FAQ

In March 2009 I began posting pieces of a story to this website: one page per day,
five days a week. Readers responded with comments, which I read to help me figure out
where the hell this thing was going. I had no plan, just a curiosity about how it
would turn out. This was the beginning of Machine Man.

I posted a new page every weekday for nine months. Once each page was posted, I couldn't
edit it: for better or worse, it was locked in. I was often tempted to skip a day,
but I'd written the code to publish and email out each page myself, and it would have
been more work to make it handle a missing day than to just write a new page.

The serial finished in December 2009: you can still read it, but you're not
reading along with me as I write.

After I finished, I began rewriting the story as a novel, which was a lot
more work than it sounds, because a serial is essentially a series of cliffhangers,
and a novel is not. The novel is complete and due out August 9, 2011. It's
the same core story, but better, since it's not a first draft, and quite
a lot longer.

The story is also in development with Mandalay Pictures,
Darren Aronofsky, and Mark Heyman (Black Swan).

Serial. It has lots of little parts. I called it “real-time”
because people read it (and commented) as I wrote it. I didn't pull
an old manuscript out of the drawer and chop it up: I wrote this story
for the medium. Each day, I read comments from readers about
the previous day's page and used their feedback to guide what I wrote next.

One page per day?

Right. Well, actually, one page per weekday (Monday to Friday).
Because I needed a break, man. Give me that.

How long is each page?

They vary. Which turned out to be a really interesting way to control
pacing, by the way. There are longish pages of 800 words and
pages that are a single sentence. Most are around 300 words.
That's what I think is an ideal length for fiction-by-internet: long
enough to execute a scene, short enough to consume without
interrupting your day.

Reading one page per day sounds weird.

It is. It's more like checking your favorite website
each day rather than sinking into a novel. But it's a little
addictive, too. A lot of people seem to enjoy
that part of their day when a new Machine Man page dings
into their inbox.

How long is it?

The serial is one hundred eighty-five pages. Which is 37 weeks, if you stick
to the one-page-per-day regimen. Less if you cheat and read
ahead online.

What's it about?

A man loses a leg in an industrial accident and decides to
build a better one. Because that's the kind of guy he is. He
gradually gadgetifies himself, which attracts the attention of
his employer, the Better Future corporation.

Is it finished now?

Yes. I posted the last page of the serial on December 1, 2009. You can still
sign up
for one page per day via email or feed reader,
starting from
page 1, but
you aren't reading the pages the same day I posted them.

Why did you do this?

Partly because some of my readers were frustrated with the delay
between novels. And by "frustrated," I mean,
"accusing me of
sitting around doing nothing all day."
An alarming aspect of being an author is that you spend a couple
years on a book, then someone reads it in five hours and asks
when your next one will be out. I figured a drip-feed story
would keep them off my back for a while.

I was also interested in using the internet to successfully
deliver fiction. I don't think the web is a great medium for novels,
because novels are supposed to be immersive: you need to sit down
and disappear into them. On the net,
you can't give your attention to any one thing for more than eight
seconds before feeling the urge to check your email. Don't say that's
just me. It's how the internet trains us.

I think there are a lot of gimmicky attempts to mash fiction
and the web together, regardless of how well they fit. They are
promotions for a print novel, essentially, rather than genuine attempts
to engage the medium and work to its strengths and weaknesses.
I wanted to write something that fit.

Is it any good?

I think so. It's not nearly as polished as the novel, because
it's essentially a first draft. Also, since I was publishing each page as
I wrote it, I couldn't go back and change something
I regretted later. Sometimes this felt like being strapped to the front of a
train.

A good analogy is that it's like listening
to a band play live instead of a studio recording. Especially if
the band was making up the song as they went along. It's fairly
raw and chaotic. Parts of it go clunk. But I'm proud of it as a real-time serial.
And plenty of people seemed to enjoy it. Here are some quotes from readers the day
I posted the final page:

“I just LOVE this story... freakin' awesome... my favorite book.” — Justin. •
“Brilliant” — tim. •
“You are so good, Max. I'm just flabbergasted. What an amazing ride. And a finish completely up to the standard the books set. Soooo good.” — Charles Thiesen. •
“Fabulous... Please sir, can we have more?” — Lisa. •
“What a trip, Max. Fantastic work. I'm going to miss seeing these pages arrive in my Google Reader every morning.” — RequiemInADream. •
“In short, you blew my mind. Thank you and do another!” — Ted. •
“this was an awesome story” — Paul Haggerty. •
“Thanks very much Max. It was an absolutely fantastic read. It's made everyday that little bit better knowing I'm going to have a little bit of excitement in my inbox” — Stuk. •
“Thanks for the amazing story, the unique experience, all the good reads every day, all the frustrating cliffhangers. I love you, but you better be creating another masterpiece in the near future, or else!” — Yannick. •
“definitely look forward to and buy the next serial” — Lucy. •
“Fantastic! I have loved the past weeks waiting each day for the next page... what will I do now?” — Craig Barron. •
“Read it, loved it, every day... very much looking for your next daily serial... Where can I pre-order?” — Hendrik. •
“Really loved the book” — Dave. •
“Simply brilliant, start to finish. Soooooo pleased to have both been a reader and a aprt of this very enjoyable book / process” — Mapuche. •
“awesome, I enjoyed (almost) every bit of it :-).” — John. •
“Well done, Max! Absolutely bloody brilliant.” — Pev. •
“a great book” — Adam. •
“Fantastic!!!! I will miss this dearly :(” — Katie Ellert. •
“kudos Max, it's a great story!” — Jamie. •
“It's gonna be weird tomorrow to not start my day with this... Great work!” — Paul. •
“totally awesome” — Arnab. •
“This was amazing. Thank you. :)” — Mary. •
“brilliant, just brilliant. Thank you so much for such a marvelous 'book'. I will miss it.” — Anonymous. •
“awesome book Max, thank you so much!” — YHM. •
“Brilliant stuff mate, great ending!” — Josh. •
“Thanks for an awesome story. I'm just sad it's already over. I thought that the page a day format would have bugged me but I found it a refreshing change of pace.” — Anonymous. •

Up to page 43, it's free. That's nine and a half weeks of
Machine Man goodness for nothing.
Your own feed, which
gets you access to the entire 185-page story, plus allows you to pause,
rewind, re-read, and feed my family, is
US$1.95.

What about the print book?

The novel Machine Man will be published August 9, 2011. It's
very similar in concept and core elements, but is heavily rewritten,
because the serial was intended to grab your attention for
about two minutes each day, then let you get back to what you were doing.
That turned out to be really annoying if you tried to read large chunks
of the thing at once: it never
lets you sink in. So I essentially
took the main ideas from the serial and re-implemented them.

The novel is also about 50% longer, as I was able to expand some
aspects that I had to skip over in the serial.