Roving monoliths and a surprise performance force the audience to react as two titans of sport come together to connect fans and athletes. Elements are revealed in segments and without warning to displace audience and force interaction.

A disorienting romp through St. Vincent’s colorful fifth album carves out space in our collective brain matter for a new female pop personality—one that is equal parts sexy, smart, surreal, and absurd. Strong bright colors and high contrast visuals are carried across album packaging, faux interviews, music videos, and general campaign.

Directed by Willo Perron, “Los Ageless” plays on the stereotypes of Los Angeles and draws the viewer into St. Vincent’s farcical yet relatable world. Bright contrasting monotone colors are used to tie the visuals to St. Vincent’s album campaign. Special effects create disturbing and beautiful scenery.

Drawing inspiration from the modern reality of how our experiences and consciousness are constantly mediated through technology, the Tour video is a teaser to come and explore G Dragon’s glitchy and subversive discovery of self.

For the launch of KKW Cosmetics the private residence of Mrs. Kim Kardashian West is transformed into a landscape of elegant geometry. The monochromatic nude color palette allows for travel through rooms of the residence to feel like seamless transitions and celebrates the ethos of the lines packaging.

WP&A conceived a minimal and restrained vision for Jay-Z’s most transparent album yet. Using ‘4:44’ as the only artwork for the album forces the consumer to focus solely on the message without distraction.

The design of St. Vincent’s ‘Fear the Future’ tour reflects the dominance, vulnerability, and humor of the album. Strong colors incorporated in the outfits and instruments, mixed with visuals from faux interviews and music videos, create an ongoing visual through line.

Split through three acts, the show takes the audience on a journey through G Dragon’s subversive and sometimes harrowing identity journey. Act One celebrates G-Dragon, the performer. Act Two displays the conflict between G-Dragon the performer, and Kwon Ji Yong, the man. Act 3 leaves us in introspection as the facade is dismantled to reveal Kwon Ji Yong, the man, alone and unadorned.

The xx’s I See You album shifts the band’s focus. No longer in need to reconcile with one another, the I See You Tour turns defiantly inward and calls for self-reflection. The result is serenity and reconciliation with oneself.

The 2016 VMAs honors Rihanna with the Michael Jackson Video Vanguard Award. In rejection of the traditional, singular, long-winded medley performance, the show is split into four unique sections, celebrating the versatility of Rihanna.

Paradise Lost has been taken into an achromatic society of the future. Viewers stumble upon the last orchestra on a desolate planet, where Woodkid leads the show, serving as an outlet for the hopeful in a dystopian world.