March 11 street date. TIM HART was a renowned folk musician and singer who came to prominence in the early 70s with the legendary Steeleye Span. He sadly passed away in 2009 but his music now is as popular as ever. TIM HART - his debut solo album - was issued on Chrysalis in 1979 and has long been out-of-print. This welcome reissue boasts one bonus track which is new to CD. The album followed Steeleye Span’s farewell tour in 1978 and boasted contributions from Span members Maddy Prior, Rick Kemp and Nigel Pegrum. Recorded at 10cc’s Strawberry Studios in Stockport, the album was well-received on its release, fusing traditional folk elements (Hart played acoustic guitar, dulcimer, mandolin with more modern electric/rock aspects (e.g. synthesiser).

November 10 street date. In recent years Moiré has become an integral figure in re-imagining club music. The enigmatic artist has travelled a note-perfect path and in just a few years has collaborated with fundamental record labels such as R&S, Werk Discs and Rush Hour. After his second and long awaited album "No Future" (Ghostly International, 2017), Moiré’s "BBOY EDITS 01" is the first signing on C.E.E. The four track EP is comprised of unreleased material designed for the dance floor and provides continuity to his much prized Neversleep series.

May 31 street date. Some artists are, unfortunately, forever fated to remain in the shadow of particularly talented or accessible siblings. Sally Oldfield, sister of the legendary Mike Oldfield, is one of these acts. Despite the pair performing together as The Sallyangie during the late 1960s, it was a solo career which sent Mike into the stratosphere and, to some degree, left Sally to find her own way. After spending some time in the 1970s working in experimental fields of music, and although somewhat overshadowed by the success of Mike and his 'Tubular Bells' phenomenon, in the late 70s and on into the 1980s Sally carved out a notable career for herself, originally on Bronze Records, who issued her debut album, 'Water Bearer' and were suitably impressed to release both 1979's follow up, 'Easy', and the following year's 'Celebration'. Folk tinged easy listening pop, drenched in sunshine and woozy with white wine, Oldfield's material also offers a darker side, and never seems far from pain. Her wandering tales of love and lust are orchestrated with incredible late 70s clarity, and both albums are very much prime examples of this time and place, as evidenced by the occasional ventures towards disco, epic, overblown ballads and even reggae. Both albums have long been out of print, and are presented here with detailed liner notes.

February 22 street date. Sleaford Mods are one of the most important, politically charged and thought-provoking duos currently making their mark on the UK music scene and beyond. They are now poised to release their fifth studio album entitled ‘Eton Alive’ in February 2019. The new album, which features 12 new tracks from the prolific artists, was recorded in Nottingham. The record will be the first release on Jason and Andrew’s newly formed label ‘Extreme Eating’ and their first album since parting ways with Rough Trade Records. “Eton Alive speaks for itself really. Here we are once again in the middle of another elitist plan being digested slowly as we wait to be turned into faeces once more. Some already are, some are dead and the rest of us erode in the belly of prehistoric ideology which depending on our abilities and willingness, assigns to each of us varying levels of comfort that range from horrible to reasonably acceptable, based on contribution. So after the digestive system of the Nobles rejects our inedible bones we exit the Arse of Rule, we fall into the toilet again and at the mercy of whatever policies are holding order in the shit pipe of this tatty civilisation. It is here our flesh regenerates as we rattle into another form, ready, and ripe for order”. – Jason Williamson ‘Eton Alive’

February 22 street date. Sleaford Mods are one of the most important, politically charged and thought-provoking duos currently making their mark on the UK music scene and beyond. They are now poised to release their fifth studio album entitled ‘Eton Alive’ in February 2019. The new album, which features 12 new tracks from the prolific artists, was recorded in Nottingham. The record will be the first release on Jason and Andrew’s newly formed label ‘Extreme Eating’ and their first album since parting ways with Rough Trade Records. “Eton Alive speaks for itself really. Here we are once again in the middle of another elitist plan being digested slowly as we wait to be turned into faeces once more. Some already are, some are dead and the rest of us erode in the belly of prehistoric ideology which depending on our abilities and willingness, assigns to each of us varying levels of comfort that range from horrible to reasonably acceptable, based on contribution. So after the digestive system of the Nobles rejects our inedible bones we exit the Arse of Rule, we fall into the toilet again and at the mercy of whatever policies are holding order in the shit pipe of this tatty civilisation. It is here our flesh regenerates as we rattle into another form, ready, and ripe for order”. – Jason Williamson ‘Eton Alive’

February 22 street date. Sleaford Mods are one of the most important, politically charged and thought-provoking duos currently making their mark on the UK music scene and beyond. They are now poised to release their fifth studio album entitled ‘Eton Alive’ in February 2019. The new album, which features 12 new tracks from the prolific artists, was recorded in Nottingham. The record will be the first release on Jason and Andrew’s newly formed label ‘Extreme Eating’ and their first album since parting ways with Rough Trade Records. “Eton Alive speaks for itself really. Here we are once again in the middle of another elitist plan being digested slowly as we wait to be turned into faeces once more. Some already are, some are dead and the rest of us erode in the belly of prehistoric ideology which depending on our abilities and willingness, assigns to each of us varying levels of comfort that range from horrible to reasonably acceptable, based on contribution. So after the digestive system of the Nobles rejects our inedible bones we exit the Arse of Rule, we fall into the toilet again and at the mercy of whatever policies are holding order in the shit pipe of this tatty civilisation. It is here our flesh regenerates as we rattle into another form, ready, and ripe for order”. – Jason Williamson ‘Eton Alive’