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On a whim I picked up Nicholas Eames’s Kings of the Wyld and loved it. I devoured the book in under a week and immediately dove into its sequel Bloody Rose. It’s a good book, on par with Kings of the Wyld, but different in some meaningful ways. What really makes Bloody Rose impressive though, is how it improves and complicates the world that Eames introduces in Kings of the Wyld. Two books in and Eames’s Band series is already a roadmap for any writer looking to make a one and done story into an entertaining series.

In Kings of the Wyld mercenaries in the style of D&D adventurers, right down to classes like warriors, thieves and wizards, gather in ‘bands’ that have a distinct rock and roll vibe to them. (Sidebar, fantasy needs a new sub-genre for stories that are purposely playing with D&D and video games tropes, I’m thinking RPG-Fantasy? Something catchier?) The merging of rock and roll with epic fantasy drives the lion’s-share of the world building. There’s arena shows, bookers that get mercenaries gigs, when mercenaries head into the dangerous Heartwyld to go adventuring it’s called ‘touring’. There’s a big festival called the ‘War Fair’ where bands get drunk and party; you get it.

The story focuses on Saga, the greatest band of all time. Saga broke up decades ago and Golden Gabe, the band’s ‘Front-man’, needs to get the band back together for one last tour. He has to save his daughter who is trapped on the other side of the dangerous Heartwyld in a city under siege by a horde of monsters. It’s a compelling plot and Eames runs with it, combining his aging adventures with aging rockers to create a hilarious, bad ass adventure.

But the adventure ends. Rose is saved, there’s some foreshadowing of greater threats, but everything is neatly taken care and honestly, how long can you really stretch the whole ‘D&D characters are rock stars thing?’ Saga is a fun crew, but they’re also old and have other responsibilities. Can you really force the band back together for two more books? Wouldn’t you lose what made the first one so special if Clay Cooper had to leave his family behind two more times to save the world?

Eames smartly decides to leave Clay and the rest of Saga home for the sequel. Instead he focuses on a new band, ‘Fable’, led by Gabe’s daughter Rose. And he makes the ‘bard’, a joke role in his first book, into the lead for his second. Fable’s prospective character is Tam, a seventeen-year-old girl and huge Fable fan. While Tam is likable and pragmatic like Clay Cooper, the perspective character in Eames’s first book, she’s coming from a very different place and that allows us to see Eames’s world in a different light.

But it’s not just Tam, Eames smooths out the rough edges of his world building in the second book. Mercenaries are still rock and rollers, there’s still arena fights and even groupies and tour followers. Fable still gets drunk, has crazy sex and does drugs. But the rock and roll stuff fits neater into the world this time, it feels less like a clever joke and more like a thing of consequence.

There’s a seedy underbelly to the arena shows and the treatment of ‘monsters’. Eames grazes this in his first book, but really explores it in his second. Fable’s booker is a monster, they stay the night at Tree Ent’s place, there’s a much more complex situation going on. Tam starts to see the mercenary bands she idolized in a different light. In this way Eames leaves behind the rock and roll stuff when it doesn’t suit the world building and makes the connections when it does. This gives Bloody Rose a less manic and more disciplined vibe.

That’s not to say the world isn’t still a blast, full of crazy, weirdos and funny situations. There’s a Shaman that accidentally turns into a bear cub, a satyr that eats everything like a goat, a guy living with monsters who ties an extra pair of felt arms to himself to blend in. Moog, the impish wizard from the first book, shows up again to delight. It’s fun, but the world feels more introspective.

Part of that is the crew. Fable is younger and more damaged than Saga. Don’t get me wrong, Saga had its problems and arcs. I also absolutely loved Clay and his bandmates. But they were more established, their issues played for jokes at time. Rose and her team are younger and there is an insecurity to them that feels real.

Eames is more interested in exploring these characters than his world, but that’s for the better. He does good character work and while there is a touch of cliché to everyone in both Fable and Saga, they both raise above their tropes and become so endearing it’s hard to let them go by the end.

And let them go you must. Eames has a three book deal, but he says that each book will focus on a different band. While I’m sad to see Tam and her friends depart, I can’t wait to see how Eames’s world will continues to evolve. I also have no doubt that I will grow to love his final band as much as I loved the first two. If you’re looking for a fun fantasy world that isn’t afraid to grow and question its own conceits, then check out Kings of the Wyld and Bloody Rose