Subject (A–Z)

Image Copyrights and Credits

Photographs of works of art in the Museum on the Heilbrunn Timeline of Art History were taken by The Photograph Studio, The Metropolitan Museum of Art, unless otherwise noted below.

Every effort has been made to identify and locate copyright holders for the works or images in this publication. The Metropolitan Museum of Art would be grateful for further information concerning any artist, author, or photographer for whom we have been unable to trace a rightsholder. Any errors or omissions will be corrected in subsequent editions.

cAbbasid Period, The Art of the
Bowl (1977.126): Photograph by Schecter Lee

American Portrait Miniatures
George Washington (83.2.122): Photograph by Paul Warchol

American Rococo
Settee (30.120.59): Photograph by David Allison

Ancient Greece, 1000 B.C.1 A.D
Agrigentum, Sicily, view of the Greek temple of Concord (ca. 430 B.C.). Photograph by Seán Hemingway
Agrigentum, Sicily, view of the Greek temple of Concord (ca. 430 B.C.). Photograph by Seán Hemingway
Athens, Greece, The Erechtheion Temple on the Acropolis. Photograph by Seán Hemingway
Athens, Greece, view of the Classical Greek Acropolis (5th century B.C.). Photograph by Seán Hemingway
Corinth, view of Acrocorinth from the region of the ancient lower city. Photograph by Seán Hemingway
Laconia, Greece, view of the Laconian plain with Sparta in the distance. Photograph by Seán Hemingway
Olympia, Greece, The Temple of Hera from the Gymnasium. Photograph by Seán Hemingway
Segesta, Sicily, view of the Doric Temple (ca. 424416 B.C.) from the theater. Photograph by Seán Hemingway
Segesta, Sicily, view of the Greek Theater (middle of the 3rd century B.C.). Photograph by Seán Hemingway
Selinus, Sicily, view of the Temple C facade (early 6th century B.C). Photograph by Seán Hemingway
Selinus, Sicily, view of the Temple E facade (ca. 490480 B.C) on the East Hill. Photograph by Seán Hemingway
Syracuse, Sicily, view of the monumental altar of Hieron II (ca. 241215 B.C.). Photograph by Seán Hemingway
Syracuse, Sicily, view of the Greek theater first constructed in the early 6th century B.C. and enlarged as seen here in ca. 230 B.C. Photograph by Seán Hemingway
Taormina, Sicily, view of the Greek theater. The theater was first built during the Hellenistic period and then was almost entirely rebuilt under the Romans. Photograph by Seán Hemingway

Ancient Greece, 1500 A.D.
Laconia, Greece, view of the Laconian plain with Sparta in the distance. Photograph by Seán Hemingway

Central Africa, 16001800 A.D.
The Church of Nossa Senhora de Nazaré, Luanda, The Kongo Army Engaging a Formation of Portuguese Soldiers, 16641666, mural: Photograph by John Thornton and Linda Heywood (2002)

Egyptian Tombs: Life Along the Nile
The tomb of Meketre, carved into the edge of the cliffs: Photograph by Harry Burton of the Egyptian Expedition of the Metropolitan Museum of Art
View showing Senemut's offering chapel: Photograph by Harry Burton of the Egyptian Expedition of the Metropolitan Museum of Art

Empire Style, 18001815
After a painting by Baron François-Pascal-Simon Gérard: Tapestry: Portrait of Napoleon I (43.99). Photograph by Schecter Lee

France, 10001400 A.D.
Abbey Church of Notre-Dame, Jumièges, all views. Photograph by Nancy Wu
Abbey Church of Saint-Benoît-sur-Loire, ca. 107080, historiated capitals. Photograph by Peter Barnet
Abbey Church of Saint-Philibert, Tournus, south elevation of the nave. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (15)
Abbey Church of Saint-Philibert, Tournus, view from the southeast. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (5)
Abbey Church of Saint-Philibert, Tournus. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (14)
Cathedral of Notre-Dame, Chartres, elevation of the nave (arcade, gallery, clerestory with stained glass). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (117)
Cathedral of Notre-Dame, Chartres, stained glass of the Virgin and Child ("Notre-Dame de la Belle Verrière"). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (1)
Cathedral of Notre-Dame, Chartres, west facade; rose window. Photograph by Nancy Wu
Cathedral of Notre-Dame, Chartres, west facade; rose window; north tower completed in the 15th century. Photograph by Nancy Wu
Cathedral of Notre-Dame, Chartres, west facade, Portail Royal. Photograph by Nancy Wu
Cathedral of Notre-Dame, Chartres, west facade, Portail Royal: central portal. Photograph by Nancy Wu
Cathedral of Saint-Pierre, Beauvais, choir. Photograph by Nancy Wu
Cathedral of Saint-Stephen, Bourges, choir, ambulatory, and flying buttresses. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (93)
Cathedral of Saint-Stephen, Bourges, choir, ambulatory, and flying buttresses. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (90)
Church of Sainte-Madeleine, Vézelay, tympanum: The Sending of the Apostles. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (V35)
Church of Sainte-Madeleine, Vézelay, tympanum: The Sending of the Apostles (detail). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (V36)
Collegiate Church of Saint-Pierre, Chauvigny, capital in the choir with the Adoration of the Magi, signed "Gofridus me fecit." Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (40)
Collegiate Church of Saint-Pierre, Chauvigny, capital in the choir with a two-bodied figure fighting lions. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (37)
Collegiate Church of Saint-Pierre, Chauvigny, capital in the choir with the Devil displaying his altar. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (33)
Collegiate Church of Saint-Pierre, Chauvigny, historiated capitals in the choir. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (32)
The Cuxa Cloister (25.120.398,.399,.452): Photographs by Melanie Holcomb
Monastery Church of Notre-Dame, Paray-le-Monial, all views. Photography by Julien Chapuis
Palais des Papes, Avignon, Chambre du Cerf, detail of a fishing scene from frescoes by Matteo Giovanetti and assistants. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (329)
Palais des Papes, Avignon, Chambre du Cerf, frescoes by Matteo Giovanetti and assistants. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (326)
Palais des Papes, Avignon, north sacristy of the Great Chapel. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (316)
Palais des Papes, Avignon, Palais Neuf of Clement VI, built by Jean de Louvres. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (287)
Royal Abbey Church of Saint-Denis (near Paris), elevation of the choir. Photograph by Nancy Wu
Royal Abbey Church of Saint-Denis (near Paris), west facade. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (1)

France, 18001900 A.D.
After a painting by Baron François-Pascal-Simon Gérard: Tapestry: Portrait of Napoleon I (43.99). Photograph by Schecter Lee

Frescoes and Wall Painting in Late Byzantine Art
Chora Monastery (Kariye Camii), Constantinople, mosaic of Theodore Metochites presenting a model of the Church of the Chora to Christ, from the inner narthex: Photograph by Carroll Wales, Courtesy of Dumbarton Oaks, Byzantine Photograph and Fieldwork Archives, Washington, DC
Chora Monastery (Kariye Camii), Constantinople, interior of the parekklesion, with frescoes: Photograph courtesy of Dr. Robert Ousterhout
Church of the Peribleptos, Mistra, Greece, fresco painting of procession: Photograph by Voutsas Velissarios
Church of the Peribleptos, Mistra, Greece, fresco painting of the Baptism: Photograph by Voutsas Velissarios
Studenica Monastery, Church of Saints Joachim and Anna, Kraljevo, Serbia, fresco painting of the Birth of the Virgin: Photograph by Bruce White
Studenica Monastery, Church of Saints Joachim and Anna, Kraljevo, Serbia, interior view of dome: Photograph by Bruce White
Studenica Monastery, Church of Saints Joachim and Anna, Kraljevo, Serbia, fresco depicting King Stefan Uros II Milutin (r. 12821321) holding a model of the church and standing with his wife Simonis: Photograph by Bruce White
Studenica Monastery, Church of Saints Joachim and Anna, Kraljevo, Serbia, fresco painting of John the Baptist: Photograph by Bruce White

Game Pass
Game Pass Shelter: Photograph by Geoffrey Blundell

Genre Painting in Korea, Eighteenth-Century, Work and Leisure
Kim Hongdo: Dancer and Musicians: From Genre Paintings by Danwon. Image courtesy of the National Museum of Korea
Kim Hongdo: Wrestlers: From Genre Paintings by Danwon. Image courtesy of the National Museum of Korea
Kim Hongdo: Carpenters: From Genre Paintings by Danwon. Image courtesy of the National Museum of Korea
Kim Hongdo: Threshing Rice: From Genre Paintings by Danwon. Image courtesy of the National Museum of Korea

Housemistress in New Kingdom Egypt, The: Hatnofer
Entrance to Hatnofer's tomb, with contents shown in place: Photograph by Harry Burton of the Egyptian Expedition of the Metropolitan Museum of Art
Entrance to Hatnofer's tomb as it was discovered, with a rectangular tambourine: Photograph by Harry Burton of the Egyptian Expedition of the Metropolitan Museum of Art

How Medieval and Renaissance Tapestries Were Made
Weavers working on a high-warp loom. Photograph by Thomas P. Campbell
Weavers working on a high-warp loom. Photograph by Thomas P. Campbell
Weaver working on high-warp loom. Photograph by Thomas P. Campbell
Weaver working on a low-warp loom. Joseph Job Jobé (ed.), Great Tapestries. The Web of History from the 12th to the 20th Century (Lausanne: Edita, 1965).
Weaver working on a low-warp loom. Photograph by Thomas P. Campbell
Low-warp loom. Photograph by Thomas P. Campbell
Model of weft-faced tapestry weave. Joseph Job Jobé (ed.), Great Tapestries. The Web of History from the 12th to the 20th Century (Lausanne: Edita, 1965).
Back of a tapestry being woven on a low-warp loom. Joseph Job Jobé (ed.), Great Tapestries. The Web of History from the 12th to the 20th Century (Lausanne: Edita, 1965).

Iberian Peninsula, 5001000 A.D.
Quintanilla de las Vinas, Church of Santa Maria, apse. Photograph by Julien Chapuis
Quintanilla de las Vinas, Church of Santa Maria, south transept. Photograph by Julien Chapuis
Quintanilla de las Vinas, Church of Santa Maria, sculpted frieze. Photograph by Julien Chapuis
Quintanilla de las Vinas, Church of Santa Maria, sculpted frieze. Photograph by Julien Chapuis
Quintanilla de las Vinas, Church of Santa Maria, sculpted frieze. Photograph by Julien Chapuis
San Pedro de Cardena (Burgos), north aisle of cloister. Photograph by Julien Chapuis

Iberian Peninsula, 10001400 A.D.
Avila city walls. Photograph by Julien Chapuis
Burgos Cathedral, south portal. Photograph by Julien Chapuis
Burgos Cathedral, view from the south. Photograph by Julien Chapuis
Burgos Cathedral, west facade. Photograph by Julien Chapuis
Cathedral of Santiago de Compostela, apostles from the Portico de la Gloria. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (100)
Cathedral of Santiago de Compostela, Portico de la Gloria. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (89)
Charterhouse of Miraflores (Burgos), exterior. Photograph by Julien Chapuis
Church of San Isidoro, Leon, Panteon de lose Reyes (necropolis of the kings of Leon). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (19)
Church of San Isidoro, Leon, detail of the vault from the Panteon de los Reyes (necropolis of the kings of Leon). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (22)
Church of San Isidoro, Leon, consecrated 1149. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (2)
Gil de Siloe, Tomb of Juan of Castile and Isabel of Portugal, overall. Photograph by Julien Chapuis
Gil de Siloe, Tomb of Juan of Castile and Isabel of Portugal, effigy of Juan of Castile. Photograph by Julien Chapuis
Gil de Siloe, Tomb of Juan of Castile and Isabel of Portugal, effigy of Isabel of Portugal. Photograph by Julien Chapuis
San Pedro de Arlanza (Burgos), ruins of the monastery. Photograph by Julien Chapuis
San Pedro de Cardena (Burgos), north aisle of cloister. Photograph by Julien Chapuis
San Vincente, Avila, west portal. Photograph by Julien Chapuis
San Vincente, Avila, west portal: prophets and apostles. Photograph by Julien Chapuis
San Vincente, Avila, south portal: Annunciation. Photograph by Julien Chapuis
Santo Domingo de Silos(Burgos), cloister. Photograph by Julien Chapuis
Santo Domingo de Silos(Burgos), cloister. Photograph by Julien Chapuis
Santo Domingo de Silos(Burgos), cloister. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), capital. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), capital. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), capital. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Tree of Jesse. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Annunciation. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Crucifixion. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Descent from the Cross and Entombment. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Christ and the Doubting Thomas. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Ascension. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Pentecost. Photograph by Julien Chapuis
Santo Domingo de Silos (Burgos), Christ and the Disciples at Emmaus. Photograph by Julien Chapuis
San Pedro de Arlanza (Burgos), ruins of the monastery. Photograph by Julien Chapuis

Iberian Peninsula, 14001600 A.D.
Escorial, San Lorenzo el Real del Escorial near Madrid, completed 1587, south facade. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (5)
Escorial, San Lorenzo el Real del Escorial near Madrid, completed 1587, main entrance facade from west. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (11)
Escorial, San Lorenzo el Real del Escorial near Madrid, completed 1587, interior view of choir in the Escorial Church. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (17)
Escorial, San Lorenzo el Real del Escorial near Madrid, completed 1587, interior view of choir in the Escorial Church with The Gloria fresco by Luca Cambiaso (15271585) on ceiling. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (19)
Escorial, San Lorenzo el Real del Escorial near Madrid, completed 1587, interior view of high altar in the Escorial Church with The Tomb of Emperor Charles V (r. 151956) (right) and The House of the Sacrament (left). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (20)
Monastery of San Juan de los Reyes, Toledo, begun 1476, exterior, by Juan Guas (French, 14301496). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (73)
Monastery of San Juan de los Reyes, Toledo, begun 1476, interior view of nave, by Juan Guas (French, 14301496). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (78)
Monastery of San Juan de los Reyes, Toledo, begun 1476, interior view of vaulted ceiling, by Juan Guas (French, 14301496). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (79)
Monastery of San Juan de los Reyes, Toledo, begun 1476, interior view of nave wall, by Juan Guas (French, 14301496). Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (84)
Monastery of San Juan de los Reyes, Toledo, begun 1476, interior view of nave wall, detail, by Juan Guas (French, 14301496), Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (85)

Italian Peninsula, 1000 B.C.1 A.D.
Agrigentum, Sicily, view of the Greek temple of Concord (ca. 430 B.C.). Photograph by Seán Hemingway
Agrigentum, Sicily, view of the Greek temple of Concord (ca. 430 B.C.). Photograph by Seán Hemingway
Ostia, Sicily, view of the ruins at Ostia, the major port city of Rome. Photograph by Rosemarie Trentinella, 2000
Porta Maggiore, looking past the Tomb of the Baker (ca. 30 B.C.). Photograph by Rosemarie Trentinella, 2000
Segesta, Sicily, view of the Doric Temple (ca. 424416 B.C.) from the theater. Photograph by Seán Hemingway
Segesta, Sicily, view of the Greek Theater (middle of the 3rd century B.C.). Photograph by Seán Hemingway
Selinus, Sicily, view of the Temple C facade (early 6th century B.C). Photograph by Seán Hemingway
Selinus, Sicily, view of the Temple E facade (ca. 490480 B.C) on the East Hill. Photograph by Seán Hemingway
Selinus, Sicily, view of Temple with sheep in the foreground. Photograph by Rosemarie Trentinella, 2000
Syracuse, Sicily, view of the monumental altar of Hieron II (ca. 241215 B.C.). Photograph by Seán Hemingway
Syracuse, Sicily, view of the Greek theater first constructed in the early 6th century B.C. and enlarged as seen here in ca. 230 B.C. Photograph by Seán Hemingway
Taormina, Sicily, view of the Greek theater. The theater was first built during the Hellenistic period and then was almost entirely rebuilt under the Romans. Photograph by Seán Hemingway

Italian Peninsula, 1500 A.D.
Herculaneum, Italy view of the excavations of the firstcentury A.D. town from the coast, with the modern town in the distance. Photograph by Seán Hemingway
Herculaneum, Italy view of the excavations of towards the sea. The ancient coastline was much closer. Photograph by Seán Hemingway
Pompeii, Italy, view of the Mount Vesuvius from the outside of the Marine Gate. Photograph by Seán Hemingway
Pompeii, Italy, view of the Roman forum (1st century A.D.) at the center of the town. Photograph by Seán Hemingway
Rome, Italy, the Arch of Constantine (315 A.D.). Photograph by Seán Hemingway
Rome, Italy, the Column of Marcus Aurelius (ca. 18096 A.D.). Photograph by Rosemarie Trentinella, 2000
Rome, Italy, view of Trajan's Market (ca. 113 A.D.). Photograph by Rosemarie Trentinella, 2000
Rome, Italy, The Pantheon, view of the dome. Photograph by Rosemarie Trentinella, 2000
Rome, Italy, The Pantheon, view of the portico. Photograph by Rosemarie Trentinella, 2000

Italian Peninsula, 10001400 A.D.
Basilica of San Marco, Venice. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (6)
Basilica of San Marco, Venice, west portals. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (117)
Cathedral of San Gimignano, Modena, west facade detail: The Creation of Adam, by Wiligelmo. Photograph by Peter Barnet
Cathedral of San Gimignano, Modena, west facade detail: The Fall of Man, by Wiligelmo. Photograph by Peter Barnet
Church of San Francesco, Assisi. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (146)
Church of San Francesco, Assisi, fresco: Saint Clare Mourning the Death of Saint Francis, by Giotto and pupils. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (151)
Orvieto Cathedral, decoration of the west facade, by Lorenzo Maitani. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (121)
Palatine Chapel, Palermo. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (110)
Palatine Chapel, Palermo. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (100)
Pisa Baptistery, pulpit, by Nicola Pisano, detail: The Nativity. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (189)
Siena Cathedral, view from the southwest. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (135)
Siena Cathedral, pulpit, by Nicola Pisano. Photograph by William Keighley. The Metropolitan Museum of Art, all rights reserved (185)
Tomb Effigy of Ermengol VII (28.95): Photograph by Schecter Lee

Joseon Buncheong Ware: Between Celadon and Porcelain
Bottle in the shape of a rice dish: Photograph courtesy of The Museum of Oriental Ceramics, Osaka
Ritual Vessel: Photograph courtesy of The Museum of Oriental Ceramics, Osaka
Jar. Courtesy of Ewha Womans University Museum's collection. Photograph by Sokhong Han
Jar. Courtesy of The Cleveland Museum of Art.

The Legacy of Genghis Khan
Cenotaph: Images reproduced with the permission of the Inner Mongolia Museum, Hohhot
Cup with fish-shaped handles: Image reproduced with the permission of The State Hermitage Museum, St. Petersburg (SAR-1613)
Saddle arches and fittings: Copyright Nour Foundation. Image reproduced with the permission of the Nasser D. Khalili Collection of Islamic Art (MTW 795)

Low Countries, 10001400 A.D.
Church of Saint-Barthélémy, Liège, bronze baptismal font, by Rainer of Huy. Originally installed in the Church of Notre-Dame-aux-Fonts, all views. Photography by Peter Barnet

Modern Art in West and East Pakistan
Shakir cAli: Two Birds in Space, 1966. Image courtesy of Shakir cAli Museum
Anna Molka Ahmed: Punjab Secretariat. Image courtesy of Pakistan National Council on the Arts
Gulgee (Ismail Gulgee): Allah, 1999. Image courtesy of the artist

Odhecaton, The
The Odhecaton: First page of music from a facsimile edition of Ottaviano Petrucci's Harmonice Musices Odhecaton A, reproduced by arrangement with the publisher from Harmonice Musices Odhecaton A, MMMLF I.10: Image courtesy of Broude Brothers Limited, 1973. New York

Painting in Oil in the Low Countries and Its Spread to Southern Europe
The Annunciation Triptych (56.70): Photograph (alternate views) by Maryan Ainsworth
The Crucifixion; The Last Judgment (33.92ab): Photograph (alternate views) by Maryan Ainsworth
Portrait of a Carthusian (49.7.19): Photograph (alternate views) by Maryan Ainsworth

Prehistoric Stone Sculpture from New Guinea
The Ambum Stone: Photo Courtesy of the National Gallery of Australia, Canberra

Private Tombs North of the Senwosret III Pyramid Complex, Dashur, The
Bound papyrus decoration from the mastaba of Khnumhotep. Photograph by Stephen Arnold
Fallen blocks from the north side of the mastaba of Nebit as found by excavators. Photograph by Adela Oppenheim
Block from the west end of the north wall of the Nebit mastaba. Photograph courtesy of the Egyptian Expedition
Burial chamber of Horkherty, husband of Sitwerut. Photograph by Eileen Travell and Caitlin McCaffrey
Wood coffin of Sitwerut within the stone sarcophagus. Photograph by Adela Oppenheim
Canopic jars of Sitwerut, wife of Horkherty. Photograph by Kathy Mucciolo
Computer rendering of the east (left) and north (right) sides of the mastaba of Khnumhotep. Computer modeling by David Johnson, The Museum of Reconstructions.

Pyramid Complex of Senwosret III in the Cemeteries of Dashur, The
Bent Pyramid of King Snefru seen from the northeast. Photograph by Dieter Arnold
East side of the Senwosret III pyramid with the reconstructed outline of the pyramid temple. Photograph by Anna Kellen
Reconstructed paneled enclosure wall at the south side of the Senwosret III complex. Photograph by Anna Kellen
Excavated section of the projection at the east end of the south side of the South Temple. Photograph by Adela Oppenheim
Antechamber of the Senwosret III burial chambers with a view into the serdab. Photograph by Gregory Dinkens
Burial chamber of Senwosret III with the sarcophagus. Photograph by Bruce Schwarz

Romanesque Art
Church of Sainte-Foy, Conques, all views: Photograph by Julien Chapuis
Church of Saint-Pierre, Beaulieu-sur-Dordogne, tympanum: Last Judgment: Photograph by Julien Chapuis
Priory Church of Saint-Pierre, Moissac, south portal: standing prophet from the trumeau: Photograph by Julien Chapuis

Southeast Asia, 10001400 A.D.
Posthumous Portrait of a Queen as Parvati (2001.407): Photograph courtesy of Spink & Son Ltd.
Top of a Bell in the form of a demon king or guardian (1987.142.17): Photograph by Maggie Nimkin

Temples of Senwosret III at Dashur, The
The pyramid temple and stone inner enclosure wall, facing northwest. Computer modeling by David Johnson, The Museum of Reconstructions
Elevation of the east side of the pyramid temple and the stone inner enclosure wall. The exterior inscription has been omitted. Computer modeling by David Johnson, The Museum of Reconstructions
Relief of Nubian archers from the South Temple. Photograph by Kathy Mucciolo
Relief from the exterior of the pyramid temple with the vulture goddess Nekhbet on a neb sign and part of the cartouche of Senwosret III. Photograph by Anna Kellen
Relief of the goddess Weret-hekau from the pyramid temple. Photograph by Bruce Schwarz
Relief of the god Seth from the pyramid temple. Photograph by Bruce Schwarz
Computer reconstruction of a courtyard with columned portico in the South Temple. Computer modeling by David Johnson, The Museum of Reconstructions
Relief from the exterior of the pyramid temple with part of a sed festival inscription. Photograph by Anna Kellen

Tenochtitlan
Mexico City: view of area of Tenochtitlan Sacred Precinct. Photograph courtesy of The Metropolitan Museum of Art