Review: Having given keen listeners a healthy preview in his Fabric live mix last year, the artist formerly known as Stopmakingme delivers his full-length album for Erol Alkan's Phantasy Sound. It's a limber brew that channels a strong dose of analogue trickery through smart and snappy beat constructions, all bubbling, aquatic synths and troubled delays propelled by unfussy drum patterns so that the melodies can do the talking. Primarily this is a dancefloor album, moving from peppy breakbeat driven numbers to gently bumping house, but always the playful, ineffably warm synth work sets the tone, from "Naive Response"s robotic charm to "Drone Logic"s soaring grind. It's an album brimming in confidence and nailed with precision, and it's packed full of incredibly usable floor rockers to boot.

Review: One of the standout cuts from Daniel Avery's superb Song For Alpha album, "Diminuendo", gets a deserved single release. The title track - an alien-sounding chunk of psychedelic darkroom techno made in collaboration with recent Tresor signing Manni Dee - kicks off the EP, before Avery serves up a trio of previously unheard workouts. The first of these, "Hyper Detail", is a weighty chunk of creepy and intense techno propelled forwards by thunderous beats and wickedly wild TB-303 acid lines, while B-side opener "Light of Falling Rain" is an equally trippy slab of wonky electro/modular techno fusion. Closer "Time Marked Its Irregular Pulse In Her Eyes", meanwhile, is the kind of twisted ambient - all barely decipherable electronic speech and spacey noises - that sounds like it was beamed down from another universe.

Review: The rise of London producer Daniel Avery has been little short of staggering. Less than two years ago, he was relatively unknown beyond the confines of blogland. Now, thanks to a string of acclaimed productions and a blossoming DJ career, he's been afforded the opportunity to mix the latest instalment of the FabricLive series. Musically, FabricLive 66 offers a snapshot of where he's at now, delivering a tough but flowing mix of fuzzy electronic rhythms, stripped-back techno, gnarled acid house and tactile, next-level electronica (see Gatto Fritto's superb remix of JR Seaton's "Way Savvy"). There are also occasional forays into electroclash-ish territory (Miss Kittin, Raudive) and a smattering of Avery's own productions, making FabricLive 66 a formidable proposition.