Tagged With "Cameo Flat Par"

Jim, If the unit you are talking about is the Stage Color, then yes they are the same lenses as the Opti Par, they just snap inside the front of the Stage Color. You can order these parts directly from Elation Service 866.245.6726 Part numbers are: Opti/LN - Narrow Opti/LM - Medium Opti/LW - Wide Thanks!

hey wassup? and welcome to the elation lighting forums! first off for the sd1 and par cans and effects. meaning non dmx fixtures u will need dimmer/ switch packs as well. what they do is u can plug ur effects and pars cans to them and depending what fixtures u have they will either dim the cans or turn on and off the effects that u have. but don't ever try to use a dimmer on a effect light cause it really need to be just shut off and on dimming them could decrease lamp life i think. also...

Hey John I think you should send us all Elation Black Satin Jackets for that find. Only Kidding I seen you at the NAMM show again this year. I was sorry to hear about SMOKIN JOE The Power Spots are working great I used them for a Bowling for Soup show with 8 active scans and 50 par 64's I will be running the same set up for this weekend for two good local bands Take care. FLASH / Pete Wrobel

Hi Gary, You wouldn't need a profile for a dimmer packs. Dimmer packs are generic and don't have any special values, say colors or gobos or prisms. All you need to do is go to the generic page and use a par 56 or par 64. So if you have a 4 ch dimmer as you do with the dp-dmx20l you will use a par 56 then say you have 4 units. If you have a 12ch dimmer say like the Elation RMD-1210 you will use a par 56 and then put that you have 12 fixtures.

what is the size of the truss? IF its a 2 inch pipe you can use the heavy duty round clamps they screw in from top of clamp into the base and the screw does not interfear touching the pipe cause the screw has a flat end.

hey flash i was just messing around with like 16 of those demo moving heads. you know the one that load up when you first install the software. i just love those. and i got another 16 performance scans spread out across the stage as well as over 10 (forgot how many lol) par 64's flash let's see some of your renderings my brother!! LOL. i am curious to see others work on compu. peace! jingles!

Hi John, Thank you for your responses as well. 1. I tried what you said and made my chase a Scene using Easy Step. After that I was able to control the speed via the Live Button Toolbar. So, in other words, I did not need to do anything further using Easy Time. I tried it any way (yellow button making the channels Easy Time), but it just seemed to mess up my chase, so I went back to making all channels Easy Step. I notice that the F7 and F8 keys allow me to adjust the speed up and down. Is...

Thanks for the response. We use 2 elationdmx20l dimmer paks on separate circuits, 4 par cans on each, and to the best of my knowledge the dmx line is terminated properly. I don't believe we are exceeding the maximum load as the lights worked fine all last year.

12 par 64, 4 trackspots and 3 martins, puts you at 19 intelligent fixtures and 16 conventional fixtures. It sounds as if you buy the operator, you can get away with using the operator and nsi 6128 and not use the universal controller. Or if you want to go with one board, you will need the SHOWDESIGNER 3. If that to big, you may want to consider Compu 1024EC. Not many consoles offer controll of 16 par cans with moving lights.

hello, i would apretiate any help from you guys. i have 12 colorsplahjr by chauvet, 8 par cans, and 4 fusion scans. i'm currently tempted to buy the Elation DMX operator Pro, seems it can do all the work, but i'm also looking at a sotware option, easy stand alone by nicolaudie with its cheapest version.... cant really aford any of the other suits. which of those two would you recommend? Thanks, is-REAL

I think you hit it on the nail with DMX operator pro. I believe this will easily do what you want. Software is ok also, but the easystand alone will not allow you to run your color mixing LED's and have the par cans stay on at the same time unless you program that into the scene. Easy stand alone will probably be easier to get started on. its pretty simple. Best regards,

Thanks. now, as far as lightning..i've got not very much experience. i'm trying to light up a stage which is 30ftx20ft. my setup will be, 8 par cans on the back, 2 scanners on the back each one on the sides, 3 colorplash jrs on each side of the front towards the band an the other 2 scanners in te front facin each other, so they'll cover the band and the audience... what do you think? will this give me a nice coverage, im specially concern with the coverage of the LEDs.. don't know if theyll...

yes, thats the size of the stage. they'll be hand from a 'tree' .. 9ft high. they'll be aiming at the band, which will be at the center and front parts of the stage. for the par cans, they'll be at the backpart of the stage, aiming at the guitar player on the left, bass at the right and the drums in the middle. will this do?

well if it says it can handle it then it should be able to. just make sure you don't put more than one par on each channel. also exactly how many rows of lights are you talking about? like how many of the DPDMX20L's are you gonna need? curious is all. peace! jingles.

We'll now that I think about it, I don't think the DMX Duo will work. its intended for Intelligent lighting on one side, and effects lighting on the FX buttons. This customer has effects lighting, and par cans.. So his best bet would be Dmx operator pro. He can create chases for his effects lights on one half of the board and par can chases on the second half of the board.

This is probably a stupid question... but since all of the lights we own are not dmx, i have to ask :P What is the significance of whether a controller is intended for intelligent/fx/par cans? For instance, why is the operator pro not capable of running par cans except on the last 8 channels? The operator pro looks like it has a street price close to some pc-controlled systems i've seen. Would we be better off just lugging one of our laptops with us and running things that way?

Welcome to the forums! For the dimmer packs, whatever address you set it to (129 for your example) tells you all the address for each light. light one will be 129 and light 2 will be 130, 4 - 131, 5 - 132. so just use the faders (channels 129 - 132) to turn on the par cans. Make Sense? For the ADJ Accu Spot 250 II's, I'm not entirely sure how to do what your thinking but what I would suggest is to set some scenes and just recall your scenes. Set the first light to the left of the runway and...

jpal welcome! and merry christmas. you could also try setting the light in the right on reverse pan and tilt. it should be either a feature on the op pro or you can do it on the lights in the system menu aswell. and the par cans was pretty well explained by jthtiger so i will leave it at that. if there is anything you dont understand or need further explaining let us know. peace! sincerely,

I assigned the dimmer pack to A129 as stated in the manual. then i set the dimmer pack to work for only 2 channels. then i plugged in a par can light to channel 1 and another par can light into channel 2. as you said, the console should make the channel 2 light work on the next fader which is 130. but that's not whats happening. Fader 129 is turning on both of the lights, and fader 130 doesn't do anything. I know the next thing u guys might say is check what outlet im plugging the par can...

I'm going to try the 4channel mode when i get to the studio... Also Jingles or jthtiger, do u knw how to localize where the acu spots focuses it lights, meaning if i am doing a stage program, how to get the lights to only play around on the ceiling, or only on the stage, or to go to the audience, and back and forth. or is this not possible. And back to Par cans, how can i get to chase mode with the console. I was looking for this but i couldnt find it. I wanted to be able to record a chase...

ohh, ok thanks, i thought they were speaking of the par can. now has the acuspots 250II's had any problems b4 of overheating or just shutting off the power, bcause i used it for 1 program, and it shut off after a little while meaning the lamp shut off, and then it went to stationary position. Has there been any other complaints or worries like this.

That is one Opti 30 RGB, all LEDs on. It won't out shine a 500w Par 56 or 500w 6", but it does keep up or out do a 120w Par 38. Also, beam is fairly tight as you can see in the picture. Sorry about the quality of the photo, done with a camera phone.

Newman, keep in mind that the OPTI 30 is the small fixture. We also carry the OPTI RGB which is more comparable to a Par 56. You can read this article to get an idea. Sweet Sixteen Article in Live Design in December? http://livedesignonline.com/resourcecenter/howtos/howI/sweet_sixteen_lighting/ Best regards,

I apologize in advance for the very long and off topic post I am about to post. SCR dimmers work by chopping the sine wave of AC. This is how they 'dim'. AC is a wave. DC is a line. Now when power is created, is is created by a magnet spinning in a coil at 60 times per second, thus 60hz AC. This is how and why the wave is created. The little sine wave above, the start as 0 degrees, the first peak point as 90 degrees, the next mid point as 180 degrees, and the bottom peak point is 270 degrees...

Continuing on now: The buzzing noise is known as lamp sing, it's caused by the power being turned on and off really fast. The way this is fixed is more expensive dimmers have what is known as a choke after the SCR so the power change is as dramatic as on/off. The better the quality of dimmer, the less lamp sing you will get. Now why non-dim isn't really non-dim. Despite you setting a dimmer to non dim, either via the pack or the console, the power still passes through the SCR and choke. So,...

WHEW - Im a bit overwhelmed but I think its because Im on a tiny notebook. Gotta hook up to a couple of 20" flat panels to get all these windows open. Will the demo let me put the 3D model you made in it? Client wants to use Design Spot 250 (2), DLED 36 (8), DLED MH (2) and Im working on getting him to use the software over the ShowDesigner board. (I'm also trying to get him to drop the DLED fixtures in favor of Acclaim X-EYE HD lights too.. about 12 of them) Will the demo let me put these...

The problem sounds like the chase is effecting the channels your strobe is on. You need to edit the chases so they only include the PAR channels. Not sure how to do it on the SS8. Look at your manual. If you still can't figure it out or you are confused, drop another line and I will try and help you out. A strobe isn't really an intelligent fix, just easier to control with an intelligent controller is all. Should see some of the crazy things I have to do. For example, I am running an all LED...

I always recommend the DMX Operator 192. Very good console. But since you are using the SS-48, i assume you are not using intelligent fixtures and running the classic PAR Can rig. I am correct? I still might recommend the DMX op. 192 because if you set it up right then you can still do the conventional lighting. Give me a little more information of the rig you have and I'll try to find a good console. jthtiger

You are correct bdunard in the fact that the Colorado is brighter then a DLED36 do to lack of a diffusion filter. I did a side by side of an Opti RGB and a DLED36 and the Opti was brighter, but had a much smaller beam then the DLED36. As far as DLED36 vs Tri64B, they might be about even at the same beam size do to the fact that the DLED uses Luxeons and the Tri64B doesn't. Luxeons are some of the best LEDs you can get, and are priced accordingly. They have a higher output per watt than other...

i found my problem! the cursor!!! the drawing and scrolling with the cursor!! being that the onboard video card is sub par, the drawing of the cursor during playback was dragging. i disabled the option for drawing and scrolling and now it works fine... also took about 20% of my cpu usage. good to know!

I get what your saying. The problem I am running into now is if I should just go with a S4 par for the front wash lighting. If I do this I still need an LED light to add color when the S4's are off...this looks great when the singers aren't singing...you don't want them lit with a bright wash but you don't want them in the dark either. I wanted to find one fixture per side that would give me color and a good white wash. I bought the DLED 36WA but it doesn't give me a very good white. I...

I don't have an answer for you. I am new to this type of lighting control. I can't find out how to get started with the basic programing for 15 par cans, 3 RGB and 2 Elliosodials. Help. I also receive a message about a faital error. A second install have a problem with a flickering Pro Bar. It seems to destroy the bulbs. Any recommendations? Partime

Thats a good question. Here is what Partime has going on. A system consiting of house lights which are only a few DMX channels..6 I believe to be exact. When Compu is on everything is great.. That's because his LED par cans are recieving DMX.. When he switches to the simple X-fade, it is only activating 6 channels..The LED pars lose DMX and go into sound active mode. Using an AR 32 system will activate all 512 dmx channels. The problem is he bought the wrong controller for the Job. I'm...

Rick welcome to the forums. if you want to run dmx led lights on the S.S. 24 you are really gonna need a larger controller. you CAN use DMX lights with the S.S. 24 but are limited to only 24 channels. each dmx led par is about 5 dmx channels. which means 4 of those leds if you like them to be run individually will take up about 20 dmx channels. if you give me your email i can send you a PDF document about the basics and how to run DMX. my email is jamesk AT Elation lighting DOT COM so send...

Thanks Jingles, You're a big help. I may take you up on those lessons. But I'll take a look at youre videos. They are quite interesting. They are great references for me. But in addition to that, Is it actually possible to make a "4D" room. i.e. A gym with a gable ceiling. Not like a cube room with a 'flat' ceiling. I think my church's gym would be a good starting point for me. Because it's a about a good 54'x75' foot room with a gable-shaped ceiling, Perfectly large for like a local...

First off, as if you don't hear it enough, I'm new to the software and just moderately familiar with DMX and programming lights. Jingles, I have two 6 channel dimmer packs that I would like to group fixtures together. Do I just need to change where they are plugged into the dimmer pack and make it easy? Also, I have 8 LED PAR 64's and I would like to group them all together as well as other different groupings. I have 4 Intimidators and colorado 3's that I would like to groups in various...

E*dub if you have two dimmer packs i assume you are hooking par cans up to the dimmer pack and not the LED dmx lights correct? never plug a DMX light into a dimmer pack it will ruin the fixture. you can group any of your fixtures together as a group and are able to control them individually or as a group by creating a new group. to control them i believe you select the fixtures/group you want to control and then go to the fixtures pages and use the functions there. As i have said before the...

And I should add... could the problem be that I do not have a DMX terminator in the DMX Out of the T16F? Here's the setup I have... Chauvet DMX-40B Controller > DMX Cable > DMX in of T16F with 4 par cans attached (1 in each plug)

Thanks John. I wish I could step up to the showdesigner, but at that point, I would just get the 1024FC and have the timeline ability. Basically, I am only running 8 channels of pars, 4 scanners, and 4-6 LED PARS's so both the software and the showdesigner 1 are way overkill for as little as I have. Plus, fundage is pretty low. So I guess we are back to the 3 questions: Can you select par scenes/chases independent to moving light scene/chases? Can they be selected this way with MIDI as well?

thanks everyone. I am going to really dig deep into the mydmx software tonight. I am fairly familiar with the compuware software so I hope it isn't to different. I would still like to have a couple questions answered about the operator pro though: Can you independently choose par scenes/chases from moving light scenes/chases? Is this the case with MIDI as well? If so, doesn't that give you thousands of combinations to choose from via simple midi notes? i.e. this par scene with this moving...

I really need some help from someone Maybe one of you knows someone who would be willing to help me by drawing out a wiring diagrams of the dmx cale and how to set channels in the show designer 3. We have to mount 10 more lights this weekend and have 3 saturdays left till our first Sunday service and I need help This is what I have Show designer 3 12 -Elation Cyber Pak 4 channel dimmer 32- American par cans 16- Altman Ellipsoidals 6 -chauvet Colorado 3’s led cyc light 8 -chauvet L.E.D. par...

See, that's just it...I WANT the MASTER page to take full control. In this case it seems the fixture page takes control of only the color and gobo. I mainly use the MASTER page to control LED Par cans. I only have one Fixture page and I use it to control the Design Spots. In this case, I'm using a switch in the MASTER page to control LED Par cans as well as one Design Spot, so it seems like the MASTER page switch would take priority over a Fixture page scene. Jingles, I can't make the...

From the site: http://www.elationlighting.com/pdffiles/opti-tri-par-photometrics.pdf There is not a photometrics up on the WEB for the EX flood but it says it has a 40 degree beam angle. i dont know if that helps but there you go. Sincerely,

Jingles, Yes that is effectively what I'm asking. I can use the color manager, but I hope you can understand how much longer that will take: 1 scene = 20 steps x 16 PAR cans per step x 2 colors per step x 3 DMX values per color. 1 scene could take upwards of an hour when I'm talking about a lot of steps and lot of different colors. If what I'm asking is not possible though, I suppose that is what I'll have to do. You know how when you create a Cycle, you can just select the Scenes that make...

James and Chris, Thank you for your explanations. Being at entry level every bit of understanding helps alot. I can definitely tell now that any of the operator models will give me alot more control as compared to the stage setter 8, So I think a trade-in is on the near horizon. Chris I have a small set up right now just 8 par 36 LEDs I may add on a little later, but not much they are just for my band. With this small set up I can set the whole thing up in my basement and create the scenes,...

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