Q I grew up in a squash-playing family, so these photos have nostalgic value for me. What drew you to this topic?

A When I first started, I wanted to look into something that hasn't been looked into in photography so much--the idea of leisure. A lot of photography in England has looked at work. But I was interested in what people wanted to do in their own time, at their most comfortable. So I started looking at spaces of leisure, from football grounds to cinemas. Through that I got into squash courts and real tennis courts.

Q The marks left on the walls of these courts are fascinating, almost like drawings, aren't they?

A They look amazing. I love the fact that it's history on the wall itself--the history of the game and of the people who have played. There's a great sense of time on the walls. One of the real tennis courts I photographed in the south of England was made in the 1700s with a special pigment. It creates a really painterly effect.

What I'm fascinated by even more is the large space of these courts. It can be very overwhelming, especially when there's nothing else going on. When there's people there playing, it's about the sport. But when you're a spectator only of the space it becomes something completely different.

A lot of these clubs are also prestigious. Queen's Club in Notting Hill is where lots of people play before Wimbledon. When I photographed their rackets court they'd just had it painted, and the members were upset because they thought the paint would make it play differently. That fascinated me, because you wouldn't think paint would make a difference. But if you've been there so long, maybe it does.

You can read the rest of the interview here and see more pics here. Wilcox's first Canadian solo show continues at Bau-Xi Photo in Toronto to January 29.