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Editorial Reviews

Product Description

Driving in their car through France one summer, two young girls, Anna & Francoise, find themselves trapped in the kingdom of the mythic Morgana, Queen of the Witches.

Ever since Merlin taught her his skills centuries ago, Morgana has gone on living by obtaining the souls of the young women who pass through her kingdom. In exchange, she gives the captives who agree to her pact eternal youth and beauty. Those who refuse her grow old and ugly in the dungeons of her castle.

A classic of erotic horror presented here uncut for the first time ever.

Most Helpful Customer Reviews

This is a wonderful piece of French fantasy, never seen in this country before. It bears many similiarities to Jean Rollin (2 girls trapped in a castle, roads that are endless circles, lesbianism, the use of the French countryside, ruins, even a graveyard. Plus 2 of the actresses acted for Rollin), but weaves its own charm. The print is immaculate and beautifully transferred, and the girls are beautiful.

If you're in the mood for an offbeat fantasy spiced with some nudity and soft core, you won't be disappointed.

One reviewer here seems to have gotten it all wrong about Morgana. She is a fox among a den of foxes. The crone-looking character is actually a dwarf man in the film who serves as Morgana's second in command, but I can see why "somebody" made the error--the opening scenes are highly distracting, the confusion stemming from the rather delightful sight of a bound, pleading, naked woman. That sort of thing tends to focus your attention away from other details, large and small. I'm sorry, but this movie is well worth seeing in all its cheesy glory--it's a pure erotic romp. Some of the nude scenes are positively enthralling, and for that reason alone it warrants top tier rating. Without getting too graphic, it's worth pointing out that some of the breasts in this film ought to be immortalized in marble. One absolutely priceless sequence has the "woman in jeopardy" fleeing Morgana's castle wearing nothing but a diaphanous baby-doll negligee. What more could a guy ask for but to see an equisitely leggy fawn such as her fleeing franticly through the forest in a skimpy see-through frock at daybreak? And then to witness this distressed nymph swimming through the frigid waters surrounding the castle? It is all close to being just too much. There are few "woman in jeopardy" comparisons to rival this one. In my heterosexual eyes, there is nothing on God's green Earth quite like seeing a nubile, shivering beauty in a wet nighty emerging from a lake at sunrise, even if it has to be in a movie. It's enough to make you want to lie down and die. As a bonus, people who like to see women in love will definitely like this movie, and those parts of the film are done well. Not being a fan of that sort of action, those scenes still impressed me with their erotic fineness. The director certainly had an eye for that kind of thing. And the story is not bad either. Five stars!

I adored the beginning of this. Two young French girls (Anna and Francoise) are driving through the countryside and decide to spend the night in an abandoned cottage. Music/location/dialogue and cinematography are excellent. Then Anna disappears. The film loses its magic soon afterwards and I ended up fast forwarding a lot due to boredom. But still ... watch the beginning. I've never seen anything like it. A treat for the eyes and ears :)

FILMPHREAK.TUMBLR.COMGIRL SLAVES OF MORGANA LE FAY is a calmly paced but compelling piece of erotic horror for the arthouse. It’s a beautiful movie, to kick off with its surface aesthetics. On that count alone, it warrants praise. The setting and creative camera use of said setting, plus the elegant but not ornate costuming - paralleling the quiet but riveting nature of the film - make this a work of art strictly in terms of visual construction. But beyond that, the film’s tale, though simple, is gripping. It’s an old idea, but powerful, and well employed herein. Two women on a drive take a detour not to the Twilight Zone, but to the mystical realm of Morgana Le Fay, the original wicked witch, infamous relative of King Arthur. Of course, GIRL SLAVES OF MORGANA LE FAY isn’t interested in the Arthurian cycle, only the immediate idea of Morgana Le Fay. I don’t know how much of this story is drawn from legend and how much is reinvention by the filmmaker, Bruno Gatillon, but it doesn’t matter. Morgana is a daunting, alluring and fearful character, and a worthy antagonist for this tale of dilemma: immortality in thrall to Morgana or freedom doomed to die? The film is peopled with a few great side characters, particularly the dwarf or hunchback or whatever and the three henchwomen (?) who serve at Morgana’s side. Then there are, of course, our two lost souls, the girls on a drive who made a left turn at the intersection of real and fantasy. Their character arcs are complementary but vastly different. This one’s a solid film all the way around: brilliant cinematography, artful erotica, psychospiritual horror that chills the gut, philosophical thoughtfulness, lucid direction and a knack for beautiful simplicity. GIRL SLAVES OF MORGANA LE FAY is both enchanting and ominous, a mix of beauty and fear - exactly what you expect from quality erotic horror.

A strange, low key, erotic film that has magic, fantasy, lovely women, gothic ambiance and fairytale like qualities. The movie LOOKS great - for locations, set design, 70s hairstyles, soft pastel colors and soft flesh. Some people might find it slow, but it is a very dream-like film with a lot of nice touches. I might call it some kind of pagan matriarchy film!