Waxahatchee Return with the Career-Defining Out in the Storm

If you’ve followed the career of Katie Crutchfield and her albums under the name Waxahatchee, it’s clear that she never rests on her laurels. Whether it’s the lo-fi intimacy of American Weekend, the assured full-band sound of Cerulean Salt or the atmospherics of Ivy Tripp, each record shows Crutchfield confidently adapting new elements to her sound. On her latest, Out in the Storm, Crutchfield doubles down, making Waxahatchee’s best album to date.

The album was recorded last December in Philadelphia with producer John Agnello, best known for his records with Dinosaur Jr, Sonic Youth and The Hold Steady. Crutchfield employed her sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, Ashley Arnwine on drums and Katie Harkin on lead guitar. Agnello suggested that the band record most of the music live in the studio, which brings a heavier guitar element to Waxahatchee songs than ever found before.

“Never Been Wrong,” the album’s opener, makes this abundantly clear. A distorted, plunging riff form the backbone of the song as Crutchfield’s voice takes front and center in the verse. It’s an awesome loud-quiet-loud rock song, full of driving guitars, pummeling bass and an insistent beat. Plus, “Everyone will hear me complain/And everyone will pity my pain”is going to be a great refrain to sing live, an eternal wink-and-nod fuck you to whoever inspired it.

Songs like “Silver” sound like a blue-album era Weezer song with “woo-ooh” backing vocals and a muscular riff with a runaway lead guitar on top. Here, Crutchfield sings “If I turn to stone/The whole world keeps turning’/I went out in the storm/And I’m never returning”. The sound and “world has turned” lyric similarity aside, it’s a three-and-a-half-minute power-pop blast that sounds like being over a bad relationship and wanting to get away from it.

Despite the brawny sound of much of Out in the Storm, elements of Crutchfield’s earlier songwriting find a place here, albeit improved. Both “Recite Remorse” and “Sparks Fly” are built on beds of keys and percussion that wouldn’t sound out of place on Ivy Tripp, but here they feel less weightless and more grounded, something only a seasoned musician and performer could pull off. “Sparks Fly” with brushed drums and swirling acoustic guitar at the forefront is one of the album’s best songs, both a beautiful ballad and a showcase for Crutchfield to do what she does so wonderfully – write songs of pure emotionalism that convey both vulnerability and strength.

That’s not the only example. There are the moments that just plain break your heart, the plaintive and spare “A Little More”. It may be one of the best recent songs describing what it is like to fall out of love. “I move delicately/I slowly choose my words” she starts “when my presence is felt/I’ll fly away just like a bird/a jagged truth left unheard” hurt plenty. Then she illustrates what it’s like watching the flame go out. “And I live a little more/and I die a little more.” It’s an unforgettable moment.

Out in the Storm is the best work from a musician and songwriter who has grown up band-by-band, album-by-album in front of an audience through much of her adult life. Everything up until this point has shown Katie Crutchfield’s ability and brilliance, but finally, she’s created a work that’s a complete statement, a seminal work for longtime fans and a starting point for both new ones.

It’s an album that represents the point when Waxahatchee’s ambition and ability and confidence run alongside one another. Where she goes next is anyone’s guess. The bar has been raised. Out in the Storm sets it high. There’s no doubt to believe she meets it next time around.

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