Abstract

This paper describes how a project to challenge digital exclusion resulted in Geezer Power: an artwork that is both a statement about reusable technologies and about older people's continuing interest in the world of the future. We use the story of its production to illustrate and reflect on new methods for engaging people in decisions about the design of technology. And we explore how creative practice informed the design of an intervention workshop inspired by performance art and an exhibition of artists collaborating with older people. We conclude with some comments on marginalization, engagement and envisioning futures.