Sam Gilliam's 'From a Model to a Rainbow'

published:18 Aug 2011

Sam Gilliam's 'From a Model to a Rainbow'

Sam Gilliam's 'From a Model to a Rainbow'

published:18 Aug 2011

views:3844

For more about Sam Gilliam visit Art Beat: http://to.pbs.org/owsqYb
Sam Gilliam, an artist closely associated with the Washington Color School, discusses his recent work, \"From a Model to a Rainbow,\" a mural located outside a Metro station on the border between Washington, D.C., and Maryland....

Sam Gilliam's 'From a Model to a Rainbow'

published:18 Aug 2011

views:3844

For more about Sam Gilliam visit Art Beat: http://to.pbs.org/owsqYb
Sam Gilliam, an artist closely associated with the Washington Color School, discusses his recent work, \"From a Model to a Rainbow,\" a mural located outside a Metro station on the border between Washington, D.C., and Maryland....

Sam Gilliam Interview (Artist Toolbox) - BEHIND THE SCENES

Sam Gilliam Interview (Artist Toolbox) - BEHIND THE SCENES

Meet Sam Gilliam

published:03 Dec 2012

Meet Sam Gilliam

Meet Sam Gilliam

published:03 Dec 2012

views:13522

An interview with the artist Sam Gilliam
Sam Gilliam grew up in Tupelo, Mississippi, and studied art in Louisville, Kentucky. In 1962 he moved to Washington, D.C., and created abstract paintings inspired by the Washington Color School artists Morris Louis and Kenneth Noland. These artists, among others, broke the rules of abstract expressionism by pouring thinned paint directly onto unprimed canvas instead of applying thick, vigorous brushstrokes. Gilliam pushed this method even further by folding and draping the canvas before it dried, creating unusual \"tie-dye\" effects. He started working with very large canvases in the late 1960s, hanging vast pieces of painted cloth across walls and ceilings to emphasize the relationship between the work and its environment.
http://www.americanart.si.edu/luce/artist.cfm?key=344&artistmedia=455&object=161595&subkey=104879...

Meet Sam Gilliam

published:03 Dec 2012

views:13522

An interview with the artist Sam Gilliam
Sam Gilliam grew up in Tupelo, Mississippi, and studied art in Louisville, Kentucky. In 1962 he moved to Washington, D.C., and created abstract paintings inspired by the Washington Color School artists Morris Louis and Kenneth Noland. These artists, among others, broke the rules of abstract expressionism by pouring thinned paint directly onto unprimed canvas instead of applying thick, vigorous brushstrokes. Gilliam pushed this method even further by folding and draping the canvas before it dried, creating unusual \"tie-dye\" effects. He started working with very large canvases in the late 1960s, hanging vast pieces of painted cloth across walls and ceilings to emphasize the relationship between the work and its environment.
http://www.americanart.si.edu/luce/artist.cfm?key=344&artistmedia=455&object=161595&subkey=104879...

Complexity and Contradiction: Black Artists | The New York Times

published:01 Dec 2015

Complexity and Contradiction: Black Artists | The New York Times

Complexity and Contradiction: Black Artists | The New York Times

published:01 Dec 2015

views:11193

The painter Sam Gilliam talks to Rashid Johnson, who is known for his installation art.
Grab the embed code for this video at Times Video:
http://nyti.ms/1l3hoTP
Produced by: COLIN ARCHDEACON, BEN LAFFIN, AND SOO-JEONG KANG
Read the story here: http://nyti.ms/1Ssunsw
Subscribe to the Times Video newsletter for free and get a handpicked selection of the best videos from The New York Times every week: http://bit.ly/timesvideonewsletter
Subscribe on YouTube: http://bit.ly/U8Ys7n
Watch more videos at: http://nytimes.com/video
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Whether it\'s reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It\'s all the news that\'s fit to watch. On YouTube.
Complexity and Contradiction: Black Artists | The New York Times
http://www.youtube.com/user/TheNewYorkTimes...

Complexity and Contradiction: Black Artists | The New York Times

published:01 Dec 2015

views:11193

The painter Sam Gilliam talks to Rashid Johnson, who is known for his installation art.
Grab the embed code for this video at Times Video:
http://nyti.ms/1l3hoTP
Produced by: COLIN ARCHDEACON, BEN LAFFIN, AND SOO-JEONG KANG
Read the story here: http://nyti.ms/1Ssunsw
Subscribe to the Times Video newsletter for free and get a handpicked selection of the best videos from The New York Times every week: http://bit.ly/timesvideonewsletter
Subscribe on YouTube: http://bit.ly/U8Ys7n
Watch more videos at: http://nytimes.com/video
---------------------------------------------------------------
Want more from The New York Times?
Twitter: https://twitter.com/nytvideo
Instagram: http://instagram.com/nytvideo
Facebook: https://www.facebook.com/nytimes
Google+: https://plus.google.com/+nytimes
Whether it\'s reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It\'s all the news that\'s fit to watch. On YouTube.
Complexity and Contradiction: Black Artists | The New York Times
http://www.youtube.com/user/TheNewYorkTimes...

Sam Gilliam: Final Video Project

Sam Gilliam, Flour Mill

published:10 Mar 2011

Sam Gilliam, Flour Mill

Sam Gilliam, Flour Mill

published:10 Mar 2011

views:2448

Sam Gilliam\'s new work responds directly to Arthur Dove\'s Flour Mill II (1938) which he first saw at the Phillips in the early 1960s. On view Jan. 29 through April 24, 2011.
During the fall of 1967 The Phillips Collection gave Sam Gilliam his first solo museum exhibition. Nearly 45 years later, Gilliam has created his first site-specific installation for the Phillips, to coincide with its 90th anniversary.
Organized by The Phillips Collection and supported by Brian and Paula Dailey
Artworks:
Arthur Dove, Flour Mill II. 1938. The Phillips Collection, Washington, DC.
Sam Gilliam, Flour Mill, 2011....

Sam Gilliam, Flour Mill

published:10 Mar 2011

views:2448

Sam Gilliam\'s new work responds directly to Arthur Dove\'s Flour Mill II (1938) which he first saw at the Phillips in the early 1960s. On view Jan. 29 through April 24, 2011.
During the fall of 1967 The Phillips Collection gave Sam Gilliam his first solo museum exhibition. Nearly 45 years later, Gilliam has created his first site-specific installation for the Phillips, to coincide with its 90th anniversary.
Organized by The Phillips Collection and supported by Brian and Paula Dailey
Artworks:
Arthur Dove, Flour Mill II. 1938. The Phillips Collection, Washington, DC.
Sam Gilliam, Flour Mill, 2011....

Pres. Spellings, Chancellor Gilliam & Silent Sam

published:03 Apr 2018

Pres. Spellings, Chancellor Gilliam & Silent Sam

Pres. Spellings, Chancellor Gilliam & Silent Sam

published:03 Apr 2018

views:38

Chancellor Gilliam: Please urge President Spellings to remove Silent Sam from his place of honor.
UNC-Chapel Hill can only move its racist Confederate monument with the support of UNC System President Margaret Spellings and the Board of Governors.
Wynton Marsalis asked Mayor Landrieu to remove New Orleans\' Robert E. Lee monument.
We appreciate your efforts to rename UNC-Greensboro\'s Aycock Auditorium, and all of your good work.
Some morning, will you please have a talk with President Spellings about moving Silent Sam?
With sincere gratitude,
The Campaign to Move Silent Sam...

Pres. Spellings, Chancellor Gilliam & Silent Sam

published:03 Apr 2018

views:38

Chancellor Gilliam: Please urge President Spellings to remove Silent Sam from his place of honor.
UNC-Chapel Hill can only move its racist Confederate monument with the support of UNC System President Margaret Spellings and the Board of Governors.
Wynton Marsalis asked Mayor Landrieu to remove New Orleans\' Robert E. Lee monument.
We appreciate your efforts to rename UNC-Greensboro\'s Aycock Auditorium, and all of your good work.
Some morning, will you please have a talk with President Spellings about moving Silent Sam?
With sincere gratitude,
The Campaign to Move Silent Sam...

For more about Sam Gilliam visit Art Beat: http://to.pbs.org/owsqYb
Sam Gilliam, an artist closely associated with the Washington Color School, discusses his recent work, \"From a Model to a Rainbow,\" a mural located outside a Metro station on the border between Washington, D.C., and Maryland.

An interview with the artist Sam Gilliam
Sam Gilliam grew up in Tupelo, Mississippi, and studied art in Louisville, Kentucky. In 1962 he moved to Washington, D.C., and created abstract paintings inspired by the Washington Color School artists Morris Louis and Kenneth Noland. These artists, among ot

The painter Sam Gilliam talks to Rashid Johnson, who is known for his installation art.
Grab the embed code for this video at Times Video:
http://nyti.ms/1l3hoTP
Produced by: COLIN ARCHDEACON, BEN LAFFIN, AND SOO-JEONG KANG
Read the story here: http://nyti.ms/1Ssunsw
Subscribe to the Times Video

Sam Gilliam\'s new work responds directly to Arthur Dove\'s Flour Mill II (1938) which he first saw at the Phillips in the early 1960s. On view Jan. 29 through April 24, 2011.
During the fall of 1967 The Phillips Collection gave Sam Gilliam his first solo museum exhibition. Nearly 45 years later,

Chancellor Gilliam: Please urge President Spellings to remove Silent Sam from his place of honor.
UNC-Chapel Hill can only move its racist Confederate monument with the support of UNC System President Margaret Spellings and the Board of Governors.
Wynton Marsalis asked Mayor Landrieu to remove N