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Lou Stoppard reports on the Haider Ackermann show

Report by Lou Stoppard on 19 January 2017.

In Ackermann’s work, there’s always been an air of the bad boy or the outsider - his early menswear presentations felt like an ode to louche opium dens with all that billowing fabric and sumptuous layers. Today, things felt altogether more grown up - the show was longer, the trousers shrunken, the focus more formal - but that interest in the outsider remained.