L.A. TIMES - “Kahn is a quiet filmmaker, and he gently prods his sources to go beyond the typical art world hyperbole of ‘gorgeous’ and ‘wonderful.’ And in a cool, clear-eyed way, he reveals how the $400-million sausage is made, how capitalism has turned art from idea into inventory.”

FINANCIAL TIMES - “Relying on the producers’ exceptional access — particularly Stockman’s — [Nathaniel] Kahn conducted the interviews. ‘I was not inside that world the way she was,’ Kahn says. ‘Sometimes I felt like Alice going down the rabbit hole.’”

MOVEABLEFEST - “The Price of Everything is well aware of the absurdity inherent in the culture it’s capturing, with no less than Gerhard Richter wondering aloud if one of his paintings should cost more than a house or doubling back to the Guggenheim to question whether a golden toilet, concocted by Maurizio Cattelan as a criticism of excess, actually merits a place there.”