Morrissey’s ‘World Peace Is None Of Your Business’ pulled from U.S. digital music services

Morrissey’s campaign against Harvest Records escalated Wednesday night with the release of a 750-word diatribe explaining how he believed the imprint “sorrily botched” the release of his album World Peace Is None Of Your Business, concluding with the prediction the record “will instantly disappear” from record stores and digital-music outlets “because Harvest technically have no right to sell it.”

At least part of that appears to be happening: By late Tuesday, World Peace Is None Of Your Business — released worldwide five weeks ago — had been removed in the U.S. from digital retailers including iTunes and Amazon.com, and no longer is available to stream on Spotify or Rdio.

It’s not clear whether the album was pulled at the direction of Morrissey or Harvest, a Capitol Records imprint that had licensed the record directly from the singer.

Amazon is still selling World Peace Is None Of Your Businesson CD and vinyl, and it’s also still available digitally in the U.K., both via that country’s iTunes and Amazon.co.uk.

The dust-up with Harvest began Aug. 9 when Morrissey announced, via True To You, that just three weeks after the release of World Peace Is None Of Your Business, “Capitol Records/Harvest have ended their relationship with Morrissey, as directed by label boss Steve Barnett.”

On Aug. 15, Billboard reported that Morissey was, in fact, still signed to Harvest, and had two more albums left on his contract, citing “a source close to the situation.”

The following day, Morrissey took to True To You again, refuting the Billboard report, and denying he’d ever signed a contract with the label. He insisted he “retains full ownership of World Peace Is None Of Your Business,” and that Harvest had made it clear the label was not interested in licensing a second album.

And in his latest essay, Morrissey concludes :

“I might be wrong, but I think World peace is none of your business will instantly disappear from iTunes and record stores and every download-upload-offload outlet on the planet, because Harvest technically have no right to sell it.”

Below, you can read Morrissey’s lengthy post on how Harvest Records wronged him, namely through what the singer found to be inadequate promotion of the just-released album.

PLEASE CLOSE THE DOOR BEHIND ME
Morrissey statement

In response to 77 million questions I can only say this much on the subject of the Harvest drama. It is quite true that Harvest initially appeared like a saintly beacon of light, and they instantly packed us off to France where we recorded World peace is none of your business. The universe was back in balance, and we all considered this to be the very best Morrissey recording ever, and even the boo-hoo-suck-it-off elements of the press appeared to want to agree. At last I am born.

It all seemed too good to be true. It was. I believed that the rich soil of the album had several strong hit singles. Frayed tempers began when Harvest arranged the ‘spoken word’ films, none of which gave any clue as to what World peace is none of your business intended to be, or is. The films were OK, but they went nowhere and stayed there.

With every nerve alert, we pushed the label for a proper video for Istanbul to precede the album, not least of all because a single ahead of the album release might inch the album to a higher chart position. The label backed off, even though Istanbul received 55 radio plays in just seven days on a major US station. Instead, the label requested a fifth spoken-word film, which naturally had me fumbling around for an axe: no independent thought required. The UK label, meanwhile, created a quite fantastic television advertisement to transmit during the week ahead of the album release. I could taste excitement once again. The TV ad never appeared and my hackles bristled as my bristles heckled. The label responded with frosty aloofness, and I suddenly realized that we were not, after all, of the same species. I ploughed into them insisting upon “proper band videos, where the band play and I sing” – an evidently confusing concept that required seven weeks of explanation, detailed graphs and several drawn up maps.

The label suggested I come to Los Angeles and read passages from Autobiography in front of selected audiences. As frightening as that idea was, I hung on, desperate to believe that Harvest were not as cheap as they now looked. I hope to finish this statement whilst I’m still clean-shaven, so I will jump to the final curtain: during the weeks of the album release, the label were minus one single structural idea, and it appeared evident that each member of the team was acting in separate rooms without doors or windows. Mutual mistrust exploded between Harvest and I, and with fashionable pessimism, the label boss yawned and ordered the surface smartness of dropping World peace is none of your business three weeks after its release. There, now! This would not have happened to the Teletubbies.

Sorrily botched the project may now be, but it’s worth it to get Morrissey out of our Inbox. Yes, I can be intensely persistent, and I certainly have an over-active fantasy-life, but the Harvest experience tells us that despite the blinding flash of teeth and smiles, it doesn’t take much for the coin to flip and suddenly we’re all compromised and shattered. All you need to do is disagree with the vanity of the label boss and your beheading will be slotted in between bottles of the most average champagne on the market. Just one weak-chinned drone can assert the fist of injustice and all of our efforts are flushed away. And thus … they were.

I might be wrong, but I think World peace is none of your business will instantly disappear from iTunes and record stores and every download-upload-offload outlet on the planet, because Harvest technically have no right to sell it.

Most of the Harvest team are very nice, and I sincerely thank them for trying and caring so much – even if their promotional duties were fully undertaken by the Morrissey audience themselves, whose You Tube videos for World peace is none of your business fully provide the art that the label could not muster. The listeners instantly understood how entertainment could also be art.
Staggeringly, I still believe that there’s a label out there with my name on it, and one that will issue World peace is none of your business, and afford it the respect it deserves.

Thanks for reading this (rashly assuming that you have), and thanks once again to the Harvesters who tried.

We are boot-camp ready for Lisbon in October, so with the will of many gods, hopefully at least 38 of you will turn up.

Morrissey’s psyche thrives on confrontation. People who expect an artist who is a “trouper”, who will play the game and soldier on regardless need to stick to the X factor type consummate “professionals”.

It’s a great album. Certainly not his top three or his bottom three. There is no filler on this one, which is welcome after last time, and the time before that. However; I hear no single on the album, but lots of great album tracks. If Years of Refusal turned you away this one should bring you back. His statement here is concise and provides the rationale behind the events. I also do not think that videos are at all important these days. Many artists at his level forgo them altogether.

Say what anyone will, his letter of explanation was pretty damn funny:

“I ploughed into them insisting upon “proper band videos, where the band play and I sing” – an evidently confusing concept that required seven weeks of explanation, detailed graphs and several drawn up maps” …. LOL.

Most “artists” these days are merely “professionals” who know how to obey the modern corporate agendas. Real artists by their very definition are often challenging and sometimes even abrasive. That’s Morrissey, a true artist. If his work is not as good now as it was at his peak, who’s is?

I hope those saying the album is rubbish actually listened, I heard a few tracks that I instantly liked. I really am not surprised that the label dropped him, I mean even if we all believed that a few of the labels were treating him poorly, after this has happened “x” many times you have to wonder is it “you- Moz” or is is always their fault. Music videos do not have the *pull* and importance they once did, I can understand why any label would not be thrilled to make one knowing only a handful of huge Morrissey fans will actually watch them. It is a sign of the times.