ON JULY 30TH JOSEPH GALLIVAN INTERVIEWS PHOTOGRAPHER HOLLY ANDRES. SHE WILL BE TALKING ABOUT HER SHOW "THE HOMECOMING" WHICH RUNS THROUGH AUGUST 4, 2013 AT THE HALLIE FORD MUSEUM IN SALEM, PART OF WILLAMETTE UNIVERSITY. AS WELL AS THE MEANING OF HER FINE ART PHOTOS, SHE TALKS ABOUT SHOOTING SASQUATCH FESTIVAL FOR TEEN VOGUE, AND HER LOVE OF INSTAGRAM.

On July 23, 2013, at 11.3am Joseph Gallivan interviews the curator of graphic arts at the Portland Art Museum, Mary Weaver Chapin.

Weaver Chapin will talk about the artists books on display at "Artist & Book" at the museum through Sept 1.

Artists books are collaborations between artists, writers and publishers to create elaborate and beautiful collector's item books. Forms can range from circular pages in a movie reel canister to pop-up books to the more conceptual, such as text written on a pinwheel.

On June 4, 2013, Joseph Gallivan interviews artist Merridawn Duckler about her and her brother Geordie Duckler's current show at Blackfish Gallery called Ritual, The Show. It is a group exhibit by Blackfish Gallery Artists, running from June 4 to June 29, 2013

In “Ritual, The Show” a transformed gallery space created by Blackfish

member Merridawn Duckler and guest artist Geordie Duckler invites

visitors to partake in three separate experiences that combine ritual and art.

The first involves sitting in silence for four minutes 33 seconds in a tent in

the gallery, a reference to experimental composer John Cage’s famous piece

Crow’s Shadow Institute of the Arts is a nonprofit organization aimed at providing opportunities for Native Americans through artistic development. With an emphasis on contemporary, fine-art printmaking, they also function as a venue to practice traditional Native American art practices — weaving, bead working and regalia making — of the Plateau region..

Guest host Wendy Webb interviews Stephanie Snyder, John and Anne Hauberg Curator and Director of the Cooley Memorial Gallery at Reed College, about the current exhibit, BRUCE NAUMAN, BASEMENTS, on view until MARCH 9th.

The studio films of American artist Bruce Nauman, created between 1967 and 1969 with both 16 mm film and emerging video technology, are rarely exhibited in consideration of the essential qualities of their nature as films. Typically, the works are exhibited in relationship to Nauman's sculptures and photographs, burdened with the responsibility of assuming a documentary voice, and positioned as evidence of Nauman's intellectual evolution. But how do we experience the films when we are able to fully encounter their presence as phenomenological entities, and to absorb them as such, embracing Nauman's investigations into language, philosophy, and the experience of his own body? To be with the films in keeping with the terms of their own making is an entirely different experience altogether.