An album I’ve previously bought on vinyl, cassette and CD, and now a 3 CD deluxe edition. So it’s clearly an album I like, along with over 40 million purchasers of this album!

Disc one of the 3CD Deluxe Edition is the remastered version of the original album, including extra B-side track Silver Springs. This remaster is the 2004 one, which did not need improving.

Dreams is one of my favourite songs, I never tire of hearing this track. Unless it’s the version by The Corrs, who just lobbed a shed-load of flutes and an Everything But The GirlMissing beat over the top. Avoid.

Sorry about that – back to Fleetwood Mac. If you don’t own Rumours, and are a casual fan, the single disc version will be enough for you. If you are a die-hard fan, for a few pounds more, the 3-disc edition is the definitive version.

Rumours, originally released in February 1977, was a staple of FM radio in the late 70s, and you will be surprised at how many of these songs you know if you grew up in that golden era.

You Make Loving Fun is sprinkled with lovely harmonies, and driven by chunky rhythm guitar and crystal clear solos by Lindsey Buckingham.

Fans of Formula One racing on the BBC in the late 70s / 80s will recognise the iconic bass line towards the end of The Chain, one of the album’s strongest songs.

The remaster brings elements to the fore that I had missed on earlier incarnations, such as the highly percussive multi-layered guitar, and intricate harmonies (? underpinned by accordion) on Never Going Back Again.

This edition of the album ends with Silver Springs, which was originally the b-side to Go Your Own Way.

Disc 2 is a live collection, recorded during the 1977 Rumours tour in Oklahoma, Tulsa, Nashville and Columbia. Several non-Rumours tracks feature, the highlight being Rhiannon clocking in at nearly 8 minutes.

Another longer-than-the-album take is Gold Dust Woman, with its wonderful Rhodes v chorused guitar intro. The live Go Your Own Way has a great new-wave guitar intro, and the live disc ends with Christine Mcvie’s Songbird.

Disc three is made of up alternative versions, demos and out-takes from the sessions. These tracks often contain tape hiss, sparse instrumentation, in-song chatter and are no way near the fidelity of the studio album. However, what they lack in audio quality they certainly make up for by offering a peek into the creative process.

My favourite is Dreams (take 2) – built around electric piano and rough guitar, the backing music sounds nothing like the album version, but the vocal melody is intact, and it’s a moving performance by Stevie Nicks.

Never Going Back Again [Acoustic Duet] is more fully formed than some of the tracks on disc three. Keep Me There [With Vocal] is interesting, as it includes the famous outro (a shortened version) that was later added to The Chain.

Silver Springs [Early Take] contains another fine Nicks vocal, and an echo laden backing track that differs enough from the finished version to make it an intriguing listen.

Planets Of The Universe [Demo] is a piano and vocals version of the track that later appeared on the Stevie Nicks Trouble in Shangri-La album. The lyrics are very raw and direct, and I prefer this version to the Trouble in Shangri-La studio version that was released in 2001.