One in a series of 75 posts about the best science fiction novels published during the genre’s so-called Golden Age (from 1934–63, according to HiLobrow’s Josh Glenn’s periodization schema). For the complete Golden Age Sci-Fi 75 list, click here.

In 1956, Benny Profane, a discharged U.S. Navy sailor, reconnects with Pig Bodine and the Whole Sick Crew, goofball bohemian pals of his in New York, who get in and out of scrapes and eke out a living by any means necessary — including alligator-hunting in New York’s sewers. They are off the radar, instinctively avoiding the normalizing apparatuses of what Yippies would later call “the creeping meatball.” We also meet Herbert Stencil, an older man who for years has been on the track of a mysterious entity (person? place? MacGuffin?) known as “V.” Stencil’s story is mostly back-story, until he hires Benny to travel with him to Malta. What we have here, then, is a playful mashup and deconstruction of two out of three sub-genres of (what I’ve dubbed) the Hide-and-Go-Seek Game adventure genre: Artful Dodger and Apophenia. V. is a sci-fi novel in much the same way that Philip K. Dick’s and Kurt Vonnegut’s best works are sci-fi: barely. Two characters, SHOCK and SHROUD, are synthetic humans designed to test the effects of nuclear radiation; and the novel’s aimless plot can be read as a what-if story about right action at the end of history.

Fun fact: The third Hide-and-Go-Seek sub-genre, Conspiracy, Pynchon would playfully deconstruct in subsequent, better-known novels, including The Crying of Lot 49 (1966). Note that Pynchon’s fictional defense contractor Yoyodyne makes its first appearance in V.