I have been a hobby filmmaker since I was kid, but the landscape has always been my inspiration. I saw this as an opportunity to merge two of my interests: landscape architecture and filmmaking. For the past few years I have been thinking about how to do it, and it dawned on me that graduate school would be a good place to start. In fact, during a conference at UC Berkeley in the early 2000s, a group of landscape architects deliberated on the idea of how film could be utilized to bring the landscape, and landscape architecture, into the cultural mainstream. Reading about their discussions inspired me to answer their call.

I chose Market Street in San Francisco because currently, there is a huge effort to study and eventually redesign the street. It intrigued me because it is a monumental design project, not the kind you see very often, and I knew it would be happening for several years, so hopefully, the film would have some traction. Also, it is my hope that my film will be an educational artifact, long after the street has changed.

How was making the film? How much time did you spend filming? How much time did you spend on Market Street?

The key to good film production is good pre-production, which I didn´t really do, I’m a little shy to admit. Like I said before, I grew up making films, but I learned how amateur I was as a result of this project. This realization has actually led me to pursue more of these projects. The historical footage is all from a website called www.archive.org, and if you haven´t used it, it is a great resource, even if you´re just curious about history! Some of the footage is from the Prelinger Archives, a Library of Congress collection, which is curated by Rick Prelinger, a Bay Area archivist and writer. He has compiled some amazing collections of archival footage of San Francisco and the Bay Area, including A Trip Down Market Street, which is the infamous film taken from the top of a streetcar on Market Street only days before the 1906 earthquake.

All in all, I spent 14 days shooting and usually was on Market Street an average of two-three hours each day. I complied 55 interviews, almost all of which are in the film. As is typical of documentary filmmaking, I discovered, it really comes together in the editing room. I spent probably triple the time editing than I did actually shooting on Market Street.

Why do you think will Market Street be redesigned and how will it be?

It’s still a little early in the process, and the Better Market Street team isn’t quite in the unique design phase yet. They have presented three options and are at the stage of getting feedback on those options. Part of the purpose of these screenings on June 26 and July 11 is to raise awareness about the upcoming public workshops, where everyone can go to be a part of the decision-making.

Personally, I think San Francisco is ready for a more pedestrian Market Street. That is the key to it becoming more livable, because it’s just a ghost town in some places, and unsafe in others. Since Market Street is so integral to all the other modes of transit and the flow of adjacent streets and spaces, it is going to take some bold experimentation and inspiring proposals to actualize this project.

How do you feel about Market Street?

That’s a tough question. I think Market Street inspires me. It feels like the center of the city, and I believe that is a really important feeling for a city to have. Feeling like you’re at the heart of it all is one of the best feelings about cities; when you say to yourself "I’m really here right now—this is where the energy is". It’s no mistake that tourists come to Market Street. Obviously, they come for the cable cars a lot of the time, but I think they really come to experience the heart of the city. There is something monumental about its size and orientation that cannot be denied, and when you revisit history, you start to really root for Market Street.

Is the redesigning process on Market Street similar to what is happening in other cities?

I’m not sure I can answer that accurately, but from my experience I have definitely seen these projects in other cities. My hometown of Raleigh, North Carolina, redesigned their two main streets in recent years, to much success. However, cities are always making plans to revitalize their streets, so it’s nothing new. But the scale of what is being proposed for Market Street may be very ambitious compared to other cities.

Do you think your film will make a difference?

I certainly hope so! If anything, I just hope it will encourage people to be excited about how design affects their lives, and that they can be a part of the conversation.

Is it home? [Watch the film to understand the significance of this question!].

Haha, good question. For me, truthfully, it isn’t. I live in Oakland, so that may be why. But I certainly feel a connection with Market Street, and the more time goes by, the more it becomes familiar to me and the more I admire it.

Darryl Jones is a recent graduate of the University of California, Berkeley, where he received his Masters of Landscape Architecture. He is an active artist, designer and filmmaker whose work focuses on the relationship between people and their environment, specifically as a human being on foot. He currently works at a small architecture practice in San Francisco, CA. Darryl can be reached at DarrylJones@cal.berkeley.edu.