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[Songwriting Advice] 5 Tips for When You Have Songwriter’s Block

by Jon Anderson

There aren’t many things more frustrating than staring at a blank page, waiting in vain for inspiration to strike.

If you’re a songwriter, there’s a good chance you know the feeling: words and melodies stuck in the back of your mind, full of potential but miles from becoming a coherent song. If you’re in front of your instrument, maybe you play through a few guitar licks that feel like old habits, or press out the piano chords you’ve been working through for months - but still nothing comes.

Or maybe you have a song that’s half written, and you’ve been playing through the existing parts over and over, hoping for the rest of it to spring to life - but it never does. Eventually, you either start playing fully completed songs that already exist, or just put the instruments away completely and give up.

Even prolific songwriters go through periods where writing feels hard. But, here’s the thing: they get through it - and so can you.

Stuck by songwriter’s block? Don’t give up. Here are five easy things to shake up your routine just enough to find the spark of inspiration you’ve been missing.

1. Start a “Lyric List”

One of the most practical ways to avoid songwriter’s block is to keep a running “lyric list.”

Basically, this is a place where you can write down words as they come to you, at any place and at any time. Too often, songwriters will be hit by the turn of a phrase, or a certain combination of words and ideas, only to have it disappear by the next time they pick up their instruments.

Yes, ideally, lyrics will come to you when you’re sitting down and intenti trying to write. But, probably more often, they’ll come to you while you’re driving, or while you’re doing the dishes, or while you’re talking to a friend.

Here’s what I recommend: keep a journal or running Google doc available to yourself at all times. When the words come, capture them in your list. They may be phrases, ideas, or both - the important thing is to record the things that inspire you.

Then, the next time you’re staring at a blank page and find yourself stuck, open up your list, and see if any of the ideas and words that have come to you in the past can spark inspiration in the place you are now.

2. Go for a Run

Sometimes, the mind just needs a change of speed. If you’ve been trying to write for hours and nothing’s coming, try going for a run. Anything that gets your heart rate up will do, but there’s something about running - and biking, too - that can put you in a helpful headspace.

Scientifically speaking, exercise helps to increase the blood flow to your brain, which can facilitate better mental processes (and maybe help you make musical connections that weren’t happening before).

Besides that though, there’s something about consciously checking out of songwriting and into a completely different activity that can help you to get unstuck. Whether it’s the scenery, the air, or the mental perseverance it takes to make it through your running route, the fact is that there’s something about running that helps get the creative juices flowing. But don’t just take my word for it - a bunch of famous writers were runners, too.

So, the next time you’re stuck, try going for a run.

3. Go Read Something

In the same way that checking out of a song and into running can jog your creative process, checking out of songwriting and into reading can help you, too.

Again, part of the benefit is in the mental switch. When you read, you’re immediately entering into ideas that aren’t your own - worlds, characters, stories, and words that offer a perspective through a different set of eyes. Who knows? You may find the inspiration you’ve been missing in a quote from the protagonist of a book, or you might find the the ideas in a story compelling enough to reprise in your song.

Another reading avenue I recommend: reading the processes of writers you admire. There are tons of songwriting blogs out there that dig into the ideas of songwriters. Go ahead - try searching for interviews with your favorite songwriters to get insight into their writing process.

Reading through their words and discovering what makes them tick may just help you to get unstuck.

4. Switch Parts

Let’s get a little more tactical. Have you been stuck with a great verse that you just haven’t found the chorus to follow up? Or, maybe you’ve written what you think is an ear-catching chorus, but have had a hard time getting the verses to flow from it.

Try switching things up. The easiest thing to do is to move parts that you’ve already written to the bridge - there’s a lot of creative freedom to be had in the bridge, after all, and many ideas can fit into that spot.

Maybe, though, what you’ve thought was the chorus makes more sense as the pre-chorus. Or, what you’ve been using as a verse is better suited to being the chorus.

If you’re stuck, try making a simple switch. Sure, there’s a chance that moving your song components around won’t help.

But there’s also a chance that it will.

5. Switch Instruments

Last but not least, one helpful way to get unstuck is to put down the instrument you’ve been trying to write on, and pick up another.

There’s a huge difference between writing on guitar and piano, for example - just look at songs by Lady Gaga versus songs by Bob Dylan.

Stylistically, different instruments and sounds can lead you into different creative spaces. What you were constructing as a ballad on keys may feel looser and more upbeat on an acoustic guitar - and that could be just what the song needs. Or, what you’d been writing on your acoustic may sound like another piece entirely when you switch it over to an electric.

So, if you’re experiencing songwriter’s block, try writing a song on something else.

Keep Writing

Hopefully, a few of these ideas can help you overcome your songwriter’s block. Tactics aside, though, your biggest keys to coming unstuck will always be to examine things from new angles, and to keep writing.

So, if you have songwriter’s block, no matter what you do, don’t give up. Keep listening, keep trying new things, and keep writing.

If you do, the songs will come.

Jon Anderson is the founder of Two Story Melody, a music blog dedicated to uncovering the stories and processes behind beautiful songs. He's likes indie (or any good) music, good stories, and mango ice cream. twostorymelody.com

Writing the perfect song is a difficult task. What is “perfect”, anyway? What is it that the most popular songs all have in common? If you’re hoping to write the next big hit, you’ve come to the right place. The best songs in history have incorporated lyrics that uses clever rhyming schemes and syllabic patterns, a story-like progression, personal but relatable topics, and a catchy hook. Writing the next big hit can seem impossible, but there are a few tricks you can use to increase your chances of success.

Here are five mistakes to avoid when writing lyrics:

#1) Too Much Rhyming

While rhyming is one of the most common writing tools used to create popular songs, too much of it can sound childish. If you consider some of the best lyrics in history, rhyming is used subtly and doesn’t detract from the main message of a song. For example, take a look at these lyrics from ”Don’t Stop Believin’” by Journey:

Some will win, some will lose

Some were born to sing the blues

Oh the movie never ends,

It goes on and on and on and on

These lyrics rhyme the words “lose” and “blues” together, but refrain from rhyming any words together in the next two lines. The use of rhyming should be a strategic way to draw attention to certain words, rather than used simply for the sake of rhyming. The combination of the strategic rhyming scheme, catchy melody, and raw talent of the members of Journey has made “Don’t Stop Believin’” a classic few will forget.

#2) No Coherent Story

Just like an essay, novel, or poem, your song lyrics should tell some sort of story. As the song progresses, your ideas need to unfold in a way that will make sense to your listeners. If you’re struggling to write a song with a clear message, try answering the following questions:

What story do I want to tell?

How do I want my listeners to feel after listening to the song

Rather than singing about your recent trip to France and then jumping to an unrelated topic, such as your childhood friend, try sticking to the same idea throughout the song. This will allow the song to resonate with your listeners more easily.

#3) Writing Disingenuous Lyrics

So many songs on the radio feel like they’ve been created by a machine simply to generate an income. If you’re a true songwriter, you know that music is about so much more than that. While tuning into recent trends and incorporating them into your songs will most likely help you gain some extra popularity, being disingenuous with your lyrics will set you up for failure. We all know how hard it is too warm up to someone we feel is being untruthful or two-faced. Likewise, your listeners will have a hard time warming up to your song if they don’t feel the lyrics are a reflection of your true personality.

When you’re not a romantic, when you’re not political, and so on, do not try to sound like one. Disingenuous lyrics very easily and quickly will sound like that, and that’s a fantastic way to lose your audience. Regardless of your song’s theme or idea, your lyrics must in some way be connected with you if you want them to stand out and come across as genuine. If you don’t, your lyrics will lack conviction which will make them feel stale.

#4) Mismatched Syllables

The proper use of syllables is an important part of poetry and song lyrics. The number of syllables combined with the pattern of stressed and unstressed syllables will set the tone and flow of your song. Take a look at the syllables used by Hozier below:

Take me to church

I’ll worship like a dog at the shrine of your lies

I’ll tell you my sins and you can sharpen your knife

Offer me that deathless death

Good God, let me give you my life

The second and third lines in this song both use a total of twelve syllables each. The song wouldn’t have the same momentum if the pattern of twelve syllables was broken between lines two and three. In addition to the number of syllables, the last few words of these lines alternate between stressed and unstressed syllables in the same pattern. “Shrine of your lies” follows a stressed, unstressed, unstressed, stressed pattern, which you can see from the bolded words. Similarly, “sharpen your knife” follows the same rhythmic pattern. This creates coherence in the lyrics that wouldn’t be evident if you use different numbers and patterns of syllables in every line of your song.

#5) There’s No Hook

Every popular song needs a hook. Not only does a song need to have a hook, a good song needs to place that hook in a strategic spot. Just like a commercial you’d see on television, the hook should be at the beginning. Similar to how colorful ads are used to catch a viewer’s eye, catchy melodies are used to grab hold of our ears. Once you’ve established your melody, you’ll need to make sure the content of what you’re saying also acts as a hook. If you’re writing a love song and you use a cliche statement involving “your heart” and how hard it is to be “apart”, you won’t come across as the cutting-edge artist you’re hoping to be. Remember not to rush the development of your hook, as it will be what draws your listeners in more than anything else.

Enjoy these tips!

About Natalie Wilson

Natalie Wilson started a music blog to share her knowledge to enhance your skills as a musician . You’ll find a wide range of topics on my blog, including reviews, tutorials, and tips for musicians. Check out: https://musicaladvisors.com/

A lot of times when writing, songwriters will get too focused on forcing their lyrics into their songs because they like the specific words they've chosen and how they've arranged them. But if you're not music-minded when you’re writing lyrics your song can sound wordy. Wordy lyrics can negatively affect your melody. For that reason, I want to address how you can write lyrics that can easily being sung in a melody.

The Spoken Rhythm The rhythm of a line happens as a result of a pattern of stressed and unstressed syllables within a phrase. I’ll indicate the unstressed syllables with “ba” and the stressed syllables with “BUM.” For example, the phrase “Lonely and waiting” has this rhythm: BUM ba ba BUM ba. Hear that? The syllables “Lone-“ and “Wait-“ are stressed in their respective words, while “-ly,” and “-ing” are unstressed in those same words. The word “and” is also unstressed. If you say the phrase out loud, you’ll hear it. The accented syllables are longer, louder and have a higher pitch. That’s what makes them stressed. The combination of stressed and unstressed syllables in the phrase “Lonely and waiting” (or in any phrase) create its natural sonic shape.

If you need to figure out the stresses in a word with more than one syllable, you can usually hear them by sounding them out. For a word with two or more syllables, like “lonely” it’s usually best to listen for the accented syllable, and assume the remainder of the syllables are unaccented.

However, if you need help with this, you can always check a dictionary. It defines which syllables are stressed and which aren’t when you look up a word with more than one syllable. For example, when I look up the word “loving,” I’m presented with this pronunciation: luhv-ing. The stressed syllable is given in bold.

Single syllable words aren’t as easy. Some of them are stressed and some are not. Again, it’s best to listen to them within a phrase to determine which are accented and which aren’t, but if you get stuck you can reference this rule of thumb: Assume single syllable nouns, verbs, adjectives and adverbs are stressed. In other words, words that carry meaning are accented. Other words are not. You won’t find the answer in a dictionary for single syllable words.

Writing in Rhythms As you know, music has a rhythm to it. A lot of times the words and phrases we speak aren’t very rhythmic. But since you know that your music will have a rhythm, you can write your lyrics to a rhythm, even if you don’t have any music yet. If you take this approach, you’ll know that what you’re writing will more easily fit into a song.

Let’s look at an example. Let’s say I write two lines of lyric that say this:

Looking out into the skyThe night is so beautiful

If I write those lines out into their rhythmic patterns, I’d end up with this:

LOOK-ing OUTIN-to the SKYThis NIGHT is so BEAU-ti-ful

I highlighting the stressed syllables in bold. We could also take the words out and isolate the patterns:

BUM ba BUMBUM ba ba BUMba BUM ba ba BUM ba ba

The first line doesn’t really have a consistent rhythm. It has a strong stress, then a weak stress, then two of each before ending on a strong stress. The second line is better and more organized rhythmically (by having two weak stresses between each strong stress), but it doesn’t match the first line. That’s not a requirement, but it tends to make things easier, depending on how your melody will go.

So things might get a little chaotic when we start to put these lines to music, because their rhythms are random. What if instead we started with a rhythmic pattern, and then matched our words to that pattern. Writing out your stresses first lends itself well to writing catchy melodic motifs.

The rhythm of the second line was pretty good, so let’s stick with that and use it twice. Let’s say we want our lyrics and melody to have this rhythm:

ba BUM ba ba BUM ba baba BUM ba ba BUM ba ba

You can see that looks better already. Now we just have to find words that fit that pattern. We know the second line from our previous example worked, so we’ll keep that. Since we want to stay with the same lyrical idea, we can try a first line that’s something like this:

The sky is so magical

Which rhythmically works out to be:

The SKY is so MAG-i-cal,

or

ba BUM ba ba BUM ba ba

Now we have two lines with a good, consistent rhythm that match each other. So we shouldn’t have much of a problem fitting these words to music:

The sky is so magicalThe night is so beautiful, or

ba BUM ba ba BUM ba baba BUM ba ba BUM ba ba

You can hear the consistency in the rhythm of these lyrics, just by speaking them aloud. They have a good rhythm that’s the same from line to line, which will make them pretty easy to put them to a melody.

Last Note This is an approach you can take whether you have a melody and you want to match your words to the music, or if you’re writing lyrics first, and you want them to be written rhythmically before you even develop your melodies. Either way, this approach will help you organize the stresses of your words to be more rhythmic, and lend themselves to being placed in music. It may be a little trickier to find the right lyrical phrases you’re looking for, but your melodies will drastically benefit from this approach.

About Anthony Ceseri

Anthony Ceseri is a songwriter and performer who has traveled the country in pursuit of the best songwriting advice and information available. From classes and workshops at Berklee College of Music in Boston, to Taxi’s Road Rally in Los Angeles, Anthony has learned from the most well-respected professional songwriters, producers and performers in the industry.