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Frederic Chopin's legacy as a pianist and composer served as inspiration for generations of later composers of piano music, especially in France and Russia. Singing melodies, arpeggiated basses, sensitivity to sonorities, the use of rubato, pedal points, and the full range of the keyboard, plus the frequent use of character pieces as compositional forms characterize Chopin's compositional style. Future composers Claude Debussy, Sergei Rachmaninoff, Alexander Scriabin, Nikolai Medtner, Gabriel Faure, and Maurice Ravel each paid homage to Chopin and his legacy by incorporating and enhancing aspects of his writing style into their own respective works. Despite the disparate compositional trajectories of each of these composers, Chopin's influence on the development of their individual styles is clearly present. Such influence served as one of the bases for Romantic virtuoso works that came to predominate the late 19th and early 20th century piano literature.
This dissertation was completed by performing selected works of Claude Debussy, Sergei Rachmaninoff, Alexander Scriabin, Gabriel Faure, Nikolai Medtner, and Maurice Ravel, in three recitals at the Gildenhorn Recital Hall in the Clarice Smith Performing Arts Center of the University of Maryland. Compact Disc recordings of the recital are housed in the University's Michelle Smith Performing Arts Library.