I have been thinking recently about the inventory of symbols which I have slowly been amassing. This has happened almost without me noticing, but I now have the beginnings of a rich collection.

I find myself reusing symbols to illustrate my ideas when making new work. For example, a heart has come to represent death, and by contrast also life; anchors represent hope and the loss of hope. The symbols in my inventory have become the building blocks from which

I construct work. This ridged structure suits my style of working, which always searches for rules and boundaries, creating a set of rules, or framework, in which I can work. This is both beneficial and restrictive. They force me to be methodical, and to think and find solutions.

I very much see my work as allegorical. I hope that people will find their own meanings in my work, and interpret the symbols in their own way. This may be superficial, enjoying (or of course hating) a piece for its aesthetic value alone, or they may find a deeper meaning with a piece by understand the significance of the symbolism used.

Coming to realise this has helped me to better understand how I like to work. It seems strange, but by being so close to my own work, I do not really realise what I am doing. Taking a step back in this way, and assessing my methods will help me to move forward. It has also helped me to think about breaking my own rules in future works.

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About Sharon Mossbeck

Sharon Mossbeck is a conceptual artist based in Sheffield.
Mossbeck's work focuses on themes of death and religion, often presented in a vibrant, hedonistic manner. While based on themes of death, her work is more easily read as a celebration of life while questioning what may happen beyond. Mossbeck works in a variety of media, including painting, sculpture using found objects, photography and textiles.
Available for commissions.