Zeitgeist, The Movie

Zeitgeist, the Movie is a 2007 documentary film, produced by Peter Joseph about the Jesus myth hypothesis, the attacks of 9/11, and the Federal Reserve Bank as well as a number of conspiracy theories related to those three main topics. It was released free online via Google Video in June of 2007.A remastered version was presented as a global premiere on November 10, 2007 at the 4th Annual Artivist Film Festival & Artivist Awards.

History of the film

Zeitgeist was first released on June 26, 2007 and topped the Google video charts The film was distributed officially via Google Video and BitTorrent, both freely accessible. The film was translated into Arabic, Bulgarian, Chinese, Czech, Dutch, English, Finnish, French, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, and Swedish. Zeitgeist won the top award of Best Feature Documentary/Artivist Spirit at the 4th Annual Artivists Awards in 2008 in Hollywood, CA.

Structure

The film starts with a speech by Chögyam Trungpa about spirituality, followed by a series of musically synchronized clips of war and explosions culminating with one of the towers of World Trade Center collapsing during 9/11. The mood then changes and in contrast there follows a sequence of clips showing the horrors of war. There is a short clip that shows a hand writing “1 + 1 = 2” (representing logic), but is brushed away by another hand before the first finishes, and is replaced by a bible (representing religion) and an American flag (representing patriotic behaviour). After a few more war clips, the film then quotes Jordan Maxwell’s Inner World of the Occult, criticizing religious institutions, governments, and the banking cartels who “have misled [the people] away from the true and divine presence in the universe.” This portion ends with more images accompanied by audio of a portion of a George Carlin monologue on religion.

Part I: The Greatest Story Ever Told

Part I evaluates the historicity of the Bible. In furtherance of the Jesus myth hypothesis, this part argues that the historical Jesus is a literary and astrological hybrid, and that the Bible is based on astrological principles documented by many ancient civilizations, especially pertaining to the movement of the sun through the sky and stars. The film explains how and why early civilizations personified the Sun as the “representative of the unseen Creator or God” and how stars were linked into constellations, the 12 constellations being a place of travel for “God’s Sun” and representing “elements of nature that happened during that period of time.” This section is also used by the film to show the Pagan origins of the symbol of the Cross.

Horus, the Ancient Egyptian Sun God, is introduced as having a number of attributes in common with Jesus. For instance, the movie claims that Horus was born of a virgin mother, his arrival was proclaimed by a star in the east and upon his birth he was adored by three kings. He was a child teacher at 12, was baptized at 30, traveled with 12 disciples and performed acts such as healing the sick and walking on water. The relationship between Horus and Set is also discussed. The movie describes this conflict (dark vs. light or good vs. evil) as “one of the most ubiquitous mythological dualities ever known and it’s still expressed at many levels at this day.”

According to the movie, religion and myths in general are used to manipulate people and maintain established social structures.

Part II: All the World’s a Stage

Part II of the documentary claims 9/11 was engineered to generate mass fear, justify going to war with Afghanistan and Iraq, to remove civil liberties from the general public, and to make more money for the people in power. These theories include that the United States was warned about the impending September 11, 2001 attacks, that NORAD allowed the planes to reach their targets, and that the World Trade Center buildings underwent a controlled demolition. The film also explores the theory that six of the named hijackers are still alive, that Hani Hanjour could not have flown Flight 77 into the Pentagon, that the Bush Administration covered up the truth in the 9/11 Commission Report, and that the mainstream media has failed to ask important questions about the official account.

Part III: Don’t Mind the Men Behind the Curtain

According to Part III, powerful bankers have been conspiring for world domination and increased power while the rich of society have been using their wealth to increase financial panic and foster a consolidation of independent competing banks. The film details the Theory of Electronic Conspiracy and claims that the Federal Reserve System, the central bank of the United States, was created in order to steal the wealth of the nation. It explores war profiteering by banking cartels and defense and military contractors. It describes the goal of these bankers as world power over a controllable public.

This section also explores the possibility that there is a clandestine movement, promoted by the Security and Prosperity Partnership of North America, to usurp the American constitution and US dollar, by merging the United States, Canada and Mexico into a North American Union that uses a single currency, the Amero, without the ratification of Congress. This currency union would create a super-state similar to the European Union, which together with the African Union and the proposed Asian Union would gradually be merged into a One World government. The movie concludes that under such a government, every human could be implanted with a RFID microchip which will be used to monitor individuals and suppress dissent. It also claims that the Internal Revenue Service and the U.S. Federal Income Tax are unconstitutional and there are no laws which state that citizens must pay the tax. The movie ends, however, on an optimistic note, expressing confidence in the possibility of overthrowing oppressive forces and the ultimate triumph of revolution.