Locusts and Gegenschein follow up the highly acclaimed ‘Music for Church Cleaners’ release from Irish artist Áine O’Dwyer. Whilst continuing to explore the church organ as the primary instrument, these two releases steer away from Church Cleaners in both sonic content and themes explored. Gegenschein was recorded at the Franciscan Friary in Limerick city. Áine gained access to the Friary in 2012 and explored both pipe organ and space in it’s disused state. What becomes of a sacred space after the dispersion of the spirit, after the light has been switched off, after the deconsecration?