The Necks

He became very active in the Sydney jazz scene in the early eighties playing with modern jazz groups including Mark Simmonds’ Freeboppers and The Keys Music Orchestra. With Lloyd he formed the 60’s modern jazz-influenced The Benders in 1982. The band broke up in 1985 after having released three albums - “E”, “False Laughter” and “Distance”.

In 1984 Chris recorded and released his first solo piano album - “Piano”, followed in 1986 by Walk.

In 1985 Chris became a founding member of the Sydney indie rock band The Sparklers. As a result of this, Chris began working regularly with the singer and songwriter Melanie Oxley. Chris collaborated with Melanie, writing songs and producing albums, throughout the nineties. There are five releases with her: “Resisting Calm” (1990), “Welcome to Violet” (1992), “Coal” (1994), “Jerusalem Bay” (1998) and “Blood Oranges” (2003).

He became very active in the Sydney jazz scene in the early eighties playing with modern jazz groups including Mark Simmonds’ Freeboppers and The Keys Music Orchestra. With Lloyd he formed the 60’s modern jazz-influenced The Benders in 1982. The band broke up in 1985 after having released three albums - “E”, “False Laughter” and “Distance”.

In 1984 Chris recorded and released his first solo piano album - “Piano”, followed in 1986 by Walk.

In 1985 Chris became a founding member of the Sydney indie rock band The Sparklers. As a result of this, Chris began working regularly with the singer and songwriter Melanie Oxley. Chris collaborated with Melanie, writing songs and producing albums, throughout the nineties. There are five releases with her: “Resisting Calm” (1990), “Welcome to Violet” (1992), “Coal” (1994), “Jerusalem Bay” (1998) and “Blood Oranges” (2003).

Chris released a third solo piano album “Glow” in 2001. This was followed in 2003 by “Streaming”, and “Thrown” in 2004.

Chris has collaborated, in both recording and performance, with many contemporary improvising musicians including Burkhard Beins, Mike Cooper and Anthony Pateras. He performs regularly in the improvising music scenes both in Australia and Europe.

Tony Buck

Born in Sydney in 1962, Tony is regarded as one of Australia's most creative and adventurous exports, with vast experience across the globe. He has been involved in a highly diverse array of projects. Apart from The Necks, he is probably best known as leader of hardcore/impro band PERIL.

Early in his musical life, after having graduated from the New South Wales Conservatorium of Music, he became very involved in the jazz scene in Australia, often touring with visiting internationalartists such as Vincent Herring, Clifford Jordan, Mickey Tucker, Branford Marsalis and Ernie Watts, as well as Australians Mark Simmonds, Paul Grabowsky, The catholics, Sandy Evans and Dale Barlow.

Following time spent in Japan, where he formed PERIL with Otomo Yoshihide and Kato Hideki, Tony moved to Europe, and has involved himself in many projects there, including the development of new virtual MIDI controllers at STEIM in Amsterdam.

Described by Billboard Magazine as an outstanding and imaginative Australian bassist and composer, Lloyd Swanton was born in Sydney in 1960. The Necks are his primary focus but he has performed with many of the cornerstones of Australian music: The Benders, Clarion Fracture Zone, Bernie McGann, Sydney Symphony Orchestra, Vince Jones, Alpha Centauri Ensemble, the Mighty Reapers, the Seymour Group, the Alister Spence Trio, Tim Finn, Stephen Cummings, Wendy Matthews, The Dynamic Hepnotics and the Phil Slater Quartet.

His own long - running group, The catholics, has released five albums, all produced and predominantly composed by him, with three receiving ARIA Award nominations. Their album Simple was nominated for the German Deutsche Schallplattenkritik Award.

Lloyd appears on some eighty-five albums, including several ARIA Award winners, and has produced four ARIA Award winners by Bernie McGann. Over eighty of his compositions or co - compositions appear on record.

He has composed several film and TV scores, including The Beat Manifesto, winner of an Australian Guild of Screen Composers Award for Best Short Film Soundtrack.

For the past eight years, he has hosted Mixed Marriage, a very popular radio program which examines crossings of jazz with other musical styles, on Eastside Radio in Sydney. He also currently sits on the Music Committee of the NSW Ministry of Arts.

In his spare time, Lloyd is an avid follower of the game of Australian Football, and a keen collector of Australian Aboriginal art, ice crushers, modernist ceramics, and books on Fellini. He is also gathering historical information on the horrific WWII Japanese prisoner-of-war camp in Ambon, where his uncle Stuart died, and on his distant relative Theodore Deck, a leading name in 19th Century French ceramics.