Dr. Martin E. Rosenberg

Martin writes about the history of emergence as a concept; about
competing models of
time and the ideological, aesthetic, social and political stakes of
dominance and resistance; and about embodied and distributed cognition
across the arts, including Thomas Pynchon, Samuel Beckett, Ezra Pound,
Duchamp, Beuys, Smithson, Kiki Smith, Arakawa and Gins, and music (Cage,
jazz history and performance). He has also published on hypermedia and
HCI Design theory and practice, and about the agency of metaphor in
trans-disciplinary inquiry. Martin also plays jazz guitar, has composed
numerous jazz pieces, and has begun to perform again in Pittsburgh: a
jazz town, rich in history and talent.

Martin earned his Ph.D. in English: 20th Century Science, Technology, and Culture
at the University of Michigan in 1989.
He was also 2013–14 Visiting Fellow in Art and Cognition at the
Center For Transformative Media, Parsons — The New School of Design.