James Delancey's pre-Revolutionary farm east of post road leading from the city (Bowery) survives in the names Delancey Street and Orchard Street. On the modern map of Manhattan, the Delancey farm[7] is represented in the grid of streets from Division Street north to Houston Street.[8] In response to the pressures of a growing city, Delancey began to survey streets in the southern part of the "West Farm"[9] in the 1760s. A spacious projected Delancey Square—intended to cover the area within today's Eldridge, Essex, Hester and Broome Streets—was eliminated when the loyalist Delancey family's property was confiscated after the American Revolution. The city Commissioners of Forfeiture eliminated the aristocratic planned square for a grid, effacing Delancey's vision of a New York laid out like the West End of London, and established the resolutely democratic nature of the neighborhood forever.

Corlears Hook is "Crown Point" in this British map of 1776; "Delaney's [sic] New Square" was never built

This point of land on the East River was also called Corlaers Hook under Dutch and British rule, and briefly Crown Point during British occupation in the Revolution. It was named after the schoolmaster Jacobus van Corlaer, who settled on this "plantation" that in 1638 was called by a Europeanized version of its Lenape name, Nechtans[10] or Nechtanc.[11] Corlaer sold the plantation to Wilhelmus Hendrickse Beekman (1623–1707), founder of the Beekman family of New York; his son Gerardus Beekman was christened at the plantation, on August 17, 1653.

The projection into the East River that retained Corlaer's name was an important landmark for navigators for 300 years. On older maps and documents it is usually spelled Corlaers Hook, but since the early 19th century the spelling has been anglicized to Corlears. The rough unplanned settlement that developed at Corlaer's Hook under the British occupation of New York during the Revolution was separated from the densely populated city by rough hills of glacial till: "this region lay beyond the city proper, from which it was separated by high, uncultivated, and rough hills", observers recalled in 1843.[12]

As early as 1816, Corlears Hook was notorious for streetwalkers, "a resort for the lewd and abandoned of both sexes", and in 1821 its "streets abounding every night with preconcerted groups of thieves and prostitutes" were noted by the "Christian Herald".[13] In the course of the 19th century they came to be called hookers.[14] In the summer of cholera in New York, 1832, a two-storey wooden workshop was commandeered to serve as a makeshift cholera hospital; between July 18 and September 15 when the hospital was closed, as the cholera wound down, 281 patients were admitted, both black and white, of whom 93 died.[15]

The original location of Corlears Hook is now obscured by shoreline landfill.[16] It was near the east end of the present pedestrian bridge over the FDR Drive near Cherry Street. The name is preserved in Corlears Hook Park at the intersection of Jackson and Cherry Streets along the East River Drive.[17]

The East Village was once considered the Lower East Side's northwest corner. However, in the 1960s, the demographics of the area above Houston Street began to change, as hipsters, musicians, and artists moved in. Newcomers and real estate brokers popularized the East Village name, and the term was adopted by the popular media by the mid-1960s. As the East Village developed a culture separate from the rest of the Lower East Side, the two areas came to be seen as two separate neighborhoods rather than the former being part of the latter.[18][19]

In the early 2000s, the gentrification of the East Village spread to the Lower East Side, making it one of the trendiest neighborhoods in Manhattan. Orchard Street, despite its "Bargain District" moniker, is now lined with upscale boutiques. Similarly, trendy restaurants, including Clinton St. Baking Company & Restaurant, wd~50, Cube 63, and Falai are found on a stretch of tree-lined Clinton Street that New York Magazine described as the "hippest restaurant row" in the Lower East Side.[20][21]

In November 2007, the Blue Condominium, a 32-unit, 16 story luxury condominium tower was completed at 105 Norfolk Street just north of Delancey Street, the pixellated, faceted blue design of which starkly contrasts with the surrounding neighborhood. Following the construction of the Hotel on Rivington one block away, several luxury condominiums around Houston, and the New Museum on Bowery, this new wave of construction is another sign that the gentrification cycle is entering a high-luxury phase similar to in SoHo and Nolita in the previous decade.

More recently, the gentrification that was previously confined to north of Delancey Street continued south. Several restaurants, bars, and galleries opened below Delancey Street after 2005, especially around the intersection of Broome and Orchard Streets. The neighborhood's second boutique hotel, Blue Moon Hotel, opened on Orchard Street just south of Delancey Street in early 2006. However, unlike The Hotel on Rivington, the Blue Moon used an existing tenement building, and its exterior is almost identical to neighboring buildings. In September 2013, it was announced that the Essex Crossing redevelopment project was to be built in the area, centered around the intersection of Essex and Delancey Streets, but mostly utilizing land south of Delancey Street.[22]

One of the oldest neighborhoods of the city, the Lower East Side has long been a lower-class worker neighborhood and often a poor and ethnically diverse section of New York. As well as Irish, Italians, Poles, Ukrainians, and other ethnic groups, it once had a sizeable German population and was known as Little Germany (Kleindeutschland). Today it is a predominantly Puerto Rican and Dominican community, and in the process of gentrification (as documented by the portraits of its residents in the Clinton+Rivington chapter of The Corners Project.)[23]

The Lower East Side is perhaps best known as having once been a center of Jewish culture. In her 2000 book Lower East Side memories: A Jewish place in America, Hasia Diner explains that the Lower East Side is especially remembered as a place of Jewish beginnings in contemporary, impoverished Ashkenazi American Jewish culture.[24] Vestiges of the area's Jewish heritage exist in shops on Hester Street and Essex Street, and on Grand Street near Allen. There is still an Orthodox Jewish community with yeshiva day schools and a mikvah. A few Judaica shops can be found along Essex Street and a few Jewish scribes and variety stores. Some kosher delis and bakeries as well as a few "kosher style" delis, including the famous Katz's Deli, are located in the neighborhood. Downtown Second Avenue on the Lower East Side was the home to many Yiddish theatre productions in the Yiddish Theater District during the early part of the 20th century, and Second Avenue came to be known as 'Yiddish Broadway', though most of the theaters are gone. Songwriter Irving Berlin, actor John Garfield, and singer Eddie Cantor grew up here. More recently, it has been settled by immigrants, primarily from Latin America.

In what is now the East Village, the earlier population of Poles and Ukrainians has been largely supplanted with newer immigrants, and the arrival of large numbers of Japanese people over the last fifteen years or so has led to the proliferation of Japanese restaurants and specialty food markets. There is also a notable population of Bangladeshis and other immigrants from Muslim countries, many of whom are congregants of the small Madina Masjid (Mosque), located on First Avenue and 11th Street.

Incoming Chinese people have also made their mark on the Lower East Side in recent decades. The part of the neighborhood south of Delancey Street and west of Allen Street has in large measure become part of Chinatown, and Grand Street is one of the major business and shopping streets of Chinatown. Also contained within the neighborhood are strips of lighting and restaurant supply shops on the Bowery.

While the Lower East Side has seen a series of immigrant communities pass through, American Jews relate to the neighborhood in a particularly strong manner, much as Chinatown in San Francisco holds a special place in the imagination of Chinese Americans, and Astoria in the hearts of Greek Americans. In the late twentieth century, the strong pull of the Lower East Side on the imagination of American Jews led to the preservation of a number of buildings associated with the Jewish immigrant community.[28][29][30]

The neighborhood has become home to numerous contemporary art galleries. One of the very first was ABC No Rio.[31] Begun by a group of Colabno wave artists (some living on Ludlow Street), ABC No Rio opened an outsider gallery space that invited community participation and encouraged the widespread production of art. Taking an activist approach to art that grew out of The Real Estate Show (the take over of an abandoned building by artists to open an outsider gallery only to have it chained closed by the police) ABC No Rio kept its sense of activism, community, and outsiderness. The product of this open, expansive approach to art was a space for creating new works that did not have links to the art market place and that were able to explore new artistic possibilities.

Other outsider galleries sprung up throughout the Lower East Side and East Village—some 200 at the height of the scene in the 1980s, including the 124 Ridge Street Gallery among others. In December 2007, the New Museum relocated to a brand-new, critically acclaimed building on Bowery at Prince. A growing number of galleries are opening in the Bowery neighborhood to be in close proximity to the museum. The Museum of Reclaimed Urban Space, which opened in 2012, exhibits photography featuring the neighborhood in addition to chronicling its history of activism.

As the neighborhood gentrified and has become safer at night, it has become a popular late night destination. Orchard, Ludlow and Essex between Rivington Street and Stanton Street have become especially packed at night, and the resulting noise is a cause of tension between bar owners and longtime residents.[32][33] However, as gentrification continues, many established landmarks and venues have been lost.[34]

There are multiple bike lanes in the area. Bike lanes are present on Allen, Chrystie, Clinton, Delancey, Grand, Houston, Montgomery, Madison, Rivington, Stanton, and Suffolk Streets; Bowery, East Broadway, and FDR Drive; the Williamsburg and Manhattan bridges; and the East River Greenway.[41]

^The division between the "West Farm" and the "East farm" ran approximately along today's Clinton Street, according to Eric Homberger, The Historical Atlas of New York City: a visual celebration of nearly 400 years 2005:60–61.

^Edward Van Winkle, Joan Vinckeboons, Kiliaen van Rensselaer, Manhattan, 1624–1639 1916:13; Jacob, whose name was anglicised as "van Curler", leased it to William Hendriesen and Gysbert Cornelisson in September 1640; date given as "prior to 1640": "Corlears Park". Nycgovparks.org. November 17, 2001. Retrieved March 16, 2010.

^Nechtanc, in K. Scott and K. Stryker-Rodda, eds. New York Historical Manuscripts: Dutch, vol. 1 (Baltimore) 1974 and R.S. Grumet, Native American Place-Names in New York City (New York) 1981, both noted in Eric W. Sanderson, Mannahatta: A Natural History of New York City 2009:262.

^Bartlett's Dictionary of Americanisms (1859): "hooker": 'A resident of the Hook, i.e. a strumpet, a sailor's trull. So called from the number of houses of ill-fame frequented by sailors at the Hook (i.e. Corlears Hook) in the city of New York" (quoted in the Online Etymology Dictionary); thus the usage precedes the Civil War and any supposed connection to Maj.-Gen. Joseph Hooker.