No. This snippet of dialogue seems way over-the-top dramatic. Now, maybe your character is someone who is overly dramatic, but without any context, I don't know that so it just seems like poorly written dialogue--especially with the multiple ellipses.

No. Not a big fan of starting with dialogue. We don't know if it's the MC or someone else talking. But I think the major reason for the no is the flow of the speech itself is a bit fiddly for an opening line. And agreed, too melodramatic right off the bat.

Yes.I want to know if this being will fade into nothingness if s/he doesn't get attention. I think I would have a good expectation of this being the case from reading a back cover blurb. If that wasn't the case, then nah, maybe I wouldn't have been as intrigues.

No. I'm sorry, but the ellipses are very distracting, and not really grammatically correct. And this doesn't make me like this character starting out. I can guess the type of character development you're going for between the title and the line, but perhaps make the character more likeable while you show their desire for celebrity (if I'm right in understanding that).

No. I'm not opposed to dialogue as a beginning but this just doesn't quite do it. Ellipses usually mean something has been removed from a sentence. I don't think there is anything missing here. Possibly take out "I don't want attention". As a sentence, I need attention or else I'll die, works for me. And it wouldn't have to be dialogue.

I have no problem with dialog as the first line, but this doesn't provide any context. I don't know who's talking or where we are or what's going on. It's shockingly dramatic. It sounds very YA, but in it's most irritating form.

The punctuation isn't doing what it should. Ellipses in dialog indicate a trailing off or hesistation. That doesn't match up with the sentiment here.

It would be interesting to know whether there's a legitimate reason the speaker will die without attention.

No. Even though the title seems to be some play on "celebrity", and this could be some spoiled celebrity talking, it mostly just makes me want to slap whoever it is talking and that isn't a great way to start.

Yes. I'm willing to believe the melodrama is deliberate, and would love to see the speaker get their come-uppance. Well done for creating a thoroughly unsympathetic character with just one line. I'm wondering if you base her(?) on a Kardashian.

No. There isn't context yet for what's happening. Whatever happens to elicit this reaction should come first. Also, the elipses are distracting; it was probably added to stress tension but it drags out the opening, and that's not what you want!

No. Opening with dialog is dicey. This line is so over the top it's off-putting. Probably used later, when we know the character who says it, it could be effective, but used as the opening of the book it justs makes me go, "Oh, please. Dramatic much?"

No. Starting with a line of dialogue is a risk, because we don't know who is speaking or setting or anything. You have to do it really well, and this was way too melodramatic for my taste. It sounds too self-aware for someone who was this fixated on needing attention and thus not authentic.

I don't know if the speaker is the MC or not, but it isn't a character I want to spend any more time with. Also, the ellipses feel like cheating. Without them, this would be at least two, maybe even three, sentences.