Charles Bestor Papers, 1971-2002.

Composer and presently the Professor of Composition and Director of the Electronic and Computer Music Studios of the University of Massachusetts Amherst who has taught at Juilliard School of Music and numerous other universities, won international awards for his music, and collaborated with contemporary installation artists. Includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews all relating to the publication and performance of the works.

Subjects

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Department of Music and Dance

Contributors

Sam Bishop Bronx-Lebanon (N.Y.) Incinerator Collection, 1982-1997.

4 boxes (6 linear feet).Call no.: MS 703

A new medical waste incinerator for New York city hospitals became the focal point of drawn-out controversy in the 1990s. After proposals to place the facility in Rockland County and downtown Manhattan were scotched, a site in the South Bronx was selected. Even before it opened in 1991, the Bronx-Lebanon incinerator touched off fierce opposition. Built to dispose of up to 48 tons per day of medical waste gathered from fifteen regional hospitals, the incinerator was located in a poor and densely populated area, and worse, raising charges of environmental racism. Making matters worse, during its years of operation, it was cited for hundreds of violations of state pollution standards. A coalition of grassroots organizations led an effective campaign to close the facility, and in June 1997 the plant’s owner, Browning Ferris Industries agreed. In an agreement with the state two years later, BFI agreed to disable the plant and remove the emission stacks.

Gathered by an environmental activist and consultant from New York city, Sam Bishop, this collection documents the turbulent history of public opposition to the Bronx-Lebanon medical waste incinerator. In addition to informational materials on medical waste incineration, the collection includes reports and legal filings relative to the facility, some materials on the campaign to close it, and a small quantity of correspondence and notes from activists.

Joseph Laurence Black History of the Book Collection, 1789-1964.

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Broadside Press Collection, 1965-1984.

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Warren F. Broderick Photograph Collection, 1982-1983.

1 box (0.25 linear feet).Call no.: PH 028

A senior archives and records management specialist at the New York State Archives, Warren F. Broderick has published extensively on topics ranging from gravestone carving to the history of the upper Hudson River Valley. He is co-author of Pottery Works (1995), editor of a new edition of Granville Hicks’s Small Town (2004), and a contributor of numerous journal articles of historical subjects.

The Broderick Collection includes photographs of tombstones in Old Catholic Cemeteries in, Lansingburgh and Lebanon Springs, N.Y., and St. Josephs Cemetery, Pittsfield, Mass. The collection includes a folder of slides taken of St. Josephs Cemetery by Barbara Rotundo.

Subjects

Sepulchral monuments--Massachusetts

Sepulchral monuments--New York

Stone carving--New York

Contributors

Association for Gravestone Studies

Broderick, Warren F

Types of material

Burt V. Brooks Photograph Collection, 1889-1934.

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Zephaniah Buffington Account Book, 1803-1808.

Quaker merchant and farmer from Dartmouth, Massachusetts. Includes two major notations about a large cheese purchase and the sale of hoes in Washington County, New York. Also contains inventories of goods, notations for notes payable and notes receivable, and accounts of his farm (including amounts of cheese made, accounts of farm tools, and the keeping of cows and sheep).

Bela Burnett Account Book, 1801-1842.

A storeowner, farmer, and citizen of Granby, Mass., Bela Burnett was born October 4, 1778, the second of seven children of Jonathan and Mehitabel (Dickinson) Burnett. Having relocated from Southampton, New York, to Battleboro, Vermont, in 1770, Jonathan and Mehitable settled in Granby in 1774, purchasing the farm of Aaron Nash where in 2010, Burnett descendants still live. Burnett had at least five children by two marriages, first to Clarissa Warner (1801) and second to Sally Allen (1808). Burnett died in Granby on April 16, 1846.

The Burnett account book includes careful records of goods sold, customers’ accounts, and the form and method of payment (cash, credit, or barter), as well as some information on family members and boarders, along with a handful of miscellaneous items laid in, such as calculations, notes, and a remedy for yellow jaundice.

Frank Calidonna Photograph Collection, 1991.

A teacher at the New York State School for the Deaf since the 1970s, Frank Calidonna is a professional photographer based in Rome, N.Y. A long-time member of the Association for Gravestone Studies, Calidonna has a long standing interest in Victorian cemeteries and, among other projects, made a photographic study of the Victorian Mount Cemetery in Rochester, N.Y., in 1991.

The Calidonna Collection contains 55 black and white prints (5×7″) taken of monuments and gravestones in Mount Hope Cemetery, ca.May 1991, documenting the stylistic variation, ranging from high Victorian to relatively recent. The collection also includes two brochures for Mount Hope.

M.B. Callaghan Daybook, 1844-1860.

Daybook of M. B. Callaghan, general store owner in Charlton, New York, documenting Callaghan’s purchases from various wholesale merchants, including Van Heusen and Charles (Albany), Asher Cook, H.C. Foster, Craig and Company (Schenectady), Schenectady and Mohawk Sheeting Company and various unnamed peddlars. Daybook includes lists of purchases (1844-1857), some arranged by wholesaler, and an inventory of goods on hand between 1859 and 1860.