three monitor installation 15:00 mins, 1991“Refiguring the Media Image”, Ivan Dougherty Gallery Sydney (1991)
A recreation of the 1980s installation using a third monitor which featured a series of masks.
Peter Callas

Two monitor installations 11:00 mins, 1980
These dual screen works aimed to contrast manipulated and unmanipulated imagery. The source imagery for Shared Shadow was filmed in a park in Rozelle, Sydney, utilising the shadow of the camera, tripod and operator (myself). The second screen shows an identical sequence in (rough) synchronisation...

Style (1988), 4:25 mins, Sydney.
CVI imagery used on four screens fed by four synchronised laser disks to depict objects from the Style collection of the Powerhouse Museum, Sydney. This installation ran for the first seven years of the Powerhouse. [Peter Callas]

installation incorporating videos and multiple slide projections, 1988Artspace Sydney (1988); Praxis, Perth (1988); Australian Centre for Contemporary Art,Melbourne (1988)
Installation presentation of work made in Japan, with multiple slide projections on the walls. (The composition above was produced with four slide projectors and one monitor; the slide composition measuring approximately 3.5...

three monitor installation, 20:00 mins, 1981Roslyn Oxley Gallery Sydney, 1981
This piece was made in reaction to my involvement in the filming of the documentary Deadly Harvest in Thailand and the Shan States of Burma. The two person crew were in the ultimately unsuccessful pursuit of an interview with a notorious...

Journeys aiding memory are something we are all familiar with. For the most part, they take the form of viewing a family photo album or reliving and sharing oral histories. In Julie Dowling’s Oottheroongoo (your country), we are invited to accompany the artist on a recent journey to her ancestral country. As...

Two-channel vertical video Colour, silentMaster tape: HDCAMAvailable HDCAM, DigiBeta PALShot on HDV
"Aqua/ocean continues the Aqua series of works, which depict people immersed in different bodies of water. On a grey day, surfers paddle out towards a ship that passes without stopping. A rainbow arches across the overcast sky." Merilyn Fairskye
Camera/Director/Editor:...

Three-channel video installation 3 custom screens (168 x 300cm)Colour, stereo sound
Fieldwork continues my longstanding interest in the relationship between the still and moving image. As with my recent works, Stati d’Animo (2005-07) and Aqua (2007), time and duration come into play in different ways in each of these new works: Fieldwork I (Echo Point, Giza, Pripyat) (2009)...

Single channel video projection Colour, silent
Fieldwork continues my longstanding interest in the relationship between the still and moving image. As with my recent works, Stati d’Animo (2005-07) and Aqua (2007), time and duration come into play in different ways in each of these new works: Fieldwork I (Echo Point, Giza, Pripyat) (2009) andFieldwork II (Chernobyl) (2009).