The King and I

This now legendary production of The King and I won the triple crown of
awards, the Tony, the Drama Desk and the Outer Critics Circle for Best Musical Revival.
It was also awarded numerous Tony and Drama Desk awards including Best Scenic Design
and Best Costume Design, and a Laurence Olivier Award nomination.

Whilst the sumptuous costumes and gilded sets have travelled the world, it all
started in Australia, with a dream to create a version which was not just a remake
of the iconic 1956 film, but a real consideration of this clash of cultures and meeting
of minds.

Christopher Renshaw was the perfect choice of director and together with Brian
Thomson he travelled to Thailand, where they discovered a deep affection for the rich
and nuanced culture of Siam. Australian costume designer Roger Kirk joined and an
award winning creative team was born.

"I was dazzled"

When Richard Rodgers’ daughter, Mary Rodgers, saw it, she declared it the
best King and I she had ever experienced. "I was dazzled," she enthused.
"I actually thought that Chris had changed and improved some lines. But he hadn't
changed anything. He'd just found how to emphasise certain things."

"The most ravishing show you may ever see."

The production opened at the Adelaide Festival Theatre in 1991, followed by a highly
successful Australian tour.

The show reopened at the Neil SimonTheatre on Broadway in 1996, followed by a US
tour, then transferred to the London Palladium in 2000, where it played for nearly
two years before embarking on a UK tour.

Audiences were thrilled by the period costumes - including Anna’s enormous
crinoline skirts - and by the lavish, meticulously researched sets. With these insights,
an exotic fairytale becomes spiced with real culture and real human emotion.

"This King and I is an unstoppable smash"

Don’t miss this dazzling production of the beloved Rodgers & Hammerstein
musical.