This dialogue is prompted by the publication of Prof. Henry Jenkins' now canonical book Textual Poachers in Chinese. Prof. Jenkins discusses the continuities and changes in fan studies since Textual Poachers' initial release in the 1990s. He also reflects on the development of fan studies in China, focusing on key issues like the commodification of fan culture in the Web 2.0 era, or transnational fandom and the phenomenon of fansubbing. In general, Prof. Jenkins calls on the Chinese researchers of fan cultures to think critically about how fandom's own norms and practices assert themselves across different cultures and how they get redefined and reimagined as they were introduced into new contexts.