This is the latest entry in Words, Words, Words the ongoing liveblog of David Foster Wallace’s “Infinite Jest.”

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January 28, 2012, pgs 716-735/1054-1062. A second snatch-and-grab c/o the now fully recidivist Randy Lenz is taking shape in the Central/Inman Squares area of Cambridge, while nearby at Antitoi Entertainent [sic] the AFR is scouring the inventory to find a copy or Master Copy of The Entertainment. They have traced the cartridge’s possible whereabouts through “the strenuous technical interview of the sartorially eccentric cranio-facial-pain-specialist, whom they had traced through the regrettably fatal technical interview of the young burglar.” The young burglar being Gately’s accomplice in the unfortunate case of the Fatally Congested French Canadian. We learn that the FLQ was responsible for the blank cartridge dispensing wheelchair statue that Joelle passed on Boylston St., and we get some insight into the true motives of the AFR: “the sort of testicular frappe to the underbelly of U.S.A. self-interests that would render Canada itself unwilling to face the U.S.A. retaliation for this…” and so on. Fortier’s plan does not have Marathe surviving to see such a conclusion. AFR believes that Orin is likely to have copies of The Entertainment and “may have borne responsibilities for the razzles and dazzles of Berkley and Boston.”

Joelle begins to fret about the cosmetic condition of her teeth, which is an odd concern for someone who wears a veil over her face at all times. Speaking of veils, Marathe arrives at Ennet House under cover of the UHID profile searching for Joelle. There is yet another instance of someone who “appeared to have several cigarettes burning at one time.” One particularly troubled resident’s assertion that the people around him are metallic impostors will sound familiar to any IJ readers who also know their Battlestar Galactica. I suspect there is some overlap in the IJ and BG crowds, or at least think that there should be. This part in particular might ring bells:

I make no claims about the origins of this connection. I just found it interesting. No one is saying that in this section heavy with talk of cults, Wallace made reference to one of the ultimate cult classics (the metal people, not projection), and then that cult classic re-referenced IJ later in its re-imagined form. What I will say, however, is that if there’s anything going in entertainment today that you might be willing to saw your own fingers off to keep watching — as the AFR requires of the MIT engineer in their first test of The Entertainment’s power — it’s Battlestar Galactica. It’s that good.

From Marathe at Ennet house we jump to one of the most notorious endnotes in the book: a seven page section of tight, 9-pt font, with its own footnotes, that’s not made any easier to read since much of it is in high academic style (c/o current Ennet House resident Geoffrey Day), and because it doesn’t appear to have specific relevance to the finally-seeming-to-come-together narrative a few hundred pages back in the book. Speaking of those pages, there is one seeming inconsistency here. Geoffrey Day, author of this academic article on La Culte du Prochain Train, is sitting within earshot of Marathe, who is clearly sitting within earshot of another conversation about cults, and yet Day appears to take no notice of the legless, wheelchaired man near him.

The articles here, and Struck’s attempts to plagiarise them, give some insight into the whole territorial dispute and provide some parallels to our own geopolitical disagreements. We learn of the “Faire un Bernard Wayne,” and when Wallace writes that “Disastrously, Struck blithely transposes this stuff too, with not even a miniature appliance-size bulb flickering anywhere over his head,” I don’t think he’s merely referring to the disaster of plagiarism. As we learned earlier, “An employee at the Academy of tennis of Enfield had been recruited and joined the Canadian instructor and student already inside for closer work of surveillance.” And this essay is for Poutrincourt, who may not appreciate what Struck appears to know, even if he doesn’t really know it.