Abbi Jacobson is embarrassed to admit she sees everything she’s ever done in relation to “Broad City.” “I can only mark my life now by what I was doing on the show,” she tells me over the phone on the same day that the series’ final episode aired last month. “I don’t fucking know what else I did.”

The truth is, while becoming everyone’s favorite millennial comedy duo alongside Ilana Glazer, Jacobson did a quite a bit. In the past five years, she wrote a memoir, I Might Regret This; hosted the fine-art podcast, A Piece of Work; starred in “The Simpsons” creator Matt Groening’s latest animated series, “Disenchantment”; and took her first dramatic turn, in last year’s addiction-themed film 6 Balloons. She’s also set to executive produce and write for a forthcoming comedy series based on the 1992 movie A League of Their Own, about a women’s baseball team.

Now that “Broad City” is officially over, nearly a decade after it began as a DIY web series, Jacobson is just starting to untangle what her life means without it. But she already knows how she’d like the show to be remembered. “The whole time we’ve been on TV, our gender was always put in front of what we do,” she says. “I hope that won’t be the case anymore, and it’ll just be one of the funniest shows and not one of the funniest female-driven shows.”

When it comes to the legacy of her “Broad City” character’s hardcore Phish fandom, Jacobson would also like to get something off her chest. “Abbi represents my nostalgic relationship to Phish,” she says. In reality, it’s her brother who was the more serious Phish Head. “I’ve only been to like 10 Phish shows,” she admits. Looking back at the music that has defined Jacobson’s life so far, it’s clear her taste has been heavily influenced by her jam band-obsessed older brother, her classic rock-loving dad, and, no surprise, the generation-defining show that she devoted so much sweat and care to for so long.

A lot of my favorite music as a kid came from my dad. He was in a band in high school; they got back together after they graduated and called themselves Second Chance. He was really into classic rock, and he played Paul Simon’s Graceland a lot. My parents never really played kid records, but Graceland is weirdly kind of childlike. I loved the “You Can Call Me Al” video with Chevy Chase. My parents were really into “SNL,” and I would watch old episodes with them and be like, “I know that guy!”

The first concert I went to was No Doubt. It must have been for Tragic Kingdom. I went with my dad, and my friend went with their mom—but I didn’t know my dad was on a date with my friend’s mom.

I loved No Doubt when they first came out, Gwen Stefani was just so cool. It felt like such a different kind of mainstream. I was a mallrat as a kid growing up outside Philly, and I remember going to stores like Wet Seal, and the clothes in the display windows were Gwen’s outfits, almost immediately. I didn’t dress like her, but she was just so rad in her track pants.

This is the Phish era. It’s just as much about my group of friends in high school as it is the band. If I hear a Phish song, it brings me right back to those people. The band was on a hiatus during most of the time I was in high school, so we would see Trey [Anastasio] play solo a lot, RatDog, and Phil and Friends—anything we could get our hands on. When I was 15, before I had a driver’s license, these shows were just a very freeing place. It was such a parking-lot culture where you would go early and hang out. I would almost always have a mission to find weed, and I would always succeed and then have to figure out how to sneak it into the venue.

I went to college in Baltimore, and I was into Neutral Milk Hotel and Jenny Lewis and the Watson Twins. I’ve seen her a bunch; she has such an incredible voice and such a sweet vibe. She came at the right time in my life. College was when I started to be a little more of a melancholy version of myself, and that added to my love of her. I was always into Janis Joplin growing up, but this was different. Rabbit Fur Coat felt really personal. Being in college and seeing a woman up there with a guitar was powerful. I just wasn’t seeing those sorts of shows in high school.

I heard that song and was like, “That’s me!” To this day, I play that song when I need to dance by myself. It makes me feel like I moved to New York and I’m figuring it out. It always gets me going. Also, David Byrne went to the same college as me [the Maryland Institute College of Art], so if someone was like, “Where’d you go to school?” I’d say, “MICA,” and they wouldn’t know it, and I’d be like, “Well, David Byrne went there.” So obviously, it must be pretty cool.

Ilana and I were listening to a lot of Salt-N-Pepa around this time. “None of Your Business” was a huge “Broad City” motivator to get us psyched up. Sometimes we would have a little dance party before we would write, to get going. You can’t play a Salt-N-Pepa song and not fucking dance. We were these two fairly small Jewish girls trying to write this show, and “None of Your Business”—“What’s the matter with your life?/Why you gotta mess with mine?”—was just very literal for us. Like, “Don’t fucking tell me what I can and cannot do.” Salt-N-Pepa are about being proud of female sexuality and owning yourself and feeling yourself. You doubt yourself, but a song like that helps you get through.

Lizzo is my girl. She’s done music on “Broad City” for years, and the last scene of the show includes this song, which makes the moment feel extra special. I saw her years ago when she opened for Sleater-Kinney, and then her song “Let ’Em Say” was in the Season 3 opening episode, “Four Seasons in the Bathroom.” It was so fucking perfect. We used another song of hers, “Scuse Me,” last year, so she’s been a throughline. Ilana and I are working on a project with her, but I can’t say anything else about it.

We have always tried to create an inclusive place on “Broad City” where people watching it feel safe and want to be themselves, and Lizzo is doing that, too. She just celebrates body positivity and she’s so fucking talented. It’s just really been exciting to watch her rise.