I like the physical nature of building the sculpture–it seems very old-fashioned and traditional. The idea of the material itself–it’s friendly, flexible, there’s a glow from in it. I’m the full-service artist–doing it all at the moment. I like the aspect of the low-tech tools that I need to make something like this. In the beginning [it was] an Xacto knife, masking tape and glue–now it’s the screwgun. So that hasn’t changed much at all–the directness of it, that I could begin to shape this, I can make this very plastic without any special process. There is that sense of one person building this thing–it becomes a “feat”–the whole thing isn’t about that but within the world we live in right now, it makes it a kind of tribal ritual piece; the fact that it was done by the human hand. [That] takes people back to the place in their life where they remember pasting things together [and so] understanding the process.