The sitter is Wilfred Ashley's second wife Muriel , "Molly", And she was Mrs. Ashley from 1914 (her marriage) until 1932 (when her husband was raised to the peerage as 1st Baron Mount Temple). As a result of her marriage, Muriel Emily Spencer was styled as Baroness Mount Temple on 13 January 1932. Molly was his second wife, the glorious and slightly seclusive personality , Muriel Forbes-Sempill, former wife of Rear-Admiral A L O Forbes-Sempill. Her formal title wasBaroness Mount Temple. She is referred in the photographs captions as Lady Ashley and Country Life refers to her as Lady Mount Temple. I shall call her Molly. So- "Molly" with the help of architect Oliver Hill, built one of the most ravishing houses in London in the 1920s, Gayfere House, in Great Peter Street, Westminster.
(with a lovely assist in tracking some information on the Lady from the AESTHETE. the Lament here.

Gayfere House built of red brick & Portland stone in the Queen Anne style. Oliver Hill's reverence for the formalities of the style and what Country Life called the "Luytensesque," created a "lighter exterior in spirit and handling."

The drawing room at Gayfere House

this image from Country Life London Interiors, John Cornforth

The walls of the Gayfere House drawing room were of green-silvered mirror glass & silver grey oak. Molly was the driving force for this modern Baroque masterpiece-sharing her passion with Hill. Country Life describes the room: 'The walls of glass- backed with small squares of green silver foil and pilasters, and panels of silver-grey oak which disguised the jib doors. These also formed shutters at night that folded over the windows, while the chimneypiece and overmantel of 18th century inspiration were carried out in engraved looking glass. Silver became a leitmotif for the decade...Oliver Hill was fascinated by the possibilities offered by the new ways in which glass was produced. Moreover, Hill had a painter's eye as well as an architect's, which enables him to respond to a very wide range of objects & materials, both hard and soft, man-made and natural, and he was always able to draw on his vivid historical memories & imagination. Thus he was a brilliant architectural decorator.'

What we now take for granted in our rooms today-here at Gayfere House- even the positioning of flowers was integral to the rooms appearance and the arrangement of them- was very new to decorating at the time. The flowers in the Country Life photographs are acknowledged as innovator Constance Spry's work. Two of the arrangements are real while the third is an arrangement of make believe ones. The sumptuously placed stems were 'in a composition reminiscent of Van Huysum or Baptiste.' (16thc. painters)

van Huysum

Jan Baptiste Bosschaert

Described by Christopher Hussey- 'the bedroom was the cool green of deep water: a bed set in a crystal alcove and resting on crystal feet, standing on a milk-white floor. The Walls and ceiling are glazed green. The bed-cover and chair of zebra- skin.' Hussey also confirms that to a large degree, Lady Mount Temple had the ideas and Hill- the ability to interpret them. ' Both parties were free to criticise and protest, though each undertook not to destroy anything original in the work of the other.' It is hardly thought that the work went terribly smooth- both were known to have their way and Hill-according to Country Life- used every trick available to get his way.

The beautiful Molly, reviving the old masters in tableau, appears to sit placidly while who knows what thoughts may have swirled in her head-perhaps a bed swathed in zebra at Gayfere House along with the nagging thought that Mr. Hill was working his own plans for the same in impala.

all the Gayfere House images are from the Country Life Archives here
or LONDON INTERIORS from the Archives of Country Life.

Was that *entire* edifice their home? What an enormous building! There are two doorways -- perhaps it's a duplex where they lived on one side and rented out the other? Or did they really occupy the whole thing?

Columnist, confusing. here is a link to the peerage-http://www.thepeerage.com/p157.htm#i1569 with notes,& so it goes to each and every person she vreathed the same air as during her lifetime. I have added some notes in the text to explain the "Lady Ashley"-and what I can tell you is- the photographs depict the sitter as "Lady Ashley" wife of Mrs Willfred Ashley-She would have veen only "Lady" attached to Willfred Ashley-later Lord MT. In tracing the dates, and sitter-it is likely a lack of exact captioning on the back of the photos that creates navigating the Peerage treacherous for me. His first wife- as noted in the peerage- died Amalia Mary Maud Cassel in 1911-and would not have had the title Lady. The daughter of the couple however would go on to marry Mountbatten."Lady Ashley" as referred to in the photographs is referred to as Lady Mount Temple by Country Life. As a "commoner" for me- the story is less about the title and more about the surreptitious nature my liking the photographs revealed a firm history in designing a house like Gayfere during this era. pgt

I think I've worked it out: she was Lady Emily Cowper, and after she married Mr Wilfred Ashley she became Lady Emily Ashley, (not Lady Ashley). She was Lady Emily because she was the daughter of a peer. When Mr Ashley was elevated to the peerage she became Lady Mount Temple, (as the wife of Lord Mount Temple). Ashley's daughter by his first marriage was Edwina, who married Lord Louis Mountbatten, subsequently created Earl Mountbatten, (and uncle of Prince Philip). British titles are indeed a minefield, for anyone!

I read your blog every day (and love it!) and today your images really were so relevant for me personally as I am working on an editorial video and the hair I envisioned to do is wrapped and coiled… Think Vermeer esque … but I loved these images as well that I will expand the wrapping idea I think!These really inspired me to integrate the concept into my shoot:)

Thank you for being in cyber space! I look forward to opening your mail each and every day,KQ

Ok, Professor LA: which came first Adler's bathroom for Leona Armour now residing with Miles Redd or this little lovely? We have a van Huysum at the Nelson Atkins that I have swooned in front of for decades. On its rich black ground, the flowers are incredibly lovely. Alas, I think of my southern artist friend who said,"If a woman had painted this it would have been sold at a garage sale." Apparently men can paint flowers and be serious artists but women who paint flowers are often in the Anon dept.!

It is remarkable how contemporary the drawing room looks. The photo of Molly as Ghirlandaio's Giovanna Tornabuoni is gorgeous! This is one of my favorite paintings--here is a copy & paste url to one of my collages using her image:http://collagitation.blogspot.com/2010/02/i-have-lot-to-write-about-but-its-been.html(click to enlarge) Thanks for another fantastic post--where ever do find the time---!!

She was my Great Great Aunt.Her Father was Rev Walter Spencer a minor canon of Chester Cathedral who married Annie Elizabeth Hudson Daugher of Robert Hudson of Hudsons soap after whom I am named.

She First Married ALO Forbes Semple and then divorced him she then married Wilfred Ashley and became Mrs Ashley subsequently when Wilfred was raised to the Peerage she became Baroness Mount Temple but was known as Molly Mountemple

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My book HOW THEY DECORATED, for Rizzoli, was published in April of 2017. I have been an interior designer for over 30 years & have an abiding passion for the original, & history. Little Augury was born on New Year's Eve 2008. It began as a way of continuing a conversation with a beloved mentor & the promise to keep just a bit of his wit & wisdom alive by sharing it whenever possible. Little Augury focuses on interior design, art, literature, fashion & social history with an eye, always looking back to the past, in hope of understanding what is authentic & what will endure & what connects us to our environment. Always listening for the footstep on the old stair-the sound of lives that walked that way.