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Virtual Reality

The future is upon us. Synth-driven and anticipatory, driving forward with pounding drums, deep bass and modern electronics until huge, dark, squealing blasts storm in, showing that the future isn't all it's cracked up to be.

Crimes of Embezzlement

A darkly emotional piano motif layers with sophisticated basses and pulses for a somber, dramatic intro which swells up with insistent short strings and an introspective string theme; builds to a bolder, full orchestral back end with rock-based drums.

Time Alone

Somber piano chords and rhythmic pads set an introspective atmosphere, as acoustic guitar layers in with mellow hums to move the emotional story forward, the orchestra swells to a restrained, but sweeping build.

The Lethal Lovers

A witches' pact, made in the dead of night, hooded girls gather in the circle to cast a dark spell of revenge; twisted synth bass warbles beneath their seductive, hypnotic chants; massive brass and drums blast through the creepy calm.

Big Business

Who's that knocking on my door? It's the bossman with his stomping swagger, his bluesy guitar, driving bass line, and his singalong style - making we're all clapping hands and expecting some fun and excitement.

Freefall

Mysterious piano and synth pads weave with light vocals; driving synth percussion kicks in to propel racing strings and tense synths along with pounding drums and bold brass; leading to a heroic orchestral outro

Absolute Magnitude

From out of the darkness, it arose; from dark synths to the light of a piano motif, rising up heroically to greet the new day in all its full orchestral glory; both a solo female vocal plus full choir call us to the light

Brilliantine

Bright cello ostinatos, sweet piano arpeggios and angelic choir set a happy, romantic scene, with the sophistication of another era, building with ascending brass, soaring vocals and lush, insistent strings.