Dogma Noveau is about creating conceptual music from a predetermined rule (Dogma) which is collectively decided during the gathering of Dogm:ites. These exotic occasions occur on a monthly to bi-monthly irregular basis and are performed in combination with intake of fuel for body and mind. At these gatherings, the results from previous round are played loud through a sound-amplification system, and the artistic works are described/defended/saluted with merry cheers from the Dogm:ites present at this unique and joyous occasion. Normally the host of the gathering is obligated to define the next rule, and a new date is set (and often, changed).

This piece is more/less a bastardization of ideas taken from Giacinto Scelsi, Iannis Xenakis, and non-specific INA-GRM recordings. The first part was composed using HighC with some post-processing in Cubase and is centered around b flat. The second part was done using MaxMSP, and uses a few seconds of an older live performance recording.