The Movie Itself: Our Reviewer's Take

Before Sean Penn decided to adapt it to film, prompting its reissue with one of those obnoxious "Now a Major Motion Picture" tie-in editions (is there ever a Minor Motion Picture?), published copies of Jon Krakauer's non-fiction bestseller 'Into the Wild', which was based on a widely publicized true story, freely divulged the fate of its main character right on the front cover. With that in mind, I don't consider it a plot spoiler to mention that the movie's hero dies before the end credits. Structured non-linearly with many flash-forwards to his final days, the film makes no pretense of hiding this fact as any sort of surprise twist, and indeed knowledge of the inevitable outcome gives the story its greatest emotional resonance.

After graduating from college in the Spring of 1990, Christopher McCandless, a young man from a wealthy but dysfunctional family, went out to dinner with his parents and discussed his plans for law school. They ended the evening on polite, encouraging terms. The next day, McCandless withdrew all of his savings and donated it to Oxfam, cut up his IDs, burned his cash, and headed west in his aging Datsun for an intended spiritual journey. The Datsun didn't make it very far. Rechristening himself as Alexander Supertramp, the boy hitchhiked across the country for the next two years, never contacting anyone from his old life again. An intellectual with a fondness for the writings of Thoreau, Tolstoy, and the adventure stories of Jack London, "Alex" had grown increasingly disillusioned with what he considered modern society's materialistic and hypocritical values. Heeding romantic notions of living a solitary existence communing with nature, he sought to flee from the poisons of civilization, retreating to the wilds of Alaska where he could enthusiastically test his mettle and push his body and mind to their limits. He eventually made it there in April of 1992 and lived for the next four months in an abandoned bus in the woods that had previously been used as a hunters' shelter. He spent the time foraging for edible plants and small game, talking to himself a lot, and keeping a journal of his quest for enlightenment. His dead body was found by moose hunters in September of that year, emaciated to 67 pounds.

As depicted in the book and film, McCandless wasn't an antisocial Unabomber hermit, but rather an idealistic, somewhat confused, and frankly naïve kid trying to find his place in life. During his cross-country trip, he spent a great deal of time in the company of people whose forthrightness or free-spirited natures he admired, including a pair of traveling hippies (played by Catherine Keener and Brian Dierker), a gregarious South Dakota wheat farmer (Vince Vaughn), and a lonely retiree (Hal Holbrook). Alex became part of each of their families, but in the end his mission pushed him away from them, driving him to spend the rest of his life alone.

Ever since Krakauer's book was published, it's been surrounded by accusations of needlessly romanticizing Christopher McCandless and the events leading to his death. Sean Penn's adaptation will no doubt polarize some viewers as well. The author and director clearly believe McCandless to be a sympathetic character, worthy of an audience's emotional involvement. On the other hand, many familiar with the story, especially those that understand a thing or two about wilderness survival, consider him just a stupid kid who threw his life away, essentially committing suicide through his own reckless ignorance. In truth, both points of view have their merits, and are not necessarily opposed to each other. Like many his age, the boy's youthful arrogance fostered a sense of invulnerability, strengthened further after surviving a dangerous kayaking adventure down the Colorado River despite having no experience. Bringing nothing but a bag of rice, a book on local plants, and a .22 caliber rifle, he was certain that he'd be able to sustain himself for an extended duration alone. Obviously, he was wrong, and if he'd taken the time to properly prepare might have survived the ordeal. But it's precisely these flaws in his character, and his inability to recognize them until it was too late to save himself, that makes his story a genuine tragedy. If McCandless had walked out of those woods alive, would there even be a story worth telling?

Setting aside his own public personality as a loud-mouth political activist, Penn has a highly regarded reputation as both an actor and a director, and treats the material with respect and sensitivity. He wisely underplays the potentially melodramatic aspects of the story and draws strong performances from his cast. Although backed by a stellar list of co-stars (Hal Holbrook scored an Oscar nomination for his role), the main burden of the movie falls on the shoulders of Emile Hirsch, the young actor from 'The Girl Next Door' and 'Alpha Dog', who spends much of his screen time completely alone on camera, doing a remarkable job of drawing the audience into the mind of the character. Lovely photography and an understated musical score enhance the sense of atmosphere, as do an assortment of new songs by Eddie Vedder, whose grizzled ballads of alienation and rebellion are exactly the sort of thing that McCandless would have considered personal anthems. Penn has taken a fascinating story and crafted it into a beautiful tone poem, an elegy for lost innocence, and a heartbreaking motion picture.

The HD DVD: Vital Disc Stats

'Into the Wild' comes to HD DVD as one of Paramount Home Entertainment's final releases on the format, available simultaneously with 'Things We Lost in the Fire'. Almost immediately after announcing its intention to transition High Definition production back to the Blu-ray format, the studio cancelled the remainder of its previously announced HD DVD slate. In all likelihood, the only reason this title made it to retailer shelves is that the discs were already in the distribution chain at the time of the decision and couldn't be conveniently recalled.

The Video: Sizing Up the Picture

At least there's no faulting the technical quality of the presentation. 'Into the Wild' has beautiful photography shot in a variety of scenic locations, and Penn artfully exploits the scope 2.35:1 aspect ratio, frequently placing important information at the extreme edges of the frame and occasionally even indulging in split-screen montages. The 1080p/AVC MPEG-4 transfer is rich and film-like, with a strong representation of fine object detail and a nicely balanced contrast range. The naturalistic colors appear accurate, if not always showy.

The photography is sometimes grainy, and the picture is a little soft here and there (razor sharpness wasn't necessarily desired). There are moments where it looks like the studio may have applied some Digital Noise Reduction to tame film grain, but generally speaking the image has wonderful filmic textures.

The Audio: Rating the Sound

The Dolby Digital Plus 5.1 soundtrack is more notable for its use of quietness than sonic bombast. The mix is a study in understatement, consisting largely of production audio and filled with scenes where subtle ambient cues dominate the soundscape. Dialogue and sound effects are always reproduced with effective clarity. The surround channels are reserved for environmental envelopment, with almost no attention-grabbing directional effects. The score by Michael Brook and songs by Eddie Vedder are both delivered with pleasing fidelity and breadth.

The Supplements: Digging Into the Good Stuff

Technically, content on the HD DVD is a duplication of the "2-Disc Collector's Edition" DVD release of the film, which only makes it all the more disappointing to discover how sparse the bonus features are.

Into the Wild: The Story, The Characters (SD, 22 min.) – Produced by Laurent Bouzereau, this half-documentary features interviews with Sean Penn, author John Krakauer, Emile Hirsch, Hal Holbrook, Eddie Vedder, William Hurt, Jena Malone, and Kristen Stewart. All discuss their fascination and connection with the material.

Into the Wild: The Experience (SD, 17 min.) – A continuation of the above (this was clearly intended as a single documentary that's been broken into halves to reduce the participants' royalty payments), here we get a look at the production of the film. Topics include Hirsch's scary weight loss (he went from 156 to 115 pounds), shooting in the wilderness, locations, the bus, photography, costumes, sound design, editing, the musical score, and Vedder's songs.

Theatrical Trailer (HD, 3 min.)

Seriously, that's all. If you think that's disappointing enough for an HD DVD, consider that Paramount had the gall to issue two separate DVD editions: one with no bonus content at all, and a more expensive version that needlessly placed these measly 40 minutes of featurettes onto a second disc to make it seem more "collectible."

HD Bonus Content: Any Exclusive Goodies in There?

There are no HD DVD exclusives.

Final Thoughts

As the HD DVD format winds down production, worthy titles are still finding release even at the end. 'Into the Wild' is a moving film presented with terrific High Definition picture and sound, though the bonus features are pretty slim. Recommended.

Technical Specs

HD DVD

HD-30 Dual-Layer Disc

Video Resolution/Codec

1080p/AVC MPEG-4

480i/p/MPEG-2 (Supplements Only)

Aspect Ratio(s)

2.35:1

Audio Formats

English Dolby Digital-Plus 5.1 Surround

French Dolby Digital Plus 5.1 Surround

Spanish Dolby Digital Plus 5.1 Surround

Subtitles/Captions

English Subtitles

English SDH

French Subtitles

Spanish Subtitles

Portugese Subtitles

Supplements

Featurettes

Theatrical Trailer

Exclusive HD Content

None

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