As I’ve mentioned before, I’ve been studying Kenyan music videos. My first article from this research project, “Global frictions and the production of locality in Kenya’s music video industry,” was just published online at Media, Culture & Society. I’m really excited about this piece, and I hope that it will be useful to other scholars of global media. The article’s main contribution is an analytical framework for studying global cultural production. Here are the main points: People feel a sense of belonging with those outside their direct proximity. This is illustrated nicely by Benedict Anderson’s book Imagined Communities and also by Charles Taylor’s book Modern Social Imaginaries. Within the context of globalization, Manfred Steger and others…