The DC based shows on CW are beyond their prime, suffering from attempting to have four season-long series simultaneously. I found it to be a welcome break to get away from the usual narrative on The Flash and have the musical cross-over with Supergirl last week. The episode was well received. Synopsis and review at Geeks of Doom. Another review at I09.

The story was briefly introduced at the end of Supergirl, and continued on The Flash, with Barry Allen (Grant Gustin) in a dream-like state, first seeing Supergirl (Melissa Benoist) singing Moon River (video above).

Other musical numbers included The Flash and Supergirl singing, of course, Super Friend in the above video, with amusing references to each series. Characters from both Supergirl and The Flash were included playing different roles, along with other CW characters such as John Barrowman and Victor Garber, both now appearing on Legends of Tomorrow.

Cast and crew discussed the episode in the video above.

Elsewhere in the Belantiverse, Felicty Smoak (Emily Bett Rickards) will be seen in a super hero costume, but it will be on Legends of Tomorrow as opposed to Arrow.

As the season heads toward the ultimate showdown between Oliver and Chase, we’re going to be seeing a very different season finale this year. “We’re not going to destroy the city,” EP Marc Guggenheim teases. “We’re not even going to threaten the city. In fact, I can also tell you the finale doesn’t even take place in the city. Finally, the citizens of Star City can breathe easily in May.” Wherever the finale takes place, Guggenheim adds, “You can expect a good number of returning characters, characters you haven’t seen in a while, back in the episode.”

The Magicians also had a major musical number in last week’s episode (video above). Margot once looked like just a sidekick for Eliot, but in recent episodes she has turned into quite a strong character. She is often the most sensible one, who can figure out what to do in a crisis. She had a unique way to prepare Eliot for battle, as described by IndieWire:

“The Magicians” went into battle on Wednesday night and pulled out the ultimate weapon: a Broadway musical song.

In the episode, Fillory’s High King Eliot (Hale Appleman) is about to enter into mortal combat with the King of Lauria, who has never been defeated. Eliot’s right-hand magician and partner in every crime imaginable Margo (Summer Bishil) gives him a pep talk and reminisces about how well he did in a production of “Les Miserables.” Inspired by that success, she used magic to force him and others to perform the number “One Day More” from the musical in order to get him pumped up for his duel.

For the benefit of anyone who might have read Lev Grossman’s novels but haven’t seen the television series, Margo’s character was named Janet in the books.

Screener interviewed the show runners about this scene, and other aspects of the show. Screener also has an interview with Christopher Gorham about his newly introduced character, John Gains.

Star Trek: Discovery is now in production, with release expected late summer or early fall. Above is the first picture of the cast, via Empire On Line:

From left to right are Jason Isaacs (Discovery’s captain, Lorca), Michelle Yeoh (Captain Georgiou, whose ship is the Shenzhou), Chris Obi (the Klingon T’Kuvma, who is determined to bring together the various Klingon houses), Sonequa Martin-Green (Rainsford, also known as Number One, a lieutenant commander who serves as Discovery’s first officer and the show’s main character); Kenric Green (not actually on the show, but definitely serving as Sonequa’s husband), Doug Jones (an alien science officer aboard Discovery), James Frain (the Vulcan father of Mr. Spock, Sarek), and Shazad Latif(Kol, a commanding officer of the Klingons).

Other cast members of the show not featured in this image are Terry Serpico as Starfleet Admiral Anderson, Maulik Pancholy as the Shenzhou’s chief medical officer, Nambue; Sam Vartholomeos as junior officer Connor, assigned to the Shenzhou; Mary Chieffo as L’Rell, a Klingon battle deck commander; Mary Wiseman as Starfleet cadet Tilly, who is assigned the Discovery, and Anthony Rapp as science officer Stamets.

The Justice League official trailer has been released (video above). Learn what Bruce Wayne’s superpower is, and how he feels about playing well with others. Here is the synopsis of the movie:

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

The BBC released the above video last week: “To celebrate Red Nose Day today we present the full 1999 Doctor Who Comic Relief special The Curse of Fatal Death. Starring Rowan Atkinson, Richard E. Grant, Jim Broadbent, Hugh Grant and Joanna Lumley as the Doctor, written by Steven Moffat.” I09 wrote how this has forshadowed the Moffet era:

One of the other truly fascinating things about 1999’s “The Curse of Fatal Death” is how it previews a number of things from the show’s revival years later: the tried and weary Doctor, the Doctor and Master’s complicated one-upmanship, making the romantic love between the Master and Companion explicit, same for that between the Master and the Doctor (although, it’s the Doctor who is female in this, and not the Master), etc. I’m actually most disturbed by the idea of the Dalek-Time Lord hybridization, since it reminds me of the horrible Dalek plot in “Daleks in Manhattan/Evolution of the Daleks.”

The other thing that makes this short more relevant than before is the flurry of regenerations at the end. Both Moffat’s time as showrunner and Peter Capaldi’s time as the Doctor are coming to an end soon, and people really want a Doctor who isn’t a white man. For proof that it would work fine, check out Joanna Lumley at the end of this. She’s great!

Starz has released the above trailer of American Gods. Nerdist interviewed the cast at South By Southwest.

Riverdale showrunner Roberto Aguirre-Sacasa spoke with Entertainment Weekly, teasing further genre elements in the show. There was no definite answer regarding fan theories that zombies will be involved.

The musical cross over of Supergirl and The Flash (and the Glee Reunion) entitled Duet will begin on Supergirl, with most of the story taking place on The Flash. The two are placed in a dream-like state by the Music Meister (Darren Criss). ScreenerTV reports that, “Kara and Barry wake up without their powers in an alternate reality where life is like a musical and the only way to escape is by following the script, complete with singing and dancing, to the end.”

“You’ll see two versions of Iris in the episode,” she said. “The Iris that we know and love, and a person they [Barry and Kara (Melissa Benoist)] think is Iris but is actually a completely different character named Millie. She’s the sassy daughter of two gangsters — played Victor Garber and Jessie Martin — and she’s madly in love with Mon-El’s character (‘Supergirl’s’ Chris Wood), whose name is Tommy. They’re fighting for their love, because both of their families do not want them to be together.”

Writers of the music for the episode include Benj Pasek and Justin Paul, who also wrote for La La Land.

Supergirl isn’t the only show in the Berlantiverse to feature music this month. On Legends of Tomorrow, Dr. Stein (Victor Garber) along with Heat Wave (Dominic Purcell) had infiltrated NASA during the flight of Apollo 13 and had to distract those there from seeing superheroes on the moon. They do it by singing Day-O in the video above.

Time travel shows typically have rules as to what can be done, and then frequently break the rules. Legends of Tomorrow has been fairly lax with their rules, but they will break the little that has been established for the season finale. Here is the official synopsis:

Aruba” — (8:00-9:00 p.m. ET) (Content Rating TBD) (HDTV) SEASON FINALE — As the Legends are about to take off for their next destination, a massive timequake rocks the ship. In order to try and fix what has happened, they are forced to break the one cardinal rule of time travel. But if they are able to destroy the spear, they will face the ultimate consequence. Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Dominic Purcell, Franz Drameh, Nick Zano and Maisie Richardson-Sellers. Rob Seidenglanz directed the episode written by Phil Klemmer & Marc Guggenheim (#217). Original airdate 4/4/2017.

Next season The Flash will break with its usual tradition of having the Flash’s life be dominated by others with super speed. The big bad next season will not be a speedster.

Legion, which has now been renewed for a second season, has been very strange recently, with Aubrey Plaza doing a fantastic job as “Dr. Lenny” last week. It makes a little more sense to those who know about the X-Men comic universe. I0-9 discusses the identity of the bad bad which has been inhabiting David’s mind:

A new promo for the show’s next episode, “Chapter 7,” sees the brainy half of the Loudermilk duo, Cary, confirm that Amahl Farouk—better known as the Shadow King—is the villain that’s been plaguing David as the yellow-eyed demon throughout the show.

It’s not exactly a huge surprise that Yellow-Eyed Demon, or Y.E.D., is actually the Shadow King. This has been hinted at for weeks. Over the course of the first season, Y.E.D. has been lurking in David’s mind, changing David’s memories and making him forget about every encounter they’ve had to keep his identity secret. Lately, Y.E.D. has taken on the form of Lenny (Aubrey Plaza), David’s friend from the mental hospital who was killed in the first episode—but when David was a child he pretended to be his dog, not-so-subtly named King. The Shadow King has actually been inside David for decades. David’s father (Professor X?) sent him away when he was a baby to protect him, but Farouk couldn’t be stopped.

So, who is Farouk in the comics? First introduced in Uncanny X-Men #117 by Chris Claremont and John Byrne, Farouk is the latest human host of the pure psychic energy being known as the Shadow King. The Shadow King has existed for centuries, feeding on the enslaved bodies of telepathic hosts from the dawn of humanity. Farouk has spent his life working in the shadows, first as a Nazi ally and later a crime boss in Egypt, before encountering Charles Xavier in ‘70s Cairo…

There is a large but finite number of ideas in science fiction and fantasy, and on Wednesdays we are seeing that with two excellent genre shows having a similar situation. While David on Legion appears to have a second consciousness in him since childhood, Quenton has Niffin Alice in him at present on The Magicians. While there is a similarity in the idea of two consciousnesses in one person, this is a more recent development on The Magicians, and perhaps Penny discovering this last week is a step towards resolving this problem. If not, who knows how much damage Alice can do with control of Quenton’s body for even a brief period every day.

Syfy plans to air all ten episodes of season three of 12 Monkeys over three days in May, between May 19 and 21. This sounds like the sort of thing a network might to do to quickly get rid of the episodes of a series it plans to cancel, but they have also renewed the series for a final fourth season. Perhaps this is their response to the trend towards binging shows, such as on Netflix.

While Syfy has renewed 12 Monkeys and The Expanse, there is no word yet on The Magicians. The Magicians is also impacted by streaming in a different manner. The episodes seem to be prepared for streaming, with an uncensored version of season one with limited commercial cuts made available after the first season aired. Besides all the f-bombs, the show is made without fading to commercials like a typical show, and instead have the commercials appear abruptly, making the episodes work better when repeated with reduced commercial breaks (or none when on Netflix). I would love to see The Magicians return for a third season on Netflix instead of Syfy so that we can see it this way from the start.

There is also news on the third time travel series to be discussed this week. Digital Spy reports that Doctor Who will have a three part episode involving The Monks, with Missy also appearing:

It’s been a while, but Doctor Who is resurrecting the three-parter for Peter Capaldi’s final series aboard the TARDIS.

New monsters The Monks were previously confirmed to be appearing in several episodes across series 10 – now Digital Spy can confirm that a trio of adventures (episodes 6-8) in the new series are linked.

Toby Whithouse, who’s written the concluding chapter, revealed: “Mine is the third part of a three-parter – Steven [Moffat]’s done the first one, Peter Harness did the second and I’ve done the third.

“It’s set modern-day… and I think anything more than that and Steven will come round and kick me in the shin!”

Sacha Dhawan, who played Jimmy Dillon on Mr. Selfridge, and has also appeared in Sherlock,Iron Fist, and An Adventure in Space and Time is among the names being discusses as a possible replacement for Peter Capaldi. Radio Times reports he is very interested in the role:

“Oh my God, I’d absolutely love to,” Dhawan told RadioTimes.com when asked if he was interested in the part. “I SO would love to.

“I’ve worked with [frequent Doctor Who writer Mark Gatiss] quite a lot, and I think I’d bring something really exciting to it. It’d be incredibly nerve-wracking to do to be honest. It’s quite a lot of pressure.

“When the list came out, I was so honoured really that I was even considered,” he went on. “And that alone was kind of good enough. But who wouldn’t want to do it? It’s Doctor Who.”

The posters advertising the return of Agents of SHIELD reminds us that they are now in The Framework with a different reality. For those not watching, it is sort of like being in The Matrix.

Donald Trump got off to a poor start with an attack on the press by his press secretary, while Saturday was a good day for the start of an anti-Trump protest movement. The excitement seen in the participation in the anti-Trump marches shows what could have happened if the Democratic Party was not so foolish as to give Hillary Clinton the nomination. Reporters covering the event found that many women motivated to march against Trump did not see Hillary Clinton as a choice which motivated them to turn out to vote. With a better candidate we could now have a Democratic president and a Democratic Senate.

While the protests were in progress, Donald Trump and press secretary Sean Spicer were attacking the press. Donald Trump is as defensive about the small crowds at his inauguration as he is about his “small hands” and what that represents. Speaking at the CIA, Donald Trump even said, “I have a running war with the media.” Ezra Klein wrote that “Trump’s real war isn’t with the media. It’s with facts.”

Trump then had press secretary Sean Spicer call an impromptu briefing in which Spicer lashed the press for estimating crowd size. “Nobody had numbers, because the National Park Service does not put any out,” he insisted. Seconds later, he said: “This was the largest audience ever to witness an inauguration, both in person and around the globe.”This, along with much else Spicer said, was plainly untrue. But there’s a strategy at work here. The Trump administration is creating a baseline expectation among its loyalists that they can’t trust anything said by the media. The spat over crowd size is a low-stakes, semi-comic dispute, but the groundwork is being laid for much more consequential debates over what is, and isn’t, true.

Delegitimizing the institutions that might report inconvenient or damaging facts about the president is strategic for an administration that has made a slew of impossible promises and takes office amid a cloud of ethics concerns and potential scandals.

It also gives the new administration a convenient scapegoat for their continued struggles with public opinion, and their potential future struggles with reality. This kind of “dishonesty from the media,” Spicer said, is making it hard “to bring our country together.” It’s not difficult to imagine the Trump administration disputing bad jobs numbers in the future, or claiming their Obamacare replacement covers everyone when it actually throws millions off insurance.

Spicer ended the statement on a warning. “There has been a lot of talk in the media about the responsibility of holding Donald Trump accountable. I am here to tell you that it goes two ways. We are going hold the press accountable as well.”

This is reminiscent of the credibility gap during the Vietnam war. If Trump will outright lie about verifiable facts such as these which are of limited significance, it is doubtful that he will hesitate to lie when it comes to justifying actions while at war, or defending his policies. We have already seen this type of disregard for the truth throughout his campaign. Kellyanne Conway said that the White House press secretary gave “alternative facts.” Alternative facts sure looks like another word for lies.

The White House is being called out for their lying from both the left and the right. The Weekly Standard wrote:

Crowd size does not matter. At all. It is not correlative with any conceivable marker of presidential success.

Which leads us to the question of why Spicer rushed out on Day 2 of the administration to begin his relationship with the press by insisting on a blatant, demonstrably false, lie. And please understand: That’s what this is. It is not spin, or misrepresentation, or cutting a fine line. It’s a deliberate lie.

And the answer is that this isn’t about Sean Spicer. He’s already been caught lying in the recent past…

Rule #1 for press relations is that you can obfuscate, you can misrepresent, you can shade the truth to a ridiculous degree, or play dumb and pretend not to know things you absolutely do know. But you can’t peddle affirmative, provable falsehoods. And it’s not because there’s some code of honor among press secretaries, but because once you’re a proven liar in public, you can’t adequately serve your principal. Every principal needs a spokesman who has the ability, in a crunch, to tell the press something important and know that they’ll be believed 100 percent, without reservation.

It is debatable as to how much crowd size matters, but I do find it encouraging to see both that crowd size was much smaller than for Barack Obama’s inauguration, and that far more people were motivated to protest against Trump than to see him inaugurated as president. While it is bad that the White House is already lying to us, it is at least better that most realize when they are lying. If the election had turned out slightly differently in a few states, Hillary Clinton could be president, but we would still have a president who cannot be trusted. Instead of turning out to protest, many of those protesting on Saturday would be defending her and, as we saw during the campaign, this would including defending her false statements. While many of the protesters did vote for Hillary Clinton, many also cheered when Michael Moore said the “old guard” has to go and that “We have to take over the Democratic Party.”

The week included two shows ending their season with a twist (a tip off that this post has many spoilers). It was notable that the comedy The Good Place did a far better job with its twist than the more serious Sherlock. The Final Problem had multiple twists. First there was the overall idea, introduced the previous week, that Sherlock has a sister. This week we found the degree to which, despite somehow forgetting her existence, Eurus influenced Sherlock’s behavior.

Mark Gattis defends the flaws in the episode by bragging about how the show is complicated, but that does not justify the cheats and inconsistencies they relied upon. The story was propelled too easily by having Eurus being able to exert mind control over others, freeing Moffat and Gattis of any need to write a more plausible plot. The flat was blown up, with everyone simply jumping out the window and remaining uninjured. It makes no sense that Eurus almost blew her brother up, but later was so upset when Sherlock surprised her by pointing the gun at himself.

The twist with Redbeard was more plausible, but it is an idea which has been used before. This was mishandled in the current story when the police pulled Watson out of the well while he had a chain on his feet. The manner in which Molly was handled only reinforced criticism of how Moffat handles women. Moriety’s suicide did not seem to make much sense in The Reichenbach Fall. This episode raises the question of whether Eurus gave him the suggestion to do so, or whether Moriety had a death wish and improvised on his own.

The episode began with a girl on a plane with everyone else, including the pilot, unconscious. The manner in which this was handled was the poorest twist of all. There were many strange things about the situation from Sherlock’s perspective when listening to what he heard on the phone. If this is all the audience encountered we might have have questioned its reality. However we actually saw the scene with a small girl, making it an unfair solution to later find it was Eurus on the phone pretending to be the girl.

Steven Moffat had an explanation for this which I do not agree with, along with other comments on the episode at Entertainment Weekly:

It felt like by bringing back Moriarty you to have your cake and eat it too — he’s back but in flashback so you don’t violate that he died. Can you talk about the decision to bring him back?
There was some unfinished business there, but we were always absolutely clear he was dead. People said we were making that up, but the power of that rooftop scene would have been destroyed in retrospect if he hadn’t really killed himself just to win an argument, which is what happened. It was great to get a bit of Andrew [Scott] back, it didn’t occur to us until quite late in the day that we could just do it. But we needed the flashback to fill in how this had happened. And you’ve got the perfect opportunity to bring back Moriarty and for two minutes to make it seem like he was arriving in the present day. It was fun.

Was it a bit of a cheat to have a different actress play Euros in the plane vs. in the flashbacks?
No, because that’s a dream, she doesn’t need to look the same. A dream image of yourself you don’t dream of yourself looking as you necessarily are. So I didn’t think so at all.

Some of the elements, from Redbeard to the water motif, extend back further into the series. How long did you know about the major elements of this finale?
We started talking about him having a sister fairly early on. What if Sherlock had a sister? What would that be like? But we didn’t take it madly seriously. During the planning of [season] 3 we came up with the plotline that we wanted to do. But there are elements from it we’ve been kicking around forever. Some of them have accidentally worked out well. If you go back to “A Scandal in Belgravia” and look at Mark Gattis when he reflects that Sherlock originally wanted to be a pirate but suddenly looks very sad and haunted, it’s very much a long game.

And since we didn’t get any closure on this: What’s now going on with Mycroft and Lady Smallwood and Sherlock and Irene Adler, that we’re not being privileged to witness?
Well, that you’re not privileged to witness it means you’re not going to know! With Lady Smallwood and Mycroft, we might never find out what happened there, and I’m quite content to leave it that way. We don’t have to know everything. And as for Sherlock and Irene Adler, I have no reason to suppose that Sherlock is not telling the truth, that he loves ignoring her texts. There was no new information there. We always known he rescued her and she wasn’t really dead. And if you paid attention you’d have known they’ve remained slightly in touch because there’s a rose — when he’s injured — there’s a single rose in the room. If you think about it, he saves her life, they must have escaped together, obviously there’s some form of contact.

If there is something fans seem upset about with this episode it’s that there’s no resolving scene with Molly after that very effective devastating call to her while she’s in the kitchen. Did you consider doing one? Is it fair to leave her that like that?
But that’s not how we leave her. People need to learn to face their televisions, we see her later on–

We see her skipping into the room but–
She gets over it! Surely at a certain point you have to figure out that after Sherlock escapes tells her, “I’m really sorry about that, it was a code, I thought your flat was about to blow up.” And she says, “Oh well that’s okay then, you bastard.” And then they go back to normal, that’s what people do. I can’t see why you’d have to play that out. She forgives him, of course, and our newly grown-up Sherlock is more careful with her feelings in the future. In the end of that scene, she’s a bit wounded by it all, but he’s absolutely devastated. He smashes up the coffin, he’s in pieces, he’s more upset than she is, and that’s a huge step in Sherlock’s development. The question is: Did Sherlock survive that scene? She probably had a drink and went and shagged someone, I dunno. Molly was fine.

We do not know whether Sherlock will be back, and, even with its flaws, the episode works both as a season or series finale. Sherlock and Watson are left to go back to solving crimes as they have done in earlier seasons before the show concentrated more on their ongoing personal stories as opposed to mysteries.

Many other shows besides Sherlock have utilized plot twists, but none did it as well as The Good Place. The plot twists in Westworld were discussed on line long before they were revealed. Mr. Robot relied on plot twists in both the first and second season, These were predicted both years, with some questioning the wisdom of trying it a second time. In contrast, I don’t know of anyone who predicted the huge twist on The Good Place, and yet once revealed it made perfect sense after Kristen Bell’s character figured it out. Ted Danson responded with the perfect diabolical laugh, and went on to wipe the memory of everyone involved to set the stage should there be a second season.

The old broadcast networks have very few new shows worth watching (besides The Good Place, along with Speechless). This is US is probably the best new network drama. It has now been renewed for two additional seasons.

Star Trek Discovery has been delayed again due to scheduling conflicts with its lead, Sonequa Martin-Green. The good news is that James Frain has been cast to play Spock’s father Sarek.

Steven Moffat has received criticism for his treatment of women characters long before the controversy over the scene with Molly in last week’s episode of Sherlock. In a recent interview, Moffat expressed regrets over how he treated the matter of Amy and Rory grieving over the loss of their baby:

In an interview with Doctor Who Magazine, Steven Moffat discussed his feelings on how Amy Pond and Rory Williams dealt with the grief of their baby. In “A Good Man Goes to War”, Madame Kovarian kidnapped their daughter Melody. Amy gave birth to her child after being captured by Kovarian, and then Melody disappeared — only for everyone to find out that River Song is the grown-up Melody.

The entire season was a little wibbly wobbly timey wimey but the way that the Ponds dealt with their baby being kidnapped was weak, for lack of a better term. In the interview, Moffat explained why it was hard for him to write their grief.

“Usually, big dramatic things happen in Doctor Who, then the next week everyone’s absolutely fine. I never found a way to have Amy and Rory grieve over their lost baby, and I still don’t know how I would do that. I could never work out how to write that.”

In an interview with The Wrap, Karen Gillan says she would be willing to return to play Amy Pond if asked:

Gillan is also well known for her portrayal as Amelia Pond, co-star to the Eleventh Doctor in the popular BBC adventure series “Doctor Who.” But will the show’s fans see her reprise her role any time soon? Gillan said, “If they ask me, I would be back there in a shot, but I think I’m more excited about seeing Pearl take over as companion, because she was amazing.”

The big event of the week was the inauguration of Donald Trump, making the 2016 election the worst reality show ever. Trump has been accused of plagiarizing from the Batman villain Bain in his acceptance speech:

Compare Trump’s declaration that, “Today’s ceremony, however has very special meaning. Because today, we are not merely transferring power from one administration to another or from one party to another. But we are transferring power from Washington D.C. and giving it back to you… the people.For too long a small group in our nation’s capital has reaped the rewards of government while the people have born the cost.Washington flourished but the people did not share in its wealth. Politicians prospered but the jobs left and the factories closed. The establishment protected itself but not the citizens of our country. Their victories have not been your victories. Their triumphs have not been your triumphs and while they celebrated in our nation’s capital, there was little to celebrate for struggling families all across our land. That all changes starting right here and right now because this moment is your moment. It belongs to you.”

Sound familiar? Declareth the cartoon Batman villain: “We take Gotham from the corrupt! The rich! The oppressors of generations who have kept you down with myths of opportunity, and we give it back to you… the people. Gotham is yours. None shall interfere. Do as you please. Start by storming Blackgate, and freeing the oppressed! Step forward those who would serve. For and army will be raised. The powerful will be ripped from their decadent nests, and cast out into the cold world that we know and endure. Courts will be convened. Spoils will be enjoyed. Blood will be shed. The police will survive, as they learn to serve true justice. This great city… it will endure. Gotham will survive!”

Stephen Amel of Arrow also had some comments on Donald Trump on Facebook:

Bottom line: I don’t really like Donald Trump, I wouldn’t invite him to dinner, I probably wouldn’t stay in a property he owns… but I don’t yet know how he is going to govern. And I think that requires me to (tepidly) reserve judgement. Why? Because – holy shit!! – he’s the President, and citizen or no, America is my home. I pay taxes. I care about the way the government treats its citizens. So… I hope he succeeds for EVERYONE. And I can’t say I completely understand the opposite perspective – hoping for failure – even though I fully support someone’s right to have it.

People might think I live in a bubble, but I actually feel quite the opposite. At 35, I don’t really have experience on my side, but I have been across the spectrum to a pretty strong degree. I’ve lived in two countries, in varying states of financial security and I’ve participated in an industry that celebrates diversity. There’s no place for anything but inclusion, honesty and transparency in 2017. I hope that’s what we get.

Bleeding Cool shows how various comics have recognized the inauguration.

A 1980’s news cast (video above) reports on the disappearance of Barb, as seen during the first season of Stranger Things. The newscast also provides further evidence that Eleven is still around. It should come as no surprise that she is returning, despite the first season finale leaving things ambiguous.

NBC has extended Timeless from thirteen to sixteen episodes, to run in two blocks, between November 14 and December 12 and from January 16 to February 20.

Showrunner Ray McKinnon explains why you can’t multitask and keep up with Rectify, and discusses the upcoming fourth and final season

Parks and Recreationpredicted the victory by the Chicago Cubs in the World Series. Since the series ended, Michael Schur has moved on to new show, The Good Place. It returns for its four final episodes of the season on January 5. Michael Schur discussed what will be happening with Entertainment Weekly. Think love quadrangle.

Last week’s episodes of The Flash revealed the secret behind the new version of Harrison Wells, as well as dealing far more with Caitlin’s powers–which should be a major focus for the upcoming episodes. More at The Nerdist.

Besides the major crossover involving all of the Berlantiverse shows, there will be a Glee reunion with Melissa Benoist and Grant Gustin doing a musical crossover between Supergirl and The Flash. Now there is talk that Legends of Tomorrowmight get involved to at least include Broadway veteran Victor Garber.

Lexa Doig has been cast as alia al Ghul, daughter of Ra’s al Ghul and half sister to Nyssa al Ghul, on Arrow.

Moving on from Doctor Strange to another Doctor, I previously posted about plans for an animated version of a lost Doctor Who story, The Power of the Daleks. Inverse calls it essential viewing, and has updated information.

When the BBC purged their archives in 1974 to make room for more film, “The Power of the Daleks,” the Second Doctor’s introduction to the show, was lost in the process. “The Power of the Daleks” is not the only serial or episode lost to time; there are dozens of episodes that have never been seen by modern audiences. But “The Power of the Daleks” is the first one to be made in what is assumed to be a shot-for-shot remake. It’s animated and, of course, in black and white, but Troughton’s Doctor and Anneke Wills’s Polly will probably be no less charming.

Matt Smith is back playing a character in the past on television, with Netflix releasing The Crown last week. Claire Foy (who previously played Anne Boleyn in Wolf Hall) makes an excellent companion for him as Queen Elizabeth. Much of Matt Smith’s character can be seen in his portrayal of Prince Phillip. I was not surprised to see him handle an elephant in Nairobi, expecting him to pull out a sonic screwdriver or explain handling the elephant by saying, “I speak elephant.” When he protested playing second fiddle after Elizabeth became Queen, I half expected him to protest that he is a Time Lord of Gallifrey.

The series starts with Elizabeth and Phillip before Elizabeth became (spoiler?) Queen and was forced to fulfill what was expected of the role. They have great chemistry together and someday I would like to see Foy and Smith together again, possibly in another period piece, in which they can remain young and carefree, without having to fit into their historical roles on this show. The actual history along with a look at the series are discussed at The Guardian.

Matt Smith was able to get some tips on playing royalty from Jenna Coleman, who is staring in ITV’s Victoria. This means that Smith is playing Coleman’s great-great-grandson-in-law. It will take a TARDIS to get them back together.

While Matt Smith and Jenna Coleman are busy playing members the royal family, Karen Gillan is preparing to direct, as well as write and star in, and independent movie named Tupperware Party, which is being filmed in Scotland.

Also in the Doctor Who universe, I got a chance to watch the first three episodes of Class while flying home last weekend. I was impressed that each episode was better than the previous. I have not seen the fourth yet, but have heard it couldn’t continue that trend, but look forward to further episodes.

This season has become a huge season for time travel, and this is reflected in most of the items today. One time travel series,Legends of Tomorrow has been rebooted, and the second episode was much more fun with the addition of The Justice Society of America. I had an introduction to its members last week. Marc Guggenheim discussed the meeting between the Legends and Justice Society in the video above.

Another aspect of the episode was the elevation of Sara Lance to the leader of the group, at least while Rip Hunter (Arthur Darvill) is missing. Marc Guggenheim spoke with Entertainment Weekly about how she handles her new role, along with some teasers about Rip:

“As you start to see her become more and more comfortable in being the leader of this rag-tag group, it’s so much fun to watch her,” EP Marc Guggenheim says. “The character’s embodying the role of a leader, Caity’s performance really embraces it. It turns out to be one of the most successful things we’ve done in season 2.” However, the next mission under her command won’t necessarily be to hunt down Rip Hunter. “That’s going to be something that’s always going on in the background, and in some cases the foreground, of the various episodes,” Guggenheim says. “To a certain extent, we don’t want to change the mission statement from fixing aberrations to going and saving Rip. The bat has been taken out of their hands because there’s no way to find Rip, so what would they do? You will find out [what happened to Rip] before the Legends do.”

The Flash began the season with Flashpoint based upon ramifications of Barry going back in time to save his mother. Todd Helbing, executive producer of The Flash, explained why Flashpoint was only in one episode when it was a much bigger story in the comics:

“I think anytime you do a story like Flashpoint, something as iconic as that, with the character restrictions that we had, it’s going ot be different than everybody expected,” executive producer Todd Helbing told ComicBook.com. “I think for us from a story point, when we talked about it originally it was going to be more episodes but what happens more often than not is that when you break the story you find that it would be a lot better and a lot more satisfying if you pulled up a lot of that information and put it in that first episode….It just became a much stronger episode if we just made it one as opposed to four or five, and then we could really kickstart the rest of the season after that. But Flashpoint or not, there are consequences going forward for Barry for what he did and those ripples he’s going to explore throughout the third season.”

The first cross over of the season was having Oliver Queen appear on the season premiere of Legends of Tomorrow, but a much bigger cross over is coming up. Marc Guggenheim has more information. The villain will be aliens called The Dominators. As for how Supergirl gets involved in events in our universe:

“Last year, Supergirl established that Flash was able to make his way to what I call Earth-CBS, and it stands to reason that, with the proper breach technology, the reverse can happen,” executive producer Marc Guggenheim told reporters Tuesday following a screening of this week’s Arrow and Legends of Tomorrow.

In the crossover, the heroes will team up to fight against the Dominators, who in the comics were a technologically advanced alien race that wanted to invade Earth and eliminate the threat posed by unpredictable metahumans — and they have similar motivations during the crossover. “Once the heroes realize that they’re up against aliens, they decide that they need an alien on their side,” Guggenheim says. “Fortunately, Barry knows a really nice one. I don’t think it’s a big shock that between Barry and Cisco, and all their experiences with Earth-2 and the multi-verse, that they can pluck her from Earth-CBS.”

Guggenheim also revealed that the crossover will actually kick off at the end of an episode of Supergirl, where Cisco (Carlos Valdes) and Barry (Grant Gustin) basically enlist Kara’s help. “Some people call it a four-way crossover because it involves four shows; my ulcer requires me to call it a three-part crossover,” Guggenheim explains. “The story that’s being told has a beginning, middle, and end: a beginning in Flash, a middle in Arrow, and an end in Legends. But Supergirl is very much a part of the whole thing, so we are crossing over four shows — four shows in three parts.”

Agents of SHIELD this year has combined the supernatural, the Inhumans, artificial intelligence, and the public reemergence if SHIELD. It looks like it would be helpful to be up to date on the comics to keep straight how this all fits together, especially with Doctor Strange to be released soon. Screen Rant explained how The Darkhold/Book of Sins fits into the Marvel Cinematic Universe.

When Cumberbatch was asked how he saw Doctor Strange fitting into the largest Marvel Cinematic Universe, the actor strayed away from talking specifics to avoid any undue spoilers. However, he did say the sorcerer would be “all over the place.”

“There’s a lot going on this story [Doctor Strange] that will lead you to understand why he’ll play a key role in the next phase,” Cumberbatch explained.

The actor also talked about how he felt now playing Doctor Strange. Cumberbatch said, “Obviously, you want to bring the character to life and tell this really incredible story.”

He continued and stressed that the character’s story is only started in Doctor Strange. “It’s only be the end of the film that you go, ‘Oh my god, this is the beginning.’ It’s an origin story of a superhero that’s going to be part of all of [the MCU].”

12 Monkeys was one of the top time travel shows of the past two seasons, and will add a real veteran of the time travel genre for its third season. Back to the Future star Christopher Lloyd will play the Pallid Man’s father. Showrunner Terry Matalas has more information on the upcoming season in an interview with Blastr:

What can you tell us about how Season 3 is coming along? Logistically how’s it going (as far as shooting, etc.), and creatively what are some things you’re looking to explore?

Matalas: We’ve just started production – right now, I’m surrounded by a small army of incredible cast and crew – but creatively, conceptually, thematically the season’s all there. Last season we really wanted to explore the biology — the psychology – of Time. We wanted to tell a big, ambitious, sprawling time-travel story that ended with a very intimate, heart-wrenching reveal. This season, it’s about going inward.

The stakes are deeply, deeply personal for Cassie and Cole. It’s really the a real time travel dilemma, the fundamental question: “If you knew that your child would one day grow to be the Devil, would you – could you – kill him?” Or is there another way? And what that struggle does to our characters as a team – to Cole and Cassie as a couple – how it divides and unites them – is going to make for some remarkable drama. In some ways it’s a more linear season, and in others, it’s more complex than ever.

What can you tell us about the opportunity to land Lloyd for this new role? Why is he the man for the job?

Matalas: The fantastic thing about this character is that it’s not even remotely stunt casting. Certainly, when you make a time-travel show, you carry an obvious list of influences – Back to the Future, Doc Brown, Marty McFly – but when you cast that show, you never want the actor to distract from the moment. It’s difficult to tell a story or create an emotion if you’re constantly winking at the audience. We aim for levity, sure, but we never put the bullseye on “meta.”

So when we came to this particular character – with this particular set of traits – with this particular heritage – Christopher Lloyd was not only an inspired choice, he was the right choice. Put a photo of Lloyd against a picture of Tom Noonan and there’s zero difficulty imagining them as father and son.

I finally had a chance to check out one of the new time travel series, Timeless, over the weekend. It is certainly not hard science fiction, but it was fun. After watching the first, I did want to immediately watch the other two episodes available. The explanation of how they travel through time was probably under a minute, mainly showing them folding over a sheet of paper as an illustration of how they move from one point to another. They showed by the end of the first episode that events in the past can be changed, and that this can and will impact events in the present. A small ship, which is no bigger on the inside than it is on the outside, holds a three person crew. They quickly dispensed with the idea of going back a few minutes earlier if their first attempt at fixing events in the past didn’t work with ominous warnings of severe consequences if they run into themselves. No mention if a different set of time travelers could go back if they don’t get it right the first time. So far the people in charge haven’t minded the minor changes (from their perspective) from the trips back in time.

Producers Eric Kripke (Supernatural, Revolution) and Shawn Ryan (The Shield),discussed the rules of time travel and other aspects of the show with (including a spoiler for those who have not seen the pilot) with Film:

Is there a butterfly effect every time they go back? Maybe not as drastic as in the pilot, but just being there changes things.

Ryan: Hopefully a lot of times our heroes will be successful and there won’t be any discernible effect. Sometimes there will be. One of our rules is whenever we can, if there’s a change, can it be specific and personal? The best example of that is the pilot when Lucy’s sister vanishes from the timeline. But we also can use it for comedic effect. I won’t give away too much but I think there’s a change in history after the German WWII episode that tickles my funny bone a lot.

We talk a lot about what the changes are going to be. The thing you have to remember is the only people that are truly aware of these changes are the three people that have this institutional knowledge that go away and then come back and find things are different. For everyone living in that world, that’s just the way the world is. For all we know, we know the world the way we know it but somebody could come right now and say, “This isn’t the way it’s supposed to be, guys.” For the audience, our heroes’ job is to preserve a recognizable reality. Things aren’t going to get too crazy and too weird if our heroes do their job. That said, there are going to be times where they can’t control everything and Flynn’s going to do some damage. They’ll come back and something will be different. But the goal is for our heroes to make sure the world stays recognizable.

You don’t have to go that far back to find time periods that aren’t good for black people or women. Is it different in every time they go back to? 100 years and it’s before women’s suffrage, further and it’s still during slavery.

Kripke: Yeah, we are not going to shy away from the reality of what it was like to be African-American or a woman in those time periods. It’s the truth of who these characters are and we don’t want to stylize it or sugarcoat it. One of the goals of the show is to present history as accurately as we can. That said, an incredible amount of history is from the perspective of rich white dudes. There were entire communities of African-Americans throughout all of history. There’s going to be certain doors that our two white characters cannot go through and Rufus can. We’re interested in illuminating some corners and stories in history that haven’t been told, some peoples’ history. Same for women before the suffragette movement and they had incredible challenges but they also had an incredibly sophisticated world of interpersonal relations that in a lot of ways wasn’t recorded by mainstream history. There’s aspects and corners of that world that we can explore too. So I don’t think it’s going to be a one-trick pony of every episode, Rufus confronts racism and Lucy confronts male chauvinism. I think the tapestry is a lot more complicated than that and we have every intention of depicting that.

The Doctor Who spin-off Class premiered on BBC 3 yesterday and will be on BBC America this spring. Peter Capaldi appeared in the first episode. Screen Rant has a spoiler free review of the premiere. They have more on the show, with mild spoilers, here. Plus here are seven reasons to watch Class.

We still have a long wait for the main show. Cultbox summarizes everything we know so far about the upcoming season of Doctor Who with quite an extensive list of links.

Nerdophiles has news from the New York Comic Con on the second season of The Man In The High Castle.

When I was younger and reading comics in the 1960’s, World’s Finest featured a team up between Superman and Batman in every issue, and at other times in its history it included other DC superheroes. While Superman and Batman are together in the same movie this month, television teamed up Supergirl and The Flash instead. Lacking the rights to Superman, ideas from the comics are often adapted to Supergirl (as Batman story lines have been adapted for Arrow).

I also clearly recalled the classic Superman cover with Superman racing The Flash. Supergirl used a similar poster to promote the show, and TV Addict has put the two together in the graphic above.

Melissa Benoist and Grant Gustin had terrific chemistry together in this Glee reunion. I don’t know if them having worked together in the past helped, and it certainly helped that both characters are similarly light. I doubt we would have seen the same chemistry with an Arrow/Supergirl crossover, unless Supergirl became a Felicity-substitute for Oliver.

Their awkward meeting can be seen in the video above.

The premise was actually explained further on Tuesday’s episode of The Flash in which Barry traveled back in time to seek ways to become faster to fight Zoom. Fortunately the show kept technobabble to a minimum and concentrated on the chemistry between the characters–although I do wonder how Barry would be able to get back to his original earth. I can envision this as a Barry from yet another earth who is spending years traveling from one earth to another in search of home. While there was a brief discussion of parallel earths, it was pretty much limited to Winn’s “That’s cool.”

The show had many other great lines. Supergirl was still trying to regain the support of the people of National City after the episode in which she was exposed to red kryptonite and briefly became a menace. She expressed her frustration and the drastic measures she was utilizing: “I saw that winning the people back wasn’t going so well. I have tried everything I can think of. Last night, I helped a family assemble their IKEA table!” The Flash demonstrated his super speed to Supergirl by quickly running out for ice cream. Supergirl’s response was perfect: “That’s cool.”

Cat might have been fooled by Supergirl’s secret identity (although now that she knows there is a shape shifter around, I’d would expect her to figure out how she was tricked). She had no difficulty figuring out that Barry was the new speedster in town, but she did not like the name of The Flash: “The Flash sounds like someone whose only super-power is jumping out of an alley in a trench coat.”

There was a reference to CW, which The Flash is on: “All four of you, standing there, doing nothing. You look like the attractive yet non-threatening, racially diverse cast of a CW show.”

While I could have easily spent the hour just watching Supergirl and The Flash hanging out together, there was even a plot to the story. If there were two superheroes, there had to be too super villains working together, Siobhan (Italia Ricci) and Livewire (Brit Morgan):

Siobhan: “You want to kill Cat Grant and Supergirl, and I want to kill Cat’s assistant, who’s protected by them both. Figured we could team up.”

Livewire: “Like an evil Taylor Swift squad?”

Nerdist has information from Greg Berlanti and Andrew Kreisberg on the repercussions of the cross over episode:

“We always wanted to do it,” says Berlanti of the crossover. “From the day we cast Melissa [Benoist], the notion of her in scenes with Grant [Gustin] or someday maybe, in the best of all worlds, with Stephen [Amell] as well…it’s exciting to think of them on screen together. And there was a similar tonality to the shows. But a few things had to go right. We were introducing this notion of Earth-2 and the Multiverse on Flash, and that had to work for us. We always said very openly that Flash and Arrow exist in a universe where there’s no Superman, or you would have heard about him. They would have had at least one conversation about him, and certainly Supergirl as well. And he exists on this show.”

But the multiverse would prove the easier hurdle of the two shows converging—even though they live on different networks (CW for The Flash and CBS for Supergirl. “It was more challenging in that way because it’s not so convenient. It’s two separate cites that they shoot in. You wanted the show to work and stand on its own, and CBS has its own audience. We thought we might wait until the second season,” explained Berlanti. “But after Christmas we came back and we were planning out the final third of the year and we saw a way that we thought we could do it; and it felt like the right time for him to enter her world and help her out. So it all came together. We went to all the powers that be and said, ‘I think we had indicated maybe we’d wait a little longer. But we’d really like to do this now.’”

…But will there ever come a day where Kara returns the favor and visit Barry on The Flash”

“We would love that,” said Berlanti. “Just like we love this and are excited about this. I think we want to wait and see the audience reaction to something like this. But just as storytellers and fans of the actors, obviously. We love it when we can figure out a way to do it creatively and hopefully everybody enjoys it.”

Of course, the Multiverse does add a tiny wrinkle to this: wouldn’t that mean a Kara already exists on Barry’s Earth? And if so, what might a version of her look like there?

“I would think that any Kara that exists on Earth-1 would also have to have been an alien,” explained Kreisberg. “There can’t just be Kara Danvers from Poughkeepsie. That’s the fun of the Multiverse. We have a really exciting, fun doppelgänger coming up on the penultimate episode of The Flash that we haven’t announced yet. That’s just another one of those ‘Oh, that would be really cool…’ It’s surprisingly easy to justify any of these decisions. Usually when we’re in the writers room, and arguing the merits of doing something or not doing something, it really comes down to ‘Is it cool? Is it fun?’ The logic of how we get to it we find we can make work, especially if you don’t dwell too much on it. Because at the end of the day the audience wants to see the fun thing, they want to see the Flash and Supergirl together. So getting them across—he ran a little too fast with his tachyon drive—it wasn’t a lot of shoe leather to make it happen. Then you get forty-two minutes of the fun stuff.”

As a lifelong fan of the DCU, we posited the idea of Melissa Benoist appearing on The Flash as the Power Girl of Earth-2 to Kreisberg. His thoughts? “Sure,” he laughs. “[It’s] a different costume, but sure!”

As for why the two iconic heroes are first meeting on Supergirl as opposed to The Flash, Berlanti explained that it was “because it was his capacity to come this way,” adding that they “never really considered it the other way” and that “it’s maybe a little bit more fun at first to bring the veteran from that show to the chemistry of a new show.”

As for whether or not the time-traveling heroes of the Flash spinoff Legends of Tomorrow could appear on Supergirl via their ship the Waverider, Kreisberg got our hopes way up, saying that, “The Waverider can go anywhere.”

That last line also explains how Rip Hunter once said, “I’ve seen Men of Steel die and Dark Knights fall. Your entire 21st century world will suffer.” Superman and Batman apparently do not exist in the Arrow/Flash world but did exist in Rip’s past. Does this mean that the characters picked up by Rip are actually working to save a different earth?

More at TV Line, including some comments related to what I wrote above about Supergirl’s secret identity:

In discussing this crossover’s genesis, Berlanti also hints at the idea of Supergirl and Green Arrow interacting, saying, “From the day we cast Melissa [Benoist], the notion of her in scenes with Grant [Gustin] – or someday maybe in the best of all worlds with [Arrow star] Stephen [Amell], as well – it’s exciting to think of them on screen together.”

…If Cat was so easily able to decipher that Barry is The Flash, then how can she still be in the dark about her assistant’s secret identity? “There’s a number of people that assume that she does know and just doesn’t say anything,” Berlanti notes. “Both are safe bets. We haven’t firmed up if and when we [will] clarify that point. I think it’s kind of enjoyable to appreciate the show both ways.”

When watching most television shows and a character’s life is in danger, the assumption is that they will survive. (Spoilers ahead). The opposite is true on The 100–especially when the character is played by an actor who has a role lined up on another television show, such as with Ricky Whittle. This is the second major death in a short time. Lincoln’s death has not been met with as much controversy as Lexa’s, but there has been some protests over how he died.

Amy Sherman-Palladino never got the chance to use the four final word she planned for The Gilmore Girls as she left the show in its final season due to a contract dispute. She kept them secret in case she ever had a chance to use them, and it has been verified they will be used in the Netflix revival. There are many possibilities from, “Luke, I love you” to “Mother, you are insane” to “Rory, you were adopted.”

I recently posted on how Marvel Studios and others protested the “religious liberties” bill in Georgia. The loss of potential income to the state appears to have been more important than appeasing the religious right as Governor Deal has vetoed the measure.

Dave Schilling gave his ideas on who different television characters would vote for at The Guardian. For example:

Mulder & Scully

Mulder’s naturally rebellious, so he’d have to be for Bernie Sanders. All the revolutionary rhetoric would appeal to his lack of trust in government. Scully, on the other hand, is highly religious and less prone to seditious behavior. Still, I don’t think she’d ever vote for any of the Republicans because of their denial of climate change science and anti-choice policies. I’m going to guess Hillary on this one.

Bernie Sanders played Wheel of News on The Late Show with Stephen Colbert on Friday. The segment ended with Sanders shooting the T-shirt cannon. Video above.

After the Michigan and Missouri primaries, Donald Trump put on an infomercial and talked about all the products with his name on them, even if not very truthfully. Now there is a new product to add to the Donald Trump line, Donald Trump Heroin. Mediaite reports:

A New Hampshire woman was arrested a few days ago for selling heroin with the name of none other than Donald Trump branded on the bags.

According to the Union Leader Correspondent, Darcie Hall was busted after a confidential informant managed to organize two heroin buys––one at a McDonald’s, another at a mini-mart. She had been under investigation by the police and the state attorney general’s drug task force.

And the detective who saw the heroin bundles wrote in his affidavit, “I also observed that each wax bag was stamped with a ‘Donald Trump’ logo.” (Make Heroin Great Again was probably too on-the-nose.)

Plus The New York Post reports on women who not only support Donald Trump, but are stripping down or him. Pictures included.

Peter Capaldi had previously suggested he would leave Doctor Who after the upcoming season, when Chris Chibnall will replace Steven Moffat as show runner. He has now told Radio Times that he has been asked to stay on but has not made up his mind. He also states that the new companion to replace Jenna Coleman has been cast and will be named soon.

Capaldi has told Newsweek that he is not happy with how the BBC handles the series:

Perhaps, as is the fate of so many seemingly happy marriages, the BBC has taken the Doctor for granted? “Undoubtedly,” he says. “The BBC is an incredible organization, but…sometimes people there think, That’s looking after itself. And it’s not being looked after. I think maybe their eye was taken off the ball, or the show was seen as a thing they could just push around. It’s not. It’s a special thing.”

The later time slot prompted tabloid hyperbole of a “ratings crisis,” something the star admits he begrudgingly keeps tabs on. “I have to pay attention to ratings—I’d rather not—but it’s the way the business is,” he says. “I think overnight ratings are a thing of the past. You can’t really measure the success of the show by its overnight ratings, which is what the papers do. But there’s still a place for families to sit down and watch the show—that’s still a great, fun thing to do. That’s what the show’s success has been based on. That has to be protected.”

Much of the discussion centered on feminism, particularly on the impact of having a female superhero on television in a male-dominated field. Leigh said that’s what motivated her to take on the Alex Danvers role. “I have two girls, and right before taking this job my husband was really challenging me in the sense of like ‘think about what this opportunity is and think about what it means to you and look at our little girls and if you don’t have a resounding yes [about being on Supergirl] then you’re crazy. For little girls, there’s so much on TV that is influential especially towards the younger ages. To be a part of something that’s telling a very powerful story in many different ways from many different perspectives, especially from a women’s standpoint but also from little girl’s standpoint … is rewarding.” Added Adler, “And that’s not just confined to little girls or women. I think the most exciting thing for me is the feeling that everyone feeling the strength of Supergirl regardless of gender.”

…On why he chose The Flash to be the first comic book crossover character on Supergirl, Berlanti said: “We needed to create a way to do it. We had to introduce Superman since you’ve heard about him and you’ve heard about Supergirl, but in worlds of Arrow and Flash, they didn’t exist in that world. We introduced the multiverse in The Flash this year, and that was always our way in.” But fans shouldn’t hold their breath for a visit from the Man of Steel. “We’re so thrilled that Supergirl is our point of view,” Adler said. “We’re thrilled to continue to tell her story.”

After Captain America: The Winter Soldier delivered the game-changing twist that Hydra had infiltrated SHIELD from the inside, completely destroying the government organization that makes up the very core of Agents of SHIELD, the ABC Marvel drama became a completely new show in season one. Agent Coulson (Clark Gregg) became Director Coulson of the real SHIELD, working in the shadows to take down the Hydra agents who betrayed them, including their former friend Grant Ward (Brett Dalton). The show was never the same after that revelation, and it was clear from both critical and fan response that the series was better for it.

With Captain America: Civil War only weeks away from its box-office bow, Agents of SHIELD is set to change yet again as a result of whatever happens in the Marvel Cinematic Universe.

“It will definitely have a ripple effect,” executive producer Jed Whedon says. “It is one world, so if there is a giant event, it will definitely have a ripple effect on our world.”

After spawning low-rated but critical darling period drama Agent Carter, ABC’s first Marvel series is laying the groundwork for pilot Marvel’s Most Wanted. Centering on the newest additions to SHIELD, Bobbi Morse aka Mockingbird (Adrianne Palicki) and Lance Hunter (Nick Blood), the potential series would follow the two former spies and ex-spouses who are on the run with no friends, no SHIELD and a long list of enemies looking to claim a bounty on their heads.

Without any allies except each other, Bobbi and Hunter will be forced to form an uneasy alliance with Dominic Fortune (Delroy Lindo), a rogue adventurer with a wealth of resources and even more adversaries, who agrees to protect them so long as they help him with his own agenda. These two heroes will help anyone in need, all while trying to uncover the conspiracy that put their own lives in jeopardy.

They will continue to work with SHIELD this season and decisions as to Marvel’s Most Wanted and Agent Carter will probably be made in May.

Fox has renewedGotham for a third season. In other news on the show, Brian McManamon has been cast as Clayface.

Person of Interest returns on May 5 with two episodes to air per week, airing on Monday and Tuesday. This is to be the final season.

Amber Herd has been cast to play Mera in the upcoming Justice League and stand-alone Aquaman movie. Both the stand-alone Aquaman movie and Flash movie will be new stories following their appearance in Justice League and will not be origin stories. Following are the planned release dates for the DC movies:

Batman v Superman: Dawn of Justice March 25, 2016

Justice League: Part One November 17, 2017

The Flash March 16, 2018

Aquaman following July 27, 2018

Arnold Schwarzenegger, who is about to take over as host of Celebrity Apprentice, walked out of an interview and refused to answer questions about Donald Trump’s presidential campaign when asked on Australia’s Weekend Sunrise. Schwarzenegger has endorsed John Kasich for the GOP nomination. Meanwhile Trump’s campaign continues like a bad reality show or movie, with more violence reported, involving his campaign manager.

Agent Carter recently concluded its second season, showing once again the advantage of telling a self-contained story over a short season. Whitney Frost made a great villain for the season, with the dark matter providing a strong science fiction aspect. Other highlights of the season include meeting Jarvis’s wife and the return of Dotty. Howard Stark was also used well, just appearing enough to spice up some episodes. Peggy’s love life also attracted a lot of buzz.

The season finale provided an excellent Hollywood Ending which tied up the plot lines of the season and, other than for a cliff hanger at the very end, would make a satisfactory series finale if it comes to this. Major spoilers ahead.

Entertainment Weekly discussed the finale, and some questions left open, with executive producers Michele Fazekas and Tara Butters:

ENTERTAINMENT WEEKLY: Why did you kill off Jack Thompson?!
MICHELE FAZEKAS: We did not kill off Jack Thompson, we shot Jack Thompson.

In the chest!
FAZEKAS: Yup, that was the intent. We shot him. Honestly, he might not be dead, and that’s what we as writers have said, and that’s what we told Chad. That’s the truth.

Let’s talk about the person who may or may not have killed Jack. Is it someone we know? Are they connected to the Council of Nine?
FAZEKAS: It’s unrelated to the Council of Nine. It is not for the reasons that you’d expect. It’s unrelated to Council of Nine, Zero Matter, any of that.

Purely related to the file?
FAZEKAS: Correct.

This file reveals Peggy’s exploits with the S.O.E. and some kind of massacre. Thompson thought it was too good to be true, ultimately, and it didn’t seem to affect Peggy when he mentioned it. What’s really going on here?
FAZEKAS: You have to pay really close attention to what exactly we showed that was in the file. You see that there was some sort of massacre, and I would say, don’t make assumptions by what you see in that file. We were really specific about what information was given for a reason.

Later in the interview:

Turning to Whitney Frost, why did you ultimately decide to have her go crazy? And is that the last we’ve seen of her?
BUTTERS: I hope not. I hope we get to bring her back. She was delicious.FAZEKAS: We probably don’t exactly tell that story again, but I loved working with Wynn. We didn’t want to kill her off. The Zero Matter, all along, had this increasing affect on her, where it was driving her mad. That felt like the organic way to end that story, because we didn’t start out that way, but boy did she end up that way. That was a direct result of Zero Matter.BUTTERS: There was a little Frances Farmer connection of Old Hollywood taking its toll. I like her being a rogue’s gallery for Agent Carter, people who can come back like Dottie (Bridget Regan).FAZEKAS: I really like how sad I feel for Ken Marino. Oh, Manfredi still loves her!

In the closing moments of the episode, Peggy is torn between New York and Los Angeles. Are you already thinking about whether you would keep the show in L.A. or whether you’d move the setting back to New York in season 3?
FAZEKAS: The nice thing is you can put the show anywhere, because it’s spies. We loved doing L.A. If I had a choice between doing New York and L.A. again, I’d pick L.A. But London has been dropped. It’s all going to be determined by what story we want to tell. I loved L.A. I loved how it looked, I loved how it looked on Peggy. We would be very happy to do another L.A. season, but we’re not married to it.

Haley Atwell has also discussed the finale, and the question of who Peggy Carter will ultimately marry:

ENTERTAINMENT WEEKLY: How do you feel about Peggy and Sousa finally making a go of it?
HAYLEY ATWELL: I’m so happy! I love Sousa! I think what makes it work is that she saw something in him that’s the same quality she found attractive in Skinny Steve (Chris Evans), which was a man with great morals dealing with very real physical hardships. In the workplace, her gender is considered a disability. Sousa has a disability from the war, and therefore has to deal with that limitation. Because he deals with it with such dignity in the way that Skinny Steve did, that’s what attracts her to people. I think it’s inevitable that they end up together. He’s not intimidated by her. He respects her and admires her, and supports how brilliant she is and how good she is at her job, and is not threatened by that. I think that’s a bloody hard thing for men in the 1940s to not be intimidated by. He’s pretty special in that regard.

Do you think Sousa could be the husband that Peggy was talking about in Captain America: Winter Soldier?
I don’t know, because she says that Captain America saved her husband. It could be that what we don’t know yet is that in the war, at one point, Steve Rogers did save Sousa, and Sousa wasn’t telling me or didn’t know it at the time. Or they embark on a fabulous love affair, but then they realize they’re really bad at domestic chores and that they can’t compromise on who washes the dishes and they decide to go their separate ways. That’s a possibility, too. I like to think that this is the start to a beautiful relationship.

How do you think Peggy will handle Thompson’s potential death, especially since it’s happened because of that file?
She has an interesting relationship with Thompson. I think she deals with him with a bemused tolerance. I think she sees his façade and she understands why a lot of his bravado and his need to be liked and approved comes from, because he’s harboring a very guilty secret about his past that he confided in her in season 1. She’s not a dismissive person. She’s quite tolerant of people. She’s quite patient and wants to appeal to the good in him. Planting that seed in him is her hope that he will continue to be a good man. So to lose him, I think she would grieve, but it’s not the same. I don’t think she would regard him as a friend. He’s not someone that can be trusted. She suspects that he’s capable of making really bad decisions, but not malicious ones. I can imagine that he would get blinded by Vernon Masters, Whitney Frost and power, but she has sympathy toward that rather than sees that as something bad in him.

How much do you actually know about this file that discusses Peggy’s exploits with the S.O.E. and a massacre? Peggy seemed to dismiss it before, but do you know what’s really going on there?
James D’Arcy is so nosy, so he went sniffing around the writers’ room trying to figure it out. He finally found out what the secret was, and then on the last day he ran up to me and told me. I do know what that secret is. It’s really exciting, and it changes a lot. It basically gives us our core for season 3 if we were to go to a season 3. It’s really amazing, but I don’t want to get too excited about it in case we don’t get picked up again, so I can’t really say anything. Or it might get picked up in a couple years. I’m sworn to secrecy on it, but it’s really clever. Those clever writers!

Word as to whether there will be a third season is expected in May, but it appears Haley Atwell is interested despite working on another pilot. Even if she is busy with other projects, perhaps the series can be kept alive with fewer episodes to make it feasible.

It appears that Mr. Robot will remain topical next season with encryption becoming a major subject. Deadline reports:

Mr. Robot showrunner Sam Esmail insisted at SXSW today that he’s no “fortune teller,” even though the show’s first season went into production just as a massive post-Snowden national debate about surveillance and the collusion between government and big business flared up. In any case, his luck continues, with the USA Network show’s second season heading into production with a storyline about privacy and encryption just as the FBI and Apple are having a very public fight about access to private iPhone user data.

“What’s weird is that we were really going into [Season 2] talking about encryption and privacy,” Esmail said during a SXSW show panel titled “Coding on Camera: Mr. Robot and Authenticity on TV.” “And then this whole thing with Apple and [CEO] Tim Cook happened.”

Esmail said he thinks the difficult-to-grasp real-life issue will play out over the next decade, with public discourse over the idea of a right to privacy. “Do we have that, do we not?,” he asked.

Is Mr. Robot meant to be a straight-up polemic? “I don’t know if it’s to make commentary, but it’s to bring it up and have a conversation,” Esmail explained later, offering as an example “the Apple/FBI thing. … We talked to our FBI consultants about this, and their view is that encryption should allow for this sort of third-party side-door thing.”

Esmail says he’s “totally opposed” to that. “I’m on Tim Cook’s side,” he said, a line that unsurprisingly got huge cheers from the SXSW room. Ultimately, he says, “if you keep breaking [the issue] down in a credible way and if you show both sides so that the audience can understand the debate, hopefully it gets people interested and invested in wanting to learn more about it. If our show contributes to that conversation, brings that conversation up again,” then he’s happy with the reception.

There will also be a lot more on Evil Corp. as two characters have been promoted to series regulars. From TVLine:

The acclaimed USA Network drama has promoted Stephanie Corneliussen (who recently guested on Legends of Tomorrow) and Michael Cristofer to series regular status for the sophomore run, as Joanna Wellick and Phillip Price. They join the previously announced Grace Gummer, who will be playing an FBI agent investigating the Evil Corp. hack.

CBS has released the above promotional picture and a synopsis for the upcoming Supergirl/Flash crossover (and Glee reunion):

Kara gains a new ally when the lightning-fast superhero The Flash (Grant Gustin) suddenly appears from an alternate universe and helps Kara battle Siobhan, aka Silver Banshee, and Livewire in exchange for her help in finding a way to return him home.

I can recall old DC covers with Superman racing the Flash but I’m not aware of whether Supergirl ever raced him. With CBS not having the television rights to Superman, several story lines and other aspects of Superman have been used in Supergirl–similar to how Arrow borrows from Batman.

The CW has renewed its lineup shows, including several genre shows. Renewed shows include:

USA Network has announced that the eighth season of Royal Pains, which starts on May 18, will be the final season.

Netflix will release the second season of Daredevil on March 18 and Luke Cage will be released on September 30.

Malevolent is requesting assistance to get out this animated horror movie, which has quite an impressive cast:

Morena Baccarin (Deadpool, Gotham, Firefly)

Ray Wise (Twin Peaks, Robocop, Agent Carter)

Bill Moseley (The Devil’s Rejects, Texas Chainsaw Massacre II)

Rising star Dani Lennon (Bite Me)

William Shatner (Star Trek, Boston Legal)

MALEVOLENT is about a young woman named Miriam DeKalb (Dani Lennon, FearNet/Machinima’s BITE ME) who works for a non-profit which promotes global peace initiatives. When her billiionaire sociopath father Cyrus (Ray Wise) learns he is dying, Cyrus calls Miriam and her three siblings together to “discuss his will.” However, what he actually has planned is to pronounce judgment on them all. They are, in his view, traitors, and he has grisly death traps planned for each of them.

The wrinkle: a race of intergalactic gamblers, who wager on human conflicts as bloody sport, have chosen Miriam as their protagonist for this match. Thus the entire situation is being manipulated by the Gamemaster (Morena Baccarin,) who has the power to reverse time and reconfigure events as they play out. And so the playing field is constantly changing under Miriam’s feet — sometimes to her benefit, but usually, not. Through it all, The Overseer (William Shatner) calls the game.

Bryan Fuller has been named to be the showrunner for the upcoming Star Trek television series on the CBS All Access streaming service starting in January 2017. Fuller has certainly demonstrated his skills in running a first class genre series with his work on Hannibal. He is also a long time Star Trek fan:

“My very first experience of ‘Star Trek’ is my oldest brother turning off all the lights in the house and flying his model of a D7 Class Klingon Battle Cruiser through the darkened halls. Before seeing a frame of the television series, the ‘Star Trek’ universe lit my imagination on fire,” said Fuller. “It is without exaggeration a dream come true to be crafting a brand new iteration of ‘Star Trek’ with fellow franchise alum Alex Kurtzman and boldly going where no ‘Star Trek’ series has gone before.

Fuller also has experience with Star Trek, including writing two episodes of Deep Space Nine (which he has called his favorite Star Trek series) and twenty episodes of Star Trek: Voyager.

Variety reports that “The creative plan is for the series to introduce new characters and civilizations, existing outside of the mythology charted by previous series and the current movie franchises.” This still leaves open whether it will occur in the Roddenberry or Abrams time line, at what point it time it will occur, and whether it will encompass the entire Star Trek universe or be more limited as Voyager was.

For Valentines Day we have a special edition of Marvel Super Heroes in the video above.

Elsewhere in the Marvel universe, there is now a question as to whether Agent Carter will return as Haley Atwell has been cast in a pilot for an ABC drama entitled Conviction. It sounds doubtful that she will return to Agent Carter if the pilot is picked up, although this is a series which might return at any point in the future as time allows.

Being Valentines Day, it is also significant that yet another of Rory’s old boyfriends has been cast for the Gilmore Girls revival, now adding Milo Ventimiglia. In an unexpected addition, Sutton Foster has also been cast. Will she reprise her role as Michelle and make this a Gilmore Girls/Bunheads cross over episode, will Foster play another Lorelei stand-in, or will she have an entirely different part.

Grant Gustin has uploaded the first picture of himself and Melissa Benoist in this Glee reunion and Flash/Supergirl cross over.

The latest trailer for Outlander deals with attempting to change the future due to Claire’s knowledge of history. Outlander returns on Saturday, April 9th at 9pm ET.

11.22.63 also deals with attempts to change historical events. It premiers tomorrow and it is disappointing that USA Today gives it a very poor review, advising to just watch the final episode if you are curious as to what happens. The New York Times and IGN have more mixed reviews. Adaptations of Stephen King novels do not have the greatest track record on television, as with Under The Dome.

The New York Times has a much better review for Better Call Saul, which returns for its second season tomorrow.

The latest trailer above for Batman v Superman: Dawn of Justice which premiers on March 25th, 2016.

Aniz Ansari’s Master of None has been renewed by Netflix for a second season.

House of Cards returns to Netflix on March 4th. Trailer above.

Amazon has renewed Mozart in the Jungle for a third season. The show recently Best Musical or Comedy at the Golden Globe awards and Gael Garcia Bernal won for Best Performance in a Television Series – Musical or Comedy.

Both Bernie Sanders and Hillary Clinton are the stars of their own comics. More on the comics here.