A
Ghost Story is a movie that has been stripped to the barest of essentials. The
plot is minimal, the dialogue even

more so – the main character spends the
majority of the movie under a sheet, with a couple of eye holes cut into it –
quite literally looking like a child’s idea of a ghost. It is a film made up of
long, unbroken shots – lasting a minute or two, or even more, that will test
the patience of a lot of viewers. At the end of the screening I attended, there
was laughter – and it wasn’t kind – towards the movie, from viewers who clearly
expected, and wanted something, else. They won’t be the only ones with that
reaction – yet I do think, that you write this film off as too precious, too
sentimental, to pretentious at your peril. The most profound movies are often
the simplest.

In
the film, C (Casey Affleck) is a musician who lives in a house with his wife, M
(Rooney Mara), somewhere in what appears to be rural Texas. He wants to stay,
she wants to move – they argue – but then he dies in a car accident. In a truly
haunting moment, she identifies the body, and then a sheet is pulled up over
his head. The camera holds on that still tableau, second after second ticking
by, until he sits bolt upright, and walks away. This is a ghost story after all.
He returns to the home, and he watches as his wife grieves him – in a moment
that has already become famous, she sits on the floor and eats a whole pie. She
listens to a song he wrote her – and the film cuts back and forth between when
she first heard it, and was angry, to her listening to it now, as she’s sad.
Eventually, M will move out – and C stays behind. Other tenants arrive, and C
doesn’t much care for them. There is first a young family, and later a group of
hipsters throwing a party, at which – in the films single longest dialogue
scene, Will Oldham delivers a long monologue about the mankind’s fruitless
efforts to leave anything behind, because eventually, everything will be
destroyed. You may think, since this scene goes on so long, that it is the
films thesis, stated directly at the audience – but I don’t think so.

The
movie plays games with time, as we watch similar scenes play out, one after
another, again and again – C watching M leave for work in the morning for
instance, and also contains huge leaps in time, done with jump cuts, not the
more traditional fade out, fade in. C clearly wants something at the house. As
time passes, the house changes – he’s stuck in a future world he doesn’t much
understand – that is until he plunges back to the past.

This
is the type of movie a director gets to make when he’s basically willing to
fund it himself, and get his friends on board. David Lowery shot the film after
completing Pete’s Dragon for Disney, and he got Affleck and Mara – who starred
in his previous film Ain’t Them Bodies Saints – to star. For Mara, this adds
another fascinating performance to her resume – that this year already contains
great work in Terrence Malick’s Song to Song. Like Malick – a clear influence
on Lowery – this film uses her for her physical presence – she says little, but
conveys a lot. For Affleck, it must have taken trust on his end to do the role –
apparently, it really is him under that sheet most of the time – and the risk
of him looking foolish was great. Both performances are good – in their way –
but both are clearly archetypes more than anything else. Lowery purposes leaves
these characters blank – likely to make it easier for the audience to project
themselves onto the characters.

A Ghost Story is an
odd movie to be sure – you can call it haunting, and you’d be right, because it
really it. But the film isn’t a horror movie, or even trying to be – it
contains no real scares, no real intensity. It’s something deeper than that. If
I’m being honest, most audiences are likely to be frustrated by the film.
They’ll be looking for something that this film isn’t trying to deliver. That’s
there loss though, because this is a fascinating, quietly profound film – one
that sneaks up on you as you watch it, then doesn’t leave you alone for days
after.

About Me

I am an accountant, living in Brantford, ON - and although I am married and have beautiful daughter, I still find time to watch a lot of movies. This blog is mostly reviews of new movies - with other musing thrown in as well.