Orlando Flores is dead

He was known as George Carpenter before he became the writer Orlando Flores

Submitted:Mar 3, 2013
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Orlando Flores is dead

There is a hum of bees at work in the lavender, and the sound of
the neighbour's hover mower as he goes up and down his lawn.
It's a hot Sunday morning in July, and I'm sitting in the garden
with Emily, eating breakfast, a tray of toast, strawberry jam and
coffee before us on the table. At 10, the bells of Saint Peter's
start their cascading appeals, bringing me out of my reverie. It
seems as good a time as any to let the wife in on what I've
decided.

"Emily," I say, trying not to let my nerves get the better of me,
"I've been thinking, and I've made a decision."

"Well done, I'm proud of you," she says, without looking up from
the book she's reading.

"No, I'm serious. I have made a decision We're going back to
Spain."

That gets her attention.

"Spain?"

"Yes, Spain."

* * *

Twenty four hours earlier, life was ticking along uneventfully.
Neither of us really believed that we were living the dream, but
it seemed that after many years together in an affluent corner of
Berkshire, we had settled into a life that suited us. Everything
began with my trip to the farmers' market in the morning. On my
return, I came in the front door, kicked my sandals off, and
walked barefoot into the kitchen. Emily was sitting at the table
with a book in front of her.

"You've been a while Henry," she observed.

"I know, I stopped off for a coffee on the way back," I said,
feeling the need to explain myself.

"Is that a newspaper you've got?" Emily said, looking up from her
book. "You never buy newspapers. What's going on?"

"Well, when I was having my coffee, I was having a read of it,
and I came across something interesting on the obituaries page.
You have to see it."

I cleared a space on the table and opened the newspaper.
"Orlando Flores Obituary", read the headline, followed by, "Latin
American writer who became a favourite of post-feminist middle
classes."

"There, you see. Orlando Flores is dead."

She wasn't as taken aback as I'd thought. "I can see that. But
tell me, what exactly does post-feminist middle classes mean?"

"You guess is as good as mine," I said.

"So that's the end of George Carpenter then," she said, a
melancholy note creeping into her voice. "It's not how I would
have imagined it."

"Me neither." I looked at Emily's open book. "What are you
reading?"

"'Snowfall in Seville.'" I couldn't help laughing. "What's so
funny?" she asked.

"It's one of his, isn't it? Flores…"

* * *

We had last seen George at the dusty, shed of an airport in La
Mancha, the day he set off for pastures new. Spain in those days
wasn't what it is today. Then it was a heady place and there was
a great optimism in the air. Franco was ailing, the tourists
were starting to come to the Costas, and we were young. All in
all, it had seemed a strange time for George to be packing his
bags. The evening of his departure, we had gathered for a quiet
farewell at 'el toreador', a restaurant in the blossom-scented
streets that wind between the bullring and the Cathedral of Santa
Maria de la Sede. There were seven of us - me and Emily, George
and his sister Ruth, two middle-aged career teachers from the
British Council, and an enigmatic, bearded young student called
Enrique, who seemed to have stepped off the pages of Don Quixote.
Ruth had come for one final visit, arriving with an empty
suitcase, with the intention of helping George get his books home
to Winchester. It was a balmy evening and we sat outside eating
tapas, drinking rioja, and smoking the local cigarettes. Ruth
and Enrico were thick as thieves that night, but there came a
point, when the others had gone to consult the wine board, when I
was left alone with Ruth.

"Has he told you what his plans are?" she asked.

"No, not really. He told me he wanted to go somewhere where no
one knows him."

"That's George," she said, with a smile that was his. "You
shouldn't believe all this romantic stuff he tells you. He lives
in a dream world half the time. Do you know the story of the
music camp?"

"No."

"Well, when he was a kid, and I mean a kid…he would've been seven
or eight…he went for a fortnight to a Scottish island, to learn
to play the guitar."

"The guitar? Can he play it?" I thought of all the times we had
been around people with guitars, and he had never shown the
slightest interest in them, let alone picked one up and strummed
it.

"He can, yes. When he came back from Scotland, he'd become very
good. In just two weeks. I asked him how he'd done it and he
told me some daft story about how he'd changed his name. He'd
chosen a name that he thought sounded like a guitar player. And
that, he claimed, was his secret."

"Funny," I said, laughing. "What name did he choose?"

"Orlando something or other."

Before she could say anything more though, the others began
drifting back to the table, and Ruth's attention returned to
Enrico.

Later in the evening, I asked George if the story his sister had
told me was true. He laughed it off, but when I mentioned the
name Orlando, he got up and walked over to the bar. He whispered
something to the barman, who went into the back of the
restaurant, returning a minute later with a guitar. George
checked that it was tuned and then started to play Concierto De
Aranjuez, his fingers picking with increasing agility at the
strings. He finished with a virtuosos flourish and everyone in
the restaurant stood up and cheered. George handed the guitar
back to the barman, received a brandy from him for his troubles,
and returned to our table.

Emily and I went to the airport to wave George and Ruth off the
following day. After they'd checked in, Emily gave George a
lapel badge in the form of an ibis as a present, and he pinned it
to his shirt, saying that it would always remind him of his two
years in Spain. Then, accompanied by Emily, he went to the kiosk
outside the building for something to read on the flight.

"Why do you really think he's leaving?" Ruth asked, returning to
the subject of the previous evening.

"Itchy feet, I suppose. He told me his work here's done."

"Has he ever mentioned a woman to you Henry?"

"Plenty," I said. "You're his sister, you must know what he's
like by now."

"So you know about Elena then?"

"It doesn't ring any bells with me," I said. "Who is she?"

"It's someone he met here I suppose. He told me this morning
that that's why he's off. He has to find her."

"Why, where is she?"

"He didn't say. Or rather he wouldn't say." At that point,
George and Emily came back from the kiosk. "Listen, don't
mention it to him Henry."

I did as I was instructed. It was like reading the first few,
tantalising, sentences of a story and then losing the book. At
various points thereafter, you feel sure you will find the book
and satisfy your curiosity as to how it continues. But you never
do, the prospect of satisfying your curiosity grows more remote,
until you are eventually left to invent the rest of the story
yourself.

* * *

Emily returned from her afternoon yoga class, made herself a
cress and ricotta sandwich, and sat down at the kitchen table.

"What shall we do with that," she said, pointing at the newspaper
with the obituary in it.

"I thought I might nip up into the loft and get the Spain photo
album down. Then we can stick Orlando's obituary in with the
photos we have of him when he was plain old George."

I left Emily with her sandwich and headed upstairs, intending to
be back before she finished it. Once in the loft though, I lost
track of time. Suddenly, I heard Emily's voice down below.
"What on earth are you doing Henry? You've been up there half an
hour." I returned the photo album that I had been looking at to
the crumpled cardboard box, and pulled out "Spain 1972-1973".
Back downstairs, the sandwich was long gone, Emily had cut out
the obituary, and on the table was a freshly uncorked rioja and
two full glasses. I put the album on the table and sat down.

"Forty years," said Emily, looking at the dates on the album.
"It makes me feel positively ancient. I'm almost afraid to look
at the photos."

I opened the album at the first page. "There we are. Ragged and
young. A pair of tearaways on a foreign adventure. It's just
like I remembered."

"And look at George," Emily said. "He was just like one of us
then. Kids on the verge of the rest of their lives, having a bit
of fun before the serious business begins."

"Well, that about sums it up. Funny how we ended up back here,
doing thirty years each in the teaching business."

"You make it sound like a prison sentence."

"I meant to. But it hasn't been so bad has it?" I said.

"I suppose not. But when you think of George… Back then we
seemed to be destined for similar things. Similarly great
things. There wasn't much difference between us and him was
there?"

"No, you're right. But it all comes down to our decisions," I
said, warming to one of my favourite themes. Emily had heard it
all before though, and wasn't about to sit through another
diatribe against missed opportunity.

"Yes, yes. I know how it goes. We can become anyone we want if
we make the right decisions. Just one small step following one
small step."

"Exactly," I said.

"It's not that simple though, is it. We can't become anyone we
want. You wanted to be a writer, didn't you. And me a painter,"
Emily said somewhat ruefully.

"Maybe it wasn't what we really wanted."

"Maybe. So we became what we are. And George became what he
was. Do you think you could have been a writer Henry?" Emily
asked.

"I'd like to think so."

She laughed. "You and George had one important difference
though."

"What was that?" I asked, curious to know how Emily would answer.

"You were always ambitious and he wasn't. He didn't seem to
worry about the future like we did. Did he ever mention his
writing to you?"

"No. I was always showing him things I'd written, but he never
once showed me anything he'd done. It was just like with the
guitar. He didn't say anything about that either, did he."

"No, he didn't. He was a dark horse."

Emily topped up our glasses and we raised a toast to George,
before looking through the rest of the photos. At 9:00, there
was an arts program on BBC2 that we always watched. Much to our
delight, there was a ten minute spot devoted to Orlando Flores.
They began with a potted biography. Orlando Flores was a writer
from Lima, Peru. He published his first book at the age of 43.
Not much was known about his life before that. No early work had
ever emerged, and he always refused to talk about his past in
interviews, saying it was unimportant. At the age of 47, having
established himself in Latin America and Iberia, he came to the
attention of the English speaking world, with the publication of,
"Snow in Seville", the translation of which he had done himself.
After that, he very quickly gained a large following in the
Anglophone world, particularly among young and middle-aged women,
who were touched by the spirituality and mysticism that his work
contained. After the biography. there was an interview with him
from the 90s, just after "Snow in Seville" had been published.
Before us was a man we barely recognised - a bearded,
bespectacled, Renaissance figure, playing the part of a serious
literary figure perfectly. We watched in rapt silence, until
Emily suddenly stood up.

"Look Henry. look!" she said, pointing at something on the
screen.

"What? What is it?"

"The lapel badge." If there were any doubts that George and
Orlando were one and the same, they were now dispelled. In his
jacket lapel was the ibis badge.

Once the interview had finished, The Guardian's literary critic
appeared, discussing Orlando's work.

"Turn it off," I said.

"No, wait, it's interesting."

When the critic had said his piece, Emily turned off the TV.

"How many of his books have you read?" I asked.

"All of them."

"All of them," I said, unable to stifle the note of surprise in
my voice. "Have you been keeping it a secret?"

"Yes. I know you read one of them and didn't like it, so I
didn't want to say anything."

We sat in silence for a moment with our memories of George.
Presently, my thoughts drifted back to the airport all those
years ago. "Have you come across a character called Elena
anywhere in his books?"

"There was something, yes. Why do you ask?"

"Oh, just something his sister said to me just before they left.
Well, actually, she didn't say much. Just asked if I knew
someone called Elena. Who was she in the book?"

"She wasn't anybody. It was the name he gave to the life force
in a couple of the books."

"The life force?" I asked, suddenly remembering why I hadn't been
tempted to read any more of Orlando's books after the first one.

"Yes. The thing that drives us all forward. That keeps us
going."

"I see."

"The thing that guides us in our decisions, as you might say,"
she said, smiling warmly.

"Listen, it's sticky in here, why don't we retire to the garden."

"Okay. You go out and I'll nip upstairs and get Orlando's books,
the ones where it says about Elena."

In the garden the air was hot and fragrant. The moment I turned
on the lamp I'd brought out, insects began circling the light.
Emily came bearing three books and began to show me some of the
passages where Elena was mentioned. I'd expected that they would
put me off reading anymore of Orlando's spiritual offerings, but
was surprised to find that they had quite the opposite effect. I
began leafing through the books myself, looking for clues or
signs that Elena was a real woman. After a while though, it
became clear that it was entirely possible that Elena was nothing
more than the life force Emily had suggested. The deeper I went,
the more engrossed I became.

"Henry!"

I looked up. Emily was standing in front of me with the wine
bottle and empty glasses in her hand.

"I'm off to bed. Are you coming?"

"No, I might stay here a while longer."

"Are you enjoying yourself?"

"Very much so. I wish you'd given me these to read before."

"Well, don't stay out here too long."

It was long after midnight when I went up to bed. Emily was
already sound asleep and I slipped in beside her and soon nodded
off. I was awakened by a noise outside. I lay awake in the
darkness, listening. It sounded like the gate creaking to and
fro. When it didn't stop, I went down to investigate. I opened
the French windows, went outside, and there, sitting at the
table, was George, as we had known him in his Spanish days.

"Don't worry Henry. It's just a dream. Come on sit down."

I saw that he had a bottle of wine and two glasses on the table.
It was the same wine we were drinking the night before he had
left Spain.

"Want a glass?" he said.

"Why not. Listen, what are you doing here?"

"I thought I'd come and explain a few things."

"About Elena?"

"No, there is no Elena. You're entitled to your story of course.
But in mine, Elena is what she is, the life force."

"But Ruth…"

"I know. But there never was a woman. That was all wishful
thinking on Ruth's part."

"Okay. So what have you come to explain to me?"

"Why you're there and I'm here. We weren't so different you
know, you and me. The only real difference was I told the story
and you didn't. That night before I left Spain, after I played
the guitar, I went back to the apartment with Ruth. We had a
drink and she went to bed. And do you know what I did?"

"No, what?"

"I went into the kitchen, took a few sheets of paper and began to
write. I didn't really know what I was doing. I wasn't a
writer. I wasn't hiding anything. But it all begins somewhere.
So I sat down and I imagined what it would be like when we were
older. After thinking a bit, I decided that you and Emily would
quite like to return to England at some point and that you'd be
perfectly happy living a good life there, knowing that you'd had
some adventures in the past. That was, I have to say, the easy
part. I put down the pen and turned my thoughts to myself. What
would I like to be? And suddenly, there it was, the spark, dimly
lighting the way ahead. I picked up the pen and started to write
again. I went off to South America to immerse myself in the
culture and become fluent in Spanish. When I was satisfied I
knew the language well enough to write in it, I became Orlando
Flores. The rest, I think, you know."

"But there was never any hint of this when we were in Spain."

"Because I didn't know myself."

We sat in silence for a while, but I noticed George looking at me
from time to time.

"Have you got something else to say to me?" I eventually asked.

"Such as?'

"I don't know. A message, perhaps. Some inspiration."

"No."

I was a little disappointed.

"But, hang on. Maybe there is something."

"What?" I asked eagerly.

"It's late."

"It is," I said, looking at my watch. "It's very late."

"But maybe it's not too late Henry. Look, go back inside, have a
lie down, and think about what I've said."

"Okay. But first tell me one thing. How did the story end that
you wrote that night in Spain?"

"You know how it ends. Orlando Flores dies."

"And what about me?"

"Well, let's see. We've all gone home from 'el toreador',
leaving you sitting at the table, finishing your drink. You said
you'd follow, but instead you find yourself sitting on the steps
of the Cathedral of Santa Maria de la Sede. You've nodded off,
and you're dreaming all of this," he said with a twinkle in his
eye, pausing for me to take the rather Byzantine idea in.

"Are you serious," I said after a while.

"No," he said, smiling. "You are where you are. You're here,
sitting in a garden thirty miles from London, on a warm summer
evening, having fallen asleep after drinking too much wine. Now,
get yourself off to bed."

I did as he said, stopping only to take one last look at my
friend as I went inside. When I got to the bedroom and looked
out of the window, the garden was empty, and the creaking of the
gate had stopped. I slipped quietly into bed beside Emily, and
lay in the darkness fighting sleep, thinking over what George had
said.

* * *

"Spain?"

"Yes, Spain."

"Are you serious?" Emily asks.

"I've never been so serious in my life," I say.

The bells fall silent, and again there is only the hum of bees at
work in the lavender and the sound of the neighbour's hover mower
as he goes up and down his lawn.

"Is this a result of yesterday? Is it Orlando Flores' doing?"

"You could say that."

"And what are we going to do when we get to Spain?"

"I'd like to have a go at writing, before it's too late. Maybe
you fancy becoming a painter," I say nervously.

"Maybe I do," she says, taking hold of my hand.

"And Emily…"

"Yes?"

"You've read all of Orlando's books. How do you think he would
have ended this story?"

"I've no idea," she says. "You're the one who's going to be the
writer…you tell me."

Orlando Flores is dead

There is a hum of bees at work in the lavender, and the sound of
the neighbour's hover mower as he goes up and down his lawn.
It's a hot Sunday morning in July, and I'm sitting in the garden
with Emily, eating breakfast, a tray of toast, strawberry jam and
coffee before us on the table. At 10, the bells of Saint Peter's
start their cascading appeals, bringing me out of my reverie. It
seems as good a time as any to let the wife in on what I've
decided.

"Emily," I say, trying not to let my nerves get the better of me,
"I've been thinking, and I've made a decision."

"Well done, I'm proud of you," she says, without looking up from
the book she's reading.

"No, I'm serious. I have made a decision We're going back to
Spain."

That gets her attention.

"Spain?"

"Yes, Spain."

* * *

Twenty four hours earlier, life was ticking along uneventfully.
Neither of us really believed that we were living the dream, but
it seemed that after many years together in an affluent corner of
Berkshire, we had settled into a life that suited us. Everything
began with my trip to the farmers' market in the morning. On my
return, I came in the front door, kicked my sandals off, and
walked barefoot into the kitchen. Emily was sitting at the table
with a book in front of her.

"You've been a while Henry," she observed.

"I know, I stopped off for a coffee on the way back," I said,
feeling the need to explain myself.

"Is that a newspaper you've got?" Emily said, looking up from her
book. "You never buy newspapers. What's going on?"

"Well, when I was having my coffee, I was having a read of it,
and I came across something interesting on the obituaries page.
You have to see it."

I cleared a space on the table and opened the newspaper.
"Orlando Flores Obituary", read the headline, followed by, "Latin
American writer who became a favourite of post-feminist middle
classes."

"There, you see. Orlando Flores is dead."

She wasn't as taken aback as I'd thought. "I can see that. But
tell me, what exactly does post-feminist middle classes mean?"

"You guess is as good as mine," I said.

"So that's the end of George Carpenter then," she said, a
melancholy note creeping into her voice. "It's not how I would
have imagined it."

"Me neither." I looked at Emily's open book. "What are you
reading?"

"'Snowfall in Seville.'" I couldn't help laughing. "What's so
funny?" she asked.

"It's one of his, isn't it? Flores…"

* * *

We had last seen George at the dusty, shed of an airport in La
Mancha, the day he set off for pastures new. Spain in those days
wasn't what it is today. Then it was a heady place and there was
a great optimism in the air. Franco was ailing, the tourists
were starting to come to the Costas, and we were young. All in
all, it had seemed a strange time for George to be packing his
bags. The evening of his departure, we had gathered for a quiet
farewell at 'el toreador', a restaurant in the blossom-scented
streets that wind between the bullring and the Cathedral of Santa
Maria de la Sede. There were seven of us - me and Emily, George
and his sister Ruth, two middle-aged career teachers from the
British Council, and an enigmatic, bearded young student called
Enrique, who seemed to have stepped off the pages of Don Quixote.
Ruth had come for one final visit, arriving with an empty
suitcase, with the intention of helping George get his books home
to Winchester. It was a balmy evening and we sat outside eating
tapas, drinking rioja, and smoking the local cigarettes. Ruth
and Enrico were thick as thieves that night, but there came a
point, when the others had gone to consult the wine board, when I
was left alone with Ruth.

"Has he told you what his plans are?" she asked.

"No, not really. He told me he wanted to go somewhere where no
one knows him."

"That's George," she said, with a smile that was his. "You
shouldn't believe all this romantic stuff he tells you. He lives
in a dream world half the time. Do you know the story of the
music camp?"

"No."

"Well, when he was a kid, and I mean a kid…he would've been seven
or eight…he went for a fortnight to a Scottish island, to learn
to play the guitar."

"The guitar? Can he play it?" I thought of all the times we had
been around people with guitars, and he had never shown the
slightest interest in them, let alone picked one up and strummed
it.

"He can, yes. When he came back from Scotland, he'd become very
good. In just two weeks. I asked him how he'd done it and he
told me some daft story about how he'd changed his name. He'd
chosen a name that he thought sounded like a guitar player. And
that, he claimed, was his secret."

"Funny," I said, laughing. "What name did he choose?"

"Orlando something or other."

Before she could say anything more though, the others began
drifting back to the table, and Ruth's attention returned to
Enrico.

Later in the evening, I asked George if the story his sister had
told me was true. He laughed it off, but when I mentioned the
name Orlando, he got up and walked over to the bar. He whispered
something to the barman, who went into the back of the
restaurant, returning a minute later with a guitar. George
checked that it was tuned and then started to play Concierto De
Aranjuez, his fingers picking with increasing agility at the
strings. He finished with a virtuosos flourish and everyone in
the restaurant stood up and cheered. George handed the guitar
back to the barman, received a brandy from him for his troubles,
and returned to our table.

Emily and I went to the airport to wave George and Ruth off the
following day. After they'd checked in, Emily gave George a
lapel badge in the form of an ibis as a present, and he pinned it
to his shirt, saying that it would always remind him of his two
years in Spain. Then, accompanied by Emily, he went to the kiosk
outside the building for something to read on the flight.

"Why do you really think he's leaving?" Ruth asked, returning to
the subject of the previous evening.

"Itchy feet, I suppose. He told me his work here's done."

"Has he ever mentioned a woman to you Henry?"

"Plenty," I said. "You're his sister, you must know what he's
like by now."

"So you know about Elena then?"

"It doesn't ring any bells with me," I said. "Who is she?"

"It's someone he met here I suppose. He told me this morning
that that's why he's off. He has to find her."

"Why, where is she?"

"He didn't say. Or rather he wouldn't say." At that point,
George and Emily came back from the kiosk. "Listen, don't
mention it to him Henry."

I did as I was instructed. It was like reading the first few,
tantalising, sentences of a story and then losing the book. At
various points thereafter, you feel sure you will find the book
and satisfy your curiosity as to how it continues. But you never
do, the prospect of satisfying your curiosity grows more remote,
until you are eventually left to invent the rest of the story
yourself.

* * *

Emily returned from her afternoon yoga class, made herself a
cress and ricotta sandwich, and sat down at the kitchen table.

"What shall we do with that," she said, pointing at the newspaper
with the obituary in it.

"I thought I might nip up into the loft and get the Spain photo
album down. Then we can stick Orlando's obituary in with the
photos we have of him when he was plain old George."

I left Emily with her sandwich and headed upstairs, intending to
be back before she finished it. Once in the loft though, I lost
track of time. Suddenly, I heard Emily's voice down below.
"What on earth are you doing Henry? You've been up there half an
hour." I returned the photo album that I had been looking at to
the crumpled cardboard box, and pulled out "Spain 1972-1973".
Back downstairs, the sandwich was long gone, Emily had cut out
the obituary, and on the table was a freshly uncorked rioja and
two full glasses. I put the album on the table and sat down.

"Forty years," said Emily, looking at the dates on the album.
"It makes me feel positively ancient. I'm almost afraid to look
at the photos."

I opened the album at the first page. "There we are. Ragged and
young. A pair of tearaways on a foreign adventure. It's just
like I remembered."

"And look at George," Emily said. "He was just like one of us
then. Kids on the verge of the rest of their lives, having a bit
of fun before the serious business begins."

"Well, that about sums it up. Funny how we ended up back here,
doing thirty years each in the teaching business."

"You make it sound like a prison sentence."

"I meant to. But it hasn't been so bad has it?" I said.

"I suppose not. But when you think of George… Back then we
seemed to be destined for similar things. Similarly great
things. There wasn't much difference between us and him was
there?"

"No, you're right. But it all comes down to our decisions," I
said, warming to one of my favourite themes. Emily had heard it
all before though, and wasn't about to sit through another
diatribe against missed opportunity.

"Yes, yes. I know how it goes. We can become anyone we want if
we make the right decisions. Just one small step following one
small step."

"Exactly," I said.

"It's not that simple though, is it. We can't become anyone we
want. You wanted to be a writer, didn't you. And me a painter,"
Emily said somewhat ruefully.

"Maybe it wasn't what we really wanted."

"Maybe. So we became what we are. And George became what he
was. Do you think you could have been a writer Henry?" Emily
asked.

"I'd like to think so."

She laughed. "You and George had one important difference
though."

"What was that?" I asked, curious to know how Emily would answer.

"You were always ambitious and he wasn't. He didn't seem to
worry about the future like we did. Did he ever mention his
writing to you?"

"No. I was always showing him things I'd written, but he never
once showed me anything he'd done. It was just like with the
guitar. He didn't say anything about that either, did he."

"No, he didn't. He was a dark horse."

Emily topped up our glasses and we raised a toast to George,
before looking through the rest of the photos. At 9:00, there
was an arts program on BBC2 that we always watched. Much to our
delight, there was a ten minute spot devoted to Orlando Flores.
They began with a potted biography. Orlando Flores was a writer
from Lima, Peru. He published his first book at the age of 43.
Not much was known about his life before that. No early work had
ever emerged, and he always refused to talk about his past in
interviews, saying it was unimportant. At the age of 47, having
established himself in Latin America and Iberia, he came to the
attention of the English speaking world, with the publication of,
"Snow in Seville", the translation of which he had done himself.
After that, he very quickly gained a large following in the
Anglophone world, particularly among young and middle-aged women,
who were touched by the spirituality and mysticism that his work
contained. After the biography. there was an interview with him
from the 90s, just after "Snow in Seville" had been published.
Before us was a man we barely recognised - a bearded,
bespectacled, Renaissance figure, playing the part of a serious
literary figure perfectly. We watched in rapt silence, until
Emily suddenly stood up.

"Look Henry. look!" she said, pointing at something on the
screen.

"What? What is it?"

"The lapel badge." If there were any doubts that George and
Orlando were one and the same, they were now dispelled. In his
jacket lapel was the ibis badge.

Once the interview had finished, The Guardian's literary critic
appeared, discussing Orlando's work.

"Turn it off," I said.

"No, wait, it's interesting."

When the critic had said his piece, Emily turned off the TV.

"How many of his books have you read?" I asked.

"All of them."

"All of them," I said, unable to stifle the note of surprise in
my voice. "Have you been keeping it a secret?"

"Yes. I know you read one of them and didn't like it, so I
didn't want to say anything."

We sat in silence for a moment with our memories of George.
Presently, my thoughts drifted back to the airport all those
years ago. "Have you come across a character called Elena
anywhere in his books?"

"There was something, yes. Why do you ask?"

"Oh, just something his sister said to me just before they left.
Well, actually, she didn't say much. Just asked if I knew
someone called Elena. Who was she in the book?"

"She wasn't anybody. It was the name he gave to the life force
in a couple of the books."

"The life force?" I asked, suddenly remembering why I hadn't been
tempted to read any more of Orlando's books after the first one.

"Yes. The thing that drives us all forward. That keeps us
going."

"I see."

"The thing that guides us in our decisions, as you might say,"
she said, smiling warmly.

"Listen, it's sticky in here, why don't we retire to the garden."

"Okay. You go out and I'll nip upstairs and get Orlando's books,
the ones where it says about Elena."

In the garden the air was hot and fragrant. The moment I turned
on the lamp I'd brought out, insects began circling the light.
Emily came bearing three books and began to show me some of the
passages where Elena was mentioned. I'd expected that they would
put me off reading anymore of Orlando's spiritual offerings, but
was surprised to find that they had quite the opposite effect. I
began leafing through the books myself, looking for clues or
signs that Elena was a real woman. After a while though, it
became clear that it was entirely possible that Elena was nothing
more than the life force Emily had suggested. The deeper I went,
the more engrossed I became.

"Henry!"

I looked up. Emily was standing in front of me with the wine
bottle and empty glasses in her hand.

"I'm off to bed. Are you coming?"

"No, I might stay here a while longer."

"Are you enjoying yourself?"

"Very much so. I wish you'd given me these to read before."

"Well, don't stay out here too long."

It was long after midnight when I went up to bed. Emily was
already sound asleep and I slipped in beside her and soon nodded
off. I was awakened by a noise outside. I lay awake in the
darkness, listening. It sounded like the gate creaking to and
fro. When it didn't stop, I went down to investigate. I opened
the French windows, went outside, and there, sitting at the
table, was George, as we had known him in his Spanish days.

"Don't worry Henry. It's just a dream. Come on sit down."

I saw that he had a bottle of wine and two glasses on the table.
It was the same wine we were drinking the night before he had
left Spain.

"Want a glass?" he said.

"Why not. Listen, what are you doing here?"

"I thought I'd come and explain a few things."

"About Elena?"

"No, there is no Elena. You're entitled to your story of course.
But in mine, Elena is what she is, the life force."

"But Ruth…"

"I know. But there never was a woman. That was all wishful
thinking on Ruth's part."

"Okay. So what have you come to explain to me?"

"Why you're there and I'm here. We weren't so different you
know, you and me. The only real difference was I told the story
and you didn't. That night before I left Spain, after I played
the guitar, I went back to the apartment with Ruth. We had a
drink and she went to bed. And do you know what I did?"

"No, what?"

"I went into the kitchen, took a few sheets of paper and began to
write. I didn't really know what I was doing. I wasn't a
writer. I wasn't hiding anything. But it all begins somewhere.
So I sat down and I imagined what it would be like when we were
older. After thinking a bit, I decided that you and Emily would
quite like to return to England at some point and that you'd be
perfectly happy living a good life there, knowing that you'd had
some adventures in the past. That was, I have to say, the easy
part. I put down the pen and turned my thoughts to myself. What
would I like to be? And suddenly, there it was, the spark, dimly
lighting the way ahead. I picked up the pen and started to write
again. I went off to South America to immerse myself in the
culture and become fluent in Spanish. When I was satisfied I
knew the language well enough to write in it, I became Orlando
Flores. The rest, I think, you know."

"But there was never any hint of this when we were in Spain."

"Because I didn't know myself."

We sat in silence for a while, but I noticed George looking at me
from time to time.

"Have you got something else to say to me?" I eventually asked.

"Such as?'

"I don't know. A message, perhaps. Some inspiration."

"No."

I was a little disappointed.

"But, hang on. Maybe there is something."

"What?" I asked eagerly.

"It's late."

"It is," I said, looking at my watch. "It's very late."

"But maybe it's not too late Henry. Look, go back inside, have a
lie down, and think about what I've said."

"Okay. But first tell me one thing. How did the story end that
you wrote that night in Spain?"

"You know how it ends. Orlando Flores dies."

"And what about me?"

"Well, let's see. We've all gone home from 'el toreador',
leaving you sitting at the table, finishing your drink. You said
you'd follow, but instead you find yourself sitting on the steps
of the Cathedral of Santa Maria de la Sede. You've nodded off,
and you're dreaming all of this," he said with a twinkle in his
eye, pausing for me to take the rather Byzantine idea in.

"Are you serious," I said after a while.

"No," he said, smiling. "You are where you are. You're here,
sitting in a garden thirty miles from London, on a warm summer
evening, having fallen asleep after drinking too much wine. Now,
get yourself off to bed."

I did as he said, stopping only to take one last look at my
friend as I went inside. When I got to the bedroom and looked
out of the window, the garden was empty, and the creaking of the
gate had stopped. I slipped quietly into bed beside Emily, and
lay in the darkness fighting sleep, thinking over what George had
said.

* * *

"Spain?"

"Yes, Spain."

"Are you serious?" Emily asks.

"I've never been so serious in my life," I say.

The bells fall silent, and again there is only the hum of bees at
work in the lavender and the sound of the neighbour's hover mower
as he goes up and down his lawn.

"Is this a result of yesterday? Is it Orlando Flores' doing?"

"You could say that."

"And what are we going to do when we get to Spain?"

"I'd like to have a go at writing, before it's too late. Maybe
you fancy becoming a painter," I say nervously.

"Maybe I do," she says, taking hold of my hand.

"And Emily…"

"Yes?"

"You've read all of Orlando's books. How do you think he would
have ended this story?"

"I've no idea," she says. "You're the one who's going to be the
writer…you tell me."