Few film directors working in the sexploitation genre have ever attracted the attention of mainstream critics. Russ Meyer is one of the exceptions. From the late '50s through the early '70s, Meyer parlayed his love of large breasts into an impressive filmmaking career. While most sexploitation movies in the '60s were poorly lit and indifferently photographed, Meyer's films brimmed with cartoonish color schemes, rapid fire editing, and surprising camera angles.