The Pearl of Love

H. G. Wells

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The Pearl of Love

The pearl is lovelier than the most brilliant of crystalline stones, the moralist declares, because
it is made through the suffering of a living creature. About that I can say nothing because I feel none of the
fascination of pearls. Their cloudy lustre moves me not at all. Nor can I decide for myself upon that agelong dispute
whether The Pearl of Love is the cruellest of stories or only a gracious fable of the immortality of beauty.

Both the story and the controversy will be familiar to students of mediaeval Persian prose. The story is a short
one, though the commentary upon it is a respectable part of the literature of that period. They have treated it as a
poetic invention and they have treated it as an allegory meaning this, that, or the other thing. Theologians have had
their copious way with it, dealing with it particularly as concerning the restoration of the body after death, and it
has been greatly used as a parable by those who write about aesthetics. And many have held it to be the statement of a
fact, simply and baldly true.

The story is laid in North India, which is the most fruitful soil for sublime love stories of all the lands in the
world. It was in a country of sunshine and lakes and rich forests and hills and fertile valleys; and far away the great
mountains hung in the sky, peaks, crests, and ridges of inaccessible and eternal snow. There was a young prince, lord
of all the land; and he found a maiden of indescribable beauty and delightfulness and he made her his queen and laid
his heart at her feet. Love was theirs, full of joys and sweetness, full of hope, exquisite, brave and marvellous love,
beyond anything you have ever dreamt of love. It was theirs for a year and a part of a year; and then suddenly, because
of some venomous sting that came to her in a thicket, she died.

She died and for a while the prince was utterly prostrated. He was silent and motionless with grief. They feared he
might kill himself, and he had neither sons nor brothers to succeed him. For two days and nights he lay upon his face,
fasting, across the foot of the couch which bore her calm and lovely body. Then he arose and ate, and went about very
quietly like one who has taken a great resolution. He caused her body to be put in a coffin of lead mixed with silver,
and for that he had an outer coffin made of the most precious and scented woods wrought with gold, and about that there
was to be a sarcophagus of alabaster, inlaid with precious stones. And while these things were being done he spent his
time for the most part by the pools and in the garden-houses and pavilions and groves and in those chambers in the
palace where they two had been most together, brooding upon her loveliness. He did not rend his garments nor defile
himself with ashes and sackcloth as the custom was, for his love was too great for such extravagances. At last he came
forth again among his councillors and before the people, and told them what he had a mind to do.

He said he could never more touch woman, he could never more think of them, and so he would find a seemly youth to
adopt for his heir and train him to his task, and that he would do his princely duties as became him; but that for the
rest of it, he would give himself with all his power and all his strength and all his wealth, all that he could
command, to make a monument worthy of his incomparable, dear, lost mistress. A building it should be of perfect grace
and beauty, more marvellous than any other building had ever been or could ever be, so that to the end of time it
should be a wonder, and men would treasure it and speak of it and desire to see it and come from all the lands of the
earth to visit and recall the name and the memory of his queen. And this building he said was to be called the Pearl of
Love.

And this his councillors and people permitted him to do, and so he did.

Year followed year and all the years he devoted himself to building and adorning the Pearl of Love. A great
foundation was hewn out of the living rock in a place whence one seemed to be looking at the snowy wilderness of the
great mountain across the valley of the world. Villages and hills there were, a winding river, and very far away three
great cities. Here they put the sarcophagus of alabaster beneath a pavilion of cunning workmanship; and about it there
were set pillars of strange and lovely stone and wrought and fretted walls, and a great casket of masonry bearing a
dome and pinnacles and cupolas, as exquisite as a jewel. At first the design of the Pearl of Love was less bold and
subtle than it became later. At first it was smaller and more wrought and encrusted; there were many pierced screens
and delicate clusters of rosy-hued pillars, and the sarcophagus lay like a child that sleeps among flowers. The first
dome was covered with green tiles, framed and held together by silver, but this was taken away again because it seemed
close, because it did not soar grandly enough for the broadening imagination of the prince.

For by this time he was no longer the graceful youth who had loved the girl queen. He was now a man, grave and
intent, wholly set upon the building of the Pearl of Love. With every year of effort he had learnt new possibilities in
arch and wall and buttress; he had acquired greater power over the material he had to use and he had learnt of a
hundred stones and hues and effects that he could never have thought of in the beginning. His sense of colour had grown
finer and colder; he cared no more for the enamelled gold-lined brightness that had pleased him first, the brightness
of an illuminated missal; he sought now for blue colourings like the sky and for the subtle hues of great distances,
for recondite shadows and sudden broad floods of purple opalescence and for grandeur and space. He wearied altogether
of carvings and pictures and inlaid ornamentation and all the little careful work of men. “Those were pretty things,”
he said of his earlier decorations; and had them put aside into subordinate buildings where they would not hamper his
main design. Greater and greater grew his artistry. With awe and amazement people saw the Pearl of Love sweeping up
from its first beginnings to a superhuman breadth and height and magnificence. They did not know clearly what they had
expected, but never had they expected so sublime a thing as this. “Wonderful are the miracles,” they whispered, “that
love can do,” and all the women in the world, whatever other loves they had, loved the prince for the splendour of his
devotion.

Through the middle of the building ran a great aisle, a vista, that the prince came to care for more and more. From
the inner entrance of the building he looked along the length of an immense pillared gallery and across the central
area from which the rose-hued columns had long since vanished, over the top of the pavilion under which lay the
sarcophagus, through a marvellously designed opening, to the snowy wildernesses of the great mountain, the lord of all
mountains, two hundred miles away. The pillars and arches and buttresses and galleries soared and floated on either
side, perfect yet unobtrusive, like great archangels waiting in the shadows about the presence of God. When men saw
that austere beauty for the first time they were exalted, and then they shivered and their hearts bowed down. Very
often would the prince come to stand there and look at that vista, deeply moved and not yet fully satisfied. The Pearl
of Love had still something for him to do, he felt, before his task was done. Always he would order some little
alteration to be made or some recent alterations to be put back again. And one day he said that the sarcophagus would
be clearer and simpler without the pavilion; and after regarding it very steadfastly for a long time, he had the
pavilion dismantled and removed.

The next day he came and said nothing, and the next day and the next. Then for two days he stayed away altogether.
Then he returned, bringing with him an architect and two master craftsmen and a small retinue.

All looked, standing together silently in a little group, amidst the serene vastness of their achievement. No trace
of toil remained in its perfection. It was as if the God of nature’s beauty had taken over their offspring to
himself.

Only one thing there was to mar the absolute harmony. There was a certain disproportion about the sarcophagus. It
had never been enlarged, and indeed how could it have been enlarged since the early days. It challenged the eye; it
nicked the streaming lines. In that sarcophagus was the casket of lead and silver, and in the casket of lead and silver
was the queen, the dear immortal cause of all this beauty. But now that sarcophagus seemed no more than a little dark
oblong that lay incongruously in the great vista of the Pearl of Love. It was as if someone had dropped a small valise
upon the crystal sea of heaven.

Long the prince mused, but no one knew the thoughts that passed through his mind.

At last he spoke. He pointed.

“Take that thing away,” he said.

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