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The play was copyrighted 16 Sep 1910; its first production date has not been determined. Reviews called the actor playing the male lead Radcliffe Fellows, rather than his correct name, Rockcliffe ...
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The play was copyrighted 16 Sep 1910; its first production date has not been determined. Reviews called the actor playing the male lead Radcliffe Fellows, rather than his correct name, Rockcliffe Fellowes.
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After leading a life of boredom with her angelic first husband, young widow Georgiana Chadbourne begins her "search for a sinner" once her period of mourning ends. While staying at her brother-in-law Jeffrey's apartment, she meets Jack Garrison in Central Park and, hoping to arouse the devil in him, poses as Jeffrey's wife. Jack, an old friend of Jeffrey's, is shocked and telegraphs his pal to return immediately to watch his errant wife. Jack is on the brink of yielding to his tormentor when Jeffrey returns and explains that Georgiana is not his wife, but his sister-in-law. Thus, Jack is relieved at the revelation, Georgiana is satisfied with Jack's potential for wickedness, and the content couple ...
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After leading a life of boredom with her angelic first husband, young widow Georgiana Chadbourne begins her "search for a sinner" once her period of mourning ends. While staying at her brother-in-law Jeffrey's apartment, she meets Jack Garrison in Central Park and, hoping to arouse the devil in him, poses as Jeffrey's wife. Jack, an old friend of Jeffrey's, is shocked and telegraphs his pal to return immediately to watch his errant wife. Jack is on the brink of yielding to his tormentor when Jeffrey returns and explains that Georgiana is not his wife, but his sister-in-law. Thus, Jack is relieved at the revelation, Georgiana is satisfied with Jack's potential for wickedness, and the content couple weds.
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Seventy-year-old newspaper tycoon Charles Foster Kane dies in his palatial Florida home, Xanadu, after uttering the single word “Rosebud.” While watching a newsreel summarizing the years during which Kane ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the
AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.