The cartoon Spider-Man Into the Spider-Verse 4K download provides a completely new look at the universe of Spider-Man from the writers and producers of Phil Lord and Chris Miller, who gave the audience an animated adventure “Lego. The film "and action-comedy" Macho and both. " At the center of the plot is a unique and innovative in terms of the picture is a black teenager from New York Miles Morales, who lives in a world of unlimited possibilities of the universes of Spider-Man, where the superhero costume wears not onlySpider-Man Into the Spider-Verse UHD him.

Spider-Man Into the Spider-Verse 4K review

Spider-Man Into the Spider-Verse 4K Miles Morales, a gifted schoolboy from Brooklyn, according to the test results, is transferred to a new elite school. Parents, especially the father-policeman, are very happy about this, which cannot be said about Miles himself: he was much more comfortable in his native environment. He increasingly escapes from the student campus to his uncle is not the most honest rules Aaron and with him goes to draw graffiti. During one of these walks, Miles is bitten by a radioactive spider, and then ... then you yourself know. At the same time, the criminal king Wilson Fisk, aka Kingpin, is building a special device that threatens to tear the fabric of reality and connect different dimensions. The reason why he does this is disarmingly prosaic: Fisk only wants to return the family that he lost in this reality. Kingpin does not even want to think about the terrible consequences of the rupture of the space-time continuum. During the fight with the local Spider-Man, Peter Parker accidentally hits the beam emitted by this device, and several Spider-Mans from different dimensions hit the reality of Morales at once: tired, unshaven Peter Parker from, apparently, our reality with you (he alone knows what Comic-con is), Gwen-spider, noir Spiderman, anime penny parker and the "cartoon" spider-pig. Together they must stop Fisk and prevent him from starting the device a second time - otherwise all realities will come to an end. In recent years, Sony Pictures Animation studio is not customary to recall without a sarcastic grin. No wonder: it was these people who decided to make a cartoon about Emoji, they have been keeping creative animator Genndi Tartakovsky for six years - no matter which side you look at, the file is not impressive. Their decision to launch another franchise about Spider-Man - despite the fact that his last iteration, we recall, appeared only a year ago - looked like just another disastrous idea in a series of the same. Paraphrasing the famous rhetorical question: it would seem that could go like this? But whether from the competition with Disney, the guys from Sony began to spin certain gears, or whether an intelligent person accidentally brought their office to their office. Following all the failed ideas, they gave birth to one absolutely ingenious one: to take on the next restart of “Spiderman” by Phil Lord and Chris Miller, the main postmodernists of modern animation. The very people who managed to make a great movie, first from the comedy remake of the 80s TV series, which everyone had already spat on for a long time, and then from the advertisement of a very famous designer. Unlike the competitors from Disney (yes, we all remember “Han Solo”), Sony did not block the air of the duet and complain that those, you see, are too creative. The result is logical: the Lord and Miller got something that is easiest to describe as the “spider” version of “Lego. The film. Only if the latter was a love card for more or less the entire mass culture, “Through Universes” focuses only on that narrow part of it that is connected with the image of a friendly neighbor. It turns out such an ultimatum about Spider-Man Into the Spider-Verse UHD - something that takes into account the experience of all predecessors and interprets it in an incredibly original form. The cartoon is not trying to pretend that before him, in principle, there were no stories about Spider-Man Into the Spider-Verse 4K Ultra HD, as does the version of Mark Webb, and the film from Marvel. On the contrary, he openly jokes about his position (“Okay, let's last ...”), winks at the viewer with references to Raimi’s trilogy, other comics, and even memes - in general, all the traces that the hero left behind in half a century of his existence. It can be compared with some “Deadpool”, only the approach of Lord and Miller is much more witty, thinner, and, to be honest, just more interesting than that of Ryan Reynolds. For them, a postmodern game is not only a way to fool around and make a joke about the scrap of the fourth wall for the hundredth time. It is also an attempt to fit the whole immense cultural stratum associated with a guy in a red and blue leotard, in a kind of absolute, to bring all the plots and endless multiverses under a certain common denominator. Trying more than successful - it's hard to imagine how after “Spider-Man: Through Universes” you can seriously watch another story about how Peter Parker learns responsibility, loses loved ones and does other things that he has already done hundreds of times before. Of course, the Lord and Miller are not sinless (or rather, just the Lord, he wrote the script from the duet alone), and they have some “obligatory” moments in drama - no matter how hard the authors try, they never managed to completely deviate from the superhero template origin of. A couple of scenes feel slightly strained, as if in the midst of a rush of creative ecstasy, someone from the studio came to Phil Lord and said: “This is all, of course, good, but we still need to reveal the hero here!” But the film makes a kind of knight move: to the center of the story is not Parker, but another Spider-Man, Miles Morales. And even the standard history of finding oneself and searching for harmony with loved ones is overgrown with new details, relationships and

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