The film's bracing darker streak also battles internally with its own capitulation to dull and bog standard "inspirational" Hollywood rhetoric, but like the pixie dust Pan's pirates mine, there's still some magic buried here. - JunkeeEDIT

Inside Out is, along with Lars Von Trier's Melancholia, one of the most nuanced and elegant filmic depictions of depression I have ever seen. It's also, for my money, one of Pixar's finest films, if not their best. - JunkeeEDIT

There are a couple of nice shots, including one of a BART hurtling out of its tunnel and another of a naval vessel wedged between two skyscrapers, seemingly lifted straight from the concept art, but the real order of business here is destruction. - JunkeeEDIT

At this point in his career, writer/director/producer Niccol seems to be amusing himself -- indeed he's admitted as much in terms of the winks and nods to Gattaca that he's peppered the film with. - The VineEDIT

It's an action film concerned with speaking and thinking, rather than shouting and exploding; each time the bomb goes off, it becomes less exciting, less of a focal point, until the most striking pyrotechnics on show are of the mental and emotional sort. - The VineEDIT

Director Jonathan Liebsman's decision to keep things at close-quarters - following solely this band of grunts rather than covering the entire city - could have worked had the film itself felt more elemental. - The VineEDIT

It would be easy to dismiss Griff The Invisible as just another "quirky" Australian dramedy, but it's more than that. As an exploration of the collision between dreams and delusions, between loneliness and love, it's wonderful. - The VineEDIT

As these alternately unpleasant and unfortunate souls churn about in their bucolically-set burlesque, the impression is that director Stephen Frears was out to lunch and instead employed the Scary Movie team to make English Sex Farce Movie. - The VineEDIT