This is a collection of unrelated images bound together in book
form. It is a product of, and is immersed in, the idiom of the
late sixties. My studio was near the King's road in Chelsea, the
focal point of Swinging London. Those were informal times. Friends
calling at the studio to say hello frequently found themselves
in front of a camera collaborating in the experiment of the moment.
The pictures were embraced by a wide ranging audience. The Flower
People decorated their lofts with them and the New York Art Directors
Club honoured the publication with their Gold Award.