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P'-' ,-...l PA.AW�. o(.� TT� � 'l\.疇 IV�U> a;.rr-...t. A"'-'疇� .. �T 'tU'i. ... ��i..Sr:!..l... ,.., '�- g �I�<;�""'" ��� AI'- M'!.!b"fU e. M''>L�,.....T� . W� ... tNW'-j 4 M9L.b IN� � l1 .......... ��� ... ...,.d PIGW\ <; : ,. ........ Toys; J ""' F-Io-J'S It s.� ..... ,.,.., I'I R-=-c>s"e. � .... a A.""'�" �....... S'-<"'" IY1' Jf F �!. cJl.疇㶖㭨IJ So-<-Ib __ IS t:I q� � 1:1 M <:'�I""'TV9-IJ:I. _ t:>�MA. f'>AI-Ji.. e,'!. U I � LJ<:.!It疇 "-- ,,1. U. GI-< w ... ...ra""".:.Il'4 .�;. �j ::d. -u-<.� .... Fl2A疇 N"' ?!.. W�."'(>�� c.l�""�lV�� �IN.-.�.." ..lJ l=.N-CDLON.Al-II 5L....1��J:I Ml�SloN � �P� ceA.F1"'疇 /IAC疇�"" +t Pv�T" M6>��N CI - 1 IINL-Ajv �C,� <;,1-1 P�IOt>: b,<>"'t1疇㶖E.A:疇oN '. � �= ov .J'!疇㶖'S!:'� tt 1'i��'U>"_ � t"A�rM.�. �",,� P!£\DD l:l �t::.�.o - I:I u.. ....... j PA>-.疇�. TL C. uT """' ..... �'- _ I 1"'0疇 t/ aTM. <S'-<&Ot..bt4._ : c�rc �� '6oC� (JI!..!"'-tr. - .� =�M.1.>J疇㶖㭨၀; gent thinking is called for. In practice, you will find that the min I resists the disciplined method. All sorts of shortcuts pop in at all sorts of times-we have creative leaps that seem to bypass groundwork. Yet if the groundwork is not completed, a designer is unable to be objective about the solutions. To assist in continuing on track, sudden inspirations can be recorded with drawings and notes in order to empty them from your mind. To know when not to re-invent the wheel yet keep to the path- way is part of the process of growing up as a designer. As one becomes more accomplished at problem solving, the design pathway seems to be somewhat lost-it isn't of course, but the double-edged sword of experience comes into play and makes observing the designer at work a complex operation. The problem-Having explained the design method in general terms, I'm going to pick up the specifics that went into the bed design. The bed was to be designed for a client who was neither relative nor friend, but a business client. This is worth noting because the initial sorting out process is too easily passed over when you are dealing with someone you know-too much is as- "'�P-t. tAt'lb'''' tt-.u-.... � 1tJa<U"'� TD4ilv£ � .......... T3RI疇㶖 M> ""4Io<U� ... � 1if �_f> • • � c:::: C* �p�� 0-4�"'..e.. '4 .... ��. f'LA疇'" ' vo.o U4,vr " �� .. �r..,,,�.., ��T" P ........ � - 2,"Fi,c.r �::J "t1-疇 l. sumed by both parties-not enough questions get asked. In our first meeting some general parameters had to be set. The bed was to be the main piece in a small group of bedroom furniture to be sold in a store specializing in blankets and bed linens. The bedclothes are of wool. mohair. linens and silks. The weaves and colors are unusual, the finishing details superb, the whole accent on quiet. understated quality. I explain this to illustrate the unspoken messages in the sur- roundings, which will be underscored by the conversation about the work in hand. In most cases the client has no idea that this is going on, it is something you have to work on alone. The client will be quick to tell you what he or she thinks you need to hear, including solutions to the problem, but a client's express wishes are often misleading and can be costly. You wind up building a million-dollar mansion on a quarter-acre sub-division. It's often expressed as the client haVing a champagne taste and a beer budget. The store's ambiance suggested furniture of a similar image. After listing all the materials one might use for a bed, natural polished wood seemed to be the most in keeping with the tone July/August 1986 77 ...... t.\.6i. �T" � AW_... � ��lA I'Il疇㶖㭨၀ �tM �Sd� P"'-"疇㶖 ��"L ��. r, "'�a� � &L �� __ sJIc� �� � U4.. �;:.c疇㶖 �tt.-t