"Music unites me and the people. When somebody tells me that is going to listen to a song of mine I want to listen to it as well for the million time, as I have the chance to do it in a new way, through his ears, heart, body, mind... I have the feeling that we are actually sharing something, no distance, no separation, not even the music itself stands between us, we experience that little while together, and sometimes it can last more. This makes me feel less alone and in some lucky periods, even together with all around me" Roberto Ramon Messina (Physical Noise, ex Secret Sphere, Alkemyst)Progressive Metal: A Few Words
From The Dead?

Are Rush the founders of
Progressive Metal Music? the first name that comes to mind, these influential
Canadian trio of Musicians took some of Led Zeppelin’s more drastic sound and
converted into its own.

To me Zeppelin has some Metal in
them, yet it was contemporaries Black Sabbath and Deep Purple when around
entering the seventies emerged with a fresh beat, provocative sound, extended
pieces often Orchestral Music, conceptual writings, these three bands also got out of the
AB-BA , “song” construction. They were the ones who took the turn and the
initiative to convert Hard Rock into something even more complex and less
superficial.

If we think on what was really
the Beginning then, we need to discuss on what Music trends Rock Music was
based back in the early days. First and before any Rock guitar was seriously
developed or Distortion invented more likely and technically “Overdrive” as we
know it, we should mention the works of late Classical Music
composers/trainees: Edgar Varese 1883 –1965, father of the Electronic Sound.
Post war a-vant-garde, researcher and Aleatory Music creator John Cage 1912
–1992 (he studied with Henry Cowell and Arnold Schoenberg fathers of the War
world II Expressionism) Pierre Boulez 1925 who used electronics and Serialism
in his later compositions, Karlheinz Stockhausen 1928 – 2007 also an
Electronics devotee and finally Master Frank Zappa 1940 –1993 a declared fan of
Varese’s work.

Using certain intricate musical
motives, usually complex arrangements and Polyphony due to the inclusion of the
Piano and Organ, featuring much of the orchestral instruments, Symphonic Rock
became very important in the late sixties, also another movement called
Canterbury Sound (the name relates to the area in England were bands came from)
the genre’s had been represented in the specialized circuits by known musicians
such as: Hugh Hopper, Robert Wyatt, Fred Frith and Steve Hillage.

Sometimes known as Cinematic Rock
the main groups on this particular period that came from England too, were: The
Nice (featuring Keyboard Player Keith Emerson) Renaissance, Yes, E.L.P
(Emerson, Lake and Palmer), King Crimson, Genesis, Pink Floyd, Curved Air,
also; Focus (Netherlands) and Magma (France) are important and no less
contributors on developing the Style.

In Italy the movement took center
stage in 1972, with; New Trolls, Van Der Graaf Generator (they made it big in
Italy although they were an English Band), Banco del Mutuo Soccorso, Premiata
Forneria Marconi and Le Orme. New Trolls, Osanna, Metamorfosi, Alphataurus,
Semiramis and Biglietto, had a heavier approach in their work influenced by
classical music, some used the; Italian Canzone (Italian for song) structure
making the style a bit more approachable.

Jimi Hendrix influenced the
British when he irrupted on the London Scene in 1966, his stage rituals and
Over Distorted guitar where soon to be taken by people like Arthur Brown who
took the theatrics to the extreme, he combined his stage show and added
wilderness with is operatic voice and Shock Rock antics he is also part of the
British progressive, Heavy rock pioneers.

Heavy Metal Music can be found
relevantly in the late 60’s and early 70’s with England’s own Cream, Blue Cheer
and Jeff Beck which style of Hard Driven and distorted sound was soon after
caught by Hide Tide (also from Britain) one of the earlier heaviest bands to be
known. The term Heavy Metal, not only refers to Military Weaponry; it’s also
associated to Hot Rod Cars, Motorcycles and Medieval Legend, all themes often
used by musicians to write about.

That variant to “Metal” Music,
Progressive or Symphonic Rock remained accessible with popular Bands such as:
Yes, E.L.P. Genesis, but with no doubt it was King Crimson whom after their
first album In the Court of the Crimson King (an Observation) from 1969 and
under the hands of Robert Fripp, embarked in a Heavier Hard-Rock/Progressive
Music, experimental, darker and even sometimes minimalist career. Canadians
Rush were the first extremely Heavy/Fast pace and ferocious sounding group by
their second album; Flight by Night which contained the opening song Anthem the
very first Speed/Heavy Metal tune, although it wouldn’t be until their Concept
album/LP from 1976, titled 2112, that the band would be classified as the
“Inventors” of Progressive Metal.

Kansas represents the US, using
American Folk motives added with harder rough guitar sounds. Influenced by
British Progressive Symphonic Bands, they had long mold pieces of Music with
Violins, piano, and keyboards, they also added Jazzy expressionism in their albums as well.

British Band Uriah Heep, another
pioneer in the Heavy/Riffing sound has been frequently quoted, along with
Ireland’s Thin Lizzy and Scotland’s Nazareth as the forefathers of Speed metal
and the Fathers of the now famous: N.W.O.B.H.M. mostly active, their album
collections are wide.

Years after the inception of
Progressive Rock, nearing the 80’s, the self called Neo-progressive movement
arose, In England Marillion would be the pivoting Band to maintain the style interesting today, on the side; Pallas, IQ, Arena, Pendragon, Iluvatar and some other descendants remain very popular, some bands have developed more than others, but still maintaincredibility and commercial success.

So what has happened during the
last 15 years or so? Well, going back to how much Progressive Metal has
developed, let’s trace Iron Maiden and their 2 North American immediate pupils:
Queensrÿche and Fates Warning, both bands from very different areas within the
United States, Washington and Connecticut, correspondingly, both bands were
formed in 1982.

While Queensrÿche took Iron
Maiden’s punk-ish style of Music, Fates Warning contemplated, darker, longer
tracks and the usage of Acoustic guitars, both Bands have had two guitar
harmonies (like Maiden) and started using Piano, Keyboards or Synths around
1988. Iron Maiden experimented with Guitar Synths on their acclaimed; Somewhere
in Time from 1986, tomany, Progressive Heavy metal’s first album, although not a concept album, the theme involves inspiration from the book-based Sci-Fi movie "Blade Runner", directed by Ridley Scott in 1981. Iron Maiden's style of music, was inspired by; Genesis, Yes, Jethro Tull among others. Steve Harris reflects this influence when approaching his Bass playing.

Considered by many the
precursors, or the responsible ones for the development of such style, these
bands started out in the early 80’s and took their careers, into different
paths, but always exploring new sounds and experiencingundetermined line
changes, Dream Theater would take the “Torch” towards and beginning the 90’s.

During this late period, the
genre has since seen several ensembles from different backgrounds and parts of
the Globe and their consequent releases have had great impact into the style’s
own development, here there’s some of those works in Music I believe are not to
be passed with a brief description of them.

Queensrÿche/Operation: Mind crime
1988 (EMI) USA

Even though my favorite album is
its predecessor “Rage for Order” 1986 (EMI), Mind crime’s importance is cited
by many as the first “Progressive Metal” Concept album of the Era, along with a
Movie which portrays the band playing live against back dropped images and
animation, its also referred as the “The Wall” of Heavy Metal, paying homage to
Pink Floyd’s masterpiece.

Watchtower/Control and Resistance 1989 (Noise)USA

Acclaimed by many as one ofthe most influential band of the genre, their experimental Music can't be easily classified, hints of the heavierRush's first and more aggressive sound, fierce-franticelectronic-pad drumming odd time signatures,staccato guitar playing along with Jazz punctuation Bass playing mixed with highpitchedvocals.Watchtower resurfaced in recent years withformer members; Ron Jarzombek, Doug Keyser,Rick Colaluca and Alan Tecchioand putted out some new recordings around 2010, some of this songs were long conceived for theirthird album which is believed to be released soon finally under; Concepts of Math in 2016. The reason why the band stopped making Music has been attributed due to guitarist Ron Jarzombek's chronic Hand Illness. Jarzombek along brother Jon and Pete Perez both from Riot, formed the instrumental project Spastic Ink. Later Jarzombek also created another instrumental band called Blotted Science(often portrayed as a Death Metal band), He also assembles his own guitars.

Dream Theater/When Dream and Day
Unite 1989 (Mechanic/MCA) USA

First Album by the band, and a
breakthrough, a turn in sound and a return to what Fates Warning had started, longer songs. When Dream and Day Unite, ignited new speed and force to what is considered the genre
they renewed or re invented, although a bit more accessible and Keyboard
oriented they added a mixture of Rush/Kansas meets Metallica developing those extended ideas that brought instrumentalists back to the center stage, drifting away considerably from the Iron Maiden sound.

Voivod/Nothing Face 1989 (MCA/Mechanic)Canada

It sounds strange, but since
their debut: War and Pain from 1984, the Band gained recognition worldwide with
a self Identity-Music and Sound of its own without the use of keyboards. Taken
psychedelics Art Work from bands like Genesis and Pink Floyd as an inspiration
and motives and using atmospheric, raw “Thrash Metal” and “Punk” styles
combined, makes Voivod to appear as an Entity in their own words. Nothing Face
contains brilliant guitarist “Piggy” and his unique blend of textures and
tricks beyond orthodox playing, Snake’s hallucinating vocal lines, Blacky’s
thick ambient Bass playing, together with Michel Langevin’s (Away), Ethereal,
Jazzy like, Orchestrated Drumming. He is also responsible of their graphics Arts.

King Diamond/The Eye 1991 (Road
Runner)Denmark

The Father of conceptual Heavy
Metal and a controversial figure with love and passion for the occult and the
unknown world of evil, King Diamond, who’s style of writing is curiously not
cited as Progressive, has created the most fantastic albums of all times.
Formerly the singer for his other band Mercyful Fate, most of his albums tell a
story, he uses a wide in register voice and combines high pitched soloing and
church organ creating convincing cinematic emotive Music surrounded by a halo
of mystery.The Eye is actually a none
conceptual album yet it tells truthful events that happenedduring the FrenchInquisition between 1450-1670. The album
is a masterpiece in terms of texture, inventiveness and well blended Instrumentals. The
characters and most of the facts used on the Story really existed.

Magellan/Hour of Restoration 1991
(Magna Carta)USA

Dream Theater admittedly say they
did had a lot of trouble to put out their second album, difficulties as finding
a new singer or having the band signed to a Record label for proper
distribution and management were among such as problems, but at the end of
the day Images and Words was released in 1992, its not until such a phenomenon
record, that the style took off considerably. Hour of Restoration is perhaps
the first album by a different US Progressive Band also following that Kansas
related tradition in sound and style and heavily influenced by Yes, due to the
usage of multi layered choruses and voicing, it also follows the “Speed Metal”
path and the Drumming was done by both Brothers/creators; Trent and Wayne
Gardner, through Keyboards, a much more consolidated group, their second
release, Impending Ascension1993, opens with the song Estadium Nacional, which
is based on the Infamous Chilean/CIA 1973 Coup which killed president Allende.
To my surprise while writing this article, I found that Wayne has passed away
in 2014.

Threshold/Wounded Land 1993
(G.E.P)UK

UK’s response to Dream Theater,
and only prolific/consistent contender, through the years, Wounded Land deals
with killing “Mother Earth” and other topics like the Green House Effect, Oil
Spilling and Pollution, not as intricate as their following records, the Band
showed a distinctive sound; Heavy yet slower with predominant fulfilling
keyboards and the powerful versatile voice of former “Neo-Progressive” singer
Damian Wilson.

Damn The Machine/Damn The
Machine 1993 (AM Records)USA

A one spin off band putted
together by Former Megadeth Virtuoso Guitarist Chris Poland and his Drummer
Brother Mark, probably due to the ongoing hard times for such non-commercial
Style and poor support towards such few starting struggling acts, the group
didn’t last long and disbanded short after. Yet the quality in Music and the
abundance in tracks, twelve total, this piece of Gem is worth to explore,
intricate, dynamic and fresh of Metric Changes, the Rush influence is vivid but
with a tasty twist and a Maiden Meets Jazz, touch. The singer can be compared
to Ray Alder from Fates Warning yet even more versatile in high range. Hugh
Syme, who had worked with Rush and Fates Warning previously, designed the Art
and graphics.

Anacrusis/Screams and Whispers
1993 (Metal Blade) USA

Another exception to the rule and
in the same vain as; Watchtower or Voivod; Anacrusis, combined Metallica’s Thrash-Speed
tactics with a higher level of complexity, using regular instruments through
Synthesizers, generating walls of ambient and powerful uplifting Sounds of its
own kind. Another short-lived group, their work has immense value due to its
originality and makes them a “Cult” Band, the style it’s been classified as
“Brain Metal” also. Anacrusis re-did all their 4 first albums and Are still
active.

Cynic/Focus 1993 (Roadrunner) USA

Another band classified as the
precursors of “Progressive Metal”, like Voivod and Anacrusis, Cynic
experimented further away in terms of time signature and odd punctuation also
adding; growls, regular singing, Vocoder, guitar synths and keyboards they
opposed both, clean sound against extreme noise, Cynic consequently and along
other Bands such as; Believer, Atheist and Tourniquet started to be called; Brain,
Jazz, Progressive, Extreme-Death Metal.

Sanvoisen/Exotic Ways 2004(Noise)GermanyAnother rare gem in Music, Sanvoisen only lasted 2 albums, and both are different from each other.Following Fates Warning's more commercial time-line, side(1989-1994), Exotic Ways is that combination, yet with a classical old twist. All instruments together in syncopation, and technical mastery, the voice, reminiscent of both, Ray Alder/Fates Warning and Geoff Tate/Queensrÿche.

Fates Warning/A Pleasant Shade of
Gray 1997(Metal Blade Records) USA

Along Threshold, the 2 most
cohesive and favorite Bands of mine, and as it is, I definitely recommend all
Fates Warning albums before this one and the one after Disconnected from 2000.
A Darker and Heavier side of the Band whom until this moment had released all
their best material, depicting interesting change after change in sound and
experimentation, A.P.S.O.G. it’s their masterpiece, based on a concept in which
parts are all portrayed as Roman Numbers I through XII, it’s one of the many
albums featuring former Dream Theater Keyboardist Kevin Moore. Moore will pair
after with guitarist Jim Matheos creating the more “Electronic-Ambient-Metal”
project called O.S.I. A.P.S.O.G. sounds more experimental and less accessible
than Parallels and Inside Out, both of their previous albums, Fates Warning
never used ultra Speed tempos. In a similar way to Queensrÿche’s “Mind Crime”,
A.P.S.O.G. was too, recorded live performed in it’s entirety with a movie
involving; Cold, Shadowy and Wintry Black and White footage.

Angel Dust/Border of Reality 1998
(Century Media)Germany

Another band tagged with Cult
status, it wasn’t until it’s second term, when they were signed by Germany’s
recently emergent Rock Label Century Media in 1998 and released their third
album; Border of Reality. Former members Drummer Dirk Assmuth and Bass player
Franx Banx, started a new concept from scratch, departing from its Thrash Metal
Roots and creating a unique blend of Old School Heavy Metal, incorporating
Atmospheric keyboarding and unique powerful singing. Their next three albums
show considerate transition in experimentation between them worth the Listen
(see article).They were capable to mix
technique; ambient, noise, interest time signatures, Chromatic phrasing without
going too expressionist.

Bruce Dickinson/The Chemical Weeding 1998(Sancturay)UK

Versatile and Prolific, Bruce Dickinson, uses this two virtues into his Music too, this is his 5th effort as a solo artist. Based on William Blake's visions and sightings, Chemical Wedding brings back the two friends from Maiden, Adrian Smith and Dickinson, to the top and to the fore front of re modernized Progressive Heavy Metal. Raw guitar riffing, uplifting soloing and intense lyrics, a record for the serious and more intellectual listener.

Shadow Gallery/Tyranny 1998
(Magna Carta)USA

Top one on my list of best ConceptualProgressive Metal records.I know it sounds like an obvious
response to their peers Dream Theater, in name, but truly, this is the only
remarkable relationship between them, intricate, Power Metal at times, Tyranny
is a concept disc that follows a storyline involving topics such as Politics,
corruption and government conspiracy (see article), is one of the best of its
kind, faster and even more technically well developed, guitar wise I think is
better than any DT album putted out at that point, remarkable and original in
sound, the songs are extended pieces, over the 5 minute structure.

Crimson Glory/Astronomica 1999
(Spitfire Records) USA

Florida based Symphonic
Progressive Speed Metal Pioneers which career detoured from consistency due to
their Erratic but Charismatic Virtuoso Singer “Midnight” (see article), started
as a Queensrÿche “Clone” band, yet their fame rose to cult status thanks to
their first two classic albums, after Strange and Beautiful their third
controversial in style album, Midnight left the band to pursue a solo
career, to continue, the Band hired vocalist extraordinaire Wade Black an amazingly
underrated singer formerly with “Seven Witches”. Astronomica has been
criticized wrongfully by the fans, it sounds amazingly original, perhaps due to
the inclusion of Drum Machines and the intentions of continuing a tradition
experimenting new trends, slower yet heavier and well structured at sometimes
minimalist Music, it’s a concept album based on Extra Terrestrial Contact, The
album marked the premature end of the Band. Ahead of its time I think is a well
kept secret good to be discovered, a rarity in its own terms.

Magnitude 9/Reality in Focus 2000(Limb Music)USA

With a short carrier that involves three albums and inspired by Fates Warning's more accessible still technical and darkish side explored between Perfect Symmetry 1989 and Inside Out 1994. Reality in Focus shines with its own ambient keyboard oriented sound,atmosphericoutstanding musicianship. Powerful Singer Corey Brown,was going to be Balance of Power's next front man, but both bands became inactive since round 2004. The record features the remarkable cover of Iron Maiden's Flight of Icarus.

Andromeda/II=I 2001 (Century Media)Sweden

A Group from the uprising
and influential movementfrom Finland, Andromeda's first and previous album had a lot of influences from Europe, the Band. II=Itheir second album marks the debut for singer David Fremberg, if Rush would have stopped doing commercial Music
and putted out a Metal album again at the moment this is how it would have sound like,
brilliant, intelligent, add subliminal lyrics and loads of syncopated metrics, and definitely you have a moreperfectioned version of Dream Theater’s best work., much
more intricate, less faster and Keyboard predominant.

Pagan’s Mind/Celestial Entrance
2002 (Inside Out)Norway

Rush's 2112, with Mindcrime and some earlier Marillion?An original outfit from Sweden,
this would be the best kept secret, since singer Geoff Tate, this their
second album, shows a very Technical, yet Melodic and Keyboard oriented group
that shines with epic sonic passages and powerful vocals, the album could be
associated directly where Iron Maiden left off with “Somewhere in Time” back in
1986, multi timber drumming, Van Halen flavored guitar playing. The Theme also deals with Extra Terrestrial Life.

Vanden Plas/Beyond Daylight 2002 (Inside Out)Germany

Since their inception in 1994, V.P, has maintained a cult following, their albums take years to make, but the results are worth the wait. Following the Dream Theater tradition of re-inventing and mixing; power(speed)

progressive(structure development) heavier and thicker sounds. Beyond Daylight also has hints of Neo-Progressive, (I.Q. Marillion, Pallas), making it a bit more emotive with slow numbers reminiscent of rockers Dokken and Prog-Kansas. I recommend the song; Scarlet Flower Fields.

Balance of Power/Heathen Machine
2003 (Massacre Records)UK

This the band's sixth and last
studio album to date, it’s the first album without former singer extraordinaire
Lance King, instead the band brought Biomechanical’s lead vocalist and creator
John K. the album captures the band at their best, Drummer, Producer Lionel
Hicks, brilliant sound and different approach to recording, enhances the fact
that the record moves a bit away from Symphonic, onto a darker territory,
although keeping that fresh, dynamics that has consolidated the group as “Cult”
act.

Pyramaze/Melancholy Beast 2004 (Nightmare-Massacre)Denmark/USA

Once in a while something different happens. Pyramaze's first album has that, all. With the amazing and solid Lance King on Vocals, a singer with vast experience, the Music and contents on this record makes it one of the best debut albums of all times; old and new Maiden, combined with the best of Queensrÿche, atmospheric bass, guitar, and keyboard playing with an Operatic voice are some of the greatest elements putted out on each song, great structures and interesting pace Drumming.An original record with an original approach and class.

Pain of Salvation/Be 2004(Inside Out)Sweden

A Band formed by Brothers
Gildenlöw, Kristoffer and Daniel, a straight Fates Warning forward sounding
group in their beginnings, Be sees the culmination of the group and their
consequent consolidation through the genre. A concept album (most of their
albums are) Pain of Salvation’s originality relays on the fact that the mix
very well acoustic almost classical compressed electronic sounding parts with
Heavier sonic passages, another feature is the well-blended multi vocal work
and doses of old progressive atmospheric ideas; Genesis and E.L.P. sound
related. Melancholy and Psychological themes as well as Human relations and
Political issues are well portrayed in their Music, the Band is famous for
putting out albums and then performing them entirely Live, with minimum changes
and outstanding accuracy.

An interesting and rare almost
difficult to find band and one of the few from Italy that doesn’t strictly play
“Symphonic-Speed Power Metal”, a deeply and widely developed style by the
Country’s many acts. An obscure almost into the occult trend sounding record,
which involves the secrets of the Vatican, the many dishonored activities
committed by such High Power people, Bible quoting, are also the themes on the
album. It includes contributions by Angra guitarists Kiko Loureiro and Rafael
Bittencourt. Time Machine activities and albums date back to the early 90’s.
The vocals retain that Italian Metal Operatic tradition; they also use odd
punctuation, keyboard imagery choral chanting and expressionist guitar soloing,
their guitars seem to be tuned down to D flat.

Dreamscape/End of Silence 2004
(Massacre Records)Germany

Germany’s answer to Dream
Theater’s Awake album era, the band had only one constant member, former
guitarist Wolfgang Kerinnis. End of Silence has a powerful atmospheric sound
accompanied by an orchestra on the song The End of Light of 20 minutes
duration. The album moves through cohesive and long songs, keyboard
arrangements, intricate, odd drumming and sonic visuals, fresh and strong, not
to pass is the originality of singer Roland Stoll, who in contrast to most of
the style’s vocalists gives us a very accessible, at times commercial
performance. Guitars are also down tuned.

Labyrinth/Freeman 2005
(Arise)Italy

Former Italian Power-Symphonic
Metal Pioneers, redeemed themselves and finished their most prolific moment with 2 albums Six Days to Nowhere 2007 and their Previous; Freeman. It seamed that their most determining factor in them becoming more
progressive, was Olaf Thorsen’s departure from
the Band. I think what Thorsen has done with his other Band, Vision Divine is outstanding, but Labyrinth's switch toexploreotherterritories is remarkable. Freeman brought shorter, slower songs, darker themes experimental ambient keyboard playing in contrast with Singer Roberto Tiranti's acclaimed voice chops.

Circle II Circle/Burden of Truth 2006(Locomotive)USA

Afterthe album" The Wake of Magellan 1997, Zak Stevens left Savatage,one of the most original and influential bands in Rock Music.Energized and inspired by his tenure as the lead front man during 4 albums, the singer created one of the most tight and dedicated projects around, Circle II Circle. Usingdeveloped expanded song structures, ideas. Stevens brings his personal style to it creatingunique visuals and emotional tripping. since 2003 has released 7 albums, all recommended. Burden Of Truth is a conceptual piece, based on the "Da Vinci Code" book. Burden of Truth embraces; Orchestration, Piano, Counter Point Choir and Heavy Metal, easily among my top 5.

Bottled Science/Machinations of Dementia 2007 (Eclectic Electric)USA

An instrumental record(no singer in it), Ron Jarzombek, from the progressive-Death-technical Metal pioneering band Watchtower, explored the "Twelve Tone Techniques" created by one of the fathers of the Musical Expresionism" Arnold Schoenberg(1874-1951) and putted it down on this record, which if it was a book, Machinations of Dementia, would be a Manual, a text that would explain to you on how to play innovative Music and the proper way of approaching your instrument to create a whole different World, through it.

Biomechanical/Cannibalized 2007
(Earache)UK

A unique blend of chaos and dark symphony,
Cannibalized is the third album and last chapter from Biomechanical’s concept
trilogy of albums, which started in 2003 with Eight Moons and was followed by
The Empires of the Worlds 2005. Their Music is extreme, in metric, signature,
guitar soloing, often super fast quickly changing in tempo and combines the
versatile vocal range from singer John K who also uses growling, there’s the use
of full Orchestra as well, there’s very few groups that I can recall, could
sound as strange as this, John K creates a whole different universe with his
voice, same as he does with the direction of guitar playing, sound mix, choral and instrumental arrangements.

Arch/Matheos Sympathetic Resonance 2011 (Metal Blade)USA

Recapturing one of Metal's finest, versatile and unique voices, guitarist Jim Matheos, pairs once again with his fellow and Former singer for Fates Warning, with who he created, the band's trade mark's own style recording three albums between 1984 to 1986. Matheos and Arch are accompanied by former guitarist Frank Aresti and new members;Drummer Bobby Jarzombek and long time Bass player, Joey Vera. Sympathetic Resonance as a result, captures on of the most fine recordings of all times, with all the modern technology, 6 songs, 55 minutes and pure uncompromising yet technical musicianship. Density as opposed to melody, S.R. proves itself in heavier/experimental territories and brings back one of the greatest and under rated singers of all times.

Vision Divine/Destination Set To Nowhere 2012 (Ear Music)Italy

With singer extraordinaire Fabio Lione Back and apart from their usual Symphonic Style, Vision Divine offers this their most solid album since Stream of Consciousness 2004, a concept album D.S.T.N. picks up and doesn't lower its riffing, intensity and space Imagery from beginning to end, the band's musicians shine with excellence creating V.D. most visualcohesive record in years.

-The New Breed: In terms of the latest contributions in the genre, a few Bands have movedBiographicallyand cohesively through the mid 2000's to the present day, wider keyboard/Synth work usually carrying the opening of songs, a musical motive taken and started by Keith Emerson which continued through Eddie Jobson while in the Band UK and trespassed to Asia, Van Halen and Europe(Final Countdown).

Fortunately extremely complex arrangements can coexist with hooking and simpler ideas, next is some of the Groups that have taken time to fuse and infuse new ideas into Music.

Voyager/Univers 2007 (Dockyard)Australia

Bringing in some psychedelia, and DavidGilmore playing with subliminal keyboarding, Voyager have putted out their most recent albumin 2014, but Univers, is a strong contender to all their other albums. With predominant atmospheric keyboard, piano and sentimental vocal lines, Voyager blends a bit from all progressive tendencies, commercial, non commercial with some hidden simplicity, but well executed instrumentation. Voyager also brought in a mixture of raw with clean/clear singing and extreme speed.

Secret Sphere/Archetype 2010 (Avalon/Scarlet)Italy

To me the Best well kept Secret from Italy, Archetype is their first album in which they simplified their pompous ideas and concentrated on writing songs, S.S. have always managed control in their blend and mixture of; Sound, Music Techniques and Technology and instead of abusing it, they leave space for each others talents and that's hard to find with modern recording. that's why Italians get my recognition and all my respect to them and to all other Bands from the country, mostly Under Rated Globally speaking.

Seventh Wonder/Mercy Falls 2008(Lion Music)Sweden

A conceptual dramatic adventure of 74 minutes long, based on the fictional events that happen after a Family's car accident and the transition and story events behind it. Seventh Wonder's third and most ambitious Concept Album since Scenes from a Memory 1999 by D.T. and Marillion's Brave 1994. Although reminiscent of both aforementioned records, Mercy Falls moves respectfully withreinvigorated ideas, masterfully played. The Great Escape released in 2010, Seventh Wonder's consecutive album, sees the band even more consolidated and intricate. Singer Tommy Karevik was brought to replace Roy Khan in Power/Symphonic group; Kamelot in 2011, he sings for both bands.

CircusMaximus/Nine 2012(Frontiers)Norway

With two outstanding previous records, The 1st Chapter 2005 and Isolate 2007. Circus Maximus took the time but moved quickly from one territory to another. Compressing to a less Symphonic style, Nine still opens with an over eleven minutes of grandeur and full ofinventiveness, song, that marks the start to a near an hour of purified more accessibleideas and Musicimagery but with a slower and darker touch and a bit of expressionism.

Vanishing Point/Distant is The Sun 2014(Dockyard)Australia

Moving away from Neo-Progressive to Heavier trends is been Vanishing Point's constant, and the results are the best of all worlds.since "In Thought" their 1996 debut, they've developed more as musicians and instrumentalists and it reveals drastically on Distant is the Sun. The record's cohesiveness and sometimes abruptness speed,appears on each song, its Music moves through different topics and the soundkeeps itself original, in Musical dexterity. Silvio Massaro's voice reminds me of most Arena's singers and Fish, Marillion's firstfront man.Anubis Gate/Horizons 2014(Nightmare)Denmark

Anotherevolving, original and classy heavy-melodic group, that since the early 2000's have released 6 amazing records capturing great dramatic-atmosphericand visual sensations in them. Not relaying only in complexity, they offer a different universe that oscillates between melancholy and Darkness with an interesting-accessibleapproachand well use of musical ideas and song structure. Singer uses high and mid ranges.