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If you’ve been following the news for the past few weeks, you don’t need me to tell you that there’s been a nationwide uproar over the separation of immigrant children from their parents. Today demonstrations were held across the US to protest this practice, and to demand that children still in detention be reunited with their families.

Thousands of people gathered in Downtown to hear a range of speakers. Numerous organizations were represented, including CHIRLA, Black Lives Matter, ACCE, and the Korean Resource Center.

Participants marched from Broadway down First street to Alameda, and then to the Metropolitan Detention Center (MDC). Just to be clear, the children being detained are not at the MDC. Those in California are being held at smaller facilites throughout the state.

While this country was built by immigrants, the criminalization of people crossing US borders is nothing new. Waves of hysteria regularly sweep across the nation, inciting fear and hatred of people who come here to escape persecution or build a better life. This most recent chapter is frightening, but it is just one more chapter in a long history of demonizing immigrants.

I didn’t get a shot of it, but there was one poster that I thought summed things up well. It said….

The old Sixth Street Bridge is gone. It was torn down early in 2016. The demolition was necessary because the concrete in the original structure was decaying. Work has begun on constructing a new Sixth Street Bridge, and right now it looks like it will be finished in 2020. (For the record, the formal project title is the Sixth Street Viaduct Replacement Project.)

Bridges are about making connections. The original structure was built in 1932, and was one of a series of bridges that spans the LA River. This ambitious infrastructure project started in the 20s and continued through the 30s, eventually allowing numerous crossings between Downtown and East LA. Here are a few photos of the old Sixth Street Bridge.

A shot from the base of the bridge.

A truck coming down the west side.

A view of the bridge facing west.

Downtown in the distance.

A view of the San Gabriel Mountains from the old bridge.

The renderings of the new bridge are striking. It was designed by architect Michael Maltzan, but the project is a team effort, and the goal is to produce something much more than a bridge. Here’s a quote from Maltzan’s web site.

The design team including Michael Maltzan Architecture (Design Architect), HNTB (Engineer and Executive Architect), Hargreaves Associates (Landscape Architect), and AC Martin (Urban Planning) began with the fundamental understanding that the Viaduct is more than a simple replacement thoroughfare crossing the Los Angeles River. The project instead foresees a multimodal future for the City, one that accommodates cars, incorporates significant new bicycle connections. It also increases connectivity for pedestrians to access the Viaduct, not only at its endpoints, but along the entirety of the span, linking the bridge, the Los Angeles River, and future urban landscapes in a more meaningful relationship.

The project also includes a park and an arts center. You can see some images here.

Here are some shots of the project site from March 2017, when work on the new bridge was just beginning.

For the time being, this is where Sixth St. ends.

Lots of machinery on the project site.

Looking across the river toward East LA.

A shot of the riverbed when construction was just starting.

Another angle.

And here are some shots from August 2017.

A little more progress has been made.

A closer view.

For the team involved with the design, this project is all about bringing things together, creating connections and offering new ways for people to experience this space. One of the chief goals is to link the Arts District with Boyle Heights and the LA River. That sounds pretty cool in the abstract, but in actual fact there are a lot of reasons to worry about the downside. I’m sure Maltzan and his team see this project as a positive thing, but that’s not surprising. They’re architects and engineers engaged in creating a spectacular new piece of infrastructure. And of course the City’s website is all about the upside. But really, the City’s glib promo materials don’t begin to describe what’s happening here. By itself, the new bridge may sound great, but if you look at it in the larger context of the area’s culture and economy, you start to realize that this project could have serious negative impacts.

Any large scale infrastructure project, any attempt to remake the landscape, is going to affect the surrounding communities. These impacts can be good or bad, and often it’s a mix of the two. In this case, the biggest issue is one that never gets mentioned on the City’s web site. It’s the same issue that communities all over LA are dealing with. Displacement. Downtown LA has been going through a massive construction boom, with high-end housing and high-end retail largely transforming that community into an upscale enclave. Now developers are eyeing neighborhoods on the other side of the river.

The residents of Boyle Heights are already feeling the effects of gentrification, as real estate investors looking for cheap land and big profits have been buying up parcels in the area. Evictions are already happening, and many people who live in this largely Latino community are afraid they’ll be next. You may have read about the protests that have taken place in recent years. Here are some shots from an action staged by East LA residents in September 2016. Protesters met at the intersection of Whittier and Boyle, where the old bridge touched down on the East Side.

“Boyle Heights Is Not for Sale.”

Families are worried about losing their homes.

Many people on this side of the river see gentrification as violence.

New art galleries are seen as harbingers of displacement.

The protest movement in Boyle Heights has gotten a fair amount of media attention, partly because in some cases the protesters have used aggressive tactics in trying to shut down a new coffee house and some local galleries. They see these businesses as the first outposts of coming gentrification. There are people who have questioned the protesters’ methods, complaining that they’ve gone too far. But let me ask you this. If you were in danger of losing your home and being driven out of your neighborhood, how far do you think you’d be willing to go?

It’s no accident that communities like Boyle Heights have been targeted by real estate investors. Land is cheaper there than in Downtown, and they know that the completion of the bridge and the accompanying amenities will make the area more desirable to upscale residents. We’ve already seen something similar happen in the Arts District. A largely low-income community has been rapidly transformed by a massive influx of developer dollars, and the people who had lived there for years, in fact, the people who actually built the community, have been driven out. A similar scenario has been unfolding in Hollywood, and with the construction of the Crenshaw/LAX line you can see the same thing happening in communities like Leimert Park.

Investment in a community can be a good thing, but not when it drives out the people who have spent their lives there. And these days it’s not a gradual evolution. City Hall works with developers to target areas for rapid growth, almost all of it geared toward affluent new residents. When the City or County lays plans for new infrastructure, like light rail or parks or, in this case, a bridge, real estate investors move in quickly. Often these investors are well connected at City Hall and already have possible projects in mind. In other cases they’re speculators just snapping up parcels that they know will rise in value. They don’t plan to build anything, since they know they can make a profit just by sitting on the property until new infrastructure is in place. And Mayor Garcetti gleefully promotes the aggressive transformation of these communities, apparently without giving a thought to the real suffering that displacement is causing for thousands of Angelenos. It seems he feels he was elected just to serve the affluent.

These days I hear so much talk about making LA a “world class city”, and I’m really sick of it. Garcetti’s idea of creating a “world class city” is about pouring billions into new infrastructure so that developers can cash in by building upscale enclaves for the affluent. Personally, I don’t care what class LA is in. If we can’t help hardworking people stay in their homes, if we can’t support communities that people have invested their lives in building, then this city is a failure.

You can spend all the money you want on bridges and parks and rivers and rail lines. All that stuff is meaningless if at the same time we’re dismantling our communities, the human infrastructure that really holds this city together.

On Tuesday night protesters gathered in front of Glendale City Hall to oppose spending $500 million on rebuilding the Grayson Power Plant. Glendale Water and Power (GWP) has put forward a plan to replace obsolete generating units with newer ones, increasing the plant’s output significantly. The process is called repowering, and the GWP says it’s necessary to provide a reliable supply of electricity for the city.

Speakers talked about the problems with the current plan for Grayson.

But there are many who feel that upping Grayson’s output is a bad idea, since it means a big increase in the plant’s fossil fuel consumption. Debate over Glendale’s plan has been intense, with environmentalists claiming that the GWP has failed to explore clean energy alternatives. They point out that repowering Grayson would mean significant increases in CO2, ozone and particulate emissions.

The media showed up to cover the protest.

The Grayson plan was on the City Council’s agenda that night, and council members would be deciding whether or not to approve the project’s Environmental Impact Report (EIR). The rally broke up as the meeting was starting. I went home and watched the proceedings on my laptop. It was long night. I wanted to hang on until the Council voted, but at 10:00 pm they were still taking public comment, and I finally gave up.

Volunteers manning the table.

The tone of the meeting was civil, but tense. Evan Gillespie spoke on behalf of the Sierra Club, and he questioned some of the claims made by GWP. The utility had initially said that Grayson needed to produce 250 megawatts or there was a danger of power shortages, but then later said they might be able to do with less. He also was skeptical of the claim that the cost of the current plan wouldn’t mean raising rates down he road.

Angela Johnson Meszaros, a staff attorney with Earth Justice, stated that the EIR had serious problems. The EIR says that the project’s emissions woudn’t be significant because of offsets provided by the South Coast Air Quality Management District (SCAQMD). How does this work? Polluters can bank credits for emissions they don’t produce, which in turn can be traded to polluters who produce more than they should. But wouldn’t Grayson still be pumping a lot of dirt into the sky over Glendale? You bet, and Johnson Meszaros pointed this out. The idea that emissions offsets will somehow even things out across the LA area sounds good in theory, but if you live anywhere near the power plant you’ll still be breathing a lot of dirty air. She also said that the biggest problem with the EIR was that it didn’t present enough viable alternatives, especially with respect to clean energy.

Sometimes you just can’t find a sturdy surface to write on.

Like I said, I bailed before the end of the meeting, but this morning I sent a message to the folks at Stop Grayson Expansion. They responded with the news that the Council voted 4 to 1 to put a hold on things for 90 days and issue a Request for Information (RFI). This means they’re going to look for alternative solutions for Glendale’s energy needs, including clean energy options. Stop Grayson had been hoping for an independent study of possible alternatives, but they believe that if the RFI is prepared carefully it could be a step in the right direction.

Bottom line, we need to get away from fossil fuels. This isn’t going to happen right away, but it’s never going to happen if we don’t push aggressively for alternatives. Thanks to all those who showed up at the rally on Tuesday, and thanks to all the groups who worked so hard to change the discussion about Grayson. This isn’t over yet, but things are looking a whole lot better.

Artists are being forced out of the Arts District. This isn’t news. It’s been happening for years. The news is that now the artists are fighting back.

On Saturday, November 4, two groups of artists facing eviction organized a parade to bring attention to the rampant displacement that threatens their community. Earlier this year the residents at 800 Traction were told by the new owners of the building that they’d have to leave. Also this year, the people behind the Artists’ Loft Museum Los Angeles (ALMLA) were hit with a steep rent increase that seems intended to force them out. So the two groups have gotten together to let the world know that they’re not going quietly. On Saturday, November 4 they staged a parade through Downtown.

The parade started in Little Tokyo.

Took a right on Alameda.

Then the protesters headed down Alameda toward Fourth.

The parade started in Little Tokyo, cut down Alameda to Fourth, then wended its way along Seaton, Fifth and Hewitt, finally winding up at 800 Traction. It was an interesting walk. Protesters waved signs and displayed artwork. Two giant skeleton figures towered over the crowd. A few cars honked to show their support.

A momentary pause on Alameda.

Marching along Seaton.

And then up Merrick.

We passed in front of the building that holds ALMLA, which is actually a brand new enterprise. Michael Parker and Alyse Emdur have lived in this space, along with other artists, for 16 years. Parker says that in just the last 6 years their rent has risen by 200%. The latest increase is beyond what they can pay, and Parker believes it was designed to force them out. So the artists at 454 Seaton decided to create ALMLA, which they hope will draw attention to their situation, and to the larger wave of displacement that’s sweeping across Los Angeles. Just before the museum’s opening, the landlord went to court to shut the event down. Fortunately he failed.

I used to hang out in this area back in the 80s and 90s. It’s depressing to see some of the changes that have taken place. While most of the buildings remain, with the onslaught of gentrification many of them now house chic boutiques and pricey restaurants. Anonymous LLCs have bought up a lot of the real estate, and investors seem bent on turning this part of Downtown into something very close to a suburban mall.

Shop in the Arts District.

Eat in the Arts District.

Gentrify the Arts District.

Like I said, we ended up back at 800 Traction. A number of the artists who live in this building have been here for decades. Some were among the first wave of artists to move to the area back when it was more or less a decaying industrial ghost town. And most of the current residents at 800 Traction are part of the Japanese-American community, which is crucial to this story. This community has hung on in spite of successive waves of forced displacement going back to WWII. In the early part of the 20th century, Little Tokyo stretched far beyond its current boundaries. There were numerous Japanese-owned businesses and Japanese cultural institutions in the area between Alameda and the LA River. The first assault was the internment of Japanese-Americans after Peal Harbor. Since then City Hall has carved out one piece after another. And now these artists, after years of working within the community, are threatened with eviction.

A performance featuring two of the Downtown elite enjoying a round of golf.

They seemed to agree that gentrification wasn’t happening fast enough.

Hanging out with the other party guests, I felt like the room was filled with a kind of giddy energy, but there was also an undercurrent of tension. I spoke with Nancy Uyemura and Jaimee Itagaki, and they gave me the latest news about 800 Traction. The building’s new owners, DLJ Real Estate Capital Partners, had hired a property management firm, Pearson, that seemed intent on sabotaging the gathering. Pearson had called the cops before the party, apparently believing they could shut it down, but it went on as planned. They also sent security guards to keep an eye on the tenants and guests. Harrassment in situations like this is commonplace, and Pearson is doing their best to make things uncomfortable. Uyemura said that the tenants at 800 Traction were told in May that they had to leave, and they were supposed to be out by August. Recently they received an unlawful detainer notice. Their hearing date is in December.

Protesters gathered at 800 Traction after the parade.

I hope the security guards enjoyed the party.

Artists sketched their take on what’s happening Downtown.

The attempt to evict the artists at 800 Traction is bad enough, but there’s another layer to this story that makes it even more disturbing. DLJ has decided to go through the process of designating the building a Historic-Cultural Landmark, which will enable them to get significant tax breaks for renovating the structure. They hired GPA Consulting to do the research for the nomination. GPA’s report talks at length about the building’s architect and Beaux Arts revival style and the food processing industry. They even mention Al’s Bar and LACE. But somehow they completely avoid any mention of the Japanese-American community that thrived in the neighborhood for decades. They also neglect to mention that the current residents have deep ties to the current Japanese-American community, and that some of them were among the first artists to move to the neighborhood back in the 80s.

In other words, GPA’s report completely whitewashes the community’s history. At the Cultural Heritage Commission (CHC) hearing where the nomination was considered, some attendees pointed this out, among them Dorothy Wong, herself a preservation consultant. Wong was baffled by the fact that the report didn’t refer to Little Tokyo once, and made no mention at all of the Japanese-American artists who had lived and worked at 800 Traction for decades. To their credit, the CHC agreed that the report was incomplete and chose to defer their decision until further work was done.

This may seem like a small victory, but it goes to the heart of what’s happening in Downtown. Ruthless investors are kicking artists and others out of the area so they can turn it into a sanitized, upscale urban destination. The Mayor and the City Council are doing everything they can to help make that happen. The people who have lived and worked in the area for much of their lives, the people who built communities and kept them going through tough times, are being told to leave. And while City Hall makes a great show of preserving historic structures, they’re destroying the communities that gave those structures life.

It’s hard to say whether the artists at 800 Traction and ALMLA will win this battle. They’re a determined group, and they seem committed to fighting til the bitter end. But LA has become increasingly hostile to artists, and the Mayor’s vision for Downtown is all about handing the area over to developers.

What have real estate investors put into this community? Money. What do they want out of it? More money.

What have the artists put into this community? Their lives. And what do they want? To continue working with and for the community, as they’ve been doing for years.

The communities clustered around the Ports of Los Angeles and Long Beach face higher health risks due to contamination than any other part of LA. With diesel trucks, heavy machinery, oil refineries and industrial waste all causing impacts on the local enviroment, the people who live in this area have suffered from the effects of toxic air, toxic water and toxic soil. They’re getting it from all sides.

Thousands of people showed up for the march.

A shot of the crowd with the stage in the background.

This sign caught my eye.

So the People’s Climate March had a special meaning for the folks who live in these communities. Last Saturday, April 29, there were demonstrations in cities across the US, and here in LA protesters congregated in Wilmington. They started with a rally in Banning Park, and then marched to the nearby Tesoro Refinery to voice their fears about increased levels of contamination.

Even protesters gotta eat.

And they gotta check their cell phones.

Jane Fonda and Robert Kennedy, Jr. both showed up at the rally to talk about the importance of protecting the environment. Representative Nanette Diaz Barragán gave a fiery speech, railing against the injustice of subjecting low-income familes to hazardous levels of contamination.

The crowd gathered in front of the stage.

Spirits were high.

Representative Nanette Diaz Barragan lays it down for the crowd.

It does seem crazy that at a time when the vast majority of scientists agree on the dangers of climate change, the US government is doing everything it can to roll back environmental protections. But this isn’t the first time we’ve seen politicians put corporate profits above the public good. Which is why we have to keep reminding them that they were put in office to serve us.

Protesters getting ready to march.

It took a while to get things started.

Lots of folks carrying umbrellas.

Marching is good. Staying engaged with your elected officials is even better. This is going to be a long fight, but we’ve won before, and we can win again.

The vast majority of climate scientists agree that climate change is a threat and that it’s caused by human activity. But the White House is determined to ignore that threat, and has taken steps to back away from agreements the US has signed to reduce global warming. On top of that, the new administration has proposed to cut the Environmental Protection Agency’s budget by almost a third, and roll back regulations designed to protect our air and water.

But scientists are fighting back. Last Saturday was Earth Day, and to push back against Washington’s assault on the environment a broad coalition of academics and activists organized the March for Science. All across the country Americans gathered in cities big and small to speak out in favor of protecting the planet.

When I got off the subway at Fifth and Hill the streets were already packed.

The street was jammed when I arrived.

Glad to know it was okay to take photos.

Even Hello Kitty fans turned out to protest.

The sidewalks were so crowded it wasn’t always easy to get around.

I could hear people speaking over a PA in Pershing Square, so I headed over there. The crowd was so thick I couldn’t get near the stage, so I wandered around and snapped a few photos.

I couldn’t get near the stage in Pershing Square…

…so I made my way through the throng…

…to another part of the plaza…

…where I ran into Santa Claus.

Here are a few signs that jumped out at me.

My favorite sign of the day.

The scariest sign of the day.

The most honest sign of the day.

Finally the march got started. A huge crowd headed up Hill Street and then over to City Hall.

The crowd getting ready to march.

Protesters made their way up Hill Street.

Another shot of the march.

And yet another shot of the march.

Earth Day is over, but the fight is just starting. We need to speak out loudly against policies that put profit ahead of the planet. To learn how you can get involved, visit the March for Science web site.

A while ago I read in the LA Weekly that the Chinese American Museum was presenting an exhibit about the Asian American activist movement from the 60s through the 80s. It caught my attention for two reasons. First, I had no idea that Asian Americans played a significant part in that era’s counterculture. Second, I didn’t even know we had a Chinese American Museum in LA. So I figured it was time to learn more about both.

It was well worth taking the trip to Downtown. The museum is in a historic building just off the plaza at El Pueblo de Los Angeles. Before I even got to the exhibition about Asian American activism, I spent some time with two smaller shows on the ground floor. Journeys and Origins deal with Chinese migration to the US and the formation of Chinese communities in LA. These shows are small, but beautifully put together, with a rich collection of artifacts.

Exhibits on the first floor document Chinese migration to the US.

Documents and photos help tell the story.

Furniture, cookery, toys and textiles are featured.

Does anyone under 40 even know what an abacus is?

Then I went upstairs to check out the main attraction, Roots, Asian American Movements in Los Angeles, 1968-80s.

This show was a real eye opener. Like I said before, I had no idea Asian Americans were so much a part of the counterculture in the 60s and 70s. In one respect what they accomplished is even more impressive than the Black and Latino movements, because the Asian community was so much more diverse. Activists representing Japanese, Korean, Chinese, Filipino and other cultures made a conscious effort to work together to push for change. These groups did not have a shared history, and at times had been bitterly divided, but they realized they had a better chance of being heard if they spoke with one voice.

Silkscreened T-shirts were one way of spreading the message.

Activists worked to address a variety of issues.

Music was another way of reaching out.

Gidra published news, commentary and art from 1969 through 1974.

Come-Unity promoted cooperation across racial boundaries.

In the 60s pop culture was exploding, and members of the movement recognized that mass media was a powerful tool for getting the word out. The show includes records, magazines, posters and other artifacts from the era. Staging concerts, printing posters and making T-shirts helped spread awareness beyond the community. While these activists addressed issues that affected Asian Americans, they also reached out and forged bonds with the wider protest movement. It was a time when boundaries were being erased, and people of all kinds were coming together to address the problems facing the country. If only we could revive that spirit these days.

The show runs through June 11, 2017. If you want more info, here’s the link.