Alice Starmore's Charts for Color Knitting: New and Expanded Edition

Alice Starmore's Charts for Color Knitting: New and Expanded Edition

In the course of her career as an internationally recognized authority on knitting design and instruction, Alice Starmore has acquired a remarkable collection of charted designs for color knitting. This treasury features a choice selection of her source material, arranged into four parts: (1) Traditional patterns from Europe, Russia, and South America (2) Adaptations from textiles and other art, including Japanese porcelain and Celtic metalwork (3) Alice Starmore's own geometric and nature-inspired originals (4) Practical instructions that explain how to incorporate these motifs into unique designs.Suitable for beginning as well as advanced color knitters, these charted designs can also be adapted to other crafts, including weaving and embroidery. The first U.S. publication of Charts for Color Knitting, this new and expanded version explains how to incorporate color into your work and features color photographs of knitted swatches created expressly for this Dover edition.

Reprint of The Windfall Press, Scotland, 1992 edition.

4 Questions with Alice Starmore: An Exclusive Dover Interview

Alice Starmore has a fascinating tale to tell. We spoke to the author of the #1 crafts bestseller Alice Starmore's Book of Fair Isle Knitting about her knitting background, professional start, and more.

Clearly, knitting is a deeply ingrained facet of the culture of Scotland's Outer Hebrides. Did your mother teach you to knit? My mother taught me to knit when I was very young. She was a dressmaker as well as a knitter and our house was a place of constant creativity. I was also born at a time when most women knitted as a matter of course, and I had three aunts who had been fisher girls in their youth and were experts at making traditional fishermen's gansies.

I understand that your first language is Gaelic — do you still speak it?Yes I still speak Gaelic. The Isle of Lewis, where I live, is in the Outer Hebrides — the heartland of Gaelic and the only place where you will hear the language in everyday use.

How did you get your start professionally?I designed a small collection of knitwear in 1975 and successfully sold it in London boutiques. It was featured in a national newspaper and from that small beginning my knitting career evolved in ways that were quite unimaginable to me when I began.

Your books are known and loved around the world, and you've adapted design elements from the textile arts of many countries into your repertoire. Are you still discovering "new" aspects of knitting and fabric arts from other cultures?I am interested in everything. I find inspiration in all aspects of the world around me. There is enough inspiration in the natural world on my doorstep to last many lifetimes. I am also inspired by art, culture, history, science and music. My own culture features widely in my design work but I have always been interested in other cultures and in other places. My main problem is that I cannot possibly live long enough to produce work from the amount of ideas that come into my head.