Khedoori is a visionary minimalist — an artist who depicts minimalism's three-dimensional space on a two-dimensional surface. She draws on enormous sheets of paper that have the effect of immense miniatures, or mirages, shimmering in and out of sight: you do a lot of blinking and eye rubbing around her work. Her subjects are man-made places and things: doors, rooms, furniture and buildings; all of them strikingly devoid of any sign of life. Although her pared-down images can be likened to the big, empty space of Ed Ruscha (without the irony), or the uninflected expanses of Vija Celmins, she is emerging as something like her generation's Agnes Martin: an artist of metaphysical refinement and restraint. —Jerry Saltz