Thursday, June 13, 2013

Los Angeles Chamber Orchestra Goes to the Movies

Buster Keaton in "Our Hospitality" - film still courtesy of AMPAS

By Edwin Wendler

As part of their Silent Film Gala, now in its 24th year, the Los Angeles Chamber Orchestra had a comedic treat in store for a
receptive and enthusiastic audience assembled at UCLA’s Royce Hall on June 8. In his opening remarks, gala co-chairman Roger L.
Mayer pointed to recent collaborations between the National Film Preservation
Foundation and the New Zealand Film Archive in order to bring more silent movie
masterpieces back to the public’s attention.

"Hungry Hobos" film still by Walt Disney Animation Studios

Mark Watters
Photo: Emily Abshere

Gala Executive Committee member Edward J. Nowak introduced
the evening’s first movie: Walt Disney’s recently rediscovered, animated Hungry Hobos, featuring Oswald the Lucky
Rabbit. Created in 1928, this absurdly funny short film underwent a meticulous restoration supervised by Walt
Disney Animation Studios’ David A. Bossert.
Composer Mark Watters crafted a new, brassy score with roots in the popular
music of the era, and honoring Walt Disney’s preferences
regarding music for animation. For
instance, Watters’s score references tunes like Pop Goes the Weasel and perfectly syncs musical accents with the
cartoon characters’ screen antics. The accurate
timings of the digital master, and the click track which the
musicians heard in their ear pieces, allowed for an ultra-precise, vigorous
performance by the orchestra, conducted by the composer with gusto, for this
world première live performance.

Dustin Hoffman
Photo: Platon

Gala co-chair Hanna M. Kennedy and actor Dustin
Hoffman, who serves as honorary chair, announced the evening’s centerpiece feature
film: Buster Keaton’s Our Hospitality
(1923; co-directed with John G. Blystone).
Hoffman provided some trivia about the film (Keaton casting several of
his own relatives; re-creating the “Stephenson’s Rocket” steam locomotive) and
shared a touching anecdote about Keaton’s surprise at being celebrated as a
master filmmaker when all he had ever wanted to do was to make people laugh. Timothy Brock conducted the orchestra in a
beautiful performance of Carl Davis’s delightfully restrained score
(composed in 1984). Davis is certainly no stranger to silent
films, having written new music for a substantial number of them over the
years, most notably Intolerance, Napoléon, and the 1925 version of Ben-Hur.
Much of the comedy in Our
Hospitality derives from Keaton’s stoicism in the face of freakishly dangerous situations. Carl
Davis knows when to stay out of the way and let Keaton’s comedic genius do its
magic.

Carl Davis
Photo: Carl Davis Collection

Clarinet (performed by Chris Bleth) and “Americana” strings introduce the score’s
main, lyrical theme over the main titles. Remarkably, other than a giggling baby (Buster Keaton, Jr.), nothing about the opening sequence would
lead the audience to believe that they are watching a comedy. Chilling, high piano arpeggios (performed
to perfection by Bryan Pezzone) accompany the cold rain, and an ominous
motif (reminiscent of Franz Schubert’s Der
Erlkönig) for the lower registers of the orchestra introduce us to the main
plot device: a family feud between the Canfields and the McKays (obviously
inspired by the Hatfields and the McCoys).
The 5-note “feud theme” later returns in many variations
(including a more dominant 4-note version), mostly underscoring the Canfield
clan’s menacing presence and often deliciously performed by Steve Suminski on
trombone. The rain arpeggios also return
later, though in a much altered context.

Keaton’s character, Willie McKay, learns that he has inherited an estate
from his father. Willie’s resulting
train trip gets its own, 8-note theme and consists of numerous, hilarious
episodes, one of which involves an unmovable mule. The sequence makes great use of a
double-bass solo (performed by Nico Abondolo).
The movie’s action centerpiece, the thrilling “rapids sequence,”
involves some heart-stopping stunts and requires virtuoso playing from the
orchestra, whose concert master for the evening was Tereza Stanislav.

"Our Hospitality", film stills courtesy of AMPAS

Hanna M. Kennedy originated the Silent Film Gala for the Los
Angeles Chamber Orchestra in 1990, combining seldom-seen cinematic gems with
the musical skills from industry professionals who often perform on today’s
movie scores. I hope this series never
ends.

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Photos above are used by permission of LACO, AMPAS, Walt Disney Animation Studios, and The Carl Davis Collection.