Mark Devlin is a UK-based club and radio DJ and music journalist, specialising in black/ dance music in its many forms.
In more recent years he has begun speaking on radio and at events about the dark forces that have been manipulating the music industry for decades. This led to the publication of his book 'Musical Truth' in 2016, with Volume 2 following in early 2018.
The one-stop shop for all audio output is:
https://www.spreaker.com/user/markdevlin.
E-mail: mark@markdevlin.co.uk

Tuesday, 13 November 2018

Mike Williams and myself got into a three-way conversation with Michael Joseph concerning a few ‘elephants in the room’. Here’s our discussion, recorded back in August, but only just released.

Michael’s text as follows:

Conversation starts @ 3:05 – A truther triple threat of Mike-Mark-Mike; all getting together to discuss the elephant in the room experiences of dealing with issues that should seem quite obvious to most, but are somehow so elusive to people both inside and outside of the so-called 'Matrix'. We go into the multi-faceted aspects of social engineering from news/media, arts & entertainment, health, education and also the religious and political sphere at times. We are humble enough to admit that we might be missing a few elephants of our own, but a therapeutic rant session was in order which is needed every so often; and this was such an occasion. We gave some solutions at the end but were unfortunately cut short due to time constraints and unforeseen technical difficulties; that segment was intended to be longer but we'll just blame it on the 'Illuminati messing with us' rather than Mike's lack of understanding on how to record 3 audios at once. Enjoy.

Saturday, 10 November 2018

Here's my full two-hour talk from the outstanding Open Minds Ireland conference on 4th November 2018, held at Dooleys Hotel in Waterford.

This builds on my previous presentations concerning Lifetime Actors, the weaponisation of culture, and the manufactured creation of fads, trends and 'scenes', containing some new information not previously presented, (plus the odd gag.)

I hope to be able to replace this with a version containing improved audio once I receive it from the cameraman.

Friday, 9 November 2018

The sick, twisted agendas being promoted through ‘entertainment’ and popular culture sure are being ramped up with the newly-released debut album by the ‘artist’ Poppy, and this Diplo-produced song taken from it.

Besides the usual allusions to Satanic Ritual Abuse and trauma-based mind-control, (which is all now rather passe for these animated puppets,) Poppy’s stuff is all about pushing Transhumanism and, in this video, depicting the rise of AI to become fully conscious and decide the ultimate fate of humanity. This video has her portrayed as one such entity, describing humans as ‘like cockroaches’, and wiping them out at will. The hookline “baby, your time is up”, is a reference to the human species, and in accordance with the mindset of eugenicists, it’s all suggested to be our own fault - “Human history, pollution, and overcrowded cities, That's your legacy, But don't look so depressed, You'll soon be nothingness. Oh my God, you don't even know!”

Its hard to imagine how any piece of ‘entertainment’ could be more anti-creation and Luciferian than this, but the diseased minds behind these industries always seem to find a way of pushing the envelope yet further.

The launch of Poppy’s music has been preceded by an ongoing series of short videos on her Youtube channel which will be immediately disturbing to anyone still with the capacity for critical thought and analysis. In most, she appears dissociated from reality and living in a dreamstate, (as subjects of trauma-based mind-control are said to,) and interacts with various non-human entities which speak with demonic voices. In one, she openly declares her love for ‘the Devil’. And all this is being passed off, blatantly, as ‘entertainment’, since it seems you can get away with pretty much anything by presenting it as ‘art’, (well, apart from saying anything vaguely critical of certain ‘special’ groups within society, of course.)

Sure enough, as is the pattern with so many other artists pushing mind-control subliminals through their ‘music’, in a Twitter post from earlier this year, Poppy talked of her ‘history as a survivor of abuse’, and a ‘legally-documented trauma from my past.’

The big danger here is that Poppy’s ‘cute’ persona, (lots of talk of unicorns - the ‘in’ thing,) will see her being embraced by legions of impressionable young girls, and that parents’ guards will be down, allowing their kids to be influenced by all kinds of dark, anti-human subliminals. The Diplo-produced track, (the lyrics to which apparently took seven people to write,) sure is catchy and can easily weave itself into a listener’s subconscious, which is where all the black magic mind-control takes place. This pretty much announces Diplo’s (one half of the act Major Lazer,) induction as an industry ‘Chosen One.’

Poppy’s persona has been so carefully crafted to make her appear dissociated and cyborg-like, that some have questioned whether she’s even really human at all. (Her album is titled ‘Am I A Girl?’) She would appear to be named Moriah Rose Pereira, and to be 23 years old, despite having the air of a pre-pubescent girl. She and her ‘creative partner’ Titanic Sinclair, are currently embroiled in a legal case with the singer Brittany Sheets, one part of the act Mars Argo, with Sheets accusing Poppy and Sinclair of ripping off certain creative aspects of her act. It all puts me in mind of the claims that Lady Gaga plagiarised the persona of her previous friend and collaborator Lina Morgana when she first emerged as a fully-formed act. (Morgana turned up dead shortly afterwards.)

The choice of artist name is surely no accident, either, given that the poppy flower is used to make addictive narcotics substances like opium, which alter minds and destroy lives.

Thursday, 1 November 2018

Billy Ray Valentine, host of the excellent Infinite Fringe show on Truth Frequency Radio, swaps position to become the guest. We consider some of the many ways in which Western culture has manipulated humans into becoming cut off from their true connectedness to their natural surroundings, and to Creation generally.

We start out by discussing how the changing of the clocks throws our natural body rhythms out of synch, and the disjointed calendar system we adhere to, before covering the popular tradition of Halloween. While this may have started as a well-meaning pagan festival to commemorate the dearly-departed, the ‘elite’ dark occultists have seen to it that it has become a celebration of death and darkness, timed to coincide with the sun’s descent towards its own ‘death’ at the Winter Solstice.

This leads us into some heated reflections on the Transhumanist/ AI society that is already upon us - an endeavour to create a totally synthetic reality to rival the one set into place by the true Creator. We muse on whether human society has passively allowed itself to be led so far down this path, that we’ve reached the point of no return, and the inevitable result is a complete reset of everything - the latest of many over the course of human history.

Only when we, collectively, take responsibility for resisting evil and tyranny - no matter how seductively it might be packaged - will the final playout be any different.

Mark Devlin is a UK-based club and radio DJ and music journalist, specialising in black/ dance music in its many forms. He’s also written his first book, 'Tales From The Flipside' (available at authorhouse.co.uk and amazon.co.uk) In more recent years he has begun speaking on radio and at events about the dark forces that have been manipulating and controlling the mainstream music industry for decades, and how this ties into the much larger picture of what is really going on in the world.