. . . he pays homage to the Austrian tenor Richard Tauber, doing so with style and élan. Now in his mid-forties, Beczalażs voice remains clean without being knife-edged, and nor is there that weightiness that can affect tenors in middle years . . . a finely crafted debut.

Record Review /
Alexander Bryce,
Scotsman / 28. July 2013

. . . he pays homage to the Austrian tenor Richard Tauber, doing so with style and élan. Now in his mid-forties, Beczala's voice remains clean without being knife-edged, and nor is there that weightiness that can affect tenors in middle years . . . a finely crafted debut.

Record Review /
Alexander Bryce,
Scotsman / 28. July 2013

The brilliant Berlin Comedian Harmonists join in for Romberg's "Overhead the Moon is Beaming" . . . Beczala is a wonderful tenor, with a strong and clear voice . . . it's a welcome tribute to an extraordinary tenor who gave voice to the soul of his era.

Record Review /
Mary Kunz Goldman,
Buffalo News / 26. September 2013

Beczala brings strengths of his own to the late tenor's repertoire and shows confidence in it . . . it's easy to be won over by Beczala's flexible legato, especially at softer volume in his attractive middle range, and by a palpable sincerity with the words. A high point is reached with Emmerich Kálmán's "Wenn es Abend wird," from "Gräfin Mariza", in which the tenor's timbre waxes and wanes gracefully and lingers gently on key nostalgic phrases . . . [duet with Tauber in "Du bist die Welt für mich"]: the younger tenor adopts a pleasant, non-confrontational style, engineering is expert, and the combination has a certain charm . . . Lukasz Borowicz conducts with taste and plenty of rubato . . . Duncan Riddell's violin solos and the voices of the Berlin Comedian Harmonists lend atmosphere.