Posts tagged ‘David Cohen’

I don’t know if anyone has ever created an animated cover for a book before, but we may be doing something original and unique in our launch for the hardback version of my book The 7th Python.

We – editor David Cohen, publicist Nigel Passingham , webmaster Richard Cobelli , social media maven Patrice Stephens, and writer/publisher yours truly – have been preparing a campaign to launch The 7th Python on an unsuspecting world. The centrepieces of the campaign are two animated videos of the book’s (cartoon) cover, which we plan to send to influencers and web sites in the English-speaking world with the aim of making our cover (via the animations) go viral.

The cover itself (soon to be revealed) was created by cartoonist Owen Williams. We asked Patrice Stephens how best to saturate the web with our attractive, colourful and funny cover, and she suggested putting it on all the social media sites such as Facebook, Instagram, Twitter and so on. She thought that the striking image would attract attention. Nigel Passingham then suggested that if the image caught peoples’ attention for a couple of seconds, wouldn’t an animated version keep them viewing for longer. Patrice agreed and said that we would need two versions- a 15 second version for twitter and Instagram, and a longer version for other media.

We were lucky to find a young and talented animator in Ruth Barrett, who created the two animations for us – one 15 seconds and the other 54. Composer Helene Muddiman (Ice Age 4) arranged Sousa’s Liberty Bell March (Monty Python’s theme tune) into a jokey music score (inspired by comic Les Dawson’s piano routines), and we were ready to roll.

The challenge – not quite the 12 travails of Hercules – is to see how many people the video can reach who would then blog, busk and bitch about the book.

Writer-director David Cohen and I (with the massive help of Richard Cobelli) have just launched an Indiegogo page to help fund The Escape Of Sigmund Freud. We uploaded two videos- the first a pitch video in which David and I sat in his conservatory and talked about the film and how much we wanted to raise (£ 300,000 out of a million pound budget), and the second a short teaser trailer in which actor John Kay Steel plays Anton Sauerwald, the Nazi who was meant to make Freud’s life hell, and instead helped him to escape Vienna.

It’s a remarkable true story, and we feel very good about it. We have a solid script and the excellent David Suchet to play Freud. We hope to cast other fine British actors (and one German to play Sauerwald). Shooting will take place in London, Poland and Vienna in the early part of 2015.

I believe that the film has the potential to be a very powerful story about the Shoah (the holocaust). It’s an unusual story in that the ‘good Nazi’ who helped the Freuds was in fact a dedicated follower of Hitler. He was not putting on his belief in the Nazi regime and the Fuhrer, but believed deeply in the Nazi ideology, This is what makes the story so fascinating. Why did this deep-dyed Nazi go out of his way (and in fact risk his career and life) to help the Freuds? He couldn’t explain his actions, and what is even more telling, Freud himself had no idea why he did it. This is the mystery at the heart of the film.

A strange friendship grew up between these two unlikely buddies. What always astounds me is the fact that Sauerwald made a trip to London in 1939, just before the war broke out, to see how Freud was settling in, and to check that all the art works he had helped pack and ship actually arrived in good condition. On this occasion Freud was recovering from an operation for cancer of the jaw (an illness he had for many years) and he asked Sauerwald if he would drive Freud’s Viennese surgeon to London to do a remedial operation. And he did.

Please take a few moments to visit the Indiegogo site, and if you would like to see this film come into existence, then make a contribution – big or small – and help us to get it made. Whether you contribute or not, could you take 5 minutes and share the information with anyone who you think would find it of interest.

I’m preparing a new film which tells the story of how the world-famous creator of psychoanalysis managed to leave Nazi-occupied Vienna protected and helped by the Nazi who was meant to make his life a misery. Anton Sauerwald ignored Berlin’s orders and gave Freud and his family assistance, much to their relief and amazement.

This is a true story based on a book by David Cohen (The Escape Of Sigmund Freud) published in the UK, US, Japan, Brazil and other countries.

Freud managed to leave Vienna with sixteen members of his family, and his overseer, Sauerwald, arranged to sell some of Freud’s art collection to pay for the extortionate exit visas. He then sent Freud’s possessions to England by lorry, and later visited him in London (1938). On that visit Freud asked Sauerwald if he could drive his Viennese surgeon to London to operate on Freud’s cancer of the jaw. But the most striking part of this strange relationship between the second most famous Jew in the world (Einstein was the first) and Sauerwald, a committed Nazi, is the fact that Sauerwald found the Freud family’s hidden foreign bank books. If his superiors knew they existed, Freud would have been immediately arrested.

Sauerwald kept the bank books to himself, never reported them, and gave them back to Freud, without asking for a penny for himself.

After the war Sauerwald was arrested and tried for stealing from the Freuds. He asked Anna Freud to write a letter explaining what had happened. Perhaps influenced by the fact that her four aunts (Freud’s elderly sisters) all died in concentration camps, Anna hesitated for some time before finally writing a letter which declared Sauerwald’s innocence.

The events the Freud family endured are alarming and terrifying, yet strange and surprising twists of character and fate take place, leading almost to a sense of disbelief. Could this really have happened? Did a deep-dyed Nazi actually help Freud escape? Many Holocaust stories defy belief, but this one is different. It exposes the contradictory nature of the human mind, and it seems in keeping for this to happen to Freud, whose fame derived from studying the mind.

David Suchet is attached to play Freud, and there are other great parts. If we succeed, The Escape of Sigmund Freud could become one of the great Shoah films of our time, showing the horrific change that fell upon the Jews of Europe once the Nazis took control of their homelands. This is a sad, terrifying and moving story, but it still has moments of dry humour, since it was Freud’s sense of gallows humour which kept him sane.

Freud’s escape shows how complicated relations between Jews and Nazis could become. Who could imagine that a strange friendship like this could develop? Although Freud was world famous for understanding the human mind, he was at a loss to explain why Sauerwald helped him, and Sauerwald too could not understand it.

The film will be shot largely hand-held, so that the sense of actuality will be preserved. The intention is to help the audience see the events unfolding in front of their eyes as events happening to the Freud family, and not as an ‘historical’ film.