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[ENGLISH SDH]
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MAN:
Here we go. Camera mark.
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We're running. Good, guys,
keep the physicality.
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And action.
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[GRUNTING]
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DOWNEY JR:
In re-creating Sherlock Holmes...
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...you see that he was even stranger
than could be imagined.
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LAW: There's loads to be interpreted
from the originals...
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01:18:02,076 --> 01:18:05,102
...and loads that we've locked
in our minds that's wrong.
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RITCHIE: What we've tried to do
is take him back to his origin.
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He was essentially a more visceral
character, more of an adventurer.
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Action.
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This is not your grandfather's
Sherlock Holmes.
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The whole thing is just being reinvented
as something much more dynamic.
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There's the refined quality to it, and at
the same time, it's very rough and tumble.
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01:18:26,568 --> 01:18:28,968
It's got that Guy Ritchie feeling to it.
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It just feels new. It feels fresh. It feels
like you're seeing this for the first time.
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Watson, what have you done?
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RITCHIE:
Five...
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01:18:54,462 --> 01:18:56,430
...four...
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...three.
MAN 1: Now locked.
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MAN 2:
Are you rolling?
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01:19:02,437 --> 01:19:04,496
MAN 3: Camera steady.
MAN 4: One.
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01:19:04,672 --> 01:19:07,197
RITCHIE: I went to a boarding school
when I was 6, and what they did...
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...was if you were good, they used to
play Sherlock Holmes stories.
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01:19:11,379 --> 01:19:14,109
If you were bad,
they used to switch off the stories.
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- Cut.
MAN: Cut there.
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WIGRAM: Sherlock Holmes,
I fell in love with...
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...as I think probably
every young boy did.
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I knew there was a way to do it
that wasn't quite...
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...what we'd seen before.
MAN: And action.
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WIGRAM: The images I saw in my head as I
read these books were completely different...
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...from anything I'd seen
in any of the previous movies.
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Your boys have done a magnificent job
obliterating any potential evidence.
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Yes. But at least they never miss
an opportunity to miss an opportunity.
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WIGRAM: The mental image we all have
of Sherlock Holmes...
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...as a short-haired, clean-shaven,
stiffly starched guy...
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...with the deerstalker hat and the pipe
and all that kind of stuff.
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RITCHIE:
What happened to Sherlock Holmes...
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...is he became this rather posh,
homogenized individual.
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The quintessential lofty toff.
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01:19:57,325 --> 01:19:59,054
What of the coffin?
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01:19:59,227 --> 01:20:02,390
- We are in the process of bringing it up.
- I see.
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HOLMES: At what stage of the process?
Contemplative?
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DOWNEY JR: He knew everything
and he always figured it out...
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...and he was a bit snooty about it.
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01:20:10,538 --> 01:20:13,268
But no one seemed to
give him too much guff...
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01:20:13,441 --> 01:20:15,375
...because they needed
the information he had.
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- He was one of those guys.
MAN: And action.
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But the truth is, the more you
look into Conan Doyle's books...
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...you know, it's such a rich character,
such a rich world.
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MAN: And rolling.
CLARK-HALL: The books, some of them...
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...were very much small,
deductive pieces.
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And some of them were big adventures.
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SILVER:
By going back to the original stories...
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...you see that it isn't
a dusty, old chestnut.
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- It is fresh.
MAN: Action.
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DOWNEY: We wanna show it in a way
that we've never seen before.
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In fact, we're being truer
to the source material...
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01:20:47,141 --> 01:20:50,668
...than maybe some of
the previous films were able to be.
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01:20:52,280 --> 01:20:55,044
Because we have the technology
to build a scope...
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01:20:55,216 --> 01:20:58,083
...much bigger than any of
the previous versions were able to.
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01:21:08,129 --> 01:21:10,563
MAN: It's going up there.
- Yeah, you wanna get the feeling of:
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01:21:10,732 --> 01:21:13,200
- Bang, shwabang, bang.
DOWNEY JR: He's in his element.
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You wanna get that staccato, regimented,
smash... Yeah, he's in his element.
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I describe it as the Guy Ritchie version
of a Sherlock Holmes movie...
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01:21:21,309 --> 01:21:25,678
...because his style of cinema is so fresh
and modern and kinetic and fun.
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You do know what you're drinking
is meant for eye surgery?
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DOWNEY JR: Guy's a perfect director
for this reimagination of Sherlock Holmes...
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...because here's an innovator and
he's kind of reinventing himself as well.
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MAN:
Bring him out.
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DOWNEY JR: Early on in his career,
I think he really changed filmmaking...
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...and inspired a lot of directors since.
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LAW: If you put his natural
sort of intelligence...
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...into the period setting,
it works wonderfully well.
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[DOWNEY JR. SPEAKING INDISTINCTLY]
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LAW:
Enough. Please, enough.
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01:21:55,343 --> 01:22:00,144
Guy knows exactly how to combine
the action, the adventure...
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01:22:00,314 --> 01:22:04,011
...the scope, the sense of humor, and
get great performances out of these actors.
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01:22:05,119 --> 01:22:07,178
LAW: Them asking Guy to do it
was a stroke of genius.
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RITCHIE:
Cut.
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He's brilliant at physicalizing drama.
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MAN:
Three, two, one, bang!
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McADAMS: It is very, very action-packed,
and he's so incredibly good at that.
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He always says, "I need you to really
huff and puff through this one."
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01:22:23,071 --> 01:22:25,369
He always says "huff and puff."
"I need some huff and puff."
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[PANTING]
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- And then you're off.
- Okay.
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- And then the camera goes too.
MAN: All right. Stand by to go again.
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01:22:32,947 --> 01:22:36,314
LAW: If you release the hand brake
and let the whole thing just free-fall...
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...and have the balls to go with it,
you know, great things happen.
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01:22:40,188 --> 01:22:45,558
And Guy's been brave enough
and generous enough to let us do that.
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I told you he'd be coming
out the top window.
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01:22:47,628 --> 01:22:49,789
There isn't any way
he'd be coming over that terrace.
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01:22:49,964 --> 01:22:53,058
Technically, that isn't the top window,
is it, sailor boy?
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01:22:53,234 --> 01:22:56,499
- Anyway.
- Anywho.
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Boom. Don't know, you gotta watch out
for the stuntman struggle.
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- Okay.
- There was a bit of danger of that going on.
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DOWNEY JR:
Guy's a real man. He's a martial artist.
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And martial artists, we meet on that level.
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We meet as lovers of film and lovers
of kind of almost thumbing our noses...
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...at what the status quo is and saying,
"We can do something as cool as that."
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In fact we think for us, for our take
on it, our likings, we can beat it.
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MAN 1:
Six-Juliet, take four.
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01:23:24,632 --> 01:23:25,997
No, harder, go.
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01:23:26,167 --> 01:23:27,930
Come on, dude.
Punch me in the stomach.
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01:23:28,102 --> 01:23:31,503
- Punch me in the stomach. Go.
MAN 2: And action.
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RITCHIE: When this project
first came to me, I thought...
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I know they've already
done the young Sherlock Holmes...
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01:23:38,312 --> 01:23:41,475
...but we were thinking about
doing a sort of late-20s version.
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01:23:41,682 --> 01:23:43,946
But once I got to know Robert a bit...
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...it seemed conspicuously obvious
after a while...
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...and now it's almost ridiculous to think
that it could have been any other actor.
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01:23:53,594 --> 01:23:56,324
So someone will set it...
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01:23:56,597 --> 01:23:59,031
RITCHIE: Where's the discovery though?
When's the discovery?
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01:23:59,200 --> 01:24:03,694
The discovery... Well, let me think here.
After the throw in...
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RITCHIE: If he's already knocked you
over there and you're there organically...
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01:24:07,175 --> 01:24:08,199
...stay there and fight.
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01:24:08,376 --> 01:24:11,004
WIGRAM: I mean, Robert is the perfect
Sherlock Holmes, really, isn't he?
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01:24:11,179 --> 01:24:14,148
He is so brilliant and so funny
and so quick-witted.
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He thinks a bit like Sherlock Holmes,
I think.
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01:24:17,051 --> 01:24:19,918
WATSON: Holmes. What are you doing?
- Nothing.
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01:24:20,087 --> 01:24:22,351
- Are you wearing a false...?
- False nose? No.
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01:24:23,324 --> 01:24:25,155
Tell me that that wasn't...
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01:24:25,326 --> 01:24:26,350
[HOLMES SCREAMS]
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01:24:26,527 --> 01:24:28,518
- Actually, it does have its own charm.
- It does.
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01:24:28,996 --> 01:24:31,760
STRONG: He can fizz at a higher level
when he's improvising.
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01:24:31,933 --> 01:24:35,460
And it's amazing that in the story,
Holmes has that quality...
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01:24:35,636 --> 01:24:37,866
...that he cannot help seeing clues.
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01:24:38,039 --> 01:24:41,065
There's a lot of elements there
that I couldn't help but infuse him with.
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He's always had a sense of humor.
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01:24:42,977 --> 01:24:44,968
You'd have made an excellent criminal.
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01:24:45,146 --> 01:24:46,704
And you, sir, an excellent policeman.
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01:24:46,881 --> 01:24:50,942
He's a bit of a weirdo in that he spends
most of his time chasing down details...
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01:24:51,118 --> 01:24:55,282
...that people would go out of their minds
if they had to engage.
136
01:24:55,456 --> 01:24:57,048
Several sets of initials scored...
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01:24:57,225 --> 01:24:58,522
- Pawnbrokers' marks.
- Excellent.
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01:24:58,693 --> 01:25:00,354
Not bad. Cut there and reset.
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01:25:00,728 --> 01:25:02,719
DOWNEY JR:
The archetype to me is the person...
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01:25:02,897 --> 01:25:06,333
...who understands what all you
normal people are doing out there...
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01:25:06,500 --> 01:25:10,732
...but he's a man on a mission
and he represents adventure incarnate.
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01:25:10,938 --> 01:25:12,667
HOLMES:
Fist to patella.
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01:25:13,341 --> 01:25:15,172
Summary of prognosis,
conscious in 90 seconds.
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01:25:15,343 --> 01:25:18,540
Full faculty recovery, unlikely.
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01:25:18,713 --> 01:25:20,044
Well, it's all in the books.
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01:25:20,248 --> 01:25:25,083
He's a singlestick fighter,
a master of the strange art of baritsu.
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01:25:25,253 --> 01:25:27,346
Bareknuckle boxer, all that stuff.
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01:25:31,292 --> 01:25:34,022
He was the first martial artist,
really, in Western culture.
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01:25:35,529 --> 01:25:36,928
He's an action hero.
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01:25:45,172 --> 01:25:47,606
I've gotta tell you, Robert is
a very exceptional human being.
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01:25:47,775 --> 01:25:49,675
In Iron Man,
you saw that he was physical...
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01:25:49,844 --> 01:25:53,473
...but I didn't realize he was
as physical as he is.
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01:25:55,483 --> 01:25:56,950
- **** Are you all right?
STRONG: Yeah.
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01:25:57,118 --> 01:25:58,142
Let's do it again.
155
01:25:58,753 --> 01:26:03,417
Luckily he's been doing wing chun
for five years so he's good, he's fast.
156
01:26:03,591 --> 01:26:04,751
He is really fast.
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01:26:04,959 --> 01:26:06,586
As opposed to a sort of underhook.
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01:26:06,761 --> 01:26:09,286
RITCHIE: Sherlock Holmes, he started
something called baritsu...
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01:26:09,463 --> 01:26:13,194
...and we've tried to integrate that
into a sort of street level.
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01:26:13,901 --> 01:26:16,096
ORAM:
He is not just portraying that in the movie.
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01:26:16,270 --> 01:26:20,263
He's walking the walk.
That philosophy, that discipline...
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01:26:20,441 --> 01:26:24,935
...is something that he shares very much
in common now with the character.
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01:26:25,112 --> 01:26:26,306
He brings his full arsenal...
164
01:26:26,480 --> 01:26:30,780
...and out comes something you've never
seen before or never expected before.
165
01:26:30,952 --> 01:26:32,613
One more, please.
166
01:26:32,787 --> 01:26:34,914
Now, you know, it wouldn't be bad.
Let him do one.
167
01:26:35,089 --> 01:26:37,284
How do you say "one more, please"
in French?
168
01:26:37,458 --> 01:26:38,618
[SPEAKS IN FRENCH]
169
01:26:38,893 --> 01:26:40,224
[DOWNEY JR. GRUNTS]
170
01:26:40,394 --> 01:26:42,988
[ALL LAUGHING]
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01:26:43,197 --> 01:26:46,724
What's exciting about working with Robert
is that it becomes very much its own.
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01:26:50,237 --> 01:26:52,637
Relax, I'm a doctor.
173
01:26:53,107 --> 01:26:57,009
The riskiest character
in this whole story is Watson...
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01:26:57,178 --> 01:27:00,614
...because he's always been depicted
as being a certain way.
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01:27:00,781 --> 01:27:03,841
SILVER: Watson is portrayed in the movies,
in the Basil Rathbone films...
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01:27:04,018 --> 01:27:06,748
...with Nigel Bruce,
who's kind of a heavy guy like me...
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01:27:06,921 --> 01:27:09,219
...who sits around
and talks about things.
178
01:27:09,390 --> 01:27:11,585
A few people were surprised
when I was cast as Watson...
179
01:27:11,759 --> 01:27:13,886
...but when you go back
to the original text...
180
01:27:14,061 --> 01:27:17,724
...this is a guy in his mid to late 30s,
he has just left the army...
181
01:27:17,898 --> 01:27:19,957
...he was a bit of a war hero.
182
01:27:21,502 --> 01:27:26,599
Watson is a badass, a ladies' man,
a man of action.
183
01:27:26,774 --> 01:27:29,004
I'll go inside you like that. Yeah.
184
01:27:29,176 --> 01:27:33,704
Well, Jude I think embodies exactly
the idea they had for a modern Watson.
185
01:27:34,615 --> 01:27:38,813
Watson has been coined Hotson on the set
because all the girls think he's hot.
186
01:27:39,520 --> 01:27:43,547
It's no mystery that gals like Jude.
But that would be too easy...
187
01:27:43,724 --> 01:27:47,353
...so he's almost withdrawing and playing
someone who's just a little bit proper...
188
01:27:47,528 --> 01:27:49,758
...but it's appropriate for the period.
189
01:27:49,930 --> 01:27:53,024
He's very much the alkaline
to Robert's acid.
190
01:27:54,535 --> 01:27:57,971
- Look longer at the top.
- It could just... Maybe that you could be...
191
01:27:58,139 --> 01:28:01,006
DOWNEY JR: The second we met, we just
started bouncing ideas off each other...
192
01:28:01,175 --> 01:28:05,134
...and we were very much on the same
page, which is a pretty eccentric page.
193
01:28:05,312 --> 01:28:09,043
Holmes. Does your depravity
know no bounds?
194
01:28:09,216 --> 01:28:10,240
No.
195
01:28:10,418 --> 01:28:13,182
LAW: It was clear that we wanted to
create a chemistry that was...
196
01:28:13,354 --> 01:28:15,720
...both, you know, incredibly tight,
but also...
197
01:28:15,890 --> 01:28:18,654
...there's that wonderful sort of humor
where friends bicker.
198
01:28:18,826 --> 01:28:20,919
- You're not making any sense.
- You're not human.
199
01:28:21,095 --> 01:28:23,359
WIGRAM: And one of the big inspirations
for Guy with this...
200
01:28:23,531 --> 01:28:26,227
...has been Butch Cassidy and the
Sundance Kid. There's that quality.
201
01:28:26,400 --> 01:28:28,891
RITCHIE: I suppose I'm interested
in the partnership between men...
202
01:28:29,070 --> 01:28:30,435
...and the humor and the irony...
203
01:28:30,604 --> 01:28:33,573
...and the quirks that go with it.
MAN: Action.
204
01:28:34,542 --> 01:28:35,941
[GUN CLICKING EMPTY]
205
01:28:36,644 --> 01:28:38,236
What was that about saving bullets?
206
01:28:38,412 --> 01:28:43,076
They captured the levity and humor, but at
the same time, they captured the sincerity.
207
01:28:43,951 --> 01:28:46,920
LAW: We've just managed
to keep this relationship...
208
01:28:47,354 --> 01:28:50,983
And Robert and I have worked
very, very hard on it... . Alive.
209
01:28:51,158 --> 01:28:54,719
And it's been nothing short of great fun.
210
01:28:55,162 --> 01:28:59,758
- Dinner? The Royale?
HOLMES: Wonderful. My favorite.
211
01:29:00,401 --> 01:29:01,425
You ****.
212
01:29:01,602 --> 01:29:02,864
DOWNEY JR:
It's too good, dude. It's too good.
213
01:29:03,037 --> 01:29:04,766
MAN 1: Bring it from the top.
MAN 2: Still rolling.
214
01:29:06,040 --> 01:29:08,941
MAN 1: B camera.
MAN 2: Action.
215
01:29:12,413 --> 01:29:16,850
It is kind of a bit of a love letter
to Victorian London, as well.
216
01:29:17,651 --> 01:29:19,118
WIGRAM:
London was always a character.
217
01:29:19,286 --> 01:29:21,777
Because, I mean, Sherlock Holmes
is synonymous with London.
218
01:29:22,223 --> 01:29:26,057
You have this incredibly fascinating,
engaging and dangerous city...
219
01:29:26,227 --> 01:29:28,286
...and he knows every inch of it.
220
01:29:28,462 --> 01:29:32,296
The carriage forked left, then right,
a telltale bump over the Fleet Conduit.
221
01:29:32,466 --> 01:29:35,401
LAW: The locations have been amazing.
You know, I'm a Londoner, born and bred...
222
01:29:35,569 --> 01:29:37,901
...and we were going to places
I've never been or seen.
223
01:29:38,072 --> 01:29:42,406
We had to be here to shoot locations and,
you know, we're running down real streets.
224
01:29:42,576 --> 01:29:46,012
The feeling of doing this picture
in London is incredible.
225
01:29:46,180 --> 01:29:49,172
I mean, it is really a location movie.
226
01:29:49,350 --> 01:29:51,250
CLARK-HALL:
The work that we did out on the streets...
227
01:29:51,418 --> 01:29:54,319
...you could not have done in a studio.
Not on that scale.
228
01:29:55,189 --> 01:29:57,953
LAW: Whether it's through incredible sets
or CGI or whatever it is...
229
01:29:58,125 --> 01:30:02,494
...we can really go back to
London of 1891 and re-create it.
230
01:30:02,930 --> 01:30:05,728
RITCHIE: They built us docks,
they built us factories, they built us boats.
231
01:30:05,900 --> 01:30:09,461
It's just fantastic to turn up and,
you know, make a big film.
232
01:30:09,637 --> 01:30:11,104
MAN:
Action.
233
01:30:11,372 --> 01:30:12,703
[GRUNTING]
234
01:30:12,873 --> 01:30:14,602
WIGRAM: He's presenting it
in the Guy Ritchie way...
235
01:30:15,075 --> 01:30:18,772
...which is down and dirty,
and feels very authentic.
236
01:30:18,979 --> 01:30:21,004
MAN 1: Cut it.
MAN 2: Cut it.
237
01:30:22,249 --> 01:30:25,980
I hope you get bail by breakfast,
because the boys are getting hungry.
238
01:30:27,788 --> 01:30:31,656
Guy and London just go hand in hand.
And I think it's exciting for him...
239
01:30:31,825 --> 01:30:35,261
...to be able to go back and say, "Well,
what would it have looked like then?"
240
01:30:38,699 --> 01:30:39,723
[RITCHIE YELLS]
241
01:30:39,900 --> 01:30:41,060
[DOWNEY JR. YELLS]
242
01:30:41,235 --> 01:30:42,702
Montage.
243
01:30:43,537 --> 01:30:46,005
Three, two, one.
244
01:30:50,477 --> 01:30:51,842
RITCHIE:
I was attracted to the project...
245
01:30:52,012 --> 01:30:55,243
...because we could reinvent
an iconic English figure.
246
01:31:02,323 --> 01:31:04,689
STRONG: What Guy brings is something
that just weeds out...
247
01:31:04,858 --> 01:31:08,089
...all of that old-fashioned cliché from it.
248
01:31:12,700 --> 01:31:18,536
What excites me is that I feel that we have
made a movie that's very specific to itself.
249
01:31:19,707 --> 01:31:23,006
I think we've been faithful, but I do
think we've also injected it with life.
250
01:31:24,278 --> 01:31:26,405
RITCHIE:
Previous productions of Sherlock Holmes...
251
01:31:26,580 --> 01:31:28,707
...have been shackled
by one thing or another.
252
01:31:28,882 --> 01:31:32,283
But we really are going for it.
253
01:31:32,453 --> 01:31:33,715
Holmes!