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Saturday, April 30, 2016

If we aren't careful when we write
historical fiction, the characters come off stiff and boring. What's the
solution? Set them squarely down in the center of something that really
happened. Study the way people acted and reacted in that day and time, give the
characters some background problems and a goal that applies to the times and
you're off.

In addition to that, I like to walk
real characters through the action so they can all get acquainted. I've mingled
outlaws like Jesse and Frank James, and the notorious gentleman outlaw Clay
Allison into my fictional story letting my hero and heroine get to know them,.
I actually shoved them together into the story line so that the real characters
affected theplot.

This calls for a lot of research
concerning these true-to-life characters, which I enjoy thoroughly. For
instance, I never read anywhere that Frank James was fond of quoting
Shakespeare until I began to dig into his life story. I also learned that Jesse
loved to have his photo taken. This fit right in with my book, Images in
Scarlet, about a young woman photographer working her way from Missouri to
Santa Fe by taking photos after the Civil War. At that time Frank and Jessie
were roaming Missouri and had a hideout there.

When Jesse and Frank kidnap her, she
fears the worst, until she learns they only want her to take some photos. Jake,
who is traveling with her, which is another story, thinks the worst when she
disappears and tracks her to the outlaw hideout. It made for a slightly funny,
slightly scary scene and I really enjoyed writing it. My readers let me know
they enjoyed reading it too.

It's always important when using these
real characters that the writer makes sure they could have been in the vicinity
during the time period the story takes place. Fiction only extends so far in
your historical storytelling. You can't make up outrageous things about
well-known historical figures, though you can allow them to romp through your
story if you remain true to their lives and let them do what they would have
done in such a situation.

In Dream Walker, the story begins in
Fayetteville, Arkansas in 1849 where the Cherokee and white businessmen have
formed a wagon train to go west to California to look for gold and come back
rich. The plan is to blaze a new trail west avoiding the desert and some of the
well-grazed land around the Oregon Trail. This will open up a new route so the
cattle drives crossing Arkansas can follow with better results.

In the story I placed the real leaders
and several of the characters who were on that first wagon train west. After my
half-Cherokee, half-white heroine, Rachel Keye (Winter Dawn) stows away on one
of the wagons, the real characters interact with her and ex-soldier Daniel Wolfe
(the fictional hero) throughout the trip. One of Arkansas' folk heroes was
Peter Mankins, and he was known to be a charming man who liked the ladies. He
had a big part in the book when Rachel continued to get in trouble.Because I've written a lot of historical
articles for several local newspapers over many years, I knew these people
quite well, having researched them as well as interviewing people whose
families were well acquainted with them.

Friday, April 22, 2016

I had planned to write a sober assessment of the paper versus digital publishing situation, and the ramifications for traditionally published, indie and hybrid authors. I was planning to write about the way Amazon's Kindle Unlimited subscription programme all but killed my sales on the Zon since its launch last year. After reading several depressing essays on the issues in sources such as The Economist (The Future of the Book) and Smashwords (2016 Book Publishing Industry Predictions--a must read for anyone in the indie publishing business), I decided to give it a rest.

Since my first novel was published in 2008 there has been nothing but turmoil and upheaval in the industry. I'm tired to the bone of it all. I've come full circle and I'm back to the basics: my love of reading and my love of writing. Reading has been the mainstay of my life, my escape, my therapy, my delight, my muse, my great teacher. And writing? I no longer fuss about what I 'should' be doing. I do what I want, zipping back and forth between genres, between novel and novella and short story, between editing and formatting my own work and doing the same for other writers.

Late last year I discovered the pleasure of writing in a totally new, fun historical niche (new to me as a writer, not a reader) when a short story turned into a novel which I serialized and which now outsells my twenty-something other indie titles. I'm now reading up on the history because I'm about to start another series set in the same period. Plus, I'm back at school and one year into a graduate programme. The taught courses are behind me (or will be when I turn in the last paper on Friday) and then the real work begins for the vivas and thesis that will absorb much of the next two years. I see a lot of juggling in my immediate future: school-related research and writing, fiction writing and publishing, editing jobs.... I've also been invited by one of my lecturers to tutor her UG courses. I have to make time to enjoy my two awesome grandkids...and to do this every now and then:

Me just chilling on Maracas Beach, Dec. 2015

So, let the publishing battles rage. Let the players--the giants like Amazon and the ocean of tiny authors trying to eke some cash out of making up stuff--duke it out. Let others sweat and swear and worry. Me? I'll be busy doing...other things.

Sunday, April 17, 2016

This past week, the winners of Pocket Books’ all-new, rebooted Star Trek: Strange New Worlds writing contest were announced. The contest was open to “non-professional” writers—those who hadn’t sold more than two stories to qualifying markets at paid professional rates—hoping for the chance to sell their Star Trek tales for an all-new anthology to be published later this year.

After sifting through who knows how many submissions, the editors at Pocket Books selected ten stories to be published in the forthcoming anthology. As fate would have it, I knew two of the winners. They’d each won berths in previous editions of the anthology, but hadn’t rendered themselves ineligible to enter this new version of the contest.

It was exciting to see the contest revived, and to see a new crop of winners announced. When the first version of the contest was originally was conceived back in 1997, there was nothing else like Strange New Worlds. It was the only writing contest for a licensed property where the entrants had an opportunity to be make a professional short story sale. That version of the contest ran for ten years, granting the wishes of dozens of hopeful Star Trek fans and even launching several writing careers.

One of those beneficiaries is the guy whose blog entry you’re reading right now. I sold stories to Pocket Books for each of the competition’s first three years, after which I was no longer eligible to enter future contests. Now I write Star Trek novels on a pretty regular basis, so all those teachers who mocked me for reading Star Trek novels during my free time in school? Nyah, nyah, nyah.

That didn’t mean I stopped paying attention, though. I followed along each year as the anthology’s editor, veteran writer Dean Wesley Smith, offered updates. I was one of the program’s biggest cheerleaders, encouraging people to send in their own Star Trek stories, and I celebrated along with everyone else when each year’s new group of winners was announced. I made several friends thanks to the contest, and we keep in touch to this day.

Everything I’ve accomplished as a professional writer links back to that first contest sale. When it was announced that there would be no more contests, I was as sad as anyone to see it go. Strange New Worlds was a wonderful way for fans to get in on the fun of playing in the Star Trek sandbox, so I was thrilled when I heard last fall that the contest was being revived just in time for Star Trek’s 50th anniversary in 2016.

So, here we are, nearly two decades since that first competition, and I feel a little like Father Time watching as Baby New Year takes the stage. The contest is back, and we have a “next generation” of Strange New Worlds winners. Are any of the ten people who sold a story taking their first steps toward their own writing career? Could be. Maybe one or two of them will even sell a Star Trek novel to Pocket, one day. Weirder things have happened, you know.

Wednesday, April 13, 2016

Well, Big Publishing did it again. With the merge of Penguin and Random
House, the powers- that- be decided there were too many cozy mysteries on the
market. Now it’s slash & burn time as authors find their series
discontinued.

I’m having déjà vu. In the 90’s, as I was finishing my first Christy
Bristol mystery, the bottom fell out of the mystery genre. All the houses were
cutting out one mystery line and retaining only the top selling authors.
Midlist authors were abandoned.

People stepped up to the plate and created independent houses. With
print-on-demand technology and computers, anyone could be a publisher. Amazon
gave validity to ebooks and self-published authors.

I have felt the cozy market was saturated. Every hobby has a mystery,
everyone is an amateur detective with a law enforcement boyfriend or ex.
Authors were even assigned subject matter. The main readers are women. Perhaps
this is an effort to give hard-boiled mysteries a stronger market. Men who
write them already make more money.

If you love mysteries, there are things you can do: follow authors you
love on their Facebook page, webpages, blogs and twitter. Subscribe to their
newsletters. Pre-order your books—first week sales are important. And complain!
Let Random House know how you feel. Here’s the link:

Monday, April 11, 2016

When my wife, Earlene, said this to one of the security people, he was horrified.

"You can't do that."

"Of course we can," she replied.

He smoldered for a minute. "It's against the law. What are you going to do? Eat it?"

"Don't be ridiculous. We're just going to go looking for them. Take a few pictures. We're not going to catch them."

And so we were off. This is actually a frequent journey for Earlene. She wanders along the River Caule trying to see how many of the illusive creatures she can spot. This particular day, we were lucky. We found five iguanas on the ground. Even I can spot those. But in the trees, it is a much more difficult task. They have natural camouflage, except for their long - often striped - tail.

My eyesight is as good as Earlene's. Still, she will spot iguanas much faster and more often than I will. I'm best at picking them out when she points to them.

To some extent, particularly if you have a writer's mindset, hunting iguanas is much like proofreading your manuscript. The out and out mistakes are like the large, orange iguanas - reasonably easy to spot. Oh, you can miss the big, bright iguanas, and you can miss the misspellings, the incorrect grammar, the missing quotation mark. But these are easier to spot.

Many of the young iguanas are green and others are brown. I can look at the tree, the natural habitat for iguanas, and not find a single one. Earlene can walk up and within minutes point out four iguanas. Once she does, I see them also. These are like the more crafty error in a manuscript. The untrained eye will look right at these subtle mistakes and not see them. Once an error is pointed out, it seems obvious. "Of course that's an iguana," I say. "There's his long, striped tail lying along the branch." Or, "Okay, I see it. That is a POV switch."

An author not trained in proofreading will overlook many errors that, once they are pointed out to him, are obvious. "How could I have missed that," he yells.

After many iguana hunts with Earlene, I now can find those shy iguanas. I may pick them out before Earlene sees them. My eyes have been conditioned, trained to pick iguanas out of the foliage. And the writer can learn to be a better proofreader, particularly if he has some guidance, or he studies the comments an experienced proofer leaves for him. It takes practice, work, concentration, and freedom from distractions. But those devious errors, or weak spots, will become as easily identifiable as the sly iguana.

Go on an error hunt, and take a guide along if you can. And understand while practice may not make perfect, it will make things better.

Thursday, April 7, 2016

Ray Bradbury once said “Write a short story every week. It's not possible to write 52 bad short stories in a row.” His words have become a challenge for writers everywhere. I had never heard of it until I attended the Rainforest Writer's Retreat last month. AuthorJames Van Pelt gave a presentation on how he undertook the challenge last year. He talked about what he learned and the process of writing that much.I was amazed that anyone could accomplish so much. Not only that he managed to sell quite a few of those stories. At the writer's retreat I undertook another Middle Grade novel that I hope to submit to agents. So I kept thinking, "I don't have time to write that many short stories. I don't have that many ideas for short stories." And so on. But I couldn't shake the idea of the challenge. I kept thinking of different ways to integrate the challenge with my other writing. I thought maybe I'll just write a story a month. Or take two weeks to finish them.Finally I arrived at an idea I thought would work for me. I decided I WOULD write one short story a week for a year. BUT I wouldn't try to submit them anywhere. I would just write them down and move on and not worry about the short story finding a publishing home. Other people wouldn't even see them. I could use them to explore ideas, or just write a single scene and call it a story. And it's been working! I am writing short story #5 this week. I'm exploring a book idea by writing a little sort of prologue that probably will never appear in the book. I've found a freedom to write whatever, and the freedom to fail. Story #2 was the worst thing I've written since college! So while Ray Bradbury may be right, that it's impossible to write 52 bad stories, I can tell you, it's possible to write at least one terrible story!I hope to keep up the challenge and I'll post on my progress periodically. Even though I've just started on this challenge I would recommend to anyone! And

Monday, April 4, 2016

This past February, I
received an email about yet one more publisher closing their doors, shutting
down. The publisher is Samhain, and I signed with them last year for a
title that was due for delivery in August of this year, scheduled to be released in February of 2017.

In a newsletter, the
publisher cited reasons why they could no longer sustain their business, one
being that they were closing due to the continuance of declining market shares.
They also said that recent sales were not providing any hope for recovery, that
each month their sales continued to shrink, in spite of their various marketing
efforts, and that it would be disingenuous to keep contracting new titles.

As it turns out, my
rights will be reverted back to me, as I had not yet turned in my title.
However, I cannot help but to once again take a serious look at the big
picture. Some publishing companies are making money in this business,
but a lot are not. Some authors are making good money in this
business, but most are not. Very few authors have book deals with
majors, and some prefer it to be that way because of the independence.
And another very important factor is true, that readers have so many choices as
far as titles, with so many at rock-bottom prices, that there's not enough
money coming back into the pockets of publishers and authors. Even those
authors who had made great amounts of money years ago, are seeing checks with
fewer digits.

We focus on learning how
to write, but do we focus on learning how to sell? Are we as authors and/or
publishers not adequately reaching out to readers to let them know about our
titles so that they are aware as to what's out there? Do we need billboard ads,
magazine ads, Facebook ads, Instagram celebrity shout-outs, drive-time radio
spots, subway ads, that cost thousands of dollars? Independent authors have
always had a hard time affording that, and now, publishers are cutting that out
of their budgets as well. Or, maybe it's the covers, the plot, or the price. Is
the book is lacking the IT factor, or is it the author in general who is
not appealing enough to readers to make them curious enough to check out
their works? More book signings, more events, more giveaways, more blog posts,
more social media, more videos? Will having a book-to-movie deal help (a movie that is actually released)?
Will being on Steve Harvey, Oprah, or The View help? Some say just keep
writing, and focus on writing a good book, and readers will come. Well, no they
won’t. Not unless you let them know the book is on the shelf, or available via the
click of a mouse via ebook, and still, it's all up to the reader to decide to purchase . . . IF . . .

Yes, publishers are being undercut by the river
of indie publishing. And yes, authors can post and sell a book on Amazon in ten
minutes – some crafty books, some intermediate, but authors are writing, and
trying. Some have gone back to work, some have taken breaks, and some of those
authors who I know personally have also come back to their true love – writing,
whether they make money at it or not.

And so yes, some publishers are closing their
doors, book stores are continuing to close. Is part of the reason that with
readers having so many online choices at low prices, they’re not motivated to
spend a certain amount? I know that some readers will spend $20+ for a hardback
version of their favorite author's book that they’ve been anticipating, and
it's usually an established author who has worked hard to build up their
readership base over time. There are the big time hits and super popular
success stories that lead the way. Those stories are encouraging for the rest
of us, yet they also force us to wonder what we can be doing that will propel
us to that level. After nearly twenty years in this business, I wonder as well. And that's natural.

I
know some readers who only buy ebooks that are $3.99 or less (mainly $.99), and some readers who
claim they only buy paperback books, no matter the price. I know some authors who offer ebooks at $3.99 or less who say they're making really good
money, and some authors who offer paperback books who say they’re only selling
a few hundred, if that. Some say genres can be a factor, or race is a factor, though overall, I’m looking at the bigger picture. The bottom line is . . . what are some
publishers and authors doing, that other's aren't?

Samhain also stated that
Amazon might be a factor. Oh yes. Amazon. Amazon is the giant, the number one
source of book-buying, who is now opening brick and mortar stores. Amazon
claims more than two-thirds of the U.S. book buying market, and that equates to
power. A monopoly. It is said that Amazon has brought publishing to its knees.
They have market power and they were successful at pressuring publishers to lower
their ebook prices. Publishers say that factor lowered the perceived value of
books, so readers expect to pay less. And yet, as big and small
publishers scramble, Amazon continues to innovate. This part of the big picture
is major!

What is your opinion as
to what some of the factors about why publishers and authors are not able to
sustain might be? I'd enjoy reading your opinions as to what the state of publishing
looks like in your eyes, as we're now into 2016.

As for the series I was
writing for Samhain, I've put it on hold and moved on. Maybe I'll pick it up
later. Maybe not. Everything happens for a reason, and I accept the original
blessing, and the lesson. For now, I continue to write on!

Whatever your take on it, fellow authors, most
importantly, we’re all in this together, figuring it out together, which is a
lot better than bashing each other for what we do wrong by another author’s
opinion. It’s time to take a good look and come out writing, but also, come out
promoting, showing up, and selling our books!

Cindy McKenzie

Eugenia O'Neal

Shauna S. Roberts

Farrah Rochon

Terence Taylor

Susan Vondrak

Mystery

Dayton Ward

Science fiction & horror

Karen White-Owens

Contemporary romance

Stefanie Worth

Supernatural Stories of Passion & Suspense

SORMAG interviews Novel Spaces

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