Quarter scale modeo of a social structure for a plaza in Guadalajara, 2005 painted wood, lights 900cm x 240cm x 150cm Liam Gillick, As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan, New York, 2005

The views imagined by the workers after they stopped producing cars, 2005 paint, powder-coated aluminium dimensions variable Liam Gillick, As you approach the edge of town the lights are no softer than they were in the centre, 2005

Collected development structures, 2005 powder-coated aluminium, Plexiglas dimensions variable Liam Gillick, As you approach the edge of town the lights are no softer than they were in the centre, 2005

The view constructed by the factory after it stopped producing cars, 2005 painted steel each element 900cm wide, height variable, spacing variable Liam Gillick, A short text on the possibilities of creating an economy of equivalence, Palais de Tokyo, Paris, 2005

Poster design, MM Agence, Paris Liam Gillick, A short text on the possibilities of creating an economy of equivalence, Palais de Tokyo, Paris, 2005

The hopes and dreams of the workers as they wandered home from the bar, 2005 red glitter dimensions variable Liam Gillick, A short text on the possibilities of creating an economy of equivalence, Palais de Tokyo, Paris, 2005

A diagram of the factory once the former workers had cut extra windows in the walls, 2005 painted steel 900cm x 900cm x 240cm Liam Gillick, A short text on the possibilities of creating an economy of equivalence, Palais de Tokyo, Paris, 2005

A short text on the possibilities of creating an economy of equivalence, Palais de Tokyo, Paris, 2005 study area

The view constructed by the factory after it stopped producing cars, 2005 detail painted steel each element 900cm wide, height variable, spacing variable Liam Gillick, A short text on the possibilities of creating an economy of equivalence, Palais de Tokyo, Paris, 2005

The two hundred and twenty second floor, 2005 installation view Liam Gillick, The two hundred and twenty second floor, Eva Presenhuber, Zurich, 2005

The view constructed by the factory after it stopped producing cars, 2005 painted steel each element 900cm wide, height variable, spacing variable Liam Gillick, A short text on the possibilities of creating an economy of equivalence, La Casa Encendida, Madrid, 2005

A diagram of the factory once the former workers had cut extra windows in the walls, 2005 painted steel, cafe, text dimensions variable Liam Gillick, A short text on the possibilities of creating an economy of equivalence, La Casa Encendida, Madrid, 2005

Culture is important in a free society (an exhibition of things that don’t exist yet), 2006 20 inkjet prints each 84.1cm x 59.4cm How to improve the world, Hayward Gallery, London, 2006