[Høvik]: Sonja Henies og Niels Onstads Stiefelser, 1971. First edition. Signed. In original printed wrappers. Text in Polish and English. With the stamp of the gallery where the book was exhibited. 31 leaves, and one plate of black-and-white photographic reproduction, with and one bound-in postcard and one insert. Documentation of..... More

Paris: [S.n.], 1946. First edition. Illustrated with 6 photographic reproductions. In publisher’s printed wrappers. (16) p. Exhibition catalogue of de Chirico’s infamous show at Galerie Allard in June 1946, where the vast majority of the 28 exhibited paintings were fakes, forged by Óscar Domínguez.More

Paris: Éditions des Chroniques du jour, 1929. First edition. Limited, numbered, one of the fifteen copies printed on Japan paper, signed by both authors. Text in French. The illustrated plates are signed by Farkas (except for no. 6). Plates are numbered on the verso. Page size: ca. 305 × 420..... More

[S.l.]: [n.p.], 1971. First edition. One folded page. With 10 black-and-white reproductions. (4) p. Catalogue of the 1971 exhibition of the Hungarian Neo-Avant-garde group, the artists of the Balatonboglár Chapel Studio.
Illustrated with the reproduction of a work by each exhibiting artists.
The exhibiting artists of..... More

Krakow: Galeria Potocka. Muzeum Sztuki Aktualne. 1987. Handmade, stapled publication with a stamp of the artist’s name and the gallery on the cover. Signed, numbered (one of 100 copies). 210 mm × 300 mm. The publication includes a double-sided typescript from Knížák in Polish, and a vintage, black and white..... More

In Dakar: Dated on 7 July 1926. Photographic postcard (Afrique Occidentale, Jeune féticheuse). Sent to Reneé Galabert, at the Institut du radium in Paris. Marie and Iréne Curie’s handwritten postcard to an associate scientist at the Institut du radium.
The postcard was sent from Dakar by Marie Curie and..... More

Berlin: S. Fischer Verlag, 1894. First edition. In publisher’s printed wrappers. 95, (1) p. First edition of the first monograph on Edvard Munch.
The booklet was initiated, edited and co-authored by the notorious Polish intellect and outrageous writer, Stanisław Przybyszewski (1868–1927), Munch’s close friend. Przybyszewski described their friendship..... More

[Darmstadt]: Jürgen Dahl Krefeld, [1959]. First edition. Published in a run of 200 copies. In publisher’s black wrappers, bound with two clasps. A white title band clipped to the binding. ff. (32). Rare first edition, one of only 200 copies of Dieter Roth’s artist book, Ideograme.More

[Stuttgart]: [Hans Jörg Mayer], [1967]. First edition. Limited edition, up to 130 copies, numbered and signed by Roth. With an original drawing in felt-tip pen on p. (33). Captioned, signed and dated by Roth in 1968. In publisher’s hardpaper, title printed in purple. Printed on pink paper. (34) p. First..... More

Moscow: Bсероссийский Пролеткульт (All-Russian Proletkult), 1923. First edition. In publisher’s modernist, typographical wrappers. 69, (3) p. First edition of Tarabukin’s theoretical work on avant-garde and modern art.
The Fundamentals of a Theory of Painting was written in 1916, by the influential Russian-Soviet art historian Nikolai Tarabukin (1889–1956) and..... More