Sam Amidon thought he had a pretty good idea what direction his new album Lily-O was going to go. Then he started recording it. Due Sept. 30 on Nonesuch Records, what turned out to be a collection of distinctive, enveloping songs rooted in folk music didn’t begin that way at all.
In fact, the Vermont-born singer, guitarist, fiddler and banjo player had initially envisioned an album based more on the improvisational material he and jazz guitar great Bill Frisell developed together a couple of years ago while touring New England as a duo.
“I thought it was going to be a much more instrumental, weird album of fiddle stuff and snatches of melodies and a little bit of singing, but really strange,” Amidon says. “I didn’t set out for this album to be as much of a songs record as it ended up being.”
There are 10 songs on Lily-O, to be exact, and they include bright banjo and clickety-clack percussion on opener “Walkin’ Boss,” the mournful interplay of fiddle and guitars on “Blue Mountain” and glimmers of Frisell’s electric guitar framing Amidon’s plainspoken vocals on “Maid Lamenting.”