One of the most interesting segments comes when Rose asks Lessig to highlight the potential downwside to the freewheeling remix culture he so often celebrates. Lessig worries that the Ariel of copyright reform, which he's helped to unleash, might morph into the Caliban of copyright abolitionism if a new generation comes to see intellectual property as little more than a stifling monopoly. It's hard to know exactly how seriously to take this: There's more than a whiff here of "Nice copyright system you got there; be a shame if something wuz to happen to it." But taken at face value, it's a healthy reminder that the stark "pro-IP" and "anti-IP" positions in the ongoing copyfight don't capture the avowed positions of the combatants terribly well. In any event, the whole things' worth a watch.