Unfortunately, almost all of us have either been there or been with your group and had it happen to you.

You know it's 2:15 am and the festival or show that you are at is in full force. You may or may not have had a few adult beverages and you are jumping up and down going nuts. Then it happens. You go to take your phone out to check a text and you drop the phone and crack, it's broke, or bam in a puddle, or “oh, shit I lost my phone”. Well, a phone company named Doogee has just helped me, and possibly a lot of festival-goers out with their very affordable, near-indestructible cell phone that you should be using for the weekend instead of your 1,200 dollar iPhone.

The S40 has been designed using best in class materials allowing it to survive all kinds of tests and for the most adventurous users. This includes being dropped 20,000 times on six sides in a micro drop test and from 1.21 meters from 26 different angles. Additionally, the S40 can survive up to four hours at 60°C and 24 hours at -30°C as well as being 99 percent dustproof, IP69K, high water pressure protected (100 bar high water pressure, 80°C) and waterproof (IP68) up to 1.5 meters.

The S40 is no slouch in performance terms either. The device is driven by a power-efficient quad-core CPU, MT6739 and runs at lightning speed with worry-free multitasking performance. It also features a huge 4650mAh capacity battery with AI power allocation allowing the phone to last up to 21 days in standby mode, 105 hours whilst web browsing and 33 hours on calls.

Using the latest Android™ 9.0 Pie, the S40 is smarter and faster with an AI system that analyses the app usage frequency to optimize battery power allocation and predict the users next action to ensure the battery lasts as long as possible.

The S40 has also been designed to look good with an outstanding 5.5’’ IPS screen and slimmer and smoother Gorilla® glass, delivering an extraordinary immersive vision feast. The phone boasts 8+5MP rear cameras with LED Flash, 80° wide-angle, Beauty, Bokeh, Mono, Night and Professional shooting functions ensuring photos are of fantastic quality. The security options include fingerprint unlocking and face recognition that work in unison whilst the built-in near field communication (NFC) feature allows users to lead a smart lifestyle with payment, ticketing, data transfer, and information reading.

As well as being one of the toughest phones on the market, the S40 further enhances its outdoor credentials with three pinpoint GPS navigation systems included allowing for extremely accurate positioning if the user is ever away from civilization.

NXS2 Style for Serato

This new DDJ-1000SRT basically mimics the previous DDJ-1000 for Rekordbox DJ, except that it’s now a Serato DJ Pro controller with support for all the expansions like Serato Flip and DVS. The unit includes the use of Serato DJ Pro and the Pitch ’n Time DJ expansion.

There are some significant and some minor differences between the original DDJ-1000 and DDJ-1000SRT, which I’ll point out. But the big score for Serato users who were waiting for it: Pioneer NXS2-style components on a Serato controller for the first time. The 4-deck DDJ-1000SRT’s full-size jog wheels and deck controls are based on the CDJ-2000NXS2, and the controls, layout, and effects of the mixer are based on the DJM-900NXS2 mixer.

Besides that, the DDJ-1000SRT also has in-wheel color displays, however, they don’t currently include as much detail as the DDJ-1000 did for Rekordbox DJ. The DDJ-1000SRT displays show the current BPM, the ± difference from the original BPM, the ±pitch range of the Tempo fader (which you can change straight from the hardware), track time elapsed, track time remaining, playback position, active deck indicator, and indicators for Vinyl and Slip modes (which you select via hardware buttons). It also shows the loop length when there is an active loop.

Unlike the DDJ-1000, the DDJ-1000SRT displays do not show the tracks’ waveform and their cue and loop points. Perhaps those could be added later in an update, because they are quite convenient on the DDJ-1000.

The closest Serato comparison to the new DDJ-1000SRT is probably Pioneer DJ’s DDJ-SX3 ($1,099), which has a full FX section at the top of each deck. However, the DDJ-1000SRT doesn’t really have any controls for Serato’s internal effects—even from the performance pads—so you’ll either have to rely on the hardware mixer’s effects or use a Serato-compatible accessory controller for the software’s effects.

The other small differences between the DDJ-1000 and DDJ-1000SRT—different pad modes, extra song key features, etc.—have to do with the differences between what Rekordbox and Serato offer.

Fully-functional Mixer

The DDJ-1000SRT’s excellent mixer works as a standalone unit when not hooked up to one of the two USB Type B ports on the back panel. Along with a professional array of in/out connections (listed above), the 24-bit/44.1kHz soundcard/mixer provides pristine, noise-free sound with plenty of output level from both the monitor and headphone outputs.

Each of the four channel strips have switches for setting the channel to receive from either USB connection or from the phono/line input and another Cross Fader Assign switch for setting the channel to crossfader A, B, or Thru. All four channels as well as the Master have 18-LED green/orange/red level meters.

The channels’ 3-band EQ knobs cut to -26dB each, rather than fully killing the band, but the Trim knobs can cut the output completely. Channel faders feel nice and smooth, but of course the Magvel crossfader—based on the Magvel Fader Pro from the DJM-S9 battle mixer—is the star of the show.

The crossfader boasts a durability claim of 10 million motions, and interacts seamlessly with the jog wheels for virtually latency-free response. To further refine the feel to your tastes, the jog wheels have Jog Adjust knobs that physically tighten or loosen the resistance of the jog wheel, so it’s easier or harder to turn.

While the DDJ-1000SRT has no Serato FX controls, its great onboard effects almost make up for it. Four selectable Sound Color FX (two fewer than on the DJM-900NXS2)—Dub Echo, Pitch, Noise, and Filter—apply individually to the four mixer channels from the Color knob.

The Beat FX section is also scaled down from the DJM-900NXS2 mixer, but adds a lot. Its 14 tempo-synced effects can apply to the Master out, one of the four mixer channels, the Sampler or the Mic input. Beat value keys set the meter of the synced effects from 1/16 beat all the way up to 64 beats for certain effects like the flanger and phaser. I love that the mixer saves the sync value individually for each effect so that you can recall the last value easily. The tempo either auto-syncs to Serato’s incoming tempo, or you can set it by tapping.

Besides sounding fantastic, the Beat FX section adds two riser effects that aren’t on the DJM-900NXS2 mixer but are on the DDJ-1000: Mobius Saw and Mobius Tri. These effects apply an ascending or descending sawtooth or triangle synthesizer tone to the master output that syncs to ±1/16 to 64 beats.

Some last notable traits of the mixer include a dedicated Sampler Volume knob with Sampler headphone Cue toggle and a microphone Talk Over switch that ducks the music when you talk into the mic.

The DDJ-1000SRT includes Serato DJ Pro and the Pitch ‘n Time expansion pack.

Real CDJ Feel

Like most Pioneer DJ controllers, the DDJ-1000SRT’s decks are not “mirror image,” but rather look the same from left to right.

The CDJ-style loop section at the top left of the deck includes set in/out points, increases/decreases loop length, or one-click sets a 4-beat loop. The Censor button is called Slip Reverse on the DDJ-1000; it reverses the audio in Slip mode for as long as you hold it down. Reverse (Shift-Censor) does a full reverse on the playback until you hit it again.

For browsing/loading tracks, the decks’ push-button encoder and two auxiliary buttons do a comprehensive job letting jump in and out of playlists/Crates, loading tracks, creating Instant Doubles, and scrolling through the view modes within Serato.

A few other differences from the DDJ-1000: The DDJ-1000SRT’s decks have a Grid button for using the jog wheels to adjust Serato’s beat grid when the software is in Smart Sync mode; the key controls section include Key Up and Key Down in addition to Key Lock, Key Sync, and Key Reset; and Beat Jump forward and backward buttons.

Pad Modes

Because of the software features, the DDJ-1000SRT’s pad modes differ quite a bit from the DDJ-1000. The Serato controller’s pads have Hot Cue, Cue Loop, Roll, Saved Loop, Slicer, Slicer Loop, Sampler, and Pitch Play, which launches a cue point with the audio pitched up or down depending on the pad.

Powerful Parameter arrow keys modify the functions of some of the pad modes. With the Roll and Slicer modes, the Parameter keys increase or decrease beat repeat values of the pads; they change the root pitch for Pitch Play mode; and they scroll through the four sample banks in Sampler modes.

DDJ-One Rack

Given that the DDJ-1000 came out for Rekordbox DJ about a year ago, the DDJ-1000SRT for Serato doesn’t necessarily feel like groundbreaking news so much as it feels a welcome recognition that Pioneer DJ continues to address its high-end Serato users rather than forsaking them solely for Rekordbox DJ.

I’d like to see the DDJ-1000SRT’s displays add track waveforms with cue and loop points visible like the Rekordbox DJ version has, but I’m not sure if that’s possible. And if you really prefer to have dedicated controls for Serato’s internal effects rather than CDJ-style hardware, there are quite a few other comparable Serato controllers to consider.

Yet the bottom line is, the DDJ-1000SRT is the NXS2-style controller for Serato. And it’s a top-shelf Serato controller by any standard. It has a professional-level mixer; real CDJ jog wheels; large, super-responsive pads with a wide array of function modes; high-quality onboard effects; a full complement of audio connections; two USB ports; and nearly every hands-on function you’d need to keep focused on the controller rather than the mouse or keyboard. It’s compatible with all Serato expansions, and the company assured me that it will even work with Serato Studio music production software with the next update.

A jury has ruled that Katy Perry‘s hit song “Dark Horse” stole heavy influence from a gospel song, “Joyful Noise” by Flame, which came out five years before her track.

The ongoing court battle dates back to 2014, but has finally come to a head. The Christian rapper accused the A-list pop star of ripping off his Grammy-nominated gospel song, which he uploaded back in 2008. “Dark Horse” came out later in 2013 and immediately caught his attention.

Flame claimed the underlying beat of “Dark Horse” completely ripped off his own track “Joyful Noise.” Not only that — he argued that the dark “witchcraft and imagery” in the “Dark Horse” music video tarnished his reputation as a Christian artist.

Perry reportedly kept her cool in court and maintained her innocence. She said Dr. Luke pitched her the “Dark Horse” beat and she wrote the song in less than four hours. Her camp argued any similarities were not intended nor meaningful.

Nevertheless, the court has officially ruled in favor of Flame and his original song “Joyful Noise.” It’s unknown at this time how much Katy Perry will have to pay out in damages.

After seventeen weeks, “Old Town Road” from Lil Nas X is now the longest running #1 in the history of the Billboard Hot 100.

It tops the record previously held by Mariah Carey and Boyz II Men’s “One Sweet Day” as well as Luis Fonsi, Daddy Yankee, and Justin Bieber’s “Despacito.”

“Old Town Road” was originally released independently in December 3rd, 2018. The song first hit #1 on the week ending April 13. Over the last 17 weeks, Lil Nas X has also released remixes of “Old Town Road” featuring Diplo, Mason Ramsey and Young Thug, and RM of BTS.

It was threatened this week by a Billie Eilish re-issue with Justin Bieber, but stayed atop the list.

See the top 10 tracks which have spent the most time at the top of the Hot 100 below.

World famed DJ/producer duo Blasterjaxx have finally unleashed their long anticipated debut album ‘Perspective'.

Preceded by several highly acclaimed singles (including hit tunes like ‘Children Of Today', ‘Never Be Lonely' and ‘Super Friends') the full, 23 tracks counting album is available now – released on the duo's own Maxximize Records, under the wings of Spinnin' Records.

Blasterjaxx are known for producing strong, energetic dance tracks, featuring epic melodies, huge drops and touching vocals. And for sure, it's those blazing sounds that received the world's attention you will all find on ‘Perspective'. For the last two years, the guys have completely focused on these 23 tracks, each of them characterized by one key word: emotion.

“We generally deliver club or festival minded tracks. For these, we usually complete the whole idea of a record within two days. For this album, we set up writing camps, spent a week in a holiday bungalow with only a small setup: guitar, microphone and software, building tracks from scratch. We invited a lot of singer-songwriters to sing various themes, created a different angle for each track, from a tech vibe to indie dance or big room. This resulted in a lot of productional work, but in the end it all fitted perfectly with our own sound. We are so proud it's finally here, our own ‘Perspective' on today's dance music – a debut we've always dreamed of!” – Blasterjaxx

While their well known big room and vocal progressive sound dominates a big part of the track list, the duo also presents another, more experimental side, moving from dark to sensitive tunes, showcasing their emotions in various sounds. Blasterjaxx have firmly cemented themselves as legends in the dance music community, and ‘Perspective' is that icing on the cake.

While it ended on a pretty odd note (a Bebe Rexha lip-syncing performance, then a live ‘Closer' performance by Drew from The Chainsmokers), for the most part, Day 1 went off as a major success.

As usual with Tomorrowland, we were provided with an immaculate stream of the event from 4 different stages. Below we've wrangled up some sets for you to check out. Check out The Chainsmokers, Tiesto, Carl Cox, Steve Aoki & more below!

Reports are coming in that a man fainted by the main stage and was transported to Antwerp University Hospital where he could not be revived, a hospital spokeswoman told AFP on Saturday.

“It is very unfortunate that such a thing should happen on the very first day of the festival,” Debby Wilmsen Tomorrowland spokesperson said, and offered her condolences and sympathy to the deceased’s family and friends.

Wilmsen also mentioned the cause of death was not yet identified.

The 27-year-old who died was among four people from the festival admitted Friday for intensive care. One remained in the hospital on Saturday.

This is Xantus, a new tester bracelet and secret weapon for potential victims.

It was invented by a student, Kim Eisenmann, after her friend fell was assaulted — and she’s determined to help put a stop to “date rape.”

The recyclable wristband offers three main functions. Preventative protection, because offenders will be deterred from slipping something in your drink if you’re wearing it. It’s a reminder, because every time you take a glance down, it will remind you to be careful and aware. Finally, it actually detects the most common “date rape” drug, GHB. The Xantus wristband is also also party friendly, because it’s impossible to forget it when you have it secured on your arm.

Common “date rape” drugs like GHB or Rohypnol are colorless, tasteless, and until virtually impossible to detect before feeling the side effects. In a matter of minutes, you can go from feeling completely fine to completely blacked out. This is why the Xantus bracelet is such an important development to fight against devious encounters.

Rejoice, media addicts! If you’re the type to listen to Spotify constantly in your car and then put Hulu on once you get home, you can now get the best of both worlds with a new bundle offered by Spotify.

As of today, Spotify is now offering Hulu for free to all premium subscribers.

It doesn’t come without a catch, though. The offer is only available until June 10, and only “while supplies last.” That last part is a bit confusing as it’s a digital service which doesn’t have any physical form, but okay.

The social media platform has introduced a new way to communicate over the platform with its latest feature. Now, it’s just as easy to pull up Twitter and take a video as it has been on Snapchat, Instagram, and other apps for some time.

This move is widely seen as an effort to directly compete with Facebook and Instagram’s in-app camera feature — and yeah, it pretty much is. However, with Twitter being one of the biggest sources for instantaneous information, this seems like a no-brainer. It’s about time.

The only thing that’s noticeably missing is an “edit” button, which other apps have capitalized on. Again, this is meant to be quick and instinctive. Perhaps an “edit” button will come with time, but this will get the job done.

Users can expect roll out over the next few days.

Here’s how to capture what’s happening via Twitter…

Twitter’s New Camera Feature

Twitter

✔@Twitter

See it? Tweet it! Our updated camera is just a swipe away, so you get the shot fast. Rolling out to all of you over the next few days.