It shows airglow of the upper atmosphere as a thin blue line.

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Audio and Text:The usage of newspaper clippings as factual data from when the incident occurred demonstrates logos.The interviews introducing the characters verbally and The audio/music used in the interviews was upbeat and contradicted what was being said.Before the reenactments of the murder, music was played, quickly ended, and five gunshots were heard, amplifying the sound.

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The Thin Blue Line directed by Errol Morris was released in 1986

The Thin Blue Line directed by Errol Morris was released in 1986. It is a landmark investigative documentary that became the gold standard for virtually every investigative film and television documentary to come. For this internet assignment, please research this film and answer the following: How did Thin Blue Line set the standard for investigative documentaries? What influence did the film have on staged reenactments? What was the films impact on the conviction of Randall Dale Adams?

Thin Blue Line Research Paper Example | Topics and …

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Beyond its interviews, The Thin Blue Line uses wonderful (and controversial) reenactments to visualize details from the case—some accurate, some false, some misremembered. Documentaries do not use reenactments, generally; they are more often employed by educational or propagandistic nonfiction films. Morris’ use of them remains even more unconventional because, in some instances, the reenactments represent a witness account that is later proved to be inaccurate or untrue. They visualize the witness accounts and allow the viewer to see what the witness claims happened, regardless of its accuracy. When Morris juxtaposes two reenactments, one true and the other false, the effect on the audience is more dramatic in part because the contrast is visible, instead of just testimony; in part because of its familiar stylization as a fictional film. The outcome for the viewer is more convincing and engaging, and furthermore, reveals what Morris sees as the underlying truth of the Adams case: that multiple perspectives—some falsified, some misremembered, some coerced by corrupt officials—fed a wrongful conviction. In this sense, the truth resides somewhere between the facts and testimonies, twisted by the perspectives of those involved.

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The problem with 'The Thin Blue Line' (Opinion) - …

Nevertheless, The Thin Blue Line has been widely praised as one of the greatest of all documentaries. But before examining the film in any detail, the documentary itself demands some clarification. Documentaries raise a lot of questions. Not merely about their subject matter but also about whether documentaries should be considered nonfiction, a subset of nonfiction, or their own category altogether. Do documentaries explore untold facts with journalistic integrity and impartiality, or do they seek something less tangible, like personal truth? How do they investigate, observe, represent, or expose, and are their methods inherently objective or subjective? Perhaps more importantly, are audiences asking these questions when watching a documentary, or do they merely consume the message without a second thought? When most viewers think of a documentary, they think of factual accounts on film. But there are no rules to documentary filmmaking, no established standard. There are no ethics committees or fact-checkers prohibiting documentarians from spinning their subjects with sensationalist perspectives or protecting viewers from the potential biases of the filmmaker. Author and professor Carl Plantinga described his characterization of the documentary in his paper “What a Documentary Is, After All,” published in the pages of The Journal of Aesthetics and Art Criticism in 2005. While Plantinga concedes that any fixed definition for a documentary remains highly debated due to the nebulous form documentaries can sometimes take, he outlines several techniques that, when combined through nonfiction filmmaking, create a documentary.