September 9, 2016

A moot court is being held at Monash University in Melbourne to discuss the issue

A moot court (AKA mock trial) is being held at Monash University in Melbourne. The title is: Greece v UK: The Parthenon Marbles Case. The event is jointly organised by the Hellenic Australian Lawyers Association (HAL) and Monash Law School.

Please the link here to reserve tickets if you are planing on attending.

This year marks 200 years since the British Government controversially purchased the Parthenon Marbles from Lord Elgin and displayed them in the British Museum. The longstanding legal and diplomatic dispute about who owns them – Greece or the UK – continues to this day.Read the rest of this entry »

Dr Tom Flynn of the British Committee for the Reunification of the Parthenon Marbles is giving a talk at the University of Geneva on 15th September. The talk is titled: The reunification of the Parthenon marbles and the role of cultural diplomacy in breaking the deadlock – Will we have to wait another 200 years?.

Reunification of the Parthenon Marbles: breaking the deadlock?
15 September at 19:00–21:00
Université de Genève – Uni Bastions

As part of the British Parliament’s vote bicentennial deciding to entrust the Parthenon Marbles in the British Museum, the Swiss Committee for the Return of the Parthenon Marbles is pleased to invite you to the conference at the Law Centre of the art of the University of Geneva and the European Centre culture:

“The reunification of the Parthenon marbles and the role of cultural diplomacy in breaking the deadlock – Will we have to wait another 200 years?”Read the rest of this entry »

September 2, 2016

Why do we feel other countries should share their culture, but then place bans on the export of our own

Institutions like the British Museum, along with much of the British Press, regularly denounce as cultural nationalism, claims by countries such as Greece and Egypt that looted artefacts should be returned. These countries are castigated for not sharing and they should be proud of the fact that other countries want their heritage, rather than seeing it as something that they want to retain.

When there is a chance of important British works ending up in foreign collections however, we regularly place export bans on them. While we encourage others to share, we are unwilling to do so ourselves. The situation is even more perverse than it first appears though -while the British items up for export are invariably up for sale in a public auction at the request of the current owner, many of the items that others ask to be returned were seized in times of war, or looted and then smuggled into the country without any permission being given.

Every few years a major export ban crops up in the news. Often, it is not even for a work that was originally British (such as the Picasso in the examples below), but something that we happened to acquire and would like to hang on to. We see something’s existence in Britain as making it a part of our culture, but we decry others for far lesser requests.

At the moment, I’ve just uploaded some old images previously posted on Twitter, but there will be more to follow soon.

As a reminder – you can also follow Elginism on Facebook, Twitter and Pinterest too, to make sure you don’t miss the latest news on the Parthenon Marbles and the campaigns for their return. Because its quick to do, I often end up posting on Facebook and Twitter before creating a proper blog post here about developing news items.

Although many would like them returned, others take a certain pride in the way they have been preserved overseas and feel that they are perhaps better looked after there

This article sums up something that I have noticed hinted at in various previous articles and more specifically in comments on twitter.

Within Britain’s largest museums, there are huge collections of artefacts that were acquired from India in a range of circumstances, some more questionable than others. Many in India justifiably want some of these artefacts returned. Many more however, see the well preserved state of the artefacts in the UK as a contrast to the lacklustre state of many museums in their own country. Still more do not trust the motives of politicians, who they feel want items returned only for nationalist reasons.

I think a lot of the ambivalence to restitution of Indian artefacts perhaps stems from the distrust many have of the government there – endemic corruption potentially puts the items at greater risk if they are returned home. In a perfect world though, when these issues are solved, I would hope that more in India would want to also reclaim their heritage.

British museums shine thanks to all the loot from India
Adrija Roychowdhury
Published on:August 15, 2016 12:41 pm

In Britain, a museum visitor from India is suddenly made aware of how his or her past has brutally been ripped away and appended to British history, now on display for tourists from around the world to gloat over.

I first stepped onto the streets of London in the summer of 2015 as part of research work for my Masters thesis. An apt way to describe the city would be to call it a snippet of a dream carefully plucked out from a history book. For someone who was enthralled by the magnificence of British history, London was everything I had read and heard about all my life.Read the rest of this entry »

August 4, 2016

The long running Acropolis programme of works on the Acropolis site enters a new phase

The current restoration of the Parthenon on the Athenian Acropolis has been ongoing for many years now. This week, the go-ahead has been given by the Central Archaeological Council for works to proceed on the West Pediment.

Restoration Work on Parthenon’s Western Pediment to Begin
By Kerry Kolasa-Sikiaridi –
Aug 4, 2016

The Central Archaeological Council (KAS) approved on Wednesday two projects for the restoration of the upright marble slabs and background wall of the drum which form part of Parthenon’s western pediment.

According to the researchers who presented the two studies, the work involves rescue interventions aimed at dealing with the problems found by restorers in that section of the pediment – mainly cracks formed by various causes. In the future, the studies could be used to evaluate whether it would be useful to add material in place of the two missing slabs, they said.Read the rest of this entry »

August 2, 2016

The fact that such a bill has been proposed with cross party support means that whether or not implemented, the appetite for return exists in the UK

The below articles contain further coverage of the Parthenon Sculptures (Return to Greece) Bill currently presented to the UK parliament. Whether or not this bill actually becomes law,, it is indicative that there is cross party support for the restitution of the sculptures. As with many issues in parliament (the EU is one that has been prominent in recent months), those in different parties may support the cause for a variety of different reasons, but the fact remains that they are all supporting the same end goal.

British MPs Propose Bill to Return the Elgin Marbles to Greece
by Allison Meier
July 11, 2016

With the 200th anniversary this week of the July 11, 1816 purchase through an Act of Parliament of the Parthenon Marbles for the British Museum, members of parliament (MPs) are introducing a bill that would repatriate the ancient artifacts. Greece has advocated for their return ever since the country’s 1832 War of Independence, but with the UK soon to negotiate its departure from the European Union following Brexit, supporters see this as an opportunity to finally send the sculptures back to their home.

The Parthenon Marbles, sometimes called the Elgin Marbles for Lord Elgin, who sold them to the British Museum, have a contentious and complicated history. The complications stem from the circumstances under which they were removed, and whether that removal under a time of Turkish occupation means they should be returned. The “Parthenon Sculptures (Return to Greece) Bill” asks for “provision for the transfer of ownership and return to Greece of the artefacts known as the Parthenon Sculptures, or Elgin Marbles, purchased by Parliament in 1816; to amend the British Museum Act 1963 accordingly; and for connected purposes.”Read the rest of this entry »

August 1, 2016

Could Britain leaving the EU lead to the return of disputed Nigerian treasures

Taking a cue from the Parthenon Sculptures (Return to Greece) Bill, and the legal claim inadmissibility, questions are being asked about whether Brexit could be a route to the repatriation of other disputed artefacts in the British Museum. Nigeria has various claims relating to the seizure of artefacts from the ancient kingdom of Benin during punitive raids by the British in 1897.

Brexit: How hope may rise for Nigeria’s looted artefacts
By Tajudeen Sowole
31 July 2016

If the two centuries of ownership crisis between United Kingdom and Greece, over controversial Parthenon Marbles, is resolved as a result of Brexit, hopes may appear on the horizon for return of artefacts of Nigerian origin incarcerated in the British Museum, London. Currently, what has been described as “a cross party group” of British MPs has reopened bid to return the Parthenon marbles to Greece as part of effort to keep healthy relationship with Athens after Brexit.

Also known as the Elgin Marbles, the objects, which include parts of sculptures and frieze from 2,500 years old of remnant ancient master pieces became subject of ownership tussle after the British government acquired them 200 years ago. The sculptures were originally removed from Parthenon, an ancient edifice in Athens by the seventh Earl of Elgin, Thomas Bruce, who was suspected to have ‘stolen’ the pieces from Greece during Ottoman Empire rule. But the then British Parliament disagreed that the marble pieces were illegitimately acquired.Read the rest of this entry »

European Court of Human Rights Throws Out First Legal Bid to Return the Elgin Marbles to Greece
By Kerry Kolasa-Sikiaridi
Jul 20, 2016

It has been 200 years since Greece was robbed of its famous marble Parthenon sculptures, known around the world as the so-called “Elgin Marbles.”

Just when it seemed that these 2,500-year-old marbles might actually be returned to their home in Athens, the European Court of Human Rights has thrown out the first ever legal motion to force the UK to return the sculptures to Greece, brought about by the Athenians’ Association.Read the rest of this entry »

For 200 years there’s been squabble over who rightfully owns the world famous Elgin Marbles: the British Museum or Greece? Now, even Brits themselves are pretty sure the answer is “not us.”

The sculptures were taken (or stolen, depending who you ask) from the Parthenon between 1801 and 1805 by Lord Elgin, British ambassador to the Ottoman Empire, and in 1816 they were purchased by the British Museum following parliamentary approval. Earlier this week, a new bill proposed by members of parliament could transfer ownership of the sculptures back to Greece on the 200th anniversary of Britain’s controversial acquisition of the artifacts, reports the Independent.Read the rest of this entry »

July 25, 2016

Although one case may have been deemed inadmissible, this does not mean that Greece should give up legal action to secure return of the Marbles

I posted last week about the rejection of the case for the return of the Parthenon Marbles brought in the European Court of Human Rights by the Athenians’ Association. As I pointed out then, the inadmissibility was down to technical issues with the claim – not any sort of judgement on Greece’s right to ownership of the sculptures.

Since then, George Vardas from Australians for the Reunification of the Parthenon Sculptures has nwritten a much more detailed summary of the legal issues involved behind the inadmissibility.

The Parthenon Sculptures and the European Court of Human Rights
George Vardas

In a recent interview regarding the Parthenon Sculptures, the Director of the Acropolis Museum, Professor Dimitris Pandermalis, stated that “their return is a matter of cultural morality” and stressed that “there are human rights, but great monuments also have their own rights”. He was referring to the fundamental rights of integrity: “you cannot mutilate a great monument”.

So what do we make of the recent dismissal by the European Court of Human Rights of an application brought by an Athenian association alleging that the continued retention of the Elgin collection in the British Museum infringes certain provisions of the European Convention of Human Rights?Read the rest of this entry »