I keep lots of demographics for my photography workshop business in order to know who my clients are, and how I can be a better workshop leader. One thing I began doing this year is keeping track on who was using what brand of camera state, here are the results:

Canon 39%, Nikon 28%, Sony 17%, Fuji 11%, and Olympus 3% all other brands under 2%. I did not count the folks who attended the workshops for ONLY FUJIFILM users that Bill and I (on this site) do as this would skew the numbers badly. It will be interesting to see what 2017 brings

Some other interesting numbers: Female 51% Male 49%. This is the first time I had more ladies than men on workshops.

As Bill and I travel around the country doing some speaking and workshops, we’ve been asked a lot about the new GFX 50S, large format camera as well as what we hear that is coming from Fujifilm in the future. Frankly some things we can talk about but some things we have been asked to not comment on.

Though I was able to test with the X-T2 before it’s release last year, I have not personally made any images with the large format camera, the GFX 50S. However, I finally got to see and hold the large format GFX 50S camera last weekend.I was really surprised on its size and weight Surprisingly it weighs about the same as a Canon 5D MK4 ! The images I look reviewed made with this camera were quite impressive to say the least. The jury is out whether I will want one or not yet but I am not in a rush. More on that later.

What’s the main difference in the large format vs the X Series cameras from Fujifilm? From what I was able to see from the images made with the large format camera, the resolution, dynamic range, and color depth, are really great. This is solely as a result of a larger sensor. Depth of field is always improved with larger sensors, allowing for a much more smooth transition from in to out of focus area of an image. The images look somewhat more three-dimensional.

The GFX50 felt great in my hands. It seems like it was just a bigger X-T2 and lighter than I expected. Fujifilm designed and placed a thumb grip on the back side of the body that really makes the camera feel good in your hands. Just like the X-T2 all the controls are within finger length and the interface is very similar. Many of the X-T2 features and on the GFX 50S. There are also some new ones and I am sure will be available via firmware on the X-T2 and X-Pro 2 (are you listening Fujifilm?)

Remember this is a mirrorless large format camera! Not having a mirror keeps the overall size of the camera smaller than the competition. Without a mirror you also eliminate those tiny vibrations which can show up as blur on your images – which by the way shows up a lot more at this high a resolution than with DSLR’s and existing mirrorless cameras.

To me being mirrorless is really important. However equally important is the kind of shutter Fujifilm has employed in this camera. The GFX 50S will be the world’s first medium format camera to feature a focal plane shutter. What does this mean? 1) Lenses, can be built lighter than normal, and are designed for both the focal plane shutters well as the leaf-shutter lenses. Again, without having a shutter in the camera these lenses can be less heavy and smaller. 2) You can now attain faster shutter speeds than from typical cameras. 1/4000th is not unrealistic!

The sensor in the GFS-50S is a Bayer Sensor made by Sony to Fuji Specifications. To say it’s a Sony sensor is only because Sony produced it. Fujifilm designed it using improvements that offer visible differences in the final images. The sensor offers a resolution of 51.4 million pixels! The lowest native ISO sensitivity is 100. Most impressive statistic to me is that the sensor offers a whopping 14 stops of dynamic range. Think about that!

Complete information on the sensor, processor and more can be found HERE

The GFX 50S has a touch screen and improved the screen maneuverability over the X-T2. On the GFX 50S you need to just press of a button rather to shift into the vertical position.

There is a lot more to know about this camera. You local dealers should by now be about to tell you about it and perhaps even have one to show. Lots of information can be found on the FUJIFILM website as well.

So far, the GFX 50S has been resounding success with lots of back orders and allocation headaches for Fujifilm. I guess that a good and bad problem!

The question I bet some of you have is do I want one? I really don’t know. I’d love to shoot it for a few days….Do I need 51 MP? NO! Does anyone NO! However seeing the resolution and results of the dynamic range that this camera delivers vs the size and weight I might be tempted. How different it from the X-T2. Answer. Quite a lot. However there are things to take into consideration.

Size, weight cost VS final results. Again, the jury is out. I am generally a landscape photographer that will make images of buildings, Americana as my good friend Bill Fortney calls it as well as macro photography. I suspect the studio folks, wedding shooters, specialty photographers (food, models etc.) will flock to this camera. Us landscape folks might be the last. Again the Jury is out for me.

IF YOU ARE BUYING A GFX 50S PLEASE BEWARE:

In my photography workshops I am see many DSLR’s and some mirrorless cameras with high-resolution sensors. The good news is how good the images CAN look if everything is done right. The bad news is that ANY (and I mean ANY) deficiencies ranging from poor technique to shaky tripods, to unacceptable lenses will show up on your images the more MP’s you have. I will go so far as to say that 75%+ of the Nikon D800 & D810 owners would be better off with D750’s or D500’s! You have to treat these cameras like fine-tuned cars. Any and all problems are going to show up, believe me.

Camera Straps hitting the tripod, blowing in the wind causes vibration= blurry images…. Using a D800-810 .. its more visible!

Also the RAW file out of the GFS 50S is about 110MB. That’s the RAW file! Make sure your computer isn’t going to crash if its too slow and have lots of hard drives—you’re going to need them! VERY IMPRESSIVE FUJIFILM!!!!!

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SO LET’S TALK ABOUT THE X SERIES!

First–Get your FUJIFILM X-T2 set up right. Check out Bill’s (Fortney) E-Book –everything you need to know about the X-T2 HERE

As far as the X-Series goes, the X-T2 as been a rousing success and is still in many cases back ordered. Those who have come and have come to know its capabilities have had nothing but praise for this camera.

The FUJIFILM just released the new X100F. Later this year I am really excited that a new macro lens is on the way. It will be an 80 mm f/2.8 weather sealed with image stabilization. In 2018 a faster wide-angle zoom is predicted. I would hope it would be an upgrade and maybe wider than the current 10-24 mm f/4. (15-36 equivalent). Also a new long prime is forecast.

For now the absolutely amazingly sharp 90 mm f/2(image above) is the longest. Without any knowledge at all I am guessing that we’ll see at least a 150 mm or maybe as large as a 300 F 2.8 (I can hope can’t I?) Below is the Fujifilm “Roadmap” as of today

Anyhow as always Fujifilm is listening to its customer base and I’ll bet there will be a few firmware tweaks on the X-PRO2 and X-T2.

Product development folks at FUJIFILM are never content. They are constantly looking at ways to improve the X-Trans Sensor to totally compete and jump ahead of the DSLR marketplace. Latest numbers tell a sad story. 2010 marked the peak in numbers of cameras being sold overall. In 2015, the total sales were less than ONE-THIRD of the total photo camera sales of 2010.

Here are some amazing numbers: In 2016 DSLRs sales were down 12% in volume but a whopping 29% in dollars. Mirrorless sales were up 22% in volume, and 49% in dollars.

Maybe the most thing to remember, and I sometimes sound like a broken record is no matter what camera you own, you still need to make the image! It’s not the MP’s, it not the glass it’s YOU! Having the best only gives you the CHANCE to make a good photograph!–JG

To sum up our past 3 days here in Acadia National Park, Maine…all I can say is WOW! First the fall color—about the best I have seen in many, many years. Living in the western part of America, I sure do miss the reds that appear when the fall leaves turn color in the East.

The weather has been great too…lots of rain, but at night, with great light during the day.

My workshop co-leader and dear friend Bill Fortney and I have had the pleasure of having another great group of Fuji “X” camera photographers here learning and making some great images as well. What a day…. what a workshop…WHAT A LIFE!! (Check out Bills’ site as well for more images!—click HERE.) Continue reading Postcards from Acadia National Park→

Well I finally received my production model of the Fujifilm X-T2. I could totally post my review but it wouldn’t be much different from some of the the reviews with high praise found all over these days. Plus I need to get packed and ready for my next 4 and final photography workshops of 2016.I’m off to Acadia NP, The Smoky’s , Zion NP then to Whidbey Island over the next 4 weeks+ easy to enjoy making some new images! My quick review is—get your hands on this camera–you probably won’t let go! Continue reading Survey Please! Production X-t2…Images…..more→

The lone anticipated FUJIFILM X-T2 has just been announced. I have been fortunate to have been one of the “Chosen” Fuji “X” photographers to have a pre-production model of this new among camera for about quite a while. Impressive is certainly not enough to label this camera. It’s been one of the hardest things not to be able to talk at length about the newFUJIFILM X-T2but finally, the time has come! Continue reading FUJIFILM X-T2—-FIRST IMPRESSIONS→

If you already own the Fuji 10-24 f 4 XF lens, or the Fuji 16-55 f 2.8 XF lens, why would you invest in the new Fuji 16mm f 1.4 lens?? I just got a new production copy of the 16mm f 1.4 XF lens and I was wondering the same thing!!!

First let me dispel what many people believe about extreme wide angle lenses, that they are designed so we, as photographers, can take in more area in our images. It is true that the wider the lens, the wider the angle of view, and thus; more stuff in the image. That’s not the most effective way to use a wide angle lens though! A very effective way to use a wide angle lens is to move in close to your main subject and make it the sharpest thing in the image, and then allow the background to either be equally sharp, by stopping down to a very small aperture setting like f 11 – 16 or 22, or to make the background “very” out of focus, by opening the lens to its largest aperture setting. Therein lies the value of a f 1.4 wide angle lens, the depth-of-field is extremely shallow when shot wide open (f 1.4) thus making the background a very dreamy out of focus!!!

An important part of the photographer’s bag of tricks is to use shallow depth-of-field effectively, to focus the viewer’s eye on a main subject, letting the rest of the image go out of focus. I went over to my neighbor’s garden and then down to a used car lot that had a very interesting 1949 Chevy wrecker I had been wanting to photograph. All images were shot at f 1.4 to show the effectiveness of a shallow area of sharp focus.

So how does the news Fuji 16mm f 1.4 XF lens do? I will let you judge. But at 100% on my computer screen, the in-focus areas are razor sharp. The color quality of the new lens is outstanding and the build quality is rock solid. The 16mm also has a clutch focusing mechanism that allows smoother and deadly accurate manual focusing, however the autofocus is among the fastest and most accurate yet!

OK … I already own the 10-24 and the 16-55, but this one is staying in my camera locker, for very special assignments that requires its lovely abilities!!!