Had Anna Biller's The Love Witch come out in 1965, it would be part of the feminist cult-film canon. The vampy Elaine (Samantha Robinson) destroys the men in her life with sex magick (!) by more or less seducing them to death. She’s unapologetic about her passion and her witchy tendencies, she makes sexy (but murdery) paintings, and she inters a bottle of her own urine and a tampon with a dead man.