And as today is the last day of June, this is going to be the last post for my Spring 2011 Kaleidoscope. I am not sure what I’m going to do next season though: whether I’m going to do a Summer Kaleidoscope and blog six full series, or blog seven full series instead: it’s entirely going to depend on that seventh series. Plus, it’s got two huge question marks as well in the form of Appleseed and Last Exile. They’re both two series that aside from the regular line-up I really want to blog.

In any case, this episode was build up, build-up and even more build-up. The creators made sure to make it into a gripping episode though, especially when Kaiji brought in Endou of all people: the guy who was responsible for getting him into his mess in the first place. This episode was really being mysterious in the way that it refused to reveal Kaiji’s plans (much like the previous arc), so a lot of this episode consisted out of cryptic hints at how supposedly awesome his plans are going to be, although the negotiations with Endou really kicked ass in how intense they were.

Now, the big pitfall for this series is going to be the the suspense of disbelief. There is one big difference between Akagi and Kaiji: Akagi was superhuman. It’s not about seeing really smart plans, but about psychology. Kaiji meanwhile belongs in the category of series that specialize in plans and schemes. The biggest pitfall of those kinds of series is to take their plans a step too far and make them just ridiculously complicated, a la Death Note or Code Geass where in the end things depend on the most precise coincidences. That’s also one of the reasons the first season annoyed me, in the way in which Kaiji miraculously danced across death on the beam arc.

In terms of characters though, this arc does have the most interesting side-kick for Kaiji that we’ve seen in this series yet. His Buddhist roots, his incredible temper: all of it works really well and it’s quite a step away from the usual young guys. The villain though has yet to prove himself. He’s just this posh underling, and nowhere as interesting as some of the best villains of this series.Rating: ** (Excellent)

This was one of the best months we’ve seen in a long while in anime. It may not look like I followed many series (there WAS a lot of crap this season), but the shows that were good were really, really good, and a ton of them were just amazing. This month showed some rock-solid endings, twists, turns and executions. It turned out to be an incredibly diverse season with series that all stood out in their own ways and not just one genre dominating. More seasons like this, please.

#22 (19) – Astarotte no Omocha – (7/10) – So I ended up dropping this, quite early in this month. It just went nowhere, it just devolved into a generic romantic fanservice comedy: the exact thing that it should not have done with such a premise. It was good when it still focused on drama, but in terms of romance it has nothing and just kept repeating itself. The worst were the idiot prince and the way in which Asuha completely devolved into someone who can’t stop talking about not wearing any panties. This all was really badly written.#21 (21) – The World God Only Knows – (7,25/10) – The final teacher arc had the poor luck that it ended in a completely nonsensical way. After that the series decided to end with an episode that would have been good, had it any sense of comedic timing. The end result was a horribly forced ending that was a pain to sit through, and only cemented at how tired I am of this series.#20 (20) – Inazuma Eleven – (7,25/10) – In the end, I decided to drop this. It’s indeed dark for a kids’ series, but my main issue was that the characterization left much to be desired. In five episodes it introduced like, 30 different characters. Now, who are these characters? Why should I care about them? What makes them different aside from their character designs? Only four or five of them really matter, and they are the typical shounen cliches. In fact, this mostly feels like a rip-off of the original Beyblade series (yes, I watched that one).#19 (22) – Hen Zemi – (7,5/10) – After twelve episodes, was it really worth it watching Hen Zemi? Unfortunately, I have to say no. The reason why the OVA worked so well wasn’t just the fact that it had much better writing, but also because it was short but sweet. The TV-series now is just an endless string of gross things and fanservice: it gets boring once the shock factor wears off. By now we expect Hen Zemi to be disgusting. It is, and hardly brings any extra spice in that aside from that.#18 (14) – Yondemasuyo, Azazel-San – (7,75/10) – I’ll get to more detail about this when the final episode airs, but what interestingly seemed to be the biggest pitfall for this series was that it ran out of inspiration for jokes. The otaku arc in particular just seemed to not know what kinds of jokes it should make. The final arc was better, but again: it was a tad forced and predictable in the way it played out.#17 (11) – X-Men – (7,75/10) – When comparing the X-Men to Wolverine, I still like the X-Men better, but that’s just because Wolverine had a really simple story and had lots of issues with its acting. The X-Men unfortunately did dull in a bit in their final arc when the drama all boiled down to teenaged emo. The big problem is that the creators shafted the main cast in favor of Hisako and Takeo, who were by far the least interesting characters of the entire series.#16 (18) – Gintama – (8,25/10) – The past arc of Gintama was a great one, although it ended rather xenophobic (but then again, that’s Gintama: the aliens are nearly all portrayed as mind-numbing idiots, punching bags for Gintoki or completely evil bastards). The arc however did deliver a lot of depth to Otose and the people from her past and it certainly was a major improvement over the comedy episodes of the previous months.#15 (new) – Appleseed XIII – (8,25/10)
Forgive me, but I can’t seem to remember for the love of me where I managed to find the first episode of Appleseed XIII. I liked it a lot though. It’s chock full of symbolism to the ancient Greek mythology and the characterization is a lot better than in the movies. Deunan really acts like she’s on her period, though.

#14 (13) – Fireball – (8,25/10)
Fireball remained a great watch throughout its entire run. Now it’s of course not hard to remain interesting for only two minutes, but this did it with a style that I really enjoyed. The comedic timing and the graphics were still as great as ever.

#13 (11) – Showa Monogatari – (8,25/10)
Irregular releases are still irregular, but we’re nearing the end. This month showed actually some very interesting drama around Yuuko in quite a realistic way. Sure, the acting could have been better, but the themes, and drama really relate back to problems anyone could have had. Of course you have to like history in order to be able to enjoy this, but this by far doesn’t deserve the negligence in terms of fansubs.

#12 (16) – Ao no Exorcist – (8,25/10)
Ao no Exorcist at the moment is surprisingly enjoyable. The fleshing out of the earlier episodes has paid off and at this point there hardly is any boring moment left, despite the generic set-ip. Characters are used well, the banter has gotten funnier, the drama has gotten more sincere. This is the right direction, although it does need to stop putting so much stupidity in its filler episodes.

#11 (7) – Gyakkyou Burai Kaiji – (8,25/10)
The Pachinko arc was intense, but it did suffer a bit from Kaiji’s formula: again we have a set-up that consists out of a lot of money on the line, a seemingly easy game and a predictable outcome. What I liked was the introduction of the old man, who seems different from the other sidekicks that Kaiji had so far. Also, that daughter. What the hell are the creators building up to?

#10 (8) – Sket Dance – (8,5/10)
This month saw the best and the worst episode of Sket Dance so far, but the tournament arc really made up for it by being really fun, yet somehow taking its characters seriously. Now all that’s left is to wonder how long this series can keep up this excellent pace.

#9 (4) – Tiger & Bunny – (8,5/10)
This month we got to see the halfway climax for Tiger & Bunny. It;’s a solid story with a ton of character development, but it also spent a lot of time building up. There’s a lot of promise in this show becoming even better for its second half.

#8 (9) – Deadman Wonderland – (8,5/10)
It really is a bloody shame that Deadman wonderland doesn’t have the time to fully show off its story, because it’s still one heck of an exciting series inside an insane setting. The animation has its ups and downs but when it has its ups it really looks gorgeous, and beyond the insanity, the characters are still surprisingly good. There’s some nice character development, not to mention that the delivery also really knows how to make its scenes count. Only complaint is that Ganta at times may angst a bit too much. At others though, he’s a great lead character.

#7 (3) – Gosick – (8,5/10)
This month wasn’t as good as the previous one, but it really does come close to that. The climax was a wonderful one and the stories again were full of intrigue and imagination. At this point the character development has also really kicked in, which really paid off here.

#6 (15) – Hana-Saku Iroha – (8,75/10)
Now this is a major improvement! The past arc for Hana-Saku Iroha has been amazing, and chock full of character development. It kept pushing its characters into situations where they were forced to confront their flaws and weaknesses and especially the acting was just wonderfully detailed, both in terms of voice acting and animation. If this is the pacing that this show can keep up, we’re in for a major treat.

#5 (6) – [C]The Money of Soul and Possibility Control – (8,75/10)
C was really rushed, and yet it pulled off an amazing finale. The main themes and subplots managed to come together, the direction got better than ever and aside from the way its plot evolved, it was just a damn entertaining series to watch. Especially the ending was really well delivered and brought some great closure to this series.

#4 (5) – Steins;Gate – (8,75/10)
Steins;gate’s plot really got interesting this month, but what’s more is that the execution also got rock and rock solid. The animation makes excellent use of its limited budget, the acting just gets better and better, the pacing and atmosphere hardly ever show a weak moment and it looks like this series has only just started.

#3 (10) – Dororon Enma-kun Meerameera – (8,75/10)
The ending to this sereis was absolutely fantastic. It just released all breaks and delivered one absolutely crazy roller coaster ride full of old references and that just kept upstaging itself in terms of downright insanity. This was entertainment at its finest and I had one hell of a time. Oh, and the background music also was as solid as ever. I can’t wait to hear what the same composers end up delivering for No6.

#2 (2) – Hyouge Mono – (9/10)
This month showed an even bigger focus on politics than this show already had before, still with the rock-solid execution and acting of this series, combined with an amazing plot twist along the way. What I especially like about this series is how much balls the delivery has. There’s a ton of detail put in the way that these people interact with each other, making this an awesome “lots of talking”-series.

#1 (1) – Ano Hi Mita no Hana no Namae o Boku-Tachi wa Mada Shiranai – (9,25/10)
And with its final month, Anohana somehow managed to actually surpass itself. Its conclusion brilliantly weaved together everything this show needed and give every character a chance to show a bit of himself, leading to a heart-wrenching ending. It’s perhaps not entirely realistic and yeah, it had its share of overacting, but everything remained well within the boundaries of my suspense of disbelief thanks to the script that just kept pushing the characters forward and once again left no moment wasted.

Sorry for wasting the time of everyone else again, but between July 9th and July 14th, I’ll be on holiday in Germany, so there won’t be any posts published during that time. On July 11th, 12th and 13th I’ll be in Berlin, so if you happen to live there: how about we meet up?

Also, on July 23rd I’ll be on Antwerp’s Atsusacon, so the saem goes there to the people who were also planning on going.

I’ve never used this blog to try and organize meets like this, but I figured who cares. It might lead to something interesting.

Milestone time! This is going to be the 750th review I’ve written for this site. Only 250 more until I achieve my goal of 1000 ones! And what a random show to end up reviewing with Fireball Charming that just consists out of 13 2-minute episodes that just feature two robots talking to each other and do random things.

It’s the perfect series for if you’re looking for a quick watch, though. The original Fireball series already was this, but Fireball Charming actually manages to improve on the original series in a lot of different ways. Instead of going with much of the same formula, Fireball Charming aims to be bigger, faster, more random and more dynamic and creative. And it succeeds.

What you often see with comedy sequels is that they end up running out of inspiration, and yet none of this applies for Fireball. Heck, I could listen to Drossel and Gedachtnis for ages at this rate. The creators try to stuff a lot more dialogue in each episode than even the original Fireball, making every second interesting. One nasty side-effect of this is that it really jumps around: there’s no lead-up to anything. and the characters just randomly jump from one topic to the other as you’d expect from two hyperactive robot who have been stuck in the same castle for thousands of years.

The biggest difference with the first season is that this time, the creators really like to show off how good their animation is. Not only does this show look absolutely gorgeous and makes full use of 3D technologies, it also takes every chance it gets to show interesting images, animation and it really likes to throw in as much creativity as possible.

Now, random humour alone isn’t necessarily funny: if Fireball would just have been randomness for the sake of randomness it would have gotten boring really quickly, even for its length. However, it has a great comedic timing and a very eccentric sense of humour that is hard not to like. Not to mention that it has two very likable main characters.

Storytelling:

8/10 – Short but sweet. Completely random and jumpy but consistently interesting to watch.

Characters:

8/10 – No depth whatsoever, but a likable cast this certainly is.

Production-Values:

9/10 – Absolutely gorgeous CG. A feast for the eyes.

Setting:

8/10 – Has a virtually limitless supply of random things to throw at the viewer, and interestingly uses its own setting.

Okay, so I know that this isn’t getting subbed and all, and the fact that it has only one cute girl and no hot guys were bound to make it ridiculously ignored, but seriously: someone sub this. I know the acting isn’t at its best, but I keep seeing more and more people who want realism in anime. This is by far the most realistic series of the season!

It’s surprising how few anime seem to focus on bad boyfriends, the only recent one that I can think of right now is Colorful. Are moe girls really that pure that they only attract guys with no personality or something? While previous episodes of this show may have been a bit overacted, this episode hit all of the right notes: it never was too dramatic, and yet it revealed that the guy that Yuuko had a crush on was both a criminal and cheating on her. It’s not like these problems resolved themselves in 50 years time in Japan, right?

This was a pretty great portrayal of the teenaged years. It had angst, but this didn’t come with the cliches that you usually see in anime and it really was about problems that anyone could have had. I really liked this conclusion to Yuuko’s arc. I imagine that the final two episodes will be about Kouhei’s brother. He’s been strangely ignored during the past few episodes.Rating: ** (Excellent)

Okay, so I’ve complained that the characters in this series are too one-sided. Okay, I take that back. With such brilliant acting as in this episode, Okabe and Mayuri have more than shown that they are awesome characters. This episode was just amazing.

Let alone the plot twist at the end of this episode, it rocked because of Okabe and Mayuri’s rock-solid performance. The trust between everyone also was incredibly well detailed, and I especially liked Mayuri as she got dragged around without knowing what’s going on, and how Okabe traced back what she had been doing in the past episode. With this episode the relationship between the two of them really shined.

The biggest questions were asked at the beginning of the episode, and most of them revolve around the part-timer: why didn’t she warn about the obvious villain of Shining Finger, but instead was so hung up over Makise Kurisu? She seemed to know her when she talked to her with those cryptic lines. Also, “42”? Was that really meant to reference the answer to life, the universe and everything or is it just technobabble that we’re only supposed to understand over a few months?Rating: *** (Awesome)

The second season of The World God Only Knows has some good points. At the very least the girls that Keima has to conquest (read: get a kiss from) aren’t as terrible as the idol or the rich girl of the first season. Unfortunately, there just still is too much wrong with it for me to really rate it any higher than its predecessor.

Really, I only barely managed to finish this series. If I had to give a tip for anyone checking this out: don’t expect anything from it. The world God Only Knows doesn’t aim to be anything big or spectacular. It’s just there for really light entertainment and to provide some interesting observations about dating sim games. It’s not deep, it’s not funny, it doesn’t have any good characters, nor does it have particularly impressive animation (this is without a doubt Manglobe’s least visually impressive series; just about everything looks generic here). In every area, it does just enough to be watchable.

There are a number of good arcs in this series, in particular the middle one that actually makes use of the build-up that the first season provided (something that unfortunately the rest of the arcs don’t do). It’s here where this show jumps away fro its formula, delivers its best characterization and the most interesting and least stereotypical character of the series. The problem is that all of the other arcs left something to be desired with.

This series follows the same format as the first: we first get a long arc detailing a “conquest”, followed by a short arc detailing something random about either the world of this series or dating sims in general. The long arcs suffer from stereotypical and one-sided characters along with nonsensical conclusions. The short arcs suffer from being completely stupid and moronic. Really, those episodes are completely terrible.

The thing with this series is that it does take care to give its characters interesting back-stories. That’s why I’m not giving this one a terrible rating, and all of the main arcs have their points that make them worth watching. But there’s just way too much fundamentally flawed with this series. This series doesn’t feature a series where a guy needs to save random girls who are infected by evil spirits, it feels more like a guy who needs to collect various characters who magically escaped from his games.

The characterization in this series leaves much to be desired: everyone in this series just has one side, sometimes that side has a twist, but there is nothing other to these characters beyond that twist. Even the main characters suffer from this! I could forgive the first season for that due to the lack of time, but come on: it’s already been 24 episodes and they’re still the same stereotypes.

This series advertises itself as a light-hearted parody, but the problem is that it’s just not funny. This show just doesn’t know how to write comedy: Elcea still is the most obnoxious character, and any joke this show attempts to make falls flat on its face due to poor timing: everything in this show is slow and mellow, even the delivery of the jokes. This show includes a lot of references to other stories, but that’s just what they are: random references that try to be clever, yet aren’t.

At the very least Elcea doesn’t try bathing with Keima anymore, and that second arc finally took this show somewhere other than just a cliche fest, but the main reason why I’m rating this series lower than the first is because it’s a much bigger chore to sit through. The terrible, terrible side-arcs are part of this, but the big factor is that this show has had 24 episodes now and I’m getting really tired of it. I don’t enjoy watching the majority of this series. It’s a miracle that I even kept with it, but that is mostly because people keep telling that the future arcs get better. I’ve been hopelessly caught in this series, hoping for it to finally turn good, fueled by a few good parts here and there that affirm this and yet this bloody show keeps testing my patience over and over with its cliches and complete stupidity.

Storytelling:

7/10 – It’s sufficient, but refuses to try and stand out. There’s a lot of meh in the way it delivers its story, most notably on how slow and monotone it can get.

Characters:

7/10 – It’s a character study, so the characters at least are well explored. They’re all (with the exception of perhaps one) still game stereotypes, though. If they were enjoyable to watch then okay, but more often than not they’re not!

Production-Values:

8/10 – Adequate. But for Manglobe’s standards it doesn’t stand out in any way.

Setting:

7/10 – Offers nice trivia at times, but most of this series isn’t about games, it’s about games in the eyes of an obsessed fanatic. This show did the opposite of what it was supposed to do and made my (someone who never plays visual novels) image of dating sims even more jaded than it already was.

So it was clear that we were getting a filler episode in this episode, and a beach episode at that. Obviously I wasn’t looking forward to it. But what was that? Who the hell wrote this? There was so much wrong with this episode, but I have no idea whether it was in a bad way. In either case it was completely stupid. And next week we’re going to an amusement park?!

Rather than a filler, this feels like we’re in a completely different series. The beach part doesn’t even matter anymore. From out of nowhere the creators suddenly introduce a young boy who acts like he’s been part of the main cast for ages. The show does the same with a guy who obviously looks like he’s cross-dressing in his spare time and then it suddenly comes with a giant squid story. The subsequent fight establishes the squid as the dumbest monster alive, only followed by a completely bizarre anti-climax.

T=Here’s the thing: as stupid as this episode was, I enjoyed it. The creators actually tried to do something different, and I admit that that climax had me in stitches and the episode overall was a unique experience that was definitely creative…

But it also completely destroyed the credibility of this series…Rating: @!# (???)

This was a wonderful conclusion to the past arc. Instead of using the midway climax as the most dramatic of the episodes so far, it was actually really warm-hearted and entirely focused on character development. Ohana’s mother’s visit was very down to earth and it showed something new about pretty much the entire family. Ohana’s mother’s advice and presence really brought change to this series.

I especially loved that the characters weren’t afraid to use liquor in this. That always turns out to be a great way to flesh out characters. It’s a bit weird for Ohana to get drunk on soda, but the way it finally made her lay out her feelings was really worth it. It also was quite unexpected that Ohana’s grandmother suddenly started drinking. Through this episode you could really see that Ohana, her mother and her grandmother are related: they’re all big workers, even though their personalities are completely different. The only oddball here is Ohana’s uncle: this episode really established him as a third wheel, and I suspect that the rest of this series is going to make use of that.

Also, since next week will be a beach episode, it’s clear now what format this show is going to follow. Setting aside the fact that beach episodes are bloody overused, this show will follow about the same format as Tiger & Bunny: the first half has random episodes with a long climax, the second half also has random episodes followed by a bit of a longer climax.

That’s not a bad thing by the way. When an episodic series is done well, it’s the second half where its episodes really start to shine because it’s there where the characters really start to show themselves off, and it’s here where the creators can really play with their development.It’s been a while since we’ve had series like this, so I’m quite interested to find out whether Hana-Saku Iroha and Tiger & Bunny can pull them off again. It’s a format that I really like because it can lead to a lot of variety. Whether or not we’ll already see this with the beach episode though… I’m not sure…Rating: ** (Excellent)

And wit this we conclude the first half of Tiger & Bunny. This episode was… interesting, because it wasn’t exactly the best episode of the TV-series. Because the previous episodes built it up so meticulously this episode pretty much did everything you’d expected, without much surprises aside from Kotetsu using his head again. It’s good build-up though: Barnaby and Tiger will receive a lot of development from this episode.

The thing with Tiger & Bunny is that it’s really entertaining when building up, and it looks like the random episodes will continue again after this arc, so this is definitely promising to become even better. It’s there where this series can really start using its build-up of the first half. I expect the second half of this series to continue with a similar pattern as the first half, with it ending with a climax that focuses both on Lunatic and the fact that the entire city looks like the Ouroboros logo.

What I do hope is that that final arc will use its characters more. That’s the only thing that really bothered me in this episode: in the end everyone aside from Kotetsu and Barnaby was pretty useless and the only parts where they actually helped to solve things were just… cut out. I want to see the creators come up with a story that doesn’t just require the powers of everyone, I want them to come up with a scenario that puts all of them in the spotlights. They’re all great characters, they deserve that.Rating: * (Good)

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AidanAK47

(Tuesday, Mar 31. 2015 02:34 PM)

Hmmm, my current laptop doesn’t have anything major wrong with it and can last a few months. Like you said it might be good to wait.
Know any good site that will help me keep an eye on things on new laptop affairs? Or else just let me know if a impressive beast comes out.

AidanAK47

(Tuesday, Mar 31. 2015 02:31 PM)

I was aware that this thing might be heavy but weight isn’t really an issue. Nor is using it around other people as I had no intention of doing so. I need the portabilty in order to keep it on hand when going to and from my parents and my house. Highly doubt I would need it in a place with a lot of people. Chances are I would just chat with people instead or play a DS.
I figured it would be outdated by years end. Really I just need a laptop that will last me a good few years.

Raggers

(Tuesday, Mar 31. 2015 02:28 PM)

I really need to go now but I can look at this stuff in more detail later. Just be aware that 2015/2016 will see some major changes to hardware and software – DX12 will need next-gen cards for full support most likely, VR will mean they are optimised for low-latency…
There is a lot of new stuff coming, and you will miss out if you buy now.

Raggers

(Tuesday, Mar 31. 2015 02:24 PM)

I don’t know how long your current solution will last, but I expect there to be serious developments in the next product cycle or two. GPUs will (finally) shrink to the next node, bringing huge power savings and boosting performance significantly. Skylake will come out with some very interesting features, and 3D memory should be highly beneficial for performance.

Raggers

(Tuesday, Mar 31. 2015 02:20 PM)

Price isn’t really a concern with your budget, but a TOTL gaming laptop has major compromises. I don’t really feel comfortable helping unless you are aware of this – you will unlikely be able to use it in any circumstances where there are other people nearby unless they are all using headphones, you’ll need headphones, and it’ll be very bulky and heavy.

AidanAK47

(Tuesday, Mar 31. 2015 02:16 PM)

Pretty much anything on steam.

AidanAK47

(Tuesday, Mar 31. 2015 02:16 PM)

Well go ahead, if price was not a factor what should I go for?

Raggers

(Tuesday, Mar 31. 2015 02:15 PM)

What kind of games are we talking about?

Raggers

(Tuesday, Mar 31. 2015 02:15 PM)

Oh, ninja’d.

AidanAK47

(Tuesday, Mar 31. 2015 02:14 PM)

About 2700 euro is the highest I can go at the moment. Though if I wait another month I can go beyond 3000.

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Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]