Sunday, October 23, 2011

The animated feature Rango is rich with symbolism referencing Bible prophecy. The surreal dream the chameleon had before being flushed out into the world of Dirt supports the theme of the revealing of the Lawless One and touches on some closely related themes. Assuming the previous post is fresh in your mind, let's get right into the next scene of the dream sequence. This one is really brilliant, evil genius stuff that features cacti transforming into snake rattles!

With big rattlesnake rattles sticking out of the desert sand we can infer that giant snakes are attached and making them rattle, buried out of sight in the desert sand.

The theme of a serpent kind buried in the earth should be very familiar to those of you who have been reading this blog for a while. Steve Quayle, Tom Horn and others have in recent years done much to popularize ancient prophecies about giant spawn of the Serpent being buried in the earth. I believe the bottomless pit referenced in Revelation 9 is related to this "serpent buried in the earth" situation. That very passage was pictured in the preceding dream scene with the Walking Cactus, after all. And, it's pictured in the drain pipe Rango's sheltering in while he dreams, which I hope to expand upon shortly.

The Serpent is very focused right now upon the prophesied end of the entombment of his agents because it's not far off. The sentence appointed for those of serpent-kind held responsible for the flood of Noah's day is for a full 70 generations of imprisonment.

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness.
12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished.

1 Enoch 10:11-12

When they are released, the Lord has ordained that they should be agents of judgment, to execute judgment upon the earth for a short season. The Serpent has eagerly anticipated this release for a very, very long time.

1) The vision which Esaias son of Amos saw against Babylon.
2) Lift up a standard on the mountain of the plain, exalt the voice to them, beckon with the hand, open the gates, ye rulers.
3) I give command, and I bring them: giants are coming to fulfil my wrath, rejoicing at the same time and insulting.
4) A voice of many nations on the mountains, even like to that of many nations; a voice of kings and nations gathered together: the Lord of hosts has given command to a war-like nation,
5) to come from a land afar off, from the utmost foundation of heaven; the Lord and his warriors are coming to destroy all the world.

Isaiah 13:1-5 (LXX - Brenton)

9) The spirits of the giants shall be like clouds, which shall oppress, corrupt, fall, contend, and bruise upon earth.
10) They shall cause lamentation. No food shall they eat; and they shall be thirsty; they shall be concealed, and shall not rise up against the sons of men, and against women; for they come forth during the days of slaughter and destruction.

Enoch 15:9-10

Rango is not alone in bringing forth an esoteric witness into the public domain. This is showcased in the lobby of the Bank of America Corporate Center in Charlotte, NC. This mural painted by Benjamin Long pictures a sleeping giant encased in the earth and a global celebratory excavation site. You can read more about it in this post titled Caves and their Secret as Attested to by the Bank of America (part 1 of 2).

The theme of celebrating the coming release of those bound within the earth is presented with almost incredible boldness at the UN in NYC. This enormous mural occupies the central position in the Security Council Chamber. At lower left, you'll see a man like the one at lower left in the Bank of America panel, pulling. The effort is to assist those coming out of the dark pit!

The devil must bear witness to his plan. Praise the Lord for exposing it to those of us who need to know in this hour!

What Rango's presentation adds concerns the transformation involved. Once I grasped the image of the buried Nephilim I looked again at the peculiar cacti they had been prior to being transformed into the rattles. They didn't have the kind of bent arms typical of the popular Saguaro. These cacti had appendages that looked phallic! They resemble Hermai!

The cactus represent the ancient phallic gods, like Horus, Hermes and Pan. Many have come to believe these names passed down through the ages are more than mere fanciful fictional inventions. I have become quite convinced, myself. The offspring produced by the fallen angels like those 200 Watchers who fathered them were gods of legend. These were responsible for the flood, and these are entombed in the earth awaiting release.

This signification becomes all the more apparent when you consider how a cactus has a fleshy body covered with prickly spines. The cactus is in the category of vegetation with thorns and thistles, a category that symbolically represents the serpent's tree or heritage people. If this doesn't click for you, I recommend visiting this study titled Who is Cain's Father? Part Two - Thorns, Thistles and Tares - Destined for Fire, where that link will take you to the target location on the page.

So, a cactus with erect phallus is transformed into a serpent that is buried in the desert sand. The "cacti" were buried there due in no small part to their sexual impropriety, right? This is what is pictured in Rango's dream, in the season of his own release as he's about to be birthed as the Rango reincarnation of Horus!

I don't want to get far off track but it's worth mentioning that the rose and cactus flowers are related symbols. Have you ever seen a rose bush that didn't have sharp thorns? The "Rose-Cross" Rosicrucians didn't choose the rose emblem just because it's pretty and it smells good. The secret of the rose is that it comes from a thorn bush. When you find reference to secrets and covert ops as being sub rosa, think about what is literally sub rosa, under the rose. Thorns are under the rose! This is the sub-rosa secret! It's an implied reference to the presence and operation of the thorn and thistle of the curse of Genesis 3:18. Think about why the character in The Omen who plays the Antichrist is named Damien Thorn. Think about why the woman who gives birth to the Antichrist is named Rosemary in Polanski's infamous "Rosemary's Baby." A woman named Mary gave birth to the true Christ. ROSEmary birthed the Antichrist. Thorns are sub rosa - under the rose!

The reproductive imagery of the cacti is pretty obvious, with each one appearing as Hermai with at least one erect phallus. The rattlesnake rattles are actually assigned the same meaning later in the movie because the giant rattles of Rattlesnake Jake are a Gatling gun. Gun is slang for the male package. As I already mentioned in this series, Jake is without contest the big serpent stud with the big gun firing the most serpent-seed bullets. It should be noted that this imagery adds a layer of transformative sex magick to the context of the dream sequence that is the bringing forth of the Beast and of those who will be released from their bonds in the earth. The rattles stick up out of the sand like the famed obelisks of Egypt. The obelisk represents the phallus of Osiris - which is all about transformative sex magick and bringing back the phallic god worshiped!

If you can find and watch a video clip of this cactus-to-rattle scene, listen to the audio that starts the cacti to shaking and the rattles to rattling. You'll hear a vocal that reminds me of Leona Lewis' segue to "Whole Lotta Love" in Beijing closing out the '08 Olympics. Leona was ascending up during that performance, lifted with a helical DNA structure. Her vocal represented the Siren song. The Sirens' irresistible songs brought mortals to their imminent death. That signaled the audio triggering of the death bringing DNA transformation of the mark of the Beast. The female vocals in Rango's dream that make the male cactus shake and transform into serpents, likewise, I believe. I say this without yet offering much support, but that, Lord willing, is coming soon!

Saturday, October 22, 2011

In the last few posts I've been showing how the animated feature Rango presents certain pivotal events and dynamics featured in Bible prophecy. What I have come to call the sign for the Bride involves the revealing of the lawless one, and this hugely important event is pictured as Rango is flushed out of a drain pipe into the desert, thrust into a world very different than the one he had known.

Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;

2 Thessalonians 2:8

Leading up to the scene of Horus-Rango's entrance by birth and baptism, some background and transitional scenes set the context for us, including a night he spent in a drain pipe. This is where he experiences a bizarre nightmarish dream sequence. In this post we'll give consideration to the elements of that sequence as illustrating Bible prophecy. The sovereign Lord has revealed what is coming. The enemy must also spill the beans, and so he does!

The first screenshot shows when Rango has just climbed inside a drain pipe to shelter for the night. Assuming, as we must, that nothing we see is random or unintentional, the full moon pictured allows us to peg when this is happening on the Lord's calendar, a lunar calendar. The moon looks full for a few days a month. This time of the month pictured is when the Bible declares the lawless one will be revealed, at the full moon!

18) “Come, let us drink our fill of love until morning; Let us delight ourselves with caresses.
19) “For my husband is not at home, He has gone on a long journey;
20) He has taken a bag of money with him, At the full moon he will come home.”

Proverbs 7:18-20

The woman is a prophecy featuring the harlot mystery Babylon the Great. Her husband is the Antichrist Beast. At the full moon he will come home, comparing to the anticipated return of Quetzalcoatl and the reincarnation/regeneration/resurrection of Osiris.

So, having taken shelter inside the pipe, Rango falls asleep. He dreams, and the first sequence we see is the nightmarish scene sampled in this pair of screenshots. A shadowy figure is bent over a smoky fire. The "camera" zooms in and we see it has a face lit from the inside like the fires of hell burning inside a jack o'lantern - a creepy and scary demonic looking figure. What does this mean?

Why aren't we shown anything burning, like wood in a campfire? Whatever might be burning is carefully clipped out of the frame. Is the smoke and flame coming out of a pit? If the movie is just superficial entertainment and the symbols meaningless, we can dismiss this with everything else. However, the consistency of the symbolism throughout Rango simply demands interpretation, and the context has been well established! This scene is what we may read about in Revelation chapter 9. The smoky fire is that of the bottomless pit and the shadowy figure is the fallen star-angel given its key.

1) Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him.
2) He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit.
3) Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power.
4) They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads.
...
9) They had breastplates like breastplates of iron; and the sound of their wings was like the sound of chariots, of many horses rushing to battle.
...
11) They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon.

Revelation 9:1-4, 9:9, 9:11

If you can watch on DVD or find a clip online, listen very closely to the soundtrack here. You may agree that the Rango sound effects crew really nailed verse 9's description of the sound! Watch and consider what looks at first like sparks or glowing ash ascending from the fire. Locusts? I believe the appearance of the fallen star-angel is alluding to (NLP association) verse 4's references to vegetation.

Later in the movie, some help identifying the shadowy figure is offered in a scene where the creepy creature's kind is referenced. We hear the following line while Beans and Rango are pictured together with a Walking Cactus that looks very much like the one in the dream. This immediately follows a campfire scene, which seems to link it to the dream sequence's fire and creature scene.

Beans: "That's a Spanish Dagger. But around here we just call them the Walking Cactus […] there's an old legend they actually walk across the desert to find water."

Her description only offers yet another puzzle for most who bother to research the matter because, while the Spanish Dagger and the Walking Cactus are both real plants, they are not the same plant. Those pictured in Rango resemble the Spanish Dagger, a variety of yucca that is not found in the southwest. These are native to the coastal sand dunes of the southeast, ranging from southern North Carolina to northern Florida. There is a plant called the Walking Cactus that is found in some deserts of the western US. You'll find it in settings similar to Rango's Mojave on California's Baja peninsula, and around Chandler, Arizona and Phoenix, Arizona. Excerpting a doc I found online titled Is There Really A "Walking Cactus"? - "The "walking cactus" (Stenocereus eruca) is a truly unusual form of cacti. It lives on the Baja peninsula, and is also known as the "creeping devil." Well, there's a connection. By being told by Beans that these are called the Walking Cactus, the creepy devil is actually identified as a "creeping devil." It's indirect, but unmistakable. Let's take the hint. The creature is a devil!

Still, a question begs to be asked. Why not just simply present the Walking Cactus? Why picture a non-native Spanish Dagger and tell us it's a Walking Cactus? I believe the answer lies in a feature that the pictured yucca and the referenced cactus have in common. One end of the plant lives while, at the same time, the other end dies off. This is what causes the one to creep slowly across the desert floor and what sometimes gives the other the appearance of having a head distinct from the body. This highlights regeneration, the resurrection theme. I believe this suggests the reanimation of the Rephaim, the dead ones, the release and reanimation of the Nephilim and the bringing forth of Horus, who was, is not and yet will be.

Supporting this interpretation, later in the movie these Walking Cactus are given an instrumental role in Rango's bringing water to Dirt. At the end of the movie, a destruction/creation scene occurs that should be familiar to those of you who have done due diligence by investigating the Hindu idol featured at CERN's LHC installation. What Rango pictures when the water is delivered to town illustrates a version of Shiva as the Nataraja doing the tandava, the cosmic dance. The flood destroys the town but renews it at the same time. This is a counter-flood answering to the one of Noah's day, and one of a number of independent models I've noted in recent years. This is something I first began to bear witness about while documenting what the Lord was opening to me relative to the Beijing Olympics signs. Folks, it's coming.

The identification by way of the Walking Cactus reference of the dream sequence's feature creature as a devil is even further supported by the scary jack o'lantern look it's given. Research that and the related Will-o'-the-wisp.

Friday, October 21, 2011

I'm moving from California to Pennsylvania next week. Having lived in CA since August of 1983, this is a significant event.

My friend Aaron helped me find and secure my new apartment, in Pittsburgh. When I learned what the address would be, I considered the interpretation based upon the symbolism present. It means National 9-11 Judgment. This is brought forth by considering all three numbers, which is underscored by the street name.

The first of the three numbers is 100. One way to look at numbers with zeros is that the number of zeros indicates the scope of the reference. The biblical feeding of the 5000 is a global scale prophecy. Just a single digit, one, suggests personal. Ten, local. One hundred, national. One thousand, global. The second number is the apartment unit, which sums to 9. The third number is the zip code, which sums to 11. National 9-11.

What comes to mind is what has been drilled into our heads for over ten years, the WTC/Pentagon event from 9-11 in 2001. The number is also the US emergency number, for this nation.

The street name where my apartment is located suggests a mountain, which in biblical type means kingdom. The street is a court. Kingdom Court, a place where cases are tried and legal judgments made.

I receive this as a testimony that, as I am moving to this location, America is moving into the season where the judgment prophesied will be manifest. What we have already experienced will pale in comparison. According to what the Lord revealed to me about Daniel 8, America will engage Iran after the manner of Iraq. Following the military "victory" and subsequent boasting, America's status as a superpower will quickly pass away. America is as a ship that is being scuttled, with all her precious cargo being rapidly and now nearly completely offloaded.

Take a look around you next time you leave the house. Count the surveillance cameras you can spot, on the road and in the store or business. How far can you get from your house without your presence at that place and time being recorded?

Like a net being made one knot at a time, a snare is being laid that will eventually enclose every one of us. This will enable those responsible for the net full control over everyone caught in it. Under the pretext of peace and safety, the "knots are tied" in plain sight. Mind control is practiced to reduce opposition to a minimum, even creating snitches who are eager to help their captors. Hitler would be LOL and ROFL at seeing his dreams fulfilled.

Friday, October 14, 2011

Continuing from the previous post and continuing to focus on the scene where the chameleon has his first interaction with Beans, there's a fascinating and essential element of the Beast revelation scenario featured in the scene; the UFO craft. I write about this regularly so I'm not going to explain much here. See Heaven's Vehicles and Olympic Ceremony Symbolism - Part Three (about half-way down) for some of what I've written.

At the scene of the counterfeit baptism, transdimensional travel will play a role and a fit vehicle will be present. It seems likely that the lawless one, after being publicly anointed with authority, will enter into a throne vehicle to make his departure. This was modeled during the Beijing Olympics in the London Ceremony in 2008 and it is modeled again in Rango.

The Lawless One will have convincing evidence backing his claim of being "alien," of having entered our time-space domain by extension from another. This explains why Beans tells Rango: "You ain't from around here, are you?" It explains why she says, "Now, it's a puzzle of undeterminable size and dimension." Undeterminable dimension? Right. Would that be a fourth, or higher, perhaps? More NLP. Note the allusion to space and time with "size" and "now." Puzzle solved?

Give some thought to why it is that, when the episode of tonic immobility passes, Beans blurts out, "And until the people of Andromeda Five return him safe and sound, I will not sell my ranch!" Now, the only way to interpret that is as a reference to alien abduction! This directly imports into the mind the imagery of aliens coming and going, taking people away in UFO craft. This is what we are shown when Rango is taken away in the wagon, which illustrates just such a craft!

It should become pretty obvious from the multitude of clues provided that the wagon Beans uses to chauffeur Rango signifies a heavenly chariot.

Do the 144k and the Beast ride off together in biblical type? If so, I haven't noted it, but I believe they do separately, in different ways to different places for different purposes. That the 144k do get heavenly transport is a subject I wrote about in one of the studies in Beyond the Veil. I'll excerpt that here to introduce the biblical Hebrew word "agalah."

"These Egyptian carts are awesome! They are what convinced Jacob of his son's testimony about Joseph! The word used here for 'carts' is Strongs # 5699. 'agalah, ag-aw-law'; from the same as H5696; something revolving, i.e. a wheeled vehicle:--cart, chariot, wagon. The Egyptian carts will transport the families of the 144k to heaven, so this is not a convoy of Hummers, hay wagons or U-Haul trailers. Have you ever read about Ezekiel's vision of the throne with the wheeled vehicle under it? That's apparently Joseph's Egyptian chariot!"Joseph and Benjamin - Part II

The wagon Rango rides away in is just such an "agalah" transport, used for interdimensional travel.
Consider the image here of the wagon's departure. See how the shadows of the wheels appear centrally under the wagon, hinting at some vertical propulsion mechanism. The shadow wheels extend from the wheels that cast the shadows across to the other wheels - exactly, touching precisely, as intersecting!

This was the appearance and structure of the wheels: They sparkled like chrysolite, and all four looked alike. Each appeared to be made like a wheel intersecting a wheel.

Ezekiel 1:16

Rango's departure in the wagon is transport in a heavenly throne vehicle signifying his ascension to and in a heavenly throne. The genuine described in Ezekiel equates to the unearthly Temple's Most Holy Place wherein is found the ark of the covenant, with winged creatures on top. It's with respect to the Holy of Holies that we find what is to me perhaps the most intriguing symbolism in view! It involves the use of sound to facilitate dimensional travel.

The only person permitted access to the Most Holy Place was the High Priest of Israel, and that, only on one day of the year. Other requirements had to be met too, or even then he would die in the attempt. The requirement that relates most particularly to his accessing the Most Holy Place and thereby entering into the presence of Yahweh without dying is the tinkling sound made by the bells and pomegranates on the hem of his garment.

33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around:
34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe.
35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:33-35

If you can watch this scene, listen to the noise the bottles make when the wagon moves. They tinkle like little bells! I have been pondering for some time what it means that this is a wagon filled with bottles, and now I know! There are two reasons that have been revealed to me. One is that the tinkling sound is required to facilitate transdimensional access to the heavenly realm and abode of the gods! This compares to the High Priest's access to the Most Holy Place and the golden bells and pomegranates he wore, when "its tinkling shall be heard ... so that he will not die."

This explains why Beans asks Rango the following "composite question" after climbing into the wagon. "So, are you gonna die out here or do you want a ride into town?"

The mariachi owls attest to this interpretation as they prophesy his certain demise in the narrative presented during the voyage. With evil genius, they reference the Sirens of ancient Greece. By this means they link this situation with what is more than mere fictional mythology when mortals died while interacting with the gods! Hint. HINT! These were the beings who lured passing mariners with their irresistible songs. The enchanted sailors drew near to hear them and subsequently drowned in the sea as their ships broke up on the rocks. Yeah, more embedded NLP. But Rango does not die. He is the right man at the right time, and the tinkling sound facilitates his journey so that, like the High Priest, he does not die!

Dimensional travel may involve movement from one point in space to another but it also involves time. Beans makes cryptic reference to time travel once Rango has climbed into the wagon, with bottles tinkling. "Today's Wednesday," she says. "And Wednesday's when we all get to it." "Today's Wednesday"? Time. "Get to it." Travel. So, time travel. Cryptic. NLP. Get it?

Even the superficial level of the plot supports the transdimensional travel theme because, with that declaration, Beans is referring to the weekly ritual water ceremony. If you remember from an earlier post in this series, that pictures the DNA transformation portal where one joins with the gods and becomes divine! The DNA transformation equates to regeneration that is akin to resurrection. The version in view is a counterfeit, temporary and corrupt, of course, but nonetheless real.

Now, the other reason why the agalah wagon is filled with bottles is to illustrate the resurrection principle. We can assume the empty bottles on the wagon were intended to be filled with water, like the many other empties we see throughout the movie. We know one of them (a Mason jar) contained ashes. Beans said they were her daddy's. Even though she appeared to correct our inference that they were what remained after cremation, it's obvious the correction was for misdirection. So, we have jars with a person's ashes and jars intended to be filled with water. These are the elements of a biblical purification ritual that is a resurrection type!

For the unclean person, put some ashes from the burned purification offering into a jar and pour fresh water over them.

Numbers 19:17

The ashes represent the dead body (actually messianic). The fresh water represents life. Adding water to the ashes in a jar is a reconstitution, symbolically transformative, a resurrection! This was presented in an appendix of Beyond the Veil titled Resurrection on the Third Day. This link will open the study about 3/4 the way down the page to a section titled, The Purification Ritual. As I've been saying, the key to being able to recognize dramatic modeling is familiarity with what's being modeled.

Some of you may have already been granted insight into how death and resurrection relates to time travel, which has to help grasping the whole "jars on the wagon" bit. This is deep stuff. If you've heard the euphemism "gone on ahead" used when saints die, well, it's really wonderfully expressive! I'm not going into detail here, but when the body is dead there is a spiritual perspective and a physical. With no burden of the body, physical mass is not involved with who and what you are. Without mass, you exit the time/gravity/3-space realm and constraints. "You" don't pass "Go", you don't collect $200 but you do arrive at your appointed and earned resurrection, which is back on the "linear" time line after your point of departure. If that doesn't make sense, please don't ask me to explain. Ask the Lord, OK? I don't know much, but I do know stuff.

So then, the Rango imagery mimics the biblical symbol that is the purification ritual, and you should understand that even the mimicry of a symbol is powerfully effectual in preparing for the targeted season. Folks are prepped in advance. They will buy in!

Is the devil familiar with this? Does he understand the details of the law given through Moses and officiated by the Levitical priesthood? Is he clever enough to embed layers of relevant symbolism in animated features? I think, yes. Are you able to perceive how Rango is a tool that prepares folks for when the events pictured happen? Those who watch movies and see ads and logos and hear music and speeches are programmed to respond in certain ways. When the Lawless one is revealed, few will be able to resist his will. Few indeed.

When we hear Beans say the word "sound" in her emotional alien abduction reference ("And until the people of Andromeda Five return him safe and sound..."), what is achieved through subliminal means (which is becoming more popularly referred to as "perception without awareness") is that "sound" and the activity involved in the alien abduction are linked in our minds. These are common elements in a theme that keeps repeating in my studies.

Time is a factor in sound. Sound travels at a particular speed through a medium, and speed is expressed as distance traveled over time, for example in miles per hour. Sound is also vibration with a property called frequency, which is related to pitch. Frequency may be expressed in a scale of measurement called hertz (Hz). The note referred to as middle C is 261.63 Hz. Brilliance, which is the sounds of bells and the ringing of cymbals is in the 10th octave range, spanning from 16384 to 32768 Hz. Sound effects things by transferring energy to them, most effectively when there is resonance involved. Think: tuning fork. This is in play when frequencies are in common between the physical or chemical structures acted upon and the sound imparting its energy.

I believe the wagon wheels themselves witness to the time element. They are 12 spoke wheels like the hours marked off on an analog clock face, or perhaps on a sun dial. As you may recall from earlier in the series, these wagon wheels are also sun wheel symbols, the sign of Horus.

There's another set of time references that actually includes the location of a very relevant Bible verse! When Rango responds to Beans' questioning about his role and what he's involved in, he prefaces his literal song and dance routine with the following.

Rango: Oh! Well, I...I...I'm glad you asked. I've got two one acts, a mystery and a musical I've been gestating. I've got the words. I'm just kinda workin' on the melody right now. It's like a... [humming a tune] This is - I think it's gonna be a western.

Two one acts? How about we follow the NLP tip-off and take a look at the book of Acts? Two one Acts - chapter two verse one.

And when the day of Pentecost was fully come, they were all with one accord in one place.

Acts 2:1

This features an explicit time-space reference. Time references found: "when...fully come" and "day." Spatial reference found: "all...in one place." Do you see it? This verse is particularly relevant because the season of the lawless one's revealing and interaction with the Bride and 144k will come at Pesah, which is directly related to Pentecost by 50 days. The 50 day time span between them is the primary feature of that holy day of sparse description also known as Shavuot! It is the period of the Counting of the Omer, a daily countdown: Frequency, one count per day.

The Omer is actually a count of 49, which in the context I relate as a fractal to 490 and 4900. It relates to the Yobel, the Jubilee and legal provisions for debt and forgiveness. This ties in to the 70 generations (70x70=4900) prophesied by Enoch relative to a particular dimensional constraint, but I'll leave that to your study.

Do you see how the diabolically clever phrase "two one acts" taps the hidden theme of dimensions, time and space! But wait, there's more! One of the meanings of "two one" or the number 21 is, time. I know. Over the top!

Yesterday, I was going to include most of what you're reading here with yesterday's post, but I divided it up. As I posted Part 20 it occurred to me that I was now going to be publishing content featuring the subject of time in the 21st post. This happened before, just over a year ago. See Part 21 - Rochester, NY - The Clock of Nations and World Domination. That 21-time connection was so obviously directed by the Lord as it came in connection with #22 and the two signs involving the associated bell study. The Lord has been working with me on the subject of time and matters of timing for many years, and He's still at work! Praise the Lord! It's a big deal!

So, returning to the Acts 2:1 reference. Shavuot in Acts 2 is famously a holy day where there was a supernatural sign marking out a particular people. Few realize it, but this event took place at the Temple in Jerusalem, where folks had gathered for the Feast and congregated at that very hour. David Flynn has presented evidence that the Temple is a center of time in his book, Temple at the Center of Time.

This location will be the center of supernatural activity when the scene pictured in Rango happens!

4) who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God.
...
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders

2 Thessalonians 2:4,9

After Rango says, "I've got two one acts," he continues the list. He adds, "a mystery," suggesting the scene is a mystery to be solved. He then adds, "a musical." A musical is a theatrical production that has an emphasis on music and singing, which are sounds, frequencies! Rango adds, "I'm just kinda workin' on the melody right now." A melody is a combination of pitch and rhythm, involving the actual musical portion of a "musical" production, with the time factor involved in both pitch and rhythm. He then hums a tune, providing a demonstration lacking a language component. The words, of course, are not the immediate subject of attention. He says, "...it's gonna be a western." With that, Rango gives yet one more time (it's gonna be) and space (Western) reference.

Beans uses the word "puzzle" and Rango, "mystery." If we haven't solved it yet, to borrow a phrase from Wheel of Fortune, it's time to buy a vowel. The revealing of the lawless one with come with an opened dimensional portal. A man familiar but now changed will appear on the scene in a baptism with supernatural power near where similar things happened earlier in history. He will present convincing evidence of an otherworldly origin and authority. He will depart this realm by ascending in a throne vehicle.

Rango's version left in a cloud of dust with the tinkling peccary (swine) powered wagon's wheels stirring up the desert floor. Y'shua ascended from the Mount of Olives and a cloud received him out of sight.

9) And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight.
10) And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them.
11) They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.”

Acts 1:9-11

That return is not far off! Hallelujah!

Next post up, Lord willing, I'll interpret the meaning of the dream sequence that marked Rango's night in the drain pipe.

Thursday, October 13, 2011

The animated feature Rango presents us with a preview of the coming revealing of the antichrist Beast, from the dragon's perspective. A key dynamic is in view, where the Beast's true identity is carefully concealed but, known already by some, the secret is revealed to certain others. I pick up here from the last post, presenting another round of insight into how the Devil, through Rango, continues to spill the beans about his schemes. There are some other further categories of insight to be introduced, Lord willing, but not just yet.

I've had no success publishing video of this clip myself but I did find this segment. [video] Rango clip (Request: If you're able to publish the part from where Rango is inside the broken bottle just before he climbs into the drain pipe, to the point where this clip begins, with some overlap, please do so and let me know so I can present it here.)

Some scriptural passages that should be familiar to students of eschatology are subtly enacted in the scene where Rango is flushed out of the drain pipe and has an engagement with Beans.

Beans: "I got a bead on you, stranger. So you get up real slow, 'less'n you want to spend the better part of the afternoon puttin' your face back together"

This is when we see Rango stand up on dry sand where he had been kneeling in a muddy pool (like John saw in Revelation 13:1, the beast rising out of the sea). So, let's take a lesson (or, 'less'n). Among the many epithets for the Beast not mentioned by Rango is the "worthless shepherd."

Woe to the worthless shepherd who leaves the flock! A sword will be on his arm and on his right eye! His arm will be totally withered and his right eye will be blind.

Zechariah 11:17

In the NLP (neuro-linguistic programming) style of rather loose connectivity patterning we see utilized throughout Rango, Beans' use of the expression, "puttin' your face back together" is a hint, supported by other hints peppering the context.

If you are right handed, like most people, you shoulder a shotgun on the right and look down the sight to aim at your target with your right eye. Beans is not. Why? Is she just left-handed, or, is something wrong with her right eye?

I've already pointed out a reference to this same 11th chapter of Zechariah in an earlier post, where Beans says to the Mayor, "You keep your blood money and I'll keep my land!" Reference is made to verse 13, where the thirty shekels of silver Judas earned for betraying the only begotten son of God was prophesied. The devil knows his Bible, or at least a version of what has been prophesied, and so, those minions given charge over crafting such Illuminati tools as Rango bring forth accordingly.

You might think I'm confused, because, isn't it Rango and not Beans who would have to have the right eye problem? Of course, it would be more correct, but "correct" isn't really necessary in the NLP style. Logic is unnecessary when what is perceived bypasses conscious filtering.

That does suggest a kind of role reversal, so let's consider how this calls Revelation 12 to mind. A messianic son is born in a scenario where another awaits that threatens to destroy him. In Revelation 12, the son is the true Messiah, born to Israel, and the dragon awaits. In Rango, we see the counterfeit Messiah (actually born to the Dragon), and Beans-Israel awaits, threatening.

1) A great sign appeared in heaven: a woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars;
2) and she was with child; and she cried out, being in labor and in pain to give birth.
3) Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems.
4) And his tail swept away a third of the stars of heaven and threw them to the earth. And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child.
5) And she gave birth to a son, a male child, who is to rule all the nations with a rod of iron; and her child was caught up to God and to His throne.
6) Then the woman fled into the wilderness where she had a place prepared by God, so that there she would be nourished for one thousand two hundred and sixty days.
...
14) so that she could fly into the wilderness to her place... from the presence of the serpent. 15) And the serpent poured water like a river out of his mouth

Revelation 12:1-6,14-15

Like I wrote above, in Revelation 12, the son is the true Messiah, born to Israel, and the dragon awaits. In Rango, we see the emergence of the counterfeit Messiah with Beans-Israel awaits, threatening.

When you're familiar with Revelation 12 it is pretty obvious reverence is being made to this passage of scripture, especially considering Beans' observations: "Our town is dried up. We're in the middle of a drought. Now someone's dumpin' water in the desert." The wilderness where one receives supernatural provision is not a place where there is natural provision, like in a town that is dried up, in the middle of a drought. Draught, famine - classic "tribulation season" language.

Here's another observation about dumping water in the desert. This is a parable of what the dragon will do. Instead of the pure water of the Word, what is dumped is through the mouth of the Lawless One and his deadly lies, as from the storm drain from the region of Las Vegas. The lies spewed fall upon the ears of those who are parched, who have no truth, a desert.

In the prophesied scene where the 144k confront the Lawless One, the Bride will play a key role. Where is the Bride in Rango's version? Hey, is that double barrel shotgun loaded? The Bride is the dangerous threatening agent, composed of both Jew and Gentile in one body. The Bride threatens the Beast at his revealing because she is the witness equipped to blow his cover that will not be silenced!

Thursday, October 06, 2011

Beginning way back in May of 1991, the Lord began to open to me insight relating to a particular series of events that, even to the present day, remains hidden from most, as it must be. The Lord assures the success of His plans and cloaks behind the veil of secrecy what treasures must be secured, so I have no reservation about posting plainly what is revealed, shouting from the rooftops, if you will. Those appointed for it will hear as He opens the ear, and those not, simply, won't.

As documented in a three part series titled, "The Sign for the Bride," history will come to pivot about a long anticipated event.

Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;

2 Thessalonians 2:8

The man of lawlessness or iniquity ("anthropos anomia" or "anthropos hamartia") has many epithets, including "the beast."

The dragon who will empower the beast knows plenty about what is coming. Part of his deal is that a testimony about it must be presented in advance, and Rango is a prime example of how this is done. The key to being able to recognize dramatic modeling is familiarity with what's being modeled. Understanding what the Bible as an esoteric document says about coming events in both the "plain text" and coded levels explains the scene where Rango and Beans meet. The dream sequence leading up to Rango's entry into the world of Dirt can then be understood in that context, providing vivid confirmation. Rango illustrates what Bible prophecy declares by way of cryptic but nonetheless detailed clues.

Here's the scene where Rango and Beans meet. Rango had just spent the night sleeping in a drain pipe. He had been having a nightmarish dream. He was suddenly awakened when flushed out into the desert by a sudden flow of drainage water. Finding himself thirsty and in the midst of small pools of water, the chameleon scrambles around, unsuccessfully trying to drink some of the water before it dries up in the desert. He comes to grab hold of what turns out to be Beans' boot, looking up to see her pointing a shotgun in his face.

Beans: Get your slimy, webbed phalanges off my boots!Rango: Oh! Uh...sorry! Beans: I got a bead on you, stranger. So you get up real slow, 'less'n you want to spend the better part of the afternoon puttin' your face back together!Rango: Nnnno...no Ma'am, I don't.Beans: Who are you?Rango: Whoo...am I?Beans: I'm askin' the questions here! [poking her gun in his face] Our town is dried up. We're in the middle of a drought. Now someone's dumpin' water in the desert. Now, it's a puzzle of undeterminable size and dimension, but I intend to find out what role you're playin' in all this.Rango: Role? Beans: What are you involved in?Rango: Oh! Well, I...I...I'm glad you asked. I've got two one acts, a mystery and a musical I've been gestating. I've got the words. I'm just kinda workin' on the melody right now. It's like a... [humming a tune] This is - I think it's gonna be a western.
[He starts singing and dancing in a distinctive style."]Beans: You ain't from around here, are you?

While the scene is superficially pretty comical, the tone becomes serious when you realize this is really a "Beans-Israel meets Rango-Beast" foreview. It's partial and distorted but there's high value stuff to be gleaned from it.

Here's an overview of the time pictured, based upon what the Lord has revealed to me from such as 2 Thessalonians 2, Genesis 45, Haggai 2, John 13 and 21 and Acts 12.

When the lawless one is revealed he will claim to be the messiah. Most of the world will be convinced, excepting a small number who knows he is actually the false messiah, the antichrist beast. A faction of Israel will question his claim, making inquiry into his real identity. Those testifying that the man is antichrist will be a Bride company of saints, and those sons of Israel seeking to identify the man will number 144,000. The crucial dynamic involves Israel correctly identifying the messiah. As they become convinced the man just revealed is a counterfeit they will perceive with envy how the persecuted Bride has what Israel should, by all rights, have had in relationship with the God of their Fathers, indeed, their own God. With the counterfeit convincingly exposed, the God of that Bride company will be revealed to them as their own, with Y'shua revealing Himself and disclosing his identity as the one their forefathers had pierced by proxy as he hung on a tree. When the 144,000 sons of Israel recognize Y'shua as their God, the Bride Theft is triggered. This breaking off of the wild branch and grafting of the natural into the olive root (Romans 11) is a big deal. To casually call it a big deal is really to understate it. This is still hidden stuff because it's that big of a deal.

So, Rango's emerging into the world of Dirt and Beans' subsequently meeting him is big. The attention given the matter of Beans seeking to understand the chameleon's identity and role in what she witnessed is of great import, speaking to us of the Dragon's awareness of what's coming. This provides us with a dramatized illustration of a version he sees and promotes. There is value for us in this, so I'll interpret what I see.

When Rango says, "... I've been gestating," it suggests interpreting how the chameleon had just been flushed out of the drainage pipe as a baby from the birth canal, head first. Gestate: To carry within the uterus from conception to delivery. When a mother's water breaks, the baby is going to be delivered! The chameleon then crawls around on his hands and knees making noises like a baby. The Rango-Beast is born into the world!

And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea...

Revelation 13:1a

We see the chameleon in a watery puddle as the sea, with Beans describing him as having "slimy, webbed phalanges," like some kind of sea beast. Then we see him standing up, on dry sand. No kidding.

The revelation of the lawless one will be as one being birthed out of a watery womb. The event is notably a baptism, which is about revealing, revealing identity. To baptize is in the biblical Greek, baptizo, literally "to dip." It involves immersion in water then a bringing back out. It's a death and resurrection symbol with submersion equating to death and coming up out onto dry ground, to life. As now having entered "his own story," the baptized chameleon has a new life and is acquiring a new identity.

Worthy of note, the amniotic fluid and baptismal water of the scene was unclean waste water flowing from Las Vegas, Sin City. This chameleon is not a clean beast.

Chameleons are unclean beasts, reptiles. They are related to serpents. (Some believe the antichrist will be of the tribe of Dan, about whom it was prophesied in Genesis 49, "Dan shall be a serpent in the way, a horned snake in the path...") Chameleons are also related to iguanas. The Beans character is a Desert Iguana. Ahhhh. Relatives. Rango pictures a hybrid serpent version of a Jewish Messiah that compares to how the Beast type Judas (Judah) Iscariot was related to the King of Judah.

When the Beast is revealed, the 144,000 sons of Israel will seek to discover who he really is. As I already pointed out, this is a crucial dynamic! In a biblical type, it's presented in John 13 in this way.

21) When Jesus had said this, He became troubled in spirit, and testified and said, “Truly, truly, I say to you, that one of you will betray Me.”
22) The disciples began looking at one another, at a loss to know of which one He was speaking.
23) There was reclining on Jesus’ bosom one of His disciples, whom Jesus loved. 24 So Simon Peter gestured to him, and said to him, “Tell us who it is of whom He is speaking.”
25) He, leaning back thus on Jesus’ bosom, said to Him, “Lord, who is it?”
26) Jesus then answered, “That is the one for whom I shall dip the morsel and give it to him.” So when He had dipped the morsel, He took and gave it to Judas, the son of Simon Iscariot.
27) After the morsel, Satan then entered into him. Therefore Jesus said to him, “What you do, do quickly.”
28) Now no one of those reclining at the table knew for what purpose He had said this to him.
29) For some were supposing, because Judas had the money box, that Jesus was saying to him, “Buy the things we have need of for the feast”; or else, that he should give something to the poor.
30) So after receiving the morsel he went out immediately; and it was night.

John 13:21-30

The "one of His disciples, whom Jesus loved" was by name, John. He prophetically represents in this scenario the 144k sons of Israel, and Simon Peter, the Bride. The dipping of the morsel represents the baptism of the counterfeit bread of life, Judas, and the antitypical betrayer he represents. John-Israel (144k in particular) sought to learn the identity of the one who would betray Jesus.

I should note here that when the Bible presents a prophetic scenario, it's done with perfection. When the devil does so, it's not. His style of presentation is similar to the sovereign God's dramatic enactments but compares as a counterfeit does to a genuine. His are perverted to present lies wrapped in truths, versions crafted to accomplish wicked objectives. Rango is clearly the work of evil genius. The Bible is the work of a Sovereign God. One may be interpreted in light of the other, and wisdom dictates that the lesser should be interpreted in light of the greater.

During the featured scene from Rango, the chameleon then rummages through the "banquet table" cart and selects a Mason jar (Right, a Mason jar), eating ashes from it. Despite Beans' absurd remark to the contrary, the ashes must be identified as the remains of a dead person. When you compare this scene to the account of the "last supper" in John 13 and link Rango with Judas, you can associate the ashes Rango ate with the baptized "dead body" morsel Judas received.

Now, throughout the movie there are inquiries made about Rango's identity. Rango is regularly asked who he is by various residents of Dirt. He asks himself several times, "Who am I?" This is misinterpreted by viewers and reviewers as existential. It's apparent to me that this was the intent of the movie makers, to misdirect those who don't perceive the deep meaning so the subliminal working would be effectual. Why is his identity such a big deal? Because so much hinges upon being able to identity the Beast correctly, as a poser, a fake, a counterfeit messiah.

Pay close attention so you don't miss this. The question of Rango's identity is nowhere more important than in the scene where Beans meets Rango right after his "birth" and "baptism", because one of the things baptism is appointed for is to reveal the identity of the one baptized! (John 1:31-34) This explains why it is, in Rango, that Beans is so intent on discerning who he is, and further, why it is that the chameleon gives her the song and dance, both figuratively and literally! This matter of Beans-144k wanting to discern the identity of the chameleon-lawless one is the key dynamic at a critical juncture in the Lord's plan!

Beans' first question is, "Who are you?" Rango responds with, "Who am I?" He doesn't answer by identifying himself but just mirrors the question back. Beans says, "I'm askin' the questions here!" Immediately, emphasis is put on the importance of the question. The identity and the role he plays are tied together. The role really defines the identity of the lawless one, who is referenced in Biblical texts by broad range of epithets, descriptive references. It's not a name of itself that is really the issue of interest. Beans then asks, "What are you involved in?" The answers to these questions identify the lawless one, as may be seen in the following passage.

8) Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders,

2 Thessalonians 2:8-9

That's what he is involved in, and his role. This allows his identity to be established! Baptism reveals.

So, Beans is not easily dissuaded from her inquiry into the chameleon's identity. Her intense inquiry prompts the chameleon to act like he misunderstands what she means by "role." He's not answering her question, and he won't. He does a little distraction and misdirection ploy and then breaks into a literal song and dance, what must be seen as some old-fashioned shucking and jiving. He sings, "Monkey's got a cracker..." Monkey? (definition 3), Cracker? Come on. Like he's the "monkey" and she's the gun or whip totin' "cracker."

The choice of Beans' peculiar dress and hair style featured throughout the movie serves to draw attention to the shuck and jive scene as one that is of special importance. She clearly resembles Scarlett O'Hara, the female lead in the film classic "Gone with the Wind." Her dress, hair, brooch and Southern accent - it's a fair match! The film's civil war era feature of white masters and black slaves makes the chameleon's overacted "Monkey has a cracker" song and dance all the more obviously a classic shuck and jive.

We see the diversionary tactics continuing even after Beans gets into the wagon to head back to town.

Beans: Today's Wednesday, and Wednesday's when we all get to it. So who are you really?Rango: Well I'm a man of many epithets. There's my stage name, my pen name, my avatar. Had a pseudonym once but I had it legally changed.
[The Mariachi owl narrative closes the scene as they ride off towards town. The scene picks up again where Beans is about to drop Rango off. They are approaching the town but are far enough away where she won't be seen with him. Rango is still yakking away in his rapid-fire monologue.]Rango: ... I had a CB handle. I'm actually one of the few men with a maiden name.
[Beans stops short of town, rolling her eyes. She drops him off.]

Did he ever disclose his identity? No. He rambled on, shuckin' 'n jivin' - continuing the "song and dance" routine. He goes to great extent to evade the questions. He dances and dances all around the name thing - up one side and down the other - but never provides a single one! Do you get the point being made? The lawless one will never disclose his identity. It must be spiritually discerned.

In the devil's Rango version, Beans does not figure it out. He does NOT want her to. However, knowing the biblical truth, while most of Israel won't figure it out yet, the 144k will, and through that baptism event and the lawless one's Judas-esque betrayal of Christ activity, the 144k will correctly identify the genuine messiah - and meet Him!

Wednesday, October 05, 2011

I do hope he found peace with his Maker at the close of his life. If he did not find forgiveness before he passed from this mortal life, I can only think that there's going to be a long season of pay-back before restitution is finally made.

In contrast to death upon death, my friend Aaron Hermann's inspiring new blog titled Your Body is the Temple is a touching testimony of life and continuing redemption!

Tuesday, October 04, 2011

After several posts featuring Rango's trauma-based mind-control programming layer I'm now going to return focus to how the agendas of the antichrist Beast plan are presented. Certain characters are presented in biblical roles, for example, Rango appears as the Savior of Dirt (Adam - "red earth" - formed of the dust of the ground), who is the false messiah and antichrist Beast. The Mayor John plays the role of a counter to John the Baptist, the False Prophet of Revelation 17. The Red-tailed hawk represents Yahweh, the sovereign Creator. Beans represents Israel. What is concealed and revealed through Rango's development of this character is significant!

The Lord first tipped me off to the Beans as Israel identification in a scene where the land she inherited from her daddy is revealed as a key element of the plot. Beans wants to keep it by any legitimate means. The Mayor wants to acquire it by any means whatsoever. The plot of Rango generally revolves around the town's water shortage problem. The Mayor is causing the shortage as a means of acquiring all the land, so he can build "the future", in his words, a future of his own design. Without water, the residents move away. The Mayor, pretending to be kind and generous, buys their vacated and nearly worthless land at a discount. The hold-out landowner who interferes with his plan is Beans. In this scene, Rattlesnake Jake and Mayor John work together in a shakedown ploy, working Beans over to persuade her to sign over the deed to the land. The scene begins in Mayor John's office as he pours a glass of cool water for himself and one for Beans.

Mayor: I appreciate how difficult this is for you, Beans. But you're making a practical decision. Rattlesnake Jake: Decisions! Decisions! Mayor: There's no need for any more suffering. Your family's ranch is nothing but a waste land now. Sign the deed and relieve yourself of your father's burden.Beans: My daddy was not a burden! [Without taking even one sip of the water, she throws it into the Mayor' s face] Keep your blood money and I'll keep my land!

What first caught my attention was the disconnect between what the Mayor said and Bean's response to it. If you assume this is just an innocent cartoon and nothing more is meant, you'll miss it. However, when you're clued in to the array of antichrist agendas embedded in this clever animated feature such a disconnect is like a red flag thrown on the field of play! Beans said, "My daddy was not a burden!" The Mayor never said or even suggested that he was. He said, "your father's burden," referring to the land her daddy conferred as an inheritance. Why did she say that? This query of mine had been prompted by the Lord and He immediately began to answer.

The land Beans inherited from her daddy represents the promised land, the heritage of the legitimate children of Israel. The Mayor and Jake seek to deprive Beans of her inheritance. The parallel in the Rango drama should be obvious. The Lord has made it very plain to me over the past couple decades how it is that, for His chosen people, the people and the land are bound together. The land occupied at present is a portion of the land promised to the children of Israel by the God of their Fathers, Abraham, Isaac and Jacob. Jerusalem itself is land promised to Benjamin. Israel's struggle is to survive, and her survival and identity are bound to the land. Pressure is continually being brought to bear to persuade the people to "sign over the deed" and vacate. A current ploy involves the creation of an independent state within their borders, a Palestinian state.

When the Mayor told Beans, "There's no need for any more suffering," allusion is made to the suffering endured today by those whose hearts are bound to the land. Yet, there is need for more suffering until the Lord's own purposes are fulfilled.

When Beans refused the Mayor's offer to buy the land, she did so saying, "Keep your blood money and I'll keep my land!" Calling whatever price the Mayor offered "blood money" implies that if Beans would have accepted the offer it would have meant becoming an accomplice to murder through betrayal. The only way this makes sense is to see Beans as Israel. Many have taken and are taking such blood money to sell out the chosen people unto death, betraying those in particular who dedicate their lives to claiming the promise made by the God of their Fathers.

The reference Beans made to blood money for land also hearkens back to the betrayal of the Mashiach by Judas in the Garden of Gethsemane. The silver Judas received for the deed ultimately purchased the potter's field, a graveyard. (Matthew 27 and Zechariah 11) Another after the pattern of Judas is coming, with this animated feature Rango adding its attestation to that of the Bible and many other witnesses! Based upon this coming betrayal, the very life of the remnant of Israel truly is at stake.

Here's an interesting observation. Beans as Israel, the chosen people, is a fitting match as she is the most obvious SRA/DID chosen one in Rango's cast of characters. (See Part 14)

O seed of Israel His servant, Sons of Jacob, His chosen ones!

1 Chronicles 16:13

You'll note that the Mayor casts aspersions on the character of Beans' daddy when he calls the land conferred upon her as an inheritance, "your father's burden." Mayor John implies that, with the inheritance, her father cursed her instead of blessing her. Is this not the way Israel's inheritance is so commonly presented, maligning the God of her Fathers? Even among Jews it is sometimes heard in despairing tones, "Please G-d, next time choose someone else!"

Throughout the movie, Beans defends her daddy's character even at times when no attack is present, which highlights this element as one that means something. Her daddy's fate was rumored to be as one who, in Merrimack the banker's words when taking care not to offend Beans, "did not get drunk and fall down a mine shaft."

Another scene featuring Beans as Israel occurs when she freezes while Rango is in the company of some who are familiar with her condition.

Rango: Why does she do that? Furgus: It's a survival reflex.Doc: Her switch is just broken. Rango: Well, that's an inconvenience.Beans: [unfreezing with a start] It is not a rash! It is a birthmark!

That Beans should have a birthmark suggests Israel's birth right, who holds the land as part of her identity and that is, as suggested, required even for her survival. From the devil's perspective, Israel's survival is an inconvenience. He campaigns to claim the birthright for himself.

I'm going to show even more convincing evidence of this identity link, and then another scene that seems to be the real point of featuring this role.

The following scene really "sealed the deal" for me in coming to a full conviction about Beans in the role of Israel. This revelation insight had and continues to have an emotional impact on me. In this scene, Rango had just met Beans in the desert and he's going to discover her name and how she acquired it.

BAKED BEANS? Oh no! Her name is a cryptic reference to cremation in the ovens of concentration camps during the holocaust! This is confirmed when, after a couple more lines of dialog, Rango begins to sample the contents of one of the many jars on her wagon.

Rango: Mmmm. Spicy!Beans: You're eatin' his ashes!Rango: Ooh! [spitting] You carry his remains?Beans: No! His ashes. He loved to smoke. They never found the body.Rango: Oh! Well, I'm sure he had his reasons.Beans: What are you implyin'?

Just what is being implied? Consider the images from Buchenwald Concentration Camp - ThirdReichRuins.com. Think about it. Images that I've seen in pictures and movies of the smoke and ashes coming from the chimneys of cremation ovens will never depart from my memory. Offended? I am! Deeply! The giving of the name "Beans" to the character playing Israel must be a huge source of amusement for those who are in on the sick joke.

If you visit and read the Buchenwald page I linked you'll learn about the infamous wife of the camp commandant, Karl Koch. Her name was Ilse. The name of the actress employed to voice Beans? Isla Fisher. Hmmmmm. I have to think this too was intended to make a connection.

Now, being clued in to how Beans represents Israel and how Rango represents the lawless one provides insight into a dramatic sequence of enormous significance! The scene with dialog presents the coded events of a coming season that can hardly be over-valued! If you're not onboard with and actually pretty familiar with what I lay out in the Beyond the Veil series, this may go over your head. It is a scene that will be witnessed by the Bride, who has a key role to play!

Saturday, October 01, 2011

Since Part 10 I've been featuring elements of Rango, the Paramount / BlindWink / Nickelodeon animated feature, that reveal it as an instrument serving trauma-based mind-control agendas. After this post I intend to return to the other featured layer of Rango, where Horus and the mark of the Beast agendas are cryptically promoted.

To introduce this post, it must be said that I have no interest in speculation about what might be. I'm invested in following through with what the Lord sets before me. I'm going to share what most would deny but yet there are some who need some confirmation to help gain confidence in what the Lord has been revealing. This post is about the ability some of the chosen ones have to influence and control the thoughts of others, which I can tell you from personal observation is quite real. I'm going to introduce this as illustrated in a scene in Rango.

This scene occurs while the chameleon is in the saloon, having just introduced himself as Rango. He is engaging with the saloon patrons, who are very curious about who this stranger is.

"Hey! Are you the fellow that killed them Jenkings brothers?"Rango: Uh-huh. Killed 'em with one bullet. Don't get no deader.
"All seven of 'em." Rango: That's right. [clears throat] All seven of 'em.
"Exactly how do you do that, Mr. Rango?"Rango: [clears throat] You don't gotta ask me that and I will be happy to tell you how. But you're all going to have to listen up! Because this is where it gets complicated.

[Cuts to another scene, then returns to the saloon scene, where Rango, like an actor on stage, is in the middle of relating a highly animated tall tale.]

Rango: ...the bullet hit the shovel ricochets back towards number three and it then broke again, igniting the thermos of pure grain alcohol - instantly vaporizing his bodily form leaving nothing but a charcoal statue with a high pitched squeal. [emits a high pitched squeal]
[The awestruck clientele responds as one] Ohhhhh.
"Aho-ho-Hold on there. That's only six. What happened to number seven?"Rango: And number seven? Hell. He died of infection.

The crowd pauses for a moment then erupts in celebration, universally accepting Rango's tall tale as truth.

If this were "just a movie," we could just suspend disbelief and mindlessly go with the comic bravado. However, this is a media production with dark agendas that conceals yet can reveal much about the devil's schemes to the wise, and this scene is key in the development of the plot. Some folks can be made to believe what somebody says no matter how outlandish.

On another level, with Rango as the lawless one of 2 Thessalonians 2, the audience buy-in illustrates the delusion attending the miraculous revealing of the antichrist.

8) Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders,
10) and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved.
11) For this reason God will send upon them a deluding influence so that they will believe what is false,
12) in order that they all may be judged who did not believe the truth, but took pleasure in wickedness.

2 Thessalonians 2:8-12

From this perspective, those modeled by the saloon patrons are not merely gullible, they are rather subject to a powerful delusion, a deluding influence sent by God himself. From the point of view I want to focus upon here, the chameleon has switched to his Rango alter as a SRA/DID chosen one and the scene illustrates the ability to sell a version and influence the hearers to buy it. This goes beyond salesmanship, beyond the dynamic of an actor convincing his audience. This is more than just NLP, or neuro-linguistic programming. It's related to hypnosis. This compares to what will attend the revealing of the lawless one as a supernatural influence. It is sorcery, the casting of a spell.

The dynamic of Rango's saloon scene compares to a phenomena some have observed and labeled as a "reality distortion field." You may have heard this with reference to Steve Jobs, of Apple, Pixar Animation Studios and Disney.

"Reality distortion field (RDF) is a term coined by Bud Tribble at Apple Computer in 1981, to describe company co-founder Steve Jobs' charisma and its effects on the developers working on the Mac project. Bud Tribble claimed that the term came from Star Trek. Later the term has also been used to refer to perceptions of his keynote speeches (or "Stevenotes") by observers and devoted users of Apple computers and products."

"The RDF is said by Andy Hertzfeld to be Steve Jobs' ability to convince himself and others to believe almost anything with a mix of superficial charm, charisma, bravado, hyperbole, marketing, appeasement, and persistence. RDF is said to distort an audience's sense of proportion and scales of difficulties and makes them believe that the task at hand is possible."

As I wrote earlier, some folks can be made to believe what somebody says no matter how outlandish.

The featured scene in Rango can be seen as something of a DreamWorks parody of competing animation studio Pixar's former CEO.

Andy Hertzfeld's list of attributes omits one essential, there is truly a supernatural force at work. Steve admits to having had a transformational experience with LSD, a spirit portal drug. He was trained by Buddhist monks, who commonly practice techniques of spiritual control. Web search: steve jobs control freak and you will discover how the desire to wield control must factor into any explanation of the Steve Jobs enigma. I can't say whether Steve is MK-ULTRA or not, but I do find it interesting how one of the main software tools developed and used by Pixar Animation Studios is called Marionette, the alternate name for Monarch Programming.

Any serious discussion of the RDF phenomenon must at some point come around to Bill Clinton, who practiced on some by asserting that "It depends on what the meaning of the word 'is' is," when questioned by the Grand Jury about his relationship with Monica Lewinsky.

"Steve Jobs is famous for having a “Reality Distortion Field” (RDF)—an aura of charisma, confidence, and persuasion, in which people report it almost impossible to avoid surrendering to the man and following his will when interacting face-to-face. Well—love his politics or hate them—Clinton is known for an RDF even stronger than Jobs’. Perhaps the strongest in the world."

Ellsberg concludes that this dynamic relates to eye contact. That may well be so, but there is more to it than that, because this works even when no eye contact has been or can be established. For some idea of what value there may be in the RDF, you may be interested in knowing that, despite Obama's own substantial RDF, Apple now has more cash than the U.S. government (CNN Tech - 7/29/2011). It remains to be seen what degree of exaltation Bill Clinton will attain before we've seen the last of him, but keep him in view. Watch and see.

The ability to read and to "write to" other's minds has been described in many ways. When this is operated by those considered mentalists or magicians, it is explained as the combination of learned natural skills and practiced arts of illusion, but don't be so gullible as to think that fully explains it. This dynamic may manifest in a variety of ways. Hypnotism itself is the practice of witchcraft, exercising mind-control through demonic influence.

Watch videos of mentalist Derren Brown like the following and consider everything you see.

A chosen one may demonstrate the ability to read and "write to" the minds of others, exerting influential control over the thoughts and actions of individuals and groups. This is not me, telling you based upon hearsay. This is me, telling you from personal experience informed by revelation insight. I have been influenced. I have seen others influenced. This is reality!

Impressions may be planted even remotely so that they are accepted as truth and as genuine reality without the receiver's awareness and without the intervention of rational thought processes, and therefore without requiring any validating evidence. The projected and implanted impressions are simply accepted. A person being so influenced will perceive a personal experience according to the projected interpretation. They will believe a lie, however contradictory to the facts as actually experienced. How can that be? It just is, and if you have seen it and puzzled over it, what I'm sharing here may help you understand what the Lord has been revealing. Even seeing it myself over and over again, I could hardly believe it!

What I've referenced thus far to illustrate the abilities multiples have concerning mind control has been relevant but I'm going to direct you now to the testimony of a professed multiple. Let me encourage you to watch one or both videos on this page where you will hear the testimony of former super-soldier Duncan O'Finioan about MK-ULTRA and PROJECT TALENT. Duncan O'Finioan I've sampled reverse speech from both Duncan O'Finioan and Tom Corso and am convinced they are genuine. Those videos were recorded in 2006 and 2004. The following is more recent. [video] DUNCAN O'FINIOAN at the Project Camelot Awake and Aware Conference, Los Angeles, Sept 2009 When Duncan speaks about psychic projection and reception, I believe him.

In the context of programmed super soldiers, the ability to influence and control people's minds is very valuable. These abilities are of great benefit to alters programmed as agents on a wide variety of missions. The ability to control even more than cognitive processes or perception processes exists. Some can control the bodily functions of others with their minds, affecting health and the sustaining of life itself!

If you watch the "comedy" called The Men Who Stare at Goats, you'll see a version based on a book written by journalist. Jon Ronson. The movie's New Earth Army of warrior monks is based upon the First Earth Battalion associated with Lieutenant Colonel Jim Channon. The mental or psychic abilities shown in the movie are not strictly fictional. What is generally presented to us as fictional or mythological is not necessarily so. I'm discovering, like so many others in these last days, that many historical facts and legitimate truths have been concealed, but the Lord has opened to us what we need to know.

Consider what this Wikipedia entry has to say about abilities I've witnessed in real life.

Telepathy - In popular culture (Wikipedia)
"Some fictional telepaths possess mind control abilities, which can include "pushing" thoughts, feelings, or hallucinatory visions into the mind of another person, causing pain, paralysis, or unconsciousness, altering or erasing memories, or completely taking over another person's mind and body (similar to spiritual possession). Examples of this type of telepath include Professor Xavier, Psylocke, Jean Grey, Emma Frost, and numerous other characters in the Marvel Universe, along with Matt Parkman from the television series Heroes.

The radio crimefighter The Shadow had "the power to cloud men's minds," which he used to mask his presence from others.
The film Scanners concerns around people born with this kind of telepathy as well as those with telekinetic abilities."

The telepaths named are indeed fictional, but the abilities described are real.

"In 1979, the Peoples’ Republic of China publicly reported that several thousand of its children aged 8-14 were capable of telepathy, clairvoyance, X-ray vision, or psychokinesis. [Marcello Truzzi, "China's Psychic Savants," Omni, January 1985.] Having already heard about this program, the Central Intelligence Agency (CIA), National Security Agency (NSA), Defense Intelligence Agency (DIA), Lawrence Livermore Laboratories, and the US Army were simultaneously pouring billions of dollars into their own similar research."

An excerpt from the above: "My job in psy-ops is to play with people's heads, to get the enemy to behave the way we want them to behave," Holmes is quoted as saying. "When you ask me to try to use these skills on senators and congressman, you're crossing a line."

We can see it's acceptable to Holmes so long as he is comfortable identifying the target as an enemy.

If you read science fiction or fantasy literature, or watch movies, of which most are now sci-fi or fantasy (like Rango), you'll be presented with more and more frequent featuring of characters that have these abilities. The list referenced in the Wikipedia entry for Telepathy is only a small sampling of what you'll find. Perhaps the most famous example of influencing the thoughts of others with one's mind comes from a scene in the original Star Wars movie from 1977. The "Jedi mind trick" is pictured at a secure checkpoint as Obi-Wan Kenobi tells the weak minded soldier of the Republic, [video] These aren't the droids you're looking for.

"As of 2008, the overall box office revenue generated by the six Star Wars films has totalled approximately $4.41 billion, making it the third-highest-grossing film series, behind only the Harry Potter and James Bond films."

The Jedi mind trick has had a lot of exposure, but not so much as the Harry Potter films and books. In this very significant vehicle promoting witchcraft that does itself cast spells, the ability I've been describing is called legilimency. It is defined as "The magical mental method of sifting through another's thoughts and emotions, and even to 'implant' false thoughts and emotions into another's mind."

The movie currently ranked #29 most popular movie "All Time Worldwide" is Inception, starring Leonardo DiCaprio, nominated for 8 and winner of 4 Academy Awards. The plot revolves around the exercise of the ability to implant content in dreams many levels deep within a persons mind, in order to manipulate their actions. The act of "inception" is the planting of an idea within the person's subconscious mind.

In another film starring Leonardo DiCaprio, Catch Me if You Can, he plays the real life character, Frank Abagnale Jr., who operates with an amazing Reality Distortion Field effect! By the time he turned 19, he had, by deceptive means, assumed roles such as a teaching assistant (and actually taught sociology at Brigham Young University for a semester), a chief resident pediatrician in a Georgia hospital, a Pan American World Airways pilot, a Federal Bureau of Prisons agent and an attorney working at the Louisiana Attorney General's office!

If you follow the sci-fi series Fringe, an episode I haven't seen yet but am told is a "must see" is Fringe - Season 2 Episode 7 - "Of Human Action". The character Tyler has mind control powers. With his mind he controls what others think and do.

A movie I watched recently is called The Speed of Thought. The plot revolves around agents used by the NSA for their ability to read minds and who eventually become adept at controlling the thoughts of others.

"Star Trek science consultant and writer André Bormanis, has revealed that telepathy within the Star Trek universe works via the "psionic field." According to Bormanis, a psionic field is the "medium" through which unspoken thoughts and feelings are communicated through space. Some humanoids can tap into this field through a kind of sense organ located in the brain; in the same manner that human eyes can sense portions of the electromagnetic field, telepaths can sense portions of the psionic field."

If you know there's something to what I've been describing, you might find yourself wondering how you might protect yourself from "psychic" probing, influence, control or attack. Well, lucky for you I'm selling a diverse collection of stylish and official "Bob Schlenker Tinfoil Hats" in the online store and they're all on special this week only! Just kidding. I doubt tinfoil is the solution, and neither is attempting to leverage what Rowling popularized in the Harry Potter series as Occlumency or what appears in the movie Push as the Shadow ability. So, I'm offering classes on approved Push Resistance Technologies and Techniques for $7,999.99 per enrollee. Call now to speak with one of our friendly helpful volunteers about enrollment! Again, just kidding.

Quite seriously, though, what defense do we have against this violation of our wills? First, a universal answer for all the "how to"s required: Draw near to the Lord Y'shua with careful obedience. This matter like everything else is all about Him. He must reveal how this demonic spiritual power does exist, and where, when and how it is manifesting. Genuine resistance to being influenced and controlled comes only with His help. I can tell you from experience, that works. This is probably the only reliable defence against supernatural or directed-energy technologies that read or remotely project voices and wave energies influencing thoughts, emotions and behavior.

In conclusion, what Rango reveals about a broad range of trauma-based mind-control attributes is impressive. What the Heavenly Father is doing to prepare His people for victory as overcomers is far more so! Praise the Lord!

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