Beyond the end with ‘Goodbye to Language’

In 1960, Jean-Luc Godard revolutionized cinema.
Breathless wasn’t just a break from the old ways of filmmaking, it was as if cinema had cracked off and begun again. Seven years later, Godard concluded Weekend with the title card, “Fin... de cinema.” It was a cheeky moment, but for the French critic turned filmmaker, it had razor sharp teeth.
Now the 84-yearold director is back with another entry into his ever-evolving theory of cinema and this time around he tackles the money-grubbing gimmick of 3-D. Only in the hands of Godard, it isn’t a gimmick, it’s just another arrow in his quiver.

From the infinitesimal to the infinite in ‘The Incredible Shrinking Man’

They called them “B-Movies,” genre films (westerns, noir, horror, sci-fi, etc.) made on shoestring budgets with leads played by actors, not stars, and directors who were journeymen, not auteurs. The 1950s were their heyday and they played great on a rainy Saturday afternoon.

Climate change has been rippling through our world for the past few decades. Colorado is suffering from summer-like temperatures in winter to a severe fire season that’s destroying its forests. Firefighters are on the front line of this problem seeing the lasting damages and devastation.

THE BABADOOK This movie is being pigeon-holed as horror, but don’t discount it. It compares well with Kubricks’s The Shining and Polanski’s Rosemary’s Baby as a deeply nuanced and powerful film, well worth the scary bits.

The bleak fallout of ‘Little Accidents’

There is Owen ( Jacob Lofland), a high school student who lost his father in the cavein. Owen has taken on the responsibility of his brother with Down syndrome (Beau Wright) while his mother (ChloŽ Sevigny) tries to put food on the table.

Documentary Fight Church tells the story of the meeting of two unlikely worlds: Christianity and mixed martial arts. While, of course, it’s natural for pastors to have hobbies, cage fighting is a peculiar choice for those who preach to “love thy neighbor.

One night with Leos Carax

‘Copenhagen’ just a diversion

William (Gethin Anthony) is 28, loud, abrasive and generally unpleasant to be around. He yells, swears, leers, drinks too much and thinks too little. He is your typical obnoxious American abroad, both to the fine people of Demark and to his two traveling companions.

Instead, their bodies are pushed into a ravine in the middle of town, one that is starting crowded. It’s business as usual in Bad City. or not Arash (Arash Marandi) The or what she is capable of — doesn’t really matter. He is attracted to her. Attracted in that distant, cool, blue jean, James Dean, let’s-just-listen-to-the-music, kind of way.