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Monday, June 29, 2015

Heavy instrumental psychedelic stoner jams are at the top
of our food chain for today’s New Band To Burn One To with Cardiff, Wales’, The
Cosmic Nod, pummelling the very fabric of your existence with 30 minutes of
Earthless inspired jamming to really makes you question your reality.

Featuring two members of The Witches Drum (Owen Griffiths
and Mat Warren), the band have just released a two-track self-titled EP
featuring the 15 minute ‘Black Rubber’ and the 13 minute ‘Old Hemp’, both
ripping psychedelic jams drifting in between spaced out acid tripping wails,
and heavy fuzz-like riffing that pounds your skull into a gnarly blend of
stoner rock and psychosis induced head bangs. These guys (including Luke
Llewellyn, Tom Rees, Grant Jones) wear their influences on their sleeves, but
it’s a sound done with passion and skill that not many others can successfully pull
off, Thankfully though, The Cosmic Nod have found the perfect balance to make a
sound that really hits that psychedelic jamming hole in your soul you’ve been
crying out for.

Thursday, June 25, 2015

Let’s get this straight off the bat: Spanish trio Rosy
Finch have created a simply stunning record with their debut Witchboro.
Blending equal parts stoner, noise, and grunge, it’s a record channelling
influences from Melvins to Screaming Females crossing over punk and doom
influences along the way...tasty right?

Formed in 2013,
featuring members of Pyramidal and Hela, the Alicante girl/boy/girl group’s
debut record packs a hell of a punch from the off with ‘Ursula’ leading the
band down a doom trodden path as the vocals of Mirela Porto and Elena Garcia
enrapture as much as they guide you down a dark and scary path of layered riffs
and pounding drums that is an enthralling listen. All of the band’s influences
come raging out throughout the record with the punk screaming, psychedelic drifting
of vocals and guitar picking, frenetic noise assaults, and no nonsense stoner
songs that make you ache for the desert sun.

The band
describe the record as ‘a journey through the
soundscape of "Witchboro", a dark and soulless village where the
occult and magic meet’ and is split into two parts; Black Hills and Sea Of
Trees. The first half of the record is the heavy swathes of stoner that they
excel at, while the second half is more of experimental meanderings into
psychedelic waters, focusing on hazy vocals and doom-esque instrumentation that
captures you in many moments of contemplative hypnosis.

Witchboro is an outstanding record, one that will be
challenging the top of many a end of year list by the time 2015 is done with
us.

The gut-busting sludge/stoner
sounds coming from Scandinavia in todays' scene is an impressive feat, making it
one of the hottet places for new talent in the market we love, and added to the
ever expanding list is Pohjoinen with their self-titled debut, with enough
menacing threat to make you run for the North European hills.

Three years on from their demo, the Finnish trio
have mixed together elements of stoner, sludge, metal, prog, and a bit of doomy
death for good measure, and the results are brutal at times. Take a track such
as ‘Kuolema’ which takes you on a complete journey covering every venomous grunt
or rage filled riff and despairing vocal the band have to offer, and drive you
through every emotion with them, whether they bury you in doom or throw you
head first into the razor sharp metal riffs and guttural screams; they’re not a
band to do things half-heartedly.

The native tongue certainly gives the band a
sense of an alienating other worldly beast, but the riffs and songwriting allow
everyone to cling on for dear life to this assault that Pohjoinen are taking us
on, whether it’s a floating doom of ‘Joki’, the gritty stoner riffs of ‘Luovuttaja’
or the death prog of ‘Helvetin Aurinko’. Pohjoinen is not a record for the
faint hearted, but if that’s not you, allow yourself to be subjected to their
relentless time and style changes and impressive musicianship, it’ll be worth
your pulse rating for a good hour or so.

Another band from Finland in
our Triple Thursday review, but a slightly different beast this time round as
the Jyväskylä band Warchief have crafted a record full of rock and roll
stoner songs with experimental wanderings into fields of sludge and grunge
thrown in for good measure, and it creates an enthralling listen.

Opening track ‘Give’
fluctuates between gentle soft rock bases before launching into screaming
stoner deluges of sheer glory as the seven-minute track closes into a gargantuan
wall of riffing noise. The vocals are in English and clean cut, and they work
perfectly with the edgy vibes of the music and the youthful spirit evident in a
track like ‘Hounds of the Dune’ which is as groove-laden as it is brutal.

The closing of
the record is split into two 10 minute parts with ‘For Heavy Damage I’ and II,
showcasing all of this exciting band’s talents, trawling the listener through
every avenue of stoner glory, experimenting with modern day rock jagged edge
playing, and doing what they set out to do in “exploring the many dimensions of
the rock and roll universe”. Warchief is one of those records where once it’s
finished, you take a moment to gather your thoughts, and hit that replay button
straight away.

Wednesday, June 24, 2015

Malaugurio are the type of band that get you pumped up
for whatever it is your doing, be it starting a run, in the middle of a mosh
pit, or opening a new beer, it’s adrenaline soaked stoner/sludge to set your
heart racing. Hailing from Puerto Montt, Chile, this trio have laced together
some thunderous riffs with a sludge attitude, and vocals sung in their native tongue,
to devastating effect. The five tracks on offer on their debut record never let
you up for air, whether it’s the juggernaut pace of opening track ‘Gamba 80’ or
the instrumental sludge-athon of ‘Malaũgero’,
these guys have not come here to mess about, it’s straight to the point stoner,
and straight to the throat too. It’s always great to embrace a band which sings
in their true native tongue, so if you’re not fluent with the language, don’t
let that put you off missing some awesome heavy riffs, once the music take a
hold, the language of stoner becomes universal.