Although Leave it to Beaver takes place in “Mayfield,” set in an undetermined state, I show in a prior post how Skokie, Illinois stood in for Mayfield during a scene from “Beaver’s Fortune” (Season 3: Episode 10; first broadcast December 5, 1959). While Beaver owns a surf board late in the series, and the gang makes trips to the beach, the show frequently distinguishes the Cleaver’s home state from California, often referred to as a faraway place.

By the 6th and final season, the producers seem to have gotten tired of playing coy. When Wally and Ward take a test drive (“Wally Buys a Car; Season 6:, Episode 16, first broadcast January 10, 1963), they drive right down 3rd Street in Santa Monica, past the El Miro Theater to the right. At left in the back stands the Clock Tower Building on Santa Monica Boulevard at 3rd. The El Miro facade has been preserved as part of the multiplex theater standing there today.

As the scene along 3rd Street ends, the north side of the Keller Building comes into view. You can glimpse it to the left (yellow box) in each image below.

Looking north up 3rd Street from Broadway. Absent in the 1927 view are the Clock Tower (left) built in 1929, and the El Miro tower (right) built in 1933. The yellow box marks the transition from the historic Keller Building on the corner of Broadway and the two-story building north of it. Closed to street traffic today, the site is now known as the Third Street Promenade. Santa Monica Public Library

In another post, I show how Beaver and Harold Lloyd both filmed scenes at the Long Beach Pike amusement park forty years apart. As shown below, they nearly crossed paths beside the Keller Building in Santa Monica as well.

During Harold Lloyd’s 1924 feature comedy Hot Water, the family’s inaugural drive in Harold’s new car ends in disaster. Their trouble begins when the car grid-locks the intersection at 3rd and Broadway in Santa Monica. The Keller Building at back was built in 1893. The yellow box matches the trio of images further above.

Thanks to movie editing, moments after Harold pushes the family car out of this intersection in low-lying Santa Monica (above), the car careens down Bunker Hill on Olive Street in downtown Los Angeles, a setting also appearing in the 1952 noir classic The Turning Point, as described in this post HERE.

If the Cleavers live in Santa Monica, then Ward must work in West Hollywood! During the episodes “Beaver on TV” (Season 6: Episode 22; first broadcast February 21, 1963), and “Lumpy’s Scholarship (Season 6: Episode 24; first broadcast, March 7, 1963) this establishing shot of Ward’s office was filmed at 9034 Sunset Boulevard.

Although the flagstone detailing has been replaced with brick, and a shabby portico with columns has been added, the basic box-like design and proportions of Ward’s office remain unchanged. (C) 2013 Google.

If you enjoy looking at studio backlots, the wonderful Retroweb site shows how the Cleaver’s home and neighborhood were part of the Colonial Street backlot at Universal Studios. Beaver and Gilbert even walk past the Munster’s home in one episode!

I know you also wrote about an episode in Season 3 which showed a downtown establishing shot done in Skokie, IL, which seemed more in sync with the smaller Midwestern town I had always envisioned while watching the show as a kid when it originally aired.

There is an earlier establishing shot of an urban downtown scene in Season 2, Episode 15, “The Grass is Always Greener,” which I imagine is in the greater LA area. With your knowledge of metro Los Angeles, perhaps you can identify it. Thanks.