Ell

An ell (from Old Germanic *alinâ cognate with Latinulna) is a unit of measurement, originally a cubit, i.e., approximating the length of a man's arm from the elbow ("elbow" means the bend or bow of the ell or arm) to the tip of the middle finger, or about 18 inches (457mm); in later usage, any of several longer units. In English-speaking countries, these included (until the 19th century) the Flemish ell (3⁄4 of a yard), English ell (5⁄4 yard) and French ell (6⁄4 yard), some of which are thought to derive from a "double ell".

Several national forms existed, with different lengths, including
the Scottish ell(≈37 inches or 94 centimetres),
the Flemish ell [el] (≈27in or 68.6cm),
the French ell [aune] (≈54in or 137.2cm)
the Polish ell (≈31in or 78.7cm), the Danish ell (≈25in or 63.5cm), the Swedish aln (2 Swedish fot ≈59 cm) and the German ell [elle] (Hamburg, Frankfurt, Cologne, Leipzig: 57,9cm)

Select customs were observed by English importers of Dutch textiles: although all cloths were bought by the Flemish ell, linen was sold by the English ell, but tapestry was sold by the Flemish ell.

Persons

Low (Flo Rida song)

"Low" is the debut single by American rapper Flo Rida, featured on his debut studio album Mail on Sunday and also featured on the soundtrack to the 2008 film Step Up 2: The Streets. The song features fellow American rapper T-Pain and was co-written with T-Pain. There is also a remix in which the hook is sung by Flo Rida rather than T-Pain. An official remix was made which features Pitbull and T-Pain. With its catchy, up-tempo and club-oriented Southern hip hop rhythms, the song peaked at the summit of the U.S. Billboard Hot 100.

The song was a massive success worldwide and was the longest running number-one single of 2008 in the United States. With over 6 million digital downloads, it has been certified 7× Platinum by the RIAA, and was the most downloaded single of the 2000s decade, measured by paid digital downloads. The song was named 3rd on the Billboard Hot 100 Songs of the Decade. "Low" spent ten consecutive weeks on top of the Billboard Hot 100, the longest-running number-one single of 2008.

Content

The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.

Critical reception

The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."

X-Dream

X-Dream are Marcus Christopher Maichel (born May 1968) and Jan Müller (born February 1970); they are also known as Rough and Rush. They are some of the cult hit producers of psychedelic trance music and hail from Hamburg, Germany.

First work

Muller was educated as a sound engineer. Maichel was a musician familiar with techno and reggae, and was already making electronic music in 1986. In 1989 the pair first met when Marcus was having problems with his PC and someone sent Jan to help fix it. That same year they teamed up to work on a session together. Their first work concentrated on a sound similar to techno with some hip hop elements which got some material released on Tunnel Records.

Trance

During the early 1990s they were first introduced to the trance scene in Hamburg and decided to switch their music to this genre. From 1993 they began releasing several singles on the Hamburg label Tunnel Records, as X-Dream and under many aliases, such as The Pollinator. Two albums followed on Tunnel Records, Trip To Trancesylvania and We Created Our Own Happiness, which were much closer to the original formula of psychedelic trance, although featuring the unmistakable "trippy" early X-Dream sound.

FM broadcasting

FM broadcasting is a VHFbroadcasting technology, pioneered by Edwin Howard Armstrong, which uses frequency modulation (FM) to provide high-fidelity sound over broadcast radio. The term "FM band" describes the frequency band in a given country which is dedicated to FM broadcasting. This term is slightly misleading, as it equates a modulation method within a range of frequencies.

Broadcast bands

Throughout the world, the FM broadcast band falls within the VHF part of the radio spectrum. Usually 87.5 to 108.0MHz is used, or some portion thereof, with few exceptions:

In the former Soviet republics, and some former Eastern Bloc countries, the older 65–74MHz band is also used. Assigned frequencies are at intervals of 30kHz. This band, sometimes referred to as the OIRT band, is slowly being phased out in many countries. In those countries the 87.5–108.0MHz band is referred to as the CCIR band.

The frequency of an FM broadcast station (more strictly its assigned nominal center frequency) is usually an exact multiple of 100kHz. In most of South Korea, the Americas, the Philippines and the Caribbean, only odd multiples are used. In some parts of Europe, Greenland and Africa, only even multiples are used. In the UK odd or even are used. In Italy, multiples of 50kHz are used. There are other unusual and obsolete standards in some countries, including 0.001, 0.01, 0.03, 0.074, 0.5, and 0.3MHz. However, to minimise cross-channel interference, stations operating from the same or geographically close transmitters tend to keep to at least a 0.5MHz frequency separation even when closer spacing is technically permitted, with closer tunings reserved for more distantly spaced transmitters as potentially interfering signals are already more attenuated and so have less effect on neighbouring frequencies. RCA stereo models use multiples of 0.2MHz, starting at 87.50 and ending at 107.90.

ELL Assignment 2-Radio Receiver

Ell

An ell (from Old Germanic *alinâ cognate with Latinulna) is a unit of measurement, originally a cubit, i.e., approximating the length of a man's arm from the elbow ("elbow" means the bend or bow of the ell or arm) to the tip of the middle finger, or about 18 inches (457mm); in later usage, any of several longer units. In English-speaking countries, these included (until the 19th century) the Flemish ell (3⁄4 of a yard), English ell (5⁄4 yard) and French ell (6⁄4 yard), some of which are thought to derive from a "double ell".

Several national forms existed, with different lengths, including
the Scottish ell(≈37 inches or 94 centimetres),
the Flemish ell [el] (≈27in or 68.6cm),
the French ell [aune] (≈54in or 137.2cm)
the Polish ell (≈31in or 78.7cm), the Danish ell (≈25in or 63.5cm), the Swedish aln (2 Swedish fot ≈59 cm) and the German ell [elle] (Hamburg, Frankfurt, Cologne, Leipzig: 57,9cm)

Select customs were observed by English importers of Dutch textiles: although all cloths were bought by the Flemish ell, linen was sold by the English ell, but tapestry was sold by the Flemish ell.

We’ll tell you what’s true ... Over the years, the journalist has been on BBCRadio 4’s Woman’s Hour, BBC Radio5 LiveBreakfast and written for publications such as Buzzfeed and ELLE UK ... Instagram ... Over the years, the journalist has been on BBC Radio 4’s Woman’s Hour, BBC Radio 5 Live Breakfast and written for publications such as Buzzfeed and ELLE UK ... ....

&nbsp; We’ll tell you what’s true ... Over the years, the journalist has been on BBCRadio 4’s Woman’s Hour, BBC Radio5 LiveBreakfast and written for publications such as Buzzfeed and ELLE UK ... LFA ... Over the years, the journalist has been on BBC Radio 4’s Woman’s Hour, BBC Radio 5 Live Breakfast and written for publications such as Buzzfeed and ELLE UK....

ELL Assignment 2-Radio Receiver...

The Hot Joint

Chorus/Intro: Woman"So hot.. I'm burnin up" (4X)[J. Mega]Who got ya? With flows like aquaMega ?? sit the imposter, bound to prosperHits we got a lot-a, sippin on straight vodka, puffin chakaLust to conquer, nigga, I'ma monsterCall me Ontra for short, I'm confidentAs far as this, nice no argumentsRock garments, raw contentsIts obvious, we about to cop cars from thisRock continents, money over margin and the consequenceNiggas never starve again, its marvelousBe a heart-throb with chicksThe drama shit, y'all niggas hateBut I'ma do my thing, to beat fateTen-room joint, leave your name at the gateGold brunches at one G a plateChorus[Greg Valentine]Yo; I'm on the rise like hot airIt don't stop there, so popular I glareHoes stop to stare, they volunteerTo come out of their underwearFor this debonair, nigga with millionaire flairAre you through fuckin with them lame-ass queers?Ya need for a true baller severeIn my wardrobe, there's CartierPierre Cardans on my CardigansBlack sedans, in the summer the sports coupeMaster plan for a brother to score lootGoin all out pursuit for a house on the hillI conjure up a thousand ways to make me a millI don't give a fuck if time sits still, I keep strivinEuropean cars I'm drivinTop of the line shit, six V-12's and betterMy people got their shit together, lets get this cheddarChorus[J. Mega]B-K baby, all the way babyMixin Hennesey with the Alizay babyG.V. baby, Larry, baby. Don't swing the air thing, gravy, babyFor instincts, every joint gainin interestFrom the entrance, we came differentNow every whip come with gloss, fully tintedWent from wishes to paid expensesSix digits, the way we roll tremendousSip Guinness, Brooklyn dukes, no gimicsJust vintage rap shit, beyond the limitsLips splendid, money comes I spend itYou want in, dukes? I got you in a minute[Greg Valentine]Yo, yo; we some slick talkin, New YorkinQuick walkin, chicks hawkin, pumpin our's in they walkmansOften, sex women in the loft and show them hoes whose bossAnd pussy scorchin; flossin, like fight night in VegasIce sparklin like Sammy DavisSome praise us, others player-hate usJealous niggas, the hell with you niggasChorus

Latest News for: Ell radio

We’ll tell you what’s true ... Over the years, the journalist has been on BBCRadio 4’s Woman’s Hour, BBC Radio5 LiveBreakfast and written for publications such as Buzzfeed and ELLE UK ... Instagram ... Over the years, the journalist has been on BBC Radio 4’s Woman’s Hour, BBC Radio 5 Live Breakfast and written for publications such as Buzzfeed and ELLE UK ... ....

&nbsp; We’ll tell you what’s true ... Over the years, the journalist has been on BBCRadio 4’s Woman’s Hour, BBC Radio5 LiveBreakfast and written for publications such as Buzzfeed and ELLE UK ... LFA ... Over the years, the journalist has been on BBC Radio 4’s Woman’s Hour, BBC Radio 5 Live Breakfast and written for publications such as Buzzfeed and ELLE UK....