(2) W76 MEMBER COMMUNICATIONS ASSET. Kevin Roche, Chair of Worldcon 76 in San Jose, announced: “Several members of the convention volunteered to moderate a Worldcon 76 resource sharing/membership transfer group for us on FaceBook. We happily took them up on the offer!”

In the three years since Archivist Wasp was published, there’s one thing about it that keeps coming up in reviews and reader comments/questions again and again. Which is fine by me, since I haven’t gotten tired of talking about it yet! (Hilariously, after signing up to write this post, I got put on a Readercon panel on the same topic. They said: Tell us why you should be on this
panel. I said: I never shut up about this topic. Ever. It is the soapbox I will die on. And they gave me the panel! Readercon = BEST CON.)

And so, without further ado! The full, entire, possibly long story of why I write all my close relationships as friendships instead of romances, the pros and cons of same, and how I wish more books/movies/shows/etc would do so. (I do. So much. Universe, take note.)

…One of the most interesting things to happen was also one of the first: as the panelists were introducing themselves, the moderator, Rachel Kronick, wondered out loud why, in these situations, we introduce ourselves with our resumes. Whether she’d planned to say it or was struck by inspiration in the moment, it was the perfect thing to get me thinking about how much we in fandom tend to define ourselves by our work, by our accomplishments. An immediate mindset shift, in the moment. I only had one panel after this one, and although I still gave the “resume” introduction, it was definitely in my mind.

One of the first topics for the panelists was the source of productivity as a measure of worth. Capitalism came in for a lot of the blame, of course, but the panelists also brought up Puritanism: if something is fun, it can’t be valuable. It’s the work ethic baked into American society (which I’ve most often heard called the “Protestant work ethic“: a tenant of Calvinism claiming you can tell who will be “saved” by their dedication to hard work and frugal living). When we measure our value by how much we produce, and how much we are paid for that production (whether that be in money, goodwill, or fandom attention), it’s really easy to think of any time not spent “producing” as “wasted.” This is absolutely a trap that I fall into, and although I fight it, I know I don’t succeed very well.

On the flip side, we have fandom as a capitalist activity: measuring your dedication as a fan by how much money you spend on Stuff. Books, movie tickets, video and other media, branded merch, costumes, going to cons… fannishness can get really expensive, and too much gatekeeping goes on around activities that cost money and time. Although this didn’t come up at the panel, as I type up these thoughts now I see a tension between the work ethic that values austerity on one hand, and a culture that demands voracious consumption on the other. This double bind isn’t unique to fandom, of course, but I’ve never really thought to apply it in this context before.

Comic-Con International in San Diego is a place where fans from all across the world gather to share their love of all things pop-culture, from comic books to movies to video games, etc. However, some fans, sadly, choose to share hate instead, as evidenced by a social media post from Border Town writer Eric M. Esquivel.

“I woke up to death threats (‘We’re not sending I.C.E. to Comic Con, we’re sending exterminators’),” Esquivel’s tweet reads. Even in the face of verbal assault, though, the writer remained positive, instead choosing to focus on the joy of holding the first issue of his and artist Ramon Villalobos’ soon-to-be-released Border Town in his hands….

This special oversized collectors edition will contain the entire 17 page Jack Kirby strip, the first six pages of which were inked and lettered by Mike Royer, as well as 18 pages of pencils drawn by artist Gil Kane. In addition to reprinting these rare pages, this collection also features unmissable bonus archive material including facsimiles of the original script as written by Steve Englehart.

This book is part of several releases from Titan to mark the 50th anniversary of The Prisoner – join us in celebrating this cult classic!

(9) TODAY IN HISTORY

July 13, 1984 — The Last Starfighter premiered on this day

(10) TODAY’S BIRTHDAYS

Born July 13, 1940 – Sir Patrick Stewart. Various Trek affairs but also roles in the X-Men franchiseand Dune, and myriad voice work such as The Pagemaster, Steamboy, The Snow Queen and Gnomeo & Juliet. Yeah another animated gnome film.

Born July 13 – Steve McQueen, 30. Yes the grandson of that actor. Genre roles in The Vampire Diaries, Threshold, Piranha 3D and the forthcoming Legacies series which apparently features werewolf / vampire hybrids.

From Qenya to Gnomish to Sindarin, the “high elven-speech” J. R. R. Tolkien uses amply throughout the “Lord of the Rings” trilogy was the product of almost 40 years of what the English author once referred to as his “secret vice”: glossopoeia, or language creation. As Carl F. Hostetter writes in an essay in Catherine McIlwaine’s “Tolkien: Maker of Middle-earth,” his was a labor “performed and preserved on thousands of manuscript pages containing Tolkien’s minutely detailed description and unceasing elaboration (and revision) of not just one but rather of a family of invented languages, which can be collectively called the Elvish tongues.”

Although not alone in this practice, Tolkien was the first philologist to establish such a network of evolving dialects that derive from one another “by slowly accumulating changes and divergences in form across time from a common ancestor species.” Tolkien drew this partial table of sound-correspondences among five Elvish languages — Qenya, Telerin, Noldorin, Ilkorin and Danian — around 1940….

J.R.R. Tolkien, in this writer’s opinion, has one of the best innate grasps of evangelizing through beauty of anyone writing in the 20th century. Why? Because his work is permeated with a Catholic understanding of beauty. That which is beautiful is pleasing to the senses, but doesn’t stop at a surface level, rather acting as an icon that draws you into deeper realities and encounter with the Divine.

The world Tolkien created in Middle Earth is steeped in this beauty and nobility that raises your mind upwards and calls you to higher things. You can’t readhis epic work without feeling stirred to your very bones to live a life of greatness, rather than comfort.

Is it possible that even Pope Emeritus Benedict XVI himself was thinking of the small hobbit Frodo Baggins when he exhorted us that “we are not made for comfort, but for greatness”?

Well, maybe not.

But it certainly applies, and the story is a grace of inspiration and encouragement for those who wish to take the path less traveled and embark on that narrower road which leads to salvation….

…Tolkien’s potential patronage

Who would turn to Tolkien with prayer requests? He’s the potential patron saint of the hopeless, the wanderers, and (of course) romantics.

Two new issues of StrangeHorizons means two new pieces of short fiction (one short story, one novelette) and two new poems, all of which look at distance and drive, humans and aliens. For the fiction, there’s not a whole lot to link the pieces together, one of which looks at language and abuse, the other at speed and drive and competition. Similarly, the poem isn’t incredibly similar either, one looking at the inhuman at the end of a long mission, the other at changes in body and relationship while also showing those changes striking toward a more stable truth. What does link everything together, though, is a wonderful and moving style, and a range of speculative visions all reflecting back the ways people are hurt by others, and the way people hurt themselves, all reaching for connection, community, and belonging. To the reviews!

The complex tale of Jaqi, reluctant opposition to a Resistance that has in turn just toppled an oppressive human galactic empire, continues in Shadow Sun Seven, sequel to Spencer Ellsworth debut novella A Red Peace. This second novella jumps off not long after the first. It should be said that discussion of this second volume, a short novel, does necessarily spoil the first novella.

That novella, which posited, explored and depicted a wide ranging universe with half-Jorians, lots of biological weapons and creatures that would fit in a Kameron Hurley novel, and a net of complicated characters. By the end of the first novella, Jaqi, Half-Jorian, and Half Human pilot, had managed to spirit away two children from the Resistance that are looking for them at any cost, and had slowly started to learn that she has a destiny and power that she never knew, a destiny and power tied to the original, extinct race of which she is just a hybrid descendant gene engineered cross. Or is she?…

Pamela Sargent first caught my eye with 1976’s Cloned
Lives, which takes a refreshingly mundane look at the lives of the world’s first clones.
Their unusual parentage does not confer on them any particular special abilities like telepathy or telekinesis. Her Venus terraforming epic (Venus of Dreams, Venus of Shadows, and Child of Venus) may have been denied its proper place in the public psyche due to a somewhat troubled publication history; all three are in print and worth consideration. Also of interest is Sargent’s Women of Wonder series (Women of Wonder, More Women of Wonder, and The New Women of Wonder, followed in the 1990s by Women of Wonder: The Classic Years, and Women of Wonder: The Contemporary Years). The difficulty of tracking down the rights at this late date probably precludes reprints, but used copies are easily obtained.

(18) HUGO NOMINEE RANKINGS. Joe Sherry’s series reaches the nonfiction: “Reading the Hugos: Related Work”. Surprisingly, he hasn’t read Ellison, but now he has read the Ellison bio —

Nat Segaloff’s biography is necessarily a slanted one, biased towards Ellison. Segaloff doesn’t hide Ellison’s flaws, but he does minimize them and give them Ellison’s context and Ellison’s shading. As a biography, it’s a fairly well written and comprehensive one. If I were a fan of Ellison, I would probably be thrilled by detail of the man’s life. Also, a
person doesn’t need to be likeable to be interesting or to be worth writing about. This is good, because I’m not sure I would have liked him much. I’m quite sure he wouldn’t have liked me. The problem is that there is a bit of tedium to the writing and the recounting of Ellison’s life. Time will tell if A Lit Fuse turns out to be an important science fiction biography in the long run, but it is certainly a less vital and immediate work on the Hugo ballot.

(19) RETRO FAN HUGO RESOURCE. And when you’re all done with this year’s Hugo reading, you can get started deciding what to nominate for next year’s Retro-Hugos. The Fanac.org site has hundreds of zines already available.

Fan History Spotlight:

Next year’s Retro Hugos will cover 1943, and we’ve been focusing on that year as we put up additional fanzines. We have almost 250 zines from 1943 already online. Remember, before the internet, before inexpensive long distance phone calls, before air travel was common, the world came to your door by the mailbox, twice a day. The byplay, the chatting, the fannish flame wars were all conducted on paper. In 1943, FAPA (aka the Fantasy Amateur Press Association) sent out over 1,200 pages of fannish writing in 4 mailings. We have 1,196 pages of those online for you now. FAPA is a real window on the fannish world of that era, with contributions by all the BNFs of the time, including Ackerman, Ashley, Joquel, Laney, Shaw, Speer, Tucker, Warner, Widner, Wolheim and more. There’s the first publication of Lovecraft’s “Fungi From Yuggoth” Cycle. There’s a “Decimal Classification of Fantastic Fiction” by Sam Russell, and interesting in-context materials and commentary on Degler and the Cosmic Circle controversy. But wait! There’s more. See for yourself at http://www.fanac.org/fanzines/FAPA_Mailings/.

In a tweet posted on Thursday, Lee appeared in the first video since POW! Entertainment reasserted control over the creator’s social media channels. He joked about his age (“It’s taken me a while to get used to being 79 years old,” said the 95-year-old Lee) and promised his fans that he’s back.

…Proximity to me reinforced in Harlan his need to settle his
debt to me. But Harlan was scuffling as a freelance writer; he had no regular income and coming up with an extra several hundred dollars wasn’t easy for him. But one August evening we went to a party in the Bronx and there encountered Ken, whom Harlan hadn’t seen in nearly five years. Harlan braced him for the money. Ken had effectively stolen the typewriter after all, and clearly owed Harlan, who owed me. Harlan was forceful in his demands, but Ken, still without a real income of his own (later he would edit a movie magazine), gave Harlan no
satisfaction.

But he did something else. He told his best friend about Harlan’s demand, and the colorful threats Harlan had made. His best friend told his mother. The mother was a crackpot who routinely complained to the FBI that her son’s antagonists were “Commies.” She called the NYPD and told them Harlan was a heroin dealer.

Ironically, Harlan did not use drugs or intoxicants of any kind, abstaining from both alcohol and caffeine (but he did sometimes smoke cigarettes or a pipe, I think for the image more than any other reason). When we went to jazz clubs together he ordered a glass of orange juice, which he could pass off as a Screwdriver.

When the police arrived at his door, Harlan was flabbergasted at the notion that he was a drug dealer, and freely allowed them to search his small apartment. In his closet, on a high shelf and in a box, they found three things: a small revolver, a set of brass knuckles, and a switchblade. They promptly arrested Harlan for possessing an unlicensed gun. New York City had very tough gun laws….

(22) TIME CAPSULE. Joe Siclari says the 1992 MagiCon time capsule will be opened this year in San Jose.

At closing ceremonies for MagiCon, the 1992 Worldcon, we created a time capsule. It was loaded with convention publications and the like, but at the ceremony something unexpected happened. Folks in the audience wanted to have their part of fandom memorialized in the time capsule, and came forward with all kinds of things to put in it. Well, at this year’s Worldcon, the time capsule will be opened. The contents will be put on exhibit. Has fandom really changed that much? If you are at the con, come and find out. We’ll also have a FANAC table with some interesting materials, so come get your contributor ribbon or sticker, and say hi.

(23) STALKED BY SFWA. Cue the Jaws theme…

Holy crap. The Nebulas were held in Chicago for two years when I lived there. Then I moved to LA and now they are holding the 2019 Nebula 5 minutes from my house.

Is this more sci-fi?
Is this just fantasy?
Caught in a pixel
No escape to reality
Open your files
Look up on the web and see…

I’m just a pixel
Not a John Williams symphony
Because I’m easy come, easy go
Scrolling high, scroll low
Any way the pix scrolls
Doesn’t really matter to me, to me

Mamaaa just filmed a cat
Put a phone just near its head
Pushed the shutter, as it fed
Mamaaa, my likes have just begun
But now I’ve gone and thrown them all away
Mamaaaaaa, ooooooooh
Didn’t mean to make you share
If I don’t tweet this time again tomorrow
Carry on, carry on as if nothing viral matters

Too late, my GIF has gone
Of cat shivers down its spine
Like it’s eating the sublime
Goodbye, everybody
I’ve got to mute
Gonna leave social media to face the truth
Mamaaaaaaaaaaaaaa, oooooooh (Anyway the pix scrolls…)
I don’t want these likes
Sometimes wish I’d never posted it at all

[Epic Guitar Solo]
[Sudden change of tempo]

I made an animated GIF of a dog
Scary pooch, Scary pooch, will you do the Fandango?
Bad contrast and lighting, very, very frightening me
(Galileo) Galileo (Galileo) Galileo, Galileo is irrelevant
Irrelevant-ant-ant
I’m just a pixel nobody loves me
He’s just a pixel from a scroll family
Spare him his life from this GIF travesty

Easy come, easy go, will you post this scroll?
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! We will not post this scroll
(Post this scroll!)(Will not post this scroll)
(Post this scroll!)(Will not post this scroll)
(Never, never, never, never)
Post this scro-o-o-oll
No, no, no, no, no, no, no
(Oh mama mia, mama mia) Mama Mia, ABBA is in this scroll!
The iTunes Store put soundtrack aside for me, for me, for me!

[Heavy rock break]

So you think you can quote me and make fun of my cat?
So you think you can repost that picture of it in a hat?
Oh, baby, can’t do this to me, baby
Just gotta get out, just gotta get right outta here

With the Alien films possibly in limbo could there be other platforms for stories outside of video games and comics?

Well, take the following as a rumor.

Back in April, a reliable source revealed to us that a series set within the “Alien universe” was being considered behind the scenes. I was able to reaffirm the rumbling with another source located in another country that was able to support some of the basic info.

What they couldn’t connect on is where it could land be it FX or a streaming platform, Hulu and Netflix were ruled out at the time.

I didn’t think much of the series rumor at the time as I had assumed it would be a big announcement for Alien Day [26 April] and would just wait, which obviously didn’t happen.

However, the rumbling resurfaced yesterday [2 July] and that something could be announced “soon”. If they plan on announcing their intentions or are aiming to release it next year to celebrate the 40th Anniversary of the Alien franchise remains to be seen.

MONDELLO: Super-confidence – not his strong suit. But give him a good enough reason, and he’ll shrink to the occasion. What gets him going this time is multiple bad guys or gals and a mission to head for the Quantum Realm, which is subatomic. And, well, there’s a lot of plot virtually unspoilable because it makes so little sense. So why don’t we let Ant-Man’s pal Luis handle it?

There are a number of reasons why movie directors do not generally go around establishing museums. It is not only because most of them do not own enough artworks to put into them or have enough money to start new careers as philanthropists. If you direct movies for a living, you are accustomed to controlling just about everything that comes across your field of vision. But if you decide to build a museum, you can control very little, as George Lucas—who has plenty of art, and plenty of money—has discovered over the past several years. His quest to donate more than a billion dollars’ worth of art and architecture in the form of a brand-new public museum containing the bulk of his collection of paintings, drawings, and film memorabilia was turned down in San Francisco, driven away by opponents in Chicago, proposed again for a different location in San Francisco, and finally, last year, approved for a site in Los Angeles.

The project, which is now officially named the Lucas Museum of Narrative Art but, given its history, might just as well be called the Flying Dutchman, will take the form of a dramatic, swooping, cloud-like structure designed by the Chinese architect Ma Yansong, in Exposition Park, adjacent to the Los Angeles Memorial Coliseum.

What Lucas is now building—ground was broken on March 14, and there is already an excavation so large that it looks like a massive earthwork if you view it from an airliner approaching Los Angeles International Airport—could not be more different from where he started out. The museum’s original incarnation, proposed for waterfront land within the Presidio national park, with views of the Golden Gate Bridge, was a grandiose, heavy-handed Beaux-Arts building that Lucas, who prides himself on his love of both art and architecture, insisted was the only thing appropriate for that site. That first version was called the Lucas Cultural Arts Museum, a title as awkward semantically as the building was architecturally. Its unveiling, in 2013, marked the beginning of a multi-year saga that would come to have nearly as many dramatic clashes as you’ll encounter in Lucas’s Star Wars, and almost none of the amiability of his American Graffiti.

No one back then had the slightest idea that the proposed museum would provoke a major backlash in not one but two American cities, or that it would finally come to rest in Los Angeles, a location that carries no small degree of irony, since it is a city that Lucas built much of his identity as a filmmaker on spurning. Although he studied film at the University of Southern California and has been a major supporter of its film school, he has lived and worked in Northern California for most of his life, and for years he made something of a fetish of avoiding Los Angeles as much as possible. Although Lucas bought a $33.9 million estate in Bel Air last year, which will allow him to be close to the museum as it rises, he still spends most of his time either in Marin County, north of San Francisco, or in Chicago, where his wife, Mellody Hobson, a Chicago native who is the president of a financial firm, Ariel Investments, is based. Chicago, of course, would become the second city to find itself the recipient of what Lucas felt to be his unrequited love.

(5) TODAY IN HISTORY

July 7, 1955 — The sf radio program X-Minus One aired Robert Heinlein’s “The Green Hills Of Earth” for his birthday.

(6) TODAY’S OTHER BIRTHDAYS

Born July 7 – Shelley Duvall, 69. Executive Producer of Faerie Tale Theatre, performer in Popeye as Olive Oyl, also Twilight Zone, Time Bandits, The Shining, and Ray Bradbury Theater to name some of her genre work.

Born July 7 – Billy Campbell, 59. The Rocketeer of course, but also series work in STNG, Dead Man’s Gun, The 4400, and Helix, plus a role in the Bram Stoker’s Dracula film.

Chip Delany and Tom Purdom talk informally about their experiences in science fiction in this audio tape with images. You’ll hear some startling stories about the Nebulas, and about writers such as Judy Merril, Walter Miller, and Fred Pohl. Tom talks about his introduction to science fiction and fandom in the 50s, and the fannish equivalent of the internet. This is a low key, entertaining session, held in the Philcon con suite. It’s an interesting take on how different fandom is for these two authors. Note: there is some choppiness in the audio during the last 15 minutes. Introduction by Gene Olmstead, and questions by Joe Siclari.

A toad named after the character Gollum in the fantasy novel Lord of the Rings has joined the latest list of animals deemed at risk of extinction.

The amphibian lives not in the Misty Mountains, but on a Malaysian mountain.

The toad got its name from Gollum, also known as Sméagol, in Tolkien’s trilogy because scientists saw similarities between the two….

(10) CLARKE. David Doering discovered Arthur C. Clarke prophesying about developments in tech in a letter of comment from the August 1941 issue of Voice of the Imagi-nation.

2 July: “Many thanks for the April and May VoM’s which arrived this morning. For the last couple of months I have been in London learning all about radio. This is the sort of work that suits me down to the ground so I am having a fine time with vector diagrams, resonant circuits, valve [tube] characteristics, and the intriguing complexities of A.C. theory. I am hoping that I shall be able to learn about radiolocation eventually – the dear old ‘detector screen’ of science fiction at last! Another scoop for sf, when you think about it.

I’m thinking that the rocket will be the next thing that will hit the war (in more ways than one!) as it is a well-known fact that the Italians have had a jet propelled plane flying for some time [the Caproni Campini N.1], and the Nazis have been using rockets to assist take-off of heavily loaded bombers. After that (or perhaps before) will be atomic power, I fear. Then the fat will be in the fire…..

…I showed up at the old gate, handed over my boarding pass—printed at home on an aging Epson inkjet that will no longer produce the color red—and the little scanner beeped in protest, but it was lost in the din of the boarding process, and I kept shuffling, half-asleep, and the gate agent kept shuffling, half-asleep, and everything just shuffled along.

Or maybe, through some strange printer error, my Epson smudged the bar-code in such a way as to produce an encoded string that passed muster. Maybe my boarding pass was defective and yet, presented at precisely the right wrong gate, effective. I realize this explanation is totally implausible, but I found myself drawn to it—because of what I saw out the window.

First, the ocean. Nothing out of the ordinary, except that it was the ocean, and we weren’t supposed to be flying over the ocean.

Second, the sky. An electric globe, ramping from pink at the horizon to indigo high above us, speckled generously with white curlicues, little cloudlets shaped like commas and tildes. They were distributed evenly across my entire field of vision. Not an impossible sky, but an extraordinary sky.

Third, the plane. I was sitting on the wing. It curved away from the fuselage like a giant sickle, and it had a mirror finish like a blade, too, reflecting the pink and blue of the sky. Its length was physics-defying (and I know wing physics); it tapered to a sharp point that looked about a mile away. This was not the United shuttle….

(12) ONCE MORE INTO DINOSAUR KINGDOM II. In the Washington City Paper, Pablo Maurer profiles Dinosaur Kingdom II and reveals that one of Mark Cline’s inspirations for mashing together the Civil War and dinosaurs was Ray Harryhausen — “In Central Virginia, Dinosaurs Still Walk the Earth”.

…Cline’s latest creation is difficult to describe. Just up the highway from his studio, it’s part nature trail, part haunted house, part art gallery.

The story goes something like this: It’s 1864. The Union army is shelling Lexington, and one of their cannon rounds inadvertently disturbs some sleeping dinosaurs in the caverns below. The Yanks, determined to harness the power of their new ancient friends, weaponize them and turn them loose on Confederate troops. That plan, though, backfires. What ensues is a massacre of prehistoric proportions.

Also involved: a pterodactyl flying off with the Gettysburg Address, a re-incarnated Stonewall Jackson fitted with a mechanical arm, slime-colored creatures plucked straight from a low-budget horror flick. There is all of this, and more, at Dinosaur Kingdom II….

Cline says some of the inspiration for Dinosaur Kingdom II comes from the 1969 fantasy flick The Valley of the Gwangi, which tells the story of a wild-west stunt show that stumbles upon and corrals a herd of dinosaurs. He melded that inspiration together with a bit of history. “I started thinking—60 percent of the battles in the Civil War were fought in Virginia. And Robert E. Lee and Stonewall Jackson are buried right here around Lexington. So I blended the two ideas together. Like chocolate and peanut butter.”

If you loved the indie film Turbo Kid, you’re absolutely going to love this. Alien Expedition takes the genre of intentional sci-fi camp and does it some real justice in its two-minute trailer. I for one am really hoping one of the streaming services snags this film up so I can watch it without having to do a lot of searching months from now. …Watch the film’s website for information on a potential release date….

(14) BLUE MOON, NOW I’M NO LONGER ALONE. [Scroll item compiled by Mike Kennedy.] Jeff Bezos’ Blue Origin space flight company has announced a program named Blue Moon [GeekWire link] [Business Insider link] to land a spaceship on the Moon no later than 2023. Speaking for Blue Origin, business development director A.C. Charania said the program is “our first step to developing a lunar landing capability for the country, for other customers internationally, to be able to land multi metric tons on the lunar surface.” He continued, “Any permanent human presence on the lunar surface will require such a capability.” He also said, “Blue Moon is on our roadmap, and because of our scale, because of what we see from the government, we brought it a little bit forward in time. I think we are very excited to now implement this long-term commercial solution with NASA partnership.”

(15) VIDEO OF THE DAY. WernAcular on Vimeo answers this question: wouldn’t your film sound MUCH classier if Werner Herzog narrated it? Well, with WernAcular, everyone can be Werner Herzog!

[Thanks to Mike Kennedy, John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, David Doering, and Carl Slaughter for some of these stories,. Title credit goes to File 770 contributing editor of the day Joel Zakem.]

(1) AWARD REVOKED. While I haven’t located any related protests in social media that would explain the decision, evidently the Romance Writers of America received enough complaints after making their award to the Washington Romance Writers to change their minds: “Update on 2018 Chapter Excellence Award”.

On May 1, 2018, RWA’s board voted to rescind the 2018 Chapter Excellence Award granted to Washington Romance Writers. This decision was made after extensive review and deliberation, because the board found it impossible to hold Washington Romance Writers up as an example of excellence due to a number of complaints received after the board voted to grant the award.

Incidents reported to RWA were submitted by WRW members as well as meeting and retreat attendees who were made to feel unwelcome, disrespected, and embarrassed by members of Washington Romance Writers. Such incidents potentially violate RWA’s Code of Ethics for Members, RWA’s By-Laws, Chapter By-Laws, and are clearly in violation of the Chapter Code of Conduct recently adopted by RWA and required to be included in all chapters’ governing documents by March 2019.

RWA’s board is dedicated to ensuring that all members feel respected, and we will no longer tolerate insensitive or biased behavior. We hope and expect that WRW is willing to take steps to ensure its future success as an RWA chapter. Only by working together can we make RWA stronger.

(3) THE CASE OF THE MISSING COCKY. Now there have been claims that Amazon, a primary sales channel, has been culling other authors’ titles based upon her claim.

What’s more, there have been claims that Amazon has removed some customer reviews using the word “cocky,” and delayed the posting of others (which their makers tried to post either in protest or to test Amazon’s policy.)

Did you hear that now Amazon and Goodreads are now removing reviews with the word COCKY in them? This is just of many I've spotted in Twitter. pic.twitter.com/392DAuytbR

However, there are both titles and reviews still on Amazon with “cocky” in them which are not by the author claiming the trademark. There’s no way to tell whether any of those were zapped, then restored, by Amazon.

JJ ran a search of customer reviews containing the word “cocky” and got only 3 hits, which seemed rather low:

I don’t know. It does seem like a very small search return; they’re almost all “trending” results rather than individual review results, which would indicate that they are quite recent reviews.

Heidi Cullinan did a thread on the topic:

People are putting up reviews for other books, unrelated to any #cockygate novels, using the word cocky as a test, and they're not getting posted to Amazon, still hovering long after other reviews without the word have been posted on the same account.

If Amazon is deleting things — what’s with their legal staff? Do they really think they have exposure from this?

The Romance Writers of America have gotten involved:

Amazon has responded to our request to say that they will not be removing titles from sale until this matter is resolved and have reinstated those they previously removed. We are still in discussion with counsel as to next steps and will report more as we are able. https://t.co/MCheapueye

Amazon assured us they are not pursuing this right now & we haven't been sent evidence that review removals are tied to it. If an author suspects their reviews have been removed as a result of this matter, they should contact their KDP rep & cc Carol Ritter, carol.ritter@rwa.org https://t.co/oJnktAwjxC

Terry Gilliam suffered a minor stroke over the weekend, days before a final verdict on whether his long-gestating passion project The Man Who Killed Don Quixote will be screened as the closing film at the 71st Cannes Film Festival.

The Hollywood Reporter has confirmed that Gilliam, 77, had a minor stroke but is fine now and recuperating at his home in England, awaiting the outcome of a court ruling regarding the screening of Don Quixote on the last night of the festival May 19. French newspaper Nice-Matin first reported the news.

According to Michael Benson’s authoritative Space Odyssey, Kubrick shot setups with the Polaroid then, based on the results, he and cameraman John Alcott adjusted lighting and the placement of his Super Panavision 70mm cameras.

“I think he saw things differently that way than he did looking through a camera,” Alcott told Benson. “When Kubrick looked at this Polaroid still, he would see a two-dimensional image — it was all one surface and closer to what he was going to see on the screen.”

It’s estimated Kubrick shot some 10,000 insta-images on 2001, and if you only know Kubrick as a reclusive eccentric that reliance on the Polaroid might seem a characteristic quirk.

But in fact it was an extension of the creative sensibility he developed as a teenager working for Look. From 1945 to 1950, Kubrick was a photographer for the picture magazine, evocatively and empathically documenting ordinary New Yorkers, celebrities, athletes, and post-war playgrounds like the amusement park.

He shot more than 135 assignments for Look while honing the skills, relationships, and chutzpah that led him to filmmaking.

(6) HIRED HELP. BuzzFeed takes you “Inside Amazon’s Fake Review Economy”. Given the ongoing debate on deleted reviews on Amazon, it may be interesting that a ReviewMeta algorithmic analysis (per CEO Tommy Noonan) of 58.5 million reviews on Amazon found 9.1% of them (5.3 million) to be “unnatural” and possibly fake. Unsurprisingly, Amazon disagrees claiming that <1% are “inauthentic.” Note that this article is concerned with paid reviews (both positive and negative), not tit-for-tat reviews as have been discussed in File 770.

The systems that create fraudulent reviews are a complicated web of subreddits, invite-only Slack channels, private Discord servers, and closed Facebook groups, but the incentives are simple: Being a five-star product is crucial to selling inventory at scale in Amazon’s intensely competitive marketplace — so crucial that merchants are willing to pay thousands of people to review their products positively.

…In October 2016, Amazon banned free items or steep discounts in exchange for reviews facilitated by third parties. But Tommy Noonan, CEO of ReviewMeta, a site that analyzes Amazon listings, said what he calls “unnatural reviews” — that is, reviews, that his algorithm indicates might be fake — have returned to the platform. In June 2017, Noonan noticed an uptick in unnatural reviews along with an increase in the average rating of products, and the rate of growth hasn’t slowed since.

Amazon’s ban didn’t stop sellers from recruiting reviewers. It only drove the practice underground. Reviewers are no longer simply incentivized with free stuff — they’re commissioned specifically for a five-star rating in exchange for cash. The bad reviews are harder to spot, too: They don’t contain any disclosures (because incentivized reviews are banned, and a disclosure would indicate that the review violates Amazon’s terms). Paid reviewers also typically pay for products with their own credit cards on their own Amazon accounts, with which they have spent at least $50, all to meet the criteria for a “verified purchase,” so their reviews are marked as such.

Late last week, the company gave the numbers in letters to the various US congressional committees investigating the network infiltration, and on Monday, it submitted a letter to the SEC, corporate America’s financial watchdog.

As well as the – take a breath – 146.6 million names, 146.6 million dates of birth, 145.5 million social security numbers, 99 million address information and 209,000 payment cards (number and expiry date) exposed, the company said there were also 38,000 American drivers’ licenses and 3,200 passport details lifted, too.

(8) LOOKING FOR CIVILIZATION THAT PREDATES HUMANITY. Gavin Schmidt, a climate scientist at NASA, published a recent paper about what could be left in the geological record that could identify a pre-human technologically advanced civilization.

If an industrial civilization had existed on Earth many millions of years prior to our own era, what traces would it have left and would they be detectable today? We summarize the likely geological fingerprint of the Anthropocene, and demonstrate that while clear, it will not differ greatly in many respects from other known events in the geological record. We then propose tests that could plausibly distinguish an industrial cause from an otherwise naturally occurring climate event.

Impressively, he has also written a short story about the impact of making such a discovery: “Under the Sun” at Motherboard.

(9) CRAIG OBIT. Noble Craig, U.S. actor, died April 26, 2018. Severely injured during wartime service in Vietnam, he used his disabilities to forge an acting career, taking roles those with four limbs were unable to fill, beginning with Sssssss (1973). Also appeared in Poltergeist II: The Other Side and Big Trouble in Little China (both 1986), The Blob (1988), A Nightmare on Elm Street 5: The Dream Child and Bride of Re-Animator (both 1989).

(10) STAR TOY. Have you fiddled with this yet? — ESASky is an application that allows you to visualize and download public astronomical data from space-based missions. Mlex sent this sample:

Hey, there’s R. A. MacAvoy at 13:00. And guess who at 22:16 and 23:45.

L.A.con II, the 42nd World Science Fiction Convention, was held in Anaheim, CA in 1984. Toastmaster Robert Bloch’s introductory remarks are tantamount to standup comedy, and the video also includes several special and moving tributes along with the Hugos. The first tribute is presented by Robert Silverberg and Harlan Ellison to fan and editor Larry Shaw (who died within the next year) and the second to Robert Bloch himself. There’s also some fun with Larry Niven and Jerry Pournelle on stage having to do with a rocket shaped object. Thanks to the Southern California Institute for Fan Interests (SCIFI) for this recording.

(12) PLANETARY AWARDS. The 2017 winners of the Puppy-influenced Planetary Awards have been announced.

Best Shorter Story: “The First American” by Schuyler Hernstrom (Cirsova).

A new application of artificial intelligence could help researchers solve medical mysteries ranging from cancer to Alzheimer’s.

It’s a 3D model of a living human cell that lets scientists study the interior structures of a cell even when they can only see the exterior and the nucleus — the largest structure in a cell. The model was unveiled to the public Wednesday by the Allen Institute for Cell Science in Seattle.

The technology is freely available, and Roger Brent, an investigator at the Fred Hutchinson Cancer Research Center in Seattle who was not involved in the tool’s development, has been using it for several months. He’s a big fan.

“This lets you see things with a simple microscope that are going to be helpful to researchers all over the world — including in less affluent places,” Brent says.

(15) DOUBLE STAR. Michael B. Jordan was on The Late Show with Stephen Colbert to talk about his recent and his upcoming star turns in sff epics.

‘Fahrenheit 451’ star Michael B. Jordan approaches every role by journaling the character’s backstory, including his portrayal of Erik Killmonger in the blockbuster film ‘Black Panther.’

[Thanks to JJ, Steve Green, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Rob Day, Cat Eldridge, Carl Slaughter, Andrew Porter, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributingh editor of the day Joe H.]

(1) WSJ’S TOP SF OF 2017. Congratulations to all the authors who made the Wall Street Journal’s list of best 5 sf novels of the year 2017. Especially Gregory Benford, who sent me the news item. (The list came out in December but is behind a paywall.)

Science fiction writers can’t seem to agree on the rules of time travel. Sometimes, as in Doctor Who (above), characters can travel in time and affect small events without appearing to alter the grand course of history. In other stories, such as Back To The Future, even the tiniest of the time travellers’ actions in the past produce major ripples that unpredictably change the future.

Evolutionary biologists have been holding a similar debate about how evolution works for decades. In 1989 (the year of Back To The Future Part II), the American palaeontologist Stephen Jay Gould published his timeless book Wonderful Life, named after the classic movie that also involves time travel of sorts. In it, he proposed a thought experiment: what would happen if you could replay life’s tape, rewinding the history of evolution and running it again? Would you still see the same movie with all the evolutionary events playing out as before? Or would it be more like a reboot, with species evolving in different ways?

(3) RESOLVED. Rocket Stack Rank will comply with Charles Payseur’s request to drop him from the list of reviewers they track.

OK, we've removed your recommendations from the Best SF/F by People of Color and all the Best SF/F and New Writers pages (basically all the new dynamic tables). Your recs in the old static tables will be fixed after Norwescon when we migrate them to dynamic tables.

Charles Payseur acknowledged their response, and discussed some of comments made by Filers since the request hit the news yesterday. Jump on his thread here:

The other day I asked to be taken off of Rocket Stack Rank's lists/recommendations/aggregation/etc. I see some discussion of this on FIle770 that implies this is 1. overstepping and 2. hurts the pursuit of getting people to look at stories, especially by marginalized creators

(4) WFC RATES WILL RISE. World Fantasy Convention 2018 registration rates are due to increase on April 1, from $200 to $250 for a full attending membership. If you become a member now you will still have time to nominate for this year’s World Fantasy Awards (for which the deadline is May 31.)

WFC2018 will be held at the Baltimore Renaissance Harborplace Hotel, Nov 1–4, hosted by the Baltimore Science Fiction Society (BSFS) and Washington Science Fiction Association (WSFA).

Ray Bradbury’s daughter Ramona invites you to pull up a chair in her virtual living room as she shares an intimate evening of memories about growing up in the eclectic Bradbury household in the Cheviot Hills neighborhood of Los Angeles. The format is a conversation with historian Richard Schave (Esotouric Bus Adventures, Los Angeles), followed by a Q & A session.

Ramona will reminisce about life with her famous father, and share rare family photos and stories of weekend excursions to Hollywood Boulevard book shops and the Palos Verdes Peninsula (made more adventurous because her father didn’t drive!), eccentric family friends, special gatherings, and important public events.

MONDELLO: A Willy Wonka prize worth playing for if you’re a gamer and a movie conceit worth playing with if you’re Steven Spielberg. Ernest Cline’s novel gave Halliday a consuming nostalgia for the 1980s, and who better to bring that to the screen? The filmmaker crams every corner of Wade’s cyberscapes with Deloreans, Batmobiles, aliens, King Kong, The Iron Giant. There’s Prince and Van Halen on the soundtrack and even a sequence where Spielberg lets loose his inner Kubrick. Wade, who calls himself Parzival in the OASIS, teams up with his best buddy, Aech…

Like the popular 2011 Ernest Cline science fiction novel on which it’s based, “Ready Player One” is an extended valentine to those pop culture relics, most of which came out in the ’80s and are thus beloved by people who grew up watching, well, Steven Spielberg movies. Spielberg avoids any allusions to his own films apart from a stray dinosaur who may or may not hail from “Jurassic Park.” But as one of the undisputed high priests of American popular entertainment, he is in many ways enshrining his own legacy. Frankly, I wish he’d been more careful with it.

Physicists had hoped that the [Large Hadron Collider] would turn up evidence of physics phenomena not explained by the Standard Model. So far, efforts to detect new physics have come away empty-handed, but studying the Higgs in more detail might break the impasse.

A successor to the Large Hadron Collider would be designed in a way that allows scientists to zero in on the Higgs boson.

The LHC works by smashing beams of proton particles together, but the collisions that produce the Higgs also produce many other particles. This makes it complicated to work out which collisions produce the Higgs boson.

A different type of particle smasher, called an electron-positron collider, should produce only a Higgs and another particle called a Z boson.

81 years ago, at the age of 77, Georges Méliès – the father of narrative and fantastical film – hand-wrote his autobiography; the story of the creation of cinema from not only a firsthand witness but also its greatest innovator. It has been completely unavailable since 1945 and has never been translated into English. This is one of the great unseen texts of cinema history.

I’ve had it translated. And it’s GREAT! Reading it blew my film-loving mind. A voice from history telling me in his own words about how cinema began and his role in it. Now I need your help to rescue this important, illuminating and fascinating testimony, to get it back into print and where it truly belongs – in our hands and on our bookshelves.

…. In 1937, a year before he died, he wrote longhand a 32 page autobiography detailing his life, his work and his observations on both. He sent it to a film historian who was writing a book about him. The first 500 copies of this book were packaged with a facsimile of the manuscript. What remains of that print run exists now only in the jealously guarded collections of film enthusiasts who have been lucky or wealthy enough to secure one.

This memoir is an enthralling story in which Méliès guides us from his childhood into his early career, explaining how all of the elements fell into place to put him in the perfect position to become a pioneer of cinema. He talks about becoming one of the first people in the world to see a projected moving image at a private demonstration by the Lumiére brothers and the international mission this inspired him to take to become a part of the new medium. He explains how and why he became the first impressario of cinema, how he built France’s first film studio and how he invented special effects techniques and helped define the very format of cinematic film. More than this, it’s a human story; at times braggadocios, joyous, humble and bitter. We learn how times and the industry changed, how he became the first victim of film piracy and how he ended up in his old age, forgotten, broke and selling toys and sweets in a tiny stall in Montparnasse train station. Most interesting to me was discovering that he was a man already aware of his legacy and surprisingly unhappy about how he could see he was going to be remembered. His memoir crackles with life and is a vivid account of the dawn of movies from its most colourful participant.

Pacificon II, the 22nd World Science Fiction Convention, was held in Oakland, CA in 1964. In this interesting audio with images, Fritz Leiber speaks eloquently about his favorite literary monsters (from Yog Sothoth to the forest in Peer Gynt), the relationship of science fiction to traditional monsters, why we are drawn to these characters, and on horror in a time of war. The first 10 minutes or so are a loving listing of characters, and the meat of the talk starts after that. This material was provided by The Southern California Institute for Fan Interests (SCIFI), and Jerome Scott, Director of Projects for SCIFI in LA.

Oliver’s writing career began with the publication of the short story “The Land of Lost Content” in the November 1950 issue of Super Science Stories. He published short fiction through his career, with his final story published in 1991. During that time, he also published six novels and collaborated occasionally with Charles Beaumont and Garvin Berry. His 1984 story “Ghost Town” was nominated for the Nebula Award for Best Short Story.

(14) ACE REPORTER. Jon Del Arroz says he will be on hand for the Hugo finalist announcement at the 7 Stars Bar & Grill in San Jose tomorrow. The bar’s online schedule promises there will be Bottomless Mimosas and karaoke on Saturday – no wonder he can’t stay away!

Very excited to attend the #HugoAwards finalists event tomorrow in San Jose as it is open to the public and press (of which I am both) as is my due civil right as a citizen of the State of California. Come join me! https://t.co/NL27I2VXAm

Scientific American and Nature partnered with the Center for Quantum Technologies in Singapore, which organizes the annual competition….

The mind-bending possibilities of quantum physics lend themselves to philosophy—to wondering about the theory’s implications for the meaning of life, the idea of free will, the fate of us all. A talented pool of writers have capitalized on those implications to produce an impressive array of entries in this year’s Quantum Shorts contest, which invites short fiction based on the ideas of quantum mechanics. Scientific American and Nature partnered with the Center for Quantum Technologies in Singapore, which organizes the annual competition. Judges, including Scientific American and Nature editors, selected a winner and runner-up in two categories—“open” and “youth”—and online voting identified a “people’s choice” favorite; all winners will receive a cash award, a certificate and an engraved trophy.

Among other things is an essay about how I was treated as a handicapped student by gym teachers while I was in the public schools during the 1970’s. There is also an essay about how the Big Tech companies such as Google, Twitter and You Tube have been using their power to censor political speech by conservatives and socialists and how this all ties in with the allegations that all anti-establishment activity is tied in with Vladimir Putin and his gang in Russia. There is also an essay about irresponsible rhetoric such as Guy H. Lillian III’s defense of Al Franken and this Daniel Greenfield character who claims that we are on the verge of “civil war” because there is a great deal of opposition to the Trump Administration. There is also a look back at the Solar Empire game of yesteryear.

There are also some essays by both Robin Bright and Gerd Maximovic as well as poetry by Denny E. Marshall.

…However, the vocal subgroup of Alt-Furries has been hard at work asserting their space within the movement of late, and it’s this very spirit of inclusivity they wish to expunge.

“The furry ‘community’ is a fandom that has been overrun by liberal ‘tolerance’ and ‘acceptance’ and as a result it’s become sanctuary to hardcore paedophiles and
people with serious mental problems,” the unnamed author of Nazi furry erotica “The Furred Reich” told The New Statesman, which has been doggedly covering the Alt-Furry scene for years.

The core furry community, then, finds itself in quite the bind: Can a group founded upon the idea of consummate tolerance embrace a clique that’s so staunchly intolerant?

For the opposing furries leading an outright fight against the alt-right, the answer is no. Dogpatch Press, a furry news source offering “fluff pieces every week day,” often rails against Alt-Furries and their attempts at indoctrination. In February, a Dogpatch writer with the fursona Patch O’Furr published a “deep dive into the Altfurry mission to ‘redpill’ fandom with hate,” warning readers about the #AltFurry mission to indoctrinate members of the fandom and spread its white supremacist teachings.

According to O’Furr, furry fandom is a perfect venue for alt-right recruiters. Just as Pepe the Frog (RIP) served as a seemingly harmless, comedic package through which to promulgate racist, misogynist and xenophobic beliefs, fursonas can act as effective, hirsute fronts for extreme views. As Furry fandom member Deo elaborated in a Medium post, furry communities ? often populated by “socially awkward internet nerds” ? are prime targets for alt-right trolls, who target young people, outsiders and insecure, white men.

(18) KERMODE. Here are three recent genre film reviews by YouTuber Mark Kermode.

Ready Player One

“Really properly good fun!”

Annihilation (audio only)

“Shame I didn’t get the chance to see it in the cinema” and “a really fine piece of work”

A Wrinkle in Time

“I’d rather a film aimed high and tripped than played it safe, and I think A Wrinkle in Time does that”

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Steve Green, Chip Hitchcock, IanP,Cat Eldridge, Andrew Porter, John A Arkansawyer, Gregory Benford, Ann Marie Rudolph, Brian Z., Charles Rector, with Carl Slaughter as The Beaver for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

By Joe Siclari: As a major site for preserving and providing free access to our science fiction fan history, FANAC.org is supporting the Retro-Hugo Fan Awards Programs of Worldcon 76 in San Jose and Dublin 2019.

We are putting online facsimiles of fanzines from 1942 (eligible for Worldcon 76) and from 1943 (eligible for 2019) to enable more fans to knowledgeably nominate and vote on the Fan Retro Hugo awards. FANAC.org currently has over 120 individual issues from 1942 online with more being scanned every week.

You can easily navigate to these zines by clicking on http://fanac.org/fanzines/Retro_Hugos.html As more zines are scanned and put online, the page will be expanded with the new links, so it will remain current.

We don’t have every issue of every fanzine published in 1942/43. If readers and collectors have 1942 or 1943 fan material which they would be willing to scan to help in this effort, please write to me at jsiclari@fanac.org. Our goal is to get as much up before nominations close as possible.

In post-war Germany, a version of Casablanca was produced, re-edited and with a new script for the dubbing, that had no Nazis in it. As you can imagine, given the role Nazis play in the plot, they had to do a lot of work.

I was wondering if you could do the same to Star Wars Episode 4 – remove the Empire…

Star Not Wars Because They Aren’t Having a War With Anybody: A New Hope

A spaceship has broken down. Princess Leia finds a robot on the ship and gives it something. The robot (R2D2) finds an escape pod with its friend (C3PO). They leave the ship. We don’t see the ship again. It probably had engine trouble or something. Maybe the robots have gone off to get some fuel from a service station.

The robots land in a desert. After an argument, they split up. Later they each get caught by tiny people.

Meanwhile, young Luke Skywalker is unhappy being a farmer and living with his uncle. He’d rather be…doing something else I suppose.

(3) MARK YOUR CALENDAR. The Vintage Paperback Show returns to Glendale, CA on March 18.

Is it worse if a robot instead of a human is used to deter the homeless from setting up camp outside places of business?

One such bot cop recently took over the outside of the San Francisco SPCA, an animal advocacy and pet adoption clinic in the city’s Mission district, to deter homeless people from hanging out there — causing some people to get very upset.

The article quotes this tweet from Brianna Wu:

I’m sorry for being so frank, but this absolutely disgusts me as someone that experienced homelessness.

Every time I travel to San Fran my heart breaks from seeing all the homelessness in a city with so much wealth and privilege.

The SPCA deployed a robot from security startup Knightscope to deter crime and vandalism on their campus.

And, according to both the S.F. SPCA and Knightscope, crime dropped after deploying the bot.

However, the K9 unit was patrolling several areas around the shop, including the sidewalk where humans walk, drawing the ire of pedestrians and advocacy group Walk SF, which previously introduced a bill to ban food delivery robots throughout the city.

“We’re seeing more types of robots on sidewalks and want to see the city getting ahead of this,” said Cathy DeLuca, Walk SF policy and program director, who also mentioned S.F. district 7 supervisor Norman Yee would be introducing legislation around sidewalk use permits for robots in the beginning of 2018.

Last week the city ordered the S.F. SPCA to stop using these security robots altogether or face a fine of $1,000 per day for operating in a public right of way without a permit.

The S.F. SPCA says it has since removed the robot and is working through a permitting process. It has already seen “two acts of vandalism” since the robot’s removal.

…Speaking to Maureen Dowd for a Vanity Fair article published in April, Musk gave an example of an artificial intelligence that’s given the task of picking strawberries. It seems harmless enough, but as the AI redesigns itself to be more effective, it might decide that the best way to maximize its output would be to destroy civilization and convert the entire surface of the Earth into strawberry fields. Thus, in its pursuit of a seemingly innocuous goal, an AI could bring about the extinction of humanity purely as an unintended side effect.

This scenario sounds absurd to most people, yet there are a surprising number of technologists who think it illustrates a real danger. Why? Perhaps it’s because they’re already accustomed to entities that operate this way: Silicon Valley tech companies.

(6) CHEERS AND BOOS. Fanac.org has posted a 36-minute video of Robert A. Heinlein’s guest of honor speech at the 1976 Worldcon.

MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976, with Robert A. Heinlein as Guest of Honor. With a warm introduction by Bob Tucker, this sometimes uncomfortable speech touches on Heinlein’s belief in the inevitability of atomic war and his belief that mankind will go to the stars. There are comments on Russia and China, the role of men, and more than a few very bad jokes. You will hear applause and you can hear disapproving boos. If you are one of “Heinlein’s Children”, or simply a reader of classic SF, this video is a rare opportunity to hear that legendary figure.

To figure out whether Star Wars is science fiction, you first need to figure out how to define the term — which is harder than you might think. Genres are notoriously difficult to pin down, which is why they spark so many arguments. Some country fans protested loudly when Beyoncé appeared at the Country Music Awards because she (supposedly) was not a country artist. Some critics similarly argued that Bob Dylan’s lyrics are not literature, though the Nobel committee disagreed.

Genre is a marker of quality and belonging, of seriousness and community. Science fiction in particular is often seen as more important or serious than fantasy, so it’s no wonder that there’s been some struggle over how to place the films. George Lucas himself declared that “Star Wars isn’t a science-fiction film, it’s a fantasy film and a space opera” in 2015. Others have also waded in over the years; Annalee Newitz included Star Wars in a list of 10 science-fiction works that are really fantasy at io9, while author Brian Clegg says Star Wars is only “low-grade science-fiction” — it’s not quite real science-fiction, so it’s not high quality.

(13) I HAVE A LITTLE LIST. SyFy Wire’s Swapna Krishna names these as “The 10 best sci-fi and fantasy books of 2017”. People get upset if I say I haven’t heard of all the books on a “best” list, so let me say I have heard of many of these.

(14) THE GHOST OF CHRISTMAS 2014. Everyone has their own way of celebrating the holidays. John King Tarpinian’s traditions include rewatching Thug Notes’ analysis of Dickens’ “A Christmas Carol.”

This will be less a review of The Last Jedi (Episode VIII) than it will be… my thoughts? An analysis? Me opening my head like a flip-top Pac-Men and seeing what globs of brain-goo I can grab and hastily smack into the screen?

So please, take seat. The flavors on tap this month are perfect for those looking to unwind by the fire, to shed a tear for those who have not made it this far, and to reaffirm a commitment to pushing forward, into a future that is not mired by the same harms and dangers as the past. Each pint today comes with a special side of memories and a tendril of shadow creeping just out of view. The only remedy is to drink deep, and share the moment with those you care about, and look for ways to escape the familiar cycles of hate, loss, and fear—together….

Notes: Pouring a dark brown rimmed with gold, the first sip is deep, subtle and smoky like dreams burning, only to reveal newer, sweeter tones underneath, a future still bright despite loss and danger.

Pairs with: Honey Bock

Review: Kalyani is a young (probably autistic) girl who experiences the world quite differently from the rest of her family. It’s something that Aruni, her older brother, finds quite difficult to handle, especially when his parents have left him in charge while they are away. For Kalyani, though, it’s the rest of the world that doesn’t make as much sense, that overflows with threats and dangers…

In 1959, a groundbreaking TV series began in the USA. The Twilight Zone came to be regarded as a classic of science fiction for the small screen. Now the Almeida Theatre in London is taking eight episodes to make a Twilight Zone for the stage.

“Their brains are very responsive to emotionally arousing stimuli,” he explains. During this time, there are so many new emotions and they are much stronger than those kids experienced when they were younger.

“When teenagers feel sad, what they often do it put themselves in situations where they feel even sadder,” Steinberg says. They listen to sad music — think emo! — they watch melodramatic TV shows. So dystopian novels fit right in, they have all that sadness plus big, emotional ideas: justice, fairness, loyalty and mortality.

This time in a kid’s life is often defined by acting out, but, Steinberg says, that’s a misguided interpretation of what’s happening. “It isn’t so much rebellion, but it is questioning.”

…Where they all screwed up, is that I’m a competent writer who works hard. I’m a competent businessman who markets hard. I don’t take my ball and go home and I’m not deterred from speaking the truth by some threats or someone’s bully pulpit.

And now I’ve got a platform. It’s one a lot of people read on a daily basis. It’s only going to grow bigger in 2018. I’m a well-respected journalist, I’m a multiple-award nominated author with an avid readership. I’m winning. Readers and audiences like winners. Yet not one of these people has come forward and said “you know what, Jon, I shouldn’t have attacked you, let’s be friends.”

(22) TO SMELL THE TRUTH. Hugo-winning editor Gordon Van Gelder had a famous father, Dr. Richard Van Gelder, who tried to stump the panelists on the episode of game show To Tell The Truth aired March 13, 1961. The chairman of the Department of Mammals at the American Museum of Natural History, Van Gelder pere was specially touted as an expert on skunks. The real Van Gelder and two impostors appear at 17:00, and the truth is told right after the 23:00 mark.

[Thanks to Andrew Porter, JJ, John King Tarpinian, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]

I woke up this morning facing a bright new future. The weight of the world has been lifted from Dan [Farr]’s and my shoulders. We have successfully cleared our names and lifted the cloud of accusation that has been surrounding us for 3 1/2 years.

– We were accused of stealing and hijacking. The jury said we were NOT GUILTY of this. There was no willful infringement.

– We were accused of trying to associate our convention with the San Diego convention. The jury said that we were NOT GUILTY of this. They found no evidence of false designation of origin.

– We were accused of causing $12,000,000 damage to the SDCC brand. They said we were the very worst offender. The jury found no evidence of damage. They awarded San Diego $20,000 in damages, less than .2% of what they asked for sending a clear message that we didn’t hurt the San Diego brand and this is what will be paid out for the worst of the 140 comic cons.

– We were accused of infringing San Diego’s trademarks, along with 140 other “infringers”…other conventions that call themselves “comic con”. The jury said that we were guilty. San Diego said, “They’re all infringers, that we and 140 other conventions that use the term comic con were guilty.” So for now they have 3 valid trademarks. We think that they will still lose “comic-con”. We’re proud to be lumped in with some of the finest comic cons in the country.

Dan and I have no regrets about standing up for ourselves when we took action after receiving a cease and desist. In hindsight, we would not have taken the car down to San Diego. For that we apologize to San Diego Comic Con. They are a great event with great people.

This process helped me realize once again that we truly have the best fans in the world. You have been there for us and it was comforting to have so many pulling for us. We are glad that we were able to clear our names at a minimum. But there are a lot of things moving in the background which I cannot talk about. All good things.

We own the trademark for FanX. There are over 140 comic cons and one FanX. That’s not a booby prize. If we needed to drop comic con from the name and just be FanX we have a trademark for that and a lot of positive brand awareness. Almost all the hundreds of thousands of people that have attended our events are familiar with that brand and name.

We’re not sure exactly how things will play out. We may change our name. We may appeal. But one thing is for certain. 2018 will be our best year yet….

(2) NEW LOGO. Bubonicon 50 takes place August 24-26, 2018 in Albuquerque, NM with Guests of Honor John Scalzi and Mary Robinette Kowal, Toastmaster Lee Moyer, and Guest Artist Eric Velhagen. Bubonicon 49 Toastmaster Ursula Vernon has created a special logo:

(3) THE CUTTING ROOM. I was very interested to learn How Star Wars was saved in the edit – speaking here about the original movie.

A video essay exploring how Star Wars’ editors recut and rearranged Star Wars: A New Hope to create the cinematic classic it became.

(5) LONG LIST ANTHOLOGY IS OUT. David Steffen announced the release of the Long List Anthology Volume 3, available as an ebook from Amazon and Kobo, in print from Amazon. He said more ebook vendors are in the works, including Barnes & Noble, iBooks, and others.

This is the third annual edition of the Long List Anthology. Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. This is an anthology collecting more of the stories from that nomination list to get them to more readers

There are 20 stories in the volume – see the complete list at the link.

(6) BEYOND PATREON. Here’s the hybrid approach that The Digital Antiquarian will take in the aftermath of Patreon’s problems.

I’ll be rolling out a new pledging system for this site next week. Built on a platform called Memberful, it will let you pledge your support right from the site, without Patreon or anyone else inserting themselves into the conversation. The folks from Memberful have been great to communicate with, and I’m really excited about how this is shaping up. I think it’s going to be a great system that will work really well for many or most of you.

That said, my feeling after much vacillation over the last several days is that I won’t abandon Patreon either. Some of you doubtless would prefer to stay with them, for perfectly valid reasons: for high pledge amounts, the new fee schedule is much less onerous; some of you really like the ability to pledge per-article rather than on a monthly basis, which is something no other solution I’ve found — including Memberful — can quite duplicate; some of you really want to keep all of your pledges to creators integrated on the same site; etc. And of course it’s possible that Patreon will still do something to mitigate the enormous damage they did to their brand last week. At the risk of introducing a bit more complication, then, I think the best approach is just to clearly explain the pros and cons of the two options and leave the choice in your hands

As with Web’s Best Science Fiction, Web’s Best Fantasy is a 70,000 word “virtual anthology” selected from the fifteen webzines I’ve covered throughout the year, with the contents selected solely for their quality, allowing that some consideration is paid to having variety in the reading experience. The contents were sequenced as best I could with the same concern in mind.

Isaac Asimov introduces Theodore Sturgeon’s Guest of Honor speech at the 1972 Lunacon. There are corny puns and jokes from both of them, but primarily the talk is a serious, constructive discussion of Sturgeon’s “best beloved field”, and a defense against those that would marginalize and dismiss it. There are a few poignant minutes at the end about the (1972) US government amassing citizens’ private data, without any ability to challenge it. More than 40 years later, it’s still important, and worth listening.

(9) TODAY’S THING TO WORRY ABOUT. Andrew Porter draws our attention to the fact that the German film Münchhausen came out in 1943. As he sees it, “We could have a Nazi film under consideration for a retro-Hugo!”

He spent fifty years at the University of Texas general libraries, rising from cataloger to Director of General Libraries, a position he held for the last twenty-five years of his career. … Harold also edited and wrote extensively about authors Edward Dahlberg and M. P. Shiel. Reflecting a long time interest in Arthur Conan Doyle, in 2006 he received the Morley-Montgomery award for his essay The Materia Medica of Sherlock Holmes. In recent years, Harold had turned to supernatural literary fiction, authoring such stories as “A Dead Church”, “The Monk’s Bible”, and “The Daughters of Lilith”.

In other words, the more the child could distance him or herself from the temptation, the better the focus. “Children who were asked to reflect on the task as if they were another person were less likely to indulge in immediate gratification and more likely to work toward a relatively long-term goal,” the authors wrote in the study called “The “Batman Effect”: Improving Perseverance in Young Children,” published in Child Development.

(13) WITH ADDED SEASONING. Star Trek: The Jingle Generation.

Darmok and Jalad at the North Pole.Rudolph, his teeth bared, his nose red!Santa, when the walls fell.

Probably the thing I like the most about The Will to Battle is that we get to know in much more depth the inner workings of the political aspects of the world that Palmer has imagined. We learn much more about things that we have only seen mentioned before (the set-set riots or the difference between Blacklaws, Greylaws and Whitelaws, for instance) and we even witness a trial, a meeting of the Senate and the Olympic Games. I really enjoyed discovering how the author had planned with incredible care every little aspect and finding out that little details that seemed to be arbitrary are, in fact, of crucial importance.

That hope is what drove Bañados, an astronomer at the Carnegie Observatories in California, to the Chilean mountaintop in March. It was not entirely clear whether he’d be able to find a quasar so far away. Supermassive black holes swallow up huge amounts of matter, squeezing the equivalent mass of several hundred thousand suns into a space so small that gravity wraps around it like an invisibility cloak and causes it to vanish. An object like that needs a long time to grow and more matter than might have been available in the young universe.

But the object Bañados and his colleagues discovered, called ULAS J1342+0928, was even bigger than they’d bargained for — suggesting that something might have made black holes grow more quickly. Scientists don’t yet know the underlying reasons for such rapid growth, or whether still older black holes are waiting to be found.

“This is what we are trying to push forward.” Bañados said. “At some point these shouldn’t exist. When is that point? We still don’t know.”

In a companion paper published in the Astrophysical Journal Letters, the scientists report another odd finding: The galaxy where ULAS J1342+0928 dwells was generating new stars “like crazy,” Bañados said. Objects the size of our sun were emerging 100 times as frequently as they do in our own galaxy today.

“To build stars you need dust,” Bañados said. “But it’s really hard to form all this dust in such little time on cosmic scales — that requires some generations of supernovae to explode.”

During the universe’s toddler years, there hadn’t been time for several rounds of stars living and dying. So where were the ingredients for all these new stars coming from?

(17) THE RISKS OF TALKING TO THE COPS. I saw Ken White’s “Everybody Lies: FBI Edition” for Popehat linked by a FB friend and found it riveting. While it’s focused on criminal law, a lot of this advice is still good even if you’re only talking to someone about your taxes.

Dumbass, you don’t even know if you’re lying or not. When an FBI agent is interviewing you, assume that that agent is exquisitely prepared. They probably already have proof about the answer of half the questions they’re going to ask you. They have the receipts. They’ve listened to the tapes. They’ve read the emails. Recently. You, on the other hand, haven’t thought about Oh Yeah That Thing for months or years, and you routinely forget birthdays and names and whether you had a doctor’s appointment today and so forth. So, if you go in with “I’ll just tell the truth,” you’re going to start answering questions based on your cold-memory unrefreshed holistic general concept of the subject, like an impressionistic painting by a dim third-grader. Will you say “I really don’t remember” or “I would have to look at the emails” or “I’m not sure”? That would be smart. But we’ve established you’re not smart, because you’ve set out to tell the truth to the FBI. You’re dumb. So you’re going to answer questions incorrectly, through bad memory. Sometimes you’re going to go off on long detours and frolics based on entirely incorrect memories. You’re going to be incorrect about things you wouldn’t lie about if you remembered them. If you realize you got something wrong or that you may not be remembering right, you’re going to get flustered, because it’s the FBI, and remember even worse. But the FBI would never prosecute you for a false statement that was the result of a failed memory, right? Oh, my sweet country mouse. If you had talked to a lawyer first, that lawyer would have grilled you mercilessly for hours, helped you search for every potentially relevant document, reviewed every communication, inquired into every scenario, and dragged reliable memory kicking and screaming out the quicksand of your psyche.

(18) MRS. PEEL IS NO RELATION. Bananaman: The Musical is on stage at the Southwark Playhouse in the UK through January 20.

Bananaman is one of the flagship characters in the world’s longest running comic, The Beano. He was also the subject of the hugely popular TV cartoon that ran on the BBC during the 1980s. With a useless hero and some equally clueless villains, Bananaman’s riotously funny, slapstick humour has been sealed into the memories of those who saw him first, and will now spark the imagination of a new bunch of Bananafans.

In “A Call To Action” Marc Pickering is playing Bananaman’s nemesis Doctor Gloom. The song comes in the first half when Doctor Gloom is planning ways in which to deal with Bananaman who is thwarting his plans for world domination!!

The first printing, also from Ramble House affiliate Surinam Turtle Press (owned by Dick Lupoff) turned out to have a botched variant of Russell Blackford’s chapter. My fault, I freely confess it! I only learned of this goof after I gave Russell his copy at the recent World Fantasy con in San Antonio.

Russell and I delved into the dark heart of several hard drives and managed to recompile his intended text. With the help of Chum Gavin, a repaired version of the book has now appeared on Amazon (although their website announcement has retained a mistaken pub date from earlier this year). If any Chum purchased a copy of the botched version, do let me know and I will hastily dispatch a Word doc of RB’s True Chapter. For those very few Chums who somehow forgot to rush their order for the book to Amazon, now is your near-Xmas chance to make good that lapse!

You’re probably familiar with Welcome to Night Vale, so you’ll recognize the Night Vale Presents line in this incredible and fascinating podcast. The key difference, however, is this one presents more of a focused story, all delivered from a single point of view—Keisha; a truck driver (narrated by the matchless Jasika Nicole) searching for her dead wife. Named, naturally, Alice. (One other POV appears later in season, which I will not spoil here, but it is eerie af.) This is a creeping, haunting, sometimes lonely story about a heartbroken woman struggling with a mental illness—namely, a panic/anxiety disorder, and the paranoia and fear that comes with. After the death of her wife, an experience she was not there to witness, our fearful protagonist hires on with a long-haul trucking service to find answers.

Her story is narrated through snatches of narrative delivered on CB radio.

So what makes this podcast the keystone for “don’t show, don’t tell?”

It’s the outside stuff we never see. What’s going on outside her narration, what the people outside of our view are doing and why they are doing it. The ripples “shown” in Fink’s writing remain so subtle that you may not hear them, understand them, until your second or third listen. They are small ripples, hardly noticeable in black water, bringing with them an expertly woven sense of dread. But why? From where?

We don’t know.

(21) THE CLASSICS. The comments are fun, too. (If you need the reference explained like I did – clicketh here.)

Unlike his previous cover-heavy albums, Meco started from scratch with the music. He and Bongiovi needed Star Wars-themed Christmas songs and they needed them fast, but they weren’t having much luck with the songwriters they approached. Enter a struggling composer named Maury Yeston, who was trying to put together the musical that would become Nine and could use some extra cash. “I met with Meco and I said, ‘Look, this may sound ridiculous to you, but if you want to do a Star Wars Christmas album you have to have a story,” Yeston told the CBC. “This is obviously Christmas in the world of Star Wars, which means this is in a galaxy far, far away, thousands of years ago. It’s not now. So call it Christmas in the Stars.” Meco was sold on the idea of the album having a through-line and recruited Yeston.

Yeston, who would go on to win a Tony Award for Nine and eventually write the smash Broadway musicals Titanic and Grand Hotel, cranked out nearly 20 Yule-appropriate tunes, nine of which made the final lineup. “The Meaning of Christmas,” minus Yoda, was radically retooled from the original version because Lucas didn’t want any of the traditional, religious-themed lyrics to be associated with the Force. It established the story of the album, set in a factory where droids make gifts for one “S. Claus.”

Playlist

[Thanks to JJ, Dave Doering, John King Tarpinian, Andrew Porter, Ed Fortune, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Fan History Spotlight: Nearly everyone has heard of the Cosmic Circle and Claude Degler’s notorious fannish exploits in the ‘40s. If you haven’t, check the article at Fancyclopedia.org. However, few people have ever read the original “writings” by him, or the reports that fans wrote about him. This last summer, we added a section with over 40 of his original pubs and the investigations by T. Bruce Yerke and Jack Speer. (See http://fanac.org/fanzines/Cosmic_Circle_Pubs/)

Access: We’re trying some new ways to keep you aware of what we have online. Providing a bit more quick information has been a priority. On our Fanzine Index pages, you can now find the number of issues that we have online for that title. The last column will tell whether it is New, Complete or Updated. Another item is our Newszine Directory started last year. It’s a chronological list of all the Newszines (2,338) we have so far on FANAC.org. If you want to know the S-F and fan news of any given period, you can navigate directly to that month. The first ones are from way back in 1938 and the last in 2011. Finally, at the end of this FANAC Update, we provide direct online links to everything mentioned.

FANAC Fan History Project website: We keep adding more Newszines as we acquire them. In the last month, thanks to Richard Lynch, we’ve added a run of Chat, the Tennessee newsletter edited by Nicki & Dick Lynch in the early 1990s. We have been continually uploading issues of Mike Glyer’s File 770. Mark Olson has scanned dozens of them.

Since our last Update, we have added about 250 other pubs with “news from the past”. These issues come from 19 different titles. We are doing a lot to fill-in the runs of different zines. Unfortunately there are some issues I just can’t find or don’t have. Here’s where I need your help. If you can provide missing issues (zines, scans, even photocopies), please let me know. In particular, right now, I’m looking for:

LASFS: The Los Angeles Science Fantasy Society has given us permission to put their primary publications Shangri-LA and both runs of Shangri-L’Affaires online. So far, we have added 20 issues from the 40s and 50s, with many more to come.

Mirage: We’ve also been given permission to put Jack Chalker’s Hugo nominated fanzine, Mirage online. Mirage was one of the best sercon zines of its time.

FANAC Fan History YouTube Channel: We have over 50 videos/audios online at YouTube! In the last week or so, we put up a Harry Harrison talk (1971 Eastercon) on “Stonehenge and Sex”. It includes a roaringly funny discourse on the introduction of sex into science fiction stories in the 60s, with anecdotes about well-loved authors and editors including Brian Aldiss, Mack Reynolds, Ted Carnell and George O. Smith. He also talks about the filming of an editorial lunch with John Campbell, and just how much of the iconic fiction of the classic Astounding Magazine was intimately shaped by John.

We keep adding great recordings and subscribers get first notice. We’re over 180 subscribers and nearly 18,000 views, with 3 pieces having over 1000 views. It’s heartening that even for the less viewed videos, many get an intense response from their audience. As always, if you have audio or video material that we might use, please let us know.

FANCYCLOPEDIA 3: This is our encyclopedia (yours and ours), so we hope you are using it (and adding to it!). Going to a convention this year? Read about the “first conventions”. Want to know more about famous fans, infamous fans (see Degler above), convention facts, clubs in your area, or fanspeak (the jargon of our people)? It’s all there. But is your local club or convention listed? If not, contribute an article (or the beginnings of an article). It’s easy. Just follow the instructions on Fancyclopedia.org.

Outreach for Fan History: FANAC has a Fan History Project Table at conventions whenever we can. In February, we will be at Boskone 55 in Boston and we will be at Worldcon 76 in San Jose.

FANAC was at Balticon earlier this year. The Fan Lounge Discussions we helped organize were well attended and great fun. You can listen to the Steven Brust/Geri Sullivan discussion on the raucous history of Minneapolis fandom on our YouTube channel (link below). Most recently, we were at Philcon this month. In addition to showcasing our history project websites, we have been showing selected fannish artifacts, including fanzines, original art, convention publications, and video and audio recordings from as far back as the 1940s.

When you next see our table, come say hello and help us preserve and promote our fan history. Take a sticker for your badge and/or your contributor ribbon. Bookmark http://fanac.org and click on What’s New every week to find our most recent additions.

As we keep saying, this is a community effort and we can only say “Thanks” to those of you who have helped us make our Fan History websites successful over the years. We’re continually adding to our contributors list. We have 248 of you listed so far and adding more as we update our older files. If you DO want to let people know you are a contributor, ask for our “I Help Save Fan History” ribbon. And don’t forget to follow us on Facebook – https://www.facebook.com/fanacproject/

We’ve added more: Photos, fanzines, and convention publications, video and audio recordings, and Fancyclopedia entries. We provide information for fans, academic researchers, fan writers, and film documentaries. We’ve made some changes to the website to make it easier to use, with more to come.

Those who don’t know fan history may not be condemned to repeat it, but those that do know that Carl Brandon is not dead! Thanks for your interest our mutual fan history.

(1) CAN’T STOP THE BLEEDING. Have comic cons reached a saturation point, or is it a problem with this company in particular, which turned over CEOs last year? ICv2 says gateshow runner Wizard World continues to tank — “Wizard World Sales Drop Nearly 50%”.

Wizard World has released its Q2 financials, and the situation has deteriorated even further from the big loss in Q1 (see “Wizard World Revenue Decline Produces Big Operating Loss“). Sales declined 49% in Q2 compared to the same quarter last year, and the company had an operating loss of $1.9 million, compared to a $475,000 operating profit in Q2 2016.

…The company says it is planning 22 events in 2017, and hoping to increase revenue over 2016. That seems a bit of a stretch at this point, with first half sales over $6 million less in 2017 than in 2016.

Founding Director Megan Elliott on Aug. 23 announced the center’s initial advisory board, which will partner in the center’s strategic planning and offer valuable industry insight. The board includes leaders in art, technology, gaming, television and film, design, interactivity, communications and business, among other fields, with experience and connections with mainstays such as Lucasfilm, YouTube, Google, Disney and Paramount Pictures.

One of them is a longtime fan —

Norman Hollyn, the Michael Kahn Endowed Chair in Film Editing at the University of Southern California’s School of Cinematic Arts. Hollyn is a longtime film, TV and music editor.

(3) UNCOMFORTABLY CLOSE. Now that its publisher’s attempt to game the NY Times Bestseller list has caused the internet to turn a glaring spotlight on Handbook for Mortals, more of their tricks are coming to light — like the cover’s similarity to another artist’s work.

So what’s next? We’ve gone over the financial numbers and everything that we have already committed to, and don’t see enough room for another physical thing without having to introduce some new levels and the resulting chaos that would cause. However, just because we can’t offer another physical thing, doesn’t mean we can’t add on a virtual one.

Many years back, we edited and published the first novel Ursula ever wrote, Black Dogs, as a two-part print edition. For a whole host of reasons (mostly lack of time) we have been slow to tackle the conversion of much of our backlist into eBook format, but we know more than a few of you have been requesting Black Dogs for some time.

Now will be that time.

We’ve gotten the okay from Ursula to release the eBook editions for free to the Kickstarter backers as part of the final stretch goal, which we are going to set at $28K (since we are already almost at $23K and we expect the usual last week frenzy). This will be added to all levels from $8 (Baba Yaga) on up.

If you are not familiar with the story, we want to stress that Black Dogs is not like Summer in Orcus in many ways. While it too centers around a young girl, in this case named Lyra, it is an altogether harsher world which she inhabits; and she both comes from and passes through some dark places to get where she is going. The writing is both clearly very early Ursula, and at the same time, very clearly all Ursula (or T. Kingfisher, or whomever you care to reference).

(6) GUFF DELEGATE. Donna Maree Hanson is chronicling her fan fund trip online. The entries about museum visits are lavishly illustrated with photos of the exhibits. This excerpt is taken from one of the posts about the Worldcon – “Guff # 6 -The Hugo Awards”.

Then it was our turn to go on stage. The ceremony is on You Tube I believe and was webcast. We were in the beginning section. There was an International group of people presenting, South Africa, Poland, China, US and Australia. We had to sit on a sofa on stage and then after we presented we had a short interview. Amazing, John [the TAFF delegate] and I got to plug the fan auction to like 5000 people! They had John’s name wrong in the script so Karen Lord called him Jeff. We gave John a hard time. So Jeff what did you do with John etc.

After the awards ceremony we were invited to the Hugo Losers’ Party. There was a shuttle bus (a small one) so a lot of people took cabs. We waited with C E Murphy and ? (I’m sorry I forgot your name again) and Nalo Hopkinson, George RR Martin, Pat Catigan and others. A Finish fan guy leaped on the bus and Nalo can I come with you and did.

The venue was Helsinki’s steam punk nightclub. It was crowded by the time we got there. Winners turn up and are boohed and made to wear ridiculous head gear. There was an amazing steampunk cake. Lots of booze. Lots of food and desserts in mini containers. The music was good at first but then we tried to dance and the music went to shit. Go figure. I had a blast but wanted to go home. Beans, my daughter, wanted to party and dance and I didn’t get out of there until around 2 am. But I met people, talked to people. John and Valerie turned up late dressed in their steam punk gear. So cute.

Here is a collection of shots, including the steampunk cake. The steampunk couple are John and Valerie Purcell….

The four-day International Mars Society Convention brings together leading scientists, engineers, aerospace industry representatives, government policymakers and journalists to talk about the latest scientific discoveries, technological advances and political-economic developments that could help pave the way for a human mission to the planet Mars.

On opening night the convention will feature a panel of science fiction greats discussing “The Human Future in Space.”

Members of this special panel will include Greg Benford (Timescape, The Martian Race, Chiller), David Brin (Startide Rising, The Uplift War, The Postman), Larry Niven (Ringworld, Lucifer’s Hammer, The Integral Trees) and Jerry Pournelle (Footfall, A Mote in God’s Eye, Starswarm).

The science fiction panel discussion will begin at 7:00 pm at the University of California Irvine (A-311 Student Center) and will be open to the public.

Commenting on the panel, Mars Society President Dr. Robert Zubrin said, “This will be an extraordinary event. It’s like having a conference panel a generation ago featuring Isaac Asimov, Robert Heinlein and Arthur C. Clarke. I can hardly wait.”

One would be mistaken to think of pirates as roaming only the Caribbean. Pirates as famous as William Kidd and Henry Every have at various times plundered, pillaged, and murdered their way up and down the New England seaboard, striking fear among local merchants and incurring the wrath of colonial authorities. Piracy historian Gail Selinger brings these tales of mayhem and villainy to life while also exploring why New England became such a breeding ground for high seas crime and how the view of piracy changed over time, from winking toleration to brutal crackdown….

Gail Selinger is a maritime historian and pirate expert who served as a consultant on the History Channel’s Modern Marvels: Pirate Tech. Her commentary appears on the DVDs of The Princess Bride and Pirates of the Caribbean: The Curse of the Black Pearl. She is the author of The Complete Idiot’s Guide to Pirates and lectures on pirates and pirate history.

(9) NOT THE TERRITORY. Alex Acks explains why “I Don’t Like Fantasy Maps”. And it’s not because you can never get them folded up again. Here’s the first of 10 points:

Most of them are terrible. Like geographically, geologically terrible. You’ve already probably seen me complain about the map of Middle Earth. From my experience as a reader, and I’ll readily admit that I have neither had the patience nor time to read every fantasy book ever written, the majority of fantasy maps make me want to tear my hair out as a geologist. Many of them are worse than the Tolkien map, and without his fig leaf of mythology to justify it. (And sorry, it’s not a fig leaf that works for me.)

Some, like Ms. Cortez, have created startling objects that offer portals into alternative worlds or mimic time machines. Others use the imagery of extraterrestrials to express something of the immigrant’s alienating experience. Most engage in the speculative thinking long associated with science-fiction literature and film to explore social issues.

(12) COURSE CORRECTION. Apparently there was a problem with fulfilling the incentives earned by backers of the 2015 Kickstarter for Genius Loci: Tales of the Spirit of Place, because the publisher’s new CEO is trying to make it right.

I know that there are some of you who either weren’t sent the correct rewards or any rewards at all. I sincerely apologize for this. There is absolutely NO reason that you shouldn’t have your rewards by now. That is unacceptable and just a little ridiculous. You have our apologies. We’ll absolutely be correcting this sort of problem.

I also wanted it known that Jaym (Gates) is absolutely NOT to blame for the delays. That falls squarely on our shoulders. Throughout, Jaym has been absolutely professional and has worked hard as your advocate. I also wanted to issue a public apology to Jaym for all the delays as well. Thank you for all your hard work and patience, Jaym. We really appreciate it.

Now, onto fulfillment and reward questions. Right now, I’m going through and trying to figure out who has gotten what and who hasn’t. We’re taking steps to get this sorted out immediately and to get everything to you all that you backed in short order.

To that end, it would help us greatly if you would take a few moments and fill this form out –

(13) WHEN TROI WAS ALMOST CANNED. Paramount wanted to let Marina Sirtis know who was wielding the hammer in these contract negotiations.

The final film for the Star Trek: The Next Generation crew was nearly short one cast member. According to Marina Sirtis, Star Trek: The Next Generation’s Deanna Troi, negotiations for her return in Star Trek: Nemesis were not going smoothly and at one point Paramount Pictures threatened to replace her in the film with Jeri Ryan, the actress who played the Borg Seven of Nine on Star Trek: Voyager. …While this is the first time that Sirtis has openly discussed the threat, Ryan has mentioned in it the past, saying that she was utterly confused by how Seven of Nine could possibly make sense showing up in a Star Trek: The Next Generation movie. With Star Trek: Voyager off the air as of 2001, Seven of Nine technically wasn’t doing anything else, but with much of Star Trek: Nemesis revolving around Troi’s wedding the film’s script would have needed a serious rewrite to account for Troi’s absence and Seven of Nine’s introduction.

Anyway, I didn’t end up seeing too many panels. I heard about some excellent ones, which will no doubt be highlighted in other reviews and reminiscences. The one that I did see that stood out was the one supposed to be on pre-Harry Potter magical schools. While I quite enjoyed it and found some of the panellists interesting – and I would have like to hear more about Italian versions, rather than just the Anglophone ones – it was a victim of too many panellists for 45 minutes, and the moderator was less than optimally effective, especially when a latecomer arrived on the panel and took over.

The Resistance panel was also good, but very heavily US-centric, saved by Kameron Hurley talking about her experiences in South Africa and drawing on her academic work in the field.

I enjoyed the one on Cyberpunk with Pat Cadigan (but, honestly, I could listen to her all day), and I found Quifan Chen’s contributions to be fascinating about real-life now cyberpunk cities in his native China. I’m reading Pat’s Synners, at long last, and greatly enjoying it.

Located throughout the galaxy, the Voyager golden records are emblazoned with the relative orientations, distances, and pulse timing frequencies of 14 different pulsars. (The Pioneer 10 and 11 missions also have the pulsar information on them.)…

Pulsars were only first discovered 50 years ago (by Jocelyn Bell-Burnell, above) in 1967; they were incredibly novel still when the Pioneer and Voyager spacecraft were launched. Now that we have a better understanding of how they work, how ubiquitous they are, and how their apparent properties change over time, we can see that these are terrible long-term beacons! In hindsight, it would have been better to put together the astronomical properties of the Sun, along with the masses, radii, atmospheric contents, and orbital parameters of the planets. After all, those are the pieces of information we use to identify exoplanet systems today, and would be the best way to, on a long-term basis, identify our Solar System.

Geri Sullivan (Balticon 51 Fan Guest of Honor) and Steven Brust (Balticon 51 Special Guest) tell the true story of Minneapolis fandom from rent parties to 4th Street Fantasy to the music. Steve talks about how he programmed conventions, and where he got the idea for his first book, and Geri talks about her first years in fandom. There are great anecdotes about Steve, convention running and more, but overwhelmingly this audio program (with supplemental images) is about the music and culture of Minneapolis fandom. The fan history program was developed for Balticon 51 by the Fanac Fanhistory project.

[Thanks to Greg Hullender, Carl Slaughter, JJ, Paul Weimer, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor Hampus Eckerman.]

While that mystery remains unsolved for now, Book Twitter’s sleuthing was not for nothing. By the end of the day, the New York Times had released a revised list that excluded Handbook for Mortals and returned The Hate U Give to its rightful place in the top spot.

On Monday, BBC News published an article whose headline asked: “Does the world need polymaths?” It examined why experts historically felt the need to excel in many disciplines, but now typically focus on only one. On Tuesday, as if the universe were playing some kind of cosmic joke, news broke that Bradley Walsh is set to be cast as the latest companion in the new series of Doctor Who. If there was ever a need for proof that the renaissance man is back, baby, then Bradley Walsh is that proof.

But sport’s loss was television’s gain. After a stint as a Pontins’ bluecoat, Walsh hit the small screen, first as a presenter, a format that one might describe as his true calling, in which he continues to excel today as the host of ITV’s The Chase. Thankfully, his Doctor Who commitments won’t interfere, according to an anonymous friend who spoke to the Mirror to express relief. “He loves that show with a passion and so does the audience, so he’s delighted to have found a way to make it all work.”

Back in 2014, we caught up with some of Chicago’s most prominent afrofuturist artists and musicians like David Boykin, Nick Cave, and Cauleen Smith. But what about the city’s poets and writers? Through science fiction, fantasy, magical realism, and surrealism, these three women are keeping Chicago at the center of the afrofuturist conversation….

Eve Ewing

Growing up in Logan Square, Eve Ewing used to daydream about “shooting arrows, exploring dungeons, and solving mysteries” while riding her bike. She didn’t hear the word “afrofuturism” until her 20s, but as a child she watched Geordi La Forge on Star Trek and listened to George Clinton. Today, Ewing’s one of Chicago’s most visible cultural icons, from her reporting on Chicago Public Schools to her debut poetry collection, Electric Arches (Haymarket Books, Sept. 12), which looks at Chicago’s South and West Sides through an afrofuturist lens.

“The book is an attempt to use poetry to write a future, and to me that future has to be a free black future,” Ewing says. In Electric Arches, lunar aliens invade Chicago and paint everything black, a time machine allows a fifth-grader to speak with her ancestors, and South Side children escape the police on flying bicycles.

“Part of what makes afrofuturism interesting and distinct is that blackness in America demands an honest reckoning with a violent and traumatic past,” she says. “And here we are in Chicago, a city where black life has been crafted in the face of generations of inconceivable violence: gun violence, state violence, everything. I think we are tasked with thinking beyond this world, about how to live in spite of and beyond everything trying to kill us.”

(4) ELEMENTARY. Award-winning speculative poet Mary Soon Lee, writing in Science, composed a haiku for each element in the Period Table: “Elemental Haiku”.

There were so many Worldcon newcomers this year that the committee ran out of FIRST WORLDCON ribbons for attendees to affix to their badges and had to print up new ones halfway through the con.

So there are people out there who want to be part of this special thing we have. How do we make them feel welcome?

One thing I made sure to do was approach every person I noticed wearing a FIRST WORLDCON ribbon and say … well … “Welcome!”

I told them I was glad they’d decided to join us, and asked the catalyst that caused them to come this particular year. I told them I hoped they were having a good time so far, and said that if they had any questions, I’d try to answer them. I shared an anecdote or two about why I fell in love with Worldcons so long ago.

And he has a great anecdote about this on his Facebook page, involving some 2017 first-timers, 1963 first-timers, and 1953 first timers all comparing notes in Helsinki.

(6) SUITABLY ILLUSTRATED. Hugo-nominated fanartist Vesa Lehtimäki has written a short W75 report:

(7) MEDICAL UPDATE. Chunga co-editor Randy Byers, one of the best guys in fandom, says in “Gimme a break” he has reached a point in his cancer therapy where he’s stopping chemo and medical treatment while he and his doctor assess how they want to proceed,

The initial offerings of the online compendium, which will be expanded as the GMS develops, range from a 15th-century song translated from Middle French that bemoans a lost love (“Two or three days ago / my sweet love went away / without saying anything to me. Alas, who will comfort me?”) to five selections from Hong Mai’s 12th-century Yijian Zhi (or, Record of the Listener, hereafter the Record), a sprawling 420-chapter chronicle that is an invaluable record of society, spirituality, and culture of the Southern Song Dynasty. The GMS is, as suggested by its title, a globally focused resource, with plans for medieval texts translated from Arabic, Chinese, Old Spanish, Latin, Middle High German, Old English, and Old French.

“[A] major aspect of our work to present a broad view of medieval culture is to actively recruit content from many different languages, especially those which have historically been inaccessible to contemporary readers,” Lyons-Penner explained. “It is very unusual for texts from so many different linguistic traditions to be read side by side, and we believe it makes for a much richer experience.”

Game of Thrones has sparked a battle at a Australian housing development where streets have been named after characters and locations from the high-rating television show.

The developer of Charlemont Rise at Geelong in Victoria said he had been forced to change the name of Lannaster Road because of the link to the incestuous Lannister siblings from Game of Thrones.

“The name was knocked back by the developers next door because of the relationship between the Lannister brother and sister on the show,” said the project manager, Gary Smith. “I even changed the spelling to make it not as obvious.”

Lannaster Road will henceforth be known as Precinct Road.

There have been no complaints about the other street names in the estate, more than a dozen of which were inspired by the show, Smith said. Among the names are Stannis, Winterfell, Greyjoy, Baelish and Tywin.

(10) THOMAS OBIT. Actor Jay Thomas (1948-2017) died August 24. His genre work included 20 episodes of Mork and Mindy, 6 episodes of Hercules, voicing an episode of Batman: The Animated Series, and The Santa Clause 2 and 3.

And he appeared on Letterman annually during the Christmas season to repeat his Clayton Moore story (quoted here from the Wikipedia):

As the story goes, after the appearance Thomas, who at the time sported what he referred to as a “white man’s Afro“, and his friend, who was wearing high heeled shoes, tight pants, and a tie-dyed shirt, went off to get “herbed up” (smoke marijuana) behind a dumpster, after the broadcast ended. When they returned to pack up their equipment, they discovered that Moore was still there, as the car that was supposed to drive him to the Red Carpet Inn on Morehead Street (some years he would say the Red Roof Inn) never arrived. Thomas offered Moore a ride in his old Volvo, and Moore accepted. As they were sitting in traffic, an impatient middle-aged man backed his Buick into the front end of Thomas’ car, broke a headlight, and drove away.

Thomas gave chase to the Buick through heavy traffic, finally caught up to the man, and confronted him about the damage. The indignant driver denied breaking the headlight, and Thomas threatened to call the police. The man said nobody would believe their story because Thomas and his friend looked like “two hippy freaks”. At that moment, Thomas said that Moore, who was still in costume as the Lone Ranger, got out of the car and said to the man, “They’ll believe me, citizen!”

(11) TODAY IN HISTORY

August 25, 1939 — The Wizard of Oz opens in theaters around the United States.

In other news, amazing progress continues to take place on the build site. As more structural and garden work gets underway, it’s thrilling to think Pleasant Grove will soon be home to this incomparable park and we wanted to give you a glimpse at one of the more unique structures going in:

This is a model of the “Enchanted Tree” which will be found in our Fantasy Garden, one of the many explorable areas of Evermore. With magical spaces like these around every corner, Evermore will be a place ripe for adventure.

(16) FILE 770 ARCHIVE. Fanac.org is expanding its archive of scanned issues of classic File 770. Hey, some of this stuff is pretty funny, if I do say so myself….

I sat on the bed next to the pile of half frozen fish fingers I was packing into my Louis Vuitton clutch purse and looked up at the dim-witted fool who was under the misguided impression that this was his bedroom. I explained to him how, aside from the fact that Worldcon needs my presence, that I also fully expected to win a Hugo Award for Best Cat Who Edited Something. Oh, Camtrak Freightrain then goes into denial spouting off all sorts of nonsense: there’s no such award he says, the nominees have already been published he says, the award ceremony already happened and it was in the news and everything he says – like that proves anything these days with the lying media spinning all sorts of wild stories. I patiently explained to the poor, poor intellectually limited creature about the role of write-in candidates, jury nullification and how, if you write your name in capitals like this -TIMOTHY THE TALKING CAT – then you get to win all the lawsuits and not pay taxes. “You’d have to start earning some money to pay taxes,” mumbled Camphor Flushwipe sarcastically, knowing he was beaten by a higher intellect.

My vote will go to Jon [Del Arroz]. I haven’t read any of the nominees this year, but for friendship’s sake, I’ll vote for Jon.

And in Best SF Miniatures/etc. –

Again, not my scene. [Rolls 6-sided die]. Um … Star Wars?

However, Finn does bring out that there is not a unity between the Castalia House-published nominees that Vox Day is backing and Jon Del Arroz’ “Happy Frogs” “Dragon Award Finalist Recommendations”. Still, the question remains how many works win that are not on one list or the other, since these are the people who talk more about the Dragon Awards than anyone else.

First of all, we at the Happy Frogs Board of Trustees want to give a hearty congratulations to all the Frogs who croaked their way into Dragon Nomination success. Such an achievement! Happy Frogs are winners….

And we are committed to winning. We at the Happy Frogs firmly believe that 2nd place is first loser. This is why we have to have a talk, fans and frogs alike.

There are some categories where it will be very tough to get further than a nomination because of some big names and anti-frog individuals with loud microphones. It is IMPERATIVE that we throw our collective weights beyond one voice per category to give us the best odds to surpass some of these giants. This is David vs. Goliath v. 2.0 and we have to make sure we go to battle ready.

Therefore, the Happy Frogs Board of Trustees have gotten together and unanimously decided to change our recommendations for this round of voting. This isn’t for lack of love of our prior nominees — we do love you! and we want all frogs and fans to buy and read their books. But these are the voices that have the best chance to win.

It’s not clear exactly who this man is, but he might as well be popping off a selfie or thumbing through his news feed. He seems to gaze into the handheld device in such a way that renders all-too-familiar today, as if he’s just read a bad tweet or recoiling from a Trump-related push notification from the Times. He would almost look unremarkable, if only he and the world around him existed at any point in the past decade.

But the multi-part, New Deal-era mural the man occupies, titled “Mr. Pynchon and the Settling of Springfield,” pre-dates the iPhone by seven decades….

The upcoming solar eclipse has already brought some wonderful things to South Carolina, including a huge boost in tourist spending and the promise of a chocolate-glazed Krispy Kreme doughnut. But there are potential dangers lurking as well—like Lizardmen.

The South Carolina Emergency Management Division, in a Tweet, has issued a tongue-in-cheek advisory on possible paranormal activity during the Aug 21 event, noting that “SCEMD does not know if Lizardmen become more active during a solar eclipse, but we advise that residents of Lee and Sumter counties should remain ever vigilant.”

… Lizardmen are actually a thing in South Carolina. Well, not actually a thing (probably), but they’re the stuff of local legend. It’s basically the state’s version of Bigfoot, only with less hair and more scales. The last reported sighting was in 2015.

There are two writers I owe the most to, because of the personal connection: Larry Niven, my mentor, and Octavia Butler, my big sister. She inspired me to believe it was possible to survive in the field with integrity. Watching her over the years from a distance…and then living walking distance from her for about three years when I moved back into my mother’s house in “the old neighborhood”. Octavia lived on West Boulevard near Washington Boulevard between La Brea and Crenshaw, and because she didn’t drive, I often gave her lifts to autographings and bookstores, and had her over for dinner and conversation. I was in the old neighborhood yesterday, and drove past her house. I’m not 100% certain this was hers, because there is a lot of new building in the area, destroying some of the landmarks. It is POSSIBLE that there were two duplexes side by side, and this is just the one that survived. But…I’m pretty sure. Hers was the door on the Left, I believe.

Paul Reubens, better known as Pee-Wee Herman, playing a wisecracking alien on an Area 51-like military base sounds like pretty much the perfect show. But NBC didn’t pick up this awesome pilot in 2007. The premise: for 40 years, a bunch of misfit, unwilling government employees and researchers have been trying to discover the secrets of the alien and his ship, who still hasn’t even given them his name, until Matthew Lillard (y’know, the guy who played Shaggy in two live-action Scooby-Doo movies) shows up, trying to make a difference. The Area 57 pilot has some pretty great moments, but we may never be truly ready to mix live-action sci-fi and comedy.

Tune in to the audio podcast above for an extensive discussion of “Borne’s” secrets and mysteries. We’re also joined via Skype by the author, who answers (almost) all our pressing questions about the world of “Borne.”

(25) LISTEN UP! Torchwood is back – in Big Finish audio dramas.

Torchwood: Aliens Among Us Trailer

Torchwood is back! The first four episodes of Series 5 are out now from Big Finish Productions, featuring Jack, Gwen and Rhys and four new characters co-created by Russell T Davies. Starring John Barrowman, Eve Myles, Rhys Williams and Tom Price.

[Thanks to John King Tarpinian, Carl Slaughter, David Doering, Cat Eldridge, Andrew Porter, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who is not to blame for a slight tweak by OGH.]