South East London blogzine - things that are happening, things that happened, things that should never have happened. New Cross, Brockley, Deptford and other beauty spots. EMAIL US: transpontine@btinternet.com Transpontine: 'on the other (i.e. the south) side of the bridges over the Thames; pertaining to or like the lurid melodrama played in theatres there in the 19th century'.

Saturday, March 31, 2012

I really enjoyed the three-sided football in Deptford Park last weekend - note the red, yellow and blue tops of the three sides all on the pitch at the same time - with three goals. Some serious playing, with a cross section of Saturday morning park players and post-situationists. Dangerous business when your brain tells you you're still 18 and your body has other ideas.

Next match is next Saturday 6th April, 11 am - all welcome. Regular reports/updates at South East Central, I gather there was also a match planned earlier this month at Goldsmiths, so the 3-sided game seems to be taking off round here. Get involved!

[note - this post is actually from May 2011, for some reason when I added a link it updated it and changed the date so it looks like it was posted in March 2012 - sorry for any confusion]

Your average artist's open house consists of a few paintings or sculptures in somebody's kitchen, sometimes good, sometimes less so. Some though take it to another level, and transform or display their whole house as a kind of art installation. Recently I have had the pleasure of visiting two examples of the latter, both in their own very different ways 'cabinets of curiosities' collecting together various strange and beautiful objects rather than simply showing works of arts.

Nunhead and District Municipal Museum and Art Gallery

For the past three years a house in Gellatly Road SE14 has been transformed into the 'Nunhead and District Municipal Museum and Art Gallery' during the Telegraph Hill Festival. The museum exhibits includes 50+ years of domestic and pop culture detritus situated in a whole mythos of Nunhead pseudo-history featuring the sadly imaginary 'George Gellatly' (industrialist and museum founder), 'Nunhead Alhambra', lost post-punk band The Nunhead Cemeteries and the 'Nunhead Free University' - not to mention the 'Penge Pilgrimage Centre' and the 'Thamesmead DeLarge Foundation' - see below, click to enlarge.

Each year it has become more elaborate, with 2011 seeing fictional blue plaques apperaing all round the area and a theatre space created in a converted garage with lots of musical and other performances from the likes of the Transpontine Music Club and the Brockley Bonfire Choir.

This year's Dulwich Festival Open House has extended to take in swathes of Forest Hill and Sydenham, encompassing Mark Hill and Kate Shipp's Recycled House (4b Longton Avenue, SE26). Unlike the 'Nunhead Museum', this is not a temporary event but an ongoing project of daily life premised on critiquing consumerism through the domestic use of recycled objects and materials. There are walls papered with pages from old French novels, 1940s letters and player piano sheet music, and collections of glass objects, Catholic artefacts and old telephones.

The Recycled House is open again next weekend, 14-15th May 2011, 11am-6pm. Their chocolate cake is very good too!

Thursday, March 29, 2012

With the government on the ropes in pasty-petrol-pensions-payforsupper-gate, Lewisham is doing it's bit to bring it on...

Teachers strike

Schools across Lewisham were closed on Wednesday during the national strike by teachers against Government attacks on their pensions. Lewisham National Union of Teachers said:

'From next month, the Government will be cutting teachers’ pay. They want to make us pay MORE for our pensions - but they’ll be paying us LESS pension when we retire. They also want to raise the age retirement to 68 or even 70 ! How can anyone be expected to teach classes of thirty or more children at that age ? We know we’re not alone in facing cuts. Teachers will be marching down Whitehall with ex-Fords car workers who are also fighting for pensions justice. We hope our fight can help protect other workers from cuts too'. Here's a Lewisham banner on the demonstration in central London:

Following the protests earlier this month against workfare - unemployed people having to work without pay - there's further action on Saturday 31st March in Lewisham town centre - 'meet outside the front of Sainsbury's inside Lewisham Shopping Centre at 1:00pm sharp for some direct action against companies involved in workfare' (details here).

NHS protest

We mentioned last month that Lewisham Keep our NHS Public were planning to protest in Bermondsey outside the office in the Blue of Con Dem MP Simon Hughes. Apparently 30+ people took part on 25th February (pictured above). They say: 'The protest comprised of health campaigners, including 3 GPs, who spoke to the people of Bermondsey using Lewisham KONP’s sound system about the dangers of NHS privatisation, chiefly that this bill will destroy our universal NHS and will eventually usher in a US style health system. Other speakers included a US citizen now resident in Britain who told the people of Bermondsey she grew up in the 1980s without an NHS in America and recalled having to cross the Mexican border to buy medicine they could not afford in the USA. In less than 2 hours over 160 people of Bermondsey signed the open letter to Hughes urging him to drop the bill'. Hughes voted for the bill nevertheless and it was passed - but campaigners say that the fight to save the NHS is just getting started.

Tuesday, March 27, 2012

Last Saturday there was a lot of interest in the public consultation on the future of the Convoys Wharf site in Deptford (Deptford Dame , Deptford Misc and Deptford Is all include thorough reports of the issues raised). For me, the archaeological tour of the area was particularly interesting.

Of course I knew all about the Royal Dockyard which stood there from 1513 until 1869, and the later Foreign Cattle Market where animals were imported into London. But the major archaeological dig over the last year has made this history much more tangible by exposing its reasonably well preserved remains beneath the concrete. The features of the yard, including the basin, slips and river wall, can now be readily seen with brick foundations and timbers surviving for hundreds of years (though they will shortly be covered up again to prevent weather damage).

Some of the timbers that have been found date back to the Tudor period when the King's Yard was first created - and as timbers were frequently recycled from broken up ships it is likely that some of them came from earlier, medieval boats.

But while the investigation has largely been focused on the dockyard remains, it has also found evidence of human occupation dating back 10,000 years. It seems that much of the site was originally marshland, with a gravel headland into the marshes alongside a river channel that flowed into the Thames. Mesolithic remains have been uncovered, iron age burials and a later substantial Roman building

The Olympia warehouse, first built in the 1840s, is a listed building and will survive demolition of rest of site

It was good too to get a sense of the vastness of the site, which is hard to appreciate from the limited area visible from the entrance near the Dog and Bell pub. It covers a big expanse of the riverfront that has been fenced off from the rest of Deptford for many years. I don't think many of the people who saw all this at the weekend are going to be content with some Isle of Dogs style combination of luxury flats, offices and a shopping centre at Convoys Wharf.

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The riverfront at Convoys Wharf with the Aragon Tower on Pepys Estatebeyond the edge of the site

Telegraph Hill Park in New Cross was packed on Sunday for the official opening of the new skate park. The facility is already being really well used by kids of all ages (and I don't just mean the under-18s) and is proving that there is a real demand for spaces like this - build it and they shall come.

Elsewhere in the park there was lots of activities for younger children linked to the Telegraph Hill Festival, including wrapping a tree with wool and wishes. The organisers, Cristiana Bottigella and Manali Jagtap Nyheim, described it as the Wishing Thread and said that it was partially based on a Hindu custom with Banyan trees.

Ark in the Park encouraged people to make animals out of wood, card and other found materials.

There was a cycle powered sound system by the skate park and, down by the big slide,

Monday, March 26, 2012

A retro turn in this week's Music Monday, as we recall SE London's greatest ever girl group (at least in the soul category - we can talk about Shampoo another time).

Eternal was conceived of by manager Denis Ingoldsby in 1992 as a UK version of En Vogue. He put together sisters Easther and Verna Bennett, with Kelle Bryan and Louise Nurding (the latter of whom Ingoldsby had met in London club The Milk Bar).

Three of the four were from South London - the Bennett sisters were from Croydon, and were steeped in gospel music via their family's church. Nurding was born in Lewisham Hospital and grew up in Eltham - she went to St.Thomas More RC Primary School in Appleton Road. In fact her grandad had a stall on Lewisham market where she sometimes helped out.

The original line up of the band only lasted until 1995 when Nurding left the band to go solo (she later became known of course as Louise Redknapp); Bryan left in 1998 after a split with the Bennett sisters.

Just a Step from Heaven is one of their better earlier tracks, nice slice of soulful pop plus the slightly surreal sight of the band cavorting to Black Panther Party/Public Enemy imagery (dancers in berets and combats, clenched fists etc):

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"I Wanna Be the Only One", a duet with BeBe Winans, was a UK number one in 1997 and a bona fide 1990s soul classic:

Friday, March 23, 2012

In Deptford tomorrow (Saturday 24th March) there's a consultation event on the future of the key Convoys Wharf riverside site. Cynical as I am about developer-initiated events, the fact that it is happening at all does demonstrate that the current 'Masterplan' is in question. Many people locally argue that it proposes a bland, identikit luxury tower block development that ignores the history and location of the site. Alternative proposals will be being put forward tomorrow by Deptford Is and others. There will also be an opportunity to look around the site and the archaelogical dig currently in progress there.

Timetable tomorrow:
11.00 Exhibition opens

11.15 – 12.15 Site and archaeological tour opportunity 1

12.15 –14.15: Welcome from Hutchison Whampoa, followed by speeches and presentations, including Joan Ruddock MP, Sir Terry Farrell and colleagues, and local community groups.

The presentations will be followed by question and answer opportunities and refreshments will be provided during the two-hour period.

PLEASE NOTE: If you want to take a full part in these sessions, please arrive promptly at noon. Register for one of the site tours on arrival.

Wednesday, March 21, 2012

Now I have bought my tickets I can safely publicise this without worrying whether it's going to sell out. So let's just say The Jungle Brothers are playing in Peckham!

'Fri April 13th - An Exhibition of Sound continues with Chapter 3 / Hip Hop - Featuring the Mighty JUNGLE BROTHERS LIVE + a special DJ set from the one and only DJ SAMMY B. The JBS one of the most famous and celebrated Hip Hop groups of all time returning with a career-spanning set dropped loud, hard and fast at The Bussey Building / CLF Art Cafe.

The JUNGLE BROTHERS have been around since Hip Hop's Golden Age... They first appeared on the NYC Hip Hop scene with the release of the groundbreaking “Straight Out The Jungle” in 1988. This recording was the birthplace of the NATIVE TONGUES POSSE a triumvirate of innovative Rap groups (including De La Soul, A Tribe Called Quest, Queen Latifah, Monie Love and later Mos Def) and was instrumental in influencing later envelope pushing artists like the Roots, Arrested Development, Pharcyde, Madlip, Common, Kanye West and others.

Following up their raw, energetic debut, the group went into the studio with NYC underground club and house producer Todd Terry, and Hip house was born. "I'll House You" became a bona fide international hit, making Terry one of the most in-demand remixers to this day... the Jungle Brothers subsequently signed to Warner Bros. Free to sample and manipulate in a more sophisticated setting, the JBs mixed up breaks and beats that recalled the Bronx block parties of their youth, incorporating elements from jazz, soul, and funk classics.The resulting album: “Done By The Forces Of Nature”, ranks with other masterpieces of the era like the Beastie Boys “Paul's Boutique” and De La Soul's seminal “Three Feet High And Rising”'.

'

Advance tickets available here (buy before 5 pm Friday if you can, as prices then go up)

'Austerity isn't working' poster in Endwell Road by Brockley station, a play on the infamous Tory/Saatchi 1979 'Labour isn't working' poster (thanks to Luke Collins for the photo). The slogan was the basis of UK Uncut's budget protest today, as reported by Andy Worthington.

On March 18 1924 there was a tragic incident at Nunhead railway station. John Alfred West, a 24 year old lorry driver from Marylebone, shot his ex-fiancee Edith Agnes Barker (23) as she was getting off the train. She recovered, but he died of his injuries at Kings College Hospital the next day.

Barker, of Gibbon Road, was a programme seller at the Scala Theatre. Her father, Thomas Cornish Harker, ran a newsagent near to the station. He told The Times that the couple had been engaged for four and a half years, but had broken up six weeks before; 'Since then West has been bothering her with his attentions. Last night she came home as usual by herself, by the 11.50 train from St Pauls Station. At the Elephant and Castle Station, West, who appears to have been waiting for her, got into the compartment where she was. On arriving at Nunhead, just as she was getting out of the train, she tells me, West pointed a revolver at her and fired. He fired two shots at her and then one at himself. Edith fell forward on to the platform bleeding from a bullet wound in the face' (Times 19 March 1924)

At the inquest into West's death, station attendant Charles Abbs recalled 'Miss Harker jumped from the train, dropped her attache case on the platform, and collapsed in my arms, saying "He has shot me". The next thing I saw was the man standing in his carriage, and before anything could be done there was another report of a revolver. The man gave a half-right turn and fell on the back of his head on the platform with his legs remaining inside the carriage' (Times, 26 March 1924).

Tuesday, March 20, 2012

Amongst some would-be radicals there is a deep loathing of popular culture that can come across as very patronising. You know the sort of thing - 'TV is for fools and the masses' interest in celebrities just shows that they are dupes of the system' etc. etc. Sometimes this critique is dressed up in language about 'the spectacle', with a suggestion that music, TV and film simply create passive consumers unable to think or act for themselves. The notion of the Society of the Spectacle derives from Guy Debord and the Situationist International in the 1960s, though it has to be said that their notion of it is more sophisticated than the cod-situ version sometimes spouted today - certainly little trace of any moralistic condemnation of 'consumerism'.

One man who knows more about the situationists than most is Fred Vermorel. He was actually in Paris during the events of May 1968, in which the situationists were actively involved, and indeed shortly after played a critical if inadvertent role in cultural history when he introduced his friend Malcolm McLaren to the work of the Situationist International at the '36 bus stop, just outside Goldsmiths College in Lewisham Way'. Vermorel was living in Jerningham Road, New Cross at this time (more about this here). McLaren of course went on to manage the Sex Pistols, some would say applying some ideas he culled from the situationists - a connection made by Fred and Judy Vermorel in their 1978 book Sex Pistols: the inside story'.

Vermorel's take on 'fandom' is quite distinctive. In Starlust: the Secret Life of Fans (1985), Fred and Judy Vermorel collected together the fantasies of music fans with a suggestion that they reflected a kind of 'utopian romanticism' - a desire for a more intense way of life that sometimes exceeded the limits set for it by the cultural industry, in its own way potentially subversive.

Since then Vermorel has written a number of books which could be described as celebrity biogs, with subjects including Kate Bush, Vivienne Westwood, and Kate Moss. To an extent Vermorel inhabits the mindset of the obsessive fan in his books, trawling tabloids and acquaintances for tales of sex, drugs and scandals, as well as the micro-detail of celebrity trivia. But these are also biogs with a difference - for instance the Kate Bush book includes genealogical research on her forebears in Kent, and the Westwood one includes fictional first person narrative.

'Kate Moss: Addicted to Love' (2006) starts with reflections on her 'Croydon' origins, or rather as Vermorel points out the leafier suburbs of the Croydon area: 'Forget Croydon. That is a fantasy she likes to spread as much as the media does. A supermodel from Croydon: beauty flowering out of the concrete towered, motorway infested, chav ridden wastelands... Sanderstead... is where Kate Moss really comes from - spiritually as well as spatially. "Croydon" may be the general area, and convenient shorthand, but Sanderstead - suburbia, is what's inside her'.

Vermorel then goes on to detail Kate's South London life - birth in St Mary's Hospital, Croydon; a short period at Pagehurst Road, Addiscombe then growing up at 75 Church Way, Sanderstead; Ridgeway Primary School; Riddlesdown High School; hanging out with the teenage drinkers and smokers in Purley Town Centre; moving in with her mum in Forestdale when her parents split up; meeting early boyfriends in Croydon wine bar Rue St George - then after being spotted at an airport on to The Face, Johnny Depp (who told Vanity Fair in 1997 'man, you can't beat that South London accent'), Pete Doherty, 'Cocaine Kate' and all the rest.

This is definitely in the mainstream 'unauthorised' celebrity biography genre, rather than some kind of cultural studies text, but Vermorel does slip in the odd Burroughs and Baudrillard quote and some wider reflections on the relationships between celebrity, money and drugs:

'There are parallels in how celebrity works, and how money works. Both celebrity and money are formless and yet endlessly mutable... They both originate in magic belief, and their extraordinary power to reproduce and migrate across culture comes from their 'super-objective' quality: they are beyond everything yet inside everything. The stock exchange and the hit parades both float on fetishes of reputation - and of number... the essence of any celebrity is not anything instrinsic to the person who bears the Name - the magic is in the numbers - of hits, of clicks, of number ones and top tens, the milliosn of fans or $s or £s that accrue to that 'personality''.

And:

'Heroin stands for money - trade - turnover - feverish spending - sales bonanzas - overnight fortunes - role reversals - and amazing good luck. It equally signifies fashion, which is the pulse of pure consumerism. Heroin, as the ideal commodity, creates perfect consumers... No surprize then, the trade off between those ultimate icons of conusmerism, models, and those ultimate consumers, junkies. Both work from wasted bodies and freak energies, they live on the margins of the tragic and the phantasmagorical - between the next frock and the next fix'.

Monday, March 19, 2012

Neil Keating aka DJ Controlled Weirdness has been DJing since the 1980s, playing out all kinds of bass and beats in London, New York, Berlin and many other places (I first came across him at Dead by Dawn in Brixton in the mid-1990s). While best known for hard breaks and electro-tinged sounds, he is also a formidable authority on disco (especially it's crossover into early rap) as I can vouch having once spent time crate digging with him in Friedrichshain - check out some of his mixes at Ill FM.

Controlled Weirdness recently at the Bussey building in Peckham

From his Rotherhithe tower block HQ he has also released numerous tracks under various guises on his own Unearthly Records and other labels. He has recently started uploading much of his back catalogue on to Soundcloud (he has made some of the tracks featured here temporarily available for download so get busy).

The Deptford Market Arcade Classics EP (2003) was 'Inspired by rooting through the debris and detritus of South London. The sound at the start of Docklands Battle Breaks is the Thames river rushing through one of the old dock gates in Deptford'.

'South London Bass' (2005) is a classic; the title is self-explanatory.

His latest upload is the previously unreleased 'I'm the Guvnor'.

'Let's all have a South London Acid House Party' - great late 1980s sample at the beginning: 'Saturday night in South London, hundreds of young people are gathering for the latest craze - an acid house party in a disused warehouse'

'The Saturday night ritual was to head to the Spice of Life pub on the Charing Cross Road. This is where all the various clubbers would congregate before heading out to different parties. Here you would hear about these illegal warehouse parties that had started taking place in the run down old docklands areas near the Thames and around London, Blackfriars and Southwark Bridges. This area was pre regeneration and was full of empty old warehouses with nobody living near by. You would get the address and head down after midnight and try and find the party. It would be Five pounds to get in and you could buy Red Stripe beer for a pound which was sold out of dustbins crammed full of ice. Some of these parties were massive and you would get a real cross section of people crammed into a dirty warehouse and dancing all night. The music was usually rare groove which was basically obscure funk 7 inches that DJ’s had started digging up. There was no door policy like at the some of the trendier night clubs so you’d get people dressed up in designer clothes next to punters in jeans and T-shirts dancing all night'.

As mentioned here before, Tooley Street by London Bridge was the location for some of these warehouse parties.

Controlled Weirdness is playing at the Festa Junina Brazilian festival in Berlin in June, and has some other nights lined up a bit nearer home. Follow him on Facebook or Twitter for details.

Saturday, March 17, 2012

The top of Telegraph Hill was shaken by a loud bang at around 8:15 this morning as a 343 double decker bus caught fire and exploded on Pepys Road. A car parked next to it was also destroyed by fire. The incident happened at the bus stop next to St Catherine's Church, by Haberdasher Aske's school (top site).

Fire engines, police and ambulances were on site, but it seems that nobody was injured. Speculation at the scene was that an electrical fault was to blame, but the fire investigation team is now on site to explore the cause.

Thursday, March 15, 2012

If you are gainfully unemployed or can skip off work early tomorrow, there's a chance to see Ken Russell's film Savage Messiah in Peckham - his 1972 biopic about French sculptor Henri Gaudier-Brzeska. It's on Friday 16th March 2012, 3 pm, at the Montpelier, 43 Choumert Rod, SE15. Presented by Days are Numbers

Lots of events going on in the Telegraph Hill Festival in New Cross over the next week or two. Tamsin has helpfully summarised some of the history, natural history and literary events at South East Central, here's a few of them:

Thursday 15th - 6pm - The White House, Kender Street, SE14 5JQ (free): A talk by Chris McCaw of Rivers and People on "The Wildlife of Lewisham's Waterways". Part of the regular series of talks given in the White House (usually on the second Thursday of the month - made a week later this time to co-incide with the Festival) by the New Cross Sub-Group of the Lewisham Local History Society.

Thursday 15th - 7.30pm - The New Cross Library, SE14 6AS (free + cash bar): A screening of the film "The Power of Community" about how Cuba suvived "peak oil".

Sunday 18th - 2pm - meeting by the Tennis Courts in the Upper Park (free): History and Architectural Walk around Telegraph - going east and through Goldsmiths - and along the New Cross Road.

Tuesday 20th - 1pm - the Barnes Wallis Centre, SE14 5LL (free + refreshments): A screening of the first episode of the 1990s TV documentary "Windrush: the Arrival" and the film John Krish was sacked for making - "The Elephant Will Never Forget" about the last week of London trams and the very last tram coming into the New Cross Depot.

Thursday 22nd - 6pm - The White House, Kender Street, SE14 5JQ (free + refreshments): "The Elephant Will Never Forget" and "Terminus" - the 1961 John Schlesinger film about a day in the life of Waterloo Station. Both films being shown by arrangement with the BFI - www.bfi.org

Thursday 15th - 4.30pm - New Cross Library, SE14 6AS (free): Poetry writing workshop for young people (but open to all). Part of a regular Thursday afternoon series.

Sunday 18th - 8pm - Cafe Fed (above the Hill Station), SE14 5TY (£3 + cash bar): "Pleasing Poems Chosen by You" - along the lines of "Poetry Please" - poems and verse on the themes of motherhood (it is Mothering Sunday) and cats - with a quick trot through the whole range of English History, read to a select audience by actors and others.

Monday 19th - 6.30pm - The Hill Station, SE14 5TY (free + cash bar): Writing Workshop and readings by the East Dulwich Writers Group, winners of the National Association of Writers' Groups Awards for 2011, the workshop led by Debi Alper.

Wednesday, March 14, 2012

Earlier this month (3rd March 2012) there was a national day of action against 'workfare' - the various schemes whereby unemployed people are compelled to work without pay or lose their benefits. Up to 50 people took part in a mobile protest in Lewisham town centre targeting shops involved in the government's programme including Primark, Boots, Greggs, BHS and McDonalds, chanting slogans such as "No wages: Outrageous!"

The call-out for the Lewisham action stated: 'The government and some in the media present it as a way of encouraging people back into work by gaining experience. This ignores two things – first, there are not enough jobs available for those who want them; and second, workfare placements themselves are taking jobs away from paid workers. We have no problem with people learning while working – this used to be called apprenticeships. But workfare tells the unemployed that they will lose their benefit if they do not work for their it. In every other context the minimum wage applies, so why not here?'.

Nick Turner, Branch Secretary GMB Goldsmith’s student workers branch said; 'The government work programme forces mandatory work onto job seekers with multi-billion pound profit making companies who can otherwise more than afford to pay their staff. The government have denied that benefit claimants are forced into their work but it has become clear that those refusing to work for free are being told their benefits will be stopped if they do not take part.This is not only completely unfair on the individual but also depresses the job market - why would a company employ a paid member of staff if they can get them from the dole for free and without a fuss? We are calling on Goldsmiths students and Lewisham residents to fight for the revolutionary concept that if when you work, you should get paid for it. As the old slogan has it “a fair days work deserves a fair day's pay"'.

Another day of action is planned for Lewisham Town Centre on the afternoon of 31 March (exactly 22 years since the London poll tax riot, but can't guarantee it will be quite that big or exciting). In the lead up to it South London Solidarity Federation have called a 'Public meeting in a public space to discuss the growing direct action campaign against workfare' on Saturday 17th March at 2 pm - venue and possible action to be confirmed, but facebook event details here.

I had a pleasant walk in Oxleas Wood a couple of weeks ago, a lovely peaceful spot - but now comes news that during the Olympic militarisation of London there may be missile launchers based next to the cafe there and/or on Blackheath by the Territorial Army building (as discussed at Blackheath Bugle and elsewhere). But it wouldn't be the first time the military had turned out on Shooters Hill on a phantom hunt.

SE London has a whole folklore of supposed big cat sightings - the Beast of Bexley, the Palace Puma, even the Nunhead Panther - with theories to explain them of varying degress of probability. One of the biggest cat panics occurred in 1963 on Shooters Hill, where a supposed Cheetah was reported in the Oxleas Wood area.

"The most famous labour-intensive hunt was for an animal dubbed by the press 'The Shooters Hill Cheetah'. On the 18th July 1963 David Beck, driving through Shooters Hill in south-east London, saw a large animal lying by the side of the road. Assuming it to be an injured dog he approached it, and then realised it was in fact a large cat with a long, upward curling tail. It ran off into Oxleas Wood. The same night police officers were amazed to see a 'large golden animal' jump over the bonnet of their patrol car. A check with zoos and circuses confirmed that no animals had escaped.

It was a magnificent affair. It covered 850 acres and involved 126 policemen with 21 dogs, thirty soldiers, ambulance men and RSPCA officials. No sign of a big cat was found - except for some spoor. These were huge - some seven inches across, the size usually associated with a lion or tiger; yet they showed claw marks, the characteristic not of a lions, but of a cheetah's paw print. The 'cheetah', however, was never caught and the hunters dispersed'.

Tuesday, March 13, 2012

Some friends of mine have recently moved from New Cross to Tooting, so as a parting gift Transpontine will take a rare roam into the western lands of South London to offer up some nuggets of cultural history from Tooting and Balham.

Tooting Popular Front

In the late 1970s comedy TV series Citizen Smith, the Tooting Popular Front was a fictitious South London revolutionary group with slogans including 'Freedom for Tooting' and 'Power to the People'.

In real life, Balham was arguably the birthplace of British Trotksyism. In the early 1930s, a group of South West London socialists were expelled from the Communist Party for their opposition to Stalin's policies. Their ranks included Hugo Dewar from Tooting CP, Reg Groves and Harry Wicks and they constituted themselves as the Balham Group of the International Left Opposition operating from 79 Bedford Rd, SW4; Groves later wrote a biography of the 'red priest' Conrad Noel, and indeed some of the Balham Group had been close to Noel's Anglo-Catholic socialist 'Catholic Crusade'.

Punk and stuff

Charlie Harper of punk band UK Subs was a hairdresser on Tooting Broadway when the band started out in 1977. Guitarist Nicky Garratt recalls: 'We based ourselves out of Charlie’s hairdressing salon... where we stored our battered Marshall P.A. system in the back room along with drums, amps, baskets of towels and a huge supply of hair care products. The Salon, became both meeting place and hang out over the next year mostly because it was one of the few places where Charlie could be found with any degree of certainty'. In Julien Temple's film Punk Can Take It (1979), based around the band's music, there a scene with Charlie Harper in the hairdressers.

Other musical connections include:

- Marc Bolan (T-Rex) went to Hillcroft School in Beechcroft Road, Tooting (now known as Ernest Bevin College) - as a teenager he lived in Sun Cottages, Summerstown;
- Captain Sensible of The Damned was born in Balham;
- Kirsty McColl started out in a band called The Tooting Frooties;
- Kitchens of Distinction did a song 'On Tooting Broadway Station':

Angela Carter

Writer Angela Carter grew up in Balham - her favourite building was the Granada Cinema in Tooting, where she went as a child with her father, as recalled in a 1992 BBC documentary: 'This cinema, with its mix of the real and false - real marble hugger-mugger with plaster, so you have to tap everything to see if it sounds hollow or solid - this apotheosis of the fake. There was a functioning cyclorama, in my day, clouds, stars, a sun, a moon, drifting across a painted sky. I held my breath in the gallery of mirrors - anything might materialise in those velvety depths, monsters, beauties, my own grown self. I would have been seven or eight. This was the first great public building that ever impinged on me - and even though it was then jam-packed with queues, the marble steps polished by uniformed ushers, all the same, from outside it was just a concrete bunker. So there was always the element of surprise. It was, like the unconscious itself - like cinema itself - public and private at the same time... I fell in love with cinema although I scarcely remember the movies I watched with my father, only the space in which we sat to watch them, where we sat with all those wonderful people waiting in the dark'.

World War Two

In October 1940 at least 66 people died while sheltering at Balham tube station during a German air raid. The tunnel was flooded after a bomb fractured water mains. The incident features in Ian McEwan's novel Atonement, and in the film version of the book.

Monday, March 12, 2012

'Shape Worship is a solo project, making electronic music combining melody, texture and rhythm. I've been making music for a few years, have produced two demo EPs under the Shape Worship name (available here and here), and have just finished putting together my first proper release, an EP for [New Cross-based] Exotic Pylon Records scheduled for release this summer. I'm also working on a live show involving looped instruments, synths & samplers, and self-coded software patches.

Friday, March 09, 2012

Once upon a time in Brockley my two favourite places, within a couple of doors of each other, were Moonbow Jakes cafe and the Homeview video shop. The cafe closed down at the beginning of 2009, later to be replaced by Brockley Mess. The video shop went the way of all video in 2007, to be replaced by the bookies (photo below is from Summer 2008)

So what could be more appropriate than that the latest project of Moonbow John McKiernan's Platform-7 is 'Tapescape: The Catford Intervention. The now empty Blockbuster Video Store in Catford, South East London will become home to a host of artists and performers exploring the politics around the video cassette and recorder. The event includes installations, spoken word, discussions, talks, screenings and maybe some politics...'. The event will run from 10th to 22nd April.

The area around the old Deptford Town Hall on New Cross Road (now a Goldsmiths building) is a bit of a street art gallery, especially the alleyway next to it. It features an interesting clash of styles,with what appear to be art student efforts rubbing up against tagging.

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Spring Flowers Walk Saturday 18th April
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[image: Lesser Celandines in Brockley and Ladywell Cemeteries]
Lesser Celandines in Brockley and Ladywell Cemeteries
During the Open Day last July, the Frie...