We’re back from a two-month absence with a jam-packed podcast, focusing on the big juggernauts of this year’s awards season, as well as the seventh instalment of a certain sci-fi franchise. We tackle Steven Spielberg’s latest moody historical drama “Bridge of Spies,” claustrophobic double-hander “Room,” and Todd Haynes’ lesbian tale “Carol,” which had to hurdle prickly preconceptions from Pete about one of its main stars. We give our verdict on Alejandro Gonzalez Inarritu’s forest-set revenge tale “The Revenant,” Thomas McCarthy’s journalism drama “Spotlight,” and the biggest film of 2015, “The Force Awakens,” while we may have had a few choice words to say about the use of Margot Robbie in fancied finance crisis comedy “The Big Short.” Elsewhere, we predict this year’s Academy Award nominations (happening tomorrow!), we mourn the death of the great David Bowie, there’s a digression on the films of 1988, and a listener question prompts an upheaval of The Pootsition.

Opening Segment: Discussing the film career of musician, actor, and all-around legendDavid Bowie, who sadly passed away this week

This week we’re leaning to the left, as the radical politics of Polish paean “Walesa, Man of Hope,” and terrorist thriller “Closed Circuit,” have conflicting degrees of success. We discuss some rather troubling casting news from this side of the ocean, before Cal dishes all on festival favourite “The Selfish Giant” and Pete reveals whether populist hit “Bad Grandpa” is worth a watch. Some probable Star Trek blasphemy gets in the way of this week’s review of “Ender’s Game,” as Cal dares to compare it to the long-running franchise, plus there’s love for Colleen Atwood, a nod to Reese Witherspoon’s scene stealing intonation in the trailer for “Rendition,” and a theory on why Alfred Hitchcock’s biggest regret is nothing to worry about.

This week we’re asking ourselves whether this is the real life or just fantasy, as biographical dramas about two very different people hit cinema screens in the UK. As self-confessed baseball fans, the Jackie Robinson movie “42” was very high on our agenda, while Olivier Hirschbiegel’s heavily derided “Diana” gave us uneasy preconceptions. From there, Cal tackles serial-killer thriller “The Call,” and Pete caught coming-of-age tale “The Way Way Back” and Arabian drama “Winter of Discontent.” A modest news segment turns into a lengthy discussion about Foreign Language Oscar nominees of the past (like that’s never happened before) and we launch into digressions involving the measure of Marcello Mastrioianni’s Oscar nominations, the patriotism of the French, and some huge concerns about next week’s releases.

This week’s episode features two epic tales of unfortunate evenings, as Pete takes the role of storyteller for a missed flight debacle and a drunken car-key faux pas. We give our verdict on a night from hell for the characters in wedding comedy “Bachelorette,” and dig into the viability of the politics in Scandinavian prostitution procedural “Call Girl.” Cal went to bat for the rampant action comedy “2 Guns,” and Iain Softley’s welcome return to directing, “Trap for Cinderella,” while Pete (surprise, surprise) was this week’s Bollywood correspondent by opting for Indian smash hit “Chennai Express.” Illness brings out Cal’s Kathleen Turner voice for a podcast reprise, while we lambast the academy for their 1997 shortcomings and look ahead to Julianne Moore’s ‘In the Mood’ debut next week.