Andy Breslow

Andy has been a lifelong horror fan and genre journalist for close to two decades. He regularly attends film festivals and horror conventions with a personal collection of roughly four thousand films . Formerly a writer/reviewer for Bloody Disgusting, he was most recently a staff member/programmer for a prestigious Denver based genre film festival.
Although he loves all sub-genres of horror, his favorite styles are Italian Giallo and 80’s slasher films. Some of his favorite horror films include ‘Martyrs(2008)’, ‘Audition(1999)’, ‘The Thing(1982)’ and almost anything by Dario Argento.

It’s that time of year again, and no I’m not talking about that commercialized cash grab known as Christmas, but rather that time of year to sort through the hundreds of horror films I’ve seen to try to bring you my top 5. When it comes to horror films, I

BLOODLANDS is a harsh and desolate film; much like the area in which it takes place. Playing as a part of A Night Of Horror Film Festival, it manages to blend drama and horror over the backdrop of a troubled and isolated part of the world. BLOODLANDS is an Albanian/Australian

A Night Of Horror Film Fest in Sydney Australia just wrapped this past weekend. The fest brought with it some strong entries, in this its 11th year. As is the case with most genre fests, programming is usually a mixed bag of the good, bad, ugly, and everything in between.

There’s just no easy way to say it, THE SCOPIA EFFECT is not a good film. That being said, the film shows signs of craft and an emerging talent that may have just tried too hard to swing for the fences. My honest opinion is that the high concept elements

THE VILLAINESS (originally titled Ak-Nyeo) opens with one of the most badass fight scenes in recent memory. Seriously, the opening number (which feels like a single first-person shot) opens with such fire and fury that it’s almost nauseating. I mean that in the best of ways. Playing at this year’s

Toronto After Dark Film Festival has officially wrapped, and as always they’ve brought to light some of the best examples of independent horror cinema from around the world. One of the more subversive offerings this time around is the superb vampire comedy EAT LOCALS. Not subversive in terms of being

LOWLIFE is a film that gives you a lot to like, but it isn’t without its difficulties. Playing as a part of this year’s Toronto After Dark Film Festival, it’s definitely one of the stranger films in the program line-up. It’s not perfect, but there’s enough there to keep you