I'm ALWAYS drawing, its my medication

Monthly Archives: April 2015

So now we’re ready to add color to the image first I select a new layer and change it’s setting to color. I do the same for the brush, softening and lowering it’s opacity as well. I like to add color in strokes so it feels more like painting. Plus I don’t really clean up my brushstrokes. I like a little roughness to my art!

Remember to add any layers of color necessary to achieve the look you’re after. Flatten your image when needed; it’ll save file sizes from getting out of hand. I leave mine in so that you can see the steps in the photos.

The background color felt a little too dominant compared to the foreground. I use the hue/saturation tool [ctrl/cmd+u] to change the color and lighten it.

I still have a little work to do, but you get the idea. Try to choose your palette BEFORE you get to that last step. It’ll make life a lot easier. Have fun!

Wanna hear something funny? When I dropped in my color for this image, I did it in color! Had to correct that after I realized it. From there I create a clipping mask and began adding my highlights and shadows, each separately. I’m allowing a little bleed over into the hairline because it helps set up the tones I need for the scalp.

Next I add the hair and eyebrows. When I feather in the edges of hair I like to use a custom brush that I got from another artist, Genzoman. I don’t always want to make them and a good idea is a good idea, especially if it’s freely given. The eyebrows are a little too dark, so I’ll erase them with a low opacity soft eraser to get them right.

When you’re doing eyes, it’s hard sometimes to not go overboard with detail. I create a more realistic look when I dial it back a little. Also it took awhile to not add little bright dots for highlights the way I did when I drew anime style characters. It’s a good look in that context, but a little soft brush goes a long way.

Finally, I began texturing the hair. I didn’t want to go for a flat sheen. Too plain. So I added some stray strands to give it personality.

So now I’m almost set! Next time you’ll see the final product, so keep an eye out!

Didn’t I promise you guys a greyscale image that I’d color by blending them in?

I can’t remember….

It doesn’t matter though, cause I’m doing it anyway! I begin by drawing my subject from a very bad phone shot. No, I won’t show it; I’m a videographer my rep would suffer! Besides, this is really just a sketch. Once it’s done I began by changing the color and opacity. I create a separate layer for all the line work needed. Always make sure you’re using hard edges at this stage.

Once you’re happy with your line art you can divide it up if you choose. I always put all the interior detail work on a separate layer, so that I can change it to go with my color fills. I’m pretty sure that’s not standard or anything, it’s just something I prefer.

Today I took a cloud brush and stamped in some green clouds. Why? Hell if I know! Just kidding. I actually have an idea kind of bouncing around in my skull. After that I create another layer and use the selection tool to outline the main layer of art. If it doesn’t come all the way into the line, choose [Select> Modify> Expand ] to increase your selection edge by increments of pixels. So much fun!

Once you’ve gotten a good setup, make sure you have the interior of your outline. It you see your selection ants on the border as well, press [Ctrl/Cmd +shift +I] to invert your selection. The next step is to pick a midrange color and using either your brush or paint bucket, fill the selection area. Pretty easy, right?
That’s it for now. I’m going to go drink and play while you practice. Just like a real teacher…

I have a playlist of anime songs. Apparently it’s very motivational, because I was able to finish the picture I was working on.

My life has hit a quiet patch; as a consequence of this, a lot of my ongoing projects are calling for my attention. Plus, I intend to start doing a little more creative art just for fun. So there may be fewer people in the near future.

The funny thing is that I joined a new group and offered to make this image a procedure tutorial. Hopefully I can pull it off! In the meantime, my next drawing will be of a beautiful Asian lady I met on my train commute! Hope she’s going to tune in!

Listening to Sugar Ray while sitting in my art room drinking shots. How old school is that? I’m actually adding my shadow layer now. Since shadows are never actually black (unless you’re that feeb, batman), I try to pick a color that’s on the far end range of the neutral skin tone I chose. Also, an overall warmth will be a part of this image so instead of a cooler version I went with a reddish brown.

I’ll admit that I have no real preference as to where I start my shading process. I’m sure there’s probably a very technical reason for it; to me it simply feels right. Lately I’ve been reading about how digital art seems “soulless” to some. As a personal choice I try not to completely smooth out my shadows and layers of color. I actually like my stuff a little rough! Again no true reason for it, other than it appeals to me. Could it be that I’m starting to develop my own style?…

Back to work! This is the last of the fitness competitors that I have to draw. Needless to say it’s been a long series of drawings to get through. Couple that with a few requests to NOT be featured here and you can see I’ve got a real sense of relief.

The way I go about these steps tends to vary, with me frequently simply going by feel. This time I decided to go with using a brush set at 30percent with reduced hardness. I color in with a larger version to block in my areas of light. Then, using a smaller setting, I add detail to this layer.

The reason I can concentrate on just shading is because I made this layer a clipping mask of the one below. Trust me, unless you enjoy doing line clean up, this is MUCH easier.