Music (Erick Sermon and Marvin Gaye song)

The song was thought of by Sermon after buying a copy of Gaye's Midnight Love and the Sexual Healing Sessions album, which overlook some of the original album's earlier mixes. After listening to an outtake of Gaye's 1982 album track, "Turn On Some Music" (titled "I've Got My Music" in its initial version), Sermon decided to mix the vocals (done in a cappella) and add it into his own song. The result was similar to Natalie Cole's interpolation of her father, jazz great Nat "King" Cole's hit, "Unforgettable" revisioned as a duet. The hip hop and soul duet featuring the two veteran performers was released as the leading song of the soundtrack to the Martin Lawrence & Danny DeVito comedy, "What's the Worst That Could Happen?" The song became a runaway success rising to #2 on Billboard's R&B chart and was #1 on the rap charts. It also registered at #21 pop giving Sermon his highest-charted single on the pop charts as a solo artist and giving Gaye his first posthumous hit in 10 years following 1991's R&B-charted single, "My Last Chance" also bringing Gaye his 41st top 40 pop hit. There is also a version that's played on Adult R&B stations that removes Erick Sermon's rap verses. The song was featured in the 2011 Matthew McConaughey film The Lincoln Lawyer.

As an employee of Guinness, a progressive agro-chemical business, Gosset applied his statistical knowledge – both in the brewery and on the farm – to the selection of the best yielding varieties of barley. Gosset acquired that knowledge by study, by trial and error, and by spending two terms in 1906–1907 in the biometrical laboratory of Karl Pearson. Gosset and Pearson had a good relationship. Pearson helped Gosset with the mathematics of his papers, including the 1908 papers, but had little appreciation of their importance. The papers addressed the brewer's concern with small samples; biometricians like Pearson, on the other hand, typically had hundreds of observations and saw no urgency in developing small-sample methods.

Reception

Leslie Felperin of Variety wrote: "As he did with Killer, Omirbayev once again offers a quietly scathing portrait of his homeland, which, on the evidence here, is on the verge of losing its soul in the pursuit of Range Rovers, banal soap operas and other ephemeral pleasures. ... [T]here's much to admire in the film's elegantly classical tempo and the way Omirbayev achieves so much with so little[.]"

Like its sister college, Trinity College, Cambridge, it was traditionally considered the most aristocratic college of its university. It is the second wealthiest Oxford college by financial endowment (after St John's) with an endowment of £371.5m as of 2014.

Plot: Ph.D. candidates Brett, Kimberly and Caleb make a major breakthrough in quantum computer architecture. While testing their new computer design in the university lab, they experience ghastly visions and sensations. Brett finds refuge and contemplation outside the laboratory in the campus conservatory, playing the piano. Here he also meets up with girlfriend Isabelle, a haunted, brooding music prodigy. The piano is the film's central metaphor; an instrument of empathy, which - the young researchers quickly realize - is also true of their new computing device. Its lurid effects place Brett and Caleb under an intoxicating spell. Meanwhile, other students connected to the research have gone missing. Brett turns to the mysterious, stoic Nikolas for some insight into unfolding events. Yet Nikolas' cryptic clues seem only to push Brett and team into even darker corridors of the soul. Kimberly tries to reign her fellow students back to sanity, but it may be too late for all.

Plot: In Baltimore, the troublemaker and street dancer Tyler Gage lives with his foster parents in an Afro-American lower class neighborhood. His best friends are Mac Carter and his little brother Skinny Carter and they used to hang around together, going to parties and stealing cars. After being expelled of a party, the trio breaks in the Maryland School of Arts and commits vandalism, destroying the stage. Tyler is arrested and sentenced to 200 hours of community service in the school and Director Gordon assigns him to help the janitor cleaning the place. One afternoon, the ballet dancer Nora Clark sees Tyler dancing in the parking area and when her partner Andrew has a strain and Tyler offers to help her in the choreography, she accepts the offer; they rehearsal and become close to each other while Tyler becomes friend of the students Miles Darby and Lucy Avila. When Andrew returns, Tyler that is known for quitting everything he starts gives up dancing and leaves Nora alone. After an incident, Tyler has to decide to follow his dream or return to his life of rebel loser.

Quotes:

Lucy Avila: [talking about Colin] He's sophisticated,a real man.::Miles Darby: Sophisticated? A real man? Yeah,his butt is gonna be surrounded by sophisticated in jail. how long you had your license? 6months? 7?::Lucy Avila: I am very mature for my age. Thank you.::Miles Darby: Oh yeah,that's great! That's so perfect for the witness stand!

Lucy Avila: Woo! I love a man in a uniform!

Skinny Carter: [coming back from playing a basketball game] Man, I was droppin' dimes today!::Mac Carter: Man, you tripped over your own shoes!::Tyler Gage: Twice actually, but you rolled outta the second one pretty nice, you played it off pretty cool.

Camille: Are you going to jail?::Tyler Gage: No, I'm not going to jail, but they will have to take me to jail if you don't start knocking. Get outta here.

Miles Darby: I left my G-4 at home.::Tyler Gage: [coughing] It's in his bag.

Nora: Okay, um, I get it. You're not gonna use me to get out of cleaning the windows, even if you were capable of dancing.::Tyler Gage: I'm not trying to get out of anything. And I know you saw me the other day.::Nora: Thank you, but, umm, I can find someone else.::Tyler Gage: [Goes to leave] Aight. I was just trying to help.::Nora: Okay, wait. [He stops and turns around] Catch me.::Tyler Gage: [She runs towards him and he catches her, then he lets her fall in his arms] Now what?::Nora: Um... put me down. [He puts her down]

Tyler Gage: I'll do it.::Nora: Do what?::Tyler Gage: I don't know, whatever y'all trying to do out here...::Nora: You wanna lift me? Are you kidding?::Tyler Gage: Does it look like I'm kidding?

Plot: Based on an Oliver Sacks case study, Dr P is a baritone opera singer who cannot distinguish his students until they speak. He suffers from visual agnosia, more specifically prosopagnosia, which only allows him to see details that he must cognitively assemble to identify an object. For example, he can describe a rose as a "convoluted red form with a linear green extension," but can only identify it as a rose by smell. Dr S, the neurologist, examines him, first in a clinic, then in his home environment, and deals with Dr P's concerned wife, culminating in a heated argument about whether Dr P's paintings are abstract art or the result of his occipital degeneration. Dr S only learns how Dr and Mrs P cope with the situation, but cannot diagnose the situation. The opera, filmed cinematically on locations and sets and not on a theatrical stage, is intercut, sometimes jarringly, with footage of Oliver Sacks reflecting on his encounters with Dr P, as well as scenes of a pathologist examining the real Dr P's brain, identifying his condition as a rare but not unique symptom of Alzheimer's, for until near the very end his only symptoms were strictly occipital, suggesting, perhaps, a tumor. This material, which is sometimes redundant, gives the film the effect of a documentary with staged reenactments, only the reenactments are operatic rather than standard non-musical drama.

Plot: It was the perfect family vacation for composer John Russell and his family when a freak automobile accident claims the lives of his wife and daughter. Consumed by grief, John, at the request of friends, rents an old turn of the century house. Mammoth in size, the house seems all the room that John needs to write music and reflect. He does not realize that he is not alone in the house. He shares it with the spirit of a murdered child who has homed in on John's despair and uses him to uncover decades of silence and deceit. With the help of Claire Norman, the one who aided John in procuring the house, they race to find the answers and soon learn that a devious and very powerful man guards them.

Keywords: airliner, airport, ambulance, apparition, art, atlas, attic, avenging-spirit, ball, bathtubGenres: Horror,
Thriller,
Taglines: ...an experience beyond total fear. Two people live in this house. One of them has been dead for 70 years. "How did you die, Joseph...? Did you die in this house...? Why do you remain...?" Whatever you do...DON'T GO INTO THE ATTIC.

Quotes:

Minnie Huxley: That house is not fit to live in. No one's been able to live in it. It doesn't want people.

John Russell: It's my understanding... that there are, uh... twenty-three students registered... for this series of lectures on advanced musical form. Now, we all know it's not raining outside, and unless there's a fire in some other part of the building that we don't know about, there's an awful lot of people here with nothing better to do.

De Witt: I understand you lost your wife and daughter a little while ago. Maybe it shook you up. Maybe too much... *Maybe*, you need help.::John Russell: I'd like you to leave now...::De Witt: [making his threat a bit more clear] We can see that you get it... do you understand what I'm saying?::John Russell: [points to the door] Out! Now!::De Witt: [pressing] Listen to me, Russell! You've got something of the Senator's... he wants it back. It's a little gold medal, a family heirloom, he lost it. He thinks *you've* got it.

John Russell: [to Senator Carmichael] You're the beneficiary of the worst kind of murder... murder for profit!

John Russell: You goddamn son of a bitch. What is it you want? [shouting] What do you want from me? I've done everything I can do! [pause] There's nothing more to do.

Plot: It was the perfect family vacation for composer John Russell and his family when a freak automobile accident claims the lives of his wife and daughter. Consumed by grief, John, at the request of friends, rents an old turn of the century house. Mammoth in size, the house seems all the room that John needs to write music and reflect. He does not realize that he is not alone in the house. He shares it with the spirit of a murdered child who has homed in on John's despair and uses him to uncover decades of silence and deceit. With the help of Claire Norman, the one who aided John in procuring the house, they race to find the answers and soon learn that a devious and very powerful man guards them.

Keywords: airliner, airport, ambulance, apparition, art, atlas, attic, avenging-spirit, ball, bathtubGenres: Horror,
Thriller,
Taglines: ...an experience beyond total fear. Two people live in this house. One of them has been dead for 70 years. "How did you die, Joseph...? Did you die in this house...? Why do you remain...?" Whatever you do...DON'T GO INTO THE ATTIC.

Quotes:

Minnie Huxley: That house is not fit to live in. No one's been able to live in it. It doesn't want people.

John Russell: It's my understanding... that there are, uh... twenty-three students registered... for this series of lectures on advanced musical form. Now, we all know it's not raining outside, and unless there's a fire in some other part of the building that we don't know about, there's an awful lot of people here with nothing better to do.

De Witt: I understand you lost your wife and daughter a little while ago. Maybe it shook you up. Maybe too much... *Maybe*, you need help.::John Russell: I'd like you to leave now...::De Witt: [making his threat a bit more clear] We can see that you get it... do you understand what I'm saying?::John Russell: [points to the door] Out! Now!::De Witt: [pressing] Listen to me, Russell! You've got something of the Senator's... he wants it back. It's a little gold medal, a family heirloom, he lost it. He thinks *you've* got it.

John Russell: [to Senator Carmichael] You're the beneficiary of the worst kind of murder... murder for profit!

John Russell: You goddamn son of a bitch. What is it you want? [shouting] What do you want from me? I've done everything I can do! [pause] There's nothing more to do.

Plot: Music teacher Christine Radcliffe thought Karel Novak to have been killed in the war. She loves him more than ever and insists they marry. At their reception her benefactor and former lover offers Karel the chance to solo his new cello concerto. Hollenius torments Christine and she shoots him. The concert is a success and Karel promises to stand by Christine.

Quotes:

Alexander Hollenius: [snatches his bleeding hand away from Christine Radcliffe] Like all women: white as a sheet at the sight of a couple of scratches... but calm and smiling as a hospital nurse in the presence of a mortal wound... Good night!

Alexander Hollenius: She tells me your some sort of a genius, if such a term can be applied to a mere performer.

Plot: Music teacher Christine Radcliffe thought Karel Novak to have been killed in the war. She loves him more than ever and insists they marry. At their reception her benefactor and former lover offers Karel the chance to solo his new cello concerto. Hollenius torments Christine and she shoots him. The concert is a success and Karel promises to stand by Christine.

Quotes:

Alexander Hollenius: [snatches his bleeding hand away from Christine Radcliffe] Like all women: white as a sheet at the sight of a couple of scratches... but calm and smiling as a hospital nurse in the presence of a mortal wound... Good night!

Alexander Hollenius: She tells me your some sort of a genius, if such a term can be applied to a mere performer.

Atmospheric music dominated this past weekend at the AspenMusicFestival, in large part French pieces that fit into the season's Paris theme, culminating in a beautifully expansive performance of Debussy's evocative "La Mer" in the Benedict MusicTent on Sunday ... This is some of Britten's most gorgeous music ... The choral group Seraphic Fire and its Aspen students form the chorus....

“The NAMCYA provides platforms for them to experience musical excellence.” ... The group placed first, ex aequo, at the recently concluded Summa Cum LaudeInternationalMusicFestival held in Vienna, Austria. The group is composed of the most advanced students of the MSOMusicAcademy and other qualified students ages 8 to 18 years old, some of which have participated and won prizes in the NAMCYA....

As part of the collaboration, Renishaw is demonstrating the role that fun and creativity plays in engineering by supporting Beat Lab, an interactive music-tech initiative ... “We hope that by providing an enjoyable and creative way for young people to learn about music and STEM topics together, the Beat Lab programme will lead to an increase in the number of students taking music and STEM subjects at GCSE and A level.”....

Bady-Dorzhu Ondar (igil), Ayan-ool Sam, (doshpuluur) and Ayan Shirizhik (kengirge, xomous, murgu) have studied Tuvan music since they were children. Ayan-ool and Bady-Dorzhu were students of master Tuvan throat singer Kongar-ool Ondar since the 2nd grade...Tuva is the homeland of this music, learned by young people by listening to older performers and imitating them....

Elevenstudents of Avishkar Kala Sanstha (AKS) struck the right note as they came up with scintillating performance in ‘Suron ki Virasat’ musical programme held at Scientific SocietyHall, Laxmi Nagar, on Sunday ... All the singers did justice to every song they presented which turned the hall into a musical campus. The singers are students of SmitaJoshi, director of AKS, which was founded by Chandrahas Joshi in 1994....

Adam! The Musical, Pentas 1, Aug 18-19, 8.30pm ... Adam! The Musical, originally commissioned by the MalaysianAIDSFoundation, premiered in 2010 and ran for a record-breaking 35 performances at The Actors Studio Lot 10 in KL ... It features original music written by Teng Ky-Gan and Lim Chuang Yik and an updated story by Mark Beau de Silva ... Cyanus, formed by the musicstudents of UCSI, blurs the line between jazz fusion and indie rock....

NEWPORT—Each summer Northwest Elementary School partners with Save the Children to provide summer school activities to the school’s students. Most of SummerBoost is spent reviewing the previous year’s material so it will be fresh in student’s minds for the new school year ... Nutrition is also a key focus of summer school, where students learned how to make smoothies, healthy popsicles and fruit and vegetable trays....