All these guys are falling victim to having to make BMS songs. It's tough for music to survive at that level.

This reminds me of wac's comments for Saturn. He basically said that he liked composing Saturn since he didn't have to think about how it would be keysounded though he kinda ended up doing so anyways. I wonder if other bemani artists share that same thought.

uh no, perditus aside from the "HEY LOOK THERE ARE LONG NOTES NOW" beginning is legit

You mean the part that's like a fourth/fifth of the entire damn song (and a really lazy fadeout outside of the OST)? I'll admit it's far better than most of Taka's recent stuff, though. It's still pretty darn mediocre (not bad, mediocre. Big difference).