Standing in front of a cima serving as a capture surface, I repetitively draw with charcoal a circle of my size, whose shape evolves and is transformed. Sound takes a central place in the perception of the work. It is modulated by the movement, the support and the acoustics of the place.

As and when, the piece of coal disintegrates. It is reduced to dust and the drawing is enlarged, forming an expansion that is realized by the ruin and extreme exploitation of materials. The duration of the performance is thus defined by the exhaustion of the gesture and according to the evolution of the composition.

This draws the visual and acoustic imprint of the effort that invites us to dive into a flow of concrete sounds conducive to meditation. Contemplation of this eternal return raises questions about becoming and transformation.