The quartet of Canadian electronics composer Chris Meloche and label leader Martin Archer on woodwinds and electronics orchestrated these pieces, performed with improvsations from Gino Robair on percussion and electronics and Lyn Hodnett on voice, for a 3 part work of rich interactive loops, drones and soundscape, ranging from spine-chilling to lush and lovely environments.

The "AXIS" of UK saxophonist Ron Caines and multi-reedist Martin Archer, also on organ and electronics, in a subtle septet with outstanding players including Laura Cole on piano and Johnny Hunter on drums, in a set of dream-like and lyrically beautiful improvisations, merging electronics and horns over a powerfully solid rhythm section that create warm textural cycles.

Inspired by the music of 70's Miles Davis electric work, composer and saxophonist Martin Archer presents 15 compositions performed in two parallel sessions over two CDs, the first in a septet that includes Corey Mwamba, Pat Thomas and Dave Sturt, and the second an extended ensemble with brass and wind sections, each bringing distinctive life to these inspired compositions.

Reflecting on the Horweb Sax Quartet he was a member of during the 80s, UK improvising saxophonist Martin Archer uses AACM influences (and covers one Roscoe Mitchell piece) as he plays all parts of a series of "solo" saxophone recordings, layering his playing alone and in harmony, in call and response, and in insanely creative ways that never cease to engage his listeners.

The second album of this Guy Segers (Univers Zero) project in an eclectic ensemble of improvisers, rock musicians and experimenters, a genre-defying project of primarily instrumental work with interventions of song, merging acoustic & electric instruments with electronics, live improvisation with studio manipulation, to find new forms of mesmerizing music.

Saxophonist Ron Caines, who led the innovative band East of Eden in the late 60s, joins a septet including Martin Archer on reeds & electronics, Laura Cole on keys, Gus Garside on bass, Johnny Hunter on drums, Graham Clark on violin & guitar, and Herve Perez on live sound processing & shakuhachi as they merge improv with real time processing and studio collage.

Declaring Terry Riley, Magma, Krautrock, and Sun Ra as influences, this is the fourth album from wind and keyboard player Martin Archer's Orchestra Of The Upper Atmosphere, an augmented six-piece UK ensemble whose rock affinities also embrace improvisation and minimalism, a heady mix of virtuosic playing with melodic intention and extremely detailed tapestries of sound; dreamy and elegiac.

The quartet of Canadian electronics composer Chris Meloche and label leader Martin Archer on woodwinds and electronics orchestrated these pieces, performed with improvsations from Gino Robair on percussion and electronics and Lyn Hodnett on voice, for a 3 part work of rich interactive loops, drones and soundscape, ranging from spine-chilling to lush and lovely environments.

Saxophonist Martin Archer composed the five works on this, the 3rd release for Engine Room Favorites, his AACM-influenced big band with a tremendous orchestration of horns with drums, vibes, piano and bass, here with their most complex yet melodic and rich release yet, including melodic elements of folk music, powerful rhythms from prog-oriented rock, and free improv and jazz.

Originally a studio project, The UK Deep Tide Trio of Martin Archer on sax, Kim Macari on trumpet, Laura Cole on piano and Walt Shaw on percussion & live electronics evolved into a performing organization based on the strength of their open-ended approach to free jazz and improvisation, heard here balancing melody and structure in well-paced and thoughtful improv.

The debut release of the UK improvising rock group Orchestra Of The Upper Atmosphere, co-led by Martin Archer & Chris Bywater, in a double CD blending kosmische musik, space rock, and contemporary classical, an improbable meeting between Ligeti, Klaus Schulze, & Quarkspace, supplemented at times by a string quartet, a sax quintet, and a 25-piece mixed choir.

The improvising rock group Orchestra Of The Upper Atmosphere, led by Martin Archer, Chris Bywater, and Steve Dinsdale, in their 3rd album of innovative improvisation, haunting hypnotic grooves and blasts of sheer exuberance, with the band augmented by strings and trombone to give them a larger and more intense sound.

An absolutely impressive album blending advanced/progressive rock forms with improvisation, starting from collective improvisation and layering in the studio to create a sophisticated psychedelic music, the second album from this ensemble that is headed by Martin Archer (reeds & keys), Chris Bywater (keys & synth), and Steve Dinsdale (drums & percussion).

A small group setting where each performer brings a composition to the session, with Discus family members Martin Archer on saxophones, Corey Mwamba on vibraphone, Seth Bennet on double bass, and Peter Fariclough on drums, for jazz that balances melodic and formidable free improvisation.

Martin Archer introduces a new sextet based on Chicago's AACM approach to free improvisation, in a 2-CD set of 6 large works divided into 5 or 6 chapters each, presenting character themes, rhythm ideas, composed duets, and improvised instructions; superb!

Juxtavoices is an anti-choir of 30 voices whose repertoire includes original compositions and arrangements of classic modernist poems and found texts, here in a CD/DVD release with a reinterpretation of early an Cabaret Voltaire recordings and a terrifying ascent into hell.

The 2nd release in a new series of small groups drawn from members of the Discus Music family, where the group meets, writes, rehearses and records in one single session, here developing ten compositions from all four players edited into a continuous sequence of structure and improvisation, embracing melody, texture and pure abstraction.