I believe that Hotel Rwanda is a message of hope for Rwandese...
that even in such madness, people can try to be correct towards each
other

Feature by: Jack Foley

IT'S been over ten years since the horrific genocide in Rwanda
- when almost one million people were cold-bloodedly murdered
in just 100 days.

Yet only now is the world beginning to wake up to what happened,
having stood by at the height of the bloodshed.

Several politicians have made the pilgrimage to Rwanda to ask
survivors for their forgiveness, while the movie industry is set
to unveil numerous projects based around some of the most remarkable
- and horrifying - events of that time.

First up is the Oscar-nominated Hotel Rwanda which finds Don
Cheadle playing real-life hero, Paul Rusesabagina, a hotel manager
who single-handedly managed to save the lives of 1,268 people,
providing refuge for countless Tutsis and Hutu sympathisers at
the Hotel Mille Collines in Kigali.

The bloodshed was the culmination of years of tribal warfare
between the Hutus and the Tutsis, and was instigated by the Hutus
using propaganda from their extremist radio station, RTML, which
convinced many ordinary people that they had to massacre their
neighbours in order to preserve their own existence.

Rusesabagina was a Hutu but his wife (played by Sophie Okonedo
in the film) was a Tutsi and it was his love for his family that
drove Paul to act so selflessly in the face of overwhelming odds.

Needless to say, in undertaking the task of relaying Paul's story,
both Cheadle and the film's director, Terry George, felt a tremendous
amount of responsibility to do it justice.

George, especially, admits to being concerned.

"It was mine to mess up," he told a recent London press
conference.

"I guess that's the case in any film but with this one,
having been to Rwanda, met the survivors, visited the particular
genocide sites, I come away from Rwanda with an obligation, I
felt, to make the film, and to get it out to the widest audience
possible.

"So it was a joyous experience and a fearful experience
shooting the film, and even more fearful marketing it, because
when you know you've got something that works and conveys a message,
as we did, coming out of Toronto, where the audience responded,
then you're in the hands of the Hollywood marketing machine and
that was the scariest proposition of all."

Indeed, George admitted to feeling
a little deflated when the film failed to pick up an Oscar nomination
for best film, despite attracting nods for best actor (Cheadle),
best supporting actress (Okonedo) and best director (himself).

"I was elated for these guys and then, because of the nature
of the picture and the need for the widest possible distribution,
really bummed out when we didn't get a best picture nomination
because it cut our distribution in the United States in half pretty
much."

That said, the film is attracting widespread media interest because
of the topic and the fact that it represents the first of several
projects focusing on the genocide.

It also presents audiences with a living hero whose actions were
every bit as important as those of another modern hero, Oskar
Schindler, whose exploits provided the inspiration for Steven
Spielberg's memorable Schindler's
List.

"I knew there was a certain amount of preparation that I
had to do to understand the historical context and to really educate
myself about the history.

"But a lot of what happened in the film, from a narrative
point of view, the character didn't know, or the character couldn't
prepare for, so I tried to just keep myself as ignorant as I could
about situations so that I could really react and really respond
truthfully to how a human being would respond in those moments."

The experience has clearly had a moving effect on the star.

"I've never been a part of a film before that sort of platforms
into real issues and something that raises social awareness and
has the potential to change things," he continued.

"I say potential because I don't really hold out a lot of
hope that film can do that - I hold out hope, but don't really
have high expectations."

For Rusesabagina himself, however, who also attended the London
press conference, the mere fact that a film has been made about
his exploits goes some way to realising his own ambitions for
the future.

"I believe that Hotel Rwanda is a message of hope for Rwandese,"
he explained. "We can see that even in such madness, people
can try to be correct towards each other. A Hutu and a Tutsi can
live together without any problems and so far we haven't had any
problems.

"It is an honour that at long last my message is going to
be widespread."

It is now up to audiences across the UK to make sure that this
message of hope - and the warning it provides for similar situations
that are occurring in other parts of the world - does not go unheeded.