I’m leading a lecture at CineVic next month, this time dedicated to the 2nd Act. It’s understatement to say how much I love sharing my experiences with writing. And if you don’t know much about CineVic yet live in Victoria want to get involved in film, check us out! I owe a lot to them and their facility.
Details on my workshop...

Met up with composer and sound designer-extraordinaire, David Parfit, this weekend to talk about the upcoming sound design for Cold Camping. David’s currently working on BC director Jeremy Lutter‘s first horror feature, Hollow Child (creepy test sounds here: )
If you’ve seen No Breath Play, then you won’t soon forget...

For the fourth time since the fall of 2012 I’ve returned to this story that just won’t leave my mind. It’s a feature script about a mom who experiences empty nest and decides to go back to hair and beauty school in her 50’s, something my mom decided to do, although not necessarily for that reason.
So in the fall of 2013...

After the very thoughtful feedback on our first cut of Cold Camping, yesterday we returned to the scene of the crime for our pick-up day. The weather cooperated (yes!), the cast and crew were on point, and we ended the day early! In the meantime I stuffed my face with cookies as my main source of fuel.
Thanks to Arnold Lim, Daniel Hogg, Reena...

About Stacey

Stacey Ashworth

Stacey is a Canadian screenwriter, director, and script / story analyst with an MFA in Screenwriting from the University of Texas at Austin who is currently living in British Columbia. Stacey has had her work optioned in Los Angeles, as well as in Victoria, B.C., where she’s currently finalizing rewrites on her first draft of the Telefilm-funded feature, PERMANENT WAVES. Her short film, NO BREATH PLAY, which she wrote, directed and produced premiered at the Portland Film Festival, as well as won the Metropol Audience Award for Best Short at the Victoria Film Festival.