Namasthe Pundarikaksha (2015) was a reworking of the earlier piece created in 2012. It retained the chants to Vishnu, developed a new choreographic sequence to the beej mantras Hram, Hreem, Hroom, Hraim, Hrom, Hrah, culminating in a verse addressing the body as a temple where the spark of self-awareness within, was its deity