The show calls for three women and three men ages 18 to 70ish, who ballet slippers cabochon earrings - 16mm must be able to sing solo and in harmony with the cast, Singers will learn a short section of Cole Porter music along with a series of dance movements, For an audition appointment, call Jack Gaughan at 925-513-3863 or 925-437-6360, Inaugural art exhibit to open in Oakley, OAKLEY — You, Me Oakley, in partnership with the city of Oakley, opens an inaugural art exhibit “Origins of Oakley” at the Oakley City Hall, 3231 Main St..

“The Band’s Visit” is based on a 2007 Israeli film of the same name and centers on members of an Egyptian police orchestra booked to play a concert at an Israeli city who accidentally end up in the wrong town. Its embrace of foreign cultures working together found a sweet spot with Tony voters. “In ‘The Band’s Visit,’ music gives people hope and makes borders disappear,” producer Orin Wolf said upon accepting the best new musical crown, saying it offers a message of unity in a world that “more and more seems bent on amplifying our differences.”.

A dream role with a dream cast: Thomas’ opera isn’t often produced (S.F, Opera last offered it in 1996), and the West Edge cast includes the Ophelia character, here named Ophelie, of soprano Emma McNairy, who was scintillating in the company’s 2015 “Lulu” and 2016 “Powder Her Face.” Soprano Susanne Mentzer is Gertrude, and Philip Skinner is Claudius, West Edge music director Jonathan Khuner conducts, “Hamlet,” written 260 years after Shakespeare’s play, is in five acts, but West Edge is paring it down, cutting the score’s ballets and orchestral interludes, The result is a streamlined 2 hours and 45 minutes, Streshinsky says the ballet slippers cabochon earrings - 16mm look of the opera will be edgy; Pacific Pipe should serve nicely as Elsinore..

Khan traces his interest in mythology to his literature-loving mother. Growing up, he devoured Greek mythology and the scared stories of Islam, Christianity, Judaism, and of course Hinduism. But his abiding passion for the Mahabharata came from his early professional experience with director Peter Brooks in the late 1980s. Starting at the age of 13, Khan spent two years touring internationally with the Shakespeare Company’s production of Mahabharata, “a fascinating experiencing in that almost every night we performed Mahabharata in semi-entirety. I became very close to the female actresses, who became motherly toward me. I thought whenever I tackle this, I’ll tackle it from the point of view of a female character.”.