Rinse Recordings was founded in 2007, as sister to London's Rinse FM. The label operates on the grass roots of the British underground, plucking the brightest talent represented by the DJs on the critically-acclaimed Rinse FM roster and delivering them to listeners in a form more tangible than airwaves.
The Rinse DJ mix series is intended as a "mixtape" of the freshest sounds happening now in urban London, featuring the raw, forward sounds of dubstep, funky, grime, and hip-hop, with releases by Geeneus, Skream, Skepta, Paleface, Alexander Nut, Supa D, Plastician and Beezy.
Rinse FM was one of the earliest supporters of the dubstep sound, opening up their schedule in 2003 to pioneers like Skream, Kode9 and Youngsta.
If you want it raw, uncut and direct from the source, be sure to check Rinse.

After sending shock waves across the airwaves with "Panasonic", P Money presents his debut album Live + Direct on Rinse. As grime approaches its twentieth year, many MC's have come and gone, but P Money has staying power. His rise has been quiet but inexorable since releasing his first grime mixtape Coins 2 Notes in 2008. P's love for dubstep saw him become a household name in 2010 as tracks "Slang Like This" and "Anthemic" with Magnetic Man catapulted him into the mainstream. Along with numerous mixtapes, singles and EP's on Rinse, Butterz, RAM Records, Black Butter and more, he's toured extensively and not only hit UK festivals including Glastonbury, Bestival and Wireless but worldwide shows in New Zealand, Croatia and the US. His debut album Live + Direct taps into his entire musical history. Reaching from his roots in garage and grime into the dubstep that helped establish his name, it's set to draws together the disparate strands of his career so far, as well as reaching forward to suggest a wider future for his sound. A first class mic controller with clarity, witty lyrics, endless flow and punchlines, P has touched on everything from love to loss to police brutality, and while "Panasonic" is an eruptive and authoritative entry into album mode, it's not all the album has to offer. The substance and purpose in his music throughout his career is something he continues throughout the album. A few words from P Money: "Music has never been about money or charting for me. It was always about expression and being able to speak for my community. I've always imagined my debut album will sound garage, dubstep and grime, be released on Rinse and be a body of work that inspires young people, the first two are happening, I guess we'll have to wait till it's out to see if it really resonates... I think it will." Features: Solo 45, Stormzy, Blacks, Little Dee, Jendor, Ruger, Rubylee, Splurgeboys, JME, Wiley and NY.

After the sweat-soaked throwback fervor of his 2015 debut album Burnin' Up (RINSE 034CD/LP), Unknown To The Unknown and Hot Haus main man DJ Haus returns to Rinse for the ten-track album Artificial Intelligence. Working at a formidably high rate of productivity, Haus returns with Artificial Intelligence less than 12 months after his last; and he shows no signs of slowing down, maintaining his reputation for creating hard-edged dance anthems that leave a lasting effect on the dancefloor. Each of the album's ten tracks take on a life of their own as DJ Haus mutates his own nostalgic influences through rave, acid basslines, Detroit techno and more to create something that's genuinely innovative, but no less devastating to the dancefloor. Using Haus's broad sonic palette, Artificial Intelligence harks back to golden eras of dance music without ever seeming pastiche; DJ Haus splices pre-existing genres to produce hybrid sounds that are rooted firmly in the future. Collaborations with the likes of Arun Verone and DJ Octopus & Steve Murphy utilize their signature quirks, integrating them into Haus's creations to fabricate something completely unique. Opening to the frenzied sounds of acid house, "Feels So Good" instantly consolidates the producer's deft ear for a purpose-built vocal sample. Using typically overlaid embellishments as rhythmic elements, DJ Haus utilizes repetitive vocals & high-octane rave stabs to create a natural movement that is sure to heat up clubs worldwide. "Got Me Where You Want Me", a collaboration with midlands-based tech house don Arun Verone, brings to the forefront an intensely percussive beat that's progressively anchored by acidic basslines, adding weight to the production's abrasive drum line. For all the album's nods to the golden eras of classic genres, Artificial Intelligence doesn't veer away from experimentation, with the pummeling percussion of "Pump It" soon to be running up heartbeats, the 8-bit computer game-esque sounds of "Blip Blorp", and the paranoid chimes of "Artificial Intelligence". As one of the most productive artists in the club scene, DJ Haus has pooled from a huge pool of inspirations and dipped back in time to the most misty-eyed moments of rave culture to present Artificial Intelligence, an album that's deadly, hard-bodied and most importantly, like nothing out there in the club stratosphere.

Double LP version. Following his 2015 Make It Hot EP, DJ Haus presents his full-length debut, Burnin' Up. One of the UK's most exciting DJs and boss of acclaimed labels Unknown to the Unknown and Hot Haus Recs, DJ Haus has honed his own unique, anarchic strain of bass-heavy house music, both solo and in duos Hot City and Trumpet & Badman (with DJ Q). The result has been a salvo of raucous, dancefloor-focused records joining the dots between classic Chicago acid and ghetto house, with hints of UK garage's compulsive bump 'n' swing, old-skool hardcore, and the brusque splatter of the Bunker Records sound -- a vivid hybrid sound that channels sheer energy in the club. Burnin' Up picks up and expands on that track record. Gathering 12 brand new club tracks, including collaborations with Innershades and Chambray, it showcases Haus as a dancefloor alchemist par excellence. Refracting the rawest styles of house-rooted music since the '90s through the gleefully recombinant, mutagenic tendencies of UK dance music, its tracks are all united by Haus's characteristic diamond-hard percussion and distinctively deft ear for a vocal sample flip. Indeed, there's barely space for breath as the album burns through bleep 'n' bass opener "Won't Let U Get Away," "Houz Muzik (feat. Chambray)," the fiery 303 lines of "Acid Stringz," the saucer-eyed rave of "Eez Werkin'," and the dizzying percolations of ghetto house ("Burnin' Up," "Make Me Feel"). Innershades collaboration "Keep Me Coming" evolves from a stripped-back, staccato drum machine workout into a hypnotic motor city groove, while album centerpiece "No More Loving," with its disorienting whirl of 8-bit bleeps, tears upward through a brusquely funky bassline. Burnin' Up is a sweat-soaked, body-jacking debut album.

Following his 2015 Make It Hot EP, DJ Haus presents his full-length debut, Burnin' Up. One of the UK's most exciting DJs and boss of acclaimed labels Unknown to the Unknown and Hot Haus Recs, DJ Haus has honed his own unique, anarchic strain of bass-heavy house music, both solo and in duos Hot City and Trumpet & Badman (with DJ Q). The result has been a salvo of raucous, dancefloor-focused records joining the dots between classic Chicago acid and ghetto house, with hints of UK garage's compulsive bump 'n' swing, old-skool hardcore, and the brusque splatter of the Bunker Records sound -- a vivid hybrid sound that channels sheer energy in the club. Burnin' Up picks up and expands on that track record. Gathering 12 brand new club tracks, including collaborations with Innershades and Chambray, it showcases Haus as a dancefloor alchemist par excellence. Refracting the rawest styles of house-rooted music since the '90s through the gleefully recombinant, mutagenic tendencies of UK dance music, its tracks are all united by Haus's characteristic diamond-hard percussion and distinctively deft ear for a vocal sample flip. Indeed, there's barely space for breath as the album burns through bleep 'n' bass opener "Won't Let U Get Away," "Houz Muzik (feat. Chambray)," the fiery 303 lines of "Acid Stringz," the saucer-eyed rave of "Eez Werkin'," and the dizzying percolations of ghetto house ("Burnin' Up," "Make Me Feel"). Innershades collaboration "Keep Me Coming" evolves from a stripped-back, staccato drum machine workout into a hypnotic motor city groove, while album centerpiece "No More Loving," with its disorienting whirl of 8-bit bleeps, tears upward through a brusquely funky bassline. Burnin' Up is a sweat-soaked, body-jacking debut album.

London producer Faze Miyake presents his full-length debut, four years after the fiery swagger of his 2011 debut single "Take Off" and its 2012 follow-up, the Second Six EP, exploded onto dancefloors. Faze Miyake is a definitive and thrilling realization of his signature sound; a sharp, vividly rendered club record, it casts his characteristic sonic traits in shocking hi-def, with disorienting hi-hat whirls and string stabs steeped in ever-present, body-shuddering sub-bass -- a dazzling, dreamlike vision of 21st-century sound system music. Faze Miyake's immersive and powerfully psychoactive tracks evoke a soundclash of styles; an explosive meeting of bass-heavy genres from across both sides of the Atlantic. His debut album epitomizes modern dance music's global ear while still remaining deeply connected to its local geographical roots. It mutates and reshapes his influences like sonic putty, with Atlanta rap's elemental bass ooze forming a backbone for drums that recall both jungle and grime in the way they hammer, spin, and clatter through space -- and in turn send dancers ricocheting across the floor. Chicago rapper Sasha Go Hard shares sonic space with the Dizzee Rascal-affiliated Family Tree, while London MC Little Simz is furiously intense on "The Nest." The neon melodies of "Yung Sneyga" and "Ocean Drive" evoke sun-soaked CGI cityscapes, but the moody "Ice Cold," led by Dean Blunt collaborator Inga Copeland's half-sung, half-spoken vocals, plunges you equally far into the deep freeze. Indeed, the album remains grounded in Faze Miyake's home city, both in its intrinsic connection to his own grime history and its freewheeling, gleefully hybrid aesthetic. While growing up in East London he was surrounded by music, with jungle, reggae, garage, and then grime forming the background fabric to his life. Those genres' rhythmic ingenuity and taste for sonic experimentation have in turn infused his own music, with his beats blending temperatures, textures, and tempos with almost scientific precision. "Snow Leopard" is tense and wickedly predatory, packing the infectious flex of two-step, while the elementally huge buzzsaw impact of "Fusion" reimagines his anthemic debut "Take Off" as a sharp, fleet-footed club monster. Somehow both brusque and hallucinatory, they're among the highlights of an album that both boldly expands upon Faze Miyake's music to date and marks the maturing of a unique voice in mutant UK dance music. Also features Izzy Brooks.

Double LP version. Includes two exclusive tracks, including a remix by Total Freedom. London producer Faze Miyake presents his full-length debut, four years after the fiery swagger of his 2011 debut single "Take Off" and its 2012 follow-up, the Second Six EP, exploded onto dancefloors. Faze Miyake is a definitive and thrilling realization of his signature sound; a sharp, vividly rendered club record, it casts his characteristic sonic traits in shocking hi-def, with disorienting hi-hat whirls and string stabs steeped in ever-present, body-shuddering sub-bass -- a dazzling, dreamlike vision of 21st-century sound system music. Faze Miyake's immersive and powerfully psychoactive tracks evoke a soundclash of styles; an explosive meeting of bass-heavy genres from across both sides of the Atlantic. His debut album epitomizes modern dance music's global ear while still remaining deeply connected to its local geographical roots. It mutates and reshapes his influences like sonic putty, with Atlanta rap's elemental bass ooze forming a backbone for drums that recall both jungle and grime in the way they hammer, spin, and clatter through space -- and in turn send dancers ricocheting across the floor. Chicago rapper Sasha Go Hard shares sonic space with the Dizzee Rascal-affiliated Family Tree, while London MC Little Simz is furiously intense on "The Nest." The neon melodies of "Yung Sneyga" and "Ocean Drive" evoke sun-soaked CGI cityscapes, but the moody "Ice Cold," led by Dean Blunt collaborator Inga Copeland's half-sung, half-spoken vocals, plunges you equally far into the deep freeze. Indeed, the album remains grounded in Faze Miyake's home city, both in its intrinsic connection to his own grime history and its freewheeling, gleefully hybrid aesthetic. While growing up in East London he was surrounded by music, with jungle, reggae, garage, and then grime forming the background fabric to his life. Those genres' rhythmic ingenuity and taste for sonic experimentation have in turn infused his own music, with his beats blending temperatures, textures, and tempos with almost scientific precision. "Snow Leopard" is tense and wickedly predatory, packing the infectious flex of two-step, while the elementally huge buzzsaw impact of "Fusion" reimagines his anthemic debut "Take Off" as a sharp, fleet-footed club monster. Somehow both brusque and hallucinatory, they're among the highlights of an album that both boldly expands upon Faze Miyake's music to date and marks the maturing of a unique voice in mutant UK dance music. Also features Izzy Brooks.

Rupert Taylor aka XXXY, with a back catalog that includes releases on Ten Thousand Yen, Pollen, Well Rounded, and Orca, has a serious knack for turning his hand to the variety of styles in the broad genre of bass music. Regrets illustrates this knack perfectly with a vibrant blend of analog drums, swooning synths, and thick, warm bass tones. The sharp hats of "Regrets" gallop over brooding chord changes; "12049" drives a rubbery and reverberated kick under softly-warped synth tones and stripped, purposeful percussion; "Over Peover" sits a panned synth string atop tough, crunching percussion and a propulsive synth riff.

Dark0 debuts for Rinse following acclaim for his 2013 self-released Zero mixtape and his sparkling 2014 debut for Visionist's Lost Codes imprint. His approach to sampling, melody, texture, and composition set him apart from his instrumental grime contemporaries. Solace moves through the dreamy, thugged-out heartache of "Abrasion"; the thinly-veiled bounce and playful melodies of "Fuchsia"; the gritty kicks and razor-sharp claps of "Spiral"; and the stunning, buoyant calm of "The Past." US rap producer Suicideyear turns a dark, sorcerous hand to "Abrasion," reversing the melodies and flipping the bassline to prove just how fluid and multi-contextual Dark0's sound really is.

Laura Clock, who first made her voice known on oOoOO's 2012 Our Loving Is Hurting Us 12", follows her acclaimed 2013 full-length debut, First Prom, with Baby - Part One. "Fade" is a maze of reggaeton rhythms and glassy-eyed melodies; "Cold" features lyrics delivered with an aching synthetic bite; and exquisitely spaced-out "Fantasy," produced by Ana Caprix, weaves sound, mood, and lyrics into an inseparable whole. "Slowly" is a headlong soundclash between Clock's sorrowful voice, synthetic choral synths, and crunching rap beats, featuring a fast-paced turn from rapper Nina B -- the EP's most striking moment, its dizzying emotional peak.

The second in a series of three EPs of gorgeous, punch-drunk house music from Rupert Taylor aka xxxy and the follow-up to 2014's acclaimed 18 Hours (RINSE 050EP). "Last Dance" may seem like pure blissed-out immersion, but listen closer -- or at peak time -- and it's deceptively tough, building to a mesmerizing blur of color amid body-shuddering kick drums. "Lately" channels both the spirit of electropop and the futurist impulses of early Detroit techno. On "Close the Door Behind You," an eerie, noise-scratched, slow build leads to a sudden explosion of bass swoops and hi-hats.

Rinse presents the 18 Hours EP, the latest missive of stargazing, spaced-out house from label regular Rupert Taylor aka XXXY following 2014's deliriously catchy single Never Enough (RINSE 037EP). Each track here captures the XXXY sound from a distinct angle, but they're united by Taylor's devilish ear for space and melody, apparent in even the starkest moments. The six-minute "18 Hours" is a gorgeous, limpid whirlpool of a club track, "Clap Pitch" razes the dancefloor in salvos of static, distortion, and wild electronic shrieks, and "Tool (Satire Mix)" is a tough, bristling mass of acidic bleeps and steely percussion.

The seventh edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. This 12" features tracks from P Money. Limited edition of 300 copies.

Rinse FM is celebrating its 20th anniversary with a busy schedule of parties, special broadcasts and events. As genres, artists and scenes evolve and fragment, so Rinse remains locked to the pulse of the underground. Inspiring and nurturing people to create the music that they want to hear, the results speak for themselves. To mark this anniversary Rinse has pressed a limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. The first 12" is from Katy B, featuring versions of the title track off of her 2011 album On a Mission. Limited edition of 300 copies.

The second edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. This 12" contains remixes of Katy B's "Broken Record" (by Jacques Greene) and "What Love is Made Of" (by MK), Skream's "Rollercoaster" (by Jimmy Edgar) and Headhunter's "Prototype" (by Modeselektor). Limited edition of 300 copies.

The third edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. This 12" contains two remixes of the title-track (by Sigma and Calibre, respectively). Limited edition of 300 copies.

The sixth edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. This 12" features two tracks from Zinc. Limited edition of 300 copies.

The fourth edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. A-side has a cut by Skream. The flip-side features Benga & Coki. Limited edition of 300 copies.

The fifth edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. This 12" features "My Love" by Route 94, and a remix by Low Steppa. Limited edition of 300 copies.

The ninth edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. This 12" features tracks from Jammin from 2001. Limited edition of 300 copies.

The eighth edition in Rinse's limited edition set of nine 12"s showcasing some of the all-time classic Rinse and Tempa associated tracks, now available in special anniversary house bags. This 12" features tracks from Wonder. Limited edition of 300 copies.

This EP's title-track draws upon Mumdance's long-standing love of grime, crafting a tightly-coiled, ten-ton heavy club riddim, all frostbitten drums and shockingly stripped-back mid-range, powerful enough to carve a rift deep into the mix. It features the quick-witted vocal play of rising London MC Novelist, whose bars dart swift and sharp through the track's acres of frozen space. "The Sprawl" is pure futurist brutalism, all rattling bass pulses, eski clicks and broken propulsion. "Don't Get Lemon," produced in collaboration with much-loved grime veteran Spyro, completes the EP. Beginning life as an abstract, darkly cheeky devil mix, it switches mode midway into a freakily lonely, rain-soaked urban lullaby.

Roska's Shocking EP is the latest release from the long-running Rinse producer and his first for the label since Rinse Presents: Roska2 LP. It finds the UK innovator in his usual fiery form, drawing for his characteristic, deftly-swung percussion and grime-infused sub-bass pressure. The explosive title-track is the most overtly grimey Roska's sounded for some time -- a slow-building intro giving way to a pulsating bass line and caustic laser blasts. As with all his best work, it toes a tense line between visceral impact and house's perpetual motion groove, switching between the two to exhilarating effect. Features vocals from Birmingham's MC C4 and Vanya.

The next edition in Rinse's iconic mix CD series comes from rising London-based house DJ Richy Ahmed. To coincide with the release of Rinse: 23 (RINSE 032CD), Rinse have taken three of the best tracks from the mix to produce a limited edition vinyl release. The vinyl is fronted by Richy's own production, "Your Love," with tracks from Subban & Smith aka S.A.S., and Michael Jansons.

Rinse: 23 marks the beginning of a new era for Rinse FM's mix CD series. Where previous installments have featured only DJs who regularly play on the station at the time of release, in the future the mix series is set to cast its net wider. Future installments will also feature DJs who are respected pioneers or important new artists within the sounds and scenes that Rinse plays and represents. The next edition in Rinse's iconic mix CD series will come from rising London-based house DJ Richy Ahmed. Moving from deep house into harder and more driving domains, Rinse: 23 captures the broad-minded approach and instinctive feel for dancefloor dynamics that have seen Ahmed's reputation as a DJ soar over the past few years. "The thing I look for in every track, that's universal in every type of music that I play -- I look for the groove," enthuses Ahmed of the music he's drawn to for his sets. "I like it jacking, I like energy." That attitude sits at the heart of Rinse: 23. Taking a gradual trajectory from the shimmery deep house of Outboxx's "Sunshine Mills" downwards into the driving, techno-infused grooves of Waff's "Body Ice" and Subb-an's "Cloak & Dagger," the crucial thread that runs throughout the mix is a compulsive sense of swing and undulating motion. It's very much a club-centerd mix, plunging straight into the heart of the dancefloor and drawing the listener along in its slipstream. Along the way it passes through a whole range of exclusives, including Mark Jenkyns' taut, thrillingly elastic "Mind Dust" and, a highlight, Richy's own, dubbed-out new track "Your Love." As one of the key names behind the London-based label Hot Creations, alongside Jamie Jones and Lee Foss, Ahmed is developing into an increasingly influential figure in house music both in the UK and further afield. Having grown up in Newcastle-Upon-Tyne, in his late teens he fell in love with house music on a trip to Ibiza, and during successive trips became good friends with Jones, Foss, and a number of other DJs who have gone on to become well-known names within house music circles. He swiftly developed a reputation for his incendiary DJ sets, and he has recently been playing at progressively larger and more renowned venues. Other artists include: Demarzo, Les Cerveaux Lents, Jey Kurmis, Chaos In The CBD, Hot Natured (feat. Anabel Englund), Tom Shorterz, Danny Tenaglia (feat. Lula), Chris Lattner & East End Dubs, Kim Ann Foxman Creature, Vaal, Tale Of Us & Luca Cazal, Tanka, Michael Janson, Lake People, Phonique (feat. Erlend Øye), and Burnski.