Digital collections

Results for: Gravestones (44 collections)SCUA

Association for Gravestone Studies Collection

Jonah B. Griswold Ledgers, 1841-1876..

4 vols. (0.25 linear feet).Call no.: MS 638

An industrious artisan with a wide custom, Jonah B. Griswold made gravestones and sepulchral monuments in Sturbridge, Mass., during the three decades saddling the Civil War. Making 20 or more stones a month, Griswold had clients throughout southern Worcester County, including the Brookfields, Charlton, Wales, Woodstock, Warren, Brimfield, Union, Oxford, Worcester, Southbridge, Holland, New Boston, Spencer, Webster, Dudley, and Podunk, and as far south as Pomfret, Conn.

The four volumes that survive from Griswold’s operation include: record of cash expenditures for personal items, 1843-1876, combined with accounts of work performed for Griswold and daybook with records of marble purchased and stones carved, 1861-1876; daybook of cash on hand 1841-1842, with accounts of stone purchased and stones carved, April 1843-1849; daybook of stones carved, 1849-1860; and daybook of stones carved, 1855-1876. Griswold seldom records inscriptions, with most entries restricted to the name of the client and/or deceased, location, and cost, such as: “Oct. 14. Brookfield. Stone for Mr. Woods child 25.43″ Prices during the antebellum period ranged from $10 (half that for infants) to over $140, with larger monuments going higher.

Contributors

Types of material

Association for Gravestone Studies Collection

William E. Harding Collection, 1972-2003 (Bulk: 1972-1981).

2 boxes (1 linear feet).Call no.: MS 843

As an undergraduate at Williams College, William (Bill) Harding undertook a research project on the Bennington Centre Cemetery in Vermont to document its stones, through which he became engaged in a longer-term study of the most important carvers represented there in the years after the American Revolution, Zerubbabel Collins and Samuel Dwight. Harding’s work was an important contribution to understanding the transition from death’s head imagery to the gentler cherubs of the early national period and he unearthed significant detail on the lives of noted carvers. Harding went on to study medicine, but remained active in the early conferences of the Association for Gravestone Studies and as a lecturer on the topic for several years until the demands of his professional life gradually intervened.

Centered on his study of Vermont carvers and early gravestone iconography, the Harding collection includes photographs, research and lecture notes, some correspondence, and a sampling of published material. The collection contains Harding’s bachelor’s thesis, “The graveyard at Old Bennigton, Vermont, and the gravestones of Zerubbabel Collins” (1972) and his later, more comprehensive study “Bennington Gravestones” (1975), and notably, two fine prints of gravestones by his colleague, Daniel Farber.

Association for Gravestone Studies Collection

Phil Kallas Collection, ca.1915-2000.

A former guest editor of the Association for Gravestone Studies Newsletter and member of the Wisconsin Old Cemeteries Society, Phil Kallas has researched and written on Wisconsin gravestones and stonecarvers.

The Kallas collection contains 37 postcards of cemeteries from ten states, ranging from Alaska to New York.

Subjects

Association for Gravestone Studies

Sepulchral monuments--Massachusetts

Contributors

Kallas, Phil

Types of material

Arthur P. Mange Photograph Collection, 1965-2010.

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

Association for Gravestone Studies Collection

Barbara Rotundo Photograph Collection, ca.1970-2004.

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Association for Gravestone Studies Collection

Robert Bayard Severy Photograph Collection, 1980-2007.

A local historian and photographer from Dorchester, Mass., and an official in the Dorchester Historical Society, Robert Bayard Severy was born on October 11, 1944, at the New England Hospital for Women and Children in Roxbury, Massachusetts. After high school Severy attended Suffolk University and received a certificate from the Franklin Institute in Photography in 1967. For over 32 years, he was employed in the Human Resources Division of the Commonwealth of Massachusetts, pursuing his interests in photography throughout and documented the changing streetscapes of Boston and nearby towns. Since the early 1980s, Severy has documented gravestones in New England cemeteries.

The Severy Collection includes nearly 2,000 black and white prints (with some color) of gravestones in cemeteries in Massachusetts and Vermont. The collection is arranged by town and cemetery, and includes particularly good documentation of gravestones in Barnstable, Boston (Old Granary, King’s Chapel, Copps Hill), Brimfield, Dorchester (Cedar Grove, Dorchester North), Manomet (Manomet), Newbury (1st Parish), Norwell (First Parish), Quincy (Hancock), Watertown (Mt. Auburn), and Weymouth (Old North, Mt. Hope, Fairmount) in Massachusetts; and Bennington and Wilmington, Vermont. Larger collections of Severy’s work can be found in many other institutions, including Historic New England, The Bostonian Society, The Boston Athenaeum, The Boston Public Library, University of Massachusetts Dorchester, and several local public libraries and historical societies.

Subjects

Sepulchral monuments--Massachusetts

Sepulchral monuments--Vermont

Contributors

Association for Gravestone Studies

Severy, Robert Bayard

Types of material

Stanze Monument Company Records, ca. 1921-1970.

Established in 1921 in St. Louis Missouri, the Stanze Monument Company was family-owned and operated until it was sold in the mid-1980s. The company custom-cut gravestones for more than sixty years and was one of the last monument companies to cut gravestones by hand.

The collection consists of gravestone, monument, and mausoleum technical and architectural drawings. Most of the tracings and drawings of headstone patterns were used to make glass molds for sand-blasting granite headstones, while the rubbings represent reproductions of designs and font sizes and styles. Some of the architectural drawings depict conceptual plans for a typical forty-acre cemetery. The drawings were transferred from the Kibbe Hancock Heritage Museum in Illinois; a small portion of the materials were identified as being part of the “Gustafson Collection.”

Association for Gravestone Studies

A long-time resident of Berkeley, Calif., Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, the Tenneys became full time photographers by about 1964. For over a decade, they took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

The Tenney collection consists of several hundred scrupulously-documented images of gravestones in Massachusetts, Connecticut, and other New England states taken between 1966 and 1978. Selecting stones for “artistic rather than historical reasons,” the Tenney’s focused primarily on details of the carving and inscriptions.

Association for Gravestone Studies Collection

Ralph L. Tucker Collection, 1951-ca.2000.

Known for his extensive research into Boston and Merrimac Valley area gravestone carvers, particularly Joseph Lamson and John Hartshorne, Ralph Tucker received the AGS Forbes Award in 1992 for his excellence in carver research. One of the attendees at the inaugural Dublin Seminar, and the first President of the Association for Gravestone Studies, Tucker served as editor of a column, “17th and 18th Century Gravestones and Carvers,” in the AGS Newletter from 1993-1999. Born on May 29, 1921 in Winthrop, Mass., Tucker attended Massachusetts Institute of Technology, Tufts University, and Episcopal Theological School. He married Mildred R. Moore in 1946 and was ordained an Episcopal priest in 1947. Tucker spent two years as a missionary in China, returning to serve parishes in Utah, Rhode Island, and Massachusetts. In addition to extending his ministry to hospitals and prisons, he participated in 1960s Civil Rights protests in Alabama and Boston. In 1985 he went to Zimbabwe as a missionary, retiring to Maine soon thereafter where he acted as interim pastor of Grace Episcopal Church in Bath. Tucker died March 28, 2010, and was survived by his wife, four sons — Ralph, Jr., Richard R., Roger W., and Paul M. Tucker, several grandchildren and great-grandchildren.

The Tucker collection includes research notes and copies of published works stemming from Ralph Tucker’s decades of research on stone carvers and other gravestone-related topics, along with hundreds of images documenting carvers and stones in Massachusetts.

Association for Gravestone Studies Collection

Una F. Weatherby Collection, 1924-1934.

The botanical illustrator and writer Una Foster Weathery (1878-1957) was an early student of New England gravestones. Born in Texas in 1878, Una Leonora Foster met a young pteridologist Charles Alfred Weatherby (1875-1949) while traveling abroad in 1910, and seven years later, the couple wed. As Charles advanced in his career to a position at the Gray Herbarium at Harvard, Una became his close associate, working with in the field and as illustrator and photographer. Among the many interests the couple developed was a fascination with photographing early American gravestones, and over the last three decades of her life, Una published occasionally on the subject. She died in Cambridge on August 17, 1957, and is interred with her husband at Center Cemetery in East Hartford, Conn.

The Weatherby collection consists of a substantial typed manuscript illustrating early American gravestones, mostly from New England. Meticulously assembled, the manuscript is divided into six thematic sections based on gravestone design (death’s heads, winged cherubs, wingless cherubs, portrait stones, symbolic stones, and designs and willows). Each stone is represented by a single photograph pasted onto a page, along with a transcription of the epitaph and occasional comments on the design and date on which the information was recorded. Although most stones are from Connecticut and Massachusetts, a few stones from Virginia and South Carolina are included.