The Greece-based specialist is open to both color and black and white photography, but the majority of his perform is in black and white. He considers his perform can have just as many colors—if not more—than a color image due to the enormous range of grays that are exposed through the lens.

Tangoulis uses lengthy exposures and fairly neutral density filters to capture strong contrast in the simple minutes. He accomplishes an expressive quality that shows the incredible information of his scenery and stirs up an emotional response from his audiences.

He discovers silent minutes and gives them a powerful energy through his lens, revealing that his work captures "the period of time in a world where 'present' is only an infinitesimal part of time, a short lived impression splitting almost unlimited past and future."

Popular posts from this blog

On show at the The state of utah Art gallery of Modern Art until Feb 23 are Megan Geckler's new site-specific installations designed with her trademark content - flagging tape. Using cautious statistical computations, she changes the space with shiny jolts of shade. The show, named“No chance to move backwards and see,” attracts from geometrical illusionism and concepts of style. Not only will guests get to see several of her flip sculptural performs, they'll also come experience to deal with with her wonderful weaved walls painting.

For nearly half a century, Atlantic City, in New Jersey, United States, was home to an attraction almost too fantastical to believe—an apparently fearless horse with a young woman on its back would leap off a tower some 40 feet high into a pool of water below. The stunt took place at Atlantic City's popular venue Steel Pier, where trained horses took the plunge up to four times a day and seven days a week.

Tokyo-based nature and untamed life photographic artist Martin Bailey catches the powerful excellence of Antarctica in this enthralling photograph arrangement. While the frozen continent is home to numerous seals and penguins, Bailey decided to photo the clearing scene without any indications of life, rather concentrating on the merciless and ethereal excellence of 1,000-year-old ice shelves and glaciers.