“KILLER” POLICE “MANHOOD” (10)

Human Nature is the same all over the world but its appearances and ways of expression are so variously influenced by socialization, education, beliefs, mental “Raw Nerves,” and habits that one could never see all of its dresses. In using the Thinker’s Scale (a positive and negative ruler separated by a zero) to categorize lifestyles, some people chose the positive Scale; some the Zero (e.g. drifting through life, simply living from day to day); some on the Negative Scale; and some in Combinations of the other three. Generic aspects of the Negative Scale are people’s bad actions–like having mental “Shades” which separate any given group of minds from other groups of minds–a separation more frequently applied to out-groups than within ones in-group. At the bottom of the Humanity Ladder are “Savages” (C17, ‘controlled by imaginary spirits of the air’) who are crude, unusually dumb, and cruel. They boast/brag, clamor to be the center of attention, put others down, say they know what is best for everybody (even of what they know nothing about), have an insatiable need to be right, to be acknowledged far past the compliment stage, and to always come out on top. As part of being ‘legends in their own mind” and despite their macho and swagger appearance, they require being constantly reassured of this by any one they can influence because of their tremendous Private Selfhood weakness. By operating out of their Brute Brains, with or without partnership with their Left Brains, they have obsessive-compulsive disregard for others rights, equity, and hallowed customs. They would rather die than share power among all—a reason the only true Democracy of Humankind was in Ancient Africa. Off-springs of the “Savage” mind are emotionally based overwhelming desires to be ‘superior’—to have the most, the biggest, the fastest, the latest, the best—for “Excitement” with Trinkets and Trivia which make for Superficial Thinking.

As the most formidable of all beasts, human “Savages” are the only ones that systematically prey on and devour their own species—leaving a legacy trail of inflicting on others such things as pain, suffering, disability, and death. Yet, for those who are not part of their cult, Savages call them “savages” and ‘subhuman’—and that is a diagnostic clue to indicate true “Savages” since that Projection gives voice to what they are trying to hide about themselves. To claim one is ‘superior’—humans most ridiculous concept–requires having to demean the competition or the feigned enemy—and that is at the ‘root’ of lacking compassion for their prey, for dishonorableness, amorality, hypocrisy, for wars, and violence. Out of this mindset comes the Negative Scale “Manhood” of “Killer” police. It is characterized by much Drama (C16, Play, action) where there is social tension, confrontation, great losses, and “sick” pleasures. The Drama’s Theme (or Thought component) refers to its meaning. The Plot (C17, the narrative element), refers to events (happenings) made up of characters involved in conflict. Protagonist(s) (C17, major character, first combatant) has the greatest variety of dialogue and action as the ‘hero’ of ones cult. Antagonist (C16, struggle against—the origin of Antagonize) are the ones who the ‘hero’s’ cult says brings the struggle.

European society everywhere is in a conspiracy against the ingredients of Real Self Manhood present everywhere in the newborn of budding, flowering, and fruiting in keeping with that newborn’s Mission. Instead, its efforts are directed to converting newborns’ Manhood ingredients into “too much” of what it is not (as by lack of control) so as to mold them into ‘little gods’ or into “too little” (by means of chains) and preferably into none at all–i.e. kill those outside its cult. All are treated as if they are children who know nothing and can learn nothing without being taught the European cult way. Their “Manhood” theme is Indifference/Hate/Evil/Sadism—and this IHES complex is fashioned into ways that “never Fail” (because they are guaranteed by the GUN) and to never admit failing. Such is the context in which all cult members’ “Manhood,” including “Killer” police, is made. They are never so truly themselves as when acting a part of their False Selves which imitates this Negative Scale of “Manhood” in the way their cult leaders do. This cult honors its destroyers and persecutes its benefactors—both getting public support because “Killer” police are efficiently and effectively advertised as the Protagonists in this Drama. jabaileymd.com