Smith, Murray
(1998)
Regarding film spectatorship: A reply to Richard Allen.
Journal of Aesthetics and Art Criticism, 56
(1).
pp. 63-65.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book section

Lázaro-Reboll, Antonio
(2005)
La noche de Walpurgis / Shadow of the Werewolf.
In: Mira, A., ed.
The Cinema of Spain and Portugal.
24 Frames S.
.
Wallflower Press, London and New York, pp. 129-138.
ISBN 1-904764-44-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio
(2004)
Screening “Chicho”: The Horror Ventures of Narciso Ibáñez Serrador.
In: Lázaro-Reboll, Antonio and Willis, Andy, eds.
Spanish Popular Cinema.
Inside Popular Film
.
Manchester University Press, Manchester, pp. 152-168.
ISBN 9780719062834.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio and Willis, Andy
(2004)
Introduction: Film Studies, Spanish Cinema and Questions of the Popular.
In: Lázaro-Reboll, Antonio and Willis, Andy, eds.
Spanish Popular Cinema.
Inside Popular Film
.
Manchester University Press, Manchester, pp. 1-23.
ISBN 9780719062834.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P.
(2013)
Dancing in the Twilight – On the Borders of Music and the Scenic.
In: Symonds, Dominic and Karatonis, Pamela, eds.
The Legacy of Opera. Reading Music Theatre as Experience and Performance.
Rodopi, Amsterdam, pp. 169-187.
ISBN 9789042036918.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P.
(2005)
Musikalische Spiel-Räume.
In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds.
Szenische Orte-Mediale Raume.
Olms, Hildesheim / New York, pp. 129-147.
ISBN 9783487127996.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S.
(2004)
Debates 1960-2004: The Exercise Was Beneficial, Monsieur Daney.
In: Temple, Michael and Witt, Michael, eds.
The French Cinema Book.
British Film Institute, London, pp. 265-272.
ISBN 9781844570119.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S.
(2003)
Music, Love, and the Cinematic Event.
In: Temple, Michael and Williams, James S. and Witt, Michael, eds.
For Ever Godard.
Black Dog Publishing, London, pp. 288-311.
ISBN 1-901033-69-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Temple, Michael and Witt, Michael
(2003)
Introduction: For Ever Godard.
In: Williams, James S. and Temple, Michael and Witt, Michael, eds.
For Ever Godard.
Black Dog Publishing, London, pp. 14-16.
ISBN 1-901033-69-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James.S.
(2001)
Beyond the Cinematic Body: human emotion vs. digital technology.
In: Hori, Junji and Yomota, Inuhiko, eds.
Histoire(s) du cinéma : JEAN-LUC GODARD.
Gallimard-Gaumont , Tokyo, Japan, pp. 127-152.
ISBN 978-2070115440 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Hughes, Andrea
(2001)
Gender and French Cinema: Introduction.
In: Williams, James S. and Hughes, Andrea, eds.
Gender and French Cinema.
Berg, Oxford and New York, pp. 1-18.
ISBN 1859735703.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish
(2007)
Digital Intermediates and Digital Expressive Practice.
In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Edited book

Leydecker, Karl and White, N., eds.
(2007)
After Intimacy: The Culture of Divorce in the West since 1789.
European Connections, 10
.
Peter Lang, Oxford, UK, 295 pp.
ISBN 978-3-03910-1436.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Temple, Michael and Witt, Michael, eds.
(2003)
For Ever Godard.
Black Dog Publishing, London, 461 pp.
ISBN 1-901033-69-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Hughes, Alex, eds.
(2001)
Gender and French Cinema.
Berg, Oxford and New York, 256 pp.
ISBN 1859735703.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds.
(2005)
Szenische Orte - Mediale Räume.
MuTH Medien und Theater, 1
.
Olms, Hildesheim / New York, 265 pp.
ISBN 9783487127996.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)