Support for importing and exporting WAV files greater than 4GB as RF64 when using macOS High Sierra 10.13

Fixes a stability issue that could occur when using Final Cut Pro on macOS High Sierra with a laptop in closed-display mode and attached to an external monitor

Fixes an issue in which text in the Browser in List mode could occasionally disappear

Enabling transform, crop, or distort no longer closes Video Scopes

Third-party asset management systems can now send low-resolution media to Final Cut Pro through XML import and later replace those low resolution files with full resolution files through another XML import

Glue Tools Phantom Cine Toolkit works correctly with Phantom high speed camera “Cine” files when editing in Final Cut Pro

Support for new YouTube authentication protocols

Contextual menu option to create a new project from a selection of one or more clips in the Browser

Ability to use key commands in full screen mode when the Viewer is on a second display

Alert dialog appears when sharing a file if playback mode is set to proxy

Unified import window provides single interface for transferring media from file-based cameras, networks, and folders of files. Choose between Filmstrip and List views for browsing media, and save frequently used locations to the Favorites sidebar for fast access

Redesigned Share interface for streamlined exporting. Deliver to multiple destinations in one step by creating a custom Bundle.

Export a selected range in the Event Browser or the project timeline

RED camera support with native REDCODE RAW editing up to 5K and optional transcode to Apple ProRes 4444 or ProRes Proxy. Ability to adjust RAW images with debayer controls directly in Final Cut Pro

MXF plug-in support that allows you to work natively with MXF files from import through delivery using third-party plug-ins. This is ideal for importing archived media with custom metadata and exporting media with metadata to an asset management system.

Dual viewers, each with a video scope display, let you compare shots to match action and color. Scopes include a vertical layout option so they can be displayed below the Viewer and the Event Viewer

Ability to add chapter markers in the timeline for export to video files, DVD, and Blu-ray disc, with an option for setting custom poster frames

Range selection now preserves start and end points on clips in the Event Browser. Use the Command key to create multiple range selections, even on a single clip

Combine audio from different angles within a Multicam Clip (Command-Option-click in the Angle Viewer)

Compound Clip creation in the timeline now saves the clip in the Event Browser for re-use in other projects. Changes to the original Compound Clip will update all copies of that Compound Clip across projects. The Reference New Parent Clip command allows you to select any Compound Clip in the timeline and save a duplicate to an event in a single step

Blade All command allows the blade tool to cut across all storylines and connected clips in a single click. Press Shift while blading to blade all

Select a new default transition by Control-clicking on the thumbnail in the Transitions Browser and choosing Make Default. The default transition can be applied to any clip by pressing Command-T

Final Cut Pro 10.0.6 improves overall stability and performance, and adds these fixes:

Background Rendering uses the GPU on the graphics card, enabling CPU-based processes like transcoding and proxy creation to continue uninterrupted while effects are rendering

Loop Play with Play Selection enabled will continuously loop playback while making adjustments in the Inspector

DSLRs and other cameras that use the Picture Transfer Protocol (PTP) for data transfer will now appear in the Import window when directly connected to the computer

Improves system performance and smaller project sizes when working with Compound Clips

Clicking on a clip in the timeline selects the clip without moving the playhead. Option-clicking on a clip selects the clip and moves the playhead

Custom metadata views can be created and used as presets for exporting XML. Importing XML with custom metadata fields preserves data in Final Cut Pro

Ability to manually tag clips as anamorphic using the Anamorphic Override option in the Inspector

When duplicating an event or project where media resides on shared storage, only the links will be copied. This speeds up duplicating or moving events and projects to another editing station that is linked to the same shared media

Improves behavior when moving clips to different vertical positions in the timeline

Generators now support the 1.8:1 aspect ratio, which is used with a range of frame sizes

Video dissolves now default to the linear Video look instead of the Film look that includes some ease in and ease out

Fixes an issue in which alpha channels in transitions were not properly preserved

Resolves an issue that could cause titles to accidentally move in the timeline

Improves the quality of video retiming when applying slow motion or when working with interlaced video

Fixes an issue in which custom ICC color profiles affected the image in the Viewer

Improves the performance and reliability of automatic saving

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