Selasa, 19 Februari 2013

WAYANG MBAH GANDRUNG AND VIDEO

WAYANG MBAH GANDRUNG AND VIDEO

Box of Mbah Gandrung
puppets being borne by 2 people to the location of staging

Gong, fiddle, and
xylophone Mbah Gandrung Puppet being borne by a person to the location of the staging

The
story of Mbah Gandrung Puppet play is based on
"Wangsit" to perform such as: •
Damarwulan • Barong Skeder • The core content of the
story or is the story of the puppet Mbah Gandrung Majapahitan.

Type
of gamelan only: 1. Gong 2. Xylophone 3. Fiddle 4. Drums (drum)

For video click Here.Type the barrel gamelan
rhythms not pelog nor selendro. Yes so it is. Gamelan can not rhythmic harmony as gamelan Puppet. Gendingnya only awun
- awun, jakung with crazy - crazy (asmaradana). Puppet Mbah Gandrung has no
"singers" - the singer accompanied by gamelan. So when it is
staged only 5 participants puppet performers are:

And
plus 4 people bearer puppet on the way. Staging Puppet Mbah
Gandrung is between the hours of 10:00 noon till 13:00 (1 pm). And the
night between the hours of 21:00 (9 pm to 24.00 (12 nights) depending on the
request that has vow. When the stage lights for night illumination is
"blencong" (lamp oil or coconut oil kelenthik). Remainder of the oil
that is in blencong not be used to fry, because
this is a testament. Just simply it is used for hair oil alone or oil to rub on
the hands or feet (body) only. Another great feature is the puppet leader Mbah Gandrung
story waiting to be staged puppet of the "DI" (hint unseen) to the
mastermind.

Meaning
puppet "Gandrung" is happy. Glad to here is happy to help a fellow /
human being who has the problem in order to live happily. Wayang Mbah Gandrung
consists of Mbah Gandrung Kakung (male) and Mbah Gandrung Puppet Princess
(female). So call it simply "Grandma Gandrung and Nyai Gandrung"

Joko
Luwar is a symbol of that speech or promise (vow already implemented = successfully
overcome the trouble).

Mbah
Jimbun Sultanate is "Ancestor" or the first chronicle Pagung area.
Mbah Jimbun is a Knight of the palace were held Lelono (traveling to gain
knowledge about kaweruh kejawen) from the royal kingdom is thought keturunun
Majaphit or may be derived from Surakarta or Yogyakarta palace but it was not clear. He was in the
area Pagung because "mbentur topo" – meditation or trying to acquire
knowledge by way of penance to remote areas. When opening settlement Pagung area is still a wilderness.

All
the actors or people - people performer, gamelan and lift (bearer) puppet box
champion Gandrung are people - the "show me the magic" by Mbah
Gandrung itself so that not every person has the right to be the mastermind or
even gamelan bearer puppet leader Mbah Gandrung
guide them. Here is the unique characteristic of being puppets Mbah Gandrung
from antiquity to the present.

Meanwhile
Supani, Pagung village chief, who holds position as the local cultural leader
ofMbah Gandrung adds that the wayang is
"digebyakne" - staged in Suro
in the Javanese calendar or Muharram (Hijiriah calendar) every year. Regarding
the day, depending on the agreement indigenous elders Puppet Mbah Gandrung
include: (the late Lamidi grandma), grandma puppeteer, and other elders.

The
origin of the existence of Puppet Mbah Gandrung is being asked of the elders,
both Lamidi grandma, grandma and Supani , Village Chief Pagung too, when
contacted separately, they seem to give the same answer that is by champion -
mbah or their ancestors that it is an unsolved mystery.

However
they - each provide a similar story about the origin of puppets Mbah Gandrung. The origin (Sangkan Paran) Puppet Mbah Gandrung can be
summarized in the following story:

Long long ago in the area Pagung rained hard, then the
river inundated Pagung area to the township. When the river streamed there a
large teak and came running environment of the citizens. Society tried to restore the wooden timber back to the river
but it showed peculiarities. Every time washed
away into the river rose wood as if it would pull drift. When was the attempt to bring it to Raden teak
Jimbun Sultanate, an elders 'Ancestor' the settler of Pagung area.

Being
old and an administrator he understood the system so he ordered the government
to bring the wood to the Ki demang. Demang at the time was Raden Proyosono.

Demang
is a government position in the Dutch era. While the title of Raden is the
title given to the relatives of the palace as the aristocracy.

Ki
demang Raden Proyosono knew the large teak then he ordered them to cut for fuel
or wood used for building houses. But what happened, wood and even then still showed
oddities. No one was able to split it. So Ki demang hold a contest who could
chop the wood teak would get a prize.

Then
came a handsome young man from the mountain
of Wilis. He followed the
contest and the teak wood splitting. And strangely, in the teak wood there were
two wooden puppets. Puppet figure illustrated a handsome knight and the figure
of a beautiful woman.

After
a split in the handsome young man went before the prize was awarded, and
disappeared. Ki demang from the palace could feel the strangeness of it and got
a "DI" or clues that wooden puppets depicted two lovebirds were "Gandrung".
means crazy in love.

Due
to its uniqueness teak was then owned by
Kidemang Raden Proyosono given the title "Puppet Mbah Gandrung".or
WAYANG MBAH GANDRUNG.

At
first the two wooden puppet that was stored in a wooden crate from around the
teak wood is washed away. A few days later ki demang got another clue that he was
given a wooden puppet depicting a handsome young man and could fix the problem.
And furthermore it turned out that too wooden puppets appeared to exist on its
own. Because Ki demang was intuitive to it - that sort of
thing, then he gave the name of the third wooden puppets as "Joko
Luar" means a youth who could solve the problem and got a puppet again as
the R. Sedono Popo as Senopati or Warlords.

While
the puppet Semar is a protector for the Java community. However, the figure of
puppet Semar in Mbah Wayang Gandrung is different from Semar in Wayang shadow
puppet (purwo). This is one of the uniqueness of the Puppet Mbah Gandrung.

Figure
Semar puppet Mbah Gandrung long and curly haired and face almost like a figure
in Togog puppet of puppet leather - Another puppet puppet figure of
approximately 40 additional pieces with figures such as wayang kulit (purwo) in
the form of clothing or jewelry, and remained the same there was no definitely
a name like shadow puppet figures and it was made of wood.

Opening
with Selametan – Thanksgiving meal

Rituals for staging puppet Mbah Gandrung is holding the
traditional Javanese cuisine. It is for salvation. The common ritual dishes are
"Tumpengan" slaughter the rooster or cock is a prerequisite. Roosters
are usually cooked in one whole chicken without cutting into pieces . The state
of a whole chicken is usually called the "chicken ingkung (engkung)"
from the word "mekung-kung" – stretching state of the content removed
or slaughtered with offal and left lying in the kuwali (traditional soil made
pan for rice or water). Ingkung ordinary
chicken cooked in cooking or seasoning yellow lodoh. baked or grilled chicken.
Besides ingkung also added chicken with white rice or savory rice or yellow
rice. It is also accompanied by other side dishes such as "sambal fried
potatoes / meat". Then more extra
typically yields such as cassava, tubers, nuts, fruit or other crops farmers.
The foods are often eaten together. In summary the food "Tumpengan"
for salvation is: 1. Rooster ingkung 2. White rice and yellow rice cone-shaped 3. Additional side dishes 4. jenang plots (white) and porridge abrit (red) 5. crops such as yams, peanuts, Uwi, gothe 6. and many other extras.

"First
of all asking the Almighty God bestow upon us all good health of young and old
who have come here, hopefully all get health and safety and welfare of
all" ........ (Nggih = yes, uttered by the audiences)

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