... the physicality of certain paintings is echoed in the frames obtained with wood and metal nets, often objects of recovery loads of the added value of the past that they contain in themselves. Wood is emblematically a bridge between what has been and the reuse that has been made of it. In his works, often, Federico Bollo takes some mythological figures in a dreamlike vision in which the stain becomes man or animal, in which the anatomical parts become stains. The incisions are more reflected in the character of Federico; unable to stop and reproduce, he reprimands the same plate several times, reworking it and modifying it in a continuous evolution. ...