In 1929, "Fats" Waller made this a standard, and in 1984 it won the Grammy Hall of Fame Award. Today, this new and lively arrangement has an upbeat piano accompaniment along with superb (optional) instrumental...view details

Here's a lazy, bluesy treatment of the title song from "Ain't Misbehavin'," the Broadway show that celebrates the immortal music of the great Thomas "Fats" Waller. This is one of the all-time great jazz-show...view details

Now your choirs can enjoy this great American standard from the 1930s, one of the most recorded songs of all time. This fantastic arrangement falls into place quickly, with simple scat sections, two short...view details

From the a cappella beginning into the walking bass accompaniment to the full swinging shout chorus, this chart is a straight-ahead vocal jazz feature that will bring life to every performance! Available:...view details

In the 1946 Walt Disney animated classic "Make Mine Music," Benny Goodman and his orchestra provided the soundtrack that salutes swing music. This is one of the tunes from the film, now in a fresh arrangement...view details

This innovative arrangement presents the well-known American folk song with a jazz-waltz feel. Unexpected, but highly creative, it's something truly different for concert or jazz groups. ...view details

Soul and blues singer Etta James made this luscious ballad a hit in 1960, although it was written almost 20 years earlier by the songwriting team of Mack Gordon and Harry Warren. Since then it's been recorded...view details

Here's a concert-style update of this Beatles classic in a contemporary acoustic setting. Intriguing vocal textures and a progressive harmonic treatment make this selection equally effective for concert, jazz...view details

Irving Berlin's quintessential song is a classic of swing style, and this straightforward, singable arrangement brings Berlin's standard to vocal jazz and show choirs of any level. The swing groove is...view details

Here's Irving Berlin's great song in an updated, jazz-flavored treatment by Steve Zegree. As performed by Western Michigan University's Gold Company, it's great for developing pop/jazz vocal style. It really...view details

Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone....

Tony Bennett and Amy Winehouse joined in a duet on this tune in the final recording made before Amy's death in 2011. Kirby's setting retains the bluesy quality of their popular recording. Lush and beautiful,...view details

Here is a swinging arrangement of the great American standard in a style reminiscent of the Count Basie big bands of the 1950s. Opening in a spare style with unison vocals over a bass line, the texture...

Arranged in swingin' big-band style, this standard by Sammy Cahn and Jimmy Van Heusen will be a lot of fun for your vocal jazz group. Many great singers have performed it over the years, including Frank...view details

This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a...

Flute, rhythm section and a little ensemble scat singing bring charm to this jazz waltz setting of Henry Mancini's iconic title theme from the 1964 movie, most famously recorded by Andy Williams. ...view details

From the iconic opening notes of the tune over a walking bass to the full shout scat chorus, your vocal jazz ensemble will really dig this medium-swing setting of the Duke Ellington classic. This is essential...view details

This Discovery series edition of Stevie Wonder's 1973 song packs all the joyful Latin energy you would want into an accessible arrangement that is super cool and fun to sing. Great for building skills and...

Singer Mel Torme called this tune "the national anthem for group singers." It's been recorded by everyone from Frank Sinatra to George Shearing, and most recently by Michael Buble on his CD, Call Me...view details

Kirby Shaw has the Midas touch when it comes to writing for a cappella voices, and this is a superb example of his work. Not only is this one of the best pop ballads ever composed, but Kirby's lush, gorgeous...view details