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Ever date someone? Yeah… me neither, but let’s play pretend. Let’s say they’re nearly perfect for you. The type of person that not only tolerates, but even shares your hobbies with a pleasant personality; no shortage of devotion and enough physical beauty to put the Greek’s description of most gods and goddesses to shame. In short: the perfect fantasy. Now, let’s say with all their apparent assets there is still one thing about them that gets on your nerves; a single stain among the canvas of perfection that is your potential lover. You try to ignore it but it pops up in every conversation, and when you try to accept it, the very thought of encountering it again causes a sharp chill to run up your spine. Despite all their positive qualities, you can’t help but notice their one glaring flaw and have it mar the relationship entirely until you’re forced to break up with them. Don’t you think that sort of thing is a tragedy?

It’s not you, Laura. It’s the way you chew your food.

Taking a stab at the Roguelike subgenre, the developers at ACE Team have teamed up with the good people at ATLUS to give you Abyss Odyssey: Extended Dream Edition. A 2D side-scroller and an updated edition to the Steam and Xbox versions for the PS4, Abyss Odyssey is a game about swords and sorcery that takes place in Chile. Yeah, that’s right, I just said Chile. *Add wink and boastful head nod here.*

One of the few countries that actually looks like what it’snamed after. If you twist your head and blink.

A huge departure from most games in general, Abyss Odyssey takes place in a fantasy version of 19th century Chile. The backdrop serves as the ambiance to a rather mystical and dark setting for the tale. It borrows heavily from Chilean lore to infuse the game with monsters ranging from the macabre to the downright menacing, even as the setting may change drastically from floor to floor. The further you go into the dungeon, the more apparent it becomes that the developer, ACE Team, is very familiar with Chilean lore — it is probably a happy side-effect of basing a game in the country where their headquarters is located. The playable characters do not fall far from that aesthetic either, and feel like they were plucked right out of some dark fantasy painting hanging in the corner of some alternative art house. This all comes together to make it feel like you are traversing through some sinister nightmare… because that’s exactly what you are doing.

The story in Abyss Odyssey is a simple one but it does small and effective things to bring it to life. Though the tale of a nightmare becoming reality is a common one, this is the first time I’ve become so enthralled with the concept. Most of the story doesn’t take place in grand cut-scenes but is instead hinted at through character dialogue and the various documents enemies drop. Once you get the whole story, it brings new meaning to previous interactions and sometimes provides motivations for the main characters. Furthermore, Abyss Odyssey does an excellent job of integrating the game’s mechanics into the story. Wonder how the main characters keep coming back to life? Well, it’s because they are also part of the nightmare and, like any dream, they can be reimagined. Is it odd that the dungeon changes with every play through? Not so much if you consider it a part of a person’s nightmare, ever-changing and malleable to the dreamer’s will. These traits in the story already warrant high praise but that isn’t even the best part.

Every character has a story. From the main characters to even the lowly NPCs, Abyss Odyssey takes the time and effort to give them a reason for existing outside of the gameplay mechanics that they are there to represent. One of my favorite examples of this can be seen in the dying soldiers that can be randomly encountered throughout the dungeon. They are there as a fast and easy way to give the player a chance at more loot but each comes with a story all their own. Sometimes the story is courageous, other times it’s heart-breaking, and can even be downright embarrassing, but each story helps make the world of Abyss Odyssey feel real. Those dying soldiers weren’t there solely for the player’s benefit, they had dreams and aspirations all their own.

Protip: When you die, you really don’t. Before even reviving at the beginningof the dungeon the game gives you control of a random mook. Make it to analtar and you’ll be instantly revived from death.

The music does a fine job of complimenting the nightmare aesthetic. Each theme is a haunting melody of classical beats that wouldn’t seem out of place in your nightmares… only if you were more cultured and/or educated… you swine! Though, the way the game interacts with its music deserves some credit. Often times it can be used as an audio cue of what is nearby, and other times it can ratchet up the intensity of specific encounters. There is a certain enemy whose theme overtakes the current music whenever you find him. This sudden musical clash makes his appearance all the more terrifying during the fight. These sorts of “reactionary” musical queues make the music feel almost as alive as the setting.

So, by now you are probably wondering why, despite all of accolades I gave this game, it has a big fat 6.5 under its review score? You’re probably also wondering why I would start a video game review talking about dating? Well, that’s because I have a good reason for each. First, the combat sucks. Second, allusion is a pretty awesome writing device. To put it plainly, at its worst, the combat is a clunky and unresponsive mess and, at its best, it is a poor man’s version of Smash Bros. The shielding, dodge-rolling and fighting mechanics seem mostly there, but what isn’t there is the polish the titular party game has gone through over the years. So while the game may have the know-how coded into the game, it doesn’t possess the necessary grace to pull it off properly. The rigid animations and unresponsive controls lead the player to fight against the stage and controls instead of the monsters in front of them. So much so, that I began to dread every encounter because either my attacks would whiff past enemies or my controls would randomly not function the way they were intended. This also applies to the game’s competitive and cooperative multiplayer modes, both suffering from the same bad combat mechanics. It’s really quite the horrible stain on what could have been a great game.

Okay guys, as usual. No items. That weird-eye-lion-thing only.FINAL DESTINATION!!!

I could have forgiven Abyss Odyssey for anything other than the combat. This tragedy could have been avoided if the music was lackluster, if the story was bland or if the graphics were 8-bit. Instead, the game falters on its most important aspect, the combat; it drags everything else down with it. Instead of enjoying the world this game takes place in, I’m forced to drop it like an annoying girlfriend. This game could have easily gotten a 9.0 or 9.5, instead it’ll have to do with the 6.5 I gave it. It just wasn’t meant to be.

When not writing reviews as Unnamedhero, Eduardo Luquin can be reached at unnamedheromk13@gmail.com.

B-Movie science fiction is always characterized by its low-budget charm. You could see right through the awful costumes, terrible props, and strings the monsters would hang off from — all of which added to the fun. The Deadly Tower of Monsters seeks to recapture this aesthetic of effects supplanted by computer graphics… by replicating them with computer graphics.

ACE Team, the developer of The Deadly Tower of Monsters, did an amazing job in recreating the B-Movie feel as you play, keeping it interesting throughout. The set up for the story begins as if you are watching the “movie” on DVD with commentary by the belligerent director, Dan Smith. As you defeat stop-motion monsters, while completing missions across the sprawling tower, Dan Smith will acknowledge and give background on certain aspects of the production — breaking the fourth/”fifth” wall, reminding you that you are “watching a movie” while playing the game, or rather listening in on the recording session for said commentary. There are a lot of layers here.

Though the game is not usually laugh-out-loud funny (there are a few great jokes), it is entirely tongue-in-cheek. Throughout, they introduce new elements that kept me consistently amused. The attention to detail adds to the goal of being a successful B-Movie homage and the commentary track spreads a layer of cynicism about the film industry on top. It is important to listen to the commentary while you play, as it is an integral part of the story, and the uniqueness of the game. Your typical gaming tropes are also explained away using movie tropes, such as blaming watching deleted scenes for when you die and the director “intentionally” wanting the actor to stand still for five minutes “because it is artistic” if you decide to idle for a while. Some of these tropes are less clever than others, but the narrative essentially includes all of your deaths and “mistakes” as part of the experience.

The visuals and art style are very important to the successful execution of the B-movie homage. A stop-motion frame-rate effect is used on many of the monsters and is one of the best effects used. Since most of the game runs at a higher-frame rate than an actual movie would, the most “filmic” part of the game comes with the stop-motion effect and serves to distinguish it from the rest of the “movie” quite well. Homage is paid to practically every genre of classical sci-fi, with obvious references to Star Trek, Planet of the Apes, and others including dinosaurs, bugs, an evil scientist, giant robots, clones, and a galactic emperor among a wide range of other characters and monsters.

The level design of the tower is essentially a humongous and vertically sprawling 3D platforming level. You will go for what seems like miles in mostly one direction: up. While the prevailing theme is space technology, on the ground-level you will encounter things like mutant insects and dinosaurs. As you climb, the tower is very elaborate and changes themes more meticulously within science fiction. You will encounter aliens, disembodied brains, space slugs, and other fun monsters. All parts of the tower are fluidly accessible, and there are no loading screens unless you warp around to checkpoints.

The tower is used to the game’s advantage occasionally. You are usually tasked with shooting enemies from below in reverse-Space-Invaders style. At any time you can be knocked off the tower, sending you into a free-fall towards the bottom; mistiming your platforming will also have the same result. To counteract the annoyance of having to re-scale the tower you can easily warp to any checkpoint, or use an “Air Teleport” button that is available if you haven’t landed on another platform yet. You also take fall-damage and have a very low amount of jetpack fuel to adjust and break your fall. Unfortunately, you are not allowed to control the camera very much, which can be annoying at times, but it wouldn’t make sense in the context of watching a movie to be able to switch an angle at any time. On the plus side, the platforming is designed well enough where this isn’t usually an issue. For similar reasons, the game is very linear and there isn’t as much exploring to do as you might expect in a 3D platformer.

Combat gameplay is fun and light, and the weapon variety is also great. Enemies and weapons alike keep the “B-Movie” aesthetic, where you can plainly see re-purposed household items or other everyday items, such as a vacuum cleaner or a puppy, being used as space-age weaponry and monsters. As you have access to three different characters, their real difference comes in their special abilities. Dick Starspeed is able to use landmines, Scarlet Nova has a running speed ability, and The Robot is able to use a time vortex ability. All of the characters will gain more unique abilities you can use during combat and only cost a time-based cooldown, whereas your energy weapons deplete from an energy bar.

Upgrading weaponry, skills, switching characters, and other gameplay systems are accessed via in-game computer consoles. While they show up often enough, it can detract from the “joy” of playing around with the progression systems and possibly even the “movie” aesthetic. The systems aren’t very complicated, but it is sort of questionable why they give you 16 different weapons, but only allow you to have access to four at any given time before switching around at a console. It would have felt better to be able to switch out weaponry through a pause menu (a prop closet?) since in-game consoles aren’t necessarily used in an intriguing gameplay fashion other than to be more props to put in the levels. The in-game consoles bring up a game-based UI regardless, so the argument for being immersive doesn’t hold very much weight. It might have also been more convenient to halve the variety of weapons and allow you to use them at all times; instead I just keep four random weapons and rarely trade them out. Despite that, the variety of weaponry is still a nice part of the game.

Difficulty and challenges in the game are not too bad. If you die, checkpoints are usually pretty close to where you could possibly die. That isn’t to say you don’t need to play smart (as health is hard to come by), but the only real punishment for dying is wasting time. Puzzles aren’t too trying on the intelligence and there’s only a few situations where you need to use one of your special abilities to get items or into certain areas. There are also miscellaneous missions that aren’t easily earned on your first trek up and will require you to backtrack certain parts of the tower to complete. One fun side-quest is jumping off the tower and skydiving into floating hoops, using the tower’s height to the game’s advantage. The game can be pretty short as well, but its nice to be able to get through a whole game in a couple of days.

If you are a fan of classic film and games, you will get a blast out of The Deadly Tower of Monsters. Even if you aren’t knowledgeable about older sci-fi film, it is a light, fun, and short game that is visually pleasing and humorous. It is available now on Steam at a sale price of $9.89, and regularly priced at $14.99.