Since 1956, the Graham Foundation has fostered the development and exchange of diverse and challenging ideas about architecture and its role in the arts, culture, and society. As one of the few funders of individuals in the field of architecture, the foundation's grants provide important support for the work of emerging and established architects, scholars, writers, artists, designers, curators, filmmakers, and other individuals.

To apply for an individual grant, applicants must submit an Inquiry Form—the first stage of a two-stage application process. The online Inquiry Form will be available on our website until the deadline on September 15, 2018.

For more information about the Graham Foundation's grants and to learn if your project is eligible for funding, please see our grant guidelines.

New in the Bookshop

Jun 26, 2018

New in the Bookshop:

August 2018

“Insert complicated title here”

Virgil Abloh / Sternberg Press 2018 / $14

96 p, 25 b/w ills, softcover, English

“What’s my DNA?” Virgil Abloh asks to an overflowing auditorium at the Harvard University Graduate School of Design. Abloh goes on to provide his audience with a “cheat code”—advice he wishes he had received as a student. He then unpacks a series of “shortcuts” for cultivating a “personal design language.” Trained as an architect and engineer, Abloh has translated the tools and techniques of his student days into the world of fashion, product design, and music. His label, Off-White, works in seeming contradictions, marrying streetwear with couture, collaborating with brands like Nike, Ikea, and the Red Cross; musicians like Lil Uzi Vert and Rihanna; and “mentors” like Rem Koolhaas. Impervious to hurdles (“They literally don’t exist.”), Abloh takes us behind the scenes of his design process, sharing the essentials of editing, problem-solving, and storytelling. He paints a picture of his DNA, and then flips the question: What’s your DNA?

Borrowed Lady: Martine Syms

Amy Kazymerchyk / SFU Galleries 2017 / $15

79 p, color, softcover, English

Borrowed Lady: Martine Syms is the third in SFU Galleries Critical Reader Series. Edited by Amy Kazymerchyk, the book expands from Syms' exhibition, Borrowed Lady, held at the Audain Gallery from October 13 to December 10, 2016.

This publication unfolds the formal and conceptual inheritances that are operative in Syms' practice. A new text by Christina Sharpe offers a close reading of the visual and aural gestures in the exhibition; a transcriptions of Syms' performative lecture, Misdirected Kiss, cites a range of borrowed artistic, literary and theoretical references for further study; and a poetic text by artist Diamond Stingily expresses her own familial inheritances and illustrate Syms' relational and dialogic methodology.

Richard Rezac: Address

Richard Rezac The Renaissance Society 2018 / $40

168 p, hardcover, EnglishThe title of Richard Rezac’s solo Renaissance Society exhibition, Address (Apr 21–Jun 17, 2018), plays on the multivalent quality of the word. As a noun, it recalls for the artist significant geographical contexts. As an action, it reflects the artist’s deliberate creation and selection of works in response to the Renaissance Society’s architecture, and also nods to the sculptures’ relationship to their presumptive audience.

This publication continues this kind of address, extending it to a greater audience of readers through a generous selection of images, a conversation between the artist and curator Solveig Øvstebø, and new texts by Jennifer R. Gross, James Rondeau, and Matthew Goulish.

What Is Different? is the title of this year’s edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans. Since the early 2000s Tillmans has been working on truth study centre, a cycle of works concerned with absolute claims of truth in social and political contexts.

Circling around contemporary issues of newly resurfaced right-wing populism, the phenomenon of fake news, and psychological findings such as the backfire effect, Tillmans, rather than analyzing the status quo, focuses on what has changed in the past ten, twenty, thirty, forty years. Why are societal consensus and institutions now under attack?

The Library Was sees OOMK reimagining the function, aesthetic and user culture of the library. Opening in an austerity-stricken future in which all public libraries have closed, it goes on to assert the continued importance of libraries via interviews with London-based library enthusiasts, a profile of the revolutionary Cuban librarian Marta Terry González, a re-assessment of The Five Laws of Library Science, 1931, as they do and don't apply to the collection of contemporary zines, and an account of the stolen library of the late Saudi novelist Abd al-Rahman Munif. It also documents the publications donated to the Open School East Library during OOMK‘s Future Library Fair held in December 2015, and describes the work of a semi-fictional group of readers and activists, who have pooled their resources to establish The Library of Aimless Yet Meaningful Pursuit, a space for meeting and learning outside of the algorithmic ‘Grid’.

The Love of Painting: Genealogy of a Success Medium

Isabelle Graw / Sternberg Press 2018 / $27

364 p, color ill., softcover, English

Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s The Love of Painting considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.

July 2018

Unhoused

Matt Waggoner / Columbia Books on Architecture and the City 2018 / $18

114p, pb, English

Unhoused: Adorno and the Problem of Dwelling is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”

Unhoused tracks four figurations of troubled dwelling in Adorno’s texts—homelessness, no man’s lands, the nature theater, and the ironic property relation—and reads them as timely interventions and challenges for today’s architecture, housing, and senses of belonging. Entangled as we are in juridical and financial frameworks that adhere to a very different logic, these figurations ask what it means to organize, design, build, and cohabit in ways that enliven non-exclusive relations to ourselves, others, objects, and place.

Extraction Empire examines both the historic and contemporary Canadian culture of extraction, with essays, interviews, archival material, and multimedia visualizations. The essayists and interviewees—who include such prominent figures as Naomi Klein and Michael Ignatieff—come from a range of fields, including geography, art, literature, architecture, science, environment, and business. All consider how Canadian life came to be mediated through mineral extraction. When did this empire emerge? How far does it reach? Who gains, who loses? What alternatives exist? On the 150th anniversary of the creation of Canada by Queen Victoria's Declaration of Confederation, it is time for Canada to reexamine and reimagine its imperial role throughout the world, from coast to coast, from one continent to another.

Bogdanovic by Bogdanovic: Yugoslav Memorials through the Eyes of their Architect

This book presents Bogdanovic’s built oeuvre through his own eyes, in a selection of nearly fifty colour photographs of his memorials, which the architect took soon after the completion of each project. Carefully staged and taken with professional medium- format cameras, these photos, many of them previously unpublished, are in themselves works of art that bespeak their author’s surrealist sensibility. The book includes an introduction by the architectural historian Vladimir Kulic, a preface by curator Martino Stierli, and a selection of Bogdanovic’s own thoughts on photography, excerpted from an unpublished interview that Kulicćconducted in 2005.

Globalization, technology, and politics have altered the definition and expectations of citizenship and the right to place. Dimensions of Citizenship documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This paperback volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale. Drawing inspiration from the Eames’ Power of Ten, Dimensions of Citizenship will provide a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation), and expanding to include all phases of contemporary society, real and projected (Globe, Network, Cosmos). Additional essays—by Ingrid Burrington, Ana María León, and Nicholas de Monchaux, among others—will offer essential and enquiring responses to these themes.

Two Journeys is the first comprehensive monograph on Webb’s oeuvre and assembles sixty years of the artist’s work into a continuously evolving narrative about the multifaceted relationships among the built environment, landscape, and moving vehicles. He investigates these relationships through the act of drawing using notions of time, space, and speed, which are artfully mediated by the precision of mathematics and tempered by abstraction.

Cooking Sections / Columbia Books on Architecture and the City 2018 / $32

304 p, pb, English

"Empire shops" were first developed in London in the 1920s to teach the British to consume foodstuffs from the colonies and overseas territories. Although none of the stores ever opened, they were intended to make previously unfamiliar produce and products—sultanas from Australia, oranges from Palestine, cloves from Zanzibar, and rum from Jamaica—available in the British Isles. The Empire Remains Shop speculates on the possibility and implications of selling back the remains of the British Empire in London today.

Distributed

David Blamey, Brad Haylock (eds) / Open Editions 2018 / $35

264 p, pb, English

Bringing together contributors from a variety of backgrounds, Distributed presents the act of distribution as a subject of significant social and economic importance and argues that it merits serious creative consideration. From the attention-seeking impulse of the “influencer” to the democratization of art via books, performances, videos or sound, the increased urge to disseminate is explored here as an elemental phenomenon of our time.

Monu 28: Client-shaped Urbanism

Publisher Board Publishers 2018 / $20

132 p, ills colour & bw, pb, English

The importance of the client in shaping our built environment, whether it comes to buildings, neighbourhoods, or entire cities, is not sufficiently included in urban and architectural discourse, and thus largely forgotten, underestimated, and neglected. This issue is dedicated to investigating the topic in depth, to discover clients’ values, objectives, fears, and motivations, and the consequences of all of this for cities and buildings. What kind of design methods should be developed for better partnerships and results? How can communication between clients and designers be advanced? Which projects might never have happened without an ambitious and creative client?

A+U 570: Make New History- After The Second Chicago Architecture Biennial

Shinkenchiku-sha 2018 / $37

200 p, ills colour & bw, pb, Japanese/English

Participants of the Chicago Architecture Biennial’s second edition included 140 artists and architects from 20 countries, under the theme ‘Make New History’, and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it shows about the qualified autonomy, framing, and partnerships seen in current practice is discussed. The second part introduces built work and projects selected with reference to the exhibition’s theme, as well as responses from the architects to questions about what this theme means to their thought and practice.

The Design of Childhood

Alexandra Lange / Bloomsbury Publication 2018 / $30

416 p, ills bw, hardcover, English

Design critic Alexandra Lange reveals the surprising histories behind the human-made elements of our children's pint-size landscape. Her fascinating investigation shows how the seemingly innocuous universe of stuff affects kids' behavior, values, and health, often in subtle ways. And she reveals how years of decisions by toymakers, architects, and urban planners have helped--and hindered--American youngsters' journeys toward independence. Seen through Lange's eyes, everything from the sandbox to the street becomes vibrant with buried meaning. The Design of Childhood will change the way you view your children's world--and your own.

Drone brings together researchers from diverse disciplinary backgrounds whose work seeks to understand and represent the nature and extent of drone operations. The book investigates the relationship between drone technology, cultural production, and forms of surveillance and violence. It analyses and speculates upon how these technological developments affect life in cities. Design by Numa Merino Studio.

Drone is the the first volume of Unmanned. Architecture and Security Series, a research and publishing project which examines architecture's role in the construction of the contemporary security regimes. The series discusses the consequences of the civilian appropriation of military technologies, and sets an agenda for design professionals to engage on a technological, cultural, and political level by putting forward forms of resistance.

A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life. In the book, unpublished material alternates with contents produced during the six editions of The Eternal Internet Brotherhood/Sisterhood.

Jacobin 29: 1968

Jacobin Spring 2018 / $12.95

128 p, ills color & bw, pb, English

Between us we can change this rotten society. Now, put on your coat and make for the nearest cinema. Look at their deadly love-making on the screen. Isn’t it better in real life? Make up your mind to learn to love. Then, during the interval, when the first advertisements come on, pick up your tomatoes or, if you prefer, your eggs, and chuck them. Then get out into the street, and peel off all the latest government proclamations until underneath you discover the message of the days of May and June.

Stay awhile in the street. Look at the passers-by and remind yourself: the last word has not yet been said. Then act. Act with others, not for them. Make the revolution here and now. It is your own. C’est pour toi que tu fais la révolution.

The 25th issue of the award-winning arts annual includes artist's projects by Noriko Ambe, Paolo Arao, Tina Barney, John Edmonds, Elizabeth Ferry and Anish Kapoor; Francine Prose's reflections on an early Renaissance painting at the Metropolitan Museum (incorporating a poem by Zbigniew Herbert); brand-new installments of the regular series "Guarded Opinions," "Modern Artifacts" and “Public Access” (featuring never-before-seen items from the Vladimir Nabokov papers in the New York Public Library’s esteemed Berg Collection); materials reproduced in facsimile from the Ludlow Santo Domingo collection of psychedelia at Harvard University; lyrics and artworks by Lonnie Holley; and an audio compilation featuring musicians such as Andrew Silberman (The Antlers), Will Oldham and Katie von Schleicher, who have created a series of new songs inspired by jokes.

With text by Christopher Fraga, Cuauhtémoc Medina and Jill Magid, the Museo Universitario Arte Contemporáneo catalog documents American artist Jill Magid's project in conversation with the legacy of Mexican architect Luis Barragán at MUAC in Mexico City, featuring photographs, letters and transcribed correspondence which illustrate Magid's exchange with the Barragán Archives. With this project, the MUAC opens up a political and ethical debate on the current and future conditions of the transferal of cultural heritage from a model of the nation-state to one of corporate institutions.

What is Human? What is Divine? The Divine not only can do things that The Human cannot imagine, The Divine can imagine things that The Human cannot imagine. It is in this space that Irena Haiduk’s work lives its perpetually challenged life: where that which we cannot imagine gets imagined. This art is a magnet that extracts psychic metal.—From the introduction by Matthew Jesse Jackson

Design by Till Wiedeck and Polina Joffe of HelloMe.

What Is Different? Jahresring 64

Wolfgang Tillmans, Brigitte Oetker (eds.) / Sternberg 2018 / $34

228 p, ills color, pb, English

What Is Different? is the title of this year’s edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans. Since the early 2000s Tillmans has been working on truth study centre, a cycle of works concerned with absolute claims of truth in social and political contexts. Design by Wolfgang Tillmans.

Spaces of Commoning: Artistic Research and the Utopia of the Everyday

Academy of Fine Arts Vienna, vol. 18 / Sternberg 2016 / $30

276 p, ills color & bw, pb, English

The power of the commons, this book suggests, does not reside in the promise of a coming together free of friction. As different dimensions of power organize the terrain of the social, social movements are often caught between competing agendas, and in the gap between aims and everyday life. It is precisely the sites of these struggles that the book calls spaces of commoning. As such, this study is part of a much wider recognition of the necessity to rethink and undo the methodological premises of Western sciences, arts, and architecture, and to raise unsettling questions on research ethos, accountability, and the entanglement of power and knowledge. Design by Surface.

San Rocco 14 “66”

Matteo Ghidoni ed. / San Rocco 2018 / $22

256 p, ills bw, pb, English

San Rocco Spring 2018. 1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature and about to redefine its knowledge by starting from the city.

The environmental emergency is a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyperobjects”—entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. In this book, Morton explains what hyperobjects are and their impact on how we think, how we coexist with one another and with nonhumans, and how we experience our politics, ethics, and art.

Decolonizing Nature: Contemporary Art and the Politics of Ecology

T.J. Demos / Sternberg 2016 / $26

296 p, ills color & bw, pb, English

While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists’ widespread aesthetic and political engagement with environmental conditions and processes around the globe—and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North—Decolonizing Nature offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics. T.J. Demos considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed. Design by Miriam Rech, Berlin.

A Map to the Door of No Return is a timely book that explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. It is an insightful, sensitive and poetic book of discovery.

In Art on My Mind, bell hooks, a leading cultural critic, responds to the ongoing dialogues about producing, exhibiting, and criticizing art and aesthetics in an art world increasingly concerned with identity politics. Always concerned with the liberatory black struggle, hooks positions her writings on visual politics within the ever-present question of how art can be an empowering and revolutionary force within the black community.

In this extraordinary book Tim Ingold imagines a world in which everyone and everything consists of interwoven or interconnected lines and lays the foundations for a completely new discipline: the anthropological archaeology of the line.

The Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project, and elucidates her attempts to rehistoricize humanness as praxis.

Kazimir Malevich’s painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich’s contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Translated by Marian Schwartz.

The Contemporary Condition: Notes on the Type, Time, Letters & Spirits

Dexter Sinister / Sternberg Press 2017 / $12

64 p, ills bw, pb, English

Three interconnected palimpsest essays recount (1) the backstory of a “meta” font recently updated by Dexter Sinister and used to typeset the Contemporary Condition book series, (2) a broad history of the rationalisation of letterforms that considers the same typeface from “a higher point of disinterest,” and (3) a pending proposal for a sundial designed to operate in parallel physical and digital realms. Along the way they contemplate the ambiguous nature of our shared idea of *time* itself.

This book is Vol. 6 in The Contemporary Condition series, edited by Geoff Cox and Jacob Lund, co-published with Aarhus University and ARoS Art Museum. Designed by Dexter Sinister.

Anti-Book: On the Art and Politics of Radical Publishing

Nicholas Thoburn / Minnesota Press 2016 / $30

392 p, ills color & bw, pb, English

Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing. He takes a “post-digital” approach to a wide array of textual media forms, inviting us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce.

Concrete Chicago Map

Iker Gil (ed.) / Blue Crow Media 2018 / $10

Edited by Iker Gil, with photography by Jason Woods, the Concrete Chicago Map presents concrete and Brutalist architecture across Chicago and its suburbs.

Teaching For People Who Prefer Not To Teach is a manual that fits in your pocket. designed by M Huntley.

Can I Come Over to Your House?; The First Ten

Years of the Suburban: 1999-2009

Michelle Grabner and Brad Killam / Poor Farm Press 2009 / $40

1200 p, ills color, hb, English

This book documents in photographs the year-by-year exhibition history from 1999-2009 of the much-loved independent exhibition space, The Suburban, in Oak Park, Illinois on the outskirts of Chicago. With an essay by Michelle Grabner and Brad Killam, an essay by Michael Newman, and an introduction by Forrest Nash.

The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world’s rarest pigments. Visually and anthropologically excavating the extraordinary collection, Atelier Editions’ monograph examines the contained artefacts’ providence, composition, symbology and application. Whilst simultaneously exploring the larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director Dr. Narayan Khandekar.

This publication is dedicated to the first two decades of the Institute of Contemporary Arts (ICA) in London, presenting a thorough history of the organization’s roots in post-war Britain, its mission of providing a physical base for the avant-garde, and its laying the groundwork for a continuing contribution to the evolution of contemporary art. Anne Massey's account is comprehensive in its scope, emphasizing the ICA's being openly fluid and responsive to fluctuations in artistic culture with groundbreaking exhibitions and very personal approach. Besides a foreword by executive director Gregor Muir, the book includes numerous archival images and a detailed chronology. Design by Roger Willems.

Bengal Stream' is devoted to the architecture of Bangladesh, which has gone largely unnoticed on the architectural world map to date. Thanks to a vibrant architecture movement with excellent works, this situation may change very soon. With imaginative spatial approaches and innovative detailed solutions, Bangladesh's architects demonstrate that architecture is able to provide responses to major societal, economic and ecological issues.

This richly illustrated publication brings together over sixty projects by established as well as emerging architects. Iwan Baan has photographically documented their work, and essays by Niklaus Gaber, Kazi Khaleed Ashraf, Syed Manzoorul Islam and Saif Ul Haque offer a view into the world of contemporary architecture in the Bay of Bengal.

Anne Tyng (born 1920) explores the potentials of geometry through her architectural and teaching practices. Since the 1950s, when she worked closely with Louis Kahn and independently pioneered space-frame construction, Tyng has applied natural and numeric systems to built forms on all scales, from urban plans to domestic spaces. She believes that geometry is a metaphor for thought and the creative process--as a spatial demonstration of how the mind generates associations through the combination of pattern and chance. This volume documents a new project by the visionary architect and theorist. Commissioned by the Institute of Contemporary Art Philadelphia, Tyng has created an installation-scale model that realizes the ambition of all of her work: to inhabit geometry. Exploring her life-long fascination with the Platonic solids, the book also features related models and documentation of past projects, including Tyng and Kahn's never-built design for City Tower in Philadelphia (1952-1956). Text by Srdjan Jovanovic Weiss, Jenny Sabin, Alicia Imperiale. Contributions by Claudia Gould, Sarah Herda, William Whitaker, Ingrid Schaffner. Design by Project Projects.

Also in the issue: JACK SELF reviews the digital playlist and the world of nootropic smart drugs. ADAM NATHANIEL FURMAN reviews the role of class in building preservation, with a related photographic essay by THEO SIMPSON. Architect ASSAF KIMMEL reviews being just in time, while ELEANOR PENNY reviews the state of dictatorships today. Artists TAUBA AUERBACH and ÉLIANE RADIGUE review patience, and TIM IVISON reviews American communes.

This manual, which includes texts, interviews and artwork from five decades of practice, is intended as a tool for any artist or practitioner looking to find a meaningful relationship with contemporary society. It proclaims, and argues for, a culture that promotes the fluid, transient, relative and complex society from which it stems.

Speech/Acts

ICA Philadelphia & Futurepoem 2018 / $25

The Speech/Acts exhibition catalog features reprints of seminal texts from Fred Moten and Harryette Mullen, and newly commissioned poetry by Morgan Parker, Simone White, and an essay from the exhibition curator, Meg Onli.

The exhibition features the work of Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed, and Martine Syms. The artists in this exhibition use poetics as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated, and abstracted. Design by Dante Carlos, River Jukes-Hudson and Stephen Serrato (Studio ELLA).

365 Days of Invisible Work contains 365 images collected and compiled by the Domestic Worker Photographer Network. Members of this open network took photographs of themselves and others as gardeners, dishwashers, domestic workers, mothers, interns, artists, and as (illegal) migrants, generating a collective and political representation of domestic space. 365 Days of Invisible Work depicts a critical view of domestic work and work at home, as seen through the eyes of contemporary amateur photographers. 365 Days of Invisible Work is the third edition of the Werker Magazine series initiated by the founders of the Werker Collective, Marc Roig Blesa and Rogier Delfos. It was conceived as part of the Grand Domestic Revolution, a “living research” project by Casco – Office for Art, Design and Theory, Utrecht, that ran from 2009/10–12. The Werker Collective’s practice is inspired by the Worker Photography Movement of the 1920s and 1930s. Far from having a rhetorical approach, it looks into ways of reactivating the movement’s working methodologies, based on self-representation, self-publishing, image analysis, and collective learning processes.

The Artist as Curator: An Anthology

Elena Filipovic ed. / Mousse & Koenig Books 2017 / $29.95

416 p, ills color & bw, pb, English

This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

Babel’s Present

Kyle Dugdale / Standpunkte Dokumente 2016 / $12

72 p, bw, pb with photo postcard, English

The Tower of Babel is known for its absence. A landmark of architectural self-doubt, it has survived not as a physical object but through its representation in text and image. But over the last century, the Tower has rematerialized in an enigmatic array of projects that invite reassessment. From Robert Koldewey's excavations in Mesopotamia, to full-scale reassemblies in Berlin, surrogate reconstructions by Saddam Hussein, and mock ruins built in upstate New York for the US Department of Defense, Dugdale plots this story against the background of recent conflict in Iraq, presenting Babel as a vital challenge to the politics of architecture's material presence.

Crisis on Crisis

Andrew Leach / Standpunkte Dokumente 2017 / $12

64 p, bw, pb with photo postcard, English

Manfredo Tafuri's 1966 book l'architettura del Manerismo nel Cinquecento europeo is an early and oft-overlooked instance of his decades-long inquiry into the architectural history of early modern Italy. Read today, it comes across as both an imperfect attempt at a scientific treatment of his subject and an engaged plea for a new orientation in the historiography of architecture. Leach presents brief guide to this book, acknowledging its relationship with more widely read works on the problem of doing history in the architectural culture of the nineteen-sixties and making the case for its importance for contemporary reflections on the relationship between architecture's past and present.

Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts: documents and images from exhibitions, studio interludes, and short essays and interviews.

This issue of Footprint looks into the latest developments in queer theory and the related, emerging field of trans studies, and how they might inform and even reconceptualise architecture. Even though the introduction of queer theory into architecture dates back to the 1990s, there is still fairly little literature available specific to architecture. What could architecture do, if we would leave behind essentialist approaches? Would it be possible to ‘undo’ the body of architecture and architecture theory and to allow for new figurations of knowledge, to ‘queer’ our understanding of architecture as a field engaged in consistent transformation, the material interface of processes of becoming?

Proletarian Fortresses is an issue that proposes a resolutely political reading of self-built neighborhoods, appropriated architectures, refugee camps, and worker quarters. Constructed against the humanitarian and romanticizing orientalist narratives, it insists that these urban forms exist in the tension of what they are prevented to be by various embodiment of state violence and what they succeed in being thanks to their residents’ daily resistance.

This collection presents a dozen of Burle Marx’s lectures, most of which have never before been available in English. The lectures paint a picture of Burle Marx not just as a gardener, artist and botanist, but as a landscape architect whose ambition was to bring radical change to cities and society. The lectures are framed by photographs of Burle Marx’s projects realized all over Latin America – all taken by photographer Leonardo Finotti.

Sausage of the Future

Carolien Niebling / Lars Müller & ECAL 2017 / $30

156 p, ills color & bw, pb, English

Can we count on the sausage to provide a solution, in order to reduce the consumption of meat? And can the use of new ingredients increase the diversity of our diets? Can the sausage make a considerable contribution to a sustainable food culture? To answer these questions, a chef of molecular gastronomy, a master butcher and a designer have teamed up to look into sausage production techniques and potential new ingredients – like insects, nuts and legumes – to reinvent the sausage of the future.

Slavs and Tatars: Mouth to Mouth

Pablo Larios ed. / Koenig Books 2018 / $59.95

232 p, ills color & bw, hb, English

Mouth to Mouth is the first monograph of art collective Slavs and Tatars, designed by Heimann + Schwantes, and published in collaboration with the Ujazdowski Castle Centre for Contemporary Art.

Defining an area “east of the former Berlin Wall and west of the Great Wall of China” as their remit, Slavs and Tatars repeatedly creolize, craft and collide a political and imagined geography to topple our brittle notions of identity, language, and beliefs. Throughout their ten-year practice, the artists have turned to Turkic language politics, medieval advice literature, the relationship between Iran and Poland, and transliteration, to name but a few of their areas of research. A region sandwiched between empires (Russian, Byzantine, Persian, to name a few), ideologies (Communism and political Islam), not to mention the Abrahamic faiths, Eurasia becomes a foil to an understanding of ourselves as multiple subjectivities. The artists’ work — from sculptures to lecture performances, installations to publications — similarly overturn the traditional hierarchies of understanding, seeing, and listening. Slavs and Tatars are keen to free knowledge from the Enlightenment confines of the mind. Their “Kitab Kebab” series offers a digestive approach to reading as opposed to the strictly analytical. A sculpture often leads to a book to be read on a carpet that drops us off at the feet of an old man riding backwards on his donkey.

Leading artists, theorists, and writers exhume the dystopian and utopian futures contained within the present. Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice. In essays, poems, short stories, and plays, artists and theorists trace the negative collective that is the subject of contemporary life, in which art, the internet, and globalization have shed their utopian guises but persist as naked power, in the face of apocalyptic ecological disaster and against the claims of the social commons.

Texte zur Kunst 109: Art Without Rules?

Katharina Grosse & Yngve Holen eds. / Texte zur Kunst 2018 / $25

240 p, ills color & bw, pb, English & German

The March issue of Texte zur Kunst considers art’s relation to rules — or rather, the exceptions to them that art and its agents seem to claim. How can we speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies (class, gender, race, sexuality) continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulations? Therefore, in this issue we ask: by what rules does the art world play, and how are transgressions made visible/invisible therein?

Conceived as an exploratory collection of materials, the content of this book revolves around the relationship that artist Adelita Husni-Bey explored between legislation, notions of property, and agency vis-à-vis the right to housing in Egypt, the Netherlands, and Spain. Each chapter presents itself as a reflection of the themes: Land, Law, Imaginary, that range from art historical perspectives to narrative fiction, collages and field-work notes. As such the book’s structure speaks to the project’s unfolding in time and its presence in radically distinct contexts, while also chronicling the multi-disciplinary approach and the wide range of formats and methodologies the project has brought to great effect.

This book features projects, developed during the artist Allan Wexler’s forty-five-year career, which mediate the gap between fine and applied art using the mediums of architecture, sculpture, photography, painting, and drawing. Wexler's production can be broadly described as tactile poetry composed by re-framing the ordinary with the intention of sustaining a narrative about landscape, nature, and the built environment that highlights the intriguing and surprising characteristics latent in the elements and rituals that pervade daily life. His work demonstrates a commitment to re-evaluating basic assumptions about our relationship to the built and natural environments. Organized thematically across four categories―abstraction, landscape, private space, and public places―this publication is a richly illustrated cross section of Wexler’s multi-scale, multi-media work, featuring his own writings, narratives, and reflections.

Counter Signals 1: Militant Print / A Form Oriented Towards its Own Circulation

Making Room: Cultural Production in Occupied Spaces is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography, and interviews with artists, theorists and activists involved in struggles over urban space and creative production in the city. Focused primarily on the European context, its international relations and connection, this diverse collection of material is organized into sections by country so as to highlight the contrast between different voices and frames of reference. While many of these voices assert accounts of a cohesive, international squatter movement, or are committed to specific political projects, the anthology, when taken as a whole, tells a more complex story about constellations of movements and practices, intensely engaged with local conditions, that have developed — sometimes independently, sometimes in dialog with one another — as people have struggled to survive, express themselves, carve out zones of autonomy and resistance, and push back against the dominance of capitalism in the city.

Take Shape is a new publication charting the waters of architectural, legal, and political thinking. Its first issue takes up the topic of industrial reuse, with a focus on lofts. Lofts—residential spaces created from former commercial and manufacturing space—provide affordable housing and often serve as a respite from the profit-driven real estate market. Simultaneously, they can be co-opted by property developers and local officials to justify rising rents and increased policing in newly “safe,” “artistic,” and desirable neighborhoods. In this issue, we present all of these factors side by side, seeing them not as contradictions, but as essential components of how such spaces function.

Who gets to be where? The Arsenal of Exclusion & Inclusion examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which more people have access to more places. With contributions from over fifty architects, planners, geographers, historians, and journalists, The Arsenal offers a wide-ranging view of the forces that shape our cities.

The book highlights the architectural consequences of humanitarian actions on the basis of three case studies in Port-au-Prince, the West Bank, and Nairobi. Twelve projects are analyzed in terms of typology and construction. The authors investigate the far-reaching effects of such architectural aid and supply architects, town planners, and NGOs with useful advice for future planning and design.

Four Times Through the Labyrinth

Olaf Nicolai & Jan Wenzel / Rollo Press & Spector Books 2012 / $19

320 p, ills color & bw, pb, English

This book enlarges the traditional catalog of labyrinths "so much and so well, being itself labyrinthine,” remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai’s work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.

In the Wake: On Blackness and Being

Christina Sharpe / Duke University Press 2016 / $22.95

192 p, ills color & bw, English

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

Keep Walking Intently: The Ambulatory Art of the Surrealists, the Situationist International, and Fluxus

Keep Walking Intently by Lori Waxman reveals the radical potential that walking holds for us all by tracing the meandering and peculiar footsteps of avant-garde artists as they moved through the city, encountering the marvelous, studying the environment, and re-enchanting the banal.

Please join us for a series of ambulatory performances at 6pm on March 19 for a Book Launch of Waxman's new Graham-funded book just out from Sternberg Press, Berlin and designed by Zak Group Office.

New Geographies 09 investigates the urban landscapes shaping the posthuman geographies of the early 21st century, fostering a wide-ranging debate about both the potentialities and challenges for design to engage with the complex spatialities, more-than-human ecologies, and diverse forms and habits of life of a post-anthropocentric world.

Product design criticism operates at the very brink of the landfill site, salvaging some products with praise but consigning others to its depths through condemnation or indifference. When a designed product's usefulness is past, the public happily discards it to make room for the next new thing. Criticism rarely deals with how a product might be used, or not used, over time; it is more likely to play the enabler, encouraging our addiction to consumption. With Sifting the Trash, Alice Twemlow offers an especially timely reexamination of the history of product design criticism through the metaphors and actualities of the product as imminent junk and the consumer as junkie.

In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. By focusing on design methods, and by examining evidence at a range of scales—from institutions to individual buildings—Automatic Architecture offers an alternative to narratives of this period that have presented postmodernism as a question of style, as the methods and techniques traced here have been more deeply consequential than the many stylistic shifts of the past half century.

Building Access investigates twentieth-century strategies for designing the world with disability in mind. Illustrated with a wealth of rare archival materials, this book brings together scientific, social, and political histories in what is not only the pioneering critical account of Universal Design but also a deep engagement with the politics of knowing, making, and belonging in twentieth-century United States.

Is all knowledge the product of thought? Or can the physical interactions of the body with the world produce reliable knowledge? In late-nineteenth-century Europe, scientists, artists, and other intellectuals theorized the latter as a new way of knowing, which Zeynep Çelik Alexander here dubs “kinaesthetic knowing.” In this book, Alexander offers the first major intellectual history of kinaesthetic knowing and its influence on the formation of modern art and architecture and especially modern design education.

2/22/18

New releases in stock:

Biography Of A Publishing House: Gaberbocchus Press 1948-2013

Walter van de Star / Huis Clos 2017 / $45.50

160 p, ills color & bw, pb, Dutch/English

In 1948 Stefan and Franciszka Themerson founded the Gaberbocchus Press in London. Over a period of three decades this publishing house went on to produce over 60 titles, and although the couple’s work clearly has roots in the international avant-garde of the interbellum, they maintained a high level of independence in all of their activities. Their publications are characterized by improvised techniques and materials, as well as by experiments with word and image. Eccentric, original, and expressive of the identity of its contents, each book contains a distinct combination of text, image, design, materials. This volume pays tribute to the rare phenomenon that was Gaberbocchus.

Design Thinking in a Digital Age

Peter G. Rowe / Sternberg Press & Harvard GSD 2017 / $14

128 p, bw, pb, English

In 1987, Peter G. Rowe published his pioneering book Design Thinking. In it, he interrogated conceptual approaches to design in terms of both process and form. Thirty years later, in a lecture at the Harvard University Graduate School of Design, Rowe offered a reappraisal of his earlier work, describing ways in which the capacities of the digital age have changed the way we perceive and understand creative problem solving in architectural design. In this new account of design thinking based on that memorable talk, Rowe charges that ideas about the “precision” and “incompleteness” of information have become exaggerated and made more manifest. He dives into the crucial role of schema theory and the heuristics that flow from it, but concedes that the “ineffable characteristics of design problems and of design thinking also appear to have remained.”

Design Thinking in a Digital Age is the fifth title in the book series The Incidents, based on uncommon events at the Harvard University Graduate School of Design from 1936 to tomorrow.

Draw It with Your Eyes Closed: the Art of the Art Assignment

Paper Monument & n+1 2012 / $16

128 p, ills bw, pb, English

This book examines the complex and often unruly state of art education by focusing on its signature pedagogical form, the assignment. Bringing together hundreds of assignments, anti-assignments, and artworks from both teachers and students from a broad range of institutions including: John Baldessari, William Pope.L, Mira Schor, Rochelle Feinstein, Bob Nickas, Chris Kraus, Liam Gillick, Amy Sillman, James Benning, and Michelle Grabner; Paper Monument hopes it simultaneously serves as an archive and an instigation, a teaching tool and a question mark, a critique and a tribute.

French-born artist Guy de Cointet is known for his text and sculptural works, which were often combined as props and stage sets in theatrical performance pieces. This compendium of his plays builds on publications from the last ten years, the result of collaborations between critics, researchers, and the Guy de Cointet Society. The position of his oeuvre today is vastly different in comparison to a decade ago, having emerged from obscurity, while a careful reading of the notebooks he kept throughout the 1970s until his death in 1983 has spurred new insights. Included is a wealth of archival material, such as photos of performances and rehearsals, invitation cards and press articles.

I Like Your Work: Art and Etiquette

Paper Monument & n+1 2009 / $10

568 p, ills bw, pb, English

Paper Monument’s first book, I Like Your Work: Art and Etiquette, features contributions from 38 artists, critics, curators, and dealers on the sometimes serious and sometimes ridiculous topic of manners in the art world. The book asks: what is the place of etiquette in art? How do social mores establish our communities, mediate our critical discussions, and frame our experience of art? If we were to transcribe these unspoken laws, what would they look like? What happens when the rules are broken?

Graphic designer Ernst Keller taught at the School of Arts and Crafts in Zürich from 1918 to 1956. Frequently referred to as the “Father of the Swiss Style”, his many students established this particular current in graphic design and went on to make it world famous. His graduates also included protagonists of the New Graphic Design movement. This book presents Keller’s biography and extensive collection of work, including previously unknown projects. His fundamental contribution to the development of innovative, non-academic didactic principles in design education are also described. Keller’s teaching is considered one of the world’s first systematic programmes for graphic design.

This book explores four decades of Robert Irwin’s outdoor environment projects through his drawings and architectural models. Over the course of a storied career, Robert Irwin has come to regard art as site determined, or something that works in and responds to its surroundings. This book opens with his projects on college campuses between 1975 and 1982. These are followed by Irwin’s major, yet never realized, commission for the Miami International Airport, where he proposed to transform the structure, parking lots, and roadways into a sequence of aesthetic and practical spaces that engaged directly with the South Florida environment. It then turns to one of Irwin’s most celebrated works, the Central Garden at the J. Paul Getty Museum in Los Angeles. Finally, the book takes readers to the Chinati Foundation in Marfa, Texas, and one of Irwin’s most ambitious works to date—a monumental artwork that brilliantly connects viewers to the land and sky.

The Serving Library Annual comprises a number of individual “Bulletins” organized around a theme for an international audience of designers, artists, writers, and researchers. Newly published by ROMA Publications in a yearly format, this inaugural issue is realized in collaboration with Public Fiction, a journal and exhibition-maker based in Los Angeles. It deals with acts of civil disobedience and other forms of resistance, particularly in view of the relationship between entertainment and power. Contributors include Hilton Als, Tauba Auerbach, Anne Carson, Mark Leckey, Adrian Piper, Frances Stark, and Martine Syms.

Social Medium: Artists Writing 2000-2015

Jennifer Liese ed. / Paper Monument & n+1 2016 / $28

544 p, bw, pb, English

Social Medium: Artists Writing, 2000–2015 is the first major anthology of 21st-century artist writing, including seventy-five groundbreaking texts by artist-writers from around the world. The works gathered here—essays, criticism, manifestos, fiction, diaries, scripts, blog posts, even tweets—chart a complex era in the art world and the world at large, weighing in on the exigencies of our times in unexpected and inventive ways. Editor Jennifer Liese (director of the Writing Center at Rhode Island School of Design, former managing editor of Artforum) provides an introduction and a clear structure for understanding the contributions of key figures such as Jimmie Durham, Hito Steyerl, Mike Kelley, Adam Pendleton, Ai Weiwei, Raqs Media Collective, Frances Stark, and Tania Bruguera.

And back in stock:

Against the Anthropocene: Visual Culture and Environment Today

T.J. Demos / Sternberg 2017 / $26

96 p, color & bw, pb, English

Against the Anthropocene scrutinizes the proposal that we are in a human-driven epoch regarding climate change. In this slender but dense volume, cultural theorist T.J. Demos analyzes the biases within contemporary visual culture—popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects—demonstrating that it does not merely describe a geologic period, but actively supports the neoliberal financialization of nature, anthropocentric political economy, and endorsement of geo-engineering as a preferred method of approaching climate change. To develop creative alternatives, Demos argues we need to carefully consider the underlying motives the Anthropocene thesis.

Words, Books, and the Spaces They Inhabit

Mari Shaw / Sternberg Press 2017 / $22

100 p, ills color & bw. pb, English

Words, Books, and the Spaces They Inhabit is the first of Mari Shaw’s series The Noble Art of Collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it. What was lost when the scrolls in the ancient library of Alexandria were destroyed? How did Catherine the Great’s collecting change the way we think? How do Jeff Bezos and Amazon.com expand our appreciation of books as objects? Though the ways we communicate live and vary, history has been created, recorded, and preserved in writing. Words and the spaces that contain them are crucial to an empathetic understanding of our world.

2/17/18:

New releases in stock:

THIRD Magazine, Issue 1

Allison Littrell ed. / THIRD 2018 / $20

142 p, ills color & bw with inserts, English

THIRD aims to denaturalize the rote narratives through which our society views art made by Others. For Issue #1, we found artists who tell stories from the perspective of those who were not on the winning side of history, but whose art flourished despite attempts to silence it. Issue #1 features: Martine Syms, Kandis Williams, Ruben Rodriguez, Marcel Alcalá, Peter Shire, Sara Grace Powell, Brandon Landers, Molly Matalon, Douglas Kearney, Adjustments Agency and more.

Each copy of THIRD Issue #1 includes two limited edition inserts: a #BrownUpYourFeed activity pamphlet by Mandy Harris Williams and an 11x17" art print by Marco Kane Braunschweiler.

Vestoj 8: On Authenticity

Anja Aronowsky Cronberg ed. / Vestoj 2017 / $36

240 p, ills color & bw, English

In consumer capitalism authenticity has taken on a supreme importance: in fashion it’s the holy grail. Terms like ‘artisanal,’ ‘heritage,’ ‘craftsmanship’ and ‘storytelling’ have become buzzwords, and conglomerates are fond of referring to their offices as ‘campus’ and co-workers as ‘family.’ But what are we getting at when associating these terms with fashion?

Issue 8 looks at our relationship to dress and appearance to reflect on questions like, Is there such a thing as a ‘real me’ or a ‘genuine self’? How does one live an authentic life? And is it possible to do so in fashion, an environment so characterized by the mood of the moment, so dependent on chameleon-like behavior. Are fashion and authenticity really antithetical, and if so, what can be learnt from looking at the relationship between the two?

Signals from the Periphery brings together urgent developments in graphic design with a focus on works that surpass traditional forms and media of graphic design. All contributions in the book are authored by graphic designers or people whose practice is in one way or another linked to the discipline. Some of the topics covered in the book include education, self-organization, work, technology, storytelling and much more.

Back in stock:

In Defense of Housing

David Madden & Peter Marcuse / Verso Books 2016 / $26.95

240 p, bw, pb, English

In every major city in the world there is a housing crisis. How did this happen and what can we do about it? In Defense of Housing is the definitive statement on this crisis from leading urban planner Peter Marcuse and sociologist David Madden. They look at the causes and consequences of the housing problem and detail the need for progressive alternatives. The housing crisis cannot be solved by minor policy shifts, they argue. Rather, the housing crisis has deep political and economic roots—and therefore requires a radical response.

2/8/2018:

New releases in stock:

Atlas of Forms

Eric Tabuchi / Poursuite Editions 2017 / $52

256 p, ills color & bw, pb, English

Atlas of Forms is a large book of images that documents every kind of shape found in architecture of all types. Within its 256 pages, are nearly 1500 photographs patiently collected from the Internet and classified according to the rudimentary criteria of geometry (circle, square, triangle, polygon) and their current state (construction site, completed, abandoned or in ruins). These categories mix and mingle without interruption.

Opening with a series of spherical structures, like small worlds under construction, and concluding with an image of an overturned bunker, this book proposes a long meandering, a sort of hypnotic chant with its recurrences and variants, its repetitions and ruptures, its harmonies and dissonances. More than a volume on architecture or photography, Atlas of Forms is primarily an elegy to diversity, every forms of diversity.

CURA. 26

Ilaria Marotta and Andrea Baccin eds. / CURA 2017 / $12

240 p, ills color & bw, pb, English

In the issue a common thread connects the different sections as a sort of fil rouge: the “machine” is interpreted either as a possibility or as a threat, as a mechanism that makes up our present, as a device for reading the past or as a perspective for a future to come. Artists explore this theme in a multitude of ways, combining it with their own vision of human identity, natural environment and social relations.

HOW TO ACT? is a dynamic extension of the A.C.T. Democ[k]racy project. It post-produces the exhibitions, conferences and residences fostering exchange of thought, inventing and representing the democratic changes of Europe in a nearby future through pan-European creative exchange. Living documentation consisting of photographs, critical and poetic texts, political cartoons and more, open up the project’s outcomes for artistic and civil acts to catalyzing inventive and collaborative democratic building, together with united art actors who are pushing for European action on the fringes of the art world in order to drum up a heartbeat of lively European cultural exchange.

Issue #44 of mono.kultur "THE EDGE OF TOMORORW" might just be our most adventurous yet: traveling from the deserts of New Mexico to the exclusion zone in Fukushima, from satellite orbits in space to the inner realms of Artificial Intelligence, our conversation with American artist Trevor Paglen is as expansive as his work is ambitious.

Entitled Pasolini’s Bodies and Places and translated by Ann Goldstein and Jobst Grapow, this new quasi-facsimiled edition in English is a first step towards an exploration of the original. Mancini and Perrella introduce their compilation of quoted images with a compilation of texts by Pasolini where he describes his own research of bodies and places for his films. These text were unpublished prior to Corpi e Luoghi. With Stephen Sartarelli’s translations in the present edition they now are fully available in English.

The book contains also the original text in Italian / contiene testo italiano.

Vivienne Westwood, Andreas Kronthaler, Juergen Teller

InOtherWords 2017 / $36

256 p, ills color, pb, English

The book Vivienne Westwood, Andreas Kronthaler, Juergen Teller celebrates and documents one of fashion’s most iconic collaborations, spanning a period of more than twenty years. Featuring pivotal campaigns, portraits, political satire, editorials and art projects created between 1993 and 2017, the book has been produced in close collaboration with Juergen Teller, with many of the images published for the first time. The book avoids chronology, instead focusing on the power of the double page spread, highlighting the contrasts in this rich and eclectic body of work. The result is 256 pages of confrontational image combinations, arranged into a spontaneous flow.

WHO TOLD YOU SO?! - THE COLLECTIVE STORY VS. THE INDIVIDUAL NARRATIVE

Freek Lomme ed. / Onomatopee 2012 / $43

332 p, ills color & bw, pb (with inserts and extras), English

40 artists, 10 writers, 4 poets and some others. Only accountable to ourselves, Who told you so?! - The collective story vs. the individual narrative - challenges states of social ambivalence within various levels of cohesion: government, organization, scene and family. Trying to find new challenges and widening perspectives, often double-tongued as well as hiding a secret agenda, this project looks for deeper relations. Forty artists, ten writers and four poets use their astute authors’ skills to offer a thought-provoking ambiguity. This bundle will offer conformists an insight into the restrictions of freedom they are responsible for, will inspire freethinkers who feel they lack something and try to find a position, and it will provide recognition to those who feel oppressed.

Clothing Politics #2 is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn. Ryme Seferdjeli (“The Veil in Colonial Algeria”), Wendy Matsumura (“A (Hi)story of Okinawan Clothes”), Alex Shams (“Afghan Miniskirts and the ‘War on Terror’”), and Venida Devenida (“Politics of the Bra”) link histories of settler colonialism, imperialism, and misogyny with their operative inertia in contemporary realities; Eric Darnell Pritchard (“Overalls”) and Mukhtara Yusuf (“Clothing as Healing”) engage with different aspects of clothing in relation to Blackness; Hoda Katebi discusses her work on the various imperialist and capitalist politics deployed against the hijab; and Lucia Cuba (“Articulo 6”) introduces the sartorial embodiment she created to address the memory of the Peruvian Government’s violent campaign of forced sterilization of indigenous women in the early 2000s. Finally, the three student projects created respectively by Joy Marie Douglas (“Rebranded”), Moira Schneider (“Worn”), Julia Lao, Claudia Poh, and Estee Bruno (“Unparalleled”) propose a more operative embodiment of the politics of social stigmatization, the norm, and ableism. As always, the issue also features guest columns addressing world political struggles against state violence and colonialism in Chiapas (Ruperta Bautista Vázquez), Tahiti-Nui (J. Vehia Wheeler), and West Africa (Bruno Boudiguet).

This publication documents 2017’s Serpentine Pavilion by Berlin-based architect Francis Kéré (born 1965). Inspired by the tree that serves as a central meeting point in his home town of Gando, Burkina Faso, Kéré designed a responsive Pavilion that connects visitors to nature. With text by David Adjaye, Jeanne Gang, Lesley Lokko, Francis Kéré, Kerry James Marshall, Mohsen Mostafavi, Hans Ulrich Obrist, Yana Peel.

Made Up: Design's Fictions

Tim Durfee, Mimi Zeiger / Actar D 2018 / $16

108 p, ills bw, pb, English

Through essays, interviews, and narratives by Bruce Sterling, Fiona Raby, Sam Jacob and other significant voices in the field, this volume questions the initial discourses around "design fiction"--a broad category of critical design that includes overlapping interests in science fiction, world building, speculation, and futuring. Made Up: Design's Fictions advances contemporary analysis and enactment of narrative and speculation as an important part of practice today.

French photographer Maxime Ballesteros captures candid moments in a world where sexual freedom and exploration is celebrated and commonplace. Many of his analog images provide glimpses of only a fraction of a scene—a pair of legs in suspenders, or the intimate proximity of bodies in a bath—nonchalantly shot from the hip, as he follows his protagonists to wild parties, into private apartments, to the early morning beach. Little wonder that fashion and lifestyle magazines such as Purple, Numéro, Vice and 032c scramble to recruit the photographer. His debut book, Maxime Ballesteros: Les Absents, gives readers a unique view of the gritty, flawed, raw and sexualized world that exists around us.

Between 1910 and 1965, influenced by Dada, Constructivism and De Stijl, the German-American modernist polymath Mies van der Rohe (1886–1969) created numerous montages and collages that endure as fascinating illustrations of the design principles of his architecture. However, these works—most of them large-format—are much more than sketches merely intended to assist his creative process as an architect. They are works of art in their own right that demonstrate van der Rohe’s compositional vision in its purest form. Abrupt changes of viewpoint, freedom from perspective, place and time, montages of found elements and a focus on mixed media places him in the same context as his contemporaries Kurt Schwitters, Theo van Doesburg, Hans Richter and László Moholy-Nagy. This volume celebrates his lesser-known accomplishments in this medium.Text by Barry Bergdoll, Lena Büchel, Dietrich Neumann, Holger Otten, Lutz Robbers, Martino Stierli, Adrian Sudhalter.

Size Matters! (De)Growth of the 21st Century Art Museum

Beatrix Ruf, John Slyce, eds. / Koenig Books 2018 / $17.50

224 p, ills color & bw, pb, English

The annual Verbier Art Summit provides an alternative approach to fostering and shaping a global dialogue on the visual arts. Verbier | Art Untold organizes the summit in partnership with a yearly rotating art institution. This book is the outcome of the 2017 edition of the summit, organized in cooperation with museum director Beautrix Ruf and her curatorial team at the Stedelijk Museum Amsterdam. Ruf chose the theme of the 2017 iteration, based on her personal experiences of institutions and their increase in scale, but also about issues that every museum is faced with, struggles with, reflects on how to address and considers in a self-critical way. Other contributors to the volume include Dave Beech, Daniel Birnbaum, Benjamin Bratton, Mark Fisher, Cissie Fu, Rem Koolhaas, Christopher Kulendran Thomas, Tobias Madison, Prince Constantijn of the Netherlands, Tino Sehgal, Nicholas Serota, Anneliek Sijbrandij and John Slyce.

“Imagine an eye unruled by man-made laws of perspective … an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of ‘Green?’” So begins Stan Brakhage’s (1933–2003) classic Metaphors on Vision. Originally published in 1963 by Jonas Mekas as a special issue of Film Culture, and designed by George Maciunas, it stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. Long out of print, the volume is now available in this definitive edition from Anthology Film Archives and Light Industry, featuring Brakhage’s complete text in its distinctive original layout, as well as annotations by scholar P. Adams Sitney.

Where to Score

Jordan Stein, Jason Fulford, eds. / J&L Books & Kadist 2018 / $6.99

56 p, ills bw, pb, English

San Francisco Oraclewas a countercultural newspaper published in the city’s bustling Haight Ashbury neighborhood from September 1966 to February 1968, bookending the iconic “Summer of Love.” In 12 issues combining poetry, spirituality and speculation with revolutionary rainbow inking effects, the Oraclereached well beyond the Bay Area and spoke to a radical new American ethos.

Where to Score presents not the candy-colored prophecies of various gurus, but a quieter, more revealing corner of the paper—its classified section. There, surrounded by advertisements for drummers, carpenters and head shops, are the desperate pleas of parents seeking wayward children. “Will you trust me enough to call collect and let me know you’re alright?” Elsewhere, beat poet Michael McClure needs a harp and the Sexual Freedom League is hungry for recruits. The diminutive entries speak volumes to the times, showcasing an honest, immediate and lesser-known chapter in the era’s history.

Workac: We'll Get There When We Cross That Bridge

Amale Andraos & Dan Wood / Monacelli Press 2017 / $50

360 p, ills color & bw, pb, English

This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today.

WORKac: We'll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm's career over the course of three Five-Year Plans ( Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice.

For more than 20 years, German photographer and filmmaker Armin Linke (born 1966) has been photographing the effects of globalization, the wholesale transformation of infrastructure and the networking of the post-industrial society via digital information and communication technologies. For The Appearance of That Which Cannot Be Seen, Linke invited scientists, philosophers and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke’s photos to a variety of different readings.

A wide-ranging and challenging exploration of design and how it engages with the self, Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, probing the idea that we are and always have been continuously reshaped by the artifacts we shape.

The Noise Of Being

Sonic Acts Press 2017 / $26

212 p, ills color & bw, pb, English

What does it mean to be human, to be part of a world that is an ever-changing network? Published on the occasion of the 2017 Sonic Acts Festival, this book endeavours to piece together the dissonance produced by the participants and spectators of the festival, whether at the conference or in the museums, clubs, and cinemas. This is the noise of technology, capitalism, hackers, bots, communication breakdowns, humanity, clouds, and so much more. With essays by Nina Power, Louis Henderson, Daniel Rourke, and Rick Dolphijn, interviews with Ytasha Womack, Jennifer Gabrys, Eyal Weizman, and Metahaven, plus contributions by Joey Holder, Ingrid Burrington, and more.

Jenny Holzer. Belligerent

Joshua Craze / Ivorypress 2017 / $71.50

7 posters, ills bw, box, English

‘Belligerent’ comprises an unpublished work by American neo-conceptual artist Jenny Holzer, commissioned by Ivorypress as the latest instalment in an ongoing series. While the book shares the same format as the others in the collection, a closer look reveals that this is not a traditional book, but a box with a magnetic closure. The box opens to reveal seven original works by Holzer that unfold into 60 x 79 cm posters, which can be kept in the box or framed and displayed. Her working material derives from redacted reports of the abuse of detainees in American military prisons. Holzer’s precise, cutting divulgences dare the reader to look. With an introduction by Joshua Craze.

This volume is published in conjunction with an exhibition presenting the radical architects and architect groups who emerged in Florence in the late 1960s. It was a period characterised by crisis in the city, which extended to the wider political and social tension occurring throughout Italy. The related writings, drawings, and projects produced by these seven actors – Archizoom, Remo Buti, 9999, Gianni Pettena, Superstudio, UFO, and Zziggurat – have influenced generations of architects, historians, designers, and artists around the world. For the first time, all of their theoretical and visual work has been compiled in a single publication, giving renewed insight into their movement.

Richard Hollis: About Graphic Design (Reprint)

Richard Hollis / Occasional Papers 2012 / $25

296 p, ills bw, pb, English

Featuring a comprehensive selection of writings by renowned graphic designer, graphic design theorist and historian Richard Hollis, this densely illustrated book includes a wide array of interviews, essays, letters, articles and lectures. It covers virtually everything regarding the field and history of graphic design, from Soviet revolutionary posters and designers in Nazi Germany to Penguin book covers, New 'New' Typography, Max Bill and Nicolete Gray. Various texts on Robin Fior, Theo Ballmer, Uwe Loesch and Pierre Faucheux, among many others, add depth to this very thoroughly researched story of graphic design.

Volume 51: Augmented Technology

Arjen Oosterman ed. / Archis 2017 / $27

72 p, ills color & bw, pb, English

As recent technological advancement became more and more pervasive and sophisticated, its consequences became more dramatically evident. In this context, design takes on a new relevance, in organizing and managing spaces, individuals, relations and ultimately societies. But if this is clear, several questions have to be answered: Who is driving it, who are the participants, who are sitting around the table? Does spatial design currently have a say in this, and if not, how can it participate and intervene? Issue 51 comes in a new design by Irma Boom Office.

Monu 27: Small Urbanism

Board Publishers 2017 / $24

128 p, ills color & bw, pb, English

When it comes to urbanism, small things matter, and the various contributors to this issue illuminate this idea further in various ways. Liz Teston, for instance, captures the theme when she writes about the transient micro-urbanisms of protest architecture. Levi Bryant claims how we design things can make a real difference in our lives, both socially and physically. Our cities’ less visible infrastructure is exposed by Julian Oliver, reminding us of our dependence on a deeper physical reality, while Marco Casagrande shows how small-scale interventions can also serve as a design methodology, creating ripple effects and a transformation of the larger urban organism.

And back in stock:

The Form Of The Book Book *staff pick*

Sara De Bondt, Fraser Muggeridge ed. / Occasional Papers 2009 / $19

96 p, ills color & bw, pb, English

A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.

Caspar

Sebastian Cremers / Everyedition 2017 / $29

28 p, ills color, hb, English

Graphic designer Sebastian Cremers produces posters, books, and other illustrative or typographic work as part of Prill Vieceli Cremers, a three-person design studio established in 2001 and based in Zurich. In ‘Caspar’ he delivers a visual story about a true friendship. With a stripped-down style that employs only thick, colourful lines in red, blue, and green (and occasionally black) to animate the simple narrative, his forms nevertheless lend themselves to universal recognition. Whether describing gestures, emotions, sounds, energies, or physical things, the bold lines dance from one page to the next, weaving through and visualising the action of story from beginning to end.

Graham Foundation Awards over $530,000 in Grants to Individuals in 2018

Apr 04, 2018

The Graham Foundation is pleased to announce the award of $534,850 for new grants to individuals around the world to support 74 projects engaging original ideas that advance our understanding of the designed environment. The funded projects include exhibitions, publications, films, new media works, and site-specific installations that promote rigorous scholarship, stimulate experimentation, and foster critical discourse in architecture.

The funded projects were selected from over 600 proposals and represent a diverse group of individuals and collectives, totaling 74 projects undertaken by 111 collaborators. The projects are helmed by architects, artists, choreographers, historians, and filmmakers, who hail from around the world, representing cities such as Milan, Italy; Phnom Penh, Cambodia; Tallinn, Estonia; Kampala, Uganda; and Chicago, IL, where the Graham Foundation is based. The new grantees join a worldwide network of individuals and institutions that the Graham Foundation has supported through the award of more than 4,400 grants over the past 62 years in its role as one of the most significant funders in the field of architecture.

To learn more about the 2018 Grants to Individuals, click on any grantee name below to visit their online project page, or go here. You can also read about the announcement in an exclusive article published in the Architect's Newspaper.

Join us in congratulating our new grantees on social media: Instagram, Twitter, and Facebook, and use the hashtags #GrahamFoundation, #GrahamFunded, and #GrahamGrantee to share the news.

The Graham Foundation is pleased to announce its inaugural Fellows as part of the organization’s new Graham Foundation Fellowship program: Brendan Fernandes, Torkwase Dyson, Martine Syms, Mark Wasiuta, and David Hartt. Integrating the Foundation’s grantmaking and exhibition programs, the new Fellowship provides monetary support for the development and production of new and challenging works and the opportunity to present these projects in an exhibition at the Foundation’s Madlener House galleries in Chicago. Artist David Hartt piloted the new program with his new body of work in the forest, which premiered at the Graham in the fall of 2017.

The Fellowship program extends the legacy of the Foundation’s first awards, made in 1957 and 1958. These initial fellowships provided a diverse group of practitioners a platform to pursue experimental ideas in the field, and they included alumni such as Pritzker Prize winning architects Balkrishna V. Doshi and Fumihiko Maki, designer Harry Bertoia, photographer Harry M. Callahan, sculptor Eduardo Chillida, experimental architect Frederick J. Kiesler, and painter Wilfredo Lam, among others. The 2018 Fellows will continue this tradition of exploring new perspectives on spatial practices and design culture.

“As with the very first Fellows of the Graham, this new Fellowship program provides crucial direct support to individuals to make new work possible,” said Graham Foundation Director Sarah Herda, “and creates an opportunity to share this work with new publics through our exhibition program at the Madlener House in Chicago.”

The Graham Foundation is now accepting applications for the 2018 Grants to Organizations. Since 1956, the Graham Foundation has fostered the development and exchange of diverse and challenging ideas about architecture and its role in the arts, culture, and society.

The application for the organizational grant cycle is available online. Organizations with eligible projects are invited to apply for a Production and Presentation Grant for projects that begin after September 15, 2018.

For more information about our grant programs, to learn if a project is eligible for funding, and to access the application, please see our grant guidelines.

In 2017, the Graham Foundation awarded more than $413,000 for 42 projects by organizations from around the world. These grants provided direct support for the development and presentation of publications, exhibitions, films, and other public programs. You can browse these and other recently funded projects here.

Each year the vision of the Graham Foundation to advance new ideas across the field of architecture is realized through our international grantmaking program and the public programs we produce at the Madlener House in Chicago.

In 2017 the Graham Foundation commissioned two original exhibitions at the Madlener House, produced a wide range of public programs, and the award of over $1M in new grants to individuals and organizations around the world.

Also, this year 96 diverse and boundary pushing projects funded by the Graham Foundation were realized in the form of exhibitions, publications, films, performances, research, and site-specific installations.

We are honored to share the compiled list of grantee work that came to fruition in 2017—please read on for select highlights and links to the full list of grantee projects.

Film and new media highlights include:Housing Works History, a website produced by Gavin Browning, Glen Cummings, and Laura Hanna, which surveys twenty-five years of services built by Housing Works for homeless individuals and families living with HIV/AIDS in New York City; and Through the Repellent Fence: A Land Art Film, directed by Samuel Wainwright Douglas, which follows art collective Postcommodity as they construct Repellent Fence, a two-mile long outdoor artwork that straddled the US-Mexico border.

Many grantees also participated in this year’s exhibitions and events at the Graham Foundation. Installed in its historic Madlener House, the Foundation commissioned Spaces without drama or surface is an illusion, but so is depth, an exhibition that examined the recent proliferation of collage in architectural representation in relationship to scenography and theatrical set design curated by Wonne Ickx and Ruth Estévez: LIGA-Space for Architecture (Feb 16–Jul 1, 2017). In the fall, the Foundation also presented in the forest(September 14, 2017–January 6, 2018), a new commission by artist David Hartt, investigating the relationship between ideology, architecture, and the environment by revisiting architect Moshe Safdie’s unfinished 1968 Habitat Puerto Rico project. We also presented 26 public programs including talks, performances, and other events. Additionally, the Foundation curated a satellite Graham Foundation Bookshop at the second Chicago Architecture Biennial, a project that the Foundation incubated and launched in partnership with Chicago’s Department of Cultural Affairs and Special Events in 2015.

We will be closed Thursday, November 23 through Saturday, November 25. We will resume normal gallery hours of Wednesday–Saturday, 11–6 p.m. on November 29. We apologize for any inconvenience.

Announcing the 2017 Carter Manny Award Winners

Nov 08, 2017

The Graham Foundation is pleased to announce the winners of the 2017 Carter Manny Award. Since the establishment of this award in 1996, the Graham Foundation has awarded over $775,000 in recognition of promising doctoral students whose dissertation projects represent original and advanced scholarship in architecture and have the exciting potential to move the field in new directions. Two Carter Manny Awards are given each year, one for dissertation research and one for writing.

The winner of the 2017 Carter Manny Award for writing and a $20,000 award is James Graham, a PhD candidate at Columbia University's Graduate School of Architecture, Planning and Preservation. Graham's dissertation, The Psychotechnical Architect: Perception, Vocation, and the Laboratory Cultures of Modernism, 1914–1945, explores the rise of applied psychology, and particularly psychotechnics, and the way these sciences influence architectural pedagogy and practice between (and during) the world wars of the twentieth century.

The winner of the 2017 Carter Manny Award for research and a $15,000 award is Razieh Ghorbani, a PhD candidate in the Department of Architecture at the University of California, Berkeley. Her dissertation, The Space of Sanctions: Architecture and Construction in Contemporary Iran, explores how the culture of sanctions transforms architectural practices in Iran, and leads to new ways of imagining the city and the built environment.

Additionally, three students have been awarded Citations of Special Recognition for their dissertation projects. The list of citation winners follows below.

The award and citation winners were selected by an external panel after a competitive review of forty-four applications from doctoral students throughout the US and Canada who were nominated by their departments to apply for the award.

This year’s review panelists were Craig Buckley (Assistant Professor, Department of the History of Art, Yale University); Meredith TenHoor (Associate Professor, School of Architecture, Pratt Institute); Irene Sunwoo (Director of Exhibitions, Graduate School of Architecture, Planning and Preservation, Columbia University); and Nader Vossoughian (Associate Professor, Department of Architecture, New York Institute of Technology).

The Graham Foundation offers this annual award in honor of the memory of Carter H. Manny (1918–2017) and his long and distinguished service to the Foundation since its inception in 1956, first as a Trustee, then as the Foundation's third Director from 1971–93, and as director emeritus in his retirement.

Applications for the 2018 Carter Manny Award are due November 15, 2017. To learn more, see the award guidelines here.

2017 CITATIONS OF SPECIAL RECOGNITION

WRITING

Kera LovellPurdue University, School of Interdisciplinary Studies, American Studies ProgramMapping Power over Urban Green Space in the Age of Protest, 1968–1988

Nikki MooreRice University, Department of Art HistoryAgritectures of the Green Revolution: Architecture, Art and the Agrilogistics of Transnational Aid from the United States to the Caribbean Region, 1930–1978

RESEARCH

Matthew MullanePrinceton University, School of ArchitectureWorthy Objects: Architecture and Histories of Observation in Meiji Japan

Image: Hugo Münsterberg, The Vocation of the Architect, from Vocation and Learning (The People's University, 1910). From the Graham Foundation's 2017 Carter Manny Award for doctoral dissertation writing to James Graham for The Psychotechnical Architect: Perception, Vocation, and the Laboratory Cultures of Modernism, 1914–1945