Casio EX-Z100, EX-Z200: First 28mm equiv. for Casio

CES 2008: Casio's EX-Z100 and EX-Z200 are 10.1 megapixel compacts featuring, for the first time on a Casio, 28 - 112mm equivalent zoom lenses. Both models feature Auto Shutter and Auto Best Shot, whereby the camera analyses the scene and shooting conditions and selects the appropriate exposure settings. The EX-Z200 also includes CCD-Shift image stabilization. The pair will be available from March 2008, the EX-Z100 priced at $279.99 and the EX-Z200 $329.99.

The high resolution, 10.1 megapixel EXILIM Zoom EX-Z200 and EXILIM Zoom EX-Z100 models feature an EXILIM series first — a 4x optical zoom lens that can shoot as wide as 28 mm (equivalent). Also, in addition to the usual recognition technologies, the intelligence of these cameras has been enhanced. They incorporate automatic scene differentiation and allow the shutter to be released automatically, thanks to Casio’s commitment to keep improving the convenience offered by digital cameras.

Wide-angle 28 mm lens with 4x optical zoom
These cameras allow zoom photography between 28 mm and 112 mm (35 mm film camera equivalent). This increases photographic enjoyment, from wide angle photography suitable for capturing large subjects or shooting up close in small spaces, right through to telephoto work.

10.1 million effective pixels for high resolution photographs
The new thinner, smaller bodies of these two models were made possible without sacrificing high resolution image quality using a newly developed 1/2.3 inch CCD. Their high resolution images can be used to create beautiful prints even when enlarged or when the image is cropped.

CCD shift anti shake function in the EX-Z200
The EX-Z200 employs an anti shake function that compensates for blur by moving the imaging element. Of course, both models incorporate Anti Shake DSP, which reduces blur by raising the camera’s sensitivity and therefore increasing shutter speeds.

2.7-inch wide and bright LCD offers high contrast
These cameras incorporate Casio’s newly developed Super Clear LCD. This produces extremely sharp and vivid images, thanks to its high contrast ratio and its 230,160 dot high resolution. The display can be viewed easily from above, below, left or right thanks to its wide viewing angle, and it is extremely bright, making it easy to see even in daylight.

Auto Shutter function automatically records the moment of a smile or the instant when hand shake ceases
Using motion blur detection technology, the camera can automatically take a photo at the instant when hand shake or subject movement ceases. Users can also automatically capture the moment of a smile, the instant when subject movement due to panning ceases, or the moment when their own face fills the frame as they point the camera towards themselves.

AUTO BEST SHOT analyzes scenes to determine an appropriate shooting mode
These cameras can automatically analyze the scene to be captured and choose an appropriate shooting mode. The six scenes that can be distinguished are: people, scenery, night scenes, night scenes with people, close-ups, and moving subjects. These cameras were also designed to be very user-friendly, and it is easy to quickly change to another shooting mode associated with the scene type that the camera recognizes.

H.264 video, which can be enjoyed in wide format
These cameras utilize the H.264 video standard, which lets users record beautiful movies with the latest high compression technology. Users can enjoy wide format movies in a 16:9 aspect ratio. These cameras also feature a Movie Button for easy movie recording.

Latest in-depth reviews

After a rare Seattle snowstorm finally subsided, DPReview editor Jeff Keller was able to escape the snow and spend some time with the impressive Fujifilm X-T30, a camera that offers a lot of bang for the buck.

The EF-M 32mm F1.4 is a welcome addition to Canon's APS-C mirrorless lens lineup. It's a good performer all-around and enjoyable to use on the EOS M50, and we hope to see more like it introduced to the EF-M range.

We don't often get excited about $900 cameras, but the Fujifilm X-T30 has really impressed us thus far. Find out what's new, what it's like to use and how it compares to its peers in our review in progress.

The S1 and S1R are Panasonic's first full-frame mirrorless cameras so there's a plenty to talk about. We've taken a look at the design and features of both cameras and have some initial impressions, as well.

If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.

What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.

Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.

The Ricoh GR series has long been a favorite of street photographers, and the latest iteration - the GR III - brings a new sensor, redesigned lens, in-body stabilization and on-sensor phase detection. We spent some time with a pre-production model in London and have some initial impressions to share.

Ross Lowell was a man of many talents who had more than 25 patents to his name, created a lighting company and created gaffer tape, a staple in the camera bags of photographers and cinematographers the world over.

Ricoh's new WG-6 is the company's latest waterproof camera, with a 20MP sensor, 28-140mm equiv. lens and the ability to go 20m/65ft underwater. If you need something that's both crushproof and chemical-resistant, there's the G900, which is designed for industrial use.

At its Galaxy Unpacked event, Samsung has officially unveiled the Galaxy S10 and S10+ with a triple rear-camera array, as well as a more basic S10e model with a dual main camera unit. As expected, the S10 series' display is the center of attention with a hole-punch style front-facing camera embedded in the screen.

Samsung wasted no time unveiling the Galaxy Fold at its Unpacked event today – a foldable device with a 4.6" display when folded, and 7.3" display when unfolded. The device contains a total of six cameras – three on the back, two inside and one front-facing camera.

After a rare Seattle snowstorm finally subsided, DPReview editor Jeff Keller was able to escape the snow and spend some time with the impressive Fujifilm X-T30, a camera that offers a lot of bang for the buck.

Given that it uses the same sensor and processor as the X-T3, it's no surprise that the Fujifilm X-T30 is capable of producing some excellent photos. We took a pre-production X-T30 all over the Seattle area and have plenty of photos for your viewing pleasure.

Tamron has announced three new full-frame lenses slated to launch in the middle of 2019: an SP 35mm F1.4 Di USD and 35-150mm F2.8-4 Di VC OSD for DSLRs, as well as an ultra-wide 17-28mm F2.8 Di III RXD for Sony E-mount cameras.

The EF-M 32mm F1.4 is a welcome addition to Canon's APS-C mirrorless lens lineup. It's a good performer all-around and enjoyable to use on the EOS M50, and we hope to see more like it introduced to the EF-M range.

Panasonic is well known for including impressive video features on its cameras. In this article, professional cinematographer Jack Lam explains one killer feature the company could add to its S series that would shake up the industry – and it all comes down to manual focus.