35 Years in the Big Sky Country

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Tag Archives: Byrnjulf Rivenes

In the early posts of this exploration of Montana’s historic landscape I spoke of the transformation that I encountered when I revisited Glendive, the seat of Dawson County, for the first time in about 25 years, of how local preservation efforts had kept most of the town’s railroad era landscapes alive while leading to the revitalization of its amazing number of historic residences from 1900 to 1950.

Let’s now turn our attention to public landmarks, old and more recent, that also deserve notice, starting with the magnificent Classical Revival-styled City Hall, one of the anchors of the Merrill Avenue historic district, which is listed in the National Register of Historic Places. Built in 1914, this all-in-one municipal building is an impressive architectural

statement by the second generation of Glendale’s leaders that the town would grow and prosper during the homesteading boom of the first two decades of the 20th century. The architect was Brynjulf Rivenes of Miles City. His firm had so many commissions coming from eastern Montana and Yellowstone Valley patrons that by this time Rivenes operated offices in both Glendive and Miles City.

Rivenes had earlier marked Glendive’s new emerging townscape with his Gothic design for the First Methodist Church, in 1909. Fifteen years later, he added another landmark church design with the Romanesque styled Sacred Heart Catholic Church (1924-1925).

The grand circular entrance window depicted the story of the sacred heart of Jesus. Bishop Mathias Lenihan dedicated the window in 1925. The tan brick of the building came from Hebron, North Dakota.

Rivenes also designed various commercial buildings along Merrill Avenue and its prominent side streets as Glendive business boomed from 1900 to the era of the Great Depression. During the New Deal, the federal government worked with local and state government to improve local infrastructure and irrigation. It also sponsored the construction of the Colonial Revival-styled Glendive post office, by federal architect Louis A. Simon, in the mid-1930s.

With recovery and the arrival of more and more automobile traffic from the late 1930s to the 1950s, many of the older buildings received mid-century updates. The remodels could

overwhelming, like the glass block windows and brick wall inserts at the Classical Revival styled Masonic Lodge, above, or they could be more effective blending of the early 20th past with the mid-century present as at the Kolstad Jewelry shop, below.

The 1950s and 1960s brought many changes to Glendive. Post World War Ii growth both in the town and the many surrounding ranches led to expansion and remodeling at the historic Glendive Milling Company in 1955. When the historic districts for Glendive were designated in the late 1980s, preservationists questioned the inclusion of this important industrial/agricultural complex due to the changes of the 1950s. Viewed today, however, the mill complex is clearly a very significant historic site.

As passenger traffic on the Northern Pacific Railway slacked, automobile traffic on the Yellowstone Trail (U.S. Highway 10) became more important as the old motel above also attests. Architectural signs like for the Gust Hauf located at 300 West Bell Street downtown don’t really make sense today but it did in 1965 when travelers were still using U.S. Highway 10 every day.

More contemporary styled church buildings were also dedicated in the mid-century, such as the classic “contemporary” styling of the Assembly of God building, with classrooms at

at the front rather than the rear, or the modified A-frame style of the First Congregational Church, which I shared in an earlier post on Glendive.

Glendive is very much a blending of different 20th century architectural styles, reaching back into the region’s deep, deep past, as at Makoshika State Park, where the visitor

center/museum is an excellent example of late 20th century modern style–clearly a building of the present but one that complements, not overwhelms, the beauty of the park itself.

Forsyth, the seat of Rosebud County, has used historic preservation effectively as one of many community assets to guide its economic sustainability over the last 30 years. When I first visited there in 1984, the community had already started to grapple with the impact of the coal mining far south at Decker. The passing of coal trains defined much of rhythms of traffic and life back then. But even 30 years ago, residents were determined to keep their identity and to celebrate their heritage, despite being drawn into a different world. That was impressive–and from 1986 to 1990, they put their commitment into physical terms by listing many properties in the National Register of Historic Places.

You really haven’t been to Forsyth unless you take in a movie at the Roxy Theater (1930) and an after-movie libation at the Lariat Bar

Earlier posts talked about such key heritage institutions as the Rosebud County Courthouse, the adjacent Rosebud County Museum, the Howdy (Commercial) Hotel, and then the adaptive reuse of the Vananda State Bank as new landmark business. Forsyth also has a downtown commercial historic district, which includes both the hotel, bank, the Roxy Theater shown above, but additional classic Montana two-story commercial buildings, with their understated Victorian or classical cornices.

The Masonic Temple, designed by Miles City architect Byrnjulf Rivenes in 1911, served the community in many ways during its formative years, including the town library. The Blue Front rooming house came in 1912 and served as home for Northern Pacific railroad employees for many years–today it is a remarkably intact example of that type of single-man housing from 100 years ago.

Residents also have designated a historic district of their homes and churches that developed in the early 20th century. It is an impressive array of buildings, from the c. 1920 First Presbyterian Church, a Gothic Revival design by Howard Van Doren Shaw of Chicago in partnership with McIver and Cohagen of Billings, to the brilliant Craftsman-style of the McQuistion House (1914) built by Louis Wahl of Forsyth for ranchers Joshua and Grace McQuistion as their “town” home. Then there is the 1897 Queen Anne-style house moved to its Forsyth lot by ranchers Robert and Dora Lane in 1909. The Lanes moved on but the house has stayed, becoming over 100 years a real cornerstone to the historic neighborhood.

Indeed, that is a theme found throughout town. Despite the coal industry that rumbles in the southern end of the county, Forsyth still holds on, and shows pride in, its ranching past. No better emblem can be found than the modern front to the Forsyth high school.

Like the vast majority of eastern Montana towns I visited in 2013, Forsyth has lost population from 1980. Then over 2500 lived there; in 2010 the census takers counted over 1700 residents. But unlike many, Forsyth is not beat up, abandoned, forgotten, depressing. The murals by Bob Watts, discussed in an earlier post, are part of the

answer. Local stubbornness is another. But pride in community as expressed through the town’s many historic preservation projects is another. Forsyth has figured out how to gain a future through an appreciation of the past. Let’s hope others follow their lead.