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[quote user="mjolnarn"] Ok, seems like some limitation if so. If the bills are treated locally there is of course no VAT:s to be payed pack from the company itself, just to treat the bills as any other local bills when you pay your taxes [/quote] The price isn't set to swedish currency, it's set to euros and there are no indications

I'm trying to contain all transactions within the year, that's why. Having paid for VAT (which Avid shouldn't within EU and should have fixed years ago), it's an irregular expense and getting the balance back makes unnecessary steps in the book keeping. However, this could have been fixed easily if Avid had a form to fill out that actually

Well, I can't do that because the form prompts me to fill in my product but there's no field to fill in what product it's related to. I would like to get the money back before the year ends. Please direct me to a form or a mail adress that works.

I'm renewing within EU and there should not be VAT on payments within EU. For some reason Avid always charge VAT even though it's not supposed to be that way. However, previously I was able to receive my VAT back to my bank account. How should I go about to get my VAT back?

I have a year long plan that expires December 28th and I'm fully aware that I should renew the plan at that time. However, the app manager prompts me every five minutes about renewal which I will not do before that date, otherwise I will loose out a month on the price of the yearly subscription. Is there any way I can get rid of the *** messages

I'm not talking about DNxHR which are codecs for anything above HD. I'm talking about DNxHD which has been renamed in every other instances where DNxHD is used, Red Weapon, Adobe Encoder etc. DNxHD with datarate naming (36, 120, 18, 185x for 25p) only exists within Avid itself. Opening files from the Red Weapon show metadata in Avid as DNxHD

I upgraded a small recent update (no major jump) of Avid Media Composer and I'm working on a project shot with Red Weapon 6K with DNxHD SQ proxies. The material played fine before except the whole software was sluggish as hell, that's why I updated. Now I get a quarantine message when Avid is trying to build the database for the MXFs. I've

So Avid is changing the codec naming from the usual DNxHD 36, 120, 185 and 185x (25p) to DNxHD LB, SQ, HQ and HQx . Now, I've been involved with pushing Red Digital Cinema to implement MXF recording on their cameras and it's now possible to shoot with Red Weapon 6K with both R3D RAW and Avid MXFs at the same time. However, they use the new naming

Why not just have that metadata in the database files stored with the media files whenever it's not MXF? The problem is that if you shoot DNxHD in quicktime you still have to import it even if it's the native codec of Avid. Handling metadata in separate files within the MediaFiles structure will still keep the robustness of the NLE. Even the