03:19 - Redn1ghtThe first thing I heard while listening to that song was... "Wait... No way... FINAL COUNTDOWN! Oh shit you trolls."

03:17 - deadoneNo, I didn't pick that up which is bizarre given that Final Countdown is such a distinctive song and yes From Beoynd does sound like it now! It did sound familiar but I have put it down to genre! :P

03:17 - Redn1ghtThe melody is exactly the same in From Beyond right after the solo for example. xD

03:13 - Redn1ghtI was just pointing out my (Typos in here.) That I fixed. Sleepy atm. :P

03:11 - Redn1ghtI meant that title song in the Enforcer album sounding exactly like Final Countdown. Compare: [link] to [link]

03:11 - deadoneAs for typos, feel free to volunteer for an editor's position at MS.

Sirenia has for a long time been a band that, release after release, managed to divide their fan-base into those that appreciate their releases with all its flaws, and those that mourn the long gone days of Veland's creation in Tristania and early Sirenia. The Enigma Of Life further escalated the gap between the two sides and it seemed like Sirenia had lost all of its creativity in the process. Gone were the classical days when the orchestral arrangements were not used as a gothic gimmick, gone also were the days when Morten Veland was still somehow involved in the more extreme direction of metal.

This album is so awful, specially after listening to At Sixes And Sevens.
What the fucking fuck is the point of being worse over time?, it's for fun or something?
Morten was one hell of musician in Tristania and first-time Sirenia, then he comes with this shit. Over-produced, digital, boring, without atmosphere, middle-of-the-road Ailyn (she hasn't completely get the Classical singing), and fucking crappy drums.
Morten seriously needs to stop the cool photo session with her Spanish slut and think of his previous works.