horror at the periphery of everyday lives of working people, mostly men

The description I’ve seen elsewhere (and not until after I’d finished the book) is

In this striking, bleak yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: the loneliest and darkest corners of contemporary life.

So better put but fairly similar *phew*

Why did I want to read it?

I had come across a couple of Ballingrud’s stories in other collections and want to give his wider work a try. I hadn’t realised how many awards he had been nominated for until I got my hands on the volume (though nominations or award wins don’t always affect whether I want to read something).

What did I think of it?

Hmm. This was really a bit of a mixed bag. It contained the two stories I had read elsewhere, one of which didn’t stand up to a second read; the other, The Crevasse, was wonderfully Lovecraftian in its Antarctic setting and I enjoyed it just as much this time around. As for the others, I could appreciate the skill but they just didn’t connect with me; perhaps they were just too bleak (not that I mind bleak usually, but there was no relief at all here that I could see), and *whispers* too masculine for me. That’s not something I think I would have noticed if I’d come across any of these stories mixed in with the work of others, but it just leapt out at me reading them in a single volume.

Glad I gave it a shot but I don’t think I’ll be actively seeking out any more of his work.

I read this as part of the 2015 Horror Reading Challenge.

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Bride of the Book God

Scottish, in my fifties, love books but not always able to find the time to read them as much as I would like. I’m based in London and happily married to the Book God.

I also blog at Bride of the Screen God (all about movies and TV) and The Dowager Bride, if you are interested in ramblings about stuff of little consequence

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