Every so often, the tectonic plates of mainstream musical taste shift. In the 1960s, there was the British Invasion, followed by disco in the 1970s and the rise of glam metal in the 1980s. The 1990s saw the advent of grunge and the resurgence of boy bands, followed by hip-hop’s hegemony in the 2000s. Now, the tables are turning again.

Electronic dance music, better known as EDM, has finally surged from its underground roots and into mainstream consciousness. One need only look at the recent activities of the genre’s most prominent practitioners: last year, Skrillex was one of the main attractions at Coachella; last month, Deadmau5 ended up on the cover of Rolling Stone; last week, Kaskade became the first electronic act to sell out the Staples Center in Los Angeles.

“I think mainly people were just ready to hear something new,” says Kaskade. “My parents listened to rock and roll; that’s their music. And then hip-hop came along. This is the next generation of music.”

Just as international recognition enriched the likes of The Beatles, The Bee Gees, Aerosmith, Nirvana and Jay-Z, EDM’s practitioners have been cleaning up of late, prompting FORBES to release its first-ever Electronic Cash Kings list. Over the past 12 months, the world’s ten highest-paid DJs pulled in $125 million—more than the payroll of the Los Angeles Lakers.

Dutch born DJ Tiesto tops the list with earnings of $22 million, buoyed by an average nightly gross of $250,000 according to concert data provider Pollstar. Grammy-winning California native Skrillex ranks second with $15 million, followed by Scandinavian trio Swedish House Mafia, which recently disbanded despite pulling in an estimated $14 million.

“I’ve been listening to electronic music since I was 12,” says Skrillex. “Even when I played in rock bands, I’ve been making it ... This is the first time it’s gotten so big.”

It’s not just the top three acts making all the money. French DJ David Guetta claims the No. 4 spot with $13.5 million, buoyed by last year’s pop crossover Nothing But The Beat and endorsements with Renault and HP; Steve Aoki, who played over 200 shows in the past year, rounds out the top five at $12 million. Other DJs on the top ten include the aforementioned Kaskade and Deadmau5, as well as Afrojack, Avicii and Jersey Shore’s DJ Pauly D.

Though these Electronic Cash Kings hail from all over the globe, they've got at least one thing in common: they all make the bulk of their money by touring. Often toting nothing more than a USB stick and a pair of Pioneer CDJs, their production costs are often negligible, unlike rockers and pop stars who typically take home just one-third of gross ticket sales.

Our estimates include earnings from these live shows—for many artists, that often means more than $100,000 for a night’s work—and from recorded music sales, endorsements, merchandise sales and, in the case of DJ Pauly D, television (we included him on this list because, like his fellow Electronic Cash Kings, he makes at least half his cash from DJ gigs). Sources include Pollstar, RIAA, promoters, managers, lawyers and some of the artists themselves.