Phil Brown began his career in advertising as an art director in Scotland. Brown's first forays into directing were specs for Absolut Vodka and Fong's Fresh Poultry, which won him international acclaim, including notices in Creative Review and Shots Magazine, and a nod at Cannes for Fong's. His first career was as an interior designer in Edinburgh, during which time he designed a house for Chrissie Hynde (of the Pretenders) and Jim Kerr (of Simple Minds). Brown studied interior design at Teesside University, where he booked bands such as the Thompson twins, Level 42, and The Cult as vice president of the student union in charge of entertainment.

You probably wish you were hanging out with Brown in the 80s, when he worked as a roadie for The Smiths, The Boomtown Rats, The Kinks, and The Beat to name but a few. While at school as a boy in the small English town of Darlington, he spent time at the local theatre as a stage-hand, where he worked with some of the best of British theatrical actors of the day (even if it was from the wings of the stage). He considers his daughter Sophie and his son Luke to be his best work to date.

Phil Brown has built an award-winning reputation as a visual artist whose work reflects a candid yet- stylized realism, showcased in campaigns for Volkswagen, The Canadian Ministry of Energy and Pfizer. Additional work includes spots for Blue Cross, Budweiser, Coors, Ford, GM, Ikea, Kia, Labatt, Lexus, McDonald's, MasterCard, Molson, Pepsi, Samsung, Sony, Toyota, Visa, VeriSign,Verizon and Home Depot. Brown's work has garnered top honors at the Clios, Cannes Lions, Montreux Advertising Festival, Promax, Bessies, New York Festivals and Lotus, among others.

Hubert Davis has built a strong reputation in Canada's documentary film scene as one of the most acclaimed contemporary Directors of the genre. Davis' directorial debut Hardwood was nominated for an Academy Award® for Best Documentary (Short Subject) in 2005. The critically acclaimed film aired on PBS P.O.V. and was nominated for an Emmy® in 2006. Davis' next project, the short film Aruba had its world premiere at the 2006 Sundance Film Festival, and won the Grand Jury Award at the Palm Springs International Festival of Short Films 2006.

In 2007, Davis was the recipient of the Don Haig Award given to an emerging filmmaker whose work has bridged the documentary and fiction genres. Davis' project, Invisible City won the Best Canadian Feature Documentary at the 2009 Hot Docs Film Festival. 2013 saw Hubert working on The Portrait, a documentary centered on the artist painting the Queen of England's Royal Jubilee portrait.

In addition to directing documentary films, Davis began directing commercials with Untitled Films in 2005 and has worked with clients such as Coca Cola, Nike, Volkswagen, Pfizer, Audi, Ford, Chevrolet, Petro-Canada and Hockey Canada. His recent project "Once More – The Story of VIN 903847" project for Volkswagen Canada was a recipient of two Lions in Cannes in 2014 and featured in the Communication Arts Annual.

Mark Gilbert began his creative career in 1996 as a photographer before motioning into commercial directing. As a photographer, his work has been featured in Adbusters, Elle, Dutch, Travel and Leisure, and Dwell, as well as honored at The One Show and in Communication Arts Magazine.

After signing with Untitled Films in January 2004, Gilbert's directing career immediately took off. By the summer of 2004 he was featured in theSaatchi & Saatchi New Directors Showcase at Cannes, the Shots New Directors reel and Shoot Magazine. By 2005, he had won recognition at Cannes, the D&AD, the Clios, The Bessies, The Marketing Awards, the ADCC Awards, and The Andy Awards.

Mark's Ikea "Not A Mistake" commercial is regarded as one of the most watched worldwide in television history.

As someone who's always expressed his feelings through pictures, Steve developed an appreciation for beautiful images inspired by the stunning light and rugged landscapes of growing up in Africa.

After 8 years of shooting fashion, cosmetics, portraits, travel and still-life, Steve moved into directing and lighting TV Commercials. His artistic mark clearly shaped, by the discipline of print brought a distinct, unadorned simplicity to the screen.

His work has been recognized at Cannes, One Show, D&AD, Clio's, London International Advertising Show, New York Art Directors Show and the Communication Arts Advertising Annual.

Throughout his career as a director, Steve has continued shooting stills, showcasing his work in many magazines, advertising annuals and award shows.

When Steve's not shooting, he brings the same passion and intensity to his philanthropic work . He has sponsored four fundraisers, auctioning his photographs to raise money for The Nelson Mandela Children's Fund, UNICEF, Doctors Without Borders and by his own initiative, Watercan.

Breathtaking images, intimate performances, genuine characters, and an innate ability to bring out real-life situations are the hallmarks of John Mastromonaco's commercial-making. He credits his years as a still photographer for his particular sense of composition and detail. While Mastromonaco is known for making beautiful pictures, it is the authenticity of his characters and the truthfulness of his camera's observations that resonate with the audience. "I try to make accurate and insightful observations. Sometimes they are light-hearted, but my hope is that all of them move people in their own way."

Mastromonaco's creative flexibility has allowed him to crisscross the boundaries of genre, bringing his unique set of skills to a diverse crosssection of campaigns. While Creativity named his brilliant Breast Cancer Society spot the "Funniest Spot of the Year," his emotionally compelling spots for Tim Horton's and Pfizer and have won praise and awards for their distinct looks and their wonderful ability to make the ordinary come alive. Continuing to transcend genres, his work with automakers such as Lexus and Ford has produced beautiful, classically seductive car campaigns as well.

Born in Vancouver, British Columbia, Mastromonaco began his career in still photography in 1982, shooting advertising campaigns, which appeared in Vanity Fair and Esquire. In 1986, an art-director friend suggested he move into television commercials and the rest as they say is history.

Wendy Morgan is the eldest daughter of six children. Her parents emigrated from Chile to Canada and she grew up in Alberta, Nicaragua and Vancouver. She studied Art History at McGill University in Montreal.

Well-known for both her music video and commercial work, Wendy Morgan has a fresh style combining humor, rhythm, color and choreography to create unique films for artists and advertisers.

In industry front-page news, her interactive spot for VW gives viewers a three-in-one experience with the double-platinum selling band, Walk off the Earth and the iconic Beetle. Wendy has also directed campaigns for MTV, Adidas, Nike and Ford.

Her video "Happy" for Paris producers C2C topped end of year lists for its unique choreography and mystical style. The video received multiple MVPA nominations, and two UKVMAs including Best International Dance Video and Best Choreography. The clip was selected for BUG, the British Film Institute series of groundbreaking work and most recently, it won 3 awards at the 2013 London International Awards.

Her iconic video for Gnarls Barkley's "Going On," received multiple nominations at the UK VMA's, was official selection at the SXSW Film Festival and was named by Time magazine in its Top 30 Music Videos list of all time. Wendy's "Tightrope" video for Grammy-nominated Janelle Monáe was the number-one video of 2010 for UK music bible NME and received Best Choreography nominations at the MTV VMAs.

Jean-Michel Ravon graduated from the National Film School of Paris, and with a Fulbright Scholarship, he went on to study at the American Film Institute in Los Angeles. Since then, Ravon has directed commercials in just about every country and climate the world has to offer.

Ravon has collaborated and won awards with numerous clients such as Apple, Air Canada, Bombardier, Capital One, Coca-Cola, Ford, IKEA, Lexus, Manulife, Nissan, Toyota, and Volkswagen

David's career began in England, where he worked as an Art Director for several of London's largest advertising agencies. From the UK, he moved to British Columbia, where he worked as an Art Director and production designer. After studying Directing at the Vancouver Film School and many a long night editing musicvideos, it wasn't long before he found himself behind the lens as a sought-after Director/Cameraman. Whilst making commercials, Tennant helped develop and direct many short documentaries for The Knowledge Network, ESPN and The Educational Board of Canada. Developing an idea for The History Channel, he returned to his homeland to direct, shoot and edit a documentary on St. Patrick.

As a cinematographer and a collaborator on The National Film Board of Canada's Hardwood, Tennant helped pave the road to the film's Academy Award nomination. His aesthetic contributions as Director of Photography for Aruba helped earn it a place at the prestigious Sundance Film Festival.

Storytelling is everything to David Tennant. Set the stage with large, impressive visuals, then let the images speak for themselves. A darker, mature aesthetic pervades his better-known works, like his award winning work for Landmine Awareness and the hard-hitting cinema commercials for the National Defence of Canada. From Pencils to Lions, David has taken home a ton of hardware over the years for his work, but he still maintains that his primary focus is to ensure that his finished narratives deliver a powerful, visceral and entertaining experience.

Curtis Wehrfritz began his film career directing music videos for artists such as Leonard Cohen and Crowded House and went on to win multiple awards in categories for Best Direction and Best Music Video.

In 1994, Wehrfritz signed with Untitled Films as one of the founding commercial directors of its roster. He has since gone on to win awards at Cannes, One Show, D+AD, The Clios, ADCC, Marketing Awards and The Bessies. He has been listed on The Gunn Report and had his work featured in Applied Arts, Archive and Shots.

Wehrfritz recently won a Silver Pencil at the 2014 One Show for his work with Red Urban on Volkswagen "Bellies" Wehrfritz has worked with numerous clients such as Air Canada, BMW, Coca-Cola, Dove, Honda, McDonalds, Microsoft, Molson, Nike, Nissan, Old Spice, Smirnoff, Visa and Volkswagen.

Wehrfritz is also a celebrated photographer, recently his modern daguerreotypes were exhibited at The Southeast Museum of Photography in Daytona, Florida. His photos have also been exhibited internationally at Art Basil-Miami, Contact Photography, the London Photographic Awards, FotoFest Houston, 23 Sandy Gallery, Red Line Gallery, and BilbaoArte, Urazurrutia, and Bilbao.

After earning his Bachelor of Fine Arts degree in Film Studies at Ryerson University, Tyler Williams became a Director/Cameraman/Editor for Untitled Films. Williams has an extremely hands on approach when it comes to filmmaking. He has directed, shot and edited projects for clients such as Audi, BMW, MasterCard, Microsoft, Molson, Toyota, Volkswagen and Warner Brothers.

Williams's lifelong dream has been to make action films. He had dabbled in different karate classes until age 13, when he discovered the mixed martial art Woo Gar Mo Sut. Since earning his black belt in 2002 he has continued to expand his physical boundaries through Capoeira, gymnastics, Parkour, stunts and staged combat.

Tyler's commercial for Molson Canadian - Project Indonesia was one of the top spots of 2014 winning awards at all the major shows across the country. Tyler recently has been filming with celebrities from all walks of life for MasterCard's Priceless campaign including: Justin Timberlake, Doug Gilmour, Coco Rocha. The pairs recent outing snagged Tyler and MasterCard an Editors Pick from Creativity.

Aleysa Young spent her formative years between Vancouver, Saskatoon and Indonesia. Today she is a Toronto based director with Untitled Films. Prior to this, she was a casting director, a producer of RESfest Canada, and a blackjack dealer in Dawson City – not concurrently, though she's perfectly capable.

She has shot spots for Mitsubishi and Toshiba, but also non-Japanese clients including Caramilk, Molson, McDonald's, a variety of laundry and paper products, and award shows including The Bessies, and Cassies Awards. Her mom's favourite is "the one with the bitchy turkey lady" for McCormick Gravy.

Young is currently working on a documentary about small town Chinese restaurants, while trying to update the Listings List, a curated collection of Craigslistings.

Her work has been recognized by her mom and a few others, including: Cannes Lions, Bessies, Marketing Awards, Advertising & Design Club of Canada, Applied Arts, Shark Awards, Boards Top 10 Emerging Talents in Toronto, Shoot New Directors Showcase, to name a few.

Hubert Davis has built a strong reputation in Canada's documentary film scene as one of the most acclaimed contemporary Directors of the genre. Davis' directorial debut Hardwood was nominated for an Academy Award® for Best Documentary (Short Subject) in 2005. The critically acclaimed film aired on PBS P.O.V. and was nominated for an Emmy® in 2006. Davis' next project, the short film Aruba had its world premiere at the 2006 Sundance Film Festival, and won the Grand Jury Award at the Palm Springs International Festival of Short Films 2006.

In 2007, Davis was the recipient of the Don Haig Award given to an emerging filmmaker whose work has bridged the documentary and fiction genres. Davis' project, Invisible City won the Best Canadian Feature Documentary at the 2009 Hot Docs Film Festival. 2013 saw Hubert working on The Portrait, a documentary centered on the artist painting the Queen of England's Royal Jubilee portrait.

In addition to directing documentary films, Davis began directing commercials with Untitled Films in 2005 and has worked with clients such as Audi, Chevrolet, Ford, Coca Cola, Heineken, Nike, Pfizer, and Volkswagen, His recent project "Once More – The Story of VIN 903847" project for Volkswagen Canada was a recipient of two Lions in Cannes in 2014 and featured in the Communication Arts Annual.

Scott spent his formative years skateboarding, he began photographing his friends and within a couple of years he was shooting for every major skateboarding magazine.

Scott went on to become one of the top photographers in his field. Along the way he learned not only how to capture the action but how to tell a story from an insider's perspective. These skills would later serve him well in the next iteration of his career as a commercial photographer, where he would be recognized as one of the top automotive photographers in the world. His photography work has been recognized and featured in Communication Arts, ESPN, Luerzer's Archives, PDN, Transworld Skateboarding, Thrasher, and Vice.

As a director, Scott's work is compelling and personal, it lets us into the worlds that his subjects inhabit. Scott splits his time between Toronto and Los Angeles where he works both as a photographer and a filmmaker.

Untitled Films is the only Canadian Production Company to rank twice in the prestigious Palme d'Or at the Cannes Lions placing 6th in 2003 and 2nd in 2004. Untitled Films' subsidiary Reginald Pike is the only Canadian Production Company to win a Grand Prix at the Cannes Lions winning in the Film and Cyber category for Dove – Evolution. Untitled Films was awarded the Scarlet Letter Award at the 2012 Advertising & Design Club of Canada for the Most Awarded Production Company.

Jesse began his career as a stills photographer in advertising, shooting campaigns with clients such as BMW, Cadillac, McDonald's, New Balance, Nintendo, and Tim Hortons.

Beyond advertising, his work has been featured in PDN, Applied Arts and Canadian Art. He has exhibited in galleries across the country. Louttit was the recipient of the CONTACT Photography Festival 2011 Portfolio Reviews Exhibition Award.

Jesse's attention has recently gone behind the lens of motion cameras as a Director of Photography and he has worked on campaigns for Budweiser, Ford, MasterCard. He has also an Applied Arts Award for Craft Cinematography as Director / Cinematographer and an Art Directors Club of Canada Broadcast Cinematography award as Director / Cinematographer for is first project as a DoP / Director.

Hubert Davis has built a strong reputation in Canada's documentary film scene as one of the most acclaimed contemporary Directors of the genre. Davis' directorial debut Hardwood was nominated for an Academy Award® for Best Documentary (Short Subject) in 2005. The critically acclaimed film aired on PBS P.O.V. and was nominated for an Emmy® in 2006. Davis' next project, the short film Aruba had its world premiere at the 2006 Sundance Film Festival, and won the Grand Jury Award at the Palm Springs International Festival of Short Films 2006.

In 2007, Davis was the recipient of the Don Haig Award given to an emerging filmmaker whose work has bridged the documentary and fiction genres. Davis' project, Invisible City won the Best Canadian Feature Documentary at the 2009 Hot Docs Film Festival. 2013 saw Hubert working on The Portrait, a documentary centered on the artist painting the Queen of England's Royal Jubilee portrait.

In addition to directing documentary films, Davis began directing commercials with Untitled Films in 2005 and has worked with clients such as Coca Cola, Nike, Volkswagen, Pfizer, Audi, Ford, Chevrolet, Petro-Canada and Hockey Canada. His recent project "Once More – The Story of VIN 903847" project for Volkswagen Canada was a recipient of two Lions in Cannes in 2014 and featured in the Communication Arts Annual.

Hubert Davis has built a strong reputation in Canada's documentary film scene as one of the most acclaimed contemporary Directors of the genre. Davis' directorial debut Hardwood was nominated for an Academy Award® for Best Documentary (Short Subject) in 2005. The critically acclaimed film aired on PBS P.O.V. and was nominated for an Emmy® in 2006. Davis' next project, the short film Aruba had its world premiere at the 2006 Sundance Film Festival, and won the Grand Jury Award at the Palm Springs International Festival of Short Films 2006.

In 2007, Davis was the recipient of the Don Haig Award given to an emerging filmmaker whose work has bridged the documentary and fiction genres. Davis' project, Invisible City won the Best Canadian Feature Documentary at the 2009 Hot Docs Film Festival. 2013 saw Hubert working on The Portrait, a documentary centered on the artist painting the Queen of England's Royal Jubilee portrait.

In addition to directing documentary films, Davis began directing commercials with Untitled Films in 2005 and has worked with clients such as Coca Cola, Nike, Volkswagen, Pfizer, Audi, Ford, Chevrolet, Petro-Canada and Hockey Canada. His recent project "Once More – The Story of VIN 903847" project for Volkswagen Canada was a recipient of two Lions in Cannes in 2014 and featured in the Communication Arts Annual.

Hubert Davis has built a strong reputation in Canada's documentary film scene as one of the most acclaimed contemporary Directors of the genre. Davis' directorial debut Hardwood was nominated for an Academy Award® for Best Documentary (Short Subject) in 2005. The critically acclaimed film aired on PBS P.O.V. and was nominated for an Emmy® in 2006. Davis' next project, the short film Aruba had its world premiere at the 2006 Sundance Film Festival, and won the Grand Jury Award at the Palm Springs International Festival of Short Films 2006.

In 2007, Davis was the recipient of the Don Haig Award given to an emerging filmmaker whose work has bridged the documentary and fiction genres. Davis' project, Invisible City won the Best Canadian Feature Documentary at the 2009 Hot Docs Film Festival. 2013 saw Hubert working on The Portrait, a documentary centered on the artist painting the Queen of England's Royal Jubilee portrait.

In addition to directing documentary films, Davis began directing commercials with Untitled Films in 2005 and has worked with clients such as Coca Cola, Nike, Volkswagen, Pfizer, Audi, Ford, Chevrolet, Petro-Canada and Hockey Canada. His recent project "Once More – The Story of VIN 903847" project for Volkswagen Canada was a recipient of two Lions in Cannes in 2014 and featured in the Communication Arts Annual.

Curtis Wehrfritz began his film career directing music videos for artists such as Leonard Cohen and Crowded House and went on to win multiple awards in categories for Best Direction and Best Music Video.

In 1994, Wehrfritz signed with Untitled Films as one of the founding commercial directors of its roster. He has since gone on to win awards at Cannes, One Show, D+AD, The Clios, ADCC, Marketing Awards and The Bessies. He has been listed on The Gunn Report and had his work featured in Applied Arts, Archive and Shots.

Wehrfritz recently won a Silver Pencil at the 2014 One Show for his work with Red Urban on Volkswagen "Bellies" Wehrfritz has worked with numerous clients such as Air Canada, BMW, Coca-Cola, Dove, Honda, McDonalds, Microsoft, Molson, Nike, Nissan, Old Spice, Smirnoff, Visa and Volkswagen.

Wehrfritz is also a celebrated photographer, recently his modern daguerreotypes were exhibited at The Southeast Museum of Photography in Daytona, Florida. His photos have also been exhibited internationally at Art Basil-Miami, Contact Photography, the London Photographic Awards, FotoFest Houston, 23 Sandy Gallery, Red Line Gallery, and BilbaoArte, Urazurrutia, and Bilbao.

Jean-Michel Ravon graduated from the National Film School of Paris, and with a Fulbright Scholarship, he went on to study at the American Film Institute in Los Angeles. Since then, Ravon has directed commercials in just about every country and climate the world has to offer.

Ravon has collaborated and won awards with numerous clients such as Apple, Air Canada, Bombardier, Capital One, Coca-Cola, Ford, IKEA, Lexus, Manulife, Nissan, Toyota, and Volkswagen

As someone who's always expressed his feelings through pictures, Steve developed an appreciation for beautiful images inspired by the stunning light and rugged landscapes of growing up in Africa.

After 8 years of shooting fashion, cosmetics, portraits, travel and still-life, Steve moved into directing and lighting TV Commercials. His artistic mark clearly shaped, by the discipline of print brought a distinct, unadorned simplicity to the screen.

His work has been recognized at Cannes, One Show, D&AD, Clio's, London International Advertising Show, New York Art Directors Show and the Communication Arts Advertising Annual.

Throughout his career as a director, Steve has continued shooting stills, showcasing his work in many magazines, advertising annuals and award shows.

When Steve's not shooting, he brings the same passion and intensity to his philanthropic work . He has sponsored four fundraisers, auctioning his photographs to raise money for The Nelson Mandela Children's Fund, UNICEF, Doctors Without Borders and by his own initiative, Watercan.

Untitled Films is the only Canadian Production Company to rank twice in the prestigious Palme d'Or at the Cannes Lions placing 6th in 2003 and 2nd in 2004. Untitled Films' subsidiary Reginald Pike is the only Canadian Production Company to win a Grand Prix at the Cannes Lions winning in the Film and Cyber category for Dove – Evolution. Untitled Films was awarded the Scarlet Letter Award at the 2012 Advertising & Design Club of Canada for the Most Awarded Production Company.

Mark Gilbert began his creative career in 1996 as a photographer before motioning into commercial directing. As a photographer, his work has been featured in Adbusters, Elle, Dutch, Travel and Leisure, and Dwell, as well as honored at The One Show and in Communication Arts Magazine.

After signing with Untitled Films in January 2004, Gilbert's directing career immediately took off. By the summer of 2004 he was featured in theSaatchi & Saatchi New Directors Showcase at Cannes, the Shots New Directors reel and Shoot Magazine. By 2005, he had won recognition at Cannes, the D&AD, the Clios, The Bessies, The Marketing Awards, the ADCC Awards, and The Andy Awards.

Mark's Ikea "Not A Mistake" commercial is regarded as one of the most watched worldwide in television history.

As someone who's always expressed his feelings through pictures, Steve developed an appreciation for beautiful images inspired by the stunning light and rugged landscapes of growing up in Africa.

After 8 years of shooting fashion, cosmetics, portraits, travel and still-life, Steve moved into directing and lighting TV Commercials. His artistic mark clearly shaped, by the discipline of print brought a distinct, unadorned simplicity to the screen.

His work has been recognized at Cannes, One Show, D&AD, Clio's, London International Advertising Show, New York Art Directors Show and the Communication Arts Advertising Annual.

Throughout his career as a director, Steve has continued shooting stills, showcasing his work in many magazines, advertising annuals and award shows.

When Steve's not shooting, he brings the same passion and intensity to his philanthropic work . He has sponsored four fundraisers, auctioning his photographs to raise money for The Nelson Mandela Children's Fund, UNICEF, Doctors Without Borders and by his own initiative, Watercan.

As someone who's always expressed his feelings through pictures, Steve developed an appreciation for beautiful images inspired by the stunning light and rugged landscapes of growing up in Africa.

After 8 years of shooting fashion, cosmetics, portraits, travel and still-life, Steve moved into directing and lighting TV Commercials. His artistic mark clearly shaped, by the discipline of print brought a distinct, unadorned simplicity to the screen.

His work has been recognized at Cannes, One Show, D&AD, Clio's, London International Advertising Show, New York Art Directors Show and the Communication Arts Advertising Annual.

Throughout his career as a director, Steve has continued shooting stills, showcasing his work in many magazines, advertising annuals and award shows.

When Steve's not shooting, he brings the same passion and intensity to his philanthropic work . He has sponsored four fundraisers, auctioning his photographs to raise money for The Nelson Mandela Children's Fund, UNICEF, Doctors Without Borders and by his own initiative, Watercan.

Hubert Davis has built a strong reputation in Canada's documentary film scene as one of the most acclaimed contemporary Directors of the genre. Davis' directorial debut Hardwood was nominated for an Academy Award® for Best Documentary (Short Subject) in 2005. The critically acclaimed film aired on PBS P.O.V. and was nominated for an Emmy® in 2006. Davis' next project, the short film Aruba had its world premiere at the 2006 Sundance Film Festival, and won the Grand Jury Award at the Palm Springs International Festival of Short Films 2006.

In 2007, Davis was the recipient of the Don Haig Award given to an emerging filmmaker whose work has bridged the documentary and fiction genres. Davis' project, Invisible City won the Best Canadian Feature Documentary at the 2009 Hot Docs Film Festival. 2013 saw Hubert working on The Portrait, a documentary centered on the artist painting the Queen of England's Royal Jubilee portrait.

In addition to directing documentary films, Davis began directing commercials with Untitled Films in 2005 and has worked with clients such as Audi, Chevrolet, Ford, Coca Cola, Heineken, Nike, Pfizer, and Volkswagen, His recent project "Once More – The Story of VIN 903847" project for Volkswagen Canada was a recipient of two Lions in Cannes in 2014 and featured in the Communication Arts Annual.

Hubert Davis has built a strong reputation in Canada's documentary film scene as one of the most acclaimed contemporary Directors of the genre. Davis' directorial debut Hardwood was nominated for an Academy Award® for Best Documentary (Short Subject) in 2005. The critically acclaimed film aired on PBS P.O.V. and was nominated for an Emmy® in 2006. Davis' next project, the short film Aruba had its world premiere at the 2006 Sundance Film Festival, and won the Grand Jury Award at the Palm Springs International Festival of Short Films 2006.

In 2007, Davis was the recipient of the Don Haig Award given to an emerging filmmaker whose work has bridged the documentary and fiction genres. Davis' project, Invisible City won the Best Canadian Feature Documentary at the 2009 Hot Docs Film Festival. 2013 saw Hubert working on The Portrait, a documentary centered on the artist painting the Queen of England's Royal Jubilee portrait.

In addition to directing documentary films, Davis began directing commercials with Untitled Films in 2005 and has worked with clients such as Coca Cola, Nike, Volkswagen, Pfizer, Audi, Ford, Chevrolet, Petro-Canada and Hockey Canada. His recent project "Once More – The Story of VIN 903847" project for Volkswagen Canada was a recipient of two Lions in Cannes in 2014 and featured in the Communication Arts Annual.