Archive for the ‘Cinépoetry’ Category

A long, long, long time since there was a new cinépoem in the house. Two whole years, in fact.

So I’m beyond ecstatic to announce a new cinépoem featuring the lovely Lucette de Luna (for the second time) and introducing the gorgeous and frighteningly talented Caroline Augusta (a formidable artist in her own right.)

The new vid isn’t on this site, however… technology issues and the need for a whole new website redo, my webmaster tells me. But you can find it at the usual You Tube channel for all my cinépoems, and it will probably show up on vimeo before too long, as well.

I’m very proud to introduce you to a brand new cinepoem, Voleur de Coeur.

It means Thief of Hearts, and was filmed recently on a a foggy Saturday in San Francisco with the help of my faithful cinépoem partner, Michelle Brown. This is the first cinepoem I’ve shot post-pregnancy, and really that’s what it’s all about, too.

I’ve spent the last two years learning how to be a mother and a writer. I certainly don’t have either figured out, but I am on my way to finding my footing on paper again, and Voleur is a chronicle of that journey.

In mid-November, I received an email from Ekaterina (Kate), a high school English teacher in Saratov, Russia. She and her students had found the cinépoems, and “Alice is my middle name” was their favorite.

The class had a school competition coming up, and they wanted to memorize and recite the poem, so Kate asked if they could have my permission to do so, and if I could send them the text of the poem, since transcribing it from the video was difficult.

I was astonished to discover that the cinépoems had traveled all the way to southern Russia. It’s just one more way the internet has made the world a much smaller place. Amazing.

Of course, I gave her my permission and sent the text of the poem straightaway. I also helped them find the music we used for the cinépoem.

And yesterday, I received the most lovely Christmas present ever.

This is a video of Julia, reciting my poem “Alice is my middle name” in her English class the day before the competition. She borrowed the blue Alice dress from a local theater.

This one is called “Tornado Weather”. It was shot back in May in my hometown of Dixon, Illinois and features the lovely Jessica Hussung. Since I was 6 months pregnant at the time of the shoot, I had a lot of help from my friend Anna, who also happens to be Jessica’s mum.

So thanks to both of you, Jesse and Anna! And thanks for being so patient and waiting so long to see the result of your hard work on that steamy summer day.

You can check out Tornado Weather on the cinepoems page, as always, and also on YouTube. If you watch it on YouTube, be sure to leave a comment or thumbs up there.

It’s the last cinepoem for awhile, I’m afraid. I have ideas for new shoots in the new year, but nothing is in the can yet.

And to answer the question many of you have been asking me… Yes, the Bean will be making her cinepoem debut someday, but I might wait until she can walk first.

We started shooting on a rainy day in January. I had just found out I was pregnant, so I wanted to hurry up and shoot my vignette before I got as big as a barn.

My goal was to finish the entire thing before the baby arrived. But “The Tyranny of the Mirror” was our most ambitious cinépoem to date, and it took a bit longer to complete than I planned.

One cinépoem with eight parts — eight different scenes, eight different women, eight different voices. The poem, as a whole, explores our obsession with our mirror image. It takes a look at a bunch of different ways that the mirror, and how we see ourselves in it, affects us, no matter who we are.

Because I’ve never met any woman who is entirely satisfied with the way she looks. As the poem goes, ...I am not satisfied/I could always be thinner/Mind over mirror.

So I have several people to thank for this one.

My fearless partner in cinépoetry, Michelle Brown, who is usually behind the camera but lent her face and her voice to this project, and starts the whole cinépoem out with a bang in “earth suit.”

Lani Alo, making her cinépoem debut in “thick around the middle” and flawlessly delivering that muffin tops line.

Lisa Sims, also a cinépoem virgin, looking good under a pink-hued sky in “grande y bonita.”

Kathy Azada, cinépoem veteran, holding her own in “dressing room.”

Johanna Baldwin, another first timer, looking fine in “skinny jeans.”

Melissa Fondakowski marks her second cinépoem appearance by eating on camera in “zaftig.”

Annie Leuenberger, also new to cinépoetry, did an amazing job in “cell memory” getting up on pointe.

And Aaron Purvis returns for the third time with an original score that he composed just for us. It’s gorgeous.

So a huge thanks to all of you, and also to my man Bruce, who shot “earth suit,” as well as all our fabulous assistants. This wouldn’t have happened without you!

If that name sounds familiar, it’s because I’ve spoken about Julie before. She took some gorgeous photos of Bruce and I, when we were expecting (which I need to add to the gallery here, and soon!), and, about a year ago, she let me be a part of her fabulous i live here:sf project… see here.

The show is amazing, lots and lots of fun things to look at. The opening reception is over (it was last night), but the show will be up for the rest of the month, so go see it!

In other news, The Tyranny of the Mirror, a cinépoem that Michelle Brown and I have been working on ALL YEAR LONG, is *this* close to being finished. You should be seeing it soon.

I also have another cinépoem in the works that a few people in Illinois have been very patiently waiting for, and I’m hoping that I will get that completed this year, as well, new baby or no!

Speaking of babies, my niece Josette is still in the NICU and has now had two surgeries because of an intestinal defect. She is currently stable and doing well as surgeons wait to see if the latest operation was a success. I just saw her a couple of days ago and she’s getting bigger and is cute as a button. Your continued thoughts and prayers for the little gal are welcome and appreciated.

This isn’t the big one I’ve been talking about all year. That one, “The Tyranny of the Mirror” is still in the editing process and will make its debut in a month or two.

But this one is pretty special. Earlier this year, when I was about 5 months pregnant, Boy and I took a big trip to Europe. We called it The Babymoon Tour, because we knew it would be our last chance to go on such a big adventure, just the two of us, for quite awhile.

One of the stops on our Babymoon was Prague, and since we had packed a video camera, we decided to take full advantage of being in such a lovely city and record a cinépoem.

What followed is “Altered State”, a sweet and simple little cinépoem. I wrote the poem about coming to terms with the changes that having a child will bring, but it could really be about anything… just depends on where you’re at when you read it. Or, in this case, see it.

I’ve had a big long list of things I wanted to finish before the Bean arrives, and this was at the top of the list. I guess my nesting instinct also takes the form of making cinépoems.

There will be a big update coming soon, but for now I have only a few tidbits to offer. Tantalizing tidbits…

Up first, the good news that came this week: Our latest cinépoem, “Homogeneous” has been accepted into the Sacramento International Film Festival. It will be showing on the big screen on Monday, April 19th at 7pm. You can check it out live at the 24th Street Theater, 2491 24th Street in Sacramento.

And in other cinépoem news, my video partner Michelle and I are hard at work on the next release, an ambitious 8-part cinépoem titled, “The Tyranny of the Mirror.” We’ve recorded all the vocals and have shot 3 of the 8 vignettes so far. We’ll probably continue shooting throughout the next few months–our longest shoot ever, by far. But it takes some time to put this stuff together. It will be well worth the wait, I promise.

If you’re wondering what “Granny Dates” has to do with any of this, well, it doesn’t.

Granny Dates are outings that LeeLoo enjoys with her best fur pal Reilly, who is also an elderly lady of 12 years. The two old bags like to get together at the beach, act all excited about seeing each other for about 3 seconds and then proceed to completely ignore each other for an hour.

That’s how LeeLoo shows her love, I guess. She’s due for another big Granny Date tomorrow, and who knows if the world will survive all that excitement.

Meanwhile, I’ll be sitting over here on the couch watching the last of the Olympics. Oh yeah, and writing that “big update” I promised you.

I’d like to present the latest This Blank Page poetry production, Homogeneous, featuring the voice and face talents of the lovely Emanuela Quaglia and the always fabulous Jim Doll.

This is a cinépoem like no other. Not only because you get to actually hear from the guest stars, but also because we filmed it “in triplicate.” Just take a look, you’ll see what I mean. You can view it on The Cinépoems page or on YouTube. (If you do head over to YouTube, be sure to leave us a star or five, yeah?)

Thanks to my fellow compatriot, Michelle Brown for her continuing dedication to the art of cinépoetry, which sometimes includes getting in front of the camera, and also to Kathy Azada (who served as production assistant AND extra). And special shout outs to Melissa Fondakowski and Darren Rodriguez for their sparkling cameos.