“The reality of this marketplace is that true professional writers aren’t being recognized.”

Dan Cafaro, publisher of Atticus Books and the Atticus Review, joins the show to talk about indy publishing, building a writers’ community, taking on the diversity challenge, making the transition from sportswriter to bookseller to book-blogger to publisher, the importance of a supportive spouse, the trick of balancing print and digital (and publishing and a day job), making the investment in a book designer, and more! Give it a listen, and go check out the great catalog of Atticus Books!

“It can be easier to get a good review than to understand how it may translate into sales.”

BONUS: You get to hear me lament about my days as a small press publisher (1998-2004), while Dan & I try to figure out how to market books effectively in This Distracted Age. We also reminisce about a long-gone bookstore in Hackensack, NJ, and make somewhat oblique sports references. We recorded this show at Short Stories Community Book Hub, in Madison, NJ (photo below). It’s a wonderful space, and a neat bookstore, so go visit if you’re in the area!

“Building a writers community is my dream.”

Also, if you want to find out who Dan is reading nowadays (non-Atticus titles) and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Dan is reading and why.

Dan Cafaro is the founder and publisher of award-winning independent press Atticus Books and the Atticus Review, a weekly digital literary magazine. Dan founded Atticus in 2010 after working as a sportswriter, bookseller, editor, and publications manager. He is currently at work on his first novel, The Next Activist, and swears that it has all the makings of a really great reality TV show.

“As a translator, your initial feeling is, ‘I want to inhabit this text.’ There’s a primary identification, a mirror effect, where you see your own creative possibilities reflected there, and want to realize them through this text.”

The 7th annual Festival Neue Literatur is Feb. 25-28, 2016 in New York, and this podcast is a Media Partner, so let’s talk to the event’s curator! Translator and Guggenheim fellow Ross Benjamin joins the show to talk about putting together “Seriously Funny,” this year’s FNL theme, and coordinating the 6 German language authors and 2 Americans who will be the featured guests. We talk about humor, German stereotypes, and the difference between reading a language and being able to speak it. Along the way, we get into the styles that different translators have, the challenges and joys of translating Kafka’s diaries, the pros and cons of translating living authors and dead ones, and the angst of trying to give meaning to a single word. Give it a listen, and get over to Festival Neue Literatur from February 25-28, 2016 in New York!

“In the early diaries, you can feel Kafka groping for a voice and a style.”

We also get into Ross’ history as a translator, what he’s learned about his mother tongue in the process, what other language he’d love to learn, the deep responsibility that comes from bringing a text into English, and more! Go listen!

“Most authors don’t mind answering ceaseless questions about their own work. It’s not just ego or vanity, I think it’s fascinating for them because authors don’t necessarily think consciously about all these aspects of their work.”

Also, if you want to find out who Ross is reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of February, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Ross is reading and why.

Ross Benjamin is a translator of German-language literature and a writer living in Nyack, NY. His translations include Friedrich Hölderlin’s Hyperion, Kevin Vennemann’s Close to Jedenew, Joseph Roth’s Job, and Clemens J. Setz’s Indigo. He is currently at work on a translation of Franz Kafka’s complete Diaries, to be published by Liveright/Norton. He is a 2015 Guggenheim Fellow. He was awarded the 2010 Helen and Kurt Wolff Translator’s Prize for his rendering of Michael Maar’s Speak, Nabokov, a 2012 National Endowment for the Arts Literature Fellowship to translate Clemens J. Setz’s The Frequencies, and a commendation from the judges of the 2012 Schlegel-Tieck Prize for his translation of Thomas Pletzinger’s Funeral for a Dog. His literary criticism has appeared in The Times Literary Supplement, Bookforum, The Nation, and other publications. He was a 2003–2004 Fulbright Scholar in Berlin and is a graduate of Vassar College.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in a conference room in Nyack, NY on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Benjamin by me.

“For a Bavarian village, reunification didn’t mean anything. You didn’t notice any change. Even if I visited today, it wouldn’t feel that different from 30 years ago. Probably not that different than 30 years before that, except for the farm machines.”

It’s our first podcast as a Media Partner for the 7th annual Festival Neue Literatur (held Feb. 25-28, 2016 in New York)! German author Christopher Kloeble joins the show to talk about his first US publication, Almost Everything Very Fast (Graywolf Press)! We discuss the perils of translation, German sense of humor (the theme of FNL ’16 is “Seriously Funny”), becoming a Person of Indian Origin, the peculiarities of Bavarian pride, and transcending the limits of empathy in prose. Give it a listen!

“This may sound terrible, but being a German writer and looking into the past can be exciting.”

We also talk about the day his father inadvertently turned him into a writer, how he and his wife manage a two-writer household, how spending half the year in India helps him get perspective on Germany, what he learned from writing screenplays, the process of selecting a translator, his family’s experiences in the American Zone of postwar Germany, and more! Go listen, and then see Christopher at Festival Neue Literatur in NYC at the end of February 2016!

“An old encyclopedia from the 19th century said that Bavarians are a dwarfish, backstabbing tribe that lives in the mountains. I joked about that during a TV interview once, but there was total silence.”

Also, if you want to find out who Christopher’s reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of February, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Christopher’s reading lately and why.

Novelist, playwright, and scriptwriter Christopher Kloeble was born in Munich, and studied in Dublin, at the German Creative Writing Program Leipzig and at the University for Film and Television in Munich. He has written for the Süddeutsche Zeitung, Die Zeit and tageszeitung. His plays U-Turn and Memory have been staged at major theatres in Vienna, Munich, Heidelberg and Nuremberg. His first novel, Amongst Loners, won the Juergen Ponto-Stiftung prize for best debut 2008; his second book, A Knock at the Door, was published in 2009. The third, Almost Everything Very Fast, appeared in March 2012 and was recently published in the US. His first film script, Inclusion, was produced in 2011 and nominated for the Prix Europa 2012 for Best Movie Script. He lives in Berlin and Delhi.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a home in Harlem on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Kloebler by Valerie Schmidt.

Poet Rachel Hadas returns to the show to talk about her new books, Talking To The Dead (Spuyten Duyvil Press), and Questions in the Vestibule (Northwestern University Press). It’s been two years since we last talked (over here), so I had plenty of questions for her. How did she rebuild her life after losing her husband to early onset dementia? Why is translation like Sudoku for her? How did she wind up pals with James Merrill (and what’s her take on his Ouija poems)? What do we lose and gain in the act of translation? And how did she become a love poet after spending her career writing elegies? Listen in to find out!

“It’s like Forster said, there’s a sense that the great poets are sitting at a table, synchronically all writing at the same time.”

“I’m at a point in my career where I feel fortunate to be able to publish what I’m writing.”

Also, if you want to find out who she’s reading nowadays and get a list of the books we talked about, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of February, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who Rachel’s reading lately and why.

Rachel Hadas’s book of selected prose pieces, Talking To The Dead, was published by Spuyten Duyvil Press in 2015. Her new book of poems, Questions in the Vestibule, is forthcoming (April 2016) from Northwestern University Press, which will also publish her verse translations of Euripides’ dramas Iphigenia in Aulis and Iphigenia Among the Taurians. The author of a score of books of poetry, essays, and translations, Hadas is Board of Governors Professor of English at Rutgers University-Newark. She and her husband, artist Shalom Gorewitz, have been working on marrying poetry and video; some of their collaborative work, including a piece about James Merrill, can be seen at www.rachelandshalomshow.com.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Hadas’ home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. All photos of Ms. Hadas by Shalom Gorewitz.

It’s time for our year-end Virtual Memories tradition: The Guest List! I reached out to 2015’s podcast guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2016! More than 30 responded with a dizzying array of books. (I participated, too!) So now that you’ve got your Hanukkah and/or Christmas gelt, the Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Logic Pro.