The series can be connected to the “capricci”, architectural compositions of the eighteenth-century painting; is composed of elements taken from reality, and then combined with imagination. The graphic treatment combines strips dimensioned and arranged according to precise mathematical and proportional ratios: the same that are found in the spiral and living species, in addition there are photos of light trails, taken at random during the night journeys by car.

The whole seeks a balance between the op-art and hatches of printmaking techniques.

It comes from a visual-morphologic association of two spirals. One was drawn to a series of site-specific works (relating to the structure of the shell of a snail and its symbolic meanings); the other is the main element of the Guggenheim Museum in New York, designed in 1943 by architect Frank Lloyd Wright and built between 1955 and 59. From the museum seems to give rise to a type of tornado: a more complicated order is going to overwhelm the existing order.