August 17, 2006

Natural

by
KATHERINE ALMY

John
McAbery lives in a rustic cabin that he built himself on the
Lost Coast, with no electricity and no phone. His life is simple,
but his work is complex — inspired by the wild beaches
he spends much of his time on. His first piece was a spoon carved
from a piece of driftwood mahogany. He kept working on spoons,
refining the process until they were so thin you could see light
through them. The degree of thinness he could render intrigued
him, and his sculptures today are characterized by thin, curved
forms, flowing like ribbons in the wind.

When I heard about McAbery and his sculpture exhibit
at the Morris Graves Museum, I was as intrigued with his lifestyle
as I was with his work. After talking with him, it seems to me
that his work is dependent on his environment; without the solitude,
the one-room cabin and the ocean, there wouldn't be any sculpture.

Left: 'Centuri,' wood sculpture by John
McAbery.

My husband is a woodworker and when he wants to
bend a piece of wood, he might glue very thin laminations in
a curved clamping jig, or steam a thin piece. But one look at
McAbery's work and you will see they are far too complicated
for that. His sculptures instead start out as 100-pound blocks
of wood and, using keyhole saws, gouges and rasps (no power tools
— remember he doesn't have electricity), he reduces the
blocks to works so delicate they shiver from the vibrations of
a footstep on the floor.

Some of his pieces are abstract formations of ribbon,
others are gestural: describing a human figure and an egret.
Renderings of bits of seaweed or shells are more representational.
All of the pieces are light and airy, meticulously carved, sanded
and polished until they glow.

There's something I like about talking to artists
who don't think of themselves as artists. In a 2005 article in
Woodcraft magazine, McAbery is quoted as saying, "Because
I'm not a natural artist, I tend to find things that inspire
me." That leads me to wonder just what a "natural"
artist might be and where her or his inspiration comes from.
Do people think that true artists are inspired only by the mystical
goings on of their own fevered brains? My own definition of art
includes (but is not limited to) the human response to personal
experience — making John's work, inspired by a ribbon,
a bit of seaweed or a shell that he finds, about as natural as
you can get.

It may be that McAbery doesn't think of himself
as an artist because he has no formal training in art. He didn't
come to his artwork until later in life, after his kids were
grown and on their own and he had the luxury of time on his hands.
Many people faced with the kind of time one has living alone
in an isolated cabin might get a little crazy — I'm not
sure, but I may be one of those people. But the solitude doesn't
bother John. He says he always has something to do around his
property and the carving takes up most of his time. He says he
feels fortunate that he has the opportunity to be an artist,
but I don't think it was just luck. He actively created his opportunity,
and he manages the drawbacks that many of us couldn't. It's a
good reminder that initiative and dedication might be more important
than formal training.

John doesn't shun technology; he just chooses it
very carefully. With the help of his partner, Gretchen (who lives
in Petrolia — the big city — and has electricity),
he maintains a very nice website (www.johnmcaberywoodsculptures.com)
where you can view much of his work, see how he does it and where
he lives. But don't let that substitute for seeing the show.
Being up close to it is the only way to really appreciate the
work. The Morris Graves Museum is located at 636 F Street in
Eureka and is open Wednesday through Sunday, noon to 5 p.m.

Got a local exhibit or art event
that might make a good story? Send your art news to almy@arcatanet.com
or write in care of the North
Coast Journal, 145 South G Street, Suite A, Arcata, CA. 95521.