Making it Online By Ben Valentine This column has been pulled from SFAQ print issue 17. Many hoped that the new connectivity the web offered might radically change the world by elevating everyone’s voice, …

Artists of all nationalities, all creeds, and all backgrounds have discussed the continual movements and redevelopments of diasporas in an aesthetic context. Of these practitioners, one who has emerged as a definitive, contemporary voice of …

Who’s Afraid of the New Abstraction? Alex Bacon in conversation with Jarrett Earnest *Note: This exchange was printed as a pullout insert in the most recent print edition of SFAQ, issue 17. See below …

Judy Chicago By Shana Beth Mason Judy Chicago has never been one for subtlety. Her straightforward challenges to patriarchal aesthetics and critical structures in and since the late 1960s have been realized …

“A Journey to Alfredo Barsuglia’s ‘Social Pool’” By Chris Rusak In the middle of what many might call a barren wasteland, an outwardly nondescript open range of southeastern California desert, nevertheless home …

Takeshi Murata Interviewed by Peter Cochrane This interview has been pulled from SFAQ Print Issue 16. There is a language created by Takeshi Murata that surfaces in the breakdown between analog and digital …

The Sea Becomes a Stage: The Whitstable Biennale; a Festival of New Visual Art, Film, and Performance By Lily Magenis In its seventh edition, the Whitstable Biennale presented 45 artists over three consecutive …

Daniel Turner Interviewed by Courtney Malick Daniel Turner is a conceptual and installation-inclined artist, originally from Virginia, who has been living and working in New York since 2009. Since then he has embarked on …