“‘Adrift’, for instance, depicts a house at the mercy of a sea squall, and the building somehow appears more vulnerable to ruin than a human victim might. ‘ A person has the power to swim’, the artist reflects. ‘It’s not usual to see a house floating in the water. You wonder, how’d it get out there? I like to take a structure out of context, to put it where it doesn’t belong.’ This incongruity prompts the viewer to consider what the house might represent: A person? An idea or belief? A community? All life on Earth (think of Noah’s Ark)? Spyker prefers to leave that question open.”