This is a single screen version. In gallery exhibition contexts, the piece is normally displayed as a multi-projector immersive or building scale installation, or even as a live performance. It is also wider, consisting of 9 to 12 "slices" as opposed to the 6 seen above, See details and documentation here: nadassor.net/2012/04/strip-lfe/

To make this piece I rode my bicycle throughout the year, in all seasons, day and night, on multiple paths through a unique part of Chicago that has been completely transformed by human artifice, in the process losing any sense of a consistent ground plane or uniformity of locale: it consists of violent oppositions between landscaped parks, underground service tunnels, parking-caverns inhabited by impounded cars and homeless derelicts, three level underground highways, manicured lake-shores, luxury living condos and walled in observation decks, fountains and fireworks, garbage dumps and engine rooms- all stacked on top of each other within less than a square mile.
The technical mechanism by which the panoramic image is generated is similar to the system I used for previous pieces in this series: A continuous video is shot from a camera mounted on a bicycle moving through a location. Consecutive moving frames from that single traveling shot, are spatially laid out next to each other so that each "slice" shows a moment a few seconds behind that shown by it’s neighbor. The intervals in time between these slices are constantly in flux, thus generating a landscape of shifting spatial proportions. Sound is also an important element in this piece: every slice of video comprising the strip plays its audio at the same moment, creating a strange doppler effect as sounds from different, adjacent locations play in unison.