Though he was not considered by intellectuals to be a “true” philosopher, which bothered him deeply, Žižek was regarded by his following as a forward thinker and a master in his field.

He gained notoriety as a Communist editorial writer during the liberalization of former Yugoslavia under Tito – where his drug habit began – and later played himself in screenplays “The Pervert’s Guide to Cinema” and “The Pervert’s Guide to Ideology.”

Žižek was found alone in his Ljubljana flat where he was confirmed dead. Paramedics on the scene told reporters he appeared to be coated in a fine dust, “presumably cocaine,” one witness said.

Sources close to Žižek who asked that their names be withheld said he had grown cold and distant.

The source said Žižek exhibited many telltale signs of drug abuse during public appearances at universities and forums. Eccentric mannerisms – his wild, swinging hands, half-hour tangents and long, unending chains of run-on clauses – are just a few examples, while publicists and MCs blamed his constantly running nose on “allergies” to spare him any indignity.

“Talking to Slavoj was like talking to someone through six inches of bulletproof glass,” the source told chronicle.su. “He said he understood our concerns, but his lost, vacant eyes told another story.”

Žižek’s editors complained his writing had become scattered and disjointed. McGraw-Hill told the Internet Chronicle that Žižek often repeated himself throughout his copy, and that editors sometimes used the Microsoft Windows command ‘ctrl+f’ to highlight and revise countless instances of repetition. In a single draft, Žižek was rumored to have used the word “Hegelian” more than 2,000 times.

Royalties from Žižek’s various works are expected to go to Jela Krečič, his wife. The family has asked the media to respect their privacy in this difficult and uncertain time.