soulhead contributor and friend to the site, Thembisa S. Mshaka penned a very thoughtful piece yesterday surrounding ethnicity, police brutality, the Black Panthers and other debates around Beyonce‘s Super Bowl performance and video of her new single, Formation. As you will see, Thembisa deftly frames the discussion by infusing the proper amount of perspective and insight needed to fully assess this situation.

Madonna had a Black Jesus cry blood in Like A Prayer as Klan crosses burned on a lawn.

Let Beyoncé comment on half a century of police brutality that still goes woefully, criminally unchecked and completely unjustified.

Let Beyoncé pay tribute to her very mixed but clearly Black heritage, one wrought with struggle spun into lace and gold, woven into tracks and braids and thread wraps and crowns, some natural, some that come with receipts.

Let her video be narrated by, punctuated by, and elevated by the voices, gyrations, and signifying of queer Black at its unapologetic flyest.

Let Beyoncé summon her sistren to be themselves, be Black, be beautiful, be critically thinking, be sexual, be gracious, be wealthy. Be regal with fans and parasols in hand. Or be street, careening in low-lows and strutting in combat boots, synchronized swimming through air in a dry pool to preserve their glorious afros all while being unified in all their gorgeous complexity.

And when the NFL recognizes that she is a ringer for ratings (119M viewers last Sunday, making #SB50 the third most viewed program ever) and invites her to return to the Super Bowl for the second time in under 5 years (whos ever done that? OhBruno. Anyway.) Let Beyoncé acknowledge the 50th anniversary of the Black Panthers via her dancers costume choices. It is after all, a show. I for one am not looking to her as my barometer for the relevance and power of the Black Panther Party. You know who really disrespected the Black Panthers? J. Edgar Hoover, thats who.