PIPER GATES DESIGN

When you are interested in retro design and pop culture, as we all are here in the Spy Vibe community, you quickly discover a network of interesting websites and like-minded pilgrims devoted to well-dressed adventure. Names of the major designers soon become familiar and you trade iconic images back and forth between blogs. It is an unusual and exciting event, then, when a new gem appears on your radar. This was my experience, when I recently was searching for images of Delia Derbyshire, music pioneer from the BBC Radiophonic Workshop and composer of the electronic Doctor Who theme. She is an artistic character from the "Spy Vibe" era that is worth checking out. In fact, a documentary film was just made about her. My internet search was bringing up the same few images of Delia, until I came upon what looked like a classic paperback book cover. There she was, Delia, and more stylish and retro than anything else I had uncovered. A few clicks later and I found myself falling down the rabbit hole of an innovative designer who has mined the world of Barbarella, Gerry Anderson, ITC spy shows, vintage book designs, and hip musicians from the 1960s. Under the guise of Piper Gates Design, artist Ian Percival is a new missing link and instant hero on Spy Vibe. I sat down with him last night for a virtual chat about his work.

Your images seem to come together in series based
on cohesive design ideas. What are some of the main inspirations you drew from
to create these series? Were there designers that you looked at
specifically?

Very nice of you to say that. It’s a pretty
endless list but here goes: obviously the design of Penguin & Pelican Books
from the 1960s and 70s are a huge influence on the work I’ve done. I also love
DC and Marvel Comics from the 1970s as well. Neville Brody’s design for
Up-Tight The Velvet Underground Story was a huge influence when I was younger. I use to spend hours just taking in the design of that book. Quentin Fiore’s
design for The Medium is the Massage is truly inspirational as is the
advertising of Geigy. I’d also cite Peter Blake, pulp TV/ film tie in
books, the back cover of Pet Sounds, the front cover of Dying For It by The
Vaselines, Look-in magazine and film souvenir programmes from the 1970s
particularly Jaws and Close Encounters of the Third Kind.

You have a wonderful collection based on some of
our favorite retro icons like The Prisoner, UFO, The Persuaders, Bedazzled,
Barbarella, and others. Which properties were the most successful to
adapt so far? Tell us a little about the process you go through to choose imagery and
design concepts?

From a commercial viewpoint it would be the Joy
Division Colouring Book and the Quadrophenia poster as they sold out very
quickly. From an artistic viewpoint my favourite was probably the UFO Postcard
Set as UFO has always been one of my favourites since I can remember. Apart
from the Dinky Toys and some sweet cigarette cards there was no merchandise; so
basically I designed something that I would have liked to have bought. I
thought conceiving them as lost novels combined with making them appear as if
they were printed in 1969 would be an interesting concept to follow.

Are there retro icons you plan to work with in the
future?

I’d love to do a Kraftwerk colouring book one day.
It would be the era from Ralph & Florian to Computer World.

I'm with there, brother! I'd love to see a Kraftwerk book. In fact, I recently printed my own history of Kraftwerk design book on Blurb! Have you tried some 1960s characters that didn't
adapt well to new designs?

No, not really. I find that if you have the right
idea together with the correct illustration or image, plus some wonderful
typography, you can’t go wrong. Having said that Bodie from The Professionals
was a bugger to illustrate.

You have a really cool book design devoted to BBC
Radiophonic Workshop composer Delia Derbyshire (Doctor Who theme), as well as a
few Doctor Who-related images. Have you thought about a making sets of
Radiophonic composers and all of the Doctors?

Delia was part of a collection called
“Geniuses in Sound” that also featured Joe Meek, Brian Wilson and Martin
Hannett and was influenced by Raymond Hawkey. I’d certainly be up for doing the
whole of the Radiophonic Workshop but its appeal might be somewhat limited.
Doctor Who is one of my favourite programmes ever, so I wouldn’t rule that out, though the Target book covers from the 1970s are very hard to beat. I’ve also
always loved the Tom Baker Doctor Who Weetabix cards from the 1970s which I use
to carry round with me (for what seemed like years) when I was a kid.

I've seen some of your posters on eBay. Are there
other ways for fans to locate and order your cards and posters?

Not at the moment but hopefully there will be a
Piper Gates Design website where you can buy lots of lovely items from in the
none to distant future. Anyone is free to email me or contact me on twitter
with any questions they might have.

How did you get started in design? Did you study
in art school?

I’ve been thinking about this a lot recently. I
think it stems from making covers for bootleg tapes when I was about 14 years
old, its what started my interest in the placement of imagery and typography.
Looking back, I was pleased to discover that I used a lot of Helvetica Letraset
on them. Then when I was in a band after that, I use to design all the posters, so I suppose my interest in design has always been there.

To answer the second part of your question I did a
foundation degree in Graphics and eMedia which was followed by a BA in Graphic
Design. I hoped going to art school would make me become the next Syd Barrett
or Pete Townshend but I ended up becoming a geek with a love of fonts!

Have you been able to do commercial work for
publishers or other print services? I think I saw you had something in Shindig! Are there companies that you would love to
work with?

I’ll happily work for anyone just as long as it’s
an interesting project and the client is aware of my style. I get a lot of
emails from people asking me to design for them but they haven’t got any money
to pay me. I often wonder if they try this sort of tactic out in Tesco’s when
they’re doing the weekly shop and if they do whether it works.

Thanks again to Ian for sharing his passion and projects with us. You can find more of Ian's Piper Gates Design images on his website. You can also find limited-edition cards and posters on eBay by searching for the seller, le_big_e.

Spy Vibe

SPY VIBE

Secret agents, bachelor pads, and mini skirts! This is Spy Vibe, where the baby boom, the space race, and the cold war influenced style in the world of fashion, film, design, music, and beyond. Welcome to the secret lair of well-dressed mystery & adventure, and Sixties culture- then & now. Over two-million visitors!

Pages

Follow Spy Vibe

Search Spy Vibe

Jason Whiton

Jason Whiton is an award-winning writer, artist, educator, and the creator of Spy Vibe, a website devoted to Cold War design and pop culture that has seen nearly three-million visitors. His publications include Rolling Stone, USA Weekend, & Mort Walker Conversations. His book Spy Vibe will be released in 2017. Whiton's work as a screenwriter and filmmaker has been recognized by the Nicholl Fellowships (Academy of Motion Picture Arts & Sciences), PBS, and major film festivals and museums. His most recent piece is a music re-mix and award-winning film for Yoko Ono. Whiton's spy novel about a 1960s fashion model, MIKI ZERO, is out with agents. The story is inspired by his passion for Ian Fleming and the culture of Japan, where he lived for many years.
Jason loves creative projects & collaborations, and he enjoys helping young people to explore their lives as artists. He teaches Art in San Francisco.