The self-produced set reveals the band’s vision of what music should sound like in 2012, and while songs such as "You Are the One" hark back to Suicide’s glowering electro-punk and Bauhaus’ shadowy ferocity, there’s a minimalism here that feels distinctly fresh -- not to mention a unique sexuality amidst its whooshing guitars and deadpan vocals. Hypnotic and forward-looking, A Place to Bury Strangers sound more vital than ever on Worship.

Much to the singer’s amusement, Guitar Player magazine turned down the chance to talk to A.A. Bondy about his third and best solo album ‘Believers’ on the grounds that it’s “too quiet”. It’s their loss - this languorous, sometimes clangourous set, co- produced by Rob Schnapf (Elliott Smith’s ‘Either/Or’ and ‘Figure 8’) with a sparse line-up of Macey Taylor on bass and Ben Lester doubling up on drums and impressively expressive pedal steel, is decidedly electric.

Featuring some of AC/DC’s heaviest and most hard-hitting tracks, the soundtrack for Jon Favreau’s blockbuster movie ’Iron Man II’ is an explosive collection. From the timeless riff of ’Back In Black’ to the attitude of ’Have A Drink On Me’, this is evidence that Brian Johnson and Angus Young have helped build a back catalogue to rival anything. A brilliant accompaniment to this super sequel. This special edition also includes a bonus DVD, with videos and live footage ranging between 1978 and 2009.

Recorded in front of 70,000 fans at three shows in Buenos Aires, Argentina in 2009. The set includes songs from their 15th record Black Ice alongside classics such as “Highway to Hell” and “For Those About to Rock (We Salute You)”.

Staggeringly, Rock or Bust is the 17th studio album from the Australian hard rock institution and their follow-up to 2012’s Live at River Plate. It is their first album not to feature founding member Malcolm Young, who retired from the band in 2014 following a diagnosis of dementia; guitar work on this release is handled by his nephew Stevie Young.

Both CD & LP formats have lenticular sleeve artwork. LP includes CD copy of the album

PRODUCED BY NILS FRAHM WHO ALSO PLAYS THROUGHOUT THE RECORD.[LP included MP3]

Currently based in Belgium, Dutch-born Chantal Acda (b. 1978) has worked under the Sleepingdog moniker since 2006, making three acclaimed albums that closed on the With Our Heads in the Clouds and Our Hearts in the Fields (2010) album for which she collaborated with Adam Wiltzie (Stars of the Lid, A Winged Victory For The Sullen). They toured the UK and Benelux with Low in 2011.

* After all this, it was time for her first real solo record. Playing in various formations had made her conscious of the patterns that we all, as humans, share in. So, she sought out kindred spirits with whom she might record an album filled with freedom and intensity, and who were conscious of the patterns we so often fall back on.

* Nils Frahm was the first of these to cross her path. The inventive German pianist and producer is an intense and adventurous performer and was a perfect match for this project. Acda also experienced a direct bond with Peter Broderick, a multi-instrumentalist known from his solo work (on labels such as Bella Union and Erased Tapes) and from his work with, among others, Efterklang. Cellist extraordinaire Gyda Valtysdottir from Icelandic group Mum had previously worked with Chantal as a member of the Sleepingdog live band. And lastly, Shahzad Ismaily stumbled into this picture by chance, but when Acda and he found themselves in the same room they formed an instant rapport.

* The circle completed, Acda had found the 4 worlds that would enable her to record the album in full freedom. Power revealed through vulnerability. Nils Frahm, who plays throughout the record, also took on the role of producer. What began as a journey ended as this wonderful record - one wherein the five musicians were able to find their place and, together, and with great warmth, tell their nine-song story. Let your hands be my guide.