1405http://dancedialogues.prattsils.org/files/original/3b1f90220a5d6e416519ebbf30227e5f.jpg530d37d1ee44fdd14c09b2e8084165ccDublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.Alternative TitleAn alternative name for the resource. The distinction between titles and alternative titles is application-specific.Yuri Fateyev, 2013. Photography by Rod Millington.http://dancedialogues.prattsils.org/files/original/300360b73ee150689f12ecaeaaa21005.mp333a9ff9c3070d9df037ba960ee3fe115Dublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceGrace Under PressureDescriptionAn account of the resourceInterviews from Barbara Newman's 2004 book Grace Under Pressure: Passing Dance Through Time.AbstractA summary of the resource.Grace Under Pressure is a compilation of interviews with an array of coaches, teachers, and directors of dance conducted by Barbara Newman, acclaimed writer and dance critic. The conversations she had with the dancers, including the likes of Helgi Tomasson, Mark Morris, Violet Verdy, and Suki Schorer, illuminate the processes of dance pedagogy and delve into the lives of well known dance professionals and how they got their start on the stage and in the studio.
Oral HistoryA resource containing historical information obtained in interviews with persons having firsthand knowledge.Original FormatIf the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional dataAudio cassetteBit Rate/FrequencyRate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)128 kbps/44.1 kHzInterviewerThe person(s) performing the interview.Barbara NewmanIntervieweeThe person(s) being interviewed.Yuri FateyevDublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceYuri FateyevDescriptionAn account of the resourceYuri Fateyev is a Russian ballet dancer, teacher, and director. He trained at the Vaganova Academy. In 1982 he joined the Kirov Ballet (now Mariinsky Ballet), he has since acted as company teacher, ballet master, and Acting Director since 2008.CreatorAn entity primarily responsible for making the resourceBarbara NewmanDateA point or period of time associated with an event in the lifecycle of the resourceJuly 5, 2001RightsInformation about rights held in and over the resource<a href="/about#Rights">Link to Rights Statement</a>Access RightsInformation about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.RestrictedIs Part OfA related resource in which the described resource is physically or logically included.Newman, B. (2004). Grace Under Pressure: Passing Dance Through Time. Milwaukee: Hal Leonard Corporation.fakeyer_yuri_2001jul05_sidea.wav, fakeyer_yuri_2001jul05_sideb.wav (Digital Master Files)IdentifierAn unambiguous reference to the resource within a given contextfakeyer2001jul05ProvenanceA statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.Interview recorded by Barbara Newman on audio cassetteRights HolderA person or organization owning or managing rights over the resource.Yuri FakeyerBarbara NewmanSourceA related resource from which the described resource is derivedfakeyer2001jul05_sidea.wavfakeyer2001jul05_sideb.wavRelationA related resourceNewman, B. (2003). <em>Grace under pressure: Passing dance through time</em>. New York, N.Y: Proscenium Publishers.Ballet of NagoyaKirov BalletMariinsky BalletPacific Northwest BalletRoyal Swedish BalletRussiaSwan Lakehttp://dancedialogues.prattsils.org/files/original/35433dd304b8e1356210ef2fe4a82125.jpg139960f9d05b072e512d22a1fadef6c7http://dancedialogues.prattsils.org/files/original/e2edbb56a7a283ce8d374c7530eaf4f2.mp38e178e127560c97f4e1502679c5193faDublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceNever Far from DancingDescriptionAn account of the resourceInterviews from Barbara Newman's 2013 book <em>Never Far from Dancing: Ballet Artists in New Roles</em>.AbstractA summary of the resource.Published in November of 2013, Barbara Newman collected interviews from dancers. Converting the rollicking conversation into a comprehensive monologue given by the dancers and choreographers, the reader discovers the paths retired dancers lives’ have taken.Oral HistoryA resource containing historical information obtained in interviews with persons having firsthand knowledge.Original FormatIf the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional dataMiniDiscDigital FormatState the file format of digitized version of the original object.mp3Digital MasterFile names of all digital mastersananiashvili_seymour_16.wav.mp3Bit Rate/FrequencyRate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)128 kbps/44.1 kHzInterviewerThe person(s) performing the interview.Barbara NewmanIntervieweeThe person(s) being interviewed.Nina Ananiashvili, 1964-LocationThe location of the interview.Edinburgh, ScotlandDublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceNina Ananiashvili (published 2013)DescriptionAn account of the resource<span>As the only interviewee from the 1990s who is still dancing, Ananiashvili discusses the evolution of her signature role of Giselle and how life changes, including her new role as director, different dance partners, and new repertories, instinctively inform her interpretation. Despite the changes to her interpretation, she also mentions the critical response to her performance as reminiscent of the classic ballerinas'. </span><br /><br /><strong>Biographical note:<br /></strong><br />Ananiashvili is a Georgian ballerina who started out in figure skating. She entered the Bolshoi in 1981 and later joined the American Ballet Theatre and Houston Ballet both with the rank of prima ballerina. She traveled in multiple dancing troupes including her own. Memorable performances include Swan Lake, Romeo and Juliet and Coppelia. She is now the artistic director for the National Ballet Ensemble of Georgia.PublisherAn entity responsible for making the resource availablePratt SILS LIS-665, Barbara NewmanDate CreatedDate of creation of the resource.August 14, 2008RightsInformation about rights held in and over the resourceCopyrightAccess RightsInformation about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.Restricted. To access full length audio or for further inquiries please visit our <a href="http://devdance.prattsils.org/contact">contact page</a>.Is Part OfA related resource in which the described resource is physically or logically included.Newman, B. (2013). <em>Never Far from Dancing: Ballet Artists in New Roles</em>. London: Routledge.IdentifierAn unambiguous reference to the resource within a given contextNina Ananiashvili 2008.mp3ProvenanceA statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.Interview recorded on MiniDisc by Barbara NewmanRights HolderA person or organization owning or managing rights over the resource.Barbara Newman, Nina AnaniashviliAmerican Ballet TheatreBolshoi BalletGiselleNational Ballet Ensemble of GeorgiaRussiahttp://dancedialogues.prattsils.org/files/original/abd78bc5e2564d364bdd391d38d8cde2.mp374ec3a0b3a8c6c64838262542ee06a98http://dancedialogues.prattsils.org/files/original/1bbc8f39244b7fdacd59f5869eac1b0a.jpgc91f607cc9445bf7df166e584f1c369aDublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceSpeaking of DanceDescriptionAn account of the resourceInterviews from Barbara Newman's <em>Speaking of Dance</em>&nbsp;column for <em>The Dancing Times</em>, 1985-1989.AbstractA summary of the resource.Interviews from Barbara Newman's Speaking of Dance column for The Dancing Times, 1985-1989. Dancers expose their opinions while at the height of their skill level in this collection of interviews done in the late 1980’s.Oral HistoryA resource containing historical information obtained in interviews with persons having firsthand knowledge.Original FormatIf the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional dataAudio Cassette TapeDigital FormatState the file format of digitized version of the original object.mp3Digital MasterFile names of all digital mastersBNDA_Skylanskay_Larissa_1989_04_28_B.wavDurationLength of time involved (seconds, minutes, hours, days, class periods, etc.)00:04:15Bit Rate/FrequencyRate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)32 kbps/16 kHzInterviewerThe person(s) performing the interview.Barbara NewmanIntervieweeThe person(s) being interviewed.Larisa SkylanskayaDublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceLarisa Skylanskaya (published 1989)DescriptionAn account of the resourceIn this interview, Skylanskaya details the beginning of her career as a dancer in Russia and discusses being a teacher. She d<span>iscusses the movement and style of a good dancer, along with her musical background and the impact it had on her early life. Both of her parents were violinists and this greatly influenced her dance training. She was in London in the spring of 1989, assisting Natalia Makarova with the staging of La Bayadere at the Royal Ballet.</span><br /><br /><strong>Biographical note:<br /></strong>Larissa Skylanskaya, a graduate of Moscow's Gitis Institute of Pedagogy and former Bolshoi soloist, is a member of the faculty at the San Francisco Ballet School.PublisherAn entity responsible for making the resource availablePratt SILS 665-01, Barbara NewmanDate CreatedDate of creation of the resource.April 28, 1989RightsInformation about rights held in and over the resourceCopyrightAccess RightsInformation about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.Restricted. To access full length audio or for further inquiries please visit our <a href="http://devdance.prattsils.org/contact">contact page</a>.Is Part OfA related resource in which the described resource is physically or logically included.Newman, B. (June 1989). Speaking of Dance. <em>The Dancing Times</em>.ProvenanceA statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.Interviews recorded on cassette by Barbara NewmanRights HolderA person or organization owning or managing rights over the resource.Barbara Newman, Larisa SkylanskayaBolshoi BalletRussiaSan Francisco Balletthe Royal Ballethttp://dancedialogues.prattsils.org/files/original/7d614893ea4096107c65391663fc810f.jpg02d902596603860196f1bcd2bf296188Omeka Image FileThe metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.Bit Depth8Channels3Height261IPTC Arraya:2:{s:6:"byline";s:10:"Picasa 3.0";s:12:"date_created";s:10:"16.04.2012";}IPTC Stringbyline:Picasa 3.0
date_created:16.04.2012
Width400http://dancedialogues.prattsils.org/files/original/fab496ab9a0252c4bc6b9db64acb3404.mp303cee5d111e871b1c3286a1645b738baDublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceStriking a BalanceDescriptionAn account of the resourceInterviews from Barbara Newman's 1982 book <em>Striking a Balance: Dancers Talk About Dancing<br /></em>AbstractA summary of the resource.Interviews from Barbara Newman's 1982 book Striking a Balance: Dancers Talk About Dancing.Interviews with 25 of this century's greatest dancers provide a unique perspective on over 80 years in the development of classical ballet.Oral HistoryA resource containing historical information obtained in interviews with persons having firsthand knowledge.Original FormatIf the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional dataAudio Cassette TapeDigital FormatState the file format of digitized version of the original object.mp3Digital MasterFile names of all digital mastersyouskevitch1979jan03_tape2_sidea.wav, youskevitch1979jan03_tape2_sideb.wav, youskevitch1979jan3_tape1_sidea.wav, youskevitch1979jan3_tape2_sideb.wavDurationLength of time involved (seconds, minutes, hours, days, class periods, etc.)00:02:33Bit Rate/FrequencyRate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)128 kbps/44.1kHzInterviewerThe person(s) performing the interview.Barbara NewmanIntervieweeThe person(s) being interviewed.Igor Youskevitch, 1912-1994LocationThe location of the interview.San Francisco, CAAdditional contentOriginal passage written in published book.I can't remember a time when the name Igor Youskevitch wasn't synonymous with the role of Albrecht and with the title danseur noble. But I never saw him dance, and when you miss someone's career completely - through the misfortune of time or geography - you've missed it, and there are no second chances. Or so I had always thought, until Youskevitch taught a class I had expected to take from his wife. The splendors of his renowned technique have naturally vanished, but the danseur has survived and still flourishes in his bearing and manner. Youskevitch radiates more unashamed grandeur and unabashed gallantry in the studio than most male dancers today bring to the stage. What he taught me about dancing that winter evening had little to do with steps," Barbara Newman (1992).Dublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceIgor Youskevitch (published 1982)DescriptionAn account of the resource<p>Youskevitch tells how he was recruited to become a dancer, and his effort to master the role of Albrecht in the classical ballet <em>Giselle.</em></p>
<p><strong>Biographical note:</strong></p>
<p>Born in the Ukraine in 1912, Youskevitch and his family fled the Russian Revolution to settle in Yugoslavia. He trained as a gymnast before turning to a ballet career at the age of 20. After intensive training in Paris, Youskevitch began dancing professionally in 1934. He danced as premier danseur of the Ballet Russe de Monte Carlo beginning in 1938. Youskevitch emigrated to the United States during World War II, joined the U.S. Navy, and became an American citizen. After the war, he danced with the American Ballet Theatre in New York. He later returned to Ballet Russe de Monte Carlo as artistic director and dancer. Youskevitch retired from dancing in 1962 and opened his own school in New York. At the time of this interview, Youskevitch was head of the dance program at the University of Texas at Austin. In 1983 he became the artistic director of the New York International Ballet Competition, a position he held until his death in 1994. He was married to Anna Scarpova with whom he had a daughter, Maria; both are also dancers.</p>PublisherAn entity responsible for making the resource availablePratt SILS LIS-665, Barbara NewmanDate CreatedDate of creation of the resource.January 3, 1979RightsInformation about rights held in and over the resourceCopyrightAccess RightsInformation about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.Restricted. To access full length audio or for further inquiries please visit our <a href="http://devdance.prattsils.org/contact">contact page</a>.RelationA related resourcehttp://www.youtube.com/watch?v=DSntJjn5e6EIs Part OfA related resource in which the described resource is physically or logically included.Newman, B. (1982). <em>Striking a balance: Dancers talk about dancing</em>. Boston: Houghton Mifflin.Newman, B. (1992). <em>Striking a balance: Dancers talk about dancing</em>. New York: Limelight EditionsIdentifierAn unambiguous reference to the resource within a given contextyouskevitch1979jan3_tape1_sidea_clip.mp3ProvenanceA statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.Interviews recorded on cassette by Barbara NewmanRights HolderA person or organization owning or managing rights over the resource.Barbara Newman, Igor YouskevitchAmerican Ballet TheatreBallet Russe de Monte CarloGeorge BalanchineGiselleMarius PetipaRussiahttp://dancedialogues.prattsils.org/files/original/4df07438d5d02a62cbb453f2b0443d34.mp317a20451bf7a41ac67a29512d6d419d4http://dancedialogues.prattsils.org/files/original/64341482f0e9b9fae4326bbc7caeb5b5.jpg48a9fe7b63be764a32d3b9106d4a1e8bOmeka Image FileThe metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.Bit Depth8Channels3Height177Width243Dublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceStriking a BalanceDescriptionAn account of the resourceInterviews from Barbara Newman's 1982 book <em>Striking a Balance: Dancers Talk About Dancing<br /></em>AbstractA summary of the resource.Interviews from Barbara Newman's 1982 book Striking a Balance: Dancers Talk About Dancing.Interviews with 25 of this century's greatest dancers provide a unique perspective on over 80 years in the development of classical ballet.Oral HistoryA resource containing historical information obtained in interviews with persons having firsthand knowledge.Original FormatIf the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional dataAudio Cassette TapeDigital FormatState the file format of digitized version of the original object.mp3Digital MasterFile names of all digital mastersvilzak1979may23_sidea.wav.mp3
vilzak1979may23_sideb.wav.mp3DurationLength of time involved (seconds, minutes, hours, days, class periods, etc.)00:03:27Bit Rate/FrequencyRate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)16-bit/44.1kHzInterviewerThe person(s) performing the interview.Barbara NewmanIntervieweeThe person(s) being interviewed.Anatole Vilzak, 1896-1998LocationThe location of the interview.New York, NYAdditional contentOriginal passage written in published book."Certain questions expire with time. I wanted to talk to someone who, before joining Diaghilev's Ballet Russe, had already established a reputation in the classical repertory that is still danced today. The facts about the Ballet Russe are well known and often cited. What's less often remembered is that the three great Tchaikovsky ballets- Swan Lake, Sleeping Beauty, and Nutcracker - were together the cornerstone of that repertory before Diaghilev ever arrived in Paris. I was lucky to find anyone at all whose knowledge and experience matched my curiosity point for point. I was privileged to find Anatole Vilzak, a premier danseur of tsarist Russia" Barbara Newman (1982).Dublin CoreThe Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.TitleA name given to the resourceAnatole Vilzak (published 1982)DescriptionAn account of the resource<p>Vilzak talks about learning and dancing the classical ballet repertory in tsarist Russia. The principal works discussed are Tchaikovsky's <em>Swan Lake</em> and <em>Sleeping Beauty</em>.</p>
<p>In the interview clip, Vilzak reminisces about watching dancers perform from the wings as a student and learning through this observation and later discussion with other students. Newman theorizes it was Vilzak's mime training that lent his dancing such authenticity and physicality. <br /><br /><strong>Biographical note:</strong></p>
<p>Born in Vilnius, Lithuania, though some sources say St. Petersberg in 1896, Vilzak graduated from the Imperial Ballet School into the Maryinsky Theatre in 1915. He performed there until he left Russia in 1921. He danced as premier danseur for Sergei Diaghilev's legendary Ballets Russes until 1925 and was a principal dancer with George Balanchine's American Ballet in New York from 1936 to 1937. Vilzak began devoting himself to teaching, when in 1940 he became an instructor at Balanchine's School of American Ballet. Vilznak became one of the most important teachers of the Russian style in America. He passed way in San Francisco on August 15, 1998.</p>PublisherAn entity responsible for making the resource availablePratt SILS LIS-665, Barbara NewmanDate CreatedDate of creation of the resource.May 23, 1979RightsInformation about rights held in and over the resourceCopyrightAccess RightsInformation about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.Restricted. To access full length audio or for further inquiries please visit our <a href="http://devdance.prattsils.org/contact">contact page</a>.Is Part OfA related resource in which the described resource is physically or logically included.Newman, B. (1982). <em>Striking a balance. Dancers talk about dancing</em>. Boston: Houghton Mifflin.Newman, B. (1992). <em>Striking a balance. Dancers talk about dancing</em>. New York: Limelight Editions.IdentifierAn unambiguous reference to the resource within a given contextvilzak1979may23_sidea_clip.mp3ProvenanceA statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.Interviews recorded on cassette by Barbara NewmanRights HolderA person or organization owning or managing rights over the resource.Barbara Newman, Estate of Anatole VilzakAmerican Ballet EnsembleBallets RussesGeorge BalanchineGiselleMarius PetipaMaryinsky Theatre BalletPrince SiegfriedRussiaSwan Lake