"It's safe to say that The Lyricist is the closest Susperia has come to the sound first set by Tjodalv, et al. in 2001. This time, though, it's without longtime vocalist Athera. After seventeen years with a single voice, how will this new record fare?" A new voice in the thrash chapel. [Give in to your anger...]

"Consistency is a virtue, most of the time. Oftentimes, it is vital for a band’s recognizability, allowing only for incremental growth and change, both within an album and across several. But it can be taken too far with a sound growing stale, or eschewed completely for avant-garde whiplash effects (see Igorrr). Usurpress love mixing different genres into their Swedish death metal, risking consistency issues but aiming for the reward of diversity and unpredictability." Overthrow the expected. [Give in to your anger...]

"This past week I was giving Frozen Crown’s The Fallen King my dozenth or so spin as I was handling a particularly annoying clean-up report at my other office job. Typically, when faced with such an irksome task, I like to listen to fast music of either the aggressive or uplifting variety; either emotional response triggered by the conflicting styles will do the trick to kick my ass into work-mode. This particular go-round with Frozen Crown struck me, as it handily enabled both responses." Don't let it go.[Give in to your anger...]

"Norway's In Vain is a melodic death metal band with a blackened edge to them. The band, which double's as Solefald's live band and features Sidre Nedland who is the brother of Lazare, is back after five years with their fourth album, entitled Currents. They released Ænigma back in '13 and it was mightily well-received." You won't believe what happens next! [Give in to your anger...]

"Antioch, the last album from Sweden's Throne of Heresy, proved little more than its own existence. The "I riff therefore I am" approach to music did little to impress, and despite good pacing and a few fun songs, It was brought down by an uninteresting Swedeath sound and even more uninteresting boilerplate lyrics. Having thus consigned Throne of Heresy to the ignominy of the 2.5, I found myself not terribly interested in listening to their latest. Yet in my supreme magnanimity, I decided to give the band another chance with Decameron, and well I should have." When Kronos plays a game of thrones, things get brvtal. [Give in to your anger...]

"It’s hard to take a group named Goatpenis seriously. At first glance, one assumes this is probably a garage band who heard of Goatwhore and Goat Semen, decided they had no fucks to give, and chose to just call themselves 'Goatpenis' and be done with it." Grab it.[Give in to your anger...]

"Addition, subtraction, so much of metal involves the bolting-on and prying-off of countless sub-genres. Musicians and critics often fall into the trap of viewing music less as an expression of fertile creativity and more like a chest of drawers awaiting assembly. Start with a death metal base, insert black metal vocals into socket B, affix progressive chords perpendicular to the shelves… wait, we’re missing two slats and I’ve stripped a screw. Billed as a melding of tech death, black, and thrash, Omnipotence – The Infinite Darkness by Toronto natives Astaroth Incarnate had the cynic in me guessing the end-result without listening to a single note." Maths are hard.[Give in to your anger...]

"Melodeath bands often fall into the trap of monotone execution, plying their Entombed trinkets and Insomnium baubles with every riff of every song. Poorly-produced Winter Jari bobbleheads might make a nice collector’s item, but unless you’re the American Wintersun utterly convincing in your ripoffs, playing songs that never form their own identity is a one-way ticket to the Dumpster of Destiny. Darkfall, est. 1995, register on the more vitriolic end of the melodic death spectrum, though they may protest otherwise." Dumpster death.[Give in to your anger...]

"The life of the unpaid, overworked metal reviewer is not an easy one. Cascading promos, unreasonable deadlines, draconian editors and the unwashed metal mobs – it makes for a swirling maelstrom of music and madness. In all that tumult, errors are bound to happen and sometimes our initial impression of an album may not be completely accurate. With time and distance comes wisdom, and so we’ve decided to pull back the confessional curtain and reveal our biggest blunders, missteps, oversights and ratings face-plants. Consider this our sincere AMGea culpa. Redemption is retroactive, forgiveness is mandatory." Steel takes a plea deal.[Give in to your anger...]

"Who says being generic is a bad thing? Loads of people love mashed potatoes. Applebee’s makes millions off of Stockholm syndrome victims everyday. Ed Sheeran gets universal radio play despite being the musical equivalent of 160 pounds of Applebee’s mashed potatoes. Eons ago, before departing for the Undying Lands, Happy Metal Guy dropped the G-bomb a whopping seven times to describe German melodeath act Dawn of Disease." We can't all be trailblazers.[Give in to your anger...]