Due to the distance between India and the seat of the Patriarch of the Church of the East, communication with the church's heartland was often spotty, and the province was frequently without a bishop. As such, the Indian church was largely autonomous in operation, though the authority of the Patriarch was always respected. In the 16th century, the Portuguese arrived in India and tried to bring the community under the authority of the Latin Rite of the Catholic Church. The Portuguese ascendancy was formalised at the Synod of Diamper in 1599, which effectively abolished the historic Nestorian metropolitan province of India. Angamaly, the former seat of the Nestorian metropolitans, was downgraded to a suffragan diocese of the Latin Archdiocese of Goa.

Nomenclature

The region has been variously labelled as "India" (in its pre-modern sense), the Indian subcontinent (a term in particularly common use in the British Empire and its successors) and South Asia. Though the terms "Indian subcontinent" and "South Asia" are sometimes used interchangeably, some academics hold that the term "South Asia" is the more common usage in Europe and North America. According to historiansSugata Bose and Ayesha Jalal, the Indian subcontinent has come to be known as South Asia "in more recent and neutral parlance."Indologist Ronald B. Inden argues that the usage of the term "South Asia" is becoming more widespread since it clearly distinguishes the region from East Asia.

References

Dialogue (Part I & II)

"Dialogue" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago V (1972). On the album the song is over 7 minutes long and is divided into two tracks. An edited version of the song was released as a single in October 1972, eventually reaching #24 on the U.S. Billboard Hot 100.

In Part I, the song's lyrics are a dialogue between two young people with different views. The first person (whose lines are sung by Terry Kath) is very concerned about events of the early 1970s, such as war, starvation, and "repression... closing in around." The second person (whose lines are sung by Peter Cetera) maintains that "everything is fine." Musically, the song is also a dialogue between Kath's rhythm guitar and Cetera's bass, which is all the more interesting as the songwriting credit went to keyboardist Lamm. As Part I comes to a close, Kath's character sarcastically endorses the other character's worldview, saying "you know you really eased my mind; / I was troubled by the shapes of things to come." The response, which hints at an acknowledgment of culpability: "Well, if you had my outlook, your feelings would be numb - you'd always think that everything was fine"

Due to the distance between India and the seat of the Patriarch of the Church of the East, communication with the church's heartland was often spotty, and the province was frequently without a bishop. As such, the Indian church was largely autonomous in operation, though the authority of the Patriarch was always respected. In the 16th century, the Portuguese arrived in India and tried to bring the community under the authority of the Latin Rite of the Catholic Church. The Portuguese ascendancy was formalised at the Synod of Diamper in 1599, which effectively abolished the historic Nestorian metropolitan province of India. Angamaly, the former seat of the Nestorian metropolitans, was downgraded to a suffragan diocese of the Latin Archdiocese of Goa.

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You And I

You and IWe might be strangersHowever close we get sometimesIt's like we never metBut you and II think we can take itAll the good with the badMake something that no one else has, butYou and IYou and IMe and youWhat can we doWhen the words we use sometimesAre misconstruedWell I won't guessWhat's coming nextI can never tell youThe deepest well I've ever fallen intoOh I don't wanna knowOh I don't wanna knowOh I don't need to knowEverything about youOh I don't wanna knowAnd youDon't need to knowThat much about meYou and IWe might be strangersHowever close we get sometimesIt's like we never metBut you and II think we can take itAll the good with the badMake something that no one else has, but