Henry Weingluck (1902-1987) was an artist and Toronto art gallery owner, who immigrated to Canada in 1948 after being imprisoned in concentration camps in France during the Second World War. Weingluck was born in Zawiercie, Poland on May 7th, 1902, to an Orthodox Jewish family. He was the son of Alter Weingluck, a footwear designer. He studied at art academies in Crakow, Copenhagen, and Berlin and was a pupil of Professor Max Lieberman, president of Berlin's Academy of Arts prior to the Nazi takeover of Germany. Weingluck often depicted Jewish themes in his paintings, in a style he called "academic impressionism." He exhibited in Paris with Kandinsky and Chagall, as well as at the Art Gallery of Ontario and the Jewish Museum, Berlin. He painted portraits of such prominent figures as Albert Einstein, Max Schmelin, Yehudi Menuhin, and Chaim Weizmann.

From 1933 to 1942, Weingluck lived in France and, during the Nazi occupation of France, was imprisoned in eight concentration camps from 1942 to 1945. The Nazis made use of his artistic talent as a barracks designer and portraitist. During this time, the Germans confiscated 375 of his paintings. After the war, Weingluck moved to Tangiers, Morocco, and then emigrated to Canada to join his brother in Toronto. Henry opened H. W. Art Gallery, at 665 College Street, around 1948, and then Weingluck's Art Gallery and Gift Shoppe at 623 College Street, in the 1950s. In 1950, he married his wife Rae (née Simon), whom he met in Canada. Henry died in Toronto in 1987.

Scope and Content

Fonds consists of material related to the personal life and artistic career of Henry Weingluck. The records pertain to the following: his experiences during the war and in the work camp at Beaulieu, France; his emigration to Canada; his restitution claims for artworks confiscated by the Nazis; his exhibitions; and his art gallery on College Street in Toronto. These records include personal and professional correspondence, certificates, photographs, newspaper clippings, personal writings, publications, programmes, exhibition catalogues, designs and sketches, and artifacts.