Most people who know about the Hurricane Carter case only know the Hollywood version presented in the movie starring Denzel Washington. The Hurricane, released in 1999, features crooked, lying, racist cops and frightened witnesses who won't come forward. Carter himself is brash but noble, persecuted his whole life by one obsessed detective who keeps sending him to jail.

The real Rubin Carter and the real Lafayette Grill murder case are nothing like the movie. This movie bills itself as being about hope and redemption. The movie, in terms of Carter and the actual murders at the Lafayette Grill, is a fraud from beginning to end, full of errors, distortions and fictions, large and small. Some events were invented to add dramatic excitement, but most of the distortions and misrepresentations appear to be attempts to place a halo over Carter's head and paint horns and a tail on the police. If this was director Norman Jewison's attempt to right one of the legions of wrongs of a justice system riddled with racism, he picked the wrong case. Once Jewison had made that mistake in judgment, his need to fabricate the truth took over.

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With the purpose of writing about true crime in an authoritative, fact-based manner, veteran journalists J. J. Maloney and J. Patrick O’Connor launched Crime Magazine in November of 1998. Their goal was to cover all aspects of true crime: Read More