It means both to touch and to understand – in a way thinking with the hands.

I am focused to reduce objects to the essential without eliminating the poetry.

All knowledge is condensed in the intuitive action and so I trust it.

Limitation of tools lead to objects with a more specific expression in case tooling marks are not concealed afterwards. Even using only one or obviously the wrong tool leads to something new.

Listening and trying to understand my latest works is an essential part to make the next step towards something exciting.

The experiment has a great value in my work as I understand it as a method to shift borders and explore the unknown. Furthermore, I like the idea to control the process of making rather than the outcome.

I work with real, solid materials with all strengths and weakness. I believe that materials are smart. If you listen carefully, they tell you what to do.

In my opinion the most important question for all kind of objects and spaces is how and if people are able to deal with it on a personal level.