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In the past year alone, Sony launched three major E-mount cameras: the full-frame A7S II and A7R II, along with the A6300 -- all impressive mirrorless models. So you might think it was losing interest in its A-mount single-lens translucent (SLT) series, having just launched one, the entry-level A68, late last year. At Photokina, however, Sony unveiled the Alpha A99 II, the long-awaited successor to its flagship A99 model.

Sony introduced its new Action Cam, the FDR-X300R, last week at IFA 2016. Back then, though, the company only shared details about pricing and availability for Europe. But now we know when it will come to the US. As a refresher, compared to the previous generation, the main highlight of this shooter is the addition of optical image stabilization. Sony says that was the most requested feature by users of its Action Cam line, noting that it's the same technology found on its Handycam camcorders.

The Lunar has landed -- at Photokina, at least. Hasselblad was showing off a slew of different designs for the forthcoming camera -- and while we were told that its still in prototype mode (both from company reps and signage on the device itself), the camera seemed to be in mostly working order. The first thing you'll notice, once you get past the space-age design, is the fact that the camera really does feel like a rebranded Sony NEX device slipped into a new shell, and as such, it takes those Sony e-mount lenses. And on the back, you'll find that similar collapsible display.

That said, it really does feel quite nice in the hand -- the device we played with had a leathery grip -- there are a number of carbon fiber and wood options available, as well. All of this is punctuated by a metal top with large metallic knobs, and inside you'll find an APS-C 24.3 megapixel sensor. The Lunar will start at €5,000 when it launches in Q1 of next year. And in case that's not rich enough for your blood, you can tack a "significant" amount onto that by getting the models decked out in pricier materials. %Gallery-165745%

The bar's pretty high when your company is behind the first camera in space. Hasselblad's looking to build on that theme with its new Lunar mirrorless, which according to the company "revives the timeless charm" of 1957's 500c -- and if nothing else, the camera's got a curvy, space age body, built out of high grade aluminum with either a carbon fiber (available in black, silver or titanium colors) or wood (beech, olive, pear or mahogany) grip.

Inside, you'll get a Bionz processor and an APS-C 24.3 megapixel sensor. The Lunar has a 10 frames per second burst mode, full HD recording and sports a 100 to 16000 ISO range. On the rear, you'll find a swiveling three-inch display. All of that's packed into a body that weighs roughly a pound.

Update: While we didn't quite realize it at first, the layout of the camera and its specs are clearly that of a rehashed NEX-7. As SonyAlphaRumors points out, the shooter accepts Sony's e-mount lenses and is part of new partnership between the two photography giants -- looks like we're soon to have even more Sony cameras re-purposed as Hasselblad's, similar to Leica and Panasonic. While the NEX-7 itself will run you roughly $1,100 to 1,200k (body-only vs. with a kit lens), SAR has the Lunar pegged at $5,000 Euro (about $6,530, or six NEX-7s). That's almost $1k more than Leica's utilitarian M-E and about as much as an M9 for, those keeping count -- but hey, at least the lunar can shoot video, right?

If you were interested in any of Sony's most recent camera revelations, it is now time to ready up that wallet of yours because Amazon's set to start taking orders pretty shortly. At this very moment, the trio's listed as "temporarily out of stock," but this is presumably due to the retailer being in the middle of stocking shelves with the latest and greatest shooters from the Japanese electronics outfit. Still, you can take your pick between that flagship Alpha A99, the mirrorless NEX-6 or the full-frame Cyber-shot RX1 and order one now, though they're not due to ship until October, November and December, respectively. As expected, both the A99 and RX1 are priced at around $2,800, while the NEX-6 carries a smaller $848 tag -- this, of course, being for the body-only flavors. All the links you need are down below, so make sure to bookmark 'em if you're interested in making one of these your own.

A full-frame sensor inside a compact camera sounds like lunacy, but Sony's managed it (at least, in principle) with its new Cyber-shot RX1. While only at the engineering sample stage, we're already deeply in love with its retro body and the potential that lurks inside that 24.3-megapixel sensor. The question, of course, is how did they manage to squeeze that whopping hardware into such a small body? Take a gander through the gallery from our brothers at Engadget Chinese to see how it achieved such a feat. %Gallery-165039%

Would you believe us if we told you Sony packed a full-frame sensor in a Cyber-shot-branded camera? It's true! Say hello to the RX1, a "compact" digital camera for pros that's packing the same 24.3MP Exmor CMOS sensor introduced today with the A99. Calling the rangefinder-esque one-pound shooter small might seem off-base, especially considering the Zeiss Sonnar T* 35mm f/2.0 fixed prime lens protruding from its front, but it's not so huge (3-inches high by 4.5-inches wide) up against its tiny sibling, the RX100 -- taking into account how much larger the RX1's sensor is, well, that's when this editor's jaw basically dropped. While it's not a "pro-NEX" as many had hoped, Sony explained that it chose a fixed lens to avoid the bulk of a lens-mount. We were able to get some eyes-on time with an engineering prototype of the unit, so click past the break for more details, close-ups and a brief video overview. %Gallery-164840%

A full-frame camcorder for roughly 3 grand? Meet the Sony NEX-VG900 Handycam -- the company's first 35mm HD video camera. Taking cues from its Alpha A99, which was just announced today, Sony brought that camera's 24.3-megapixel full-frame sensor to a camcorder form factor, delivering shallow depth-of-field and much improved low-light sensitivity in a more practical package. The VG900 is compatible with E-mount lenses, and it's a fine stills shooter (like the A99, it's capable of 14-bit RAW captures), but it's best suited for high-end video production, where it offers 1080p recording at 24 or 60 frames-per-second through a sensor that features 45 times the area of a conventional camcorder. This model even adds some of Sony's picture effects from the stills line, such as soft focus and miniature mode, while certain filters, like partial color and high-contrast monochrome can even be added to video.

Also on order for today is the NEX-VG30 -- the successor to the VG20 -- which offers many of the same features, but with a 16.1-megapixel APS-C CMOS sensor instead. If you're looking for a capable Handycam and don't want to spring for full-frame, this is your match. Both models include 270-degree swivel 921k-dot touch-enabled TruBlack LCDs and XGA OLED eye-level electronic viewfinders, along with Sony's new Multi Interface Shoe, which enables XLR microphone inputs through an optional accessory. The Handycams offer a new zoom seesaw level with multiple speeds for smooth, silent lens adjustments. There's also digital zoom functionality, which is likely to be more appropriate for the VG900, since that model's full-frame sensor has the pixels to spare. That flavor is quite costly, coming in at $3,299 without a lens, though an LA-EA3 mount adapter is included so you can attach full-frame-capable A-mount lenses. The VG30, for its part, will retail for $1,800 body only, or $2,700 when paired with Sony's new 18-200mm f/3.5-5.6 OSS power zoom lens -- a $300 savings, considering that optic's $1,200 standalone price tag. The VG900 is slated to ship beginning in late October, while the VG30 will hit stores in November, but you can take a closer look right now in our hands-on gallery below.%Gallery-163055%

It's not every day that a digital SLR manufacturer releases a new full-frame camera -- in fact, it's not even every year. Sony's last top-end model, the A900, was first released four years ago, so you better believe its successor offers an overflowing boatload of enhancements. The Alpha A99 is a flagship if ever there was one, crushing every other Sony still camera in terms of capability, both when it comes to stills, and in the HD video realm as well. With this $2,800 behemoth, the company is targeting both professional photographers and leading filmmakers, with plenty of features that will appeal to both. The centerpiece is an all-new 24.3-megapixel Exmor sensor (nope, it's not the rumored 36MP chip you might be expecting), which features an increased photodiode area for boosted low light quality (up to ISO 102,400). The camera also features what Sony's calling the "world's first dual-AF system," which includes two different phase-detect AF systems, including the same 19-point system on the A77, plus an additional 102 points on the imager itself.

Video shooters will find 1080/60p and 24p options with AVCHD 2.0, including uncompressed output through HDMI (with simultaneous output to a monitor) and phase-detect focus support in video mode. There's also a 6 frames-per-second burst mode, 14-bit RAW output for stills, the same 921k-dot Xtra Fine twilt-and-swivel LCD included with the A77 with WhiteMagic and TruBlack, and the same OLED viewfinder found on the A77, NEX-6 and NEX-7, that offers slightly boosted functionality thanks to the full-frame sensor, letting photographers snag a realtime depth-of-field preview without dimming the finder. It also offers a 34-degree viewing angle and color tone adjustment control. Because the A99 offers a translucent mirror, Sony was able to eliminate the pentaprism to keep the size and weight at bay, making the DSLR lighter than the Nikon D800 and Canon 5D Mark III. Jump past the break for our hands-on.%Gallery-163051%

Does the NEX lineup need another model? Sony reckons it does. Meet the NEX-6. The company's latest mirrorless camera looks nearly identical to last year's top-of-the-line NEX-7, with the exception of a new dedicated mode dial, that lets you switch between aperture- and shutter-priority, manual, or scene modes with a hardware control rather than a need to jump into the menu. It offers the same pop-up flash (with a bit more power), a 3-inch 921k-dot TruBlack tilting LCD, an identical 2,359k-dot OLED electronic viewfinder and a strikingly familiar design. And that's where the similarities screech to a grinding halt.

The NEX-6 is a hybrid camera of sorts, merging the best of the NEX-7 and the new 5R into a compact ILC that Sony says is its first to offer "full DSLR functionality." You won't be able to snag full-frame captures, as with Sony's brand new Alpha A99, but the 16.1-megapixel APS-C Exmor CMOS sensor should get you well on your way. There's also low-light shooting through ISO 25,600, 1080/60p video, a 10 frames-per-second continuous shooting mode, the new Fast Hybrid autofocus system first introduced with the NEX-5R and a new Multi Interface Shoe that lets you interface with a bunch of new accessories, including a hot shoe-mounted XLR mic input rig ($800). Join us past the break for our impressions and hands-on video.%Gallery-163053%

Sony must have a fixation on stuffing full-frame sensors into small spaces this year. A fresh photo and details slipping out to Sony Alpha Rumors show what's billed as the VG900, the first NEX-branded camcorder with a sensor larger than the APS-C spec -- the first NEX camera of any kind, for that matter. While there's only a light smattering of details, we're told the device has a 24-megapixel sensor (likely the same as in the RX1 or A99), records video in AVCHD 2.0 and should ship with an A-mount adapter for Alpha lenses. Not much else is on display, although you may want to take a pass if you're just looking to record a family wedding: at a rumored $3,300 price for the purportedly imminent launch, the VG900 isn't an impulse purchase for anyone short of a pro videographer.

Here's something you probably didn't expect: a compact Sony camera with a full-frame sensor. While Photoprice.ca was uncovering a treasure trove of leaked press shots that include the Alpha A99 and NEX-6, it also came across images of the RX1, whose body looks borderline pocketable yet stuffs in the same kind of sensor (and likely image quality) you'd normally reserve for pro-grademodels. Several extra details reveal themselves right from the start. The RX1 is carrying a 35mm, f/2.0 lens with no apparent button to detach the lens -- the included glass is probably as good as it'll get. However, the RX1 is most definitely tuned for experienced shooters, with a toggle for macro focusing as well as dedicated controls for aperture and exposure compensation. We're also liking that there's a pop-up flash, a standard hot shoe for accessories and three custom settings on the mode dial. The slip doesn't include mention of a release date or a price, but talk during the A99 slip mentioned a September 12th unveiling that wouldn't shock us if it included multiple cameras -- and we would be equally unsurprised if the RX1 carried the same high price commonly associated with other full-frame bodies.

We've already gotten our hands on Lensbaby's basic Composer lens, but the company has now gone and expanded its bag of tricks even further with its new Composer with Tilt Transformer kit. The key bit there is the Tilt Transformer (also available separately), which can also accommodate any Nikon mount lens and tilt it up to twice the amount of standard tilt-shift lenses. Have a Panasonic Lumix G Micro System or Olympus PEN Micro Four Thirds camera? Then you can get the kit now for $350 or just the Tilt Transformer for $250 -- Sony NEX camera users will have to wait until October 28th to get in on the act. Full press release is after the break, and our hands-on from the Photokina show floor is just below. Enjoy. %Gallery-103089%

In typical Sony Style, the outfit's booth was comically large at this year's Photokina. Not that we're complaining or anything, particularly when it's using the show to demonstrate an eight-pack of colorful new mirrorless concepts. Tucked away in the NEX corner were four NEX-3 and four NEX-5 cameras, all doused in colors that aren't available anywhere at the moment. We're guessing that Sony's doing its best to beat Colorware to the punch here, and a kind booth representative noted that these were simply "ideas" and that the company wasn't yet committed to making any of them. If you're accepting opinions, Sony, the whole red-black-silver thing is getting a bit tired, so why not throw out a few more options for the style-conscious among us? We'll take two -- an orange and a white. Dankeschön.%Gallery-102894%
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concepthands-oninterchangeableinterchangeable lensinterchangeablelensnexnex-3nex-5photokinaphotokina 2010photokina2010prototypesonyTue, 21 Sep 2010 13:33:00 -040021|19642028https://www.engadget.com/2010/09/21/sony-advanced-model-alpha-a77-dslr-emerges-at-photokina-e/https://www.engadget.com/2010/09/21/sony-advanced-model-alpha-a77-dslr-emerges-at-photokina-e/https://www.engadget.com/2010/09/21/sony-advanced-model-alpha-a77-dslr-emerges-at-photokina-e/#comments

We've heard Sony use the term "Advanced Model" when dealing with concepts before, and it seems that it's using said code once more to disguise what may end up being the A77. Rumors have been flaring over the past few weeks, noting that this particular Alpha DSLR would be showcased at Photokina before being officially unveiled at CES 2011. Few details were given, but we're able to tell that it'll shoot HD video in AVCHD and will be compatible with a vertical grip. Moreover, it'll ship with a translucent mirror (as found in the A55 and A33) and an Exmor APS HD CMOS sensor. At the company's Photokina press conference, an executive noted that the cam will be "far more powerful than the a55," and that it'll be aimed at "serious enthusiast photographers."

A slew of concept / prototype lenses were also encased (including a comically large 500mm f/4 cannon) at Sony's booth, not to mention a few that'll definitely be available from 2011 and 2012. Back at the presser, we were informed that a grand total of ten A-mount (Alpha DSLR compatible) lenses will be on sale by 2012, and it's also considering working with a number of partners in order to develop third-party E-mount lenses for the NEX range. Moreover, a firmware update is slated for mid-October to bring autofocus support to A-mount lenses used on E-mount cameras, aperture control in video mode and customizable keys, while the NEX-VG10 Handycam will see an A-mount lens firmware update in November. Speaking of E-mount cameras, Sony's also developing its own micro flash for use in low(er)-light situations, and considering that it recently grabbed a full 50 percent of the mirrorless market share in Europe, we'd guess it's nowhere near slowing down on the innovation. Smiles all around, right? %Gallery-102896% %Gallery-102902%
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a mounta77alphaalpha 77alpha a77alpha77alphaa77amountavchdcamcorderconceptdslre mountemountexmorexmor apsexmor aps hd cmosexmor aps hd cmos sensorexmorapsexmorapshdcmosexmorapshdcmossensorhands-onhandycamnex-vg10photokinaphotokina 2010photokina2010prototypesonytranslucent mirrortranslucentmirrorvg10Tue, 21 Sep 2010 11:20:00 -040021|19642024https://www.engadget.com/2008/09/05/sonys-cybershot-dsc-g3-with-wifi-diddled-by-the-fcc/https://www.engadget.com/2008/09/05/sonys-cybershot-dsc-g3-with-wifi-diddled-by-the-fcc/https://www.engadget.com/2008/09/05/sonys-cybershot-dsc-g3-with-wifi-diddled-by-the-fcc/#comments

The FCC didn't give us much to go on here besides these wireframe images and a few radiation reports. From that we can tell you that Sony's about to release its new DSC-G3 Cyber-shot boasting 802.11b/g WiFi. As a followup to the WiFi-packing DSC-G1 announced more than a year ago, we're expecting the 3.5-inch LCD (now probably touchscreen like the T700) to carryover with storage twisted above 2GB and a sensor bump into the 10.1 megapixel range like Sony's new T500. Just a guess though, we hope to hear more at the Photokina show later this month.
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camerascyber-shotdsc-g3fccphotokinasonywifiFri, 05 Sep 2008 01:30:00 -040021|1305201https://www.engadget.com/2008/09/03/sony-panasonic-both-introducing-new-dslrs-next-week/https://www.engadget.com/2008/09/03/sony-panasonic-both-introducing-new-dslrs-next-week/https://www.engadget.com/2008/09/03/sony-panasonic-both-introducing-new-dslrs-next-week/#commentsThe big Photokina show may be fast approaching but, as is often the case, some camera makers aren't waiting for the doors to open to debut their latest wares, and both Sony and Panasonic look to be carrying on the tradition by introducing new DSLRs next week in advance of the event. Of course, details on either of 'em are pretty light at the moment but, as Macworld notes, Sony had said previously that it was planning on adding a full-frame, 24.6 megapixel camera to is Alpha line, and that would seem to be a likely fit here. For its part, Panasonic will apparently be introducing the follow-up to its Lumix DMC-L10, although its staying tight-lipped on any details beyond that. Look for Sony to get things started at a special event in Tokyo next Wednesday, with Panasonic following-up two days later at a press conference of its own. Both, as you might have guessed, will also have plenty more to say about the cameras at Photokina.
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camerasdslrpanasonicphotokinasonyWed, 03 Sep 2008 13:43:00 -040021|1303383