Grilli Type designer Reto Moser shares the books that inspire him

Designer Reto Moser is a type designer currently working at Swiss type foundry Grilli Type. The studio was founded by Noël Leu and Thierry Blancpain in late 2009, and Reto has been working with them from the beginning. “We all studied together at the same school,” says Reto. “Since January 2016 though, I was officially hired and now work on all out of things like upcoming project, commissions and daily business.”

Grilli Type works as a small team to create original retail and custom typefaces and so far Reto has released GT Haptik and GT Eesti through the foundry, while working on almost all of the other releases in some shape or form. What Reto enjoys most about designing typefaces is how multifaceted it is: “On the one hand, I really like to be on the user-end of a typeface as a designer, and on the other I enjoy the meditative aspect of the drawing process.” For the designer’s bookshelf, Reto shares some of the books that have inspired recent projects, bargains he’s picked up over the years and a scientific publication by a group of architects and engineers.

L. Eisen: Aabits

L. Eisen: Aabits

L. Eisen: Aabits

L. Eisen: Aabits

L. Eisen: Aabits

Aabits is an Estonian alphabet instruction book from 1979. It was one of the initial templates for GT Eesti. I was given scans of this book long before I had the chance to buy an actual copy while visiting Tallinn, Estonia’s capital, in 2015.

I’ve been collecting children’s books for years, but this has to be my favourite one of them all. The bright coloured illustrations and the free-spirited layout and typesetting set Aabits apart from other books in this category.

Leonhard Lapin: Arhitektid Arhitektuurist

Leonhard Lapin: Arhitektid Arhitektuurist

Leonhard Lapin: Arhitektid Arhitektuurist

Leonhard Lapin: Arhitektid Arhitektuurist

Leonhard Lapin: Arhitektid Arhitektuurist

Leonhard Lapin: Arhitektid Arhitektuurist

This book was given to me by Ivar Sakk, head of the graphic design department at the Estonian Academy of the Arts. It’s a translation of a Soviet-era book about Russian architecture, printed in 1989.

I really admire the thought put into the playful layout, especially considering the production methods available at that time. The craftsmanship can really be felt and seen.

Clubführer des Schweizer Alpen-Club: Berner Alpen

Clubführer des Schweizer Alpen-Club: Berner Alpen

Clubführer des Schweizer Alpen-Club: Berner Alpen

Clubführer des Schweizer Alpen-Club: Berner Alpen

Clubführer des Schweizer Alpen-Club: Berner Alpen

I own a few of these Swiss mountaineering club guides from the 70s. Since these books were intended to be used outdoors, not only did they need to be small, handy, and not to heavy, but also durable and well made.

I chose this not only for sentimental reasons, but also because there’s something about how the format, binding, paper, typesetting, and illustration come together as a whole. The complete package, I really like that.

André Roch: In Fels und Eis

André Roch: In Fels und Eis

André Roch: In Fels und Eis

André Roch: In Fels und Eis

André Roch: In Fels und Eis

I first came across this book at the archive of the Swiss Foundation for Alpine Research where they have a great collection of mountaineering books. Unfortunately it was not for sale. About two years later I found it at my favourite secondhand book shop for about $2, what a bargain!

Peter Steiger: PLENAR – Planung, Energie, Architektur

Peter Steiger: PLENAR – Planung, Energie, Architektur

Peter Steiger: PLENAR – Planung, Energie, Architektur

Peter Steiger: PLENAR – Planung, Energie, Architektur

Peter Steiger: PLENAR – Planung, Energie, Architektur

Peter Steiger: PLENAR – Planung, Energie, Architektur

I can’t remember where I bought this, but I’m sure it was the cover that caught my attention. It’s a scientific publication by a group of architects, engineers, physicists, meteorologist etc. looking at energy-conscious construction. Published in 1975, the articles still feel very contemporary. The amateurish and rough design makes this book very charming and also enjoyable to look at.

Joe Kessler is an art director. He runs London-based comics publisher Breakdown Press with Simon Hacking and Tom Oldham. He authored Breakdown’s first comic titled Windowpane, and since then has become a driving force by publishing the work of numerous illustrators and cartoonists, many of which we’ve championed on the site including; Antoine Cossé, Anna Haifisch, Zoë Taylor, and Richard Short.

Emily and Alice Stein are a creative sister duo based in London and are behind various campaign visuals for big brands and publications including BBC, French Connection, The Guardian, Dazed, MTV and Channel 4.

Since 1899, MIT Technology Review has been reporting on important technologies and innovators with the backing of the Massachusetts Institute of Technology. The magazine’s mission is to “equip our audiences with the intelligence to understand and contribute to a world shaped by technology”.

Cynthia Pratomo is a creative director at creative consultancy Wolff Olins in New York. She was previously head of design at Anomaly, and is also a professor of design at the Pratt Institute where she helps students understand and combine their disciplinary powers across illustration, advertising and graphic design. “I always encourage my students to get off the internet and start their book collection early. At Pratt, when my seniors present similar references and influences for a project, they quickly discover the cycle of repetition in the design community,” says Cynthia.

Illustrator and cartoonist Nadine Redlich is known for her ability to distil witty one-liners and punchlines through sophisticated four-panelled comics and single character studies. Tapping into universal feelings such as embarrassment, worry and confusion, Nadine has published several books including Ambient Comics, Ambient Comics II, and Paniktotem last autumn.

DR.ME is a creative studio we’ve celebrated many times over the years. Known for creating work with its hands, the studio’s collage-based design has inspired many. Made up of Ryan Doyle (DR) and Mark Edwards (ME), the pair met on their first day at university at Manchester School of Art.