Kaela Bosch, soprano Belezza, Fedra, Ore 2 in Cavalli’s L’Egisto “I still regularly rock out to a couple of Veggie Tales songs and I feel no shame about it.” Kaela Bosch Where are you from? How did you first get interested in opera or musical...

Susan Moore, contralto Mrs Herring in Britten’s Albert Herring “New opera, which is currently mostly written for young people in the U.K. to attend as part of their education or to perform, must move to the main stage alongside classic works. This is the...

Andrew Derynck, tenor Mayor Upfold in Britten’s Albert Herring “My constant singing in the fields or while harvesting would startle my dad and we would stop as he would think that I was hollering since something may have gone wrong, although often it was...

Morgan Reid, soprano Belezza and Fedra in Cavalli’s L’Egisto “For me, the process of putting a show together is always a new learning experience, as you will always have new ideas, aspects, and people to work with. I always learn more about myself...

We have just a few roles left for the 2017 Festival! We need one or two mezzos for the role of La Notte/Didone in Cavalli’s L’Egisto (I can offer a very good scholarship for this one). Other roles open (with various levels of scholarships possible) are:...

Thomas Brosky, bass Superintendant Budd in Britten’s Albert Herring “I love Mozart!! There is special kind of joy in his music that only exists in this world because of it. Naturally, I would love to be a Papageno, Figaro, or Leperello in the fullness of...