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DTSTAMP:20190510T121534
DTSTART;TZID=America/Detroit:20200124T110000
DTEND;TZID=America/Detroit:20200124T170000
SUMMARY:Exhibition:Abstraction\, Color\, and Politics in the Early 1970s
DESCRIPTION:Can abstract art be about politics? In the early 1970s\, that question was hotly debated as artists\, critics\, and the public grappled with the relationship between art\, politics\, race\, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed\, and on employing art to advance civil rights. Within this discourse\, abstraction had an especially fraught role. To many\, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction\, Color\, and Politics in the Early 1970s presents large-scale work by four leading American artists—Helen Frankenthaler\, Sam Gilliam\, Al Loving\, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.\n\nUMMA gratefully acknowledges the following donors for their generous support of this exhibition:\n\nLead Exhibition Sponsors: University of Michigan Office of the Provost\, Michigan Medicine\, and College of Literature\, Science\, and the Arts\n\nExhibition Endowment Donors: Richard and Rosann Noel Endowment Fund\, Herbert W. and Susan L. Johe Endowment\, and Robert and Janet Miller Fund\n\nUniversity of Michigan Funding Partners: Institute for Research on Women and Gender\, School of Social Work\, Department of Political Science\, and Department of Women's Studies
UID:58562-15784169@events.umich.edu
URL:https://events.umich.edu/event/58562
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Museum,Politics,UMMA
LOCATION:Museum of Art - A. Alfred Taubman Gallery II
CONTACT:
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