If defining is a way of separating one thing from another, we must assume that this outlining of contours brings with it a certain clarity. With this there are two outcomes: Things either become so clear that we are blinded by their reflection, seeing only ourselves through them, and seeing things only mediated through ourselves, or; Things eventually become so clear that we lose grip of their boarders, they become transparent, blending with the surroundings we originally parted them from.

Simen Stenberg (b. 1992, Norway) works with the afterimage of things; what is left after signification, what lingers when something has lost its physical presence, its assigned function or the logic of language.