Savannah Morning News | Dohttp://savannahnow.com/sms/taxonomy/term/11137/
enFilm Scene: Fundraisers feature 'Priscilla,' grindhouse triple-featurehttp://savannahnow.com/do/2015-07-30/film-scene-fundraisers-feature-priscilla-grindhouse-triple-feature
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14597182.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="218" /></div><p>Greetings again, adventurous movie lovers. In addition to Film Scene’s usual preview of notable alternative cinema screenings taking place over the next seven days, I’m thrilled to announce a very special fundraising event scheduled a few weeks from now, on Aug. 15 at downtown’s nonprofit performance space, Muse Arts Warehouse.</p>
<p>“Sleaze-O-Rama: An Old-School Grindhouse Triple-Feature” will see Muse transformed into the spitting image of a dank, filthy, inner-city “grindhouse” cinema from the early 1980s (minus the dankness and actual filth, of course). Fabled for shamelessly programming all manner of low-rent, violent, subversive and/or sexually graphic exploitation flicks round-the-clock, from the ’60s through the early ’80s (in other words, the pre-VCR era), these so-called “grindhouses” were often the only place one could see extreme slasher films, bawdy sex comedies, martial arts showcases and politically incorrect action flicks of all stripes.</p>
<p>This one-day-only showcase finds the Psychotronic Film Society and Muse joining forces to support local musician, artist and father Keith Kozel, who’s in dire need of a life-saving kidney transplant, and currently on the waiting list for just such an operation. One-hundred percent of all proceeds from “Sleaze-O-Rama” (including ticket sales, concessions and raffles) will go directly to offset Kozel’s astronomical medical costs.</p>
<p>A trio of cult classic exploitation films will be screened starting at 3 p.m. that day: the 1969 biker flick “Satan’s Sadists,” the futuristic 1982 Australian women-in-prison actioner “Turkey Shoot” and the absurd 1977 blaxploitation gem “The Guy from Harlem.” Admission will be a $10 donation per film, or $20 for an all-day pass, which includes popcorn. Look for full details in a future installment of Film Scene, but if gritty, grimy drive-in cinema is your bag, mark your calendar now and don’t miss your chance to see these rarities on the big screen — for a great cause. For more information on Keith’s plight, check out www.KeithNeedsAKidney.com.</p>
<p>Long before all that craziness takes place, the Lucas Theatre hosts a film-based fundraiser of its own, in conjunction with the local LGBT-oriented nonprofit organization First City Network, which has recently announced its intent to establish an LGBT Community Center. On July 31, FCN and the Lucas jointly present the beloved 1994 dramedy “Priscilla, Queen of the Desert,” starring Guy Pearce (“Memento”), Hugo Weaving (“Lord of The Rings”) and Terence Stamp (“The Limey”).</p>
<p>This Oscar winner (for Best Costume Design) tells the tale of two drag queens and a transsexual woman who travel by tour bus across the Australian Outback, and is generally credited with not only reinvigorating the Australian film industry, but also helping to mainstream a number of LGBT-related themes (particularly in regards to the trans community). The late film critic Roger Ebert said of “Priscilla”: “The real subject of the movie is not homosexuality, not drag queens, not showbiz, but simply the life of a middle-aged person trapped in a job that has become tiresome.”</p>
<p>Stamp (who played that “middle-aged person”) won Best Actor at the Seattle International Film Festival Award for his portrayal, and was nominated for Best Actor at the 1994 Golden Globes. The film quickly became a worldwide cult favorite and spawned an Australian stage musical that earned raves and eventually made it all the way to Broadway.</p>
<p>A small drag show led by Tricksie Turner kicks off this evening at 7:30 p.m., followed by the film at 8 p.m.. The night will close with a special presentation by female impersonator Blair Williams, recently crowned 2015’s Miss Gay America. Admission is $15 (plus a $1 Historic Restoration Fee which goes to the Lucas), and proceeds from this event will be earmarked specifically for the proposed LGBT Community Center. Represent!</p>
<p>Moving on to Aug. 2, Sulfur Studios — a newly opened facility in the Starland District that incorporates several small artist-run studios along with multi-purpose performance and gallery space — hosts an intimate screening of Russian director Andrei Tarkovsky’s thought-provoking 1972 sci-fi feature “Solaris.” </p>
<p>Based on the pioneering 1961 novel of the same name by visionary Polish author Stanisław Lem, this lengthy motion picture (it clocks in at close to three hours) won the Grand Prix Spécial du Jury at the Cannes Film Fest and was also nominated for the coveted Palme d’Or. It’s commonly regarded as one of the finest (and most beautifully shot) “serious” science fiction films ever made — although its intentionally slow and deliberate pace casts it squarely as an arthouse release that’s simply not for everyone. </p>
<p>Most of the movie’s “action” takes place onboard a space station that is orbiting the (fictional) planet of Solaris. However, despite that setting, if you’re looking for explosive space battles, this is not the film for you. This is a film about the unique and separate emotional breakdowns which befall the scientist cosmonauts as they study the mesmerizing surface of the planet’s ocean. While it was originally only released in five cinemas in Russia, it played constantly for 15 years, and eventually sold almost 11 million tickets. When the film finally arrived in the U.S. almost five years after its premiere, it had been shorn by a half-hour. Yet many stateside viewers more accustomed to quicker-paced domestic sci-fi movies still found it a hard (if ultimately impressive and worthwhile) slog.</p>
<p>Sulfur Studios is at 2301 Bull St. Showtime for “Solaris” (presumably shown in spoken Russian with English subtitles) is 7 p.m., with a suggested donation of $5 for admission.</p>
<p>And finally, Aug. 5 at The Sentient Bean, the Psychotronic Film Society pays tribute to one of old Hollywood’s most unusual and rather overlooked leading ladies of the 1940s and 1950s, Ella Raines, with a tribute just one day shy of the 95th anniversary of her birth. They’ll screen the classic slice of B&amp;W film noir “Phantom Lady,” which stars Raines as a lovestruck secretary who’s intent on proving the innocence of her boss (the object of her affections) after he’s been wrongly accused of murdering his wife, and on tracking down the shadowy murderer herself through the seedy jazz nightlife of Southern California.</p>
<p>When “Phantom Lady” debuted in 1944, it marked only the third time Raines had been on screen, and yet the movie was so well received that she landed on the cover of no less than LIFE Magazine as a result. The film itself is a true marvel of moody intrigue and suspense. It was produced by Joan Harrison, who’d made a name for herself as the screenwriter of many of Alfred Hitchcock’s best features, including “Rebecca” and “Suspicion.” “Phantom Lady” also marks the first noir directed by the masterful German filmmaker Robert Siodmak (“The Killers”).</p>
<p>This somewhat forgotten film mixes elements of terror with the kind of lighthearted romantic banter more common in screwball comedies, and winds up an extremely enjoyable blend of the two. Showtime is 8 p.m. with $7 admission.</p>
<p>Until the next issue, see you at the movies, and don’t forget to turn off that cell phone. </p>
</p>
<p>Jim Reed directs Psychotronic Film Society of Savannah. Contact him at psychotronicfilms@hotmail.com.</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: “Priscilla, Queen of the Desert” and drag show</p>
<p>When: 7:30 p.m. July 31</p>
<p>Where: Lucas Theatre, 32 Abercorn St.</p>
<p>Cost: $16</p>
<p>Info: www.lucastheatre.com</p>
</p>
<p>What: “Solaris”</p>
<p>When: 7 p.m. Aug. 2</p>
<p>Where: Sulfur Studios, 2301 Bull St.</p>
<p>Cost: $5</p>
<p>Info: www.sulfurstudios.org</p>
</p>
<p>What: “Phantom Lady”</p>
<p>When: 8 p.m. Aug. 5</p>
<p>Where: The Sentient Bean, 13 E. Park Ave. </p>
<p>Cost: $7</p>
<p>Info: www.sentientbean.com</p>
</p>
<p>What: “Sleaze-O-Rama: An Old-School Grindhouse Triple-Feature”</p>
<p>When: 3 p.m. Aug. 15</p>
<p>Where: Muse Arts Warehouse, 703 Louisville Road </p>
<p>Cost: $10 per film or $20 for all-day pass</p>
<p>Info: www.musesavannah.org</p>
</p>
http://savannahnow.com/do/2015-07-30/film-scene-fundraisers-feature-priscilla-grindhouse-triple-feature#commentsDoAccentColumnJim ReedEntertainmentHuman InterestSocial IssuesTechnologyActorAndrei TarkovskyContact DetailsDrag queenElla RainesElla RainesEntertainmentFilmfilm criticFilm genresfundraiserGrindhouseGuy PearceHuman InterestKeith KozelMementoMementoMovie theaterMuse Arts Warehousemusician , artistOscarPerson CareerPerson Email AddressPhantom LadyPriscillaPriscilla, Queen of the DesertPsychotronicQueenQuotationRoger EbertSatan's SadistsScience fiction filmSocial IssuesSolarisSolarisSolarisTechnologythe 1994 Golden GlobesThe Adventures of Priscilla, Queen of the DesertThe Guy from HarlemThe LimeyThe Phantomthe Seattle International Film Festival AwardTricksie TurnerTurkey ShootUSDwww.keithneedsakidney.comThu, 30 Jul 2015 04:25:15 +0000Jim Reed1099702 at http://savannahnow.comSavannah Voice Festival picks up heat with Latin concertshttp://savannahnow.com/do/2015-07-30/savannah-voice-festival-picks-heat-latin-concerts
</p>
<p><strong>W</strong>hew! Is it getting hot in here or what?</p>
<p>Not any hotter than usual, but it is sultry and steamy because of the distinctly Latin flavor of this year’s Savannah VOICE Festival.</p>
<p>“The Latin tradition is a rich one for music and opera, so we are delighted to welcome so much talent from Argentina, Mexico, Portugal and Puerto Rico to our 2015 festival,” says Maria Zouves, executive director of the Savannah VOICE Festival. </p>
<p>The festival will feature two Latin concerts, one open to the general public, one open only to members of the VOICE Society. </p>
<p>The public concert on Aug. 15 is the Studio Showcase “Concerto Lirica.” A private concert, “VOICES Around the World” on Aug. 8, will feature Paulo Lapa and Tiago Matos of Portugal, plus a wine tasting.</p>
<p>A lyric tenor, Lapa will perform at both concerts, plus “Death By Aria.” After completing his studies in Portugal, he moved to Boston and developed a relationship with VOICExperience and the Savannah VOICE Festival. </p>
<p>“At ‘VOICES Around the World,’ we will do a concert instead of just singing arias people know,” Lapa says. “We have a lot of singers from around the world and we can actually do more interesting songs that each country has to offer.</p>
<p>“The concert we did last year was one of the most amazing and the audience loved it,” he says. “It’s very unique.” </p>
<p>With Matos, Lapa will perform Fado music, which originated in the 1820s in Portugal. </p>
<p>“It’s a very distinct style of music,” Lapa says. “I’d never had the opportunity to sing Fado in public. </p>
<p>“It was one of the things we did last year. It was so well received.</p>
<p>“It was a treat to perform that, so we will do something similar this year,” he says. “Instead of just the piano, we all bring guitars.”</p>
<p>“Death by Aria” will be presented at the festival opening and again at the end.</p>
<p>“When all of the singers arrive, we have a performance,” Lapa says. “Every singer sings one piece and everyone has the opportunity to sing once. </p>
<p>“Then the audience has the opportunity to hear them sing after two weeks,” he says. “The whole goal of it is so people can hear the transformation and see the result of the work every person goes through. </p>
<p>“This is an absolutely unique program. They are concerned with a lot of different things and have embraced the whole of opera and culture and art. </p>
<p>“They discover singers in their early years and train them and believe in them and offer them parts,” Lapa says. “It’s an opportunity to be better and an opportunity to perform.”</p>
<p>Ironically, Lapa didn’t set out to become a singer.</p>
<p>“I started as a classical guitar player,” he says. “I was playing eight, nine, 10 hours a day. I didn’t know when to stop, I was so eager to get better.”</p>
<p>As a result, Lapa injured his wrist. </p>
<p>“I’ve been three years going to every doctor available,” he says. “I went to Paris. I struggled a lot. </p>
<p>“My Portuguese friend said, ‘Why don’t you sing? You have a good voice.’</p>
<p>“I remember saying, ‘I don’t want to be a singer,’” Lapa says. “I fought it for as much as I could.”</p>
<p>Finally, Lapa gave in.</p>
<p>“I said, ‘I’m going to have a voice lesson,’” he says. “I had an amazing teacher who realized I needed confidence.</p>
<p>“The first lesson I did with her, I remember being really happy to be doing music. I didn’t look back. </p>
<p>“I still play guitar and at ‘VOICES Around the World,’ there is one piece that I’m not going to sing, I’m going to accompany,” Lapa says. “I still incorporate the guitar, I still study it as much as I can.”</p>
<p>Lapa’s wrist has healed.</p>
<p>“Right now, I have the opportunity to go back,” he says. “If I would have to choose, I honestly think I would stay with singing. </p>
<p>“When I’m performing, the thrill and rush of adrenaline and the love of the text and playing the character is more exciting than just playing a concert of guitar,” he says. “I think I’m going to stick with it.”</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: Studio Showcase I: Concerta Lirica</p>
<p>When: 1 p.m. Aug. 15</p>
<p>Where: The Westin Savannah Harbor Ballroom, 1 Resort Drive</p>
<p>Cost: $35 in advance, $40 at the door</p>
<p>Info: www.savannahvoicefestival.org</p>
</p>
http://savannahnow.com/do/2015-07-30/savannah-voice-festival-picks-heat-latin-concerts#commentsDoLinda SicklerBoston912-525-0724ArgentinaContact DetailsDeath By Ariaexecutive directorexecutive director of the Savannah VOICE FestivalFadoLapa, Rio de Janeirolinda.sickler@savannahnow.comMaria ZouvesMexicoPaulo LapaPerson CareerPortugalPuerto RicosingerStudio Showcasethe Savannah Voice FestivalTiago MatosThu, 30 Jul 2015 04:10:39 +0000Linda Sickler1099689 at http://savannahnow.comSavannah VOICE Festival offers members-only events and community outreach programshttp://savannahnow.com/do/2015-07-30/savannah-voice-festival-offers-members-only-events-and-community-outreach-programs
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593859.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="139" /></div></p>
<p><strong>M</strong>embers of the VOICE Society get to enjoy more events at the Savannah VOICE Festival.</p>
<p>“Membership to the VOICE Society offers much more than just the tangible benefits outlined on our website,” says Maria Zouves, co-founder and executive director of the Savannah VOICE Festival. “It offers a whole new level of engagement with our artists. Many of our members have described the members-only events as magical and intimate with a value that is on an emotionally profound level of enjoyment.”</p>
<p>Membership offers patrons the opportunity to support the arts in Savannah and enjoy exclusive festival events, including the Salon Series, additional free concerts, early booking privileges, discounts with local businesses and a regular online newsletter. </p>
<p>The cost of membership is $175 for individuals, $275 for couples and $350 for families. There is still limited availability to join as this year’s festival begins. </p>
<p>Membership allows access to the Salon Series. This year’s series opens with the “VOICES Around the World” concert, a musical tour of international song in a boutique setting.</p>
<p>Set for 6:30 p.m. Aug. 7 at the Green Meldrim House, it also provides an opportunity to meet the artists during a food and wine reception. </p>
<p>The second in the Salon Series will be a preview of the festival’s new ghost opera, “Alice Ryley,” at 6:30 p.m. Aug. 14 at the Green Meldrim House. The food and wine reception will allow attendees to meet the cast and composer before the Oct. 30 world premiere.</p>
<p>The opera, which was composed by Michael Ching, is set in Savannah. </p>
<p>It is based on the popular ghost legend of Alice Riley, the first person to be hanged in the colony of Georgia.</p>
<p>In addition to packages, the festival also offers subscriptions that are available only to society members. For $1,000, patrons will receive an All Access Pass. Members also qualify for discounts and benefits at local stores, restaurants and businesses.</p>
<p>“This is a great time to join the VOICE Society as membership lasts a full 12 months from the date of joining and opportunities for more events in August are still available,” Zouves says. “Sherrill Milnes and I built this mission on our own volunteerism and support, so we feel members derive the most pleasure from knowing their gift helps provide community outreach and tuition scholarships.” </p>
<p>This year alone, the VOICE programs have given more than $50,000 in scholarships to young singers. </p>
<p>“We also hope that folks will engage in a full access pass this summer, as it offers a rarely seen, unique opportunity to experience the true magic and private artistic journeys of our singers,” Zouves says.</p>
<p>The society and benefactors, including corporate and business benefactors, fund community outreach programs in local schools.</p>
<p>Singer/guitarist Paulo Lapa has been involved with VOICExperience for two years and will be its outreach coordinator for education next year.</p>
<p>“That keeps me even more busy,” Lapa says. “In addition to being a regular singer, I’m also there to do all outreaches. It’s something I absolutely adore.”</p>
<p>Lapa’s favorite program is the Bethesda Project, which works with budding singers at Bethesda Academy to boost their confidence. </p>
<p>“In Portugal in my youth, I had a lot of contact in school with kids who didn’t have a lot of opportunities,” he says. “In some European countries, being a singer allows you to express yourself through art and it’s a thing that is very well accepted for young kids.</p>
<p>“When I got here, the boys at Bethesda weren’t used to expressing themselves through art or singing. They didn’t think it was a thing you can actually do. </p>
<p>“As we started to work with them, in the beginning they were curious,” Lapa says. “Then they were resisting it, then they started to sing and started to see how amazing it was.”</p>
<p>The VOICExperience students began incorporating the Bethesda students into their singing. </p>
<p>“It was an amazing moment when they actually began to sing,” Lapa says. “We explained opera to them and the whole process.</p>
<p>“Next year, we’re going to do workshops with them. We’ve been taking them to operas and rehearsals. </p>
<p>“We’ve taught them how to build an opera,” Lapa says. “I hope we’re going to make this work for many more years.” </p>
<p>For information about the VOICE Society and outreach programs, go to <a href="http://www.savannahvoicefestival.org" title="www.savannahvoicefestival.org">www.savannahvoicefestival.org</a> or www.voicexperiencefoundation.com.</p>
http://savannahnow.com/do/2015-07-30/savannah-voice-festival-offers-members-only-events-and-community-outreach-programs#commentsDoLinda SicklerEntertainmentTechnology912-525-0724Alice Rileyco-founder and executive directorcomposerContact DetailsEntertainmentfoodGeography of GeorgiaGeography of the United StatesGeorgiaGeorgiaGreen-Meldrim HouseLapa, Rio de Janeirolinda.sickler@savannahnow.comMaria ZouvesMichael ChingPaulo LapaPerson CareerSavannah metropolitan areaSavannah, GeorgiaTechnologyThe operathe Savannah Voice FestivalUSDVOICES Around the WorldThu, 30 Jul 2015 04:09:59 +0000Linda Sickler1099688 at http://savannahnow.comSoprano Amy Shoremount-Obra to present recital as part of Savannah VOICE Festivalhttp://savannahnow.com/do/2015-07-30/soprano-amy-shoremount-obra-present-recital-part-savannah-voice-festival
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14592904.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="198" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14592901.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="420" /></div></p>
<p>Fans of opera will have the opportunity to hear one of its brightest rising stars on Aug. 4 at St. John’s Episcopal Church when soprano Amy Shoremount-Obra presents a recital as part of the Savannah VOICE Festival.</p>
<p>No newcomer to Savannah, Shoremount-Obra has always been a part of the festival.</p>
<p>“I performed at the Telfair Museum when the festival launched,” she says. “It was their inaugural event. </p>
<p>“I have performed with the Savannah Philharmonic, doing ‘La Boheme’ in early 2014,” Shoremount-Obra says. “Last summer, I performed in ‘Don Giovanni.’”</p>
<p>Originally a pianist, Shoremount-Obra began singing at a young age.</p>
<p>“I have known since I can remember that I enjoyed music and performing,” she says. “I grew up as a pianist and sang in some children’s theater groups. </p>
<p>“I did a lot of musical theater growing up. I was on the stage from a very early age. </p>
<p>“My singing passion really didn’t begin until I was a teenager,” Shoremount-Obra says. “I started to notice that my voice was changing and developing into something completely different from what most people had.”</p>
<p>The realization she had a unique voice was life changing. </p>
<p>“I started to pursue singing from that point,” Shoremount-Obra says. “I trained on the piano until I was 20 and then put that to the side and knew singing was what I really wanted to focus on. </p>
<p>“I still train to this day. I consider every opportunity to get better.</p>
<p>“I just love learning,” she says. “Also, your body changes as you age and you have to adjust your technique based on how your body changes.”</p>
<p>Shoremount-Obra has already achieved major success.</p>
<p>“My Metropolitan Opera debut was in October,” she says. “I sang the First Lady in Mozart’s ‘Die Zauberflöte’ in German.</p>
<p>“I’ve had the privilege of performing at Carnegie Hall twice as a soloist. I enjoy all the roles that I’ve been performing. </p>
<p>“I have dream roles I’ve yet to perform, and rightly so, as they require a mature voice,” Shoremount-Obra says. “As you get older and go through life experiences, it gives you more dramatically that you can put in your performance. I’m just starting to get my feet wet.”</p>
<p>Some of the greatest roles in opera are on her list.</p>
<p>“I hope to do Norma in ‘Norma,’ by Vincenzo Bellini,” Shoremount-Obra says. “Composer Donizetti has written three very big operas dealing with queens — ‘Anna Bolena,’ ‘Maria Stuarda’ and ‘Roberto Devereux.’</p>
<p>“Those are the roles I’m growing into, where you sing for almost the entire opera. It requires a certain size instrument and a certain timbre in the voice. </p>
<p>“Certain voices are better suited for certain things,” she says. “There are certain composers I would not sing.”</p>
<p>At her Metropolitan Opera debut, Shoremount-Obra sang the role of First Lady in all nine performances of Mozart’s “Die Zauberflöte.” </p>
<p>Her recent solo concerts include the Faure “Requiem” at Carnegie Hall, Haydn’s “Lord Nelson Mass” and Mozart’s “Coronation Mass” with the Scarsdale Choral Society. Her European operatic debut was as Ifigenia in Handel’s “Oreste” at the Spoleto Festival Italy.</p>
<p>Shoremount-Obra has premiered or collaborated with some of today’s most popular and notable composers, including Tarik O’Regan, John Zorn, Paola Prestini and Ray Lustig. Most recently, she collaborated with Mikael Karlsson and designer Elle Kunnos de Voss on a one-woman monodrama written for her, “The Echo Drift,” which premiered in December at the House of Sweden in Washington, D.C.</p>
<p>Opera singers are required to sing in several languages.</p>
<p>“When I’m singing, I do know every word of what I am singing,” Shoremount-Obra says. “I sing in nine languages.</p>
<p>“As an opera singer, you study the phonetics of the language you sing. It makes it a lot easier in terms of pronunciation. </p>
<p>“English is the only language I’m fluent in. You really need to spend a lot of time in a country conversing with people to become fluent. </p>
<p>“I can carry on a decent conversation in French and Italian, but I actually prefer to sing in German and Slavic languages, like Russian and Czech,” she says. “My mother likes to claim it’s my Polish roots.”</p>
<p>With success comes a busy schedule.</p>
<p>“This past year I spent primarily on the road,” Shoremount-Obra says. “You just go wherever you get work. </p>
<p>“If I’m in an opera, I spend between three to six weeks at one location, sometimes even longer. If I’m doing a concert, it takes about a week to go somewhere and rehearse. </p>
<p>“That’s what I’m doing in Savannah,” she says. “I’ll be there four days, so it will be a quick trip this time.”</p>
<p>Recently, Shoremount-Obra has collaborated with pianist Christopher Cooley, who will accompany her in Savannah. </p>
<p>“We’ve known each other 17 years,” she says. “We’ve been touring with an all Rachmaninoff program. </p>
<p>“This program we’re doing specially for Savannah. We’re doing about half of the Rachmaninoff program paired with a little Spanish music.</p>
<p>“We’re doing five American composers,” Shoremount-Obra says. “We’re closing with three songs by Richard Strauss, very famous Strauss songs that everyone will recognize.”</p>
<p>The concert will be varied. </p>
<p>“It’s a great mixture of music, a mixture of fun and dramatic moments and lighthearted moments,” Shoremount-Obra says. “It’s a really well-rounded program.</p>
<p>“I’m looking forward to being in Savannah and seeing the many friends I’ve made there,” she says. “I just want to thank the Savannah community for embracing the voice festival and all the work Sherrill Milnes and Maria Zouves nave been doing.”</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: In Recital: Amy Shoremount-Obra, Soprano</p>
<p>When: 6:30-8 p.m. Aug. 4</p>
<p>Where: St. John’s Episcopal Church, 1 Macon St.</p>
<p>Cost: $45 in advance, $50 at the door</p>
<p>Info: www.savannahvoicefestival.org</p>
http://savannahnow.com/do/2015-07-30/soprano-amy-shoremount-obra-present-recital-part-savannah-voice-festival#commentsDoLinda SicklerEntertainment912-525-0724Amy Shoremount-ObraAnna BolenaCarnegie HallContact DetailsEntertainmentFirst Ladylinda.sickler@savannahnow.comMajorMy Metropolitan OperaPerson CareerPerson Email AddressPianistProtestant Episcopal ChurchTelfair Museumthe Savannah Voice FestivalThu, 30 Jul 2015 04:09:08 +0000Linda Sickler1099687 at http://savannahnow.com2015 Savannah VOICE Festival returns for third year with performances, educational opportunities and much morehttp://savannahnow.com/do/2015-07-30/2015-savannah-voice-festival-returns-third-year-performances-educational-opportunities
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593876.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="187" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593825.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="175" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593367.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="471" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593366.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="346" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593295.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="403" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593847.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="190" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593883.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="251" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14593839.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="149" /></div><p>&nbsp;</p>
<p><strong>T</strong>he 2015 Savannah VOICE Festival, set for Aug. 2-16, promises some of the finest performances available in opera, musical theater and popular song. </p>
<p>“Savannah never ceases to delight and excite all of us as we go into our third festival year,” says Maria Zouves, co-founder and executive director of the Savannah VOICE Festival. “We hope and believe that our artists do the same for residents and visitors to this beautiful city. </p>
<p>“Our plans to build this, back in 2013, could not have predicted our extraordinary growth. We’ve indeed exceeded all our initial objectives from Year One. </p>
<p>“With an extensive repertoire of vocal styles and events in August and now, throughout the year, we enjoy our collaborations with other musical organizations in Savannah, and now feel the Savannah VOICE Festival is here to stay,” she says. “We are already planning our strategic goals and programming through 2018, so stay tuned and come see it all.”</p>
<p>Festival co-founder Sherrill Milnes is celebrating both his 80th birthday and the 50th anniversary of his Metropolitan Opera debut in 2015. Many of the festival’s programs will honor his career and accomplishments.</p>
<p>“I’m honored by the festivities planned to celebrate the 50th anniversary of my professional opera debut,” Milnes says. </p>
<p>“I’m truly surrounded by invaluable supporters and fans, but what really speaks volumes about my talents and abilities is when the wonderful young artists I’ve helped start to build their own accomplishments.</p>
<p>“It’s so satisfying to see the students I’ve mentored achieve professional success and happiness,” he says. “I am and always will be incredibly proud of my students.” </p>
<p>In honor of Milnes, a special focus will be placed on the American elements of certain festival performances, a nod to his beginnings in Illinois and his rise to fame through a career launched in the United States. This success disproved the perception that singers must work their way through small European opera houses to earn the respect of American critics and audiences.</p>
<p>The many events include concerts and recitals, performances of Bizet’s “Carmen,” educational outreach in the community, master classes, fine dining opportunities and much more.</p>
<p>The caliber of teachers at the festival is very high. Opera singer Maria Spacagna, renowned as the first American to perform the role of Madam Butterfly at La Scala in Milan, Italy, is one of them. </p>
<p>Spacagna remembers seeing her first opera at age 10.</p>
<p>“It was ‘La Boheme,’ featuring the very famous opera singer Licia Albanese, who just died at age 105,” Spacagna says.</p>
<p>She was there because her uncle was traveling by ship to Italy to visit family when he met Albanese, who also was traveling to Italy. </p>
<p>“He told her about me and she informed him that she would be coming to my hometown of Providence, Rhode Island, to sing ‘La Boheme’ and that he should take me to hear her,” Spacagna says. </p>
<p>“It was my first opera and I met her, got her autograph and at that moment, I decided that I wanted to be an opera singer.</p>
<p>“I told my father I wanted to be an opera singer when I grew up,” she says. “He thought I would change my mind, but I never did.”</p>
<p>Spacagna started voice lessons at age 12, two years after starting piano lessons. </p>
<p>“That’s rather young for a child, but my voice was pretty developed and I showed such great interest.” she says. “My first teacher was a nun and she was absolutely wonderful. She taught me the languages and really took care of my instrument from the very first beginnings of training.”</p>
<p>Spacagna received degrees from the New England Conservatory of Music and never lost her desire to be an opera singer. </p>
<p>“I had very tough teachers who wouldn’t let me get away with anything,” she says. “I could sing only appropriate music for my age. They were really tough on me, but I learned a lot.”</p>
<p>After graduating and marrying her college sweetheart, Spacagna went to New York City. She won auditions and competitions that were financially helpful as she established her career.</p>
<p>“I’ve had a very full life,” Spacagna says. “I sang all over the world. </p>
<p>“If I had to be away more than three weeks, my husband and daughter joined me. Being a mom and having a family life was very important to me. </p>
<p>“The singing is like another child in a way,” she says. “It is very demanding and there were times I couldn’t do what I wanted to do, but had to sacrifice and stay home and study.”</p>
<p>Spacagna sang until her late 50s. </p>
<p>“I have been teaching about 15 years,” she says. “I absolutely love it. </p>
<p>“I’m trying to pass on tradition and good vocal techniques and building confidence in young people. I met Sherrill probably around the early 1990s when we were contracted for a Verdi opera. </p>
<p>“The first time I met him, I was scared to death,” Spacagna says. “He is one of three or four of the greatest baritones of the 20th century.”</p>
<p>Today, Spacagna is thrilled to work with Milnes and Zouves as part of VOICExperience.</p>
<p>“The people in Savannah are wonderful to be so accepting and supporting of these two who want to bring nothing but the best,” she says. “From the three years I’ve been down to Savannah, I’ve seen enormous growth.</p>
<p>“They bring in the best people because they know the best people. People respect them and want to be in their company. </p>
<p>“I consider myself a lucky lady to be invited back every year,” Spacagna says. “It’s an honor to work with them.”</p>
<p>Like her teachers before her, Spacagna is a tough instructor. </p>
<p>“I teach with a firm but loving hand,” she says. “There are certain things that one has to learn — technical things that build the foundation of good singing. </p>
<p>“You have to build confidence in a singer. You have to give them information they’ll need about the outside world. </p>
<p>“They have to know what’s out there, what they’re up against,” Spacagna says. “They have to be the best of the best.”</p>
<p>The opportunity to enjoy a meal and a concert is an important component of the festival.</p>
<p>“Fine dining and fine vocal talent is truly a wonderful combination and we are grateful to Belford’s and the Westin Savannah Harbor for enhancing our festival with these dining options,” Zouves says. “The Westin and Belford’s are both community partners of the Savannah VOICE Festival, which supports the community outreach and free master classes offered by the festival.”</p>
<p>Mark Spadoni, general manager of the Westin, says the hotel has been involved with the festival since the beginning.</p>
<p>“It has been an interesting relationship, a very favorable one,” he says. “It goes back almost four years ago. </p>
<p>“We were first presented with the opportunity to be the host of the event that had been in the Orlando area for a number of years. This is a long-stay guest scenario, with a lot of people coming in from all over the world.</p>
<p>“Maria asked if we were comfortable with the disruption of people just breaking out in spontaneous singing as they were practicing or getting ready for various events,” Spadoni says. “I said, ‘It sounds like fun to me.’”</p>
<p>Every year, the Westin has turned its third floor into a conservatory by removing furniture and bringing in pianos.</p>
<p>“The students stay on one side of the floor and the other side is where they do training,” Spadoni says. “It’s been great.”</p>
<p>To allow the community at large to benefit, the Westin will host dinners that coincide with performances.</p>
<p>“For many years, we hosted Coastal Jazz, we have sessions with Jeremy Davis and our oyster roast with live entertainment,” Spadoni says. “We’ve done jazz, big band and rock, but haven’t had an opportunity to do more classical or opera. </p>
<p>“We decided to join some of the music their performers would be doing and put on a light, interactive entertainment experience and have a great themed meal that pairs up with that experience,” he says. “Maria and Sherrill have brought something special to Savannah and we want to encourage visitors to attend one of the events. They are very special and the talent is top-notch.”</p>
<p>Even ice cream is part of the festival. </p>
<p>Leopold’s Ice Cream will temporarily rename many of its favorite ice cream flavors and sundaes in honor of the festival.</p>
<p>“Opera and ice cream are a delightful combination,” Zouves says. “The rich, satisfying flavors of ice cream and the powerful emotions stirred up by the sound of beautiful voices have a wonderful effect on everyone.”</p>
<p>“We adore Sherrill Milnes, who is celebrating his 80th birthday year, and are thrilled that this is the third year of the Savannah VOICE Festival,” says Stratton Leopold, owner of Leopold’s Ice Cream. “This fun partnership is a great way for Leopold’s to support the vocal arts in our city.”</p>
<p>New this year are special festival packages, which begin at $175 for the “Festival Five Package” and go up to the “Friends of the Festival Package” for $1,000, which allows patrons to get up close and personal with the making of an artist. </p>
<p>“We decided to introduce this opportunity which not only gives automatic access to every festival event and dinner but also includes the exclusive invitation to observe the Milnes VOICE Studio lessons and coaching,” Zouves says. “This allows people to experience the process with us as they follow the unique growth of artists.</p>
<p>“This process is what makes us unique as a festival, so we wanted to share it with our audience.”</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
http://savannahnow.com/do/2015-07-30/2015-savannah-voice-festival-returns-third-year-performances-educational-opportunities#commentsDoLinda SicklerMILANNew York CityProvidenceFestivalWestin912-525-0724Baritoneco-founderco-founder and executive directorContact DetailsEuropean operaGeography of GeorgiaIllinoisItalyLicia AlbaneseLicia Albaneselinda.sickler@savannahnow.comMadama ButterflyMaria SpacagnaMaria ZouvesMARK SPADONIMetropolitan OperaMusicNew EnglandNew England Conservatory of MusicOperasPerson CareerPerson LocationPerson TravelRhode IslandSavannah, GeorgiaSherrill MilnesSherrill MilnessingerSoundStratton LeopoldteacherThe 2015 Savannah VOICE Festivalthe Savannah Voice FestivalUnited StatesThu, 30 Jul 2015 04:07:16 +0000Linda Sickler1099686 at http://savannahnow.comThe Proof: AquaCurean Cocktail Challenge returns for its second yearhttp://savannahnow.com/do/2015-07-30/proof-aquacurean-cocktail-challenge-returns-its-second-year
<p><strong>AquaCurean Cocktail Challenge returns for second year</strong></p>
<p>Calling all bartenders!</p>
<p>Last year, I had the good fortune to be asked to help judge the inaugural AquaCurean Cocktail Challenge. Aficionados from all across the country submitted drink recipes, and my fellow judges and I selected the winners in each category.</p>
<p>There were hits and not a few misses. A piece of advice: Powerade, while great for athletes, has no business being mixed with booze. But the finalists were all drinks I felt good endorsing.</p>
<p>AquaCurean is back for its second year, and it has grown a little wiser, having learned a few lessons from the first go-round. The most exciting change is that the call for entries has been limited to regional bartenders.</p>
<p>“We really want to showcase the talent we have here in the Savannah area,” explains festival director Jan Gourley. “Keeping it more locally focused, and incorporating an opportunity for locals to go taste the cocktails at participating restaurants before the event itself.”</p>
<p>The Cocktail Competition is part of a larger extravaganza, the AquaCurean Gourmet Seafood and Spirits Challenge, a celebration of coastal culinary excellence and live music at The Westin Savannah Harbor Golf Resort &amp; Spa during the last weekend in August.</p>
<p>On Aug. 29, 10 finalists will present their cocktail creations to the crowd, and popular vote will decide the grand prize winner. At $1,000, that’s a heck of a tip for a bartender. Plus, the winning drink in each category earns a $200 prize.</p>
<p>Like last year, there are five categories based on the five major types of liquor: whiskey, tequila, rum, gin and vodka.</p>
<p>“What we’re really looking for is creativity,” Gourley says. “The bartenders have to use one of the five sponsor liquors as a main ingredient, but after that, let them make what they want.”</p>
<p>The sponsors this year are Old Forester Bourbon, Herradura Tequila, Papa’s Pilar Rum, Bombay Gin and Absolut Vodka. Including the base spirit, up to four ingredients can be used in the final mix, though one of these can be an infusion or combination crafted in advance by the bartender.</p>
<p>In addition to the grand prize and category prizes, there’s also a People’s Choice Award. After trying the entries at participating local restaurants, you can vote for your favorite on social media. Just snap a photo of your cocktail of choice, and share it on Instagram, Twitter or Facebook with the hashtag #aquacureanchallenge.</p>
<p>The deadline for entering the contest is coming up quick on July 31, so I urge our local bartenders to polish their best recipes and get them submitted at <a href="http://www.aquacurean.com" title="www.aquacurean.com">www.aquacurean.com</a>. </p>
<p>I don’t know if I’ll get to be an official judge again, but you can bet you’ll see me on Hutchinson Island for the competition. As someone who regularly writes about booze, I have a vested interested in making sure only the best cocktails end up on menus in this city.</p>
<p>If you’re a drinker, I encourage you to come cast your vote, too, and join me in raising a glass to democracy in action.</p>
</p>
<p>Zach Powers is a writer and novelist. When he’s not busy imbibing, he helps run literary arts nonprofit Seersucker Live. Get to know him better online at www.ZachPowers.com.</p>
</p>
<p><strong>BY ZACH POWERS</strong></p>
http://savannahnow.com/do/2015-07-30/proof-aquacurean-cocktail-challenge-returns-its-second-year#commentsDoAccentColumnAlcoholbartenderBartenderCocktailsContact DetailsDirectorDrinking cultureFood and drinkIBA Official CocktailJan GourleyJudgeMixed drinksPerson CareerSeinen mangathe Savannah area," explains festivalUSDZach PowersThu, 30 Jul 2015 04:06:38 +0000Staff1099685 at http://savannahnow.comRussell Moore and IIIrd Tyme Out bring big bluegrass sound to Springfieldhttp://savannahnow.com/do/2015-07-30/russell-moore-and-iiird-tyme-out-bring-big-bluegrass-sound-springfield
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14586724.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="186" /></div></p>
<p><strong>S</strong>pringfield is well known throughout South Georgia as a very small town. The most recent census clocks the little city as having a population of no more than 2,800 people. </p>
<p>Yet despite its size, Springfield has a true hidden gem in the recently re-opened Mars Theatre. The space opened in 1945, but as television became a staple in American homes, declining audiences led to the closure of the Mars in 1957. The city of Springfield launched an effort to restore the Mars Theatre to its former glory, a project spearheaded by Tommy Deadwyler, director of cultural affairs for the city of Springfield. </p>
<p>Now the Mars Theatre is small, a 230-seat venue hosting events that draw people from all over the Southeast to Springfield. Families and individuals flock to the Mars from Florida, North and South Carolina and North Georgia to see the movies and musical performances. </p>
<p>The decision to re-open the theater has turned out so far to be a good one, and Deadwyler reports it was an easy one to make.</p>
<p>“Our city council and our city manager had a vision for Springfield and on how to revitalize downtown, and so they had the opportunity to sit and say, ‘Well, we could watch Springfield die a slow, painful death or we can reinvest in the city using this venue as a catalyst for more development and more things happening downtown.’”</p>
<p>Deadwyler is certainly noticing that happen as big touring acts are now stopping in Springfield to play at the Mars.</p>
<p>On Aug. 1, bluegrass group Russell Moore and IIIrd Tyme Out are stopping by to play the songs that have won them an incredible amount of notoriety and awards. </p>
<p>Moore and his band have played in places most musicians dream about, such as the Grand Ole Opry in Nashville. </p>
<p>They’ve also had their work featured on GAC and RFD, television channels well known for their country and bluegrass presence. </p>
<p>It’s interesting that a performer of this caliber would still stop by the small Mars Theatre, but Moore says the space’s size certainly doesn’t bother him. </p>
<p>“That’s never been an issue for us. We’ve played venues that may have held only 100 people and we’ve palyed venues that 1,000-5,000 people would attend,” he said. “There’s something to be said about smaller venues and smaller crowds; it’s a little more intimate. They are able to get up close to you and it takes on a more personal feel.”</p>
<p>Ultimately, Moore’s main concern is to play a good show.</p>
<p>“We just enjoy performing, to be honest with you. That’s why we’re out here doing this,” he said. </p>
<p>“Whether it’s 500 people or 5,000, as long as we’re able to put a smile on their face and give them a good memory to take home, that’s what it’s all about.” </p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: Russell Moore and IIIrd Tyme Out</p>
<p>When: 8 p.m. Aug. 1</p>
<p>Where: Mars Theatre, 106 S. Laurel St., Springfield</p>
<p>Cost: $25</p>
<p>Info: www.marstheatre.com</p>
</p>
http://savannahnow.com/do/2015-07-30/russell-moore-and-iiird-tyme-out-bring-big-bluegrass-sound-springfield#commentsDoBRADLEY MULLISTechnologySpringfieldBluegrass musicContact DetailsDirectorFloridaGeography of the United StatesGeorgiaMarsNorth GeorgiaPerson CareerQuotationRussell MooreSouth Carolinasouth GeorgiaSpringfieldSpringfield, MassachusettsSpringfield, MissouriTechnologyTommy DeadwylerThu, 30 Jul 2015 04:04:21 +0000BRADLEY MULLIS1099679 at http://savannahnow.comAndre 3000, SCAD team up for exhibit of Outkast tour jumpsuitshttp://savannahnow.com/do/2015-07-30/andre-3000-scad-team-exhibit-outkast-tour-jumpsuits
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14586732.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="186" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14586730.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="186" /><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14586729.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="223" /></div></p>
<p>André 3000 loves when you stare at art.</p>
<p>The Grammy-winning Atlanta rapper and actor was in downtown Savannah on July 17 for the opening of an exhibition of jumpsuits he wore during last year’s Outkast world tour. When he and Savannah native Big Boi hit the stage together for the first time since the revered hip-hop duo went on hiatus in 2007, photos of the black jumpsuits André wore started circulating and generating discussion.</p>
<p>They all displayed simple, often profound messages across the rapper’s chest as he performed. Among them: “Across cultures, darker people suffer most. Why?”</p>
<p>Others, such as “replace your toothbrush” were simply helpful.</p>
<p>After Outkast’s tour wrapped, the Savannah College of Art and Design and André teamed up to display his jumpsuits in galleries. The first was in Miami, and the second, at the SCAD Museum of Art, opened July 17.</p>
<p>“i feel ya: SCAD + André 3000 Benjamin” features 48 of the jumpsuits — including two made just for the exhibit that were never worn — as well as film work and paintings by SCAD alumni Greg Brunkalla and Jimmy O’Neal.</p>
<p>“It’s a really unique project,” said Alderman Van Johnson, who called André 3000 “really down to earth.”</p>
<p>The exhibit is open through Sept. 13 at SCAD Museum of Art. The museum is open every day but Monday, and general admission is $10.</p>
<p>“It makes you think,” Johnson said. “It’s so subtle that you go around the exhibit, then you have to go back where you started from. Some of the aspects, I’m still thinking about. To me, it’s a must-see, and it’s a wonderful collaboration.”</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: “i feel ya: SCAD + André 3000 Benjamin”</p>
<p>When: Through Sept. 13</p>
<p>Where: SCAD Museum of Art, 601 Turner Blvd.</p>
<p>Cost: $10; museum is closed Mondays</p>
<p>Info: www.scadmoa.org</p>
</p>
<p><strong>MORE PHOTOS</strong></p>
<p>Go to spotted.savannahnow.com to see more photos of the reception by Spotted® photographer Corey Brooks.</p>
</p>
http://savannahnow.com/do/2015-07-30/andre-3000-scad-team-exhibit-outkast-tour-jumpsuits#commentsDoDO SAVANNAHEntertainmentAtlantaAndréBig BoiBig BoiContact DetailsDungeon FamilyEntertainmentGeorgiaOutkastPerson AttributesPerson CareerQuotationrapperrapper and actorSavannah College of Art and DesignSavannah, GeorgiaSCAD Museum of ArtSCAD Museum of Artthe GrammyThu, 30 Jul 2015 04:03:34 +0000DO SAVANNAH1099678 at http://savannahnow.comSavannah theater lovers unite to stage musical 'The Last Five Years'http://savannahnow.com/do/2015-07-30/savannah-theater-lovers-unite-stage-musical-last-five-years
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14592814.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="373" /></div></p>
<p><strong>W</strong>hat started as a casual conversation among friends sparked the question about how to put on the musical “The Last Five Years,” a story about a couple’s relationship as they struggle to hold on to their careers, and each other.</p>
<p>JinHi Soucy Rand, who directs the show along with Chris Stanley, said the plot comes with a twist.</p>
<p>“The twist is that while Jamie is reliving the romance from beginning to end, Cathy is reliving it from the end to the beginning,” she said.</p>
<p>The group, billed as No Day But Today Productions, also includes local singer Cecilia Arango starring as Catherine Hiatt, with Dann Finn as Jamie Wellerstein. Musical direction is provided by Warren Heilman and stage management and lighting by Erin L. Muller. </p>
<p>“Cecilia, Dan, Warren, Erin, Chris and I had all met and worked together on a production of ‘Rent’ in 2012, and have been a pretty close-knit family of friends ever since,” Rand said. </p>
<p>“One night, Warren, Cecilia and Dan were having dinner and talking about another show they’d love to be involved in, and texted the rest of us to see if we were interested in bringing this story back to the Savannah stage, and it has been an intense, although fantastically fun, all-hands-on-deck scene ever since.”</p>
<p>The show runs for two weekends beginning July 31 at Muse Arts Warehouse. </p>
<p>Taking stage with a minimalist approach, the story relies heavily upon the characters, the small space and the lighting to portray scene changes and emotions, Arango said.</p>
<p>“The show is an intimate, small two-man cast,” she said. </p>
<p>Catherine is a struggling actress, while Jamie is finding success as a writer. </p>
<p>“‘The Last Five Years’ is a funny, poignant and bittersweet musical, charged with powerful emotions, as it details the story of a five-year relationship that has gone awry between a young couple battling with the ups and downs of career success and the effects it ultimately has on the relationship when one’s success overshadows the other,” Arango said.</p>
<p>“They both have wide-eyed dreams of huge success in New York City, but when Jamie’s career takes off, there is resentment from Cathy as she struggles with her acting career. This struggle is what ultimately breaks up their marriage,” she said.</p>
<p>Not the typical tale, “The Last Five Years” shows both the bond between husband and wife and the loss of love as their lives take different paths. </p>
<p>“The storytelling is quite unique in that Cathy begins the show falling apart and tells the events in reverse chronological order — at the end of their marriage — while Jamie begins the show starting with their first date and falling in love in the chronological order,” Arango said.</p>
<p>“They only acknowledge and see each other on stage when their timelines intersect, which is on their wedding day. It’s a juxtaposition of the show and symbolizes how they aren’t ever on the same page.”</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: “The Last Five Years”</p>
<p>When: 8 p.m. July 31, Aug. 1, 7 and 8; 3 p.m. Aug. 2 and 9 </p>
<p>Where: Muse Arts Warehouse, 703 Louisville Road</p>
<p>Cost: $20 or $15 for students and military</p>
<p>Info: www.musesavannah.org</p>
</p>
http://savannahnow.com/do/2015-07-30/savannah-theater-lovers-unite-stage-musical-last-five-years#commentsDoADAM MESSEREntertainmentHuman InterestBroadway musicalsCatherine HiattCathyCeciliaCecilia ArangoChris StanleyContact DetailsCreativityCulture of New York CityEmployment RelationEntertainmentErin HannonErin L. MullerHuman InterestJamie WellersteinMuse Arts WarehouseMusical theatrePerson CareerQuotationRentsingerSoucy RandThe Last Five YearsThe Last Five YearsWarren HeilmanThu, 30 Jul 2015 04:02:31 +0000ADAM MESSER1099677 at http://savannahnow.comPirateCon is all about funhttp://savannahnow.com/do/2015-07-30/piratecon-all-about-fun
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14586723.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="174" /></div><p><strong>D</strong>o you enjoy dressing like a pirate? Do you are enjoy pub crawls? Maybe you just enjoy saying “Arr!”</p>
<p>Then grab your seafaring friends (adults only) and head to River Street for the fourth annual Savannah PirateCon hosted by Savannah Pub Crawlers. </p>
<p>The crawl begins at noon Aug. 1 at Wild Wing Cafe in City Market and moves to a new location each hour. Show up a little before noon if you want to be in the pirate group photo. </p>
<p>Participants are encouraged to dress, act and speak like pirates — we’re talking about jolly ones and not the bad guys who like to loot villages and set stuff on fire.</p>
<p>This annual event is an informal gathering with a mission to foster a sense of community. To spread goodwill, be sure to tip wait staff appropriately, be kind to fellow mateys and lasses as well as others enjoying downtown Savannah, and be respectful of children in the area — handing out pirate treasure to little ones is encouraged.</p>
<p>And, as always, don’t drink and drive. Savannah offers public transportation, and taxis and Uber are available, so keep those numbers handy. This is a fun, goodwill event, so if you can’t handle your alcohol or are prone to fights, keep your rowdy pirate self at home.</p>
<p>Check the Savannah Pub Crawlers or Savannah PirateCon 2015 Facebook pages for updates and information.</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: Savannah PirateCon</p>
<p>When: Noon Aug. 1 </p>
<p>Where: Begins at Wild Wing Cafe, 27 Barnard St. </p>
<p>Cost: Free to join</p>
<p>Info: Savannah PirateCon 2015 or Savannah Pub Crawlers Facebook pages</p>
http://savannahnow.com/do/2015-07-30/piratecon-all-about-fun#commentsDoKim Wade912-652-0365Contact DetailsGeography of GeorgiaGeography of the United StatesGeorgiakim.wade@savannahnow.comPub crawlSavannahSavannah metropolitan areaSavannah, GeorgiaSS SavannahWild Wing CafeThu, 30 Jul 2015 04:02:04 +0000Kim Wade1099676 at http://savannahnow.comNew book by Georgia Southern professor explores story of slave ship Antelopehttp://savannahnow.com/do/2015-07-30/new-book-georgia-southern-professor-explores-story-slave-ship-antelope
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14594008.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="417" /></div></p>
<p>In the summer of 1819, a Spanish slave ship named the Antelope left from Havana, Cuba, and set sail for Africa to fill its hull with slaves — or negros bozales (literally “muzzled blacks”), as they were called — to bring back to the Americas. After procuring 331 captives on the west coast of Africa, the Antelope set sail back across the Atlantic and after some trouble off the coast of Brazil, the ship was eventually captured by an armed U.S. customs ship off Florida’s coast and brought to Savannah, where the captives awaited their fate.</p>
<p>The International Slave Trade was officially outlawed by a number of countries in 1807, including the U.S., though the practice obviously continued to thrive. After the Antelope was captured for being in violation of international trade law, it was brought to the port of Savannah where the captives were supposed to be under the legal control of the president and subsequently sent back to Africa. But that’s not at all what happened. </p>
<p>When the ship arrived in Savannah, only 258 of the original 331 captives were still alive. The survivors were so sick and dehydrated they could barely walk. Most shockingly, the median age of the captives who disembarked was a mere 14 years old, and nearly half were between 5 and 10. They were then transferred to the Ten Broeck race track, about two miles from downtown, and imprisoned in the horse stalls while it was decided what to do with them.</p>
<p>The story that follows is one of deep corruption and cruelty, and involves a cast of historical characters that includes John Quincy Adams, Francis Scott Key and Savannah’s own Richard W. Habersham, who argued for the captives’ release. </p>
<p>This tragic narrative is recounted in detail in Jonathan M. Bryant’s new book, “Dark Places of the Earth: The Voyage of the Slave Ship Antelope.” Bryant is a professor of history at Georgia Southern University, where he teaches constitutional history, and his official book launch is Aug. 5 at Ships of the Sea Maritime Museum. </p>
<p>The story of how this strange case wound its way through the American legal system and ended up before the highest court in the land, not once, but three times, is what Bryant calls “the most important Supreme Court case you’ve never heard of.” </p>
<p>He says the book should have particular resonance given everything that’s been going on in the news as of late, specifically as it relates to how we as Americans are beginning to understand the legacy of slavery.</p>
<p>“Because of how poorly educated most Americans are about slavery and how our legal system has worked, this is really important right now to give people a deeper and richer perspective on what slavery was and about the nature of what enslaved African-Americans suffered,” Bryant says. “And is there anything still remaining in our society from this that’s important to think about? I would argue that of course there is.”</p>
<p>Bryant will be reading three short selections from his book and commenting on how the excerpts tie together in the story, and by the end you may very well be asking yourself why you’ve never heard of this astonishing and complicated case before. It’s certainly an example of truth being stranger than fiction and it’s such a vitally important piece of American history that it deserves as much attention as it can get. </p>
<p>Bryant will conduct a Q&amp;A at the end of his reading and looks forward to the opportunity of having a real dialogue and not just a lecture session. He will also sign books and says he’ll stay as long as it takes to talk with everyone, no matter what the weather decides to do.</p>
<p>“I know it’ll probably be hot, but it’s a very appropriate place (for the book launch) and I hope like hell people come to hear me.”</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: “Dark Places of the Earth” book launch and lecture</p>
<p>When: 6 p.m. Aug. 5</p>
<p>Where: Ships of the Sea Museum, North Garden, 41 MLK Jr. Blvd.</p>
<p>Cost: Free</p>
<p>Info: www.shipsofthesea.org</p>
http://savannahnow.com/do/2015-07-30/new-book-georgia-southern-professor-explores-story-slave-ship-antelope#commentsDoKRISTOPHER MONROEBusinessEntertainmentHospitalityLawPoliticsSocial IssuesHavanaThe International Slave TradeAfricaAfrican slave tradeAmericasAmericasAtlantic slave tradeBusinessContact DetailsCubaEntertainmentFloridaFrancis Scott KeyGeorgia Southern UniversityHospitalityJohn Quincy AdamsJonathan M. BryantLawPerson CareerPerson LocationPoliticsPort of SavannahpresidentprofessorRacismRichard W. HabershamSlave shipSlave tradeSlaverySlavery in the United StatesSocial IssuesThe AntelopeWest CoastThu, 30 Jul 2015 04:01:18 +0000KRISTOPHER MONROE1099675 at http://savannahnow.comA night of stoner metal with Weedeater, Kings Destroy http://savannahnow.com/do/2015-07-30/night-stoner-metal-weedeater-kings-destroy
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14586725.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="172" /></div></p>
<p><strong>I</strong>ce clinks against a glass as a light and airy organ begins to play an entrance hymn, joined by the slight twang of a bent guitar string. </p>
<p>So far, this is an unusual start to an album from Weedeater, the classic stoner metal band that hails from the hills of North Carolina. Then the guttural whisper of bassist/vocalist “Dixie” Dave Collins enters muttering, “I really hate your face/I hate the things you do/I know you don’t like me/I’m coming after you.” </p>
<p>It’s then you realize you haven’t pressed play on the wrong track and it is in fact the latest endeavor from Weedeater, “Goliathan,” a 10-song effort the boys put out in May. </p>
<p>The record is wrought with the trademark grime and muck sound Weedeater has become so well known for over the past 20 years, rounded out by Dave “Shep” Shepherd on guitar and Travis “T-Boogie” Owen on drums.</p>
<p>The intro track, “Processional,” fades out quietly and immediately the strum of a fuzzed-out bass bursts through the speakers, sending me on a nostalgic trip back to the first time I saw Weedeater.</p>
<p>That was about two years ago at The Jinx, when Full of Hell opened. I had gone to see the bludgeoning barrage of frantic hardcore FoH is infamous for and ended up sticking around for Weedeater, a band I hadn’t heard of at the time. I was blown away by the sludgy bass riffs and fuzz-drenched guitar patterns the band delivered, totally unlike the band before them. </p>
<p>Collins says he likes that, though. </p>
<p>“After having done this for so long, we’re not really into going and doing a tour where every single band on the bill is the same as we are,” he said. “We like to mix it up. It’s a bit of a breath between bands. As someone in the crowd, you’re not sitting there watching the same thing for hours on end.”</p>
<p>Collins’ attitude toward performances and lineups can be clearly seen in the structure of “Goliathan.” The record takes breaks from its standard sludge to deliver a banjo-picking, country-style ballad in “Battered and Fried,” as well as a three-minute melancholic bass solo in the closing track, “Benaddiction.” </p>
<p>Now unfortunately, Weedeater won’t be playing any of these songs live, as it would require additional assistance from a sound professional to maintain proper channels, but they still intend on playing the music that has branded them for life. </p>
<p>“We’ve been doing this for about 20 years now,” Collins said. “We just don’t know what else to do.” </p>
<p>“Dixie” Dave and the boys in Weedeater will be joined at The Jinx with special guests Kings Destroy, a group of fantastic stoner metal rockers coming down South from Brooklyn. </p>
<p><strong></strong></p>
<p><strong>IF YOU GO</strong></p>
<p>What: Weedeater with Kings Destroy</p>
<p>When: 10 p.m. Aug. 5</p>
<p>Where: The Jinx, 127 W. Congress St.</p>
<p>Cost: $15</p>
<p>Info: www.weedmetal.com</p>
</p>
http://savannahnow.com/do/2015-07-30/night-stoner-metal-weedeater-kings-destroy#commentsDoBRADLEY MULLIS...And Justice for Y'allbassist /vocalistContact DetailsDave "Shep" ShepherdDave CollinsHeavy metalHeavy metal subgenresImetalNorth CarolinaQuotationRock musicStoner rockTwangWeedeaterThu, 30 Jul 2015 04:00:37 +0000BRADLEY MULLIS1099674 at http://savannahnow.comUnplugged: Blues, hip-hop, rock - something for everyone in weekend lineuphttp://savannahnow.com/do/2015-07-30/unplugged-blues-hip-hop-rock-something-everyone-weekend-lineup
<p><strong>Blues, hip-hop, rock offered in weekend lineup</strong></p>
<p>The Savannah VOICE Festival, from Aug. 2-16, will rightly dominate the local music news for a few weeks, especially since the club scene seems to have hit a late summer lull.</p>
<p>Still, there are plenty of shows worthy of note, including the gig by Weedeater at The Jinx.</p>
<p>On July 30, Wasted Wine headlines at Hang Fire. I’ve never seen the Greenville, S.C.-based band but love what I’ve heard so far. The music videos for “Fall Upon Me” and “The Post Office” both offer captivating vocals, a hint of traditional Eastern European music and arresting imagery.</p>
<p>Wasted Wine will be supported by local up-and-comers Carpet Coats and Generation Pill.</p>
<p>On July 31, Sweetgrass will play at Barrelhouse South. Formerly the John Wendling Trio, Sweetgrass is a promising entry on the scene with their Southern rock and blues.</p>
<p>Savannah’s Missionary Blues will play Stopover in the Yard at The Grey on Aug. 1. Doors to the outdoor space open at noon, with the music at 1 p.m.</p>
<p>Savannah Stopover and The Grey have obviously teamed up for this concert series, which has proved a rousing success despite blistering heat this summer. The admission is $21 per person for lunch, one drink and music. If you just want to catch the band, admission is $11.</p>
<p>If you’re interested in seeing what The Grey will have on the grill, look for updates on the Facebook event page. </p>
<p>One of the biggest shows of the week is on Aug. 3 at Hang Fire. The local hip-hop and rap label Dope Sandwich is hosting a showcase that features Basik Lee, Dope KNife and Miggs Son Daddy, Cult Cyph and Bassdrum Bloodlust.</p>
<p>Basik Lee, who performs as Steven Baumgardner for solo acoustic shows and as part of the band Ambrose, has a new rap album being released on Aug. 11 by Dope Sandwich.</p>
<p>Dope Sandwich has had an impressive year, so you might want to check out this weeknight show to see what the buzz is about.</p>
</p>
<p>Bill Dawers writes City Talk in the Savannah Morning News and blogs at Savannah Unplugged (billdawers.com) and hissing lawns (hissinglawns.com). Email him at billdawers@comcast.net.</p>
</p>
<p><strong>BY BILL DAWERS</strong></p>
http://savannahnow.com/do/2015-07-30/unplugged-blues-hip-hop-rock-something-everyone-weekend-lineup#commentsDoAccentColumnEntertainmentGreenvilleAfrican-American cultureBarrelhouse SouthBill DawersBluesContact DetailsEntertainmentGeography of GeorgiaGeography of the United StatesGeorgiaHip hopMan Made DisasterPerson Email AddressPost OfficeSavannah, GeorgiaSouth CarolinaThe Jinxthe Savannah Voice FestivalUnpluggedThu, 30 Jul 2015 04:00:15 +0000Staff1099673 at http://savannahnow.comSavannah Voice Festival to present Bizet's 'Carmen'http://savannahnow.com/do/2015-07-29/savannah-voice-festival-present-bizets-carmen
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/do0730_carmen_cano.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="175" /></div><p>A major highlight of the Savannah VOICE Festival is the presentation of one of the world’s most beloved operas, “Carmen.”</p>
<p>Performances are scheduled for Aug. 9 and 11 at Asbury Memorial Theatre. They are among several events scheduled to honor festival co-founder Sherrill Milnes, who triumphed in the role of Escamilio in many productions of “Carmen” in the late 20th century. </p>
<p>“The selection of Carmen as our 2015 festival opera also pays homage to the passionate Latin heritage as it tells the story of a naïve soldier, Don Jose, who is seduced by the beautiful gypsy, Carmen,” says Maria Zouves, co-founder and executive director of the festival. </p>
<p>The two-hour opera will be slightly abridged with supertitles. Although set in Spain, the opera is sung in French. </p>
<p>“Carmen” follows last year’s successful production of “Don Giovanni.”</p>
<p>“The talent and expertise that Edwin Cahill brings to directing our operas is combined with the excellence of our conductor, Andrew Bisantz, and our pianist, Christopher Cano,” Zouves says. “Savannah audiences will once again be thrilled by a unique operatic experience.”</p>
<p>The cast includes Metropolitan Opera artists in the leading roles, including Jennifer Johnson Cano as Carmen, Samuel Levine as Don Jose, Marco Nistico as Escamilio, Phoenix Gayles as Micaela, Matthew Anchel as Zuniga and Meechot Marrero as Frasquita.</p>
<p>“Jennifer Johnson Cano is an up-and-coming star at the Met,” Milnes says. “This will be her first Carmen. Her husband, Christopher Cano, is on our faculty.</p>
<p>“‘Carmen’ is arguably the most popular opera,” Milnes says. “There’s a lot of hit tunes, ‘The Toreador Song’ being the most famous.”</p>
<p>Milnes, who turned 80 in January, made his Metropolitan Opera debut almost 50 years ago. He is considered the world’s foremost baritone of the 1970s and 1980s. </p>
<p>The most recorded singer of his time, Milnes performed with opera stars Domingo, Pavarotti, Caballé, Sutherland, Sills, Horne, Price and Tebaldi. He is the winner of three Grammy Awards. </p>
<p>“Escamilio has one of most familiar tunes in the world, ‘The Toreador Song,’” Milnes says. “That tune is undoubtedly the most familiar in all opera.</p>
<p>“He’s a pizzazzy character. He’s a bullfighter with talent.</p>
<p>“It’s an odd part because it’s an acting part as much as a singing part,” Milnes says. “You can’t just sing Escamilio — you have to act it.”</p>
<p>That includes pantomiming a bullfight.</p>
<p>“I had studied some of the moves with a ballet dancer,” Milnes says. “You have to be very athletic. Thinner is probably better.</p>
<p>“You’ve got to move with dance-like or cat-like moves. You can’t just walk out because a bullfighter doesn’t.</p>
<p>“The aria is a bass baritone with a big top,” he says. “It takes a special voice and special physical pizzazz.”</p>
<p>Don Jose is so jealous of Escamilio, he murders Carmen. Georges Bizet wrote “Carmen” in the 1840s.</p>
<p>“He was writing it for the bullfighters of the time,” Milnes says. “Carmen leaves Jose and gets herself killed because he is so jealous, he kind of loses his mind. Maria did a poster about ‘Carmen’ that reads, ‘If she loves you, beware.’</p>
<p>“Carmen didn’t really love Escamilio, and she probably didn’t love Jose. As we know, with operas, especially older operas, the battles and sex are all off stage. The audience never sees them, which was part of the idea.” </p>
<p>“Carmen” is being presented at Asbury Memorial Theatre at Asbury Memorial United Methodist Church. </p>
<p>“We’re very excited about this,” says Ray Ellis, Asbury’s minister of music. </p>
<p>“We’ve been working with the VOICE Festival for a couple of years now. We’ve hosted ‘Music Out of the Hat,’ a musical game show they do.</p>
<p>“This is the first time we’ve ever had a big production for the festival. Asbury is a wonderful place to perform, with great acoustics.”</p>
<p>Asbury hosts its own musicals and also presents an immensely popular program called “God on Broadway.”</p>
<p>“We’ve had a couple of meetings so far with the festival people to see what logistics they need,” Ellis says. “We may have to adjust a few lights for them. They’re pretty much going to come in and do the show.”</p>
<p>One of the best attributes of the church as a production venue is its capacity for seating.</p>
<p>“The church seats about 500,” Ellis says. “It’s a big stage.”</p>
<p>Ellis is hopeful the partnership leads to further VOICE Festival events at Asbury.</p>
<p>“Maria and Sherrill are so wonderful to work with,” he says. </p>
<p>“All the performers are so genuine and nice and loving, and they take care of our stuff while they’re using it. Savannah is in for a treat and all of us at Asbury are thrilled to be part of it.”</p>
<p>&nbsp;</p>
<p><strong>IF YOU GO</strong></p>
<p>What: “Carmen”</p>
<p>When: 4 p.m. Aug. 9 and 6:30 p.m. Aug. 11</p>
<p>Where: Asbury Memorial Theatre, 1008 E. Henry St.</p>
<p>Cost: $65 in advance, $70 at the door</p>
<p>Info: www.savannahvoicefestival.org, <a href="http://www.voicexperiencefoundation.com" title="www.voicexperiencefoundation.com">www.voicexperiencefoundation.com</a>, 855-76-OPERA</p>
http://savannahnow.com/do/2015-07-29/savannah-voice-festival-present-bizets-carmen#commentsDoAccentLinda SicklerPhoenix912-525-0724Andrew BisantzBaritoneBullfightingCarmenCarmenChristopher Canoco-founderco-founder and executive directorconductorContact DetailsDon JoseEdwin CahillFamily RelationGeorges BizetGrammy AwardsJennifer Johnson Canolinda.sickler@savannahnow.comMarco NisticoMaria ZouvesMatthew AnchelMetropolitan OperaMilnesMusicOperaOperasPerson CareerPerson RelationPianistRay EllisSamuel LevineSherrill MilnesSherrill MilnessingerSpainSuitesThu, 30 Jul 2015 02:37:06 +0000Linda Sickler1099672 at http://savannahnow.comFilm Scene: Take advantage of local screenings of 'Mr. Holmes'http://savannahnow.com/do/2015-07-23/film-scene-take-advantage-local-screenings-mr-holmes
<div><img src="http://sav-cdn.com/sites/default/files/imagecache/story_slideshow_thumb/14578351.jpg" alt="" title="" class="imagecache imagecache-story_slideshow_thumb imagecache-default imagecache-story_slideshow_thumb_default" width="280" height="168" /></div><p>Folks who read this column with some degree of regularity likely know by now that on Wednesday nights, The Sentient Bean Coffeehouse on the southern end of Forsyth Park turns into an informal screening room, courtesy of the Psychotronic Film Society of Savannah.</p>
<p>That community-oriented multi-purpose venue is also the setting for a wide variety of concerts by singer-songwriters and indie rock and Americana bands, as well as public forums and spoken word events. Occasionally, other local organizations present movies in that 50-capacity space, and the next week finds two such features on tap at The Bean.</p>
<p>First up on July 23 is the Occupy Savannah Movie Night. Curated by the grassroots political activist group Occupy Savannah, this ongoing monthly event offers the public a chance to see all manner of progressive, counterculture-oriented documentaries free of charge. Their selection this month is 2013’s “The Lottery of Birth,” which is actually the first installment of the three-part “Creating Freedom” documentary series.</p>
<p>This celebrated and challenging educational film was described by one reviewer as a visually stunning and strikingly original masterpiece. Centered around some of the most pressing questions vexing modern-day progressives, it’s a conglomeration of interviews with forward-thinking academics — in both the social and natural sciences — from across the globe (including Michael Albert, Tony Benn, Vandana Shiva and Howard Zinn). Hailed as more than just a series of thoughtful, visionary talking heads, the film is said to boast a bevy of evocative and haunting visual images which add greatly to the impact of the interviewees’ insights.</p>
<p>What is the subject matter, you may ask? </p>
<p>The film attempts to put into perspective the extent to which giant educational, corporate and political entities “cripple our liberty.” Offered up in a plainspoken manner that makes the message easily understood by the broadest possible range of viewers, it is said to inspire a wide range of epiphanies in those who have seen it — opening minds to new and powerfully perceptive ways of viewing one’s own place in this wide world. Showtime is 6:30 p.m., with free admission to all.</p>
<p>The following night, July 24, The Bean will host a screening of director Lucia-Milena Bonse’s 2008 documentary on street art (read: graffiti) in Barcelona, Spain, “Las Calles Hablan.” </p>
<p>Filled with the words and art of more than 20 of that city’s street artists, the film has been described as a story about “discovering a hidden world” and the ongoing struggle between a a subversive artistic community’s desire to paint solely for the freedom of their expression and the increasingly restrictive regulations of an uncaring government. Check out <a href="http://www.sentientbean.com" title="www.sentientbean.com">www.sentientbean.com</a> to view the film’s trailer. The movie runs for one hour, and showtime is 8 p.m., with free admission.</p>
<p>Heading away from downtown and out to the Southside, I am happy to report that on that same night, one of the most popular new releases on the art-house circuit opens at the Carmike Wynnsong multiplex behind the Savannah Mall for a one-week engagement. It’s “Mr. Holmes,” starring Sir Ian McKellen (“The Lord of The Rings” film series) as Sherlock Holmes. The film finds the reliably grand McKellen once more reunited with the man who directed him in the mesmerizing 1998 suspense drama “Gods and Monsters,” Bill Condon.</p>
<p>McKellen was nominated for a Best Actor Oscar for his lead role in that film, while Condon (who’s also directed two entries in the “Twilight” franchise, along with “Dreamgirls” and “Kinsey”) took home the Best Adapted Screenplay Award for his efforts. In this critically praised mystery drama, Condon has re-imagined Sherlock Holmes as an elderly and ailing man in 1947, haunted by the death and destruction he witnessed during a visit to Japan following our country’s nuclear attack on Hiroshima and Nagasaki. </p>
<p>The film, which also features the exquisite Laura Linney in a key supporting role, deals with the once-sharp Holmes grappling with a particularly vexing, decades-old case he was never able to solve. </p>
<p>However, he is forced to reconcile his diminished and faltering faculties with the brilliant deductive powers of his fabled youth. This is a movie less about how one solves a mystery than about how one ages gracefully and makes the most of the time he has been given. It’s rare that a corporate-owned theater in our market offers such a small, “niche” picture, so do try to support this one if you have the chance. As of press time, daily showtimes for “Mr. Holmes” were listed as 11 a.m., 1:35 p.m., 4:10 p.m., 7 p.m. and 9:35 p.m. beginning July 24. Standard admission costs apply.</p>
<p>The following night at Trustees Theater on Broughton Street, SCAD’s Cinema Circle resurrects director Doug Liman’s first installment in the Jason Bourne franchise of modern-day espionage thrillers, 2002’s “The Bourne Identity.” Based (quite loosely) on the Robert Ludlum political thriller of the same name, this star vehicle for Matt Damon (he accepted the lead role of the amnesiac intelligence agent only after Brad Pitt, Russell Crowe and Sylvester Stallone had passed) is regarded as one of the better movies in its genre, and wound up taking in more than $200 million worldwide at the box office.</p>
<p>Packed to the gills with double-crosses and tightly wound fight and chase sequences (many handled ably by Damon himself rather than a faceless stuntman), this film spawned three sequels, none of which are generally felt to be the equal to this first entry. For those who are jonesing for more international intrigue and spy action since the Lucas Theatre’s “Summer of Bond” has wound to a close, this may be just the ticket. As always at Cinema Circle events, there will be an informative post-show discussion led by SCAD faculty and graduate students. Showtime is 7 p.m., with $8 admission ($5 for students/seniors/military).</p>
<p>And finally, next Wednesday, July 29, the Psychotronic Film Society will screen one of the least-known but most beloved “bad” movies of the past half-century: 1986’s incredibly rare low-budget howler “The Intruder.” </p>
<p>Made in Indonesia under the original title of “Pembalasan Rambu,” it’s a D-grade knock-off of Sylvester Stallone’s “Rambo” that appears to have been made on a budget of about $500. The film stars New Zealand’s martial arts enthusiast Peter O’Brian as Rambu, a lone, (supposedly) charismatic vigilante and former police officer who takes revenge on the gang who killed his wife.</p>
<p>O’Brian, an “actor” with no professional training who resembles a strange cross between Chuck Norris and smooth jazz saxman Kenny G, is somewhat better known among cult film aficionados as the star of a later, infamous and equally nonsensical Indonesian exploitation gem, “The Stabilizer,” which the PFS screened last year to much laughter. If you appreciate illogical dialogue poorly dubbed into English, obviously fake fistfights and ridiculously outdated fashions, “The Intruder” has your name written all over it. </p>
<p>It’s never been released in the U.S., so this will likely be your only chance to witness Rambu in his glory. Showtime is 8 p.m., with $7 admission for immature viewers.</p>
<p>Until the next issue, see you at the movies, and don’t forget to turn off that cell phone. </p>
</p>
<p>Jim Reed directs Psychotronic Film Society of Savannah. Read more at www.filmsavannah.com.</p>
</p>
<p><strong>IF YOU GO</strong></p>
<p>What: “The Lottery of Birth”</p>
<p>When: 6:30 p.m. July 23</p>
<p>Where: The Sentient Bean, 13 E. Park Ave. </p>
<p>Cost: Free</p>
<p>Info: www.sentientbean.com</p>
</p>
<p>What: “Las Calles Hablan”</p>
<p>When: 8 p.m. July 24</p>
<p>Where: The Sentient Bean, 13 E. Park Ave. </p>
<p>Cost: Free</p>
<p>Info: www.sentientbean.com</p>
</p>
<p>What: “Mr. Holmes”</p>
<p>When: Five screenings daily from July 24-30</p>
<p>Where: Carmike Cinemas Wynnsong 11, 1150 Shawnee St. </p>
<p>Cost: Varies</p>
<p>Info: www.carmike.com</p>
</p>
<p>What: “The Bourne Identity”</p>
<p>When: 7 p.m. July 25</p>
<p>Where: Trustees Theater, 216 E. Broughton St.</p>
<p>Cost: $8 or $5 for students/seniors/military</p>
<p>Info: www.trusteestheater.com</p>
</p>
<p>What: “The Intruder”</p>
<p>When: 8 p.m. July 29</p>
<p>Where: The Sentient Bean, 13 E. Park Ave. </p>
<p>Cost: $7</p>
<p>Info: www.sentientbean.com</p>
</p>
http://savannahnow.com/do/2015-07-23/film-scene-take-advantage-local-screenings-mr-holmes#commentsDoAccentColumnJim ReedEntertainmentHuman InterestTechnologyBARCELONACarmike CinemasActorBeanBill CondonContact DetailsCreating FreedomDirectorEntertainmentFilmsHoward ZinnHuman InterestIan McKellenLas Calles HablanLucia-Milena BonseMichael AlbertMr. HolmespaintPerson CareerPeter O'BrianPsychotronicRambuSavannah MallSherlock HolmesShowtimeSpainTechnologyThe IntruderThe IntruderThe Lord of the RingsThe Lord of the Rings film trilogyThe Lottery of BirthTony BennUSDVandana Shivawww.sentientbean.comThu, 23 Jul 2015 04:26:43 +0000Jim Reed1098939 at http://savannahnow.com