Category Archives: teen fiction

The Untangled Tales website is the best of the Summer Reading sites. Going over the site, was like being in one of the famous ‘But WAIT, there’s more!’ advertisements! At every click of the mouse, there was more and all of it FREE! There is something here for children of all ages [preschool, primary, secondary], for their parents, teachers and librarians. The site is gorgeous [literally] to look at, easy to navigate, entertaining in content and layout and engagingly informative!

The Celebrity Corner questions brought out the creative quirkiness of authors and illustrators in a very entertaining way and featured a very diverse group of creatives!

The Untangled Tales game is a blast – great fun! It challenges memory and prods research capabilities and informs about other cultures, their customs and attitudes as reflected in their fairytales and legends.

Lists can be extremely useful, especially when they are constantly being updated!

Here are SIX such.

The first, compiled by the enterprising and enthusiastic Brain Grove, is a list of US publishers who are currently accepting submissions for children’s books – http://j.mp/SVbnCk – he also, very helpfully, adds links to each entry to take you straight to the site. I also recommend his ebook on query /submission letter writing.

The third, a veritable database of bloggers who interview and/or review, is continuously being updated by the very proactive authors, Delin Colon and Lisa Kalner Williams – http://bit.ly/writerinterviewopps …

Books are created from the imagination and inspiration of authors and the insightful vision of illustrators. They are then crafted. The authorial crafting may be right brain with a touch of editing or slow and laborious left brain plotting. For an illustrator, it may be inspiration flowing like rivers from brush or stylus or it may be storybook or dummy creation then rethinks, scrap some ideas, adapt others. Eventually, a book emerges that is then ‘ready for submission’. These days, that may mean adding animation and audio to make the book a digital production for app developers like Utales or Flying Books, or for YA, formatting it for Kindle or Nook e-publishers. It may mean self publishing on Createspace or Lightningsource, Smashwords or Lulu. Or it will mean the long road via submission to traditional publishers.

If the latter is chosen, the publisher will often require more editing, changes and perhaps more changes. My own book, started under contract to one publisher, was already well underway with the inimitable Sarah Davis as illustrator. We were having a ball creating our book. Then our publisher was taken over and the new publisher wanted to institute changes. At first, the major change – ‘get rid of the dead bird’ – seemed straight forward. Then we realised the book needed the bird but, to keep it, we had to make some big adjustments. An injured bird can’t just disappear in a children’s book, it has to get better and be released, which, in our picture book, meant its story had to be woven into the fabric of the main story seamlessly. No problem, a few days and Sarah and I had nailed it! As book creators, you have to be flexible and, especially if going the traditional publisher route, you can’t be too precious about your creation.

SO! This exhibition is about the journey numbers of wonderful children’s and YA books took from creation to bookshelf! Each book has a different creation story to reveal – something the public doesn’t see, it’s behind the scenes. Now the reader can take a peek backstage, behind the scenes to how it all came together!

THE SET UP

Setting up was not straight forward. The spaces has to be utilised to best advantage and the items displayed needed to be seen from as many angles as possible given I had a two shelf rectangular glass case. I didn’t end up using everything I brought with me. It would have been too cluttered. Last minute inclusion, bulldog clips, proved life-savers! They held the photographic prints in place.

I had never ‘hung’ a painting before at an exhibition and that proved ‘interesting. Sarah Davis sent up her wonderful original painting via kindly courier, Peter Taylor, but it was unframed. I had no time to find a frame. Fortunately, I had one around the house that was a good match colour-wise though not quite the perfect size.

Given my exhibit was about my close collaboration with Sarah, the items displayed needed to reflect the two minds working together to make a new creative whole – our book! Sources of inspiration, stages in text change, changes in images, cover and trivia relating to the characters, objects and places in the book, all combined to make a successful ( I hope you agree) exhibit!

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The Exhibition, Journey of a Book, has a wide range of book journeys exhibited, from YA novel, like David McRobbie’s, to real life adventure by Prue Mason, picture books like those by Kathrine Battersby and chapter books like the one by Angela Sunde, to non fiction works on calligraphy as an illustrative art form by Peter Taylor.

Andrea has gotten it spectacularly right! The CEO of Tell Me a Story launched 10 new titles on 30th June, this year. I was privileged to be guest speaker at an event that had even seasoned politicians, Ian Rickuss, MP Lockyer, and Steve Jones, Mayor, Lockyer Valley Regional Council, commenting on attendance numbers!

Assembled authors, illustrators and guest panelists with Andrea Kwast

Muza Ulasowski [Panelist] and Guest Speaker, J.R.Poulter

The audience was rapt. I have seldom been at a publishing event where everyone’s eyes shone! Andrea has the devoted support of her very wide community of readers and growing. She also has the good fortune to have a very devoted group of assistants in administrator, Rel, and local photographer and budding author herself, Jenni Smith.

Research and innovation, preparedness to think out of the box, are hallmarks of Andrea and her team. She believes stories are lurking everywhere and it just takes the right determination, editing and dedication to bring them out. That she is succeeding over and above expetaction is more than demonstrated by the sellout and reprint, within the first few weeks since the launch, of no fewer than 3 titles!

Hearty Congratulations Andrea and Team and to all her authors – keep writing!

By happy accident, I discovered the way to travel interstate, overseas, inter-culturally and explore the ambience of remote towns, cities, country lanes and outback outposts. Air tickets – well that’s the ideal, but no, I used Google Earth.

It started with my trying to locate a lovely country home in West Hougham, Kent, England. It was featured in Country Life for September 7th, 2000, and was the

Inspiration for “The Dolls’ House in the Forest”

inspiration for my story “The Dolls’ House in the Forest”. I was fascinated by the quaintness of the architecture compared to anything out here in Oz and the size of the immense, almost regal trees forming a perfect backdrop to the house. I tried to relocate the house by doing a ‘street view’ saunter down English lanes in the vicinity. I located the area on the map and zeroed in from aerial to ‘here I am virtually walking down this street on the other side of the world the environs of which I just happen to need to explore.’

I didn’t find the house, but I had the most wonderfully inspiring time wandering down country lanes that were little more than wagon tracks, great boughs canopying overhead and wildflowers dotted in the fields…

Now, if I need to capture something of the ‘feel’ of an area. I seek out an address. Real estate notices for sale/auction/for rent are a good source, then go explore in Google Earth. Wander around that area, exploring the architecture, streetscapes, lifestyles evidenced in things as random as street art, verge gardens, bus stops, signage, graffiti, shop window decor, fences or lack of, litter, strays and the bystanders to my wanderings. Don’t forget YouTube – Example – Dingle, and with Celtic song overlay Dingle

Perhaps this sounds a little bit the voyeur. It is not the intention, far from, it is seeking faithfulness in recreating a ‘feeling’ for place. It is gathering the elements of story , setting the stage, arranging a convincing backdrop to the action!

Another lovely virtual tour – historic “Douglas”, built in 1881, in Birchgrove, Sydney.

Visualising Story

The tips above, of course, are beneficial to illustrators as well. Not many can afford to jet around the world on location research for images. Other ways to ‘get in the setting’ for free include YouTube clips. This is even a Youtube video clip on West Hougham, Kent. Sadly, it doesn’t feature that house…

Other ways to ‘get in the setting’ for free, besides YouTube clips, are Flickr and photographic collections held in State Libraries and on places like Pinterst. Jeff Faria recently sent me a great link to early circus posters – fascinating. Little did he know I am currently writing a story which involves Civil War period circuses in the US.

If your story requires an historical setting, you are in luck! Heritage listings in Australia and the UK are excellent.

Below are some very useful research sites for historic buildings in Australia –

The NSW Heritage database also gives excellent information. TIP: Put in the street name and the suburb to narrow your search for a particular building. Just putting in the suburb will bring all heritage listed buildings in that suburb. Putting in the street number and street will draw a blank. Putting in the property name will sometimes bring up additional material otherwise unaccessed, e.g., “Glen Rhoda”, a gothic residence in Woollahra. Using the name in the search brings up information on the existing residential property, No.71, and and an additional link to the listing for, No.67, property formerly part of the original “Glen Rhoda”.

For anyone researching Kew, Camberwell or Hawthorn buildings [mainly but not only residences] from 1860s through to 1969, this site is a must. Other Councils will have similar sites.

Open Gardens, Australia has links to various of its most notable gardens. Windyridge shows the garden in all four seasons in a map based virtual tour.

International settings – the virtual tour

Aside from a drop in to street level via Google Earth, many online sites feature virtual tours of historic settings, buildings, rambles around towns, cities and country areas. A few examples –

Castles –

Eilean Donan, the iconic Scottish Castle featured on innumerable calendars, tourist brochures and used as a location in numbers of feature films [you need Java 7 to see the virtual tour on the official website] can be viewed in Youtube Clips.

The best clip of Eilean Donan, features a commentary on the Castle’s history and shows the exterior, surrounds and interior in much more detail.

Can’t remember when I’ve had so much creative fun with such a fantastic group of multitalented folk! 13th to 16th January we arrived in from all over – WA, NT, Vic and ‘locals’ Christian and self. We were housed in the Gatton Motel, a leg stretch away from the main venue, not that we needed to walk. We were chauffeur driven everywhere by local Minibus/taxi owner Sue.

12a/aka 13

This is the door to my room, the non-existent No. 13, on 13th January, a Friday, how lucky can you get! Interesting how many places omit room 13, floor 13 etc etc. Do folk really think we are so bound by superstition and hangovers from the dark ages that we will eschew a room or a whole floor just because of a place in a numeric sequence? Evidently it is so.

Presenting

Craig and I had joint sessions with small groups of ardent attendees in a series of workshops. All interacted with us freely and kept us on our toes with their questions.

We started with a draft of my story about the cow that swam the Brisbane river during the January 2011 floods. It was over 700 words [too long for a picture book] but gave the background Craig needed to locate the story and characterise the little cow. This is a link to a newspaper article about her amazing survival swim.

It was a revelation and a privilege to work with Craig one on one as he sketched out his visual thoughts on the story with me reading excerpts and the audience interspersing with comments. I cut swathes from the text as Craig’s expert hand created wonderful image after image.

This is a glimpse of the creation process –

A view of the Brisbane Rive in flood provided by Kim Byron from her newspaper collection on the event.

Craig working on a charcoal image of the little cow. He has a strong feel for movement and can create a whole range of emotions with sometimes the barely there addition of a line or a smudge.

Aerial view, Brisbane River

I love the way illustrators climb into the visual universe of a story. Text says a family is sitting in a kitchen. The illustrator will look over their shoulders, look out the window, go out into the next room, climb the stairs to the attic or down to the yard and see where the house is located in a community.

2. Haibun Today (March 2011) featuring Haibun and Tanka Prose and the largest online collection of literary criticism of the haibun and tanka prose forms. Writers are now invited to submit haibun, tanka prose and articles for consideration in the June 2011 issue.

Romance under a Waning Moon: Call for submissions. This is a poetry and image website focused on the ups and downs of later-in-life romance. This project has just been started and writers are invited to submit already published poems (preferable) or new work to Editor Ray Rasmussen.

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CHILDREN AND WAR ANTHOLOGYhttp://jlpowers.net/?page_id=1438
—
This anthology, to be published by Cinco Puntos Press in
2011 or 2012, will explore all angles of children’s and
teenagers’ experiences in war. The core of the book will
be personal essays, memoirs, journalistic accounts, and
historical narratives, both previously published and
original pieces. It may also include photos, artwork,
posters, and other debris that depicts the effects of war
on children and teens. Though the book will be primarily
non-fiction, we may include some fiction, and we are willing
to consider pieces about both current and past wars. “War”
is defined liberally to include both “official” declared
wars as well as secret, unofficial wars, such as those carried
out by governments on civilians in places like Chile, Argentina,
and Zimbabwe. All submissions, queries, and suggestions should
be sent to J.L. Powers at jlpowers@evaporites.com by June
1, 2011.

NOTE: While the guidelines do not state the payment rate, I
spoke with Jessica Powers, editor of the anthology, and the
payment is $200 per story accepted.