In the series The Mismeasurement of Woman the patterns are a form of bondage: a map of the perfect size that acts as a psychological and physical encasement of the figure. These portraits, intentionally headless; use body language to suggest struggle and tension as well as use the anonymity of a faceless figure to suggest a broader, more universal statement. This work is intended to expose the veiled girders of our constructed notions of feminine beauty and arouse a reassessment of the conceptual fabric from which our notions are cut.

In the series The Mismeasurement of Woman the patterns are a form of bondage: a map of the perfect size that acts as a psychological and physical encasement of the figure. These portraits, intentionally headless; use body language to suggest struggle and tension as well as use the anonymity of a faceless figure to suggest a broader, more universal statement. This work is intended to expose the veiled girders of our constructed notions of feminine beauty and arouse a reassessment of the conceptual fabric from which our notions are cut.