Tag Archives: fantasy settings

We have a guest today.

My friend Joshua Palmatier has a new book out – more than that, it’s the culminating book of a series, and one which completes a fascinating story based on a shiny, shiny idea.

I invited him to tell you about it here – so, over to him:

Reaping The Aurora

Alma Alexander suggested that—since REAPING THE AURORA is the third and final volume in this series—I write about the big idea behind the series, what drove me to sit down and create this series, so that’s what I intend to do.

The basic idea behind the series came from two sources actually. The first comes from the 80s. Yes, IT CAME FROM THE 80s! Back then, almost every fantasy novel I read mentioned the ley lines—the mystical forces that connected stone monuments like Stonehenge and whatnot. However, none of those books really USED the ley lines at all. It was really just part of the setting, something that everyone would identify as fantasy. It was annoying. I vowed I would never write anything involving ley lines.

Except that, years later, I began to wonder—how could you use the ley lines in a fantasy novel? I mean, really USE them?

As my subconscious began mulling this question over, I began to notice something coming up at conventions a lot: the idea that there should be more variety in fantasy settings. Why were they all medieval in tone? Why couldn’t there be fantasies set in other time periods? Most people began messing around with fantasies set in other cultures—Africa, Asia … basically non-European—but I began thinking, why couldn’t we have a “modern” fantasy? What if that medieval setting that used magic continued its existence untouched? What would the society look like in fifty years? a hundred?

And that’s when the two ideas combined and the “Ley” series was born. What if the culture in my world tapped into the natural ley line network and used that power in the same way we use electricity—to light the streets, to heat homes, to cook? What would that initial medieval society look like fifty years later? a hundred? In what other ways would such a society use the power they’d tapped into, this natural resource? And most importantly, in what ways would they abuse it?

When I sat down to write the first book, SHATTERING THE LEY, I knew I wanted a society that had been using the ley to make life easier for decades. They’d become dependent upon it, the same way we’re dependent on oil. And not just dependent, the society wanted to continue using the ley, to push it to its extremes, to build ever larger buildings and new and improved innovations, all while ignoring the signs that perhaps they system they’d tapped into was becoming strained. That first book explored how such a system could be used in a fantasy setting and the consequences of its abuse. There are “bad guys” and political infighting and even the threat of terrorism, but in the end the real “bad guy” in the novel is the society itself.

The misuse of the ley leads to the catastrophic failure of the ley system, and the second and third novels in the series—THREADING THE NEEDLE and REAPING THE AURORA—both deal with how the survivors of the apocalypse deal with the consequences of that failure. Essentially, the ley system is broken and those who created it and understood it the most are all dead. It’s up to the remaining Wielders—those who can manipulate the ley—to figure out how to repair the damage that’s been done. Of course, it isn’t easy, especially when you must also deal with the basic necessity of survival in a world where society has literally collapsed.

So in essence, the Big Idea for this series was to actually explore an apocalyptic storyline, but in a fantasy setting. Instead of having the “catastrophic event” happen sometime in the far past—which seems to be the back story in many fantasy settings—I wanted to explore that catastrophic event in person. What brought it about? What caused it? And what happened immediately after?

That was the basic thought behind this series. The fact that I could also introduce some subtle commentary on our own society—our misuse of our own natural resources—was simply a bonus. Isn’t that what science fiction and fantasy are for? A way to comment on our own society by reflecting some of our own issues onto a science fiction or fantasy setting? Not that these novels are heavily literary at all. I don’t browbeat the issue. It’s simply there, if you care to pay attention.

Of course, no series will ever be interesting or involving if it’s only based off of a concept or idea. There’s far more to “story” than that. The series would never have taken off if I hadn’t discovered the characters Kara and Allen. Kara is the heart of the story, a Wielder who is just discovering her powers in SHATTERING THE LEY and who, because of her talent, feels personally responsible for repairing the ley. Allan starts off as one of the vicious Dogs, controlled by the Baron, who in turn controls the ley system itself. Without their personal story arcs stretching across all three books, the series and the world would never have come to life.

So, if you’d like to try a fantasy that’s a little different, that has a more “modern” feel to it, that could perhaps be a blend of sci-fi and fantasy, then check the “Ley” series out. With the release of REAPING THE AURORA on August 1st, the series is complete, so you can read it all at once. Join Kara and Allan—and all of those they care about—as they traverse this fantasy world based on the ley lines and follow them as they survive the Shattering of the Ley … and fight to repair it.

The final book in the thrilling epic fantasy Ley trilogy, set in a sprawling city of light and magic fueled by a ley line network.

In a world torn apart by the shattering of the magical ley lines that formerly powered all the cities and towns of the Baronies, there are few havens left for the survivors. The uncontrolled distortions released by the shattering have claimed the main cities of the Baronial Plains. And many of the Wielders who controlled the ley died in the apocalyptic cataclysm their manipulation of the ley created.

Wielder Kara Tremain and former Dog Allan Garrett, survivors of the city of Erenthrall’s destruction, have seized control of the new Nexus created at the distant temple known as the Needle, the stronghold of the White Cloaks and their leader, Father Dalton. With Father Dalton a prisoner, Kara intends to use the Needle’s Nexus to heal the major distortions that threaten to shake their entire world apart.

But while she and the remaining Wielders managed to stabilize Erenthrall, they have not been able to stop the auroral storms or the devastating earthquakes sweeping across the lands. Now they are hoping to find a means to heal the distortion at the city of Tumbor, releasing the nodes captured inside. If they succeed, the ley network should be able to stabilize itself.

But the distortion over Tumbor is huge, ten times the size of the one over Erenthrall. Kara will need the help of all of the Wielders at the Needle in order to generate enough power, including the rebel White Cloaks. But can Kara trust them to help her, or will the White Cloaks betray her in order to free Father Dalton and regain control of the Needle, possibly destroying any chance of healing the ley network in the process?

Meanwhile, Allan journeys back to Erenthrall, hoping to form alliances with some of the survivors, only to discover that Erenthrall itself has sunk a thousand feet into the ground. The vicious groups that plagued them on their last visit have banded together under a new leader—Devin, formerly Baron Aurek’s second-in-command. While discussing an alliance with the Temerite enclave, Devin’s men attack, forcing Allan and the Temerites to flee back to the Needle, leaving Erenthrall in Devin’s hands.

But the Needle is no safe haven. Father Dalton’s followers have begun to rebel, starting riots and creating unrest, all of it targeted at Kara and the Wielders. The tensions escalate beyond control when Father Dalton declares he’s had a vision—a vision in which the Needle is attacked from the north by dogs and from the south by snakes; a vision that ends with the quickening of the distortions called the Three Sisters to the north . . . and the annihilation of reality itself!

ABOUT THE AUTHOR:

A professor of mathematics at SUNY College at Oneonta, Joshua Palmatier has published nine novels to date—the “Throne of Amenkor” series (The Skewed Throne, The Cracked Throne, The Vacant Throne), the “Well of Sorrows” series (Well of Sorrows, Leaves of Flame, Breath of Heaven), and the “Ley” series (Shattering the Ley, Threading the Needle, Reaping the Aurora). He is currently hard at work on the start of a new series, as yet untitled. He has also published numerous short stories and has edited numerous anthologies. He is the founder/owner of a new small press called Zombies Need Brains LLC, which focuses on producing SF&F themed anthologies, the most recent being Alien Artifacts and Were-. Find out more at .joshuapalmatier dot com . You can also find him on Facebook under Joshua B. Palmatier and Zombies Need Brains, and on Twitter at @bentateauthor and @ZNBLLC.