Panasonic Lumix DMC G5 versus rival model with similar score

Further readings for the Panasonic Lumix DMC G5

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Panasonic’s Lumix DMC-G6 is the update to last year’s DMC-G5 MFT camera, the firm’s $750 mid-range EVF equipped model sitting above the entry-level finder-less DMC-GF6 yet beneath the mighty video-maker’s favorite DMC-GH3. The new camera features a 16-Mpix Live MOS sensor as well as a new Venus processing engine, but just how well does it perform in our labs?

Canon’s lightest and smallest DSLR to date the EOS 100D (aka Rebel SL1 / Kiss X7) is unashamedly aimed at the entry-level market. However, boasting a 2nd-generation ‘Hybrid’ 18-Mpix CMOS sensor and many features of the upper entry-level EOS 700D, this minuscule model is an intriguing proposition. But is it simply a case of cramming in a similar sensor and miniaturizing the rest? Read on to find out. In this review we also reveal the results of the Sony SLT Alpha 37 sensor.

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.

Announced at IFA 2012, Sony’s NEX-5R is the third version of its very popular NEX-5 camera. This new model features a 16-megapixel APS-C EXMOR sensor composed of photosites that provide autofocusing by phase detection. Has Sony improved the image quality of its latest mid-range compact hybrid? Our tests reveal the answer.

In the Nikon 1 line of digital compacts with interchangeable lenses, the V2 brings some nice new features: shooting at 60 i/s, Full HD video recording in 60p, different modes for slow motion, and … a new 1-inch, 14.2-megapixel, 6400 ISO CMOS sensor that we can hardly wait to test! But while we wait for its appearance on the market, here’s all the skinny on the Nikon 1 V2.

Panasonic has added a new member to its highly esteemed Lumix G-line. The 16-megapixel Lumix DMC G5 adopts the Japanese brand’s mirrorless and Micro Four Thirds technology, and it replaces the one-year-old G3. But did Panasonic’s renovation of features and design for the G5 extend to the camera’s image quality? DxOMark has some answers.

Comments

am eagerly awaiting this!

I am contemplating the G3 or G5 and whilst I think the latter is a worthwhile upgrade on features, there is quite a price premium, and I wouldn't want to pay it if the sensor wasn't a significant upgrade. thanks.