It’s an exciting time to
be an InterPlayer! This October, InterPlay,
a social global movement dedicated to ease, connection, human sustainability,
and play, is celebrating its 25th anniversary. On the eve of such an auspicious time, InterPlay
Atlanta had the good fortune to
host InterPlay co-founder, Phil Porter for multiple events—a performance workshop, Second Saturday, The
Secrets of Leading InterPlay training, and a Leading and Following workshop.

PHIL PORTER

Here on this blog entry, I
would like to share from my notes a few of the key ideas that Phil Porter
presented in his workshop entitled, “Giving Performance a Hug,” to us InterPlay
Atlanta performers who have just named our group, “Soulprint Players.”

Here goes...wheee...!

SMOOTHING OUT THE SCARY IN
PERFORMANCE

We are surrounded by
performance of high caliber and have immediate access to it, explained Phil
Porter. Exposure to that excellence can be scary for us in some ways.

In InterPlay, he
explained, we are creating endlessly every time we do something. He referred to
the “nob of intention” which we can turn up or down depending on what we want
to do when we are creating—and this IS performance!

Therefore, we can begin to
smooth out the “scary” part in performance by thinking of everything we do as a
constant process of creating.

EXPANDING OUR RANGE

When we acknowledge the
aspects of our humanness, InterPlay performers can push or play with what they
or “doing” or “creating.” We can pay attention to what part of our “performance”
is consistent and expand our range from there.

For example, what might I
learn about myself, my partners, my world when I talk loudly or softly, quickly
and slowly, or in a high-or-low-pitched voice? Walking in an “unusual” way or
path is another activity, which allows us to experience a wider range of
possibilities when creating. “Ideas for walking are endless,” Phil said, “A pot
full of ideas, living things, trying to crawl out.” He assured us that
something--the “fullness”-- is there, inside of us.

InterPlay asks us what we
are capable of doing.And by expanding
the range of our possibilities, we have more access to information about
ourselves, thus enhancing our lives and performances! Hurray!

PERFORMANCE AS HABIT

As performers, we must be
IN our bodies so we have access to it to perform. Phil describes the people in
his InterPlay performance group, “WING IT! Performance Ensemble,” as “ordinary people doing extraordinary things.”

In InterPlay, we have a
wide range of forms available to us such as “side-by-side stories,” “following
and leading,” or “shape and stillness.” We play with them regularly so that
they become a part of us and our repertoire as humans and performers opening us
fully to our voice, movement, and story telling abilities.

THE IMPORTANT CONCEPT OF
OPPOSITES

Ask yourself, “What am I
doing? How can I do the opposite?” Performing allows us to make aesthetic
choices. In the same way a painter who has used a lot of green on her canvas
might add a splash of red for contrast, so might an InterPlay performer slow
down or speed up his movement or speech. Opposites enhance!

“We tend to go back to the
middle,” Phil Porter said. He encouraged us to play around with the range of
what we think is possible. In one vocal
exercise, he asked us to play around with volume at either end of the spectrum
of loud and soft. When we finished, he asked us to measure our “loud” and
“soft” on a scale of 1-to-10. Then he had us do the speaking exercise again to
try to increase our existing range on either sides of the spectrum. To support
this change in behavior, we were asked to step farther apart from our partner
and not be too concerned about what our partner could or could not understand.
Oh, was that fun playing around with speaking REALLY LOUD and REALLY SOFT!

SIMPLICITY VERSUS
COMPLEXITY

Other forms of dance like
ballet might provide simplicity or structure by having the dancers look and
dress alike. In InterPlay, which fosters multiplicity of voices, performers are
all different sizes, shapes, ages, and races. Therefore, it is the structure of
the InterPlay forms that provide the SIMPLICITY for a performance.

And the COMPLEXITY comes
from individual choices that InterPlayers make. For example with the form,
“Walking, Stopping & Running,” individuals can choose when to walk, run, or
stop, to enter and when to leave. They can choose to move alone or with others,
to go with or against them. The possibilities are infinite!

MOVING INTO NEW TERRITORY

By exploring the concepts
of opposites, simplicity and complexity, and expansion, we can move into new
territories of BEING. As we create, we expand, we connect with others, and the
change becomes a part of ourselves. We discover that our willingness to expand
has allowed us to grow.

MULTIPLICITY OF VOICES. Here are some of the participants at the conclusion of Phil Porter's performance workshop, "Give Performance a Hug."--photo by Ruth Schowalter

MULTIPLICITY OF VOICES

The beautiful aspect of
using the improvisational tools of InterPlay is that it results in a
multiplicity of voices being heard and affirmed. InterPlay performers are
individuals making choices about how they want to BE in the moment either as a
solo performer or an ensemble one—indeed a creative act!

CONCLUDING THOUGHTS

Summarizing my experience from
Phil Porter’s workshop, “Give Performance a Hug,” I have these thoughts:

I love InterPlay! I love
Phil Porter and my fellow InterPlayers.

I appreciate being “given
permission” to BE more myself through play.

I find it exciting to
think of the actions that I take in my life as an endless process of creating.

Being invited to expand
what I know about myself through playfulness alone and along with my community
excites me.

Finally, it just takes my
breath away to think that BEING MYSELF and playing with others through voice,
movement, and story telling can go to the stage and become performance!

ACKNOWLEDGMENTS: Thank you
to Jennifer Denning, InterPlay Atlanta director and founder of “Soulprint
Players,” for holding the space for InterPlay to grow in Atlanta and nurturing
it in numerous ways. Jennifer has lovingly cultivating a group of InterPlay
performers in the past year, ensuring that we Atlanta InterPlayers get training
from the best (see this blog,
this one,
and this one
for performance workshops with Sheila Collins).

Thank you to Phil Porter
from coming to Atlanta and giving us such an enriching weekend. Thanks also to
Cynthia Winton-Henry, co-founder with Phil for developing such a rewarding way
to live our lives playfully. Sheila Collins you have given us a wonderful
foundation for “Soulprint Players” here in Atlanta!