For anyone that doesn’t know, can you explain a little about your career and what your highlights have been so far?

Well, for me, doing Our Ladies has been the highlight. I’ve covered so many career goals on this job, from working with National Theatre of Scotland, performing at the National Theatre, touring internationally and now working in the West End. Plus originating a role is a pretty special experience. It’s been the job that has kept on giving, to be honest.

Before I started Our Ladies, and during the breaks we’ve had, I’ve been lucky to do some really diverse work where I’ve learned so much. I’ve worked at Pitlochry Festival Theatre for a year, played Lulu in a series of radio dramas and performed with companies like the Royal Lyceum in Edinburgh. These experiences give you the chance to really learn what it is to be an actor.

Were you born wanting to be a performer or did you have another career path in mind when you were younger?

I always has lots of energy as a child and was sent to dance lessons to tire me out. I come from a musical family so was always exposed to different types of music, although I didn't really know anyone who had acted professionally. I loved doing amateur dramatics and going to acting classes when I was little, but I had always wanted to be a lawyer until I sort of fell into doing the arts. I went to a Knightswood Secondary, which has a performing arts school attached, and knew then that I had to go down that path.

Our Ladies is just epically brilliant. When you first started working on it did you know it was something special?

I think that we were all so excited with this piece we had made that we weren’t really thinking about how much of a hit it might be. We certainly couldn't have imagined the success that we have had over the 2 years of doing it. The team that are on it are amazing and we were having such a good time creating this piece of theatre that was totally different to anything anyone had done before. But the reception that we got on our first night at the Traverse is something I’ll never forget.

I saw the show at both The National and at the Duke of York and it didn’t lose any of it’s intimate feel or charm. Does the way you work and rehearse change for different venues?

The show relies so much on story telling so whether you are in a small 100 seat venue or an 800 seat venue, that principle stays the same. What changes is how much you have to project in each venue, but as long as you think about telling the story to the person at the very back or top of the theatre, you can’t go wrong.

There are so many styles of music in the show. Does this come naturally or did you have to learn to sing different styles?

I’m trained in different vocal styles, but rarely do you have to mash them together in one show. It’s tiring on the voice, but once you build up the stamina, it becomes much easier.

How do you keep your voice healthy?Do you have any vocal rituals?

We always do a big group warm up together before the show which gets you ready. It’s really important to rest when you can. I’ve also got a vocal steamer helps stop your voice drying out.

Besides yourself, who would you like to see play your role?

I’m a big fan of Morven Christie. She’s seen the show and tweets about it a lot. I think she’d fit right in with us girls.

Can you sum up Our Ladies in five words?

Bold; life-affirming; hilarious; heartbreaking; female

Have you had any funny onstage or offstage mishaps in the show?

Often! We are always laughing at each other on stage. I remember going on with my mic on the outside of my clothes. The other girls didn't tell me until quite a bit through the show. I didn't know what they were laughing at until I eventually realised, and by that point, it was too late.

Is there a musical or play you’ve seen recently that you loved?

I’ve been able to see quite a lot of theatre this summer while I’ve been in London. I loved The Glass Menagerie and Half a Sixpence - both very different, but both brilliant.

Whats a fun fact people might not know about you?

I work as a fitness instructor in my spare time. Its a great job when I’m not acting as its flexible, plus I can fit classes in during the day when I’m working in a show.

What’s your best piece of advice for an aspiring performer?

Every opportunity is a good opportunity. Whether you're at youth theatre, am-dram, drama school or a professional show, you can learn from every experience. Listen to any advice you can get and never be scared to ask for help.

A huge thank you to Kirsty for doing this interview!

Our Ladies of Perpetual Succour runs at the Duke of York's until September 2nd 2017

I am an absolutely massive fan of Our Ladies of Perpetual Succour (it was number 5 in my Top 10 Shows of 2016) and its incredible cast. One of its members is Karen Fishwick who plays the role of Kay spectacularly. She embodies various other characters brilliantly and is just a fantastic performer. Karen was lovely enough to sit down and answer some questions and the show, the music and advice for aspiring performers.

For anyone that doesn’t know, can you explain a little about your career and what your highlights have been so far?

I went straight from high school to Motherwell College where I did two years of Musical Theatre (HND) and rounding off my BAhons on the Acting course. Before that, all through high school my summers were filled with any creative short courses I could possibly apply for - acting, opera, contemporary dance, circus. I wanted to do it all. I think these were valuable training without noticing it at the time.

Were you born wanting to be a performer or did you have another career path in mind when you were younger?

It was always there though I do remember a brief spell of hoping to become a zoo keeper. I remember playing defense on the school football team; everyone chased the ball to the other end of the pitch while I'd stand there on my own and sing. And thus my dazzling football career came to an end.

Our Ladies is just epically brilliant. When you first started working on it did you know it was something special?

Thanks, that's kind. No, I mean, you never know do you? You, of course, always hope a piece will be received well but if you go in thinking "this could be the next big hit" you're kinda focussing on the wrong thing. When I first read it, I was amazed at how different it was to anything else I'd ever auditioned for and that was thrilling. That made it stand out for me. I don't remember rehearsing and thinking oh wow, this is going to be nuts. It was really hard work, that's all we were thinking. Gotta nail this bit, then this bit. When the first audience response came at the Traverse in 2015, that was the moment. I'll never forget it.

I saw the show both at The National and at the Duke of York and it didn’t lose any of it’s intimate feel or charm. Does the way you work at rehearse change at different venues?

Absolutely. With every single new venue we played, as soon as we got onto the stage it was "ok, what are we dealing with here". We need to know there isn't one corner we'll miss flinging this story at. Eye-balling the audience is one of my favourite parts of the show. The sound would feel different depending on how big or small and venue was. The huge rock moments or intimate confessions need to carry the same wether we're at the brilliantly close Live Theatre in Newcastle or the Theatre Royal in Brighton. Vicky always made sure it was the first thing we'd address.

There are so many styles of music in the show. Does this come naturally or did you have to learn to sing different styles?

A mixture, I think. The classical to rock stuff has different demands. Even within the ELO numbers themselves, they're songs are eclectic! Martin Lowe, our beyond wonderful MD leaves no stone unturned there and we worked hard with him on each sound. His attention to detail for each different style is what makes the show so successful.

How do you keep your voice healthy? Do you have any vocal rituals?

I didn't sing in the play I did before this so a few weeks before we started rehearsal, I made sure I was strengthening it up. I found YouTube videos for that (thank you Verba Vocal Technique). I drinks tonnes of water and try to keep on top of tension in my neck and shoulders. Steaming is good. And not being hungover.

Besides yourself, who would you like to see play your role?

Can I pick anyone? Christopher Walken.

Can you sum up Our Ladies in five words?

Messy. Honest. Loud. Touching. Empowering.

Have you had any funny onstage or offstage mishaps in the show?

For sure. I panicked and took off one shoe once. Did a couple scenes without it. I really didn't know when I'd be able to put it back on. Another time, I accidentally threw a box of candy sticks straight into the face of a girl sitting on stage. Other venues didn't have a chair there, it was muscle memory gone daft! She lived.

I freaking loved Book of Mormon! I thought it was so funny and done so well. There's so such much I wanted to see but can't make; Angels in America, Hamlet.

What’s a fun fact people might not know about you?

My great, great, great, great grandfather was a tiny little mushroom.

What’s your best piece of advice for an aspiring performer?

If you work as hard as you possibly can, you will not fail. You will not. What about luck? Work hard to generate it. Nothing will happen if you don't work for it.

A huge thank you to Karen for doing this interview! Keep your eyes peeled for another Our Ladies interview coming soon!Our Ladies of Perpetual Succour runs at the Duke of York's until September 2nd 2017

When I sawOur Ladies of Perpetual Succour last summer at the National Theatre I instantly adored it. I started praying for a transfer and telling anyone who would listen to go and see it. I gave it the number six place in my top shows of 2016, five stars in my original review and was overjoyed when it scooped up the Olivier Award for Best New Comedy. I'm pleased to say that I loved it just as much the second time in it's new West End home: The Duke of York's and will be raving to everyone again to snap up a ticket!

Our Ladies is exactly what the West End needs right now, it's a fresh, exciting, fun and unique theatrical experience for all ages (...well most ages!) The show manages to be angelic, vivacious, electric and foul-mouthed at the same time and more than anything is a celebration of females.

The six superstars of the show play every single character in the narrative, from their choir master, hilariously named Condom to a series of suspiciously shady middle-aged men. The girls are backed by an all female band who accompany the fantastic musical interludes. The girls are outgoing and dramatic but behind all of that have their own fears for their futures and impending adulthood.

The girls are absolutely wonderful, not only being hilarious in the comedic moments, but quiet and sentimental in more emotional scenes. They all have incredible voices too, moving seamlessly from Bartók to ELO with emotion, energy and poignancy. Isis Hainsworth is sincere in her portrayal of Orla who has just come back from a 'miracle' cancer recovery at Lourdes, Karen Fishwick is extremely versatile as Kay, switching from on the floor drunk to heartbreaking honesty perfectly. Caroline Deyga as Chell is hilarious and larger than life and Kirsty MacLaren as Manda is just lovely! For me, Frances Mayli McCann (Kylah) and Dawn Sievewright (Finnoula) are the standouts of the group, with absolutely stunning voices and completely faultless performances, but the entire cast are perfect and work together like real life school friends, creating an extremely realistic albeit extremely shocking portrayal of growing up.

Directed by Vicky Featherstone and at an hour and fourty five minutes, Our Ladies of Perpetual Succour provides a tight-knit, laugh out loud, heartfelt story of six girls making their way through life. The raw authenticity generates a warm and relatable vibe of no strings attached purity and fun. Our Ladies is an unmissable production which I highly recommend you go and see!

Our Ladies of Perpetual Succour runs at the Duke of York's until November 2nd 2017Book tickets for Our Ladies or any other show with TodayTix and receive £10 off with my code: https://www.todaytix.com/refer/TFKMJ/

Without repeats, I saw 59 different shows this year so compiling this list has been difficult to say the least! This has been a brilliant year for theatre and through this website I really feel that I've become a part of the theatre community. 2016 has seen some brilliant big budget shows as well as smaller fringe ones, many of which have thrilled me. This list is of the shows that stuck with me long after I'd seen them and that I feel are very resonant in our 2016 world. This will probably be a bit of a long post, I have a whole year to fit in after all, so grab yourself a cuppa and some biscuits and enjoy!

This list is in reverse order, cause we all need that extra bit of excitement in our lives.

One of Paul Taylor-Mills' incredible productions of 2016. The music was performed beautifully and the touching and heartbreaking story of conjoined twins Daisy and Violet was told sincerely and gracefully by Laura Pitt-Pulford and Louise Dearman.

Did anyone not like this show? All I heard were incredible reviews and rightly so. An exciting and refreshing revival of a much loved Classic which ticked all the boxes of a hit musical. Charlie Stemp is talent on another level. I'm sure we'll be hearing plenty more good things about the show and cast in 2017!

This was my first visit to The Union Theatre and wow was it a good first. I absolutely adored this show. I was completely unfamiliar with the music and was just blown away by it. The cast were sublime and the story telling was impeccable. I'm sure this would be a huge hit if more people got to see it.

27 must have been one of the most hyped musicals of 2016 and I could certainly see why when I saw it. It's a musical like I've never seen before, so fresh and different to what's currently on the West End stages. The plot twist at the end had me physically breathless, a stunning piece of artistry.

This was another small show but it definitely packed more than a small punch. It was sweet, pink, sassy and sumptuous. One of those shows which really made you think and reflect on your life. Lauren Samuels gave a standout performance!

I saw this show alone so the minute I stepped out of the theatre I called my friend to fangirl about it like a mad woman. I was completely awestruck by the whole performance. It was moving, funny, relevant and thought-provoking. The use of songs was done smoothly and effectively and it was overall just an A* worthy production.

This was the perfect treat to see just before Christmas. Although the story is slightly dated and everything is a little over the top, it's a fantastic production full of sweetness, heartbreak and love. Scarlett Strallen's performance was absolutely impeccable and nothing short of perfection. With the amount of people I've told to see this, I wouldn't be surprised if it gets a West End transfer in the near future.

I've grown up with Rent so finally seeing it on stage was a very special experience for me. Each cast member is fully immersed into their roles and the whole production is raw, gritty and believable. Philippa Stefani gives the performance of a superstar and had me in floods of tears. The production will continue to tour next year and I'll certainly be seeing it again so don't be surprised if it features in my top 10 of 2017 too!

The St James theatre was on fire this year! The Last Five Years is another one which I've wanted to see on stage for years. Jason Robert Brown's story is heart-warming and heart-breaking at the same time. It's always a joy to see Samantha Barks on stage and seeing her shine as Cathy was even more wonderful because of how incredibly she showed off her effortless belt and sincere acting. The wonderful mix of simplistic staging, the stellar duo of Barks and Bailey and Jason's beautiful music, rightfully earn The Last Five Years my number two spot!

1.Dreamgirls:Savoy Theatre

If you haven't heard about Dreamgirls' triumphant return to the West End then you must have been living in a cave. This was the 2nd to last show I saw and I couldn't be happier that I could end the year on such a fantastic note. This has got to be the theatrical spectacle of the year, the sets, costumes, choreography and cast are all exquisite and I cried a bucket load of happy tears, which I never do! Go see Dreamgirls in 2017, I guarantee you'll leave singing it's praises!

So there's my top 10 shows, of course there's other brilliant ones and I'm sure your list varies but this has been a brilliant year for theatre and I can't wait to see what 2017 brings *cough* Hamilton *cough*

But wait, where's that other show that I've been posting and tweeting about like crazy and have seen 32 times!? I haven't forgotten it, I just wanted to give it a special mention because its such a special show. So my "The Show Which Changed My Life: 2016" award goes to IN THE HEIGHTS at the Kings Cross Theatre! I've done a billion posts on it (just search it on the homepage) so I don't need to write any more soppy words but this show has seriously been my everything this year. I've met incredible people from it, both fans and cast members and I'm so incredibly grateful for that. Unfortunately I won't be at the last show as I'm in Australia (boo hoo, woe is me, right?) but I'm so sad its closing, and I'm sending all my thoughts and positive vibes to the theatre gods that they will bring it back because I will never be ready for the lights to go down on Washington Heights! Thank you In The Heights for being there and helping me and I'm sure many others, through tough times and making us feel at home in the theatre. Even if you had no idea how you were helping, I guarantee you made some tough days just that much easier. No pare sigue sigue!

I hope you had a brilliantly theatrical year too and I'd love to hear your favourites so drop me a comment on here or tweet me @OliviaMitche or @RewriteThisWeb

If you love the feeling of leaving the theatre in a mass of smiling, contented, glowing audience members then this is 100% the show for you. Its an hour fifty minute show with hilarious dialogue and exuberant singing which combines music by Jeff Lynne, Handel and more, all of which contrast and take you on the journey of these girls. The show, an adaptation of Alan Warner's 1998 novel The Sopranos is an absolutely joyous time and a celebration of life and living.