"M" is -- mystical, bloody,
fleshy, but a liquidy sound of life in the
moisture: in it is the mystery of
animality.

"Am-am-am" -- in Assyrian are
sounds of profound knowledges; "Om"
is -- the sound of meditation; the mystery of the
Indic Trinity (Vishnu,
Brahma, and Siva) -- was
revealed in the ability to pronounce this
sound: breathing,
exhaling, and holding
the air stream -- in combination with this sound;
"a" or "o" before "m" shows, that our flesh
condensed in the soul; the sounds "am"
are love: it [love] is -- "m" inside of
"a"; the sounds "ma" are -- the sounds "a" inside
of "m"; this is -- "mama",
bearing the new soul (the child) inside of the
flesh (mammalia).
Where "s" and "m" intersect, there is the
illumination of the animal flesh by the stream of
light; "sn" is somnus -- somnulence
[son],
"sm" is -- consciousness of the flesh:
"Sam"
(selfness [samost']) and "sum"
("I am I") are here concealed; "som" --
Soma
(sign of the living body), "sem"
(its semen).

"Iam" -- "I
am'" [ya yem]:
signifies -- I am [ia iesm'] and hence
"eimi"
("I am" -- in Greek); conversely "mia" -- "mia"
signifies a state of suffering: "mia"
is -- namelessness;
beneath "mia-mia", beneath "mama" all life is
concealed; in the sound "mia" is -- one half of me,
not the free "me", but the one fastened to the "m"
(the maternal organism); and thence "mia" is -- an
embryo; the fruit of the marriage of "a" with "m,"
the fruit of love (amo,
amor, amare, ami) and it
is "me [mia]"; with its appearance in the
light this "mya" is now -- a Russian
Name
[Imia]:
"I"-- descends upon the "mya"; This "I"
(this
Ich) is a monogram; it
is I.
Ch. (Jesus
Christus).

"I" is -- spirituality in "m,"
(flesh) it is retransformed into the individual
Name [Imya]. "Im-am" is -- possessing in
Russian (I
have
[imam-imeyu]);
"imam" is -- an individual, having
[imeyushchi] power: a Muslim
imam.

The combination of "am" with the
sound of activity "ar" is "amare";
that -- signifies, that the activities of
"a" above the animality of "m" permeate it with
soulness; "m" is -- the sound of spiritual love,
but not of every love; it is -- "amare"; but
"mare"
(without the "a") speaks in a combination of
sounds: "m" -- acts; and this activity of
"m" without "a" is -- passion, voluptuousness; and
"mare" is Russian sea[mor'e];
and passion, voluptuousness -- only without an
"a"-sort of "amor";
that is "maia,"
that is -- mor'e.

"Im," "am," "om" are the
original/primary roots; [in?] their
secondary growth of sounds their gesture of the
sounds is modified: "om-jom-dom"; "jom"
is "day" (in Hebrew); "dom"
is -- Russian home [dom]; the meanings of
construction and of the day appear; when the
gesture of the sound "om" is like this: the "m"
inside of "o," this signifies that "o" encircles
animality; the word "dom" in its initial
signification signifies: "d" -- surrounds "om":
Dom
"d" is -- a place: the presence of "om": the
home of Om [dom Oma] (the Deity's
domicile); "dam" -- holds in itself "am"; "am" is
-- love; and "dam" is -- "dame"
[dama]

The combination of the crucified
"Chr" with the sound "am" is: the cross of
spiritual flesh; the "ch" for "a" lies in "m"; and
forms the sound "ch-a-r-a-m":
"Chram"; the Russian cathedral
[khram]
is -- the crucifixion of the spirit in the bodies;
the cathedral is the flesh, rising to meet the
spirit through the cross; "chram" is
"charm";
"charma" -- karma:
the reason for entry into the body; and the
consequence of this is: "Chram" is -- the
restructuring of the body in the image and likeness
of the spirit.

The flow of the sound back to
"mrch" is in reverse; and -- it gives: "mrach" or
"murk"
[mrak]; and
"mrach" signifies, that "m" smothers breathing with
action; and the breath "of the spirit" departs; and
"ch" dries up, it becomes "k": murkiness
[morok], to turn murky
[merknut'], "mrt" -- mors,
mortis, mortality
[smert'], he was mortal [on
umer], mistral [smerch], the
moor [more] , mirage
[marevo], moira, mustiness
[smrad], murkiness
[morok].