About a year ago, a curator and artist from Pakistan named Samina Islam emailed to ask if I'd be interested in participating in a fiber art exhibition -- the first of its kind -- in Karachi at the VM Art Gallery. It was easy to find information on the gallery -- a non profit, in operation since 1987, with a stated intention that aligns with my own:

"Arts and crafts have always been a significant part of any culture and society around the world and artists are integral to its well being, creativity, diversity as well as innovations of any community; artists are people who make a contribution not only to the world’s cultural heritage but also to their country."

VM Art Gallery

But I still had questions, not about sending my work to Pakistan, specifically, but about sending my work overseas in general. This was my first international invitation and I wanted to ensure my decision to participate wasn't clouded by my own giddiness. Luckily, I have a Pakistani friend here in Anchorage, Shehla Anjum*, who I've known for over 13 years. We met in the Creative Writing MFA program at the University of Alaska Anchorage and our paths have woven like a braided river ever since. When I was first contacted by Samina, my friend Shehla happened to be in Pakistan visiting family.

In Karachi.

What are the chances?​

Work by Lyndsey Mcdougall and Numair Abbasi, courtesy of VM Art Gallery.

"This show is meant to introduce the public to a variety of ways textile and fiber can be used to produce works that go beyond their aesthetics and raise a voice to incite a discourse on a range of issues effectively – a strengthened position that may not have had equal impact through other media.​For this exhibition Islam has brought five local and six international artists to participate and has assembled a diverse culmination of artworks that employ a gamut of techniques peculiar to the use of fabric and textile. The show is a mix of diverse cultures, stances, and voices that produce a cacophony of individual narratives despite the use of a single agent."

VM Art Gallery, exhibition press release excerpt​

Work by Richard McVetis, Rosie James and Manica Musil, courtesy of VM Art Gallery.

Shehla wasn't able to meet face-to-face with Samina, but they spoke on the phone in Karachi and discovered they have a mutual friend, Masuma Halai Khwaja, also an artist, and this was probably how my name was thrown into the global mix. Shehla indicated that Samina's enthusiasm for the curatorial effort was contagious and she passed that confidence on to me.

" (The artists) grant viewers to look beyond the rendered aesthetics and engage with the familiar medium, the materiality, the making, and the meaning behind the making. From installations and mixed media pieces, sculptural interventions and two dimensional artworks, the artists subsume thread, fiber, cloth, and garments in their works to bridge their voice with the audience and to evoke a response from viewers through the use of seductive, tactile materials that are inarguably an accessible art form."

Excerpt from Samina Islam's curatorial statement​

I'm honored to be included in such company, some of whom I've followed for years, such as Sue Stone, and others whose names have more recently been appearing in various publications, such as Richard McVetis, or illustrator Manica Musil, who will soon publish her textile illustrated children's book with Oxford University Press, Pakistan in English and Urdu because of this opportunity. Other contributing artists have reached out to me, across oceans, across cultures, and now we're connected in this small way.

During a time of global uncertainty, this exhibition has a fitting title -- when caring for cloth, you often need to unravel the damage before any mending can begin. I know Samina Islam worked incredibly hard to bring all of us together, and she didn't have to.

But she did.

I sent the first "Girl Story" piece. It's won two awards and exhibited widely, so if she gets lost coming back to me, then that's part of the story.

​But she won't.

Work by Amy Meissner and Sue Stone (and this may be the closest to Sue Stone I ever get to be...), courtesy of VM Art Gallery.

I couldn't attend the opening, so Samina asked for a video. I think I was more nervous about making this than sending work overseas. So here's what I sent, shaky voice and all. Many thanks to my sister, Erica, for putting this one together.​

Here is a list of the other contributing artists with links to their sites. I hope you'll seek them out. I hope you'll cross that bridge.

*And back to my friend Shehla Anjum -- she was one of the contributors to the Inheritance Project, and you can read about the cloth I inherited from her in the post The 12th boxes of mystery. She is a writer, question asker, world traveler and generous human, and despite calling the US home for decades, she is also feeling the emotional effects of being born in a Muslim country. Connecting Samina and I has become a glimmer of silver, which she recently wrote about in an opinion piece for the Alaska Dispatch News.

If you are interested in other exhibitions, click on the sidebar category Gallery Shows and scroll down since this post will come up first.​

Congratulations Amy—what an honor to be in such a fine show. I'm sitting here this morning crying in my tea as I read this, so many bridges to be built and crossed, one step or stitch at a time. Thank you!

Oh, Michelle! I think you aren't truly alone crying in your tea. It's always so good to hear from you -- I miss working next to you (and drinking tea with you, too...). All the best to you and Big Ivy.
XO
Amy

I have a friend who - from time to time - reads someone's blog from the first post to the last. She finds people whose work and voice appeal to her and she immerses herself in their world for as long as it takes. I can't imagine doing that - or that is, I couldn't have imagined it.

I enjoy reading your words as much as I love seeing your art. And that's A LOT! I won't be reading it all in one sitting, but I think I'll be leaving the window open on my laptop.

Leslie, THAT was a superb complement and I frankly can't imagine starting at the beginning of anyone's blog...there aren't enough hours in the day, or tea in the pot, or pot to smoke (kidding on that last one). But, I do a pretty good job with the side bar categories and for a decent overview, I'd suggest checking out "Alaska" and/or "Beach Work" (some overlap there) to understand my work's connection to place. Then "Histories," which juxtapose process images with the impetus and/or narrative behind specific pieces of art. I only post every 10 days or so since I spend a ridiculous amount of time writing these...because I've been hoping there were folks out there like you who appreciate a good read.

Thank you so much for the lovely mention on your blog and just to say I love your work too. By the way I think your video is fantastic, much better than my burbling nonsense. I agree it was much more nerve wracking doing the video than sending the work.

Sue, I've followed your work for a long time and thrilled to learn you were a part of this exhibition as well. Thank you for your kind words, and I'm sure your burbling nonsense was in reality eloquent, thoughtful and resonant. I hope our paths cross again.
XO
Amy

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Amy Meissner

Artist in Anchorage, Alaska, sometimes blogging about the collision of history, family & art, with the understanding that none exists without the other.​