Valse Macabre Suspense Book PDF, EPUB Download & Read Online Free

This collection includes the popular title work, "Allegro appassionato," "Album" (consisting of 6 pieces), "Rhapsodie d'Auvergne," "Theme and Variations," plus six etudes, three waltzes, and six etudes for left hand alone. Authoritative sources. Introduction.

“McDermid excels in putting the reader at the center of the action . . . A tightly paced mystery . . . My bones tell me we haven’t seen the last of Inspector Pirie—or at least I hope not.” —Janet Napolitano, Los Angeles Times on The Skeleton Road Internationally bestselling author Val McDermid is one of our finest crime writers, whose gripping, impeccably plotted novels have garnered millions of readers worldwide. In her latest, Out of Bounds, she delivers a riveting cold case novel featuring detective Karen Pirie. When a teenage joyrider crashes a stolen car and ends up in a coma, a routine DNA test reveals a connection to an unsolved murder from twenty-two years before. Finding the answer to the cold case should be straightforward. But it’s as twisted as the DNA helix itself. Meanwhile, Karen finds herself irresistibly drawn to another mystery that she has no business investigating, a mystery that has its roots in a terrorist bombing two decades ago. And again, she finds that nothing is as it seems. An enthralling, twisty read, Out of Bounds reaffirms Val McDermid’s place as one of the most dependable professionals in the mystery and thriller business. “McDermid melds the political thriller with the police procedural for an intense novel that . . . feels both intensely personal and global . . . Karen . . . once again proves herself a formidable character worthy of her own series.”—Associated Press on The Skeleton Road

Daniel Jacobus, reclusive blind concert master and amateur sleuth, returns to solve a most despicable crime and to clear an innocent man Just after his Carnegie Hall swansong and before his imminent departure for retirement in France, beloved violinist and humanitarian Rene Allard is brutally murdered with a mysterious weapon. His young African American rival, crossover artist BTower, is spotted at the scene of the crime hovering over the contorted body of Allard with blood on his hands. In short order the aloof and arrogant BTower is convicted and sentenced to death, in part the result of the testimony of blind and curmudgeonly violin pedagogue Daniel Jacobus, like millions of others, an ardent admirer of Allard. Justice has been served...or has it? Jacobus is dragged back into the case kicking and screaming, and reluctantly follows a trail of broken violins and broken lives as it leads inexorably to the truth, and to his own mortal peril.

From #1 New York Times bestselling authors Preston & Child, an all-new short story featuring Agent Pendergast, available only as an ebook and audio download. In New Orleans' French Quarter, the Tooth Fairy isn't a benevolent sprite who slips money under your pillow at night....he's a mysterious old recluse who must be appeased with teeth--lest he extract retribution. When young Diogenes Pendergast loses a tooth, however, his skeptical older brother Aloysius is determined to put the legend to the test...with dire consequences. *Includes a special preview chapter of Preston & Child's new full-length novel TWO GRAVES, available December 11, 2012.

No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film (Citizen Kane) to his last (Taxi Driver), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic (Fahrenheit 451, The Day the Earth Stood Still) to the romantic (Obsession, The Ghost and Mrs. Muir) to the terrifying (Psycho). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre on the Air and The War of the Worlds. His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored—a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love. Films scored by Bernard Herrmann: Citizen Kane, The Ghost and Mrs. Muir, Vertigo, Psycho, Fahrenheit 451, Taxi Driver, The Magnificent Ambersons, The Man Who Knew Too Much, North By Northwest, The Birds, The Snows of Kilimanjaro, Cape Fear, Marnie, Torn Curtain, among others