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Friday, 7 March 2014

My wonderful friend Ania has a blog where she interviews illustrators about there working process, something which is often a mystery yet very insightful!! My interview was featured yesterday! Go check it out HERE.

Part of the interview was drawing your Creative Genius, something talked about in Elizabeth Gilbert's TED talk (a talk I could probably watch on repeat all day, it's fantastic)

So what does my creative genius look like? Well I did some sketches whilst re-watching Elizabeth Gilbert's talk and this is how they looked.

Thursday, 6 March 2014

Tuesday, 4 March 2014

Somewhere in between finishing the course and our London show I decided my portfolio needed a revamp.
I think it's really important to have some key portfolio pieces to show off what you can do, so when I was on the tube last month and I had an image pop into my head I knew I had to draw it as soon as I got home. I hope this cheeky and inquisitive mermaid finds herself into a book one day.

This guide was put together for the MA Children's Book Illustration students visiting the fair in March 2014. This post is written from my experience at Bologna Book Fair. This is a guide for anyone going for the first time/wanting to know more about the fair. All thoughts are my own.

(Outside Bologna Book Fair 2013)

Hurrah! You’re going to Bologna Book Fair, the
world’s biggest trade fair for picture books. This fair is HUGE, with all the
biggest and smallest publishers for children’s books under one roof. Remember
that most publisher are at Bologna to trade and to sell rights of picture books.

Note
– I’ve written this for people who are ready to see publishers, if you don’t
feel ready to meet publishers just yet then go and have a look round, see the
illustrator’s exhibitions and see what talks are on. Make note of publishers
you think you could approach next year and enjoy the experience.

Things
to take with you

oBusiness cards. (I took 100 last year)

oPostcards, optional but a nice leave
behind for meetings/sticking on the illustrators wall. (Again I had 100 printed but I still have half of them in a draw somewhere.)

oA small copy of your portfolio – A4 size is fine, tablet (iPad etc)
is ok but most publishers want to see it in print. I made an A4 softbound book
for mine last year that was light weight and did the job.

oA professional looking copy of your dummy book/s. - I printed mine at home last year and then soft bound them, this was fine. Other options include online book printers such as Blurb. (note - I have a Epson R3000 A3 printer. DON'T print out a dummy book on your small A4 rubbish printer on 80gsm printer paper... )

oA sketchbook with new ideas in – small, A5 size. (optional)

oA small notebook, A6 size works well, if it has a little pocket in
the back even better! You can store publisher’s business cards in there.

oA pen – TAKE NOTES!

oA watch – keep track of time.

o10 (ish) x A3 posters to stick on the illustrator’s wall. (optional)
These should include a striking colour image and your contact details.Last year I took 4 posters and a roll
of masking tape to stick up on the illustrator’s wall, they were all either
swamped by other illustrators work or taken down by the end of the fair and I
wished I’d had more.

oOR make posters with tear-off strips with contact details. Make sure
it has an eye-catching image on it though!

oComfortable
shoes – A MUST – trust me!

oBottle of water (optional but it’s expensive in the fair)

oLunch – if you don’t like ham or spending 5 Euros on a sandwich.

(Things I had in my bag - not including my A4 portfolio)

Whilst
being at the fair

oPick up a map when you go in, it’s a huge fair, you might/will get
lost!

oTry and make appointments to see publishers that you like.

oSometimes it’s easier to get a slot if you’re on your own, not in a
group, try going solo and arranging to meet up with friends later.

oTalk to other illustrators. Ask them if they’ve seen any publishers, tell them who you’ve seen, it’s A LOT
easier to ask approach a publisher for a meeting when you know the answer is
going to be yes.

oTurn the back of your notebook into a planner for the 4 days, I did
this into hour slots so you can have time to get from meeting to meeting. It
means that you wont double book yourself and know where you need to be on what
day at each time. It was my savior last year.

oVisit the illustrator’s wall and pin up your work! I was contacted
last year from agents and publishers after they saw my work on the wall. Check
this daily to make sure nobody has put his or her work over yours/taken yours
down.

oCHECK YOUR EMAILS – publishers may be trying to contact you!

oDON’T SIGN A CONTRACT WHEN YOU’RE AT THE FAIR. If a publisher likes
you they will wait. Get back home, weigh up your options and make a sensible
decision.

oSome stands will sell books on the last day of the fair so they
don’t have to take them home, yes they are lovely, yes they can be a bargain,
but remember – do you have room to take them home in your Ryan Air hand
luggage?

oGo and see the Cambridge School of Art stand! Showcasing 80 unpublished students from the MA in Children's Book Illustration course, Cambridge. (Publishers can make meetings through our website)

(Ailsa Burrows and myself outside the Cambridge School of Art stand - 2013)

When
asking to see a publisher

oScout out what publishers you like the look of Monday morning –
where does your work fit? Who could you see publishing your book?

oMake meetings – most places have a receptionist, make sure you’re
talking to the right person!

oAfter scouting out who you’d like to approach don’t leave it too
late. Monday morning/afternoon and Tuesday morning are a good time to approach
publishers. The bigger publishers have either already been booked up for months
or will be booked up by Tuesday afternoon. Get in quick!

oAsk if anyone is seeing illustrators/ask if you can book a meeting
with the art director/editor.

oIf a publisher is fully booked or not seeing illustrators try asking
for a business card to send PDFs to.

oALWAYS be polite and professional.

So
you’re meeting a publisher! –

oThree P’s – Polite, Professional and Punctual.

oYour meeting will be anything from 5 to 15 minuets,

oGive the publisher the option of seeing portfolio or dummies first.
Some publishers don’t have time to see portfolios.

oHave your work ready to go, you will only have a small amount of
time, every minuet counts.

oTry and listen to what publishers are saying about your work. Make
notes that will make sense a week/a month later. (These notes will be extremely
useful when planning your next book/making edits to your story.)

oYour dummy book should speak for itself; you don’t need to explain
every page.

oThey will usually flick through dummies and portfolio very quickly,
they know what they’re looking for, don’t be disheartened by this.

oYou can ask them questions

oAlways leave behind business cards/ postcards and where possible get
one from them back, store this away in your note book for use when you get back
home.

(me talking at Bologna Book Fair 2013)

When
you get back home -

oIf a publisher has asked to see a PDF make sure it’s low res and
locked.

oFollow up any interest that you’ve had in meetings – using your note
book filled with publishers details send a quick email saying it was nice to
meet them at the fair. (Remember that some publishers have had a week away from there desks and there inboxes will be very full with similar emails to yours. Don't pester, keep to the professional manner that you had at Bologna)

oMake meetings to see publishers in the UK.

oRelax and sleep

But don't just listen to me! Here are some top tips from other illustrators -

Monday, 3 March 2014

So a year and a half has passed and I've finished my MA in Children's Book Illustration. The course was always highly recommended by the tutors on my undergraduate course at Plymouth and I can safely say it beat all my expectations. I had the most wonderful and amazing time and I can't believe it's all over and we've now all been let loose into the world of picture books! Our show in London was a huge success with many of my fellow course mates gaining publishing deals and me getting a chance to catch up with my agent, have a glass of wine with my publishers AND have a long conversation with Axel Scheffler (!!!) Our Cambridge show is now up until the 13th of March and is well worth a visit! (however if you miss both Ariane Hofmann wrote a fantastic review of the London show which you can check out here)

About Me

I studied illustration at Plymouth University before becoming engulfed by picture books on the Children's Book Illustration MA, Cambridge. I'm represented by the wonderful Elizabeth Roy Literary Agency - http://elizabethroy.co.uk/ illustration(@)emmacarlisle.com