Come meet the FiftyThree team in Portland. We’ll have food, drinks and a special featured creator who will give insight into their work. Bringing your iPad is highly recommended for some remixing fun, learning how to get the most out of Paper and Mix, and meeting fellow creators. We’ll be at the Oregon Story Board office inside OMSI. We’ll be giving away a Pencil stylus to one lucky attendee. Hope to see you there!

I’ll be sharing some fast and easy techniques for drawing cartoons with Mix, Pencil and Paper. My Mix profile shows a bit of the tomfoolery you can expect.

The fun starts at 6pm at the Oregon Story Board office inside OMSIPhase 2. All ages are welcome.

Comparatively un-salacious original post

Welcome to Ignite. Where each speaker gets a chance to present for five minutes. The catch? They only get 20 slides, no more, no less. And the presentation auto-advances every 15 seconds. Whether the speaker is ready or not. Once the presentation begins, it doesn’t stop until the last speaker drops the mic. For the speaker, it’s challenging. For the audience, it’s entertaining. But no matter what happens, it’s an unforgettable experience for everyone in the theater.

]]>http://tylersticka.com/2015/02/03/ignite-bridgetown/feed/0http://tylersticka.com/2015/02/03/ignite-bridgetown/Letters to Sergiohttp://feedproxy.google.com/~r/tylersticka/~3/EZlzVHFD3J0/
http://tylersticka.com/2014/09/06/letters-to-sergio/#commentsSat, 06 Sep 2014 19:14:57 +0000http://tylersticka.com/?p=6479Sergio Aragonés is my favorite cartoonist and creator of my favorite comic book series, Groo the Wanderer. I’ve been a fan ever since I found a second-hand copy of In MAD We Trust!, and quickly fell in love with the spontaneity, wit and inventiveness of his work. It’s just so effortlessly hilarious.A gaggle of Groos greet Sergio at Comic-Con 2007. (That’s my dad and I front and center!)

As a longtime fan of your work, I can’t overstate what a treat it is to read each and every issue of Funnies. Your pantomime gags, Plop!-esque vignettes and delightfully jam-packed puzzles crack me up without fail, but the autobiographical stories are by far my favorite feature. It’s fascinating (and a lot of fun) to read accounts of your amazing life experiences, each bursting at the seams with your signature expressiveness, hilarity and warmth.

Your work continues to entertain and inspire me, and this comic is a treasure. Thank you for drawing it!

Your pal,Tyler StickaPortland, OR

This is actually my second letter printed in a Sergio comic. The first was six years ago in issue two of the Groo miniseries, Hell on Earth. It was a tad less reverent:

Dear Groo Crew,

Thank you for allowing me the fantastic opportunity to meet almost all of you at the 2007 Comic-Con in celebration of Groo’s twenty-fifth anniversary. Sergio’s my cartooning idol, and it was amazing to show him in-person the Groo illustration I did for the souvenir book.

More importantly, I’d like to thank you for returning to this character after such a long absence. Not because I enjoy reading his adventures and laughing out loud every issue; surely you’re all too bright to buy that sort of half-hearted line of transparent compliments. No sirs, I’m thanking you for providing the structure my life so desperately needs and, up until recently, the gourd-nosed one so diligently provided.

You see, earlier this year I tracked down the last Groo comic I needed. I had all of them, every story, in English. The pursuit of this goal had taken me through all the ups and downs of childhood, adolescence, and adulthood (the latter term applied loosely given the fact that I still read comic books). As my initial excitement for this accomplishment waned, I found myself grasping for some sort of permanence and, having been abandoned by the pursuit of the last telling of that first joke, I spiraled into an abyss of disappointment and shame. Where once I was a wildly successful millionaire philanthropist with the world at my fingertips, my motivation now dissolved until I found my only professional pursuit to be that most deplorable of occupations: cartoonist. My mental state also worsened, as I complained to my psychotherapist of strange urges to change my name “Gary Grossman” and start hunting for copies of Groo in Tahiti.

But now, Groo is coming back! Normalcy will be restored and my life will regain balance. Perhaps soon I’ll finally land that much more respectable job as a puppy fur broker, maybe even move out of this box (which is already snug due to all the Groo comics). Thank you Sergio, Mark, Stan and Tom for answering my prayers.

Gradually stabilizing,Tyler Sticka

P.S. You’ll be receiving an invoice for the sum total of psychiatric bills incurred as a result of your elongated “break.”

(You’ll have to track down that issue to read Mark Evanier’s response.)

Here’s the artwork that was published in that year’s black-and-white Comic-Con souvenir book:

I met Sergio at the convention. He was very nice and extremely encouraging, which explains my record-breaking grin in this photo:

There’s a brand-new Groo miniseries in publication right now that pits the titular swordsman against the legendary Conan (the barbarian, not the talk-show host). It’s available digitally or at a comic shop near you (if you’re in the Portland area, my favorites are Excalibur and Floating World).

Last week was all-TMNT for Sketch Dailies topics, so I whipped up this Bebop and Rocksteady artwork for Friday’s theme. It was one of several sketches featured by Sketch Dailies and ended up getting a surprising amount of love on the Twitters compared to other stuff I’ve shared.

With these drawings I was trying to think less about the accepted design of either character and more the aspects of them relative to one another that stood out to me in terms of defining shapes and personality. I’ve been inspired a lot lately by Robert Iza’s process for breaking a character down into a set of building blocks you can rearrange at will. This has helped me learn to be more adventurous with character design in general. In this case, it allowed me to reduce Bebop’s overall size in order to contrast a bit better with Rocksteady.

This is also the first time I’ve used a fantastic new Photoshop brush, the “inking master” from Marco Caradonna’s “Essentials” brushset. Once I round out its shape a little, it’s the closest I’ve come to the feel of my trusty Speedball B6 pen nib on smooth bristol. Though my inking is still a bit crude (on a good day I might call it “honest”), I think it feels much more confident than in other recent drawings of mine.

I’ve been an ardent comic book reader my entire life, but only recently did I begin to shift my monthly comic book habit from print publications to digital. Several factors influenced that decision, among them the availability of the Marvel Unlimited app for iPad.

My taste in comics is somewhat eclectic, but I’ve been a Marvel fan since the 60s… or at least, it feels that way! Used paperbacks of early Fantastic Four and Spider-Man adventures were my first exposure to superheroes, and it would be years before I realized those stories were decades old. I remember being surprised and disheartened to discover the enormity of each character’s expansive saga. It seemed an impossible task to collect — let alone read — any of these series in their entirety.

Fast-forward to today, and I’ve got affordable, unfettered access to thousands of Marvel Comics on a device about the same size and weight as a trade paperback. How great is that?!

And it is great! But it could be even better. So I thought I’d share some of my ideas for how the “House of Ideas” could improve the experience.

Here’s the thing, though: I tend to find unsolicited redesigns kind of obnoxious. Many of them offer a barrage of static mockups that throw whole nurseries out with the bathwater, accompanied by condescending text that berates the original designers for their supposed lack of vision, expertise or insight. As Khoi Vinh so aptly put it a few years ago:

…it helps no one — least of all the author of the redesign — to assume the worst about the original source and the people who work hard to maintain and improve it, even though those efforts may seem imperfect from the outside.

The truth is that I really dig this app. I’ve used it to read hundreds of terrific comics. My goal in writing this post is to celebrate the app by critiquing the parts I think could be better. The modest mockups I’ve chosen to include are meant to visualize those ideas succinctly and practically. I encourage you to try the app yourself to see how they compare to the product they’re based on.

So face front, true believers! It’s suggestion time…

13,000 needles in a haystack

The greatest strength of Marvel Unlimited — its size and scope — is also what makes it difficult to traverse. Whether you’re an old-school fanboy or new to comics, you’ll probably have some trouble navigating 75 years’ worth of mostly pre-digital publications.

To help guide otherwise directionless readers, the app’s Home tab features a carousel (a la the App Store or iTunes) with a handful of promotional features:

“Enhanced Features,” which showcases comics with audio and/or video extras. I love geeking out over special features, but they’re rarely my primary reason for reading or watching something.

“Editors’ Picks,” which is easily the weakest of the three. While it currently houses a fine selection of Mark Waid Fantastic Four books, there’s never an explanation as to why. Who is this mysterious editor? Why were these books chosen?

And finally the “Marvel Unlimited Reading Club,” a tie-in with a Marvel podcast and thusly the most helpful and justifiable of the three carousel features. The theme it presents is clear, consistent and usually character-driven. This feature clearly presents both the “what” and the “why.”

Marvel’s franchies are so darn popular these days, there should be plenty of opportunities to connect newfound interest in classic characters to the books (and creators) responsible for their inception. Some hypothetical features I’d devour without hesitation:

Flipping through the longbox

Discovery doesn’t end at the home screen. The app’s browsing interface also presents some challenges for the user. You can browse by a few different attributes, you can search (which is more of a filter or dynamic search) the current result set, and you can re-order those results by publication date. Sometimes, this works fine. But often, it’s kind of a headache.

The first challenge is differentiating multiple volumes of the same book. Every comic book fan has that friend or relative who claims they once owned a “Number One” of Spider-Man, not understanding that the most popular series often have multiple volumes (and most of those “first issues” are probably worthless). But who can blame them? It’s confusing!

Marvel Unlimited helps the reader navigate by listing not only the title, but also the publication dates. While this information is helpful, it would benefit greatly from visuals. ComiXology shows thumbnails representative of the general artistic vision for the volume, which helps out a lot while browsing. DRM-free comic readers like YACReader and Comic Zeal leverage cover artwork to achieve the same goal, sidestepping the need for a designer to prepare thumbnails for each and every series. This imagery makes it way easier to differentiate similarly named series:

Once you find the volume you’re looking for, finding the oldest or most recent issue is pretty straightforward. But if you’re interested in something mid-run, like Walter Simonson’s Thor (which begins at issue 337), it’s kind of a slog. You can filter by character, creator or release date, but there’s no easy way to jump to a particular issue. Eventually, you’ll just have to squint at issue numbers as you scroll.

A dedicated search interface could allow me to search for “Thor 337.” Maintaining the filter search field while browsing a series could also help. Another option might be to let users hop between large spans of issues with a tap:

My favorite aspect of Marvel Unlimited is that I can “binge-read” comics the same way I might binge-watch a series on Netflix. I can read an issue, then immediately read the next (or save it for later). That’s not just convenient, it’s magical! It changes the way I read comics.

But when I stop reading, those stories fall back to the catalog like grains of sand to the shore. Unlike other iOS comic readers, Marvel Unlimited does not save your progress or reading history (at least not visibly). This makes it difficult to tell where you left off, especially for multi-issue stories.

Slightly altering the appearance of comics you’ve already started or finished would greatly streamline the act of browsing:

Functional benefits aside, these improvements might also give the reader a more tangible sense of accomplishment for completing books, runs or entire series. We could even get a little silly by awarding No-Prizes accordingly, further encouraging exploration of the catalog:

Of all the app’s interfaces, the Library would benefit from visual progress indicators the most. This is the reader’s Netflix-style comics queue, and also where they manage books they’ve downloaded for offline reading (which comes in handy on the train).

Managing the Library can be tricky. While Netflix groups TV shows by season and series, the Library shows all issues individually in a flat list or grid. “Offline” books are shown twice (once in their own section, and once in the main list). To keep track of what you’ve read or to find things quickly, you must manually delete saved issues frequently (or forego the library altogether).

By embracing the aforementioned progress indicators, grouping saved issues by series and eliminating redundancy between online and offline books, the Library could be easier to navigate while requiring far less management on the part of the user:

Never miss an issue

One of the biggest recurring criticisms of Marvel Unlimited are occasional mid-series gaps (understandable, given the sheer size of the catalog). Part of the problem is that these gaps aren’t obvious at first glance. It is far more frustrating to discover them mid-story than it is before you’ve stared reading.

We could sidestep some of this discouragement by highlighting series gaps (in this case clearly the work of Hydra), ideally with the option of being notified when they’re filled:

Notifications would also be a welcome compliment to a series subscription feature. Even as a frequent user and recipient of the service’s weekly email newsletter, I still seem to miss new additions to my favorite series on occasion. I’d love for subscribed series to populate my library automatically.

Friendly neighborhood designer-man

The most enduringly popular superheroes are those that gracefully endure reinvention while maintaining the core concepts that made them successful in the first place. I’d argue that no one was better or more prolific at creating those sorts of characters than the team of Stan (The Man) Lee and Jack (King) Kirby in their heyday at Marvel. To have instant, affordable access to so much of their oeuvre, and the expansive universe they inspired, is truly astonishing.

But I’m a passionate, opinionated guy who happens to design interfaces for a living. So I can’t help but notice when the reading experience isn’t quite as nice as ComiXology (at least pre-Amazon), Dark Horse Digital or YACReader. This ends up coloring my recommendation of the service in spite of my enthusiasm for its content. I’d love to eighty-six those caveats in the near future.

Whether my suggestions prove to be prophetic or completely off-target, I’m excited to see where the team at Marvel takes the service next. Make Mine Marvel!

]]>http://tylersticka.com/2014/08/04/marvel-mostly-unlimited/feed/0http://tylersticka.com/2014/08/04/marvel-mostly-unlimited/Side Projects That Ship at Refresh Portland: Slides and morehttp://feedproxy.google.com/~r/tylersticka/~3/dIEd9LWNvVE/
http://tylersticka.com/2014/06/19/side-projects-refresh-portland/#commentsThu, 19 Jun 2014 16:31:23 +0000http://tylersticka.com/?p=6821I had a great time speaking at Refresh Portland last evening! The presentation I gave differed ever so slightly from the one I gave in May, so here’s a fresh set of slides (plus accompanying notes and citations). You can also check out @RefreshPDX on Twitter, which diligently tweeted much of the proceedings.

]]>http://tylersticka.com/2014/06/19/side-projects-refresh-portland/feed/2http://tylersticka.com/2014/06/19/side-projects-refresh-portland/The original Mario Maker (sort of)http://feedproxy.google.com/~r/tylersticka/~3/VwB11HvwDlw/
http://tylersticka.com/2014/06/11/the-original-mario-maker/#commentsThu, 12 Jun 2014 04:31:32 +0000http://tylersticka.com/?p=6765As part of yesterday’s E3 festivities, Nintendo showed off a new Wii U game called Mario Maker that will let players craft their own unique Super Mario Bros. levels out of all the basic ingredients from the 1985 original. Watching the trailer brought a smile to my face… not just for how fun it looked, but for reminding me of a little “web app” I made with a friend for a school project.

Peter Wooley and I were sophomores in college, taking a JavaScript class called “Web Scripting II.” Our final project was to break into pairs to make some sort of webpage demonstrating the manipulation of CSS properties with — you guessed it — JavaScript.

Somehow, Peter and I decided to make the Mario Scene Editor, a simple picture-maker using sprites from SMB. Here’s what it looked like in action:

It may seem quaint now (those crummy “glass” textures certainly don’t help), but this was quite an undertaking in the days before jQuery… especially for a couple of snot-nosed underclassmen! The tricks we used at the time haven’t aged very well in modern browsers… but surprisingly, much of it still works. You can try it yourself if you’re feeling courageous.

There was a time when the Mario Scene Editor was second only to Ramps as my highest-traffic project. We even entertained the idea of making a new version for fun a few years back (I hinted at this in my very first Dribbble shot). But now, there’s no need! I can enjoy our little app for what it is… a souvenir from my formative years of designerly pursuits, and a fun memory with a good friend.

Just for fun, I made a couple of tweaks to the sketch, adding a containing shape to the otherwise plain sky and a bit of grain to break up the monotony of the flat colors:

Most artists I know could tweak their work forever, but I usually resist the urge. I guess the added attention made me succumb to the temptation this time around!

]]>http://tylersticka.com/2014/06/09/tanooki-mario-redux/feed/0http://tylersticka.com/2014/06/09/tanooki-mario-redux/More Side Projects That Ship at Refresh Portland, June 18http://feedproxy.google.com/~r/tylersticka/~3/LIYShMpY9kE/
http://tylersticka.com/2014/06/05/more-side-projects-that-ship-at-refresh-portland/#commentsThu, 05 Jun 2014 16:24:46 +0000http://tylersticka.com/?p=6698If you missed my presentation at WebVisions this year, you’re in luck! I’ll be talking about side projects again at ISITE Design on Wednesday, June 18 as part of Refresh Portland. That’s less than two weeks away!

I hope you’ll join me for this free event, and (optionally) food and drinks right after (sponsored by nGen Works). I’d love to hear about your passion project!

]]>http://tylersticka.com/2014/06/05/more-side-projects-that-ship-at-refresh-portland/feed/0http://tylersticka.com/2014/06/05/more-side-projects-that-ship-at-refresh-portland/Side Projects That Shiphttp://feedproxy.google.com/~r/tylersticka/~3/6N8epbgBU60/
http://tylersticka.com/2014/05/12/side-projects-that-ship/#commentsMon, 12 May 2014 20:05:22 +0000http://tylersticka.com/?p=6606Thanks to everyone who came to my session on Friday and the fine folks at WebVisions for having me! I was nervous to give my first brand-new talk since 2011 (!!), but judging from the kind responses I’ve heard from attendees, I probably could have fretted just a little less.