Prints

Authorised by the George Harrison Estate archives, Genesis is delighted to present an informal portrait taken by Olivia Harrison in 1981. Released as a companion piece to I ME MINE – The Extended Edition, Genesis exclusively offers this portrait in an edition of only 75 numbered prints, each signed by Olivia Harrison.

Completing the I ME MINE collection, we present a facsimile reproduction of George Harrison's hand-written 'I Me Mine' lyric. Published with the Harrison Estate we offer our subscribers a worldwide exclusive and a piece of Beatles history.

In 1966, Klaus Voormann created the cover for the Beatles' seminal album, Revolver. Visually representing the band's new direction, the Revolver cover artwork became instantly iconic. In 1967, Voormann went on to win the Grammy Award for Best Cover - Graphic Arts.

Exclusively for Genesis collectors, six of Shimpei Asai's photographs are now presented as large format, framed art prints. Created in small artist editions, each proof is checked and each museum quality print is signed by Shimpei Asai. A certificate of authenticity accompanies the final framed artwork.

Exclusively for Genesis collectors, six of Shimpei Asai's photographs are now presented as large format, framed art prints. Created in small artist editions, each proof is checked and each museum quality print is signed by Shimpei Asai. A certificate of authenticity accompanies the final framed artwork.

Shimpei Asai: 'I learned from The Beatles that creativity relies on being true to yourself. They found themselves in circumstances that were beyond their control, so they had to be strong to maintain their identity and express their true voices.'

USA, February 1964. Ringo Starr: "Pensive George. You should count the number of times we bought that heavy corduroy overcoat. We would always buy things in fours. It was snowing in Washington and it was freezing. We travelled down the East Coast, from New York to Washington, and finally to Florida, where it was warm."

"A lot of the time, we'd have the vocals and guitars coming out of one or two amps. Often the bass was the only one that had its own cabinet. It got hairy with the balance and the acoustics." - Ronnie Wood.

"The Artwoods' and the Birds' vans would be outside No. 8 Whitethorn before we went off to our separate gigs. It was quite a regular occurrence, especially on a weekend. The neighbours would all come out and watch with interest." - Ronnie Wood

"The gig wagon covered many miles. It was always filled with amplifiers, guitars and the drum kit. We'd be spread over the back with our pillows, wedging in wherever we could. We'd be full of aches and pains by the time we got to the gig." - Ronnie Wood