Charmaine

Charmaine is the 'Space Trolley Dolley' of the DeepSpaceMoolog installation. Her curves and colours echo that of classic 1970's Pan Am air hostesses uniforms.DIMENSIONS: H 33cm, W 24cm, D 50cmPRICE £1,450DeepSpaceMoolog at Testbed1, 60 Druid Street, London SE1 May 2017

Treggi Lo

A time traveller with metallic spandex and nippley knobbles. However, as with all Frillip Moolog beings she/he is an innocent abroad and is blissfully unaware of their charms.DIMENSIONS: H 53cm, W 30cm, D 25cmPRICE: £1,250DeepSpaceMoolog at Testbed1 London SE1 May 2017

Mr T

MrT is an industrious and blingy little space-traveller ; a combo of Mr T from the classic 1970's TV show and a tortoise. DIMENSIONS: H 23cm, W 24cm, D36cmPRICE: £975DeepSpaceMoolog at Testbed1 London SE1 May 2017

Mr T

2016

H 23cm, W 24cm, D 36cmSynthetic fabrics, birdfeeder and vintage scrap

Buddy

Also known as 'Space Kitty', Buddy is the brains of the five FrillipMoolog beings in the DeepSpaceMoolog installation.DIMENSIONS: H 28cm, W 25cm, D 22cmPRICE £1,450DeepSpaceMoolog last shown at TestBed1, 60 Druid Street, London SE1 May 2017

Days before a house and studio move and therefore constrained by the contents of her studio being completely packed in boxes and stored into a shipping container Kirsty E Smith made this piece with materials that she could still physically access.

Hooty

2012

Commissioned piece for Wirksworth Festival.

Running for over 20 years, Wirksworth Festival has become one of the most vibrant showcases for contemporary art that you’ll find in rural England. Wirksworth and its surrounds have a unique character and situation, positioned at the meeting point between rural and urban, agricultural and industrial, ancient and contemporary.

For this commission Smith worked with her love of the scallop developing it from a mere decorative edge into a component from which to construct sensual sculptural forms.

During the three weeks of their residence in St Mary’s the three beings witnessed: worship, weddings, orchestral rehearsals and and the ancient ceremony of the Clipping the Church.

Later in 2013 Smith took Hooty to Scunthorpe; the resulting photograph, Hooty with Steelworks has since been exhibited nationally and was selected by Richard Wentworth for Wells Art Contemporary 2013.

Hurgle Lenz

2012

Commissioned piece for Wirksworth Festival.Running for over 20 years, Wirksworth Festival has become one of the most vibrant showcases for contemporary art that you’ll find in rural England. Wirksworth and its surrounds have a unique character and situation, positioned at the meeting point between rural and urban, agricultural and industrial, ancient and contemporary.

For this commission Smith worked with her love of the scallop developing it from a mere decorative edge into a component from which to construct sensual sculptural forms.

During the three weeks of their residence in St Mary’s the three beings witnessed: worship, weddings, orchestral rehearsals and and the ancient ceremony of the Clipping the Church.

Later in 2013 Smith took Hurgle Lenz to Cleethorpes beach; the resulting photograph, Hurgle Lenz - donkey days has since been exhibited nationally (selected by Richard Wentworth for Wells Art Contemporary 2013).

Mi Wawa

2011

Mi Wawa is one of three large scale Frillip Moolog beings shown in the curated strand of Wirksworth Festival 2012. The work was shown in the ancient and atmospheric St Mary’s church in the heart of Wirksworth, Derbyshire, UK.

Running for over 20 years, Wirksworth Festival has become one of the most vibrant showcases for contemporary art that you’ll find in rural England. Wirksworth and its surrounds have a unique character and situation, positioned at the meeting point between rural and urban, agricultural and industrial, ancient and contemporary.

During the three weeks of their residence in St Mary’s the three beings witnessed: worship, weddings, orchestral rehearsals and and the ancient ceremony of the Clipping the Church.

Cyril

2008

"A striking sculpture that looks like an instrument for some strange futuristic religious ceremony or ancient civilisation ritual, incorporating a 1970s lampshade as if a retro plastic talisman. Along with the inherited velvet, she used beige wool bouclé fabric and synthetic silver fabric over the steel and foam frame, shifting the semiotic register of the form from patriarchal mace to baby’s toy."Matt Price -The Secret Life of Sculpture 2008