Saturday, October 4, 2014

'Tis October, a month that is redolent with all things scary. And what topic could be scarier than to discuss... the Joker's pubic hair?

When Cesar Romero was hired to play the Joker in the 1960's series 'Batman', he refused to shave off his trademark "Latin Lover" mustache. And so the producers had no other option but to cover it over with clown white make-up. Eagle-eyed viewers (I was not among them) could still see it however, especially in the close-ups. But the medium was still considered a transient visual - aired today, gone tomorrow - that I'm sure the producers weren't too concerned about it. They had no idea the Future would bring endless syndication, home recording devices, DVD sales, and video-streaming. Sooner or later everybody was going to see the Joker's mustache and realize that it was painted over.

Let's do a quick recap of the Toobworld version of the Joker's origin story, which never was revealed on the TV series. (So far as I can tell, the only 'Batman' villains to get an origin story were King Tut, Mr. Freeze, the Mad Hatter, and maybe the Bookworm.)

Victor Gervais was a high-ranking agent in the THRUSH organization whose career came undone when he became obsessed with an U.N.C.L.E. agent in training named Mandy Stephenson. Gervais later escaped and hid in plain sight under an alias he had already established - that of statuary manufacturer Kinsey Krispin. As Krispin, Gervais was also working as a double agent - even though it was for KAOS, another organization of baddies, this would appear as a betrayal by his THRUSH superiors.

Once again, Mandy Stephenson was part of his undoing, although he did not recognize nor remember her. (And the fact that she was now working for CONTROL and known only as Agent 99 was a leading reason for that.)

Gervais/Krispin quickly escaped the inefficient CONTROL agents in charge of his incarceration and returned to his factory in hopes to put together enough money for his getaway. But THRUSH agents were there waiting for him and they tried to kill him by drowning him in a vat full of the chalky white liquid used to make his statues. Gervais ingested some of it and it metamorphed his cellular structure so that he became the spectral clown figure he is best known as today.

However, one would assume that the transformation also affected his hair, which on his head was a brilliant green in color. And yet there's that mustache.

And the inner eternal fifteen year old in me begins to wonder about the hair on the rest of his body......

(Even when he went surfing, the Joker remained dressed in his traditional purple suit, so we couldn't check out any chest hair or underarm hair.)

Well, let's grab this by the short hairs and address it: ALL of the Joker's hair turned white that day, just like his mustache. And that includes the hair on top of his head. However, he dyed that green to enhance the image of the Joker which he was trying to convey.

Friday, October 3, 2014

Artist Woody Welch, who paints these fantastic flights of fantasy which can be seen on the FaceBook page for 'The Outer Limits', posted this picture to the group:

A classic!

Woody accompanied the picture with this observation:

One of my favorite shots of a Zanti Misfit...the Regent, I think....one of the reasons I love it so much is you can see the heads of the hat pins used to secure the model to the table top sets during stop-motion...see the little white dots on the top of the Zanti's feet? Those are the hat pin heads. Why they couldn't use (or get) hat pins with black heads is beyond me.

I suggested that we could make it work instead of leaving it as a Zonk by suggesting that the pin heads could be growths on the feet of the Zanti. Or maybe markings. Or they could even be jewelry pieces.

Welch responded:Toby, that would be a fun idea, unfortunately they "popped' on and off as the creature walked...and were visible only when the Zanti had his little feet on the surface of the animating table.

He had good eyes to spot it in the first place and may have been watching it in slow-mo in order to catch the details. But I'll stick with my idea of it being jewelry; that it's the only itlem worn by the Zantis.

Wednesday, October 1, 2014

With Shonda Rhimes' third series on ABC (Technically, she's only producing this one.), 'How To Get Away With Murder' returns to Earth Prime-Time to join 'Gray's Anatomy', after 'Scandal' took us to an alternate TV dimension with its President Grant.

The only proof of this so far is that one of the students in Professor Annalise Keating's class spent the summer workng for John Roberts, Chief Justice of the United States Supreme Court.

With the pilot episode, it felt more like Viola Davis as Keating was a supporting player to one of her new students, Wes Gibbons. But he was just being used as the audience's entry into this world of law school and the focus should be more on Ms. Davis with the second week.

The temptation was there to make the claim that Wes was actually a transfer from the Cineverse and that he actually was Dean Thomas, a former student of Hogwart's school of magic from the "Harry Potter" movies. But that would have been not only confusing, but too unsupported by anything more than the fact that Alfred Enoch plays both roles. At best, maybe I could have claimed that Wes Gibbons is Toobworld's Dean Thomas, but that he was given up for adoption after his wizard father was killed by Death-Eaters - hence, the name change.

However, I try to adhere to the rule of Occam's Razor and all of that would have been more complicated than this character needs. O'Bviously we're not going to see magic... in this show, at least.

Likewise, I can't claim Enoch is playing Grenadier Bainbridge seen in my favorite 'Sherlock' episode, "The Sign Of Three." It's still my shaky contention that 'Sherlock' takes place in Limbo and that we're seeing the adventures of Sherlock Holmes' soul (looking nothing like his corporeal form) as he mentors a new Doctor Watson through this world of the after-life. But to be both Bainbridge and Gibbons, Wes Gibbons would have to be already dead.

I know what I just said about complications. Shut up.

'How To Get Away With Murder' takes place in Philadelphia. If only 'Bodies Of Evidence' was still on the air (Stupid move, ABC!), the Alphabet Network could have had a November Sweeps crossover that might have benefitted both series.

The major contribution to the expansion of the main TV universe from this show will be Middleton University and its law school.

At the pep rally bonfire in the opening scenes, the school's football coach incites the students into a frenzy by citing how their team is going to beat the players from Ohio. Sure, this could be the televersion of a college from the real world, but where's the sport in that?

Unfortunately, the only pozz'bility I've found so far would be 'Blue Mountain State' but that's still nebulous as to where the school was actually located. No matter. The info will always be there, just waiting for an Ohio university to call its own.

Final take? I'll give it a few weeks to see if it can really hook me, but I doubt it....

Tuesday, September 30, 2014

Fallstead can only be found in Toobworld, and only in the anthology episode "Miller's Millions"*.

I've Googled the name and all that comes up are references to people with the last name of Fallstead. As a location it doesn't exist in the real world.

The state is never mentioned, so where might Fallstead be found on the map of TV America?

I'm leaning toward the Western Massachusetts area, free of that "pahk yer cah in Hahvahd Yahd" accent from the Bahstin area. "Fallstead, Massachusetts" just looks and sounds right.

But upstate New York and Connecticut would have worked as well. Pretty much any state in New England... just so long as the rail system led to the state penitentiary. (There's a reason why Henry Miller [Thomas Mitchell] has an overcoat draped over his left arm and why he's standing next to that rather stern-looking fellow.....)

BCnU!

* The episode aired on May 18, 1957 as that week's offering of 'The O. Henry Playhouse'. A few days later, May 22, it was shown again on 'The Ford Television Theatre'. I mentioned all of that in the previous post - as such it seemed appropriate "Miller's Millions" should get the "Two for Tuesday" treatment.....

You wouldn't see that sort of thing nowadays, where two shows shared the same episode just a few days apart. (And they were the same episode, with Thomas Mitchell and Otto Kruger starring.)

First off, the anthology series is a dinosaur, a relic of TV's first Golden Age when it was a haven for writers. And the sponsor held sway back then, even getting their names into the titles of the shows. I wouldn't be surprised if the Ford Motor Company was the major sponsor of 'The O. Henry Playhouse' as well.

This had no impact on Toobworld; the story only played out the one time in the timeline even if Earth Prime-Time has a rerun atmosphere. Just something that caught my eye while working up another post. That will be coming up soon as a Two for Tuesday feature....

A lot of shows that have made/will make their debut this year need to be shunted off to alternate TV dimensions in order to keep Earth Prime-Time as Zonk-free as pozz'ble: 'The Strain', 'Helix', 'Madam Secretary', 'The Leftovers'..... And 'Gotham' can be added to that list.

The Toobworld Dynamic is a visual universe instead of a conceptual one as is the case with the Wold Newton Universe. Portrayals of pulp fiction characters in that crossover universe can be blended together despite the changes in appearance for many of the characters because in the end, it is how you perceive them in your mind that matters. But for Toobworld, it has to be what is up there on the screen.

One of the rules for the Toobworld Dynamic - albeit not always enforced - is "First come, first served." And that means the 1966 'Batman' TV series, no matter how campy it may have been, is the official representation of the Caped Crusader in Earth Prime-Time.

As dark as this version of the Batman legend looks to be, I think Evil Toobworld might be a better fit for it than Pre-Toobworld. But 'Birds Of Prey', which takes place in the near future after that world's Batman has been eliminated from the scene, could also lay claim to that dimension. As it stands now, I think the most logical TV dimension for this show would be the most O'Bvious - Comic Book Toobworld, home of 'Lois & Clark', the new 'Flash' (as well as its connected episodes from 'Arrow'), and the ill-fated 'Wonder Woman' pilot from David E. Kelley.

Even if I could pick and choose which "Batman" version could be in the main Toobworld, I couldn't allow 'Gotham' to reside there. This show is retelling the legend of the Batman from its beginning in that darkened alleyway where Dr. and Mrs. Wayne were gunned down. And I don't think 'Gotham' will be on the air long enough to get to Bruce Wayne's adventures once he's grown up. (In the show, he's about twelve years old.)

That timeline could never jibe with the rest of Earth Prime-Time, where Batman has already been accepted in the consciousness of the general public, as mentioned in other TV shows like:

'Bewitched'

'Coronation Street'

'Law & Order: Criminal Intent'

'Seinfeld'

'Buffy The Vampire Slayer'

'Sabrina The Teenage Witch'

'Farscape'

'The X-Files'

among many others.....

And the populace of Earth Prime-Time knows about Batman because a TV show was made about it in that world as well, which was mentioned on such shows as:

'Saved By The Bell'

'Movies Stars'

'That 70s Show'

And it even starred Adam West as Batman, which we know from his appearance as a member of the League of Themselves on 'King Of Queens'!

None of that could happen if 'Gotham' took place in Toobworld. With the original 'Batman', we can find splainins for any mention of the Dynamic Duo, his enemies, Gotham City, or the Batcave.

Just An Old Cowhand On The TiVo Grande

As the Trickster once said, "Reality is boring, that's why I change it whenever I can."
I'm just "The Man Who Viewed Too Much", and "Inner Toob" is a blog exploring and celebrating the 'reality' of an alternate universe in which everything that ever happened on TV actually takes place.
Most of my theories about the TV Universe come from thinking inside the box and thus can't be proven. But I've never been one to shy away from a tall tale.....
Remember: "The more you watch, the more you've seen!"