This critical monograph documents McKeough’s collaborative artistic process and pedagogy from the late 1970s on; her interactions with visual and media arts communities in Halifax, Toronto, Vancouver, and Calgary, particularly alternative music and performance scenes; and the audio, installation and performance work that is her ongoing contribution to the contemporary Canadian art community.

Includes vinyl record with five audio works from installations and performances—Shiver (1995), Opponent and My Heart Beats too Fast from In bocca al lupo/ In the Mouth of the Wolf (1991), Lament from Dancing on a Plate (1991), Veins (2016) and one new composition, Ashes (2017)

— M:ST 9 takes over theatres, galleries, and public spaces all over the downtown core from September 7 — October 7, 2018, bringing you opportunities to entangle with media in new and surprising ways through exhibitions, interactive installations, performances, and interventions.

M:ST acknowledges that we stand on the traditional territories of the Blackfoot and the people of the Treaty 7 region, which includes the Siksika, the Piikuni, the Kainai, the Tsuu T'ina and the Stoney Nakoda First Nations. The City of Calgary is also home to the Métis Nation of Alberta, Region III. Amidst the ongoing social, cultural and environmental effects of colonialism, we are committed to dialogue and collaboration with Indigenous artists and communities as part of our mandate to foster performative art practices in Southern Alberta.