direction

Without a strong concept, illustration is just glorified doodling. The same can be said of design as well. Those entering these professions need to exhibit more than technical skill; they need to engage their minds and imaginations to get at the crux of the story they want to tell.

I was reminded of this while watching Craig Frazier’s video. A prolifically talented illustrator who still sketches thumbnails with pen and ink and cuts his final image out of rubylith film, Craig explains. “If there is anything magical about making illustration, it happens at the sketch stage. That’s when the idea comes out of the pen. The DNA of the illustration exists right in the sketch. If it is not there, it is not going to show up later on.”

Anthimos Xenos in Athens, Greece, produced this animated introduction for the Greek environmental television network, EcoNews. For the 30-second video, Xenos served as art and creative director, motion designer and 3-D animator, and completed the project from start to finish in one month. Music and sound compositing was by Xenakis Lefteris and additional direction by Nikos Tsimouris. In February 2013, Xenos founded his own firm, Darling Creative Motion, in Athens, to focus on TV branding and advertising.

Some of you know that seven years ago I wrote a book called “The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps, 1942-1946,” published by Ten Speed Press/Random House. As usual, it was designed by Kit Hinrichs (Kit’s origami flag assemblage below) and photographed by Terry Heffernan. After more than 30 years as a corporate writer, I suddenly found myself propelled in another direction and immersed in a subject that I largely avoided my entire life. Although I had no thought that it would make a good art exhibition, I began receiving requests from museums across the U.S. and the array of objects made from scrap and found materials by people imprisoned in the camps were exhibited in some of the nation’s most prestigious institutions, including the Smithsonian American Art Museum’s Renwick Gallery in Washington D.C. and the International Folk Art Museum of Santa Fe. Today it opens at the University Art Museum (Geidai) in Tokyo to kick off a one-year tour of Japanese cities. If you are in Japan, I hope you’ll take the time to see it. I’ll be back in my San Francisco office next week with more new posts. — Delphine

A USB socket that doesn’t need an adapter? It’s about time!! Product designers and engineers have focused on extending the battery life of laptops, iPods, cell phones, digital cameras, wireless headphones and the like. That’s all well and good, but at some point, they still all need to be recharged. They still all require a clunky AC adapter to plug the device into the wall socket. Here’s a solution that approached the problem from another direction – not by redesigning the electronic gadget, but by redesigning the electrical outlet.

The U-Socket is a duplex AC receptable with built-in USB ports that can power any device that is capable of being charged via a 5V power adapter. Replacing the standard 3-prong AC wall socket with one that has two USB sockets alleviates users of the need to have an adapter. In addition to making consumers happy, it would seem that any portable electronics device-maker would welcome this change. Here’s the rub: You have to swap out your wall sockets if you want to live in an adapter-free world. The best place to start, in my opinion, is in hotel rooms. Not having to haul around a tangled mass of cords and adapters would free up space in your luggage and make it lighter to carry too. A USB socket would be a hotel guest amenity that beats having a piece of chocolate on your pillow at night.