Member, Seattle Chapter, American Institute of Architects (AIA), 1948; Bassetti traveled to Europe on a U.S. Information Agency project in 1956. Registered Architect in WA, ID and MT in 1955 and 1962; President, American Institute of Architects (AIA), Seattle Chapter, Seattle, WA, 1967-1968; President, Allied Arts of Seattle; Member, Seattle Landmarks Commission, Seattle, WA; Member, Seattle Design Commission, Seattle, WA; Bassetti belonged to the Executive Board of the Friends of the Market, Seattle, WA, preservation group before 1963. In his many leadership roles during the 1960s and later, Bassetti became a key social activist in Seattle, campaigning for publicly-minded design projects, ranging from Pike Place Market's preservation to the creation of new parks.

In the late 1960s, Bassetti took a leading role in the "Forward Thrust" planning movement in Seattle, WA, co-founding "Action: Better City," a civic advocacy group. In part, he hoped to reinject local architects into the city-planning process, a role that had been usurped gradually by professional planners beginning in the 1920s. This group presented its findings in a book and a film, both titled, "What's So Great about Seattle?" An exhibit at the Seattle Art Museum also was part of this coordinated lobbying effort, to convince voters to pass bond issues for parks, sports facilities and other civic amenities.

Bassetti also became an activist campaigning for the Seattle Commons, a 61-acre park that he hoped would provide Seattle a Central Park-like amenity near the city center. He and Seattle Times writer John Hinterberger floated this idea in 1991, and public support built during the period 1991-1995. Two referenda requesting about $100 million in public funds to complete the parks failed in 1995 and 1996.

Bassetti graduated from Garfield High School, Seattle, WA; B.Arch., University of Washington, Seattle, WA, 1942; Bassetti entered the University of Washington (UW) thinking that he would study engineering; after performing poorly in engineering classes that first quarter of his freshman year, a classmate encouraged him to visit Architecture Hall. Bassetti was enchanted with the drawings arrayed on the walls, and went to speak to the Dean of the Department, Arthur P. Herrman (1898-1993). Both Herrman and another professor counseled him not to switch majors. He did anyway. M.Arch, Harvard University, Graduate School of Design, Cambridge, MA, 1945-1946. At Harvard, Bassetti worked with the renowned Bauhaus architects, Walter Gropius (1883-1969) and Marcel Breuer (1902-1981), but felt that the latter was the better critic and teacher. Bassetti had the opportunity to work at the University of Pennsylvania c. 1945, where Louis I. Kahn (1901-1974) was developing a devoted student following.

Born in Seattle, Bassetti grew up in Foster, WA, south of the city, now within the boundaries of Tukwila, WA. The area was known as Mortimer Heights, and Bassetti remembered it as rural and populated by many recent Italian immigrants. To learn more about his heritage, Bassetti lived for a year in Turin, during the deepest part of the Depression, 1932-1933, before his family transplanted itself to the Denny-Blaine Neighborhood of Seattle. He attended Garfield High School in Seattle finishing with the class of 1936, before matriculating at the University of Washington.

After the UW, Bassetti received a Master's degree in architecture from Harvard University's Graduate School of Design.

Parents

Born of a Norwegian mother, Sophie M. Forde (born c. 1891), and an Italian father, Frederick Michael Bassetti (b. 04/07/1887 in Turin, Italy), a newspaper correspondent and publisher, who operated the Italian language paper, Gazzetta Italiana. His father became a naturalized citizen in 1917 in Seattle, the year his son was born. His father's parents lived in Turin, where Bassetti visited in 1932-1933; he visited his paternal grandmother for nine months at this time, and remembered that he was enrolled in the fourth grade there at age 15. His mother came from Forde, Norway, a small town north of the coastal city of Bergen. Frederick M. and Sophie had three children: Yolanda (born c. 1914 in WA), Helen (born c. 1916 in WA) and Frederick Forde.

Spouses

Bassetti married three times; he was wed to Mary Wilson Bassetti from 1944 until 1971.

His second wife was Moira Feeney Bassetti (born in NB, Canada, c. 1933), whom he married on 06/25/1971 in Seattle. The architects Ibsen Nelsen and George Bartholick served as witnesses. He was 54 and she 38, They remained married from 1971-1985; (See Source Information: Ancestry.com. Washington, Marriage Records, 1865-2004 [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2012. Original data: Washington State Archives. Olympia, Washington: Washington State Archives.Accessed 12/09/2015.)

Bassetti's third wife, Gwenyth Piper Caldwell, he married in 1989. (Previous to marrying Bassetti in 1989, Gwen had married Theo Caldwell, a developer with whom Bassetti worked in the 1950s, in 1974.) (Information written in a letter dated 10/06/2009 from Mary Bassetti to Alan Michelson corrected the latter's errors in an earlier record. The author is grateful to her for the corrections.)

Children

Fred and Mary Wilson Bassetti had three daughters: Ann, Catherine and Margaret; he and Moira Feeney Bassetti had two children, Megan and Michael; Bassetti also has acted as a step-father to Gwen Piper Caldwell's 4 children from her first marriage, Megan, Ben, Piper and Sam, as well as a step-father to her five sons with whom she raised with Theo Caldwell. (Again, this information came from Mary Bassetti via correspondence to the author, 10/06/2009.)

Biographical Notes

In the summer of 1946, when the Head of the Harvard, Graduate School of Design, Walter Gropius, returned to Germany for the first time in ten years, Bassetti and his wife lived in the Gropius House in Lincoln, MA, house-sitting for 3 months. Bassetti worked for Alvar Aalto (1898-1976), working closely with the Finnish architect on the design of the Baker Dormitory at the Massachusetts Institute of Technology (MIT). He also assisted Aalto in New York, NY, on a small commission for James Johnson Sweeney (1900-1986), Head of Painting and Sculpture at the Museum of Modern Art (1945-1946), for museum furniture.