Topography, the practice of creating detailed maps or charts that define the terrestrial characteristics of a singular locality, was originally conceived by ancient cultures as simply “the study of place.

Ingrid Calame is the inaugural artist in the Albright-Knox’s Artist-in-Residence program. Calame and her local team made hundreds of square feet of tracings, which the artist transformed into the drawings and paintings that make up this exhibition.

Organized by Albright-Knox Chief Curator Douglas Dreishpoon, this exhibition honors the outstanding career of Robert Mangold, an artist whose native roots are in Buffalo and who has been a major figure in the investigation of geometric abstraction since the 1960s.

The premise of this exhibition can be defined simply as an artist and his sphere of influence. WALL ROCKETS takes its title from a work by Ed Ruscha of the same title depicting a majestic mountain range of snow-capped peaks amidst a deep blue atmosphere.

This selection of works from the Gallery’s Permanent Collection focuses the art that sprang from the 1960s counterculture, which fuses elements of surrealism and pop art with swirling patterns, neon colors, repeated motifs, and bizarre iconography.

Forty-seven exquisite color and black-and-white photographs of the Mexican artist Frida Kahlo by the American photographer Nickolas Muray are featured in this exhibition organized and circulated by Smith Kramer Fine Art Services.

Organized by the Albright-Knox Art Gallery in collaboration with The Jewish Museum, New York, and the Saint Louis Art Museum, this special exhibition revisits the watershed period of American art from 1940 to 1976 through the writings of its two primary critics: Harold Rosenberg and Clement Greenberg.