I decided to keep this separate to write a few comments on what I think the show does right with its metaphysics.

The premise convinced and surprised me. I knew that it was about these people suddenly vanishing, but I was surprised that the show didn’t do any “dressing” of the event itself. People just disappeared. It’s the “purity” of the event that is so powerful. If in other mystery stories something happens that produces a change, here what’s important is that the event happens once and never again. And it happens without actual direct consequences. The event happens without links to anything else. It’s not simply unexplained, but it is unexplainable because it’s not connected to anything else. There is no “whoosh”, there is not weird alignment of planets, or ominous prophecies, or sudden blackout, or a storm, or eclipse or whatever. It’s just a one time glitch. The gap opens and closes so quickly. It doesn’t even “happen” because it’s not a phenomenon. It’s not something that is consequence of something that happens. It’s the absence of an “event”. A touch so fast and so light that was not perceived.

That’s why it is interesting and solid: what happens if our belief system collapses? That’s what the event is about. We believe and exist on the premise of an objective external world. On the fact our experience is “stable” and we can rely on it. That’s why the show then enjoys to play with a character that has an “unstable” experience. But that’s personal experience, you can be crazy. What if factual reality stops being stable, for everyone? This is The Leftovers.

How do you answer the event?

The show is solid because it’s up to humanity to give answer. And they try. How can you answer the event? Through science, through statistics, through correlation, through belief, religion, or through superstition. The show examines all these variations in their detail, because as I said the purpose is to use the event as a lens, to understand how human beings live their life and how they work. In the absence of an objective world, endless possibilities open.

When you unseat science, because science has to rely on a stable external world, what is left is raw. It is purer. It’s not anymore a sporadic case of someone becoming unhinged, it’s all humanity that becomes unhinged. It’s a form of freedom. The world becomes open, truly free. Yet nothing actually changed, on the outside. The world was unaffected, untouched.

Here it becomes the opposite. The dark side of the moon: What You Don’t See Is All There Is.

The world is unchanged by the event, but it’s the end of the world. Apocalypse. The world has ended. Eschatology, rapture. What this means is that the world is internal.

As constructivism would say, the external world is a projection of what’s inside. And what’s inside is what you cannot see, but is all there is. People are missing. Absence. The show examines how absence becomes more powerful than what is there. That 2% becomes more important than the 98% that is left. What’s missing manipulates what remains, it conditions and transforms the world. It’s a shaper of things. The shape given by what is not there.

The “light touch” gives the story its power. If something else also happened, it would immediately create a pattern. Two points that make a line, a connection. And examining that connection would lead to a direction, a way to lay the foundation of another belief. Metaphysics, the premise to build a new world. But because instead this doesn’t happen, because there’s nothing left outside to pick up, all that is “externalized” becomes all that is inside. And what’s inside is, often, trauma. And trauma is catastrophic, fundamentally reshaping everything in dramatic ways. In the maximum freedom, the characterization becomes the only cage. Unfiltered, it becomes pure and raw. Because there’s no other way to go than deep inside.