Notes:
1) From Drums>Space through the end of the show, over fifty (50)
minuscule dropouts occur in the soundboard, more frequently in
Other One and Miracle. Because of the very minuscule time frame
of some of these, I was able to smooth over them without fading
out the SBD (by adjusting speeds or making very small cuts/additions).
Most of them, however, required me to fade out the SBD for less than
a second, usually. Most of these moments are pretty smooth sounding
and not real noticeable, but some can be slightly distracting because
of the quick, AUD-only transition.

2) The original AUD tape cuts were preserved when only the AUD plays
(between songs), instead of being smoothed out, or cross-faded.
Sometimes I prefer this.

3) A quick shift in the SBD mix occurs at 0:44 and 0:53 of Other One,
where it cuts to a more "distant" sound for a moment, then comes back.
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B. Proctor 2-13-11
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