Tuvok: I would prefer to be alone.
Neelix: Okay. Alright. Far be it from me to bother anyone. If you really want me to leave, I'll leave.
Tuvok: I really want you to leave.
Neelix: I don't believe you. Your voice may say, "Go away," but your heart wants me to make you smile.
Tuvok: Please, go away.
Neelix: Come on. A little smile. How is it going to hurt? I won't tell anyone.
Tuvok: What must I do to convince you to stop?
Neelix: Just a little itty bitty smile. Just let the mouth curl a little. That's good. You know, there's an old Telaxian song my mother used to sing (to) me as a child. I'm going to sing it to you every day from now on. It goes.....Oh, Mr. Vulcan, I can't breathe. I can't breathe. Oh...Please....I'm sorry! I.....
Tuvok: computer, end Holodeck program.

Jimmy Falcone: So, that's what I did - ratted out everyone that I knew so that my children could grow up with a father that ain't dead, and that how we came to be living here, in Vagina, Saskatchewan.
Cookie: That's Regina, you freaking moron.
Jimmy: Potato potata. Quite busting my balls. I'm talking here. That's my wife, Cookie. She's a pain in the ass, but I've got to say, "I love her," you know, because she's standing right here. Anyway, if any of yous thinks that starting a new life in Vagina...
Cookie: Regina
Jimmy: .. .is going to change the Falcones, ...
Cookie: MacDougal's.
Jimmy: ... , fugget about it.

Peter: I'm home from the Clam. You know what that means.
Stewie: You spent the last ten minutes parked in front of the house crying in your car?
Lois: Not now, Peter. I'm doing story time with Stewie.
Stewie: Yeah, scram, Drinky.
Peter: I got a story. It's about the little penis that could. It thinks it can, it thinks In fact, it's pretty sure it can. It-It, it's gonna.
Stewie: Hey, am I gonna have to handle this? Do you want me to handle this?
Lois: Peter, just go wait in the bedroom. I'll be right there.
Peter: Fine, but if I gotta pee first, this night's gonna be ruined. Ruined.
Lois: Good night, sweetie. Mommy loves you.
Stewie: Huh?
Peter: It's big, isn't it?
Lois: Yes, Peter. It's very big.
Peter: Yeah, it's big. Oh, God, yes! Ah, yes Ah, yeah. Oh, you're gonna use that thing, good. I love you so much.

A teen-age bobby-soxer is strolling through the forest singing this song in a loud, obnoxious voice.
"The five o'clock whistle's on the blink. The whistle won't blow, and wha'd ya think? My poppa's still in the factory, 'cause he don't know what time it happens to be."Out of one side of the basket she is carrying, Bugs emerges, chewing a carrot.
"Ah, whacha got in the basket, gorgeous?"
"I got a little bunny rabbit I'm taking to my grandma."
"Hm. Not a bad pair o' stems for a rabbit."
"Yeah, and he's got a cute face, too. See?"
Red reaches in and grabs Bugs by the scruff of the neck, pulling him out to show. She continues walking, humming her song. A wolf is watching her and sneaking between the trees. He uproots a sign that reads, "Shortcut to Grandma's House," and changes its direction. Red takes the wrong path.
The wolf goes up to Grandma's house and finds a note on the door.
"Red- Working swing shift a Lockheed. Love Grandma. P.S. Leave rabbit under door."
The wolf tears down the note, goes inside, puts on a nightgown and cap, and pulls back the covers on the bed. There are four other wolves in the bed in nighties, looking surprised.
"Come on, come on. This is my racket!"
The wolves grumble as they leave. Our wolf gets into the bed and lies down, but the pillow starts jumping all over the place. He pulls it aside and finds a tiny wolf underneath. The little wolf snickers and leaves quietly. Red knocks on the door.
"Come in!" the wolf says in a deep voice, then remembers his disguise and repeats, in a sweeter voice, "Come in, Red."
"Hey, Grandma, uh, oh yeah, what big eyes you got."
"Yeah, yeah, big eyes. Gimme the rabbit."
"Uh, hey, grandma! That's an awfully big nose for you...ta have!"
"Yeah, yeah, sure kid, big nose, thanks, bye now."
The wolf send Red on her way and tries to grab Bugs. A chase begins up and down a flight of stairs, and in and out of three doors. After a couple of minutes of opening the wrong door, the wolf takes one door off its hinges, puts his body in its place, and takes the door knob in his hand. Bugs opens what he thinks is the door, but as soon as he slams it, he realizes it's the wolf. He knocks on the wolf's forehead.
"Anybody home?"
Red bursts in. "Hey, Grandma! What big ears ya got!"
The wolf starts talking French to Red, wooing her, then yelling at her to scram. He picks her up by the back of the collar and the seat of the pants and escorts her out the door. Bugs picks up the wolf the same way and throws them both out. The wolf comes back in.
"Why you..."
"Why you..."
"Hey now..."
"Hey now..."
"Cut that out or..."
"Cut that out or..."
"Hey, wise guy!"
"Hey, wise guy!"
"Oh, yeah?"
"Oh, yeah?"
"Yeah!"
"Yeah!"
Bugs leads the wolf into a series of nonsense words, and starts him singing a catchy song.
"Fibbledeedish!"
"Fibbledeedish!"
"Put on your old gray bonnet with the blue ribbons on it....through the fields of cotton we'll be...."
As the wolf gets into the rhythm of the song, Bugs holds up a screw ball sign.
Red bursts in again.
"Hey, Grandma! Those are awfully sharp teeth for you, ta have!"
The wolf boots her out the door, then turns around to happily return to their song.
"Put on your old gray bonnet with the blue..."
The wolf searches for Bugs, who's helping him by whistling as if calling a dog, and pointing to hiding places. Finally, Bugs points beneath the sink, and when the wolf opens the cabinet door, Bugs is in there! Bugs gets under the wolf's nightgown. We see Bugs's silhouette as the pass in front of a fire. Bugs uses tongs to grab a hot piece of coal, backs off, and burns the wolf with it. As the wolf jumps into the air, Bugs puts a shovel full of the red hot coals underneath him. The wolf lands with one leg on each side of the coal, furniture suspending him about two feet over the heat. Bugs piles an anvil, chairs, lamps, barbells, and everything he can find into the wolf's arms. He's just about to put a feather on top of the whole pile when Red bursts back in.
"Hey, Grandma!" she yells, irritating Bugs to no end.
"I’ll do it," he tells us, "but I’ll probably hate myself in the morning."
He climbs down the ladder, offscreen. The pile of objects begins moving. Bugs has rescued the wolf and put Red in his place above the fire. Bugs and the wolf share a carrot.

Customer: What have you been doing for the last few days?
Waitress: Drinking....a lot. Good morning, sir. Sit wherever you would like.
I can hear what you're thinking, all your doubts and fears,
And if you look in my eye, in time you'll find the reason I'm here.
And in time all things shall pass away, and in time you may come back some day
To live once more,
Or die once more,
But in time your time will be no…more.
Frank Castle: Do I know you?
Harry Heck: I know you. You're that boy in the newspaper - came back from the dead.
Frank Castle: I didn't catch your name.
Harry Heck: You like that song? I wrote that for you. I'm gonna sing it at your funeral.

"I need your clothes, your boots and your motorcycle."
"You forgot to say please. Get him off me!"
"Pull it out! Pull it Out!"
"Take it!"
(Song: George ThorogoodBad to the Bone -)
"I can't let you take the man's wheels, son. Now get off before I put you down. That's it Goddamn it!"

“‘Young man. Why are you eating that fish?’ The young mans says, ‘Because I love fish.’ He says, ‘Oh. You love the fish. That’s why you took it out of the water and killed it and boiled it.’ He says, ‘Don’t tell me you love the fish. You love yourself, and because the fish tastes good to you; therefore, you took it out of the water and killed it and boiled it.’ “So much of what is love is fish love. Young couple falls in love. Young man and young woman fall in love. What does that mean? That means that he saw in this woman someone who he felt could provide him with all of his physical and emotional needs, and she felt in this man somebody she feels that she can write, that was love, but each one is looking out for their own needs. It’s not love for the other. The other person becomes a vehicle for my gratification.
“Too much of what is called love is fish love. An external love is not on what I’m going to get but I’m going to give. We had an ethicist rabbi Dessler, who said, ‘People make a serious mistake in thinking that you give to those whom you love, and the real answer is you love those to whom you give.’
His point is if I give something to you, I’ve invested myself in you. Since self-love is a given, everybody loves themselves, now that part of me has become in you, there’s part of me in you that I love. True love is a love of giving, not a love of receiving.’

Oh, my God, Morty, what did you do? You killed the Simpsons, Morty!
Oh, my God, no! No, I-I-I-I didn't mean to! Oh, no, no! This is horrible! I killed the Simpsons!
God, look at the baby one! Oh, my God, Morty! You killed the entire Simpsons, Morty! They're a beloved family, Morty! They're-they're-they're-they're a national treasure. And you killed them.
I-I-I-I'm just a kid! I'm just a kid! I don't want to go to jail!
Relax, Morty, calm down. We'll take care of it.
Okay, I want you to take that vial of Simpsons' goo and this picture to this address. They'll make us new Simpsons-- you understand me, Morty?
Me?! W-W-What are you gonna do?
Morty, I got to clean this place up before somebody comes snooping around.
You know how many characters there are in The Simpsons, Morty? There's, like, a billion chara characters.
They did an episode where George Bush was their neighbor.
All right, can't argue with that.
Hi-diddly-ho, neighbor! Looks like you got a spaceship in your... Who are you?
Rick, I'm back! Wake up! Wake up!
Geez, it's about time, Morty.
Give me those.
(grunting, moaning) Huh, wow.
Hey, Morty, a little tip.
(belches) Don't clean DNA vials with your spit! Let's go. I'm driving this time.
Aw, no more guest animators, man!

Rick, I got them! I got the crystals!
All right! You did it, Morty.
Rick, wait! There's something you need to know. I couldn't have done it without Lincoler. He said that he was really sorry and that he loves you like a father. He only wanted you to accept him, and he hopes that his final act would redeem him in your eyes. He sacrificed himself to save all of us, Rick. He died.
Well, at least he didn't die in vain. He got these crystals. And these babies just saved this lame-ass party!
Wubba, lubba, dub, dub!

Needful: And that’s how I took my storefront into the forefront of the upfront! Thank you Seattle!
Needful: Rick? Summer?
Rick: Stupid mother-(fucker)
Summer: Stupid bitch!
Rick: Stupid motherfucker!
Summer: Get some!
Rick: How do you like that! Augh! How do you like that?
Needful: Ugh… Why?
Summer: Because sometimes what you really need is for someone else to pay a horrible price.
Rick: We did it!
Summer: Haha, yeah bro. Yeah! Haha!
Rick: Was totally worth it! We did it, hahaha! We just pulled it off!
Summer: Yeah bro!
Rick: Hahaha!
Summer: Yeah.