Bio

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Bio

I am a bass player born and raised in Ann Arbor, Michigan. Southeast Michigan is a musically rich area and I feel I've benefited immensely from growing up here. I've followed in the footsteps of many other young Ann Arbor musicians, gaining a love of jazz at Community High School (under the direction of Mike Grace), honing my musical skills and taste with world class saxophonist Vincent York, and then attending the University of Michigan Jazz Studies Program in order to absorb the teachings of master musicians such as Robert Hurst. A few of the other teachers that have been very important to my growth as a musician are Kurt Krahnke, Sean Dobbins, Diana Gannett, Geri Allen, Ellen Rowe and Andrew Bishop.

In addition to individual teachers, the Detroit jazz community and tradition has greatly influenced my music. Detroit has nurtured some of the very best musicians, period, and every brush I've had with that legacy has been very important to me. In an effort to soak up more of this musical magic I recently moved into the Detroit area and maintain an active performance schedule around the city.

Through the Community High School Jazz Program I was able to participate in a cultural exchange program to Hikone, Japan. This was my first taste of musical travel, and it definitely whet my appetite.

In August of 2010, I traveled to Mysore, India for a musical study abroad opportunity-- I studied a drum called the mridangam. The trip profoundly affected how I experience and interact with not just music but the world at large.

In January of 2011 I was part of a group of students who worked closely with masterdancer/choreographer Dianne McIntyre to create an original score for her new work entitled Diddley Daze.

In June of 2012, I was one of sixteen young jazz musicians from around the country handpicked to be a part of Ravinia's Steans Institute Program for Jazz (in Chicago). While at the Institute, I had the privilege to study with jazz legends Rufus Reid, Curtis Fuller, David Baker and Nathan Davis.

From January of 2012 to December of 2014 I toured extensively with The Appleseed Collective. We covered large portions of the US, including Florida, Colorado, Arizona, and New Mexico; and such major cities as New York City, Chicago, New Orleans and Washington DC. We also played major festivals such as Summercamp, Blissfest and Harvest Gathering.

In February and March of 2016 I traveled to Poschivao, Switzerland to participate in the UNCOOL residency program with the Alex Levine Quartet. We workshopped Alex's music for 3 weeks, explored many different sides of improvisation, and then travelled back to NYC and recorded Alex's debut album Towards The Center -- now available at: https://alexlevine.bandcamp.com/album/towards-the-center-2

In April of 2017 I toured the midwest with iconic pianist Laurence Hobgood, known for his long tenure as Kurt Elling's music director / pianist. Along with my dear friend Stephen Boegehold we stopped at many of the finest venues in the midwest, including Jazz at the Bistro in St. Louis. In addition, we premiered a new body of work for Laurence, his Tessatera project consisting of jazz trio plus string quartet, at the historic Green Mill in Chicago.

Summer of 2017 has been eventful so far, with another trip to Switzerland led by Alex Levine. More info coming soon!

PROJECTS:

Marcus Elliot Quartet:Original jazz music. We play every tuesday at Cliff Bell's in downtown Detroit

Press

Press

I am most impressed with Mr. Rolston’s sextet and composing... Mr. Rolston’s contrabass is often at the center of each piece, the pivotal peg that holds things together yet without taking over... What makes this disc so enchanting is that it is often low key yet filled with a variety of creative combinations and seemingly subtle ideas... This is a splendid disc on many different levels and one of this week’s pleasant surprises

— Bruce Lee Gallanter, Downtown Music NYC

Wonderful sextet release (plus some guests) full of grandeur and dissonance. Sudden rises in tension and drama, tempo sometimes driven by the rhythm section, sometimes by woodwinds and horns, haunting interludes that make you feel like one of the ghosts, and a satisfying cohesiveness even though the sound shapeshifts throughout. Full on modern jazz. Something to appeal to the avant-garde fans, but plenty here to hold the attention of the less experimentally inclined. Find of the Week

— Dave Sumner, eMusic Contributor

Your recording is, for a first effort, nothing less than impressive. There’s a warm feeling about the music, I like the compositions and esp. the arrangements, with everything played well by competent, and promising musicians. You remind me of another Ben, Ben Allison, and I see you expanding into different instrumentation as he has done... Leafy (track 8) just speaks to me in a progressive and emotional way that very few pieces do.