Articles by Isabel Stevens

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The German comedy-drama Toni Erdmann has been delighting audiences since the film premiered in Cannes earlier this year. Here the film’s writer-director, Maren Ade, delves into her intricate creative process. By Isabel Stevens.

What to watch at this year’s LFF? In the first of our editor’s personal selections, Isabel Stevens tips her hat to four hits from Cannes, and anticipates new movies from Kelly Reichardt and Matías Piñeiro alongside the revival of Julie Dash’s Daughters of the Dust.

For our second annual showcase of the festival’s best posters, we picked two winners – from a wonderfully rich field. Is a festival the best place to see the uncompromised art of the film poster, asks Isabel Stevens?

Studio Ghibli’s first international coproduction is a ravishing castaway fable by animator Michael Dudok de Wit that combines beauty, mystery, drama and heartbreak – with not a word spoken, says Isabel Stevens.