The Overview:The Bourne Identity meets Minority Report in this first highly anticipated installment in number-one New York Times best-selling author Kim Harrison’s sexy new romantic suspense trilogy, featuring a brilliant special task agent at the top of her field and set in a futuristic Detroit.During a routine but dangerous Opti task, Peri Reed finds out her trusted partner has made her a corrupt agent. Her unique ability to jump back 40 seconds in time to correct a mistake leaves her vulnerable when her partner, who is responsible for replacing her memory of the event, gives her a false one. But Peri lives and dies on her intuition, and she begins to piece her twisted reality together as she flees her one-time secure situation at Opti and tries to find the truth with a sullen but talented psychologist named Silas who works for the very agency trying to bring the Opti corruption to light. -Goodreads

The Review:

I’d actually like to start out with an ultra-mini review of Sideswiped: It was a perfect introduction of the characters, magic system, and slightly futuristic/alternate society. I thought it was absolutely delightful, yet heart wrenching at the same time. I loved every moment and afterward was totally AMPED to pick up The Drafter. [4.5/5 stars]

Then I picked up The Drafter.

I read a few posts on Kim Harrison’s blog a few months ago where she conveyed how disappointed she was that The Drafter wasn’t being received as well as she’d hoped. She stated something along the lines of “people just aren’t getting what I’m trying to do.” After finally reading the book, I can definitely see why some readers may have had trouble with it and why someone new to Kim Harrison’s work might not have the trust needed to push through the harder patches. It wasn’t a lack of characterization, world building, or writing in general – it’s clear Kim Harrison is still a master of all these things (especially with my impressions of Sideswiped), but rather the result of some unfortunate choices she made while outlining.

Issue 1: the biggest problem I had with The Drafter was it’s repetitive use of dramatic irony.

dramatic irony: where the full significance of the character’s words or actions are clear to the reader but unknown to the character.

Using it was a risky move on Harrison’s part, and I don’t think it paid off. I was aware of the foul play from the very beginning and therefore was forced to sit patiently through 400 pages as the main character figured it out for herself. It was tedious and a little bit frustrating, but the biggest issue was that a storyline constructed entirely around dramatic irony gave me no opportunity to get emotionally invested in the plot or feel any kind of suspense. As this is supposed to be a thriller of sorts, that’s a problem.

Issue 2: I don’t think the book started at the best place. It began way too far into the story arc (which felt like a scene out of the second or third book where the framework for the world had already been established and all of the characters properly introduced). Instead, we were thrown into the middle of the controversy without any backing of the situation showing us why we should care. Betrayals of certain characters were no big deal because to me, the fact that they betrayed is literally the only thing presented thus far about them.

Where the story started also provided very little time to understand the art of drafting itself, so I was shoved at even more of an arms distance from the plot while trying to figure out what the heck was going on. I imagine had I not learned a basic understanding of it in Sideswiped, I would have been struggling even more.

Finally, it didn’t provide any time to get to know the characters, which brings me to…

Issue 3: all the characters came across very unlikable right from the beginning. In sideswiped, Peri was introduced as a spunky, ambitious, and intelligent woman who was destined to do great things. In Drafter, she immediately appeared arrogant and flippant to the point of recklessness (also as an insufferable know-it-all with no back story to substantiate it). I didn’t like her or any characters around her. Again I mentioned that if I hadn’t read Sideswiped, I might have been put off permanently then and there.

So you see, there are plethora of reasons I think The Drafter could’ve been better – all of them a result of construction choices rather than any flaw on the author’s writing ability. I think if the events and timelines of the prequel have been expanded on as the first book, Harrison would’ve had another hit on her hands (yes – it really was that good, containing the missing pieces that made The Drafter feel incomplete). Because of how much I liked Sideswiped how much I trust Kim Harrison as an author, I am cautiously optimistic to see what The Operator has in store for me next.

If there’s one takeaway with my experience with The Drafter, it’s that if you are planning to read the series, for the love of God – read the prequel first.

The Overview: The Bourne Identity meets Minority Report in this first highly anticipated installment in #1 New York Times bestselling author Kim Harrison’s sexy new suspense trilogy, featuring a brilliant special task agent at the top of her field and set in a futuristic Detroit.

There’s always nerves present when picking up a new series by an author you adore… Will it be as good? Will I still love the writing without all my favorite characters around? What happens if I don’t like it? But I have had so many profound reading experiences with Kim Harrison that I trust her implicitly to deliver another series that’s going to knock my socks off… especially if Peri Reed is even half as badass as Rachel Morgan. :-)