That’s what his roommate, Baz, says. And Baz might be evil and a vampire and a complete git, but he’s probably right.

Half the time, Simon can’t even make his wand work, and the other half, he sets something on fire. His mentor’s avoiding him, his girlfriend broke up with him, and there’s a magic-eating monster running around wearing Simon’s face. Baz would be having a field day with all this, if he were here — it’s their last year at the Watford School of Magicks, and Simon’s infuriating nemesis didn’t even bother to show up.

Carry On is a ghost story, a love story and a mystery. It has just as much kissing and talking as you’d expect from a Rainbow Rowell story – but far, far more monsters.

An intrepid voyage out to the frontiers of the latest thinking about love, language, and family

Maggie Nelson’s The Argonauts is a genre-bending memoir, a work of “autotheory” offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author’s relationship with the artist Harry Dodge. This story, which includes Nelson’s account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.
Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson’s insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.

Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now Simon is actually being blackmailed: If he doesn’t play wingman for class clown Martin, his sexual identity will become everyone’s business. Worse, the privacy of Blue, the pen name of the boy he’s been emailing with, will be jeopardized.

With some messy dynamics emerging in his once tight-knit group of friends, and his email correspondence with Blue growing more flirtatious every day, Simon’s junior year has suddenly gotten all kinds of complicated. Now, change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out–without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met.