You
might say that The Golden Days of Burlesque
Historical Society was created over lunch
at the home of Tanayo, once billed as The
Costa Rican Dream Girl, in December of 1994. Handing
me an old address book, with scratched out faded names, many of which
were stage names, she asked if I could help find old friends from her
days on the burlesque stage. Three weeks later I accepted her challenge
and the Burlesque Historical Society began to take shape.

When
the search began Tanayo and I combined what addresses we had
between us, which numbered close to twenty-five. But many of them were
no longer good. People had moved, remarried or died. Several of the letters
I sent out were returned. However some people we were looking for were
found and they were very helpful. They were also interested in finding
friends they had worked with in burlesque. So the group was beginning
to form, even though at that time I am sure we didnt realize we
were about to become a group. What also helped in the beginning
was the fact that Jennie Lee, known as The
Bazoom Girl during her career, did everything in
her power to keep the dancers connected over the years. Jennie passed
away in 1990, long before this group was created, but her interest in
burlesque, its history and its people, has been a great help
and inspiration to me over the years.

The
growth of the Burlesque Historical Society
was slow at first, and it still comes and goes in spurts. I suspect it
may always be hard for me to comprehend how many thousands of people worked
the various stages of burlesque, whether it was in theaters, clubs or
carnivals. It took so many people to put on a show. Now
stop and multiply that by all the shows that were playing simultaneously
not only in the United States, but Mexico, Canada, Europe and the Far
East. These shows all required: performers, whether they be strip-tease
dancers, specialty dancers, comics, straight men, talking women, MCs,
chorus line dancers or house singers; directors and producers; agents;
musicians; stagehands; costume designers; choreographers; candy butchers;
theater managers and owners; ushers and cashiers and even still I
may have left someone out. That leaves us with a lot of people to find!
So we ask, WHERE ARE ALL THE PEOPLE WHO WORKED
IN OLD TIME BURLESQUE?

As
weeks progressed to months, and months to years, people were slowly being
found. The list grew to 45, then 75, and we now know where over 200 people
are all having worked in burlesque in one way or another. But there
has to be even more people out there somewhere where are they? Can
you help us locate them? If you know of anyone who worked in the burlesque
theaters or clubs By or BEFORE 1965,
(date negotiable)... please send me their information.
Everybody is looking for somebody!

People
continue to be found, and as long as they worked in old time burlesque
in any fashion, they are a welcome part of this group. The group works
well together, and they help find others. At this stage in the game from
what I can tell, however, most of the men involved in burlesque are gone.
They were usually older than the dancers. But the search continues, as
it continues for all involved in the golden days of burlesque.

What
The Golden Days of Burlesque Historical Society is
all about is quite simple. We re-connect old friends who worked in burlesque
with one another, and share information. In the past, several Reunions
have been held in both California and Las Vegas. Will there be more Reunions?
I cant say for sure. What seems to be most important to the people
in the group is that they receive the newsletters that are put out four
times a year and that they can reconnect and stay in touch with old friends.
What is most important to the Burlesque Historical Society is that the
history of old time Burlesque is preserved.

We
should never forget our past. Many of the names of people who were involved
in burlesque are names you are probably not familiar with. Thats
because of all the thousands who worked the various burlesque stages.
I feel as though I have barely scratched the surface as far as learning
names or about the various performers themselves. But I have help. I have
learned so much from his group of individuals, not only about burlesque,
but also about life. Their stories, and their histories, must be preserved
before its too late. The stigma surrounding burlesque must finally
be put to rest. These people are and were performers of many talents.
They all worked on a stage, out of reach of the audience. These performers
put on a show with comedy, musical numbers, dancing, costumes, scenery
and lights. I only hope that we can continue finding
others who performed on the many stages of burlesque before its too
late.

"The
Golden Days of Burlesque Historical Society" is
a Non-Profit Organization, 501(c)(3), that relies
solely on donations, sponsors, and newsletter
subscriptions for financial support. And THANK YOU
for your continuing interest in preserving old-time
burlesque history!!