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Tag Archives: Tim McEwen

Prior to the emergence of one of the larger comics and entertainment media conventions in Australia Supanova Pop Culture Expothe same management team, led by Daniel Zachariou, staged an event called Comic-Fest. This had a largely comics oriented focus compared with the subsequent broader span of Supanovain which comics represents just one of several entertainment media that included films, Television series, toys, trading cards, computer games and the internet. There were two stagings in 2001, at Fox Studios in February then followed in September by Comi-Fest 2 at the Sydney Centrepont Convention Centre.

Trevor Bovis in space, the Greener Pastures program cover, design by Tim McEwen.

Saturday seminar details with my involvement in the superheroes panel.

For the September event with approval from the event director Daniel Zachariou I put together a panel discussion on Australian alternative comics by local creators Dillon Naylor, Daniel Gloag, Amber Carvan and Ben Hutchings who each talked about their own comics and answered questions I fired at them from the floor. A general discussion of the Australian comics scene followed.

Another shot of the panel, L to R, Gloag, Carvan and Hutchings.

Aside from the panel discussion the big attraction for the local small press was the opportunity afforded them to set up shop and trade their work on the commercial floor along with the imported comics. There was also the opportunity to meet fellow local creators and exchange comics, contact details and curry recipes.

On the trading floor, Louise Graber and Alex Major.

Also trading, Komala Singh.

Also trading, Daniel McKeown with Alex Major.

Along with the commercial trading there was the social attraction of meeting and chatting with fellow comics creators.

Lewis Morley and Louise Graber.

Two funny blokes and even funnier cartoonists, Ross Tesoriero and Ben Hutchings.

Sunday 22nd May 2011, in the shadow of the Harbour Bridge and opposite the Opera House, the Museum of Contemporary Art hosted a zine fair as part of the Sydney Writers’ Festival. 50 tables plus 1 bar traded to a reasonably sized crowd. It was a fusion of the literary and the artistic with comics increasingly appearing in art galleries due to their increased cultural status and the growing popularity of graphic novels.

Sydney Opera House. (Photo by Michael Hill)

Sydney Harbour Bridge.

MCA. (Photo by Michael Hill)

The make-up of the stall-holders on the trading floor was a bit of a mystery with a notable presence of craft makers selling jewellery and accessories that led to complaints by some comics creators who were unable to acquire a table about the application and selection process not being all that consistent nor transparent.

Michael Hill Ph.D.

Follow the production progress of my artist book/comic BLOTTING PAPER and read my views on related subjects including posts on Australian Alternative Comics and my travels in Germany, Japan and USA. For further detail on my profile see the About page.