To be honest, I think it’s a victim of the success of the last instalment. But whichever way I look at it, it’s a poorer film than the last one. Not just thematically, but otherwise as well.

The Dark Knight, I thought, was a fantastic film. And while I admit that it would be very difficult for a sequel to live up to that, one would have expected Nolan to have done a better job.

As is often the case, the problem starts with the script. For starters, unlike the last time, when we were confronted with the question of how to deal with Evil that exists purely for the thrill of doing evil, and with no other ambition or motive, this time we are treated to an unconvincing Revenge Drama reminiscent of dhishoom dhishoom Bollywood.

As if this weren’t bad enough, clumsily woven into the narrative from the very beginning is this angst of the 99% against the 1%, starting with Hathaway spouting her equivalent of the “main chor paida nahin hui milord, mujhe samaj ne chor banaya” dialogue. That strand is picked up later, culminating in the liberté, égalité, fraternité bits, complete with the storming of the Bastille and Guillotine sentencings.

The characterisations are nothing to write home about either. The whole Bane thing was another throwback to the good ol’ Hindi flicks of the 70s and 80s, where villains like Shakaal, Mugambo, Kancha Cheena and Whatsisname terrorised the local population until they had their comeuppance. That scene in the stadium was reminiscent of Evil Thakur holding sway in Village Square, with Hirsute Henchmen terrorising Helpless Villagers with their Double-Barrelled Guns before spiriting away Voluptuous Village Belle on horseback. Please, Nolan. Been there, done that.

And while it is par for the course today for a movie to have that obligatory twist in the end, must Nolan have fallen prey to that clichéd and desperate attempt of filmmakers to extract some more oohs and aaahs from the audience? And if it had to be done, it should at least have been done well. As it happens, I guessed the twist(s) fairly early on. Yes, all of them.

Even the action was not as great as it was the last time. Remember the moments leading up to the revelation of the Batpod in The Dark Knight? Nothing close to that here. There’s an extended sequence towards the end with the Batpod, the Bat, a Truck and some other armoured car type thingies that’s good, but not great.

So – not a great script, no great action, mostly pedestrian acting. All in all, a disappointing effort. Coming from a director whom I really admire, the only rationalisation I have is that Nolan is fatigued.

He is fatigued because a franchise kills your creativity. How do you excel in your craft when you are constrained by the specifics of the franchise, hemmed in by the constructs of the initial instalments, and yet under pressure to match not only your own previous works, but also the other I-am-a-Superhero-battling-my-own-demons-and-flirting-with-the-dark-side franchises that seem to be crawling out of the woodwork?

And that’s the problem with The Dark Knight Rises. It’s a product of fatigue. Nolan’s fatigue is evident, as is Bale’s. And when the director and the star both seem to be going through the motions, what more can one expect?

@Balu: How’re you? Good to see you’re still active in the blogworld! Hope all is good.

Compared to both its predecessors, I felt this one fell short. As for watching it at the Imax – I didn’t watch the last one at the Imax either (I heard it was spectacular), so in a strict apples to apples comparison, it still seemed to me that the action in TDK was better than in TDKR.