Jason Victor Serinus

"Do you have a low-cost amplifier that Stereophile hasn't reviewed that you'd like people to know about?" I asked VTL's glamorous Bea Lam. With a grace and surety usually reserved for Vannah White, the incomparable Ms. Lam glided over to the diminutive VTL ST-85 Performance Amplifier ($2750).

Soundstring designer Leonard Miller, whose eight years in business has garnered a host of positive reviews and product awards, manufactures reasonably priced cables that boast a progressive geometric, multi-gauge/multi-conductor design. Rather than 75 models at 95 different price points, the company has one line, of cables, all of comparable quality, all manufactured in Connecticut. The power cables and speaker cables have three conductors each, the equivalent of 10.5 gauge copper. Interconnects have eight individual conductors, the equivalent of composite 22 gauge. A specific geometric progression promotes signal transmission in the fastest way possible, creating the fastest path for each frequency, thereby allowing components to function optimally with less effort. Soundstring's Tricor Maxial Speaker cables cost $425 for a 6' pair, and the power cord costs $450. Soundstring's HDMI, DVI, and USB cables were used to record Jim Merod's jazz albums, one of which I will soon sample. (Thanks, Jim. The proof is in the pudding, so they say). A line of digital cables is in development.

I love this stuff. Ultra System's Robert Stein (pictured right with Bernd Alne of HiFi-Tuning left) greeted me with an entire array of 12 audio enhancement products, a host of which are just entering the US market. One that will surely attract Michael Fremer's attention is the Audio Desk Systeme Vinyl Cleaner. This German wonder, which retails for $3495, delivers the world's first, fully automatic ultrasonic as well as mechanical LP cleaning bath. The baby treats both sides of an LP to an ultrasonic cleaning, then to a liquid bath, and finally to a blow dry. The only services it doesn't offer are tints and highlights.

Want to hear silver turn to platinum? Check out Wireworld's new line of Platinum Eclipse Reference audio cables, whose interconnects are composed of four flat conductors made of Ohno continuous cast solid silver of 99.99997% purity.

Due to a horrible traffic jam in the bowels of the Sands/Venetian Show venue, I was only able to catch the tail end of Greenpeace's January 9 press conference. The good news is that the greenest consumer electronics products on the market today have a smaller environmental footprint than those sold a year ago. The sad news is that there is considerable room for improvement.

Upon hearing that I was looking for relatively inexpensive electronics to feature in our blog, Parasound's Richard Schram and publicist extraordinaire Gordon Sell immediately pointed to a static display of Parasound's Halo P 7 multichannel analog preamp. Designed by Finland's Juha Kuusama, the Halo P 7's origins lie in Juha's design for Parasound's first surround processor, which was released late in the last century.

Kerem Kücükaslan (pronounced something like "Kooshookasslan," shown standing in the center of the photo), former President of the Istanbul HiFi Club, is justifiably proud of his Echole Obsession cables. When I first encountered these cables, mated with Kaiser Kawero speakers from Germany at last year's Rocky Mountain Audio Fest, I was mightily impressed with the huge, three-dimensional soundstage that the system achieved in a huge ballroom. Playing a portion of Ivan Fischer's R2D4 recording of Mahler's Symphony 2, this system spoke musical truth.

After years of attending shows where Nordost cabling was successfully paired with Raidho Acoustics speakers, I was surprised to learn that the Raidho Acoustics Ayra C-2 ($24,000) speakers are internally wired with Nordost Valhalla. No wonder the combination is so synergistic. Frankly, even a boom box would sound like a breakthrough product if it were wired with the Nordost Odin I heard in this room. Odin ain't cheapOdin power cables cost $11,000 for a decent length, interconnects $16,000 for 1m, and speaker wire starts at $20,000 for 1m, with the best sound said to come from 4 meter lengths of speaker cable and an investment of $38,000but the sound is as full, complete, neutral, and satisfying as anything I've yet heard. My own experience confirms that single Odin power cable can transform the sound of a system.

Kimber Kable was more than happy to show off the four latest additions to its very full line of cables. First came the 12TC Teflon-insulated speaker cables, which use 24 conductors. Terminated with WBT Nextgen, an 8' pair of 12TC costs $854. Next there's the Cadence Subwoofer cable, which costs $175 for 1 meter with the best terminations Kimber supplies. Finally, complementing Kimber's HD19 1.3 cable, which costs $239 for 4 meters are the new HD09 1.3 (5 meters for $159) and HD29 1.3 (5 meters for $557). Other lengths are, of course, available. The display in the Venetian may have been static, but the very live demo Kimber Kable was conducting simultaneously at The Alexis Park was reportedly producing great sound.

E.A.R. USA took advantage of CES to announce the world premiere of the Origo cable line from Jorma Design of Sweden. Prices for loudspeaker cables start at $7000 for the first meter, while interconnects start at $5250 for a 1-meter pair. A cable that, I am told, counts Japan as its major market, two of Jorma's lines have been designated "Product of the Year" by a leading Japanese audiophile publication. Jorma's extensive line starts with Jorma No.3 ($1450 for a 1m pair of speaker cables), and proceeds to Jorma No.2 ($2860 for a 1m pair of speaker cables), Jorma No.1 ($5000 for that pair), the new Origo, and the top-of-the line Jorma Prime ($12,800 for a 1m pair of speaker cables). All lines include loudspeaker cables in both single and bi-wire terminations, RCA and XLR interconnects, and jumpers. An Origo power cable, aptly named Origo Power, is due out shortly.