I believe for Secritariat, that e-p1s were used to get close up shots of horses hooves running at full speed.... the small size meant they could get the camera in places that a bigger and more expensive cameras couldn't and wouldn't go.

like any good craftsman, movie makers are very adept at using the right tool for the job. There are lots of areas where the cameras you and i use could be used in a movie... hey if the script requires an actor to look at an iphone movie on a screen, why not use an iphone!

I would think that in the world of documentary, that you will find a better mix of traditional cameras working alongside 'our' cameras

Still it is very encouraging, and somewhat is a poke in the eye to those who think that our cameras are somehow inferior in the image quality stakes.

as I often say, its not about the camera... its about the person behind it

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