Joe Spix III, a 1997 Easton graduate, was amid the four art admiral who won the Grammy for Best Recording Amalgamation for Pearl Jam’s 2013 anthology “Lightning Bolt.” The others are Don Pendleton, best accepted as a skateboard clear artist, who did the artwork on the anchorage and Pearl Jam bassist Jeff Ament, who is his friend.

Spix, an art artist for Republic Records, the characterization which broadcast the disc afterwards its absolution on the band’s Monkeywrench Records, again handled the presentation, with accurate detail in the vinyl packaging, according to an account with Pendleton on the website www.blacklodges.com.

Spix, who now lives in New York City, has created anthology art for the Universal Music Accumulation back 2001 and now is a artistic administrator for Republic Records, Island Records and Def Jam Recordings.

“After all the art was done,” on the Pearl Jam album, Pendleton told www.blacklodges.com, “he formed with Jeff on how it would be laid out and presented…and he nailed the capacity perfectly.

Pearl Jam’s Lightning Bolt

Pearl Jam’s Lightning Bolt

“He was the added allotment of the activity that fabricated abiding that it all came calm properly…specific varnishes on the vinyl cover, die-cut to assignment with the close allotment of the vinyl. That was the alone allotment I wasn’t anon complex in and in seeing the final product, I couldn’t accept been happier. So there was a akin of affliction and respect…everyone aloof capital the final allotment to be rad and interesting.”

Pendleton said in the account that the awning was the aboriginal angel he beatific to Ament — an eye with a lightning bolt that was from a bootless 2006 project — acquired into the anthology cover. Pendleton told blacklodge.com he hand-painted the awning so “there would be some flaws in it, abnormally compared to the vector/computer stuff.”

In a video of an account afterwards acceptable the award, Spix alleged Ament, “The aggregation captain, so to speak.”

“He had a absolute eyes for what he saw the artwork actuality … it was absolutely his baby. … When I came on to advice put the accomplished attenuate calm – accomplish a amalgamation out of these art elements, I beheld it as my roleto absolutely aloof advice apprehend his eyes and add my own ideas. But cool collaborative. It was aloof absolutely abundant give-and-take.”

“We’re accomplishing this all the time,” he said in the video. “Not THIS all the time,” he said, pointing to the Grammy.”

Spix in 1997, anon afterwards he accelerating from Easton, created allotment of “A Trip in Time: Back to 1840,” an display of alternate displays at Easton’s National Canal Museum.

Spix is a clear architecture alum of Tyler Academy of Art.

“I to academy for clear architecture and got into music affectionate of on a whim,” he said in the video. “And 13 years later, I’m still accomplishing it. And at some point I accomplished you could win a Grammy for it, and I was, like, ‘Really?’

“So it’s affectionate of amazing. I mean, I anticipate that there should be awards at this level, that get this abundant press, for designers and artists who assignment in all sorts of fields. There should be Oscars for this, there should be all kinds of stuff. So I’m aloof admiring to be apery this accomplished accumulation of bodies who do this craft.”

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