Entries in Tony Awards
(28)

First image of Meryl Streep as a rock star in Jonathan Demme's Ricki & The Flash via People magazine. Very Melissa Etheridge. (Is it just me or is Meryl getting younger?) So excited for this movie. Demme is always at his best when he focuses on actresses (Married to the Mob, Rachel Getting Married, Silence of the Lambs) and who doesn't love to hear La Streep sing?

Uh oh... I feel a list coming on

10 greatest silver screen uses of Meryl's astounding pipes...01. "You Don't Know Me" - as Suzanne Vale in Postcards from the Edge (1990)02. "He's Me Pal" - as Helen Archer in Ironweed (1987)03. "Stay With Me" - as The Witch in Into the Woods (2014)04. "I See Me" - as Madeleine Ashton in Death Becomes Her (1992)05. "Amazing Grace" - as Karen Silkwood in Silkwood (1983)06. "My Minnesota Home" - as Yolanda Johnson in Prairie Home Companion (2006)07. "I'm Checkin' Out" - as Suzanne Vale in Postcards from the Edge (1990)08. "The Winner Takes It All" - as Donna in Mamma Mia (2008) 09. "The Last Midnight" - as The Witch in Into the Woods (2014) 10. "Goodbye to My Mama" - as Yolanda Johnson in Prairie Home Companion (2006)

Meryl was singing before she ever hit the movies... here she is on stage in her Drama Desk nominated Broadway role in 1976's "Secret Service" the year before her first movie came out (Julia).

Heartily agree with Louis Virtel that she should have released an album by now. I mean, come on. I'd be fine with "Meryl's Greatest Hits" so I didn't have to build my own playlist. How reinforced are her shelves at home do you think what with the 3 Oscars, 8 Golden Globes, 8 People's Choice Awards, 2 Emmys, 2 SAGs, 2 BAFTAs, 2 Critics Choice, 1 Cesar, 1 Theater World, and multiple festival and critics prizes (though those are often less statues than scrolls or certificates or whatnot)? Despite being an awards & nominations magnet she hasn't had much luck with theater or music trophies so she hasn't made any progress on her EGOT since her Oscar win for Kramer vs. Kramer (1979) which followed her Emmy win for Holocaust (1978). She's received four Grammy nominations (all for Children's records) and 1 Tony nomination (and multiple Drama Desk nominations) but no wins from those.

A Happy 79th birthday to Barbara Harris. She hasn't acted in such a long time but she was often just wonderful on the screen with unique rhythm, energy and comic ability.

I'm not sure that anything about Alfred Hitchcock's Family Plot (Hitch's last feature in 1976) totally works but if you could argue that any of it does it's either the cemetery scene or anything involving Barbara Harris's performance as a con-artist psychic. The movie is frustrating since it feels half formed and its inarguably flabby: every time you need the editing too tighten it up which would have made everything, including the memorable actors (Karen Black and Bruce Dern are also on hand), pop. It just keeps the scene going.

Barbara Harris's largest claim to fame these days is her Golden Globe nominated work in the original Freaky Friday (1976) wherein she switched bodies with her tomboy daughter Jodie Foster but my favorite Harris performance ever is her role as "Albuquerque" in Robert Altman's masterpiece Nashville (1975)

Exit Music. Here's Barbara Harris doing bits from "On a Clear Day You Can See Forever," a role she originated on Broadway in 1965 to the tune of a Tony nomination before Barbra Streisand took over in the film version five years later.

The Daily Beast the sexual politics of Ghostbusters, 30 years laterThe Wire the career of Lorraine Toussaint before Orange is the New Black BFI let's kill the buzzword "hybrid" when it comes to documentaries /Film there might be a sequel to Neighbors... which wouldn't surprise anyoneVariety Kino-Lorber has picked up one of Sundance's buzziest titles A Girl Walks Home Alone At Night, an Iranian vampire movie, for US distribution (Glenn's review icymi)

In Contention on an new animated contender from GKids, Boy vs. World Pajiba celebrates Emily Blunt's greatness as an action star in Edge of TomorrowGuardian The director and his muse will try for more Oscars in 2016 with a biopic called Joy about the creator of the Miracle Mop. She was 12 years out of college with 3 children when all this stuff happened. Eventually Jennifer Lawrence will be old enough for the parts David O. Russell keeps casting her in. MTV Channing Tatum still super excited about Gambit prospects. Everyone wants their superhero dollarsAV Club rumors abound that it's either Benedict Cumberbatch, Tom Hardy or Jared Leto for Doctor Strange. I worry that Marvel has no clear vision of what they want. What connects any of those actors beyond fame? Very different gifts and styles. (I love Hardy as an actor but he seems like a terrible fit for that character)

Off CinemaVariety on the explosion of new TV shows in summer now that the game has changedCinema Blend Steven Spielberg wants to turn Bryan Cranston's tony winning performance into a tv miniseriesPlaybill shares the Tony "In Memoriam" segment that strangely didn't air Playbill collects all the Tony performances in one place (seriously, it's like no one even needs to watch live tv anymore)

And finally I just want to say a big congratulations to Peyton Reed for his new gig. I've been rooting for him ever since the one-two punch of Bring It On and Down With Love, two stylish, absorbing, joyful, funny movies with a real vision behind them. I was bummed when his proposed retro version of Fantastic Four was cancelled in the Aughts and for what: A low-rent generic lousy f/x heavy version? But it's been so long since he was in the news that I figured his career was over. But now he'll direct Ant-Man. There's been a lot of online sniping calling him a hack, even from sites I otherwise like, but those writers should really think before they type and consider his filmography. There's some "for hire" business yes, but he's a good director. It's an unexpected choice but a good one... even if I'm still deeply suspicious of the project considering Wright's departure and Marvel's current game plans.

Did you watch the Tony Awards last night? The evening began with Hugh Jackman proving his physical fitness -- his knees get such a workout -- by hopping through his entire continuous shot production number, basically a tour of the backstage and upcoming performers in costume.

That led to a night of high energy but strange and touristy musical number choices like numbers from ancient top-selling shows (Les Miz and Wicked) rather than new ones that need the sales help and non-Broadway celebrities like Sting and Jennifer Hudson taking up a lot of room to sell shows that aren't even open. It'd be a bit like the Oscars going "how about Interstellar?" while giving prizes to Gravity back in March.

Hugh Jackman also rapped with LL Cool Jr via the famously chatty opening number of "The Music Man" Hugh Jackman has now spent 14 years of his career playing Wolverine and at this point he's really wasting his life (I mean once you have 100s of millions, what's 20 million more?). He needs to commit and make only movie musicals before he's too old.

Alexa here with some film curios for you. It's a big week for Sir Ian McKellen. X-Men: Days of Future Past opens with his return as Magneto (along with Fassy playing the younger version of course) and on Sunday he turns 75. He has much to celebrate, such a long and storied career on stage and screen, but I do wish there'd been an Oscar by now (he was my pick in 1999 for his James Whale in Gods and Monsters). Maybe his turn as an aged Sherlock Holmes in A Slight Trick of the Mind will bring one? I'm already excited to see his interpretation of the deductive master.