“If the character is complete, if there is nowhere else to go creatively, then I think it’s better to stop when you’re on top, because I admire the way that they did that with The Wire, you know?” Stana recently told TVLine.com. “Tell a great story and then go home and move onto something else. Don’t milk it ‘just because.’ So for me it’s about art over finance, and as long as we’re creating something that is compelling and that has somewhere to go, then we’re good to go. And when we find that we’re not, when we don’t have anywhere else to go, then it’s time for everyone to pack up and move onto the next thing. But I don’t know where it’s going to end.”