SPOILER ALERT: This interview contains information
on critical plot developments on the third series of 24.

Reiko
Aylesworth's acting break came when she starred as Rebecca
Lewis in the US TV series One Life to Live between
1993 and 1994. She's also appeared in movies including You've
Got Mail, Random Hearts and Man on the Moon.
She's also guest starred on numerous TV shows including Law
and Order and The West Wing. But, it is her role
as Michelle Dessler in the second and third seasons of 24
that she is probably most well known. Darren Rea caught up
with her as the third season of 24 was released on
DVD...

Darren
Rea: When you originally auditioned for 24 weren't you up
for the role of Nina?

Reiko
Aylesworth: I did. Sarah's
[Clark] just perfect
for that role. She and Xander
[Berkeley] are friends of mine and I can't imagine anyone
else in that role. And then for them to come and offer me
the role of Michelle was great - I thought she'd only be around
for a few episodes and then get killed off.

DR:
Do you ever worry that the role of Michelle will be the character
that you get typecast as for the rest of your life? That you'll
spend the next 60 years doing 24 conventions?

RA:
[Laughs] I don't see that.

DR:
I suppose it's not quite Star Trek.

RA:
What's great about the fanbase is that it's such an engaging
show and it attracts people that want to be stimulated and
not just veg out. The show really attracts an intelligent
audience. I don't really get people coming up to me thinking
that I am actually the character, but it does have a cult
following, which is similar to the Trekkie thing. I love playing
this character. She has a lot of dimensions to her - I hope.
And it's always best, I think, to play a strong character
and incredibly confident character and then follow that up
with a role that is totally different. I would love to play
a dizzy character [laughs] like a dumb dope addict or something
[laughs].

DR:
Because of the real-time element, how different has working
on 24 been for you in comparison to other shows you've worked
on like One Life to Live?

RA:
Oh God! One Life to Live? That was forever ago... 24
is a concept driven show, The 24 hour element is something
that is really unique to that show and the continuity aspect
is interesting. To shoot something a month later, or longer,
that is taking place seconds after the last scene you shot...
Being aware of all those things, emotionally and not knowing
where you are going to go. If it's a self contained episode
you know where you are with your continuity, but you can't
do that with 24.

DR:
You also managed to get out of CTU in season three. Was that
a relief being able to have a change of scenery, not to mention
a change of clothes?

RA:
[Laughs] Yeah, that was great. "Wow! Look a change of
clothes!" [Laughs] I love staying in the same outfit,
it's like Catholic school. You don't have to worry about it
and the amount of time you save is worth it. But it was great
to get out in the field and I loved the storyline they gave
me. I loved playing such an interesting role. Women, especially,
don't really get these kind of roles - where you get to be
incredibly in control and confident, yet still feminine and
human. A lot of time when you get these strong characters
they loose their humanity, or they become really cynical.

With the Tony/Michelle storyline, the writers really kept
the humanity of my character - and the stakes were a lot higher.At
the beginning of the show when we had all these relationships,
everyone's related be it brother or lover, and then I realised
as the show went on was raising the stakes for all of us.

DR:
You spend a great deal of season three waiting to discover
whether you have contracted a terminal virus. When you started
shooting these scenes were you aware of whether your character
would survive or not, or did you spend the whole time wondering
whether this was how you would be written out of the show?

RA:
They didn't know. They said: "Look you're going to be
exposed to the virus and we don't know whether we are going
to kill you off or not." [Laughs] So I was like: Wow!
Thank you.

I
went in in the second year, so I already knew that major characters
get killed off. I was, and am fine with that, I just want
to make sure that I go out with a good storyline - give me
a good death [laughs]. I was just surprised that they keep
bringing me back. I was definitely surprised that I've got
the run that I've had so far.

DR:
Does this anyone is expendable policy make negotiating your
contract difficult - you don't want to be too pushy on money
because you know they can write you out?

RA:
No. I never got into this as a job to settle down with. Financially
it would be great to have some security for a couple of years.
Like a lot of actors, I've done theatre and got into this
work thinking: "I'll work on this project and completely
commit my life to this for a few months or a year or so and
then move on." I love that aspect of this profession.
I love moving on to different types of characters and work.
I love 24 - the set, the people and the material I've
been able to play with, but I love to move on and have different
adventures.

DR:
Is there any role in a novel or a play that you've read and
though you'd love to have a go at?

RA:
Oh God... I'd love to play Lady Anne in Richard the Third.
Characters in novels? Er... God there's lots, but nothings
coming to mind right now. I'm having one of those moments
were I'll suddenly remember later and go: "Why didn't
I mention that?"

DR:
If, like Michelle, you were told that in 24 hours time there
was a greater than 90% chance that you wouldn't still be alive,
how would you spend your last day on earth?

RA:
I really don't know. I think that's one of those things that
would just come to you if you were really faced with that
situation. It's like with the Tony and Michelle storyline,
if you were in this heightened situation, would you care,
or die, for this person? Would you sacrifice millions of lives.
Tony did do that. He was willing to sacrifice millions of
lives for his love and I don't think Michelle would have done
that. If you'd have asked them what they would have done they
would have said one thing, but but them in that situation
and they'd probably do something completely different.

I'm
not one who really plans on how I'd feel or what I'd do. I
like leaving that open.

DR:
Is there something that you haven't done yet that you feel
you have to do before you die?

RA:
It would have to be something personal. I've travelled a lot
and the best things I've done were things I never expected.
You end up in a wedding in the middle of the Sahara and I
didn't think that was going to happen [laughs]. The best things
that's have ever happened to me... I
ended up, on the fly, going to Cuba and meeting some amazing
people - it's things like that. The best things that have
happened to me have been unplanned and unexpected.

DR:
What about future projects you're working on at the moment.
Can you talk about your involvement in Committed?

RA:
Oh yeah! I had a great time working on that film. I've just
seen a rough cut of it and I'm pretty pleased with it. It's
about a woman who has a nervous breakdown and ends up in an
institution and falls in love with a schizophrenic [laughs].
That was a great challenge and hopefully that will be coming
out next year.

I've
also just finished a short film that went to Cannes and I
worked with Xander [Berkeley] too, who played George Mason
on 24.
I'm working on CSI right now and it's great to get right into
other work right now, straight after 24. Working on
24 was such an intense involving experience - a great
experience - but it's great to move onto different adventures.

DR:
Thank you for your time.

With
thanks to David Cox at DSA

Season
Three of 24 is out to buy on DVD
from 20th Century Fox Home Entertainment from 09 August 2004

Buy
season three of 24 on DVD for £34.99 (RRP: £49.99)
by clicking here
Buy season two of 24 on DVD for £32.99 (RRP:
£49.99) by clicking here
Buy season one of 24 on DVD for £30.99 (RRP:
£44.99) by clicking here