Sunday, March 28, 2010

It's been busy around here. That's for sure. My absence has been long and filled with not only toil but also some much-needed relaxation and getting away from it all. The Big Island of Hawaii is a great way to do that, since it's in the middle of the ocean, far away from EVERYTHING.

The week before we left, Rob and I went to another of the local figure
drawing sessions and I did these two pieces. The one on the left I did using Walnut ink, a reed pen, and a brush for wash. For the one below, I used a combination of vine and compressed charcoal. Neither is my best work, but on the whole it wasn't a bad drawing evening. In any case, it's all about practice, practice and more practice.

Not unlike with writing, which has comprised most of my workload lately.

I've had my hands full, actually, which is a pretty good thing. Plenty of articles for All Star Directories, like this one, but also working on my latest novel revision for my publisher. Of course, as I go through and edit the manuscript, I keep finding little things I want to change, and it's taking a lot more time than I thought it would because I have now entered the land of the obsessive-compulsive perfectionist.

I've also reached a point I never thought I would reach: I'm officially sick of even looking at this project. Until a couple of weeks ago I was still totally in love with it, but now I only have eyes for its flaws, which is a difficult place to be mentally. I've gotten to that point much more quickly with most of my other projects, but it took a lot longer to get sick of this one, and I was hoping that day would never come. But still I'm plugging away, and hopefully I'll feel better about it once this round is done.

And yep, we're back from our trip to visit friends in Hawaii. I'll post about that later in the week. Plus photos. I promise.

I write. I create. I put some of that here. Read at your own risk. If there were an ampersand code for a little skull-and-crossbones, I'd totally be using it right now.

The term "aqua fortis" was the alchemical nomenclature for nitric acid, a necessary component in etching onto zinc plates for intaglio printmaking. I now use copper plates and ferric chloride almost exclusively, as they are much less toxic, but I still like the sound of "aqua fortis."