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Hey, folks! Did you hear? 'Glee' is coming back on Tuesday! Wow, Fox really kept that comeback under wraps, didn't they? Gone for four months, they seem to be bringing the show back without a lot of fanfare.

The long wait is over. Right on the day that Conan O'Brien starts his cross-country tour in Oregon comes this rather large announcement: Conan is coming back to TV this November! But if you're thinking that he's going to do a late night show on FOX, you'd be mistaken. Instead, think "Very Funny."

Joe Adalian at TheWrap.com (and Conan himself on Twitter) confirm that he's going to do a late night show on TBS. This is rather interesting, because everyone assumed that FOX would be the place that Conan would want to go to because they're the last "big" network where he could have a late night show. CBS and NBC already have something and while ABC was sorta mentioned in the mix, they're happy with 'Nightline' and 'Jimmy Kimmel Live.'

Do you know why stand-up comics have so many lame jokes about flying? It's because we spend so much (expletive deleted) time on (expletive deleted) planes. (My own lame joke about flying involves overweight people next to you: "So much of her was on me that we hit turbulence and I technically cheated on my wife.")

That much time in coach turns your brain into pudding - you need a crutch to get you through it. I've turned into a podcast junkie. At any given time of the day or night, I'm probably flying over you, listening to some guy in his basement rant about the whether the "Blackest Night" event is good or bad for the DC universe.

I'm like an awkward, misshapen George Clooney from 'Up in the Air.' Except instead of hot sex with Vera Farmiga, I'm snuggling with Leo Laporte.

Fans of 'Arrested Development' might not be too happy with David Cross after they read this interview. Why? Because he has doubts that an 'AD' movie is ever going to come to pass.

"(I)t's not going to happen," Cross told me the other day when I spoke to him about his new stand-up special, 'David Cross: Bigger and Blackerer,' which premieres on the new cable channel Epix on Saturday (Friday night) at midnight ET.

"Way too much time it's been (since the show ended)," he told me. "I mean, there's so many people involved. Everyone's doing their own thing, you know. And everybody's aged. It's just not going to happen. I'm sure I speak for everybody when I say we'd love for it to happen, we'd love to work on it, but just I don't think... not going to happen."

In the special, which Sub Pop will release on DVD in June, Cross talks about all his usual hot points: religion, the health care debate, politics... and airplanes. If you don't get Epix, the channel is providing a free pass to see the special online. The first thing I was curious about: the pre-teen kid who came out and did a piece of his act at the start of the special.

Whether it's 'The Barefoot Contessa' or 'Tyler's Ultimate,' there's a wide variety of food, cooking, chefs and experts on The Food Network. For the most part, the diversity is great and if you're a food fan -- a foodie -- you can watch FN for hours on end and be entertained. However, if you do watch for more than a few hours, especially the 'in the kitchen' programming which is all about creating dishes, there are some things that stand out -- five burning questions about the Food Network.

1. What's with the hygiene?
On nearly every cooking show, the food preparers -- whether they're an American Iron Chef like Bobby Flay or a restaurant owner/home cook like Paula Deen -- are obsessive about washing their hands. Any time they touch meat or chicken, there's a camera following them to the sink to wash hands with soap.

I get YouTube videos emailed to me five or six times a day. It's gotten to the point where I've just created a canned response that says, "LOL! You were right, that was hilarious!" It makes the senders happy and keeps me sane.

It's not that I don't love my friends and relatives, I'm just tired of being burned by subpar 'AFV' clips masquerading as the new hotness of internet memes. As I get older and my time becomes more precious, I really don't want suggestions from friends - what I want is qualified editors making decisions for me.

The problem is that as media further fractures and democratizes, it gets harder and harder to find the good stuff. Thus, the more a company helps me find the good stuff, the more I'm inclined to stay with that company.

To that end, I've got an idea that'll be win all around for everybody: the Big Four Networks should adopt a league system, just like soccer.

Hear that? It's the hype machine going into overdrive. And that's what worries me. I've heard this machine before, and it never ends well. There are three signs that make me wonder if 'Glee' is more flash-in-the-pan than legitimate long-running hit:

We're doing some spring cleaning here at AOL TV, and big changes are coming to the Inside TV blog in April.

In a few weeks, Inside TV will be joining forces with TV Squad to create a bigger, better TV blog. The blog will keep the TV Squad name and URL, and get a fresh new look (seen in the screen shot above).

Much like his other shows, the whole atmosphere and presentation of 'Wonderfalls' was tailored to create a magical world just outside our own. Gritty realism certainly wasn't the goal.

Unfortunately, a serious lack of network patience led to 'Wonderfalls' getting canceled after airing only four critically acclaimed episodes out of thirteen produced. But those four hours left an indelible mark on the loyal viewers who did find it, and the series message of hope resonates as powerfully today as it did then.

A big change is coming to TV Squad in April, and I wanted to let our loyal fans in on the plans ahead of time.

At some point next month, your favorite TV blog will be combining forces with the Inside TV blog from AOL TV to create a bigger, better TV Squad. In the process, we're going to be getting a new look, which is depicted above and in screen shots after the jump.

What does that mean for you, loyal TV Squad reader? Well, a few things:

A cleaner look: The new site's look will be a little less cluttered than our current version, which was redesigned eons ago in internet terms (2007, to be exact). This will allow for a more appealing viewing experience. It allows us to display bigger pictures and videos, and we'll be able to have some more flexibility with our format.

More voices, but a familiar tone: In addition to the TV Squad writers you know and love/hate, we'll also be incorporating the excellent writers at Inside TV. But don't worry; we'll still be the same opinionated dorks we've always been.

In fact, our writers will be more opinionated than ever. In the near future, expect to see longer-form opinion essays, critical pieces, lists, columns and other features from both your favorite Squadders as well as the Inside TV team. You might have noticed some of that already; expect more in the coming months.

Fans of 'V' should be worrying right about now. With all the promotion ABC has put behind their re-toolings of both 'FlashForward' and 'V,' it's not very encouraging that 'FlashForward returned to even lower numbers than when it left, before quickly slipping even lower to its worst ratings yet.

The real question is why. Did no one have faith that ABC could turn the show around and get it back on track? When did we become so cynical? Plenty of television series have gone through rough starting periods before turning into great shows. I'm not saying 'FlashForward' is suddenly the greatest show on television, but it's vastly improved over its slow and meandering first half.

The two-hour mid-season premiere was epic and fantastic, so I wanted to wait until after the second episode to see how the new 'FlashForward' was going to look. While it was scaled back to the more personal stories again, I again felt that sense of foreboding and tense anticipation that a premise like this should have.

Game shows used to flood the dial of my TV back in the 1980s and '90s. And that was when my TV could only pick up eight channels, three depending on the weather.

Back then, almost everything from daytime fare to the occasional prime time bit of airtime starred game show hosts. Their purpose on television was solely to wear smart suits, make sure their teeth reached the optimum level of whiteness and keep the game moving but entertaining.

Now that game shows are making a slow but steady return to television, it seems the traditional role of "host" has turned away from the traditional "game" emcee like Chuck Woolery, Wink Martindale, Bob Barker and Art Fleming and more towards lively hosting personalities from other walks of entertainment life like Drew Carey, Wayne Brady, Howie Mandel and Guy Fieri. Does this mean that the role of the traditional TV game show has gone to that great big "Curtain No. 2" in the sky?

One of my least favorite internet memes is the race among people who frequent TV blogs to be the first one to comment that a show has "jumped the shark." I'll take a busload of LOLCATS and Epic Beard Men if it means that I won't have to see "JTS!" four minutes into a show's pilot episode.

That said, the fact that JTS has been defanged by ubiquity doesn't take away from its ability to be a useful tool for analyzing pop-culture. Shows tend to weaken over time and the JTS moment is a fun way to decide where, exactly, the wheels came off.

In thinking about JTS, it occurred to me that there are a few warning signs that a show is about to jump. Today I'll be looking at the first in a series of canaries in the mineshaft: when characters become caricatures.

There are very few moments in American history when the unrepresented and disenfranchised masses of society manage to muster together enough courage and strength to topple the high watermark of oppression. They seem to come along once in a millennium, but when they do, they give you this warm and fuzzy feeling inside that maybe life doesn't suck as much as you thought it did and everything, like the movies, may actually turn out alright in the end, closing credits, fade-to-black.

The early days of the American colonies saw the uprising of the Boston Tea Party in which angry settlers grew tired of unreasonable taxation. The mid 20th century saw the sluggish but eventual snowballing steamroll of the Civil Rights Movement. And I like to think that the new millennium's moment of triumph goes to the total destruction and annihilation of Fox's 'Spaced' remake. Granted, I'm not setting the bar very high, but it's only been ten years. Baby steps.

In season two of 'Breaking Bad,' viewers saw Anna Gunn's character of Skyler White go from long-suffering wife of cancer-patient-slash-meth-maker Walter White to a person who is starting to have her own moral dilemmas.

But right at the start of the third season, Skyler's world gets turned upside down. I can't say more without spoiling things, which is why I postponed posting the interview I did with Anna Gunn in January until after the season three premiere aired. Gunn and I talk about the first episode bombshell and how her character reacted. We also talk about what might be in store for Skyler and son Walt Jr. (RJ MItte) in season three.

Our friends at AOL TV also spoke to Gunn recently, if you want to find out more about what's in store for Skyler.