Become a learned person – just like Hannibal

After consuming it all and doing some further research, I developed an intuition for the kinds of books Hannibal Lecter would read. In fact, the original works about the cannibal contain many direct literary references. The rest is a matter of conjecture.

Now it’s time for you to devour the books from the list below. Hopefully, you’ll become a little bit more like the Hannibal (in a good way).

The Hannibal Lecter’s Library – 22 Books Recommended by the Doctor:

The New Life is a prelude to Dante’s masterpiece and it’s a beautiful expression of courtly love towards Beatrice Portinari. This work inspired the composition of “Vide Cor Meum” (“See My Heart”) by Patrick Cassidy. The text of the song is taken mostly from Chapter 3 (“To every single gentle heart and loving”) of the original work and you can hear it during one of the Florentine scenes from Hannibal and at the end of the Season 1 of the TV series. I’m quite sure Dr. Lecter would know La Vita Nuova by heart.

He’s clearly fascinated by the cruelties of hell, as well as the sheer beauty of the classical language. In the Inferno, Dante and Virgil see the Satan chewing Judas, Brutus, and Cassius – sinners who betrayed their masters. In a similar manner, Dr. Lecter hangs Commendatore Pazzi (bowels out) for the Pazzi Conspiracy which led to the assassination attempt on the Medici family in 1478 in Duomo of Florence.

Hannibal plays Satan and God at the same time – as God likes to punish the progeny of those who were against him: Exodus 20:5 “You shall not bow down to them or serve them, for I the Lord your God am a jealous God, visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me.”

Lecter has profound knowledge of Dante, so he also must be an assiduous student of the Bible. He’s not particularly interested in the meekness and mildness of the New Testament, but his pulse quickens as he ponders Jehovah, the Big-Bad God of The Old Testament.

In the TV series he says: “Killing must feel good to God, too. He does it all the time, and are we not created in his image?” He’s making many references to God at his most vengeful, capricious and jealous. If God can drop a church roof on dozens of his followers, then Lecter can get away with a few bites of the human flash, can’t he?

Hannibal (or Dr. Fell, as he calls himself in Florence) is enamored by the Renaissance and his favorite painter of the period must be Botticelli. In the TV series, we see him as a young adult, sitting in the illustrious Uffizi gallery and taking sketches of “La Primavera”.

Later, he reenacts the detail of the painting (the one with Chloris and Zephyrus) by killing two people and decorating the scene accordingly. That’s actually how he earned the nickname “Il Mostro – the Monster of Florence”. If he was willing to go through all this gruesome art-making, than he probably sports a copy of Zöllner’s authoritative book on Botticelli.

In one of the scenes from The Silence of the Lambs, Lecter instructs Clarice to read Marcus Aurelius and “Of each particular thing, ask: ‘What is it in itself? What is its nature?’ What does he do, this man you seek?” This comes from Meditations, which are also filled with musings on death and it’s inevitability. There’s also a part about seeing the human body as a “vessel” and “a little bit of flesh” which perfectly plays to Hannibal’s narrative. Stoicism is based on being and doing “good”, but Hannibal has his own twisted version of it.

This one is related to the books and the TV series. In the book, Lecter watches a documentary based on Hawking’s book. He’s contemplating that with the newly discovered physical theories, his beloved sister might come back to life: “Mischa, eaten, to be whole again”.

Then there is the teacup metaphor in the TV series. From Hawkins’ documentary we learn that: „You may see a cup of tea fall off of a table and break into pieces on the floor. But you will never see the cup gather itself back together and jump back on the table… The increase of disorder, or entropy, is what distinguishes the past from the future.” This has a connection with many themes in the series but applies especially to the impossibility of Lecter’s reunion with Abigail and Will. Take a look at this beautiful “The teacup is broken” scene:

There are many allusions to William Blake in Lecter’s universe. Of course, there’s the Francis Dolarhyde, or The Red Dragon played by Ralph Fiennes in the movie, and Richard Armitage in the TV series. Dolarhyde is fascinated by Blake’s masterpiece, “Great Red Dragon and the Woman Clothed in the Sun”. He’s “becoming” the Dragon and this evil identity makes him murder many people. But he also has a soft spot for the woman clothed in the sun.

That’s the interplay between good and evil in Blake’s philosophy which also fits perfectly into Lecter’s philosophy. Good and evil are not opposed to each other. Rather, they coexist and form a balanced universe. In Blake’s Jerusalem, we can find these lines: “When the Male & Female Appropriate Individuality, they become an Eternal Death. Hermaphroditic worshippers of a God of cruelty & law!”

From the Hannibal book, we learn that: “Like Giotto, Dr. Lecter has frescoed the walls of his mind.” Quite often, our favorite psychiatrist mentions the “Memory Palace” mnemonic technique he uses to store vast amounts of information. One of the earliest mentions of the “Memory Palace” can be found in the works of Cicero.

Lecter can remember places, people and conversations and use these memories to his own ends. But when he’s locked up in the psychiatric ward, we learn that inhabits his palace, and walks among its spacious rooms to admire beautiful works of art he’s been deprived of in the real life.

In the famous scene from the Silence of the Lambs, you can notice that Lecter is a huge fan of Bach – especially the Goldberg Variations (named after the possible first performer of these compositions).

In the TV series, we can also see Hannibal playing the beautiful aria on his antique harpsichord. As a sitting member of the Baltimore Philharmonic Orchestra’s board of directors he must have Gardiner’s monumental work on Bach somewhere in his library.

There’s no one who loves Florence and its art more than Hannibal. He spent a lot of time there as a young adult – mostly on studying art, language and occasionally killing people. Some twenty years later he comes back, eats Dr. Fell, assumes his identity and becomes a curator of the Uffizi gallery. Then he inhabits the 500 years old Palazzo Capponi and continues his studies of the Renaissance. I think he would clearly appreciate Testa’s work on Florence.

And if you want to see all of the Florence’s locations that appear in the books and movies, check out this article.

Lecter appreciates all things Italian, so Thomas Mann’s book would surely capture his attention. Death in Venice tells a story of a great writer coming to Venice to find a cure for his writer’s block. Along the way, he becomes obsessed with the sights of a young boy, and then the whole city succumbs to Cholera. Mann’s work is deeply intertextual as it relates to ancient philosophy, Nietzsche, and the Greek mythology – something Hannibal would definitely enjoy.

In Fear and Trembling, Kierkegaard talks about ethics, and especially ethical obligations towards society and God. He uses the story of Abraham who was ordered to kill Isaac to prove his loyalty to the Almighty. Kierkegaard actually argues that Abraham did the right thing by obeying God, and that as individuals we should put our relationship with God (or the spiritual element) before requirements of the society.

He also says that people who acquire true faith have to go through a stage of “infinite resignation”. This would be very amusing to Hannibal who doesn’t have a need for God, and at one point says that “God is beyond measure in wanton malice, and matchless in his irony”.

If Lecter likes the Meditations, he definitely read Seneca. In his short but very powerful letter, the stoic philosopher tells us that we will soon perish into nothingness (maybe this very day). The only thing we can do is to do “good”, and arm ourselves with philosophy, so as to meet death with tranquility.

As I said before, Hannibal has his own version of morality where he considers “eating the rude” as making a positive contribution to the world. On the surface, he looks like a materialist, but is not at all affected when he’s deprived of his possessions – something Stoics would definitely approve of (yet they would object to his constant thirst for pleasure).

As a psychiatrist, Dr. Lecter must be familiar with all the foundational works on psychology, and that includes Freud. Civilization and its Discontents is probably one of his favorite reads, as it paints a stark picture of human society. Freud argues that individuals in modern civilization are uneasy, because they are bound by cultural rules and deprived of freedom, and the possibility of killing, raping and pillaging – the natural human instincts.

Freud says: “The commandment, ‘Love thy neighbor as thyself’, is the strongest defense against human aggressiveness and an excellent example of the unpsychological [expectations] of the cultural super-ego. The commandment is impossible to fulfil.” We could assume that by killing, Hannibal asserts his right to personal freedom and satisfaction by releasing himself from the shackles of the culture.

Lecter possesses amazing olfactory abilities. He’s able to smell Graham’s Old Spice and Starling’s L’Air du Temps from a considerable distance. He’s also a wine connoisseur par excellence and in The Silence of the Lambs confesses that: “A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti”. (This is probably the most iconic villain quote of all time and it also contains a hidden meaning. I’m sure that in his beautiful kitchen, there’s more than one book on wine.

Hannibal is a master chef and in the TV show, he frequently tantalizes his guests with his exquisite culinary skill. He has a vast collection of favorite recipes but I’m sure he has a considerable number of cook-books as well. (In The Silence of the Lambs, you can even see a copy of the Bon Appétit Magazine on his table). In fall of 2016, we are expecting a release of Lecter’s book of recipes – Feeding Hannibal: A Connoisseur’s Cookbook. Unfortunately, it will not include human ingredients.

When Starling and Lecter first meet in the Silence of The Lambs, she asks: “Did you do all these drawings, Doctor?” To which he responds: “Ah. That is the Duomo seen from the Belvedere. Do you know Florence?” (A piece of trivia: Starling later finds Buffalo Bill living in Belvedere, Ohio.)

Lecter knew The City of Lilies very well and was able to draw the famous cathedral from the information stored in his “memory palace.” He’s fascinated by Florence’s architecture, and I’m sure he would read a book with the full story of Cattedrale di Santa Maria del Fiore.

Lecter has an amazing eye for detail, and his drawings got him an internship at Johns Hopkins Medical Center in Baltimore, from which he later graduated with a degree in medicine. Moreover, in The Silence of the Lambs you can see Hannibal’s expert delineations of Florence and Clarice Starling.

From the materials related to our psychiatrist we learn that except for his native Lithuanian, he’s also fluent in variety of different languages including Italian, German, Russian, Polish (he must the first foreigner ever to be fluent in my native tongue), French, English and Spanish, and even some Japanese.

He learned all with the help of his staggering intellect, and by traveling widely, but he also had to pick up a system for mastering new languages. The book by Gabriel Wyner who speaks six languages fluently, might prove to be a solid foundation for this kind of system.

His imposing family house which keeps Lecter’s dark secretes is done mostly in the European style. Except for having a natural aesthetic taste, he probably read at least one good book on interior design.

On the web, you can find many discussions about the equipment used by Hannibal in the show. You can find anything from his kitchen knives, to the coffee maker. But one thing that makes him distinctive in the bookish arena is his stationary.

In the first movie, when starling visit Hannibal in the cage in St Levis, he is reading a paperback simply named POETRY but the author or collection of poems are not seen. Do you know what collection of poems or who the author is?