Apart from being very well made, showing an admirable mastery in mimicking the various topoi of each director (the surreal slow motion and shiny photography in Sorrentino’s movies; the gross humour counterpointed by unforgivable technical mistakes in Vanzina’s productions; the intense and tormenting static shots from De Sica), the video is a good example of how Italians experience Christmas: a social event that often ends to be a parody of itself, but which is still a must for each and every Italian family, whether it be left-winged, right-winged, catholic, atheist or pastafarian.