Sequel to The Princess and the Goblin in which Curdie travels to Gwyntystorm, the capital city, with many adventures along the way. There he finds a group of corrupt courtiers plotting to seize the throne. With the aid of Lina, a curious monster, and forty-nine other strange animals, he clears the palaces of these conspirators, eventually marrying the princess and becoming heir to the kingdom. In the sphere of fantasy, author George MacDonald has few equals, and his rare touch of many aspects of life invariably gives to his stories a deeper meaning of the highest value. Ages 7-10

248 pages

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CURDIE'S FATHER AND MOTHER

[50] THE eyes of the fathers and mothers are quick to read their children's looks, and when Curdie entered the
cottage, his parents saw at once that something unusual had taken place. When he said to his mother, "I beg
your pardon for being so late," there was something in the tone beyond the politeness that went to her heart,
for it seemed to come from the place where all lovely things were born before they began to grow in this
world. When he set his father's chair to the table, an attention he had not shown him for a long time, Peter
thanked him with more gratitude than the boy had ever yet felt in all his life. It was a small
[51] thing to do for the man who had been serving him since ever he was born, but I suspect there is nothing a man
can be so grateful for as that to which he has the most right.

There was a change upon Curdie, and father and mother felt there must be something to account for it, and
therefore were pretty sure he had something to tell them. For when a child's heart is all right, it is not
likely he will want to keep anything from his parents. But the story of the evening was too solemn for Curdie
to come out with all at once. He must wait until they had had their porridge, and the affairs of this world
were over for the day.

But when they were seated on the grassy bank of the brook that went so sweetly blundering over the great
stones of its rocky channel, for the whole meadow lay on the top of a huge rock, then he felt that the right
hour had come for sharing with them the wonderful things that had come to him. It was perhaps the loveliest of
all hours in the year. The summer was young and soft, and this was the warmest evening they had yet
had—dusky, dark even below, while above, the stars were bright and large and sharp in the blackest blue
[52] sky. The night came close around them, clasping them in one universal arm of love, and although it neither
spoke nor smiled, seemed all eye and ear, seemed to see and hear and know everything they said and did. It is
a way the night has sometimes, and there is a reason for it. The only sound was that of the brook, for there
was no wind, and no trees for it to make its music upon if there had been, for the cottage was high up on the
mountain, on a great shoulder of stone where trees would not grow.

There, to the accompaniment of the water, as it hurried down to the valley and the sea, talking busily of a
thousand true things which it could not understand, Curdie told his tale, outside and in, to his father and
mother. What a world had slipped in between the mouth of the mine and his mother's cottage! Neither of them
said a word until he had ended.

"Now what am I to make of it, Mother? it's so strange!" he said, and stopped.

"It's easy enough to see what Curdie has got to make of it, isn't it, Peter?" said the good woman, turning her
face toward all she could see of her husband's.

[53] "It seems so to me," answered Peter, with a smile which only the night saw, but his wife felt in the tone of
his words. They were the happiest couple in that country, because they always understood each other, and that
was because they always meant the same thing, and that was because they always loved what was fair and true
and right better, not than anything else, but than everything else put together.

"Then will you tell Curdie?" said she.

"You can talk best, Joan," said he. "You tell him, and I will listen—and learn how to say what I think,"
he added.

"I," said Curdie, "don't know what to think."

"It does not matter so much," said his mother. "If only you know what to make of a thing, you'll know soon
enough what to think of it. Now I needn't tell you, surely, Curdie, what you"ve got to do with this?"

"I suppose you mean, Mother," answered Curdie, "that I must do as the old lady told me?"

"That is what I mean: what else could it be? Am I not right, Peter?"

"Quite right, Joan," answered Peter, 'so far
[54] as my judgment goes. It is a very strange story, but you see the question is not about believing it, for
Curdie knows what came to him."

"And you remember, Curdie," said his mother, "that when the princess took you up that tower once before, and
there talked to her great-great-grandmother, you came home quite angry with her, and said there was nothing in
the place but an old tub, a heap of straw—oh, I remember your inventory quite well!—an old tub, a
heap of straw, a withered apple, and a sunbeam. According to your eyes, that was all there was in the great,
old, musty garret. But now you have had a glimpse of the old princess herself!"

"Yes, Mother, I did see her—or if I didn't—" said Curdie very thoughtfully—then began again. "The
hardest thing to believe, though I saw it with my own eyes, was when the thin, filmy creature that seemed
almost to float about in the moonlight like a bit of the silver paper they put over pictures, or like a
handkerchief made of spider threads, took my hand, and rose up. She was taller and stronger than you, Mother,
ever so much!—at least, she looked so."

[55] "And most certainly was so, Curdie, if she looked so," said Mrs Peterson.

"Well, I confess," returned her son, "that one thing, if there were no other, would make me doubt whether I
was not dreaming, after all, wide awake though I fancied myself to be."

"Of course," answered his mother, "it is not for me to say whether you were dreaming or not if you are
doubtful of it yourself; but it doesn't make me think I am dreaming when in the summer I hold in my hand the
bunch of sweet peas that make my heart glad with their colour and scent, and remember the dry,
withered-looking little thing I dibbled into the hole in the same spot in the spring. I only think how
wonderful and lovely it all is. It seems just as full of reason as it is of wonder. How it is done I can't
tell, only there it is! And there is this in it, too, Curdie—of which you would not be so ready to
think—that when you come home to your father and mother, and they find you behaving more like a dear,
good son than you have behaved for a long time, they at least are not likely to think you were only dreaming."

"Then dream often, my son; for there must then be more truth in your dreams than in your waking thoughts. But
however any of these things may be, this one point remains certain: there can be no harm in doing as she told
you. And, indeed, until you are sure there is no such person, you are bound to do it, for you promised."

"it seems to me," said his father, "that if a lady comes to you in a dream, Curdie, and tells you not to talk
about her when you wake, the least you can do is to hold your tongue."

"True, Father! Yes, Mother, I'll do it," said Curdie.

Then they went to bed, and sleep, which is the night of the soul, next took them in its arms and made them
well.

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