authors

During my disappearance from this blog, I spent a lot of my time proofreading, editing, and copyediting.

First, while people tend to use the terms interchangeably:

A proofreader checks text for syntax, spelling, punctuation, and other similar errors and corrects them.

An editor may do the above, but also will consider the content of the piece, the order of sentences, meaning, style, how the author addresses the audience, and other, deeper issues.

A copyeditor deals with text intended for publication – for instance, in a magazine or a book, proofreads it, checks it for accuracy (for instance, are the names of sources spelled correctly?), and then formats the material according to the “house style” of the publisher.

As you can see, each job has slightly different responsibilities. Mostly, I’ve been copyediting the local publication I mentioned in earlier blog posts. In general, I love the job. The hours are flexible (so I’m free to take care of sick kids or errands), and I get to make other writers look good. I’ve developed great working relationships with several of the columnists, thank G-d.

But there are also annoyances. And – without naming names – I’m going to tell you about some of them, because many of the people who read this blog are also writers, and those who aren’t may still be in a position where they have to write something for public consumption. A little awareness about common issues might prove helpful to you.

Okay, this is really not being posted by Anonymous. It’s plain ole me.

Writers live in the same world as the rest of you, which means we have to live with the people who read our work.

Yesterday Hevria began to post a series entitled “Truth And Dare.” The first post was by the outstanding writer, Chaya Kurtz. Entitled, “Backlash,” Chaya described the artistic desire to bare her opinions for all the world to see, but how when she did this, she suffered from the subsequent reactions that readers had. Today, sometimes she censors herself.

Anyway, it’s a fabulous post, and I recommend you read it, as well as the other pieces in the series.

When I commented on her post, a topic came up in the conversation I had with Chaya that has been on my mind lately — that being, is it right to publish anonymously or under a pseudonym? Continue reading →

(And then Rivki made me cry happy tears by saying she admired my work. I love her site, so the feeling is mutual.)

I found both the original post and the follow-ups fascinating. A lot of what all three bloggers had to say was about self-identification as a writer. At what point does a person who writes become a “writer?” Another theme was how the writer — whose job is by nature often solitary — interacts with their social milieu, both in their personal lives and in their professional ones.

Here are the original questions in bold. I’ll add my responses below each of them.

1. Do you share your work with your partner or spouse? Does it matter if it’s been published yet?Continue reading →

Today, I have the pleasure of sharing with my readers an interview with Suri Rosen, the author of a new YA novel, Playing with Matches. (You can find my review of the highly-entertaining Playing with Matcheshere.)

Suri piqued my interest in part because she has published her first book — a book with universal themes but with distinctively Orthodox characters and setting — with a mainstream, secular publisher. Most books with Orthodox themes tend to be published by Jewish publishers. I conducted this interview last week via email.

RK: This is your first novel, but as many of the reviewers have noted, you write with real skill. In particular, you handle Rain’s voice with humor and confidence.​ Have you published other genres before, taken classes, or to what else do you attribute your success?

SR: I’ve always been writing. (I cover this in detail on this website,’Dear Teen Me.’)

I read numerous books and blogs about writing and spent countless hours discussing technique with other novelists. But the most important aspect of becoming a publishable author – to me – is getting feedback. Giving a critique also sharpens your craft but getting a critique to me is the single most important factor in developing yourself as a writer.

Along with writing and editing, I’ve coached writers one-on-one off-and-on for the last couple years. I’ve presented writing workshops and made author visits to groups even longer than that, but those groups always consisted of school children. Yesterday, for the first time, I combined the two and taught a writing workshop for fledgling writers aged 15 and up. Actual grown-ups attended!

The Crash Course

Since my greatest area of expertise is writing for tots, tweens, and teens, I decided to offer a three-hour crash course in writing for those groups. My husband agreed to whisk away the kids who weren’t in school (some Jewish day school kids attend on Sunday mornings), and I prepared materials and advertised.

On the way to pick up one of my kids at school on Friday afternoon, one of the other moms pulled me aside.

“We’re really enjoying your new serial in Binah,” she said.

I got a little extra bounce in my step. “Thanks!”

“But getting just one chapter a week is driving us crazy! It’s so hard to wait for the next one!’ she added.

“Sorry!” I replied.

There really isn’t anything I can do to help her, but I feel her pain. Usually, I’m the reader throwing my arms up in frustration at the end of a serial episode screaming, “I have to know what happens next! Argh!”