A1 ForeshadowingA2 Quiet Suburban TownA3 The HermitA4 A Late Night At The LibraryA5 Anomaly On Meadow LaneA6 Something Came Out Of The WellA7 Quantum TeleportationB1 Boltzmann BrainB2 LeylinesB3 The Day It Rained ToadsB4 At The ObservatoryB5 PhosphorescenceB6 The Government InvestigationB7 One Road OutB8 Black Helicopters

After a nervous breakdown, Larsen retreats to a desert resort under the care of psychologist Bayliss. A series of psychoretinal hallucinations begin to evolve, induced by Bayliss’ course of psilocybin treatment; the spectres of translucent men walk amongst the uninhabited chalets, as Larsen falls outside of time.

Side B:

Based on the short stories ‘News from the Sun’, ‘Memories of the Space Age’ & ‘Myths of the Near Future’ by J. G. Ballard.

The space grounds along Cape Canaveral lie empty. Abandoned launch sites, the husks of the Apollo missions, litter the coastline. Space flight has brought about a psychic fissure: a fugue inducing space sickness. Humanity succumbs to a debilitating, timeless trance. A lone astronaut, responsible for the first murder in space, haunts his victims among the deserted Florida hotels.

01. MCMLXXXIII [02:02]02. Post-hypnotic suggestion [02:02]03. Deep schizos, irreversible paranoids [03:26]04. Forgotten Intentions [01:57]05. 'Hallucination is the wrong term altogether' [02:41]06. 'There's a gun in my letterbox' [01:40]07. First of the three [03:49]08. Ident IV [00:12]09. The last man to walk on the Moon [02:38]10. Memories of the Space Age [03:53]11. Threat Of Extinction [01:44]12. 'If anyone's immune, you are' [01:47]13. Total time lost (Intermission) [01:13]14. Terraces of Soleri II [02:34]15. Reflecting the void [01:05]16. News from the Sun [02:17]

Synth scores for horror films not yet made or that don’t really exist are one of the specialties of Burning Witches Records. Gary Dimes, AKA All of Them Witches, AKA co-founder of that record label, contributes a powerful collection to the faux-synth-scores genre with Hunters Moon. He excels at tapping into the music of the films of John Carpenter and Dario Argento, but injects a freshness and originality that renders these tracks anything but mere emulation.

All of Them Witches, a one-man operation, runs on the imagination and nightmares of Gary Dimes. He steps into the musical world of 70s and 80s horror cinema and stitches together musical motifs and Gothic melodies that wouldn’t be out of place in stories told by Argento, Romero, Coscarelli, and Carpenter. His second album Hunters Moon features 11 tracks, blending synth driven ambient electronica and brooding dark tales.

Richard Band has scored more than 70 films, including From Beyond, Re-Animator, Ghoulies, The Arrival, Shrunken Heads, and many more. There are but a handful of composers toiling in terror that fully understand how to manipulate an image. Max Steiner, Bernard Hermann, Ennio Morricone, Jerry Goldsmith, Riz Ortalani, Danny Elfman, Christopher Young; all of these visionary artists helped define not only how we watch horror and dark fantasy films, but how we listen to them as well. We can easily add Richard Band to that list of heavy sonic hitters. The veteran music man has sculpted dozens upon dozens of rapturous scores for films ranging from the classic (RE-ANIMATOR) to the curious (MUTANT) to the questionable (LASERBLAST). But perhaps no other work defines Band s genius than the haunting soundtrack he created for his Brother Charles Band s immortal 1989 thriller PUPPET MASTER and its many sequels. The tale of a mystical puppeteer named Andre Toulon and his troupe of living, lethal marionettes who are dispatched through the ages to commit all manner of mischief and murder, the PUPPET MASTER films are the Band brothers calling cards, revered B movies that exemplify craft and have over, the past quarter century, have etched a fascinating cinematic mythology. Outside of the presence of the now iconic dolls themselves, at the center of the PUPPET MASTER voodoo is that haunting Band music and of course the gently malevolent theme itself. Taking tinkling found sounds, electronic and symphonic elements and weaving them into a majestic death waltz, the PUPPET MASTER theme speaks of magic, mystery and the unknown. Along with the other marvelous themes, cues and stings you ll find here from many of the PUPPET MASTER sequels, this music is a testament to Richard Band s talent and ability to turn even the most modestly budgeted effort into rich, fully immersive and grandiose cinematic experiences. So sit back, relax, put needle to wax and lose yourself in Band s charmingly perverse macabre music. And for best results...please...listen in the dark.

...Pemberton’s intense score complements the visual brilliance of ONE STRANGE ROCK, exposing the hauntingly ethereal beauty of Earth, the only place we call home. His dynamic sound coupled with the cinematic storytelling takes audiences on an electrifying trip across 45 countries, six continents and outer space...