Tag Archives: ISABELLA ROSSELLINI

OUR TOWN: Talk about your embarrassment of riches. Monday May 7 must hold some special showbiz magic, because that’s night that enduring stage and screen siren Kathleen Turner will be on deck for an In Conversation

TURNER: at TIFF Bell Lightbox

session at Tiff Bell Lightbox. Also set to light up the Lightbox that night is another talk-and-tell event from the Canadian Film Centre’sTest Pattern series, with Mad Men executive producers Andre & Maria Jacquemetton. And just down the street, at Oliver & Bonacini’s re-dazzled Arcadian Loft, a few dozen of our brightest sparklies will engage in fund-raising wordplay at the 8th annual Scrabble With The Stars, co-hosted by perennial favourites Jeanne Beker and Barry Flatman … Adrienne Clarkson will salute Leonard Cohen the following Monday, May 14, at

CLARKSON; kind words for a poet

Massey Hall, when he’s feted for winning the ninth Glenn Gould Prize, Musicians set to serenade include his son Adam Cohen, the Cowboy Junkies and Gordon Pinsent with his new sidekicks Greg Keelor and Travis Good … and James Kudelka is premiering his new work, House Of Mirth, in Peterborough next week before opening here at The Citadel on May 9. Produced by Coleman Lemieux & Co., it’s based on the Edith Wharton novel of the same name. Set in the 1890s, it features four female dancers (including the iridescent Laurence Lemieux,) four male opera singers and five-piece chamber orchestra, in a setting designed to evoke a 19th-century society salon. After its run of performances here in Toronto, Kudelka may take House Of Mirth to The Mount, Wharton’s estate in Massachusetts, and possibly on to New York,

LEMIEUX: a House Of Mirth in Peterborough

REDFORD: movie lover

NO PEOPLE LIKE SHOW PEOPLE: Remember I Hate Valentine’s Day, the romantic comedy written by and starring My Big Fat Greek Wedding screen-stealer Nia Vardalos? Me neither. But fans of the Sundance Channel are about to discover it for the first time, because Robert Redford has chosen Nia’s neglected rom-com for his new series, Robert Redford Presents. Set to debut tomorrow night, Redford will kick off his series with the 1996 version of Arthur Miller’s The Crucible with Daniel Day-Lewis and Winona Ryder. Already the Creative director of the Sundance Channel, Redford will now curate rates and critique independent movies weekly. Also on his personal Must list: Tony Scott’sDomino with

COLLINS: on stage tonight

Kiera Knightley and Mickey Rourke, and David Lynch’sBlue Velvet with Dennis Hopper and Isabella Rossellini (as if you didn’t know) … TV drama exec Robin Neinstein, who put his career as a director (Souvenir Of Canada) on hold six years ago when he became a CBC production exec, is exiting the Mother Corp to join the Original Programming production team at Shaw … Marvin Dolgay, Eva Everything, Michael Hirsh, David Hoffert, Paul Hoffert, Marilyn Lightstone, Maria Topalovich and Elaine Waisglass were among the showbiz boldface who turned out for shutterbug Brenda Hoffert‘s new-and-improved Shoesexhibition at the Cecile & Harry Pearl Gallery last night … and get ready to laugh when funny girl Carla Collins takes the stage tonight and tomorrow night at Maggie Cassella’s Flying Beaver Pubaret on Parliament.

JUST A SIMPLE BOY WITH A DREAM: Yes, I watched last night’s Oscarcast. Just me and another billion people. And yes, it went on too long. It always does. But it was a splendid reminder of why we’ve missed Billy Crystal. Let’s hope Academy chief Tom Sherak can coax him to return next year.

BENJAMIN: filmfest honouree

ANCHORS AWEIGH: The one-and-only (as far as we know) Floating Film Festival sails from Fort Lauderdale today on a week-long movie cruise of Caribbean islands. Launched by Toronto filmfest co-founder Dusty Cohl, and kept afloat after his death by filmmaker Barry Avrich, festival programmer Hannah Fisher and travel magician Rosemary Durham, this 12th (!!!) edition will visit San Juan, St. Barth’s, Antigua and the Virgin Islands while unspooling 15 new and classic films. Among this year’s gems is the hit 1969 drama Goodbye, Columbus, with stellar performances by Richard Benjamin and Ali MacGraw. Highlight of the voyage is expected to be an evening tribute to Benjamin, who will be accompanied on the cruise by his wife

REED: all at sea

Paula Prentiss. (More on the Benjamins as it happens.) Also on hand to kibbitz and chide FFF 12 filmgoers are the film critics for the Chicago Tribune and New York Observer — respectively, Michael Phillips and Rex Reed (yes, that Rex Reed.) Tonight’s opening film is Dori Bernstein’s stunning biography of Broadway legend Carol Channing. (More on that tomorrow.)

LINEHAN ON LINE: Legendary interviewer Brian Linehan wasone of the original Floating Film Festival crew members, interviewing stars on stage and usually making the voyage more exciting for all concerned. Good news is that, at

LINEHAN: on line at last

long last, dozens of Linehan’s television interviews are now on line for the whole world to see. Go to www.brianlinehan.ca and you’ll find hours of memorable moments with Daniel Day-Lewis, Mark Harmon, Bette Midler, Leah Pinsent, Christopher Plummer, Isabella Rossellini, Elaine Stritch, Kiefer Sutherland, James Spader, Barbra Streisand, Steven Spielberg and many more. The three major organizations behind the website — the Brian Linehan Charitable Foundation, the National Screen Institute (NSI) and the Toronto International Film Festival (TIFF) – have done a remarkable job of putting it together. Says TIFF CEO Piers Handling: “Brian was the celebrity journalist everyone wanted to talk with, and we’re proud to be able to preserve and digitize some of those incredible interviews to be enjoyed by the public via the new website.” We couldn’t agree more.

SHE’S FUNNY THAT WAY:SuperWarbler Jann Arden has been amusing her 12,000 Twitter followers this week with daily dispatches from Disney World, where she seems to have developed a major crush on daffy comedy duo Dawn French & Jennifer Saunders. (Go

LEBEOUF: working out?

figure!) … my hero Liz Smithsuspects that Wall Street II star Shia LeBeouf is currently boeufing-up for a remake of American Gigolo, with original Gigolo Richard Gerecast as the male madam who books LeBoeuf’s sexual assignations. (Now that’s comedy!!) … editor Trena White wraps up a six-year stint at McClelland & Stewart tomorrow. White is moving back to Vancouver, where she grew up, to join Douglas & McIntyre as an acquiring editor … meanwhile, it’s official: Ken Finkleman’s new novel, Noah’s Turn, is now set to launch in August … and Roger Ebert has launched his own cyber club, with membership benefits, to help offset the cost of his ambitious and prolific web production. He also explains why in one of his tirelessly engaging Journal entries, I Wonder If This Will Work. To learn more about The Ebert Club, click here. To enjoy his Journal entry, click here — and enjoy!

THE YEAR OF THE ATWOOD: Entrepreneurial novelist Margaret Atwood is working with documentary master Ron Mann (“the guy with the hair that matches mine!”) on a

MANN & ATWOOD: it's their Year

screen version of her tour promoting her current bestseller Year Of The Flood. “It’s called In the Wake of the Flood. The film is due to launch on August 5 in Toronto to coincide with the paperback publication of the book. Then it will go around the world to film festivals, literary festivals, environmental festivals, and fundraising events. We did the Year of the Flood tour as an awareness-raiser and fundraiser, primarily for birds, and In the Wake of the Flood both documents the experience and continues the effort.”

SHOOTING STARS: Sometimes funny-man Will Ferrell is set to star in Everything Must Go, a new film by writer-director Dan Rush. Ferrell will reportedly play a relapsed alcoholic

RIVERS: new season

who loses his job and his wife and decides to live on his front lawn while selling all of his belongings … William Hurt and Isabella Rossellini will star in French director Julie Gavras‘ Late Bloomers, about an aging couple who react to their senior status in different ways. (Shouldn’t that be Late Zoomers? Oh well) The stellar cast also features Simon Callow and legendary Ab Fab scene-stealer Joanna Lumley (or Dame Joanna and Sir Simon, if they care to pull rank) … andJoan Rivers is shooting her second season of How’d You Get So Rich for a May 5 re-launch on TV Land. How rich are her new finds? “One guy is sooooo rich,” she reports, “that when his computer breaks, Bill Gates comes to fix it!”

P.S.: The doc that rocked Sundance this year, Joan Rivers: A Piece Of Work, is set for Hot Docs screenings on May 2 & May 3. Don’t say I didn’t warn you.

OK GO: ingenious

SEE/HEAR: The L.A.-based OK Go, a rock band originally from Chicago, keeps creating amazing videos – considerably more amazing, in fact, than their appealing ear-candy music. They’ve become an integral part of new millennium YouTube culture and won a 2007 Grammy for their stellar treadmill dance video, Here It Goes Again, which still evokes happy memories of the kind of ingenuity Fred Astaire and Gene Kelly espoused in their heydays at MGM. Their current monster video hit,This Too Shall Pass, has been viewed by more than 10 million internet users so far. Or maybe it’s only two million users who can’t resist watching it five times. Wondering what all the fuss is about? Just click on the song titles above and that mystery will be solved. Enjoy!

“All the real motion picture people have always made family pictures. But the downbeats and the so-called intelligentsia got in when the government stupidly split up the production companies and the theaters. The old giants — Mayer,

WAYNE: with his Oscar presenter Barbra Streisand

Thalberg, even Harry Cohn, despite the fact that personally I couldn’t stand him — were good for this industry. Now the goddamned stock manipulators have taken over. They don’t know a goddamned thing about making movies. They make something dirty, and it makes money, and they say, ‘Jesus, let’s make one a little dirtier, maybe it’ll make more money.’ And now even the bankers are getting their noses into it.”

The speaker? John Wayne, vintage ’76, in Roger Ebert’s wonderful appreciation of the American screen legend commemorating the 30th (!!!) anniversary of his death last week.

“Tequila,” Wayne told Ebert, “makes your head hurt. Not from your hangover. From falling over and hitting your head.”

EBERT: appreciation

“What people didn’t understand,” Ebert notes, “is that he could be very funny.”

But then, perhaps Ebert’s powers of perception have never been so acute and, accordingly, so astute, as they are now.

“Why did he become, and remain, not only a star but an icon?” he muses. “He was uncommonly attractive in face and presence. He was utterly without affectation. He was at home. He could talk to anyone. You couldn’t catch him acting. He was lucky to start early, in the mid-1920s, and become at ease on camera even before his first speaking role. He sounded how he looked. He was a small-town Iowa boy, a college football player. He worked with great directors. He listened to them. He wasn’t a sex symbol. He didn’t perform, he embodied.”

For more of Ebert’s remarkable tribute to Duke Wayne, as well as the responses of his unusually well-versed reader-contributors, click here.

SMITH & FRIEND: renovated website

QUOTABLE QUOTES: “If you want to hire a great salesman, look for an ugly guy with a beautiful wife.”

P.S.: Did you know that construction has been completed on the redgreen.com website?”Check it out,” says Steve — “but you might want to keep your hardhat on and watch out for damp areas.”

FELICITATIONS, L’OREAL! Bilingual beauty Jane Fonda was in Paris last week filming commercials for L’Oreal Paris in French and English. L’Oreal is celebrating its 100th birthday – hey, they must be doing something right — “and this is my 5th year as brand ambassador for women over 65,” she says proudly.

FONDA: L'Oreal birthday girl

La Fonda admits that although she’s addicted to L’Oreal’s Age Perfect Pro-Calcium creams, she was actually filming commercials for a new line of skin cream that will be launched in 2010. “I understand that the company doesn’t like to brag about itself.” she adds, “but I want people to know that #1 they don’t do animal testing, #2 they are investing in the development of reconstituted (synthetic) skin for use in testing, and #3 they just won an environmental award for their corporate ethics (reduced water use and waste dumping and reduced use of plastics).”

FISHER: bumper sticker

At times she imagines her old acting teacher, Lee Strasberg, looking down and saying, “So Jane, it’s come to this!” But, she says, there’s a certain discipline to acting in a commercial. “You must leave behind all questions of motivation and just do what they ask. Little minute details take on huge importance–how I hold the match to light the candle; the way I set the pot of cream down on the table.

“I wish right now I had Carrie Fisher’s gift for le bon mot. She’d have such a hilarious way of describing commercial-style acting. She just wrote me and said she’d written a bumper sticker: ‘Celebrity is just obscurity biding its time.’

“For me it becomes possible,” she says, “because I really believe in the product.”

SUTHERLAND: epic thriller

COMING NEXT YEAR TO A TV MOVIE NETWORK NEAR YOU: Lots of good stuff, I’m happy to report. Highlights for me include Bloodletting, an eight-part drama series based on Vincent Lam’s best-seller Bloodletting & Miraculous Cures, which starts production at the end if the month in Toronto and Hamilton; The Pillars of the Earth, an eight-part limited drama series based on Ken Follett’s bestselling epic novel, with a stellar international cast headed by Donald Sutherland and Ian (Deadwood) McShane; Living In Your Car, a new half-hour comedy series from This Is Wonderland creators George F. Walker, Dani Romain and Joseph Kay, set to begin filming in September with director David Steinberg at the helm; and Fakers, a TV movie about three apparently ordinary teenagers from one of Canada’s most elite schools who created a major counterfeiting operation under the noses of their teachers and parents.

Also intriguing: A four-hour mini-series “re-imagining” of the intriguing comic strip hero Phantom with an equally intriguing cast which includes the always intriguing Isabella Rossellini.