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Keeping up with art is hard; trips to galleries, enormous books, and costly bi-annual magazines are just a few of the many expenses you will incur during the process of attempting to stay current with art. While the challenge and difficult of this proposition would seem to actually attract more white people than dissuade them, the amount of work required to become and remain an expert on art is simply too much for the majority of white people.

Of course there are exceptions such as the people who have invested both their money and their lives into the appreciation of art: people with Art History Degrees. But as you have probably noticed, they have very little value to both you and society. The latter is evidenced by their annual salary while the former is to be determined on a person by person basis.

Currently, the artist who is both cutting edge and easy to keep up with is Banksy, and white people love him. He is anonymous, British, easy to understand, and he works in the medium of graffiti! This last bit is very important since all white people consider graffiti to be art when it looks like something other than a bunch of squiggles. In every other instance, they consider it vandalism.

As with any conversation involving white people and taste you should be forewarned that you are walking into a potential minefield. However, art does not work the same way as Indie Music when it comes to the need to like the obscure.

Here’s how it works: if you say your favorite artist is Vincent Van Gogh, MC Escher or Monet, you will appear as though your taste in art is derived entirely from college posters. This is unacceptable. Conversely, if you list Jeff Koons, Laurie Anderson, Damien Hirst or Basquiat, you’ll look like you are trying too hard but don’t really know what you are talking about. Chances are that white people will assume your art education consists entirely of documentaries, bio pics, and looking up references from Gossip Girl on Wikipedia.

Finally, if you list your favorite artist as a current, bleeding edge visionary who white people have not heard of, they will immediately recognize you as a threat and dislike you. It is also a certainty that they will call you pretentious behind your back.

Needless to say, it’s complicated. But Banksy is just right. He’s just edgy enough to be outside of the mainstream, but popular enough to be available in coffee table book form at Urban Outfitters. Though if you spot this book on the coffee table of a white person it is strongly recommended that you imply they got the book at a Modern Art Museum gift shop and not at an Urban Outfitters. This will make the evening far more enjoyable for everyone concerned.

If you find all of this to simply be too much work and wish to ensure that white people will never speak to you about art again, there is an easy escape. Simply mention your favorite artist is Thomas Kinkade and that you are in negotiations to purchase an original from the store in the mall. This will effectively end any friendship you have with a white person.

If you find yourself trapped in the middle of the woods without electricity, running water, or a car you would likely describe that situation as a “nightmare” or “a worse case scenario like after plane crash or something.” White people refer to it as “camping.”

When white people begin talking to you about camping they will do their best to tell you that it’s very easy and it allows them to escape the pressures and troubles of the urban lifestyle for a more natural, simplified, relaxing time. Nothing could be further from the truth.

In theory camping should be a very inexpensive activity since you are literally sleeping on the ground. But as with everything in white culture, the more simple it appears the more expensive it actually is.

Camping is a multi-day, multi-step, potentially lethal activity that will cost you a large amount of both time and money. Unless you are in some sort of position where you absolutely need the friendship of a white person, you should avoid camping at all costs.

The first stage of camping always involves a trip to an outdoor equipment store like REI (or in Canada, Mountain Equipment Co-Op). These stores are well known for their abundance of white customers and their extensive inventory of things for white people to buy and only use once. If you are ever tricked into going to one of these stores, you can make white people like you by saying things like “man, this Kayak is only $1200, if I use it 35 times I’ve already saved money over renting.” Note: do not actually buy the kayak.

Next, white people will then take this new equipment and load it into an SUV or Subaru Outback with a Thule or Yakima Roof Rack. Then they will drive for an extended period of time to a national park or campsite where they will pay an entrance fee and begin their journey. It is worth noting that white people are unaware of the irony of using a gas burning car to bring them closer to nature and it is not recommended that you point this out. It will ruin their weekend.

Once in the camp area, white people will walk around for a while, set up a tent, have a horrible night of sleep, walk around some more. Then get in the car and go home. This, of course, is a best case scenario. Worst case scenarios include: getting lost, poisoned, killed by an animal, and encountering an RV. Of these outcomes, the latter is seen by white people as the worst since it involves an encounter with the wrong kind of white people.

Conversely, any camping trip that ends in death at the hands of nature or requires the use of valuable government resources for a rescue is seen as relatively positive in white culture. This is because both situations might eventually lead to a book deal or documentary film about the experience.

Ultimately the best way to escape a camping trip with white people is to say that you have allergies. Since white people and their children are allergic to almost everything, they will understand and ask no further questions. You should not say something like “looking at history, the instances of my people encountering white people in the woods have not worked out very well for us.”
Note: this works for all races!

It is a guarantee that whenever it is announced that a popular book is being turned into a movie, white people will get upset. This is partly due to their fear that something they love will be made accessible to more people and thus enjoyed by more people which immediately decreases the amount of joy a white person can feel towards the original property. Yes, it’s complicated.

The other problem is that these announcements create a ticking time bomb where by a white person must read the book in ADVANCE of the release of the movie. This is done partly so that they can engage in the popular activity of complaining about how the movie failed to capture the essence of the book. But more importantly, once a book has been made into a movie, a white person can no longer read that book. To have read the book after the movie is one of the great crimes in white culture, and under no circumstances should you ever admit to doing this. Literally dozens of white friendships have imploded when it was revealed that someone read Fight Club after 1999.

So when it was announced that Where the Wild Things Are was being turned into a feature film, white people didn’t immediately get excited at the prospect of this film, in fact a great number of white people cringed when they first heard it was being turned into a movie. This was merely instinct. Immediately, those concerns quickly turned into an opiate-like peace when they found out that the film is being directed by white person favorite Spike Jonze and adapted for the screen by legendary white writer Dave Eggers.

Though the talent and the material has white people in a tizzy, the real excitement comes from the fact that this film is based off a book that is 48 pages long and made up mostly of illustrations. This means that white people do not have to re-read the book until the day they head to the movie theater. Thus freeing them up to watch The Director’s Series: The Work of Spike Jonze DVD which they bought years ago but only watched once.

Finally, and perhaps of most value to you is that the film has generously provided you with an excellent way to test out how many white friends you have. When the trailer was released a few months ago, you should have been inundated with emails, instant messages, and Facebook wall posts about how you need to see the trailer immediately. If you received no word that the trailer was available, then you currently are in possession of no white friends. If you received multiple notices, you should take note about who sent it to you first.

Within white culture, your choice of transportation method says a lot about you. For example a Prius says you care about the Earth, a bicycle shows you REALLY care about the earth, and a bus shows that you are probably not white. But these three options are not the only viable ways for a white person to get around, they have literally dozens of choices including Volvos, old Mercedes that run on vegetable oil, Subaru Outbacks, and Vespa Scooters.

As it stands, every single white person on earth either owns, has owned, or is dreaming about owning a Vespa Scooter. And why not? They are Italian, feature vintage design, low emissions, make the rider look more sophisticated, and they carry a little bit of risk. In fact, were it to have a liberal arts degree and a steady income, a Vespa scooter would possesses every important quality that a white person looks for in a spouse.

In addition to these superficial qualities, there are some very practical benefits to white people. Namely, scooters are perfect for gentrifying neighborhoods which are often short on parking and heavy on people who are impressed by Vespas.

If you are in search of a fun game, a white person who has recently purchased a Vespa can be a source of tremendous entertainment. Step One, get them talking about their Vespa (easy). Step Two, start asking them why they didn’t save money by getting a Honda or Suzuki that gets the same mileage. Step Three, see how many of the following justifications a white person will use during the ensuing rant: environment, parking, urban lifestyles, union labor, writers, fuel efficiency, Roman Holiday, study abroad, and being into Vespas before other people.

Finally, the Vespa has produced one of the great paradoxes in white culture. Vintage Vespas are infinitely cooler than newer ones, but the vintage models produce more pollution than most automobiles. If you know a white person going through this dilemma, just say something like “the amount of energy and carbon used to produce a new scooter will probably cancel out the emissions from your vintage one.”

During the course of a white person’s education they will go through many phases including but not limited to: “awkward,” “classic rock,” and “being really into a foreign country.” Of these phases, there is only one that all white people are required to go through before they can obtain their bachelor’s degree. It is known as “Bob Marley.”

Depending on the coolness of the white person, they can experience this stage anywhere between the sixth grade and their last year of college. Regardless of when they went through this phase, every white person can tell you about the time when they had Legend on repeat. If you wish to test this theory, go to any floor in a College Dorm and there is a 100% chance you will find at least one Bob Marley poster.

It is also worth noting that white people tend get into smoking marijuana during this phase. This is why all white people view the combination of the two as one of the most pleasurable experiences on earth. But when white people really want to take it to the next level they will combine Bob Marley, Marijuana, a long weekend and some sort of notable outdoor location (beach, cottage, or patio). There are few activities on earth that are more appealing to white people.

The only acceptable reasons for declining participation are a prior engagement at a music festival or a commitment to go camping.

It’s also worth noting that when talking to white people about Bob Marley there is no need to use his surname. This is because all white people refer to him simply as “Bob.”

Since so many people are into Bob Marley, it is only natural for advanced white people to profess to only marginally liking Bob Marley (note: it is impossible for a white person to outright dislike him). Instead, these white people will claim to preferring more obscure artists like Burning Spear or Peter Tosh.

But be warned that a white person saying they like “reggae” what they really mean is “reggae from 1965-1983.”

Under no circumstances should you ever bring a white person to a dancehall reggae concert, it will frighten them.

Note: if you are talking to a white person who is really into Bob Marley, has dreadlocks, and professes to be a Rastafarian, you should end the conversation immediately. These people are of no value unless you need directions to a WTO protest or have questions about how bad a human can smell.

Often it can be easier to find common ground with a white person by talking to them about something you both hate. Discussing things you both like might lead to an argument over who likes it more or who liked it first. Clearly, the safest route is mutual hatred. When choosing to talk about something that white people hate, it’s best to choose something that will allow white people to make clever comments or at the very least feel better about themselves. Currently, the easiest way to do that is to ask a white person for their thoughts on people who wear Ed Hardy.

Ed Hardy is a clothing company that makes a wide range of expensive t-shirts, hoodies, and jeans. These clothes are notable for their use of elements from classic tattoo design such as skulls, hearts, and dragons. On the surface, the use of the words “classic” “tattoo” and “t-shirt” would seem like a logical fit for white people, but it is not. White people hate these clothes unilaterally and it is advised that you merely accept that at face value. If you were to ask a white person to explain why a regular size dragon logo is ok but one that goes around the neck is not, you would be trapped in a long and fruitless conversation.

To put this in proper perspective, Ed Hardy is so hated by white people that it cannot be worn ironically. This is no small feat. As it stands, the only other entries in this category are Nazi Uniforms, Ku Klux Klan Robes, and self-tanner.

Since you cannot in good conscience have an Ed Hardy themed party, the best way to make use of this white hatred is to give your stories a little more appeal to white people.

For example, if you take the reasonable but not compelling story: “I got cut off in traffic this morning and when I honked the guy gave me the finger,” and replace it with: “I got cut off in traffic this morning by this guy in an Ed Hardy shirt. I honked and then he gave me the finger!” The story will become sixty percent more interesting to white people because it allows them to make a witty response like: “I guess that douche bag had to get to a UFC party or a nightclub event he was promoting.”

Follow this up with a laugh, a high five, and a compliment about the acceptable shirt the white person is wearing and you will find yourself with a new friend.

Overview

White people like to make the most of their free time, but many of them discovered that time doing yoga was time away from their dog and time with their dog was time away from yoga. It was becoming a fairly significant problem. Thankfully, Doga has been created to allow white people to combine two of their favorite things into one expensive, time consuming activity called Doga or dog yoga.

Concerns

“Doga runs the risk of trivializing yoga by turning a 2,500-year-old practice into a fad,” said Julie Lawrence, 60, a yoga instructor and studio owner in Portland, Ore. “To live in harmony with all beings, including dogs, is a truly yogic principle. But yoga class may not be the most appropriate way to express this.”

She is correct, the most appropriate way to express yogic principles is by wearing $100 stretch pants at an expensive yoga studio. Failing that, the second most appropriate way to express your devotion to yoga is to do it at home with a holy DVD and yoga mat from Target.

Value

These classes run between $15-25 per class and according to one instructor feature a number of complex activities:

Ms. Bryan, the author inSeattle, said: “It’s a new field so there can be confusion about what doga is and isn’t.” Her classes are loosely structured and filled with humor. “Who cares if everybody’s facing the same direction and doing exactly the same thing?” she said. “Besides, laughing is spiritual.”

To make that clear, white people are paying $15-25 per session to hold their dog in the same position as other white people. This is considered a relative bargain.