Polaroid Unfaded: Landscapes of LA

When I drive everyday and see the graffiti, all I see mostly is this relationship between the gangs in the city and these Rothko-kind images that become these colors on colors on colors. And also the chain link. And I suppose the steel siding and stuff that are actually materials that I live in, which come out of Frank Gehry and out of of Brian Murphy and out of this whole aesthetic. That and the razor wire, in my thinking, are very much part of my concept of what I consider landscapes of LA. — Dennis Hopper

While Dennis Hopper, the acclaimed American actor, filmmaker, and prolific photographer, was well versed in many artistic mediums, he often chose to shoot with Polaroid instant cameras. In the mid 1980's, Hopper began documenting his home, the city of Los Angeles and its ubiquitous gang graffiti that appeared on buildings, signs, homes, and in other public spaces. He was struck by the overlapping colors and shapes and commented, "that art is everywhere in every corner that you choose to frame and not just ignore and walk by." Hopper's choice of a Polaroid camera to document this series, Colors, renders the photo as a canvas, with the colors developing upon each other like the overlapping paint on the walls of LA; a living and breathing creation with a story emerging behind each.

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