Friday, April 23, 2010

As part of the “Entaro Mahanubavulu” series I am glad to present the Third article. Though am not qualified to present articles of great personalities however decided to share the info so that we come to know about these great personalities. The article dwells about the 18th Century Composer Sri Sadasiva Brahmendra. He is not only a composer but who lived like an Avadhutha. Avadhuta is one who risen above bodily consciousness, duality of experiences like happiness or misery and worldly concerns. Avadhutas are not bound by social or even sanyasa dharma. They roams the earth freely like a child and they are pure consciousness embodied.

My first information about Sri Sadasiva Brahmendra came when I used to attend the weekly Bhajan session at Kovaipudur, Coimbatore where his compositions used to be sung by the Bhagavathars who conduct the Bhajan session. His compositions are very simple and yet convey a very strong and deep feeling.

I was fortunate to visit his Adhistanam at Nerur when I happened to visit one my relative who was posted at Karur. The aradhana for Sri Sadasiva Brahmendra is conducted annually at Nerur at his adhistanam. This year the 96th Aradhana celebrations is conducted from 18th May onwards. The 23rd May is the final Ardhana day which falls on Vaisakha Sudha Dasami. Those who are fortunate please attend this festival. Also try visiting this adhistanam at Nerur and you will feel the bliss which is situated on the banks of Cauvery. I am herewith attaching the Aradhana invitation for your reference.

PS : Two of the compositions of Sri Sadasiva Brahmendra and the 96th Aradhana invitation is attached for reference

Sri Sadasiva Brahmendra

The Southern India recognizes and adores Sadashiva Brahmendra as the celebrated composer of divine kirthanas; but not many may be aware he in his later years was an Avadhutha, a jeevan_muktha who lonely wandered the hills and dales, ran along the river banks, naked or semi naked, in a state of divine bliss. He unmindful of the scorching sun, pouring rain, blowing chill winds roamed in wilderness without ever uttering a word, slept under starry sky, shunned all human contact and was ever in a supreme intoxicated state. Today he is revered not merely for his musical compositions but also for his sublime Advaita text “Atma Vidya Vilasa” the most favorite spiritual text of Sri Chandrasekhara Bharathi Swami the 34th Jagadguru of Sringeri Peetha. The swami , himself an Avadhuta, a week before his passing away, parted with all his meager passions but retained, on second thought, a copy of Atma Vidya Vilasa till the day prior to his departure.

Not many facts are known about his life. It is believed Sadashiva Brahmendra lived in the time of Sharabhoji, ruler of Tanjore (1712 -1728). This is based on the oral tradition that Sadashiva Brahmendra presented a copy of his work Atma Vidya Vilasa to King Sharbhoji when the king called on the Avadhuta to pay his respects.

Early Days

His childhood name was Shivaramakrishna. He was the son of Somasundaram Avadhani, a Vedic scholar of Telugu Niyogi origin who lived in Madurai in Tamil Nadu. It is said Shivarama's family name was 'Moksham' and his mother was Parvathy. He was born in Nerur situated by the quiet flowing Cauvery, near Karur in Tamilnadu. He had his early education in traditional subjects under Ramabhadra Dikshitar who lived in Tiruvisanallur also known as Shahajipuram. There the young Shivarama came under the influence of what were renowned as the triumvirate of Bhajana tradition viz. Sridhara Venkatesa Iyyaval, Sri Bhodendra Sarasathi and Bashyam Gopalakrishna Sastry.

On his return, Shivarama still in his early teens was promptly married. He however, soon thereafter ran away from home never to return. He went to Tiruvisanallur and while wandering aimlessly in the woods nearby, he met his Guru Sri Paramashivendra Sarasvati who initiated Shivarama into sanyasa and named him Sadashiva Brahmendra. The identity of Sri Paramashivendra Saraswati is a matter of debate. Some say he may have been an Acharya of the Kanchi peetham, guided by the suffix ”Indra Saraswathi” to his name. But an Acharya of that name appears in the annals of the Kanchi tradition as the 45th Jagadguru who presided over the mutt for 27 years from 1061 AD, that is about seven hundred years before the time of Sadashiva Brahmendra. The 57th Jagadguru Sri Paramasivendra Saraswathi II presided over the mutt from 1539 to 1586; that is about a hundred years before Sadashiva Brahmendra. In any case Sadashiva Brahmendra considered Sri Paramashivendra Saraswati as his Guru, named him as such in all his works and composed poetic works Navamani mala, Guru rathna maalika and Dakshina murti dhyana in tribute to the Guru.

Sadashiva Brahmendra was an active young man, talkative and always chirping away. On one occasion his incessant talk so annoyed his Guru that he in despair called out “Sadashiva! When will you learn to be quiet?” The disciple promptly replied, “Right now, Master”. He fell into silence and never talked again the rest of his life. He gradually withdrew from the world, introspected and plunged into intense penance. He discarded all norms of accepted behavior, wandered naked aimlessly in the hills and along the Cauvery. He looked wild and insane. When someone reported to Sri Paramashivendra that his disciple had gone insane, the Guru was delighted and exclaimed “Will I ever be so fortunate!” He realized that his disciple was now an Avadhuta. Sadashiva Brahmendra remained in that state; beyond body consciousness, not bound by ordinary social conventions and worldly concerns for a long period. A number of stories and myths grew around his mystical powers.

Miracles

Sadasiva used to sit on a rock in the middle of the Cauvery for meditation. On one occasion, the waters of the river swept him away when he was in deep trance. He got buried under the sand. After six months, when cart men dug the soil, their axe struck against Sadasiva's head, drawing out blood. It was brought to the notice of the village headman. Fruit juice and gruel were rubbed over his body. Sadasiva woke up from sleep and walked away. It was since then He came to be known as Sadasiva Brahmam or Brahmendral.

Such was His disassociation with the body! Another instance that marked the disorientation of the body with the self in the case of Sadasiva Brahmendral was that when he once fell in between two bundles of straw when farmers not noticing it piled bundle after another over Him. When after nearly a year, the bundles were cleared, Brahmendra got up and moved on as if nothing had happened.

Maharaja Vijaya Ragunatha Thondaiman, the then ruler (1730-68) hearing about this, rushed to bring Brahmendra to the palace to be honoured. Brahmendra did not break his silence. The ruler pitched a camp in Tiruvarankulam (Pudukottai) and served the sage. Brahmendra answered his prayer by writing Sri Dakshinamoorthi Mantra on sand. Ragunatha Thondaiman gathered the sand in his angavastram and took it to his palace. Worship to the sanctified sand is offered to this day at Pudukottai.

Enlightened souls like Sadasiva Brahmendral, having realized that their true self was not that of the body totally disregarded it denying even the least pampering of sheltering it with clothes. Brahmendral used to wander without clothes and once a Muslim ruler mistook the naked seer for a mad man, chopped off one of his hands. The saint just started to walk off nonchalantly totally unconcerned. The king repented and sought forgiveness. Brahmendra placed the severed hand near the shoulder and it was back in its position. For what pain can inflict the one who though with the body was not confined to it, dismissing it as inert? Many such instances of Brahmendra's miracles, compassion and grace have come down.

Like most of the other saints or Jnanis, Sadasiva Brahmendral also shunned even the least comforts of the world. 'Maya' or 'illusion' only confronted with defeat as it could not even reach out to His shadow. He led a nomadic life, shunning even the least bit of comfort for His body and lived on the alms that he obtained through begging. Though remaining silent, He composed a good load of kirtans in praise of God. Though His life was generally wound with awe inspiring miracles, they were performed at the need of the occasions and not for any personal gains or recognition. Divine providence always intervened on occasions when He was about to be inflicted with any danger by ignorant people who mistook Him for His saintly strangeness. Such saints were totally cut off from the world and were established in reality that their mannerisms seemed queer to ignorant worldly folks.

Sadasiva was once relaxing near a heap of grains when His usual meditative mentality overpowered Him. He lost Himself in deep meditation that the farmer who owned the grains mistook Him for a thief. As he raised His stick to strike Sadasiva, he became a lifeless statue with the raised stick until day break when Sadasiva came out of His meditation and smiled at Him. The farmer with his restored life fell at the feet of the Master and asked for forgiveness.

In accordance with His nomadic lifestyle, as he was proceeding to Thirunelveli, a few people who were loading bundles of sticks ordered Him to give them a hand addressing Him as a 'stick'. Sadasiva in whom even the trace of pride was evacuated, meekly obliged to their words. When He was about to take leave, He was once again addressed as 'Log of wood'. This resulted in the burning of the logs suddenly throwing them in shock and shame!

On another occasion a pundit ridiculed Him of His silence as a pretext for not knowledgeable enough and that He was enacting a drama. The silent Sadasiva just walked up to an illiterate washer-man and inscribed some words on his tongue. The tongue of the illiterate man swept to recite the Veda mantras illustrating and arguing the lifestyle of a Jnani. Saints or Mahans existed for the welfare of the world at large. Their lives are marked with numerous occurrences of miraculously coming to the aid of the suffering. Once a bride collapsed dead on the wedding platform as fate would have it for a poisonous snake to sting her. It is said that Sadasiva appeared and recharged her dead body with life.

On another occasion He asked the children of Nerur to close their eyes when they wanted to go for a village fair in Manamadurai. When they opened their eyes they were with Him in the fair after which they were asked to repeat the process which resulted in making them present in Nerur. The parents were aghast about the happening but the children were jubilant about their experience.

Breaking of Silence

On one occasion when he met his past associate Sridhar Venkatesa Ayyaval, the later remarked that it was laudable to be a mauni in worldly matters; and questioned what prevented him from singing the praise of the Almighty. Sadashiva Brahmendra saw reason in the argument. He thereafter created a series of musical compositions. He used the mudra “paramahamsa”.

Sadasiva Brahmendra’s Atma Vidya Vilasa a true classic is the best known. Atma Vidya Vilasa is a poetic work running into 62 verses in simple, lucid Sanskrit. Its subject is renunciation. It describes the ways of the Avadhuta, one who is beyond the pale of social norms, beyond Dharma , beyond good and evil, one who has discarded scriptures, shastras, rituals or even the disciplines prescribed for sanyasis, one who has gone beyond the bodily awareness, one who realized the Self and one immersed in the bliss of self-realization. He is absolutely free and liberated in every sense - one who "passed away from" or "shaken off" all worldly attachments and cares, and realized his identity with God. The text describes the characteristics of an Avadhuta, his state of mind, his attitude and behavior. The text undoubtedly is a product of Sadashiva Brahmendra’s experience. It is a highly revered book among the Yogis and Sadhakas. Sadashiva Brahmendra lived in that exalted state on the banks of the Cauvery until he discarded his mortal body at its age of one hundred years or a little more, some time between 1750 and 1753. His Samadhi in Nerur, Karur district is now a shrine to a large number of devotees. His Aaradhana is celebrated annually on the tenth day of dark half of the month of Jeshta (some time during May each year).

Sringeri Jagadgurus and Atma vidya vilasa

Sadashiva Brahmendra and his classic work Atma vidya vilasa wielded an enormous influence on the life and Sadhana of the Sringeri Jagath Gurus. It was the 32nd Jagadguru of Sringeri Sharada Peetam, Sri Nrusimha Bharathi VIII (1817-1879) that first recognized the greatness of Sadashiva Brahmendra and arranged for the upkeep and maintenance of his Samadhi. His successor Sri Satchidananda Sivabhinava Nrsimha Bharathi (1879-1912) made a seminal visit to the samadhi of the saint at Nerur. He became an ardent admirer and devotee of Sadashiva Brahmendra in whose praise he composed two poetic works (Sadashivendra Stuthi and Sadashiva Panchrathna) .He considered Sadashiva Brahmendra his ideal, tried to emulate his principles. He modeled his attitude, his ideals and his way of living in the light of Atma vidya vilasa. He gradually withdrew from the active administration of the Mutt starting from the year 1901and devoted increasingly to spiritual practices. Listening to Atma vidya vilasa and contemplating on it became a part of his daily spiritual exercise. He in his last days lived like an Avadhuta. He instructed his disciples that in the last moments of his life while he would be drawing his last breaths they should recite aloud the verses from the Atma vidya vilasa. He wished to die with those verses ringing in his ears. Such was his devotion to that text. But the one who really emulated Sadashiva Brahmendra and evolved into an Avadhuta was the 34th Jagadguru Sri Chandrasekhar Bharathi Swami. He studied Atma vidya vilasa intensely, imbibed its principles and truly lived according to that in word and deed .Unmindful of the external world he roamed wildly the hills of Sringeri like a child, an intoxicated, an insane and as one possessed singing aloud the verses from Atma vidya vilasa.

Discard the bondages of karma. Wander in the hills immersed in the bliss of the Self -unmindful of the world like a deaf and a blind (Atma Vidya Vilasa – Verse - 15)

Rooted in the Brahman absorbed in the bliss within, he for a while meditates, for a while sings and dances in ecstasy. (Atma Vidya Vilasa – Verse - 21)

He sees nothing, hears nothing, and says nothing. He is immersed in Brahman and in that intoxication is motionless. (Atma Vidya Vilasa – Verse - 44)

Sri Chandrasekhar Bharathi was the living epitome of the Atma vidya vilasa. He was an Avadhuta - a liberated soul, one who "passed away from" or "shaken off" all worldly attachments and cares, and has realized his identity with Self. He was an enlightened being who lived in a state beyond body-consciousness.

Avadhuta – a brief remark

Avadhuta (he who has shed everything) is a radical type of renouncer of an unconventional type. Avadhuta is one who has risen above bodily consciousness, duality and worldly concerns. He has no use for social etiquette. He is not bound by sanyasi dharma either. He roams the earth freely like a child, like an intoxicated or like one possessed. He is pure consciousness embodied.

Avadhuta Gita describes him

The avadhuta alone, pure in evenness of feeling, Abides happy in an empty dwelling place, Having renounced all, he moves about naked. He perceives the Absolute, the All, within himself. The Avadhuta never knows any mantra in vedic meter nor any Tantra. This is the supreme utterance of the Avadhuta, purified by meditation and merged in the sameness of the Supreme Being.

Ashtavakra Gita describes him in a similar manner:

The sage sees no difference between happiness and misery, Man and woman, Adversity and success. Everything is seen to be the same. In the sage there is neither Violence nor mercy, Arrogance nor humility, Anxiety nor wonder. His worldly life is exhausted. He has transcended his role as a person. The sage is not conflicted by states of stillness and thought. His mind is empty. His home is the Absolute. Knowing for certain that all is Self, The sage has no trace of thoughts. Such as “I am this” or “I am not that.” The yogi who finds stillness is neither distracted nor focused. He knows neither pleasure nor pain. Ignorance dispelled, He is free of knowing. Not all Sanyasis are Avadhutas and not all Avadhutas are Sanyasis. Of the four types of Avadhutas, Shaivavadhuta and Bramhavadhuta need not be sanyasis they could even be householders. The Dashanami avadhutas (those that bear names such as Vana, Aranya, Giri, Thirtha, Bharathi etc.) and Bhaktha vadutas are the other two. Of these, the Shaivadhutas and the Brahmavadutas indulge in Tantric practices. The Bhaktavadutas form the prominent group. It consists Paramahamsa (fully realized) and Parivrajaka (incomplete, wandering) classes. The former is considered incarnation of Shiva. He could be a sanyasi or a householder; he could wear clothes or could be naked. He is not bound by any restrictions. He has no fixed place of stay. Practices like meditation, rituals, worship etc. are irrelevant to him. He is beyond conflicts of pain and pleasure, gain or loss, joy or sorrow. He is ever immersed in bliss of Self-realization. Dattatreya is the supreme Avadhuta. There is a belief that Dattatreya composed the Avadhuta Gita, which describes the characteristics of an Avadhuta. Nath Sampradaya is a sect of Avadhutas that places great importance on the Guru and on Yoga. Avadhuta Gita is its text and Sri Ghorakhnath is its prime Avadhutha. The worship Datta is more prevalent in Maharashtra and North Karnataka. The Datta kshetras such as Ganagapur, Agadi and Baba Budan Giri in Karnataka are prominent centers of Datta worship.

Attainment of Jeeva Samathi

The time approached for Sadasiva to leave the mould of His body. Returning to Nerur, Brahmendra resolved to shed his body. By his yogic power, he communicated his decision to the rulers of Mysore, Thanjavur and Pudukottai. On their arrival, he gave directions as to how his Samadhi should be raised. On the appointed day, he sat in a pit in a yogic posture and the pit was filled with sacred ash, camphor, salt, turmeric powder and powdered brick and covered. He thus gave in to Jiva Samadhi. It is said that, at the same time, two devotees, one a Muslim, and the other a Brahmin, saw Brahmendra entering the Samadhi in Karachi and Manamadurai respectively. As per Brahmendra's prediction, a bilva shoot sprouted on the ninth day and a Banalinga arrived from Banaras on the twelfth day. The linga, instead of being placed on the samadhi, was installed twelve feet away from it. The bilva tree was left exposed to the sky.

Brahmendra's aradhana coincides with Sankara Jayanti.

Sadasiva Brahmendra at once belongs to the avadhuta tradition that can be traced back to Dattathreya and which emphasises Jnana and namasiddhanta tradition in which the focus is on bhakti, the chanting of the Lord's name. Jivan Muktas, though physically absent, are waiting to shed their grace and compassion on all those who invoke them with faith and devotion.

Finds interesting?!! Please read on to get to know more about this temple.Happy reading!Warm RegardsA.V. DevanChennai – 15th Apr 2010

Thiruneermalai

About the Temple:

Thiruneermalai is situated near Pallavaram about 12 Kms from Chennai en route Chengalpattu on the GST Road. This temple is one of the 108 Vaishnavite Divya Shetrams found in Thondai Nadu. In this temple, the Perumal or Lord Vishnu is found in various positions as Standing (Nindraan), Sitting (Irunthaan) , Reclining (Kidanthaan) and Walking (Nadanthaan) Thirukkolam. This Thiruneermalai Kshetram is also called as "Thoyagiri Kshetram" or "Thothadri". Thoya means "Water" and Adhiri means "Mountain" (malai). Since the mountain is surrounded by water, this sthalam is named as "Thiru Neermalai". The three lords i.e. Ranganatha, Trivikrama and Narasimha shrines are located in the 300 feet hillock and Neervanna perumal shrine is located near the foothill.

The Neervannar is found in Nindra (standing) thirukkolam facing his Thirumugham towards East direction. He is also named as Neelamugil Vannan. Prathyaksham (seva) for Thondaimaan, Brighu Munivar and Maarkandeyar. Lord Ranganathar is found in Kidantha (lying) position facing his thirumugham towards South direction and the Sayana kolam is referred to as "Manicka Sayanam". He is lying on the Aadhiseshan under Ranga Vimaanam. Thaayar The Thayaar of this sthalam is Animaa Malar Mangai and has her own separate Sannadhi.

Historical Information

The foremost and earliest historical evidences about Thirumalai temple are the pasurams sung by Boodathalwar and Thirumangaialwar. Thirumangaialwar is considered to have lived during the period of Pallava King Second Nandhiwarman (710 A.D-775 A.D). His songs remains as testimony that Thiruneermalai remained as one of the finest temple during his period. Also the inscriptions provide information about the renovation and divine works carried out by later Chola and Vijayanagara Kings. According to these informations the temple belongs to 8 A.D.

The Legend

History has it that once sage Valmiki reached Thiruneermalai (then going by the name Gandavanam) and atop the Thoyadri hill worshipped Lord Narayana in three forms Ranganatha in the reclining posture, Narasimha in sitting position and Thiruvikrama in walking style; but he still felt that he was missing something. Back at the foothill he realised what he was looking for. His earnest prayers were answered by the Lord and there was his favourite “Kalyana Raman'' giving him darshan as “Neervannan'' with Sita, Lakshmana, Sathrugna, Bharatha, Hanuman and others. Later, when Thirumangaialwar wanted to worship the Lord at the temple, the place was surrounded by a large sheet of water and he waited for months at Kaliyanchavadi (now known as Karayanchavadi) to have the access and the darshan. Since then the place came to be mentioned in religious literature as ‘Thiruneermalai'.

Specialties

It is believed that a devotee worshipping at Thiruneermalai will be endowed with the blessings which one would receive by visiting the four sacred places of Thirunarayur (Nachiyar kovil), Thiruvali, Thirukkudanthai (Kumbakonam) and Thirukovilur.

The Utsavar deity of Ranganatha is seen at the Neer Vannan temple at the foot of the hill. Only thrice a year- on the first and last day of Brahmotsavam festival and on the Panguni Uthiram day- is he taken up the hill to be alongside the Moolavar Lord Ranganatha. This place is called Madhya Rangam and Lord Ranganatha is seen in Bhoga Sayanam. The temple building and structures belongs to the ancient Chola Period. The temple tank is also known as Suddha pushkarani, Sheera pushkarani, Karunya pushkarani. It is the holy water point of this temple. Taking holy bath in this tank and worshipping the deity provide relief from disease and rejuvenates both mind and soul. The tank spreading over 3 acres has a beautiful Neerazhi mandapam in center.

How to Reach

Thiruneermalai is situated near Pallavaram about 12 Kms from Chennai en route Chengalpattu on the GST Road. From Pallavaram one can take the diversion. See map given below. You can also travel in the Poonamalle-Tambaram by pass road to reach the temple. See map given below (A) is Tiruneermalai.

Tuesday, April 13, 2010

Once there lived a devotee of Lord Shiva in Chidambaram and due to his constant chanting of “Thiruneelakandam” he came to be known in this name itself. He was a Potter by profession and as a service to Lord Shiva he used to provide free clay bowls to the devotees of Lord Shiva. He was gifted with an exceedingly beautiful wife, whose physical beauty was only exceeded by her kindness and her love for Lord Shiva. Lord Shiva forever abided in her heart and her mind forever dwelled on the feet of the Lord. The potter devotee lived a happy life with his wife. Something extraordinary things needs to happen in everyone’s life to realize the God.

Fate made him to lead once to a lady whose work is to give bodily pleasure. When his wife came to know about this she was unhappy with him for his deed. She did all the responsibilities of the wife but didn't allow him to be with her. To bring down her resentment he went with sweet words and tried to hug her. She said immediately, “Thiruneelakandam aanai emmai thodatheer” meaning Thiruneelakandam please don’t touch me. Generally the word “emmai” in tamizh is used in plural and when his wife told “emmai” he took the word seriously. It is told even a single word can change a person. Thus this utterance from his wife changed him completely and he took a vow that henceforth he will not touch any women in his life including his wife!

The couple of wonderful determination and self control did the duties of the married life, but abstained from the base feeling of sex. They also never revealed it to others - the ideal couple. It could be easier to conquer the world, but it is more difficult to conquer the senses and the toughest in presence of the charming spouse. Given that the person had a great amount of desire for that in the past that led him even outside, how difficult it would be to conquer! He did conquer that for the Name of God and there he stands grand for even the sages, who conquered the senses by practice, to look up to!

Play by the Great Potter

Years rolled down their beauty and charm disappearing they became old but held strongly the feet of the Lord in their heart. The great potter who created this Universe now decided to reveal their devotion to the entire world. He came in the garb of a sage to Nayanar’s house. Welcoming and worshipping the sage, nayanaar asked in humble words what order the sage had for him. The shankara who came stealthily as sage gave the clay begging bowl to the nayanar and requested him to take care of the bowl till he returns. Nayanaar not suspecting anything took the bowl and promised that he would keep it safe. The mystic Lord removed the bowl from that place and returned the next day as if he doesn’t know anything and asked for the bowl back.

The truthful devotee shocked to find out that the bowl disappeared from the specified place, searched the entire place with shivering heart, but couldn't get it. The sage shouted as if He was impatient to make it fast. The devotee begged for pardon to forgive the loss of the bowl and was ready to give a real nice new bowl instead of that old one. But the sage insisted on the same bowl that he had given and refused to accept even if he would give a golden bowl. As he was not able to give, the sage charged him to be cheating. That devotee pleaded Him to trust his honesty. The sage said if he takes a dip in the pond holding the hand of his son He would believe. naayanar told him that he did not have any offspring.

The Sage replied that if he doesn’t have a son let him have a dip holding his wife's hand. For that neelakantam replied that he cannot do that due to a pledge. Acting as if angered the Graceful went to the court of the priests of Thillai "It was true that the sage gave the bowl but I am really ignorant of where it disappeared", said the man of immense integrity. The court upheld the argument of the sage that naayanar should have a dip in the pond holding his wife's hand.The old couple came to the temple pond. The couple were holding one end of the bamboo stick since they cannot touch each other. Nayaanar told the reason for not touching his wife to the entire audience who have gathered there and holding the bamboo stick both took the dip. When they arose out of the water the miraculous event took place yes to the astonishment of everyone their old age was vanished and emerged as a young couple. At the same time the Lord who came in the form of Sage disappeared.

There appeared the Lord in the horizon on the holy bull with the consort to bless the hailing devotee, "You both are very great due to your victory over the five senses. You be with me in bliss without an end to this youth".