The film’s release is still more than a month away, and what with this marketing deluge – including a featurette on Peter Parker and Gwen Stacy’s (the returning Andrew Garfield and Emma Stone) relationship and director Marc Webb’s comments about the movie’s villains – it’s hard to believe that the studio has anything else in store.

Well of course it does. Sony Music Entertainment’s Columbia Records label has released the full track listing for The Amazing Spider-Man 2‘s soundtrack, and you can listen to short samples of all the tracks, courtesy of Amazon (hat tip to CBM).

You can head over to Amazon to listen to the samples by clicking here. As for the track listing, there may be potential SPOILERS in there, so tread carefully!

The potential spoilers embedded in a blockbuster release’s soundtrack listing have become a sticky issue in recent years, starting with the “Qui-Gon’s Funeral” gaffe, a track included on the soundtrack to Star Wars: Episode 1 – The Phantom Menace, which spoiled a pretty huge plot point for hardcore fans.

In the years since, some curiously-detailed track listings for movies like Indiana Jones and the Kingdom of the Crystal Skull have provided virtual outlines for the movie’s plots, the most recent being the now sort-of-debunked track list that a UK site posted for Captain America: The Winter Soldier, which may have included a major spoiler.

I really like what I’m hearing so far. The last time out I didn’t care too much for what I heard in the track samples. It wasn’t until I heard the official sound track in its entirety that I began to appreciate it more, which makes sense I suppose. I will say that I am happy for the changes, and I hope it turns out to be as good or better than what we’re hearing here.

While overall i didn’t hate the first film’s score, I don’t really remember much of it, except for the hero’s theme, which I thought was kind of generic. It was also tonally jarring in some places, like when he ties up the lizard with his webs during the high school fight. I’m glad Zimmer is experimenting a little with the sound and making it a little more kinetic. The Elfman score from the originals had a sense of movement behind ot that I’m picking up on here, especially in the Electro bits.