...a photoBook is an autonomous art form, comparable with a piece of sculpture, a play or a film. The photographs lose their own photographic character as things 'in themselves' and become parts, translated into printing ink, of a dramatic event called a book...
- Dutch photography critic Ralph Prins

dinsdag 24 januari 2012

“Sleepwalking is a motor parasomnia: a category of disorders that involve anomalous movements, strange emotions and perceptions that take place while the body is captured between wakefulness and sleep. It begins in the first part of the night and lasts on average 15 minutes, then the person returns to bed or wakes up by himself, without remembering what happened. In Viviane Sassen’s latest book, we are woken by a violent, blinding African sun, a light that turns on colours up to supersaturation or dives into shadows that are so thick as to cancel all detail. Painting and sculpture, obsessive care for tones and visual sensations, design and fashion, blend in the images that the photographer has made work be her refuge, her home. She grew up in Kenya, she feels a foreigner in her homeland, Holland. In Africa she lived as an outsider. Maybe this is why Parasomnia becomes a journey between life and dream, between light and dark, between fact and fiction. The subjects are portrayed and frozen in a condition of timeless pause, suspension, where sensory confines dilate, perceptions alter and become confused. ‘ In Africa – says Ms Sassen – the doors of my subconscious open wide and my dreams are more vivid when I’m there.’ ‘I often go searching for images that can confuse me and also others.’ Thus the traveller goes astray, he no longer knows in which dimension of expression he was led: whether constructed memories or a daily moment stolen on the street. In the image that gives the title to the series, a man is on his back, in a chair: is he sleeping? Maybe not. The chair seems to rise and float in the air imperceptibly. Is it about to fall? Maybe not. And as I watch, am I awake? The parasomnia circle comes round again. Parasomnia includes a short story by the writer Moses Isegawa. [Pamela Piscicelli]

“Working in Africa opens doors of my subconscious more widely, my dreams are very vivid when I’m there,” says Viviane Sassen, whose photographs are on view as part of the New Photography series at MoMA. Sassen, who is Dutch, grew up in Kenya; lately she has used her medium as a form of self-analysis, creating graphic, color-saturated compositions that mine her childhood memories but also underscore her status as an outsider in a part of the world she will always consider home. In “Alpha,” two young men cross paths in the street, but one, completely darkened to a silhouette, could be viewed as the wayward shadow of the other. In “Parasomnia,” which is also the title of the series, a man who may or may not be asleep has tipped over in his chair, but Sassen has rotated the image so that he almost appears to be in free fall. “I try to make images that confuse me,” she says. “And I hope they confuse others, too.”

“New Photography 2011″ is at MoMA from Sept. 28 to Jan. 16, 2012. For more information, go to moma.org.