In the idle dispute whether music is more about "form" or "content" it should be noted that design and expression always depend on each other and that just their balance is crucial for the perception: Each work architecturally plays with tones, colors, textures or genres and is a composed "form". All musical components (like intervals, rhythms, tones, themes, time) are, however, also loaded by the music-historical use in constant contexts as "expression of an subjectivity" - regardless of whether in the tradition of songs, operas, ballets or sacred music. Especially the type of a solo concert suggests that music is an expression of the soul: subjectivity and psychological basis of the abstract sound are particularly becoming accessible, visible and centered in an individual.
In the three works of this CD-recording spiritual procedures are deliberately emphasized in the focus of the sounding - also in mythological collective coloring or archaic woodcut-likeliness.