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Students want something. They want a “controversial” (read: openly hateful towards women, people of color, etc) speaker disinvited from a campus event, or they want a designated safe space, they want a professor investigated for what they perceive to be a Title IX violation, or whatever. They advocate for this via newspaper editorials or marches or signs. The administration agrees and does the thing. Then the administration and the media blame the students for the action as if they had the power to make it happen themselves rather than simply argue in its favor.

And I’m thinking, where have I seen this before?

Oddly enough, I have seen this before in polyamorous relationships.

It happens like this: John and Jane are in a serious open relationship that involves a pretty high level of emotional support. Jane and Jill are also partners, but a little more casual. Jane has a date with Jill tonight, but John is having a pretty bad day and would like her to reschedule it and stay home with him instead. He’s not telling her to cancel, but makes it clear that he’d really prefer it if she did and that his mood will probably get even worse if she doesn’t. Jane wants to be supportive of John, but she doesn’t want to cancel on Jill at the last minute because that’s not fair to her and implies that John is more important to her. At the same time, she also doesn’t want to feel responsible for John’s even-worse mood or risk the possibility that this will erupt into a fight later.

So Jane does what many poly people do in this situation. She cancels with Jill, saying, “I’m sorry, but I can’t go tonight because John’s having a bad day and he wants me to stay home.”

It may seem like a totally reasonable thing to say, but notice how it conveniently displaces the responsibility for the decision entirely away from Jane and onto John. It’s not that she doesn’t want to go on the date; it’s that John doesn’t want her to.

In fact, it would’ve been more accurate to say, “I’m sorry, but I’m going to cancel tonight because John is having a bad day and I want to be there for him.” Jane didn’t cancel because John forced her to. It’s not that she “can’t go tonight”; it’s that she is choosing not to go because she wants to stay home with John. This can be spun in either a positive or a negative direction: on the one hand, she’s staying home because she cares about John’s feelings and doesn’t want him to feel even worse; on the other hand, she’s staying home because she wants to avoid having a difficult conversation with John about these types of situations and she doesn’t want to deal with her own feelings about potentially making John’s bad day even worse.

And while that latter alternative might seem monstrous to many people, it’s not as unreasonable as it seems and it is in fact how many people, for instance me, prefer their relationships to work. I have been the person feeling crappy and knowing that I would feel better if my partner canceled their plans and spent time with me, and yet I wanted them to keep their plans anyway. I wanted them to go despite my feelings. I wanted to have the opportunity to practice coping with the feelings alone. Sometimes they did keep their plans, and sometimes they decided that they’d rather cancel and care for me, but either way it was a mutually informed decision and nobody was pressuring anybody. You may not want your relationship to work that way and that’s fine, but that doesn’t make it a ridiculous way to do relationships.

Jane probably isn’t being intentionally obfuscating when she cancels with Jill using that wording, but on some level she wants to have her cake and eat it too. She wants to avoid the negative consequences of leaving John alone at home–such as feeling bad because John is sad and potentially having a fight about it later–but she also wants to avoid the negative consequences of choosing to cancel on Jill at the last minute, such as feeling bad about being flaky and potentially having a fight with Jill about how she being flaky. So she makes it seem like canceling the date wasn’t really her choice, that she had to do it because of John and his feelings.

(Later on, she will be surprised and angry that Jill and John aren’t getting along, and will probably blame it on “jealousy,” when in fact she’s been accidentally playing Jill and John against each other all this time by blaming one for her own decisions regarding the other. Given that framing repeated over a period of time, I wouldn’t blame Jill for thinking of John as “that guy who always makes my girlfriend cancel our dates,” or John for thinking of Jill as “that girl who would apparently totally flip out if my girlfriend canceled with her to help me through a really shitty time [whether or not she actually would totally flip out].”)

What Jane needs to do if she wants two healthy relationships is:

talk to John about how the two of them will handle times when he needs support and she may not be available to support him, such as other friends/partners, activities, professional help, or being able to text her while she’s out or reconnect later that night or the following morning, and make sure to clarify what sorts of expectations each of them already has about these situations. Does John actually expect her to cancel her plans at the last minute, or did he just want to express his feelings, get some empathy, and see if maybe canceling the plans was at least an option? Does Jane feel like the emotional labor she is doing for John is balanced with the emotional labor he does for her? If John would like her to be willing to cancel other plans to support him, is he willing to do the same for her? (By the way, even if Jane doesn’t necessarily want that type of support from John, it’s still important that both feel that things are balanced.)

talk to Jill about how the two of them will handle times when Jane feels an obligation to another partner that conflicts with her commitments with Jill. How does Jill feel about being canceled on? Maybe she honestly doesn’t care. (Even if she doesn’t, this is something Jane will need to regularly check in on, because feelings change and it will be hard for Jill to suddenly say, “Hey um actually, I’m no longer okay with being canceled on even though last month I told you I was.”) How can Jane reassure Jill that she cares about and values her in the aftermath of having to cancel to take care of John? If Jane and Jill are interested in growing their intimacy and commitment, how will this work if Jane always prioritizes John first? Can it work? Can Jane rethink how she thinks of commitment and priorities? By the way, are there times when Jill would really appreciate it if Jane would consider canceling plans with someone else in order to support her? Or is that a privilege only John gets?

own her decisions and take responsibility for their consequences. That means that even when someone’s feelings influence her a certain way, she needs to acknowledge that the decision was hers to make. If your partners are making you feel like you have no choice but to accommodate their feelings, that’s a red flag for abuse.

Wow, that sounds like a lot of work! Well, it is, and I hope that John and Jill will contribute equally to that work by fully engaging in these conversations with Jane when she starts them, being upfront about their feelings and expectations, and being as willing to compromise as Jane is.

Ok cool story, but what does it have to do with college campuses?

College administrators are in a bind when it comes to student activism. They don’t want to come across like they’re ignoring it, especially when it’s very loud and angry. But they also don’t want to do the thing the students are asking for, because it will be unpopular among their colleagues and/or people who write for Atlantic and New York Times. So they do the thing the students are asking for, but then make it seem like the students somehow “forced” them to do it. (Y’all, seriously, if campus newspaper op-eds had that kind of power, I’d have kept writing mine for longer than a semester.)

Sometimes the administration doesn’t even have to make that implication, because national media does it for them. This is how we get articles written by people who have not been on the campuses in question or interviewed the students involved, claiming that student activists “caused” a speaker to be disinvited or “made” professors add trigger warnings to their syllabi. (In fact, the most unpopular speaker disinvitations and trigger warning demands to be featured in the media have overwhelmingly not actually happened, and yet the students are ridiculed for even asking for it*. So much for Free Speech. Oh, what’s that you say? “Free speech” only applies to governments regulating speech? That’s not the definition of the term you were using a minute ago. And if we’re talking about chilling effects, the large-scale ridicule of student activism certainly constitutes one.)

I understand that college administrators may perceive students as having an enormous amount of power. After all, they can say whatever they want (there’s that pesky free speech again) and theoretically ruin the university’s reputation. They can, I suppose, transfer themselves and their tuition money elsewhere. But practically speaking, they’re probably not going to transfer (if anything, students whose needs as survivors of violence or as marginalized people are ignored may quietly drop out of school altogether). I’ve never heard of a university catching serious media flak for inviting a controversial speaker or refusing to add trigger warnings to syllabi; if anything, they are regularly praised for this by publications as influential as, y’know, the New York Times. (The linked article includes some balanced voices, but I think it’s pretty obvious just from the headline which direction it leans in.)

My impression as a former college student who’s been watching these debates play out for years since is that universities often acquiesce to student demands because they are uncomfortable with the discussions that those demands create. I’m not saying that all student demands are valid, well-argued, or charitable–I think that a few invalid, poorly-argued, or uncharitable claims are to be expected from people who are in school to learn how to think and debate. But will you as an educator join these discussions and use them as learning opportunities, or will you shut them down, either by categorically refusing the students’ demands or by accepting them just to get them to shut up?

I suppose if a university administration wanted to try to resolve the issue rather than sweeping it under the rug, they could take a similar approach as I suggested for that poly couple. Administrators could meet with student activists to try to understand what they’re asking for and where they’re coming from. They could also meet with other stakeholders, such as professors or a speaker if there’s one involved, to get their point of view. If they reject students’ demands, they could do so without invalidating their feelings or opinions–for instance, instead of “DON’T EXPECT ANY CODDLING HERE” they could say, “We understand that [controversial speaker] may express opinions that are considered harmful and oppressive by certain students, and we acknowledge the hurt this causes. However, we’ve decided to invite the speaker because [reasons] and we encourage students to decide for themselves whether or not to attend. Students who are looking for support are welcome to go to [counseling services, Women’s Center, LGBTQ safe space, etc].”

Lest it seem like I’m unfairly dumping on college administrators here–I’m sure many of you are lovely and do a great job. Just like many poly couples are lovely and don’t pit their partners against each other. But some do, and that’s who I’m writing about. If the shoe fits, and so on.

Nothing that I’ve suggested here is at all easy, but just because something is difficult doesn’t mean it’s not important. Just because something will not be attainable every time doesn’t make it any less of a best practice.

And by the way, just as Jane may be in an abusive situation where John really does make her feel like she has no choice but to acquiesce to his demands, there are situations–although they are rare–when students can act in a similar way. For instance, if students make threats of violence against a speaker, it is completely reasonable for the speaker to cancel, for the university to choose to cancel the speaker, and/or for law enforcement to get involved. Obviously, don’t make threats of violence; I don’t give a fuck how much you hate the person.

However, both administrators and speakers sometimes misperceive students’ power in significant ways, just as Jane may assume that John’s stating his feelings constitutes a passive-aggressive demand in and of itself. (Unfortunately, people who are accustomed to passive communication tend to see it everywhere they look.) For instance, sometimes administrators or speakers cancel events because they know there will be protesters, even though no threats of violence have been made and the protesters have stated an intention to peacefully hold signs, hand out pamphlets, or whatever. This is not the same as students “forcing” anyone to cancel anything. They are exercising their First Amendment rights. If you’re an ~~~edgy~~~ “””controversial””” speaker who can’t handle people holding signs at your speech, then maybe you shouldn’t be a speaker.

And while John and Jane might each have some sort of power over the other, when it comes to the administration-student relationship, the administration holds an overwhelming amount of the power. Students, even otherwise-privileged students, can’t practically do anything besides write op-eds or march with signs if a university administration is determined to do things they don’t like. All they can really do is be annoying. But being annoying isn’t the same as forcing someone to do something.

tl;dr Abuse and coercion are things that happen, but otherwise, strongly expressing a desire isn’t the same thing as forcing someone to fulfill that desire. That applies to relationships and campus activism and probably a lot of other things.

*Similarly, a Northwestern professor raised hell online because she was investigated and then cleared for an alleged Title IX violation. Isn’t that the way it’s supposed to work? Someone accuses someone of something, an investigation happens, and, if the accused is deemed innocent, they’re cleared? Yet somehow this is still Political Correctness Run Amok or whatever.

Having now seen Star Wars: The Force Awakens four times in eight days, I’m thoroughly obsessed with the movie and have become fascinated by the growing ranks of Finn/Poeshippers: fans, many of them queer, who create art and fiction depicting the film’s two male protagonists as partners, and who hope that Episode VIII might make the pairing canonical.

It’s about time for a Star Wars film to have queer protagonists, just like it was about time for it to have non-white/non-male protagonists (and in this it succeeded, splendidly).

However, I’ve seen a lot of negative responses to this idea, such as “But it’s OBVIOUS they’re just friends” and “Why do you [gays] have to insert sex into everything” and “Why can’t you just let them be friends?”

First of all, it’s worth noting that while queer shippers are always catching flak online for “reading too much into” presumably platonic same-sex situations or “making it all about sex” when it “clearly” isn’t, straight people rarely get criticized for doing the same thing–not just when interacting with fictional worlds, but in the real one, too. If you’ve ever heard a straight person go “OooOOOOOooo is that your boyfriend?” to an 8-year-old girl playing with an 8-year-old boy from the house next door, or “He’s going to be such a ladies’ man!” about an infant boy making cooing sounds at a few baby girls, you know what I’m talking about. How’s that for reading too much into things?

Beyond that, though, straight people–and to some extent queer people, since we get socialized the same way–tend to expect heterosexual pairings in fictional stories whether the signs are necessarily there or not. And they often are, because the people who create those stories also expect those pairings to be there, and they expect that the presence of those pairings will make the stories sell better. That’s why you rarely encounter a movie that does not include any heterosexual sex or romance, whether that movie is about aliens, robots, spies, superheroes, 18th century England, 21st century New York City, or what have you.

The constant ridicule and derision of queer shippers online neatly parallels real-world claims that queer people are “pushing their sexuality” on others. “I’m fine with gay people, but why do they have to shove it in my face?” is a common complaint when queer people do anything other than be silent and invisible. Online and off, good little queers don’t make any mention of same-sex romance or eroticism, and they certainly don’t hope out loud that two characters in a popular film turn out to be queer.

Second, a lot of straight people don’t realize that the beginnings of romance or sexual attraction between two queer people often do look like “just friendship,” because it’s often not safe for us to express ourselves any other way. Being obvious about our interest exposes us to outing, ridicule, bullying, and even physical violence (especially for men, people of color, and trans people). If queer people don’t occasionally read “more” into otherwise-platonic gestures and expressions, we’d probably never find any partners. If you want to know more about this and how complicated it can be, read this Autostraddle article.

So, queer people are constantly in a double-bind. If we avoid trying to read between the lines and always interpret others’ friendly behavior towards us as merely platonic, we’ll pretty much be forever alone. If we do read more into it, we risk ridicule and worse. That’s why it comes across as more than a little insulting and irrelevant when straight people criticize queer people for “reading too much into things.”

(I just want to state for the record that at this point, some queer person over the age of 30 usually shows up and belittles me because they’ve got this figured out and it’s “obviously” so simple, but rest assured that for most of us, especially when we’re still young, surrounded by straight people, and/or newly out, it’s really not simple or easy at all. But guess what, queer people are not a monolith.)

A great example of this in action is the eventual pairing of Korra and Asami from The Legend of Korra. Plenty of queer women saw the signs, but most straight people seemed to be totally shocked when the relationship was confirmed as canon. Some even reacted angrily and accused the creators of pandering to the queer community with this unrealistic development. Yet to us, it didn’t feel unrealistic at all.

Aside from rare examples like Korrasami, queer people are very aware, thank you, that we don’t get any representation in most fictional works (and that when we do, it’s usually marginal and/or negative). A lot of the folks enthusiastically shipping Poe and Finn do not really believe that the pairing will ever be canonical, but for them, it’s a fun sort of escapism anyway. Do you have any idea how condescending you sound when you interrupt with “Come on, they’re obviously just friends”? You might as well burst into the theater on opening night shouting “BUT YOU GUYS, JEDIS AND LIGHTSABERS AREN’T ACTUALLY REAL.” Thanks, Captain Obvious of the Imperial Star Destroyer Ruining Everyone’s Fun Forever.

(Yet, a universe in which people with mind-control powers can shoot lightning out of their fingers and use laser-swords made out of magical crystals to block laser blasts is easier for some people to grok than the idea that queer people might exist in it.)

So, sure, based on the material in The Force Awakens, Finn and Poe might be headed towards a romantic relationship (or a one-sided crush, maybe on Poe’s end) or they might be headed towards a deep platonic bond. Poe might be sexually attracted to Finn or he might just admire his bravery, ability, and sense of right and wrong (as well as being pretty grateful to him for saving him from the First Order). Finn might be falling for Poe or he might be starting to love him as a friend, the first friend he ever had, the first person to ever look at him as a human being and not as a programmed killer, the first person to give him a real name. Poe might have given Finn his jacket to keep because Finn looks sexy in it, or because he’s grateful and wants Finn to feel like a part of the Resistance.

Or…it could be all of the above.

Because here’s the truth that all of this ultimately reveals: even for straight people, romance and friendship are not all that different. They are not mutually exclusive categories. The hints and signs of one may be the hints and signs of the other. One may grow out of the other, and although it more often goes in one direction than the other, a passionate romance can, in fact, transform into a deep platonic connection. It has happened to me. It’s probably happened to more people than you think.

When you look at it that way, Finn/Rey–the “obvious” romantic pairing that people always use to try to disprove the possibility of a Finn/Poe pairing–is neither so obvious nor so inevitable. If Finn and Rey were of the same gender, or if we lived in a backwards world in which queerness was the norm and straightness was the weird anomaly, we would find plenty of ways to read their relationship as purely platonic. (Just like we currently find ways to read two women making out or fucking as “just gals being pals.”) Finn asking Rey if she has a “cute boyfriend” would be an obvious sign of jealousy–not of her boyfriend, but of her. Finn grabbing Rey’s hand would “obviously” be because he’s trying to help her run away and that’s how people always help each other run away in the holovids he grew up watching. Rey’s horror and fury when she thinks that Kylo has killed Finn? Well, obviously, they’re close friends and anyone would be horrified and furious if someone murdered their close friend. Hell, she even calls him “my friend” in the last scene she has with him, where he’s lying unconscious at the Resistance base. “My friend”! How much more obvious can you get?

Finn’s behavior towards Rey might also be familiar to any queer person who has ever tried to convince themselves (consciously or otherwise) that they’re actually straight, any queer person who took a while to figure out that they’re queer. Think about it: Finn grew up brainwashed by an evil, violent regime that demanded complete conformity. I doubt he saw many queer male role models there. He sees a beautiful girl (yes, queer people are able to notice and appreciate beauty in people of genders they’re not into) and thinks, “This is how a man behaves with a beautiful woman.” As we’ve seen, Finn is not at all immune to some (adorable) macho posturing now and then.

Again, that’s just one reading. Another is that Finn is bisexual. Maybe he’ll end up interested in both Rey and Poe, and there will be a painful love triangle. Or maybe they’ll be poly and there won’t be. Maybe Rey is a lesbian. Maybe Finn is a sappy romantic asexual. Who knows? Isn’t it fascinating?

The reason it’s so ambiguous right now isn’t (just) because the film’s creators want to build tension and curiosity for the next film. It’s also because the line between romance and friendship is itself ambiguous. True, in many movies–especially ones centered on more on romance and less on space battles–it’s made very blatant and obvious, because that creates drama and is more interesting for (some) moviegoers. People like to see the sexy [person of their preferred gender(s)] who clearly and obviously comes on to someone who could be them. People like the black-and-whiteness, the reassurance that romance always looks this particular way and you can’t miss it. It’s a fantasy as much as Jedis and lightsabers are; we’re just lulled into thinking it isn’t because the characters look like us (especially if we are white and conventionally attractive) and the settings look like places we’ve seen or heard about.

But back here in the real world, romance and sexual attraction don’t always announce themselves like stormtroopers raiding a village on Jakku. (Thankfully.) Sometimes it looks exactly like Finn and Poe in that movie, whatever the gender combination. Other times it looks more like Finn and Rey, or Han and Leia, or, hell, R2D2 and C-3PO. (I think, though, we can all agree that it almost never looks like Anakin and Padme.)

And back here in the real world, romance and sexual attraction can be very much not-obvious, especially when it happens in ways that are stigmatized and erased all the time. Yes, you can go years without realizing that your best friend is in love with you. You can, in fact, go years without realizing that you’re in love with your best friend. (Been there.) You can convince yourself that you’re not attracted to them, you’re just admiring them for their “objective” beauty. (Been there too.) You can tell yourself you’re jealous of their new partner because you miss spending that much time with them, not because you want to be their new partner.

You can also choose not to act on feelings that you have. Two people can want to fuck each other and yet not fuck. Two people can be in love and yet not date. And this can be okay, and they can be happy with the friendship that they have without always regretting not having “given it a chance.” Sex and romance are not as inevitable and unstoppable as the movies make them seem, and for many people, they aren’t even the primary focus of their interpersonal lives.

Even if Finn and Poe don’t end up together in those ways, even if the rest of their on-screen relationship continues to look only like cinema’s most adorable bromance, that doesn’t actually mean they’re not sexually attracted to each other and/or in love. Or maybe it does. Who knows?

And while there will always be a canonical Finn and a canonical Poe, fans still get to do whatever they want with those characters in their own art and fiction. “Canon” doesn’t mean “real” because none of these characters or stories are real. People made them up. Other people are free to make them up in different ways, to have gay Poe and bi Finn and lesbian Rey and Han who didn’t actually die (sobbing) and Kylo who comes back to the Light Side (or doesn’t) and Captain Phasma who meets and falls in love with General Organa but doesn’t want to desert her cause (or does).

That’s why I’ve got no beef with anyone who simply says, “I see Poe and Finn as just friends.” (And I can’t complain about a movie centered in part on a close friendship between two men of color.) By all means, see them however you like! But don’t act like seeing them as lovers or partners is somehow ridiculous or empirically inaccurate. Guys, it’s a story. We threw out any notion of empirical accuracy the moment the famous blue words appeared on the screen: “A long time ago in a galaxy far, far away…”

I came across a fascinating forum post on the gaming site Polygon in which the poster complains that Polygon seems to take a hypocritical stance about sex and women in video games. On the one hand, the website’s writers seem to condemn the objectification of women in video games, but on the other hand, they seem to support the idea of women going out and having sex with whomever they want, however much they want:

It’s extremely obvious that Polygon wants to have their cake and eat it too, women who have lots of sex with multiple partners or are otherwise promiscuous are empowered females, games that reflect characters that have lots of sex or otherwise promiscuous and titillatory? Completely wrong.

The poster, Flower193, goes on in the comments to make some troubling assertions about sex, such as, “a woman who has sex with a lot of guys and lots of it is basically treating herself like a sex toy for men.” In response to a commenter who asks, “Could you be conflating objectification with a normal sexual desire?”, they respond, “That’s exactly what I’m doing, because they’re exactly the same thing.”

I think there are two main ideas that Flower193 is missing here. One is that discussing a character in the context of a story is separate from discussing the artistic/editorial decisions that went into the creation of that character. I could say that Black Widow is a fantastic badass whose fearlessness and selflessness when it comes to taking care of Bruce Banner is sweet and admirable. I could also say that I disagree with the decision to have the only female lead in that film be the one who can calm Hulk down, because of what it implies about women and their role in helping men control their anger and violent impulses*. There’s nothing contradictory here.

Analogously, even if it’s totally okay and positive and great for women to have a lot of casual sex, it’s still bad when they’re almost exclusively represented that way in video games, because that prevents us from telling the stories of women who don’t feel or act that way and gives the people who play those games a very skewed impression of what real women are actually like.

People are critiquing video games that present women as nothing but conventionally attractive sexbots because they want to see alternate representations of women too, not because there’s anything actually wrong with choosing to present yourself in that way. But, of course, video game characters don’t choose anything. They are made that way, and the way game designers choose to make characters says something. It’s not a random accident; it’s intentional. Someone had to draw that and code it, and they did so deliberately, in order to present their own vision of what’s appealing/fun/beautiful/worthwhile.

People often misinterpret criticism of sexualized women in films/games as saying, “This representation of women is bad because it shows them having lots of casual sex and having lots of casual sex is bad.” But that’s not what anyone besides certain conservative critics actually says. We’re saying, “Having women there just as eye candy is bad.” Or “Having women there just to fulfill men’s sexual desires is bad.” Or “Only presenting women as being desirable insofar as they fit a certain ideal of beauty is bad.” Or “Failing to fully develop a female character as a person with her own complicated feelings, beliefs, experiences, desires, and hopes–just as a male character would be developed–is bad.”

The second idea is that that Flower193 misses is that objectification and desire are not the same thing.

This ties back in with the first and helps explain Flower193’s understanding of Polygon’s critiques. They (Flower193) think that Polygon celebrates women who have lots of casual sex while also critiquing their portrayal as such in video games, which I guess really would be kind of bizarre. But although I haven’t read the specific reviews to which they refer (because they don’t link to them in the post), my understanding is that that’s not the criticism. The criticism isn’t “you shouldn’t have all these badass confident casual-sex-having women in your video games”; but rather “you shouldn’t present women as sexual objects for men to take or win as rewards.” And Flower193 has already demonstrated that they think these are the same thing.

Objectification and desire are not the same thing. For starters, objectification isn’t necessarily sexual. It’s embedded in the way service sector workers are treated by both employers and customers, for instance–essentially as machines who must perform friendliness and cheerfulness despite often-extreme mistreatment. We objectify service sector employees when we expect robotic perfection from them while treating them poorly and paying them terribly. (I’m not saying, by the way, that not objectifying service sector workers requires having a five-minute conversation with them about their kids and the weather today. It does require paying them fairly, speaking to them as courteously as we would to anyone else, and allowing for the fact that sometimes the customer is, in fact, wrong.)

We objectify people when we believe and behave as though their only purpose is to satisfy our needs and desires. Catcalling someone on the street objectifies them because it implies that they exist for the catcaller’s viewing pleasure. Expecting your spouse to always be sexually available objectifies them because it implies that they exist for your sexual satisfaction. Having a one night stand in which you focus entirely on getting yourself off and never bother to ask your partner if they’re enjoying themselves or what they would like objectifies them because it implies that only your sexual pleasure is important, not theirs.

In contrast, there’s nothing inherently objectifying about noticing that someone is attractive and thinking about that. For many people, feelings of attraction just arise as we go about our lives, and they’re value-neutral. What matters is what we do with them.

Another feature of objectification is a lack of agency. If I’m walking down the street and someone makes a crude sexual remark to me, I didn’t have any agency in that. If I walk into the bedroom wearing my new lingerie and ask my partner what they think, and they respond, “Daaaaamn!”, I do have agency. I chose to wear the lingerie in front of my partner and ask for their opinion. Although they may be looking at me very sexually in that moment, I’m not being objectified, especially if this is a healthy relationship in which I’m not otherwise treated like a sexual object.

Flower193 says that a woman who has lots of casual sex with guys is “treating herself like a sex toy for men.” Not necessarily. Those men may see her as a full and equal partner in the context of those encounters. They may ask her what she likes, respect her boundaries, and make sure that she gets what she wants out of those hookups. Just because the relationship may only last that one night doesn’t mean that it involves objectification.

But even supposing those partners really don’t care about her pleasure and just “use” her body to get themselves off, the key part is actually right there in Flower193’s comment: “treating herself.” Maybe she wants to be a sex toy. Maybe she wants some casual sex to fill the time or take her mind off of things, and she doesn’t care how those men see her. She’s still making the choice.

Of course, we can talk about how choices are constrained by culture and society, especially for marginalized people. If she has internalized the idea that her only value is in her ability to please men, that may be driving these choices. Variables like class and race play into this too. Maybe she doesn’t truly believe that she deserves the sex and relationships that she wants, so she “settles” for these encounters. Maybe these encounters are exactly what she wants. That’s for her to figure out and decide, not for us to pass judgment on.

The conflation of sex (especially casual sex) and objectification is a common one, and it’s one made even by some feminists and progressives. It’s pervasive within the Older Women Tsk-Tsking At Young Women And Their Silly Hookups genre, and you hear it when people say things like “those girls are objectifying themselves” or “dressing revealingly means you don’t respect yourself.” No. Objectification is something others do to you, not something you do to yourself. What I do with my body is separate from what others project onto me and my body in response, and only one of those is my responsibility.

As I see it, Polygon isn’t trying to “have its cake and eat it too,” and neither are any other video game reviewers who engage in this sort of critique. Women (and people in general) deserve to be able to make their own sexual choices and not be shamed for them, and many of us would like to see video games that show women making a variety of choices, not just the ones that (some) straight male designers happen to find the most sexy.

Now that the report on Rolling Stone and its coverage of rape at UVA has come out, I’ve written a Daily Dot piece about how the magazine still isn’t taking full responsibility for its mistakes.

On Sunday, the Columbia Journalism Review released its report on Rolling Stone’s infamous article, “A Rape on Campus,” about the alleged gang rape of “Jackie,” a student at the University of Virginia. Published in November 2014, the article quickly provoked critics who claimed that some of the details about the incident just didn’t line up.

The Columbia report extensively details the journalistic “failure” of the now-retracted piece, and many are assuming, as usual, that this means that the survivor lied. Meanwhile, the leadership of Rolling Stone is still blaming Jackie for their failure in ways both subtle and not. According to the New York Times, the magazine’s publisher, Jann S. Wenner, was quite clear about where the blame should go:

The problems with the article started with its source, Mr. Wenner said. He described her as “a really expert fabulist storyteller” who managed to manipulate the magazine’s journalism process. When asked to clarify, he said that he was not trying to blame Jackie, “but obviously there is something here that is untruthful, and something sits at her doorstep.”

Although it is possible that Jackie lied, it is unlikely for reasons that I discussedback when the original article was first being put through the online wringer. The errors she made in telling her story are completely consistent with the neurobiology of trauma. There is no evidence that Jackie is an “expert fabulist storyteller,” and you’d think this whole scandal would have taught Wenner not to make public statements without evidence.

But not everyone sees Jackie as the scapegoat. Steve Coll, Dean of the Columbia Graduate School of Journalism, said in a press conference, “We do disagree with any suggestion that this was Jackie’s fault. As a matter of journalism, this was a failure of methodology.”

Why is Rolling Stonestill blaming Jackie, even though the Columbia report documents the magazine’s errors in 13,000 meticulous words? Probably because it’s easy to do. Much of the public already seems to believe that Jackie lied, and many of them seem to believe that she lied intentionally. The thought process is that, sure, the writer and editor could’ve been more careful (and to their credit,Rolling Stone has acknowledged that), but lying is bad and it’s the liar’s fault, so that’s where the blame should really go.

Despite acknowledging their missteps, the Rolling Stone staff doesn’t seem to be planning on making any changes in the wake of this massive journalistic failure. Will Dana, the editor of the retracted article, says in the Columbia report, “It’s not like I think we need to overhaul our process, and I don’t think we need to necessarily institute a lot of new ways of doing things. We just have to do what we’ve always done and just make sure we don’t make this mistake again.” But the report claims that “better and clearer policies about reporting practices, pseudonyms and attribution might well have prevented the magazine’s errors.”

Whether or not anyone at Rolling Stone is fired over this, though, it’s crucial that journalists and editors understand that it is their responsibility, not that of their sources, to ensure accuracy and fairness in reporting.

At that point, everyone collectively said “Aw, too bad, can’t wait to see more of your work!” and left Williams alone. I’m joking, obviously. That’s not what happened, because if there’s anything we love to do in our society, it’s telling women—especially women of color—what to do. Bonus points if we demand that they perform for us the way we want them to. Instead, Ester Bloom wrote a piece for the Billfold in which she armchair-diagnosed Williams with “impostor syndrome,” what Bloom describes as “a well-documented phenomenon in which men look at their abilities vs the requirements of a job posting and round up, whereas women do the same and round down, calling themselves ‘unqualified.'” Bloom argued that Williams was displaying “clear symptoms” of the syndrome and that she should get to “the best Lean In group of all time.” Williams responded on Twitter:

I am a black woman and I am a feminist and I am so many things. I am truly honored that people love my work. But I am not yours.

I wanted to state officially and for the record, as I have on Twitter, that I was wrong. I was offensive and presumptuous; I messed up, and I’m sorry. Williams should not have had to deal with this shit: my calling her a “victim” of anything, my acting like I know better and could diagnose her with anything, all of it.

Unfortunately, many are taking this to mean that “Jackie,” the college student who described her brutal gang rape in the original piece, was lying about her ordeal. Based on everything I have read about this story, however, I find that exceedingly unlikely.

One major criticism of the original Rolling Stonepiece has centered on the fact that the reporter, Sabrina Rubin Erdely, did not reach out to the students Jackie accused of rape or to the fraternity where she claimed the assault happened. In the retraction piece, the editors wrote, “Because of the sensitive nature of Jackie’s story, we decided to honor her request not to contact the man who she claimed orchestrated the attack on her nor any of the men who she claimed participated in the attack for fear of retaliation against her.”

I understand this decision, and I understand how difficult it must’ve been for Erdely to try to keep Jackie comfortable enough to speak publicly about such a traumatic experience. But this goes against journalistic ethics and leaves the journalist, the publication, the readers, and the subject of the piece—Jackie—vulnerable. Since Jackie was already going on the record with her accusation, refusing to try to interview the men she accused would not have helped prevent retribution against her. Unfortunately, that is a risk any time a rape survivor goes public—in fact, any time anyone publicly accuses anybody of anything.

Reporting the story ethically and rigorously doesn’t have to mean disbelieving Jackie or treating her insensitively. There’s a difference between a reporter who says, “I’m going to interview whoever I want regardless of what you want” and a reporter who says, “I understand your concerns, but in order for this story to be as powerful as we want it to be, I need to reach out to the people you’re accusing.” If Jackie refused to speak given these terms, perhaps this was not the right time to try to write this piece. As Audrey White writes at Autostraddle:

Erdely’s job as a reporter required she create a bulletproof story to protect Jackie, avoid libel against the alleged assailants, and achieve her ostensible goal of revealing a culture at UVA and in Greek life that promotes and protects sexual assault. … If respecting Jackie’s wishes meant the reporter couldn’t contact anyone else related to the assault, even to confirm basic details like a person’s membership in the frat or the date of an event, she should have found a different source or approached the narrative from a different angle. As it stands, she put the integrity of her story and of Jackie’s search for resolution at risk.

Indeed, it’s now unclear how willing Jackie was to be a part of this story at all. The Washington Postreports: “Overwhelmed by sitting through interviews with the writer, Jackie said she asked Erdely to be taken out of the article. She said Erdely refused, and Jackie was told that the article would go forward regardless.”

While Jackie doesn’t specify exactly how or why she was overwhelmed by this process, the fact that there appear to be “inconsistencies” in her recollection of her gang rape gives a possible clue.

Even if Bynes really did tell In Touch that she believes she has a microchip implanted in her brain that allows people to read her thoughts, that doesn’t mean it’s okay to call her “insane” or “crazy,” and I’m not surprised she’s angry about it. Words like that don’t just mean “displaying symptoms of a mental illness.” They connote ridicule, ignorance, and sometimes even hate.

They also place people with mental illnesses in a category apart from the rest of us, the ones who aren’t “crazy.” In fact, mental illnesses exist on a spectrum. Some people have a a few hallucinations or delusions during a time of extreme stress (or perhaps sleep deprivation). For others, psychotic symptoms are a struggle they must manage for their entire lives.

Are all of these people “crazy?” Is everyone who has ever had a random and totally irrational thought “crazy?” Is everyone who takes medication for anxiety, depression, or bipolar disorder “crazy?” Words like “crazy” and “insane” do not refer to any specific set or level of symptoms. They refer to someone we wish to hurt, ostracize, or laugh at.

How do you report a story like Bynes’ without perpetuating the stigma that people with mental illnesses face?

For starters, recognize that some things are newsworthy whether the person who did them is a celebrity or not; others are newsworthy only when they’re done by someone we’re already paying attention to—or used to pay attention to. People get DUIs and shoplift all the time, but when a famous person does it, that suddenly becomes a reason to write an entire news story. Someone having delusions is also not in and of itself interesting to the public—although, in a way, I wish it were, because maybe then people would know more about it and stigmatize those who struggle with it less.

Obviously, journalists have to make money. Sometimes that means writing stuff that sells, whether or not you personally think that this information is important to collect and provide to the public. However, oftentimes journalists—especially those who cover celeb news—shrug off all responsibility for choosing their subject matter by claiming that it’s “just what sells” or “what the people want.”

Domestic violence is a difficult subject to talk about sensitively. Humor, blame, unsolicited advice, speculation—these are all ways in which people try to ease the discomfort of confronting such a serious thing head-on. But they don’t necessarily lead to a productive or respectful discussion.

In honor of Michael Powell, Brian Kilmeade, and every other journalist and pundit who can’t seem to cover this issue appropriately, here are some guidelines to keep in mind when you write about or discuss domestic violence.

1) Extend the benefit of the doubt to the survivor.

When someone is accused of domestic violence or sexual assault, we are always asked by that person’s fans and defenders to “give them the benefit of the doubt.” Generally, this means, “Assume the survivor is lying or very confused” or “Assume the accused had a good reason to do what they did.”

How about giving the benefit of the doubt to the survivor?

Believe the survivor. Assume they are telling the truth unless there’s actually good evidence that they aren’t, because the vast majority of these types of accusations are not false. Assume that they are speaking out because they want safety and justice, not just because they want to “ruin” their abuser’s life or career.

Assume the survivor stayed with their abuser for as long as they did because abusers deliberately make it difficult or even impossible to leave, not because the survivor is somehow weak, stupid, or incompetent.

Assume the survivor was quite aware of the danger that they (and possibly their children) were in and doesn’t need to be patronizingly informed that staying with an abuser can be dangerous. So can trying to leave.

Assume the survivor is the best authority on their own experience.

2) Avoid speculation.

Whenever there’s a high-profile domestic abuse case, journalists and commenters alike love to speculate. Why did the abuser abuse? Why didn’t the survivor leave? What happened to either of them in their childhood that could’ve led to this? Why didn’t the survivor’s family help? Why would the survivor have been attracted to their abuser in the first place?

This amateur psychoanalysis is not useful. At best, it’s a distraction from the important questions: How do we help the survivor? How do we make sure this never happens again? At worst, it spreads misinformation and stereotypes. People especially enjoy speculating about what the survivor might have done to “provoke” the abuse. Did they cheat? Dress “inappropriately?” Say something mean?

Abuse cannot be “provoked.” Abusers know what they’re doing, and they do it intentionally. They may wait for something to happen that they can then attribute the abuse to, but that’s not the same as being “provoked.”

I just went through a frankly hellish transition of ending my Midwest trip, saying goodbye to my family yet again, coming back to New York, and moving into my new apartment in Brooklyn. Predictably, all this led to an inordinate amount of emotional turmoil, but I somehow managed to write this piece for Friendly Atheistabout some polyamory tropes.

Polyamory — the practice of having multiple sexual/romantic relationships with the knowledge and consent of everyone involved — is currently going through that stage that all “alternative” lifestyle practices must go through: the one where journalists discover their existence and have a field day.

Luckily for them, more and more people are willing to openly talk about their open relationships as the stigma of being non-monogamous diminishes. Journalist Olga Khazan interviewed quite a few of them in this article for The Atlantic. While the article is well-researched, balanced, and accurate overall, it (probably unintentionally) repeats and propagates a few tropes about polyamory that aren’t always accurate.

Note that I said “not always”; tropes are tropes for a reason. There are plenty of people whose polyamorous lives resemble them, and I mean it when I say that there’s nothing wrong with that (as long as it’s all consensual!). But I think that the (presumably non-poly) audience these articles are aimed at might benefit from seeing a wider variety of poly experiences and opinions, so I wanted to add my own voice.

With that in mind, here are a few dominant narratives about polyamory that aren’t always true, but that crop up very often in articles about polyamory.

1. Polyamorous people don’t feel jealousy.

It’s right there in the title, “Multiple Lovers, Without Jealousy.” Although the article does later go more in-depth about the ways some poly couples experience and manage jealousy, the headline perpetuates the common myth that polyamory is for a special breed of human (or superhuman, perhaps) who just “doesn’t do” jealousy.

Some do, some don’t. For some poly folks, jealousy is a non-issue. For others, it’s an annoyance to be ignored as much as possible. For still others, it’s a normal, natural emotion to be worked through and shared with one’s partners. There are as many ways to deal with jealousy as there are to be polyamorous — and there are many.

The reason this matters is because framing jealousy as a thing poly people just don’t experience drastically reduces the number of people who think they could ever be poly. I’ve had lots of people say to me, “Oh, polyamory sounds cool, but can’t do it because I’d be jealous.” Of course, dealing with jealousy isn’t worth it for everyone, so I completely respect anyone’s decision to stick with monogamy because of that. But I think it’s important to let people know that you can experience jealousy — even strong and painful jealousy — and still find polyamory fulfilling and completely worthwhile.

I wrote a piece for the Daily Dot about a new study on STI rates among men who hook up with men using smartphone apps, and how easy it is to misinterpret the results.

A new study by the L.A. Gay & Lesbian Center and UCLA suggests that men who have sex with men and use hookup apps like Grindr are significantly more likely to have gonorrhea and chlamydia than men who have sex with men but do not use such apps. But before you panic and delete Grindr from your phone lest it give you an STI, let’s look at what the study does and does not actually show.

[…]Careless headline writers frequently mix up correlation and causation, spreading misinformation and stigma. Despite Lowder’s balanced take on the study, the headline of his own piece reads, rather alarmingly, “Study Suggests Grindr-Like Apps Increase Likelihood of Sexually Transmitted Infections.” This wording implies that using such apps increases an individual’s likelihood of contracting an STI, not that, in general, people who use such apps are also more likely to have an STI. It’s a fine distinction, but an important one.

Another important distinction is whether the participants contracted the STIs during the course of the study (while using GSN apps) or just happened to have them at the time that the data was collected. Here Lowder’s article is also unclear: “Specifically, geo-social app users were 25 percent more likely than their bar hopping comrades to contract gonorrhea, and 37 percent more likely to have picked up chlamydia.” And an article about the study at Advocate is headlined, “STUDY: Smartphone Hookup App Users More Likely To Contract Sexually Transmitted Infections.”

However, the actual study notes that the participants were tested for STIs at the same time as they were asked about their sexual behavior, including the use of GSN apps. This means that they did not necessarily contract the STIs while using the GSN apps, or after having used them. The infections could have preceded the participants’ use of the apps.

This is important because it can help untangle the question of why this correlation exists, besides the obvious hypothesis that using GSN apps can actually cause people to contract STIs at higher rates than other ways of meeting sexual partners. Perhaps people who already have STIs are more interested in using the apps because of the anonymity—it’s much less scary to tell a random person you’ll never meet again that you have an STI and need to use a condom than it is to tell someone who’s embedded in your social network. Or, on the more cynical side of things, people might feel less guilty about not disclosing an STI to a random app hookup than someone they’ve met in a more conventional way.

Or, maybe people who are attracted to “wild” and “risky” sexual situations are more likely to have STIs and more likely to use GSN apps. The common factor could be impulsivity or recklessness.