TEFBOY

D.I.Y WEB'N'GRAPHIC DESIGN

Featured Works

UK Subs

Warhead - Record Artwork & Design

A few years after making the artwork of the previous UK Subs' single 666 Yeah, TEFBoy is once again proud to present another killer graphic project in cooperation with Jet13 Records for the latest UK Subs record release "Warhead".

• Label: Jet13 Records

• Project: CD Artwork & Design

• Feature: Cd Booklet 8 fold Panels

• Feature: Inlay Card + Disk Serigraphy

• Release Date: April 2008

UK Subs

666 Yeah - Album Artwork & Design

The 1st work made with Jet13 Records, a psychobilly punk record label based in London for the 7" single "666 Yeah" from the UK Subs. Services provided: original graphic concept, album layout design, custom digital artwork and vector illustrations.

The Vibrators

The Vibrators are one of punk rock’s longest running bands, emerged from the UK punk scene in 1976 and quickly found themselves sharing the stage with such notable acts as the Sex Pistols.

Their initial releases were minor hits in England, and the band was able to weather frequent lineup changes, which started with bassist Pat Collier’s exit in 1977, until 1980 when the band called it quits. But, as with most UK punk acts, reformation was in the cards. The original lineup came back together in 1982 and released the LPs Guilty and Alaska 127.

The original lineup of Ian Conochan, Pat Collier, John Ellis, and Eddie the Drummer was hit again with more turnover during the 1980s and 1990s. By the time of the band’s 20th anniversary, Mikcie Owen (guitar), Mark Duncan (bass), Nigel Bennet (guitar), Darrell Bath (guitar), and Nick Peckham (bass) had all been associated with the Vibrators. In 1999, the more stable three-piece lineup of the band made their way across America with fellow punk veterans the Misfits, the Exploited, and the U.K. Subs.

While most of their albums in the 1980s and 1990s were overlooked, the early catalog was enough to keep them fueled for more than 20 years. The Vibrators released a live collection and a rarities disc in 1999 on Gig records.