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I spend the majority of my working life photographing people in a studio setting where technically, everything is controlled. The differences in each studio subject brings some variation but with the technical aspects locked down, I can focus all of my experience and skill on that person.

Working with people demands a certain mindset; it involves your energy and focus along with the experience of reading and directing people. I can control all of these things. For example, if my sitter isn’t engaging with me, I can alter my tact and demeanor to illicit a response. If I feel my energy drop or know I’m not connecting, I can throw a curve ball to shake things up.

Landscape photography is the antithesis of studio work and requires a completely different mental approach. In my opinion, it’s is the perfect yin to the yang of my studio day job.

For many photographers, landscape photography is a constant battle to remove as many variables from the process as possible. Considering the amount of available information on the internet, this has become fairly easy. Websites provide shoot location recommendations along with directions and coordinates, hourly weather reports, and sun-position calculators.

Although these resources can take a lot of the guessing and legwork out of landscape photography, I feel they make the process very prescribed. You drive to a location during a recommended time, set up the shot, shoot, go home, and edit. I personally think that something magical is lost by not allowing yourself to simply be in the moment with your camera.

By going to a location blind, you’re forced to slow everything down. You have to actually see and feel and search for your image. Rather than shooting from a script, you have to use all of your senses, digest what’s there, and try to capture something from it.

The most important thing to realize about landscape photography is that you can’t force an image. Once you come to terms with that realization, it’s incredibly freeing. Some days it just doesn’t happen and once you accept that fact, it allows you to approach things with a certain amount of fluidity.

That mindfulness of truly observing and allowing your surroundings to affect and motivate you takes time to develop and everyone has their own way of ridding their heads of distractions. But ultimately, it’s the instant gratification and the goal-orientated nature of our modern culture that are the hardest things to shake off.

Taking that first step is the key. Be bold and get out there with just your camera and tripod and let your instincts grow. Discover the world with a fresh perspective and find your own unique vision.

About Guest Author

Alex Lagarejos is an award-winning photographer based in South West London. Originally from Glasgow, Alex moved to London as a teenager and pursued a career in the arts. To fund his way through drama school, Alex was lucky enough to work as an assistant to some of London’s top photographers; this allowed him to hone his craft. Alex has now forged his way as an acclaimed photographer, offering first-class head-shot sessions in both the acting and corporate world. Commercially, Alex Lagarejos Photography has also secured several large editorial, travel, and lifestyle commissions.

Excellent training. I love the way you folks transmit your volumes of knowledge to us. Easy to learn and follow. Beautiful job.

Joe HudspethOregon, USA

Having Jay and Varina as instructors opens up a totally new perspective to Landscape photography.

Vikram JayaramanSan Jose, California

Please don’t change except to continue to bring the best possible learning experiences to anybody that wants to be the best possible photographer and learn to understand and practice photography to the best of their ability.