bre, murderous ballet, in which the invisible victim, its center, makes no sound. (Its mother has left it sleeping off a hefty dose of aspirin, given as the Victorian poor gave gin, as a baby soother.) Unfortunately, the publicity and the critical drubbing given to this lurid little scene stopped many people from going to see an extraordinarily powerful, moving, and (though it may not sound like it) funny play. It is certainly a shattering experience to audiences, however, not so much be- cause of the baby's murder (after all, the putting out of Lear's eyes and the blood and guts that strew the stage in Jacobean tragedies need strong stom- achs, too) as because it is an eyeopener to the kind of numb, hopelessly crippled lives from which come such aimless acts of frustration and the alarming increase in juvenile delinquency, crime, and illegitimate births that well-to- do Britons read about with "Tut"s in their papers. Mr. Bond has written, with a magnificent ear for the flat, fumbling dialogue of the inarticulate poor, a perfectly stunning indictment of the welfare state and its complacent telly prosperity. It is played with tape- recorder fidelity by a pale, blond actress, Barbara f---erris, as Pam, the indifferent mother of the baby; by John Castle as Len, the lodger who doggedly loves her; and by Richard Butler and Gwen Nelson, superb as her parents, who have not spoken to each other for years. The program contains quotes from Blake--"Sooner murder an infant in its cradle than nurse unacted desires" and "v' {hdt is a church and what is a theatre ? "-along with photographs of the rows of small, mean houses, the clustering telly masts, and the shabby London street corners from which is- sued this scarifying sermon. -MOLLIE PAN rER-ÐoWNES . Please follow these instructions care- fully. Soon they will be included in every box of stationery you order-as a con- venience and as a remInder that each let- ter you type is an important reflection of CBS' well-know concern for good design. -Communication received by secretaries at C.B .S. And general perfection. . THE GOOD OLD DAYS [From "Tips on Tables," by George Ross, 1934J The Voisin is expensive, and the prices are prohibitive for anyone of moderate means. The dinner, à la carte, is never less than $3.50, and the luncheon, table d'hôte, comes to $1.50. 231 -1<" l" "*'*,: <' 1Ii" 'Ø "- <1 ) / . WOO} --- JE REVIENS WORTH $> "ø , - /,' -- Q$ .. ø; kf -: : ", ""^ ð .......... % -=:. "" ,, "--,,:: ' t" ',,. "'*- ; ,',: -t: /' "",le'. .,& ' ,. "<,. , ,r: , " , j NOTHING TO WEAR? TRY ON JE REVIENS PERFUME BY WORTH YOU SCARCELY NEED ANYTHING MORE. PERFUME, COLOGNE, TALC, BATH OIL, SOAP, POWDER, ALL MADE AND SEALED IN FRANCE FROM $45. TO $4.00. AT STORES OF DISTINCTION NO LIGHTER LIKE IT [', : " ,:$% , i: ' '*" , < ,,:: , } =*- , ' .. ',' '-$ 0"-:0. :it " <U-', , 'v : ',I' <'\ -1 to> r : , ,; =- .::: . - " . ........> ..;. .:: A { " ,-,."... AAA .. ... ^::: ::.::.: .ú '.+ it i /"'\:::' f0 .....-:.... . ,,',:::' ß.> $: ,,:-tØ' /- r .:;:::. -.om .::. No flint, no friction wheel. Push a button. Rowenta lights up instantly, electronically. Set Rowenta down, the flame goes out. Butane flame adjusts for pipes and cigars. Impres- sive in chrome with black morocco trim. Even more so in gold finish Gift-cased with battery and fuel supply Rowenta. :::: : n &iiiiièìim built with Integrity-backed by service @Sunbeam Rowenta @1965 Sunbeam Corporation