Free Shipping On All Domestic Orders Over $49.99

Free shipping on domestic orders will be sent in the form of USPS Media Mail.

Any domestic order within the continental USA containing audio hardware will automatically be upgraded to ship via UPS Ground, free of charge, unless an expedited service has already been selected.

USPS Media Mail

This shipping method is a service provided by USPS that may take up to 14 postal days to deliver, although average delivery period is 2-8 days.

UPS Ground

On any domestic order within the continental USA containing audio equipment, we will expedite your free shipping method to UPS Ground. This service will deliver within 1-6 business days; Monday through Friday only. No UPS delivery is available on Saturday or Sunday.

By Price

Vintage Trouble

1 Hopeful Rd

Over the past few years, Vintage Trouble have wowed audiences across the globe by opening for The Rolling Stones in London's Hyde Park, touring with legends like The Who and AC/DC, and playing sold-out headline shows worldwide. Now, on their first album for Blue Note Records, the Los Angeles-based foursome - singer Ty Taylor, guitarist Nalle Colt, bassist Rick Barrio Dill, and drummer Richard Danielson channel the vitality and passion of their live show into a fresh and urgent take on guitar-powered rhythm & blues. Produced by Blue Note president and three-time Grammy Award-winner Don Was, 1 Hopeful Rd. finds Vintage Trouble building off the groove-fueled sound that Yahoo! once painted as ''James Brown singing lead for Led Zeppelin'' and blending blues, soul, and riff-heavy rock & roll with joyfully gritty abandon. As heard on lead single ''Run Like the River,'' 1 Hopeful Rd. matches Vintage Trouble's emotional intensity with a raw yet sophisticated musicianship that's prompted the New York Times to name the band modern-day answer to Otis Redding and BBC Radio 6 to anoint them ''the heirs of rhythm and blues.''

1. Run Like The River2. From My Arms3. Doin What You Were Doin'4. Angel City, California5. Shows What You Know6. My Heart Won't Fall Again7. Another Man's Words8. Strike Your Light9. Before The Tear Drops10. If You Loved Me11. Another Baby12. Soul Serenity

Dark Star Soundtrack

WRWTFWW Records is ecstatic to bring back the original motion picture soundtrack for John Carpenter's Dark Star (1974) with added bonuses that are sure to satisfy all cult sci-fi soundtrack completists of the galaxy (and further).

This limited edition double vinyl combo comes with a 12 and a 7. The former is a remastered version of the original motion picture soundtrack consisting of incidental music, sound effects, John Carpenter's synth experimentations, dialogue excerpts, and vintage interferences extracted directly from the film roll.

The 7 is red with a yellow label circled in black (in pure beachball alien fashion) and contains "Ode to a Bell Jar" remade by loyal Carpenter collaborator Alan Howarth (Escape from New York, Christine, Big Trouble in Little China, They Live ), the fan favorite "Benson Arizona" remade by Dominik Hauser, the very sought-after "When Twilight Falls on NGC 891" by Martin Segundo & the Scintilla Strings (in the real world *James Clarke's Spring Bossa), as well as endless loops of sound effects from the movie to turn your house into your very own scout ship. Oh and there is a very secret hidden bonus track too!

It all comes in slick thermostellar triggering packaging with a brand new artwork and invisible hyperdrive electronics - the best way to relive the Dark Star adventure and celebrate John Carpenter's first directorial feature film released in 1974 and co-written by (and starring!) all around legend Dan O'Bannon (Alien, Lifeforce, The Return of the Living Dead). Let there be light!

- The most comprehensive vinyl edition of the original motion picture soundtrack for John Carpenter's first feature film, Dark Star (1974). - For the fans of John Carpenter, sci-fi movie soundtracks, electronic experimentations, and strange vinyl releases. Also, for surfers. - Includes the sought-after "When Twilight Falls on NGC 891" by Martin Segundo & the Scintilla Strings, for the first time ever on a John Carpenter-related release.

Loyalty

The record was called Loyalty from the beginning-it was the first decision I made about it. It's a word youusually see written in copperplate script, a virtue: LOYALTY. But the songs don't treat it that way, just as athing to unpack. It's a force that you have to reckon with: loyalty to the dream, to the "work," to the mythical idea of "you" that somebody thought they saw. It can be a weakness as much as a strength; it can keep you from the reality of your own life, your own self. - Tamara Lindeman

In excess virtue lies danger, or at least limits to pragmatic action-it's a lesson hard learned by anyonedisillusioned by the erosion of youthful mythologies. Strict fealty to a fixed ideal of identity doesn't do usany favors as adults. Loyalty, the third and finest album yet by The Weather Station (and the first forParadise of Bachelors) wrestles with these knotty notions of faithfulness/faithlessness-to our idealism,our constructs of character, our memories, and to our family, friends, and lovers-representing a boldstep forward into new sonic and psychological inscapes. It's a natural progression for Toronto artistTamara Lindeman's acclaimed songwriting practice. Recorded at La Frette Studios just outside Paris inthe winter of 2014, in close collaboration with Afie Jurvanen (Bahamas) and Robbie Lackritz (Feist),the record crystallizes her lapidary songcraft into eleven emotionally charged vignettes and intimateportraits, redolent of fellow Canadians Joni Mitchell, Leonard Cohen, and David Wiffen, but utterly herown.

Lindeman describes La Frette, housed in an enormous, crumbling 19th-century mansion, as"a secret garden, a place of enchantment and grace": walls mantled in ivy and lions, corridors piled highwith discarded tape machines, old reels, and priceless guitars. As she puts it, "Recording where we didmeant we embraced beauty-we weren't afraid of it being beautiful." Like the record itself, it's a quietlyradical statement, especially since certain passages achieve a diaphanous eeriness and harmonic andrhythmic tension new to The Weather Station. The stacked vocal harmonies of "Tapes," the drifting,jazz-inflected chording in "Life's Work," and the glacial percussion in "Personal Eclipse" contribute to apervading sense of clock-stopping bloom and smolder, recalling the spooky avant-soul of Terry Callier'sOccasional Rain.

Beyond the decaying decadence and vintage gear, the brokedown palace atmosphere ofLa Frette afforded a more significant interior luxury as well, one stated with brutal honesty in thestunning "Shy Women": "it seemed to me that luxury would be to be not so ashamed, not to look away."

Accordingly, Loyalty brings a freshly unflinching self-examining gaze and emotional and musical controlto The Weather Station's songs. She is an extraordinary singer and instrumentalist-on Loyalty she playsguitar, banjo, keys, and vibes-but Lindeman has always been a songwriter's songwriter, recognized forher intricate, carefully worded verse, filled with double meanings, ambiguities, and complex metaphors.Though more moving than ever, her writing here is almost clinical in its discipline, its deliberate wordingand exacting delivery, evoking similarly idiosyncratic songsters from Linda Perhacs to Bill Callahan.

Outside her musical practice, Lindeman also happens to be an accomplished film andtelevision actor, and it's her directorial eye for quietly compelling characters and the rich details of theeveryday, Bressonian in its specificity and scope, that drives the limpid singularity of The WeatherStation's songs. As in Bresson's films, there is no trace of theater here, no brittle singer-songwriterhistrionics, but rather a powerful performative focus and narrative restraint, a commitment to what theauteur called the "simultaneous precision and imprecision of music." Despite the descriptive delicacy, thealbum never lapses into preciousness or sentimentality, instead retaining its barbs and bristles andremaining resolutely clear-eyed and thick-skinned. Lyrically, Loyalty inverts and involutes the languageof confession, of regret, of our most private and muddled mental feelings, by externalizing thoseanxieties through exquisite observation of the things and people we accumulate, the modest meaningsaccreted during even our most ostensibly mundane domestic moments. ("Your trouble is like a lens," shediscerns in "I Mined," "through which the whole world bends.")

"Tapes" and "I Could Only Stand By" expose and exalt the quotidian-"the little tapes"hidden beneath a lover's bed, "the sunken old moorings" at the "bruise-colored lake"-without romanticizingthese scenes of, respectively, grief and guilt. "Like Sisters" analyzes the darker contours of afriendship with devastating scrutiny. The breathless momentum of "Way It Is, Way It Could Be"-"bothare," she sings of the way we sometimes live, for better or for worse, amid multiple truths-hinges on amysterious moment when two brown dogs die underwheel, then don't, and that gut-sickness isoverturned, a sin redeemed with a second glance. "Floodplain" and "Personal Eclipse" are also road songsabout traveling through, and owning, the empty places in-between, literally and figuratively-whatLindeman deems "the various ways people try to disappear from themselves, in physical distance, inpoliteness."

To invoke Melville (author of PoB's namesake story), "extreme loyalty to the piety of love"can be a destabilizing force, a kind of bondage from which we must emancipate ourselves. The line isfrom his strange masterpiece Pierre, or the Ambiguities; The Weather Station's Loyalty could quite easilysupport the same subtitle for the fascinating ways it navigates the deep canyons between certainty anduncertainty, faith and doubt.

1. Way It Is, Way It Could Be 2. Loyalty 3. Floodplain 4. Shy Women5. Personal Eclipse6. Life's Work7. Like Sisters 8. I Mined 9. Tapes10. I Could Only Stand By 11. At Full Height

Follow us

Coupon Code: LP20

20% Off Vinyl

Cannot be combined with any other offers
Cannot be applied to previous orders
"On Sale", Bends, and titles marked "This title is not eligible for discount" excluded.
Some audio equipment not eligible for discount, please call for details (1-877-929-8729)