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And for Olympia’s oldest community theater, “Afoot” has more to recommend it than simply laughs.

“It has all the ingredients for a perfect community theater play,” Beall said. “It’s a comedy, it’s a mystery, it has Sherlock Holmes, and it’s about theater people.

“It’s probably one of the best plays I’ve read in the last five years.”

The play was written by Ken Ludwig, known for “Lend Me a Tenor” and “Moon Over Buffalo.” When Beall heard Ludwig had written a Christmas play, she couldn’t wait to read it.

“I tracked it down and got a manuscript version of it from Samuel French before it was actually published,” she said. “I read it and thought it was delightful.”

Though it took a few years to get it into the theater’s season, Beall’s excitement hasn’t diminished.

And she’s far from the show’s only fan. “Afoot” won the 2012 Edgar Allan Poe Award for Best Play. The award is presented by the Mystery Writers of America.

The play’s lead character is actor William Gillette, who adapted Arthur Conan Doyle’s detective for the stage in the early 20th century and was the one to give Holmes a deerstalker hat and a curved pipe.

But while Gillette was a real person, the play is pure fiction. There’s a murder at a theater, and the actor invites his co-stars to his manor house in the country on Christmas Eve so he can play detective — a plot that calls to mind the work of yet another famed mystery writer.

“The plot is pure Agatha Christie, played as farce, with a touch of ‘All About Eve,’” Andrea Simakis wrote in a 2011 review of the show’s premiere, published in The Plain Dealer (Cleveland).

Among the surprises in store for Gillette’s guests is that he’s also invited a nasty theater critic, one whose pen has stung more than one of those at the gathering. “She said I played Hamlet’s mother looking like a worried hamster,” one disgruntled actress says.

Gillette’s belief that he can solve a murder better than a professional detective is a big source of humor.