Tag Archives: Mark Carthew

On a wild windy night, as Marigold snuggles under her blanket, the lights go out and frightened by all the shadowy shapes in her room, she gathers up her blanket, pillow and teddy and hides under the bed.

As she cowers in the darkness there’s a rat-a-tat at her window and she sees her neighbour Marvin Mouse. Marvin is frightened by the wind and also wants to hide.

Marigold invites him in to share her safe place and the two take comfort in each other’s company but not for long.

Soon there comes another knock: it’s Marvin’s grandparents out hunting for their missing poodle. They’ve brought some tasty treats to share

but then comes a howling, a scratch-scratching and a growling outside. Now who or what might that be?
Young listeners will likely anticipate what Marigold finds when she opens to door yet again …

Mark Carthew’s rhyming text bounces along nicely as he creates a mock-scary, ultimately feel good tale of a stormy night.
Simon Prescott adds tension and additional frissons of fear to the mix helping to conjure up the feelings of both the alarm and relief felt by the two small mice.

Grizzly Boy
Barbara Davis-Pyles and Tracy Subisak
Little Bigfoot

Theo wakes up one morning and decides to be a grizzly bear, a very wild and growly one that needs to use the bedpost as a bottom scratcher and doesn’t wear underwear (wait for the giggles) or shoes.

Undaunted, his mum replaces his usual favourite breakfast cereal with fruit and veggies and eventually, with clever use of a poster taped to his bedroom door, manages to pack him off to school.

There, an ursine Theo creates havoc in the classroom and it’s a rather careworn boy who greets his mum back home.

Suddenly however, there’s a turnaround: mum has an attack of the grizzlies and thereafter a compromise is struck as she shows it’s fine to have some wild and free experiences, but in the right place at the right time.

Illustrator Tracy Subisak successfully alternates the two sides of Theo as boy and bear bringing out his changing emotions throughout. With speech bubbles adding to the impact of the author’s storyline, this is a book to spark off discussion about feelings.

The Great Zoo Hullabaloo!
Mark Carthew and Anil Tortop
New Frontier Publishing

An unusual and unexpected silence greets zoo-keepers Jess and Jack when they open the zoo gates one morning. But where, oh where are all the animals?

The observant young keepers spot all sorts of evidence of their recent presence and realise that the animals have left a trail of feathers, footprints and ‘scats’ (poo).

They decide to split up and Jess’s parting words to Jack as he starts scooping up the poops are to ‘keep an eye out for that rascally rat.’ That’s a wonderful ‘Look – he’s behind you’ opportunity for listeners.

As the sun starts to sink, Jess is still searching when she hears drifting on the breeze, all kinds of musical sounds.

Then comes a FLASH in the sky as a flare goes off, (She’s also instructed Jack to send up a flare should he find himself in trouble – so is he?)

Jess follows the floating feathers towards the light, which as she draws near, she sees is coming from a forest up ahead.

Suddenly from the bushes, Jack emerges and he leads her to where sitting around a fire making music are all the missing animals. They’re having a whale of a time hopping, bopping, tooting, hooting, whistling, and kangaroo plays a didgeridoo – what a hullabaloo. (Wonderful language play in the form of onomatopoeia and alliteration is dropped into the rhyming text here)
What’s it all in aid of though?

Drawing in closer, they see, curled up cosily in a zookeeper’s shoe is a baby roo: – ‘Softly she slept in the warm furry bed, / flamingo feathers tucked under her head.’

Right up beside her however is a coiled snake holding aloft a celebratory offering. Time to waken the sleeper from her slumbers …

Then all that’s left to do is sing a special song before wending their way home by the light of the moon.

With a wonderful assortment of creatures and musical instruments portrayed by Anil Tortop in his effervescent scenes of the animals’ antics absolutely bursting with sound, (that rat manages to get itself into many of them) and Mark Carthew’s splendid read aloud text, the book is a superb amalgam of the visual and verbal. A gift for listeners and readers aloud too: get out those instruments, bring on the HULLABALOO!

More inspired Anil Tortop illustrations can be found in:

Scaredy Cat
Heather Gallagher and Anil Tortop
New Frontier Publishing

A little girl has lost her pet: ‘Have you seen my Scaredy Cat? /He’s afraid of this and afraid of that!’ she tells us as she searches high and low.
Bees, towering trees, Granny’s sneeze – a super duper kind – noises, certain toys, climbing, sprawling, brawling boys, hoses, noses, muck, ducks and garbage trucks,

all these things and more have him running scared: but where has he chosen to hide?

Could it be among the books or hooks? His owner can deal with those (love her attitude)

as well as the crooks, so where has he gone, this hissing, erm … moggie, that object of her affections?
The combination of Heather Gallagher’s frolicsome, bouncy rhyme and Tortop’s funny scenes (love all the varying viewpoints) is a delightfully entertaining romp of friendship and tease.