Tag Archives: IBIS

The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now. It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.

As expected based on early comments of the slow motion mode on the GH5s, the camera has pronounced aliasing “seen in this video by Max Yuryev” and softness the higher the frame rate goes. Even at 120p it is less detailed than the standard GH5. It may be a function of supersampling in the higher megapixel 20MP GH5 vs the 10.2MP GH5s which is creating the new artifacts.

While the GH5s can shoot up to 192fps without cropping the sensor, anything above that up to 240fps it has a slight sensor crop which further decreases quality. While the VFR mode on the camera is better than most cameras in the price range that attempt the feat, it is of note that the quality instead of increasing or remaining the same as the sister model takes a hit which may kill it as an option for slow motion needs. We still believe the standard GH5 is the best Lumix option even when compared to the G9 in VFR mode.→ Continue Reading Full Post ←

Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot. The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.

The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise. The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots.→ Continue Reading Full Post ←

The new Olympus OM-D E-M10 III release has for the first time introduced for the line some sort of slow motion feature. While not much it should be noted that Olympus has the best 5 axis image stabilization in-body system when it comes to jitter reduction and overall look. Even while running or walking the camera does an admirable job.

The Panasonic GH5 has a similar system but Olympus still has the edge in performance by having much less shake with their patented solution. This is great for shooting video and this camera with 4k recording is probably one of the most stable handheld solutions for shooting UHD. The addition of a 720p 120fps mode while not ideal; is great to have especially if stabilized.→ Continue Reading Full Post ←

The just announced Firmware for the Panasonic GH5 offers the promised improvements when the camera was launched like 400Mbps All-I compression for 4k 10 bit recording and or 200MBPS 1080p. Also promised was near 6k Anamorphic shooting and HDR Ready Log Recording Gamma. All of that is in the firmware but the surprise comes from all the extra improvements that made the way into the 2.0 firmware release.

The new unexpected features range from a full tethering option for Mac or PC with free downloadable software to improved autofocus recording which was one of the weakest features of the camera. As far as slow motion related improvements it seems the firmware is not making any headway there. The bitrate improvements do not mention the VFR mode.→ Continue Reading Full Post ←

The Panasonic GH5 ushered the era of 10-bit video recording on a portable prosumer interchangeable lens camera for the first time. Panasonic promised some features which at launch would not make the cut but would be added when firmware was released that would improve the spec sheet. The new 1.1 version of the Firmware will enable 10bit recording on 1080p 24p, 25p, 29.98, 29.97p, 59.94p & 50p all at 100 Mbps.

While the camera offered 10 Bit recording at 4k from the get go it was not available above 29.97fps which left the 60fps 4k mode out in the cold for the increased color space. The update and all subsequent ones will also do not allow 10 Bit to be used above 30p in 4k so the 60fps UHD spec will remain at 4:2:0 8 Bit color.→ Continue Reading Full Post ←