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A Safe Space internet radio show goes out live today from 1pm GMT from www.octopuscollective.org and is a live reinterpretation of the blog with electronics from Shaun and vocals by Kirsten Taylor – please tune in and see where it all takes us.

It will be available in the future from the same site.

Sorry I’ve not posted in ages – been a combination of new job and getting other work done, whilst keeping my head relatively straight. I will be posting in the next few weeks to bring everything up to date.

I was gave Janice a lift up to Penrith and had some time to kill before picking her up again so I headed into town with the idea of doing a couple of test broadcasts using my iPhone on 3G to see if it streams ok. I was full of cold and definitely not at my best so I parked up and had a wander round the charity shops – scored DVD of 80’s classic BBC thriller Edge Of Darkness for £1.99 for you fellow scavengers 🙂

So after this and feeling not so great both with a pounding head, runny nose and starting to feel a little anxious I decided to find some safe spaces to broadcast. My first port of call was St Andrews Church.

You can hear the brief broadcast of the fantastic clock in the foyer here –

The recording was interrupted by the sound of Karen Carpenter, which was strange till I realised there was a funeral happening. I quickly left not wanting to interrupt the sharing of these moments and not wanting to be disrespectful. I thought I could go back later and try again.

After this failed attempt and feeling a little sorry for myself I decided food would be good, a nice warm in a cafe and to do some work on an application I needed to send in. With feeling ill, tired and anxious it took me a bit to find somewhere I felt comfortable entering – one place was empty, another a bit crowded, one had no menu outside, finally I found one that did pie and chips and that had tables I could have a bit of space at and there was a relaxed feel to it. Sounds complicated to non social anxiety sufferers? It is, my fellow anxious types will know the feeling but I eventually settled down ordered food and did a little work. I started to relax after eating, I think my blood sugars were dropping, which makes me hyper and nervous, so I decided to do a broadcast as a good cafe with good food is a very safe space for me. I think the place was called The Lemon Tree and the staff were lovely and it had a nice family feel.

After getting near normal, jam roly poly and custard can sort many problems I find 🙂 I set off for the church again but noticed I was passing the library. I love libraries, I don’t ever borrow from them but like cafes they are a good safe haven in strange towns, especially if you’re a little frazzled. The main benefit of them is that they are free and you can read the paper, read a book, surf the net or just keep warm and not be bothered by people. I popped in and did a little broadcast here and discovered they sometimes aren’t as quiet as we think, mainly because Of all the technology they have and that I set up near the photocopier.

Finally I got back to St Andrew’s now empty. I sat in a middle pew and started the broadcast. The church was very still and is beautiful. I do love churches, I especially love playing in them, they are great places to be in. I’m not religious at all, a life long atheist with agnostic leanings as it goes, but there is something to the architecture of these buildings that is just right, both aesthetically and aurally. The stillness was broken by the sound of talking and laughter coming from an antiroom, muffled but happy sounding, adding a nice human element to the space.

I left the church to head back to the car but was taken by the beauty of the churchyard and had an idea of playing a little live set on iPad from a bench there. So using Audiobus running Samplr, Kaossilator, Live FX and Echo Pad I played from the iPad speakers into the iPhone mics, all a bit rough and ready with no headphones to monitor myself well but I was pleased with the quality of the broadcast listening back to it at home.

So despite a cold and not feeling my best I had a really good day of work, some interesting results with the technology working well and my mind focussing on what I actually think of as a safe space. Not so much specific places I love like Conishead Priory or Williamson’s Park in Lancaster, Barrow Cemetery or my home but where I am drawn to in a strange town when I’m feeling anxious. Places of stillness definitely, but that have a sense of community. Like the library you are around people but there’s not a need to interact, you can just be and that makes a good place for contemplation.

The other is for me based around comfort eating I guess, feeling rough I craved carbs so had pie and chips and jam roly poly, meals very reminiscent of childhood meals. I tend to like homely cafes with a family feel. Again it in retrospect feels like I search for the comfort of familiar things, which in this case is a feeling of childhood safety somehow. In these type of places no one looks at you, at what your wearing, what you’re up to. Everyone seems generally at peace with themselves and happy concentrating on their food and their company, so an excellent safe space for me.

So I’m now getting very excited about more live broadcasts, both of environmental ambiences and live performance in unusual places. Here’s to more of the same and please if you would like to contribute to the up coming radio show send me recordings of your safe space, or you talking about what helps you feel safe, maybe a poem or a short piece of you playing some calming music? All contributions will be used as part of a one hour live mix in March. More details coming soon but contact me at info@shaunblezard.com for more details.

I have been commissioned by the Octopus Collective to produce a sound art radio programme about the notion of safe spaces. This will be a one hour live show on 27th March 2013 and will be a sonic exploration of these spaces.

If you would like to be involved I am looking for audio recordings of or about safe spaces – it could be a field recording of a space you feel safe and secure in, or a snippet of you playing music that you think conveys this safety. It could be a poem, you talking about how you relax, what you do to feel safe. It is a very open brief, I only ask that you donate your recording under a Creative Commons licence and that you are happy for your work to be used as part of the project, both on the show and in future versions of work. I will of course credit people for work used.

If this sounds ok and you would like to donate a recording to the project send audio files to info@shaunblezard.com and I’ll add them to the sound stocks 🙂 feel free to ask for any further info.

I will be using these files plus my own recordings, including the series of live broadcasts I’ll be producing over the next couple of months – these will be broadcast quite randomly on Spreaker and will include music, chat and field recordings from places I think are relaxing and make me feel safe.

If you would like to be involved in a live broadcast please contact me with your idea – if you want to have a chat about mental health issues and what you do to help recovery, broadcast a place you find safe, play some music etc please let me know. I can travel locally to me (Cumbria or North Lancs) or I can try and sort something out via Skype.

I’m very excited to be given the opportunity to do this show and to start the creative journey with he support of such a great arts collective. I hope you will join me on this first small step of the safe space art adventure. For an idea of the kind of thing I produce see my work for the project Cumbria Remixed.

Oh and just to be clear, I can’t afford to pay anyone for contributing to this show, but don’t let that put you off 🙂

I did the next test internet radio live broadcast using Spreaker a couple of days a go. It was a live broadcast of improvised music by myself (Clutter) and Phil Powell (Sleepy Gumbo) doing an ambientish set using iPads and streamed from his mac.

We hit a few technical issues so we had a few drop outs in the sound, but all in all a good experiment in 1. Using tablets to make live improvised music and 2. Being able to play live to whoever would want to listen.

I have been jamming with Phil for a bit now, both being geeks and interested in what technology can do so we started an ipad duo to test some things out. The first couple of sessions were mainly using thumbjam and locking the 2 iPads and an iPhone together so everything sync was together and we could both add loops to the mix. We created some interested ‘doom jazz’ type sounds and were quite happy with the possibility of a band of tablet players. Our sessions usually involve having a good chat about the possibilities of where the technology could go. There’s the obvious avenue of midi and using backing tracks but we’ve been much more interested about using a tablet surface live, like a combination of instrument and effects rack.

I’ve been using an iPhone as a core part of my live set up for around 4 years now and enjoyed the physicality it can give to my playing, something sadly missing in most laptop based work. I was then given an iPad and at first thought wow, this is great I can use all the apps I have on the phone but with more control. So the duo with Phil started.

We have now had in the last few months a wave of highly usable and quite simply amazing apps coming out.

First we have the real game changer – audiobus is a simple but very powerful app that creates a signal chain for apps to run audio through each other. You have an instrument slot, or more, this runs into an effects slot, then into an output slot. Simple but now you can add effects to that clean sounding thumbjam harp….very exciting, very easy to use and works very well so far, the odd problem with apps still running in the background if you drop them out of audiobus, which won’t be a problem once it’s more practiced.

Then we has samplr – a loop sampler with audiobus integration that is made for iPad – I won’t go into details and do a review but if you like messing with live looping, sampling and such like this and audiobus are worth buying an iPad for. It really does up the game for sound manipulation. We’re still getting to grips with these tools and then added to the mix there is liveFX – any fan of kaoss pads will love this 4 channels of xy pad effects with filters, delays, distortion and much more with recordable movements to add more life to the mix. Last super mention goes to Echo Pad – a great dub type delay app for really adding that dub echo sound to your productions – wonderful stuff. I now have as my preferred choice samplr in audiobus, running through LiveFX and then Echo Pad, Phil has been using a similar set up but with added drumjam for loops.

So the live broadcast was using these tools mainly which gave a much looser, organic feel to the sound, just decide on tempo and away we go, we started to pull together some interesting ambient dance type things together, not unlike The Orb etc.

It really is an exciting time to be using this technology, with new avenues opening up on a weekly basis. We’re both looking forward to seeing what comes next. The developers are having amazing ideas but the really interesting things are coming from small teams that are listening to us the musicians and moving things forward very quickly.

When I first told Shaun I’d try to write something for his blog I intended to describe my experiences with depression, and outline how my music and art had helped me overcome some of the worst aspects of the illness. But the more I thought about it the more I realised I couldn’t do that.

Why?

Well, it’s not like that for me. I wish I could tell you all an uplifting tale of triumph over adversity, about how my darkest moments have been bathed in light by the act of creation, or of the times I’ve turned the all consuming void of despair into some of the greatest art ever seen. But I can’t, because it wouldn’t be an accurate description of my situation.

My situation…..my situation is one where depression and anxiety has stripped me of confidence and robbed me of opportunity, where my relentlessly messed up brain chemistry has convinced me that everyone thinks that every single thing I do is shit.

I’m cursed with an exceptional memory for perceived slights, able to recall with vivid clarity the way I felt when, 23 years ago, on the afternoon before my first band’s first ever gig, my best friend at college suggested that he should sing for us that evening instead of me because ‘you can’t really sing, can you?’. I recall every single demo rejection from the days when that kind of thing seemed important, and I’m incapable of dismissing all the times I’ve been told that I’m not good enough, or that the music I made was ‘unsuitable’ for this or that venue, or event. Yes, I also remember the successes, the labels that wanted to put my music on vinyl, the Peel plays, the two appearances at T in the Park, the positive reviews (including having my guitar playing described as ‘inspired’ by Melody Maker, and Thee Moths’ second album being dubbed ‘lo-fi magic’ by NME), but those mean nothing to me. They seem too few and far between, and increasingly vanishing into the past.

No, my memory seems to disproportionately expand the negative events, and downplays the positives as if they were no big deal – hell, even writing the above caused a voice in the back of my head to start grumbling ‘stop being a boastful bastard’!

So I interpret someone having not noticed that I’ve got something available to listen to as a direct ‘fuck you!’ from them, I read ‘it’s not really the kind of thing we’d use’ as ‘you’re a worthless piece of crap, and your work is shit’, and I imagine that all my artist and musician friends see me as the talent less wannabe at the edge of their scene – the deluded hanger on who hasn’t the wit or self awareness to just pack it all in. Fuck, I even felt aggrieved that hardly anyone had noticed my birthday on Facebook! How messed up is that??

And I keep on making things, churning out more and more work, in many cases more in a single year than many artists make in a lifetime, as if quantity will make up for a self-assumed lack or quality, or the sheer weight of created things will cause people to pay attention…and then I get bitter and upset when I’m not hailed as the genius part of my ego thinks I should be praised as, even though a much larger part of my super-ego is simultaneously telling me that I’m rubbish and will always be cursed to obscurity.

Maybe moving to another city will help, as Birmingham is an absolute drag to do anything in. Maybe someone helping me out as a booking manager would be good, as I loathe having to deal with venues and promoters, whilst always being desperate to play as many shows as possible. Or maybe telling people what’s going on in my head will allow them to better understand me, and so lead to more opportunities from those who may have mistaken me for someone confident, someone in total control of his ‘career’. Maybe, or maybe not.

At the heart of it all is a mental illness, a depressive disorder with an anxiety component, which has whispered ‘you’re shit’ in my ear for 25 years, which would like nothing more than to see me give up creating altogether. Whether I do or not might ultimately depend of the levels of support I get from my peers and friends…help I feel unable to ask for. So, screwed if I do, screwed if I don’t. Yay,

So what’s the message from all this? Depression is a horrible thing to live with, and makes the standard struggles of artists into a bitterness inducing series of mis-interpreted reactions and imagined slights….and that’s not great for creativity.

First off, let’s get this straight….the title was obviously a reference to Joy Division but there won’t be a right lot of dancing going on. It was nearly called the Internet killed the radio star or some such nonsense so let’s just run with it for now and not over analyse it…..

A Safe Space is the blog but it’s also an art project, or more to the point I’m building it slowly into one. I’m not sure the direction I will take with it but the first step was to start writing the blog and start researching how I can use music/sound art and technology to help my recovery from depression. Or if not that at least give me a creative output for my emotions and a way to maybe help others in the future. At this stage all I know is that I want my career and my illness to be more respectful of each other, hopefully they can become friends and help each other. They have a history of fighting, but I’m trying to get them to see eye to eye, even if it’s just a begrudging nod of the head to each other when they pass on the stairs? We’ll see….

So I’m writing, but I’m also talking to other creatives about how they deal with mental health issues, including the start of guest blogs: you’ve already seen one’s from Beth & Jim and there’ll be one tomorrow from Alex. The future holds making art with people and how this can help recovery, I think maybe it will be very much a personal journey as if I try and create work for everyone it ends up being too bland. (See quite a bit of community art) Already I know from starting to put a playlist of calming music together that it is very subjective. I find some suggestions really grate on my nerves, mainly the modern pop ballads, the likes of Westlife and Boyzone really put me on edge. It just doesn’t resonate with me, I’m not particularly snobby about mainstream music – I quite like Take That, loved some stuff by All Saints, think Kate Bush is a genius but the Modern pop ballad, sorry no. Not for me. We’ll leave it there for now, it is something I’m very interested in though, why people like certain pieces of music, what pulls at them? Answers on a postcard to the usual address…

My first piece of work outside the blog is a commission for a sound art radio show for Octopus Collective. A brilliant music and sonic arts collective in Cumbria. I have won a commission as part of their FON Air series – radio shows looking at space and art radio. I am doing a live broadcast in March using the concept of the safe space, where we go to feel better, that could be a loved place that calms you, a place in your head you go to get away from it all, music you listen to that helps. I will be asking for recordings of these safe spaces to use as part of a big remix for the show. Keep a look out for more details about this soon.

I had a brilliant meeting with Andrew from Octopus today about the show and talked about content, threw some ideas around about what makes it radio in the Internet age? About digital culture and the ways art can help with mental health. Very energising chat and one that I’m sure we will carry on. Is it radio if it’s on the Internet? If the show is pre-recorded is this radio or a podcast. Does it need to be live? Does it need to come through an analogue radio? My feeling is it must be live, there must be a chance of something going wrong, even if it’s streaming digitally. So I’ll be improvising the show live on the day. I talked to Andrew about the apps I have downloaded to do live audio broadcasting on iPad/phone and the idea of broadcasting live from safe spaces. Not like a radio show but just broadcasting environmental sounds, a 20 minute live broadcast from the beach say. Then this collection of live events will become source material for the radio show.

Excitedly I did my first of these broadcasts tonight, a 15 minute broadcast called Live from the kitchen (click link to hear it) which was the sound of my kitchen. Starting with a boiling kettle, then dying down into just the ambient sound of the room. The buzz of the freezer and the chugging and creaking of the fridge. It was a great test run for the concept and worked well, with thumbs up from Andrew who listened in live 🙂 next I will look at coming off wifi and try and do a live broadcast using a phone and 3G to see if that works. Really excited to see what I can do, will try some live music also from different locations.

For all you technology types you might be wondering how you had the chance to hear my freezer live on the air? I’m using Spreaker on my iPad. There’s a great free app to get you started really quickly, you can use the built in mic plus also 2 ‘record’ decks linked to iTunes if you want to play tracks. There’s also an iPhone version , won’t broadcast on my old 3G though, you need a 3GS at least, and an android app. Look at their site for more details. I loved it and can’t wait to try it on 3G to see how it handles that. Check it out, or one of the other apps that do similar things. I only went with this first as it is the only one to load on my phone, then still not broadcast able as I said. (Getting near time to get a newer phone I guess).

So stay tuned for more transmissions and do let me know your thoughts – it might be a little arty farty for some, if it is please tell me why. Art becomes alive in these bits of conversation, and good discussions promote better work. Any ideas for further reading or research on the boundaries of mental health, creativity and technology greatly appreciated.

An interesting band Talk Talk. I remember them being a synth pop band, they were OK, quite liked Such A Shame and even bought Talk Talk the single, then kinda forgot about them. Then sometime in the early 90’s I was introduced to the later albums, Spirit Of Eden & Laughing Stock. Sometimes music just hits you right between the eyes and both these albums do, especially Laughing Stock. I’m listening to it now and it still sounds as warm, soulful and full of wounded wonder as it did 20 years a go.

It’s hard to explain the sound of Laughing Stock, a post jazz, minimal, melancholic, smoky vision of another life, another world. It hazily passes by with no real choruses, the lyrics are abstract and convey only illusions of narrative. But it feels so alive. Every note is just perfect, it washes over you in waves of emotion, pulling you in to it’s heart, on the verge of joyous tears, knowing every passage but discovering new sounds every play.

It’s not an album to stick on at a dinner party, it’s one for late night contemplation and meditation. It has atmospheres that fade in and out but that demand your full attention, drifts then swells into forceful passages that leave you giddy before drifting away again.

Laughing Stock has become my favourite album. I never get tired of listening to it. It’s seen me through some dark nights, it’s deep humanity keeping me going when my depression has made me very vulnerable, pulled me back from stupid actions a couple of times. I’m very much not religious but this takes me as close to the spiritual as I get. The music is enough, it’s pure human spirit, fragile and unsure and angry and at peace with itself.

It also has been a massive influence on my own music, the search for that drifting sense of nostalgia and humanity. I’ve not come close to the majesty of Laughing Stock or the genius of it’s leader Mark Hollis but that’s what keeps me going.

So turn the lights down low and take a wonderful emotional journey to the heart of the human spirit.