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(Im)pulse

The great and talented and Tony-nominated choreographer Donald Byrd has a knack for translating complex historical texts into visceral dance pieces that help us reckon with the present. Last year's A Rap on Race, a jazzy interpretation of an important conversation between Margaret Mead and James Baldwin, stands out in my memory as a tremendous testimony to that fact. This world premiere sees the mass shooting at Orlando Pulse Nightclub through the lens of the brilliant/brutal David Wojnarowicz, whose Close to the Knives: A Memoir of Disintegration should be on everyone's syllabus, and also playwright Brian Quirk.