MG+ | on view

Twenty-four of Mušič’s Dachau drawings recently discovered in Italy are to be presented at an exhibition included in the Moderna galerija permanent exhibition of 20th century art. The exhibition poses some fundamental questions: "How does art confront the point where absolutely everything can be taken away from us? Not simply as physical death, but as death while still alive. How to create art after the gas chambers?"

Retrospective exhibition of the Painter Do You Know Your Duty (V.S.S.D.) duo, active between 1985 and 1995, and Alen Ožbolt, who after the discontinuation of V.S.S.D. continued his own artistic journey. The exhibition offers a comprehensive insight into the production of this particular phenomenon of art in the late 1980s and early 1990s in our country.

In the Museum of Modern Art (MG+), a new exhibition is now on view: a circular timeline with a selection of works that are an addition to and continuation of the permanent exhibition 20th Century. Continuities and Ruptures and a guide to same.

A selection of works from the national collection of Moderna galerija.

The 20th Century. Continuities and Ruptures exhibition breaks with traditional linearity by introducing the topics of the 20th century avant-gardes and of the art of the Partisan resistance, bringing them into the national history of art on an equal footing with more familiar trends and, as a consequence, casting new light on the latter.

We’re home again, now truly isolated for the first time. We’re seeing our kitchens, living rooms, bedrooms, bathrooms with new eyes, and we’re fully aware of the smell of our apartments and houses for the first time, of their comforts and beauty or else the peeling plaster and drafty windows. Some dream interpreters say that when we dream about our homes we’re really dreaming about ourselves, as though our homes were as unique as we are. You are what your home is. But it’s not that simple.

+MSUM | on view

Jošt Franko’s artistic and photographic practice is based on interdisciplinary research projects exploring the topics of migration, workers’ rights, and the ignored parallel histories of communities and individuals in the territories of the former Yugoslavia.

Karol Radziszewski presents a rich selection of Central and Eastern European queer archival materials from the collection of the Queer Archives Institute (QAI). The QAI, established by Radziszewski in November 2015, is a non-profit artist-run organization dedicated to research, collection, digitalization, presentation, exhibition, analysis and artistic interpretation of queer archives, with special focus on the countries of the former Eastern Bloc.

An exhibition by the Rojava Film Commune, a collective of filmmakers founded in 2015 and based in the autonomous region of Rojava (which means “West” and refers to the western part of Kurdistan in contemporary northern Syria).

By using existing archive material and documents the aim of the exhibition is to actualise the work of the Art & Language group and to point at the rich outcome of these strong positions in conceptual art.

Arteast 2000+ is the first museum collection conceived with a focus on Eastern European postwar avant-garde art in a broader international context. Since its inception in 2000, the collection has been offering a comprehensive overview of art in the region. It is recognized for the insight it provides into certain shared sociopolitical issues that are or were of central concern for the artists in the formerly socialist countries.