This all-male vocal recording presents a nice cross-section of the
repertory of Paris in this era, including two conductus (not
chant-based) tracks to open the program.

The performance ideas on this recording are highly influenced by
Eastern chant repertories,
with resulting ornamental interpolations and motive-like division of
melodies. While I do believe that the unitiated listener will find the
perspective valuable, it has to be noted that this extreme Eastern
approach has largely been condemned as inauthentic in most early music
circles since this recording was released.

Ensemble Organum's older approach to this repertory is not so
extreme.