The reveal of the Obamas’ official portraits earlier this week evoked a lot of strong feelings, aesthetic and political—not to mention a reminder of how the aesthetic and political are intertwined. But my strongest reaction was: Oh damn I need to see these paintings and more work by these artists in real life.

I’ve been lucky enough to see some of Kehinde Wiley’s paintings before, in the Portrait Gallery in D.C. and my nearby Brooklyn Museum, and they are stunning, even hypnotic, in person. But I’ve never seen Amy Sherald’s work before—and after seeing photographs of her enigmatic rendering of Michelle Obama, I am desperate to.

I’m sure I’m not the only one feeling this way. If you’re inspired to seek out Wiley or Sherald’s work, here’s where you can do that.

Amy Sherald, They Call Me Redbone but I’d Rather Be Strawberry Shortcake,009, National Museum of Women in the Arts