Seattle: 1965, 1993. 133 pages, 54 line drawings, 44 photographs, 3 tables. For the first time, a genuinely analytical study and examination of the basic elements that characterize Northwest Coast art has been assembled in one volume. Fine photographs and drawings illustrate this splendid aesthetic analysis by one of the... More about NORTHWEST COAST INDIAN ART. An Analysis of Form

Institute for the Arts, Rice University: 1975. 265 pages, 138 b/w and 50 color photographs. Brilliant. Witty. Dazzling. Wonderful. This dialogue between Mesrs. Holm and Reid, in which they observe, disect, discuss, ponder, and philosophize about 102 objects (magnificently photographed), makes these beautiful, vital pieces even more wondrous. The spontaneity... More about FORM AND FREEDOM, A DIALOGUE ON NORTHWEST COAST INDIAN ART

Berkeley: 1947, 1950, 1978. 243 pages, 279 b/w and 6 color photographs--all large, many full-page. Long regarded as one of the "classic" publications on Northwest Coast art, this volume, when published, was the most complete study on the art of this region to have been published in twenty years. The... More about ART OF THE NORTHWEST COAST INDIANS