Afghanistan and Freedom of the Press

Christopher Lydon, former host of The Connection, leads a discussion on the importance of American citizens having a sense of the full picture in order for them to participate in democracy. He is joined by Paul Fitzgerald and Elizabeth Gould, the first American journalists to enter Afghanistan behind Soviet lines in 1981, and Bob Zelnick, former ABC News Pentagon correspondent and chairman of the Department of Journalism at Boston University. Since September 11, 2001, the press has been criticized for not challenging our government’s conduct rigorously enough. In light of security concerns and the Bush administration’s alleged attempts at censorship, doubts have been raised about the ability and commitment of reporters to tell all the news.

Paul Fitzgerald and Elizabeth Gould, a husband and wife team, began working together in 1979 co-producing a documentary for Paul’s television show, Watchworks. Called, The Arms Race and the Economy, A Delicate Balance, they found themselves in the midst of a swirling controversy that was to boil over a few months later with the Soviet invasion of Afghanistan. Their acquisition of the first visas to enter Afghanistan granted to an American TV crew in the spring of 1981, brought them into the middle of the most heated Cold War controversy since Vietnam. But the pictures and the people inside Soviet occupied Afghanistan told a very different story from the one being broadcast on the evening news. Following their exclusive news story for the CBS Evening News, they produced a documentary (Afghanistan Between Three Worlds) for PBS and in 1983 they returned to Kabul for ABC Nightline with Harvard Negotiation project director Roger Fisher. They were told that the Russians wanted to go home and negotiate their way out. Peace in Afghanistan was more than a possibility. It was a desired option. But the story that President Carter called, “the greatest threat to peace since the second World War” had already been written by America’s policy makers and America’s pundits were not about to change the script. As the first American journalists to get deeply inside the story they not only got a view of an unseen Afghan life, but a revelatory look at how the US defined itself against the rest of the world under the veil of superpower confrontation. Once the Soviets had crossed the border into Afghanistan, the fate of both nations was sealed. But as Paul and Liz pursued the reasons behind the wall of propaganda that shielded the truth, they found themselves drawn into a story that was growing into mythic dimensions. Big things were brewing in Afghanistan. Old empires were being undone and new ones, hatched. America had launched a Medieval Crusade against the modern world and the ten year war against the Soviet Union was only the first chapter. It was at the time of the first World Trade Center bombing in 1993 when Paul and Liz were working on the film version of their experience under contract to Oliver Stone, that they began to piece together the mythic implications of the story. During the research for the screenplay many of the documents preceding the Afghan crisis were declassified. Over the next decade they trailed a labyrinth of clues only to find a profound likeness in Washington’s official policy towards Afghanistan - in the ancient Zoroastrian war of the light against the dark - whose origins began in the region now known as Afghanistan. It was a likeness that grows more visible as America’s involvement deepens. Afghanistan’s civil war followed America’s Cold War while Washington walked away. A new strain of religious holy warrior called the Taliban arose but no one in America was listening. As the horrors of the Taliban regime began to grab headlines in 1998 Paul and Liz began collaborating with Afghan human rights expert Sima Wali. Along with Wali, they contributed to the Women for Afghan Women: Shattering Myths and Claiming the Future book project. In 2002 they filmed Wali’s first return to Kabul since her exile in 1978. The film they produced about Wali’s journey home, The Woman in Exile Returns, gave audiences the chance to discover the message of one of Afghanistan’s most articulate voices and her hopes for her people. In the years since 9/11 much has happened to bring Paul and Liz’s story into sharp focus. Their efforts at combining personal diplomacy with activist journalism is a model for restoring a healthy and vibrant dialogue to American democracy. Ultimately their book, Invisible History: Afghanistan’s Untold Story lays bare why it was inevitable that the Soviet Union and the U.S. should end up in Afghanistan and what that means to the future of the American empire.

Paul Fitzgerald and Elizabeth Gould, a husband and wife team, began working together in 1979 co-producing a documentary for Paul’s television show, Watchworks. Called, The Arms Race and the Economy, A Delicate Balance, they found themselves in the midst of a swirling controversy that was to boil over a few months later with the Soviet invasion of Afghanistan. Their acquisition of the first visas to enter Afghanistan granted to an American TV crew in the spring of 1981, brought them into the middle of the most heated Cold War controversy since Vietnam. But the pictures and the people inside Soviet occupied Afghanistan told a very different story from the one being broadcast on the evening news. Following their exclusive news story for the CBS Evening News, they produced a documentary (Afghanistan Between Three Worlds) for PBS and in 1983 they returned to Kabul for ABC Nightline with Harvard Negotiation project director Roger Fisher. They were told that the Russians wanted to go home and negotiate their way out. Peace in Afghanistan was more than a possibility. It was a desired option. But the story that President Carter called, “the greatest threat to peace since the second World War” had already been written by America’s policy makers and America’s pundits were not about to change the script. As the first American journalists to get deeply inside the story they not only got a view of an unseen Afghan life, but a revelatory look at how the US defined itself against the rest of the world under the veil of superpower confrontation. Once the Soviets had crossed the border into Afghanistan, the fate of both nations was sealed. But as Paul and Liz pursued the reasons behind the wall of propaganda that shielded the truth, they found themselves drawn into a story that was growing into mythic dimensions. Big things were brewing in Afghanistan. Old empires were being undone and new ones, hatched. America had launched a Medieval Crusade against the modern world and the ten year war against the Soviet Union was only the first chapter. It was at the time of the first World Trade Center bombing in 1993 when Paul and Liz were working on the film version of their experience under contract to Oliver Stone, that they began to piece together the mythic implications of the story. During the research for the screenplay many of the documents preceding the Afghan crisis were declassified. Over the next decade they trailed a labyrinth of clues only to find a profound likeness in Washington’s official policy towards Afghanistan - in the ancient Zoroastrian war of the light against the dark - whose origins began in the region now known as Afghanistan. It was a likeness that grows more visible as America’s involvement deepens. Afghanistan’s civil war followed America’s Cold War while Washington walked away. A new strain of religious holy warrior called the Taliban arose but no one in America was listening. As the horrors of the Taliban regime began to grab headlines in 1998 Paul and Liz began collaborating with Afghan human rights expert Sima Wali. Along with Wali, they contributed to the Women for Afghan Women: Shattering Myths and Claiming the Future book project. In 2002 they filmed Wali’s first return to Kabul since her exile in 1978. The film they produced about Wali’s journey home, The Woman in Exile Returns, gave audiences the chance to discover the message of one of Afghanistan’s most articulate voices and her hopes for her people. In the years since 9/11 much has happened to bring Paul and Liz’s story into sharp focus. Their efforts at combining personal diplomacy with activist journalism is a model for restoring a healthy and vibrant dialogue to American democracy. Ultimately their book, Invisible History: Afghanistan’s Untold Story lays bare why it was inevitable that the Soviet Union and the U.S. should end up in Afghanistan and what that means to the future of the American empire.

Mr. Zelnick spent 21 years with ABC News. He covered national political and congressional affairs from 1994 to 1998. He served as Pentagon correspondent from 1986 to 1994, covering the end of the Cold War and the first Persian Gulf War. Mr. Zelnick reported from Israel from 1984-86 and Moscow, from 1982 to 1984. Before joining ABC News in 1977, Mr. Zelnick covered the Supreme Court for National Public Radio and the Christian Science Monitor and served as executive editor of the historic Nixon-Frost Interviews, broadcast in 1977. The holder of two Emmy Awards and two Gavel Awards, Mr. Zelnick began his career in 1967 as a freelance writer from Vietnam and worked in Alaska for the Anchorage Daily News in 1968 and 1969. A frequent television analyst and contributor to many newspapers and scholarly journals, Mr. Zelnick is the author of four books, including Gore: A Political Life.