FILTER Magazine #56

By Jeffrey Brown on May 20, 2011

On its previous two albums for Sub Pop, Low experimented with new directions—the sound had already expanded, but began adding more rock and pop. C’mon isn’t exactly a return to the old Low, but rather wraps together everything the band has been doing lately with everything it has become known for. The band is best when playing to a slow build and climax, which C’mon does beautifully, both as a whole and on individual songs (“Nothing But Heart”).