Jen’s crusade

Susannah Fontaine-Williams orders a martini, extra olives, and in a moment, the flight attendant brings it. SFW intercepts it as the flight attendant, a too tall man with a hard to place Scandanavian accent tries to place it on the tray table. She takes a big swallow, licks her lips, and says, “Oh, that’s good.” She downs the remainder in one gulp and pulls the olives out by their toothpick skewer. “Another, please,” she says, tucking the empty toothpick in the little square napkin.

“To Leibowitz,” she says, yesterday’s headline fresh in her mind. New Jersey Pharmacist may have had Connections with French Crime Family. In smaller print, Six, Including Alleged Mob Boss Freddie de Saveur, Die in Car Explosion at Beach Resort. A man she’d known less than 48 hours first saves her life and then sacrifices his for her sake? It makes no sense.

The flight attendant, Lars or Swen or something like that, has to stoop as he carries her drink down the aisle. He hands it to her and this time she places it on the side table. She twirls the glass by its stem and some spills over. She licks her hand and the outside of the glass.

“I’ll have one of those too, if it’s not too much trouble Jens,” a woman’s voice says. She pronounces it “Yens.” Susannah turns her gaze from the window and the jets lined up at their gates. The woman next to her, separated by the wide side tables of business first, smiles. SFW, her hair dyed black, hopes the woman does not recognize her. She turns to watch the idling jets belching black haze from their engines and listens for the thud of the door closing and the subtle slow movement of a very large airplane rolling back from the gate. She misses Bob.

Jen, energetic, passionate, persistent, had worn down SFW. SFW had recorded Jen herself far from the studio. On the show, a garbage special, Jen’s pixelated face and disguised voice describing the scene unfolding on the screen. A phone secured to a battery tucked into a plastic laundry bottle left in a household recycling bin. A pickup, a dropoff, then trucks filled with recycling going to a landfill. A camera on a cheap drone flying over a mountain of garbage. At night, illuminated by green night vision, the clomping of footfalls homing in on a strengthening phone signal. Then shovels and thickly gloved hands digging and pulling at the mixture of plastic, bottles and food waste, bagged dog poop, until zeroing in on the phone. The audience gasps, applauds, and then a commercial for laundry detergent.

“Funny coincidence,” Susannah says.

“What was?” the woman says. Susannah Fontaine-Williams looks at the woman with the copycat martini wearing a dark blue suit, a corporate get up. She thinks maybe she recognizes her and reflexively tucks her extra-dimensional bag under the arm farthest from the woman.