Literature and Politics from a microcosm called Delaware. Here all the multifaceted players across the great capitalist contradiction are reduced to a few actors: a handful of banking and chemical oligarchs squatting in châteaux, a stable of artists downwind who either take inspiration for amnesia and roses or take a stand, challenging the living to repair a polluted world.

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Just out with new preface, 2nd Edition of Autoplant: A Poetic Monologue

"writes with authority and insight into the factory world. He brings his lively cast of characters to life, puts us there with them on the job. The book is funny, irreverent, and touching." Jim Daniels

Untime, by Steven Leech

"Through the parallel universes unveiled in UNTIME, the reader begins to clearly see the world they live in for the first time." -Lynnette Shelley, Brandywine Valley Weekly

The Mother Earth Inn

Neocons and neoliberals party on while Andean Indigenous evolve toward revolution in a country a lot like Ecuador

Pinhead #5

In the The Wedgehorn Manifesto, Steven Leech advocates preserving the legacy of Delaware literature, especially that which was produced by Wilmington authors. It exposes the flaws in today’s environment and suggests remedies for a cultural revival.

Sunday, October 19, 2014

Introducing The Delaware Rock and Roll Hall of Fame

Not as severely marginalized as the history of local literary artists, but perhaps better known than our jazz and visual artists, are our rock and roll, blues, and rhythm & blues artists from the past. In order to remember and preserve their contribution to our current cultural environment, a Delaware Rock and Roll Hall of Fame has been established. www.delawarerockandrollhalloffame.com

Rock n’ roll fever caught on in the Wilmington area at a time when it caught on in the rest of the United States. Nationally, much of the new music was proliferated by a plethora of independent music labels, like Sun Records where Elvis got his start, Specialty which recorded Little Richard, and Chess which recorded Chuck Berry. According to local rock n’ roll record collector Michael Ace, in Wilmington at least two new labels were founded. One was ABS Records, which recorded a couple 45 rpm’s that are highly valued by collectors today. One of those was “Little Boy Bop” by Ralph Prescott, and “Miss Mary” by Bobby Lee. Another local independent label was Dandy, which a little later in the 50s recorded a couple of Buddy Holly cover tunes by Pat Patterson, who later went on to be a popular disc jockey on Wilmington radio station WAMS. Another local label, Ritchie, was founded in 1959 by Vinnie Rago. It’s earliest recording was with a band called Frankie and the C-Notes. Ritchie Records would have a number of close calls and near misses with national notoriety in the 1960s.

Only one recording artist from Delaware had a nationally charted hit in the 1950s, and that was Billy Graves with a tune called “The Shag (is Totally Cool).” It was a hit in early 1959 on the Monument label. Other than having once appeared on Jimmy Dean’s television show, Billy Graves’ whereabouts is unknown.

Wilmington teenage fans also contributed to rock n’ roll history. The new music’s first group dance, the Stroll, was invented in Wilmington by the kids who danced on local radio and television personality Mitch Thomas’s Saturday afternoon dance show on WVUE channel 12.

The Stroll was first danced to Bill Doggett’s “Honky Tonk.” Later Chuck Willis’ “C. C. Rider” provided the music. After the kids on American Bandstand started doing the Stroll on national television, the Diamonds had a big hit with the song, “The Stroll,” and Dick Clark did the right thing by publicly crediting the kids on Mitch Thomas’ dance show in Wilmington for coming up with the dance.

Another local connection to American Bandstand was Bob Clayton, then a student at P.S. duPont High School. Every day, right after classes, he’d hop in his car and high tail it to Philadelphia to dance with regular Justine Carrelli. The couple were a big hit with national fans, got write-ups in national teen magazines, and even had a national fan club. But when Bob & Justine recorded their own record in the late 50s, “Drive In Movie,” they got kicked off Bandstand. Except for some spins on local radio, the record failed and both eventually left to lead separate lives.

By the 1960s local rock n’ roll enthusiasts were building a little momentum, thanks largely to success from Vinnie Rago’s Ritchie label and its companion, Universal. Ritchie mainly accommodated the doo wop side of the rock n’ roll sub-genre, while Universal recorded flat-out rock n’ roll or rockabilly, like the Recorders’ “Rock Around the Rosie”, which was written by Rago. Another Universal recordings was “Office Girl” by Ronnie Worth, whose day job was as an accountant in Wilmington. Andy & the Gigolos recorded a song for a new dance called “The Bug” on Ritchie. Rago’s greatest success was with a doo wop group called Teddy and the Continentals, who had a national hit –– on the Bubbling Under chart –– with “Ev’rybody Pony,” which hit #101 in September 1961, but the flip side “Tick Tick Tock” is the side most aficionados prefer.

Teddy & the Continentals.Teddy Henry on lower right.

Teddy Henry, the lead singer of the Continentals was a student at Conrad High School at the time, and recorded two more records with the Continentals, but by 1964 the Continentals broke up and he recorded a final solo record on Ritchie in 1965 as Teddy Continental. Like a number of other local recording artists to follow, his records are still valued by collectors and have garnered cult status in unlikely places.

Another near national success was a band called the Adapters with lead singer and songwriter Ed Sterling. In 1965 they recorded a tune on the Ritchie label, “Believe Me,” which charted high on the local WAMS list of hits. The Adapters achieved some national fame. According to local rock n’ roll historian Hangnail Phillips in the recent book, Histories of Newark, 1758 - 2008, the Adapters toured the east coast concert circuit with such known acts as Mitch Ryder & the Detroit Wheels, Gary Lewis & the Playboys, Freddie & the Dreamers and the Soul Survivors. Also, according to the same Hangnail Phillips article, another local band flirted with national notoriety. The band was the Fabulous Pharaohs and they got good enough to make a national appearance on the Pat Boone Show.

The Adaptors

Two other local record producers in Wilmington were Effers Bethea and James Chavis. Bethea's greatest success was the Dynamic Concepts, which was a combination of two previous local groups; the instrumental group, The Dynamics, with the vocal group, The Concepts. Their biggest hit was "The Funky Chicken." Bethea also produced a local label called Hip City. One of the groups that recorded on Hip City was the Overtones with their tune "The Gleam in Your Eye."

Lesser known was the Chavis label. Many of their recordings tended to be gospel tinged, but The Spidels had a popular recording with "Like A Bee."

As far as we know, none of these local record companies had local offices or studios. Early recordings were made at 20th Century Records or Virtue Recording in Philadelphia. Later on, many recordings, particularly those produced by Effers Bethea, were made at Ken Del Studios at 5th & Shipley Streets in Wilmington.

The Dynamic Concepts

A number of local recording artists who made a national name for themselves in the 1970s and beyond, actually learned their chops in the 1960s. One whose beginnings actually go back to the late 1950s was “Papa” Dee Allen. Papa Dee was originally a member of local jazz great Lem Winchester’s Modernists. After Winchester died prematurely in 1961, the Modernist tried to continue, but without their stellar front man they soon fell apart. Papa Dee continued for a while performing at Wilmington’s early 60s folk music clubs playing bongos and other assorted percussion instruments, but when that proved fruitless he gravitated to the west coast and joined the rock fusion band WAR. He remained with them and was the percussionist on all their recordings including the ones with ex-Animals singer Eric Burdon.A major local contribution to national rock history in the mid to late 1970s came from a number of youngsters who attended local high schools in the late 60s. One was Richard Meyers, who went to Sanford Academy, another was Tom Miller who attended McKean High School and a third was Billy Ficca who went to A.I. duPont. As Richard Hell, Tom Verlaine, they and Billy Ficca took off to New York City and became pioneers in the New York punk rock music scene. Performing at CBGBs in lower Manhattan with bands like the Ramones, Blondie and artists like Iggy Pop and Patti Smith, their band Television helped forged a new genre of American rock n’ roll music. Other punk bands with which the three would perform were the Neon Boys and the Voidoids. Richard Hell also appeared in motion pictures, most notably Desperately Seeking Susan, which stared Madonna.

The biggest success story for a local rock musician is George Thorogood. Thorogood attended Brandywine High School and began his career locally doing gigs at local night spots. For a while, in the mid 1970s he performed at a regular New Year’s Eve bash at Newark’s Deer Park Tavern. In 1978 he signed with Rounder Records, which produced his first hit album, Move It On Over in 1978, and in late 1979 MCA Records released an album of songs Thorogood recorded in 1974 entitled Better Than The Rest. In 1982 he recorded Bad To The Bone on EMI America vinyl. Super Stardom was next!

The Delaware Rock and Roll Hall of Fame website is only a beginning. New pages will continue to be added as new material is uncovered. It is our firm hope that, while the Hall exists in virtual space, it will make the leap into actual space; in a place where people can visit and experience first hand the music that was the soundtrack of our lives.

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Broken Turtle Booklist is a catalogue of Delaware regional authors, local publishers, and literary communities operating in Delaware. The Booklist includes audio and video recordings of Delaware authors, as well as their major works. It provides easy links to Amazon, Paypal, or publishers for folks who want to buy. Each month, we will feature a selected work by a Delaware author.

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What others have been saying about The Wedgehorn Manifesto:

Leech's writer's voice is from the heart, carrying lots of knowledge without pretension. He has a poets's feel for the way words work, and a jounalist's sense of the significant. Wedgehorn Manifesto marks, I hope, a turning point in the effort to preserve from destruciton the habitat in our collective memory of the many talented story tellers, poets, picture makers, and musicians who helped make life bearable for innumerable ordinary folk, and in fact made possible the fine cuture of the luckier few.

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Dreamstreets showcased progressive artists, photographers, and writers of the Delaware Valley from 1977 to 2006. A beautiful record of the most vital—if often marginalized—cultural productions of an era. Features two centuries of Delaware's literary heritage. Now includes audio and video files.