Fighting Corruption Can Help End Conflict

Remarkably, there is currently no coordinated strategy to disrupt the illicit siphoning of money by leaders and their foreign business partners. For leaders, giving up power almost certainly means losing access to their spoils, and it might even mean facing prosecution. Every year, billions of aid dollars pour into Africa: taxpayers and donors around the world fund peacekeeping forces, state-building programs, humanitarian assistance, elections, and peace processes. But none of this support has been able to keep corrupt leaders and their network of beneficiaries from stealing billions of dollars.

Every year, billions of aid dollars pour into Africa: taxpayers and donors around the world fund peacekeeping forces, state-building programs, humanitarian assistance, elections, and peace processes. But none of this support has been able to keep corrupt leaders and their network of beneficiaries from stealing billions of dollars.

This is the fatal flaw of peacemaking in Africa: those supporting mediation lack the leverage necessary to stop corrupt figures from using their forces to bomb, burn, imprison, silence, torture, starve, impoverish, kill, and rape to maintain or gain power. South Sudanese peace talks, for example, are currently stuck because Kiir and his allies have rejected any notion of sharing power with the rebels, since such an arrangement would require giving up their exclusive grip on the crudely-constructed looting machine masquerading as a government.

Knowing what I know now, I wonder if it wasn’t my friendship with them — and Quentin Tarantino and George Clooney — that saved me from being raped.

.. The range of his persuasion tactics went from sweet-talking me to that one time when, in an attack of fury, he said the terrifying words, “I will kill you, don’t think I can’t.”

When he was finally convinced that I was not going to earn the movie the way he had expected, he told me he had offered my role and my script with my years of research to another actress.

.. he gave me a list of impossible tasks with a tight deadline:

1. Get a rewrite of the script, with no additional payment.

2. Raise $10 million to finance the film.

3. Attach an A-list director.

4. Cast four of the smaller roles with prominent actors.

Much to everyone’s amazement, not least my own, I delivered, thanks to a phalanx of angels who came to my rescue, including Edward Norton, who beautifully rewrote the script several times and appallingly never got credit, and my friend Margaret Perenchio, a first-time producer, who put up the money. The brilliant Julie Taymor agreed to direct, and from then on she became my rock. For the other roles, I recruited my friends Antonio Banderas, Edward Norton and my dear Ashley Judd. To this day, I don’t know how I convinced Geoffrey Rush, whom I barely knew at the time.

.. Now Harvey Weinstein was not only rejected but also about to do a movie he did not want to do.

Ironically, once we started filming, the sexual harassment stopped but the rage escalated. We paid the price for standing up to him nearly every day of shooting.

.. So he told me he was going to shut down the film because no one would want to see me in that role.

It was soul crushing because, I confess, lost in the fog of a sort of Stockholm syndrome, I wanted him to see me as an artist: not only as a capable actress but also as somebody who could identify a compelling story and had the vision to tell it in an original way.

.. I was hoping he would acknowledge me as a producer, who on top of delivering his list of demands shepherded the script and obtained the permits to use the paintings.

.. But all of this seemed to have no value. The only thing he noticed was that I was not sexy in the movie.

.. He offered me one option to continue. He would let me finish the film if I agreed to do a sex scene with another woman. And he demanded full-frontal nudity.

He had been constantly asking for more skin, for more sex. Once before, Julie Taymor got him to settle for a tango ending in a kiss instead of the lovemaking scene he wanted us to shoot between the character Tina Modotti, played by Ashley Judd, and Frida.

.. When Harvey saw the cut film, he said it was not good enough for a theatrical release and that he would send it straight to video.

This time Julie had to fight him without me and got him to agree to release the film in one movie theater in New York if we tested it to an audience and we scored at least an 80.

Less than 10 percent of films achieve that score on a first screening.

I didn’t go to the test. I anxiously awaited to receive the news. The film scored 85.

.. I have to say sometimes he was kind, fun and witty — and that was part of the problem: You just never knew which Harvey you were going to get.

.. He also would never know how much he hurt me. I never showed Harvey how terrified I was of him. When I saw him socially, I’d smile and try to remember the good things about him, telling myself that I went to war and I won.

.. the film industry stopped making an effort to find out what female audiences wanted to see and what stories we wanted to tell.

.. between 2007 and 2016, only 4 percent of directors were female and 80 percent of those got the chance to make only one film. In 2016, another study found, only 27 percent of words spoken in the biggest movies were spoken by women.

“Everyone knew these stories,” one Hollywood publicist said. “Not the specifics. But people knew it was a hostile work environment, and that he was a bully to people. Because he could win you an Oscar, we were all supposed to look the other way.”

.. when the New Yorker published a 2015 audio recording of Weinstein trying to lure a model into his hotel room, Brewer was stopped cold.

.. Weinstein, enraged that he had been out of pocket for a few hours, lunged at him and began punching him in the head, Brewer said; the skirmish tumbled into the corridor and then the elevator. By the time Brewer reached the street, intent on never associating with the Weinsteins again, he said, Harvey was pleading for him to stay and help ensure that their film got launched.

.. “Listening to the audiotape, it gave me this visceral reaction to my experience that day,” Brewer said by phone Thursday. “This alternating between violence, threats, commands and then begging, mock-crying, trying anything — any angle to get what he wanted.”

.. a genius of promotion who persuaded Oscar voters to pick his lighthearted “Shakespeare in Love” over epic front-runner “Saving Private Ryan” as best picture in 1999.

.. He had a “funny, whiny” voice, and was often bullied, according to former classmates, but he was persistent, sure of himself, an operator.

.. “He was supremely confident, and not worried about any repercussions,” the friend recalled. “It was like, ‘Eh, if they catch me, so what, I’ll do it again.’ ”

.. Weinstein went into business with his brother, first as concert promoters and later

.. “Don’t mention the competition on the air. Don’t put two car ads in the same segment,” she said this past week. “And, if you’re a young woman, don’t be alone with Harvey Weinstein.”

.. His job then wasn’t to make movies but to discover them and get them into theaters. His forcefulness was a boon for independent and foreign films that lacked bankable names. He would be their star, their champion, deploying a brassy, fearless persona to conduct cutthroat negotiations and impassioned publicity campaigns.

.. “Harvey has a bargaining quality, a back-and-forth bullying that makes you just go ‘okay,’she explained. She jumped out of their taxi blocks later and ran inside a bar, begging the bartender to pretend that he was her boyfriend.

.. “He’s very seductive at the start,” Leight said. “You think he understands you and your destiny is about to change.”

.. But Weinstein’s behavior was erratic. Leight said Weinstein pressured him to ask an actress to “show tit” on screen, though the script required no nudity.

.. In retrospect, he said, the abusive tactics that Weinstein used with women were in line with those he used with directors and male employees: the domination, the cycle of eruptions followed by contrition, the swagger, accompanied by shows of neediness.

“It’s absolutely the same behavior,” Leight said.

.. the Peninsula Beverly Hills hotel, where the New York-based producer often stayed, and where many of his alleged assaults were said to have taken place.

.. people knew that if you had worked there, you could put up with anything.”

.. West Coast employees employed a system of alerts, passed along by whisper, to prepare for the boss’s arrival.

Harvey is coming.

Harvey is five minutes out.

Harvey is on a kick about “Tulip Fever.” If you haven’t seen it, make sure you do now.

.. One preparation — described by multiple individuals and recognized as both practical and ridiculous — was to hide all the office candy bowls.

“He would take and eat them all and his blood sugar would spike,” the former employee explained. “We were trying to control his moods.”

.. The mood swings, the employee said, were frequent and relentless. Workers discussed in hushed tones how to manage them.

.. “It was not clear that he was assaulting people,” the former employee said. “But was it clear that he was trading his power for sexual favors? Yes.”

.. “What you have to understand is, Harvey was somebody who everybody who worked there didn’t like,” another former employee said. “Talking s— about Harvey was the normal course of action. He’s disgusting. He’s rude. He has food on his shirt.”

.. Weinstein’s blatant bad behavior managed to mask his more insidious tendencies. In other words, you didn’t believe he could be any worse in private than you had seen him behave in public.

.. Some women who have made claims against Weinstein have alleged that his assistants were facilitators of his behavior, or said they were in the room immediately before he assaulted them.

.. “I just thought we were seeing the bad end of a bad temper,” said one industry professional, who often encountered him over several decades. “I once watched him fire his whole staff at an awards show. It was one of the worst things I’ve witnessed — they were running away in tears and crying in parking lots.”

.. “Here’s a man who would take a little film that couldn’t and make it into hits that won Oscars,” said the publicist who watched Weinstein fire his entire staff. “He wasn’t the only one to do that, but he had a really good track record. Sometimes, to do that, you have to be a steamroller. I don’t know if that’s right or wrong. I think it’s wrong.” A pause. “I’m sure it’s wrong.”

.. Masters said the magazine tried “really hard” to publish a report on Weinstein’s sexual behavior a few years ago. But the source backed out, leaving it without on-the-record corroboration of festering rumors.

.. Harvey was the Trump of the movie industry. He knew what was a good story. He knew how it worked. He knew what a deadline was. He knew about the caring and feeding of gossip columns.”

.. a frequent source of scoops and celebrity gossip for tabloid papers.

.. Many Weinstein-watchers took note of what seemed to be an orchestrated media campaign against Ambra Battilana Gutierrez, the model who accused Weinstein of groping her in a Tribeca hotel room in 2015.

.. The New York Post published photos of her in a bikini and labeled her “Grope Beauty” on its cover. Its Page Six column reported that a police source said there was no physical evidence for Gutierrez’s claim. In fact, Gutierrez had worn a hidden police microphone and recorded Weinstein apologizing to her for the incident.

.. Weinstein had a knack for flattering reporters. He once had his staff put together a mock poster for “Page Six: The Movie” — starring George Clooney, Nicole Kidman, Russell Crowe, Mel Gibson and Matt Damon as the column’s authors — and sent it to the newsroom.

.. Weinstein “cajoled and threatened” him when he wouldn’t kill an item about Weinstein’s divorce from Eve. Weinstein first tried to trade the item for another bit of gossip, Grove said, and next threatened to ban him from Miramax’s film screenings. Grove said he could buy his own movie tickets.

.. Eventually, Grove said, Weinstein backed down when he realized he had no leverage. But first, he said something Grove said “should be embroidered on a pillow. He said, ‘I’m the scariest m—–f—– you’ll ever have as an enemy in this town.’ ”

.. He implied that she needed him. He’d set up a Hollywood world in which everyone needed him.

.. I had dinner with this guy and it turns out he is everything I stand against.”

.. fundraisers alongside Leonardo DiCaprio, the premiere of “Shakespeare in Love” with Hillary Clinton on his arm.

.. His personal giving was dwarfed by that of many other showbiz moguls — only $1.8 million since 1979. But when President Bill Clinton sought help for his legal-defense fund during the Monica Lewinsky saga, Weinstein cut a $10,000 check.

.. Brown, who said she had never heard anything but milder rumors about Weinstein, called the election “a tipping point for a great many women.”

.. lawyer Gloria Allred. She is representing several of Weinstein’s accusers, but said she has “also been getting calls about other men in Hollywood. Studio executives, A-list actors. Big names. Names you would know.”

.. Though she represented more than 30 of Cosby’s victims, she said she suspects “this is going to be bigger. It’s a tsunami.”

.. he championed his boys — and there were no female voices in there.”

.. The lack of female voices in Hollywood, Delavigne said, is “a more entrenched danger, and entrenched culture.” A common note she receives from producers, during the screenwriting process, is to make her female characters more “likable.” That one word, she said, epitomizes the film industry’s attitude about women.

.. “It is not ‘likable’ for a woman to say ‘no,’ to say ‘you can’t do that,’ ” Delavigne said. “That is not likable. That is not charming. That is not sweet.”

.. “He had just a very forceful way of going about things,”

.. “He forces himself on you, talks you into it and doesn’t leave you with an option.”

Accepting the 2005 Oscar he won for gaining a few pounds and being tortured in Syriana, George Clooney made the case for Hollywood as America’s moral conscience:

.. How can Clooney, Meryl Streep, and their peers continue to claim America’s moral high ground when they simply shrugged at what was going on with their pal Harvey Weinstein?

.. Pitt had once threatened to give Weinstein a “Missouri whooping” after the producer sexually harassed his then-girlfriend Gwyneth Paltrow in the 1990s.

.. Another Ocean’s buddy, Matt Damon, personally called up Sharon Waxman, then a New York Times reporter, to intercede against a story that would have been unflattering to Weinstein.

.. Did Damon also never talk to Pitt on the set of the Ocean’s movies? Or on the set of The Departed, which Pitt produced and Damon starred in? Or maybe in between takes on Happy Feet 2, in which Pitt and Damon played a zany pair of gay crustaceans?

.. Entertainment reporters, tending to be both a) in awe of their subjects and b) unschooled in Washington-style spot-the-loophole weasel talk, haven’t quite nailed down what either of them knew.

.. “I did five or six movies with Harvey. I never saw this. I think a lot of actors have come out and said, everybody’s saying we all knew. That’s not true. This type of predation happens behind closed doors, and out of public view.” “I’ve never seen any of this behavior — ever,” Clooney told The Daily Beast.

.. Of course Damon and Clooney never saw the misbehavior. When Weinstein wants a tête-à-tête with Ashley Judd in his bathrobe, Damon and Clooney aren’t going to be invited along. The question is, did they know what Weinstein was up to?

.. “I had no idea that it had gone to the level of having to pay off eight women for their silence, and that these women were threatened and victimized.” The comment seems to be limited to “these women” — the eight who were paid off. Like a politician, Clooney is answering a question nobody asked. Did he know Weinstein was inviting actresses to business meetings that turned into bedroom meetings that turned into sexual overtures with career implications?

.. Could news of such revolting acts really never have reached Clooney’s ears? It seems more likely that Clooney was part of a conspiracy of silence.

.. Movie Clooney is very interested in exposing the pernicious actions of oil companies (Syriana), chemical companies (Michael Clayton), TV hucksters (Money Monster), McCarthyism (Good Night, and Good Luck), and the masterminds of the first Gulf War (Three Kings). Real-life Clooney plugs his ears when people in Hollywood gossip about a subject that has evidently been a hot topic of conversation since Pauly Shore was considered a movie star. Weinstein’s habits were such an open secret they were joked about on 30 Rock and at an Oscar press conference.

.. Power, to Streep, is someone like Weinstein, someone who could cast her or not cast her, possibly even influence the hiring decisions of others. And Weinstein’s skill in campaigning for Oscars is unparalleled. He was widely credited for winning her a third Oscar for The Iron Lady, notably by Streep herself, who said in her acceptance speech, “I want to thank God — Harvey Weinstein.”

.. The message could hardly be more clear to them that Weinsteinian behavior is simply the price that must be paid.

.. “Evans wanted to be an actress, and although she had heard rumors about Weinstein she let him have her number.” Would Streep have us believe that aspiring actresses still in college knew more about industry players than she did?

.. Think of all of the hundreds of actresses, and thousands of other industry people, Streep has worked with over the years. None of this ever came up?

.. For Clooney or Damon or Pitt or Streep to pick up a phone and call a reporter to speak about Harvey Weinstein’s predatory behavior all these years would have taken a minimal amount of guts. It could have cost them gigs, or awards. The Weinstein debacle has implicated more or less everyone in Hollywood who knew about the abhorrent behavior and remained silent, which must mean just about everyone in Hollywood.

From now on the leading Hollywood personalities deserve nothing but derision when they pretend to be courageous truth-tellers. They are neither.