Wednesday, November 22, 2017

For the first time in Hungarian MythOff history, we ventured outside of Budapest, and visited another town, Veszprém, to bring myths and fun to a whole new audience! The idea came from a new member of our little myth-telling team, Cecília Stenszky, and everyone enthusiastically agreed - not only because traveling is fun, but also because a whole new audience means we get to dust off and tell again myths that we really enjoyed the first time. This is how MythOff Replay was born, giving us a night of telling our mythical favorites together.

The venue for the event was an Irish pub called Scorpion. They offered us their attic room, which was a perfect size for an audience of thirty, with comfortable armchairs, mood lighting, and no background noise. We had a full house of great people who drank beer and wine, ate delicious things, and whole-heartedly cheered us on. The evening's emcee was Szilvia Varga-Fogarasi, who made sure everything ran smoothly, and also created the golden lollipops that we received as prizes.

And now, the program:

Round one: Mythical huntersThe evening opened with Enikő Nagy's telling of the Mongolian legend of Gesar, and how he went all the way to the end of the world to find a magical bird that could cure the daughter of the Sun. Her elegant and poetic telling was followed by Erika Hajós, who brought us the Greek classic of Callisto and Arcas (Ursa Maior and Ursa Minor), and eloquently described the awful person Zeus is in that story.Voting question: "If the famous Veszprém Zoo could bring either the magic bird, or the two bears, into its collection, which one would you rather see?"Winner: Gesar's bird

Round two: Very strong mythsThis round opened with our new storyteller, Cecília Stenszky, who brought us the myth of Thor and Utgard-Loki. It is an amusing story, and her humorous telling was appreciated by the audience. Next, I told the story of how the Irish Fianna fought the Witch of the Eastern Sea for the Cup of Victory (and, according to the photo on the right, went a little ethereal while doing it). It was even more fun to tell the second time around.Voting question: "Which group of heroes would you like to add to the Hungarian Olympic team?"Winner: The Fianna

Round three: Burning hot myths

First, László Gregus told us the Chinese myth of Yi the Heavenly Archer and the Ten Suns, in which the hero shoots nine suns down from the sky to save the world from burning. After him, Szilvia Varga-Fogarasi told the story of how Maui stole fire from his grandmother, and how he taught the people how to kindle it themselves. She told the tale with energy and humor fitting for a trickster tale.Voting question:"Which hero would you ask to bring some fire for your fireplace for Christmas?"Winner: Yi the Archer

Round four: Myths of endless creativity
This last round was opened by Júlia Lovranits, who brought us a Slovenian myth pieced together from various sources, about the god Kurent, the great flood, and the invention of wine. She even brought a cow bell to ring at the end of the story! The evening's program then concluded with Maja Bumberák's magical telling of Veinemoinen and Antero Vipunen, in which the Kalevala's old magician went searching for magical words. Her singing of the end of the story was a perfect conclusion for the night.Voting question: "Where would you rather take your family - the Kalevala Adventure Park, or the Kurent Wine Tasting Tour?"Winner: The Kalevala

We are really grateful for yet another amazing MythOff event, a very cool audience, and the chance to tell our favorite stories. We all hope we'll travel a lot more in the future!

Monday, November 20, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!With today's post, the series goes on a CHRISTMAS BREAK. It will continue in January!

HáncsvirágNorvég népmesék
Vaskó Ildikó (szerk.)
Móra Kiadó, 2004.

This book is a lovely Hungarian edition of 23 tales translated from the well-known 19th century Norwegian folktale collection by Peter Christen Asbjørnsen and Jørgen Moe. You can find their tales in English in various formats online, including this wonderful blog. My particular edition was meant for children and families, therefore it is gorgeous (illustrated by artist Szegedi Katalin) and readable, but lacks notes and sources. Still, it was a very good selection.

Highlights

One of my favorite stories from the collection is Boots and the Beasts; I included it in my own book about superpowers, since the hero can transform himself into a lion, and ant, and a falcon. He uses this ability to save princesses from trolls, which is pretty neat. I also love, and frequently tell around Christmas, the story of the Cat on the Dovrefjell, in which a polar bear scares off a bunch of trolls that try to wreck a house on Christmas Eve.
I really enjoyed Espen Ashlad and the Redfoks, in which a boy could find out all kinds of secrets by looking through the ring of a magic key. Among others, he discovered that trolls were afraid of thyme (and used this knowledge to rescue a princess, obviously).Easy for those who are loved by women is an interesting story about a boy that wishes that all women would love him at first sight - and succeeds in life because women are helping him along. I heard Janice Del Negro tell her own amazing version of it, and I will never look at this story the same way again.Connections

The book opens with a classic trickster story, that of Peik the Mischievous who outsmarts a king several times, using such classics as selling him a "pot that cooks without fire" (it doesn't), and also getting the king's daughters pregnant. In the end, he is caught and locked into a box, but he manages to switch places with an unsuspecting merchant.

The tale of the Three Aunts is essentially the same as Grimm's Three Spinners, although I liked these ladies better. Hakon Grizzlebeard is the Norwegian counterpart of King Thrushbeard, Grass Girl is the tiny fairy bride stepping in for the tale type of the Frog Princess, and King Valemon the White Bear is the well-known Norwegian variant of Beauty and the Beast (and probably the European source for the American White Bear Whittington). In this last one I especially loved the part where the woman seeking her husband was helped by three little girls, and only found out later that they were her own daughters, hidden by her husband with other families to protect them from the curse. Katie Woodencloak is the Norwegian variant of Catskins; I liked it that she was helped by a great black bull, who gave his life to save her, although I felt a little sorry that it did not turn into a prince at the end.
This book is also the first European collection in the series featuring one of my favorite tales, The Husband who had to Mind the House, in which a woman and a man swap chores for a day, to prove that women don't just "sit around at home" all day.

Monday, November 13, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

While many people think Andersen when they hear the term "Danish folktale," Andersen stories are at best literary re-imaginations of traditional stories. It is important to know that there are many, many actual folktales collected from Denmark, and they are pretty great too.

The volume contains twenty-nine classic folktales collected from various parts of Denmark. The tales have been translated and re-told in English, so some of the names are also English ("Jack") instead of Danish - but all in all, they seem to have retained their original flavor. Each story comes with Notes that include the place of collection, the source of the text, the tale type, and some interesting observations on certain ancient or common elements of the tale. The book is by no means a scientific publication, but it does give credit where credit is due.

Highlights

By far the best tale in the book bears the misleading title The Pig, which completely conceals that the story is a version of Bluebeard. Chasing a magical pig, three sisters end up captured by an evil man, one after the other. The youngest sister does not only manage to trick the man, but she even rescues her two sisters before she ends up rescuing herself.

The story of the Lindworm (here titled King Dragon) is a fairly well-known tale among storytellers. A queen gives birth to a dragon which wreaks havoc in the royal court until a brave servant girl manages to convince it to take off all his layers of dragon skin, and turn into a prince. This Danish version also have a sequel, in which the Dragon King wrongly exiles his wife, and then goes to find her - and when he does, he makes sure to ask again if she wants to go home with him at all (yay, consent!). By the way, I really recommend hearing this story in the enchanting performance of Louisiana storyteller Danielle Bellone, if you get the chance.
I also found the tale of The Princess on the Island interesting, and more than a little dark. In it, a Danish princess was hidden away in an island fortress by her father, to keep her from marrying an English prince coming to invade the country. All the princess' servants starved to death, and she lived on eating mice until she managed to break free (!). She did marry the prince in the end.
It was noted as a typically Danish element in the stories that villains often ended their career by "bursting into pebbles out of sheer anger." I found this poetic justice very appealing.Connections

Since these are European stories, most of the types were familiar to me from many other sources - but that does not mean I did not appreciate the Danish take on each of them. The book contains several of my favorite folktale types: The clever girl that outsmarts a bunch of trolls three times (Ederland, the Poultry Maid); the Golden-haired Gardener, who in this case is helped by a magic horse and a non-magical lion, and has golden locks that reach his heels (Jack with the Golden Hair); and the Dancing Princesses, or in this case, single princess, who dances with a troll each night, until she is followed and rescued by the hero, who also kills the troll and turns the forests of silver, gold, and diamond back to people.Even beyond my favorites, there were some very fun takes on familiar stories in the book. I liked Trillevip, the Danish variant of Rumeplstiltskin, who, once his name was guessed, actually helped the girl trick her own husband so that she would not have to spin anymore. I enjoyed the ending of Peter Redhat, the Danish Prince Thrushbeard, who managed to win the haughty princess, but her parents never forgave him for humiliating her. The Magic Hat was reminiscent of Irish fairy stories (it made its wearer able to see invisible trolls), while The mill at the bottom of the sea is a very common Baltic and Scandinavian story type, explaining why seawater is salty.

Monday, November 6, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!We have reached Europe! It will take almost a whole year to get through all of its countries. Settle in!

The book contains fifty-one Icelandic tales; most of them are legends, stories about events people believed to be true, featuring beliefs and creatures that are very prominent in Icelandic folklore. The stories are grouped according to these themes: There are separate chapters for Elves, Trolls, Ghosts, Water Monsters, Magicians, and other folktales. The tales have been translated from the Icelandic, and then re-told by the author; they provide and enjoyable reading experience, while retaining all the names and details that give them their unique flavor. There is an extensive Introduction by Terry Gunnell, who talks about the context of Icelandic legends, their cultural background, origins and collections, and the beliefs and customs they represent. He points out that Iceland was a culturally diverse country even in the middle ages, and therefore the stories show elements from Scandinavian, Celtic, and several other traditions. There is a list of sources at the end of the book, and each story comes with a citation of its original text.Highlights

Bjarnarey, one of the Westman Islands

I have to say that Iceland is exceptionally great at wizard stories. There are countless legends about magic schools (Saemundur in the Black School), and priests and wise men who have magical powers. My absolute favorite was the tale of the Magicians of the Westman Islands, in which eighteen magicians fled to the small islands from the Black Plague, and some time later sent one of them back to check if anyone survived. The magician only found one survivor, a young woman, with whom he fell in love, and never returned to the others. In revenge, the other magicians sent ghosts to destroy him - ghosts which the girl managed to outwit, in order to save the man she loved.
Knowledge of magic was usually gained from books of magic. For example, Loftur the Enchanter summoned the ghosts of Iceland's old bishops, to gain their books of secrets from them. Eiríkur of Vogsós, on the other hand, tested his prospective students by seeing if they were willing to kill an old woman for knowledge (and if they were, he kicked them out). Björn the Fiddler was tested by his uncle through summoning up talking corpses and other demonic visions - but handled all of them with patience and good humor, earning his uncle's respect. Some enchantments were more chilling than others. The darkest was Thorgeir's Bull, a creature created by bored magicians and brought to live with the use of nine souls (one of them human). The monster haunted the countryside for a long time, and eventually killed its own master.
Similarly chilling was the legend of the Elf-Steeple. It told about two brothers, one strong and brave and the other quiet and gentle. The quiet brother spent time with his Elf friends a lot, and was to be initiated into the Elf priesthood - but his sibling broke in and interrupted, for which the Elves killed him. The young priest traveled far, for the Elves promised he would die if they say each other again. One day as he celebrated mass, a storm broke the church doors open at the same time as the Elf church opened - and the moment the priest looked into the eyes of the Elf priest, he dropped dead.

Picture from the ABC blog,
which I highly recommend to
everyone interested in creatures

Redhead the Whale, one of Iceland's most famous monsters, was also a victim of Elf revenge. He stayed with the hidden people, and got a girl pregnant; but refused to acknowledge the child. He was turned into a whale in revenge, and terrorized the waters until an old priest-magician lured him up a river, where he died.
The title story is also quite beautiful. Regarded as a variant of the Dancing Princess tales, it tells about Hildur, an Elf queen who was exiled from home by her mother-in-law, cursed to work as a servant among humans. She could only return home one a year at Christmas, and only freed when someone was brave enough to secretly follow her.
Some of the troll tales were also great. I especially liked the ones where priests left some rocks and cliffs on every shore unblessed, so that trolls would have somewhere to live too.Connections

Celtic connections were very obvious in the tales about the hidden people / fairy folk. There was a Fairy Midwife story (I already found one in the USA, and it is very popular in Ireland), a changeling legend (Father of eighteen elves), and a Selkie story (Better a seal skin than a child), among others.
I found the Icelandic variant of the Magic Flight titled Búkolla endlessly endearing. In it, a boy rescues a cow from a troll, instead of a girl; Búkolla moos to bring her savior to her, and then they escape together by throwing things behind them to slow down the troll. I was also happy to find one of my favorite strange folktales, The Dreamer and the Money Chest, in this book. In it, a traveler follows the soul of his friend as it escapes during sleep, and sees where it wanders.

Once upon a time there was a poor man who constantly dreamed of becoming rich. He had nothing and no one in the world, but he could tell the most amazing stories to people, and weave the most amazing dreams of what he would do, and see, and buy, once he was truly wealthy. Day after day, he waited for his chance.

One day, La Muerte, Death Herself appeared before the man.

"I will take you under my wing" she told him "I will give you a profession. You'll become a doctor, and you will be able to cure any illness in the world by simply placing your hand on the patient. If you see me standing at the foot of the bed, you can be sure the patient will live. But if you see me at the head of the bed, beware: That soul belongs to me!"

The poor man was all too happy for the bargain. He immediately moved to the city, and began practicing as a doctor. People miraculously got better under his care. News spread like wildfire that there was a miracle worker in the city, and they soon reached the royal palace, where the king's only daughter lay very, very ill.

The King immediately summoned the doctor, and told him:

"My daughter is very ill. If you can cure her, I will make you rich, and give her to you as your wife. But take care, because if she dies, I will have you executed!"

The doctor went straight to the princess' room, trusting in his magical power... but when he entered, he was terrified to see La Muerte standing at the head of the bed.

What shall I do?! he thought frantically, If she dies, I'm done for!

With sudden inspiration, the doctor grabbed the princess' bed, and turned it around - now La Muerte was standing at the foot of the bed. The doctor quickly placed his hand on the princess. She was immediately cured, sat up with healthy roses in her cheeks, and La Muerte stormed out of the castle, furious.

The King announced that his daughter was going to marry the doctor who saved her life. The doctor was invited back for the next day to prepare for the wedding. But as he stepped out of the palace, happy with his good fortune, someone grabbed his arm.

La Muerte had been waiting for him at the door.

"You are coming with me!" she said, and took the doctor straight up to the heavens, to the place where people's life-flames are burning. Each life was represented by an oil lamp, some burning high and bright, and some burning low. La Muerte pointed at a lamp that was sputtering out.

"That is your own life flame." she declared "You tried to cheat me, so now your time is up. You have five more minutes left to live."

"Five minutes?!" cried the doctor in shock, looking around. He noticed a full can of lamp oil nearby on the table. He turned back to La Muerte. "Very well, then. But before I die, I would like to tell one more story. It is a really good story, I think you'll like it."

"Go ahead, then" La Muerte nodded, and the doctor began to speak. He told such an amazing, such a wonderful, such an incredible tale, the best tale he ever told, that he had La Muerte completely enthralled... and while he was talking, he reached behind his back, tipped the oil can, and refilled his own lamp. He poured so much oil in it, that he is still alive today.

This, the story says, is how storytelling defeated Death Herself.

***

This story is my (slightly elaborated) re-telling of a short folktale I found in a collection from the Dominican Republic. The original storyteller's name is Feyito Molina, and he was from Monte Cristi. The story is a rare variant of the folktale type commonly known as Godfather Death (ATU 332). I have never seen a variant before where the doctor got away at the end! As a storyteller, I found it fascinating that Death, in this case, was defeated by storytelling. I feel like there is a message in it for us all. Stories do live on.

Monday, October 30, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!I'd like to note once again that I'll be reading more indigenous folktales in a separate challenge.

The book containts eight re-told French-Canadian fairy tales from the collections of Marius Barbeau. The stories were all gathered from the oral tradition along the St. Lawrence River, and they all have European origins (even though the Princess of Tomboso, for example, was first collected from the Ojibwe, who probably heard it from traders). Some of the tales resembled the 18th century French literary fairy tales in their imagery and storytelling.Highlights

I got this book because it contains one of my favorite fairy tales, the Princess of Tomboso. This tale type (known as Fortunatus) has many variants all over Europe (I even included one in my own book), but for some reason this French-Canadian one is by far my favorite. I especially like that in the end the sneaky princess does not end up marrying the hero that outwits her.

My other favorite from the volume is the tale of the Golden Phoenix, which is a composite of elements from several tale types - it begins with stolen apples (even though the youngest prince has the genius idea of harvesting them before the thief even gets there), then moves on to an underworld journey (during which the prince fights a unicorn, a lion, and a snake), and then goes into a classic hide-and-seek story where a shapeshifting Sultan needs to be found three times, and ends with a Magic Flight. I have never seen these scenes in quite this combination, they fit splendidly together.
Another fun one was the tale of the Sly Thief of Valenciennes, who regularly outwitted a king and avoided being captured... until the king's daughter captured him.Connections

It was interesting to see one long fairy tale split into two sections in the book: Scurvyhead told of a boy's escape from an evil witch's house, while Sir Goldenhair recounted the rest of his adventures, until he got married to a princess. The two together follow the plotline of the Golden-haired Gardener tale type (and both the love of the boy and the princess, and his friendship to his magic horse, were beautifully elaborated). Also a common tale type is the Foundain of Youth, but the French-Canadian variant was a lot kinder to the princess (who, for once, did not get raped in her sleep), and the evil brothers as well.

Monday, October 23, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

TL;DR: Hell yes there is.

I have heard it a lot from white Americans (even storytellers): "But... I don't have a culture! What tradition should I be drawing from?..." Not liking some stories is totally okay, but claiming they don't exist is a whole other issue. This is why I picked this wonderful collection for today's post.(While it does contain some indigenous tales, I am planning on doing a whole separate reading challenge for indigenous nations soon).

Cinderella in AmericaA book of folk and fairy tales
William Bernard McCarthy
University Press of Mississippi, 2007.

The goal of this collection is to offer a diverse selection of tales (122 to be exact) that are of European origin, but have become thoroughly and deeply American over the course of generations and centuries. They are American in their symbols, their performance, their setting, their characters, and their exceptional cultural diversity. The author accomplishes his goal with great efficiency, and includes delicious end notes, sources, and comments, making the book both enjoyable and fascinating. Chapters are divided by culture; after introducing some of the earliest collected tales, we get to read selections from Iberian, French, British, German, etc. traditions (including some rarities such as Armenian and Roma tales), as well as examples of European (or European-sounding) motifs that surface in African-American and indigenous traditions. Every chapter highlights a new slice of cultural diversity in the USA: For example, inside the Ibero-American chapter, we get sub-sections for Puerto Rican, Southwestern Hispanic, Louisiana Isleño, and New England Cape Verdean folktales. It was a treat to browse carefully selected gems from all of these sources.

Folklore map of the USA

The author states that the book focuses on American tales of European origins. If the collection was expanded to African, Asian, Native, etc. traditions, it might be a series of several volumes (and some volumes like that are already available separately). It still acknowledges the existence and richness of those other cultural sources, and manages to offer glimpses into them. It also accomplishes a very important goal: Showcasing that there are various "white American" story traditions that are rich, lively, and thoroughly representative of American culture.
If you don't believe me, read the book.Highlights

One of the prettiest stories in the book is also one of the earliest: Lady Featherflight, a version of the Magic Flight tale type, was collected in Massachusetts in the 19th century. It is especially interesting (and stunning, so close to Salem) that the fairy princess that sits in a tree is accused of being a witch by the villages that find her, and almost ends up executed - until the priest shows up, listens to her side of the story, and finds Jack, the hero that eloped with her in the first place.
One of my favorite tale types, the Basil Maiden, also made an appearance among the Puerto Rican folktales. In it, a clever girl and a young king try to out-sass each other... until the girl wins, and they get married.
My love for Cajun folktales was affirmed through such wonderful selections in the book as Golden Hair (once again, a favorite tale type of mine) and Snow Bella, the Cajun Snow White who ended up marrying the youngest dwarf brother after he repeatedly saved her from the witch's assassination attempts (instead of meandering into the tale at the end).
From the African-American traditions came the tale of Peazy and Beanzy, a "Kind and Unkind Girls" type story, which was unusual because here the unkind girl ventured forth first, and the mother loved them both, instead of being cruel to the younger one. Also from black storytellers came a short, rhyming variant of Sleeping Beauty (La Dora), in which the girl was saved and awakened by a princess. This was explained by the author as the result of a mishearing... but it did not seem to bother the original teller.
From the Polish tradition came the tale of the Black Kitty, in which the hero had to cuddle and pet a black kitten (princess) while all kinds of horrors and illusions tried to get him to give her up. From Scandinavian sources came the legend of the Powder Snake, a giant reptile that spat venomous powder at everyone until a poor boy managed to kill it. The Armenian story tradition was represented by two variants (mother's and daughter's) of the same tale of the Two Dreams, in which a man followed his dream to find the love of his life - and then rescue her by trickery from her tyrannical husband.Of course the Appalachian tale tradition was also fairly represented in the book. My favorites were Rawhead and Bloodybones, and other kind-unkind type tale, in which a girl had to clean and bleach talking, bloody skull drawn from a well - and White Bear Whittington, which, if my personal opinion was asked, I would nominate as the most beautiful American fairy tale I know.Connections

I am not going to list all the connections, since by definition all tales in the book have their European counterparts. I simply want to highlight some less common examples: The book contained variants of Molly Whoopie (Polly, Nancy, and Muncimeg), Grimm's Crystal Ball (The enchanted sisters), the Irish's favorite Fairy Midwife (The fairy birth), The Princess in the Shroud (The Bewitched Princess), and Mistress Cockroach (Mousie Perez).
Due to the great cultural diversity, of course, the book's pages were teeming with tricksters. Hermana Zorra outfoxed Coyote with the help of a tar baby; Quevedo (Spanish author turned trickser) switched places with a shepherd who got punished instead of him; Lapin drank Bouqui's wine and claimed he'd beet at a baptism; Br'er Rabbit did the same with Fox, Wolf, and Bear, and then fell for the tar baby too; Hodja Nasreddin taught and learned important lessons; Coyote was defeated by Little Pig, and then a cannibal baby; and Tyl Eileschpijjel shared his crops with the devil, coming out the winner every time. And Jack... Jack was, of course, everywhere.Where to next?
Saying goodbye to the Americas with Canada!

Monday, October 16, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

This book has been sitting on my shelf for a while; I found it in an antique store in the USA, sitting under a pile of porcelain cups. Not the most authentic source (not a folklore publication), but I really wanted to read it. I plan on circling back anyway, to read some indigenous collections later.

This volume is old, and it shows: The tales are definitely re-told, not collected from tellers word by word. With that said, most of them hold up the structure and feel of the original legend or folktale pretty well, despite occasional dated words and phrases (such as calling the Aztecs "red" or a Chinese girl "oriental"). It does include some conquest era legends, but doesn't pretend that the Spanish were heroes. There is a pronunciation guide in the end, but no sources or comments on the tales whatsoever, which I sorely missed. All in all, it was a pretty read with pretty pictures, but I'll definitely come back to Mexico for more later.Highlights

I absolutely adored the legend of Baby Jesus and Brown Sugar (El Niño de la Panelita). It was about a jolly monk who lived in Puebla and brought food every day to the monastery, but his fellow monks believed that he kept sugar cones for himself. One say they caught him in the chapel, handing the sugar to the statue of the baby Jesus, who was giggling happily... According to Campbell, the statue still has a panela in his hand.
Without much historical credit, but also lovely is the origin legend of the "china poblana" folk costume, said to have originated from a Chinese girl that ended up living in Mexico. She told stories to children, and they brought flowers to decorate her dress. As a storyteller, of course I enjoyed this tale a lot. Storytelling also saved the day in the legend of the Brave Mixtec warrior, who fought an archery duel against the Sun (or so said the Mixtecs to scare the Aztecs away).
The Mayan tale of the Moon God and the Turtle was similarly great. The Moon used to be always full, until a turtle started to show up in his bed while he was away, and it got bigger and bigger. Ever since then, the Moon tends to leave a bit of himself at home, to guard the bed from the intruder...
In the beautiful legend of the Street of the Deer, a girl was almost kidnapped by some men, but her pet deer fought them off.

China poblana fountain, Puebla

Connections

Of course we can't be done with Mexico without talking about La Llorona - in this book, her legend was waved into that of Malinche, but it noted that not everyone believed the lover of Cortez was the Crying Woman.

The story of the Cú bird was another variant of "showing off with someone else's feathers" - and the Cú did, and then vainly took off, and the birds (doves, owls, roardrunners) have been looking for him ever since.
The local trickster is Hermano Coyote.

Monday, October 9, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

The stories in this book have been collected in the 1970s, mostly by the two editors, in Spanish and Creole, and then translated to English. The volume has two parts: legends and folktales, grouped into smaller sections by topic. They mention in the Introduction that they considered grouping them by culture, but too many motifs reach across cultural groups to make that distinction. In the ten folktales included in the second part they left the dialogues in Creole, to show the flavor of the original language; once again, I had to read aloud to understand what was being said... Every story came with a source, as well as the place of collection, and the age of the storyteller.

Highlights

There are many legends in the book about guardians of nature, beings responsible for keeping people from torturing animals, or killing more than what they need. One of them was Tata Balam, the "owner" of nature; Burucat, his helper (a donkey with a man's face) watched out for animals specifically. Warri Massa was responsible for wild pigs (and whipped a hunter for shooting all over the place). Nohochtat, the Lord of the Forest, chastised a hunter for wounding animals without killing them - but was also willing to show him a grow of valuable gum trees. Coconut groves also had their guardian, but the most important of all was Tata Duende, the guardian of the forest, who watched over all of nature (and sometimes kidnapped children).
Another, chilling and beautiful legend was that of the Day of the Dead (Los Finados), when people lay a table full of food for the returning souls of their deceased relatives (and a separate place for the forgotten souls). In this story, a sick little girl saw the ghost-women come to the feast, even though no one else could see them.

Out of all the folktales, one of the best was that of the Bird of Seven Colors, a Belizean variant of Cinderfella (yes, there is a male Cinderella tale type). In this story, a a farmer's peanut-field was being eaten up by a magic bird, until the youngest son managed to catch it - and then the bird talked him into letting it go, and they stuffed a parrot with peanuts instead, to trick the father. The bird helped the boy through various adventures - including a test where people riding a horse at full speed had to slip a ring onto a princess' finger (but she only held the finger straight for the one suitor she liked).
There was also an amusing pourquoi tale about Why mosquitoes buzz in people's ears (there are various story-answers for this question around the world). In this story, Mosquito lent money to his friend, Wax, but Wax never paid it back; it hid in people's ears instead, and Mosquito has been demanding his money ever since... Ew.Connections

Belize also has beliefs of female demons haunting the riversides. Here they are known as Xtabay, and they don't only punish men, they also have a protective role: One of them scared a little boy away from shooting randomly at birds. There were also witches that could take off their skin and fly around at night (here called Heg).
The Sisimite monster that kidnapped people reminded me of the Sisimiquí story from Costa Rica; and so did the story of Rabbit and the Giant, which was a local variant of the same Costa Rican tale. There were also several Anansi stories among the folktales; I suspect that we have seen the last of Anansi until we cross over into Africa...Bonus: If you'd like to know more about the Beliezan oral tradition, and how it can be used in education, I highly recommend storyteller Kristin Pedemonti's book on the subject!Where to next?
With Mexico, we officially arrive to North America!

Thursday, October 5, 2017

This fall I was invited to be a featured teller at a Hungarian language storytelling festival in Transylvania (which is a region within Romania with a large Hungarian and Hungarian-speaking Székely minority). I could not have been more excited about the invitation. The last time I visited Transylvania I was 9 years old, and the place stuck in my memory as a land of endless beauty and magic. In addition, the program they requested also holds special meaning to me: My new storytelling show, titled The Cheerful Prince and the Girl with Red-gold Hair, contains folktales from my upcoming collection, Dancing on Blades (available January 2018). These stories, collected from uniquely talented folk teller Pályuk Anna at the turn of the last century, have been with me since the beginning of my storytelling career, and I am just as much in love with them now as I was 10 years ago. I finished the last round of editing on the book the day before I left for the festival.

The festival, attached to the Day of the Hungarian Folktale (September 30), lasted a whole week. I visited three cities, and had eight performances. The first two days were spent at the Székely National Museum, where schools brought in groups of children to listen to stories. To the little ones I told world folktales (Utgard-Loki and the Pumpkin Girl won best of show), while for the 6th graders I brought dragon legends (including Dietrich and Sistram), and medieval stories such as Dame Ragnell.

I also had the chance to tell in an almost 500 year old fortress church in Sepsiszentgyörgy (Sfântu Gheorghe). The audience consisted of the local Calvinist community, parents and children together, and there was a special magic to telling tales with values (kindness, love, hard work) inside the medieval walls.

In Csíkszereda (Miercurea Ciuc) I told tales on the main square on a chilly yet sunny day, surrounded by children, curious adults, and various TV reporters (watch the video here). It was a dubious choice to make the kids stand in the cold wind, but they cheerfully followed me into the stories, and listened while they wiggled. The best moment of the whole day was when I told Pályuk Anna's tale about the Boy who walked on the clouds, and we all looked up at the fluffy clouds above us while I was telling. It was a bright, unforgettable experience.

In Marosvásárhely (Târgu Mureș) I told at the Spectrum Theater, to an audience of almost 100 people (and therefore a lovely full house). There were children in the audience, but a lot less than adults, so I could bring out the tale of the Cheerful Prince (Anna's lovely, mother-in-law-positive variant of Rumpelstiltskin), which speaks to adults through emotion and imagery. It was my first time telling it in Hungary (English-speaking audiences always love it), and it worked great.

Returning to Sepsiszentgyörgy for the actual Day of the Hungarian Folktale, we closed the festival with a two-hour storytelling event. In the first hour I told tales from Dancing on Blades (once again, we had a fairly full house of about 100 people), and then handed the stage over to two Csángó tradition-bearers, elder ladies who still carry the oral tradition of folktales, and speak in an archaic Hungarian dialect. Their presentation was lively and lovely (and occasionally hilarious, since they were telling Jesus and St. Peter legends), but I had to work hard to follow what they were saying. It was definitely a unique cultural experience. And fun.

St. Anne's Lake in a volcaniccrater

In the midst of all the telling, I also had time to play tourist a little bit. I visited the former home of Hungary's famous storyteller and story collector Benedek Elek (I would not be a storyteller without him!), the Lake of Saint Anne (according to legend, fairies used to live in it, until they were chased away by the sound of church bell - there's an amazing story about it), Bran Castle (which is a nice historic site, with absolutely nothing to do with Dracula), the Castle of Déva (subject of our most famous folk ballad in which a woman is killed so that the castle can be built), and other famous sites of history and culture. Many of the Hungarian and Székely folktales I read and love were collected in these towns and all over this landscape, which made every river, every mountain, and every castle special, and every forest filled with fairies. Transylvania is still a land full of history, beauty, and tradition. (After this, if one more person asks me if I have met Dracula over there, I'm going to beat them with a folktale collection.)In addition to the travels, I was also grateful for the chance to bring Pályuk Anna's tales to audiences in Transylvania (she was Transcarpathian). The stories took a new life, worked their magic, and, hopefully, will travel on to new places in people's memory. I hope to return again soon.

Monday, October 2, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

According to our ancestorsFolk texts from Guatemala and Honduras
Mary Shaw
Summer Institute of Linguistics, University of Oklahoma, 1971.

This volume contains stories from Mayan storytellers (and lorekeepers), mixed in with a few Carib and Jicaque texts. All were collected by linguists working with various groups in Guatemala (crossing over to Honduras and Belize). The book contains a total of 103 stories in the original language and English translation, as well as a long and detailed introduction, and copious footnotes and references. Stories (of which most are folktales, with the occasional myth, historical legend, and folk belief) are grouped by language, divided by illustrations. It is a detailed and informative collection, with a lot of good stories.

Highlights

I was struck by the legend of the Food of the Holy Earth. It told that when people first began to cultivate the land, the earth cried out and complained, and trees and plants that were cut down screamed in pain. They went to God to complain about the people torturing them, and God made them a deal: They would feed His children, but in exchange the earth can eat them when they are dead. The teller claimed that diseases and disasters happen because people put their dead in coffins and mausoleums, instead of giving them back to the earth as agreed.
I also found the story of the Man and the Buzzard interesting; in it, a lazy farmer switched places (bodies) with a buzzard, because he thought it would be easier to be a bird. He was wrong.
The true highlights of the volume, however, were the local Biblical legends. In one, Jesus Christ's name got tagged onto a local trickster; the story told about how he repeatedly outwitted the Jews that persecuted him (once by throwing chili into their eyes and running away). In the origin story of the copal, two men visited Jesus' pregnant sister (!) and brought incense; the smoke colored the face of one of them black (a picture of the Three Wise Men?). Also Biblical was the legend of Adam (sic) and the Flood, in which not only rain fell from the sky, but also resin, and it trapped hiding people underground - a story explaining urn burials unearthed by people in the mountains. The origin of domesticated animals was explained with Jesus planting the bones of animals his brothers (!) had eaten, and reviving them after three days. Some escaped the farm, however, and those became the wild animals....

Connections

Obviously, there was a race between animals (Frog and Deer this time), and multiple Magic Flights (with objects thrown over the shoulder, and a princess born from a grapefruit). There were also common tale types such as Open, sesame!, and the Contest between magicians.

Quetzal, Guatemala's
national symbol

Last week in Salvador there was a myth about God hiding the corn from people, and the leafcutter ants finding it; that story was included in this volume too. The Guatemalan version also noted that since corn is the most important food source, and it has a soul, hiding it meant all other food ceased to exist as well. Similar to Honduras, Guatemala had its vengeful female demons too - a girl that made men disappear if they treated their wives badly, and a woman with horse legs and horse eyes who lured men into the river if they beat their wives. I was reminded of North American myths by The serpent and the angels of lightning, in which angels shot (with guns) at a snake that caused rivers to overflow (in the North, they are Thunderbirds). In the legend, a mortal hunter joined them too, to take part in defending the world.

Illustration from the book

I was reminded of Loki by the legend where the three goddesses of corn chained the giant Sipac under a mountain. He had been moving mountains around, and selling land to the whites, so they tricked him into captivity - whenever he tugs on his chains, he causes earthquakes. And talking about earth: After Thailand, I once again encountered a mythical person who could swim in the soil as if it was water. This time, it was Yew Achi, the evil, cannibal king of the Quiche.
Among the tricksters, Pedro Urdemalas made an appearance (here called Pedro Tecomate, Pedro Gourd), as well as Rabbit, who once again fell for the usual tar baby trick (but eventually pawned it off on Coyote). Rabbit was the protagonist of various trickster classics such as "Trickster seeks endowments", and "Trickster rides his enemy like a horse." The suffering party was usually Cougar, Tiger, or Lion.

Monday, September 25, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

The volume contains five legends and six folktales, along with several riddles and rhymes. Most stories have been re-told by the author, but she makes sure to note the original tellers and sources as well. It was a short, but entertaining read, with most legends taken from indigenous traditions, and most folktales showing motifs from European and African sources alike.

Highlights

I immediately liked the opening story of the volume, in which the gods decided to hide corn from the people who were not respectful to them anymore. Luckily, the zompopo ants (giant winged leaf-cutter ants) dug up the corn, for which the gods tried to punish them by trying them to a tree. The insects broke free, but during the struggle their ties cinched their waists tiny. I liked how the introduction to the book compared the ants digging up life-giving corn to storytellers digging up stories.
I also found the tale of two best friends of supernatural descent, Ifraín and Mausimolú, very exciting. They set out together to find a princess, but then had to go through all kinds of adventures, shipwrecks, and strange islands, to finally find her.Connections

The legend of the Siguanaba had much in common both with La Llorona, and La Sucia from Honduras. She was a careless mother who left her child alone to admire herself in the water; Tlaloc, god of the waters, cursed her into a demon that haunts riversides and seduces careless men.
The story of Money and Luck was another common one - this time with the twist that the two powers competing by making or breaking a man's life were actually husband and wife. There was, of course, a variant of the Singing Bones, called Flor de Olivar - except this time the youngest prince was not actually killed by his brothers - rather, beaten senseless, and he learned about his own past from the song of the magic bush.
The local trickster is Tío Conejo, Rabbit, who managed to trick Coyote with the age-old tar baby move while stealing some watermelons.

Monday, September 18, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

One hundred and fifty ghost stories, urban legends, folk beliefs, and other tales from Honduras, representing some of the most popular spooky tropes around the world - from tormented souls to vanishing hitchhikers, from witchcraft to demonic possession. It is real, living-breathing 20th century folklore, peppered with motifs from more ancient traditions.
This extremely popular collection was gathered by author and journalist Jorge Montenegro, who has been sharing them in a radio program since 1964, and published the first volume in 1972. The book now has a 50th anniversary edition. Most of the stories can be found all over the Internet (including the La Prensa newspaper's archive here); since I don't have access to ILL anymore, I read them online.
And the cherry on top: Some of these stories were turned into a horror movie in 2014!Highlights

Ocote, or Montezuma pine

My favorite story in the book (and one of the few non-spooky ones) was that of the Ocote Tree, in which a young boy learned from his grandma that people should talk to trees, and invited a giant pine to their house for Christmas.
My little feminist heart also loved the Old Man in Love, who was not in love at all, but rather a notorious cat-caller, at least until a pretty young girl seemed to give in to his propositions, and asked him to meet by the river at night. Of course she was not a girl at all, but rather the La Sucia female demon, there to teach the old lech a lesson about "compliments"... A similar lesson was taught to the Mocking Girl, who liked to scare people at night, hiding behind a window and pretending to be a ghost or the devil. One day, she accidentally scared someone to death, so the real Devil showed up, and turned her into an old woman as punishment. And while we are on the topic of morals: the legend of the Grumpy Gravedigger (heh) told the story of how a mean old man was taught a lesson about the spirit of Christmas by being scared half to death by the souls of the dead (Christmas Carol much?).
The story of The Worms was an interesting reverse take on Bluebeard or Mr. Fox: This time, the young wife found hidden treasure in the basement of her husband, and decided to kill him for it... but when she succeeded, the Devil turned all the money into worms in front of her. Similarly, there was an interesting variant of the Vanishing Hitchhiker (the Moramulca cliffs) where someone rescued a girl from a car wreck, only to find out later that the wreck had happened ten years earlier...

Tegucigalpa, site of most stories

Some stories were dark, but also meaningful. In the tale of the Cruel father, a young man was abused physically and verbally. When he fell in love, the father killed his girlfriend to keep her from taking the boy away. Of course her ghost returned - she beheaded the father, and took her lover with her. Similarly, in the story of the Girl from Catacamas, a child was beaten regularly by both parents, until she subconsciously cursed their home, and turned it into a place full of terrifying occurrences.
Some ghosts, however, were nicer than others. For example, there was the Nurse that kept visiting and treating patients in the hospital where she worked, long after her death; and also the Girl with the flowers, who befriended a lonely woman who visited the cemetery every day.Connections

There are few "real folktales" (magic tales) in the book, but several stories contained recognizable motifs from older traditions - for example, that of the Serpent Bride, where a young pianist fell in love with a woman, just to see her turn into a serpent on their wedding night (reminiscent of Melusine, and other serpent bride tales). There were several versions of classic urban legends and ghost stories, such as The Ring (where grave robbers try to cut off a dead woman's ring with her finger, just to find out she was not actually dead); grateful ghosts pointing out the place of buried treasure; Vanishing Hitchhikers (several of them); and even a ghost bus, this time filled with nuns for some reason...
I have already encountered stories about loyal dogs that protected their owners even after death; Angelina's Dog was one of them, attacking and mangling men who had killed it to get close to the defenseless girl.

Monday, September 11, 2017

Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts under the Following Folktales label, or you can follow the series on Facebook!

This volume contains a total of 24 stories: 12 folktales, 11 legends, and 1 myth. Nine out of the folktales have been collected by students from their families; three are re-tellings by various authors and researchers. Similarly, the legends are longer or shorter depending on the version. The volume itself is visually eclectic: It was printed on color paper, so the stories are told in pastel blues, yellows, greens, and pinks, and complete with illustrations that range from simplistic to annoyingly childish. The book comes with an introduction about Nicaraguan oral tradition, as well as a study guide for students; all in all, it is more an educational project than a folklore publication. With that said, I am still a fan of having children collect stories from their own family traditions - and in this case they came up with some really great ones.

Highlights

The most memorable story in the book is, without a doubt, the legend of The Women of Corn Island. It is a classic Amazon tale, in which the island is ruled by a women-only society; they hunt, fight, work the land, and only allow men to visit once a month, in order to make babies (amazing detail: Women know they are pregnant because at the moment of conception a glowing butterfly emerges from their belly button).

Male babies are sent to their fathers, while the girls are raised by the women, and their roles are determined by moles that are found on their body (on the back for farmers, on the thigh for hunters, and on the belly for potential mothers).
Legend says that when the white colonizers arrived, the women, rather than being killed or taken as slaves, all walked into the ocean, and turned into sea foam, leaving their island abandoned.
I also had a soft spot for the story of a girl who loved swimming in the ocean so much that she even did so on Holy Week, despite her mother's warnings. In the water, she turned into a mermaid, and swam away, singing. I am not sure it was a punishment for her.
On a darker note, there was the bone-chilling tale of María Angustia, a young wife who refused to cook, and kept pestering her neighbor for food and for feeding her husband. In the end, the neighbor lady told her that she should bring some intestines from the cemetery to supplement pork in the dinner - which María did, except the deceased owner of said intestines began haunting her, and dragged her away in the dark of the night.Connections

Similar to most other South- and Central American countries, there was a legend about the La Llorona; and similar to many Caribbean islands, there was also a legend about a woman that peeled her skin off to shapeshift. In this case, she turned into a coyote every day, until her husband sprinkled salt inside her discarded human skin, and she could not put it back on.
I also encountered familiar tale types such as Cricket the Fortune-teller, the Loquacious Princess, and the Extraordinary Helpers (with a flying steamboat!). And of course there was another Devil husband with golden teeth, who in the end got lured into a bottle by his mother-in-law, the way djinn are usually tricked... Ever since then, when the Devil shows up in the shape of a whirlwind, people just have to yell that his mother-in-law is coming with a bottle.

Another classic legend also made an appearance: That of the Procession (or in this case, Cart) of the Dead, which appeared in three or four stories in the book. It is a ghostly procession of skeletons, penitent souls, and other dead things. In one story, a man who lived a sinful life made fun of the procession, saying it was a hoax - but then it came for him, and he had to follow them, carrying a candle made of a human bone, for all eternity.Where to next?
Honduras!