Saturday, June 15, 2013

General relativity contains solutions in which two distant black holes are
connected through the interior via a wormhole, or Einstein-Rosen bridge. These
solutions can be interpreted as maximally entangled states of two black holes
that form a complex EPR pair. We suggest that similar bridges might be present
for more general entangled states.
In the case of entangled black holes one can formulate versions of the
AMPS(S) paradoxes and resolve them. This suggests possible resolutions of the
firewall paradoxes for more general situations.Cool horizons for entangled black holes Juan Maldacena, Leonard Susskind

One of the most enjoyable and inspiring physics papers I have read in recent years is this one by Mark Van Raamsdonk. Building on earlier observations by Maldacena and by Ryu and Takayanagi.
Van Raamsdonk proposed that quantum entanglement is the fundamental
ingredient underlying spacetime geometry. Since my first encounter with
this provocative paper, I have often mused that it might be a Good Thing
for someone to take Van Raamsdonk’s idea really seriously. Entanglement=Wormholes preskill

Since there exists in this four dimensional structure [space-time] no longer any sections which represent "now" objectively, the concepts of happening and becoming are indeed not completely suspended, but yet complicated. It appears therefore more natural to think of physical reality as a four dimensional existence, instead of, as hitherto, the evolution of a three dimensional existence

If man thinks of the totality as constituted of independent fragments, then that is how his mind will tend to operate, but if he can include everything coherently and harmoniously in an overall whole that is undivided, unbroken, and without a border then his mind will tend to move in a similar way, and from this will flow an orderly action within the whole. (David Bohm, Wholeness and the Implicate Order, 1980)

Thoughts cross my mind as it did with Susskind's journey into the understanding of how something like a rubber band could have helped him made sense of anything. Just as with Einstein, and how it finally came to him in the understanding of the geometry Grossmann had presented to him?

That intuitive leap is an important one in my view when it has been understood that all the data had been gone through, and ultimately, as if resting in some state of equilibrium( it should be understood that QGP and Lagrangian numbers provide such places in my mind), it was fortunate for an access to potential was realized by working to arrive at such a point.

If you picture probabilistic valuation as a link between such a funnel pointing toward the tip of Pascal's triangle, then what fills that funnel(potential) and what comes out of Pascal's triangle? What s the nature of that numbered system. Choose one?

If you can funnel such potential through a point it is more then the constraint with which others may see this proverbial struggle as to identify it as a koan, but more to realize that such potential is the very essence of accessing such a point and allowing the solution toward materialism, which was logically conducive to combing all that data.

So the idea here is that such a heat death could have happened within any mind that the very essence of such a QGP was to realize that it provide for such "a mean" in which transference of information could take place? So how can any mind ever go there?:)

I mean for sure, not only was I concerned about finding this place inside each of our selves and the truth seeking that goes on, but also toward understanding that this was a cosmological process about which sustenance of the universe could have ever been measured in it's "status quo?"

4Arthur Fine (1986) characterizes such a move, this not the only instance in Einstein's thinking, as the "entheorizing" of a methodological principle in the form of a physical postulate. Fine, however, argues that determinism is, for Einstein, the entheorized version of realism.

It is most certainly important for myself to maintain some thread of consistency in regard to how we look at reality and how one theorizes about it. So sure... what was Einstein's Realism all about?

So you have to follow that line of thinking?

It still is about truth. About looking to understand it, and being able to know when you have come across it. Does it sound right to you, and does it ring at the very basis of your being when you recognize it?

And in a 28 November 1944 letter to Robert Thornton he echoed those words of nearly thirty years earlier:

I fully agree with you about the significance and educational value of methodology as wellas history and philosophy of science. So many people today—and even professionalscientists—seem to me like somebody who has seen thousands of trees but has never seena forest. A knowledge of the historic and philosophical background gives that kind ofindependence from prejudices of his generation from which most scientists are suffering.This independence created by philosophical insight is—in my opinion—the mark ofdistinction between a mere artisan or specialist and a real seeker after truth. (Einstein toThornton, 7 December 1944, EA 61-574)

Tuesday, June 22, 2010

The connection to the design of the tower and the comment on pueblo design sparked familiarity with a image of a tower on the edge of the grand canyon and my posting on the Old One. 13.7 blog just recently had a blog posting on the religiosity of Einstein.

Desert View Watchtower was built in 1932 and is one of Mary Colter's best-known works. Situated at the far eastern end of the South Rim, 27 miles (43 km) from Grand Canyon Village, the tower sits on a 7,400 foot (2,256 m) promontory. It offers one of the few views of the bottom of the Canyon and the Colorado River. It is designed to mimic an Anasazi watchtower though it is larger than existing ones.[18]

I was wondering if there was some correlation that inspired Einstein with the Einstein Tower with that architectural design of the native culture?

***

It is designed to mimic an Anasazi watchtower though it is larger than existing ones

Picture of Einstein was in 1931 while tower was 1932?

Anyway, I thought this picture important from a mandalic understanding of giving a historical example of what can be embedded in the very soul of an individual, as if this is an example of the foundations of mathematics depicted even historically cast in design and what is common among human beings today in their foundational search for meaning.

Fred Kabotie (c.1900 - 1986) was a famous Hopi artist. Born Nakayoma (Day After Day) into the Bluebird Clan at Songo`opavi, Second Mesa, Arizona, Kabotie attended the Santa Fe Indian School, and learned to paint. In 1920, he entered Santa Fe High School, and commenced a long association with Edgar Lee Hewett, a local archaeologist, working at such excavations as Jemez Springs, New Mexico and Gran Quivira. He also sold paintings for spending money.

In 1926, Kabotie moved to Grand Canyon, Arizona, working for the Fred Harvey Company as a guide. After various other jobs and travel, he was hired in 1932 by Mary Colter to paint his first murals at her new Desert View Watchtower.

Kabotie went on to a distinguished career as a painter, muralist, illustrator, silversmith, teacher and writer of Hopi Indian life. He continued to live at Second Mesa. Kabotie was instrumental in establishing the Hopi Cultural Center and served as its first president.

Wednesday, January 23, 2008

As I pounder the very basis of my thoughts about geometry based on the very fabric of our thinking minds, it has alway been a reductionist one in my mind, that the truth of the reality would a geometrical one.

The emergence of Maxwell's equations had to be included in the development of GR? Any Gaussian interpretation necessary, so that the the UV coordinates were well understood from that perspective as well. This would be inclusive in the approach to the developments of GR. As a hobbyist myself of the history of science, along with the developments of today, I might seem less then adequate in the adventure, I persevere.

On the Hypotheses which lie at the Bases of Geometry.Bernhard RiemannTranslated by William Kingdon Clifford

Translation of letter from Einstein's to the American G.E. Hale by Stefan of BACKREACTION

Zurich, 14 October 1913

Highly esteemed colleague,

a simple theoretical consideration makes it plausible to assume that light rays will experience a deviation in a gravitational field.

[Grav. field] [Light ray]

At the rim of the Sun, this deflection should amount to 0.84" and decrease as 1/R (R = [strike]Sonnenradius[/strike] distance from the centre of the Sun).

[Earth] [Sun]

Thus, it would be of utter interest to know up to which proximity to the Sun bright fixed stars can be seen using the strongest magnification in plain daylight (without eclipse).

Fast Forward to an Effect

Bending light around a massive object from a distant source. The orange arrows show the apparent position of the background source. The white arrows show the path of the light from the true position of the source.

To me, gravitational lensing is a cumulative affair that such a geometry borne into mind, could have passed the postulates of Euclid, and found their way to leaving a "indelible impression" that the resources of the mind in a simple system intuits.

Einstein, in the paragraph below makes this clear as he ponders his relationship with Newton and the move to thinking about Poincaré.

The move to non-euclidean geometries assumes where Euclid leaves off, the basis of Spacetime begins. So such a statement as, where there is no gravitational field, the spacetime is flat should be followed by, an euclidean, physical constant of a straight line=C?

It is never easy for me to see how I could have moved from what was Euclid's postulates, to have graduated to my "sense of things" to have adopted this, "new way of seeing" that is also accumulative to the inclusion of gravity as a concept relevant to all aspects of the way in which one can see reality.

Friday, February 02, 2007

In the post, Hermetic Ties, I showed how historically information was engraved, crafted, into the woodcuts, for knowledge based on alchemist interests. I further explained the process as I have come to know of it in terms of developing this "inquisitive search into the mystery's of what life" is about how the questioning mind of any person can become the "way of the teacher" as well, enclosed within that same person.

The teacher/student relation then is inherent in each of us, that we understand how one can push the other in our inquirers. Comparable to "this Arch of understanding" I spoke about.

Geometrically, I laid this over top of the circle, mandalic in interpretation, that it served to raise the wonder in mind of what is driving this relation of the student with the world around them. "As the teacher" finding consequence to every inquisitive act, in answer.

Such results then become the new and alternate plan to what is used to describe this new found relation. Ways in which the driving force of "wanting to learn" become an inherent "topological feature" of what begins descriptively, now has this inner/outer consequent to "expanding the frontiers of our knowledge base," inherently expanding the "fluttering of this egg of colour" that surrounds each of us.

Debate if you will the words associated to "fluttering of this egg" and ask your self about what science has accomplished in mapping neurological sequences with the patterns of thought in relation to the condensible brain? What it might reveal of the "condensible features." Might such action also reveal in the "outer cover?"

"In 1680, Isaac Newton worked on the abstract problem of gravity and he changed the world. In 1820, Michael Faraday discovered a connection between the exotic phenomena of electricity and magnetism and his discoveries electrified the world. Einstein's 1905 conceptual obsession with space and time led to nuclear energy and the operation of accelerators for knowledge, for cancer therapy and for machines that provide luminescent x-ray photographs of viruses and toxins. In 1897, the "useless" electron was discovered. In 1977, Fermilab discovered the bottom quark and in 1995 the top quark was found. The lessons of history are clear. The more exotic, the more abstract the knowledge, the more profound will be its consequences." Leon Lederman, from an address to the Franklin Institute, 1995

So before this "act of change existed," the position of the student/teacher had already formed a consensus. I was looking to find this place amongst the order of such changes. It became the study I have placed myself "in" as I look to understand what scientists are saying from the "accepted position" they assume. As they work to develop "insight" and "model changes" to what we already know. To push "beyond" these boundaries of thought. The "standard model" perhaps.

That I may give credence to what is hidden by Raphael in "his painting" is to gather a lot of perspective of the history of the times. To have them all resting on the "stairs and ladder of progression" to perfecting this relation "of the inquirer."

The painting serves in this "mandalic sense" to represent the action of Plato and Aristotle as key figures in this relationship of "above and below." Inner and outer. Why their centralized location in the picture

I have been short on time, so the articles that I have read are snippets of the "larger picture" while I can get back to more research.

But the essence "is" that along with "this change with discoveries," scientists have this way about handling things. This has been reiterated by Clifford and others in science. So I just wanted to highlight this. AS part of this fundamental status of moving to ward these consequences and statement of change.

So again by giving credence to what scientists have requested by those who are of the science themself, serve as role models for what is accepted, as we investigate and report.

To visit perspective scientists in the know, are not the way in which to say, "hey listen I have found this to be so and so," and have some "revolutionary change." To let them alone, and continue to push the boundaries of the trade by investigating the work that they do, and learn accordingly. To read what they have written, and join in by asking what you are not sure about. Of course depending on the scientist's openness to sharing of themself, realizing "the greater message" can be conveyed to the many.

How did they get to their perspective positions that they know more then what you know and we had not assimilated the required knowledge? What is every statement saying, about what you know of the science "against" what they have learnt and we may lack the comprehensive understanding of what laws we see applied in every case.

Under this whole post exist the thoughts then about Thomas Kuhn and the paradigm as it would have shown itself as "change that had consequence." Only now do you see this relation here while speaking about change and consequence, did you not know that it followed some rules according to some kind of model and research?

Thomas Kuhn

See here for more information on the person, and model perspective. The paragraph is taken to show the connection to the research work already done in the past, on my part. The label as well will reveal earlier thinking as I integrate what I understood of the philosophy, and "other perspectives" as well.

Friday, January 05, 2007

“Mathematicians have tried in vain to this day to discover some order in the sequence of prime numbers, and we have reason to believe that it is a mystery into which the mind will never penetrate”(cited by Ivars Peterson in Science News, 5/4/2002).

I have an idea in mind here that will be slow to show because I am not sure how it is supposed to be laid out. So maybe by showing these numbers by them self? What use, if one did not, or was not able to see in another way?

I looked at the "straight lines" of Thomas Young's trajectories of photon emission and while quite understandably shown to be of consequence in this post "Interference." I was more interested in how something could start off in one place and do this rotation of sorts, and then come back for examination again in the real world. The Spectrum

But it is also in mind "that the image" has to be put here also before the numbers can show them self. What use these numbers if I do not transcend them to what they can imply in images, to know that the thinking here has to be orientated in such a way that what was simple and straight forward, could have non-euclidean orientations about it?

So one reads history in a lot of ways to learn of what has manifested into todays thinking. What lead from "Gaussian coordinates in an "non-euclidean way" to know that it had it's relation in today's physics. To have it included in how we see the consequences of GR in the world. It had been brought together for our eyes in what the photon can do in the gravitational field.

Who was to know what Leonard Susskind was thinking when his mathematical mind was engaged in seeing this "rubber band" had some other comparative abstraction, as something of consequence in our world. Yet, people focus on what they like to focus on, other then what "lead the mind" to think the way they do?

One does not have to think, or be insulted by "such stories" that have captured minds in our history. The "ideas of cultures" are pervaded by such religious practises and context, by the fascination of some greater being? Having worked with them long enough?

As a scientist, you know your place in the world. Yet, you dream of such "fantastical stories." About things travelling through the little towns in Europe, as if, seeing the "Overlords of Science." Like some futuristic God making it's way through the town of some primitive era on earth. "Shocked people" looking from windows, as this enormous object in the "war of the worlds," has finally come upon us.

It is important that one understands that such a thing having been studied by our scientists, is still a "noble thing." Where we learn to understand what these things could represent symbolically? Enlightenment possibly? When all the understanding of the "Neutrino overlords" are understood in their place and time.

Monday, January 01, 2007

Imagine in an "action of a kind" you start off from one place. A photon travelling through a slit of Thomas Young's, to get through "a world" to the other side. Sounds like some fairy tale doesn't it? Yet, "the backdrop" is where you started?

Simplistically this "massless entity" is affected by the "geometrics of gravity?" Is affected from it's "first light." All the way to some "other point in reality" to some image, called the spectrum.

I am dreaming. I am walking down the street and there is this "N category cafe."

Imagine walking off the street into this very public venue and seeing the philosophy shared is also held to certain constraints. :)Philosophy? Yes, we all have our "points of view."

Travelling the Good Life with Ease

So in this travel how is one to see this "curve of light" or "slide" and we get this sense of what gravity can do.

Imagine indeed, "a hole cosmological related" in the three body problem, it has to travel through, and we get this sense of "lensing and distortion," abstractually gravitationally induced?

So as we look at the cosmos what illusion is perpetrated on our minds as we look into the "great distance of measure" that somehow looking to the journey of "an event local," from our place on and about earth, has not been "chaotically entrained in some way, as we look deep into space?

It was necessary to explain why I added "the image" to the right in my index.

Some would think me so "esoteric" that I had somehow lost touch with the realities of science? That to follow any further discussion here "has to be announced" to save one's dignity? What ever?:)I am esoteric in that my views of the world come from a different place, not unlike your expression of where you had come from living your life. How would I come to know all that you are in a "single sentence." A single and very short equation? It's really not that easy is it?:)

So I read you from all the things that you say and get the sense of who you are no different then what is implied in the language of poetic art implied carefully from choosing your words?

Artistically Inclined?

I tried to give some hint of the "ideas floating" around in my head. I understand quite well that my challenge has been to get those "images in my head" transmitted onto paper, in a way that one would not become confused as to what is being implied.

So a good writer I may not be, a "not so good scientist" whose mathematics very ill equipped.

Thus I am faced with these challenges in the new year? A "recognition" of trying to produce that clarity. Whether in "latex" the symbols of mathematics, it is quite a challenge for me, whilst all these things are still engaged in abstract views of reality.

But to my amazement this morning in checking up the links associated of Clifford's, I was amazed to see the article of, Hooking Up Manifolds

Now how interesting that what is being displayed there in terms of fun, mathematics, art, could have been so abstractly appealing? "Moving over these surfaces" in ways that one might never appreciated, had you not known about how one can look at the universe in the "two ways mentioned previously," and by simple experiment, transcend such things to art.

Of course my mind is thinking about the cosmic triangle of an event in the cosmos. So I am wondering what is causing the "negative pressure" as "dark energy," and why this has caused the universe to speed up.

By defining the context of particle collisions it was evident that such a place where such a fluid could have dominated by such energy in stars, are always interesting as to what is ejected from those same stars. What do those stars provide for the expression of this universe while we are cognoscente of the "arrow of time" explanation.

So of course these thoughts are shared by the perspective of educators to help us along. But if one did not understand the nature of the physical attributes of superfluids, how would one know to think of the relativistic conditions that high energy provides for us?

Of course it is difficult for me to understand this process, but I am certainly trying. If one had found that in the relativistic conditions of high energy scenarios a "similarity to a flattening out" associated with an accelerating universe what would this say about information travelling from the "origins of our universe" quite freely. How would this effect dark energy?

So events in the cosmos ejected the particles, what geometrical natures embued such actions, to have these particle out in space interacting with other forms of matter to create conditions that would seem conducive to me, for that negative pressure?

Friday, November 24, 2006

Time is of your own making; its clock ticks in your head. The moment you stop thought time too stops dead.Angelus Silesius

The plot created here in this post in this fictional sense(?) so that I too may deal with the issues of time travel?

Of course time travel is on my mind for reason that some may not suspect, yet it is with "past history" that we are "embedded with knowledge" from our past attempts. From these, if knowledge is acquired for each soul, then how is it that it sat for for the day to be awaken properly? Where did we begin?

If we had been changed then, had it been from the Tabula Rusa being blank?

It is as if, "the cosmologist has been detained," bewteen the beginning and end of this universe, yet, shall not ask, "what is it" and, "how did it begin?" That it's very existance it came from nothing, thus, shall never end? How illogical is this?

Plato:One of the things that appeared so strange to me was in how we could look at gravitational variances with scientific means. As we know now, this is being accomplished in ways that test the minds imagination, as to how we would apply these features here to earth, and beyond.Timespeak

How "warped the mind then," to create such a controversy. Use this to exemplify a point about creativity? Have I some how degraded "the wording" to show that "what is possssible" is indeed the imaginary mind that likes to play tricks, whilst it developes this whole new train of thought? Simultaneity?

Sir Francis Bacon, disguised by "Shakespearean thought," was just an actor of "creativity," portraying a role of a political man? Yet, the thoughts extended, as if this man was in another place and time? Is it that easy? This story true?

Plato:Creativity? Ways in which we allow "information" to travel through? Play the game? Allow "ingenuity" as the "poetic river that flows" to the surface on you, from everything, or, the blank slate?

Is it useless knowledge then or that science requires this blank slate to allow us to deliver on the basis of science? Each starting position, that we write clearly and hence know that from that time forward, what is being built upon?

Time travel

Plato:Thus the initial idea here to follow is that the process had to have a physics relation. This is based on the understanding of anti-particle/particle, and what becomes evident in the cosmos as a closed loop process. Any variation within this context, is the idea of "blackhole anti-particle expression" based on what can be seen at the horizon?Tunneling in Faster then Light

So previous(Tunneling in Faster than Light) to this post, I tried to show where my thinking was currently held in regards to anti-particle/particle, as examples of what is happening in LHC.

Also, I cleared the air of what was held in mind in terms of the Cerenkov radiation transported ahead of, in faster then light medium capabilities as the blue light. This does not remove my speculations in terms of what is happening in probing the "perfect fluid" and the dissipative effect of microstate blackhole creation. What happens in that moment of high energy collision processes.

Wednesday, November 22, 2006

Underneath this speculation of mine is the geometrical inclination of the universe in expression. If it's "dynamical nature is revealed" what allows us to think of why this universe at this time and junction, should be flat(?) according to the time of this universe in expression?

Positive energy density gives spacetime of the universe a positive curvature. A sphere? Negative curvature a region of spacetime that is negative and curved like a saddle? For time travel, and travel into the past, you need a universe that has a negative energy density.

Thus the initial idea here to follow is that the process had to have a physics relation. This is based on the understanding of anti-particle/particle, and what becomes evident in the cosmos as a closed loop process. Any variation within this context, is the idea of "blackhole anti-particle expression" based on what can be seen at the horizon?

A anti-particle can be considered as a particle moving back in time? Only massless particle can travel faster then light. Only faster then light massless particles can travel back in time? So of course, I am again thinking of the elephant process of Susskind and the closed loop process of the virtual particle/anti-particle. What comes out of it?

So the anti-particle falls into the blackhole? How is it that I resolve this?? You can consider the anti-particle as traveling back in time. The micro perspective of the blackhole allows time travel backwards.

So "open doorways" and ideas of "tunneling" are always interesting in terms of how we might look at an area like GR in cosmology? Look for way in which such instances make them self known.

Are they applicable to the very nature of quantum perceptions that such probabilities could have emerged through them? Held to "time travel scenarios" and grabbed the history of what had already preceded us in past tense, could have been brought again forward for inspection?

Sure I am quoting myself here, just to show one of the options I am showing by example. The second of course is where I was leading too in previous posts.

So I was thinking here in context of one example in terms of the containment of the "graviton in a can" is really letting loose of the information in the collision process, as much as we like this "boundary condition" it really is not so.

Of course I am looking for processes in physics that would actually demonstrate this principal of energy calculated at the very beginning of the collision process, now explained in the detector, minus the extra energy that had gone where?

This is the basis for the "Graviton in a can" example of what happens in the one scenario.

Plato:

A Bose-Einstein condensate (such as superfluid liquid helium) forms for reasons that only can be explained by quantum mechanics. Bose condensates form at low temperature

So in essence the physics process that I am identifying is shown by understanding that the "graviton production" allows that energy to be transmitted outside the process of the LHC?

This is the energy that can be calculated and left over from all the energy assumed in the very beginning of this collision process. Secondly, all energy used in this process would be in association with bulk perspective.

This now takes me to the second process of "time travel" in the LHC process. The more I tried to figure this out the basis of thought here is that Cerenkov radiation in a vacuum still is slower then speed of light, yet within the medium of ice, this is a different story. So yes there are many corrections and insight here to consider again.

So while sleeping last night the question arose in my mind as to the location of where the "higgs field" will be produced in the LHC experiment? Here also the the thoughts about the "cross over point" that would speak to the idea here of what reveals faster then light capabilities arising from the collision process?

So we get the idea here in the collision process and from it the crossover point leaves a energy dissertation on what transpired from this condition and left the idea in my mind about the circumstances of what may have changed the the speed of the cosmos at varying times in the expansion process within our universe. So, this is where I was headed as I laid out the statement below.

So what is the jest of my thought here that I would go to great lengths here to speak about the ideas of what happens within the cosmos to change those varying times of expansion? It has to do with the Suns and the process within those suns that give the dark energy some value, in it's anti- gravity nature to align our selves and our thinking to the cosmological constant of Einstein. If we juggle the three ring circus we find that the curvature parameters can and do hold thoughts govern by the cosmological constant?

It is thus equally important to identify this "physics process" that would allow such changes in the cosmos. So that we can understand the dynamical nature that the cosmos reveals to us can and does allow aspect of its galaxies within context of the universe to increase this expansive process while we question what drives such conditions.