Netflix's Disenchantment Reviews Are In, Here's What Critics Think Of Matt Groening's New Show

When it was revealed that Matt Groening was releasing his third animated series, Disenchantment, on Netflix, fans of The Simpsons and Futurama alike were wondering if the series would live up to the acclaim and cult status of his past shows. Well, critics have had their time with the show, and the general consensus so far seems to be "meh." This is certainly true for CBR's Josh Bell, who walked away from the new show somewhat disappointed after his viewing:

Given its expansive setting and the innovative streaming platform hosting it, the show is disappointingly limited in its execution.

Bell's specific gripe in this instance was Matt Groening's refusal to deviate from his traditional television formula and, perhaps, present a more risque product to audiences now that he's on Netflix. Those hoping the same will be disappointed, as Disenchantment does nothing to capitalize on the platform's looser restrictions, to the point that it could air on cable television with little to no editing. Bell also found the first 10 episodes a bit lacking in content, but did concede that the world-building Groening and crew have constructed has the groundwork for far more exciting adventures. The Daily Dot's Michelle Jaworski can definitely get behind that latter statement, and indicates that fans will stick around for more episodes thanks to the show's core cast:

Disenchantment works best when Bean, Luci, and Elfo are in sync with one another, regardless of whether they're working together, butting heads, or scheming. They're all flawed characters, even if what they bring to the table isn't necessarily revolutionary or as trailblazing as the show thinks it is (particularly when it's 2018, and it features one character negging another), and watching their plans---whether it's a big party, a bit of casual murder, or both---play out can be downright entertaining.

There's certainly a sense that critics struggled in giving Disenchantment a fair shake, as it's not necessarily fair to measure the new series against the likes of animated royalty like The Simpsons. THR's Daniel Fienberg was certainly someone who was disappointed following his viewing experience, due to the show's lack of a definite direction, although he also realized it may not be fair to hold the series to that standard just yet:

Netflix's Disenchantment, the first new series from creator Matt Groening since 1999, presents the opportunity for critics to remind viewers that The Simpsons and Futurama were not birthed fully formed as the paragons of grown-up animation they eventually became. It also forces the acknowledgment that although The Simpsons and Futurama launched with evolving characters, world design and comedic voice, both shows had tremendous episodes in their early batches, classics that illustrated their boundless potential.

Even if The Simpsons and Futurama weren't the shows they eventually became just in their first season, there was definitely something that kept viewers engaged and tuned in enough to give the series time to develop the styles they would later employ. Some critics don't believe Disenchantment will get that same opportunity, with Michael Starr from the New York Post reporting that the show doesn't have enough substance and fresh ideas to keep older fans engaged:

"Disenchantment" compensates for its lackluster writing/originality with its first-rate animation, but that won't be enough to keep "adult" viewers around very long, given the array of top-notch animated series currently airing.

Starr's criticism is rough, although it may be fair enough to say, because many other critics also pointed to the show searching for laughs in rather obvious or played out ways. An adult-oriented animated series might have been able to slide by with those laughs in the '90s, but in an age where Disenchantment has to compete with Bojack Horseman, Bob's Burgers, Archer and a slew of other animated comedies with talented actors, it might just have work a bit harder to keep audiences engaged. Not all critics feel that way, however, as Rolling Stone's Alan Sepinwall seemed to find more to love despite his criticisms:

It's a visually splendid show, and a clever one, too. Groening and his collaborators have given a lot of thought to how their strange world reflects our own.

Really, what each critic seems to land on is that Season 1 of Disenchantment isn't a grand slam by any stretch, but there is certainly potential for the series to turn into a dinger before much longer. As for how they might be able to do that, Slate's Sam Adams seems to suggest that perhaps Matt Groening and crew attempt to have this show be something different than the new version of The Simpsons or Futurama and let it find its own identity in future episodes:

The push for the shock of the new doesn't always produce good results, but it wouldn't have hurt for Disenchantment to branch out on its own at least a little bit.