Extractions: Content from our trusted partner BNET Get your own CNET Networks Widget. Content provided in partnership with Continued from page 15. Previous Next 4. Bazzana, 3. See also Friedrich, 5 and passim. 5. Peter Morris, "In Our Own Eyes: The Canonizing of Canadian Film," Canadian Journal of Film Studies 3.1 (1994): 27-44. See also his "The Uncertain Trumpet: Defining a [Canadian] Art Cinema in the Sixties," CineAction 16 (1989): 6-13. 6. Morris, "In Our Own Eyes," 36, with reference to Peter Harcourt, "The Innocent Eye: An Aspect of the Work of the National Film Board of Canada," Sight and Sound 34.1 (196465):19-22. See Harcourt's response, "Roads Not Taken, Avenues Not Explored: Confessions of an Unconscious Canonizer," Take One 8 (Summer, 1995): 20-26. The point here is not to dismiss these formative efforts of cultural engagement, but to interrogate that which is "unconscious" in these assumptions of value. After all, film teachers, critics, and programmers are well-positioned to shape the canon and cannot simply abdicate that function under the guise of responding to the films that happen to be readily available for classroom screening.

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