"What makes concept records ‘successful’? The expectations attached to them are never merely about the music alone. Much like musicals and operas, they transcend the genres they’re based on and approach the programmatic. But is it the originality and immersiveness of the concept, the quality of the accompanying music, or an intermedial dimension and interaction between the two that defines them the most?" Nautical tales and torn sails.[Give in to your anger...]

"I'm more of a modern prog dude. Not that I have anything against the classic '70s era of progressive rock, but aside from a few notable bands, led by the obvious Pink Floyd, I simply haven't been exposed to a lot of it, despite being a big fan of '60s and '70s music, in general. Yeah, I know, it's something I need to rectify. Luckily, modern prog of the rock and metal variety offers an embarrassment of riches to indulge in." Prog for the noggin. [Give in to your anger...]

"I consider myself fairly well-versed on the subject of 70s prog. I’ve got scores of albums by dozens of bands, and what I don’t have I can usually recognize. So when something comes about that I haven’t heard of (like last year’s Sea Goat record), it’s gotta be for a good reason — like the band not recording anything, or sucking. So here we are with Dutch outfit Kayak, probably spelled backward, and their latest album Seventeen, which I have found out has nothing to do with Kip Winger strutting around partially clothed." No Winger, no hairpiece![Give in to your anger...]

"You know Genesis right? And Yes? And Pink Floyd? And King Crimson? The big names of the English progressive rock scene which is more or less the best 'scene' to have ever existed (in music or otherwise). One name which flew relatively close to the ground during this era is Camel. It was only in retrospect that they began to enjoy their utterly deserved praise, thanks, in no small part, to the adoration of one Mikael Åkerfeldt of Opeth." Camels![Give in to your anger...]

"The term retro metal/rock gets bandied around a lot, due to the over-saturation of bands mining the freewheeling creativity of '70s rock to varying degrees of success and very little originality. Lumping Laser Flames under the retro label would be a great disservice to the creativity and inventiveness the band conjures throughout the epic stoner odyssey of this self-titled release." Retro rock with freakin laser beams! [Give in to your anger...]

"To be honest, I have remained only peripherally up to speed with the court proceedings and inter-band politics between the original Queensrÿche and Tate’s new Operation: Mindcrime as relationships (and Tate’s musical sanity) spiraled into decline. Hence, The New Reality is my first concerted exposure to Tate’s post-Queensrÿche work." Here in the now...of hazing.[Give in to your anger...]

"Now here’s a strange and interesting story. Imagine forming your band in 1973, naming yourself after a Pete Sinfield song from his Still album. Imagine working on your first album for forty-three years. Imagine playing and writing for nine years, then sleeping for two dozen. And imagine recording the songs you’ve been writing for all these years over a number of sessions scattered across eight years and five different locales. Clearly, time moves at a different speed for German progressive rockers Sea Goat." Vote Goat.[Give in to your anger...]

"I hear Pink Floyd in so much of the music that I love. They're a profoundly important and influential band generally but for me personally too. Their capacity to develop and retain quality through styles and songwriters is virtually unparalleled, one example of which is the subject of this post: Animals, which turns 40 this year." Prog before swine.[Give in to your anger...]

"I have a confession: I’ve always wanted to listen to progressive rockers Wobbler, but haven’t. Their 2011 album Rites at Dawn has been sitting in my iTunes wish list folder for six years now, but life/time/priorities kept me from ever clicking on “Buy.” So naturally when I saw them pop up on our feed as having a new album coming out, I grabbed it. And then I had to go back and listen to their older stuff as well. All of which is a good thing if you’re into 70s prog rock done right." Wobbler at the gates of dawn.
[Give in to your anger...]

Enslaved is Norway's biggest and most successful (currently active) metal band. They have garnered a following of intensely loyal fans who adore their every release with the fervor of the newly converted. In fact, I once counted myself a huge fan. There was a string of records that Enslaved released between 2000's Mardraum: Beyond the Within and 2008's Vertebrae which are practically unassailable. Not every one of those albums was perfect—Isa and Ruun were both only great records when sat side-by-side the excellent Below the Lights and Vertebrae, but they were consistently addictive listens from a band that could do no wrong. And I, along with everyone else, lathered Axioma Ethica Odini with praise, only to declare it one of my biggest disappointments of the year in 2010. I meh'd the hulking RIITIIR, and ¯\_(ツ)_/¯'d its follow-up In Times, declaring it a testament to the excesses of the modern recording industry. In sum: Enslaved went from being one of my favorite bands in 2008to being a band whose newest release almost didn't get reviewed by me. But with all the ranting and raving about how E is the best album they've put out in a while, I couldn't keep myself away.[Give in to your anger...]