Six shortlisted artists selected by an international jury of the inaugural Sigg Prize, present a range of mediums, including sculpture, site-specific installation, video and performance. The work featured in this exhibition address pressing questions that resonate across contexts

This talk explores the wide range of musical elements used in Cantonese opera, looking at the different vocal styles used for male and female roles, and the use of percussive instruments and rhythmic melodies to enhance mood and narrative

In this talk, Prof Li looks at Cantonese opera in the social context of modern Hong Kong, and examines how elements of Western modern music, literature and film culture have been adapted for use in this traditional performing art form

In this talk, Special Researcher of Dunhuang Academy Lee Mei-yin will introduce the history and cultural background of Dunhuang. Using photographic illustrations of the precious Dunhuang murals, Lee looks at the folk customs of the ancient people and explores their relationship with modern cultures

From now until 21 October 2019, visit the exhibition in the Xiqu Centre Atrium to appreciate the design of the 2018 Series HK$100 notes, which feature Cantonese opera as the thematic subject, as well as the design of the four other denominations of the same banknotes series

This talk explores the wide range of musical elements used in Cantonese opera, looking at the different vocal styles used for male and female roles, and the use of percussive instruments and rhythmic melodies to enhance mood and narrative

In two separate talks, experienced Cantonese opera performers look at how acting, martial arts and dance are combined in Cantonese opera to create patterns of formulaic gesture that contribute to the unfolding of plot and help define character for male and female roles

Bringing together renowned scholars and artists from the region, this forum looks at the development of Cantonese opera over the last decade, as well as the legacy of the art form and future directions for education and promotion

In this talk, Chinese opera scholar Chan Chun-miu uses audio and video demonstrations to illustrate and compare the literary styles of a selection of Kunqu and Cantonese opera works with similar themes

To accompany GuoGuang Opera Company’s production of Dowager Xiao-Zhuang and Dorgon, lead cast members – Wei Hai-min (Dowager Xiao-Zhuang) and Tang Wen-hwua (Dorgan) – join us for a pre-performance discussion and sharing session about their work and the relationship between their characters

Throughout history, tea and incense have played an important part in traditional Chinese culture. This series of talks looks at the historic and contemporary cultural uses of incense and tea, and explores their aesthetic and ritual significance

In this series of two talks, theatre practitioner and critic Dr Cheung Ping-kuen examines the psychological and emotional journeys of some of Cantonese opera’s iconic “heartless men”, looking at the motivation behind their behaviour, and exploring the relevance of these characters for modern day audiences

Decorate a badge holder with a fun image of one of the four main roles in Chinese traditional theatre – male, female, painted face and comic – and learn fun facts about this traditional performing art at the same time

In this talk, Stella Lau, former Programme Director in Performing Arts at HKU SPACE, explores the Hong Kong recording industry, the evolution of Cantopop, the characteristics of mainstream and indie music and the challenges and opportunities that the digital era has opened up for local pop music culture

In this talk, Stella Lau, former Programme Director in Performing Arts at HKU SPACE, looks at the development of indie music in Hong Kong from the 1980s to the 2010s in relation to social development and post-handover culture in Hong Kong

In this free family workshop, Cantonese opera artist Xie Xiaoyu, and facilitator Vivian Ng and Ava Yau, show you how to decorate a flat fan with an image of a Chinese opera character and demonstrate how fans are used by performers in dan (female) roles

In this talk, Professor Yu Siu-wah examines the concepts and characteristics of Cantonese opera music, offers insight into basic structures and arrangements, and discusses some of the transformations that have taken place over the centuries

In this talk, Dr Chan Chun-miu offers audiences insight into the distinctive sounds and melodies of the Kunqu art form, exploring the relationship between the use of dialects and the evolution of the art form, and the way that music and language is used to highlight different roles and characters

Using examples from the US and Britain, Stella Lau, former Programme Director in Performing Arts at HKU SPACE, explores the musical, social and economic relationships that underpin independent music labels, and whether independent artists who become popular in the mainstream can still be labelled “indie”

In this fun, free workshop, local artists Kong Hoi-kan and Ng Sze-yu demonstrate how to use ribbons to imitate the effect of kingfisher feathers and help you discover fun facts about the symbolic role of garments and head pieces in xiqu performances

Cantonese opera plays an important role in the lives of people in Hong Kong. This talk explores its transition from the use of Mandarin to the Cantonese vernacular, demonstrating vocal styles and techniques and offering a deeper understanding of the aesthetic features of the art form

This talk looks at Cantonese opera in the social context of modern Hong Kong, and examines how elements of western-modern music, literature and film culture have been adapted for use in the traditional performing art form

Since the post-war years, the convention of nüwenwusheng – female performers playing civil and military male roles – in Cantonese opera has been a popular practice in Hong Kong. In this talk, Prof Li Siu-leung looks at the recent history of female cross-dressing in Hong Kong Cantonese opera and film, with special reference to Connie Chan Po-chu

In this series of three talks, local experts share their understanding of poetry, calligraphy and the ancient Chinese divination text the I Ching, and explore the relevance of traditional literary arts in a contemporary society

The exhibition presents art and design works by the celebrated modern sculptor Isamu Noguchi in dialogue with newly created work by Danh Vo, one of the most critically acclaimed conceptual artists active today

In this talk, West Kowloon’s Executive Director of Performing Arts Louis Yu offers insight into the design and venue positioning of the Xiqu Centre, looking at the venue’s unusual use of space and its relationship with local Cantonese opera communities

This talk looks at how acting, martial arts and dance are combined in Cantonese opera stage movement to create patterns of formulaic gesture that help define character and contribute to the unfolding of plot

This talk explores the wide range of musical elements used in Cantonese opera, looking at the different vocal styles used for male and female roles, and the use of percussive instruments and rhythmic melodies to enhance mood and narrative

In this fun, free workshop, local artists Kong Hoi-kan and Ng Sze-yu show you how to make a simple xiqu-inspired brooch using colourful sequins and share insight into the symbolic role of garments and head pieces in xiqu performances

This talk looks at how acting, martial arts and dance are combined in Cantonese opera stage movement to create patterns of formulaic gesture that help define character and contribute to the unfolding of plot

In this talk, Cantonese opera playwright Woo Kwok-yin shares insight into the creative process behind his work The Peregrinations of Confucius, and explores how xiqu as a multidisciplinary art form can breathe new life and relevancy into classic texts

Between 1940 and 1970, a large number of stars from the Cantonese opera stage entered the film industry in Hong Kong. This talk looks at the impact of this phenomenon, and the importance of Cantonese opera films as historical records of performances from that era

Professor Chan Sau-yan, expert on the musical structure, performance practice, ethnographic and historical aspects of Cantonese opera, looks at the tradition of religious operas in Hong Kong, and the challenges of preserving an ancient art form in a market-oriented economy

Cantonese operas are often based on stories of love and married life. The wives in these tales may be meek and loving or powerful and cunning. This talk looks at some of the Xiqu Centre opening performances to explore what makes a “perfect wife” on the Cantonese opera stage

Melodic and song-like, xiaoqu can incorporate traditional instrumental melodies, folk songs, contemporary pop songs and even theme tunes from films and TV shows. This talk explores the origins and development of xiaoqu and its unique function in Cantonese opera