Rolling Stones / Paris 2017 1st Night / 2CD

Three performances in Paris that called a big topic because of the “NO FILTER” tour’s thousand aku, but the excavation of the sound source has not proceeded again, and as a result “PARIS 2017 3RD NIGHT” on the third day is now It is a situation called press CD item from the only Paris schedule. It was unexpected to think that this is also the latest tour, but this time the 2017 Paris · show of another day is finally released. That performance is the first stage in Paris on October 19th. Although it is still a memorable performance, I remember being indulged in the emotion that Oh “NO FILTER” tour ended with three more performances when it was reported that this day had begun.
Finally a sound source of another day appeared … Not only that, but the sound quality that should be noted. The “PARIS 2017 3RD NIGHT” released just one month ago from now is a recording using an unusual MD in 2017 and the sound image was enveloped in echo, and additionally it was a sound source which can not deny the feeling of donness, A clear audience recording all the time on this first day. Slightly low bass lack, not to the level of Lucca or new Munich, but still clearness is stunning. The recording state spreading as refreshing enough is attractive enough. If you mention the difficulty, the audience is noisy throughout. Especially when becoming a famous piece of music, a man singing along with him was near the taper, but it would be unfortunate that he did not release the presence enough to become a barrier to playing. Rather, an enthusiastic conversation such as “I will do a new blues next time” is pleasant.
Anyway, this is the sound source that recorded the pattern of the tour in Europe. Such excitement is a matter of course. Rather the “Aurele, Richards” chorus at Keith Corner is a gentle excitement unique to Europe, and it is the goose skin thing that you can hear with its rich feeling of presence. Such excitement unique to Paris was a glimpse of “PARIS 2017 3RD NIGHT”, but this time it is more clear sound quality, so this exceptional excitement can be enjoyed in real.
In the press release of this time, I equalize it so as to further complement the outstanding clearness. Compared to the original sound source, its clearness is clearly improved. The finish that the rich sense of realism is also transmitted. In this case it is a good condition that not only mania but also beginners can fully enjoy it. Was it just a matter of being at a certain level?

From the thing called “NO FILTER” tour’s Chiaki mode, the Stones performance is completely switched on. Like Copenhagen released at the same time this time, the curtain is starting from the performance full of momentum this evening. Surprisingly in such an engine full-open mode, Ronnie’s mistakes are scattered in the first half of the show. First of all, his guitar play became suspicious as I returned from the interlude of “Tumbling Dice”. A similar mistake was seen by Keith in Copenhagen, but it is unusual for Ronnie who let me hear a very enthralling play at the show of each day in October. However, the performance of the whole Stones is quite powerful, and the poorness of the sharpness that was in the beginning of the tour was completely eliminated.
The voting song / corner became “Let’s Spend The Night Together”, and before that it was a line called “Under My Thumb”, so it was expanded that stones classics in the mid-1960s can be heard and heard in a stunning manner. Certainly “Let’s Spend ~” is not an unusual repertoire, but it will be told that if you played in this song order you will have come back. Atmosphere that the performance is smooth and dignified.
However, it is not the case that the performance of the stone stone was heard over the full story as much as “PARIS 2017 3RD NIGHT” It seems like the first day of the three Chiakakura performances, Keith Corner has been a long time. I remind you of the immediate after the beginning of the tour. It is interesting because it reflects freshly when it is told at the end of the tour. In “Happy” Ronnie’s slide guitar solo is a dangerous play, while in “Slipping Away” the song is suspicious as Keith loses track of its return from the interlude.
However, it is a good place in the end of the tour to return to Stones which is soon strong. That is “Midnight Rambler” of this day, from the early stage Ronnie and Charlie’s tension is high high. If this is the case, the expectation that there is no mistake in playing will be answered by the marching drum of Charlie who glows warmer than in Copenhagen. What is amazing, not only that Charlie began hitting the march in line with Mick ‘s movement again, it was because it was decided by the development that it fitted with Keith in keeping with it. What a thrilling scene? And it is also a big point that the sound image is more turned on from this song and becomes easier to hear. In this powerful performance, the pattern on the first day of Paris that decorated the beginning of “NO FILTER” tour Chiakiaku will finally be released on a limited press CD. The second day of Paris is the Chiakakura Show which leaves with this!