This biennale was not perfect. None are. And frankly I wonder whether Venice can ever be a fit venue for a serious interrogation of issues more profound than the Campari or Aperol conundrum. The vernissage is, at heart, a schmoozey, boozey networking knees-up in which the architectural great and good cheek-kiss their way down Via Garibaldi occasionally glancing in a pavilion. Arevena knew this all too well when he set out to give the festival some bite.
— Architecture Foundation

Architecture Foundation Deputy Director/Turncoats founder Phineas Harper gives his two cents on critics' self-righteous reactions to the Venice Biennale.Find more Archinect coverage on the 2016 Venice Biennale in News and Features. View full entry »

Canada's national theme for the 2016 Venice Architecture Biennale will be a multimedia investigation of the country's resource extraction industry, as announced earlier this week by the Canada Council for the Arts. Titled "Extraction", the project profiles and "radically rethinks" Canada's rise as... View full entry »

London is ready to join the design biennale club as it begins working toward launching its very first international design biennale at the Somerset House on September 7-27, 2016**. Modeled after the biannual Venice architecture and art events, London plans to gather up to 40 countries that will... View full entry »

Start sharpening those pencils – the US Pavilion at the 2016 Venice Biennale is now open for submissions. The Pavilion's theme of "The Architectural Imagination", curated by Monica Ponce de Leon and Cynthia Davidson, is looking for projects sited particularly in Detroit, while still having... View full entry »

The São Paulo Biennial, which opened on September 6, is traditionally a contemporary art festival, but this year’s event puts new emphasis on architecture. Chief curator Charles Esche commissioned nearly 70 percent of the exhibition’s artworks, collaborating with a five-person curatorial team that included an architect for the first time in the biennial’s 63-year history (fun fact: it’s the world’s second-oldest contemporary art biennial).
— blouinartinfo.com

Architecture’s largest and most public event needs to do more than just go through the motions. The Biennale, unfortunately, seemed to be driven not by passion or a desire to communicate, but by a sense of obligation. [...] Perhaps an ornamental city is simply an ill-omened venue for an event celebrating the most functional of arts. Venice may always be trapped in the past, but the Biennale should be at the forefront of a conversation about architecture’s future.
— theawl.com

The installation you see above is a project by Masakazu Shirane and Saya Miyazaki called "Wink," their entry into Kobe Biennial's Art Container Contest. The kaleidoscope concept uses mirrors (in keeping with Sir David Brewster's classic), but is also held together by zippers. Shirane and Miyazaki claim this makes it the first "architecture" based on zippers; proving you can create an adaptable, reconfigurable space using the same tech found in your pants.
— engadget.com

Cuba is in talks with the Bronx Museum to organise the first major exhibition by a US museum in the country, according to local reports. The show would be part of the 12th edition of the Havana Biennial next year, and could be followed by an exhibition in New York in 2016 that would feature work by Cuban artists. [...]

During her opening remarks, Perera emphasised the role of culture in “breaking barriers imposed by governments that have nothing to do with the will of the artists” [...].
— theartnewspaper.com

IABR–2014–URBAN BY NATURE–, the sixth edition of the International Architecture Biennale Rotterdam (IABR), claims that we can only solve the world’s environmental problems if we solve the problems of the city.Looking through the lens of landscape architecture, IABR–2014– redefines... View full entry »

IABR–2014–URBAN BY NATURE–, the sixth edition of the International Architecture Biennale Rotterdam (IABR), recently wrapped up a packed roster of conferences, debates, lectures, excursions and other events spanning over several weeks.URBAN BY NATURE– focuses on the interdependence of... View full entry »

Many in the art world were staggered by recent reports that the Italian curator Germano Celant is being paid €750,000 to organise a pavilion for the Milan Expo 2015. Celant’s fee, and the incredulity it provoked, raises questions about how much curators are typically paid for organising biennials and large-scale international exhibitions.

An exploded false ceiling and a lineup of lavatories become the stars as Koolhaas delves into the overlooked innards of today's buildings – and shows how architecture has become nothing more than cardboard
— theguardian.com

As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]

Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox.
— ft.com

The 14th International Architecture Exhibition at the Venice Biennale wouldn't be complete without its International Jury. Just recently, the Board of Directors appointed this year's jury members upon the recommendation of Biennale Director Rem Koolhaas.
— bustler.net

The 2014 jury features:Kunlé Adeyemi (Nigeria) is a prominent architect with experience in India, Korea, Africa, and Europe Francesco Bandarin (Italy) is former director of UNESCO's World Heritage Centre and now UNESCO's Assistant Director-General for Culture and has been instrumental in... View full entry »