Month: March 2018

Having loved Wolf Eyes’ March 2017 release Undertow, you’d think the marginal crew would have been quick to get Strange Days II up in running immediately following its August release. This post, however, is clearly a testament to the contrary. Perhaps the delay has afforded the listener some much needed critical distance — especially since we are talking about those demented doctors of density from Detroit, Wolf Eyes. Days picks up the mantle where Undertow left off. Whilst the band has self-stylized themselves as a “trip metal outfit,” the recent direction they have pursued far exceeds anything offered by the appellation metal. Of course, the soundscapes that the group craft are metallic, but Bathory it ain’t. Wolf Eyes have definitely crossed the Rubicon: they’ve effectively moved into new territory, begun to incorporate new motifs in their playing, but still manage to sound like Wolf Eyes. Surely this is the mark that one would hope all bands and players strive for, yet the base/superstructure logic of late capitalism sees art and artists ultimately defer to the spectacular and omnipresent dominance of the commodity. Debord-cum-Marxian bullshit aside — and not to imply that Wolf Eyes operate beyond the aforementioned logic—the two tracks on this release are hypnotic and explorative, which makes Strange Days II great for successive listens. Nate Young and John Olson come across like modern day incense-burning Martin Rev and Alan Vega on an Einstürzende Neubauten kick. Flutes, guitars, and oscillators all contribute to the dark and somnolent basement musings of the Detroit. Despite the brevity, Strange Days II is another strong release from Wolf Eyes.