In the following review of Stanzas in Meditation and Other Poems, Ashbery describes the difficult, ambitious nature of Stein's experiments with language.

[Stanzas in Meditation] will probably please readers who are satisfied only by literary extremes, but who have not previously taken to Miss Stein because of a kind of lack of seriousness in her work, characterized by lapses into dull, facile rhyme; by the over-employment of rhythms suggesting a child's incantation against grownups; and by monotony. There is certainly plenty of monotony in the 150-page title poem which forms the first half of this volume, but it is the fertile kind, which generates excitement as water monotonously flowing over a dam generates electrical power. These austere "stanzas" are made up almost entirely of colorless connecting words such as "where," "which," "these," "of," "not," "have," "about," and...