Jones was intended to be the sole artist on the Grant Morrison DC event series Final Crisis. However, due to delays, Jones was assisted by artists Carlos Pacheco, Marco Rudy, and Doug Mahnke for issues #4–6,[6] and replaced for issue #7 by Mahnke. Jones noted that "Any problems completing the series are my own. I love Doug Mahnke’s art, and he would have probably been a better choice to draw this series in the first place."[7]

^Renaud, Jeffrey (January 27, 2011). "J.G. Jones: Man of Bronze". Comic Book Resources. Archived from the original on November 8, 2013. Retrieved December 8, 2013. One of those creators, J.G. Jones, is about to fulfill a fantasy he's held since he was a young boy growing up in Walker, Louisiana.

^Manning, Matthew K.; Gilbert, Laura, ed. (2008). "1990s". Marvel Chronicle A Year by Year History. Dorling Kindersley. p. 294. ISBN978-0756641238. Devin Grayson...made the switch to Marvel in order to orchestrate the first Black Widow miniseries alongside artist J. G. Jones. This new three-issue series pitted Yelena Belova...against Natasha Romanov, the defender and originator of the Black Widow name.

^Cowsill "2000s" in Dolan, p. 334: "The main series, with art by J. G. Jones (joined on later issues by Carlos Pacheco and Doug Mahnke), had a visually dramatic conclusion as an army of pan-dimensional Supermen teamed up to save the world from the effects of Darkseid's Anti-Life Equation."