One of the most influential indie rock bands of the 1980s, the idiosyncratic group—
featuring three UCSC alums--returned to Kresge College in November to give a free concert for
UCSC students.

Camper won widespread critical acclaim and took college radio by storm with its first three
albums—full of satiric, irony-laced lyrics and a dazzling array of musical influences.

After the band’s first album hit the Top 30 in England and its first three recordings
all made the Top Ten in Village Voice polls, Camper went on to make its major label debut
on Virgin Records in 1989, releasing the landmark album Key Lime Pie before dissolving
in 1990 during a tour in Sweden. Following a hiatus of more than a decade, the band got back together
in 2002 and last year released a new CD titled New Roman Times.

But it all started at UCSC.

Although the band was conceived in the inland empire of San Bernardino County when
guitarist/vocalist David Lowery (B.A. math, Kresge ’84) first met bassist Victor Krummenacher
(music major, Porter), the two musicians quickly relocated to UCSC where they eventually formed a
core band of six members that included drummer Chris Pederson (B.A. philosophy, College Eight ’83),
violinist/guitarist Jonathan Segel (B.A. music, Porter ’85), drummer Chris Molla (B.A. music, Porter
’88), and guitarist Greg Lisher, part-owner of the local store Artisans, on the Pacific Garden Mall.

“The last time we played at Kresge was in 1983, outside in front of the laundromat,”
recalled Lowery after the Kresge show. “We moved to Santa Cruz and that’s when the band
really developed. I lived at Kresge College in 1980-81 and we all had side projects until Camper Van
Beethoven became more popular than all of them. We started playing on campus and then began playing shows
at house parties in town.”

Lowery added that UCSC and the town of Santa Cruz had a tremendous influence on all of the band members.
“I think there was a nexus of people in Santa Cruz who did a lot of interesting things in the late
’70s through the ’80s—from film and dance, to art and journalism.”

Camper began to play regularly in Davis, San Francisco, Berkeley, Sacramento, and Los Angeles. In the
summers they went on regional tours, playing gigs at nightclubs in college towns around Arizona and the
Southwest. Incorporating a wide variety of innovative musical styles, the band saw itself as an antidote
to the punk rock bands of the era.

“We were playing in front of a lot of punk rock bands—people like Jello Biafra and the Dead
Kennedys, The Minutemen, and The Meat Puppets all took a liking to us,’ said Lowery. “But we
dispensed with the dogma of punk. We wanted to play a classic rock for our own generation which included
everything from punk rock and early electric music, to ska, British folk music, and West Coast psychedelia,
to world and surf music.”

“We saw ourselves more in the tradition of Frank Zappa and the Mothers of Invention, Kaleidoscope
(founded by David Lindley), Captain Beefheart, and the surf bands that came from the area where we grew up,
” Lowery added.

After the band split in 1990, the various members continued to pursue a number of projects. Lowery released
six albums with his acclaimed band Cracker and began working as a producer for bands such as Sparklehorse and FSK.
Krummenacher, Lisher, Pederson, and late Camper addition David Immergluck (guitar and various stringed instruments)
formed the band Monks of Doom, with Immergluck eventually emerging as an in-demand sideman with John Hiatt and the
Counting Crows. And Segel established a solo career, as well as leading the bands Hieronymus Firebrain and Jack &
Jill.

Lowery said the free UCSC show—cosponsored by the campus radio station KZSC and Kresge College--was part
of a brief Bay Area tour that also included performances in downtown Santa Cruz and Monterey. “We like to go
to an area and stay for a week,” said Lowery. “We’re starting to reintroduce ourselves to northern
California, the West Coast, and North America.”

“I’m still doing Cracker and producing,” he added. “And everyone has their own projects.
But we still get together to play every few months—this is a lifelong thing for us and an expression of who
we are.”