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Even though I'm an organist myself, I must admit that I am not at all familiar with Franck. Do you happen to have any special recommendations (both to listen to and to play)?

Let's see... Max Reger, hands down. Most of his organ music is a bit on the difficult side, but I recently bought a book of his chorale preludes. Most of them quite short and not as hard as his larger pieces. One day I hope I'll be able to play the Choral Fantasia on "A mighty fortress is our God" op. 26.

Then, Louis Vierne. I like his harmonies, they sound very modern for his time, and to some extent they still do even now. I have a recording of his organ symphonies, and although I haven't listened to all of them in full depth, I quite like the 4th.

Finally, Alexandre Guilmant. He may not be as high calibre as the other two, but he's got some charming little pieces, and most of them very accessible even to the non-virtuoso organist.

Overall, I'd say that Reger is one of my personal top three organ composers. The other two are Bach and Messiaen.

_________________________I have an ice cream. I cannot mail it, for it will melt.

My favorite piece from him is the beautiful prelude, fugue, et variations.

Since you are an admirer of Franck -as I am- may I just make a small quibble? Your 'favorite' piece has only one variation, so no plural!

As a composer for organ, I rate Franck just behind Bach, and IMO the best complete set is by Jeanne Demessieux on Festivo 155/6. The recordings show their age, but are still remarkably atmospheric. Avoid Michael Murray on Telarc, or god forbid, Jean Guillou on Dorian.

If I had to choose just one piece of Franck, I would have to say the Priere.

My favourite Romantic composer for the organ is Cesar Franck, especially the Grand Piece Symphonique and the Chorales. I once had the good fortune of getting to try out the M.P. Moller/Goulding & Wood organ in the main gallery of the National Shrine of the Immaculate Conception in Washington, DC. Hearing those massive chords from the Third Chorale die away in that vast cavernous place was an experience to say the least.

I really like Max Reger, though I find him really hard to play at times. My favourite piece of his is the Chorale Fantasy on "Hallelujah, Gott zu Loben", Op. 53, No. 3. I am also very partial to Op. 40, No. 1, namely the Chorale Fantasy on "Wie schoen leuchtet uns der Morgenstern".

Cesar Franck, Cantabile in B from the 3 Pieces of 1878. Virgil Fox's Riverside Church recording of it was the first I heard, so a part of me gravitates to his dramatized rendition of it. My favorite section of it is the canon at bar 51, and I rate versions by how well the voices balance there. Michael Murray's St Sernin Basilica recording of it is my overall favorite, somewhat more so than Rene Saorginn's St Sernin recording on Turnabout from the 1960s and Andre Marchal's Musical Heritage recording of it a St Eustache. As for Jean Gillou, (same St Eustache????) well, he's in a class by himself, beyond even VF.

Next to Franck, I like Tournemire and Vierne, the pieces on the Musical Hertiage album recorded by the Durufles, including Viere's "Chimes of Westminster" and Tournemire's improvisation on "Victimae Paschali".