The conventional and the empty/emptied gesture.The effects of a centrifugal and hypocritical, forgetful and self-referential society, in permanent escape, where nobody raises a matter or questions anything anymore.

What stories do the Media tell us? Which ones are validated from the artistic-cultural territory today?What “no-effects” do they produce? Which is their origin? How are they emptied out of their messages?

What place is there currently for any other History but one’s own history (this is, the “personal” one)?What corner can irony claim against a overwhelmingly flat(tened) // flat(tener) discursive competition?

Are meta-narrations possible when there are not even narrations (other than fairy tales)?Is there left/is there a possible audience for any kind of meta-narration?How to agitate/sublevate the spectator/user? Is there any point in doing it?

If past and present co-exist: is it wise to believe that, in the end, movement is a cyclic movement?And if it is, where are these escapes directed towards, then? How is sense valued in the market? Is sense understood as (the disastrous) “common sense”? Is it sensible to not be hypocritical? I can’t remember…Can there be memory when there is no critic?

The automatization. The “wish to belong”, without wondering how, what, or what for. The schizophrenia, the hysteria, the panic, the absence, the virtual speed and the anxiety.

Which is the face, which the limb that reacts when it reacts as an automaton to stimuli that do not stimulate, tenacious in a trajectory going from “w” to “w” exhaling wows thoughtlessly?