books

screenplays

Exile (full-length drama) Finalist, WriteMovies; Quarterfinalist, Fade-In.
LJ lives in a U . S. of A., with a new Three Strikes Law: first crime, rehab; second crime, prison; third crime, you’re simply kicked out – permanently exiled to a designated remote area, to fend for yourself without the benefits of society. At least he used to live in that new U. S. of A. He’s just committed his third crime.

What Happened to Tom (full-length drama) Semifinalist, Moondance.
This guy wakes up to find his body’s been hijacked and turned into a human kidney dialysis machine – for nine months.

Aiding the Enemy (short drama 15min)
When Private Ann Jones faces execution for “aiding the enemy,” she points to American weapons manufacturers who sell to whatever country is in the market.

Bang Bang (short drama 30min) Finalist, Gimme Credit; Quarter-finalist, American Gem.
When a young boy playing “Cops and Robbers” jumps out at a man passing by, the man shoots him, thinking the boy’s toy gun is real. Who’s to blame?

Foreseeable (short drama 30min)
An awful choice in a time of war. Whose choice was it really?

Two Women, Road Trip, Extraterrestrial (full-length comedy)
When an independent activist and her frustrated office temp buddy embark on a quest for a chocolate bar, they pick up a hitchhiking extraterrestrial who’s stopped on Earth to ask for directions. They help her get the information she needs – and discover it’s easier to get a gun in this country than a little scientific knowledge – and decide to go with her. To become chocolate bartenders.

Boston Legal: Bang Bang (spec script) Semifinalist,Scriptapalooza.

Balls (short mockumentary 10min)
A hilarious mockumentary about men playing with balls

Here Comes the Bride (5min)
You’ll never get married again.

Let Me Entertain You (5min)
Is it a slippery slope from screen idol to snuff film?

Take Care of Your Mom While I’m Gone (3-5min)
She’s an adult. She needs a ten-year-old to take care of her?

My Life in Danger (short drama 3-5min)
When does attempted rape warrant self-defence of deadly force?

Size Matters (3-5min)
What if women were the taller sex? Ask any short man.

I am Eve (10min)
An examination exposing the irrationality and injustice of Eve’s role in Judaeo-Christianity.

If Then (5-10 min)
The end of our lives as we know them. Can’t say we didn’t see it coming.

Crime of Passion (short drama 3-5min)
The perfect solution to crimes of “passion”

Minding Our Own Business (20 min)
A collection of skits (including “The Price is Not Quite Right,” “Singin’ in the (Acid) Rain,” “Adverse Reactions,” “The Band-Aid Solution,” and “See Jane. See Dick.”) with a not-so-subtle environmental message

The Missing Link (short comedy 3-5min)
Two women and an alien enter a bar…

Why have we become so enamoured with digital thought? What’s the attraction?

It’s precise. Precision is good.

It’s fast. We like that.

It’s easy. We like that even more.

But any educator will tell you that T/F tests are the sparrows of measurement. They can handle knowledge, and maybe comprehension. (Multiple choice tests, the robins, are just one step better. Except for the LSAT, the smartass bluejay, which is designed by demented geniuses who have made a science of turning a curve ball into a triple helix and figured out how to get paid for doing it.)

So digital thought is perfect for this so-called information age. (And surprise, computers do it.) But knowledge and comprehension are the lowest levels on Bloom’s taxonomy of cognitive skills. What about application? Analysis? Synthesis? Evaluation? What, no time for critical thought? Too busy surfing the net to notice you’re in an ocean of shit?

Thing is, digital thought is, well, limited. Most of life isn’t subject to such precision, isn’t true or false, black or white. Ever hear of the false dichotomy? It’s an error in reasoning, it’s when you assume, erroneously, that there are only two possibilities. So it leaves out a lot. (For example, subtlety.)

It encourages extremism. It ignores the richness of a continuum, a spectrum. Between all and nothing is something. Lots of somethings.

And it sets up competition. It has no room for compromise, for combination.

In short, it’s two dimensional. Frogs do it: if it moves, it’s food; if it doesn’t, don’t bother. Are we frogs? Yes/No.