de Clercq, Trevor. (2018). “Do Chords Last Longer as Songs Get Slower?: Tempo Versus Harmonic Rhythm in Four Corpora of Popular Music.” Music Informatics Interest Group Meeting. Society for Music Theory Conference. San Antonio, TX (November 3). [Slides]

de Clercq, Trevor. (2018). “‘Three Chords and the Truth’?: A Corpus Analysis of Harmony in Country Music.” International Country Music Conference. Belmont University: Nashville, TN (May 31). [Text][Slides]

de Clercq, Trevor. (2018). “A Corpus Analysis of Harmony in Country Music.” South Central Society for Music Theory. University of Southern Mississippi: Hattiesburg, MS (March 23). [Text][Slides]

de Clercq, Trevor. (2018). “‘Three Chords and the Truth’?: A Corpus Analysis of Harmony in Country Music.” International Association for the Study of Popular Music (US) Conference. Vanderbilt University: Nashville, TN (March 9). [Text][Slides]

de Clercq, Trevor. (2017). “‘Is She Weird’: Subverting Cultural and (Hyper)Metric Norms in the Music of the Pixies.” International Association for the Study of Popular Music (US) Conference. Case Western Reserve University: Cleveland, OH (February 24). [Text][Slides]

de Clercq, Trevor. (2016). “Tempo Versus Harmonic and Melodic Pacing in a Corpus of Rock Music.” Cognitively Based Music Informatics Research (CogMIR) Seminar, International Society for Music Informatics Research (ISMIR) Conference. Columbia University: New York, NY (August 12). [Poster][Slides]

de Clercq, Trevor. (2016). “The Harmonic-Bass Divorce in Rock: A Method for Conceptualizing the Organization of Chord Extensions.” Music Theory Midwest Conference. University of Arkansas: Fayetteville, AK (May 6). [Slides][Text]

de Clercq, Trevor. (2016). “Measuring a Measure: Absolute Time as a Factor in Meter Classification for Pop/Rock Music.” Joint Conference of Music Theory Southeast and the South Central Society for Music Theory. Kennesaw State University: Kennesaw, GA (April 2). [Slides][Text]

de Clercq, Trevor. (2015). “Measuring a Measure: Absolute Time as a Factor in Meter Classification for Pop/Rock Music.” Ann Arbor Symposium IV: Teaching and Learning Popular Music. University of Michigan: Ann Arbor, MI (November 20). [Slides][Text]

de Clercq, Trevor. (2015). “The Nashville Number System: A Method for Notating Harmony and Form.” Popular Music Interest Group Meeting. Society for Music Theory Conference. St. Louis, MO (November 1). [Handout]

de Clercq, Trevor. (2014). “Typical Chords in Typical Song Sections: How Harmony and Form Interact in a Corpus of Rock Music.” The Eighth European Music Analysis Conference (EuroMAC 8). Katholieke Universiteit Leuven: Leuven, Belgium (September 19). [Slides][Text]

* de Clercq, Trevor. (2013). “The RS 200 Corpus of Rock Songs and its Potential for Music Information Retrieval Projects.” Music and Audio Research Lab graduate colloquium series. New York University: New York, NY (May 10). [Slides]

de Clercq, Trevor. (2013). “How Melody Engenders Cadence in the Chorales of J. S. Bach: A Corpus Study.” Northeastern Music Cognition Group Meeting. New York University: New York, NY (April 27). [Slides][Text]

de Clercq, Trevor. (2012). “A Taxing of the Taxonomy in the Beatles’ ‘Taxman’: Beyond the AAB Phrase Model of the 12-bar Blues.” Music Theory Society of the Mid-Atlantic Annual Conference. University of Delaware: Newark, DE (March 31). [Slides] [Text]

Temperley, David & Trevor de Clercq. (2011). “Key-finding Algorithms for Popular Music.” Society for Music Perception and Cognition Annual Conference. Eastman School of Music: Rochester, NY (August 13).