This is a collection of information copied from the wikipedia interspersed with some Psychedelic Photographic art pieces.

But first Here is an original poem Inspired By Salvia Divornium Followed By a Link to a Short Film

Ok let’s get up I’ll just get the over by this gotta get the
keys are over near the OK NOW i’ll just get out of this.
Wait! Ok I’m sitting here in the car and I have the lighter
and my wallet and I ‘m just gonna get my coat and I’ll be
I am I’m getting out of the
wait did I just drop
I’m getting out of the car

and here I’m getting out of the car
I’ll just be getting out of the
and there
oh here go the feet
Ah I can breath
I’m getting out of this
I can feel the other thing
coming over the top but It’s not

wait I’m getting out
I’ll just swing my way up out of the car
ah I can breath again
getting out
this is the thing isn’t it
here we go getting out
Hey look
I’m over here I’m getting out
just like you

we all get out
getting out of the car I’m
there see
there
it was
ah I can breath
I’m getting
got out
wow ah
breath deep
now they are all up
all up all over
we got out up
swung right up and popped down here
right next to this car

we all get up
swing
right next to the car see
ah what a deep breath and we swung right up

This concept may be related to a tendency for the brain to imagine living entities during certain altered states[citation needed]. The best example of this is the extremely common feeling of a living presence during sleep paralysis (which has been theorized as the origin of the succubus, as well as a common theme in many alien abduction stories). However, Terence McKenna and Dr. Rick Strassman have both asserted the sense of reality of the experience is distinct from ordinary hallucinatory experiences, leading both researchers to speculate that perhaps the physics of many worlds is involved.[1]Jacques Vallee has proposed that the entities met may be of an interdimensional nature in his interdimensional hypothesis.

James Kent has put forth a different explanation for machine elves.[3] Kent postulates that the DMT landscape is simply disrupting or “editing” our processing of visual information and causing a chaotic interpretation of it inspired by hyperactivephosphene activity. The brain may fill in the blanks and since we all have an affinity for anthropomorphic things, a humanoid entity may appear out of all this chaos. Our “imaginal workplace” will take the center stage in brain activity, allowing internal data to be interpreted as external stimuli.

When reflecting upon his mescaline experiences Aldous Huxley suggested that there was something, which he called Mind at Large, which was filtered by the ordinary functioning of the human brain to produce ordinary experience. [4]

At about minute one or two of a DMT trip, according to McKenna, one may burst through a chrysanthemum-like mandala, and find:

There’s a whole bunch of entities waiting on the other side, saying “How wonderful that you’re here! You come so rarely! We’re so delighted to see you!”

They’re like jewelled self-dribbling basketballs and there are many of them and they come pounding toward you and they will stop in front of you and vibrate, but then they do a very disconcerting thing, which is they jump into your body and then they jump back out again and the whole thing is going on in a high-speed mode where you’re being presented with thousands of details per second and you can’t get a hold on [them …] and these things are saying “Don’t give in to astonishment”, which is exactly what you want to do. You want to go nuts with how crazy this is, and they say “Don’t do that. Pay attention to what we’re doing”.

What they’re doing is making objects with their voices, singing structures into existence. They offer things to you, saying “Look at this! Look at this!” and as your attention goes towards these objects you realise that what you’re being shown is impossible. It’s not simply intricate, beautiful and hard to manufacture, it’s impossible to make these things. The nearest analogy would be the Fabergé eggs, but these things are like the toys that are scattered around the nursery inside a U.F.O., celestial toys, and the toys themselves appear to be somehow alive and can sing other objects into existence, so what’s happening is this proliferation of elf gifts, which are moving around singing, and they are saying “Do what we are doing” and they are very insistent, and they say “Do it! Do it! Do it!” and you feel like a bubble inside your body beginning to move up toward your mouth, and when it comes out it isn’t sound, it’s vision. You discover that you can pump “stuff” out of your mouth by singing, and they’re urging you to do this. They say “That’s it! That’s it! Keep doing it!”.

We’re now at minute 4.5 [of the trip] and you speak in a kind of glossolalia. There is a spontaneous outpouring of syntax unaccompanied by what is normally called “meaning”. After a minute or so of this the whole thing begins to collapse in on itself and they begin to physically move away from you. Usually their final shot is that they wave goodbye and say “Deja vu! Deja vu!”.

The term psychedelic is derived from the Greek words ψυχή (psyche, “mind”) and δηλείν (delein, “to manifest”), hence “mind-manifesting”, the implication being that psychedelics can access and develop unused potentials of the human mind.[1] The word was coined by Humphrey Osmond, loathed by Richard Schultes, but championed by Timothy Leary.[2]

The word psychedelic (From Ancient Greekψυχή (psychê) mind, soul + δηλος (dêlos)manifest, reveal + -ic) was coined to express the idea of a drug that makes manifest a hidden but real aspect of the mind. It is commonly applied to any drug with perception-altering effects such as LSD, psilocybin, DMT, 2C-B, mescaline and DOB as well as a panoply of othertryptamines, phenethylamines and yet more exotic chemicals.

The term “psychedelic” is used interchangeably with “psychotomimetic” and “hallucinogen”,[4]thus it can refer to a large number of drugs such as classical hallucinogens (LSD, psilocybin,mescaline, etc.), entactogens (e.g. MDMA), cannabinoids and dissociative drugs (e.g.ketamine). The classical hallucinogens are considered to be the representative psychedelics and LSD is generally considered the prototypical psychedelic.[4] In order to refer to the LSD-like psychedelics, scientific authors have used the term “classical hallucinogen” in the sense defined by Glennon (1999): “The classical hallucinogens are agents that meet Hollister’s original definition, but are also agents that: (a) bind at 5-HT2 serotonin receptors, and (b) are recognized by animals trained to discriminate 1-(2,5-dimethoxy-4-methylphenyl)-2-aminopropane (DOM) from vehicle.[5] Otherwise, when the term “psychedelic” is used to refer only to the LSD-like psychedelics (a.k.a. the classical hallucinogens), authors explicitly point that they intend “psychedelic” to be understood according to this more restrictive interpretation (e.g. see Nichols, 2004).[6]

One explanatory model for the experiences provoked by hallucinogens is the “reducing valve” concept, first articulated inAldous Huxley‘s book The Doors of Perception.[7] In this view, the drugs disable the brain’s “filtering” ability to selectively prevent certain perceptions, emotions, memories and thoughts from ever reaching the conscious mind. This effect has been described as mind expanding, or consciousness expanding, for the drug “expands” the realm of experience available to conscious awareness.[citation needed]

Psychedelic effects can vary depending on the precise drug and dosage, as well as the set and setting. “Trips” range between the short but intense effects of intravenous DMT to the protracted ibogaine experience, which can last for days. Appropriate dosage ranges from extremely low (LSD) to rather high (mescaline). Some drugs, like the auditory hallucinogenDiPT, act specifically to distort a single sense, and others have more diffuse effects on cognition generally. Some are more conducive to solitary experiences, while others are positively empathogenic.

Though the natural drugs have a long history of use and usually have an extensive study profile aside from the mortality rates of the drugs, in recent times there has been large production of hundreds of virtually unstudied psychedelics (JWH-018, CP 47,497, DPT, TFMPP, 2C-T-7, 2C-H, Methylone, N-Methyl-N-isopropyltryptamine (MIPT), and AL-LAD to name a few) that may be potentially harmful. This is especially the case with the designer drugs in the psychedelic-amphetamine class. Because of this factor, one should not make the generalization that all psychedelics can not be potentially harmful at normal doses.

Hallucinogenic substances are among the oldest drugs used by human kind, as hallucinogenic substances naturally occur inmushrooms, cacti and a variety of other plants. Numerous cultures worldwide have endorsed the use of hallucinogens in medicine, religion and recreation, to varying extents, while some cultures have regulated or outright prohibited their use. In most developed countries today, the possession of many hallucinogens, even those found commonly in nature, is considered a crime punishable by fines, imprisonment or even death. In some countries, such as the United States and theNetherlands, partial deference may be granted to traditional religious use by members of indigenous ethnic minorities such as the Native American Church and the Santo Daime Church. Recently the União do Vegetal, a Christian-based religious sect whose composition is not primarily ethnicity-based, won a United States Supreme Court decision authorizing its use ofayahuasca.