A Connecticut Yankee in King Arthur's Court
By
Mark Twain
Chapters 16-18

So I braced up and placed my matter before her royal Highness. I said I had been having a general jail-delivery at Camelot and among neighboring castles, and with her permission I would like to examine her collection, her bric-a-brac — that is to say, her prisoners. She resisted; but I was expecting that. But she finally consented. I was expecting that, too, but not so soon. That about ended my discomfort. She called her guards and torches, and we went down into the dungeons. These were down under the castle's foundations, and mainly were small cells hollowed out of the living rock. Some of these cells had no light at all. In one of them was a woman, in foul rags, who sat on the ground, and would not answer a question or speak a word, but only looked up at us once or twice, through a cobweb of tangled hair, as if to see what casual thing it might be that was disturbing with sound and light the meaningless dull dream that was become her life; after that, she sat bowed, with her dirt-caked fingers idly interlocked in her lap, and gave no further sign. This poor rack of bones was a woman of middle age, apparently; but only apparently; she had been there nine years, and was eighteen when she entered. She was a commoner, and had been sent here on her bridal night by Sir Breuse Sance Pite, a neighboring lord whose vassal her father was, and to which said lord she had refused what has since been called le droit du seigneur, and, moreover, had opposed violence to violence and spilt half a gill of his almost sacred blood. The young husband had interfered at that point, believing the bride's life in danger, and had flung the noble out into the midst of the humble and trembling wedding guests, in the parlor, and left him there astonished at this strange treatment, and implacably embittered against both bride and groom. The said lord being cramped for dungeon-room had asked the queen to accommodate his two criminals, and here in her bastile they had been ever since; hither, indeed, they had come before their crime was an hour old, and had never seen each other since. Here they were, kenneled like toads in the same rock; they had passed nine pitch dark years within fifty feet of each other, yet neither knew whether the other was alive or not. All the first years, their only question had been — asked with beseechings and tears that might have moved stones, in time, perhaps, but hearts are not stones: "Is he alive?" "Is she alive?" But they had never got an answer; and at last that question was not asked any more — or any other.

I wanted to see the man, after hearing all this. He was thirty-four years old, and looked sixty. He sat upon a squared block of stone, with his head bent down, his forearms resting on his knees, his long hair hanging like a fringe before his face, and he was muttering to himself. He raised his chin and looked us slowly over, in a listless dull way, blinking with the distress of the torchlight, then dropped his head and fell to muttering again and took no further notice of us. There were some pathetically suggestive dumb witnesses present. On his wrists and ankles were cicatrices, old smooth scars, and fastened to the stone on which he sat was a chain with manacles and fetters attached; but this apparatus lay idle on the ground, and was thick with rust. Chains cease to be needed after the spirit has gone out of a prisoner.

I could not rouse the man; so I said we would take him to her, and see — to the bride who was the fairest thing in the earth to him, once — roses, pearls, and dew made flesh, for him; a wonder-work, the master-work of nature: with eyes like no other eyes, and voice like no other voice, and a freshness, and lithe young grace, and beauty, that belonged properly to the creatures of dreams — as he thought — and to no other. The sight of her would set his stagnant blood leaping; the sight of her —

But it was a disappointment. They sat together on the ground and looked dimly wondering into each other's faces a while, with a sort of weak animal curiosity; then forgot each other's presence, and dropped their eyes, and you saw that they were away again and wandering in some far land of dreams and shadows that we know nothing about.

I had them taken out and sent to their friends. The queen did not like it much. Not that she felt any personal interest in the matter, but she thought it disrespectful to Sir Breuse Sance Pite. However, I assured her that if he found he couldn't stand it I would fix him so that he could.

I set forty-seven prisoners loose out of those awful rat-holes, and left only one in captivity. He was a lord, and had killed another lord, a sort of kinsman of the queen. That other lord had ambushed him to assassinate him, but this fellow had got the best of him and cut his throat. However, it was not for that that I left him jailed, but for maliciously destroying the only public well in one of his wretched villages. The queen was bound to hang him for killing her kinsman, but I would not allow it: it was no crime to kill an assassin. But I said I was willing to let her hang him for destroying the well; so she concluded to put up with that, as it was better than nothing.

Dear me, for what trifling offenses the most of those forty-seven men and women were shut up there! Indeed, some were there for no distinct offense at all, but only to gratify somebody's spite; and not always the queen's by any means, but a friend's. The newest prisoner's crime was a mere remark which he had made. He said he believed that men were about all alike, and one man as good as another, barring clothes. He said he believed that if you were to strip the nation naked and send a stranger through the crowd, he couldn't tell the king from a quack doctor, nor a duke from a hotel clerk. Apparently here was a man whose brains had not been reduced to an ineffectual mush by idiotic training. I set him loose and sent him to the Factory.

Some of the cells carved in the living rock were just behind the face of the precipice, and in each of these an arrow-slit had been pierced outward to the daylight, and so the captive had a thin ray from the blessed sun for his comfort. The case of one of these poor fellows was particularly hard. From his dusky swallow's hole high up in that vast wall of native rock he could peer out through the arrow-slit and see his own home off yonder in the valley; and for twenty-two years he had watched it, with heartache and longing, through that crack. He could see the lights shine there at night, and in the daytime he could see figures go in and come out — his wife and children, some of them, no doubt, though he could not make out at that distance. In the course of years he noted festivities there, and tried to rejoice, and wondered if they were weddings or what they might be. And he noted funerals; and they wrung his heart. He could make out the coffin, but he could not determine its size, and so could not tell whether it was wife or child. He could see the procession form, with priests and mourners, and move solemnly away, bearing the secret with them. He had left behind him five children and a wife; and in nineteen years he had seen five funerals issue, and none of them humble enough in pomp to denote a servant. So he had lost five of his treasures; there must still be one remaining — one now infinitely, unspeakably precious, — but which one? wife, or child? That was the question that tortured him, by night and by day, asleep and awake. Well, to have an interest, of some sort, and half a ray of light, when you are in a dungeon, is a great support to the body and preserver of the intellect. This man was in pretty good condition yet. By the time he had finished telling me his distressful tale, I was in the same state of mind that you would have been in yourself, if you have got average human curiosity; that is to say, I was as burning up as he was to find out which member of the family it was that was left. So I took him over home myself; and an amazing kind of a surprise party it was, too — typhoons and cyclones of frantic joy, and whole Niagaras of happy tears; and by George! we found the aforetime young matron graying toward the imminent verge of her half century, and the babies all men and women, and some of them married and experimenting familywise themselves — for not a soul of the tribe was dead! Conceive of the ingenious devilishness of that queen: she had a special hatred for this prisoner, and she had invented all those funerals herself, to scorch his heart with; and the sublimest stroke of genius of the whole thing was leaving the family-invoice a funeral short, so as to let him wear his poor old soul out guessing.

But for me, he never would have got out. Morgan le Fay hated him with her whole heart, and she never would have softened toward him. And yet his crime was committed more in thoughtlessness than deliberate depravity. He had said she had red hair. Well, she had; but that was no way to speak of it. When red-headed people are above a certain social grade their hair is auburn.

Consider it: among these forty-seven captives there were five whose names, offenses, and dates of incarceration were no longer known! One woman and four men — all bent, and wrinkled, and mind-extinguished patriarchs. They themselves had long ago forgotten these details; at any rate they had mere vague theories about them, nothing definite and nothing that they repeated twice in the same way. The succession of priests whose office it had been to pray daily with the captives and remind them that God had put them there, for some wise purpose or other, and teach them that patience, humbleness, and submission to oppression was what He loved to see in parties of a subordinate rank, had traditions about these poor old human ruins, but nothing more. These traditions went but little way, for they concerned the length of the incarceration only, and not the names of the offenses. And even by the help of tradition the only thing that could be proven was that none of the five had seen daylight for thirty-five years: how much longer this privation has lasted was not guessable. The king and the queen knew nothing about these poor creatures, except that they were heirlooms, assets inherited, along with the throne, from the former firm. Nothing of their history had been transmitted with their persons, and so the inheriting owners had considered them of no value, and had felt no interest in them. I said to the queen:

"Then why in the world didn't you set them free?"

The question was a puzzler. She didn't know why she hadn't, the thing had never come up in her mind. So here she was, forecasting the veritable history of future prisoners of the Castle d'If, without knowing it. It seemed plain to me now, that with her training, those inherited prisoners were merely property — nothing more, nothing less. Well, when we inherit property, it does not occur to us to throw it away, even when we do not value it.

When I brought my procession of human bats up into the open world and the glare of the afternoon sun — previously blindfolding them, in charity for eyes so long untortured by light — they were a spectacle to look at. Skeletons, scarecrows, goblins, pathetic frights, every one; legitimatest possible children of Monarchy by the Grace of God and the Established Church. I muttered absently:

"I wish I could photograph them!"

You have seen that kind of people who will never let on that they don't know the meaning of a new big word. The more ignorant they are, the more pitifully certain they are to pretend you haven't shot over their heads. The queen was just one of that sort, and was always making the stupidest blunders by reason of it. She hesitated a moment; then her face brightened up with sudden comprehension, and she said she would do it for me.

I thought to myself: She? why what can she know about photography? But it was a poor time to be thinking. When I looked around, she was moving on the procession with an axe!

Well, she certainly was a curious one, was Morgan le Fay. I have seen a good many kinds of women in my time, but she laid over them all for variety. And how sharply characteristic of her this episode was. She had no more idea than a horse of how to photograph a procession; but being in doubt, it was just like her to try to do it with an axe.