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However, as the decade progressed and Clem Snide continued releasing music, things got more complicated. Core members started dropping out to start families and pursue other goals, and Barzelay had a bitter, costly breakup with his former manager.

"Well, you know, it was kind of a slow-motion accident," he said. "But yeah, by 2010, I was the last man standing."

"And so here we are. I mean, my wife, two small kids, and we went into foreclosure," Barzelay continued. "And so I had to declare bankruptcy."

So he adapted.

He started offering his songwriting services through his website, writing and recording personal songs for loyal fans (full disclosure: I hired Barzelay to write a song for my wife on the occasion of our 10th wedding anniversary).

He said that interaction with fans was really helpful.

"I've found that the more songs I wrote for people, the more songs I wrote just in general," he said. "You know, it just, it opened up that portal ever wider."

But difficult decisions loomed.

"See, my thing is, I can't do anything else. I really feel like I was called to do this," Barzelay said. "But the darker side of that is maybe I'm just doing it because I don't want to do anything else, which is also true. So I wrestle with that."

"But I have always worked through that process by writing songs, like, no matter what I'm going through, I always write my way through it," he concluded.

Along the way, he noticed things fell in to his lap in the nick of time to save his family and keep the music going.

"In 2015, don't even ask me how I ended up with this gig, but I wrote a little turnaround for Chobani Greek yogurt, and for about four to six months I was the voice of Chobani Greek yogurt," he said.

And the next year, a fan sent him a video from an Avett Brothers concert of Scott Avett playing an obscure Clem Snide song during an encore.

Barzelay reached out to Avett and quickly heard back.

"Yeah, I just kept sending him songs," Barzelay said. "I just was trying to entice him to work together and to maybe make a record, and he agreed. You know, what an angel."

Eef Barzelay and Scott Avett. Photo courtesy Missing Piece Group

The result is the just-released "Forever Just Beyond."

"I look up to Eef with total respect and admiration, and I hope to survive like he survives: with total love for the new and the unknown. Eef’s a crooner and an indie darling by sound and a mystic sage by depth. That’s not common, but it’s beautiful," Avett said in the album's press release.

The first song on the album is "Roger Ebert", which was inspired by an interview Barzelay read with Ebert's wife after Ebert's death in 2013.

"And she just talked about the experience that he was having in those last few moments," said Barzelay. "And he really did seem to start to kind of see behind the curtain, you know, and he was writing her notes that said it's all an elaborate hoax."

"And that feels right to me. You know, I mean, I'm not a religious person," he revealed. "But the thing I like about religion is religion gives you a way to turn your sorrow in to grace. So I like to advocate for spirit, not so much for body, you know, because I think we get too much body, not enough spirit in the culture."

The song "Easy" shows up a little later on the album, and features the lyric, "It's easy to say you would never sell out when no one has made you an offer."

The song feels like a darkly humorous summation of the last decade for Barzelay.

"We all have these false ideas about ourselves. We all think we're good. We all think we're brave, and we all think we're right. And in a way, you never really know yourself unless you're tested," he explained. "So you know what I'm saying? Like, the point of life in a way is to suffer. It's to turn your suffering into grace."

After all of his ups and downs, and with this new "miracle" record in hand, Barzelay thinks it's his love for writing songs that's helped him through.

"Writing a good song is always the most therapeutic thing there is for me," he said.

And he's thankful his fans are still connecting with his songs.

"It's like if a tree falls in the forest and there's no one there to hear it: It actually doesn't make a sound," he said. "I can solve that ancient riddle: it doesn't. Believe me, I know firsthand; if there is no one there to hear it ... So this is true of songs. They live inside of other people's brains and hearts and souls."

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