It’s official. After opening way back in April, the Helen Mirren-starring historical drama “Woman in Gold” has topped out as the year’s best indie performer, pulling in over $33 million for The Weinstein Company during its long run at the box office. “Woman in Gold” isn’t just a standout because of its prodigious domination of the indie list, but because of its unique road to the box office: A spring opener that premiered in February at Berlin — skipping both TIFF and Sundance in the process — before opening in the U.S. mere weeks later.

“Woman in Gold” is trailed by the well-reviewed “Ex Machina,” which used solid word of mouth and a large expansion (eventually topping out at 2,004 theaters) to grab the second place spot, along with Best Picture frontrunner “Spotlight,” the charming “Brooklyn,” surprise performer “Mr. Holmes” and the well-regarded documentary “Amy.” And one last late entry? “The Hateful Eight,” which sneaks into our last spot after mere days in limited release.

Other festival favorites and Oscar holdovers have stayed strong over the course of the year, however, including “Still Alice,” “It Follows,” “Me and Earl and the Dying Girl” and “Love & Mercy,” but it remains to be seen how much box office success translates to awards season glory.

Please note: The below list only includes North American (domestic) grosses for specialty films — indie, foreign and/or documentary — that opened in limited release(initially under 500 screens) in 2015 and were released by an independent distributor or a studio’s specialty division (i.e. Sony Pictures Classics or Fox Searchlight). It also includes films that screened only as an Academy-qualifier in 2014 (“Still Alice,” “Wild Tales,” “Cake”). Grosses include all reported grosses up to December 29, 2015. This chart is updated every Tuesday evening. (An earlier version of this list can be found here.)

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