BEST MUSIC WRITING 2009

I’m pleased to announce that my essay Confessions of a DJ, originally published in n+1, has been selected for inclusion in Best Music Writing 2009! It’s a honor to be part of the Da Capo series, especially on their 10th anniversary, with guest editor Greil Marcus.

The anthology is floating around some bookstores now, and will be everywhere next week.

Greil Marcus surreally misquotes my piece in his introduction: “I’ve died in more than two dozen countries…” (La petit mort? I’m not dead yet.) But apart from that unusual typo, Best Music Writing 2009 contains a spread of fascinating, varied writing.

It’s easy to fall prey to online narrowcasting, with the result being that you only read reviewers and blogs who cover music you like. Anthologies crack things open a bit (read: I wouldn’t seek out a three thousand word essay on Jay Reatard, but there’s one here, so I’ll take a look). Many entries are short and sweet, like Aidin Vaziri’s hilarious opener, but it’s the longer pieces (like, cough, mine) which are particularly welcome in our era of dwindling word count and blog-optimized blurbs. (Not that I don’t like a good blog-optimized blurb; it’s simply a very different pleasure when someone dives deep into long-form prose, and when people do that online I’m usually too impatient or distracted to scroll down to the end.)

9 thoughts on “BEST MUSIC WRITING 2009”

i sort of love that marcus slip, its evocative of so many different possibilities. records are dead sounds, so a dj’s job is also that of a necromancer bringing the dead back to life in the form of a party. it makes me think of the spectral nature of dub, and how a lot of dj and soundsystem culture can trace its roots back to jamaica. also the idea of traveling as a meditation on death, since the traveller examines different modes of life, and is not really in her/his own existence there is this weird limbo stage at the borders.