Into pore spaces weaves together a fragmented archival display showing collected material from the Biosphere 2 project, a scientific research facility located in the Arizona desert. Collected over the last months, the archive presents a selection of correspondance, diagrams and documentation on topics such as the cycle of water or the agricultural biome; and is then taken and expanded through the contributions of an invited group of artists. Sampled from online videos, scientific drawings and diagrams, the works in the exhibition aim to blur the dimensions between the rational and the potential, the tangible and the imaginative.

Certain anarchy in the organization of the display invites us to consider the forms of entanglement between the tangible and the potential as a form of hybrid thinking. By creating ambiguous landscapes and enclosed ecosystems where fiction grows along scientific facts, the exhibition creates moments of ambiguous confusion where this material appears as moving layers with images building in density on top of each other, obscuring what came before in an accumulation of constant growing and erasure.

Into pore spaces weaves together a fragmented archival display showing collected material from the Biosphere 2 project, a scientific research facility located in the Arizona desert. Collected over the last months, the archive presents a selection of correspondance, diagrams and documentation on topics such as the cycle of water or the agricultural biome; and is then taken and expanded through the contributions of an invited group of artists. Sampled from online videos, scientific drawings and diagrams, the works in the exhibition aim to blur the dimensions between the rational and the potential, the tangible and the imaginative.

Certain anarchy in the organization of the display invites us to consider the forms of entanglement between the tangible and the potential as a form of hybrid thinking. By creating ambiguous landscapes and enclosed ecosystems where fiction grows along scientific facts, the exhibition creates moments of ambiguous confusion where this material appears as moving layers with images building in density on top of each other, obscuring what came before in an accumulation of constant growing and erasure.