The CrackleBox is a tiny battery-powered portable electronic musical instrument that you can take with you almost anywhere. Designed by Michel Waisvisz when he was with Steim back in the mid-seventies, this was one of the first bent instruments. The CrackleBox may not have the legendary status of a Mini Moog, but this instrument is destined to be a classic.

CrackleBoxes aren't that well know in North America. I first saw one at the Nord Modular meeting in The Hague back in 2004. There as a big show of nearly 100 vintage synths. One guy there had a CrackleBox; I fell in love with it. Of all the synths at the event, the CrackleBox made the biggest impression on me. (I even took a picture of it, ).

In 2004, Michel started a new manufacturing run of 500 CrackleBoxes. They are obviously hand-made. I ordered one and got number 130. It is wonderful. There is a web site for the CrackleBox, http://www.crackle.org/CrackleBox.htm , were you can read a very interesting history of the device - well worth the read. Michel Waisvisz was a pioneer of bent instruments, and the Crackle Box may be the seminal bent instrument.

The CrackleBox doesn't come with a manual or instructions - it's completely intuitive. You play the CrackleBox by first turning on the power switch labelled "aan" and touching the front panel. It ships with the 9 volt battery installed, so you can start enjoying it immediately. The sound comes up through 24 small holes. I don't think it is possible to figure out what these touch-pads exactly do because with changes in humidity and your skin resistance, you are constantly getting different sounds. Playing the CrackleBox is a process of constant discovery.

When you don't touch anything, the box is silent, so you can articulate different notes by touching and releasing the playing surface. You won't be able to play melodies in a conventional sense, but the device is very musical. If you have every played a bent instrument, you'll love the Crackle Box. You can get it to make very low pitches, even discrete pulses, and very high pitch wails and squeaks. It's loads of fun.

I'm used to carrying a harmonica along on walks in the park and on trips. I like to make music whenever there is an opportunity. My new CrackleBox is going to replace my harmonica.

There are a few improvements I'm going to make to my CrackleBox when I get the time. These are:

1) a headphone jack
2) a line out jack
3) a volume control

You don't have to buy a CrackleBox, you can build one yourself. On our DIY forum there is a discussion about that already, or check out this page. I wanted to get an original CrackleBox. I'm glad I did. They say money can't buy happiness, and maybe that is true, but to me at least $70 US for a CrackleBox makes me pretty darn happy. Happy, happy, joy, joy..._________________--Howard
my music and other stuffLast edited by mosc on Tue Apr 11, 2006 7:49 pm; edited 5 times in total

Here are some pics to give a bit of an idea of the atmosphere around the kraakdoos ( that's how the crackle box was called back then). In the mid 70ties I went to an exhibition a bit like the one depicted. It was great fun as all those weird devices could be played and touched !_________________Jan

I purchased my Kraakdoos @ steim while visiting Amsterdam oct 04
The institute was closed for a private recording session but I granted access being an american in search for a "craklebox".
It was an experience I will never forget.
Jan Werner of Mouse on Mars fame is now director of steim
My box is great I usually take it with me everywhere I go.
It freaks with peoples heads .
I like to use it with a weak battery.
It is packed away at this time so no photo
but it will accompany me at the electro-music 2006 festival.
As for adding an output I read somewhere that Michael advises not to
I use a microphone.
Here is a photo of a demo I did for the PHILCON this year you can see my
box upper right next to powerstrip.

hey ocp
I'm sorry as I said in my last post my craklebox is packed away due to basement studio refurbishments.
Even so the stock crakle box from steim has no output and one would need a microphone to record a demo.
I have no recordings of my box that would demonstrate the sonic qualities of the box of cracks blips and drones out in front
actually i have no real recordings of the box at all.
I would try but my craklebox is packed away due to basement studio refurbishments.
Areal cool thing to do with a cracklebox is have one person hold three left sidecontacts and another hold three right side and then touch oneor the others body tomake the circuit it a gasser.
Here is more info :

michel waisvisz "in tune" sonig 45cd
to be released end of march 2005
in tune is waisvisz’s first album since 1978. it is comprised of live recordings made between 1977 and 2000. none of these recodings have lost any of their relevance to the present.
moving to and from between serious and light music, michel waisvisz, director of the STEIM (studio for electro-instrumental music) in Amsterdam, already collaborated with laurie anderson, steve lacy and the san francisco symphony orchestra among others. his manifold and varied activities are not making it easy for the listener. but all his experiments with self developed sound generators – in which one is always able to discern the outlines of songs and flashes of wonderful harmonies amid all noise which is morphing along – are each in themselves absolutely special and surprising. for years and years, fans have made all possible efforts to realise another release by their master. "in tune" is a premiere in so far as it is here that one gets to hear waisvisz’s crackle box-sounds, the electroacoustic soundmodulations of the steim-software lisa, his playfully absurd music for theatre and his anarchic arrangements for drums all in one album.
www.crackle.org

Here are a couple of tracks made with the Cracklebox. A dynamic microphone was used. One track is naked - just a straight recording. One track has some signal processing done with the G2. All tracks are real-time - no editing or post processing.

at first I thought my computer was getting sick then I realized it was the demo playing _________________homepage - blog - forum - youtube

Quote:

The man that hath no music in himself, nor is not mov'd with concord of sweet sounds, is fit for treasons, stratagems and spoils; the motions of his spirit are dull as night and his affections dark as Erebus: Let no such man be trusted. - W. Shakespeare

We had relatives over for the holiday. (The Morman side of our family often comes to celebrate Passover with us.) There were a couple of kids - 10 and 13. The kids loved the CrackleBox, but the adults, except for me, found it very annoying. It was interesting to see that the two kids each played it quite differently than I did. I thoroughly enjoyed hearing them play. In it's own unique way, it is a very expressive instrument.

The man that hath no music in himself, nor is not mov'd with concord of sweet sounds, is fit for treasons, stratagems and spoils; the motions of his spirit are dull as night and his affections dark as Erebus: Let no such man be trusted. - W. Shakespeare

We have a server with shoutcast. We run it when we are streaming live events. Blue Hell used it for his Noodle Radio experiment. Anywho, I'd like to have a full-time internet streaming radio running here in the not too distant future._________________--Howard
my music and other stuff

I'll be sure to get one! Can you pick them up directly in Amsterdam? (I've never been to STEIM, it appears that I should.)
Mosc's demos remind me of playing my vacuum-cleaner (but these are more portable!).

You cannot post new topics in this forumYou cannot reply to topics in this forumYou cannot edit your posts in this forumYou cannot delete your posts in this forumYou cannot vote in polls in this forumYou cannot attach files in this forumYou can download files in this forum

Please support our site. If you click through and buy from our affiliate partners, we earn a small commission.