Here
we present a focused, tidy collection of intimately-recorded, overdub
ready, pitched happiness. A sizable 10GB (at compressed NI NCW)
collection of pitched bells, dulcimers and keyboards specifically
designed to construct tonal groove elements. For years we’ve been
subjected to typical cinematic grooves composed of various small
percussive elements; sticks, logs, shakers, claves, tambourines, finger
cymbals, and other unpitched toys – yet there was an obvious lack of
pitched counterparts. Partially inspired by the tasty tonal percussion overdub tracks on
Radiohead’s "No Surprises” and Green Day’s "Wake Me Up When September
Ends,” we set out to produce a library which could easily camouflage
itself in any track of any genre. Aside from applying the production
techniques of modern sampling, we had to take special care taming these
incredibly verbal instruments; especially the mallet keyboards as they
have the power to drown out an entire orchestra in a hall setting. Using
a combination of instrument treatments, mellow mallets, small pencil
condensers and elite Class-A outboard gear (Lexicon PCM 91, Avalon 2055
EQ, Waves L2 Hardware Limiter, Manley Variable Mu), we were able to
capture an incredibly usable mix. You will hear a tremendously clean
signal featuring perfectly smooth transients, transparent highs, warm
mids and tastefully rolled-off lows, with just enough ambience to
prevent sterility. We’ve also included true mono; a single microphone
(not a faked, stereo fold down) as it would be used in 90% of these
types of situations in the studio. We have captured an authentic and
familiar sound – that your client will hopefully feel rather than notice
outright when they hear your cues. Within the library you will find many amazing sounds, but perhaps none
more unique then the Glocken-Celeste. A newly constructed instrument
which appears identical to a celeste on the outside but contains the
inner workings of a high end glockenspiel. It has a unique and
incredibly magical sound never before sampled. You should also take note
of "Jim’s Piano” a perfectly imperfect 1800’s Steinway upright, which
through years of care has developed the most peculiar and interesting
timbre. This instrument has incredible character and life – completely
capable of adding an atypical, slightly ethnic version of the world’s
most familiar update. If you notice the upper three or four notes
missing, it is because they weren’t even standard on the instrument at
the time of its construction. This should give you a feeling of the age
of the instrument. Other standouts include the delightfully warm
xylophone presented in a way you have never heard and the standout
Autoharp which can give you the transparent zither-like overdub your
tracks have been missing. This is a library we have been meaning to record for quite a while.
Each sound has the capability to become a substantial contributor, a
role player – capable of existing in a track without drawing too much
attention to itself, yet fulfilling its role of color. We sincerely hope
you enjoy this library. As always we share our revenue with our team of
engineers, producers, musicians, editors, programmers and other
contributors. CineBells Specifications 12 patches of unique and useful instruments 2 Mix Options High-Quality Signal Chain: Lexicon PCM 91 Avalon 2055 EQ Waves L2 Hardware Limiter Manley Variable Mu 9.97 GB – NCW Compressed Multiple Dynamic Layers, Round Robin Articulations Requires Full Version of Kontakt 4.2.3 or higher Produced by Mike Barry, Mike Patti, and Dan Negovan; Programmed and Scripted by Blake Robinson; engineered by Brian Dixon 9.97 GB – NCW Compressed Full version of Kontakt 4.2+ required

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