Camerimage 2015: Yves Bélanger CSCAt the 23rd Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, ARRI speaks with DP Yves Bélanger, who captured with ALEXA cameras and Master Prime lenses on John Crowley’s BROOKLYN, nominated in the main competition.

Camerimage 2015: Eduard Grau AECAt the 23rd Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, ARRI speaks with DP Edu Grau, who combined ARRIFLEX 416 and ALEXA cameras on Sarah Gavron’s SUFFRAGETTE, nominated in the main competition.

Camerimage 2015: Sturla Brandth Grøvlen DFFAt the 23rd Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, ARRI speaks with Sturla Brandth Grøvlen, DP of Grímur Hákonarson’s RAMS, which won the Silver Frog award.

Camerimage 2015: Mátyás Erdély HSCAt the 23rd Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, ARRI speaks with DP Mátyás Erdély HSC, who combined ARRICAM and ARRIFLEX 235 cameras with Master Prime lenses on László Nemes’ SON OF SAUL, which was awarded the Bronze Frog prize.

BEASTS OF NO NATION trailerBEASTS OF NO NATION, shot and directed by Cary Fukunaga was captured on ALEXA XT with Panavision lenses.

Master Anamorphics at Le MansCinematographer Maher Maleh worked with ARRI/ZEISS Master Anamorphic lenses, an ALEXA camera and M-Series lights for a 3-minute image film about Toyota's presence at the famous Le Mans motor race.

Trailer for LOST IN HONG KONG, captured with ALEXA and Master AnamorphicsThe phenomenally successful Chinese film LOST IN HONG KONG broke the domestic 2D box office record within 10 days of its release. Directed by Zheng Xu, it was shot by cinematographer Xiaofei Song, who chose to use ARRI ALEXA cameras and Master Anamorphic lenses.