Zorïn, the founder of Entre Vifs and inventor ofthe sound system of this bruitist ensemble, has been pursuing for thirty yearsan experimental form of sequential art through image mix and processing onphotocopier and process camera.

Entre Vifs was formed in late 1985, following on fromthe collective Le Syndicat, for which Zorïn performed the graphicdesign. Under the generic name of La Procédure, – an informal graphicpublishing structure finally reduced to his single person – he had undertakensince 1982 the series Destructeur de Formes, a work in progressbased on discarded images, random photographic traces, printing smudges andother waste materials. It developed later in the form of two KMX albums,several graphic booklets for Le Syndicat and a collection of separate plates.

Zorïn started to learn graphic arts on his own in thefield of comics fanzines and alternative publishng, where he met Marc Caro andJean-Pierre Jeunet for which he produced the signage, markings and badges forthe film "The Bunker of the Last Gunshots" (1981).

The visual poetry of Öyvind Fahlström's first works andthen the radical approach of the team Elles sont de sortie contributedessentially to move him away from the narrative processes specific to thetraditional comics. He has a long-standing interest in theorical studies on theperceptual foundations of cognition and their expression in the field of art.

Inthe same way that Entre Vif's lyrical bruitism starts from disorder to bringabout a flow of sensations grasped directly by the senses and emotions, ratherthan a succession of sound objects charged with a symbolic meaning, Destructeurde Formes presents as a poetic relation between visual elements used fortheir abstract value based initially on their primary perception rather thantheir iconic value – one not excluding the other.

Zorin released in 2011 the album "ArtMoral", a panorama of itsexperimental graphic works published by Timeless Editions.

A retrospective of these works was exhibited at the HEADGeneva in 2015, during the exhibition "Persuasion. Industrial music andmind control (1975-1995)".

In 2013, on the occasion of the 100th anniversaryof Luigi Russolo's "The Art ofNoises" manifesto, Entre Vifs played at the MACBA auditorium of Barcelonafor the LEM festival and organized the compilation CD "Bruitisme1913-2013".