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THE LEGEND OF HOLI-KA

Holi is a Hindu spring festival in India and Nepal, also known as the “festival of colours” or the “festival of love”. The festival signifies the victory of good over evil, the arrival of spring, end of winter, and for many a festive day to meet others, play and laugh, forget and forgive, and repair broken relationships, and is also celebrated as a thanksgiving for a good harvest. It lasts for two days starting on the Purnima (Full Moon day) falling in the Hindu Calendar month of Phalgun, which falls somewhere between the end of February and the middle of March in the Gregorian calendar. The first day is known as Holika Dahan or Chhoti Holi and the second as Rangwali Holi, Dhuleti, Dhulandi or Dhulivandan.

However, the meaning of the festival is believed to have changed over the years. Earlier it was a special rite performed by married women for the happiness and well-being of their families and the full moon (Raka) was worshiped.

Thus the full moon festival of Holika gradually became a festival of merrymaking, announcing the commencement of the spring season. This perhaps explains the other names of this festival – Vasanta-Mahotsava and Kama-Mahotsava.

What enhances the spirit of Holi though is the tradition of consuming the intoxicating bhang. It is generally consumed with thandai or as pakoras. People go high on it and enjoy the festival to the hilt. Other Holi delicacies include gujiya, mathri, malpua, puranpoli, dahi badas, etc. After a frenzied play of colours people love to gorge them up.

The celebration of Holi is very ancient in its origin. And by its very origin, it celebrates an ultimate triumph of the ‘good’ over the ‘evil’. While, a feast of colors associated with the Holi, is the face of this celebration, the original reason of celebrating Holi, lies in its soul. And this gives us the ‘why’ of this ancient festival.

Literally “Holi” signifies “burning” in Indian language. But, how it came to be associated with ‘burning’, is a story. The reference is found only in ancient Indian mythology. And It is the legend of Hiranyakashipu, to whom the celebration of Holi is associated.

The Story

Many centuries ago, there lived a demon king named Hiranyakashipu in ancient India. He wanted to avenge the death of his younger brother. The brother, also a demon, had been killed by Lord Vishnu, (according to the Hindu belief). To take on Vishnu, the tyrant king wanted to become the king of the heaven, earth and the underworld. He performed severe penance and prayer for many years to gain enough power. Finally he was granted a boon. King Hiranyakashipu, according to a legend found in chapter 7 of Bhagavata Purana, was the king of demonic Asuras, and had earned a boon that gave him five special powers: he could be killed by neither a human being nor an animal, neither indoors nor outdoors, neither at day nor at night, neither by astra (projectile weapons) nor by any shastra (handheld weapons), and neither on land nor in water or air. Powered by the boon, Hiranyakshipu thought he had become invincible. Arrogant, he ordered all in his kingdom to worship him, instead of God.

Hiranyakashipu’s own son, Prahlada, however, disagreed. He was and remained devoted to Vishnu. This infuriated Hiranyakashipu. He subjected Prahlada to cruel punishments, none of which affected the boy or his resolve to do what he thought was right. Finally, Holika, Prahlada’s evil aunt, tricked him into sitting on a pyre with her. Holika was wearing a cloak that made her immune to injury from fire, while Prahlada was not. As the fire roared, the cloak flew from Holika and encased Prahlada, who survived while Holika burned. Vishnu, the god who appears as an avatar to restore Dharma in Hindu beliefs, took the form of Narasimha – half human and half lion, at dusk (when it was neither day nor night), took Hiranyakashyapu at a doorstep (which was neither indoors nor outdoors), placed him on his lap (which was neither land, water nor air), and then eviscerated and killed the king with his lion claws (which were neither a handheld weapon nor a launched weapon).

The Holika bonfire and Holi signifies the celebration of the symbolic victory of good over evil, of Prahlada over Hiranyakashipu, and of the fire that burned Holika. In several states of India, specially in the north, effigies of Holika are burnt in the huge bonfires that are lit. There is even a practice of hurling cow dungs into the fire and shouting obscenities at it as if at Holika. Then everywhere one hears shouts of ‘Holi-hai! Holi-hai!’.

Now, let us look into the face of it. How did the celebration of Holi assume a colorful face? Well, it is linked to yet another legend, the legends of Krishna.

Rangwali Holi

In the Braj region of India, where the Hindu deity Krishna grew up, the festival is celebrated until Rangpanchmi in commemoration of the divine love of Radha for Krishna. The festivities officially usher in spring, with Holi celebrated as a festival of love. There is a symbolic myth behind commemorating Krishna as well. As a baby, Krishna developed his characteristic dark blue skin colour because the she-demon Putana poisoned him with her breast milk. In his youth, Krishna despaired whether the fair-skinned Radha and other girls would like him because of his skin colour. His mother, tired of the desperation, asks him to approach Radha and colour her face in any colour he wanted. This he does, and Radha and Krishna became a couple. Ever since, the playful colouring of Radha’s face has been commemorated as Holi.

Other References

According to Another Hindu belief, Krishna was a reincarnation of lord Vishnu himself. It was Krishna, the king of the ancient city of Dwarka, who popularised the tradition of Holi. The origin of the colorful and frolicking tone of Holi lies in the boyhood of Krishna. It all came up as part of his pranks, he used to play with his boyhood mates of Gokul and Vrindavan. Situated in north India, these are the places where he spent his childhood.

It was at this time of year, Krishna used to play pranks by drenching the village girls, with water and colors. At first it offended the girls. But they were so fond of this mischievous boy that soon their anger melted away. And, it did not take long for other boys to join in, making it a popular sport in the village. Later, as Krishna grew up, the play assumed a new dimension. It added more colors to Krishna’s legendary love life. The legend of Krishna’s courtship with Radha, and playing pranks with the ‘Gopi’s. The girls in the ‘dairy’ village of Gokul were mostly milkmaids, and, hence locally known as the Gopis. The same tradition has transpired through the ages, turning it into a community festival of the masses. As time kept flowing, the culture spread roots to other regions of the country. The Holi play of Krishna is documented in hundreds of ancient paintings, murals, sculptures and scriptures found across the subcontinent.

In south India, however, people follow the tradition of worshiping Kaamadeva, the love god of Indian mythology. People have faith in the legend which speak about the great sacrifice of Kaamadeva when he shot his love arrow on Lord Shiva to break his meditation and evoke his interest. the legendary significance of Holi is linked to Shiva in yoga and deep meditation, goddess Parvati wanting to bring back Shiva into the world, seeks help from the Hindu god of love called Kama on Vasant Panchami. The love god shoots arrows at Shiva, the yogi opens his third eye and burns Kama to ashes. This upsets both Kama’s wife Rati (Kamadevi) and his own wife Parvati. Rati performs her own meditative asceticism for forty days, upon which Shiva understands, forgives out of compassion and restores the god of love. This return of the god of love, is celebrated on the 40th day after Vasant Panchami festival as Holi.