Subject: [3] How Do I...
(1998/04/06)

This is general information about recommended ways to do specific tasks.

Subject: [3-1] How do I copy a CD-ROM?
(2002/12/02)

Just about every piece of CD recording software comes with a CD copier.
In some cases it's a stand-alone extra, in some it's integrated with
other features, and in a few cases the software does nothing else.

Most disc copying software will allow you to make a CD image on a hard
drive that can then be written to multiple CDs. A few will allow you
to record the same image to multiple CD recorders simultaneously (see
section (3-17)).

It's important to remember that, when copying directly from one CD to
another, the source MUST be faster than the target, and must be
error-free. If the source pauses or spins down to read a marginal area of
the disc, the target may outrun the source, and the CD-R will only be
useful as a frisbee. Most programs have a "test write" feature that put
the CD-R device into a mode where it goes through all the motions but
doesn't actually write anything; it's a good idea to do this right before
copying something for the first time.

If you're wondering about copying Mac CD-ROMs on a PC or vice-versa, see
section (3-50).

Subject: [3-1-1] Why can't I just do a block copy like a floppy?
(1998/04/06)

CDs don't have circular tracks. They're laid out on a spiral, with
multiple sessions composed of multiple tracks composed of sectors, and the
data in the sectors is interleaved and spread over a large area. The
sector format is standard, but there's more than one standard.

"The nice thing about standards is that you have so many to choose from."
-- Andrew S. Tanenbaum, _Computer Networks_, 2nd ed, p.254

The ability to read certain portions of a CD depends on the CD firmware.
Some CD players aren't capable of understanding multi-session discs or of
reading audio tracks as digital data. Jitter, described in section (2-15),
is also a problem for some drives.

To copy from CD to CD, the source drive needs to support digital audio
extraction, which is rare among older drives but universal in current
models. Ideally, the copy program will use disc-at-once recording to
produce a duplicate that mimics the original as closely as possible.
As with copying CD-ROMs, you must be able to read data off of the source
drive faster than your recorder is writing. If you can only extract audio
at 1x, you're not going to be able to do a CD-to-CD copy reliably.

If you're just interested in extracting digital audio, you don't even need
a CD-R unit, just a CD-ROM drive that supports Digital Audio Extraction
(DAE) and some software. The CD-DA sites noted at the top of this section
list drives that support DAE, have software to evaluate your existing
drive, and have links to several different DAE applications.

Different drives can extract digital audio at different speeds. For
example, the Plextor 6Plex can extract audio at 6x, while the NEC 6Xi can
only extract at 1x. Most recent drives extract at well over 20x, which
is about the limit for an IDE drive that doesn't support DMA.

Some CD-ROM and CD-R drives have trouble extracting digital audio at high
speed, so if you're getting lots of clicks and pops when extracting you
should try doing it at a slower speed. You may also run into trouble if
you try to extract faster than your hard drive can write. One user found
that he was able to eliminate clicks and pops by defragmenting his hard
drive. Another found that the Win95 "vcache" fix (section (4-1-2)) solved
his problems.

It should be pointed out that, while digitally extracted audio is an exact
copy of the data on the CD, it's an exact copy as your CD player perceives
it. Different drives or different runs with the same drive can extract
slightly different data from the same disc. The differences are usually
inaudible, however. Some newer drives will report the number of
uncorrectable errors encountered, so you can get a sense for how accurate
the extraction really is.

The quality of the audio on the duplicate CD-R, given a high-quality
extraction, depends mostly on how well your CD player gets along with the
brand of media you're using. See the next section for some comments about
avoiding clicks and pops.

Some older drives have trouble starting at the exact start of audio tracks.
The extraction starts a few blocks forward of where it should, and ends a
few blocks later, so the track may not sound quite right and the extraction
program will report errors at the end of the last track. See section (4-19).

One minor note: the data on audio CDs is stored in "Motorola" big-endian
format, with the high byte of each 16-bit word first. AIFF files also use
this format, but WAV files use "Intel" little-endian format. Make sure
your software deals with the endian-flipping correctly. Byte-swapped CD
audio sounds like "static".

Subject: [3-2-1] How do I remove the voice from a CD track, leaving just music?
(2003/11/29)

A common reason for wanting to do this is to have a disc that can be sung
along with, either for personal practice or for karaoke. There isn't a
perfect method for doing this, but it's possible to get close with some CDs.

Music is generally recorded in independent tracks and then mixed into a
balanced whole. The recording studio can create masters with or without
the vocals, which is where a "clean" karaoke source comes from. The music
is usually recorded in stereo, and the vocals in mono (the singer has one
microphone). The mixed result has slightly different signals on the left
and right channels for the music, but the same signal on both channels
for the vocals. By removing all signal components that are equal on the
left and right channels, the vocals can be removed with relatively little
distortion of the music. This is called "center channel elimination".

This doesn't always work out in practice. If the track in question doesn't
keep the vocals "centered", all bets are off. Many musicians apply effects
to the vocals to achieve a certain effect -- often, to make it sound like
they can sing better than they actually can. These effects aren't usually
"centered", so part of the voice remains.

Center channel elimination can be done with a good sound editor, such as
Cool Edit 2000 or GoldWave. The procedure to follow with Cool Edit is:

Extract the CD track into a WAV file.

Load the WAV file into Cool Edit.

Create a new window with no WAV file in it (File->New...). Set the
settings at 44.1KHz 16-bit *mono*.

Switch back to the original WAV file (with the "Window" menu).

Select the entire left channel in the original WAV file. If you move
the mouse to the top of the WAV display area, the mouse cursor gets a
little 'L' next to it. Pick a spot near the middle of the screen,
left click, and drag all the way to the left edge. Then move the cursor
back to the middle, right click, and drag all the way to the right edge.
You should now have the entire left channel selected.

Select "copy". Switch to the new WAV file, and select "paste". Switch
back to the original.

Move the mouse cursor near the bottom of the WAV graphic until the mouse
pointer gets an 'R' next to it, and select the entire right channel the
way you did the left.

Select "copy". Switch to the new WAV file. From the Edit menu, select
"Mix paste...".

GoldWave now includes a "Reduce Vocals" feature. Simply extract the CD
track into a WAV file and select it from the Effects menu.

The result is a single track with the center channel removed. Hit the
"play" button and see what it sounds like.

The converse operation -- extracting the vocals and deleting the music --
is not currently possible. (If you express the situation mathematically,
the problem is one of three variables in two equations. The software
needs a new feature that subtracts tracks and retains the other part.)

Subject: [3-2-2] How do I encode a CD track to MP3?
(2003/08/11)

Extract the audio from the CD, then encode it into an MP3 at a quality level
you like. Some programs combine the "rip" and "encode" into one easy step.

Higher quality settings result in larger MP3 files. Most people can't
tell the difference between an MP3 at 160Kbps and the original.

There are others. The quality of the result depends greatly on the quality
of the encoder. There is no "best" encoder, but the Fraunhofer codec
and the LAME and Blade encoders usually do well. ("Codec" is short for
"encoder/decoder".)

If your MP3s have a static sound in them, you might be getting a bad "rip".
The all-in-one rip+encode programs don't always do a great job extracting
audio from the CD. You may want to "rip" the audio manually with EAC
(6-2-12) and then encode the WAV files. (Recent versions of EAC can
extract to MP3 if you have a codec installed.)

Subject: [3-3] How do I get rid of hisses and clicks on audio CDs?
(2002/02/25)

If you're interested in removing noise from audio captured from an analog
source, such as a record player or analog cassette tape, skip to
section (3-12-3). This section is about unexpected noise in audio from digital
sources, such as tracks extracted from a CD. (Start with section (3-2)
if you are new to "ripping" or copying audio tracks.)

The single most important rule of noise removal is to figure out where the
noise came from. Play the .WAV files off of your hard drive (if you're
doing direct CD-to-CD copies, extract a track and listen to it). If you
hear noise in the .WAV on your hard drive, the digital audio extraction
isn't working very well. You either need to extract more slowly, extract
from a different device, find a program that works better, or maybe just
clean the dust and grime off the source CD. For more information, including
a URL for recommended software and the CD-DA FAQ, see section (3-2).

Always start by inspecting the CD. If you borrowed it from a library,
don't expect it to be in pristine condition. With enough abuse, even CDs
will sound bad, and audio *extraction* is more susceptible to such errors
than audio *playback*. (This is what makes copy-protected CDs possible;
see section (2-4-2).)

If the problem sounds like repeated or skipped samples, rather than clicks
or hissing, the problem is probably jitter during extraction. See
section (2-15) for an overview, and then give EAC a try (section (6-2-12)).

A nifty trick for comparing two .WAV files is to use the "Mix Paste"
feature of an audio editor like Cool Edit. Extract a track twice, then
use Mix Paste to copy an inverted version of one file on top of the other.
The two sound files will cancel each other out wherever they are identical,
and have little spikes where they are different. This can be useful
for seeing if the problems are only on one channel or are happening at
regular intervals. You need to make sure though that both files start at
the same place though. If your CD-ROM drive doesn't always extract from
the start of the block, you will need to adjust the files so they line up.

Useful things to do with this include comparing two extractions from the
same drive, extractions from different drives, or extractions from the CD-R
you just wrote to the original .WAV file you used to write it.

If you just want to see if the files are the same, use the DOS File Compare
command, with the "binary" switch set: FC /B FILE1.WAV FILE2.WAV.

Some CD-ROM drives may put a click a few seconds into the first track being
extracted. This appears to be related to the drive spinning up. Try
starting the extraction, cancelling, and then immediately restarting.

It is possible, though still somewhat unlikely, that you are trying to
extract from a copy-protected CD. Section (2-4-2) discusses this in
some detail.

The rest of this section only applies if the extracted audio sounds fine on
disk, but has problems when played back from the CD-R.

If you're using track-at-once recording, you may get a short click or
silent "hiccup" at the start of each track. Hiccups are unavoidable, but
you should be able to get rid of the click by using different software.

If you're using disc-at-once recording, and are still getting a short click
at the *start* of every track, then your recording software is probably
writing the sound file with the headers still on it. You should either
use a smarter program, or remove the header manually (see the URL for
"StripWav", below).

If you are getting clicks in the middle of a track, they are either being
added when pulling the data off the disc or when writing it. If the .WAV
(AIFF on the Mac) file plays without clicks, then your CD recorder may be
failing somehow during the write process. Some people who got "static"
in audio recorded on an HP 4020i found that reducing the DMA transfer
rate to 2MB/sec helped.

One user was told by Yamaha tech support that crackling (similar to a dirty
vinyl LP) was a symptom of laser misalignment. If you've been writing audio
CDs for quite a while, but lately you've been getting "crackly" results from
tried-and-true media, this might be the culprit. Since it requires returning
the unit for repair, you should exhaust all other possibilities first.
(Side note: it's not clear how a laser gets "misaligned". They have to
adjust themselves constantly to stay in the spiral groove. It might be
due to poor focus, but that should be causing all kinds of problems.)

If you are getting clicks at the end of a track, it's possible that the
software used to create the .WAV file put some information at the very end,
which is legal but not handled correctly by some CD-R software. See
section (3-12-3) for tips on using Cool Edit to remove the data. If you are
finding that tracks extracted from CDs don't have clicks but tracks that
you have recorded or edited do, chances are the data size isn't a multiple
of 2352 bytes, and the last block is being filled with junk. This is
common on live recordings or when large tracks are cut into smaller ones.
Jeff Arnold's DAO will fill out the last block with zeros (digital silence)
if there is space left over, but most of the other programs will write
garbage that is audible as a short (less than 1/75th second) click. The
fix is to split the track on 2352-byte block boundaries.

A program called "StripWav" will remove .WAV headers and footers that
may be interfering with some applications. The program is available from
http://www.lightlink.com/tjweber/.

If you must use track-at-once, make sure you're writing it all in one
session. PC-based CD players may be able to see tracks in later sessions,
but the CD player in your stereo system almost certainly can't.

A distantly related problem can arise if you use "shuffle play" to play
random tracks from a CD-R. If the audio of track N begins immediately,
some CD players will slide from the end of track N-1 into the start of
track N, playing a short burst of track N before seeking elsewhere. This
can be avoided by putting a gap at the start of such tracks (e.g. with
"INDEX 01 xx:yy:zz" in a DAO cue sheet).

Subject: [3-4] How do I copy game console discs (e.g. Playstation, Dreamcast)
(2002/05/10)

For PCs, CloneCD (6-1-49) or CDRWIN (6-1-7) should work as well as anything.
For Macs, Astarte's CD-Copy (6-2-8) used to be recommended but may no
longer be available.

Note that the software does NOT defeat the copy protection. I'm told
that the "copy protection" on Playstation discs is in fact a region code
-- America, Europe, Japan -- encoded near the start of the disc. The "MOD
chip", a device attached to the Playstation that defeats one aspect of the
copy protection, emulates the country code reading process. It sends all
three region codes back, enabling the game console to play original discs
from other regions as well as copied discs. Some people say the code is
written in a block with damaged ECC, some say it's in the barcode on the
hub, others have insisted that it's in the ATIP region of the lead-in.
Whatever the case, it doesn't get copied by a CD recorder, and claims of
hacked recorder firmware that can create MOD-chip-free duplicates are false.

Instructions for copying discs and vendors who sell MOD chips can be found
by searching the net. If you don't have a PC, or if your drive doesn't
support disc-at-once recording, you will need to look for disc copying
instructions on the net.

Sega Dreamcast discs use a proprietary format, called GD-ROM, which can
hold 1GB of data. This makes it impossible to make an exact copy, though
it is possible in many cases to copy "enough" stuff to make them work.
Persistent rumors claiming that CeQuadrat's PacketCD can copy the discs
are false. GD-R (Gigabyte Disc Recordable) media has two regions, a
"single-density" area near the hub and a "high-density" area farther out.
A visual inspection of GD-R media suggests that the single-density area
starts at about 22mm from the disc's center (same as a CD-R) and goes
to 29mm. From 29mm to 31mm is a "no-mans" land that isn't recordable,
and the high-density area goes from 31mm to 58mm. An image of one is
available on http://www.fadden.com/cdrpics/.

Incidentally, posting requests or advertisements for pirated software on
one of the non-warez Usenet groups is generally regarded as a mark of
extreme stupidity. Whatever your opinion of software piracy, it is against
the law in much of the world.

It's important to remember that the most common CD filesystem (ISO-9660
Level 1) only supports eight-character filenames with a three-character
extension. Longer filenames are added either as an extension to ISO-9660
(Joliet, Rock Ridge) or a replacement (UDF, HFS). These are discussed
in the sections below.

Getting mixed-case filenames onto a disc is a similar problem. Burning an
ISO-9660 disc with lower-case filenames isn't recommended, because some
systems aren't able to access the files even though they appear in
directory listings.

"mkhybrid" and recent versions of "mkisofs" (1.12b1 or later), described in
sections (6-1-32) and (6-1-10), respectively, are able to create CDs that
have both Joliet and Rock Ridge extensions. "mkhybrid" can create discs
with Joliet, Rock Ridge, and Mac HFS on the same disc, sharing the same
file data.

Subject: [3-5-1] ISO-9660
(2008/05/21)

Level 1 ISO-9660 defines names to be the familiar 8+3 convention that
MS-DOS users have suffered through for many years: eight characters for the
name, a period ("full stop" for those of you in the U.K.), followed by
three characters for the file type, all in upper case. The only allowed
characters are A-Z, 0-9, '.', and '_'. There's also a file version number,
separated from the name by a semicolon, but it's usually ignored.

Files must occupy a contiguous range of sectors. This allows a file to be
specified with a start block and a count. (Most disk-based filesystems
require index blocks that list all the blocks used by a file.) The maximum
directory depth is 8.

Level 3 ISO-9660 allows non-contiguous files, useful if the file
was written in multiple packets with packet-writing software. Also
unavailable under MS-DOS. On older Macintoshes (Mac OS 7 through
9), you can add support by installing Joliet Volume Access from
http://www.tempel.org/joliet/.

Some of the CD creation programs will let you select how closely you want
the CD to conform to the ISO-9660 standard. This can be useful when
creating discs for use with "classic" hardware.

Incidentally, the ISO-9660 spec requires that all files be displayed in
alphabetical order, with directories first, no matter how they are recorded
on the CD-ROM. You can't arrange files on the disc, because the ISO-9660
reader (e.g. MSCDEX) sorts them before displaying them.

HFS is the Hierarchical File System, used by the Macintosh. This is
sometimes used instead of the ISO-9660 filesystem on Mac CD-ROMs, making
the disc unusable on systems that don't support HFS. As of Mac OS 8.1,
an updated filesystem called HFS Plus is used.

Some authoring packages for the Mac and Windows allow the creation of
"hybrid" CDs that have both an ISO-9660 filesystem and an HFS filesystem.
Such discs can be used on non-Mac systems, but still have all the file
attributes (creator type, resource fork) that Mac OS likes.

Subject: [3-5-4] Joliet
(2008/05/21)

Microsoft, being Microsoft, created their own standard called "Joliet".
It's useful when doing backups from Windows onto a CD-R, because the disc
is still readable as ISO-9660 but shows the long filenames. The limit
on Joliet filenames is 64 characters. (Some software reportedly allows
up to 110.)

Subject: [3-5-7] ISO-9660:1999
(2005/07/10)

Filenames no longer need to have a dot (i.e. not 8+3), and no longer
have a version number (the ";1" that is usually concealed).

Limits on directory depth have been removed.

Operating system support for ISO-9660:1999 started appearing in 2004 or so.
The first version of Windows to support it was WinXP.

Subject: [3-6] How do I use a CD-i disc on a PC?
(2008/05/21)

Short answer: you don't, unless you have a CD-i add-on board. Even if you
have a CD reader compatible with the CD-i (Green Book) standard, there are
still a number of obstacles in your way. The filesystem used isn't
ISO-9660, and CD-i players are based around a 680x0 CPU and have special
hardware for video and audio.

Longer answer: it depends on what kind of disc it is, and what you mean
by "use".

PhotoCD and VideoCD discs are CD-ROM/XA "Bridge Format" discs that play on
CD-i players as well as dedicated players and computers. These use the
ISO-9660 file system, and can be read with commonly available PhotoCD
software and MPEG-1 players.

DigitalVideo discs from Philips manufactured before June, 1994 are in CD-i
format, not VideoCD format. If your CD-ROM drive supports raw 2352-byte
sector reads, it's possible to pull tracks off of a Green Book format disc,
and extract audio or MPEG video data. You can get a CD-i filesystem
for Windows from http://www.icdia.org/articles/filesystem.html.

VCD PowerPlayer from CyberLink (http://www.cyberlink.com.tw/) could play
CD-i movies directly off of a Green Book disc (circa 2000 -- not sure about
current versions).

Subject: [3-7] How can I extract disc and track titles from an audio CD?
(1998/09/01)

Typical Red Book audio CDs don't have this information. Software audio CD
players like those provided by Adaptec or Microsoft require you to type in
the information, which is then stored in a database on your hard drive.
The discs are identified by computing a signature based on track offsets
and other fields. Gracenote (formerly CDDB) at http://www.gracenote.com/
acts as an Internet database of CD info.

Some newer formats, like CD Extra, allow or even require such information
to be included on the CD. See Sony's pages at http://www.cdextra.com/.

Some recent CD players are advertised as "CD-Text Ready". These use the
CD-Text data embedded in the P-W subcode channels to display disc and track
title data. See section (3-28) for more about CD-Text.

Subject: [3-8] How do I write more than 80 minutes of audio or 700MB of data?
(2004/03/04)

CD-R's have a pre-formed spiral track, and the sector addresses are
hard-coded into CD-R media, so there's no flexibility. Every disc holds a
predetermined amount of data.

Most discs rated at 74 or 80 minutes hold slightly more than that.
How much more depends on the brand of media, batch of media, and perhaps
even on the recorder used (see section (7-6) for more details on how much
a CD-R can hold). In some situations you can exceed the stated capacity
of the disc; see section (3-8-3) below.

Since CDs are written in a spiral, the amount of data you can get on
a disc is affected by how tightly spaced the "groove" is. A standard
Red Book audio CD or Yellow Book CD-ROM is designed to allow at most 74
minutes of data. By using a tighter track pitch on the spiral "groove"
on the glass master, manufacturers can get more data onto the disc.
In theory this could make it harder for some CD readers to use the discs.
See section (3-8-1) for notes on 80-minute discs, and (3-8-2) for 90-
and 99-minute blanks.

The easiest way to get more data onto a disc is not to try. For audio CDs,
you can leave off one or two tracks that you're not overly fond of. For
data CDs you may be able to drop some images or sample data. The most
common problem people encounter with data CDs is trying to copy them as a
collection of files rather than doing a bulk copy of the entire disc. See
also section (3-24).

One user suggested using the "speed up" function of Sound Forge or Cool
Edit to increase the speed of extracted WAV files by 3%. This supposedly
gives better results than resampling, and allows writing 77 minutes of
audio onto a 74-minute disc.

If you have a mono recording, you could double the length of a CD by
recording half the sound on the left track and half on the right. The
sound would be recorded as two monaural files, and then merged into a
single stereo file with a sound editor like Cool Edit. (With Cool Edit
96: load first mono file. Use "Convert Sample Type" to convert to
Stereo. Select the right track, and Delete Selection. Use Mix Paste to
load the right track from the second file, or just fire up a second copy of
Cool Edit with the other track, and use Copy and Paste commands.) The
person playing the CD back will need to use a "balance" knob to select the
left or right track. One issue with this method is that the track markers
apply to both tracks, so providing random access to specific sections can
be tricky.

If you're trying to copy a CD-ROM or VideoCD and running out of room, you
may have a different problem. See sections (3-24) and (4-25).

Incidentally, don't get confused when you discover you have 700MB of audio
extracted from a CD that only holds 650MB. Audio sectors use 2352 bytes
per sector, while standard CD-ROM data uses 2048 (the rest is for error
correction). You can put roughly 747MB of audio onto a disc that only
holds 650MB of data.

Subject: [3-8-1] How well do 80-minute CD-R blanks work?
(2004/03/04)

In general, they work just fine. Reports from people who have used
80-minute CD-Rs indicate that compatibility with different CD-ROM drives is
very good. However, bear in mind the following statement, which was sent
by e-mail from a TDK representative:

"The CD-R80 is a special product developed by TDK to meet the application
needs of software developers and music studios. To achieve its 80 minute
recording time, track pitch and scanning velocity specification tolerances
had to be minimized, reducing the margin of error between drive and media.
This means limited compatibility between some CD-Recorders and CD-ROM
Readers. If you intend to use this recording length, please check with
your hardware manufacturer. Use of the CD-R80 is at one's own risk. No
guarantees of performance are made by TDK."

Whether it's better to use 80-minute discs or "overburning" (described in
the next section) is a worthy subject for debate. Both can cause problems
on different CD-ROM drives, and not all recorders are capable of doing one
or the other. Because of consumer demand, all recent drives can do both.

An 80-minute disc has roughly 360,000 sectors instead of the 333,000
defined by the Red Book standard. This increases the CD-ROM capacity
from 650MB to 703MB.

Here's a few personal notes on my experiments with TDK 80-minute "green"
blanks, back in late 1997. Back then it was hard to find 80-minute
discs and easy to find 74-minute discs; these days the situation has
reversed itself. I was able to purchase a small quantity (three discs)
from Microboards at http://www.microboards.com/. This section is rather
outdated now, but I'm leaving it in as a historical footnote.

The discs were part number SCWA-ETC80A-X, priced at US$40.00 per disc in
October 1997. That was about 20x the cost for an extra 8% storage. The
discs were unbranded. The only difference I could see between these and
other TDK green discs is that on the hub it says "CD-Recordable 6129B-80".
Easy CD Creator Deluxe v3 showed 359,624 blocks (702.8MB in MODE-1) on the
TDK 80-minute blanks, versus 333,010 blocks (650.8MB) available on my
Mitsui gold 74-minute blanks.

The first challenge was finding software that would work correctly with the
discs. Neither Easy-CD Pro 95 v1.2 nor Easy CD Creator Deluxe v3.0 would
allow me to do a test recording with more than 650MB of files. I ended up
using mkisofs to create an image file with 341,163 blocks (666.3MB) of
data, composed of two large .AVI files, and three smaller pieces of one of
the other .AVI files. (With Easy CD Creator Deluxe v3.5 and later, you
can choose to ignore a warning about the data size.)

Using a Yamaha CDR-102 with v1.0 firmware, the first thing I tried was to
burn the image file to a 74-minute blank. Easy-CD immediately rejected the
disc, saying there wasn't enough space. I then put the 80-minute blank in
and did a test run. Easy-CD Pro 95 had no problems burning the ISO-9660
image file, until the screen saver activated and McAfee anti-virus "screen
scan" kicked in. Good thing it was a test burn; I got a buffer underrun.
I killed the screen saver and virus checker and ran again, had a successful
test run, and followed it with a successful burn.

To verify the data, I used Easy-CD Pro 95's "compare track" feature. This
failed, complaining that one track was shorter than the other. My guess is
that the compare feature has some sort of track length limitation. My next
attempt was to use the Linux "sum" command to make sure that the disc was
readable in my Plextor 8Plex. This worked fine, and the output of "sum"
matched what I got on the 4x CD-ROM drive in the Sun workstation at work.
I also tried the disc in a Mac 7500 and a Dell Pentium, and had no problems
with either.

The next step was an 80-minute audio CD, and that's where things fell
apart. Easy-CD Pro 95 v1.2 didn't work at all (!), Easy CD Creator Deluxe
v3.0 again refused to allow me to create a long audio CD, and with Jeff
Arnold's software (both the DOS version and CDRWIN) the test write failed
after a minute or so (after the lead-in had completed?). Strangely,
removing the last two tracks from the cue sheet, which reduced it to 72
minutes, allowed the test write to succeed on both 74-minute and 80-minute
blanks. It appears that the Yamaha CDR-102 drive is unwilling to write
that much audio data.

Subject: [3-8-2] How well do 90-minute and 99-minute CD-R blanks work?
(2004/03/04)

Small quantities of 90-minute and 99-minute blanks have appeared, but since
their introduction in late 2000 they haven't become as commonplace as other
lengths. Indications are that many recorders and some software don't
really work with the longer discs.

The discs have capacity of roughly 791MB (90 min) and 870MB (99 min).
However, all the capacity in the world won't help you if you can't
read the disc after you write it. If you're interested in larger but
incompatible discs, your best bet is probably DVD-R. Other alternatives,
such as DD-R/DD-RW (section (2-37)), ML (section (2-39)), and GigaRec
(section (2-46)) never really took off.

CD time stamps are two digits (binary coded decimal, in case you were
wondering), so exceeding 99 minutes isn't possible. You could, in theory,
declare there to be 99 seconds in a minute and 99 sectors per second, but
that would break just about everything that tried to read one. The limits
of the specifications are being pushed at 80 minutes and even harder at 90,
so don't expect much more out of CD-R. Some knowledgeable individuals have
stated that the longest possible CD-R is 79 minutes, 59 seconds, 74 blocks
long, because of the way that the last possible start time of the lead-out
is encoded, but you can use "overburning" (discussed in the next section)
to write past that point. (Experiments suggest that the actual limit is
88 minutes; either way, you're pretty far from 99.)

See http://www.mmore.com/download/Technical_write-up-MMORE_90_min.pdf for
a tutorial on burning 90-minute discs with Nero. In short: make sure your
drive supports overburning, set "Enable overburn" in the "Expert features"
tab of the preferences, ignore the warnings, and cross your fingers.
Always verify the disc afterward.

Subject: [3-8-3] How can I exceed the stated disc capacity ("overburning")?
(1999/10/10)

The capacity of a CD-R is calculated to allow enough space to hold at least
74 minutes of Red Book audio data and 90 seconds of digital silence. The
silent area is called the "lead-out", and is included so that a CD player
will realize that it has reached the end of the disc, especially when
fast-forwarding.

When a recording program tells you the exact capacity of the disc, it's not
including the area reserved for the lead-out. There's nothing magic about
this reserved area though. With the right kind of setup -- and a
willingness to accept write failures as a matter of course -- you can put
data into the reserved area, and possibly into a few blocks past the end
of it. This is often referred to as "overburning" a disc.

How much more you can fit depends almost entirely on the media. Some
brands will hold as much as 78 minutes, but it varies from batch to batch.
You can use Feurio! (section (6-1-42)) to compute the maximum size of a
specific disc without actually writing anything on it.

You also need the right recorder and the right software. The Teac CD-R55S,
Plextor PX-R412C, Yamaha 4xx/4xxx, and Memorex/Dysan CRW-1622 units have
been used to write "extra long" audio discs successfully. The Philips
36xx, HP 71xx, and Ricoh 62xx units don't seem to be willing to do so. In
some cases, getting the firmware revision may be important. A recorder
that isn't able to do this sort of writing will usually reject the cue
sheet before writing begins.

To write such a disc, you need to use a program that won't refuse to exceed
the disc capacity. Easy CD Creator, in an attempt to prevent you from
making mistakes, will refuse to allow you to write more than you should be
able to. CDRWIN will warn you that the write may fail, but will allow you
to continue anyway. Nero has a preference (under Expert Features) called
"enable oversize disc" that allows the longer write.

One approach to determining the maximum disc length is to gather a large
collection of audio tracks, and start writing. Eventually the recorder
will attempt to write past the end of the disc, and the write process will
fail. Now play the disc, preferrably in a player that shows the total
elapsed time for the entire disc. When the music cuts off, make a note of
the time. That's the absolute capacity of the disc.

Most (all?) CD players will display the total disc time when you first
put the disc in. This value represents how much you tried to write,
not how much was actually written. If you want to impress your friends,
try to write 88 minutes of music. You won't get anywhere near that far
on 74-minute media, but the CD player will show it.

It should be possible to write a CD-ROM in the same manner as an audio CD,
but the space would have to be calculated so that the write failure
occurred when the lead-out was being written. Otherwise, some of the files
that appeared to be on the disc wouldn't actually exist.

Recording in DAO mode may be helpful to ensure that the lead-in gets
written. Without a table of contents, the disc is useless. It's very
likely however that you will be able to finalize the disc even after the
write fails.

Depending on the disc and your player, you may have trouble seeking out to
tracks near the end of the disc. Also, your CD player may behave strangely
when it walks off the end of the disc: one user said he had to open and
close the player afterward to convince it that a disc was still loaded.

The disc surface past the end of the area reserved for the leadout may be
unreliable. Attempting to use more than 90 seconds (about 15MB of MODE-1
data) beyond the rated capacity of a disc could be asking for trouble.

It's possible to perform similar tricks on 80-minute media. Experiments
with TDK 80-minute discs resulted in a recorded length of 82:09. MMC
recorders don't seem to like having the lead-out position any later than
88:29:74, but that shouldn't get in the way.

Further commentary and instructions can be found at
http://www.cdmediaworld.com/ under "OverSize / OverBurn CD-Rs", including
a list of recorders that are known to work and step-by-step instructions
for using popular software.

Subject: [3-9] How do I put photographs onto CD-ROM?
(1999/03/31)

The first thing you have to do is get them onto your computer. There are
three basic approaches: use a scanner to convert printed photographs, use a
video digitizer to pull images off of a video tape, or use a digital camera
to take pictures that can be transferred directly.

There are a great many different scanners, with different resolutions and
capabilities. http://www.zdnet.com/special/filters/sc/scanner/ is a
fair place to start. (If the link doesn't work, go to zdnet.com and
look for reviews of scanners.)

Video digitizers are mentioned in section (3-16). If you're scanning off
of VHS video tape, you are going to get disappointing results.

Digital cameras will generally give you the best results. A mid-range
digital camera will give you pictures that look as good (when printed on a
photo-quality printer, which are inexpensive now) as a 35mm point-and-shoot
film camera. A few links:

Once you have the photograph on your hard drive, you may want to touch it
up a bit. You can use software to correct for over- and under-exposed
snapshots, remove "red eye", and crop off bits that weren't supposed to be
in the frame. Cameras and scanners should come with image manipulation
software that will help you manipulate and manage the images. Adobe's
PhotoShop (http://www.adobe.com/) is the standard high-end solution, and
their PhotoDeluxe Home Edition may appeal to a less demanding crowd.

Once you've got the images in a reasonable state, save them in a widely
accepted format such as JPEG or TIFF, and write them to a CD-ROM like you
would any other files. You may need to use an "Export" function rather
than "Save As...", because consumer photo software authors tend to use
proprietary image formats as the default.

If you want to create a PhotoCD that can be played in a PhotoCD player,
continue on to the next section. If you're interested in arranging the
pictures into an album, see (3-9-2).

Subject: [3-9-1] How do I create a PhotoCD?
(2005/01/20)

First off, you need to be aware that certain aspects of PhotoCD creation
are proprietary to Kodak. Programs like Roxio's Easy CD Creator will
allow you to create CD-ROMs with PhotoCD image files, and you will be able
to view the images with Mac or PC programs that understand the PhotoCD file
format, but you won't be able to look at the disc with a PhotoCD player.
See http://tedfelix.com/PhotoCD/ for an excellent discussion of the subject.

The Build-It and Arrange-It software, which allow you to create "real"
PhotoCDs, used to cost about US$450. Kodak apparently pulled the software
from the market in December 1997, making it difficult to find.

http://www.shiresoft.com/ gives you step-by-step instructions and software
for creating "real" PhotoCD discs with Kodak's software. The Build-It
program will only write to Kodak CD recorders, but a translator available
from this web site will allow it to work with programs such as CDRWIN.
Follow the Kodak links on that page.

There are some utilities that will convert images into PCD format, but they
only support the uncompressed base resolutions. The higher resolutions are
compressed with an algorithm proprietary to Kodak.

Subject: [3-9-2] How can I set up a photo album on CD-ROM?
(2004/08/10)

There are programs available that will do this for you, or you can take
a "do it yourself" approach. Some examples:

Roxio "Photo Relay" (part of Easy CD Creator Deluxe Edition - see
section (6-1-26)). According to their web page, it "lets you organize digitized
photos and videos, then create Slide Shows, Web Albums and Video Postcards
that can be stored to CD and shared with others - no proprietary viewer
is required by the recipient!". Newer versions come with "Storyboard",
which has some very fancy slide show features.

The do-it-yourself approach. Make an HTML page with pictures, using a
program like Microsoft FrontPage to create thumbnails (the auto-thumbnail
feature is *very* handy), so that when you click on the thumbnail image you
get the full-sized image. Put the HTML page and all of the graphics onto a
CD-ROM, and view the pictures with a web browser. For bonus points you can
use "shellout" with autorun.inf (section (3-21)) to have Windows
automatically launch the default web browser when the disc is inserted, and
"mkhybrid" to create a disc with long filenames and correct file types for
Rock Ridge, Joliet, and MacOS.

The "Film Factory" software that comes with some Epson printers has an
"export to web page" function that works pretty well. The "lite" version
that comes with their greeting card paper may or may not support this
feature.

Subject: [3-9-3] How can I show digital photos on my DVD player?
(2004/11/03)

The easiest way is to use a program that does it for you. Ulead's "DVD
PictureShow" will create VideoCD or DVD discs with your photos on them.
More information is available at http://www.ulead.com/. A similar
product is PictureToTV from http://www.picturetotv.com/.

The first step is to make sure your DVD player can play CD-R media.
Create an audio CD on CD-R media, put it into your DVD player, and try to
play it. If it works, great. If it doesn't, try the experiment again,
this time with CD-RW media. If neither works, or CD-R doesn't work and
you can't record CD-RW discs, you're out of luck. See section (2-13) for
more about DVD players and compatibility.

The next step is to find a way to display the photos. Some DVD players can
display PhotoCD discs, but there isn't a way to create "real" PhotoCD discs
with currently available software (see section (3-9-1)).

The alternative is to create a VideoCD with still frames. Each still frame
is a medium sized (704x480 in NTSC) JPEG image. By gathering these into a
collection, you can create a VideoCD "slide show" that will play on most
DVD players. Be careful though: a fair percentage of DVD players do not
support VideoCD. You should be able to figure this out by looking through
the manual. If no reference to VideoCD can be found, you'll just have to
try it and see.

The MPV (MultiPhoto/Video) specification was announced in November 2002.
It's purpose is to define a standard way of storing pictures, videos,
and audio on digital media. This should allow you to create discs with
multimedia content easily and display them on compatible DVD players.
See http://www.osta.org/mpv/.

The HighMAT specification, announced in October 2002, does similar things.
See section (2-49).

Subject: [3-10] How do I make a CD that will work on a PC or a Mac?
(1998/04/06)

Subject: [3-11] How do I access different sessions on a multi-session CD?
(2004/01/12)

As always, it depends.

MS-DOS lets you see the first data session. Usually. Win95 lets you see
the last data session. Usually. Roxio's Session Selector and Ahead's
MultiMounter will let you choose which session you see.

Some CD creation software (e.g. Roxio Easy CD Creator) writes a complete
table of contents in each session, some of which refers back to the files
from the previous session, allowing a form of incremental backup. (This
will work for ISO-9660 discs, but won't work for HFS. However, this is
less painful than it seems because a properly-configured Macintosh will let
you mount all the sessions as individual volumes.)

Software like Nero or Easy CD Creator will allow you to combine the
contents of several previous sessions by creating a new session (load the
file/directory info from more than one session, then write and close a
new session with that directory structure).

For some older systems your success with multi-session discs may depend on
the SCSI or CD-ROM driver you have installed. It's reasonable to expect
a disc with two sessions to be treated the same way on just about every
system, but once you go past two it's unwise to expect consistent behavior.

Subject: [3-12] How do I transfer my records or cassettes to a CD?
(2001/05/29)

Conversion of cassette tapes and vinyl records is increasingly popular.
Common reasons range from plans for long-term preservation to a desire
to listen to old favorites while driving in a car without a tape player.

There are two basic kinds of CD recorders: those that attach to a computer,
and those that stand alone. The latter, described in detail in
section (5-12), are usually connected to a stereo system. They are easier to work
with, but less flexible.

The first step, regardless of equipment, is figuring out how to physically
connect your tape player, turntable, or wax cylinder player to something
else. You almost always want "line-level" sound. The output from a
turntable is typically not line-level, so it has to be connected to a
receiver or pre-amplifier "phono" input. You then use the outputs from
the receiver or amplifier; if you can find outputs labeled "tape out" or
"preamp out", use those.

(A pre-amplifier raises the voltage level from the phono cartridge up to
"line level" voltage. An amplifier increases the signal from line level
to whatever is needed for your speakers. A pre-amplifier will also
compensate for pre-emphasis in the recorded material.)

You could connect your recorder to the headphone jack on the receiver or
amplifier, but that's not the best way to go. The voltage level coming
out of the headphone jack varies on the volume setting, while line-level
output doesn't. This makes line-level easier to set up. If all you can
find is a headphone jack, you will have to fiddle with the volume control
until the sound is as loud as possible without "clipping". If one of your
devices has little colored bars that bounce up and down according to how
loud the sound is, you need to play something "loud" on your tape player
or turntable, and adjust the volume until the loudest parts rise up just
shy of the maximum.

Connect the output from your tape player, receiver, or amplifier into
the CD recorder (if you have a stand-alone model) or the "line in" on the
sound card on your computer (if you're using that). Continue with
section (3-12-1) if you have a stand-alone model, section (3-12-2) if yours is
attached to a computer.

You can find odd bits of hardware that will play or enhance playback of
older recording formats (78's, LP's, 16" Radio Transcriptions) at Nauck's
Vintage Records (http://www.78rpm.com/).

For those of you wondering what the deal with pre-emphasis is, this
little tidbit is courtesy Mike Richter:

"Preemphasis has been used since the earliest days of commercial recording.
In general, the high-frequency content of the music (or whatever) being
recorded is low and the noise is high. Therefore, treble was boosted and
lows were cut by a preemphasis curve which was removed in playback. The
standard RIAA curve for turnover and rolloff (the amount and frequency
for treble and bass, respectively) was not accepted universally until the
50's, and some fine preamps offered selectable values with presets for
the common curves into the early transistor era."

The most crucial component is the sound card. The sound card converts the
audio signal from analog to digital (an "A/D conversion"). Some cards do
this conversion better than others. You can use the A/D converter built
into a sound card like a SoundBlaster 16, but the sound quality will not
be very good. The sound cards from Turtle Beach (Tropez, Tahiti) and
CrystaLake are a step up, and a Digital Audio Labs CardD+ is about as good
as it gets for internal A/D cards. If you're really serious, you should get
an external A/D converter like the Symetrix 620 or the Lucid AD9624 and feed
the digital output from that into the computer. (Looks like the Lucid device
has superseded the Symetrix one -- it's the same company. Relevant URLs
are http://www.symetrixaudio.com/ and http://www.lucidtechnology.com/.)
Other products can be found at http://www.midiman.com/.

Another way of accomplishing the same thing is to record to an audio DAT
deck and then use the digital output on the DAT recorder; see section (3-13)
for details. With some decks, such as the TASCAM DA-20 mkII and DA-302,
it's not even necessary to record to tape. You can play straight through
the recorder.

A problem with some sound cards (really cheap Opti and ESS cards have been
named) is that the crystal that controls the recording sample rate is off.
If the card doesn't do the sampling at the correct rate, the recorded audio
may end up slightly slower or faster than the original. This will become
apparent when the sound is played back off of a CD or through a better
sound card. Most sounds cards don't have this problem.

If you have questions or need a recommendation on a sound card, you might
want to try:

Roxio's Easy CD Creator (section (6-1-26)) includes an application called
"Spin Doctor" that performs most of the tasks needed to transfer LPs to CD.
Depending on your needs, it may provide a simple all-in-one solution.

A simpler approach is to use a program capable of recording large amounts
of audio from the sound card. An editor such as Cool Edit or GoldWave
should work. Whatever you choose, you should again play a loud passage and
watch the "VU meter" display to make sure you're getting as much signal as
you can without clipping. If the little colored bars are slamming against
the top, you're clipping. The Windows volume control panel (double-click
on the yellow speaker icon in the lower-right-hand corner) has a VU meter
in it, and allows you to set the input gain.

Configure the application to record 44.1KHz 16-bit stereo sound, click
"record", hit "play" on your tape player or turntable, and wait a while.
When the music is done, stop the recording on the computer. You can
either record the result directly to a CD, or clean it up a bit first.
See the next section for some suggestions.

Bear in mind that CD-quality audio uses up about 10MB of disk space per
minute, so one side of a 45-minute tape will require roughly 450MB. Make
sure you have enough disk space before you start.

Subject: [3-12-3] How can I clean up the audio before recording?
(2000/12/02)

There are a variety of programs that can automatically remove pops, clicks,
and hissing from digitized audio. Few automated tools can do as good a job
cleaning up pops and other noise as an experienced person, however. If you
want to perform the transfer by hand, the following method has been
suggested for PC users with Cool Edit:

Record directly into Cool Edit, using the highest possible input
level that doesn't exceed the maximum. You want to record 16-bit
stereo samples at 44.1KHz.

In the "noise reduction" dialog, set FFT size to 8192, FFT precision
to 10, and #of samples to 96.

Select a silent passage between songs or from the end of the record.
It can have some crackling but no huge pops. Set the noise level.

Select the entire track and perform noise reduction at about 70%.

Select the entire track and normalize it.

Manually remove any big pops (easily located by zooming in to the general
area and switching to "spectral view" in the edit menu) by zooming in on
them and amplifying them to about 8%. You only need to select the
channel (left or right) in which the offending data occurs. If it occurs
across BOTH channels, you may get a better result by deleting that part
of the track and reconstructing it in such a way that it remains
smooth... if that's not possible, make one channel smooth and then
amplify the other to 8%.

Cool Edit optionally leaves a blob of data at the end of the .WAV file,
which is legal in the file format but not expected by some utilities. To
avoid this, make sure the "Save extra non-audio information" box isn't
checked.

Wave Repair, from http://www.waverepair.com/, is a WAV editor designed with
analog recording and click-fixing in mind. It's aimed at very flexible
manual repair with some helpful automation. If you'd like something
a little heavier on automation and a little lighter on manual control,
try Wave Corrector at http://www.wavecor.co.uk/.

Don't forget that CD audio is 16-bit PCM stereo samples at 44.1KHz, and
will chew up disk space at roughly 176K per second. Playing back large
sound files is difficult with simple-minded applications like the standard
Win95 sound player, because they try to load the entire file into memory
all at once. Windows Media Player should work fine. (Section (4-20)
has some other suggestions on this same topic.)

See section (3-3) for some tips on avoiding clicks when committing the
audio to CD.

If, for some reason, you'd like to record "live" to the CD-R instead of
recording to the hard drive first, see section (3-54).

Subject: [3-13] How do I transfer an audio DAT tape to CD?
(2003/01/13)

Buy a card that will allow you to go from DAT to hard disk digitally. Make
sure you get one that can handle the same digital standard the DAT recorder
uses, i.e. S/PDIF (Sony/Philips Digital Interface Format, sometimes
referred to as "domestic") or AES/EBU ("professional").

An inexpensive S/PDIF card available from Computer Geeks
(http://www.compgeeks.com/) was evaluated by some newsgroup readers in
mid-1998. Apparently there were some problems with the physical dimensions
of the card (too wide for some PC slots), the documentation is poor, and
the voltage level for both input and output was TTL instead of standard
S/PDIF. You're probably better off with one of the established brands
unless you're sure about what you need.

You should record from the DAT onto your hard drive, and then record the CD
from there. If you try to record directly from DAT you'll likely end up
with a lot of wasted CD-Rs due to buffer underruns or minor mistakes. You
should use Disc-At-Once recording for best results.

One issue you need to be aware of is that some older DAT recorders can
only record at 48KHz, while CDs are recorded at 44.1KHz. If this is the
case with your equipment, you will have to do a sample rate conversion.
The DSP on cards like the ZA2 will do this for you, or you can use an
audio editing program like GoldWave or Sound Forge.

There *are* CD-R drives that have analog inputs, and can record directly
from audio sources. See section (5-12).

An interesting combination of technologies is the DAT-Link, formerly
available from http://www.tc.com/. It connects to the digital connectors
on the DAT machine (or MD, DCC, or CD player) and the SCSI interface on
a computer. The device can be controlled from other computers on a network.

Subject: [3-14] How do I put audio and data on the same CD?
(2001/01/10)

There are two ways to do this. The first is to put the data on track 1 of
the CD, and audio on the next several tracks (discs created this way are
referred to as "mixed-mode" CDs). The CD-ROM drive will automatically look
at track 1 and ignore all other tracks, so you'll be able to get at the
data and -- depending on the operating system -- will be able to play the
audio tracks. Remember that all of the tracks, both audio and data, need
to be recorded in a single session. See section (3-2).

The down side of this is that audio CD players may attempt to play track 1,
which can be obnoxious or downright harmful to audio equipment. Most
modern CD players are smart enough to ignore data tracks, so this won't
usually be a problem.

The other approach is to create a multisession disc with the audio tracks
in the first session and the data track in the second. This is how CD
Extra (the format formerly known as CD Plus) works. Audio CD players only
look at the first session, and CD-ROM drives are (supposed to) start with
the last session, so it all works out. Sony Music has some pages at
http://www.cdextra.com/.

(NOTE: it appears that in some situations a Macintosh will not handle
multi-session audio/data CD-R discs correctly. For example, a G3 with a
DVD-ROM drive running Mac OS 8.6 works fine, but a G4 or iMac running Mac OS
9 will reject the disc as unreadable. The same system will handle pressed
discs correctly -- only CD-Rs fail. The reason for this is uncertain,
but it may be possible to work around it by disabling the system's audio
CD extension when you want to read the data portion.)

A common question is how to write the audio in the first session without
gaps between tracks, because you can't use disc-at-once recording.
(If you did use DAO recording, the disc would be closed, and you wouldn't
be able to write the data track). With the right hardware and software,
you can do "session-at-once" recording to write the audio without gaps.
For example, if you're recording with Nero and SAO-capable hardware,
you just select disc-at-once mode but don't select "finalize CD".

What happens when you try to play one of these as audio in your CD-ROM
drive? As with most things multisession, it depends on your drive. (The
player that comes with Plextor CD-ROM drives does the right thing. If
you're using a different drive, you're on your own.)

There's actually a third way to do this that involves putting the data
track into the extended pregap of the first audio track. Instead of the
audio starting at minute:second:block 00:02:00, the data starts there, and
the audio is written after. The pregap is adjusted accordingly. This
method never gained popularity because some drives started playing at
00:02:00 regardless. There doesn't seem to be a way to do this on CD-R.

Some CDs perversely put audio in the pregap. You can play it by starting
to play track 1, then holding the "reverse" button until it seeks all
the way to the start of the disc. Some older digital audio extraction
programs would just ignore the "hidden" audio, but most newer ones will
extract the entire track.

For example, _Factory Showroom_ by "They Might Be Giants" looks like this:

TRACK 01 AUDIO

INDEX 00 00:00:00

INDEX 01 01:01:00

TRACK 02 AUDIO

INDEX 00 04:52:10

INDEX 01 04:52:10

TRACK 03 AUDIO

[...]

Index 01 on track 01 is usually 00:02:00. Holding down the reverse button
backs the time up to -1:03. This disc actually causes one of my Windows
machines (Win98SE with a Plextor 12/20 CD-ROM) to read the disc incessantly,
making it impossible to play the disc or extract audio tracks.

Subject: [3-15] How do I make a bootable CD-ROM?
(2005/01/11)

On a Mac, this is reasonably straightforward.

For pre-OS X systems, a CD can be bootable if it has a bootable system
folder on it. Tell the recording software that you want to make the CD
bootable; this usually involves clicking in a checkbox before burning
the first session. Then, copy a bootable system folder onto the disc.
An easy way to create an appropriate system folder is to launch the
system installer, tell it you want to do a "Custom" install, choose the
"Universal System" option, and then install it onto the CD source volume.
One caveat: any control panels or extensions that want to write to their
preferences files will fail. You may need to write from a system folder
that has been booted at least once.

The rest of the section applies only to PCs, which are more challenging.

The BIOS or SCSI card on most newer machines support booting from
CD-ROM, but on many older machines (pre-2000) it's just not possible.
Phoenix (the BIOS developer) and IBM have created the El Torito standard
for booting discs. When the machine boots, if the BIOS detects a
bootable image on the CD-ROM, it maps that image onto the A: floppy drive.
(Depending on implementation, A: will move to B: and B: will go away.)
From that point onward, it works just like booting a floppy.

Not surprisingly, the way you create a bootable CD-ROM is to take an image
of a bootable floppy disk and write it in a specific way onto the CD.
Most current CD writing programs, e.g. Easy CD Creator and CDRWIN, will
do the hard work for you.

When booting the PC, you may need to change the boot order in the BIOS from
the typical "A, C" to "A, SCSI, C", and configure the SCSI interface to
attempt to boot from CD. On some adapters, the boot-up SCSI bus scan may
take an extra second or two while the interface tries to determine if a
bootable CD-ROM is present.

Some programs insist that bootable CD-ROMs be written in plain ISO-9660
format, not Joliet. One way around this is to write the bootable portion
in the first session, and then write the rest of the data in a second
session. However, not all PCs will boot a multisession disc. A better
approach is to use a program like mkisofs (6-1-10) to create the image.

The El Torito standard allows CD-ROMs to have more than one bootable
image, but few applications support creating such images. You can use
mkisofs with the "-eltorito-alt-boot" option to do this.

Subject: [3-16] How do I convert home movies into video on CD?
(2002/11/22)

This topic is largely outside the scope of this FAQ, so I'm not going to go
into much depth. The Usenet newsgroup news:rec.desktop.video is more
applicable. I'm not aware of an FAQ for that group, but the links found at
http://www.videoguys.com/jump.htm will get you started.

You need a capture device to transfer the video to your hard drive.
Capturing high-quality video can eat up 2MB or more per *second* of video
at full resolution (640x480x24 at 60 fields per second for NTSC) with a
reasonable degree of compression, so this isn't something to be undertaken
lightly. The lower your quality requirements, the lower the bandwidth
requirements. On a fast machine, you can even get away with just a TV
tuner card, using the software from http://www.winvcr.com/.

If MPEG is your only interest, you might be better off with an MPEG-only
card rather than a hobbyist video capture board. http://www.b-way.com/
and http://www.darvision.com/ are good places to look. The Broadway
card has been given high marks for quality.

Once you've captured the video, you'll probably want to edit it, at least
to clip out unwanted portions or add titles. Packages for doing this,
like Adobe Premiere and Ulead MediaStudio, are usually included with the
capture card. These will also let you adjust the resolution, color depth,
and compression quality to output the video so that it's suitable for
playback on double- or quad-speed CD-ROM drives.

You can convert AVI files to MPEG and vice-versa with a program from Ulead
(see http://www.ulead.com/), Xing Technologies, or several other vendors.
You should be able to create QuickTime or AVI movies using the compression
codec of your choice from the video editing software. A good choice is
TMPGEncoder, from http://www.tmpgenc.com/e_main.html.

Once created, you can write the AVI, MPEG, or MOV (QuickTime) file to a
CD-ROM like you would anything else. If you'd like to view the disc in a
DVD player or other VideoCD playback device, read the next section. Note
that not all DVD players are capable of reading CD-R media, so if VideoCD
on CD-R playback is important to you, check the DVD player feature set
before you buy.

Converting directly to DVD format is pretty reasonable now, with relatively
inexpensive DVD-R recorders and authoring software. Some Macintoshes ship
with iMovie/iDVD and a DVD recorder built in.

The MPV (MultiPhoto/Video) specification was announced in November 2002.
It's purpose is to define a standard way of storing pictures, videos,
and audio on digital media. This could eventually be the preferred way
to store movies on a disc. See http://www.osta.org/mpv/.

Subject: [3-16-1] How do I create a VideoCD from AVI or MPEG files?
(2004/09/05)

This section assumes you already have the video captured on the hard drive of
your computer. If you don't know how to do that, read the previous section.

The goal is to create a White Book VideoCD, which can be viewed on any
VideoCD-compatible playback device. Most PCs and Macs have some amount
of support, as do many DVD players, so even if you can't find a dedicated
VideoCD player or CD-i box you should be able to find a way to watch them.

VideoCDs can only be read by CD-ROM drives capable of reading CD-ROM/XA
discs. If your drive doesn't claim to support PhotoCD, you're probably out
of luck, but this is rare except on very old hardware. Microsoft's Windows
Media Player (formerly ActiveMovie) and Apple's Video Player can play
movies off of a VideoCD. Depending on the software you have installed,
you may get a player with a nice UI, or you may need to examine the disc
manually and open the ".dat" files in the "mpegav" directory. Depending on
the drivers you have installed, Linux systems may not be able to read the
files directly because they're actually separate data tracks.

CD-R software packages like Easy CD Creator and Nero can write MPEG-1 movies
onto a CD in the necessary format. You have to be careful when creating the
MPEGs, because if the encoding parameters (frame rate, number of pixels,
etc) don't match the VideoCD parameters you may have trouble getting the
CD writing software to accept the movie.

You can include still frames from JPEG images as well. Most VideoCD
creation software provides a way to organize "assets"

John Schlichther's "avi2vcd" combines standard tools into an easy-to-use
program for Win95 and NT. You can use it to convert an AVI file into a
VideoCD-compatible stream. http://home.cogeco.ca/~avi2vcd/

If you're running Linux you should take a look at Bernhard Schwall's
"avi2yuv" program. It converts M-JPEG movies created with popular video
capture boards into a format accepted by the Berkeley MPEG-1 and MPEG-2
encoders (ftp://bmrc.berkeley.edu/pub/mpeg/). The README for avi2yuv lists
the additional software packages (all of which are free and run under
Linux) needed for creating MPEG movies complete with sound. Most (all?) of
the utilities can also be built to run under DOS.
http://sunsite.unc.edu/pub/Linux/apps/graphics/convert/.

Easy CD Creator, as of v3.x, requires that an MPEG MCI driver be installed in
the system (unlike CD Creator, it doesn't come with Xing's MPEG software).
The popular VMPEG 1.7 doesn't quite work: ECDC can't see the audio, and
you're not allowed to select the frame to view when shuffling streams
around. If you have VMPEG installed as the MCI driver -- select "About
ECDC" from the Help menu to check -- you need to *remove* VMPEG and then
install ActiveMovie. (I removed under Win95 it by going into the Advanced
section of the Multimedia control panel, expanding "Media Control Devices",
selecting vmpegdll, and clicking on "Remove", but you may be able to use
Add/Remove Programs instead.) ECDC v3.x was very picky about the video
streams; v4.02 is much better.

Finally, you should be aware that MPEG playback is rather CPU intensive, and
it's possible to create movies that don't play very well on slower machines
(90MHz Pentium, 68K Macs) without hardware support. Machines built in 1997
or later shouldn't have trouble.

Subject: [3-16-2] How do I create an SVCD?
(2000/11/13)

The links near the end of the document point to some pages with SVCD
authoring instructions. Programs such as Nero Burning ROM (6-1-28) and
Enreach I-Author (6-1-61) are able to create such discs.

Subject: [3-16-3] How do I create an AVCD?
(2002/07/29)

Some discs have been produced that call themselves "AVCD", as in
audio-video CD. For example, Kylie Minogue's "Fever" CD was released
as a two-disc set in Asia. Disc one was the "Fever" audio CD, disc
two had four VideoCD video tracks and five bonus audio tracks.

If you put disc two into a CD player, you would hear nothing for track 1
(which holds the VideoCD filesystem) or tracks 2 through 5 (the video
data). If you fast-forwarded to track 6, you would hear music.

If you put disc two into a VideoCD player or compatible DVD player,
you would be treated to the first video track. By skipping forward
you could get to the later video tracks and eventually play the audio
tracks.

This makes perfect sense until you try to figure out how the same audio
track is being played on a CD player and on a VideoCD player. If you
try to create a VideoCD with extra audio tracks, the VideoCD player
will not find them.

The trick used by the AVCD publishers is to encode the audio tracks twice.
The songs are present both as Red Book CD audio tracks and as VideoCD
compressed audio. A directory called "CDDA" holds files with names like
"AUDIO06.DAT" that contain compressed audio. Unlike the video tracks,
these don't actually correspond to tracks on the disc.

To create such a disc, you would need VideoCD authoring software capable
of incorporating audio tracks. You could then record the VideoCD while
leaving the session open, and append the audio tracks using track-at-once
recording. Better results would be obtained by writing the video and audio
tracks with disc-at-once recording, but that might require a greater level
of VideoCD support than most recording applications currently provide.

Subject: [3-17] How can I burn several copies of the same disc simultaneously?
(2003/07/08)

You can if you have several CD-R drives and the right software. Two
examples are CD Rep from Prassi Software (section (6-1-21)) and DiscJuggler
from Padus (section (6-1-27)). [The Prassi product appears to have been
discontinued.]

Both products are SCSI multiplexors. You use your existing CD writing
application (such as Easy-CD Pro 95) like you normally would, and the
program sends the same commands to each of the CD-R drives. There are a
number of limitations, notably that all devices must use the same command
set and may need to have the same firmware revision. There may also be
limits on the number of drives you can have attached at once.

DiscJuggler bills itself as "the professional CD Duplicator", CD Rep as
"the ultimate professional recording solution". If you're interested in
either of these, you should read the web pages for both, and compare the
features available.

There are several hardware-based solutions to this, including CD-R units
that support daisy-chaining, and control units that vary from the simple (a
handful of units wired together) to the complex (robotic arms to move discs
around). Most cost more than a Hyundai.

Subject: [3-18] Can I make copies of copies?
(2002/12/09)

The following was part of an e-mail message from Jeff Arnold back in
mid-1997:

"I do not recommend making "copies of copies" with SNAPSHOT. The reason
this does not always work is because many CDROM readers do not perform
error correction of the data when doing raw sectors reads. As a result,
you end up with errors on the copy that may or may not be correctable.
When you make a second-generation copy of the same disc, you will make a
disc that has all of the errors of the first copy, plus all of the new
errors from the second reading of the disc. The cumulative errors from
multiple copies will result in a disc that is no longer readable."

This initially generated some confusion, so further explanation is needed.
The heart of the problem is the way that that the data is read from
the source device. When a program does "raw" sector reads, it gets the
entire 2352-byte block, which includes the CD-ROM error correction data
(ECC) for the sector. Instead of applying the ECC to the sector data,
many drives just hand back the entire block, including any errors that
couldn't be corrected by the first C1/C2 layer of error correction (see
section (2-17)). When the block is written to the CD-R, the uncorrected
errors are written along with it.

The problem can be avoided completely by using "cooked" reads and writes.
Rather than create an exact duplicate of the 2352-byte source sector, cooked
reads pull off the error-corrected 2048-byte sector. The CD recorder
regenerates the appropriate error correction when the data is written.

Some drives and some software will error-correct the 2048 bytes of CD-ROM
data read in "raw" mode. This limits the risk of generation loss to errors
introduced in the ECC bytes. If the software also regenerates the ECC,
it is effectively emulating "cooked" reads and writes in "raw" mode.

This begs the question, why not just use cooked writes all the time?
First of all, some older recorders (e.g. Philips CDD2000 and HP4020i)
didn't support cooked writes. (Some others will do cooked but can't do
raw, e.g. the Pinnacle RCD-5040.) Second, not all discs use 2048-byte
MODE-1 sectors. There is no true "cooked" mode for MODE-2 data tracks;
even a block length of 2336 is considered raw, so using cooked reads won't
prevent generation loss.

It is important to emphasize that the error correction included in the data
sector is a *second* layer of protection. A clean original disc may well
have no uncorrectable errors, and will yield an exact duplicate even when
copying in "raw" mode. After a few generations, though, the duplicates are
likely to suffer some generation loss.

The original version of this quote went on to comment that Plextor and Sony
CD-ROM drives were not recommended for making copies of copies. The reason
they were singled out is because they are the only drives that explicitly
warned about this problem in their programming manuals. It is possible
that *all* CD-ROM drives behave the same way. (In fact, it is arguably the
correct behavior... you want raw data, you get raw data.)

The final answer to this question is, you can safely make copies of copies,
so long as the disc is a MODE-1 CD-ROM and you're using "cooked" writes.
Copies made with "raw" writes may suffer generation loss because of
uncorrected errors.

Audio tracks don't have the second layer of ECC, and will be susceptible to
the same generation loss as data discs duplicated in "raw" mode. Some
drives may turn off some error-correcting features, such as dropped-sample
interpolation, during digital audio extraction, or may only use them when
extracting at 1x. If you want to find out what your drive is capable of,
try extracting the same track from a CD several times at different speeds,
then do a binary comparison on the results. PC owners can use the DOS "FC"
command to do this, as described in section (3-3).

It's worth noting that the C1/C2 error correction present on all types
of CDs is pretty good, so it is entirely possible to make multi-generation
copies with no errors whatsoever. The "cooked" approach for CD-ROMs just
happens to be safer.

Subject: [3-19] How can I compress or encrypt data on a CD-ROM?
(2003/01/13)

The easiest way is to use your favorite compression or encryption utility
and process the files before putting them on the CD. However, this isn't
transparent to the end user.

CRI-X3 enables programs like DoubleSpace to work on a CD. It's intended
for a publisher or for significant internal use, and the licensing is priced
accordingly. See http://www.cdrominc.com/. (Side note: the company filed
patent infringement suits against Traxdata and CeQuadrat in Sep 1998 for
distributing CD compression software. This might account for the dearth
of similar applications.)

A straightforward solution is to write all of the files onto the disc
as .ZIP files, and then use ZipMagic (formerly ZipFolders) to view the
contents. It can be found at http://www.ontrack.com/zipmagic/.

PGP at http://www.nai.com/ (was http://www.pgp.com) has some good
encryption software, but none of it seems directly applicable to software
distribution. PGPdisk, available for the Mac, might be useful but it isn't
clear whether it can be used to distribute CD-ROMs.

ScramDisk, from http://www.scramdisk.clara.net/, writes files into
encrypted "containers" on disk. It can be used with CD-ROMs, runs under
Win95 and Win98, is free, and even includes source code.

http://www.c-dilla.com/ had information on CD-Secure 2, which allowed
publishers to distribute network-licensed or "pay for the parts you
need" products, and CD-Compress 2, which provides a way to compress data
transparently on production CDs. The company is now part of Macrovision.

Encrypted Magic Folders from http://www.pc-magic.com/ claims to
transparently encrypt data as it's being used. Whether it would work from
a CD-ROM isn't stated.

http://cd-lock.com/ offers Blowfish encryption and scrambled filenames.
End users don't need to install software to decrypt the disks if they're
running Win2K or WinXP. (Appears to be related to pc-magic.com, above.)

You can install a cryptographic filesystem (called "CFS") under Linux; see
http://www.linuxdoc.org/HOWTO/Security-HOWTO-6.html#ss6.10. Create a
crypto-fs, copy your data onto it, then use mkisofs with Rock Ridge
extensions enabled to create an ISO-9660 disc image of the encrypted data.
Burn the image to CD-ROM.

Subject: [3-20] Can I do backups onto CD-R?
(2001/09/26)

Of course, it's not really necessary to use special software if you're just
backing up your data files. Most CD creation programs will allow you to
copy arbitrary files onto CD-ROM, and by using the Joliet standard or the
UDF filesystem you can preserve long filenames. Unfortunately, if you're
not using packet writing, the individual files may show up as read-only
under DOS and Windows, so write permission must be re-enabled by hand when
the files are restored. With packet writing applications like DirectCD
or PacketCD, the correct file permissions are maintained.

One thing to be careful of on Windows-based PCs: most programs that put
files on CD don't preserve the *short* file names that are automatically
generated for files with long file names. This presents a problem because
the short form is often stored in the Registry and INI files instead of the
long form (try searching your Registry for "~1"). When your system is
restored, it may not be able to find the files anymore.

Is CD-R better than, say, DDS-3 tapes? Maybe. Tape formats like DDS and DLT
hold considerably more than a CD-R, but because the drives are streaming
rather than random access, recovery of a specific file can be slower.
For backing up a large system or network, tapes are more convenient.
For making backups of a small system, especially one where access to older
versions of files is frequently desired, CD-R is the better choice.

Some people prefer CD-RW. For daily incrementals, CD-RW makes sense. For
weekly or monthly full backups, you probably want to retain the discs in
case file corruption or deletion goes unnoticed for some time.

The longevity of magnetic tape is well understood (around 15 years for
most formats). The longevity of CD-R is a little harder to quantify.
See section (7-5) for details.

Subject: [3-21] How do I automatically launch something? Change the CD icon?
(2002/10/15)

This can get surprisingly involved on a PC. The next few sub-sections
go into detail. For a Mac, the answers are pretty simple:

You can use the Macintosh equivalent of Autorun (QuickTime 2.0 Autostart)
to automatically launch an application or document on the Mac. The
"-auto" flag of mkhybrid (6-1-32) lets you specify this.

Changing the icon on the Mac can be done by using Toast to record a disc
image (record by "Volume" instead of "Files and Folders"). Change the icon
on the disc image file from the Command-I window in the Finder, then record
it.

Subject: [3-21-1] How does Windows "autorun" work?
(2002/10/15)

The "autorun" feature of Windows 95 and later allows a program to be executed
right after a CD-ROM is inserted. For this to work, the system must have
autorun enabled, and Auto Insert Notification ("AIN") must be turned on
for the CD-ROM drive. See section (4-1-1) for more information on AIN and
the use of "TweakUI" to modify settings. It may also be necessary, in some
configurations, to close the last session on the disc, or AIN will not work.

When preparing a CD-ROM for Windows, put a text file called "autorun.inf"
in the root directory that contains something like this:

[autorun]
open=filename.exe
icon=someicon.ico

When inserted, the CD-ROM will be shown in the "My Computer" window with
the specified icon. If the disc is inserted on a system with AIN and
autorun enabled, the program named on the "open" line will be launched.

Icons must be in Windows icon or bitmap format. You can't use a GIF
or JPEG. Make it square, 32x32 pixels. If you're going to be doing
a lot of these, you may want to try Axialis "IconWorkshop", from
http://www.axialis.com/axicons/.

There doesn't appear to be a way to specify custom icons for individual
folders.

Incidentally, the "root" directory is the top level of the disc, e.g. "D:\".
(If you viewed a directory hierarchy as a tree growing upward, the topmost
directory would be at the root of the tree.)

which displays the file "help\helpfile.hlp" with the Win95 help facility

You can test the autorun features of a disc without recording one. If you
SUBST a folder onto a drive letter, the autorun feature will scan the new
drive. For example, from a DOS prompt, enter "SUBST J: \goodies\NewCD".
This technique is also useful for testing out a CD-ROM you're preparing.

If you'd rather not have to deal with all this, try one of the applications
listed in section (3-21-3).

Subject: [3-21-2] How do I launch a document (like a web page)?
(2002/10/15)

In the past it was recommended to use the "start" command, e.g. "open=start
index.htm". However, "start.exe" doesn't exist in the Windows NT family
(NT4, 2000, XP).

You can launch documents with Windows Explorer on any version of Windows,
like this:

[autorun]
open=explorer.exe index.htm

However, it appears to ignore your browser settings. So, even if you've
chosen to make Netscape or Opera your web browser, it will still open the
HTML file with Internet Explorer.

An alternative to "start", called "shellout", is available from the "files"
section on http://www.mrichter.com/. This is a trivial launcher that
you copy onto a disc and use like this:

Subject: [3-22] How can I be sure the data was written correctly?
(2002/12/10)

The easiest way is to compare the original with the copy. Some programs,
such as recent versions of Nero, will automatically compare the disc
contents with the original files. You can also use something like CD-R
Verifier from http://www.cdrom-prod.com/cd-r_verifier.html or CDCchedk
from http://Fusion.zejn.si/ to check the contents of an entire CD-ROM easily.

Another way is to do a recursive file-by-file comparison. Programs that
compute CRCs on files and then compare them (often used for virus-checking)
will work.

One way to do this is with use the UNIX "diff" utility, which is
available for Windows (along with many other similar utilities) from
http://www.reedkotler.com/. If you had copied the contents of C:\MyData
onto a CD-R at E:\, you would use:

diff -q -r C:\MyData E:

The "-q" flag tells it to report if the files differ, but not show what
the differences are, and the "-r" flag says to descend into directories
recursively.

You can also use Microsoft's WinDiff, which -- unlike some of the
programs mentioned earlier -- understands long filenames. It can be
found on Microsoft's recent operating system discs, e.g. on Win98 it
lives in \tools\reskit\file\windiff.exe. It used to be available for
download from ftp.microsoft.com, but they rearrange that site frequently,
so there's not much point in including a URL.

To copy a disc, your reader and writer should ideally support "RAW DAO-96"
mode. The CD+G data is stored in the R-W subcode channels (section (2-6)),
which not all drives are able to read and/or write.

You can check the support pages for some CD recording software
(e.g. CloneCD) for a list of recorders that support "raw" reads and writes.
Most CD-ROM drives and CD recorders built in 2004 or later will fully
support CD+G.

Subject: [3-24] How do I copy a CD-ROM with 3GB of data on it? A huge VideoCD?
(2004/11/12)

You don't. The CD-ROM doesn't actually have that much data on it.

Some CD publishers use a trick where they reference the same spot on the
disc several times with overlapping files. This is common on software
installation discs with support for multiple languages. A separate
install directory, with a full set of files, is created for each language.
Any common files, such as installation routines or language-independent
code, are written to the disc once and shared by all. If there are ten
directories, and each points to a 50K shared file, it will appear that 500K
is in use. If you try to do a file-by-file copy from the disc onto your
hard drive, you'll end up with several copies of the same file, and more
data than can fit on a CD-ROM. (UNIX users can think of these files as
"hard links".)

Support for creating such a disc is uncommon.

VideoCDs often appear to have individual files that are 700MB or more.
In this case, they really *are* that big. They're written on separate
tracks in a special format (CD-ROM/XA Mode-2 Form-2) that drops error
correction in favor of more space. This works fine for video data, but
is definitely not recommended for ordinary data. Copying the files may
not work on some systems (e.g. you can open the files from Windows but
may not be able to from Linux).

If you want to duplicate a CD-ROM, you should use the "copy CD" feature of
your recording software. Some software is more capable of dealing with
complex CDs than others, so if you have a particular kind of CD in mind
(such as VideoCD) you should check the capabilities of the software before
making a purchase.

Subject: [3-25] How do I get my CD-R pressed into a real CD?
(2000/04/11)

There are a large number of companies that will do modest production
runs of pressed CDs, but listing them is beyond the scope of this FAQ.

Sometimes a disc submitted for duplication will be rejected due to E32
(uncorrectable) errors. If you have a disc rejected, make sure you are using
disc-at-once recording mode -- the gaps left between tracks by track-at-once
mode are sometimes interpreted as errors. If the problems persist, try
changing to a different kind of media, or even a different recorder.

Subject: [3-26] How do I make a CD without that two-second gap between tracks?
(2000/03/10)

Most CD recorders are capable of doing this, given the right software. The
key is to use disc-at-once recording instead of track-at-once.

Some programs give you a great deal of control. Golden Hawk's CDRWIN
(6-1-7) will let you specify the gap size for each track, down to zero, and
set the location of the track and index marks. You can put each track in a
separate file or have the entire recording in a single file. Other
programs, like ECDC (6-1-26), are easier to use but less flexible.

You will almost certainly need to use disc-at-once recording. Most drives
insist on inserting a two-second gap between tracks when track-at-once
recording is used, and those that don't will at best leave an instant of
silence between tracks. You can eliminate the gaps from a TAO recording by
putting the entire CD into one track, but then you lose the ability to seek
immediately to the start of a song.

Most PC and Mac software support both TAO and DAO recording modes. It's
prudent to check the web pages before you buy.

If you want to break up a long recording into several WAV files (one per
track), it's important to split tracks on precise 2352-byte boundaries.
If you don't, you'll get tiny periods of silence or noise, lasting less
than 1/75th of a second, that may be clearly audible depending on the
context. A handy Windows utility called "CD Wave" (section (6-2-16))
is good at splitting large WAV files into smaller ones, and can do so on
block boundaries.

Subject: [3-27] How can I record RealAudio (.ra), MIDI, WMA, and MP3 on a CD?
(2007/08/08)

Traditionally, CD players could only handle uncompressed audio in "Red
Book" format. Newer players gained the ability to play MP3 files from
a CD-ROM. Such discs should be written in ISO-9660 with 8+3 filenames,
and ought to use 128Kbps and "plain" stereo for broadest compatibility.

If you don't have an MP3-CD compatible player, you need to write a standard
"Red Book" audio CD. Most CD recording applications will now allow
you to record directly from MP3 files. This wasn't always the case.
If your software isn't capable, or you're discovering that clicking
noises are being added during the recording process, you should convert
the file to WAV or AIFF first. Use 44.1KHz 16-bit stereo PCM format.
Once it's in WAV or (on the Mac) AIFF format, you can play it to verify
that the audio sounds right, and then record from those files.

WMA is Windows Media Audio, part of Microsoft's attempt to create an
architecture for "Digital Rights Management" protected media. A WMA
player isn't supposed to let you hear any music you don't have the right
to play. If you want to record it to CD, and the player won't let you
do the conversion to WAV, you can still use a general-purpose sound
recorder like Total Recorder to do the job.

There may or may not be a converter for the format you're interested in.
Here are some links to try:

Subject: [3-28] How do I add CD-Text information?
(2002/10/15)

CD-Text is a standard that allows disc and track information to be embedded
on an audio CD. The data can be read by some CD players, providing a way
to have disc information available without having to enter it manually or
look it up in a database.

Adding CD-Text to the discs you record requires a compatible recorder and
capable software. Support was scarce in mid-1999, but is more common now.

The currently available software supports writing of album title, artist
names, and track titles, and can copy discs with CD-Text data already on
them. Storing lyrics within the tracks is possible but not widely
supported.

Not all CD players and CD-ROM drives can read CD-Text. If this feature is
important to you, check the specifications before you buy. Some programs,
notably Windows Media Player, claim to read CD-Text but will actually use
an Internet database instead.

Some MD recorders have a feature that lets you copy the CD-Text info
from audio CDs (e.g. "Joint Text"), but it appears that some CDs prohibit
the copying. The result is the message "Text Protected".

If it doesn't need to be in HTML format, the full Adobe Acrobat writer
can reportedly convert an entire web site into a PDF document.

Incidentally, if you burn the disc with plain ISO-9660, you don't have
to worry about the upper-case filenames conflicting with lower-case names
in URLs. The filesystem code on Windows, Mac, and UNIX converts the names
to upper case before comparing them. This may not hold for other formats,
e.g. Rock Ridge.

Subject: [3-30] How do I clean my CD recorder?
(2003/06/04)

In general, you shouldn't. Generally speaking, the only reason you'd need
to clean a recorder or (for that matter) a CD-ROM drive is if you went and
stuck your finger on the lens. Cleaning kits and well-intentioned Q-tips
are unnecessary and potentially dangerous. If you push too hard on the
lens while cleaning and damage the mounting, it will no longer matter how
clean it is.

Some people report drives coming back to life after a careful cleaning,
so there may be some value in doing so. If your drive has become
increasingly flaky over time, cleaning it may help.

[ Personal note: I've never had to clean a lens in *any* CD player,
including a flip-up top-loading boom box that I've had since mid-1990.
I can *see* the dust inside, and I can see the lens, but it has no problem
playing discs. I can't imagine how a recorder that's only a year or two
old is going to collect enough dust to fail, unless you play a lot of
really crusty discs. ]

If you have an overwhelming desire to clear loose dust out of your recorder,
and can't or don't want to send it to a service center, use gentle(!)
bursts of compressed air (like that used to clean camera lenses). The idea
is to knock any dust loose without knocking the lens free of its mounting.
A more vigorous approach is to use a Q-tip and 99% isopropyl alcohol
(a/k/a isopropanol or IPA), but this should only be used if the previous
approach fails. If you can only find 70% "rubbing alcohol", try to find
99% methyl alcohol (a/k/a methyl-hydrate or methanol), which is widely
recommended for cleaning magnetic tape heads. It can usually be found in
paint or automotive stores as shellac thinner or windshield antifreeze.

The Repair FAQ at http://www.repairfaq.org/ has a section about CD-ROM
drives that seems relevant. Find the "Compact Disc Players and CDROM Drives"
section, and skip down to part 4. One relevant quote, from section 4.3,
regarding "cleaning discs":

"I generally don't consider CD lens cleaning discs to be of much value
for preventive maintenance since they may just move the crud around.
However, for pure non-greasy dust (no tobacco smoke and no cooking
grease), they probably do not hurt and may do a good enough job to put
off a proper cleaning for a while longer. However, since there are
absolutely no sorts of standards for these things, it is possible for a
really poorly designed cleaning disc to damage the lens. In addition,
if it doesn't look like a CD to the optical pickup or disc-in sensor,
the lens cleaning disc may not even spin. So, the drawer closes, the
drawer opens, and NOTHING has been accomplished!"

Subject: [3-31] Is it better to record at slower speeds?
(2003/01/13)

It depends on your recorder, media, and who you talk to. For example,
some informal testing with the venerable Yamaha CDR-100 determined
that it worked best at 4x speed with media certified for 4x writes.
1x worked almost as well, but 2x would occasionally produce discs with
unrecoverable errors.

With audio CDs, the results are more subjective. Some people have asserted
that you should always write at 1x, others have stated that 2x may actually
be better. It depends on the recorder, media, player, and your ears. Try
it both ways and listen. See section (4-18) for some notes on how you can
write the same set of bits to two CDs and still have audible differences.

CD-R media is written by heating up tiny sections of the disc. When the
disc spins faster, the laser has less time to shine on a particular spot,
so the laser has to be controlled differently. Different formulations of
media may require a different "write strategy" at certain speeds, and each
recorder may adjust its write strategy differently to accommodate those
speeds. This can potentially result in combinations of recorder and media
that work perfectly at one speed but fail miserably at another.

Put simply, there's more to writing at high speed than just spinning faster.
It's entirely possible that writing slowly to "high-speed" media will
produce significantly worse results than writing to it quickly.

There is no One True Answer to this question. Do what works best for
what you have. Some experimentation may be required.

See the graphs in the article "Glenn Meadows' CDR Tests" at
http://www.digido.com/ for an examination of BLER (BLock Error Rate) with
different recorders, different media, and different recording speeds.
A few of the graphs show the same recorder and same media at different
speeds, and in some cases the BLER increased at higher speeds, while in
others it decreased.

There is some cause to believe that recording at higher speeds can result
in increasing "jitter". This doesn't cause any difference in BLER or in
the extracted audio, but is audible during playback. See section (2-41).

Subject: [3-32] Where do I get drivers for my CD recorder?
(1998/04/06)

In general, you don't need them. Software that burns CD-Rs has the
necessary drivers built in.

If you want to use certain older recorders as CD-ROM drives, you may need
drivers for them. See section (5-8).

Subject: [3-33] Can I copy discs without breaking the law?
(2001/01/06)

This varies significantly from country to country. Information for USA
and Canada follows. Most nations have some form of copyright protection
that restricts duplication.

Subject: [3-33-1] ...in the United States of America?
(2006/02/27)

You are allowed to make an archival backup of software, but the same
doesn't necessarily hold true for music. The Home Rights Recording Act
will allow you to duplicate music under certain circumstances.

A discussion of the topic, including details on past and pending
legislation, can be found on the Home Recording Rights Coalition web site
at http://www.hrrc.org/. The text of the Home Rights Recording Act can
also be found here.

The Recording Industry Association of America, which represents the music
industry, has a web site at http://www.riaa.com/.

Subject: [3-33-2] ...in Canada?
(2006/02/27)

Rules for copying software resemble those in the USA.

The rules for music are more lenient. Because of the media tax imposed
by the Canadian government (see section (7-13)), you are allowed to copy
any music for your own personal use. This means that you can go over to
a friend's house and copy any number of discs you like, so long as they
are for your own use. You are not allowed to make copies of music and
then give them to others.

http://techcentralstation.com/081803C.html points out that downloading MP3
files from P2P networks (e.g. the original Napster) is legal in Canada.
(The article actually claims that sharing is entirely legal, but by the
terms of the law downloading is legal and uploading is not.)

Subject: [3-34] Can CD-Rs recorded at one speed be read at a different speed?
(1999/09/22)

Of course.

The only possible basis in fact for the, "if it was recorded at 2x, you
can't read it faster than 2x" rumors is that some drives have trouble
reading CD-R media. Discs that are hard to read when spinning at 12x may
become easier to read when spinning at 4x. It has also been noted that
some recorders will write more legible discs at certain speeds (e.g. the
Yamaha CDR-100, which works better at 1x or 4x than it does at 2x). None
of this should lead anyone to conclude, however, that the write speed and
read speed are tied directly together. The reader, writer, and media all
have a role in determining how quickly a CD-R can spin and be readable.

It's also the case that discs written at high speed (say 8x) can be read by
drives *slower* than 8x. So if you're distributing discs to people with
old 4x CD-ROM drives, you don't have to worry about them not being able to
read at 8x. Of course, if the CD-ROM is poorly constructed, or the writer
is producing marginal discs at high speeds, you might see evidence to the
contrary, but there is no technical barrier to reading discs recorded at
8x or 12x on a slower drive.

Subject: [3-35] How do I make my CD-ROM work on the Mac, WinNT, and UNIX?
(2006/02/20)

This can be tricky because of issues with long filenames and file
attributes. Mac CD-ROMs are sometimes burned with an HFS or HFS Plus
filesystem, not ISO-9660, and WinNT uses a different scheme for long
filenames (Joliet) than UNIX does (Rock Ridge). Some variants of UNIX will
recognize the Joliet names, but Windows doesn't understand Rock Ridge.
You might be able to use an HFS CD-ROM on a platform other than the Mac,
but if you're distributing software, it's not wise to assume that your
customers will be able to do the same.

The easiest way to create a disc that will work on all platforms is to use
plain level 1 ISO-9660, with 8+3 filenames and no special file attributes.
If you need to include Mac applications as well as data -- or pretty much
anything with a resource fork -- this simple approach won't work. Also,
some older versions of Mac OS and HP/UX might not work as expected unless
you record the disk without the usually-invisible version number (";1").

There is an Apple-defined extension to ISO-9660 that allows the Mac file
and creator types to be present on an ISO-9660 filesystem (see (3-5-3) for
a URL to an Apple tech note with implementation details). This allows most
of the features of the Mac filesystem on an otherwise plain ISO-9660 disc.
It's not clear how many of the software products in section (6-1) take
advantage of this, but "mkisofs" (section (6-1-10), now includes the older
"mkhybrid") can create an ISO-9660 disc with Joliet, Rock Ridge, and HFS
extensions all on the same disc.

A common way to construct a disc for the Mac and PC is as a "hybrid" disc
that has both an ISO-9660 filesystem and an HFS filesystem. To save space,
the data itself is shared by both sections of the disc. This is possible
because the ISO-9660 directory entries use an absolute block offset on the
disc, so they can point at data residing in the HFS filesystem.

There are various applications that will do HFS/ISO-9660 hybrids. The most
easily accessible to Macintosh owners is the Mac OS X Finder. Roxio's Toast
for the Mac and "mkhybrid" for the PC are other examples. Search for
"hybrid" in the list of software in section (6-1) for more examples.

The issue of Joliet vs. Rock Ridge can also be solved, by including both
kinds of extensions on the same disc. Using "mkisofs", you can even have
files appear in only one format and rename files on the fly, allowing you
to have a "readme.txt" with different contents for Mac, UNIX, and Windows.

Subject: [3-36] How do I put "hidden tracks" and negative indices on audio CDs?
(2001/06/26)

With a little searching you can find an audio CD that will cause your CD
player to show a negative track time when one track finishes and the next
begins. The negative sections are usually filled with silence, but some
rare discs will have material in them. If you seek directly to the track,
you don't see (or hear) the negative-time section.

The trick here is also described in section (3-14). You can specify the
start position of an audio track anywhere within the track. The start
position is at time index 00:00 (in minutes and seconds, MM:SS), so the
music before the start point is usually displayed with negative time values.
When you seek directly to a track, the player jumps to time index 00:00, but
when you play through from a previous track you hear the entire track.

When using CDRWIN-style cue sheets, the actual start of the track is at
"index 00", and the place where the player seeks to is "index 01". The
distance between the indices is called the pre-gap. The Red Book standard
requires that index 01 in track 01 be at least two seconds (150 sectors)
from the start of the CD.

You can specify additional index markers, but most CD players will simply
ignore them. Some CD-ROM games have tried to use the index markers as a
form of copy protection, because they won't get copied automatically by
many programs.

If you want to create your own discs with "hidden tracks", you need a program
that gives you full control over where the index markers go (CDRWIN is one
such program). Combine two (or more) tracks with an audio editor into a
single file. Specify the file as a single track in the cue sheet, set
"index 00" to time zero, and set "index 01" to a point right after the
"hidden" song finishes. There are other ways to approach this, but this
is probably the most straightforward.

It should be mentioned that the only truly "hidden" track is in track 1.
Most CD players will play the entire disc, from index 01 on track 1,
straight through to the end, so any tracks you try to "hide" in the
middle of the disc are simply difficult to seek to. The only way to play
audio tucked into the pre-gap in track 1 on most players is to hold down
the rewind button.

Subject: [3-37] Do I need to worry about viruses?
(1998/09/11)

Absolutely. Infected CD-ROMs are every bit as nasty as infected floppies,
if not worse: you can't disinfect the source media. It is prudent to
scan your files before creating a CD-ROM for distribution, and it's not
a bad idea to scan the CD-ROM afterward (in case somebody has cleverly
infected your CD writing software).

The dangers of boot sector viruses on bootable CD-ROMs are probably low.
Because the boot sector is created directly by the recording software, and
can't be modified after it has been written, the opportunity for infection
is small.

Subject: [3-38] How do I cover up a bad audio track on a CD-R?
(1998/09/11)

You don't. With a CD-ROM you could use multisession writes to hide
unwanted data, but you can't create multisession audio CDs. (Well, you can
create them, but nothing outside of a CD-ROM drive will be able to play the
tracks outside the first session.)

On CD-RW media, it might be possible to overwrite an individual track. You
would need software that supported this capability. Erasing the disc and
starting over is probably easier.

Subject: [3-39] How do I duplicate this hard-to-copy game?
(2001/12/18)

Requests for information on how to copy recent games occasionally sprout
up on the newsgroups. Generally the publisher has employed some form
of copy protection that prevents the disc from being duplicated easily.
If you try to play the game from the duplicate, the game will usually act
as if the CD-ROM weren't present and tell you to insert it.

Most publishers are well aware that there is no such thing as an
unbreakable copy protection scheme. It is possible though to implement
a method effective enough to slow the tide. If you don't believe that,
start counting posts the next time a popular game with decent protection
is released. See section (2-4) for some technical details, and
section (3-42) for a discussion of why you can't write a general-purpose disc
copier that works for everything.

If you're looking for information, the most appropriate places to search
are "warez" newsgroups and web sites. Searching the net for tips is a good
way to get started. Be forewarned that any "cracks" you download may very
well also be viruses, and that if you give away or accept a copy of the
disc from someone else you are probably breaking the law.

Aiding and abetting the illegal distribution of copyrighted works is
not part of this document's charter. There are plenty of newsgroups
and web sites devoted to the subject, so please don't waste bandwidth
in "legitimate" forums asking for cracks. A search engine such as
http://www.google.com/ will turn up many sites with such information.

Subject: [3-40] Should I erase or format a disc? How?
(2001/03/18)

First and foremost: you do not need to format a disc unless you're using a
packet writing program like DirectCD. If you're running a program to create
a CD, chances are good that you don't need to format it. If you're using
"drive letter access", i.e. treating the CD-R or CD-RW like a big floppy
disk, then you do need to format it.

Simple rule of thumb: don't format it. Most software that needs a formatted
disc will format it for you as needed.

Formatting and erasing are different things. Formatting prepares a disc
for recording. On a CD-R it writes a few basic things, on CD-RW it may
write to most of the disc. The fixed-packet formatting that DirectCD does
for CD-RW discs takes about 50 minutes on a 2x-speed rewritable drive.

Erasing, which can only be done to CD-RW media, restores the disc to a
pristine state. If you want to erase a disc, use the software that came
with your CD-ReWritable drive. Somewhere in the army of applications and
mountain of menus is the command you're looking for.

The difference between "erase" and "quick erase" is that the former erases
the entire disc, while the latter just stomps on the Table of Contents
(TOC). It's like erasing the directory off of a floppy disk. The file
data is still there, but since there's nothing pointing to it, the disc
appears empty. (Some people have asked if it's possible to recover data
from a quick-erased disc. Acodisc can do this; see section (4-35).)

The difference between "format" and "fast format" (such as is offered on
the HP8100/Sony CRX100) is of a different nature. Both format the entire
disc, and both operate at the same speed, but the "fast" format allows you
to use the drive before formatting has completed. After a few minutes, you
are allowed to access the drive while the formatting process continues in
the background.

Incidentally, most conventional (pre-mastering) software will refuse to record
on a disc that has been formatted for packet writing. In some cases the
error message may be a confusing remark that insists the disc isn't writable.

Subject: [3-41] How do I equalize the volume for tracks from different sources?
(2003/08/01)

A common problem when creating an audio CD compiled from many different
sources is that the sound is at different volume levels. This can be
slight or, after you've cranked up the volume to hear the first track, very
much the opposite of slight.

There are actually two issues that determine how loud the music sounds.
The first is the signal amplitude. Put simply, if you open a WAV file,
this is how close to maximum the squiggly line gets. You can adjust the WAV
file so that the highest amplitude is at maximum with the "normalize peak"
function of a sound editor. Some programs, such as Roxio's Spin Doctor,
may even do this for you automatically.

The second major issue is the dynamic range compression. This differs
from data rate compression in that it doesn't make the WAV file smaller.
Instead, it can make the quiet parts louder and the loud parts quieter.

A CD-DA has a dynamic range of about 96dB. If a symphony is recorded with
a range of more than 110dB, it has to be compressed to fit on a CD-DA.
In practice, you don't want whispers to be inaudible and shouts to be
deafening, so the audio is often squeezed into an even narrower range.
Radio stations often compress their broadcasts "up" so that music can be
heard more clearly by listeners in cars or work environments.

(According to Ken Pohlmann's _Principles of Digital Audio_, 4th edition,
page 35, ideal 16-bit quantization of a sinusoidal waveform is 6.02n+1.76
decibels, or 98.08dB. Using "dithering" techniques, it's possible to
extend the effective resolution well beyond this, because of the way
the ear perceives sound. There is an *excellent* introductory article
at http://www.digido.com/ditheressay.html. Compression is more often
employed on pop music recordings, where louder is better, than something
like classical music, where accurate reproduction is desirable.)

To make a CD that sounds like it has equal volume across all tracks, you
need to have the average sound level uniform across all tracks and have the
peak volume be about the same on all tracks. One program that does
essentially this is Audiograbber v1.40 and later, available as shareware
from http://www.audiograbber.com-us.net/. (As of v1.41, you went into
"Normalize Settings" and hit the "Advanced" button.) The tool is a little
clumsy for serious audio mastering, but should do fine for preparing a
"mix" CD that you'll be listening to in your car.

Some programs approximate compression by letting you normalize against
average RMS power. In this case, you are using a value that more closely
matches the apparent loudness of the recording.

If you aren't dissuaded yet, http://www.digido.com/compression.html has
an excellent article on compression, intended primarily for the budding
recording artist but a good general reference nonetheless.

Subject: [3-42] How do I make a bit-for-bit copy of a disc?
(2005/07/23)

A commonly posed question from the newsgroups: "what software can do
bit-for-bit copies?" The expectation is software that can make an exact
copy of the original.

There isn't any. If this seems counter-intuitive, bear in mind that discs
hold digital data on an analog medium. While "bits" may be what you read
from the drive, at some point those bits have to be stored as marks or
indentations on a piece of polycarbonate.

The "low-level" modes, such as "raw DAO-96", are actually pretty high
level. By the time you've got 2352-byte sectors and 96-bits of subcode
channel data, the drive has converted optical reflections to an analog
signal, converted the analog signal to digital bits, combined individual
bits into 24-byte frames, applied error correction, and assembled the
frames into the data you see. When you're writing a sector, all that
stuff happens on the way out, too, and there's no way for CD recording
software to control it.

What's more, there are copy protection features, such as *physically* damaged
blocks, that a recorder isn't generally capable of writing. Other tricks,
such as out-of-specification track lengths, can't be duplicated by most
CD recorders because the firmware refuses to write them.

Making an exact copy of a disc would require reading and writing the
basic analog signal. In a sense, this is what CD pressing plants do when
they create CDs from a glass master. It's just not possible with the CD
recorders we have today.

Because of these limitations, you have to read a sector of data as a sector
of data, not as a collection of frames scattered over half the circumference
of the disc. The best you can do currently is "raw DAO-96" (section (3-51)),
which reads the subcode data along with the raw sector data.

Bear in mind that CD-ROM drives and CD recorders were designed for people
who want to read and write data, not decipher arcane standards documents
and perform their own error correction. Creating exact one-off copies was
not a major consideration of the original design.

In general, however, you don't *need* a "bit-perfect" duplicate of the
original. If what you're copying is a simple MODE-1 CD-ROM, you can make
an "identical" copy by reading the sectors off the original and writing
them to a duplicate. For most situations this is good enough: you have
copied the bits that matter.

Most copy-protected discs can be copied with more advanced software.
Because the copy protection has to use the same CD-ROM interface that
the copy software does, it's hard to create copy protection schemes
that can't at least be detected.

Subject: [3-43] How do I put punctuation or lower case in CD-ROM volume labels?
(1999/06/05)

The name of a CD-ROM is determined by the CD-ROM volume label. This
determines how the disc shows up on the Mac or Windows.

The ISO-9660 standard limits the characters in the volume name to the same
set of characters allowed in a filename, namely A-Z, 0-9, '.', and '_'.
Some programs enforce strict adherence to the standard, while others are
more relaxed.

For example, if you wanted to create a disc with Nero that had a hyphen in
the volume name, you would go into the "file options" and change the
Character Set to "ASCII". Nero will then allow a broader range of
characters. Other programs may or may not have similar features.

Remember that standards are guidelines, not laws enforced by threat of
punishment. You are welcome to create discs that deviate from the standard
in any way you choose. The only price you will pay is that, if you stray
too far from the standard, your disc may not be readable by everyone. For
the specific case of a volume label, deviations are pretty harmless.

Subject: [3-44] How do I extract audio tracks from an "enhanced" CD on the Mac?
(2004/08/31)

Apple's iTunes should do the trick. Free download from www.apple.com.

Subject: [3-45] How do I disable DirectCD for Windows?
(2001/01/06)

There are two basic approaches: (1) run the uninstall program, or (2) make
changes to several entries in the Windows registry.

You CANNOT disable it by killing a task.
You CANNOT disable it by un-checking it in msconfig.
You CANNOT disable it by removing it from the system StartUp list.

All these really do is stop the DirectCD control interface from running.
The icon is gone from the system tray, but DirectCD itself is still active,
which you can verify by inserting an unfinalized packet-written disc. If
DirectCD were actually disabled, the disc would be unreadable.

Writing data to such a disc without the user interface component active
can lead to data corruption, because some of the safeguards are no longer
in place. It's like you've taken the steering wheel off the car while
it's still rolling.

If you do choose to use one of the "easy" methods, you will probably be okay
so long as you don't try to write to a disc with packet writing.

DirectCD puts some drivers in C:\Windows\System\Iosubsys\. The set appears
to be CDUDFRW.VXD, CDUDF.VXD, CDRPWD.VXD, and CDR4VSD.VXD. If you are
having trouble un-installing DirectCD, check for the presence of these
files, and rename the extension to ".VX_" if found.

NOTE: the DirectCD icon in the system tray is different from and independent
of the "Create CD" icon that Easy CD Creator 4 adds to the system tray. You
can get rid of that by right-clicking on it and telling it not to load.

Subject: [3-46] How do I specify the order of files (e.g. sorting) on ISO-9660?
(2004/02/16)

Generally speaking, you don't. The ISO-9660 specification requires that the
files appear in sorted order. Modern operating systems will sort the files
for you anyway, so changing the file order won't usually do much for you.
Packet-written (UDF) discs behave differently.

One situation where sorting does matter is when creating an "MP3 CD", i.e.
a CD-ROM filled with MP3 files that will be played by a CD or DVD player.
Getting the songs in the order you want is usually accomplished by
prepending digits to the front of the name, e.g. "001" for the first song,
"002" for the next, and so on.

It is possible, if you don't mind creating discs that violate the standard,
to specify a sorting order without modifying the file name. MP3BR Imager,
from http://www.mp3br.com/, can do this for you. Just make sure you test the
discs for compatibility with your equipment before you get too carried away.

Subject: [3-47] How do I put a password on a CD-ROM?
(2000/03/14)

Subject: [3-48] Can I record an audio CD a few tracks at a time?
(2000/04/11)

That depends on what you're trying to accomplish. There are two issues
that complicate matters:

Most audio CD players only play tracks from the first session on
the disc. (Most CD-ROM drives will play all sessions.)

Most audio CD players only play tracks from a closed session.
(In general, only a CD recorder can play from an open session.)

Suppose you record three tracks onto an audio CD, using track-at-once
recording. If you don't close the session, you can add more tracks, but
you can't play the disc. If you close the session, you can play the disc,
but you can't add more tracks.

Some people have CD players that will play songs from every session. If
you do, and compatibility with other players isn't important, you can
write each group of tracks into its own session. The down side of this
approach is that there is an appreciable amount of overhead when opening
a new session (23MB for the first and 14MB for each additional one).

If your hard drive has enough space, you can just keep the WAV files on
the drive, and burn the disc all at once. If it doesn't, you can write the
tracks to a CD-R or CD-RW disc as WAV files on CD-ROM, and record from there.
Write a new CD-R or CD-RW every time you get more tracks. (The advantage
to using CD-ROM is that additional error correction is used.)

Subject: [3-49] How do I copy DVDs onto CD-R?
(2002/11/15)

It isn't possible to take the contents of a DVD-Video or DVD-ROM and
record the whole thing onto a CD-R, unless the DVD is nearly empty.
The capacity of DVD discs is considerably greater. Generally speaking,
you can't play DVD content from a CD-R disc anyway, because the DVD drive
needs to read encryption keys from outside the filesystem area.

You could, of course, extract the video from a DVD-Video disc with a
DVD-ROM drive, re-encode it with MPEG-1, and write that as a VideoCD.
The quality would be VHS-grade though.

You may have heard of DivX (sometimes "DivX ;-)"). Originally the name
for a limited-playback DVD system, it now usually refers to MPEG-4 encoding
of DVD video. See http://www.divx-digest.com/help.html for more details.

If you're only interested in the audio portion of a DVD-Video, you can
extract the AC3 audio directly from the .VOB file, using some freely
available utilities (notably "ac3dec" and the elusive "DeCSS"). You will
need to convert the audio from 48KHz to 44.1KHz. You can also capture
it under Windows with Total Recorder (6-2-19).

The story is the same with DVD-ROM: you can probably copy it to a CD-R if
it will fit. If the contents only took up about 650MB, though, it probably
wouldn't have been shipped on a DVD-ROM.

Subject: [3-49-1] I heard about software that copies DVDs with a CD recorder!
(2006/07/08)

I'm guessing you've also heard of ways to get rich by sending money
to other people, legal ways to get your bad credit history erased, and
drug-free side-effect-free low-cost super cures made from all natural
ingredients on distant tropical islands.

They're all nonsense. I can't help you if you believe in the above, but
I can speak to copying DVDs with a CD recorder. Here's a piece from a
message that was spammed at me in late 2002 (spelling and grammar errors
left uncorrected):

Learn How To Burn DVD's onto Regular CD-R Discs and watch your new
movies on Any DVD Player, not just the computer DVD.
[...]
No DVD Drive Required!!!

Another, possibly unrelated, site says:

With detailed, easy to follow, step-by-step instructions, you can
BURN your own DVD Video using nothing more than our software and
your CD-R.
[...]
o No DVD Burner Required
o Superior Reproduction Quality

It has a link for their "frequently asked questions" document, but you have
to give them your e-mail address to get it. Any company that refuses to
give you information until you submit to their spam list is best avoided.

Let's start with the facts:

You can't read a DVD in a CD-ROM drive. DVD requires a laser at
a different wavelength; the disc has a different physical format;
the disc has a different logical format. A firmware update is
not going to make this work, so don't expect that installing new
software is going to help.

You can't put a full DVD on a CD-R disc. DVD movies are typically
around 8GB, which is roughly 11x as much as you can put on a CD-R.

Many DVD players can't read CD-R discs. This is because of the
different laser wavelength. DVD player manufacturers have found
several ways around this, but many players just can't handle CD-R.

You can't easily duplicate the blocks with the security keys. They
live outside the filesystem area. The only way to get the MPEG
video off in a playable format is to create a copy with the CSS
encryption removed. This requires either stripping the encryption
with software (DeCSS) or hacking the device driver to get the
video after the hardware has decrypted it. Both methods are illegal
in the USA because of the DMCA law. Other countries may have similar
legislation.

Products like "DVD Wizard" and "DVD-Copy 2.1" cannot possibly do all
that they claim. The best they can do is transcode the video into a
lesser format. This requires ripping the MPEG-2 video off the DVD using a
DVD-ROM drive, stripping the encryption, re-encoding the video in MPEG-1,
and writing it to CD-R as a VideoCD. You will be going from 720x480
video recorded at up to 10.08Mbits/sec down to 352x200 video recorded at
1.5Mbits/sec. Instead of Dolby 5.1 you will have low-bit-rate stereo.
On an 80 minute disc, you can store about 80 minutes of MPEG-1 video,
so nearly all movies will require two or more discs.

This software will let you create a movie that could be played back in
computers or *some* DVD players -- not all DVD players support CD-R media,
and not all will play VideoCD -- but at roughly VHS quality, and without
any of the features that make DVDs special. Most notably, you will lose
all of the menus, audio options, and special features. You will not be
burning "DVD Video", and in some parts of the world (most notably the USA)
you will be breaking the law even if the copy is for personal use.

Software that does this sort of thing can be found, for free, on various
sites on the Internet. A good one to start with is DVD Shrink, available
from various download sites; visit http://www.dvdshrink.org/ as a starting
point.

Subject: [3-50] How do I copy Mac, UNIX, or "hybrid" CD-ROMs from Windows?
(2001/03/03)

A program that copies the entire disc as an image should work. Don't
try to copy it as a collection of files.

You can create a hybrid HFS (Mac), Rock Ridge (UNIX), and Joliet (Windows)
CD-ROM with "mkhybrid" in section (6-1-32). The output of the program is
a simple ISO-9660 image file. It stands to reason that you should be
able to copy such discs as easily as you can create them.

The same applies to copying arbitrary discs from the Mac, or any other
platform -- just copy it as a disc, and you should be fine.

Subject: [3-51] How do I copy something in "RAW" mode? What's DAO-96?
(2002/12/09)

A sector on an audio CD holds 2352 bytes, enough for 1/75 of a second
of stereo sound. A sector on a MODE-1 CD-ROM holds 2048 bytes of data.
The 304 "lost" bytes are used for sector addressing, synchronization,
and error correction.

If you read a MODE-1 CD-ROM sector in "cooked" mode, you get 2048 bytes
of data. When you write that to a CD-R or CD-RW, the error correction
bytes are reconstructed. If you read that sector in "raw" mode, you get all
2352 bytes of data. If you simply wrote those bytes to a CD-R, any errors
that slipped past the CIRC encoding while reading would be propagated,
and could result in generation loss (see sections (2-17) and (3-18)).

There are times when you don't *want* to have the error correction
reconstructed. For example, some games deliberately distort the error
correction bytes as a form of copy protection. See section (2-4).

The recording software has the option of error-correcting the 2048 bytes
of CD-ROM data and even regenerating the ECC data. Doing either reduces
the risk of generation loss; doing both eliminates the risk by effectively
doing a "cooked" read and write. (Apparently some drives will error-correct
CD-ROM data for you even in "raw" mode.)

To copy a disc in "raw" mode, you need the right reader, the right writer,
and the right software. Programs like CloneCD specialize in "raw" copies,
but require that the CD-ROM drive used to read discs and the recorder used
to write them support "raw" reads and writes. The web page for CloneCD
(6-1-49) is a good place to look for a list of capable hardware.

"RAW DAO-96" refers to a method for writing "raw" 2352 byte sectors with 96
bytes of associated P-W subcode channel data (section (2-6)). This is useful
for copying discs with CD+G, CD-Text, and certain forms of copy protection.
"DAO" refers to its use in combination with disc-at-once recording.

There's also "RAW DAO-94", which is the same as DAO-96 except that the
two bytes of Q channel CRC data are always generated by the recorder, and
"RAW DAO-16", which includes only the P-Q subcode channels.

Subject: [3-52] How do I do cross-fades between audio tracks?
(2000/12/02)

A "cross-fade" is a smooth transition from one track into another. If done
properly, with compatible music, the tracks appear to blend into one another.

Some of the fancier recording applications, such as Sound Forge
(http://www.sonicfoundry.com/) and Waveburner (6-1-55), will do cross-fades.
An "Advanced CrossFading" plug-in for Winamp can do them; set the output
device to a file on disc (with a "disk writer plug-in"?), and play the
music you want to record.

It's important to use disc-at-once recording when writing the tracks to
avoid having two-second gaps inserted. See section (3-26).

Subject: [3-53] How do I create a CD with my favorite songs on it?
(2000/12/02)

If you want to create a CD that includes songs from several other CDs,
there are two basic approaches:

Use a program, like Easy CD Creator Deluxe (6-1-26), that allows you
to select tracks from multiple CDs on the layout screen. The "wizard"
can walk you through the process.

Extract the tracks you want to your hard drive, perhaps with a
program like Exact Audio Copy (6-2-12), and then write them all at once.

The former is a little easier, and requires less disk space. The latter
allows you to use disc-at-once recording, which prevents the recorder from
inserting a two-second gap between each track.

Subject: [3-54] How do I record directly onto CD from a microphone?
(2001/03/02)

If you have a stand-alone audio CD recorder, this should be straightforward.
Either you have a microphone input or you don't.

On a computer, you probably don't want to do this. The greatest advantage
of using a computer-attached recorder is that you can edit the result
before recording it. CD-R is write-once media, so if you make a mistake,
you can't fix it later.

If you're determined to do this, Roxio's Spin Doctor (part of Easy CD
Creator) can do what you want. Connect the microphone to the input on
the PC sound card, start up the software, and record when ready.

The situation on non-PC platforms is similar: you can do it if your
software supports it.

Subject: [3-55] Is it okay to record a CD from MP3?
(2001/04/19)

Yes, though the quality won't be as good as if you had recorded directly
from the original CD.

MP3 is a "lossy" compression format, meaning that it gets its exceptional
compression ratios by throwing some of the data away. (MP3 can get a
10:1 reduction with hardly any degradation in audible quality; "lossless"
compression is hard-pressed to do better than 2:1 on 16-bit samples.)
The clever part about MP3 is the way it figures out what parts of the
audio to throw away and what to keep, based on a model of human hearing.

Because it's a lossy format, every time you compress something you lose some
of the quality forever. The smaller you compress it, the more you lose.
The loss is more easily audible on some music than others, and if your
equipment (or your ears) aren't very good you may not notice it at all.

If you like to copy CDs by ripping them into MP3 format and then recording
them to MP3, be aware that your copies aren't quite as good as your
originals. At 160Kbps it's going to be hard to notice, but at 64Kbps it
should be easy to tell the difference between the original and the copy.

(Side note: if you want to do a double-blind test, play the original and
the duplicate in random order for somebody else, and ask them if they can
identify the original music. The test isn't to tell that the discs sound
*different*, but rather to figure out which disc sounds *better*.)

Under DOS/Windows, you can "SUBST" a directory to make it look like a
drive, e.g. "SUBST J: \goodies\NewCD" will make the contents of
"\goodies\NewCD" appear to be mounted on the J: drive. This is a useful
way to test autorun.inf files.

Subject: [3-57] How do I clear the "read-only" flag under Windows?
(2003/03/25)

If you write files to a CD-R with conventional recording and then try
to copy them back, under Windows the files will all have their "read
only" flags set. This can be annoying for documents you want to update.

The files aren't written to the disc as "read only". There isn't any such
permission flag in the filesystem. They're simply presented that way
by Microsoft operating systems. Mac OS deals with this in a nicer way,
showing unlocked files on write-protected media, rather than the dopey
Microsoft approach of showing write-protected files on unlocked media.

You can avoid this situation entirely by using packet writing (where
you just copy files to the disc like a big floppy, e.g. with DirectCD),
which preserves the file attributes, or by using backup software, which
will restore the files to their original state. Stuffing the files into
a ZIP archive works too, but may be less convenient than other approaches.

If you've already got the read-only files, changing them back to read-write
isn't too hard. Some approaches:

If you're using Win2K or WinXP, right-click on the top-most folder(s),
and un-check the read-only box. You will be asked if you want to apply
the change to all files and folders in the folder. Say "yes".

For DOS or older versions of Windows, from a DOS prompt run "ATTRIB -R *.*
/S" on every subdirectory with read-only files in it.

If you can boot into Linux, you can fix non-NTFS partitions easily. Use su
to become root, mount the volume as vfat, cd to the directory in question,
and do "find . -print0 | xargs -0 chmod +w" to enable write permission for
all files in the current directory and in all subdirectories. If you've
got an older version of the file utilities that don't support "-0", you
can use "find . -print | xargs chmod +w" instead, but that isn't as good
because it doesn't correctly handle spaces in filenames. (Of course,
if you're a Linux user, you could just use mkisofs with the appropriate
options and have Rock Ridge file permissions that match the originals,
but this is a Windows question.)

Subject: [3-58] How do I share a CD recorder across a network?
(2002/12/02)

There is no general way to access a CD recorder on a remote machine.
You need to have software running on the machine with the recorder.
This might be something as simple as DirectCD, to provide a filesystem
that Windows can write files directly to, or something fancy that accepts
disc images and queues them for recording.

Subject: [3-59] How do I write a large file across multiple discs?
(2006/05/30)

This is usually referred to as "spanning", and is a standard feature of
most backup software (see section (6-7)). With a little extra effort,
you can accomplish the same thing with standard software.

One approach under Windows is to create a ZIP archive with WinZip
(http://www.winzip.com/) or PicoZip (http://www.picozip.com/), and then
use the "Split" item on the Actions menu to break the archive into pieces
small enough to fit onto CD-Rs. The feature was originally created to
split archives across multiple floppy discs, but it works just as well
with 650MB pieces.

On a UNIX system, use the "split" command, e.g. "split -b 650m myfile".
Write each file to a separate disc, and combine them later with "cat".
These commands have been a standard part of UNIX for just about forever,
so you should have no trouble finding them.

Subject: [3-60] What's the safest, most reliable way to write data to CD-R?
(2004/04/15)

The best approach is the one that leaves you with a 100% readable disc
today and a few years down the road. The key ingredients are:

Use quality media

Saving a few pennies today could result in big headaches later on.
Some of the cheap bulk brands are good-quality "unbranded" media
from reliable manufacturers, but many have poor construction and
will not last. Section (7-4-1) has some thoughts on which are good
and which aren't. Stick to 74-minute or 80-minute discs. 90- and
99-minute discs are not as reliable.

Use conventional pre-mastering, not packet writing

Packet writing ("drive letter access") is easy to use but files can
be "deleted" even on CD-R media, making them difficult to recover.
Sometimes open discs will Go Funny and becomes unreadable. (See
section (6-3-2) for a "reality check".) You want to gather the files and
record them all at once, not drag-and-drop them onto the disc as if
it were a floppy.

Use CD-R, not CD-RW

If you don't want your data to be erased, don't put it on erasable
media. If you must use packet writing, you are less likely to have
data loss with CD-R, because nothing is ever really deleted or
overwritten. Also, some concerns have been raised about CD-RW media
longevity.

Use disc-at-once recording

Leaving a session or disc open creates the possibility of some other
device or program screwing up the TOC and making the disc unreadable.
Multi-session discs create opportunities for confusion.

Test

Software like Ahead's Nero (6-1-28) can automatically verify the data
after recording completes. Other suggestions are in section (3-22).

These rules also result in discs with the broadest possible compatibility, so
you should also follow them if you're planning to distribute files on CD-R.

If you're planning to store the data for an extended period, such as for
an archival backup, you should write the same data to two different kinds
of media and store the discs separately.