This unusual touch surely gave a smile to many visitors to the special exhibition Il Nilo a Pompeiat the Museo Egizio in Turin, Italy. In keeping with the theme of this show—how Egyptian culture was taken up by Romans in Pompeii—the standard fire escape signs were replaced by these Egyptian-inspired ones! A whimsical bit of humor that gives a glimpse of the real (fun!) people behind the exhibition. Director Christian Greco cheerfully admitted to being quite amused. This balance of fun and scholarly is characteristic of the museum's seriously impressive public outreach campaigns.

Photo by J. Shaya of the Museo Arqueológico Nacional, printed in her review article on the museum's recent renovation (links below).

Given that the mechanics of museum exhibitions can make all the difference between an effective show and an ineffective one, reviews of museum exhibitions are surprisingly hard to come by. In the scholarship on Greco-Roman civilization, at least, exhibition catalogs are much more commonly reviewed than the exhibitions themselves. This is a shame because exhibitions can communicate just as powerfully as books—and sometimes, of course, more so. They are an invaluable tool of scholarship that can propel research forward as well as public interest in it! Taking them seriously is a win for scholars, museums, visitors, everyone.