This chapter talks about the polish scene. It starts with the historic background of Poland, till the fall of the Berlin wall in 1989 and the growing influence of the extreme metal into polish youth. Polish scene has a very personal identity joining satanism, skinheads and antisocial behavior next to nazism., and itīs characterized for have kept the underground spirit till today.The name of Lords of Evil-War 88 appears as one the pioneer bands to use nazism aesthetic and lyrics but this movement consolidation came with the occultist formation" The Temple of Infernal Fire" that later on became the infamous "Temple of Full Moon" mixing esoteric ideology with NS ideas. This change was influenced by Capricornus from "The sinister order of fenrir" and his fanzines. Related to the TTF are listed this bands: Thunderbolt, Infernum Veles, Thorīs Hammer, Perunwit, Gontyna Kry, Galgenbergn Mysteries, Fullmoon...

In a following chapter will talk about how Behemoth leaved this scene.

The chapter finishes with the police pressure against TTF members and bands and finally dissolving the scene after a parade hold in 1995. Many bands finally had to keep the distance with this, because of the police repression. The FullMoon album "United Arian Evil" stays as the maximum expression of that era.

I think is very interesting, and the chapters of the book show a review of the most prominent nsbm scenes in the world (scandinavia, poland, greece, south america, Eastern Europe and USA)._________________INSTAGRAM ACCOUNT:

From the excerpts provided it looks like it's pretty well written/documented and shows the guys did an in depth research (which is admirable given the "low profile" of many of the bands mentioned), it also seems to have a certain Lords of Chaos vibe to it -not necessarily a bad thing as far as I'm concerned. This will be a mandatory read for any pretentious teen with a collection of Graveland mp3's._________________Permabanned