Halestorm set to sweep through Stage AE Pittsburgh Dec. 11

They’re baaaack! Pennsylvania quartet Halestorm are back with their second full-length, The Strange Case of…. Musically diverse and emotionally revealing, the album resonates with a newfound poignancy that takes Halestorm to a new level of creative achievement.

“I was extremely proud of Halestorm when we released it, and I still love it, but I think I was using mostly one musical technique throughout,” explains frontwoman Lzzy Hale. “We were on ‘ten,’ and we blew through the songs in a safe way – or as safe as something that goes, ‘I get off on you getting off on me’ can be. This new record demonstrates more depth and heart. It’s a lot more expressive and really lets down the barriers.”

In support of their latest effort Lzzy Hale and company return to Pittsburgh’s Stage AE with Redlight King and Stars In Stereo Dec. 11. The show is sure to offer much from their debut and of course from The Strange Case of….

The first single “Love Bites (So Do I)” is a storming rocker that illustrates Hale’s individuality, sense of humor, and willingness to represent young women in today’s fast-paced society.

“I was talking to this little girl over Twitter who was going through her first breakup, and she was asking me for advice,” recalls Hale, who regularly interacts with her fans online. “She typed ‘Love Bites,’ and I replied, ‘Well, so do you, darling. You can still bite back.’ It was meant to be an empowering song for people when love goes down the tubes, and I think it’s a very realistic way of looking at relationships. Nobody talks about all the crap you have to do to keep something alive or just deal with your boyfriend or girlfriend. They always talk about falling in love or having your heart broken. So this is a way of saying, yes, everything can end, but it’s rejuvenating to stand up and go, ‘This sucks right now, but it’s not going to take me down with it.’”

Other tracks, such as “You Call Me a Bitch Like it’s a Bad Thing” and “Freak Like Me” turn epithets into proud slogans, while “Daughters of Darkness” is an admission that women, like men, have their dark side. “Even with the sweetest woman in the world, you click a switch somewhere, and she’s a little bit crazy or she has her secrets,” Hale says. “And a lot of times you see these girls let all that stuff out at our concerts, which is really gratifying.”

One of the most meaningful songs on The Strange Case Of… to Halestorm is “Here’s To Us,” a declarative mission statement which starts with a delicate arpeggio and builds to a rousing pop/rock refrain. As much as it represents the band, “Here’s to Us” was actually an afterthought. “It came together after we already thought the album was complete,” Hale says. “It’s our ‘bottom of the ninth, bases are loaded… home run!’ The song is about celebrating the ups and downs of your journey as you go along because even the bad times can be reasons to crack open the champagne.”

One reason Halestorm has developed the ability to sound completely self-assured and cohesive whether they’re tearing down the rafters or gently massaging a bruised psyche is because they’ve had plenty of time to hone their craft and celebrate their exceptional chemistry. Hale and her brother and drummer Arejay started the group more than a decade ago when she was 13 and he was just 10. From the very beginning they were in it to win it even though they paid their dues along the way. Back in the day, the members lost a talent show to a tap-dancing cowgirl, played Friendly’s for free ice cream, piled the stage with homemade explosives that sometimes went off right in front of their faces, and even played at a funeral.

Halestorm’s determination paid off. Before long, they were playing local bars even though they were underage. They secured guitarist Joe Hottinger in 2003 and bassist Josh Smith in 2004, and in 2005, Halestorm signed a deal with Atlantic Records and released the live EP One and Done, which included an early version of fan favorite “It’s Not You.” The band continued to write, tour and record and in 2009 released their self-titled full-length album. Inspired by Halestorm’s exuberance and spirit, the band’s loyal legions rapidly grew. They became favorites at rock radio, highlights of music festivals and friends of the multitudes of groups they opened for or headlined with. Halestorm went on to sell more than 300,000 copies.

Backing their monster riffs and euphoric choruses with pure rock and roll attitude, Halestorm followed up their eponymous release with the covers EP ReAniMate. In addition to including aggressive fist-pounders by Skid Row, Guns N’ Roses and Temple of the Dog, Halestorm demonstrated their sonic scope with versions of tracks by The Beatles and Lady Gaga. The boundary-stretching was just a prelude to the muscle and sensitivity of The Strange Case Of…

“We’ve taken everything we can do and stretched it in both directions,” Hale says. “This record goes from one song that’s just vocal and piano and the lowest and softest I’ve ever sung all the way up to the highest notes and craziest screaming I’ve ever done.”

As musically advanced as The Strange Case Of… is compared to Halestorm’s debut, the band still has plenty of growth left in them and continue to write songs at an alarming rate. “I create all the time,” Hale says. “And the four of us are working together more now, so we’re really gelling better than ever. We’re really excited with how far we’ve gotten with this album, and we can’t wait to see where we can go in the future. It feels like there are no rules or boundaries, and that’s the ultimate freedom.” (http://www.halestormrocks.com/)