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Romance Genre

The romance genre is the strictest of genres allowing no deviation from the rules. Although romance can be considered a sub-category in almost every genre, for a novel to be considered a romance, the story must be about a woman and a man and developing a romantic love relationship between them.

The point of view can only be from these two characters, and the conflict is what tries to keep them apart. Both characters must be introduced in the first two chapters.

Also, a romance has to have a happy ending where the two characters get together. Many Christian romances end with marriage or a marriage proposal.

If any of these criteria aren’t met, the story isn’t considered a romance but instead a story with romantic elements. In a romance, the romance is the main story. If you take away the relationship between the two main characters, there is no story.

Romance is one of the most popular genres in Christian fiction as well as secular fiction. Secular romances are likely to have scenes where the characters get together physically. Usually such scenes are absent in Christian fiction.

A stand alone romance is usually between 80,000 and 100,000 words. A category romance (i.e.: Harlequin Romance) is usually between 50,000 and 60,000 words.

Here are some sub-categories for the romance genre:

Contemporary Romance: This is any romance that takes place in the present time.

Fantasy Romance: This is any romance taking place in another world or using magic or fantasy as elements of the story.

Futuristic Romance: Any romance taking place in the distant future.

Glitz/Glamour Romance: These romances take place among the elite and the rich and famous.

Historical Romance: This is a romance taking place in the past. It has sub-genres within itself that include these: American West, American Colonial, American Civil War, American Revolution, American Reconstruction, Native American, Australian Colonial, European Dark Ages, Early European Renaissance, French Revolution, Celtic, Medieval England, Middle Ages England, Victorian England and Regency England.

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About Tamera Kraft

Tamera Kraft has been a children’s pastor for over 20 years. She is the leader of a ministry called Revival Fire For Kids where she mentors other children’s leaders, teaches workshops, and is a children’s ministry consultant and children’s evangelist. She is also a writer and has curriculum published including Kid Konnection 5: Kids Entering the Presence of God published by Pathway Press. She is a recipient of the 2007 National Children’s Leaders Association Shepherd’s Cup for lifetime achievement in children’s ministry.

Thanks for the imput. I do admit I’m not a romance writer, so I might have it wrong here. I thought the deviatioins from two POVs made it a Women’s Fiction with the romance sub-genre. Thanks for letting me know.

Doesn’t having guidelines cap the imagination? Example: If the the story doesn’t directly effect the characters relationship and the relationship isn’t really the forefront but the story wouldn’t work without the romance.http://www.deirdreorr.wordpress.com

Guidelines are just that, they are guidelines. These days it acceptable for genres to cross over. The story should be more about the characters and making them relateable rather than what genre the book will fit in. I write fantasy and romance runs throughout my novel, but so does action and adventure. So much has changed from 2009 where will 2011 take us?