Social Sculpture: In Remembrance of Poise and a Choreography of Loving You Down makes parallel the histories of social sculpture and the gendered and ritualized cultural practices found in dancehalls or nightclubs. The artist is in her studio, positioned on a chair, dressed in disco shorts and a snug-fitting shirt, indistinguishable from the white background striped in shadow behind her. Oscillating between a cross-legged, poised position that projects the stereotypical poses of flirtation, femininity and nightlife "peacocking," and a collapse that suggests a body exhausted by—or disinterested in—the scene around her, the artist shifts between "visible" and "invisible," "public" and "private," "on-" and "off-stage." Not quite loved, nor ignored, this female body—sculptural in its own right—remains stuck on loop, hoping to be recognized, as INOJ's 1997 hit "Let Me Love You Down" envelops her.