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Sunday, June 15, 2014

The Unveil

Thursday night we had our great unveil. The efforts of the past year culminated in an exhibition on light that shined, both literally and figuratively. The gallery was filled with attendees and of course the artists. I often find that openings are not good times to see the artwork, there is just too much going on. I began to view the artwork only to run into friends and then resume at some point far across the room from where I began. My meandering path through people and art was more of a buffet, filling my plate with nibbles rather than deeply savoring each piece in its entirety. That I saved for a subsequent visit.

I brought my friend to the opening. Both friend and muse, her experience was the subject of my artwork in the show. My friend is legally blind. The first time she asked me to take her to an art show I stammered,"But but, how will you see it?" She patiently explained to me how I would assist her in that effort by reading and describing everything to her. I have found that while this is sometimes taxing, it is a good way for me to fully take in a show. I look forward to our more in-depth visit next week. In the meantime here are some of my initial nibbles.

As we entered we were greeted by Toni Dachis's beautiful sun. With torn paper from past projects she recycled her work into a thing of beauty. Raised textures and colors glowed, promising and inviting.
To our right was Rani Halpern's exquisite cut paper piece that echoes the prayer which speaks of the "Creator of day and night, who rolls back light before dark". Intrigued with our sketchbook project in which she expertly cut the pages into forms and Hebrew text, Rani got a much larger sketchbook and formed it into a star, shaping it into a reflection on day turning into dusk with a background layer painted deep midnight blue. Each layer is beautifully cut with day offering glimpses of the night that is to follow.

As I walked through the gallery I noticed Leah Golberstein's work gently swaying in a breeze of movement. Her delicate handmade paper formed a berth for pomegranates, echoing the nerot tamid, the eternal light.Behind her work, Ann Ginsburgh Hofkin's forest invited me in. Printed on aluminum was an image of a light from above illuminating the darkness of the woods in a way that caused me to expect something miraculous to follow. Perhaps capturing the moment was miracle enough.

Nearby Kris Prince's large painting also beckoned me into the woods, but in an entirely different fashion as I followed human forms guided by candlelight in a joyous procession.

I detoured to the middle to read the intriguing letters in the pockets of Alison Morse's work. The letters are written from the perspective of workers in the Rani factory disaster and that of the Triangle Shirtwaist factory, I chided myself for forgetting to bring my contribution to her poem for the closing. "I will bring it when I return Alison", I silently promise. She will then take our contributions to weave into a final poem.

Louise Ribnick's work beckoned me nearby with her bright colors and the imagery of a young child running ahead, a meditation on her grandchild, soon to enter the world.And then a stop at Robyn Awend's word find, searching for light, or at least words on light. I found for someone who loves words, I struggled to find them. With the aid of Toni and her husband, I found a few before moving on.

I glanced up to locate my friend who was in rapt attention as Jonathan Gross described his work to her; A light box of sorts which reflects dust in beams of light. Light is the vehicle to enable us to see what may already quietly exist.
As I left the gallery I noticed Joel Carter's crack in the world created from rock, the light now coming in, an eloquent meditation on the quote from Leonard Cohen, "There's a crack in everything, That's how the light gets in".

In the lobby I chatted with Anita Konikoff about her initial foray into exhibiting her beautiful stitched imagery on the light of Jewish rituals. She asked if one gets past the intimidation of showing when you do it often. "No" I thought, "it is always there on some level. You just learn to forge ahead anyway". I am so grateful to my fellow artists who forge ahead and share their work, creativity and energy.

And there is so much more than what I've mentioned here. With 25 artists, I can't speak of all of the amazing work. I merely offer a taste. Please come for the main meal and enjoy all of the artists' intriguing contributions.

Or Chadash, A New Light: Unfiltered Tychman Shapiro Gallery and Shared Walls Exhibition Area June 12-July 20, 2014 Closing Presentation July 20 5:00-7:00pm (Readings) Free and Open to the Public

*The Jewish Artists’ Laboratory is an arts initiative through the Sabes Jewish Community Center featuring 25 artists exploring the theme of Light through study and art making. The project is funded through The Covenant Foundation and similar projects are being done in both Milwaukee and Madison. Artists explore how the theme of Light is relevant to Jews and non-Jews, to religious and non-religious, to the community and to the individual, to the artist and the non-artist.

About Me

Susan Weinberg researches, paints and writes about family, cultural and community history. Her family history interests and travel frequently inform her artwork.
Susan writes of her travel to ancestral towns throughout Eastern Europe and her artwork based on those communities.
Susan has exhibited her artwork nationally and internationally. Her most recent body of work is the Jewish Identity and Legacy project, a project which includes oral history and art creation. Based in Minneapolis-St Paul, Susan creates artwork and does genealogy consulting. She speaks frequently on her artwork and genealogy topics. She maintains two blogs, Layers of the Onion with a family history and art focus and Creative Connections on the Minneapolis Jewish Artists' Lab.