Once in a Blood Moon

Heaven Hill Plantation, upriver from Georgetown, South Carolina, 1807: Sixteen-year-old Alexandra Degambia is the daughter of a wealthy African American planter and a social-climbing mother who can pass for white. Balancing on the tightrope between girlhood and the complicated adult world of Low-Country society is a treacherous undertaking.

Early Reviews

Alexandra is a tenacious heroine who’s easy to root for, and the author elegantly articulates her precarious position between white and black society. Overall,
this novel explores issues of equality and personal freedom in thought-provoking ways.

Sharp writing, an original plot, and a strong female protagonist make for an engrossing read.

-Kirkus Review

This tale of desperation, injustice and courage is a much needed addition to our grasp of our nation’s history. A 5-star reading experience. Highly recommend!”

Laura Taylor – 6-Time Romantic Times Award Winner

Excerpt

Alexandra longs to impress Monsieur. She imagines dancing with him before bedazzled spectators. She panics. He’s an accomplished dancer. What if the orchestra does play a waltz? She’ll make a fool of herself.

“I guess I could go down and dance for a little while,” Alexandra says, rising from the porch swing.

Before the young women reach the bottom of the stairs, they see a stranger wearing the sheriff’s badge galloping toward them from the back road. Three of his deputies ride hard on his heels.

Callie leans close to Alexandra. “Let’s duck behind the snowball bush before they see us,” she says. She sets the quilt on the porch swing and hides the Dancing Masters behind the geranium planter.

But the men are coming too fast. The girls are only half way down the stairs when the men rein their lathered horses to a stop.

The new sheriff, who wears a top hat too small for his head, points at Alexandra.

“You deaf? Git me some water. Now!” The stocky man’s eyes graze over Alexandra’s body. He clucks his tongue and turns to Callie, “You’re too old to be dressing your slaves in your own clothes like they was dolls. I recommend you burn that fine dress to avoid being tainted by the sins of Hamm.”

“These are my clothes!” says Alexandra.

The sheriff and his deputies laugh.

“Tell him, Callie! These clothes are mine.”

“You let your girl speak to you in that tone?” The sheriff asks.

“I’m not her girl!”

Alexandra plants her feet. Callie backs toward the door.

“Callie! Tell him.”

Callie edges into the house and eases the door shut. Alexandra faces the sheriff. “My daddy will want a word with you,” Alexandra says, her fire rising.

When she sees a vein on the sheriff’s neck pump the venom that makes men crazy, the hairs on the back of her neck stand on end. She sighs with relief when Tante Isabelle glides out the back door like a cool breeze. Mother follows, arms akimbo, lips pressed tight.

“Heart attack. He’ll recover more than likely, but he won’t be back to work for a long time, if ever. Traveling judge deputized me. I’m following up on a slave who escaped from the George­town jail. You seen a big, black buck with a crooked nose and a little finger missing on his left hand?”

“I haven’t made the acquaintance of such a man,” says Tante Isabelle. “How are Mary and Margaret getting along?”

“Carolina Gold, the most sought-after rice in the world, is shipped all over the world from Heaven Hill, but I’m sure you knew that, Sheriff. Where’d y’all say you’re from?” Tante Isabelle doesn’t wait for his answer. “Now, if all y’all are still thirsty, you and your men are welcome to use the well in back of the blacksmith’s shop. The water’s fresh and sweet, sure to cool you down on a hot day like this. When you’re done, be so kind as to show yourselves to the main road.”

The sheriff turns his horse and kicks it to a canter. When he and his deputies are specks on the horizon, Callie slips onto the porch from the back door followed by her mother. “Shall we stroll in the maze garden?” Callie asks Alexandra.

About the Author

Dorothea Hubble Bonneau is an award-winning novelist, produced playwright and optioned screenwriter. Inspired by a quest for justice, her work is informed by her love of family, nature, and the literary arts.

Dorothea is a member of Author’s Guild, Women in Film, Squaw Valley Community of Writers, Aspen Summer Words Alumni, and Historical Writers of America.

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