Tag: Jessica Chastain

Writer, producer and director Aaron Sorkin takes Molly Bloom’s memoirs “Molly’s Game” and turns it into a fascinating look at the “poker princess.” The press dubbed Ms. Bloom this when her case became public and as the character says in the film, she was not a princess because, like the song says, this woman worked hard for the money.

Starring Jessica Chastain, Idris Elba (as a fictional character not present the book) and Michael Cera, as a thinly veiled Tobey Maguire, Molly’s Game is a more fanciful version of events. Certainly the movie follows the chain of events pretty accurately, although it does deviate from the low-key facts as presented by the real Ms. Bloom.

There are some things created for the big screen adaptation. For instance, the antagonistic relationship with Molly’s father, the skiing accident (never happened) and the complete lack of any relationships are all items dreamed up by Sorkin to add a little spice to the proceedings. (Just as Elba’s character, Charlie Jaffey was also a “construct” to help the viewer to “get behind” the rather strong female lead.

Chastain plays Molly Bloom to perfection. In all likelihood no other actress in Hollywood at the moment could have filled the designer stilettos of the female lead so well. The actress gives the role a solid truth, whether depicting her early awe at the player’s she meets at “The Game” or when she later become jaded and rather un-enamored with the whole thing, she sells it perfectly.

Elba is spot on at the invented devil’s advocate who ultimately takes on the legal system and the US government on her behalf. It is disappointing to learn that there was no Jaffey in the book and that this legal guardian of justice is just a device to keep the audience on Molly’s side. This does not detract from the character at all, however, like the invented accident that turns Bloom from an Olympic hopeful to a “Girl Friday” for a rather unpleasant real estate entrepreneur, it helps to move the story along very well.

The film manages to change the names to protect the innocent, like the book, and while Ms. Bloom does “name drop” just a tad – she names only the players who the press “outed” already, if one reads the book, it is clear that Player X (Cera) is Tobey Maguire. (It also comes as no real surprise that the real life Maguire is a pretty nasty bit of work at the card table and away from it.)

Regardless of the changed names and the fictional constructs, Molly’s Game is entertaining and gives us a heroine we can get behind. Astute, charming and a hard worker, Bloom rises, against all odds, to become an essential part of two large poker games; one in New York and the other in LA. (In the book the real life Molly has got a few more games on the side, most notably in the 24 hour city of Las Vegas.)

The film uses a lot of the “professional” jargon associated with poker. For those who know little beyond “flop” and call, this in itself is an education. The chapters are broken down by these terms and Molly herself, via Chastain, explains what many of these terms mean. (This explains part of the appeal of Molly’s Game; our hero taught herself not only how to play poker but all the terms involved.

Molly’s Game can almost be seen as an American success story. One where hard work, charm and a high intelligence quotient makes a corn-fed wannabe Olympic skier one of the top earners in high stakes America. Sorkin excellently leads us down Molly’s path as she first learns LA and then “The Game.”

We cheer her successes and moan at her setbacks. Chastain and Elba make a splendid double act throughout the film and when her overly competitive father, in the guise of Kevin Costner, shows up at the end, we are genuinely moved.

Molly’s Game is a full 5 star film. (Chastain certainly got my vote for “Best Actress”) Sorkin pleases with his first directorial feature despite deviating from the source material. Chastain sells her real-life character and Elba is, of course, at the top of his game. Cera is brilliantly low-key as the unpleasant Player X and the rest of the cast all rise to the occasion and shine.

(Keep an eye out for the excellent Irish actor Chris O’Dowd in his cameo as the “only Irishman” that the Russian mob will allow into their card game. He is splendid in this tiny role.)

See this one when it screens in January, you will be glad you did. Molly’s Game is not about a poker princess, but about a hardworking, fast learning young woman who made a mint from men’s greed.

Christopher Nolan’s latest offering, in IMAX no less, is an epic new journey of discovery which takes Matthew McConaughey through a wormhole; in Interstellar, Nolan has tipped his directorial hat to Stanley Kubrick’s 2001: A Space Odyssey and managed to “out-Roddenberry” the Star Trek creator with worlds that surpass most imaginations. This long spectacular film entertains on a level that many movies aim for but few attain. This star studded feature, with five Oscar winners on board, should be seen in IMAX to get the full effect of what the director’s vision for the film is. Interstellar is a completely immersive experience, one that sucks the audience in and holds them captive for the entire 2 hour 9 minute run time.

After my abysmal experience watching the 2011 version of The Thing, I was going to give films a rest for a while. But like a cowboy who’s been thrown off his horse, I decided to get right back in the saddle. I’m glad I did. Because if I had not, I would have missed the brilliance that is Take Shelter.

This brilliant “little” film was noticed by my daughter Meg. She had seen a trailer and it piqued her interest. We decided to check it out. Am I glad we did.

Take Shelter is a film written and directed by relative newcomer Jeff Nicols. It stars Michael Shannon, Jessica Chastain and Shea Whigham. Michael Shannon, fresh from working on Boardwalk Empire, gives a more than impressive performance as Curtis. Curtis is a typical “every-man” who is suffering from violent and intense dreams – or are they visions? He is also beginning to hear things. Jessica Chastain plays his loving wife, who despite her anger and frustration at her husbands strange behaviour, supports him as much as she can. Shea Whigham is Curtis’s best friend who he has a falling out with. Tova Stewart gives an absolutely delightful performance as Curtis’s hearing impaired daughter.

I have, after watching this film, become a Michael Shannon fan-boy. He has an “old fashioned” look about him. He makes me think of a cross between two late actors, Vic Morrow and Chuck Conners. *Shannon is actually six feet three inches tall* He is well know for playing “twitchy” characters. I do know that he made me really care about his character. In fact all the main actors gave me the feeling that they were folks I have known or worked with.

The visions (?) that Curtis sees deal a lot with some kind of super storm. He decides that he must improve their tornado shelter. Despite losing his job and not being able to afford it he continues with his improvement plan. He is also beginning to suspect that his visions are really some sort of mental illness. I cannot go any further into the plot of the film for fear of giving too much away.

This film looked beautiful. The cinematography is stunning and crisp. The writing is perfect, it allows the actors to fully flesh out their characters and gives the viewers a tense emotional ride. We spend almost the entire film worrying about whether Curtis is nuts or if he really knows something that no one else does.

I always judge how good a film is by how I feel when it reaches the end frame. If I immediately want to watch it again, I know it is a brilliant film. When Take Shelter finished, I did want to see it all over again.

Take Shelter is a little hard to fit into a genre, but, it definitely should be seen. It is a real shame that something this good did not even receive a nod at the Oscars.