I watched about half of that, and he wasn't saying much about how, or why he created the things the way he did. He just told us what plugins, and presets to use. Not very constructive foundation-ally. But he did show how to construct someone else's track in Live.

True, but it was useful to know what the core sounds he uses are. Like the DD-660 and the Korg mono poly.

The samples, sure that's useful, but he didn't say what about them made them useful. And he didn't explain anything about synthesis. He just said what preset he used. Eh, Im just a stickler for a more "why and how" approach, than what this fella did.

The samples, sure that's useful, but he didn't say what about them made them useful. And he didn't explain anything about synthesis. He just said what preset he used. Eh, Im just a stickler for a more "why and how" approach, than what this fella did.

It it helps, then it helps.

What about them makes them useful is that they are exactly what Com Truise used in that song. I don't know how more direct I could be than stating that the video will show you how to make Brokendate and the in the video I show you exactly how to make Brokendate. It is not a video on making sounds from the init patch, though I do have quite a few of those where I show how to make Lone sounds and some OoOOo sounds and TB sounds from the init patch.

The samples, sure that's useful, but he didn't say what about them made them useful. And he didn't explain anything about synthesis. He just said what preset he used. Eh, Im just a stickler for a more "why and how" approach, than what this fella did.

Sad to say it, but this is probably the "creative" process he used exactly. He probably doesn't know why and how he got to where he did. It's like some artists I know who press the "random" but on plugins for an hour until they get something that sounds good.