Letter: The Double Hey

To the patrons of the Letter of Dance,
greetings from Baroness Jessa d'Avondale:

While re-reading back issues of the Letter of Dance, I noticed that
Henry of Maldon had posed the question of what Playford means by the
term "double Hey" (as opposed to the "single Hey"). Quite
coincidentally, I had the same question several months ago. Here is
what I found.

The Single Hey appears to refer to a hey done by the men/women on
their side of the set only. It can be done simultaneously (as in
Beggar Boy), or by one side at a time (Black Nag). Even in the case
where the first couple changes places before beginning the hey
(Grimstock), the rest of the men and women do not leave their own
line.

The Double Hey is a rarer figure, appearing in "The Old Mole" and
"Goddesses", dances not common to the SCA. In "The Playford Ball", a
collection of dance reconstructions by the Country Dance and Song
Society, the Double Hey for 3 couples is described as a "circular hey
for 6":

The 1st couple faces each other, the 2nd couple faces the 3rd (who
face up). All begin the hey by passing right shoulders, and continue
around the set back to their places.

Baron Gerhard Kendall of An Tir informs me [via Elizabeth
Braidwood] that when they do the double hey with four couples, the 4th
couple faces each other and heys around the set, mirroring the 1st
couple.

So, it appears that for any number of couples, the initial
direction of movement is:

Old Mole is a dance for a set number of couples (3), so everyone
knows which direction they will have to move when the hey starts. In
Goddesses, for as many as will, this would have to be figured out
before the dance begins, perhaps by having couples take "hands four"
from the second couple on down.

If anyone has more information on this figure, I would be pleased
to hear from them.