Death Metal

Storied Dutch Death Metal outfit returns with a vengeance on “Deformation of the Holy Realm”. Unleashing nearly 45 minutes of crushing music, the band’s new line-up elevates their level of aggression to new heights. While many older bands keep to their guns and style, Sinister has been incorporating more modern Death Metal elements into their sound, allowing them to keep their signature style and stay relevant to new trends.

Creating a very regal and epic mood, the atmospheric opener “The Funeral March” perfectly leads the listener into the brutality of “Deformation Of The Holy Realm”. The track wastes no time in delivering blistering drumming, pummeling vocals and superbly crunchy riffs. New guitarist Michal Grall perfectly captures the band’s essence and gives it an extra level of brutality as we can hear on songs like “Apostles of the Weak” and the heabanging galore “Unbounded Sacrilege”.

Canada’s Metal scene has been on fire in the recent years, with plenty of bands unleashing masterful creations. Today we have Blight, a band that is just releasing their ‘debut’ release after more than a decade of combined existence, but “Temple of Wounds” clearly shows why it was worth the wait. Featuring a monstrous and sinister sound, the band unleashes nearly one hour of crushing Black/Death Metal filled with ravaging riffs and hellish vocals.

Setting a relentless mood with the pummeling guitars of “Dar-Akh-Qayin”, the band creates a very ritualistic and mysterious aura. Similar to Behemoth, but with its own brand of evilness. The band’s melodic edge creates very sinister atmospheres, and intoxicating passages as we are presented in the opener, “Elsewhere & Elsewhen” and the magical “Before the Monolith”. Perfectly blending in and out of chaotic brutality and incisive melody, the band has a very refined and effective style.

Keeping the Swedish Death Metal flag flying high, today we have another gargantuan release from legendary Centinex titled “Death In Pieces”. While the band went through a full line-up change before this album, Martin Schulman has pulled together a great cast and delivers the goods in the ten songs unleashed in this release. If you like older Grave, Entombed, and the usual Swedish suspects, this album will certainly bring back some good memories.

As the horns blow on the opening track “Only Death Remains”, we are instantly transported to the 90’s with the band’s timeless sound. In your face drumming and crafty riffs are just what the doctor ordered as tracks like “Derelict Souls” and “God Ends Here” continue to flow as an initial blast of energy. The band does not fuck around, and their craftiness is clearly demonstrated with the superbly catchy and traditional chugging riffs of “Tomb of the Dead”, one of our favorite tracks.

Not even the COVID-19 pandemic can stop Behemoth from spewing their powerful gospel, and “A Forest” is the evidence of it. Featuring two new songs and two versions of a cover of The Cure’s “A Forest” with Niklas Kvarforth on vocals, this EP continues the path of devastation the band has set upon their 2018 “I Loved You at Your Darkest” release. If you are looking for a way to stay entertained and headbanging through this pandemic, this short but sweet release will carry you over.

For those The Cure fans, Behemoth’s rendition of “A Forest” is a perfectly fitting one. Adding their own sinister touch and the incisive vocals of Niklas Kvarforth. The combined result is one hell of crushing track with ravaging guitars and punishing vocal onslaughts that perfectly bring the band’s touch to an already classic song. Both the studio and live versions are quite engaging, leaving us wishing we could witness the track being played live one day.

Led by Jonas Stålhammar of At the Gates fame, today we have Bombs of Hades and their short-but-sweet EP “Phantom Bell”. Released as a teaser before the band records their next full-length release, the listener is treated to four tracks, two of them covers, and 16 minutes of music. With a Crusty Death Metal sound, this album is a nice warm-up but it feels a bit too short, as we are always caught off-guard when the next release one our playlists sneaks up on us.

Opening with the title track, we get a furious guitar onslaught that quickly escalates with fast drumming and a moshing vibe. The guitar leads in this song give us a certain retro/crusty edge that we don’t typically find in our playlist. “Bridge of Sighs” is more settled as the crunchy guitars lead way to a very catchy vibe. The climax portion of this track is very impressive and nicely developed, firing up guitar solos and atmospheric elements.

As one of the most expected releases of 2020, today we have Kiwi’s Ulcerate and their impressive full-length release “Stare Into Death and Be Still”. Pegged as Technical Death Metal, this release is as refined as it is brutal, delivering nearly one hour of savagely crafted songs that will rattle your speakers and skull. With an unrivaled finesse, this release is by far on one of the best we have heard in 2020, so be ready to be blown away.

Opening with the crafty layering on “The Lifeless Advance”, we are instantly immersed into the band’s punishing world of high-octane drumming and intricate guitar work. Juxtaposing walls of sound with the inhuman vocals of Paul Kelland, the band creates very cavernous and intimidating pieces like the crushing opener and its more playful counterpart “Exhale the Ash”. There is an underlying melodic aspect to the band’s sound that makes songs even more effective in delivering their contrasting fast-paced brutality onslaughts of intense riffs and growls, as we can hear in the moody album title track.

Unleashing a very unique musical concoction of Progressive elements mixed in with Death/Black Metal, today we have Bay Area’s newcomers Dawn of Ouroboros and their full-length release “The Art of Morphology”. With over 40 minutes of crafty music, this release showcases plenty of musical talent and creativity paired with a high-octane delivery and intensity. If you are a fan of creative music that blends genres together and delivers high-replay value, this is the album for you.

Opening with the dreamy intro to “Revivified Spirits”, the band quickly shifts into 5th gear with brutal onslaughts of harsh vocals, violent drumming and intense riffing, showing off their versatility from the start. With a certain jazzy and proggy vibe, “Pinnacle Induced Vertigo” is one of those playful tracks that nicely transitions into the mood setting instrumental “Gateway to Tenebrosity”. Fronted by Chelsea Murphy, the band’s sound is perfectly suited for her mixed use of demonic harsh screams and angelic clean vocals as the ethereal “Lunar Cathexis” contrasts.

We are quite psyched that Greek Death/Doom legends On Thorns I Lay have remained active and releasing albums since they reformed back in 2015. With “Threnos”, the band continues their musical journey with yet another powerful and melancholic release. Featuring over 45 minutes of music, this album delivers on the band’s signature style while adding a few surprises to keep the listener’s engaged and entertained.

The opener, “The Song of Sirens”, has that signature OTIL sound of their 90’s releases, with the firm growls, crafty riffs and subtle atmospheric keyboards, perfectly contrasted by weeping lead guitars and a hyper melancholic atmosphere. We particularly love the band’s timeless mixture of heavy foundations, like crushing riffs and tight drumming, with dramatic atmospherics delivered by the keyboards, clean vocals, and string arrangements on tracks like “Ouranio Deos” and the superbly catchy “Cosmic Silence”.

Delivering a firm and switch brutal onslaught of intense riffing, today we have God Dethroned and their latest opus “Illuminati”. Luckily for early fans, Henri Sattler decided to revive the band a few years back and now they unleash one hell of a release divided into nine ear-piercing tracks. While not long in duration, the 36 minutes of music presented are some of the finest this Dutch outfit has ever produced.

The album title track opens the release with a vicious old-school Death Metal vibe, perfectly adorned with Blacked Harsh screams and lush atmospheric keyboards. With “Broken Halo” continuing in the same fashion, we are completely floored as “Book of Lies” unleashes hell with piercing riffs and brilliant melodic intensity. This last track is definitely one for brutal headbanging, and with some contrasting solemn guitar leads, it is just magical.

The amount of quality Polish bands breaking into the Metal scene in the last few years has been outstanding. Today we have Devilish Impressions and their uniquely Melodic/Symphonic Blackened Metal style. Featuring all new members other than founder Quazarre, the band delivers a very promising and short EP, demonstrating their excellent craftsmanship and promise of what is to come.

Starting with the bleak “Dvma”, the band sets a very enigmatic and oppressive mood. The catchy guitar work is perfectly contrasted by a nice variety of vocal styles and tight drumming. We particularly enjoy the creepy mournful slower sections that are highly atmospheric and pretty eerie. The meaty hooks of “Cingvlvm Diaboli”, give a certain Death Metal vibe to this more intense track, filled with Satyricon-esque guitars and solid headbanging passages.