Hello, this page of our torrent is made specially for Action tv show crated by Luc Besson, Alexander Cary and named "Taken Season 2". This season consists of 16 episodes, 16 of them are available on this page and you can download them at the time you want. This season began to broadcast in 2018, one episode size is about 717 MB with HDTV High Quality and 6.6 points on IMDb.

Taken Season 2 torrent

"Taken Season 2" is one of the tv shows that you can download or magnet on our torrent. This Action series is created by Luc Besson, Alexander Cary and rated with 6.6 points on IMDb. This season is started broadcasting in 2018 and it consists of 16 episodes. Scroll down for more information about Taken Season 2 torrent.

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I am convinced we all had the exact same thought when NBC announced a TV series based on the Taken trilogy. "Is Bryan Mills likely to have to rescue his daughter each and every week?" Instead, Taken the series acts as a prequel to Taken the movie, though only in a really loose sense. And for the most part, the show is much more noteworthy for the ways in which it diverges in the source material than just how it reproduces it.

Taken stars Clive Standen as a youthful Bryan Mills, who at this very early stage is currently a skillful killing machine and specialist brooder. The show also stars Jennifer Beals as Christina Hart, a shadowy government operative with a marked interest in Mills' talents. Luc Besson remains on board the franchise in the role of producer, while Homeland's Alexander Cary serves as showrunner.

While the official show description asserts, "In 30 decades, this character is destined to become the Bryan Mills that we've come to enjoy from the 'Taken' movies," the show is not meant to be a direct prequel. It is very clearly set in the modern day, with lots of smart phones, HDTV's and several other gadgets featured prominently throughout the pilot. While hardly a deal-breaker, there is a definite missed opportunity here in terms of not presenting the show since a '70s or '80s-era period piece. The slick, moody quality of the cinematography goes against the grain of the movies and their gritty, grimy way of violence. There is a stylish energy to the a variety of fight scenes and car chases in this episode, but nothing that actually screams "Taken." A span setting might have invited Cary and business to target a bit grittier.

There is also the issue that Standen isn't really cut out to shoot within the Bryan Mills role from Liam Neeson. He's perfectly fine as the tortured action hero, but he does not really have Neeson's innate gravitas and charisma. Nor does he possess the Irish brogue. Half the enjoyment of the Taken films is the sight of the mid century, soft-spoken Neeson beating the holy hell from individual traffickers and drug retailers. The personality is basically less remarkable as a young guy.

Then there is the questionable choice to depict Mills as an already finely tuned killing machine. An individual would believe that the main purpose of a Taken prequel would be to explore precisely how Mills developed his "particular set of skills" at the first location. Instead, he is at John Wick levels in the pilot as he wages a one-man warfare on a criminal association attached to his former army career. At best, it may be claimed that this episode explores why the elderly Mills reveals an almost pathological need to keep the girls in his life safe from injury. There is small "taking" in the pilot, however there is the usual family tragedy penalizing our hero.

It is hard not to see the pilot and wonder if this series was initially conceived as a Taken prequel or if it had been simply reworked at some stage mid-development. Change the name and the title of the main character and there would be precious little to tie the series and the movies together. However, that isn't always a bad thing. The pilot will shine brightest when it stops trying to repeat the films and rather chart its own path.

That is where Beals' character comes in. She and her team of crack intelligence agents function as the wild cards in this first episode, tracking the conflict between Mills and his enemies and attempting to use the situation to further their own agenda. This assists complicate the plot and help it become longer than a simple narrative of one person's quest for revenge. There is also a heavy espionage element here, one which makes full usage of Cary's experience on Homeland. As strictly impartial, self-interested players, it is never clear whether viewers ought to be rooting against Hart along with her staff. Beals herself is in a position to toe the line between enjoying Hart as a ruthless opportunist and a woman dedicated to defending her country at all costs.

These characters also help address two of the nagging defects concerning these movies. The Taken trilogy functions as good, dumb action movie fare, but it's difficult to dismiss the chauvinism and xenophobia that permeate the films. Foreigners have a tendency to be unkind human traffickers or even gangsters or terrorists or some combo of the three. The TV series indicates a greater openness to prevent working in such a grim, post-9/11 mindset. Getting Beals as a powerful woman accountable alone is a step in the ideal direction. But key is the simple fact that her team is there to question her conclusions and raise the issue of if they're crossing a moral boundary as they simultaneously observe and manipulate Mills.

There's little sense that Taken will really do much to capitalize on its own name, but it doesn't have to. The actual question is whether it's do better than follow with an episodic "assignment of the week" format, but rather tell a superb, serialized story about the first days of the world's most talented middle-aged killer.

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