Credits

4/17 – Current

HGTV — Reality/Doc (TV) — Pie Town Productions Details

4/17 – Current

On story shoot days I went on crafty runs, helped setup and break down lights, camera and other grip gear and helped make sure production ran smoothly. On renovation days I was responsible for capturing shots of various demolition and construction aspects of the renovation process. I was also responsible for backing up all data from the shoots and capturing aerial shots when needed.

DIY Network — Reality/Doc (TV) — Dorsey Pictures Details

1/18 – 1/18

12/17 – 12/17

Internet — Scripted (TV) — Traveling Jules Details

12/17 – 12/17

I was responsible for building the Canon C300 Mk II and Movi Pro Stabilizer. I was also responsible for operating certain shots, assisting Director of Photography when needed, and carrying and tearing down gear.

7/17 – 7/17

DIY Network — Reality/Doc (TV) — Dorsey Pictures Details

7/17 – 7/17

I was responsible for helping build cameras, sliders, drone and go pros, rigging Go pros to various mount points, assistanting the crew during the shoot, operating the drone, assisting with tear down and managing footage.

Cinematographer
– Apollo Peak Pet Wine

Commercial/Ad — Hermsen Visuals Details

2/17 – 2/17

2/17 – 2/17

MSHO — Music Video — Hermsen Visuals Details

2/17 – 2/17

I was responsible for setting up lights and camera, designing shots and lighting, operating camera during shooting, tearing down equipment at the end of each day and editing all the footage into a completed product.

11/16 – 11/16

11/16 – 11/16

ESPN — Sports (TV) — Ming Entertainment Group Details

11/16 – 11/16

I was responsible for running cable from the camera truck to the various camera positions, both on the concourse, the high end zone and to the field, during the game I was responsible for ensuring that the camera operator stayed safe during play and for leading cable correctly as to not injure anyone and to give the operator maximum movement. After the game I was responsible for recoiling all the cable that was run and helping repack the camera truck.

10/16 – 10/16

10/16 – 10/16

I was responsible for picking up the rental vehicle, picking up gear and purchasing crafty. During the shoot I was responsible for ensuring everyone on set was content, assisting the AC, including building cameras and lights, and fire watching the vehicles. I was also responsible for driving crew around during b-roll filming.

Science Channel — Reality/Doc (TV) — Sharp Entertainment Details

10/16 – 10/16

8/16 – 10/16

Showtime — Reality/Doc (TV) — Part 2 Pictures Details

8/16 – 10/16

I was responsible for picking up the rental vehicle, picking up gear and purchasing crafty. During the shoot I was responsible for ensuring everyone on set was content, assisting the AC, including building cameras and lights, and fire watching the vehicles.

9/16 – 9/16

Internet — Reality/Doc (TV) — Happy Marshall Productions Details

9/16 – 9/16

I was responsible for building each camera, the DJI Ronin, DJI Inspire Drone and various light kits. I was also responsible for operating multiple shots, including drone shots. I was also responsible for downloading and media managing all of the footage shot during the day.

9/16 – 9/16

NBC — Sports (TV) — Ming Entertainment Group Details

9/16 – 9/16

I was responsible for loading in all equipment to the catwalks, laying out fiber optic cable, assembling skycam carriage, observing cables during broadcast and assisting with breakdown and loadout after the game.

9/16 – 9/16

9/16 – 9/16

ESPN — Sports (TV) — Ming Entertainment Group Details

9/16 – 9/16

I was responsible for running cable from the camera truck to the house, helping build cameras, supporting camera operator during event by wrangling cable and keeping space clear, and breaking down all equipment at the end of the show.

7/16 – 7/16

Spotify — Digital — Collab Details

7/16 – 7/16

I was responsible for making crafty and other runs, loading and unloading gear from production vans, assisting with setup and tear down of lights and camera systems and assisting with any other needs that arose onset.

2/16 – 2/16

Fox Sports — Sports (TV) — Digital Realm Details

2/16 – 2/16

I was responsible for assisting with load in and set up of mobile production suite, HD Broadcast Cameras and Go Pro Cameras. During the event I was responsible for capturing footage of the riders and fans during the various races.

11/15 – 11/15

Fox Sports — Sports (TV) — Fox Sports Details

11/15 – 11/15

I was responsible for driving the Sprinter Van around for various pick ups including a television set, couch, and television stand. Additionally while shooting l was responsible for wrangling the 75 extras that we were shooting with.

7/15 – 7/15

6/15 – 6/15

Travel — Scripted (TV) — V Street Productions Details

6/15 – 6/15

I was responsible for helping set up the 3 Sony FS700 rigs and helping with the setup and maintince of the 3 axis gimbal. I was also responsible for lens changes and helping with whatever the DP and Cam Ops needed.

Film (Theatrical) Details

4/14 – 4/14

3/14 – 4/14

Film (Theatrical) Details

3/14 – 4/14

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.

2/14 – 3/14

Film (Theatrical) Details

2/14 – 3/14

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.

Cinematographer
– The Daily Buzz

Commercial/Ad — The Daily Buzz Details

9/13 – 9/13

6/13 – 6/13

Film (Theatrical) — Anarchy Studios Details

6/13 – 6/13

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.

6/13 – 6/13

Film (Theatrical) — Anarchy Studios Details

6/13 – 6/13

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.