History, Legacy & Showmanship

“With his wealth of dramatic stage experience, Timothy Dalton seemed ideally suited to this harsher take on Bond, bringing both depth and sensitivity to the character while creditably articulating his quiet rage and single-mindedness. This was Bond, but not as we knew him — now much closer to the tone, if not the setting, of the original Fleming texts.” — Thomas A. Christie, author of The James Bond Movies of the 1980s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of Licence to Kill, the 16th (official) cinematic James Bond adventure and second (and final) entry to feature Timothy Dalton as Agent 007.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1989’s Licence to Kill. [Read on here...]

“I remember thinking as Bond tumbled out of the airplane that this was going to be the greatest film ever. And then, moments later, Jaws flapped his arms falling toward a circus tent. I felt my own internal seismograph plummet. I was for the first time in my life, embarrassed for the filmmakers of a James Bond film.” — John Cork, co-author of James Bond Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Moonraker, the 11th (official) cinematic James Bond adventure and the fourth of seven to feature Roger Moore as cinema’s most popular secret agent.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1979’s Moonraker. [Read on here...]

“Alien (like other 1970s films such as Jaws, Superman, Close Encounters of the Third Kind, The Godfather, and Star Wars) was a seminal landmark in the upgrade of shopworn B-movie clichés — monsters, comic book characters, flying saucers, gangsters, Saturday afternoon serials — into major A-movie assets.” — Paul M. Sammon, author of Ridley Scott: The Making of His Movies

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Alien, the sci-fi/horror classic about the five-man, two-woman (and one cat) crew of the Nostromo, who got more than they bargained for after investigating a distress signal from a mysterious planet.

“The Phantom Menace is the film that caused a generation gap in Star Wars fandom.” — W.R. Miller, author of The Star Wars Historical Sourcebook: Volume One 1971 to 1976

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of Star Wars: Episode I—The Phantom Menace, the first entry in the long-awaited prequel trilogy to the original 1977-83 Star Wars trilogy.

Marking series creator George Lucas’s return to directing, The Phantom Menace opened twenty years ago this month, with some fans camping out for days (plural!) to experience a screening on opening day. And while the movie was an undeniable box-office smash, breaking numerous earnings and attendance records, there was a great disturbance in the Force as the film left a lot of moviegoers and critics underwhelmed and disappointed. [Read on here...]

“The Matrix managed to outdo Star Wars in terms of truly reshaping the zeitgeist mere months before George Lucas’ first prequel was supposed to roar into theaters and show everyone how big budget sci-fi is supposed to work.” — Zaki Hasan, co-author of Geek Wisdom: The Sacred Teachings of Nerd Culture

Directed by The Wachowskis (Bound, Speed Racer), produced by Joel Silver (Die Hard, Lethal Weapon) and co-starring Laurence Fishburne (Boyz n the Hood, What’s Love Got to Do with It), Carrie-Anne Moss (Memento, Disturbia), Hugo Weaving (V for Vendetta, The Lord of the Rings), and Joe Pantoliano (Midnight Run, The Fugitive), The Matrix introduced moviegoers to Bullet Time and featured the music of Deftones, Marilyn Manson, Prodigy, Rage Against the Machine, Rammstein, and Rob Zombie. [Read on here...]

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About Michael Coate

Michael Coate is a journalist and film historian who joined The Digital Bits as a Contributing Editor in 2013. His column for The Bits is History, Legacy & Showmanship, which focuses on retrospectives and tributes to popular and historically significant films. From…

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