8 Artist Statements We Love

It’s a sentiment you don’t hear very often, and yet it’s what we found ourselves saying after reading the statements below. Artist statements don’t have to be a source of fear (for the writer) and boredom (for the reader)! See a few examples of strong artist statements below, and below that, a discussion of what makes them good.

Andy Yoder, sculptor: “Many people take great comfort in the bathroom towels being the same color as the soap, toilet paper, and tiles. It means there is a connection between them, and an environment of order. Home is a place not only of comfort, but of control. This sense of order, in whatever form it takes, acts as a shield against the unpredictability and lurking chaos of the outside world.

My work is an examination of the different forms this shield takes, and the thinking that lies behind it. I use domestic objects as the common denominators of our personal environment. Altering them is a way of questioning the attitudes, fears and unwritten rules which have formed that environment and our behavior within it.”

Nancy McIntyre, silk screen artist: “I like it when a place has been around long enough that there is a kind of tension between the way it was originally designed to look and the way it looks now, as well as a tension between the way it looks to whoever is caring for it and the way it looks to me. Trouble is, the kinds of places I find most appealing keep getting closed or torn down.

What do I want to say with my art?

Celebrate the human, the marks people make on the world. Treasure the local, the small-scale, the eccentric, the ordinary: whatever is made out of caring. Respect what people have built for themselves. Find the beauty in some battered old porch or cluttered, human-scale storefront, while it still stands.”

Dawn Benedetto, jeweler: “Poppi is my fun and clever alter ego. It’s a line of jewelry that doesn’t take life too seriously. The glass and sterling rings are my invention and are unique in that they stretch to fit most everyone. Poppi adds a splash of color to jeans or an extra spark to ignite a little black dress; heck, it’ll even brighten up a trip to the grocery store.

If nothing else, it’s a statement. Poppi laughs. Poppi flirts. Poppi screams. Poppi says it all without you saying a thing.”

Diana Chamberlain, ceramicist: “I work in porcelain for its suppleness, delicacy and strength. Porcelain’s willingness to be transformed, both in form and texture, makes it a perfect medium for exploring the iconic meaning of dress and the concept of shelter.”

Margaret Cerutti, painter: “Capturing the light is everything! As a plein air painter, it is always the light that I remember most about any location. It is my inspiration.

Its elusive quality can transform a figure or a landscape in just a matter of seconds. I strive to convey that sense of place by capturing its fleeting magic.”

Alison Sigethy, glass artist: “Getting outside is good for the soul. Through my artwork, I try to bring the outside in. While I make no attempt to portray actual plants or animals, I do want my creations to look like they could have lived or grown somewhere. Living with beautiful objects that pay tribute to the natural world reminds us to slow down and helps us reconnect with nature.”

Charlene Fuhrman-Schulz, sumi-é artist: “My subject matter is nature, whether it is a traditional landscape or a bird and flower painting. I use traditional materials, ink and brush on rice paper, to capture movement and life — making the brush dance and the ink sing. Everything is captured in the spontaneous dance and movement of the brush as it meets the rice paper. There is no going back and correcting when painting with ink and rice paper.”

Looking past the obvious, close observation and engagement of the subject is my process. The challenge is to see beyond the distraction of the conspicuous to capture its unique self. Some of my subjects are quite beautiful, others less so. My goal is to inspire those who see my work to look more carefully at the world around them, to discover beauty in unusual places.”

So what makes these artist statements work?

What these artist statements do

keep it short

grab the reader’s interest with the first sentence

introduce the author’s personality and enthusiasm

give a hint about the why of the artwork

use the first person (I, me, mine — this is not a strict rule, but it does seem to help the author write a more straightforward, readable statement)

What these artist statements don’t do

summarize the resume found elsewhere on the website

give a physical description of artwork photographed elsewhere on the website

sound generic

use “art speak”

Some questions to think about when writing your statement

What keeps you coming back to the studio, day after day?

What’s the best way someone has responded to your artwork (comment in a guest book, at an exhibit, etc.)

What questions are you asked most frequently about your work?

What’s your artist story? (as opposed to your biography and CV)

Who is your art for?

More resources

Telling your story, and your artwork’s story, increases its value. Here are some other blog posts you might be interested in:

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I’m a little late getting here, but thanks for posting this very helpful information. I’m starting to write an artist statement. Here is a draft. I suspect it is too long. Comments appreciated.

“My visual vocabulary is not the same as yours. I’m colorblind. Expect some surprises.

As literature is expressed with a written vocabulary, art is expressed with a visual vocabulary. I draw and paint to tell a story of what I fine visually appealing. Daily I see things that trigger the “Wow” reflex. I can’t paint them all, but some I try.

Sometimes I am merely documenting a scene. On other occasions, I’m attempting to convey the feeling or emotion that scene evokes for me. The subject of the scene may or may not be important to me. If it is important, I may provide visual detail and accuracy. Often the subject contains a composition, a pattern of light and dark, shape and form, color and contrast that intrigue me. I may explore those visual components without regard to the accuracy of the initial subject. As my skill and visual vocabulary improve I do more imagined subjects and scenes.

You may not visually understand the colors in some paintings. It may challenge your reality. You may scoff and turn away, you may laugh at it, or you may laugh with it. For me doing art is serious, but the art I do has a wink and grin in it.”

I want to translate feelings through computer codes. It’s like a search for connection. In expressing what I have inside me, as an individual, I believe I am, too, speaking about the collective. About what pervades all of us. What sets us apart is also what unites us.

I create interactive environments, use digital technologies, and even within this theoretically cold and rational environment of chips, LEDs and electronic sensors, I seek the humanization of these technologies. Maybe my quest is for feeling, and by provoking the same feeling in the other, we can connect through art.

Great advice that helped me decide to pare my statement down! I was also questioning whether I should have used the first person narrative and you have convinced me to leave it that way. No offense to others who, but those who use the third person approach just feel a little detached to me. So I went for the personal approach and I think I finally have a statement that will not put the reader to sleep, (after several rewrites, lol)

Wow, I never thought that having an artist statement is important, but after reading this article, I believe I was wrong. I really liked the examples mentioned here from other artists, and now I feel like I should work on my own statement too.

Can’t thank you enough for posting this! I was stuck on writing an artist statement for my application to a gallery. After reading your post again and again, taking all the hints on board, I think that I will come up with something eventually!

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