Why is a raven like a writing desk?

Dostoyevskian or Tolstoyian? What is the shape of your life?

Some years ago I read a brilliant essay called “Prosaics,” by Gary Saul Morson, a teacher of Russian literature at Northwestern University, in which he showed how Tolstoy believed in the prosaic life and Dostoyevsky in the dramatic.

Things happen to Tolstoy’s characters — they go to war, have vastly disruptive love affairs, suffer unexpected deaths — but they are most interesting in their ordinariness: a strong case in point is Natasha’s family, the Rostovs, in War and Peace. Her brother and father and mother, with their rich but normal passions, appetites and family loves, are people who gain moral stature through an endless series of small acts.

In Dostoyevsky, on the other hand, nothing is ordinary: passions turn into obsessions; gambling addicts and epileptics are at the center of things; men are beating horses to death on the Nevsky Prospect; poverty has wrenched people’s lives into little hells on earth. The question isn’t really who — Tolstoy or Dostoyevsky — is the greater novelist, for both are great, but which shows life as it is more truly is.

As Professor Morson puts it: “Dostoyevsky believed that lives are decided at critical moments, and he therefore described the world as driven by sudden eruptions from the unconscious. By contrast, Tolstoy insisted that although we may imagine our lives are decided at important and intense moments of choice, in fact our choices are shaped by the whole climate of our minds, which themselves result from countless small decisions at ordinary moments.” At some point in life, I think, one has to decide if one is, in one’s belief in the shape of his or her life, a Dostoyevskian or a Tolstoyian.