The Nam June Paik Art Center is pleased to announce that ‘Blast Theory’ (United Kingdom, formed in 1991) was selected as the winner of the ‘2016 Nam June Paik Art Center Prize.’ Blast Theory has been internationally noted for their interactive works based on various media such as theater, radio, games, and the web. The Selection Committee considered Blast Theory as artists who investigate paths that no other artist has taken, and highly values their exploration of new boundaries, which matches the criteria of the Nam June Paik Art Center Prize. The winner is invited to Korea in February 2017 for the Prize Ceremony, which will be celebrated with the governor of Gyeonggi-do. In addition, the winner is awarded 50,000 US Dollars, and will have the opportunity to hold a solo exhibition at the Nam June Paik Art Center during 23rd November 2017.

The head of this year’s Selection Committee, Soh Yeong Roh, has remarked, “Blast Theory stands out in their wide-ranging usage of various media such as theater, internet, film, on-offline games, and recently, the field of data science. Since the mid 1990’s, the group followed the trajectory of the development of the media, with their acute and in-depth psychological analyses. I would call them the most contemporary media-poet of this age. Blast Theory puts emphasis on narrative itself rather than digging into the properties of the media. Those narratives are ordinary yet extremely British. They creatively engage old stories related to the ego, memory, and relationships with up-to-date media. I appreciate their commitment as well as their artistic spirit that they have shown for the last twenty years.”

The winner, Blast Theory, has expressed, “We are delighted to be the recipients of the Nam June Paik Art Centre Prize (2016) – it feels fantastic to win this award for all the work we have made over the last twenty five years. It is an honour to be recognised in relation to Nam June Paik, whose pioneering work set the stage for much of the art work with technologywhich has followed and we accept this prize in the sure knowledge that we would not have made this work without so many fantastic people who have supported us and helped us along the way.”

The Nam June Paik Art Center Prize was established in 2009. Since its inception, the Prize has been awarded to artists and theorists whose works are very much in tune with Paik’s work amalgamating art and technology, pursuing new ways of communication, interacting with audiences, and fusing and conflating music, performance and visual art. The first Prize was awarded in 2009 to four artists, Seung-Taek Lee, Eun-Me Ahn, Ceal Floyer, and Robert Adrian X; philosopher and sociologist Bruno Latour won the 2010 Prize; the 2012 Prize went to artist Doug Aitken; and the winner of the 2014 Prize was Haroon Mirza.

Formed and led by Matt Adams, Ju Row Farr and Nick Tandavanitj, Blast THeory’s work explores interactivity and the social and political aspects of technology. The group is renowned internationally for its use of interactive media, creating groundbreaking new forms of performance and interactive art that mixes audiences across the internet, live performance and digital broadcasting. Blast Theory has shown work at the Venice Biennale, Sundance Film Festival, ICC in Tokyo, the Barbican and Tate Britain. Commissioners include Channel 4, the BBC and the Royal Opera House. Blast Theory’s first app – Karen – commissioned by National Theatre Wales and The Space was launched at Tribeca in 2015.

The artists work closely with researchers and scientists and have collaborated with the Mixed Reality Lab at the University of Nottingham since 1997, co-authoring over 45 research papers. The artists teach and lecture internationally including at the Sorbonne, Stanford University and the Royal College of Art. They curated the Screen series for Live Culture at Tate Modern. The group has been nominated for four BAFTAs and won the Golden Nica at Prix Ars Electronica.