If Cry Havoc got anymore brutal then health and safety might put a restraining order on Exeter's thrash 'n' roll merchants, the debut EP 'New Life' explodes into life at every second and mashes up the evident traces of Pantera and Guns 'N' Roses into one concrete sound, rocking out of the starting blocks like no tomorrow. The killer riffs that reside on this release are sharp enough to cut your throat, so careful listening is of utmost importance. But whilst the vocals and music do the slaying, the only three elements that are missing from this sensational EP are the crates of beer, the hot girls and of course the record label, here's hoping they come out of the corners to stand up to Exeter's finest new band and one of 2013's hottest properties.

The debut EP only comes 11 or so years since the bands inception, going by the title 'Fuck The Holy Trinity' is not for the devout religious followers, instead what unravels here is a smothering of Finnish Satanic Black Metal, the cusp of demonic attributes soon explodes in the vibrant sounds of true black metal. As for The GBS (Grand Beast Sodomy), the wait for the debut EP was pretty much worth it, sure there were three demos prior to the release, but the overall production and reception of this release is one of gratitude and disappointment, the musical compositions are fine, the only problem is that they are more Death Metal than Black Metal vocals, somehow Satanic Death Metal just does not seem to fit.

Download This: "Tekopyhä Kolminaisuu"

[6.5] RHYS STEVENSON

NYA'Driving The Nails In'2012 brought many things, the summer Olympics, the Queen's 60th anniversary, but amongst this was the dropping of Nya's debut EP 'Driving The Nails In', what comes now is an explosive concoction of Evanescence style rock and boisterous Meshuggah time riffs, armed with vocals that would tease any guy out of hibernation, 'Driving The Nails In' is the new sound of London alternative music. As soon as the music starts playing, the slicing riffs do the talking as the band battle their way through the grassed over underground and prepare to deliver an all out assault in 2013 as they are sure to turn heads in months to come.

Download This: "Open Your Eyes"

[8] RHYS STEVENSON

VIATORA'Mede, Kruid en Mensenvleesch'In recent times there seems to be a mass influx of Folk Metal in western continental Europe, especially from the Netherlands, the latest is Viatora who hail from Maastricht and utilise their own style of Folk Metal by mixing violins and keyboards with the Dutch language, so if you like a modern version of Heidevolk, just with less Pagan Metal influences and more connected to original Dutch folk music. 'Mede, Kruid en Mensenvleesch' contains six tracks of sensational traditional sounds and elements that onyl Viatora can compose together, so if your looking for a soundtrack to a folklore party or event, 'Mede, Kruid en Mensenvleesch' is your answer.

Germany seems to have a knack for Death Metal, and the 2010 EP 'Dead's The Way I Like It' by Crimson Death is no exception, conjuring up the old style of the music genre and adding their own twist to it, what comes next is a barrage of mortar fire in the form of missile riffs, machine-gun fire style drums and commanding vocals, the right sort of mix to make the debut EP by the German quartet all the more better. 'Dead's The Way I Like It' is a good propulsion platform for the lads to jump off and use as a block to gain higher levels, they will need it to emerge out of the plethora of Death Metal band waltzing the earth everyday.

Download This: "Show Me Your Guts"

[7.5] RHYS STEVENSON

CORONACH'Mountain Kings'Instantaneous thoughts are of that this band is a Black / Folk Metal band, but Coronach are ever so deceiving, instead what is delivered on their self-released album 'Mountain Kings' is a juicy mix of Death Metal vocals and Progressive Metal music, giving a final production along the lines of Gojira and Agonyst, but for the Cambridge / Suffolk based quartet, 'Mountain Kings' provides enough headbanging material to make the breakdowns of a metalcore band sound reminiscent of a chorus from a Justin Bieber song. What these lads have done is created an album that spits fire, warrants recognition and is a gem in any metalheads collection, however the production level let it down, on the other hand it gives you reason to turn the volume up past 13.

Maybe Russian Black Metal is on a period of going overtime, not especially when the quartet Nazgulum dropped their debut album after a nine year wait, but god the wait was worth it. 'Aroused' slams out the classic style of Raw Black Metal with added effect in as far as there is not a lot of double bass drumming and so what lacks on firepower from the behind is made up in terms of atmospheric feeling, that being sombre and enigmatically dark at the same time. But as far as their anti-christian blasphemous musical production is concerned, the band overall seem to have and have not any clue of what musical direction they want to take, maybe that's why its called 'Aroused', 'Aroused' by the myriad of non-connecting music directions.

[6] RHYS STEVENSON

DEVIOUS MINE'Revelation'UNSIGNEDMaking their mark heard is Italian Melodic / Power Metal warriors Devious Mine as in 2012 they deliver their debut EP 'Revelation' in sensational form, exploding in the sound of powerful and face-smashing music whilst the vocals encase the surrounding atmosphere in a blanket of sheer epic force. More like the modern Sonata Arctica, Devious Mine are to become a force to be reckoned with as they slalom there way through the underground and with 'Revelation' now under their belts and primed for action, there is nothing to stop these Italian maestros from conquering Europe, 'Revelation' is a must have for any Power Metal fan, simply inspirational.

The band name itself is a key hint to suggest this is going to be neck-breaking music, turns it the hunch was right, the Bulgarian trio make no mistake in vomiting out their debut EP in fashionable style, covered in the glimmering shine of Power Metal and the viral assault of Thrash Metal, that together produces 'The Serpent', a full on metal assault that would make Slytherin house look as dainty as the muffin man on drury lane. Blistering pace drumming propels the EP forward whilst the vocals and guitars deliver that all important cutting edge dimension that makes 'The Serpent' perhaps one of Bulgaria's most polished releases, all in all Moshpit Justice are going places in 2013.

They don't make cult releases like this anymore, and no wonder. If the word diabolical was to be slapped on a Black metal release, some would assume it is correlated to Satyricon for being now, diabolical. But Californian duo Radiation Sickness (possibly after nuclear fallout) and their debut EP 'Neter-Khertet' may be a little cause for concern, simply being that although it has the embodiment of a Black Metal release, the overall sound is a little problematic, besides the great level of rawness that resides here, the music and vocals are left to be desired, rather more leaning towards Death Metal, but even that would be an insult towards the music genre. The level of seriousness here is not in questionable doubt, but the composition is in serious doubt.

INCINERY'Dawn Of War'So 2011 saw the first record outing by Nottinghamshire Thrash newbies Incinery, not a perfect start it would seem as their debut EP exhibits the standard Thrash Metal sound that most bands in this music style seem to employ, sure 'Dawn Of War' spits fire and acts as a sentimental starting block to this quintet's career, but there is much improvement to be considered, but as far as the first attempt goes it is a decent enough effort and will surely be advanced on when the band release new material. However 'Dawn Of War' will appeal to those who devote their lives to the 80's Thrash Metal sound and especially fans of Slayer and Kreator, as for Incinery the time has come to face the 'Dawn Of War' as they battle for British Thrash Metal survival.

What a better way to mark the tenth anniversary of your band by releasing the third album in your musical career and that is exactly what Swedish Thrashers Denied have done, sticking together Heavy Metal epic numbers with tunes of agile brutality together and leaving the album finishing on a note that warrants much more from this five-piece. 'Let Them Burn' shifts gears across the ten tracks that drive this album, perhaps it's coincidental that ten tracks are for the ten years this band has been around, but if the last song title is anything to go by then the band has issues, ironically the song 'In Hell' sums up the release to the very last note, simply put 'Let Them Burn' is a juicy and explosive burst of Heavy Metal vocals and slaying Thrash Metal music.Download This: "In Hell"

Paraguay isn't usually a country that spews out Melodic Gothic Metal, it usually focuses on more aggressive styles of metal, so when in 2010 the premier self-titled demo by quartet Zeitgeist dropped, it unleashed a new wave of sound amongst the underground of this South American country. Ascending on every song and delivering a powerful atmospheric presence, there is much melancholy as there is lusciousness on this release, it filters out the weaker elements and accentuates the very essence missing from the metal scene, a vocalist with utmost harmonic vocals. Zeitgeist are sure to push boundaries in the future ahead but for now they remain as one of Paraguay's hidden gems, awaiting discovery by many alike.

In the year of the band's 10th anniversary, the Italian Power Metal ensemble Trick or Treat deliver a right treat in the form of their third album "Rabbits Hill Part. 1", it showers the atmosphere with emphatic vocals, slaloming solos and rapturous riffs that decapitate all that stand in its way. The vocals themselves carry that adventurous feel and although not on same par as Sonata Arctica, they offer a unique style, quite like the music as it weaves in folk elements on 'The Tale Of Rowsby Woof', but what sets the band aside mostly is the lyrical themes, rather an elaborated metal form of Bugs Bunny and Daffy Duck, the five-piece deliver a range of themes that any mad march hare would hop to.

From what could be put down as a mixture of Dead By April, Avenged Sevenfold and Mudvayne, Italian slickers Exalt Cycle find no fault in the system to crack but instead crack open an album that quite simply is a revelation, 'Revelations' spews out the very musical core of modern metal as it laces together industrial elements with a heavy progressive / metalcore sound, or perhaps that could be ones senses playing tricks via the Exalt Cycle, but one thing for certain is these lads have got the sound to take themselves to newer heights and are sure to push for european domination this year.

Italy was born for delivering any band that plays Gothic Metal and so when the third album by Italian sextet Tystnaden comes to life, it delivers an astounding blast of Gothic-laden Melodic Death Metal fronted by the awe-inspiring Laura De Luca. What these musicians have done is more than make an album, they have made a new sound come to life and dragging influences from bands like In Flames, Slipknot and Dark Tranquility, Tystnaden are vastly becoming one of Italy's hidden gems as 'Anima' explodes in sensational fashion with heavenly vocals, spine-chilling atmospheric backdrops courtesy of the keyboard and of course sharp slicing sounds coming combined from the elegant savageness of the guitars and drums, but as everything starts entwining, the only two things thats wrong with this album is that it is simply too good to be true and its not long enough, listeners will beg for more and are unlikely to find fault, simply divine.

How many times does it take to fully conclude that 'Doa A Quem Doer' is a brain-smashing face belter? One. Back in 2011 the debut album by Brazilian bulldozing Metalcore maniacs Project46 slays through the mass-produced music genre and installs their own stance on the music genre, illuminating killer technical riffs and setting up complex breakdowns, if anything this is what could be dubbed as matrix-core, a sound that embellishes the Metalcore sound in the center with technical, melodic and hardcore influences padding out the nooks and crannies and yet the album of which is entirely in Portuguese, still weeps and bleeds toxic contagious elements that warrants a health warning to be slapped on it. Project46 are taking Metalcore to newer levels and are sure to become a huge metal export in the years ahead.

There aren't many Gothic Metal bands from Spain that manage to get a decent sound going, unfortunately there aren't many bands like Secret Signs going around, dropping their debut album 'For A Lifetime' last year, the quintet immerse the emotional feelings of darkened despair with their atmospheric style of ambient Gothic metal. However the drawback is the male vocals, they crush the album the wrong way and at times leave it meaningless, by leaving out the deep vocals it would sound better, but apart from that the album strikes out as a decent enough effort to really kick start the band, besides the solo on 'voices from the afterlife' is one of epic bizarreness as it starts awfully but finishes gracefully, so whilst the overall album is great there are parts that should not be there.

Download This: "Battle For The Darkness"

[6.5] RHYS STEVENSON

DISTAINED'Between Nowhere And Goodbye' + 'Hereditas'2010 saw the second EP by Finnish Melodic Metal ensemble Distained drop, 'Between Nowhere And Goodbye' carries the same vocals experienced on bands like H.I.M., Poisonblack and many of Finland's Gothic Metal catalogue, but don't let that fool you as the EP displays why the home nation is notorius for its love of rock and metal music as here proven by Distained. This is a sound that should get the labels attention, in fact it's surprising to why the lads aren't signed yet as 'Between Nowhere And Goodbye' clearly demonstrates a solid outburst of modern melodic metal that is worthy of paying attention to. Moving onto the 2012 EP release 'Hereditas', what comes now is a more solidified sound and a greater prominent level of precision that seems to kink out the cracks from the previous EP and ends up cleaning out the old and putting in the new, but whilst 'Hereditas' is the better of the two, the major fact behind Distained is that they are simply one of a kind and are sure to battle forward to become favourites amongst European rock and metal fans.

What we have hear is a split between three of the most underground metal bands from Saudi Arabia, Tunisia and Bahrain respectively, the 'Narcotized' split kicks off with 'Barzakh' by Saudi Arabian Black Metal trio Al-Namrood and as the song delivers a chilling sound to be embraced, the key result of the song is that it warrants repetitious plays as it is simply is a divine way to start a three-way split. Al-Namrood certainly know how to create their own unique sound and by doing so develop a very atmospheric style, but that is soon forgotten as Dhul-Qarnayn come into the affray with their song 'Suqoot Allah' as it explodes in pummeling fashion, as for the long-gone one man project is without any doubt a raw black metal sounding production on its own accord, but as Bahrain's underground metal scene shows, nothing lasts and as the song comes to a close, Tunisian Black Metal duo Ayyur do the honors of closing up the split with two songs 'The Queen Of Awres (Narcotized Version)' and 'Proud Slave', both of which spew out the very essence of what makes Black Metal, Black Metal. Simple yet basic drumming is all that's needed to setup this elegant dark act and as the very note sounds out, it is worth saying this is a truly Arabic Black Metal release.