Los Angeles Opera announced its 2019-20 season lineup Sunday, touting composer and artist-in-residence Matthew Aucoin’s world premiere of “Eurydice” with Mary Zimmerman directing, as well as renowned director Barrie Kosky’s new production of “La Bohème” and composer Du Yun’s Pulitzer Prize-winning opera “Angel’s Bone.”

Next season kicks off with a bang: Kosky’s “La Bohème,” which has already sparked a good amount of buzz in advance of its world premiere in Berlin on Sunday. Kosky, head of Berlin’s experimental Komische Oper, led a production of “Fiddler on the Roof” that prompted Times music critic Mark Swed to call him “one of today’s most riotously (and, on occasion, chillingly) imaginative opera directors.” The upcoming production will be the first new staging of the Puccini classic at L.A. Opera since 1993. (Opera Vision will stream Kosky’s “Bohème” for six months starting Sunday.)

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Kosky will return later in the season with a revival of “The Magic Flute,” staged at L.A. Opera in 2013 and 2016. The production, with its clever use of projected artwork, has been a big crowd pleaser for the company — and beyond. Created by Kosky and the British theater company 1927, this version has been presented in dozens of theaters around the world.

In an interview with The Times in 2013, Kosky described his version of “The Magic Flute” as “weird and wonderful,” adding that he never would have touched the Mozart classic unless he hit on a completely new way to do it. Which he did. In a review headlined “Brilliant Transformation of ‘The Magic Flute,’ ” Swed wrote: “That this will be a hit goes without saying.”

Composer-conductor Aucoin will lead the world premiere of his “Eurydice,” scheduled to be the first mainstage performance of 2020. Based on librettist Sarah Ruhl’s play by the same name, “Eurydice” reimagines the story of Orpheus through the eyes of the myth’s heroine. It’s a genius team: Aucoin, Ruhl and director Zimmerman are all recipients of MacArthur Foundation grants.

L.A. Opera will scale back its Off Grand series to two programs next season. Off Grand, staged at locations away from the company’s home base at the Dorothy Chandler Pavilion, features non-traditional or experimental work that often draws people who haven’t attended L.A. Opera before.

The Off Grand program likely to garner the most attention in the coming season is the West Coast premiere of “Angel’s Bone,” composed by Du. The show is an allegory of human trafficking in modern times, and the Pulitzer committee called it “a bold operatic work that integrates vocal and instrumental elements and a wide range of styles.”

L.A. Opera President and Chief Executive Christopher Koelsch said the number of Off Grand performances will be reduced partly because of projects like a county-wide festival timed to “Eurydice.” Events that normally would fall under the Off Grand banner will be packaged as part of the festival, he said.

Here’s the full 2019-20 schedule released by Koelsch, general director Plácido Domingo and music director James Conlon:

Mainstage operas

“The Magic Flute” by Wolfgang Amadeus Mozart. James Conlon conducts four performances, Grant Gershon conducts two in a production created by Kosky and 1927. Performances Nov. 16-Dec. 15.

“Eurydice” with music by Matthew Aucoin and libretto by Sarah Ruhl. Mary Zimmerman directs, Aucoin conducts. Six performances Feb. 1-23, 2020. A related festival will consist of events — music, film, dance and more — planned for January through March 2020, in locations across Los Angeles County.

“The Marriage of Figaro” by Wolfgang Amadeus Mozart. Co-production with the Théâtre des Champs-Elysées of Paris. James Gray directs, James Conlon conducts. Costumes by Christian Lacroix, scenery by Santo Loquasto. Six performances June 6-28.

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Musical

“The Light in the Piazza” with music and lyrics by Adam Guettel and book by Craig Lucas. Daniel Evans directs, Renée Fleming stars. Six performances Oct. 12-20.