Rajinikanth

Shivaji Rao Gaekwad (born 12 December 1950), known by his mononymous stage name Rajinikanth, is an Indian film actor and politician who works primarily in Tamil cinema. He began acting in plays while working in the Bangalore Transport Service as a bus conductor. In 1973, he joined the M.G.R. Government Film and Television Training Institute to pursue a diploma in acting. Following his debut in K. Balachander’s Tamil drama Apoorva Raagangal (1975), his acting career commenced with a brief phase of portraying antagonistic characters in Tamil films.

After earning ₹26 crore (equivalent to ₹56 crore or US$8.3 million in 2017) for his role in Sivaji (2007), he was the highest paid actor in Asia after Jackie Chan at the time. While working in other regional film industries of India, Rajinikanth has also appeared in the cinemas of other nations, including the American film Bloodstone (1988). As of 2014, Rajinikanth has won six Tamil Nadu State Film Awards, four Best Actor Awards and two Special Awards for Best Actor — and a Filmfare Best Tamil Actor Award. In addition to acting, he has also worked as a producer and screenwriter. Apart from his film career, he is also a philanthropist, spiritualist, and serves as an influence in Dravidian politics.

The Government of India has honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016 for his contributions to the arts. At the 45th International Film Festival of India (2014), he was conferred with the “Centenary Award for Indian Film Personality of the Year”.

Storyline:
The film is based in Chennai where mobiles phones get disappearing all of a sudden because of a deadly bird called Pakshi Raju(Akshay Kumar). The government has no clue what this is all about and orders Vaseegaran(Ranjini) to bring back Chitti and deal with the bird. To his suprise, Pakshi Raju kills Chitti and leaves everyone in tension. This is the time Vasi’s personal robot Vennela(Amy Jackson) creates a new version of Chitti and prepares it to fight with Pakshi Raju.

2.0 Review:
2.0 is a visual extravaganza which makes you go wow in every which way. Be it the international level VFX, thrills between Rajini and Akshay, lavish sets and amazing climax, this film has it all and is a thrilling experience for the viewers. As 2.0 has a universal theme, it will be loved all over the country and break several records in the south. Barring the same old good vs evil concept and Akshay Kumar’s dull flashback, 2.0 is one film which should only be experienced on the big screen as scientific thrillers like these are rarely made in India.

The first and foremost thing that hits you right away is the sheer scale of the film. Apart from having a genuine social message, Shankar has imagined something really different and made a visual spectacle which Indian movie lover can be proud of. You can’t but praise the magnanimity of the project as every penny spent is showcased through superb visuals on screen.

Rajinikanth like always surprises you with his childlike enthusiasm. He plays different characters and does justice to each one of them. Especially, with the 2.0 version, where he comes up with unique mannerisms is just amazing and will be loved by the fans completely. Amy Jackson is superb as the humanoid and does her role perfectly.

Perhaps, no one could have done the role better than Akshay Kumar who plays the antagonist. The Bollywood superstar is amazing as the evil bird and elevates the proceedings in the last half an hour completely. The manner in which the graphics have been used on Akshay, his makeup, and the way he fights 2.0 is way too good.

Storyline:
The film is based in Chennai where mobiles phones get disappearing all of a sudden because of a deadly bird called Pakshi Raju(Akshay Kumar). The government has no clue what this is all about and orders Vaseegaran(Ranjini) to bring back Chitti and deal with the bird. To his suprise, Pakshi Raju kills Chitti and leaves everyone in tension. This is the time Vasi’s personal robot Vennela(Amy Jackson) creates a new version of Chitti and prepares it to fight with Pakshi Raju.

2.0 Review:
2.0 is a visual extravaganza which makes you go wow in every which way. Be it the international level VFX, thrills between Rajini and Akshay, lavish sets and amazing climax, this film has it all and is a thrilling experience for the viewers. As 2.0 has a universal theme, it will be loved all over the country and break several records in the south. Barring the same old good vs evil concept and Akshay Kumar’s dull flashback, 2.0 is one film which should only be experienced on the big screen as scientific thrillers like these are rarely made in India.

The first and foremost thing that hits you right away is the sheer scale of the film. Apart from having a genuine social message, Shankar has imagined something really different and made a visual spectacle which Indian movie lover can be proud of. You can’t but praise the magnanimity of the project as every penny spent is showcased through superb visuals on screen.

Rajinikanth like always surprises you with his childlike enthusiasm. He plays different characters and does justice to each one of them. Especially, with the 2.0 version, where he comes up with unique mannerisms is just amazing and will be loved by the fans completely. Amy Jackson is superb as the humanoid and does her role perfectly.

Perhaps, no one could have done the role better than Akshay Kumar who plays the antagonist. The Bollywood superstar is amazing as the evil bird and elevates the proceedings in the last half an hour completely. The manner in which the graphics have been used on Akshay, his makeup, and the way he fights 2.0 is way too good.

Storyline:
The mobile phones in the city start to float into the sky and flock together like birds. The Government fails to reason the phenomenon and seeks the help from prominent scientists from the country. Dr. Vaseegaran suggests to reassemble Chitti as the phenomenon is beyond science and they need something as powerful as Chitti to fight against it.

Storyline:
Narasimha is an engineer who returns to his village from Chennai to attend his sister’s wedding. His sister is engaged to their maternal uncle’s son Suryaprakash. During his stay, he comes across Vasundhara, and falls in love with her. However, shyness and fear of Neelambari, her landlady, prevents Vasundhara from initially expressing her feelings. In addition, Neelambari is Suryaprakash’s spoiled sister who is also in love with Narasimha.

Storyline:
A gangster from Tirunelveli, who is the King of Dharavi, fights for keeping the land safe from mighty politicians and the land mafia. A gangster from Tirunelveli, who is the King of Dharavi, fights for keeping the land safe from mighty politicians and the land mafia. Click here for more Hindi Movies.

Storyline:
In Mumbai, the people who had migrated from Tamil Nadu are living in the Dharavi slum. Union minister Haridev “Hari Dhadha” Abhayankar (Nana Patekar), previously a gangster who had carried out attacks in Dharavi, tries to evict the people and seize their land. Over the years he becomes a minister and plans to clear the area to construct buildings using his construction company in the form of government scheme with the help of his supporter Vishnu Bhai (Sampath Raj).

Review:
Rajinikanth is fierce as Kaala and plays his role according to his age. The usual Rajini swag is in full flow and no unnecessary heroism has been created as Rajini looks and plays his age gracefully. Rajini’s performance in all his confrontation scenes with Nana Patekar is top class. Whenever they confront each other, things look quite gripping and interesting.

Nana Patekar gets a powerful role as the Maharashtrian minister. He is menacing in all his scenes and is a perfect choice to stand against the might of Rajinikanth. Huma Qureshi gets a very interesting character and performs impressively. The romance between her and Rajini has been showcased with a lot of class and dignity.

Eshwari, who plays Rajini’s wife in the film gives a tremendous performance. Her role has been written quite well and works in the favor of the film. The last five minutes before the interval bang is very good as two of India’s greatest actors confront each other in a thrilling manner. The second half too gets serious and runs on a decent note with good emotional scenes.

Kaala Story:
Kaala revolves around the story of a man, who migrates from Tirunelveli to Mumbai, where he emerges as a virtuous gangster. How he becomes the saviour of downtrodden migrants in the slums of Dharavi, forms the crux of the story.

Kaala Review: When you need a messsiah to help represent the problems of the common man, who better to play the role than Superstar Rajinikanth. And sure enough, director Ranjith uses the superstar to good effect to tell his message. A group downtrodden migrant workers settle down in Mumbai’s Dharavi, help build it over time and eventually run the city. But a powerful politician-cum-land mafia don has plans of his own with the land that they occupy. A clash between the two is inevitable, but who will reign supreme?

Like Baahubali, Kaala too begins with an animated story-telling pattern, that clearly shows who calls the shots. In this world, where the importance of land is high, the suppression of the downtrodden and the greed of the power-hungry politicians is clearly shown. Cut to the present and evil plans by corrupt politicians to destroy the slums of Dharavi and transfrom it into a Digital Dharavi, is highlighted in the film.

Storyline:
Kaala (Rajinikanth) is a demigod in the Dharavi slum area of Mumbai. Many corporate companies keep trying to evacuate the slum and build new age constructions in that area but Kaala and his group always stop it from happening. But things get tough for Kaala with the entry of Hari Das(Nana Patekar). A massive tug of war kick starts between the rich and poor and the rest of the story is as to how Kaala comes out victorious in his mission and saves Dharavi and its people from being the soft target of people like Hari Das.

Review:
Rajinikanth is fierce as Kaala and plays his role according to his age. The usual Rajini swag is in full flow and no unnecessary heroism has been created as Rajini looks and plays his age gracefully. Rajini’s performance in all his confrontation scenes with Nana Patekar is top class. Whenever they confront each other, things look quite gripping and interesting.

Nana Patekar gets a powerful role as the Maharashtrian minister. He is menacing in all his scenes and is a perfect choice to stand against the might of Rajinikanth. Huma Qureshi gets a very interesting character and performs impressively. The romance between her and Rajini has been showcased with a lot of class and dignity.

Eshwari, who plays Rajini’s wife in the film gives a tremendous performance. Her role has been written quite well and works in the favor of the film. The last five minutes before the interval bang is very good as two of India’s greatest actors confront each other in a thrilling manner. The second half too gets serious and runs on a decent note with good emotional scenes.

Sivaji is a 2007 Indian Tamil-language masala film directed by S. Shankar and produced by AVM Productions. Rajinikanth and Shriya Saran play the lead roles, with Suman, Vivek and Raghuvaran playing other significant roles in the film. A. R. Rahman composed the soundtrack and background music, while Thotta Tharani and K. V. Anand were the film’s art director and cinematographer respectively.

Story line:
Sivaji returns from the U.S. to invest his money for good causes, but seeing his rising popularity, the politicians cheat him out of his property. Sivaji takes this as a challenge.

Storyline:
Kabaleeswaran, a revolutionary who fights for the betterment of his race in a foreign land, is falsely implicated and thrown behind bars. When he returns after his prison term, he starts a search for his wife and ends up confronting those who were the reason behind his miseries. What follows is a tale of revenge, emotion, drama, jealousy, treason, loyalty, love and payback.Movierulz Telugu Movies 2016