AN OFFICIAL SUB POPRecording

Embarking upon a sophomore effort can be a daunting task for any young upstart, and there’s no denying Avi Buffalo’s own bar was set quite high with 2010’s celebrated eponymous debut. Fear not, dear fans/family/friends/friends of friends/newcomers, there’s nothing in this tale about The Second Album—a.k.a.At Best Cuckold, out September 9th on Sub Pop—that even remotely resembles a slump; in fact, it would be entirely appropriate to say that this Long Beach, California, enterprise is getting better with age.

Ah, yes, age—much was made of it when Avi Buffalo’s first album hit the ground running, and for good reason: While their Millikan High School classmates were preoccupied with quaint and youthful pursuits, the musicians behind Avi Buffalo were busy making an off-kilter pop gem that eventually bowled over NME, The AV Club,Pitchfork, the BBC, and numerous other outlets on both sides of the Atlantic whose tastes are respected by the general public. Like a lot of kids their age, the Buffaloes celebrated the end of high school in Europe, but instead of visiting the Louvre and Buckingham Palace, their overseas journeys took them to the festival stages of Reading, Leeds, Glastonbury, the Pavement-curated All Tomorrow’s Parties in Minehead, and beyond.

So is Avi Buffalo a he or a them? The answer is a definitive yes, as leader Avigdor Zahner-Isenberg has lent his musical nickname—bestowed in childhood by a pal who’d picked up on his friend’s inclination toward spicy chicken wings—to this full-fledged outfit that works something like a solo project in the studio and then builds into a band onstage. Not that he goes it alone when recording—to the contrary, many able-bodied compatriots, including longtime collaborator Sheridan Riley, have assisted with committing his songs to tape—but everything begins and ends with Avi, and after ending a year on the road in support of the first record, he decided to take his time beginning work on the second.

The creation of At Best Cuckold turned out to be a three-year journey; a stretch of time that resembles its predecessor. While transitioning from teenager to twentysomething and traversing the interpersonal wilds which accompany that age, Avi kept playing music (even picking up a new instrument every now and again), collaborated with and produced several friends (including Kevin Litrow’s N.O.W. project and Douglas James Sweeney’s Arjuna Genome), and even started DJing. He also wrote new songs, and by the time 2013 rolled around, it was time to begin capturing his latest sparks—with that, the band headed into the studio on New Year’s Day.

The “clean and tight” recordings from Tiny Telephone served as perfect skeletons for Avi to flesh out with his analog and digital overdubs, which were completed over the next year or so at various locations around Southern California. (“I’ve always had a lot of fun with overdubs,” says Avi. “Maybe my favorite instrument is overdubs.”) The result—which was completed and mixed with Nicolas Vernhes at his Rare Book Room studio in Brooklyn—is a quirky yet comforting set of songs driven by refined pop songcraft and sneaky moments of grandeur that stick in the brain. Classic-sounding melodies are delivered with a modern sensibility, creating an album that’s equal parts timely and timeless. Well-placed piano, sax, clarinet, French horn, and cornet further enhance the proceedings with a glorious orch-pop sheen.

“I really like some of the ballad aspects of this record—it’s kind of my tribute to the ballad,” says Avi. “I predicted in an interview during the time of my first record what I was going to use in my next record, and I said a lot of major seventh chords, which, to me, sounded like laying down. And that ended up in the record, too.”

Lyrically, there are a lot of unsettled emotions on the album; a product of Avi observing the world around him and writing “about life, dealing with relationships and yourself, and trying to keep your head up and keep learning amidst whatever it is you’re going through.” Disappointment (“Thought we understood each other well / I was wrong as usual”) and anxiety (“Someone told me if I messed around / then my head would fill up with guilty clouds”) abound, though there’s also a feeling that everything is eventually going to turn out okay, even when everything seems to be falling apart during closer “Won’t Be Around No More.” If anything, Avi’s passionate delivery is the ultimate source of optimism.

At the ripe old age of 23, Avi Buffalo is ready to take on the world (again), armed with all of the experience he’s compiled over the past few years. And he’s made sure the second time around will be just as memorable as the first.