Challenging the barriers of the way we define reality

Tag Archives: heroism

This year Edward Willett was the Guest of Honour for Can Con and I was invited to interview him about his work. In this episode of Speculating Canada on Trent Radio, I talk to Willett about writing ideas of heroism, revolution, government power, resistance, individualism, and writing space operas.

You can listen to this episode of Speculating Canada on Trent Radio at the link below.

This audio file was originally broadcast on Trent Radio, and I would like to thank Trent Radio for their continued support. I would also like to thank Dwayne Collins for his consistent tech support and help with the intricacies of creating audio files.

Make sure to allow a few minutes for the file to buffer since it may take a moment before it begins to play.

Learning How Not to Be A HeroA review of Edward Willett’s “Falcon’s Egg” (Bundoran Press, 2015)

By Derek Newman-Stille

Lorn had always wanted to be a hero, always looked up to those revolutionary leaders he saw pushing boundaries and changing society, but when Lorn sees his “changed” government behaving in the same way as the previous regime, he is forced to question the ideals of change. Lorn tries to uncover secrets that the government is keeping from the populace and he has to take leave from his job in government policing in order to figure out what the government has become and what they are now capable of.

As Lorn has aged, his heroes have become more humanized and he begins to see the weaknesses in the social construction of heroism. He is forced to face the reality that the idealisms of youth have become the cynicisms of age.

In “Falcon’s Egg” Edward Willett takes on the notion of heroism itself, exploring the casualties of war and the results of battle on the psychology of the protagonist who has endured the traumas of war. “Falcon’s Egg” is a text of revolution, a war narrative with a bit of frontier ideologies since it is set on an alien world that is in conflict with the more technologically developed centrist planets. However, unlike most exploration, war, revolution, and adventure narratives who uncritically cast the hero as a figure who is above trauma, Willett’s narrative explores the toll that heroism takes on the mind of the hero as well as the toll that it takes on human lives and society. Lorn, through his trauma, is forced to re-assess what it means to be a hero and acknowledge the harm that he and others who saw themselves as heroes have done in enforcing their ideals. At the beginning of “Falcon’s Egg”, Lorn, like many soldiers, begins his story trying to convince himself that he had to do every horrible thing he had done to make the world a better place, and, when told by a psychiatrist that he had PTSD, ignored what he was told and saw PTSD as a “disease of lesser people”. But, when he experiences increasing flashbacks and scenes of horror, he realizes that he needs to shift his perception of himself and his role in society. The toll of human lives becomes too much for him and his own horror at how casually he can now commit murder opens a doorway to a room full of unanswered and unsettling questions for him. Lorn realizes that his dream of running away to space, away from home and his family has always, fundamentally, been a desire to run away from himself.

Willett creates a coming of age narrative that is not limited to a youth. He portrays Lorn as a man, like most others, who is perpetually going through coming of ages, understanding himself in new ways as his viewpoints change with experience. Lorn experiences an awakening to his own ignorance and self denial that lets him finally come to find himself and find meaning in his life beyond the fairy tale narratives of the hero that are portrayed by his society. Willett creates a character who is learning how not to be a hero, but, rather, learning to be a human being.