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Homicidal Homos Put Hurt on Hollywood

So when's the last time you've seen a candy-colored gay slasher flick, complete with a snappy homo-esque dialogue? HellBent is the very first gay slasher film, and it goes out of its way to let you know.

More by Chris Braiotta

Some might argue that the normality of the film is revolution, in showing gay men capable of living lives every bit as unremarkable as anything described by Nora Ephron -- as for me, I'm not impressed by crappy old wine in a new gay bottle.

There's no question that heavy-duty Acting is underway, but Malkovich's instructions from his director seem to be the dramatic equivalent of saying, "Take it away, Yngwie" -- there's some pretty impressive fingerwork, but it doesn't really amount to much.

Hil and J.Pat were two of the folks who packed into an advanced screening of the second to last Harry Potter flick (along with the Emerson Quidditch Team. Sick uniforms, guys.) Here's their review of the first part of Harry Potter and the Deathly Hallows.

Julius Shulman was the world's greatest architecture photographer (he died shortly after the film's release). During his long career, he captured the iconic buildings of Frank Lloyd Wright and Richard Neutra with his eye for the emblematic.

The acclaimed rags-to-slightly-better-rags (but still not rich) documentary Anvil! The Story of Anvil brought a notoriety the Canadian band failed to achieve in 30 years. But chatting with us from his Toronto home, Steve "Lips" Kudlow made it clear that what you see is what you get.