Review

There was a hole left in the film industry after Miyazaki quit as Studio Ghibli’s director. Who will step up to fill the void? James Ross reviews the latest offering from the legendary creator’s protégé, Hiromasa Yonebayashi.

It was like we were in a club and it was good to know that this club could fill the seats of the Opera House. And that’s important, because it’s dark out there and sometimes we all need to “get together for a ridiculous, fun and boozy shin dig” (Opera House style).