Tag Archives: C. E. Murphy

(1) LEAVE SOMETHING TO THE IMAGINATION. Adweek takes us behind the scenes of the Blade Runner 2049 marketing strategy,

How do you get audiences interested in a new film without pumping out trailer after trailer? If you don’t, they might not know about the film. But if you do, you’ll likely give away more and more of the film’s detail, leaving little to the imagination, and ultimately make audiences less likely to actually go to the theater.

This gorgeous new short film, Nexus: 2036, is over six minutes long and serves as the perfect way to establish the atmosphere and tone of the next Blade Runner installment. While Warner Brothers is certainly using trailers to entice the audience, this short, which stars Jared Leto and introduces his character in Blade Runner 2049, takes a franchise that has been dormant for the past 30 years and fills in some of the gaps between the two films.

(2) THE HEIGHTS OF FOLLY. Although Luc Besson’s Valerian & the City of a Thousand Planets is pretty much in everyone’s rear-view mirror by now, C. E. Murphy’s review is eminently readable:

The dialogue, specifically the dialogue between leads Dane DeHaan and Cara Delevingne, was excruciating. They had roughly the chemistry of two wet paper towels (although that may be doing wet paper towels a disservice), and the attempt at a romantic storyline between them was very possibly the worst I’ve ever seen on film.

…Aside from the total lack of chemistry, DeHaan and Delevingne were desperately mis-cast in terms of size and physical attributes: they literally looked like children with their waifish forms, big eyes, delicate bone structures, and teensy tinsy heights. Everybody else (including the obviously very young and very, very pretty Kris Wu as a young sergeant that my companion and I said sadly to each other, “He’s obviously going to die,” as soon as he came on screen) looked like adults and towered over them. It was genuinely bizarre.

*I’d* gotten up because I wanted to go to Walter Jon Williams’ guest of honor interview, which I did (although I went into the wrong room first and was pretty torn about leaving what proved to be an astronaut’s lecture, but did anyway). The first half of it was full of what I thought were really great general questions for a writer and I wanted to be answering them! The second half got more specific about his career, but as he said at the end of the hour, “Well, that got us up to 1985, so please come to the next convention for the other half…” 🙂

(4) SFWA ACCEPTING GRANT APPLICATIONS. The Science Fiction & Fantasy Writers of America have put out a “Call for Grants” that reminds people they provided $24,000 to deserving genre-related programs last year:

SFWA encourages programs supporting and promoting fantasy and science fiction writing and writers to apply for a 2017 grant. We look for non-profit, diverse projects that span a range of ages and publishing approaches and that reach a large group of individuals.

The guidelines and application form are at the link. Decisions will be announced by mid-December.

That scene is obviously one of the most iconic in Star Trek history, but speaking of another iconic scene is, when you scream “Khan,” it is one of these scenes that everyone knows that it’s probably the most iconic Star Trek scene that’s ever been done. At the time when you were making it, did you have any inkling that this was going to be such a memorable scene?

SHATNER: No. I was, nobody told me that there was some thought about bringing him back and that Leonard [Nimoy] leaned over, McCoy [DeForest Kelley], and whispered “remember.” I said, “What’s that all about? Why are we killing Spock? Why are we killing Spock?” And they said, “Well, Leonard doesn’t want to do it anymore. I was thinking god, if Leonard doesn’t want to do it anymore, what’s going to happen to Star Trek? If we were to make another film? Well, that’s the way that went. They never told me.

(6) DON’T TOUCH THAT DIAL. Hell, when you put it that way….!

These petty children fighting over awards on MTV while a zombie dragon we've been waiting 6 years to see was on HBO. Which 1 would you pick? pic.twitter.com/m2fjjg3IvF

(11) IMPRESSIVE. It looks like a movie, til you get to the last frame. Destiny 2 Official Live Action Trailer – New Legends Will Rise.

(12) THE LAUGHING CARTOGRAPHER. Camestros Felapton finds a way to keep riding the fantasy map bandwagon by tying that topic to his jokes about the award most favored by puppies and frogs (but not pandas): “Map of the Dragon Award Lands”.

The mysterious lands of Inkshares have appeared out of the mists, as have (since yesterday) the newly discovered Red Panda Land. The Islets of Confused Nominees are famed for being inhabited by authors saying “I’ve been nominated for a what now?”

The Star Trek: The Next Generation writers probably figured Fermat’s Last Theorem would go on being a mystery for many centuries more. So they introduced it into the 1989 episode as an excuse for Picard to comment on how even the marvels of 24th century tech aren’t enough to solve a problem posed by a Frenchman with no computer. But in 1994—five years after “The Royale” first aired on TV, when TNG was about to end its run—Andrew Wiles released the first successful proof of the theorem.

There is a YouTube video called “Star Trek TNG Fermat’s Last Theorem.” accompanying the story.

(14) ISLAND GIRLS. In “Hollywood’s Woman Problem”, author Libba Bray says her Beauty Queens already explored the ground that putatively will be covered in the Lord of the Flies remake.

Wednesday night, Twitter came to my door with a take-out bag of “No Thanks” marked: Two Dudes decide to make an all-female version of Lord of the Flies.

And I sighed heavily and thought, “Oh. Really?”

Because I’m fairly certain I wrote a book like that in 2011. It’s a satire called Beauty Queens, and it follows a group of girls — teen beauty contestants in this case — who are stranded on an island and thus removed from the patriarchal rules that shape their daily lives. It imagines the sort of world they would begin to build. (Spoiler: It does not involve the chant, “Kill the Pig.” But it might involve Napalm hair remover.)

Pleasing our palates matters too, right alongside addressing serious environmental issues. That brings us back to ants, plant power, and fake meat: All those foods will have to taste good for people to embrace them in large numbers. As I told Tapper in the interview for Borough Market, at my house this has been a summer of experimenting with vegan ice cream — and I’m having a blast finding out that my own sense of ethics and of delicious taste co-exist.

Earlier this month, I turned the tables on Tapper, and interviewed him. He’s created some cool-sounding beers in recent years, including — with a nod back to Knight’s wild foods — what he calls “a sour beer brewed with raspberries foraged around the Yorkshire countryside.” As a chocolate fiend, it’s the beer he’s currently creating that I’d most like to sample: a “chocolate and coffee imperial porter brewed with hops grown in Borough Market’s entrance.”

[Tanya Roberts:] “I think the differences in attracting a male/female readership is subtlety small. Because I go to conventions and sell my material to people I get feedback and notice who is buying my artwork.

“Females seem to appreciate character relationships and that emotional connection between them a bit more. I know I do, as a female reader, get inspired when there’s great characters in the story with interesting relationships to others.”

Roberts believes there to be a healthy female audience for comics.

She says: “Girls don’t only seem to cosplay as their favourite characters they also buy comics too.

You see, it’s impossible to capture all the detail of a 700+ page book in a 10-episode season, and that was doubly true once the scale of the drama shifted from the closed-door intrigues of A Game of Thrones to the cross-continental wars of A Clash of Kings. So the writers and producers had to pick and choose what they would bring to screen, as well as take some shortcuts. All quite understandable, really. Unfortunately, they chose to emphasize what are to me the most problematic and least attractive elements of the books, namely, their excess of cruelty and sexual violence. And the show didn’t *just* emphasize these elements; it made them more central, upfront and over-the-top. Meanwhile, I was getting less of the things that made reading the books a magical experience for me–less than I wanted, at least….

Summing up my feelings about Season 7 is basically a fight between heart (which likes it) and head (which does not). Heart wins out, in the end, for the simple reason that head’s been increasingly lonely since the end of Season 1.

[Thanks to The G, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon D.]

While that mystery remains unsolved for now, Book Twitter’s sleuthing was not for nothing. By the end of the day, the New York Times had released a revised list that excluded Handbook for Mortals and returned The Hate U Give to its rightful place in the top spot.

On Monday, BBC News published an article whose headline asked: “Does the world need polymaths?” It examined why experts historically felt the need to excel in many disciplines, but now typically focus on only one. On Tuesday, as if the universe were playing some kind of cosmic joke, news broke that Bradley Walsh is set to be cast as the latest companion in the new series of Doctor Who. If there was ever a need for proof that the renaissance man is back, baby, then Bradley Walsh is that proof.

But sport’s loss was television’s gain. After a stint as a Pontins’ bluecoat, Walsh hit the small screen, first as a presenter, a format that one might describe as his true calling, in which he continues to excel today as the host of ITV’s The Chase. Thankfully, his Doctor Who commitments won’t interfere, according to an anonymous friend who spoke to the Mirror to express relief. “He loves that show with a passion and so does the audience, so he’s delighted to have found a way to make it all work.”

Back in 2014, we caught up with some of Chicago’s most prominent afrofuturist artists and musicians like David Boykin, Nick Cave, and Cauleen Smith. But what about the city’s poets and writers? Through science fiction, fantasy, magical realism, and surrealism, these three women are keeping Chicago at the center of the afrofuturist conversation….

Eve Ewing

Growing up in Logan Square, Eve Ewing used to daydream about “shooting arrows, exploring dungeons, and solving mysteries” while riding her bike. She didn’t hear the word “afrofuturism” until her 20s, but as a child she watched Geordi La Forge on Star Trek and listened to George Clinton. Today, Ewing’s one of Chicago’s most visible cultural icons, from her reporting on Chicago Public Schools to her debut poetry collection, Electric Arches (Haymarket Books, Sept. 12), which looks at Chicago’s South and West Sides through an afrofuturist lens.

“The book is an attempt to use poetry to write a future, and to me that future has to be a free black future,” Ewing says. In Electric Arches, lunar aliens invade Chicago and paint everything black, a time machine allows a fifth-grader to speak with her ancestors, and South Side children escape the police on flying bicycles.

“Part of what makes afrofuturism interesting and distinct is that blackness in America demands an honest reckoning with a violent and traumatic past,” she says. “And here we are in Chicago, a city where black life has been crafted in the face of generations of inconceivable violence: gun violence, state violence, everything. I think we are tasked with thinking beyond this world, about how to live in spite of and beyond everything trying to kill us.”

(4) ELEMENTARY. Award-winning speculative poet Mary Soon Lee, writing in Science, composed a haiku for each element in the Period Table: “Elemental Haiku”.

There were so many Worldcon newcomers this year that the committee ran out of FIRST WORLDCON ribbons for attendees to affix to their badges and had to print up new ones halfway through the con.

So there are people out there who want to be part of this special thing we have. How do we make them feel welcome?

One thing I made sure to do was approach every person I noticed wearing a FIRST WORLDCON ribbon and say … well … “Welcome!”

I told them I was glad they’d decided to join us, and asked the catalyst that caused them to come this particular year. I told them I hoped they were having a good time so far, and said that if they had any questions, I’d try to answer them. I shared an anecdote or two about why I fell in love with Worldcons so long ago.

And he has a great anecdote about this on his Facebook page, involving some 2017 first-timers, 1963 first-timers, and 1953 first timers all comparing notes in Helsinki.

(6) SUITABLY ILLUSTRATED. Hugo-nominated fanartist Vesa Lehtimäki has written a short W75 report:

(7) MEDICAL UPDATE. Chunga co-editor Randy Byers, one of the best guys in fandom, says in “Gimme a break” he has reached a point in his cancer therapy where he’s stopping chemo and medical treatment while he and his doctor assess how they want to proceed,

The initial offerings of the online compendium, which will be expanded as the GMS develops, range from a 15th-century song translated from Middle French that bemoans a lost love (“Two or three days ago / my sweet love went away / without saying anything to me. Alas, who will comfort me?”) to five selections from Hong Mai’s 12th-century Yijian Zhi (or, Record of the Listener, hereafter the Record), a sprawling 420-chapter chronicle that is an invaluable record of society, spirituality, and culture of the Southern Song Dynasty. The GMS is, as suggested by its title, a globally focused resource, with plans for medieval texts translated from Arabic, Chinese, Old Spanish, Latin, Middle High German, Old English, and Old French.

“[A] major aspect of our work to present a broad view of medieval culture is to actively recruit content from many different languages, especially those which have historically been inaccessible to contemporary readers,” Lyons-Penner explained. “It is very unusual for texts from so many different linguistic traditions to be read side by side, and we believe it makes for a much richer experience.”

Game of Thrones has sparked a battle at a Australian housing development where streets have been named after characters and locations from the high-rating television show.

The developer of Charlemont Rise at Geelong in Victoria said he had been forced to change the name of Lannaster Road because of the link to the incestuous Lannister siblings from Game of Thrones.

“The name was knocked back by the developers next door because of the relationship between the Lannister brother and sister on the show,” said the project manager, Gary Smith. “I even changed the spelling to make it not as obvious.”

Lannaster Road will henceforth be known as Precinct Road.

There have been no complaints about the other street names in the estate, more than a dozen of which were inspired by the show, Smith said. Among the names are Stannis, Winterfell, Greyjoy, Baelish and Tywin.

(10) THOMAS OBIT. Actor Jay Thomas (1948-2017) died August 24. His genre work included 20 episodes of Mork and Mindy, 6 episodes of Hercules, voicing an episode of Batman: The Animated Series, and The Santa Clause 2 and 3.

And he appeared on Letterman annually during the Christmas season to repeat his Clayton Moore story (quoted here from the Wikipedia):

As the story goes, after the appearance Thomas, who at the time sported what he referred to as a “white man’s Afro“, and his friend, who was wearing high heeled shoes, tight pants, and a tie-dyed shirt, went off to get “herbed up” (smoke marijuana) behind a dumpster, after the broadcast ended. When they returned to pack up their equipment, they discovered that Moore was still there, as the car that was supposed to drive him to the Red Carpet Inn on Morehead Street (some years he would say the Red Roof Inn) never arrived. Thomas offered Moore a ride in his old Volvo, and Moore accepted. As they were sitting in traffic, an impatient middle-aged man backed his Buick into the front end of Thomas’ car, broke a headlight, and drove away.

Thomas gave chase to the Buick through heavy traffic, finally caught up to the man, and confronted him about the damage. The indignant driver denied breaking the headlight, and Thomas threatened to call the police. The man said nobody would believe their story because Thomas and his friend looked like “two hippy freaks”. At that moment, Thomas said that Moore, who was still in costume as the Lone Ranger, got out of the car and said to the man, “They’ll believe me, citizen!”

(11) TODAY IN HISTORY

August 25, 1939 — The Wizard of Oz opens in theaters around the United States.

In other news, amazing progress continues to take place on the build site. As more structural and garden work gets underway, it’s thrilling to think Pleasant Grove will soon be home to this incomparable park and we wanted to give you a glimpse at one of the more unique structures going in:

This is a model of the “Enchanted Tree” which will be found in our Fantasy Garden, one of the many explorable areas of Evermore. With magical spaces like these around every corner, Evermore will be a place ripe for adventure.

(16) FILE 770 ARCHIVE. Fanac.org is expanding its archive of scanned issues of classic File 770. Hey, some of this stuff is pretty funny, if I do say so myself….

I sat on the bed next to the pile of half frozen fish fingers I was packing into my Louis Vuitton clutch purse and looked up at the dim-witted fool who was under the misguided impression that this was his bedroom. I explained to him how, aside from the fact that Worldcon needs my presence, that I also fully expected to win a Hugo Award for Best Cat Who Edited Something. Oh, Camtrak Freightrain then goes into denial spouting off all sorts of nonsense: there’s no such award he says, the nominees have already been published he says, the award ceremony already happened and it was in the news and everything he says – like that proves anything these days with the lying media spinning all sorts of wild stories. I patiently explained to the poor, poor intellectually limited creature about the role of write-in candidates, jury nullification and how, if you write your name in capitals like this -TIMOTHY THE TALKING CAT – then you get to win all the lawsuits and not pay taxes. “You’d have to start earning some money to pay taxes,” mumbled Camphor Flushwipe sarcastically, knowing he was beaten by a higher intellect.

My vote will go to Jon [Del Arroz]. I haven’t read any of the nominees this year, but for friendship’s sake, I’ll vote for Jon.

And in Best SF Miniatures/etc. –

Again, not my scene. [Rolls 6-sided die]. Um … Star Wars?

However, Finn does bring out that there is not a unity between the Castalia House-published nominees that Vox Day is backing and Jon Del Arroz’ “Happy Frogs” “Dragon Award Finalist Recommendations”. Still, the question remains how many works win that are not on one list or the other, since these are the people who talk more about the Dragon Awards than anyone else.

First of all, we at the Happy Frogs Board of Trustees want to give a hearty congratulations to all the Frogs who croaked their way into Dragon Nomination success. Such an achievement! Happy Frogs are winners….

And we are committed to winning. We at the Happy Frogs firmly believe that 2nd place is first loser. This is why we have to have a talk, fans and frogs alike.

There are some categories where it will be very tough to get further than a nomination because of some big names and anti-frog individuals with loud microphones. It is IMPERATIVE that we throw our collective weights beyond one voice per category to give us the best odds to surpass some of these giants. This is David vs. Goliath v. 2.0 and we have to make sure we go to battle ready.

Therefore, the Happy Frogs Board of Trustees have gotten together and unanimously decided to change our recommendations for this round of voting. This isn’t for lack of love of our prior nominees — we do love you! and we want all frogs and fans to buy and read their books. But these are the voices that have the best chance to win.

It’s not clear exactly who this man is, but he might as well be popping off a selfie or thumbing through his news feed. He seems to gaze into the handheld device in such a way that renders all-too-familiar today, as if he’s just read a bad tweet or recoiling from a Trump-related push notification from the Times. He would almost look unremarkable, if only he and the world around him existed at any point in the past decade.

But the multi-part, New Deal-era mural the man occupies, titled “Mr. Pynchon and the Settling of Springfield,” pre-dates the iPhone by seven decades….

The upcoming solar eclipse has already brought some wonderful things to South Carolina, including a huge boost in tourist spending and the promise of a chocolate-glazed Krispy Kreme doughnut. But there are potential dangers lurking as well—like Lizardmen.

The South Carolina Emergency Management Division, in a Tweet, has issued a tongue-in-cheek advisory on possible paranormal activity during the Aug 21 event, noting that “SCEMD does not know if Lizardmen become more active during a solar eclipse, but we advise that residents of Lee and Sumter counties should remain ever vigilant.”

… Lizardmen are actually a thing in South Carolina. Well, not actually a thing (probably), but they’re the stuff of local legend. It’s basically the state’s version of Bigfoot, only with less hair and more scales. The last reported sighting was in 2015.

There are two writers I owe the most to, because of the personal connection: Larry Niven, my mentor, and Octavia Butler, my big sister. She inspired me to believe it was possible to survive in the field with integrity. Watching her over the years from a distance…and then living walking distance from her for about three years when I moved back into my mother’s house in “the old neighborhood”. Octavia lived on West Boulevard near Washington Boulevard between La Brea and Crenshaw, and because she didn’t drive, I often gave her lifts to autographings and bookstores, and had her over for dinner and conversation. I was in the old neighborhood yesterday, and drove past her house. I’m not 100% certain this was hers, because there is a lot of new building in the area, destroying some of the landmarks. It is POSSIBLE that there were two duplexes side by side, and this is just the one that survived. But…I’m pretty sure. Hers was the door on the Left, I believe.

Paul Reubens, better known as Pee-Wee Herman, playing a wisecracking alien on an Area 51-like military base sounds like pretty much the perfect show. But NBC didn’t pick up this awesome pilot in 2007. The premise: for 40 years, a bunch of misfit, unwilling government employees and researchers have been trying to discover the secrets of the alien and his ship, who still hasn’t even given them his name, until Matthew Lillard (y’know, the guy who played Shaggy in two live-action Scooby-Doo movies) shows up, trying to make a difference. The Area 57 pilot has some pretty great moments, but we may never be truly ready to mix live-action sci-fi and comedy.

Tune in to the audio podcast above for an extensive discussion of “Borne’s” secrets and mysteries. We’re also joined via Skype by the author, who answers (almost) all our pressing questions about the world of “Borne.”

(25) LISTEN UP! Torchwood is back – in Big Finish audio dramas.

Torchwood: Aliens Among Us Trailer

Torchwood is back! The first four episodes of Series 5 are out now from Big Finish Productions, featuring Jack, Gwen and Rhys and four new characters co-created by Russell T Davies. Starring John Barrowman, Eve Myles, Rhys Williams and Tom Price.

[Thanks to John King Tarpinian, Carl Slaughter, David Doering, Cat Eldridge, Andrew Porter, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who is not to blame for a slight tweak by OGH.]

When David Bowie passed away this morning, we didn’t just lose him. We lost Ziggy Stardust and the Thin White Duke. We lost Aladdin Sane, and Thomas Jerome Newton, and the Goblin King. We lost an explorer, a pioneer, one of the most creative, brilliant musicians of the 20th century. And we lost the greatest rock star the world has ever known.

Bowie’s undeniable contribution to the world of music has been covered, extensively, on thousands of blogs and news sites today. However, he also played a significant role in the pop imagery of science fiction and fantasy. His first hit single, “Space Oddity” (1969), was about a fictional astronaut blasting off into space. The song was partially inspired by the movie 2001: A Space Odyssey (released the previous year) and was used to help soundtrack the BBC’s coverage of the Apollo 11 moon landing. Bowie returned to the imagery of space for “Life on Mars” (1971), a track on his seminal, career-redefining record Hunky Dory. It was re-released by Bowie (in his Ziggy Stardust persona) in 1973 to huge acclaim and later soundtracked the well-regarded BBC time travelling drama Life on Mars (2006-07). A later Bowie track, “Ashes to Ashes” (1980), provided the title for and was also featured on the sequel series, Ashes to Ashes (2008-10).

In February 1972 Bowie reinvented himself as the glam-rock superstar Ziggy Stardust, supposedly a being from Mars who visits Earth to help stave off its impending destruction.

In the BBC’s 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million records worldwide. He was inducted into the Rock and Roll Hall of Fame in 1996.

I wouldn’t think that David Bowie’s death would hit me so hard. It’s just so damned unexpected. Elizabeth Bear said once that David Bowie would still be cool at the heat death of the universe. I think I vaguely expected him to still be *there*, at the heat death of the universe.

Gaiman uses the Thin White Duke persona as a starting point, writing his way into the type of person who could embrace such an alter ego. And though the author refers to the story as “unabashedly fan fiction,” after a few paragraphs he makes the character his own, and creates yet another pocket universe for the Duke to test his bravery, create stars, and forge a new life for himself. It both is and isn’t Bowie, as Gaiman uses the idea of self-creation as the core of a story that could be about any one of us.

He was the monarch of all he surveyed, even when he stood out on the palace balcony at night listening to reports and he glanced up into the sky at the bitter twinkling clusters and whorls of stars. He ruled the worlds. He had tried for so long to rule wisely, and well, and to be a good monarch, but it is hard to rule, and wisdom can be painful. And it is impossible, he had found, if you rule, to do only good, for you cannot build anything without tearing something down, and even he could not care about every life, every dream, every population of every world….

But I’ve found a great freedom in knowing that I could die at any moment. I have head-butted death in the face, and though it may be stunned for a while, there’s no knowing when it will recover and come snarling back for me….

I understand now, maybe, what David Bowie realized when he found out he had cancer, and suddenly time was limited, and there was a mad flurry of last-minute work to do before the end. I first saw David Bowie in Labyrinth when I was 11 years old, and to be frank, seeing a Goblin King dressed like that who still liked women was a revelation to me at 11, and it had a powerful impact on my work and my conception of sexuality from there on out. He was my introduction to genderbending, and the more work of his I listened to and watched, the more it expanded my idea of what people could be. That’s a powerful legacy.

I find myself thinking about The Man Who Fell to Earth – another film I didn’t appreciate or understand until after I got sick – pretty often. It’s a story about how life grinds you down. How even those with the best intentions and the most powerful motivations can find themselves smashed down by bureaucracy, by time, by despair.