairstyle for Troi, with softer waves in a warmer copper tone. Troi's hair would vary throughout the season, depending on whether she was "on duty" or not. Typically this was marked by her wearing her hair looser with bangs when she was off duty.

First UK airdate: 24 January 1996

Cast and characters

LeVar Burton and guest stars Ben Vereen and Madge Sinclair all appeared in the 1977 television miniseries Roots. Vereen played Burton's character's grandson and Sinclair the wife of his character as an older man, played by John Amos.

Reception

Taylor commented, "We've had the family of everybody else on board. Every other character has had their family dealt with except Geordi and probably the main reason for doing [this episode] was there was an order to finally flesh out his character more than it had been, and to show that he didn't spring isolated from Zeus' forehead." (Captains' Logs: The Unauthorized Complete Trek Voyages)

Visual effects supervisor Ronald B. Moore was disappointed that the elaborate probe miniature was only seen once. The episode instead uses the convention of Geordi in place of the probe. Director Robert Wiemer explained that it would have been "emotionally unrewarding" to film the probe with 'Silva' while cutting to Geordi for reaction shots. (Star Trek: The Next Generation Companion)

Naren Shankar questioned whether the story's premise was futuristic enough. "To me, it's not real interesting from a gee-whiz standpoint of technology, because we weren't looking at technology four hundred years in the future. I think it's more like forty years into the future. It's almost an overdone type of theme these days. The technology seems out of proportion to the other technologies that we use on the Enterprise." (Captains' Logs: The Unauthorized Complete Trek Voyages)

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