“For his prologue, Jeck used a test tone record that had been lying around without a case for years. "What I'm trying to set up, it's like an empty ocean, with bits that are like a premonition for things that are going to come," he says. Amid the static from this battered record come foghorn-like tones and hisses like a diver's air supply – this is a transmission being excavated from the past. "Philip is a genius, no doubt about that," says Bryars.”