The book's third chapter is called Diluted Magnificence and it focuses on the thirteenth-century monarchy, including the birth of Parliament, the conquest of Wales and the Scottish Wars of Independence. The chapter covers the reigns of three generations of kings between 1199 and 1307 - John, Henry III, and Edward I. This section discusses Edward I's feud with Prince Llywelyn of Wales, which ultimately resulted in an end to the principality's independence.

The
resurgence of so-called ‘Celtic nationalism’ in the twentieth century and the
inescapable romance of a lost cause saw Llywelyn ap Gruffudd cast as the heroic
leader of a lost golden age, but this Gone
with the Wind-esque rehabilitation of Llywelyn has more to do with Edward’s
vices than Llywelyn’s virtues. By the time Edward I came to the throne in 1272,
Llywelyn’s rule in Wales was detested. His military skills and long run of good
luck when it came to the internecine incompetence of the neighbouring
government in England meant that he was begrudgingly respected, but his
attempts to modernise the Welsh economy and his bullying demands for money from
his subjects did not make him popular. Wales was, and is, one of the most
beautiful countries in the world. However, Llywelyn was sufficiently astute to
realise that its stunning hills and mountains made agriculture difficult – in a
moment of admirable honesty from any country’s leader, he compared the ‘fertile
and abundant land’ of Edward’s kingdom with the ‘barren and uncultivated land’
of Wales. This agricultural shortfall meant that the entire principality relied
on a few pockets of arable land for its subsistence, namely the island of
Anglesey. The economy and trade networks, drastically underdeveloped in
comparison to England’s, were the focus of much of Llywelyn’s reforming zeal,
and an indicator of the disparity between the two countries can be gauged by
comparing the revenue generated by customs for Llywelyn, estimated at about £17
per annum, against roughly £10,000 for the King of England. The assessment of
one modern historian, that despite its internal difficulties England remained ‘a
thirteenth-century superpower’, particularly in relation to its neighbours, is
fair.

In the
centuries after the Norman conquest, English domination over Wales had
increased greatly. Nowhere was this more obvious than with the Marcher Lords,
English aristocrats who held sway in the disputed borderlands between the two
countries. Llywelyn quarrelled with them often and it was their most recent
spat that provided him with the excuse he needed to decline his invitation to
Edward’s coronation. He must have been desperate to find a reason, because had
he gone Edward would almost certainly have kept him there until he could bully
him into undoing the Treaty of Montgomery.

Tensions
boiled over when Llywelyn’s devious and stupid youngest brother, Dafydd, fled
to England after a family quarrel. Edward granted him sanctuary, much to
Llywelyn’s anger since it violated the spirit, if not the letter, of previous
Anglo-Welsh agreements about political refugees from the two countries. When
Edward reiterated his demand for Llywelyn to perform homage before him for his
power in Wales, Llywelyn refused. Relations took a further tumble when Edward’s
navy intercepted a ship just off the Isles of Scilly carrying Simon de Montfort’s
daughter back from exile in France. Llywelyn had proposed marriage to her and
she was travelling to Wales to accept. The captured de Montfort girl was taken
to Windsor where she was kept in close, if comfortable, confinement for the
next three years and Edward informed the Marcher Lords that their antagonism
towards Llywelyn would no longer be checked by the English government.
Realising, too late, what he had done or perhaps simply accepting that he had
been caught, Llywelyn tried desperately to convince the world that he wanted
peace. Letters to the Pope and Robert Kilwardby, the Archbishop of Canterbury,
attest to Llywelyn’s apparently genuine wishes to avoid conflict with his
powerful neighbour. His epistles to Edward cried for peace, but only on
condition of partial homage – Llywelyn still had terms and conditions and Edward
would not accept them. He did not negotiate, he commanded.

Wednesday, 2 December 2015

I am delighted to welcome Claire Ridgway to the blog as part of her tour for her new book, Tudor Places of Great Britain. Claire Ridgway is the author of the best-selling books George Boleyn: Tudor Poet, Courtier and Diplomat (co-written with Clare
Cherry); On This Day in Tudor History; The Fall of Anne Boleyn: A Countdown; Sweating Sickness: In a Nutshell and both instalments in The Anne Boleyn Collection.Claire was also involved in
the English translation and editing of Edmond Bapst's 19th century French
biography of George Boleyn and Henry Howard, now available as Two Gentleman Poets at the Court of Henry VIII.

Claire worked in education and freelance writing before
creating The Anne Boleyn Files history website and becoming a full-time history
researcher, blogger and author. The Anne Boleyn Files is known for its
historical accuracy and Claire's mission to get to the truth behind Anne
Boleyn's story. Her writing is easy-to-read and conversational, and readers
often comment on how reading Claire's books is like having a coffee with her
and chatting about history. Claire is also the founder of The Tudor Society.

Tuesday, 1 December 2015

The December edition of Tudor Life magazine, for members of the Tudor Society, is out. Sadly, the Australian actor Keith Michell, famous for his three on-screen performance as Henry VIII, passed away less than two weeks ago, which makes Roland Hui's article on Michell's work in Henry VIII and his Six Wives (1972) all the more poignant. Along with articles on piracy in Tudor England, the theory of the "little Ice Age", a review of a new study of Mary I, short stories, profiles of houses belonging to Anne of Cleves, banquets and carols, the magazine was also thrilled to host a wonderful piece of satire from Professor Susan Bordo, author of The Creation of Anne Boleyn. I am so pleased to post the excerpt from She, Anne, which formed the banner piece for this month's edition. The story is dedicated by the author to author Sue Grafton and Oscar-nominated actress, Genevieve Bujold.

Author’s note: In July 2015,
Sue Grafton, author of the Kinsey Millhone mysteries, was interviewed in The New York Times. When asked about her favorite reading, she
replied that she “has trouble passing up books about Anne Boleyn. I keep
hoping for a different ending. So far, no luck.’ (New York Times, July 16,
2015, “By the Book”)

She, Anne, sits musing about preparations
for the execution they say is to come in the morning. She is troubled at the prospect that her bit
of an extra fingernail, which has been gestating like a deformed fetus in the imaginations
of her enemies, growing larger and more disfiguring each day, would be exposed
for all as she spread her arms for the executioner’s well-timed blow. She ponders which highly fashionable French execution
robe would cover it most effectively.
“Looking good is the best revenge,” she cackled to herself (cackling
being a human sound especially beloved by witches,) revealing as she did so
small, feral teeth that she longed to put to best use by piercing the robust
neck of her husband’s chief counselor TC. Then she sighed, remembering that her days as
a living body were soon to be over. She
can already feel her fictional self ascending, her teeth becoming sharper, her
hair blacker, her motives meaner. There
were compensations, of course. She was pleased to note that her sallow skin and
moles would disappear and she would grow more beautiful over the coming
centuries. Eventually, perhaps, even the
sixth finger would disappear.

Interrupting
her musings, a visitor to her Tower rooms! Was it her jailer, Mr. Kingston, come to blather
some more about the skill of her executioner? (French—of course he was skilled!
Kingston himself--an idiot who doesn’t know a joke when he hears it.) Was it
Cranmer, come to make her an offer of life in a convent should she agree to
renounce her daughter Elizabeth’s claim to the throne? Cranmer was a dear man,
but didn’t he know she, Anne, was a goggle-eyed whore who would as soon chop
her own head off with a dull English hatchet as spend the rest of her life
without a man to suck on her slender toes? Is it Elizabeth, come to pose for a painting
of a tearful parting from her martyred mother? Is it her sister Mary, that simpering
do-gooder (then again, might she be gulled into asking Henry to pardon her)? Perhaps
it is TC himself, and they can together converse about the 21st
century alchemy that would transform him, Cromwell (She never calls him
“Cremuel”; sometimes “Crumb” but never “Cremuel”), from unscrupulous factotum to
a warm and dryly witty man for all seasons?
(Or was that TM? It is so
difficult to keep the Thomas’s straight as they mutate, along with Anne
herself, over the centuries!)

No. The visitor is the beloved husband himself,
come to make the offer of life “for old times’ sake.” He wants to marry again,
they all know that. But he is a fool if
he thinks her daughter’s rights can be bought that cheaply. And—ah! —He also
wants to know if the charges are true.
Has she, Anne, really been unfaithful to him? Henry appears bleary-eyed,
as though he has been on a bender; he is speaking oddly, bellowing with eyes
raised to heaven, much like a preacher or a travelling actor from the north,
come to court to tell tales of Arthur and Guinevere. Anne, recalling those
tales, is tempted to make an argument with herself: Guinevere was queen,
Guinevere was condemned, Guinevere was saved.
Perhaps she, too….?

No.
She, Anne, is not fooled by the poetic, impassioned performance of her
husband (who also seems to have lost a bit of weight since her arrest.) She
knows that future re-tellings will often make her look about anxiously as she
walks to the scaffold, hoping for the savior/messenger, but she does not expect
her husband to issue a last-minute pardon. She knows too that the future will often make
her colder, meaner, and more grasping than she is, but rarely will it fathom
her intelligence. She has “wit,” they always
say. But she, Anne, this Anne, has more
than wit, and she knows how to conjure a real curse. “Take it to your grave,” she tells him, excited
and flushed by the perfect extravagance of her lie, “I was unfaithful to you
with half your court.” Henry, who cannot bear to feel his mind waver—it isn’t
Kingly or manly—does not now know what to believe. Impotent with rage, he slaps her. She hardly cares about the sting of the slap;
she faces far worse in the morrow. Actually, it is quite a delectable moment,
even more soul satisfying than when, barely a breath later really, in eternal
time, she will see that snake TC with his head finally off his shoulders. As for Henry, she cannot resist a final
thrust, knowing it will stir the souls of later generations, with a persuasion
beyond mere fact. “But Elizabeth is yours! And will rule an England far greater
than any you could have built!” Henry’s expression is worth the coming blood on
the scaffold.

She, Anne, wishes she could do better
than this for Sue Grafton. Alas, there
are some things—very few—that biographers and novelists cannot tinker with. Whore, martyr, sister from hell, exploited
innocent, ambitious predator, sexual temptress, religious reformer, rebel girl—she,
Anne, can see her many strange future selves displayed before her, as she
awaits the hour of her execution.
Fingers, moles, skin, swellings, teeth, nipples—up for grabs. The head,
however, must come off. She, Anne, is as
sorry about this as you are. But think on this, as you count the books on your
shelf: Who, of all Henry’s wives, has
lived the longest? Ha!

Professor Bordo holds the Otis
A. Singletary Chair in the Humanities at the University of Kentucky and she is the
author of many well-known books and articles, most recently The Creation of
Anne Boleyn: A New Look at England’s Most Notorious Queen, available both
in U.S. and U.K. editions.

About Me

Gareth Russell is the author of four works of non-fiction, including the critically-acclaimed biography of Queen Catherine Howard, "Young and Damned and Fair", and two novels set in his native Belfast.