5/27/2010

Tom Spurgeon wrote here about arguments about comics he's no longer interested in having, and suggests 3 arguments comics critics could be having. Here's one argument I'd be happy to never see again. It's not really an argument as much as it is a bad faith assumption. Here are two examples of it in action:

"Alt comics creators may be turning for cred to more respected mediums like literature and memoir..." - from Noah Berlatsky's review of Tales to Thrizzle.

"While the other pieces in MOME vol. 4 are angling for the kind of bourgeois literary respectability..." - from Marc Singer's blog.

5/01/2010

I have always envied those nineteenth-century characters who were able to look back and distinguish the landmarks of their lives, of their development. Some event would mark a point of transition, a different stage. I am talking about writers; but what I really have in mind is the capacity of certain types of people to rationalize their lives, to see things separately, if not clearly. And I understand that this phenomenon should not be limited to the nineteenth century. Yet in my life it has been represented mostly by literature. Either because of some basic flow of my mind or because of the fluid, amorphous nature of life itself, I have never been capable for distinguishing any landmark, let alone a buoy. If there is anything like a landmark, it is that I won’t be able to acknowledge myself – i.e., death.
[...]
Certain this is partly an outgrowth of your profession. If you are in banking or if you fly an aircraft, you know that after you gain a substantial amount of expertise you are more or less guaranteed a profit or a safe landing. Whereas in the business of writing what one accumulates is not expertise but uncertainties. Which is but another name for craft. In this field, where expertise invites doom, the notions of adolescence and maturity get mixed up, and panic is the most frequent state of mind. So I would be lying if I resorted to chronology or to anything that suggests a linear process. A school is a factory is a poem is a prison is academia is boredom, with flashes of panic.