His analysis of tax and spending policy has been featured hundreds of times in media outlets across the country, including the
Economist
,the
Wall Street Journal
,
USA Today
,
the
Daily News,
the
Washington Post
, the
New York Post
,CNN.com, Yahoo News, the
Huffington Post
,
Kiplinger
, Reuters, the Associated Press, CNN, ABC, CBS, Fox News, NPR,the trade publication
State Tax Notes,
and the peer-reviewed
Journal of State Taxation
.

Scott has given legislative testimony or presented to officials in 26 statesand before the U.S. Senate Finance Committee. He has also served as an expert witness in court on tax issues. In 2015, he was appointed by the Louisiana legislature to serve on the state’s Sales Tax Streamlining Modernization Commission.

Prior to joining the Tax Foundation, Scott held research positions at the Institute for Humane Studies and the Goldwater Institute
.
He holdsaB.S. in Economics from the University of Mary Washington andan M.A. in Economics from George Mason University.

In 2014, he was briefly featured as a staffer to the First Lady in the second season of
House of Cards
.Scott lives in Southeast Washington, D.C. with his wife, Molly.

The Tax Foundation is the nation’s leading independent tax policy research organization. Since 1937, our principled research, insightful analysis, and engaged experts have informed smarter tax policy at the federal, state, and local levels. We improve lives through tax policy research and education that leads to greater economic growth and opportunity.

This album is pure anger at oneself and the problems that come with being alive. This track stood out the most, it had an amazing build up and lyrics that make you want to roll around in your own skin and scream along with them.
selby

Ora et Labora translates as “Pray and Work”, which is the creed of the Trappist Monks. The beer is a stern 7.5% ABV “New World Double Bock” and was brewed by La Trappe’s brouwmeester Lodewijk Swinkels alongside Brunswick Bierworks master brewer Christian Riemerschmid von der Heide.

La Trappe will donate proceeds from sales to the Kyotera project, its relief effort for the Kyotera Hospital in Uganda.

“The good cause of this collaboration brew is the Kyotera Hospital in Uganda,” said Anthony van Hecke, Export Director for La Trappe. “They need financial help to fight against Aids. Especially women and children who are infected by HIV will benefit from this project. The health care in the district of Rakai needs more medical attention and their specialized team will welcome the proceeds of this collaboration brew to compete against AIDS/HIV in the outskirts of the hospital.”

Hecke continued, “One of the three major rules to be an Authentic Trappist Brewery is to support those in need through financial assistance. We hope this collaboration beer heightens awareness of the important role our Monks fulfill in the community and around the world.”

The collaboration weaves traditional krausen fermentation with a mighty maltbill and a unique blend of Opal, Loral, Mandarina Bavaria and Ontario Newport hops sourced from the Americas and Europe; bridging the two worlds of brewing. The recipe that Lodewijk and Christian have designed is “double bock” in strength. The ingredients and process with re-fermentation is like a wheat double bock – however the fermentation and yeast is like grand cru.

“This project and partnership with La Trappe and Artisanal Imports brings to life all of the things we envisioned when we first opened Brunswick Bierworks,” saidBrunswick Bierworks PartnerMike Laba. “Our opportunity to brew with one of the world’s iconic breweries, to work with our friends at Artisanal Imports and to make a positive impact in regions of the world that need it most has made this a truly special experience. And to top it all off, we think the beer is fantastic.”

Founded by Trappist monks in 1884, Trappist Brewery Koningshoeven “La Trappe” has been crafting the finest Trappist ales for over two centuries.

How has the science of transplantation, regeneration and prosthetics affected our perceptions of the human body? Should we liken the human body to a machine whose components can be replaced whenever needed? The SPARE PARTS season explores how medical practice and research are increasingly akin to engineering and design, investigating the mobility of human organs, the generation of engineered body parts - at a cellular, tissue, organ or limb level - and the science, ethics and technology that enable them.

SPARE PARTS delves into the emotional and psychological aspects of living with an organic or engineered spare part, their creation, transplantation, and the possibility of spare parts existing outside of the biological body, to be shared and exchanged. Does living with a spare part induce a feeling of redundancy? Or can a transplant or prosthesis lead to an unexpected sense of heightened well-being and self-worth? What have practitioners learned and achieved since the first successful organ transplant in 1954?

The season interrogates the idea of our bodies as a sum of independent parts which may within a lifetime, be regenerated, enhanced, donated or altered by choice or destiny.

SPARE PARTS scrutinises the experience of being seen as ill, and less able, and celebrates the human ability to cultivate resilience and difference. Exploring the challenges of taking on an altered identity and of incorporating a new organ, the season blurs the boundaries between what is perceived as a normal, or a different human body.

Curatorial advisors help us to shape our seasons. They are expert artists, scientists and clinicians working in the fields related to the season theme in different ways. Curatorial advisors will help select the final works and ensure the season’s exhibition and event programme facilitate creative collisions in art and science.

Submissions will be reviewed by the curatorial advisors named above and by Daniel Glaser, Director of Science Gallery London, Jen Wong, Head of Programming, Science Gallery London and Stéphanie Delcroix, Spare Parts Season Curator-Producer. Candidates will receive a response in September 2017.