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AB Nugroho & Rachmat Nurcahyo
Notebooks and Rituals
Later stages of a writer’s career are more demanding,
especially if research is necessary. The beginner’s
equipment is a NOTEBOOK and a pen or pencil, and
access to a computer.
However, since writing creatively does not always bring
much financial comfort, one of its underrated merits for
the beginner is that it is relatively inexpensive compared
to other art forms.
One thing an ‘ABC of Writing a Book’ does very well is talk
of markets, audiences and that chimera for creative
writing: money.
Record and
Practice
The notebook is a movable
workplace.
It may be paper-bound, or a
hand-held computer.
Whatever form, it must be
practical, comfortable and
portable.
It must suit the way you
conduct yourself as a writer.
If you have not done so
already, buy yourself a
NOTEBOOK. Date it, and
replace it when it is
completed, but ensure you
keep all of them safely.
You use it for writing
regularly, but the main uses
will be to record ideas for
sentences while you are
actively thinking about one
hundred other matters; to take
down interesting material
while traveling; or to record
sentences and dialogue you
hear, or overhear. You will
also use it as a scrapbook of
sorts.
A writer’s notebook
functions as what used to
be called a ‘commonplace
book’, in which you record
sentences, lines of poetry,
images and paragraphs by
other writers that you find
especially intriguing for one
reason or another.
In this way, you create a
personal anthology, one
that you can reread for
ideas, encouragement and
illumination of problems in
your own writing.
You may experience
fascinating reveries when
the conscious mind shuts
down and dream or fantasy
surprise you back into
waking.
A notebook travels with you,
even to your bedside. One
of the most common times
for ideas and images to
arrive (gallingly) is during
the period between trying to
sleep and sleep itself.
Buy yourself a hand-held voicerecording device and make your
notes orally.
These are forms of active
dreaming. If that happens,
however tired you are, make note
of any images that have arisen,
or the phrases that have come to
you.
Do not fool yourself into thinking
you will remember it next day,
even though not everything is
going to be of use to you, and
some of it will seem asinine.
So, rather than holding a nightlong vigil over your notebook,
write enough to be satisfied
that you have netted what is
most important.
This period before sleep is an
especially receptive one when
you are engaged in a book,
poem or article whose process
absorbs your daylight hours.
You have seemingly finished
your day’s work, but your
mental processes will still be
flickering on their reel.
The reservoir of your creative
thinking needs time to fill up –
let your unconscious mind do
all that filling and working.
Everything is quarry, everyone
is material, and everywhere is
fieldwork.
Your notebook is a fine-meshed
net in constant trawl, collecting
far more detritus than it does
material you may later find
useful. And, one of the tricks of
being able to read any net is to
know what that detritus might
yield.
Pretty well anything has some
possibility and some beauty for
a writer, given enough scrutiny.
That which appears at first to be
obsolescent, boring or ugly may
prove to be ideal.
One of the most fascinating places
to collect the noise of speech,
and the speech of human
behavior, is anywhere in which a
large number of people gather,
usually to make a journey.
Such places – airports, bus and
train stations – have the effect of
making everyday human
concerns provisional, unstable
and transitory. The heart is not
here, far from home.
It is not so much that you are
observing what people are
saying, but how they say it and
why they say it that way. It is a
parade of styles. You are an
ethologist – you study behavior.
To do so is merely to experience second-hand or
custom-bound notions of aesthetic experience.
You should take your notebook everywhere and have
it with you all the time. You should not, as some
apprentice-writers do, limit your notebook work to
places and times you think inherently ‘inspirational
and beautiful’.
A simple form of organization is to possess two
notebooks: one for recording and collecting,
and one for writing and drafting.
Notebooks are rougher and readier than a Claude
glass. How you organize your notebook is
important, but do not use the organization of
notebooks and files as a displacement activity
for not writing. It is the equivalent of tidying your
home before settling to work.