Content Tagged ‘blog’

I read a lot of short fiction. I like most of it just fine. Someone’s marriage is in peril. Someone’s job is in peril. Something is said at dinner that sends all of the protagonist’s regrets and mistakes and losses bubbling up to the surface. The story ends and I’m more or less satisfied; I’ve been taken on a short trip into the lives of others by a competent and caring writer, someone acutely aware of life’s precious intricacies, someone with an eye for the things worth seeing, but that are so often overlooked.

But then I close the book or the journal and the story becomes nothing more than that generic three sentence summary I gave in the previous paragraph. The story is gone.

Kevin Wilson’s “A Birth in the Woods,” originally published in Ecotone 6.2, is no such piece of short fiction. It lingers. It demands your attention from the first line—“He had been warned that there would be blood”—and continues to demand it long after the final period.

Broadside created by John McShea for John Jeremiah Sullivan’s reading at UNCW’s Writers Week 2013.

As an intern with Lookout and TA in UNCW’s Publishing Laboratory, sometimes I find my work overlapping. And if my work isn’t quite the same, I still operate within the same workspace for both jobs. So when Lookout takes a brief pause to celebrate Writers Week, the week in which UNCW invites national writers, editors, and agents to engage our community, I continue to head into the office to support the university. Here is how I do this:

Lookout Books is getting excited about AWP. We hope you’ll stop by our table at the Bookfair, and that you’ll attend The Debut Voices of Lookout Books, which is happening this Friday at 1:30 p.m. This reading will be the first time all four Lookout authors are in the same place, and the event will be followed by a book-signing at our Bookfair table. You’ll be able to grab signed copies of all our Lookout titles. We’re also excited about unveiling the limited edition chapbook that we printed in-house to commemorate the Debut Voices event.

We did a blog post about creating glyphs for the chapbook (read it here). Now we’re going to share how we designed the interior of the chapbook, which features complete stories from our three prose authors’ Lookout titles and two poems from our Lookout poet . Here’s a look into the process of designing and printing the book:

As the interior designer, I met with the interns doing cover design and together we decided on a trim size of 6” x 6”. Then I got to work on designing a page layout, asking for feedback as we worked.

1. An early version, with handwritten feedback. We needed to feature the author name more prominently, to group the name and title differently, and to give the text more room to breathe with some larger margins.

To celebrate all our authors reading together for the firs time, we’ve been working on a limited edition booklet to feature work from the four Lookout authors, called Debut Voices of Lookout Books. (Come see them, Friday 1:30PM and then to the book signing after at table A6/A7.) We wanted to design a unique glyph to represent a component of each author’s work and would be used on the covers and interiors of the chapbook.

We read the stories and poems and picked elements from each that spoke to us. Then we studied images of each element, and, using the pen tool in Photoshop, recreated their lines and curves, filling them in with the tone and emotion of the stories. Here is what we came up with.

1. Like all writers, we love animals, but after a while we get a little tired of hearing about your pets. If you have three turtles, we don’t think, oh but those three turtles probably need some fancy flies that could be bought with the money from publishing this story. We’re happy you have things in your life that you love—but this is a cover letter. Let’s get to your story!

2. It’s usually best to keep the letter brief. Sure, we want to know that you’ve been published by the Paris Review, the New Yorker, and Agni—Hooray!—but then you’re fine with the phrase “and many other journals.” Listing another twenty places feels unnecessary. Plus the block of text makes our eyes glaze. Pick the top three or four—maybe five—and keep some mystery in this relationship.

In celebration we assembled gift boxes to bookstores, including a copy of River Bend Chronicle, a reading guide, a bow tie button, postcards, Ben’s personal map of Davenport attractions—and, perhaps most touching, a note straight from Ben’s Royal typewriter.

We drew on the wild, memorable, pop-culture saturated prose stylings of Ben Miller. The inside lid of the box features an excerpt from “The Reinvention of Ice,” a chapter in which Ben recalls a classmate’s father’s big American invention: a mail-order ice rink, complete with tarp and spikes. Just hook up the hose and wait for frigid conditions!

Best of all the boxes look like the mail-order ice rink as it’s described in “The Reinvention of Ice.” Check out a few photos of the process.

So get ready, bookstores—they’re coming your way this week! (And there’s a good chance you’ll see these items at AWP, where we’re debuting River Bend Chronicle!)

Wow! I can’t believe the Fall semester here at Lookout Books has come to an end. We’re a teaching press (as you probably know already). Our staff is almost entirely made up of graduate students doing design, marketing, editing, blogging, social media, and way more.

As blog editor, it has been an absolute pleasure to work with our current staff: Joe Worthen, Katie Jones, Ethan Warren, Anna Sutton, and Ana Alvarez. I’d like to thank them for their hard work and take a brief moment to re-cap my favorite blog posts this semester: