The Science Fiction of Today and Days Gone By

Like an eclipse in the dark night sky, the Obscure Sci-Fi Primer makes its periodic reappearance. And speaking of things that emerge in the night, our subject this month is a vigilante-by-night superhero series M.A.N.T.I.S. A 1994 series, it debuted on Fox and, surprise of all surprises, lasted only one season. That might not sound like a recipe for success, especially given that better known superheroes had been failing to find an audience on TV for years at the time, and M.A.N.T.I.S. followed an original character that no one had any preexisting reason to care about. But this show had some interesting creative forces behind it–namely Sam Hamm (writer for Batman 1989 and Batman Returns) and Sam Raimi (known at the time for Evil Dead, but who would go on to spark the modern Superhero Movie craze with Spider-Man 2002). While it’s largely remembered today for being one of the first film or TV productions to focus on a black superhero, this aspect was… well, a big part of why the show struggled to find an audience, unfortunately. This didn’t factor into the plot or character as much as the creators wanted it to, which leads one to ask: did the show that made it to air deserve to find an audience? Let’s find out. Read more

As we’ve done once before, instead of a season for a show that was canceled, this month we’re going to look at the plans for a series that never actually materialized at all. In this case, we’re looking at the 1996 Doctor Who TV movie, starring Paul McGann as the Eighth Doctor. The series was a co-production that aired on Fox, and was passed on for really stupid reasons that we’ll not get into here. But, given that it was essentially a pilot movie that was intended to lead into a full continuation of the classic BBC Doctor Who, there were quite a lot of plans as to where the show would’ve gone and what it might have included. How does it stack up to the eventual modern Doctor Who? Let’s find out.

We’ve talked about cameos a few times on here before. Cameos by celebrity fans are fairly common, and scientists are a great choice when you’re looking to lend your sci-fi some scientific credibility. However, there’s also the other side of the coin–when sci-fi characters drop out of their own universes and make cameos in shows where they wouldn’t usually belong. This isn’t just using the actor or referencing their famous role; we’ve actually got a pseudo-crossover on our hands. (The big difference between these cameos and crossovers is that these aren’t canon to their sci-fi origins.) Who does that? Let’s find out!

Warping in on an unusual day of the week, the Obscure Sci-Fi Primer returns with a fan-requested show: the extremely short-lived 1999 series Harsh Realm. Clocking in at a meager 9 episodes, this is by far the shortest show to appear in the Primer to date. Harsh Realm deals with virtual reality, much like another show we’ve covered already. But while VR.5‘s virtual worlds were highly personal ones, Harsh Realm is far less so, having started as a high-tech training simulation for dealing with potential nuclear apocalypse. It’s also an (incredibly loose) adaptation of a comic book, and had a number of X-Files writers working on it, like Chris Carter and Vince Gilligan (although the latter wasn’t a writer here).

This month, the Obscure Sci-Fi Primer hops back over to cyberpunk with the Fox series Dark Angel. Unusually for a sci-fi series on Fox, it actually managed to get a second season before being screwed over, which makes it the first show in the Primer to have lasted longer than one (although the two seasons are radically different). More typically, it was shunted to the Friday Night Death Slot and quietly killed to make room for Fox’s next victim, Firefly. The show was created by James Cameron, the king of the box office himself, and Charles H. Eglee, and was originally made with the idea of a feminist superhero in mind. Set in a dystopian version of Seattle, of all places, Dark Angel possesses a lot of cyberpunk themes while focusing heavily on genetic engineering and secret government projects. But is it worth watching now, just 4 years away from the time it was set?

As we return to the Subjectively Obscure Sci-Fi Primer, we hit upon possibly the most obscure show yet: little known 90’s show and companion to The X-Files, VR.5. Debuting in 1995 and set in 1995, it’s about as “near future” as sci-fi can get. It lasted for one 13-episode season, although several of those never even aired, since it was yet another victim of Fox and the Friday Night Death Slot. As you might guess from the title, this cyberpunk show deals with the concept of Virtual Reality–specifically a multitude of different levels of virtual reality, with the eponymous 5th level referring to perfect immersion, indistinguishable from reality. Or almost, anyway, as we’ll see in a moment.

Lots of news this week, which we can mostly thank the Super Bowl for. Tons of summer movies will release their first trailers and begin their marketing pushes during one of the few remaining events to draw massive audiences on mainstream TV. Is that a good reason to finally care about this sporting event? We’re also starting to hear about upcoming sci-fi projects and networks are beginning to send out feelers for fall shows. What more can you really ask for in your sci-fi news?

Last month, I kicked off our newest recurring segment, the Obscure Sci-Fi Primer, with Charlie Jade. The idea behind the segment is to introduce binge-watching sci-fi fans to shows they might never have heard of otherwise, be it because they were produced outside the US, one-season wonders, or just quietly performing in syndication for years alongside the heavy hitters. As such, our topic for this month is Space: Above and Beyond, a 1995 series that lasted for one season, ranking among the multitude of sci-fi shows that Fox canceled before Firefly was even a gleam in Joss Whedon’s eye. Space: Above and Beyond is a military sci-fi series that follows a squadron of United States Marines called the “Wildcards,” who are serving in the war against an alien species known as the Chigs. First contact, needless to say, went badly, as they start off by destroying humanity’s only extrasolar colonies. Read more

In their quest for creating profitable franchises, sometimes companies can get a little shortsighted. They push movies through before they’re ready, make dumb changes, and approve all kinds of things that never should have been approved. When enough of these mistakes come together, they can add up and start dragging down the resulting movie. Sometimes that means the film gets canceled, and sometimes it’s too late to cancel. They have to put out what they’ve got. And what they’ve got… is shit. The franchise the film was supposed to continue is shot dead in its tracks. While they might not stay down forever, these 4 films certainly did a number on their parent franchises.

So, earlier this week I discussed the dark side of franchises, and how all that corporate ownership isn’t always a good thing. In that post, I mentioned Iron Man 2, a film that was burdened by its shared universe connections because of its place in the franchise as a launch point for The Avengers. It had to include flashback scenes with Howard Stark, Black Widow had to show up and bring all of S.H.I.E.L.D. along with her, and Nick Fury evaluating Tony’s potential. And then the post-credits sequence for Thor… Suffice it to say, it didn’t leave as much room for the main plot as most people would have desired, and Whiplash ends up coming off as a silly second-tier threat, at best. But while Iron Man 2 still has plenty of enjoyable scenes to it, not every film is so lucky. Here are 4 films ruined by studios in their quest for franchise creation.