Edwin Fischer

HMV Studio No. 3, Abbey Road, London

Instrumental

*when you purchase a lossless format, we include the MP3 free of charge

Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless

WARNING - you must enable Javascript in your browser to order higher quality download formats

DOWNLOADS

BACH, J.S.: Well-Tempered Clavier (The), Book 1 (Fischer) (1933-1934)

JOHANN SEBASTIAN BACH

Select Complete Single Disc for

The Well-Tempered Clavier, Book 1, BWV 846-869

1

Prelude

1:24

2

Fugue

1:47

3

Prelude

1:17

4

Fugue

1:47

5

Prelude

1:21

6

Fugue

2:15

7

Prelude

2:50

8

Fugue

4:38

9

Prelude

1:07

10

Fugue

1:52

11

Prelude

1:25

12

Fugue

2:12

13

Prelude

3:39

14

Fugue

1:41

15

Prelude

3:23

16

Fugue

5:28

17

Prelude

1:05

18

Fugue

1:03

19

Prelude

2:02

20

Fugue

1:06

21

Prelude

0:48

22

Fugue

1:24

23

Prelude

1:37

24

Fugue

4:35

Select Complete Single Disc for

1

Prelude

0:56

2

Fugue

1:56

3

Prelude

0:52

4

Fugue

3:51

5

Prelude

0:47

6

Fugue

2:33

7

Prelude

2:13

8

Fugue

2:04

9

Prelude

1:32

10

Fugue

2:08

11

Prelude

1:34

12

Fugue

3:16

13

Prelude

1:08

14

Fugue

2:37

15

Prelude

0:57

16

Fugue

4:50

17

Prelude

0:59

18

Fugue

1:32

19

Prelude

3:22

20

Fugue

3:23

21

Prelude

1:14

22

Fugue

2:39

23

Prelude

2:51

24

Fugue

6:13

Edwin Fischer Soloist

No Notes Found.

"This is a great performance from start to finish, and a document of Offenbach’s unique opera as it was performed in the country of the work’s origin for nearly a century after the world premiere. This is also one of the few "Hoffmanns" employing an all-Francophone cast, with the result that not only is the diction correct and clear, but each characterization is masterful. That begins with Raoul Jobin’s open-throated vocalization of the title part and Andre Cluytens’ conducting -- every vocal nuance, every tempo exactly right. No less impressive are the four incarnations of the Devil in baritones of which Charles Soix’s resonant Dappertutto and Roger Bourdin’s genuinely scary Dr. Miracle rarely have been bettered. This is a desert island recording."