7 Juan Eizaguirre: lines and planes The beauty of numbers doesn t only lie on its practical purpose. Since Pythagoras, artists have been looking in numbers for a constant and conscious inspiration, the foundation of which resides in proportions and combinatorial analysis. Works of Juan Eizaguirre (Madrid, 1944), already an authority in the current artistic world of our country, are going, in depth, precisely in this direction. Starting always from the mobile elements of the Ondarreta beach (San Sebastian), he develops series of whites and blues, fullness and emptiness, whose artistic and intellectual process is masterly exhibited in a large room of the gallery, filled of trials and thoughts. El Punto de las Artes 2009 A work of art is a reflection of yourself, it must be authentic to be good and so it is reflected in the work of Juan Eizaguirre. Its creation has an essence; memories of San Sebastián, impregnated with white and blue that remained imprinted in his retina since he was a child. The white and blue of awnings from the beaches of San Sebastián. But Juan, does not leave aside his architect background, streamlining and decomposing those images, isolating the landscape, forming geometrical figures and ordering the elements. Blue, white, the sea in San Sebastian... is in itself, the work of Juan Eizaguirre. Pilar Ruiz-Tapiador Reus-Gallery Rina Bouwen. January 2012

9 TXURIURDIN SERIES TWhen you re in San Sebastian, the colours of white and blue invade you. The flag, awnings and tents of the beaches, the emblem of the Real Sociedad FC, form a landscape within myself of great significance. For this reason I started to paint the blue and white stripes that I recognized, dating back to 1992 where I started with coastal landscapes, but quickly the treatment of these forms and colors led me to other forms and other interrelations. Dyed canvas and shapes of tents, open or closed. The reality of these elements led me towards a language based on these colours and shapes. A language with signs, white, and blue stripes and symbols, forms which surround them, and which represent things. Lines or stripes of blue and white, which first are inside the shape, conceptual reality, but that after expanding outwards, form what I call supraconceptual reality. And this is how the ZURIURDIN y/o TXURIURDIN series is born, white and blue. I perceive zuriurdin to contain four distinct areas, North-South - East-West, and four elements, the sky, sea, beach and Earth, with the horizontal and vertical axis interpreting a closed Ondarreta tent. Four areas where space is filled with white and blue masses. Five or seven stripes, odd numbered, with a horizontal or vertical development, with a preference for white sometimes and other times blue, and whose whole shape forms the language of signs and symbols mentioned above.

13 Presento una serie de carpas en esta página y las siguientes donde intento mostrar por qué se genera un lenguaje basado en la potencia del color, y las formas de las carpas. Presento una serie de carpas en esta página y las siguientes donde intento mostrar por qué se genera un lenguaje basado en la potencia del color, y las formas de las carpas. On this page I present a series of tents on the following I aim how a language based on the power of color can be generated, and the forms of tents. On this page I present a series of tents on the following I aim how a language based on the power of color can be generated, and the forms of tents. Carpas de la playa de Ondarreta Carpas Acrílico de la playa sobre de lienzo Ondarreta Acrílico sobre lienzo 140x56 140x

16 Las rayas azules y blancas forman el paisaje, mientras que la forma se queda sin color. Este fue uno de los primeros pasos para la creación del lenguaje de signos y símbolos, dejando la forma sin tratar, únicamente se considera el contorno. También fue el origen de la serie de seis elementos y del porqué de la utilización de tonos. The blue and white stripes form the landscape, while the form remains colourless. This was one of the first steps towards the creation of a language of signs and symbols, leaving the form untreated, only considering the contour. It was also the beginning of the series of six elements and the reason behind the use of different tonality. Bat, bi, hiru, lao, bost, sei, zazpi,. Real Oleo y acrílico sobre lona impresa. 70x140

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