Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative ...
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Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative religious improvisations designed by Buddhists across Asia have worked to build a leisure culture both within and outside of monasteries. The author looks at the growth of Buddhist leisure culture through a study of architects who helped design tourist sites, memorial gardens, monuments, museums, and even amusement parks in Nepal, Singapore, Japan, Korea, Macau, Hong Kong, Laos, Thailand, and Vietnam. In conversation with theorists of material and visual culture and anthropologists of art, this book argues that these sites show the importance of public, leisure and spectacle culture from a Buddhist cultural perspective. They show that the “secular” and “religious” and the “public” and “private” are in many ways false binaries. Moreover, many of these sites reflect a growing Buddhist ecumenism being built through repetitive affective encounters instead of didactic sermons, institutional campaigns, and sectarian developments. These sites present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise—a gathering not a movement. Finally, despite the creativity of lay and ordained visionaries, the building of these sites often faces problems along the way. Parks, monuments, temples, and museums are complex adaptive systems changed and influenced by visitors, budgets, materials, local and global economic conditions. No matter what the architect intends, buildings develop lives of their own.Less

Justin Thomas McDaniel

Published in print: 2016-11-30

Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative religious improvisations designed by Buddhists across Asia have worked to build a leisure culture both within and outside of monasteries. The author looks at the growth of Buddhist leisure culture through a study of architects who helped design tourist sites, memorial gardens, monuments, museums, and even amusement parks in Nepal, Singapore, Japan, Korea, Macau, Hong Kong, Laos, Thailand, and Vietnam. In conversation with theorists of material and visual culture and anthropologists of art, this book argues that these sites show the importance of public, leisure and spectacle culture from a Buddhist cultural perspective. They show that the “secular” and “religious” and the “public” and “private” are in many ways false binaries. Moreover, many of these sites reflect a growing Buddhist ecumenism being built through repetitive affective encounters instead of didactic sermons, institutional campaigns, and sectarian developments. These sites present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise—a gathering not a movement. Finally, despite the creativity of lay and ordained visionaries, the building of these sites often faces problems along the way. Parks, monuments, temples, and museums are complex adaptive systems changed and influenced by visitors, budgets, materials, local and global economic conditions. No matter what the architect intends, buildings develop lives of their own.

An idealized view of the lifestyle of a Buddhist monk might be described according to the doctrinal demand for emotional detachment and, ultimately, the cessation of all desire. Yet monks are also ...
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An idealized view of the lifestyle of a Buddhist monk might be described according to the doctrinal demand for emotional detachment and, ultimately, the cessation of all desire. Yet monks are also enjoined to practice compassion, and live with every other human feeling while relating to other monks and the lay community. This book looks at how emotion determines and influences the commitments that laypeople and monastics make to each other and to the Buddhist religion in general. By focusing on “multimoment” histories, it highlights specific junctures in which ideas about recruitment, vocation, patronage, and institution-building are negotiated and refined. The book illustrates how aesthetic responses trigger certain emotions, and how personal and shared emotions, at the local level, shape notions of beauty. It reveals the negotiated character of lay-monastic relations and temple management. In the fields of religion and Buddhist studies there has been a growing recognition of the need to examine affective dimensions of religion. The book breaks new ground in that it answers questions about Buddhist emotions and the constitutive roles they play in social life and religious practice through a close, poignant look at small-scale temple and social networks. The book conveys the manner in which Buddhists describe their own histories, experiences, and encounters as they relate to the formation and continuation of Buddhist monastic culture in contemporary Sri Lanka.Less

Attracting the Heart : Social Relations and the Aesthetics of Emotion in Sri Lankan Monastic Culture

Jeffrey Samuels

Published in print: 2010-07-06

An idealized view of the lifestyle of a Buddhist monk might be described according to the doctrinal demand for emotional detachment and, ultimately, the cessation of all desire. Yet monks are also enjoined to practice compassion, and live with every other human feeling while relating to other monks and the lay community. This book looks at how emotion determines and influences the commitments that laypeople and monastics make to each other and to the Buddhist religion in general. By focusing on “multimoment” histories, it highlights specific junctures in which ideas about recruitment, vocation, patronage, and institution-building are negotiated and refined. The book illustrates how aesthetic responses trigger certain emotions, and how personal and shared emotions, at the local level, shape notions of beauty. It reveals the negotiated character of lay-monastic relations and temple management. In the fields of religion and Buddhist studies there has been a growing recognition of the need to examine affective dimensions of religion. The book breaks new ground in that it answers questions about Buddhist emotions and the constitutive roles they play in social life and religious practice through a close, poignant look at small-scale temple and social networks. The book conveys the manner in which Buddhists describe their own histories, experiences, and encounters as they relate to the formation and continuation of Buddhist monastic culture in contemporary Sri Lanka.

This book delves into the socioreligious milieu of the authors, editors, and propagators of the Rāṣṭrapālapaṛiprcchā-sūtra (Questions of Rāṣṭrapāla), a Buddhist text circulating in India during the ...
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This book delves into the socioreligious milieu of the authors, editors, and propagators of the Rāṣṭrapālapaṛiprcchā-sūtra (Questions of Rāṣṭrapāla), a Buddhist text circulating in India during the first half of the first millennium C.E. The book first reflects upon the problems that plague historians of Mahāyāna Buddhism, whose previous efforts to comprehend the tradition have often ignored the social dynamics that motivated some of the innovations of this new literature. Following that is an analysis of several motifs found in the Indian text and an examination of the value of the earliest Chinese translation for charting the sūtra's evolution. The first part looks at the relationship between the bodily glorification of the Buddha and the ascetic career that produced it within the socioeconomic world of early medieval Buddhist monasticism. Part 2 focuses on the third-century Chinese translation of the sūtra attributed to Dharmarakṣa and traces the changes in the translation to the late tenth century. The significance of this translation, the book explains, is to be found in the ways it differs from all other witnesses. One of the signal contributions of this book is its skill at identifying the traces left by the process and ability to uncover clues about the nature of the source text as well as the world of the principal recipients. The book concludes with an annotated translation of the Rāṣṭrapālapaṛiprcchā-sūtra based on a new reading of its earliest extant Sanskrit manuscript.Less

Bodhisattvas of the Forest and the Formation of the Mahayana : A Study and Translation of the Rastrapalapariprccha-sutra

Daniel Boucher

Published in print: 2008-09-02

This book delves into the socioreligious milieu of the authors, editors, and propagators of the Rāṣṭrapālapaṛiprcchā-sūtra (Questions of Rāṣṭrapāla), a Buddhist text circulating in India during the first half of the first millennium C.E. The book first reflects upon the problems that plague historians of Mahāyāna Buddhism, whose previous efforts to comprehend the tradition have often ignored the social dynamics that motivated some of the innovations of this new literature. Following that is an analysis of several motifs found in the Indian text and an examination of the value of the earliest Chinese translation for charting the sūtra's evolution. The first part looks at the relationship between the bodily glorification of the Buddha and the ascetic career that produced it within the socioeconomic world of early medieval Buddhist monasticism. Part 2 focuses on the third-century Chinese translation of the sūtra attributed to Dharmarakṣa and traces the changes in the translation to the late tenth century. The significance of this translation, the book explains, is to be found in the ways it differs from all other witnesses. One of the signal contributions of this book is its skill at identifying the traces left by the process and ability to uncover clues about the nature of the source text as well as the world of the principal recipients. The book concludes with an annotated translation of the Rāṣṭrapālapaṛiprcchā-sūtra based on a new reading of its earliest extant Sanskrit manuscript.

Healing lies at the heart of Zen. This book reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit ...
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Healing lies at the heart of Zen. This book reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit to one another. Everyday objects and common materials are used in inventive ways. The book brings a fresh perspective to Zen scholarship by uncovering a previously unrecognized but nonetheless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weaving tradition and innovation, to gain a sense of wholeness and balance in the midst of illness, loss, and anguish. Their rituals include chanting, ingesting elixirs and consecrated substances, and contemplative approaches that elevate cleaning, cooking, child-rearing, and caring for the sick and dying into spiritual disciplines. Creating beauty is central to domestic Zen and figures prominently in the book’s analyses. This book, the first study of the ritual lives of Zen laywomen, applies a cutting-edge ethnographic method to reveal a thriving domain of religious practice.Less

Bringing Zen Home : The Healing Heart of Japanese Women's Rituals

Paula Arai

Published in print: 2011-09-30

Healing lies at the heart of Zen. This book reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit to one another. Everyday objects and common materials are used in inventive ways. The book brings a fresh perspective to Zen scholarship by uncovering a previously unrecognized but nonetheless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weaving tradition and innovation, to gain a sense of wholeness and balance in the midst of illness, loss, and anguish. Their rituals include chanting, ingesting elixirs and consecrated substances, and contemplative approaches that elevate cleaning, cooking, child-rearing, and caring for the sick and dying into spiritual disciplines. Creating beauty is central to domestic Zen and figures prominently in the book’s analyses. This book, the first study of the ritual lives of Zen laywomen, applies a cutting-edge ethnographic method to reveal a thriving domain of religious practice.

This work is the first in-depth historical study of the Thai tradition of donation of that most iconic of Thai art objects, the Buddha image. The book introduces stories from tamnan(chronicles), ...
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This work is the first in-depth historical study of the Thai tradition of donation of that most iconic of Thai art objects, the Buddha image. The book introduces stories from tamnan(chronicles), monastic histories and legends from the Lanna region centered in today’s northern Thailand. Examination of themes, structures and motifs illuminates the conceptual and material aspects of Buddha images that influenced their functions in Lanna society. As agents and mediators of social agency, Buddha images were focal points of pan-regional political-religious lineages and rivalries, indeed, the very generators of history itself. Statues also unified the Buddha with the northern Thai landscape, integrating Buddhist and local significances of place. The book also compares Thai statues with Sri Lankan and Burmese-Mon Buddha relics and images, contributing to broader understanding of how materially different types of Buddhist representations mediated the Buddha’s ‘presence.’ Moreover, the book considers fundamental yet rarely critically deliberated questions such as how particular statues were selected as models to be copied. This involves the image’s aspect as an exchange of financial outlay for merit, ‘commoditized’ even as it is ‘singularized’ through enshrinement. Throughout its ‘life,’ the Thai Buddha image is always a part of wider society beyond monastery walls.Less

The Buddha in Lanna : Art, Lineage, Power, and Place in Northern Thailand

Angela S. Chiu

Published in print: 2017-03-31

This work is the first in-depth historical study of the Thai tradition of donation of that most iconic of Thai art objects, the Buddha image. The book introduces stories from tamnan(chronicles), monastic histories and legends from the Lanna region centered in today’s northern Thailand. Examination of themes, structures and motifs illuminates the conceptual and material aspects of Buddha images that influenced their functions in Lanna society. As agents and mediators of social agency, Buddha images were focal points of pan-regional political-religious lineages and rivalries, indeed, the very generators of history itself. Statues also unified the Buddha with the northern Thai landscape, integrating Buddhist and local significances of place. The book also compares Thai statues with Sri Lankan and Burmese-Mon Buddha relics and images, contributing to broader understanding of how materially different types of Buddhist representations mediated the Buddha’s ‘presence.’ Moreover, the book considers fundamental yet rarely critically deliberated questions such as how particular statues were selected as models to be copied. This involves the image’s aspect as an exchange of financial outlay for merit, ‘commoditized’ even as it is ‘singularized’ through enshrinement. Throughout its ‘life,’ the Thai Buddha image is always a part of wider society beyond monastery walls.

The most common description of the supernatural landscape in Vietnam makes a distinction between Buddhist and non-Buddhist “sides.” The “Buddha side” (ben phat) is the focus of this investigation ...
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The most common description of the supernatural landscape in Vietnam makes a distinction between Buddhist and non-Buddhist “sides.” The “Buddha side” (ben phat) is the focus of this investigation into the intersection of gender, power, and religious praxis. Employing an anthropological approach to Buddhist practice that takes into account modes of action that are not only socially constructed and contextual, but also negotiated by the actors, the book explores how gender and age affect understandings of what it means to be a Buddhist. The book examines everything from the skeptical statements of young men and devotional performances of young women to the pilgrimages of older women and performances of orthodoxy used by older men to assert their position within the pagoda space. From an in-depth view, the book describes the critical role of religion in shaping social contexts and inserting selves into them. Religion can thus be described as a form of theatre—one in which social identities (youth, old age, masculinity, femininity, authority) are constructed and displayed via religious practice.Less

The Buddha Side : Gender, Power, and Buddhist Practice in Vietnam

Alexander Soucy

Published in print: 2012-07-31

The most common description of the supernatural landscape in Vietnam makes a distinction between Buddhist and non-Buddhist “sides.” The “Buddha side” (ben phat) is the focus of this investigation into the intersection of gender, power, and religious praxis. Employing an anthropological approach to Buddhist practice that takes into account modes of action that are not only socially constructed and contextual, but also negotiated by the actors, the book explores how gender and age affect understandings of what it means to be a Buddhist. The book examines everything from the skeptical statements of young men and devotional performances of young women to the pilgrimages of older women and performances of orthodoxy used by older men to assert their position within the pagoda space. From an in-depth view, the book describes the critical role of religion in shaping social contexts and inserting selves into them. Religion can thus be described as a form of theatre—one in which social identities (youth, old age, masculinity, femininity, authority) are constructed and displayed via religious practice.

This book examines the shifting sets of meanings ascribed to the aged body in early and medieval Japan and the symbolic uses to which the aged body was put in the service of religious and ...
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This book examines the shifting sets of meanings ascribed to the aged body in early and medieval Japan and the symbolic uses to which the aged body was put in the service of religious and religio-political ideologies. In the Nara through mid-Heian periods, old age was used as a symbol of weakness, ugliness or pollution to contrast with the glories of the sovereign and his or her efflorescent court. Concurrently, governmental and Buddhist retirement practices called for elders to remove themselves from social, political and cultural centers. From the late-Heian period forward, however, various marginalized individuals and groups took up the aged male body as a symbol of their collective identity and crafted narratives depicting its empowerment. Although in early Japan the terms okina and ōna had been reserved for strange or foolish underclass old men and women, in the medieval period, Buddhist authors presented a great number of gods (kami), Buddhist divinities, saints and immortals (sennin) as okina, or in rare cases, as ōna. In these years literati came to enthusiastically employ the persona of the aged Buddhist recluse and early Noh theorists and playwrights sought to enhance the prestige of their art by linking it to performance traditions featuring mysterious but powerful okina. Although many of the divinized okina of medieval myth are today seen to inhabit a “Shintō” pantheon, they were, in fact, the product of Buddhist texts and arose within a Buddhist cultural milieu.Less

Buddhism and the Transformation of Old Age in Medieval Japan

Edward R. Drott

Published in print: 2016-05-31

This book examines the shifting sets of meanings ascribed to the aged body in early and medieval Japan and the symbolic uses to which the aged body was put in the service of religious and religio-political ideologies. In the Nara through mid-Heian periods, old age was used as a symbol of weakness, ugliness or pollution to contrast with the glories of the sovereign and his or her efflorescent court. Concurrently, governmental and Buddhist retirement practices called for elders to remove themselves from social, political and cultural centers. From the late-Heian period forward, however, various marginalized individuals and groups took up the aged male body as a symbol of their collective identity and crafted narratives depicting its empowerment. Although in early Japan the terms okina and ōna had been reserved for strange or foolish underclass old men and women, in the medieval period, Buddhist authors presented a great number of gods (kami), Buddhist divinities, saints and immortals (sennin) as okina, or in rare cases, as ōna. In these years literati came to enthusiastically employ the persona of the aged Buddhist recluse and early Noh theorists and playwrights sought to enhance the prestige of their art by linking it to performance traditions featuring mysterious but powerful okina. Although many of the divinized okina of medieval myth are today seen to inhabit a “Shintō” pantheon, they were, in fact, the product of Buddhist texts and arose within a Buddhist cultural milieu.

This study of the fate of Buddhism during the communist period in Cambodia puts a human face on a dark period in Cambodia's history. It is the first sustained analysis of the widely held assumption ...
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This study of the fate of Buddhism during the communist period in Cambodia puts a human face on a dark period in Cambodia's history. It is the first sustained analysis of the widely held assumption that the Khmer Rouge under Pol Pot had a centralized plan to liquidate the entire monastic order. The book offers a view that attempts to move beyond the horrific monastic death toll and fully evaluate the damage to the Buddhist saṅgha under Democratic Kampuchea. Evidence exists to suggest that Khmer Rouge leaders were determined to hunt down senior members of the pre-1975 ecclesiastical hierarchy, but other factors also worked against the Buddhist order. This book outlines a three-phase process in the Khmer Rouge treatment of Buddhism: bureaucratic interference and obstruction, explicit harassment, and finally the elimination of the obdurate and those close to the previous Lon Nol regime. The establishment of a separate revolutionary form of saṅgha administration constituted the bureaucratic phase. The harassment of monks was partially due to the uprooting of the traditional monastic economy in which lay people were discouraged from feeding economically unproductive monks. Younger members of the order were disrobed and forced into marriage or military service. The final act was the execution of those monks and senior ecclesiastics who resisted. It was difficult for institutional Buddhism to survive the conditions encountered during the decade under study here. The book concludes with a discussion of the slow re-establishment and official supervision of the Buddhist order during the People's Republic of Kampuchea period.Less

Buddhism in a Dark Age : Cambodian Monks under Pol Pot

Ian Harris

Published in print: 2012-12-31

This study of the fate of Buddhism during the communist period in Cambodia puts a human face on a dark period in Cambodia's history. It is the first sustained analysis of the widely held assumption that the Khmer Rouge under Pol Pot had a centralized plan to liquidate the entire monastic order. The book offers a view that attempts to move beyond the horrific monastic death toll and fully evaluate the damage to the Buddhist saṅgha under Democratic Kampuchea. Evidence exists to suggest that Khmer Rouge leaders were determined to hunt down senior members of the pre-1975 ecclesiastical hierarchy, but other factors also worked against the Buddhist order. This book outlines a three-phase process in the Khmer Rouge treatment of Buddhism: bureaucratic interference and obstruction, explicit harassment, and finally the elimination of the obdurate and those close to the previous Lon Nol regime. The establishment of a separate revolutionary form of saṅgha administration constituted the bureaucratic phase. The harassment of monks was partially due to the uprooting of the traditional monastic economy in which lay people were discouraged from feeding economically unproductive monks. Younger members of the order were disrobed and forced into marriage or military service. The final act was the execution of those monks and senior ecclesiastics who resisted. It was difficult for institutional Buddhism to survive the conditions encountered during the decade under study here. The book concludes with a discussion of the slow re-establishment and official supervision of the Buddhist order during the People's Republic of Kampuchea period.

This book is a study of how medieval Chinese Buddhists represented their ancient Indian forebears as exemplars of Buddhist practice for a world without a Buddha. It focuses on the Chinese ...
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This book is a study of how medieval Chinese Buddhists represented their ancient Indian forebears as exemplars of Buddhist practice for a world without a Buddha. It focuses on the Chinese hagiographies of Aśvaghoṣa, Nāgārjuna, and Āryadeva in particular, who were celebrated in medieval China as the greatest Buddhist saints since Śākyamuni, and who have long captured the attention of modern Buddhist Studies scholars. In contrast to earlier studies of these figures, which attempt to situate them in ancient Indian history, this book examines Chinese accounts of their lives as means of illuminating the beliefs and concerns of Chinese Buddhists themselves. Through these hagiographies I explore broader issues concerning how Chinese Buddhists conceived Indian Buddhism as a whole, and how they thereby construed the problem of being Buddhist in latter-day China. I examine Chinese Buddhist appropriations of the ancient Indian patriarchs in order to elucidate medieval Chinese conceptions of Buddhist sanctity across the Sino-Indian divide.Less

Conceiving the Indian Buddhist Patriarchs in China

Stuart H. Young

Published in print: 2015-02-28

This book is a study of how medieval Chinese Buddhists represented their ancient Indian forebears as exemplars of Buddhist practice for a world without a Buddha. It focuses on the Chinese hagiographies of Aśvaghoṣa, Nāgārjuna, and Āryadeva in particular, who were celebrated in medieval China as the greatest Buddhist saints since Śākyamuni, and who have long captured the attention of modern Buddhist Studies scholars. In contrast to earlier studies of these figures, which attempt to situate them in ancient Indian history, this book examines Chinese accounts of their lives as means of illuminating the beliefs and concerns of Chinese Buddhists themselves. Through these hagiographies I explore broader issues concerning how Chinese Buddhists conceived Indian Buddhism as a whole, and how they thereby construed the problem of being Buddhist in latter-day China. I examine Chinese Buddhist appropriations of the ancient Indian patriarchs in order to elucidate medieval Chinese conceptions of Buddhist sanctity across the Sino-Indian divide.

For more than a thousand years, Buddhism has dominated Japanese death rituals and concepts of the afterlife. This book, running chronologically from the tenth century to the present, brings to light ...
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For more than a thousand years, Buddhism has dominated Japanese death rituals and concepts of the afterlife. This book, running chronologically from the tenth century to the present, brings to light both continuity and change in death practices over time. It also explores the interrelated issues of how Buddhist death rites have addressed individual concerns about the afterlife while also filling social and institutional needs and how Buddhist death-related practices have assimilated and refigured elements from other traditions, bringing together disparate, even conflicting, ideas about the dead, their postmortem fate, and what constitutes normative Buddhist practice. The idea that death, ritually managed, can mediate an escape from deluded rebirth is treated in the first two chapters. Even while stressing themes of impermanence and non-attachment, Buddhist death rites worked to encourage the maintenance of emotional bonds with the deceased and, in so doing, helped structure the social world of the living. This theme is explored in the next four chapters. The final three chapters deal with contemporary funerary and mortuary practices and the controversies surrounding them. The book constitutes a major step toward understanding how Buddhism in Japan has forged and retained its hold on death-related thought and practice, providing one of the most detailed and comprehensive accounts of the topic to date.Less

Death and the Afterlife in Japanese Buddhism

Published in print: 2008-08-20

For more than a thousand years, Buddhism has dominated Japanese death rituals and concepts of the afterlife. This book, running chronologically from the tenth century to the present, brings to light both continuity and change in death practices over time. It also explores the interrelated issues of how Buddhist death rites have addressed individual concerns about the afterlife while also filling social and institutional needs and how Buddhist death-related practices have assimilated and refigured elements from other traditions, bringing together disparate, even conflicting, ideas about the dead, their postmortem fate, and what constitutes normative Buddhist practice. The idea that death, ritually managed, can mediate an escape from deluded rebirth is treated in the first two chapters. Even while stressing themes of impermanence and non-attachment, Buddhist death rites worked to encourage the maintenance of emotional bonds with the deceased and, in so doing, helped structure the social world of the living. This theme is explored in the next four chapters. The final three chapters deal with contemporary funerary and mortuary practices and the controversies surrounding them. The book constitutes a major step toward understanding how Buddhism in Japan has forged and retained its hold on death-related thought and practice, providing one of the most detailed and comprehensive accounts of the topic to date.

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