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Friday, 10 April 2015

Jurassic sauropod Mamenchisaurus youngi was a pretty freaky looking thing: a weird, upturned tail base; some sort of 'sail' along the hip/tail junction; a hugely oversize neck and massive shoulders. Here, one is shown engaging in a bird-like threat display: head and neck down, vocalising, and elevating its tail. The other is engaging in bird-like can't-be-botheredness. Prints of this image are available here.

With apologies for a post entirely devoted entirely to loosening money from your pockets, there are three items of newsworthiness I want to share here. Two of them are even for decent, well-meaning causes. The other is my livelihood, which I also consider a good cause, but I'm aware I have a biased opinion on that.

1. Lots of new art at my print store, and a 20% discount for savvy types

In addition to updating this blog and Twitter, I also regularly add new artwork to my online print store. Much as I try to give each piece full airing and discussion here, I struggle to do this for all my work in a timely fashion, and they end up on sale before an accompanying article can be produced. Recent additions include:

*Thanks to co-conspirators Robert Gay and ReBecca Hunt-Foster for concepts and assistance with these pieces!

If you'd like to own a high quality Giclée print of one of these, or any of the other 29 paintings in there, now is a good time to purchase one. Until the end of April you can obtain a 20% discount on the print costs by entering the promotional code 'APRIL2015' at the store checkout. The code doesn't apply to shipping costs, but knocks a hefty chunk off the prints themselves. Armed with this code, prices range from £16-40 instead of their £20-50. All purchases support the production of more art and articles, so every purchase is sincerely appreciated.

It's not official until there's a shareable image for social media.

2. It's fund-raising auction time at the Portsmouth's Natural History Museum!

My local natural history museum, Cumberland House, is attempting to raise money for a new bee hive exhibition via an eclectic auction next week. The auction takes place on April 15th and offers a huge range of stuff: furniture, artwork, days out, full-blown holidays, money off cruise fares and a whole lot more. There's lots of stuff here which will be of interest to those outside of the local area and bids can be made remotely - you don't have to attend the auction personally to obtain some of that cool stuff. There's even some palaeoart for sale - a framed print of my 'Tyrannosaurus vs. bees' painting. Details of this, and a full low-down on the lots, are available in the auction catalogue (here) and at the Friends of Cumberland House Facebook page.

3. Mammoth is Mopey (again)

Yeah, I know I've mentioned this before, but it's such a good project that I want to make sure it's known as widely as possible. Mammoth is Mopey is a book for younger readers showing a different prehistoric animal for each letter of the alphabet, with each species accompanied by a fun, quirky illustration. In keeping with the sauropod themed opener of this post, here's the Mammoth is Mopey 'Boastful Brontomerus'.

From Mammoth is Mopey, which you can support here. Illustration by David Orr.

As you might tell by the inclusion of this relatively obscure species, Mammoth is Mopey is going to introduce children and their parents to a new suite of prehistoric animals in a very fun, memorable way. It's rare to see projects aimed at very young children trying to break new ground like this, and that alone seems good reason to support it. The book, by David and Jennie Orr (David being well known for founding Love in the Time of Chasmosaurs), is currently halfway through an Indiegogo campaign and received just over 50% funding. With outreach exercises also riding on the successful funding of this project, it would be great to see it meet the $10,000 target in the next 20 days.

Right, that's my attempt to fleece readers of their money done for now. Less commercially-minded posts will follow soon.

Thursday, 9 April 2015

Sharovipteryx mirabilis, a tiny reptilian 'hindlimb glider' from the Late Triassic of Kyrgyzstan. A Triassic spider is thrown in for fun (spiders are a very ancient group, and were almost certainly present along the ancient lakes frequented by Sharovipteryx). Prints of this painting can be purchased here.

Sharovipteryx mirabilis is a mainstay of books on prehistoric animals, a Triassic Kyrgyz species mentioned frequently as a weird and wonderful, non-dinosaurian Mesozoic species. It is best known for its hindlimb-dominated approach to gliding, but also achieves some popularity via suggestions that it might be closely related to pterosaurs. This relationship is suggested by the possession of membranous flight organs in both lineages and some similarity in hindlimb structure. Recent studies have not looked favourably on this suggestion however, because the detailed anatomy of pterosaurs, distorted as it is by their flight adaptations, shows much greater similarity to that of dinosaurs and their immediate ancestors to that of Sharovipteryx. Moreover, with membranous gliding aids appearing and disappearing multiple times in the evolution of gliding species (including other fossil reptiles) their shared presence in Sharovipteryx and Pterosauria may have little evolutionary significance. Although the relationships of Sharovipteryx to other reptiles remain somewhat ambiguous (see below), most suggest they are part of Protorosauria, an early offshoot from the archosauromorphs which also includes weirdo taxa like Tanystropheus and the drepanosaurs.

The anatomy and proportions of Sharovipteryx are remarkable and unique. We only know of this species from a fossil discovered in 1965, later named and described in 1971 by Alexander G. Sharov. Initially called Podopteryx, it became Sharov’s namesake in 1981 when it was realised that a damselfly already existed with the former name. Our only specimen of Sharovipteryx is variably preserved – sometimes excellently, sometimes considerably less so. Although most of the skeleton is represented, some of the bones are crushed and the two bony slabs sharing the skeleton are split through the middle of some bones – most notably the skull. This has resulted in some controversy concerning detailed interpretations of Sharovipteryx anatomy and hindered discussions of its relationships to other animals. Some of these disagreements are significant, not the least being whether or not any material from the forelimbs is known. Some authors claim to have not only found elements of the arms, but enough to ascertain that that they were proportionally short. Others suggest there is no trace of them at all, and further interpretations suggest the arms were present, but damaged and modified during specimen preparation.

Holotype and only known specimen of Sharovipteryx mirabilis. From Gans et al. (1987).

Such details aside, many elements of Sharovipteryx appearance are relatively clear and can be crudely summarised as resembling a small (< 250 mm long, including tail), long-bodied lizard with enormous, membrane-bound legs. Skin impressions adjacent to the skull, torso and feet show the body was covered with small scales, some of which overlapped. The head was small (19 mm long) and narrow with a short snout, large eyes, small nostril openings and at least 15 small, sharp and widely-spaced teeth in each jaw. The neck and trunk are long and narrow, and of approximately equal length. The narrow tail was at least as long as the body and neck combined. Arm and shoulder bones, as indicated above, are at best very poorly known, or not known at all - depending who you ask. It is likely they were - like those of other protorosaurs - relatively short. It is a shame that we do not know them better: some protorosaur arms are adapted for unusual habits in truly bizarre ways, and given how strange many details of Sharovipteryx are, odd hand or forelimb anatomy would not be unexpected.

The legs of Sharovipteryx are, of course, the most striking feature of the animal. The crus is slightly longer than the thigh, with each bone being approximately as long, if not a little longer, than the torso. The five-toed feet are not especially slender however, although they are proportionally large and broad. Much of their size is devoted to the toes, which increase in size from digit I - V, while the body of the foot is rather short and robust.

Behind the legs and feet is a set of expansive, scale-less membranes extending from the base of the tail, along the posterior margin of the leg, and down to the large fifth toe. These membranes bear striations and folds radiating from the tightly-folded legs. The striations may be fibres within the membranes themselves, perhaps acting to control membrane flutter and aid neat membrane collapse, but the folds suggest Sharovipteryx membranes did not shrink entirely when the legs were folded in. Similarly folded membranes occur in some modern gliders, such as flying squirrels. It is widely thought that these membranes could be deployed as a gliding apparatus simply by extending the legs sideways, a posture clearly attainable in life given the fossilised pose of our sole Sharovipteryx specimen. It is unlikely that Sharovipteryx could flap its hindlimb wings however, its pelvis and hindlimb bones lacking suitable room and reinforcement for flapping muscle attachment.

Whether other membranes were present in front of the legs - or even along the arms - is debated. Some suggest they can be observed on the specimen, but this is not universally agreed on. There are aerodynamic reasons to suspect the posterior hindlimb membrane was not the sole flight surface, however. Studies modelling the glide performance of Sharovipteryx find that the centre of lift is located too far back along the body to safely glide and land without the aid of additional membranes. In other words, there is too much weight in front of the wing, and the animal would risk toppling forward in flight or landing at hazardous speeds. An anterior flight surface, perhaps along the front of the thigh or associated with the arms, would negate these issues and permit safer landings.

Alternative reconstructions of the flight apparatus of Sharovipteryx. Reconstruction 'd' not only provides the best glide path, but also makes flight safe enough to ensure happy landings. Scale bar is 20 mm. From Dyke et al. (2006).

How effective was hindlimb-dominated gliding? It is tempting to take the absence of this gliding mechanic from modern animals as a sign of inefficiency. After all, we see gliding and parachuting in fish, rodents, flying ‘lemurs’, frogs, snakes, lizards and more groups, and none rely on a gliding system approximating that of Sharovipteryx. Indeed, key similarities in gliding anatomies have developed within these groups, perhaps indicating certain 'optimal' gliding adaptations exist for vertebrates. For instance, both frogs and geckos glide on splayed tissues around their hands and feet. All gliding mammals sport extensive membranes between all four limbs. Gliding snakes and agamid lizards have mobile ribs which can expand their bodies into flattened aerofoils. Although the details of these structures differ – as would be expected given their development in such distantly related animals – it is nevertheless interesting that the same anatomical components have developed repeatedly into gliding organs. Perhaps the uniqueness of hindlimb-dominated gliding to Sharovipteryx indicates that it arose via an especially lax interval of natural selection and competition, and that it just doesn't cut the evolutionary mustard outside of the Triassic.

Flight models of the Sharovipteryx glide path conflict with this assessment, however. Indeed, some models of Sharovipteryx glide paths indicate more successful gliding abilities than skilled modern reptile gliders such as Draco, and potentially more manoeuvrability. The ability to control the principle flight membrane with movements of the legs and tail, along with additional (and hypothetical) assistance from forelimb membranes, likely conferred tight control over the glide path. It is notable that the uniqueness of Sharovipteryx gliding apparatus among animals is not carried over to human technology, its wing shape having been likened to delta wing aircraft - the sort of designs we see in fast, nimble fighter jets. In short, no experiments have suggested that the gliding apparatus of Sharovipteryx was ineffective or clumsy, and instead indicated quite the opposite.
Perhaps instead of viewing Sharovipteryx as an evolutionary oddball, we might wonder why more animals have not attained similar anatomies. I suspect the answer may lie in the need for a specific ancestral body form to become a hindwing-dominated glider. The legs must be relatively large to provide a suitable wing surface and possess greater potential for use as wings than the arms, as well as being able to project sideways. While there are plenty of animals with proportionally large hindlimbs, most are bipeds with hip joints particularly restrictive against lateral leg rotation. A small, lightweight body and head, probably reduced arms, long, balancing tail and perhaps climbing habits might also be ideal. It's difficult to think of species other than protorosaurs which might present such a combination of these characteristics, so the greatest potential for hindlimb gliders may have disappeared along with them at the end of the Triassic. Whatever the reason, the take home message is that Sharovipteryx as really a perfect recipe of genetic resources, adaptive pressures and animal behaviour to create a remarkable, unique and effective gliding animal, and not the result of an evolutionary wrong turn.

Of course, Sharovipteryx would not be gliding all the time: how did it move on land? Relatively little commentary exists on this point, but we might assume that terrestrial locomotion and climbing was used when foraging, perhaps for insects, given the absence of adaptations for aerial prey capture. Because the legs of Sharovipteryx are of such length, possibly much longer than the arms and support a large amount of soft-tissue, it is not unreasonable to wonder how walking and running was performed. Unfortunately, our lack of data on Sharovipteryx forelimb bones becomes a real issue here: modelling the terrestrial abilities of any extinct animal really has to start with knowing basic limb proportions. Protorosaurs seem to have been lizard-like quadrupeds, but the forelimbs of Sharovipteryx would have to be very long to operate in this fashion. Shorter forelimbs, as controversially-interpreted by some, do not strictly rule out quadrupedality, although they might require the adoption of frog- or rabbit-like hopping to work harmoniously with the enormous hindlimbs. Bipedality, of course, also cannot be excluded.

Quadrupedal or otherwise, the short, splaying foot of Sharovipteryx contrasts with the generally elongate feet of fast running animals. Despite its long limbs, Sharovipteryx was probably not adapted for routinely sprinting. This doesn’t completely rule out fast terrestrial locomotion of course – we see similar foot structure and limb proportions in rapidly running lizards like basilisks and frilled lizards – but we might assume it was not a regular part of Sharovipteryx habits. Climbing, however, like was: strongly built, asymmetrical feet with increasing lateral toe length like those seen in Sharovipteryx are common in climbing species. We might imagine Sharovipteryx as spending much of its time in tree canopies, and it is perhaps noteworthy that the fossil locality which yielded Sharovipteryx is also known for a diverse fossil flora. Artists might want to consider reconstructing Sharovipteryx with arms showing adaptations to climbing, given that climbing with hindlimbs alone might be very difficult - even for something as strange as Sharovipteryx. Strong feet may also be consistent with powerful leaping and impact absorption during landing, although – again – without knowing much about the Sharovipteryx forelimbs, reconstructing its landing cycle is difficult.

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Who is this 'Mark Witton' chap?

Dr Mark Witton is a palaeontologist and palaeoartist, affiliated with the University of Portsmouth, UK. My technical research is focused on pterosaurs - Mesozoic flying reptiles - but my artwork has introduced me to a wide array of different fossil animals that are just as interesting. I work as a freelance author, consultant and artist: check out my work at MarkWitton.com, follow me on Twitter @MarkWitton, and browse my books here. Contact me at wittonprints[at]gmail.com. Due to volume of email I can't always reply to messages, but I do my best.