Tag Archives: Trace Adkins

If it was not for Jerrod Niemann’s swift rise to fame, and his very infectious “Lover, Lover,” I might never have heard of Sonia Dada. Neimann remade the group’s 1992 hit, “You Don’t Treat Me No Good,” into “Lover, Lover.” And if it was not for Kenny Chesney’s “Down the Road,” I might not have taken it upon myself to fall in love with Mac McAnally’s music, as he sings the thoughts of a hesitant father on that tune. And really, I might not have paid enough attention to Kelly Clarkson until she andReba McEntire came together for that unforgettable collaboration on Clarkson’s “Because of You.”

When two like-minded artists get together on a song (like, say, Kellie Pickler andTaylor Swift on “The Best Days of Your Life,” or Trace Adkins and Blake Shelton on”Hillbilly Bone”), it makes perfect sense. But when they branch out a little (Taylor Swift and John Mayer on “Half of My Heart,” for example), it always takes me by surprise. And I usually love the results. It’s often the same with remakes of songs I’d never heard of. When Miranda Lambert put Gillian Welch’s “Dry Town” on her Crazy Ex-Girlfriend album, I immediately looked into more of the Americana singer-songwriter’s music.

There are days, though, when I like the cover song and the cover song only, like when Dierks Bentley put the 26-year-old “Pride (In the Name of Love)” on his new album, Up on the Ridge. I already knew the U2 song. Who doesn’t? But I never really paid much attention to it. Never even liked it. Now that Bentley’s singing it, with Del McCoury on vocals, I dig what they’ve done with it.

Some days I am exhausted just looking at the tall, tall stack of CDs on my desk. There is just so much music. But then on other days, like today when I have time to sit and think, I’m so glad that I can stop putting music into neat little boxes. It’s better to have an open mind and let the music come to you.

When you think Wall Street Journal, you may not think Taylor Swift. But the bottom line is, reporters are people, too. And some of those reporters are people who have little kids and can’t help notice how much Swift’s music had embedded itself into every inch of pop culture. So this reporter took it upon himself to analyze the lyrics to Swift’s new song “Mine,” saying it’s “dotted with seemingly drawn-from-life details” and that “there’s a strong sense of almost-instant nostalgia.” And when he reflects on Swift’s power over very young kids like his own, he says that young listeners are “nostalgic in reverse.” I have to agree that reverse nostalgia works with so many country songs. I haven’t sent any kids off to college yet, but Trace Adkins’ “Then They Do” hit me hard anyway. And I may not know what it feels like to be married for 58 years, but when I get there, I’m sure I’ll be singing Lee Brice’s “Love Like Crazy.”