The original photo taken by my friend and international collaborator, Lorenzo Bernardino, inspired me to talk about the #3 and why I think it is such a fantastic number (besides the fact that it is my name).

Three is the second triangular number and it is the only prime triangular number. Three is the only prime which is one less than a perfect square. Any other number which is n2 − 1 for some integer n is not prime, since it is (n − 1)(n + 1). This is true for 3 as well, but in its case one of the factors is 1.

A natural number is divisible by three if the sum of its digits in base 10 is divisible by 3. For example, the number 21 is divisible by three (3 times 7) and the sum of its digits is 2 + 1 = 3. Because of this, the reverse of any number that is divisible by three (or indeed, any permutation of its digits) is also divisible by three. For instance, 1368 and its reverse 8631 are both divisible by three (and so are 1386, 3168, 3186, 3618, etc..). See also Divisibility rule. This works in base 10 and in any positional numeral system whose base divided by three leaves a remainder of one (bases 4, 7, 10, etc.).

A triangle is the only figure which, if all endpoints have hinges, will never change its shape unless the sides themselves are bent.

Three is the smallest prime of a Mersenne prime power tower 3, 7, 127, 170141183460469231731687303715884105727. It is not known whether any more of the terms are prime.

Gauss proved that for any prime number p (with the sole exception of 3) the product of its primitive roots is ≡ 1 (mod p).

Any number not in the form of 4n(8m+7) is the sum of 3 squares.

In Numeral Systems

It is frequently noted by historians of numbers that early counting systems often relied on the three-patterned concept of “One- Two- Many” to describe counting limits. In other words, in their own language equivalent way, early peoples had a word to describe the quantities of one and two, but any quantity beyond this point was simply denoted as “Many”. As an extension to this insight, it can also be noted that early counting systems appear to have had limits at the numerals 2, 3, and 4. References to counting limits beyond these three indices do not appear to prevail as consistently in the historical record.

Evolution of the glyph

Three is often the largest number written with as many lines as the number represents. The Romans tired of writing 4 as IIII, instead using IV, but to this day 3 is written as three lines in Roman and Chinese numerals. This was the way the Brahmin Indians wrote it, and the Gupta made the three lines more curved. The Nagari started rotating the lines clockwise and ending each line with a slight downward stroke on the right. Eventually they made these strokes connect with the lines below, and evolved it to a character that looks very much like a modern 3 with an extra stroke at the bottom. It was the Western Ghubar Arabs who finally eliminated the extra stroke and created our modern 3. (The “extra” stroke, however, was very important to the Eastern Arabs, and they made it much larger, while rotating the strokes above to lie along a horizontal axis, and to this day Eastern Arabs write a 3 that looks like a mirrored 7 with ridges on its top line): ٣[2]

While the shape of the 3 character has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . In some French text-figure typefaces, though, it has an ascender instead of a descender.

A common variant of the digit 3 has a flat top, similar to the character Ʒ (ezh), sometimes used to prevent people from falsifying a 3 into an 8.

According to Pythagoras and the Pythagorean school, the number 3, which they called triad, is the noblest of all digits, as it is the only number to equal the sum of all the terms below it, and the only number whose sum with those below equals the product of them and itself.[3]

Counting to three is common in situations where a group of people wish to perform an action in synchrony: Now, on the count of three, everybody pull! Assuming the counter is proceeding at a uniform rate, the first two counts are necessary to establish the rate, but then everyone can predict when three” will come based on “one” and “two”; this is likely why three is used instead of some other number.

In Vietnam, there is a superstition that considers it bad luck to take a photo with three people in it; it is professed that the person in the middle will die soon.

There is another superstition that it is unlucky to take a third light, that is, to be the third person to light a cigarette from the same match or lighter. This superstition is sometimes asserted to have originated among soldiers in the trenches of the First World War when a sniper might see the first light, take aim on the second and fire on the third.

The phrase “Third time’s the charm” refers to the superstition that after two failures in any endeavor, a third attempt is more likely to succeed. This is also sometimes seen in reverse, as in “third man [to do something, presumably forbidden] gets caught”.

In Technology

The glyph “3” may be used as a substitute for yogh (Ȝ, ȝ) or Greek xi (Ξ, ξ) or ze (З, з) when those characters are not available.

Three is the minimum odd number of voting components for simple easy redundancy checks by direct comparison.

Three is approximately pi (actually closer to 3.14159) when doing rapid engineering guesses or estimates. The same is true if one wants a rough-and-ready estimate of e, which is actually approximately 2.7183.

“3” is the DVD region code for many East Asian countries, except for Japan (which is Region 2) and China (which is Region 6).

Dante Alighieri‘s Divine Comedy has three parts each of thirty-three cantos (plus one introductory canto totaling 100). It was written in terza rima, a combination of tercets. All of this is an allusion to the Christian Trinity.

3 is the number of wishes normally granted in most fairy tales and stories. Likewise, the protagonist in most stories faces 3 conflicts, whether mental or physical before his or her great triumph.[citation needed]

“Threes” is a poem by Carl Sandburg.

In many Czech folktales, a great beast of some sort will, if bound in some manner, usually be bound by three chains, hooks, ropes, etc., and a menial task must be repeated three times to free it.