Following Apple’s move to drop the headphone jack from the iPhone and the news that Samsung will follow suit with its flagship Galaxy models in 2019, the portable headphone market has gone wireless crazy. Like many brands, 1More has been quick to respond and takes its £100 wired Triple Driver in-ear headphone design – reviewed in HFC 425 – and adds wire-free connectivity and noise-cancelling for just £20 more than its wired counterpart.

We’ve seen some innovative wireless headphone designs from US-based Master & Dynamic such as the MW50+ 2-in-1 (HFC 438) that came with interchangeable earpads and provided a wired connection too. In its latest in-ear design, the MW07 is committed to the wireless connectivity route and leaps onto the ‘true wireless’ bandwagon, with a compact set of Bluetooth in-ears that simply sit inside your ear canal without any wires whatsoever.

I must confess to being somewhat surprised by Sennheiser’s decision to opt for a closed-back design for its new high-end dynamic headphone. Offering the advantage of isolating the listener from external interference and preventing leakage, the design is often considered a compromise in terms of sound quality as the drivers in each earcup create the same amount of sound from both sides of the diaphragm as it vibrates.

Worthing-based Flare Audio already has a number of low-cost in-ear designs, but the Flares Pro is the first model to grab our attention and is aimed at audio aficionados. It can be connected directly to a player using the supplied cable fitted with a 3. 5mm jack plug or wirelessly using the lightweight clip-on Bluetooth DAC/receiver with aptX support, which claims 12 hours battery life when charged via USB. Everything is supplied inside a multi-layered, cube-shaped box with three sizes (small, medium and large) for each of the Earfoams Everyday, Universal and Audiophile ear-tips, plus there’s a fabric carry case that fits neatly into a pocket for life on the road.

Perhaps better known for its full-size headphone models than its in-ear designs, Audio-Technica has been increasing its offerings of late. The ATH-LS70iS is the more expensive of two ‘Live Sound’ models and uses two serially mounted carbon-coated dynamic drivers to reduce its housing size and increase the radiating area.

Damson isn’t a well-known name in hi-fi circles, as it largely concentrates on the entry-level end of the consumer audio market. Its new HeadSpace headphone fits into this category, offering Bluetooth wireless hook up and active noise cancellation at a competitive price.

No sooner has Sennheiser’s impressive IE 800 S in-ear headphone (HFC 434) appeared than another high-specification model breaks cover. For AKG though, this isn’t new ground. The company released its £1,000 K3003i in 2012 and the new flagship reviewed here actually sees it positioned a step further down the pricing ladder at £800.

To mark the fact it has been trading for 10 years, Audeze has revised one of its longest-running products. The original LCD2 has been around for some time and continues as before but is now joined by the Classic, which adds some refinements to the design alongside a more affordable price tag.

Many audio enthusiasts have several sets of headphones for different situations. A lightweight pair is ideal when you’re working out, while a larger on-ear model can provide better sound quality while still being portable enough to carry around when you’re on the move. And, when you get home, you can wallow in the more immersive sound of a big set of over-ear cans.