Neil Greenberg premieres This at New York Live Arts.
Choreographer Neil Greenberg doesn’t like the word “about,” as in, “What is this dance about?” Having been a member of Merce Cunningham’s company between 1979 and 1986 and having read Susan Sontag’s influential 1966 Against Interpretation, he would prefer we not scramble to uncover “meaning” while watching what he puts onstage. The title … [Read more...]

Kimberly Bartosik/Daela premieres a work at New York Live Arts
A lighting designer and a choreographer walk into a bar and. . . . No this is not a way to begin, especially if a joke doesn’t ensue; instead, the sentence announces a life-and-art collaboration that more likely began backstage.
Kimberly Bartosik, the choreographer, and Roderick Murray, the lighting designer, have … [Read more...]

Souleyman Badolo and Cynthia Oliver at New York Live Arts, April 25 through 27
At one point in Suleymane Badolo’s new solo, Barack, on the opening night of his season at New York Live Arts, Badolo dances with his back to the audience, clapping his hands together vigorously; when he stops, from the audience comes a small-voiced echo of his action (maybe two pairs of hands clapping) that … [Read more...]

It is 1979; it is 2011. It’s 1981; no it’s 2011. Bill T. Jones wears glasses now, and I can’t read without mine. Arnie Zane died in 1988; his spirit and his name live on in the Bill T. Jones/Arnie Zane Dance Company. In the 1960s, I was a founding member of Dance Theater Workshop. In the 1970s, Bill made his ferocious New York debut as a soloist on that organization’s Fresh Tracks series. In 2011, … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]