Thursday, February 26, 2015

Organized Music presents Titubeo, the second release from Miguel Prado’s Nzʉmbe project.
Miguel is a Galician “composer/theorist/ provocateur” (Byron Coley, The
Wire) based in Bristol, UK. Since 2007 he has released a number of solo
works, and has worked together with artists such as Mattin, Stephen
O’Malley, Michael Pisaro and Jozef Van Wissem.

While the project’s first appearance (‘La labor de lo inhumano’;
Taumaturgia, 2014) came in the form of an ultra-limited edition of a
phonographic cylinder, Titubeo features a fully formed suite of songs in
which Prado rises above what may have been taken as a conceptual
endeavour and delivers a testament to his lyricism and musical
invention.

Built upon a musical bed of modular electronics, guitar, keyboards
and percussion, and featuring musical contributions from fellow Iberians
Rafael and Roberto Mallo, Ruth Barberán and Alfredo Costa Monteiro, the
record’s seven tracks are comprised of several nakedly emotional
structures that most closely bring to mind the decadent lyricism of
late-70s music and general culture. Unashamedly romantic, the songs
waltz through references to disenchantment, affection and humiliation,
allowing for grand gestures, electrical explosions and hammering
repetitions to tower over the music while the voice maintains a steady
and melodramatic tone throughout. The vocals themselves are often
heavily processed and broken down to digital shards, reinforcing an
unusual disembodiment of the voice.

What in most records is taken for granted –the sound of the recorded
voice- here is laid bare in all its isolation, vulnerability and
exposure. Coupled with the music’s sharp and dramatic tone, it makes for
an intricate and memorable atmosphere.