. . . [Albéniz' "Asturias"] is delivered with poise and clarity, while the superb trilling triplets of Tárrega's "Recuerdos de la Alhambra" are perfectly measured.

Record Review /
Andy Gill,
Independent (London) / 22. April 2011

The sudden emergence of this young Montenegrin guitarist is just what the guitar world needs right now. Milos Karadaglic is dedicated to pushing the boundaries of his instrument's repertoire . . . [The pieces] sound perfectly natural on the guitar, and Milos is already expanding the repertoire . . . effortlessly brilliant and deeply expressive . . .

Record Review /
Michael Church,
Scotsman / 26. April 2011

Karadaglic can articulate rapidly with the best of them, but what stands out even in busy textures is an unshakably serene breadth of phrasing, fluent rhythm and unforced rubato. In Spanish music this is impressively idiomatic . . .

Record Review /
Robert Maycock,
BBC Music Magazine (London) / 01. May 2011

Lovers of the classical guitar have a new hero in the young Montenegran Milos Karadaglic, whose artistry is so compelling that it should win many new admirers . . The playing is lithe, subtle of timbre and transcendentally beautiful.

. . . a well-filled disc . . . extremely thoughtful in selection, and making for an enjoyable hour-plus of listening. This young man has technique to burn . . . forthright and direct, exceptionally passionate . . . The Albeniz "Asturias" fares well under Milos's temperament, as exciting as you will ever hear it . . . significant readings . . . a beautifully-played recital that has a lot to offer . . . Milos gets an "A" for enthusiasm and brilliance of style, and it will be very interesting to chart his artistic course over the coming years.

Record Review /
Steven Ritter,
Audiophile Audition / 27. May 2011

. . . there are masterpieces here: classic arrangements of piano pieces from Albéniz's "Suite espagnola" and Granados's "Danzas espagnolas", dazzlingly played, and works by the contemporary composers Carlo Domeniconi and Mikis Theodorakis that emphasise the Islamic influence on this essentially Mediterranean music.

Record Review /
Hugh Canning,
The Times (London) / 29. May 2011

. . . extremely persuasive musicianship . . . Karadaglic is a thoughtful, intelligent artist, as supple in his phrasing as he is generous in his use of colour.

Record Review /
William Yeoman,
Gramophone (London) / 01. June 2011

His stern temperament, combined with extraordinary virtuosic powers and a capacity to play with great feeling, make him a formidable musician. With almost impossibly fast-sounding tremolos and slashing chords, the "Asturias" by Isaac Albeniz is exhilarating. Karadaglic gives it a truly heated performance of deep Latin fervour; yet he is such a clean striker of the instrument that every tiny note is perfectly placed. His tremolo melody in Francisco Tarrega's equally well-known "Recuerdos de la Alhambra" is so beautifully shaped that it drifts like a summer breeze . . . Karadaglic plays each with passionate colour and a thorough understanding of their idiom . . . the young Montenegran and the English Chamber Orchestra give it such a lush performance that one cannot help loving it.