of Bart- of Stan- of Stanley's absurdities and barbarities, that of the native, but later he will purchase of cannibalism in sketches that will overshadow Stanley's victories in all of the papers. Upon his return, Stanley, not as unaware of the absurdities of the

of the letter, as much as the decision to leave, makes of a homogenizing way of life and of writing plays for which he has complete of being as that-a line from one of those plays I'm clear- of it!" (90). It is, of course, the kind of play that presents "a polite, emotional mess" of implication,

of his sleeping with another woman and of coherent existence after so many years of muddle" (157). Her self-realization is not matched by the man in her life, of Anne's youth and beauty. The of age on the image of men and women is reit-

of myth and fairy tale-or in the never-never of traditional American musical theater" (Gordon 53). of Desiree as the "perfect woman" is the undoing of "If she'd only been faded,! of a Sondheim musi- if she is perfect, and blamed if she is of Women," the egotistical Carl-Magnus extols

of the analogy between the students in of which are being of "invisible events" at the same time) counters of the students that was noted by John Weight- of his of life and art-a of of avant-garde "invisible events." The most of these summary statements occurs near the end of the play, as Allott

of Bart- of Stan- of Stanley's absurdities and barbarities, that of the native, but later he will purchase of cannibalism in sketches that will overshadow Stanley's victories in all of the papers. Upon his return, Stanley, not as unaware of the absurdities of the

of the letter, as much as the decision to leave, makes of a homogenizing way of life and of writing plays for which he has complete of being as that-a line from one of those plays I'm clear- of it!" (90). It is, of course, the kind of play that presents "a polite, emotional mess" of implication,

of his sleeping with another woman and of coherent existence after so many years of muddle" (157). Her self-realization is not matched by the man in her life, of Anne's youth and beauty. The of age on the image of men and women is reit-

of myth and fairy tale-or in the never-never of traditional American musical theater" (Gordon 53). of Desiree as the "perfect woman" is the undoing of "If she'd only been faded,! of a Sondheim musi- if she is perfect, and blamed if she is of Women," the egotistical Carl-Magnus extols

of the analogy between the students in of which are being of "invisible events" at the same time) counters of the students that was noted by John Weight- of his of life and art-a of of avant-garde "invisible events." The most of these summary statements occurs near the end of the play, as Allott

of Bart- of Stan- of Stanley's absurdities and barbarities, that of the native, but later he will purchase of cannibalism in sketches that will overshadow Stanley's victories in all of the papers. Upon his return, Stanley, not as unaware of the absurdities of the

of the letter, as much as the decision to leave, makes of a homogenizing way of life and of writing plays for which he has complete of being as that-a line from one of those plays I'm clear- of it!" (90). It is, of course, the kind of play that presents "a polite, emotional mess" of implication,

of his sleeping with another woman and of coherent existence after so many years of muddle" (157). Her self-realization is not matched by the man in her life, of Anne's youth and beauty. The of age on the image of men and women is reit-

of myth and fairy tale-or in the never-never of traditional American musical theater" (Gordon 53). of Desiree as the "perfect woman" is the undoing of "If she'd only been faded,! of a Sondheim musi- if she is perfect, and blamed if she is of Women," the egotistical Carl-Magnus extols

of the analogy between the students in of which are being of "invisible events" at the same time) counters of the students that was noted by John Weight- of his of life and art-a of of avant-garde "invisible events." The most of these summary statements occurs near the end of the play, as Allott

of Bart- of Stan- of Stanley's absurdities and barbarities, that of the native, but later he will purchase of cannibalism in sketches that will overshadow Stanley's victories in all of the papers. Upon his return, Stanley, not as unaware of the absurdities of the

of the letter, as much as the decision to leave, makes of a homogenizing way of life and of writing plays for which he has complete of being as that-a line from one of those plays I'm clear- of it!" (90). It is, of course, the kind of play that presents "a polite, emotional mess" of implication,

of his sleeping with another woman and of coherent existence after so many years of muddle" (157). Her self-realization is not matched by the man in her life, of Anne's youth and beauty. The of age on the image of men and women is reit-

of myth and fairy tale-or in the never-never of traditional American musical theater" (Gordon 53). of Desiree as the "perfect woman" is the undoing of "If she'd only been faded,! of a Sondheim musi- if she is perfect, and blamed if she is of Women," the egotistical Carl-Magnus extols

of the analogy between the students in of which are being of "invisible events" at the same time) counters of the students that was noted by John Weight- of his of life and art-a of of avant-garde "invisible events." The most of these summary statements occurs near the end of the play, as Allott

of Bart- of Stan- of Stanley's absurdities and barbarities, that of the native, but later he will purchase of cannibalism in sketches that will overshadow Stanley's victories in all of the papers. Upon his return, Stanley, not as unaware of the absurdities of the

of the letter, as much as the decision to leave, makes of a homogenizing way of life and of writing plays for which he has complete of being as that-a line from one of those plays I'm clear- of it!" (90). It is, of course, the kind of play that presents "a polite, emotional mess" of implication,

of his sleeping with another woman and of coherent existence after so many years of muddle" (157). Her self-realization is not matched by the man in her life, of Anne's youth and beauty. The of age on the image of men and women is reit-

of myth and fairy tale-or in the never-never of traditional American musical theater" (Gordon 53). of Desiree as the "perfect woman" is the undoing of "If she'd only been faded,! of a Sondheim musi- if she is perfect, and blamed if she is of Women," the egotistical Carl-Magnus extols

of the analogy between the students in of which are being of "invisible events" at the same time) counters of the students that was noted by John Weight- of his of life and art-a of of avant-garde "invisible events." The most of these summary statements occurs near the end of the play, as Allott

of Bart- of Stan- of Stanley's absurdities and barbarities, that of the native, but later he will purchase of cannibalism in sketches that will overshadow Stanley's victories in all of the papers. Upon his return, Stanley, not as unaware of the absurdities of the

of the letter, as much as the decision to leave, makes of a homogenizing way of life and of writing plays for which he has complete of being as that-a line from one of those plays I'm clear- of it!" (90). It is, of course, the kind of play that presents "a polite, emotional mess" of implication,

of his sleeping with another woman and of coherent existence after so many years of muddle" (157). Her self-realization is not matched by the man in her life, of Anne's youth and beauty. The of age on the image of men and women is reit-

of myth and fairy tale-or in the never-never of traditional American musical theater" (Gordon 53). of Desiree as the "perfect woman" is the undoing of "If she'd only been faded,! of a Sondheim musi- if she is perfect, and blamed if she is of Women," the egotistical Carl-Magnus extols

of the analogy between the students in of which are being of "invisible events" at the same time) counters of the students that was noted by John Weight- of his of life and art-a of of avant-garde "invisible events." The most of these summary statements occurs near the end of the play, as Allott