Olan Mill is Alex Smalley and Svitlana Samoylenko and ’Pine’ marks the first release for the two as collaborators. The album comprises ten instrumental pieces and between Smalley and Samoylenko we are treated to the sound of the piano, violin, pipe organ and guitar. Other sound sources may reveal themselves to the astute listener, but for the most part, ’Pine’ is concerned with big, stirring sound palettes which belie the duo’s modest array of instruments.10 track CD : see more info for full track list.

So welcome to electronic Walachia, where folk meets Kraftwerk and where bizarre instruments and electronic sounds combine to create a whole new musical dimension.With his ideas and his musicians he bravely goes where no human ear has dared to go before. Futurism meets folklore imaginaire: Ladies and Gentlemen, we are floating in Eastern European space. His first album on the Essay Recordings label, Trans Balkan Express, put him in the international spotlight, and none other than Borat has chosen two tracks from the album Money Boney and Magic Mamaliga for the soundtrack of his latest film.

Daniel Lopatin’s second album on Warp maintains the stunning production for which he has gained a reputation over the past few years, whilst at the same time exploring a whole new level of weird. Lopatin describes ‘Garden Of Delete’ as a “selfportrait.”

Musically the album contains a plethora of ideas spliced together seamlessly: great rushes of death metal and distorted R&B pop vocals, for example, all woven together with typically OPN broken chord synths and sleek sound design.

The album sees a continuation of the incredible cinematic sound for which composer / producer Daniel Lopatin has gained a reputation during his career. Oneohtrix Point Never’s consistently preeminent and original output is gradually taking him into the position of an elite electronic producer.

Oneohtrix Point Never returns with his new album Good Time Original Motion Picture Soundtrack on Warp Records.Oneohtrix Point Never received the prestigious Cannes Soundtrack Award at this year’s 70th anniversary edition of the festival for his visceral original score for Good Time.An original song by Oneohtrix Point Never composed for the closing theme of the film, “The Pure and the Damned” features a guest vocal and lyrics written by Iggy Pop. Iggy’s voice is rich with uncomparable weight and wisdom on this stunning closer.

With the soundtrack to Good Time, Oneohtrix Point Never has created a genuine listening experience rivalling the very best of his landmark studio albums. It also holds some of his most striking and complete individual moments; in addition to “The Pure and the Damned” “Leaving The Park” takes the classic arpeggio-laced crime scores of the 1970s and lends it the unique Oneohtrix Point Never stranger-beauty. Throughout the soundtrack, diegetic audio is interspersed and mutated in a natural foundation of Garden of Delete meets Rifts -era Oneohtrix Point Never sound palettes.

Remix project, where Yoko Ono gave loads of artists free reign with her tracks, including Peaches, The Flaming Lips and Le Tigre. Obviously Ono has a pretty well-kept address book... Most of the tracks are radically different from the originals, and well worth investigating.

Pioneers of British dance music throughout the 90’s Orbital have released 8 studio albums to date and are poised to return to the fold in 2012 with a brand new studio album ‘Wonky’ released April 2nd 2012 globally via their own ACP recordings. Produced by renowned studio-maestro Flood, the record contains nine brand new recordings and features vocal duties by Zola Jesus and Lady Leshurr.

Machine Records of Cardiff’s debut release is this long-awaited 12 inch by Orcop.

"Old influences and comparisons, like ’Sheet One’-era Plastikman and Depth Charge, still apply here to an extent. Interestingly, and unwittingly, Orcop also finds his minimal acid sounds in vogue, thanks to Aphex Twin’s ’Analord’ series exploring similar territory. But Gwydion’ll still cheerfully drop some untraceable grungy FX into the mix at inopportune moments and for a minute there, you won’t know where you’re at. "It’s sexy, it’s bouncy, you can dance or you can bliss out to it. Either way, it’s a fitting entry for Orcop and machine.records into the vinyl era. Here’s to further waxing."