A fun job for the great team at Fast Company. The assignment was about "The most creative people in business." ( June, 2014) I was asked to illustrate about UBER and the SVP of business: Emil Michael. I love taking Uber in style to my destination in NYC! :)

It was a super fun job working with Penn State on illustrating the cover for their alumni magazine as well as 1 full page, 2 half pages and 4 spots for the funniest alumni memories. The piece was called "Dorm Life" and the cover and interior Illustrations ran for Penn State Magazine's November / December 2014 issue.

Cover and inside Illustrations for The Directory of Illustration annual. It was great working with the amazing designer and illustrator David Plunkert from Spur Design as the art director and designer of the annual.

A tribute to the Mars Curiosity and Mars Spirit rovers. Those guys were so tough. They were alone and did not work well at first, but then they woke up and they worked so hard, and for much longer then we all thought they would. GO ROVERS!

This was a personal piece I made in late 2001. In a small way I wanted to come to terms with 9-11 and it's effect on my home, friends, and myself.

As a child I grew up near N.C. Wyeth's family in Pennsylvania and his painting (The Giant) hung in the dining hall of my school. I never knew how lucky I was to grow up with such inspiration so close and to be surrounded in a peaceful environment with wonderful people. After 9-11 I took solace in thinking back on more simpler times and wanted to pay homage to my friends, school and the hope of our future.

Moving forward I can see the new One World Trade from our Brooklyn roof rising above the Manhattan skyline. It brings hope and excitement yet I will always remember The Giants and a New York in simpler and more innocent times.

From Amazon: In The Exquisite Book, by Julia Rothman, Jenny Volvovski, and Matt Lamonthe...one hundred indie artists play an ingenious version of the Exquisite Corpse drawing game. Each adorns a page with artworkhaving seen only the page of the artist immediately prior and using a single horizon line to connect the two. Some continue the "story" quite literally while others build on the previous page in more fanciful ways. This astonishing volume's format is as unique as its content, with each of the book's ten chapters residing on a ten-page accordion pull-out, allowing readers to view the art continuously. With an illustrated foreword by Dave Eggers, and art from such luminaries as James Jean and Jill Bliss, this charming book is, simply, exquisite.