Getting Gigs Tips

Read these 27 Getting Gigs Tips tips to make your life smarter, better, faster and wiser. Each tip is approved by our Editors and created by expert writers so great we call them Gurus. LifeTips is the place to go when you need to know about Magic tips and hundreds of other topics.

Getting Gigs Tips
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How many magic tricks do you need to perform walk around magic in a restaurant? Try six good effects you have confidence in performing. This number will change the more you perform, but it's a good start.

Restaurant magicians are always looking for effects to add to their repertoire, but you HAVE to start somewhere. Consider card packet tricks, a good bill effect or two, a rubber band trick like the Crazy Man's Handcuffs, and a magnetic Scotch and Soda. This will get you started...

What's the difference between an 'Act' and a 'Show'? Well, and act is simply part of a show, maybe ten or fifteen minutes in length, depending on the venue. A show is a nights worth of entertainment.

If you are not ready to entertain an audience for an hour or longer, then consider developing an act instead. Look for acts similar to yours, or acts that will complement yours and attract the same general audience and develop a multiple act show. Many magicians find this a much less daunting task than shouldering the responsibility of putting together a full show themselves.

Traveling variety shows are not a thing of the past. They are making a big comeback at colleges and universities across the country. Don't take my word for it... do a little research.

Many magicians can't wait to get their first web site on the internet . They strive to get everything 'just right', and have high hopes that their bookings will jump overnight. Not so.

Getting a web site indexed in Google, for instance, can take months. Until then, potential clients will not find your site. Without getting into a treatise on internet marketing, here are a few good tips to help you get your magic web site indexed...

- Make sure your site utilizes 'meta tags'. If you aren't sure what this is, google it. Be sure you include a number of key words like 'South Carolina magician', ' Spartanburg magician', 'magician for hire in south carolina ', and other appropriate key words in your meta tags that clients would use to find a magician in your area. Aside from including these key words in your meta tags, you need to discreetly include them in your web site text as well.

- Write to other web site owners and exchange links with them and their sites. This is one of the determining factors Google uses to properly place you in their search engine. The more sites that link to you, the more important your site appears to Google. Be sure to link to sites that have magic or magic related content. Simply linking to any site, and vice versa , will hurt more that it will help your ranking. Avoid any site that sells links.

- Avoid sites that submit your url to 'hundreds' of search engines. The only sites that matter are Google, Yahoo, and Ask. You can submit your url to these sites yourself, in five minutes, and it's free. Ninety Five percent of all web traffic will come from one of these three search engines. In fact, many of the other search engines get their results from these three.

If possible, adding Google Adsense Ads to your site will get it indexed very quickly by Google, as they have to send their 'bots to your site to determine if the ads are placed per their standard. This usually happens within the first 48 hours. It does not assure you of a high ranking, but if someone searches for your url , they'll find it...

Volunteer to do your magic show for non-for-profit organizations as often as you can; it's the best way to gain experience and to make yourself known. Hospitals, care homes, charity fundraisers and schools can give you a lot of "free" promotion.

The best thing you can do for your career as a magician is to invest in 1000 business cards. Be generous with them when you think they will be of some use; at every show, pull a few out of someone's ear.

Take time to design your card. Try to avoid the staid regular business cards used by other professionals. You want something smart, sharp and interesting; something that will draw attention to your act. Scatter them to the flock of children for whom you are performing and make sure you "accidently" leave some behind you as you leave.

When Cabaret Entertainer Jim Coston began his show business career twenty years ago, he took the advice of a veteran entertainer and started keeping a "little black book" of entertainment industry contacts. Through the years it grew to be thousands of names and addresses, and he routinely gave copies away to his fellow entertainers.

* Over 3500 Entertainment Industry Related Weblinks* An Industry Database of over 3500 names and addresses* Current entertainment industry news* Casting Calls & Music Gig Listings from around the world* Message Board, Interactive Polls, Live Chat Room* Informative articles written by Entertainment Pros* An online store featuring theatre, film & music books, software, etc.* A Game Room that allows users to relax, have fun and win cash & prizes* Find what you need FAST!! Our site is fully indexed for easy keyword searches!!

The Essential Entertainer's Links Workshop is a FREE clearinghouse of informative articles, weblinks & resources for the working and aspiring entertainment professional.

Your magic performance tape should contain varied magic effects; include both close-up and platform work. The tape should be shot in front of a live audience to record their reactions to your performance.

Rule #1: Get a tripod. “Documentary-style” shaky camera shots are comical at best and you will wind up looking like your Aunt Betsy filmed you as you performed for the twins' birthday party. You won't impress a prospective employer that way.

If possible, get your audition tapes done professionally. The expense will be repaid when you get twice as many gigs with a good tape as you could have with a bad one.

Have professional grade 8 x 10 photos taken of yourself. Create a portfolio of these headshots and any other performance-style photos that you have. Don't be shy; booking agents never hire a “pig-in-a-poke.”

Representation for magicians around the worldURL: http://www.magicprograms.com

Philip Murad offer representation to professional and semi-professional magicians around the world. This could be a great way to get regular gigs. If you are interested, check out his website at Philip and Henry Productions.

MagicCoach.com is the Web's first free weekly email newsletter and resource site dedicated to helping Magicians grow their entertainment business. Get tips, tactics and classic strategies on Marketing, Promotion and more. For details click here - MagicCoach

Approach restaurateurs and bar owners. Be aggressive without being rude or ridiculous; no one likes a pushy magician. Table-hopping can be your number one source of income as a professional or semi-professional magician.

There is an ongoing debate as to whether a restaurant magician should work for tips or for a salary. Working for a salary is great, -if- you can get it. Restaurants are less apt to pay a salary, but if you're good enough they'll see your value. Getting a salary definitely talkes some of the stress off performing and lets you be yourself.

Gigs that allow you to work for tips are more frequent. Some magicians are so personable that they can make more money working for tips, but they are in the minority. If you fit in this category, you are blessed with a special talent and you need to take advantage of it.

Remember, when you take tips you are competing with the wait staff for money. This can cause resentment. Make friends with the wait staff and try your best to work WITH them, even sharing in tips if they can get 'special requests' for you to work a table out of your normal rounds.

Don't be afraid to give working for tips a try. You will discover whether or not this is for you.

Magicians seeking restaurant jobs are a very worrysome bunch... "How do I get started?" and "How much do I charge?". The best tip I can offer you is... don't worry 'quite' so much. Your goal at this point should be to gain experience. Find a nice local restaurant that will let you perform for a couple of hours for free. It helps to tell the proprietor that you will not ask the restaurant for money nor will you accept tips. After you've performed for a table, ask them to tell the manager they enjoyed your performance, assuming they did. Tell them that's all the payment you want...

The money and the gigs will come as you gain experience and show your worth

Magicians are constantly looking for additional sources of income. Generally, the income received from a performance is never enough. The performer is left in a constant state of need.. needing more money and more performances to pay the bills.

Here's a great tip used by all type of performers worldwide; one that the magic community has been slow to adapt.

It's called BOR, and means 'Back of the Room Sales'. Music acts have done it for 50 years. They set up a table in the back of the room near the exit and sell records, CD's, DVDs, song books, pictures, tee shirts, and whatever else they can make a stream of income from..

Ideally, magicians can sell magic kits, expecially those aimed toward young to teenage kids. If you can personalize the magic kits, so much so the better. They can also sell autographed pictures, individual packet tricks, and magic related books.

Be sure to mentioned your BOR products during your performance, but don't take too much time away from your performance to do so. Be cordial, be friendly, be helpful, and be available after your performance to sign autographs and take pictures.

You may find you make more from a well-thought-out BOR campaign than from the performance itself...

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