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I continue to explore F-Log grading with RCM without LUT. I think I'm getting better results (colors, highlights roll off). F-log is very good; Fuji LUTs are not so good.
I'm more excited about the definitive release of Resolve 16.1 than the XT3 firmware update.

screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

probably the xpro 3 ? 99% chances it will be aps-c as fuji doesn't seem to be willing to get in the ff market and the xt3 sold pretty well
i am expecting a sankor any days soon. hope fuji will do some for anamorphic users

That is an immense amount of data.
How does that achieve Fuji's claims in the slideshow of reduced rolling shutter and less overheating compared to a 6K mirrorless camera sensor output?
I'll believe it when I see it!!

Better quality version of the presentation here and the auto translate subtitles are reasonably decent.
There are a few audible "wow"s when the CinemaDNG recording is announced
Some more detail in there about the new lenses as well.
Camera stuff starts at 29:00

AIVASCOPE 1.5x anamorphic lens, 1st hands-on
https://vimeo.com/341289409
I just had the chance to film with the new Aivascope 1.5x anamorphic lens on my Panasonic GH4.
It’s a very sharp lens working great with some of my primes. It’s a single focus lens (you do the focus on it and let the prime on infinity)
In this movie you will see different shots done with :
GH4 4K uhd (no CC) 24p
Lumix 20mm f1.7 btw f1.7 and f4
Pentax-m 40mm pancake f2.8 at f4
Sicor-XL MC 28mm f2.8 at f5.6

Despite the fact the Pentax-m 40mm is less wider than the others, I like the result with it and the Avaiscope.

I’ve used a Dorr variable ND lens, on the GH4 the picture mode is on « portrait » with slight ajustments.
I did no color corrections at all.
I will do some test on full frame camera later.
Thanks for watching.

thanks to Aivascope, Marguerite, Nina, the graphers and the people of Bordeaux and Floirac.
a Seb Farges Movie
music :
Corrina Repp "The Beast Lives In The Same Place"
Amplitude Problem "Into The Night (Instrumental)"

Looks pretty sharp. Apparently, it was optimized for full frame sensors, so it can handle M4/3 no sweat. The built-in focus gear, close focus and non-rotating front makes it more practical than the Iscorama ever was. Looks like a win!