It was a mild summer evening. A cool breeze was bowling lightly through the Rhône valley. I gave up trying to write, showered, changed into light clothes and went out for a stroll. I needed cigarettes and so I climbed the small hill and then descended down towards the back end of town to catch the late night tobacconist.

It is a plain walk, though not unpleasant, culminating at Grange Blanche, the city's largest easternmost transport interchange. Due to the sheer volume of commuters passing through each day the upper station and its surroundings is a magnet for the neighbourhood’s drunks, beggars, miscreants and pick thieves. Coming into that main hub the change is manifest: raised voices, drunken growls, car horns blaring at the insane, the monotonous pleas of beggars, beer cans and wine bottles left under the seats of the tramway stop, human shit dehydrating and turning black in dark corners, piss streaming across the sidewalk, men wandering around holding their trousers up, going through bins, harvesting cigarette ends. In this place that can deliver anyone to any corner of the city, it's ironic just how many others have no place to go.

She was sat in the island in the middle of the road. She had legs only they were bent far back in the wrong direction at the knees and fixed there by some diabolical force of nature so as her back calves were facing the world. Her filthy toes were a tongue's length from her mouth; her face looking out over the soles of her inward twisted feet. To her left was a little straw egg basket containing a cardboard sign asking for money, and alongside that a few coins were scattered about as encouragement to the world. Her arms were also affected: one full length and crippled with the hand frozen in a contortion of fear, and the other, shrivelled away to just a small wing like thing. I was horrified and curious. There was something in the young beggar girl's deformity which repulsed me, and yet the freakiness of such a sight attracted me for the paragraph of literature I could exploit from it. Crossing the road I made my way to the tobacconist and then purposely took the same route back just so as I could pass her by once more.

I walked at a half pace. From behind I studied her form, her clothes, her hair. I could taste the grease, the dried skin and lice in it. Her backbone was surprisingly straight. I made my way past, crossed over the main road, then doubled back around the metro as if I'd gone to take the wrong entrance. From across the road I watched her, balanced on the axle of her arse. It made me cringe, imagining the angle of her lower pelvis bone crumbling away against the hard concrete ground. I crossed the road once more. She eyed me. She was a beggar exploiting her misfortune and was infinitely aware of everything moving on around her, every look of horror or sympathy, every hand going into every pocket and by movement alone knowing which hands would pull out a coin or two and which were going in just to rattle the cash and taunt her. On arriving at the island this time I decided to approach her. I asked if I could take her picture for 5 euros. She wasn't French and didn't understand. She looked at me lost, her eyes wide with fear and panic like I'd pulled chloroform around her mouth and nose. I mimicked taking a photo and then showed her five euros, holding it up like it would make sense of anything. She said something, some tragic noise that belonged to no language

He appeared out of nowhere like he'd been there all the time. A little man in a cheap white panama hat, thick skin the colour of tobacco spittle and hands covered in dark-blue self-inked tattoos. In very poor French he asked what I wanted with the girl.

"Photo," I said, once again mimicking a camera clicking, "five euros."

"No. No foto!" he said, waving his hands like it was completely out the question.

I didn't argue. We had attracted a small crowd of onlookers and I'd have felt like a right scoundrel taking a photo of a severely handicapped beggar girl. I already did feel like a scoundrel. I made to walk away when I heard: "Ten euros."

"Five" I said, stopping and turning back.

"No, not five, TEN!"

I shook my head.

Then he said: "Anglaizi? English?"

"Yes," I replied.

"Me, I live in Dublin for two years,” (holding up two fingers). "So you want foto of my daughter, yes?"

He said that with à bizarre look in his eyes, usually swapped only between males when referring to sex or illegal activity.

"No, it's OK. No photo. Forget it."

At that he lent in, a stub of a cigarettes in his mouth, the smoke curling up into my face. "You want fuck-fuck with my daughter? Foto too! 50 euros. Fuck-fuck clik-clik?" He gave a smile that revealed teeth as rotten as my own, though which repulsed me more. Sensing I was fixed to give a negative response, he said, "Look, she a good one, look", pulling on one of the invalids upturned calves as if to demonstrate how flexible she was. The calf didn't budge, just trembled like a short plank of wood but was otherwise locked in place. It was now apparent that the girl was also slightly mentally retarded. I wondered how many men had fucked her. I couldn't possible know the answer to that, but I did. I knew because I know this world. Too many was the answer. I made quick to get away from this circus, the beggar man's dark tanned and dirty tattooed hand clawing me back as he laughed and said "fuck-fuck clik-clik fuck-fuck clik-clik."

It was gone 9pm when I arrived at the Place Ambroise-Courtois in Monplaisir . The tables from the bars and bistros were still out in the square, occupied by couples and friends. The distant sky was streaked through with bubblegum clouds and a light jovial atmosphere was in the air. In the middle of the square groups of middle aged and old men were playing pétanque. I listened to the metal balls dent and crunch on the pink gravel. I smoked a cigarette and thought of nothing. It was a tranquil moment but on a nostalgic wind blew in a feeling of melancholy which seemed general to the evening and even more general to the smell of beer, coffee and perfume.

I had been aware of music playing from since I had arrived, but it was only now that I took proper notice of it. It was some kind of modern salsa-pop coming from the octagonal pavilion in the middle of the square. Wandering closer I saw couples dancing and an effeminate male instructor going to and from each couple and adjusting body parts, straightening backs, pushing male legs apart with his foot. I stopped and stood watching the evening dance lessons alongside a small crowd of other onlookers. I watched each couple, my eyes leaving one pair for another, observing their movements, their faces, the tenderness or coldness of their embraces. Then in a move that seemed choreographed for me, the couples parted like they were on revolving platforms, and in the opening, right in the middle of the pavilion, was revealed a haggard ragged man, dressed in cheap black, dancing alone though feigning clutching a partner in a classic closed position.

His eyes were gritted shut and a look of tortured pain was creased across his face. Where he'd lost his teeth his lower lip overhung like an ornate ledge. It was the face and movements of a chronic drunk. I watched the man dancing alone, watched him imagining away his loneliness, watched his hands sensually holding his imaginary partner, maybe all the women or men of his life. He wasn't dancing the salsa, but rather a waltz, living a classic romance, being the classic romancer in his drunken world.

It was while I stood fixed on the drunkard's loneliness that I first made out the laughter and the gasps. I wasn't the only one who had been drawn to this man; the better half of the square now watching him. With the laughter came fingers pointing, and following in turn, each table then moved around, the clientele of the bar straining to look his way as if it was an important part of life. Others in the square followed the fingers and eyes, all focused in with mocking at one man's public torment and distress. That's when the cheering, whistling and whoops of encouragement began. I didn't understand. I was still intent on the drunkard's face, the passion and sadness with which he waltzed with his memories. Then, under some strange spell of instinct, my eyes moved down, over the baggy black shirt tucked into trousers held closed by a thin belt, settling on the huge piss patch spread around the man's crotch and soaked down his left leg, urine still couling out his trouser leg as he danced alone in his own piss. And as the world laughed and pointed and whistled, I watched along with a volcano of sadness bubbling away inside of me, reminded of my mother in the school playground that day, or queuing up, jiggling with her legs crossed while buying cigarettes, or crashed out in social services, and I was hit by waves of brutal and tragic emotion, sobbing along to the salsa and the jeers of the world. A man wasted and alone, cradling himself in his own lonely dance. Me or him? Separated and defined by the flimsiest of events.

It was past ten when I passed the Notre-Dame homeless shelter on Rue Sébastien Gryphe. There was a lot of activity in the street, the city's down-and-outs making their way to the shelter before lockdown. One man was being carried like a wounded soldier by two mates either side, each one nearly out on his feet too. A battered woman stomped up past me, holding a can of beer, wobbling around as if walking on a pavement inflated with air, screaming obscenities at a man left behind at the gates of the shelter who was screaming back equally vulgar abuse. The street, now in the dark of evening, reeking of foulness, was full of bums, ex addicts and the mentally ill, all mooching slowly down, converging on the centre. The sidewalk and doorways were littered with the physical history of those who had almost made it but whose bodies had given out at the last. I poked my head in the entrance of the shelter glancing a quick look around for anyone I knew, anyone I'd scored methadone from in the past. From the dark of the grounds I saw someone's raised hand. At first I wasn't at all sure it was for me, but then I heard my name. I peered in more closely but couldn't make out the face in the darkness. The man rose and came across. He seemed happy to see me. Pulling out from his embrace I weaved to escape the current of bad odour he gave out. He smelled of rottenness and sperm, like my bed one winter in London. Standing back I looked at him in the tattered leather jacket he was swamped in, the grubby off-white t-shirt underneath, ripped and soiled by god-knows-what. The face was familiarish, but unplaceable.

"You won't get in tonight," he said, "I was down at 7pm to be sure of a bed."

"I'm not here for a room.. Just passing."

I looked at him trying desperately to recall his name, if he was a user or not. He didn't look like a user but I knew no-one outside of that. That's when I spotted his shoes, large loafish trainers encased in thick mud, the mud caked over his trouser bottoms too.

"you don't remember me, do you?" He asked.

"The face I do... but I'm not sure from where."

"Olivier!" he cried, "It's me from the Town Hall!"

And then I remembered and was shocked at the drastic change which had came over him. It was the same Olivier I had worked with for the City of Lyon, the same Olivier who had studied the Sexual History of Prostitution, who had a degree in Belle Lettres (which is literature), who had all his hair and sanity two years ago and now stood before me with not much left of either. He seemed hyper, but it wasn't drugs. His eyes flitted about, looking over his shoulder back towards something in the darkness. Then he looked at me and gave a weak, watery smile. He gave the impression that if I hugged him he'd break down immediately and sob until he died. I didn't hug him. That wasn't my job. I thought of whose job it was and wondered why they hadn't done something which was so evidently needed.

"And work??? Are you working?" I asked, knowing he wasn't, couldn't possibly be.

He shook his head, then turned around to look into the dark grounds of the shelter again.

"I must go, Olivier," I said.

He turned back with a worried, confused look on his face, like he didn't understand. I held my hand out and he shook it, all the while looking at me like I was to say something, clear some matter up. But I had nothing to say, nothing to clear up. Suddenly his eyes took on a lost look, like he didn't know me, and without a word he turned around and was going, trudging off into the dark of the grounds, in his mud caked shoes, just an odious smell left in receipt of his presence.

By the time I made my way back to the metro station the city had mostly cleared out and was sunk in the full beauty and tragedy of night. The hordes of Romanians who congregate on the pavement outside the supermarket to sell their salvaged wares were all gone, just a few sex workers remaining, their pimps or fathers sitting on the low wall of the tram stop drinking beer and whispering "Monsieur? Monsieur?" to each passing male. Down along the row of kebab shops young Mahgrebian boys raised their eyebrows as I passed. Not responding, and walking slowly by, one left his little group, hastened to catch me up, and on doing so, slowed to my pace, and out the side of his mouth said: Hashish? Goood, gooood hashish, monsieur? When I took no notice of him he kissed his teeth, said something derogatory about America, and rejoining his little possé, shouted: "muvva fukka, bitch!" I smiled to myself and walked on, glad the world was so cowardly and cruel.

In the metro I stood along the platform, staring into the vending machine without the slightest intention of buying anything. The driverless D metro arrived. I wanted to go home, was so tired for home, but my home was far from here and one euro seventy would not get me there. Stepping inside the carriage I was hit by the smell of alcohol and vomit and could sense a tension of violence in the air. It came from a young male at the far end of the carriage to my right. I watched him furtively. Early thirties; trim and lean; hunched over in his seat, spitting out the sodden husks of sunflower seeds. With the sudden torrid heat of the night, and the alcohol in him, he was sweating profusely and his face looked like it had been treated with anti- flame gel. Every now and again he would intentionally burp, letting out a new stench of bilious alcohol fumes, before glaring across my way. Something in him disgusted me. It was as if he had forced me inside his guts, a violation, the opening gambit of his domination over others. I avoided looking blatantly across. The métro pulled into its second stop. The man rose, ignored the doors closest to him, and made his way down the aisle between the seats, passing along the hand rails, swinging with the movements of the train, to exit via the doors opposite me. Letting go of the last handrail, he stood there drunkenly staring at me, swaying forward, a sunflower husk stuck on his bottom lip.

"Pardon, Monsieur!" he growled, meaning that I was in his way. I wasn't. He could not have had any more room had I not been there. Still, I stepped a step back. As he exited he spat a last gob of damp husks out his mouth and then burped.

In the last weeks I'd had my dealer rob me three times, a so-called friend do sleight-of-hand magic with bags of gear, seen one too many people corrupted by smack habits blaming their behaviour on mental illness and unresolved emotional trauma, had people revising history so as to look the victim in it. I had smiled but the insults and corruption in people were becoming stale.

Angry. Upset. Alone. Wounded. Bitter. I watched the metro map despondently as if it held some answers. The stations came into view. Doors shuddered open. Orange lights beeped triple. The doors closed. And it went on. Standing looking out the frontal lobe of the driverless train I watched the track ahead. In the distance I could see the next station as a point of light in the dark: Grange Blanche.

There comes a time when we must all descend into the dark heart of life and unite with and become the enemy, take our frustrations out on the weak and become as ugly in our dominance as we feel under submission. I thought of the disabled deformed beggar girl, wondering if she was still there, if the offer was still open. I imagined her stripped to the skin, towering over her, angry and frothing at the mouth, speaking only with the force of my hands, her crippled legs forced wide apart, to have her be reviled by herself through the sheer greed and repulsion with which I fucked her with. I thought of stooping lower than any other man, eating her pussy and gagging on the filth of Europe's immigration problem.

50 euros! Not even a meal in a half-decent restaurant.

50 euros! Half a pair of half-decent shoes.

50 euros! To possess someone entirely, to fuck and buck away with only my own orgasm to worry about.

I imagined her fear, her lack of desire, the pain that sex would cause her, the perverse light in which she'd view western sexual practices - ungodly acts which even at the height of her understanding she'd never be able to make sense of. I imagined fucking her with the hatred and sadness of an entire life, reimbursing myself of all the money I'd had robbed, really getting down to work, getting my full fifty euros worth out of her, mirroring all the horrors of our world in one brutal selfish barebacked violent fuck, a complete detox of all the rottenness of life.

I stood imagining that, wanting to abuse someone or something for all that I had seen and lived and become, somehow show in real criminal terms the hideous effect that this world does have upon us. I watched the open doors, disputing if I should alight or not. Beep beep Beep... And my chance was gone.

With no movement in the air the summer night was humid and sticky. I stared at my ghostly reflection in the dark window of the metro. I looked ravaged, life-worn. I thought of the father pimping out his handicap daughter, of thé drunk dancing alone and pissing himself, of the hordes of social shrapnel inching their wounded bodies and minds down to the homeless shelter, of the whores outside MacDonald's sucking on straws and swallowing milkshake, of the violence consuming so many people and the bitterness and corruption which reigns. In the vile regurgitated odour of red wine and vomit, in a deserted carriage of the late night metro, I stood alone and thought of all these things.

I was almost home. I had almost made it. I stepped off the tube and made towards the exit. So Dog We Were; so dog we are; So dog I am. Fuck Fuck Clic Clic Beep beep beep, at the end of another beautiful, and foul, smelling night.

In Love's Down Tango I found myself in a twirl. I wasn't sure what was real or what was not. The city became a place of instant memories and nostalgia. Thoughts of what had passed only five minutes ago seemed idyllic and golden. In the freshness of those summer mornings I'd rise and feel joyous and alive. I'd smell my own skin because it reminded me of her, shower in cold water and sit at the window as the great heat made its way in. I prickled with existence, like I was a part of everything. The floral scents of parks and gardens that blew in on the early breeze cleansed me of something that soap couldn't touch. I collapsed back on life and let it carry me away. Suddenly the cool, damp shade under pine trees, us alone, in huge lost parks, seemed like perfection... like nothing else could ever get better than that. In that time, every past pain and sorrow became a thing of celebration: a journey to salvation – to the very moment: staring across at someone so outrageously beautiful and have her stare back with eyes just as intense and needing as mine. In those eyes I could have sank and died and not have cared a damn. Sometimes I just laid back and let happy tears leak out, thinking of meadows and sunshine and water and sky, and all things free and wild.

In Love's down tango I'd steal secret glimpses of her reflection. On subway trains, in blacked out windows, my gaze fixed on her neck. That's when she'd drift, as if having mental orgasms, sensing my eyes on the tender of her prey. As we rocketed through tunnels I felt hollow, like I had no stomach at all. In less than two weeks in a dirty bed, a lifetime of hurt and pain had been fucked, cried and kissed away. What had only yesterday been a bleak world on the unlucky side of death, was now bursting with hope and promise. The entire place had been transformed. The factories billowing smoke over in the distance now inspired me, so too the river. The flats, which had towered up around the back all these years, no longer held dark connotations. Even the old disused power station took on a a kind of historic and abandoned beauty. Some days we'd walk under its shadow and talk of industry and poverty and love and death. All things were to be celebrated. All things had led to her.

In Love's down tango I got swept away. Strange currents pulled at me and dragged me off. I became romantic to the point of gibberishness. I wandered the city, down tree-lined avenues of shade by the river, my head drunk on what was behind, all around and up ahead. I tore off leaves and rubbed them into my hands, sucked in the fragrant air like it was something healthy. The sounds of life and nature would bring me out in tears of joy. Poetry flowed out of me: sentimental nonsense trying desperately to express what I felt. I became humane. I fell in love with scabby mongrel dogs. I started saying things I didn't mean, and other things I meant so much. One warm evening, with the dusk sitting on the horizon and the last echoes of day ringing out, I told her: “This city is of You now.” The moment was intense. We both felt it, a darkening overhead, as we stared at each other in terror.

In Love's down tango I became a fool. I'd jump up on seats in packed public transport and declare how much I loved her. Other men cringed for me... seeing themselves in my madness. I felt no shame; only pride. I'd walk around town kissing and blessing the homeless. I'd gatecrash counselling sessions and tell the depressed that there was hope. I'd touch blind people on the forehead and tell them: “now you can see!” No one had to be poor if they could feel like this. I bought a writing desk and planned books and novels, films and radio plays. At work I sought out promotions. I Brushed my teeth twice a day and showered before and after sex. Then, one late morning, I washed my hair with washing-up liquid and dried it with a towel from off the floor. She called me a “disgusting dog!” and said that she was leaving. Sitting on the edge of the bed she re-did her scarlet lipstick, clicked her little mirror case shut, put on her blacked out sunglasses and warned me not to come looking for her or phone. She said she'd contact me when she was ready. I tried pleading with her, blocking her path. I smashed my head and fists off the door, screaming: “No! I'm sorry!” Then, facing her, I slid down the door until I was sitting flopped out on the floor. She remained on the bed, her legs crossed, clutching her handbag and turned the other way looking out the window. I shuffled aside and said: “So go then if you're going.” I reached out for the culprit towel and draped it over my head so I couldn't see. I heard her rise, heard her footsteps, heard the rattle of the door handle. In a desperate last attempt to stop her leaving I threw myself out and gripped a hold of her ankle, curling my entire body around her shoe. “Don't leave!” I begged. “Please don't go!” She just stopped and stood there, as calm as anything, staring forward and saying nothing. After a moment I saw what a tremendous fool I was being and let go. She lifted her leg and stepped free like I was a monstrous piece of dog shit. That was the first bust up. I lay in its aftermath shaking and sobbing and having panic attacks. My mind and body doing strange things.

In Love's down tango I lost all notion of self-respect. Saving face seemed futile, and anyway, I was glad to break down because of her. It seemed to validate something. After each new bust-up I'd show up at old friends at crazy hours, frantic, dishevelled and without socks. From the public phone box at the top of her street I'd call my Mum in tears, begging for help and asking her to send a taxi to come and collect me. I lost control of my actions. Weird impulses would have me obsessively redialling her number, sometimes for hours, until she'd finally take it off the hook or smash it against the wall. I'd pay kids a quid a time to knock on her door and deliver love-letters and flowers. One time the kid returned with a bunch of stems where she'd gone crazy and ripped all the heads off. She'd told him to give them back to me. “I think she's mad with you!” he said.
“Did she pay you?” I asked. He shook his head. I gave him another pound coin, took the stems and dumped them over her garden wall. Once I sat on the bench across from her house for three days until she finally came out and took me home. People became embarrassed watching me; my family ashamed to see tears in my eyes again, tears that I hadn't even cried through a childhood of appalling emotional squalor. But this was different: it was my tragedy proper. I had fully invested in this one and was not just a kid hanging onto his mothers skirt and being dragged along to the next fiasco. I was struggling with new feelings and strains inside my body. Things that didn't physically hurt but seemed to penetrate right to the core of my existence. I felt insane, sane, happy, sad, lost, found and dangerous. I was a man capable of marching off to war. I cared so much and I cared so little... both extremes at once, leaving me confused, unstable of mind and scared of myself.

In Love's down tango the nights crackled and fizzed and deep songs drifted out the stereo. The room seemed like a square floating lost through space. It was just us now – astray in a universe of black where things carry on forever but get further away. The only light we had was two little red and green LEDs on the stereo. From the bed we'd stare at them. They became a point of sadness absolute, both of us sobbing away in the dark as it dawned on us just how useless it was and that no-one was really going to be saved. As the last song drifted off to nowhere and left a throbbing silence in its wake we'd hold each other tight, stare into each others eyes, and wait for Armageddon.

In Love's down tango day was always night. Some kind of uninvited darkness now joined us in the room, its hanging presence causing silences and long, forlorn thoughts that were no good. We were a tragedy unravelling, a train heading for the buffers, and everyone was wondering what kind of impact we'd make. I started cutting love letters into my body, and she split herself up between multiple personalities – each as crazy as the next. Some nights she'd turn her head and when she turned back she was someone else: her eyes wide and glaring, covering up in shame and itching and shrieking like I had stripped and violated her. She'd run out the house, 3am, waking the street in just her knickers and vest, tugging at her hair as she collapsed to the floor, screaming: “I know what it is! I know what you are!” From the upstairs window I'd curse her, call her crazy, chuck her heels at her, tell her to “fuck off”, then I'd follow for four miles, trying to cover her with a blanket, saying “Sorry” and lying about other things as well. One night we ended in a park, alcoholics and bums cigarette glows and coughs on the distant benches. Under the same fig tree I had once found a dead cat hanging we cuddled up and went to sleep.

In Love's down tango I was a dangerous man. I lost myself in films and books on crimes of passion and sat staring at my hands and wondering just what they could do. I discovered much about myself in those desperate times, and as the forces of love and hurt and jealousy and obsession converged I realized absolutely that one day the cure I had found to my past ills would be the same force that would blow my future apart. We started talking of death pacts, of going down together, dressing up for marriage and walking ourselves out to sea. Nights descended into pits of depraved perversity, the both of us making insane pledges and promises, and gripping on so tight so as madness didn't drag us off completely. Sometimes it seemed like another morning would never arrive. And then, just in time, her face would show a little more clearly and her body would come out the dark and be shivering slightly in the thin early morning light. Somehow the early bird calls, with industry waking up over the rooftops, heralded yet another depression – something not ours, rather a general gloom that for a while we had escaped. We started putting blankets up against the windows. We slept through the mid summer days, the heat trapped in the dark of the room, a fan whirring but only circling hot air. We'd both writhe and sweat through separate nightmares, straining and reaching out for release. The descent was on. We closed our eyes and let it swallow us up.

Oh, the world was so delicate then. I was almost scared to walk for fear of going right through the ground. I clamped up and stuck, not wanting to twist and risk losing what I had. I sat through dark quiet nights watching intently, looking for early signs of the apocalypse. One night, out the silence, I told her she would destroy me. Her crazy eyes lit up and widened. She gripped me by the hair, pushed her face right up to mine and stared a universe deep into my soul. “You'll destroy me too,” she said, through streams of tears, “I think I want to die.” On the first morning of autumn I woke up and she was gone. At first I panicked, then I surrendered, then I smoked two cigarettes, and then slept for thirty six hours straight.

In Love's down tango she shaved off all her hair. I opened the door and stood staring at her in shocked disbelief, her eyes crazy as moons, tears welling up as she smiled and said “I'm back!” Later that night she became a familiar looking stranger and said she felt like a prisoner. She asked: “Are you sure you love me so much that you want me to be here even if I don't want to be?” I meant to say “no” but instead I said “yes.” Then I said: “I saw Grace yesterday. She was sat in the park, under the old school shed, drinking and reading the old graffiti and looking out with such sadness.”
“Did you fuck her?” she screamed.
“Of course not. Would you be able to fuck with a broken heart?”
“That's when I fuck the best!” she said.
“Then I suppose that goes to show how different we are.”
“If you ever fuck anyone else, EVER, I'll kill you!”
“You're crazier than me,” I told her. Then I said: “It's all very sad, now.”
Without saying a word she rose, left the room, and went downstairs. When she returned she was holding a large kitchen knife. She laid it calmly down on the bedside cabinet then stepped out of her dress, and naked, climbed into bed.

I stared at that knife for three days. It sat alongside her cigarettes and lighter and ear-rings, and made me think of terrible things: of having to grab it first before her. Then she said: “I want you to cut me. While we make love I want you to cut my breasts. I want to bleed in this fucking bed!”

And so we fucked. So hard we almost became one. As I thrust she cried and looked at me with such intensity I thought I was a Devil or a God. She dug her nails into my back and clawed out trenches of flesh: slithers of my skin under her fingernails.
“The knife...” she whispered, “take the knife!” Laying beneath her I stretched out and took the knife. I ran the tip of the blade down between her breasts. She closed her eyes and lent back, her arms splayed like she was about to be crucified. I stared at her, the tips of her milky front teeth behind her partly open mouth; her head tilted back and at an angle; her neck stuck out and taut in total trust. I thought of the knife, of pulling it straight across her breasts, of how ill it would make me if gaping wounds opened up and I saw the knotty flesh before the blood. She opened her eyes and looked at me all dreamy, her head swimming in a sea of eroticism. In that instant I chucked the knife down and told her I couldn't do it, that I didn't want to hurt her like that. She groaned and deflated in anti-climax, like I had finally delivered her the greatest disappointment imaginable. Then she collapsed down close, crazy passionate again. She bit hard into my neck, released, then hissed a vicious death threat into my ear. She said she wanted me to talk to her, call her all the whores under the sun... tell her of men, strangers, who'd rape her and force her to do hideous things in front of me or her parents. As I told her all she asked she squirmed and shivered and shuddered about on top of me, having orgasms that looked more like an exorcism. During the most intense pleasure I ever gave, I wasn't even hard. When she was finished I rolled out from underneath her, terrified at what I had just seen. Later that same night she started up with real life horror stories, telling me about her and friends picking up men, following strangers on the metro, sucking them off in doorways and elevators... of being gang-banged in stairwells. When I begged “STOP!” she said I was wanting to revise her history, put her in chains and deny her her liberty and womanhood. She said she needed to tell me these things. That she wasn't the pure angel which I had created of her in my head. September became an ill month, each day infected by some repulsive history that she needed to get out. Vile things would now come randomly from her mouth. One day, on the number 14 bus, as we were curled up together looking out at the passing shops, she told me that it was in just that very same position that she was first fucked in the arse by her best friend's husband. I removed my arms from around her and watched the world alone. From that point on we took to dressing in black jumpers and dark shades and moping around town like two figures of doom.

In love's down tango I stopped sleeping and stayed awake reading tragic poetry from people who had chucked themselves off bridges. I longed for those innocent days when she'd stood outside the train station, in a light red dress, the summer exuding directly from her. Now I sat there through the nights, watching her as she slept, seeing hideous shapes manifest in her body... her beauty now looking like a deformity. There were times when she'd open her eyes, still drunk on sleep, and for a moment, deprived of memory, she appeared beautiful again. She'd give a shy, dreamy smile, and then the data of her life would re-load and she'd look crazed and lost and sorrowful once more. When I slept, her body felt like a huge black negative presence besides me. The smell of her sticky summer skin and cropped unwashed hair infiltrated and plagued my dreams. I'd dream of the river and turbulent waters, and that furious space either side of the bridge supports where the water divides and rushes around and sucks and pulls down. I'd groan and fight off dream demons, her pushing me away, hitting and elbowing. “Fucking stop it!” she'd hiss. Our pains and torments were no longer endearing, but a burden. That insane obsession and fervour that we had promised to save each other with was now the same force turned inside out and set against us. She kept asking if I loved her, and I did, and I said “Yes!” During the last two months we tried to recreate the first, but the music didn't work no more, nor the candles, nor the inspired verse that love had once forced out by pure overload of emotions.

In Love's down tango I became ugly. Gaunt. Ill. Depressed. A stranger to myself. Inside I was even worse. Our love had turned rotten and unhealthy, but it was still love and it was still better than anything I'd known before. Just having someone I wanted seemed to fulfil a great need in me. When she wasn't with me I'd start imaging what she was doing - who she was doing it with. I'd ring and kill the phone or just hang there silent. She knew it was me but couldn't prove a damn thing. I knew it was crazy but couldn't stop myself: love is a mental illness. In the evenings I started going down to the river, alone, staring over and off the bridge into the big black swirling eddies, or walking around town and picking out the tallest buildings which I could throw myself off. I was miserable in my own skin, and we hadn't even crashed out yet. Now when we'd meet I'd sit around hung with gloom, somehow hoping that my distress would re-ignite something in her: even pity. But forces inside myself were working against each other. While one tiptoed around this house of ice the other took to it with a hammer. My mouth would just say things, and as soon as it had I was apologizing. I started asking questions, getting suspicious of her absences, interrogating her after she'd passed an evening out, accusing her of everything she was capable of and suspecting her of being capable of so much more. Then, in a sudden burst of toughness, I'd throw her out and tell her never to come back again, that she was “history!”. A few hours later I'd be at her door, standing in the garden in the rain, screaming that I couldn't live without her. I started hinting at suicide, calling her up and saying “Goodbye” then, not taken at all seriously, blackmailing her outright with it. Those old tricks that I despised so much in my mother, that I'd promised I'd never repeat, I was now employing for the same ends. The few nights we did manage to spend together from then on were maybe the saddest memories of both our lives, lost somewhere between insanity, hatred, bitterness and base animal sex.

Just before the real cold British weather set in, before the trees were completely bare, before the last of the birds had migrated, before one of us was ticked off and zipped up, love was finally driven off the cliff: she left for foreign soils and booked herself into psycho-therapy. The only contact I had was for her father and he refused to speak to me. On Christmas day of that year, on my pleading, my sister made an international call, and through tears, gave news that the body of a young man had been dredged up from the river and it was almost certainly me. She still never phoned. And all her father said was: “pass on our condolences to your mother.”

In Love's down tango the city smelled of Her. Walking around alone, in the winter of that year, I was tortured and mocked by memories. In specific places I saw our ghosts; heard echoes of time: us laughing, little things we had said, desperate promises we had made. In bars I saw us sitting in the corner, alone, secretive, withdrawn from the world outside. There wasn't an inch of city anywhere which offered any respite. For a brief moment I'd lived joy under London's sky and going back to the rot of yesterday was now punition too much. I became a prisoner of my city... of my memories. My own existence goaded and tortured me; I reminded myself of so much. In Love's down tango I went on a pilgrimage of pain. I retraced my journey so far, crying and making no sound. Sadness and despair just poured out of me. People looked on me like I was a freak... like I'd just staggered away from a bomb blast, unaware that half my head was missing. Mothers would shield their kids eyes as I passed, hold them in tight and block out my vision. There is something about real grief and hurt in a man which terrifies people. It terrified me too. In Love's down tango, in that fleeting, mystic twirl, I opened my eyes and for a moment I saw it all.

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