Tag Archive: comedy

Edgar Wright, Simon Pegg and Nick Frost are back together again for the third in their “three flavours Cornetto” trilogy. After the massive success the trio have had with zombie flick Shaun of the Dead and cop film Hot Fuzz, expectations are set high for their attempt at science fiction; can The World’s End possibly be as good as the two films that preceded it?

Simon Pegg (who also shares writing duties along with Wright) plays Gary King, an alcoholic who is desperately trying to recapture his lost youth by returning to his childhood town of Newton Haven to complete “The Golden Mile”, a twelve bar pub crawl ending at The World’s End which the group never managed to finish first time round in 1990. To do this, Gary reunites his old friends, who just so happen to be some of the best actors in Britain which certainly does no harm to the film: Andrew Knightley (Frost), Steven Prince (Paddy Considine), Oliver Chamberlain (Martin Freeman) and Peter Page (Eddie Marsan). Against their better knowledge the group decide to rejoin Gary for this mission, but when they get to Newton Haven they realise that they may be Earth’s only hope against a mysterious enemy.

The World’s End begins with a quick round up of the backstory: we are given glimpses into the five friends’ school and social life and a brief roundup of their first crack at the Golden Mile and how unsuccessful it ended up. Whilst there are a few sniggers here and there it serves less as a tool for comedy and more just exposition. It is not until Simon Pegg appears on the screen that the big laughs arrive and, to be honest, with Pegg on screen the laughs never seem to stop. His performance is up there with the best comedy performances of all time, he lives within the character, his charisma is unmatched and everyone can empathise with him: this is a guy who (it seems like) never wants to grow up, he’s trying to relive his youth, be the free spirit that he longs to be and not fall into the organisation of civilisation. It’s a great character turned brilliant by Pegg’s performance, cementing him as Britain’s best comedy film export of the modern era.

While the laughs are big, the action is also blood pumping. The five central actors aren’t necassarily people you would associate with being action stars or even carrying out any form of major fight scene but they more than hold their own here. Pegg and particularly Nick Frost excel themselves in the action sequences which are handled every bit as well as the comedy moments. The two best fight scenes are the ones that take place in the toilets, which allow for great fights in such a confined area, and in The Beehive against Pierce Brosnan (what is Pierce Brosnan doing popping up here?) and the townspeople.

It’s impossible not to like The World’s End. A lesser film would have lost it’s way when taking the turn from straight out comedy to science fiction but this is something that Edgar Wright embraces. Breadcrumbs are left all over the place, foreshadowing the reveal and, what’s more, you’re made to really care about the characters and believe in these people which also helps you go along with their journey. Even before the science fiction element occurs and the five friends are sat around, catching up there’s a lot to enjoy just because of the realistic element to it. It does feel like you’re sat in the pub with them: they’re just five normal guys in a pub, easily recognisable and easy to enjoy.

The World’s End is very close to a perfect comedy: it has likeable characters, great charisma and flair, wonderful performances from great actors, jokes that never end, running jokes that continue throughout, references back to Hot Fuzz which is a particular enjoyment and it has Simon Pegg in the form of his life. However, the end (quite ironically) is where the film falls from perfection.

Once at The World’s End, the heroes are confronted with the leader of this invasion (voiced by Bill Nighy) and there is a lot, and we’re talking huge speeches here, of exposition to get through. It seems like Wright and Pegg have tried to create a well rounded villain with a real motive which doesn’t quite pay off (and this comes right after the reveal of Gary King’s motives for wanting to return which is surprisingly touching and not really given enough time). Instead of giving a 2D villain with some plan you’ve heard before you’re confronted with the leader of this invasion talking out all of his plans and reasons as to why this has taken place. Credit has to go to the pair for attempting this, for trying to be different but it just never really brings the punch that you’re anticipating throughout the rest of the film. Luckily, Pegg and Frost do provide enough laughs in this segment that you can sort of overlook it but that let down does tarnish the film slightly.

Saying that though, it seems almost impossible to deny that this is a comedy film very close to perfection and one of the best British comedies of all time.

With Monsters University, Pixar attempts to take back the crown as the best animation studio out there, a title that seems to be swaying towards Illumination Entertainment after the success of Despicable Me and its recent sequel. To prove they have not lost their magic touch, Pixar have brought back a winning pair, second only in animation to Pixar’s own Woody and Buzz, Mike and Sulley. University looks at the events that forced the two loveable monsters together and what made them the record breaking team that we first met in Monsters Inc more than ten years ago.

“I’m gonna be a scarer!”

Returning characters Mike Wazowski (Billy Crystal), Sulley (John Goodman) and Randy (Steve Buscemi) are all back, joined by a host of new talent. The primary new characters are mature student Don (Joel Murray), Squishy (Peter Sohn), two headed monster Terri and Terry (Sean Hayes, Dave Foley) and the unpredictable Art (Charlie Day). These new monsters make up the fraternity Oozma Kappa, the fraternity that Mike and Sulley are forced to join in order to compete in Dean Hardscrabble’s (Helen Mirren) Scare Games to prove they have what it takes to be the best scarers on campus and win their place back in the University as a scaring major. But with personal rivalries and an overall lack of scariness about their new friends, will Mike and Sulley have what it takes? The answer seems almost predictable what with this being a prequel, but what’s important is the journey.

While Monsters Inc was arguably Sulley’s moment in the spotlight, University is all about Mike Wazowski. We’re introduced to the adorable one eyed monster as a child on a field trip to Monsters Incorporated where he gets his first glimpse at the scare floor and realises his ambition in life is to be working there in the future. This short opening sequence opens up a whole load of strings to Mike’s bow; he has an ambition, he has a background, he has room to grow and learn right from the off, and by the end of the film Mike Wazowski comes out on top as one of Pixar’s considerably best characters to date.

“I can’t go back to jail”

Sulley, however, does not come off that well: arrogant, cocksure and generally that guy in class who seems really big headed who nobody really likes. Saying that, though, watching Sulley and Mike’s friendship blossom over the course of the (near two hour) movie is something very enjoyable, even though at times it feels like Sulley doesn’t really deserve Mike’s friendship. It is not until the final sequence that he really earns any respect or likeability, but more on that sequence later.

Monsters University isn’t really any different to any other college movies, using tropes and plot points to move the story along in the expected fashion. But then occassionaly it veers off the path into the realm of the unknown. It would have been very easy to head straight towards the beginning of Monsters Inc but that’s not what Pixar went with; it would have been even easier to end with Oozma Kappa winning the Scare Games and everything having a happy ending but that’s not where they went either and credit has to go to Pixar for their wonderful storytelling.

“I’m going to wipe the floor with that little know-it-all”

The animation is wonderful. Everything is turned up by ten on the colour scales and the creativity to come up with so many different monsters is really unparallelled. If nothing else, this is beautiful to watch. Things take a darker (both in tone and aesthetics) turn when Mike and Sulley risk their lives journeying to the human world. This wonderful sequence brings the two characters together in a really heartfelt exchange of words and shows great comradery between the two as they work so well with one another to get the better of the humans, playing to each other strengths: highlighting the ups and downs of friendship being worth all that hassle if at the end the two parties come out stronger as one than they were on their own.

There seems to be an unwritten rule that if you laugh out loud five or more times at a comedy then it’s definitely worth recommending to someone else. I can’t remember a moment when I stopped laughing while watching Monsters University; there was joke after joke, all aimed at a midway between child and adult so that everyone could share in the joy. There were fantastic set pieces, big laughs and really tru touching moments of a bond forming between lifelong friends.

“You’re just not scary”

It seems unlikely that we’ll get another Monsters prequel and it’s probably best if we don’t get a sequel. Monsters Univeristy never quite matches the original but it compliments it wonderfully.

The biggest, brightest and the most prolific stars of modern comedy films play half-real/half-fictional versions of themselves for the Evan Goldberg and Seth Rogen directed This is the End. The major characters here are Rogen himself, Jay Baruchel, Jonah Hill, Craig Robinson and Danny McBride who all attend a party at James Franco’s house. However, during the star studded party, the apocalypse hits and these actors must find a way to survive until they are granted their passage to Heaven.

“I don’t wanna die at James Franco’s house”

The film opens with the self-deprecating humour that will soon become familiar as Seth Rogen is asked about his performances in films and begged to do the ‘annoying’ Rogen laugh. This quickly becomes a theme after the apocalypse arrives as there are many jokes thrown around about some of the casts less successful outings such as Green Hornet, Spider-Man 3 and Your Highness, while also paying tribute to higher points in their careers with the mentions of Moneyball and 127 Hours. Right from the off it becomes clear that this cast has been put together to have fun, they’re not afraid to be themselves or heap criticism on themselves: a very self aware project that reaps the benefits.

For the opening act the show completely belongs to one person: Michael Cera. Although he usually plays himself in pretty much every film, Cera takes a step outside of his comfort zone to actually play ‘himself’ and shines as the source of laughter. His new bum slapping, coke fuelled personality is the major highlight of This is the End and Cera really digs in and let loose. This is just one of a number of cameos: Christopher Mintz-Plasse, Emma Watson, David Krumholtz, Jason Segel, Paul Rudd and Channing Tatum (particularly surprising and hilarious) all included.

“We should make a sequel to Pineapple Express“

What becomes clear is that this is not a film that is made for everyone. If you have no knowledge of Rogen’s or Franco’s career and friendship in particular, then this is not the film for you. One of the more frequent points in the film is this friendship and Franco’s love for Seth Rogen. And if you don’t like Pineapple Express (which everyone really should) then you are not going to reap the benefits of the hilarious ‘Pineapple Express 2‘ homemade sequel.

Every major character has their time in the spotlight, each being allowed to let loose, have fun and provide laughs. Jonah Hill, however, perhaps has the most stand out points which you can look at even out of the context of the whole film and enjoy: the Milky Bar scene, the exorcism and the incredibly camp gun scene. Everything he does is fantastic.

“Dear God, it’s me, Jonah Hill… from Moneyball“

The end of the world may be a tired storyline but that only benefits This is the End. With no immediate or heavy concerns with storyline the (half-written) script is allowed to entertain on its own merits. The cast are allowed to live within themselves, push their exciting and over the top performance to the very limits all against the backdrop of destruction. There aren’t many scenes where the laughs die down and there certainly aren’t any jokes that misfire or fall flat.

You will either love it or hate it. This is one of those films. But if you know what’s good for you, you’ll love it.

With most of the biggest summer films come and gone already, it is down to Pixar, giant robots and the least anticipated superhero film of the year to vie for audience attention.

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Now You See Me – 3rd July

A star studded cast embark on a world wide game of cat and mouse to catch a group of ‘Robin Hood like’ magicians turned bank robbers in Now You See Me, which is by far the most exciting film on this list for me.

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The Bling Ring – 5th July

From Sofia Ford Coppola comes The Bling Ring, starring Emma Watson (albeit sounding like an American brat). Inspired by true events, a group of teenagers begin stealing from the rich and famous Hollywood socialites… the whole story is in the trailer pretty much.

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Pacific Rim – 12th July

After what many critics have called ‘the best trailer of the summer’ Guillermo Del Toro’s homage to Japanese monster films has a lot to live up to. And there don’t seem to be many people that think it will fail.

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Monsters University – 12th July

This will be the film that either reassures everyone that Pixar’s last couple of years were just a blip, or confirm what many people fear: Pixar are declining. Hopefully, as Monsters Inc. is probably my favourite Pixar film, the former will be proved correct.

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The World’s End – 19th July

Simon Pegg looks like he’s in the form of his life with the final installment in the Cornetto trilogy. Joined by a rich supporting cast it looks as though Wright, Pegg and Frost will be bowing out in a no less than exceptional manner.

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The Wolverine – 25th July

In a film that not many people want and fewer are excited about (other than me who is quite looking forward to it) Wolverine is taken on his most human and darkest screen voyage to date. However, the main problem here is: if you make Wolverine mortal, surely he dies straight away due to his body being filled with adamantium? But after the massacre to the X-Men film universe that was Origins, I suppose that doesn’t really matter?

Ask the general public who they think the best actor in the world is and you will probably be met with replies varying from Bradley Cooper to Ryan Gosling and, with the release of Man of Steel, you may even hear people citing Henry Cavill as ‘the best actor ever’: the general public are fickle when it comes to actors/actresses and they tend to follow the trends, whoever is ‘hot’ right now will be in the public eye more and the public will be tricked into liking them. I don’t wish to take anything away from the three particular actors I mentioned as I do like all three of them: they all have potential, but are they brilliant actors? I would hesitate to say so just yet.

Now if you’re reading this you probably have an interest in films and will no doubt know who Paul Giamatti is, but as the everyday cinema goer if they like him and the likely response will be “who?”; telling them that he is an Oscar nominated actor will probably not help either. While the likes of Cooper, Gosling and Cavill make headlines and get on the covers of magazines Paul Giamatti goes about his versatile projects with the utmost respect for the people he is working with and for the target audience. Giamatti is an actor that can consistently be relied upon to give great performances and make anything all the more enjoyable for his appearance. The reason why I have decided to write about him now is because of his insistence to ever expand his repertoire and has recently joined the cast of British ITV drama, Downton Abbey.

After slumming it for a few years, Giamatti got his first big break in 1997 when he starred in Private Parts, a role which catapulted him to face after he received a lot of praise for his performance. This led to Giamatti getting more and more supporting roles in big Hollywood films such as The Truman Show and Saving Private Ryan. His rise to fame in Hollywood continued after the turn of the 20th century appearing in Big Momma’s House, Planet of the Apes and Big Fat Liar. Okay, so not all of his films are good, but how often does and actor have a slate with no spills upon it? And anyway, it’s what he did after this that starts to get impressive.

In 2004, Giamatti reminded everybody just how good he is: Sideways. In this independent romantic comedy, Giamatti portrays a depressed writer with a very healthy liking of wine. Now I will admit that when I first watched Sideways I failed to see what the hype was about, nevertheless I recognised that Giamatti was putting in a terrific performance. Alongside Thomas Haden Church (another actor I’ve come to like a lot recently) Giamatti is absolutely wonderful, capturing an incredibly realistic portrayal and offering up moments of drama and comedy in equal share and to equal success. Sideways on the whole became a surprise hit and was nominated for five Oscars which helped the whole cast’s career greatly.

But Giamatti was made to wait for his personal Oscar nomination. That came when Giamatti starred alongside Russell Crowe in Cinderella Man, playing Joe Gould, boxing manager and friend to Russell Crowe’s character. Although he lost out at the Oscars to that little known actor George Clooney (Syriana) Giamatti proved once again that he was one of Hollywood’s finest.

Since then, Paul Giamatti has gone on to vary his career as much as possible in terms of the roles he takes. Whether it be in the great action film Shoot ‘Em Up, the animated The Ant Bully, comedy in The Hangover Part II, drama in The Ides of March or even a musical such as Rock of Ages, Giamatti will give it all and continue to dominate films with his performance. I fail to think of a film appearance by Giamatti in which he has ever failed to live up to my high expectations I have of him: he is just ultimately captivating and always exciting to watch on screen.

There are a huge number of projects in the pipeline (not least Turbo and the latest adaptation of Romeo and Juliet) but arguably most exciting is the fact that he will be appearing in The Amazing Spider-Man 2 as villain Rhino. This could possibly be the best bit of superhero movie casting since Robert Downey Jr. completely stole the hearts of the world as Tony Stark. Early set photos (pre-CGI) look exciting and as if this is going to be another memorable performance from Giamatti. With critical acclaim being fired at him from every angle, it is about time he became a staple in the minds of mainstream cinema-goers. Here’s hoping…

In my opinion, Paul Giamatti is one of the greatest character actors of all time, allowing himself to completely indulge himself in every aspect of his role and this comes across perfectly on screen. Certainly someone to watch in everything he does.

In a comedy film titled The Big Wedding you wouldn’t be thought of as crazy to expect at least one of two things: a big wedding and/or some good jokes. If this is what you’re expecting then you are in for a major shock by the time the end credits begin to roll.

At the centre of The Big Wedding is Alejandro’s (Ben Barnes) marriage to Missy (Amanda Seyfried). Alejandro is adopted and his biological mother is a devout Catholic, therefore when it is announced that the biological mother is to attend the wedding Alejandro’s adopted parents, Don (Robert De Niro) and Ellie (Diane Keaton), are forced to pretend that they are still married, despite the fact they have been divorced for over ten years. Oh the fun that could come from this, right? Wrong!

The film opens with a quite misguided attempt at humour as we are introduced to the three main(?) characters, Don, Ellie and Don’s new girlfriend/Ellie’s best friend, Bebe (Susan Sarandon). The majority of backstory is thrown out of the window early on as the film focusses on introducing the main characters, trying to use humour to get the audience on side: there are no funny moments in this opening sequence, nor in Alejandro and Missy’s meeting with the vicar (Robin Williams), nor in Lyla’s (Katherine Heigl) introduction. You can just about force a laugh when Alejandro’s virgin brother (Topher Grace) is introduced.

The Big Wedding seems to be an experiment as to how much recycled comedy you can put into one film: the storyline seems to be very 80s style humour, the characters have all been seen before and offer nothing new to the storyline, and almost every story beat is predictable, despite how unpredictable the writer/director thinks he is being. Add all of this to the fact that almost none of the characters are really likeable then you know what you’re in for: an hour and a half of wishing the movie is going to take one almighty twist in which the wedding gets attacked by a nuclear weapon. This, unfortunately, never happens.

Early on there seem to be some promising aspects with Heigl and Grace’s interaction being the main source of genuine laughs but this soon fades away and is forgotten about as they have very little interaction at all after the first twenty minutes. A lot of the time, even in a bad comedy you can see what the film is attempting to do, you can see the potential. There isn’t even any real smidge of potential here, however.

The characters are, on the whole, very unlikeable; the plot is completely predictable for the most part; the acting is very poor, in particular Ben Barnes, while Amanda Seyfried is completely wasted in a nothing role; and the dialogue feels horribly forced and back to front.

The Big Wedding tries so hard to load in multiple story lines and in a last ten minutes that feels so rushed, these story lines are given very little time to come to natural solution and the films seems to jerk awkwardly towards the finishing line: this makes The Big Wedding, in actuality, seem more like a big waste of money.

Believe it or not Cameron Diaz has been nominated for four Golden Globes during her career. However, it is less surprising to find out that these nominations came earlier in her career and her last one was actually in 2002 for Gangs of New York. Since then, she’s been more miss than hit with the likes of What Happens in Vegas, Knight and Day, The Green Hornet and The Box (called the worst movie ever upon release) all being panned by critics and shunned by audiences. When released in 2011, Bad Teacher made substantial profit grossing over $200million, but does the film warrant the commercial success?

The short answer is “no”. The longer answer is “no way!”. Cameron Diaz is the titular bad teacher Elizabeth Halsey who we meet leaving the school after just a year to get married to a really rich man so she never has to work again. However, when she returns home from school her fiance ditches her for that very reason and she is forced to return to her job as a teacher, the only thing she knows how to do (so how bad she is at everything else is anyone’s guess).

Elizabeth Halsey is arguably the worst ‘protagonist’ ever to grace the screen. She is a wholly unlikeable character and the combination of horrible writing and Diaz’s ‘sex sells’ performance make you beg for her comeuppance, which unfortunately never arrives (another flaw in the film after the lengths she goes through). But whoever thought that a gold-digging bimbo whose only ambition in life is to get a boob job and be lazy is a likeable character needs to be seriously punished.

When Halsey returns to the school we are introduced to Amy Squirrel (Lucy Punch) who seems to be an all round nicer character than Halsey and a moral compass in a world of wholly messed up characters (minus the gym teacher played by Jaseon Segel). However, about half way through Bad Teacher, the story changes and you end up disliking Amy Squirrel, meaning you are left with two horribly poor characters to watch in a tussle that you really could not care less about.

There are more laughs than expected but they fall well short of memorable. In fact, the only reason that they are funny could well be because they are placed against this canvas of nothingness. The children, or even Diaz’s interactions with the children, should be a source for much of the comedy but nothing is really ever made of this. There are references to other things that will be lost on many audiences.

Bad Teacher is a slightly entertaining joyride that seems to be cashing in on Cameron Diaz’s attempts to still look sexy. A few jokes hit the spot but the majority leave a horrible rotting taste in your mouth.

Plot: A New Jersey guy dedicated to his family, friends, and church, develops unrealistic expectations from watching porn and works to find happiness and intimacy with his potential true love.

Don Jon (previously known as Don Jon’s Addiction) marks the feature length directorial and writing debut of Hollywood nice guy Joseph Gordon-Levitt, making it one of the most exciting movies yet to come (no disgusting pun intended) this year.

Reviews from films festivals have been positive with Don Jon being cited as making Gordon-Levitt one of the hottest new directors around. He’s already proven his versatility with all his work done through hitRECordJoe and he just looks amazing in this new trailer.

The trailer provides a great introduction to the life of Jon and his less than healthy addiction and provides some really good laughs, making it a must see for any fans of comedy films with heart and all fans of Joseph Gordon-Levitt. And if that’s not enough there are even cameo appearances from Anne Hathaway, Channing Tatum and Cuba Gooding Jr.

Born Emily Jean Stone the young actress took on the name Emma when registering with the Screen Actors Guild due to there already being an Emily Stone registered. That’s a nice little fact not many people will be too aware of. Anyway, Emma Stone is just one of a new wave of actresses who are currently winning critics over and gaining fans with every performance they put in. In this category I place Stone with the likes of Jennifer Lawrence, Michelle Williams and Carey Mulligan among others. But there is something different that sets Emma Stone apart from the rest; she has a very distinct and intriguing appeal.

Emma Stone got her first leading role in 2010’s Easy A, a film which focusses on the novel A Scarlet Letter and parallels that with the main character’s life: Olive, played by Emma Stone. I believe that Stone’s performance here is a clear example of just what a wonderful actress she is to watch. Olive is caught up in a web of lies after just trying to shut her friend up by telling her that she has lost her virginity, when in fact she has not. All of this gets out of hand and pretty much ruins Olive’s life. But the way the story is told is from Olive’s first person perspective, already giving us Stone’s narration. As well as this the film uses the narrative device of Stone talking into her webcam (which becomes the screen). This makes Stone’s performance just seem incredibly relaxed and natural and allowing the audience to see her in this way brings us a lot closer to the character and, in effect, Emma Stone herself. Her performance is full of vibrancy and sarcastic humour, outshone only by the frankly quite incredible Stanley Tucci.

Before Stone’s Golden Globe nominated performance in Easy A she was already making a name for herself in the comedy genre. Stone’s first film role was in Superbad, a film that began a new era of comedy films. After Superbad she appeared in a few, shall we say interesting films: The Rocker, The House Bunny and Ghosts of Girlfriends Past (but let’s not judge her) before getting back on the right track with Zombieland. Also worth noting, Stone actually auditioned for the role of Claire Bennett in Heroes but obviously lost out to Hayden Panettiere who really impressed casting directors: I would have much preferred to have seen Stone in the role though. But anyway…

Emma Stone’s career has continued to go from strength to strength and she has proven that she is not just a one trick pony, despite being more than comfortable and one of the funniest women in comedy film at the minute. She had supporting roles in Friends With Benefits and Crazy, Stupid, Love (where she would work with Ryan Gosling for the first of quite a few times over the next couple of years) before joining The Help. The Help features an ensemble cast of actresses, not one of whom puts a foot wrong in terms of their performance here. Stone joins the likes of Jessica Chastain (another relatively new actress who is just exceptional at her craft), Octavia Spencer, Bryce Dallas Howard and Viola Davis. Stone’s performance helped The Help win many nomination and awards for it’s cast’s performances.

With The Amazing Spider-Man, Emma Stone became the latest actress to join the superhero film genre. However, unlike the latest incarnations of Pepper Potts, Lois Lane and Rachel Dawes we have seen, Stone’s Gwen Stacy was not the typical damsel in distress as she could more than hold her own; standing up to Flash, being incredible stubborn in an attempt to save New York that could have seen her killed as well as smacking The Lizard over the head during a fight with Spider-Man. Then Stone joined a much more testosterone fuelled ensemble in Gangster Squad, joining Ryan Gosling, Sean Penn, Josh Brolin and Anthony Mackie. She recently lent her voice to the prehistoric animation film from DreamWorks: The Croods.

I think you would have to go a long way to find any young actress working today with the combination of talent and on screen charisma that Emma Stone has. She has a wonderful presence on screen with a beautiful charm about her and her career shows no signs of slowing anytime soon. Next year will see her reprise her role of Gwen Stacy in The Amazing Spider-Man 2, while Birdman (from the director of 21 Grams and Babel) is in pre-production. She is also signed on to star in Guillermo Del Toro’s exciting Crimson Peak which is snapping up a superb cast in the form of Benedict Cumberbatch and Jessica Chastain.

Hopefully we will get to see Emma Stone taking the lead in more and more films over the next few years but for now I am happy enough seeing her play supporting roles if she continues to be as good as she is right now!

Plot: A freak accident might just help an everyday garden snail achieve his biggest dream: winning the Indy 500.

With DreamWorks’ The Croods in cinemas this week, here is the trailer for the next DreamWorks animated film due for release later this year, with a quite frankly ridiculous plot of a snail trying to compete in the Indy 500 against real life cars… ridiculous…

Ridiculous but FANTASTIC. This is the kind of plot that can only work in animation and the trailer shows all signs of it being a hit for the slightly misfiring DreamWorks. They’ve put together a solid voice cast along with screenwriters who have previously worked on Shrek Forever After, Jack the Giant Slayer and The Wrestler.

What is clear from the trailer is that this is going to be a brilliant journey that audiences are going to be taken on and it’s going to be, probably, one of the feel good films of the year. The animation looks great as you would expect, the story is interesting, the cast is great, the laughs are there in the trailer. What’s not to like?