Editing Fees and Guidelines

As my editing jobs have become more numerous, I have updated my Editing Fees and Guidelines. My editing and proofreading includes checking for grammar, sentence structure, misspellings, and pointing out plot inconsistencies, etc. At this time, my base charge is $0.008/word, with a minimum of $50, payable via PayPal. Editing jobs I am currently working on, received before May 1, 2014, will continue to be edited at the old rate.

If your manuscript is less than 5,000 words please let me know and we can work out pricing. I prefer to set up appointments for your manuscript, but please, send your manuscripts to me as early as possible. I can often work them in sooner than they are scheduled, but advance notice is much easier.

I use Microsoft Word 2013. I use the Track Changes application while I edit and leave the decision as to whether or not to accept those changes to you. I also tend to leave extensive notes outlining the reason for specific changes, noting uneven or awkward sentence or paragraph flow, or even if I noticed something that just doesn’t feel right.

Full editing is completed in one of two ways. The first choice is that I completely edit the book and provide you with a corrected copy, highlighting changes and corrections and making when appropriate extensive notes. Your second choice is full editing. I take the book in hand, do all corrections and changes and provide you with print ready copy. The charge for print ready copy is $0.010/word.

Please note: Books from authors who speak English as a second language, hence requiring a great deal more correction for grammar, or books with extensive re-write may be significantly more. You may send me your book for pricing if you feel there may be extensive work needed on the book. Pricing available upon request.

After I have edited a manuscript, I will send it back to you. Once you have made changes, you can always send it back to me for a second pass at no charge. Please note: If second-pass changes are truly extensive, I will reserve the right to bill a second payment for the second pass. I want to be fair to you, but I also want to be fair to myself. Just as writing is difficult, though rewarding, editing a book in a manner that will make you proud of your final product is a lot of work.

For available books on which I have worked, please see my “i-edited” shelf on Goodreads. You may contact any of the authors with whom I’ve worked for a reference. I am also very willing to provide you a sample of my work to see if we are a comfortable fit. I can be easily contacted through Goodreads or by e-mail at soireadthisbooktoday@centurylink.net

“There is no life to be found in violence. Every act of violence brings us closer to death.” - bell hooks

A meth addict mother. Check. A brutal, drunken stepfather. Check. Living in a hellhole of an apartment, waiting for said stepfather to storm into her room and rape her. Double check. Jayna Winston fled into the night on the very night that nearly happened. Bloody, beaten and alone.

Fast forward to the present day, and Jayna finds herself in a hell of a mess. In Paige Tyler’s mythology, werewolves are created at times of great terror and pain, and Jayna’s change came that terrifying night. Now, her alpha, Liam, has placed his small pack into the hands of the Albanian mob, locked them into committing crimes, from theft to murder. Murder. And Liam apparently doesn’t care that his tiny pack is in danger of being killed every time they commit a crime. That right this very moment Jayna’s life is in danger.

Because Liam said there were no werewolves in Dallas. Especially no alpha werewolves. But now, in a warehouse in a bad part of Dallas, Jayna and the omega wolves Liam has taken in – huge, ruthless, savage – are surrounded. Surrounded by a SWAT team composed completely of wolves. Alpha wolves.

A whole pack of alpha wolves. Toe-to-toe to one of said wolves, Jayna knows she will never survive. Until the alpha wolf dumps her into a packing crate, tells her to be very, very quiet – and then pours a shipment of very expensive perfume over the crate to block her scent.

What the . . . ?

Why did that happen? And to make it even weirder, the alpha, Eric Becker, tracks her down. But he doesn’t arrest her. He wants to help. Liam may have dropped Jayna and her tiny pack into certain death, but Becker wants to help. No one has ever offered to actually help Jayna. Now she and Megan, Moe, Joseph and Chris, three beta wolves, can no longer rely on Liam. And without Liam’s strength, they can’t leave, can’t fight back.

But Becker has a plan. First, he has to present himself as an omega, and be accepted by Frasheri, the Albanian mob boss, and his underboss, the psychopath Kostandin. And then? Well, here is what is going to happen . . .

Tyler’s mythology is interesting in its difference. Neither Jayna nor her pack members, or Becker himself, have been wolves for very long, all learning what it means. All have things to teach one another. Jayna is terrified, of course, of losing her much loved pack members, even Liam who sold them out to the mob in exchange for money and the illusion of power. To save them she will have to be stronger than she ever could have imagined. And she comes through beautifully. Becker and his people are strong, of course, but also very human in the best sort of way. A pleasant read.

I received In the Company of Wolves from the publisher in exchange for a realistic review. All thoughts are my own.