Pages

Thursday, 14 May 2015

Alabama Shakes - 02 Academy, Birmingham. Wednesday 13th May 2015

Alabama Shakes are a band who explicitly display their roots
and proudly take a slice of the Deep South with them wherever they play in the
world. Tonight they may have traded the urban namesakes between their home
state and the English Midlands, but there was an unmistakable aura of southern
lore around the venue. The challenge is certainly on to find a finer rock n’
soul band on this planet especially one that has successfully permeated the UK
mainstream. You could quite easily supplant the name Brittany Howard into the
band’s title such is the dominant and imposing presence of a front person blessed
with a spiritualist talent to deliver the most authentic soul and gospel you
are likely to hear in a rock arena.

Following a flying visit to the UK, mainly for press
purposes, earlier in the year, Alabama Shakes in their eight piece format are
now rolling out a series of provincial dates to support their new album SOUND
& COLOR, which has already sold in considerable numbers. A few more copies
will shift off the shelf after catching the band in full flow and in the true tradition
of a major live act, the songs take on a whole new dimension when transported
from studio to stage. The torrential outpouring of pure emotion into each song is
a gasping experience as she blazes through a heady mix of up tempo rock infused
songs and others lifted straight from the sermon of Brittany Howard in all
their soulful and gospel might.

The trio of guitarists including Brittany on a majority of
the numbers play a significant part to form the sound, but the cream comes from
the keys and organ creating that galactic feel of soul music swirling around in
a sumptuous haze. The twin keys approach, a pair of backing singers and the
resident drummer provided the final line up pieces that excelled collectively throughout
and were fully supportive to Brittany exuding her powerful persona to the nth
degree. This was a show of little chat, only a smattering of Brittany’s
grateful humility, as the band steamed through an 80 minute set of songs from their
two albums to date almost in equal portions.

From the debut album BOYS & GIRLS, the band elected to omit
the popular tune ‘Hold On’, however
this show was more about the entity of the radiated emotion than eulogising
over individual songs. However to present some detail ‘I Found
You’ and ‘Rise to the Sun’ off this
record raised the energy levels, while ‘You
Ain’t Alone’ and ‘Be Mine’ were
among the most intense numbers.

To put the live performance of Alabama Shakes into context,
the lead single from the new album was perhaps one of the evening’s lighter
moments with Brittany seemingly taking an emotional breather. This is no slur
on ‘Don’t Wanna Fight’ which was a good
choice to court popular appeal, but it’s
dance-like beat and almost disco vibes fall short of Brittany at her incredible
soulful pinnacle. ‘Dunes’, another
popular track from this album, had an early airing in the set list and in contrast to shows where the final song
is a rousing anthem, this evening closed with a more low key effort in ‘Over My Head’ which reflected on the
observation that this was a gig with a domineering focal point. Three other
notable new songs to feature and worth a mention were 'Miss You', ‘Gimme All Your Love’ and ‘The
Greatest’.

The evening got off to a blistering start with an exhilarating
blast of Mali style blues rock groove. Songhoy Blues are a four piece band bringing
the best of African electric rhythm aided by yet another expressive and
effervescent front person capable of whipping up a docile crowd. It took barely
two songs to hook in the gig early birds which gradually swelled to a sizeable
proportion. Orchestrated participation matched the dynamism from the stage and
this band are set to be an instant hit when they hit the UK festival circuit this
summer.

There is going to be a lot more of Alabama Shakes in the UK
this summer as well and this exposure will bring the power, guile and
brilliance of American roots music to a wider audience. Make no mistake
Brittany Howard does not play to a mainstream gallery and more pertinently on
stage she sinks into a wonderful mire of transfixing soul, blues and gospel. That
extraordinary lung sapping vocal pedigree sends shivers down the spine. While
there may be a Brittany Howard in every church and hall in Alabama, there is
only one pounding the international rock stage and one who also kills it every
time she explodes into action.

Three Chords and the Truth UK

Take the cliche as your starting point before branching out where the music matters. A blog using the medium of 100% original writing to convey some personal thoughts on live and recorded music through the prism of the time honoured review.

About Me

This blog had its inception in January 2012 and is designed to share personal thoughts on music that appeals. These are through highly filtered album and gig reviews which distinctly reflect personal preference. All reviewed recordings are from submitted material thus only reflect a portion of current taste, albeit generally representative. Live reviews tend to be the bulk of those attended. These do include some guest list spots for performers and events that appeal. Time constraints and ethos will always dictate a positive tone that is well served by the offline filter system. Fundamentally these are the sole thoughts of one individual and in essence a 'personal vanity project'.