Kiss is the eponymous debut studio album by American rock band Kiss, released on February 18, 1974. Much of the material on the album was written by Gene Simmons and Paul Stanley, as members of their pre-Kiss band Wicked Lester. Simmons estimated that the entire process of recording and mixing took three weeks, while co-producer Richie Wise has stated it took just 13 days.[7]

The album was recorded at Bell Sound Studios in New York City, which was owned by the company that owned Buddah Records. Neil Bogart, founder of Casablanca Records, was an executive at Buddah prior to forming Casablanca.[7] Casablanca Records held a party at the Century Plaza Hotel in Los Angeles to celebrate the West Coast release of Kiss (February 18) and to introduce the record company to the press and other record industry executives.

In keeping with the Casablanca theme, the party included palm trees and a Humphrey Bogart lookalike. Kiss performed their usual loud and bombastic stage show, which turned Warner Bros. Records (Casablanca's record distributor) against the group.[7] Soon after the show, Warner Bros. contacted Neil Bogart and threatened to end their deal with Casablanca if Kiss did not remove their makeup. With manager Bill Aucoin's backing, Kiss refused. Shortly after the release of Kiss, Warner Bros. released Casablanca from their contract.[7]

Kiss began their first album tour with a performance at the Northern Alberta Jubilee Auditorium in Edmonton, Alberta on February 5, 1974. A few weeks later, they made their first national TV appearance on ABC's In Concert, followed by a performance of Firehouse on The Mike Douglas Show. During the interview portion of the show, Gene Simmons declared himself to be "evil incarnate", eliciting nervousness, confused reactions from the studio audience, to which comedian Totie Fields humorously commented, "Wouldn't it be funny if he's just a nice Jewish boy underneath the makeup?" Although neither confirming or denying his Jewish heritage, Simmons replied, "You should only know", to which, Fields countered, "I do. You can't hide the hook", referring to Simmons' nose.

The album's cover showed the group positioned against a black background in a pose visually reminiscent of the Beatles' With the Beatles album (Peter Criss stated that this was the visual effect the band was looking for). Gene Simmons has since stated that Meet The Beatles was a big inspiration to him. Three of the four band members applied their own makeup for the album cover photo, as they usually did, but Criss' "Catman" makeup was applied by a professional, whose work came out looking quite a bit different from the look Criss had established, and to which he would return immediately afterward. Ace Frehley, wanting to impress the other members of Kiss, dyed his hair with silver hairspray, which easily came out with shampoo. [7] According to Criss, photographer Joel Brodsky thought Kiss were literally clowns, and wanted to place balloons behind the group for the shoot.[8] Brodsky denied this, chalking it up to imagination.[7] As this was also the first album for the group, they still had yet to perfect the look they would come to be known for later on. For example, Simmons' "Demon" makeup, while noticeable as his, appears rough and not in the definitive form he later became known for.

In the late 1980s, the album was repressed by Mercury Records with a live version of "Nothin' to Lose" in place of the studio version. To date, the repressed version is still available in stores in vinyl format.

Despite the band's promoting and touring, Kiss sold approximately 75,000 copies after its initial release, without the presence of a hit single.[7] It was certified gold on June 8, 1977, having shipped 500,000 copies.[9] The album was re-released in 1997 (along with most of Kiss' earlier albums) in a remastered version.

With the exception of "Kissin' Time", all of the material for Kiss was written before the band entered the studio. Some of the songs were written during Wicked Lester's brief existence, while "Firehouse" was written by Paul Stanley while he was attending the High School of Music & Art in New York City.[7]

"Strutter", which opens the album with a drum fill, is an uptempo rock song that was written before Frehley joined Kiss. Stanley wrote the lyrics, and the music was based on a song Simmons had written years before, "Stanley the Parrot",[7] which he had recorded with former Wicked Lester member Brooke Ostrander in a New Jersey apartment. "Strutter" remains one of the few Kiss songs where Stanley and Simmons share songwriting credits, and was a standard number at Kiss concerts throughout the 1970s. It was released in August 1974 as the third and final single from the album.

"Nothin' to Lose", the band's first single, is a song written by Simmons and sung by him and Peter Criss. The song chronicles the singer coercing his girlfriend into trying anal sex, and her subsequent enjoyment of it. The B-side was "Love Theme from KISS", the album's instrumental.

This song was the first composed for Kiss by Frehley. Insecure in his own singing ability, Frehley turned over the vocals for the album to Simmons. "Cold Gin" was a concert staple throughout the 1970s. During the Alive/Worldwide Tour, Frehley assisted on lead vocals.

The song refers to the stimulating effect that cold gin supposedly has on the male sex drive. The song credits cold gin as the only thing that keeps the couple together in a troubled relationship.

There was a Kiss tribute band from Los Angeles named after this classic song, featuring Tommy Thayer as Frehley, Jaime St. James as Criss, Chris McLernon as Simmons and Anthony White as Stanley. St. James and Thayer would later go on to form Black 'N Blue, a band produced by Simmons, and Thayer would eventually join Kiss, taking Frehley's place after the Farewell tour.

Frehley noted: "I wrote 'Cold Gin' in a New York subway, in my head, both lyrics and music. I had a spiral notebook with me. I never took a guitar lesson, nobody believes that. I didn't realize it was gonna become a Kiss classic".

A live version of the song was included on Kiss' popular and successful live album Alive!. When Alive! was re-released as part of the Kiss Alive! 1975–2000 box set, the song was mistakenly credited to Stanley instead of Ace Frehley in the 72-page booklet that accompanied the album.

Weezer vocalist and guitarist Rivers Cuomo has said that this was the first song he ever learned to play on guitar.[11]

"Let Me Know", previously titled "Sunday Driver", was the song Stanley played when he was first introduced to Simmons, and it was later recorded by Wicked Lester. Simmons and Stanley shared lead vocal duties on the song, which was given a bridge and instrumental coda when recorded for Kiss.[7] During later Kiss concerts, this coda was moved to the end of "She" and before that, "Watchin' You".

"Kissin' Time" was not included on the original album; in fact it was not recorded until two months after the album's February release. By April, the album was clearly not the commercial success the band and Casablanca Records founder Bogart were hoping for. Bogart, who knew that a catchy single could save the album, ordered Kiss back into the studio to record "Kissin' Time", which was a Top 20 hit for Bobby Rydell in 1959. It was released as a single on May 10, but never reached any higher than No. 83. It did, however, boost sales of the album even though it was not added to the album until it was reissued in July 1974 (against the wishes of the band).[7]

This instrumental evolved from a song titled "Acrobat", played during the band's 1973 club shows. It can be found on their 2001 box set. The song is shortened for the album. It is the only Kiss song to feature songwriting credits for all four original members. "Love Theme from Kiss" appeared in the 2010 movie Somewhere, directed by Sofia Coppola.

"100,000 Years" begins with a bass riff by Simmons. The live version includes a long drum solo continuing on from the short one found on the album, as heard on Alive! The demo version can be heard on the 2001 release of the Kiss box set. There was a lost verse towards the end of the song which never made the final cut.

"Black Diamond" begins with Stanley singing the first verse accompanied by a twelve-string, acoustic guitar. After he yells out "hit it!", the full band kicks in and Criss assumes lead vocal duties, repeating the first verse. After the chorus, the song slows down for Frehley's guitar solo, after which it gradually slows down further and fades out. After Criss' departure from the band, the vocal duties have fallen to subsequent drummers Eric Carr and Eric Singer.