Quentin Tarantino

Quentin Tarantino is a plagiarist "indie" film director known for giving shitty actors a second shot at a career so they can ruin it again (e.g., John Travolta). His claim to fame is unapologetically stealing movies in their entirety and replacing the credits with his own. He is in every sense the Eric Bauman of the film industry, and recently has come up with his own version of the infamous watermark: "Presented by Quentin Tarantino".

Tarantino is idolized by 14 year old boys because his movies are circle jerks of senseless, excessive violence and swearing with no point or plot. Just lame excuses to show senseless violence and random outbreaks of racism and Orientalist fantasies about white people being submerged in Asian cultures. His movies depict the nonsensical, unfocused rage, angst and anti-social fantasies of bored, middle class suburban teenagers and young adults who aren't satisfied with the status quo but have no idea of what to do besides commit random acts of violence against niggers, chinks and guys in suits. They say his movies are "stylistic" but that's bullshit. They're just extended scenes of shooting, stabbing, swearing and drug using with no plot and shitty editing. Apparently having no plot means that your movies are "non-linear" (read: doesn't know how to use an editing machine) or depict "ordinary people". "Ordinary people" must have a lot of free time, dark pasts, and lots of guns. Despite all of these facts, it's still better than that Saw shit.

He is known for being a japanophile, and a complete and utter luser who speaks too fast and has a foot fetish. His unique facial features are a result of him using a jagged rock as a pillow when he sleeps. When he is not being a smarmy asshole, he can be found in the editing room jerking off to footage of Lucy Liu who is every Asiaphile white boy's fantasy china doll come to life.

Tarantino being generally fucking creepy

His life story is a true rags-to-riches story as he was able to become the director he is today by doing what other upper-middle class suburban white people do: get connections. Your high school teachers probably had warned you about how plagiarism will ruin your career but looking at this article, you now know that is a load of crap.

While sitting in the video store he worked at, he was watching some free movies when he stumbled upon Stanley Kubrick's movie "The Killing", and Ringo Lam's "Lung fu fong wan" (Moonspeak for "City On Fire"). Quentin liked them so much, he ripped off the content of both of them; made a low-budget, poorly edited (aforementioned "non-linear style") piece of shit and slapped his name on it. To this day, Quentin's fanboys still make TL;DR essays about the "Original Genius" of this blatant theft they dare call a movie.

Tarantino wrote the story for the movie and had influence in it's production. Natural Born Killers is basically a movie about two demented lovers who commit Mass Murder and become glorified by the media. Hm.. Sounds familiar? Every retard (like Concerned Mothers tried to blame this movie for inspiring over 9000 copycats IRL, like Columbine. The two fags who did that shit loved this movie so much that they code-named their attack "NBK", and debated if Quentin would direct a movie glorifying their violence. The movie has been named as one of the most controversial of all time. Old Media also blamed this movie for causing Michael Carneal to go postal. They also blamed the movie for what Kimveer Gill did to his school. There are dozens more attacks this movie was blamed for.

Now you too can reenact your favorite anal-rape scene with this Kubric set!

Pulp Fiction, Quentin's "big break," loved by aforementioned 13 year-olds, people who love hearing "fuck" a lot, and people who love watching black men being assraped by a guy in a gimp suit. The film is known for being the recipient of an Oscar despite being on a shit budget, probably because Quentin spent all the money supplying his critics with enough blow for good reviews.
Most famous for the douche bag quote "royale with cheese". Written by Tarantino, you would have never guessed.

After snorting all his moneys worth of cocaine off Uma Thrurman's left foot after the success of Pulp Fiction, Quentin Tarantino spent his last ten dollars on buying the rights to a shitty Elmore Leonard novel. You would think that because this next film of his was to be based off of a book, that it would leave Mr. Tarantino to not be a two-bit cock bandit who resorts to stealing from other films; you were wrong. Despite the book having a white female heroine, Quentin insisted on changing it to a black lead in his new vision of shit, which he called Jackie Brown (despite the novels original title being "Rum Punch"). The reason being was so that he could try to turn the film into a blaxploitation film and give it more attitude. This basically meant that Quentin could now incorporate more shitty elements from more shitty films that that should've been stricken from the annals of film history. Samuel L. Jackson starred in this film as well, this time portraying an obnoxious, angry black man who said fuck a lot. Pam Grier also tried to act her way through the film, but failed. Instead her robust Cadillac ass did most of the acting for her, and was nominated for a Golden Globe award for her performance. Robert De Niro was awarded a gallon of Quentin's man jam for his performance in the film. And there was Bridget Fonda playing a convincing California stoner whore. Appropriately, she gets shot for failing to stop running her whore mouth.
Basically this film is a rip off of some money robbing scheme type film that fails on all levels...an Italian Job without a plot and a name ripped off another movie.

This movie is basically every japanophile's wet dream become a reality. Quentin's creative jeanyuss with this movie began with him forcing all of his favorite actors from azn cinema to gag on his cock. These actors include: Sonny Chiba, Chiaki Kuriyama, Chia Hui Liu, Lucy Liu, and many other famous azn actors who are now out of a job and need to suck dick for coke. After they signed to his movie, the actors of Kill Bill proceeded to have an intense bukkake session, the climax of which consisted of approximately ten gallons of semen all over Quentin's face. The movie is done in his famous "non-linear" fashion, which is a creative name for shit-poor editing and storytelling. The movie is littered with numerous Japanese pop-culture references, pretentious "philosophical" quoting, arms flailing around which passes as Kung Fu for Tarantino, shit quality choreography and the unnecessary use of animu. However, the biggest achievement of this film is making fans pay full price for a half-assed movie that he couldn't even edit down.

Described by fantards as an "Homage to 70's B movies" (known to the rest of us as more poorly justified theft) this is actually 2 films stuck together with some lulzy fake trailers. Trying to learn from his previous editing catastrophe with Kill Bill, Tarantino actually made a movie short enough... or so he thought. Apparently his movie "Death Proof" was just below the minimum requirement to be considered a feature-length film so instead of putting the effort in to re-shoot and make it longer, he got Robert Rodriguez to slap together a filler movie about Rodriguez's amputation fetish called "Planet Terror" which people liked better than the garbage that Tarantino shat out.

Ultimately, however, nobody wants to see a four hour movie so nobody did. When it tanked, (just like a '70s B movie), Tarantino threw a media tantrum and blamed the studio for failing him. Meanwhile, before its release, when the studio suggested that it might be prudent to drop the movie as two separate films in order to make it easier on the public, Tarantino threw a hissy-fit and accused the studio of not understanding his vision. QT fanboys were reported to be venting their angst all over the blogosphere.

A "half-decent" movie that involves vampires, but is still shit. The movie is well known for being including George Clooney, Mexicans, boobs, a loli and some christfag. Tarantino manages to make it through half of the movie before getting pwn.

Horrible Jew propaganda that rewrites history to make jews look like something more than cowardly money lenders and future lamp shades. Probably the most overrated piece of shit ever made. Brad Pitt and a bunch of jew niggers team up kill Nazis and shout "Bear Jew" every 4 seconds. Tarintino apparently still hasn't learned that violence and random talk about bullshit does not make for a good movie. Basically, Nazis kill a Jewish girl's family (highlight of the film) and then over 9000 years later Brad Pitt and Eli Roth play cards in a basement for like 5 hours. Then a cinema burns down and a nigger flees the scene of the crime. To top off a great movie, Brad Pitt shits on a man's Chest. The End. Congratulations, you've squandered 2 and a half hours of your already miserable life on this shit.

It's set in the South during slavery days and you will watch a bunch of uppity Niggaz chained together with two rednecks guarding them on each side. Suddenly a fat German rides up on a horse with a buggy and speaks to one of the niggers, named Django about the whereabouts of his plantation or something (and the nigga speaks perfect English which is, in fact, not accurate since niggers during dat erruh was neva eddacated). The man on the horse goes Columbine and kills the slave owners, setting the niggas free and taking Jamie Foxx along with him on a journey while teaching him how to pwn white folks for the lulz. Possibly the least insipid of QTs turds. Opened up December 25th, 2012.

His personal mission is to dupe the gullible masses by superficially pretending to challenge the status quo of current Hollywood studios (not "for serious" independent filmmaking, since it lacks balls and creative integrity), by working within it and being just as racist, unoriginal, misogynistic, base minded, and shamelessly cash greedy, but adding trendy and pretentiously obscure references and eye patches (stolen from Swedish film, ‘Thriller: A Cruel Picture'). To anybody with a mental age above 13 who actually knows film (decidedly this is not the Tarantino audience), these references fail to be obscure, and reasonably come off as simply uncreative and hackneyed.