In a heated section of the event in which the two took turns cross-examining each other, Darling snapped "you don't have to lecture me", while Salmond said irritably "you don't have to point Alistair".

If we take "Race Change Operation" as utterly satiric, voicing ironic contempt for the status signifiers of the "establishment," then what are we to make of another poem, "The Judges of Craft," in which Ellis irritably incorporates a series of his personal rejection notes from magazines?

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