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INCLUDED IN THIS YEAR’S LINE-UP ARE: RISE AGAINST, AT THE DRIVE IN, NOFX, MIGHTY MIGHTY BOSSTONES, L7, AGAINST ME!, CRASS, TURBONEGRO & MORE TICKETS NOW ON SALE.

20TH ANNUAL PUNK ROCK BOWLING & MUSIC FESTIVAL – MAY 25-28, 2018

(December 7, 2017, Las Vegas, NV) – For the past 20 years, no music festival has carved out as distinct a niche as Punk Rock Bowling & Music Festival. Started in 1999 by Shawn and Mark Stern, the brothers behind BYO Records, as well as founding members of the legendary Los Angeles punk band Youth Brigade, Punk Rock Bowling is one of the few events where the music is just as important as camaraderie—and a little friendly competition. And for its 20th-anniversary celebration, Punk RockBowling is going for broke.

“We never even thought about it going two years,” says Mark Stern about the festival’s longevity. “We just set up a party for all our friends in bands and labels, and since everyone had such a great time the first year, more people wanted to come out, so we did it again next year.” That spirit has been carried into each year of Punk Rock Bowling, and the 2018 iteration, which takes place in Las Vegas from May 25-28, shows that it’ll be bigger, better, and a bit more eccentric than years past. Starting on Friday, May 25, Punk Rock Bowling kicks off the weekend with intimate late night club shows that also run all weekend long after the festival stage lets out which runs Sat. May 26 through Monday, May 28.

But what would Punk Rock Bowling be without its adopted sport of choice? In addition to all the bands, there will be an amateur bowling tournament with over 800 participants on Saturday, May 26, offering a series of cash prizes and other assorted goodies before the finals on Sunday, May 27. And if bowling isn’t your thing, on Friday, May 25, there will be a winner-take-all Texas Hold ‘em poker tournament at the Golden Nugget. Never mind the fact there will be pool parties, free comedy shows, punk rock movie screenings, and punk rock lounge acts all scattered throughout the four-day weekend. “I think a lot of the reason that it has continued to grow is because it’s a lot different from a normal festival,” says Mark. “Plus, it’s in Vegas, where there is no curfew. So it just never ends if you don’t want it to.”

The 20th anniversary of Punk Rock Bowling will feature a who’s who of punk bands from all eras of the genre’s storied history. Headlining this year will be Chicago’s Rise Against, a band that’s taken melodic hardcore to new heights with every one of their albums. This is the band’s first time at Punk RockBowling, but they’re not the only band new to the festival. In 2018, a an entire wave of first-timers will be taking the stage at Punk Rock Bowling, with a very rare appearance from the elusive At The Drive In, L7, Steve Ignorant performing early CRASS songs, The Marked Men, The Partisans, and British sensation, Slaves (UK) all getting in on the action. “I’m constantly looking for new bands to add to the older reunion type lineups to give young bands a chance and introduce them to our audience,” says Mark. And while Punk Rock Bowling does a bang-up job in that regard, they’ve invited some old friends back to Vegas, with bands such as one of PRB’s main staples, NOFX, along with Against Me!, The Mighty Mighty Bosstones, and Turbonegro returning this year.

It’s a cavalcade that’s befitting of the Sterns’ initial vision, which was to make an event that was less of a music festival and more of a social gathering. Built on the DIY ethos that has informed every part of the Stern brothers’ careers, Punk Rock Bowling is pulling out all the stops for its 20th anniversary, making it the kind of punk rock cornucopia that has a little something for everyone. “Our goal is to make people want to come back. We want them to have a great time and not feel like they’ve been had,” says Stern. “After all, if it wasn’t for the fans, this weekend would never exist.”

Three-day tickets for Punk Rock Bowling & Music Festival are $150 and are on sale now.
Single-day tickets and the daily lineups will be announced in 2018.

Amsterdam-based drunk-reggae-punks, Jaya The Cat, have today released their new album ‘A Good Day For The Damned’ through Bomber Music.

Commenting on the album’s release, vocalist Geoff Legadec said “After five years of late nights and questionable life decisions, we’re happy to announce that today is a good day for the damned. Our fifth studio album is out now online and in discerning record stops everywhere. We hope you love it as much as we love you!”

The band, who are part way through an extensive run of German shows, will visit the UK in early December, including a show at the world-famous Camden Underworld.

Jaya The Cat on tour in the UK – presented by Vive Le Rock Magazine and Signature Brew:

Originating in Boston, Massachusetts in 1998, Jaya the Cat promptly relocated to Amsterdam, Netherlands after their first European tour. With a crew of diverse and international musicians, they continue perfecting the art of making that pure musical cocktail to get you through this night and on to the next – With equal parts reggae, punk, ska, a splash of electronics and a sprig of dub with a shot of whiskey on the side.

‘A Good Day For The Damned’ is a natural progression of Jaya The Cat’s unique and upbeat sound. Winding down city streets and across moonlit beaches, staggering past carnivals and drunken sunrises, come 15 new tales of heartbreak and happiness, political confusion (and who hell isn’t confused nowadays with that orange haired maniac running things), existential madness, but in the end, overall optimism.

Wicked Bears, Utah’s best pop punk band, is going on a west coast tour in support of their new album, Tuning Out! The tour starts in Salt Lake on November 10th and concludes at 924 Gilman in Berkeley (with additional UT dates later in November).

September 12, 2017 – Los Angeles, CA – Canadian punk rock band The Creepshow will released their awaited 6th studio album, Death At My Door, on Friday, September 15th via Stomp Records. In celebration, the band has partnered today with DreadCentral.com to stream the record in its entirety. Fans can pre-order the record now at iTunes and BandCamp.

Death At My Door features ten tracks of raging, bloodcurdling and raucously rebellious fury showcase the very best from this roadharderned group of beautiful misfits. The haunting vocal stylings of Kenda Legaspi soar seamlessly over Chuck Coles’ buzzsaw sharp guitar lines and the ragtime gospel organs/keys of the Reverend McGinty; all the while held together by the hard-driving stand-up double-bass slapping rhythms of Sean McNab and the impossibly violent percussive assault of Sandro Sanchioni on drums. From the defiant and empowering “Sticks & Stones” and the incredibly anthemic “Til Death Do Us” to the circle-pit inducing “Tomorrow May Never Come” and the eerily heartwrenching ballad “My Soul To Keep”, Death At My Door is a diverse and addictive album from a genre-defying band who are at the very top of their game… Don’t sleep on this one, because you never know what’s waiting for you just outside your door.

New York City post-hardcore band Quicksand are pleased to announce the upcoming release of Interiors, their first album in 22 years. Interiors features the band’s original (and only) lineup of drummer Alan Cage, frontman/guitarist Walter Schreifels, bassist Sergio Vega, and guitarist Tom Capone. The album will be released on November 10 on Epitaph.

Quicksand have also shared a new video for the first song shared off the album titled “Illuminant,” the lead single and opening track from Interiors.

With its heavy but melodic guitar lines, intense rhythms, and emotionally charged lyrics, “Illuminant” shows the scope of Quicksand’s influence on post-hardcore and indie-rock bands over the last two decades.

Recorded at Studio 4 Recording in Conshohocken, Pennsylvania, Interiorswas produced and engineered by Will Yip (The Menzingers, Title Fight, Pianos Become the Teeth). While the album finds Quicksand embracing the cathartic, guitar-driven dynamic of their earlier work, Interiors also takes on a wider spectrum of sound.

“It was all just about being ourselves and who we were as well as who we are,” says Schreifels of the making of Interiors. “We did it for us completely.”

Formed in 1990, Quicksand made their full-length debut with Slip—a 1993 release recently praised by The A.V. Club as “a nearly flawless record that combines the irony and heaviness of Helmet with Fugazi’s penchant to dismantle sound in the most energetic ways.” Arriving in 1995, their sophomore album Manic Compressionappeared at #1 on the Top Five Best Post-Hardcore Records list from LA Weekly (who noted that “if there were any justice in the world, Quicksand would have been the biggest underground band of the ’90s”).

“We were very influenced by Fugazi and Jane’s Addiction” says Schreifels of the band’s beginnings. “But we were doing it in a certain context with an energy that was just special and unique and kind of shined through.”

Throughout the early ’90s, Quicksand toured with bands like Helmet, Fugazi, Rage Against the Machine, and Anthrax. After disbanding in late 1995, they reunited for a one-night performance in June 2012. They’ve since appeared at festivals like FYF Fest and Pukkelpop, and in 2013 embarked on their first North American tour in 15 years.

Additionally, Quicksand will tour North American this fall; tickets on sale now.

“MU330 rejects the violence and hate speech of alt right nazis in Charlottesville. White supremacy must be stomped out and uprooted from this country. Let’s throw these tired ideas in the garbage once and for all. There should be no safe space anywhere on the political spectrum for a group of people that advocate genocide, anti-Semitism, and the oppression of minorities. As a country, we need to stop defending such vile behavior. This has to stop, and our president must be held accountable for defending such hateful ideology. Are you thinking, “wait, I’m a conservative and I’m not a racist!”? That’s great! The good news is that you can be a conservative while rejecting nazis and a racist president that defends them.

100% of all donations from downloading this new MU330 tune will be donated to the Southern Poverty Law Center. Peace, MU330″

Rancid’s ninth studio album Trouble Maker is now in stores. Trouble Maker was produced by Rancid’s longtime producer and founder of Epitaph Records, Brett Gurewitz. Watch previously released videos of the band performing singles “Telegraph Avenue” and “Ghost of a Chance” or head over to Rancid’s YouTube channel for more performance videos from every song on the album!

Emerging from the blue-collar swamps of Berkeley, California, Rancid has now been a living, breathing punk rock band for over a quarter century. Back in 1991, after the demise of their much beloved first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible — start an even better band. Thus, Rancid. Signing with Epitaph Records, the band released their first album Rancid in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band, because… well, are you going to tell him he can’t? The result, in 1994, was Let’s Go.

In 1995, Rancid released the classic platinum selling …And Out Come The Wolves. You still remember when you first heard it. They followed with the even more ambitious Life Won’t Wait in 1998, and in 2000, Rancid released another album entitled Rancid, just to see if anyone was paying attention. After Indestructible in 2003, Branden Steineckert (drums) joined to solidify Rancid’s current line-up. They subsequently released the albums Let The Dominos Fall (2009) and Honor Is All We Know (2014).

Through it all, Rancid has remained fiercely independent, never losing their loyalty to community or each other. Their music confronts political and social issues, while balancing personal tales of love, loss, and heartbreak with attitude. Rancid gives their listeners a community where everyone can belong. By carrying on the traditions and spirit of the original punk rock bands that came before, Rancid has become a legend an inspiration to punk bands that have come after.

Rancid and Dropkick Murphys will be co-headlining From Boston To Berkeley Tour, kicking off July 27 in Bangor, ME and wrapping August 26 in Southern California. Each night will culminate with Rancid and Dropkick Murphys on stage together for a joint encore. Additionally, Rancid will tour this summer with Green Day in the UK and perform at select European summer festivals. Worldwide tour dates listed below.

Rancid Trouble Maker Track List:

1. Track Fast

2. Ghost of a Chance

3. Telegraph Avenue

4. An Intimate Close Up Of A Street Punk Trouble Maker

5. Where I’m Going

6. Buddy

7. Farewell Lola Blue

8. All American Neighborhood

9. Bovver Rock and Roll

10. Make it Out Alive

11. Molly Make Up Your Mind

12. I Got Them Blues Again

13. Beauty of the Pool Hall

14. Say Goodbye to Our Heroes

15. I Kept a Promise

16. Cold Cold Blood

17. This is Not the End

18. We Arrived On Time (bonus)

19. Go On Rise Up (bonus)

Tour Dates with Green Day and European Summer Festivals:

6/9/17 Switzerland, Greenfield Festival

6/11/17 France, Paris, Download Festival

6/12/17 Luxembourg, Rockhal

6/14/17 Italy, Lucca, Piazza Napoleone

6/15/17 Italy, I Days, Monza Park

6/16/17 France, Clisson, Hellfest

6/17/17 Austria, Novarock Festival

6/18/17 Hungary, Budapest, Sportarena

6/21/17 Sweden, Gothenburg, Scandinavium

6/23/17 Germany, Hurricane Festival

6/24/17 Germany, Southside Festival

6/28/17 UK, Belfast, Ormeau Park

6/29/17 Ireland, Dublin, Royal Hospital Kilmainham

7/1/17 UK, London, Hyde Park

7/3/17 UK, Sheffield Arena

7/4/17 UK, Glasgow, Bellahouston Park

7/7/17 Spain, Madrid, Mad Cool Festival

7/8/17 Spain, Resurrection Festival

From Boston To Berkeley North American Tour Dates with Dropkick Murphys:

I’m pleased to report that one of my long time favorite ska bands is back at it with new music. Sound Salvation, the first new material in nearly 20 years will be premiered at the “CINCO DE JACKO RECORD RELEASE FIESTA LOCO !!” … I seriously wish I could attend.