In this written thesis, Gordan Marijanović describes the process of creating the play „Pleti mi, dušo, sevdah“ produced by Academy for art and culture in Osijek and mentored by assist. prof. Art.D. Maja Lučić Vuković. On the beginning author brings facts about the project, explores importance of music as inspiration in puppetry creativity and research history and characteristics of sevdah as music genre. Through analysing sevdalinka’s themes and asserting the importance of narration he introduces us in the central part of his written thesis in which he describes process from it’s starting idea to staging the play and starts with more detailed analysis. He describes working process through explaining why they chosen specific puppetry technique and analyse development of each separate etude. He points out the importance of symbolism and understanding the puppet as a metaphorical medium. He concentrates on music dramaturgy and adaptation, creating the atmospheres and relation between actor and puppet. After the short review about creating the scenography he describes the process of putting all elements into the one connected unity. At the end of this written thesis, he is concluding by pointing out the endless possibilities which can be produced with mutualism of music and puppet and emphasize the importance of experimental work in artistic maturing of young individual.