Google + users pressing +1 over 2.5 billion times every day Source Jul-11

ABOUT Living statistics – Many of us who have been following social media since the early 90s are very sensitive to today’s exponential growth in usage of the sharing web. Inspired by other cool real time counters, Social Media Industry Head, Laurel Papworth, my own Rise & Rise of Social Media presentations and various ‘cool’ videos (you know the ones) I decided to put together this little Flash app (which is in constant development) showing how active & dynamic the Social Web, Mobile Industry and Game Business is.

If you want to embed this on your page just click the button in the bottom left of the app to copy the code to your clipboard OR use the code/s in the boxes at the bottom of this post. Drag select it all then copy/paste into any site. Use this code as I will be regularly updating it with latest stats.

Google + users pressing +1 over 2.5 billion times every day Source Jul-11

ABOUT Living statistics – Many of us who have been following social media since the early 90s are very sensitive to today’s exponential growth in usage of the sharing web. Inspired by other cool real time counters, Social Media Industry Head, Laurel Papworth, my own Rise & Rise of Social Media presentations and various ‘cool’ videos (you know the ones) I decided to put together this little Flash app (which is in constant development) showing how active & dynamic the Social Web, Mobile Industry and Game Business is.

If you want to embed this on your page just click the button in the bottom left of the app to copy the code to your clipboard OR use the code/s in the boxes at the bottom of this post. Drag select it all then copy/paste into any site. Use this code as I will be regularly updating it with latest stats.

Over the years I have been creating lots of confusing, busy yet at the same time, meaningful and insightful emergent media diagrams. These attempt to help the uninitiated heritage media folk, get to grips with a multiplatform, shifting-social-media-sands, transmogodified entertainment landscape…breathe.

So I have been uploading a bunch of these diagrams onto my flickr account over the past weeks, partly to make them more accessible to me too (oh the joys of the cloud) but with the creative commons tag, for all and sundry to use (attributed of course – the only way to power & fame nowadays – cackles!). Here is a short selection of the 25 or so already up, with brief descriptions – the main bunch is in a set called ‘Emergent Media’ here.

The above diagram is intended to help storytellers simply understand a range of key places to distribute their story fragments or triggers online. I always aim to have x and y axes and here I decided to differentiate these ‘social media services’ by time vs richness. So x axis is ad hoc dip-in-out through to realtime/live and y axis is basic text through to video/games etc: It would be possible to do a quick ‘sketch’ user journey here too by adding sequential numbers to the ‘notes’ one puts in the boxes.

The above is one of my favourite diagrams from way back in early 2006. I normally present this by saying in looking at ‘form’Â lets not follow red-herrings by only looking at the content type, or distribution channel, or display – but mostly at the audience and the cross-media form. The arrows there indicate the participatory audience pushing content up to the top and it filtering down onto the three screens – mobile, informational and home (phone, pc, tv ish)

This was a diagram I threw together at Bangkok airport believe it or not early in 2007Â – simply looking at the influence that people have in the sharing web. It is intended to show a whole bunch of ‘indicative’ ideas about the proportional numbers who contribute to web 2.0 through to the influence each category of users have on it – I also invented in my jet-lagged haze five categories, The Creators, The Editors, The Critics, The Sharers and The Consumers. This was discussed here on this blog and heavily dugg too last year.

A convergence viewpoint (and yes I know the C word is bad!) But I re-discovered this diagram and the thing that stood out for me was OMG everything seems to be pointing towards the iPhone! Yes games, information, video and telephony all combined into one device…I wonder if Apple nicked this 🙂 But thing that stood out for me was the developments in 100 years from only cinema through to a device you hold in your hand that now combines potentially everthing (to a lesser or greater degree). My original post this is on here Media Journey’s Pt 2

A relatively recent diagram when I was trying to get my head across ‘shared worlds’. I often get asked about shared worlds being just game worlds (WoW or Second Life) but of course it extends across a whole genre of services online. I didn’t include the shared worlds of email/forums/twitter etc etc but concentrate on worlds specifically aimed at stories or games for this particular chart. The ubiquitous x and y axes here are about x – physical to digital 3D and y – Functional to Game. It is therefore easy to map ‘real life’ at bottom left as physical/functional while top right digital and game as being the traditional MMORPG.

Finally couldn’t post diagrams without a very recent one I did with the wondrous and exquisite Laurel Papworth which merges the above thinking with how to promote and reach out across the vast landscape of social media. Here is a description from the flickr photo that has already had 1600 views or so.

* INVOLVE – live the social web, understand it, this cannot be faked
* CREATE – make relevant content for communities of interest
* DISCUSS – no conversation around it, then the content may as well not exist
* PROMOTE – actively, respectfully, promote the content with the networks
* MEASURE – monitor, iteratively develop and respond or be damned!

As I said there are many more on my flickr account and will be adding another 30 or so old archive ones in the next months.

“so please don’t forget to support artists like myself who have never had a fair chance in the record industry” guess who…

I have talked endlessly of the best ways for corporations or brands to engage with communities inside social media and it is always fascinating to watch the first baby steps of ‘old school’ celebs or real talent (mixing metaphors) dip their first toes in. But there is also an uneasy feeling watching those ‘media enhanced’ celebs of yesteryear showing their human (everyday?) side and here are a few I stumbled across in the last week or so. Good ones, regular and keeping the punters interested with little morsels cast over the side, ugly ones (just why bother!) and bad ones (they don’t quite get it do they?).

One of the best ways for talent to engage with an audience is to carry them along through their normal daily ‘glitzy’ activities. We see this happening more obviously on twitter. Following Stephen Fry as he travels the world getting fit, making films or eating at nice restaurants. Or Richard Branson’s appearances at Virgin terminals around the globe and many more (lots on Laurel Papworth’s post Famous Twits 50 Celebrities-on-Twitter. It is even more profound for fans when they talk back and give the sense that they read ‘some’ of the many thousands of responses expectantly flying into the usual vacuum. I do wonder though whether this entry into social web by celebs is more to do with a sense that their ‘celeb’ status is decreasing – as the attention for eyeballs is democratised and top YouTubers, Flickerers, Tweeters and MySpace/FB stars mean there is much less time spent on ‘them’. So it becomes a little of, lets go down to their level? Perhaps.

One artist I have mentioned before who is trying to engage across many ‘richer’ social media channels is Imogen Heap. She has kept at it as well with a regular vlog about her new studio fit-out and 4th album. She has at least done 500+ updates on twitter, plus music/travel writing blog, social networks and so on. Here is her latest vlog (which incidentally talks about the ridiculous YouTube/Warners fiasco – them taking down fan videos with her songs on) and more positively about her ‘tweeting’ and charity twestival project.

“On a less fun note…what I actually wanted to say re: youtube videos with my music in, is that it’s been a right nightmare trying to sort out why it’s been happening coz it’s NOTHING to do with me! Total cock up, like I said. My camp is (enjoying) slapping wrists as we speak and trying to sort this mess out. I am not guilty on all counts.. so those of you blaming and bad mouthing me (you know who you are) QUIT IT! I’m one of the good guys, OK?”

It is hard for artists and celebs to bring thousands of adoring fans into their world, so like the L Word Fanisode (I wrote about many moons ago) (where the fans helped write episodes of a high quality soapy) Imogen is bringing her muso fans into the mix, literally by allowing them to add ‘music tracks’ to her raw vocals – a sort of remix but affording much more creativity on the part of the co-creative audience. (BTW re: the quotes above and below – nice to see unfettered personality here vs the measured tones of the older school celebs, who still think they are on Letterman or Parky?). Remember this is for the water charity run via Twestival FM.

“Due to legal crap and crossed wires the song never ended up being in the movie. So… rather than it go to waste.. and just sit around, I thought, for a bit of fun some of you might like to throw some music at it so it lives. A bit like that game where you draw the head on the paper, fold it over and give it to the next person to draw the body. So I’ve drawn the head. You’re turn!”

To explain the mix thing simply. Imogen has provided…

isolated vocal tracks that together sound like CLICK HERE TO LISTEN. Pretty dry, incomplete and using basic tracking software any style of music can be integrated

So a little fun while writing this blog and few minutes later – some apple loop quickies, here is a ‘world music’y’ one CLICK HERE TO LISTEN

I will actually do a proper version which involves playing tracks in! and even add some machinima (like the one I did to Speeding Cars at the bottom – but that’s another hat and another blog 🙂

Looking at other celebs joining in the social media fray it is worth comparing those with a real passion to communicate and share vs those just pushing product or perpetuating an existing image. Below we see the much more famous (perhaps) Annie Lennox doing what Imogen does but without the trappings of Imogen’s ‘work in progress’ narrative arc and Annie strangely comes across as aÂ ‘fish-out-of-water’? – nervous, not quite sure how to talk to a broader audience? I must say just sitting and talking straight at camera, regardless of who you are, exposes your human frailties – and perhaps that is what is going on here. Celebrities who were cast up by old school scarcity of distribution now trying to show to the world they are indeed real? Annie brings the music biz ‘implosion”, jokingly (but many a true word said in jest) front and center, quoting from this YouTube…

“My album the Annie Lennox collection is coming out on the 9th March, so please don’t forget to support artists like myself who have never had a fair chance in the record industry, and as its all imploding now I am really begging you to buy my album and keep me in luxury and comfort. Thankyou”

Even Francis Ford Coppola has joined in recently. Here he is, camera attached to one arm, showing us around his house and talking about his new film Tetro. Not sure of the reasoning behind it beyond the likely scenario of a younger relative saying “it would be cool if you did a vlog dad/uncle/grandad etc – it’s what all the trendy celebs are doing”

David Lynch is creating an episodic series on YouTube which is far more engaging than some of his feature films 🙂 The David Lynch Daily Weather Report sees him giving 30 second enthralling insights into the state of the sky and temperature (celcius and farenheit!) in LA. In this excerpt he takes it even further and tells us that it really is him on Twitter…remarkable stuff.

There are lots more examples no doubt (you will tell me in comments of course!) and I really wonder if we are indeed deep inside the transition now from distribution scarcity = celebrity to distribution plenty = 15 days of fame? As more and more ‘normal’ folk (those with talent who wouldn’t have been given the time of day by traditional A&R, TV or film studios) rise up to the surface – we can expect enlightened talent to meet them coming from the other direction. As media form and channels equalise a twitter star may one day be the equivalent of Shakespeare, known for writing 140 character tweets that make millions laugh and cry – in fact I do that, but for very different reasons 🙂

ADDITION: Hattip to Tanja (missglamourpuss) for the link to this video looking at the case of Trent Reznor (Nine Inch Nails) who beyond just dipping his toes in social media decided to seriously burn all bridges with the Music Biz hand that used to feed him (with the morsels they had left!). The speaker here exploring what he did (not rocket science: Connect with Fans, give them a Reason to Buy – sales 101) is Michael Masnick (Editor/President & CEO, Techdirt Blog/Floor64 and more from Wikipedia below.

“In May 2007, Reznor made a post on the official Nine Inch Nails website condemning Universal Music Group–the parent company of the band’s record label, Interscope Records–for their pricing and distribution plans for Nine Inch Nails’ 2007 album Year Zero. He labeled the company’s retail pricing of Year Zero in Australia as “ABSURD”,concluding that “as a reward for being a ‘true fan’ you get ripped off”. Reznor went on to say that as “the climate grows more and more desperate for record labels, their answer to their mostly self-inflicted wounds seems to be to screw the consumer over even more.” Reznor’s post, specifically his criticism of the recording industry at large, elicited considerable media attention.In September 2007, Reznor continued his attack on Universal Music Group at a concert in Australia, urging fans there to “steal” his music online instead of purchasing it legally. Reznor went on to encourage the crowd to “steal and steal and steal some more and give it to all your friends and keep on stealin’.” Wikipedia

Oh and as promised a quick machinima I did to Imogen‘s ‘quaint’ track, Speeding Cars