Everything in its Right Place opens Kid A, the album of songs that marked Radiohead’s newly experimental and unconventional direction. Yorke wrote the first version on a piano but the final iteration (well, apart from the many ways it’s interpreted live), with long-time producer Nigel Godrich’s magic, morphed into something stranger. With repeated lyrics, a 10/4 time signature, eerie processed sounds, grooves and washes, it received composer Steve Reich’s stamp of approval. “It’s perfect,” he said. “It is everything.”