Tag Archives: F&SF

By Carl Slaughter: Gordon Van Gelder does themed anthologies. A painstaking and time-consuming but rewarding task.

CARL SLAUGHTER: Why did you give up the editor’s chair of FSF?

GORDON VAN GELDER: I was wearing two hats — that of the publisher and that of the editor.

With the publisher’s hat on, I could see that the magazine was losing some of its edge –it was growing too predictable, falling short in some other ways. So I tried bringing in a guest editor to liven things up, and that went well. So I decided it was time to step down (wearing my editor’s hat) and I offered the editing job to C. C. Finlay (with my publisher’s hat on).

CS: Why stay on as publisher?

GVG: I like the hat.

But seriously, publishing a magazine isn’t a bad job. And someone’s got to do it.

CS: Looking at your list of anthologies, it seems you’re still doing some best of, but have been moving toward themed. Is that an accurate interpretation?

GVG: Fairly accurate. The path we take is mostly a function of what the market wants and what book publishers want. If we could publish a non-theme “Best of F&SF” anthology every year as we did in the 1950s, I’d be happy with that. But the book market in 2017 is vastly different from what it was in 1954.

CS: What’s the selection process for the themes?

GVG: Again, it’s mostly a function of what the market will support and what interests book publishers. There’s such a wealth of material in our back issues that we can produce good anthologies on a lot of themes. (I have detailed notes for several.) But how many of them will sell well?

CS: What’s the selection process for the stories?

GVG: It varies a bit from book to book, but mostly, it’s a matter of pinning down the prominent stories on the theme, and then doing research and filling in the book with lesser-known works.

My favorite one to assemble was the Mars anthology, Fourth Planet From The Sun. That one had a real dynamic to it, from Bradbury to Zelazny to Varley to Alex Irvine. The whole book seemed to assemble itself, much as writers will sometimes say that a book wrote itself.

CS: Your latest anthology is on repopulation. I confess, I am not familiar with that subgenre. Give us the background on this project.

GVG: The subgenre is like a relative of the old Adam and Eve stories — a lot of stories born from anxiety over the threat of nuclear bomb destruction and wondering what happens if humanity mostly manages to wipe itself out. (In fact, there was a recent book on this exact subject, something called The Knowledge by Lewis Dartnell on how to rebuild civilization. I used a quotation from it as the epigraph for my book.)

I got interested in the subgenre when I happened to encounter two stories on the theme from the 1950s and I thought, “I read a lot of these stories as a kid, but I don’t think I’ve seen one in the last fifteen years.”

When I dug into it, I found a lot of interesting material. Since the subgenre by definition basically calls for a scenario with a small number of people under fairly intense pressure, the stories tended to be dramatic and often extreme. Some of them are deeply moving, others are disturbing.

Researching the book took a long time, but it was a lot of fun reading through anthologies and old magazine issues. It was also interesting to see a lot of the 1950s stories from the SF magazines that have never been reprinted.

One thing that frustrated me is that I heard about a couple of stories I was never able to locate. If you don’t mind, I’ll mention one now in hopes that someone seeing this interview will be able to identify it:

As I heard it (and this may well be confused or mis-remembered, especially since I feel like I read it myself when I was a teen) the story concerns a p.r. or advertising guy who’s hired to convince men to go to Mars or another planet because they need men there. And he’s so good at his job that he convinces all the men to leave, leaving him alone on the home planet with the responsibility of repopulating Earth. But the kicker at the end comes in the form of his confession to the reader: “I don’t have the heart to tell them I’m sterile.”

CS: One of your anthologies is on climate change. Do any of these stories provide solutions?

GVG: Not really. If I’d thought any of the writers could actually make things better, I’d have sent them to a college friend of mine who’s working on these things for real. I saw the anthology more as an opportunity for writers to dramatize different aspects of what we humans might experience as the planet changes.

CS: Your next project is on dystopias. Why do in this direction? Isn’t this a well-worn trail?

GVG: Does it answer your question if I say that we came up with the idea for the book on January 20th and most of the stories are specifically focused on the next four years?

CS: What else is on the horizon for Gordon Van Gelder?

GVG: Well, aside from continuing to run F&SF, I’ve got a couple of smallish writing projects — an article and a book introduction — that I need to finish up. I’m also helping a couple of writers get some of their older work back in print. I don’t have any more books under contract right now, but I’ve got a few ideas simmering. And who knows? Maybe another odd, half-forgotten subgenre will come along and grab me and set me off on another four years of research to produce a book that’s liable to interest only a few oddballs like myself.

(1) GEMMELL LONGLIST VOTING DEADLINE. First round balloting on The Gemmell Awards longlist closes March 31. It is free and open to the public. Click here to cast your vote for the Ravenheart Award (best cover art), Morning Star Award (best debut novel) and the Legend Award (best fantasy novel). The shortlists for each award will be announced and voting opened on April 21.

Today, DoctorWhoTV.co.uk has shared a story from Betway. This particular bookmakers reckons that Fleabag star Phoebe Waller-Bridge – who’s set to appear in the young Han Solo movie next year – is in with a shot.

“Phoebe Waller-Bridge is all the rage with the punters at the moment”, a spokesperson revealed. “Her odds of being the next Doctor Who have collapsed from 20/1 to 2/1 since Monday morning and we’re on red alert, keeping an eye out for any more telling bets.

“Kris Marshall remains solid at 2/1, but the sudden rush of support for Waller-Bridge suggests the race to become TV’s next Time Lord is swinging in her favour.”

I had a great time this past month savoring Version Control by Dexter Palmer. It clocks in at a little over 18 hours as an audio book, but once I settled into the story, I found the slow pacing to be really wonderful. I wonder if we can create a sub-genre in science fiction or fantasy of slow-paced genre novels (or slow-paced genre realism?). Think a little Alice Munro or Karl Ove Knausgard transported into a genre setting. Into such a categorization, I’d throw some of my favorite books: The Book of Strange New Things by Michel Faber, as well as Molly Gloss’s Dazzle of the Day and Wild Life. Ah, and how about the beloved The Wall by Marlen Haushofer? My Real Children by Jo Walton? And then there is this one book I read 20 years ago, which I can not locate, no matter how many creative Google searches I do, about a regular California community and a regular woman, maybe a mother, who is just essentially living in an almost boring way–and then, in what’s maybe the last two chapters, there is a nuclear holocaust. But that is such a small part of the book, maybe even an afterthought…

I’ll stop my list now. But I do admire the authors who write this way. I think it takes some courage to straddle the line, not just in style but in plotting, between genre and realistic fiction as they do, as genre readers may find such fiction slow, and literary readers may wonder why there has to be aliens in the story….

Tell us a bit about “On the Problem of Replacement Children: Prevention, Coping, and Other Practical Strategies.”

I’ve been interested in the idea of speculative non-fiction these last few years: what if you took a certain emotional element of your life, put it in a speculative setting, and then wrote about it? So on the one hand, the emotions in this story capture my experience raising my son, who has autism, and my struggle to work through what I needed to work through, accept the child I actually have, and figure out how I can best be a parent to him. On the other hand, this is a fictional story about a world where children are snatched from under the lax eyes of their parents and replaced with a different child from another world….

It’s been over 80 years since iconic cinema star Bela Lugosi slept in this stately Tudor in Beachwood Canyon, yet his reputation still haunts it. Whether it’s called Westshire Manor, Castle La Paloma, or simply the Bela Lugosi House, the remodeled mansion is now for sale for $3 million.

The hillside Los Angeles neighborhood where this mansion is perched is right under the world-famous “Hollywood” sign, and is in fact still known as “Hollywoodland,” which is what the sign said when it was first constructed.

Best known for playing Count Dracula, Lugosi moved around Los Angeles and was hard to pin down, but the best sources place him in this particular home between 1934 and 1937. Apparently he, his fourth wife, Lillian, and their large dogs, including Great Danes and a white German Shepherd, enjoyed hiking to what was the Hollywoodland sign at the time.

Lugosi wasn’t the only celebrity to inhabit the manor. Actress Kathy Bates lived there for several years. Considering her roles in “Misery” as well as “American Horror Story,” we thought Westshore Manor might have a scary actor vibe.

(6) WOTF LIVESTREAM. The Writers of the Future Awards ceremony will be livestreamed on Sunday, April 2 beginning at 6:30 p.m. (PDT).

The event will open with a fire dance, featuring performers from EMCirque, a Hollywood and Las Vegas based Circus Entertainment Production Company. Concurrent with the dance, Rob Prior (creator of the poster art for “Star Wars: The Force Awakens”) and Larry Elmore will execute a live painting on stage.

Celebrity presenters will include Erika Christensen (co-star “The Case for Christ” releasing April 2017) and Marisol Nichols (Hermione Lodge in the CW’s “Riverdale”).

…As the top names in the science fiction and fantasy world, contest judges will be on hand to present the annual awards to this year’s writer and illustrator winners as well as the grand prize winner for each contest.

(8) CROWNED WITH LAURELS. Alison Bechdel will be the next Vermont Cartoonist Laureate. If that name sounds familiar, then you’ve doubtless heard of the Bechdel Test named for her. The test — whether a work of fiction features at least two women or girls who talk to each other about something other than a man or boy – first appeared in her comic strip Dykes to Watch Out For in 1985.

Next Thursday, April 6, Edward Koren will pass the torch — er, laurels — to his successor, Alison Bechdel, as Vermont Cartoonist Laureate. In a ceremony at the Statehouse, the longtime Bolton resident, creator of the strip “Dykes to Watch Out For,” and author of Fun Home: A Family Tragicomic will become the third cartoonist laureate in the only state to regularly appoint one. The initiative originated with the Center for Cartoon Studies in White River Junction, the professional school founded by James Sturm and Michelle Ollie 10 years ago. Bechdel succeeds New Yorker cartoonist and Brookfield resident Koren, who in turn succeeded Vermont’s very first cartoonist laureate, James Kochalka of Burlington.

“It seemed obvious she could have been the choice from the get-go — we’re lucky to have so many great cartoonists in the state,” says Sturm of selecting Bechdel. “Besides all her accolades and fame, she’s really a cartoonist’s cartoonist. Cartooning is just essential to who she is and how she makes sense of the world.”

(9) MORE SCALZI BOOK TOUR STALKERS. There is now a “Johan Kalsi” YouTube channel and a second stalker video for it to host.

Made out to “Ted” (Theodore Beale) a.k.a Vox Day, John Scalzi encounters another unidentified member of the Dread Ilk, this time in Dallas, TX

(10) CH-CHING! Meanwhile, Nick Mamatas has discovered Bookscan is part of the vast conspiracy, or is accurately reporting sales of The Collapsing Empire, (probably the latter.)

.@scalzi AND only the 17th bestselling hardcover fiction title this week across all genres. LOL, he wore ladyclothes once!

First, surgeons implanted two electrode arrays in Kochevar’s brain. The electrodes detect signals coming from areas of his brain that once controlled his right hand and arm.

“We have an algorithm that sort of transforms those neural signals into the movements he intended to make,” says Robert Kirsch, a professor of biomedical engineering at Case Western.

But movement requires muscles. So doctors also implanted electrodes in muscles that control his arm and hand movements.

The final result was a system that could determine which movements Kochevar wanted to perform, then electrically stimulate the appropriate muscles in his arm.

(13) LEARNING CURVE. As part of getting enough English speakers in time for the Tokyo Olympics, Japan assigns Fawlty Towers and Red Dwarf as homework. Because you never know when it’s going to be necessary to tell someone they can’t drive a nail with a hamster.

Japan is struggling to make sure it has enough proficient English speakers when it hosts the Tokyo Olympic and Paralympic Games in 2020.

And the classic BBC comedy series Fawlty Towers is being deployed by some teachers in an attempt to give Japanese students an example of spoken English – rather than focusing on written language and grammar.

Japan’s government and businesses want to use the Olympics to boost tourism and global trade and to present a positive image of Japan to the world.

So the government needs to ensure a supply of English speakers to be Olympic volunteers and work in the accommodation, tourism, and retail industries.

There is also a demand for professionals, such as doctors and nurses, to speak to visitors or competitors in English.

This summer, fans of both baseball and GoT will have plenty to be excited about … because special Game of Thrones® theme nights are coming to ballparks around MLB — featuring commemorative collectibles, ticket packages, giveaways, special co-branded merchandise, social media events and a lot more.

MLB has staged promotions like this before — like, say, the trailer for “The Force Awakens” as reimagined by the Twins — but this will be on a whole other level.

HBO has yet to announce when Season 7 will get underway, but we do know it will be some time this summer. Currently, at least 19 teams are scheduled to participate, including the D-backs, Red Sox, Reds, White Sox, Astros, Dodgers, Royals, Marlins, Brewers, Twins, Athletics, Phillies, Pirates, Mariners, Giants, Cardinals, Rangers, Rays and Nationals.

Hold the door for more information coming soon about this partnership, which has to be the biggest news since Jon Snow coming back from … well, you know.

(15) OTHER MLB PROMOTIONS. Martin Morse Wooster also sent the link to Michael Clair’s article about this summer’s best Major League Baseball promotions because the author says the Noah-Syndergaard-as-Thor bobblehead is ranked as the number 1 giveaway by anybody this year.

In the original Marvel Comics, Thor inhabited Dr. Donald Blake’s body while on Earth. But that’s just a fictional story. In our actual universe, Thor inhabits Noah Syndergaard every fifth day. Thanks to the Mets and Marvel Comics, you can walk away with the depiction of this stunning transformation.

Here's a mockup of the Mets' July 22 Noah Syndergaard "Thor" bobblehead giveaway, in partnership with Marvel. pic.twitter.com/5JmivXPENk

[Thanks to John King Tarpinian, Cat Eldridge, Chip Hitchcock, David K.M. Klaus, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

As Yahoo reports, Besson has long denied that his 2012 thriller, “Lockout,” was a copy of Carpenter’s Kurt Russell-starring actioner. In Carpenter’s film, Russell plays a former government agent who is tasked with retrieving the U.S. president from the island of Manhattan — which has been turned into a massive prison — after his plane crashes there (thanks, Air Force One, thanks a lot). In “Lockout,” Pearce is a convict sent to a giant space jail who is given the chance to win back his freedom if he can rescue the U.S. president’s daughter, who is trapped in said giant space jail.

The court ruled that Besson’s film had “massively borrowed key elements” of Carpenter’s feature…

[Via Ansible Links.]

(2) MIDAMERICON LOSES HOTEL. The MidAmeriCon II committee announced on Facebook that one of its hotels will be unavailable, and members who reserved there are being shifted elsewhere:

HOTEL UPDATE: The Courtyard/Residence Inn has let us know that their construction has run over schedule and they will not be open in time for MidAmeriCon II. We have been working with their staff and Passkey to contact those displaced to advise them of the situation and to find our members a hotel room with one of our other contracted properties. Please be aware that the new reservations will not be in the individual hotel systems until later this week. Once that occurs, the affected members will be contacted with information on where they have been relocated and provided new confirmations. Any questions can be sent to hotel@midamericon2.org.

Have you been waiting forever for your special letter to come? OMG! Don’t wait anymore! You can receive your very own letter, stating that you’ve been accepted to Hogwarts and feel the magic! Makes the perfect Hogwarts gift for anyone of any age and it is fully personalised with their very own name and address.!

What you get is a PDF file – when you pay only $5, you have to provide your own bells and whistles….

While Snow White’s dwarfs seem pretty standard—they’re short, unsocial, and obsessed with treasure—Diplotti explains that Tolkien took many of the names of his dwarves from a centuries-old Norse epic called the Voluspa, which has a section devoted to dwarf names and their meanings. Durin? That’s “Sleepy,” thank you very much. Dwalin, or “Dvalinn” in the “Voluspa,” is torpid, lazy, or sleepy. Oin? That would be “shy,” a.k.a. “bashful.” Well, that’s creepy!

Certainly one in a position of privilege does have a moral imperative to state, “This atrocity is wrong.” But when you buckle down to engage the haters on any issue, consider what your end goal is in having that conversation, and consider what other valuable work you could be doing with that time. I can pretty much guarantee you that, say, writing The Geek Feminist Revolutionand getting it into people’s hands was worth about a billion times more than spending that time arguing with dudes on the internet who were just there to distract me. They aren’t here to change minds. They are here to keep us from doing the work that changes the world.

We all have a finite amount of time on this earth. Those of us with chronic illness or who have had near-death experiences appreciate that more than others. I feel that it’s my moral imperative to remind you that you could get hit by a bus tomorrow. And if you did, would you regret how you’d spend the hour, the day, the week, the month, the year before?

My goal is to live the sort of life where I won’t feel I’ve wasted my time if I die tomorrow. It has kept me on target through a lot of bullshit. The truth is that all this shit is made up, and because it’s made up, it can be remade. But only if we focus our efforts on creating the work that moves the conversation forward, instead of letting ourselves get caught up in the distraction.

(8) TODAY IN HISTORY

July 30, 1932 — Walt Disney released his first color cartoon, “Flowers and Trees,” made in three-color Technicolor.

Frank Darabont, the filmmaker behind The Shawshank Redemption who helped launch The Walking Dead on AMC, is parting ways with some of his most prized possessions.

The director is putting more than two dozen rare items up for the gavel Saturday as part of Profiles in History’s art and movie memorabilia auction — including plenty of items that would make fanboys and fangirls weak in the knees.

“One thing I’ve always known is this amazing art wouldn’t be mine forever. It couldn’t be. We don’t own these things. We can only be their caretakers for a time, enjoying them as much as possible until inevitably they must pass on to the next caretaker” Darabont said in a statement. “For me, that time has come. I won’t lie to you and say that parting with these things is easy. Trust me, it really, really isn’t. But the time for everything passes, and so has my position as caretaker. I will be ever grateful for the joy these wonderful pieces of art have brought me. I can only hope that they will bring their next caretakers (and all caretakers after that, ad infinitum) equal or greater joy.”

Following the hugely successful sale of Frank Frazetta art from the collection of Dave Winiewicz, this unique auction will be presented in two sessions. Session One, The Frank Darabont Collection, includes original works by master artists Bernie Wrightson, Mike Mignola, Sanjulian, Jack Davis, Will Eisner, Eric Powell, Bob Peak, Rich Corben, Vaughn Bode, a bronze of the “Cyclops” creature by Ray Harryhausen, and rare movie posters including the only known Frankenstein 1941 Italian 4-fogli, and much more.

Session Two comprises a superb collection of vintage comic and illustration artwork featuring the finest original oil paintings by Frank Frazetta ever offered at auction, including “Sea Witch” (pre-sale estimate of $1,000,000 – $1,500,000) and “Bran Mak Morn” (pre-sale estimate of ($450,000 – $550,000), the most expensive Frazetta paintings ever offered at auction. These two paintings have never been offered for sale. The sale also features a wealth of works by “The Studio” artists Bernie Wrightson, Mike Kaluta, Jeffery Jones, and Barry Windsor-Smith, as well as Spider-Man art by John Romita, a Golden Age cover by Jack Kirby, horror and fantasy art by Richard Corben, an important work by John Buscema, among many other pieces by notable masters of the comic medium. Most of these works have been hidden away in private collections for decades, and this sale represents the first and likely only chance to obtain them.

Because of the movement of the Earth’s tectonic plates, these local co-ordinates drift apart from the Earth’s global co-ordinates over time.

“If you want to start using driverless cars, accurate map information is fundamental,” said Mr Jaksa.

“We have tractors in Australia starting to go around farms without a driver, and if the information about the farm doesn’t line up with the co-ordinates coming out of the navigation system there will be problems.”

The Geocentric Datum of Australia, the country’s local co-ordinate system, was last updated in 1994. Since then, Australia has moved about 1.5 metres north.

So on 1 January 2017, the country’s local co-ordinates will also be shifted further north – by 1.8m.

Chip Hitchcock commented, when he sent the link: “A fascinating reminder that the world we live on is still changing. (I’d love to see comparable numbers for the US, cf the Grand Canyon docent snarking ‘If you want to go to Europe this is the year, because it will never be any closer.’) The story also quotes a claim that this inaccuracy affects self-driving cars, but I’d hope such cars would rely on immediate observation rather than stored memories of coordinates of fixed objects like curbs.”

A joke might be funny the first time, but by the fourth time you hear it, the punchline gets tired.

“Tired” is a good description for “Sharknado 4: The 4th Awakens,” which premieres Sunday on Syfy. Although the parody movie is as absurd and silly as the first three installments were, this time around the whole thing feels forced.

On one hand, you can tell stars Ian Ziering, Tara Reid and David Hasselhoff are having fun. Ziering even manages to mock his stint as a Chippendales dancer. But the novelty of this campy killer-shark franchise has clearly worn off, and now the nudges and winks from the made-for-TV flick’s cast and writers border on punishing.

An online controversy over a South Korean voice actress’s tweeted image of a T-shirt has escalated into what is now being called East Asia’s version of Gamergate — a reference to the vitriolic controversy that pitted gamers, largely men, against women in tech.

Twelve hours after posting a photo of a shirt reading “Girls Do Not Need A Prince,” Kim Jayeon — who had been providing a voice for the popular video game Closers — was out of her job.

Part of the problem was the source of the shirt. It’s put out by Megalia4, a South Korean feminist group.

When Kim’s tweet surfaced on July 18, scores of male gamers demanded that she apologize for supporting what they call a “anti-man hate group.” When Kim refused to budge, they bombarded Nexon, her employer and publisher of Closers, with complaints and refund requests, and soon, she was out.

“We have to be responsive to our customers’ opinions,” Nexon told The Hankyoreh, a South Korean news outlet. “The voice actress exacerbated the issue by posting inflammatory tweets such as ‘what’s wrong with supporting Megalia?'”

(14) HANDICAPPING THE HUGOS: This reader predicts Chuck Tingle will get a rocket.

MidAmeriCon II will be closing online pre-registration for all classes of membership on Friday, August 5, 2016. Fans planning to attend the convention are encouraged to buy their membership before this date, both to take advantage of the best membership rates and for maximum convenience when they arrive at the convention. Full (five-day) Adult Attending Membership rates will increase from $210 now to $240 at the door, while Young Adult and Military Attending Membership rates will increase from $100 now to $120 at the door. Pre-registered members may collect their badges and other membership materials from 5 p.m. to 7 p.m. on Monday, August 15 and 10 a.m. to 7 p.m. on Tuesday, August 16. Members who can collect their materials on these days can expect to benefit from reduced waiting times.

“Star Trek Golden Anniversary Ale: The Trouble With Tribbles” will debut at the premiere of Star Trek Beyond, at the IMAX Embarcadero Marina Park on July 20, and Comic-Con at the San Diego Convention Center on July 21 – 24. It will also available at the “Star Trek Las Vegas” convention at the Rio Hotel & Casino from August 3 – 7, 2016. Then in the fall, Shmaltz will bring Voyage to the Northeast Quadrant to the Mission New York Convention at the Javits Center from September 2 – 4, 2016.

Perhaps the most famous of Verne’s protagonists is Captain Nemo, skipper of the magnificent submarine, the Nautilus. In 20,000 Leagues under the Sea, adapted to film in 1953, Nemo led a one-man crusade against war, sinking the world’s warships in the cause of pacifism.

My daughter and I just came back from the premiere of Mysterious Island, the latest translation of a Verne novel. It is a sequel of sorts to 20,000 Leagues, though this is not immediately apparent from the beginning. The initial setting is the siege of Richmond at the end of the American Civil War. Four Yankee prisoners make a daring escape in a balloon along with an initially wary, but ultimately game, Confederate prisoner. The film begins with no indication of where it’s going other than the title (and the mention of Nemo in the cast list – an unfortunate spoiler).

An audience of some 250 people took part in the evening event, which was dominated by a huge Saturn 5 moon rocket perched overhead. The occasion raised funds for Apollo 11 astronaut Buzz Aldrin’s ShareSpace Foundation, a nonprofit organization dedicated to inspiring children to be passionate about science, technology, engineering, the arts and math.

The anniversary gala was hosted by George Takei, best known for his portrayal of Mr. Sulu in the original “Star Trek” TV series and movies….

Takei had a special surprise video beamed in from one of his “Star Trek” crewmates — William Shatner, who played USS Enterprise Capt. James T. Kirk.

Shatner said he wished he could be present at the Apollo 11 anniversary event. He was in Los Angeles, tied to a previous engagement with the other starship captains of “Star Trek” celebrating the past 50 years, Shatner said.

How bad is the sexism and misogyny? I mean, can we cut it some slack because it was published in 1977?

Um. No. The 1970s were the 1970s, but there were still lots of remarkable writers creating compelling stories with well-rounded characters back then.

All the female characters in the first two novels occupy a narrow range of man-created stereotyped roles that were already fossils in the 1970s. Anthony has:

the dumb love interest,

the smart love interest,

the nagging love interest, and

the cautionary tales for Bink’s choice of love interest.

[Thanks to John King Tarpinian, Cat Eldridge, Keith Kato, Martin Morse Wooster, Dawn Incognito, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Weirdly enough, science fiction is not the best lens through which to examine science fiction. In the 80s, critic Tom LeClair came up with an alternative category for all the weird literary novels that veered into speculative territory: the systems novel. These books pick apart how the systems that keep society chugging along work: politics, economics, sex and gender dynamics, science, ideologies – all can be explored through fiction, especially experimental fiction. LeClair applied this tag specifically to Don DeLillo, but it can be expanded more widely: think Thomas Pynchon, Margaret Atwood, David Foster Wallace, Jonathan Franzen, Jennifer Egan and Umberto Eco, among others….

“The future is here,” William Gibson famously said. “It’s just not evenly distributed.” And in these difficult times, the visionary possibilities of the systems novel can be comforting. When we’re in the capable hands of guides like Atwood, DeLillo and Robinson, these novels can be a profound reminder of human progress and potential. In the wake of the EU result, and ahead of the US elections, if you are feeling at all unsettled about the future – go read these books today.

(2) POST-BREXIT FASHION. Jim Mowatt’s FB page displayed a “Don’t Blame Me, I Voted Remain” t-shirt, and I made an idle joke that the marathon runner should really be wearing a different slogan – which Alison Scott immediately made available (or that’s the impression I got).

(3) WHAT’S UP WITH SFWA. Episode 3 of the SFWA Chat Hour features SFWA Board Members Jennifer Brozek and Matthew Johnson, CFO Bud Sparhawk, and President Cat Rambo.

Includes discussion of what the criteria for game writers will be like and when they’ll go out (hint: soon!). Also the usual books we like, writing advice, reports on the Locus Weekend, Stokercon and Origins, and ice cream vs. sherbet, in which we unanimously vote for ice cream.

(4) CAMESTROS FELAPTON. When not busily engaged arm-wrestling with Vox Day about their IQs, Camestros turns his talents to the visual arts.

(5) HORROR PODCAST. The Horror Writers Association recommends the Scary Out There podcast. The latest installment offers a dialog with Kaitlin Ward, the author of Bleeding Earth (Adaptive Books, February 2016). Listen to the episode here.

Hello Horror Fanatics! Today Scary Out There is sitting down with Kaitlin Ward, the author of Bleeding Earth (Adaptive Books, February 2016). Listen as Kaitlin discusses how she came up with the idea for Bleeding Earth, why it’s important for children and teens to read horror, what scary books she recommends, and more.

Kaitlin Ward grew up on a dairy farm in Monroe, New Hampshire, the same town where she lives today with her husband and son. Before settling back in her hometown, Kaitlin studied animal science at Cornell University. She co-founded the well-known blog, YA Highway, and by day she works at a company that sells coins. Bleeding Earth is her debut novel. Kaitlin’s new book, The Farm, will be released by Scholastic in 2017. Keep up with Kaitlin at kaitlin-ward.com and follow her on Twitter @Kaitlin_Ward.

Kaitlin recommends the following horror titles: Women in the Walls by Amy Lukavics (Harlequin Teen, September 2016); Relic by Gretchen McNeil (HarperCollins/EpicReads Impulse, March 2016)

(6) FANS WHO SNORT. In the July/August Fantasy & Science Fiction, David Gerrold has a novelette called “The Thing on the Shelf” that begins as a report on the 2013 World Horror Convention, which hands out the Bram Stoker Award.

“The World Horror Convention was one of the better conventions I attended. Horror fans are clean, well-dressed, intelligent, polite, and enthusiastic. I have no idea why this is so. (Although I have to admit I was a little put off by the beautiful woman who came up to me and said she wanted to lick my Stoker. I wasn’t sure what she meant by that, and I’m not up on this year’s crop of new slang terms.)”

He adds the following:

“At one con, a young fan saw my badge had the ‘Pro’ ribbon attached, so he leaned forward and read my name. ‘I never heard of you,’ he said. ‘What did you write?’

I replied, “I wrote the novelization of Battle of the Planet of the Apes. I said it with deadpan pride.

He snorted and walked off, his way of showing how unimportant I was.”

(7) DININ’ GAIJIN. Liz Braswell tells the readers of Eating Authors about a memorable meal in Japan. The best part follows this excerpt.

My husband, my crazy-blond toddler, my sister Sabrina and I were in Japan for work and fun — the vacation of a lifetime. One night Scott took the baby and a colleague of his took Sabrina and me for a night out on the town. Mutsumi asked us where we wanted to go and of course we answered someplace super obscure no Americans have been to Japanese only please we’ll behave.

She very nicely obliged and led us through the labyrinth of streets, around and around and deeper and deeper into Tokyo. Most of the city doesn’t follow a grid system and buildings are addressed by age rather than specific location; were my sister and I by ourselves we never would have found our way in or out of the tiny neighborhood we eventually wound up in. And forget about stumbling upon the tiny, unmarked, second-floor restaurant where we were, indeed, the only gaijin.

Everything about the place was perfect: from the rustic tables and wooden shutters to the little button one presses to ring for a waiter—otherwise diners are left in perfect privacy. The sake came in hand-thrown cups, Mutsumi ordered for us, we behaved.

We wanted to stop drinking at one point, but apparently that would not have been behaving, so we continued….

The only radio play in the mix (as opposed to two years ago, when we had four radio plays and a TV play than nobody had seen), it’s the origin story of Superman, and does what it says on the tin perfectly competently. Lara, Kal-El’s mother, is played by Agnes Moorehead, later Endora in Bewitched.

(9) TODAY’S BIRTHDAY BOYS

June 27, 1927 — “Captain Kangaroo” Bob Keeshan

June 27, 1966 — J.J. Abrams

(10) SKIFFY AND FANTY. I tend not to cover podcasts — even with hearing aids I’m not able to listen to them effectively. I will say the blurb for this episode of The Skiffy and Fanty Show makes it sound pretty irresistible: 298. Sphere (1998) — A Torture Cinema “Adventure”.

Eggs, squid, and bad dreams, oh my! Our latest listener-directed Torture Cinema episode has finally arrived. This time, we discuss the infamous adaptation of Michael Crichton’s Sphere starring Dustin Hoffman, Sharon Stone, Samuel L. Jackson, and more! At least two of us have a bit of a rant about this movie, so you should expect some pure, unadulterated Skiffy and Fanty rage in this episode!

You can tell you’re reading a Sad Boner Confessional when the language suggests a high wire act where the author is trying to achieve some delicate balance between “I’m a sensitive man” and “BUT I’M A MAN” and wants you to sympathize with the contortions he puts himself through as a result. You can tell you’re reading a Sad Boner Confessional when a man is describing the worst trauma of a woman’s life purely in terms of what it means about him. You can tell you’re reading a Sad Boner Confessional when a man is telling you everything he’s learned from the mistakes he’s made but none of those things are accountability or personal responsibility. You can tell you’re reading a Sad Boner Confessional when all admissions of past sins have a sheen of humblebragging about them.

(12) LABYRINTH. The BBC article “Why Labyrinth is so memorable” talks about the advantages of real-time puppetry over computer animation. Chip Hitchcock comments, “They don’t discuss how/if the gap has been narrowed by motion capture; would be interesting to see discussion of this — or any input by Mary Robinette Kowal, who has done fascinating convention talks about the practice of puppetry and the theory behind it.”

Jim Henson’s beloved 1986 movie musical Labyrinth, one of only two non-Muppets films the legendary puppeteer directed, is famous for several reasons.

Fans of David Bowie will recall visions of the late musician wearing extremely tight trousers that fail to obscure an enormously large codpiece. Bowie wrote and performed all the songs, including the iconic Dance Magic Dance. He plays a nefarious, all-singing, all-dancing king of a fantasy world of goblins, castles and all manner of strange colourful creatures.

One of Labyrinth’s best-known scenes is a sensational finale that takes place on a set modelled on Escher staircases. It is also the production that brought a then-unknown, then-15-year-old Jennifer Connelly to the public’s attention.

… One of the first creatures she encounters in the Goblin King’s fantastical world is a dwarf named Hoggle: a morally dubious, Sméagol-esque character whose motives and allegiances are unclear. With a huge lumpy nose, spurts of shoulder-length white hair and a crinkled, finely detailed face, Hoggle is an amazing puppet, at once both magical and realistic.

His seemingly effortless facial and body movements required the collaboration of six people working in real time. The character’s large face contained 18 motors, which were manipulated off-frame by four crew members using remote controls. Diminutive actor Shari Weiser controlled Hoggle’s body and Brian Henson, Jim’s son, provided his voice.

Collider has heard from their sources that Suicide Squad runs approximately 130 minutes with credits. Its DCEU predecessors were both in the range of 2.5 hours, meaning Suicide Squad will be about 20 minutes shorter than either Man of Steel or Dawn of Justice. Considering the sheer amount of characters Ayer is working with, some may be concerned that Squad is actually too short, but a shade over two hours gives him plenty of time to flesh everything out. After all, Star Wars: The Force Awakens had a lot on its plate and accomplished it all in 136 minutes.

Now on to our main topic – fans. Now I’m not ever going to bash fans, because I love my fans. Hell, I love everybody’s fans, because I’m a fan myself. But what we want to talk about today is the concept of the True Fan, what they are, how best to interact with them, how to find them, how to keep them. Looking at that, it’s going to take more than one post, so this week we’ll talk about what a True Fan is, then later on ee’ll look at how to cultivate them, how to deal with them, and how to convert a Lesser Fan into a True Fan.

For the record, exactly ZERO of this material is anything I came up with. The concept of 1,000 True Fans was first put forth by Kevin Kelly in 2008 on his blog post here. He later references a couple of other folks who had similar ideas a little earlier, unbeknownst to him, but his site, with a tip of the hat to Seth Godin, who wrote the blog post that first turned me on to Kevin’s work.

Kelly postulates that any independent artist, that is any artist outside the big machine of superstar entertainment, needs to cultivate only 1,000 True Fans to survive. BTW, this whole blog post came out of a late-night conversation with AJ Hartley, where I claimed the number was 100. I’m bad at math. He defines a True Fan as someone who spends $100 per year on your work, and those thousand people then contribute to a $100,000 annual income, which is a pretty comfortable living in most places. At least that’s the rumor. I’m a writer, I don’t make anywhere near that kind of money.

So what’s a True Fan, and how do I get their hundred bucks? I assume that’s what you’re all asking. In this case, it’s usually a lot easier to show you than tell you….

All kidding aside, I am very proud of OLD VENUS, and I know Gardner is as well. There are some terrific stories in there, and one that in any normal year would have been a surefire Hugo finalist. This is the third year in a row that one of the original anthologies that I’ve done with Gardner has won the Locus Award, and I can’t tell you how gratifying that is. Gardner and I both began our careers (a long time ago) with short fiction, and it pleases me no end to be able to provide a showcase for some of the extraordinary short stories, novelettes, and novellas still being written in this age of the series and the meganovel. If you don’t read anthologies, friends, you are missing out on some great stuff.

Oh, and before the crazy internet rumors start flying, I had better say that I was only kidding about OLD URANUS….

[Thanks to Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]

File 770 was a Locus Award finalist in the magazine category and I did arm someone with an acceptance statement in case I unexpectedly won. It never occurred to me to dramatize my feelings about losing, however, I see First Novel nominee Sylvia Moreno-Garcia refused to admit defeat. (Or was that just her reaction to Nick Mamatas?)

Since I was recently complimented at a conference for writing “honest” film reviews, I feel obliged to begin this one by conveying my honest reaction to Independence Day: Resurgence: although I was bored and appalled by the original Independence Day (1996), and utterly baffled by its tremendous popularity, I somehow found its belated sequel to be surprisingly engaging, even moving, despite some obvious issues in its logic and plausibility. Perhaps this indicates that I am finally becoming senile, unable to distinguish between worthwhile entertainment and reprehensible trash; perhaps this is a sign of the times, so that a film modeled on a film that stood out in 1996 for its risible inanity and clumsy manipulativeness now seems, amidst scores of similar films, merely typical, or even a bit superior to its lamentable competitors. Perhaps, though, it is simply a better film than its precursor, the theory that merits some extended exploration.

Crowded Void, by Mike West offers one of the more unusual concepts. Finding Earth too crowded and people rather distasteful, Vincent Foxwell thought he could find peace when he took a job on a cargo vessel, hauling junk in space, with only an AI for company. Space turns out to be more crowded than he imagined…. when his spacecraft is swallowed by a massive space worm, where there is already an intestinal civilization of over a million humans and aliens, jockeying for position in the worm’s digestive cycle. He must find a way to escape… before digestion is complete. But first he must deal with the The Joint Intestinal Monarchy, which controls the worm, harvesting parts from spaceships. No end of good material for humor… a new theory of wormholes? Start at the beginning here.

Yes, there is a wonderful font of information about the Inklings, but it also provides one of the better guides to the collaborative process, including a chapter with the end about how to get the most out of a group set up in a style similar to that of the Inklings. I think one of the best pieces of advice she gives is the difference between “I don’t personally like this’ and ‘This isn’t any good’ in critiquing a manuscript.

To writers setting up a writing group, I recommend Bandersnatch wholeheartedly, That said, those who simply love to read–especially those who particularly appreciate the work of Tolkien, Lewis, and Williams–will find much to enjoy as well.

The trilogy of futuristic “must have” perfumes transfers the essence of the Star Wars universe skillfully into a fascinating world of fragrances, which represent the best-known elements and characters from the saga.

The products are presented in a luxurious and lavish flacon which draws upon the symbolism of probably the most emblematic element of the movie – the lightsaber.

There’s Amidala, for women, and Jedi, and Empire for men.

AMIDALA inspired this fragrance through her royal elegance as well as by her strong, indomitable will. The elegant and sensual notes of vanilla, musk and patchouli are complemented by a fruity top note of apple and tangerine and merges into a sovereign seductive aura for any situation by day and by night; a floral perfume with oriental and powdery notes, which makes its wearer irresistible.

Should you want to smell like Darth Vader, spritz yourself liberally with this stuff —

EMPIRE covers you with an aura of masculinity and power. A scent that captures the dark side of the Force; mystical, formidable and superior. It starts with a sparkle of fruity notes from lime and apple. Powerful chords of amber, patchouli and tonka-bean characterize the powerful heart and base note that refine the composition. The result is a distinctive, oriental, seductive fragrance – perfect for the night, made for men which one better does not get in the way.

I just love that The Mary Sue kicks off its post about these perfumes with a GIF from the first Star Wars movie showing our heroes in the garbage bin and Han Solo demanding, “What an incredible smell you’ve discovered.”

(7) TODAY IN HISTORY

June 25, 1951 — On this day in 1951, CBS aired the first commercial color television network broadcast. At the time, no color TV sets were owned by the public. The broadcast was seen on color TV sets in public buildings. (Emphasis on commercial – there were other network broadcasts in color the previous year, 1950.)

June 25, 1982 — John Carpenter’s The Thing, seen for the first time on this day.

(8) TODAY’S BIRTHDAY GIRL

June 25, 1925 — June Lockhart, whom some remember from Lassie, while fans remember her from Lost in Space.

(9) TODAY’S BIRTHDAY BOY

June 25, 1903 – George Orwell

(10) MARK THIS DATE: Neil Gaiman will be on Late Night with Seth Meyers next Friday night, July 1.

(11) HARD TO WIN. Chuck Tingle had a good excuse for not getting a Locus Award.

Also Mr Hugo Nominated @ChuckTingle I was a buckaroo today at the locus awards & wore one of your shirts even though they did not award you

Not doing cat pictures because Timothy is still running around the house wearing a mop and pretending to be Boris Johnson whilst shouting “effinEurolosers” at squirrels.

(13) FREE SPEECH. The July Harper’s Magazine excerpted the brief the Language Creation Society filed in the Axanar lawsuit claiming that CBS and Paramount did not have copyright over the Klingon language.

Plaintiffs claim copyright over the entire Klingon language. The notion is meqHutlh (‘lacking reason.’) If this court commits this qab qech (“bad idea”), an entire body of thought will be extinguished. Hoch jaghpu’Daj HoHbogh Suvwl’ ylvup-‘ (‘Pity the warrior who kills all his enemies.’) By Plaintiffs’ account, everyone who translates something into Klingon, writes a poem in Klingon, gives a speech or presentation at a Klingon Language Institute meeting or Star Trek convention, or gives lessons on how to speak Klingon is a copyright infringer. Qam ghu’vam, loD! (“This will not stand, man!”) Plaintiffs’ argument that ‘a language is only useful if it can be used to communicate with people, and there are no Klingons with whom to communicate’ is an insulting assertion. Many humans speak Klingon. People get married in Klingon. Linguist d’Armond Speers spent three years teaching his infant son how to speak Klingon. Speaking and writing in Klingon is not simply a matter of transposing words from a different language, either. The Sesame Street theme-song lyric ‘Sunny day, chasing the clouds away’ translates into Klingon as jaj pen puQmo’, chaw’nIS je Jaj ‘ej Haw’raDchen, or ‘Day of the daytime star, the clouds are filled with dread and forced to flee.’ Klingon is not just a language, but a state of mind.

(14) TEMPLE GRANDIN. A Blank on Blank animation of an interview with Temple Grandin contains lots of food for thought for geeks and nerds. (Don’t be thrown off by the Squarespace ad about 4:30, because Grandin resume talking for another 90 seconds when it’s done.)

This is important to note given the bifurcated storyline, and its intended effect. Seemingly an emulation of the narrative structure of Iain Banks Use of Weapons, Reynolds’ adherence to plot above character does not allow the big reveals to be very big. I will not spoil the story for those unable to put one and one (not even two and two) together, but suffice to say the underlying reality of the situation is telegraphed in the least subtle ways the length of the novel, emphasized by the lack of complete coherence at the character level. Where Banks’ story resolves itself in surprising fashion upon the final chapter, a surprise that feeds logically back through the entire book, I have doubts Chasm City does the same for the majority of readers—this coming from a person who is terrible at predicting endings

I’m not implying any defect in Hudson’s opinion of Reynolds’ book, but I have to say I saw the ending of Use of Weapons coming from a long way off. To me, Banks’ success was in delivering the expected “surprise” in an elegant way.

Tom Reamy’s Blind Voices (1978) was nominated for the Nebula, Hugo, and BFSA awards and came in second in Locus voting for best novel in 1979. Posthumously released, Reamy died of a heart attack while writing in the fall of 1977 at 42. His take on small town America transformed by the arrival of a traveling circus and its array of wonders will stay with you for years to come. The science fiction elements (revealed more than halfway through the novel) interlace and add to the elegiac and constrained fantasy feel. The specter of sexuality and violence spells cataclysm.

Alec Peters, you asked for it and you got it. A set of fan work guidelines for the Star Trek universe that pretty much kills everything except maybe Lego animations. (Which are fine for what they are, but…)

I don’t personally do fanfic, fan films, fan art, etc., I’m sufficiently happy to stick with the originals, lament the lack of “more of the same”, and to spend some time dithering over whether or not I want to invest in the latest whatever released by the franchise holders.

But maybe that’s because I’m an old school fan with old school ideas about how one goes about engaging with someone else’s property….

Like Victorian ladies’ hats, the dinosaurs became increasingly baroque until they were too ungainly to survive.

I worry that The Magazine of Fantasy and Science Fiction is heading in that direction. I’m all for literary quality in my sf mags, but F&SF has been tilting so far in the purple direction that it is often all but unreadable. I present Exhibit A: the July 1961 “All-Star” issue.

[Thanks to Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

The complete content of each issue is available for $12 a year — with everything in the digest edition plus several additional short stories and novelettes. Individual issues of the extended edition are available for $2.99. F&SF publishes six times a year.

Stephen King, in his capacity as a long-time fan of The Magazine of Fantasy and Science Fiction, applauded the arrangement: “This is the best fiction magazine in America. Kindle readers are in luck.”

Paul Di Filippo, Carol Emshwiller and Ron Goulart will help editor Gordon Van Gelder celebrate 60 years of The Magazine of Fantasy and Science Fiction during the New York Review of SF Reading on October 6.

It all goes down at the South Street Seaport Museum at 12 Fulton Street in New York from 6:30-9:00 p.m. Admission is by a $5 donation.

The assistant editor for The Magazine of Fantasy and Science Fiction and a longtime book reviewer, he has recently turned his hand to editing anthologies. I interviewed him about Seeds of Change (Prime, August 2008).

Seeing a new anthology with the title Seeds of Change reminded me of Laser Books, the imprint created by Harlequin Books in 1975. The company hoped to repeat its success with Harlequin Romances in the sf genre, putting out three books a month, a Kelly Freas cover on every one. Laser Books’ initial marketing strategy included sending multiple cartons of the line’s first novel, Thomas F. Monteleone’s Seeds of Change, to sf conventions across North America to be given away. All they proved is that even free books can become a glut on the market. As Alan Chudnow recalls:

Unfortunately [Seeds of Change] was not very good and immediately attracted the mockery of a large number of convention attendees. I happened to attend the Equicon SF convention in Los Angeles that year. By Saturday night of the con, groups of fans were gathered around on the upper balconies of the hotel publicly mocking the text as it was read aloud. As each page was finished it was ceremoniously ripped out of the book and flung out over the balconies to the convention floor below.

The web shows the 1975 Equicon was held in San Diego, but I remember such a scene at the 1975 NASFiC in Los Angeles. Perhaps that’s what we’re both remembering.

The launch of Laser Books anticipated today’s marketing technique of offering free downloads of sf novels — with the critical difference that publishers now understand how much it helps to pick books people will like.