A Distant Beacon was set up in 2001 to publish re:VOX, an Ultravox (and related artists) magazine. Since then I've become involved in a number of other projects, some of which are directly related to A Distant Beacon, some of which not so much. The aim of this blog is to bring all my various activities under one (electronic) roof!

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Monday, 2 December 2013

Okay, so the new issue of re:VOX didn’t come
out in the summer as suggested here previously, that much you’ll have gathered.
In truth I was very reluctant to pull myself away from work on From Cents to
Pence, especially after being invited to meet former British Marvel editor Peta
Skingley. A very enjoyable lunchtime chinwag was had by all, enhanced by the
presence of Alan Murray, whom Peta had actually employed as their studio
manager shortly after her arrival at Marvel HQ in 1973 (then located in a small
part of the Transworld UK Ltd. offices down at High Holborn). This single
meeting alone generated some significant new information that then needed
further research and clarification, the result being that I couldn't start
serious work on re:VOX until a suitable breathing space made itself apparent,
which didn’t happen until late October.

Our stunning cover was actually gifted to us
at the very last minute by Lowri-Ann Richards, a David Levine photo currently
used by special permission on all the material promoting LA’s new show Whatever
Happened to La La Shockette, which will soon to be staged again at the Sanctum
Soho Hotel off Regent Street on January 23-25th and 30th, concluding on
February 1st and 2nd (tickets will soon be made available via wegottickets.com).
As the final element of the issue to be completed, this final design superseded
the last of several, quite different earlier versions of the cover. At some
point we’ll have to share with you some of these previously unseen alternate,
might-have-been covers that were dropped from editions over the past decade.

Thanks to LA’s generosity, we’ve been blessed
with the pick of photos from 1979 through to the late 1980s, and we're proud to present manyamazing, previously unseen images. It was an absorbing and exciting honour leafing working out how best to compile them in a way that we hope does them full justice.
And what a fascinating snapshot into a time when Lemmy from Motorhead could be
seen rubbing shoulders with other leading lights of the club scene from Spandau
Ballet to LA’s own group, Shock. The sheer scope of this incredible archive has
made this feature the longest single interview we’ve ever run, once again
pushing the issue to a whopping 44 pages!

But although #19 centres around the life and
career of LA Richards to date, there are other treats be savoured too.
Australian-based designer Toni Hearn presents two complementary reviews of
Midge Ure’s tour over there back in the spring (along with some of her own
photos), while our other guest writers Anna Butkiewicz, Darren Hackett and
Andrew Watson review three more dates from last year’s Brilliant tour. P/S
inaugurates a new, possibly irregular feature looking at some of the more
unusual or rarely seen covers that have graced records connected to Ultravox
over the years. A stand-alone album of Brilliant tour photos will now appear in
one of next year's issues, forming part of a year-long celebration of 40 years
of Ultravox(!).

You can purchase copies of re:VOX from #1 to
this latest edition (now being mailed out), so do check-out the cover gallery
on Facebook via the link below, and then contact us direct at:
a_distant_beacon@ymail.com stating the issues that you’re interested in
(payments can be made via Paypal now).

About Me

A busy designer and writer, for the past two decades Rob's been researching an in-depth book on Marvel UK, and since 2001 has also been running re:VOX, a magazine concerning everything to do with the group Ultravox.