Hohman remains a beguiling vocalist with an ever-increasing ability to contort her voice and push it to bigger places, even in a bash-em-out punk band. Smith's songs, "Revenge" in particular, rely more on speed to make their impact, but as he pushes his voice to its lower limits, a stentorian baritone emerges that imbues Doom Town's urgency with no small amount of gravitas.

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