The july 16 is here to raise the bar for the creative world and integrate its spirit into the culture at large. We intend to exhibit creativity and showcase talent with an approach never seen before.

We select the few ones who can truly package yesterday with today and the superficial with the thought provoking. We are here to initiate and support artistic and cultural processes, to make them take place.

Staging Silence is based around remembered abstract spaces, archetypal settings that lingered in my memory as the common denominator of the many similar public places I have visited and experienced...

The title, Staging Silence, refers to the staging of such dormant decors where, in the absence of people, the spectator can project himself as the lone protagonist, unhindered by others, — Hans.

Mute as Leonardo’s mute poetry Chieco’s drawings tell stories.
Also but not just.

A paradox constructed between her inventive intention, which is suggested by the elaborate titles, and the composition harvests the freefalling relationships and inconsistency of scale, absence of closure as well as two different levels of representation.

In one, the outline defines a human body respectful of the anatomy and proportions, in the other, the illusion of the three - dimensional form, be it strawberry or a badger,
is worked in full colour.

The point of departure of LITTLE ALICE, created in 2001 was precisely this kind of joke: the artist, inspired by the adventures of ALICE IN WONDERLAND, decided to build four rooms for the changing heights of its protagonist. The rooms get smaller and smaller, the last one big enough for a mouse.

As Monika Sosnowska remarked: I am especially interested in the moments when architectural space starts to acquire the aspects of the mental one.

Cosmic Thing by Damian Ortega , is an extended and humorous meditation on one of Mexico's most potent symbols of Westernization and mass production: the Volkswagen Beetle. Ortega's work explores the political and cultural currency found in everyday objects and images especially as they relate to his native Mexico.

These works continue Damián's participation in a history of satire stretching through DaDa, political cartooning, and conceptual art.