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Paul Draper’s 14-date Spring ’18 tour celebrated the 21st anniversary of one of the most favoured British albums from the late Britpop era – Attack of the Grey Lantern.

Recorded live at The Ritz, Manchester on Thursday 1st March 2018, this album captures Draper’s energetic stage presence, his incredible band and classic Mansun tracks such as “Wide Open Space“, “Taxloss” and “Disgusting“, performed to a fantastic Manchester audience.

Listen to the live version of “Taxloss” :

This 2LP Limited Edition Vinyl* is available for Black Friday 23rd November in your local indie retailer and all good record stores.

*Includes an mp3 download of the album.

A very limited quantity, signed by Paul will be available on his upcoming acoustic tour starting 14th Nov.

ANATHEMA TO HEADLINE CELEBRATORY RECORD LABEL EVENT IN LONDON WITH PAUL DRAPER, IAMTHEMORNING AND GLEB KOLYADIN

We are incredibly excited and proud to be celebrating our first decade as a record label. These past 10 years have allowed us to share and promote our favourite music, which has evolved over multiple genres whilst remaining fiercely adventurous. We kick-off the year’s revelries with an intimate acoustic show in our hometown, London, at the unique and iconic Union Chapel.

Our story began in May 2008 with the partnership between Steven Wilson and Tim Bowness as No-Man and their beautiful, haunting and cinematic album Schoolyard Ghosts. The label’s sound has since been constantly evolving through some truly brilliant and emotively powerful early projects from the likes of Anathema, Porcupine Tree, Engineers, Richard Barbieri, Gazpacho, Nordic Giants, Nosound and The Pineapple Thief, as well as Steven Wilson’s solo material and collaboration with Aviv Geffen as Blackfield.

In recent years the roster has grown to include a broader selection of talent, from the soaring dynamics of TesseracT, to the revenge-pop from The Anchoress, from the heart-breaking catharsis from Lunatic Soul to the electronica legacy of the great Tangerine Dream.

Shaping up to be a year full of celebrations, our first offering is the 10 Years of Kscope event, for which we’ve lined up a treat for guests with special acoustic performances from Anathema, Paul Draper, Iamthemorning and Gleb Kolyadin. This will undoubtedly be a night to remember for music lovers, and may even feature a few surprises…

Anathema, following the release of 2017’s The Optimist, continually evolved by placing hope in the future – from leaving the underground scene they were fundamental in establishing to continually mesmerising the world with stargazing post-progressive alternative rock that knows no borders.

“Welcome to a new Anathema experience: Ambient Acoustic.

In exploring what we might do to expand the music still further, out of thin air came the idea to arrange music in a ‘third way’, in the space between the acoustic band and the live rock band..

With ‘ambient acoustic’ we feel more free to explore many textures, mixing live loops, piano, strings, percussion, electronics, guitars and voices, all within the essence of the songs and the emotions they carry.

We hope you enjoy this next chapter of the story, the journey of discovery, of searching for something that can never really be found.

Much love, Daniel Cavanagh”

Anathema will be performing additional dates as part of their Ambient Acoustic tour in France, the Netherlands and the UK. For full details, see their website.

Paul Draper, one of British rock’s most singular and distinctive voices of the iconic 90s band Mansun, has returned with a top-20 debut solo album Spooky Action (“A properly fantastic album, ★★★★★” Record Collector).

Talking about the show, Paul told us he is “delighted and proud to be playing for my label Kscope at their upcoming 10th Anniversary show. It’s been such an exciting and productive time working with the Kscope team since I signed with them, so genuinely looking forward to playing a few tunes and celebrate with the Kscope family at the Union Chapel”

Iamthemorning, the progressive chamber duo, Gleb Kolyadin and Marjana Semkina, formed in St. Petersburg and have released two albums of rich and eclectic music on Kscope, Belighted and Lighthouse, that showcase their brilliance as pianist and vocalist. Their latest studio film and soundtrack, Ocean Sounds, is due for release mid-October.

Gleb recently released his self-titled debut solo album, featuring an array of impressive guest performers, to high praise including a 4 ½ star review from All About Jazz, who said it “finds the magical chemistry to weave everything into a dazzling ride with the smarts of Robert Fripp and the badassery of Beethoven. The spirit of Keith Emerson is probably pumping his fist in delight at seeing such inspired wizardry to carry on the tradition, and who knows, Franz Lizst may be cheering just as loud.”

The pair told us how they felt when asked to perform at the event

Gleb: “For me, London was always a place where all important things happen. And this fall I will be very happy to be on this very special event in a wonderful place with great people and present a few piano passages from my solo album. Very exciting and looking forward to October.”

Marjana: “The first time we met Kscope team was on “5 years of Kscope” festival. It was our first time in London and back then no one knew who we were. It’s amazing how things can change if you work hard enough, and it’s our greatest pleasure to be performing an exclusive chamber set in a wonderful Union Chapel (which was always my dream venue) as a part of the label. We both are very pleased to be invited and are very much looking forward to this wonderful evening.”

Somewhere at the arse end of Britpop, where record labels and the bigger bands had either lost the plot or were rapidly evolving to avoid the Britpop tag, there were some truly great albums released in that fag end; ‘Urban Hymns’ by The Verve or ‘Be Here Now’ by Oasis captured the decline of the Britpop years beautifully, while Radiohead’s‘Ok, Computer’ set the controls for the heart of the sun. Meanwhile four-piece Mansun, who were lumped, unfairly to my ears, into the whole Britpop scene (well, they were British, and they made music!) took the top of the charts with ‘Attack of the Grey Lantern’.

Despite the strength of the follow up ‘Six’, as well as ‘Little Kixx’, the band folded amidst much acrimony, leaving behind a collection of albums that, if you were there you’d get, if you weren’t then you would be amazed that you hadn’t heard them before.

Now signed to Kscope for his debut album and having achieved critical acclaim for his come-back and his tour supporting Steven Wilson, original Mansun frontman Paul Draper recently toured the UK selling out venues performing ‘Attack…’ in it’s entirety for the first time.

With the Mansun back catalogue now on Kscope, they have brought out a luxurious 21st anniversary edition. This pulls together demo’s, live tracks, unreleased material and, the holiest of holies, a shiny new 5.1 mix of the album.

Back in 2010 when the rights were held by EMI, they produced a triple disc edition of the album and while, inevitably, there is some cross over, the demo’s and 5.1 mix make this new package as attractive to new fans and older ones who want to relive their youth.

Astonishingly there are people buying music today who weren’t even born when this album appeared, and doesn’t that make me feel old?

Starting out as a concept about a superhero, The Grey Lantern, the band admitted there weren’t quite enough songs to complete the concept, but it doesn’t matter when the material on here is of such quality and style.

Anyone unfamiliar with the original album won’t know how it starts with the best Bond theme there never was, the dramatic string laden and powerful The Chad Who Loved Me, before leading into the sardonically titled Mansun’s Only Love Song (this quirky sense of humour and self-deprecation was to be a trade mark of the band) and, while they were put into the Britpop box, there was always more going on musically, as the brilliantly Beatles inspired, and pure festival singalong, Taxlo$$ proved. There were the brilliant single releases like the epic Wide Open Space and Stripper Vicar, the former being an absolute musical epic, and the latter being a very English piece of musical high-farce which could only have been made by an English band.

With a closing quartet of songs, She Makes my Nose Bleed, Naked Twister, Egg Shaped Fred and Dark Mavis, there is no bad track on this album. It is one of those organically produced records from the golden age of CDs where the sequence is everything and the album must be listened to in its entirety. This is no collection of songs to stream or put on as background, this is an album as art and, as such, is full of class, heart and soul.

Which is why it is perfect for the 5.1 treatment. There was always plenty going on musically with Mansun and the 5.1 mix enhances and expands this, giving the tracks real wide open space to breath. This makes it a completely immersive experience, taking it all back to listening to albums as they were meant to be listened to, you, a room and the sounds taking them over.

The fact that Mansun were so obviously head and shoulders above most of the Britpop crowd means they were more on a par with Pulp than Oasis, in that they have made timeless, classy intelligent rock music, music that wasn’t afraid to be a bit different from the norm. Listening back now it’s hard to imagine that if Mansun appeared from nowhere and released this today that it would get to number one. While it is easier to access music today, I have a suspicion that, looking at the demographic of the record buying youth 21 years ago, they were probably more accepting to trying something slightly different than the youth of today. So different, in fact, that they let, and actively encouraged Radiohead and Mansun to get away with blatant prog right under their noses in the depths of Britpop, the cheeky little scamps!

After seeing Paul Draper perform ‘Attack of the Grey Lantern’ live (a gig I’d only been waiting to see for 21 years) my interest in all things Mansun has been rekindled and, as Kscope have the full back catalogue, it appears that the follow up to ‘Attack of the Grey Lantern’, the even more astonishing and out there ‘Six’, is being readied for 5.1.

If ‘Attack of the Grey Lantern’ was the gateway drug, ‘Six’ is where we hit the hard stuff. With Paul Draper promising to perform it in it’s entirety live next year, well, I am already eagerly awaiting the next instalment in the Mansun story and, after immersing yourself in this well made, and well remastered set (the new mixes sound sublime and are really sympathetic to the original album) you will be too.

(As a note for those of you who aren’t into 5.1, there is a standard edition available as well, shiny and remastered for your pleasure.)

Following on from his hugely successful UK tour earlier this year where he performed songs from Mansun’sAttack Of The Grey Lantern,Paul Draper has confirmed that in September 2018 he will be celebrating the 20th Anniversary of the release of Mansun’s second album SIX, by performing tracks from the iconic album at this year’s Festival Number 6 (www.festivalnumber6.com ) in Portmeirion, Wales.

Paul has also announced that he’ll be playing a warm up show ahead of the festival at the Trades Club in Hebden Bridge, and a chance for fans to hear a preview of the songs from SIX, performed by Paul, solo, for the first time – Paul comments “It’s a really exciting challenge to be playing tracks from the Six album for the first time as a solo artist on the 20th Anniversary of the album’s release, really looking forward to this at Festival No.6 and the special warm up show at Trades Club, Hebden Bridge beforehand.’”

Kscope, who released Draper’s high anticipated debut solo album Spooky Action last year have acquired the rights to Mansun’s back catalogue. The ground-breaking label will roll out a reissue campaign over eighteen months that will cover the band’s entire history and enhance their reputation as one of the most iconic and innovative bands of the 90s.

The campaign begins on 8th June with the release of Attack of theGreyLantern (1997) and will be followed by Six (1998), Little Kix (2000) and the compilation Kleptomania (2004). The Kscope reissues will bring these classic records into the modern age by delving into a treasure trove of previously unreleased audio and visual material while fully remastering the original recordings for 5.1 and deluxe 180gm vinyl.

It’s been a long time coming, but former Mansun frontman Paul Draper reappeared recently onto the music scene with a new album called ‘Spooky Action’ (wonder where he found that title…..) and a fresh young touring band.

This year, on it’s the 21st anniversary of Mansun’s debut long player, ‘Attack of the Grey Lantern’ and, ahead of K Scope preparing to release it in a remastered and expanded (and 5.1, oh be still my beating heart) deluxe set, Mr Draper set off on a UK tour performing two sets.

The first made up entirely of solo ‘Spooky Action’ material, and the second being ‘Attack…’, performed in its entirety for the first time ever.

Now, I know the gig was back in February, and we are now into April, but in my defence I have moved to a new house and so when I looked on the calendar and arranged a date to complete (and be out of the flat complete with all our wordlies boxed up and ready for the removal van) I had agreed Feb 22nd.

So, a gig I’ve been waiting to see since ‘Attack…’ first hit my stereo back at the fag end of Britpop over 20 years ago (and it’s astonishing how many influential albums that I consider contemporary are getting the 20th and beyond anniversary, ‘OK Computer’, ‘Urban Hymns’, ‘His and Hers’, ‘Be Here Now’, ‘Boys for Pele’, this was, amongst many others, the sound of my adolescence and dear reader it makes me feel old) and yet I needed to have every boxed up and ready to go without any stress.

So I did what any sensible human would do, and go the gig, but drive – best of both worlds and in hindsight the right move, as it took me back 20 years and the stress of the moment was relieved.

If anyone here doesn’t believe in the healing power of music, then my friends you’re missing out.

Now the gig had been moved from the Bierkeller which shut down in conflicting circumstances at the start of February, luckily SWX round the corner is a nicer and more modern version, with an excellent sound system, and from where we were we had an excellent view of the stage, so as an aside, if you see anyone promoted here and wonder if it’s worth going, it’s a Yes from me (& it’s very close to town and about 20 minutes’ walk from Temple Meads – see, who needs trip advisor?)

Unfortunately, I didn’t catch the name of the support act, who was a local lad with a guitar and a penchant for checked shirts and listening to Nick Drake and Bob Dylan, it was pleasant enough and I’m sure his Mum enjoyed it, but it didn’t set the world alight, and his acoustic guitar sound was lost at points in the venue.

Then came the part we were waiting for, Mansun always exuded an aura of mystery and a certain disconnect that set about as far away from the Britpop scene that they were lumped in with, like a square peg in a round hole, and it was great to see Paul Draper, slightly older, bearded and full of chat between songs and with plenty of stage presence.

Even better, he still has the power in his voice, and an incredibly tight and talented young band around him, with Ben Sink on guitar doing a lot of the heavy lifting, allowing Draper to focus on the singing and being the frontman, he has always been.

I know the audience were there for ‘Attack…‘ but the ‘Spooky Action’ material really holds its own with the gig opening as the album does with the superb Don’t Poke the Bear, and songs like Grey House, Jealousy is a Powerful Emotion, Friends Make the Worst Enemies and Who’s Wearing the Trousers all went down a storm.

Then, after a brief interval, the band came back on stage with a nod from Paul thanking his ‘support act’ and then, the rousing strings of the best James Bond theme there never was The Chad Who Loved Me came ringing out, and the auditorium was lost in a magical musical time warp, as the classics like Wide Open Space, Stripper Vicar, the legendary Taxloss,Dark Mavis and the rest all came out in a blaze of glory.

Don’t get me wrong, this is no nostalgia act, as the first half proved, and as a band who were always slightly out of time, Mansun’s tunes have proved timeless, as this album still sounds fresh, exciting and contemporary even 21 years later.

I went into this show not knowing whether it would be worth my money (&yes dear reader – this is one of those rare occurrences where I review something I paid for!) and it was worth every penny.

During the gig Paul Draper said he would back soon, performing ‘Six’ in it’s entirety – take all of my money, now!!!

Stunningly remastered from the original multi-tracks – this incredible album will be available on all digital platforms and as a media book CD, a 2 x black gatefold vinyl, a very limited 2 x purple gatefold heavyweight vinyl (complete with original design printed inner bags) and a lavish four disc limited book (3CD+DVD) including remastered album, DVD (including 5.1 mix, original videos and hi-def mix), a 70 page book with a new extended essay on the making the record and its impact, a CD of never before heard demos, rarities & outtakes and a CD of selected Mansun BBC Sessions.

Mansun – one of the most iconic bands of the late ’90s – have announced details of a huge remastered reissue of their 1997 debut album, Attack of the Grey Lantern. It will be released via Kscope on June 8th 2018.

The album will be released on multiple formats including limited coloured vinyl, standard black vinyl, single CD and super-deluxe four-disc book set (including unreleased material on CD and a new 5.1 mix on DVD). It will also be available to stream on all digital platforms.

For most rock‘n’roll bands, the debut album is a chance to properly record their nascent songs – those scrappy, speedball numbers often written in the white heat of formation. For Mansun, back in 1996, things were a little different. Formed in Chester before coming of age at Parr Street Studios in Liverpool, the band’s early ambitions marked them out as a very different prospect to their supposed peers. Their songs were mini-symphonies filtered through their perfectly British eccentricity, worked out in painstaking detail in the studio before ever being played on the stage. The lyrics told elaborate stories, followed paths and planted signposts.

When it emerged, Mansun’s debut – Attack of the Grey Lantern – was the complete picture. A record that opens with a Bond theme like orchestral overture before opening out as an interconnected voyeuristic, curtain-twitching concept album about a smalltown superhero, AOTGL was an almost incomprehensibly melodic work that embraced intelligence and nuance over the brute force and beery bonhomie of their contemporaries. When it was released at the height of Britpop, AOTGL reached No 1 (in February 1997) and achieved platinum sales thanks to a hugely dedicated fanbase.

Now twenty-one years on, the album has been fully overhauled for a gloriously deluxe reissue package remastered from the original multi-tracks by Jon Astley and with the band and Paul’s longtime studio collaborator PDub creating the 5.1 remix. The CDs of extra material include previously unheard demo recordings, studio outtakes and long unheard BBC sessions recorded prior to the album’s release. This reissue campaign also sees the record remastered for vinyl for the first time since its original release.

Mansun’sPaul Draper recently played a sold out tour of the UK playing Attack of the Grey Lantern in its entirety. Much of the album had never been performed live prior to these dates. Paul’s first solo album – Spooky Action – was released on Kscope to critical acclaim in August 2017, being described by Record Collector in a 5* review as “the perfect confection for the later days of the 2010s”. Paul sets off on his first ever solo tour of the States in April/May – the first time he has played US dates since the ’97 release of Attack of the Grey Lantern. Kscope took on the Mansun back catalogue in 2017, they plan to release expanded, deluxe editions of the band’s other albums – Six and Little Kix – in the future.

Paul Draper has announced details of a new EP release. EP Three features new versions and acoustic recordings of some of the stand out tracks from Draper’s acclaimed 2017 album Spooky Action. Lead track Jealously Is A Powerful Emotion is a tale of betrayal and coldly plotted revenge that builds from twisted, spectral electronics into a glorious swooping, swooning crescendo. Also featured on the EP are acoustic takes on Jealousy… and previous single Things People Want as well as epic overhaul of the EP Two lead track Friends Make The Worst Enemies by Public Service Broadcasting.

Paul Draper plays a series of previously announced shows in February and March. At those shows, Paul and his band will play a set of solo material before performing Mansun’s classic debut Attack of the Grey Lantern in full for the first time ever on the 21st anniversary of its release. The dates are:

Mon 19th Feb – Brighton, The Haunt (sold out)

Tues 20th Feb – Portsmouth, Wedgewood Rooms

Weds 21st Feb – Bristol, Bierkellar

Fri 23rd Feb – Dublin, The Workman’s Club

Sat 24th Feb – Belfast, Limelight 2

Mon 26th Feb – Edinburgh, The Caves

Tues 27th Feb – Glasgow, The Art School

Thurs 1st Mar – Manchester, O2 Ritz

Fri 2nd Mar – Sheffield, Leadmill

Sat 3rd Mar – Newcastle, Riverside

Mon 5th Mar – Nottingham, Rescue Rooms

Tues 6th Mar – Norwich, The Waterfront

Weds 7th Mar – Oxford, O2 Academy

Thurs 8th Mar – London, Brixton Electric

Following the UK shows, Paul Draper heads to the States to play a series of shows supporting Steven Wilson in North America in April/May. A limited edition signed vinyl LP – Live at Scala – will be available on the UK tour dates. The album features a recording of Paul’s recent sold out headline show at the iconic London venue. A CD version of the album will be available via independent record shops from February 16th 2018 or as a part of a double deluxe Spooky Action reissue.

Paul Draper has announced details of a special edition of his debut album ‘Spooky Action’. The two CD set features the original album alongside a disc capturing Paul’s triumphant headline show at London’s Scala (recorded on 21st September 2017). The gig was part of a sell-out solo tour, Paul’s first live shows since Mansun stopped touring in 2002. The gig featured tracks from ‘Spooky Action’ (featured in the Prog, Louder than War and Guardian writers end of year charts – “the perfect confection for the later days of the 2010s” Record Collector 5*,), his solo EPs and Mansun’s ‘Attack of the Grey Lantern’ and ‘Little Kix’. The entire gig has been mixed by Paul’s long time collaborator P Dub.

Live at Scalafeatures:

1. The Silence is Deafening

2. Don’t You Wait, It Might Never Come

3. No Ideas

4. Feeling My Heart Run Slow

5. Things People Want

6. Disgusting

7. Friends Make The Worst Enemies

8. Grey House

9. Who’s Wearing The Trousers

10. I Can Only Disappoint U

11. Wide Open Space

12. Don’t Poke The Bear

Spooky Action & Live at Scala will be available as a 2CD set on Kscope on 16th February 2018. A single disc of the live album will be available from independent shops and a very limited signed 2 x 12” vinyl edition will be sold exclusively on Paul’s forthcoming UK tour dates. At those shows, Paul and his band will play a set of solo material before performing Mansun’s classic debut Attack of the Grey Lantern in full for the first time ever on the 21st anniversary of its release. The dates are:

Paul Draper was the frontman of Mansun – one of the most iconic bands of the late ’90s. Over the course of three albums (a fourth issued posthumously), they achieved something unique – after fostering a fervent cult following, they managed to maintain critical and commercial success with a series of intensely radio friendly yet increasingly experimental records. Off the back of their biggest radio record, Mansun imploded in 2003 and Paul all but disappeared from view.

Fast forward to 2017 when Paul released his long-awaited debut solo album, Spooky Action, on Kscope in the summer. The album wasthe result of a decade of thinking, tinkering, writing, recording and focusing.

Lyrically, biting and brutally honest – an autobiography set to captivating, addictive melody across eleven songs that peak then peak again, then peak again. Taking its cue from 2016’s two EP releases and recorded in collaboration with Catherine AD (The Anchoress) and long time Mansun collaborator PDub, The record’s eleven tracks veer from warped voodoo psych (Don’t Poke the Bear) to glistening synthetic soul (Things People Want); from warped, razor wire rock’n’roll (Grey House) to glorious widescreen analogue pop music (Jealousy Is A Powerful Emotion). Collectively, they represent Paul’s strongest, most consistent set of songs to date – half a lifetime’s work condensed into just over an hour of perfectly formed music.

2017 also saw Kscope acquire the rights to Mansun’s back catalogue. The ground-breaking label will roll out a reissue campaign over eighteen months that will cover the band’s entire history and enhance their reputation as one of the most iconic and innovative bands of the 90s.

Mansun’s four albums – ‘Attack of theGreyLantern’ (1997), ‘Six’ (1998), ‘Little Kix’ (2000) and the compilation ‘Kleptomania’ (2004) – were originally issued by Parlophone. The Kscope reissues will bring these classic records into the modern age by delving into a treasure trove of previously unreleased audio and visual material while fully remastering the original recordings for 5.1 and deluxe 180gm vinyl. This campaign will begin with ‘Attack Of The Grey Lantern’, to celebrate the 21st Anniversary of the album’s release.