“Advertising and the Artist’s Multiple,” Grouper 2 (Summer 2005) (a special issue of the magazine published by Publico alternative space, Cincinnati, as the catalogue for the Multiple Strategies exhibition at the Contemporary Arts Center, Cincinnati): 7-16.

Kevin Concannon and Reiko Tomii. "Chronology" (a new, extensively updated version that incorporates the years 2000-2003 as well as additional research into earlier activities) and “Bibliography” for the Japanese-language edition of Yes: Yoko Ono (Tokyo: The Asahi Shimbun Company, 2003): 178-209. The book, published to coincide with the Japanese your of the related exhibition (October 2003-December 2004), also features a Japanese-language version of my “War Is Over!” essay: 126-29. Invited.

• Cited in: Tamara Levitz, “Yoko Ono and the “’Unfinished Music’ of John and Yoko: Imagining Gender and Racial Equality in the Late 1960s,” in Avital H. Bloch and Laurri Umansky, eds. Impossible to Hold: Women and Culture in the 1960s (New York: New York University Press, 2005): 235.