What better way to complement the collection of paperback covers above than with photos of actual dancers doing what they do best—making their strenuous and often unglamorous work look easy and fun? We present assorted burlesque dancers, showgirls, and strippers from the 1950s, 1960s, and 1970s, both onstage and off, photographed in such hot spots as London, Paris, Tokyo, Rome, New Orleans, and of course New York City. Among the performers: La Savona, Lilly Christine, Lynne O'Neill, the gorgeous Misty Ayres, Patti Cross, Tina Marshall, Carol Doda, Nejla Ates, Lili St. Cyr, Wildcat Frenchie, and more. If you like these, check out our previous set of dancers here.

Exclusive was a digest sized monthly published out of New York City by the appropriately named Digest Publications, Inc. It launched in March 1954, had the usual mix of celebs, scandal, and crime, and folded after two years. This issue has everyone from playboy Shep King to Italian actress (and former Pulp Intl. femme) Sylvana Pampanini to showgirl Julie Bryan, as well as an interesting crime photo essay the editors—distastefully—decided to title “Sexclusive.” That’s not a smart choice when referring to sexual assault. But moving on, the good thing about these pocket magazines is the text was large relative to the page size, which means that when scanned the articles are easily readable even on our website. That being the case we won’t bother describing the contents any more than we already have. We’ve scanned about twenty-five pages below if you’re interested, and we’re going in search of a glass of ice-cold white wine. Enjoy.

Above is the cover of the NYC based tabloid Suppressed from this month in 1955. This issue shows Suppressed in full bloom—bold, brash, fearless. Within the next two years a series of Hollywood lawsuits against scandal magazines would begin to make editors wary of being dragged into court for committing libel and slander, but 1955 was still the heyday for celeb bashing, and Supressed engaged in what might be best described as open warfare against film stars. Here’s a small sampling of some of the gut punches in this magazine:

Marlon Brando: silly.

Anita Ekberg: egocentric, a martyr.

Rita Gam: the all-time fizzle of 1955, a bad actress, with a figure that leaves something to be desired.

Judy Holliday: pudgy.

Marilyn Monroe: childishly immature, with an inferiority complex.

Debbie Reynolds: inane.

Gloria Vanderbilt: unable to think of anyone besides herself; has more neuroses than acting talents.

Robert Wagner: pompous, unintelligent.

We could go on, but you get the point. We’ve written many times on this website that nothing in media is truly new, and this is yet another example. Click over to any muckraking celebrity blog right now and you’d think journalism, as well as simple grammar, went down the toilet around the year 2000. But no, they were always in the toilet. Remember, Suppressed and its brethren Confidential, Whisper, On the QT, Hush-Hush, et.al., were not fringe. By itself Confidential was thebiggest newsstand seller in the U.S. These publications were powerful. Like modern American cable news, they assumed leading roles in making the public swallow false political memes—a commie under every bed, a black man in every bed, and the loose women who made it all possible.

But unlike today’s fawning cable news, Suppressed was generally scornful toward the rich. For instance, this issue discusses millionaires’ secret playgrounds while parking quotation marks around words like “classy,” and “the right people.” The actual playgrounds are described as “last stand” resorts, where the rich can feel safe from the rabble of middle class America. A few pages later the editors decry nepotism in Hollywood, naming a dozen famous actors and actresses who allegedly got their start because of mommy and daddy’s money. All in all, Suppressed is a head spinning mixture, and at the end of each issue a typical reader was probably convinced of one thing—the only good people in the world were those who were exactly like him.

During the 1950s Nejla Ates was the multi-media queen of exotic dance.

We mentioned Romanian-Tatar dancer Nejla Ates yesterday, and commented on her appearances on numerous bellydancing album sleeves. Well, above are five of those with Ates as the model. At the height of her fame, she danced in some of the most famous clubs in the U.S., and at one point, to promote her role in the 1954 Broadway production Fanny, producer David Merrick commissioned a nude statue of her and had it clandestinely installed in New York City’s Central Park. The statue didn’t last long, but the publicity helped Fanny run for 888 performances. Ates eventually returned to Istanbul, where she died of cancer in either 2005 (if you believe most sources) or 1995 (if you believe her husband’s detailed account). Below are three shots of her in her prime performing at the NYC nightclub Latin Quarter in 1953. If you want to see her in actual motion, her short dance from 1955’s Son of Sinbad is here, and there’s more of her in yesterday’s post.

At the end of last month we posted a few images of Bettie Page that hadn’t appeared online before. They came from an issue of Carnival we were too lazy too scan in its entirety at the time. Today we have the rest of that great issue, vol. 1, no. 2, published out of Chicago, U.S.A. by Hillman Periodicals, who were the same people behind the magazine Show. The cover star is burlesque queen Lilly Christine, aka The Cat Girl, and she reappears in all her wild-eyed glory in a photo set we've placed at the very bottom of this post. We’ve seen at least two of those photos before in other magazines, however Carnival claims it was an exclusive set, shot especially for them, and indeed, that could be true, since theirs appeared before the others we saw.

After a peek behind the scenes of the Miss Universe pageant, readers get a profile of Ernest Hemingway’s most recent trip to Spain. Hemingway was visiting the Festival of San Fermin in the Basque Country town of Pamplona in order to see how his favorite sport of bullfighting had fared in the years since he’d last visited. Since the text in these digest-sized magazines scans large enough to be legible, you can read whatCarnival says about the famed festival yourself. We will note, however, that the writer’s description of Pamplona as dull when San Fermin isn’t happening is wrong. Spain in general, and the Basque Country in particular, are never dull. Trust us—we’ve spent a lot of time there. If you’re interested, you can read our firsthand observations of San Fermin here and here.

Carnival next presents readers with photos of dancer Nejla Ates, whose short set begins just below. We first saw one of these shots in an issue of Uncensored dating from June 1954, but once again Carnival seems to have gotten there first—their photos are from 1953. Ates, who for some reason often appears online unidentified, was Romanian born ofTatar descent, and danced her way through Cairo, Rome, Paris, and London, before finally gaining international fame in New York City. She appeared in three American films during the 1950s, and was the go-to cover model for Middle-Eastern and bellydancing themed album sleeves, but despite her successes suffered the usual slate of dead end affairs and romantic heartbreaks with such men as, among others, Billy Daniels, George Sanders, and Gary Crosby.

Following Ates is a photo feature on American actress and party girl Barbara Payton, who burned a swath through Hollywood during the 1950s, bedding co-stars, feuding with her studio, and generally raising a ruckus before eventually drifting into prostitution and dying at age thirty-nine of heart and liver failure. She’s described here as possessing the “assets of Hedy Lamarr, Jane Russell and Marilyn Monroe” all at once. Not sure about that, but we'll be finding out more about her later, because we will be examining her very pulpish life story in detail.

Next you get a great close-up photo of Jersey Joe Walcott having a disagreement with Rocky Marciano’s fist. Does that shot also look familiar? Perhaps because it was the cover of a January 1953 National Police Gazette. We had no idea that the fight was considered controversial at the time. Apparently, many thought Walcott took adive. Since this photo is of the actual the shot that sent Walcott to the canvas, we have to respectfully disagree. It’s lights out, and anyone can see that. In any case, you can take a gander at that Gazette cover and learn a bit about Marciano and Walcott here.

A few more treats: panel 24, just below, contains a hot shot of Marilyn Monroe at a charity baseball game; panel 26 features actress Sheree North, who doesn’t look very impressive, which means you shouldclick over to our lovely femme fatale post on her here and get a sense of what a knockout she really was; and lastly, in panel 28, above, you get a killer shot of Zsa Zsa Gabor, who, believe it or not, was already nearly forty at the time and had been married three times on the way to her final tally of nine.

Looking at all these pages and visiting the accompanying links, you perhaps get a sense of how the mid-century tabloid industry was fueled by handout photos, with all the publications using the same shots but concocting editorial angles to create the illusion that the images were exclusive. But in Carnival’s case, it does seem to have published many of these images first. It billed itself as “a magazine of excitement”, and we have to agree. It’s also a magazine that, because of its tightly bound construction, we had to destroy in order to scan. But even though this particular issue of Carnival is now only loose leaves scattered across the room, there are other issues out there, and we’ll have some of them later, hopefully.

German-born theoretical physicist Albert Einstein publishes his general theory of relativity. Among the effects of the theory are phenomena such as the curvature of space-time, the bending of rays of light in gravitational fields, faster than light universe expansion, and the warping of space time around a rotating body.

1931—Nevada Approves Gambling

In the U.S., the state of Nevada passes a resolution allowing for legalized gambling. Unregulated gambling had been commonplace in the early Nevada mining towns, but was outlawed in 1909 as part of a nationwide anti-gaming crusade. The leading proponents of re-legalization expected that gambling would be a short term fix until the state's economic base widened to include less cyclical industries. However, gaming proved over time to be one of the least cyclical industries ever conceived.

1941—Tuskegee Airmen Take Flight

During World War II, the 99th Pursuit Squadron, aka the Tuskegee Airmen, is activated. The group is the first all-black unit of the Army Air Corp, and serves with distinction in Africa, Italy, Germany and other areas. In March 2007 the surviving airmen and the widows of those who had died received Congressional Gold Medals for their service.

1906—First Airplane Flight in Europe

Romanian designer Traian Vuia flies twelve meters outside Paris in a self-propelled airplane, taking off without the aid of tractors or cables, and thus becomes the first person to fly a self-propelled, heavier-than-air aircraft. Because his craft was not a glider, and did not need to be pulled, catapulted or otherwise assisted, it is considered by some historians to be the first true airplane.

1965—Leonov Walks in Space

Soviet cosmonaut Aleksei Leonov leaves his spacecraft the Voskhod 2 for twelve minutes. At the end of that time Leonov's spacesuit had inflated in the vacuum of space to the point where he could not re-enter Voskhod's airlock. He opened a valve to allow some of the suit's pressure to bleed off, was barely able to get back inside the capsule, and in so doing became the first person to complete a spacewalk.

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