Travis lives in LA and is the man behind The Fudge Factory Comics. He and Michael Sieben are about to come out with a book through Volcom entitled Hitten Switches. Be on the look out for it.
Age? Location? Preferred sexual position?
30. Echo Park, LA, CA. Under the butt.

You and Michael Sieben on some a collab book? What?s the deal with that?
About 3 years ago Sieben sent me a stack of unfinished drawings and asked me to just doodle on them slowly, start some new ones of my own, and mail them back. So I think I held on to them for a couple months and eventually got them mailed out. The same with Mike, and as we started passing them back and forth, they started refining, and instead of starting hundreds of new ones, we just worked the same ones over and over, for about 2 years. And really with no other plan, other than to maybe make a little zine of about 100 or so. Then Sieben's bud Mike Aho, who works at Volcom saw it, and showed it to the company. Before I knew it the thing started to become kind of a strange monster. Volcom is printing something like 5000 of them, and doing it up real nice. they want to send us around to do supporting art shows for it in LA, NY, Austin and Tokyo. I think it is pretty wildly ridiculous and exciting. Mike Aho is really responsible for pushing into the hands of people at Volcom, and Ethan, Marty, Ben, and the rest of the Volcom art crew has helped to turn it into this thing. I still haven't seen it yet. but I think it comes out sometime in May.

Fish told me that you and Mel Kadel work well together. What makes you two click?
I do click with Mel Kadel. We like to drink beer and draw and all that faggy arty couply stuff. But she's really funny and a righteous person who does not stand for bullshit. I really admire her. She gets after it. We live in a log cabin in Echo Park together with a cat named Nern.

Fish also asked me to ask you about your Michael Jackson zine and how you worked on it during the trial. What happened?
Before the trial went down and all that, I guess it must've been, like spring 2004 maybe??Tthere were all these allegations popping up about him, and everyday it was something new and scandalous and I started thinking about Michael Jackson, and who he is a generational international pop icon, and I thought about the crime he was being accused of, and the number of times it was coming around already. And I started thinking about celebrity justice and wondering what they could possibly do with a guy this famous, accused of a crime this heinous. So I was on the IM with my pal Brock, and I started chatting him up a little about it, and as a joke said something like "Michael Jackson in Exile" and Brock shrieked "do that!". So I did the first drawing, of him standing in the courtroom, awaiting sentencing. With no idea where it would go, I imagined what would naturally have to come next. And that's the way I continued to progress with it, totally lost as to the next frame, or even where the hell it was going. And because I was so lost with it, I would put it down for long periods of time and then pick it up again and work on nothing else but that for long periods of time. And as the trial began and things started to come to light, and articles came out, (one report I saw actually suggested MJ would spend out the rest of his days on Brando Island), I got really spooked that this trial was catching up with my imagination, and often I just thought about scrapping it altogether. But for some reason I had a spark, made a final push, and after all was said and done, the book, strangely, was fully completed the day the verdict came in. I remember it being really tense right before it was announced, because I thought, if he is convicted, it would be a very sad state of affairs, and very bad for my book. Either way I think I was nervous.

If I were to come to LA for a visit, where would you take me? What stuff would we do?
We'd probably hit St. Vincent de Paul's junk warehouse, grab a taco at the truck and head back to my place to exchange massages. Ha. No I'm just kidding. We wouldn't get tacos.

Van hand tattoos?
My brother Brett got a van I drew in one of his books tattooed on his right hand a couple years ago, and he got it on there to cover a scar that had been a sore on him for a decade. Our good friend Noah Moore did the ink work, and Brett told me that when he got that van on there, it was like it lifted the scar and replaced it with a new beginning. ...That's not what he said, I mean that's what I took from it. And the next time I was in kansas I had Noah ink an arbitrary van drawing on to my right hand too. It's brother stuff. Check it.

Tell me about your interns. Which one's your favorite?
haha.. I was getting really swamped, and I needed massive amounts of hand-folding and stapling done, and I wanted to get someone who knew what they were doing to help out maybe, for like, beer and pizza and zines. So I posted a note on my news section asking for willing young pupils interested in the ancient unpaid art of small run publishing. I got several yahoos writing in, but Andy Michelsen was the best of all. That dude would drive his beat up Beetle, 45 minutes from Covina in traffic hell and sit folding books and watching dvds for HOURS. He would even bring his brother and best friends to get in on the action. He never asked for anything in return and still shows nothing but total gratitude and devotion. It's really special. I've never seen anything like him.

Acting career as a guitar jock???
Oh fuck. You aren't supposed to ask about this man! shhheeeeaatt. alright. Well, when I was doing comics for Spin's last page in like, 2001, I guess the editor's figured I was a little hammy and knew I play guitar, ... So they asked me if I would fly out to some city and audition to be Limp Bizkit's guitar player, and sorta document the process. So I put on some eye liner, and interviewed kids in the freezing ass parking lot of a Guitar Center in Arvada, Colorado for like 8 hours while I waited to audition. Then when my time finally came to try out, I just destroyed the amplifier and the guitar and knocked over some coffee and only took 20 seconds of my 60 second audition time. I kind of got pushed by one of the guys on the way out of the little audition room and triumphantly announced my victorious selection as the new guitar player for Limp Bizkit to the room full of awaiting applicants who were all very pissed at me. The article came out with a photo of my hotmail address on my application and I got hounded by some violent hate mail and excitable band sluts trying to make a connection. It was all a pretty horrible mistake. Thanks for asking.

These questions come from Jeremy Fish. He's got another good one: What's the deal with South Park being born in your old house and what's the deal with the vicious raccoons that live there?
AH YES! I met Jeremy with Sieben when they did the 13 Wheeler show down the street from us. Me and Mel lived at a spot in Silverlake, that our landlord told us was the spot they made South Park before they struck it rich into a bigger place. There was this mysterious Keebler Elf kinda tree that swallowed the view out on our porch. It was the brutal feeding grounds for some seriously vicious raccoons. You could hear the little squirrels and tree rats shrieking and drowning in their blood curdled screams at the teeth of the snarling raccoons. It was some of the scariest nightmare soundtrack shit I have ever heard. I'm glad we don't live there anymore.

How do you pay the bills?
Any way I can without feeling like an asshole.

Any advice for artists out there dealing with taxes?
Save ALL your receipts.
How's LA treating you? How did you end up there?
LA is pretty good. and pretty horrible. I have no idea why I'm here. but I'm glad I did.

The reason I asked how you ended up in LA was that Fish said there was some sort of good story behind it. Is there or was Fish high when he said to ask you?
Fish probably was stoned, but I think I know what he was getting at. In Feb 2003 I was living alone in a very expensive apartment in Metro Bushwick, Brooklyn. My account was nearly dry and I was nervously considering my next step, when I got a call from my friend Brock in LA who strongly suggested I move in with him at "The Compound", (a swept up former crack den -cum- post art school commune with 11 other roommates in East LA). The rent was incredibly cheap, and I figured I had nothing to lose. I rented a van, cleared all my accounts and drove out of Brooklyn 3 days later. I made a stop over in Kansas to see my family, and bought a cheap mini-van from an honest to goodness soccer mom, who made sure to point out to me that is was indeed a soccer mom van. So I painted over the Champaign color with a bucket of hardware store bbq grill/rot iron fence paint, and some very large skulls on both sides, and left for The Compound. My time at the Compound is a whole other chapter, but I'll save that one for another fudge factory fecal face feature.

Stuff you're excited about at the minute?
I'm so excited about the Hitten Switches book coming up with Sieben my heart murmurs. Honest.

When not art making what do you like to do?
Sleep, but that gets boring.

Coming down the line?
Mel and I have a split show coming up together at the Richard Heller Gallery on June 3rd. Narrow Books will be releasing a comprehensive 250+ page hardcover book called "Hey Fudge" sometime this summer. Heading back to Kansas for Grandpa Bob's funeral tomorrow morning.

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...

I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.

It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.

I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

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