It was just a second or two, but I was so
surprised that I shut the door again before I’d even begun to register what on
earth was happening. I was in such a state of shock my first thought was that I
must have opened the wrong door, so I traced my steps back to the bathroom in
the dark, managing to stub my toe in the process before daring to put on the
landing light. I was feeling spooked by the whole experience, though to be
perfectly honest, it was very disappointingly lacking in scariness. When I got back
to my room I opened the door, hesitatingly, but as in all the best frightening
tales the vision was gone.

I’ve decided
I saw a snapshot in time, as anyone living in an old house might see, though I
really feel it was more than that. The girl, the room and all the objects were
real and solid - not a wisp of ethereal ghostliness or ectoplasm, yet a part of
me still can’t quite believe it. Had I been dreaming?

One thing I
did investigate immediately was the room next to mine. It’s a very small
bedroom with just space for a narrow bed and a small wardrobe, and I wondered
if it might perhaps have been a dressing room at one time. Whoever I’d intruded
upon was just as untidy as me, I thought, and it made me like her instantly.
And, unlike a dream that usually fades on waking, I couldn’t stop thinking
about her or wondering how my seeing her had been possible. Her face was
extraordinarily vivid in my mind, with her flushed cheeks, and lips curving
like a mischievous cherub into a pink smile. I distinctly saw the dark tendrils
of hair curling on her forehead, and her forthright gaze, arresting eyes like
topaz jewels. It was exciting to think that the possibility of ghosts were
real, even if they were very ordinary, quite unlike Cathy wandering alone
through the dead of night in Wuthering
Heights.

***

Since
writing the above, I’ve spent another day shopping with Ellen and had another
quiet evening in with very little news or happenings to report. Though I’ve not
seen or experienced any further strange visions I still can’t get it out of my
head that what I saw was not a dream.

Before I
went to bed last night Ellen said we’d be busy again today, and that we’ll be
out for most of it. I suspect there’ll be more shopping involved, and I must
admit I don’t relish the idea of traipsing round the shops buying more
Christmas presents. What I’d really like to do is stay in, to see if I can
enter that magical world once more. If it was my imagination playing tricks on
me I shall be very sorry, but I shall never know if I have to go out all day.

I can smell
breakfast, and my watch tells me it’s time to go down. I’m wearing the green
needlecord dress today, which makes me feel very “Jane Austen” with its empire
line and flower motifs. Perhaps Henry Tilney will be waiting for me in the
breakfast parlour!

***

Marianne's bonnet

Breakfast
was delicious, though if Mrs Partridge is going to feed us bacon and egg every
morning, I think it will be no time at all until my new clothes will be feeling
tight.

‘You need to
keep up your strength, Caroline,’ said Ellen. ‘Your mother will never forgive
me if you go home looking scrawny and under-fed.’

That’s not
very likely, I thought, on a diet of cream teas and fried bread, but I know
Ellen means well.

I was just enjoying
the last delicious mouthful of fried egg when there was a knock at the front door.
I always think the sound of a door knocker holds so much promise of excitement,
and immediately thought of Marianne in Sense
and Sensibility waiting for Mr Willoughby. But, there was no dashing suitor
at the door or Colonel Brandon, only the postman with a delivery for me - a
most mysterious parcel. It was huge, and I couldn’t begin to think what was
inside. When I opened it up I found the most beautiful writing box. It had a
mahogany writing slope, was lined with green baize, and complete with glass
bottles for ink, a penknife, two stubby looking quills, a pair of old
spectacles, and several stumps of sealing wax.

There was
also a letter.

Dear Caroline,

How are you, my darling? I hope you’re settling
in and that the Bath air is working wonders - I trust all is going well!

I meant to give you the enclosed before you left,
but in my usual muddle-headed way forgot all about it. Anyway, I found it while
I was tidying up in one of the attic rooms a couple of weeks ago, and I thought
you might like somewhere special to write and keep your journal while you’re in
Bath. I’m not quite sure who owned it - there were several ancestors who might
have had a writing slope, but I thought you might find it fun to try your hand
at using a quill pen.

They made these boxes to withstand all sorts of
conditions - for travelling, of course, and many of them accompanied soldiers
to war and back again. It has drop-down handles for ease of carrying, and a
side drawer, which opens when a brass pin inside is released - there’s also a
reading stand and a
working lock and key.

Do you think Jane Austen must have written a
journal too, like her heroine Catherine Morland when she went to Bath? You
will, I know, remember the passage in Northanger where that charming rascal
Henry Tilney quizzes her about it, saying she was bound to mention him in it. I
wonder if Jane met such a young man herself and wrote about him in her diary.

Well, my darling, I must stop writing so I can
get this off in the post - have a marvellous time and enjoy yourself!

Much love always,

Mum.

Ellen and
Roger seemed as excited as I was to see the box, and when we’d discovered how
to pull out the brass pin inside, the drawer was released, and it sprang open.
Disappointingly, there were no secret letters or journals inside, but we
examined all the bottles and quills before Ellen suggested I try using one for
a bit of fun. On a piece of cream card I tried my best to write as I’d seen
Jane Austen’s letters addressed: Caroline
Heath, Flat 5, 44, Fitzroy Street, London, W1. I stopped to admire my
handiwork; the flat I lived in during term time seemed a lifetime away. My
friends who lodged with me had been so kind when I fell ill, trying not to tell
me too many exciting details about all the fun they were having while I was
stuck in bed. When would I be able to return?

‘You must
miss art school,’ said Ellen looking concerned. I think she guessed what I was
thinking.

‘I do, but
I’d much rather be here with you.’ I really meant it, I couldn’t imagine being
anywhere else now, and thought how kind she was to have brought me to Bath.

Ellen smiled.
‘Why don’t you go and find a place for your new writing box in your bedroom,’
she said. ‘We’ll go out after lunch if you still feel like it, but the morning
is yours to do just as you wish.’

I couldn’t
wait, and ran upstairs as quickly as the heavy box would allow, tucking it
under my arm before turning the stiff door knob. It wouldn’t give, so I put the
box down, twisted the knob once more, pushing against the door with my shoulder
and practically falling into the room when it opened unexpectedly easily. It
felt almost as if someone on the other side were playing a trick, holding the
door fast before pulling it open suddenly. It made me think about the girl I’d
seen in the middle of the night until I told myself I was being silly.

Underneath
the middle window there was an ancient desk with a lamp set on it, which I
decided would make a suitable place for my writing box, and if I moved the
chair placed beneath the adjacent window I could sit there, write my journal,
and stare out of the window for inspiration. Feeling very pleased with the new
arrangement, I opened up the box, and laid my journal on the slope.

There was a
wonderful view down Pulteney Street, and if it hadn’t been for the cars roaring
past down below I could quite have fancied myself in another time as I looked
out on the golden stone houses, standing to attention like soldiers in their
best uniforms. I decided to make a few lists in the back of my journal first.
Being away from home was helping me think about the work I had to do without as
much panic as when I was there, and I wrote down a list of everything I hoped
to achieve over the Christmas holidays when I got back home. I even did a few
preliminary sketches, though I didn’t want to use up all the pages of my
journal for sketching. Thinking of Christmas meant I ought to think about
buying presents of my own, and so the next list consisted of ideas of what to
buy for Mum and my friends. Then, because I was feeling so positive I made a
list of future goals though one or two were bordering on being over ambitious,
and I decided optimism is all very well, but short term goals were probably the
best, and wouldn’t lead to biting disappointment. I was enjoying myself so
much, lost in my own world, and so glad to be feeling some creative energy
again that time seemed to be slipping away very quickly. I’d just got time to
do a few sketches, and pulled out the sketchpad from my case that I’d thought
wouldn’t see the light of day. The writing slope was just the right angle for
drawing, and I sharpened my pencil in readiness.

The sun, a
glowing ball of winter pearl had come out from a bank of cloud and was shining
so strongly into my eyes and on to the paper that it was blinding, making it
impossible to see. The old shutters on the windows were folded back, but it
looked as if they were stuck fast, encrusted with at least a hundred years or
more of white paint. I tried them anyway, and one half unfolded with a bit of
persuasion, but it still wasn’t enough to stop the light from piercing my eyes.
It looked as if a little bit of paint was acting like glue, and suddenly
remembering the little penknife in the writing box, I fetched it out. I only wanted
to scrape away what shouldn’t have been there anyway, and told myself I wasn’t
doing any harm, but as I chipped away at the hardened paint I could see it
wasn’t going to give way easily. At last I was making some progress, and
fitting my fingers down between the spaces I’d created, I got some purchase on
the shutter door and pulled hard. It made such a noise as the paint finally
gave way, splintering in shards when it moved, I thought for a horrible moment
that I’d damaged it. Suddenly the shutter swung forward with a resigned creak.
There was a lot of dust and dirt, which fell all over the windowsill and
drifted to the floor making an awful mess, but it was free at last. And so was
something else that had fallen from the deep recess behind. It looked like a
cross between a giant butterfly’s cocoon and a spider’s nest, darkest grey and
furry with what looked like two hundred years’ worth of cobwebs wrapped round
it, and all I could do was stare at it to begin with. I didn’t want to touch it
at first, but it didn’t look as if it were alive with tiny creatures, and when
I poked it gently the dust balls enrobing it simply rolled away until the
object underneath was revealed.

A knock at
the door made me jump out of my skin, and Ellen’s voice rang out, piercing my
dream-like state.

‘Lunch will
be ready in five minutes,’ she called, ‘Mrs Partridge has made some soup which
should warm us up before we head out into the cold.’

I said I’d
be down straight away, though I was finding it hard to concentrate on anything
but the little parcel I was now unravelling in my hands, and wished I could
stay longer to examine it. Wrapped in silk that was rotting away in places I
discovered a leather-bound notebook inside. Turning the fragile paper pages
very carefully it became immediately clear I’d found a journal, and a very old
one at that, with a year date on every page for 1788, written in a very neat
hand. The writing was so small and so hard to decipher I could only just read
the first sentence of the first entry.

We are arrived at my uncle’s house, and it is
quite as grand as I imagined! Though I couldn’t wait to read more I closed the
diary reluctantly, wrapping it up again and putting it away carefully inside
the drawer of my writing box. It would need considerably more time to study it,
and all my powers of concentration to read the tiny script, and right now I needed
to tidy up before Mrs Partridge or Ellen discovered the mess I’d made. I rinsed
my flannel under the hot water in the basin, and did my best to tidy up, wiping
down the recesses where the shutters had been stuck with paint, never seeing
light for what must have been a very long time. Folding them back, I decided
they looked pretty much as they had done before I’d forced them open, and
resolved not to mention what I’d done or tell them about my exciting find until
I had a chance to examine it further. I raked a comb through my hair, pulled on
a cardigan to help keep me warm, and ran downstairs.

***

‘We shall be
out for the rest of the afternoon,’ said Ellen, as Mrs Partridge ladled out
warming tomato soup into our bowls, ‘And then Roger has booked an early supper
at a dear French restaurant we both love. Do tell Caroline our thrilling plans
for the evening, Roger. He is wonderful, you know.’

Roger put
down the newspaper he was reading for a moment. ‘We’re off to the theatre.’

‘Oh, that is
exciting,’ I said, ‘I love a play.’

‘It’s
Charles Dickens’ Christmas Carol,’ he
went on, ‘I know you like a ghost story, and Ellen said you’d like the Victorian
fashions too.’

‘Yes, I’m
very interested in costume design; I shall look forward to it, thank you,
Roger,’ I said, thinking I might cope better with the idea of an afternoon’s
shopping now such an evening lay ahead.

So, I really
am glad about being in Bath with the Applebys, and I’m feeling very spoiled. I
will write to Mum this evening after we’ve been to the theatre, and thank her
for the writing slope. I can’t wait to tell her everything … except about the
ghost, of course. In fact, I think it best if I keep that little episode all to
myself - even now I can’t help thinking it was some strange kind of dream
induced by being half asleep. I wondered when I came back upstairs to fetch my
scarf whether I’d see her again, though I had a feeling I’d just find my room,
which I did, and the thought occurred that it was likely a one-off occasion and
I might never see her again.

I hope you enjoyed it!

I'm having a GIVEAWAY to celebrate the launch of Searching for Mr Tilney-

Tuesday, April 11, 2017

I'm celebrating the official publication day for Searching for Mr Tilney today with a GIVEAWAY!

Giveaway One

First, there's a book bundle of a paperback copy of the book, plus an illustrated copy of Northanger Abbey, and a small patterned notebook/journal, as pictured above. Illustrations in the copy of Northanger Abbey are by Philip Gough.

GIVEAWAY TWO

Giveaway Two includes a paperback copy of Searching for Mr Tilney, a vintage style journal for you to jot down your own thoughts like my heroine Caroline, and a goose feather pen to write them down.

I hope you feel tempted to join in and help me celebrate! All you have to do is reply here saying which prize you'd like. I can only accept entries that are submitted in the contact box. I will reply to every one so if you don't hear from me, let me know in the comment box below. Closing date for entries: Wednesday April 19 2017.Thank you very much to all the lovely people who have bought the paperback or downloaded a copy already. This is my last Jane Austen book for a while - I'm planning to take some time out. I've loved writing these books and it's been such a pleasure to get to know my readers since my very first attempts at putting a book together with Effusions of Fancy - thank you for all your wonderful encouragement over the years and for your generous, uplifting letters and comments even more. You will never know how much they've truly meant to me. Jane x

Chapter Two

Caroline

Bath, Somerset

November 1975

Having survived shopping, which wasn’t at all the
trial I was expecting and turned out to be fun, I’m now writing this in my new
bedroom. I’d thought when we first got here that I might as well be Catherine
Morland because the houses haven’t changed since Jane Austen’s time, and
stepping inside the hallway and the reception rooms on the first floor you
might be forgiven for thinking you’d gone back in time. It’s very Georgian,
furnished with tourists in mind, and scented with the magical fragrance of a
house that’s only ever known brimming flower bowls of milky narcissus and heady
lilac in spring or spires of delphiniums and plump roses in summer. It’s full
of the sights and smells of life lived luxuriously - elegant Chippendale
furniture, watered silk on the walls, embroidered cushion covers on satin sofas
in the drawing room, and giltwood pier glasses set between the windows.

The scent of
fragrant wood smoke, wax candles, and Christmas tangerines linger in the air
and the smells in my bedroom are equally delicious - Patchouli by Houbigant on
the dressing table, a porcelain pomander in the wardrobe, and crisp clean
sheets on my bed, sweetly aromatic with the scent of lemon verbena. I have my
own washbasin in a closed off compartment behind a door with an illuminated
mirror, and glass shelves either side where my wash-bag now sits, looking
scruffy and out of place. The tablet of soap in a shell dish is the scent of
dark, damp woods planted with lilies of the valley, and the towels pure white,
soft and fluffy. My room, unlike the rest of the house, is Deco-inspired with
the walls papered in deep mulberry with silver geometric patterns, starbursts
and jagged edges. There’s even some mirrored furniture from the 1930s, a glass
vase full of peacock feathers, and a feather boa trained round the gloriously
gothic iron bedstead, which looks as if it’s come straight from Dracula’s
castle. It’s just a dream!

Anyway, I
must write down how I got on. Ellen, as she now insists I call her, was not
only overwhelmingly generous, but very kind, and I feel ashamed to think how
much I’d dreaded the idea of shopping with her. We walked up to Jolly’s
department store on Milsom Street, and she took me to the boutique section,
after all. There were so many dresses I liked and Ellen said I could choose any
three. I picked out a romantic Laura Ashley style dress in green needlecord, one
in purple velvet with a wrap-over skirt, and then Ellen said I must have a
dress for a formal evening.

‘Try on this
maxi-dress,’ she said, taking a silk crêpe de chine dress, the colour
of rose petals, from the rack.

I knew it
must cost a small fortune and bit my lip, but Ellen wouldn’t hear of me finding
something less expensive.

‘I know your
mother would want you to have a nice dress to wear in the evening,’ she said,
‘and it really would be my treat to see you in it. Indulge me, just this once.
There might be a dance before Christmas, and you could wear it to a disco, if
you wanted.’

It was
beautiful, but I’d never been to a formal dance, and I couldn’t imagine wearing
it anywhere else. I’d never learned ballroom dancing, though Dad used to let me
stand on his feet when he waltzed me round the room. When I tried the dress on,
the silk felt exquisite next to my skin, and I loved the halter neck straps. I
stood in front of the dressing room mirror, and couldn’t believe quite how sophisticated
I looked, especially when I pulled up my hair.

‘The rose
brings out the blue in your eyes,’ said Ellen. ‘You’ve got beautiful eyes, like
a china doll.’

I felt very
satisfied with that compliment; feeling that it must be true if Ellen, with all
her sharp comments, said so.

I had to
choose a pair of shoes too, and it was Ellen who picked out the pink suede
platforms. The assistant, laden with clothes, bustled off to the counter to
pack it all in tissue paper and the kind of designer boxes I’d only ever
dreamed about. When the assistant said, ‘What a lucky girl to have such a kind
mother,’ Ellen seemed to glow with pride, and I decided I’d probably not
considered how hard it must be for Ellen to see my mum and me, and all the
lovely times we have together. So, I didn’t correct her, and just said I was
very lucky indeed. Ellen looked a little misty-eyed, took my hand and squeezed
it, and then suggested tea at the Pump Rooms.

It was a
cold and damp November afternoon, and the light was beginning to fade as we
pushed open the revolving door. The room seemed to steam with the freezing air
brought in on coats and gloves, and everyone inside seemed excited to be there,
talking at the tops of their voices, glad to have found a seat in the warm. I
sat down, fascinated by the hustle and bustle. I’d only ever seen a glimpse
inside before, and never been for tea. The scene couldn’t be much changed from
the one Jane Austen might have known, I thought, and looking at all the faces,
I fancied I could see several resemblances of the characters Jane loved to
write about. There was Isabella Thorpe, a young lady with an eye for the young
men who was tossing her hair over her shoulder and staring at a man on an
adjacent table until she gained his attention. Even the arrogant looking man
sitting beside her looked just as I imagined her brother, John Thorpe. I saw
his slicked back hair, his leather driving gloves, and an ostentatious key ring
informing the world he owned a luxury car. I spotted Mrs Allen in a fur coat
not too dissimilar to Ellen’s, and Mr Allen sitting opposite her, a plaster
cast on his leg, rather than a bandaged gouty leg. But, try as I might I
couldn’t see Henry Tilney, which was a real disappointment. I’ve always had a
problem with Henry - I’m blinded by love, I suppose, but I can’t see his face.
I can visualise so much - his wavy hair brushing the top of his starched white
shirt, an arched brow, and a quizzical smile, but there isn’t a complete
picture. His coat of sober black presents no problems, the covert strength
hiding beneath the satin waistcoat, and the breeches smoothed tautly over his
thighs are as clear as if I’ve always known him … intimately … but his face
continues to elude me.

At that
precise daydreaming moment, the silhouette of a young man’s profile fell in
shadow on the white tablecloth. It startled me, not least because there was
something quite diabolical in the pointed beard, and the way his hair was
styled, which made me think of two horns until I looked up and saw that my
imagination had run away, as usual. A young waiter was asking for our order.
Ellen gave precise instructions while I stared, at his goat-like beard, curling
moustache, and the wavy hair, stuck up here and there in unruly tufts. I’m not
a fan of either beards or moustaches, and I couldn’t help thinking he should
get a razor. I think he must have caught me staring because his hand went up to
his chin, and he stroked the dark hair thoughtfully.

‘Which would
you prefer, Caroline … Earl Grey or Darjeeling?’ Ellen was asking.

‘Oh, Earl
Grey, please,’ I said, aware that the young man was staring at me. I looked up,
and caught his glance. He smiled in a friendly way, and I felt myself blush.

‘Is this
your first time in Bath?’ he asked, and I saw Ellen smile as she looked from
him to me and back again.

‘No,’ I
said, and was going to leave it at that, but I knew Ellen would think me rude
if I didn’t answer more politely. ‘I’ve been to Bath once before, but this is
my first time at the Pump Rooms for tea.’

‘An
excellent choice, though I would say that, of course. The sandwiches are delicious,
and the cakes guaranteed to add inches where you don’t want them, though I’m
sure you ladies don’t need to worry about that. Let me know what you think of
the chocolate éclairs … they’re my favourite.’

He left then
with our order, and I stared down at my place, fiddling nervously with my
cutlery, determined not to look at his retreating back. Ellen was still
watching me, and I knew what she was thinking.

‘What a very
charming young man,’ she said looking at me intently, ‘and quite handsome too,
though perhaps a little too beatnik for my tastes.’

‘He’d be
better looking if he brushed that unruly mop on the top of his head … or had a shave,’
I said, suppressing the urge not to giggle at Ellen’s comments.

‘Yes,’ she
agreed, ‘I don’t know why men like growing facial hair so much. I’m sure if they were kissed with wire wool every
morning, they would stop it, immediately.’

Pump Room tea, Bath

I laughed,
especially when I thought about Roger’s bushy beard, and before we’d both
stopped giggling the waiter was back with a tray of teapots and china. I
watched him take Ellen’s napkin and flick it out with a flourish before placing
it on her knee, and then waited in dread for him to do the same to me. He
seemed to bend right over until I was staring at his ear and the sideburns that
melded into his beard. He straightened, and I caught his fragrance, a hint of
Bergamot, but sharper than the scent of the tea that he proceeded to pour into
delicate china teacups.

‘Would you
like me to pour the milk?’ he asked.

Ellen
declined his offer, and said we should prefer to do it ourselves.

‘Have you
been here long?’ he said, placing the jug before her.

‘We’ve just
arrived this morning,’ said Ellen, pouring a spot of milk into her tea, ‘and as
you see, we’ve been shopping already.’

‘Ah yes,
ladies love shopping in Bath, and there’s lots to be done before Christmas.
Have you got much planned while you’re here?’

‘We haven’t
made exact plans yet, but I’m sure I shall be doing a lot of shopping,’ Ellen
replied, beaming up at him.

‘I meant
have you many activities planned … are you going to the Christmas ball, for
instance?’

‘Well,
everybody in Bath will be there … it’s always a very grand affair … black tie
and ball gowns, and lots of people jigging about who don’t know how to do the
old dances. Though none of that matters, there are dances for everybody, and
they all jump up to do “the twist” after a few drinks.’

‘Oh,
Caroline, doesn’t that sound wonderful? And it would give you a chance to wear
your new frock.’

I smiled
weakly, thinking that my idea of fun was very far removed from the kind of ball
he was describing, and wished the young man would hurry up and go and get our
food. I think he sensed what I was thinking and left us, not before he’d winked
and grinned at me.

‘He looks a
bit like that Swedish singer, only not as filled out, don’t you think?’ Ellen
said. ‘You know, the one from Abba … is it Björn?’

‘I thought
it was Benny who had the beard,’ I said, thinking that the conversation was becoming
completely surreal. I wasn’t an Abba fan, and the comparison was hardly
flattering.

‘Well,
whichever one, I do think our waiter looks a bit like him, even if his hair and
eyes are not quite the right colour. He looks hippyish, but very ‘with it’, I
daresay.’

Fortunately
I didn’t need to reply to these observations, as the bearded one reappeared
with a tiered glass stand filled with sandwiches, scones and cake.

‘There’s
lots to do in Bath besides dancing,’ he continued, putting a plate before me.
‘Do you like the theatre or cinema?’

‘Yes, I like
both,’ I said, then instantly regretted answering so positively, and for an
awful moment thought he might suggest taking me. All I could think about was
sitting next to him in the dark with that devilish beard scratching my face as
he attempted to kiss me.

‘There’s a
horror film on at the Little Theatre,’ he went on, ‘I’m going with my friends
next weekend.’

I was sure
my sigh of relief was not only audible, but also very visual, though I didn’t
care. I kept my eyes on my plate, and when I looked up he’d finally gone.

‘I think
he’s rather sweet on you,’ said Ellen, ‘not that I’d encourage you to go out
with him. I’m not sure your mother would approve of you going around Bath with
a waiter.’

‘I don’t
think my mother cares about things like that,’ I said, knowing Ellen would
probably be shocked. ‘But, have no fear, he’s not my type, and I’m sure if I
was his, he’d have asked me on the spot. He’s just that sort of guy.’

Ellen didn’t
say any more. I hadn’t realised how hungry I was, and soon we’d eaten
everything. The éclairs were delicious, just as he’d said they’d be, and I was
almost disappointed that I couldn’t tell him. Another waiter came to clear our
table, and when Ellen asked where our bearded friend had gone, he said he’d
finished his shift and left to go home.

***

Something
strange happened in the night, and I don’t quite know what to think about it.
We had an uneventful evening after a light supper left on a tray by Mrs
Partridge who will be coming in every day to do the cooking and cleaning -
though I really wasn’t hungry after the enormous tea we’d eaten. I was feeling
tired after such a busy day, and so went off to bed early. I read my ancient
copy of Northanger Abbey for a
chapter or two until I felt I was dozing off, and managed to put out the light
before settling down under the covers.

I’m not sure
if it was a noise that woke me or the strange dream I was having about being
chased down an alley by a bearded man, but I woke with a start, instantly wide
awake. I lay in the dark for a moment or two thinking I might nod off again,
but I just tossed and turned before deciding I might settle down better after a
visit to the bathroom. Though I tried not to make a sound, the old cistern made
such an angry roar as the water flushed, I thought I must have woken the whole
household. I crept along in the dark, feeling my way back along the walls
because I thought putting the light on would certainly wake the Applebys,
though I could hear them both snoring quite loudly in their beds as I passed
their room. It was when I opened the door to my bedroom that I was completely surprised,
and even now as I write it down, I can’t quite believe it.

I was
shocked, firstly, by the fact that it was broad daylight and sunny instead of
being night time and pitch black, though it didn’t look like my room at all.
Thinking about it now, the windows looking out onto Pulteney Street appeared to
be just the same, but there was a large four poster bed dominating the space,
hung with curtains - I remember how light and airy they looked, palest ivory
with sprigs of flowers, swaying slightly in the breeze coming through the open
window - very feminine. A pile of leather-bound books looked carelessly flung
over the unmade bed, as if they were all being read at once, ribbon bookmarks
dividing the pages, some left open. There was a dressing table draped in the
same fabric, which had an oval mahogany mirror on a stand with drawers, and was
swathed in beautiful lace. I saw several silver-topped crystal boxes winking in
the sunshine, a decorated fan, and two porcelain boxes painted with roses -
open, as if in use. A chair was covered entirely with clothes tumbling to the
floor, and a chest of drawers under the window had all of its drawers pulled
out with pretty accessories falling out of them - what looked to be several sheer
shawls or veils, pale pink stockings, and petticoats in the sheerest silk I
ever saw. It looked like a scene from a Georgian museum, only more
realistically displayed - I’d never seen anything look so authentic.

And then the
door, which normally houses my little basin opened as I stared, and through it
walked a girl who looked about fourteen. Dressed in her underclothes, a white
shift almost to the floor, she looked just like pictures I’ve seen in history
of costume books. She had a lively look about her, and when she noticed I was
standing there, she looked straight at me with her bright, hazel eyes, and
said, ‘Have you come to help me dress?’

Don't forget to come back tomorrow (Tuesday April 11) for Launch Day and a Giveaway!

I found it in an old bookshop in Cambridge a few weeks ago, on a tour of the city. It was a hot day, and to step inside the cool book-lined walls of the crooked Tudor building was like finding heaven on earth. I’d become ever more obsessed as the years went by in my quest to find even the smallest detail of tangible proof for all that had happened to me as a young girl, and I’d scoured every relevant book I could find for any clues to support the insight I’d gained. Though the overwhelming guilt that I’d done nothing about my discovery had softened over the years, I could never decide if I’d been right to keep its knowledge hidden, and even now I felt it might have been wrong to collude in guarding such secrets.
It was midsummer’s day when I found the rare copy of Northanger Abbey that contained a photo of the portrait, another precious book to add to my collection. I smiled when I saw the picture, and the familiar skipping of my heartbeat began, as the memories came flooding back. The girl with the green parasol gazed back at me with her enigmatic smile, seeming to acknowledge me as the keeper of her secrets, though perhaps I was being fanciful. The emotions of youthful longing with all its quivering expectation, came rushing to the surface like blood bruising pale skin, as I remembered every vivid picture, every haunted image. Yet, alongside the recollections of ghosts from the past and the excitement of being young with all its magical memories, it was impossible not to recall my uncertain fears and those other feelings that still surfaced from time to time, of guilt and shame.
I’ve never been one for reading the preface of a book, and I don’t quite know why I did on that day, though I knew I wanted to linger, soaking up the atmosphere of the bookshop with its damp odours of ancient paper, leather, and dust. I turned the pages of the book, wondering how many people had held it in their hands and read the words like a spellbinding charm, bringing pleasure in every line.

There was the usual biographical notice written after Jane Austen’s death by her brother Henry, followed by the history of the publication. And then
there was a letter from Jane Austen written in 1809 that I hadn’t seen replicated before. Written to her publisher Richard Crosby who’d bought the manuscript in 1803 for ten pounds and not published it, Jane was accusing him of having lost what was later to become Northanger Abbey. The tone of the letter was curt, cross and coldly polite, but she was willing to supply him with another copy. There was a reply printed further down the page from Crosby who’d suggested, rather meanly, that if publication were sought elsewhere, he’d take proceedings to stop it, demanding she pay back the money he’d given her. This was all very interesting, but Jane’s letter was a mystery in more ways than one.
She’d signed it at the bottom: I am Gentlemen, etc. etc. M. A. D., with an address for the post office at Southampton for a Mrs Ashton Dennis. I laughed out loud at that, which made one or two people turn round to stare at me for disturbing the church-like sanctity of the place, but I could see what she’d done. The initials of her pseudonym had been written so she could express just how she was feeling about the man who’d failed to publish her book. As the successful author of Sense and Sensibility and Pride and Prejudice, she must have been feeling very “mad” that her dearest Catherine had been overlooked.
Quite unexpectedly, and with chills to send my spine tingling, another memory surfaced as I read the familiar sounding name again - Mrs Ashton Dennis. It was forty-two years since I’d heard it, almost the same number of years Jane Austen had been when she’d tragically died, but the name was as well known to me as the person who’d hidden behind it. And then I knew, even if I had more questions to be answered than ever before, I’d been gifted the chance to see just what had happened all those years ago, confirming my suspicions that I’d been meant to discover the story lost in time.
I’d never been back to the Bath townhouse where it all began. It felt wrong to be disturbing the past, stirring up the souls of those who’d once lived there, or resurrecting the dreams and visions that still held me, captivated and caught in the layers of time. When I got home it took me a while to find it, the diary I’d kept all those years ago, the memories

tumbling from its pages along with the train tickets, theatre programmes, admission for the Assembly Rooms, and a pamphlet for the house on the Royal Crescent, not to mention the menu I’d taken as a souvenir from the Pump Rooms, where such a lot had happened. Going to Bath had been a turning point in my life, the most incredible journey I’d ever made, and able to glance back once more at my youthful self, I couldn’t wait to re-live it all over again.

Chapter One

Caroline

Chawton, Hampshire
November 1975

I’m lying in bed as I write, between sheets that feel scratchy with toast crumbs, under hairy blankets, a heavy candlewick counterpane, and a paisley eiderdown scattered with yellow and pink roses. I feel weighed down, but only just warm enough, and I can’t help feeling sorry for myself. Before I was ill and had to spend every day in bed it used to be a favourite place of refuge, but now it just feels like a prison.
It’s raining again, and I’m watching the wind tossing the bony branches of the trees in the front garden, blowing the last withered leaves as far as the lawn of Jane Austen’s House, or at least that’s what I see in my imagination. In reality I can only just about see the tip of her cottage rooftop from my bedroom window, but I’m glad to know that my favourite author once slept and lived just around the corner from me. I like to think of her walking down the Winchester Road past our house that was built around the time she was born, long before she came to live in the village. Perhaps she stopped to glance in at the windows or even came to call on the people who lived here all those years

Emma@LHV-Etsy

ago. Chawton is a very quiet village and I’m sure it can’t have been much different in Jane’s time. I can understand how she might have turned to writing letters and novels to fill the long days, perhaps scribbling her thoughts down in a journal, though I’ve never heard that she actually kept one. But, I’m almost certain she did - I don’t know a single friend who hasn’t kept a diary at some time in their life, and Jane hinted at the possibility of Catherine Morland writing one in Northanger Abbey.
I’ve decided to start a diary because I’ve got nothing better to do, and I’ll go mad if I have to do another jigsaw on a tray that’s too small for a thousand pieces. I like the idea of putting down my thoughts, and I can’t seem to concentrate on doing much just yet. I enjoyed having my radio up here at first, but there’s a limit to the number of times you can hear the same records played over and over, and even if I love Space Oddity - every time it’s played now I wish I was also floating in a tin can somewhere in space, where I can’t hear it. I’ve re-read every book I own, I can’t really draw or paint in bed, and I’m just counting the days until I can get up and go back to art school. In many ways I’ve loved being at home again, being looked after, and watching the changing seasons in the countryside where time still seems to pass so much slower than in the city. But, I do miss London and my friends. It’s frustrating now I’m feeling so much better - Doctor Grainger says I’ll be able to get up next week - to be perfectly honest I think I could now, but Mum won’t let me, and they’ve said I can’t think about going back to my course until next term.

Jane Austen's House

Mum’s just been in to take my breakfast tray. ‘How are you feeling, Caroline?’ she said, her forehead wrinkled with worry lines.
My mother is never happier than when she’s fussing round me, though thankfully her painting usually distracts her. Years ago her pictures were exhibited in galleries in London, but sadly her work’s no longer sought after, and commissions have been a bit thin on the ground lately. Being far too proud to tell people how little we have to live on, she continues to give her paintings as presents, while she waits for the next job to come in.
‘You look a bit peaky,’ she said, her brows knitting together. ‘You were looking so much better yesterday, but I see you’ve hardly touched your food.’
‘I’m just tired, that’s all,’ I replied, without telling her how helpless I was feeling.
‘Well, you’re getting your strength back slowly … in another fortnight you won’t remember how poorly you’ve been. What you need is a little holiday to put some roses back into those pale cheeks.’
I knew there wasn’t any spare money to send me away anywhere.
‘That’s a lovely idea, but I’m so worried I won’t be able to catch up on all the work I’ve missed. I don’t know how I’ll complete all the projects, there’s a whole collection to make for my final show.’
‘You mustn’t worry; you can’t help being ill, and in any case, Doctor Grainger says you’re to avoid getting stressed. Now, can I change your library books? I’m going into Alton and can find you something a little more light-hearted, perhaps. Mary Shelley and the romantic poets are enough to fog anyone’s head. How about a nice romance?’

Apart from my love of Jane Austen’s books I love any gothic novel, as well as Keats’s poetry, and the Brontë sisters - Wuthering Heights and Jane Eyre being two of my favourite books. Is there a scene more horrid, as Jane Austen would say, than the one where Cathy’s frozen dead hand hangs on to Mr Lockwood’s arm with a pitiful cry demanding to be let in, or the episode where Jane Eyre is locked up with the fear of being haunted by Uncle Reed’s ghost in the red room? However, if I was on Desert Island Discs and forced to choose only one book it would have to be Northanger Abbey, which has everything I look for in a novel and, best of all, can be read by candlelight without being frightened that your hair will turn white. I always feel sorry for poor gullible Catherine who is really clueless, and I’ve been in love with Mr Tilney for as long as I can remember.
My mother didn’t wait for an answer. She took the pile of books from my bedside table, popped a kiss on my forehead, and left. Dressed in the voluminous overalls she wears to paint in, the comforting smell of oil paint enveloped me like a luxurious perfume. It’s the scent I most associate with her, and I’m sure is the reason I wanted to do art in the first place, though it’s always been fashion that’s my passion. Spending hours in bed means I’ve had time to pore over magazines with

pictures of my favourite designers like Bill Gibb and Zandra Rhodes, even if trying to imagine being half as good as they are is an impossible dream.
Money’s been tighter than ever, and I feel guilty that I haven’t got a proper job to help make life easier for us both, even if Mum insists I should concentrate on my degree. Oh, if only there was enough for a trip to Switzerland - I’d visit the Villa Diodati where Frankenstein was written, or go to Italy and find Keats’s grave in Rome. Or a gondola ride with Byron’s vampiric ghost might be nice, cruising down the foul-smelling canals of Venice before stopping off at Florian’s to sip coffee and glasses of Grappa. I have a picture in my mind - Byron swathed in black velvet, an arm draped along the curved back of the gondola seat, demonic good looks in a sort of unsmiling, but sexy way. I’m fascinated by dead personalities from the past. Clearly, Byron was very successful when it came to seduction. I can’t imagine meeting anyone like that - when I first went to art school I had high hopes of meeting a sort of Pre-Raphaelite type artist, dark hair flowing like a mane, flopping in an irresistible sweep over one beautifully dark eye fringed in long lashes, though I must quickly add the man of my dreams has two eyes. Anyway, the ones I know are all a bit disappointing - the most daring fashion items I’ve seen to date have been a

cheesecloth shirt, and a leather belt on a pair of bellbottom jeans. I was born ten years too late to be at art school with Bryan Ferry and David Bowie, those otherworldly creatures, both rather Byronic in their own way. Still, at least they give me something to fantasise about.
I’d like to have the kind of relationship my parents had - they were always together, sharing every day and working side by side. Last year our lives were turned upside down when my father died, but I can’t write about him just yet, it’s too painful. I miss him more each day, and I do feel so very sorry for Mum. He was the love of her life.
All that writing must have worn me out because I dropped off mid-thought, and spilt ink all over the sheets in my sleep, simultaneously dribbling over a half opened packet of fruit Spangles, managing to glue three of them to my pillow case. Mum didn’t seem to notice when she came up, she was far too excited to tell me about her visitor. Her friend Ellen Appleby who lives at the bottom of the road in the large house on the corner, came for a cup of tea earlier and was full of her news.

‘So, Ellen and Roger are going to Bath,’ she said.
‘Oh, I love Bath,’ I said, though I’ve only been once.
‘Yes, I knew you’d say that,’ said Mum, and then she suddenly stopped, and her mouth twitched like it does when she’s worried she’s going to say something to upset me.
‘What is it?’ I asked watching her face turn crimson. ‘There’s nothing wrong, is there?’
‘Not exactly,’ she said, ‘and I don’t suppose you’d have to go if you really didn’t want to, though it would be a little awkward going back on what I said.’
Since my father died, I’ve found it very hard to get annoyed with my mother, and looking at her sweet face I realised, whatever she’d done, it would be impossible to be cross with her.
‘Go on,’ I said, trying not to sound impatient.
‘Ellen thought you might like to go with them, and I said it was such a thoughtful, kind invitation, that it would do you the world of good, and you’d love the idea.’
It came out in a complete rush, which left me feeling stunned and not quite sure what to say. I know the Applebys quite well, but the idea of going away with them is something else entirely.
‘Oh, Mum,’ I whined, and then I felt ashamed when I saw her face crumple.
‘It’s just that I’d love to take you away,’ she said quietly, ‘but I can’t, not just now I’ve got a new commission, and it seemed the ideal opportunity.’
What she really meant was that she couldn’t afford to take me anywhere, and so I pushed back the covers and threw my arms round her slight form, told her that it had taken a moment, but I couldn’t think of anything I’d enjoy more than going to Bath with Ellen and Roger Appleby.
‘Really?’
‘Yes, of course, I’d love to go. Who wouldn’t want to be driven down to Bath in a fabulous Jag, and stay in a smart hotel for a couple of days,’ I said, trying hard to think of all the positives.
‘They’re not staying in a hotel,’ she said, ‘and they’re going for six weeks until Christmas.’
I felt time slow down. This was worse than I feared - a whole six weeks! At least in a hotel, I might have found someone my own age to talk to or go out with.

‘They’re renting a house on Pulteney Street. It sounds lovely, even if it’s not quite Ellen’s preferred choice of the Royal Crescent. Oh, Caroline, are you sure you’d like to go?’
Seeing her eyes were misting over, I tried my best to smile, and thinking of my beloved Northanger Abbey, I declared, ‘Well, if adventures will not befall me in my own village, then surely I must seek them abroad!’

It’s amazing how quickly time passes when you don’t want it to, but the day has come at last, and I’m waiting in the sitting room for the Applebys to come and collect me. Six weeks seems too long to be spent with people who are virtually strangers, even if Ellen keeps telling me she used to push my pram around the village and back again when I was a baby.
‘And such a fat little thing you were too, all dimples and double chins … what they used to call “bonny” in those days,’ she said. ‘Well, you’ve lost most of the puppy fat now, and having Glandular Fever has certainly helped. I could do with a dose of that myself … I’m on the egg and grapefruit diet now … have you tried it, Caroline?’
But, Roger is a nice man, even if he’s always telling awful jokes. He’s so kind, and doesn’t expect anything, like lots of conversation that involves being pumped for endless amounts of gossip, and he never mentions the past or makes backhanded compliments.

I wasn’t sure what to wear - the older generation sometimes think jeans are a bit scruffy, and I thought even my jeans skirt and waistcoat might be a bit much for Ellen, so I’ve decided to wear one of my own dresses. Mum said I look lovely, but she’s very bohemian, and anything goes, as far as she’s concerned. I’ve settled for a midi-length dress I copied from one I saw in Biba last year, my favourite shop of all time. It has a deco pattern on a black background, very gothic with a high Victorian neck and billowing sleeves. I’m wearing stacked-heel boots, not my nine-inch heels with four-inch platforms, which I’m leaving behind or no doubt I will be the butt of Roger’s jokes.
So, I think even the Queen might consider I look suitable for a trip to Bath.
I hope Mum will be okay - we’ve not been apart for such a long time, and I will worry about her, even if I know she’s busy. She actually went to see a client this morning as if it was any normal day, which is probably better because if she were here we’d only cry all over one another as we say goodbye and end up embarrassing Ellen.

I’m now in the car with the back seat all to myself, and feeling quite like another person. Mrs Appleby has nodded off, which has given me a chance to pick up my pen again. It’s such a smart car, and has a wonderful smell of leather - I think I could get used to high living. We have a lovely house to live in and lots of beautiful antique furniture that Mum inherited, but we’re not used to spending money on things like cars and fur coats - Ellen is wearing her mink coat today, and she has matching mink-trimmed leather gloves. I don’t really approve of fur coats, but I know they cost the earth, and I suppose that’s what makes them so desirable for some people.
There was a time when my family didn’t worry about money. My grandmother Violet was the last female of the family to have been born at Charlcombe Hall, our ancestral home. It sounds very grand, but it’s very hard to imagine, though my grandmother used to tell me stories about it when I was a little girl. Anyway, the house was sold long ago and my grandmother was brought up in a smaller manor house just outside Bath in the countryside. My mother was born there, and left when she married my father. He was the young curate in their village, and he had ambitions to go and help people in the poorest parts of London. They started off in the East End where my mother spent many fulfilling but unhappy years trying to improve the lives of those who knew nothing but grinding poverty. Her portrait paintings of the local families are very revealing, and though her subjects are always smiling, several have an indefinable air of sadness. Mum’s always said she could never reconcile the fact that her life and theirs were so

very different. In the end, my father was moved to Chawton, and we settled in the house my mother inherited from an aunt, instead of going to the modern rectory we were offered. Though my mother was happier, I think she felt guilty about leaving the people behind who loved and needed her.
The house wasn’t in good repair, and my father spent what money he had on having it rewired, and the cracked paint sanded down and decorated, but whatever improvements were made haven’t ever entirely removed the stale, dusty smell of the ancient carpets or stopped the draughts from whistling down the corridors. To this day there’s an air of faded grandeur, especially in my mother’s bedroom where the finest furniture lives and where her best diamonds glimmer forlornly from tattered velvet, on a mahogany dressing table adorned with discoloured scent bottles and silver topped brushes. There’s an echo of another time in the mottled looking glass that sometimes captures a lost image from the past reflected in its murky surface, when an old sepia photograph of an ancestor, clothed in black silk, stares with lifeless eyes from a tarnished silver frame.
I’ve grown up in beautiful, yet dilapidated surroundings

for most of my life, punctuated with flashes of wild modernity when Mum has come into a small legacy from a forgotten relative. Then the drawing room has glowed with new loose covers on the sofa in sensuous psychedelia, at odds with the walnut chiffonier and buttoned back chairs, and we’ve celebrated with a cocktail party. I remember my mother looking very sophisticated in black at one of these parties, the diamonds glittering in her ears as she handed out hors d’oeuvres - devils on horseback and mushroom vol-au-vents. My father always said she reminded him of Princess Grace of Monaco, and if not quite a princess in her youth, I think she’d known a different life before she fell in love with my dad. It’s easy to imagine her in a ball gown, a long train trailing across a red carpet - in my mind’s eye I see her stepping from a sleek car with white Gardenias scenting her hair, as young men bow and hold out their hands to fill hers with saucers of pink champagne or twirl her across a polished dance floor.
I remember on one occasion actually having a party dress bought for me, a rare treat. It had a scarlet velvet bodice, layer upon layer of white organza with a ribbon sash, and I had black patent leather shoes. I think I was about eight years of age and I felt very grown-up when my father presented me with a jewelled brooch of a twirling ballerina to pin on my frock. I found it, recently, in my old treasure box wrapped in a silk handkerchief my aunt sent from her travels in Greece. It was strange, yet weirdly comforting to find what I’d considered to be precious mementos back then. Apart from the brooch, I discovered a cat’s collar belonging to my grandmother’s old black cat Boogie-Woogie, a glass bottle painted with Devon violets and still smelling cloyingly of the sweet scent, a Christmas postcard my grandpa had sent in the First World War, a heart-shaped trinket box encrusted with shells, and a faded box of Floral Cachous.

Ellen talks a lot, but I think she’s just trying to put me at my ease. ‘What would you like to do first, when we get there, Caroline?’ she said, craning round to look at me, a wide smile on her scarlet painted lips.

‘Do you like shopping? I expect you do, all girls like shopping.’
To tell the truth, I do like shopping, but I don’t do it very much - all my clothes are homemade, and there’s only ever enough money for the occasional book, or a magazine, and a bar of chocolate. I used to have a Saturday job in a dress shop, which helped pay for my art materials and fabrics, but I had to give in my notice when I became ill. Mum’s given me a little bit of money, though it’s got to last for the whole holiday, and I think I might need some of it to take Mr and Mrs Appleby out for a treat, as a sort of thank you for having me.
‘I like window shopping,’ I started to say, and then felt I must sound really silly, and added, ‘I love buying material to make a new dress, and a set of buttons can completely transform an old coat.’
‘I can see you like nice clothes, Caroline, and I always wanted a little girl to dress up. Would you let me take you shopping, my dear?’
What could I say? I know I should have felt instantly grateful, but all I could think was that she might want to choose my clothes for me, and then I knew for certain, I’d be clothed in the old-fashioned Crimplene frocks, beige slacks, and Kay shoes that she wears.
‘That’s very kind, but I shouldn’t want to put you to any trouble,’ I insisted.
‘I really don’t need anything, and I’ve brought lots with me.’

Northanger Abbey - Philip Gough

‘Caroline, you don’t realise just what a treat it would be for me. Now, I know you’re a good girl, but I shan’t hear any more of your polite rebuttals, we will go shopping this very afternoon.’
She turned and smiled indulgently, as if she was very sure I was just being polite, and then I told myself off for having unkind thoughts before silently sending up a prayer to the fashion gods to watch over me in my time of need.
I must have dropped off to sleep for a while because we’re now halfway down the London Road, coming in to Bath. Mrs Appleby is chatting away to her husband while I feel a little bit like Catherine Morland, all eager delight, and my eyes taking everything in, here, there and everywhere. It’s just so good to be up and about, and I’m feeling much stronger. This feels almost like an adventure, and dare I say it, that thought makes me feel happy. Life is spread out before me, as broad and sweeping as Great Pulteney Street, and as splendid as its majestic townhouses.