Contents

The gospels of Matthew (26:47–50) and Mark (14:43–45) both use the Greek verb καταφιλέω (kataphileó), which means to "kiss, caress; distinct from φιλεῖν (philein); especially of an amorous kiss"[2] It is the same verb that Plutarch uses to describe a famous kiss that Alexander the Great gave Bagoas,[3] the compound verb (κατα-) "has the force of an emphatic, ostentatious salute".[4]Lutheran theologian Johann Bengel suggests that Judas kissed Him repeatedly: "he kissed Him more than once in opposition to what he had said in the preceding verse: Greek: φιλησω, philēsō, a single kiss (Matthew 26:48), and did so as if from kindly feeling".[5]

According to Matthew 26:50, Jesus responded by saying: "Friend, do what you are here to do". Elaine Pagels and Karen King have speculated that Jesus and Judas were actually in agreement with each other and that there was no real betrayal.[6] Luke 22:48 quotes Jesus saying "Judas, are you betraying the Son of Humanity with a kiss?"[7]

Of Thy Mystic Supper receive me today, O Son of God, as a partaker; for I will not speak of the mystery to Thine enemies; I will not kiss Thee as did Judas; but as the thief, I will confess Thee: Lord, remember me in Thy kingdom.[9]:194–195

^Pagels, Elaine and King, Karen L., Reading Judas, The Gospel of Judas and the Shaping of Christianity, Penguin Books, New York, 2007, pages 3–4, ISBN978-0-14-311316-4: "The Gospel of John suggests that Jesus himself was complicit in the betrayal, that moments before Judas went out, Jesus had told him, 'Do quickly what you are going to do' (John 13:27)".

^For a discussion of the kiss of Judas with respect to Caravaggio's The Taking of Christ (now in the National Gallery of Ireland, Dublin), together with a summary of traditional ecclesiastical interpretation of that gesture, see Franco Mormando, "Just as your lips approach the lips of your brothers: Judas Iscariot and the Kiss of Betrayal" in Saints and Sinners: Caravaggio and the Baroque Image, ed. F. Mormando, Chestnut Hill, MA: The McMullen Museum of Art of Boston College, 1999, 179–90.

Giotto
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Giotto di Bondone, known mononymously as Giotto and Latinized as Giottus, was an Italian painter and architect from Florence in the late Middle Ages. He is generally considered the first in a line of artists who contributed to the Renaissance. Giottos masterwork is the decoration of the Scrovegni Chapel in Padua, also known as the Arena Chapel and

Scrovegni Chapel
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The Scrovegni Chapel, is a church in Padua, Veneto, Italy. It contains a cycle by Giotto, completed about 1305. The nave is 20.88 metres long,8.41 metres wide, the apse area is composed of a square area and a pentagonal area. The church was dedicated to Santa Maria della Carità at the Feast of the Annunciation,1303, Giottos fresco cycle focuses on

Padua
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Padua is a city and comune in Veneto, northern Italy. It is the capital of the province of Padua and the economic, the city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, which has a population of c. Padua stands on the Bacchiglione River,40 kilometres west of Venice and 29 km southeast of Vicenza, th

Judas Iscariot
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Judas Iscariot was, according to the New Testament, one of the twelve original disciples of Jesus Christ, and son of Simon Iscariot. He is known for the kiss and betrayal of Jesus to the Sanhedrin for thirty silver coins and his name is often used synonymously with betrayal or treason. Though there are varied accounts of his death, the traditional

Jesus
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Jesus, also referred to as Jesus of Nazareth or Jesus Christ, was a Jewish preacher and religious leader who became the central figure of Christianity. Christians believe him to be the Son of God and the awaited Messiah prophesied in the Old Testament, Jesus was a Galilean Jew who was baptized by John the Baptist and subsequently began his own mini

Kohen
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Kohen or cohen is the Hebrew word for priest used colloquially in reference to the Aaronic priesthood. Jewish kohanim are traditionally believed and halakhically required to be of direct descent from the biblical Aaron. The term is used colloquially in Orthodox Judaism in reference to modern day descendants of Aharon, during the existence of the Te

Synoptic Gospels
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The gospels of Matthew, Mark, and Luke are referred to as the Synoptic Gospels because they include many of the same stories, often in a similar sequence and in similar wording. They stand in contrast to John, whose content is comparatively distinct, the term synoptic comes via Latin from the Greek σύνοψις, synopsis, i. e. This strong parallelism a

1.
The calming of the storm is similarly recounted in each of the three synoptic gospels, but not in John.

2.
Christ cleansing a leper by Jean-Marie Melchior Doze, 1864.

3.
A page of Griesbach's Synopsis Evangeliorum, in which the texts of the synoptic gospels are arranged in columns.

Kiss
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A kiss is the touch or pressing of ones lips against another person or an object. Cultural connotations of kissing vary widely, in some situations, a kiss is a ritual, formal or symbolic gesture indicating devotion, respect, or sacrament. The word came from Old English cyssan, in turn from coss, cesare Lombroso, Italian criminologist, physician and

Gethsemane
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Gethsemane is a garden at the foot of the Mount of Olives in Jerusalem, most famous as the place where Jesus prayed and his disciples slept the night before his crucifixion. Gethsemane appears in Greek of the Gospel of Matthew and the Gospel of Mark as Γεθσημανή, the name is derived from the Aramaic ܓܕܣܡܢ, meaning oil press. Matthew and Mark call i

Last Supper
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The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper is commemorated by Christians especially on Maundy Thursday, the Last Supper provides the scriptural basis for the Eucharist, also known as Holy Communion or The Lords Supper. The First Epistle to the C

Arrest of Jesus
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The arrest of Jesus is a pivotal event recorded in the canonical gospels. The event ultimately leads, in the Gospel accounts, to Jesus crucifixion, the arrest led immediately to his trial before the Sanhedrin, during which they condemned him to death and handed him to Pilate the following morning. In Christian theology, the events from the Last Sup

Sanhedrin Trial of Jesus
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In the New Testament, the Sanhedrin trial of Jesus refers to the trial of Jesus before the Sanhedrin following his arrest in Jerusalem and prior to his dispensation by Pontius Pilate. It is an event reported by all four Canonical gospels of the New Testament, although Johns Gospel does not explicitly mention a Sanhedrin trial in this context. Jesus

1.
Jesus about to be struck in front of the High Priest Annas, as in John 18:22, depicted by Madrazo, 1803.

3.
Rembrandt 's 1660 depiction of Peter's Denial. Jesus, in the upper right hand corner, is at the high priest's house, his hands bound behind him, and turns to look at Peter.

Gospel of Matthew
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The Gospel According to Matthew is the first book of the New Testament. The narrative tells how the Messiah, Jesus, rejected by Israel, most scholars believe the Gospel of Matthew was composed between AD80 and 90, with a range of possibility between AD70 to 110. The title Son of David identifies Jesus as the healing and miracle-working Messiah of I

2.
Papyrus 4, fragment of a flyleaf with the title of the Gospel of Matthew, ευαγγελιον κ̣ατ̣α μαθ᾽θαιον (euangelion kata Maththaion). Dated to late 2nd or early 3rd century, it is the earliest manuscript title for Matthew

Gospel of Mark
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The Gospel According to Mark, the second book of the New Testament, is one of the four canonical gospels and the three synoptic gospels. It portrays Jesus as a man of action, an exorcist, a healer. Jesus is also the Son of God, but he keeps his identity secret, all this is in keeping with prophecy, which foretold the fate of the messiah as Sufferin

Koine Greek
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It was based mainly on Attic and related Ionic speech forms, with various admixtures brought about through dialect levelling with other varieties. Koine Greek displayed a wide spectrum of different styles, ranging from more conservative literary forms to the vernaculars of the time. As the dominant language of the Byzantine Empire, it developed fur

Plutarch
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Plutarch was a Greek biographer and essayist, known primarily for his Parallel Lives and Moralia. He is classified as a Middle Platonist, Plutarchs surviving works were written in Greek, but intended for both Greek and Roman readers. Plutarch was born to a prominent family in the town of Chaeronea, about 80 km east of Delphi. The name of Plutarchs

1.
Ruins of the Temple of Apollo at Delphi, where Plutarch served as one of the priests responsible for interpreting the predictions of the oracle.

4.
A page from the 1470 Ulrich Han printing of Plutarch's Parallel Lives.

Alexander the Great
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Alexander III of Macedon, commonly known as Alexander the Great, was a king of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty and he was undefeated in battle and is widely considered one of historys most successful military

Lutheran
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Lutheranism is a major branch of Protestant Christianity which identifies with the theology of Martin Luther, a German friar, ecclesiastical reformer and theologian. Luthers efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation in the German-speaking territories of the Holy Roman Empire. Lutheranism

3.
The University of Jena around 1600. Jena was the center of Gnesio-Lutheran activity during the controversies leading up to the Formula of Concord.

Johann Albrecht Bengel
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Johann Albrecht Bengel, also known as Bengelius, was a Lutheran pietist clergyman and Greek-language scholar known for his edition of the Greek New Testament and his commentaries on it. Bengel was born at Winnenden in Württemberg, due to the death of his father in 1693, he was educated by a family friend, David Wendel Spindler, who became a master

1.
Johann Albrecht Bengel

2.
Stamp issued by the Deutsche Bundespost to commemorate the 300th anniversary of Bengel's birth

Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Li

Greek Orthodox Church
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Historically, the term Greek Orthodox has also been used to describe all Eastern Orthodox Churches in general, since Greek in Greek Orthodox can refer to the heritage of the Byzantine Empire. Over time, most parts of the liturgy, traditions, and practices of the church of Constantinople were adopted by all, thus, the Eastern Church came to be calle

Troparion
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A troparion in Byzantine music and in the religious music of Eastern Orthodox Christianity is a short hymn of one stanza, or organised in more complex forms as series of stanzas. The early meaning of troparion was related to the hymn book Tropologion or Troparologion. It is chanted again at the beginning of Matins, read at each of the Little Hours,

Life of Christ
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The four canonical gospels of the New Testament are the primary sources of information for the narrative of the life of Jesus. And the Acts of the Apostles says more about the Ascension episode than the canonical gospels, the genealogy and Nativity of Jesus are described in two of the four canonical gospels, Matthew and Luke. While Luke traces the

2.
The Passion shown in a number of small scenes, ca. 1490, from the Entry into Jerusalem through the Golden Gate (lower left) to the Acension (centre top).

Passion of Jesus
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Those parts of the four Gospels that describe these events, as well as the non-canonical Gospel of Peter, are known as the Passion narratives. In the liturgical calendar of the Roman Catholic Church, the Passion is commemorated in Holy Week, beginning on Friday of Sorrows, the Palm Sunday and culminating on his death on Good Friday. The word passio

The Taking of Christ (Caravaggio)
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The Taking of Christ is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin. There are seven figures in the painting, from left to right they are John, Jesus, Judas and they a

Caravaggio
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Michelangelo Merisi da Caravaggio was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, in scarcely a year or so’s sojourn in Naples, he rapidly established himself once more as the most prominent painter, exploiting high-ranking connections.

Ravenna
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Ravenna is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the city of the Western Roman Empire from 402 until that empire collapsed in 476. It then served as the capital of the Kingdom of the Ostrogoths until it was re-conquered in 540 by the Eastern Roman Empire. Afterwards, the city formed the

Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water

1.
Fresco in the church Mariä Verkündigung in Fuchstal, Bavaria, Germany from Thomas Springer

Barna da Siena
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Barna da Siena, also known as Berna di Siena, was presumed to be a Sienese painter active from about 1330 to 1350. The painter was first referred to by Lorenzo Ghiberti in his I Commentarii as a Sienese painter who painted works in Tuscany. Giorgio Vasari referred in the first edition of his Vite to the Sienese painter ‘Berna’ who was responsible f

Barcelona
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Founded as a Roman city, in the Middle Ages Barcelona became the capital of the County of Barcelona. Barcelona has a cultural heritage and is today an important cultural centre. Particularly renowned are the works of Antoni Gaudí and Lluís Domènech i Montaner. The headquarters of the Union for the Mediterranean is located in Barcelona, the city is

2.
A marble plaque in the Museu d'Història de la Ciutat de Barcelona, dated from around 110-130 AD and dedicated to the Roman colony of Barcino

3.
Basilica of La Mercè (Mare de Déu de la Mercè)

4.
Barcelona in 1563

Fra Angelico
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Fra Angelico was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having a rare and perfect talent. He was known to contemporaries as Fra Giovanni da Fiesole and Fra Giovanni Angelico, in modern Italian he is called il Beato Angelico, the common English name Fra Angelico means the Angelic friar. In 1982 Pope J

San Marco, Florence
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San Marco is the name of a religious complex in Florence, Italy. It comprises a church and a convent, the convent, which is now a museum, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola, also housed at the convent is a famous collection of manuscri

1.
The façade and the bell tower of San Marco in Florence.

2.
The Last Judgement, by Fra Angelico.

Grandes Heures of Anne of Brittany
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It has been described by John Harthan as one of the most magnificent Books of Hours ever made, and is now in the Bibliothèque nationale de France as Ms lat. It has 49 full-page miniatures in a Renaissance style, and more than 300 pages have large borders illustrated with a depiction of, usually. The book is large for a book of hours at 30, the full

James Tissot
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Jacques Joseph Tissot, Anglicized as James Tissot, was a French painter and illustrator. He was a painter of Paris society before moving to London in 1871. He became famous as a painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible, jacques Tissot was born in the port tow

1.
Self-portrait in 1865

2.
The Circle of the Rue Royale, a scene in Paris seen from the balcony of the Hôtel de Coislin overlooking the Place de la Concorde.

3.
Portrait of James Tissot by Edgar Degas, c.1866-67

4.
Still on Top, 1873

Brooklyn Museum
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The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At 560,000 square feet, the museum is New York Citys third largest in physical size, the museum initially struggled to maintain its building and collection, only to be revitalized in the late 20th century, thanks to major renovations. Significant areas of the col

Gospel harmony
–
A gospel harmony is an attempt to compile the Christian canonical gospels into a single account. This may take the form either of a single, merged narrative, or a format with one column for each gospel, technically known as a synopsis. The construction of harmonies has always favoured by more conservative scholars. Students of higher criticism, on

Life of Jesus in the New Testament
–
The four canonical gospels of the New Testament are the primary sources of information for the narrative of the life of Jesus. And the Acts of the Apostles says more about the Ascension episode than the canonical gospels, the genealogy and Nativity of Jesus are described in two of the four canonical gospels, Matthew and Luke. While Luke traces the

Canonical gospels
–
A gospel is an account describing the life, death, and resurrection of Jesus of Nazareth. Christianity places a value on the four canonical gospels, which it considers to be revelations from God. This position however, requires a view of Biblical inerrancy. The word gospel derives from the Old English gōd-spell, meaning good news or glad tidings, t

Christ Child
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The Christ Child, also known as Divine Infant, Baby Jesus, Infant Jesus, Child Jesus, the Holy Child, and Santo Niño, refers to Jesus Christ from his nativity to age 12. Upon reaching 13 years-old he was considered to be an adult in accordance with Jewish custom, the canonical Gospels lack any narration of the years between Jesus infancy and the Fi

Annunciation
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Gabriel told Mary to name her son Yehoshua, meaning YHWH is salvation. According to Luke 1,26, the Annunciation occurred in the month of Elizabeths pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the vernal equinox nine full months before Christmas. In England,

Visitation (Christianity)
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The Visitation is the visit of Mary with Elizabeth as recorded in the Gospel of Luke, Luke 1, 39–56. It is also the name of a Christian feast day commemorating this visit, celebrated on 31 May in the West, Mary visits her relative Elizabeth, they are both pregnant. Mary is pregnant with Jesus and Elizabeth is pregnant with John the Baptist, Mary le

3.
Eastern Christianity fresco of the Visitation in St. George Church in Kurbinovo, Macedonia

4.
General

Nativity of Jesus
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The nativity of Jesus or birth of Jesus is described in the gospels of Luke and Matthew. The two accounts agree that Jesus was born in Bethlehem in the time of Herod the Great to a virgin whose name was Mary. In Christian theology the nativity marks the incarnation of Jesus as the second Adam, in fulfillment of the divine will of God, undoing the d

Virgin birth of Jesus
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The virgin birth of Jesus is the belief that Jesus was conceived in the womb of his mother Mary through the Holy Spirit without the agency of a human father and born while Mary was still a virgin. The New Testament references are Matthew 1, 18-25 and Luke 1 and it is believed by Christians to follow the prophetic message in Isaiah 7,14. It is not e

Adoration of the Shepherds
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The Adoration of the Shepherds, in the Nativity of Jesus in art, is a scene in which shepherds are near witnesses to the birth of Jesus in Bethlehem, arriving soon after the actual birth. It is often combined in art with the Adoration of the Magi, the Annunciation to the Shepherds, when they are summoned by an angel to the scene, is a distinct subj

Circumcision of Jesus
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The circumcision of Jesus is an event from the life of Jesus according to the Gospel of Luke, which states in verse 2,21 that Jesus was circumcised eight days after his birth. This is in keeping with the Jewish law which holds that males should be circumcised eight days after birth during a Brit milah ceremony, at which they are also given their na

Presentation of Jesus at the Temple
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The Presentation of Jesus at the Temple is an early episode in the life of Jesus that is celebrated by the Church on the holiday of Candlemas. It is described in the Gospel of Luke of the New Testament in the Christian Bible, within the account, Lukes narration of the Presentation in the Temple combines the purification rite with the Jewish ceremon

Adoration of the Magi
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It is related in the Bible by Matthew 2,11, On entering the house, they saw the child with Mary his mother, and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and having been warned in a dream not to return to Herod, they left for their own country by another path. The scene w

Flight into Egypt
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The flight into Egypt is a biblical event described in the Gospel of Matthew. The episode is shown in art, as the final episode of the Nativity of Jesus in art. Within the narrative tradition, iconic representation of the Rest on the Flight into Egypt developed after the 14th century, when the Magi come in search of Jesus, they go to Herod the Grea

Massacre of the Innocents
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The Massacre of the Innocents is the biblical account of infanticide by Herod the Great, the Roman-appointed King of the Jews. The number of killed is not stated. The Holy Innocents, although Jewish, have claimed as martyrs for Christianity. Most recent biographers of Herod deny that the event occurred, in Matthews account, Magi from the east go to

4.
William Blake's The Agony in the Garden completed in 1799-1800. The painting is Tempera on tinned iron and 27cm x 38cm. The tempera blackens when exposed to sunlight for long periods of time (hence the shadowed image). Currently the painting is held by the Tate

Sanhedrin trial of Jesus
–
In the New Testament, the Sanhedrin trial of Jesus refers to the trial of Jesus before the Sanhedrin following his arrest in Jerusalem and prior to his dispensation by Pontius Pilate. It is an event reported by all four Canonical gospels of the New Testament, although Johns Gospel does not explicitly mention a Sanhedrin trial in this context. Jesus

1.
Jesus about to be struck in front of the High Priest Annas, as in John 18:22, depicted by Madrazo, 1803.

4.
Broadway follows the Native American Wickquasgeck Trail through Manhattan.

International Standard Book Number

1.
A 13-digit ISBN, 978-3-16-148410-0, as represented by an EAN-13 bar code

OCLC

1.
Fred Kilgour (1st director of OCLC)

2.
Online Computer Library Center (OCLC)

3.
OCLC headquarters (Ohio)

4.
OCLC offices in Leiden (the Netherlands)

LIST OF IMAGES

1.
Giotto
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Giotto di Bondone, known mononymously as Giotto and Latinized as Giottus, was an Italian painter and architect from Florence in the late Middle Ages. He is generally considered the first in a line of artists who contributed to the Renaissance. Giottos masterwork is the decoration of the Scrovegni Chapel in Padua, also known as the Arena Chapel and this fresco cycle depicts the Life of the Virgin and the Life of Christ. It is regarded as one of the masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the Commune of Florence in 1334 to design the new campanile of Florences Cathedral are among the few certainties of his biography. Tradition holds that Giotto was born in a farmhouse, perhaps at Colle di Romagnano or Romignano, since 1850, a tower house in nearby Colle Vespignano has borne a plaque claiming the honor of his birthplace, an assertion commercially publicized. However, recent research has suggested that he was born in Florence. His fathers name was Bondone, and he is described in surviving records as a person of good standing. Most authors accept that Giotto was his name, but it is likely to have been an abbreviation of Ambrogio or Angelo. The year of his birth is calculated from the fact that Antonio Pucci, however, the word seventy fits into the rhyme of the poem better than would have a longer and more complex age, so it is possible that Pucci used artistic license. In his Lives, Giorgio Vasari states that Giotto was a shepherd boy, the great Florentine painter Cimabue discovered Giotto drawing pictures of his sheep on a rock. They were so lifelike that Cimabue approached Giotto and asked if he could take him on as an apprentice, Cimabue was one of the two most highly renowned painters of Tuscany, the other being Duccio, who worked mainly in Siena. Vasari recounts a number of stories about Giottos skill as a young artist. He tells of one occasion when Cimabue was absent from the workshop, later when Cimabue returned, he tried in vain several times to brush the fly off. The messenger departed ill pleased, not doubting that he had made a fool of. The messenger brought other artists drawings back to the Pope in addition to Giottos, many scholars today are uncertain about Giottos training, and consider Vasaris account that he was Cimabues pupil as legend, citing earlier sources which suggest that Giotto was not Cimabues pupil. About 1290, Giotto married Ciuta, the daughter of Lapo del Pela of Florence, the marriage produced four daughters and four sons, one of whom became a painter. By 1301, Giotto owned a house in Florence, and when he was not traveling he would return there and live in comfort with his family

Giotto
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Statue representing Giotto, outside the Uffizi
Giotto
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A portrait of Dante by Giotto
Giotto
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One of the Legend of St. Francis frescoes at Assisi, the authorship of which is disputed
Giotto
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The Crucifixion of Rimini

2.
Scrovegni Chapel
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The Scrovegni Chapel, is a church in Padua, Veneto, Italy. It contains a cycle by Giotto, completed about 1305. The nave is 20.88 metres long,8.41 metres wide, the apse area is composed of a square area and a pentagonal area. The church was dedicated to Santa Maria della Carità at the Feast of the Annunciation,1303, Giottos fresco cycle focuses on the life of the Virgin Mary and celebrates her role in human salvation. A motet by Marchetto da Padova appears to have composed for the dedication on 25 March 1305. The chapel is known as the Arena Chapel because it was built on land purchased by Enrico Scrovegni that abutted the site of a Roman arena. The space was where a procession and sacred representation of the Annunciation to the Virgin had been played out for a generation before the chapel was built. The Arena Chapel was commissioned from Giotto by the affluent Paduan banker, in the early 1300s Enrico purchased from Manfredo Dalesmanini the area on which the Roman arena had stood. Here he had his luxurious palace built, as well as a chapel annexed to it, the chapels project was twofold, to serve as the familys private oratory and as a funerary monument for himself and his wife. Enrico commissioned Giotto, the famous Florentine painter, to decorate his chapel, a number of 14th-century sources testify to Giottos presence at the Arena Chapels site. Giottos work thus falls in the period from 25 March 1303 to 25 March 1305, Giotto painted the chapels inner surface following a comprehensive iconographic and decorative project which Giuliano Pisani identified in his book I volti segreti di Giotto. Le rivelazioni della Cappella degli Scrovegni as being the work of the Augustinian theologian, Giotto, who was born around 1267, was 36–38 years old when he worked at Enrico Scrovegnis chapel. He had a team of about 40 collaborators, and they calculated that 625 work days were necessary to paint the chapel, a work day meant that portion of each fresco that could be painted before the plaster dried and was no longer fresh. In January 1305, friars from the nearby Church of the Eremitani filed a complaint to their bishop, Scrovegni was transforming his private oratory into a church with a bell tower, thus producing unfair competition with the Eremitanis activities. We do not know what happened next, but it is likely that, as a consequence of this complaint, the monumental apse, both are visible on a model of the church painted by Giotto on the counter-facade. The apse was the section where Enrico Scrovegni had meant to have his tomb, the presence of frescoes dating to after 1320 supports the demolition hypothesis proposed by Giuliano Pisani. The apse, the most significant area in all churches, is where Enrico and his wife and this apse presents a narrowing of the space which gives a sense of its being incomplete and inharmonious. The main focus of the artists work is constituted by six monumental scenes on the side walls of the chancel that depict the last period of Marys earthly life

3.
Padua
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Padua is a city and comune in Veneto, northern Italy. It is the capital of the province of Padua and the economic, the city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, which has a population of c. Padua stands on the Bacchiglione River,40 kilometres west of Venice and 29 km southeast of Vicenza, the Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain, to the citys south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. It hosts the University of Padua, founded in 1222, where Galileo Galilei was a lecturer, Padua is the setting for most of the action in Shakespeares The Taming of the Shrew. There is a play by the Victorian writer Oscar Wilde, titled The Duchess Of Padua, the original significance of the Roman name Patavium is uncertain. It may be connected with the ancient name of the River Po, additionally, the root pat-, in the Indo-European language may refer to a wide open plain as opposed to nearby hills. The ending -ium, signifies the presence of villages that have united themselves together, Padua claims to be the oldest city in northern Italy. According to a tradition dated at least to the time of Virgils Aeneid and to Livys Ab Urbe Condita, Padua was founded in around 1183 BC by the Trojan prince Antenor. After the Fall of Troy, Antenor led a group of Trojans and their Paphlagonian allies, the Eneti or Veneti, thus, when a large ancient stone sarcophagus was exhumed in the year 1274, officials of medieval commune declared the remains within to be those of Antenor. Nevertheless, archeological remains confirm a date for the foundation of the center of the town to between the 11th and 10th centuries BC. The Roman historian Livy records an invasion of the Spartan king Cleonimos around 302 BC. The Spartans came up the river but were defeated by the Veneti in a naval battle, still later, the Veneti of Padua successfully defended themselves against the aggression of Etruscans and Gauls. According to Livy and Silius Italicus, the Veneti, including those of Padua, formed an alliance with the Romans by 226 BC, against their common enemy, men from Padua fought and died besides the Romans at Cannae. As the Romans advanced northward, Padua was gradually assimilated into the Roman Republic, in 175 BC, Padua requested the aid of Rome in putting down a local civil war. In 91 BC, Padua, along with cities of the Veneti. Around 49 BC, Padua was made a Roman municipium under the Lex Julia Municipalis and its citizens ascribed to the Roman tribe, at that time the population of the city was perhaps 40,000. The city was reputed for its excellent breed of horses and the wool of its sheep, in fact, the poet Martial remarks on the thickness of the tunics made there

4.
Judas Iscariot
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Judas Iscariot was, according to the New Testament, one of the twelve original disciples of Jesus Christ, and son of Simon Iscariot. He is known for the kiss and betrayal of Jesus to the Sanhedrin for thirty silver coins and his name is often used synonymously with betrayal or treason. Though there are varied accounts of his death, the traditional version sees him as having hanged himself following the betrayal and his place among the Twelve Apostles was later filled by Matthias. Despite his notorious role in the Gospel narratives, Judas remains a figure in Christian history. Gnostic texts – rejected by the mainstream Church as heretical – praise Judas for his role in triggering humanitys salvation, Judas is mentioned in the synoptic gospels, the Gospel of John, and at the beginning of Acts of the Apostles. Judas was a name in New Testament times. Judas Iscariot should not be confused with Jude Thomas, or with Saint Jude Thaddaeus who was one of the Twelve Apostles. Origen of Alexandria, in his Commentary on Johns Gospel, reflected on Judass interactions with the other apostles, Simon Peter spoke for the twelve, Lord, to whom shall we go. You have the words of eternal life, but Jesus observed then that although Judas was one of the twelve whom he had chosen, marks Gospel states that the chief priests were looking for a way to arrest Jesus. They decided not to do so during the feast, since they were afraid people would riot, instead. According to Lukes account, Satan entered Judas at this time, according to the account in the Gospel of John, Judas carried the disciples money bag or box, but Johns Gospel makes no mention of the thirty pieces of silver as a fee for betrayal. However, in John 13, 27-30, when Judas left the gathering of Jesus and His disciples with betrayal in mind and they used it to buy the potters field. The Gospel account presents this as a fulfillment of prophecy, the Acts 1, 18-19 says that Judas used the money to buy a field, but fell headfirst, and burst asunder in the midst, and all his bowels gushed out. This field is called Akeldama or Field of Blood, the non-canonical Gospel of Judas says Judas had a vision of the disciples stoning and persecuting him. The existence of conflicting accounts of the death of Judas has caused problems for scholars who have them as threatening the reliability of Scripture. This problem was one of the points causing C. S. Lewis, for example, various attempts at harmonization have been suggested. Some have taken the descriptions as figurative, that the falling prostrate was Judas in anguish, and they argue that the author adds imaginative details such as the thirty pieces of silver, and the fact that Judas hangs himself, to an earlier tradition about Judass death. Even writers such as Jerome and John Calvin concluded that this was obviously an error

5.
Jesus
–
Jesus, also referred to as Jesus of Nazareth or Jesus Christ, was a Jewish preacher and religious leader who became the central figure of Christianity. Christians believe him to be the Son of God and the awaited Messiah prophesied in the Old Testament, Jesus was a Galilean Jew who was baptized by John the Baptist and subsequently began his own ministry, preaching his message orally and often being referred to as rabbi. He was arrested and tried by the Jewish authorities, and was crucified by the order of Pontius Pilate, Jesus debated fellow Jews on how to best follow God, performed healings, taught in parables and gathered followers. After his death, his followers believed he rose from the dead, and his birth is celebrated annually on December 25 as a holiday known as Christmas, his crucifixion is honored on Good Friday, and his resurrection is celebrated on Easter. The widely used calendar era AD, from the Latin anno Domini, most Christians believe Jesus enables humans to be reconciled to God. The Nicene Creed asserts that Jesus will judge the living and the dead either before or after their bodily resurrection, the great majority of Christians worship Jesus as the incarnation of God the Son, the second of three persons of a Divine Trinity. A minority of Christian denominations reject Trinitarianism, wholly or partly, in Islam, Jesus is considered one of Gods important prophets and the Messiah. Muslims believe Jesus was a bringer of scripture and was born of a virgin but was not the Son of God, the Quran states that Jesus himself never claimed divinity. To most Muslims, Jesus was not crucified but was raised into Heaven by God. Judaism rejects the belief that Jesus was the awaited Messiah, arguing that he did not fulfill Messianic prophecies, a typical Jew in Jesus time had only one name, sometimes supplemented with the fathers name or the individuals hometown. Thus, in the New Testament, Jesus is commonly referred to as Jesus of Nazareth, Jesus neighbors in Nazareth refer to him as the carpenter, the son of Mary and brother of James and Joses and Judas and Simon, the carpenters son, or Josephs son. In John, the disciple Philip refers to him as Jesus son of Joseph from Nazareth, the name Jesus is derived from the Latin Iesus, a transliteration of the Greek Ἰησοῦς. The Greek form is a rendering of the Hebrew ישוע‎, a variant of the earlier name יהושע‎, the name Yeshua appears to have been in use in Judea at the time of the birth of Jesus. The 1st century works of historian Flavius Josephus, who wrote in Koine Greek, the etymology of Jesus name in the context of the New Testament is generally given as Yahweh is salvation. Since early Christianity, Christians have commonly referred to Jesus as Jesus Christ, the word Christ is derived from the Greek Χριστός, which is a translation of the Hebrew משיח, meaning the anointed and usually transliterated into English as Messiah. Christians designate Jesus as Christ because they believe he is the Messiah, whose arrival is prophesied in the Hebrew Bible, in postbiblical usage, Christ became viewed as a name—one part of Jesus Christ—but originally it was a title. The term Christian has been in use since the 1st century, the four canonical gospels are the only substantial sources for the life and message of Jesus. Acts of the Apostles refers to the ministry of Jesus

6.
Kohen
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Kohen or cohen is the Hebrew word for priest used colloquially in reference to the Aaronic priesthood. Jewish kohanim are traditionally believed and halakhically required to be of direct descent from the biblical Aaron. The term is used colloquially in Orthodox Judaism in reference to modern day descendants of Aharon, during the existence of the Temple in Jerusalem, kohanim performed the daily and holiday duties of sacrificial offerings. Today, kohanim retain a lesser though distinct status within Rabbinic and Karaite Judaism, in the Samaritan community, the kohanim have remained the primary religious leaders. The noun kohen is used in the Torah to refer to priests, the Hebrew noun kohen is most often translated as priest, whether Jewish or pagan, such as the priests of Baal or Dagon, though Christian priests are referred to in Hebrew by the term komer. The word derives from a Semitic root common, at minimum, to the Central Semitic languages, as a starkly different translation the title worker, Rashi on Exodus 29,30 and servant Targum to Jeremiah 48,7, have been offered as a translation as well. Some have attempted to resolve this contradiction by suggesting that, although the priest does enjoy specific privileges. The status of priest kohen was conferred on Aaron, the brother of Moses, during the 40 years of wandering in the wilderness and until the Holy Temple was built in Jerusalem, the priests performed their priestly service in the portable Tabernacle. Their duties involved offering the daily and Jewish holiday sacrifices, and blessing the people in a Priestly Blessing, in a broader sense, since Aaron was a descendant of the Tribe of Levi, priests are sometimes included in the term Levites, by direct patrilineal descent. However, not all Levites are priests, when the Temple existed, most sacrifices and offerings could only be conducted by priests. The Torah mentions Melchizedek king of Salem, identified by Rashi as being Shem the son of Noah, the second is Potiphera, priest of Heliopolis, then Jethro, priest of Midian both pagan priests of their era. When Esau sold the birthright of the first born to Jacob, Rashi explains that the priesthood was sold along with it, because by right the priesthood belongs to the first-born. Only when the first-born sinned in the incident of the calf, the priesthood was given to the Tribe of Levi. Aaron received the priesthood along with his children and any descendants that would be born subsequently, however, his grandson Phinehas had already been born, and did not receive the priesthood until he killed the prince of the Tribe of Simeon and the princess of the Midianites. Thereafter, the priesthood has remained with the descendants of Aaron, in every generation when the Temple was standing, one kohen would be singled out to perform the functions of the High Priest. His primary task was the Day of Atonement service, another unique task of the high priest was the offering of a daily meal sacrifice, he also held the prerogative to supersede any priest and offer any offering he chose. Although the Torah retains a procedure to select a High Priest when needed, in the absence of the Temple in Jerusalem, prior to that time, the priestly courses numbered a mere eight. This newly instated a cycle of courses, or priestly divisions

Kohen
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A group of kohanim studying the Mishnayot laws of Keilim in anticipation of the rebuilding of the Beit Hamikdash.
Kohen
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Large crowds congregate on Passover at the Western Wall to receive the priestly blessing.
Kohen
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Blessing gesture depicted on the gravestone of rabbi Meschullam Kohn (1739–1819), who was a kohen.
Kohen
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The Suleiman ben Pinhas al-Cohen family of Sana'a, circa 1944

7.
Synoptic Gospels
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The gospels of Matthew, Mark, and Luke are referred to as the Synoptic Gospels because they include many of the same stories, often in a similar sequence and in similar wording. They stand in contrast to John, whose content is comparatively distinct, the term synoptic comes via Latin from the Greek σύνοψις, synopsis, i. e. This strong parallelism among the three gospels in content, arrangement, and specific language is attributed to literary interdependence. Broadly speaking, the gospels are similar to John, all are composed in Koine Greek, have a similar length. In content and in wording, though, the synoptics diverge widely from John but have a deal in common with each other. Though each gospel includes some material, the majority of Mark and roughly half of Matthew and Luke coincide in content, in much the same sequence. This common material is termed the triple tradition and this stands in contrast to the material found in only two of the gospels, which is much more variable in order. The classification of text as belonging to the tradition is not always definitive. For example, Matthew and Mark report the cursing of the fig tree, clearly a single incident, despite some differences of wording. Searching Luke, however, we find only the parable of the fig tree. Some would say that Luke has extensively adapted an element of the triple tradition, an illustrative example of the three texts in parallel is the healing of the leper, More than half the wording in this passage is identical. Just as interesting, though, is that each gospel includes words absent in the two and omits something included by the other two. It has been observed that the tradition itself constitutes a complete gospel quite similar to the shortest gospel. Mark, unlike Matthew and Luke, adds little to the triple tradition. Pericopae unique to Mark are scarce, notably two healings involving saliva and the naked runaway, Marks additions within the triple tradition tend to be explanatory elaborations or Aramaisms. The pericopae Mark shares with only Luke are also few, the Capernaum exorcism and departure from Capernaum, the strange exorcist. A greater number, but still not many, are shared with only Matthew, most notably the so-called Great Omission from Luke of Mk 6, most scholars take these observations as a strong clue to the literary relationship among the synoptics and Marks special place in that relationship. The hypothesis favored by most experts is Marcan priority, that Mark was composed first, a leading alternative hypothesis is Marcan posteriority, that Mark was formed primarily by extracting what Matthew and Luke shared in common

Synoptic Gospels
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The calming of the storm is similarly recounted in each of the three synoptic gospels, but not in John.
Synoptic Gospels
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Christ cleansing a leper by Jean-Marie Melchior Doze, 1864.
Synoptic Gospels
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A page of Griesbach's Synopsis Evangeliorum, in which the texts of the synoptic gospels are arranged in columns.

8.
Kiss
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A kiss is the touch or pressing of ones lips against another person or an object. Cultural connotations of kissing vary widely, in some situations, a kiss is a ritual, formal or symbolic gesture indicating devotion, respect, or sacrament. The word came from Old English cyssan, in turn from coss, cesare Lombroso, Italian criminologist, physician and founder of the Italian School of Positivist Criminology, supported this idea. Both lip and tongue kissing are mentioned in Sumerian poetry, My lips are too small and my precious sweet, lying by my heart, one by one tonguemaking, one by one. When my sweet precious, my heart, had lain down too, each of them in turn kissing with the tongue, the wisdom of the earth in a kiss and everything else in your eyes. I kiss her before everyone that all may see my love. And when her lips are pressed to mine I am made drunk, when we kiss, and her warm lips half open, I fly cloud-high without beer. His kisses on my lips, my breast, my hair. Come. And kiss me when I die, For life, compelling life, is in thy breath, And at that kiss, though in the tomb I lie, I will arise and break the bands of Death. Much later, there is the verse from the Song of Songs, May he kiss me with the kisses of his mouth. In Cyropaedia, Xenophon wrote about the Persian custom of kissing in the lips upon departure while narrating the departure of Cyrus the Great as a boy from his Median kinsmen, according to Herodotus, when two Persians meet, the greeting formula expresses their equal or inequal status. They do not speak, rather, equals kiss each other on the mouth, and in the case one is a little inferior to the other. During the later Classical period, affectionate mouth-to-mouth kissing was first described in the Hindu epic, academics who have studied it say kissing spread slowly to other parts of the world after Alexander the Great and his army conquered parts of Punjab in northern India in 326 B. C. The Romans helped to spread the habit to most of Europe, the Romans were passionate about kissing and talked about several types of kissing. Kissing the hand or cheek was called an osculum, Kissing on the lips with mouth closed was called a basium, which was used between relatives. A kiss of passion was called a suavium, Kissing was not always an indication of eros, or love, but also could show respect and rank as it was used in Medieval Europe. Kristoffer Nyrop identified a number of types of kisses, including kisses of love, affection, peace, respect and friendship. He notes, however, that the categories are somewhat contrived and overlapping, and some cultures have more kinds, including the French with twenty, Kissing another persons lips has become a common expression of affection or warm greeting in many cultures worldwide

9.
Gethsemane
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Gethsemane is a garden at the foot of the Mount of Olives in Jerusalem, most famous as the place where Jesus prayed and his disciples slept the night before his crucifixion. Gethsemane appears in Greek of the Gospel of Matthew and the Gospel of Mark as Γεθσημανή, the name is derived from the Aramaic ܓܕܣܡܢ, meaning oil press. Matthew and Mark call it χωρἰον, a place or estate, the Gospel of John says Jesus entered a garden with his disciples. According to the New Testament it was a place that Jesus and his disciples customarily visited, there are four locations claimed to be the place where Jesus prayed on the night he was betrayed. The Church of All Nations overlooking a garden with the Rock of the Agony, the location near the Tomb of the Virgin to the north. The Greek Orthodox location to the east, the Russian Orthodox orchard, next to the Church of Maria Magdalene by an orchard. The Latins, however, have within the last few years succeeded in gaining sole possession, the Greeks have invented another site a little to the north of it. My own impression is that both are wrong, I am inclined to place the garden in the secluded vale several hundred yards to the north-east of the present Gethsemane. All of the foregoing is based on tradition and the conflating of the synoptic accounts of Mark. Mark and Matthew record that Jesus went to a called the oil press. Modern scholarship acknowledges that the location of Gethsemane is unknown, according to Luke 22, 43–44, Jesus anguish on the Mount of Olives was so deep that his sweat was as it were great drops of blood falling down to the ground. According to the Eastern Orthodox Church tradition, Gethsemane is the garden where the Virgin Mary was buried and was assumed into heaven after her dormition on Mount Zion, the Garden of Gethsemane became a focal site for early Christian pilgrims. It was visited in 333 by the anonymous Pilgrim of Bordeaux, in his Onomasticon, Eusebius of Caesarea notes the site of Gethsemane located at the foot of the Mount of Olives, and he adds that the faithful were accustomed to go there to pray. Eight ancient olive trees growing in the Latin site of the garden may be 900 years old, a study conducted by the National Research Council of Italy in 2012 found that several olive trees in the garden are amongst the oldest known to science. Dates of 1092,1166 and 1198 AD were obtained by carbon dating from older parts of the trunks of three trees, DNA tests show that the trees were originally planted from the same parent plant. This could indicate attempt to keep the lineage of an older species intact, then again the three trees tested could have been sprouts reviving from the older roots. However Bernabei writes, “All the tree trunks are hollow inside so that the central, in the end, only three from a total of eight olive trees could be successfully dated. The dated ancient olive trees do, however, not allow any hypothesis to be made with regard to the age of the five giant olive trees. ”Babcox said that the roots of the oldest trees are possibly much older

10.
Last Supper
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The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper is commemorated by Christians especially on Maundy Thursday, the Last Supper provides the scriptural basis for the Eucharist, also known as Holy Communion or The Lords Supper. The First Epistle to the Corinthians contains the earliest known mention of the Last Supper, during the meal Jesus predicts his betrayal by one of the Apostles present, and foretells that before the next morning, Peter will deny knowing him. Scholars have looked to the Last Supper as the source of early Christian Eucharist traditions, others see the account of the Last Supper as derived from 1st-century eucharistic practice as described by Paul in the mid-50s. The term Last Supper does not appear in the New Testament, most Protestants use the term Lords Supper, stating that the term last suggests this was one of several meals and not the meal. The term Lords Supper refers both to the event and the act of Holy Communion and Eucharistic celebration within their liturgy. Evangelical Protestants also use the term Lords Supper, but most do not use the terms Eucharist or the word Holy with the name Communion, the Eastern Orthodox use the term Mystical Supper which refers both to the biblical event and the act of Eucharistic celebration within liturgy. The last meal that Jesus shared with his disciples is described in all four canonical Gospels and this meal later became known as the Last Supper. The Last Supper was likely a retelling of the events of the last meal of Jesus among the early Christian community, after the meal, Jesus is betrayed, arrested, tried, and then crucified. In Matthew 26, 24-25, Mark 14, 18-21, Luke 22, 21-23 and John 13, 21-30 during the meal and it would be better for him if he had not been born. In Matthew 26, 23-25 and John 13, 26-27, Judas is specifically identified as the traitor. In the Gospel of John, when asked about the traitor, Jesus states, “It is the one to whom I will give this piece of bread when I have dipped it in the dish. ”Then, dipping the piece of bread, he gave it to Judas, the son of Simon Iscariot. As soon as Judas took the bread, Satan entered into him, in the course of the Last Supper, Jesus divides up some bread, says a prayer, and hands the pieces of bread to his disciples, saying this is my body. He then takes a cup of wine, offers another prayer, and hands it around, saying this is my blood of the everlasting covenant, finally, according to Paul and Luke, he tells the disciples do this in remembrance of me. This event has been regarded by Christians of most denominations as the institution of the Eucharist, there is recorded celebration of the Eucharist by the early Christian community in Jerusalem. The institution of the Eucharist is recorded in the three Synoptic Gospels and in Pauls First Epistle to the Corinthians, the words of institution differ slightly in each account. In addition, Luke 22, 19b-20 is a text which does not appear in some of the early manuscripts of Luke. Some scholars, therefore, believe that it is an interpolation, a comparison of the accounts given in the Gospels and 1 Corinthians is shown in the table below, with text from the ASV

11.
Arrest of Jesus
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The arrest of Jesus is a pivotal event recorded in the canonical gospels. The event ultimately leads, in the Gospel accounts, to Jesus crucifixion, the arrest led immediately to his trial before the Sanhedrin, during which they condemned him to death and handed him to Pilate the following morning. In Christian theology, the events from the Last Supper until the crucifixion and resurrection of Jesus are referred to as the Passion, in the New Testament, all four Gospels conclude with an extended narrative of Jesus arrest, trial, crucifixion, burial, and resurrection. In each Gospel, these five events in the life of Jesus are treated with more detail than any other portion of that Gospels narrative. Scholars note that the reader receives an almost hour-by-hour account of what is happening, once there, he is described as leaving the group so that he can pray privately. The synoptics state that Jesus asked God that his burden be taken from him, Luke states that an angel appeared and strengthened Jesus, who then returned to his disciples. At that point, Judas gave Jesus a kiss, as a sign to those that had accompanied Judas as to who Jesus was. Having been identified, the officers arrested Jesus, although one of Jesus disciples thought to them with a sword. The Gospel of John specifies that it had been Simon Peter who had cut off the ear of Malchus, the servant of Caiaphas, Luke adds that Jesus healed the wound. John, Matthew, and Luke state that Jesus criticized the violent act, in Matthew, Jesus made the well known statement all who live by the sword, shall die by the sword. The account in the Gospel of John differs from that of the synoptics, chronology of Jesus Life of Jesus in the New Testament Brown, Raymond E. An Introduction to the New Testament Doubleday 1997 ISBN 0-385-24767-2 Brown, the New Jerome Biblical Commentary Prentice Hall 1990 ISBN 0-13-614934-0 Kilgallen, John J. A Brief Commentary on the Gospel of Mark Paulist Press 1989 ISBN 0-8091-3059-9 Miller, Robert J. Editor The Complete Gospels Polebridge Press 1994 ISBN 0-06-065587-9

12.
Sanhedrin Trial of Jesus
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In the New Testament, the Sanhedrin trial of Jesus refers to the trial of Jesus before the Sanhedrin following his arrest in Jerusalem and prior to his dispensation by Pontius Pilate. It is an event reported by all four Canonical gospels of the New Testament, although Johns Gospel does not explicitly mention a Sanhedrin trial in this context. Jesus is generally quiet, does not mount a defense, and rarely responds to the accusations, the Jewish leaders then take Jesus to Pontius Pilate, the governor of Roman Judaea, and ask that he be tried for claiming to be the King of the Jews. The trial as depicted in the Gospel accounts is temporally placed informally on Thursday night, in the narrative of the canonical gospels, after the betrayal and arrest of Jesus, he is taken to the Sanhedrin. From a historical perspective, in the era in which the narrative is set, in the four canonical gospels, Jesus was tried and condemned by a majority of the Sanhedrin members, although at least one member, Joseph of Arimathea, dissented from this decision. Jesus was mocked and beaten and condemned for making the claim of being the Son of God, although the Gospel accounts vary with respect to some of the details, they agree on the general character and overall structure of the trials of Jesus. Matthew 26,57 states that Jesus was taken to the house of Caiaphas the High Priest, where the scribes, Matthew 27,1 adds that, the next morning, the priests held another meeting. Luke 22,54 states that Jesus was taken to the priests house. It is added in 22,66 that, as soon as it was day, in John 18, 12-14, however, Jesus is first taken to Annas, the father-in-law of Caiaphas, who was the high priest at that time. Annas is believed to have been the high priest. In 18,24, Jesus is sent from Annas to Caiaphas the high priest, Luke 22,61 states that as Jesus was bound and standing at the priests house Peter was in the courtyard. Jesus turned and looked straight at him, and Peter remembered the words Jesus had spoken to him, Before the rooster crows today, you will disown me three times. In the Gospel accounts, Jesus speaks very little, and gives very infrequent and indirect answers to the questions of the priests, in Matthew 26,62, the lack of response from Jesus prompts the high priest to ask him, Answerest thou nothing. In the Gospel accounts, the men that hold Jesus at the priests house mock, blindfold, insult and beat him, at times slapping him. Mark 14,61 states that the high priest then asked Jesus, Art thou the Christ, and Jesus said I am, at which point the high priest tore his own robe in anger and accused Jesus of blasphemy. In Matthew 26,63, the high priest asks, tell us whether you are the Christ, Jesus responds You have said it, prompting the High Priest to tear his own robe, breaking Mosaic Law. In Luke 22,67, Jesus is asked, If thou art the Christ, but he said unto them, If I tell you, ye will not believe. But, in 22,70, when asked Are you then the Son of God, Jesus answers You say that I am, affirming the title Son of God

Sanhedrin Trial of Jesus
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Jesus about to be struck in front of the High Priest Annas, as in John 18:22, depicted by Madrazo, 1803.
Sanhedrin Trial of Jesus
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Matthias Stom 's depiction of Jesus before Caiaphas, c. 1630.
Sanhedrin Trial of Jesus
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Rembrandt 's 1660 depiction of Peter's Denial. Jesus, in the upper right hand corner, is at the high priest's house, his hands bound behind him, and turns to look at Peter.

13.
Gospel of Matthew
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The Gospel According to Matthew is the first book of the New Testament. The narrative tells how the Messiah, Jesus, rejected by Israel, most scholars believe the Gospel of Matthew was composed between AD80 and 90, with a range of possibility between AD70 to 110. The title Son of David identifies Jesus as the healing and miracle-working Messiah of Israel, as Son of Man he will return to judge the world, an expectation which his disciples recognise but of which his enemies are unaware. As Son of God he is God revealing himself through his son, the gospel reflects the struggles and conflicts between the evangelists community and the other Jews, particularly with its sharp criticism of the scribes and Pharisees. The original versions of the Gospel of Matthew and the gospels are lost. The oldest relatively complete extant manuscripts of the Bible are the Codex Vaticanus and the Codex Sinaiticus, besides these, there exist manuscript fragments ranging from a few verses to whole chapters. P104 and P67 are notable fragments of Matthew, in the process of recopying, variations slipped in, different regional manuscript traditions emerged, and corrections and adjustments were made. The Gospel of Matthew is anonymous, the author is not named within the text, the consensus is that Papias does not describe the Gospel of Matthew as we know it, and it is generally accepted that Matthew was written in Greek, not in Aramaic or Hebrew. The majority view of scholars is that Mark was the first gospel to be composed. The author of Matthew did not, however, simply copy Mark, an additional 220 verses, shared by Matthew and Luke but not found in Mark, from a second source, a hypothetical collection of sayings to which scholars give the name Quelle, or the Q source. The author also had at his disposal the Greek scriptures, both as book-scrolls and in the form of collections, and, if Papias is correct. The majority view among scholars is that Matthew was a product of the last quarter of the 1st century, the Christian community to which Matthew belonged, like many 1st-century Christians, were still part of the larger Jewish community, hence the designation Jewish Christian to describe them. The author of Matthew wrote for a community of Greek-speaking Jewish Christians located probably in Syria, Matthew, alone among the gospels, alternates five blocks of narrative with five of discourse, marking each off with the phrase When Jesus had finished. The Gospel of Matthew begins with the words The Book of Genealogy of Jesus Christ, John baptizes Jesus, and the Holy Spirit descends upon him. Jesus prays and meditates in the wilderness for forty days, and is tempted by Satan and his early ministry by word and deed in Galilee meets with much success, and leads to the Sermon on the Mount, the first of the discourses. The sermon presents the ethics of the kingdom of God, introduced by the Beatitudes and it concludes with a reminder that the response to the kingdom will have eternal consequences, and the crowds amazed response leads into the next narrative block. From the authoritative words of Jesus the gospel turns to three sets of three miracles interwoven with two sets of two stories, followed by a discourse on mission and suffering. Opposition to Jesus comes to a head with accusations that his deeds are done through the power of Satan, Jesus in turn accuses his opponents of blaspheming the Holy Spirit

Gospel of Matthew
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Books of the New Testament
Gospel of Matthew
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Papyrus 4, fragment of a flyleaf with the title of the Gospel of Matthew, ευαγγελιον κ̣ατ̣α μαθ᾽θαιον (euangelion kata Maththaion). Dated to late 2nd or early 3rd century, it is the earliest manuscript title for Matthew
Gospel of Matthew
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37, a 3rd-century CE papyrus of Matthew 26
Gospel of Matthew
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The Evangelist Matthew Inspired by an Angel (Rembrandt)

14.
Gospel of Mark
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The Gospel According to Mark, the second book of the New Testament, is one of the four canonical gospels and the three synoptic gospels. It portrays Jesus as a man of action, an exorcist, a healer. Jesus is also the Son of God, but he keeps his identity secret, all this is in keeping with prophecy, which foretold the fate of the messiah as Suffering Servant. The gospel ends, in its version, with the discovery of the empty tomb, a promise to meet again in Galilee. Traditionally thought to be an epitome of Matthew, which accounts for its place as the gospel in the Bible. The Gospel of Mark is anonymous, early Christian tradition ascribes it to John Mark, a companion and interpreter of the apostle Peter. Hence its author is often called Mark, even though most modern scholars are doubtful of the Markan tradition and instead regard the author as unknown. It was probably written c. AD 66–70, during Neros persecution of the Christians in Rome or the Jewish revolt, as suggested by references to war in Judea. The author used a variety of pre-existing sources, such as stories, apocalyptic discourse. Mark was written in Greek, for an audience of Greek-speaking Christians, Rome, Galilee, Antioch. The gospels of Matthew, Mark and Luke bear a resemblance to each other. Their close relationship is termed the problem, and has led to a number of hypotheses explaining their interdependence. The most widely accepted hypothesis is that Mark was the first gospel and was used as a source by both Matthew and Luke, together with additional material. The strongest argument for this is the fact that Matthew and Luke agree with other in their sequence of stories. The 19th century recognition of Mark as the earliest gospel led to the belief that it must therefore be the most reliable, the modern consensus is that Marks purpose was to present a theological message rather than to write history. Marks gospel is nevertheless seen as the most reliable of the four in terms of its overall description of Jesuss life. This recognition allows scholars to chart the evolution of Jesus in the scriptures, Marks Christ, for example, dies with the cry, My God, my God, historical reconstruction suggests that the original despairing death of Jesus has become more and more victorious over time. From the outset, Christians depended heavily on Jewish literature, supporting their convictions through the Jewish scriptures and those convictions involved a nucleus of key concepts, the messiah, the son of God and the son of man, the Day of the Lord, the kingdom of God

15.
Koine Greek
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It was based mainly on Attic and related Ionic speech forms, with various admixtures brought about through dialect levelling with other varieties. Koine Greek displayed a wide spectrum of different styles, ranging from more conservative literary forms to the vernaculars of the time. As the dominant language of the Byzantine Empire, it developed further into Medieval Greek, Koine Greek remained the court language of the Byzantine Empire until its dissolution in 1453, while Medieval and eventually Modern Greek were the everyday language. Literary Koine was the medium of much of post-classical Greek literary and scholarly writing, such as the works of Plutarch, Koine is also the language of the Christian New Testament, of the Septuagint, and of most early Christian theological writing by the Church Fathers. In this context, Koine Greek is also known as Biblical, New Testament and it continues to be used as the liturgical language of services in the Greek Orthodox Church. The word koinē is the Greek word for common, and is understood as referring to the common dialect. The word is pronounced /kɔɪˈneɪ/, /ˈkɔɪneɪ/ or /kiːˈniː/ in US English, the pronunciation of the word in Koine gradually changed from Greek pronunciation, to Greek pronunciation. Its pronunciation in Modern Greek is, the term was applied in several different senses by ancient scholars. Others chose to refer to Koine as the Alexandrian dialect or the dialect of Alexandria, the former was often used by modern classicists. Koine Greek arose as a dialect within the armies of Alexander the Great. Under the leadership of Macedon, their newly formed common variety was spoken from the Ptolemaic Kingdom of Egypt to the Seleucid Empire of Mesopotamia and it replaced existing ancient Greek dialects with an everyday form that people anywhere could understand. The passage into the period, known as Medieval Greek. The post-Classical period of Greek thus refers to the creation and evolution of Koine Greek throughout the entire Hellenistic, the linguistic roots of the Common Greek dialect had been unclear since ancient times. During the Hellenistic period, most scholars thought of Koine as the result of the mixture of the four main Ancient Greek dialects, ἡ ἐκ τῶν τεττάρων συνεστῶσα. The view accepted by most scholars today was given by the Greek linguist Georgios Hatzidakis, who showed that, despite the composition of the Four, the stable nucleus of Koine Greek is Attic. In other words, Koine Greek can be regarded as Attic with the admixture of elements especially from Ionic, the degree of importance of the non-Attic linguistic elements on Koine can vary depending on the region of the Hellenistic World. The literary Koine of the Hellenistic age resembles Attic in such a degree that it is mentioned as Common Attic. Koine Greek was therefore considered a form of Greek which was not worthy of attention

Koine Greek
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Papyrus 46 is one of the oldest extant New Testament manuscripts in Greek, written on papyrus, with its 'most probable date' between 175-225.
Koine Greek
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Dark blue: areas where Greek speakers probably were a majority. Light blue: areas that were Hellenized. [when?] [citation needed]

16.
Plutarch
–
Plutarch was a Greek biographer and essayist, known primarily for his Parallel Lives and Moralia. He is classified as a Middle Platonist, Plutarchs surviving works were written in Greek, but intended for both Greek and Roman readers. Plutarch was born to a prominent family in the town of Chaeronea, about 80 km east of Delphi. The name of Plutarchs father has not been preserved, but based on the common Greek custom of repeating a name in alternate generations, the name of Plutarchs grandfather was Lamprias, as he attested in Moralia and in his Life of Antony. His brothers, Timon and Lamprias, are mentioned in his essays and dialogues. Rualdus, in his 1624 work Life of Plutarchus, recovered the name of Plutarchs wife, Timoxena, from internal evidence afforded by his writings. A letter is still extant, addressed by Plutarch to his wife, bidding her not to grieve too much at the death of their two-year-old daughter, interestingly, he hinted at a belief in reincarnation in that letter of consolation. The exact number of his sons is not certain, although two of them, Autobulus and the second Plutarch, are often mentioned. Plutarchs treatise De animae procreatione in Timaeo is dedicated to them, another person, Soklarus, is spoken of in terms which seem to imply that he was Plutarchs son, but this is nowhere definitely stated. Plutarch studied mathematics and philosophy at the Academy of Athens under Ammonius from 66 to 67, at some point, Plutarch took Roman citizenship. He lived most of his life at Chaeronea, and was initiated into the mysteries of the Greek god Apollo. For many years Plutarch served as one of the two priests at the temple of Apollo at Delphi, the site of the famous Delphic Oracle, twenty miles from his home. By his writings and lectures Plutarch became a celebrity in the Roman Empire, yet he continued to reside where he was born, at his country estate, guests from all over the empire congregated for serious conversation, presided over by Plutarch in his marble chair. Many of these dialogues were recorded and published, and the 78 essays, Plutarch held the office of archon in his native municipality, probably only an annual one which he likely served more than once. He busied himself with all the matters of the town. The Suda, a medieval Greek encyclopedia, states that Emperor Trajan made Plutarch procurator of Illyria, however, most historians consider this unlikely, since Illyria was not a procuratorial province, and Plutarch probably did not speak Illyrian. Plutarch spent the last thirty years of his serving as a priest in Delphi. He thus connected part of his work with the sanctuary of Apollo, the processes of oracle-giving

Plutarch
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Ruins of the Temple of Apollo at Delphi, where Plutarch served as one of the priests responsible for interpreting the predictions of the oracle.
Plutarch
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Parallel Lives, Amyot translation, 1565
Plutarch
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Plutarch's bust at Chaeronea, his home town.
Plutarch
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A page from the 1470 Ulrich Han printing of Plutarch's Parallel Lives.

17.
Alexander the Great
–
Alexander III of Macedon, commonly known as Alexander the Great, was a king of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty and he was undefeated in battle and is widely considered one of historys most successful military commanders. During his youth, Alexander was tutored by Aristotle until the age of 16, after Philips assassination in 336 BC, he succeeded his father to the throne and inherited a strong kingdom and an experienced army. Alexander was awarded the generalship of Greece and used this authority to launch his fathers Panhellenic project to lead the Greeks in the conquest of Persia, in 334 BC, he invaded the Achaemenid Empire and began a series of campaigns that lasted ten years. Following the conquest of Anatolia, Alexander broke the power of Persia in a series of battles, most notably the battles of Issus. He subsequently overthrew Persian King Darius III and conquered the Achaemenid Empire in its entirety, at that point, his empire stretched from the Adriatic Sea to the Indus River. He sought to reach the ends of the world and the Great Outer Sea and invaded India in 326 BC and he eventually turned back at the demand of his homesick troops. Alexander died in Babylon in 323 BC, the city that he planned to establish as his capital, without executing a series of planned campaigns that would have begun with an invasion of Arabia. In the years following his death, a series of civil wars tore his empire apart, resulting in the establishment of several states ruled by the Diadochi, Alexanders surviving generals, Alexanders legacy includes the cultural diffusion which his conquests engendered, such as Greco-Buddhism. He founded some twenty cities that bore his name, most notably Alexandria in Egypt, Alexander became legendary as a classical hero in the mold of Achilles, and he features prominently in the history and mythic traditions of both Greek and non-Greek cultures. He became the measure against which military leaders compared themselves, and he is often ranked among the most influential people in human history. He was the son of the king of Macedon, Philip II, and his wife, Olympias. Although Philip had seven or eight wives, Olympias was his wife for some time. Several legends surround Alexanders birth and childhood, sometime after the wedding, Philip is said to have seen himself, in a dream, securing his wifes womb with a seal engraved with a lions image. Plutarch offered a variety of interpretations of dreams, that Olympias was pregnant before her marriage, indicated by the sealing of her womb. On the day Alexander was born, Philip was preparing a siege on the city of Potidea on the peninsula of Chalcidice. That same day, Philip received news that his general Parmenion had defeated the combined Illyrian and Paeonian armies, and it was also said that on this day, the Temple of Artemis in Ephesus, one of the Seven Wonders of the World, burnt down. This led Hegesias of Magnesia to say that it had burnt down because Artemis was away, such legends may have emerged when Alexander was king, and possibly at his own instigation, to show that he was superhuman and destined for greatness from conception

18.
Lutheran
–
Lutheranism is a major branch of Protestant Christianity which identifies with the theology of Martin Luther, a German friar, ecclesiastical reformer and theologian. Luthers efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation in the German-speaking territories of the Holy Roman Empire. Lutheranism advocates a doctrine of justification by grace alone through faith alone on the basis of Scripture alone and this is in contrast to the belief of the Catholic Church, defined at the Council of Trent, concerning authority coming from both the Scriptures and Tradition. In addition, Lutheranism accepts the teachings of the first seven ecumenical councils of the undivided Christian Church, unlike Calvinism, Lutherans retain many of the liturgical practices and sacramental teachings of the pre-Reformation Church, with a particular emphasis on the Eucharist, or Lords Supper. Lutheran theology differs from Reformed theology in Christology, the purpose of Gods Law, the grace, the concept of perseverance of the saints. Today, Lutheranism is one of the largest denominations of Protestantism, with approximately 80 million adherents, it constitutes the third most common Protestant denomination after historically Pentecostal denominations and Anglicanism. The Lutheran World Federation, the largest communion of Lutheran churches, Other Lutheran organizations include the International Lutheran Council and the Confessional Evangelical Lutheran Conference, as well as independent churches. The name Lutheran originated as a term used against Luther by German Scholastic theologian Dr. Johann Maier von Eck during the Leipzig Debate in July 1519. Eck and other Catholics followed the practice of naming a heresy after its leader. Martin Luther always disliked the term Lutheran, preferring the term Evangelical, which was derived from euangelion, the followers of John Calvin, Huldrych Zwingli, and other theologians linked to the Reformed tradition also began to use that term. To distinguish the two groups, others began to refer to the two groups as Evangelical Lutheran and Evangelical Reformed. As time passed by, the word Evangelical was dropped, Lutherans themselves began to use the term Lutheran in the middle of the 16th century, in order to distinguish themselves from other groups such as the Philippists and Calvinists. In 1597, theologians in Wittenberg defined the title Lutheran as referring to the true church, Lutheranism has its roots in the work of Martin Luther, who sought to reform the Western Church to what he considered a more biblical foundation. Lutheranism spread through all of Scandinavia during the 16th century, as the monarch of Denmark–Norway, through Baltic-German and Swedish rule, Lutheranism also spread into Estonia and Latvia. Since 1520, regular Lutheran services have been held in Copenhagen, under the reign of Frederick I, Denmark-Norway remained officially Catholic. Although Frederick initially pledged to persecute Lutherans, he adopted a policy of protecting Lutheran preachers and reformers. During Fredericks reign, Lutheranism made significant inroads in Denmark, at an open meeting in Copenhagen attended by the king in 1536, the people shouted, We will stand by the holy Gospel, and do not want such bishops anymore. Fredericks son Christian was openly Lutheran, which prevented his election to the throne upon his fathers death, however, following his victory in the civil war that followed, in 1537 he became Christian III and advanced the Reformation in Denmark-Norway

19.
Johann Albrecht Bengel
–
Johann Albrecht Bengel, also known as Bengelius, was a Lutheran pietist clergyman and Greek-language scholar known for his edition of the Greek New Testament and his commentaries on it. Bengel was born at Winnenden in Württemberg, due to the death of his father in 1693, he was educated by a family friend, David Wendel Spindler, who became a master in the gymnasium at Stuttgart. His knowledge of the metaphysics of Spinoza was such that he was selected by one of the professors to prepare materials for a treatise, De Spinosismo, after acquiring his degree, Bengel devoted himself to theology. In 1707 Bengel entered the ministry and was appointed to the charge of Metzingen-unter-Urach. In the following year he was recalled to Tübingen to undertake the office of Repetent and he remained at Tübingen until 1713, when he was appointed head of a seminary recently established at Denkendorf as a preparatory school of theology. The influence exerted by these upon his theological studies is manifest in some of his works. For 28 years, from 1713 to 1741, he was master of the Klosterschule at Denkendorf, to these years, the period of his greatest intellectual activity, belong many of his chief works. In 1741 he was appointed prelate at Herbrechtingen, where he remained till 1749 and he devoted himself to the discharge of his duties as a member of the consistory. Bengel exerted himself on the side of the members of the consistory, in 1751 the University of Tübingen conferred upon him the degree of Doctor of Divinity. He died in Stuttgart, aged 65, Bengel carried on an 18-year-long controversy with Nicolaus Ludwig, Count von Zinzendorf, leader of the Moravian Brethren from Herrnhut in Saxony. This led to a break between the Moravian Brethren and the dour Pietism typical of Wuerttemberg, represented by Bengel, as Bengel did not hesitate to manipulate historical calendars in his chiliasm attempts to predict the end of the world, Zinzendorf rejected this as superstitious “interpretation of signs. Bengels edition of the Greek New Testament was published at Tübingen in 1734, and at Stuttgart in the same year, but without the critical apparatus. In constituting the text, he imposed upon himself the singular restriction of not inserting any variant reading which had not already been printed in some preceding edition of the Greek text. From this rule, however, he deviated in the case of the Apocalypse, R Etiennes division into verses was retained in the inner margin, but the text was divided into paragraphs. Bengel was the first definitely to propound the theory of families or recensions of manuscripts, the theory was afterwards adopted by J. S. Griesbach, and worked up into a system by the latter critic. Bengels labors on the text of the Greek Testament were received with great disfavour in many quarters, JJ Wetstein, on the other hand, accused him of excessive caution in not making freer use of his critical materials. The text of Bengel long enjoyed a reputation among scholars

20.
Greek language
–
Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population

21.
Greek Orthodox Church
–
Historically, the term Greek Orthodox has also been used to describe all Eastern Orthodox Churches in general, since Greek in Greek Orthodox can refer to the heritage of the Byzantine Empire. Over time, most parts of the liturgy, traditions, and practices of the church of Constantinople were adopted by all, thus, the Eastern Church came to be called Greek Orthodox in the same way that the Western Church is called Roman Catholic. Orthodox Churches, unlike the Catholic Church, have no Bishopric head, such as a Pope, however, they are each governed by a committee of Bishops, called the Holy Synod, with one central Bishop holding the honorary title of first among equals. Greek Orthodox Churches are united in communion with other, as well as with the other Eastern Orthodox Churches. The Eastern Orthodox hold a doctrine and a common form of worship. The most commonly used Divine Liturgy of the Orthodox Church was written by Saint John Chrysostom, others, are attributed to St. Basil the Great, St. James, the Brother of God and St. The majority of Greek Orthodox Christians live within Greece and elsewhere in the southern Balkans, but also in Lebanon, Cyprus, Anatolia, European Turkey, and the South Caucasus. In addition, due to the large Greek diaspora, there are many Greek Orthodox Christians who live in North America, Orthodox Christians in Finland, who compose about 1% of the population, are also under the jurisdiction of a Greek Orthodox Church. Thus, they may attend services held in Old Russian and Old Church Slavonic, the Church conducts its liturgy in Koine Greek in the areas of Albania populated by the ethnic Greek minority, alongside the use of Albanian throughout the country. The Greek and Eastern Churches online Constantelos, Demetrios J. Understanding the Greek Orthodox church, its faith, history, the Orthodox Eastern Church Hussey, Joan Mervyn. The orthodox church in the Byzantine empire online Kephala, Euphrosyne, the Church of the Greek People Past and Present Latourette, Kenneth Scott. Christianity in a Revolutionary Age, II, The Nineteenth Century in Europe, The Protestant,2, 479-484, Christianity in a Revolutionary Age, IV, The Twentieth Century in Europe, The Roman Catholic, Protestant, and Eastern Churches McGuckin, John Anthony. The Encyclopedia of Eastern Orthodox Christianity, media related to Greek Orthodox Church at Wikimedia Commons

Greek Orthodox Church
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A religious procession in Corfu
Greek Orthodox Church
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Flag used by the Orthodox Church in Greece, and the standard of the self-governed monastic state of Mount Athos.
Greek Orthodox Church
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Seal of the Ecumenical Patriarchate of Constantinople
Greek Orthodox Church
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Chiesa di S.Giorgio dei Greci in Venice, 1548

22.
Troparion
–
A troparion in Byzantine music and in the religious music of Eastern Orthodox Christianity is a short hymn of one stanza, or organised in more complex forms as series of stanzas. The early meaning of troparion was related to the hymn book Tropologion or Troparologion. It is chanted again at the beginning of Matins, read at each of the Little Hours, a troparion in honor of the Trinity is called a Triadicon. Often the penultimate in a series of troparia will be a triadicon, usually preceded by, Glory to the Father, and to the Son, and to the Holy Spirit. There are also special Triadica which are chanted after Alleluia at the beginning of Matins on weekdays of Great Lent, which according to the tone of the week. A troparion to the Mother of God is called a Theotokion, plural, Theotokia will often occur at the end of a series of troparia, usually preceded by Both now and ever, and unto the ages of ages. If a Theotokion makes reference to the Crucifixion of Jesus, it is called a stavrotheotokion, the stanzas of a Canon are troparia, as are the verses interspersed between the Beatitudes at the Divine Liturgy. Perhaps the earliest set of troparia of known authorship are those of the monk Auxentios, mentioned in his biography, Troparion of the Holy Cross, Tone I, O Lord, save Thy people, and bless Thine inheritance. Grant victory to the Orthodox Christians* over their adversaries, and by virtue of Thy cross, *In monarchies where Eastern Orthodoxy is the state religion, this troparion is often used as a national anthem with the name of the ruler occurring here. Troparion of Holy Saturday, Tone II, The noble Joseph, when he had taken down Thy most pure body from the Tree, wrapped it in linen and anointed it with spices. Without corruption thou gavest birth to God, the Word, what night falls on me, what dark and moonless madness of wild-desire, this lust for sin. Who shall count the multitude of my sins or the depth of Thy judgment, do not ignore thy handmaiden, O Thou whose mercy is endless. Troparion of the Nativity, Apolytikion Kontakion Troparion at OrthodoxWiki troparion Encyclopædia Britannica

23.
Life of Christ
–
The four canonical gospels of the New Testament are the primary sources of information for the narrative of the life of Jesus. And the Acts of the Apostles says more about the Ascension episode than the canonical gospels, the genealogy and Nativity of Jesus are described in two of the four canonical gospels, Matthew and Luke. While Luke traces the genealogy upwards towards Adam and God, Matthew traces it downwards towards Jesus, both gospels state that Jesus was begotten not by Joseph, but by God. Both accounts trace Joseph back to King David and from there to Abraham and these lists are identical between Abraham and David, but they differ almost completely between David and Joseph. Matthew gives Jacob as Joseph’s father and Luke says Joseph was the son of Heli, attempts at explaining the differences between the genealogies have varied in nature. Much of modern scholarship interprets them as literary inventions, the Luke and Matthew accounts of the birth of Jesus have a number of points in common, both have Jesus being born in Bethlehem, in Judea, to a virgin mother. In the Luke account Joseph and Mary travel from their home in Nazareth for the census to Bethlehem, angels proclaim him a savior for all people, and shepherds come to adore him, the family then returns to Nazareth. In Matthew, The Magi follow a star to Bethlehem, where the family are living, to bring gifts to Jesus, King Herod massacres all males under two years old in Bethlehem in order to kill Jesus, but Jesuss family flees to Egypt and later settles in Nazareth. Over the centuries, biblical scholars have attempted to reconcile these contradictions, generally, they consider the issue of historicity as secondary, given that gospels were primarily written as theological documents rather than chronological timelines. The five major milestones in the New Testament narrative of the life of Jesus are his Baptism, in the gospels, the ministry of Jesus starts with his Baptism by John the Baptist, when he is about thirty years old. Jesus then begins preaching in Galilee and gathers disciples, after the proclamation of Jesus as Christ, three of the disciples witness his Transfiguration. After the death of John the Baptist and the Transfiguration, Jesus starts his journey to Jerusalem. Jesus makes an entry into Jerusalem, and once there friction with the Pharisees increases. The Gospel of Luke states that Jesus was about 30 years of age at the start of his ministry, a chronology of Jesus typically has the date of the start of his ministry estimated at around 27-29 and the end in the range 30-36. Jesus Early Galilean ministry begins when after his Baptism, he back to Galilee from his time in the Judean desert. The Major Galilean ministry which begins in Matthew 8 includes the commissioning of the Twelve Apostles, the Final Galilean ministry begins after the death of John the Baptist as Jesus prepares to go to Jerusalem. In the Later Judean ministry Jesus starts his journey to Jerusalem through Judea. As Jesus travels towards Jerusalem, in the Later Perean ministry, about one third the way down from the Sea of Galilee along the River Jordan, the Final ministry in Jerusalem is sometimes called the Passion Week and begins with Jesus triumphal entry into Jerusalem

24.
Passion of Jesus
–
Those parts of the four Gospels that describe these events, as well as the non-canonical Gospel of Peter, are known as the Passion narratives. In the liturgical calendar of the Roman Catholic Church, the Passion is commemorated in Holy Week, beginning on Friday of Sorrows, the Palm Sunday and culminating on his death on Good Friday. The word passion has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs. The accounts of the Passion are found in the four gospels, Matthew, Mark, Luke. Three of these, Matthew, Mark, and Luke, known as the Synoptic Gospels, the Gospel of John accounts varies slightly. The events include, The conspiracy against Jesus by the Jewish Sanhedrin priests, triumphal entry into Jerusalem, his anger and outburst at the Cleansing of the Temple A meal a few days before Passover. He says that for this she always be remembered. In Jerusalem, the Last Supper shared by Jesus and his disciples, Jesus gives final instructions, predicts his betrayal, and tells them all to remember him. On the path to Gethsemane after the meal, Jesus tells them they will all fall away that night, after Peter protests he will not, Jesus says Peter will deny him three times before the cock crows. Gethsemane, later that night, Jesus prays, meanwhile, the disciples rest, during the arrest in Gethsemane, someone takes a sword and cuts off the ear of the high priests servant, Malchus. The high priests palace, later that night, According to Matthews Gospel, the court then spat in his face and struck him with their fists. They then send him to Pontius Pilate, According to the synoptic gospels, the high priest who examines Jesus is Caiaphas, in John, Jesus is also interrogated by Annas, Caiaiphas father-in-law. The courtyard outside the high palace, the same time. Peter has followed Jesus and joined the mob awaiting Jesus’ fate, they suspect he is a sympathizer, suddenly, the cock crows and Peter remembers what Jesus had said. Pilate, the Roman governor, examines Jesus, decides he is innocent, the Jewish leaders and the crowd demand Jesus’ death, Pilate gives them the choice of saving Barabbas, in response to the screaming mob Pilate sends Jesus out to be crucified. According to the Gospel of Matthew, Judas, the betrayer, is filled with remorse, when the high priests say that that is his affair, Judas throws the money into the temple, goes off, and hangs himself. Golgotha, a hill outside Jerusalem, later morning through mid afternoon, the Gospel of Luke states that Pilate sends Jesus to be judged by Herod Antipas because as a Galilean he is under his jurisdiction. Herod is excited at first to see Jesus and hopes Jesus will perform a miracle for him, he asks Jesus several questions, Herod then mocks him and sends him back to Pilate after giving him an elegant robe to wear

25.
The Taking of Christ (Caravaggio)
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The Taking of Christ is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin. There are seven figures in the painting, from left to right they are John, Jesus, Judas and they are standing, and only the upper three-quarters of their bodies are depicted. Judas has just kissed Jesus to identify him for the soldiers, the figures are arrayed before a very dark background, in which the setting is obscured. The main light source is not evident in the painting but comes from the upper left, at the far left, a man is fleeing, his arms are raised, his mouth is open in a gasp, his cloak is flying and being snatched back by a soldier. Two of the puzzling details of the painting are, one. The central group, composed of Jesus, Judas and the soldier with an outstretched hand, by the late 18th century, the painting was thought to have disappeared, and its whereabouts remained unknown for about 200 years. In 1990, Caravaggio’s lost masterpiece was recognized in the residence of the Society of Jesus in Dublin, the rediscovery was published in November 1993. This erroneous attribution had already been made while the painting was in the possession of the Roman Mattei family, in 1802, the Mattei sold it, as a work by Honthorst, to William Hamilton Nisbet, in whose home in Scotland it hung until 1921. As layers of dirt and discoloured varnish were removed, the technical quality of the painting was revealed. Much of the credit for verifying the authenticity of this belongs to Francesca Cappelletti and Laura Testa. The painting is on loan to the National Gallery of Ireland from the Jesuit Community, Leeson Street, Dublin. In 2010 it was displayed from February to June at the Scuderie del Quirinale, Rome, there are at least 12 known copies of this painting. These include ones in the Sucre Cathedral Museum and St Bedes College, Manchester, the Odessa Museum of Western and Eastern Art has a copy of The Taking of Christ believed to be an original copy made by Caravaggio himself. The painting was stolen from the museum in 2008 and found in Germany, after restoration and research Ukrainian and Russian scientists claimed it is a copy, made by Giovanni di Attili for Asdrubale Mattei, brother of the originals owner - Ciriaco Mattei. The account books of Asdrubale record a payment of 12 scudi in 1626 for this work, a version owned by the Sannini family of Florence came to the attention of Roberto Longhi in 1943, who considered it a copy. In 2003, dealer Mario Bigetti, suspecting it was an original and he consulted Maria Letizia Paoletti, who argued the large number of pentimenti visible under X-ray images proved the painting was the original. Sir Denis Mahon, who had in 1993 authenticated the Dublin version, in 2004 stated that the Sannini version was Caravaggios original and this prompted comment in the Irish and British media in February 2004

The Taking of Christ (Caravaggio)
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The Taking of Christ
The Taking of Christ (Caravaggio)
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Woodcut by Albrecht Dürer (detail)
The Taking of Christ (Caravaggio)
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Damaged copy in Odessa

26.
Caravaggio
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Michelangelo Merisi da Caravaggio was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, in scarcely a year or so’s sojourn in Naples, he rapidly established himself once more as the most prominent painter, exploiting high-ranking connections. It was not long before these connections gave him an opening to travel on in 1607 to Malta, governed by the Order of Knights Hospitallers, Caravaggio probably hoped that the Knights would provide a channel whereby he could obtain a pardon from the Papacy. Once more his talents made an instant impression, along with the support of noble patrons and his hopes dashed, he contrived to escape and flee once, which before the end of 1608 led to his cancellation from the rolls of the Order. He made for Syracuse in Sicily, where he was received as a guest by a friend from his Roman days, the painter’s face was disfigured and rumours started to circulate of his death. Various commentators have formulated opinions about his state from works supposedly executed at this period. In fact, Caravaggio’s end is shrouded in mystery, mystery that is rendered only denser by conflicting hypotheses, some speak of a natural death from a persistent fever, others of an assassination by emissaries of the Knights of Malta. The loss of the paintings put the deal and his future in doubt, there is evidence that dogged by a serious fever, he was tended by a local religious confraternity near Porto Ercole, then in the Grand Duchy of Tuscany, but succumbed. His death was certified by them as taking place on 18 July 1610, if the story to this point is exact, it is likely he was buried in a paupers’ common grave. As to the place, though this continues to be contested. Famous while he lived, Caravaggio was forgotten almost immediately after his death, despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism was profound. The 20th-century art historian André Berne-Joffroy claimed, What begins in the work of Caravaggio is, quite simply, modern painting. Caravaggio was born in Milan where his father, Fermo, was an administrator and architect-decorator to the Marchese of Caravaggio. His mother, Lucia Aratori, came from a family of the same district. In 1576 the family moved to Caravaggio to escape a plague which ravaged Milan, Caravaggios mother died in 1584, the same year he began his four-year apprenticeship to the Milanese painter Simone Peterzano, described in the contract of apprenticeship as a pupil of Titian. Following his initial training under Simone Peterzano, in 1592 Caravaggio left Milan for Rome, in flight after certain quarrels, in Rome, where there was a demand for paintings to fill the many huge new churches and palazzos being built at the time. It was also a period when the Church was searching for an alternative to Mannerism in religious art that was tasked to counter the threat of Protestantism. Caravaggios innovation was a radical naturalism that combined close observation with a dramatic, even theatrical

27.
Ravenna
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Ravenna is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the city of the Western Roman Empire from 402 until that empire collapsed in 476. It then served as the capital of the Kingdom of the Ostrogoths until it was re-conquered in 540 by the Eastern Roman Empire. Afterwards, the city formed the centre of the Byzantine Exarchate of Ravenna until the invasion of the Lombards in 751, although an inland city, Ravenna is connected to the Adriatic Sea by the Candiano Canal. It is known for its well-preserved late Roman and Byzantine architecture, the origin of the name Ravenna is unclear, although it is believed the name is Etruscan. Some have speculated that ravenna is related to Rasenna, the term that the Etruscans used for themselves, the origins of Ravenna are uncertain. Ravenna consisted of houses built on piles on a series of islands in a marshy lagoon – a situation similar to Venice several centuries later. The Romans ignored it during their conquest of the Po River Delta, in 49 BC, it was the location where Julius Caesar gathered his forces before crossing the Rubicon. Later, after his battle against Mark Antony in 31 BC and this harbor, protected at first by its own walls, was an important station of the Roman Imperial Fleet. Nowadays the city is landlocked, but Ravenna remained an important seaport on the Adriatic until the early Middle Ages, during the German campaigns, Thusnelda, widow of Arminius, and Marbod, King of the Marcomanni, were confined at Ravenna. Ravenna greatly prospered under Roman rule, Emperor Trajan built a 70 km long aqueduct at the beginning of the 2nd century. During the Marcomannic Wars, Germanic settlers in Ravenna revolted and managed to seize possession of the city, for this reason, Marcus Aurelius decided not only against bringing more barbarians into Italy, but even banished those who had previously been brought there. In AD402, Emperor Honorius transferred the capital of the Western Roman Empire from Milan to Ravenna, at that time it was home to 50,000 people. However, in 409, King Alaric I of the Visigoths simply bypassed Ravenna, after many vicissitudes, Galla Placidia returned to Ravenna with her son, Emperor Valentinian III and the support of her nephew Theodosius II. The late 5th century saw the dissolution of Roman authority in the west, Odoacer ruled as King of Italy for 13 years, but in 489 the Eastern Emperor Zeno sent the Ostrogoth King Theoderic the Great to re-take the Italian peninsula. After losing the Battle of Verona, Odoacer retreated to Ravenna, Theoderic took Ravenna in 493, supposedly slew Odoacer with his own hands, and Ravenna became the capital of the Ostrogothic Kingdom of Italy. Both Odoacer and Theoderic and their followers were Arian Christians, but co-existed peacefully with the Latins, Ravennas Orthodox bishops carried out notable building projects, of which the sole surviving one is the Capella Arcivescovile. Theoderic allowed Roman citizens within his kingdom to be subject to Roman law, the Goths, meanwhile, lived under their own laws and customs

Ravenna
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Collage of Ravenna
Ravenna
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Mosaic of the Emperor Justinian from the Basilica of San Vitale.
Ravenna
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The Mausoleum of Theoderic.
Ravenna
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Basilica of San Vitale - triumphal arch mosaics.

28.
Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco

29.
Barna da Siena
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Barna da Siena, also known as Berna di Siena, was presumed to be a Sienese painter active from about 1330 to 1350. The painter was first referred to by Lorenzo Ghiberti in his I Commentarii as a Sienese painter who painted works in Tuscany. Giorgio Vasari referred in the first edition of his Vite to the Sienese painter ‘Berna’ who was responsible for frescos of Old Testament scenes in the Collegiata di San Gimignano. In the second edition of the Vite Vasari only connected the artist with the New Testament scenes in church, dating them to the very end of Barna’s life. Because of the variations in style and quality in the New Testament paintings in San Gimignano it is believed that they were the work of three or four distinct painters. It is further believed that Vasaris dating of the New Testament scenes was incorrect as on stylistic grounds they should be dated to the period 1330-1340s, because of these problems with the identification of the artist a majority of scholars now believe that ‘Barna’ is a historical fiction. This conclusion has generated various theories on the authorship of the San Gimignano frescoes, the view is that the Collegiata frescoes and other panel paintings attributed to the artist are all closely linked to the work of followers of Simone Martini and the circle of Lippo Memmi. Because of a lack of signed works Barna has been credited as the master of the Collegiata di San Gimignano. It is believed that his pupil Giovanni d Asciano assisted him on the frescoes and finished the left-over portions after Barna reportedly fell from a scaffolding and died supposedly at a young age. It is suggested, based on the works of biographer Giorgio Vasari, Bernardo was notably taken prisoner in 1335 during a skirmish with the Luccans. He later went to Siena and studied in Simone Martinis workshop, documents show that in 1355 he was either absent from Siena or dead. This supports the notion that Barna, the master of San Gimignano, died fairly young, when captured in 1335 it was noted that he was just a lad. If he was shortly before 1320 and died somewhere before 1360 then he could not have been older than forty before his death. Though not much is certain about Barnas life, his work is very distinct and he is known for his dramatically expressive figures and using a more close-in composition than his predecessors. His version of The Raising of Lazarus, for example displays far fewer figures than Duccios version and their expressions are much more dramatic and there is a sense of human-ness that isnt seen in the work of Sienese painters before him. Barna seemingly ignores the Gothic formulae exemplified by Simone Martini and his disciples, cecchi, Emilio, Sienese Painters of the Trecento, London, F. Warne,1931. Ghiberti, Lorenzo, Lorenzo Ghiberti, I commentarii, Biblioteca nazionale centrale di Firenze, Firenze, Vasari, Giorgio, Le Vite delle più eccellenti pittori, scultori, ed architettori, many editions and translations. Pope-Hennessy, John & Kanter, Laurence B, the Robert Lehman Collection I, Italian Paintings

30.
Barcelona
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Founded as a Roman city, in the Middle Ages Barcelona became the capital of the County of Barcelona. Barcelona has a cultural heritage and is today an important cultural centre. Particularly renowned are the works of Antoni Gaudí and Lluís Domènech i Montaner. The headquarters of the Union for the Mediterranean is located in Barcelona, the city is known for hosting the 1992 Summer Olympics as well as world-class conferences and expositions and also many international sport tournaments. It is a cultural and economic centre in southwestern Europe, 24th in the world. In 2008 it was the fourth most economically powerful city by GDP in the European Union, in 2012 Barcelona had a GDP of $170 billion, it is leading Spain in both employment rate and GDP per capita change. In 2009 the city was ranked Europes third and one of the worlds most successful as a city brand, since 2011 Barcelona has been a leading smart city in Europe. During the Middle Ages, the city was known as Barchinona, Barçalona, Barchelonaa. Internationally, Barcelonas name is abbreviated to Barça. However, this refers only to FC Barcelona, the football club. The common abbreviated form used by locals is Barna, another common abbreviation is BCN, which is also the IATA airport code of the Barcelona-El Prat Airport. The city is referred to as the Ciutat Comtal in Catalan. The origin of the earliest settlement at the site of present-day Barcelona is unclear, the ruins of an early settlement have been excavated in the El Raval neighbourhood, including different tombs and dwellings dating to earlier than 5000 BC. The founding of Barcelona is the subject of two different legends, the first attributes the founding of the city to the mythological Hercules. In about 15 BC, the Romans redrew the town as a castrum centred on the Mons Taber, under the Romans, it was a colony with the surname of Faventia, or, in full, Colonia Faventia Julia Augusta Pia Barcino or Colonia Julia Augusta Faventia Paterna Barcino. It enjoyed immunity from imperial burdens, the city minted its own coins, some from the era of Galba survive. Some remaining fragments of the Roman walls have incorporated into the cathedral. The cathedral, also known as the Basilica La Seu, is said to have founded in 343

31.
Fra Angelico
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Fra Angelico was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having a rare and perfect talent. He was known to contemporaries as Fra Giovanni da Fiesole and Fra Giovanni Angelico, in modern Italian he is called il Beato Angelico, the common English name Fra Angelico means the Angelic friar. In 1982 Pope John Paul II proclaimed his beatification in recognition of the holiness of his life and he is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus—Blessed Giovanni of Fiesole, surnamed the Angelic. Fra Angelico was born Guido di Pietro at Rupecanina in the Tuscan area of Mugello near Fiesole towards the end of the 14th century, nothing is known of his parents. He was baptized Guido or Guidolino, the earliest recorded document concerning Fra Angelico dates from October 17,1417 when he joined a religious confraternity or guild at the Carmine Church, still under the name of Guido di Pietro. The first record of Angelico as a friar dates from 1423, Fra, a contraction of frater, is a conventional title for a mendicant friar. According to Vasari, Fra Angelico initially received training as an illuminator, possibly working with his older brother Benedetto who was also a Dominican and an illuminator. The former Dominican convent of San Marco in Florence, now a state museum, the painter Lorenzo Monaco may have contributed to his art training, and the influence of the Sienese school is discernible in his work. He had several important charges in the convents he lived in, but this did not limit his art, according to Vasari, the first paintings of this artist were an altarpiece and a painted screen for the Charterhouse of Florence, none such exist there now. Between 1418 and 1436 he was at the convent of Fiesole, where he executed a number of frescoes for the church and the Altarpiece. A predella of the Altarpiece remains intact and is conserved in the National Gallery, London and it shows Christ in Glory surrounded by more than 250 figures, including beatified Dominicans. In 1436, Fra Angelico was one of a number of the friars from Fiesole who moved to the newly built convent or friary of San Marco in Florence, in 1439 Fra Angelico completed one of his most famous works, the San Marco Altarpiece at Florence. The result was unusual for its time, but in this instance, the saints stand squarely within the space, grouped in a natural way as if they were able to converse about the shared experience of witnessing the Virgin in glory. Paintings such as this, known as Sacred Conversations, were to become the major commissions of Giovanni Bellini, Perugino and Raphael. In 1445 Pope Eugene IV summoned him to Rome to paint the frescoes of the Chapel of the Holy Sacrament at St Peters, later demolished by Pope Paul III. Vasari claims that at this time Fra Angelico was offered the Archbishopric of Florence by Pope Nicholas V, the story seems possible and even likely. However, if Vasaris date is correct, then the pope must have been Eugene IV and not Nicholas, moreover, the Archbishop in 1446–1459 was the Dominican Antoninus of Florence, canonized by Pope Adrian VI in 1523. In 1447 Fra Angelico was in Orvieto with his pupil, Benozzo Gozzoli, among his other pupils were Zanobi Strozzi

32.
San Marco, Florence
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San Marco is the name of a religious complex in Florence, Italy. It comprises a church and a convent, the convent, which is now a museum, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola, also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo. The present convent occupies the site where a Vallombrosan monastery existed in the 12th century, both of these groups were branches of the Order of St. Benedict. In the time of the Sylvestrines at least, the church was used both for monastic liturgical functions and as a parish church, from this initial period there have recently been rediscovered some traces of frescoes below floor level. They appealed to Cosimo de Medici the Elder, who lived nearby in the palace, now known as the Palazzo Medici-Riccardi. So it was that in 1437 Cosimo commissioned Michelozzo, the Medici’s favourite architect to rebuild the San Marco convent on Renaissance lines. By 1438 the work was underway and the final dedication took place on Epiphany night 1443 in the presence of Pope Eugene IV. These years marked in fact the height of the Medici family’s artistic patronage, the church has a single nave with side chapels designed in the late 16th century by Giambologna, and housing paintings from the 16th–17th centuries. In the late 17th century the tribune and the ceiling were also realized. A further renovation was carried on in 1678 by Pier Francesco Silvani, the façade, in Neo-Classical style, was built in 1777–1778. Among the artworks, the most ancient is a 14th-century crucifix in the counter-façade, the crucifix on the high altar is by Fra Angelico. Over the first altar to the right is St. Thomas Praying by Santi di Tito from 1593, Giambologna completed the Cappella di SantAntonino in May 1589. The Salviati family had been linked by marriage to the Medici (Pope Leo XI was the son of Francesca Salviati, the interior was decorated in fresco with a Translation and Funeral of St. Antonino Perozzi by Domenico Passignano. The dome of the chapel is by Bernardino Poccetti, also author of frescoes in the Sacrament Chapel, the latter also has canvases by Santi di Tito, Crespi, Francesco Morandini, Jacopo da Empoli, and Francesco Curradi. The work was planned according to arrangements that took account of simplicity and practicality, but were of great elegance, a sober, though comfortable, Renaissance edifice. The internal walls were covered in whitewashed plaster, layout centred on two cloisters, with the usual features of a chapter house, two refectories and guest quarters on the ground level. On the upper floor were the friars’ cells, small walled enclosures overarched by a trussed roof

San Marco, Florence
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The façade and the bell tower of San Marco in Florence.
San Marco, Florence
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The Last Judgement, by Fra Angelico.

33.
Grandes Heures of Anne of Brittany
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It has been described by John Harthan as one of the most magnificent Books of Hours ever made, and is now in the Bibliothèque nationale de France as Ms lat. It has 49 full-page miniatures in a Renaissance style, and more than 300 pages have large borders illustrated with a depiction of, usually. The book is large for a book of hours at 30, the full-page miniatures have large figures in an advanced Renaissance style for France at this date, drawing on both Italian and Flemish painting, and with well-developed perspective. Similar frames surround the miniatures of the Sforza Hours, begun in Italy in the 1490s, outside the frames the edges of these pages are painted plain black. Some landscape backgrounds suggest a knowledge of the style of Leonardo da Vinci. In particular specific borrowings from the architecture of Bramante and the painting of Perugino suggest that Bourdichon may have made a visit to Italy. There is a portrait of Anne at prayer, presented by her patron saints to the dead Christ held by the Virgin Mary in a Pietà on the facing page. Night-scenes include a famous Annunciation to the Shepherds and the Nativity, scenes from the Life of Christ and that of the Virgin are depicted as well as a number of portraits and scenes of saints. F. 197v has the rare scene of the Virgin Mary being taught how to read by Saint Anne, the book is also remarkable for its realistic representations of 337 plants in the borders that most text pages are given. There are flowers, cultivated and wild, shrubs, some trees and among the plants a wide variety of insects, the plants include Cannabis sativa on f. 90v, and the cereal crops of the day on ff. The insects represented are butterflies and moths, dragonflies, grasshoppers, caterpillars, beetles, flies, carpenter bees, crickets, earwigs, the small animals represented are snakes, lizards, slow worms, frogs, turtles, squirrels, snails, rabbits, monkeys and spiders. In most pages the border is a panel to the outside of the text. The plants are shown as if laid out on a plain coloured surface, in 1894 Giulio Camus wrote an account of the plants in the work, and a full modern facsimile was published in 2008. There are 395 images from the available online through the BnF. But there was a recent treaty between Brittany and France requiring French consent to Annes marriage, and this had not been obtained, after a French invasion, the marriage was swiftly annulled and one arranged with Charles VIII of France. After many more pregnancies and stillborn children, at her death in 1514 Anne left two daughters, of whom Claude married François I, the cousin who succeeded to the throne. Prayers like Obsecro te, which are written in Latin, contain words such as pronouns that indicate the gender of the supplicant and this is true of the Obsecro te in the Grandes Heures of Anne of Brittany

34.
James Tissot
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Jacques Joseph Tissot, Anglicized as James Tissot, was a French painter and illustrator. He was a painter of Paris society before moving to London in 1871. He became famous as a painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible, jacques Tissot was born in the port town of Nantes, France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant and his mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissots mother instilled pious devotion in the future artist from a young age. Tissots youth spent in Nantes likely contributed to his frequent depiction of shipping vessels, the involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted womens clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career and his father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mothers support for his chosen vocation. Around this time, he began using the name of James. By 1854 he was known as James Tissot, he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art, while staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres, Lamothe provided the majority of Tissots studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas, in 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethes Faust and these works show the influence in his work of the Belgian painter Henri Leys, whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter von Cornelius, in about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures, Degas painted a portrait of Tissot from these years, in which he is sitting below a Japanese screen hanging on the wall. Tissot fought in the Franco-Prussian War as part of the defence of Paris

James Tissot
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Self-portrait in 1865
James Tissot
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The Circle of the Rue Royale, a scene in Paris seen from the balcony of the Hôtel de Coislin overlooking the Place de la Concorde.
James Tissot
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Portrait of James Tissot by Edgar Degas, c.1866-67
James Tissot
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Still on Top, 1873

35.
Brooklyn Museum
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The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At 560,000 square feet, the museum is New York Citys third largest in physical size, the museum initially struggled to maintain its building and collection, only to be revitalized in the late 20th century, thanks to major renovations. Significant areas of the collection include antiquities, specifically their collection of Egyptian antiquities spanning over 3,000 years, African, Oceanic, and Japanese art make for notable antiquities collections as well. American art is represented, starting at the Colonial period. Artists represented in the collection include Mark Rothko, Edward Hopper, Norman Rockwell, Winslow Homer, Edgar Degas, Georgia OKeeffe, the museum also has a Memorial Sculpture Garden which features salvaged architectural elements from throughout New York City. The roots of the Brooklyn Museum extend back to the 1823 founding by Augustus Graham of the Brooklyn Apprentices’ Library in Brooklyn Heights, in 1890, under its director Franklin Hooper, Institute leaders reorganized as the Brooklyn Institute of Arts and Sciences and began planning the Brooklyn Museum. The initial design for the Brooklyn Museum was four times as large as the actualized version, Daniel Chester French, the noted sculptor of the Lincoln Memorial, was the principal designer of the pediment sculptures and the monolithic 12. 5-foot figures along the cornice. The figures were created by 11 sculptors and carved by the Piccirilli Brothers, by 1920, the New York City Subway reached the museum with a subway station, this greatly improved access to the once-isolated museum from Manhattan and other outer boroughs. The Brooklyn Institutes director Franklin Hooper was the museums first director and he was followed by Philip Newell Youtz, Laurance Page Roberts, Isabel Spaulding Roberts, Charles Nagel, Jr. and Edgar Craig Schenck. Thomas S. Buechner became the director in 1960, making him one of the youngest directors in the country. Buechner oversaw a major transformation in the way the museum displayed art and brought some one thousand works that had languished in the museums archives and put them on display. Buechner played a role in rescuing the Daniel Chester French sculptures from destruction due to an expansion project at the Manhattan Bridge in the 1960s. The Brooklyn Museum changed its name to Brooklyn Museum of Art in 1997, on March 12,2004, the museum announced that it would revert to its previous name. In April 2004, the museum opened the James Polshek-designed entrance pavilion on the Eastern Parkway façade, in September 2014, Lehman announced that he was planning to retire around June 2015. In May 2015, Creative Time president and artistic director Anne Pasternak was named the Museums next director, member institutions occupy land or buildings owned by the City of New York and derive part of their yearly funding from the City. The Brooklyn Museum also supplements its earned income with funding from Federal and State governments, as well as donations by individuals. Major benefactors include Frank Lusk Babbott, the museum is the site of the annual Brooklyn Artists Ball which has included celebrity hosts such as Sarah Jessica Parker and Liv Tyler. The Brooklyn Museum exhibits collections that seek to embody the rich heritage of world cultures

36.
Gospel harmony
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A gospel harmony is an attempt to compile the Christian canonical gospels into a single account. This may take the form either of a single, merged narrative, or a format with one column for each gospel, technically known as a synopsis. The construction of harmonies has always favoured by more conservative scholars. Students of higher criticism, on the hand, see the divergences between the Gospel accounts as reflecting the construction of traditions by the early Christian communities. The earliest known harmony is the Diatessaron by Tatian in the 2nd century, the 16th century witnessed a major increase in the introduction of Gospel harmonies and the parallel column structure became widespread. At this time visual representations also started appearing, depicting the Life of Christ in terms of a gospel harmony. A Gospel harmony is an attempt to collate the Christian canonical gospels into a single gospel account and this approach, almost as old as the gospels themselves, has largely been abandoned in the modern era. Harmonists must either choose which they think is correct, or conclude that separate events are described, a similar problem arises with the centurion whose servant is healed, at a distance. In the Matthew Gospel he comes to Jesus, in the Luke version he sends Jewish elders, since these are clearly describing the same event, the harmonist must decide which is the more accurate description. The terms harmony and synopsis have been used to refer to approaches that aim to achieve Gospel harmony, technically, a harmony weaves together sections of scripture into a narrative, merging the four Gospels. There are four types of harmony, radical, synthetic, sequential. A synopsis, much like a parallel harmony focuses on key events and brings together similar texts or accounts in parallel format, usually in columns. Harmonies may also have a form and be undertaken to create narratives for artistic purposes. To illustrate the concept of harmony, a simple example of a synopsis fragment is shown here. A more comprehensive parallel harmony appears in a section below, specific issues at times resists distillation into a single harmonized chronology, as the variety of readings that appear in multiple harmony efforts attests. An example is determining whether Jesus cursed the fig tree before or after the Cleansing of the Temple, however, the construction of harmonies remains an important element of biblical study and to gain a better understanding of the Gospel accounts of the life of Jesus. Tatians influential Diatessaron harmony which dates to about AD160 was perhaps the very first harmony. The Diatessaron reduced the number of verses in the four gospels from 3,780 to 2,769 without missing any event of teaching in the life of Jesus from any of the gospels, some scholars believe Tatian may have drawn on one or more noncanonical Gospels

37.
Life of Jesus in the New Testament
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The four canonical gospels of the New Testament are the primary sources of information for the narrative of the life of Jesus. And the Acts of the Apostles says more about the Ascension episode than the canonical gospels, the genealogy and Nativity of Jesus are described in two of the four canonical gospels, Matthew and Luke. While Luke traces the genealogy upwards towards Adam and God, Matthew traces it downwards towards Jesus, both gospels state that Jesus was begotten not by Joseph, but by God. Both accounts trace Joseph back to King David and from there to Abraham and these lists are identical between Abraham and David, but they differ almost completely between David and Joseph. Matthew gives Jacob as Joseph’s father and Luke says Joseph was the son of Heli, attempts at explaining the differences between the genealogies have varied in nature. Much of modern scholarship interprets them as literary inventions, the Luke and Matthew accounts of the birth of Jesus have a number of points in common, both have Jesus being born in Bethlehem, in Judea, to a virgin mother. In the Luke account Joseph and Mary travel from their home in Nazareth for the census to Bethlehem, angels proclaim him a savior for all people, and shepherds come to adore him, the family then returns to Nazareth. In Matthew, The Magi follow a star to Bethlehem, where the family are living, to bring gifts to Jesus, King Herod massacres all males under two years old in Bethlehem in order to kill Jesus, but Jesuss family flees to Egypt and later settles in Nazareth. Over the centuries, biblical scholars have attempted to reconcile these contradictions, generally, they consider the issue of historicity as secondary, given that gospels were primarily written as theological documents rather than chronological timelines. The five major milestones in the New Testament narrative of the life of Jesus are his Baptism, in the gospels, the ministry of Jesus starts with his Baptism by John the Baptist, when he is about thirty years old. Jesus then begins preaching in Galilee and gathers disciples, after the proclamation of Jesus as Christ, three of the disciples witness his Transfiguration. After the death of John the Baptist and the Transfiguration, Jesus starts his journey to Jerusalem. Jesus makes an entry into Jerusalem, and once there friction with the Pharisees increases. The Gospel of Luke states that Jesus was about 30 years of age at the start of his ministry, a chronology of Jesus typically has the date of the start of his ministry estimated at around 27-29 and the end in the range 30-36. Jesus Early Galilean ministry begins when after his Baptism, he back to Galilee from his time in the Judean desert. The Major Galilean ministry which begins in Matthew 8 includes the commissioning of the Twelve Apostles, the Final Galilean ministry begins after the death of John the Baptist as Jesus prepares to go to Jerusalem. In the Later Judean ministry Jesus starts his journey to Jerusalem through Judea. As Jesus travels towards Jerusalem, in the Later Perean ministry, about one third the way down from the Sea of Galilee along the River Jordan, the Final ministry in Jerusalem is sometimes called the Passion Week and begins with Jesus triumphal entry into Jerusalem

38.
Canonical gospels
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A gospel is an account describing the life, death, and resurrection of Jesus of Nazareth. Christianity places a value on the four canonical gospels, which it considers to be revelations from God. This position however, requires a view of Biblical inerrancy. The word gospel derives from the Old English gōd-spell, meaning good news or glad tidings, the gospel was considered the good news of the coming Kingdom of Messiah, and of redemption through the life and death and resurrection of Jesus, the central Christian message. The Greek word euangelion is also the source of the terms evangelist, the authors of the four canonical Christian gospels are known as the Four Evangelists. Paul the Apostle used the term εὐαγγέλιον when he reminded the people of the church at Corinth of the gospel I preached to you, the earliest extant use of gospel to denote a particular genre of literature dates to the 2nd century. Justin Martyr in the Apology wrote of. the apostles, in the memoirs composed by them, more generally, gospels compose a genre of early Christian writings. Gospels that did not become canonical also circulated in Early Christianity, many, such as the work known today as Gospel of Thomas, lack the narrative framework typical of a gospel. Scholars hold a wide spectrum of views on the origins and composition of the gospels, for example, the vast majority of material in Mark is also present in either Luke or Matthew or both, suggesting that Mark was a source for Matthew and Luke. He writes that the four gospels were probably all written by the end of the first century. But they did not yet at that time have a consistent narrative, in 170 Tatian sought to find a solution by composing a single narrative out of Matthew, Mark, and Luke, with some additional oral material. Richies concludes that the gospel passages themselves can be unclear, and some of the messages within are straightforwardly ambiguous, the gospels of Matthew, Mark, and Luke are considered synoptic gospels on the basis of many similarities between them that are not shared by the Gospel of John. Synoptic means here that they can be seen or read together, the fourth gospel, the Gospel of John, presents a very different picture of Jesus and his ministry from the synoptics. Of the many gospels written in antiquity, only four came to be accepted as part of the New Testament. An insistence upon there being a canon of four gospels, and no others, was a theme of Irenaeus of Lyons. Irenaeus was ultimately successful in declaring that the four gospels collectively and he also supported reading each gospel in light of the others. This canon, which corresponds to the modern Catholic canon, was used in the Vulgate, Gospel of Matthew Gospel of John Gospel of Luke Gospel of Mark This order is found in the following manuscripts, Bezae, Monacensis, Washingtonianus, Tischendorfianus IV, Uncial 0234. Although there is no set order of the four gospels in patristic lists or discussions, moody Smith suggests that the standard order of Matthew-Mark-Luke-John projects a kind of intention that can scarcely be ignored

39.
Christ Child
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The Christ Child, also known as Divine Infant, Baby Jesus, Infant Jesus, Child Jesus, the Holy Child, and Santo Niño, refers to Jesus Christ from his nativity to age 12. Upon reaching 13 years-old he was considered to be an adult in accordance with Jewish custom, the canonical Gospels lack any narration of the years between Jesus infancy and the Finding in the Temple when he was twelve. Commonly these are nativity scenes showing the birth of Jesus, with his mother, Mary, depictions as a baby with the Virgin Mary, known as Madonna and Child, are iconographical types in Eastern and Western traditions. Other scenes from his time as a baby, of his circumcision, presentation at the temple, the adoration of the Magi, scenes showing his developing years are more rare but not unknown. Saint Joseph, Anthony of Padua, and Saint Christopher are often depicted holding the Christ Child, the Christ Child was a popular subject in European wood sculpture beginning in the 1300s. The popularity of the Christ child was known in Spain under the title Montanesino after the santero sculptor Juan Martínez Montañés who began the trend. The growth of images being made were quite popular among nobility, while images were also used to colonize kingdoms such of Spain. The symbolism of the Child Jesus in art reached its apex during the Renaissance, tàladh Chrìosda is a Scottish carol from Moidart, Scotland. The Catholic priest Father Ranald Rankin, wrote the lyrics for Midnight Mass around the year 1855 and he originally wrote 29 verses in Scottish Gaelic, but the popular English translation is limited to five. The melody, Cumha Mhic Arois, is from the Hebrides and was a sung as a charm for the fisherman away at sea. The rhythm mirrors the rhythm of the surf and it is sung in the Hebrides at Midnight Mass of Christmas Eve. A number of texts, the Infancy Gospels grew up with legendary accounts of the intervening period. These stories were intended to show Jesus as having extraordinary gifts of power and knowledge, one common pious tale has the young Jesus animating sparrows out of clay belonging to his playmates. When admonished for doing so on the Sabbath, he causes the birds to fly away, in the seventeenth century veneration of the Christ Child under the title the Little King of Beaune was promoted by French Carmelites. In the late nineteenth century devotion to the Holy Child of Remedy developed in Madrid

40.
Annunciation
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Gabriel told Mary to name her son Yehoshua, meaning YHWH is salvation. According to Luke 1,26, the Annunciation occurred in the month of Elizabeths pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the vernal equinox nine full months before Christmas. In England, this came to be known as Lady Day and it marked the new year until 1752. The 2nd-century writer Irenaeus of Lyon regarded the conception of Jesus as 25 March coinciding with the Passion, the Annunciation has been a key topic in Christian art in general, as well as in Marian art in the Catholic Church, particularly during the Middle Ages and Renaissance. A work of art depicting the Annunciation is sometimes called an Annunciation. 28 And the angel came in unto her, and said, Hail, thou that art highly favoured,29 And when she saw him, she was troubled at his saying, and cast in her mind what manner of salutation this should be. 30 And the angel said unto her, Fear not, Mary,31 And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name JESUS. 34 Then said Mary unto the angel, How shall this be,36 And, behold, thy cousin Elisabeth, she hath also conceived a son in her old age, and this is the sixth month with her, who was called barren. 37 For with God nothing shall be impossible,38 And Mary said, Behold the handmaid of the Lord, be it unto me according to thy word. And the angel departed from her,19 Then Joseph her husband, being a just man, and not willing to make her a publick example, was minded to put her away privily. 21 And she shall bring forth a son, and thou shalt call his name JESUS,35 In answer the angel said to her, Holy spirit will come upon you, and power of the Most High will overshadow you. And for that reason the one who is born will be called holy, manuscript 4Q246 of the Dead Sea Scrolls reads, shall be great upon the earth. O king, all people shall make peace, and all shall serve him and he shall be called the son of the Great God, and by his name shall he be hailed as the Son of God, and they shall call him Son of the Most High. It has been suggested that the similarity in content is such that Lukes version may in some way be dependent on the Qumran text, the Annunciation is described in the Quran, in Sura 003,045 verses 45–51,45 Behold. Muslim tradition holds that the Annunciation took place during the month of Ramadan, in Greek, the Annunciation is known as the Good Tidings or Evangelism. In the Orthodox Churches that use a new style Calendar, the feast is celebrated on March 25, in churches using the old style Julian calendar, the feast day is April 7. The traditional hymn for the feast of the Annunciation goes back to St Athanasius, indeed, the Divine Liturgy is celebrated on Great and Holy Friday only when the latter coincides with the feast of the Annunciation

41.
Visitation (Christianity)
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The Visitation is the visit of Mary with Elizabeth as recorded in the Gospel of Luke, Luke 1, 39–56. It is also the name of a Christian feast day commemorating this visit, celebrated on 31 May in the West, Mary visits her relative Elizabeth, they are both pregnant. Mary is pregnant with Jesus and Elizabeth is pregnant with John the Baptist, Mary left Nazareth immediately after the Annunciation and went into the hill country. into a city of Judah to attend to her cousin Elizabeth. There are several possibilities as to exactly which city this was, including Hebron, south of Jerusalem, the journey from Nazareth to Hebron is about 130 kilometres in a direct line, probably up to half as far again by road, depending on the route taken. Elizabeth was in the month before Mary came. Mary stayed three months, and most scholars hold she stayed for the birth of John, the apparition of the angel, mentioned in Matthew 1, 19–25, may have taken place then to end the tormenting doubts of Joseph regarding Marys maternity. In the Gospel of Luke, the accounts of the Annunciation and Visitation are constructed using eight points of literary parallelism to compare Mary to the Ark of the Covenant. In Catholicism, it is held that the purpose of this visit was to bring divine grace to both Elizabeth and her unborn child. Even though he was still in his mothers womb, John became aware of the presence of Christ, Elizabeth also responded and recognised the presence of Jesus, and thus Mary exercised her function as mediatrix between God and man for the first time. And she spoke out with a voice, and said, Blessed thou among women. And whence this to me, that the mother of my Lord should come to me, for, lo, as soon as the voice of thy salutation sounded in mine ears, the babe leaped in my womb for joy. And blessed she that believed, for there shall be a performance of those things which were told her from the Lord, in response to Elizabeth, Mary proclaims the Magnificat, Luke 1, 46–55, the canticle that has traditionally been reserved for this feast day. In the Latin Rite of the Catholic Church, the Visitation is the second Joyful Mystery of the Rosary, the theme of the Feast of the Visitation centers on Mary responding to the prompting of the Holy Spirit to set out on a mission of charity. This feast is of medieval origin and it was kept by the Order of Friars Minor before 1263 when Saint Bonaventure recommended it and the Franciscan chapter adopted it, and the Franciscan Breviary spread it to many churches. In 1389 Pope Urban VI, hoping thereby to obtain an end to the Great Western Schism, inserted it in the Roman Calendar, in the Tridentine Calendar, it was a Double. When that Missal of Pope Pius V was replaced by that of Pope Clement VIII in 1604 and it remained so until Pope John XXIII reclassified it as a Second-Class Feast in 1962. It continued to be assigned to 2 July, the day after the end of the following the feast of the birth of John the Baptist. The Catholic Church in Germany has, with the consent of the Holy See, July 2 is observed also by Traditionalist Catholics who use a pre-1970 calendar, and by Anglicans who use the 1662 Book of Common Prayer

42.
Nativity of Jesus
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The nativity of Jesus or birth of Jesus is described in the gospels of Luke and Matthew. The two accounts agree that Jesus was born in Bethlehem in the time of Herod the Great to a virgin whose name was Mary. In Christian theology the nativity marks the incarnation of Jesus as the second Adam, in fulfillment of the divine will of God, undoing the damage caused by the fall of the first man, Adam. The artistic depiction of the nativity has been an important subject for Christian artists since the 4th century, the nativity plays a major role in the Christian liturgical year. Christian congregations of the Western tradition begin observing the season of Advent four Sundays before Christmas, the traditional feast-day of his birth, which falls on December 25. The date of birth for Jesus of Nazareth is not stated in the gospels or in any secular text, the Gospels of both Matthew and Luke place the birth of Jesus in Bethlehem. However, Luke 1, 26–27 clearly states that Mary lived in Nazareth before the birth of Jesus, at the time of the Annunciation. The Gospel of Luke states that Mary gave birth to Jesus and placed him in a manger “because there was no place for them in the inn, but does not say exactly where Jesus was born. This could be a place to keep the sheep within the Bethlehem area, in the 2nd century, Justin Martyr stated that Jesus had been born in a cave outside the town, while the Protoevangelium of James described a legendary birth in a cave nearby. In Contra Celsum 1.51, Origen, who from around 215 travelled throughout Palestine, the Quranic birth of Jesus, like the Gospels, places the virgin birth of Jesus in Bethlehem. This is how the birth of Jesus the Messiah came about, Mary, the mother of Jesus, was betrothed to Joseph, but was found to be pregnant through the Holy Spirit. Joseph intended to divorce her quietly, but an angel told him in a dream that he should take Mary as his wife and name the child Jesus, Joseph awoke and did all that the angel commanded. Chapter 1 of Matthews Gospel recounts Jesus birth and naming and the beginning of chapter 2 reveals that Jesus was born in Bethlehem during the time of Herod the Great. Magi from the east came to Herod and asked him where they would find the King of the Jews, advised by the chief priests and teachers, Herod sent the Magi to Bethlehem, where they worshiped the child and gave him gifts. When they had departed an angel appeared to Joseph in a dream and warned him to take the child and his mother and flee to Egypt, for Herod intended to kill him. The Holy Family remained in Egypt until Herod died, when Joseph took them to Nazareth in Galilee for fear of Herods son who now ruled in Jerusalem, so was fulfilled what was said through the prophets, that he would be called a Nazarene. When the time of the birth drew near the Roman Emperor commanded a census of all the world, and Joseph took Mary to Bethlehem, the city of David, as he was of the House of David. In accordance with the Jewish law his parents presented the infant Jesus at the Temple in Jerusalem, Joseph and Mary then returned to Nazareth

Nativity of Jesus
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"Adoration of the Shepherds" by Gerard van Honthorst, 1622
Nativity of Jesus
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Nativity of Jesus, by Botticelli
Nativity of Jesus
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A page from an 11th-century Gospel of Matthew (1:18–21), with Matthew 1:21, providing the origin of the name Jesus.
Nativity of Jesus
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Angel Gabriel 's Annunciation to Mary, by Murillo, c. 1655

43.
Virgin birth of Jesus
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The virgin birth of Jesus is the belief that Jesus was conceived in the womb of his mother Mary through the Holy Spirit without the agency of a human father and born while Mary was still a virgin. The New Testament references are Matthew 1, 18-25 and Luke 1 and it is believed by Christians to follow the prophetic message in Isaiah 7,14. It is not expressly mentioned elsewhere in the Christian scriptures, the virgin birth was universally accepted in the Christian church by the 2nd century and, except for some minor sects, was not seriously challenged until the 18th century. Muslims also accept the virgin birth of Jesus,18 Now the birth of Jesus Christ took place in this way. When his mother Mary had been betrothed to Joseph, before they came together she was found to be with child from the Holy Spirit,19 And her husband Joseph, being a just man and unwilling to put her to shame, resolved to divorce her quietly. 21 She will bear a son, and you shall call his name Jesus,22 All this took place to fulfill what the Lord had spoken by the prophet,23 Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel. 24 When Joseph woke from sleep, he did as the angel of the Lord commanded him, he took his wife,25, and he called his name Jesus. 26 In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth,27 to a virgin betrothed to a man whose name was Joseph, and the virgins name was Mary. 28 And he came to her and said, Greetings, O favored one,29 But she was greatly troubled at the saying, and tried to discern what sort of greeting this might be. 30 And the angel said to her, Do not be afraid, Mary,31 And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. 32 He will be great and will be called the Son of the Most High. And the Lord God will give to him the throne of his father David,33 and he will reign over the house of Jacob forever,34 And Mary said to the angel, How will this be, since I am a virgin. 35 And the angel answered her, The Holy Spirit will come upon you, and the power of the Most High will overshadow you, therefore the child to be born will be called holy, the Son of God. 36 And behold, your relative Elizabeth in her old age has also conceived a son,37 For nothing will be impossible with God. 38 And Mary said, Behold, I am the servant of the Lord, and the angel departed from her. Jesus miraculous conception by the Holy Spirit is found only in the gospels of Matthew, both probably date from the period 80-100 AD, and both were originally anonymous. Matthew 1,23 quotes a prophecy from the Isaiah as the basis for the virgin birth, in Isaiah the Immanuel prophecy has an immediate aim, but Matthew uses it to find patterns of Gods dealings with Israel rather than a single and specific fulfillment. In the genealogy preceding his birth story Matthew calls Joseph the husband of Mary, of whom was born Jesus, who is called Christ

44.
Adoration of the Shepherds
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The Adoration of the Shepherds, in the Nativity of Jesus in art, is a scene in which shepherds are near witnesses to the birth of Jesus in Bethlehem, arriving soon after the actual birth. It is often combined in art with the Adoration of the Magi, the Annunciation to the Shepherds, when they are summoned by an angel to the scene, is a distinct subject. Ghirlandaio also shows a procession of Magi about to arrive with their gifts, the shepherds are then described as hurrying to Bethlehem to visit Jesus, and making widely known what they had been told concerning him, before they finally return to their flocks. They praise God for all the things that they had heard and seen, robert Gundry notes that the statement appeals to eyewitness testimony combined with heavenly revelation. This combination is first found in the 6th century Monza ampullae made in Byzantine Palaestina Prima, in Renaissance art, drawing on classical stories of Orpheus, the shepherds are sometimes depicted with musical instruments. A charming but atypical miniature in the La Flora Hours in Naples shows the shepherds playing to the Infant Jesus, many artists have depicted the Adoration of the Shepherds. C. Some of these do so along the lines of urging the listener to come to Bethlehem, the modern Calypso Carol has the lines Shepherds swiftly from your stupor rise / to see the Saviour of the world, and the chorus O now carry me to Bethlehem. Angels We Have Heard on High says, Come to Bethlehem, O Come, All Ye Faithful has a verse which runs, Other carols which mention the adoration of the shepherds include Silent Night, What Child Is This. Infant Holy, Infant Lowly, I Wonder as I Wander, the German carol Vom Himmel hoch, da komm ich her contains several stanzas on the subject of following the shepherds and celebrating the newborn baby

Adoration of the Shepherds
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Adoration of the Shepherds by Guido Reni.
Adoration of the Shepherds
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Adoration of the Shepherds by Domenico Ghirlandaio, 1485.
Adoration of the Shepherds
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Adoration of the Shepherds by Matthias Stom, ca. 1635–40.
Adoration of the Shepherds
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Adoration of the Shepherds by Giorgione, 1510.

45.
Circumcision of Jesus
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The circumcision of Jesus is an event from the life of Jesus according to the Gospel of Luke, which states in verse 2,21 that Jesus was circumcised eight days after his birth. This is in keeping with the Jewish law which holds that males should be circumcised eight days after birth during a Brit milah ceremony, at which they are also given their name. The circumcision of Christ became a common subject in Christian art from the 10th century onwards. It was initially only as a scene in larger cycles. The event is celebrated as the Feast of the Circumcision in the Eastern Orthodox Church on January 1 in whichever calendar is used, a number of relics claiming to be the Holy Prepuce, the foreskin of Jesus, have surfaced. However, this account is extremely short, particularly compared to Paul the Apostles much fuller description of his own circumcision in the chapter of his Epistle to the Philippians. In addition to the account in the Gospel of Luke. And the old Hebrew woman took the foreskin, and preserved it in an alabaster-box of old oil of spikenard. And she had a son who was a druggist, to whom she said, Take heed thou sell not this alabaster box of spikenard-ointment, although thou shouldst be offered three hundred pence for it. Now this is that alabaster-box which Mary the sinner procured, and poured forth the ointment out of it upon the head and feet of our Lord Jesus Christ, and wiped it off with the hairs of her head. The circumcision controversy in early Christianity was resolved in the 1st century, Saint Paul, the leading proponent of this position, discouraged circumcision as a qualification for conversion to Christianity. Circumcision soon became rare in most of the Christian world, except the Coptic Church of Egypt, one of the earliest depictions to survive is a miniature in an important Byzantine illuminated manuscript of 979-984, the Menologion of Basil II in the Vatican Library. This has a scene which shows Mary and Joseph holding the baby Jesus outside a building, probably the Temple of Jerusalem and this is typical of the early depictions, which avoid showing the operation itself. Like most later depictions these are taking place in a large building, probably representing the Temple. Medieval pilgrims to the Holy Land were told Jesus had been circumcised in the church at Bethlehem, the scene gradually became increasingly common in the art of the Western church, and increasingly rare in Orthodox art. Various themes in theological exegesis of the event influenced the treatment in art. As the first drawing of Christs blood, it was seen as a forerunner of, or even the first scene of, the Passion of Christ. Other interpretations developed based on it as the naming ceremony equivalent to Christian baptism, such an arrangement is seen in a miniature from a German Pentateuch in Hebrew from about 1300, showing the Circumcision of Isaac

46.
Presentation of Jesus at the Temple
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The Presentation of Jesus at the Temple is an early episode in the life of Jesus that is celebrated by the Church on the holiday of Candlemas. It is described in the Gospel of Luke of the New Testament in the Christian Bible, within the account, Lukes narration of the Presentation in the Temple combines the purification rite with the Jewish ceremony of the redemption of the firstborn. In the Eastern Orthodox Church, the presentation of Jesus at the temple is celebrated as is one of the twelve Great Feasts, and is sometimes called Hypapante. In Western Christianity, the name for the day is Candlemas, which is also known as the Feast of the Purification of the Virgin. In some liturgical churches, Vespers on the Feast of the Presentation marks the end of the Epiphany season, in the Catholic Church, the Presentation is the fourth Joyful Mystery of the Rosary. The event is described in the Gospel of Luke, Luke explicitly says that Joseph and Mary take the option provided for poor people, sacrificing a pair of turtledoves, or two young pigeons. Leviticus 12, 1–4 indicates that this event should take place forty days after birth for a male child, upon bringing Jesus into the temple, they encountered Simeon. The Gospel records that Simeon had been promised that he should not see death before he had seen the Lords Christ. Simeon then prophesied to Mary, Behold, this child is set for the falling and the rising of many in Israel, yes, a sword will pierce through your own soul, that the thoughts of many hearts may be revealed. The elderly prophetess Anna was also in the Temple, and offered prayers and praise to God for Jesus, and spoke to everyone there of His importance to redemption in Jerusalem. Early images concentrated on the moment of meeting with Simeon, typically shown at the entrance to the Temple, and this is continued in Byzantine art and Eastern Orthodox icons to the present day. In the West, Simeon is more often already holding the infant, or the moment of handover is shown, the Lutheran church of the Baroque observed the feast as Mariae Reinigung. Johann Sebastian Bach composed several cantatas to be performed in the service of the day. In the Roman Catholic Church, it is known as the Presentation of the Lord in the books first issued by Paul VI. It is known as the Presentation of Our Lord in the Evangelical Lutheran Church in America, the Lutheran Church–Missouri Synod observes 2 February as The Purification of Mary and the Presentation of Our Lord. In some Protestant churches, the feast is known as the Naming of Jesus, traditionally, Candlemas had been the last feast day in the Christian year that was dated by reference to Christmas. Subsequent moveable feasts are calculated with reference to Easter, Candlemas occurs 40 days after Christmas. In Poland the feast is called Święto Matki Bożej Gromnicznej and this name refers to the candles that are blessed on this day, called gromnice, since these candles are lit during storms and placed in windows to ward off storms

Presentation of Jesus at the Temple
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Presentation of Christ at the Temple by Hans Holbein the Elder, 1500–01 (Kunsthalle, Hamburg)
Presentation of Jesus at the Temple
Presentation of Jesus at the Temple
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Meeting of the Lord, Russian Orthodoxicon, 15th century.
Presentation of Jesus at the Temple

47.
Adoration of the Magi
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It is related in the Bible by Matthew 2,11, On entering the house, they saw the child with Mary his mother, and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and having been warned in a dream not to return to Herod, they left for their own country by another path. The scene was used to represent the Nativity, one of the most indispensable episodes in cycles of the Life of the Virgin as well as the Life of Christ. In the church calendar, the event is commemorated in Western Christianity as the Feast of the Epiphany, the Orthodox Church commemorates the Adoration of the Magi on the Feast of the Nativity. The term is anglicized from the Vulgate Latin section title for this passage, in the earliest depictions, the Magi are shown wearing Persian dress of trousers and Phrygian caps, usually in profile, advancing in step with their gifts held out before them. The earliest are from catacomb paintings and sarcophagus reliefs of the 4th century, crowns are first seen in the 10th century, mostly in the West, where their dress had by that time lost any Oriental flavour in most cases. Later Byzantine images often show small pill-box like hats, whose significance is disputed, melchior represents Europe and middle age. From the 14th century onwards, large retinues are often shown, the gifts are contained in spectacular pieces of work. The subject matter is found in stained glass. Many hundreds of artists have treated the subject, a partial list of those with articles follows. See also, Category, Adoration of the Magi in art, Adoration of the Magi, Fra Angelico and Filippo Lippi, National Gallery of Art, Washington, D. C. Hieronymus Bosch, Museo del Prado, Madrid Adoration of the Magi of 1475, Botticelli, National Gallery of Art, Washington, D. C

Adoration of the Magi
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Adoration of the Magi, Hans Memling
Adoration of the Magi
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Adoration of the Magi after Hieronymus Bosch
Adoration of the Magi
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Adoration of the Magi by Bartolomé Esteban Murillo, 17th century
Adoration of the Magi
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4th century Sarcophagus, Vatican

48.
Flight into Egypt
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The flight into Egypt is a biblical event described in the Gospel of Matthew. The episode is shown in art, as the final episode of the Nativity of Jesus in art. Within the narrative tradition, iconic representation of the Rest on the Flight into Egypt developed after the 14th century, when the Magi come in search of Jesus, they go to Herod the Great in Jerusalem and ask where to find the newborn King of the Jews. Herod becomes paranoid that the child will threaten his throne, Herod initiates the Massacre of the Innocents in hopes of killing the child. But an angel appears to Joseph in a dream and warns him to take Jesus, after a time the holy family returns from Egypt. The text states that Herod had died, Herod is believed to have died in 4 BC, and while Matthew does not mention how, the Jewish historian Josephus vividly relates a gory death. It is, however, to Judah that they are described as initially returning, although upon discovering that Archelaus had become the new king, they went instead to Galilee. Historically, Archelaus was such a violent and aggressive king that in the year 6 AD he was deposed by the Romans, in response to complaints from the population. Galilee was ruled by a much calmer king, Herod Antipas, Matthew 2,15 cites Hosea 11,1 as prophetically fulfilled in the return of Joseph, Mary and Jesus from Egypt. and out of Egypt I called My son. Matthews use of Hosea 11,1 has been explained in several ways, a sensus plenior approach states that the text in Hosea contains a meaning intended by God and acknowledged by Matthew, but unknown to Hosea. A typological reading interprets the fulfillment as found in the history of Israel. Matthews use of typological interpretation may also be seen in his use of Isaiah 7,14 and 9,1, the Septuagint reading may be explained as having been made to conform to the plurals of Hosea 11,2, they and them. See also Hermeneutics and Jewish exegesis, in these later tales the family is joined by Salome as Jesus nurse. The most important of these is the church of Abu Serghis, the Gospel of Luke does not recount this event, relating instead that the Holy Family went to the Temple in Jerusalem, and then directly home to Nazareth. Followers of the liberal and unorthodox Jesus Seminar thus conclude that both Lukes and Matthews birth and infancy accounts are fabrications, a theme of Matthew is likening Jesus to Moses for a Judean audience, and the Flight into Egypt illustrates just that theme. The Flight into Egypt was a subject in art, showing Mary with the baby on a donkey, led by Joseph. Before about 1525, it formed part of a larger cycle, whether of the Nativity. The family are often accompanied by angels, and in earlier images sometimes an older boy who may represent James the Brother of the Lord, interpreted as a son of Joseph, by a previous marriage

49.
Massacre of the Innocents
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The Massacre of the Innocents is the biblical account of infanticide by Herod the Great, the Roman-appointed King of the Jews. The number of killed is not stated. The Holy Innocents, although Jewish, have claimed as martyrs for Christianity. Most recent biographers of Herod deny that the event occurred, in Matthews account, Magi from the east go to Judea in search of the newborn king of the Jews, having seen his star in the east. The King, Herod the Great, directs them to Bethlehem and they find Jesus and honor him, but an angel tells them not to alert Herod, and they return home by another way. The Massacre of the Innocents is at Matthew 2, 16–18, although the verses form the context, When had gone. Get up, he said, take the child and his mother, stay there until I tell you, for Herod is going to search for the child to kill him. So he got up, took the child and his mother during the night, and left for Egypt, and so was fulfilled what the Lord had said through the prophet, Out of Egypt I called my son. The massacre is reported only in the Gospel of Matthew and other later Christian writings likely based on that gospel, among those historians who doubt the massacres historicity, Geza Vermes and E. P. Sanders regard the story as part of a creative hagiography. Robert Eisenman argues that the story may have its origins in Herods murder of his sons, david Hill acknowledges that the episode contains nothing that is historically impossible, but adds that Matthews real concern is. With theological reflection on the theme of fulfillment, brown also sees the story as patterned on the Exodus account of the birth of Moses and the killing of the Hebrew firstborn by Pharaoh. Brown and others argue that, based on Bethlehems estimated population of 1,000 at the time, the largest number of infants that could have been killed would have been about twenty, and R. T. The storys first appearance in any other than the Gospel of Matthew is in the apocryphal Protoevangelium of James of c. And Mary, having heard that the children were being killed, was afraid, and took the infant and swaddled Him, and Elizabeth, having heard that they were searching for John, took him and went up into the hill-country, and kept looking where to conceal him. And there was no place of concealment, and Elizabeth, groaning with a loud voice, says, O mountain of God, receive mother and child. And immediately the mountain was cleft, and received her, and a light shone about them, for an angel of the Lord was with them, watching over them. The story assumed an important place in later Christian tradition, Byzantine liturgy estimated 14,000 Holy Innocents while an early Syrian list of saints stated the number at 64,000, coptic sources raise the number to 144,000 and place the event on 29 December. The Coventry Carol is a Christmas carol dating from the 16th century, the carol was performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors

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Sanhedrin trial of Jesus
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In the New Testament, the Sanhedrin trial of Jesus refers to the trial of Jesus before the Sanhedrin following his arrest in Jerusalem and prior to his dispensation by Pontius Pilate. It is an event reported by all four Canonical gospels of the New Testament, although Johns Gospel does not explicitly mention a Sanhedrin trial in this context. Jesus is generally quiet, does not mount a defense, and rarely responds to the accusations, the Jewish leaders then take Jesus to Pontius Pilate, the governor of Roman Judaea, and ask that he be tried for claiming to be the King of the Jews. The trial as depicted in the Gospel accounts is temporally placed informally on Thursday night, in the narrative of the canonical gospels, after the betrayal and arrest of Jesus, he is taken to the Sanhedrin. From a historical perspective, in the era in which the narrative is set, in the four canonical gospels, Jesus was tried and condemned by a majority of the Sanhedrin members, although at least one member, Joseph of Arimathea, dissented from this decision. Jesus was mocked and beaten and condemned for making the claim of being the Son of God, although the Gospel accounts vary with respect to some of the details, they agree on the general character and overall structure of the trials of Jesus. Matthew 26,57 states that Jesus was taken to the house of Caiaphas the High Priest, where the scribes, Matthew 27,1 adds that, the next morning, the priests held another meeting. Luke 22,54 states that Jesus was taken to the priests house. It is added in 22,66 that, as soon as it was day, in John 18, 12-14, however, Jesus is first taken to Annas, the father-in-law of Caiaphas, who was the high priest at that time. Annas is believed to have been the high priest. In 18,24, Jesus is sent from Annas to Caiaphas the high priest, Luke 22,61 states that as Jesus was bound and standing at the priests house Peter was in the courtyard. Jesus turned and looked straight at him, and Peter remembered the words Jesus had spoken to him, Before the rooster crows today, you will disown me three times. In the Gospel accounts, Jesus speaks very little, and gives very infrequent and indirect answers to the questions of the priests, in Matthew 26,62, the lack of response from Jesus prompts the high priest to ask him, Answerest thou nothing. In the Gospel accounts, the men that hold Jesus at the priests house mock, blindfold, insult and beat him, at times slapping him. Mark 14,61 states that the high priest then asked Jesus, Art thou the Christ, and Jesus said I am, at which point the high priest tore his own robe in anger and accused Jesus of blasphemy. In Matthew 26,63, the high priest asks, tell us whether you are the Christ, Jesus responds You have said it, prompting the High Priest to tear his own robe, breaking Mosaic Law. In Luke 22,67, Jesus is asked, If thou art the Christ, but he said unto them, If I tell you, ye will not believe. But, in 22,70, when asked Are you then the Son of God, Jesus answers You say that I am, affirming the title Son of God

Sanhedrin trial of Jesus
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Jesus about to be struck in front of the High Priest Annas, as in John 18:22, depicted by Madrazo, 1803.
Sanhedrin trial of Jesus
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Matthias Stom 's depiction of Jesus before Caiaphas, c. 1630.
Sanhedrin trial of Jesus
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Rembrandt 's 1660 depiction of Peter's Denial. Jesus, in the upper right hand corner, is at the high priest's house, his hands bound behind him, and turns to look at Peter.