Untuk kali awalnya gw mengenal band ini saat album pertama " Fear of Reality Exceeds Fantasy " Tahun 2008 cukup jadi perbincangan hangat kala itu, band Brutal Death Metal dengan sentuhan Teknikal Fantastis asal Willits, California yang Eksis sejak tahun 2003 adalah bentukan Ex. Member band Brutal Mummification. The band has a unique sound that can be well differentiated from other bands in this genre. Double bass brutality and snare drum madness runs throughout the entire album along with a mixture of vocals ranging from predominantly low pitched guttural, to the intermittent high pitched screams and the occasional extended death grunts. The guitar work is heavy, technical and never yielding. Memadukan gaya Old School Death Metal Teknikal dengan Skill Modern yang ciamik pula dengan hentakan Blastbeat membakar adrenaln. ini seperti pertemuan antara Death dengan Cryptopsy era " Blasphemy Made Flesh " dengan Cephalic Carnage serta Decrepit Birth. namun agak sedikit merasakan kesan berbeda saat mendengarkan materi Full ke-3 Fresh mereka kali ini. Kwartet ini masih menyuguhkan typical permainan yang Dasyat dan lebih matang lagi disini, meskipun beberapa Cuplikan aroma meledak2 masih menjadi Trademark terkuat sejak band ini dibentuk. The band is bent on absolutely pounding one's face through the remains of one's skull upon the first track's succinct drum intro. The drumming does well to set an example for how their specific sound is cultivated, due to the speed and unrelenting strength of the blast beats-along with quite a few other techniques to appease the attention deficit. The guitars are distorted to a level which rivals that of antimatter, which does much to add to the particular atmosphere one feels with each passing track. dengan Komposisi Musik yang rupanya sukar ditebak progress-nya banyak menciptakan nuansa Chaotic lebih dari Gaya Teknikal yang mereka suguhkan sebenarnya. The overall technicality is a little questionable-though there are plenty of riffs thrown about, not very many seem to obtain a sense of coherence in context to the lyrics-but that is easily overlooked in the sea of pure brutality and raw sensibilities that has done oh so little to satiate my lust for metal or ease the burden on my ears. " Challenging All Forms Of Hope " menjadi saksi awal yang sangat menggetarkan dengan hentakan blastbeat rapat tetap menjadi Powerfully Concept yang kemudian pertarungan rumit Gaya Riffing Gitaris Adam Weber dan Lauren Pike seperti sedang menciptakan Pusaran Angin tornado dasyat melengkapi pukulan Dasyat Drummer Luke Boutiette. hingga menit ke-2, band ini kemudian lebih mulai mengembangkan sentuhan Old School Technikal gaya-nya Death hingga Atheist menjadi Part2 yang terasa menonjok dengan Horrific Sounding-nya. Double bass brutality and snare drum madness runs throughout the entire album along with a mixture of vocals ranging from predominantly low pitched guttural, to the intermittent high pitched screams and the occasional extended death grunts. The guitar work is heavy, technical and never yielding. lebih menyayat lagi saat Colin Davis memainkan Solo Gitar di Track ini. " Masonic Angeldust " seterusnya kian menghujamkan partisi Teknikal Death Metal yang intens. disini lebih banyak coba mengeksplorasikan permainan yang serius progressive dengan sentuhan ala Opeth dengan Atheist, sepertinya menjadi konsep yang terasah matang untuk Embryonic Devourment Ikrarkan dengan skill member. Terasa makin meledak Progress aransemennya kala " Reptiliphiliac " sedikit mengingatkan dengan materi lama Origin, Chaotic Riffing Aggressive meet Energetic Fast Immense Drumming ! bahkan " Experimental Deformation " akan membawa kita ke nuansa Khas Death banget pada Lick Partisi Riffing-nya. bahkan Track ini paling menjadi Track yang " Manis " dari sebelumnya, nuansa 90-an Death Metal amat begitu licin terasa mendesah Elemen epic-nya. " Suffer The Seas Of Gore " tempo kembali memanas lagi. dan " Sealed With Resin " akan cukup menguras enerji serta fikiran member untuk mengaransemen Track Fantastis ini, dimana Ego mereka sama sama seperti sedang tertantang dengan Konsep bermusik " Beda "-nya, sehingga kalian tinggal asumsi-kan sendiri saja gimana konsep sebenarnya yang termainkan dilagu ini. " Whilst The Rich Dine " juga lumayan mencincang berikutnya. Prepare antiaircraft measures on the double! Granted, there is a certain degree of wankery involved: almost like he succumbed to a Lawnmower Man level influx of ideas and couldn't contain all the newfound brilliance...not all the leads and melodies are very catchy...but even so, there is so much more of note(s) happening! lalu " Blood Gift " mengakhiri Penyiksaan Parah ending album gress yang masih menampilkan sound keren Garapan Colin Davis di Imperial Mastering sejak direkam di Riff Gallery bareng enjiner Damian. dan sentuhan terakhir adalah artwork karya Jonzig menambah " Kejam " nuansa Album ini. a diligent brooding drive showing off drum style as the harmonized riffs croon at the swiftly approaching rhythmic break. At this drop, the guitars escape their patterned prison and flourish until driven again by the percussion into the reappearance of the breakdown from the beginning of the song presents a welcome change in dynamics, opening quietly and calmly, serving as a small respite to the constant shredding and blasting. The final two songs end the album quite nicely, and leave the listener wanting more. An album truly succeeds if it leaves the listener's mouth agape, salivating and yearning- nay, craving more, which this album does. I obviously like usually means that the album as a whole is very strong, but here the fact that there are a few differing styles of tracks means something else. It shows that the band can do different things, but they can't do any of them as well as they can do the one superficial aspect. It’s all well done from a skill standpoint, but the songs do tend to blur together as the song tempos are pretty similar, sticking to quick territory with some immediate speed-ups or slowdowns, with a hook or a stab here and there.

For the first time when i get to know the band 's first album " Fear of Reality Exceeds Fantasy " in 2008 quite so warm conversation at the time, the band Brutal Technical Death Metal with a touch of origin Fantastic Willits , California Existed since 2003 was formed by Ex . Mummification Brutal band members . The band has a unique sound that can be well differentiated from other bands in this genre . Double bass and snare drum madness brutality runs throughout the entire album along with a mixture of vocals ranging from predominantly low pitched guttural , to the intermittent high- pitched screams and the occasional extended death grunts . The guitar work is heavy , technical and never yielding . Blending style of Old School Death Metal Technical with Modern Skill ciamik well with the beat Blastbeat burn adrenaln . Death is like a meeting between the era Cryptopsy " Blasphemy Made Flesh " by Cephalic Carnage and Decrepit Birth . but feel a little bit different impression when listening material Full 3rd Fresh them this time . This quartet is presenting typical terrible games and more mature again here , although some footage aroma Trademark Blasted still be the strongest since the band was formed . The band is absolutely bent on pounding one 's face through the remains of one 's skull upon the first track 's succinct drum intro . The drumming does well to set an example for how their specific sound is cultivated , due to the speed and strength of the unrelenting blast beats -along with quite a few other techniques to appease the attention deficit . The guitars are distorted to a level that rivals roomates of antimatter , roomates does much to add to the particular atmosphere one feels with each passing track . with music composition seems difficult to guess his progress much more than creating a sense of style Chaotic Technical actually what they contributed . The overall technicality is a little questionable - though there are plenty of riffs thrown about , not very many seem to Obtain a sense of coherence in context to the lyrics - but that is easily overlooked in the sea of pure brutality and raw sensibilities that has done oh so little to satiate my lust for metal or ease the burden on my ears . " Challenging All Forms Of Hope " to witness the beginning of a very moving with the beat blastbeat meeting Powerfully Concept remains a complex which then fight style riffing guitarist Adam Weber and Lauren Pike as being created Vortex Tornadoes terrible terrible blow complement Drummer Luke Boutiette . up to 2 minutes , the band began to develop a touch more Old School style of its top technical Atheist Death to be Part2 who feels boxed with his Sounding Horrific . Double bass and snare drum madness brutality runs throughout the entire album along with a mixture of vocals ranging from predominantly low pitched guttural , to the intermittent high- pitched screams and the occasional extended death grunts . The guitar work is heavy , technical and never yielding . more wrenching again when Colin Davis Solo played guitar in this track . " Masonic Angeldust " so increasingly thrust partition intense Technical Death Metal . here try explored more serious game with a touch of style progressive Opeth with Atheist , seems to be ripe for a concept honed Embryonic Devourment members swore with skill . Progress arrangements seemed less exploded when " Reptiliphiliac " slightly reminiscent of the old material Origin , Chaotic riffing Aggressive Energetic meet Immense Drumming Fast ! even " Experimental Deformation " will bring us to really feel Typical Death riffing on his Lick Partition . Track even the most into the Track " Sweet " than before , the feel of the 90s Death Metal is so very slippery feel of his epic sigh Element . " Suffer The Seas Of Gore " tempo re-heated again . and " Sealed With Resin " would be enough to drain the energy and minds member for arranging this Fantastic Track , where they are the same as the Ego is being challenged by the concept of music " Different " it, so assuming you stay out for yourself just how real the concept played on song Here you are. " Whilst The Rich Dine " is also quite chop next . Prepare antiaircraft measures on the double ! Granted , there is a certain degree of wankery INVOLVED : almost like he succumbed to a level Lawnmower Man influx of ideas and could not contain a brilliance all the Newfound ... not all the leads and melodies are very catchy ... but even so , there is so much more of the note ( s ) happening ! and " Blood Gift" Severe Torture ending ending gress album still sound cool Garapan featuring Colin Davis at Imperial Mastering since recorded in Riff Gallery Engineer with Damian . and the final touch is the artwork works Jonzig add " Cruel " feel of this album . A diligent showing off brooding drive drum style as the harmonized riffs Croon at the swiftly approaching rhythmic break . At this drop , the guitars patterned escape their prison and flourish until again driven by the percussion into the reappearance of the breakdown from the beginning of the song presents a welcome change in dynamics , opening quietly and calmly , serving as a small respite to the constant shredding and blasting . The final two songs end the album quite nicely , and leave the listener wanting more . An album truly Succeeds if it leaves the listener 's mouth agape , salivating and yearning - nay , craving more , this album does roomates . I obviously like usually means that the album as a whole is very strong , but here the fact that there are a few Differing styles of tracks means something else . It shows that the band can do different things , but they can not do any of them as well as they can do the one superficial aspect . It's all well done from a skill standpoint , but the songs do growing niche to blur together as the song tempos are pretty similar, the sticking to quick immediate territory with some speed - ups or slowdowns , with a hook or a stab here and there .