When I was in L.A. for a book reading, I visited Dublab and tried to iron my tie and did a radio show. Now I’m in October, not L.A., and Halloween wants its Pumpkin back. Of course, the vocoder is under the impression that every day is Halloween and I’m not going to burst its skull balloon.

In fact, I’ve been convinced for some time that my book was written and recorded exclusively during October, that reliquary of magic, loss, decay, top-hatted ghouls in hardware stores (Mazzone’s True Value Hardware, 470 Court St, at 4th Pl), melancholy 9-minute S.O.S. Band songs, orange things, hearing things, Mean Old Devils, Ambrose Bierce, faceplants in corn mazes, Dead of Night, hydraulic skulls with spinners (Clinton St & something), and special teams’ flukes.

This is a combination of L.A. stuff, and Halloween, and things that have little to do with either.

For those who want instant Miami Bass Halloween skip to 33:37.

Thanks to Frosty at Dublab and Jeremy Campbell (at 10 Jay) for all the engineering, edits, and do-whats.

Vincent Price made an Italo cooking record that includes a prosciutto and Honeydew melon appetizer. Good to hear Dr. Phibes talking spaghetti and meatballs. Not included is the “poodle pie” recipe that Price used to force feed a critic in Theater of Blood, which also featured Diana Rigg in mustache disguise as Dave Stewart from the Eurhythmics. Or Foghat’s drummer circa Foghat Live.

(0:12) “Colours (Remix)” Cabaret Voltaire

My first Halloween suit was a semi-fire retardant Creature from the Black Lagoon. The mask had swamp dimples on the forehead and gill jowls. I wore it to school. I wore it in the summer.

In The Creature Walks Among Us, marine biologists at Seaworld attempt to outfit the gill man with a human voice box and a pair of khakis.

(0:40) “The Sentinel” Ian Boddy

My brothers convinced me that a green ghost lived in the storm drain in our backyard. My mother gave it a theme song and impaled a green sheet on our lamppost, which, according to one neighbor, I used for signaling the Martians.

The full 12 minutes of disco Sentinel can be heard at Veronica’s Minimal Wave radio show. Not to be confused with this Sentinel.

I like that growling fog that rolls through, before we get gonged by…

(2:51) “I Wanna Do Something Freaky To You” St. Tropez

A vocoder cover of the Leon Haywood song sampled in a famous song by Dre and Snoop, who later rose from the dead as Jimmy Bones.

(3:50) “Rockberry Jam (Dr. Dre remix)” LA Dream Team

The recently deceased Uncle Jamm is shouted out at the end, just after the berry voice gets all smoky in pitch.

I asked Egypt if he’d do that “Planet Rock” backwards thing for a minute or so and send me an MP3. Then Uncle Jamm passed away. Then Egypt sent over a 45-minute mix of him tearing up my vocoder playlist. The email just said (((BOOM!!))).

May all of your parenthetical asides be swamped in Bass.

(8:31) “Aqua Dream” Madrok

Not to be confused with that E.V.I.A.N. song with the starfish with a hi-top fade and seahorse playing a keytar on the cover. Thank One Way for that MiniMoog catapult and “I Need A Freak” for the bassline.

I ordered a copy of Madrok from Finland but they sent me the Clean Version of Kool Moe Dee “Go See the Doctor” instead.

Thanks, guys!

(10:06) “True To the Game” Snoop

Old demo (?) of Snoop rapping over someone—maybe Dre or Battlecat—rubbing together two copies of “Radioactivity,” long before they turned it into “Cali Iz Active.”

(11:32) Roger & Eazy (Ghost Radio)

Roger Troutman goes on the Ruthless Radio show in ’94 and makes a beat for Eazy, beatboxing through a Talk Box. (The drums are from an Austin group called the Pool.)

(12:48) “Late Night Hype” Compton’s Most Wanted

An Anita Baker bassline, a late night exchange at a gas station, something unregistered poking out the window—what this guy from Gastonia used to refer to as “the Wavy Wavy.” Then gunshots. “I tried reason with the chap,” says Eiht. (The g is understood.) Later he does a faceplant on the floor, thanks to the ding-dong timing of Rick James’ bag of weed.

Shortest song about the longest day—in Dayton. The state of Ohio was basically annexed by L.A.

(23:33) “I Love What You Love Doing To My Heart” JQ’s

Not to oversell the ambiguous specter at the window, but want me and heartbeat sound like haunt me on the right balmy day, which is now.

(26:23) “The Word Is Out” John Howard & Co.

My favorite car in the Wacky Races was the Creepy Coupe, which came with its own weather system. A storm cloud drop top.

(29:07) “Sending All My Love” Emerson

Misheard by a few people, for longer than necessary, as “sitting on a birdhouse.” There once was an abandoned Boo Radley birdhouse in my neighborhood, three stories and spinstered with cobwebs in the beak portals and gumballs in its den.

(30:47) “Tony’s Fantasy Edits” Bobby O

This isn’t scary. This is Freestyle. Where the f**k is Halloween?

(33:37) “Head Tonight (Instr.)” Luke & Lil Jon

Since I couldn’t attend the Goblin/ Alan Howarth thing in Krakow, the next best thing is Luke and Lil Jon doing the John Carpenter Halloween theme.

(36:39) “Way of the Drum (Dub)” Funkadelic

In case you were wondering what Funkadelic was up to in 1989.

The last time I saw George Clinton he was in a golf cart that ploughed through a game of 3-on-3 basketball game with the Beastie Boys in a parking lot in Atlanta, back when the Fu-Schnickens were still together. George was headed to the tour bus to have a speck of glitter extracted from his cornea. I remember George’s eye nictitating like Herbert Lom’s eye at the end of Pink Panther Strikes Again (when Lom’s slowly being erased by his own doom laser). For a wonderful moment all that remains is Lom’s tic, floating and twitching in front of a church organ, which is still feeling pretty Lon Chaney about things before the castle is reduced to manure.

(39:57) “Loveline” Shawne Jackson

Nothing to report here other than this was a preemptive consumer act before the WFMU Record Fair, in which a guy came down from Alaska to buy Straight Outta Compton. When my brother returned to North Carolina from Alaska, he pulled up in the driveway with giant tree stump chained to the hood of his yellow ’77 Corolla.

Two of eleven minutes, allegedly recorded with stolen equipment in a basement in Vienna in 1984. The dub I got from Rammellzee also included Led Zeppelin “Dazed and Confused,” followed by “Radioactivity.”

Actually this may be “Crimes of the Gods.”

(46:31) “Black Hit Of Space (Oakey Extraction)” Human League

A song about a record that swallows all the record stores in the universe. Conversely, The Thing in Greenpoint is a record store trying to swallow all the records in the universe.

Superfund blobs activate!

(48:49) “Einzelganger”/“Aus” Giorgio Moroder

You tooth can sound like this if you sleep with your mouth open and have central heating.

“Aus” is The End, though this isn’t the end, and they could be chanting this is hell or HAL, or neither, since it’s in German.

(52:23) “Haunted Mix” Whodini

Going with this instead of the branded “vocoder version” of “Haunted House of Rock” is the kind of thing that could get me fired.

(54:36) “Buggers Dub (Reverse Edit)” The Buggers

Reversing the reverses, said Mr. de Zoet.

(57:17) “Wishing at the Wrong Speed” A Flock of Seagulls

A few Halloweens ago, a woman got on the subway with bloody birds pinned to her green sweater.

hell of a mix my friend! really really dig that ZEE and phase2 song. wild story to accompany the track. is there ANY possible way you can forward the full track “CRIME OF THE GODS”. those 2 minutes were a tease! being a huge ZEE fan and always digging in the underground trash of internet space i would love and truely be grateful to hear the track in its fullness as ZEE’s voice must not be hidden in the dark lights, but exposed to its fullest volume! if interested i can trade you a few live trax i have of this master of alpha’s bet. please contact ASAP! email: burningbabylon75@hotmail.com thanks again for the posts!!!!!!!