Once a prominent radio reporter, Mumia Abu-Jamal is now in a Pennsylvania prison awaiting his state-sactioned execution. In 1982 he was convicted and sentenced to death for the murder of Philadelphia police officer Daniel Faulkner after a trial many have criticized as profoundly biased. Live From Death Row is a collection of his prison writings--an impassioned yet unflinching account of the brutalities and humiliations of prison life. It is also a scathing indictment of racism and political bias in the American judicial system that is certain to fuel the controversy surrounding the death penalty and freedom of speech.
Category: Social Science

Here for the first time are the prison writings of Abu-Jamal--including the censored commentaries from NPR--an unflinching account of the brutalities, humiliations and actrocities of prison life. Articulate and compelling, the work is certain to fuel the controversy surrounding capital punishment and freedom of speech.
Category: Biography & Autobiography

This play provides details about the life and imprisonment of Mumia Abu-Jamal, a political prisoner in a nation that denies it has political prisoners. Mumia has been on death row in Pennsylvania since July 1982 after being convicted for the murder of a Philadelphia police officer killed in December 1981. An international movement of writers, activists, entertainers, journalists and others have mobilized around his case in an effort to get a new trial. The twenty-nine page introduction provides background material about specifics of the case and explains how the play came to be written. Mumia Abu-Jamal is a journalist, husband, father, grandfather and African-American who was president of the Philadelphia Association of Black Journalists at the time of his arrest. He is currently a writer and radio commentator. He has written two books: Live From Death Row and Death Blossoms: Reflections of a Prisoner of Conscience.
Category:

Finding Freedom is a deeply moving, life-affirming memoir written from the netherworld of San Quentin’s Death Row. Offering stories that are sometimes sad, funny, poignant, revelatory, frightening, soul-stirring, painful, and uplifting, Jarvis Masters traces his remarkable spiritual growth in an environment where despair and death are constant companions. His book is a testament to the tenacity of the human spirit and the talent of a fine writer. Masters' tales are a must-read pass to San Quentin when it was a Level IV (of four criminal/felony levels) prison and the inmates ran the blocks. His book is a word album of people and incidents on the yards, on the tiers and in the cells as races and cultures collide in a setting of despair and boredom. In one of his most powerful chapters, "Sanctuary," Masters enters the upper yard on his first day, facing down the stairs of the established cons as they inspect the "fish"; then the door slams on his 5 x 9' cell that will be his home for the rest of his life. The recidivists, the young parole violators who cycle through San Quentin on 90 day plus terms, generally for drug use, with little hope for treatment, jobs or housing on the outside, are the antagonists in many of his stories. And this brings us to the present. The California prison system and San Quentin are still largely populated by young parole violators, incarcerated for drug convictions or dry outs. These youngsters, unaware, ignorant or plainly apathetic about informal prison rules, seek to achieve the "OG" (Old Gangster) status of long time inmates through predatory violence. Masters writes of his frustrating attempts to cope with them at a time that Level IV inmates all mingled together. San Quentin is now a Level II prison, confining a gentler, generally nonviolent person within its massive perimeter, and Masters now is a practicing Buddhist, a transformation remarkably documented in the book's timeline "Three Strikes" laws and the huge campaign contributions of the CCPOA, the California prison guards' union, have lead to unparalleled growth in California's prison population with Lifers (2nd degree murder or kidnapping crimes) eligible for parole and violators routinely jammed together in every facility. California's Level IV violent cons are housed in Pelican Bay and other specially designated Security Housing Units (SHU), yet Masters' Death Row for men remains at San Quentin. And the timelessness of Masters' stories is reflected by the fact that Lifers still have the respect of almost all groups in the prison, while the California Governor fosters despair and hopelessness with an anti-parole stance. This book is an electrifying read if you have never been incarcerated. You can share Masters' gradual transformation from a mind-your-own-business, somewhat antisocial individual, to a compassionate prosocial inmate.
Category: Biography & Autobiography

#1 New York Times Bestseller | Named one of the Best Books of the Year by The New York Times • The Washington Post • The Boston Globe • The Seattle Times • Esquire • Time Winner of the Carnegie Medal for Nonfiction | Winner of the NAACP Image Award for Nonfiction | Winner of a Books for a Better Life Award | Finalist for the Los Angeles Book Prize | Finalist for the Kirkus Reviews Prize | An American Library Association Notable Book A powerful true story about the potential for mercy to redeem us, and a clarion call to fix our broken system of justice—from one of the most brilliant and influential lawyers of our time Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn’t commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship—and transformed his understanding of mercy and justice forever. Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer’s coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice. Praise for Just Mercy “Every bit as moving as To Kill a Mockingbird, and in some ways more so . . . a searing indictment of American criminal justice and a stirring testament to the salvation that fighting for the vulnerable sometimes yields.”—David Cole, The New York Review of Books “Searing, moving . . . Bryan Stevenson may, indeed, be America’s Mandela.”—Nicholas Kristof, The New York Times “You don’t have to read too long to start cheering for this man. . . . The message of this book . . . is that evil can be overcome, a difference can be made. Just Mercy will make you upset and it will make you hopeful.”—Ted Conover, The New York Times Book Review “Inspiring . . . a work of style, substance and clarity . . . Stevenson is not only a great lawyer, he’s also a gifted writer and storyteller.”—The Washington Post “As deeply moving, poignant and powerful a book as has been, and maybe ever can be, written about the death penalty.”—The Financial Times “Brilliant.”—The Philadelphia Inquirer “Not since Atticus Finch has a fearless and committed lawyer made such a difference in the American South. Though larger than life, Atticus exists only in fiction. Bryan Stevenson, however, is very much alive and doing God’s work fighting for the poor, the oppressed, the voiceless, the vulnerable, the outcast, and those with no hope. Just Mercy is his inspiring and powerful story.”—John Grisham “Bryan Stevenson is one of my personal heroes, perhaps the most inspiring and influential crusader for justice alive today, and Just Mercy is extraordinary. The stories told within these pages hold the potential to transform what we think we mean when we talk about justice.”—Michelle Alexander, author of The New Jim Crow
Category: Law

William Bernhardt’s powerful series of legal thrillers featuring crusading attorney Ben Kincaid have won him a die-hard following and widespread critical acclaim as a “master of the courtroom drama” (Library Journal). Now, on the heels of his national bestseller Criminal Intent, William Bernhardt returns with his most electrifying novel to date. Oklahoma attorney Ben Kincaid put his reputation on the line when he represented Ray Goldman. The seemingly mild-mannered industrial chemist was charged with a staggeringly brutal crime: the torture and massacre of an entire suburban Tulsa family. But in spite of the grisly, tabloid-ready details of the sensational case, Ben’s deft defense against a lack of hard evidence and improper police procedure made an acquittal all but certain. Until the prosecution’s star witness—the lone survivor of the slaughter—took the stand . . . and sealed Ray Goldman’s fate. Seven years later, Goldman’s date with the death chamber is at hand. But seconds before the lethal injection, an eleventh-hour reprieve halts the execution—and launches Ben on a race against time to overturn Ray Goldman’s conviction. Erin Faulkner, the young woman who narrowly escaped the carnage that claimed her family, has abruptly recanted her testimony, after years of silence desperate to keep an innocent man from dying. Just as suddenly, this near-miraculous turn of events turns tragic: Erin is discovered dead, an apparent suicide. And Ben Kincaid is the only witness to her stunning confession. Ben is certain Erin didn’t commit suicide. She was a victim of murder— silenced by the same killer who butchered her family. All Ben has to do is prove it. But his unseen enemy is determined to cover his tracks once and for all . . . with blood. In Death Row, William Bernhardt ratchets up the suspense quotient to near-heartstopping new levels—and challenges even the most jaded thriller readers to keep up with the twists and turns. Crime will never pay. But crime fiction—served up with the wit, grit, and sheer virtuosity of Bernhardt—always pays off.
Category: Fiction