Debra Stuckgold's unusual technique, which applies structured screen printing, freeform ink and the creative input of nature to sheets of clear Mylar, serves as a metaphor for multiple worlds occupying a single space in the Mideast. "My panels rely on poetics more than specificity," she says. "They begin with my relationship to both the Jewish and Palestinian diasporas, but rely on the unpredictable nature of the journey rather than a realistic depiction of specific locations."