piano lessons

It would be the most optimum by far for any musician to have music lessons from an early age, routinely and progressively. It goes without saying that quality of instruction is of utmost importance, as per an earlier article. A good instructor instills the musician with a solid foundation of fundamental truth, and cultivates the blossoming of virtuosity, all in a systematic manner that is not strained or rushed, but follows a line of organic development. To give the analogy of cheesemaking, if the talented student is the rennet, the instructor is the milk.

Having good instruction is so integral that it is customary for even word-class classical performers to publicly acknowledge the primary teachers who brought them up, such as in biographries, concert programs, liner notes, etc. It is usually a hallmark of prestige for the performer to validate their instructors in such a way. It is a feather in their own cap. A good instructor who is the primary one to bring up the musician is worth his/her weight in gold.

But what about those talents who are entirely self taught? Look, we understand that life produces various circumstances and that people come from all walks of life, some privileged, some underprivileged. For example, a child may possess an innate talent and passion for music, yet they may be from an environment so underprivileged that their parents or guardians may not even be able to afford lessons, let alone an instrument. Many try their best to realize their dream somehow and do the best they can within their ability. This is usually the factor behind self-education.

While there are some definite huge talents who have manifested themselves this way, the truth of the matter is that their spectrum of ability and potential could have blossomed tenfold, had they had the advantage of nurturing instruction. Think of the ingenious old man who lived in the Mississippi Delta during the early turn of the twentieth century, who had nothing but a guitar, a pick and his own voice. And look at what soulful art he created on his own. Now, think if that same individual had the advantage of a quality instructor who taught them about music and cultivated their talent for maximum potential. Their soulful expression of their art is inherent. That would not change. But their breadth and power to express that would put them on an even higher plateau, perhaps another Mozart.

There is another factor where some musicians feel they do not need instruction, that it will only impede their creativity and undermine their artistic integrity. This stems almost exclusively from bad instruction. As covered in one of my earlier articles, bad instruction does more harm than good. No instruction is almost better than bad instruction as poor teaching can ruin one’s musical appreciation. Good instruction does the exact opposite of what some fear, in that it empowers and brings out maximum creativity and ability to express one’s artistic integrity.

Interestingly enough, the ones who most commonly shun instruction are those musicians whose proclivity or gift is in composing or songwriting, more so than those who are virtuosic with an instrument or voice. There is a human tendency to be impatient when it comes to creativity. Obviously, this is more evident in creative minds. This is because the life force can “create” something instantaneously. Close your eyes and envision something, no matter how fantastic, elaborate or surreal. You envisioned it within seconds, didn’t you? That’s how the basic essence of you works. Those whose passion is to create something aesthetically, such as a composer or songwriter, for example, operate their minds with such lightning speed. To then learn such basic things as notes, etc., seems tedious to them.

The truth of the matter, however, is that music, while spiritual in nature, requires material world components to manifest, such as soundwaves, timing, etc. So as fast as it is to envision a creative concept, it is quite something else to transfer it into actual music that is heard by others and not just inside the composer’s head. The good instructor will know exactly how to cultivate this in the talented mind and bring it out with its maximum energy and force.

The accomplished musician who has been fortunate to have a main instructor who has almost mentor status will hold that person up as a trophy, because they are not only crediting them, but are showing their own prideful identity as a musician. If one fails to do this, it is an indicator that they are not actually as accomplished as they purport themselves to be.

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Learn how to use piano theory in your playing! Understanding the theory behind piano music will make things easier as you learn how to play the piano and learning different songs on the piano!
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For More Resources Check Out:
– http://www.pianolessons.com/piano-lessons/piano-theory.php

Notes: (play each line twice, playing right and left at same time)
Right F C Left, F
Right C# F Left C#
Right C D# Left G#
Right A# D# Left D#

►This tutorial is of the intro of All Of Me by John Legend on the piano/keyboard.
This was a request from a subscriber, however my keyboard has less than 30 (white) keys and I simply cannot play the entire song on it.
I’ve been having this problem with a few of the requests I’ve received since starting making tutorials, so I’m very sorry about that and if any one has anymore I’ll try to do them!
I just wanted to get that out there!
Nevertheless with this short intro you can get a good feel for the song, especially if you’ve just started out with piano.

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This teaches you a lot quickly, and you’ll learn how to actually understand everything and be able to play yourself, much faster than with traditional piano lessons.

This is a piano tutorial for beginners, but even if you are an intermediate piano player you will pick up some shortcuts about recognizing chords and intervals quickly by watching this fast-moving video.

I’ll show you how THEY work out songs, learn chords fast, play songs quickly, and how you can do the same thing and impress your friends by becoming an “Instant Piano Genius”. 🙂
http://www.PianoGenius.com

What else about learning and playing the piano are you having trouble with? Leave your comments and questions below, and be sure to subscribe to my YouTube channel.

Easy Piano Lessonscould play the entire piece. He started playing classical piano at age eight, taking lessons for a year and a half but was self-taught thereafter. While
been chiefly educated by his father. When he was seven Ravel started piano lessons with Henry Ghys, a friend of Emmanuel Chabrier; five years later, in

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You can read more infomartion in there: http://en.wikipedia.org/wiki/Special:Search?search=Easy%20Piano%20Lessons

How to play Don’t Wanna Learn by Not A Robot, their song based on Baldi’s Basics In Education and Learning.
Watch the original video here :
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Piano keys and notes. For beginners. Get my new book here: http://www.amazon.com/dp/B015HF9M3I Learn to identify the notes on a piano keyboard. Layout of keys on the piano. Also, here’s a link to my website here you can find more piano lessons: http://www.piano-keyboard-guide.com/

I highly recommend this piano course. Learn more here: http://www.piano-keyboard-guide.com/how-to-play-piano.html and get yourself a copy.

To take your playing to the next level, learn about my piano courses here: http://www.piano-keyboard-guide.com/piano-lessons.html and enroll.

Check out my piano and music theory books here: https://www.amazon.com/Mantius-Cazaubon/e/B015MANSFG and get yourself a copy or more.

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Ny name is Mantius Cazaubon. I am a full time musician. I am a songwriter, producer and award-winning artiste. I have been playing the piano for over twenty years. I am the author of 14 piano lessons and music theory books, including several Amazon best sellers. I’m the creator of several websites, including the high-traffic website, www.Piano-Keyboard-Guide.com, which receives over 300,000 visitors a month.

Mario Ajero discusses the benefits of starting children’s study at the piano at an early age and the musical journey that his son, Antonio “Nio” Ajero, has taken when they started piano lessons around age 3 with songs by rote and the initial concepts and pre-reading pieces from the Hal Leonard Student Piano Library Lesson Book 1.

To learn more about the Hal Leonard Student Piano Library, visit: http://www.halleonard.com/piano