ABC TV and Ted Koppel tried to censor the free speech of a free man in a free country.

Fuck that.

ABC TV stolen pictures frame grab from my copyrighted work. Count them–four separate credits demanding ABC be given credit for photographs taken when ABC did b not even have a staff person in all of Southeast Asia. This photo was hand delivered to the New York Times, The AP and posted on ABC’s website

Discuss freedom.

I would like to define this discussion, where it belongs: The power of corporate thugs using their money to put their jackboot on the necks of of freelance creative artists must stop.

It is time to draw the line and demand that we, as writers, photographers, musicians, creative artists are worthy. Our work should be respected and compensated as such.

Unlike the Atlantic magazine headache of a few months ago, let’s use our power to define the debate.

Please discuss.

Whatever the content of your opinion, of the discussion, is fine. Whatever point of view you have, is legitimate.

But the censoring of free speech is not. Full stop. I will be damned before I allow a 10 cent lawyer to tell me when I can open my mouth and say what I want, or not, especially if it is the documented truth.

Fuck their money and their self delusion of power. I am free and intend to remain so.

My earlier blog post on the raw facts of the failed attempt of ABC TV–and their corporate owner–Disney–and Ted Koppel allowing himself to be a common streetwalker for his pimps, has gone viral.

I would like to hear from @ABC and @TedKoppel and @Disney what their response is. Are you selling quality journalism to free people, or are you only trying to deliver viewers and page hits to advertisers?

I respect Ted Koppel. It is why I chose him to bring the story of Pol Pot to North America. But he allowed himself to be a pimp for ABC/Disney in exchange for cash money. That is a fact. Of course he feels guilty. Ted Koppel, I believe, is a moral man. He was, ironically, the best that American TV had to offer. So take responsibility, Mr. Koppel. You will further contribute to the return of quality journalism to free people by doing so. You will be able to look yourself in the mirror without flinching at what you see. I can, mostly, now. As can you. But mostly isn’t good enough for you or me.

I am banned by legal agreement to write the following: ABC Television/ Disney Corporation, after seven years in court, where they attempted to bankrupt me and ruin my reputation for objecting to them stealing fifteen years of my life work, buckled and paid me. They have the legal right to take back the money they finally paid me–which actually all went to lawyers and taxes–if I open my mouth.

Fuck them.

Good luck getting blood from a stone while trying to attempt to muzzle a free person in a free society while claiming you are an icon of the free press and free speech

So here goes…..

On July 25, 1997, I was the first outsider to meet Pol Pot since he killed 1.8 million people 20 years before.

It was, for a couple of days, the biggest story in the world. I, as a freelance journalist, had the only photographs and video and eyewitness account that existed since Pol Pot did what he did. It was a tumultuous few days of dealing with the very worst of what the big media companies represented.

Ted Koppel, of ABC Nightline, flew to Bangkok to view the video and signed a written contract for “North American video rights only for 7 days.” ABC America–owned by Disney–told Koppel to sign whatever Thayer asks for–our lawyers will deal with it later. He is just a freelancer. Give him whatever he wants. We can bankrupt him if he objects.

As soon as ABC, which had exactly zero correspondents in Southeast Asia, got a hold of a copy of the tape, which Ted Koppel personally and in writing promised he would not allow any frame grabs to be made into still pictures, or allow the video to be distributed to anyone outside of Nightline, or allow the transcript of the text of the video to be shown to anyone else, ABC created the below frame grabs from the video, distributed it personally to numerous news outfits, including the AP and the New York Times, where it appeared on their front page above the fold, and ABC placed them on their website crediting themselves with having taken the image.

My picture, credited to ABC TV, was published on the front pages of hundreds of newspapers around the world, my footage was distributed around the globe, and my story was written in virtually every major news organ on earth, credited to ABC TV, before I actually had written my own story . which was published with the integrity and dignity and seriousness it deserved in my excellent publication, the Far Eastern Economic Review.

ABC TV stolen pictures frame grab from my copyrighted work. Count them–four separate credits demanding ABC be given credit for photographs taken when ABC did b not even have a staff person in all of Southeast Asia. This photo was hand delivered to the New York Times, The AP and posted on ABC’s website

ABC distributed transcripts of the trial of Pol Pot I had made and allowed other news organizations to view the video tape with strict instructions to credit ABC for the images and story, and then refused to pay me anything unless I signed a release that they did nothing wrong and I promised not to take legal action against them.

I refused.

Nine months later, I won the Peabody award as a “correspondent for ABC Nightline.”

Ted Koppel called me up, nervous, to congratulate me.

I said “Fuck you! Where is my fucking money? I am going to go to the Peabody awards ceremony and refuse the award and tell the planet what unethical thieves ABC are and how you, Ted Koppel, acted as their pimp.” I was then banned from attending the award ceremony, escorted out of the Waldorf Astoria hotel banquet room by security guards.

I spent seven years in court fighting ABC.

I won, sort of.

It sucked the life out of me, which was the exact intention of ABC: to make my life as miserable and expensive and distracted as possible to punish me for objecting to bald plagiarism, fraud, and theft. They tried to bankrupt me and ruin my reputation.

But ABC fucked with the wrong person. They will never fuck with Nate Thayer again.

It was worth it. They thought I would back down in the face of their team of hundreds of staff lawyers and corporate power.

I refused.

Such is the life of freelance journalism.

Every freelance journalist alive has suffered under the corporate jackboot of the ABC’s of the media world, their work stolen and never compensated. Usually it is not possible to pay for a legal team to fight them to get remunerated for one’s work.

Above and below are a couple of the still pictures, still available by a simple Google search online.

Another ABC frame grab of my still pictures, taken after 15 years of work, which they distributed to the planet and took credit for

These are just some examples of the still picture ABC frame grab’s ABC took from the video and distributed to the world, voiding scores of contracts I had sold for my stills for exclusive rights.I had scores of contracts for the sale of still pictures, video, and stories cancelled around the globe overnight.

ABC tried to take credit for 15 years of my life work. Below is one of my original still photographs, which became worthless overnight because a degraded version was available for free from the ABC website.

One of my actual still photographs–taken by me–with a Nikon F-4 on July 25, 1997—the first pictures of Pol Pot taken since he murdered 1.8 million people during his 3 years 8 months and 20 days in power

My still photograph, which became worthless on the international market after ABC TV America stole my pictures and tried to take credit for 15 years of my life work

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