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'Stick Up Boys: Electronic Pop Vocals' continues this series of funky Electro-infused Construction Kits from this unique UK production trio. This library comes jam-packed full of live guitar loops, analogue Indie Pop synths, grooving basslines and snappy drums, all centered around complete vocal performances, making this product a perfect starting point for your next track, as well as an abundant sourc...

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Experimental Dubstep Vol 2

'Experimental Dubstep Vol 2' marks the second installment of this exciting new series from Producer Loops. Jeff Rhodes, creator of 'Ambient Glitch', 'Dance Glitch', and co-creator of the 'World Tek' series, delivers FIVE outstanding Construction Kits...

(Inc. 25% discount until Aug 31)

'Experimental Dubstep Vol 2' marks the second installment of this exciting new series from Producer Loops. Jeff Rhodes, creator of 'Ambient Glitch', 'Dance Glitch', and co-creator of the 'World Tek' series, delivers FIVE outstanding Construction Kits packed full of immovable basses, irresistible grooves, and synths stacked chest high.

With his first foray into Construction Kits, Jeff wanted to create some compelling set pieces for your audio movies to take place in. A sense of place and space, somewhere things happen, grow, and change unexpectedly over time. while also leaving room for musicians to add their own heroes and villians, and decide the ultimate course of events.

With a unique and quirky vibe, 'Experimental Dubstep Vol 2' takes that familiar half time groove and infuses it with experimental processing, abstract melodies and dizzying electronic ambience – perfect for all of you mad-dub-scientists out there!

All loops are recorded at 140 BPM in this unmissable volume, so you can mix and match between the kits and use them in many other styles of music.

The Production Process:

Jeff Rhodes, producer of 'Experimental Dubstep Vol 2', describes the production process - "I've always liked mixing things up, and anything as heavy and sci-fi sounding as Dubstep was just naturally going to find it's way into my head.

By the time I got into really investigating Dubstep, it had evolved into such a powerful sound that it was impossible to ignore and I had to get my hands on it. I wanted to use the momentum of all the wobble basses, tweak the videogame synth sounds, ride the triplet hi-hat rhythms, and nail down the tight kick & snare beat that drives this energetic new music.

The goal was to get into the sound of it, but to still keep a little bit of that outsider style going on. The touch of industrial music influence I tried to add was what I feel makes it all fall into place in these kits.

I found myself reaching for the compressor a lot, as well as all manner of distortions and bit crushers to shape the sound. And the FX breaks were like an all expenses paid vacation! What more can I say about getting to make such chaotic soundscapes in the middle of a track?

It's not often that a person gets to throw out the rulebook and still succeed, but Dubstep seems to be a place you can do that, and everyone is invited. I hope you dig what you hear and find some cool new ways to make it part of your music."

All Kits are provided in a uniform tempo ensuring that they slot together effortlessly and are available as ACIDized WAV, Apple Loops, REX and Reason ReFill.

Credits:

Special thanks to Horatiu-Cristian Petrila for the demo work, and all the extra help along the way.

Author: David Forbes, Beatsmedia.com: May 2012On first look at this sample pack I noticed there wasn’t much content in there but hey it's only £19.95

When you think of dubstep, people automatically think of skrillex or that type of sound, I think in this sample pack there’s a lot more traditional dubstep sounds bundled in there, its not just a pack full of sounds & patches from the massive or Razor.

The pack consists of five track folders which is basically all the constituent parts that make up the demos. All the sounds within the packs contain the MIDI files of each demo so if you liked a particular pattern im sure you could mess around, replace with a similar sound change notes etc. The samples are well processed and key’d which is great for people who are not that good on key scales.

I also found most of the single hits were pretty cool, the kicks and snares have definetly got the bottom end body to them, they are not weak in any way, also some of the background loops were wicked. All in all I think for the price of this sample cd it's well worth a look at.

Author: Tracy Katz, Gearwire.com: May 2012

Jeff Rhodes and Producer Loops are back at it again, producing yet another collection of dubstep kits and grooves. The new sample pack, Experimental Dubstep Vol 2, has Rhodes' mark all over it, with immovable basses, irresistible grooves, and synths stacked chest high, Producer Loops says.

"With his first foray into Construction Kits," Producer Loops writes, "Jeff wanted to create some compelling set pieces for your audio movies to take place in -- a sense of place and space, somewhere things happen, grow, and change unexpectedly over time -- while also leaving room for musicians to add their own heroes and villians, and decide the ultimate course of events."

Experimental Dubstep Vol 2 takes that familiar half-time dubstep groove and infuses it with experimental processing, abstract melodies, and dizzying electronic ambience. All loops were recorded at 140 BPM, so that you can mix and match between the kits and use them in other styles of music as well.

Rhodes describes the production process: "I've always liked mixing things up, and anything as heavy and sci-fi sounding as dubstep was just naturally going to find it's way into my head.

"By the time I got into really investigating dubstep, it had evolved into such a powerful sound that it was impossible to ignore and I had to get my hands on it. I wanted to use the momentum of all the wobble basses, tweak the video game synth sounds, ride the triplet hi-hat rhythms, and nail down the tight kick and snare beat that drives this energetic new music.

"The goal was to get into the sound of it, but to still keep a little bit of that outsider style going on. The touch of industrial music influence I tried to add was what I feel makes it all fall into place in these kits.

"I found myself reaching for the compressor a lot, as well as all manner of distortions and bit crushers to shape the sound. And the FX breaks were like an all expenses paid vacation! What more can I say about getting to make such chaotic soundscapes in the middle of a track?"