tag:blogger.com,1999:blog-51090409552392044972018-08-07T20:14:12.287-07:00Aural AwakeningsNew Age, Acoustic, Neoclassical &amp; Contemporary Instrumental MusicCandice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.comBlogger111125tag:blogger.com,1999:blog-5109040955239204497.post-45677242257154494602018-08-04T10:41:00.002-07:002018-08-04T10:48:34.014-07:00Album Review: Mosaic by David Wahler <div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-rkhyUJ3hZrs/W2Xj2L7EmlI/AAAAAAAAAXE/OK6lcwoT-CUlCjA8K60Dt52u9YvYVzwewCLcBGAs/s1600/david-wahler_mosaic.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://2.bp.blogspot.com/-rkhyUJ3hZrs/W2Xj2L7EmlI/AAAAAAAAAXE/OK6lcwoT-CUlCjA8K60Dt52u9YvYVzwewCLcBGAs/s200/david-wahler_mosaic.jpg" width="200" /></a></div>I’d initially became acquainted with David Wahler’s music upon hearing a couple of tracks from his mesmerizing 2012 album, <i>Antiquus</i>, and I’ve been intrigued ever since. Created using a variety of keyboards and synthesizers while weaving organic nature sounds throughout, Wahler’s style could essentially be described as electronic new age music that’s noticeably rooted in the classic and pioneering sounds of the 80’s and 90’s, yet feels freshly modern and up-to-date. Crafted in a similar style to his <i>Spiritus</i> (2015) and <i>A Star Danced</i> (2010) albums, Wahler’s latest release, <i>Mosaic</i>, is a blissfully beautiful album comprised of eleven softly melodic, serenely soothing and subtly romantic compositions that often bear elements of ambient and classical styles. <br /><br />The gorgeous opening title track, “Mosaic”, possessess subtle touches of Tangerine Dream with its flowing progression of sequenced layers – albeit comparatively more gossamer and “mistier” in texture – as synthesized vocal intonations mysteriously weave in and out of its sensual soundscape. Wahler perfectly sets the tone for the rest of the album with this spellbinding composition, which appropriately lulls the listener into a relaxing yet imaginative, almost daydream-like state. Following next is “Afterain”, which employs nature sounds, wispy vocal effects and sparsely drifting keyboard notes. Wahler then moves into slightly cinematic territory with “A Promise to Keep”, which highlights a more prominent piano melody. “A Child of the Universe” is another favorite that brings in elements of Celtic fantasy and neoclassical motifs. Here, celestial choral voices along with piano, flute and harp-like textures exchange leads beneath overarching strings. Also noteworthy about this piece (and others) is that Wahler exhibits welcome restraint in places where other musicians might go for bombast. <br /><br />“August Cloud” is a more intimate passage with subtle hints of mystery – while “Elysian Dawn” feels more mythical with its birdsong, harp textures and lone female voice. “Heading Home” begins with a solo piano figure that is eventually joined by other synthesized elements. This lovely piece is reminiscent of some of the works released on the Narada label in the late 90s and would have fit perfectly on one of their signature compilation albums. “Sakura” follows in a similar vein, although quickening the pace a bit and likewise, displaying a beautiful melody. The aptly-named “Lone Sky Night” is another favorite, as it imparts a solitary sense of wonder, with its gently rolling waves and spacey, twinkling effects evoking images of a starry sea. “Fou D’ Amour” is pleasantly reminiscent of 80s-era “new age” synthesizer music – and in particular, Vangelis, with its cinematic elements. And lastly, the haunting closing piece “Why?” starts out quietly until a gentle rhythm comes in accompanied by vocal effects. <br /><br />One thing that has consistently struck me about David Wahler’s music is how he crafts his compositions with just the right amount of ambience in the form of melodic sparseness and atmospheric moodiness, which lends an overall quality of mystery and shadowiness that helps to counterbalance the music’s brighter and more overtly cinematic elements. The end result is a listening experience that’s beautifully enchanting – with <i>Mosaic</i> placing very high on my recommendations of quintessential "new age" albums! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="https://www.davidwahler.com/" target="_blank">artist's website</a>. This album is also available from <a href="https://amzn.to/2Mk5Glx" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/mosaic/1341439624?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/davidwahler13" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/David_Wahler_Mosaic?id=Bs74b2tau54gg6xx63dgbttki2y&amp;hl=en" target="_blank">Google Play</a>. <br /><br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/MuRy5ch8n78" width="560"></iframe> <br /><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-31641390996226979182018-08-02T15:58:00.000-07:002018-08-02T16:11:44.800-07:00Album Review: Chromatones by Darlene Koldenhoven<div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-1rrNobfbIw4/W2OJXrMGL9I/AAAAAAAAAW4/LU5S54wk_QIPpHEVYTHiilOLTrWMRpazwCLcBGAs/s1600/darlene-koldenhoven_chromatones.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://1.bp.blogspot.com/-1rrNobfbIw4/W2OJXrMGL9I/AAAAAAAAAW4/LU5S54wk_QIPpHEVYTHiilOLTrWMRpazwCLcBGAs/s200/darlene-koldenhoven_chromatones.jpg" width="200" /></a></div>Darlene Koldenhoven has enjoyed a long-standing musical career that boasts some impressive highlights, including having performed as the soprano soloist at <i>Yanni: Live at The Acropolis</i>, as well as her portrayal as a choir nun in the blockbuster comedy <i>Sister Act</i>. With several solo albums to her credit, Darlene’s musical style ranges from classical crossover, to new age vocal to contemporary instrumental. Her latest album, <i>Chromatones</i>, is a purely instrumental work based on the music of her previous release, <i>Color Me Home</i>. Both albums feature the same compositional lineup, however, the songs themselves have been retitled yet nonetheless still capture similar meanings and visual interpretations as those ascribed to their original vocal renditions. <br /><br />With Darlene at the helm as producer, composer, arranger and engineer, she also lends piano, keyboard, native drum and shaker. Likewise, the album variably features contributions from a line-up of familiar names that appeared on her previous album, such as David Arkenstone, Wouter Kellerman, Ricky Kej and others. <br /><br /><i>Chromatones</i>&nbsp;opens pristinely with “Golden Dawn”, a lovely piece that makes great use of bird song and ocean waves, which soon introduce a gently colorful ensemble of piano, flute and string instruments. “Mourning Doves” follows with dove cooing before blossoming into a flowing piano melody enhanced by radiant flute and solemn strings. “Red Savannah” ensues as the instrumental rendition of “Kalahari Calls” from <i>Color Me Home</i>. This piece is my favorite on the album, with the all-instrumental arrangement further bringing out the subtle textures possessed within the composition’s seemingly idyllic, tropical soundscape. Introduced by the serene sounds of wading through water, “Swans on the Seine” possesses a romantically whimsical air about it with its dreamy blend of harp and clarinet. Next, “Terra Affirma” features a softly sweeping and somewhat cinematic arrangement of piano, horn and strings that are brushed throughout by sparkling chimes and harp. Another favorite is the ensuing “Native Bloom”, which opens with mysterious Native flute intonations that are soon joined by sparse piano notes, rain-sticks and tribal percussion. <br /><br />While the title “Vibrant Worlds” may suggest a song that's decidedly energetic and upbeat, this gentle piece of music is more like a lovely lullaby that features a comfortingly beautiful violin melody throughout. Next up is “Chromatones” – a dreamy yet vibrant composition that certainly earns its title-track status. Comprised of synthesizers and hammered dulcimer, the piece subtly evokes some of the works of new age music veteran Constance Demby. “Prism of Time” gently follows with a beautiful duet of piano and flute – while the ensuing “Painted Desert” showcases flugelhorn. The final piece, “Waltzing in Planetary Time”, is a delicately melodic and tender composition that highlights acoustic guitar and English horn, bringing this colorful listening experience to a serenely sentimental close. <br /><br />With <i>Chromatones</i>, Darlene Koldenhoven has beautifully crafted an enchantingly exquisite musical tapestry of new age piano ensemble music. Once again weaving a colorful spectrum of tones and textures throughout these elegant compositions, her latest album is sure to engage, uplift and delight the listener’s spirit! <i>~Candice Michelle </i><br /><br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/gjWRWoM_mMQ" width="560"></iframe> <br /><br />For more information please visit the <a href="https://www.darlenekoldenhoven.com/" target="_blank">artist's website</a>. This album is also available at <a href="https://amzn.to/2O66Xge" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/chromatones/1358110011?mt=1&amp;app=itunes" target="_blank">iTunes</a> and <a href="https://play.google.com/store/music/album/Darlene_Koldenhoven_Chromatones?id=Bbvazj6k2grmg47ceec45b53li4&amp;hl=en" target="_blank">Google Play</a>. <br /><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-67465220667106269722018-07-31T09:20:00.001-07:002018-07-31T09:20:15.928-07:00Aural Awakenings: Episode 17TIME / ARTIST NAME / TRACK TITLE / ALBUM TITLE <br />00:00 / Deborah Martin / Watercolours / <a href="https://ambientelectronic.bandcamp.com/album/selections-deborah-martin-a-name-your-price-collection" target="_blank">Selections </a><br />05:19 / Aureliaslight / Seasons / <a href="https://amzn.to/2KfyQjP" target="_blank">Seasons</a><br />09:24 / FLOW / Whisper Me This / <a href="https://amzn.to/2KdWkpu" target="_blank">Flow</a><br />14:13 / Paul Avgerinos / Beginner’s Mind / <a href="https://amzn.to/2M2MKYo" target="_blank">Mindfulness</a><br />20:30 / Wendy Loomis / Synchronicity / <a href="https://amzn.to/2LSptLU" target="_blank">High Tech</a><br />23:24 / Don Latarski / River Suite Part 1: Into the Clouds / <a href="https://amzn.to/2M8285Q" target="_blank">River</a><br />27:57 / Cecilie / Home / <a href="https://amzn.to/2KdEu5X" target="_blank">Fearless</a><br />32:18 / Danny Elfman / Drawing Montage / <a href="https://amzn.to/2mXdD4T" target="_blank">Don’t Worry, He Won’t Get Far On Foot</a><br />35:29 / Sherry Finzer &amp; Mark Holland / Leaving All Shadows Behind / <a href="https://amzn.to/2M6uCwE" target="_blank">Somewhere New</a><br />40:08 / Michael Bohne / Regarding Stonehenge / <a href="https://amzn.to/2Ov5zVD" target="_blank">In The Distance</a><br />44:54 / Joseph L Young / Letting Go (ft. Rona Yellow Robe) / <a href="https://amzn.to/2v1Jypi" target="_blank">Every Moment</a><br />49:20 / Lucinda Clare &amp; Yuval Ron / Throat Chakra / <a href="https://amzn.to/2AsCdEo" target="_blank">Voyage Through The Chakras</a><br /><br /><iframe frameborder="0" height="400" src="https://www.mixcloud.com/widget/iframe/?light=1&amp;feed=%2FAuralAwakenings%2Faural-awakenings-episode-17%2F" width="100%"></iframe> <br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-47820972145617053272018-07-28T17:54:00.001-07:002018-07-28T17:54:56.885-07:00Top 25 Albums for June 2018<table border="1" style="width: 100%;"><tbody><tr><td><b>TM</b></td><td><b>LM</b></td><td><b>PK</b></td><td><b>Artist Name</b></td><td><b>Album Title</b></td></tr></tbody><tbody><tr><td>1</td><td>3</td><td>1</td><td>Loreena McKennitt</td><td><a href="https://amzn.to/2KzPuvD" target="_blank">Lost Souls</a></td></tr><tr><td>2</td><td>1</td><td>1</td><td>Jeff Johnson &amp; Brian Dunning</td><td><a href="https://amzn.to/2tKxzM8" target="_blank">Eirlandia</a>&nbsp;</td></tr><tr><td>3</td><td>-</td><td>3</td><td>Eamonn Karran</td><td><a href="https://amzn.to/2NOLjgD" target="_blank">I'll Be With You</a></td></tr><tr><td>4</td><td>-</td><td>4</td><td>David Wahler</td><td><a href="https://amzn.to/2v3BDrN" target="_blank">Mosaic</a></td></tr><tr><td>5</td><td>2</td><td>2</td><td>Kevin Wood</td><td><a href="https://amzn.to/2IGq51s" target="_blank">Eternal</a></td></tr><tr><td>6</td><td>12</td><td>12</td><td>Jill Haley</td><td><a href="https://amzn.to/2IH402H" target="_blank">The Waters of Glacier</a></td></tr><tr><td>7</td><td>-</td><td>7</td><td>Aine Minogue</td><td><a href="https://amzn.to/2K4K6PO" target="_blank">Eve</a></td></tr><tr><td>8</td><td>-</td><td>8</td><td>Darlene Koldenhoven</td><td><a href="https://amzn.to/2K4bbTp" target="_blank">Chromatones</a></td></tr><tr><td>9</td><td>-</td><td>9</td><td>Fiona Joy</td><td><a href="https://amzn.to/2LJh79m" target="_blank">Story of Ghosts</a></td></tr><tr><td>10</td><td>4</td><td>4</td><td>Neil Patton&nbsp;</td><td><a href="https://amzn.to/2KyHL0E" target="_blank">Solitaire</a>&nbsp;</td></tr><tr><td>11</td><td>17</td><td>17</td><td>Mark Dunn</td><td><a href="https://amzn.to/2Mzrjy0" target="_blank">Melodic Voyage</a></td></tr><tr><td>12</td><td>5</td><td>5</td><td>Aureliaslight&nbsp;</td><td><a href="https://amzn.to/2Na0cue" target="_blank">Seasons</a></td></tr><tr><td>13</td><td>7</td><td>7</td><td>Symphonex Orchestra</td><td><a href="https://amzn.to/2lI30Ct" target="_blank">Music That Tells A Story</a></td></tr><tr><td>14</td><td>8</td><td>8</td><td>Richard Noll</td><td><a href="https://amzn.to/2lMKlpg" target="_blank">Peaceful Being</a></td></tr><tr><td>15</td><td>6</td><td>6</td><td>Lia Scallon</td><td><a href="https://amzn.to/2IDCy6b" target="_blank">Song of the Sidhe</a></td></tr><tr><td>16</td><td>9</td><td>9</td><td>Richard Ross</td><td><a href="https://amzn.to/2tH1bu1" target="_blank">Laughing Moon</a></td></tr><tr><td>17</td><td>18</td><td>18</td><td>Loren Evarts</td><td><a href="https://amzn.to/2Mz7Aye" target="_blank">Home Again</a></td></tr><tr><td>18</td><td>19</td><td>19</td><td>Rhonda Mackert&nbsp;</td><td><a href="https://amzn.to/2IGByOx" target="_blank">Time Not Forgotten</a></td></tr><tr><td>19</td><td>11</td><td>11</td><td>Jon Durant</td><td><a href="https://amzn.to/2NedUN0" target="_blank">Parting Is</a></td></tr><tr><td>20</td><td>23</td><td>23</td><td>Peter Calandra</td><td><a href="https://amzn.to/2K0pvMJ" target="_blank">Piano Improvisations, Vol. 1</a></td></tr><tr><td>21</td><td>13</td><td>2</td><td>Michael Kollwitz&nbsp;</td><td><a href="https://amzn.to/2tI8Qs5" target="_blank">Serenity II</a></td></tr><tr><td>22</td><td>14</td><td>3</td><td>Joseph L Young</td><td><a href="https://amzn.to/2tTiib3" target="_blank">Every Moment</a></td></tr><tr><td>23</td><td>15</td><td>4</td><td>Nitish Kulkarni</td><td><a href="https://amzn.to/2KofBte" target="_blank">Listen.&nbsp;</a></td></tr><tr><td>24</td><td>10</td><td>10</td><td>Richard Dillon</td><td><a href="https://amzn.to/2MzqxkA" target="_blank">Terra Incognito</a>&nbsp;</td></tr><tr><td>25</td><td>-</td><td>25</td><td>Matias Baconsky</td><td><a href="https://amzn.to/2LM5JcH" target="_blank">When the World Ends</a></td></tr></tbody></table><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-29656557685293877422018-07-14T14:40:00.001-07:002018-07-14T14:40:30.239-07:00Aural Awakenings: Episode 16TIME / ARTIST NAME / TRACK TITLE / ALBUM TITLE <br />00:00 / Eamonn Karran / Peace / <a href="https://amzn.to/2ulk9Xi" target="_blank">I’ll Be With You</a><br />04:07 / Kevin Wood / Time for Change / <a href="https://amzn.to/2NTmalw" target="_blank">Eternal</a><br />09:53 / Matthew Mayer / A Modern Introspection / <a href="https://amzn.to/2NRJIYe" target="_blank">Beautiful You</a><br />12:51 / Jeff Johnson &amp; Brian Dunning / Under the Summer Stars / <a href="https://amzn.to/2NQRwcx" target="_blank">Eirlandia</a><br />16:50 / Aureliaslight / Longtime Sun / <a href="https://amzn.to/2NSz5UP" target="_blank">Seasons</a><br />20:54 / Lynn Tredeau / Land of Forgotten Dreams / <a href="https://amzn.to/2NRn6Hq" target="_blank">Fellowship of Solitude</a><br />24:10 / Aine Minogue / Oh Eve / <a href="https://amzn.to/2Lfiglo" target="_blank">Eve</a><br />28:33 / Jon Durant / Ecliptic Shadows / <a href="https://amzn.to/2zOUz2j" target="_blank">Parting Is</a><br />34:27 / Eric Tingstad / Flamingo Club / <a href="https://amzn.to/2utRE98" target="_blank">Electric Spirit</a><br />37:10 / Jill Haley / Running Eagle Falls / <a href="https://amzn.to/2LlDAWj" target="_blank">The Waters of Glacier</a><br />40:31 / Loren Evarts / A Day on the Concord River / <a href="https://amzn.to/2Ljs0v5" target="_blank">Home Again </a><br />44:34 / Richard Noll / Nightfall / <a href="https://amzn.to/2unz97f" target="_blank">Peaceful Being</a><br />50:16 / David Wahler / Child of the Universe / <a href="https://amzn.to/2NPRBgE" target="_blank">Mosaic</a><br /><br /><iframe width="100%" height="400" src="https://www.mixcloud.com/widget/iframe/?light=1&feed=%2FAuralAwakenings%2Faural-awakenings-episode-16%2F" frameborder="0" ></iframe><br><br>Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-83420978504867876362018-07-12T14:23:00.000-07:002018-07-12T14:23:44.474-07:00Album Review: The Waters of Glacier by Jill Haley<div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-OV4xr65IGWo/W0fE_-nLAZI/AAAAAAAAAWE/UH4mPs62vBQIrQO2-1OthsQjLZpq1_uUgCLcBGAs/s1600/Jill-Haley_The-Waters-of-Glacier.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://3.bp.blogspot.com/-OV4xr65IGWo/W0fE_-nLAZI/AAAAAAAAAWE/UH4mPs62vBQIrQO2-1OthsQjLZpq1_uUgCLcBGAs/s200/Jill-Haley_The-Waters-of-Glacier.jpg" width="200" /></a></div>Composer and instrumentalist Jill Haley has made multiple appearances on other musicians’ recordings. However, she is also an outstanding solo performer in her own right who has released several impressive albums to date. What’s especially enjoyable about her solo works is her continuing theme of exploring the magnificent wonders of United States National Parks through her music. With previous albums that include&nbsp;<i>Glacier Soundscapes</i>, <i>Zion and Bryce Canyon Soundscapes</i>,<i> Mesa Verde Soundscapes</i> and <i>National Park Soundscapes</i>, Jill’s music draws its inspiration from scenic deserts, forests, lakes and mountains across the U.S. map. Her latest album, <i>The Waters of Glacier</i>, is a sonic tribute to <i>Glacier National Park</i>, of which is located in northernmost Montana and bordering on Canada. Comprised of twelve instrumental ensemble pieces, the album features Jill on piano, oboe, English horn and handbells – plus supporting roles throughout courtesy of Dana Cullen on horn, David Cullen on guitar, Michael Manring on bass, and Tom Eaton on electric guitar, keyboards and bass. <br /><br />The first track, “Clouds of Apgar Range”, is a somewhat unexpected opening from the norm, with its gorgeous, meditative handbells creating an almost reverent atmosphere. Gentle piano is subsequently introduced followed by Jill’s signature English horn, until the piece eventually concludes with the return of the handbells. “Rain on Huckleberry Mountain” is a relaxing, pastoral piece comprised of solo piano and English horn that aptly paints a picture of rain on a mountain. “Glacial Lakes” begins with gorgeous acoustic guitar figures from David Cullen, and evokes the wide-open spaces that Alex de Grassi conveyed so well in his Windham Hill years. Here, Jill’s English horn weaves a lovely melody inside David’s fingerpicked guitar. <br /><br />“First Passageway” opens with mysterious piano chords followed by horn playing a melancholic melody in the lower pitch – while “Running Eagle Falls” begins with a bright piano figure as Jill’s oboe matches the piano in its upbeat, optimistic melody. A lone oboe opens “Falling Gold”, until minor-key piano enters the scene, then quickly shifts to major-key with an accompaniment of subtle bass and electric guitar. One notable observation I have, is that all these lovely pieces work so well because when composing them, Jill leaves plenty of space for each lead instrument so that they’re never wrestling one another for the spotlight. <br /><br />“Frost Tinged Evergreens” sounds as captivating as its title suggests, with the piece’s contemplative pairing of simple piano and oboe conveying a ting of cold to it. David’s guitar returns for “Montana Rivers”, which is likewise accompanied by Michael Manring’s signature bass, along with Jill’s acrobatic (but never overplayed) oboe lines. “Ox-Bow Point” is perhaps the most solemn piece on the album with its almost ceremonious-like trio of horn, oboe and English horn. The aptly-titled “Ripples on Two Medicine Lake” is also one of my favorites, on which gently cascading piano is accentuated by the yearning touch of English horn. Another favorite is “October Snow”, which begins with a lonely piano motif followed by English horn. Shifting into a gentle darkness towards the middle part, the horn seemingly becomes its own voice that speaks to the coming of winter. Lastly, “Solitude” is a beautiful album closer appropriately comprised of solo piano – and effectively brings-to-mind some of Liz Story’s more reflective works. <br /><br />An overall contemplative album from an accomplished recording artist, <i>The Waters of Glacier</i> perhaps boasts some of Jill Haley’s finest work yet. Additionally, fans of the classic Windham Hill sound will likely be particularly enthused with this fantastic release! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="http://jillhaley.com/" target="_blank">artist's website</a>. This album is also available on <a href="https://amzn.to/2ufyK6q" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/the-waters-of-glacier/1360875333?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/jill7" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Jill_Haley_The_Waters_of_Glacier?id=Buurue7gdjqfhozyocsle7jdtey&amp;hl=en" target="_blank">Google Play</a>. <br /><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-9965392693434512282018-07-11T21:59:00.000-07:002018-07-11T22:22:50.262-07:00Album Review: Auriga to Orion by Majestica <div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-iP7DTRGslnI/W0bcWf63Y_I/AAAAAAAAAV4/xaQiSZD2F00aA6ao-m0Wr8chl-YwkOHqwCEwYBhgL/s1600/majestica_auriga-to-orion.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://1.bp.blogspot.com/-iP7DTRGslnI/W0bcWf63Y_I/AAAAAAAAAV4/xaQiSZD2F00aA6ao-m0Wr8chl-YwkOHqwCEwYBhgL/s200/majestica_auriga-to-orion.jpg" width="200" /></a></div>Majestica is an Arizona-based, collaborative duo of multi-instrumentalist Cass Anawaty and flutist Sherry Finzer. Following up their fantastic debut album, <i>In the Midst of Stars</i>, the duo’s highly-anticipated sophomore release, <i>Auriga to Orion</i>, is a seven-track album that further expounds on their innovative blend of spacey electronics and earthy acoustics. Decidedly groove-centric throughout, the music is often imbued with sexy ‘chill-rock’ motifs, which makes it equally conducive to both dancing and stargazing. <br /><br />“Alpha Orionis” beautifully opens the album with a shimmery ‘Tangerine Dream meets Steve Roach’ kind of keyboard pattern. Sherry’s sultry flute-playing enters along with a gentle rhythm pattern, until Cass’ cleanly strummed electric guitar follows as a seeming answer to the call of the flute. The second track, “Kesil’s Light”, starts off as a mysterious and slightly dark space-music piece with Sherry’s flute emitting light among the vastness. Pulsating sequencer and rhythm figures come forward along with more of Cass’ excellent guitar-playing, as the piece aptly conveys a notion of observing celestial movements in the Arizona sky. “Monte Alban” features intriguing old-school analog synth that eventually introduces guitar and flute – injecting an uplifting vibe into the song. The gorgeous title piece, “Auriga to Orion”, employs classic synth textures and percussion tracks, as Sherry’s flute mesmerizingly soars above like the wind while Cass’ cascading guitar riff encircles it. The piece eventually concludes with a fantastic guitar solo before returning to its original analog synth motif. “Dark Years Away” opens with synthesized rhythmic bells before giving way to Sherry’s melodic flute and Cass’ strummed guitar chords. “Chasing the Leonids” ensues with a sensual tempo, as flute notes majestically soar for awhile before diving into a provocative electric guitar solo that’s heavily rock-influenced. The closing track, “Flaming Star”, starts off somewhat solemn and reverent-sounding with spacious chords enshrouding the listening space. This stunningly beautiful piece is all about atmosphere, with ethereal flute notes mysteriously weaving in and out of the encompassing synth-fog. <br /><br />An outstanding follow-up to Majestica’s debut release, <i>Auriga to Orion</i> is destined to be among my favorite albums this year. Naturally influenced by the surrounding, magnificent Arizona environment – which is known to be especially conducive to creative inspiration – it’s easy to envision the many magical landmarks amid night constellations while listening. Furthermore, I highly recommend playing both Majestica albums back-to-back for a doubly rewarding listening experience! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="https://www.sherryfinzer.com/majestica" target="_blank">artist's website</a>. This album is also available on <a href="https://heartdancerecords.bandcamp.com/album/auriga-to-orion" target="_blank">Bandcamp</a>, <a href="https://amzn.to/2Jg3CbK" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/auriga-to-orion/1370196090?mt=1&amp;app=itunes" target="_blank">iTunes</a>, and <a href="https://play.google.com/store/music/album/Majestica_Auriga_to_Orion?id=Bytve5rmmvqfojlyd2msre6ivcy&amp;hl=en" target="_blank">Google Play</a>. <br /><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-87542155384030592962018-07-02T15:42:00.001-07:002018-07-02T15:42:29.473-07:00Album Review: Terra Incognito by Richard Dillon<div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-L4tefg9fmUU/WzqnZ3Vw_wI/AAAAAAAAAVo/0hwRgJZji2MVV9tBzJnvfT3FIZ6QWcl2QCLcBGAs/s1600/richard-dillon_terra-incognito.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://2.bp.blogspot.com/-L4tefg9fmUU/WzqnZ3Vw_wI/AAAAAAAAAVo/0hwRgJZji2MVV9tBzJnvfT3FIZ6QWcl2QCLcBGAs/s200/richard-dillon_terra-incognito.jpg" width="200" /></a></div>Although Seattle-based pianist and composer Richard Dillon has released several solo piano albums, he broadens his musical horizons substantially on his latest release entitled, <i>Terra Incognito: The Space Between</i>. Comprised of 24 compositions spanning a lengthy 75 minutes, Dillon explores new age, neoclassical, ambient, techno, folk and pop styles of music throughout. Varied, colorful, and often experimental, <i>Terra Incognito</i>&nbsp;effectively aims to highlight Dillon’s versatility as a composer – and as a result, most listeners are likely to appreciate some parts of the album substantially more than others. <br /><br />“Whalesong Redux” introduces the album with an understated orchestral arrangement featuring the distinct sounds of whale song – immediately bringing-to-mind an old documentary film about the ocean, to which this piece would be well-suited. Slipping into a more tranquil mode, “Green Flash Redux” infuses relaxing ocean waves with drifty piano and electric guitar. One of my favorites on the album, the fluid and dreamy quality of this piece can be likened to sailing down a lazy river. Two outstanding interlude-type ambient compositions follow next – “The Space Between” and “Dust Devil”, which pair together nicely. Conveying a haunting minimalism via suspended strings and sparse piano notes, “The Space Between” possesses an intriguing suspense that pleasantly brings-to-mind some of David Arkenstone’s more minimal-ambient work. Equally compelling, “Dust Devil” incorporates subtle tribal-ambient elements with its fusion of echoing percussion amid a shapeshifting soundscape. <br /><br />The rest of the album unfolds with oft-unexpected and widely-varying stylistic twists and turns throughout that can result in some of the pieces seeming wildly out-of-place. For example, “Ice Dancer Redux” is an overly cheery and bubbly instrumental piece set to a noticeable drum machine – while “Color Me” is a lyrical vocal piece accompanied by a whistling chorus reminiscent of a radio jingle or children’s show. These along with a couple of other similarly quirky, pop-oriented compositions felt like unnecessary inclusions on this already lengthy album. <br /><br />Nevertheless, other truly remarkable gems are certain to be found on here, such as the whimsical “Leonardo’s Flying Machine”, with its celestial voices that hover among echoing piano chords, as it seemingly conveys a magical winter fantasy. Likewise, “Lead Kindly Night” is another mesmerizing piece that features a lovely Celtic bent. Here, ethereal female vocals are delicately brushed by subtle strings amid a backdrop of glistening bells. Another notable standout is the cinematically spacey “Voyager” with its minimal ambient-piano arrangement that simultaneously conveys both an awe-inspiring and pensive mood. <br /><br />After hearing what Richard Dillon is capable of as a musician, I must confess, I’d especially love to hear an album comprised entirely of the more ambient and soundtrack-style pieces that frequent this release, as these moments are certainly among the most compositionally innovative and sonically mesmerizing herein. This is a strong suggestion on my part, as I feel this unquestionably talented artist has tapped into a reservoir of potential brilliance that’s worth further exploring. Yet, the full experience of these stellar compositions is somewhat hindered by the inclusion of rather peculiar and odd-fitting compositions alongside them. On the plus side, <i>Terra Incognito</i> has given me an opportunity to discover a musical side of this composer that I was previously unfamiliar with – and as a result, I look forward to hearing much more of it! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="https://richarddillonpiano.com/" target="_blank">artist's website</a>. This album is also available on <a href="https://amzn.to/2lNylUn" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/terra-incognito-the-space-between/1347650268?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/richarddillon18" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album?id=Bomncpszk4uxqwudg2n7kwiiene&amp;tid=song-Tsrb23n53dg4jbfdabwlrkp644u&amp;hl=en" target="_blank">Google Play</a>. <br /><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-29260775501653368032018-06-30T15:58:00.000-07:002018-06-30T15:58:08.772-07:00Top 25 Albums for May 2018<table border="1" style="width: 100%;"><tbody><tr><td><b>TM</b></td><td><b>LM</b></td><td><b>PK</b></td><td><b>Artist Name</b></td><td><b>Album Title</b></td></tr></tbody><tbody><tr><td>1</td><td>-</td><td>1</td><td>Jeff Johnson &amp; Brian Dunning</td><td><a href="https://amzn.to/2tKxzM8" target="_blank">Eirlandia</a>&nbsp;</td></tr><tr><td>2</td><td>-</td><td>2</td><td>Kevin Wood</td><td><a href="https://amzn.to/2IGq51s" target="_blank">Eternal</a></td></tr><tr><td>3</td><td>-</td><td>3</td><td>Loreena McKennitt</td><td><a href="https://amzn.to/2KzPuvD" target="_blank">Lost Souls</a></td></tr><tr><td>4</td><td>18</td><td>4</td><td>Neil Patton&nbsp;</td><td><a href="https://amzn.to/2KyHL0E" target="_blank">Solitaire</a>&nbsp;</td></tr><tr><td>5</td><td>-</td><td>5</td><td>Aureliaslight&nbsp;</td><td><a href="https://amzn.to/2Na0cue" target="_blank">Seasons</a></td></tr><tr><td>6</td><td>-</td><td>6</td><td>Lia Scallon</td><td><a href="https://amzn.to/2IDCy6b" target="_blank">Song of the Sidhe</a></td></tr><tr><td>7</td><td>9</td><td>7</td><td>Symphonex Orchestra</td><td><a href="https://amzn.to/2lI30Ct" target="_blank">Music That Tells A Story</a></td></tr><tr><td>8</td><td>-</td><td>8</td><td>Richard Noll</td><td><a href="https://amzn.to/2lMKlpg" target="_blank">Peaceful Being</a></td></tr><tr><td>9</td><td>-</td><td>9</td><td>Richard Ross</td><td><a href="https://amzn.to/2tH1bu1" target="_blank">Laughing Moon</a></td></tr><tr><td>10</td><td>17</td><td>10</td><td>Richard Dillon</td><td><a href="https://amzn.to/2MzqxkA" target="_blank">Terra Incognito</a>&nbsp;</td></tr><tr><td>11</td><td>-</td><td>11</td><td>Jon Durant</td><td><a href="https://amzn.to/2NedUN0" target="_blank">Parting Is</a></td></tr><tr><td>12</td><td>-</td><td>12</td><td>Jill Haley</td><td><a href="https://amzn.to/2IH402H" target="_blank">The Waters of Glacier</a></td></tr><tr><td>13</td><td>2</td><td>2</td><td>Michael Kollwitz&nbsp;</td><td><a href="https://amzn.to/2tI8Qs5" target="_blank">Serenity II</a></td></tr><tr><td>14</td><td>3</td><td>3</td><td>Joseph L Young</td><td><a href="https://amzn.to/2tTiib3" target="_blank">Every Moment</a></td></tr><tr><td>15</td><td>4</td><td>4</td><td>Nitish Kulkarni</td><td><a href="https://amzn.to/2KofBte" target="_blank">Listen.&nbsp;</a></td></tr><tr><td>16</td><td>16</td><td>16</td><td>Vicente Avella</td><td><a href="https://amzn.to/2lLvnQn" target="_blank">Rising</a></td></tr><tr><td>17</td><td>19</td><td>17</td><td>Mark Dunn</td><td><a href="https://amzn.to/2Mzrjy0" target="_blank">Melodic Voyage</a></td></tr><tr><td>18</td><td>-</td><td>18</td><td>Loren Evarts</td><td><a href="https://amzn.to/2Mz7Aye" target="_blank">Home Again</a></td></tr><tr><td>19</td><td>-</td><td>19</td><td>Rhonda Mackert&nbsp;</td><td><a href="https://amzn.to/2IGByOx" target="_blank">Time Not Forgotten</a></td></tr><tr><td>20</td><td>20</td><td>20</td><td>Dan Kennedy</td><td><a href="https://amzn.to/2KymCH3" target="_blank">Mountains Made of Shadow,</a><br /><a href="https://amzn.to/2KymCH3" target="_blank">Anthems Made of Light</a></td></tr><tr><td>21</td><td>10</td><td>10</td><td>Pamela Whitman &amp; Richard Kurtz</td><td><a href="https://amzn.to/2tJGcXp" target="_blank">Ancient Vision</a></td></tr><tr><td>22</td><td>8</td><td>8</td><td>Terry Lee Nichols &amp; Rebekah Eden</td><td><a href="https://amzn.to/2Kk491H" target="_blank">We Have Only Come to Dream</a></td></tr><tr><td>23</td><td>-</td><td>23</td><td>Peter Calandra</td><td><a href="https://amzn.to/2KlWu38" target="_blank">Piano Improvisations, Vol. 1</a></td></tr><tr><td>24</td><td>1</td><td>1</td><td>Nouveau Papillon&nbsp;</td><td><a href="https://amzn.to/2NbTe80" target="_blank">Enchantment Blooms</a></td></tr><tr><td>25</td><td>4</td><td>4</td><td>Michael Whalen&nbsp;</td><td><a href="https://amzn.to/2Ne6Rnm" target="_blank">Kiss the Quiet</a>&nbsp;</td></tr></tbody></table><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-58438231047107728772018-06-26T12:14:00.000-07:002018-06-26T12:16:19.727-07:00Album Review: Tranquility by Ambiscend<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-FcqGDQXiSRA/WzKQ_EBRiYI/AAAAAAAAAVc/YvDm3Z9BxnErhwo04-ZUkcrJHRfEYr_JgCLcBGAs/s1600/ambiscend_tranquility.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="200" src="https://3.bp.blogspot.com/-FcqGDQXiSRA/WzKQ_EBRiYI/AAAAAAAAAVc/YvDm3Z9BxnErhwo04-ZUkcrJHRfEYr_JgCLcBGAs/s200/ambiscend_tranquility.jpg" width="200" /></a></div>Ambiscend is the recording alias of Texas-based electronic music composer, Darren Rogers, who’s previously released several albums ranging from ambient-space to healing new age. Comprised of five compositions spanning approximately eight to ten minutes each, Darren’s latest album, entitled <i>Tranquility</i>, occupies a serene sweet-spot between the two styles, as subtly melodic synthesized textures are enhanced throughout by field recordings of ocean waves and nocturnal forest environments. <br /><br />The album opens with the aptly-named and beautiful piece, “Time of Tranquility”, which is characterized by subtle major-key transitions comprised of metallic shimmers that seemingly evoke a blue sky streaked by cirrostratus clouds. Spanning a little under ten minutes, the composition is slightly reminiscent of the music of Deuter or Liquid Mind, as accompanying sounds of glassy chimes and singing birds enhance its lulling atmospheric tranquility. “Floating Enchantment” follows along a similar path with slowly-shifting synthesized tones, although this time accompanied by the nocturnal sounds of chirping crickets and gentle ocean waves that aptly convey a scenic nightfall. The tantalizing and mysterious, “Earth Sings its Song”, is easily my favorite – clocking in at ten minutes even. Here, shimmering swells and rolling waves allude to an underwater paradise that pleasantly reminds me of music from the album Journey to Atlantis by Kevin Kendle and Llewellyn. “The Night is Calling” continues with cascading waters washing upon glistening tones – until finally concluding with “Earth’s Bedtime”, on which chirping crickets return to the dreamy accompaniment of celestial chords and sparsely-spaced wind chimes. <br /><br />An essential relaxation album, <i>Tranquility</i> would make a perfect aural accompaniment to massage, healing baths or other spa therapies, and easily joins the ranks of other top-notch contemporaries in the field! <i>~Candice Michelle </i><br /><br />This album is available from <a href="https://darrenrogers.bandcamp.com/album/tranquility" target="_blank">Bandcamp</a>, <a href="https://amzn.to/2MVPo2Z" target="_blank">Amazon</a> and <a href="https://store.cdbaby.com/cd/ambiscend" target="_blank">CD Baby</a>. <br /><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-58423927429232787722018-06-15T14:39:00.002-07:002018-06-15T14:39:44.110-07:00Album Review: Serenity II by Michael Kollwitz <div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-y80EXhOzuPY/WyQxQnSqTyI/AAAAAAAAAVA/uvRdLblcxwYSVGroWmNK6Pm2qMHUTGrtQCLcBGAs/s1600/michael-kollwitz_serenityII.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://1.bp.blogspot.com/-y80EXhOzuPY/WyQxQnSqTyI/AAAAAAAAAVA/uvRdLblcxwYSVGroWmNK6Pm2qMHUTGrtQCLcBGAs/s200/michael-kollwitz_serenityII.jpg" width="200" /></a></div>Michael Kollwitz is a lifelong master of the Chapman Stick – a guitar/piano type of hybrid instrument in both its sound and functionality, which resembles the head and neck of guitar but is played more like a piano by using two-handed tapping. Having previously lived in Sacramento, California before relocating to Hawaii in 2007, Kollwitz’ latest album, entitled <i>Serenity II: More Peaceful Music on the Chapman Stick</i>, was recorded in beautiful Sedona, Arizona. His 22nd album to date – and 2nd album marketed in the “new age” genre – <i>Serenity II </i>embarks along a similar musical path as its equally mesmerizing predecessor, Serenity, in the form of 16 instrumental compositions that were inspired by the book <i>Steps to Knowledge: The Book of Inner Knowing</i> by Marshall Vian Summers. <br /><br />The album opens with “The Presence”, an earthy and soul-soothing piece that perfectly sets the mood for the rest to follow, as a balmy melody washes over the senses like a warm current. Kollwitz’ signature sound is intimately cozy and leisurely, as he seemingly merges the equally spellbinding albeit naturally contrasting environments of the Hawaiian pacific with the Arizona desert, often within the same composition. The melodies mostly possess a dreamy, fluid quality that is frequently enhanced by atmospheric backlighting in the form of subtly shimmering and suspended tones, which lend the compositions additional depth and richness. <br /><br />Thoughtful song titles allude to themes of personal reflection, whether it be inwards upon one’s own feelings and emotions or outwards upon surrounding natural landscapes, as one might easily imagine themselves cozying up by a fireplace, relaxing by the Oceanside, or peering out into a sunset canyon from a mountaintop. <br /><br />While it’s difficult for me to choose a favorite track on this album – being that every composition is as equally compelling as the next – after repeated listens, I did find myself particularly drawn to “Climbing the Mountain” and “Blue Skies”. <br /><br />Although an electric instrument, the Chapman Stick emits an organic sound that would naturally appeal to fans of atmospheric and relaxing acoustic music. All in all, fans of Michael Kollwitz’ previous album, <i>Serenity</i> – as well as Jeff Pearce’s stylistically similar landmark album on the Chapman Stick entitled <i>Rainshadow Sky</i> – are enthusiastically encouraged to add <i>Serenity II</i> to their personal collection! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="https://www.michaelkollwitz.com/" target="_blank">artist's website</a>. This album is also available on <a href="https://amzn.to/2JLAOce" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/serenity-ii-more-peaceful-music-on-the-chapman-stick/1350592031?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/michaelkollwitzandchapma6" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Michael_Kollwitz_Serenity_II_More_Peaceful_Music_o?id=Bh3wseq6v5i74upgzk5vwsmr4w4&amp;hl=en" target="_blank">Google Play</a>. <br /><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-75833549075502238472018-06-07T15:51:00.001-07:002018-06-07T16:35:22.687-07:00Aural Awakenings: Episode 15TIME / ARTIST NAME / TRACK TITLE / ALBUM TITLE <br />00:00 / Yanni / At First Sight / <a href="https://amzn.to/2kTUUGv" target="_blank">Ethnicity </a><br />05:29 / 2002 / Even Now / <a href="https://amzn.to/2Jz6XXB" target="_blank">This Moment Now </a><br />09:39 / Joseph L Young / Vicariously Blue / <a href="https://amzn.to/2JH60fQ" target="_blank">Every Moment </a><br />14:41 / Neil Patton / Walking on Air / <a href="https://amzn.to/2kUSIOU" target="_blank">Solitaire</a><br />18:15 / Michael Kollwitz / Climbing the Mountain / <a href="https://amzn.to/2sN7if5" target="_blank">Serenity II</a><br />22:17 / Symphonex Orchestra / Variations on a Theme of Tromboncino #2 / <a href="https://amzn.to/2JqohuG" target="_blank">Music that tells a Story </a><br />26:04 / Nouveau Papillon / Whispers from an Angel / <a href="https://amzn.to/2sN8gbd" target="_blank">Enchantment Blooms</a><br />31:34 / Dan Kennedy / Implying Flying / <a href="https://amzn.to/2JpcJaS" target="_blank">Mountains Made of Shadow, Anthems Made of Light</a><br />37:15 / Jesse Cook / To Your Shore / <a href="https://amzn.to/2xUAqGY" target="_blank">One World</a><br />40:51 / Terry Lee Nichols &amp; Rebekah Eden / The Anasazi / <a href="https://amzn.to/2sJyvz8" target="_blank">We Have Only Come to Dream</a><br />44:47 / Mark Dunn / Return to Peace / <a href="https://amzn.to/2kWoqv8" target="_blank">Melodic Voyage</a><br />49:15 / Richard Dillon / Green Flash Redux / <a href="https://amzn.to/2JDW2vV" target="_blank">Terra Incognito </a><br /><br /><iframe frameborder="0" height="400" src="https://www.mixcloud.com/widget/iframe/?light=1&amp;feed=%2FAuralAwakenings%2Faural-awakenings-episode-15%2F" width="100%"></iframe> <br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-14541353655065458092018-06-06T20:33:00.000-07:002018-06-06T20:33:01.245-07:00Spotlight: Solitaire by Neil Patton<div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-j5sm1hyu20k/Wxijh0ABaRI/AAAAAAAAAU0/xqtNXA_DgxoPiajrM1ugF-wdxppU1NopwCLcBGAs/s1600/Neil-Patton_Solitaire.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://1.bp.blogspot.com/-j5sm1hyu20k/Wxijh0ABaRI/AAAAAAAAAU0/xqtNXA_DgxoPiajrM1ugF-wdxppU1NopwCLcBGAs/s200/Neil-Patton_Solitaire.jpg" width="200" /></a></div>Neil Patton is a supremely talented composer and pianist/keyboardist (as well as a singer – although I’ve yet to hear him in that capacity) whose released four solo piano albums to date. His latest album, entitled <i>Solitaire</i>, is comprised of 15 outstanding compositions spanning a little over an hour – and follows-up his fantastic release, <i>Between Shadow and Light</i>, which was one of my personal favorite solo piano recordings of last year. <br /><br />The album opens with “The Turning Page” – a delicate, brisk-paced number that initially begins with a light and fluttery melody played in the higher register, as it increasingly adds more fullness via lower register chords along its course. Aptly setting the pace for the rest of the album, Neil expressively yet gracefully takes the listener on an inner journey that captures both hopeful, joyful moments as well as solemn, introspective moods, as he brilliantly performs on the keys with seemingly perfect ease and fluidity. <br /><br />One particularly notable piece is “Walking on Air”, which recalls a hint of George Winston. Characterized by a colorfully radiant and vivid melody, the composition is seemingly punctuated by spiraling bursts of energy. <br /><br />Another favorite of mine is “The Muse”, which pleasantly recalls some of Liz Story’s work, as it effectively showcases a constantly-changing pattern that sparkles and spins throughout. I’m also especially fond of “Twilight” – a boldly cinematic yet contemplative piece that bears touches of David Lanz. Here, Neil impressively creates a three-dimensional effect with his remarkable playing technique. <br /><br />As with his previous album, <i>Between Shadow and Light</i>, Neil has once again saved the best for last (for me anyway) in the form of a similarly darker, lengthier composition entitled “Gethsemane”. Named for the urban garden at the foot of the Mount of Olives in Jerusalem, of which is probably best-known for being the place where Jesus prayed the night before his crucifixion, this hauntingly beautiful number imparts an aptly mysterious, reflective mood. Here, Neil employs some gentle digital delay and liberal amount of reverb to create an all-encompassing, epic sound – making this one of my favorite solo piano pieces to emerge from an artist in a long time. <br /><br />A truly exceptionable and professional talent, Neil Patton’s piano-playing is unquestionably top-notch – with his instrument always emitting a most lovely resonance. Additionally, Neil’s enthralling compositional style and perfected execution of these melodies uniquely stands out among many of his contemporaries, as well as places him in great company among some of the best in the field – hence, I can already conclude that <i>Solitaire</i> is destined to be named among the finest solo-piano releases of the year! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="http://www.neilpatton.net/" target="_blank">artist's website</a>. This album is also available at <a href="https://amzn.to/2xQ1OpE" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/solitaire/1353639267?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/neilpatton5" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Neil_Patton_Solitaire?id=B2sc6hy4rjdwvzw4m7q6lg4yr6q&amp;hl=en" target="_blank">Google Play</a>. <br><br>Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-43536384400508925812018-06-04T15:12:00.000-07:002018-06-04T15:18:20.066-07:00Spotlight: Music That Tells A Story by Symphonex Orchestra <div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-hiG31p93eok/WxW4nBjAgjI/AAAAAAAAAUo/isEdDhdqYDAruGY5gcFNZWUUDK_Jqmm6ACLcBGAs/s1600/SymphonexOrchestra_Music.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://2.bp.blogspot.com/-hiG31p93eok/WxW4nBjAgjI/AAAAAAAAAUo/isEdDhdqYDAruGY5gcFNZWUUDK_Jqmm6ACLcBGAs/s200/SymphonexOrchestra_Music.jpg" width="200" /></a></div>Symphonex Orchestra is a concept project by musician and composer Peter Xifaras, who originally released his debut album, <i>Appassionato</i>, in 2000. Titled <i>Music That Tells A Story</i>, Xifaras’ latest release is a double album comprised of 27 compositions, of which he aptly describes as “a collection of orchestral adventures that have inspired authors to put pen to paper, writing words to the images that this music evokes.” Joined throughout by a handful of guest artists, the classical-centric compositions range from modernly sophisticated with distinct electronica and world flavors to more traditional orchestrations that possess a cinematically sentimental flair. <br /><br />Opening with a piece from the "Dreams in Bloom" set, this an instrumental collection of six compositions was inspired by a beautiful love story. Additionally, disc two includes introductory narrations by Joan Jacobs to accompany each of their instrumental counterparts. The outstanding first cut in this set, entitled “The Encounter”, is a robust and dramatic foray into cinematic electronica. Featuring a slick beat and bassline accentuated by classical strings, the chic composition is molded in a similar vein to material from Kevin Keller’s <i>La Strada</i> or Prequell’s <i>The Future Comes Before</i> albums. <br /><br />Another noteworthy piece in the first of five sets is “Garden by the Sea”, which opens with glistening wind chimes. Elegantly cinematic with brushes of piano, viola and bell-tones throughout, the composition’s seemingly East Asian bent aptly brings-to-mind lovely images of a pastel-painted Japanese garden located in a mountainous mist. <br /><br />"Variations a on Theme of Tromboncino" is derived from the song “Ostinato vo’ seguire” by Bartolomeo Tromboncino, which was originally published circa 1500. Beautifully sung by Felicia Farerre in Italian, this modern rendition masterfully fuses classical renaissance with a contemporary-pop style that reminds me a bit of composer Paul Schwartz’ <i>Aria</i> and <i>State of Grace</i> projects. <br /><br />And finally, my absolute favorite piece on the album is the gorgeous “Hevene Quene: Edi Beo Thu”, of which perfectly concludes the first disc. A modern adaptation based on an anonymous composition composed in the 13th century, the piece is sung in Middle English and features ethereal vocals that are somewhat reminiscent of Sarah Brightman’s. Enchantingly lush, ethereal and gently rhythmic, the piece incorporates ethnic percussion woven among electronic programming and classical orchestration, while bearing signatures of Celtic, classical and medieval music. <br /><br />A mesmerizing sound collage of classical, contemporary, global and electronica motifs, I find Peter Xifaras’ production and arranging skills to be highly impressive, as well as his willingness to branch-out and experiment creatively to be most incredibly refreshing! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="http://www.peterxifaras.com/" target="_blank">artist's website</a>. This album is also available at <a href="https://amzn.to/2LZ1kR5">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/music-that-tells-a-story/1355955115?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/symphonexorchestra4" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Symphonex_Orchestra_Music_That_Tells_a_Story?id=B2yf2zpnxhzhz2oh6mcvmoa2jky&amp;hl=en" target="_blank">Google Play</a>. <br /><br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/cVYusHaccII" width="560"></iframe> <br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/-wuHckUNlEg" width="560"></iframe>Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-70276280234197974992018-05-27T18:45:00.002-07:002018-05-27T18:56:54.879-07:00Spotlight: Sunset Breeze by Lynn Yew Evers <div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-AKutamD2zmU/Wwtdn1znYGI/AAAAAAAAAUc/lmPoAt6sFLMwNvp6PEI0AkDTO-zkOJtCgCLcBGAs/s1600/Lynn-Yew-Evers_Sunset-Breeze.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://2.bp.blogspot.com/-AKutamD2zmU/Wwtdn1znYGI/AAAAAAAAAUc/lmPoAt6sFLMwNvp6PEI0AkDTO-zkOJtCgCLcBGAs/s200/Lynn-Yew-Evers_Sunset-Breeze.jpg" width="200" /></a></div>Lynn Yew Evers started playing piano and performing as a child until officially beginning her musical career at age fifteen. Later earning a degree from the Trinity College of Music in London, she’s performed a variety of concerts in both her native country of Malaysia and in the U.S. where she currently resides. Entitled <i>Sunset Breeze</i>, Lynn’s fourth album is comprised of fourteen solo piano compositions – marking a slight musical departure from her previous album, <i>Elysian</i>, which showcased piano-centric ensemble music – with both projects having been produced by Will Ackerman. <br /><br />Drawing its influences from inspirational, classical and contemporary styles of music, <i>Sunset Breeze</i> essentially lives up to its title as an overall laid-back listening experience punctuated by elegantly assertive peaks, as the composer seemingly takes us on a leisurely stroll through quiet countryside, sunny gardens and along moonlit shores. <br /><br />“The Dancing Doll” introduces the album like a delicate overture with a noted classical flair that exudes a subtle sense of mystery. A lovely composition as well as my favorite of the lot, Lynn extends a soft touch to the keys, as I’m reminded of watching a graceful ballerina or feather floating in the wind. <br /><br />Serenely simple throughout, most of the compositions are characterized by major-key melodies that range from sweetly hymn-like to sweepingly romantic with often strong classical embellishments, before ultimately concluding in much the same manner the album began with the contemplative closing piece, “Prelude in D Minor”. <br /><br />A most appropriate album for the upcoming Summer season, <i>Sunset Breeze</i> is an optimistically heartfelt album chock-full of personal warmth and tender reflection. Fans of the similarly inspirational and romantic solo piano works of Danny Wright and Michael Dulin are especially encouraged to check out this enjoyable release! <i>~Candice Michelle </i><br /><br />For more information, please visit the <a href="http://lynnyewevers.com/" target="_blank">artist's website</a>. This album is also available at <a href="https://amzn.to/2GVIAhA" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/sunset-breeze/1360406687?mt=1&amp;app=itunes" target="_blank">iTunes</a>, and <a href="https://play.google.com/store/music/album/Lynn_Yew_Evers_Sunset_Breeze?id=Bowlolhqf6sehgm7wq3itjie55q&amp;hl=en" target="_blank">Google Play</a>. Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-65748603493300859542018-05-16T08:07:00.000-07:002018-05-16T08:07:15.049-07:00Top 25 Albums for April 2018<table border="1" style="width: 100%;"><tbody><tr><td><strong>TM</strong></td><td><strong>LM</strong></td><td><strong>PK</strong></td><td><strong>Artist Name</strong></td><td><strong>Album Title</strong></td></tr></tbody><tbody><tr><td>1</td><td>8</td><td>1</td><td>Nouveau Papillon</td><td><a href="https://amzn.to/2JKjAfG" target="_blank">Enchantment Blooms</a></td></tr><tr><td>2</td><td>-</td><td>2</td><td>Michael Kollwitz</td><td><a href="https://amzn.to/2ImZnQb" target="_blank">Serenity II</a></td></tr><tr><td>3</td><td>-</td><td>3</td><td>Joseph L Young</td><td><a href="https://amzn.to/2IosfHG" target="_blank">Every Moment</a></td></tr><tr><td>4</td><td>-</td><td>4</td><td>Nitish Kulkarni</td><td><a href="https://amzn.to/2rKiERk" target="_blank">Listen</a>&nbsp;</td></tr><tr><td>5</td><td>4</td><td>4</td><td>Michael Whalen&nbsp;</td><td><a href="https://amzn.to/2HpVkRE" target="_blank">Kiss The Quiet</a>&nbsp;</td></tr><tr><td>6</td><td>5</td><td>5</td><td>Trine Opsahl</td><td><a href="https://amzn.to/2JLDpU6" target="_blank">Add Colours To My Sunset Sky</a>&nbsp;</td></tr><tr><td>7</td><td>10</td><td>7</td><td>Peter Kater ft. Peia Luzzi</td><td><a href="https://amzn.to/2JGDwjE" target="_blank">She</a></td></tr><tr><td>8</td><td>-</td><td>8</td><td>Terry Lee Nichols &amp; Rebekah Eden</td><td><a href="https://amzn.to/2Ins0fU" target="_blank">We Have Only Come To Dream</a></td></tr><tr><td>9</td><td>-</td><td>9</td><td>Symphonex Orchestra</td><td><a href="https://amzn.to/2rLY3vX" target="_blank">Music That Tells A Story</a></td></tr><tr><td>10</td><td>-</td><td>10</td><td>Pamela Whitman &amp; Richard Kurtz</td><td><a href="https://amzn.to/2KsoGga" target="_blank">Ancient Vision</a></td></tr><tr><td>11</td><td>13</td><td>11</td><td>Johann Johannsson</td><td><a href="https://amzn.to/2HA3a98" target="_blank">The Mercy</a></td></tr><tr><td>12</td><td>14</td><td>12</td><td>Mari Samuelsen</td><td><a href="https://amzn.to/2k2vbLD" target="_blank">Nordic Noir</a></td></tr><tr><td>13</td><td>16</td><td>13</td><td>Heidi Breyer</td><td><a href="https://amzn.to/2JKAAlZ" target="_blank">Moonlight In Empty Rooms</a></td></tr><tr><td>14</td><td>18</td><td>14</td><td>Brian Kelly</td><td><a href="https://amzn.to/2qtnX6N" target="_blank">Tomorrow's Daydream</a></td></tr><tr><td>15</td><td>25</td><td>15</td><td>Oscar Pascasio</td><td><a href="http://oscarpascasio.com/oscar/tienda/" target="_blank">Sensaciones</a>&nbsp;</td></tr><tr><td>16</td><td>-</td><td>16</td><td>Vicente Avella</td><td><a href="https://amzn.to/2rRo90H" target="_blank">Rising</a></td></tr><tr><td>17</td><td>-</td><td>17</td><td>Richard Dillon&nbsp;</td><td><a href="https://amzn.to/2KvAzC5" target="_blank">Terra Incognito</a></td></tr><tr><td>18</td><td>-</td><td>18</td><td>Neil Patton</td><td><a href="https://amzn.to/2jZBUWv" target="_blank">Solitaire</a></td></tr><tr><td>19</td><td>-</td><td>19</td><td>Mark Dunn</td><td><a href="https://amzn.to/2L8fgb0" target="_blank">Melodic Voyage</a></td></tr><tr><td>20</td><td>-</td><td>20</td><td>Dan Kennedy</td><td><a href="https://amzn.to/2L5827B" target="_blank">Mountains Made of Shadow,</a><br /><a href="https://amzn.to/2L5827B" target="_blank">Anthems Made of Light</a></td></tr><tr><td>21</td><td>1</td><td>1</td><td>James Asher &amp; Arthur Hall</td><td><a href="https://amzn.to/2IMWN5g" target="_blank">Drum Distillery</a>&nbsp;</td></tr><tr><td>22</td><td>2</td><td>2</td><td>Terry Oldfield &amp; Soraya</td><td><a href="https://amzn.to/2rJf2iw" target="_blank">Temple Moon</a></td></tr><tr><td>23</td><td>6</td><td>6</td><td>Valerie Romanoff</td><td><a href="https://amzn.to/2InBMuv" target="_blank">Healing Music, Volume 2</a></td></tr><tr><td>24</td><td>19</td><td>19</td><td>Michael Logozar</td><td><a href="https://amzn.to/2rMs3rr" target="_blank">Starlight</a>&nbsp;</td></tr><tr><td>25</td><td>20</td><td>20</td><td>Lynn Yew Evers</td><td><a href="https://amzn.to/2JKAs6j" target="_blank">Sunset Breeze</a></td></tr></tbody></table><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-4538906230783227952018-05-08T09:14:00.000-07:002018-05-08T09:19:06.047-07:00Spotlight: Moonlight in Empty Rooms by Heidi Breyer<div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-oaHx0IB3ktw/WvHLvW18psI/AAAAAAAAAUE/O_JyMrqTYGY0UO89LiB4rLJvwkgJDDB8QCLcBGAs/s1600/heidi-breyer_moonlight.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://1.bp.blogspot.com/-oaHx0IB3ktw/WvHLvW18psI/AAAAAAAAAUE/O_JyMrqTYGY0UO89LiB4rLJvwkgJDDB8QCLcBGAs/s200/heidi-breyer_moonlight.jpg" width="200" /></a></div>Music and imagery have long complimented and even depended upon one another, with both artistic expressions often enhancing the perception that one has upon the other. Titled <i>Moonlight in Empty Rooms</i>, the latest album by pianist-composer Heidi Breyer beautifully embodies this wonderful creative synergy. Inspired by the fine art of acclaimed painter Alexander Volkov, the album is comprised of twelve pristinely elegant and emotionally reflective compositions. Each piece is accompanied in the liner notes by one of Volkov’s gorgeous paintings, while Breyer is joined throughout by distinguished violinist Charlie Bisharat, who lends an additional classical element to the compositions. Both Breyer and Volkov wrote the album’s poetically beautiful liner notes, while the album itself was produced by Breyer, Will Ackerman and Tom Eaton, with Eaton having engineered, mixed and mastered the final recording. Also included is a DVD of music and paintings that can be further appreciated in tandem. <br /><br />The opening piece, “Unfinished Conversation”, seemingly begins like an ending, or perhaps that of picking up at some point from where having left off. Wrapped in a sentimental poise, the lovely composition is tenderly carried along by the graceful pairing of piano and violin – each lingering note like a gentle brushstroke upon an aural canvas. The next couple of pieces, “Autumn Snowfall” and “Autumn in Bruges”, make for a lovely pair – both rendering sonically their respective paintings that are detailed in the liner notes. “Autumn Snowfall” – a composition centered upon the seasonal transition of Fall to Winter – conveys a more contemplative, solitary mood – while “Autumn in Bruges” comparatively relates a feeling of personal interaction and romantic companionship with its serenading semi-waltz motif. <br /><br />The album’s title piece, “Moonlight in Empty Rooms”, is a pinnacle moment of compositional beauty and emotional expression. One of my favorites, I especially love the wistful touch of the violin which beautifully compliments the flowing dynamism of the piano, as the piece ebbs and flows with alternating currents of languor and liveliness. Transitioning into the Spring season, “Eastertide” aptly captures a sense of joyful peace as sparkling notes convey sunshine rays and blossoming fields. The following piece, “Rainy Day”, feels both contemplative and leisurely, with its languidly-paced piano and solemn procession of violin. <br /><br />Another favorite composition is the second-to-last track, “Faith”, which is also the lengthiest at just over eight minutes. A song of searching and steadfastness, this distinctly classical-flavored piece is comprised of four variations that give it a metamorphosing and journey-like quality. Likewise showcasing some of Heidi’s most impressive piano work, cascading keys are brushed lightly by tender violin throughout – ultimately resulting in a memorably heartfelt and prepossessing composition. <br /><br />Cozily intimate, romantic and even nostalgic at times, <i>Moonlight in Empty Rooms</i> is a calmly introspective album that feels connected to the home and its immediate surroundings of seemingly quaint towns and natural countryside. In addition to Heidi Breyer’s own compositional gifts and command of the piano, Charlie Bisharat’s enchanting performance on violin takes these lovely pieces to another level of appreciation – with the marriage of these two instruments proving all that was needed to make musical magic happen! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="http://heidibreyer.com/" target="_blank">artist's website</a>. This album is also available at <a href="https://amzn.to/2HWFoYe" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/moonlight-in-empty-rooms/1329848424?i=1329848429&amp;mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/heidibreyer3" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Heidi_Breyer_Moonlight_in_Empty_Rooms?id=Btaxtz4ty7luqxzsnovjcrdfp2q" target="_blank">Google Play</a>. Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-84514485708039413882018-05-04T18:50:00.001-07:002018-05-04T18:50:58.224-07:00Spotlight: Beautiful Song by Anne Trenning and Friends<div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-sa4Px6f0FSI/Wu0KOj01AHI/AAAAAAAAAT0/8618DWfoX4M1q0-0W0VdsUrOJQE2uFeOgCLcBGAs/s1600/Anne-Trenning_Beautiful-Song.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><b><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://3.bp.blogspot.com/-sa4Px6f0FSI/Wu0KOj01AHI/AAAAAAAAAT0/8618DWfoX4M1q0-0W0VdsUrOJQE2uFeOgCLcBGAs/s200/Anne-Trenning_Beautiful-Song.jpg" width="200" /></b></a></div><i>Beautiful Song</i> is the fifth album by instrumental pianist and composer Anne Trenning. Comprised of eleven piano ensemble pieces spanning approximately thirty-nine minutes, the album highlights a talented team of musicians along the way who variably contribute instruments such as violin, flute, accordion, cello, flugelhorn, saxophone, guitar, mandolin and percussion – with familiar artist names including Bill Leslie, Jeff Oster and Ciro Hurtado. Six of the compositions are originals written by Anne Trenning while the other five are renditions of classic tunes by artists such as Neil Young, Maurice Jarre and others. <br /><br />The album opens on a welcoming bright note with the title piece, “Beautiful Song”, which features a sweetly melodic ensemble led by a duet of piano and violin. Perfectly capturing the radiant warmth of a noonday sun, romantic and classical elements are laced with Celtic overtones, as the lovely composition waltzingly graces along to a gentle sway. <br /><br />My favorite song on the album is the Santana cover, “El Farol”, which possesses a Mediterranean-style elegance. This romantic piece immediately stands out with its pristine infusion of Spanish guitar and flowing piano, of which aptly conveys a low-key lounge feel – like&nbsp;that of experiencing a nocturnal breeze on the seashore. I’m also particularly fond of the more reflectively tender “Do I Hear Christmas?” – an original composition which features accompanying cello and flugelhorn that appropriately lend the piece a subtly forlorn touch. Also noteworthy is “Miller Gap”, which showcases both Celtic and renaissance musical elements. It's of the cheeriest songs on the album, featuring a festively classical assortment of piano, strings and Celtic flute. Likewise intriguing is the Darrell Scott cover, “It’s a Great Day to Be Alive”, which feels evocative of an old-west saloon with its characteristically country and western style piano-to-rhythm motif. <br /><br />Closing out the album on an inspirational note is the minute-long Chris Rice cover, “Go Light Your World”, which features a sentimental blend of piano, strings and saxophone. <br /><br />A most charmingly elegant album comprised of classical-infused contemporary instrumental music, <i>Beautiful Song</i> seemingly takes its listener on a quaintly scenic tour across both European and American countryside. I especially enjoyed the colorfully instrumental variety among the compositions that each guest musician contributed along the way, as well as the album’s balanced offering of both sunnily uplifting melodies and peaceful moonlight serenades! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="http://www.annetrenning.com/" target="_blank">artist's website</a>. This album is also available on <a href="https://amzn.to/2rmjljw" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/beautiful-song/1338548417?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/annetrenning2" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Anne_Trenning_Beautiful_Song?id=Bcsnjdbxgfz34b2h4xjgukhb4ca&amp;hl=en" target="_blank">Google Play</a>. <br /><br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/m8i20shVo9U" width="560"></iframe> <br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Vn4_v-zD-RM" width="560"></iframe>Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-30686783627224156752018-04-26T08:54:00.000-07:002018-04-26T08:54:24.640-07:00Spotlight: Every Moment by Joseph L Young<div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-Yk9OL2EBrkU/WuH1EJwdglI/AAAAAAAAATk/rv1y9U5--l8LF25zVyTEJdtWveiFqeAwACLcBGAs/s1600/Joseph-L-Young_Every-Moment.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://2.bp.blogspot.com/-Yk9OL2EBrkU/WuH1EJwdglI/AAAAAAAAATk/rv1y9U5--l8LF25zVyTEJdtWveiFqeAwACLcBGAs/s200/Joseph-L-Young_Every-Moment.jpg" width="200" /></a></div>World-flute master and keyboardist Joseph L Young adds a soulfully refreshing element on his latest album, <i>Every Moment</i>, which follows his enchanting 2016 album, <i>Ethereum</i>. Having formerly played saxophone in the smooth jazz group Mobius Trip (that he co-founded), Joseph again pulls out his sax and gets creative on his latest album, which draws upon influences of jazz, new age and ambient/electronic music. Comprised of twelve compositions spanning approximately 62 minutes, sax is the lead instrument throughout, as Joseph adds synthesized layers and keyboards, gentle percussion and subtle world music touches along the way. Centered upon a theme of time, the compositions overall feel timeless, musing and imaginative. Guest musicians include world flutist Cornell Kinderknecht on “Time Traveler” and violist Lisa Bittick on “Chronos Dreams”. <br /><br />“Prism” opens the album with a subtle rhythmic pulse that underscores a soothing sax melody accompanied by synthesized vocal layers. A whimsical touch of Irish whistle joins the piece about half-way through, as both earthily sensual and dreamily spacey textures are woven among what could essentially be described as the quintessential ‘space-jazz’ composition. The next piece, “Falling Through Time”, is easily my favorite on the album. True to its title, the composition seemingly bridges the past, present and future, while its dusky atmosphere simultaneously evokes images of mysterious ancient landscapes and modern city nightlife. Processed lyrical vocals lend the piece a subtle synth-pop flair amid a sensual ensemble of soulful sax, ambient textures and tribal-esque percussion. <br /><br />Another one of my favorites is “Vicariously Blue”, which features sax alongside Native American flute within an echoing chamber of organic-style percussion and low-humming chords. Another especially outstanding composition is “Letting Go”, which initially opens with gentle spoken word courtesy of Rona Yellow Robe amid a subtle shamanic pulse. Her vocals soon extend to mantra-type singing, which pleasantly reminds me of the lovely Deva Premal. It’s followed by “Eleventh Hour”, a notably intriguing piece that’s somewhat set apart from the rest with its comparatively more digitized effects and crunchy, quasi-industrial beat. <br /><br />Meeting at the crossroads of new age, ambient and contemporary instrumental music, <i>Every Moment</i> will certainly appeal to a variety of listeners. Particularly, it brings-to-mind the more romantic space-jazz music of Jonn Serrie (think <i>Ixlandia</i>, <i>Lumia Nights</i> or <i>Spirit Keepers</i>), as well as saxophonist Paul Winter, thereby recalling some great “new age” classics. A mesmerizing album sure to be among this year's favorites, every moment of <i>Every Moment</i> is certainly time well spent! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="http://www.josephlyoung.com/" target="_blank">artist's website</a>. This album is also available at <a href="https://amzn.to/2r799dV" target="_blank">Amazon</a>, <a href="https://itunes.apple.com/us/album/every-moment/1350002053?app=itunes&amp;ign-mpt=uo%3D4" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/josephlyoung13" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Joseph_L_Young_Every_Moment?id=Bavkvsy43r5c7uwpf5tmprvcjdm" target="_blank">Google Play</a>.<br /><br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/DVbhZrgyVJs" width="560"></iframe> <br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/M2fUuZp5cP8" width="560"></iframe>Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-7099614235123217402018-04-20T13:48:00.002-07:002018-04-20T13:50:53.780-07:00Aural Awakenings: Episode 14 (An Earth Day Special)TIME / ARTIST NAME / TRACK TITLE / ALBUM TITLE <br />00:00 / Patrick Kelly / The Wonder of Creation / <a href="https://amzn.to/2HNk4kC" target="_blank">In a New Light</a><br />06:17 / Johannes Linstead / Heaven Meets Earth / <a href="https://amzn.to/2HQ4wgf" target="_blank">Azul </a><br />10:00 / Max Highstein / Earthtones / <a href="https://amzn.to/2qMSvjq" target="_blank">Flying Not Falling</a><br />16:26 / AO Music / Terra / <a href="https://amzn.to/2K4Xc0L" target="_blank">Asha</a><br />20:03 / Llewellyn / Magick of Trees / <a href="https://amzn.to/2K4eoUc" target="_blank">Walking with Merlyn</a><br />27:00 / David &amp; Steve Gordon / Sunlight Through the Trees / <a href="https://amzn.to/2vrWjvY" target="_blank">Reiki Healing Light</a><br />32:19 / Peter Kater / She Awakens in the Garden (Abridged Remix) / <a href="https://amzn.to/2qPCqJF" target="_blank">She</a><br />36:47 / Sherry Finzer / Earth / <a href="https://amzn.to/2K2bu2f" target="_blank">Sanctuary II: Earth</a><br />44:18 / Christine Brown / Forest for the Trees / <a href="https://amzn.to/2F4sdy7" target="_blank">Ascend </a><br />48:53 / Robert Thies &amp; Damjan Krajacic / As the Earth Awakens / <a href="https://amzn.to/2HjXdMr" target="_blank">Blue Landscapes II: Discoveries</a><br />53:58 / Jon Richards / Earth and Sky / <a href="https://amzn.to/2HeuBbr" target="_blank">Gaia </a><br /><br /><iframe frameborder="0" height="400" src="https://www.mixcloud.com/widget/iframe/?light=1&amp;feed=%2FAuralAwakenings%2Faural-awakenings-episode-14%2F" width="100%"></iframe>Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-91522229182640952162018-04-13T12:27:00.000-07:002018-04-13T12:44:13.682-07:00Top 25 Albums for March 2018<table border="1" style="width: 100%;"><tbody><tr><td><strong>TM</strong></td><td><strong>LM</strong></td><td><strong>PK</strong></td><td><strong>Artist Name</strong></td><td><strong>Album Title</strong></td></tr></tbody><tbody><tr><td>1</td><td>5</td><td>1</td><td>James Asher &amp; Arthur Hull</td><td><a href="https://amzn.to/2JL0NRG" target="_blank">Drum Distillery</a>&nbsp;</td></tr><tr><td>2</td><td>9</td><td>2</td><td>Terry Oldfield &amp; Soraya</td><td><a href="https://amzn.to/2HzCs0a" target="_blank">Temple Moon</a></td></tr><tr><td>3</td><td>6</td><td>3</td><td>Eugene Friesen</td><td><a href="https://amzn.to/2qqaD3h" target="_blank">The Essential Collection</a></td></tr><tr><td>4</td><td>-</td><td>4</td><td>Michael Whalen</td><td><a href="https://amzn.to/2HpVkRE" target="_blank">Kiss The Quiet</a></td></tr><tr><td>5</td><td>-</td><td>5</td><td>Trine Opsahl&nbsp;</td><td><a href="https://amzn.to/2JLDpU6" target="_blank">Add Colours To My Sunset Sky</a></td></tr><tr><td>6</td><td>-</td><td>6</td><td>Valerie Romanoff</td><td><a href="https://amzn.to/2JGfyVA" target="_blank">Healing Music, Volume 2</a></td></tr><tr><td>7</td><td>11</td><td>7</td><td>Neil Tatar</td><td><a href="https://amzn.to/2JELOIV" target="_blank">After The Rain</a></td></tr><tr><td>8</td><td>-</td><td>8</td><td>Nouveau Papillon</td><td><a href="https://amzn.to/2JKjAfG" target="_blank">Enchantment Blooms</a></td></tr><tr><td>9</td><td>2</td><td>2</td><td>Todd Boston</td><td><a href="https://amzn.to/2qxtBEf" target="_blank">One</a></td></tr><tr><td>10</td><td>-</td><td>10</td><td>Peter Kater ft. Peia Luzzi</td><td><a href="https://amzn.to/2JGDwjE" target="_blank">She</a></td></tr><tr><td>11</td><td>16</td><td>11</td><td>Anne Trenning</td><td><a href="https://amzn.to/2HA2vEG" target="_blank">Beautiful Song</a></td></tr><tr><td>12</td><td>17</td><td>12</td><td>Pam Asberry</td><td><a href="https://amzn.to/2IP4HYs" target="_blank">Seashells In My Pocket</a>&nbsp;</td></tr><tr><td>13</td><td>-</td><td>13</td><td>Johann Johannsson</td><td><a href="https://amzn.to/2HA3a98" target="_blank">The Mercy</a></td></tr><tr><td>14</td><td>-</td><td>14</td><td>Mari Samuelsen</td><td><a href="https://amzn.to/2HvOZlj" target="_blank">Nordic Noir</a>&nbsp;</td></tr><tr><td>15</td><td>21</td><td>15</td><td>Kaveh Karandish&nbsp;</td><td><a href="https://amzn.to/2ITDqUN" target="_blank">Silent Whispers</a>&nbsp;</td></tr><tr><td>16</td><td>-</td><td>16</td><td>Heidi Breyer</td><td><a href="https://amzn.to/2JKAAlZ" target="_blank">Moonlight In Empty Rooms</a></td></tr><tr><td>17</td><td>22</td><td>17</td><td>John Dahlander&nbsp;</td><td><a href="https://amzn.to/2JLDdUS" target="_blank">Songs For Smiler McGee</a></td></tr><tr><td>18</td><td>-</td><td>18</td><td>Brian Kelly</td><td><a href="https://amzn.to/2qtnX6N" target="_blank">Tomorrow's Daydream</a></td></tr><tr><td>19</td><td>-</td><td>19</td><td>Michael Logozar</td><td><a href="https://amzn.to/2JFk8Dz" target="_blank">Starlight</a>&nbsp;</td></tr><tr><td>20</td><td>-</td><td>20</td><td>Lynn Yew Evers</td><td><a href="https://amzn.to/2JKAs6j" target="_blank">Sunset Breeze</a></td></tr><tr><td>21</td><td>1</td><td>1</td><td>Cantus</td><td><a href="https://amzn.to/2ITCCiJ" target="_blank">Northern Lights</a></td></tr><tr><td>22</td><td>24</td><td>22</td><td>Christine Brown&nbsp;</td><td><a href="https://amzn.to/2JItizf" target="_blank">Ascend</a></td></tr><tr><td>23</td><td>-</td><td>23</td><td>Anaya Music</td><td><a href="https://amzn.to/2HzDFEK" target="_blank">Aonki: Gateway of Love</a></td></tr><tr><td>24</td><td>-</td><td>24</td><td>Jim Pearce</td><td><a href="https://amzn.to/2GTyT82" target="_blank">A Piano Story</a></td></tr><tr><td>25</td><td>-</td><td>25</td><td>Oscar Pascasio</td><td><a href="http://oscarpascasio.com/oscar/tienda/" target="_blank">Sensaciones</a>&nbsp;</td></tr></tbody></table><br />Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-80178631334269985922018-04-11T19:24:00.001-07:002018-04-11T19:31:13.697-07:00Spotlight: Seashells In My Pocket by Pam Asberry<div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-abLZ1FtS4iA/Ws7CP9qiOiI/AAAAAAAAATA/3yLsi83b0woOG6GuNBnjac2CuUaVlS8bACLcBGAs/s1600/pam-asberry_seashells.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://4.bp.blogspot.com/-abLZ1FtS4iA/Ws7CP9qiOiI/AAAAAAAAATA/3yLsi83b0woOG6GuNBnjac2CuUaVlS8bACLcBGAs/s200/pam-asberry_seashells.jpg" width="200" /></a></div>Pam Asberry is a composer and solo pianist who knew from an early age that she wanted to pursue a career in music. Classically trained from the age of seven, Asberry eventually led a church choir from organ and completed a master’s degree in music. On her debut album, <i>Seashells In My Pocket</i>, Asberry reflects upon the many beautiful islands and coastal cities she has visited by relaying the memories of her experiences through 13 alluring solo piano instrumentals. Contemporary and modern yet imbued with a definite classical touch throughout, the compositions are overall gently uplifting and major-key with occasional minor-key injections along the way. <br /><br />Each composition is given a picturesque name inspired by a coastal landscape or seafaring moment captured in time, with some of them seemingly drawing upon fantasy and folkloric themes via evocative titles like “Mysterious Caverns” and “The Mermaid’s Tears”. <br /><br />Cozumel is a Caribbean island off the eastern coast of the Yucatan Channel for which the opening piece, “Cozumel Blue Waters”, is named. Beginning in a lightly brisk manner, the piece immediately imparts a calm yet sunny mood that perfectly lends itself as the first stop on this coastal getaway. <br /><br />Moorea is a stunning island in the Pacific located just northwest of Tahiti and one of my favorite pieces on the album, “Moonlight Over Moorea”, aptly conveys the kind of romantic mystique that one could easily imagine an evening spent there might entail. Next, we travel all the way to the Atlantic Caribbean with “Dunn’s River Falls”, another favorite piece of mine that’s named for an enchanting waterfall located in Ocho Rios, Jamaica. Seemingly carried along by a steady and powerful undercurrent, the melody appropriately cascades up-and-down the registers in a manner expressively illustrative of the waters that flow upon the fall’s naturally terraced rock formations. <br /><br />The second-to-last piece, “Ocean Stars”, feels elegantly nocturnal with a notably neoclassical bent. Flowing delicately in the upper registers, the piece deftly mimics the twinkling of stars, as one might imagine themselves standing by the sea while gazing upon the night sky. The final piece, “Sailing Home”, boasts a softly sweet and simple melody that perfectly signals the conclusion of a fascinating journey, with the return to the comforts and familiarity of home soon drawing near. <br /><br />Beheld as a magical realm throughout much of humanity, the sea has long been a muse for many artists, likewise having bestowed Pam Asberry with a reservoir of creative inspiration in this most lovely collection of musically-rendered mementos! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="https://pamasberry.com/" target="_blank">artist's website</a>. This album is also available on <a href="https://amzn.to/2INSjaO" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/seashells-in-my-pocket/1288877944?mt=1&amp;app=itunes" target="_blank">iTunes</a>, <a href="https://store.cdbaby.com/cd/pamasberry" target="_blank">CD Baby</a> and <a href="https://play.google.com/store/music/album/Pam_Asberry_Seashells_in_My_Pocket?id=Bqwbu6wrpaqwm4ysjt2oea4u2ga&amp;hl=en" target="_blank">Google Play</a>. Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-25751002639835882592018-04-09T09:40:00.001-07:002018-04-09T10:02:05.093-07:00Spotlight: Winter, Vol. 3 by Pangaea Projekt<div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-82syt-4m6sI/WsuW0CVlIaI/AAAAAAAAASs/dTpaA2cg9jINXZSSYj0YRn9xNMI-Yn2qwCLcBGAs/s1600/Pangaea-Projekt_Winter-Vol.3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://2.bp.blogspot.com/-82syt-4m6sI/WsuW0CVlIaI/AAAAAAAAASs/dTpaA2cg9jINXZSSYj0YRn9xNMI-Yn2qwCLcBGAs/s200/Pangaea-Projekt_Winter-Vol.3.jpg" width="200" /></a></div>Pangaea Projekt is the recording alias of Orlando-based musician Michael Crain. I was first introduced to his music upon hearing the enchantingly wonderful debut album, <i>Gaia’s Dream</i>, which blends ethno-tribal and ambient/electronic groove elements, ala Deep Forest. Stylistically venturing into more atmospheric ambient terrain with this latest offering, <i>Winter, Vol. 3</i> is the third installment in a series of three-track EPs, of which, despite their seasonal theme, can be enjoyed anytime of the year. <br /><br />Opening with “Ice Forest”, this composition is a gently affecting, minimal ambient piece that feels somewhat reminiscent of composer Harold Budd, with its drifty piano notes hovering amid subtly-shifting tones, as it perfectly evokes a quietly peaceful and snowy landscape. The second piece, “Snowfall” is my favorite of the three, as it pleasantly brings-to-mind the similarly more ambient-space compositions of Jeff Pearce or Michael Stearns. Comprised of slowly-evolving textures that collectively form an expansive, blanketing atmosphere, this gorgeous composition perfectly imparts a sense of deep reflection and nocturnal observation. Finally, “Winter’s Grace” closes the set with a gentle and understated melody comprised of keyboard and soft strings that lends the piece a stylistically more contemporary instrumental/new age feel. In fact, it reminds me somewhat of David Arkenstone’s outstanding winter-themed album <i>Snowfall</i>. <br /><br />Spanning just thirteen minutes, <i>Winter Vol. 3 </i>sells for less than three dollars online and is a beautiful treasure to own, particularly for fans of seasonal ambient and new age music. I’m looking forward to more installments in this (and possibly other seasonal) series, as well as a follow-up to Pangaea Projekt’s full-length debut! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="https://www.michaelcrain.com/" target="_blank">artist's website</a>. This release is also available on <a href="https://amzn.to/2IBgAkz" target="_blank">Amazon</a>, <a href="https://itunes.apple.com/us/album/winter-vol-3-single/1326218521?mt=1&amp;app=itunes" target="_blank">iTunes</a> and <a href="https://play.google.com/store/music/album/Pangaea_Projekt_Winter_Vol_3?id=Bci6lvyl6ekkylx5evjfkekkp4e&amp;hl=en" target="_blank">Google Play</a>. <br /><br /><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/xMNBOfW7cYY" width="560"></iframe> <iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/TnAQwf0YqAc" width="560"></iframe> Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-24898705516893864042018-03-30T09:38:00.001-07:002018-03-30T09:38:46.800-07:00Aural Awakenings: Episode 13TIME / ARTIST NAME / TRACK TITLE / ALBUM TITLE <br />00:00 / Omar Akram / Miracle / <a href="https://amzn.to/2uvGKD7" target="_blank">Echoes of Love</a><br />04:25 / Timothy Wenzel / Ascension / <a href="https://amzn.to/2IdGElB" target="_blank">What We Hold Dear</a><br />08:05 / Camille Nelson / Be Still My Soul / <a href="https://amzn.to/2uxDNC2" target="_blank">Lead Me Home</a><br />12:13 / Anne Trenning / Beautiful Song / <a href="https://amzn.to/2GXR893" target="_blank">Beautiful Song</a><br />15:25 / Valerie Romanoff / Pink Skies Over Still Waters (Still) / <a href="https://amzn.to/2GH79Ti" target="_blank">Healing Music, Vol. 2</a><br />20:21 / Michael Whalen / Heart So Full of Joy / <a href="https://amzn.to/2GGfAy3" target="_blank">Kiss the Quiet </a><br />24:49 / Nouveau Papillon / Love Shines / <a href="https://amzn.to/2IjrXxt" target="_blank">Enchantment Blooms</a><br />29:37 / Vicente Avella / Daybreak / <a href="https://amzn.to/2IdZhWE" target="_blank">Rising</a><br />33:59 / Dan Chadburn / Refuge / <a href="https://amzn.to/2E83U1M" target="_blank">Held in the Light</a><br />38:09 / Deva Premal / Aad Guray / <a href="https://amzn.to/2GkCps2" target="_blank">Dakshina</a><br />44:07 / Peter Calandra / Morning Dove / <a href="https://amzn.to/2GkCGv4" target="_blank">The Road Home</a><br />49:46 / Heidi Breyer / Eastertide / <a href="https://amzn.to/2GZ8Lpk" target="_blank">Moonlight in Empty Rooms</a><br />54:20 / Libera / Going Home / <a href="https://amzn.to/2GXykXE" target="_blank">Angel Voices</a><br /><br /><iframe frameborder="0" height="400" src="https://www.mixcloud.com/widget/iframe/?light=1&amp;feed=%2FAuralAwakenings%2Faural-awakenings-episode-13%2F" width="100%"></iframe>Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0tag:blogger.com,1999:blog-5109040955239204497.post-64884415627227601152018-03-29T21:34:00.000-07:002018-03-29T21:34:06.979-07:00Spotlight: Healing Music, Vol. 2 by Valerie Romanoff <div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-2TLberDWK_Y/Wr26qj5mDEI/AAAAAAAAASc/F2OygL7o8B0AZqRyO_o-2sveTlU10HfHACLcBGAs/s1600/valerie-romanoff_healing-music%252Cvol.2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="200" src="https://1.bp.blogspot.com/-2TLberDWK_Y/Wr26qj5mDEI/AAAAAAAAASc/F2OygL7o8B0AZqRyO_o-2sveTlU10HfHACLcBGAs/s200/valerie-romanoff_healing-music%252Cvol.2.jpg" width="200" /></a></div>Valerie Romanoff is an innovative and versatile multi-instrumentalist who’s explored a variety of musical styles. The second installment of her <i>Healing Music</i> series meant to uplift and soothe the soul, <i>Healing Music, Vol. 2</i> is a fantastic double-album comprised of 18 compositions spanning over 2 hours. Alternating between groovier cuts denoted as “chill” and more meditative pieces denoted as “still”, <i>Healing Music, Vol. 2</i> is an overall chic and semi-exotic blend of acoustic, meditation and world beat styles of music. Throughout the album, Romanoff plays guitar, piano and synthesizers, while she’s joined by Steven McNamara on sitar and Tom Rossi on flute, kora and percussion. <br /><br />“Pink Skies Over Still Water (Still)” opens the album with a soul-soothing soundscape of spacious chords, brushes of sitar and gentle acoustic guitar. Seemingly evocative of a misty morning, the collective instruments immediately instill a sense of serenity among nature. “Pink Skies Over Waves (Still)” continues in this melodiously tranquil mode, while adding subtle touches of flute along the way, as elements of both Eastern and Western acoustic music are seamlessly woven into a sonic tapestry of organic resonance. The next track, “Beyond the Bend (Chill)”, is one of my favorites – and as its title suggests, turns up the tempo a few notches. Simultaneously relaxing and rhythmically hypnotic, the piece is guided along by Indian tabla drums, as intonations of “Om” underlie a colorful arrangement of South Asian instruments – effectively bringing-to-mind scenic images of a sacred temple overlooking a lotus pond. Another one of my favorite pieces is “Moving Glass (Still)”, which sounds a bit less “exotic” and perhaps more familiar to Western ears compared to most of the other compositions. A mesmerizing piece characterized by liquid layers of electric guitar and balmy atmospheric textures, it seemingly alludes to a paradisal destination of golden sunset beaches. <br /><br />Romanoff likewise incorporates elements of traditional Raga music while maintaining a western musical sensibility throughout. Additionally, she’s included radio edits of all the original tracks on the second half of the album, as some listeners and radio programmers certainly appreciate the convenience of being able to opt for shorter versions of lengthier compositions. <br /><br />Despite first glance at the album’s generic-seeming title and Buddha cover artwork (of which is nonetheless beautifully depicted), I genuinely enjoyed <i>Healing Music, Vol. 2</i> immensely. Indian instruments and Eastern spiritual themes have long been a staple of the “new age” and world-beat genres and as a result, much of it tends to sound cliché – but not so with this wonderful album. Crafted with utmost professionalism that seemingly suggests an inherent sense within the artist of knowing when less is more, <i>Healing Music, Vol. 2</i> boasts a majestic array of delightful-sounding instruments that engulf the listening space without overwhelming it. All in all, this is the perfect “chill-out yoga” music for transporting the mind to an idyllic soul retreat! <i>~Candice Michelle </i><br /><br />For more information please visit the <a href="http://www.valrockmusic.com/" target="_blank">artist's website</a>. This album is also available at <a href="https://amzn.to/2GlS9H6" target="_blank">Amazon</a>, <a href="https://geo.itunes.apple.com/us/album/healing-music-vol-2/1304102107?mt=1&amp;app=itunes" target="_blank">iTunes</a>, and <a href="https://play.google.com/store/music/album/Valerie_Romanoff_Healing_Music_Vol_2?id=Bnm57yiiqeiennjo4q4mjlns7t4&amp;hl=en" target="_blank">Google Play</a>. Candice Michellehttp://www.blogger.com/profile/02663607749697510744noreply@blogger.com0