Amgueddfa Blog

Christian Baars, 6May2015

This is not just curators and conservators being pernickety; we really do have very good reasons to make sure that every closed box stays shut.

Museum collections contain a lot of valuable things that are easily perishable. Swords are made to be tough, but - believe it or not - even swords are not indestructible.

Iron rusts when it gets wet. Iron also rusts because of moisture in the atmosphere. Other metals can corrode in much the same way. If we are not careful we would end up with merely a bag of rust!

Therefore, we store all manner of sensitive objects (including cannonballs!) in what we call “micro-environments”. While many of our stores and galleries are air-conditioned, the humidity in the air is often too high to prevent these delicate objects from rusting.

Micro-environments are boxes or plastic pouches that contain one or several objects, plus a chemical that regulates the humidity within the box or pouch. This chemical is silica gel – if you have ever bought an electrical item the packaging probably contained a little sachet saying “Do not eat!”. The little granules in this sachet are silica gel. It is very widely used to keep things dry. Including in museums.

Once we have packaged our objects with silica gel we do not want moisture from the atmosphere to get into the box; that’s why we make sure the box closes properly. Only then will the objects be safe and dry, and ready for display or study.

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Dafydd Wiliam, 22April2015

Our 13th century Royal hall is moving forward at quite a pace. At the minute work focusses on the window reveals of the smaller of the two structures, currently known as ‘Building B’. This building could have been the Royal bed chamber (for other contemporary examples feature a chamber and hall within close proximity to each other), but equally it could have been the kitchen, (which would also have been in close proximity to the hall, for who would want to feast on cold food?).

The window reveals are typically Romanesque in style. They are very narrow on the outside, but widen considerably on the inside, in order to maximise the light coming through. The reason for their narrowness is two-fold: small windows are more easily defended and hence were a common feature of more fortified structures such as castles; secondly, as glass for glazing was not always available their size was kept to a minimum in order to reduce the amount of cold air coming in. They will be capped by a level stone lintel, but likewise they could have been capped with an arch – as both methods were common at this time. Wooden shutters will be installed and closed at night, so that visiting schoolchildren will be warm when sleeping over.

Off-site work has begun on saw-milling oak boughs into timber for the roof trusses. Getting a long square-edged timber out of a log takes some considerable skill. The large band-saw can only cut straight lines, therefore the log has to be positioned correctly before every pass. It has to be adjusted up and down, as well as from side to side, because one cut at the wrong angle would negatively impact the following cuts, and render the timber unusable.

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Dafydd Wiliam, 26March2015

I have just begun my fourth week as Principal Curator of Historic Buildings, here at St. Fagans, and this is my first blog post. My background is in archaeology, and more specifically, experimental archaeology.

This type of archaeological investigation tests the theories that have grown out of excavated archaeological evidence. Essentially we try and build something that would leave the same evidence as discovered, if excavated in the future. This challenges our assumptions and raises new questions.

Iron Age Roundhouses

In my time I have built four roundhouses based on the archaeology of Iron Age homes. As the excavated archaeology in many cases is less than 30cm in depth, everything above ground is conjecture derived from the surviving evidence. As you may imagine, trying to figure out the structural details of buildings that haven’t been seen in 2,000 is a challenging yet satisfying task. Therefore, it gives me great pleasure to be part of St. Fagans latest experimental projects – the construction of an Iron Age farmhouse based on evidence from Bryn Eryr in Anglesey, and Llys Llywelyn, a medieval Royal Court based on evidence from Llys Rhosyr, again in Angelsey.

As I write the thatching of the farmhouse is underway, and it won’t be long until the building is watertight. This will be a blessed relief, as the prolonged rain this winter has prevented the buildings 1.8m-thick clay walls from drying as quickly as hoped. Yes, the walls are of solid clay – unlike most excavated roundhouses which had wattle and daub or stone walls. Although such buildings were not uncommon, this is the first reconstruction of this kind of under-represented roundhouse.

A Medieval Prince's Court

The two buildings of Llys Llywelyn have reached chest height, and the Museum’s stonemasons are about to start on the window reveals. The court was discovered in Anglesey and excavated between 1992 and 1996. The surviving masonry stands no more than 1m in height. Therefore, like the farmhouse, this too is a replica based on excavated evidence.

Written records from the period, such as ‘Brut y Tywysogion’ state clearly that there was a Royal Hall at this location, and frequented by Llywelyn ap Iorwerth during the first half of the 13th century. What we do not know for certain, however, is what it looked like. This knowledge comes from the comparative analysis of surviving Royal halls built during the same period, as seen at Conwy castle and the Bishop’s Palace in St. Davids.

As I plan to write regular blog posts to keep you informed of the latest developments, I will also aim to re-cap the work that has already been achieved so that you have a clearer understanding of these remarkable buildings, and our attempts at bringing it back to life.

Thatching the Iron Age roundhouses - almost there!

Finishing the thatchwork on the Iron Age roundhouses

Work on Llys Rhosyr is continuing

Work on the window reveals starts, using traditional stonemasonry techniques

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Penny Hill, 9January2014

As Steve said in his last blog posted in December, we’ve started work on growing the thatch for our new Iron Age farm. Alongside this work we’ve also been giving a lot of thought to the objects that will go inside the houses. Far from being primitive, these replica objects will reflect the high level of knowledge and skill possessed by people who lived in Bryn Eryr over 2000 years ago. One of the first tasks is to furnish the round houses with all those essential objects that no self-respecting Iron Age household could do without, such as plates, bowls, utensils, buckets , storage containers, shelves, barrels, weaving looms, beds, just to name a few.

In this period all these items were made from wood, but we have a problem, wood deteriorates quickly in the ground so objects made from this material rarely survive. However, we think we can find out more about the wooden objects they would have had by studying the carpentry tools available at this time. These were made from iron and because of this have survived in greater abundance. Ancient iron-work is often much underrated as it doesn’t look very attractive, but when trying to recreate everyday life the information domestic ironwork objects can provide is invaluable.

The first stage of making the replicas was to search the archaeological collections for any original Iron Age carpentry tools. Much to my delight we had quite a lot of material and could virtually recreate a whole tool kit from examples found throughout Wales. Our Bryn Eryr tool kit will therefore consist of an axe, adze-hammer, gouge, chisels, files, drill bits and numerous wedges from small to large. Timber in the Iron Age was divided up by splitting with wedges rather than cutting with a saw. Saws did exist, but were small, similar to modern pruning saws today.

An Iron Age household would be equipped with a wide range of tools for a variety of purposes. Some of these objects appear strange to us today, but others are quite familiar. A 2,000 year old chisel found in the Roman fort of Brecon Gaer and a gouge from the Hill Fort at Castell Henllys wouldn’t look out of place in a carpenter’s tool kit today.

Once our tool kit had been compiled from the examples in the collection, the next step was to make working replicas that could be used by our craftspeople to recreate the objects for Bryn Eryr.

Careful conservation of the original tools had preserved some of the original surfaces. Marks on these surfaces enabled our blacksmith 2000 years later to work out how they were made and reproduce the replicas as accurately as possible. The replicas are recreated in wrought iron like the originals, which is much softer than the steel used today, so it will be interesting to see how these tools perform? Will we be able to produce a decent cutting edge, how quickly will this edge dull and how often will it need to be sharpened?

Making the tool heads is only half the story, these tools can’t be used without handles! None of the originals survive and from the shape of some tools we just can’t pop modern handles on them. We know our tools once had wooden handles, because in some cases the deteriorating iron around the socket had made a cast of the wood surface before the handle disappeared. Using a combination of this information and some surviving material from elsewhere, plus the expertise of our own carpenters and estate workers, we managed to reproduce handles to complete the tools.

Now all we have to do is see if they work! More importantly have we still got the expertise to use these tools properly? Hopefully by using them we’ll gain an insight into the skill of our Iron Age carpenters. I’m sure they would be laughing themselves silly if they could see our efforts today, but we have to start somewhere!

So, how did our tools perform? Its early days, but everyone including our craftspeople are impressed. They appear to be performing well, we even managed to split a large piece of timber with our wedges. It probably explains why so many of these wedges end up in our collection, they tend to get lost inside the timber during splitting and fall to the ground where they are difficult to spot!

We hope to undertake more experimental work to assess the performance of these tools, so keep watching this space, but in the mean time we have to crack on, there’s the contents of a roundhouse to make!

An Iron Age Axe from Dinorben Hillfort, one of the original objects from the collection used to base our replicas for Bryn Eryr on.

All the original carpentry tools in the Archaeology ollection have been laid out in the lab for our blacksmith to examine. He is working out how to reproduce them as accurately as possible using wrought iron.

Probably getting too excited here! But the archeaology collectons turned out to contain far more examples of ancient carpentry tools than expected. We often had more than one example of a type to examine.

The blacksmith at St.Fagans starts work on the replica Carpentry tools.

The Blacksmith is starting to recreate one of the sockets for a replica chisel

The chisel socket is almost complete

All the replica carpentry tool-heads straight from the forge at St.Fagans

Comparing the original carpentry gouge from Castell Henllys Hillfort with the replica. The original is showing signs of much use as the working edge has almost worn back to the socket.

The replica chisels along-side images of the original Iron Age and Roman-British carpentry tools.

The tools in the carpentry workshop waiting to have their handles attached.

Once the tools were hafted we could try them out. One of the small axes being used to remove bark from a piece of timber

First attempt at splitting a piece of timber using replica wedges based on originals in the archeaology collection. Working so far!

Success! the timber has split in a straight line. Hopefully not beginners luck! Marks, left by the wedges, can be seen along the edge of the timber

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Steve Burrow, 20December2013

As many regular visitors to St Fagans will know, our much-loved Celtic Village was closed earlier in the year. Twenty years seems to be about the normal life-span for reconstructed Iron Age roundhouses – the timbers decay and they begin to get a bit wobbly after that. To replace it we're going to be building a new reconstruction based on a 2,000 year old Iron Age farmstead on Anglesey called Bryn Eryr, and just recently we reached a really exciting milestone along the way.

The Bryn Eryr roundhouses consisted of two buildings built side-by-side. Their walls were made of packed clay (probably mixed with grit and straw, like Wales's traditional clom-built houses) and the roofs were thatched. We've had a lot of discussions about what we should use to thatch them. Naturally the roofs of the original buildings haven't survived, but we do know that its Iron Age owners had access to spelt – an early form of wheat – because charred grains were found at the site. From there the argument goes, if they were harvesting spelt grains to make their bread they also had their hands-on a useful thatching material, spelt straw.

So, we thought, St Fagans is surrounded by farm land, we've got an excellent farming team, and lots of enthusiasm, why not try to grow a crop of spelt ourselves and see whether we can thatch our next Iron Age farmstead with it?

There are a lot of uncertainties involved in this, many things can go wrong between the idea and the harvesting but St Fagans is part of an EU collaboration which encourages just this kind of experimental research. So thanks to the OpenArch project, with its Culture programme funding, and a lot of advice from experts in the field (apologies for the pun), we've decided to give it a go.

A few months ago we ploughed 3.4 hectares (8.4 acres) just outside the main museum site. This looks like an enormous area when you're stood beside it, but we're told this is what we need in order to produce enough straw to thatch two large roundhouses.

With the ploughing done, our Learning Team organised an opportunity for school groups to come out and see what we were up to. This was followed by the museum's archaeologists bringing together a team of volunteers who walked the area in search of any artefacts that may have been turned up by the plough. The finds from this have yet to be analysed but already we can see that the area had been visited by prehistoric hunter-gatherers, a 13th-century traveller who lost some loose change, and many other more recent people.

And then it rained, and rained and rained. Our spelt seed arrived and was placed in a barn, and still it rained. I was beginning to get very worried. It's all very well having a plan to grow a crop of Iron Age wheat, but that's not going to happen if the seed stays in sacks. Then a few weeks the weather cleared up, the ground dried sufficiently and we finally got a chance to plant.

Then we waited… Would anything happen? Had we left it too late? Would frosts / rain / snow put a stop to our plans? Happily not! Last week we found the first seeds had germinated. I’m going out to the field again today to check on its progress. Will the shoots be showing? Have we got the spacing of the seed right? Will the rabbits leave it alone? Will it grow tall? I feel like an expectant father all over again.

This is what our new Celtic Village, Bryn Eryr, will look like when it's finished.

Harrowing the land where we'll be growing our wheat.

The field is not far from a Civil War battlefield so archaeologists and volunteers took the chance to walk it to see what artefacts it might contain.

The spelt as it arrived in two large sacks. We've had it supplied in the husk because it's said to be a good way of keeping the birds from eaten it all after it's sown.

Proof that our spelt is germinating! Phil Bird took this photo last week. Hopefully quite soon we'll have green shoots in our field.

This experiment has been made possible by the OpenArch project - a 5 year collaboration between 11 partners to improve standards in archaeological open-air museums.