iTunes Description:

The Moog Model 15 App is the first Moog modular synthesizer and synthesis educational tool created exclusively for iPad, iPhone and iPod touch.

Each facet of the Moog Model 15 modular synthesizer has been meticulously recreated in this application to ensure the power and transcendent sound quality of each module remains intact. The character, harmonic complexity and mystique of the Moog Model 15’s modules, from the legendary Moog 921–series oscillators and 904A Low Pass Filter, to the coveted 907 Fixed Filter Bank have been painstakingly preserved.

In order to develop the most immersive and expressive modular interface possible, the Model 15 App has been designed utilizing Apple’s new Metal advanced graphics engine. This ensures that all zooming, panning and modular patching throughout the application feels completely natural, something that would have been impossible otherwise.

Also included are extended features which expand the capabilities of the app beyond the traditional offerings of the hardware Moog Model 15. These include total MIDI integration, assignment for external control, use as a MIDI controller, dedicated Audio Bridge and MIDI Bridge modules, looping recorder module with overdubbing, a master ping-pong delay module and a new extension cabinet that includes additional amplifiers and voltage-controlled reversible attenuators that can be used for effects like ring-modulation.

Because the Model 15 App utilizes Apple’s Metal technology, only 64-bit devices are supported. Compatible devices include iPhone 5s or newer, iPod touch 6 or newer, iPad Air or newer, and the iPad Pro.

iTunes Description:

iVCS3Official EMS VCS3 emulator

The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case.The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3.

Description

The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.Keyboards controller

DK1 keyboard controller

Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.

iTunes Description:

The ARP Odyssey of 1972 has earned an unshakable position as a classic analog synthesizer. In 2015, KORG produced the ARP ODYSSEY, a complete reproduction of the original. The ARP genes that shook the worldwide music scene are being passed on, and its history continues.

The next platform for the ARP ODYSSEY is iOS. We want the unforgettable ARP sound to be easily available on a device that as many as possible of today's players can obtain; this resulted in the "ARP ODYSSEi" app for iPad / iPhone. Based on the revived ARP ODYSSEY, we used KORG's proprietary CMT circuit modeling technology to reproduce the analog feeling and sound of the original as closely as possible. We've also given it numerous enhancements that are possible only with software, such as long-awaited polyphony and built-in effects.

The real analog ARP ODYSSEY, and now the uniquely evolved ARP ODYSSEi, brings the universal fascination and inimitable sound to every device.

* Due to differences in CPU speed of iPads / iPhones, iPad 3rd gen/2/iPad mini/iPhone 4s are not supported, only iPad Air/iPhone 5s or later is recommended.

[ Features ]

- Faithfully models the circuit of the ARP ODYSSEY: The circuitry has been reproduced using KORG's proprietary CMT (Component Modeling Technology), developed over the years starting with the KORG Legacy Collection.

- New functions to create all-new ARP sounds: Added a voice assign mode that allows you to play chords, an arpeggiator that can be programmed in detail like a step sequencer, and effects that can transform the sound in diverse ways.

- Get all three of the sought-after revisions: In addition to the standard design of the Rev3 with its black panel and orange silk-screening, you can optionally obtain the white-paneled Rev1 and the black-paneled gold silk-screened Rev2 designs, together with fifty new preset sounds that take advantage of the distinctive filters of those models.

- Produce music together with KORG Gadget: ARP ODYSSEi can be used in conjunction with the "KORG Gadget" music production DAW app that has won numerous awards around the world. If both apps are installed, it can be used as the "Lexington" gadget inside the KORG Gadget app.

iTunes Description:

** HARDWARE REQUIREMENTS ** Must have iPhone 4S, iPod Touch 5th gen. or later to run Animoog for iPhone.

Animoog is Moog Music's first professional synthesizer for iOS devices, and was the first music app in history to hit number one in the App Store on the day of release. Additionally, in the 2011 App Store Rewind, Apple named Animoog one of the best apps of the year.

Powered by Moog's new Anisotropic Synth Engine (ASE), Animoog allows you to move dynamically through an X/Y space of unique timbres to create a constantly evolving and expressive soundscape.

Animoog captures the vast sonic vocabulary of Moog synthesizers and applies it to the modern touch surface paradigm, enabling you to sculpt incredibly fluid and dynamic sounds that live, breathe, and evolve as you play them.

Visually captivating and sonically immersive, Animoog brings iPad based music production to the next level. Whether you are new to synthesis or a professional, Animoog’s unique user interface gives you the power to easily create a visually vibrant and sonically rich universe. It is the ultimate tool for total creative expression!

Animoog’s diverse library of timbres is derived from analog waveforms captured from classic Moog oscillators, both vintage and modern, and run through a boutique’s worth of high-end outboard and analog signal processors. These include modular synth panels, Moogerfooger pedals and more.

Animoog is the newest innovation in creative tools from Moog Music, the legendary electronic musical instrument company founded by Bob Moog in Asheville, NC.

** NOTE: Animoog for iPhone expansion packs can not be used with Animoog for iPad. **

Key Features:

• Anisotropic Synth Engine (ASE) - An exciting new Moog technology that allows the user to move dynamically through an X/Y space of unique timbres to create an expressive and constantly evolving soundscape.

• Timbre page – Assemble unique sounds in the X/Y space from timbres of a wide variety of vintage and modern Moog synthesizers and pedals. Note: this is NOT simple sample playback.

• Polyphonic Modulation - Simply slide your fingers to control multiple modulation parameters in Animoog right from the keys.

• Polyphonic Pitch Shifting - Easily manipulate the exact pitch of each note in a chord by rotating or sliding your fingers.

iTunes Description:

"Perfect for on the move acid sessions, the Trouble Maker app faithfully recreates the sound of the original TB-303" - DJ Mag

"Troublemaker is absolutely no trouble at all to heartily recommend" - SoundOnSound

"If you want to make the bassline from Josh Wink’s ‘Higher State of Consciousness’ on the bus, this is the app for the job" - Factmag.com

"Top-notch stuff from a developer that just keeps getting better" - Musicappblog.com

"This app has been consuming all of my time this week! Love it!" - Discchord.com

Introducing Troublemaker: this is not a 303

The legendary TB-303 has magical properties; it is filled to the brim with analog shimmer. Its output jack is a gateway to a parallel universe and when you twiddle the filter knobs an army of highly trained pixies chisel the square waves from freshly harvested unicorn souls. So if you want a TB-303, you should buy a TB-303. But if you're after *that sound* Troublemaker will give you everything you need in spades.

Troublemaker sports a carefully crafted diode filter emulation and among the available oscillators are the typical raspy, nasal sawtooth and rubbery squarewave with its oddball shape and shifting pulsewidth.