Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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Introduction

Libera me, Domine is a reconstruction of the full responsorium that follows the ninth lesson at Matins of the Dead, also used as the responsory at the Absolution after the Mass for the Dead. Such a rendition after Requiem Mass would have been performed next to the catafalque after the customary homily, a panegyric for the departed, had been delivered by the celebrant.

Lobo’s polyphonic settings of appropriate sections of the responsorial chant and its verses survive in a manuscript still in the Toledo Cathedral archives (Libro de coro No 24). To revive it, one needs plainchant of the period. Fortunately, we have these sections in the margin of a manuscript, originally from Lerma in the province of Burgos, now in the library of the Hispanic Society of America. This states that it follows the canto llano (plainchant) of El Escorial according to the Use of Toledo. Lobo was master of the music at Toledo from 1593 to 1604. Our reconstruction has the chant and polyphony put together in responsorial form, with its verses and repeats.

Free me, Lord,
from eternal death, on that terrible day,
when the heavens
and the earth will be moved.
When you will come
to judge the age by fire.
I am made to tremble,
and I fear, when trial comes, also the coming anger.
When the heavens
and the earth will be moved.
That day, a day of anger,
of disaster and misery, a great day, and very bitter.
When you will come
to judge the age by fire.
Grant them eternal rest, Lord:
and may perpetual light shine on them.
Free me, Lord,
from eternal death, on that terrible day,
when the heavens
and the earth will be moved.
When you will come
to judge the age by fire.
Lord, have mercy.
Christ, have mercy.
Lord, have mercy.