Please note that the book list and and the contents of the reader were revised on April 18.

Description

From Prufrock's peach to Frost's two roads, modernism gave us many famous moments of indecision. We will follow along with texts depicting speakers and characters as they hesitate, delay, cavil, evade, hedge, sidestep, prevaricate, tergiversate, equivocate, and otherwise wring their hands over even the most inconsequential choices. Their protracted deliberations foreground states of uncertainty and feelings of doubt, which we will investigate by closely reading the ambiguous and often paradoxical language that constrains and displays them. These uncertainties and doubts will provide openings for discussions of how texts present the situations that elicit indecision in the first place: temerity, alienation, physical peril, disaffection, ethical vagueness, mental exhaustion, circumstantial complexity, and so on. At the same time, we will see how indecision provokes fantasies about other outcomes and speculations on alternative possibilities, which become microcosms for the broader imaginative procedures behind literary world-building.

In tandem we will consider contemporaneous essays on the role of ambiguity and paradox in literature, and we will study how the early history of literary criticism dramatized its own indecisiveness over just how to read and evaluate (modernist) texts. We will also touch on broader philosophies of decision, judgment, choice, will, and selfhood.

Please read the paragraph about English 190 on page 2 of the instructions area of this Announcement of Classes for more details about enrolling in or wait-listing for this course.