The UK’s National Archives are home to more than 11 million documents ranging from ancient written records to brand new digital archives. They commissioned Magneto to make a film that would bring to life their “ArchivesInspire” project that aims to transform the way the archive is perceived and accessed.
The Archive were adamant that the didn’t want a ‘usual film’ and asked us to make something that was ‘off centre and intriguing’ and they wanted to underline an archive’s fundamental role in using access to records to maintain democracy. The film also had to encompass their traditional skills of document preservation and academic enquiry alongside a new generation of records that are ‘born digital’.
We proposed and scripted a very personal take on the archive featuring the passions and experiences of the people who use the archive. The result is a slightly kooky but wonderfully atmospheric corporate marketing video.
Testimonial: 'Magneto have done a remarkable job of translating Archives Inspire, our audience-focussed strategic business plan, into a professional, vibrant and engaging film.'
--
Visit us on our website: https://www.magnetofilms.co.uk/
Find us on Facebook: https://en-gb.facebook.com/MagnetoFilms/
Follow us on Twitter: https://twitter.com/magnetofilms
Watch more films on our Vimeo: https://vimeo.com/magnetofilms

published:31 Jan 2017

views:106

Kaptcha film production agency, led by award winning creative team from the BBC. Creating innovative films for some of the world’s biggest brands.

Well, here’s the thing. At Redefine we don't make videos for the sake of making videos- but to deliver compelling message-Like a brand in motion. We're creative professionals with a broad range of backgrounds in T.V. and film, corporate ,documentaries etc. We don't bore the audience with forgettable footage but captivate with a combination of storytelling scripts, high end productions, eye catching animations and unique post production styles.

Film

A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon.
This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.

London Video Production Agency - The National Archives - Archives Inspire

London Video Production Agency - The National Archives - Archives Inspire

London Video Production Agency - The National Archives - Archives Inspire

The UK’s National Archives are home to more than 11 million documents ranging from ancient written records to brand new digital archives. They commissioned Magneto to make a film that would bring to life their “ArchivesInspire” project that aims to transform the way the archive is perceived and accessed.
The Archive were adamant that the didn’t want a ‘usual film’ and asked us to make something that was ‘off centre and intriguing’ and they wanted to underline an archive’s fundamental role in using access to records to maintain democracy. The film also had to encompass their traditional skills of document preservation and academic enquiry alongside a new generation of records that are ‘born digital’.
We proposed and scripted a very personal take on the archive featuring the passions and experiences of the people who use the archive. The result is a slightly kooky but wonderfully atmospheric corporate marketing video.
Testimonial: 'Magneto have done a remarkable job of translating Archives Inspire, our audience-focussed strategic business plan, into a professional, vibrant and engaging film.'
--
Visit us on our website: https://www.magnetofilms.co.uk/
Find us on Facebook: https://en-gb.facebook.com/MagnetoFilms/
Follow us on Twitter: https://twitter.com/magnetofilms
Watch more films on our Vimeo: https://vimeo.com/magnetofilms

1:29

Showreel 2018

Showreel 2018

Showreel 2018

Kaptcha film production agency, led by award winning creative team from the BBC. Creating innovative films for some of the world’s biggest brands.

Video Marketing & Production Agency

Well, here’s the thing. At Redefine we don't make videos for the sake of making videos- but to deliver compelling message-Like a brand in motion. We're creative professionals with a broad range of backgrounds in T.V. and film, corporate ,documentaries etc. We don't bore the audience with forgettable footage but captivate with a combination of storytelling scripts, high end productions, eye catching animations and unique post production styles.

2:38

Advertising and Media Production Agency "Tourism In Egypt '' Pursuance by hob Film Media Production

Advertising and Media Production Agency "Tourism In Egypt '' Pursuance by hob Film Media Production

Advertising and Media Production Agency "Tourism In Egypt '' Pursuance by hob Film Media Production

Blonde Creative Film Production Agency Showreel Montage (Nov2016)

We areBlonde. We specialise in all things film. From concept to completion, we are a full service one stop shop, producing high-end films for brands and agencies alike. From content and creative strategy to production, post-production, delivery and distribution, we work closely with our clients to create visual experiences that engage people. We create high-quality work, at speed, and endeavour to make things stress free for our clients. A single point of contact is provided round-the-clock. Whether it’s campaign work such as TV commercials and brand films, social media campaigns, a phone-friendly Instagram film, or even simplified content like explainer videos, we’ve got it covered.

3:36

Agency Media – 2015 Production Reel

Agency Media – 2015 Production Reel

Agency Media – 2015 Production Reel

We film commercials, corporate videos, documentaries and the occasional tv show in and around Vancouver, BC. Subscribe today! http://bit.ly/YTsubagencymedia
Everything: http://bit.ly/HQagencymedia
Insta: http://bit.ly/INSTAagencymedia
Short thoughts: http://bit.ly/TWagencymedia

Scintilla Kreations is a ad film making company in hyderabad. It is full fledge film making company. Scintilla makes the best ad films for its clients. Scintilla prepares top ad films and highest quality advertisements. Corporate film making is also our one of the prime forte. best ad film making in hyderabad. top ad film making in hyderabad and india. Scintilla has own film making equipment to make ad films. scintilla give camera equipment also for rental. scintilla is camera equipment rental company in hyderabd. scintilla makes creative ad films for clients.
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Address:
#8-3-993, plot no.7, doyen Galaxy, 2nd floor, above Lakme Salon, Srinagar colony, Hyderabad, Telangana 500073.
Contact :
Phone: +91-7569000300
Email: info@scintilladigi.com
Visit : http://scintilladigi.com/
Let’sConnect :
Subscribe to YouTube Channel : https://goo.gl/4j0WTE
Facebook : https://www.facebook.com/scintillakreations/
Twitter : https://twitter.com/AdAgencyInHyd
Google Plus : https://goo.gl/SffKR7

Classlane Media's Aerial Showreel features some of our finest moments from the past year and showcases some of the events and productions we've filmed around the world.
From the Caribbean to Scotland and the heights of the Yorkshire Dales, and over to the United States, Classlane are award winning aerial filmmakers.
Find out more at: http://www.classlane.co.uk/

2:35

Grey Sky Films Video Production Agency Portfolio

Grey Sky Films Video Production Agency Portfolio

Grey Sky Films Video Production Agency Portfolio

GreySky Films is a video production company based in Morris County, NJ. We work with businesses and brands in NJ, NYC, and beyond to tell their story with video and enhance their marketing with expert-level video production and professional strategy services.
This reel highlights the wide variety of productions we've worked on from local TV spots, to nation-wide commercials, to documentaries, to web and social media content. Check it out, and learn more at www.greyskyfilms.com!

12:09

Dream Merchants Ad Film Production House New Showreel to Agency

Dream Merchants Ad Film Production House New Showreel to Agency

Dream Merchants Ad Film Production House New Showreel to Agency

Dream Merchants which is well established Ad film production House and ad film making in chennai, Hyderabad, Bangalore, Mumbai for the past 10 Years with the large corporate clientele. “Dream Merchants” made more than 300 Ad commercials Directed by Mr.DYamunaKishore, having high strengths in delivering high quality creative works those meeting client requirements and surpass client expectations, time and again. At Dream Merchants each job meets exact requirements of client. Top notch job quality assured at every stage.
There is regular follow up of current trends and making of Ads in different countries Ad in different languages. So far there is no intention of Global market. As it is we have offices established at Chennai and Bangalore.Every new assignment I respect it as my first and foremost.As at present Dream Merchants has a strength of 100 and above clients.So far Dream Merchants produced 250 and above Ad films.
We done each job meets exact requirements of client. Top notch job quality assured at every stage We cater to all stages of creative process, from concept to pre-production, production & post-production work to final delivery. We understand the value of good advertising so we produce ad films that have longevity and work across all media.
Dream Merchants have a unique blend of proven creative, managerial and entrepreneurial talent. We involve ourselves right from conceptualizing a product to designing Character, Music & Special effects to make an ever-lasting effect in TelevisionCommercials.
Corporate video production refers to audio-visual corporate communications material commissioned primarily for a use by a company, corporation or organisation. Corporate video production is frequently the responsibility of a company marketing & corporate Communication. Our high quality motion footage is one of the best waysto promote your organization.
Our production services:
:- Television Commercial ad Film
:- Documentary ad Film
:- Corporate ad Film
:- Fashion Photography
Dream Merchants
D.Yamuna Kishore
Ad-Film Maker
Ph: 040-32436042
Email: dykishore.jk@gmail.com

Lux Nova kino film production agency 100 second demo 2015

www.shownetwork.de, We produce custom marketing videos are characterized by creativity, uniqueness and dimensional accuracy to their company, brand or product and represent your company's philosophy perfectly.
Our know-how in the field of film production helps you to
- A more efficient marketing
- The acquisition of new customers
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- An edge over competition partner
A video says more than many words and images. Convince yourself of our film production!
www.shownetwork.de
info@shownetwork.de
music by audionautix.com
Wir produzieren für Sie individuelle Marketing Videos die sich durch Kreativität, Einzigartigkeit und Maßgenauigkeit zu ihrem Unternehmen, Marke oder Produkt auszeichnen und Ihre Firmenphilosophie optimal repräsentieren.
Unser Know-How auf dem...

published: 30 Sep 2014

London Video Production Agency - The National Archives - Archives Inspire

The UK’s National Archives are home to more than 11 million documents ranging from ancient written records to brand new digital archives. They commissioned Magneto to make a film that would bring to life their “ArchivesInspire” project that aims to transform the way the archive is perceived and accessed.
The Archive were adamant that the didn’t want a ‘usual film’ and asked us to make something that was ‘off centre and intriguing’ and they wanted to underline an archive’s fundamental role in using access to records to maintain democracy. The film also had to encompass their traditional skills of document preservation and academic enquiry alongside a new generation of records that are ‘born digital’.
We proposed and scripted a very personal take on the archive featuring the passions and ...

published: 31 Jan 2017

Showreel 2018

Kaptcha film production agency, led by award winning creative team from the BBC. Creating innovative films for some of the world’s biggest brands.

Video Marketing & Production Agency

Well, here’s the thing. At Redefine we don't make videos for the sake of making videos- but to deliver compelling message-Like a brand in motion. We're creative professionals with a broad range of backgrounds in T.V. and film, corporate ,documentaries etc. We don't bore the audience with forgettable footage but captivate with a combination of storytelling scripts, high end productions, eye catching animations and unique post production styles.

published: 03 Feb 2018

Advertising and Media Production Agency "Tourism In Egypt '' Pursuance by hob Film Media Production

Blonde Creative Film Production Agency Showreel Montage (Nov2016)

We areBlonde. We specialise in all things film. From concept to completion, we are a full service one stop shop, producing high-end films for brands and agencies alike. From content and creative strategy to production, post-production, delivery and distribution, we work closely with our clients to create visual experiences that engage people. We create high-quality work, at speed, and endeavour to make things stress free for our clients. A single point of contact is provided round-the-clock. Whether it’s campaign work such as TV commercials and brand films, social media campaigns, a phone-friendly Instagram film, or even simplified content like explainer videos, we’ve got it covered.

published: 21 Nov 2016

Agency Media – 2015 Production Reel

We film commercials, corporate videos, documentaries and the occasional tv show in and around Vancouver, BC. Subscribe today! http://bit.ly/YTsubagencymedia
Everything: http://bit.ly/HQagencymedia
Insta: http://bit.ly/INSTAagencymedia
Short thoughts: http://bit.ly/TWagencymedia

Scintilla Kreations is a ad film making company in hyderabad. It is full fledge film making company. Scintilla makes the best ad films for its clients. Scintilla prepares top ad films and highest quality advertisements. Corporate film making is also our one of the prime forte. best ad film making in hyderabad. top ad film making in hyderabad and india. Scintilla has own film making equipment to make ad films. scintilla give camera equipment also for rental. scintilla is camera equipment rental company in hyderabd. scintilla makes creative ad films for clients.
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advertise...

http://bit.do/dpMf6 Secret promo page at VideoBoardTheme. Download FilmMaker WordPress Theme: FilmStudio - MovieProduction - Video Blogger - CreativeAgency -
Film Maker is extremely suitable for any creative agency/ corporate/ team/ person to build their own film studio/ Film maker centre/ Film production/ Vlog sites and any kind of Film website can use the video Wordpress theme. With super clean, elegant and modern design, you and your team no longer have to depend on other sites like youtube or magazines to do marketing for your products or reputation. Now, you have another way which is too perfect to promote yourself. WonderfulVisual Composer plugin will help you to build a site without coding knowledge. Mailchimp plugin makes a smart email system for you to manage. Besides, Fi...

Classlane Media's Aerial Showreel features some of our finest moments from the past year and showcases some of the events and productions we've filmed around the world.
From the Caribbean to Scotland and the heights of the Yorkshire Dales, and over to the United States, Classlane are award winning aerial filmmakers.
Find out more at: http://www.classlane.co.uk/

published: 22 Aug 2013

Grey Sky Films Video Production Agency Portfolio

GreySky Films is a video production company based in Morris County, NJ. We work with businesses and brands in NJ, NYC, and beyond to tell their story with video and enhance their marketing with expert-level video production and professional strategy services.
This reel highlights the wide variety of productions we've worked on from local TV spots, to nation-wide commercials, to documentaries, to web and social media content. Check it out, and learn more at www.greyskyfilms.com!

published: 30 Mar 2015

Dream Merchants Ad Film Production House New Showreel to Agency

Dream Merchants which is well established Ad film production House and ad film making in chennai, Hyderabad, Bangalore, Mumbai for the past 10 Years with the large corporate clientele. “Dream Merchants” made more than 300 Ad commercials Directed by Mr.DYamunaKishore, having high strengths in delivering high quality creative works those meeting client requirements and surpass client expectations, time and again. At Dream Merchants each job meets exact requirements of client. Top notch job quality assured at every stage.
There is regular follow up of current trends and making of Ads in different countries Ad in different languages. So far there is no intention of Global market. As it is we have offices established at Chennai and Bangalore.Every new assignment I respect it as my first and ...

London Video Production Agency - The National Archives - Archives Inspire

The UK’s National Archives are home to more than 11 million documents ranging from ancient written records to brand new digital archives. They commissioned Magn...

The UK’s National Archives are home to more than 11 million documents ranging from ancient written records to brand new digital archives. They commissioned Magneto to make a film that would bring to life their “ArchivesInspire” project that aims to transform the way the archive is perceived and accessed.
The Archive were adamant that the didn’t want a ‘usual film’ and asked us to make something that was ‘off centre and intriguing’ and they wanted to underline an archive’s fundamental role in using access to records to maintain democracy. The film also had to encompass their traditional skills of document preservation and academic enquiry alongside a new generation of records that are ‘born digital’.
We proposed and scripted a very personal take on the archive featuring the passions and experiences of the people who use the archive. The result is a slightly kooky but wonderfully atmospheric corporate marketing video.
Testimonial: 'Magneto have done a remarkable job of translating Archives Inspire, our audience-focussed strategic business plan, into a professional, vibrant and engaging film.'
--
Visit us on our website: https://www.magnetofilms.co.uk/
Find us on Facebook: https://en-gb.facebook.com/MagnetoFilms/
Follow us on Twitter: https://twitter.com/magnetofilms
Watch more films on our Vimeo: https://vimeo.com/magnetofilms

The UK’s National Archives are home to more than 11 million documents ranging from ancient written records to brand new digital archives. They commissioned Magneto to make a film that would bring to life their “ArchivesInspire” project that aims to transform the way the archive is perceived and accessed.
The Archive were adamant that the didn’t want a ‘usual film’ and asked us to make something that was ‘off centre and intriguing’ and they wanted to underline an archive’s fundamental role in using access to records to maintain democracy. The film also had to encompass their traditional skills of document preservation and academic enquiry alongside a new generation of records that are ‘born digital’.
We proposed and scripted a very personal take on the archive featuring the passions and experiences of the people who use the archive. The result is a slightly kooky but wonderfully atmospheric corporate marketing video.
Testimonial: 'Magneto have done a remarkable job of translating Archives Inspire, our audience-focussed strategic business plan, into a professional, vibrant and engaging film.'
--
Visit us on our website: https://www.magnetofilms.co.uk/
Find us on Facebook: https://en-gb.facebook.com/MagnetoFilms/
Follow us on Twitter: https://twitter.com/magnetofilms
Watch more films on our Vimeo: https://vimeo.com/magnetofilms

Video Marketing & Production Agency

Well, here’s the thing. At Redefine we don't make videos for the sake of making videos- but to deliver compelling message-Like a brand in motion. We're creative...

Well, here’s the thing. At Redefine we don't make videos for the sake of making videos- but to deliver compelling message-Like a brand in motion. We're creative professionals with a broad range of backgrounds in T.V. and film, corporate ,documentaries etc. We don't bore the audience with forgettable footage but captivate with a combination of storytelling scripts, high end productions, eye catching animations and unique post production styles.

Well, here’s the thing. At Redefine we don't make videos for the sake of making videos- but to deliver compelling message-Like a brand in motion. We're creative professionals with a broad range of backgrounds in T.V. and film, corporate ,documentaries etc. We don't bore the audience with forgettable footage but captivate with a combination of storytelling scripts, high end productions, eye catching animations and unique post production styles.

published:03 Feb 2018

views:10

back

Advertising and Media Production Agency "Tourism In Egypt '' Pursuance by hob Film Media Production

Blonde Creative Film Production Agency Showreel Montage (Nov2016)

We areBlonde. We specialise in all things film. From concept to completion, we are a full service one stop shop, producing high-end films for brands and agenci...

We areBlonde. We specialise in all things film. From concept to completion, we are a full service one stop shop, producing high-end films for brands and agencies alike. From content and creative strategy to production, post-production, delivery and distribution, we work closely with our clients to create visual experiences that engage people. We create high-quality work, at speed, and endeavour to make things stress free for our clients. A single point of contact is provided round-the-clock. Whether it’s campaign work such as TV commercials and brand films, social media campaigns, a phone-friendly Instagram film, or even simplified content like explainer videos, we’ve got it covered.

We areBlonde. We specialise in all things film. From concept to completion, we are a full service one stop shop, producing high-end films for brands and agencies alike. From content and creative strategy to production, post-production, delivery and distribution, we work closely with our clients to create visual experiences that engage people. We create high-quality work, at speed, and endeavour to make things stress free for our clients. A single point of contact is provided round-the-clock. Whether it’s campaign work such as TV commercials and brand films, social media campaigns, a phone-friendly Instagram film, or even simplified content like explainer videos, we’ve got it covered.

Agency Media – 2015 Production Reel

We film commercials, corporate videos, documentaries and the occasional tv show in and around Vancouver, BC. Subscribe today! http://bit.ly/YTsubagencymedia
Ev...

We film commercials, corporate videos, documentaries and the occasional tv show in and around Vancouver, BC. Subscribe today! http://bit.ly/YTsubagencymedia
Everything: http://bit.ly/HQagencymedia
Insta: http://bit.ly/INSTAagencymedia
Short thoughts: http://bit.ly/TWagencymedia

We film commercials, corporate videos, documentaries and the occasional tv show in and around Vancouver, BC. Subscribe today! http://bit.ly/YTsubagencymedia
Everything: http://bit.ly/HQagencymedia
Insta: http://bit.ly/INSTAagencymedia
Short thoughts: http://bit.ly/TWagencymedia

Scintilla Kreations is a ad film making company in hyderabad. It is full fledge film making company. Scintilla makes the best ad films for its clients. Scintil...

Scintilla Kreations is a ad film making company in hyderabad. It is full fledge film making company. Scintilla makes the best ad films for its clients. Scintilla prepares top ad films and highest quality advertisements. Corporate film making is also our one of the prime forte. best ad film making in hyderabad. top ad film making in hyderabad and india. Scintilla has own film making equipment to make ad films. scintilla give camera equipment also for rental. scintilla is camera equipment rental company in hyderabd. scintilla makes creative ad films for clients.
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Address:
#8-3-993, plot no.7, doyen Galaxy, 2nd floor, above Lakme Salon, Srinagar colony, Hyderabad, Telangana 500073.
Contact :
Phone: +91-7569000300
Email: info@scintilladigi.com
Visit : http://scintilladigi.com/
Let’sConnect :
Subscribe to YouTube Channel : https://goo.gl/4j0WTE
Facebook : https://www.facebook.com/scintillakreations/
Twitter : https://twitter.com/AdAgencyInHyd
Google Plus : https://goo.gl/SffKR7

Scintilla Kreations is a ad film making company in hyderabad. It is full fledge film making company. Scintilla makes the best ad films for its clients. Scintilla prepares top ad films and highest quality advertisements. Corporate film making is also our one of the prime forte. best ad film making in hyderabad. top ad film making in hyderabad and india. Scintilla has own film making equipment to make ad films. scintilla give camera equipment also for rental. scintilla is camera equipment rental company in hyderabd. scintilla makes creative ad films for clients.
key areas :
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Address:
#8-3-993, plot no.7, doyen Galaxy, 2nd floor, above Lakme Salon, Srinagar colony, Hyderabad, Telangana 500073.
Contact :
Phone: +91-7569000300
Email: info@scintilladigi.com
Visit : http://scintilladigi.com/
Let’sConnect :
Subscribe to YouTube Channel : https://goo.gl/4j0WTE
Facebook : https://www.facebook.com/scintillakreations/
Twitter : https://twitter.com/AdAgencyInHyd
Google Plus : https://goo.gl/SffKR7

Classlane Media's Aerial Showreel features some of our finest moments from the past year and showcases some of the events and productions we've filmed around th...

Classlane Media's Aerial Showreel features some of our finest moments from the past year and showcases some of the events and productions we've filmed around the world.
From the Caribbean to Scotland and the heights of the Yorkshire Dales, and over to the United States, Classlane are award winning aerial filmmakers.
Find out more at: http://www.classlane.co.uk/

Classlane Media's Aerial Showreel features some of our finest moments from the past year and showcases some of the events and productions we've filmed around the world.
From the Caribbean to Scotland and the heights of the Yorkshire Dales, and over to the United States, Classlane are award winning aerial filmmakers.
Find out more at: http://www.classlane.co.uk/

GreySky Films is a video production company based in Morris County, NJ. We work with businesses and brands in NJ, NYC, and beyond to tell their story with video and enhance their marketing with expert-level video production and professional strategy services.
This reel highlights the wide variety of productions we've worked on from local TV spots, to nation-wide commercials, to documentaries, to web and social media content. Check it out, and learn more at www.greyskyfilms.com!

GreySky Films is a video production company based in Morris County, NJ. We work with businesses and brands in NJ, NYC, and beyond to tell their story with video and enhance their marketing with expert-level video production and professional strategy services.
This reel highlights the wide variety of productions we've worked on from local TV spots, to nation-wide commercials, to documentaries, to web and social media content. Check it out, and learn more at www.greyskyfilms.com!

Dream Merchants which is well established Ad film production House and ad film making in chennai, Hyderabad, Bangalore, Mumbai for the past 10 Years with the large corporate clientele. “Dream Merchants” made more than 300 Ad commercials Directed by Mr.DYamunaKishore, having high strengths in delivering high quality creative works those meeting client requirements and surpass client expectations, time and again. At Dream Merchants each job meets exact requirements of client. Top notch job quality assured at every stage.
There is regular follow up of current trends and making of Ads in different countries Ad in different languages. So far there is no intention of Global market. As it is we have offices established at Chennai and Bangalore.Every new assignment I respect it as my first and foremost.As at present Dream Merchants has a strength of 100 and above clients.So far Dream Merchants produced 250 and above Ad films.
We done each job meets exact requirements of client. Top notch job quality assured at every stage We cater to all stages of creative process, from concept to pre-production, production & post-production work to final delivery. We understand the value of good advertising so we produce ad films that have longevity and work across all media.
Dream Merchants have a unique blend of proven creative, managerial and entrepreneurial talent. We involve ourselves right from conceptualizing a product to designing Character, Music & Special effects to make an ever-lasting effect in TelevisionCommercials.
Corporate video production refers to audio-visual corporate communications material commissioned primarily for a use by a company, corporation or organisation. Corporate video production is frequently the responsibility of a company marketing & corporate Communication. Our high quality motion footage is one of the best waysto promote your organization.
Our production services:
:- Television Commercial ad Film
:- Documentary ad Film
:- Corporate ad Film
:- Fashion Photography
Dream Merchants
D.Yamuna Kishore
Ad-Film Maker
Ph: 040-32436042
Email: dykishore.jk@gmail.com

Dream Merchants which is well established Ad film production House and ad film making in chennai, Hyderabad, Bangalore, Mumbai for the past 10 Years with the large corporate clientele. “Dream Merchants” made more than 300 Ad commercials Directed by Mr.DYamunaKishore, having high strengths in delivering high quality creative works those meeting client requirements and surpass client expectations, time and again. At Dream Merchants each job meets exact requirements of client. Top notch job quality assured at every stage.
There is regular follow up of current trends and making of Ads in different countries Ad in different languages. So far there is no intention of Global market. As it is we have offices established at Chennai and Bangalore.Every new assignment I respect it as my first and foremost.As at present Dream Merchants has a strength of 100 and above clients.So far Dream Merchants produced 250 and above Ad films.
We done each job meets exact requirements of client. Top notch job quality assured at every stage We cater to all stages of creative process, from concept to pre-production, production & post-production work to final delivery. We understand the value of good advertising so we produce ad films that have longevity and work across all media.
Dream Merchants have a unique blend of proven creative, managerial and entrepreneurial talent. We involve ourselves right from conceptualizing a product to designing Character, Music & Special effects to make an ever-lasting effect in TelevisionCommercials.
Corporate video production refers to audio-visual corporate communications material commissioned primarily for a use by a company, corporation or organisation. Corporate video production is frequently the responsibility of a company marketing & corporate Communication. Our high quality motion footage is one of the best waysto promote your organization.
Our production services:
:- Television Commercial ad Film
:- Documentary ad Film
:- Corporate ad Film
:- Fashion Photography
Dream Merchants
D.Yamuna Kishore
Ad-Film Maker
Ph: 040-32436042
Email: dykishore.jk@gmail.com

Making Money - Building a $1,000,000+ Video Production Company

Do you have a question for Mark? Check out The Not-So-Corporate Podcast where he answers listener questions: https://www.youtube.com/playlist?list=PLHbyXPLoiHXeNwVsPFO5c7IBvShcsWwfe
Or, email Mark directly with your question: feedback@notsocorporatepodcast.com
Answering this question from my YouTube viewers Mapache19: What tips would you give for starting a video production company?? I really like doing it and would love to learn more about it. You think you can make a video about the first steps on starting a video production company. It would be awesome thanks!!
More information at:
* http://www.phantamedia.com/
* http://www.evancarmichael.com/
Help us caption & translate this video!
http://amara.org/v/FRSd/

The Changemakers: Tactics for Equality and Diversity in Film & Television

Many in our industry have only recently embraced the responsibility of ensuring diversity and equal representation in entertainment. There’s a lot of work to be done—and no one is in a better position to advocate for change than the producer. This session presents a spirited conversation that re-frames the issues: What are the best practices for creating sustainable, scalable and systemic change? What strategies and solutions have proven most effective at getting to “yes” when producers bring stories from diverse communities? How can film learn from the paradigm-shifting (and handsomely rewarded) choices made by television and digital media storytellers and entrepreneurs? Above all, how can producers take the lead in challenging the status quo? Hear first-hand from those taking leadersh...

published: 11 Dec 2015

The Enemy Agent and You 1964 Department of Defense - Central Intelligence Agency

more at http://quickfound.net/links/military_news_and_links.html
"The EnemyAgent and You - National Security Council. Central Intelligence Agency... This U.S. Army film discusses security awareness and responsibilities in relation to overseas travel." Covers bugging, honey traps, etc.
DOD film # DOD-IS 7
see also: EspionageTarget: You (1964)
https://www.youtube.com/watch?v=-YRIygu_13w
Public domain film from the US National Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3...

Mind the Matrix FULL FILM EN/NL/ES/DE

NOTE 1: The makers of this film do not encourage the viewer to drink Ayahuasca. This film is not about this medicine plant. It is only mentioned in the beginning of this film whereby the narrator shares an experience. However the rest of the film does not focus on this plant. Attending an Ayahuasca ceremony is not for everyone and should be very carefully considered.
NOTE 2: This filmmaker believes humanity’s collective consciousness has expanded considerably in the past few years to make a significant collective change in the matrix template.
This film is subtitled in: English/Nederlands/Deutsch/Espanol
Our external reality is an expression of what we have collectively created together and we consider this to be REALITY.
Reality in this case means ‘OUR THOUGHTS REALISED’. So, yes, it i...

published: 27 Jun 2015

The Men From The Agency - BBC

Documentary recalling the revolution in British advertising during the 60s and three men who were instrumental in bringing it about. David Puttnam, Alan Parker and Charles Saatchi, who all worked for the same agency (CDP), were among the first to recognise the social changes which were taking place, and the style of advertising needed to appeal to the new breed of customer.

published: 27 Mar 2015

Shadow Company Official Full Documentary

In the late 20th Century the distinction between soldier and mercenary became blurred. The recent use of private military companies (PMCs) in Iraq has been more extensive than at any time in modern history. The brutal killing of four PMC employees in Fallujah in April 2004 made it clear that these “contractors” are not merely workers in a foreign land. But are the lives of such men the only thing at risk when we privatize warfare?
Shadow Company explores the moral and ethical issues private military solutions create for PMC employees, for the Western governments who foot the bill for their salaries, and for everyday citizens like you. The filmmakers traveled the globe to expose all sides of the issue, interviewing PMC staff, owners and lobbyists, former mercenaries, academics, journalists...

published: 22 Feb 2016

The American Dream Film-Full Length

An Entertaining but hard hitting look at how the problems we have today are nothing new,and why leaders throughout our history have warned us and fought against the current type of financial system we have in AmericaToday.(Subtitles/Other Languages at this Link) http://www.youtube.com/playlist?list=PLEA94C43FDDAFACB8
(SUPREME MASTER LEADER EXPLAINED AT THIS LINK)
http://www.theamericandreamfilm.com/the-cast/supreme-master-leader.php
(DVD's Available at http://www.theamericandreamfilm.com/
All of usAmericans strive for the American Dream,and this film shows you why your dream is getting farther and farther away.Do you know how your money is created?Or how banking works?Why did housing prices skyrocket and then plunge?Do you really know what the Federal Reserve System is and how it affe...

published: 06 Jan 2011

Edward Weston: The Photographer (1948) US Information Agency

"Features the personality, philosophy, techniques and artistry of Edward Weston, as shown through scenes of the artist at home, on location and at work with his students." The female assistant in the film is Dody Thompson, who married Weston's son Brett in 1952.
http://en.wikipedia.org/wiki/Edward_Weston
Edward Henry Weston (March 24, 1886 – January 1, 1958) was a 20th-centuryAmerican photographer. He has been called "one of the most innovative and influential American photographers…" and "one of the masters of 20th century photography." Over the course of his 40 year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American...

Counter Intelligence Part I The Company

A production of Metanoia Films, this documentary gives an insight into the past of the Central Intellegence Agency or commonly known as CIA. CIA has become an important tool for the Golbalist elite in their quest for achieving global domination. They have used CIA to maintain their corporate dominance in the whole world. On behalf of these corrupt individuals CIA has overthrown more than 59 foreign governments and assassinated hundreds of foreign political and revolutionary leaders. Whenever some foreign leader refused to comply to the needs of American Corporations, CIA was sent in to either overthrow the government or assassinate that leader. Atrocities committed by CIA in the name of American people have devastated regions all over the world. This documentary shines a light on the dark ...

published: 27 Apr 2014

Media Production Student Showreel

published: 06 Nov 2014

Rosetta Comet Landing

I directed this documentary when ESA's Rosetta probe was heading towards the comet 67P/Churyumov–Gerasimenko. The idea was to release the film the day before Rosetta's lander -Philae - landed on the surface of the comet.It was a mad rush getting the film made in time... and I ended up working 12+hrs everyday for a month without a day off. It nearly killed me and I don't think the production company realised the effort that it took. I took a break from directing after that. Still I really loved meeting all the scientists involved , they are so nice (and clever). I filmed Dr Matt Taylor who the press decided to pick on for wearing a shirt with sexy looking women on it - TERRIBLE SHAME - press didn't report that his shirt was actually made for him by a female friend and was really just a b...

published: 12 Feb 2018

Women, Peace & Security 2017 | Panel Discussion: Media and Film Promoting the Power of Women

Making Money - Building a $1,000,000+ Video Production Company

Do you have a question for Mark? Check out The Not-So-Corporate Podcast where he answers listener questions: https://www.youtube.com/playlist?list=PLHbyXPLoiHXe...

Do you have a question for Mark? Check out The Not-So-Corporate Podcast where he answers listener questions: https://www.youtube.com/playlist?list=PLHbyXPLoiHXeNwVsPFO5c7IBvShcsWwfe
Or, email Mark directly with your question: feedback@notsocorporatepodcast.com
Answering this question from my YouTube viewers Mapache19: What tips would you give for starting a video production company?? I really like doing it and would love to learn more about it. You think you can make a video about the first steps on starting a video production company. It would be awesome thanks!!
More information at:
* http://www.phantamedia.com/
* http://www.evancarmichael.com/
Help us caption & translate this video!
http://amara.org/v/FRSd/

Do you have a question for Mark? Check out The Not-So-Corporate Podcast where he answers listener questions: https://www.youtube.com/playlist?list=PLHbyXPLoiHXeNwVsPFO5c7IBvShcsWwfe
Or, email Mark directly with your question: feedback@notsocorporatepodcast.com
Answering this question from my YouTube viewers Mapache19: What tips would you give for starting a video production company?? I really like doing it and would love to learn more about it. You think you can make a video about the first steps on starting a video production company. It would be awesome thanks!!
More information at:
* http://www.phantamedia.com/
* http://www.evancarmichael.com/
Help us caption & translate this video!
http://amara.org/v/FRSd/

The Changemakers: Tactics for Equality and Diversity in Film & Television

Many in our industry have only recently embraced the responsibility of ensuring diversity and equal representation in entertainment. There’s a lot of work to be...

Many in our industry have only recently embraced the responsibility of ensuring diversity and equal representation in entertainment. There’s a lot of work to be done—and no one is in a better position to advocate for change than the producer. This session presents a spirited conversation that re-frames the issues: What are the best practices for creating sustainable, scalable and systemic change? What strategies and solutions have proven most effective at getting to “yes” when producers bring stories from diverse communities? How can film learn from the paradigm-shifting (and handsomely rewarded) choices made by television and digital media storytellers and entrepreneurs? Above all, how can producers take the lead in challenging the status quo? Hear first-hand from those taking leadership on both sides of the “gates.”
Session sponsored by: The Harnisch Foundation
Speakers
Effie T. Brown
Founder, Duly Noted, Inc.; Project Greenlight, Dear White PeopleCharlesD. King
Founder & CEO, MACROMynette LouiePresident, Gamechanger FilmsPete Nowalk
How to Get Away with MurderLindseyTaylorWood
Founder & President, LTWModeratorMichael Skolnik
President, GlobalGrindCivil RightsOrganizer
----------------------------------
The ProducersGuild of America protects and promotes the interests of all members of the producing team in film, television and new media.
The PGA has over 6,500 members who work together to protect and improve their careers, the industry and community by facilitating members health benefits, encouraging enforcement of workplace labor laws, the creation of fair and impartial standards for the awarding of producing credits, as well as other education and advocacy efforts.
http://www.producersguild.org
http://www.producersguildawards.com
http://www.producedbyconference.com
http://www.facebook.com/pga
http://twitter.com/producersguild
http://youtube.com/producersguild
The Producing Team consists of all those whose interdependency and support of each other are necessary for the creation of motion pictures and television programs.
Executive ProducersProducers
Co-Executive Producers
Supervising Producers
Senior Producers
Line Producers
Co-Producers
Associate Producers
Segment Producers
Field Producers
Story Producers
Production Managers
Visual Effects Producers, Supervisors, & Coordinators
Post-Production Supervisors & Managers
Production & Post-Production Coordinators

Many in our industry have only recently embraced the responsibility of ensuring diversity and equal representation in entertainment. There’s a lot of work to be done—and no one is in a better position to advocate for change than the producer. This session presents a spirited conversation that re-frames the issues: What are the best practices for creating sustainable, scalable and systemic change? What strategies and solutions have proven most effective at getting to “yes” when producers bring stories from diverse communities? How can film learn from the paradigm-shifting (and handsomely rewarded) choices made by television and digital media storytellers and entrepreneurs? Above all, how can producers take the lead in challenging the status quo? Hear first-hand from those taking leadership on both sides of the “gates.”
Session sponsored by: The Harnisch Foundation
Speakers
Effie T. Brown
Founder, Duly Noted, Inc.; Project Greenlight, Dear White PeopleCharlesD. King
Founder & CEO, MACROMynette LouiePresident, Gamechanger FilmsPete Nowalk
How to Get Away with MurderLindseyTaylorWood
Founder & President, LTWModeratorMichael Skolnik
President, GlobalGrindCivil RightsOrganizer
----------------------------------
The ProducersGuild of America protects and promotes the interests of all members of the producing team in film, television and new media.
The PGA has over 6,500 members who work together to protect and improve their careers, the industry and community by facilitating members health benefits, encouraging enforcement of workplace labor laws, the creation of fair and impartial standards for the awarding of producing credits, as well as other education and advocacy efforts.
http://www.producersguild.org
http://www.producersguildawards.com
http://www.producedbyconference.com
http://www.facebook.com/pga
http://twitter.com/producersguild
http://youtube.com/producersguild
The Producing Team consists of all those whose interdependency and support of each other are necessary for the creation of motion pictures and television programs.
Executive ProducersProducers
Co-Executive Producers
Supervising Producers
Senior Producers
Line Producers
Co-Producers
Associate Producers
Segment Producers
Field Producers
Story Producers
Production Managers
Visual Effects Producers, Supervisors, & Coordinators
Post-Production Supervisors & Managers
Production & Post-Production Coordinators

published:11 Dec 2015

views:1117

back

The Enemy Agent and You 1964 Department of Defense - Central Intelligence Agency

more at http://quickfound.net/links/military_news_and_links.html
"The EnemyAgent and You - National Security Council. Central Intelligence Agency... This U.S. Army film discusses security awareness and responsibilities in relation to overseas travel." Covers bugging, honey traps, etc.
DOD film # DOD-IS 7
see also: EspionageTarget: You (1964)
https://www.youtube.com/watch?v=-YRIygu_13w
Public domain film from the US National Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Espionage
Espionage or, casually, spying involves a spy ring, government, company/firm or individual obtaining information considered secret or confidential without the permission of the holder of the information. Espionage is inherently clandestine, as it is taken for granted that it is unwelcome and in many cases illegal and punishable by law. It is a subset of "intelligence gathering", which otherwise may be conducted from public sources and using perfectly legal and ethical means. It is crucial to distinguish espionage from "intelligence" gathering, as the latter does not necessarily involve espionage, but often collates open-source information.
Espionage is often part of an institutional effort by a government or commercial concern. However, the term is generally associated with state spying on potential or actual enemies primarily for military purposes. Spying involving corporations is known as industrial espionage.
One of the most effective ways to gather data and information about the enemy (or potential enemy) is by infiltrating the enemy's ranks. This is the job of the spy (espionage agent). Spies can bring back all sorts of information concerning the size and strength of an enemy army. They can also find dissidents within the enemy's forces and influence them to defect. In times of crisis, spies can also be used to steal technology and to sabotage the enemy in various ways. Counterintelligence operatives can feed false information to enemy spies, protecting important domestic secrets, and preventing attempts at subversion. Nearly every country has very strict laws concerning espionage, and the penalty for being caught is often severe. However, the benefits that can be gained through espionage are generally great enough that most governments and many large corporations make use of it to varying degrees.
Further information on clandestine HUMINT (human intelligence) information collection techniques is available, including discussions of operational techniques, asset recruiting, and the tradecraft used to collect this information...
Modern historyThe Cold War involved intense espionage activity between the United States and its allies and the Soviet Union and China and their allies, particularly related to nuclear weapons secrets. Recently, espionage agencies have targeted the illegal drug trade and those considered terrorists. Since 2008 the United States has charged at least 57 defendants for attempting to spy for China.
Different intelligence services value certain intelligence collection techniques over others. The former Soviet Union, for example, preferred human sources over research in open sources, while the United States has tended to emphasize technological methods such as SIGINT and IMINT. Both Soviet political (KGB) and military intelligence (GRU) officers were judged by the number of agents they recruited.
Targets of espionage
Espionage agents are usually[citation needed] trained experts in a specific targeted field so they can differentiate mundane information from targets of intrinsic value to their own organisational development. Correct identification of the target at its execution is the sole purpose of the espionage operation.
Broad areas of espionage targeting expertise include:
- Natural resources: strategic production identification and assessment (food, energy, materials)...
- Popular sentiment...
- Strategic economic strengths...
- Military capability intelligence...
- Counterintelligence operations...

more at http://quickfound.net/links/military_news_and_links.html
"The EnemyAgent and You - National Security Council. Central Intelligence Agency... This U.S. Army film discusses security awareness and responsibilities in relation to overseas travel." Covers bugging, honey traps, etc.
DOD film # DOD-IS 7
see also: EspionageTarget: You (1964)
https://www.youtube.com/watch?v=-YRIygu_13w
Public domain film from the US National Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Espionage
Espionage or, casually, spying involves a spy ring, government, company/firm or individual obtaining information considered secret or confidential without the permission of the holder of the information. Espionage is inherently clandestine, as it is taken for granted that it is unwelcome and in many cases illegal and punishable by law. It is a subset of "intelligence gathering", which otherwise may be conducted from public sources and using perfectly legal and ethical means. It is crucial to distinguish espionage from "intelligence" gathering, as the latter does not necessarily involve espionage, but often collates open-source information.
Espionage is often part of an institutional effort by a government or commercial concern. However, the term is generally associated with state spying on potential or actual enemies primarily for military purposes. Spying involving corporations is known as industrial espionage.
One of the most effective ways to gather data and information about the enemy (or potential enemy) is by infiltrating the enemy's ranks. This is the job of the spy (espionage agent). Spies can bring back all sorts of information concerning the size and strength of an enemy army. They can also find dissidents within the enemy's forces and influence them to defect. In times of crisis, spies can also be used to steal technology and to sabotage the enemy in various ways. Counterintelligence operatives can feed false information to enemy spies, protecting important domestic secrets, and preventing attempts at subversion. Nearly every country has very strict laws concerning espionage, and the penalty for being caught is often severe. However, the benefits that can be gained through espionage are generally great enough that most governments and many large corporations make use of it to varying degrees.
Further information on clandestine HUMINT (human intelligence) information collection techniques is available, including discussions of operational techniques, asset recruiting, and the tradecraft used to collect this information...
Modern historyThe Cold War involved intense espionage activity between the United States and its allies and the Soviet Union and China and their allies, particularly related to nuclear weapons secrets. Recently, espionage agencies have targeted the illegal drug trade and those considered terrorists. Since 2008 the United States has charged at least 57 defendants for attempting to spy for China.
Different intelligence services value certain intelligence collection techniques over others. The former Soviet Union, for example, preferred human sources over research in open sources, while the United States has tended to emphasize technological methods such as SIGINT and IMINT. Both Soviet political (KGB) and military intelligence (GRU) officers were judged by the number of agents they recruited.
Targets of espionage
Espionage agents are usually[citation needed] trained experts in a specific targeted field so they can differentiate mundane information from targets of intrinsic value to their own organisational development. Correct identification of the target at its execution is the sole purpose of the espionage operation.
Broad areas of espionage targeting expertise include:
- Natural resources: strategic production identification and assessment (food, energy, materials)...
- Popular sentiment...
- Strategic economic strengths...
- Military capability intelligence...
- Counterintelligence operations...

Mind the Matrix FULL FILM EN/NL/ES/DE

NOTE 1: The makers of this film do not encourage the viewer to drink Ayahuasca. This film is not about this medicine plant. It is only mentioned in the beginnin...

NOTE 1: The makers of this film do not encourage the viewer to drink Ayahuasca. This film is not about this medicine plant. It is only mentioned in the beginning of this film whereby the narrator shares an experience. However the rest of the film does not focus on this plant. Attending an Ayahuasca ceremony is not for everyone and should be very carefully considered.
NOTE 2: This filmmaker believes humanity’s collective consciousness has expanded considerably in the past few years to make a significant collective change in the matrix template.
This film is subtitled in: English/Nederlands/Deutsch/Espanol
Our external reality is an expression of what we have collectively created together and we consider this to be REALITY.
Reality in this case means ‘OUR THOUGHTS REALISED’. So, yes, it is a form of reality indeed.
However, a lot of the realities we have created are not in harmony with our true being and planet earth. Western society is a slash and burn reality where what we take is not given back. This will eventually result in the exhaustion of resources of our planet.
The way we treat planet Earth is a result of how we treat ourselves and thus others.
We tend to think in a linear way and not in a cyclical way where what goes out comes back in and vise versa:
A dance between our internal eternal spirit and the physical external realm.
It is like we have become so mesmerized that we believe that the external world is all there is. We hang on to it for dear life and since we know our resources are finite, fear and greed put us into a constant survival mode.
In the mean time our true being is not integrated as much as is healthy for our wellbeing. It is like we walk around like zombies; cleverly reflected by the large amount of zombie movies that have come out over the past 10 years.
The film ‘Mind the Matrix’ looks at all this and with the help of various experts, hands the viewer tools on how to get back to our natural state of inner and outer harmony.
This is where global change will start. With ourselves. Once we have rediscovered the nature of who we really are, this will automatically be reflected outwards. Our ‘reality’ will then be adjusted all by itself.
By remaining focused outwards, we as humans may just get exhausted of trying for change and not seeing any.
Like Mahatma Gandhi said ‘Be the change that you want in the world’.
Please watch the movie and share it with as many people as you feel to.
If you speak a foreign language and you would like it to be available in your country, please contact production@ngatikurafilms.com to suggest volunteers who can translate the English version.
Enjoy watching.
With love,
Christianne van Wijk
Filmmaker and Presenter.
Thank you to our translators Tim Wiechers, Mauricio Taipe and Susanne Aloe.
Follow Christianne van Wijk on:
Twitter: @chrissyvanwijk
Instagram: christiannevanwijk
Facebook: www.facebook.com/christiannevwijk/

NOTE 1: The makers of this film do not encourage the viewer to drink Ayahuasca. This film is not about this medicine plant. It is only mentioned in the beginning of this film whereby the narrator shares an experience. However the rest of the film does not focus on this plant. Attending an Ayahuasca ceremony is not for everyone and should be very carefully considered.
NOTE 2: This filmmaker believes humanity’s collective consciousness has expanded considerably in the past few years to make a significant collective change in the matrix template.
This film is subtitled in: English/Nederlands/Deutsch/Espanol
Our external reality is an expression of what we have collectively created together and we consider this to be REALITY.
Reality in this case means ‘OUR THOUGHTS REALISED’. So, yes, it is a form of reality indeed.
However, a lot of the realities we have created are not in harmony with our true being and planet earth. Western society is a slash and burn reality where what we take is not given back. This will eventually result in the exhaustion of resources of our planet.
The way we treat planet Earth is a result of how we treat ourselves and thus others.
We tend to think in a linear way and not in a cyclical way where what goes out comes back in and vise versa:
A dance between our internal eternal spirit and the physical external realm.
It is like we have become so mesmerized that we believe that the external world is all there is. We hang on to it for dear life and since we know our resources are finite, fear and greed put us into a constant survival mode.
In the mean time our true being is not integrated as much as is healthy for our wellbeing. It is like we walk around like zombies; cleverly reflected by the large amount of zombie movies that have come out over the past 10 years.
The film ‘Mind the Matrix’ looks at all this and with the help of various experts, hands the viewer tools on how to get back to our natural state of inner and outer harmony.
This is where global change will start. With ourselves. Once we have rediscovered the nature of who we really are, this will automatically be reflected outwards. Our ‘reality’ will then be adjusted all by itself.
By remaining focused outwards, we as humans may just get exhausted of trying for change and not seeing any.
Like Mahatma Gandhi said ‘Be the change that you want in the world’.
Please watch the movie and share it with as many people as you feel to.
If you speak a foreign language and you would like it to be available in your country, please contact production@ngatikurafilms.com to suggest volunteers who can translate the English version.
Enjoy watching.
With love,
Christianne van Wijk
Filmmaker and Presenter.
Thank you to our translators Tim Wiechers, Mauricio Taipe and Susanne Aloe.
Follow Christianne van Wijk on:
Twitter: @chrissyvanwijk
Instagram: christiannevanwijk
Facebook: www.facebook.com/christiannevwijk/

Documentary recalling the revolution in British advertising during the 60s and three men who were instrumental in bringing it about. David Puttnam, Alan Parker and Charles Saatchi, who all worked for the same agency (CDP), were among the first to recognise the social changes which were taking place, and the style of advertising needed to appeal to the new breed of customer.

Documentary recalling the revolution in British advertising during the 60s and three men who were instrumental in bringing it about. David Puttnam, Alan Parker and Charles Saatchi, who all worked for the same agency (CDP), were among the first to recognise the social changes which were taking place, and the style of advertising needed to appeal to the new breed of customer.

Edward Weston: The Photographer (1948) US Information Agency

"Features the personality, philosophy, techniques and artistry of Edward Weston, as shown through scenes of the artist at home, on location and at work with his...

"Features the personality, philosophy, techniques and artistry of Edward Weston, as shown through scenes of the artist at home, on location and at work with his students." The female assistant in the film is Dody Thompson, who married Weston's son Brett in 1952.
http://en.wikipedia.org/wiki/Edward_Weston
Edward Henry Weston (March 24, 1886 – January 1, 1958) was a 20th-centuryAmerican photographer. He has been called "one of the most innovative and influential American photographers…" and "one of the masters of 20th century photography." Over the course of his 40 year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.
Weston was born in Chicago and moved to California when he was 21. He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time. Within a few years, however, he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images.
In 1947 he was diagnosed with Parkinson's disease and he stopped photographing soon thereafter. He spent the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images...
Cameras and techniques
During his lifetime Weston worked with several cameras.
- 8 × 10 Seneca folding-bed view camera with one of several lenses: a Graf Variable, Wollensak Verito or Rapid Rectilinear
- 8 × 10 Universal view camera with either a triple convertible TurnerReich or a 19" Protar
- 4 × 5 view camera, type unknown.
- 3¼ × 4¼ Graflex with a ƒ/4.5 Tessar lens
Film and Paper
Prior to 1921 Weston used an orthochromatic sheet film, but after panchromatic film became widely available in 1921 he switched to it exclusively. Notations he made about his exposures indicate that the film he used would be rated approximately equivalent to 16 on the today's ISO scale. This necessitated very long exposures when using his view camera, ranging from 1 to 3 seconds for outdoor landscape exposures to as long as 4½ hours for still lifes such his peppers or shells.
The 8 × 10 he preferred was large and heavy, and due to its weight and the cost of the film he never carried more than twelve sheet film holders with him. At the end of each day, he had to go into a darkroom, unload the film holders and load them with new film. This was especially challenging when he was traveling since he had to find a darkened room somewhere or else set up a makeshift darkroom made from heavy canvas.
In spite of the bulky size of the view camera, Weston boasted he could "set up the tripod, fasten the camera securely to it, attach the lens to the camera, open the shutter, study the image on the ground glass, focus it, close the shutter, insert the plate holder, cock the shutter, set it to the appropriate aperture and speed, remove the slide from the plate holder, make the exposure, replace the slide, and remove the plate holder in two minutes and twenty seconds."
He printed on several kinds of paper. Initially he used standard silver gelatin paper for his portraits and other early photos, but in Mexico he learned how to use platinum and palladium paper that was imported from England.
After his return to California, he abandoned platinum and palladium printing due to the scarcity and price of the paper. Eventually he was able to get most of the same qualities he preferred with regular chloro-bromide papers.
Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred, since at that time the platinum papers required ultra-violet light to activate.
When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size...

"Features the personality, philosophy, techniques and artistry of Edward Weston, as shown through scenes of the artist at home, on location and at work with his students." The female assistant in the film is Dody Thompson, who married Weston's son Brett in 1952.
http://en.wikipedia.org/wiki/Edward_Weston
Edward Henry Weston (March 24, 1886 – January 1, 1958) was a 20th-centuryAmerican photographer. He has been called "one of the most innovative and influential American photographers…" and "one of the masters of 20th century photography." Over the course of his 40 year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.
Weston was born in Chicago and moved to California when he was 21. He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time. Within a few years, however, he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images.
In 1947 he was diagnosed with Parkinson's disease and he stopped photographing soon thereafter. He spent the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images...
Cameras and techniques
During his lifetime Weston worked with several cameras.
- 8 × 10 Seneca folding-bed view camera with one of several lenses: a Graf Variable, Wollensak Verito or Rapid Rectilinear
- 8 × 10 Universal view camera with either a triple convertible TurnerReich or a 19" Protar
- 4 × 5 view camera, type unknown.
- 3¼ × 4¼ Graflex with a ƒ/4.5 Tessar lens
Film and Paper
Prior to 1921 Weston used an orthochromatic sheet film, but after panchromatic film became widely available in 1921 he switched to it exclusively. Notations he made about his exposures indicate that the film he used would be rated approximately equivalent to 16 on the today's ISO scale. This necessitated very long exposures when using his view camera, ranging from 1 to 3 seconds for outdoor landscape exposures to as long as 4½ hours for still lifes such his peppers or shells.
The 8 × 10 he preferred was large and heavy, and due to its weight and the cost of the film he never carried more than twelve sheet film holders with him. At the end of each day, he had to go into a darkroom, unload the film holders and load them with new film. This was especially challenging when he was traveling since he had to find a darkened room somewhere or else set up a makeshift darkroom made from heavy canvas.
In spite of the bulky size of the view camera, Weston boasted he could "set up the tripod, fasten the camera securely to it, attach the lens to the camera, open the shutter, study the image on the ground glass, focus it, close the shutter, insert the plate holder, cock the shutter, set it to the appropriate aperture and speed, remove the slide from the plate holder, make the exposure, replace the slide, and remove the plate holder in two minutes and twenty seconds."
He printed on several kinds of paper. Initially he used standard silver gelatin paper for his portraits and other early photos, but in Mexico he learned how to use platinum and palladium paper that was imported from England.
After his return to California, he abandoned platinum and palladium printing due to the scarcity and price of the paper. Eventually he was able to get most of the same qualities he preferred with regular chloro-bromide papers.
Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred, since at that time the platinum papers required ultra-violet light to activate.
When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size...

A production of Metanoia Films, this documentary gives an insight into the past of the Central Intellegence Agency or commonly known as CIA. CIA has become an important tool for the Golbalist elite in their quest for achieving global domination. They have used CIA to maintain their corporate dominance in the whole world. On behalf of these corrupt individuals CIA has overthrown more than 59 foreign governments and assassinated hundreds of foreign political and revolutionary leaders. Whenever some foreign leader refused to comply to the needs of American Corporations, CIA was sent in to either overthrow the government or assassinate that leader. Atrocities committed by CIA in the name of American people have devastated regions all over the world. This documentary shines a light on the dark and disgusting deeds of CIA.

A production of Metanoia Films, this documentary gives an insight into the past of the Central Intellegence Agency or commonly known as CIA. CIA has become an important tool for the Golbalist elite in their quest for achieving global domination. They have used CIA to maintain their corporate dominance in the whole world. On behalf of these corrupt individuals CIA has overthrown more than 59 foreign governments and assassinated hundreds of foreign political and revolutionary leaders. Whenever some foreign leader refused to comply to the needs of American Corporations, CIA was sent in to either overthrow the government or assassinate that leader. Atrocities committed by CIA in the name of American people have devastated regions all over the world. This documentary shines a light on the dark and disgusting deeds of CIA.

Rosetta Comet Landing

I directed this documentary when ESA's Rosetta probe was heading towards the comet 67P/Churyumov–Gerasimenko. The idea was to release the film the day before R...

I directed this documentary when ESA's Rosetta probe was heading towards the comet 67P/Churyumov–Gerasimenko. The idea was to release the film the day before Rosetta's lander -Philae - landed on the surface of the comet.It was a mad rush getting the film made in time... and I ended up working 12+hrs everyday for a month without a day off. It nearly killed me and I don't think the production company realised the effort that it took. I took a break from directing after that. Still I really loved meeting all the scientists involved , they are so nice (and clever). I filmed Dr Matt Taylor who the press decided to pick on for wearing a shirt with sexy looking women on it - TERRIBLE SHAME - press didn't report that his shirt was actually made for him by a female friend and was really just a bit of fun. Great scientist, born and bred in the East End of London and made to fell rotten just b/c the press needed a story.

I directed this documentary when ESA's Rosetta probe was heading towards the comet 67P/Churyumov–Gerasimenko. The idea was to release the film the day before Rosetta's lander -Philae - landed on the surface of the comet.It was a mad rush getting the film made in time... and I ended up working 12+hrs everyday for a month without a day off. It nearly killed me and I don't think the production company realised the effort that it took. I took a break from directing after that. Still I really loved meeting all the scientists involved , they are so nice (and clever). I filmed Dr Matt Taylor who the press decided to pick on for wearing a shirt with sexy looking women on it - TERRIBLE SHAME - press didn't report that his shirt was actually made for him by a female friend and was really just a bit of fun. Great scientist, born and bred in the East End of London and made to fell rotten just b/c the press needed a story.

published:12 Feb 2018

views:39

back

Women, Peace & Security 2017 | Panel Discussion: Media and Film Promoting the Power of Women

UlteriorStates
A Film By Tomer Kantor - An IamSatoshi Production
Tip BTC: 1NkMgKPdwP63q5LFQW84dczJthFWYLwkoW
http://www.iamsatoshi.com/ulterior-states-documentary
Featuring (alphabetically):
Andreas AntonopoulosJulian AssangeJessiBaker
Adam Cleary
Matt Corallo
Sven Desai
KyleDrakeStephen EarlyMark EdgeChris EllisRick FalkvingePaul Gordon
Ian Grigg
Vinay GuptaJonathan HarrisonDanielHassan
Garrick Hileman
Denis Jaromil RoioJohn Karanja
ToniLaneSimon Lelieveldt
Nadav RosenbergBrett Scott
Lui Smyth
ElizabethStarksAmir TaakiRobin Teigland
Peter ToddJulia Tourianski
Sveinn Valfells
Erik VoorheesCody WilsonTitlesDesign:
LouisChang
Poster Design:
Ofer Kantor
Ulterior States, an IamSatoshi production, is an argumentative documentary project. The participatory development, production and post ‘guerilla-film-making-methods’, bounced between (non-academic) literature research, video interviews and studio sessions. This investigative process allowed having real-life conversations with some thought leaders within the Bitcoin ecosystem. In an attempt to portray the community behind the message to adopt a network, being a one-man team allowed for easier access to the subjects. The enthusiasm and commitment that saturate through the lens in many parts of the film, expose how the adopters of Bitcoin want to explore, to probe and, to show the world, something important, otherwise overlooked.
The film took three years and 125 videos to complete. Through this journey, I got immersed in the decentralised crypto-currency culture and met a bunch of wonderful futuristic-pirates, I would have never met otherwise. It is becoming easier to admit that Ulterior States is an expression of my perceptions, an extract of the years 2012-2015. The collaged story explores code as activism and discovers a melting pot through the neutrality of a decentralised consensus. It looks to the future from different humanist perspectives and argues that crypto-currencies could lead towards; community governed micro-state applications.
Ulterior States was completely self-funded and produced as a final project for London South Bank University [MA - Arts & Humanity - Digital Film].
Purchase the music from the film:
http://ultimae.com/shop/
http://mastermargherita.com/
https://www.facebook.com/I.am.Satoshi.Nakamoto
https://twitter.com/Iam_Satoshi

UlteriorStates
A Film By Tomer Kantor - An IamSatoshi Production
Tip BTC: 1NkMgKPdwP63q5LFQW84dczJthFWYLwkoW
http://www.iamsatoshi.com/ulterior-states-documentary
Featuring (alphabetically):
Andreas AntonopoulosJulian AssangeJessiBaker
Adam Cleary
Matt Corallo
Sven Desai
KyleDrakeStephen EarlyMark EdgeChris EllisRick FalkvingePaul Gordon
Ian Grigg
Vinay GuptaJonathan HarrisonDanielHassan
Garrick Hileman
Denis Jaromil RoioJohn Karanja
ToniLaneSimon Lelieveldt
Nadav RosenbergBrett Scott
Lui Smyth
ElizabethStarksAmir TaakiRobin Teigland
Peter ToddJulia Tourianski
Sveinn Valfells
Erik VoorheesCody WilsonTitlesDesign:
LouisChang
Poster Design:
Ofer Kantor
Ulterior States, an IamSatoshi production, is an argumentative documentary project. The participatory development, production and post ‘guerilla-film-making-methods’, bounced between (non-academic) literature research, video interviews and studio sessions. This investigative process allowed having real-life conversations with some thought leaders within the Bitcoin ecosystem. In an attempt to portray the community behind the message to adopt a network, being a one-man team allowed for easier access to the subjects. The enthusiasm and commitment that saturate through the lens in many parts of the film, expose how the adopters of Bitcoin want to explore, to probe and, to show the world, something important, otherwise overlooked.
The film took three years and 125 videos to complete. Through this journey, I got immersed in the decentralised crypto-currency culture and met a bunch of wonderful futuristic-pirates, I would have never met otherwise. It is becoming easier to admit that Ulterior States is an expression of my perceptions, an extract of the years 2012-2015. The collaged story explores code as activism and discovers a melting pot through the neutrality of a decentralised consensus. It looks to the future from different humanist perspectives and argues that crypto-currencies could lead towards; community governed micro-state applications.
Ulterior States was completely self-funded and produced as a final project for London South Bank University [MA - Arts & Humanity - Digital Film].
Purchase the music from the film:
http://ultimae.com/shop/
http://mastermargherita.com/
https://www.facebook.com/I.am.Satoshi.Nakamoto
https://twitter.com/Iam_Satoshi

London Video Production Agency - The National Archives - Archives Inspire

The UK’s National Archives are home to more than 11 million documents ranging from ancient written records to brand new digital archives. They commissioned Magneto to make a film that would bring to life their “ArchivesInspire” project that aims to transform the way the archive is perceived and accessed.
The Archive were adamant that the didn’t want a ‘usual film’ and asked us to make something that was ‘off centre and intriguing’ and they wanted to underline an archive’s fundamental role in using access to records to maintain democracy. The film also had to encompass their traditional skills of document preservation and academic enquiry alongside a new generation of records that are ‘born digital’.
We proposed and scripted a very personal take on the archive featuring the passions and experiences of the people who use the archive. The result is a slightly kooky but wonderfully atmospheric corporate marketing video.
Testimonial: 'Magneto have done a remarkable job of translating Archives Inspire, our audience-focussed strategic business plan, into a professional, vibrant and engaging film.'
--
Visit us on our website: https://www.magnetofilms.co.uk/
Find us on Facebook: https://en-gb.facebook.com/MagnetoFilms/
Follow us on Twitter: https://twitter.com/magnetofilms
Watch more films on our Vimeo: https://vimeo.com/magnetofilms

1:29

Showreel 2018

Kaptcha film production agency, led by award winning creative team from the BBC. Creating ...

Video Marketing & Production Agency

Well, here’s the thing. At Redefine we don't make videos for the sake of making videos- but to deliver compelling message-Like a brand in motion. We're creative professionals with a broad range of backgrounds in T.V. and film, corporate ,documentaries etc. We don't bore the audience with forgettable footage but captivate with a combination of storytelling scripts, high end productions, eye catching animations and unique post production styles.

2:38

Advertising and Media Production Agency "Tourism In Egypt '' Pursuance by hob Film Media Production

Blonde Creative Film Production Agency Showreel Montage (Nov2016)

We areBlonde. We specialise in all things film. From concept to completion, we are a full service one stop shop, producing high-end films for brands and agencies alike. From content and creative strategy to production, post-production, delivery and distribution, we work closely with our clients to create visual experiences that engage people. We create high-quality work, at speed, and endeavour to make things stress free for our clients. A single point of contact is provided round-the-clock. Whether it’s campaign work such as TV commercials and brand films, social media campaigns, a phone-friendly Instagram film, or even simplified content like explainer videos, we’ve got it covered.

Making Money - Building a $1,000,000+ Video Production Company

Do you have a question for Mark? Check out The Not-So-Corporate Podcast where he answers listener questions: https://www.youtube.com/playlist?list=PLHbyXPLoiHXeNwVsPFO5c7IBvShcsWwfe
Or, email Mark directly with your question: feedback@notsocorporatepodcast.com
Answering this question from my YouTube viewers Mapache19: What tips would you give for starting a video production company?? I really like doing it and would love to learn more about it. You think you can make a video about the first steps on starting a video production company. It would be awesome thanks!!
More information at:
* http://www.phantamedia.com/
* http://www.evancarmichael.com/
Help us caption & translate this video!
http://amara.org/v/FRSd/

34:56

THE AGENCY - THE MOVIE

In order to prove her abilities as an assassin to The Agency, a young agent must eliminate...

The Changemakers: Tactics for Equality and Diversity in Film & Television

Many in our industry have only recently embraced the responsibility of ensuring diversity and equal representation in entertainment. There’s a lot of work to be done—and no one is in a better position to advocate for change than the producer. This session presents a spirited conversation that re-frames the issues: What are the best practices for creating sustainable, scalable and systemic change? What strategies and solutions have proven most effective at getting to “yes” when producers bring stories from diverse communities? How can film learn from the paradigm-shifting (and handsomely rewarded) choices made by television and digital media storytellers and entrepreneurs? Above all, how can producers take the lead in challenging the status quo? Hear first-hand from those taking leadership on both sides of the “gates.”
Session sponsored by: The Harnisch Foundation
Speakers
Effie T. Brown
Founder, Duly Noted, Inc.; Project Greenlight, Dear White PeopleCharlesD. King
Founder & CEO, MACROMynette LouiePresident, Gamechanger FilmsPete Nowalk
How to Get Away with MurderLindseyTaylorWood
Founder & President, LTWModeratorMichael Skolnik
President, GlobalGrindCivil RightsOrganizer
----------------------------------
The ProducersGuild of America protects and promotes the interests of all members of the producing team in film, television and new media.
The PGA has over 6,500 members who work together to protect and improve their careers, the industry and community by facilitating members health benefits, encouraging enforcement of workplace labor laws, the creation of fair and impartial standards for the awarding of producing credits, as well as other education and advocacy efforts.
http://www.producersguild.org
http://www.producersguildawards.com
http://www.producedbyconference.com
http://www.facebook.com/pga
http://twitter.com/producersguild
http://youtube.com/producersguild
The Producing Team consists of all those whose interdependency and support of each other are necessary for the creation of motion pictures and television programs.
Executive ProducersProducers
Co-Executive Producers
Supervising Producers
Senior Producers
Line Producers
Co-Producers
Associate Producers
Segment Producers
Field Producers
Story Producers
Production Managers
Visual Effects Producers, Supervisors, & Coordinators
Post-Production Supervisors & Managers
Production & Post-Production Coordinators

24:51

The Enemy Agent and You 1964 Department of Defense - Central Intelligence Agency

more at http://quickfound.net/links/military_news_and_links.html
"The Enemy Agent and You...

The Enemy Agent and You 1964 Department of Defense - Central Intelligence Agency

more at http://quickfound.net/links/military_news_and_links.html
"The EnemyAgent and You - National Security Council. Central Intelligence Agency... This U.S. Army film discusses security awareness and responsibilities in relation to overseas travel." Covers bugging, honey traps, etc.
DOD film # DOD-IS 7
see also: EspionageTarget: You (1964)
https://www.youtube.com/watch?v=-YRIygu_13w
Public domain film from the US National Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Espionage
Espionage or, casually, spying involves a spy ring, government, company/firm or individual obtaining information considered secret or confidential without the permission of the holder of the information. Espionage is inherently clandestine, as it is taken for granted that it is unwelcome and in many cases illegal and punishable by law. It is a subset of "intelligence gathering", which otherwise may be conducted from public sources and using perfectly legal and ethical means. It is crucial to distinguish espionage from "intelligence" gathering, as the latter does not necessarily involve espionage, but often collates open-source information.
Espionage is often part of an institutional effort by a government or commercial concern. However, the term is generally associated with state spying on potential or actual enemies primarily for military purposes. Spying involving corporations is known as industrial espionage.
One of the most effective ways to gather data and information about the enemy (or potential enemy) is by infiltrating the enemy's ranks. This is the job of the spy (espionage agent). Spies can bring back all sorts of information concerning the size and strength of an enemy army. They can also find dissidents within the enemy's forces and influence them to defect. In times of crisis, spies can also be used to steal technology and to sabotage the enemy in various ways. Counterintelligence operatives can feed false information to enemy spies, protecting important domestic secrets, and preventing attempts at subversion. Nearly every country has very strict laws concerning espionage, and the penalty for being caught is often severe. However, the benefits that can be gained through espionage are generally great enough that most governments and many large corporations make use of it to varying degrees.
Further information on clandestine HUMINT (human intelligence) information collection techniques is available, including discussions of operational techniques, asset recruiting, and the tradecraft used to collect this information...
Modern historyThe Cold War involved intense espionage activity between the United States and its allies and the Soviet Union and China and their allies, particularly related to nuclear weapons secrets. Recently, espionage agencies have targeted the illegal drug trade and those considered terrorists. Since 2008 the United States has charged at least 57 defendants for attempting to spy for China.
Different intelligence services value certain intelligence collection techniques over others. The former Soviet Union, for example, preferred human sources over research in open sources, while the United States has tended to emphasize technological methods such as SIGINT and IMINT. Both Soviet political (KGB) and military intelligence (GRU) officers were judged by the number of agents they recruited.
Targets of espionage
Espionage agents are usually[citation needed] trained experts in a specific targeted field so they can differentiate mundane information from targets of intrinsic value to their own organisational development. Correct identification of the target at its execution is the sole purpose of the espionage operation.
Broad areas of espionage targeting expertise include:
- Natural resources: strategic production identification and assessment (food, energy, materials)...
- Popular sentiment...
- Strategic economic strengths...
- Military capability intelligence...
- Counterintelligence operations...

28:46

The Power of Privacy – documentary film

In this film, Aleks Krotoski travels the world to undergo challenges that explore our digi...

Mind the Matrix FULL FILM EN/NL/ES/DE

NOTE 1: The makers of this film do not encourage the viewer to drink Ayahuasca. This film is not about this medicine plant. It is only mentioned in the beginning of this film whereby the narrator shares an experience. However the rest of the film does not focus on this plant. Attending an Ayahuasca ceremony is not for everyone and should be very carefully considered.
NOTE 2: This filmmaker believes humanity’s collective consciousness has expanded considerably in the past few years to make a significant collective change in the matrix template.
This film is subtitled in: English/Nederlands/Deutsch/Espanol
Our external reality is an expression of what we have collectively created together and we consider this to be REALITY.
Reality in this case means ‘OUR THOUGHTS REALISED’. So, yes, it is a form of reality indeed.
However, a lot of the realities we have created are not in harmony with our true being and planet earth. Western society is a slash and burn reality where what we take is not given back. This will eventually result in the exhaustion of resources of our planet.
The way we treat planet Earth is a result of how we treat ourselves and thus others.
We tend to think in a linear way and not in a cyclical way where what goes out comes back in and vise versa:
A dance between our internal eternal spirit and the physical external realm.
It is like we have become so mesmerized that we believe that the external world is all there is. We hang on to it for dear life and since we know our resources are finite, fear and greed put us into a constant survival mode.
In the mean time our true being is not integrated as much as is healthy for our wellbeing. It is like we walk around like zombies; cleverly reflected by the large amount of zombie movies that have come out over the past 10 years.
The film ‘Mind the Matrix’ looks at all this and with the help of various experts, hands the viewer tools on how to get back to our natural state of inner and outer harmony.
This is where global change will start. With ourselves. Once we have rediscovered the nature of who we really are, this will automatically be reflected outwards. Our ‘reality’ will then be adjusted all by itself.
By remaining focused outwards, we as humans may just get exhausted of trying for change and not seeing any.
Like Mahatma Gandhi said ‘Be the change that you want in the world’.
Please watch the movie and share it with as many people as you feel to.
If you speak a foreign language and you would like it to be available in your country, please contact production@ngatikurafilms.com to suggest volunteers who can translate the English version.
Enjoy watching.
With love,
Christianne van Wijk
Filmmaker and Presenter.
Thank you to our translators Tim Wiechers, Mauricio Taipe and Susanne Aloe.
Follow Christianne van Wijk on:
Twitter: @chrissyvanwijk
Instagram: christiannevanwijk
Facebook: www.facebook.com/christiannevwijk/

1:08:25

The Men From The Agency - BBC

Documentary recalling the revolution in British advertising during the 60s and three men w...

The Men From The Agency - BBC

Documentary recalling the revolution in British advertising during the 60s and three men who were instrumental in bringing it about. David Puttnam, Alan Parker and Charles Saatchi, who all worked for the same agency (CDP), were among the first to recognise the social changes which were taking place, and the style of advertising needed to appeal to the new breed of customer.

1:25:32

Shadow Company Official Full Documentary

In the late 20th Century the distinction between soldier and mercenary became blurred. The...

Edward Weston: The Photographer (1948) US Information Agency

"Features the personality, philosophy, techniques and artistry of Edward Weston, as shown through scenes of the artist at home, on location and at work with his students." The female assistant in the film is Dody Thompson, who married Weston's son Brett in 1952.
http://en.wikipedia.org/wiki/Edward_Weston
Edward Henry Weston (March 24, 1886 – January 1, 1958) was a 20th-centuryAmerican photographer. He has been called "one of the most innovative and influential American photographers…" and "one of the masters of 20th century photography." Over the course of his 40 year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.
Weston was born in Chicago and moved to California when he was 21. He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time. Within a few years, however, he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images.
In 1947 he was diagnosed with Parkinson's disease and he stopped photographing soon thereafter. He spent the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images...
Cameras and techniques
During his lifetime Weston worked with several cameras.
- 8 × 10 Seneca folding-bed view camera with one of several lenses: a Graf Variable, Wollensak Verito or Rapid Rectilinear
- 8 × 10 Universal view camera with either a triple convertible TurnerReich or a 19" Protar
- 4 × 5 view camera, type unknown.
- 3¼ × 4¼ Graflex with a ƒ/4.5 Tessar lens
Film and Paper
Prior to 1921 Weston used an orthochromatic sheet film, but after panchromatic film became widely available in 1921 he switched to it exclusively. Notations he made about his exposures indicate that the film he used would be rated approximately equivalent to 16 on the today's ISO scale. This necessitated very long exposures when using his view camera, ranging from 1 to 3 seconds for outdoor landscape exposures to as long as 4½ hours for still lifes such his peppers or shells.
The 8 × 10 he preferred was large and heavy, and due to its weight and the cost of the film he never carried more than twelve sheet film holders with him. At the end of each day, he had to go into a darkroom, unload the film holders and load them with new film. This was especially challenging when he was traveling since he had to find a darkened room somewhere or else set up a makeshift darkroom made from heavy canvas.
In spite of the bulky size of the view camera, Weston boasted he could "set up the tripod, fasten the camera securely to it, attach the lens to the camera, open the shutter, study the image on the ground glass, focus it, close the shutter, insert the plate holder, cock the shutter, set it to the appropriate aperture and speed, remove the slide from the plate holder, make the exposure, replace the slide, and remove the plate holder in two minutes and twenty seconds."
He printed on several kinds of paper. Initially he used standard silver gelatin paper for his portraits and other early photos, but in Mexico he learned how to use platinum and palladium paper that was imported from England.
After his return to California, he abandoned platinum and palladium printing due to the scarcity and price of the paper. Eventually he was able to get most of the same qualities he preferred with regular chloro-bromide papers.
Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred, since at that time the platinum papers required ultra-violet light to activate.
When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size...

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BEYOND | sci-fi short film

A multi-era tale of immortality and time-travel.
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A look beh...