The third story in Fantasmagoriana is a personal favourite. While the influence of ‘La Tête de Mort’ on Shelley’s Frankenstein is minimal at best, there are several intertextual tidbits related to this story that are … Continue reading →

As I mentioned in my first blog for this site, the history and literature of Romantic-era Scotland is littered with grisly deaths and disturbed graves. Today I’m focusing in on a particularly infamous moment in … Continue reading →

As noted in my previous blogs on Frankenstein and Fantasmagoriana, the first story read by the Byron-Shelley circle on that stormy night in June 1816, ‘L’Amour muet’, was not as influential and well-known as the … Continue reading →

by Maximiliaan van Woudenberg Greetings Fellow Romanticists and Print Culturists, I am excited about my first blog-posting for Romantic Textualities. Thanks to the editors for the opportunity and their assistance. Like many of us, ever … Continue reading →

About Romantic Texualities

Romantic Textualities: Literature and Print Culture, 1780–1840 is an open-access journal that is committed to foregrounding innovative Romantic-studies research into bibliography, book history, intertextuality, and textual studies. To this end, we publish material in a number of formats: peer-reviewed articles, reports on individual/group research projects, bibliographical checklists, biographical profiles of overlooked Romantic writers and book reviews of relevant new research. Find out more by clicking here.

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About Cardiff University Press

Romantic Textualities is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. Find out more about the press at cardiffuniversitypress.org.