21 ways to Assemble a Home Recording RIG

A Tour through the Diverse Home Studio options available Today

by Tweak

Let
me take you on a walk through
our favorite music store. I'll point out what works with what, nudge you
in a few directions when I know something is o, so-cool, and give you a sense of
the options you have for recording. On this page you will hopefully find a
studio that may best meet your musical vision. There is indeed a home studio
solution for everyone who wants to record music. It's just a matter
of knowing what's out there and how the pieces fit together. That's the information
you are about to receive.

There are so many products in the home studio arena
that it can be a challenge to figure out which items you want for your studio.
Below you see some suggestions I have come to after years of helping people put
together their rigs. I did a fair amount of research on these rigs.
That does not mean that I tried them all. As always do your own research and
consider these suggestions as a starting point on what to research further.

What is a rig? Its the term I use for "the basic studio
components working together as a system". There are many ways to put
together a recording rig correctly. There are more ways to do it wrong.
By studying my rigs you can get a good sense of what works and what does not.
Use the info towards building the ideal rig for your projects and your budget.

Rig #1 Entry Level Budget Firewire Mixerless Rig

Who its for: Ideal for the solo composer
recording him or her self one track at a time; or for the recording of a small small
ensemble overdubbing the parts, one or two mics at a time. Good for Hip hop
and all forms of electronica and dance, as well as acoustic guitarists, synthesists,
vocalists and songwriters.

The Firestudio Mobile will work with Macs or PCs You can
plug in your guitar and mic on the front panel and connect a synth in the back.
This interface is rich in inputs (8 analog, stereo s/pdif digital) but only has
2 outputs, which is nearly perfect for a mixerless approach. Finally, you're
going to be recording at 24 bits, just like many pros do.

Hooking up this rig: Utter simplicity.
Firewire cable from firebox to computer. Mic to XLR input. Keyboard
controller to any USB input. Active Monitors on the main outs. Done.
Done. Done! So easy a caveman could.. I mean, ugh, even
your drummer could do it. If you have a keyboard
or module with sounds then it connects to the firebox line inputs 3 and 4 on the
back. If you have a keyboard with no USB use the onboard 5 pin MIDI
jacks.

Finally, a new-generation, studio-quality FireWire
interface that you can use anywhere! The PreSonus FireStudio(TM)
Mobile combines the superior analog-circuit design and advanced
platform technology of our acclaimed FireStudio rack-mount interfaces
with the ability to run on bus power in field applications. Now
you can have enhanced audio performance for music recording and
creation anywhere you can lug your laptop!

add
your PC or Mac

Choice of Mac/PC Sequencer

Discussion of Rig #1

Its amazing how little it takes
when you really get down to it. The cool thing about this rig is great sound
in a tiny easy to set-up system. You can operate with a minimum of wires and
use it on a laptop or a desktop. Because both the firebox and Xboard are bus
powered, take along some phones and you could record on a road trip. Of course
you want to make sure you have a high performing laptop with a fast hard disk, or
just use it with you home firewire equipped desktop.

The
Studio
projects B1 is currently winning our poll at studio-central for best condenser
around $100.

This system is upgradeable at any time. You can add premium
Mic preamps better monitors and AD\DA converters when major cash comes in if you
need to sound as professional as possible. But this system gets you off the
ground with excellent sound.

Alternatives to the Firestudio Mobile:

For most Macs or PCs with Firewire,
the Firebox will do fine.

For a higher quality alternative
to the firestudio mobile for Mac systems, I recommend you substitute
a
MOTU Ultralite. Yep, these will cost more. Remember now m-m-m-m-Mac
and m-m-m-m-Motu are good! That is a generalization.
Its fairly safe when talking about MOTU's recent audio interfaces. Did I say
PC? No I did not. (Be wary any time you find yourself, or a gear salesman,
or someone on a forum generalizing). Go a page
dedicated to audio
interfaces for your Mac. Likewise, you should not try to get an Emu audio
interface working on your Mac. That's a PC thing.

Another alternative if you are strapped for cash is the
Presonus Inspire instead of the the firestudio mobile. The inspire has
the advantage that it comes with Cubase LE software. This means you don't
have to buy a software package to get started. I have detailed a rig for the Inspire
in this article: how
to build a budget studio. In fact, if you are into hip hop and sampling off
vinyl, the Inspire saves you money as it includes on onboard phono preamp for your
turntable. There is no MIDI i/o on the Inspire though so make sure you have a keyboard
that has a built in USB midi interface. (See there is always a tradeoff!).
A quick note--beware of dynamic mics that require a lot of gain like the classic
Shure SM57. You'll have to boost the gain massively, which will add some noise.
Condenser mics will be fine as they typically require less gain.

Ideal for bands, the advanced home composer, studios that
need a lot of mics and those who demand flexibility and superb quality to do whatever
they want. Dummers will like the rig, and so will the studio that hosts bands.
Its good for multi-room operations where you have a control room (say a bedroom)
and a studio room (where people perform) say the living room. It will also
do a respectable hardware electronica studio where you need hi power instrument
inputs for vintage gear. In both cases the ADAT expandability is there when
you need it, with an extra 16 channels with inexpensive converters.

Hooking up this Rig:

Note that with the
MOTU
896 mk3, you get into an audio interface that has all the basics for recording
a 4pc band (8 mic preamps), yet offers amazing expansion options that will allow
you to grow with this interface. The 896 mk3 has dual ADAT i/o, can be turned
into an addition 16 ins and outs if you record at a sample rate of 44.1 (and you
should!) This gives you a 24x24 system when expanded, not counting the additional
s/pdif and AES/EBU digital i/o. The M3 in our example above would have its
audio outs connected to the 896mk3's instrument inputs or via ADAT through the line
inputs of a Behringer ADA8000 converter.

For MIDI the M3 could connect by USB, However, remember
the 896mk3 has no MIDI i/o so if you want to use older synths you need a MIDI interface.
That is where MOTU midi express 128 (or other) MIDI interface comes in. It
just connects to a USB port. You connect all your 5-pin Standard MIDI cables to
it. Your sequencer will see all those MOTU midi ins and outs and all the audio
ins an outs of the 896mk3. Pretty amazingly simple for a huge system
that can do full bands! The rest you do with the mouse inside the application.

Keep in mind that a non-gigging studio-only musician does not
need a keyboard with sounds. You can get by with a keyboard controller and
use software synths exclusively.

Discussion of Rig #2

This is not a budget rig, but one of solid sound, amazing flexibility,
and in all hi reliability. Of course it costs much more than Rig #1, but you get
capability and the flexibility to do lots more things.

Connect the 896mk3 to your computer with a single firewire
cable. The advantage of this system is that it is flexible. You
can use external gear as well as the software instruments in your sequencer.

Lets go back to expanding the 896mk3. You can, if you have
a strong Apple computer, add up to 3 more MOTU firewire interfaces by daisy
chaining them. See my review on the 896mk3 for more. You can also connect
up to two 8 channel ADAT light pipe expanders to the optical ports. The most
inexpensive of these are the
Behringer ADA8000. Two expanders and an 896mk3 with give you 24 analog
ins and outs.

The new
Adam A7x is an outstanding choice for a nearfield monitor,
getting great reviews. There are a lot of possibilities in this $1000-1200
a pair range.

I selected the
Korg M3 for its sheer sonic inventiveness with the Karma II processing
inside. But any keyboard, even a soundless controller will work here, because
Logic has all the soft synths you will need inside. An alternative hi end synth
is the Yamaha
S90XS, which has the entire Motif Sound set and a fantastic piano. This
is the choice for someone who wants the full 88 keys. I've selected the MOTU MIDI
Express 128 to give you plenty if MIDI ins and outs for connecting external gear.
Add your entire rack of MIDI modules and effects from years past. As a nice
touch, I add an MPD24. Its keeps with the small footprint, but gives those big MPC
style drum pads popularized by hip hop beat makers.

A computer with Firewire is required. This gear will work
with PCs or Macs, but I suggest a late model Mac, like the iMac pictured above and
Logic Studio, or a fast Dell or HP and Cubase. It will give the studio
a small footprint with the capability of doing very large projects, just right for
many rooms we have in our homes. Add the mics you need and you have a extremely
classy rig that you will enjoy for years.

On the Cheap

The less expensive way to get most of the capabilities
of this type of rig is to substitute a
MOTU 8 pre instead of the 896mk3 and a keyboard like the
Yamaha MM6 instead of the M3. Of course if your computer is fast enough
to run multiple soft synths you could just get a soundless controller.

Rig #3 Entry-Level PC-Mixer- based Home Studio System that can Get the Job
Done with a minimum of cash

Ideal for solo composers and small ensembles, especially for
those with old computers and little cash. You can record up to two tracks
at once easily.

Hooking it up:

With a desktop computer just take the alt 3-4 outs of the Xenyx
and connect them to the 2496 line in jacks. The 2496 line out jacks can go
back to any 2 unused line inputs on the Xenyx, such as the Tape ins or 2 unused
channels. The keyboard's audio outs have to go to the mixer's line inputs
plus MIDI must also be connected, in and out, to the 2496 breakout cable.
Mics, of course, go into the XLR mic preamps on the mixer. Active Monitors go on
the mixer's control room outs. If you are using the passive monitors I listed, then
you connect the control room outs to your stereo amp or receiver. See our
member nmodi's setup pic of
the UB1204 connections.

Just add a desktop computer, even this one! But if your computer looks
like this best to slow down on those plugins, Jack!

Discussion of Rig #3

The advantage of this system is
low cost for high performance. The
M-Audio 2496 has well-tweaked fast drivers that put it ahead of consumer cards.
It can do software synths quite well and with low latencies. It
also has a MIDI port, which is a money saver as you don't need a midi interface.
Its also been around a long time so it's compatible with a wide range of computers,
new and not so new.

The
Behringer XENYX 1204 has the ALT 3-4 bus which makes it a breeze to send any
channel (or channels) of the mixer to the soundcard while you monitor the other
channels--great for recording. The mic preamps are good and "airy" which
will give your vocals a crisp sound. You can add condenser mics to this system.
Though it's not a condenser, I include the
Shure SM57 here for it's low cost and the fact that it can record almost anything.
This is the most popular recording studio mic in the world. I have chosen the AKG
Perception as a good all around condenser mic, which has a crisp sound and is good
for both vocals and acoustic guitars. The system will record electric guitar
plugged in direct, but you can improve the sound considerably by adding a simple
direct box like the Behringer DI-100.

Any keyboard with a MIDI out will
work if you are just controlling soft synths and samplers. I picked the
Yamaha MM6 due to its low cost and that it has sounds of its
own. I think its great for electronica, hip hop and RnB. For a little more
look at the
Korg X-50, which is smooth and ambient. Also Consider
the
Juno D by Roland. By using a hardware synth you
don't have to always use cpu-intensive softsynths on every track. Working this way,
this system can get good results even on older, average desktop PCs.
A strength of this system is its ability to add hardware like synth modules, a compressor,
hardware effects boxes and up to 4 mics.

To keep the cost down I included a passive speaker system as
most people do have a hi fi receiver they can use. The
Alesis Monitor One is really a value. Before active monitors hit the world
many studios used these as their nearfield monitors. Active Monitors will
also work with this system.

This rig can be extended in many ways. A DJ would want
to add a
phono preamp so they could connect their turntables. Hip hop beat makers
would to well to add the inexpensive
MPD16 which will work great with the MM6 drum kits (which are excellent for
hip hop and electronica).

Working with a low grade laptop? No prob. Take the
soundcard off the list and plug the alt 3-4 out of the Xenyx directly to the audio
line input and take the line output back to the Tape in. Or, if you want you
can use the USB interface that comes with the Xenyx, which allows you to use the
Xenyx as your audio interface. Because this system has a hardware mixer and hardware
midi synth you'll have no latency like all the mixerless dudes have. The drawback
of this rig is that you have a maximum of 2 tracks that can be recorded at one time
using analog inputs. Its not for jamming or big sessions. But for you
and a friend working together it will work.

You're going to hear a lot of
people slam this rig due to the inexpensive mixer. Keep in mind, I am keeping costs
to a minimum--you can always get a better mixer. I can tell you I have used every
piece in that rig and have got excellent sound.

Rig #4 Dream Home "Mixerless" Software Studio--Mac Platform

Ideal for the Mac based home composer who want a completely software
driven studio for electronica, film scores, small ensembles and other big
projects with a minimum of hardware and wires.

Hookup example:

Simple really. The 828mk3 hooks up to your
Mac's firewire port (1 cable). The Mackie Control Pro will take a USB port.
You mics, synths, and monitors connect to the MOTU. You can plug a guitar
into the MOTU's combo jack input (2) and flick the switch to instrument. If
you want to connect turntables you will need a separate phono preamp and connect
that to any pair of MOTU line inputs.

You can add premium preamps to upgrade this rig and
I recommend supplementing the onboard preamps of the 828mk2 with some really
good ones.

Any MIDI keyboard, sounds or not. (Logic has everything
most people need.)

Discussion of Rig #4

The
Mac Pro is now the standard for Mac based studios. One great thing
about them is you can connect many video monitors and hard drives to the system,
ensuring a maximum of eye candy (consider 3, 4 or 8!-- 23" or even 30" monitors
side by side--awesome!) and enough storage options to store years and years of
projects. MOTU interfaces
and Apple computers have a great history of compatibility. I can verify my MOTU
828mk2 works great on the latest Mac pro. Logic, of course, is Apple's own
and it works well. NI's Komplete bundle is also working well as is the UAD2
cards and plugins from Universal Audio. Wait till you hear the FM8, Akoustik
Piano, Absynth, Reaktor and other heavy soft synths on a system that can slice
through them easily.

Logic pro is my preferred way to go here, though you could run Digital Performer
or run Pro Tools LE (if you get an digi 002 system). The
MOTU 828mk3 is a super value as an interface with preamps, 10x10 analog
i/o and dual ADAT lightpipe i/o. If you need 8 preamps, go with the
MOTU 8 pre. If you are on a Mac you really can't go wrong
with a MOTU interface. Just make sure it has the preamps and i/o you need. Add the Mackie Control as a control surface
if you want hardware to control your software mixer. Mackie control software
was developed with Emagic (the company that originally made Logic) and it fits Logic
like a glove.

Expandability: You can daisy chain up to 4 MOTU
firewire interfaces. By creating an aggregate device in the Apple Audio/Midi
utility along with daisy chaining you can create a monster interface with MOTU devices.
This, I believe, give MOTU the edge when it comes to expandability.

At the high end of the audio interfaces for the
Mac Pro is the
Apogee Ensemble. It boasts the superior sounding
Apogee converters which pro's know and love. The Ensemble can be
expanded by ADAT like many audio interfaces. It can also be expanded with
other Apogee hardware through firewire or through its PCIe card, Symphony.

On Apogee's "lower" end, if there is such a thing,
is the basic
Apogee Duet, which just has 2x2 analog i/o, but also has the great
apogee converters. I should point out that the Ensemble and Duet only work
with Apple computers that have firewire and support is built in directly in Logic
Pro.

There are low end audio interface that work with
Apple computers. But it pays to research those. make sure they are up
to speed with the Nahalem processors before you pull the trigger.

Waves and Native Instruments fully
support Apple's Core Audio. The Komplete5 gives you nearly
all the great NI softsynths and soft samplers to augment Logic's impressive array.
Waves Platinum is used by the pros. Note that the latest Macs are PCIe based.
If you want to go with UAD systems for plugins, I suggest to get the PCIe version
of the UAD-2 card, which is available now. I personally prefer the sound of
the Universal Audio plugins.

A MacPro desktop system is not
cheap, but you already knew that. Any MIDI keyboard will work, but I am a
believer that you need at least one device that makes sounds outside of software.
But its not necessary to get a full keyboard "workstation". If you get Logic
and Komplete 4 you will have plenty of samplers. A Korg
M3 88, with its 88keys, would really be the dream keyboard for the dream rig.

You can add an external processor
to the MOTU 828mk3 or Apogee Ensemble via its hardware outputs on the back.
You can also add more MOTU interfaces to the 828mk3 system or get an ADAT 8x8 AD/DA
to extend either the Apogee Ensemble or Motu 828 systems system to 16-18 analog
i/o if you are interfacing a hardware analog mixer or a lot of hardware processors.
One way to do this is to add a MOTU 8-Pre to the 828mk3. You can also add
more preamps to the 828mk3 using the ADAT protocol, for example, with a
Focusrite Octopre LE and ADAT card or a
Presonus DigiMAX FS or a
Mackie Onyx 800R.

But you don't need a mixer with
this system. Inside Logic you can make as many mixer channels as you
want and with the Power of the Mac Pro you can add processors and softsynths thinking
only of their artistic merits, and not on how much CPU power you have left.
Its truly a rig for the creative professional.