TM "Adeline and Oscar" [Fragment, draft]Written in New York, a possible early version or variant of "Memories of Oscar Wilde". (Harvey D412)

1

TM "Adversity' and "Birthday -song"Written in London, two poems written under pseudonym "Fenil Haig".

2

AM "Albade"Not the "Albade" of the "Poems Written on Active Service". Written in Ballancourt, which the poem references twice, and dates from the biginning of Ford's liaison with Janice Biala.

2

TM "The Alcestis of Euripides" freely adadpted for the modern stage.Two versions; complete manuscript in paper wrapper, 52 leaves, and alternate adaption of the last half, 27 leaves. Commissioned by Nigel Playfair, but unpublished. (Harvey Cv[5])

2

TM "The American Scene" Possibly written in New York, this apparently unpublished manuscript contains a witty comparison of the New York and London literary scenes.

2

TM "And even in Paradise devised ..."Possibly written in New York, a "play" in which the names of the characters and snippets of dialogue are to be found by referencing a crossword puzzle at the top of the page. The dramatic personae are all characters from Old Testament mythology (Adam, Lillith, Satan). With some corrections.

2

AM "And [of] halved agels with golden wings ..."Fragment of two drafts of a short poem, written on the reverse side of a copy of "April Weather" by Mathilde Blind, in the hand of Ford.

2

"Arms and the mind"Printed facsimile of Ford's work of 1916 under the nom de plume "Miles Ignotus" and originally entitled "A Day of Battle", this essay is here published for the first time by "Esquire", v. 94, no.6, Dec. 1980, pp. 78-80.

2

Army correspondence notebook.Cardboard covered army issue notebook containing Ford's records of the regimental mess of which he was in carge, carbons of letter to his Commanding Officer and to C.F.G. Masterman. Also a carbon of the poem "Clair de lune" which was published in "On Heaven and Other Poems," 1918.

2

TM [Article on the young American mid-western writers]Carbon fragment, third page of a draft of an article or book on the subject of the crop of American writers coming out of the mid-west, specifically Chicago. With some corrections.

2

TM [Article on wine]Carbon fragment of pages 9-11 of one of Ford's many articles on wine. Probably one of the first articles which was published. With some corrections.

2

AM "As a wounded hart ..."]An early meditation on youthful love and a description of a summer excursior with the then Elsie Martindale. A 16 line poem is on the last page: "On Taplow lock the sun shines down ..."

2

2

TM "As Thy Day"Title when published became "Henry for Hugh". A few holograph corrections.

2

TM "At the Caveau Roughe"Draft. Title variant: "L'Interprete - au Caveau Rouge." Includes original and carbon copy of poem, with variant versions of subsection "Sonnet de Ronssard" and "Plaisir d'Amour." See Harvey A76 for notes on the textual changes occurring between this poem's publication in the 1931 "New English Poems" and as the V poem in "Buckshee" of the 1936 "Collected Poems."

2

A & TM "At the Fairing"Poem. Three versions: 2 typescript, one of which is titled "The Humble Chapman cries his wares at a Fairing" a third in Ford's hand. Apparently unpublished.

2

TM "The Athens of the South"Carbon copy of article on Nashville, Tenn. Identified by a note in Janice Biala's hand as having been published in "Vogue"; not in Harvey.

2

TM [Autobiographical entry for includion in Georges Schrieber's "Portraits and Self Portraits"]Carbon copy of a brief and witty summation of the author's life; written in Paris.

2

TM [Autobiographical information]Carbon copy of draft [?] of a summary of Ford's literary life, written in the third-person. Includes sreferences to Ford Madox Brown and Joseph Conrad as well as the publication history and reception of the author's writings.

2

TM [Autocriticism concerning "The Rash Act"]Draft of an article by Ford commenting upon his novel "The Rash Act", with holograph corrections in the author's hand. Published in "Week-end Review", Sept. 9, 1933.

2

TM "Auto-plagiarism"An article, detailing a minor scandal concerning two works by Conrad: "The Sisters, and Unfinished Story" and "The Arrow of Gold". Includes a synopsis of "The English Novel" for Lippincott's "The One Hour Series", which was published in 1929, and a list of books of collected poems by Ford.

2

A & TM "Autumn"A musical composition, the lyrics of which are typed in full on the first page.

3

AM ["Bodurdoe and Gunter"]Fragment. Possibly written in London, short story or part of a novel, probably unpublished. Not found in Harvey.

TM "Cambridge on the Caboodle"Carbon of a review of E.M. Forster's "Aspects of the Novel", with revisions apparently in Ford's hand.

3

TM "The Case of Elizabeth Canning"Written in Sussex, a retelling of an important eighteenth-century court case. The particulars of the story are taken from "The Trial of Elizabeth Canning, Spinster for Wilful & Corrupt Perjury...Monday the 29th of April to Wednesday the 8th of May 1754" from "The 1766 Edition of State Trials". With revisions in Ford's hand.

3

AM "The Castle in Spain"Poem, which appeared in different forms as "Castles in the Fog" in the "Daily Mail Books suppl.", Jan. 19, 1907, and as "Finchley Road" in "Songs from London", 1910. Harvey Ciii (4a)

TM "Children's Song"Incomplete poem. Harvey CIII (3)k; published in "The Face of Night" Removed and filed in box 15, folder 29, with "Poems and Little Plays"

3

AMS "Chinese Music"Written in Kent, two versions of an essay on Chinese music, one in Ford's hand (7 leaves), and one in Elsie Martindale Hueffer's hand (12 leaves + folder) Apparently unpublished.

3

TM "Citizen or Subject"Article on American and British notions of citizenry and justice. Enclosed in a folder from the Article Department, Brandt & Brandt, New York, and with revisions apparently in Ford's hand.

3

TM "Citizen or subject: Why I shall never become an American citizen"Carbon of an incomplete typescript, possibly a variant of Ford's published article of the same title.

3

Clippings concerning personal lifePress clippings from the "Chicago Tribune" 91924, 1927), the "New York Herald" (1926, the "New York World" (192-?), and anoter unspecified New York publication (1930?) concerning Ford.

3

AM ["Club Night"]Poem, which appeared in a slightly different form in "Songs from London", 1910.

3

AM/TM "Coda"Fragments and drafts of "Coda" from the "Buckshee" sequence. Page 23 is written on verso of TLS to Ford from Theodor Bosanquet [?] ("Time and Tide"), April 14, 1936.

3

TM "Coda"Fragments and drafts of "Coda" of the "Buckshee" sequence.

3

TM "Coda"Clean typescript of the text as published.

3

"Collected Poems" galley proofsPrinted proofs of Ford's "Collected Poems", published by Oxford University Press, New York.

3

TM "The Colonel's Shoes"Carbon of the short story. Title page marked: The Northern Newspaper Syndicate, Kendal. No. ""U" 29 Short Story.

3

"The Colonel's Shoes" news clipping.Newspaper clipping of short story. Published in "Reynold's Illustrated Newspaper"

AMS "Conceits"Poem, later published in "The Questions at the Well", part II, in 1893. Signed with Ford's initials.

3

TM "Creative History and Historical Sense"Apparently unpublished article on critical debate sparked by A.F. Pollard's book "Henry VIII". Includes references to Professor Goldwin Smith's review of the book. With revisions by Ford.

3

AMS ["Critique of a writing by Miss Black"]Fragment of a critique of a book by Miss Black.

3

AM "The Dark Forest. Part II"Writtenn perhaps in collaboration with Violet Hunt, the manuscript is a part of the later published "The New Humpty-Dumpty", 1912. It is mostly writtne in unidentified hand and some pages are typed. Pages 192-205 are in Hunt's hand, and pages 205-206 are in Ford's. The exterior folder has "Ford Madox Hueffer, 17th February, 1911, Geissen" written on it. Title page of manuscript reads: "in the property of F. B. Pinker, Talbot House, Arundel Street, London W.C." Harvey Civ (5)

3

AM "A Day of Battle"Perhaps meant to be part of a larger work, the sub-heading includes the numeral I and the subtitle "Arms and the Mind". Top right corner of title page scribed: "Written on the Ypres Salient: 15th Sep., 1916". Signature at the bottom of the last page reads "Miles Ignotus". See also Ford's essay "War--the Mind."

3

TM "Death with Dishonour"Fragment draft recording Ford's reaction to the Munich conference, especially the role of Britain. With holographic changes; unpublished.

3

AM "Death with Disbonour"Earlier fragment draft of Ford's thoughts about the Munich conference.

3

TM "Demigods"Original title "Beau Sabreur" crossed out and new title penciled in, this document is a synopsis of Ford's novel "A Little Less than Gods", written in 1928.

3

AM/TM ["Destiny's Role Given Koehler"]Report from the Hauptmann-Lindbergh kidnapping trial, later published in the "New York World-Telegram" onJanuary 20, 1935.

3

TM ["Dinner with Turbot"] "The Pensive Epicurean"Later published in "Vogue", September 15, 1939, the original title is "The Pensive Epicurean". Some holograph corrections made to draft, with a page of dictated copy by hand of Janice Biala.

3

TM & AM [Draft of chain letter...peace...sketch]Carbon drafts of a chain letter intended as a protest against the effect of war on "intellectual worksers," with an accompanying sketch signed by Ford.

3

AMS "The Dream Hunt"A slightly different version of the poem which later appeared in "Songs from London", 1910, with a fragment from another poem at the bottom of the page.

AM Eight untitled poemsFragments of early poems; some with corrections and some with several versions; probably none published.

4

AMS "Elspeth"Short story in 4 chapters, probably unpublished.

4

TM "The English Novel; Author's apology to Hugh Walpole"Dedicatory letter to Hugh Walpole, acknowledging his role in Ford's decision to publish "The English Novel". With Ford's corrections.

4

TM "Enigma"Unpublished manuscript of a short story with a few corrections. Title page on "Coopers-Bedham-Fittleworth-Sussex" stationary, which according to Harvey, would date the manuscript between 1920 and 1923.

4

TM [Ford's entry for Who's Who in Literature]Entry form of the Literary Year Book Press.

4

TM "Epilogue"Two versions of manuscript about WWI, one 8 pages; the other 3 pages.

4

TM "The Escape: a One Act Drama"A single act drama, concerning a married couple and infidelity.

4

TMS"Every Man: a Sequence"Two versions of a poem: 4 leaves of typescript, and 2 leaves of holograph comprising four of the typed poems in another form. Appears in "Songs from London", 1910.

AM "Faith and Hope, Being part of a double-Trilogy in Park & ParlourFragment of poem, includes I (1) Faith in the Park; I (2) Faith in the Parlour; II (1) Hope in the Park. Published in "The Qestions at the Well", 1893.

4

TM "The Feather"Poem, published with slight differences in "High Germany", 1912.

4

TM "Felo de Se"Poem, another version of "The Ballad of a Suicide"; unpublished in this form.

4

AM "First Lecture"Fragments of notes for an unidentified lecture on Writing and bookselling; probably in in Ford's hand. Harvey notes: "Probably delivered after 1924 to an American audience. (Harvey Cvi6)

TM [Fleuve Profond] "Nuitee a l'Americaine"Draft of varian fragments of Poem III of the "Buckshee" sequence.

4

A & TM "Footsloggers"Poem, written on stationary of the 3rd Battalion of the Welch Regiment, "REDCAR." Later published in "On Heaven". 6 leaves of typescript with some corrections; 2 leaves written, probably not in Ford's hand.

4

AM "For Democracy"Poem, probably unpublished.

4

"Ford Madox Brown" galley proofIntroduction to a catalogue for an exhibition of Ford Madox Brown's paintings at Grafton Galleries.

TM "Ford Madox (Hueffer) Ford Obit"Copy of obituary written by Ezra Pound, with some corrections.

4

TM Foreword to "The English Review Book of Short Stories"Carbon copy of the foreword Ford wrote, "For the English Review", describing his earlier venture with the journal.

4

TM "From Boston to Denver"Carbon copy of an "investigatory" essay on the American way of life, its great disparities of class and standards of living as well as its educational and political values; probably unpublished.

4

Printed "Fun!--It's Heaven"Copy of published short story printed in "The Bystander". Set in WWI, with illustrations.

4

TM/AM "Le Bon Soldat"Fragmentary draft of the French translation of "The Good Soldier". Portions of the text include Chapters I-V. On last page is inscribed: "This is a specimen of the adaptation into French of the "Good Soldier" that I made in the line during and after the 1st battle of the Somme, July to Sept. 1916--For Francis [Cheny} with gratitude--from Ford Madox Ford, Clarksvill, Tenn., 4 July '27." Although Harvey (p.46) cites a remark made in "Return to Yesteryear" (p.410) that Ford had begun a French translation of the novel in 1916. The two typed leaves of the text appear on the verso of the letterhead stationary of "The Transatlantic Review", indication a later transcription of composition. 2 leaves typescript, 36 leaves in Ford's hand.

4

"The Good Soldier" book jacket proofBook jacket proof for "The Good Soldier" as published by Albert and Charles Boni.

4

AMS "The Goose Girl"Fords retelling of the fairytale, "The Goose Girl". Verso of title page contains a fragment of manuscript by Ford: "benevolent twinkle in his eyes, beaming through his glasses...."

5

AM "Ford Madox Brown: A Record of his Life and Work"Draft of outline of Ford Madox Brown's life, devided into 4 periods (1821-50, 1851-65, 1866-78, 1879-93).

5

AM "Ford Madox Brown Outline"Outline of the biography of Ford Madox Brown, including Part I, Ch.1-5; Part II, ch.6-8 and ch. 17-18. Material organized by date with hypothetical chapter numbers and headings.

5

AM "Ford Madox Brown; A Record of his Life and Work" Version A, Part I, ch.1First version of Part I, Chap. I of Ford's biography of his grandfather, mostly in the hand of Elsie Martindale Hueffer. With editorial notes by William Michael Rossetti on front and verso of 6 pages.

5

AM "Ford Madox Brown" Version A, Part I, ch.2Fragment of text of first version of Part I, Chap. II of Fords biography.

5

AM "Ford Madox Brown" Version A, Part I, ch. 3First version of Part I, Chap. III, Paris 1840-44 of biography, edited and anotated by William Michael Rossetti.

5

AM "Ford Madox Brown" Version A, Part I, ch. 4Incomplete text of first version of Part I, Chap. IV of Ford's biography, edited and annotated by William Michael Rossetti.

5

AM "Ford Madox Brown" Version A, Part I, ch. 5First version of Part I, Chap. V of Ford's biography, edited and annotated by William Michael Rossetti

5

AM "Ford Madox Brown" Version A, Part I, ch. 6First version of Part I, Chap. VI of Ford's biography, edited and annotated by William Michael Rossetti

5

AM "Ford Madox Brown" Version A, Part I, ch. 8First version of Part I, Chap. VIII (1850-51) of Ford's biography, edited and annotated by William Michael Rossetti. Original title "Book II, Chapter 1 1850"

5

AM "Ford Madox Brown" Version A, Part II, ch. IFirst version of Part II, Chap. 1 (1852) of Ford's biography, edited and annotated by William Michael Rossetti.

5

AM "Ford Madox Brown" Version A, Part II, ch. 2Incomplete first version of Part II, Chap. II of Ford's biography, edited and annotated by William Michael Rossetti

5

AM "Ford Madox Brown" Version A, Part II, ch. 3Incomplete first version of Part II, Chap. III (1856) of Ford's biography, edited and annotated by William Michael Rossetti.

5

AM "Ford Madox Brown" Version A, Part II, ch. 4Incomplete first version of Part II, Chap. IV (1857-58) of Ford's biography, edited and annotated by William Michael Rossetti

5

AM "Ford Madox Brown" Version A, Part II, ch. 7Incomplete first version of Part II, Chap. VII (The Piccadilly Exhibition) of Ford's biography, edited and annotated by William Michael Rossetti

5

AM "Ford Madox Brown" Version A, Part II, ch. 6Incomplete first version of Part II, Chap. VI (1864) of Ford's biography, edited and annotated by William Michael Rossetti

5

AM "Ford Madox Brown" Version A, Part III, ch. 5Incomplete first version of Part III, Chap. V (M.B.'s pictures from 1866-78) of Ford's biography.

5

AM "Ford Madox Brown" Version A, Part III, ch. 7Incomplete first version of Part III, Chap. 7 (1888) of Ford's biography abbitated by William Michael Rossetti.

5

TM "Ford Madox Brown" Version A, Final chapterIncomplete first version of final chapter of Ford's biography. Text corresponds roughly to p. 398ff. of printed biography.

AM "Ford Madox Brown" Version B, Part II, ch. 6-8Chapters 6-8 (1852-65) of second version of Ford's biography: Chapter 6. 1852-55 [42 leaves; Chapter 7. 1856 [59 leaves; Chapter 8. 1857-58 [3 leaves]. Portions of the manuscript in the hand of Elsie Martindale Hueffer, some pages in an unidentified hand and some typewritten quotes. Annotated by William Michael Rossetti.

5

AM "Ford Madox Brown" Version B, Part II, ch. 9-10Chapters 9-10 (II) of the second version of Ford's biography: Chapter 9. 1859-60 [32 leaves]; Chapter 10. 1862-65 [65 leaves] Portions of the manuscript in the hand of Elsie Martindale Hueffer, some pages in an unidentified hand and some typewritten quotes. Annotated by William Michael Rossetti..

AM "Ford Madox Brown" Appendix B, List of M.B.'s more important worksChronological list of Brown's works up through 1865 (1866-1892 missing). Information includes: price, title and remarks, description, date and place of execution of exhibition, and owner.

AM "Ford Madox Brown" Note to printer & proof of title pageFord's note to the printer, suggesting that a chapter might be more efficiently presented as an appendix. Copy of the title page of the biography, with the author's suggestions written in ink.

AM "Ford Madox Brown" Version NoteDraft of a note based on a paper delivered by Ford before the Art Workers Guild on the biography.

6

AM "Ford Madox Brown" Version B NoteSecond draft of a note based on a paper delived by Ford before the Art Workers Guild on the biography with 2 leaves in the hand of Elsie Martindale Hueffer.

7

AM & TM "The Fifth Queen", Part I-IIHolograph and typewritten versions, with corrections, of the first two parts of Ford's novel, which was published in 1906. Ford's address on the title page of the hand written version of Part II dates at least that part as 1904.

7

AM "The Fifth Queen", Part IIIThird part of Ford's novel, with corrections.

7

AM "The Fifth Queen Shewn"Complete holograph manuscript, parts I, II, III of Ford's novel, later published under the title "Privy Seal" in 1907.

8

AM & TM "Great Trade Route" Text and MapHad-drawn map of Ford's travel route, with carbon of the notes explaining the relation between the map and the volume.

8

TM "Great Trade Route" DedicationCarbon draft of Ford's humorous dedication to Jean Nicolas Le Son, the son of one of the couples with whom he stayed during his travels.

8

TM "Great Trade Route" Table of Drawings & Part I, Chapter ITable of Contents of drawings by Janice Biala, which were not printed. Typescript of Part I, Chapter 1, "Voyage Westward", includes some variants from printed text as well as a few corrections in Ford's hand.

8

TM "Great Trade Route", Part I, Chapter IITypescript of Part I, Chapter II, with a few changes made.

8

TM "Great Trade Route", Part I, Chapter IIITypescript of Part I, Chapter III, "Voyage Outwards", with a few minor variations from printed text.

TM "Great Trade Route", Part I, Chapter VTypescript of Part I, Chapter V, "Interludes for Reflection, One. Societies of Nations"; a few variants, some corrections in Ford's hand, and some pagew which were cut in printed version.

TM "Great Trade Route", Part I, Chapter VIITypescript of Part I, Chapter VII, "Last Interlude"; quite a bit of material cut from this text in the published volume, some corrections in Ford's hand.

8

TM "Great Trade Route", Part II, Chapter ITypescript of Part II, Chapter I, "Voyage South"; some material cut from printed text, and some printed text missing, corrections in Ford's hand. Includes title page for Part II.

TM "Great Trade Route", Part II, Chapter IVTypescript of Part II, Chapter IV, "Voyage Soutward"; is imperfect, there being much missing, added and rearranged material, differing greatly from published text.

AM & TM Miscellaneous envelopesSeries of envelopes, of varying shapes and sizes, sent from Ford in Paris to his erstwhile American agent Ruth Kerr in New York City.

8

TM "Grumbles and Gingerbread"An article on the change in the appearance and atmosphere of New York City after the Stock Market collapsed. Apparently unpublished. Some holograph corrections and a folder indicating the former ownership of Ruth Kerr.

9

TM "H.G."Carbon typescript of an article on H. G. Wells, with some corrections in Ford's hand. One version appeared in the "American Mercury" (May 1936), and the other as a draft of chapter seven of "Portraits from Life".

9

TM "Hands off the Arts"Fragment of a draft of an article on the role of propaganda in the Arts, with some corrections. Later published in the "American Mercury", April 1935.

9

AM "The Heart of the Country"The complete holograph manuscript, with corrections in Ford's hand. This was published in 1906. (Harvey Cii(3)

9

AM "He hath Outsoared the Darkness ..."A verse inscription for the funeral wreath od Dr. William Martindale: "He hath outsoared the darkness of our night/ Envy and heartache and all grief and pain/ And that unrest which men miscall delight/ Can touch him not and torture not again."

9

AM "Hedging. A Farcially Fantastic Tragedy"Fragment of Act I, Scenes 1 & 2 of an apparently unpublished drama, set "some years hence, in & about London."

9

AMS " Henry for Hugh"Holograph text with corrections and additions of the novel published by Lippincott in 1934; forms a sequel to "The Rash Act."

9

Printed "Henry for Hugh" ReviewsFour reviews of Ford's novel, by Iris Barry, Caroline Gordon, William Rose Benet, and an unsigned review that appeared in "The American Mercury."

9

TM "Historians' Methods"Typescript of an apparently unpublished article on the methodological struggles between "Literary Historians" and "Scientific Historians".

9

TM "Honoria Mary Lelage"Fragments of drafts of three states of the text which begins on p. 4 of the complete typescript; one with some corrections.

9

TM "Honoria Mary Lelage"Uncorrected typescript of an unpublished short story. Harvey Civ(10). A letter from Brandt & Brandt (TLS to Ford, March 11, 1930) tells of unsuccessful efforts to have the story published in a periodical.

9

AMS "Hope"Holograph poem, divided into three parts.

9

AM & TM "A House"Two versions of a poetic play, holograph version, 24 leaves with corrections; final typescript, 17 leaves. Includes an illustrated title page and an inscription: "For my dear Stella. First draft finished 5/6/20, Final copy 10/6/20." The play first appeared in "Poetry", March 1921, where it won the prize of the year. Harvey Ciii(10).

9

AM "The House of Hohenfelsen: A Drama in Three Acts by F. M. H."Manuscript of an early three act drama, set in the royal court of Saeuerland, with minor corrections. (Harvey Cv(1).

9

AMS "Idylls and Ideals - Being Five Prose Idylls"Title page, preface and incomplete table of contents of a manuscript of five poems, signed under pseudonym "Eff Aitch-Emm." With an inscription: "To Mr. Ford Madox Brown, this little book is gratefully dedicated by the author."

9

AMS "Idylls and Ideals I: An Idyll of the Spessart-[wald]"The first of five idylls, signed Ford H. M. Hueffer. A complete copy with minor corrections and a draft of p.2.

9

AM "Idylls and Ideals II: An Idyll of a Fatal Ideal?"Incomplete fragment of what is probably the second idyll. Leaves numbered 25 through 28.

9

AM "Idylls and Ideals III: The Idyllic Courtship of Coytmore"The third idyll, also titled "Coytmore'ss Courtship," with a note in Ford's hand on the first page: "I might rewrite this. Th style of English is a failure."

9

AM "Idylls and Ideals V: The Idyll of an Old Pierhead"Probably a fragment of the fifth idyll, but at least a part (p. 6-52) also has been identified as a fragment of a version of "Elspeth".

9

TM "Immortality: An Elegy on a Great Poet Dying Abroad"A Typscript (7 leaves) and proofs (3 leavees) of a poem, which appeared in Hold Monro's "Chapbook", 1920. Harvey CIII(9)

AM "Im Wunderschonen Monat Mai"A pair of musical compositions, which also indludes "Thou art to all Lost [love] tje Bes." dated 1895; with title page in the hand of Elsie Martindale Hueffer.

9

AMS "In Autumn, the Fall of the Leaf!"A holography essay on Tennyson on the occasion of his death, intended for publication in "The Speaker." The first draft of the same essay was titled simply "Tennyson."

9

TM "In High Germany ["Autumn Evening"]Typescript of poem, later published in the volume "High Germany" with slight changes as "Autumn Evening". Harvey Ciii(5)

9

TM "In Praise of Garlic"Fragment of a draft of essay, with holograph corrections. Article appeared in "Harper's Bazaar" in August, 1937.

9

AM ["In the Stone Jug"]Four holograph versions of a poem, each differing from the other (one with the variant title "Song before Suicide") and from the final version which appeared in "Songs from London", 1910. Harvey Ciii(4e).

9

TM "In the Train"Uncorrected typescript of a poem published with minor changes in "High Germany, 1912. Harvey Ciii(5)

9

TM "The Inheritors"Fragment of incomplete typescript of an earlier version of the first chapter of "A Conrad Memorial Library: The Collection of George T. Keating", 1929, in which Ford Describes the collaboration between Conrad and himself. Harvey Cii(23)

9

AM "The Inheritors"Fragment of three quotations from the novel in Ford's hand, perhaps notes or early passages.

9

AM ["Introduction to Joseph Conrad's The Sisters"]Fragment of what later became Ford's preface to Conrad's story. "The Sisters" appeared in "Bookman", January 1928. Harvey Cii(19)

9

TM "Inventory"Typescript of poem which appears to be a later version of the poem titled "An Inventory: With a second and third copy.

9

TM "An Inventory"Early typescript version of a poem with the second section indluded in triplicate. Harvey Cvii(2)

9

TM "An Inventory [revised]Early typescript version of a poem, with revisions apparently in Ford's hand.

9

Printed "It Was the Nightingale" ReviewsReview and copy from the "Morning Post" (Mary 28, 1934) and a notice from the "Daily Telegraph".

9

AM "It was towards Eleven...."A fragment of an unknown text, the first sentence being: "It was towards eleven of one of those August days, when, in the neighborhood of Mark Lane...coats come off in inner offices and the distant forgotten fields call insistently."

9

TM "Just People"Typescript with sections titled "The Waiter", "The Violinist and the Hotelkeeper", and "Two Very Worried Gentlemen"; with revisions apparently in Ford's hand. Plus a folder from Brandt & Kirkpatrick on which is written "Unpublished, April 1930."

10

TM "A History of Our Own Times" SynopsisA carbon typescript synopsis of Ford's unpublished history, which he began working on in 1929 and for which he sought a publisher throughout the 1930's. With a correction apparently in Ford's hand and signed in pencil.

10

TM "A History of Our Own Times" NoteTwo typescript copies of an Author's note intended for Ford's unpublished history.

10

TM "A History of Our Own Times" Preface to Volume One (1870-18950A fragment of a copy of typescript composed of the first part of Ford's preface, dated "New York 3d August 1929" and with two of those pages being heavily corrected variants of an earlier draft. Two copies of two single-space typescript pages compose the second part, dated "Ballancourt 27 July 1930".

10

TM & AMS "A History of Our Own Times" Vol. I, Chap. I-III and Author's NoteVolume I, Chapters I-III of Ford's unpublished history, with many holograph additions and corrections. Leaves are numbered sequentially, with a gap between II. 3-28, but the sense of the text is unaltered. Also includes an incomplete and heavily corrected autographed copy of the "Author's Note" and title page in Ford's hand.

10

TM "A History of Our Own Times" Vol. I, Chap. IV-VITypescript of Volume I, Chapters IV-VI of Ford's unpublished history. With many holograph additions and corrections.

10

TM & AMS "A History of Our Own Times" Vol. I, Chap.VI-VIIIVolume I, Chapters VII-VIII of Ford's unpublished history. With many holograph additions and corrections. Leaves numbered sequentially, with the insertion of pages 198-198 after page 241 and with a gap between II. 262-301, but the sense of the text is unaltered. Final page is dated from Toulon, Sept. 19, 1932.

TM "A History of Our Own Times" Vol. I, Chap. VIIICarbon typescript of Volume I, Chapter VIII and conclusion of Ford's unpublished history. With minor corrections, dated from New York, July 1st, 1929 and Ballancourt July 14th 1930.

10

TM "A History of Our Own Times" FoldersReddish-orange dividers and folders for "A History of Our Own Times," with pasted tabs indicating title, volume, and chapter as well as the name and address of Ford's agent, Ruth Kerr.

10

TM "Chances of War Today"; "A History of Our Own Times" DraftsTwo drafts of a fragment titled "Chance of War Today"; the typescript of 10 leaves with corrections and manuscript Addition in Ford's hand; the carbon draft of 17 leaves with a note in the hand of Janice Biala dating the manuscript from 1938-1939, although the manuscript most likely dated from 1934-1935.

11

AM "Katherine Howard"Incomplete holograph of a blank verse play which was probably originally collected in "Poems & Little Plays", but nver published in "The Face of the Night" or elsewhere. Harvey Cv(2)

11

AM "Katherine Howard"A holograph manuscript that is slightly out of order, but appears to have nearly complete sections of all excepting Act I. There is much revision, and variant pages of this unpublished play. Harvey Cv(3)

11

TM "Katherine Howard"Typescript of an unpublished play in four acts, with minor corrections and with a holograph inscription of the first leaf: "Author's Note - This is really a superior play in the Elizabethan model: It contains two mad scenes & one Beef Eater! Likewise one lyric & one speech about Divinity of Kings, & one wooden heroine; one scene of comic relief & etc." In addition to one complete version, this manuscirpt includes 12 random leaves from a different version. Harvey Cv(3)

11

AM "King Cophetua's Wooing: A Song Drama in One Act"Dramatic poem first published in "Poems for Pictures", 1900. Harvey Ciii(i)

11

AM "King Cophetua's Wooing: A Song Drama [Musical Composition]Musical composition; in paper wrappers with "Cophetua's Wooing. A Song Drama. Winchelsea after 1901" written on front wrapper in Elsie Martindale Hueffer's hand.

11

AM "Ladies Whose Bright Eyes"A single page fragment, containing a quote either from "Ladies Whose Bright Eyes" or "The Young Lovell."

11

TM "Ladies Whose Bright Eyes" Cast of CharactersA descriptive list of the characters in Ford's novel, most probably for the American edition of 1935. A note in the top right corner reads: "This is a new edition of an old book out of print, first published in England in 1912."

11

TMS "Ladies Whose Bright Eyes"Pages 1-4 and 343-344, 347-363 torn from the 1911 London edition of this novel. With an inscription to Janice Biala in Ford's hand, dated from Toulon, March '32, with anew opening paragraph typed on first page, and with holograph revisions throughout. These revisions appeared in the 1935 American reprint of "Ladies Whose Bright Eyes".

Printed "Ladies Whose Bright Eyes" ReviewsReviews of the 1935 American edition of this novel. One by Isabel Paterson of the "New York Herald Tribune" (May 26, 1935), one by Lewis Gannett, and one by Peter Monro Jack of the "New York Times Book Review" (May 19, 1935).

11

AM "The Land of Song: A Phantasy"An unpublished story in four parts, set in the Viking era. Possibly in the hand of Elsie Martindale Hueffer. Harvey Civ(1)

11

TM "Last Nickels"An unpublished short story about a conversation between two women at a Writers' Club, a story idea, and the shoe trade.

11

TM "The Last Post"Fragments of carbon copy of several versions of passages which appear between pages 183-234 of the first American edition of "The Last Post". Part of Harvey Ci(15)

11

TM" Last Works About Edward VIII"Manuscript with copy plus variant of a radio address given in New York on December 7, 1936. Expanded version perhaps intended for publication.

11

AM "Lausanias & Glaucus"Fragment of unpublished manuscript missing pages 1-17, with page 18 beginning with "But to me to hunger is worse than to die."

11

TM Lecture delivered at Sacre du PrintempsTypescript of a lecture given by Ford, dated from "Paris, June' 25," with some holograph corrections. Similar to his preface to "Transatlantic Tales". Harvey Cvi(5)

11

AM Lecture delivered at University College, LondonManuscript of lecture given by Ford, addressed to a group of young ladies on the subject of the "literary life". In Ford's hand as well as the hand of an unidentified person. Harvey Cvi(4)

11

M Lecture NotesA photocopy of notes for an unidentified lecture, with three pages in ypescript and two in an unidentified hand.

11

AM Lecture on WritingIncomplete manuscript from an unidentified lecture on the "Literary life". Harvey Cvi(6)

11

AMS "Letters in England"Essay on literature in the form of a letter from "F.C. Pash" to Ford Madox Hueffer; With some corrections.

11

TM "The Life & Times of Henry VIII" SynopsisTypescript of a synopsis for a book that was never completed. Harvey Civ94)

11

TM "The Life & Times of Henry VIII" Chapter 1Sample chapter of a book that was never completed, with holograph corrections and a note on the title page indicating that "it should be distinctly understood that the enclosed introductory chapter is to be regarded as a specimen of manner rather than of matter & that the author reserves to himself the right to entirely re-write it, if necessary, at a later stage." Written on the back of an uncorrected typescript of "Romance" Harvey Civ(4)

11

AM List of poems available for publicationA list of Ford's new poems and next to each title, the names of one or two magazines for consideration. Some poems were so published, others apparently were not.

11

TM "A List of the Books of Ford Madox Ford"A carbon typescript listing Ford's published books, with some holograph additions and corrections.

TM "A Little Tour at Home" SynopsisA typescript synopsis of a proposed book of American travels, with some holograph corrections.

12

TM "London"Typescript of a general synopsis, preface, and chapter I and holograph of chapters IV and V of the book published as "The Soul of London" in 1905. With holograph corrections throughout and an inscription by Ford on the first page.

12

TM "London Re-Visited"Incomplete carbon typescript of an article that appeared in the "London Mercury", XXV (Dec. 1936). Missing pages 11-13 and with some corrections in Ford's hand.

12

TM "Lost Leader"Carbon typescript of a version of a chapter on H. G. Wells in "Portraits from Life". Missing the last page and with minor corrections.

12

AMS "A Lullaby"A musical manuscript with the following inscription on the first page: "Lullaby - Words and Music by F. M. Hueffer."

12

TM "The Making of Modern Verse" and "Christina Rossitti" AmalgamationAn incomplete holograph and typescript that is an amalgamation of the two articles. "The Making of Modern verse" appeared in "Academy, April 19 & 26, 1902 and "Christina Rossetti" appeared in the "Fortnightly", March 1911. Wit holograph corrections throughout. Harvey Cii(1)

12

Printed "The March of Literature" ReviewA review by W. S. Campbell of Ford's book "The March of Literature".

12

AM "The Marsden Case?"A fragment of a manuscript that might be from "The Marsden Case" or from "Riesenberg". With minor corrections.

TM "The Master"Typescript of an essay published with this title in "American Mercury 36" (Nov. 1935) and republished as the first chapter of "Portraits from Life", with the title "Henry James: The Master"

12

AM Memoir on the death of his grandfather, Ford Madox Brown.A tribute to Ford's grandfather, Ford Madox Brown, beginning "The painter of "Work" is no more - in his studio the work stands unfinished on the easel". With some corrections.

12

AM [Memorandum]A memorandum, which references a letter written to StanleyUnwin on Jan. 18, 1939.

12

AM "Memories and Impressions"All but the first page of Chapter VI "Pre-Raphaelites and Prisons" of the book "Ancient Lights" [American title: "Memories and Impressions"]. Probably in Violet Hunt's hand.

12

Printed Menu CardA menu card with Ford's signature and the date.

12

AM "Milhado said..."Unidentified fragment of a possible short story, apparently dating from the 1930's.

12

TM "The Miracle"A carbon typescript of a short story later published in the "Yale Review", XVIII Winter, 1928. Enclosed in a folder from Brandt and Kirkpatrick, New York and with corrections apparently in Ford's hand. Harvey D361.

12

TM "A Mirror to Conrad"A review by Ford of "Joseph Conrad: Some Aspects of the Art of the Novel" by Edward Crankshaw for the periodical "Time & Tide", London.

12

AM Miscellaneous manuscript fragmentsFragments of various manuscripts: three leaves of unidentified manuscript; three photocopies of manuscript leaves with writing at the heading in pencil indicating that they are comprised of versos of writing on Wagner as well as verso of the title page of "The Goose Girl."

AM Miscellaneous untitled poemsVarious untitled verses, with corrections. With these first lines: "When runnels began to leap and to ring"; "He taught some sure of striplings and how to plough"; "The lamplight gilds the pictures on the wall"; "And [so] the ships above the wall."

12

TM "Mr. Bosphorus and the Muses"An incomplete copy, with several versions of some pages and some penciled notes in Ford's hand.

12

Printed "Mr. Madox Hueffer's Inaccuracies"Facsimile of Ford's letter to the editor in "The Outlook" (May 6, 1911) in reference to W. M. Rossetti's comments about "Ford Madox Brown: A Record of his Life and Works". With Rossetti's response to Ford's response.

Printed "Mr. Robert Frost and 'North of Boston'".Facsimile of Ford's literary portrait (XLII) of Robert Frost and his book of verse "North of Boston". Published in "The Outlook" (June 27, 1914).

12

Printed "Mr. William de Morgan and 'When Ghost Meets Ghost'"Facsimile of Ford's literary portrait (XXIV) of William De Morgan and his novel "When Ghost Meets Shost". Published in "The Outlook", Feb. 21, 1914.

12

AM & TM "A Mother"Manuscript version (57 leaves) and parts of the typewritten version (12 leaves) of a possibly unpublished story. With corrections in Ford's hand.

12

TMS "The Mother: A Song-Drama"A typescript of a poem-play, with corrections in Ford's ahnd and with one page of the holograph version. Published first in "Fortnightly", April, 1901 and later in "The Face of the Night". Harvey Ciii(3n)

12

TM "The Mother (A Psalm...)"A typescript of the poem, with corrections in Ford's hand and with additional stanzas from either this poem or another poem. For an earlier draft of "The Mother," see FMF, Box 4, Folder 2 "Eight Untitled Poems" Harvey Cvii(2d) and Cvii(2j)

12

AM & TM "Mu...seums"Incomplete manuscript, two complete variant typescripts, and two additional pages of typescript from an unknown draft of an apparently unpublished short sotry. Typescripts include notes in Ford's hand.

12

AM "Music of the Future"A chart evaluating various types of music, covering the years 1878-1888.

13

TM "The March of Literature" p. 1-100Draft of the first section of the typescript of the 1938 Dial Press edition of Ford's book. Includes a list of his works, title page, copy right, dedication page, and text up through the first pages of Book I, Part I, chapter 5. With corrections, additions, and printer's marks.

13

TM "The March of Literature" p.101-200The second section of the typescript of the 1938 Dial Press edition of Ford's book. Includes the text from a few pages into Book I, Part I, chapter 5 throught Part II, chapter I. With corrections, additions and printer's marks.

13

TM "The March of Literature" p.201-300The third section of the typescript of the 1938 Dial Press edition of Ford's book. Includes the text from Book I, Part II, chapter 1 through Part II, chapter 4. With corrections, additions, and printer's marks.

13

TM "The March of Literature" p.301-381The fourth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book I, Part II, chapter 4 through Part III, chapter 3. With corrections, additions, and printer's marks.

14

TM "The March of Literature" p.382-480The fifth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book I, Part III, chapter 3 through Part IV, chapter I. With corrections, additions, and printer's marks.

14

TM "The March of Literature" p.481-600The sixth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book I, Part IV, Chapter I through Book II, Part I, chapter 4. With corrections, additions, and printer's marks.

14

TM "The March of Literature" p.601-700The seventh section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book II, Part I, chapter 4 through Part I, chapter 8. With corrections, additions, and printer's marks.

14

TM "The March of Literature" p.701-800The eighthth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book II, Part I, chapter 8 through Part II, chapter 3. With corrections, additions, and printer's marks.

14

TM "The March of Literature" p.801-934 & appendixThe ninth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book II, Part II, chapter 3 through Part II, chapter 7 (the end) and appendix. With corrections, additions, and printer's marks.

15

AM "Neew English Magazine specimen" Table of ContentsAn itemization of the contents of a hypothetical issue of an uncreated magazine.

15

TM "New York is Not America"A carbon copy of the typewritten manuscript of an earlier draft of Ford's book; missing some material found in published version and containing other materials not to be found in the published version. With a few corrections probably in Ford's hand. Harvey Cii(18)

15

TM "Nightmare"A carbon copy of a typewritten manuscript of an apparently unpublished short story. With a folder indicating that it had been submitted to "The New Yorker" by Ford's agent, Ruth Kerr.

15

AM "No More Parades"A handwritten page of an earlier draft of Ford's novel. Widely variant from the published version. For a comparison, see page 24 of the first American editiion.

15

Printed "No More Parades" ReviewsAn unidentifies notice of Ford's novel and a review by Isabel Paterson published in "The New York Herald Tribune" (22 Nov. 1925). Harvey E486.

15

TM "The Narrowest Escape From Death"A carbon copy of an apparently unpublished short story. With revisions probably in Ford's hand.

15

TM "The Net"Two variant versions (one with a copy) of a poem later published in the "New York Herald Tribune Books 4" (4 Dec. 1927) With a note in Ford's hand.

15

TM "Whiskey Johnnie: A Noble Fluid"Fragmentary draft and complete copy of an apparently unpublished story. The draft bears extensive holograph corrections and the title "Whiskey Johnnie"; the copy is title "A Novle Fluid" and covering note, initialed by Ford concerning editing.

15

AM "Nostalgia"A poem, written during battle along the Somme river, World War I. Identified as a version of "The Iron Music" in "Collected Poems", 1936.

15

TM "Not Idle"Carbon copy of an article that first appeared in "The New York Herald Tribune Books" July 1, 1928. Harvey Cii(20)

15

AM "Notabilia Quaedam"Holograph collection of quotes from Schopenhauer, Lucretius, Ecclesiastes, and Chapman among others. Divided into six parts, in German, Lating, and English.

15

TM "A Note to the Preface of Madox Brown's 1909 Exhibition"Ford's note considering claims that he had made in his earlier preface to a catalogue of Madox Brown's work.

15

AM "Notes as to Thoughts"Ford's literary journal which includes ideas on literary figures and works such as Shakespeare, Coleridge, the Talmud, Bunyan, and Shelley.

15

AM & TM Notes for proposed new edition of "Romance" and "Joseph Conrad: A Personal Remembrance"Carbon copy of a list of materials to be included in what was apparently to be a reissue of these works. With notes in Ford's hand.

15

Printed "Observations on Technique"Facsimile of Ford's remarks on certain aspects of writing, including the difference between projection and narration, collected by Robie Macauley and published in "Shenandoah", IV, 49-50, Spring, 1953. Harvey E972.

15

TM "Notes on Prose"Carbon copy of a humorous document concerning the origins of verse and prose. With corrections in Ford's hand.

15

TM & AM Notes on the Hauptmann TrialFragmentary manuscript and typescript versions of Ford's notes on the Hauptmann trial. With corrections apparently in Ford's hand.

15

AM Notes - Possibly for LecturesNotes for a lecture quite possibly on the subject of lecturing. With autobiographical and literary references.

TM "O Hymen" Version BCarbon copy of an apparently unpublished article. With corrections apparently in Ford's hand. This version has a few slight differences in the revisions from the original (which can be found with the bound Manuscripts Ms. Bd. O Hymen). This lacks the alternative beginning present in version A. Includes a folder from Ford's New York agents, Brandt & Brandt.

15

TM "O Hymen" Version CVariant typescript of an apparently unpublished article, which incorporated revisions present in Version B.

15

Printed "Observations on Cooking"Letter to the Editor published in the "New York Times", March 3, 1937. Harvey D404.

15

TM "October, 1914"Typescript of a poem that was published with slight changes as "Antwerp". With minor corrections in Ford's hand. It appeared by itself in book form in 1915. Harvey Ciii(7)

15

TM "Of Heaven"Carbon copy of an earlier draft of the poem, part of the volume "On Heaven" published in 1918. With a few corrections in Ford's hand which were later incorporated into the printed version. This poem appeared first in "Poetry", June 1914. Harvey Ciii(8)

15

TM "Oh Two Such Silver Currents"Copy of two sections (one 5 leaves, one 12), both with the same title. Appears to be a draft of Part III, Chapter 3 of "Return to Yesterday" Working with Conrad" (pp. 186-201)

15

TM "An Old Circle. Changes." Chapter XIII Of "Ancient Lights"Copy of Chapter XIII of "Ancient Lights" where the title has been changes to "Changes."

15

TM "The Old Story"Typescript of a short story or unfinished novel that is divided into the "argument," with the name Daniel Chaucer typed at the end (7 leaves) and the story (27 leaves), in three parts.

15

TM "On Conrad's Vocabulary"Unfinished and uncorrected typescript document on the subject of the literary collaboration between Ford and conrad and on Conrad's style.

15

TMS & AMS "On Impressionism" Part ITypescript and manuscript of the first part oa a two part article that was later published in "Poetry and Drama", June, 1914, pp. 167-175.

15

AM & TMS "One More Look" and "Linger a Moment"Musical compositions, with the title in the hand of Elsie Martindale Hueffer. Also included: "There's a woman like a dewdrop" and fragments of "Copethua," "Speech with a Ghost," and "Christine."

15

AM "On the Road"Poem, a version of which later appeared in "Outlook", Aug. 22, 1903. With corrections and untitled. Harvey Ciii(2)

TMS "Pax!"Typescript of an essay on the subject of disputes between countries and cultures, especially as it relates to the evolving role of the United States in international affairs. With extensive revisions in red pen and in pencil, the latter apparently in Ford's hand. These corrections were later incorporated into the published version, which appeared in "Harper's" 155, Sept., 1927, pp. 422-430. Harvey D343.

15

AM & TM "Pearls"Fragmentary manuscript and typescript of a story. Corrections in Ford's hand and a note on Janice Biala's inventory of her former collection states that this story was published "in London."

15

TMS "Pink Flannel"A typescript of an apparently unpublished short story. With minor corrections in Ford's hand and a TL to Ford from Curis Brown Ltd. (signed by secretary Angela Easterbrook), Jan. 7, 1922.

15

TM "Podmore's Brother"A typescript of an unpublished short story and a carbon copy of what appears to be a slightly different version. With minor corrections in typescript version.

15

AM & TM"Poems & Little Plays" [The Face of the Night]Manuscript and typescript of twenty-two poems which later appeared in "The Face of the Night", 1904. With many minor differences from the published poems and with Ford's corrections throughout. Harvey Ciii(3)

15

Folder 30 from Box 15 has been recatalogued as Folder 28.5, Box 15.

15

Printed "Portraits from Life" ReviewsReviews of Ford's book of literary portraits: Isabel Paterson's review from the "New York Herald Tribune", March 28, 1937; and two copies of Ralph Thompson's review in the "New York Times", March 23, 1937.

15

TM "Portraits of Cities - Boston"Carbon copy of a probably unpublished essay on the city of Boston. With corrections in Ford's hand.

15

TM "Portraits of Cities - Denver"Carbon copy of a probably unpublished essay on the dity of Denver.

15

TM "Thornicroft's Model" PrefacePreface to Margaret Raine (Mrs. Alfred) Hunt's novel, "Thornicroft's Model", was supposedly written by her daughter, Violet Hunt. However, on the reprint, this is a note in Violet's hand that the preface was written by Ford. With corrections.

15

TM Press release concerning the Society of the Friends of William Carlos Williams.Press release and membership roster of this Society, of which Ford was President.

15

AM "Princess Goldenhair"Manuscript of a children's story, inscribed "to Miss Poppie Hueffer from the Author. With the Compliments of the Season. Xmas 1889". With some pages in unidentified handwriting.

15

AM "Prologue: Down near the earth__" ["The Peasant's Apology"]Poem, which later appeared in "Poems for Pictures", 1900, as "The Peasant's Apology."

15

TM "Prologue of 'Buckshee'"Prologue of the "Buckshee" sequence, the text varying from the published in the 1936 edition of the "Collected Poems".

15

Printed Publicity sheet for the Tietjens seriesPublicity sheet for the first three novels of the "Tietjens Tetralogy:: "Some Do Not", "No More Parades," and "A Man Could Stand Up". With a handwritten message: "Please return to Stella Bowen, Green End, Purleigh, Essex."

16

AMS "No Enemy [titled "English Country " in manuscript]: Title page, List of Contents, and Foreward.The title page, table of contents, and foreword of an early version of the novel published as "No Enemy", New York, 1929. The title page possesses a notation in Ford's hand, addressed to Edward W. Titus, concerning the writing of and the publication of the manuscript.

16

TM "No Emeny [Titled "English Country" in manuscript] ForewordIncomplete typescript copy of the foreword to Ford's book. Another draft appeared in the 1919 manuscript, but not in the 1929 published text of "No Enemy".

AMS "No Enemy" [Titled "English Country" in manuscript] "Gardens and Flats"Manuscript draft of Part I (subtitled "Four Landscapes"), Chapter I (which became Part I, Chapter II in the 1929 published text of "No Enemy"), major portions of which were published in "The New Statesman", XIII, Aug. 23 and Aug. 30, 1919, pp. 518-519, 542-543, under the title "English Country". With numerous corrections and emendations by the author.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "Blue of Swallows' Backs"Manuscript draft of Part I, Chapter II (which became Part I, Chapter III in the 1929 published text of "No Enemy"), also published in large part in "The New Statesman", XIII, Sept 6, 1919, pp. 565-566. With numerous corrections and emendations by the author.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "The Kingdoms of the Earth"Manuscript draft of Part I, Chapter III (which became Part I, Chapter IV in the 1929 published text of "No Enemy"). With numerous corrections and emendations by the author.

16

TM "No Enemy" [Titled "English Country" in manuscript] "Intermezzo" An incomplete typescript and a complete typescript of "Intermezzo", which constitutes Chapter V of the 1929 text of "No Enemy", but does not appear in the 1919 manuscript. Harvey Ci(17)

16

AMS "No Enemy" [Titled "English Country" in manuscript] "Just Country"Manuscript draft of Part I, Chapter IV (which became Part I, Chapter VI in the 1929 published text of "No Enemy"), with a notation at the end of the manuscript indicating the "End of Part I:. With numerous corrections and emendations by the author. The verso of a sheet of this manuscript is a letter from J. Lewis May, of "The Anglo-French Review" to James B. Pinker, Ford's literary agent.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "Maisie"Manuscript draft of Part II, Chapter II (which became Part II, Chapter VIII in the 1929 Published text of "No Enemy"). With numerous corrections and emendations by the author.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "The Water Mill"Manuscript draft of Part II, Chapter II (which became Part II, Chapter IX in the 1929 published text of "No Enemy"). With numerous corrections and emendations by the author.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "From a Balcony"Manuscript draft of Part II, Chapter III (which became Part II, Chapter X in the 1929 published text of "No Enemy"). An earlier version of which was published in "The English Review", Oct., 1919, pp. 297-304 as "Henry Gaudier: The Story of a Low Tea-Shop". With numerous corrections and emendations by the author.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "Rosalie Prudent"Manuscript draft of Part II, Chapter IV (which became Part II, Chapter XI in the 1929 published text of "No Enemy"). With numerous corrections and emendations by the author.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "The Movies"Manuscript draft of an incorrectly labeled Part II, Chapter IV (which became Part II, Chapter XII in the 1929 published text of "No Enemy"). with Numerous corrections and emendations by the author. The end of the manuscript, "That is all I have to say about the war.", approximately matches up with p. 278 of the published manuscript, which continues through p. 292.

16

AMS "No Enemy" [Titled "English Country" in manuscript] "Un jeu de Cricket"Earlier manuscript draft of the appendix, variously titled "Un jeu de Cricket," "Envoi," and "Une partie", (which became Part II, Chapter VII in the 1929 published text of "No Enemy" and was title "Plying the Game"). It was first published in "Bibliotheque universelle et revue Suisse," tome LXXXV, no. 253, janvier 1917.

16

TM "No Enemy"Typescript version of manuscript, with numerous corrections. The title pages bear 21 possible titles for this work, in Ford's hand and the following limerick: "There was an old fellow named Ford/ Whose aspect was horribly bored/ When they cried, "How you mumble!"/ He replied with a grumble, I speak with the pen and the sword."

TM & AM "Professor's Progress"Third typescript version with copy. Numerous corrections and additions as well as a hand-written page.

18

TM "Provenance" pp. 1-100The first hundred pages of a havily corrected typescript, with a holograph version of the first page that includes a sketch of the travel route Ford's book is folowing. Used as the printer's copy of the American edition of "Provence" published by Lippincott in 1935.

TM "Provenance" pp. 301-[362]The last 62 pages of a corrected typescript. With a holograph version of the final page that includes a sketch by Janice Biala.

18

TM "ProvenceComplet carbon copy typescript, with minor corrections throughout in Ford's hand. The first page bears the note: "Copy corrected for Printer" and the second page gives the title as well as five other suggested provisional titles. Harvey Cii(29)

18

Printed "Provence" NoticesA notice of "Provence" by Lewis Gannett in his colum "Books and Things" in the "New York Herald Tribune", March 21, 1935; and a review of the book by Katherine Woods in the "New York Herald Tribune Books", March 24, 1935.

19

TM "Que Pensez-Vous de la France?"Copy of an article that was later published in "L'Intrasigeant", 2 (Jan.5, 1934). Harvey D379.

Proof "The Questions at the Well"Proofs of an early volume of poetry. Written under the pseudonym Fenil Haig and deditcated to "Miss Elsie Martindale."

19

AMS "The Question at the Well, with Sundry Other Verses for Notes of Music"Manuscript of the first section of the book of verse later published as "The Questions at the Well", signed under the pseudonym Fenil Haif. With some annotations and penciled numbering in the brackets done by publisher. Contents include: "The Questions at the Well"; "The Story of Simon Pierreauford"; "Terra Sperum [also titled "The Song of the Land of Hopes"]; and "Faith and Hope," which is the collective title of the four poems "Faith in the Park," "Faith in the Parlour," "Hopie in the Park," and "Hope in the Parlour."

19

TM "Ralston Crawford's Pictures"Draft of a short critique later printed as program notes for an exhibit of Crawford's paintings held at the Boyer Galleries, Philadelphia, March 10-30, 1937.

19

TM "The Rash Act" SynopsisCopy of a synopsis of Ford's novel "The Rash Act."

19

Printed "The Rash Act" ReviewUnsigned review of "The Rash Act," published in "The New York Times Book Review", 16-17 (mar. 12, 1933).

19

AM "The Reformers" [An English Girl]Almost complete manuscript of what was published in 1907 as "An English Girl". With minor corrections throughout. Harvey Ci(6)

19

TM "Return to Yesterday" DedicationIncomplete dedication "[to] Dr. Michael and Mrs. Eileen Hall Lake," later published in "The Rash Act:. With minor corrections in pencil and three added leaves are a typescript copy of Ford's poem "Champetre".

19

TM "Return to Yesterday"Typescript of parts ofFord's book, including Chapter I, titled "A Mecca for Americans" (published as "Compostella Americana"); Chapter III (including some material not published in either the English or American editions); and Chapter IV (original typescript with carbon copy). The unpublished material from Chapter III (pp. 41-44 of the manuscript) deals with the role of the arts in America.

19

Printed "Return to Yesterday" ReviewsTwo reviews of Ford's book, one by Peter Monro Jack of "The New York Times Book Review" (Jan. 24, 1932) and one by Lawrence Price of the the "University of California Chronicle", XXXI, 169-171 (Jan. 1933).

19

Printed "Dumas, The Incredible Marquis" ReviewA review by Ford, entitled "Salute to Adventure," on the subject of a book about Alexandre Dumas. From an unidentified periodical.

19

TM "Joseph Conrad" ReviewIncomplete carbon copy of a review by Ford, for the periodical "Time & Tide", of Edward Crankshaw's "Joseph Conrad: Some Aspects of the Art of the Novel". See Box 12, Forlder 13 for another top copy with the first page.

19

TM "My Old World" ReviewTypescript copy of Ford's review of Abbe Ernest Dimnet's book published in the "New York Hearald Tribune Books" 4, Mar. 31, 1935.

19

TM "Paris in Profile ReviewTypescript of Ford's review of George Slocombe's book, later published in the "New York Herald Tribune Books,", Dec. 8, 1929. With some corrections. Harvey Cii(24)

Printed "The Last Post" reviewsThree newspaper clippings of reviews of Ford's novel, by P. J. M. in "The Manuschester Guardian", Mar.2,1928; Frank Pettee; and Fanny Butcher in the "Chicago Daily Tribune".

19

Printed "A Man Could Stand Up" Reviews Two newspaper clippings of reviews of Ford's novel, one by Delbert Clark in "The Baltimore Sun", Dec. 18, 1926; and an unsigned review in the "Buffalo New York News", Nov. 27, 1926.

19

Printed "The March of Literature" ReviewNewspaper clipping of a signed review of Ford's book by Herbert Read in "The New English Weekly", Nov. 9, 1939.

19

Printed "The Marsden Case" ReviewsSix newspaper clippings of reviews of Ford's novel, including one by Gerald Gould in "The Saturday Review", May 26, 1923 and one by Forrest Reid of the "Athenaeum".

19

Printed "A Mirror to France" ReviewsSeven newspaper clippings of reviews of Ford's book, including one by Shan Bulloch in the "Chicago Evening Post", Sept. 10, 1926; one by Blair Niles in the "New York Herald Tribune", Sept. 5, 1926; one by Dorothy Canfield Fisher in the "Saturday Review of Literature", Sept. 4, 1926; and one by Henry James Forman in "The New York Times Book Review", Aug. 29, 1926.

19

Printed "New York is Not America" ReviewsTwo newspaper clippings of unsigned reviews of Ford's book.

19

Printed "No More Parades" ReviewsEight newspaper clippings of reviews of Ford's novel, including signed reviews by Gilbert Sevier of the "New York World", Nov., 1925 and by Isabel Paterson of the "New York Herald Tribune", Nov. 22, 1925.

19

Printed Poetry reviewsNewspaper clipping of an article on the subject of Ford's poetry, published in "The New Cambridge", Nov. 20, 1920.

19

Printed "Romance" ReviewNewspaper clipping of a review by Victor Llona in "La Revue Europeenne" of a novel that Ford co-wrote with Conrad.

19

Printed "Some do Not" ReviewsSix newspaper clippings of reviews of Ford's novel, including signed reviews by Fanny Butcher of the "Chicago Daily Tribune," Dec. 6, 1924 and Stuart P. Sherman of the "New York Herald Tribune", Nov. 16, 1924.

19

2 itemsTwo newspaper clippings of reviews of Ford's book, both by Robert Blatchford and one published in the "Illustrated Sunday Herald", Jan. 11, 1920.

Printed "Rhyme and Metre, or Vers Libre" ProofsGalley proof of a letter to the editor that later appeared in the July 16, 1920 issue of the "Athenaeum"; with some corrections in Ford's hand. Harvey D283.

20

TM "Riesenberg" IFirst draft of an incomplete typescript of Ford's short story, which appeared in the "English Review", April 1911; with many corrections and emendations not in Ford's hand. Harvey Ci(7)

20

TM "Riesenberg " IIUncorrected typescript draft that is probably a later version of "Riesenberg" I. Harvey Ci(7)

AM "Ripostes"Untitled early version of this poem, later published in the "Buckshee" sequence of 1931 and 1936. On the verso is a typescript draft of the poem "The Sailor's Wife".

20

TM "Ripostes"Draft version of this poem varies slightly from the text published as Poem VII of the "Buckshee" sequence. This text bears the title: "You Never Can Trust A Man When He's Out of Your Sight."

20

AM "Romance"Photocopy fragment of single page of the Ford-Conrad manuscript.

20

AMS "A Romance of the Times Before Us"Three versions (sub-folders A, B, & C) of an unpublished novel by Ford and possibly a collaborator. Versions A (1) [57 leaves] and B(2) [43 leaves] are in Ford's hand and are incomplete; version C (3) [71 leaves] is a copy of 2, probably in Elsie Martindale Hueffers' hand with corrections by Ford. Harvey Civ(2)

20

AM "A Romance of the Times Before Us"Text identified as corresponding to page 8 of version 3 of "A Romance of the Times Before Us"; in Ford's hand.

20

AM "Roussynolet"Musical coposition.

21

TM "The Saddest Story" [The Good Soldier]First part of an incomplete and uncorrected draft of what was later published as "The Good Soldier". According to Thomas C. Mosher, in his "Note on the Text," in The World's Classics edition of "The Good Soldier" (Oxford: Oxford UP, 1990), "The forty-two page typescript from which the magazine installment ["Blast"] was printed ... follows the holograph manuscript, inclorporating some, but not all, of its revisions .... The "Blast" typescript thus antedates the first and predates the second complete manuscript. The "Blast" installment contains the novel's epigraph but omits the first sentence." Harvey Ci(9b)

21

AM &TM "The Saddes Story" [The Good Soldier]An apparently complete manuscript of what was to become the novl "The Good Soldier", both typewritten and in various handwritings and divided into three sections IParts I-II, Part III, and Part IV) by pieces of green cord. Thomas C. Mosher ascribes the identities of the various transcribers as follows: "Most of Part I (manuscript pages 2-44 and 47-82) was written by Bridit Patmore; much of Part II (pages 141-196, 106-218, and 225-253) appears to have been written by the American Imagist poet H. D. (Hilda Doolittle); the last two chapters, less the first two typed pages (pages 342-376) look to be in the hand of H.D.'s husband, the English Imagist poet Richard Aldington.... The holograph portions of the manuscript surely represent first drafts; the typed portions may not be." Harvey Ci(91a)

21

TM "The Saddest Story" [The Good Soldier]Known as the "Printer's copy" this typescript draft of what was later published as "The Good Soldier" is not, according to Harvey, identical with the first English edition. With some handwritten corrections. Harvey Ci(9c)

21

Printed "The Scaremonger. A Tale of the War Times"Facsimile of a short story published in "The Bystander", Nov. 25, 1914.

AMS "Sea-Jealousy"Poem, signed under the pseudonym "Fenil Haig" and with anote indicating that it was intended for publication in the "Speaker". Later it was published in "Poems for Pictures" in 1900.

22

TM "See, They Return!"Draft of an article published in "Esquire", June 1935, wich was later revised and incorporated into Chapter 3 of Ford's book "The Great Trade Routs." With corrections throughout.

22

TMS "Seraphina" [Romance}Typescript of an early draft of the novel "Romance", with later became a collaboration between Ford and Joseph Conrad. With corrections in Ford's hand and lots of additions towards the end. This draft is really remote from "Romance", so that one can study the effect of Conrrad upon Ford by checking parts of this typescript against it. Harvvey A11(a)

22

AMS "Serenada (Your Poet & Some Nightingales)"Unpublished poem with miscellaneious pages, several versions of a part, and an inscription to Stella on the first page. Holograph passages of "Thus to Revisit" on the verso of some pages. Harvey Cvii(2aa)

22

TM "Sevenfold Farewell"Early version of the poem "The Newt"; with a second copy.

22

TM "The Small Producer" [And His Hands Prepared]Typescript of an essay that later appeared in the "American Mercury", XXXV (Aug. 1935). With some corrections. harvey has noted a similarity in sentiment and phrasing to the "Great Trade Route". Harvery D388.

22

TM "Society of the Friends of William Carlos Williams" Membership RosterTypescript list of the group's members, with names including Sherwood Anderson, Ezra Pound, Marianne Moore, and Henry Miller. With annotations and emendations throughout.

22

Printed "Some Do Not" Dust JacketTattered fragment of the dust jacket for the second english impression. Harvey A56(c)

AM "The Song of the Land of Hopes"Manuscript of a poem, also title "Terra Sperum", that was later published in "The Questions at the Well".

22

AM Sonnet [Untitled}Sonnet, written apparently for one of Ford's "bouts-rimes" parties. With end rhymes in Janice Biala's hand.

22

AM "Sonnet [Whatever Things Future Have In Store]Sonnet written for Violet Hunt.

22

TM "Sooner Than be Idle"Copy of an article, possibly unfinished. On the subject of the British reading public.

22

AM "The Soul of London"Fragment (pages 4 & 5) of what might be a very early version of "The Soul of London" or one of the two other books in the trilogy.

22

TM Speech given at a fund-raising dinner for "Poetry" magazineA speech on the subjects of poetry and the death of a Miss Monroe. With some corrections.

22

AM "The Spirit of the People"Incomplete manuscript of Chapter 3 of Ford's book. On verso of page 2 is a letter to Ford from H. Hamilton Fyfe of the "Daily Mirror"; on verso of pages 6-9 is a manuscript of an essay, apparently never published, "On Letters in England"; and on verso of pages 10-11 is a manuscript fragment possibly from "The Simple Life Limited." Harvey Cii(4)

TM "On Heaven" StudiesCopies of earlier versions of this poem entitled "Just Heaven" and "On Heaven". The final version was published in "Poetry", June 1914. With minor corrections. Harvey Ciii(8)c

22

TM "A Sunday Morning Tragedy"Incomplete carbon draft of an article on Thomas Hardy. One version later appeared in the "American Mercury", Aug. 1936 and another became Chapter 6 of "Portraits from Life". With corrections throughout and missing pages 3-5 and 20.

22

AM "Synopses of Novels"Autograph manuscript of four sour synopses of novels: Item I, entitled "Bond", was later written and published as "When the Wicked Man"; Item II, entitle "Hallows End", and Item III, untitled, were apparently never developed but both are about characters in "The Good Soldier" about whom Ford felt he could write more; and Item IV entitle "After Waterloo," was written and published as "A Little Less Than Gods".

22

TM "Synopses of Novels"Typescript copy of the same synopses [20] with provisional titles included.

22

TM "The Rash Act" SynopsisCopy of a synopsis of Ford's novel "The Rash Act" (here called "As Thy Day"), written by J. T.

22

TM Talk delivered over W.A.B.C., Sat., Dec. 19, 1936Carbon copy of a radio talk that Ford delivered on the subject of the W.P.A.

22

TMS "Techniques"Typescript of an article on the writer's craft. Later published in the "Southern Review", 1 (July, 1935). With revisions apparently in Ford's hand and a note indicating the "manuscript [is] the property of Mrs. E.G. Bowen."

22

AM "Tennyson"

22

AM "They Say the Old Kind Gods ..."Draft of an unpublished poem. Written in pencil on a paper tablecloth.

22

TM "Thinking Aloud"Draft of an article "On War", possibly unpublished which was apparently to be part of a larger series of articles titled "Thinking Aloud". With monor corrections.

22

TM "Thomas Hardy, O.M."Draft of an article that was later published with slight revision under this title in the "New York Herald Tribune Books) Jan. 22, 1928. Typed on Two different typewriters. Article shares material in coomon with "A Sunday Morning Tragedy," with eventually became Chapter 6 in "Portraits from Life".

22

AM & TM "Three Rhymes for a Child"Drafts of poems, including a typescript of the three poems, "Seven Shepherds", "To Julia (Who Shall be a Poet)" (both of which were published in "New Poems"), and "Flight into Egypt" (7 leaves); a typescript of variations of "Flight into Egypt" (5 leaves); and a typescript (5 leaves) and manuscript (4 leaves) of "Lyra Domestica".

22

AM "The Three-Ten"Draft of poem, later published in "Songs from London", 1910. With a few corrections and with minor variations from the final version in the first stanza, and major variations in the second. Harvey Ciii(4)b

22

AMS & TM "Thus to Revisit"Incomplete manuscript and typescript of Ford's book. Date stamped on first page "June 7, 1920" and with corrections and emendations throughout. Parts of this book appeared in the "English Review" and the "Dial", beginning in July, 1920 and the book itself appeared in 1921. Harvey Cii(10)

22

AM "Thus to Revisit" Note and Possible AppendixCopy of H.G. Wells" "Letter to the Editor" in the Aug. 1920 issue of the "English Review" entitled "A Footnote to Hueffer", and a note by Ford concerning the possibility of making that article an appendix to "Thus to Revisit".

22

Printed "Thus to Revisit" ReviewCopy of one in a series of articles published in the "Piccadilly Review", bearing no resemblance to the later serialization, "Thus to Revisit", in the "English Review" and "Dial" nor to the book bearing that title. In this article, Ford critiques Max Beerbohm's "Seven Men" and W. H. Hudson's "Birds in Town and Village". Harvey D278.

22

AM "Times" marriage advertisementNote to be sent to the "Times" announcing Ford's marriage to Elsie Martindale. On stationary with the British Museum seal.

23

TM "That Same Poor Man"

23

TM "That Same Poor Man"Typescript of Part I, Chapters 5-11 of a revised draft of an unpublished novel, originally titled "The Wheels of the Plough". With minor corrections throughout. Harvey Civ(9)

23

TM "That Same Poor Man"Typescript of Par II, Chapters I-V of a revised draft of an unpublished novel, originally titled "The Wheels of the Plough". Typed on different typewriters and with corrections throught. Harvey Civ(9)

23

TM "That Same Poor Man"Typescript of Part III, (subtitled "A Romance of Re-Construction), Chapters I-IV of a revised draft of an unpublished novel, originally titled "The Wheels of the Plough". Typed on different typewriters and with minor corrections throughout. The first page is marked with a stamp: "W.A. Bradley / 5, Rue S-Louis-en-L'Ile / Paris-IV". Harvey Civ(9)Harvey Civ(9)

24

Photocopy "That Same Poor Man"Copy of the entire manuscript of Ford's unpublilshed novel.

25

AMS "To Petronella at Sea"Poem, written by Ford in pencil.

25

TM "To Violet Hunt, Poet"Poem, inviting Violet Hunt to attend a contes of poetry-writing to be held at Ford's home on April 4, 1909.

25

AM "Tomorrow!"Partial dramatization of Conrad's short story which was called "One Day More." In Ford's hand. Harvey Ci(3)

25

TM "Towards A History of English Literature"Incomplet carbon copy typescript of an unpublished critical work. With two copies of some chapters and additions and emendations throughout. Harvey Cvi(3)

25

TM "Towards Tomorrow"Earlier typescript draft of Ford's book "It was the Nighingale", with was published in 1933. A few corrections throughout. Harvey Cii(28)

25

AM & TM "Towton Field"Poem, apparently unpublished. With a complete version of 5 leaves in Ford's hand and an incomplet version with 1 leaf of typescript. With corrections throughout. Harvey Cvii(2)c

25

AM Transcriptions of some Ford manuscripts and letters owned by Lord Stow HillComplete and incomplete transcripts of manuscripts and letters by Ford written by Arth;ur and Rosemary Mizener.

25

AM "The Tribulations of Tolputt"Incomplete manuscript of a short story, an earlier version of which was titled "The Troubles ofTolputt".

25

TM Tributes and CommentsTyped list of quotes from Sinclair Lewis, Hendrick Van Loon, H.G. Wells, Hugh Walpole, and Rebecca West. The quotes come from letters to Ford and from the book jacket of the American edition of "The Good Soldier".

25

TM "Tristia"Poem sequesnce, with some poems in several versions and with many corrections in Ford's hand. Some poems are earlier, variant versions of poems published in "On Heaven", and some are unpublished.

25

AM "The Troubles of Tolputt"Manuscript of an earlier version of a short story later entitled "The Tribulations of Tolputt". With minor corrections throughout.

25

Printed "Trois Jours de Permission"Copoy of an article printed in "The Nation", Sept. 30, 1916, on the subject of a weekend leave in Paris during WWI.

25

TM "True Love and a General Court Martial"Incomplete draft of an unpublished war novel. With duplicates of pages, some of which have slight differences and with corrections throughout. Harvey Civ(7)

25

TM "Two Poems in an Old Manner"Fragment, truncated variant text of the "Aupres de ma Blonde: segment of this poem. First published in "New Poems (1922) and reprinted in the "Collected Poems (1936).

26

TM "Ulysses & the Handling of Indecencies"Typescriipt of an essay that appeared in the "English Review", Dec. 1922. With many excisions and corrections throughout. Harvey Cii(11)

26

TM Untitled Short StoryCopy of an untitled short story about a maker of violin varnish. With a note in Janice Biala's hand that states "published". See Box 15, Folder 5.5 for what appears to be a longer, variant version of this manuscript.

26

AM Untitled Short Story or Chapter from an Unpublished NovelManuscript of an unpublished piece of fiction about a young woman named Sarah and a Dominican friar, which stylistically bears a resemblance to "A Romance of the Times Before Us."

AM "The Verses for Notes of Music"Manuscript of verses, partially published in "The Questions at the Well:; with two title pages and with corrections throughout. Contents include: "A Dialogue," "L'Envoi," "Faith, Hope & Charity," "A Song of Seed's Fate" fragment, "L'Envoi Dedicatory," "Hammock Song," "An October Burden" TM, "In Contempt of Palmistry," "ASong of Seed's Fate," "A Little Comfort for a Child," "Spinning Song," "In Memoriam E.M.B.," "Travellers' Tales," "Moonlit Midnight," " River Song," "In Tenebris," and "Hope in the Parlour."

26

AMS "Wagner Educationally Considered"An incomplete manuscript on the subject of Wagner, written as "an accompaniment to the Boyreuth Festival: and signed under the pseudonym of "Hewrman Ritter". With 2 leaves of unidentified manuscript on the back: "it was eagerly accepted by the publishers...".

26

AM "Waking Song"Manuscript of a poem, inspired by the bombing of some convents along the Somme river during WWI. With a fragment of "A solis ortus cardine" written on verso.

26

TMS "The Wall: Things Seen in U.S.A."Typescript of an essay, musch of which was later incorporated in Sections 3 & 4 of the "Great Trade Route, Woyage Outwards". With a note indicating the manuscript "the property of Mrs. E.G. Bowen" and with revisions apparently in Ford's hand.

26

AM "War--the Mind"Signed with the pseudonym "Miles Ignotus". Manuscript draft of Part II, subtitled "The Enemy," of an essay, some part of which was posthumously published in "Esquire" magazine, Dec. 1980 {see Box 2, Folder 6] in an article titled "Arms and the Mind." Also, see Ford's manuscript "A Day of Battle" [Box 3, Folder 22] for what might be the first part of this manuscript.

26

TM "War and the Mind.II The Enemy"Typescript of the second part of an essay, posthumously published as "Arms and the Mind". Signed "Miles Ignotus" and with revisions apparently in Ford's hand. See Box 2, Folder 6; Box 3, Folder 22; and Box 26, Folder 8 for earlier and later drafts of this essay as well as its first part "A Day of Battle."

26

TM "Weather"Copy of a possibly unpublished article on the subject of weather. Typed on two different typewriters.

26

TM [What do Doctors know?]Typescript of an incomplete, untitled essay, on the subject of the science of medicine.

26

AM "The Wheels of the Plough"Incomplete manuscript of an unpublished novel, later titled "That Same Poor Man". Part I, Chapters I-III (77 leaves) are in Stella Bowen's hand; Part I, Chapters X-XIII & Part II, Chapters I-V are in Ford's hand (200 leaves); and the rest is missing. Harvey Civ(6)

26

AM "Trio: When Runnels Begin to Leap and Sing"Musical composition with corrections in pencil and a note "Correct for next time." See Box 12, Folder 16 for the lyrics of this composition written simply as verse.

26

TM "...When that I was a Little, Little Boy..."Copy of an essay on the subject of social conventions and prudery. With one holograph correction in Ford's hand. Second copy of pages 5-7.

26

TM "When the Wicked Man" [Notterdam}Fragmentary original version of Ford's novel, here titled "Notterdam". With excisions and corrections in Ford's hand.

26

Printed "The Wind's Quest"Leaf torn from the "Torch", 1891, with Ford's written note indicating that this was the first thing he ever wrote. On the verso is the beginning of a song verse in Ford's hand, with four bars of music.

26

TM "Women and Men"Complete typescript of Ford's book of eassays, with a vew minor corrections. Harvey Cii(2). [See Harvey A54 for evidence that dates the manuscript well before its 1923 publishing date.]

26

AM "The Wood-Haunter's Dream"Poem, not in Ford's hand and possibly not by Ford. Harvey Cvii(2)k

26

Not in box.

26

Printed "The Work of William Harrison Coleshaw"Photocopy of an article by Ford, published in "The Artist", Sept., 1897.

26

TM "Working with Conrad"Single manuscript page of an article, the complete text of which appeared in "The Yale Review," Summer, 1929. With many corrections and emendations in Ford's hand.

27

TM "When the Wicked Man"Typescript of Part I, Chapters I-III, of Ford's novel, still titled "Notterdam". With numerous corrections in Ford's hand and three copies of an illustrated programme, atop which Ford has penciled "Notterdam".

27

TM "When the Wicked Man"Typescript of Part II, Chapters I-III of Ford's novel, still titled "Notterdam". With numerous corrections in Ford's hand.

TDS "When the Wicked Man" ContractCarbon copy of the book contract for Ford's novel, still tentatively titled "Notterdam". Signed by Ford as well as a representative of the publishers Horace Liveright, Inc.

Printed "When the Wicked Man" ReviewsReviews of Ford's novel for "The New York Herald Tribune," "The Mirror," "The New York Times," " New York Evening Post," "Chicago Tribune," "Philadelphia Ledger," "The Outlook" and "The Shanghai Times".

27

TM "When the Wicked Man" Synopsis, List of CharactersThree versions of a synopsis of Ford's novel and a list of its characters. An original typescript with corrections, a revised version with some corrections and a carbon copy of the final version.

28

AM & TM "The Year of Last Omens"Poem, the first three sections of which is handwritten and the fourth section is typed. Corrections throughout in Ford's hand. Harvey Cvii(2)i.

28

TM "Years After"Carbon copy of an apparently unpublished short essay commemorating thos British soldiers who died in WWI. Harvey Cvi(10)

28

Recataloged to Box 9, Folder 8.5

28

Printed "Young America Abroad"Article, published in "The Saturday Review of Literature" on the subject of the exodus of American writers to Europe.

28

TM "The Young D.H."Draft carbon copy of an essay about D.H. Lawrence, which appeared in one version in the "American Mercury" XXXVIII, June, 1936, and in another as chapter five of "Portraits from Life."

28

AM & TM "The Young Lovell"Incomplete, corrected holograph and typescript version of Ford's novel [277 leaves], and a typescript of Part II with the corrections made which had been indicated on the earlier draft [118 leaves]. Harvey Ci(8).

DS Agreement signed by Ford and Stella Bowen after their breakupTwo copies of a legal document signed by Ford and Stella Bowen, outling the terms of their separation. The second copy, in purple ink belonged to Bowen.

28

DS Bank DraftBank draft for five pounds, signed by Ford for John Galsworthy.

28

DS CheckCheck for 125 pounds, signed by Ford for Theodore Watts-Dutton.

28

DS CheckCheck for 2 pounds, 10 shillings, signed by Ford for J.W. Lewis.

28

DS CheckCheck for 137 francs, signed by Ford for Captain F.G. Bonham-Carter.

28

TDS "It was the Nightingale" ContractContract between Esther Gwendolyn Bowen

28

D "The Nature of a Crime" ContractFord's carbon of the contract signed by Elliot Holt with an appended note concerning the terms and conditions for the re-issue of Ford's novel.

28

TDS "Vanity Fair" ContractFord's copy of a contract that specifies the he will write eight articles for "Vanity Fair", signed by a representative of Conde Nast.

28

AD Description of propertyA list of various properties owned by Ford as well as the income to be derived from them. In Ford's hand.

Printed FORDIANACollection of various newspaper and magazine cllippings by or about Ford. Includes photographs of the author, reviews and metions of his works as well as news of the escalating violence in Germany in the 1930's.

Series II. Outgoing correspondence [series]:

29

TLS to Lascelles AbercrombieToulon; Dear Mr. Abercrombie, I shall have great pleasure in sending you a small group of poems

29

TL[copy] to Ruth Aley[New York?]; Dear Mrs. Aley, It is always difficult for me to write synopses of books

29

TL[copy] to Ruth Aley[Toulon] Dear Mrs. Aley, I return the agreements herwith duly signed and witnessed

TL[copy] to Stella BowenRedcar; My dear, It was just a sort of irritation [Julian Loewe papers]

29

AL[copy]S to Stella BowenRedcar; My dear Stella, I have had an exhausting [Julian Loewe papers]

29

AL[copy]S to Stella BowenRedcar; My Dear Stella, I am writing to you before [Julian Loewe papers]

29

TL[copy] to Stella BowenRedcar; My dear, Thank you ever so many times for the little farm. [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

29

TL[copy] to Stella BowenRedcar; My dear: I think we think along such curiously dissimilar lines![Original MS in the possession of Mrs. Julian (Hueffer) Loewe. The date is mistakenly transcribed as Sept.19]

29

AL[copy]S to Stella BowenRedcar; My dear darling: I am afraid I made you rather a painful scene last night [Julian Loewe papers]

29

TL[copy] to Stella Bowen]Redcar] Darling: The gloves arrived last night: very splendid [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

29

TL[copy] to Stella BowenRedcar; Darling: Just a note to say I love you more than ever. [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

29

TL[copy,fragment] to Stella BowenEston, Yorkshire; My Darling: You do write such splendid letters [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

29

TL[copy] to Stella BowenRedcar; Darling: Here is the silly little poem I daresay you will understand [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

29

TL[copy] to Stella BowenRedcar; Darling: I was gazetted out of the Army this morning [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

29

TL[copy] to Stella Bowen[London] Darling: It was a lovely day-one of the lovliest [Julian Loewe papers]

29

TL[copy] to Stella BowenPulborough; Darling: I am writing to you before popping into [Original letter dated April 3-4; transcript mistakenly dated April 6] [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

29

TL[copy] to Stella BowenPulborough; Darling One: How can I have been so stupid [Dated "Monday Night" {April 1919} originally] [Original MS in the possession of Mrs. Julian (Hueffer) Loewe]

ALS to Stella Bowen[Redcar] My dear Stella: You ask for MSS of my lectures [Written on same sheet as his AM "Lecture Notes, Sept.5-6, 1918] Lectures are on musketry, censorship and ciphers.][Julian Loewe papers]

29A

ALS to Stella BowenRedcar; My dear, Thank you ever so many times for the little farm.[Julian Loewe papers][[copy in Box 29, folder 75]

ALS to Stella BowenRedcar; Darling: It is very nice of you to agree [Julian Loewe papers]

29A

ALS to Stella BowenRecar; Darling: It is tru - there does not seem anything [Julian Loewe papers]

29A

ALS to Stella BowenRedcar; Darling: my own darling: I have been in an [Julian Loewe papers]

29A

ALS to Stella BowenRedcar; Darling: The position is just as expected [Julian Loewe papers]

29A

ALS to Stella BowenRedcar; Darling: I was gazetted out of the Army this morning [Julian Loewe papers][copy in Box 29, foldder 82]

29A

ALS to Stella BowenRedcar; Darling: I forward the attached so taht you may see [Three enclosures are a letter from the Lyric Opera House, Hammersmith; a letter from the Anglo-French Review, Limited; and a letter from "Revue des Idees" concerning publications.] [Julian Loewe papers]

ALS to Stella BowenNew York; Darling: After a riotous party at the Gormans' [Julian Loewe papers]

29B

ALS to Stella BowenNew York; Darling: This is the last day of the year [Julian Loewe papers]

29B

Envelopes to Stella BowenA photocopy of one is included [Julian Loewe papers]

29B

ALS to Stella BowenNew York; My darling, It has been a pretty numb day [Julian Loewe papers]

29B

ALS to Stella BowenNew York; Darling: I did not write yesterday because I [Julian Loewe papers]

29B

ALS to Stella BowenNew York; Darling, I have been working [sic] pretty hard [Julian Loewe papers]

29B

tLS to Stella BowenNew York; Darling, I have just got two of your letters [Julian Loewe papers]

29B

TLS to Stella BowenNew York; My dear Stella, I have always regarded this as my best book -[ Dedication letter to "The Good Soldier". First printed in New York, 1927 edition. TLS Misdated 1926. Harvey A46b][Julian Loewe papers]

29B

TLS to Stella BowenNew York; Darling, I did not write yesterday because [Julian Loewe papers][Copy in Box 29, folder 103]

29C

ALS to Stella BowenNew York; Darling: I have just seen Spingarn who is very [Julian Loewe papers]

29C

TLS to Stella BowenChicago; My darling: I have not so much been remiss in writing [Dated 1926; one third is handwritten] [Julian Loewe papers]

29C

TLS to Stella BowenChicago; Darling, The floods of interviewers have stopped[Julian Loewe papers]

TLS to Stella BowenNew York; Darling, I hope this will be the last letter I shall write you from here [Misdated 1927][Julian Loewe papers]

29C

TLS to Stella Bowen[Paris] My dear, I thought you would like to know that E.J. was well and duly pickled [Julian Loewe papers]

29C

ALS to Stella BowenToulon; Dear Stella: I enclose a letter authorizing you to deal with [Enclosed TLS to Bowen, dated May 20, 1933 delegated her as his agent for "Towards to Tomorrow"][Julian Loewe papers]

TL[copy] to Gerald Duckworth[Paris] My Dear Mr. Duckworth, Mr. Ford has asked me to tell you that he hopes you have by this time [signed "Caroline Gordon"]

31

TL[draft] to Gerald DuckworthParis; My Dear Duckworth, Your letter of the 10th distresses me very much. In the first place,

31

TL[draft?,copy?,fragment] to Gerald DuckworthParis; My Dear Duckworth, Your letter of the 10th distresses me very much. In the first place,

31

TL[copy] to the Editor [?][n.p.] Dear Sir, Two pronouncements in late numbers of your journal are very horrifying to the quiet observer

31

TL[copy] to T. S. Eliot[Toulon] Dear Eliot, I suppose you know that Ezra's CANTOS are to be published in the fall by Farrar and Rinehart, [Enclosed are 5 leaves containing copies of letters to other authors asking for testimonials to Eliot]

31

TL[copy] to C. S. EvansParis; Dear Mr. Evans, I am returning you the proofs of IT WAS THE NIGHHTINGALE corrected.

31

T:[copy] to Ray EveritNew York; Dear Sir, Mr. Carl Van Doren has suggested that I should apply to you.

31

TL[copy to Faber & Faber[Toulon] Dear Sirs, I am obliged to you for sending me Mr. Pound's ABC but I am afraid I cannot write about them

31

TL[draft] to John Farrar[Toulon?] Dear Farrar, I hear you are publishing Ezra's Canto in the fall. I hope you will do well with them

31

TL[draft][New York] My Dear Farrar, All luck has dogged my attempts to get hold of you. [Written by Janice Biala]

31

TL[copy] to Farrar & Rinehart[Toulon?] Dear Sirs, I think yhou might have sent me a copy of the pamphlet about Pound's Cantos

AL[postcard] to [Christina Hueffer?]Giessen; [Sketch] An inhabitant of Giessen[Lamb Collection]

32

AL[postcard] to Christina Hueffer[Rüdesheim] My dear Kiddie, Here you may see yr. Pumpums. [Card has Ford's photograph with unidentified man]

32

AL[postcards]S to Christina Hueffer[Germany and Switzerland] Addressed to Christina as "Miss Hueffer". Same set sent to Katherine Hueffer Lamb, as "Miss K.M. Hueffer."

32

ALS to Christina Hueffer[n.p.] This is your mamma on the bed [Drawing] [Note to Catherine Brown Hueffer on verso.] [Lamb Collection]

32

AL[postcard]S to Christina HuefferWaterbury, Conn. This is where the watches grow from old Pumpuns [Lamb Collection]

32

ALS to Christina HuefferWinchelsea; My Dearest little Kid: I expect you think I am a very bad Pumpums

32

AL[postcards]S to Christina Hueffer[Germany and Belgium] 3 postcards

32

AL[postcards]S to Christina Hueffer[Germany] 7 postcards

32

AL[postcards]S to Christina Hueffer[Germany and Rome(1)] 22 postcards

32

AL[postcards]S to Christina Hueffer[England and Scotland] 7 postcards

32

AL[postcards]S to Christina Hueffer[France and Germany] 27 postcards

32

TL[copy] to Richard HughesNew York; My Dear Hughes, I have had IN HAZARD some six weeks now and having read it with enthusiasm

32

TL[copy] to Violet Hunt[n.p.] Dear Miss Hunt, Will you please excuse another short notice invitation? [Copy typed by Hunt for her diary. On same sheet is TL[copy] to Reynolds of Dec.9, 1908] [Violet Hunt papers]

AL[copy] to Katharine Hueffer Lamb[Paris] Dear Katharine: If your young man spoke any French at all I might employ him myself [in Katharine's hand]

38

ALS to Katharine Hueffer LambParis; Dear Katharine: If your young man spoke any French at all I might employ him myself

38

ALS to Katharine Hueffer LambDear Katharine: I have just heard that yr. grandmother is dying

38

AL[copy,fragment] to Katharine Hueffer LambParis; Dear Katharine: I ought to have sent you this and written to you a long time ago

38

TL to Katharine Hueffer LambParis; Dear Katharine: I ought to have sent you this and written to you a long time ago

38

TL[copy] to Thomas W. Lamont[New York?] My dear Sir, Your letter of February 5 has only just reached me here - rather by miracle

38

TL[copy] to John LaneSouth Lodge; Dear Lane; I should be obliged if you could pay me [Enclosed is TLS to Arthur Mizener from "Ned", Jan. 9, 1968 and TL[copy] to Mizener to Ned, Jan.12, 1968 discussing Aug.10, 1914 letter which was published in "Letters" under date Aug.12, 1915]

38

TL[copy] to John Lane Ltd.Toulon; Dear Sirs, Could you tell me what has become of the copyright of my volume of poems

38

TL[copy] to James Laughlin[New York] My Dear Laughlin, It was a pity you could not be present last night; it was a pleasant

38

TL[copy] to James Laughlin[New York] Dear Mr. Laughlin, I so much regret that you are not coming to the Williams dinner. Could you not

38

TL[copy] to K.S.[New York] Dear Sir... Your letter of the 9th of January has not reached me [date should read Feb.]

ALS to Ethel Colburn MaynePulboard? Dear Ethel: If the enclosed is inspired by South Lodge [Violet Hunt papers]

39

TL[copy] to Ethel ColburnMayne[n.p.] Dear Ethel, This is a matter in which I do not see how I can move without a great [Juliean Loewe papers]

39

TL[copy] to Ethel Colburn MayneParis; Dear Ethel, There is no sense in answering these recriminations: there are features [Typed on "Transatlantic Review" letterhead] [ Julian Loewe papers]

39

TL[copy] to Richard Meldean [i.e. Mealand]Toulon; Dear Mr. Meldean, Thank you for yours of the 22nd inst. I shall be pleased to accept Miss. Reynold' offer

39

TL[copy] to Methuen & Co.Paris; Dear Sirs... I shall be obliged to let you have the requisite permission to republish pp. 52-66

39

TL[copy] to P. Moir[Olivet] Dear Miss Moir, I am flattered indeed that you should want me but I have been so extremely

39

TL[copy] to P. Moir[Olivet] Dear Miss Moir, I enclose my answer to that fellow. I don't suppose you will want to publish it

39

TL[draft to Mr. MondLondon; Dear Mr. Mond: I do wish you would buy "The English Review". I have given such enormouse labour to it [Violet Hunt papers]

39

AL[copy, fragment] to Harold MonroPulborough; Dear Monro, Ref: cuts. I think I can provide these and should much like to

39

AL[copy] to Harold Munro[n.p.] Dear Munro, Get someone, will you, to inscribe on your tablets the dates 2-5/6/22, otherwise the first week-end

39

TL[copy] to Harriet MonroeParis; Dear Miss [Monroe], I am sending you, as I said I would, my very latest poem, being the first

39

TL[copy] to Paul Morand[Toulon?] My dear Morand, Thank you for Air Indien. I have peeped into it and I am sure that as soon as I have time

39

TL[copy] to F. V. Morley[Toulon] Dear Mr. Morley, Thank you for sending me the CANTOS which I shall be very glad to have

39

AL[draft] to Gorham Munson[New York] Dear Mr. Gorham Munson, I expect you were too busy to look in last Thursday [On verso of TLS Munson to Ford, 25 Feb., 1935]

39

ALS to S.H. Hollam MurrayWinchelsea; Dear Sir - I am much obliged to you for yr. letter of yesterday

39

TL[copy] to Edward NaumbergDear Mr. Naumberg, I had completely forgotten about the Fairy Book of 1909

39

TL[copy,fragment] to the Editor, New York Hewrald Tribune BooksNew York; Dear Sir: You will perhaps afford me the hospitality of your collumn for the following statement: [Appeared in the NY Herald Tribune Book Section on Feb. 20, 1927; re: The Nature Of A Crime]

39

TL[copy] to the Editor, New York Herald Tribune Book Section[n.p.] Sir, In one little word your critic of my "Great Trade Route" goes just too far. He speaks of my 'vilification

39

TL[copy] Editor, New York TimesNew York; Sir, The present juncture would seem to give the United States an opportunity for one of her most shining

39

TL[copy] to Charles OlsenNew York; My dear Olsen, Thank you. For we [sic] also it was a great pleasure to have made your acquaintance

39

TL[copy] to George OppenheimerParis; My dear Oppenheimer, I was very glad to get your letter with the specimen sheet of publicity

39

TL[copy] to A.R. Orage[Toulon?] Dear Orage, Thank you for yours of the 18th ult. What I have been doing is to get together

39

TL[copy] to the Oxford University PressNew York; Dear Sirs, I have brought with me from Paris a tranlation of EL PERIQUILLO SARNIENTO by Jose Joaquin Fernandez de Lizardi

39

TL[copy] to the Oxford University PressParis; Dear Sirs... Will you please observe that I refuse to permit your publication of my book GREAT TRADE ROUTE

39

TL[copy] to the Manager, Oxford University PressPenshurst; dear Sir, With regard to differences that have arisen between your New York branch and myself

39

TL[copy] to the Oxford University PressPenshurst; Dear Sirs, I have to thank you for Mr. Lowry's letter of the 24th ult. I do not think any purpose would be

39

TL[copy] to the Oxford University PressPenshurst; Dear Sirs... May I suggest that you should forward me your set of the proofs of the GREAT ROUTE?

39

TL[copy] to the Oxford University PressParis; Dear Sirs, I am now in receipt of your letter of the 30th ult. and your cable of yesterday

39

TL[copy] to the Oxford University PressNew York; Dear Sirs, I have received a letter of which the follwing is a copy from Allen & Unwin

AL to Richardson, Sadlers & Callard[London] Gentlemen: Ref. your letters of the 18th inst. The statements contained in this are in no way in accordance with the facts.

41

TL to Richardson, Sadler and CallardSussex; Gentlemen; I have received from your client, Mrs. Violet Hueffer, a letter as follows:

41

TL[copy] to T. Rokotov, Editor of International Literature[New York] Dear Sir: In answer to your questionnaire, I wish to say as personal opinion that universal European fascism is now, outside the U.S.S.R., actually in operation. [Carbon of questionnaire is included]

41

TLS to Franklin D. RooseveltNew York; Mr. President, I venture to send you herewith the copy of a speech about the Art Projects of the W.P.A. that I broadcasted lately

41

TL[copy] to Mr. Ross[London] Dear Mr. Ross/ I am really sorry if my book has hurt your feelings as a friend of Wilde's.

41

TL[copy] to Ross[London] My dear Ross/ Thanks; perhaps you will fix up a day when you find it convenient.

41

TL[copy] to W.H.D. Rouse[Olivet] Dear Mr. Rouse: I am indeed flattered that you should have sent me your Iliad, and by the nice things you say

41

TL[copy] to Rowohlt VerlagClarkesville, TN; Dear Sirs: Messrs. Houghton Mifflin have forwarded me your letter of the twenty-first of April

41

TL[copy] to William E. RudgeNew York; My dear Mr. Rudge: I have not myself got a copy of the letter you wrote Bradley

41

TL[copy] to William E. Rudge[New York] Dear Mr. Rudge: Here is the manuscript of "New York Essays". Will you please let Miss Gordon, the bearer, have a receipt for it,

41

TL[copy] to Leah SalisburyToulon; Dear Madam: Mr. Young suggested that I might put the einema right of my book, THE RASH ACT in your hands

41

TL[copy] to the Editor, The Saturday ReviewNew York; Dear Sir, Two years ago today Dr Canby commissioned from me an article on wine

41

TL[copy] to Isidor SchneiderParis; My dear Schneider, I see no reason inprinciple why I should not write for the PHILADELPHIA INQUIRER

41

TL[copy] to Isidore Schneider[Paris] Dear Mr. Schneider, I have already forwarded to you personally a number of sufficiently eccentric snapshots of myself

41

TL[draft] to R.A. Scott-JamesHythe; Dear Mr. James: Thank you for yr. letter: the exact circumstances were these: I was helping Marshall

41

TL[copy] to R.A. Scott-JamesLondon; My dear James, Thanks. You have written a very nice letter and I am grateful to you.

41

TL[copy]S to R.A. Scott-JamesLondon; Dear James, I am sorry you appear to feel yourself aggrieved. Of course I should not have ordered an article from you

41

TL[copy]S to R.A. Scott-JamesLondon; Dear James/ I've cut this blessed thing with coolness and ferocity. But I really can't judge of lengths a bit

41

TL[copy]S to R.A. Scott-JamesGiessen; My dear James, Of course I am going to write the articles for you. But I have been busy and lazy

41

TL[copy]S to R.A. Scott-JamesSelsey; My dear Scottie, I suppose I may now congratulate you, as I do very heartily at having again got your foot into

41

TL[copy]S to R.A. Scott-JamesGuermantes; My dear Scott-James, Your letter dated 4th Sep and announcing your intention of visiting Paris on the 6th of that month has only just reached me

41

AL[copy] to R.A. Scott-James[New York] My dear Scott-James/ I was very pleased to see your signature again after so long an interval. [ Written on TLS Scott-James to Ford, March 12, 1935]

41

TL[copy] to R.A. Scott-James[New York] Dear Scott James, I don't know if these things have been offered to you - if not, take a look at them

41

TL[copy] to R.A. Scott-James[Paris] Dear James, Send me the cheque for that article, will you? Things are so bad here that one really needs to keep all the money by one

41

TL[copy] to R.A. Scott-JamesParis; My dear Scott James, I am sending you under this cover some poems by my friend Mrs Michael Lake

41

TL[draft] to R.A. Scott-James[New York] My dear Scott-James: It was nice to see your signature again. (Would you get your mail clerk to observe

41

TL[copy] to R.A. Scott-JamesNew York; My dear Scott James: It was nice to see your signature again. (Would you get your mail clerk to observe

41

TL[draft] to R.A. Scott-James[New York] My dear Scott-James: Here is a short story that I have written with the Mercury in view,

41

TL[copy] to R.A. Scott-JamesMy dear Scott-James: Here is a short story that I have written with the Mercury in view

41

AL[copy,fragment] to George Bernard ShawLondon; ... With regard to the National Theatre, I offered at the first meeting of the Committee which I attended

41

TL[copy] to Horace ShippParis; Dear Sir, I have now received the proofs of your short stories and will let you have a note about them early next week.

41

TL[copy] to Horace ShippToulon; Dear Mr. Shipp, Here is the note about the English Review. I am so sorry to have kept you waiting

41

TL[copy] to Horace ShippToulon; Dear Mr. Shipp, Mr. Ford would like very much toknow if you have received the note

41

TL[copy] to Horace Shipp[Toulon] Dear Mr. Shipp, I am of course much touched by your wanting to dedicate your new venture to me

41

TL[copy] to George Shively[Greensboro?] Dear Mr. Shively: Your letter to Dahlberg is admirable and ought to be most helpful.

TL[copy] to T.R. SmithToulon; Dear T.R. Smith, I mailed the ms of my reminiscences to Miss Kerr today. It runs to about 120,000 words

41

TL[copy] to T.R. SmithToulon; Dear T.R. Smith, I regret that you do not like my reminiscences. You might have looked at the matter in a different light

41

TL[copy] to T.R. Smith[Toulon] Dear T.R. Smith, The proofs, the sending of which you annouce to me in your letter of the 11th inst; which reached me on the 20th,

41

TL[copy] to T.R. Smith[Toulon] Dear T.R. Smith/ I received the remainder of the proofs of RETURN TO YESTERDAY on the 12th inst.

41

AL[copy] to David Soskice[N.p.] Dear David/ There has been no weakness or indecision on my part but I think you have misunderstood the position.

41

TL[copy] to Arthur B. SpingarnParis; Dear Mr Spingarn/ Owing to the dilatory habits of Messrs Albert & Charles Boni I have decided to transfer my books from them

41

ALS to Jean StaffordParis; Dear Miss Stafford: I am rather worn out after a long illness: but I will certainly write you a strong recommendation

41

TLS to Jean Stafford New York; Dear Jean: I will read the stories almost immediately. What do you want me to do after I've read them?

41

TL[copy]New York; Dear Jean: I will read the stories almost immediately. What do you want me to do after I've read them?

41

ALS to Jean StaffordNew York; These are swell! I will write about them for the Normandie

41

TL[copy] to Gertrude SteinParis; Dear Miss Stein, I have just got your letter of the fifteenth. I am very sorry that you have had to wait for your cheque.

41

TL[copy] to Gertrude SteinCarqueiranne; My dear Gertrude, How nice to hear from you. I have been playing hermit and incidentally working rather hard here for a month or so past [dated incorrectly 1931]

41

TL[copy] to Gertrude SteinParis; Dear Gertrude/ I wish you'd let my friend Allen Tate who is a very fine poet call on you with his wife.

41

TL[copy] to George StevensNew York; Dear Mr. Stevens: Alright. Let it go at that. I take it that the remaining articles you want are to be one more

41

TL[copy] to George Stevens[This folder contains facsimiles of 4 Ford letters and one George Stevens letter; note by Max Saunders included]

41

TL[copy] to Brett StokesNew York; Dear Mr. Stevens: I forward you under separate sheet the aims and purposes of the TRANATLANTIC REVIEW

41

TL[copy] to Harold StraussNew York; Dear Mr. Strauss: I am delighted that you should take an intereest in Miss Welty's stories.

41

TL[copy] to Allene TalmeyCalrksville, Tenn.; Dear Miss Talmey: The article which is on "The Athens of the South" is well on its way and is in fact nearly done.

41

TL[copy][Clarksville, Tenn.?] Dear Miss Talmey; By this time you will probably have received the article, or if not, you can expect it any day.

TL[copy] to Allen Tate[New York] Dear Allen: Yes, you impressed me as being more sanguine thatn perhaps you were; still it can't be helped -

41

TL[copy] to Allen TateNew York; Dear Allen: Could you let me know what has happened about the Chapel Hill project?

41

TL[copy] to Allen Tate[New York] Dear Allen: Dahlberg who was the first guest of honour of the William Carlos Williams Society is looking out for some sort

41

TL[copy] to W.H. Thompson[Tarascon?] Dear Mr Thompson, I am rather bothered by a matter as to which I should be glad of your advice:

41

TL[copy] to W.H. ThompsonParis; Dear Mr Thompson, Self and Duckworths/ Would you please forward as soon as is convenient a copy of my agreement

41

ALS to Yates Thompson[London] Dear Sir- As it is proposed to hold a complete & comprehensive exhibition of the works of Madox Brown

42

TL[draft] to the Editor, The Times Literary Supplement[Paris] Dear Sir, Since yo have printed a letter from Mrs Conrad on my book "Joseph Conrad: A Personal Remembrance", I should like to be allowed to state

42

TL[copy] to Edward W. Titus[Paris] Dear Mr. Titus, It was obliging of you to send me by Mr Putnam a message to the effect that you wanted that story.

TL[copy] to Stanley Unwin[Toulon?]Dear Mr Wnwin, Your name certainly seems to have worked wonders on Mr Greenslet- for I have just had a wire from him

42

TL[carbon copy] to Stanley Unwin[Paris]Dear Mr Unwin, We hope to leave for New York in about a week's time. I had hoped also to go by way of London,

42

TL[photocopy] to Stanley UnwinParis; Dear Mr Unwin, We hope to leave for New York in about a week's time. I had hoped also to go by way of London,

42

TL[copy] to Stanley Unwin[Paris] Dear Mr Unwin, I am much obliged to you for your letter of November 6th. It is kind of you to give yourself so much trouble,

42

TL[copy] to Stanley Unwin[New York] Dear Mr. Unwin, Greenslet of Houghton Mifflin has not yet made up his mind about the History, nor, indeed, has he even signified

42

TL[photocopy] to Stanley UnwinNew York; Dear Mr. Unwin, Greenslet of Houghton Mifflin has not yet made up his mind about the History, nor, indeed, has he even signified

42

TL[copy] to Stanley Unwin[New York?] Dear Mr. Unwin, Thank you for your helpful letter of the 12th inst. I am glad GREAT TRADE ROUTE seems to be doing pretty well.

42

TL[copy] to Stanley Unwin[New York] Dear Mr. Wunwin: Thanks for yours of the 19th of February. I am glad you are thinking of doing the poems.

42

TL[copy] to Stanley UnwinNew York; Dear Mr. Unwin: There seems to be some muddle about the question of Translation rights. I thought I made it quite plain

42

TL[copy] to Stanley UnwinClarksville, Tenn.;My dear Unwin: Ref. yours of the 13th of May which has just reached me. On the 26th of February, last, I addressed you a letter [placed in 2 different folders when processed?]

42

TL[photocopy] to Stanley UnwinClarksville, Tenn.;My dear Unwin: Ref. yours of the 13th of May which has just reached me. On the 26th of February, last, I addressed you a letter

42

TL[copy] to Stanley UnwinOlivet; Dear Mr Unwin, After criss-crossing the whole continent from East to West, we have arrived once more here [placed in 2 different folders when processed?]

42

TL[photocopy] to Stanley UnwinOlivet; Dear Mr. Unwin, After criss-crossing the whole continent from East to West, we have arrived once more here

TL[copy] to Stanley UnwinNew York; MY OWN BOOKS/ Dear Mr. Unwin: I have just been re-reading my HENRY FOR HUGH and it strikes me, after not having seen it for some years,

42

TL[copy] to Stanley UnwinNew York; Dear Mr. Unwin: I forward you herewith the agreement for MR.CROYD duly signed and witnessed.

42

TL[photocopy] to Stanley UnwinNew York; Dear Mr. Unwin: I forward you herewith the agreement for MR.CROYD duly signed and witnessed.

42

TL[copy] to Irita Van Doren[Toulon] Dear Irita, I wish you would put a note somewhere in BOOKS that it is usless for American publishers or authors to send books

42

TL[copy] to Irita Van Doren[New York] Dear Irita: I am both astonished and grieved that you should let that fellow write as he did about me in your last issue.

42

TL[copy] to Grenville VernonClarksville, Tenn.; Dear Venon: I had intended not to send this ms. until I had finished with Greece, but as your letter seems to express alarm,

42

TL[copy] to Grenville VernonClarksville, Tenn.; My dear Vernon: I am sending you herewith a chapter and a piece - the end of the Greeks and the beginning of the Romans.

42

AL[draft] to Grenville Vernon[Olivet] Dear Vernon: I am sending you the rough copy of the typescript to the end of part II of the history. [Not in Ford's hand][In folder with TL[fragment] to ?; not necessarily connected with AL[draft]]

42

TL[copy] to Grenville VernonOlivet; Dear Vernon, How far have you got with the manuscript of the "History" - I mean what page?

42

TL[copy] to Grenville Vernon[Olivet] My dear Vernon, I really do not know what to say about that title. I myself should much prefer A HISTORY OF LITERATURE,

42

TL[copy] to Grenville Vernon[Olivet] My dear Vernon, I am sending you herewith a couple more chapters - fifty pages - of the "History". I have another hundred pages

42

TL[copy] to Grenville VernonOlivet; My dear Vernon, I am sending you herewith the remainder of the manuscript of what I call Book One of the History - which takes you up to Shakespeare.

42

TL[copy] to Grenville VernonOlivet; My dear Vernon: I understand that Mrs. Pickard is sending you the typed script of her novel, "Four Ways to Sunday". I hope it will appeal to you.

42

TL[copy] to Grenville VernonOlivet; My dear Vernon, I am sending you herewith the first four chapters of Book Two of the "History". They are practically ready to go to the printer

42

TL[copy] to Grenville VernonOlivet; My dear Vernon: I shall be mailing you on Monday four more chapters of the "History". It is going very fast now and, lacking disasters,

42

TL[copy] to Grenville VernonOlivet; Here are the four chapters. I don't know whether you will think that seven in fit to go to the printers.

42

TL[copy] to Grenville VernonOlivet; My dear Vernon: I have now got the duplicate copy of the HISTORY from England, so it will be safe for you to send me the original

42

TL[copy] to Grenville VernonOlivet; My dear Vernon, I notice that you advise the book shop here of a book called the MARCH OF LITERATURE. I do really implore you not to insist on this title.

42

TL[copy] to Grenville VernonOlivet; My dear Vernon: I have got a book here which contains some astonishing pictures of the funeral of Victor Hugo

42

TL[copy] to Grenville VernonOlivet; My dear Vernon: Have it your own way about the title but for goodness sake have a subtitle saying from Confucius to either Conrad or Contemporary Writers,

42

AL[draft] to Grenville VernonOlivet; D.V./ Do what you like to book: I have lost all interest in it. And there will be

TL[copy] to Dale WarrenClarksville, Tenn.; My dear Dale Warren: In premis our addresses will be as follows: here until July the 15th. From the 15th to the first of August at Olivet College

42

AL[draft] to Robert Penn WarrenDear Warren- I duly got your letter the day before yesterday - and telegraphed a reply that I should be very pleased to come.[Not in Ford's hand]

42

TL[copy] to Robert Penn WarrenNew York; Dear Warren; I wish you would let me have a cheque for that article. I presume Tate duly forwarded it to you.

42

TL[copy] to Robert Penn Warren[Olivet] My dear Red, You never sent me a copy of your review with my article in it, so that I didn't know it had appeared until the other day

42

TL[draft] to Harry B. WehleOlivet; Dear sir: I am much obliged to you for your kind letter in answer to mine, which I was afraid you might have regarded as an impertinance,

42

TL[copy] to Mr. Wells[New York] My dear Mr. Wells: Mr. Ford leaves tomorrow for Chicago and will be away for two weeks. He asks me to tell you that if you want to get the book out

42

TL[copy] to Mr. Wells[New York?] My dear Wells, Don't worry about the $250 if it is not convenient. The other thing we had better call off altogether.

42

TL[copy] to Mr. WellsNew York; My dear Mr. Wells: Mr. Ford has asked me to send you the poems of Mr. Allen Tate about whom he spoke to you [Signed by Carolyn Gordon]

42

TL[copy] to H.G. WellsParis; Dear H.G: I find myself at the moment completely destitute and propose applying to the Royal Literary Fund for relief.

42

TL[copy] to H.G. WellsNew York; Dear H.G.: I am making plans for re-starting the TRANSATLANTIC REVIEW as an Organ of the Seven Arts

42

TL[copy] to Eudora WeltyNew York; Dear Miss Welty: I am not proposing at present to deal with short stories in my own undertaking but Miss Porter

42

TL[copy] to F. C. Wicken[New York?] Dear Miss Wicken: I am sorry that I can find no copies of the agreement with Max Goschen, but I fancy that Secker is actually

42

TL[copy] to Wendell Wilcox[New York] Dear Sir: The clipping that you saw as to my reading manuscripts for the Dial was unauthorized by me

42

TL[copy] to B. W. Willett[New York] My dear Willett: I hear with rather mixed feelings that you propose to publish a 3/6d edition of "The Good Soldier".

42

TL[copy] to B. W. WillettNew York; My dear Willett: Mr. Ford askes me to tell you that he had a copy of "The Good Soldier" mailed to you today by registered post.

42

TL[copy] to William Carlos WilliamsNew York; My dear Carolos Williams: I quite agree with ou. I am afraid however it is too late to alter the arrangements

42

TL[copy] to James Waterman WiseToulon; Dear Sir, Mr Ford wishes me to inform you that he will be very pleased to do the articles you suggest

42

ALS to Charles Wilson & Son[London] Wilson & Son. With regard to your letter of 17th (today0 I beg to say that I will consult my solicitor on the subject [With ALS draft and evelope on same subject (Elsie Martindale)]

42

TL[copy] to Ellen S. WoodwardClarksville, Tenn.; Dear Madam: With regard to your letter to me of the 16th of January which I much appreciated,

42

TL[copy] to Ralph B. Wright[New York?] Dear Sir: I am glad you have called my attention to the matter of your letter of March 23rd. I don't exactly know how to answer it

42

TL[copy] to Morton D. ZabelClarksville, Tenn.; Dear Mr. Zabel: I am very sorry but much as I should like to, I don't think I shall be able to come to Chicago

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Sir, This is to acknowledge your letter of August 4th which reaches us while Mr. Unwin is away on holiday. [Signed C.A. Furth] [Second letter of same date acknowledges receipt of PROVENCE proofs]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Sir, Very many thanks for your letter of January 4th which reaches us [Signed C.A. Furth]

43

George Allen & Unwin, Ltd. TLS to Edward CrankshawLondon; Dear Crankshaw, In reply to your letter of August 28th, we are making the necessary note in our copy [Signed Philip S. Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, We understand from Crakshaw that the translation rights in those of your books with which we are concerned [Signed Philip S. Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, We have been delighted to see that THE GREAT TRADE ROUTE has been well received [Signed Philip S. Unwin]

George Allen & Unwin, Ltd. TLS toFordLondon; Dear Mr. Ford, I was very pleased to receive your letter of the 16th and should be glad [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Thank you for your letter of the 3rd. My suggestion was that I should assist you [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Herewith the agreement for the HISTORY OF OUR TIME. If it is in order we should be glad [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Thank you for your letter of the 10th November. I have at once written to Ferris [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Thank you for your letter of the 25th January. Greenslet's inaction is puzzling and I have [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, I hope that when it is available you will send us a copy of the American edition of your COLLECTED POEMS [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS toFordLondon; Dear Mr. Ford, This is just a hasty line to thank you for your letter of the 24th Febrary [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, I must apologize that I have been so long in following up my letter of the 12th February [Included is 1 leaf of suggestions for their agreement] [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Thank you for your letter of the 16th April straightening out the position regarding translation rights [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Ford, A copy of the Oxford University Press edition of your COLLECTED POEMS has just reached us [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Ford, Thank you for your letter of the 28th April and the accompanying copy of the book [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, On receipt of your letter of the 5th September I started making inquiries

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, We enclose from time to time in our publications a card asking readers [TL[copy] included as well as Reader response letter on GREAT TRADE ROUTE] [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Thank you for your letter of the 24th. I am glad to be able to report that MIGHTIER THAN THE SWORD [Signed Stanley Unwin]

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, I was very pleased to receive your letter of the 16th April and the typescript of Book one [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Sir, We regret that we are unable to trace the preface to our edition of PROVENCE which you wrote in 1936, [Signed W.N. Beard]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Our reader has now reported upon the instalment of your HISTORY OF LITERATURE and I have myself had an opportunity of looking at it. [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, I am delighted to learn from your letter of the 15th that you have completed [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, Thank you for your letter of the 23rd.. We have at once written to Mrs. Bown [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, Thank you so much for your letter of the 12th. The proofs of The MARCH OF LITERATURE [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, The proofs of THE MARCH OF LITERATURE have been carefully studies by two readers [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TL[draft]S to FordLondon; Dear Dr. Ford, The proofs of THE MARCH OF LITERATURE have been carefully studies by two readers [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, Unless you feel very strongly to the contrary, we propose to change the sub-title [Ford's response written on bottom, then crossed out] [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, Yes, it is the proof copy you sent me that has been studied by our readers [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, I attach hereto a copy of a most depressing letter which we have just received from the Houghton Mifflin Company [Signed Stanley Unwin] [Houghton Mifflin's letter rejecting Ford as an author, included]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Mr. Ford, I appreciate your position with the International book and hope that it will be possible to make progress after Christmas. [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Ford, I was delighted to receive your letter of the 18th and I am pleased to report [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, Thank you for your letter of January 25th. The kind of arrangement we should like [Signed Stanley Unwin][Suggested arrangement for LA CONQUETE DE LA VIE included on 1 leaf]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, As you have surmised, your letter of the 16th February was painful reading. [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Ford, We have now had an opportunity of studying the two book mentioned in your letter [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Ford, We have been greatly interested in Miss Eudora Welty's Stories. There is no doubt about her [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Ford, Three people have carefully studies SALUTE THE LADIES by Wanda Tower. The most favourable report was as follows: [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, Thank you for your letter of the 23rd March. You will have since heard that, as the result of inquiries I made, [Signed Stanley Unwin]

43

George Allen & Unwin, Ltd. TLS to FordLondon; Dear Dr. Ford, In accordance with your wishes we have once again studied the question of the publication [Signed Stanley Unwin]

43

Allhusen, Dorothy AL[postcard]S to Violet HuntBuckinghamsire; Will you be very kind & let me have your contribution to my Guild? [Violet Hunt papers]

43

Allingham, Helen Paterson ALS to Alfred William HuntCodalming; Dear Mr. Hunt, As you have been so very kind, I venture to send you the enclosed which I sent to Mr. Tripp. [Violet Hunt papers]

43

Alston Rivers, Ltd. TLS to Ford Madox HuefferLondon; Dear Sir, Herewith we beg to hand you proofs and script of Chapter 3. galley 13 to 16, of "The Spirit of the People" [Signed E.C.P.]

43

American Committee for German Christian Refugees TLS to FordNew York; Dear Mr. Ford: It is needless, I know, to tell you of the tragic plight of the tousands upon thousands of unfortunate refugees [Signed Harry Woodburn Chase]

43

The American Mercury TLS to FordNew York; Dear Mr. Ford: Here are the proofs of your article which I think is a delightful essay [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Mr. Ford: I have liked the Conrad piece so much that I am wondering if you would like [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: My delay in answering your letter has been due to certain confusions in the office [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: The Henry James article is firs-rate. Many thanks. A check for $150 has been sent to Mrs. Ford's account. [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: I have a letter from Ruth Aley in which she says all your future checks are to be delivered to her. [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: Thanks for "Stevie", which is another first-rate biography that I am proud to have [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: You are now on the free list - commencing with our October issue [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: I suggest the following order for the coming articles: H.G. Wells, D.H. Lawrence, Hardy, Meredith and [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: I regret to say that I have returned your W.H. Hudson piece to Mrs. Aley [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: It won't be half as unpleasant for you to receive back the article on Wells [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: We mailed the Wells check to Mrs. Aley on January 8; the check before that was sent to her on December 6 -- [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: Both the Wells and Lawrence pieces have arrived, have been read with great pleasure [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: The Hardy piece has arrived and check has been sent Mrs. Aley [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: I look forward to Turgenief and Swinburne - but, as I intimated when yo were here, I have my doubts about Dreiser and Pound. [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear For: "The Beautiful Genius" is a delightful essay. It is unusually long, however, [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: You letter is irresistible - I hereby desist from any argument about orders for articles [Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear Ford: Your letter, as of the Nunnery, afforded the first pleasant breath I have been able todraw [Signed Paul Palmer]

The American Mercury TLS to FordNew York; Dear Ford: The proof from the Dreiser piece has just come from the printer.[Signed Paul Palmer]

43

The American Mercury TLS to FordNew York; Dear ford: This came in today. Doyou want to answer it? Or shall I print it in the Open Forum with an answer from you? [Signed Paul Palmer]

43

The American Mercury TLS to FordRidgefield, Conn.; Thank you for your kind letter and please understand that I am flattered almost to the point of embarrassment[Signed Paul Palmer]

43

The American Mercury TLS to FordRidgefield, Conn.; Thank you for the excellent reply to our correspondent. I will print the two letters in The Open Forum. [Signed Paul Palmer][Clipping from the New Haven, Conn. "Journal-Courier", Sept. 10, 1936].

43

The American Mercury TLS to FordRidgefield, Conn.; Dear Ford: You have accomplished something that no one else has been able to do since I was eleven years old -[Signed Paul Palmer]

43

The American Mercury TLS to FordRidgefield, Conn.; Dear Ford: Thanks for the correct title to your book. We caught the last proofs [Signed Paul Palmer]

43

The American Mercury TLS to FordRidgefield, Conn.; Dear Ford: To answer fully the devenu question would require a small volume [Signed Paul Palmer]

American Printing House for the Blind TLS to FordLouisville; Dear Mr. Ford: The American Printing House for theBlind is trying to arrange for the publication in braille [Signed A.C. Ellis]

43

American Writers Congress TLS to FordNew York; Dear Mr. Ford: A group of novelists, critics, dramatists, and poets have organized a committee [ Signed Orrick Johns]

44

Anderson, Margaret C. toFord[Chicago?] Dear Ford Madox Ford, Didn't you get our questionnaire and are you going to be so cruel as not to answer?

44

Anderson, Sherwood TLS To FordTroutdale, Va.; My dear Ford I have your letter regarding the selection of judges for the Society's Prize

44

Angel, George ALS to Ford[London] Dear Sir, I beg to enclose copy of verses for your kind consideration. [Enclosed is TM "to Gertrude"; published in the "English Review" in Feb., 1910][Violet Hunt papers]

Beaman, Ardern George ALS to Violet Hunt [n.p.] Dear Miss Hunt, I commenced a letter to you the other day but being interrupted stowed it away somewhere & cannot discover it again.[Violet Hunt papers]

44

Beaman, Ardern George AMS "Russian Easter" St. Petersburg; There is nothing which delights the Muscovite soul like a Prazdnik or Feast-day. [Violet Hunt papers]

44

Beaman, Ardern George ALS to Violet Hunt St. Petersburg; Dear Miss Hunt, I am always living in hopes of coming home some day buit see no immediate prospect of it. [Violet Hunt papers]

44

Beaman, Ardern George ALS to Violet Hunt St. Petersburg; Dear Miss Hunt/ Your letters certainly are not as frequent as I cd. wish but the quality goes some way towards compensation for lack of quantity [Violet Hunt papers]

Belloc, Helaire TM "The Source of InformationThe Source of Information by H. Belloc appeared in English Review (the 1st number) A portion of article was blocked out by the censor ... There are 2 copies.

Bennett, Arnold ALS to Violet Hunt London; Dear Violet, I am glad to have your letter. This is just to acknowledge it. [Violet Hunt papers]

44

Bennett, William Gilchrist TLS to Stella BowenLondon; Dear Stella, On the 28th of last moth operations commenced with the Record Keeper [With TL[copy] to Bennett from DH [David Higham], July 25, 1945] [ Julian Loewe papers]

44

Benson, Constance ALS to Margaret Raine HuntBrighton; My dear Mrs. Hunt, Now you are less anxious I must write a few lines to congratulate you [Verso contains ALS Margaret to Violet] [Violet Hunt papers]

44

Benson, Godfrey Rathbone ALS to Violet HuntMadrid; Dear Violet, I have taken the rather odd step of coming to Spain to learn French. [Violet Hunt papers]

44

Benson, Venice Hunt AL[fragment]S to Violet Hunt... His wife is an invalid but her sister gave us some vittle & was most affable. [Violet Hunt papers]

44

Besnon, Venice Hunt ALS to Violet Hunt[n.p.] Dear Violet, Its been a very dull Sunday. Raffal, who wants you & I to go to theatre on Friday or Sat. to see Herman [Violet Hunt papers]

44

Benson, Venice Hunt AL[fragment]S to Violet Hunt [Southampton] Dear Violet- I've just been to see Flossie. She came here yesterday when we were at Milton's Green [Violet Hunt papers]

44

Benson, Venice Hunt ALS to Violet Hunt Cologne; Dear Violet/ You seem to be getting on very finely without your mare. We have just got here [Violet Hunt papers]

44

Benson, Venice Hunt TL[copy] to Violet Hunt Southampton; Dear V, I don't know if anyone has put you up to recent events, Rosamont and Lanz and I left Aldeburgh on Sept: 1st [Carbon copy included] [Violet Hunt papers]

44

Benson, Venice Hunt TL[fragment,copy]S to Violet HuntSussex; Dear V. I have been hanging on waiting for Willie's plans to take shape. [Violet Hunt papers]

44

Benson, Venice Hunt TL[copy] to Violet HuntSussex; Dear V. Really, S. is too abjectly silly, and how mean! but I think you rather weakly let yourself in for paying [Violet Hunt papers]

44

Benson, Venice Hunt TL[copy] to Violet HuntSussex; Dear V. I am at last re-united to my cheque book, and I will send you my debt if you [2 copies] [Violet Hunt papers]

44

Benson, Venice Hunt TL[copy] to Violet HuntSussex; Dear V.I was vastly obliged ans entertained by your letter, and meant to have said so at once [Violet Hunt papers]

44

Benson, Venice Hunt TL[copy] to Violet HuntSussex; Dear V. Have you sold that black retriever coat with the polar bear collar? If not, how much? [Violet Hunt papers]

Biala, Janice AL[draft] to T. R. Smith[Paris] Dear Sir/ Your letter of December 8th to Mr. Ford forces me to write to you in the hope of making you understand

46

Biala, Janice AL[draft] to T. R. Smith Paris; Dear Sir/ Thank you for your letter of the 14th January which unfortunately in no way reassures me

46

Biala, Janice AL[copy]S to Allene Talmey[n.p.] Dear Miss Talmey/ I haven't yet had the letter of confirmation for the article

46

Biala, Janice AL[copy]S to Allene Talmey[Clarksville] Dear Miss Talmey/ I hope you duly received the mss & drawings of Nashville

46

Biala, Janice TL[copy]S to Allene Talmey[n.p.] Dear Miss Talmey/ According to our present intentions the cities I shall make portraits of will be Denver, [Originally catalogued with Ford correspondence]

46

Biala, Janice TL[copy]S to Allene Talmey[Olivet?] Dear Miss Talmey/ Ford has received a cheque for $150 in payment for his Nashville article

Bowen, Stella AL[draft] to Graham Greene[London] Dear Mr. Graham Greene/ It is delightful to hear that one of one's most admired writers [Julian Loewe papers]

47

Bowen, Stella ALS[draft] to David Higham [n.p.] Dear David Higham/ I send you herewith 1. A copy of Ford's assignment of royalties [With drafts of other letters to Higham and Stanley Unwin.] [ Julian Loewe papers]

Bowen, Stella AL[postcard]S to Esther Julia Madox Loewe[London] Darling/ Will you please come home with Cordy on Friday as I shall be at Aunti Phyllis's [Julian Loewe papers]

47

Bowen, Stella AL[postcard]S to Esther Julia Madox Loewe[London] Darling - I bought this after I saw you off - I have got an off-white linen hat [Julian Loewe papers]

47

Bowen, Stella ALS to Esther Julia Madox Loewe[Randa Pike?] Darling One - I've just had your letter written at the week-end. I'm hoping very much [Julian Loewe papers]

47

Bowen, Stella ALS to J.B. Pinker & SonLondon; Dear Sirs. Ford Macox Ford/ As you will observe from the enclosed assignment I am entitled to all moneys [Enclosed is additional correspondence between Bowen and Pinker and 2 TLS from the Board of Trade to Bowen] [Julian Loewe papers]

Bowen, Stella ALS to Rachel WolodofskyLondon; Dear Madam/ I have written to Pinker about the points raised in your letter of the 3rd inst.

47a

Bowen, Stella TL[transcripts] to Ford [These transcripts were made by Julia Loewe for a book of Ford's and Bowen's letters which was never completed. Some of the transcripts are edited versions of the originals. In many cases Cornell has the original furnished by Julian Loewe; in many cases Cornell has the copy Bowen made.A few of the transcripts are the only copy Cornell has; although in some cases Cornell has all three. These can be found in Box 47 and Box 47a as they were added to the collection at different times.]

Bradley, William Aspenwall TLS to FordParis; Dear Ford, I was delighted to have a chance to read the opening chapters of the HISTORY, [Enclosed is 1 newspaper clipping and 1 leaf of a royalty statement]

48

Bradley, William Aspenwall ALS to FordParis; Dear Ford, Thank you for yours of the first. No, Jenny has made no offer for LADIES WHOSE BRIGHT EYES

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, I have just heard from Hartman, who likes your Riviera article and who is willing to commission another

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, What you said the other day and now repeat in your pneumatique received last night [Extract of TL to Richard R. Smith, Dec. 27, 1932, enclosed]

48

Bradley, William Aspenwall ALS to FordParis; Dear Ford, Lippincott has made an offer for your new book of Memoirs, also for your next novel,

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, Here are the contracts with the corrections on the last pages. Please note that,

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, Here is Cape's contract for THE RASH ACT, with copies of his covering letter to me

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, In answer to yours of yesterday, I will follow your instructions as to the conversion

48

Bradley, William Aspenwall TLS to FordI have just received the signed contract for THE RASH ACT from Cape, together with a cheque

48

Bradley, William Aspenwall ALS to FordParis; Dear Ford, In answer to yours of yesterday, I have received no cheque from L & S for the jacket design

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, The English Review would like to have your last article (Galsworthy and Moore)

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, I have your letter of the 8th, which arrived yesterday only, and I hasten to assure you

48

Bradley, William Aspenwall ALSto FordParis; Dear Ford, Thank you for yours of the 22nd inst. with statements. I note you say you never had one for A MAN COULD STAND UP

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, I received your telegram last night and am delighted to learn that the book is finished.

48

Bradley, William Aspenwall TLS to FordParis; Dear Ford, Lippincott have now cabled me that the manuscript of your Memoirs has safely arrived. [Lippincott account statement enclosed]

48

Bradley, William Aspenwall TLS to FordJun.16, 1933
In answer to your letter of the 3rd, I do not know whether Lippincott have bought france for the remainder of the advance due

48

Bradley, William Aspenwall ALS to FordJun.16, 1933
My office recalls forwarding to you some books sent to my care by the Saturday Review, but naturally [Newspaper clipping from "Times" re: Ray Long and Richard R. Smith Inc. enclosed]

48

Bradley, William Aspenwall to FordParis; Dear Mr. Ford, We have just received from Messrs. J.B. Lippincott the sum [Signed Xenia Scriabine]

48

Bradley, William Aspenwall TLS to FordParis; Dear Mr. Ford, In the absence of Mr. Bradley, who is still away for a few days longer [Signed Xenia Scriabine]

48

Bradley, William Aspenwall TLS to Stella BowenParis; Dear Mrs. Bowen, We are sending you herewith enclosed the contract for the British right [Signed by X. Scriabine]

Brad[?], A. G. ALS to George Peacock[n.p.] My dear Sir/ The accompanying documents are not addressed to me but Capt. Beaufort has allowed me to take [Written inside and ALS from Dominique Francois Jean Arago to Captain Francis Beaufort which has written inside an ALS to Edward Ellice from Arago] [Violet Hunt papers]

Brown, Susan Jenkins TLS to Arthur MizenerNew York; Dear Mr. Mizener, I'd be glad to help you on Ford any way I can

50

Browning, Robert AL[copy] to Alfred William HuntLondon; Dear My dear Sir/ I made use yesterday of the ticket with which your kindness furnished me, [Handwritten copy by Margaret Raine Hunt] [Original at Huntington Library] [Violet Hunt papers]

Browning, Robert AL[copy] to Alfred William HuntLondon; Dear Mr. Hunt, How can I be other than surprised and gratified by such an honour [Handwritten copy by Margaret Raine Hunt] [Original at Huntington Library] [Violet Hunt papers]

Browning, Robert AL[copy] to Alfred William HuntLondon; Dear Mr. Hunt, I did indeed both see the one beautiful picture and marvel [Handwritten copy by Margaret Raine Hunt] [Original at Huntington Library] [Violet Hunt papers]

50

Browning, Robert Printed calling cards to Violet and Margaret Raine Hunt[Notes by Violet on both envelopes.] [Violet Hunt papers]

50

Bryher, Winfred Ellerman TLS to Violet HuntSwitzerland; It is many months since I read a book so interesting as "The Wife of Rossetti".

50

Buck, Pearl (Sydenstricker) TLS to FordNew York; Dear Mr. Ford, A copy of your letter was sent to me, and I found it here on my arrival

50

Buck, Pearl (Sydenstricker) ALS to FordNew York; Dear Mr. Ford, Thank you so very much for your kindness. I shall greatly value

50

Budge, Sir Ernest Alfred Thompson Wallis ALS to Violet HuntNorthumberland; Dear Miss Hunt, This is to remind you that you have to send me one farthing! [Violet Hunt papers]

Bullett, Gerald TLS to FordEast Hartung; Dear F.M.F./ I have been intending for a long while to write to you

50

Bullitt, William Christian TLS to FordParis; Dear Ford/ I was delighted to receive your letter of March 10th. The old Transatlantic Review was a joy

50

Bunsen, George TM Account of the Great Charge at Mars-la Tour (Franco-German Way, 1870)[n.p.] George Bunsen gave me an account of the great charge at Mars-la-Tour ... as related to him by the Chief of Staff, who conveyed the order for that famous and terrible feat of arms. [Violet Hunt papers]

50

Bunting, Basil TM[copy] Pound's Cantos[Most probably written for "The Cantos of Ezra Pound: Some Testimonials", 1932.]