Merrill Gilfillan is the award-winning short story writer and poet whose Magpie Rising:
Sketches from the Great Plains, won the first PEN/Martha Albrand Award for non-fiction.
Five years later, Gilfillan returns to the genre with a new collection of poetic essays that
grew from his travels along the folkloric backroads of Appalachia.  from the publisher

In this new book detailing his travels through the American Great Plains,
author Merrill Gilfillan continues to elucidate for us, and add to our appreciation of,
one of the most ignored and misunderstood areas of our vast American landscape. Like few
American writers, Gilfillan has a deep feeling for, and understanding of the western
grasslands, which give both dignity and a deep historical sense to our sometimes
forgotten heartland.

Gilfillan's sense of the land encompasses the plants, wildflowers, and small creatures;
the birds that he writes such wonderfully detailed descriptions about; the rivers,
watering holes, and butteframed vistas; and, very importantly, the legacy of the Plains
tribes of Native Americans who loved this land and fashioned myth and legend about it.
By overlaying these myths onto the modern plains landscape, Gilfillan invokes a poignant
sense of loss, yet we are also ennobled by the profound sense of the landscape that his
vision imparts to us. Gilfillan is a tour guide like no other. His readers are given
lovely, lingering descriptions of the overlooked and forgotten, the out-of-the-way and
underfoot.  from the publisher

Prose doesn't get any better than this.  Tom McGuane

Last night I read "Chokecherry Places" by Merrill Gilfillan
and was quite swept away as I had been with "Magpie Rising,"
"Sworn Before Cranes," and "Burnt House to Paw Paw."
If anyone writes better prose in America I am unaware of it.
He is an improbably acute student of natural history and his
prose frequently passes Matthew Arnold's test of poetry: Does
it raise the hair on the back of your neck?  Jim Harrison

The rolling, billowing, delicate landscape of Nebraska’s Sandhills; the tombstone of Billy
the Kid—stolen so often that it must be caged and shackled—in Fort Sumner, New Mexico;
an intercontinental ballistic missile trundling down a highway under heavy guard in Weld
County, Colorado; cottonwoods and cranes, faded hotels and abandoned trailers painted aqua
and purple; the ghosts of Pawnees, Cheyennes, and Kiowas and generations of settlers
whose descendants now grouse in a café in Heimdahl, North Dakota, or roar off to a
bikers convention in Sturgis, South Dakota. These are some of the things that catch
Merrill Gilfillan’s eye and ear in this radiant collection of essays.
Written with a poetic economy that often attains grandeur, Magpie Rising is an
exhilarating tour of the Great Plains—its geography, wildlife, history, mythology,
and food, its vast spaces and weirdly synchronous time. This is nature writing at its
most evocative and insightful.  from the publisher

Merrill Gilfillan's short stories are natural extensions of his eloquent and lyrical
accounts of Appalachia, the Great Plains,
the Western mountains. Each character is given the same quiet respect that he gives to
nature. They
rise out of the land, share its timelessness. Their feelings seem as inevitable and natural
as erosion or an avalanche. We
finish each story with a sense of connection to them and their place, a reassurance of
balance and symmetry.
Gilfillan's writings often seem to be of another time, evoking Hopkins and Hudson and
Melville, but they are about our time,
about how much "major earthly wonder" remains. They remind us that there is still the
space so powerful as to render time
silly." No other author today writes such thoughtful, lyrical and majestic prose.
 Lucia Berlin

A feeling for life on the Great Plains and a respect for fictional
resonances lend Gilfillan's 15 stories a quiet glow. In precise,
glistening prose, the poet and award-winning essayist (Chokecherry
Places) presents a slim collection of vignettes that include
historical anecdotes, sketches of contemporary reservation life
and extended observations on the vagaries of existence. 
Publishers Weekly

... invariably interesting and humane. ... steady-eyed, fine, and always interesting,
from "Pie for Breakfast" on through the wonderfully seriocomic "One Summer by the River."
"Regionalism" that shows what honest, true writing is—and what it can do. 
Kirkus Reviews

Grasshopper Falls is an impressive collection of Merrill Gilfillan's short
stories and serves admirable to further document his literary talents.  Internet
Book Watch

Grasshopper Falls is an impressive collection of Merrill
Gilfillan's short stories and serves admirable to further
document his literary talents.  Midwest Book Review

The rolling, billowing, delicate landscape of Nebraska’s Sandhills; the tombstone of Billy
the Kid—stolen so often that it must be caged and shackled—in Fort Sumner, New Mexico;
an intercontinental ballistic missile trundling down a highway under heavy guard in Weld
County, Colorado; cottonwoods and cranes, faded hotels and abandoned trailers painted aqua
and purple; the ghosts of Pawnees, Cheyennes, and Kiowas and generations of settlers
whose descendants now grouse in a café in Heimdahl, North Dakota, or roar off to a
bikers convention in Sturgis, South Dakota. These are some of the things that catch
Merrill Gilfillan’s eye and ear in this radiant collection of essays.
Written with a poetic economy that often attains grandeur, Magpie Rising is an
exhilarating tour of the Great Plains—its geography, wildlife, history, mythology,
and food, its vast spaces and weirdly synchronous time. This is nature writing at its
most evocative and insightful.  from the publisher

This is a book to be read as a poet’s experiment in prose, slowly and with attention to
the language.  New York Times Book Review

Magpie Rising [is] one of the keenest encounters with the western spaces
since Meriwether Lewis’s journals.  ISLE

Gilfillan is a careful observer of the outward elements of the land 
its shapes, its plant life, its birds. ... His pieces sparkle with invention and
insight when he merges the landscape with interior voices of history and myth. 
Kansas City Star

The author has crisscrossed the backbone of the North American
continent from Texas to Alberta, driving, camping, hiking,
observing land and life forms. Poet Gilfallen presents
impressionistic, kaleidoscopic images of the landscape
interwoven with threads of its past, both natural and human
history. His writing ranges from lyrical to earthy as he travels
the minor roads, small towns and river valleys of the Great Plains.
Gilfallen celebrates this region as Edward Abbey and Gary Nabhan
have the desert West, and John McPhee in the mountain West.
The book will have immense local interest, and may kindle a
desire among Western buffs to explore the Great Plains. 
Publishers Weekly

The strongest poems feature a solitary, omniscient observer
responding to the sky and land in Nebraska, Montana and South
Dakota. Details set off personal associations: "we look at the
winterberry, sole color/ of the January worth it, dry scorched
red/ like a crimson peppercorn on the mud-dark twig/ and think,
together, ocotillo/ in bloom..." Most poems employ a spare and
beautiful imagery characteristic of Chinese or Japanese nature
poetry. ... Deceptively simple,
these poems reveal new beauties with each reading. 
Publishers Weekly

Gilfillan's observations, quotations, etymologies, and classical forms are constructed
by equal parts scholar and aesthete. He is a master of Low Distance. Gilfillan watches
and then watches again. His writing is workman-like in the sense of what words are like,
and luminous in its experimental directions.  from the publisher

Several periods of the poet's life are chronicled in these wry and animated speech-driven
poems set all over the United States. In his 11th collection, the award-winning poet and
essayist Gillfillan (Satin Street; Magpie Rising: Sketches from the Great Plains) presents
acute observations of urban and natural settings balanced by an impeccable ear and wit.
 Publishers Weekly

astonishing ... Some of the purist, most concentrated fiction in American prose literature.
 Booklist

heart-wrenchingly well written stories.  Kirkus Reviews

The plots are uncomplicated, the prose clean and descriptive; each tale invokes a quiet heroism, and none fails to
affect the reader. Whether written in the first or third person, these narratives have the unstudied quality of oral history.
The author's easy naturalism, combined with his elevated metaphors, gives a fresh feeling to the stories, which seem
to tap a new vein of the American literary heritage.  Publishers Weekly