at is the "Morris Chair." The first chair of this pattern was made entirely by the hands of the master. It was built by a man who understood anatomy, unlike most chairs and all church pews. It was also strong, durable, ornamental, and by a simple device the back could be adjusted so as to fit a man's every mood.

There has been a sad degeneracy among William Morris chairs; still, good ones can be obtained, nearly as excellent as the one in which I rested at Kelmscott House--broad, deep, massive, upholstered with curled hair, and covered with leather that would delight a bookbinder. Such a chair can be used a generation and then passed on to the heirs.

Furnishing of churches and chapels led naturally to the making of stained-glass windows, and hardly a large city of Christendom but has an example of the Morris work.

Morris managed to hold that erratic genius, Dante Gabriel Rossetti, in line and direct his efforts, which of itself was a feat worthy of record. He made a fortune for Rossetti,