The film opens with Shakespeare’s proverb, and words on the screen announcing that its purpose is to highlight the virtues of psychoanalysis in banishing mental illness and restoring reason.

Dr. Constance Peterson (Ingrid Bergman) is a psychoanalyst at Green Manors, a mental hospital in Vermont, and is perceived by the other (male) doctors as detached and emotionless. The director of the hospital, Dr. Murchison (Leo G. Carroll), is being forced into retirement, shortly after returning from an absence due to nervous exhaustion. His replacement is the much younger Dr. Anthony Edwardes (Gregory Peck).

Dr. Peterson notices that there is something strange about Dr. Edwardes. He has a peculiar phobia about seeing sets of parallel lines against a white background, first displayed in an inappropriate reaction to seeing a diagram drawn with the tines of a fork on a tablecloth.

Dr. Peterson soon realizes, by comparing handwriting, that this man is an impostor and not the real Dr. Edwardes. He confides to her that he killed Dr. Edwardes and took his place. He suffers from massive amnesia and does not know who he is. Dr. Peterson believes that he is innocent and suffering from a guilt complex.

‘Dr. Edwardes’ disappears during the night, having left a note for Dr. Peterson that he is going to New York City.

…

A heartbroken Dr. Peterson returns to her position at the hospital, where Dr. Murchison is once again the director. After reconsidering her notes from the dream, she realizes that the ‘wheel’ was a revolver and that the man hiding behind the chimney and dropping the wheel was Dr. Murchison hiding behind a tree, shooting Dr. Edwardes and dropping the gun. She confronts Murchison with this and he confesses, but says that he didn’t drop the gun; he still has it. He pulls it out of his desk and threatens to shoot her. She walks away, the gun still pointed at her, and explains that while the first murder carried extenuating circumstances of his own mental state, murdering her as well surely would result in the electric chair. He allows her to leave and turns the gun on himself. Dr. Peterson is then reunited with Ballantyne.

In 1821, the Mexican Army is on the verge of liberating its country from Spanish colonial rule. In Las Californias the ruthless Spanish Governor, Don Rafael Montero, is about to be overthrown. In a final effort to trap his nemesis, the masked swordsman Zorro (Anthony Hopkins), Montero prepares to execute three innocent townspeople. With assistance from two orphan brothers, Joaquin and Alejandro Murrieta, Zorro releases the prisoners. Zorro rewards the Murrieta brothers with a medallion he wears, and escapes on his horse, Toronado, after cutting a “Z” into Montero’s neck as a warning.

The story follows Kevin Carson who has to endure a weekend in the projects battling opportunistic neighbors, all while holding a winning lottery ticket. Kevin Carson (Bow Wow), a young man living in the projects, wins $370 million in a nationwide lottery. When his opportunistic neighbors discover he has the winning ticket in his possession, Kevin must survive their greedy and sometimes even threatening actions over the 4th of July weekend before he can claim his prize.

One night, Beverly Hills ambulance driver Frank Jessup and his partner Bill are called to the cliffside estate of Charles and Catherine Tremayne. By the time they arrive, Catherine has already been treated for gas inhalation, which the police believe occurred accidentally, but which the wealthy Catherine suspects was deliberate. As he is leaving the house, Frank notices Catherine’s beautiful English stepdaughter Diane playing a melancholy piano piece and assures her that her stepmother will be fine. When Diane becomes hysterical, Frank slaps her face to calm her. Confused, she slaps him back, then apologizes. Later, after getting off work, Frank goes to a nearby diner, unaware that Diane is following him in her sports car. In the diner, Frank tries to call his girl friend, Mary Wilton, a hospital receptionist, but gets no answer. Diane then comes in and strikes up a flirtatious conversation with him. When Mary finally calls him, Frank turns down her dinner invitation, claiming that he is too tired. Frank takes Diane out, and over dinner, she tells him that her father is a well-respected novelist but has not finished a book since her mother’s death during the war. Diane then asks Frank, a former race car driver who dreams of owning his own garage, about Mary, and he reveals that Mary has been saving her money to help him. The next day, Diane invites Mary to lunch and, while pretending that she wants to contribute to Frank’s garage fund, lets her know that he spent the evening with her. Seeing through Diane’s tactics, Mary rejects her offer but admits that her faith in Frank is shaken. That night, Mary is about to go out with Frank when he lies again about his date with Diane.

…

To help Diane, Vance hires Fred Barrett, a renowned defense lawyer. Just before the trial is to start, Fred convinces Frank and Diane to marry so that he can propose that Diane’s suitcase was in Frank’s room because they were planning to elope. During the trial, Barrett skillfully deflates expert testimony regarding the car’s transmission and steering mechanism, which appears to have been tampered with, and paints Frank and Diane as innocent lovebirds. Frank and Diane are acquitted, but once back at the estate, Frank tells Diane he is divorcing her. Diane finally talks about the jealousy and loneliness she felt when her father married Catherine and the grief she suffered upon seeing their crushed bodies. Despite Diane’s remorse, Frank insists he is returning to Mary. After Diane bets Frank her sports car that Mary will not take him back, Frank goes to Mary, who rejects him in favor of Bill. Diane, meanwhile, visits Barrett’s office and insists on confessing to the murders, detailing how she asked an unsuspecting Frank to explain the car’s transmission. Reminding Diane about the double jeopardy rule, Barrett tears up the confession. Upon returning home, Diane finds Frank packing for Mexico and asks if she can go, too. Frank says no, but agrees to let her drive him to the bus station. After Frank gets in, Diane shifts into reverse, jams her foot on the gas pedal and sends the car over the cliff.

The film begins with Nazi mad scientist Dr. Kurt Leopold â€“ it is revealed later in the film that he graduated cum laude from MIT in 1934 â€“ in his lab, where he has lived alone for about twenty years. He is comtemplating his former colleagues’ laughter at his formula (described as “ZaAt” â€” read Z-sub-A, A-sub-T â€” but which he simply calls “Zaat”). His formula can turn a man into a walking catfish. He injects himself with the serum emerges from a tank as a giant fish-like creature.

His first act of revenge on society that he feels has wronged him is to release several smaller walking catfish around the town’s lakes and river (filmed in the St. Johns River near Green Cove Springs), an annoyance to the townspeople, and releases Zaat into the local water supply, rendering many of the townspeople ill. Leopold decides to kill the colleagues that laughed at his work. He begins with a character named Maxson. In a lake where Maxson is fishing, Leopold swims under Maxson’s boat, overturns it, and proceeds to kill Maxson and Maxson’s son. Maxson’s wife escapes, although she is in shock from the attack.

…

Leopold attempts to kidnap another mate: his choice is Martha Walsh, the lovely female member of a scientific team sent to investigate the weird happenings in the town (caused by Dr. Leopold). Leopold grabs her after her male counterparts leave her alone. Leopold takes her to his lab, but two of her companions (having unraveled the plot) are waiting there. Leopold kills them (including the town’s sheriff Lou) violently. He injects her with Zaat, readies her to be dunked into the tank, and makes his getaway, with canisters of Zaat. Martha’s transformation does not go as planned and she gets saved by one of her dying male companions from getting dunked in the tank as Leopold flees toward the ocean. Despite being saved from the transformation, she immediately follows Leopold trance-like into the sea. The movie ends ambiguously, with Leopold seen shot but not killed.

No one really understands Felix Bush (Robert Duvall), who lives as a hermit deep in the woods. Rumors surround him, like how he might have killed in cold blood, and that he’s in league with the devil. So the town is surprised when Felix shows up in town, demanding a “living funeral” for himself. Frank Quinn (Bill Murray), the owner of the Funeral Parlor, sees an oppurtunity for some money, and agrees to let the townsfolk tell Felix Bush the stories they’ve heard about him. Things get messy when an old mystery is brought back by Quinn’s protege Buddy Robinson (Lucas Black), involving a local widow named Mattie Darrow (Sissy Spacek). When Felix’s funeral rolls around, however, he’ll tell the townsfolk exactly why he’s been alone in the woods for so many years.

While circus animals are being transported, Mrs. Jumbo, one of the elephants, receives her baby from a stork. The baby elephant is quickly taunted by the other elephants because of his large ears, and they nickname him “Dumbo”.

Once the circus is set up, Mrs. Jumbo loses her temper at a group of boys for making fun of her son, and she is locked up and deemed mad. Dumbo is shunned by the other elephants and with no mother to care for him, he is now alone, except for a self-appointed mentor and protector, Timothy Q. Mouse, who feels sympathy for Dumbo and becomes determined to make him happy again.

The circus director makes Dumbo the top of an elephant pyramid stunt, but Dumbo causes the stunt to go wrong, injuring the other elephants and bringing down the big top. Dumbo is made a clown as a result, and plays the main role in an act that involves him falling into a vat of pie filling. Despite his newfound popularity and fame, Dumbo hates this job and is now more miserable than ever.

To cheer Dumbo up, Timothy takes him to visit his mother. On the way back Dumbo cries and then starts to hiccup so Timothy decides to take him for a drink of water from a bucket which, unknown to him, has accidentally had a bottle of champagne knocked into it. As a result, Dumbo and Timothy both become drunk and see hallucinations of pink elephants.

…

After this performance, Dumbo becomes a media sensation, Timothy becomes his manager, and Dumbo and Mrs. Jumbo are given a private car on the circus train.

Ralph Meeker plays Mike Hammer, a tough Los Angeles private eye who is almost as brutal and corrupt as the crooks he chases. Mike, and his assistant/secretary/lover, Velda(Maxine Cooper), usually work on “penny-ante divorce cases”.

One evening on a lonely country road, Hammer gives a ride to Christina (Cloris Leachman), an attractive hitchhiker wearing nothing but a trench coat. She has escaped from a nearby mental institution. Thugs waylay them and force his car to crash. Hammer regains consciousness in some unknown location where he hears Christina screaming and being tortured to death. Hammer next awakens in a hospital with Velda by his bedside. He decides to pursue the case, both for vengeance and because, “She (Christina) must be connected with something big” behind it all.

The twisting plot takes Hammer to the apartment of Lily Carver (Gaby Rodgers), a sexy, waif-like blond who is posing as Christina’s ex-room mate. Lily tells Hammer she has gone into hiding and asks Hammer to protect her. It turns out that she is after a mysterious box that, she believes, has contents worth a fortune.

“The great whatsit”, as Velda calls it, at the center of Hammer’s quest is a small, mysterious valise that is hot to the touch and contains a dangerous, shining substance. It comes to represent the 1950s Cold War fear and nuclear paranoia about the atomic bomb that permeated American culture.

…

The original American release of the film shows Hammer and Velda escaping from the burning house at the end, running into the ocean as the words “The End” come over them on the screen. Sometime after its first release, the ending was crudely altered on the film’s original negative, removing over a minute’s worth of shots where Hammer and Velda escape and superimposing the words “The End” over the burning house. This implied that Hammer and Velda perished in the atomic blaze, and was often interpreted to represent the apocalypse. In 1997, the original conclusion was restored. The DVD release has the correct original ending, and offers the now-discredited truncated ending as an extra. The movie is described as “the definitive, apocalyptic, nihilistic, science-fiction film noir of all time – at the close of the classic noir period.”[2]

The film opens with Croft in an Egyptian tomb, seeking a diamond at one end of a chamber. As she approaches she is attacked by a large robot. After an intense chase and battle, she disables it by ripping out its motivational circuits. She takes the diamond, which is revealed to be a memory card labeled ‘Lara’s Party Mix,’ and inserts it into a laptop computer inside the robot, whereupon it plays music. Now it is revealed that the scene took place in a practice arena in Croft’s home, and that her assistant, Bryce, programmed the robot, to challenge her in combat.

It is the day of the first phase of a planetary alignment, culminating in a solar eclipse on the Earth, which happens once every 5,000 years. In Venice, the Illuminati search for a key to rejoin halves of “the triangle,” which must be done by the final phase of the alignment. Mr. Powell, an Illuminati member, assures that they are almost ready, but in reality he has no idea where to find the key.

Croft’s butler, Hillary, tries to interest her in several projects, but she ignores them. 15 May, as Hillary is aware, is the day that Croft’s father disappeared many years earlier. She has not recovered from his loss.

…

At the mansion, Hillary and Bryce are shocked to see Croft wearing a dress. She goes into the garden to her father’s memorial, then returns inside, where Bryce has a reprogrammed SIMON, ready to challenge Croft once again. Hillary reveals a silver tray holding Croft’s pistols, which she takes with a smile.

Kevin Flynn is a young and gifted software engineer who works for the software corporation ENCOM, creating several video games on the company’s mainframe after hours, aiming to start his own game company. However, an ambitious ENCOM programmer named Ed Dillinger locks Flynn out of the system and presents Flynn’s work as his own. Dillinger earns himself a series of executive promotions, while Flynn (canned by Dillinger) is relegated to opening a video game arcade, featuring the games that he created. From then to the present, Flynn tries to hack into the ENCOM mainframe to find evidence of Dillinger’s wrongdoing, but his program, Clu, is caught and erased by the Master Control Program (MCP).

The MCP, with Dillinger’s authorization, shuts down access to the security group Flynn is using, inadvertently locking out another ENCOM employee, Alan Bradley. Alan goes to speak to Dillinger and reveals that he was working on a security program, Tron, which would monitor communications between the MCP and the outside world. After Alan leaves, the MCP confronts Dillinger about this, stating that it cannot afford to have programs monitoring it. It reveals its intention to break into the Pentagon and other military mainframes, claiming it can run things “900 to 1200 times better than any human.” When Dillinger attempts to assert his authority, the MCP essentially blackmails him into complying with its wishes.

…

Dillinger comes into work the next morning to find the MCP non-functional and the same evidence displayed on his screen. He’s almost relieved not to be a blackmail victim anymore, but it’s only a matter of time before ENCOM fires him. Flynn later becomes the new CEO of ENCOM.