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Sunday, 29 January 2017

From Mastery Of Lines, Olayode Leaps Into Permutations

By Tajudeen
Sowole

After nearly a
decade of establishing his signature in extensive application of lines AAthat
generate scintillating figures, Tayo
Olayode takes a leap into what could be his new periods. From Asia, specifically, Tibetan culture,
Olayode gets inspiration that merges his
African native roots with an Oriental technique to produce a new kind of pointillism.

A painting, Charged Horses by Tayo Olayode

Apart from Olayode’s Tibetan-inspired kind of
pop art from pointillism, rendered in portraiture, his other new form include
abstractions made from asphalt on paper, which he calls Flow Series. In addition to his regular slim figures of
lines, they all make a new body of work titled Permutations, currently showing
till March 4, 2017 at Wheatbaker Hotel, Ikoyi, Lagos. Sponsored by the
Wheatbaker and Veuve Clicquot, Permutations stresses the growing acceptability
of

alternative art space, particularly in Lagos hospitality environment. The
exhibition is dedicated to the memory of late Chief Sammy Olagbaju, a prominent
collector and Olayode’s main patron.

The artist’s presence on the Nigerian art
scene has been so pronounced in the last 10 years such that having his debut
solo was expected before now. Tracking Olayode, one recalls that he emerged in
2007, as one of the best two, among competitors in a Terra Kulture-Ford
Foundation organised art project. He and hyper realism painter, Titus Agbara
got residency to Ghanaian master, Ablade Glover’s studio as part of the
project’s top prize

Nearly
10 years after, Olayode is still being sort after. Some of his pronounced
presence on the African art landscape include leading quite a number of group
exhibitions, within and outside Nigeria; in the forefront of a new generation
of contemporary group, Iponri Studios, which emerged as fresh face of Lagos art
about seven years ago; and in 2014 got residency at one of the world’s biggest
art spaces, Vermont Studio, U.S - courtesy of Arthouse Foundation, Lagos -
where he stumbled on a Tibetan technique.

Slim figures laced with lines, swarming
through the diverse social fabrics of life from an artist’s perspective has
dominated Olayode’s signature to the point of clear identity. Giving a new
direction to his palette is Permutation, a theme he discloses, was generated
from self-probity. “It’s about trying different things in different ways,”
Olayode tells select preview guests at The Wheatbaker.

And as the pieces of works are being
unveiled, most of them turn out to be total deviation from Olayode’s signature.
For example, a section of the body of work revisits the fact that portraiture
is basic to every artist’s training, but in practice, the choice of themes and
material as well as technique defines an artist from the crowd. For Olayode,
iconic names such as Mahatma Gandhi, Bob Marley, Che Guevara, Barack Obama are
individuals worth celebrating, particularly when an artist has a new technique
to add and flaunt in a world of expanding visual vocabulary.

Perhaps it is too early to distill a visual
vocabulary from the new technique by Olayode. But a cross-cultural texture of
Tibetan process of burning and perforating rice paper with incense sticks,
mixed with modern African glass beads in painstaking methods comes as a new
technique for Olayode in highlighting features for portraitures. Basically a
pointillism tradition, but Olayode’s imploring of the combined African and
Tibetan techniques generates a fresh texture into the world of pop art.

Pointillism technique, Ride On by Tayo Olayode

Still on the stretch of adding new texture to
his identity, abstraction comes into the fray, interestingly with some odd
medium and materials. Asphalt on paper! How does that work, particularly for a
wall piece, in painting form? The asphalt, before application on the paper, he
discloses, “is heated to a high temperature such that it becomes very light.”
Against white background, the black molten, he says, is then allowed to move
naturally on the paper, hence Flow series.

Back to the artist’s identity of intensive
application of lines for figures, a surreal, Charging Horses highlights
Olayode’s magical process of the canvas. He boasts of breaking tradition by
painting in reverse. And the effect, really, is an optical illusion of
dissolving images as the lines mark what could be a contemporary texture in
surrealism.

The curator, Sandra Mbanefo Obiago, sees a
“360 degrees” form in Olayode’s Permutations.
She argues that it’s rare to come “across an artist who has mastered so
many different styles, without loosing his own unique creative voice.”