A live interview panel discussion about the legendary auteur Stanley Kubrick, starring Jan Harlen (Stanley's longtime Executive Producer & Brother-in-low), Katharina Kubrick (his daugther), and Tim Heptner (curator of the stanely kubrick exhibit).
[embed]https://www.youtube.com/watch?v=tAeZhRwZwRM&feature=youtu.be&t=1m41s[/embed]
We learn a lot about the life and times about Stanley, as well as definitive answers to questions surrounding controversies, such as the allege hidden symbolism in The Shining and Room 237, and more! Definitely worth a watch for any Kubrick fan!
Moderated by AnastasiaJamesIntroduction by Renny Pritikinhttp://www.thecjm.org
LIKE the official Stanley Kubrick Page!
https://www.facebook.com/StanleyKubrick
Producted by: http://www.blueprintcinema.com
Executive Producer: J.K.HenryCamera: MatthewEmmanuel & Roman Medjanov

Stanley Kubrick

Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928– March 7, 1999) was an American film director, screenwriter, producer, cinematographer, editor, and photographer. Part of the New Hollywood film-making wave, Kubrick's films are considered by film historian Michel Ciment to be "among the most important contributions to world cinema in the twentieth century", and he is frequently cited as one of the greatest and most influential directors in cinematic history. His films, which are typically adaptations of novels or short stories, cover a wide range of genres, and are noted for their realism, dark humor, unique cinematography, extensive set designs, and evocative use of music.

Malcolm McDowell

Malcolm McDowell (born Malcolm John Taylor; 13 June 1943) is an English actor, known for his boisterous and sometimes villainous roles, whose career spans more than five decades. He trained as an actor at the London Academy of Music and Dramatic Art.

A Clockwork Orange

A Clockwork Orange is a dystopian novel by Anthony Burgess published in 1962. Set in a near future English society featuring a subculture of extreme youth violence, the teenage protagonist, Alex, narrates his violent exploits and his experiences with state authorities intent on reforming him. The book is partially written in a Russian-influenced argot called "Nadsat". According to Burgess it was a jeu d'esprit written in just three weeks.

Plot summary

Part 1: Alex's world

Alex, a teenager living in near-future dystopian England, leads his gang on a night of opportunistic, random "ultra-violence". Alex's friends ("droogs" in the novel's Anglo-Russian slang, 'Nadsat') are: Dim, a slow-witted bruiser who is the gang's muscle; Georgie, an ambitious second-in-command; and Pete, who mostly plays along as the droogs indulge their taste for ultra-violence. Characterized as a sociopath and a hardened juvenile delinquent, Alex also displays intelligence, quick wit, and a predilection for classical music; he is particularly fond of Beethoven, referred to as "Lovely Ludwig Van".

Frederic Raphael

Early life

Raphael was born to a Jewish family, in Chicago, Illinois, the son of Irene Rose (née Mauser) and Cedric Michael Raphael, an employee of the Shell Oil Co. With his parents, he emigrated to Putney, England, in 1938.

His articles and book reviews appear in a number of newspapers and magazines, including the Los Angeles Times and The Sunday Times. He has published more than twenty novels, the best-known being the semi-autobiographical The Glittering Prizes (1976), which traces the lives of a group of Cambridge University undergraduates in post-war Britain as they move through university and into the wider world. The original six-part BBC television series, from which the book was adapted, won him a Royal Television Society Writer of the Year Award.Fame and Fortune, which continues the story to 1979, was adapted in 2007 and broadcast on BBC Radio 4, television channels having refused to commission the sequel themselves. In 2010, BBC Radio 4 broadcast a further sequel in a series entitled Final Demands, with Tom Conti as Adam Morris, the central character, bringing the story to the late 1990s.

Oniric - Stanley Kubrick live @ Brancaleone (Rome) 28-04-2012

54:47

The Life and Legend of Stanley Kubrick: A Panel

The Life and Legend of Stanley Kubrick: A Panel

The Life and Legend of Stanley Kubrick: A Panel

A live interview panel discussion about the legendary auteur Stanley Kubrick, starring Jan Harlen (Stanley's longtime Executive Producer & Brother-in-low), Katharina Kubrick (his daugther), and Tim Heptner (curator of the stanely kubrick exhibit).
[embed]https://www.youtube.com/watch?v=tAeZhRwZwRM&feature=youtu.be&t=1m41s[/embed]
We learn a lot about the life and times about Stanley, as well as definitive answers to questions surrounding controversies, such as the allege hidden symbolism in The Shining and Room 237, and more! Definitely worth a watch for any Kubrick fan!
Moderated by AnastasiaJamesIntroduction by Renny Pritikinhttp://www.thecjm.org
LIKE the official Stanley Kubrick Page!
https://www.facebook.com/StanleyKubrick
Producted by: http://www.blueprintcinema.com
Executive Producer: J.K.HenryCamera: MatthewEmmanuel & Roman Medjanov

Stanley Kubrick A Life In Pictures

4:46

Katharina Kubrick revisits her old home at Abbott's Mead (2015)

Katharina Kubrick revisits her old home at Abbott's Mead (2015)

Katharina Kubrick revisits her old home at Abbott's Mead (2015)

Broadcast on 10th of November 2015 on BBC1's The One Show.
Stanley Kubrick's old home: Abbots Mead.
This is a turn of the (19th) Century house called Abbots Mead in BarnetLane, sold to him by Simon 'Pop Idol' Cowell's father, where Stanley Kubrick lived from 1965 to 1979.
Nothing is really film-related about the houses of most directors unless they've been used for location shoots. Except that Kubrick worked almost exclusively from home. So this place was, in effect, 'The Stanley Kubrick Studios'. And for 14 years, with some exceptions, he researched, invented special-effects techniques, designed ultra-low light Mitchell cameras and lenses (now available for rent at Elstree Studios), pre-produced, edited, post-produced, advertised, distributed and carefully managed all aspects of four films from his extraordinary body of work from this very house. But always close enough to his chosen locations to drive back from the shoots at night and sleep in his own bed.
Kubrick's career pretty much peaked in the middle in terms of sheer bravado, creativity and originality whilst he was living right here. You have to wonder just how much the house contributed to the following films:
- Napoleon (an on and off never-realised project)
- 2001: A Space Odyssey (1965 to 1968)
- A Clockwork Orange (1969 to 1971)
- Barry Lyndon (1972 to 1975)
- The Shining (1976 to 1980 - finished the year after he moved to ChildwickburyGreen).
If you ever wanted to do the Clockwork Orange grand tour, it could be done in a couple of days. That's how close all the locations turn out to be, with BullheadRoad half way between the old MGMStudio (2001: A Space Odyssey) and Elstree Studios as the 'site' of the Korova Milk Bar. See the locations page at http://www.malcolmmcdowell.net/ for full details.
Ironically, although one of his high-points at this place must have been cosying up on the sofa to watch yourself get an Oscar for 2001, it was here that after receiving hate mail and even death threats he felt physically very vulnerable. So much so, after UK Police advised him, he asked Warner Brothers to withdraw the film from distribution in the UK for his and the family's own safety.
ACO consolidated his tour-de-force after Dr. Strangelove and 2001, but it also introduced a sour note. Hey, it's not easy being an adventurous young film-maker whose principal interests are ultra-controversial films, not getting 'raped' for them and a lot of classical music.
For Barry Lyndon it must have pained him to be away for so long in Ireland and around the UK. Well, it got him out of the house, as they say. Still, he did get to pre and post-produce at home. His next house looks like something out of Barry Lyndon. Truly palatial and grand. So the Boy From the Bronx made it to the top of meritocratic society.
For The Shining it was a ten-minute drive to Elstree Studios in Borehamwood. Practically all the sets were built from scratch on the sound stages and the exterior front of the Overlook Hotel was built on the backlot. If I'm not wrong this area would now be the Tesco supermarket right by the studios. This was statistically his most 'at-home' movie. And no location shooting done by Kubrick in person. That was always down to the 2nd Unit. Only the final editing was carried out at his new home in Childwickbury.
Miscellaneous Info:
In 2005 on a Google search, Abotts Mead Lodge with 4 bedrooms turns up for rent via Palmer Mandley & Sparrow for US $5000 per month. I presume that's the smaller house by the entrance. I wonder how much the big Victorian house is??
Vivian Kubrick, his daughter, coined the alias Abigail Mead on Full Metal Jacket for the credits, partly based on her old home.
The letters 'Abbots' appear in gold on the left hand side of the entrance gate and 'Mead' on the other side. The house next door to the West is 'Friars Mead'.
In Taschen's book 'The Stanley Kubrick Archives' a number of photographs taken at this house are included. Cats lounging on Steenbeck editing tables, Stanley comparing two identical takes from Barry Lyndon on two different Steenbecks in the garage where he set up the editing rooms.
Don't forget to check out the STANLEY KUBRICK APPRECIATION SOCIETY on Facebook for friendly discussion and appreciation of the man. : https://www.facebook.com/groups/TSKAS
**We do not own copyright on this clip but have uploaded as a matter of interest without ownership, any copyright issues then please let me know and i will remove, thank you.**
**CopyrightDisclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.**

Stanley Kubrick: The Exhibition

TVM brings to you a chance to re-live Stanley Kubrick's work on and behind the screen through a coverage of TIFF's exhibition of his work.
We had the honor of speaking with TIFF's Director of Exhibitions, Lauren MacMillan, and she gave us an insider view on how the more than 1000 artifacts were curated together to guide us through one of the most influential American filmmakers of the last decades.
Credits: AndreaSchweitzer, Aya Schechner, Erika Loyola-Andrade, Emilie Doucet

ActressJulienne Davis talks dark hollywood, pedo rings and satanism in the world of the elites.
http://www.juliennedavis.com/
Help us spread the word about the liberty movement, we're reaching millions help us reach millions more. Share the free live video feed link with your friends & family: http://www.infowars.com/show
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http://www.prisonplanet.tv
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Visit http://www.InfowarsLife.com to get the products Alex Jones and his family trust, while suppo...

Stanley Kubrick Never Won an Oscar & Here's Why

Oniric - Stanley Kubrick live @ Brancaleone (Rome) 28-04-2012

published: 29 Apr 2012

The Life and Legend of Stanley Kubrick: A Panel

A live interview panel discussion about the legendary auteur Stanley Kubrick, starring Jan Harlen (Stanley's longtime Executive Producer & Brother-in-low), Katharina Kubrick (his daugther), and Tim Heptner (curator of the stanely kubrick exhibit).
[embed]https://www.youtube.com/watch?v=tAeZhRwZwRM&feature=youtu.be&t=1m41s[/embed]
We learn a lot about the life and times about Stanley, as well as definitive answers to questions surrounding controversies, such as the allege hidden symbolism in The Shining and Room 237, and more! Definitely worth a watch for any Kubrick fan!
Moderated by AnastasiaJamesIntroduction by Renny Pritikinhttp://www.thecjm.org
LIKE the official Stanley Kubrick Page!
https://www.facebook.com/StanleyKubrick
Producted by: http://www.blueprintcinema.com
Executive P...

RA the Rugged Man-Stanley Kubrick Live

Stanley Kubrick A Life In Pictures

published: 19 Apr 2017

Katharina Kubrick revisits her old home at Abbott's Mead (2015)

Broadcast on 10th of November 2015 on BBC1's The One Show.
Stanley Kubrick's old home: Abbots Mead.
This is a turn of the (19th) Century house called Abbots Mead in BarnetLane, sold to him by Simon 'Pop Idol' Cowell's father, where Stanley Kubrick lived from 1965 to 1979.
Nothing is really film-related about the houses of most directors unless they've been used for location shoots. Except that Kubrick worked almost exclusively from home. So this place was, in effect, 'The Stanley Kubrick Studios'. And for 14 years, with some exceptions, he researched, invented special-effects techniques, designed ultra-low light Mitchell cameras and lenses (now available for rent at Elstree Studios), pre-produced, edited, post-produced, advertised, distributed and carefully managed all aspects of fou...

Stanley Kubrick: The Exhibition

TVM brings to you a chance to re-live Stanley Kubrick's work on and behind the screen through a coverage of TIFF's exhibition of his work.
We had the honor of speaking with TIFF's Director of Exhibitions, Lauren MacMillan, and she gave us an insider view on how the more than 1000 artifacts were curated together to guide us through one of the most influential American filmmakers of the last decades.
Credits: AndreaSchweitzer, Aya Schechner, Erika Loyola-Andrade, Emilie Doucet

A live interview panel discussion about the legendary auteur Stanley Kubrick, starring Jan Harlen (Stanley's longtime Executive Producer & Brother-in-low), Katharina Kubrick (his daugther), and Tim Heptner (curator of the stanely kubrick exhibit).
[embed]https://www.youtube.com/watch?v=tAeZhRwZwRM&feature=youtu.be&t=1m41s[/embed]
We learn a lot about the life and times about Stanley, as well as definitive answers to questions surrounding controversies, such as the allege hidden symbolism in The Shining and Room 237, and more! Definitely worth a watch for any Kubrick fan!
Moderated by AnastasiaJamesIntroduction by Renny Pritikinhttp://www.thecjm.org
LIKE the official Stanley Kubrick Page!
https://www.facebook.com/StanleyKubrick
Producted by: http://www.blueprintcinema.com
Executive Producer: J.K.HenryCamera: MatthewEmmanuel & Roman Medjanov

A live interview panel discussion about the legendary auteur Stanley Kubrick, starring Jan Harlen (Stanley's longtime Executive Producer & Brother-in-low), Katharina Kubrick (his daugther), and Tim Heptner (curator of the stanely kubrick exhibit).
[embed]https://www.youtube.com/watch?v=tAeZhRwZwRM&feature=youtu.be&t=1m41s[/embed]
We learn a lot about the life and times about Stanley, as well as definitive answers to questions surrounding controversies, such as the allege hidden symbolism in The Shining and Room 237, and more! Definitely worth a watch for any Kubrick fan!
Moderated by AnastasiaJamesIntroduction by Renny Pritikinhttp://www.thecjm.org
LIKE the official Stanley Kubrick Page!
https://www.facebook.com/StanleyKubrick
Producted by: http://www.blueprintcinema.com
Executive Producer: J.K.HenryCamera: MatthewEmmanuel & Roman Medjanov

Broadcast on 10th of November 2015 on BBC1's The One Show.
Stanley Kubrick's old home: Abbots Mead.
This is a turn of the (19th) Century house called Abbots Mead in BarnetLane, sold to him by Simon 'Pop Idol' Cowell's father, where Stanley Kubrick lived from 1965 to 1979.
Nothing is really film-related about the houses of most directors unless they've been used for location shoots. Except that Kubrick worked almost exclusively from home. So this place was, in effect, 'The Stanley Kubrick Studios'. And for 14 years, with some exceptions, he researched, invented special-effects techniques, designed ultra-low light Mitchell cameras and lenses (now available for rent at Elstree Studios), pre-produced, edited, post-produced, advertised, distributed and carefully managed all aspects of four films from his extraordinary body of work from this very house. But always close enough to his chosen locations to drive back from the shoots at night and sleep in his own bed.
Kubrick's career pretty much peaked in the middle in terms of sheer bravado, creativity and originality whilst he was living right here. You have to wonder just how much the house contributed to the following films:
- Napoleon (an on and off never-realised project)
- 2001: A Space Odyssey (1965 to 1968)
- A Clockwork Orange (1969 to 1971)
- Barry Lyndon (1972 to 1975)
- The Shining (1976 to 1980 - finished the year after he moved to ChildwickburyGreen).
If you ever wanted to do the Clockwork Orange grand tour, it could be done in a couple of days. That's how close all the locations turn out to be, with BullheadRoad half way between the old MGMStudio (2001: A Space Odyssey) and Elstree Studios as the 'site' of the Korova Milk Bar. See the locations page at http://www.malcolmmcdowell.net/ for full details.
Ironically, although one of his high-points at this place must have been cosying up on the sofa to watch yourself get an Oscar for 2001, it was here that after receiving hate mail and even death threats he felt physically very vulnerable. So much so, after UK Police advised him, he asked Warner Brothers to withdraw the film from distribution in the UK for his and the family's own safety.
ACO consolidated his tour-de-force after Dr. Strangelove and 2001, but it also introduced a sour note. Hey, it's not easy being an adventurous young film-maker whose principal interests are ultra-controversial films, not getting 'raped' for them and a lot of classical music.
For Barry Lyndon it must have pained him to be away for so long in Ireland and around the UK. Well, it got him out of the house, as they say. Still, he did get to pre and post-produce at home. His next house looks like something out of Barry Lyndon. Truly palatial and grand. So the Boy From the Bronx made it to the top of meritocratic society.
For The Shining it was a ten-minute drive to Elstree Studios in Borehamwood. Practically all the sets were built from scratch on the sound stages and the exterior front of the Overlook Hotel was built on the backlot. If I'm not wrong this area would now be the Tesco supermarket right by the studios. This was statistically his most 'at-home' movie. And no location shooting done by Kubrick in person. That was always down to the 2nd Unit. Only the final editing was carried out at his new home in Childwickbury.
Miscellaneous Info:
In 2005 on a Google search, Abotts Mead Lodge with 4 bedrooms turns up for rent via Palmer Mandley & Sparrow for US $5000 per month. I presume that's the smaller house by the entrance. I wonder how much the big Victorian house is??
Vivian Kubrick, his daughter, coined the alias Abigail Mead on Full Metal Jacket for the credits, partly based on her old home.
The letters 'Abbots' appear in gold on the left hand side of the entrance gate and 'Mead' on the other side. The house next door to the West is 'Friars Mead'.
In Taschen's book 'The Stanley Kubrick Archives' a number of photographs taken at this house are included. Cats lounging on Steenbeck editing tables, Stanley comparing two identical takes from Barry Lyndon on two different Steenbecks in the garage where he set up the editing rooms.
Don't forget to check out the STANLEY KUBRICK APPRECIATION SOCIETY on Facebook for friendly discussion and appreciation of the man. : https://www.facebook.com/groups/TSKAS
**We do not own copyright on this clip but have uploaded as a matter of interest without ownership, any copyright issues then please let me know and i will remove, thank you.**
**CopyrightDisclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.**

Broadcast on 10th of November 2015 on BBC1's The One Show.
Stanley Kubrick's old home: Abbots Mead.
This is a turn of the (19th) Century house called Abbots Mead in BarnetLane, sold to him by Simon 'Pop Idol' Cowell's father, where Stanley Kubrick lived from 1965 to 1979.
Nothing is really film-related about the houses of most directors unless they've been used for location shoots. Except that Kubrick worked almost exclusively from home. So this place was, in effect, 'The Stanley Kubrick Studios'. And for 14 years, with some exceptions, he researched, invented special-effects techniques, designed ultra-low light Mitchell cameras and lenses (now available for rent at Elstree Studios), pre-produced, edited, post-produced, advertised, distributed and carefully managed all aspects of four films from his extraordinary body of work from this very house. But always close enough to his chosen locations to drive back from the shoots at night and sleep in his own bed.
Kubrick's career pretty much peaked in the middle in terms of sheer bravado, creativity and originality whilst he was living right here. You have to wonder just how much the house contributed to the following films:
- Napoleon (an on and off never-realised project)
- 2001: A Space Odyssey (1965 to 1968)
- A Clockwork Orange (1969 to 1971)
- Barry Lyndon (1972 to 1975)
- The Shining (1976 to 1980 - finished the year after he moved to ChildwickburyGreen).
If you ever wanted to do the Clockwork Orange grand tour, it could be done in a couple of days. That's how close all the locations turn out to be, with BullheadRoad half way between the old MGMStudio (2001: A Space Odyssey) and Elstree Studios as the 'site' of the Korova Milk Bar. See the locations page at http://www.malcolmmcdowell.net/ for full details.
Ironically, although one of his high-points at this place must have been cosying up on the sofa to watch yourself get an Oscar for 2001, it was here that after receiving hate mail and even death threats he felt physically very vulnerable. So much so, after UK Police advised him, he asked Warner Brothers to withdraw the film from distribution in the UK for his and the family's own safety.
ACO consolidated his tour-de-force after Dr. Strangelove and 2001, but it also introduced a sour note. Hey, it's not easy being an adventurous young film-maker whose principal interests are ultra-controversial films, not getting 'raped' for them and a lot of classical music.
For Barry Lyndon it must have pained him to be away for so long in Ireland and around the UK. Well, it got him out of the house, as they say. Still, he did get to pre and post-produce at home. His next house looks like something out of Barry Lyndon. Truly palatial and grand. So the Boy From the Bronx made it to the top of meritocratic society.
For The Shining it was a ten-minute drive to Elstree Studios in Borehamwood. Practically all the sets were built from scratch on the sound stages and the exterior front of the Overlook Hotel was built on the backlot. If I'm not wrong this area would now be the Tesco supermarket right by the studios. This was statistically his most 'at-home' movie. And no location shooting done by Kubrick in person. That was always down to the 2nd Unit. Only the final editing was carried out at his new home in Childwickbury.
Miscellaneous Info:
In 2005 on a Google search, Abotts Mead Lodge with 4 bedrooms turns up for rent via Palmer Mandley & Sparrow for US $5000 per month. I presume that's the smaller house by the entrance. I wonder how much the big Victorian house is??
Vivian Kubrick, his daughter, coined the alias Abigail Mead on Full Metal Jacket for the credits, partly based on her old home.
The letters 'Abbots' appear in gold on the left hand side of the entrance gate and 'Mead' on the other side. The house next door to the West is 'Friars Mead'.
In Taschen's book 'The Stanley Kubrick Archives' a number of photographs taken at this house are included. Cats lounging on Steenbeck editing tables, Stanley comparing two identical takes from Barry Lyndon on two different Steenbecks in the garage where he set up the editing rooms.
Don't forget to check out the STANLEY KUBRICK APPRECIATION SOCIETY on Facebook for friendly discussion and appreciation of the man. : https://www.facebook.com/groups/TSKAS
**We do not own copyright on this clip but have uploaded as a matter of interest without ownership, any copyright issues then please let me know and i will remove, thank you.**
**CopyrightDisclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.**

Stanley Kubrick: The Exhibition

TVM brings to you a chance to re-live Stanley Kubrick's work on and behind the screen through a coverage of TIFF's exhibition of his work.
We had the honor of ...

TVM brings to you a chance to re-live Stanley Kubrick's work on and behind the screen through a coverage of TIFF's exhibition of his work.
We had the honor of speaking with TIFF's Director of Exhibitions, Lauren MacMillan, and she gave us an insider view on how the more than 1000 artifacts were curated together to guide us through one of the most influential American filmmakers of the last decades.
Credits: AndreaSchweitzer, Aya Schechner, Erika Loyola-Andrade, Emilie Doucet

TVM brings to you a chance to re-live Stanley Kubrick's work on and behind the screen through a coverage of TIFF's exhibition of his work.
We had the honor of speaking with TIFF's Director of Exhibitions, Lauren MacMillan, and she gave us an insider view on how the more than 1000 artifacts were curated together to guide us through one of the most influential American filmmakers of the last decades.
Credits: AndreaSchweitzer, Aya Schechner, Erika Loyola-Andrade, Emilie Doucet

Taken from Stanley Kubrick A Voix Nue (French radio broadcast) http://www.franceculture.fr/blog-au-fil-des-ondes-2011-03-16-stanley-kubrick-a-voix-nue-entretiens-inedits-par-michel-ciment-du-
Parts of French interviewer Ciment (voice-over) were edited out of this clip. Copyright: franceculture.fr / Michel Ciment

published: 26 Oct 2015

Stanley Kubrick Confesses To Faking The Moon Landings [RAW VERSION]

Alleged interview with Stanley Kubrick three days before his death in March 1999. The interviewer was forced to sign an 88-page NDA to keep the contents of the interview a secret for 15 years.

ActressJulienne Davis talks dark hollywood, pedo rings and satanism in the world of the elites.
http://www.juliennedavis.com/
Help us spread the word about the liberty movement, we're reaching millions help us reach millions more. Share the free live video feed link with your friends & family: http://www.infowars.com/show
FollowAlex on TWITTER - https://twitter.com/RealAlexJones
Like Alex on FACEBOOK - https://www.facebook.com/AlexanderEmerickJones
Infowars on G+ - https://plus.google.com/+infowars/
:Web:
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http://www.prisonplanet.com/
http://www.infowars.net/
:Subscribe and share your login with 20 friends:
http://www.prisonplanet.tv
http://www.InfowarsNews.com
Visit http://www.InfowarsLife.com to get the products Alex Jones and his family trust, while suppo...

published: 09 Oct 2017

Stanley Kubrick 1983

The REAL confession of Stanley Kubrick - Please Share

Original video: https://www.youtube.com/watch?v=_u4A5tJ2j3o
Part of the documentary "Room 237" (2012) where Jay Weidner explains his theory of the movie "The Shining" (1980) being Stanley Kubrick's confession about faking the footage of the Apollo 11Moon landing.
A few words about Jay Weidner:
Called by Wired Magazine an "authority on the hermetic and alchemical traditions," and "erudite conspiracy hunter, "Jay Weidner is a renowned author, filmmaker and hermetic scholar. Considered to be a 'modern-day Indiana Jones' for his ongoing worldwide quests to find clues to mankind's spiritual destiny via ancient societies and artifacts, his body of work offers great insight into the circumstances that have led to the current global crisis. He is the director of the powerful and insightful do...

Shelley Duvall on Stanley Kubrick

published: 07 Oct 2016

A Voix Nue: Stanley Kubrick (Rare Radio Interview)

Not my work, created by a fan for free distribution.
This is a customised audio file of a five-episode series of interviews from "A voix nue" (a programme from the France Culture radio station -- check their website and podcasts), taken from three interviews by Michel Ciment from 1975 to 1987. By the time you take out the intros, outros, music, and translation, each 28-minute episode only results in about 11 mins of The Kube actually speaking.
But...
(keep reading so that you don't listen to this and then complain afterwards about clicks and blips throughout the audio)
Ciment interviewed Kubrick to get material for his wonderful book 'Kubrick', so the audio is not from a pristine studio but recorded much more casually in Kubrick's home, as evidenced by the phone ringing, cutlery clinki...

Kubrick's The Shining(1980) - Rare Behind The Scenes Footage

Lost Stanley Kubrick interview from the set of Full Metal Jacket

A short behind-the-scenes interview with legendary film director Stanley Kubrick. This rare footage (Kubrick hated giving on-screen interviews) seems to have been shot during a tea break for Full Metal Jacket, probably in 1986. A tired-looking Kubrick barely answers the female interviewer’s questions but still offers great advice on filmmaking. This lost gem will fascinate anyone with even a passing interest in Kubrick’s genius.

Taken from Stanley Kubrick A Voix Nue (French radio broadcast) http://www.franceculture.fr/blog-au-fil-des-ondes-2011-03-16-stanley-kubrick-a-voix-nue-entretiens-inedits-par-michel-ciment-du-
Parts of French interviewer Ciment (voice-over) were edited out of this clip. Copyright: franceculture.fr / Michel Ciment

Taken from Stanley Kubrick A Voix Nue (French radio broadcast) http://www.franceculture.fr/blog-au-fil-des-ondes-2011-03-16-stanley-kubrick-a-voix-nue-entretiens-inedits-par-michel-ciment-du-
Parts of French interviewer Ciment (voice-over) were edited out of this clip. Copyright: franceculture.fr / Michel Ciment

A Voix Nue: Stanley Kubrick (Rare Radio Interview)

Not my work, created by a fan for free distribution.
This is a customised audio file of a five-episode series of interviews from "A voix nue" (a programme from...

Not my work, created by a fan for free distribution.
This is a customised audio file of a five-episode series of interviews from "A voix nue" (a programme from the France Culture radio station -- check their website and podcasts), taken from three interviews by Michel Ciment from 1975 to 1987. By the time you take out the intros, outros, music, and translation, each 28-minute episode only results in about 11 mins of The Kube actually speaking.
But...
(keep reading so that you don't listen to this and then complain afterwards about clicks and blips throughout the audio)
Ciment interviewed Kubrick to get material for his wonderful book 'Kubrick', so the audio is not from a pristine studio but recorded much more casually in Kubrick's home, as evidenced by the phone ringing, cutlery clinking, etc. As the interviews were later broadcast for French audiences, a French voice-over was added throughout the entire audio in post-edit. This meant that you'd hear Kubrick talk for about 3 or 4 seconds and then have a translator jump in and repeat what he said in French at a louder volume. Usually the translator would step in and cut off the first or last words that Kubrick was saying, or sometimes just talk over the top of him, making it even more difficult to listen to. Maddeningly, the translator would sometimes interject after he said only three or four words! Ciment's English-language questions were spoken over in French simultaneously, often rendering them impossible to hear.
The bottom line is that this is a very demanding and irritating way to listen to the interviews, and involves a lot of concentration to filter out the interpreter and keep piecing together the flow of what Kubrick says. It's NOT fun. After listening to all five shows I wondered if it would be possible to edit out all the French and salvage a one hour-long English-only interview. I figured that I could make joins by cutting out the transitive phrases which kept getting narrated over (like "for instance", "it seems", "you could say", etc), manufacture fake pauses, and cheat a little by splicing half-sentences together to make new ones. In quite a few cases you could get the gist of Ciment's lengthy questions as he started them, before the voice-over kicked in.
Four weeks of audio editing and one semi-nervous breakdown later here is the result: a reconstructed hour of Kubrick talking about cinema, chess, ESP, art, writing, Vietnam, his cat, the 18th Century, and even 'Fear and Desire'. Many times it was plainly impossible to cut out the overlapping French, which is why you'll hear the cuts where there was just no way to disguise them (he was being interrupted every few seconds, remember), but surprisingly a lot of the joins are undetectable, and there is less overlapping as it goes on. To finish it off, I evened out the overall volume level and added musical cues for 'Barry Lyndon', 'The Shining', and 'Full Metal Jacket' to indicate the topic under discussion.
Download, enjoy, share. Let's get this out there for Kubrick fans everywhere on the Net. It's been long overdue.

Not my work, created by a fan for free distribution.
This is a customised audio file of a five-episode series of interviews from "A voix nue" (a programme from the France Culture radio station -- check their website and podcasts), taken from three interviews by Michel Ciment from 1975 to 1987. By the time you take out the intros, outros, music, and translation, each 28-minute episode only results in about 11 mins of The Kube actually speaking.
But...
(keep reading so that you don't listen to this and then complain afterwards about clicks and blips throughout the audio)
Ciment interviewed Kubrick to get material for his wonderful book 'Kubrick', so the audio is not from a pristine studio but recorded much more casually in Kubrick's home, as evidenced by the phone ringing, cutlery clinking, etc. As the interviews were later broadcast for French audiences, a French voice-over was added throughout the entire audio in post-edit. This meant that you'd hear Kubrick talk for about 3 or 4 seconds and then have a translator jump in and repeat what he said in French at a louder volume. Usually the translator would step in and cut off the first or last words that Kubrick was saying, or sometimes just talk over the top of him, making it even more difficult to listen to. Maddeningly, the translator would sometimes interject after he said only three or four words! Ciment's English-language questions were spoken over in French simultaneously, often rendering them impossible to hear.
The bottom line is that this is a very demanding and irritating way to listen to the interviews, and involves a lot of concentration to filter out the interpreter and keep piecing together the flow of what Kubrick says. It's NOT fun. After listening to all five shows I wondered if it would be possible to edit out all the French and salvage a one hour-long English-only interview. I figured that I could make joins by cutting out the transitive phrases which kept getting narrated over (like "for instance", "it seems", "you could say", etc), manufacture fake pauses, and cheat a little by splicing half-sentences together to make new ones. In quite a few cases you could get the gist of Ciment's lengthy questions as he started them, before the voice-over kicked in.
Four weeks of audio editing and one semi-nervous breakdown later here is the result: a reconstructed hour of Kubrick talking about cinema, chess, ESP, art, writing, Vietnam, his cat, the 18th Century, and even 'Fear and Desire'. Many times it was plainly impossible to cut out the overlapping French, which is why you'll hear the cuts where there was just no way to disguise them (he was being interrupted every few seconds, remember), but surprisingly a lot of the joins are undetectable, and there is less overlapping as it goes on. To finish it off, I evened out the overall volume level and added musical cues for 'Barry Lyndon', 'The Shining', and 'Full Metal Jacket' to indicate the topic under discussion.
Download, enjoy, share. Let's get this out there for Kubrick fans everywhere on the Net. It's been long overdue.

Lost Stanley Kubrick interview from the set of Full Metal Jacket

A short behind-the-scenes interview with legendary film director Stanley Kubrick. This rare footage (Kubrick hated giving on-screen interviews) seems to have be...

A short behind-the-scenes interview with legendary film director Stanley Kubrick. This rare footage (Kubrick hated giving on-screen interviews) seems to have been shot during a tea break for Full Metal Jacket, probably in 1986. A tired-looking Kubrick barely answers the female interviewer’s questions but still offers great advice on filmmaking. This lost gem will fascinate anyone with even a passing interest in Kubrick’s genius.

A short behind-the-scenes interview with legendary film director Stanley Kubrick. This rare footage (Kubrick hated giving on-screen interviews) seems to have been shot during a tea break for Full Metal Jacket, probably in 1986. A tired-looking Kubrick barely answers the female interviewer’s questions but still offers great advice on filmmaking. This lost gem will fascinate anyone with even a passing interest in Kubrick’s genius.

The Life and Legend of Stanley Kubrick: A Panel

A live interview panel discussion about the legendary auteur Stanley Kubrick, starring Jan Harlen (Stanley's longtime Executive Producer & Brother-in-low), Katharina Kubrick (his daugther), and Tim Heptner (curator of the stanely kubrick exhibit).
[embed]https://www.youtube.com/watch?v=tAeZhRwZwRM&feature=youtu.be&t=1m41s[/embed]
We learn a lot about the life and times about Stanley, as well as definitive answers to questions surrounding controversies, such as the allege hidden symbolism in The Shining and Room 237, and more! Definitely worth a watch for any Kubrick fan!
Moderated by AnastasiaJamesIntroduction by Renny Pritikinhttp://www.thecjm.org
LIKE the official Stanley Kubrick Page!
https://www.facebook.com/StanleyKubrick
Producted by: http://www.blueprintcinema.com
Executive Producer: J.K.HenryCamera: MatthewEmmanuel & Roman Medjanov

Taken from Stanley Kubrick A Voix Nue (French radio broadcast) http://www.franceculture.fr/blog-au-fil-des-ondes-2011-03-16-stanley-kubrick-a-voix-nue-entretiens-inedits-par-michel-ciment-du-
Parts of French interviewer Ciment (voice-over) were edited out of this clip. Copyright: franceculture.fr / Michel Ciment

27:18

Stanley Kubrick Confesses To Faking The Moon Landings [RAW VERSION]

Alleged interview with Stanley Kubrick three days before his death in March 1999. The inte...

Stanley Kubrick

Gizmodo reported on Wednesday that a former Google engineer is suing the company for discrimination, harassment, retaliation, and wrongful termination ...Chevalier's posts had been quoting in Damore's lawsuit against Google, who is also suing the company for alleged discrimination against conservative white men ... “Firing the employee who pushed back against the bullies was exactly the wrong step to take.” ... But the effect is the same....

OSLO. Sea levels will rise between 0.7 and 1.2 metres in the next two centuries even if governments end the fossil fuel era as promised under the Paris climate agreement, scientists said on Tuesday ...Ocean levels will rise inexorably because heat-trapping industrial gases already em­­itted will linger in the atmosphere, melting more ice, it said. In addition, water naturally expands as it warms above four degrees Celsius (39.2F) ... ....

Special CounselRobert Mueller's probe is prepared to accept a guilty plea from the London-based son-in-law of a Russian businessman after he made false statements during the investigation into alleged Russian interference in the 2016 U.S. presidential election, according to the Washington Post... Tymoshenko was later imprisoned by former president Viktor Yanukovych after signing a controversial deal with Russia for natural gas ... U.S ... U.S....

The woman tasked with caring for accused Florida shooter Nikolas Cruz and his brother have moved quickly to file court papers seeking control of their inheritance the day after the massacre at Majory Stoneman Douglas High School, Newsweek reported. When the mother of Nikolas and Zachary Cruz died from flu-related pneumonia last November, their lives were entrusted to Roxanne Deschamps, the report said....

Article by WN.Com Correspondent Dallas DarlingTo this day it’s something my aunt hardly mentions, let alone discusses. And like a few other families living in the United States, it’s taboo and completely off limits ... Neither was it as widespread, since Japan had nearly conquered most of East Asia including parts of China. But still, U.S ... authorities continued the comfort station system absent formal slavery ... The U.S ... military authorities ... ....

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If you’re used to buckling down and working for several hours in a coffee shop, you may run into some trouble in Hong Kong... However, coffee culture is slowly changing, drawing inspiration from the U.S. and Australia ...NOCCoffee Co ... Opendoor Café + Courtyard ... KubrickCafe. Inspired by film director StanleyKubrick, this isn’t just a coffee shop ... And, in accordance with its Kubrick brand, it’s located next to the cinema BroadwayCinemathique....

Plenty of movies go for broke when it comes to controversy – and some go a bit too far for the censors ... 1 ... 2 ... 3 ... 4. Oysters and Snails in SpartacusStanleyKubrick's Oscar-winning epic included this scene between Crassus (Laurence Olivier) and his slave Antoninus (Tony Curtis) in the bath, where Crassus uses an analogy about eating oysters and snails to discuss the question of morality in sexual taste ... 5 ... 6 ... It's nasty ... 7 ... ....

Veteran music journalist and hip-hop curator Sacha Jenkins grew among the culture and has vibrantly narrated its poetics for three decades ... Alongside emcees like Nas, TechN9ne, J. Cole, and Rapsody, the film (which premiered Feb. 16) explores and contrast how, "What you say -- and how you say it -- means everything." ... [readmore.8098670] ... The filmmaker StanleyKubrick is ... Kubrick's films make you question things, and expand your mind ... ....

Shekhar Kapur is holding forth on his favourite topic — the rise and rise of Asian filmmaking ... The festival is his window to new Asian filmmakers and their latest work ... Just like Bollywood ... Lost in Kubrick ... He talks of how he gets lost in StanleyKubrick’s 2001 ... I still want to know what he [Kubrick] was thinking when he made that film ... “The spaces that he (Kubrick) left have been there for me to fill for the rest of my life.” ... India....