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Indian Summer is my historical novel. I mention the writing of it on my April 6 post. It is written in the voice of Gabriella Deza, the daughter of the Spanish Territorial Governor and is set in 1739, a year before a major siege by the British. Gabriella is 15, but has a lot of intelligence and pluck for a girl her age. By chance, she overhears something that starts a chain of events she has no control over.

I was rounding the corner on my way to the privy when I heard hushed and hurried voices ahead of me. They seemed to be moving in my direction rapidly. It was the sound of men who didn’t want to be overheard. Urgency marked their voices.

I ducked into an alcove, pressing myself against the wall. Secluded and shadowed, I was nearly invisible unless one looked directly at me. Grateful that I wore dark clothing and didn’t carry a candle, I virtually held my breath, seeking to make no noise.

The two men stopped just a few steps past my hiding place. I knew by his voice that one of them was James. The other man I didn’t recognize. James talked earnestly, looking furtively all around him. Not, thankfully, into my hiding place.

“I’m telling yew it mus’ be tonigh’!” The other man was speaking with roughly accented English in harsh undertones.

“Absolutely not! I forbid it!” James’ cultured voice held an authoritative edge. “It’s too soon. If we move now, all will be lost! We must plan this carefully. Tell General Oglethorpe that if this operation is to be a success, he must follow my lead. Tell him I’ll signal when the time is ripe.”

“Jes ‘ow do you pr’pose ta do tha’?” His companion growled. “Ligh’ a bloody sign’l fire?”

James barely held his temper. “In point of fact, I shall. Tell them to look to the south end of the fort and I’ll signal from there, but in my time! Tell him it could be months! Be gone now before we’re seen!”

With that, he rushed off in one direction. The other man, a sailor by his rolling gait, ran in the opposite. When I was sure they were gone, I eased out of the alcove and made my way to the privy.

I puzzled over the conversation I had overheard, not knowing quite what to make of it. The fort was in danger. I had heard something very secret indeed. Admittedly, I had difficulty putting James in the role of spy. Hadn’t he been a guest in our home? Surely James was beyond suspicion?

I didn’t know which way to turn or what to do. Who would ever believe me? They would call it childish, female fantasy and ignore me. I couldn’t tell Papa, he was too ill. I didn’t think the commandant would heed me. I had to say something! But to whom?

I heard a quiet voice call my name from across the hospital room. On his cot, Manuel had woken up and was calling me. Still weak, he managed to partially sit up, but couldn’t rise from his bed. As if a bolt of lightning hit me from above, I realized the obvious one to tell was Manuel. The commandant would believe him, but would Manuel believe me?

I was a child in his eyes, a little girl with big blue eyes and a wild imagination. I had been through much today, surely he would think that this was side effect of that over excitement. I owed him my brother’s life, but he in turn owed his to James. I hadn’t made up my mind when I reached his bed.

He smiled a weak version of his familiar, winsome smile. The twinkle in his eyes he always held for me was dim, but there. He was rapidly coming back to himself. I felt a flutter in my chest that was as pleasing as it was unfamiliar. He was so handsome it fairly took my breath.

His shirt was off and he was left only in his breeches. Having dried on him, they were tight across his powerful thighs. The sun bronzed muscles rippled in his back. I couldn’t help but admire his physique. His form was classic, like a statue of Adonis. Despite his injuries, he appeared virile, powerful, brave. I felt a warm thrill when he said my name yet again.

“Gabriella?”

I walked over to him quickly and quietly, not wishing to rouse anyone in the hospital. Manuel had many cuts and bruises on his arms, neck and back, as well as bruising and rope burns across his abdomen. His head was bound in a neat bandage, his right arm in a sling. A few of his ribs were wrapped. He tried to rise as I approached.

I smiled down at him. “No, Señor Enriques, please you must not try to stand. I’ll sit and then all will be well.” I pulled a stool near him.

He smiled at me again and his twinkle was stronger. “You’ve seen me near death, stripped almost to the bone and yet you call me Señor Enriques. It makes me sound like such an old man.” He sighed, shaking his head sagely. “I hear I owe my life in part to you. I insist you call me Manuel, and I shall call you – Señorita Deza.”

He winked wickedly and I blushed deeply, dropping my head in an effort to break eye contact with him. He was so close I could feel the warmth of his attentions and smell his manly scent. It was musky like sandalwood.

He lifted my chin gently with his uninjured hand. “You helped to pull me out of the sea. For that I thank you.”

I ducked my head again and this time he leaned his head sideways to gaze up into my face.

“So, she has no kind words for Manuel, eh? Well, perhaps one day she will. Perhaps too, she’ll save a dance for him at the next ball?”

I giggled almost hysterically at that. “Señor Enri-Manuel, I fear I can’t save a dance, for I’m not yet allowed to attend the parties.”

I blushed again feeling like a child, but this time I kept my head up and looked him in the eye. A slight frown played across his face.

“Well then, we’ll do this. When you have your fifteenth birthday party, will you allow Manuel to be your escort?”

A couple years ago, for the NaNoWriMo Challenge, I decided to branch out and try something new. Not only did I decide to do a contemporary fantasy novel, I decided to write it for young adults. For me, this was a double challenge. I’d never written this genre or for this age group before. I found that I liked it, so much so, I wrote a sequel in 2014. This is the opening of the book and, I hope, it appropriately sets the scene.

The full moon seemed to follow him as he walked down the road alone. Wind whispered in the trees and dried leaves clattered in its wake. An owl hooted. The hairs on the back of his neck stood at attention.

The wind became voices. The leaves, the dry rattle of old bones. The sighing grew louder and Brian was able to pick out words. At least, he thought they were words, but in a language he couldn’t understand.

Picking up his pace, he glanced over his shoulder. Wispy figures gathered in the tree line around the swamp, moving slowly and steadily toward him. Brian tried to convince himself it was only his imagination, but it felt far too real.

One of the figures approached at a slow, loping run. Brian could hear the heavy, measured footfalls as it lumbered toward him. He completely lost his cool. Roaring loudly, he ran at the figure, dodging away when it grabbed at him. Chilling wind passed as the figure drifted away, dissipating as it headed to the woods on the other side of the road.

Brian ran along the center of the road, frightened by his encounter with the wraith. More of them gathered in the swampy woodland, but no others were bold enough to approach him. Hearing a twig snap to his left, Brian put on a burst of speed. With a cry of fear, he felt a shove at his back and tripped over his own feet. As he fell, he saw the wraiths grow bolder. They moved in unison, swooping toward him. Terrified, Brian lay on his belly, unsure how to combat them.

A solid form burst out of the bushes. A large dog stood over Brian, growling and barking. It took a moment for him to realize that the wraiths halted. Some tried to go a step or two further, but the dog renewed its attack. One by one the ghosts dispersed, melting into the fog once more.

Brian let his breath out slowly. The animal stood over him, but moved aside as he sat up. It was the biggest dog Brian had ever seen, broad through the chest with powerful legs and a ridge of hair down his spine. It looked silver in the moonlight.

He got up, dusting himself off. Leaves stuck to his body, mud caked every inch of him. Twigs and more leaves adorned his closely cropped hair. Getting his bearings, he headed toward home once more. The dog walked with him, her head under his hand. Her tongue lolled and she looked as if she were laughing at his appearance.

“You take a header into a mud puddle and see how good you look.”

The dog barked gleefully. She dashed ahead, sniffed and snorted, before trotting back to his side. She stayed with him until they reached his home. With a yip, she left him, drifting into the woods. The front door banged shut with a comforting thump behind him. Heaving a sigh of relief, Brian locked and bolted the door. He leaned against it, panting. His hands shook and he felt light headed. His heart thumped so hard in his chest, he could hear it in his ears.

A few years ago, I participated in the Iron Writer’s Challenge. For those of you not familiar with it, five authors have five days to write a short piece using four random elements. The elements for our challenge were Atlantis, Flying Electric Bike, Dopplegangers and a random black and white TV show. This is what I wrote.

Wil sat on his flying electric bike, staring at the sapphire depths of the ocean. Somewhere, beneath the surface, lay their objective. Revving his engine, he prepared for the drop into the icy waters of the abyssal plain.

The rest of the platoon hovered around him, dressed in deep sea gear, multiple dopplegangers, waiting for the signal to jettison into oblivion.

It was strange to be on Old Earth. Stranger still was the Galactic Marine Corps’ interest in the place. Virtually abandoned 200 years ago, Earth had been reclaimed by nature. The few humans who remained were savages, wielders of crude weapons, hardly worthy adversaries. But something else lurked in the ocean—beings of half forgotten legends.

How they had come to the attention of the Marines, Wil didn’t know. He and his platoon were here to contain any possible threat before it could advance.

A voice crackled in his ear. “Ready, Sergeant?”

“Aye, Captain.”

“Commence drop in five – four – three. . . .”

The door opened at their feet and 32 cycles zipped down the ramp, making the 2,000 foot drop to the surface. Hovering over the waves, they were surrounded by force shields to keep the cold and pressure at bay. Still experimental, the shields were supposed to be impenetrable. Wil had his doubts.

Wil accessed the battle plans, projecting them to his platoon. The dive initiated on his command. Thirty-two cycles sliced into the water. Down they dropped, rapidly nearing their goal. Less than a hundred meters from their objective, Wil’s electrical system glitched. Instead of the detailed battle plans, he saw flickering images of an old black and white TV show. His visor was filled with a banner proclaiming “The Adventures of Superpup”. It was gone just as suddenly.

“You see that, Sarge?”

“Sure did.” Wil tapped his helmet and the battle plans filled his visor once more.

Something else caught his attention, far below and to his left. Raising a hand, he called a halt. Black as night, the water undulated around them. Wil’s raised fist was invisible, but the HALT message flashing inside their helmets, was not.

“What is that?” The same voice filled his ears.

“I’d say, that’s our goal, Corporal.”

With rapid movements, Wil and his corporal deployed the team. On his mark, they descended, surrounding an opalescent dome. As the bikes approached, a panel slid back and they were sucked in, unable to stop. They bounced around a huge tube, the suction drawing them inexorably forward.

A few minutes later, they were set down on a platform. The water drained away, leaving scattered puddles. They faced a 20 foot door, which opened slowly. A giant of a man dressed in scintillating blue robes walked out, smiling. His skin was indigo, his hair white. He held a metallic staff in one hand. The top was decorated with a single, multi-faceted diamond. He advanced to stand before Wil, bowing.

So, you’ve finished that four hundred and sixty page novel. You sit proudly and pat the cover page tenderly, smoothing the white surface when much to your horror, you see a mistake! Cold sweat breaks out on your brow, fingers tremble, mouth suddenly goes dry. As your eye wanders down the page, more and more errors jump out at you! Fear grips your heart as you stumble from the desk, desperate for a calming cool drink. It’s a nightmare, but you can’t wake up. It’s real. Your brainchild, the fruit of your creative efforts, is flawed and it’s up to you to fix it.

This is a scenario each of us faces. Sometimes it’s as minor as a misplaced comma or a dangling modifier. Other times an entire scene, or even half the novel is so bad it has to be scraped and retooled. I started an historical novel about ten years ago, set it aside since it wasn’t going anywhere, picked it up a few years later and realized the reason it hadn’t gone anywhere was that it was garbage! No other word for it. After careful review, I threw away all but ten handwritten pages. Of those ten pages, perhaps parts of seven survive in the retooled version.

Several things were problematic that I didn’t realize until much later. First, and most important, the point of view and style were all wrong. Set in St. Augustine in the Florida territory in the late 1700s, it was told in first person by a young Spanish woman. I had chosen to do it like a diary (not really sure why) and it was far too limiting to my story.

Second, after doing some more research, I found that the time period would have to be moved from the 1780s to 1739 or I could not incorporate certain facets of the novel. It would have been grossly inaccurate.

Third, and most difficult, the man I had intended to be the bad guy simply wasn’t working. No matter what I did, even in the retooled version, he wouldn’t be villainous. The heroine refused to fall in love with anyone else. Even the good guy couldn’t be relied upon to behave. He became the villain, the villain became the hero, the heroine didn’t succumb to another man’s charms, and they all lived happily ever after. (Except for the villain, because he, of course, was dead.)

It got terribly out of hand. After lots of time and effort reading and re-reading, honing, changing, and fine tuning, it is a really solid piece of literature that I am proud to put my name on. When I started re-writing it, I wouldn’t have given ten cents for it. It was the catalyst that started me writing in earnest and made me realize I had stories inside me to tell. Very few of the others are historical in nature, the rest are sci-fi or contemporary romantic suspense. With that novel I learned something else important. You can’t do too much research if you want to be historically accurate. I don’t know about the rest of you, but I’d rather spend my time bleeding profusely from multiple wounds that tracking down that evasive, all important fact. It took years to finish Indian Summer because it was so hard to find the information I needed.

Sci-fi is far simpler for me to write. Once I have a believable setting, the rest is easy. Don’t ignore the laws of science, throw in some really good fight scenes, add a few interesting aliens and voila! Creating my own world is far more fun than working within the confines of someone else’s.

Writing is the ultimate escapism. For that short span of time, things work out; the hero and heroine fall in love and live happily ever after. The bad guy gets his just desserts, the good guy wins, and there is always a happy ending.

Despite the thrill of putting words on paper, the hard part is making sure that everything is right. We can live with the small stuff like ending a sentence with a preposition. Frankly, it sounds odd if it’s correct. However, misplaced modifiers, sentence fragments and subject – verb agreement are very important.

One solution is to read and re-read your own work, honing and perfecting it. It’s easy to miss simple errors that way. Sometimes running off a hard copy helps, but it’s still hard to catch it all. Better yet, get people who are gifted in grammar to help you. They might not be able to name the error, but they can spot one and may be able to offer suggestions on how to correct it. If you can afford it, have an editor review it. Few of us can, so it’s up to us to read and re-read our own work until it is smooth and as error free as it can possibly be.

For goodness sake, don’t rely on the grammar check in Word! It’s garbage and will cause far more problems than it solves. I don’t care if it’s the primary word processing program used world wide, the grammar check is terrible. Spell check, on the other hand, is a Godsend, but won’t help you if you simply type in the wrong word. I once finished typing out a test for my 11th grade class only to find that I had one very important little word wrong and the spell check hadn’t caught it. Instead of saying, “What is the theme of this story?” I had, “Shat is the theme of this story?” (For those of you who don’t know, that’s the past tense of the verb ‘to shit’. — 11th graders knew that!)

There is no easy way to get through the editing process. It is tedious and time consuming, but if it makes the difference between selling a book and having it gather dust, it’s well worth it.