Other Hulu originals include: “The Amazing Johnathan Documentary,” in which a filmmaker profiles a dying magician on his final tour, but the lines between reality and magic begin to blur; Season 2 of “Find Me in Paris,” and “Jawline,” a Hulu original documentary that follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem

Amazon Prime Video has announced its new content offerings for July 2019, a list that includes five Amazon Original series and one Amazon Original movie. The service will also start streaming Epix’s new series “Pennyworth,” which takes a look at the early life of Batman’s famous butler Alfred, on July 28.

Hulu has confirmed that several of its original series will be debuting new episodes on the streaming service in July, including the first season of the highly anticipated Stephen King thriller “Castle Rock” as well as season 2 of the costume drama “Harlots” and season 4 of the comedy “Casual.”

And there will also be new to Hulu seasons of some of your favorites from other networks, including season 2 of “The Strain,” season 4 of “The Vikings” and season 8 of “RuPaul’s Drag Race.” Likewise, there will be plenty of movies making their first Hulu appearances including the first five films in the “Star Trek” franchise and the Oscar-winning “Rosemary’s Baby.”

Acting was never Angelina Jolie's end goal. As the daughter of Marcheline Bertrand and Jon Voight, the now 43-year-old movie star made her onscreen debut at age 7, opposite her father in the 1982 comedy Lookin' to Get Out. Eleven years later, Jolie landed her first leading role in the direct-to-video sci-fi flick Cyborg 2. Film roles in Hackers and Love Is All There Is followed, but her big break came in 1997 when she earned an Emmy nomination for her supporting role in George Wallace. In 1998, she won an Emmy, a Golden Globe and a SAG Award for her portrayal of the late model Gia Carangi in Gia. Jolie's turn as a sociopathic mental patient in 1999's Girl, Interrupted made her a bonafide movie...

Duncan Jones’ fourth feature, the long gestating twinkle in his eye/ pseudo Moon sequel Mute, is finally set to make its Netflix debut on Friday 23rd February. This British/German sci-fi production, filmed in Berlin, has been a passion project of Jones’ for some time and one that has careered from pipedream to planned and temporarily postponed. But when potent concepts flower within the minds of passionate artists they have a tendency to materialise in some form or another; whatever the cost. In Mute’s case, due to the evolution of online streaming triggering an industry metamorphosis, the film will mostly bypass cinemas* and arrive in the homes of Netflix subscribers on Friday 23rd February. What is known of the narrative is not much beyond a log-line with morsels extracted from myriad sources to form a patchwork understanding of what the story might be.

It's 20 years today that Tomorrow Never DIes first landed in UK cinemas. But was it, in its own way, ahead of its time?

Imagine a world in which deceitful news reporters and mysterious computer hackers are conspiring to destabilise the geopolitical status quo. Meanwhile, the United Kingdom has developed delusions of grandeur about its place in the world, and begun to embark upon an effort to restore itself to former imperial greatness. All this might seem a little familiar to anyone who has glanced at a newspaper recently, but it’s not a summary of recent events – this is a synopsis for the seventeenth James Bond film, Roger Spottiswoode’s Tomorrow Never Dies, which has just turned 20 years old.

[To get you into the spooky spirit, the Daily Dead team is spotlighting double features that we think would be fun to watch this Halloween season. Check here for more double feature recommendations and other Halloween 2017 coverage.]

In horror movies, things usually go so very wrong on October 31st when it comes to the Halloween-themed offerings of the genre. But what about the night before? October 30th, or “Devil’s Night”, can also bring about its own horrific consequences, which is the theme I went with when it came time to put together my double feature of Alex Proyas’ The Crow and Rob Zombie’s House of 1000 Corpses. Both are coincidentally feature film debuts for each director, they feature killer soundtracks, and this pair of films is also centered around a storyline where the characters will never be the same after their experiences on the night before Halloween.

Angelina Jolie has had quite a few memorable roles over the years, which makes her one of the perfect female stars to draw inspiration for movie Halloween costumes. From her '90s cyberpunk look in 1995's Hackers to her fashionable villain look in 2014's Maleficent, Jolie's onscreen personas are sure to appeal to a wide range of folks who are in search of a unique disguise. Keep reading to see a few of our favorites, and if you are in the mood for another star's look, check out our roundup of the best pop culture costumes for Halloween.

Mindhack Review: A young computer coder finds himself hunted by a mysterious man as he seeks to create world peace by hacking the human mind. Mindhack Review

Mindhack gets its European premiere at London’s 2017 Horror Channel Frightfest. Though the name suggests a weekend full of horror, the event celebrates the dark heart of cinema, encompassing all genres. In Mindhack we get a dark and deadly science-fiction story that explores what it is to be human.

Mason (Chris Mason) is a brilliant computer hacker who wants to save the world. Spurred on my his inner-voice he seeks to create World peace by hacking the impossible, the human brain. Mason believes that if we can reset the human mind then we will move away from wars and hate, and can instead exist in harmony. However, there are other forces out there trying to achieve the same task, but only for the polar opposite goal.

Last week’s premiere of “Twin Peaks” brought with it no shortage of surprises, but here’s probably the most unpredictable one we witnessed: a captivating performance by Matthew Lillard as William Hastings, a high school principal accused of murder, whose wife is tied up in the supernatural mystery surrounding Agent Dale Cooper’s (Kyle MacLachlan) evil doppleganger.

Lillard’s career began in the early ’90s with roles in “Serial Mom” and “Hackers,” and his reputation is definitely rooted in some variation of comedy, from horror comedies like “Scream” to the live-action “Scooby-Doo” films (and subsequent animated projects, for which Lillard still provides the voice of Shaggy).

“Twin Peaks,” while never lacking in funny moments, marks a bit of a departure for the character actor. That might be why, at the premiere last Friday,

When, in June 2016, rumour got out that director Danny Boyle had started filming the sequel to his cult hit Trainspotting people got very excited.

Paparazzi and fans alike flocked to the Edinburgh set and disrupted filming, making it tough for the filmmakers to keep anything secret. “They were trying to shelter our costumes. They had umbrellas and were like, ‘Put your hood on when you get your hair done,’” recalls Jonny Lee Miller, who once again plays platinum-blond drug addict Sick Boy. “Danny said, ‘It’s like f--king Star Wars up here.’ There was a level of excitement which was quite alarming.”

The 1996 film was an unexpected sensation and made instant stars out of Miller and his co-stars Ewan McGregor,

In 2004, Fisher Stevens went to Ohio with a coalition of artists to help John Kerry get elected president. It didn’t work, but Stevens — an actor-turned-director best known for campy roles in a string of ’80s and ’90s films such as “Short Circuit” and “Hackers” — emerged a changed man. “It was a fucked-up time,” Stevens recalled over lunch near his offices in downtown Manhattan, “but this a whole other fucked-up time.”

Flash forward a dozen years and Stevens is enmeshed in a new stage of his career, as a prolific documentarian who moonlights as an actor. Six years ago, he won an Oscar as a co-producer of “The Cove,” photographer-turned-filmmaker Louie Psihoyos’ thrilling exposé of the Japanese fishing industry. By then, he had stepped away from GreeneStreet Films, the independent production company he started in 1996 with John Penotti. That same year, Stevens launched Insurgent Media with Andrew Kirsch and Erik Gordon

An extensive new report commissioned by Directors UK has found that in the decade from 2004 to 2014, only 13.6% of working film directors in the UK were women.

‘Cut Out of the Picture: A study into the gender and inequality amongst directors in UK film,’ examines the data behind all 2,591 films made in the UK across that decade to explore how female filmmakers are faring at all levels.

The findings, which Screen will address in a feature to be published tomorrow, reveal that over that decade of study the situation not only stagnated, but worsened in terms of the number of female-directed films supported by public funding.

Over that period, just 21.7 percent of films receiving public funding had a woman at the helm, and that support fell dramatically in the seven years from 2008 to 2014; from 32.9% to 17%.

An extensive new report commissioned by Directors UK has found that in the decade from 2004 to 2014, only 13.6% of working film directors in the UK were women.

‘Cut Out of the Picture: A study into the gender and inequality amongst directors in UK film,’ examines the data behind all 2,591 films made in the UK across that decade to explore how female filmmakers are faring at all levels.

The findings, which Screen will address in a feature to be published tomorrow, reveal that over that decade of study the situation not only stagnated, but worsened in terms of the number of female-directed films supported by public funding.

Over that period, just 21.7 percent of films receiving public funding had a woman at the helm, and that support fell dramatically in the seven years from 2008 to 2014; from 32.9% to 17%.

If I wanted to watch The Hitcher, I’d watch The Hitcher. If I wanted to watch 127 Hours, I’d watch 127 Hours. If I wanted to watch Buried, I’d watch Buried. I certainly wouldn’t sit through Curve again.

Another mediocre movie from the Blumhouse production line, Curve is also the latest film from director Iain Softley, whose directorial career consists of one good movie, Backbeat; one cult movie, Hackers; and a whole heap of decidely average ones. Apparently he got the gig directing this film thanks to his 2005 effort The Skeleton Key which, like this film, is another example of the generic, housewife-friendly horror that tend to get on my very last nerve…

Curve follows bride-to-be Mallory, who is driving to Denver for her wedding when

The Walking Dead #1: Press Release: "Tulsa, Okla., October 8, 2015 -- Wizard World, Inc. (Otcbb: Wizd) and Skybound, Robert Kirkman's imprint at Image Comics, today announced that illustrator and musician Billy Martin has drawn the 20th in a yearlong series of Limited Edition Exclusive Variant Covers of The Walking Dead #1 comic, to be provided free to all full-price attendees at Wizard World Comic Con Tulsa, October 23-25. Skybound’s The Walking Dead created by Kirkman, the groundbreaking, Eisner-Award-winning comic book series, continues to captivate audiences worldwide.

The exclusive The Walking Dead #1 edition will be produced in extremely limited quantities and is available at

Angelina Jolie has had quite a few memorable roles over the years, which makes her one of the perfect female stars to draw inspiration for movie Halloween costumes. From her '90s cyberpunk look in 1995's Hackers to her fashionable villain look in this year's Maleficent, Jolie's onscreen personas are sure to appeal to a wide range of folks who are in search of a unique disguise. Keep reading to see a few of our favorites, and if you are in the mood for another star's look, check out our roundup of the best pop culture costumes for Halloween. Source: Paramount Pictures

Curve, which played at Frightfest 2015, tells the story of a young woman who becomes trapped in her car after a hitchhiker causes her to crash off the road. The film is currently touring other genre festivals ahead of a limited cinema run and VOD/DVD release. Keep up to date with the tour here: blumhouse.com/films

2015 is the 20th anniversary of cybercrime favourite Hackers (1995) and is enjoying celebratory screening across America and London. Check the PictureHouse website for details of screenings during September and October 2015. 2015 is also the 10th anniversary of voodoo infused horror mystery Skeleton Key (2005). There’s a special screening and Q & A at Picture House Central, London on Monday 2 November 2015.

Check their website for details and tickets www.picturehouses.com/cinema/Picture…ntral

Read More: Dinner and a Movie (and Drinks!) is the Future of Movie Theaters: Nitehawk Shows How It's Done Nitehawk, one of Brooklyn’s foremost purveyors of niche indies and cult revivals, took September 15 to celebrate the 20th anniversary of the teen cyberpunk thriller "Hackers." The director, Iain Softley, and members of the cast, including Jonny Lee Miller, Renoly Santiago, Laurence Mason and Fisher Stevens, were all in attendance to celebrate the film and its thumping tribute to youth and technology. The movie skids through the streets of New York City to follow a group of young hackers as they attempt to thwart the unleashing of a dangerous computer virus as they are tailed by the secret service and the evil tech genius who developed it. Featuring hacker names like Phantom Phreak, Acid Burn and Crash Override, as well as a young Angelina Jolie, "Hackers" has developed a cult following

Blazing a trail in 1995, Hackers tackled web culture on screen before the internet really took off. The cyber-thriller helped kick-start the career of a major Hollywood A-lister and swiftly became a cult classic thanks to its Hacker Manifesto.

As Hackers celebrates its 20th birthday today (September 15), here's what happened to the six stars who made up the cyber-punk crew.

In 1995, Jolie was a fast-rising 20-year-old actress with Cyborg 2 and some big music videos (including Meat Loaf, Lenny Kravitz and The Lemonheads) on her CV. New York Times critic Janet Maslin was non too plussed about Jolie's performance, saying of her character: "Kate stands out. That's because she scowls even more sourly than [her co-stars] and is that rare female hacker who sits intently at her keyboard in a see-through top."

Now, the 40-year-old is an Oscar-winning superstar with humanitarian work spanning more than a decade and

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