New lead sheets in April

Ready for some exciting news? As you might remember, our last group of leadsheets brought on two new composers to jazzleadsheets.com. It was such a hit that we’re keeping the new artists coming with two more this week: MELBA LISTON and ROY HARGROVE!

Melba Liston, trombone virtuoso and composer-arranger extraordinaire, joins the roster with the gorgeous ballad Just Waiting. Honest, plaintive, and emotional, this composition is everything a ballad should be. We’re offering it in the original key of E-flat as well as the recorded key of C for maximum playing options — take your pick or try them both, and check out our audio excerpts in both keys.

Also new to jazzleadsheets.com is the modern hard-bop pioneer Roy Hargrove, joining us with Dream Traveler. This Cuban-jazz hybrid has a strikingly modern harmonic progression and an appealing Latin groove — no surprise, given that it comes off the album that won Roy the 1998 Grammy for best Latin Jazz Performance!

Hoping to see more of your favorite composers? We’ve got more from them, too! Ray Bryant is back this week with a classic, 18th Century Ballroom. This charming medium-up swing was first recorded by Cannonball Adderley, and it’s easy to see why he chose the chart: it’s a memorable, tuneful, upbeat, and immensely catchy melody that is sure to brighten your spirits. Just a few months later, it was recorded again by Toots Thieleman, so we’re offering arrangements from both recordings to double the possibilities.

It’s been a while since we’ve featured saxophonist Harold Vick, so we’re bringing him back with his composition Night Flight. This lightning-speed chart is a real adrenaline rush and a whole lot of a fun to play. Our lead sheet includes suggested background voicings on the solos to take your arrangement to the next level.

Finally, we’ve got our first instrumental composition from Rob Bargad. We’ve featured him before with beautiful vocals like Another World and All Because Of You, but you’ll see him in a whole new light after hearing Little J.J., a high-energy composition full of anticipation and syncopation. It’s an unusual piece — it has an unexpected form and harmonic structure — and it’s sure to invigorate your next set. Although it was originally recorded as a trio, we’ve made it available with a quintet arrangement as well.