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Sandwiched between his Glastonbury triumph and his Live 8 appearance in Berlin, the former Beach Boy and pop genius came to Dublin for what surely must’ve been the most intimate show on his current tour.

Compositional genius, musical visionary, tormented genius – Brian Wilson is many things, but a garrulous interviewee is not one of them. Peter Murphy undergoes strenuous discourse with one of the true icons of ‘60s culture.

Smile, as every amateur rock historian knows, is the great lost Brian Wilson/Van Dyke Parks project, abandoned after the commercial failure of Pet Sounds and Wilson’s descent into drug-induced paranoia.

He’s still capable of the odd moment of genius, and his place in the pantheon of rock greats is more or less sacrosanct, but Gettin’ In Over My Head singularly fails to reach the stratospheric standards Brian Wilson has previously set himself.

Brian Wilson is among the most influential forces in modern music and created, in The Beach Boys' 1966 album Pet Sounds, what many music fans agree is the greatest record ever made. In February he takes his world tour to Dublin's Point Theatre and Stephen Robinson asks what's on the set-list