[The last line here is quite a new thing. Irshad Kamil puts just a little positive message in one line here. This kind of songs have often been pushy from the guys' angle, where they keep pushing and eventually the girl says yes. It's almost been a pattern for many songs. However in this song, while here there is no 'no' from the girl, the makers go a step ahead and call a loveless banter 'shoshan' - exploitation. I like this little touch of positivity.]