SHOW BUSINESS: Hollywood Happy Ending

The most potent force in U.S.
moviemaking is a pair of Manhattan lawyers: Robert Benjamin, 49, and
Arthur Krim, 48. At a time when things in Hollywood are going from bad
to worse, they have demonstrated a new way to make fat profits and good
picturesor possibly vice versa. When, in early 1951, they took over
United Artists, one of Hollywood's oldest and biggest film-distributing
companies, it was losing $100,000 a day. Last week, in the first annual
report since a public stock issue last spring, President Krim reported
record profits of...