Here’s another batch of jacked up beat traxx from Still Love's vault of lost Chicago house reel to reel tapes. You know the score, deep in a basement, sweat dripping down the walls, Rahaan beating that shit, the ghost of Ron Hardy smoking PCP somewhere in the crossover! Exciting times. The A1 kicks it old school with all those period features, flanged snare rolls, Inner City keyboard vamps, snipped vocal samples, banging drums and a Silk bassline. Onto the A2 and there's the grizzled drum box, garbled radio phone in and mighty meaty B-line, bringing us GTA radio if the next instalment was set in the Windy City 1987. Flip it and label boss Jerome D drops by with a personal addition to the collection, serving a stripped back and hypnotic jacker.

Surprisingly, this is the duo's first 10-inch missive of humid, floor-friendly revisions since the summer of 2018. They begin in a suitably sunny mood, offering up an on-point rearrangement of a cheery, sax-laden Afro-synth workout that sounds like it originated in the early 1980s. The A-side also boasts a second bubbly synth workout, possibly of a South African cut from the same period, where jaunty Clavinet lines and male/female vocals rise above a sparse but funky groove. Side B, meanwhile, contains a more Balearic-minded electronic cut rich in lo-fi drum machine beats, dreamy chords, chiming lead lines and glassy-eyed vocal snippets.

Mysterious edits from Castro and Nemo's party series in Berlin, this time with 3 more destructive floor stimulators along with trippy vocal tool with robotic read out of Bob Dylan's iconic lyric, very unorthodox dancefloor material Disco, Hi-NRG, Percussive?

Nothing makes us jump up from the desk, shouting 'Whaaaaat ?' like a Bitter End new release ! The label continue to forge a path that's entirely their own, with another in the limited pre-release series...'Kneel B4 Thelma' on side A, flips one of her biggest hits into an utterly futuristic cyborg-Soul anthem ! Almost as if we'd all forgotten how good one of Earth's greatest 20th century divas might sound over a filthy 21st century Klanken-banger ! On the flip 'Mast Song' transports us to a seaside tavern, where the old folks sit in the back, evoking (and imbibing) strong spirits, with traditional shanty's while the next generation find communion in the gentle throb of the 4/4 in the tap room next door. Light years ahead !

African Head Charge名盤1stアルバム収録のカルト・ガラージ古典"Stebeni's Theme"ネタの第1弾が大きな話題を呼んだ当店鉄板ミステリアス・ホワイト・レーベル<F>最新第4弾も絶対マスト・チェック！！Phil Collins"In The Air Tonight"ネタの感動的なエレクトロニック・ディープ・ハウス傑作！！ヴァイナル・オンリー限定プレス！！

Tracklist:

A1. In The Air B1. Too Far Gone

African Head Charge名盤1stアルバム収録のカルト・ガラージ古典"Stebeni's Theme"ネタの第1弾が大きな話題を呼んだ大好評を博したイギリスのディストリビューターから届けられたミステリアス・ホワイト・レーベル<F>最新第4弾も絶対マスト・チェック！！今作も大胆に大ネタである'81年のPhil Collins名作ヒット・ナンバー"In The Air Tonight"の雰囲気をそのままに感動的なエレクトロニック・ディープ・ハウス傑作に仕立て上げたA面"In The Air"に加え、こちらも壮大なネタ使いのドラマチックなポリリズミック・ブレイクビート・ハウスを展開したB面"Too Far Gone"をカップリングしたグレイテスト・ダブル・サイダー！！ヴァイナル・オンリー限定プレス！！

あの<West End Records>へのオマージュとして'13年に始動した<Bitter End Records>最新作が絶対オススメ！！DJ Harveyフェイバリットとしても知られるジャマイカン・レアグルーヴ・レゲエThe Soul Vendors"Granny Scratch Scratch"をネタにしたA面に加え、Theo Parrishプレイのオージー・ダンス・クラシックRenee Geyer"Be There In The Morning"を大胆に捌いたB面のグレイトフル・ダブル・サイダー！！

Tracklist:

A1. Dimension Extension B1. Be There Again

Bitter End continue to forge a path that's entirely their own, with another in the limited pre-release series... 'Dimension Extension' on side A, cooks up a sumptuously throbbing, cockle-warming Disco stew from the meagre ingredients of a sprouted wah wah guitar potato, brass carrots and a bouquet garni of dizzying strings. On the flip 'Be There Again' takes as inspiration a swirling Funk-Soul nugget from '77, augmented with some 21st century sonic sorcery and most welcome synth noodle in the 3rd act. Once again Bitter End rips up the rule book, and crafts a whole set of new, better ones in which freedom reigns. Light years ahead !

Please find enclosed the first release from our vinyl only 12" series. Two edits with our least favourite bits chopped out to create a more cohesive dance floor friendly record. The less said about these sneaky edits, the better.

A1. Party Time A2. Wicked And LazyB1. Ain't No Cruel Intentions B2. Jubilation

More cut n paste action aimed straight at late nite disco dancefloors! Fully organic authentic reworks of known and unknown classics. Partytime A modern rework of a Paradise Garage classic. Wicked and Lazy the seminal dance track is given a rough n' ready makeover with the original vocal line now underpinned by a loose disco funk groove with subtle brass stabs and woozy funk guitar. Aint no Cruel intentions Two dancefloor classics collide in this edit which combines the power and irresistible vocal hooks of Beth's confession of indifference with the hypnotic calling card groove of the Khan staple. Jubilation the S&G folk classic is a guaranteed party-starter and now it's been beefed up with a proper disco beat and a refrain to die for. Pure end of the night, hands in the air bizness.

The debut vinyl only release on the newly established KOD (Keep on Dancing) Records embodies the spirit of multiple day long sessions held at the revered Can Chou Chou house in Ibiza, where anything goes from Disco to Techno (in this case the former prevails) so long as it's played tastefully and at the right time. No title and no artist name appears on on this single, just the music speaking for itself.

Over the years Moton has become synonymous with releasing great quality edits from a range of amazing producers. Their 43rd release is no different offering up two glorious edits ready made for the dancefloor. “Cuffari (Make The World Larger Than Me)" on the A side is four and a half minutes of luscious, soulful, string laden goodness, entrancing you with those dreamy vocals. Trust us, she's right when she says "...the melody echoes in my mind" - this one will be stuck in your head for days! Flip it over and Marcel Vogel, under his Em Vee alias channels the happy-go-lucky NYC discotheque days through "Dancing (Jumbo)". With an all too infectious guitar and bass riff, coupled with cosmic synth pops and perfectly layered vocal chants - it's sure fire, peak time disco gold.