The What on the Landing....1967
A radio classic, rather like Giles Cooper's "Under the Loofah Tree".
With Bernard Cribbins as Mr. Chipchase.

See the pretty lights....c1970(?)
Date not known at time of writing but appears to be late 60s
/early 70s. Two lonely young people meet, on holiday, outside a discotheque
somewhere on the coast. The companion plays are COME TO THE FAIR, by Norman
Smithson, and THE PETITION, by Len Rush. All of these plays are
in VRPCC collections.

Close the coalhouse door....1972
A musical play based on coal mining........

THE SLOW STAIN....1973
By Alan Plater, 12 Mar 73, with Vivien Merchant as Clare.
When Clare's children talk about a run-over cat on the car ride
to school, it opens up parts of her mind that had been undisturbed
since she read Shelley's line - 'The contagion of the world's
slow stain ' . . .

With the voices of Peter Allcorn, Gareth Armstrong, John Bull,
David Collings, Pamela Grace, Rolf Lefebvre, Renu Setna,
Terry Scully, Nigel Rathbone, Susan Drouet, Brian Hudson.
Music composed and played by Larry Adler.
Producer - Keith Slade.
(This play was first commissioned by BBC Radio Brighton for
the Brighton Festival 1973)

THE JOURNAL OF VASILIJ BOGDANOVIC ....1981
1981, R4. This is the story of a Yugoslavian footballer who is bought by a struggling
English football team. Can he help restore their fortunes? Amusing comedy by Alan Plater.
With S. Ellis, Graham Roberts, Henry Livings, Nicholas Owen. SM Geoffrey Wilkinson. WS, producer Dickon Reed.

Skyhooks 90m ....1983
Comedy set in an architect's office...a middle aged architect
has his world disturbed when there is an attempted takeover by a
thrusting young newcomer...but as compensation, there's the young
dolly-bird on Work Experience ... will he be the one to win the
sweepstake if he's the first to chat her up? (....in ND's Top 10 radio
plays)

Only a Matter of Time by Alan Plater (R4, 4 February 99) was a superb
45-minute play about the coming of the railway to rural Wales in the
middle of the last century. Alan David was the Welsh farmer and James
Bolam the representative of Mr. Brunel's railway Company. The verbal
fencing between these two was radio writing at its best. (VRPCC newsletter,
Apr99)

It's the 1830s and Wales is on the brink of the Industrial Revolution. Time-telling is standardised but not everyone is convinced of the benefits created by this stride in human progress. Written by Alan Plater and starring James Bolam and Alan David, it was directed by Alison Hindell (now head of BBC Radio Drama) and was first transmitted in February 1999. Repeated BBC7, Jan 08.

John Arden's WOE, ALAS, THE FATAL CASH BOX (23 July, 2100 hrs. R4)
was his first radio play for some time. It was another of those plays
which only work on radio, a little like Alan Plater's "The What on the
Landing," (1967) or Giles Cooper's "Under the Loofah Tree". Julius Applewick,
recovering in hospital from a heart attack, has a stream of visitors,
some real, some imaginary. With some of them, he revisits his childhood.
Sparkling dialogue made this compulsive listening. Bernard Hepton,
with his conspiratorial half-whisper, was well cast as Applewick. (VRPCC
newsletter, Dec 99)

Other things have stuck in the memory: 2000 Tales, where motorists
stranded in appalling weather at a motorway service station tell each
other stories whilst waiting to be rescued; The Centurions, where a
collection of fictional centenarians tell their life stories, and two
excellent plays by Alan Plater: Only a matter of time (R4 1 Nov 00 1415)
and Time added on for injuries (R4 2 Nov 00 1415), where James Bolam
and Alan David have a verbal punch-up in two settings a century apart in rural
Wales; Bolam is the industrialist who wants to rip up the countryside
and build railways, and David is the Welshman who objects.(VRPCC newsletter,
Dec00)

Three plays by Alan Plater were broadcast on successive Wednesdays:
The Devil's Music (R4, 1415, beginning 8 Aug 01), inspired by the
Women's Jazz Archive. A choir of ex-slaves sings the song "Roll,
Jordan, Roll" in a Welsh village in the 1880s; a generation later
the tune is used in a comic song; in the third play it appears in
another setting. Plater's work is very well crafted and holds the
attention throughout. Alison Hindell directed the trilogy.
(Nigel Deacon, VRPCC newsletter Dec 01)

THE DEVIL'S MUSIC....2001
This drama based around music was written by Alan Plater and starred Holby City’s Rakie Ayola, Margaret John, Helen Griffin and Don Warrington. Rehearsing for the Brecon Jazz Festival, Megan keeps playing a certain melody, but where does it come from? Her musical detective trail leads to the 1880s and to a choir of emancipated slaves. Repeated BBC7, Jan 08. (BBC7 blurb, slightly edited)

THE GALLERY....2009
My notes say this was broadcast in 2009, but RT says 25 Aug 2010; perhaps it was a repeat. Alan Plater's last play. A new Tyneside art gallery opens. Not everything goes smoothly. With Joe Caffrey, Janice Acqua; producer Alison Hindell.

CLOSE THE COALHOUSE DOOR....2012
29 Sept: Saturday Drama. By Alan Plater. A musical about coal mining.... with songs by Alex Glasgow. Based on the stories of Sid Chaplin, with additional material by Lee Hall. Northern Stage and Live Theatre's production of the celebrated sixties political docudrama. An exhilaratingly furious and funny ride through the strikes, victories and frustrations of British mining history. It also captures the political anger of the time.
Sid Chaplin's stories outline all the major strikes, victories and disappointments in British mining history from the formation of the first unions in 1830s all the way through to the 1960s. Alan Plater uses the dramatic device of a Geordie family celebration as a framework to tell this history whilst their own story unfolds in 1968. One son, Frank, has left behind the mines to study at university, while his brother John is a dissatisfied pitman. Frank brings home his liberated girlfriend free-spirited student Ruth who threatens to tear them apart in the central love story. Musical arrangements and additional music by Sam Kenyon. Directed for the stage by Samuel West. Produced by Gary Brown.