This is for Dee, the editor I’d like to have, who quite literally showed me the way.

~O~O~O~O~O~

Where do stories come from? she wondered. Her editor had told her that her writing had a quality of finesse in it. But, he said, the spark was missing. She wanted to protest, it had been such an effort to get to here after all. But anticipating just that, he had moved his hand in a wiping gesture, as if trying to clear away a fog around her.

“It’s that madness, that raw energy that used to make one want to read. Bring that back. It’s you. Unleash it in your writing.”

She brooded over it for a long time, all through the book-browsing date and the high tea that followed. Then she decided to take a walk. Taking long walks and watching people and noting down what one saw seemed to be the right things for a writer to do. The sea had always held appeal. But somehow, the effort of crossing the road, dodging bratty rich kids in their oversized cars only to scrounge a garbage pile of people on the other side, for seating space…wasn’t an appealing thought at all.

The city is no place for an artist, she told herself. How was one supposed to be inspired by this relentless struggle? It didn’t even have the elements of drama like a war or a revolution or an uprising, a famine or a flood. It was just everyday, niggling grievances. Who would want to read about those? Who would want to write about those, she retorted inside her head. Then she shook herself. Arguing with oneself is the first step into insanity and she’d be damned if she was going to live up to that pathetic stereotype of a writer-gone-crazy before she was even published.

The girl hopped off the last bogey, the one that she had just managed to jump into as the train pulled out of the station. In one hand she clutched a little notepad and a magenta pen, her chosen colour for the day. She did have one thought that should be captured before it vanished into that abyss of forgotten inspiration. One hand holding down the page, she expertly popped off its lid with her mouth and twirled it around to cap its end with practiced efficiency. Rapidly she wove a messy magenta web over the ideas that had caused her to almost miss her train.

Mumbai Metaphors

I stood on the opposite side of the road that runs along the seaface. It was the wrong side, not the one that had the seating parapet along its entire length but the junction of the seaface road and the arterial conduit to the station terminus.

I stood under the tree that has survived attempts to build bigger and more buildings, broader roads and wider pedestrian walks. The same gnarled tree that stands on the side of the road like a senior citizen with memories of a slower, more human-paced city but no energy to brave the pace of today.

The sky was just turning that indefinable shade of evening like the colour of the last dregs of black tea in a chipped white saucer. Sepia, the colour of nostalgia, that one extra element that changes the picture of a dirty, overcrowded metropolis to the magical visage of home.

A rare wind was blowing all around me. February in the city picks you up as gently and playfully as the waves and takes you to the edge of the shore of winter. I felt like I was standing in the middle of a swimming pool, only it was filled with moving, insistent air around me instead of water.

When she looked up, she was standing at the threshold of light, surrounded by darkness. The very edge of a station, flowing slowly into light at the other end. A rusty carriage sat on incomplete tracks, a long discarded project of the metropolitan train network and peered at her through unpainted metal bars. On the other side, across the tracks and the other well-lit platform, high over their roofs rose the skeletal inner beams of discarded mills. Like a will being contested over the rotting body of a dead person, the future of the land they stood on was being dueled over, with no thought to the buildings that still were.

Places have memories, don’t they? Memories of lives that have passed, of habits that were housed under these roofs, hidden behind these walls. The paan-stains, the half-buried cigarette butts, sneaky but woeful reminders of escapes, of stolen glee. And then the finality of ashes that came from burning who knows what? Paper? Cloth? Oil? Human beings? There were stories that led to the ashes but there was no way to trace them back. This place had its endings but not all it was in ashes. Everything else was memories that could be traced by anyone who cared to listen, to pick up those strands and imagine where they led. They were stories to be told.

She looked down at her book again, an abrupt swooshing action. The white pages even with their magenta words glared back at her in defiance. Those words meant nothing and in her mind’s eye, she imagined the magenta whorls and lines slide off the pages. Blood, the only thing that would stick. Hold a pen to a nerve and write, he had said. So she turned a page and begun,