James Bannister breaks down Las Vegas’ facade of success and glamour in What Makes Grass Grow In the Desert

What Makes Grass Grow in The Desert is an ongoing, explorative project by photographer James Bannister aiming to reveal the cracks in Las Vegas’ facade of success and glamour. James uses photography to “expose the gap between what we would like people to see and the image that we actually project,” a gap that Diane Arbus once described as “the gap between intention and effect”. In terms of Las Vegas, James uses his camera to explore the disparity between the vision that the casino hotel owners want us to see, the sparseness of the natural environment and its poorer communities that tend to inhabit these areas.

Las Vegas is a city that wouldn’t exist naturally – situated in a desert and only a two hour drive from Death Valley, famed for being the hottest place on the planet and the driest in North America. It receives only four inches of rain per year and so water is pumped to the city via the Hoover Dam which has drained over four-trillion gallons of water since its completion. Despite the fact that water is an incredibly sparse resource, Las Vegas uses 219 gallons of water per person per day, one of the highest figures in the United States (in comparison, San Fransisco stands at 49 gallons). “It seems illogical to put 53 golf courses in one of the driest places on the planet,” James told us, a number which sees Vegas take the crown for the highest concentration of golf courses in the world.

It would seem fitting for James to present this contradiction through a series of both Las Vegas’ bright lights and indulgence alongside the reality of its struggling locals – Vegas was one of the worst hit cities in the latest US housing crisis with one-in-ten homes in some state of foreclosure. However, he explores this notion through a much more sensitive and illuminating metaphor: grass. “In the desert, grass has become a status symbol,” he explained to us, “developers use grass, trees and greenery to entice potential buyers to the aspirational districts of the city.” In contrast, the poorer areas have little grass, just dust, concrete and shrubbery. In a desert, the most precious and in-demand thing is water and to have a lawn is to be in possession of that thing – you can afford to waste your most vital resource and, in turn, potentially take away life from a fellow citizen.

However, James explained that “to have a lawn here runs deeper than just a status symbol. This subversion of nature is a further medal around the neck of man’s psychological triumph in conquering nature”. What Makes Grass Grow in The Desert reveals how, in creating this oasis of consumption, humankind has once again attempted to domesticate and normalise a nature beyond our control.

More like this:

“I think with photography you can create a whole fantasy around yourself, so when I design a set and develop a character for a picture, I try to create an entirely new reality for me and the people I’m portraying, hopefully, a reality that is better than the actual one,” explains México City-based photographer Andrés Mañon. With several commissions for the likes of i-D Mexico under his belt, Andrés’ work does exactly as he intends, building elaborate worlds full of over-saturated, yet altogether compelling characters.

A little while ago, art director Anna Sullivan spotted an old vintage postcard featuring stilt walking shepherds. Stilt walking shepherds! Curious, as anyone in their right mind would be, Anna started digging into why these shepherds were atop stilts — which we now only associate with childhood games and circus performances — to herd sheep.

It’s Nice That’s Ones to Watch shines a light on 12 emerging talents who we think will conquer the creative world in 2018. From a global pool of creative talent, we have chosen our 2018 Ones To Watch for their ability to consistently produce inspiring and engaging work across a diverse range of disciplines. Each of our selections continually pushes the boundaries of what is possible with their creative output. Ones to Watch 2018 is supported by Uniqlo.

“The way it currently stands, we as queer Arabs don’t have extensive (if any) documentation of our queer past and tend to refer to the West for reference and history,” explains Beirut born-and-raised photographer, filmmaker and editor-in-chief of Cold Cuts magazine, Mohamad Abdouni. Through both his commissioned and personal work, Mohamad is looking to change this fact, documenting the community he is apart of, and the culture it is beginning to thrive within.

Through a series of events, housemates Julia Falkner and Lorena Hydeman found themselves styling the 11-year-old nephew of a friend in clothes from their suitcases, photographing him as he discovered a new world of gender expression. The experience proved formative – both for young Kai and the duo – and it sparked what would become Julia (a photographer) and Lorena’s (a stylist) recently released series Blah Blah Genitals.

“This summer was just a dream, and I hope that these images help to capture a little bit of that,” says photographer Max Miechowski of his latest series Burgess Park. “After moving to southeast London in 2017, Burgess Park became one of my favourite places in the city,” he continues. “The atmosphere there is like nothing I had experienced before, and I felt drawn to spend time in the park and to photograph the space and its community.”

As the year draws to a close and we reflect on the creative comings and goings 2018 has brought, York-based illustrator Adam Higton and French illustration duo Maxime Prou and Adéle Favreau, otherwise known as Atelier Bingo, have been working away interpreting the 12 months of the year into an A4 poster. Collaborating over Dropbox Paper, the group’s final illustrative interpretation will be available for free at our monthly event, Nicer Tuesdays.

“Illustrating data is hard,” says Mona Chalabi. Given that Mona is a data journalist who specialises in illustration, she’d know. Over the past few years, London-born, New York-based Mona has produced work for the likes of the International Organization for Migration, the Bank of England, and superstar statistician Nate Silver’s number-heavy editorial platform FiveThirtyEight.

Quickly coming out just as we reach the end of the creative year is Kim Gehrig’s newest advert, Viva La Vulva for Libresse. And, in true Kim style, it’s arguably one of the most joyful, inclusive and confidence-boosting pieces of advertising of 2018.

Emulsion is a new publication documenting cutting-edge arts and culture. Designed by the London-based design studio Our Place, the magazine is founded on pluralistic objectives with the hopes of pushing boundaries through its imaginative design and content. Its first issue is packed with artist interviews, photography, fashion, music, original artworks and opinion pieces from the likes of some of It’s Nice That’s favourite creatives including Jonathan Castro and Ida Ekblad.

Hwashin Choi’s illustrations reject the flat and digital styles of working that are so popular today. Instead, she repurposes traditional modes of realist drawing for a contemporary audience, paying close attention to how light falls on objects and the characterisation of objects and facial expression.

If ever you wanted to examine the human relationship to, and reliance on, the very resources which make up our world and how this fundamentally shapes everything we are, you need look no further than the Caspian Sea. Located at the intersection of Asia and Europe, it is the world’s largest inland body of water and one of the oldest and most important oil and natural gas-producing regions on Earth.

Over the past 12 months, Google has been delving deep into the fascinating world of machine learning with articles on Google Design, plus new open-source projects and products. With AI becoming an increasingly prevalent part of the creative world, this should come as no surprise. Also unsurprisingly, the work it’s carried out in the field is innovative, exciting, and stimulating.

2018’s Review of the Year is supported by Google Design. Google Design, for the uninitiated, is an initiative led by an uber-talented selection of developers, designers, and writers at Google. They’re all about working across teams to create top-notch content and to produce events that champion creativity and showcase the brilliant design work Google does day in and day out. Having celebrated a Milan Design Week debut, amongst other achievements, it feels like Google Design has pushed on from an already exciting position.

We’ve decided to look back on a quartet of projects that turned our head in 2018. For more, check out Google Design’s Best of 2018, where the editorial team highlights all of the year’s noteworthy design projects.h3. Google Fonts + 한국어 소개

Emily Oberman can hardly believe her luck. The designer, a partner in Pentagram’s New York office since 2012, is a self-professed Harry Potter “super fan” and for the past three years has been working to bring some of the newest projects in the wizarding universe to life. Put simply, it’s been a dream project to work on something that, as she puts it, “entertains the world”.

We all have an idea of what fashion in Tokyo entails. Harajuku girls, manga-inspired makeup, doll-like dresses embellished with lace, Muji minimalism and bold, Comme Des Garçons silhouettes. Our perceptions of Japanese fashion from the West understand boldness and visual excess, yet there are innumerable nuances within Tokyo’s fashion scene as seen through labels such as Pugment.

As we near the end of our look back at 2018, we’ve enlisted journalist, broadcaster and editor Kieran Yates to look back over the key moments which shaped the creative (and wider) world over the past 12 months. From logo-heavy football shirts to Love Island, these are some of the stories that got us talking.

Shinwoo Park has been running the graphic design studio Paperpress since 2016 in Seoul. Working across a variety of disciplines wherever graphics are concerned, from the tongue of a shoe trainer to pin badges and poster design, Paperpress locates the point where “graphic design and description overlap” to create expressive designs that suit each client.

“I think with photography you can create a whole fantasy around yourself, so when I design a set and develop a character for a picture, I try to create an entirely new reality for me and the people I’m portraying, hopefully, a reality that is better than the actual one,” explains México City-based photographer Andrés Mañon. With several commissions for the likes of i-D Mexico under his belt, Andrés’ work does exactly as he intends, building elaborate worlds full of over-saturated, yet altogether compelling characters.

Our final speaker at Nicer Tuesdays November was Leipzig-based illustrator, Anna Haifisch. After seeing Anna speak at Eike König’s After School Club in Offenbach during July this year, we quickly realised the illustrator was a must to speak at Nicer Tuesdays before the year was up, also doubling up as the first comic reading we’ve had at our monthly event.

Joining us at Nicer Tuesdays November was Yuri Suzuki, shortly after the designer’s slightly surprising announcement that he was the newest Pentagram partner. Even Yuri notes how the decision for him to join the design partnership was a surprise to himself, recalling how when the initial conversation began his first question was “Why!?”

A little while ago, art director Anna Sullivan spotted an old vintage postcard featuring stilt walking shepherds. Stilt walking shepherds! Curious, as anyone in their right mind would be, Anna started digging into why these shepherds were atop stilts — which we now only associate with childhood games and circus performances — to herd sheep.

It’s Nice That favourites Don’t Hug Me I’m Scared created by the fun-filled directors Becky and Joe, will head to Sundance Film Festival next year. The Blinkink creative duo will premier their Youtube-hit series at the largest independent film festival in the US this January 2019.

Boiler Room is yet again shedding light on important social issues in a part of the world that is little known to us. The second film for its Contemporary Scenes series is To Live & Die in Manila and sees music orientated artists from the Filipino capital emotively express their frustrations under the bloodbaths incurred by the president of just over two years, Rodrigo Duterte.

New York based producer and DJ Anthony Naples has been an It’s Nice That favourite ever since we first heard the effervescent Mad Disrespect on some sweaty dancefloor somewhere back in 2012. We were hooked from that half-remembered moment on.

Yung Hua Chen’s photography is seductive and cinematic. The Taipei-based photographer captures alluring portraits for fashion designers and also, purely for the love of the medium. Recently, she’s been shooting her lover Chihtian Shih. She tells It’s Nice That, “he inspires me in many kinds of ways. He’s an actor and plays many different roles that give him different life experiences.” Chihtian’s brooding good looks are seen in all types of situations; dappled in a dusky sunlight, walking the streets of Taipei, peacefully sleeping still in his clothes.

For the past ten years, graphic and spacial design studio Julia has been producing work for clients from the cultural and commercial sector, including everything from typefaces to books, magazines, exhibitions, posters, websites and identities. Having been formed in late 2008 by Valerio Di Lucente, Erwan Lhuissier and Hugo Timm, Valerio and Erwan (who have been running the studio since May of this year) are celebrating a decade of Julia. We caught up with the pair to find out a bit more about how their work has taken shape over this time.

For many of us, photographs are a way of locating ourselves in a time and place. They act as temporal markers, reminding us of people and events who might have otherwise fallen into the ether of memory’s unreliability.

Joining us at November’s Nicer Tuesdays was photographer Francesca Allen, a creative who has had a fast-paced career full of memorable moments, of which she creates just as many behind the camera as she does in front of it.

Since we last spoke to the Seoul-based illustrator Ram Han last year, she has continued to bring her fantastical imagination to life through a new series of works titled Room. In her trademark style of metallic gloss, Ram’s latest illustrations explore the idea of personal space seen through bedrooms and personal objects.

During parts of 2018 it almost felt like you couldn’t look at a magazine, bookshelf or website without spotting the work of illustrator Sophy Hollington. Her body of work — one that’s elevated the art of linocutting beyond hazy memories of art classes into a sought after stylistic medium — has the ability to transform any written piece it often seems to accompany. This is down to Sophy’s illustrative talents of course, but also her consideration of the task at hand, steeping her process in research, thematic influences and a genuine interest of exploring what visual imagery can do.

It’s Nice That’s Ones to Watch shines a light on 12 emerging talents who we think will conquer the creative world in 2018. From a global pool of creative talent, we have chosen our 2018 Ones To Watch for their ability to consistently produce inspiring and engaging work across a diverse range of disciplines. Each of our selections continually pushes the boundaries of what is possible with their creative output. Ones to Watch 2018 is supported by Uniqlo.

This winter It’s Nice That is partnering with Adobe Stock on a series of articles that celebrate their collection of millions of high-quality images, graphics, videos, 3D assets. Over the coming we will be providing an insight into how the Adobe Stock collection can benefit your creative practice.

Barcelona-based studio, Studio Albert Romagosa was founded in 2014 by the designer of the same name. Crisp and clearly executed, the studio has developed a reputation for design precision to accompany striking visuals. With a variety of clients, the studio works on book design, branding and web design, consistently delivering polished, concept-based designs that are sympathetic to the client’s function.

We use cookies on this website to analyse your use of our products and services, provide content from third parties and assist with our marketing efforts. Learn more about our use of cookies and available controls: cookie policy. Please be aware that your experience may be disrupted until you accept cookies.