Wednesday, February 17, 2016

I usually save my television trailers for upfronts because, well, that is when the vast majority are released. But two just dropped last week that got me very excited (and two that raised my eyebrow) that they are definitely worth sharing.

The Path

The Path had me at "From the executive producer of Friday Night Lights and Parenthood." Heck, I even watched every episode of About a Boy despite some poor casting decisions. Clearly Jason Katims strong suit is drama and he is back at it with this show and much better casting. First off: welcome back Lyla Garrity, where have you been since Charlie's Angels got axed after three episodes? All I remember seeing her in was a horrible Hallmark Channel movie with Earl Hickey (which I highly recommend if you do enjoy extremely cheesy Hallmark Channel movies). Also in the cast is Will Graham straight from Hannibal except he looks like he may be the sociopath this time around. The trailer is very vague, so I could be wrong but he looks to be like some sort of cult leader. Then throw in Lily Kane's husband from Big Love (screw that other overrated show he was in) and the hot chick from Kiss Kiss Bang Bang. Color me excited. And since Katims does like to recycle his actors maybe Lyla will not be the only familiar face, could Buddy Garrity and Landry Clarke be far behind? How about getting Haddie Braverman some work after sending her off the college. Just do not bring in anyone from About A Boy.

Roadies

I am an absolute Cameron Crowe supporter, I will defend Elizabethtown and even enjoyed Aloha despite its nonsensical plot (seriously, how can anyone trash a movie that features an Emma Stone / Bill Murray dance sequence). So naturally I got extremely excited when Showtime announced Cameron Crowe would be creating his first television show called Roadies. It does seem safe to assume that it will just be Almost Famous set in modern times. And it also has a pretty stellar cast: the better Karen Sisco, the better Wilson brother, the always reliable Luis Guzman. And sure Imogen Poots may be the worst name ever for a hot chick but name a female lead in a Cameron Crowe movie that you did not fall in love with? Seriously, he has been the only person to ever make Kate Hudson likeable. Imogen is already on that list based on the trailer alone, which of course, features a great Eddie Vedder song.

House of Lies

Andy Greenwald likes to joke that Showtime shows go on forever so it is sometimes easy to forget they even exist. Like, oh yeah, House of Lies is still on. But really the big takeaway from the trailer of its fifth (fifth!) season was the inclusion of Vinnie Van Lowe. So for those keeping track at home, on her new show, Veronica Mars has hooked up with Vinnie, Dick Casablancas, and gone on a date with Mercer the rapist. You know Sheriff Lamb is just sitting by his telephone right now. Maybe in the eighth season Don.

Roots

No big surprise that Roots is getting remade, it is getting to the point that is is surprising any big event older than a decade does not get remade or rebooted. Ironically right after watching the trailer for the History remake I was flipping around on television and landed on the CNN The Seventies miniseries right in the middle of the Roots segment where they were talking about how powerful that they cast all the evil while plantation owner with beloved television dad. Compare that with the new one where the only one who gets mentioned in the credits is Johathan Rhys Meyers (The Tudors) who always seems to play horrible people.

Saturday, February 15, 2014

Big News of the Week: Let the Games Begin: Amidst threats of terrorism, gay propaganda, and shorts weather in Sochi, the Winter Olympics somehow kicked off without a hitch this week. Well unless you are Bob Costas’ eyeball. Or the dude who had to kick himself out of his bathroom. But still it is hard to get excited for this year’s games. Maybe it is the tape delay or many US disappointments, no Lindsey Vonn, Shawn White does not medal, Bode Miller chocks again. Sure the new slopestyle competitions were entertaining (the new team ice skating event, not so much). But things hopefully pick up today when the United States have their second hockey game against Russia (the last time we played theb home nation, it was one of the most competitive hockey game ever) and yet another one tomorrow. Then the tournament portion starts on Tuesday.

Video of the Week: I have long called Parenthood the blue state version of Friday Night Lights. Jason Katims is the guy behind both and has even recruited a few Dillon alums to hang with the Bravermans (Lyla, Vince, Luke, and Jess). Except they all played new characters. Now for the first time, a former Coach Taylor player has found their way to California when Landry and his band Crucifictorious are recording at the Lunchenette with Amber after hours. Below is the first of four webisobes which has a few FNL references: “Lance,” Becky referred them (though it is not known how Amber knows her aside from her ex-fiancé’s doppelganger knocked Becky up), and even am East Dillon t-shirt makes an appearance. The next three episodes will hit the internets sometime next week and will feature another familiar face from Dillon.

Next Week Pick of the Week: Woman’s Gold Medal Curling Match, Thursday at 5:00 on CNBC: I was a bit disappointed with the curling coverage this year, maybe I am remembering it wrong, but I thought there was a dedicated curling channel last time. This time around there is a match at 3:00 AM, another one around mid day, and a final match at 5:00 PM (with bonus curling if time permits). Even more disappointing was the American play. The woman’s team gave up the first ever seven point end in Olympics history; I do not even remember any team scoring more than four in an end. Scoring seven can sometimes win you a match. The men have not fared much better (my theory is their uniforms are not cool enough). So I have switched my allegiance to Great Britain, at least on the sheet, for now mostly because of skip Eve Muirhead.

Wednesday, August 14, 2013

The last album from The Avett Brothers may have just come out last November but the group is gearing up for another release when Magpie and the Dandelion dropping the Ides of October and will be their third straight produced by Rick Rubin. The quick turnaround is not surprising because the album was recorded during the same sessions as The Carpenter. The first time I ever heard The Avett Brothers was during the second season of Friday Night Lights when Landry finally chose Trya over the weird math chick, which, let’s face it, was not much of a chose at all, with If it’s The Beaches playing in the background. (Jason Katims, who was the showrunner for Friday Night Lights also really likes The Avett brothers too because he has already put two of their songs on his other show Parenthood, I wonder how long until they show up at the Lunchenette). To this day, If it’s the Beaches remains my favorite song by the group (with The Battle of Love and Hate a close second, but that is a story for another day) and if you just discover The Avett Brothers when they started working with Rick Rubin, you should go back and check out some of their more passionate earlier work. And if you have never heard of them up to now, you will want to send the next day on their Spotify page. You will not be disappointed.

Tuesday, August 13, 2013

I have a kinship towards the alumni of Dillon High School so I will support their movies no matter how crappy they are (*cough*The Roommate*cough*). So this past weekend I had a Tyra Collette double feature of G.I. Joe: Retaliation and Red Dawn. I did not have high hopes going into either of them but G.I. Joe was enjoyable, it had Trya, The Rock, Channing Tatum died early on and there was a really cool fight scene on the side of a mountain, so it was an enjoyable two hours for the most part. Sure the film suffered from Blockbuster fatigue where every summer movie for the last five years has to feature at least one city blow up.

Full Discourse Notice: I should not before going into deal about the updated version, I have never seen the 1984 original of Red Dawn and really all I know about the film is from what I learned from the I Love the 80’s segment which was basically telling a story about how much Patrick Swayze and Jennifer Grey hated each other on that set and how ironic they went on to star together in Dirty Dancing. So if you have not seen the Red Dawn reboot (or The Avengers or Terminator 2), stop reading now or you are about to be spoiled.

Red Dawn started out enjoyable enough, it had Trya, Tim Riggin’s father, Thor, and some cool fight scenes. Sure the plot was flimsy, the way the North Koreans were able to invade an American city with no U.S. military backlash was a little silly and I never figured out why some Americans were in detainment camps while others were able to come and go in the city as they pleased.

But the movie moved into guilty pleasure territory when Jeffery Dean Morgan showed up with his Navy Seal buddies showed up and added some much needed comic relief. They also set up the climactic battle which came to a satisfying finale when Thor killed the big bad Korean who killed his father at the end of the first act with his father’s gun. So all is well, the Wolverines make I back to the base with the piece of technology that will help rid America of the Koreans, Thor goes over to Tyra for a celebratory make out session… and gets shot in the face. What the frack!?!

Obviously the writers wanted to go for a shocking ending and killing off the main protagonist does the twist. But where the surprise twist at the end of, say, Memento, makes you instantly want to watch the movie again as soon as the credits roll, the shock ending only makes people irate. It is bad to kill off the main protagonist just minutes before the ending but you certainly do not kill him off in a surprise attack, at least give him an honorable death like, well, I was going to say Agent Coulson in The Avengers, but he may not have actually died. The only example that is coming off the top of my head was the time The Terminator melted himself down for the good of mankind at the end of T2.

The writers apparently did this so Thor’s douchebag little brother would have this grand transformation from selfish douchebag at the beginning of the film to the leader of the insurgency at the end. But you know what writers; I still did not care about the douchebag brother by the end. If you really needed the douchebag brother to have some grand transformation, how about just shooting Thor in the leg? Then the ending is douchebag brother giving his big speech, then walk off the stage where Thor is in a wheelchair and says to his douchebag brother, “Dad would be proud of you. I am proud of you.” End Movie.

But no, you have to go with the stupid ending. There is a reason no other film kills off the main protagonist a minute before the credits run, because the audience does not want to see it. Instead of the audience telling their friends, “You should go see Red Dawn because of the surprise ending,” they are going to tell them, “Avoid Red Dawn at all costs, it has one of the worst endings of all time.”