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In this contribution, Esther Claudio analyses Winshluss’s nihilistic and sarcastic style in Angoulême-winning Pinocchio. Most of this comic is told by means of pictures without the help of words. This type of “mute” narration, the pantomime, serves to demonstrate the viability of imagery in the service of narrative but also the author’s mastery to control the reading experience throughout the work.
Added by: joachim Last edited by: joachim