The African American composer and pianist James Price Johnson was born on Feb. 1, 1894 in New Brunswick, New Jersey. He is profiled at AfriClassical.com. His biography is James P. Johnson: A Case of Mistaken Identity by Scott E. Brown. Brown also wrote the liner notes for the CD Victory Stride: The Symphonic Music of James P. Johnson, Music Masters 67140 (1994). Pianist Leslie Stifelman and The Concordia Orchestra are led by Marin Alsop, conductor. Dr. Dominique-René de Lerma
of Lawrence University in Appleton, Wisconsin has specialized in
Black composers for four decades, and has made his research
available to this website.

In his liner notes for Victory Stride, Scott E. Brown points out that James P. Johnson was called the Father of Stride Piano. Brown also emphasize the importance of James P. Johnson's Carolina Shout, saying it "...is considered by many to be the first recorded jazz piano solo (1921)." Scott Brown continues: "As
a composer, he scored all or part of at least 16 musical
revues during the 1920s. Out of his 1923 Broadway production Runnin' Wild came the tune and dance most closely associated with the entire decade, the 'Charleston.'”

Prof. Dominique-René de Lerma wrote the liner notes for the CD Got the Saint-Louis Blues: Classical Music in the Jazz Age, Clarion CLR907 (2004), which includes a performance of Johnson's Yamekraw: A Negro Rhapsody (15:49)
by pianist Paul Shaw and the VocalEssence Ensemble conducted by
Philip Brunelle. Dr. De Lerma relates that Johnson's music
studies with Bruto Giannini were followed by piano lessons from
Eubie Blake. He continues: "Toward
the end of the 1920s, Johnson began devoting time to the study
of orchestration, counterpoint, and harmony." Prof. De Lerma explains that Yamekraw
was written to celebrate an African American community in
Georgia. He also provides details of the work's orchestration and
premiere: "Written in celebration of a black community on the outskirts of Savannah, Yamekraw: A Negro Rhapsody
(1927) was first performed by Fats Waller in a Carnegie
Hall concert organized by William C. Handy. It seems most likely
that Johnson's relative inexperience in orchestral writing
prompted him to ask William Grant Still
to rework the score in 1928." Richard Rosenberg led the Hot Springs
Music Festival Symphony Orchestra in a dynamic 2009 recording of the
work on the Naxos label.