We are left to worry about pictorial space almost by default. But, after all, the aim of art is to create space — space that is not compromised by decoration or illustration, space in which the subjects of painting can live. This is what painting has always been about. -Caravaggio.

At the very moment he cried out, David realised that what he had run into was only the Christmas tree. Disgusted with himself at such cowardice, he spat a needle from his mouth, stepped back from the tree and listened. There were no sounds of any movement upstairs: no shouts, no sleepy grumbles, only a gentle tinkle from the decorations as the tree had recovered from the collision. - Stephen Fry.

The life-boat may have a tasteful bend and beautiful decoration, but these are not the qualities for which I prize it; it was my salvation from the howling sea! So the interest which a regenerate soul takes in the Bible, is founded on a personal application to the heart of the saving truth which it contains.

We are left to worry about pictorial space almost by default. But, after all, the aim of art is to create space — space that is not compromised by decoration or illustration, space in which the subjects of painting can live. This is what painting has always been about.

To Leonardo a landscape, like a human being, was part of a vast machine, to be understood part by part and, if possible, in the whole. Rocks were not simply decorative silhouettes. They were part of the earth's bones, with an anatomy of their own, caused by some remote seismic upheaval. Clouds were not random curls of the brush, drawn by some celestial artist, but were the congregation of tiny drops formed from the evaporation of the sea, and soon would pour back their rain into the rivers.

Surely there must be some way to find a husband or, for that matter, merely an escort, without sacrificing one's privacy, self-respect, and interior decorating scheme. For example, men could be imported from the developing countries, many parts of which are suffering from a man excess, at least in relation to local food supply.

The glorification of the "'woman's role," then, seems to be in proportion to society's reluctance to treat women as complete human beings; for the less real function that role has, the more it is decorated with meaningless details to conceal its empt.

At the very moment he cried out, David realised that what he had run into was only the Christmas tree. Disgusted with himself at such cowardice, he spat a needle from his mouth, stepped back from the tree and listened. There were no sounds of any movement upstairs: no shouts, no sleepy grumbles, only a gentle tinkle from the decorations as the tree had recovered from the collision.

But this logic has also worked to exclude the decorative — the decorative insofar as it functions solely as decoration. It's as though aesthetic value, quality, could be preserved only by concentrating on "absolute" or "autonomous" art: thus on visual art — including even architecture — that held and moved and stirred the beholder as sheer decoration could not. Decoration is asked to be "merely" pleasing, "merely" embellishing, and the "functional" logic of Modernism leaves no room, apparently, for such "mereness." This is part of the pity of Modernism, one of the sacrifices it enjoins...

The Roman did not perceive beauty in every-day matters, or indeed care to do so. Beauty was unimportant to him. Life in his eyes was a very serious and a very arduousbusiness, and he had no time for what he would have thought of as a mere decoration of it...There were imperative tasks to summon men for all that was in them.

Bring from the east, bring from the west,Flowers for the hair, gems for the vest ;Bring the rich silks that are shining with gold,Wrought in rich broidery on every fold,Bring ye the perfumes that breathe on the rose,Such as the summer of Egypt bestows ;Bring the white pearls from the depths of the sea —They are fair like the neck where their lustre will be.Such are the offerings that now will be brought,But can they bring peace to the turmoil of thought ?Can they one moment of quiet bestowTo the human heart, feverish and beating, below ?

There were many wooden chairs for the bulk of his visitors, and two wickerarmchairs with red cloth cushions for superior people. From the packing-cases had emerged some Indian clubs,… and all these articles... made a scattered and untidy decoration ...

If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. - Herbert Read.

Decorate! your home. It gives the illusion that your life is more interesting than it really is. Or the theater stage designer's maxim: "If you can't hide it, decorate it."

There were many wooden chairs for the bulk of his visitors, and two wickerarmchairs with red cloth cushions for superior people. From the packing-cases had emerged some Indian clubs,… and all these articles... made a scattered and untidy decoration that Mrs. Clough assiduously dusted and greatly cherished.

People would be amazed at the behind-the-scenes activity in hero-making; quarrels over which cases are most deserving; seeing that all ranks and units are properly represented; dressing up weak cases to make them appear stronger; last minute switches from one class of decoration to another. … The number of decorations is determined, not by the number of deserving cases, but by the number and types of medals the admiral totes along.

A great bridge is a great monument which should serve to make known the splendour and genius of a nation; one should not occupy oneself with efforts to perfect it architecturally, for taste is always susceptible to change, but to conserve always in its form and decoration the character of solidity which is proper.

If until now (i.e. 1910-12) colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artisticcreation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak.

The tattooing in these portraits [in Dr Hocken's collection] ought to suggest the savage, of course, but it does not. The designs are so flowing and graceful and beautiful that they are a most satisfactory decoration. It takes but fifteen minutes to get reconciled to the tattooing and but fifteen more to perceive that it is just the thing. After that, the undecorated European face is unpleasant and ignorable. - Mark Twain.

You may have a throne at the royal court, with beautiful decorations and soft carpets, all sorts of luscious fruits and beautiful gardens, the excitement of the chase and princely pleasures - but still, the mind is not made happy by such illusory diversions.

So I was always in touch with things of stone and with this kind of pure structuralarchitecture — without frills or unnecessary decoration. All of this became an integral part of my thinking at a very early stage.

A great novel is concerned primarily with the interior lives of its characters as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.

The tattooing in these portraits [in Dr Hocken's collection] ought to suggest the savage, of course, but it does not. The designs are so flowing and graceful and beautiful that they are a most satisfactory decoration. It takes but fifteen minutes to get reconciled to the tattooing and but fifteen more to perceive that it is just the thing. After that, the undecorated European face is unpleasant and ignorable.

The tradition of painting and decorating oxcarts started in the early twentieth century. Originally, each region of Costa Rica had its own particular design, enabling the identification of the driver’s origin by the painted patterns on the wheels. - Unesco.

The tradition of painting and decorating oxcarts started in the early twentieth century. Originally, each region of Costa Rica had its own particular design, enabling the identification of the driver’s origin by the painted patterns on the wheels.

Luxury and richness of decoration, and the general striking appearance of a facade, seem to be the only source of pleasure to generosity of persons...Public and private utility, the welfare and comfort of individuals, are the ends of the Art to which all other points must be … that decoration should begin.

I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.

Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.