Films about globalisation

The Illusionists examines how global advertising firms, mass media, and the beauty, fashion, and cosmetic-surgery industries have together colonised the way people all around the world define beauty and see themselves. Taking us from Harvard to the halls of the Louvre, from a cosmetic surgeon’s office in Beirut to the heart of Tokyo’s Electric Town, The Illusionists shows how these industries saturate our lives with narrow, Westernised, consumer-driven images of so-called beauty that show little to no respect for biological realities or cultural differences. Featuring voices from prominent sociologists, magazine editors, scientists, artists, and activists, The Illusionists documents a truly global phenomenon, with hegemonic results.

The True Cost is a global investigation into the clothes we wear, the people who make them, and the impact the industry is having on the world. The price of clothing has been decreasing for decades, while the human and environmental costs have grown catastrophically. The True Cost pulls back the curtain on the untold story and asks us to consider, who really pays the price for our clothing?

This film makes use of court documents, diplomatic cables and testimony by business figures themselves, as one case of many, in which corporations and indeed governments side with warlords, as good for business, in the endless pursuit of profit. The story revolves around the civil war of Liberia in the 1990s, with the seeds for exploitation and destruction having been planted a century before by the United States, when formally enslaved peoples in Liberia in-turn set up a society of racism, greed and exploitation, exacerbated by western economic powers. Years later, with the presence of Firestone corporation coming to Liberia to exploit vast plantations of rubber for control over the ‘market,’ the company unfolds as a considerable catalyst for systemic terror, being the forefront for pushing for profits at all costs amongst a brutal civil war; colluding with warlords and corrupt governments in pursuit of this ruthless end. Unfurling as a case study in these methods, this film documents the case that is not so unique but a story amongst many—particularly throughout the so-called third-world—where corporate might and globalisation have extreme consequences…

Fashion Victims looks at the real cost of cheap clothes from the conditions of sweat shops in Bangladesh. On 24th April, 2013 more than a thousand people were killed when an eight storey building collapsed in the heart of Bangladesh’s capital, Dhaka. The collapse of Rana Plaza turned the world’s attention to the shocking conditions workers in the country’s clothing industry are forced to endure. In recent years, Australian companies have flooded into Bangladesh to take advantage of lax labour laws and the lowest wages in the world, paid to the predominantly young, female workers in the factories.

The Tax Free Tour travels the globe to expose the workings of offshore tax havens and the elite banking systems of the world’s billionaires which operate in extreme secrecy. Using examples from multi-national corporations such as Apple Computer and Starbucks, the film traces sizeable capital streams that travel the world literally in milliseconds—all to avoid local laws and paying tax. Such routes go by resounding names like ‘Cayman Special’, ‘Double Irish’, and ‘Dutch Sandwich’. The Tax Free Tour is a sobering look at how the world’s rich live in an entirely different world than the rest of us…

Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world’s largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries’ national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit…

China’s factories provide low cost products such as computers and cars to the rest of the world, but the real cost is high with heavy air pollution, contaminated waterways, decimated land, terrible working conditions, widespread cancer and incidences of deaths. China’s Dirty Secrets travels across the country to follow workers at factories that assemble computers, then to e-waste dumps, and finally an industrial incinerator burning medical waste, all showing first-hand the extensive environmental impacts of so-called “economic growth.”

The End of Poverty? traces the growth of global poverty back to colonisation in the 15th century to reveal why it’s not an accident or simple bad luck that there is a growing underclass around the world. Featuring interviews with a number of economists, sociologists, and historians, the film details how poverty is the clear consequence of free-market economic policy which has allowed powerful nations to exploit poorer ones for their assets, turning the money back to the hands of the concentrated few. This also follows on to how wealthy nations—especially the United States—thereby exert massive debts, seize a much disproportionate exploit of the natural world, and how this deep imbalance has dire consequences on the environment and on people…

We is a visual essay exploring the politics of empire, war, corporate globalisation, imperialism and history; using the words of Indian author and political activist Arundhati Roy, from her speech Come September given in Santa Fe, New Mexico one year after the September 11th attacks—not long after the invasion of Afghanistan. The result is a mix of archive footage illustrating specific historical events throughout South America, the Middle East and elsewhere, in context with the September 11th attacks; placed alongside the themes of empire, global economics and a short history of neo-collonialism…

Energy War considers the continuing geopolitical consequences of the dependency on fossil fuels into the future. In the struggle for the last of the resources, countries all over the world are forced to further strategise and make strange alliances. Using the gas conflict between Georgia and Russia and the position of Saudi Arabia, Energy War travels through international markets for energy and asks: If oil and gas are scarce and expensive, where will countries turn to keep their economy going and their population warm and happy?

For more then twenty years, many hundreds of tons of electronic waste—or e-waste—from all around the world has been transported to an infamous Chinese town called Fengjang, just south of Shanghai, for disposal and so-called ‘recycling.’ Around 50,000 migrant workers constitute part of the massive workforce necessary to dispose of e-waste, with the downcycling component of the operations involving cutting, splitting, and salvage—most-often with rudimentary equipment. The workers toil endlessly to process almost 2 million tons of garbage every year, bearing incredible precariousness, and even putting in danger their own health due to the simply unacceptable working conditions and also the toxic characteristics of the metals, chemicals and materials they’re handling. As the recognisable heaps of waste continue to pile up, Heavy Metal provides a moving image of a worldwide consumer society and the stark direct impacts of an ‘invisible’ waste.

The dominant culture measures itself by the speed of “progress.” But what if this so-called progress is actually driving the physical world towards full-force collapse? Surviving Progress shows how past civilisations were destroyed by progress traps—alluring technologies and belief systems that serve immediate needs, but ransom the future. As the total destruction of the environment accelerates and those in power cling to their power ever more tightly in denial, can this globally-entwined civilisation escape a final, catastrophic progress trap?

In June 2010, leaders from the twenty largest economies met in Toronto, Canada with representatives of corporate interests to discuss the policies that shape globalisation. With exclusion zones, overlapping layers of security fencing and an estimated 25,000 police and military personnel, the city was transformed into an armed grid. Over 1.3 billion dollars were spent on security measures — more than all previous G8 or G20 meetings combined. Tales From The G20 shows some sides of the Summit, from unmarked vans with snatch squads of plainclothes police to the pre-emptive arrest of people now facing years in prison for organising demonstrations or simply being on the street…

From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, and the North; from Seattle to Genova and the “War on Terror” in New York, Afghanistan, and Iraq, The Fourth World War documents the stories of women and men all around the world who resist being annihilated in this war. Centred around economics and systems such as NAFTA, GATT, the G20, APEC and others, this is a war which plays along with the spread of rapacious globalisation, a feat that has pervasive consequences in the real world…

As high-technology permeates further into the industrialised world, manufacturers will go to any lengths to get the raw materials to make their gadgets. Coltan from the Congo is one such rare ingredient. Few in the west know where their gadgets come from and that in the middle of Africa much human suffering is created in the pursuit of “technological advancement”…

Consumed — The Human Experience explores the impacts of consumerism across the globe. The film visits consumed landscapes, looking at the personal, social and community implications of consumption along the way…

Every day in Vienna the amount of unsold bread that is sent back and thrown away is enough to supply Austria’s second-largest city, Graz. Around 350,000 hectares of agricultural land, above all in Latin America, are dedicated to the cultivation of soybeans to feed Austria’s livestock, while one quarter of the local population starves. Every European eats ten kilograms a year of artificially irrigated greenhouse vegetables from southern Spain, with water shortages as the result. We Feed The World is a film about food and globalisation, fishermen and farmers, long-distance truck drivers and high-powered corporate executives, the flow of goods and cash flow, a film about scarcity amongst plenty.

Blood Coltan travels to eastern Congo, where a bloody war is happening over a precious metal called Coltan—a raw material used in electronic devices such as computers, televisions and mobile phones. The demand for Coltan is driven by the west, funding the war in Congo between rebel militias and children as young as ten who work the mines hunting for this precious material of the technocratic age…

Filmed in Thailand and the Philippines in July 2007, Squeezed tells the story of how free trade agreements and globalisation are changing the lives of millions of people living in the Asia-Pacific region with APEC. Featuring interviews with farmers, workers and slum-dwellers, the film travels across the landscapes of Asia, from the lush rice paddies of Thailand to squatter settlements perched on a rubbish dump in urban Manila. Documenting these contrasts and contradictions, Squeezed accounts the impact of globalisation…

Shot clandestinely at a blue jeans factory in southern China where a young girl and her friends work around the clock for pennies a day, China Blue reveals what international retail companies don’t want us to see: how the clothes are actually made…

The myths of globalisation have been incorporated into much of our everyday language. “Thinking globally” and “the global economy” are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In some respects you are already living in it. The clothes in your local store were probably stitched together in the factories of Asia. Much of the food in your local supermarket will have been grown in Africa…

Did you know that the legal system recognises a corporation as a person? What kind of ‘person’ is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?

A group of graduate journalism students from the University of British Columbia travel to the outskirts of Ghana as part of a global investigation tracking the shadowy industry of e-waste that’s causing big environmental problems around the world. Their guide is a 13-year-old boy named Alex. He shows them his home, a small room in a mass of shanty dwellings, and offers to take them across the dead river—which is literally dead—to a notorious area called Agbogbloshie which is one of the world’s unseen e-waste dumping grounds. Hundreds of millions of tons of waste are funnelled here each year, with more to come as the consumer boom of computers and gadgets increases across the globe—unless drastic action changes the flow of waste and addresses the terrible conditions many have to endure for the technocracy of the West.

By comparing the confluence of ideas about modifying behaviour using shock therapy and other forms of sensory deprivation (which culminated in the top-secret CIA project called MKULTRA during the 1950s) alongside the metaphor of similar shock treatment modifying national economics using the teachings of Milton Friedman and the Chicago School of economics, The Shock Doctrine presents the workings of global capitalism in this framework of how the United States, along with other western countries, has exploited natural and human-engineered disasters across the globe to push through reforms and set-up other mechanisms that suit those in power and ‘shock’ other countries into a certain wanted behaviour. Chronologically, some historical examples are the using of Pinochet’s Chile, Argentina and its junta, Yeltsin’s Russia, and the invasion of Iraq. A trumped-up villain always provides distraction or rationalisation for the intervention of the United States—for example, the threat of Marxism, the Falklands, nuclear weapons, or terrorists—and further, is used by those in power as more justification for the great shift of money and power from the many into the hands of the few(er).

Santa’s Workshop — Inside China’s Slave Labour Toy Factories shows the long working hours, low wages, and the dangerous work and conditions inside these toy factories. Workers who protest or try to organise unions risk imprisonment. Low labour costs and government protections for multinational corporations attract more and more companies to China. Figureheads blame the Chinese suppliers, but they say in the same sentence that increasing competition gives them no option. What and whom to believe?

A new gold rush is sweeping through the Amazon rainforest where scores of people are bustling in to hunt for the last nuggets and specks of gold. This insatiable rush is perpetuating the further destruction of one of the largest remaining tropical forests in the world; bringing with it weapons, mercury, crime and alcoholism, and turning once pristine creeks and rivers into dumping grounds for mining. In the forest also lies the story of the Wayanas, a Native American tribe from Guiana, who are being poisoned by the mercury releases from the mining. Their communities are enduring one of the world’s worst globalisation disasters, fighting back against all odds.

For millions of people, the global economic collapse has generated curiosity about how money systems actually work, as opposed to how they’re portrayed, especially when so many financial pundits seem to be baffled. In The Ascent of Money, economist Niall Ferguson works through some history that created today’s money system, visiting the locations where key events took place and poring over actual ledgers and documents, such as the first publicly traded share of a company. Viewed with a critical eye, this series aims to show how the history of money is indeed at the core of civilisation, with economic strength determining political dominance, wars fought to create wealth and individual financial barons determining the fates of millions.

Up the Yangtze focuses on the people affected by the building of the Three Gorges Dam across the Yangtze river in Hubei, China. Countless ancient villages and historic locales will be submerged, and 2 million people will lose their homes and livelihoods. The theme of the film is the rapacious transition towards consumer capitalism from a traditional farming and peasant-based society…

Coca Or Death delves into Bolivia — a country torn apart by the demands of the western world for coca. This film investigates why bloody battles have broken out between farmers and armed troops on the streets of La Paz, and what the impact of privatisation is having through the country. Coca has become a symbol of national resistance in Bolivia…

In October 2003, an extraordinary uprising challenged the United States empire and kicked out President Gonzalo Sánchez de Lozada — a representative of the United States administration and transnational corporate interests. The people are calling for new forms of representation and organisation that question the portrayed notions of democracy and traditional political parties. In February 2003, a mutiny by the police against the imposition of income taxation on the poor to fulfil IMF demands, provoked the withdrawal of tax measures; throughout 2002, peasants revolted against the US-imposed ‘coca war’ — the coca-eradication plan — that would’ve destroyed the only possible source of survival for thousands of people. In 2001, the people of Cochabamba fought successfully against the a most outrageous form of privatisation — of the water supply — forcing the government to cancel the agreement with Bethell, a US-based company…

In Mexico, ‘maquiladoras’ is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos…

S11 documents protest actions in Melbourne, Australia, 2000 against the World Economic Forum meeting. Specific accounts of police brutality and ferocious attacks on people protesting national and international issues are captured, in direct contradiction with mainstream media coverage, portraying activists as violent protesters.

30 Frames A Second is an immersive first-person account of the events that unfolded during the week the World Trade Organisation came to Seattle in the United States, November 1999. The film is assembled from the perspective of 15-year veteran network-news cameraman Rustin Thompson, who became disillusioned with mainstream media and hence covered the WTO as an independent journalist. As such, even with press credentials for the event, Thompson is swept into the retribution of the state and police power which hit at the protests with tear gas, pepper spray, and police abuse. For him and the protesters alike, it begs the question about the functioning of the so-called democracies we live in, where civil liberties and human rights are curtailed in favour of facilitating the vast corporatocracy and global economic empire—precisely one of the points that sparked protests in the first place…

We tend to think of slavery as one of the points in Colonial History’s dark past—an offence against humanity that was abolished in the 18th century. But slavery is rampant like never before. It’s just that today the slaves are well hidden in plain sight. The global economy has enabled the immense wealth of the West, giving rise to strengthening a sinister market in slaves throughout Africa, Asia, South America, Britain and the United States. This film sets out to discover where slavery is flourishing, why it’s touching all of our lives, and how we can challenge it.

Globalisation has gone to great lengths to coerce many countries around the world to open ‘free trade zones’ for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.

Is the human population going to outstrip the Earth’s food supply? The effects of modern agriculture not only lead to a short term food surplus which quickly slipped as population boomed, but agriculture itself causes huge environmental problems such as soil erosion, salinity and chemical pollution—all further illustrating an impossible system in perpetuity. Food or Famine looks at projects in North America, Chile, Indonesia, Africa and India which are participating in a worldwide movement to return to local food growing methods based on the land and healthy ecological principles. The film also examines the worldwide imbalance between food consumption and production, stoking the need to confront the mounting challenges ahead…

John Pilger travels to Bangladesh to report on the horrors of the famine in the country, its causes and tragedies, circa 1975. With people passing away on the street on a daily basis from starvation and US foreign policy continually ignored, An Unfashionable Tragedy documents the plight that continues to this day, showing that food is a powerful weapon, more powerful than oil…

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Thought Maybe is an online library of films focused on topics challenging modern society, industrial civilisation, globalisation and dominant culture. This space is an independent and autonomous resource to inform, inspire and provoke action on radical social and political change. It’s not like other websites...Learn more »