Album NotesIn much the same way that he followed the full-on assault of THE RIVER with the scaled-down, folk-based NEBRASKA, some two-and-a-half decades later, Bruce Springsteen makes another stylistic about-face. In stark contrast to its predecessor, 2002's uplifting, epic-scale rocker THE RISING, DEVILS & DUST is a spare, quiet, acoustic-oriented album full of shadows and whispers.Where THE RISING, a direct response to the tragedy of 9/11, rallied the spirit with impassioned optimism, the characters Bruce inhabits on DEVILS & DUST are often neck-deep in regret, bitterness, and despair. Not only does the album demonstrate the width of Springsteen's emotional range; perhaps more importantly, it contains some of his finest writing since its spiritual cousin, 1987's similarly harrowing, low-key TUNNEL OF LOVE. Over a bed of acoustic guitars, occasional keyboards, and a no-frills rhythm section (plus the odd string section--a new wrinkle), Bruce matches hard-won emotional insights with poetic reveries that never abandon personal resonance for flights of fancy. In the process, he careens sharply away from those who would freeze him in the full-bore-rocker role of which he sometimes wearies.The second side of the DualDisc version of DEVILS & DUST contains live acoustic performances of five songs from the album. Springsteen's spoken introductions to the tunes provide an additional level of intimacy to these extra features.

Personnel: Bruce Springsteen (vocals, guitar, keyboards, bass guitar, drums, tambourine, percussion); Marty Rifkin (steel guitar); Brendan O'Brien (hurdy-gurdy, sarangi, sitar, bass guitar, tambora); Soozie Tyrell (violin, background vocals); The Nashville String Machine (strings); Brice Andrus, Susan Welty, Thomas Witte, Donald Strand (horns); Chuck Plotkin (piano); Danny Federici (keyboards); Steve Jordan (drums); Patti Scialfa, Lisa Lowell (background vocals); Mark Pender.In much the same way that he followed the full-on assault of THE RIVER with the scaled-down, folk-based NEBRASKA, some two-and-a-half decades later, Bruce Springsteen made another stylistic about-face. In stark contrast to its predecessor, 2002's uplifting, epic-scale rocker THE RISING, DEVILS & DUST is a spare, quiet, acoustic-oriented album full of shadows and whispers.Where THE RISING, a direct response to the tragedy of 9/11, rallied the spirit with impassioned optimism, the characters Bruce inhabits on DEVILS & DUST are often neck-deep in regret, bitterness, and despair. Not only does the album demonstrate the width of Springsteen's emotional range; perhaps more importantly, it contains some of his finest writing since its spiritual cousin, 1987's similarly harrowing, low-key TUNNEL OF LOVE. Over a bed of acoustic guitars, occasional keyboards, and a no-frills rhythm section (plus the odd string section--a new wrinkle), Bruce matches hard-won emotional insights with poetic reveries that never abandon personal resonance for flights of fancy. In the process, he careens sharply away from those who would freeze him in the full-bore-rocker role of which he sometimes wearies.