University of SydneySchool of Letters, Art and MediaDepartment of Art History and Film Studies

Abstract:

There is great potential for study of the experience of film by incorporating scientific research into the theorising process. In this work I outline my own values for theoretical work and provide discussion of the methodological goals and practices I will employ to utilise scientific research in film theorising and to meaningfully engage with that work. This includes a focus on strong argumentation, engagement with a broad scope of study on film, the production of applicable and assessable theories as well as robust theory construction. In addition to a description of practical applications towards these goals, the thesis will detail ways that a theorist may engage scientific work without being an expert in that field themselves.
The work will examine the concept of ‘persistence of vision’ as a historical case study of the relationship between film theorising and scientific work. This includes a detailed examination of the evolution of different explanations for phenomena related to visual persistence and motion perception. Following this is a critique of the use of ‘persistence of vision’ within historical film theories as well as a description of a number of individuals who valued the incorporation of scientific work in the film theorising process.

This work is protected by Copyright. All rights reserved. Access to this work is provided for the purposes of personal research and study. Except where permitted under the Copyright Act 1968, this work must not be copied or communicated to others without the express permission of the copyright owner. Use the persistent URI in this record to enable others to access this work.