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This month, I turn 45 years old. The music that influenced me as a teen-ager is being reissued in 30th anniversary deluxe editions. The turn of the 20th century is roughly four years away from being 20 years behind us. I’m five years away from 50.

In 2016, I wrote about the various twists and turns my listening habits took over the course of four decades. Now, I’m pinpointing specific albums that mark each decade for me, starting with the current one.

The pop culture identity of a decade doesn’t really establish itself till two years into it, and my age puts me at such a distance from that zeitgeist that I have no clue what this decade means. Or perhaps the culture has moved on from rallying around music, streaming services allowing us to explore everything conforming to our highly-optimized filter bubbles.

I wonder if this list will even grow much beyond this year.

Sturgill Simpson, A Sailor’s Guide to Earth

I see A Sailor’s Guide to Earth as something of a cap to the Obama era of progress. Even after signing to a major label, the fiercely independent Simpson crafted a thoroughly-composed work. It can’t be sliced up into singles, or the architecture of the album would crumble. Would this kind album flourished under the current leadership in Washington, D.C.? I doubt it.

Sleater-Kinney, No Cities to Love

So far, 2015 has been the creative pinnacle of this decade. Sleater-Kinney ushered it in with an album that barely acknowledged the decade-long gap from its predecessor, and Jason Isbell, Kendrick Lamar and Lin-Manuel Miranda followed in their wake. Madonna, Janet Jackson and Enya even showed up with some of their best work in years.

John Luther Adams, Become Ocean

I haven’t mentioned that I’ve been taking music theory courses at the University of Washington, where I work. Seattle Symphony reconnected me with classical music, and the orchestra’s advocacy of new music inspired me to fill in the gaps of my undergraduate classical training.

Jarell Perry, Simple Things

I didn’t know PBR&B was a thing till I tried to figure out just what Jarell Perry, Solange, Shaprece and the Weeknd were doing with R&B. Hip-hop has its underground tract, and evidently, so does R&B. Of course, PBR&B is a terrible term.

Jason Isbell, Southeastern

You’re not supposed to judge media by their cover art, but it’s hard not to sense something pretty intense in Isbell’s gaze on the cover of Southeastern. I don’t know if I would have listened to this album otherwise.

Kuriyama Chiaki, CIRCUS

Kuriyama Chiaki could have gotten someone like Perfume producer Nakata Yasutaka to fashion a hit-making album, but she tossed her hat into a ring that included Shiina Ringo and Asai Kenichi. I discovered she played Gogo Yubari in Kill Bill, Vol. 1 only after I listened to the album.

We’re half way into the second decade of the 2000s, and I haven’t seen much punditry on what albums have been emblematic of the decade. It’s probably because listening habits have moved on from albums even if the release cycle hasn’t.

My friend will be disappointed to learn I consider 2010 the start of the decade, so I’ll restrict my list to its first five years with 2010 included (i.e. 2010-2014.)

Jason Isbell, Southeastern: “Songs That She Sang in the Shower” and “Elephant” pretty much sold me on this album, and everything else was just seduction.

Tokyo Jihen, Sports: Shiina Ringo loosened her writing monopoly with the band, which then internalized her style to produce its best album.

Jarell Perry, Simple Things: Part of me thinks this album is actually better than Frank Ocean’s channel ORANGE.

John Luther Adams, Become Ocean: Does what it says on the tin very, very beautifully

Frank Ocean, channel ORANGE: WHERE YOU AT FRANK??

D’Angelo and the Vanguard, Black Messiah: So many of my friends lost their shit when this album was released that I had to hear it for myself.

Santigold, Master of My Make-Believe: I love her music, but damn, her videos are disturbing.

Sturgill Simpson, Metamodern Sounds of Country Music: What happens to country music when it ingests hallucinogens.

Duran Duran, All You Need Is Now: Thank you, Mark Ronson, for bringing Duran Duran back to itself.

Kuriyama Chiaki, CIRCUS: Getting Shiina Ringo to write a few tracks is a sure way for Japanese actresses to grab my attention.