This is a very good film - produced well, like a jerky Super 8 transferred to digital, but short enough not to become irritating.

Joe Boyd is always a good subject, never short of stories that always remain this side of modest - and he does have a lot to be boastful of. I especially like his discussion of the album sleeves, and his attention to their detail. And the big revelation for me: the impact and influence of Cornelius Cardew on Syd Barrett.