In the film there is a fourth vivid character, that of “Robert McKee,” the screenwriting guru, played with scenery-chewing gusto by the brilliant Brian Cox. Of course there really is a Robert McKee (full disclosure: he’s a dear friend) and he really is the teacher-of-writing-and-story par excellence.

Consider this post as a shameless plug for Mr. McKee and his four-day intensive seminars. If you haven’t taken one already, I’m going to try to sell you on doing so—and if you’ve attended before, to consider doing it again.

I’ve taken Bob’s course three times—once in the 80s when I first arrived in Tinseltown, once in the early 2000s when I was losing my way a little in the fiction biz, and again two years ago just for the fun of it. Here’s a look at what the seminar feels like. I say of McKee that he is not just the best teacher of writing I’ve ever seen, but the best teacher of anything.

If you are serious about pursuing a career in any kind of storytelling, you MUST expose yourself to this experience.

When people write to me with story problems or “Where Do I Start” problems or just “Writer Stuck In Purgatory” problems, I say the same thing: “Take McKee’s course.”

Story is an indispensable resource for any artist. It’s a Ph.D. in four days.

Bob’s four-day intensive seminars, Story and Genre, come to New York and Los Angeles in the next few weeks. The L.A. Story class is March 6-9. Details for both here. In recent years McKee has been taking his workshops more and more overseas, to Beijing and Rio and all kinds of far-flung places. So when he does touch down in the States you gotta be alert and jump on the opportunity to see him.

Also if you sign up using WarOfArt (typed just like that, in the box on the registration page that asks if you have a discount code), you’ll get at the seminar a free signed and numbered special edition hardback of The War of Art. Not the paperback but the silver-cover hardback. You can sell it on eBay and defray part of the tuition.

Now, here’s the true gen on McKee’s seminar:

1. It’s great.

Without a doubt McKee’s story class is the best in the world, and McKee is the best in the world. He has created a place at the top of the mountain and there’s nobody up there but him.

2. It’s expensive.

Your bank account will definitely take a hit. But this is your art, your career, your life.

3. It’s intensive.

Navy SEALs have wept at the end of a four-day McKee Intensive. They have begged to go back to Hell Week. (I’m exaggerating slightly). McKee socks it to you all day for four days in a row. Have somebody standing by to drive you home at the end. You’ll be exhausted.

Nicolas Cage and Brian Cox in "Adaptation"

4. It’s fascinating.

I have sent friends to McKee seminars, even though they had no intention of writing anything—just for the experience. Trust me, you will never read a book or watch a movie in the same way after you’ve taken McKee’s course.

5. It’s profane.

McKee is an Irishman, a black Irishman. Be warned.

6. It’s passionate.

Great as the insights and wisdom are in McKee’s Story seminar, the best part of all is his passion. McKee does not teach writing so that you can make more money (though you probably will) or so you can “achieve success” or buy a bigger house or a fancier car.

He teaches it because he believes that great writing makes a difference. The first time I took his class, I was half in tears when he broke into an impassioned plea to us neophyte scripters to remember that we weren’t just pitching cop movies or trying to pen the next action/weeper/slasher epic. Writing counts. What we do matters. Our aspirations for ourselves and our craft should be as high as Turgenev’s or Flaubert’s or William Shakespeare’s. We’re committed. This is for real.

But back to Adaptation, the movie. McKee was telling me what happened when Charlie Kaufman and Spike Jonze first approached him and asked his permission to base a character on him.

Nicolas Cage eyes Meryl Streep in Charlie Kaufman's "Adaptation"

“I knew they were gonna do a job on me. How could they not? I’m nothing if not lampoonable. Brian Cox? I knew he would study my mannerisms and show no mercy. And I knew that I couldn’t make them promise to go easy. But I also knew that I had to say yes. How can you turn down Charlie Kaufman and Spike Jonze?

“So I said, ‘Okay, you can use me in the movie. But just promise me one thing. Promise me that you’ll give me one redeeming moment. Just one.'”

And they did.

(I won’t tell you what it is. You have to watch the movie.)

So please, friends, if you’re in L.A. or N.Y. think about taking McKee’s Story seminars coming up soon. But even if you can’t right now, tattoo it in your brain that someday, in some city, you will put your butt in one of those seats.

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Start with this War of Art [27-minute] mini-course. It's free. The course's five audio lessons will ground you in the principles and characteristics of the artist's inner battle. Continue each week (also free) with our Writing Wednesdays and What It Takes posts, each one like a new chapter in The War of Art. Plus continual videos, freebies, specials and new material throughout the year.

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Steve shows you the predictable Resistance points that every writer hits in a work-in-progress and then shows you how to deal with each one of these sticking points. This book shows you how to keep going with your work.

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Steve shares his "lessons learned" from the trenches of the five different writing careers—advertising, screenwriting, fiction, nonfiction, and self-help. This is tradecraft. An MFA in Writing in 197 pages.

A New Tool to Fight Resistance

25 Comments

Love the way you write and how you described the McKee experience, the writer in me cannot help but want to partake on this experience. I have tattooed in my brain…. to take one of those seats. Brilliant.
Cant wait to watch adaption…Again.

I’m sure we could all use “one redeeming moment,” and if Robert McKee can help get me there then I’m all for it. Thanks for this post. It’s great confirmation because I have heard so many great things about Mr. McKee.

Mr. Pressfield! I wish I knew about this a few months in advance. Reading this blog made my mouth water for the experience. I’ll just have to save up and get in there next time. (By the way, I love your idea about selling the silver-cover hardback–so kind of you to give us that tip–but I wouldn’t be able to part with it!)

I’ve been lucky enough to take two of McKee’s seminars. They are all that Steven says they are. And, Steven, I didn’t realize that the silver hard cover edition of “War of Art” was so rare! I snapped one up when it came out. Now I treasure it as much for the contents as for the physical artifact!

I need to go again. Nice to see there’s a discount for those of us who “still don’t get it!” I knew there must be some connection when I met him. I was always told I was Black Irish but had never met any others. Reading Story from cover to cover was a prerequisite prior to the class and McKee was adamant about it. And it really helped. I’m going to see if I can break free from my writing. I don’t believe it’s classified as resistance.

Donn, re your thought, “Is leaving your writing to take McKee’s class a form of Resistance?,” here’s a story I heard in Israel.

A friend was studying at a famous yeshiva in Jerusalem. The point of going to yeshiva is to do nothing but study Torah. My friend happened to know the city of Jerusalem well and in the evenings he used to lead some of the other students around on informal tours. He got in trouble for this and had to go before the head rabbi. The rabbi not only did not discipline my friend, but he praised him. “To walk in Jerusalem,” he said, “is to study Torah.”

i loved the movie “adaptation,” and my favorite part of the movie was when cage’s character goes to that writing class looking for a way out of his rut and instead finds more angst. thank you for putting this out there…we have all struggled with doubts about our ideas and/or legitimacy

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Well, I missed the film Adaptation when it came out – and, in fact, had never heard of it. But I watched it yesterday, and then listened to an interview with Robert McKee in which he talks about it. It’s his “Big Think” interview (excellent all by itself) – findable on YouTube.
I enjoyed the film very much – and McKee’s comments about it helped me enjoy, and understand it even more. And the film’s “non-redeeming” scene in which Nicolas Cage asks a question during a Story seminar is roll on the floor funny.
I highly recommend both the film, and the interview.

I’ve attended McKee’s workshop. It is everything Steve says and more. But it’s not for sissies. A few people walked out and never came back. McKee, like many Irish, can be quite blunt. Luckily I’m Irish so I just felt like I was home at the dinner table!

Thanks for the encouragement. I’ve had my eye on this for a while, and am taking the plunge for the NYC one. Quick question – I did put WarOfArt in the discount code box, and got a message that it’s the wrong code (i.e., not eligible for a discount, which I understand). There was no indication that it went through. What’s the best way to verify that? Thanks!

Hi there! I know this is kind of off topic but I was wondering if you knew where I could get a captcha plugin for my comment form? I’m using the same blog platform as yours and I’m having difficulty finding one? Thanks a lot!