I was delighted to have the opportunity of being a Reader in Residence for WMRN and was excited by the prospect of my 6 month residency at Rugby Library.

Over the residency I ran workshops, wrote blog posts, devised a reading challenge and was invited to close the residency as a Pop-up Poet for Mother’s Day, writing bespoke poems for Library users.

I managed to get an article in the local paper as a way of encouraging non-library users to take advantage of this free Mother’s Day card with unique poem and it was very busy. Demand was so high- I extended my time, ending only when the Library had to close. I was able to offer staff cards and poems as well.

My links with the library and the team were always positive. It has been a pleasure to work with such enthusiastic, supportive staff.

I started the month with my editing hat on. Submissions closed for Contour (digital WPL magazine), the 2nd Issue – ‘Love’, scheduled for release 4 months after the 1st Issue ‘Place’. My plan was to have 3 to 4 magazines during my tenure. I will successfully manage that, there is a Special Edition coming in April for the ‘A Tale Of Two Cities’ Project and then in June on the day I hang up my Laureate crown and watch the new Laureateship launch, I will release the final issue.

It has been a steep and brilliant learning curve and a real pleasure. It has been a great opportunity to discover talented poets on a National and International level too.

Whatever else I think, I can rest soundly knowing that I promoted poetry and offered abundant opportunities for writing during my year. I have 3 months (I like to say a quarter of a year because it sounds longer) left, but already the competition is open to find the next Laureate and the feelings of being bereft are already settling. I shall find ways of dealing with this. Such as embarking on International Poetry Adventures and writing my first collection. But I am sure it will feel a little strange.

I also spent an incredible amount of time on the ATOTC project, which again has been a huge bite to chew, but I have loved every minute. It has certainly taught me a thing or two. The Response poems are coming in and it is wonderful to read the interpretations of the Call poems. I am slightly worried that the whole project may total over 200 pages… certainly enough reading material to keep you busy on a rainy day!

ATOTC is my main WPL project and it has certainly been the biggest. I am incredibly excited by the next stages of the project and the plans I have for it beyond that. It is going to be magnificent!

I edited some poems which had been waiting patiently in the wings and finally started working on my own response poem for ATOTC. I wanted to get it cast to paper before the weekend as I have a chance to edit it.

Things are intentionally quiet on the performance front with most of my attention set for Verve Poetry & Spoken Word Festival in Birmingham, mid-February. Other than this I am busy with desk tasks and workshop preparation.

This week I prepared for a meeting for a Gifted and Talented Workshop I am doing, I am excited as it involves multiple local schools.

I also prepared for my final session/workshop at Rugby Library as the Reader in Residence.

I attended an editing group at the weekend where my ATOTC was fine tuned and is now a strong pastiche of Linda Warren’s poem. Look out for the Special Edition Contour in April to read our Call & Response poems.

I took a booking for National Poetry Day. (4th Oct.) after which I will be heading off to Swindon Poetry Festival.

Week 2

A very busy start to the week editing Issue 2 of Contour Magazine, working out the running order and formatting. It took an inane amount of time (roughly 3 days), lots of difficulties on the technical side of desktop publishing – but the results were worth it.

I had a meeting regarding school workshops booked for March, which was fabulous. I am very excited about this workshop.

The following day I drove to Rugby Library for my final Reader in Residence workshop. It was a small group but a wonderful morning and those in attendance enjoyed it.

I am writing a Guest Blog Review for the library and will link it back to AWF. My Residency finishes in March and I hoping for one last trip to the library for something special, more on that soon.

I planned my Suffragette Workshop for Saturday at The Hive, started work organising the poetry events for the summer ArtsFest in Droitwich, sent emails to successful contributors of Contour and took a booking for Brum Stanza.

I also started prep for Verve Poetry & Spoken Word Festival (15-18th Feb.). This year I am the Official Festival Blogger, last year I blogged about most of the events and attended pretty much the entire festival (which is no mean feat – with a packed 2 day weekend programme, workshops and events on the preceding evenings), worth the exhaustion though and I also wrote a full review for Sabotage Reviews. This year, I have arranged to write the review for them again and have booked my workshops (one of which I won by coming 2nd in the Haiku Slam at Grizzly Pear) and have my new Kindle Bluetooth Keyboard Case (Christmas present) all ready. Look out for lots of updates, I shall be sharing from the Verve official site.

Thursday I went to SpeakEasy which was Headlined by the wonderful Jenna Clake and I enjoyed her set from Fortune Cookie, which won the 2016 Melita Hume Prize for Poetry . It was a vibrant evening of poetry and even though I was shattered, I had a great night. I shared a couple of city poems and it was good to catch up with Jenna before Verve.

Watch out for an Interview with Jenna Clake in the Contour Issue 4 (June).

You can buy a copy of this award winning debut collection published by Eyewear here.

Friday it snowed (which is as exciting as anything writing related), I was working in a school on the hills and was slightly concerned about getting home, but it had melted by then!

I also had Stanza where I took my Contour Love Poem for some editing treatment, it was a lovely evening, filled with poetry and critique. It was good to reconnect, I missed our December meeting due to being too tired after work and January from ill health. It was good to be back. Also a new exciting opportunity was discussed.

This was followed by my Suffragette Workshop in The Hive, Worcester. The workshop was attended by 11 people and I was happy to see a mix of friends, strangers & people who have followed my WPL projects online. It was an informal, whistle stop creative session of just an hour (which worked particularly well for those who left partners in the Hive’s cafe). It was fun and I have already started to receive work for the anthology.

Mr G. and I went to see Cloudbusting (Kate Bush Tribute band) again, the 4th time I think, this time they had a full stage with Media show, which we had not seen before! The next day I was busy editing Contour Magazine – YES! For the WHOLE day!

Week 3

My first full writing day in over 2 weeks and I planned a whole list of writing tasks (none of which were actual writing)… however, I spent another whole day on the magazine. It was finally live by the evening.

With a reach of over 600 readers already (in less than 24 hours). Issue 2 has a fine collection of love poetry, a load of Interviews with Pete The Temp, Jeff Cottrill, Amy Rainbow and Sharon Carr and a list of Top Poems voted by the public and is well worth a read.

I also booked my flights to Australia – where I am an International Guest Poet at the Festival in Perth (August), this made it very real! I also shared this news, which I have been sitting on since November.

I shared the next stage of the Suffragettes Poetry Project with workshop attendees and attended a Worcester LitFest Committee Meeting. There have been many changes to the team since I took up the Poet Laureate post, it was an agenda packed evening. It also helped me finalise plans for World Poetry Day (21st March) my official Laureate remit event. It should be great.

I have since worked on publicity and marketing but as ever with organisation, need to wait for one confirmation before I can go live!

I have been busy working through Response Poems (ATOTC), dreading the proofing stage with over 40 poets… but we have a good stock of coffee and I plan to use Half Term to get the majority ready.

I received my copy of a wonderful book, brainchild of Isabelle Kenyon. I have yet to read it in full. I have dipped in. A great collection of poems and funds raised with be donated to MIND – Mental Health Charity. I will be writing a full blog post soon to promote this project.

I had my BBC Hereford & Worcester Radio Interview with Tammy Gooding and this month it was a slightly extended recording due to us discussing love poetry and the work of Pablo Neruda! It was fun and I shared the love poem recently published in Contour.

Started with jet lag, which is the only way to describe the post festival haze of Verve. Wise to this, having attended the full programme last year too – I made sure the diary was empty and the bed was full! I slept, I ate my first meal for 5 days and I hit the desk.

Writing Verve Reviews, sending proofs for ATOTC, working on bids, sent promo for an event I am part of at the end of end of April, Bohemian Voices organised by Steve Soden and slept some more!

Fortunately it was half term this week so I didn’t have to juggle work into the equation. I mainly worked on proof copy for ATOTC Special Edition Contour magazine and had meetings.

Starting with Room 204, one of the main attractions is the 1 to 1 mentoring with Jonathan Davidson. It was a productive and useful meeting and I have come away with a page of tasks to incorporate into my work and gold-dust that I needed to acknowledge.

I met with Carolyn Baldwin at the Jinney Ring to finalise the exhibition of our sculpture trail poems from the workshop in September. The poems will be on display in the restaurant for the whole of April. Wonderful news AND even better news for me I have secured future Sculpture Trail workshops. So there will be a new one in September! Carolyn also sent me home with a generous portion of cake! Always a bonus – perfect meeting requirements I would suggest.

On Thursday I met with Stephen Evans, one of the DAN artists involved in the Hanbury Hall event. My poem has been displayed alongside his artwork in exhibitions in January and now this month too, so far it has been part of Maltstones Exhibition, an exhibition in the Library and now in Parks Cafe.

Stephen showed me a family album from WW2 at the reading event for Hanbury Hall Poets back in November. I used it as primary source inspiration and managed to write 4 poems or so but it is a precious object and I feel much happier now he has it back.

Thursday Night I went to support Claire Walker who was headlining at The Caffe Grande Slam in Dudley. Ian Glass and I found ourselves unwittingly signed up for the slam. I don’t Slam.

It was a fun night and a great little cafe to be in on a cold night. Ian smashed the slam and won! He goes back in April to perform a 10 minute set.

He also won the Xylophone of Mirth, but as he had driven us all to Dudley he wasn’t able to play it all the way home!

Jean Atkin was facilitating a workshop at the Bishop Castle Artsfest that I had hoped to attend, but our boiler is broken and I had to be home for the engineer. I spent most of the day at the desk writing for Verve, the boiler is still broken.

On Saturday I had a workshop with Angela France, it was a great session and I managed at least one poem and have a page of potential other poems.

On Sunday, whilst writing a poem for a Festival Anthology (more on this soon), I unearthed another line of writing I want to pursue, I have 3 pages of notes to return to at a quieter time (perhaps 2019). The exciting element is they balance something I am already working on.

The Extra Days

On Monday (after turning up for work and discovering I was a day early) I went home and wrote copy for a Worcester News Article promoting the Poet Laureate competition. Jess Charles jumped on it and it was live by the afternoon.

I also worked on my first ever Grants application and booked a workshop in May.

Tuesday work was cancelled, it started to snow (we have no working boiler) and I spent 14 hours completing my application. 14 hours. A steep learning curve – on evaluation I will give myself a month to complete the forms next time!

I took on a temporary teaching position for a fortnight (just in time for World Book Day) and drove in the snow! I went to see the Royal Ballet Live Screening of The Winter’s Tale (one of my favourite Shakespeare plays), a present from Mr. G’s mum for Christmas. It was amazing!

My week started with a meeting about a workshop booked for March. The next day I was back to Rugby Library where I facilitated a workshop in my

WMRN role of Reader in Residence. It was a repeat of the successful workshop I ran in 2017 on Writing Book Reviews.

Last week I decided to offer a workshop to mark the Centenary of the Suffragettes, The Hive have an exhibition on, so this Saturday after my WWM Spark Young Writers group I am meeting 6-10 poets to spend an hour writing.

There are 3 community workshops planned with The Basement Project in March and April, some for adults and some with children.

I have a workshop booked at a school in Worcester with Year 7 in March.

The end of this year marks 4 years as a writer. I still have 10 months to go before I make 4 years as a poet. I originally planned everything from Olympic inspiration, meaning this time next year (or next October) will be my true review.

This post feels slightly egocentric – the initial purpose for this blog was to share such news. It has always given me pleasure to discover what steps poets took to get where they are today and this information – the scaffold of their career is not something widely shared. A glimpse behind the scenes is encouraging for want to be/would be/ emerging writers, so please forgive the ‘I, I, I’ of this 2017 Highlights post.

I can already safely say that I have been blessed with an amazing year. Here are my 2017 highlights.

January:

Collaboration: At the end of 2016 Claire Walker and I met to discuss collaborating. We have both had exceptionally busy years and lots of new opportunities, but we started well by submitting and being published in the collaboration issue of Zoomoozophone Review Magazine.

Festivals: attending a new festival in Birmingham –Verve Poetry & Spoken Word Festival, 4 days of total immersion, some fabulous workshops with Kim Moore and Sarah Howe and a Festival Review published on Sabotage Reviews.

Events Management: I began organising the poetry elements for ArtsFest in Droitwich for the DAN team.

Opportunities: I applied for WWM Room 204.

Published: 3 of my poems were published in Nuclear Impact – Broken Atoms in Our Hands – Shabda Press, this labour of love started in 2015. It is a massive anthology and contains 4 poets from the U.K.

Opportunities: I got into Room 204 (but was embargoed until April, one of the hardest secrets to keep)! This writer development scheme can be life changing for many writers. For those already embedded in the writing world it is a chance to gain further knowledge, experience and guidance/support.

I was asked to promote Cheltenham Poetry Festival.

Festivals: my poems made it to Scotland, they appeared on the High Street for the BIG Lit Festival Stewartry, Scotland.

Challenges: I successfully completed NaPoWriMo, using three different prompts – resulting in 99 poems!

Festivals: Stourbridge Literature Festival Voices From The Middle, an event I organised.

Performances: Poetry Ballroom with Suz Winspear & DanceFest.

Endorsement: I was asked to endorse a new poetry collection, this is the 2nd book I have written an endorsement for.

May:

Promotions: Promoted Cheltenham Poetry Festival for Anna Saunders.

Events & Reunions: I started the Performance Poetry/Spoken Word scene whilst at uni in Leicester, where I met Rob Gee. In those early days I did some PR for him and watched him become a mega star. Fast forward 15 years and I saw he was doing Cheltenham Literature Festival. Fast forward a few more years and here I am back in the Poetry World and who should be bringing his Forget Me Not Tour to the MAC! We hadn’t seen each other for nearly 2 decades and it felt like we had been together just the day before. Incredible show, A M A Z I N G reunion! One of my very definite highlights of 2017!

Following my 2nd John Hegley Workshop (Cheltenham Poetry Festival), we wandered into town for an impromptu performance in Waterstones (we did not make it in time for the end of the Open Mic there – but we created our own stage). The looks on people’s faces, especially the kids, when John started his performance was special. This was also my 2nd opportunity to have a real conversation with Mr. H. Such a lovely man. Supportive, genuine and interested.

Book Launches: Book Launch of C.S Barnes, for ‘The Women You Were Warned About’, the first book I was asked to endorse, on the back cover with Luke Kennard. An incredibly dark and fascinating book of monologues/short stories. A really interesting concept and a great read!

Room 204: I started working on the Adam Speaks Croome Court Project with Chris Alton (Lead Artist) & 10 writers from Room 204.

Completed a Screen Writing Course with UEA (University of East Anglia).

WLF: I became a finalist for the WLF Worcestershire Poet Laureate Competition.

This summer I had the exciting opportunity to apply to be a Reader in Residence, my application was successful and Warwickshire Libraries now have me in role at Rugby Library. The position started in September and runs until March 2018.

Following meetings on site, emails and team meetings I spent a month planning and promoting the first workshop ‘Writing A Book Review’.

My group comprised of talented, experienced writers. It was lovely to watch the enthusiasm during the session as people relaxed and got to know each other. One of the great spin offs from this event was the networking opportunities. I am certain some of the participants will keep in contact with each other and explore what the county has to offer.

I was happy with how the workshop went, after spending several days tweaking plans and making sure the massive amount of input could be covered in the time we had available. We did just fit it all in, the most important elements were given as a handout at the end.

I opted for a very informal evaluation, but was too anxious to read people’s feedback straight away.

It was very positive and useful. We plan to repeat the workshop next year with some members from the various Reading Groups associated with Rugby Library – and the general public, so if you missed it and you fancy learning some Top Tips and insights, look out for further promotion in the Library and on Eventbrite.

It was a relief to know everyone had enjoyed it and the information helped and inspired them. I can now pass all the good news onto the team at Rugby Library.

The team were very supportive today, huge thanks to those involved in ensuring this event ran smoothly, for taking photos, bringing us more hot water for a 2nd round of caffeine -much needed as we were whizzing through at a great pace! For the biscuits/refreshments & setting up the space.

Thanks to Ann Brine (Manager Rugby Library) for coming to evaluate and debrief. The session went really well and I am now ready for my next Reader in Residence mission, watch this space!

My next exciting adventure! I was invited to apply for the position of Reader in Residence through West Midlands Readers’ Network in July. The application and bid were successful and in August I was allocated Rugby Art Gallery, Museum & Library as my base. September and October involved meetings and emails and this month preparation for my first event.

I am delighted to have this opportunity. I watched Jean Atkin & Deborah Alma have fun with their residencies and have wished for this for a while.

Hello! I’m Nina Lewis, a writer and current Poet Laureate of Worcestershire. I’m very excited to be the brand new Reader In Residence at Rugby Art Gallery, Museum & Library. My position has been appointed through Roz Goddard of West Midlands Readers’ Network and Warwickshire Libraries.

So far I met some of the team in Warwickshire to make initial plans and introductions. I came to visit Rugby Library, spent a good while looking at a heritage display, dipping into local history books and admiring historical photographs and maps of the area, before meeting the lovely Library staff and the rest of the team.

I was delighted to find out more about the Poetry Voices work happening in Warwickshire with Brenda Read-Brown and Poetry on Loan. There have been so many great events for you to attend locally. As my residency runs at the same time we decided not to focus…

November is nearly halfway through. The diary is full and we are fast approaching the busy home season too.

This week events run back to back and there are some that I will sadly have to forego to make sure I keep my head above water and sleep!

Tonight is Licensed to Rhyme with Ash Dickinson. I am delighted that a poem which was inspired by a conversation with him earlier this year, is finally ready to perform this evening.

Tomorrow is the almost-conclusion* of the WPL Hanbury Hall Poetry Project. 18 poets signed up to visit Hanbury Hall over 3 weeks in October during the DAN Art Exhibition in the Long Gallery. Poets used the artworks to inspire writing.

Since then Polly Stretton and I went along to the closing ceremony to share our poems. Polly’s poem ‘Curves’ won a competition to find a reader for the event judged by Peter Hawkins (Chair) and mine was slipped in as the organiser and Worcestershire Poet Laureate.

This Tuesday Parks Cafe will host 9 of the poets, our reading is accompanied by the artwork on screen and I am very grateful to Rosie Philpott for coordinating that side of the event. It is FREE and I hope many of the artists will be able to attend.

* Some of these poems may appear in the next issue of Contour the WPL Digital Magazine (Spring Issue – February)

I am organising an exhibition of the poetry along with photos of the artwork that inspired them in 2018 at Hanbury Hall in the Long Gallery – which will be the eventual conclusion of this project.

Wednesday is a poetry outing – a few Worcestershire poets are heading over to Smokey Joes in Cheltenham for Poetry Cafe Refreshed. I haven’t made it back since I headlined in 2015, so well overdue a visit!

Thursday sees the 7th Anniversary of Hit The Ode – a special event taking place in Waterstones this month. I am keeping everything crossed that I have time after work to make it there. I love this event and haven’t been able to make one since they started back after the summer. They always feature National and International Headliners.

Featuring:From London, Shadè JosephShadè Joseph is a 23 year old Writer/Musician from East London.She has been writing/performing poetry and producing, composing and accompanying musicians singer/songwriters and poets for the past four years and worked alongside the likes of London Symphony Orchestra, Ayanna Witter -JohnsonCaleb Femi, Tolu Agbelusi, Tshaka Campbell and Buddy Wakefield. When she’s not doing all of that good stuff she’s probably somewhere laughing or dancing or eating plantain chips or giving someone a hug.

From Northampton, Roger RobinsonRoger Robinson has performed worldwide and is an experienced workshop leader and lecturer on poetry. He was chosen by Decibel as one of 50 writers who have influenced the black-British writing canon. He received commissions from The National Trust, London Open House, The National Portrait Gallery, The V&A, INIVA and Theatre Royal Stratford East where he also was an associate artist.

He was shortlisted for The OCM Bocas Poetry Prize and highly commended by the Forward Poetry Prize 2013. He has toured extensively with the British Council and is a co-founder of both Spoke Lab and the international writing collective Malika’s Kitchen and is an alumni of The Complete Works. His New and Selected Poems is soon to be published on Peepal Tree Press.He released two albums with Disrupt on every reggae lovers favourite label Jahtari in 2015 and is a founding member of King Midas Sound on Ninja Tune.

From New Zealand, Penny Ashton,Penny Ashton is New Zealand’s own global comedienne who has been making a splash on the world stage since 2002. She has performed over 600 solo shows and has sold out from Edinburgh to Adelaide to Edmonton. She has represented both New Zealand in The World Cup of Theatresports in Germany, and Australasia in a Performance Poetry Slam Tournament Tour of the UK. She has also performed poetry by invitation at The Glastonbury Festival, her solo musical Promise and Promiscuity at The Jane Austen Festival in Bath and has reported from the Miss Universe Pageant in Las Vegas.

On Friday Jack Crowe has organised another extravaganza – I heard so many good things about the first event of this kind (February 2017) and I would like to think by Friday I may have grown wings to fly back into the city. However, looking at the schedule as I type I am having palpitations.

This event happens at The Edge in Digbeth 7:30 -10:30 PM

If you go on the back of seeing it here – let Jack know, especially if I don’t manage to get there myself, he will be happy that I sent you to the door.

Funkenteleky, in which four poets and four musicians wake up together.

*they combine live on-stage at The Edge, in a unique, one time only, funky, verby spoken potion which makes y’all do a dance in your minds.

*it’s Birmingham’s most irregular Poetry and Music collaboration night, and it’s gonna be well fun.

Doing this this time shall be:

FERRIS / LEE / WEIR

are an organ trio of critically acclaimed musicians: Dave Ferris on organ, Ben Lee on guitar, and Billy Weir on drums. The name of the band is their surnames, we notice. Expect Latin grooves, New Orleans shuffles, mind-boggling improvisation, and a set of their own inspired tunes to close the night. Don’t expect acid-skiffle space thrash, but equally don’t be surprised if it happens. For Funkenteleky the band will be joined by a player of brass, who will remain mysterious, silhouetted in these pixels, an untapped funk spring. “I love this kind of grooving, funky organ trio music, and last night Ferris/Lee/Weir took it to new heights of originality, creativity, imagination, feel and chops.”We can’t wait. https://billyweir.com/ferris-lee-weir/https://www.youtube.com/watch?v=U6shj9zpF1I

LEON PRIESTNALL

is one of Birmingham’s best poets. His work scatters back and forth between the observational and the vulnerable, humorous and raw. Bearing his heart in lines of tongue twisting insight, Leon tells us stories of love and betrayal, and stories of innocence and bliss. The host of Howl, the city’s hippest poetry knees up, we’re thrilled that he’ll be treating us to a unique performance of his own work. A headliner at events such as Hit the Ode, Level Up, Grizzly Pear and more, he is a consummate performer who lives and breathes spoken word. He’s awesome, basically.https://www.youtube.com/watch?v=dQvLIcujRkI

BETHANY SLINN

loves the po. She combines political commentary with small moments, using sensory imagery s k i pping with movement to depict individual and collective urban experiences. She makes the truth vivid and the vividness true. She’s done so at Verve Poetry Fest, Level UP!, Howl, Stirchley Speaks and Shanty Town and is currently focusing on building Agora Poetry, a platform for spoken word and storytelling inviting underrepresented voices into the room. Never-stop-being-curious.Bethany Slinn- Poet https://www.youtube.com/watch?v=qddLIvHI008&t

TARIK ROSS-CAMERON

crafts stories of his experiences in Birmingham, mixing warm humour with authentic social observation. He has honed his talents in headline slots at Howl and Stirchley Speaks. On the 25th of October he launches his new collection ‘Do What you Can’, commissioned by Punch Records, Arts Connect and the Gallery 37 Foundation. In 2016 he was part of the Hippodrome’s B-Side Hip Hop Festival, showcasing his poetic propensity for rhythm and rhyme. He’s a Brummie of whom the city is very proud, and we can’t wait for him to light up the Funkenteleky stage.https://www.youtube.com/watch?v=leyl2zLAfYQ&list=PLHtPk-aPh1AaNJIX37Kv47sq5ALe0UBXn

ANDY OWEN COOK

is a writer, theatre maker and friendly human from Sheffield. He has performed and made work for and in Theatre Deli, Arts Depot, Camden People’s Theatre, Wardrobe Theatre, Glasgow School of Art, Flim Nite, West Yorkshire Playhouse, Bradford Poetry City, and elsewhere. Currently he’s touring a performance called The Church of Jim, after a successful month of performing it in one place, at the Edinburgh Fringe Festival. State of the Arts gave it five stars, calling it “weird, wonderful and somewhat outrageous… from terrifying and bizarre, to beautiful and hypnotic.” Andy once said ‘rimming’ in a poem on BBC Radio Sheffield. Outside of poetry, Andy is a hysterical railway signalman, and you are a glistening moon. He is a wristwatch with no strap and you are a magnifying glass, kindling a fire purely from the thoughts of winged squid scudding to the cities of humans to warn us of ourselves.https://www.youtube.com/watch?v=G3_Nm421q7whttps://www.youtube.com/watch?v=qEuRnEJbRNI&t=2s

Saturday I will spend the morning with my Spark Young Writers Group (another reason I may not make it to Funkenteleky). In the afternoon there is a Room 204 workshop that I hope to attend.

And next week looks just as full!

Happening this month:

Verve Poetry Festival V.I.P Launch, a WPL meeting for a new community project, WPL radio interview BBC Hereford & Worcester with Tammy Gooding, Burning Eye Books Event, A Night of Music and Poetry at the Jinney Ring, the conclusion of the Croome Court Adam Speaks Performance and 42.

My WMRN role at Rugby Library is also active with the public now. I shall be facilitating my first workshop at the end of the month.

In addition to all this I am trying to secure work and focus on my own writing and submissions after submerging myself in the Poet Laureate role for the past 5 months.

There are patches of the blog which need updating. I will get to them as soon as I can. I am planning some time out from the circuit in December (fortunately it winds down a little anyway).