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goats

When it’s not the season for travel or time for local event sketching, there’s always what is close at hand. I no longer sketch my food and drink, which is recommended by some of my favorite luminaries such as Danny Gregory and Liz Steel. But I’ve had my eye on the rusty mailbox next door, and then there’s always the goats at the bottom of the hill.

And then there’s the town I live (outside of), Sebastopol, where I’ll be teaching two workshops this spring. The first is “Introduction of Sketching in Public” on March 25th. So I’ve been wandering around town with the eyes of a tourist sketcher to find what one could capture quickly in a workshop setting.

A lovely water fountain in the plaza and an exercise in connecting it with the background while leaving out most of the rest of what was there! That’s the hard part.

I found a bench in the sun and had a few minutes left to doodle some people. I often end up liking these “doodles” better than the more finished ones. You’d think I’d learn.

But another day I had more time, and a good spot to sit with a friend and kept sketching awhile after my subject had left. Of course they always leave before you’re done!

fountain pen and watercolor in Toned Tan Strathmore Art Journal

And then there’s always the selfie. This one done while on an hour-long phone call in front of my computer (one looks for time where it is to be found), which might account for having lost a bit of the top of her head. Oh well.

I’ve had people tell me I should paint more attractive self portraits of myself, but this is so much more amusing. I think I feel a series coming on. After all, you don’t have to pay this subject to sit and she’s always available to sketch live!

You’ll find it all here, where I’ve been sharing my life in art since 2006 with sketchbooks, paintings, contemplative writings, workshop demos, and invitations to join me in art play and discovery! -Susan Cornelis

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