Manchester Art Gallery, formerly Manchester City Art Gallery is a publicly-owned art museum on Mosley Street in Manchester city centre. The main gallery premises were built for a learned society in 1823 and today its collection occupies three connected buildings, two of which were designed by Sir Charles Barry. Both Barry's buildings are listed. The building that links them was designed by Hopkins Architects. It opened in 2002 following a major renovation and expansion project undertaken by the art gallery.

Manchester Art Gallery is free to enter and open seven days a week. It houses many works of local and international significance and has a collection of more than 25,000 objects. More than half a million people visited the museum in the period of a year, according to figures released in April 2014.

The Royal Manchester Institution was a scholarly society formed in 1823.[3] It was housed what is now the art gallery's main gallery building on Mosley Street. The first object acquired for its collection, James Northcote's A Moor (a portrait of the celebrated black actor Ira Aldridge), was bought in 1827.[3]

The Royal Manchester Institution opened its galleries to the public ten years after its formation and subsequently held regular art exhibitions, collected works of fine art and promoted the arts from the 1820s until 1882 when its premises and collections were transferred under Act of Parliament to Manchester Corporation, becoming Manchester Art Gallery.[3] The institution was handed over on condition that £2000 per annum would be spent on art for the next 20 years.[3] The Art Gallery Committee bought enthusiastically and by the end of the 19th century had accrued an impressive collection of fine art, added to by gifts and bequests from wealthy Mancunian industrialists.

The gallery's budget is controlled by the council but it also funded by the Manchester Art Gallery Trust, a charity (Registered Charity Number 1048581) that supports its work. The trust raises nearly half the funding required from companies, individuals and grant making trusts and foundations.[6] The gallery is currently open daily and on Thursdays opens until 9pm.[7]

Manchester Art Gallery is housed in three connected buildings. The City Art Gallery building, which faces onto Mosley Street, was designed and constructed between 1824–35. It originally housed the Royal Manchester Institution. Designed by architect Sir Charles Barry in the Greek Ionic style, the building is now Grade I listed. The two-storey gallery is built in rusticated ashlar to a rectangular plan on a raised plinth. The roof is hidden by a continuous dentilledcornice and plain parapet. Its eleven-bay facade has two three-bay side ranges and a central five-bay pedimented projecting portico with six Ionic columns. Set back behind the parapet is an attic with small windows that forms a lantern above the entrance hall.[8]

In November 1994 an architectural design competition managed by RIBA Competitions was launched to refurbish the existing historic gallery and the Athenaeum and link them with a new building on the car park site.[10] The competition attracted 132 architects, six of whom were selected to proceed to the final stage. Michael Hopkins and Partners were announced as winners in January 1995.[10] The gallery closed in 1998 and reopened in 2002 following the £35 million refurbishment and extension.[10][11]

The gallery houses several works by the French impressionist, Pierre Adolphe Valette, who painted and taught in Manchester in the early years of the 20th century; some of his scenes of foggy Manchester streets and canals are displayed. A Cézanne hangs in the same room, showing the similarity in treatment and subject between his misty French river bridge and Valette's bridge in a pre-Clean Air Act Mancunian fog. L. S. Lowry was one of Valette's students and the influence on Lowry of impressionism can be seen at the gallery, where paintings by the two artists hang together. The museum houses The Picnic (1908), a work by the British Impressionist painter Wynford Dewhurst, who was born in Manchester. Annie Swynnerton who was born in Hulme is represented in the collection by 16 paintings and her contemporary at the Manchester School of Art, Susan Dacre by 17 paintings.[15]

As well as paintings the museum holds collections of glass, silverware and furniture, including two pieces by the Victorian reformist architect and designer William Burges.