Nikon covers all focal lengths with three 'DL' enthusiast compacts with 1"-type sensors

Nikon is entering the 1"-type premium compact market in a big way, introducing three new models: the Nikon DL18-50, DL24-85 and DL-24-500. Between them, they cover pretty much every focal length. The 'guts' of all three 'DL' models are the same, in that they share a sensor, image processor, autofocus system and support for 4K video (with clean HDMI output, no less). Parts of the design, especially the control layout and font, strongly resemble that of Nikon's 1-series mirrorless cameras.

Sensor-wise, the DLs use what is possibly the same 20.8MP 1"-type BSI CMOS sensor as Nikon's J5 mirrorless camera. It's paired with the company's new EXPEED 6A image processor, which allows for a top ISO of 12800 and 4K/UHD video recording at 30p. All three cameras have 'Dual Detect VR', which combines data from the cameras' angular velocity sensors and the scene itself to reduce shake. They also have fluorine coatings on their lenses to keep moisture and oil away. Each has a manual focus ring around the lens, as well.

They also have 3" touch-enabled OLED displays, tilting on the 18-50 and 24-85 and fully articulating on the 24-500. Naturally, they all have Wi-Fi with NFC, plus Nikon's 'SnapBridge' technology, which uses Bluetooth to maintain a connection between camera and phone, so there's no need to re-pair. Battery life on all three DL models is rated at 290 shots/charge (per the CIPA standard).

One of the features that may set the DLs apart from the other 1"-type cameras is its Hybrid AF system, which combines 105 phase-detect with 171 contrast-detect points. This allows the camera to shoot at 20 fps with continuous autofocus, which is, by far, best-in-class (spec-wise). If you can live with single AF, then the DLs can shoot even faster: 60 fps.

Nikon DL18-50

The first camera is perhaps the most interesting, as it has the widest lens of any enthusiast compact on the market. That lens has an equivalent focal length of 18-50mm and a fast maximum aperture range of F1.8-2.8. The lens has a 3-stop ND filter and is Nikon's first compact to have a Nano Crystal Coating, which reduces flare and ghosting. The lens has seven aperture blades and has a top shutter speed of 1/1600 sec (an electronic shutter, found on all three models, maxes out at 1/16000 sec). There is also built-in perspective correction, which is especially useful when shooting architecture.

The camera has full manual exposure control, Raw support, tilting touch OLED display and aforementioned 4K/30p support. The DL18-50 also supports an optional tilting OLED electronic viewfinder with 2.36M dots. The 18-50 is the only one of the camera cameras to lack a built-in flash, though like its siblings it does have a hot shoe.

Nikon DL24-85

The DL24-85 is very similar to its wider sibling, both inside and out. The main difference is its lens, which is a 24-85mm equiv. F1.8-2.8 model, though it lacks the Nano Crystal Coating. Its standout feature is the ability to take life-size, 1:1 macro photos, with a minimum focus distance of 3cm. Macro shooters can also take advantage of focus peaking and bracketing as well as manual priority AF. Again it includes a built-in ND filter.

Nikon DL24-500

For those seeking a long zoom model, there's the DL24-500. As its name implies, it has a 24-500mm equiv. lens, with a max aperture range of F2.8-5.6. Unlike the other two models, the 24-500 has a fully articulating display and a built-in OLED viewfinder. It's also the only of the DL models with a mic input jack, with support for Nikon's ME-1 shotgun mic.

All three cameras will be available in early summer with suggested retail prices of $649 (24-85), $849 (18-50), and $999 (24-500).

Press Release:

THE NIKON DL PREMIUM COMPACT SERIES: PUTTING POCKETABLE POWER AND LEGENDARY NIKKOR LENS PRECISION INTO THE HANDS OF PASSIONATE PHOTOGRAPHERS

Pairing a Large 1-Inch Sensor with Superior NIKKOR Lens Technology, Nikon’s New Compact DL24-85, DL18-50 and DL24-500 Will Help Capture Stunning Images and 4K UHD Video

MELVILLE, NY (Monday, February 22, 2016 at 11:01 P.M. EST) – Today, Nikon Inc. announced the new DL Series of premium compact cameras. These pocketable yet powerful imaging tools offer an elite level of imaging prowess that fits easily in one’s palm. Equipped with a variety of focal lengths optimized for different types of shooters, the DL24-85, DL18-50 and DL24-500 combine powerful NIKKOR optics with a large 20.8-megapixel (CX-format) 1-inch BSI CMOS sensor to produce stunning image quality and amazingly detailed images, even when shooting in low-light. Cameras in the new DL line will also feature powerful performance, with high-speed Autofocus (AF) and 20 frames-per-second (60 fps with fixed AF) continuous shooting capability for fast action moments, as well as 4K UHD video recording for users to tell their stories in new ways. Ergonomically designed and familiar for advanced users, all three cameras will utilize the new Nikon SnapBridge connectivity to make it easier than ever to shoot and share with ease.

“We recognize consumers’ desire for smaller cameras capable of outstanding image quality,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “With the new DL line, Nikon is proud to fuse legendary NIKKOR optics with the latest innovations in imaging to provide advanced photographers amazingly compact tools capable of capturing photos and video that even the most discerned professional would be proud of.”

The Nikon DL Series: Powerful Performance, Superior Optics

The new DL line of premium compact cameras packs innovative and powerful imaging technology into elegantly designed yet remarkably compact camera bodies, making it easier than ever to carry pure imaging prowess in the palm of one’s hand. All of these new cameras are designed with a 20.8-megapixel CX-format (1-inch) BSI CMOS sensor, which when combined with fast, high quality NIKKOR glass, help to create stunning image quality for stills or 4K UHD video. Working alongside the new sensor is the new EXPEED 6A image processor that allows for impressive noise reduction and powerful, fast performance, making it possible to capture stunning low-light street photography, beautiful portraits or spectacular landscapes with ease.

For fleeting moments and fast-action, the DL line incorporates a high-speed hybrid autofocus (AF) system featuring 105 phase detect focus areas (with 171 focus points in contrast detect AF mode), as well as continuous shooting up to an incredible 20 fps, with capability to capture up to a blazing fast 60 fps with focus locked on the first frame. The DL series also features Dual Detect Optical VR technology to compensate for camera shake while handheld or at slower shutter speeds.

Continuing the impressive legacy of NIKKOR glass, each new DL camera features a unique lens design capable of amazing resolution and beautiful background blur (bokeh), with impressively fast apertures. The lens barrel also includes a manual focus ring, giving users enhanced control over focus on any subject.

Each NIKKOR lens is also equipped with a fluorine coating that helps repel dirt, water and oil, and also facilitates easy cleaning. For the first time in a Nikon compact camera, the DL18-50’s NIKKOR lens will utilize Nano Crystal Coat to help reduce ghost and flare, particularly useful when shooting at a wide-angle. With the best NIKKOR technologies now integrated into compact camera models, users will be able to capture phenomenal images with amazing detail time and time again.

Control and Versatility

The DL24-85, DL18-50 and DL24-500 put creative control in the hands of each photographer and are all operated using the familiar Nikon DSLR menu design and an assortment of physical controls. The series also supports RAW (NEF) image capture, full PSAM manual controls and over 20 preset creative options, for use in both still and video shooting (including Picture Control, Creative mode, Multiple Exposure Lighten) to help challenge each user to expand their photographic horizons.

The DL line provides the tools to frame nearly every shot, with all three cameras sporting high-resolution 1,037k-dot OLED Touch displays. While the DL24-85 and DL18-50 allow for tilting, the DL24-500’s display provides full Vari-angle capability, vitally important when shooting from unique perspectives. Even further customization and control is possible utilizing the hot shoe/accessory shoe available on DL24-85 and DL18-50 models that allows for complete system expandability with the DF-E1 optional electronic viewfinder. The DL24-500 also sports a hot shoe and a stereo microphone input jack, while all three models are compatible with Nikon i-TTL Speedlights.

Seamlessly Shoot and Share

Nikon SnapBridge makes it easier than ever to shoot and share amazing images with friends and family. Available throughout Nikon’s newest line of premium compacts, SnapBridge utilizes Bluetooth®1 low energy technology (BLE) to provide an “always on” connection to a compatible2 smart device. Users can now seamlessly send images from their camera to a smart device (utilizing the new SnapBridge app) for easy sharing via social networks or to the cloud for instant storage. An unlimited number of thumbnails and 20 GB of storage will also be available for registered Nikon owners and SnapBridge users on Nikon Image Space, Nikon’s free image storing service. Additionally, built-in Wi-Fi3 and NFC remain available to help facilitate easy connection and sharing.

Through Nikon SnapBridge, users can also operate their cameras remotely using the app, automatically synchronize time and location information to any image utilizing the camera’s constant connection to a compatible smart device, as well as embed information on any image, including copyright or photographers’ names. Lastly, firmware updates have never been easier, as Nikon will send registered users firmware information via the new SnapBridge application, directly to their smart device.

4K Video Capability

The DL series will be among Nikon’s first compact offerings to support 4K UHD video capability [3840x2160] at 30p, affording users the ability to capture incredibly beautiful video with remarkable detail, all with a compact camera. Multimedia photographers will have free reign over their creative vision with the ability to utilize PSAM selectable exposure modes while recording, alongside popular movie features like HDMI output to an external recorder, slow motion to 1200 fps and the ability to grab stills from video. Other creative video functions available include: Full HD movie, HD movie, Motion Snapshot, Slow motion, 4-second movie, Time-lapse movie, Superlapse movie and Jump cut.

DL24-85: The Premium Compact Camera Ready for Anything

Great for travel, portraits and general photography, the DL24-85 offers pocket-sized imaging power with a fast and versatile 24-85mm focal range. Compatible with 40.5mm threaded filters, the newly designed NIKKOR lens (11 elements in 9 groups) features a 3.6x zoom range (7x with Dynamic Fine Zoom4) and a wide f/1.8-2.8 aperture, empowering users to capture a wide variety of subjects with incredible detail and natural bokeh, even in low-light. The 24-85mm offering also features Dual Detect Optical VR, AF bracketing and a tilting Touch OLED display to make composing from creative angles easier than ever.

Exclusive to this DL model is a new Super Macro Mode (1:1) that helps capture even small subjects in life-size detail. Setting manual zoom on the camera to super macro position allows the user close-up shooting at a 35mm equivalent magnification, providing amazing detail whether shooting flowers in bloom or a wandering ladybug. Macro photographers can utilize a variety of camera functions within the mode, including focus bracketing, manual priority AF (M/A) mode and peaking indication, to truly customize the look and feel of every image.

DL18-50: A Premium Pocket Camera That Can Capture It All

For landscape and architecture shooters looking for compact, ultra-wide angle DL option, the DL18-50 provides a solution that fits easily into any photographer’s pocket. Starting at a wide 18mm and expanding to 50mm (2.8x zoom, 5.5x with Dynamic Fine Zoom) the camera sports a powerful NIKKOR lens with a wide f/1.8-2.8 aperture that makes it easier than ever to produce natural bokeh in any image, while capturing tack-sharp stills and video. This lens is compatible with 46mm filters and features Nikon’s Nano Crystal Coat to help reduce ghosting and flare.

Those who choose the wide-angle DL premium compact can also take advantage of perspective controls to help compensate for image distortion, particularly for shooting tall objects from the ground like landmarks and skyscrapers. Tailored for architecture shooters, this feature helps to capture the correct perspective with ease.

For use with the DL24-85 and DL18-50, a newly designed optional DF-E1 electronic viewfinder (EVF) will be available for discerning photographers who desire for a traditional eye-level viewfinder to frame their photos. The compact DF-E1 features a 2,359k-dot resolution with eye sensor, alongside a tilting mechanism, diopter adjustment and anti-reflection coating, helping provide further clarity and versatility for DL shooters.

DL24-500: Get Close and Connect

The DL24-500 offers the longest zoom capability of any DL premium compact, reaching an incredible 500mm focal length and 21x optical zoom (42x with Dynamic Fine Zoom). Combining Nikon’s new 1-inch sensor with this impressive super-zoom NIKKOR lens, the DL24-500 is an ideal choice for users eager to photograph and share anything from concerts to wildlife. Featuring an f/2.8-5.6 aperture, this lens (compatible with 55mm filters) integrates the newest NIKKOR technologies to help render amazing images and background blur, even from afar.

The DL24-500 also features Dual Detect Optical VR, particularly useful when shooting at extremely long focal lengths or without a tripod, a built-in electronic viewfinder (EVF) with 2,359k-dot OLED display and an eye-sensor and a Vari-angle 1,037k-dot OLED screen.

Price and Availability

The new DL24-85, DL18-50 and DL24-500 will be available in early summer 2016 for suggested retail prices (SRP) of $649.95*, $849.95*, and $999.95*, respectively. Pricing and availability for the optional DF-E1 electronic viewfinder, compatible with both the DL24-85 and DL18-50, is TBD. For more information on these new Nikon products, please visit www.nikonusa.com.

1 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation and its affiliates is under license.

2. WI-FI COMPATIBILITY This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera. The SnapBridge app is not yet available (coming soon in spring 2016) Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc.

3. Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.

4. Dynamic Fine Zoom magnification is calculated from the full-wide end of optical zoom

* SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon DL18-50 / DL24-85 specifications

Nikon DL24-500 specifications

Comments

Almost 10 months ago these cameras got announced and STILL not available. Nikon is doing everything in their power to go down the drain. This marketing and business model stupidity makes absolutely no sense what so ever. The excitement about the product is gone, the specs become redundant and even the hard-core brand fans start giving up. Personally back in February, I couldn't wait to get my hands on the DL18-50 because it's a range I've always dreamed on a small compact camera. Now I could care less. This is all aged vaporware and I would not be surprised if Nikon even misses the year's end holiday season. 2017 comes soon with lots of new product announcements & February is again around the corner.. maybe Nikon will re-announce the same cameras. I give Nikon a short lifeline before they go under or are taken over.. the rumors started long ago already & judging by this year's performance of lackluster new products and delays, Nikon's own dead end looks like it's only true real deal..

I have not been attracted to a compact in a long time. Most premium compacts do not compete with a low-spec DSLR such as a D3300 which is cheaper, and I do not care if the camera fits in my pocket.

Where DSLRs used to badly fail is in video: crappy contrast detect AF, subsampled sensor readout with awful moiré, no power zoom, no ND filter.

It seems that these guys are promising for 4K video. They have power zoom, ND filter, I believe full sensor readout, a decent sized sensor, decent lenses, power silent zoom. Atop of that I can use a real Nikon flash to bounce light on a ceiling if I am too lazing to bring a DSLR.

These DL's raise very interesting questions in my mind. At what stage/price/functionality/capability/weight and pocketabilty levels would it be better to get these than similar focal length and brightness lenses?

Yes the lenses are for forever but digital cameras have already in some people's books or will soon enough reach levels where the additional improvement in the end result photo would probably come from technique than technology particularly for amateurs and enthusiasts.

Nikon is launching three 1"-sensor cameras. Why not. But Panasonic strategy with the ZS100 seems more logical IMO. I'm looking for a decent travel/backup compact and I do not see the rationale behind all these confusing Canon G*X and now Nikon DL cameras. I never had a Panasonic before, but if the ZS100 continues getting good reviews (so far they are quite encouraging), it could be my next 2nd camera! I may change my mind if IQ from these DL is very high above the other ones, but I doubt it.

I am in the same boat. The zs100 is 44mm thick. The 24-500mm is a crazy 90mm thick. So, not close to pocketable. I have the Sony hx50v and its the best camera I ever owned, use it all the time. I could deal with a slightly bigger camera and would love a bigger sensor and could live with less zoom. So, $300 less for the panny zs100 looks ideal to me now. Its pretty dead center for me.

Although I do not plan to buy any of these, they offer a good selection covering a broad range of interest. And it keeps competition active for more to come.I am looking for compact travel cam and will try Panasonic ZS100 when it becomes available.

I'm semi impressed with these. Just wondering if the fast fps burst have decent buffer.Or will the buffer fill up really fast, then make you wait , before being able to shoot again. (my P610 pushes my patience, as I , at times, will wait for over 1 minute!)

Seems a bit pricey compared to the Panasonic ZS100. I want a travel zoom with a sensor that's bigger than 1/2.3". So, $300 more for the Nikon?? That's a pretty big gap. I owned the sony rx and it was not great for a travel zoom given the lack of zoom. I swear, something with a decent sensor is ok, everyone jumped to 1inch. That makes the entire camera too big now.

I cant believe I am saying this, but I want a sensor that is smaller so I can still fit this thing in my pocket like the sony hx50v. As soon as I cannot put it in my pocket, I don't care how big it is, so its going to be FF. Cant believe they didn't just go up a notch in size, they went nuts. Your travel zoom options are 1/2.33" or 1" not pocketable.

What are the video bitrates for the DL 24-500? Does it use full-sensor readout for 4K? If not, does it use an 8.1-MP sector and give a longer focal-length for 4K?

Why have they given such long model numbers to this series, that have no easily recognizable personality to them? DL 24-500 sounds like a lens specification (which it is), rather than a name or model number. Why is nothing said about 4K photo capture? What they really should have done is make a camera that has a "2/3-inch" sensor and 800mm.

"Small" is relative. A 1" sensor is enormous compared to the tiny sensors that go into smartphones and low-end P&S cameras, and even 1/1.7" enthusiast compacts of the past. 1" is small compared to APS-C, APS-C is small compared to FF, FF is small compared to MF.

It's all about compromises and trying to pick the best point of diminishing returns. For example, the performance gap between a 1" and APS-C is a lot smaller than the performance gap between a 1/2.3" and a 1".

Also keep in mind bigger senors mean higher cost and bigger lenses, and people are already complaining about the size of these things.

What about the performance difference between 1/1.7" and 1"?I really want to replace my aged Canon Powershot g11, and am looking for something that I can carry with me in my (large) purse, and that is decent in low light. The G11 is unusable at anything over ISO 400.

When I tried the Nikon P330 I found that it had horrendous lens flare, so bad in fact that I had to return it for a full refund (good customer service from Jessops) I hope the DL 24-85 is a much better camera!

Weather sealing and usb charging was one of the reason to choose the RX10 as my ideal travelcamera. The 24-500 seems truly versatile.On the other hand, one drop of rain on the lens of the 24-200 lens of the RX10 and you can forget it, raindrops on the lens will show on the file as a blurry pain in the butt. So what would be the big deal about weather-sealing? Preventing dust from entering the sensor?

Lol, the G5X is not even in the same category. Have a look at the spec sheets, particularly in the AF and FPS department. The DL's will be night-and-day more responsive than something like the G5X. A tilting EVF is available if you want it as well.

The N1 series cameras are actually pretty great, and they are far more popular overseas than they are here in the USA. The FT-1 adapter in particular has opened up a lot opportunities for cheap reach, and there is still no mirrorless camera on the market that can match it's speed and AF performance. If anything it's held back by it's limited lens selection.

The 24-500 could be my first Nikon ever as a Canon user since 1980.I’m very happy with my holiday-cam, the Canon SX50HS but an upgrade like the G3X would be nice.But hey, there is the 24-500.It would be nice to see a side by side test with the G3X.I’m very interested in the 24mm-28mm performance from both.For the other two, good work Nikon !

Also the control ring (not to be confused with the zoom/step ring) does more than just MF. Straight from Nikon's website: "Focal length can be set in steps or adjusted fluidly across the zoom range with the lens' precision zoom ring, while the control ring allows precise adjustments of aperture, shutter speed, manual focus or even white balance."

I have been slowly digesting what these new cams represent all day. I am dissapointed that Nikon did not produce these fast lenses for the 1 system. So there is that. But, other than that one complaint, these new cameras look effin sick. As long as you don't need lots of shallow dof these cameras blow away everything up to the pro level bodies. They destroy any entry level DX body in feature set. I am kinda digging them.

I don't think a $200 camera the caliber of the J5 would be useless. And I wouldn't invest anything more in way of lenses, etc. It would simply be a $200 camera that I wouldn't mind handing to my kids, wife, or leaving at the office, in a suitcase, etc., for when my phone won't suffice. I can't say the same for my D800 or even my Typ 109. The fingerprints and peanut butter. Oh the horror.

I've got the 6.7-13 and 10-100 lenses and I like that combo for travel. J5 with better sensor and better ISO performance would be welcome.

Plus, my V1 and 6.7 lens are my wedding processional safety shot for everyone coming down the aisle. (I film weddings primarily) The J5 is a cheaper upgrade than the DL 18-50, until the coming DL fire sale.

@ Brownie - You can't use an FT-1 adapter with the DL, which is perhaps the single largest draw to the 1-series aside from it's incredible AF (which the DL shares thankfully). The DL will eat some N1 sales, but it hardly makes them irrelevant. There is still no better cheap budget reach/wildlife combo.

Does it bode well for a new V-camera? Either Nikon keep changing their minds, or they have a grand plan that includes everything, well integrated, eventually.So now that they've done the research and development, and tooling up, there might be a V camera with 4k, CLS flash shoe, and better sensor, AND some fast zooms. But not until the euphoric purchasing of these three subsides, no doubt. They might have seen a better business decision in marketing these first.

The advantage of the 1 system is redundancy. If you have an interchangeable system, and one component breaks or breaks down, you can mix and match and keep shooting.If you have two or three fixed lens cameras and are unfortunate enough to break one, you lose that capability. With dust on the sensor as the main problem in digital photography, a body for each lens is the way to go, even with an interchangeable system. Until something breaks - then you need to be able to swap around.

I agree. Unique. The 18-50mm is an extremely interesting camera. Nice thinking, Nikon. Sounds like the perfect hiking and travel camera for those who like wide angle. Or a slick little star gazing camera. I'm still glad I got a 4/3rds with 18-36mm equiv lens, because then I can switch to a telephoto or bright prime. But the Nikon is compelling.

The 18-50 is the first compact I've been interested in for a while - That's the camera that I always wished existed, but never seemed like it would. There have been so many times I've wanted something wider that the 24mm equiv while traveling, but not wanted to lug around a UWA zoom plus another lens. Being able to go that wide, plus get a 50mm equiv, plus get a 1:1 macro (even if it requires you to be an inch away or whatever) is great - Doing all of that with reasonable EC controls, reasonable aperture, and VC is absolutely killer.

While I'd like it to have an EVF, many of the perspectives that would best make use of such a wide angle can be easier to compose on a display - at least without going through crazy contortions.

When Nikon released the Coolpix A, this is the road that I was hoping they would go down. This may actually get me to spend money on Nikon again, as long as they don't cripple the controls on this - That's killed some of their compacts for me in the past.

If the macro mode on the 24-500 is ok then I may consider one.Getting fed up of lugging a dslr and 2 or 3 lenses.Size wise its likely to be similar to the fz1000 but with a little more focal length and hopefully better built.

When I see "optional add-on viewfinder" I put my CC away. Not that I'd buy one anyway. Yes, as others have noted it looks like the CX cameras are dead in the water now - which I think is a shame. Had that line been designed and managed more intelligently it could have done well.As for buying a whole different camera in order to get a different focal length range (a wheeze borrowed from Sigma) you'd have to say:"Never give a sucker an even break"

Only people of high moral character and appeal call others an "idiot" on the internet.

The Nikon 1 system had it's appeal, but it was 1) too limited for those who wanted more control, quality, etc. and 2) too complicated for those looking for a simple, small point-and-shoot. While ambiguous from the start, the system felt mismanaged throughout it's lifespan.

Wait, didn't Sony prove there is a substantial market for premium compact cameras with 1" sensors if spec'd and priced correctly? These cameras are (obviously) not aimed at people satisfied with cell phone images, but rather those who are NOT satisfied with them but don't want to carry a DSLR.

But don't let that stop you from declaring anything smaller than full frame DOA.

Was good for a 1inch slightly behind my experience with m43. Because Nikons lacklustre lens line-up in the 1-series i didn't give a damn. It was VERY quick though. But without fast lenses and limited high ISO's the point was moot.

Now with F1.8-2.8 lenses and proper 30fps 4k it's very exciting.Being Nikon i am sceptical about the 4k video though. wanna know how it stacks up to Panasonic and Sony.

DPReview is at the CP+ 2016 show in Yokohama, Japan, where Nikon announced three new compact cameras. The 'DL' range is distinct from the established Coolpix and 1-series lineups, and consists of three cameras built around the same 20MP 1"-type sensor. We headed straight to Nikon's booth to get hands-on time with the DL 18-50, DL 24-85 and DL 24-500. Read more

Nikon has arrived a little late to the 1" sensor compact party but it's turned up mob-handed. It's announced three DL models: two fast-lens compact cameras with a choice of wide or standard zoom range, and a 21x superzoom model. Click through to read about the specifics of the DL18-50, DL24-85 and DL24-500, and where they sit among the competition.

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