Over some years I’ve owned various entry level synths and drum machines (among them some P.O.'s) and of course the OP-1 (my first ‘serious’ synth).

Now after some thinking and getting a pretty good deal I finally bought an Akai MPC 500. And I think thanks to Teenage Engineering I kind of hate the MPC… T.E. got me used to immediately get creative and make music after turning on a device. That I can’t do with the MPC. I know it’s a very useful machine but the learning curve is getting boring.

Maybe that device is not for me, maybe I need to tinker more… But I think TE’s awesome design and User Experience / User Interface is to blame.

I personally love the 500, but I love MPC’s. Def not as creative as the Op-1, but it has a solid sequencer & sampler. It’s an MPC the size of an ipad, which I think is amazing. Try using the Op-1 WITH the 500. Combine the strengths. I love using the Op-1 by itself, but also love using it with an MPC or sp… you can use the Op-1 to get creative, do all your creative stuff, then just sample it into the 500. That way you’ll have 48 tracks instead of 4 & you still get the Op-1 awesomeness. So much you can do with an Op-1 & 500. Especially for the size of the 2, it’s insane. & remember, the Op-1 costs A LOT more then the 500. A LOT more. Plus they’re completely different, not really comparable.

^ yea i was gunna say the same. i really dig my 500 for what it is.
there are a lot of menus to scroll thru when doing certain things
and def not as immediate, but like u say not really comparable either.

yeah, i love mpcs…but the 500 and 1000 were a sad end to akai’s storied history of making beautiful samplers (and sequencers).

a good hardware sequencer is a great thing to have. lucky jjos came along because what akai put out was appalling. but you need a host to connect midi to the OP1, right? so not direct, and more gear, cables power supplies etc. needed. also, you only get to use one track of the 500 sequencing the OP1. not sure how that is better than using the OP1’s sequencers. seems the more interesting thing is to use the OP1 to sequence other machines, not have other machines sequence the OP1.

but if you’ve got an mpc500 hanging around, be stupid not to use it. just seems an odd choice to purchase a 500 in this day.

Exactly @docshermsticks, well I started with a sp404, but have a MPC 500/1000/2500 (sounds odd but there was a good reason for it & I’m letting one go soon), I love the MPC workflow. & I’m used to chopping on an sp, which is similar to the 500 (except the 500 chops tighter), so I don’t mind it. It’s def limited, but I like limited gear. Makes me feel like I’m actually doing something :o)

& @squiddly the trick is to not midi it. I love to sample tho (I don’t have an issue with midi, but all you sampling lovers out there know what I mean!) Like I said, you get 48 tracks on the MPC 500 compared to 4. That’s a big difference. You can play unquantized, but if you feel like quantizing? can quantize after the fact… I’m not a fan of step sequencers, so to be honest I don’t really use the Op-1 sequencers. Sometimes there fun for something different tho.

I love the Op-1 for it’s portability, sound & fun factor, I get really creative with it. It’s my fav piece of gear actually. But sometimes I like using it with a workhorse. A solid sequencer/sampler…MPC might not have a lot of creativity but they’re great tools.

& I paid $400 for my 500! I don’t care tho, I kno it’s a lot for a 500, but it’s mint, fat pads, extended memory, no bugs & I had a 60 day return period. I love the MPC workflow & it’s an MPC as small as an ipad. I know I already said that but for some reason that’s amazing to me.

So…I put a smiley face next to my statement “makes me feel like I’m actually doing something”… but instead somehow a face that looks like it’s giving a blow job is there. I didn’t mean to put that face there. Just thought I would make that clear.

The 500 is a good sampler; every bit as good as the SP-404 which holds a revered place in the Lo-fi scene. We’re spoiled by a visual representation of the waveform, for the purposes of chopping and editing. But it’s a good machine.

Save your dough up and get an MPC Live. I’ve pretty much mastered the OP-1, in terms of what it can do for my style of music, but I have to admit that there are limitations w/ regard to the ease of structuring more complex rhythms, and being able to apply specific filters and effects to the tracks. Once you get your head around the MPC workflow, you’ll find it incredibly fast and flexible. For me, the OP1 + The Live = compete, mobile workstation.

@pianobar said:@Sharris LOL at the bj face. Also, are the fat pads really that different? My fingers hurt as we speak because of the MPC’s hard pads.

Replace those pads, and you’ll find the 500 to be a completely different beast. Just be sure it’s the second gen unit. They changed the sensor array in the second iteration of the 500. Replacement pads won’t work w/ the first gen. That’s my understanding.

i just can’t jive w/ the idea of the Live for some reason.
touchscreen? meh
portable? questionable. thing is monstrous.
its bigger than an elektron box, definitely way bigger than a laptop.
not sure what kind of backpack one would have to carry for it to be portable.

i’d be willing to try one eventually. i have a feeling that in a year or two or three they will be really cheap on the flip.
(lots of ppl flipping them already)