This month we are focusing very specifically on the internet and its relation to goth. We are discussing what tumblr has to say about the death of subculture, we are reviewing the new album from the band Bitumen, and for we are going to breakdown goth’s storied history with the internet and explore what effect it may have had on cultural participation, and individual identity construction.

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Traditionally speaking, before the internet became ubiquitous, sociologists considered diffusion vital to the survival of subculture. For goth in the 80’s there was a heavy reliance on zine’s and newsletters for the transfer of information and facilitation of discourse. Ironically, now that we have an efficient medium for such diffusion, many claim that medium is ushering in the death of subculture.

Despite the general angst or love surrounding the internet, surprisingly little qualitative or statistically significant data on the effect of the internet on goth or subcultures in general is available. This month we add to that discussion, as we explore the nature of the internet, the facilitation of identity construction, the debate between structured culture and post-subcultural groupings, cultural capitol, and more.

I have been a part of the goth subculture since I was 16. I am the owner
and creator of The Requiem Podcast which has been around since early 2008
and also podcast award nominee Cemetery Confessions. I am also known as DJ
Count. I am married, and a father to a beautiful baby bat named Link.