writer, photographer, web person

Queen + Adam Lambert came to Washington, DC. A friend had an extra ticket and graciously invited me. We sat in the upper reaches of the Verizon Center as Lambert and the group went through a fast-moving set, filled with the kind of lasers and stagecraft that’s expected from a band in 2017. It’s not enough just to be a musician, any more.

They played all the hits – Bohemian Rhapsody, Killer Queen and Another One Bits the Dust.

It was not the same. Lambert is not Freddie Mercury, something he would be the first to admit – and did admit – during a tribute to the late singer early in the show. Queen + Adam Lambert made me appreciate the genius of Freddie Mercury, a man with an unreproducible vocal range but also an awkward shyness that’s missing in the age of the polished pop star.

The Queen show took place during the short-lived Age of Mooch. The reign of Anthony Scaramucci as White House Communications Director was far too short, a rich comedic opportunity that was thrown away before the Mooch even received his Saturday Night Live parody.

“Scaramouche. Scaramouche. Will you do the fandango?” Imagine the possibilities – Scaramucci singing the Queen classic live from New York.

Percy Bysshe Shelley wrote, “Poets are the unacknowledged legislators of the world.” You can learn more about a nation from its artists than from politicians. Shakespeare does a better job explaining the English than some dry book of history.

But what happens if events progress faster than comedians, satirists and novelists can comprehend? We barely had time to mock the Mooch before he disappeared.

I’ve written another novel: The Swamp. I started writing it a couple years ago, inspired by the tail end of the Obama administration. I wrote something I thought was outrageous – an errant drone lands on the White House, leading to the end of Washington as we know it.

After November 8, 2016, my idea didn’t seem so outlandish, as reality raced past the conception of the possible, devolving into a scenario that even the bleakest dystopianist would find implausible.

The problem with writing timely fiction is that times change. Does my novel The Swamp still make sense? After the election, I had to put aside the book and think about it.

I went on to write Victory Party, a short story that won the City Paper fiction contest. It’s another very timely work, for it concerns election night in DC and one person who’s happy about the result.

It’s a story that I wrote quickly and then ruthlessly cut, slowly paring away everything that was non-essential. I deleted exposition, explanations and any word that wasn’t necessary. It worked. “Joe Flood masterfully doles out information,” according to Mary Kay Zverloff (author of Man Alive!), who judged the competition.

So, I went back to my novel and I cut, reorganized and rewrote, aiming for clarity. Sections that I deleted went into a document called Remnants. Hurt less that way.

I also changed the title. My book was originally called Drone City, a title that I thought was clever. Drone City. DC.

I changed it to The Swamp, for the book is about the city that America has come to hate. My dark comedy follows swamp denizens – politicians, journalists, millennials – blindly chasing spoils, unaware that the world around them is about to turn upside down.

Trump, American Carnage, Spicey, Boy Scouts, Build the Wall, Russia, Deep State, Mooch – little of this makes any sense now and it will make even less so to future generations. It will be up to the artists, the legislators of our age, to explain the dark and confusing year of 2017.