In 1529, he visited Rome where he studied the works of Raphael and other artists of the Roman High Renaissance. Vasari's own Mannerist paintings were more admired in his lifetime than afterwards. In 1547 he completed the hall of the chancery in Palazzo della Cancelleria in Rome with frescoes that received the name Sala dei Cento Giorni. He was consistently employed by members of the Medici family in Florence and Rome, and worked in Naples (for example on the Vasari Sacristy), Arezzo and other places. Many of his pictures still exist, the most important being the wall and ceiling paintings in the Sala di Cosimo I in the Palazzo Vecchio in Florence, where he and his assistants were at work from 1555, and the frescoes begun by him inside the vast cupola of the Duomo were completed by Federico Zuccari and with the help of Giovanni Balducci. He also helped to organize the decoration of the Studiolo, now reassembled in the Palazzo Vecchio.

Aside from his career as a painter, Vasari was also successful as an architect.[5] His loggia of the Palazzo degli Uffizi by the Arno opens up the vista at the far end of its long narrow courtyard. It is a unique piece of urban planning that functions as a public piazza, and which, if considered as a short street, is unique as a Renaissance street with a unified architectural treatment. The view of the Loggia from the Arno reveals that, with the Vasari Corridor, it is one of very few structures that line the river which are open to the river itself and appear to embrace the riverside environment.

The Uffizi Loggia

In Florence, Vasari also built the long passage, now called Vasari Corridor, which connects the Uffizi with the Palazzo Pitti on the other side of the river. The enclosed corridor passes alongside the River Arno on an arcade, crosses the Ponte Vecchio and winds around the exterior of several buildings. It was once the home of the Mercado de Vecchio. [6]

He also renovated the medieval churches of Santa Maria Novella and Santa Croce. At both he removed the original rood screen and loft, and remodelled the retro-choirs in the Mannerist taste of his time. In Santa Croce, he was responsible for the painting of The Adoration of the Magi which was commissioned by Pope Pius V in 1566 and completed in February 1567. It was recently restored, before being put on exhibition in 2011 in Rome and in Naples. Eventually it is planned to return it to the church of Santa Croce in Bosco Marengo (Province of Alessandria, Piedmont).

The Lives of the Most Excellent Painters, Sculptors, and Architects[edit]

Often called "the first art historian",[8] Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts.[9] The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural).

The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art – for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian), it did so without achieving a neutral point of view. There are also many inaccuracies within his Lives. For example, Vasari writes that Andrea del Castagno killed Domenico Veneziano, which is not true, given Andrea died several years before Domenico.

Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions.

Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati.

According to the historian Richard Goldthwaite,[10] Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Vasari enjoyed high repute during his lifetime and amassed a considerable fortune. In 1547, he built himself a fine house in Arezzo (now a museum honouring him), and decorated its walls and vaults with paintings. He was elected to the municipal council or priori of his native town, and finally rose to the supreme office of gonfaloniere.

^"Vasari's ability as a painter cannot match his talents either as an historian or as an architect," according to Lawrence Gowing, ed., Biographical Encyclopedia of Artists, v.4 (Facts on File, 2005): 695.

^Pevsner, N., A History of Building Types, Princeton University Press, 1979, p. 235

1.
Arezzo
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Arezzo is a city and comune in Italy, capital of the province of the same name, located in Tuscany. Arezzo is about 80 kilometres southeast of Florence, at an elevation of 296 metres above sea level, in 2013 the population was about 99,000. Described by Livy as one of the Capitae Etruriae, Arezzo is believed to have one of the twelve most important Etruscan cities—the so-called Dodecapolis. Etruscan remains establish that the acropolis of San Cornelio, a hill next to that of San Donatus, was occupied and fortified in the Etruscan period. Increasing trade connections with Greece also brought some elite goods to the Etruscan nobles of Arezzo, conquered by the Romans in 311 BC, Arretium became a military station on the via Cassia, the road to expansion by republican Rome into the basin of the Po. Arretium sided with Marius in the Roman Civil War, and the victorious Sulla planted a colony of his veterans in the half-demolished city, as Arretium Fidens. The old Etruscan aristocracy was not extinguished, Gaius Cilnius Maecenas, around 26-261 AD the town council of Arezzo dedicated an inscription to its patron L. Petronius Taurus Volusianus. See that article for discussion of the possible significance of Volusianuss association with the city. The commune of Arezzo threw off the control of its bishop in 1098 and was an independent city-state until 1384, generally Ghibelline in tendency, it opposed Guelph Florence. In 1252 the city founded its university, the Studium, during this period Piero della Francesca worked in the church of San Francesco di Arezzo producing the splendid frescoes, recently restored, which are Arezzos most famous works. Afterwards the city began an economical and cultural decay, which ensured that its medieval centre was preserved. In the 18th century the neighbouring marshes of the Val di Chiana, south of Arezzo, were drained, in 1860 Arezzo became part of the Kingdom of Italy. The Commonwealth War Graves Commissions Arezzo War Cemetery, where 1,266 men are buried, is located to the North West of the city, Pope Benedict XVI visited Arezzo and two other Italian municipalities on Sunday, May 13,2012. Arezzo is set on a hill rising from the floodplain of the River Arno. In the upper part of the town are the cathedral, the town hall, the upper part of the town maintains its medieval appearance despite the addition of later structures. Notable earthquakes are still a rare phenomenon in the province. Under the Köppen climate classification Arezzo is either a humid climate or an oceanic climate. It has uncharacteristically hot summer days for a climate, with the lows moderating the average temps

2.
Republic of Florence
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The Republic of Florence, also known as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda, the Florentines formed a commune in her successors place. The republic was ruled by a council, known as the signoria, the signoria was chosen by the gonfaloniere, who was elected every two months by Florentine guild members. The republic had a history of coups and counter-coups against various factions. The Medici faction gained governance of the city in 1434, upon Cosimo de Medicis counter-coup against the faction that had sent him into exile the previous year, the Medici kept control of Florence until 1494. Giovanni de Medici re-conquered the republic in 1512, Florence repudiated Medici authority for a second time in 1527, during the War of the League of Cognac. The Medici re-assumed their rule in 1531, after an 11-month siege of the city, the republican government was disestablished in 1532, when Pope Clement VII appointed Alessandro de Medici Duke of the Florentine Republic, making the republic a hereditary monarchy. The city of Florence was established in 59 B. C. by Julius Caesar, the city had been part of the Marquisate of Tuscany before the death of Margravine Matilda in 1115. The city did not submit readily to her successor, Rabodo, the first official mention of the republic was in 1138 when several cities around Tuscany formed a league against Henry X of Bavaria. The country was part of the Holy Roman Empire. Florence prospered in the 12th century, trading extensively with foreign countries and this, in turn, provided a platform for demographic growth of the city. The growth of Florences population mirrored the rate of construction, many churches and this prosperity was shattered when Emperor Frederick I Barbarossa invaded the Italian peninsula in 1185. The Margraves of Tuscany re-acquired Florence and its townlands, the Florentines re-asserted their independence when Holy Roman Emperor Henry VI died in 1197. Florences population continued to grow into the 13th century, reaching 30,000 inhabitants, as has been said, the extra inhabitants supported the citys trade and vice versa. Several new bridges and churches were built, most prominently the cathedral of Santa Maria del Fiore, the buildings from the era serve as Florences best example of Gothic Architecture. Politically, Florence was barely able to maintain peace between factions, the precarious peace that existed at the beginning of the century was destroyed in 1216 when two factions known as the Guelphs and the Ghibellines began to war. The Ghibellines were the rulers of Florence. The Ghibellines, who under Frederick of Antioch had ruled the city since 1244, were deposed in 1250 by the Guelphs, the Guelphs led Florence to prosper further

3.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered

4.
Grand Duchy of Tuscany
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The Grand Duchy of Tuscany was a central Italian monarchy that existed, with interruptions, from 1569 to 1859, replacing the Duchy of Florence. The grand duchys capital was Florence, Tuscany was nominally a state of the Holy Roman Empire until the Treaty of Campo Formio in 1797. Initially, Tuscany was ruled by the House of Medici until the extinction of its branch in 1737. The Medicis only advancement in the days of their existence was their elevation to royalty, by the Holy Roman Emperor. Francis Stephen of Lorraine, a descendant of the Medici, succeeded the family. Tuscany was governed by a viceroy, Marc de Beauvau-Craon, for his entire rule and his descendants ruled, and resided in, the grand duchy until 1859, barring one interruption, when Napoleon Bonaparte gave Tuscany to the House of Bourbon-Parma. Following the collapse of the Napoleonic system in 1814, the duchy was restored. The United Provinces of Central Italy, a client state of the Kingdom of Sardinia-Piedmont, Tuscany was formally annexed to Sardinia in 1860, following a landslide referendum, in which 95% of voters approved. In 1569, Cosimo de Medici had ruled the Duchy of Florence for 32 years, during his reign, Florence purchased the island of Elba from the Republic of Genoa, conquered Siena and developed a well-equipped and powerful naval base on Elba. Cosimo also banned the clergy from holding positions and promulgated laws of freedom of religion. Cosimo also was a supporter of Pope Pius V, who in the light of Florences expansion in August 1569 declared Cosimo Grand Duke of Tuscany. The international reaction to Cosimos elevation was bleak, Queen Catherine of France, though herself a Medici, viewed Cosimo with the utmost disdain. Rumours circulated at the Viennese court that had Cosimo as a candidate for King of England, Maximilian II, Holy Roman Emperor and King Philip II of Spain reacting quite angrily, as Florence was an Imperial fief and declared Pius Vs actions invalid. However, Maximilian eventually confirmed the elevation with an Imperial diploma in 1576, during the Holy League of 1571, Cosimo fought against the Ottoman Empire, siding with the Holy Roman Empire. The Holy League inflicted a defeat against the Ottomans at the Battle of Lepanto. Cosimos reign was one of the most militaristic Tuscany had ever seen, Cosimo experienced several personal tragedies during the later years of his reign. His wife, Eleanor of Toledo, died in 1562, along with four of his due to a plague epidemic in Florence. These deaths were to him greatly, which, along with illness

5.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world

6.
Andrea del Sarto
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Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael. Andrea del Sarto was born Andrea dAgnolo di Francesco di Luca di Paolo del Migliore in Florence on 16 July 1486, since his father, Agnolo, was a tailor, he became known as del Sarto. Since 1677 some have attributed the surname Vannucchi with little documentation, by 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to his late biographer Vasari, he apprenticed to Piero di Cosimo. Andrea and an older friend Franciabigio decided to open a joint studio at a lodging together in the Piazza del Grano, the first product of their partnership may have been the Baptism of Christ for the Florentine Compagnia dello Scalzo, the beginning of a monochrome fresco series. By the time the partnership was dissolved, Sartos style bore the stamp of individuality, from 1509 to 1514 the Servite Order employed Del Sarto, Franciabigio and Andrea Feltrini in a programme of frescoes at Basilica della Santissima Annunziata di Firenze. Sarto completed seven frescoes in the forecourt or atrium before the Servite church, five of which illustrated the Life and miracles of Filippo Benizzi, a Servite saint who died in 1285. He executed them rapidly, depicting the saint healing a leper through the gift of his undertunic, predicting the bad end of some blasphemers, and restoring a girl possessed with a devil. The two final frescoes of the series depicted the healing of a child at the bed of Filippo Benizzi. All five frescoes were completed before the close of 1510, the Servites convinced him to do two more frescoes in the forecourt, though of a different subject matter, a Procession of the Magi finished in 1511 and a Nativity of the Virgin. These paintings met with respect, the correctness of the contours being particularly admired, towards 1512 he painted an Annunciation in the monastery of S. Gallo and a Marriage of Saint Catherine. By 1514 Andrea had finished his last two frescoes, including his masterpiece, the Birth of the Virgin, which fuses the influence of Leonardo, Ghirlandaio and Fra Bartolomeo. By November 1515 he had finished at the Scalzo the Allegory of Justice and the Baptist preaching in the desert, followed in 1517 by John Baptizing, and other subjects. Before the end of 1516, a Pietà of Del Sartos composition and this led to an invitation from François I, in 1518, and he journeyed to Paris in June of that year, along with his pupil Andrea Squarzzella, leaving his wife, Lucrezia, in Florence. According to Giorgio Vasari, Andreas pupil and biographer, Lucrezia wrote to Andrea, the King assented, but only on the understanding that his absence from France was to be short. He then entrusted Andrea with a sum of money to be expended in purchasing works of art for the French Court. By Vasaris account, Andrea took the money and used it to buy himself a house in Florence, thus ruining his reputation, the story inspired Robert Brownings poem-monologue Andrea del Sarto Called the Faultless Painter, but is now believed by some historians to be apocryphal

7.
Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history

8.
Italians
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Italians are a nation and ethnic group native to Italy who share a common culture, ancestry and speak the Italian language as a native tongue. The majority of Italian nationals are speakers of Standard Italian. Italians have greatly influenced and contributed to the arts and music, science, technology, cuisine, sports, fashion, jurisprudence, banking, Italian people are generally known for their localism and their attention to clothing and family values. The term Italian is at least 3,000 years old and has a history that goes back to pre-Roman Italy. According to one of the common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The Etruscan civilization reached its peak about the 7th century BC, but by 509 BC, when the Romans overthrew their Etruscan monarchs, its control in Italy was on the wane. By 350 BC, after a series of wars between Greeks and Etruscans, the Latins, with Rome as their capital, gained the ascendancy by 272 BC, and they managed to unite the entire Italian peninsula. This period of unification was followed by one of conquest in the Mediterranean, in the course of the century-long struggle against Carthage, the Romans conquered Sicily, Sardinia and Corsica. Finally, in 146 BC, at the conclusion of the Third Punic War, with Carthage completely destroyed and its inhabitants enslaved, octavian, the final victor, was accorded the title of Augustus by the Senate and thereby became the first Roman emperor. After two centuries of rule, in the 3rd century AD, Rome was threatened by internal discord and menaced by Germanic and Asian invaders. Emperor Diocletians administrative division of the empire into two parts in 285 provided only temporary relief, it became permanent in 395, in 313, Emperor Constantine accepted Christianity, and churches thereafter rose throughout the empire. However, he moved his capital from Rome to Constantinople. The last Western emperor, Romulus Augustulus, was deposed in 476 by a Germanic foederati general in Italy and his defeat marked the end of the western part of the Roman Empire. During most of the period from the fall of Rome until the Kingdom of Italy was established in 1861, Odoacer ruled well for 13 years after gaining control of Italy in 476. Then he was attacked and defeated by Theodoric, the king of another Germanic tribe, Theodoric and Odoacer ruled jointly until 493, when Theodoric murdered Odoacer. Theodoric continued to rule Italy with an army of Ostrogoths and a government that was mostly Italian, after the death of Theodoric in 526, the kingdom began to grow weak

9.
Architecture of Italy
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Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italys division into several city-states until 1861. However, this has created a diverse and eclectic range in architectural designs. Italy has an total of 100,000 monuments of all varieties. Now Italy is in the forefront of modernist and sustainable design with Architects like Renzo Piano, Italian architecture has also widely influenced the architecture of the world. Along with pre-historic architecture, the first people in Italy to truly begin a sequence of designs were the Greeks, in Northern and Central Italy, it was the Etruscans who led the way in architecture in that time. Etruscan buildings were made from brick and wood, thus few Etruscan architectural sites are now in evidence in Italy, with the exception of a few in Volterra, the Etruscans strongly influenced Roman architecture, as they too used to build temples, fora, public streets and aqueducts. The heavy pillars and porches created by the Etruscans, and their city gates were also a significant influence on Roman architecture. In Southern Italy, from the 8th century BC, the Greek colonists who created what was known as Magna Graecia used to build their buildings in their own style. The Greeks built bigger, better and more technologically advanced houses that people in the Iron and Bronze Age, yet, by the 4th century BC, the Hellenistic Age, less concentration was put on constructing temples, more rather the Greeks spent more time building theatres. The theatres were semi-circular and had an auditorium and a stage and they used to be built only on hills, unlike the Romans who would artificially construct the audiences seats. The Greek temples were known for containing bulky stone or marble pillars, today, there are several remains of Greek architecture in Italy, notably in Calabria, Apulia and Sicily. An example could be the remains of Agrigento, Sicily, which are currently UNESCO World Heritage Sites, the Architecture of Ancient Rome adopted the external Greek architecture around the 2nd century BC for their own purposes, creating a new architectural style. The two styles that are considered one body of classical architecture. Social elements such as wealth and high densities in cities forced the ancient Romans to go discover new solutions of their own. Examples include the aqueducts of Rome, the Baths of Diocletian and the Baths of Caracalla, the basilicas and perhaps most famously of all and they were reproduced at smaller scale in most important towns and cities in the Empire. Some surviving structures are almost complete, such as the walls of Lugo in Hispania Tarraconensis. Italy was widely affected by the Early Christian age, with Rome being the new seat of the pope, after the Justinian reconquest of Italy, several buildings, palaces and churches were built in the Roman-Byzantine style. The Christian concept of a Basilica was invented in Rome and they were known for being long, rectangular buildings, which were built in an almost ancient Roman style, often rich in mosaics and decorations

10.
Art history
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Art history is the study of objects of art in their historical development and stylistic contexts, i. e. genre, design, format, and style. This includes the arts of painting, sculpture, and architecture as well as the minor arts of ceramics, furniture. As a term, art history encompasses several methods of studying the arts, in common usage referring to works of art. One branch of this area of study is aesthetics, which includes investigating the enigma of the sublime, technically, art history is not these things, because the art historian uses historical method to answer the questions, How did the artist come to create the work. Who were his or her teachers, who were his or her disciples. What historical forces shaped the artists oeuvre, and How did he or she and the creation, in turn, affect the course of artistic, political, and social events. It is, however, questionable whether many questions of this kind can be answered satisfactorily without also considering basic questions about the nature of art, unfortunately the current disciplinary gap between art history and the philosophy of art often hinders this inquiry. Art history is not only a biographical endeavor, Art historians often root their studies in the scrutiny of individual objects. They thus attempt to answer in historically specific ways, questions such as, what meaning did this object convey. Did the artist meet their goals well, the historical backbone of the discipline is a celebratory chronology of beautiful creations commissioned by public or religious bodies or wealthy individuals in western Europe. Such a canon remains prominent, as indicated by the selection of objects present in art history textbooks, nonetheless, since the 20th century there has been an effort to re-define the discipline to be more inclusive of non-Western art, art made by women, and vernacular creativity. Art history as we know it in the 21st century began in the 19th century but has precedents that date to the ancient world, advances in photographic reproduction and printing techniques after World War II increased the ability of reproductions of artworks. Such technologies have helped to advance the discipline in profound ways, the study of visual art thus described, can be a practice that involves understanding context, form, and social significance. Art historians employ a number of methods in their research into the ontology, Art historians often examine work in the context of its time. In short, this approach examines the work of art in the context of the world within which it was created, Art historians also often examine work through an analysis of form, that is, the creators use of line, shape, color, texture, and composition. This approach examines how the artist uses a picture plane or the three dimensions of sculptural or architectural space to create his or her art. The way these individual elements are employed results in representational or non-representational art, is the artist imitating an object or image found in nature. The closer the art hews to perfect imitation, the more the art is realistic, is the artist not imitating, but instead relying on symbolism, or in an important way striving to capture natures essence, rather than copy it directly

The term stained glass can refer to coloured glass as a material or to works created from it. Throughout its …

The north transept rose of Chartres Cathedral donated by Blanche of Castile. It represents the Virgin Mary as Queen of Heaven, surrounded by Biblical kings and prophets. Below is St Anne, mother of the Virgin, with four righteous leaders. The window includes the arms of France and Castile.

The Palazzo Pitti (Italian pronunciation: [paˈlattso ˈpitti]), in English sometimes called the Pitti Palace, is a vast, …

Early, tinted 20th-century photograph of the Palazzo Pitti, then still known as La Residenza Reale following the residency of King Victor Emmanuel II between 1865 and 1871, when Florence was the capital of Italy.

A lunette painted in 1599 by Giusto Utens, depicts the palazzo before its extensions, with the amphitheatre and the Boboli Gardens behind. The red stone excavated from the site was used in extensions to the palazzo.