Use these options to specify how the date range returns results. "Exact" means that the start and end dates of descriptions returned must fall entirely within the date range entered. "Overlapping" means that any description whose start or end dates touch or overlap the target date range will be returned.

The first series, Textual Materials, includes material relating to CRTC applications, specialty services, CHUM, CityTV and other organizations. The bulk of the material pertains to programming on City, MuchMusic and CHUM, though personal correspondence, journals, and administrative documents are also included.

The second series, Photographic Material, includes personal and professional material. Of particular note is a series of black and white prints from the early days of CityTV in the 1970s.

The third series, Audio Material, consists of hearings from 1970s CRTC hearings, as well as MuchMusic’s commercial compilations and original performances by Canadian and international artists.

The fourth series, Video Material, consists of informally filmed one-of-a-kind events at CityTV and MuchMusic, as well as more personal events (Switzer’s wedding, reunion shows, etc.). Also included are DVDs of CHUM international projects featuring videos by performers from around the world.

The fifth series, Artifacts, consists of a number of items used for publicity, including t-shirts, toys, a snowglobe, pins, and lunchboxes.

This fonds includes textual material relating to a number of productions, including:

This fonds consists of 30 hours of interviews dealing with Monk’s experiences as the Director of the National Film Board Still Photography Division. The interviews were mainly conducted by Lilly Koltun, then the Director of the Art and Photography division of the National Archives of Canada. Monk reminisces about her dealings with various photographers and exhibitions. The material was originally recorded on tape, and is available here in MP3 format.

This fonds includes information relating to a number of photographers, including:

This fonds consists of 15 series, divided mainly by production (these include produced and unproduced projects). These are: Go Further, Grass, Over the Hedge, Howard Stern: Private Parts, Tales of the Rat Fink, The Pink Panther, ‘Chris Rock Project’, ‘Freedom’, ‘Jackie Gleason Project’, ‘Corky’, ‘The Unprofessionals’, ‘Materials Submitted to Blum’, ‘Going to the Movies’, ‘Len and Heather Blum’s Personal Archives’, ‘General Materials’.The first series, Go Further, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.The first subseries includes notes, contracts, correspondence and publicity materials.The second subseries includes video footage from the film (post production).The third subseries consists of a CD considered for the sound track.The fourth subseries consists of a poster.The second series, ‘Grass’, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.The first subseries includes correspondence, research materials, and drafts.The second subseries includes trailers, research materials and various versions of the film.The third subseries includes music that appeared on the soundtrack.The fourth subseries consists of a poster.The third series, Over the Hedge, includes four subseries: Textual Material, Video Material, Audio Material and Artifacts.The first subseries includes scripts, notes, correspondence, outlines, legal documents and research notes.The second subseries consists of a crew selection video.The third subseries includes research material.The fourth subseries consists of a poster.The fourth series, ‘Howard Stern: Private Parts” includes five subseries: Textual Material, Photographic Material, Video Material, Audio Material and Artifacts.The first subseries includes correspondance and advertising documents.The second subseries includes photographs taken at the Cannes festival.The third subseries includes publicity material.The fourth subseries includes research and publicity material.The fifth subseries includes a poster.The fifth series, ‘Tales of the Rat Fink’, includes three subseries: Textual Material, Video Material, and Artifacts.The first subseries includes a script.The second subseries includes postproduction elements.The third subseries consists of a poster.The sixth series, ‘The Pink Panther’, includes two subseries: Textual Material and Artifacts.The first subseries includes scripts, handwritten notes, correspondence, and arbitration materials.The second subseries includes a poster.The seventh series, ‘Chris Rock Project’, includes three subseries: Textual Material, Video Material, and Audio Material. The first subseries includes transcripts, outlines and notes.The second subseries includes research material.The third subseries includes research material and recorded telephone conversations with Rock.The eighth series, ‘Freedom’, includes two subseries: Textual Material and Audio Material.The first subseries includes research material, letters from Ivan Reitman’s parents, transcripts, and a script.The second subseries includes original interview tapes.The ninth series, ‘Jackie Gleason Project’, includes three subseries: Textual Material , Audio Material and Video Material.The first subseries includes research notes.The second and third subseries include research material.The tenth series, ‘Corky’, includes four subseries: Textual Materials, Photographic Materials, Video Materials, and Audio Materials.The first subseries includes a script.The second subseries includes photographs of the Wilkinsons music group.The third subseries includes a VHS tape of the Dini Petty Show.The fourth subseries includes music by the Wilkinsons on commercial cassette.The eleventh series, ‘The Unprofessionals’, includes two subseries: Textual Materials and Video Materials.The first subseries includes research material and notes.The second subseries includes research material.The twelvth series, ‘Materials Submitted to Blum’, consists of textual material (primarily scripts).The thirteenth series, ‘Going to the Movies’, consists of textual material. Included here are leather bound books of published columns, as well as original drafts.The fourteenth series, ‘Len and Heather Blum’s Personal Archives’, consists of two subseries: Textual Material and Photographic Material.The first subseries includes correspondence, personal accounting papers, press clippings, and a journal.The second includes photographs of various personal events.The fifteenth series, ‘General Materials’, consists of two subseries: Textual Material and Photographic Material.The first subseries includes correspondence, passports, calendars, press clippings, financial documents, real estate documents.The second subseries includes photographs of Blum at various personal and professional events.

This fonds includes textual material relating to a number of productions, including:

This fonds is divided into 4 series, according to format. These are: Textual Material, Audio Material, Video Material and Cinefilms.

The first series, Textual Material, includes one file of print ads from the 1970s.

The second series, Audio Material, includes ¼ audio masters and dubs for a number of advertisements. This series also includes cassette copies of a radio jingles and a recording of a 1960 episode of The Curling Show (CBC Ottawa).

The third series, Video Material, consists of demo reels for Cubby Marcus and The Moving Hand Creative Enterprises Inc. This series also includes several video cassette copies of particular advertisements.

The fourth series, Cinefilms, includes several of Cubby Marcus’ demo reels. This series also includes several 16 mm copies of particular advertisements.

This fonds is divided into 4 series according to format. These are: Textual Material, Audio Material, Video Material and Cinefilms.The first series, Textual Material, includes sheet music, diaries, contracts, correspondence, and a number of production-related records. This series also includes legal documents pertaining to performance arrangements, royalty statements, expenditures on various projects, arrangements with musicians, and press clippings.The second series, Audio Material, consists of tapes of many of Kessler’s productions (these tapes include originals, masters, dubs, premixes, and final mixes).The third series, Video Material, includes a large range of productions in which Kessler has been involved. Virtually every television advertisement on which he has worked is represented here, often in a high-quality format. Perhaps most remarkable are the more than 1,000 ¾-in. tapes featuring numerous well-known Canadian and international performers (John Candy, Colm Feore, Paul Gross, Dinah Christie, Dan Hill, Moe Koffman and others).The fourth series, Cinefilms, consists of 4 16mm film featuring special projects for the Progressive Conservative Party.

“The Raven’s Cry” – television program 1986“Johnny Monaco’s Mystery Club” – television program 1986“Dynaman” – television special” 1988“Life: The Program” CBC television series 1990-1992“Hello Mrs. Cherrywinkle” Owl Communications television series 1996“Due South” Alliance Communications television series 1993-1995“Eerie Indiana” Power Pictures television series 1996-1998“Liberty Street” CBC television series 1994-1995“Shadows of War” television series 1990-1993“Heart of Courage” Sony/AXN television series 1992“Theodore Tugboat” television series 1994-1995“Broken Lullaby” CBS television series 1994“Another Woman” CBS television series 1994“Goosebumps” Protocol Productions television series 1995“Kabbalah” documentary & album 1992e. PSAs

This fonds is divided into 11 series reflecting the filing system used by Nevitt during his career, and based on subject divisions. The series are: ‘Subject Files’, ‘Early Manuscripts’, ‘Northern Electric Company’, ‘Discoveries International Symposium’, ‘Management by PreVision’, ‘Published Articles and Papers’, ‘Captain Gulliver’s Interplanetary Travels’, ‘ABC’, ‘Correspondence’, ‘Who Was Marshall McLuhan’, and ‘Printed Materials’.

The first series ‘Subject Files’, consists of 57 files containing a variety of textual records including correspondence, notes, printed materials, clippings, manuscripts, typescripts, photographs, ephemera, and overhead transparencies, and a small amount of audio recordings in various formats. The records are grouped together in individual files based on subject matter divisions reflecting specific creative and academic projects that Nevitt worked on alone and in conjunction with McLuhan, and topics of interest to Nevitt. The series also contains a file of collected photographs and a file titled ‘Ephemera and Mixed Media’, which contains a small collection of audio records.

The second series ‘Early Manuscripts’ consists of typescripts, and drafts of various academic manuscripts and papers written by Nevitt. The records in this series were created between 1945 – 1965.

The third series ‘Northern Electric Company’ includes notes, seminar material, and clippings compiled by Nevitt during his time with the Northern Electric Company between 1961 and 1962. The series includes material from various seminars organized by the American Management Association and attended by Nevitt.

The fourth series ‘Discoveries International Symposium’ includes correspondence, notes, ephemera, and symposium and conference materials related to Nevitt’s participation in Discoveries International Symposiums held in 1977 and 1978.

The fifth series, ‘Management by PreVision’ includes notes, clippings, drafts, correspondence, and other textual records related to Nevitt’s book project ‘Management by PreVision’.

The sixth series ‘Published Articles and Papers’, includes a collection of chronologically arranged articles and manuscripts written and published by Nevitt and others between 1951-1994, and related correspondence.

The seventh series ‘Captain Gulliver’s Interplanetary Travels’, includes correspondence, clippings, notes, contracts, manuscripts, and other textual records related to Nevitt’s science fiction book project of the same name.

The eighth series ‘ABC of Prophecy’ includes clippings, notes, manuscripts, and other textual records related to Nevitt’s book project of the same name.

The ninth series ‘Correspondence’ includes a collection of chronologically arranged correspondence related to Nevitt and generated between 1966 – 1993.

The tenth series ‘Who Was Marshall McLuhan’ includes correspondence, notes, clippings, and other textual records related to the book of the same name that was co-authored by Nevitt and Maurice McLuhan.

The eleventh series ‘Printed Materials’, includes monographs, periodicals, and published journal articles generated between 1953 – 1994 by Nevitt, Marshall McLuhan and other writers working on topics of interest to Nevitt.

This fonds includes textual material relating to the following books and publications:

This fonds was acquired in three separate accessions in 1986, 1987, and 1989. The fonds includes a collection of taped interviews and transcripts for a commemorative radio biography on the centenary of Albert Einstein’s birth (made between 1978 and 1979); two radio documentary programs, “Space Exploration” and “Eyes in the Sky” made between 1983 and 1985; and a two-part radio series for CBC’s Ideas, “Reflections in the Mind of the Machine” on the early history of artificial intelligence, made in 1987.

The 1986 Accession includes records related to the Albert Einstein commemoration. The accession includes 94 reel to reel audio tapes and 17 magnetic audio tapes containing relevant interviews, and one box containing typed transcripts for some of the interviews, and related textual materials.

The 1987 Accession is divided into 2 series based on subject matter. These are: ‘Space Exploration: The Dream and the Reality’, and ‘Eyes in the Sky’.

The First series, ‘Space Exploration: The Dream and the Reality’, includes 45 magnetic audio tapes and one magnetic audio reel to reel tape containing relevant interviews, and one box containing typed transcripts and notes on the interviews.

The Second series, ‘Eyes in the Sky’, includes 33 magnetic audio tapes and two magnetic audio reel to reel tapes containing relevant interviews, and one box containing typed transcripts and notes on the interviews.

The 1989 Accession includes records documenting the early history of artificial intelligence used in the preparation of the two-part CBC radio series ‘Reflections in the Mind of the Machine’. The accession includes 41 magnetic audio tapes containing relevant interviews, and one box containing descriptive notes and transcripts, and summaries of interviews with biographical notes about interviewees for all the interviews contained within the fonds.

This fonds includes textual material relating to the following productions: