Songwriters Guild of North America Negotiates Changes to MMA to Increase Songwriter Representation

We are pleased to see that the conversations between Rick Carnes (SGA) and Rep Doug Collins that began at University of Georgia Artists Rights Symposium has resulted in improvement to the representation of songwriters on the board proposed in the Music Modernization Act. Press release from SGA follows.

WASHINGTON — The Songwriters Guild of America, the largest and longest-established music creator advocacy organization in the United States, today announced it has negotiated changes to the pending Music Modernization Act (HR 4706)that will enable it to support passage of the legislation. Among the agreed-upon amendments to the bill are:

the doubling of songwriter and composer representation on the board of directors of the Mechanical Licensing Collective established by the Act;

the re-alignment of an Unclaimed Royalties Oversight Committee that will now have a 50/50 music creator and music publisher balance; and

clarifications to the payments sections that will make it easier for music creators to get the full benefits of their negotiated publishing agreements as applied to the distribution of what the bill refers to as “unclaimed” funds by music publishers.

As part of the discussions leading to changes in the Music Modernization Act, the US music publisher community has also pledged to lend its full support on Capitol Hill to SGA’s efforts to secure quick passage of the pending Copyright Alternative in Small-Claims Enforcement (CASE) Act of 2017 (HR 3945). CASE will provide music creators with a much needed, opt-in alternative to expensive, full blown copyright infringement actions against unlicensed users of their music.

Speaking on behalf of SGA, multi-platinum songwriter and organization president, Rick Carnes, noted that, “the benefits of the pending Modernization law, with the changes SGA has successfully sought, have made the current bill deserving of our support. We continue to applaud the efforts of those members of the music creator and music publishing communities seeking further improvements and clarifications that would make the proposed legislation even more advantageous to American songwriters, composers and independent publishers. Still, the bill as it now stands would — on balance — benefit those creators we are sworn to protect significantly more than no bill at all. Our two-word mission statement is to ‘protect songwriters.’ After more than six months of hard work alongside our colleagues in the independent music creator community through Music Creators North America (MCNA), SGA feels, individually, that it succeeded insofar as possible in carrying out our mission.”

Under the agreed-upon changes, the Mechanical Licensing Collective board will now have four professional songwriter/composer voting members and ten voting music publishers. The Unclaimed Royalty Oversight Committee, whose role will be to oversee issues concerning ownership and distribution of so-called “unclaimed” royalties, will now have evenly balanced, “five and five” representation among ten voting members. As to clarifications regarding payment of music creator royalties received from the Collective by music publishers, the bill is now clearer in spelling out that such royalties are to be distributed on a title-by-title basis to songwriters under the percentages set forth in their publishing agreements. In other words, a songwriter or composer operating under an agreement that gives such creator the benefit of a 90%/10% split with its music publisher will have that same split applied in the distribution of “unclaimed” royalties that have been matched under the usage formula set forth in the legislation.

Other benefits of the legislation include establishment of a system that:

is likely to substantially improve royalty payment compliance by digital distributors of music on a going-forward basis;

changes in royalty rate determination formulas that will benefit both music creators and their copyright administrators; and

the promotion of greater fairness for US performing rights societies in their negotiations with users.

“Among SGA’s important roles following the bill’s enactment,” continued Carnes, “will be to assist the songwriter and composer community in making sure that every music creator receives the full benefits intended under the Act. That includes publication of materials designed to inform and remind creators, in consultation with their legal and financial representatives, how best to ensure the maximum, accurate receipt of all royalties to which they are entitled.” Carnes also pledged that SGA will be in the forefront of efforts, along with its fellow MCNA music creator groups, to ensure that experienced, knowledgeable and — above all — independently-minded songwriters and composers are tapped to serve as board members of the Collective.

SGA, established in 1931, is the largest and longest-established advocacy organization run solely by and for songwriters and composers in North America. In addition to its role as a legislative advocate, SGA provides copyright administrative services and other informational and representation services to its national US membership upon request