Arts & Culture | Film

Imagine a biopic about Theodor Herzl, the founder of Zionism, directed by Steven Spielberg and starring Daniel Day-Lewis. Talk about a dream team. But the match-up is a wild dream that the accomplished Israeli director and former Hollywood filmmaker Shimon Dotan got one step closer to realizing last month.

The story of Boris and Bessie Thomashefsky is a classic American success narrative. Although they were born only a few miles apart in “the middle of a Ukrainian nowhere,” as their grandson Michael Tilson Thomas puts it, they met in Baltimore when he was performing with a traveling Yiddish theater troupe and she was a star-struck girl working in a tobacco factory. They went on to fame and acclaim, stars of the Yiddish theater from the late-19th Century until the Depression.

There are times when you are out walking that a kind of hypnotic paralysis overcomes you. You are enwrapped in the rhythms of your gait, the pleasant sameness of the countryside, and you become oblivious to anything but the forward motion, the almost imperceptible bobbing of your gaze.

It’s not a very large painting, not much more than a square foot of oil on canvas. But Egon Schiele’s portrait of his beloved mistress Walburga Neuzil shook the art world in ways that the Austrian painter could never have imagined. This earthquake had almost nothing to do with the quality of the painting, “Portrait of Wally,” and everything to do with the sinister intersection of the sometimes shadowy world of art dealers and the black hole that was the Shoah.

Amos Kollek is back in New York. Although he has lived in the city “for long periods,” he says, he is now living in Israel full time, and is back for what he suggests is a fool’s errand: supporting the May 4 opening of his latest film, “Chronicling a Crisis.”