Jonathan Coe’s strengths as a writer – his humour, his clarity, and particularly the deft way he can sketch in the political background – make him well-equipped to sustain a state-of-the-nation novel that is credible and wide-ranging yet avoids being dragged down by the weightiness of its theme.

The plain-speaking, undeceived tone of Julian Barnes’s narrators, together with his suburban settings, can make him seem a quintessentially English writer. Normally, however, the gradually revealed unreliability of these narrators serves to subvert the assumptions of the middle class world.

Salman Rushdie’s new novel is set in an America switching from Obama to Trump. While it may not be entirely clear what he is telling us about the ‘post-truth’ world, Rushdie’s primary gift as a storyteller seems to have survived in a story full of verve and invention.

Short but packed with ideas, Mohsin Hamid’s fourth novel shares with his previous work a compelling engagement with the present political moment. In its unambiguous faith in pluralism and tolerance, it is also a surprisingly optimistic message from a possible future.