Eighteen going on? Actually, Ian Roberts is eighteen and just going on – it is 1971 and with his school days about to end what next? Anything? Will he/won’t he go to university?
With... More > his beloved Grandma Craig as a sounding board Ian’s prose straddles the child/adult fault line - uncertain on which side to fall. Does he have to fall?
A young Aberdonian’s growing pains, what have Camus and Gide done to his mind?
Despite himself this is a journey of self-discovery, accompanied, as in Cannibals eat bods, by Ian Ceri and Morag Kennedy.< Less

Eighteen going on? Actually, Ian Roberts is eighteen and just going on – it is 1971 and with his school days about to end what next? Anything? Will he/won’t he go to university?
With... More > his beloved Grandma Craig as a sounding board Ian’s prose straddles the child/adult fault line - uncertain on which side to fall. Does he have to fall?
A young Aberdonian’s growing pains, what have Camus and Gide done to his mind?
Despite himself this is a journey of self-discovery, accompanied, as in Cannibals eat bods, by Ian Ceri and Morag Kennedy.< Less

These two concert arias were composed by John Carbon in 1990 at the request of baritone Stephen Kalm. Together they form a mini opera based Cyrano de Bergerac by Rostand. Translated by Sarah White,... More > Cyrano's profession of love followed by a comic catalogue aria about his nose make this a brilliant showcase for baritone.< Less

These two concert arias were composed by John Carbon in 1990 at the request of baritone Stephen Kalm. Together they form a mini opera based Cyrano de Bergerac by Rostand. Translated by Sarah White,... More > Cyrano's profession of love followed by a comic catalogue aria about his nose make this a brilliant showcase for baritone.< Less

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