Friday, April 4, 2008

Process, process, process

How do you write?

I don't outline, really, but I do have a synopsis (partly because my editor demands one) and I usually start a book with a broad overview of how the story will go in my head. Despite these, I usually just sort of write, letting my characters sort things out between themselves, the plot resolution just a goal on the horizon, all subject to change. I do all of this on the computer. I type faster than I write and I love the clarity of type. I can read what I've typed easier than what I've written by hand, and the translation from mind to written word has long seemed easier this way, ever since I got my first Kaypro computer back 20 years ago.

But recently I've found myself writing long-hand notes, too. Lists, mainly, of plot points that I want to bring up in a given scene, and some lines of dialogue. Often by the time to write comes my notes are completely illegible, even to me. But the writing of them seems to serve a purpose.

Are you a list maker? An outliner? Do you write by hand or on the computer?

Musetta at work

Subscribe To "Cats & Crime & Rock & Roll"

Praise for Clea's books

"Simon’s best known for her cat mysteries like hardboiled (or should I say tough mouser?) The Ninth Life but she is equally adept evoking the gritty past of the sleazy rock clubs of our youth." – Do Some Damage on World Enough

"I consider Clea Simon to be an absolutely brilliant writer, regardless of what genre she writes in. Writing in a cat’s voice is an art form, and few writers manage to do it well. In this series, Simon takes this art into a new realm. The way she sets scenes from Blackie’s point of view, and the way she describes how he takes in the world around him, reflects not just a thorough understanding of feline behavior, but also a connection to the feline soul that I have rarely seen in other cat books. The best writers paint pictures with their words. In As Dark As My Fur, Clea Simon paints a sweeping emotional cityscape that will stay with you long after you put the book down." – The Conscious Cat

"This intriguing series launch from Simon, best known for her cozy Dulcie Schwartz mysteries (Into the Grey, etc.), introduces Boston journalist Tara Winton, who back in the 1980s covered local punk rock bands … Vibrant descriptions of Boston’s former music scene … readers with a taste for noir are sure to want to see more of the edgy Tara. " –Publishers Weekly on World Enough

"Mystery, music, nightclubs, animals in danger: on a certain level, it’s an unlikely combination, yet, somehow, it works very well. And why? That special blend, I think: passion, heart, understanding and voice, voice, voice. Simon’s is as strong and clear as the passion she brings to the stories she tells." – January Magazineon Probable Claws

"Music journalist Theda Krakow once again proves a feisty and determined sleuth in Simon's lively fourth cat-themed mystery. ... Well-drawn characters, a plot with many strings to unravel and plenty of appealing cats make this another winner for Simon." – Publishers Weekly

"As usual, Theda uses her investigative-journalist skills to save herself and help the cats of Cambridge, all while keeping in touch with the rock-music scene and negotiating an increasingly serious relationship with boyfriend Bill." – Booklist

"Clea Simon does an excellent job creating believable characters in Probable Claws. Theda and the rest of the cast of characters could each be someone the reader already knows in everyday life, or might bump into tomorrow." – Mystery Scene Magazine