Outcasts in various cultures

Pariah (Outcasts, Untouchables, Children of God) worship Kali as black skeleton-like woman and Kala as black eight-armed man, which are the perverted forms of LIFE & TIME. These outcasts live by theft, murder, and pilgrimage (gypsies are Indian outcast spread all over the world and mixed up with tribes of higher development in countries they live in – to Jewish culture Indian gypsies brought a song “Havana Gila”, which sings of hova bodies made out of “gila” (needles) of Cedar and Pine trees (symbols of The Heart of Arcturus and Xristos Family as well as reincarnation bodies for these murdered Humans)

rule of “Wandering Jew” children, who are the most outcast of all – the murderers, – began with perversion of Humans, whose bodies were buried at Giza pyramids (that are reflections of Orion’s belt standing on Our Pearl – Gaia – Bona Dea – Heart of perverted “Middle Earth” – Heart of Heaven and Earth spilled as a Milky Way of all murdered Humans, whose Soul Stars are now whirl black-holed within It…

Joseph Smith (founder of Mormon group in Americas) described this as “Abraham fastened upon an altar” and “The idolatrous priest of Elkenah attempting to offer up Abraham as a sacrifice.”[5] However, Egyptologists would later identify this as a standard scene from the Book of the Dead,[6] showing the god Anubis overseeing the embalming of Osiris. Underneath the couch are four canopic jars used to store the person’s organs, representing the sons of Horus.

In Smith’s purported translation of the text, he explained that the central figure represented “Kolob,” the first creation nearest to the “residence of God.” Other figures related to priesthood, various planets and stars, the measurement of time and “God sitting upon his throne.”[8] However, this object is known as a hypocephalus, a magical disc placed under the head of a mummy to aid the person in his journey after death.[9] The figures represent well-known Egyptian deities. The Mormon copy is similar to a number of other such objects in various Egyptian collections around the world.[10] Smith identified Figure 7 (lower right area) as “God sitting upon his throne” while Egyptologists identify the figure as Min, the Egyptian god of male sexual potency, shown with an erection.