Rap music was pumping as I walked into the food court. At the opening was a giant rectangle of tables selling discount sneakers and custom T-shirts. Every vendor had lines reaching into the common table area. And the box office in the back was swarming with Blacks.

The 18th of the Vanguard Podcasts, featuring Richard Spencer, Andy Nowicki, and Colin Liddell. In this edition they discuss M. Night Shyamalan's mystery thriller The Village (2004). Is the film a subversive and "paleoconservative" take on implicit Whiteness or a reaction to the chronophobia of the early 21st century? Also, are the "villagers" cowards for engaging in "White Flight" from the modern world, and, if so, why do they wittingly keep fear alive in the woods beyond?

The moderate nationalist party Alternative for Germany (AfD) has now surpassed the Social Democrats to become the 2nd most popular party in Germany according to the latest opinion poll conducted by the INSA polling center for the German Bild daily newspaper.

If you’re looking for an example of libertarian Boomer posting, it doesn’t get much better than this. Not only is it is very representative, but that really is about as profound as their thinking goes. So, of course, I pretty much agree with AltRight’s recent vlog discussing the deficiencies of the boomer-created political paradigm.

Over the last few years, we have been witnessing significant changes in the Western political landscape with the rise of so-called populist parties in most White countries. One of the reasons explaining the popularity of those parties is definitely the growing perception of mass immigration as a threat to our way of life. But it is important to note that most of these political formations described as "populist" or "far right" by the mass media do not necessarily argue for the end of immigration per se, but for a “better” management of immigration and the end of multiculturalism. Instead of talking about reversing the flow, most of these so-called “far right” politicians are putting forward the assimilation of the newcomers.

The 16th of the Vanguard Podcasts, featuring Richard Spencer, Andy Nowicki, and Colin Liddell. In this edition they are joined by VDARE.com's Peter Brimelow to discuss America's ongoing immigration disaster, the limitations of the Tea Party, and the Japanese approach to immigration.

Three years ago Andy Nowicki launched the extremely short-lived "Wanksterist" movement in a series of podcasts. Based on an analogical dichotomy between "fuckers" and "wankers," and the brilliant conceit that those who "satisfied themselves" were truly free, the movement was tragically handicapped by the public's inability to get metaphorical spunk off its hands, with a consequent dimming of intellectual eyesight. (The short book that Nowicki composed on this subject, Confessions of a Would-Be Wanker, can still be purchased for a "handily" low price...)

Now, seasoned by time, is the concept ready once more to shake hands with the world?

There is a very good reason why James Damore, the former senior software engineer fired by Google last year, is pursuing his case against his former employers through a class action lawsuit accusing them of discriminating against white, male, and conservative employees.

Sen. Elizabeth Warren (D-Mass.), a potential 2020 presidential candidate, addressed her claims of “Native American heritage” in a surprise speech to the National Congress of American Indians on Valentine's Day.

The 15th of the Vanguard Podcasts, featuring Richard Spencer, Andy Nowicki, and Colin Liddell. In this edition of "Masterpieces of (Bad) Right-Wing Cinema," Colin, Andy, and Richard discuss vigilante films of the 1970s, including Dirty Harry (1971), Death Wish (1974), and Taxi Driver (1976). Did these films, as liberal critic Roger Ebert feared, represent the rise of fascism in the USA?

As an
adolescent, he was a slight, gawky lad with a wide mouth and incongruously
beady eyes. Unfortunate-looking though
he was, he wasn’t of a resentful frame of mind; nothing in him seemed inclined
towards viewing life in such a light; instead, quite oblivious to his miserable
social state, or in any case utterly unmindful thereof, he relentlessly
projected an attitude of thoroughgoing optimism; what was more, he was an
inveterate and rather pesky romantic, much
after the fashion of Looney Toons mainstay “Pepe Le Pew.”

The 14th of the Vanguard Podcasts. Richard Spencer, Andy Nowicki, and Colin Liddell discuss the nature of Christianity and whether America is a "Christian nation." Particular attention is paid to Joel Osteen and his "Prosperity Doctrine" that presents a turbo-charged version of "consumer Calvinism" for the modern age. Also, what is the future of Christianity in America, where political correctness seems to have displaced it as the new religion?

People seem to be misunderstanding the earlier work of Kehinde Wiley, the artist chosen to paint ex-President Obama's official portrait. These earlier paintings show Black women beheading White women (see above). Many are seeing these works as evidence of anti-White race hatred. Although that's clearly there, there are also other elements, some of which are quite surprising.

For those unaware, February is “Black History Month.” A month dedicated to the achievements of black people. Ironically, it's only observed in four predominately white countries: USA, Canada, UK, Netherlands. Why a country that's 2% black (Canada) observes “Black History Month” is somewhat bewildering (like the 95% white school in Vermont that flies the “Black Lives Matter” flag). But, whatever. I assume the purpose is to inform racist white people that black people accomplished a few things, too. How demoralizing that must be for a black person. Basically, “Black History Month” is like a participation trophy for the guy on the championship team who never played.

Keith Preston joins Andrey R. Bens to discuss how the establishment deals with radical opposition movements through a combination of force, infiltration, disruption, and co-option. Among the examples cited are the Hard Left, Black Nationalism, the Native American movement, and Quebec Nationalism.

It is a good and necessary thing to take the red pill: to start seeing things as they really are, not as the delusional ruling ideology of a corrupted civilisation tells you they must be. But the red pill, in itself, is not a sufficient condition for true understanding.

Perhaps we can grasp this point by taking a second look at the iconic scene from The Matrix that inspired the ‘red pill’ metaphor. In this scene, Neo takes a red pill and wakes up from his simulated reality, to find himself in the real world: an ugly and dystopian future, ruled by intelligent machines, in which he has been serving all his life as one of countless human batteries in a huge electrical system called the Matrix. Weak from muscular atrophy, he is flushed out of the Matrix into an underground sewer, in which he flounders helplessly until a flying craft winches him out and takes him to safety. From this point, he is brought into the community of free humans, who teach him both the nature of the real world and how to act and fight within it.

Like dutiful Politburo members standing and clapping with one accord for Premier Stalin—and nobody daring to be the first to let up on the applause—the critical establishment is effusively pouring forth copious streams of gushing affection for Black Panther, an upcoming Marvel movie featuring a black superhero and set in an Afrocentric futuristic Utopia called "Wakanda."

Charles Blow is an angry middle-aged Black man who writes a column on Monday and Thursday for the New York Times. He's divorced with three kids, and openly bisexual. Mr Blow graduated Magna Cum Laude from Grambling.

Professionally, Mr Blow is definitely infatuated with “racism.” Which is pretty much the prerequisite for Black “op-ed” writers in major newspapers (scream racism and scream it loudly). Come to think of it, I can't recall the last time I read an “op-ed” piece by a Black columnist that wasn't in some way correlated with racism.

There is a spectre haunting the interwebs, it is the spectre of a laid back, occasionally Nazi-cosplaying green frog and his dead gorilla sidekick… And the establishment doesn’t quite know what to do about it.

But even the Alt-Right is not quite sure what Pepe is or even if he’ll stick around. Memes by their very nature are transient and ever changing and Pepe casts a nervous glance over his shoulder at the Mighty Harambe, who in turn casts a nervous glance over his shoulder at…who know what?

Many common themes in popular music have been duly cataloged and commented upon in recent years, with publications like Cracked.com assuming a prominent role in scrutinizing the meaning behind clusters and conglomerations of frequent song lyric leitmotifs.

Yet to my knowledge, no one has reflected upon a particular classification of pop song, nor pondered the significance thereof. I speak, of course, of what could be called the “Wow, You’re Awesome in the Sack!” anthem, a species of pop song which seems expressly the province of female singers, wherein the object of amorous admiration is exclusively men.

I must commend Richard Spencer’s swift distancing of himself from Eli Kline aka Mosley, whose braggadocio was ignominiously exposed by the New York Times. “Stolen Valor” is unworthy of anyone, particularly one who has allowed himself to become a spokesperson to the media and whose goose-stepping shenanigans have catapulted him into the limelight.

It would be nice to have elections where the main issues were, say, things like farm subsidies, dog hygiene, maternity leave, bicycle paths, whether museums should be free or not, and which days to have national holidays on. But forget it. Those days are gone. Practically all Western countries live under the curse of mass immigration and the moral tyranny of taking in the world's refugees. This means that from now on all elections will be increasingly -- and maybe even exclusively -- about race and nothing else.

Why is the BBC constantly putting Blacks in White roles? The conventional explanation is that they are promoting a Cultural Marxist agenda of "racial replacement" against Whites. However, in this Shortpod, Alternative Right Chief Editor Colin Liddell argues that this phenomenon instead reveals the BBC's deep bias against Black culture.

If economics teaches us anything it is that you can look at one set of figures and see endless prosperity, but squint at them and you’ll see nothing but doom and gloom.

So, with so much subjectivity around, how do you get at the truth? My advice is to forget the number crunching, the charts, and other diagnostic tools of the modern witch doctors, and start reading the signs directly. In a sky without eagles it might be rather hard to resort to a bit of augury, but just as the Etruscans and Romans had their avian messengers, so the society of the present day also has its sky-borne bringers of truth. We call them commercials and the US Superbowl seems to signify their season, especially as American football is a sport that seems tailor-made for showing them.

As Vox Day so rightly says, Trump’s remark on DACA during his State of the Union address – “Americans are dreamers too” – was a masterstroke of rhetoric. On the minus side, I have to say I’m not as sanguine as Vox about Trump’s capacity to resist giving amnesty to 1.8 million illegal immigrants in exchange for a border wall – which, given that the job of guarding it would end up in the hands of a ruling elite determined to look the other way, would serve America about as well as the Great Wall served China when it was opened to the invading Manchus. Deporting the so-called DREAMers is vastly more important than building a border wall – and this, for all its importance, is only a single battle in the long metapolitical war against their patrons in the ruling elite.

Ever since Donald Trump started looking like a serious contender for President back in 2016, the Deep state has been outside his tent pissing in.

Now, at last, it looks like the boot is on the other foot with the release of a memo from the House Permanent Select Committee on Intelligence that reveals obvious collusion between the leadership of the FBI and the Democratic party to spy on Donald Trump's presidential campaign using Deep State operatives.

YouTube vlogging legend Styxhexenhammer666 runs through "Memo-gate" and comes to the conclusion that, yes, this latest political scandal—revealing high-level collusion between the FBI, the Obama administration, and the Clinton campaign—is worse than Watergate.

The Alt Right has outlived every prediction by a credible source and continues to gain momentum. Essentially an updated European New Right that incorporates social conservatism and rejects the reliance on socialist-style government, the Alt Right forms a cultural wave that has successfully upended politics in the late stages of liberal democracy.

However, right now the Alt Right suffers for its success, because in becoming a voice with authority, it has attracted a wide range of people to that voice, including the type of angry losers who were in actual hate groups back in the day and the type of resentful and pointless internet fedora-toffing, neckbeard, basement dwelling NEETs that we all know from Reddit, which apparently infiltrated 4chan some time ago and took over large portions of it.

The lyrics of most modern-day pop songs are dippy, dopey, silly, sappy, and altogether crappy. But every so often, we have an anthemic event which simultaneously rocks the airwaves and also captures an essential component of the Zeitgeist with poignant alacrity. In early 1981, that event was REO Speedwagon's power ballad anthem, Keep On Loving You.

This year I decided to celebrate Black History Month by writing a long list of Black achievements and contributions to civilization. I bought a new pad of paper (Chinese invention) and got all my pencils ready (English invention). But, alas, there simply wasn’t enough material to fill the first page, let alone a whole pad.

After whizzing through jazz, necklacing, peanut butter, and daggering (a Jamaican dance craze), and one or two other dubious and minor achievements, I simply ran out of steam (Scottish invention—at least in its efficient industrial application).