Hi gang: I had really hoped to have something really meaty for today, but instead we have some shots from a college football sideline shoot I did last week: USF Bulls vs. Rutgers(the mid-air shuttle pass shot above is one of my favorites from the game).

Here’s Why: OK, it may be partially my fault (OK, more than partially), but Matt, Brad Moore, and RC must share the blame because we all started playing the just-released Call of Duty: Black Ops (on XBox LIVE) at around 9:00 pm, and it is now 1:42 am, and we just this minute signed off, and I haven’t written one word yet of today’s blog post (well, except for the few sentences you just read, of course), and I’m pretty beat, so this is mostly going to be just shots from the game.

The Good News The good news is: I’m already at Level 20, I’ve unlocked the Famas Assault Rifle (which is an automatic rifle in Black Ops, versus the three-round burst model in Modern Warfare 2), and I’m a pretty decent shot with the Red Dot sight attached (though Matt is the undisputed Call of Duty pro out of all of us guys). Anyway, great game, lots of fun playing online and trash-talkin’ with the guys, but of course it totally wrecked my night and any hope of getting a good night’s sleep. Now, onto the shoot before I nod off.

(Above: At one point in the middle of the game, I’m moving along the sidelines and I hear “Scott Kelby!!! Scott Kelby!!!!, and I turn around and look in the stands and the guy you see above is yelling to me, “I’m a NAPP member!” I thought that was so cool!!!! He yelled “Take my picture” and of course, I obliged. I love his smile and the fact that I heard his voice out of the 30,000+ screaming fans).

The Specs It’s the same rig I normally use for a night game (here’s the link), but for the first half I tried something different. On my second body I usually have my 70-200mm f/2.8, but I decided to try the 24-70mm f/2.8 to capture more of a wide view when a team scores, but I wasn’t happy with it at all and changed back to the 70-200mm at halftime. The reason was: there was just no separation, even at 70mm at f/2.8 because nothing was close enough to camera to create a shallow depth of field, so everything was in focus, the shots looked pretty “snap-shotty” so I switched back.

I know a lot of guys still go this route, with a wide on their second (or third) body, especially if they’re hoping to capture an image that might run double truck (a two-page spread), and in which case I would go to the wide angle 24mm look, and hope the play happened right in front of you, like a fade to the corner, but again, you’d have to get lucky. Other than that, the rest was the same (but I have to tell you—-I am so loving that 400mm f/2.8 (and that new lens smell).

It was a great game that night. Wonderful weather, and my buddy Andy Gregory was there (SAMSAU), and we had a lot of fun just hanging out (shooting football is a lot more fun with a buddy, even if it has to be Andy, but I recommend you shoot with someone much more fun). Totally kidding (sorry Andy, I couldn’t help myself).

(Above: This is another of my favorites. Last time I shot the team coming out onto the field from behind, but this time I thought I’d get out there as they came through the CO2 smoke curtain. I like the way #51 is looking right at the camera).

(Above: Here’s the team celebrating with the fans after the big win. I usually don’t do much post production to my sports shots, outside of contrast and sharpening (especially if I’m shooting on assignment), but in this case, I threw the book at it—it looks much better larger, so click on it for a larger view).

Here’s what I did: I added an extreme contrast special effect to the entire image, then a dark edge vignette all the way around using the Lens Correction filter, and I even added the Lens Flare you see in the lights in the top right corner in Photoshop by adding a new layer; filling it with black; running Photoshop’s Lens Flare filter [using the default settings] then I changed the layer blend mode to Screen so it blends in with the rest of the image, then dragged the Lens Flare up in that corner. It’s a bit over-the-top, but for some reason, I still like it).

Well, that’s it for this Friday, late night post, folks. I have a fun post for Monday, so I hope you’ll join me then (by then I should be a level 25 or so), and I hope you all have a great weekend! :-)

About The Author

Scott is the President of KelbyOne, an online educational community for Photographers, Photoshop and Lightroom users. He's editor and publisher of Photoshop User Magazine, Conference Technical Chair for the Photoshop World Conference & Expo, and the author of a string of bestselling Photoshop, Lightroom, and photography books.

About Me

Scott is the President of KelbyOne, an online educational community for Photographers, Photoshop and Lightroom users. He's editor and publisher of Photoshop User Magazine, Conference Technical Chair for the Photoshop World Conference & Expo, and the author of a string of bestselling Photoshop, Lightroom, and photography books.