Currently reading

The North Sea, October 1904 – When Russian warships bombard the Hull trawler fleet, killing innocent fishermen, public outrage pushes Britain and Russia to the brink of war, the sparks from which could inflame the entire Continent.

Doctor Ingo Finch, once of the Royal Army Medical Corps, is long done with military adventuring. But when a stranger seeks him out, citing a murderous conspiracy behind the infamous “Dogger Bank Incident”, Finch is drawn back into the dark world of espionage.

With Whitehall, St Petersburg and rival Bolsheviks vying to manipulate the political crisis, the future of Britain, and Europe, is at stake…

A sweeping, heartbreaking novel following Daniel in his troubled marriage with Rosie as they navigate the unsettled time between the World Wars.

Rosie and Daniel have moved to Ceylon with their little daughter to start a new life at the dawn of the 1920s, attempting to put the trauma of the First World War behind them, and to rekindle a marriage that gets colder every day. However, even in the lush plantation hills it is hard for them to escape the ties of home and the yearning for fulfilment that threatens their marriage.

Back in England, Rosie’s three sisters are dealing with different challenges in their searches for family, purpose and happiness. These are precarious times, and they find themselves using unconventional means to achieve their desires. Around them the world is changing, and when Daniel finds himself in Germany he witnesses events taking a dark and forbidding turn.

By turns humorous and tragic, gripping and touching, So Much Life Left Over follows a cast of unique and captivating characters as they navigate the extraordinary interwar years both in England and abroad.

Recently finished (click on title for review)

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child.

Hours later the dead girl stirs, takes a breath and returns to life.

Is it a miracle? Is it magic? Or can it be explained by science?

Replete with folklore, suspense and romance, as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s bestseller The Thirteenth Tale.

In the late 1630s, lured by the promise of the New World, Andrea Stuart’s earliest known maternal ancestor, George Ashby, set sail from England to settle in Barbados. He fell into the life of a sugar plantation owner by mere chance, but by the time he harvested his first crop, a revolution was fully under way: the farming of sugar cane, and the swiftly increasing demands for sugar worldwide, would not only lift George Ashby from abject poverty and shape the lives of his descendants, but it would also bind together ambitious white entrepreneurs and enslaved black workers in a strangling embrace. Stuart uses her own family story—from the seventeenth century through the present—as the pivot for this epic tale of migration, settlement, survival, slavery and the making of the Americas.

As it grew, the sugar trade enriched Europe as never before, financing the Industrial Revolution and fueling the Enlightenment. And, as well, it became the basis of many economies in South America, played an important part in the evolution of the United States as a world power and transformed the Caribbean into an archipelago of riches. But this sweet and hugely profitable trade – “white gold,” as it was known -had profoundly less palatable consequences in its precipitation of the enslavement of Africans to work the fields on the islands and, ultimately, throughout the American continents.

Interspersing the tectonic shifts of colonial history with her family’s experience, Stuart explores the interconnected themes of settlement, sugar and slavery with extraordinary subtlety and sensitivity. In examining how these forces shaped her own family–its genealogy, intimate relationships, circumstances of birth, varying hues of skin–she illuminates how her family, among millions of others like it, in turn transformed the society in which they lived, and how that interchange continues to this day. Shifting between personal and global history, Stuart gives us a deepened understanding of the connections between continents, between black and white, between men and women, between the free and the enslaved. It is a story brought to life with riveting and unparalleled immediacy, a story of fundamental importance to the making of our world. (Review to follow.)

Sadie is brought up amongst the vineyards of the Yarra Valley whilst her work-obsessed father reaps riches from the boom years before the Great War. With post-war depression looming, Sadie’s only option is to flee from her disastrous marriage, seeking refuge in Cleethorpes, a small seaside town in northern England.

Years later, when her sons are in RAF Bomber Command, she receives a letter from her long-lost brother which forces her to confront the past and her part in her family’s downfall. Can old wounds be healed? Will she find new love? Will this second war destroy everyone she saved?

In eighteenth century London, porcelain is the most seductive of commodities; fortunes are made and lost upon it. Kings do battle with knights and knaves for possession of the finest pieces and the secrets of their manufacture.

For Genevieve Planché, an English-born descendant of Huguenot refugees, porcelain holds far less allure; she wants to be an artist, a painter of international repute, but nobody takes the idea of a female artist seriously in London. If only she could reach Venice.

When Genevieve meets the charming Sir Gabriel Courtenay, he offers her an opportunity she can’t refuse; if she learns the secrets of porcelain, he will send her to Venice. But in particular, she must learn the secrets of the colour blue…

The ensuing events take Genevieve deep into England’s emerging industrial heartlands, where not only does she learn about porcelain, but also about the art of industrial espionage. With the heart and spirit of her Huguenot ancestors, Genevieve faces her challenges head on, but how much is she willing to suffer in pursuit and protection of the colour blue?

What Cathy (will) Read Next

The Salt of the Earth by Józef Wittlin, trans. by Patrick Corness (eARC, courtesy of Pushkin Press and NetGalley)

At the beginning of the twentieth century the villagers of the Carpathian mountains lead a simple life, much as they have always done. The modern world has yet to reach the inhabitants of this isolated and remote region of the Habsburg Empire. Among them is Piotr, a bandy-legged peasant, who wants nothing more from life than an official railway cap, a cottage with a mouse-trap and cheese, and a bride with a dowry.

But then the First World War comes to the mountains, and Piotr is drafted into the army. All the weight of imperial authority is used to mould him into an unthinking fighting machine, so that the bewildered peasant can be forced to fight a war as he does not understand, for interests other than his own.

The Salt of the Earth is a classic war novel, a powerful pacifist tale about the consequences of war on ordinary men.

Hungary, 1956 – Russian tanks brutally crush the revolution against the Communist regime. Sisters Katalin and Marika escape Budapest with their family and settle in London.

However, the past is not so easily left behind. Their father is a wanted man, and the sisters’ relationship hangs in the balance. Their futures are shaped by loss. For Katalin, this means the failure of her ambition and a devastating discovery; for Marika, an equally heart-breaking experience.

Caught between their Hungarian heritage and their new lives in Britain, the sisters struggle to reconnect. Family secrets are exposed, jeopardising Katalin’s and Marika’s identities. Can their relationship survive war, division and grief?