The third rule of composition is "Leading Lines". The idea is to use defined lines in an image to make the viewers eye follow along from one area of the image to another. The line can be anything, roads, trails, fence line, rivers, train tracks... These are some of the more obvious ones. Try useing shorelines, tree limbs, a cresting wave, a crack in a rock, or maybe a row in a beautiful garden to carry the viewers eye through the shot.

Leading lines work very well portraying depth in your image. A diagonal line across your image will make the viewer feel distance. In the night shot above taken in Reed Bingham State Park in GA you can tell exactly how much distance is between each of the trees because the line gets thiner as it gets farther away. As the line weaves in and out of the pines it adds depth.

I designed the rig to break down into 4 pieces that could easily be put in my backpack. If you did not need this feature you could omit the male and female adapters and get a standard 1/2 tee that could be glued on all three sides to save some money also the break is a nice feature but can be omitted as well.

If you are mounting a GoPro, the standard tripod adapter screws directly to the bottom.

GoPro mounted to Cable Cam

If you want to mount you cell phone they make a tripod cell phone holder that works great.

I always love to see your work, email me photos of your completed rig and videos from your projects using the cable cam!

Composition is the most important thing in photography. What is Composition? Simply put it is the Layout or structure of your shot. Have you ever looked at a photograph in a magazine or a painting in a gallery and though to yourself this is an amazing picture. But what makes it amazing? Well the answer is Composition. Artest have studyed what it is that makes an image pleasing to the eye for centuries. You can see the rules of composition in the paintings, architecture, potery, and clothing of our ancestors. Composition is the foundation that your image is built on and without a good foundation you will not have a good photograph. These rules are absolutely fundamental, knowing them and understanding them is what separates an amateur from a pro. There are many rules of composition, I like to focus on 10 rules that are the most important and widely known. Starting with rule #1 the Golden Rule of Photoagraphy, The Rule Of Thirds.

This is a very simple rule and when applied you will have great results. When setting up your shot imagine your viewfinder divided up into 3 equal parts vertically and 3 equal parts horizontally. When you do this you will be left with four intersections. These intersections are the main focus points for your eyes, and this is where your main subject of the shot should be located. It does not matter witch point you choose but keep in mind the story and movement of your shot. See the example shots below.

The best way to describe the Rule Of Thirds is to show you what it looks like in real world images. These two shot show the rule in action. I have divided them up into thirds, so you can see the four focal points of the photo.

From the images you can see the points and how the shot was framed using the rule. But you can also see how I tried to convey a story and movement as well. Take the first shot of the snail. In this shot I wanted to show this snail making his way across the road, with so much out in front of him as he slowly goes along inch by inch. His journey is there in front of him. The next image of the bird in silhouette, I framed this image with the bird leaving the frame, almost escaping the frame. As if I came upon him sitting on the shore and he took flight to get away. He is exiting.

Using the empty space in the shot as a way to convey movement and story, just another way to use the Rule Of Thirds to take great images.

A Friend of mine and Gillette Outdoors, Jeff Sparks (find Jeff on Twitter) invited me on a hike this weekend for National Trails Day.

What is National Trails Day?

"American Hiking Society’s National Trails Day® (NTD) is a celebration of America’s magnificent Trail System, occurring annually on the first Saturday in June. NTD features a series of outdoor activities, designed to promote and celebrate the importance of trails in the United States. Individuals, clubs and organizations from around the country host National Trails Day® events to share their love of trails with friends, family, and their communities. NTD introduces thousands of Americans to a wide array of trail activities: hiking, biking, paddling, horseback riding, trail running, and bird watching and more. For public and private land managers alike, National Trails Day® is a great time to showcase beautiful landscapes and special or threatened locales as thousands of people will be outside looking to participate in NTD events.

National Trails Day® evolved during the late ‘80s and ‘90s from a popular ethos among trail advocates, outdoor industry leaders and political bodies who wanted to unlock the vast potential in America’s National Trails System, transforming it from a collection of local paths into a true network of interconnected trails and vested trail organizations. This collective mindset hatched the idea of a singular day where the greater trail community could band together behind the NTD moniker to show their pride and dedication to the National Trails System" (Nationaltrailsday.org)

Joshua Creek Trail Head, Charles Bronson State Forest.

As we made our way into the forest from the Joshua Creek Trail Head we followed the Blue blazed connecter trail over to the familiar Orange Blazed Florida Trail (FT) the photo above is of a small section that was blanked in fern.

Damp and humid, this is the perfect home for ferns of all kinds.

As the FT twisted and turned we went from scrub, to pines, to hardwoods, and even a low grassy flat where we found a rare Pitcher Plant in bloom.

These carnivores plants growing in clusters.

Here is the oddly beautiful bloom of the Pitcher Plant.

These strange plants are just off of an old access road that the local hikers have named Hog Trap Road. How did the road get that name? Our trail guide was the one who named it! Here is her story.

All alone the trail from beginning to end grew wildflowers. When I could, I tried to stop and snap a few photos to share.

#1

#2

#3

I am not a plant expert, if anyone is please let me know the names of these in the comments below and I can go back and caption them properly.

Here is Jeff and the group checking out a Butterfly Orchid way up in this tree.

In all 5.5 miles hiked and some new friends and memories made. I would like to thank Jeff for inviting me on this awesome hike and for celebrating National Trails Day with me! I would also like to thank the Florida Trail Association (Follow the FT on Twitter and Instagram) for putting on this great hike.

When people ask me how this shot was done they always look at me like I am crazy when I say, all you need is a six foot dog leash, a piece of steelwool, a small flashlight, and a metal kitchen whisk.

I am going to take you all step by step through the making of this shot. I will try to make it as simple as possable, but if you have any questions at all feel free to ask in the comment box below this article.

First of all I want to start by saying that there is a level of danger when it comes to doing a shot like this. You will be useing fire and very high temp metal that could burn you if you are not careful. Every precaution should be taken to avoid injury to yourself or others and the serounding area.

Ok let's get started! First let's talk about the steelwool or that swirling fireball serounding me. This is what you need.

1. One pack of steelwool 002

2. Metal kitchen wisk

3. Six foot length of rope or dog leash

4. Lighter

This setup is simple, just attach the rope or leash to the end of the metal wisk as shown in the image. You must find an all metal wisk that has a hole in the handle for hanging. I got mine from the dollar store. Also I found this six foot leash at the dollar store as well, the clip makes it easy to attach. When you are ready to shoot your image you will pull off a small piece of the steelwool and stick it in the wire end of the wisk. Hold the leash about half way down so that the wisk is hanging about a foot off the ground. Use the lighter to light the steelwool, it will light surprisingly easy. You will start to see bright orange strands of metal in the area you lit right away. Now simply swing the wisk in a circle vertically, like in this image, or horizontal for a different effect. Be very careful when doing this, long sleeves, safety glasses, and water near by is a must. Also it is a good idea to do a shot like this after a hard rain when the ground is not so dry. And remember this hot metal will travel a long way depending on how fast you spin it, as you can see from the image fifty or sixty feet easy. So be smart about where and when you do this, I know it looks like I am in the woods but I am actually standing on a dirt road so as not to start a forest on fire! Safety First.

Now let's talk about the camera setup. This image is what's known as a long exposure, which means that the shutter of your camera remains open for an extended period of time during the shot. To do this it is best that you put your camera in "M" manual mode. In manual mode you have control over all settings so you must know how to adjust them on your specific camera. So dust of your cameras owners manual or search for your model online for the correct setting adjustments. When we took this shot it was about 1o1pm with no moon under a thick canopy of trees, so needless to say it was dark. So dark that you could not see your own hand without a flashlight. With this low light you need l set your camera up to be able to bring in any light it can so first let's adjust your apriture setting. Now from lense to lense this setting will change because of the inner diameter of the lense but just set your apriture "F#" to the lowest possable number. The lense I was using let me go down to F3.5. This is going to open up the inside shade of the lense and allow the most light to get into you sensor.

Next is ISO, I have found that it is better to use a low ISO setting when shooting shots like this because you tend to get a lot of noise when your cameras sensor overly sensitive. So believe it or not I keep with an ISO of 100 even in this dark situation. I would rather give the camera more time than worry about grainie shots. Which leves us with one last setting which is shutterspeed. With this you have a few options first you can use a pre timed shutterspeed that your camera has built in. Most cameras will have at most a 30 sec exposure time, so if you can get your shot done in that amount of time then that will work. Or you can set your shutterspeed to "bulb" witch allows you to open the shutter and leave it open until you want to close it.

With my camera the bulb mode setting can be controlled in two ways. First you have the shutter release button, press and hold this button and the shutter will remain open until you let your finger off the button. This will work but it is hard even with the best tripods not to move the camera while holding the button. Option two is to use a remote shutter release button, you can pick one up for your camera online for relatively cheep. With the remote you push the button once and the shutter opens and you push the button again to close it. Much easier and completely hands off the camera and tripod makes for no movement in the shot. I always recommend the remote method for anyone trying to do this type of shot and if you are attempting it alone there is no other way.

Lastly, in the dark your camera will not be able to autofocus, so you will need to set your camera to manual focuse mode. To focus your shot put bright light on your main subjects and set your focus and leave it. My lense has an infinity setting on the lense that puts everything in focus so check your lense, you may have the same.

Camera setting recap

Apriture F3.5

ISO 100

Shutterspeed "bulb" 45-50 seconds

Manual Focus

Now I shot this shot in two ways, with the steelwool only, and with the steelwool and lighting on the trees. Both are great effects and give very different results. Let's talk about light painting the trees.

Light painting is a method I like to use a lot as you can see from my gallery. To break it down to basics it's lighting each object in the shot individually with a small flashlight. Now look closely at the image and you will see me in the background spinning the steelwool. But what you do not see is the rest of the crew walking from tree to tree with small AAA cell led flashlights shinning each tree. As a matter of fact they are in the shot the entire time the shutter is open but there is no sign of them at all. Why? Well with light painting the camera will only see the object that is being illuminated, so as long as they do not shine the light on themselves the camera does not see them.

In this shot as I spun the steelwool Rocky and Brad walked from tree to tree shining the lights up and down there trunks for a few seconds each. In between trees they would shine the lights straight up into the tree canopy to illuminate the beautiful green leaves.

To pull a shot like this off it is a good idea to bring some friends and or family along. It would have never happened without the help from my team! So thank you Rocky for running Lights and Safety, Brad for lighting and cameras, and Dylan for making sure we were all on point out there in the dark. You guys are awesome!

Here are a few of the apps I use every day for retouching, color correcting, watermarking, and titles. These are great for editing on the go and for easy, quick posting to all your social media sites.

PS Express:

Most photographers will be familiar with this program. Photoshop Express comes from the leader in photo and video editing software: Adobe. This is a go-to app when you need to adjust color, temperature, exposure, tint, ect. This versatile app gets the job done and is as simple to use as it gets. edit and crop your photos for Instagram and really pull out that rich color with this app!

Pixlr Express:

Another app that has some great features for editing on the go is Pixlr Express. While slightly less user friendly than PS Express, Pixlr Express is a bit more in depth when it comes to tools. Now, this can be both good and bad, so try both apps out to really see what features you will most use from each. 95% of the time, I turned to PS Express as it is simplified and more straight forward than Pixlr Express, but there are times when I need that one filter or some funky thing PS doesn't have. This is the app I turn to to fill the gap.

IWatermark:

IWatermark is the app I use to add watermarks to the photos I post online. If you are looking for a watermark program to protect your photos, this is the best I have found. I have tried many different apps for this task, but nearly all of them cut your picture quality in half. As a photographer, that is the last thing you want. IWatermark maintains photo quality and integrity while also being extremely easy to use. Once you've made your watermark, just load an image, select your mark, place it where you want and save or upload directly to your social media sites. It's that simple!

TitleFX:

For simple, clean and high quality titles on the go, I use TitleFX. Again, quality is key when working with photographs. You don't want to slap a grainy, fuzzy title on your photo and call it a day. TitleFX may not offer a ton of fonts to choose from, but what fonts they do offer are among the cleanest and most commonly used. Many apps will tout "2000 fonts," but who uses DingBat or half of the crazy fonts out there? TitleFX gives me the good ones on the go and lets me get the job done right.

This week we are out west! Rawlins Wyoming, a beautiful little town on the edge of the Continental Divide 7000 feet above sea level. The snow and cold weather are a great change of pace, highs in the teens and lows in the negatives.

There have been a lot of firsts on this trip so far. This is the first time I have been to Colorado, and Wyoming. The first time I have been in weather under -20 degrees, and the first time I have seen a Mule deer in the wild! What amazing animals, large groups of them walking across vast, open snowy, wind blown landscapes. It looks to me like the community group is strong with these animals. As I watch them you can clearly see the mothers walking along with there little ones tow. As the dominant buck sits quietly watching the heard.

The photographer in me wants to spend hours and hours following and patiently waiting for the perfect moment. And the photographers wife next to me says lets go it's cold!

It's worth sharing. What is better than witnessing something amazing? Sharing that moment with someone else. Have you ever had something happen when you were totally alone and thought to your self they will never believe what just happened? Most of the time you tell your story later but it just doesn't have the same energy or excitement. That memory goes by the wayside even if it was amazing. Now take that same event and ad one friend seeing it with you, Wow the stories you will tell, bouncing that emotion back and forth between the two of you. your friends and family listen to your story start to get excited and it becomes a moment. Years could go by and your friend will say remember that time we... And you will laugh and get to relive it again and again, that moment will not only live on but that relationship is stronger because of it. Me and my best friend A.K.A my wife do this often, a silent car ride one minute. The next minute we are both laughing so hard we have tears in our eyes, one "hey remember when.." Will create hours of open conversation. So go on an adventure, do something new, bring your friends, and family, create some "remember when..." Moments. Life is worth sharing!

One thing that separates a DSLR camera from your standard point and shoot is the dramatic range when it comes to Depth of field.

depth of field(DOF): is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image.

TRY THIS

Put your camera on a tripod, go outside and find a fence. Set up yor camera so the legs of your tripod are touching the bottom of the fence and rotate the camera so it is looking down the fence line. Set your DSLR setting to "A" (Aperture Priority mode) and adjust you the dial on your camera that controls the Aperture setting or the F# on your cameras readout. If you have never adjusted these setting on your camera dust off the manual or search your cameras model number online for info on your specific cameras adjustments.

Adjust the apriture (F#) to the lowest possible number for you camera, each lense has a different range of apriture so this number will be different depending on you lense. Take a picture down the fence line.

Now without moving your camera adjust the apriture (F#) setting to the highest possible number. Take a picture down the fence line.

Compare the images.

You will see that they are very different. Let's talk about the first image you took, with the lowest apriture (F#) setting. In this image the section of fence closest to the camera should be blurry and out of focus, as the fence gets farther away it should become clear and in focus and than as the fence goes on it will become out of focus again. This is short or shallow Depth Of Field.

Now in the second image the fence should be almost completely in focus the entire way. This is a long Depth Of Field.

Left apriture F22, Right apriture F3.5

Depth of field is a great tool for telling a story in an image, it places the focal point of your shot front and center. Also the out of focus portion of the image adds mistery to the shot. Play around with your apriture setting and practice useing this setting. It's setting like this that make good images great images.

A very wise man once said "if you want to take more interesting pictures go to more interesting places". Now as a young photographer I remember running around trying to make somthing out of nothing when it came to locations, and some times it worked. But as I have gotten older I now realize that location and timing are everything in photography.

Now that's not to say that sometimes the stars don't align and you get that unbelievable shot that no one could plan for. It is more realistic that you put in the time on scouting and light mapping and timing everything out to give you the best possible chance of getting the shot you are working toward.

Some important thing to consider when looking at a location for outdoor photography.

When I find a location I like, I always look at the angle I need to be in for the shot. In the compass app I take a screen cap with my phone (above) so I have the information at hand when I am planing my shoot. From this screen cap I can tell I am shooting west into a setting sun. This is good info to help plan.

1. Location, ( literally GPS or address) I always grab a quick GPS location on my iPhone. I do this so it is easy to go back to this place in the future or if I am working with others I can send them the location in google maps so they can easily find it. I also meet a lot of other nature photographers out on trails and it's nice to be able to help them find new exciting locations.

2. Light, look around for issues regarding light. Will a setting sun be to bright to shot in the direction you will be set up? You might need to try sun rise. Are you in thick tree canopy and need the sun to be overhead to give you the best chance for proper exposure? Again a smartphone compass is a great tool that almost everyone has on them at all times.

3. Climate, here in FL we deal with bad rain storms almost daily. I know that between 2pm and 5pm during the summer I need to make sure I have a plan in place to deal with storms. Or that in the winter months our high water table causes thick fog in the early morning hours. Researching things like this will also help in determining the direction you want to take in telling the story with your shot.

4. Terrain, when scouting a location take carful note of the terrain you will be shooting in and anything along the trail you will be traveling to get there. When planing a shoot the gear you bring will be drastically different if you need to hall it 18 miles up mountains and across rivers, And being prepared when you get there is a must. Tripods, filters, lens, cards, remote shutter, rain gear, water... This stuff gets heavy don't overload with stuff you will not use, plan the shoot and shoot the plan!

All of these factors will come in to play when out on the trail. I don't plan out every photo, sometimes they come by chance. But when you find a great location and really want to make that capture special. Take the time to plan and give you image the best chance of being the one you have in your mind.

The rule of thirds is a very basic rule that is so simple but goes so far when it comes to its application in nature photography.

Rule Of Thirds ; dividing an image in three equal parts vertically and three equal parts horizontally. The intersections made by these lines are the focal points of an image.

If you look at these images you will see that I have divided them as per the rule of thirds. When I set up these shots I purposely placed the subjects that I wanted to highlight into the intersections. By doing this I made these subjects the first thing you look at when you see the photo. Your eyes will go to these focal points first automatically without you even knowing it is happening.

Why? It is a natural thing that you do. Survival as a human depends on it! You have been doing it your entire life. Every day you use this skill without thinking twice about it. You first learned it as a baby. When you where a baby and could not communicate with your mom and dad you looked at there faces to get your information. More importantly you looked at there eyes and mouth. If they were smiling you knew everything was ok and you where safe, there eyes bright and wide and the corners of there mouth upturned. If they where scared you also knew to stay close to mom and dad. If you have kids you know how this works. It is the reason a baby smiles when you smile it makes them feel safe.

This is the last video in a four part series called "Controlling Light". A photography basics video that will help you better understand the Manual (M) settings on your camera. Knowing what these settings are and how they affect your camera will help you understand how to use them

Here is a Photography Quick Tip. Straight lines are pleasing to the eye in photographs because they give your eye a path to follow through the shot. Your eye will automatically go to the end of this bridge first, because that is where all of the lines lead. In Landscape photography this is used often with images of roads, paths, fences, even rows of bushes or pines on a hillside can give you great lines. Practice useing straight lines like this to help your images tell a story to the viewer. When I framed up this shot I wanted to show the viewer how long and narrow this bridge over the gorge was. I chose this high angle with my focal path directly down the center of the image. I tried to give my viewer the same feeling and focal point I had when I first came up to this bridge. Only AFTER I located my destination point on the bridge did I look around at all of the beautiful view, and that is the way I wanted my viewer to see it as well.

Keep in mind the story you are telling may not only be visual but also mental. If I shot this image at eye level, you would have seen the bridge I wanted you to see, but by elevating the camera 12 feet above the walkway of the bridge I tried to capture the feeling you get when stepping out onto a suspension bridge 100 feet over a river.

Practice is the only way to become a good story teller in photography. It may take 200 shots from 30 angles to get the look and feel you want. Keep try, keep thinking outside the box "pixels are free" every photographer in the world has 100 times more bad shots than good. After you get that shot that tells the story you want to tell, you will always remember the technique you used to get it for next time. And working through a shot like that is what makes good photographers great photographers!

This is the third video in a four part series called "Controlling Light". A photography basics video that will help you better understand the Manual (M) settings on your camera. Knowing what these settings are and how they affect your camera will help you understand how to use them

This is the second video in a four part series called "Controlling Light". A photography basics video that will help you better understand the Manual (M) settings on your camera. Knowing what these settings are and how they affect your camera will help you understand how to use them

This is the first video in a four part series called "Controlling Light". A photography basics video that will help you better understand the Manual (M) settings on your camera. Knowing what these settings are and how they affect your camera will help you understand how to use them.