Back to Blood

A big, panoramic story of the new America, as told by our master chronicler of the way we live now.

As a police launch speeds across Miami's Biscayne Bay-with our hero, officer Nestor Camacho, on board-Tom Wolfe is off and running headlong into the only city in the world where people from a different country with a different language and a different culture have taken over at the ballot box.

This melting pot is full of hard cases who just won't melt, damn it: a Cuban mayor; a black police chief; a hot young reporter and a timid editor of the Miami Herald, both WASPs who went to Yale; an Anglo sex-addiction psychiatrist who keeps his lovely Latina nurse, Magdalena, in his bed and his star patient, a porn-addicted billionaire, on a string; a status-addled Haitian professor who thinks he's really French and wants his pale-skinned daughter to "pass" and his Creole-spouting son to be quiet.

Then there are the clueless collectors who "See it! Like it! Buy it!," spending tens of millions per minute on de-skilled art at Miami Art Basel; black drug dealers colliding with the Cuban cops; Columbus Day Regatta "spectators" who only have eyes for the annual après-race orgy; and "Active Adult" condos full of yenta-heavy ex-New Yorkers, not to mention a nest of shady Russians.

Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, BACK TO BLOOD is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

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A big, panoramic story of the new America, as told by our master chronicler of the way we live now.

As a police launch speeds across Miami's Biscayne Bay-with our hero, officer Nestor Camacho, on board-Tom Wolfe is off and running headlong into the only city in the world where people from a different country with a different language and a different culture have taken over at the ballot box.

This melting pot is full of hard cases who just won't melt, damn it: a Cuban mayor; a black police chief; a hot young reporter and a timid editor of the Miami Herald, both WASPs who went to Yale; an Anglo sex-addiction psychiatrist who keeps his lovely Latina nurse, Magdalena, in his bed and his star patient, a porn-addicted billionaire, on a string; a status-addled Haitian professor who thinks he's really French and wants his pale-skinned daughter to "pass" and his Creole-spouting son to be quiet.

Then there are the clueless collectors who "See it! Like it! Buy it!," spending tens of millions per minute on de-skilled art at Miami Art Basel; black drug dealers colliding with the Cuban cops; Columbus Day Regatta "spectators" who only have eyes for the annual après-race orgy; and "Active Adult" condos full of yenta-heavy ex-New Yorkers, not to mention a nest of shady Russians.

Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, BACK TO BLOOD is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

Tom Wolfe is the author of more than a dozen books, among them such bestselling contemporary classics as The Electric Kool-Aid Acid Test, The Right Stuff, The Bonfire of the Vanities, A Man in Full, and I Am Charlotte Simmons. A native of Richmond, Virginia, he earned his B.A. at Washington and Lee University and a Ph.D. in American studies at Yale. He received the National Book Foundation's 2010 Medal for Distinguished Contribution to American Letters. He lives in New York City.

BACK TO BLOOD by Tom Wolfe

PRAISE FOR TOM WOLFE:

Bonfire of the Vanities (1987):

"A big, bitter, funny, craftily plotted book that grabs you by the lapels and won't let go."
(New York Times Book Review).

"A superb human comedy and the first novel ever to get contemporary New York, in all its arrogance and shame and heterogeneity and insularity, exactly right."
(Washington Post Book World).

A Man in Full (1998):

"The novel contains passages as powerful and as beautiful as anything written--not merely by contemporary American novelists but by any American novelist....The book is as funny as anything Wolfe has ever written; at the same time it is also deeply, strangely affecting."
(New York Times Book Review).

I Am Charlotte Simmons (2004):

"Wolfe is one of the greatest literary stylists and social observers of our much observed postmodern era....A rich, wise, absorbing, and irresistible novel."
(Time).

"Wolfe's dialogue is some of the finest in literature, not just fast but deep. He hears the cacophony of our modern lives."
(Los Angeles Times).

"Brilliant...I couldn't stop reading it....Tom Wolfe can make words dance and sing and perform circus tricks, he can make the reader sigh with pleasure."
(Washington Post).