The urban lens

6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Hannah La Follette Ryan shares photos from her “Subway Hands” Instagram account. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

While many street photographers have been inspired by straphangers over the years, Massachusetts- born Hannah La Follette Ryan has taken a very different approach to subway photography: focusing on riders’ hands. Her viral Instagram account, “Subway Hands,” is closing in on 20,000 followers and features nearly 1,000 photos, all shot on her iPhone, of the impossibly varied things people do with their hands on the NYC subway.

6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Kris Graves shares photos from his “A Queens Affair“. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

Queens-born photographer Kris Graves has been shooting his series “A Queens Affair” since 2005. Recently, he published a limited edition and currently sold-out softcover book, LOST LIC, containing some of his thousands of shots of the borough. A hater of glass, he describes his motives to take photos of LIC simply: he wants to capture the rapidly disappearing nooks and crannies of the neighborhood before they’re gone forever. While some of his previous work, including photos of every police precinct in New York, have been comprehensive, with “A Queens Affair,” Graves admits he does not know if the project will ever truly be complete.

6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

Dutch-Argentinean photographer Richard Koek gave up his profession as a tax lawyer to pursue his passion for photography in New York City. He now splits his time between NYC and Amsterdam, and Lannoo Publishers just released a beautiful photographic tour of the city in his book, “New York New York: A Visual Hymn.”

Koek loves to walk and believes it is the only way to truly get to know a city. And flipping through the pages of his book truly feels like you’re walking alongside Koek (so much so that your feet may get sore by the end!). As photographer Alice Rose George says in the preface, “New York can be frightening just by its size and number of people, or it can be exhilarating for the same reasons… You can see bits and pieces from inside a taxi or the swollen streets as you enter a theater or restaurant, everything at a distance. Or you can dive into its complexity.” 6sqft got Koek to sit down and stop walking for a brief moment to talk about this complexity, his process, and his inspirations for the book.

While recently cleaning out an office, a New York City parks employee discovered two old boxes. Inside the boxes were nearly 3,000 pictures taken in the city’s many parks during the summer of 1978. During a three-month newspaper strike, the department hired eight photographers from the New York Times to document the parks. Until this year, the photos, which had been hidden for 40 years, were never published. Now, as a collaboration between the Times and NYC Parks, a new exhibit called 1978: The NYC Parks/New York Times Photo Project, will feature 60 select photographs from the expansive collection. The exhibit opens Thursday at the Arsenal Gallery in Central Park and runs until June 14. Ahead, preview these stunning images from ’78, which highlight the uniqueness and vibrant flair of NYC during this era.

Before he directed films like “A Clockwork Orange,” “2001: A Space Odyssey,” and “Dr. Strangelove” Stanley Kubrick worked as a staff photographer at LOOK magazine, where he developed a knack at storytelling through street photography. Kubrick “found inspiration in New York’s characters and settings, sometimes glamorous, sometimes gritty,” all of which is the subject of a new exhibit at the Museum of the City of New York.

“Through a Different Lens: Stanley Kubrick Photographs,” tells the story of how a 17-year-old amateur photographer from the Bronx went on to become one of the most revered directors of the 20th century. The exhibit, on view from May 3rd through October, will display more than 120 photos taken between 1945 and 1950, during Kubrick’s time at LOOK, and examine the connections between his photography and film work. Ahead, the exhibit curators share with 6sqft a sneak preview of the photographs and discuss their experience working on the show.

Change in New York is an expected norm, sometimes so constant it almost goes unnoticed. It’s such an ingrained part of the New Yorker’s experience, we often forget just how much our city has transformed, and what we have left behind. To help us remember, we have Carole Teller. A Brooklyn-born artist who’s lived in the East Village for over 50 years, Carole’s also a photographer with a keen eye for capturing defining elements of New York’s cityscape, especially those on the verge of change or extinction.

Fortunately for us, Carole kept the hundreds of pictures she took scouring the streets of NYC between the early 1960s and early 1990s. She recently unearthed them and shared them with the Greenwich Village Society for Historic Preservation for inclusion in its online Historic Image Archive. What follows are just a few photos from what we call “Carole Teller’s Changing New York.”

6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Carrie Boretz shares photos from her “Street: New York City 70s, 80s, 90s“. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

In New York’s bad old days, the city was a house of horrors, but it made for some incredible photos. Carrie Boretz was there through the decades, documenting the madness and the emotion, the cops lunching on park benches, the conversations on out-of-order payphones, the open-air wig stores, the famous and the unknown, all joined by the city and its streets. In her new book, “Street: New York City 70s, 80s, 90s,” these images line the pages in a nostalgic time warp to a glorious, if troubled, era. Boretz’s photos are currently on display through March 31st at Umbrella Arts on East 9th Street.

In a city as bustling and overbuilt as New York, it’s easy to forget this metropolis’ roots as a port city, and that all boroughs but the Bronx are islands. The timeless beauty of NYC’s watery surroundings are not lost on artist Janice McDonnell, who has produced a series of paintings of the Brooklyn waterfront. “It started out as just documenting to enjoy myself,” McDonell said. That’s how it started, but the more she got into it from her Dumbo studio, the more the combination of buildings near the broad harbor and their contrast to the sky began to resonate with her. Ahead, see Janice’s paintings and hear all about her inspiration and process.

“Statistics do not tell the story of immigration. People do. Women do.” This was the impetus behind the new photo and video exhibit at the Queens Museum, “Real People. Real Lives. Women Immigrants of New York.” A partnership between New Women New Yorkers, NYC’s only non-profit dedicated to empowering young immigrant women, and artist Dru Blumensheid aka BUMESI, the exhibit features photos and videos of 16 young immigrant women taken in iconic locations such as the Brooklyn Bridge and Chinatown, all as a way to show “a nuanced and multi-layered picture… of the barriers and isolation they experience, and of the hopes, dreams, and talents they bring with them.”

In celebration of Women’s History Month, 6sqft chatted with Dru Blumensheid about her personal inspiration behind the project, what she learned from the experience, and how she hopes all New Yorkers can benefit from hearing these stories.

In September 1942, with humanity in the throes of WWII, one Marjory Collins photographed the inner workings of the New York Times for the U.S. Office of War Information. Her photos depict a culture of white men and machines working at individual tasks for the greater goal of creating the day’s paper. The press printing process shown is a world apart from today’s digital media industry, where so many human jobs have been antiquated by more advanced technology, which is, thankfully, more diverse.