"Tanakh's newest record, Dieu Deuil, commands a nautical embrace of wet boots and November days filled with rain. It sings stories of loss, hope, and transcendence amidst the swirling cyclone of mundaneness. Dieu Deuil, which takes it name from the architecture of Daniel Libeskind, successfully integrates improvisation and song writing, and communicates an interior intimacy, which previously was only hinted at in the drifting exterior world of 'Villa Claustrophobia'. Dieu Deuil is a small warm café in the cavernous arcades of 'Villa Claustrophobia,' where the air is moist with smoky teas and steam hoarfrosts the windows. 'Dieu Deuil' maintains the outer-national feel of 'Villa Claustrophobia' but focuses less on a pneumatic exotica and more on a rich interior journey that communicates the warmth of human touch and the frigid burn that such contact can leave when it is taken away. Dieu Deuil captures a particular gentleness of the 70s-era folk psychedelia inspired by the likes of John Martyn, Tim Buckley, Fairport Convention and Pentangle, both in it's inventive orchestration and in it's vocally charged delivery."