It’s been nearly 75 years since Eleanor Estes first published “The Hundred Dresses.” But with its themes of empathy and understanding, this children’s classic feels as fresh and relevant as ever. And Nashville Children’s Theatre’s engaging new production offers an especially rewarding way to kick off the company’s 87th season.

A lesson in compassion

Adapted by William Kent Williams from Estes’ Newbery Honor-winning book, “The Hundred Dresses” centers on Wanda Petronski, a young Polish immigrant who is ridiculed at school for her funny-sounding name, her accent and the fact that she wears the same faded blue dress every day.

The story’s message of tolerance is simple, yet profound, encouraging young audience members to stand up to prejudice and bullying. Even better, it reminds us to take responsibility for our own actions.

Thoughtful direction and performances

NCT’s Executive Artistic Director Ernie Nolan is quite impressive in his Nashville directorial debut, demonstrating a discerning eye and a tremendous respect for his audience. Nolan also has assembled a fantastic cast for this season opener.

Tamiko Robinson Steele makes a welcome return to NCT as Maddie, the story’s narrator, who takes us back to her childhood — and one of the most important lessons she would ever learn. Robinson Steele is outstanding throughout, easily switching gears between the confident, grown-up Maddie and her younger, less assured counterpart. Likewise, Kristin McCalley brings a quiet sense of strength and dignity to Wanda, even as she reveals her character’s profound hurt and loneliness.

Catherine Birdsong serves up just the right blend of snark and insecurity as resident “mean girl” Peggy, and Taylor Kelly lends a sweet, playful energy to the role of Tommy, with both actors making solid NCT debuts.

And though it’s hard to imagine that “Dresses” marks William Barry Scott’s NCT debut, it’s wonderful to see such an accomplished performer on stage as the kindly teacher, Mr. Mason. Scott infuses the role with great honesty and warmth, and is just as effective as the mysterious Mr. Svenson.

Taylor Kelly, left, William Barry Scott, Tamiko Robinson Steele and Catherine Birdsong in NCT's production of "The Hundred Dresses."(Photo: anmportraits.com)

Imaginative design

Mitch Massaro’s scenic design is rather ingenious, balancing the evocative elements of this lovely memory play, while supporting the story’s unfolding action. With three turntables — each bearing an artful collage of distressed windows and doors, and beautifully lit by Bill Rios — we journey from playground and classroom to a poor neighborhood on the wrong side of the tracks.

As always, Patricia Taber’s detailed costumes reflect not only the time period, but also the individual characters. And Joshua Stark’s crisp sound captures everything from chirping crickets to a stormy afternoon.

Tender, yet totally entertaining, “The Hundred Dresses” taps into important lessons of childhood that will resonate at any age.

If you go

What: Nashville Children’s Theatre presents “The Hundred Dresses”

When: Through Oct. 3. Performances at 2 p.m. Saturdays and Sundays. (The Sept. 24 performance will be ASL sign-interpreted, and a sensory-friendly performance is set for Sept. 30.)