Constant Permeke, one of the most important painters of Flemish expressionism, is best known for his strong and recognizable artworks of sailors, fishermen with their wives ,and marine paintings. Ostend often was his source of inspiration. The special bond Constant Permeke had with Ostend is reflected throughout the entire exhibitio. Discover the development of the artist, get acquainted with Permeke's first steps in the art world, get to know his friends and colleagues such as Gust De Smet and Léon Spilliaert and n admire the artworks he made after WWI. The leading expressionist had his heyday in the 1920s, where he created impressive drawings of fishermen and also portrayed Ostend several times in a unique way. Let yourself be awed by the cheerful Permeke, by his magical hands and discover Ostend through the artist's eyes.

Mu.ZEE launched a collection valuation process in November 2018. Mu.ZEE employees thoroughly went through and examined part of the museum’s collection in collaboration with various partners in the socio-cultural field. The significance of the collection and how various works of art are of value to the museum were reflected on and contemplated. In the autumn of 2019, Mu.ZEE will review the outcomes of this participatory project. The results achieved will be presented at an exhibition that provides a splendid perspective into the museum's activities and collection, along with a host of new issues and rationales that sweep the public along on a journey through Mu.ZEE’s history and its future.
What does it mean to value a collection? Which criteria do we adopt during this type of valuation process? What do we know and how should we proceed? The museum's mission and vision are what shape the theoretical framework of the valuation project. As a museum of modern and contemporary art in Belgium, we have a role to play in society. By valuing our works of art, we imbue these creations with meaning and contextualise them. We raise awareness about our artworks and attempt to come up with new interpretations and connections that we can present to visitors through exhibitions and digital access to the collection.
On the one hand, our valuation was carried out by an internal valuations team, while on the other, Mu.ZEE relied on an external sounding board that is part of its broader network. We are interested in telling you about the participatory approach we adopted for this pilot project. But above all, we would like to invite you personally to help us value a work of art or an ensemble. Because valuation isn't just the task of a single person...

Ostend has more to offer than just the sea. Did you know that Ostend has a surprisingly green city edge? To strengthen that green city edge, the City had a master plan developed to connect all green zones and landscapes: The Green Ribbon. This green ribbon forms an attractive 35 km loop for cyclists and walkers, connecting 15 existing and new green areas in the city outskirts, exactly like a necklace with 15 beads.

Arctic traveller Adrien de Gerlache designed this three-master which was built in Scotland. The Mercator had only two commanders and made 54 voyages. In 1956 it repatriated the remains of Father Damien from Molokai. In 1960, it sailed into the harbour of Antwerp and in 1961, it was equipped as a museum ship. Since 1964, it has been the pearl in Ostend’s crown.
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April 3rd 1995. On this day the Amandine entered Oostende harbour for the last time. On this day it dropped anchor for the very last time. The crew disembarked, swallowed hard and went home without looking back. The last page in Oostende's book on Iceland Fishing had been turned. Now, 13 years later, the Amandine has started her second career, a career as an interactive museum. It has taken two years of hard and concentrated work in the old shipyard 'Seghers' to restore the...

The Leopold II-laan curves gracefully around the most famous sculpture of a woman in Oostende: De Zee (The Sea). Although Reclining Nude is another name for this lady the locals always refer to her as ‘Dikke Mathille’ (Fat Mathille). Grard emphasised the volume of the full, round forms. In De Zee he portrayed the opulence and sensuality of the sea in a female figure.
Until 1963 the work of art adorned the Kursaal Casino.

14 February 1981. Marvin Gaye arrives by ferry in Ostend, together with his little boy, Bubby. It marks the start of a fascinating story about Ostend, Marvin Gaye and the relationship between the two.
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A bracing tour through the countryside around Ostend. Not everybody is familiar with Ostend's agricultural history. During this tour you can explore what's left of the farmland around Ostend in a recreational manner.
You can go get you free walking map at the Ostend Tourist Office (Monacoplein 2). Enjoy your walk!