Marking Infinity presents the work of artist-philosopher Lee Ufan, charting his creation of a visual, conceptual, and theoretical terrain that has radically expanded the possibilities for painting and sculpture since the 1960s.

This exhibition traces how Asian art, literature, and philosophy were transmitted and transformed within American cultural and intellectual currents, influencing the articulation of new visual and conceptual languages.

Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan

Japan Society Gallery, 2003

The first major international exhibition devoted to a comparative examination of Korean and Japanese Buddhist art, Transmitting the Forms of Divinity explored the formative links between the ancient cultures of Korea and Japan and the early development of Buddhist art.

A major international exhibition introducing innovative scholarship on Japanese art to the West, Kazari: Decoration and Display in Japan examined the dynamic development of Japanese art over five centuries, focusing on particular periods of high cultural achievement.

Yes Yoko Ono, the first American retrospective of the work of pioneering avant-garde artist Yoko Ono, offered a comprehensive reevaluation of her work. The exhibition explored Ono’s position within the postwar international avant-garde and her critical and influential role in originating forms of contemporary art, music, film and performance.

The first major exhibition of works by the contemporary Chinese writer-artist Mu Xin featured works created while the artist was imprisoned during the Cultural Revolution (1966–76) and its immediate aftermath.

A crucial exhibition of an artist whose pioneering work prefigures much current cutting-edge photography. Influenced early on by William Klein and Andy Warhol, Daido Moriyama stands as one of Japan’s central postwar photographers.