Thanks to everyone who came out to Mike Giant's opening of Confessions of an Old Dirty Skateboarder on Friday @FFDG. Thanks to Alex Uhrich for helping serve prints, Amy Harrity for shooting photos (up in a few days), INDIO for the beers, and to Giant for signing prints and being an all around solid & talented dude.

Come through and see the show. Hours: Wed thru Sat (1-6pm)... We'll also have some prints and images of the work online in a couple days. Stay tuned for that.

Much has been written about the clean, instantly-recognizable linework of Mike Giant. The wide-ranging extent of his career is too broad to be summarized in one caption, but his art has been intertwined with skateboarding for decades. ~read on

San Francisco, CA -- FFDG is pleased to present San Francisco based artist Mike Giant in his first solo show with the gallery entitled "Confessions of an Old Dirty Skateboarder" featuring a wide assemblage of recent drawings and also a rare opportunity to view Giant's personal collection of skateboards he illustrated the graphics for, including boards from his early career. There will be an opening reception for the show on Friday, July 20th (7-10pm). The artist will be present. Beer and wine will be available.

"I'm a product of my generation. I grew up through the 80s and was drawn to the punk rock and hip-hop cultures simultaneously", Giant said in a recent interview. "I threw myself in headfirst. A lot of those things were about personal expression, and also an anti-establishment attitude like, "We don't need you, we have our own thing." That's the backbone of who I am to this day".

San Francisco based Mike Giant has achieved fame as a graffiti artist, illustrator and tattooist. Black ink is Giant's specialty and whether his medium is concrete, paper or skin, his signature style - inspired by Mexican folk art and Japanese illustration - is unmistakable. Mike Giant has worked in media covering, graffiti, design, fine art, photography and tattooing, making him one of the most celebrated and versatile artists of his generation. He has shown in galleries around the world.

We swung through the home and studio of San Francisco based artists Kelly Tunstall and Ferris Plock. The married couple are putting the finishing touches on the work for their upcoming food-centric show Edible Complex opening at FFDG on Friday, June 22nd (7-10pm). We spoke of San Francisco's love affair with food, got into their working practices, saw what makes them tick and how they keep up with their lively 2 year old son, Brixton while enjoying a couple Coronas.

Your upcoming show at FFDG, opening on June 22nd, focuses a lot on San Francisco's intense food culture. How do you guys, as a family, fit in? Do you eat out a lot?

Ferris: Well... we order a lot of food in... Having a 2 year old with an attention span of 10 seconds means that when we eat out, we often eat
in shifts... We eat a lot in Japantown because our son Brixton really loves to run around there and he loves to eat sushi.

Kelly: We also have a very unique place that we're coming from- being kind of insiders and outsiders of the food bit at this point in our lives. I love so many places, and we've been lucky to be tangentially and directly involved in many efforts.

It's truly a special occasion that we're out for dinner together- and frankly, we're more often grabbing food from a truck at events and
stuff, but yeah- a little more out of the loop than I used to be, so it's interesting to see how eating in the Bay Area has shifted in focus and intensity in just the last five years or so.

Do you think San Franciscans are too focused on food?

Ferris: I think everybody is focused on food because we all die if we don't eat.

However, I feel like I have seen enough photoblogs of peoples' food to last me a life time.

Sometimes I feel like our food culture renaissance is a bit like couture... It is based more on concept and pushing the outrageous and less on consumption. Isn't weird there is a cupcake store downtown that puts cupcakes in its windows to show their outrageous culinary inventions... but no one ever eats them? They all get thrown out?

I later met Kelly at a party in the Mission, and went gaga over her green Dries Van Noten pumps. It's no surprise that the creator of such lovely pieces of art would have an incredible sense of style, too.-continue reading

We're excited to open the two person food-centric show Edible Complex with San Francisco based Kelly Tunstall and Ferris Plock featuring collaboration and individual paintings from these long time Fecal Pals.

We have two new tees out today featuring artwork by Los Angeles based Travis Millard and Mel Kadel. Both printed on American Apparel. Travis' tee printed on the super soft Tri-Blend while Mel's is printed on the combed cotton.

Thanks to Arrested Motion who posted some info on Dave Kinsey's solo show Lost For Words which opens at FFDG in San Francisco on Friday, May 18th (6-9pm). This will be his first show in San Francisco in 12 years. RSVP.

Founder of BLK/MRKT w/ Shepard Fairey in '97 (becoming sole owner in '03), lengedary street artist with his Unlearn campaign, and highly accomplished painter, it's with great honor that we welcome him back to San Francisco. New paintings, mixed media and installation, it should be one of our best shows to date and a lot of fun. -Complete Show Details

Mark your calendar: Dave Kinsey opens Lost For Words @FFDG in San Francisco on Friday, May 18th (6-9pm).

New mixed media paintings and installation. This will be his first show in San Francisco in 12 years and his first on the West Coast since 2007... We're very excited. Below is a lil' taste of what's to come.

I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...

I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.

It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.

I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

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