posts tagged with the keyword ‘noise’

2018.06.12

BuzzBuzz is a device that makes noise and light using electricity (somewhere around 40,000 volts, approximately.) There are five “high voltage generators” connected to buttons that when pressed cause them to create a spark with a loud “ZAP!” and then continue to make noise (and light) while the button is held down.

BuzzBuzz was heavily inspired by something Mario the Maker created. I had one of the high-voltage generators for a while and was planning to do something with it. I had an idea for a project and had started on it, but once I saw this thing I altered my plans.

The size of BuzzBuzz was somewhat dictated by the size of materials I had on hand, or could easily get at no cost. The top piece of clear acrylic is from a bulk buy at Midland Plastics where many of the members of Milwaukee Makerspace shop for scrap pieces. Since I had that piece of clear acrylic, it pretty much determined the size of the top of the enclosure.

For the walls of the enclosure I grabbed some 16mm thick plywood from the scrap bins at Milwaukee Makerspace. There’s a local tool & die company that donates these pieces to us. They are long and skinny and always have these weird laser cut marking on them, because they use them for calibrating their lasers. I wanted to see if I could cut through the 16mm plywood with the 130 watt laser cutter I have access to. Indeed, it could! At 4mm per second, which is probably the slowest we should cut at. The cuts were not the greatest, but it was more a matter of “Hmmm, will this even work!?” than anything else.

You’ll also notice the hexagonal holes on the sides. Those are “sound holes” since my first assembly demonstrated that the box fully closed up was too quiet, so I decided to add holes that the sound could spill out of. It also adds a nice look, and if you associate the “Buzz” in the name with bees, and notice the holes are hexagonal, well, it all fits.

I mounted the AA batteries on the outside so that you can easily see the power source (it’s interesting that 40,000 volts AC can be produced by just 4.5 volts DC) and so that I can easily change batteries without opening the thing. There are two battery packs because one tended to drain too quickly. I may add an AC adapter in the future so that I can convert AC to DC to AC.

(One more fun fact: The battery holders were one of the most problematic parts of this project. I wasted more time trying to get these cheap battery holders to work. The spacing and springs kept making it so the batteries did not make good contact. I started with a 5-pack of battery holders and trashed two of them just trying to modify them to work. Luckily I got two of them working well enough.)

I designed and 3D printed the parts that hold down the high-voltage generators and also allow for bolts to be inserted to carry the electricity. (The design of these parts was inspired by the structures that hold overhead power lines.) The bolts can be screwed in or out to adjust the gap, which gives different results for the zap. I started with the narrowest gap and then did the widest gap, and then calculated the three distances in-between. (For the widest gap, you don’t want to go too wide, because if it can’t properly spark, it’ll burn out the unit.)

As you may know, I design 3D objects with OpenSCAD. Once I had my object completed, I did a projection to get what it would look like from a top view. This is the 3D version of that.

I then render it into a 2D version I can export as an SVG file. This allowed me to easily do the layout needed for the laser cut parts.

Here’s a top view. The reddish parts will be cut from the top clear acrylic panel and hold the buttons as well as an old SparkFun key switch I had in my parts bin. The grey pieces are for the bottom part of the enclosure which hold the high-voltage generators and the mounts. I ended up printing a full-scale paper version and using it as a template to mark the holes that needed to be drilled. It did not have to be prefect, so close enough was fine.

For the construction, there are some screws on the bottom to hold the bottom pieces to the two side pieces, and then the front and rear panels can slide into place and get held in by just one screw on each side. This is not the most elegant, but I realized somewhere along the build process that I did not have a good way to complete assembly or take it apart. This is what I came up with, and it worked well.

I used two contrasting stains, for a light and dark look, which I think matched the burned laser cut edges, and allowed for making the inside of the enclosure dark so the zappers could light up the inside.

If you’re wondering why there are two rows of buttons, I really liked the symmetry, but I also wanted something I could use when displaying at a table, so that if you’re behind the table talking to someone, you can demo it and press the buttons on your side, and they can try it with the buttons on their side. (In the museum exhibits business we try to make things that are not single used components, so that more than one person can engage with a thing at a time.)

While this was a bit of a rush to get done by Bay View Gallery Night, and like most projects, there are things I maybe would have done differently (or at least in a different order) I’m really pleased with how it turned out. I also brought it to Milwaukee Makerspace to show off and got a lot of positive feedback.

Here’s a video showing operation of the BuzzBuzz. It was difficult to capture on file (well, solid state memory) exactly what it looks like, so this is an approximation. You’ll probably want to see it in person to appreciate the full power of this battlestation device.

2018.03.31

When I heard WMSE was doing a fundraising event called Art & Music and was looking for artists to contribute, I wanted in. I got in touch with them and got a blank 12″x12″ board. I’ve done some of these art boards before, once for The Eisner American Museum of Advertising & Design and once for a friend of mine. (And while it’s not a board, I also made this NoiseBowl last year.) Besides myself, I also managed to get most of the people I work with at Brinn Labs to make boards, and a few people at Milwaukee Makerspace also made them.

This one is a litte more special to me though… WMSE went on the air in 1981, and while I don’t remember when I actually started listening to it (though I do have my brother to thank) I grew up with WMSE. They played the music I wanted to hear (at least on Wednesday nights when I was in high school.) They introduced me to weird and crazy stuff, and I even got to be a guest on air a few times (and they’ve managed to play a few songs from bands I was in.)

If it wasn’t for the stain and attention to fit and finish in creating this piece, it might look like some of my work you’d find inside a museum exhibit. We tend to make a lot of devices that produce sound. (We typically don’t go to great lengths to make them “pretty” though, since they always live inside cabinets and are not seen by the public.

Here’s the design for the one cut piece I made. It’s the control panel/user interface, which holds the power switch, potentiometers, and the LEDs. I actually used the CNC router instead of the laser cutter to make it. (Don’t ask why!) It also took some careful drill press operations to get things just right. There was also a lot of sanding involved. (Again, don’t ask.)

There are some 3D printed pieces as well. The standoffs used for the speaker, and to hold the control panel in place. They are similar to ones I’ve used before and before, but of course the beauty of 3D printing is that I can change the design each time to match the speaker and hardware used. (Parametric, FTW!)

Here’s a short video that demonstrates the noise that this thing makes. The first four knobs adjust the pitch for the four steps, with the fifth knob used to adjust tempo, and the top right knob as a volume control. The LEDs light up showing each step of the sequencer.

I also decided when I started to build this that I really wanted one for myself. While I love seeing my artwork go out into the world, sometimes I miss it. Since I was building one, I thought it would be easy to build a second one. Well, it was (fairly) easy, but it was also time consuming. I also had this idea that if anything went wrong, I’d have a backup. Nothing really went wrong, but I did finish the one for WMSE about week before I finished the one for me.

If you’re ever curious about the process I go through when building these sorts of things, you might want to head over to Instagram and follow me there. For instance, I posted a photo there… and another, and another, and a video…

And then I posted more, and then I probably posted even more. So yeah, Instagram tends to be my “in process” photo & video place.

And if you’re not hip to Instagram you might find a photo or two (or three) over on Facebook. Not as much shows up there, but we’re still friends, right?

Enjoy the show!

Note: The piece sold for $510! I’m really pleased I was able to support WMSE with this, and I’m thankful a bunch of people liked it enough to bid on it.

2017.05.15

SpringTime4 was inspired by something my former student Maks showed me, which he called a Victorian Amp. I couldn’t find any good info on it (Oops! I should have looked up Victorian Synthesizer instead) but since I still had a large speaker left over from the Sonic Titan build I decided to build something similar.

Instead of paper clips (or solder) I used two stretched out springs to complete the circuit. This worked well, because as the speaker coil energized the top spring would bounce up and break the circuit, then fall and complete the circuit again.

To make things interactive, I added a button that could be pressed to start the device. This allowed people to interact with it, and also added another piece to complete the circuit. The whole thing is powered by a 9 volt battery, which I also left exposed, so people so see what provided power. I didn’t want a full enclosure that would appear to hide things.

I used alligator clips to connect things, which allowed for disconnecting the button unit from the speaker, which makes it a little easier to transport.

I took SpringTime4 to the Madison Mini Maker Faire and I really enjoyed watching people interact with it and then asking them if they knew what was happening. Some people sort of figured it out, and for those that didn’t quite get it, I explained how it worked. I think as a maker you tend to forget that even a really simple device can be difficult for people to understand, depending on their familiarity with things like electrical circuits.

One of my favorite parts was when an 8 year old kid tried to makersplain to me how I should improve it. It’s nice to know that even kids think they’ve got great ideas about how someone else should do things. ;)

The one improvement I’ll like to see is making it louder (if possible). It’s typical that I test things in my shop and they are fine but when I bring them into public and the environment is noisy, it’s hard to hear things. Since the visual component of seeing the springs move around is a large element of the piece, if I can’t make it louder it’s probably not a huge deal.