I am feeling some guilt for kinda dissing Patti Smith in the last essay I wrote – just glibly dashing off a few lines about her Tribeca Film Festival appearance at the premier of Horses: Patti Smith and Her Band, the new documentary about her 40th anniversary performance of her 1975 debut album of the same name, followed by a live concert at the Beacon Theater. I hadn’t planned on writing about that film or event, but it sort of just came out as I typed my introduction to a lengthy film review of a wild, crazy, mind-blowing movie…

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Indiewood/Hollywoodn’t is an online publication devoted to the maintenance, presentation, and ideology of independently produced cinema. Founded in New York City yet globally focused, we are a collective of passionate film professionals constantly navigating the technological highways of the digital age while remaining faithful of the economically dilapidated back alleys of the anti-establishment.
Indiewood/Hollywoodn’t offers informed, original, and provocative content, blurring the lines between cinema, politics, and media at-large, combined with a global resource center for cinematic events, deadlines, screenings, and more. Since our inception, we have established relationships with non-studio, non-corporate film organisations around the world, providing an interconnected message of socio-political awareness to the most marginalised of demographics: those who strive for meaning beyond the limitations of materialism.