Friday, March 24, 2017

Triboluminescence (2017), by Andy Summers

CD Fan ReviewSummers got his groove back.For
the longest time, I had held out hope that Andy Summers would create
another album similar in vein to his first two solo instrumental efforts,
Mysterious Barricades (1988) and The Golden Wire (1989),which feature his compositions and guitar playing at their most transcendental and
sublime. Triboluminescence rekindles the spirit of those original records, but on a whole other level, and the result is absolutely delightful.

Expounding
upon his explorations of self-sufficient sonic possibilities begun
with the 2015 industrial tech whack offering Metal Dog, Summers
exceeds that accomplishment, using his guitars and other instruments
(and cheating slightly with the collusion of cellist Artyom Manukyan
on one track) to create alien and otherworldly sounds that transport
you into a wondrous dimension of exhilarating sensory perception.Standout tunes include the haunting “If Anything,” “Elephant Bird” (classic Andy Summers), "Gigantopithecus" (psychedelic reggae rock), “Ricochet” (bluesy funk), the eerie and enigmatic "Sam and Janet" (with a special cameo by "Metal Dog" from the album of the same name), and “Help from Jupiter” (spacey shades of Barricades and Bewitched). (The latter three tracks are digital/vinyl exclusives.)

Summers
described his personal musical direction in the late 1980s and early
1990s as “new fusion.” He calls his unique stylings on
Triboluminescence “new exotic.” I myself like to think of
it as “new mysterious.”

Without
a doubt, Triboluminescence certainly ranks as one of Andy
Summers’ best albums (it's my personal favorite), right up there with his Private Music
catalog, as well as Synaesthesia and Earth + Sky. It is
also solid and demonstrable proof that at age 74, Andy Summers is
still very much in his prime – and still very much in the top tier
of guitar masters.