作业代写：The artistic context of defamiliarization

下面为大家整理一篇优秀的paper代写范文- The artistic
context of defamiliarization，供大家参考学习，这篇论文讨论了陌生化的艺术语境。陌生化，指的就是把人们熟知的事物以一种陌生的眼光或角度重新加以观照和传达，以重新造成一种新鲜感，重新唤醒人们对这个事物的认知和体验。陌生化作为艺术语境的存在是具有其合理性，对艺术有一定的发展意义。

The
so-called "defamiliarization" refers to the re-observation and
communication of something known to people with an unfamiliar perspective or
Angle, so as to re-create a fresh feeling and re-awaken people's cognition and
experience of this thing. It is a literary view put forward by the Russian
formalist theorist shklovsky, and later used in the entire literary art world.
With the change of multi-function reference and extension of visual art, it
greatly expands the development space of visual art carrier, and also causes
some internal changes of the same visual art form.

The
theory of "defamiliarization" is a concept of aesthetic experience
proposed by Russian formalist literary theorist shklovsky at the beginning of
the 20th century, and an important content of literature. Later, it has been
applied to the whole literature and art circle and exerted an important
influence in the world.

"Defamiliarization"
theory is compared with the traditional, familiar schemata from the perspective
of the aesthetic habits and people become accustomed to, for the visual arts,
presented to the viewer in a familiar face usually do not produce intense
stimulation, cannot cause the enough attention of people, and with the unique
perspective of thinking mode in which life has alienated or with normal
abnormal image, often can guide people to know things with fresh eyes.

"Defamiliarization"
is the fundamental reason why art is different from real life. Visual art is
not only an illustration of real life, but should have more connotations than
the abstract nature of real life. Defamiliarization is precisely the use of
this unusual stimulus factor, and obtains novel ideological meaning, and
presents in real life with more exciting images. The visual impact caused by
this inhomogeneity with reality is exactly a kind of expansion and enrichment
of visual experience for artists to master spatial characteristics skillfully.

Art,
in composition, painting language, theme, etc., there are many application art means
or defamiliarization works innovative technical skills, such as bizarre,
artistic means such as deformation, deformation and decompose the people and
things, in the form of a novel bizarre language and, upset things between logic
and make the work to reach an unfamiliar feeling and the effect of
defamiliarization. And let the viewer through the grotesque picture, produce a
kind of psychological distance, to seek after the anti-normal nature of the
world social life.

Since
the reform and opening up, western modern art has poured into China like a
flood. Chinese society is moving towards opening-up and the economic system is
further reformed. Meanwhile, the role of artists is also changing quietly and
the awareness of individualism is beginning to increase. The change of artists'
identity has greatly released the freedom of artistic creation. When artists
create, they not only have a broader perspective of observation, but also
explore the way of personal painting language, which gradually cuts into the height
of contemporary culture. In terms of the theme and theme of creation, they
began to pay attention to the contemporary atmosphere, concept and daily life
with strong individualism tendency, modern urban cultural plot and even the
intervention of personal inner feelings.

Oil
painting is a kind of visual art, which is the re-creation of aesthetic
psychology for the appreciators. The defamiliarization art works leave the
audience space for imagination and re-creation. Aristotle of ancient Greece
said in his writings: "it is good to impart an unusual atmosphere to
ordinary language, and people like to be moved by unusual things." In oil
painting, see more common and painting language has been strengthened, and the
distortion, upside down and become alienated, because of the alienation effect,
make daily life becomes "stranger", people in the art feelings at the
same time, get rid of the narrow way of daily, for the viewer is a kind of
recognition and respect of self-realization, cast off the yoke of the established
visual experience, enjoy the defamiliarization of strange experiences. The
acceptance aesthetics master jauss further interprets the formalism
"defamiliarization" and applies it to the study of reader acceptance.
Jauss repeatedly spoke of "aesthetic distance" and rarely mentioned
"defamiliarization", he said: "if people put the established
between expected visions and new works appear inconsistent described as
aesthetic distance, then to accept the new works can through to the familiar
experience negative or by increase the new experience to consciousness level,
brought about changes in the field of vision." The
"defamiliarization" that the artist advocates entering the art
language state from the daily language state, and the audience's understanding
and cooperation are the premise for the artistic work concept to take effect in
a specific cultural atmosphere.

Oil
painting is the medium between the painter and the appreciator, and it is the
defamiliarization of the unique visual context of oil painting that makes the
real world behind oil painting become strange when the painter creates and the
appreciator appreciates the work. How defamiliarization manifests itself in the
works naturally becomes the focus of our attention. In the case of daily oil painting
language, people's observation and attention to reality become dull and dull.
Requires the adoption of defamiliarization in contemporary oil painting
painting language increase the difficulty of the feel about work and the length
of time, makes the inertial thinking is unique and defamiliarization of
painting language also is not the extent of painting language, should be on the
current state of culture, the viewer acceptance, the restructuring of language
change is the comprehensive reflection of many factors such as. If there is no
real emotion and thought, just taking the painting language of
defamiliarization as a purpose of making a living, it will be separated from
life and the painting itself.

In
today's prevailing contemporary art, "defamiliarization" in the form
of art has been rarely noticed, and it is no longer "unfamiliar" to
be exact. In this case, "defamiliarization" in the form of art may be
despised by people. However, the existence of "defamiliarization" as
an art context is reasonable and has certain significance for the development
of art. As long as it is still relevant to The Times, it should be paid more
attention to.