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06 September 2016

WTSH Interviews Everything Fades.

Formed in 2014, Everything Fades is the Austin-based
trio of Kevin Flack, Daniel Owens and Marcus Pina. Earlier this year the band
released an excellent double EP, Here's
To A New Tomorrow/Moving Mountains, via the Dutch label Geertruida. This solid release has already
helped them make a name for themselves in the dark psych/shoegaze genres,
despite the band’s relatively short tenure.

The double EP offers up a promising
set of psych-tinged tracks that dwell somewhere between light and shadow in the
realm of shoegaze. There is an ethereal dream pop quality to their music that is balanced out and tempered by a darkness. This dual-nature, paired with a strong craftsmanship, makes for a rich listening experience.

How
and when was the band formed?Marcus: We started playing together as a band
in the spring of 2014. Dan and I had been talking about doing something and
wrote together about a year before that. Dan and Kevin later started playing
together, then I came on board.

Can
you tell us what the band has been working on and what you've got forthcoming
in the near future (any new releases, tour, etc.)?Marcus: In May we released a double EP on cassette
through Geertruida from Haarlem, Netherlands, along with a music
video. It's also on most digital platforms. Most recently we recorded a
cover of Catherine Wheel's "Black Metallic" for a compilation put out
by The Blog That Celebrates Itself, from Brazil.

There's also a remix of the lead track from our
EP, and a new video to accompany it. We have some recording time in the fall - recording a new
EP.

Do
you consider your music to be part of the current shoegaze/dream pop scene, or
any scene? Defining one's sound by genre can be tiresome, but do you feel that
the band identifies closely with any genre? How do you feel about genres in
music, in a general sense?Marcus: Sure, you can lump us in with those genres.
Genres are helpful to sort through everything that's out there. Genres are
guide posts. Playing to a specific genre style can be problematic however.
Formulaic music is just that - formulaic.

Dan and I didn't start by
saying, "Let's start a shoegaze band." Or any type of
band. Rather, we talked about key elements - core principles - that
we focused on to define our sound. Dual vocals, drones, hypnotic,
lush, big, dark, loud. Once we started playing and maturing ideas the
sound came together. It fits into shoegaze or dream pop genres but veers
into others - there are several influences beyond shoegaze and psych.

What
do you think of modern shoegaze/dream pop/psychedelia artists, any favorites?Marcus: There's so much good stuff. Deerhunter. Kurt
Vile. War on Drugs. Helio Sequence. Cheatahs. Black Angels. The Horrors. And the
original bands are still putting out quality - Slowdive, Lush,
Swervedriver, Ride, etc.

What
is the most important piece of gear for your sound? Any particular
guitars/pedals/amps that you prefer? Reverb. And volume.

What
is your process for recording your music? What gear and/or software do you use?
What would you recommend for others?

Marcus: Use ProTools with caution. Use it to
capture the sound, the performance, as you would tape. Don't obsess
on perfection. Rock n roll isn't about perfection. It's messy and noisy
and imperfect and that's what makes it dangerous and beautiful. Keep
sight of that.

When it comes to label releases versus
DIY/bandcamp and the like, what is your stance, if any? DIY,
and if a label comes along and wants to pitch in, and it feels right, go
for it.

Do
you prefer vinyl, CD, cassette tape or mp3 format when listening to music? Do
you have any strong feelings toward any of them?Vinyl sounds the best. Format wise, we spend
the majority of our time consuming mp3s - it's the most accessible
format.

What
artists (musicians or otherwise) have most influenced your work?This is pretty vast. We all come from similar, but
different backgrounds. The areas of overlap are accentuated by our perspective
and individuality. That makes it interesting.