As a musician, I’ve heard and shared my fair share of drummer jokes. Here’s one of my favorites:

A new customer walks into the new store on the block that sells brains. There are three glass cases, each containing a nice wet quivering grey brain. The first one says “Doctor”, and it costs $10. The second says “Astrophysicist” and costs $100. The third says “Drummer” and costs $10,000. The customer is confused, and questions the salesperson. “I don’t get it…why would I want a drummer’s brain for $10,000 when I can get an a doctor’s for $10?”. The salesman replies, “Because it’s never been used.”

A couple of weeks back, we linked to an article which detailed some of the circumstances of Kliph Scurlock’s firing from the Flaming Lips, and we feel it would probably be good to link to an update on the reasoning behind the move.

In a recent post, we discussed the random brilliance of parts of the Godzilla soundtrack, and asked why aren’t there more songs with random Godzilla noises. Apparently, we weren’t alone with such questions, and someone took it upon themselves to make sure that the world is filled with more Godzilla “remixes”.

This week, the AV Club had a couple of good appreciation pieces. First, they updated their series “Fear of a Punk Decade” with a look back at 1998, mainly through the lens of the release of Refused’s seminal album The Shape of Punk to Come. You can probably tell that we’re pretty big fans of Refused (take a look at our cover banner), so we’re always grateful for any mention of the band. The other big event covered is the release of At the Drive-In’s In/Casino/Out, which mirrored Refused’s attempts to shape post-hardcore punk, and served as a glimpse to their magnum opus Relationship of Command which would be released a few years later. Then there’s a piece on Ratatat’s self-titled debut, and how it would unknowingly influence alternative and electronic music later on in the decade.