William Bronk

What am I saying? What have I got to say?
As though I knew. But I don’t. I look around
almost in a sort of despair for anything
I know. For anything. Some mislaid bit.
I must have had it somewhere, somewhere here.
Nothing. There is silence here. Were there people, once?
They must have all gone off. No, there are still
people, still a few. But the sound is off.
If we could talk, could hear each other speak
could we piece something, could we learn and teach,
could we know?
Hopeless. Off in the distance, busyness.
Something building or coming down. Cries.
Clamor. Fuss at the edges. What? Here,
at the center — it is the center? — only the sound
of silence, that mocking sound. Awful. Once,
before this, I stood in an actual ruin, a street
no longer a street, in a town no longer a town,
and felt the central, strong suck of it, not
understanding what I felt: the heart of things.
This nothing. This full silence. To not know.

*

Metonymy as an Approach to a Real World

Whether what we sense of this world
is the what of this world only, or the what
of which of several possible worlds
– which what? – something of what we sense
may be true, may be the world, what it is, what we sense.
For the rest, a truce is possible, the tolerance
of travelers, eating foreign foods, trying words
that twist the tongue, to feel that time and place,
not thinking that this is the real world.

Conceded, that all the clocks tell local time;
conceded, that “here” is anywhere we bound
and fill a space; conceded, we make a world:
is something caught there, contained there,
something real, something which we can sense?
Once in a city blocked and filled, I saw
the light lie in the deep chasm of a street,
palpable and blue, as though it had drifted in
from say, the sea, a purity of space.

*

World, world, I am scared
and waver in awe before the wilderness
of raw consciousness, because it is all
dark and formlessness; and it is real
this passion that we feel for forms. But the forms
are never real. Are not really there. Are not.

Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing. If someone walks fast and one pricks up one's ears and listens, say in the night, when everything round about is quiet, one hears, for instance, the rattling of a mirror not quite firmly fastened to the wall.