About a man and his flying machine hanging on by their fingernails in Curaçao island. The guy loads full up and, for some reason, solo crosses the ocean by transferring fuel from drums en route. After taking all that trouble he only arrives in Holland and gets out again ASAP. Very much in the tradition of Ernie Gann, with splendid Forester-like understatements.
The best movie Wim made. It swings. It has the two only moments I have ever experienced in Dutch movies that catch my breath. All that is only my opinion - the audiences did not seem to agree; a terrible flop eating up half the money Pim & Wim made on Blue Movie. Those things are habit forming - later Pim made Wan Pipel which took good care of the remaining half.As of late, the film has not done so bad at all.

The movie is both famous and notorious. It has been called the best Dutch movie feature ever made (which may not be saying much); then also, there was some slight trouble caused by camera person Jan de Bont and acting person Monique van de Ven. This resulted in so many production problems that the end result was totally different from the original script.Film critic Fred van Doorn dubbed the film the Dutch Cleopatra. Farsighted words indeed... After Dakota was re-released in 2005 by the Nederlands Filmmuseum, it did much better than originally, just like Cleopatra.So many people have asked me about the background story of the production that I finally wrote and uploaded it.

What Wim had in mind when he started out was more like a fast-action adventure movie. Is this change in the end result for better or for worse? What's the use of even wondering. What I do know is that, when it was all over, I told Wim to submit the movie to the Barcelona color film festival (I had rather good contacts in Spain at the time). He asked: But why? I said: It's a color film, ain't it? Then he got the Grand Award or whatever it was called. But the film had flopped long before then (and when he died, the prize statuette had disappeared long since.)

I used the trusty 6x9 cm SLR Rittreck with a Fujica 690 and, for the first time, Kodacolor negative. This enabled me to print B/W stills on Kodak Panalure paper - wonderful stuff: panchromatic and absolutely loaded with silver. Also, no duped internegatives! You could not possibly know, in these digital days, what a break that was. As far as I know the first Dutch movie to carry the title info on the B/W press stills, just like in Hollywood, folks! I built a contraption to achieve that, as I printed from original negatives only; no contact dupes. Work photos, both B/W and Ektachrome EF, on the Contaflex Alpha, Zeiss lenses.