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The physical capabilities and tolerances of natural Suliban were comparable to those of Humans. Their respiratory system contained three bronchial lobes. (ENT: "Broken Bow")

Suliban of the Cabal received extensive physical enhancements via genetic engineering. These enhancements varied among individuals and could include greatly increased flexibility in all parts of the body, the ability to cling to walls and ceilings, the ability to alter the color and texture of their skin for camouflage or to mimic other humanoids, compound retinas granting enhanced vision, increased numbers of bronchial lobes with modified alveoli clusters for processing different atmospheres, and the ability to tolerate vacuum. An ex-Cabal agent, Sarin, could measure trust by physical contact – a seemingly passionate kiss, in the case of Jonathan Archer. (ENT: "Broken Bow", "Cold Front")

The activities of the Cabal soured perceptions toward the Suliban people as a whole. Some began to see all Suliban as potentially dangerous monsters, due to the modifications of Cabal soldiers. These sentiments stirred resentment in uninvolved Suliban toward both the Cabal and their former neighbors of other species. After Cabal attacks began in 2144, the Tandarans began to inter their resident Suliban in detainment camps, ostensibly for their "protection." (ENT: "Detained") Some Suliban actively opposed the activities of the Cabal. (ENT: "Broken Bow")

Until their contact with the Cabal in 2151, the Vulcans regarded the Suliban as relatively primitive and non-threatening. (ENT: "Broken Bow")

However, the Suliban Cabal was able to obtain various advanced technologies from their benefactor from the 28th century, including cloaking devices and genetic engineering techniques. Genetic enhancements could be given to or removed from individual Suliban at will for reward or punishment. The Cabal operated from massive space stations called helixes and had available large numbers of small, stealthy cell ships armed with high-yield particle weapons. Cabal soldiers wore a biomimetic garment that could change in appearance, complimenting the soldier's own shapeshifting abilities. (ENT: "Broken Bow", "Cold Front", "Shockwave")

The name "Suliban" was coined by Rick Berman, after the Taliban, months before the September 11, 2001 attacks. According to Berman, the "Taliban was just a mysterious, exotic name to me. Several years ago, I went to Afghanistan. I used to make documentary films and traveled around the world, and the Taliban regime was just getting a stronghold there. To me, there was something incredibly dramatic about the name Taliban. It was like something out of a Sinbad story." (TV Guide, May 5-11, 2002 ed.; brannonbraga.comwbm)

When the Suliban were introduced in the script of "Broken Bow", they were referred to as "a genetically engineered species with an unusual dappled texture to their skin." [1] Similarly, in the final draft script of "Detained", they were introduced with the description, "Their skin has a familiar texture, dappled and hairless."

Due to having to determine the skin tone of the Suliban, the species turned out to be the most challenging for veteran Star Trek Makeup Supervisor Michael Westmore to create in ENT Season 1. "I was given a photograph of a computer-generated image from a magazine of what [producers] Rick Berman and Brannon Braga were interested in, and I had to try to develop this skin tone," Westmore remembered. "It took about a week and a half of experimenting to figure out how to do it. If you sat down and tried to sculpt something like that, it would have taken a year to try to do all that little work." (Star Trek: Communicator issue 139, p. 45)

Eventually, a solution for creating the dappled Suliban skin was discovered. "We figured out a way of making these thin, pebbly skins and laying them over the basic clay structure," explained Michael Westmore. "Then we went and made molds by taking these skins and laying the molds in for lips, eyelids, ears, chins, backs of hands, fingers – every part of the body. So the make-up was done in sections, and each [body part] had a different mold that we'd pour rubber into. Even in pouring the rubber into the molds, there was a lot involved." (Star Trek: Communicator issue 139, p. 45)

There was definitely a standard way of naming Suliban, so much so that, in the final draft script of "Detained", TandaranMajorKlev remarked that the name Malcolm "doesn't sound like a Suliban name."

To depict the Suliban in "Detained", nineteen makeup layouts were required, an unusually heavy workload for the make-up department to create for the Suliban. Michael Westmore therefore needed to bring in extra help. Near the end of that first season, the make-up for another sixteen Suliban was called for. Owing to the sheer quantities of Suliban as well as other aliens, Westmore had to hire an additional twenty-five crew members to assist his regular make-up staffers, of whom there were four. (Star Trek: Communicator issue 139, p. 45) According to Star Trek: Communicator issue 139 (p. 45), the sixteen Suliban were to appear in the season's penultimate installment, "Two Days and Two Nights". However, the Suliban do not appear in that outing and are merely referenced therein, their next appearance being first season finale "Shockwave".

In the final draft script of "Two Days and Two Nights", Keyla Terrana likened the Suliban to rats, saying they could "writhe through tiny cracks like rats."

At the conclusion of ENT's first season, Brannon Braga believed "a lot about the Suliban" had been revealed in "Detained" and he remarked, " I think the Suliban turned out to be a very interesting race." (Star Trek: Communicator issue 139, p. 29)

The Suliban were ultimately featured a lot less than they originally were intended to be. Stated production illustrator John Eaves, "The Suliban were a strange race and they were to be so prominent in the new series, but by season 2 they had pretty much faded away." [2] In fact, the Suliban seemed to have settled down by the 23rd and 24th centuries, as they are not mentioned in any series other than Enterprise. Early in the series' development, the creators hinted that the audience would learn the fate of the Suliban species (and why they never appeared outside the prequel series), but that too must have been changed when the Temporal Cold War arc was prematurely ended in Enterprise's fourth season.

A letter from Danik's wife to he himself was, as evidenced by the final draft script of ENT: "Detained", meant to be written in the Suliban language. However, the contents of the letter cannot be clearly seen in the episode's final edit.