The title is Reality: From Behind is OK. But it also looks good from the front and the side in this unique collection of scenes. Private North America delivers five energetic sessions in this series of vignettes that includes something for everyone. The most memorable of the five is the finale in which Amanda, Mercedes and Angel take turns servicing Nick Lang in a bar. The vignette is called "Checking Out the Chicks." Andrew Youngman and Jolt Walton direct this scene in which Amanda and Angel end up in an anal after Lang starts off Mercedes with some sensational standing doggie. He then lines up Amanda missionary on a barstool before the action turns to Angel, who does a sexy striptease while waiting her chance.

Antonio Adamo directs an equally enticing, second-to-last scene entitled "Then Pick it Up!" Sultry redhead Adriana Esteve and the blonde Natali team up for a steamy threeway with David Perry in an indoor pool. Esteve and Natali walk in and get right down to business, shedding their bikini tops before allowing Perry to move in. The opener is entitled "Sex in the Elevator" and it's a downright nasty threeway between Sophie Evans, Toni Ribas and Ramon Nomar, directed by Johny Drop. Drop shows why he has the name early in the scene when Evans' pussy is isolated, showing two drops of liquid hit the carpet in super slow motion. The scene itself switches settings several times and ends up with Evans getting d.p.'d while wearing a nurse-themed outfit and bright red lipstick. The second scene is "The Farmer's Breakfast" directed by J.Y. LeCastel, who captures Elizabeth and Steve Holmes doing an ambitious anal. Holmes wastes no time bending the smiling Elizabeth over the kitchen table and grabbing a glob of something that looks like cake icing to prepare her asshole for a royal pounding. There is plenty of reverse cowgirl with some pauses for gape before a pop-shot in her ass.

After an on-the-set report, Private throws in a couples scene entitled "The Thin Ray of Sunshine." Director Thomas Herold goes to Ibiza for his highly stylized version of the classic pool man setup. A slow-motion sequence precedes this colorful, dream-like, fantasy scene that is skillfully shot outside. The enthusiasm of the beautiful and natural Monika makes this one a welcome change of pace.