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I make this podcast because I love sound, and I love theatre; Go See a Show! is a great way to unite the two.

And I’m an amateur sound-designer, and make radio dramas, for much the same reason.

For this episode of the podcast, those two worlds—sound about theatre, and sound in the theatre—collide. My guests are playwright Tara Gadomski and director Illana Stein, with whom I have a conversation about our production of The Offering.

For a bit of context: the play was originally written & recorded for Radio COTE, the radio-play festival I produce with my company Co-Op Theatre East—you can check out the original performance on iTunes. We all loved the play so much that Tara adapted it into a stage version, which is currently running in The Network One-Act Festival (with your humble GSAS! narrator doing live foley onstage). And in this shameless-self-promotion episode, we talk about this great little one-act, which to me is about the power of art, that we’d all love for you to come see.

Listen in as Tara, Illana, and I discuss making a radio play into a stage play, the beauty of language, “the question,” and getting (and keeping) power.

I’m sure we’ve all noticed the trend in theatre to take material from the film world and put it upon the stage — look at the Broadway listings, and you’re sure to see what I mean. Director Frank Cwiklik of DMTheatrics is also in the business of bringing the big screen to the live stage, but right now he’s not working with “successful” films — he’s working with material from Ed Wood, the much-maligned/cultishly-adored1950s sci-fi/noir/horror/strange film writer/director/producer/actor. And for FINAL CURTAIN: The Last of Ed Wood, he’s got 5 (five!) Wood pieces running in rep at The Red Room.

After opening night of Bride of the Monster paired with The Sinister Urge!, Frank took a break from the madness to discuss the origins of his putting Ed Wood onstage, technical difficulties as aesthetic choices, playwrighting by necessity, and giving the man some have called “the worst director in history” a little respect.

Cowboy Mouth was written by Sam Shepard & Patti Smith in 1971, a fantastical meditation on the tempestuous relationship between these two American art/punk icons. 41 years later, One Old Crow Productions has revived this volatile one-act in a Lower East Side apartment.

Listen in as GSAS! talks with director Leah Benavides & cast members Diana Beshara, Geoffrey Pomeroy, and Matthew Mark Stannah about why this play is relevant today, creating the set and sound design together, and how you take a Lobster Man from page to stage.

…and as promised, here’s the blog Diana mentions in the interview, where you can check out some photo stills and thoughts from the cast & director.

This one’s a lot of fun, and in addition to a free glass of wine with ticket purchase, you also get a free snack when you arrive. Without that snack, you can’t see the show. I will say no more; you should head down to Lucky Cheng’s to check it out.

The podcast is starting to reflect back on itself again — in this interview, Go See a Show! gets to a play that we discussed with the playwright, Christie Perfetti, when it was still in development, in the second episode of the podcast. And in that podcast, Christie gives a shout-out to the director interviewed in this episode, who just so happened to be the lead in the play covered in ep. 2.

So, welcome to the podcast to actress & director Matilda Szydagis!

Matilda has directed Ms. Perfetti’s latest play, Look for the Woman, which is currently being presented by Write Act Rep at the Richmond Shepard Theater. After their second performance earlier this week, Matilda talked with GSAS! about working with the playwright, directing for a 160 degree audience, and what it’s like to work on a show where the characters look a lot like the people you grew up seeing in your hometown…

Go See a Show! returns to Shakespeare (as it seems to do…) with Co-Op Theatre East‘s production of Twelfth Night: Wall Street, directed by COTE Literary Director Casey Cleverly.

COTE is in residence at Looking Glass Theatre, where we’ve built a huge wall onstage (courtesy of our incredible set designer Michael Simmons) as the setting for Viola, posing as Cesario, to attempt to woo the business of Olivia’s Fashion House on behalf of the firm Orsino & Partners, while 99%’ers Sir Tobey, Sir Andrew, Fabian, and Maria drink themselves into a stupor and mess with everyone’s favorite cross-garterer, Malvolio.

For Go See a Show!‘s first episode featuring a show at the marvelous La MaMa (a place dear to my heart), we’ve got an interview with director Tomi Tsunoda, director of Loom Ensemble’s Erosion: A Fable, which is being presented in The Club as part of La MaMa’s 50th Anniversary Season.

Listen in as Tomi tells us about developing the piece with the ensemble, equates love with dirt from a homeless woman on the street, and describes how to play pvc pipe with flip-flops.

Loom Ensemble’sErosion: A Fabledirected by Tomi Tsunoda
thru February 26th, 2012
Friday at 10pm
Saturday at 5:30pm and 10pm
Sunday at 5:30pm
Tickets: $15, $10 for students/seniors
available from La MaMa online, in person at the box office, or by calling 212-475-7710

On a freezing night after tech earlier this week, Go See a Show! interviewed the company’s Artistic Directors, Alex Mallory and Jeremy Karafin, about creative communities, working with talented youth, and just what “poetic theater” means. And we get interrupted by an old friend of mine, showcasing the wonderfully random connections we make in this little off-off-Broadway world of ours.

This episode of Go See a Show! may not be about a technically “off-off-Broadway” show, but the impulse behind this production is very much in the vein of my favorite kinds of OOB shows — a bunch of people getting together, on their own terms, for the sake of making something beautiful.

And it’s for a good cause, which makes this all the more awesome.

Director Kevin Horne and actor Joshua David Bishop (“Jack”) are two of the folks behind a special charity performance of Sondheim’s Into the Woods. Along with their fellow employees at catering company Great Performances, Kevin and Joshua are putting on this classic musical for two performances as a fundraiser for The Sylvia Center, a not-for-profit that teaches young people about food and nutrition from the farm to the kitchen. Good stuff.

Take a listen to the interview, then go help these cats out with a buck or twenty at their Kickstarter page; and follow their progress on Facebook.

Playwright & performer Martin Dockery is one of those guys who seems, to me, to have the most interesting life — his stories are always full of wild adventures and profoundly meaningful interactions with fascinating people, all true, all from his life.

I interviewed Dockery after a performance of his new show The Holy Land Experience at The Kraine Theater, and he answers the question of “just why is your life so awesome and mine so mundane?” beautifully. That, and more, in this episode of Go See a Show!

There’s sadly just one more chance to see this run of The Holy Land Experience — Monday, December 19, 8PM at The Kraine. Check it out if you can; watch one of his appearances at The Moth to get a sense for the kind of storytelling you’re in for, like this one below:

In this episode, Go See a Show! talks with the (very large) cast of a production of a perennial classic, Dickens’ A Christmas Carol, re-imagined steampunk style as 3 Ghosts by Pipe Dream Theatre‘s Liz Muller & Collin Simon.

This was one of the most fun interviews yet for the podcast — congrats to all involved with the show!

3 Ghosts is up at Theatre Row’s Beckett Theatre until December 23; tickets are available through TeleCharge.