The aim of this radical curatorial proposition is to revisit Edward Steichen’s original The Family of Man, a seminal photographic exhibition and publication from 1955, which in its time was described “as one of the most ambitious undertakings in an art museum”. Performing the patterns and production modes of the original project, which garnered both appraisal and controversy, The Family of No Man is conceived of as an open-ended physical and virtual platform of how the world today is seen through non-male eyes.