Dear Fabulous Artist, We’re just a few days away from the only free Klein Artist Works webinar on the calendar for 2018; Monday, February 26 @ 7:00 PM Chicago time! I need to tell you something. This is important: You...

Deadline: March 9, 2018 The workshop ’Architecture of Skagen – Before and Now’ is an international workshop with the aim of developing and executing an exhibition with one theme experienced through a variation of approaches. The town of Skagen is...

Residency program by Arteles for writers, artists and performers working with text Deadline: 21st of March 2018 Enter Text Residency program by Arteles for writers, artists & performers working with text at Arteles Creative Center in Hämeenkyrö, Finland 1 months...

Available through ArtistGrant.org Deadline: 15 April 2018 Application fee: $25 USD Artist Grant provides a one-time $500 USD grant to one visual artist each grant cycle. The deadline for the current grant cycle is April 15, 2018. There is an...

International Summerschool for Land and Environmental Art in the Swiss Alps Deadline: 28.2.2018 No application fee The second international Alps Art Academy will take place between June 28 and July 7, 2018 in the Safiental (Grisons, Switzerland). Located 1650 meters...

funded sonic arts residency at The Auxiliary Deadline: 28th February Application fee: None We are now accepting submissions for our artist-in-residence programme, AUX-AiR 2018. We are looking for four emerging and early career international artists working in the fields of...

No experience required, only great ideas. Deadline: March 1, 2018, 11:59PM EST Application fee: FREE From February 1 - March 1, 2018 apexart is accepting proposals for its International Open Call for exhibitions. Three winning proposals will be presented as...

Call for Submissions Deadline: 16th March 2018 Submission fee: one portrait for £10, three for £15 and six for £25 At Surface Gallery this spring, artists are invited to explore ‘what is portraiture today?’ Portraits have always been more than...

The Summer Academy welcomes your application to participate in one of its 21 courses.

About the 2015 Summer Academy Programme

“The production of meaning” is the motto of this year's International Summer Academy course programme. We ask about the sense of our (individual or social) conduct, and how meaning can be produced with artistic (critical and curatorial) resources. Many artists are working on this and related themes in very different ways, attempting – to put it simplistically – to understand and represent the world we live in, producing a multiplicity of meanings and opening the way for different interpretations.

Why study at Salzburg International Summer Academy of Fine Arts?The Salzburg International Summer Academy of Fine Arts, founded in 1953 by Oskar Kokoschka as the “School of Vision”, in Hohensalzburg Fortress, is the oldest of its kind in Europe. Every year, some 300 participants from more than 40 countries attend some 20 courses.

- open for application to anyone interested- unique opportunity to study with outstanding artists/curators/writers who mostly don’t hold a professorship elsewhere- during 1-4 weeks, you can devote yourselves exclusively to reflecting on and producing art.- individual attention, one-on-one critiques as well as group discussions- fantastic atmosphere in the ancient locations - some 90 grants, usually covering participation fee only, are available

Regular applicationAll prospective participants must apply for acceptance. On the basis of the submitted dossier, the teaching artists select participants. The fees are between € 440.- and € 1,160.-, depending on the duration of the course. Students are entitled to a reduced fee. All applications received by 15 May 2015 will be treated equally. Later applications are welcome, and will be processed in the order received, according to vacancies in the courses.More info

Whether it's the lure of reminiscence, the promise of the future, or scientific fascination, the fantasy of time travel holds universal appeal. The laws of physics suggest that time does not actually flow in any particular direction and therefore we might - someday - travel through time as freely as we travel through space.

The forthcoming issue of Conveyor Magazine will explore time travel by employing the camera as our time machine. The camera is a tool that alters our temporal experience and transforms perception of time and space. A photograph eternally suspends a moment, leaving behind a document that we may then return to and investigate again and again. Photographs allow us to reassemble and manipulate the sequence of events. Timelines are thus reconstructed, the past is altered, new histories are created, and the distant future is just a shortcut away.

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Writing Submissions: We are looking for essays, articles, interview, studio visits, or any other piece of writing that you think would compliment the theme of Time Travel in this issue. Final pieces should be 1000 - 2500 words in length with accompanying images. Rough drafts will be due in early May, and final drafts in June.

Image Submissions: that visually explore different models of time - deep time, cyclical time, parallel time, linear time, geological time, measured time, and space time, to name a few. We are interested in how photography is used as a device to convey experiences beyond the conventional, such as dreams, memories, déjà vu, réincarnation, premonition, parallel existence, and so on.

Daily Serving and the Kadist Art Foundation are pleased to announce a call for applications for the inaugural Daily Serving/Kadist Writing Fellowship. The fellowship aims to promote and encourage critical writing on contemporary art practices and discourses, with a particular emphasis in 2015 on the exhibitions and contemporary art events of Mexico City.

The fellowship recipient will receive a $1,000 honorarium in support of his or her contributions to Daily Serving. Over the course of eight months, the Fellow will work under the direction of the editorial team to contribute eight articles and one video interview to Daily Serving. The articles and interview will provide an informed perspective on contemporary art in Mexico City.

Application Materials:- A brief letter of interest (in English, maximum 500 words) outlining your motivation for working with Daily Serving and your involvement with contemporary art in Mexico City.- A one-page résumé with relevant experience, including a bibliography of authored articles.- Two writing samples (in English, published or unpublished) that exemplify your writing skills and knowledge of contemporary art. These should be a maximum of 1500 words in length, with a preference for exhibition reviews; excerpts from longer texts will be accepted.- A list of two references, including names, titles, and contact information.Please do not include additional materials other than those requested.

Timeline:March 2: First-round applications acceptedApril 5: First-round applications closeMay 1: Five finalists announcedMay 10 to June 7: Each finalist will write and publish one 400-word review on a Mexico City exhibition of their choice in Daily Serving’s “Shotgun Reviews” column. Finalists will work with the Daily Serving editors in taking their articles from drafts to published texts.June 8: the Daily Serving/Kadist Writing Fellow is announced

About:Daily Serving is an international platform for the contemporary arts that publishes insightful and informative columns, interviews, and reviews produced by a global network of writers and partners. Daily Serving is dedicated to articulating artists’ voices and representing the practices and issues of the cultural communities in which they participate. www.DailyServing.com

Kadist Art Foundation is a non-profit organization that encourages the contribution of the arts to society. It conducts programs primarily with artists represented in its collection to promote their role as cultural agents. Kadist's collections and productions reflect the global scope of contemporary art, and its programs develop collaborations between Kadist's local contexts and artists, curators, and art institutions worldwide. www.Kadist.org

Oust magazine is a new arts and culture publication which will be published in print three times annually. Oust will showcase international talent through a series of experimental publications. Each issue will be curated around a word and invites all photographers, artists and filmmakers to submit photographic work for consideration. Oust will give focus to literature along with the visual arts and invites writers to submit essays, stories and other forms of creative text.

The first issue will be based on the word 'deception'. This can be interpreted socially, politically, conceptually, or purely through artistic forms. The word is open for dialogue and yields no ultimate definition.

For image submissions please send 1-5 photographs along with a short statement.For article submissions please send 500-1000 words.Short stories, fragments of poetry, and all other forms of creative text are welcome to apply. There is no word count.

Please send all submissions to: hello@oustmagazine.com

Oust is a not-for-profit, advertisement free publication. Each issue will act as a handheld exhibition and will be distributed in arts and cultural institutions internationally. Selected artists will receive a copy of the issue, along with showcasing their work on our website. Oust will give invaluable exposure to international talent and will open a new space for dialogue between artistic practices.

Arts writer? Got an idea for a thought-provoking article or conversation? Looking for exposure on a new exciting online platform? We're Fusebox, a newly launched arts collective. We want to create a space for new dialogues about art, cinema, performance, all things creative.

Fusefeed is a new way for artists and writers to share ideas, analyse culture and begin the discussions they want to see. Fusefeed pieces can take on various forms - written blog posts, visual essays, transcribed conversations or even a mixture of all three.

Surrounded by beautiful forests, fields and lakes, Arteles Residency provides the perfect setting for intense writing and mindplay close to the nature. The same award-winning landscapes (European Union Landscape Award 2009) have also been an inspiration for F. E. Sillanpää, the Nobel Prize winning author born and raised in the region.

The predefined structure of the program is very flexible, allowing you all the time & space you need in order to take your work where it wants to go. Weekly group meetings are a good chance for feedback and discussions, but if you feel more like barricading in your writer’s chamber, you are completely free to do so, as all participation is 100 % voluntary.

Experiment freely

To accompany the intensive solo practice, the program is an excellent opportunity to join forces with other text-based creatives from around the world. Share, examine, go cross-genre – play around and see what comes out. Brainstorms to be finished in the heat of the traditional Finnish sauna.

'Let Grass Roots Grow' is an independent project set up by Artist Ronan Bowes a painter based in London who is calling all emerging London based Painters, Curators and Art writers to take part in a group exhibition in a London location for 2015.

The vision for this project is to provide emerging Artists who's practice is predominantly focused on painting an opportunity to exhibit in London and become involved in a network that will positivley work together towards future projects.

A successful exhibition will need to be curated and critically examined. This is the projects chance to invite ambitious Art Curators and Writers to be involved.

Interested Artists please forward three images of recent work either 2D or 3D relative to 'Painting'(High Res 1MB or less) title/date/size/medium alongside a link to your website or social media and an up to date resume to info@ronanbowes.co.uk

Interested Curators please forward an up to date Resume and/or images of previous exhibitions/projects you have been involved in to info@ronanbowes.co.uk

There is no fee for entry. Selected applicants will receive a contract and fee for participation. Deadline for entry 10/01/15 Selected applicants will be notified via email by 15/01/15 regarding the next steps towards execution of the project.

CALL FOR WRITINGCritical, Philosophical, Creative, Narrative, Poetic, or Historical Works Related to the Practices of DRAWING, PAINTING, PHOTOGRAPHY, or the Subject of LIGHTNext Deadline: December 31, 2014Application fee:$12

NOTE: Learn more about Manifest's publications here. All participating authors receive a complimentary copy of the finished book their work is featured in.

The award-winning International Drawing Annual (INDA) was launched in 2005, the International PAINTING Annual (INPA) was launched in 2010, and the award-winning International Photography Annual (INPHA) launched in 2012. These three annual publications represent the primary output of Manifest Press which documents the organization's collaborations with artists from around the world through carefully designed publications and has the goal to make Manifest's visual art projects accessible to the public everywhere, especially outside its own region.

Written entries can be in any form (poetic, historical, technical, creative, narrative, philosophical) but should be directly relevant to one of the disciplines indicated (drawing, painting, photography/light) and must be original works with proper citation for quoted material. Length of written entries should be limited to a max. of approximately 1500 words. Written entries should not be mere artist statements, referring to specific works. They should be considered relative to inclusion in books which are primarily exhibitions-in-print, and that written works are selected to give a poignant boost to the readers' experience of the entire collection of art presented in the pages.

While this is an ongoing or rolling call for submissions, each project has an annual deadline. All written entries relevant to any given topic received by that project's deadline will be considered for inclusion in that or future books.

Time arguably has always been at the center of the research initiatives of the natural sciences, of philosophy and of the many different practices of history and social criticism. However, time also occupies a central place for the curiosity and attention of artist researchers across all the arts. The intensification of the question of time has, in recent years, prompted some to speak of a "temporal turn" across the disciplines. This conference seeks to bring together a range of researchers, drawn mainly from the artistic fields but also inviting researchers from across all disciplines to consider questions with respect to the practices, processes and perturbations of time.

Possible topics include, but are not limited to:constructions of contemporaneity; time and the aesthetic; time and affect; gendered time; queer times; chronophobia; chronopolitics; chronotopes; durational practices; public time; network time; the temporal regime of the gift; globalization, instantaneity and temporal collapse; the nostalgia of capital; the temporal imaginaries of sustainability and ecological practices; the time of the political; labour time and forms of life; the time of the poem; after narrative time; empire time; revolutionary timedead-time, end-time, out-of-time, behind-the-times and again next time…

Contributions are invited in the form of papers, presentations, artistic interventions, readings, panels, performances, public actions, screenings and workshops.

We are especially interested in contributions that critically reflect upon, and/or in some way work to modify the familiar conventions of the academic paper, the panel discussion and the artist's talk.

Rolling submission of proposalsThe deadline for proposals is March 1, however, we recommend early submission.Proposals should be sent to parse@konst.gu.se.

Please include:– an abstract/summary description of the proposed contribution (300 words)– a recent CV of participant(s)– an indication of technical or other requirements for the contribution/presentation.

Note: For performances, screenings or workshop events it is especially important to have a clear sense of any technical or spatial requirements.

Suggested duration for contributions– Artists' presentations, papers and readings: 20 minutes. (We are aware that some artists' presentations could require more time. Please indicate if this is the case). – Panels: 60 to 90 minutes (depending on number of contributors and nature of panel presentations.)– For artistic interventions, performances, public actions and screenings, please indicate the duration proposed suggestion.

Peer review processProposals will be peer-reviewed by a panel that includes The PARSE advisory & Journal editorial boards, and the PARSE working group. Each proposal will be reviewed by three members drawn from the panel with reference to relevance to the overarching thematics of time, potential in developing a dialogue across the disciplines, and originality of contribution.

Conference documentationAll contributions will be recorded for archive purposes.

Conference publicationA selection of contributions will be further developed for publication through the PARSE Journal in consultation with, and by permission of, the authors.

BREESE LITTLE are delighted to announce exciting new changes for the Prize for Art Criticism, taking effect with upcoming Volume X. Art Quarters Press, the prize’s primary sponsor, will be joined by Elephant Magazine and Laurence King Publishing as prize supporters, and will contribute to the production of the forthcoming publication celebrating contributors to the first eleven volumes.

In line with our new supporters, the prize will be raised from £600 to £1,000. The regularity of the prize cycle will be reduced to twice a year and accompanied by a minimum age limit of 21 years old and no upper age limit. Elephant will invite the writer of the winning submission to write a commission. The magazine and Laurence King look forward to finding new voices in publishing and visual culture, specifically the potential for ongoing development and support such as print and book projects.

Volume X’s deadline has been extended until 12th December 2014 to accommodate these changes and appeal for as many submissions as possible. Full submission guidelines are available below.

The BREESE LITTLE Prize for Art Criticism was launched in September 2010. The aim of the prize is to support, encourage and provide a platform for aspiring writers of art criticism. We look forward to announcing further details regarding the forthcoming publication in the near future.

The prize offers an unparalleled opportunity to promote successful work in competitive forums with wide readership, providing vital exposure for talented, and often unrewarded art critics.

3) Entrants may only submit one article per prize and it should not have been published previously in print or online.

4) Entrants may not enter if they have had more than three published pieces of writing. Please check with us if you are in doubt.

5) BREESE LITTLE will prepare a shortlist before being judged by a panel of figures in the contemporary art world.

6) Submissions should address a contemporary visual arts exhibition which has taken place within six months of the submission deadline, either in the UK or internationally.

7) Articles should be submitted in PDF or Microsoft Word format.

8) The name of document should be your name in capital letters.

9) Please do not include images.

10) Please format the file so that the whole document fits onto one sheet.

11) Your name, the title of the exhibition and the dates of the exhibition should be written clearly at the top of the page.

12) Please include email address and contact phone number at the top of the submission.

13) Please do not include footnotes.

14) The winner will be asked to show proof of age.

We favour criticism which privileges accessibility without losing analytical bite, which does not mystify with art jargon or compromise content, and which maintains intellectual rigour, strong visual analysis and demonstrates a thorough engagement with contemporary art in general.

Please note, writers should not submit reviews of any BREESE LITTLE exhibitions or exhibitions which include artists we work with regularly. If in doubt please contact us before submitting.