Synopsis

Curator’s notes

Marius Sestier shot this film using a Lumiere Cinématographe that he balanced on a tripod to ensure the camera remained steady.

This film is one of the earliest Australian films to tell a story by presenting the footage in chronological order. The Bulletin (28 November 1896) commented how 'beautifully appropriate’ it was 'that the first Australian picture presented by the new machine should be a horse race’.

Melbourne Cup 1896 was screened not only in Australia, but also in London, St Petersburg and Paris soon after the first French cinema was opened that same year. It was believed to be Australia’s earliest surviving film until the discovery of Patineur Grotesque (1896), which Sestier shot only a few days prior to the Melbourne Cup.

Throughout the film you can see Walter Barnett, the producer of the film, encouraging action and movement by directing the crowd to wave their hats. Although this film is recorded as actuality footage, this manipulation of the action not only indicates the general unfamiliarity people had with moving image but also puts a personal perspective onto Sestier’s story.