Model of a Yung-cheng Bell: Gallery Label - Currenthttp://www.artsconnected.org/resource/109906/model-of-a-yung-cheng-bell-gallery-label-current
ArtsConnectEd.org Art Collector Set: Model of a Yung-cheng Bell: Gallery Label - CurrentModel of a Yung-cheng Bell: Gallery Label - Currenthttp://www.artsconnected.org/images/favicon.pnghttp://www.artsconnected.org/resource/109906/model-of-a-yung-cheng-bell-gallery-label-current
1616Model of a Yung-cheng Bell: Gallery Label - Currenthttp://www.artsconnected.org/resource/109906/model-of-a-yung-cheng-bell-gallery-label-current
Sat, 01 Jun 2002 00:00:00 -0400<table cellspacing="0">
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<td class="detail_label">Title</td>
<td><h3>Model of a Yung-cheng Bell: Gallery Label - Current</h3></td>
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<td class="detail_label">Author</td>
<td><h3>Minneapolis Institute of Arts</h3></td>
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<td class="detail_label">Date</td>
<td><h3>2002-06-10</h3></td>
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<td class="detail_label" style="padding-right:7px;">Institution</td>
<td>Minneapolis Institute of Arts</td>
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</table><br/>Among the more unusual ceramics recovered from the Warring States (480 to 221 b.c.) tombs of Kiangsu and Chekiang provinces are ash-glazed stonewares made in imitation of ritual bronze vessels. Several excavations have yielded a variety of carefully crafted replicas of specific vessel and bell types that were used in prestigious burials as substitutes for far more expensive ceremonial bronzes. Yung-cheng bells were typically made in graduated sets and, since the ownership of bronze bells was regulated, it may be that ceramic bells, like the bronze ones, were assigned to certain classes of burials. This vessel has a thin, yellowish-green glaze that can be seen as a predecessor to the famous Yueh celadon made later in this same region of southeast China. The hand-built object is accurately modeled with sculpted bosses, incised decorative zones, and correct proportions.http://www.artsconnected.org/resource/109906/model-of-a-yung-cheng-bell-gallery-label-currentAmong the more unusual ceramics recovered from the Warring States (480 to 221 b.c.) tombs of Kiangsu and Chekiang provinces are ash-glazed stonewares made in imitation of ritual bronze vessels. Several excavations have yielded a variety of carefully crafted replicas of specific vessel and bell types that were used in prestigious burials as substitutes for far more expensive ceremonial bronzes. Yung-cheng bells were typically made in graduated sets and, since the ownership of bronze bells was regulated, it may be that ceramic bells, like the bronze ones, were assigned to certain classes of burials. This vessel has a thin, yellowish-green glaze that can be seen as a predecessor to the famous Yueh celadon made later in this same region of southeast China. The hand-built object is accurately modeled with sculpted bosses, incised decorative zones, and correct proportions." type="image/jpeg" />Among the more unusual ceramics recovered from the Warring States (480 to 221 b.c.) tombs of Kiangsu and Chekiang provinces are ash-glazed stonewares made in imitation of ritual bronze vessels. Several excavations have yielded a variety of carefully crafted replicas of specific vessel and bell types that were used in prestigious burials as substitutes for far more expensive ceremonial bronzes. Yung-cheng bells were typically made in graduated sets and, since the ownership of bronze bells was regulated, it may be that ceramic bells, like the bronze ones, were assigned to certain classes of burials. This vessel has a thin, yellowish-green glaze that can be seen as a predecessor to the famous Yueh celadon made later in this same region of southeast China. The hand-built object is accurately modeled with sculpted bosses, incised decorative zones, and correct proportions." type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts