“This collaborative dance company is acclaimed for its mix of humor, invention, and drama. Drawing inspiration from biology (how many dance troupes would name themselves after a fungus that thrives in cow dung?), Pilobolus has created a dance vocabulary all its own.”

“Two Pilobolus dancers perform “Symbiosis.” Does it trace the birth of a relationship? Or the co-evolution of symbiotic species? Music: “God Music,” George Crumb; “Fratres,” Arvo Part; “Morango Almost a Tango,” Thomas Oboe Lee.”

“Mummenschanz is a Swiss mask theater troupe who perform in a surreal mask- and prop-oriented style. Founded in 1972 by Bernie Schürch,[1] Andres Bossard (August 9, 1944 – March 25, 1992), and the Italian-American Floriana Frassetto, the group became popular for its play with bizarre masks and forms, light and shadow, and their subtlechoreography. The name Mummenschanz is German for “mummery,” or a play involving mummers. Mummer is an Early Modern English term for a mime artist.”

Having studied Theatre Design in Washington and Butoh dance in Japan, Heather Hansen’s passion knows no bounds. Inspired by Gutai action painters during her time in Japan—artists that famously threw mediums like paint or clay at canvases in post-war Japan—Heather creates life-size, symmetrical drawings capturing dance permanently on canvas. “I work to refine my kinetic drawing to something graphically and intentionally essential,” Hansen explains as we lounge in the backyard of her New Orleans home in the Marigny. “Charcoal allows me to record each gesture as it’s happening. You can see the story.”

“Dance has been a little overlooked in the arts, in part because it’s a little bit ephemeral,” she points out. “Music is too but it’s different, you can keep a tune in your head. With dance, people usually say, ‘Oh that was beautiful or that really made me feel something.’ They don’t remember the movements. They don’t have anchors for it. I’m primarily interested in finding ways to anchor dance.”