My only complaints are that the “D”/”d” are too close, and some letters (like “F”/”f” are too rigid). BTW, the numerals are really cool. Spacing: As you probably already realize it needs work, but I’d also point out that the blank space a bit tight.

Thanks a lot guys! Here is a gif with an idea for a new capital D: (old D+d, new D+old D, new D+d)

I’ll enlarge that space, Hrant.

Eduardo: Yes, most of the lower case are just scaled down upper case letters, except for a, d, f, h, j, l, q, and y. I guess that you are suggesting that I design more true lowercase, huh? And darker ones at that? I’ll get to work and post a new PDF in a few days.

ok, thanks for the tip! Here’s another question: do you think that the lowercase i need a dot? can a lowercase i be legible without one. I’m dotless at the moment, but am thinking that maybe I should change that

Matha Standun once told me that a dotted “i” is inauthentic for Gaelic. But a dot is also that letter’s only saving grace in terms of legibility/readability. And since a dotless “i” is a standard character, I’d leave the main one dotted (unless this font is speciﬁcally for Gaelic text).

this isn't specifically for any language I'll change the i. The standard 256-character set includes a dotless i anyway, and the accented i that appears above has an accent instead of a dot a normal i without a dot is probably too wierd. "Type design is about giving up all of your good ideas" (Charles Bigelow?)

I think the capital A has slightly too much weight to it. Other than that I think it's quite a beautiful font. It probably wouldn't work as well in a modern language though. Part of its beauty is the old style which relates with Anglo-Saxon. I think for that reason a dot on the i really isn't needed. Hopefully this feedback (or rather comment at this point) is still appreciated, more than 5 years after showing your font ;)