Sunday, 30 September 2012

Exhibition News: LDN BCN

Charley Peters, XXXV (2012), Graphite Powder on Paper

The group show LDN BCN opens at Untitled BCN gallery in Barcelona on 10 November 2012. Featuring the work of 18 artists working in or connected to London, the exhibition will run throughout November. I will be showing a new work, XXXV, a grid of 35 geometric drawings in graphite powder on paper. The graphite powder is brushed onto masked off areas of paper, which have been prepared with a ground of acrylic medium and glue.

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Charley Peters’ work employs a rational methodology of drawing and painting to generate work with a refined, reductive aesthetic. Interested in the point of collapse between two and three dimensions, her practice examines notions of folded space and visual construction. Using systematic and logical approaches such as repetition, perspective, mathematical patterns and geometry, her work explores the interruption of the two dimensional plane and the manifestation of flatness in three dimensions. Peters’ work is precisely executed, concealing the artist’s hand in its production. Her work can be positioned within a discourse about the condition of painting in a post-digital landscape, exploring the material experience of paint in the age of the screen and the role of analogue programming to generate painted form.

Peters is a contributor to Abstract Critical's monthly blog AbCrit and writes regularly for Saturation Point, the online editorial project for reductive, geometric and systems art in the UK. With artists Patrick Morrissey and Hanz Hancock Peters works as part of the curatorial group Saturation Point Projects who organise exhibitions and events to raise the profile of reductive, geometric and systems-based art practices.

About Copyright

The art works of Charley Peters and the images of works shown on this blog are the subject of copyright. The copyright of works remains with the artist and any use of an image of a work is subject to agreement with the artist. You should not reproduce any image without the explicit prior written consent of the artist.