In a review for The Times Literary Supplement, Gerri Kimber wrote "I can’t imagine that a wittier book than Tim Conley’s Useless Joyce has ever been written about such complex subject matter – namely what it means when we speak, in relation to the works of Joyce, of the “uses” of a text, and in particular the distinction between “the liberal arts” and the “useful arts.”

“Identities – ethnocultural, gendered, socio-economic, minoritized, regional – are interesting facets of who we are. Often we both are and are not multiple selves simultaneously, and as we asked authors to contribute to this collection, the key question we wanted them to think about was this: What does Ukrainian Canadian-ness mean to them in contemporary Canada? We were both surprised and pleased with their responses.

This book demonstrates that on close scrutiny, as with any vibrant and dynamic community, there may be more divisions than similarities among the views of individual Ukrainian Canadians. More than sixty years have passed since the first English-language Ukrainian Canadian novel was published, and the literature playing with notions of what it means to be Ukrainian Canadian suggests that it means many things to many people. This book explores the spaces where, in the words of Myrna Kostash, “our collective, though not necessarily common, interests coincide.” And while this exploration uses Ukrainian Canadian (in all its iterations) as its focusing lens, it speaks to other minoritized subject positions in Canada and abroad, and perhaps most loudly to contemporary mainstream Canada as well.”

So begins the introduction to Unbound: Ukrainian Canadians Writing Home. In thinking about identity politics and contemporary Canada, as diasporic and postcolonial scholars who focus on contemporary Canadian literature both Lisa Grekul and I approached co-editing a collection focusing on English-language Ukrainian Canadian literature in a radical way.

As scholars, both Grekul and I are committed to multiplicity to identities rather than a single, hegemonic way of looking at the world. When we asked our contributors to provide something for the book we envisioned creating, we wanted to give them the greatest degree of openness we could.

We did not want to constrain their voices, which meant that we did not want to constrain their generic or stylistic choices. It also meant that we were committed to a consultative and collaborative process to bring this book to fruition.

The book, as a result is an expression not only of some of the best thinking and writing about contemporary Canadian identity politics and literature, but also an articulation of being “unbound” by genre or expectation. This book is profoundly scholarly and profoundly creative simultaneously. And its creation is the culmination of the best feminist practice that we lived over years to pull it together.

We are terribly and justifiably proud of this book.

Then when we found out that it was a finalist for the 2018 Kobzar Literary Award, a nation-wide literary prize in Canada that is only offered every two years, we were over the moon.

Then on March 1st when the winner was announced and Unbound: Ukrainian Canadians Writing Home became the 2018 Kobzar Literary Award winner, we didn’t know what to do with ourselves.

Grekul was in the middle of a busy teaching term at UBC, Okanagan on the other side of Canada from the Toronto-based gala awards night, and I was glued to my iPhone in Kuala Lumpur 13 hours ahead of Toronto.

Marusya Bociurkiw, one of the contributors who has also been a Kobzar finalist before, represented us, and when she texted me: “WE WON!” I thought she must be joking. As Twitter exploded with the announcement, and Bociurkiw pulled another contributor onto stage with her Erin Moure – who was also a finalist this year in her own right – we all felt the years of hard work being recognized.

This book is important. This book is revolutionary. This book is interesting. This book is powerful. This book is political. This book is beautiful.

And this book is a nation-wide literary prize winner.

On behalf of my co-editor, Dr. Lisa Grekul, I must thank our amazing, talented, intelligent, and formidable contributors:
Maruysia Bociurkiw
Elizabeth Bachinsky
Janice Kulyk Keefer
Myrna Kostash
Marsha Forchuk Skrypuch
Erin Moure
Daria Salamon and Weronika Suchacka who wrote the preface and Natalka Husar who allowed her painting '500 people you didn’t know' to be used as the cover art.

Lisa Grekul is a novelist and associate professor in the Department of Critical Studies at the University of British Columbia Okanagan.

Lindy Ledohowski is an educational leader and literary scholar. She serves on the board of trustees for the Canadian Museum for Human Rights.

In her review for Blacklocks Reporter, Holly Doan writes “Treating Healthcare is frankly excellent. Prof. Deber has a crisp, engaging writing style that strips away the adjectives and political hyperbole that muddles so much of the medicare debate.”

Choose charity:

The Champlain Society

Make a donation to the Champlain Society

How much would you like to donate?

You are about to donate to the Champlain Society. Please add your donation amount to the box below, and click DONATE. This will add your donation to your shopping cart. To checkout, click the shopping cart in the upper right corner of your screen, and proceed with the checkout process.

Donations to the Champlain Society are fully tax-deductible and receipts will be mailed out in the new year.