KIRKUS REVIEW

Beckerman’s debut novel provides an intriguing tale of love
after death and an insightful look at the bereavement process from both sides
of the grave.

We meet Rachel somewhere in the
afterworld—a silent white void—where she grieves
her sudden death at age 36, which has stolen her future with her beloved
husband, Max, and young daughter, Ellie. The ethereal whiteness sometimes
dissipates and she has access to their world; she can watch them and listen to
them, but she can't interact. Worst of all, she still experiences the whole
range of human emotions. Rachel feels a burden of sorrow for the pain her death
causes her family, but she also feels loved and less isolated witnessing their
sadness and feels jealousy when Max and Ellie begin to move on, creating new
lives and finding new love. She dreads the day when she finds herself in
the “corner of someone’s mind, neatly packed away in a box marked ‘Memories.’ ” Beckerman sensitively articulates the grieving process for Rachel and
also for Max and Ellie. She draws from Elisabeth Kübler-Ross' On
Death and Dying, titling five of her chapters after Kübler-Ross' five
stages of grief. Beckerman makes no pretense of portraying an
actual after-death experience, nor does she draw upon traditional spiritual
beliefs about what exists after death. Instead, she uses the motif of the
bleak, white afterlife as a place for Rachel to ponder her former existence and
come to a deeper understanding of what her life meant, as well as a vantage point
for readers to experience Max’s and Ellie's mourning.

Beckerman provides gentle
instruction for her readers through what Rachel learns from death's
journey. This is a touching, honest story of death—sad at times but not
grim.

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