Black / Thrash

I do not know why this makes sense but it does. The split between Lord Rot and VHS allows one to experience two different types of horror. This is why I have constantly praised the ideas of split as you are allowed the opportunity to come into a release that is curated by more than one band. For the most part the aesthetic is aligned and in other cases, it is the synergy between two types of horrors which sets the tone.

Lord Rot is a Scottish based one man death metal band whose sound is bleeding into black / thrash metal with all of the flourishes indicative of a full pice outfit. The two songs belonging to this act are not only electrifying but sharp as a rusty knife that is being waved as a threat. This split acts as the first release in a few years following a successful EP all the way back in 2015. This is most likely due to the fact that James Mcbrain is also behind the more renown Hellripper whose 2017 release Coagulating Darkness was the toast of the underworld. The Lord Rot project is similar just with more pulp / slasher flair.

VHS stands for Violent Homicidal Slasher though I feel the band loves the nostalgic acronym as horror movies and Video tapes sort of go hand in severed hand. The VHS side of the split is dedicated to the Texas Chainsaw Massacre with 4 songs and about 5 minutes devoted to Leatherface and chainsaws. If one was looking for irreverence and the sound of tripping while watching horror movies then VHS just might be the insane time you need.

A couple of friends and I have contests to see who can mine the best music out of the field of brand new releases. I feel that checking back to Caligari records every so often is cheating since this label has been known to already have a good system which finds the most vile and fiery bands from across the globe. Enter Obscure Evil whose previous 2016 demo was enough to take notice but the band’s new EP is something to behold.

Fuck yeah! Black / Thrash! Fuck Yeah! There are few things which would deter this record from being great once the image and sound was locked in place. Even though the band and album title are not lock step with an immediate sinister image, the members which make up Kvesta have everything they need with a blazing full length which sounds like the dark one peeling away on a loud motorcycle. If you want an album which will make you stand a few feet taller, It is time to worship the Ibex.

Yes. Yes. Yes. This is another band I am going to sort of muffle when I try to say their whole name. Thank the gods the band sometimes go by their shorter acronym NNGNN which still sound like you are muddling words. Regardless of any pronunciation, Nolti Nan Gana Nan Nolta is a British black thrash whose dedication to the sound of Celtic Frost, Abigail, and Bathory, could come off as worship if the band was not so capable of making a solid debut EP. If one enjoys riffs, attitudes, and a release with the name “Venomhammer” in the title, then Nolti Nan Gana Nan Nolta will be the best thing you hear this week.

I try to only review releases from 2014 which gets difficult when the secondary cassette market reprints albums from years prior. Finding first run cassette releases is sometimes difficult. According the liner notes for Satan’s Throne by German act Schafott, the demo was recorded 2 years prior with no explanation what happened in those 2 years and now. I am asking no questions as it seems that the band’s demeanor is slightly drunk and looking for a fight.

It is about that time when things completely break down and chaos ensues. Plagüe is a California based black thrash act who has yet to find a label to call home. Unholy Offerings is the band’s first somewhat official release following two demos of near evil. Though this EP probably will not be considered anything past a longer demo, Unholy Offerings has brief glimpses of exceptional madness and potential to fuck shit up without mercy.