India has always had its fair share of cultural and ethnic eccentricities. Right from worshipping a God’s phallus to constructing a temple for an actor, Indians have a knack of hero-worshipping at the drop of a dime. And yet, they have found themselves completely oblivious of few that paved way for gender and social equality. […]

Concerned about the impact of debt, rent, and precarity on the lives of creative people, [BFAMFAPhD] makes media and connects viewers to existing organizing work. BFAMFAPhD is a collective of artists, designers, makers, technologists, curators, architects, educators, and analysts who ask: What is a work of art in the age of $120,000 art degrees?

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We Are All Cultural Producers: Institutionalized Criticism and Agonistic Frame-works. . .By emphasizing the 'work' in both art-works and frame-works, my interest is two fold: to open up the art-work itself onto all the labor that goes into it in order to make it a salable commodity, and to open ourselves up to a labor of both receiving and creating that exists outside of capital and instead engages with a set of relationships and motivations that go beyond the constraints of the market to contain a different kind of value altogether