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This week's episode was recorded LIVE at Resident in downtown LA, as a part of The Voyager Institute's lecture series. So you may hear some noises in the background that you're not normally accustomed to - audience members laughing, drinks being made, and people having the best night of their lives! We have on the program the co-creator of Lifetime's 'UnREAL', Sarah Gertrude Shapiro. She's on to talk about the beloved, 90's, goth-inspiring masterpiece, The Craft. April and Sarah discuss their love for the campiness of the film and the perfect casting of Fairuza Balk as the evil teenage witch, Nancy. Sarah also elaborates on what it is like running a TV show. She dives into the challenges of directing an episode while also needing to be in the writing room. Plus, she details her journey from working on 'The Bachelor', to ending up in advertising in Portland, to creating her own TV show. Show notes

Bjork

If you liked this episode of Bullseye, you can help support our production by becoming a monthly member! It's our annual MaxFunDrive, the time of year we ask for your help. Visit www.maximumfun.org/donate today and help us reach our network goal of 5000 new and upgrading members, and you'll not only get the satisfaction of sustaining the show -- we'll send you some nice swag, too, like a custom Bullseye bandana or an adventure pack with a Swiss Army knife and a paracord!

Dick Van Dyke on His Early Years in Television, Worrying Less, and Owning Up to the Worst English Accent in Film History

For over 70 years, Dick Van Dyke has been an entertainer of stage, film and television. His work has garnered him generations of fans as well as numerous honors including a Grammy, a Tony and several Emmy awards.

Though he initially sought out a career in radio, he was soon performing on the stage and on the new medium of television, which included the classic comedy, The Dick Van Dyke Show created by Carl Reiner. Along with his many other television appearances, Dick Van Dyke has starred in films that are still family favorites decades after they were made, including Mary Poppins and Chitty Chitty Bang Bang.

Dick Van Dyke joined Jesse to talk about landing the lead role in Bye Bye Birdie on Broadway despite not being a trained singer or dancer, his memories of working with a very young Mary Tyler Moore, his alcoholism and getting sober, and how he maintains a healthy physical and mental lifestyle in his nineties.

Every so often we like to take a closer look at albums that should be considered classics, to find out what makes them great. It's Canonball.

This week we're joined by the pop culture critic and writer Margaret Wappler. She'll talk about Bjork’s 1995 album, Post. This album served as the follow-up to Bjork’s first album, Debut. The album went beyond being a repetition of what she had created before, and served as "a breakout work of feminine emotional electronica".

Margaret Wappler’s essay on Bjork can be found in the anthology Here She Comes Now. Margaret’s novel, Neon Green will be out in July. She can also be heard as our sister-podcast, Pop Rocket.