Strong female leads are fitting, as "Frozen" marks the first time a female has occupied the director's chair in the 76 years of Disney animation features. Jennifer Lee, who wrote Disney's "Wreck-It Ralph," as well as the screenplay for "Frozen," co-directed the icy 3-D adventure with Disney veteran Chris Buck ("Tarzan").

Inspired by the 19th century fairytale, "The Snow Queen," by Hans Christian Andersen, "Frozen" marks another Disney film modernizing one of the Danish author's stories. "The Little Mermaid" also adapted an Andersen fable.

Eight new songs, by Kristen Anderson-Lopez and Robert Lopez, work well when paired with the stunning visuals. But none really shine with classic tour de force like a "Can You Feel the Love Tonight" -- and it's been too long since we've had a big Disney-stimulated hit.

But the overall message more than makes up for the film's pitfalls. Rich in magic, perils and family ties, "Frozen" encourages us to embrace our fears, overthrow our inhibitions and find the true meaning of love.

Set in the kingdom of Arendelle, sisters Elsa (voiced by Idina Menzel) and Anna (Kristen Bell) are best friends who love to play in the snow. Luckily big sis Elsa can create ice and snow with her bare hands.

When Elsa accidently zaps her sister with her sorcery during playtime, Anna is almost killed. Since their daughter can't control her power, the king and queen send Elsa to her room and isolate her from her sister. But the girls are left alone when their parents die in a shipwreck.

Dauntless optimist Anna tries, for years, to get her sister to come out of her room. "Do You Want to Build a Snowman?" Anna sings. But Elsa, afraid of hurting her sister again, remains locked away. That is until she turns 18 and is now fit to be queen.

On her sister's coronation day, Anna is excited to finally have a house full of people. She even plans to keep her eyes peeled for the possible swoon-worthy suitor. Like clockwork, he comes in the form of the handsome Prince Hans of the Southern Isles (Santino Fontana). Anna falls instantly and the two become engaged.

Anna's impulsive behaviour enrages her big sister, which results in Elsa freezing the kingdom. Disgusted with the continued lack of control over her sorcery, Elsa flees up the mountain and builds her own ice palace.

On a quest to bring her sister back, Anna teams with the uncouth, ice-selling Kristoff (Jonathan Groff), who has a lovable pet reindeer named Sven. Anna is able to convince Kristoff that if he helps her up the mountain, summer will return and he'll be back in the ice business. She hooks him further when she saves them from a pack of wolves.

Soon we meet an adorable snowman named Olaf (Josh Gad) who offers cute and cuddly comic relief at just the right times. When they reach Elsa, Anna is unable to coax her into returning to the kingdom. In a fit of rage, Elsa hits her sister with her powers once more and thus begins the race against time before Anna's heart freezes over. Only the act of true love can thaw her.

The animation in "Frozen" is premium and the 3-D earmark adds to the pearly appeal of the ice and snow, but we are lacking in the sweeping romance we've grown accustomed to in a Disney princess movie.

Anna and Kristoff's flirtation, while engaging, could stand to be a bit more rapturous. But when Kristoff teases Anna about getting engaged to Prince Hans just after they'd met, you can't help but love him -- and love him for her. Cheers to "Frozen" for that message: Finally a tale for gals about love as a journey and not just something meant to save the princess (or damsel) from her unfortunate circumstance.

In his review of Lisbeth Salander's latest big screen appearance, 'The Girl in the Spider's Web: A New Dragon Tattoo Story,' Richard Crouse wants to know why she's wearing black leather and not spandex and a cape.

We all know how 'First Man' will end. No surprises there. What may be surprising is the portrayal of its titular character, American astronaut and hero Neil Armstrong. It's a small story about a giant leap.

'Bad theatre is like dentistry,' declares critic and author Henry Gauthier-Villars (Dominic West). 'You're compelled to sit in your chair, as they drill into your head, until the procedure is over." Luckily there is no such endurance test in 'Colette,' a sparkling biopic that shows star Keira Knightley in top form.

“Crazy Rich Asians” is an escapist fantasy that entertains with its labyrinthine soap opera twists and turns, lush settings and all Asian cast—a first in a quarter century in Hollywood—but also digs a little deeper into the similarities and differences between the characters and cultures.

'Ant-Man and The Wasp' is marred by excess. Too many characters, too many story shards—a rescue mission, two sets of baddies chasing down the quantum technology, a romantic subplot, a family film angle—too much exposition and too much quantum theory.

The jokes and the set pieces are bigger and badder but it’s the mushy stuff that prevents “Deadpool 2” from slipping solely into freak show mode. It's a movie that works both as a superhero flick and as a twisted family drama.