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This collected volume examines ""intermediality"" for the period from 1918 to 1968, a period determined by paradigm changes in the media (photography, film, radio etc) to a particular extent. The papers, on works by Franz Kafka, Thomas Mann, Alfred DÃ¶blin, Thomas Bernhard, W.G. Sebald, Robert Musil, Heiner MÃ¼ller et al., reveal intermediality as a central ""sub-structure"" in artistic discourse and force a re-evaluation of established models of works, genres and epochs.