Tag Archives: Mister Rogers’ Neighborhood

Most people would be daunted by the subject of Won’t You Be My Neighbor? Just the archival material alone, from all the shows of Mister Rogers’ Neighborhood that aired (920 episodes, according to director Morgan Neville), would give a lesser man a headache. Luckily, Morgan Neville is not a normal man, yet the story of this documentary started out curiously (which Neville explained during the Q&A following the film). Like many things today, it started with YouTube. Neville started watching all of Rogers’s speeches on that channel. Then, when making The Music of Strangers, which is about Yo-Yo Ma and the Silk Road Ensemble, he asked Ma who helped him deal with his fame, and he said, “Mr. Rogers.”

Fitting, then, that the film starts in 1967 with Fred Rogers talking about music (while playing piano). In particular, he’s discussing modulations. In music, some modulations are easy, while others are hard. He feels life is the same and mentions how he feels his mission is to help kids through life’s modulations. He stops at one point and wonders if he’s being too philosophical, but then he checks himself and says, “Well, it makes sense to me.”

To make sense of the man and the show, Neville didn’t shoot it like a normal documentary, where you film footage first and then cut it to an acceptable length. With all the archival material they had, they cut the essential ideas of the doc first…and found themselves with a 90-minute film (the film is 94 minutes, including end credits). And yet, the films runs chronologically, even as it stops and focuses on what made the show and the man so special, and radical.

For starters, Mr. Rogers was a Presbyterian minister who wished to used television to evangelize. The first show he was a part of played short films for kids. Unfortunately, the films had often been played numerous times beforehand and would often break on air, and since the episodes weren’t taped, the host had to fill time. One time, Rogers stuck an owl puppet above the clock and said, “It’s 5:02 and Columbus discovered America in 1492.” That was the first time he used a puppet on TV.

In addition, he was part of the group of scientists (Dr. Spock being one of the most famous) focusing on childhood development and how kids weren’t just miniature adults. Rogers connected to that group through his teacher, Margaret McFarland. He was horrified by what passed for children’s television in those days. Then, as now, it included lots of loud noises, fast action, and violence. His show, which premiered in February 1968 in Pittsburgh, was a gentler show, though the first episode not-so-subtly dealt with the Vietnam War in King Friday XIII’s erection of a wall and orders to kill any foreigners who come into the kingdom. Other episodes dealt with Robert Kennedy’s assassination, suicide, divorce, and other topics one wouldn’t typically find in a children’s show. For example, when he heard, in 1968, about a man throwing chlorine muriatic acid in a pool because he didn’t want black kids swimming in it, he filmed an episode where he shared a kiddie pool with Officer Clemmons, who is black, and mentioned how nice it was to share a pool on a hot summer day.* In another episode, he set a timer for one minute so that the audience could experience how long one minute felt like.

People knew there was something special about Mr. Rogers and his show when a meet-and-greet, scheduled that same year, translated into huge lines of parents with their kids.

Believe it or not, the line to see Won’t You Be My Neighbor? was shorter than the line that greeted Fred Rogers in 1968.

When Neville came to Joanne Rogers for her blessing on the project, her one bit of advice to him was not to make her husband a saint. Indeed, Rogers was accused (by narcissists) of creating a generation of narcissists by telling kids they were “special,” a charge refuted by Rogers himself in one of the many commencement addresses he gave, where he explained what he meant by saying kids were perfect “just the way they are.” Richard Nixon even tried to gut Public Television (created under the previous administration). The Senate Subcommittee on Communications held hearings in 1969 to decide whether to cut $20 million in funding for PBS under the pretext that it was needed to fund the war. The man in charge of the committee, Senator John Pastore (a Democrat), ran on these cuts, and early on it looked like PBS wouldn’t get its funding. Then, Fred Rogers spoke. They got their funding.

In addition to archival footage, the documentary includes interviews of people who worked on the show, were on the show (like Yo-Yo Ma), and who knew him best (e.g. his wife Joanne). One person they don’t talk to is Jeff Erlanger, who made a memorial appearance on the show right before he was going to go in for surgery, and discussed with Rogers what it was like to be in a wheelchair. We know from the documentary that he survived the surgery, but the interviews are only with his parents. I discovered Jeff died in 2007, which is why he wasn’t interviewed for the film, but his sister lives in Seattle, and she was present at the Q&A after the movie with her daughter to talk about her brother and how much Rogers cared for him. The first night they met, he cut up Jeff’s food and fed him, but without any trace of condescension.

Besides Erlanger, the other person who had a touching story (among many touching moments in this documentary) was François Scarborough Clemmons (Officer Clemmons). He discovered he was gay, and one night, he visited a gay bar. Rogers heard about it and told him he couldn’t go there anymore, as he was worried the sponsors would stop funding a show with a gay man on it. Eventually he came around, but the touching moment was when Clemmons confronted him and said (I’m paraphrasing a bit), “You say, ‘I like you just the way you are.’ Were you saying that to me, too?” His response was along the lines of, “I’ve been saying that to you for the last two years and you’ve only now just figured it out.” Clemmons tears up at that point, for he’d never heard another man say that to him, not even his own father. From that point on, Rogers was like a father to him.

Look at all those neighbors!

In addition to archival footage and interviews, the documentary incorporates animation to show some of Fred Rogers’s fears from when he was a child and how they stayed with him as an adult. A great argument is made that Daniel Striped Tiger was Rogers’s alter ego, and so an animated tiger plays the young Fred in these animations. Later in life, the cast agrees that he became more like King Friday XIII.

The masterstroke, though, comes at the end. In the spirit of Mr. Rogers, several of the interviewees are asked to take a moment and think about who has helped them. They all do, and at the very end is Joanne Rogers, who after reflecting for a moment, looks out through the camera, locks eyes with the audience, and says, “Thank you.”

One studio exec once said that if you do everything wrong on television, you end up with Mister Rogers’ Neighborhood. If you do everything right, you end up with this documentary.

Stay for the credits.

Now playing at SIFF Uptown

* CORRECTIONS: Discussing this event, one of the interviewees says that bleach was thrown in the water (not chlorine, which I initially wrote, but which makes no sense), but it was actually muriatic acid (undiluted hydrochloric acid). The swim-in that led to the motel manager throwing acid in the pool occurred in 1964. Since Mister Rogers’ Neighborhood first aired in 1968, the episode aired at least four years after this event occurred.