1. Why?

2. How?

Bracket-style. 64 entries in four different categories, single-elimination.

3. What where the qualifications to get in?

First, it had to have ended its original run by 2012. That allows us to judge each entry with the historical distance needed, and avoids the weirdness of a CBC journalist asking people how they feel about EXCELLENT SHOWS WHICH YOU ALL SHOULD WATCH, ESPECIALLY IF MY MANAGERS ARE LOOKING AT THIS, PRAISE BE TO MR. D things produced by his employer.

Second, it can’t be specific to one province. It’s why this is ultimately English-only, but it also ensures this is a game where virtually everyone over the age of 30 can have opinions on every show.

Third, when it comes to whether it can be classified as Canadian or not, I’m using three categories:

Was it primarily made in Canada?

Was the primary audience Canadian?

Were the primary creators/cast Canadian?

If it’s two out of three, then it goes in. At least by my snap judgements this weekend.

(Basically, this is the justification for Fraggle Rock making it, and Clone High/Your Favourite Sci-Fi Show not making the cut)

4. Enough talking. What are the brackets?

Good question! Comedy and Drama clearly deserve its own category. Children’s shows are a distinct source of nostalgia/sense of living in Canada, especially for people born before 1990, so they get a bracket. And then our final bracket is all the variety shows/CanCon commercials/talk shows/game shows that don’t really fit neatly into one bracket.

(My apologies to The Odyssey, This Hour Has Seven Days, The Jon Dore Show, Video Hits, and everything else that failed to make the great. If you’re greatly aggrieved by this, um, make your own bracket. I’m but a simple Millennial with snark and a Twitter account)

Are you excited? I’m excited. Let’s get voting. Polls close at 11:59 p.m. Pacific Standard Time on Tuesday. We’ll do more talking about each entry the deeper in we get, but since there’s 32 to get through in this round, we’re gonna blitz through them.

COMEDY BRACKET

One got the most predictions on Twitter saying it would win the entire tournament. The other got less than 60% of the vote in a play-in bracket against Four On The Floor, a 30-year-old show that only aired for 13 episodes.

One launched more Canadian comedians into North American stardom than arguably any show in history, and combined broad laughs with pitch-perfect character acting. The other is described on Wikipedia as “considered by some to be one of the worst situation comedies ever produced.”

After one day of voting, these two are separate by less than 100 votes. To help you with your decision, a defence of Kenny vs. Spenny:

Though clearly too brazenly dumb to be mentioned in the same breath as The Newsroom by snobs of a particular generation, Kenny vs Spenny did what shows bound by traditional formats never could. It broke bravely away from convention and kept audiences guessing: Is this even real? Are they acting? Is Kenny a sociopath or just a regular terrible friend with no conscience? Likewise, the inventiveness of the episodes keeps them fresh in my mind to this day: Who Can Wear a Dead Octopus on His Head the Longest; First Guy to Get a Boner Loses; Who Do Black Guys Like More?

But the true test of a cultural work is in its legacy. If this were an episode of Kenny vs Spenny, it would be called “Who Can Make the Most Half-Hearted International Spinoffs?” Kenny vs Spenny inspired remakes around the world, in Germany, the UK, Turkey, and India. I think we all know who the Spenny is in this episode.
Report this message sent 19 hours ago from Jimmy Thomson but wait there’s more Delete this message sent 19 hours ago from Jimmy Thomson but wait there’s more.
– Jimmy Thomson, northern Canadian journalist

And here are a bunch of journalists defending The Newsroom:

First season of The Newsroom was the first time a Cdn sitcom had been anything other than cringeworthy maybe ever to that point

“The Rushmore of Canadian TV didn’t have room for Ken Finkleman’s CBC show The Newsroom—an astonishing act of comic lèse-majesté that flashed brilliantly across our screens, and is now in danger of being forgotten because some American gave a much worse show (with inferior dialogue) the same name.”

There are people who swear that CODCO was amazing, and it’s the only way you can sort of show your appreciation for 22 Minutes, since it isn’t on the ballot. And whether it’s aged badly or not is irrelevant – Air Farce was a gateway drug for comedy for so many in this country for decades. So yeah, I have no clue which way this is going.

DRAMA BRACKET

As Bruce Arthur said last week (in a thread that inspired this competition), “Canada’s most celebrated TV show was a live-action drama about dudes in boats salvaging stray logs,” and there are so many acceptable responses to that true fact.

To be clear, we’re talking about the Degrassi series off the air, which means The Kids of Degrassi Street, Degrassi Junior High and Degrassi High. I’m not litigating things anymore than that, and your fuzzy nostalgia memories probably aren’t either.

For Anne of Green Gables, we’re counting the original miniseries in 1985, the 1987 sequel, and the 2000 “Continuing Series” episodes. Yes, this isn’t a traditional episodic drama like everything else in this bracket, but it makes most sense in this bracket (and with a potential Round 2 matchup against Road to Avonlea).

Meanwhile, Wikipedia tells me Seeing Things was about “a newspaper journalist who solves murders with the help of postcognitive visions. Louis can only control this ability by investigating clues given in a vision.”

After one day of voting, with thousands of ballots cast, Da Vinci’s Inquest and Street Legal are separated by less than 25 votes. To help jog your memory, two Good Canadians have written endorsements of the shows.

“Da Vinci’s Inquest captures a time in Vancouver as it moved towards gentrification and left behind its grittier roots. The show, which ran for seven seasons, captured a darker side of the city that is often ignored. Sure, some of the acting can be a bit wooden at times, but it references real crimes committed in the city and presented a surprisingly nuanced take on drug crime and violence. Unlike many other shows, many cases went unsolved and there were more than a fair share of unhappy endings. With many of Canada’s crime shows set in Toronto, one that highlights West Coast scenarios was a welcome change. Plus, I’ll admit, it takes me back to my childhood memories of Vancouver.”

It got its start as a pygmy version of L.A. Law, and ended its run seven years later as the most successful piece of scripted programming in Canadian television history. In between, Street Legal demonstrated that Canadian stories were worth telling – and that viewers were more than happy to watch them.

In a way, it’s the most quintessentially Canadian show of all time – clearly a knockoff of an American cultural product but also a proudly local one. Whether it was Leon Robinovitch commuting to work from Toronto Island, the glamour shot of the CN Tower (accompanied by the squeal of a saxophone, of course) at the outset of the opening credits or Chuck Tchobanian’s decision to run off to Vancouver, Street Legal didn’t try to hide its Canadianness (as an aside: the fact that no Toronto band has called themselves the Chuck Tchobanians continues astounds me). That ever-present sense of local colour didn’t seem to hurt its popularity, either – at its peak in 1992, it was drawing 1.6 million sets of eyeballs an episode in Canada alone.

Most Canadian of all, perhaps, was the reason for its demise: the CBC couldn’t afford to have two scripted dramas running simultaneously. And so, somewhat ironically, it was replaced – or, perhaps, euthanized – by a medical drama called Side Effects, which was populated by many of the same actors and producers but only lasted two seasons. Even more Canadian? The fact that while you can find reruns of every shade and permutation of the Law and Order franchise, Street Legal episodes stopped airing on Bravo back in 2009.

CHILDREN’S BRACKET

First, let’s acknowledge that the children’s bracket is a vicious, unfair deathmatch that could EASILY be 32 entries. And let’s acknowledge that people treasure childhood memories about TV more than any other. And let’s acknowledge that there are many very excellent children’s shows produced in Canada, from Nelvana to CBC to TV Ontario, that are worthy of discussion.

But if it’s not Friendly Giant vs. Mt. Dressup at the end of this bracket, I fundamentally misunderstand the character of this nation.

Sorry Edison Twins and You Can’t Do That on TV (which survived a play-in game against fellow slime show “Uh Oh!”) fans, but we’re gonna talk about Giant vs. Dressup some more, because it is, for my money which is non-existent because there’s no ads here the match of this tournament. Crafts vs. Music. Reality vs. Fantasy. Tickle Trunk vs. Rocking Chair. Casey and Finnegan vs. Rusty and Jerome. I can’t wait…but I’m also a little terrified.

“Fraggle Rock was Canadian?” you say. Well, it was mostly filmed in Toronto, and it first came to prominence in Canada (children weren’t exactly watching HBO much in the 1980s, and that was its home in the States), so it gets in. So get your Jim Henson love here, unless you’re one of those TVO disciples who badgered me to include this in the round of 16 and i am not bitter about in the slightest.

BATTLE OF THE GUITAR-STRUMMING SHOWS FOR EARLY MILLENNIALS. CAT CAME BACK VS. SKINNAMARINK

(Sidenote: there’s only been three times in my career where I’ve been momentarily starstruck: Seth Rogen tweeting at me, arranging an interview on Global’s Morning News with legendary Vancouver Canucks broadcaster Jim Robson, and the time when I was running UBC’s campus newspaper The Ubyssey, and it was 11am, and I was hungover and the only person in the newsroom, when somebody phoned, and I grumbled and picked up the phone, and on the other end a man said in the most polite voice possible “This is Fred Penner. I have an interview in a little bit with Jonny Wakefield. Is he available now?”, and I have never gone from hungover to 100 PER CENT RAPT ATTENTION as quickly as those three seconds)

The YTV mini-bracket was proposed by VICE writer Sarah Berman, and it’s a darn good idea, so we’re gonna keep it, and see what comes out of the mass of surprisingly good original programming they created in the 90s, and yes, I’m sorry that Video & Arcade Top 10 and Stickin’ Around and Rupert and Uh Oh! and PJ Katie’s Farm and The Zone and so much else didn’t make it, but that’s how it goes, so look, just vote for spooky stories or high school journalism.

I love Reboot so much and think it so influential that I once rated every character from the show with two of my friends and put it on my dumb website, so I’m a bit biased on this one. To counteract that, here is a Ryan Gosling gif.

MISCELLANEOUS BRACKET

I honestly don’t know how to seed everyone in this bracket, because it’s such a random hodgepodge of nostalgia and weirdness and shows that were Important To Canada but now are dated…but the one entry people demanded more than any other for this bracket was Street Cents.

So it gets the one seed, but does it defeat Wok With Yan, which romped to an easy win against Definition in the play-in round, and is the only Cooking Show representative in this game? We’ll see!

On one hand, there’s no denying the influence that Wayne and Shuster’s radio show and subsequent TV specials had on pretty much every famous comedian that came out of Canada from 1975 to 1995. Will all the people who appreciate that turn out for an Internet Poll run by a Millennial?

(Shrug emoji). For now, we’ll give them an easy first round matchup against a game show that everyone sort of remembers, but nobody really loves.

But while Ananas, Les Squelettes, Jacques et Sophie are famous in a very particular setting (Under-resourced French classrooms in public elementary schools), Body Break was pervasive on everyone’s TVs for a decade.

It’s time for some old-timey CBC game shows! Did you know I captained a Reach For The Top team that went undefeated but failed to make the B.C. championship game? How could that happen, you ask? Well get a couple beers in me and you’ll find out quickly!

(Meanwhile, Front Page Challenge had Pierre Berton and Allan Fotheringham, two Ubyssey editors who I idolized, and questions about current events and Canadian history, so I guess I like that too. UGH WHY DID I MAKE THIS CATEGORY SO HARD)