One of these times, if Matt Ross-Spang wins another Grammy, he might actually be at the ceremony to accept the award instead of in his studio working.

“I like to work,” chuckles Ross-Spang, the 31 year-old Memphian who earned his second Grammy award on Sunday for engineering Jason Isbell and the 400 Unit's “The Nashville Sound."

“I definitely want to do the ceremony sometime,” says Ross-Spang. “But the nominations come out a month or so before the ceremony, so you’ve probably already booked something in the studio. I never want to cancel on somebody. Also, I don’t want to jinx it by going.”

Ross-Spang has mostly been jinx-free when it comes to his Grammy fortunes. Isbell's wins on Sunday were for Best Americana Album and Best American Roots Song. As an engineer on "The Nashville Sound" working with producer Dave Cobb, Ross-Spang earned a trophy for the album honor; engineers also receive plaques for the song category. The wins were a repeat for Isbell — as well as Cobb and Ross-Spang — who won in the same categories in 2016 for the LP "Something More Than Free."

Jason Isbell poses in the press room with the best American roots song award for "If We Were Vampires" and the best Americana album award for "The Nashville Sound" at the 60th annual Grammy Awards at Madison Square Garden on Sunday, Jan. 28, 2018, in New York. (Photo: Charles Sykes/Invision/AP)

Though Isbell and his band attended the Grammy gala in New York City, Ross-Spang spent Sunday afternoon in Memphis working on mixes at his studio home base at the Phillips Recording Service. He did make an effort to watch the event online.

“I tried to get the livestream, but I was having issues with the feed,” he says. As his computer froze and sputtered, Ross-Spang’s friend and fellow Grammy winner Boo Mitchell of Royal Studios and Memphis Grammys chapter Senior Executive Director Jon Hornyak both texted him the news that Isbell had won. “When the stream finally loaded I actually got to see the award presentation, 'cause the feed was delayed," says Ross-Spang. "It was pretty cool.”

Even though he has matching trophies now, Ross-Spang isn’t sure where he'll display them. “I dunno, man. What you do with those things? But I’ve got a set, a stereo set. It’s wild.” (Notably, the last Memphis engineer to nab multiple awards was the late John Hampton, who won for his work on projects by the White Stripes and Jimmie Vaughan.)

On Monday, Ross-Spang was back at work at his studio enclave inside the Phillips complex. His operation — dubbed Southern Grooves — is located in the tracking room of Phillips' Studio B. “I’ve taken it and made it a mix room. I’ve been mixing a lot of projects there and doing some overdubs. When it comes to recording, I like to work in (Phillips Studio) A, and I’d like to do more stuff at Royal this year as well.”

Ross-Spang should have plenty of opportunities for both, as his calendar is filled. In addition to co-producing both of Nashville songstress Margo Price’s critically-acclaimed albums, including last year’s "All American Made," he’s continued his successful association with Cobb, which will yield more titles in 2018. “We did a John Prine record which will be out this spring, and an Amanda Shires record,” notes Ross-Spang.

As a producer, Ross-Spang has increased his output as well. He’s close to wrapping work on a new album from Memphis roots rockers Lucero. “And I just did a Charley Crockett record, he’s an artist on the Thirty Tigers label. Also, I’ve got records from Nicki Bluhm and Patrick Sweany coming, and a couple other things I’m really excited about but can’t say yet.”

Though the awards have been welcome additions to his CV, Ross-Spang says it’s the music rather than Grammy gold that continues to attract clients.

“Obviously the Grammy is an amazing award and doesn’t hurt, but I think what people are more drawn to are the records,” he says. “I’ve gotten a lot of work based on the Isbell records and especially the Margo (Price) records. People are big fans of that stuff and the sound, and so they call me. And certainly, working with a big producer like Dave Cobb definitely helps, too.”

Ross-Spang won't have much time to reflect on his Grammy moment, as February will find him traveling all over the country to record. “I’m going to four different cities to work on stuff this month,” he says. “It's been really crazy for a while. But I like that. If I have more than a day off I don’t know what to do with myself, so I try to book myself silly. But maybe next time, if I’m lucky enough to work on a project that’s nominated for another Grammy, I’ll take the day off and go.”