To review Best Playwriting Book Ever, I broke the first rule of playwright club. In his prologue, Roger Hall advises: “To get the best out of this book, write a play (or as much as you can of one) before you read it.” I have never written a play, though I have been watching and performing plays on various stages for almost as long as people have been flocking to Hall’s plays, since his break-out hit, Glide Time (1976). He has now written 50 plays, alongside film scripts and TV series, so he has certainly earned the right to stake his claim in the title of this book. Ticket sales from Hall’s plays have helped fund so many of our theatres, and Hall himself has managed the still rare local feat of making a living as a playwright. He has told that story entertainingly in his autobiography, Bums on Seats (1998).