Adele is a high school student who is beginning to explore herself as a woman. She dates guys but finds no satisfaction in their company, and is rejected by female friends who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adele's friends reject due to her sexuality, and by association most begin to reject Adele. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Together, Adele and Emma explore social acceptance, sexuality, and the emotional spectrum of their maturing relationship.

Roy Stuart started as photographer, but later made documentary movies as well, such as “Glimpse”. His photographs often deal with the female body. In The Fourth Body we apparently see him at work. Not that we see much of the photographers, the movie concentrates on females. Sometimes they are dressed, usually they are undressed. We see a few hardcore scenes being recorded, but usually we see females on the set. Many of these sets are either artsy, weird or fascinating. There are also shorts scenes of the changing of the guard in Copenhagen. This movie is not a movie in the traditional sense, for no real story is told. In fact it is more or less a collage of moving photographs.

Chantal has just arrived in California to become a movie star. Naive and delusional, she wanders the boulevards looking for her first big break. There she meets Tracy, an actress-turned-prostitute, and the 2 of them begin an uneasy intimate relationship. Tracy warns of the harsh realities lurking beyond the glamorous facade of Hollywood. but Chantal's innocence makes her easy prey for monsters that inhabit the dark underbelly of the film business.

Once relegated to the margins of society, pornography has emerged as one of the most visible and profitable sectors of the cultural industries, assuming an unprecedented role in the mainstream of our popular culture at the same time that its content has become more extreme and harsh, more overtly sexist and racist. This eye-opening and disturbing film tackles the complexity behind this seeming paradox, placing the voices of critics, producers, and performers alongside the observations of men and women as they candidly discuss the role pornography has played in shaping their sexual imaginations and relationships. Honest and non-judgmental, The Price of Pleasure moves beyond the liberal versus conservative debates so common in the culture to paint a myth-busting and nuanced portrait of how pleasure and pain, commerce and power, liberty and responsibility have become intertwined in the most intimate area of our lives. An ideal tool for initiating classroom discussion about this ...

Dreamworlds 3, the latest in Sut Jhally's critically acclaimed Dreamworlds series, takes a clarifying look at the warped world of music video. Ranging across hundreds of images and stories from scores of music videos, Jhally uncovers a dangerous industry preoccupation with reactionary ideals of femininity and masculinity, and shows how these ideals have glamorized a deeply sexist worldview in the face of the women's movement and the fight for women's rights. In the end, Dreamworlds 3 challenges young people to think seriously about how forms of entertainment that might seen innocuous and inconsequential can be implicated in serious real-world problems like gender violence, misogyny, homophobia, and racism.

Jonas aspiring tennis pro neglects his education in hopes of volleying his way straight to Wimbledon, but finds his ambitions sidelined when his relationship with his tutor takes a decidedly personal turn. Jonas has just failed his exams, but who needs an education when you're a world famous athlete. Unfortunately Jonas hasn't achieved that level of fame just yet, though he's convinced that he's well on his way. When thirty year old Pierre offers to tutor Jonas and the cocky young athlete turns his back on school entirely, the boundaries of their relationship become increasingly blurred.

Based on the novel by Virginie Despentes of the same title. Manu and Nadine lose their last tenuous relationship with main-stream society when Manu gets raped and Nadine sees her only friend being shot. After a chance encounter, they embark on an explosive journey of sex and murder. Perhaps as a revenge against men, perhaps as a revolt against bourgeois society, but certainly in a negation - almost joyful in its senseless violence - of all the codes of a society which has excluded, raped and humiliated them. Controversial for its violence and real sex scenes: a vividly nihilist road movie set in France.

As the Guinness Book of World Records has it, this strange little film from the Italian director Gionata Zarantonello is distinguished by at least one thing: It contains the longest single shot of a penis ever on film. That record breaking member belongs to Francesco Marelli, a piggish womanizing writer who is laid up in bed for the entire running time of the film with a fractured pelvis and a broken shin he sustained in a motorcycle accident. (Or maybe it was a fall from a horse. Or snowboarding. It all depends on who's asking). After a three week stay in the hospital, Francesco's now at home, confined to his bed for the next month and already thumbing through his scrapbook of sexual conquests looking for a lady to join him...

Fifteen queer crossovers: lesbian filmmakers from Berlin were asked to make a short film about their idea of male gay love and sexuality and, vice-versa, gay men were given the task of making a short film about lesbian sexuality and eroticism. All genres animation, documentary, drama were allowed. Filmmakers were also given a free hand in deciding which form their films would take either experimental or conventional. The only parameters to which they were required to ad here were the length of each film between three and seven minutes and the format: MiniDV. The result is an anthology of highly diverse films, primarily concerned with the pinpointing, questioning and deconstruction of clich?s,clich?s which, in spite of the ostensible proximity of gays and lesbians during the past ten years, appear to persist to a shocking extent in the minds of many in the opposite group.

In Skoddeheimen, Norway, 15-year-old Alma is consumed by her hormones and fantasies that range from sweetly romantic images of Artur, the boyfriend she yearns for, to daydreams about practically everybody she lays eyes on.