Comfort Music for Oboe Duet by Faure, Bach, Brahms, Pachelbel, Mozart. Arranged by John Gibson. For Oboe. Baroque Period, Classical Period, Romantic Period, 20th Century. Intermediate. JB Linear #D0054. Published by JB Linear (S0.7274).
Comfort Music Vol. 1 is perfect for dinner music, church services, or as a quiet interlude in a recital. Arranged for oboe duet. This music is not necessarily easy, but is readily accessible. This includes Pavane by Faure, Fantasia by Pachelbel, Concerto for Oboe d'amore - 2nd mvt - by Bach, Variations on a Theme by Haydn (Chorale and Var. 7) by Brahms, and Piano Concerto #21 - 2nd mvt by Mozart. The audio sample is a version for clarinet and bassoon of the Faure Pavanne. All other duet versions are similar, but adjusted to work with the instruments being used.
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The Last Judgment (Oratorio). By Louis Spohr (1784-1859). Edited by Dieter Zeh / Irene Schallhorn. For Solo SATB, SATB Choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 Violin, viola, cello, contrabass. German title: Die letzten Dinge (Oratorium). Oratorios. Complete orchestral parts. Language: German/English. Composed 1865-68. Op. 61WoO. Duration 80 minutes. Published by Carus Verlag (CA.2300319).
ISBN M-007-03762-8. With Language: German/English. Oratorios.
In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other.

Messe solenelle in G (Kronungsmesse in G). By Luigi Cherubini (1760-1842). Edited by Oliver Schwarz-Roosmann. For SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass. G-Dur (G major). Score available separately - see item CA.4008700. Masses, Latin. Complete orchestral parts. Composed 1819. Duration 45 minutes. Published by Carus Verlag (CA.4008719).
ISBN M-007-06130-2. Masses, Latin.
A special charm of the mass is the fact that it dispenses with soloists. In this mass, exemplary for Cherubini's church music is the richness of color in the treatment of the orchestra, as well as in the choral parts, and the expressiveness of the dynamic nuances.

Harmoniemesse in B by Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB Choir, Flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 Violin, viola, basso continuo. B-Dur (B-flat major). Stuttgart Urtext Edition. Score available separately - see item CA.4061200. Masses, Latin. Complete orchestral parts. Language: Latin. Hob. XXII:14. Duration 45 minutes. Published by Carus Verlag (CA.4061219).
With Language: Latin. Masses, Latin.
The Harmoniemesse is the last of the "High Masses" which Haydn composed between 1796 and 1802 for the name day of the Princess Esterhazy, and at the same time it was the last composition which Haydn ever completed. It was given its name because of the important role which the wind instruments play in the Mass. In a number of passages the present critical edition differs from previous editions and, consequently, it follows other readings of the sources. Hence it is also to be regarded as a contribution towards a new evaluation of the work.

Grosse Mariazeller Messe in C (Missa Cellensis in honorem BVM. Cacilienmesse). By Franz Joseph Haydn (1732-1809). Edited by Leonhard Riedel. For Soprano solo voice, Alto solo voice, Tenor solo voice, Bass solo voice, SATB Chorus, 2 oboes, 2 bassoons, 2 Clarinos/Trumpets, timpani, 2 violins, viola, basso continuo [2 horns in Benedictus], organ. C-Dur (C major). Stuttgart Urtext Edition. Score available separately - see item CA.4060400. Masses, Latin. Complete orchestral parts. Language: Latin. Composed 1766. Hob. XXII:5. Duration 68 minutes. Published by Carus Verlag (CA.4060419).
With Language: Latin. Masses, Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing one of his first and most extensive Missa solemnis. The title "Missa Cellensis" (later also known as the "Cecilian Mass") and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque "number mass." In contrast to previous "mixed" versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources.

The Creation by Franz Joseph Haydn (1732-1809). Edited by Wolfgang Gersthofer. For SATB vocal soli, SATB choir, 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trombones, timpani, 2 violins, viola, cello, double bass, harpsichord. Stuttgart Urtext Edition. German title: Die Schopfung. Oratorios; Praise and thanks. Level 3. Complete orchestral parts. Language: German/English. Composed 1798. Duration 105 minutes. Published by Carus Verlag (CA.5199019).
With Language: German/English. Oratorios; Praise and thanks.
The primary source on which he new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an "authentic hand." With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English).

Missa solemnis by Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violin, viola, cello, double bass, organ. D-Dur (D major). Stuttgart Urtext Edition. German title: Missa solemnis in D op. 123. Masses, Latin. Complete orchestral parts. Language: Latin. Composed 1817/23. Op. 123. Duration 90 minutes. Published by Carus Verlag (CA.4068919).
With Language: Latin. Masses, Latin.
- Beethoven's masterpiece-Urtext - edited by Ernst Herttrich - informative and comprehensive foreword in three languages - critical Report in compact form with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) For the new Urtext edition of Beethoven's Missa solemnis op. 123 Carus was able to call on Ernst Herttrich, the experienced Beethoven specialist. Herttrich, who for many years has been the Editorial Director of the New Beethoven Complete Edition, as well as Director of the publishing company Beethoven Haus Bonn, is thoroughly familiar with the idiosyncrasies of Beethoven's handwriting and the enormous challenges presented by the editing of his works. As a result, a new edition of the Missa solemnis based on the latest musicological research is now available. In addition to the full score, the complete performance material is also available for sale.