urn:taro:utexas.hrc.00420Anita Brookner:An Inventory of Her Notebooks in the Manuscript Collection at the Harry
Ransom Humanities Research CenterFinding aid created by Katherine MosleyHarry Ransom Humanities Research Center, 2007Finding aid encoded by Katy Hill, 22 July
2008Finding aid written in English.The University of Texas at Austin, Harry Ransom Humanities
Research CenterBrookner, Anita, 1928- Anita Brookner Notebooksca. 1986-19942 boxes (.63 linear feet)The papers of Anita Brookner consist
of ten notebooks containing untitled drafts of her novels and reviews. The notebooks
are undated but appear to date from about 1986 to 1994.EnglishTXRC07-A1
Biographical Sketch

Novelist and art historian Anita Brookner was born in Herne Hill, a suburb of London,
England, on July 16, 1928. Her father, Newson Bruckner, was a Polish immigrant, and
her mother, Maude Schiska, was a singer whose father had immigrated from Poland and
founded a tobacco factory. Maude changed their surname to Brookner due to
anti-German sentiment in England. Anita Brookner had a lonely childhood, although
her grandmother and uncle lived with the family, and her parents, nonreligious Jews,
opened their house to Jewish refugees during the 1930s and World War II. Brookner,
an only child, never married and took care of her parents as they aged. Her personal
history influenced her first novel,

A Start in Life,
which she published in 1981 at the age of fifty-three. She continued to write,
producing a novel every year or so. Her fourth novel, Hotel
du Lac (1984), won the Booker Prize for Fiction and was adapted for
television in 1986. Brookner is highly regarded as a stylist, and her novels
typically depict intellectual, middle-aged women who suffer emotional loss and
isolation, especially disappointment in romantic love.

Brookner received a B.A. in history from King’s College in 1949 and a doctorate in
art history at the Courtauld Institute of Art in 1953. Her specialty was late
eighteenth-century and early nineteenth-century French art, and she studied the art
of Jean-Baptiste Greuze in Paris on a French government scholarship for three years.
She began her distinguished career teaching art history as a lecturer at the
University of Reading in 1959. In 1964, she returned to the Courtauld, where she was
promoted to reader in 1977 and taught until her retirement in 1988. From 1967 to
1968 she was the first female Slade Professor of Art at Cambridge University. Her
first book,

J. A. Dominique Ingres, was published in
1965, and her subsequent art history books are as well-regarded as her works of
fiction. In addition to her careers as a novelist and art historian, Brookner has
worked as a critic and began reviewing fiction for The
Spectator in 1986.

Anita Brookner continues to live in London. She is a Fellow of New Hall, Cambridge,
and was made a CBE (Commander of the British Empire) in 1990.

Sources:

British Council Contemporary Writers in the UK website,
http://www.contemporarywriters.com/authors/?p=auth19 (accessed 14 March 2007).

Container List
Series I. Notebooks, ca. 1986-19941A Closed Eye (1991)--see folder
1.71A Family Romance
(1993)11Handwritten notes and draft, in notebook12-6Handwritten draft, in five notebooks1Fraud (1992)17Handwritten notes and incomplete draft, in notebook. Also in
notebook: handwritten notes and draft fragment of A Closed Eye; and handwritten drafts of
reviews of Roger’s Version (1986) by
John Updike; The Suzy Lamplugh Story
(1988) by Andrew Stephen; Cat’s Eye
(1988) by Margaret Atwood; Remembrance of
Things Past (1913-1927) by Marcel Proust; The Summer House: A Trilogy (1994) by
Alice Thomas Ellis; and Falling
(1989) by Colin Thubron 18Handwritten incomplete draft, in notebook1Latecomers (1988)--see folder
2.12Lewis Percy (1989)21Handwritten notes and incomplete draft, in notebook. Also in
notebook: handwritten notes and draft fragments of Latecomers, and handwritten draft of
review of unidentified book of interviews with women 22Handwritten incomplete draft, in notebook. Also in notebook:
handwritten drafts of reviews of Fields of
Vision: Essays on Literature, Language, and Television
(1988) by D. J. Enright; Ghosts in the
Mirror (1988) by Alain Robbe-Grillet; L’Exposition Coloniale (1988) by Erik Orsenna; La Gare de Wannsee (1988) by
François-Olivier Rousseau; and Le
Zébre (1988) by Alexandre Jardin