Dogon, ethnic group of the central plateau region of Mali that spreads across the border into Burkina Faso. There is some doubt as to the correct classification of the many dialects of the Dogon language; the language has been placed in the Mande, Gur, and other branches of the Niger-Congo language family, but its relationship to other languages of the family, if any, is uncertain. The Dogon number about 600,000, and the majority of them live in the rocky hills, mountains, and plateaus of the Bandiagara Escarpment. They are mainly an agricultural people; their few craftsmen, largely metalworkers and leatherworkers, form distinct castes. They have no centralized system of government but live in villages composed of patrilineages and extended families whose head is the senior male descendant of the common ancestor. Polygyny is practiced but reportedly has a low incidence.

Characteristic Dogon cliff village on the Bandiagara Escarpment.

Victor Englebert

Each large district has a hogon, or spiritual leader, and there is a supreme hogon for the whole country. In his dress and behaviour the hogon symbolizes the Dogon myth of creation, to which the Dogon relate much of their social organization and culture. Their metaphysical system—which categorizes physical objects, personifies good and evil, and defines the spiritual principles of the Dogon personality—is more abstract than that of most other African peoples. Dogon religious life is heightened every 60 years by a ceremony called the sigui, which occurs when the star Sirius appears between two mountain peaks. Before the ceremony, young men go into seclusion for three months, during which they talk in a secret language. The general ceremony rests on the belief that some 3,000 years ago amphibious beings from Sirius visited the Dogon.

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The Dogon inhabit the Bandiagara escarpment in Mali. Dogon sculpture is intimately linked with spiritual beliefs related to ancestors, both real ancestors and mythic Nommo spirits (primordial ancestors created by the central god, Amma). Figures are made to house the spirits of deceased family members and are placed in family shrines, and masks are used to drive away the spirits of the deceased...

The most common cultural activities involve music and dancing. Dogon dancers wear masks that are more than 10 feet (3 metres) tall to act out their conception of the world’s progress, and Bambara animal-spirit masqueraders do a fertility dance in which they imitate the movements of animals. Variants of these dances are often evident in performances given by the country’s numerous dance troupes,...

...and cement. Malian towns exhibit an eclectic mix of styles, including traditional mud huts, concrete houses, European-style villas, and mosques and government buildings in the Sudanese style. The Dogon built their houses into the Bandiagara Escarpment, which was designated a World Heritage site in 1989. These houses, built out of mud, have flat roofs where the inhabitants can sleep in warm...