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File consists of records related to Rimmer’s design of three typefaces, including Juliana Old Style, named after his daughter who passed away, and two incomplete types. Records include mounted ink drawings and pencil sketches.

File consists of objects related to Rimmer’s Quill typeface, first designed in 1985, but not cut until 2005. Record includes the master patterns in both metal and wood and board, and specimen castings.

File consists of records related to Rimmer’s typeface design, including Juliana Old Style, Fellowship, Nephi Mediaeval, Hannibal, and Duensing Titling. Records include sketches in pencil and ink of typefaces and the design process, printing samples, and proofs. File also includes a portion of the keepsake produced by Rimmer for the 1984 American Typecasting Fellowship conference and a print of himself at work.

File consists of records related to the design of the Cotillion typeface. Records include ink and pencil sketches on both paper and tracing paper and digitally-printed samples using the Ikarus program.

File consists of records related to the design of the Kaatskill typeface, including digitally-printed samples and various sketches. Records also include a set of notes relating Rimmer’s process in reviving this typeface, referring to attached samples, portions of finished art ready for digitization, linear drawings, and initial drawings. These notes are numbered in the order in which each step is carried out. Also includes a sample of Goudy’s use of Kaatskill in Rip Van Winkle.

File consists of records related to the design of the Fellowship typeface, designed by Rimmer subsequent to his attendance of the American Typecasting Fellowship conference in 1984. Records include sketches on transparency paper, ink drawings, and photocopies made from drawings in two larger sizes; several include edits and notes. Sketches include lower and upper case letters, numbers, and accents. A page printed with samples of the typeface is also included.

File consists of records related to the design of the Posh and Credo typefaces. Records include large pencil and ink sketches of the former, and sketches and digitally-printed samples of the latter using the Ikarus program.

File consists of records related to the design of the Albertan typeface, named after Rimmer’s wife, Alberta. Records include pencil and ink sketches on tracing paper and sketching paper, a printout of all types available from Rimmer, transfers of the type, and a keepsake printed for the American Typecasting Fellowship 1990 conference, held in Nevada City, California, explaining the design process and availability of the type.

File consists of records related to Rimmer’s typeface design of Albertan, named after his wife. Records include ink, pencil and digital sketches in ink and pencil, mounted sketches, doodles, and samples. Sketches are of Albertan, Albertan Bold, and Albertan Italic.

File consists of records related to the design of the “Albertan Bold” typeface, named after Rimmer’s wife, Alberta. Records include pencil sketches, and a cover used for a book of design samples featuring the Lancelot Titling and Garamond types.

File consists of records related to Rimmer’s typeface design of Quill, first designed in 1985, but not cut until 2005. Records include an explanatory note from Rimmer explaining the design and typeface creation process, sample prints, photocopies, transfer paper, and drawings, as well as two master pattern cards for the letters “o” and “p”.

File consists of records related to the design of the Zigarre, Poster Paint, Lancelot Titling and Cadmus typefaces. Records include sketches on transparency paper of Zigarre, letter cut-outs and printed samples of Duensing Titling, ink sketches and first and second drawings of Lancelot as well as digital samples, drawings used for digitization, sketches of Cadmus and digital printed samples, large colour sketches of Poster Paint, as well as digitally printed sketches/samples.

File consists of records documenting Rimmer’s design of the Cree Syllabic typeface, a revival of the typeface devised and cut by Reverend James Evans in the early 19th century. Records include the first proof of the type and sketches in ink and pencil, as well as information concerning Rev. Evans, a syllabic chart, copies of the syllables to be cut, and correspondence from Robert Bringhurst. File also contains an explanatory note added by Rimmer to explain his motivation and design process.

File consists of records documenting Rimmer’s design of the Cartier lowercase typeface, inspired by Carl Dair’s Cartier typeface designed for Canada’s centennial in 1967. Records include prints and proofs of the design at various stages of development. Records also include a pamphlet providing information on Dair’s design process, a master pattern card of the letter ‘b’, and a sample print to be used for wrapping the font.

File consists of records documenting Rimmer’s design of the Hannibal typeface, named after the birthplace of Mark Twain. Records include first and second design sketches, sample print-outs, a transfer sheet of English Garamond, instructions and notes to self, print of the second proof, digital sketches, and a sketch of the parameters of the font.

File consists of records documenting Rimmer’s design of the Hannibal typeface, named after the birthplace of Mark Twain. Records include tracing paper samples, digital print-outs using the Ikarus program, instructions to self regarding modifications and required future work, samples, and printed letters. File also includes a sample of the Amethyst typeface.