Tracks A1 to A4 recorded in Studio Urkaos, Torsång, Dalecarlia, 2006.
Previously released in 2012 on cassette by Total Holocaust Records.

Track B is listed as 'Christ's Dawn Vel Canta Symphoniæ Sacrosanctæ Phasmatvm Exseqvialivm' on the back cover.
Recorded at the dawn of Roman Catholic Black Metal, Old Malacht Studios, October 2004, "under a waxing moon the eight month in the 5765th year".
Final additions, N-track old old God, "the night when the eclipsed full moon became as blood", hours before dawn, the 13th of Cheshvan.
Mastered at DB Studios, insequenti anno.

Quote from label: "contains 11 nighttime tracks brimming with rhythmic switchbacks and momentum swings that push darkness into strange and intriguing corners. The record replaces ANO's riotous rollicking with shadowy landscapes of grim sound that encapsulate the band's eccentricity. From the psych-rich shake of "Turn on Your Mind" and "Human Toad" to the death-ride kick of "Up to the Sky" and "Crystal Man" through to the twisted take on the 13th Floor Elevators' "Roller Coaster", AQUA NEBULA OSCILLATOR's Spiritus Mundi plays like a haunting dream of dark and disturbing things, offering a can't-miss masterclass on the emotional possibilities of sound."

Quote from label: "After their first full lenght record released in 2012 by Radar Swarm Records and a split LP with YEAR OF NO LIGHT, here is the BAGARRE GENERALE sophomore album. Since five years and some lineup changes, the music of BAGARRE GENERALE becomes harder and more aggressive with a heavy drums-bass section still guided by ethereal guitars and loud brass instruments which make the band unique. The three long tracks are a real trip to the band universe and sound like a post metal soundtrack composed for a an old peplum movie."

Quote from label: "The new revelation of Italian Black Metal scene: Blaze Of Sorrow! Echi is the third album in the band's existence.
Expect stylish Italian Nostalgic Black Metal. A must release for the Italian Black Metal lovers who are into late Spite Extreme Wing."

The whole discography of this infamous horde from France finally available on LP.
18 tracks gathering the various demos, split & eps, and unreleased tracks initially intended to appear on a split LP.
Unholy, Liturgical and Raw as Fuck BLACK METAL.

Quote from label: The album is the most aggressive and ferocious Clandestine Blaze album to this day. Guitars return to early days' maximum-distortion dirt. Vocals include more force and tone than in the old times. Drums hammer with slightly faster pace, and song structures sometimes break free from traditional templates. Lyrically the work is harsh and hostile, yet with plenty of substance to be discovered.

with poster. Quote from UCR website : the last opus from Corpus Christii is a voyage through decay, misery and a savage claustrophobic disharmony of thoughts. A continuation of the previous album "Tormented Belief" but with an obvious change, much more variation and a dirtier sound feeling like if it was recorded in the early 90´s, a true classic. Not expected to be a turn point in the Black Metal scene but to be one more contribution to what lies true in the real Satanic Black Metal scene. Feel destroy and get destroyed....for HIM.

Wholesale is sold in increments of 5 black vinyl and 5 clear vinyl.
Clear vinyl only available for wholesalers.

(Description by C. Conrad)
Although the band is entirely French in its nationality and stylistically in its brand of black metal, Darvulia likely derives its name from the Hungarian witch, Anna Darvulia, a servant of the infamous Elizabeth Bathory who is said to have provided Bathory with guidance during the most prolific period of the countess’s notorious atrocities. It is an appropriately adopted moniker, given that the band’s musical output would serve as a fitting soundtrack to the mind of a depraved psychopath. Nuclear War Now’s admiration of Darvulia’s work extends back to the band’s second full-length album from 2005, entitled “L’Alliance des Venins,” which NWN! has credited as being a masterpiece of French black metal. Despite the fact that it has been somewhat overshadowed by the band’s sophomore effort, Darvulia’s third album, “Mysticisme Macabre,” follows the same recipe established by its predecessor five years prior to the latter album’s original CD release by Battlesk’rs Productions in 2010. Another six years later, “Mysticisme Macabre” now receives its first release on vinyl LP format, courtesy of a joint endeavor between Nuclear War Now! and Battlesk’rs Productions.
As with Darvulia’s previous album, “Mysticisme Macabre” is most effective in its entrancing, repetitive song structures. Individual songs tend to abruptly alternate between blisteringly-fast and hypnotically-languid tempos. In combination with the unsettling effect of these contrasting tempo shifts, the riffs further disorient the listener with their unyielding and cyclical progressions among atonal, tremolo-picked chords and dissonantly arpeggiated sequences of notes. Rather than attempt to impress its audience with an unending barrage of constantly changing intracacies, Darvulia instead chooses to leave its mark with the narcotic reduplication of this proven formula. In addition, the abrasively throaty vocals present throughout greatly contribute to the overall portentous nature of the music. Occasionally, as in “Le Rituel des Sept Serpents,” two separate vocal tracks recorded in alternate pitches and deliveries are asynchronously superimposed over each other to further magnify a song’s discomposing outcome. The synthesis of these elements results in an album that serves to confirm Darvulia’s inarguably significant residence in the canon of French black metal.

(Description by C. Conrad)
Although the band is entirely French in its nationality and stylistically in its brand of black metal, Darvulia likely derives its name from the Hungarian witch, Anna Darvulia, a servant of the infamous Elizabeth Bathory who is said to have provided Bathory with guidance during the most prolific period of the countess’s notorious atrocities. It is an appropriately adopted moniker, given that the band’s musical output would serve as a fitting soundtrack to the mind of a depraved psychopath. Nuclear War Now’s admiration of Darvulia’s work extends back to the band’s second full-length album from 2005, entitled “L’Alliance des Venins,” which NWN! has credited as being a masterpiece of French black metal. Despite the fact that it has been somewhat overshadowed by the band’s sophomore effort, Darvulia’s third album, “Mysticisme Macabre,” follows the same recipe established by its predecessor five years prior to the latter album’s original CD release by Battlesk’rs Productions in 2010. Another six years later, “Mysticisme Macabre” now receives its first release on vinyl LP format, courtesy of a joint endeavor between Nuclear War Now! and Battlesk’rs Productions.
As with Darvulia’s previous album, “Mysticisme Macabre” is most effective in its entrancing, repetitive song structures. Individual songs tend to abruptly alternate between blisteringly-fast and hypnotically-languid tempos. In combination with the unsettling effect of these contrasting tempo shifts, the riffs further disorient the listener with their unyielding and cyclical progressions among atonal, tremolo-picked chords and dissonantly arpeggiated sequences of notes. Rather than attempt to impress its audience with an unending barrage of constantly changing intracacies, Darvulia instead chooses to leave its mark with the narcotic reduplication of this proven formula. In addition, the abrasively throaty vocals present throughout greatly contribute to the overall portentous nature of the music. Occasionally, as in “Le Rituel des Sept Serpents,” two separate vocal tracks recorded in alternate pitches and deliveries are asynchronously superimposed over each other to further magnify a song’s discomposing outcome. The synthesis of these elements results in an album that serves to confirm Darvulia’s inarguably significant residence in the canon of French black metal.

Description by C. Conrad)
Although the band is entirely French in its nationality and stylistically in its brand of black metal, Darvulia likely derives its name from the Hungarian witch, Anna Darvulia, a servant of the infamous Elizabeth Bathory who is said to have provided Bathory with guidance during the most prolific period of the countess’s notorious atrocities. It is an appropriately adopted moniker, given that the band’s musical output would serve as a fitting soundtrack to the mind of a depraved psychopath. Nuclear War Now’s admiration of Darvulia’s work extends back to the band’s second full-length album from 2005, entitled “L’Alliance des Venins,” which NWN! has credited as being a masterpiece of French black metal. Despite the fact that it has been somewhat overshadowed by the band’s sophomore effort, Darvulia’s third album, “Mysticisme Macabre,” follows the same recipe established by its predecessor five years prior to the latter album’s original CD release by Battlesk’rs Productions in 2010. Another six years later, “Mysticisme Macabre” now receives its first release on vinyl LP format, courtesy of a joint endeavor between Nuclear War Now! and Battlesk’rs Productions.
As with Darvulia’s previous album, “Mysticisme Macabre” is most effective in its entrancing, repetitive song structures. Individual songs tend to abruptly alternate between blisteringly-fast and hypnotically-languid tempos. In combination with the unsettling effect of these contrasting tempo shifts, the riffs further disorient the listener with their unyielding and cyclical progressions among atonal, tremolo-picked chords and dissonantly arpeggiated sequences of notes. Rather than attempt to impress its audience with an unending barrage of constantly changing intracacies, Darvulia instead chooses to leave its mark with the narcotic reduplication of this proven formula. In addition, the abrasively throaty vocals present throughout greatly contribute to the overall portentous nature of the music. Occasionally, as in “Le Rituel des Sept Serpents,” two separate vocal tracks recorded in alternate pitches and deliveries are asynchronously superimposed over each other to further magnify a song’s discomposing outcome. The synthesis of these elements results in an album that serves to confirm Darvulia’s inarguably significant residence in the canon of French black metal.

Sektarism's part recorded and mastered in august 2013 at Drudenhaus studio by Xort.

Layout by MystiK Dementia.

Quote from J. Campbell:
Often overlooked, but never disappointing, DARVULIA has consistently produced some of the most unique Black Metal of the last decade. The band’s sparse catalog reflects its dedication to and the complexity of its work. The material on this new release is a departure from the band’s previous releases, however. Consisting of a single, 17-minute track of ritualistic and atmospheric improvisational music that defies simple categorization, Darvulia’s side of this split finds the band exploring more ritual and ambient territory. SEKTARISM, a band that also hails from France, provides a sprawling 20-minute track for the B-side of this release. Sektarism’s unique brand of bleak, ceremonial doom is an appropriate rejoinder to Darvulia’s morose presentation. While Darvulia’s side is sparse, Sektarism’s sound is full, oppressive, and pulverizing. It is persistent in its approach – repetitive, but not monotonous. As Sektarism’s track progresses, it breaks apart and disintegrates into noise laden bass drones that approach the minimalism that characterizes Darvulia’s side of the release. In this way, this split reflects a concerted approach by both bands to attain an atmospheric consistency will still retaining the unique stylistic flourishes of each band.

Quote from label: "French post-black metal act DECLINE OF THE I second album "Rebellion" features seven new tracks maintained in an imaginative post-black metal environment. The music is multifaceted and full of motion.
The album was recorded in Studio de Chine with Khatchik Hovikian (L’odeur du Tchaman), while Xort (Seth, Alcest, Vorkreist, Anorexia Nervosa) took care of the mastering. Layout and artwork were created by the French photographer and filmmaker David Fitt (Aosoth, Secrets of the Moon, Svart Crown). "Rebellion" includes guest appearance by Olivier from Eros Necrospique."

The Sinister Tarot A Musickal Working, Instruments Modern and Voice
LP with 12 page A5 booklet.

The sinister tarot is a variant of the “standard” tarot.
It is described fully in the Order of Nine Angles’ key guide
to practical Satanism, NAOS.
Each track is an interpretation in sound of a specific card
(from the major arcana only for the purposes of this "album").

The musick herein can seen as well as heard, being a
spontaneous manifestation expressed through the
magickal meditations of each element, associative and
dissociative, linear or otherwise.
The musick, like that of the individualized tarot cards of
the sinister deck, being self-divined, self-made, self-sourced
to a largely personal degree, still has immense relevance for others
as it further informs and enriches the egregore of the Septenary path
that is ONA.

With visualizations in sound of:
Col Cruachan, the hill of the wizard (1. The Magickian)
Forest tides (4. Lord of the Earth)
Inversely twisting oak gibbet (12. The Hanged Man)
The geryne of Satan (8. Change)
Sisters of the starry mere (10. Wyrd)
Ere the dancers depart (19. The Sun)
A Deverills man at the Bladud’s Head (20. The Aeon)
The glade of flowery broken skulls (3. Mistress of Earth)
Bestride a corpse with my face (14. Hel)
A curious long barrow view, one of many (0. The Fool)
Dawn’s flow (17.The Star)

Quote from label!the hordes of oceania rise up once more after 2 years of almost silence,stirring from the crypt and awakening a blackness from times long forgotten... Cruel , melancholic and hateful black metal in the vein of the old cults.