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Instagram and the iPhone have killed my blog. In this digital ‘social media’ age of immediate upload and instant feedback, my intended goal of writing at least 1 post a month in 2013 has been completely demolished. How many of these 12 posts have I managed to write in 2013? Zero.
What has finally motivated me to emerge from my blog slumber is the incredible year that I had. The adventures, the inspirations, the creativity and growth that encompassed every day of 2013 was something I wanted to share.

Izumo Shrine

2013 was a year of renewal. It was the year that I moved from Los Angeles to Tokyo. There was a window of opportunity that presented itself at exactly the right time in my life- a new career, a new environment, a new lifestyle, a new perspective- what would life be if I wasn’t willing to follow my heart? I got to explore the country that I grew up in, calling Kagurazaka, my favorite part of Tokyo, my new home. Living in Japan has given me more opportunities to experience the culture that defines who I am and learn its complexities, its depth and its history. I took countless trips, met a lot of people and enjoyed a ton of food. There were many life changing meals and meaningful friendships that blossomed through those meals. Food connected me to more people than I could have ever imagined, every person enriching my life with their unique splash of colors.

Consequently, it was a year of renewal for Japan too. The year began with a pilgrimage to Izumo Grand Shrine in Shimane Prefecture, known as ‘the realm of gods’. Then a visit to the most sacred Shinto shrine in Japan, Ise Grand Shrine in Mie Prefecture. 2013 was the year of the Shikinen Sengu, a rebirth and renewal ritual where the entire shrine is rebuilt from the ground up with new materials- cypress, copper and gold. The tradition, which goes back more than 1,200 years, occurs in 60 year cycles for Izumo Shrine and 20 year cycles for Ise Shrine. 2013 was just that year when the cycles overlapped for these two most sacred shrines in the country. It could not have been a coincidence that I decided to move to Japan at a time in my life and in Japan’s history that signified new beginnings.

The Isuzu River, at Ise Shrine

I explored many facets of Japanese cuisine. Street food in Osaka. Mountain vegetables of Nagano. Contemporary kaiseki in Tokyo. Japanese knives in Gifu. Traditional wagashi desserts in Kyoto. Seafood in Hokkaido.

I was introduced to new foods that I had never even heard of, and new flavors that excited my palate. I ate out almost every day, taking in with my eyes and my appetite the incredible range of delicious food available at my fingertips. I was taught by Japanese chefs both young and old on the history of Japanese cuisine and given an intimate glimpse into the magic that happens in their kitchens. The dedication, verging on obsession, with which the Japanese treat every aspect of gastronomy is simply fascinating. There is a sincere intention behind every step of food preparation- one that simultaneously pays respect to the product and coaxes out its pure flavors. Discipline builds perfection, and reverence fosters beauty. It is no wonder that Japanese ‘washoku’ cuisine has been declared a UNESCO Intangible Cultural Heritage.

Here are some of the gastronomic highlights of my incredible 2013 journey through Japan.

Chef Toshiya Kadowaki works quietly behind the quaint 6 seat counter at his 2 Michelin star restaurant in Azabu Juban. His movements are also quiet- more like, precise. He moves through his kitchen with grace and ease, demonstrating not a millimeter of unnecessary superfluous movement. He is a master at incorporating Western ingredients into his cuisine which generally follows a traditional kaiseki sequence and style. The energy in the restaurant crescendoes when he prepares the grand finale of the meal- Italian black truffle rice. Kadowaki’s excitement for his signature dish is palpable in the way that he vigorously and unabashedly shaves copious amounts of black truffle over steamed white rice. That distinct truffle aroma fills the air and diners respond with oohs and aahs. It tastes just as one would imagine- like heaven.

There are many places in Japan to enjoy suppon cuisine, where snapping soft-shelled turtles are prepared in a bubbling broth that is said to have incredible health benefits. Sakuma in Akasaka is perhaps the most exclusive of them all, using a 330 year old traditional method of turtle preparation for their famous suppon nabe, cooked in a special Shigarakiyaki clay pot. The seasoning is simple- soy, sake and a smidgen of ginger- for the turtle meat infuses its intense flavors into the hearty broth that is rich with amino acids. The meat, incredibly tender, falls off the bones, and the quivering skin, popular amongst the ladies for its high collagen content and beauty benefits, melts like butter. For me, the highlight is the light and airy turtle liver, a delicate piece of foie that easily succumbs to my bite like meringue.

Chef Daisuke Kaneko’s 1-1/2 year old French restaurant in Aoyama was like a breath of fresh air in the Tokyo food scene. Diners immediately took to the casual vibe of L’As where the chef ditched the white tablecloths for simple sleek wooden tables, and offered affordable prix fixe menus that would be brought out from the beautiful open kitchen, course by course, by the chefs. The concept was simple but the flavors certainly were not. His signature foie gras sandwich, an ode to the famous Häagen-Dazs ice cream treat loved by all, was, for me, even better than the original. A thick block of rich foie gras sandwiched between crispy thin wafers and coated on the side with red wine and lemon cream still makes me scream for more.

Shigeyoshi is, quite simply, my favorite restaurant in the world. The food stays true to traditional Japanese ‘washoku’ and nobody else does it quite like Chef Kenzo Sato. He depicts the very soul of Japanese cuisine, never steering from what is in season and never tampering a second more with an ingredient that is already a perfect creation of nature. I have been eating at this 2 Michelin Star restaurant for about a decade or so, and every single meal teaches me something new about Japanese cuisine. This year I enjoyed moroko, fish the size of my finger, only found in Lake Biwa in Shiga Prefecture. Moroko are hard to come by these days, as the growing colony of black bass that have overpopulated Lake Biwa love to eat these little delicacies as much as I do. There’s a distinct bitterness to moroko that I absolutely love, and eaten whole from head to tail, it makes for a most wonderful ‘sake no tsumami’.

January and February are the best months to enjoy fugu, pufferfish known for its lethal tetrodotoxin. One requires rigorous training and a special certificate to have the privilege of preparing this ocean delicacy. The flesh itself doesn’t have much flavor when prepared traditionally as sashimi, but it takes on a wonderful succulent texture and juiciness when battered and deep fried. Yukicho, an exclusive Japanese ryotei in the heart of Ginza with private ozashiki dining rooms, has been preparing fugu for more than 80 years. The current chef, Chef Ishii, carries on the restaurant’s tradition of unrivaled excellence in fugu cuisine. Better than fried chicken, a bite of this fried fugu will completely change your world. It changed mine.

Chef Shinobu Namae has trained with some of the world’s best- Michel Bras in both Hokkaido and Laguiole, and Heston Blumenthal at The Fat Duck. Now, in his Michelin-starred Azabu restaurant, he infuses his unique flair into beautiful dishes that marry classical French techniques with seasonal ingredients. Vendée pigeon roasted to perfection was served with an intense savory liver jus, with pea purée, broad beans, spring onions, Kiyomi mandarin marmalade and wood sorrel leaves. The icing on the cake when enjoying this memorable dish was the silver tray of Laguiole cutlery from which we could choose our knife du jour.

Michelin starred Den quickly became one of my favorite restaurants in Tokyo for many reasons. First, the creativity. Dining out should be fun, interactive and memorable, and Chef Zaiyu Hasegawa makes sure that every guest that steps foot inside his Jimbocho restaurant enjoys the experience from beginning to end. He brainstorms daily with his staff about new ideas that could surprise and delight his diners, and loves to incorporate playful elements into all of his dishes. Dentucky Fried Chicken, aka DFC, is Den’s signature dish, presented in a specially designed ‘take-out’ box with a photo of Colonel Hasegawa. Out comes a mouthwatering deep fried chicken wing stuffed with seasonal ingredients- on a summer visit, my DFC wing was stuffed with almond, cumin, cinnamon, turmeric and raisins. On an autumn visit, my wing was stuffed with a variety of mushrooms. This succulent chicken wing sure is finger lickin’ good.

Another reason for loving Den? The flavors. The overall vibe during a meal at Den may be playful and fun, but there is a reason why this popular restaurant maintains its Michelin stars. I still dream about this ayu course during a summer visit to Den, with ayu dried for 6 hours then grilled and eaten whole from head to tail. Tade (water pepper) leaves, which are usually paired with ayu, were incorporated into warm rice flour bread which I thoroughly enjoyed with the most delightful ayu liver pâté. To this day, I still talk about this dish and hope to experience it again next summer.

Den gets 3 spots on this year’s list for all of the times that I made a visit, and for what I love most about this fantastic restaurant- the hospitality. The staff at Den takes Japanese hospitality to a whole new level, treating every diner like family and going way above and beyond. When I dined here in the fall with The Spanish Hipsters to celebrate their nuptials, it quickly became apparent that the staff had been planning a special celebration for weeks. A lot of thought went into every detail of the meal to personalize it for the Hipsters, and we had a night to remember. Our experience included this sanma gohan, steamed rice with saury pike at its autumn peak with a luscious rich liver paste. We laughed, we ate, we toasted and drank, and the house mascot Puchi even came to join the party.

Mille Caresses. Where do I even begin. I stumbled upon this exclusive wine bar in Osaka by chance, and it felt like I hit the jackpot. There are tables in the back of the restaurant, but the action is at the bar counter where Sommelier Kibi works his magic. He wears special white gloves to handle truffles, keeps his wines cradled in padded baskets, and treats his customer with just as much respect- a true professional. I’ve had a lot of great abalone dishes in my life, but this one by Chef Youichi Kaito takes the prize. Roasted abalone from Shimane prefecture in abalone liver sauce was fantastic beyond belief. The abalone- tender, juicy and succulent with an ever so subtle char at the fringed edges- and that decadent liver sauce- buttery, rich and creamy with a depth of flavor too incredible for words- brought tears to my eyes.

The pure awesomeness that is Mille Caresses in Osaka was also felt in their signature dish, the wagyu katsu sandwich. Miyazaki wagyu tenderloin, breaded and deep fried to a perfect rare, then sandwiched between toast with a lovely sauce made from onions and fruits, was as tender as room temperature butter. The course even came with a certificate indicating that our cut of Miyazaki beef came from cow #13349653555. A dish to remember.

Ryugin keeps getting better and better, living up to its promotion to 3 Michelin stars. Chef Seiji Yamamoto runs a tight ship at his Roppongi restaurant where the service and the courses seem to flow effortlessly. A recent revisit was right up there as one of the best meals of my life, and the highlight for me was their autumn harvest sake dessert. I went back and forth with my spoon, enjoying both the silkiness of the cold amazake soft serve and the warm fluffiness (and such enticing aromas!) of the sake soufflé. The juxtaposition of temperatures and textures was both pure genius and pure pleasure.

There is no ingredient that tests the knife skills of a chef more than hamo, pike conger eel, which has rows of tiny coarse bones that are impossible to remove. Only an experienced chef with superior knife skills can perform honegiri (which means ‘bone cutting’ in Japanese), a process of making precise incisions into the bones without cutting through the skin or destroying the flesh. When a properly incised piece of hamo is blanched in hot water, it should blossom like a chrysanthemum flower with perfectly even sections, and create a light and fluffy texture. The hamo by Chef Yamamoto at Ryugin was the most perfect demonstration of hamo workmanship that I have seen to date. It was stuffed with sweet caramelized kamo-nasu eggplant and served in a wonderful bonito ichiban dashi.

Ishikawa, right in my neighborhood of Kagurazaka, has maintained its 3 Michelin star status for some time. Located on a quiet cobblestone side street behind the famous Bishamon Temple, the food here stays true to traditional Japanese kaiseki style, honoring seasonal ingredients and treating them with great care and utmost respect. Chef Hideki Ishikawa mesmerized me with this dish that symbolized the transition of summer to autumn- crispy deep fried ayu at the tail end of their season, mixed with grated daikon mizore ankake and plump lime green shin-ginkgo at the very start of their season. The overlap period of these 2 beautiful ingredients is very brief, and Chef Ishikawa created a successful and delicious mariage.

Many of Japan’s finest chefs have trained with Chef Haruyuki Takada at the legendary Takada Hassho in Gifu Prefecture. A trip to Gifu during the fall proved to be an incredible cultural experience for me, attending the knife festival in Seki, observing the ancient art of cormorant fishing on the river at dusk, and sharing a fabulous kaiseki dinner with friends at Takada Hassho. The signature dish is called ‘hari hari’, made with extremely thinly sliced potatoes (by hand, of course), lightly blanched, mixed with tobiko and rolled into a sphere like a ball of yarn. My tongue was absolutely delighted at the playful textures of this dish- the crisp sharp bite to the potatoes, interspersed with little pops of tobiko eggs. It was a perfect way to end a perfect weekend in Gifu.

TORO MILLE FEUILLES- SUSHISHO MASA すし匠まさ (TOKYO)

Of the thousands of sushi restaurants in Tokyo (did you know that there are more then 200 sushi restaurants in Ginza alone?) Sushisho Masa has quickly become one of my favorites, and the place that I recommend the most for visitors to Japan. I love the intimacy of the small space and the friendliness of the staff, but most of all, the mind blowing diversity of sushi that one gets to experience in one sitting. Chef Masakatsu Oka whips out more than 40 to 50 perfect little bites, taking the time to explain where each slice of fish came from and how he prepared it. His signature nigiri is what he calls the ‘Masa-feuille’, 3 thin slices of pristine o-toro with a generous dab of wasabi in between, creating a triple layered mille-feuille that magically lightens the fattiness of the tuna while enhancing its exquisite flavors. The toro melts so quickly that it almost evaporates, leaving you begging for more.

Prize winning Miyazaki wagyu from Iki Island is the specialty at Ginza Miyama, a teppanyaki steakhouse in the heart of Higashi-Ginza. We even got to see the special trophy that our cow had won prior to its slaughter. The marbled beef was incredible. However, what took my breath away that evening was the meaty abalone from Iki Island, still very much alive and squirming as it hit the sizzling hot teppanyaki plate in front of us. We watched in awe as the chef showed us the plump abalone liver- a deep magical green color so intense and bright that it was practically turquoise. ‘It’s the color of the seaweed in the waters around Iki Island that the abalone feed on’, the chef told us, as he sliced the abalone with his sharp knife and made a sauce with the liver and butter. The warm sauce, infused with the essence of this rich seaweed, was slathered over the tender abalone and served in its shell. Perfection.

Chef Saotome has been perfecting tempura for as long as many of us have been alive, and he has been collecting art for as long as he has been alive. His restaurant, in a quiet residential neighborhood in Monzen-Nakacho, displays beautiful sake chokos, ceramic plates and calligraphy, of which he himself is a master. During the meal he stands under the cowboy hat vent, silently focused on frying each seasonal ingredient to just the perfect degree. Matsutake mushrooms bigger than my palm, with a spritz of sudachi and a dab of salt, were meaty, juicy and aromatic. Saotome is a man of few words but he speaks through his food, his calligraphy and his art- all of which convey his charisma and vivacity.

Chef Susumu Shimizu just opened this quaint adorable restaurant in Hatsudai a few months ago. The U shaped counter surrounds the open kitchen where he demonstrates the classical French techniques that he honed at L’Arpege for many years. 6 month old veal from Bretagne cooked in hay was sweet, milky and superb. His cuisine and style are both still evolving and I can’t wait to see what happens when he really hits his stride in 2014. He is, for sure, a young talent to keep an eye out for.

The shari, the neta, the prep, the ambiance. Everything is flawless at 3 Michelin star Yoshitake in Ginza. I especially love Chef Masahiro Yoshitake’s shari, made with akazu vinegar that gives the rice a brown hue and a subtle unobtrusive flavor that harmonizes well with the seafood. It was highlighted in this course that came paired with a generous serving of tender steamed abalone from Karatsu. The abalone liver, with a vivid forest green hue, was made into a silky paste and served with a mini portion of shari. It was a joyous and delicious moment in my life.

I had been meaning to visit Michel Bras in Hokkaido for a long time, and the stars aligned when I found out, when finally making my reservation, that it was the exact week when Chef Michel Bras himself was to make his annual visit. Ah, serendipity. Michel Bras cooking with Hokkaido ingredients was a true match made in heaven, and a food lover’s dream. His signature gargouillou of young vegetables, a celebration of Michel’s love for vegetables and herbs, was simply a joy. The ‘Terre’ dinner menu, a celebration of Laguiole, featured gargouillou with acacia oil, while the ‘Mer’ lunch menu, highlighting the seafood from Hokkaido, presented it with sansho oil. Both renditions were equally inspiring and lovely, like the maestro himself.

No matter who you are, what age you are, or how fancy of a restaurant you may be dining at, when an ice cream cart pulls up to your table, it has the same universal effect- our hearts flutter and we squeal with delight. At 3 Michelin starred Michel Bras in Hokkaido, the ice cream cart came with a killer view of Lake Toya and 5 different flavors- apple sorbet sprinkled with anise powder, walnut mousse with hazelnuts in a chocolate covered cone, herb sorbet with balsamic reduction, white chocolate mousse with crumbled pistachios in a chocolate covered cone, and mikan sorbet with crystallized mint. Needless to say, I had a moment.

KEIJI SALMON SUSHI- SUSHI HIDETAKA 鮨ひでたか (HOKKAIDO)

Where to have my one sushi dinner on a recent winter trip to Hokkaido was possibly one of the biggest dilemmas of the year. Hokkaido is a treasure box of seafood, and many delicacies are at their peak during the cold winter season. Choosing the right sushi restaurant for this trip was crucial. Thankfully, I chose well. Sushi Hidetaka in Sapporo is only a year old, but already quite the popular place. I sat next to a diner who flew from Tokyo just to eat here. Chef Hidetaka Yamada pampered me with the most incredible keiji salmon nigiri, a rare delicacy. Keiji, which means ‘infant salmon’, is a sexually underdeveloped salmon with an extremely high fat content (20-30%) but a light sweet flavor and silky smooth texture. Only 1 per 10,000 salmon caught are considered keiji, and they are usually only available during the end of November. Did it live up to its hype? Oh yes, yes indeed. It was the best salmon I have ever tasted.

GRILLED GINPOU- SHUBO SHINSEN 酒房しんせん (HOKKAIDO)

For my last dinner in Hokkaido, I chose this tiny old izakaya in the rowdy Susukino district run by Chef Shigeki Echigo. The darn cute smile of his greeted me as I walked through the front door, and I immediately knew that I was in for a treat. One would never guess, from the outdated decor and the down-to-earth casual vibe at the restaurant, that this place was awarded 2 Michelin stars in the 2012 Hokkaido special edition. I felt right at home with the Shinsen family who fed me with the best of Hokkaido’s bounties. He whipped out a beautiful piece of grilled ginpou for me; something, he said, he only does for special customers. Ginpou (which means silver treasure in Japanese) is an extremely rare fish, only found off the coast of Kushiro in southeastern Hokkaido, and only 200-300 are caught per year. The texture was light, airy and fluffy. The flavor, due to its extremely high fat content, was sweet yet delicate. I have never tasted fish like this before- it was phenomenal.

My culinary journey through Japan in 2013 was educational, inspiring and downright delicious. I got to really explore the complex maze of Tokyo- the nooks and crannies- and make new discoveries on every street corner. I saw the countryside, the lakes and oceans, and reveled in the stunning beauty of this country. I tasted, I learned and I absorbed a whole lot of new information, and I met some amazing people along the way. It was a year of renewal and personal growth for me, and I am thankful for all of the friends, both old and new, who shared these memorable meals with me. I look forward to continuing this adventure in 2014.

But first, I’ll be writing a post of my most memorable dishes of 2013 outside of Japan.

I have said this before and I will say it again. Shigeyoshi, an elegant 40 year old restaurant in the heart of Tokyo, is my favorite restaurant in the world. While I have been fortunate enough to experience numerous meals all over the world that have blown me away, this is the place that I always come back to, and look forward to returning to the most. It’s not just the attentive yet unobtrusive service- that is almost a given in any restaurant in Japan. It’s not just the highest quality ingredients that represent regional specialties and seasonal offerings. It’s not just the consistency of astoundingly delicious meals, plate after plate, course after course.

It is Chef Kenzo Sato, the quintessence of the soul of traditional Japanese cuisine, that attracts me to this quaint 2 Michelin star haven. He is humble and unassuming, doing it all for the simple and pure love of food and people. He has kept the same loyal staff at his side for the majority of the 40 years (and they have happily remained by his side), knowing the importance of consistency, especially for his regulars who depend on it. He pours his heart and soul into each and every plate, and it comes through in his beautiful presentations and unforgettable flavors.

My first experience at Shigeyoshi was 6 years ago, and I will never forget the magical feeling that I had on that fateful night. Sitting at the pristine wooden counter, directly in front of this chef who immediately drew me in with his bright smile and charisma, I remember watching his every move with wonder as he skillfully prepared each course. It quickly became apparent to me that this man absolutely loved his restaurant and his craft, and I could taste it in every memorable bite. His food is exciting, but also comforting, and always saturated with love and care. At Shigeyoshi, there is no thinking, critiquing or analyzing. One just feels, and that feeling is pure- ‘delicious’.

That extraordinary feeling has brought me back to Shigeyoshi every year since then, and through every successive meal I have fallen more in love with this amazing chef, the tranquil space that he has created and the exquisite food that has changed my life.

Every meal at Shigeyoshi is a testimony to the beauty of Japanese cuisine. There is something so incredibly wonderful about the simplicity and sensitivity of Japanese aesthetics. Sayori sushi, layered with a slice of perfectly pickled Kyoto turnip senmaizuke and neatly wrapped with a kombu seaweed ribbon, was served with a side of nanohana brassica lightly dressed with sesame paste- nothing more, nothing less, and it was perfect.

Coarsely chopped Japanese kuwai potatoes and arare rice crackers were made into a shinjyo, deep fried and served with warm dashi broth and spinach for a comforting earthy dish with just the right balance of moist and crunchy textures.

Matoya oysters from Mie prefecture, a staple on the Shigeyoshi menu, are famous for being sterile and bacteria-free through a special method of breeding and harvesting. These oysters had a clean crisp cucumber finish, pairing especially well with the Dom Pérignon Vintage 2000 that we brought that evening to celebrate Chef Sato’s second Michelin star, a well deserved recognition.

The tempura course featured two delicious items- shirauo, little tiny ice fish that were still alive and kicking when they were tossed in the hot oil, and kansouimo, dried sweet potatoes from Ibaraki prefecture with a chewy and dense texture. A smidgen of sea salt accentuated the freshness of the delicate fish and brought out the intense caramel-like sweetness of the satsumaimo potatoes.

One of my favorite courses at every Shigeyoshi dinner is the chinmi mori, an assortment of Japanese delicacies that serves as the ultimate complement to chilled sake. This time it was sweet luscious Hokkaido uni, tender namako sea cucumbers with ponzu, sweet amaebi shrimp with its eggs, asari clams with bitter butterbur sprouts, and an unohana of shime saba, pickled mackerel coated with soy pulp.

The futamono course, a ‘lidded dish’ of warm soup and hearty seasonal offerings in ornate lacquer bowls, usually signals the halfway mark of a traditional kaiseki meal. In stark contrast to the simplicity of his signature suppon turtle soup that he usually serves every year, this time Chef Sato presented a bold and dynamic dish of hongamo duck shinjyo topped with warm mochi and garnishes of baby turnip, thinly sliced daikon and carrot. The shinjyo was like paté, rich, airy, buttery and divinely delicious, but Chef Sato insisted that it was only made from duck meat.

Tai sashimi (red snapper) from Naruto at its fattiest winter peak was served with thick seaweed and a rare vegetable called kanzou no me, a Chinese medicinal plant that tasted like licorice. One of the charms of dining at the counter at Shigeyoshi is to be able to see all of the action in the kitchen, including Chef Sato’s swift and skillful hands breaking down the whole majestic tai into a beautiful sashimi plate.

Young tender bamboo shoots from Kyushu, the southern part of Japan, lightly seared and dusted with katsuobushi, were served with braised butterbur sprouts in a gorgeous black lacquer bowl for a simple aromatic mountain vegetable dish. These fresh takenoko bamboo shoots, which don’t resemble their canned counterparts in the slightest bit, were crisp and vibrant with a slightly sweet milky flavor.

No part of a perfect red snapper goes to waste, especially when it’s a beautiful specimen from Naruto, Japan. After we enjoyed the sashimi course, Chef Sato prepared a traditional tai no nitsuke dish with the fish head, briefly simmering it in a soy ginger sake broth. While slurping up the gelatinous coating around the fish eye and nibbling every tender morsel of meat and skin off the bones, I realized that this is exactly what sets Shigeyoshi apart from all other restaurants for me. Michelin star or not, it is not about complicated technical artistic plates with multiple components that aim to impress and ultimately overwhelm. It’s about what sings to the soul, and this expertly seasoned and perfectly executed dish of braised fish head, while not sexy nor fancy, was one of the most delicious things that I have ever eaten.

Echizen gani, a type of crab that is often called the ‘king of winter food’, was served with a side of its tomalley, the savory creamy green innards that I personally find to be the best part of the crab. These large snow crabs, whose season runs from November to March, are sold at auctions with special yellow tags on their right claw to distinguish their supreme brand. Sweet, moist and light, this prized crab meat was particularly delicious paired with our cold sake.

For the final savory course at Shigeyoshi, the diner is always given multiple options to accompany rice, tsukemono pickles and miso soup. In the past I have enjoyed traditional Japanese comfort dishes of kaki furai or breaded deep fried oysters, ebi ten don or shrimp tempura rice bowl, kaki age don or mixed tempura rice bowl, and oyako don which is simmered chicken and eggs over rice. At Chef Sato’s recommendation (‘I got the most amazing toro this morning from Tsukiji!’), I ordered toro sashimi, thick tender marbled slices of buttery heaven that effortlessly melted in my mouth.

A simple dessert of intensely sweet grapefruit wedges was the most perfect way to cleanse our palates and end our wonderful kaiseki meal.

For the past 40 years Shigeyoshi has continued to maintain the same level of quality and service, staying immune from fickle trends and unnecessary pretentiousness despite its recognition as one of the best restaurants in Japan. Shigeyoshi has it all- the finest seasonal ingredients, perfect execution, beautiful presentation, heartfelt service and memorable food. The special added touch is the chef’s character, and the intimate experience that he has with each diner through his food, which is an extension of his soul. His food satisfies my palate, and also conjures up tender memories from childhood and a strong sense of comfort and peace. Dining at Shigeyoshi always reminds me of what food is ultimately about- to nourish. I look forward to going back to Shigeyoshi on my next return home to Tokyo, where Chef Kenzo Sato will be waiting for me with that same warm welcoming smile.

Crab trivia- did you know that the Japanese Spider Crab, which is known to be the biggest crab in the world, is also the oldest, the most deep-living, and with the highest longevity (they can live for more than century)?

Through it all, there were 12 dishes that left a strong impression on both my palate and my heart. I had many delicious dishes this year, but these 12 dishes that I selected had something else that made it truly special. Food is an expression of a chef’s love and an extension of a chef’s soul. When a chef cooks from the heart with genuine care and intention, that essence comes through in his or her food, and speaks directly to the diner. Through personal interactions with these special chefs, I was able to taste, smell and see the beauty of their creations with a higher level of respect and understanding. Behind each dish was a talented chef with a radiant smile that I will never forget.

Despite its 2 Michelin star status, there is no pretentiousness or attitude at this humble 39-year old restaurant in Tokyo. I have been coming here every year for the last 6 years, of course looking forward to the meticulously prepared food, but more eager to see Chef Kenzo Sato’s lovely smile. His warm hearty laugh and funny stories are the finishing spices to each delicate dish that is prepared in front of me in the open kitchen. There is a special comfort and security in coming here, for he knows my likes and dislikes, and prepares a sensational omakase meal according to my palate. I never have to order or remind him of what I want- it is already understood, and the highlight of each experience comes in my favorite dish at Shigeyoshi, the deep fried puffer fish dish, which he saves for me. It goes without saying that it requires a special license and tremendous skill in preparing the poisonous puffer fish, but it takes special love and thought to prepare this simple but comforting dish of fugu. The best pieces are from the head, with thick wedges of white tender meat juxtaposed against gelatinous jiggles of fat fugu lips. Chef Sato smiles as he watches me attack this dish, waiting to resume conversation until I am done licking my fingers clean.

To this day, that life-changing satisfying bite into the crunchy tostada generously topped with sea urchin, heaps of freshly shucked pismo clams, avocado and home-made ‘Chilito Exotico’ salsa, haunts me. My body craves it, my mind obsesses about it, my dreams are dominated by it. Matriarch Sabina Gonzalez, who has been operating out of a small food cart on the street corner of Ensenada in Baja Mexico for more than 30 years, creates each tostada to order, smothering it with fresh offerings from the local Baja waters and topping it with motherly love. It’s a family affair, and her daughter comes down from San Diego on the weekends to shuck clams and oysters as the master cocktailer. Each bite releases a splash of ocean breeze inside my mouth before the distinct savory spices of the pineapple salsa kicks in. This is pure Baja, and it doesn’t get any better than this tostada, followed by a big hug, both from Sabina.

It wasn’t just the fun geometric shapes or the vibrant color palettes in this octopus carpaccio that won my heart, but the innovative concept of compressing octopus legs into round sausages and slicing them thin to reveal wheel-like cross sections that impressed me in the cebiche themed restaurant of accomplished Tijuana chef Javier Plascencia. The gelatin coating around the octopus legs acted as a natural food glue to keep the circles together. The tender octopus slices in ponzu sauce were given a unique Baja twist with the contrast of buttery avocados and crunchy, slimy nopales. A refined and beautiful dish with unforgettable textures and delicious flavors is sure to be an industry secret, I thought, but I was struck by Chef Javier Plascencia’s openness about sharing his secrets. ‘Shoot me an email and I’ll send you my recipe’, he told me, ‘and let me know when you come down to Tijuana, I’ll make sure to be there for you’. Really? The amazing thing about this incredibly handsome and kind chef is that he actually means every word that he says. And with 7 amazing restaurants under his belt and a highly successful run at Test Kitchen where his fig leaf wrapped short rib dish was deemed one of the best dishes of the year by Jonathan Gold, he still maintains the same level of approachability and humility.

As a fourth generation German Konditormeister, or Master Pastry Chef, Thomas Haas was genetically destined to become a sensation in the pastry world, and his talent is evident in every tasty morsel of chocolate ganache and chewy caramel. At his namesake patisserie in Vancouver, he creates a peaceful haven of sweets where one can enjoy a warm cup of herbal tea with sandwiches, tarts, cakes and chocolates while shopping for hot chocolates and cookies. I went in for his famous chocolates, but was swept off my feet by the perfection of his macarons, especially the passion fruit macaron. A perfect crunchy outer shell that gives way to a soft moist merengue, leading right into the flavorful center filling- the textures and flavors were spot on in these delicate little bundles of joy. Despite being a world-renowned patissier and busy restaurateur, Thomas Haas was behind the counter, packaging chocolates to order, working the cash register, giving advice to customers and even cleaning tables. I had met him the night before at a restaurant in Vancouver, and he welcomed me with a bright smile to his patisserie, bringing over these wonderful macarons with a pot of tea to my table. With such a hands-on approach to running his patisserie, I knew that he personally made these macarons by hand, which made them taste even better.

How do you honor an aromatic, majestic piece of black truffle? Leave it to talented Chef Haru Kishi, formerly at the Gordon Ramsay restaurant in West Hollywood, and now executive chef of Chaya Brasserie. Perfectly cooked scrambled eggs, patiently prepared at low temperatures, made fluffier with soft boiled egg whites passed through a fine sieve, spooned over a bed of asparagus and bacon, and garnished with dramatic shavings of black truffle that release its pungent aromas with each passing across the sharp blade of a truffle slicer. The delicate crunch of asparagus, the smokiness of bacon, the soft pillowy texture of warm fluffy eggs, the final strong hit of truffle essence that spreads inside my mouth and permeates up into my nares- a decadent, rich and unforgettable experience worthy of a final meal. Life is perfect at that moment, and nothing else matters. Everything that this talented chef makes is amazing, and I have personally seen the tremendous amount of thought that he puts into his work. As a close friend, it makes me happy to see him blossom through his various struggles and finally come into his element at Chaya Brasserie, a most fitting location for his Japanese and French background.

Marcel Vigneron has become a household name since he became famous on Top Chef season 2, and currently on Top Chef All-Stars. Although he has gained a reputation as the Top Chef villain, in real life he is quite the opposite. Personable, thoughtful, kind and extremely fun to hang out with, he is one of the most hard working chefs in Los Angeles. He’s obviously talented and gifted with charisma, but behind the scenes he puts in just as much thought and hours into each beautiful and innovative creation. One such plate that I still think back to is the venison tenderloin tartare with macadamia nuts, capers, pickled cipollini onions, beet root brunoise and walnut oil. The venison was prepared perfectly with a fine balance of acidity and flavor. Scooped onto a crispy red beet chip with a smear of wasabi cream and a hint of lavender aroma wafting from the board, this delectable dish transported me to venison heaven at a private dinner party at Terroni restaurant. Spending the entire day with the chef, from shopping at the farmers market to prepping in his kitchen, I was able to see an inspiration evolve into an idea, an idea into a sketch, and a sketch finally culminate in the most breathtaking dish.

Buckwheat flour and water- there are only 2 simple ingredients in making Kikouchi soba, making it that much more of a complex dish. Soba master Akila Inouye and soba artisan Sonoko Sakai have been working hard all year to spread the culture of soba in Los Angeles. Many trips to Japan, many suitcases of freshly milled Japanese buckwheat flour, many soba classes in Sonoko’s house and many long hours of preparation for their pop-up soba event at the Breadbar, all in the name of wanting Angelenos to understand the culture of Japanese soba. Soba is Japan’s soul food, full of tradition and sacred history. Thanks to these dedicated soba artisans, I was able to have a taste of home and a moment of peace as I dipped these delicate buckwheat noodles into their homemade bonito broth and happily slurped away.

Chef Ludo needs no introduction- he took command of the Los Angeles culinary scene with his sensational and popular pop-up events, LudoBites 4.0, 5.0 and 6.0 in 2010. Every dish was whimsical, colorful, flavorful and creative, delighting diners with his ever changing menu ideas. There were many favorites, but the stand-out dish for me was the silky potato mousseline over a perfectly poached egg, bursting with warm yellow yolk that melted right into the fatty chorizo crumble. Every bite made me want more and more. I wanted to share this wonderful dish with my friends, but I also didn’t want to share this wonderful dish with my friends. What was I to do? Order another round, of course, which I did at every visit to LudoBites 5.0, my favorite of the 3 this year. Ludo’s talent and success got much deserved praise from critics on both coasts, but there were always people who wanted to criticize, scrutinize, dissect and rip him apart. People love to hate this handsome charismatic chef, but what they don’t know is that behind each artistic and poetic dish was a lot of blood, sweat and tears- literally. Despite a debilitating medical condition that would normally deem a person completely disabled and incapable of working, Ludo fought hard through each day of LudoBites to cook for his dedicated fans. He gritted his teeth to endure relentless pain and gave his best smile for at least 20 photos a night, but I could see the pain in his eyes. Dedication and hard work never meant more to me than at LudoBites this year, and for that, hats off to this amazing chef.

Mo-Chica and its star chef Ricardo Zarate are now on Los Angeles’ Best of list, and in the next few months we will be seeing the opening of Mo-Chica’s new downtown location and Zarate’s new anticuchos restaurant Picca, but he almost never made it this far. In the first year of business, Mo-Chica nearly went under. People didn’t think to try this new restaurant that was serving lamb shanks and arroz con pollo for close to $10 a plate, when adjacent taco stands in the Mercado la Paloma food court were offering $3 plates. Zarate had a vision, and he didn’t want to compromise on quality or preparation. He knew that some day, people would understand his food and how good it was. Almost a year went by, and he was paying out of his own pocket to sustain the business. Finally, food critics caught wind of this amazing Peruvian chef, and just like that, the news spread like wild fire and Zarate was well on his way to recognition. His food is fantastic, each bursting with vibrant flavors, with a delicate sensitivity that reflects his training in Japanese cuisine. The regular menu is solid, but every last Thursday of the month he offers a 6 course tasting menu for $30, possibly the best deal in the country. I have had grilled octopus with cilantro pesto on a bed of aji mashed potato, mackerel tempura on seabass ceviche, and braised short ribs to satisfy even the most stern critic, all memorable and stellar. However, it was a quinoa and purple corn crème brûlée on one such tasting dinner that made me gasp with delight. Not too sweet, perfectly creamy, with a beautiful deep purple hue, and most of all a surprisingly delicious way to enjoy quinoa. ‘I was supposed to use kiwicha, but I didn’t have any, so I substituted quinoa at the last minute. I hope it’s still good?’, the ever so humble, honest and kind chef told me. Even such accidents, under Zarate’s spell, become a delicious miracle.

In the wake of the devastating earthquake that shook Haiti in January, no dish tasted more soulful than the goat meat fricassee that Haitian chef Georges LaGuerre, affectionately known as TiGeorges, cooked for his Test Kitchen dinner. TiGeorges himself lost his restaurant to a fire while working hard to raise earthquake relief funds, and this Test Kitchen dinner was the first time that he was able to cook for Angelenos again. Goat meat was baked with key lime, boiled in vinegar, then grilled over a fire and served with a sauce of key lime juice, olive oil and habanero chiles. The long process of cooking the meat resulted in an incredibly tender juicy plate of meat that fell effortlessly off the bones. Haiti is a beautiful country that has endured years of foreign occupation, slavery, poverty, corruption and now one of the worst natural disasters that the modern world has ever encountered. This cabrit dish represented Haitian pride, strength and soul, just like its talented chef TiGeorges.

Michelin starred and Iron Chef conquering female chef Dominique Crenn, who is opening her own restaurant Atelier Crenn in San Francisco next month, graced us with her presence and her sensational talent at the Test Kitchen in Los Angeles for one special evening this month. After having eaten at more than 12 Test Kitchen dinners this year, I can honestly say that her dinner was the single most impressive and delicious dinner of them all, displaying graceful beauty and culinary elegance. As a speaker at the TEDx Bay Area Women event earlier this month, she shared her vision of using food as a medium for honoring nature as our ultimate nurturer, and her pledge for caring for our food sources by ‘returning to the soul’. Indeed, every dish at her 5 course Test Kitchen dinner was a poetic tribute to mother earth and her plentiful bounties that sustain our lives, and was worthy of taking the top 5 places for my best 12 dishes of the year, but one stood out above the rest. The winter grain porridge, a new type of dessert, that evoked a garden on a sloping hillside with its soft bed of red Peruvian quinoa cooked in chamomile tea, poached quince braised with Tahitian vanilla, hazelnut milk, nougatine, and micro chamomile and hibiscus flowers that sprouted from the soft earth, strewn between orange and green leaves that all together illustrated a portrait of nature. The textures were soft, light, chewy and crunchy, and I felt like I was digging my spoon right into the earth. It made me feel happy to be alive.

Stepping through the entrance of Urasawa for the second time, I found myself breathing a sigh of relief, for I knew that I could just relax, sit back and get the best food and the most stellar service of my life. Beer poured in a ceramic beer mug was at the perfect temperature, the cypress countertop sanded down every day with 3 types of sandpaper was soft and supple, and when I took my camera out of my bag, Chef Hiro summoned his server to lay a white cloth napkin on the counter upon which to place my camera. It was like being back home in Japan, where attention to detail and meticulous service was the standard. Here, in this Beverly Hills haven, I had many amazing dishes, one of which was a seared toro wrapped around monkfish liver and myoga ginger, neatly tied in the center with a strip of Kyoto turnip and topped with a heap of caviar. Little yellow flecks of yuzu rind added a refreshing aroma to the ponzu sauce, all perfectly presented on a golden ceramic pedestal. Chef Hiro is a true professional who exemplifies the Japanese culture of precision and obsession. What people don’t know is that despite Urasawa’s reputation, Chef Hiro doesn’t make much money from his business. He pays an enormous amount of rent, to honor the same space that his teacher, Chef Masayoshi Takayama of Masa, has given him, and he spends most of his money in preparing the best quality ingredients for his meals. He lives in a rental apartment in downtown LA, and doesn’t even own a computer. Oblivious to the fact that Urasawa has been on numerous blogs, he thought about it for a second, and then asked, ‘so…these blogs…it’s like, free advertising?’ Indeed, Chef Hiro, indeed.

Thank you to all of these wonderful chefs for making 2010 a special year for me, and bringing beauty and meaning to my life. Their dedication and hard work to their craft is admirable, and is reflected in their food. May 2011 be an equally delicious year for all!

Harajuku, a bustling district in the lively city of Tokyo, is the epicenter of cultural juxtapositions where the rich elite collide with eclectic punk fashionistas. Where Louis Vuitton, Gucci and Christian Dior proudly line the grand shopping boulevard of Omotesando, which sees no paucity of young and old shoppers who are driven by their greed for expensive designer clothes. Just behind omotesando is the famous Takeshita-dori, the narrow street just yards away which attracts grade school teenagers for cheap casual wear and knick knacks. Omotesando literally means ‘the front road to the shrine’ in Japanese, and was originally constructed as the main path that led visitors to the grand Meiji shrine just behind Harajuku station. It’s almost easy to forget that a peaceful and sacred shrine stands proudly at the periphery of this busy shopping district where people are consumed with superficiality. In addition, the Jingu Bridge, which connects the Harajuku area to the shrine, has become the mecca for cosplay youngsters who don’t hold back in their lavish goth and lolita costumes, acting as a hub for unique and outrageous street fashion. Do you recall Gwen Stefani giving a shout out to the Harajuku girls? This is what she was talking about. If you’re visiting Tokyo for the first time, a visit to Harajuku is a must- you can get a taste for many dimensions of the Japanese culture in a matter of an hour.

A stone’s throw away from the dynamic streets of Harajuku, on the 1st floor of an apartment building right on Omotesando Avenue, is a quiet unassuming restaurant with a wooden sliding door entrance. In this peaceful haven lies Shigeyoshi, my favorite restaurant in the world. Shigeyoshi is run by Chef Kenzo Sato, who at the tender young age of 27, opened this restaurant in 1971. He trained at Taimeshirou in Nagoya, and named his restaurant Shigeyoshi after his mentor. I have been coming here every year for the past 6 years or so, and it has quickly made its way into a very special place in my heart. I go back to Tokyo every year over the Christmas and New Year holidays to visit my family, and a trip to Kyubei and Shigeyoshi are the activities which I look forward to the most. I was proud and ecstatic to learn that Shigeyoshi was recently awarded 2 Michelin stars- these are 2 very well deserved stars, for I know first hand that the food, service and ambiance are exceptional.

The space is a comfortable size, fitting 3 tables and 12 seats at the pristine wooden counter. There are 2 private rooms upstairs as well, but the golden seat is at the counter toward the right, in front of Chef Sato and the stovetop. What I love about Shigeyoshi is that despite its Michelin status and its revered reputation in the culinary world, it always feels like I’m hanging out with Chef Sato in his own home. It’s as if I dropped by his house on a weekend for a casual friendly chat as I sit on the bar stool and have him whip something up in the kitchen for me. Especially now that he knows my likes and dislikes and even saves my favorite dish for me, I feel comfortable being with him and being in that space. I almost forget that I’m in one of the best restaurants in Japan, as the place is warm, relaxed and serene.

There’s something to be said about this classic Japanese style of counter dining which is common in sushi restaurants. When chef and diner are face to face, it naturally creates open dialogue and wonderful conversation. For the diner, there is nothing more fascinating and wondrous as seeing your food be prepared right in front of you with artistic mastery and care. For the chef, there is nothing more gratifying and humbling than watching the diner savor every bite of your creation with joy and contentment. At Shigeyoshi, it’s always an honor and such a treasure to chat with Chef Sato and his trusted crew of 5 chefs as they prepare a meal of a lifetime. Especially with Sato, who has a great personality and calm demeanor, I never run out of interesting topics to talk about.

Chef Sato started our incredible tasting menu with an amuse bouche assortment of 黒豆 kuromame braised black beans with sprinkled gold powder, 唐墨 karasumi bottarga slice and 平目のこぶ締め hirame no kobujime kelp-infused fluke sushi. It was such a treat to be able to commence my meal with the rich and salty flavors of bottarga.

Fresh raw oysters were quickly and skillfully shucked by Chef Sato and served with a garnish of chopped onions and his version of cocktail sauce. We had 的矢 Matoya oysters from the Mie prefecture which claim to be 無菌 mukin or sterile and bacteria-free. It was the first time that I had ever even heard of such a concept, and was very intrigued. History has it that shortly after World War II, American soldiers and personnel at the American bases in Japan refused to eat oysters in Japan because they were thought to be contaminated and of bad quality. This criticism angered and fueled scientist Tadao Sato’s quest to create safe bacteria-free oysters. He eventually patented a process in which oysters are bred in sea water that has been sterilized by UV radiation. These bivalves had a clean and sweet flavor with a crisp cucumber finish.

Next we had tempura of 白魚 shirauo white fish and 蕗の薹 fuki no tou. I had a tough time researching the English translation for fuki no tou, but I finally found it: Japanese butterbur scape, or butterbur flower stalk. They look like round plump flower buds with a light green color and a brown center. Fuki no tou are one of the first wild mountain vegetables to sprout through the layers of melting snow as winter turns to spring. The slight bitterness of these vegetables is addictive, and it is most popular as tempura although it can also be prepared in braised dishes and miso soup. The warm crispy tempura was surprisingly light with very little oiliness.

Chef Sato knows my eclectic taste in food, and he was proud to present me with this assortment of Japanese delicacies. You know when Bugs Bunny’s eyes turn into big red hearts that pop out of their sockets when he sees the sexy Lola Bunny walking by? Well, that’s what my eyes were doing when I saw this orgasmic smorgasbord of lovely delights. Top left was a mixture of ずわい蟹のミソと子の塩辛 salt marinated Zuwai crab digestive innards and ovaries with an intense caviar-like flavor. This was my favorite. Top middle was sliced sea cucumbers in a ponzu sauce garnished with yuzu zest. I love the unique textures of fresh sea cucumbers- the outer layer is soft like a fresh mango, and the center layers are more firm, at times even crunchy.

Top right was a small serving of extremely sweet Hokkaido sea urchin which was so fresh that it had a marvelous plump texture. Bottom right was a piece of コハダ kohada or shad that had been marinated in and mixed with おから okara, which is the dry crumbly soy by-product of tofu. Shad, due to its fishy taste that spoils easily, is normally marinated in heavy vinegar and salt, so it was a pleasant surprise to enjoy this fish in a light and delicate preparation. Bottom left was tofu no moromizuke 豆腐のもろみ漬け, tofu marinated in a moromi shoyu that was specially made for Chef Sato by a soy sauce maker in Hiroshima. Moromi is the fermented mash of soybeans, whole wheat, salt and water from which soy sauce is eventually made. Tofu was simply marinated in this special moromi for 30 minutes, which rendered it soft and creamy like cheese. Simply amazing.

スッポンスープ Suppon soup- this is a Shigeyoshi standard in the winter season, and I always look forward to having this cup of snapping turtle soup that warms my entire body down to my very tippy toes. It’s a common tradition to eat turtle in Japan, especially in the winter time, as it is said to have great medicinal and nutritional powers and is best enjoyed in a hot pot nabe dish. Shigeyoshi’s soup tastes like refined beef consommé, except with a slightly thicker consistency that barely leaves a silky gelatinous veil on the tongue.

Turtle is high in collagen and can practically make any woman look 5 years younger overnight with its ability to plump up wrinkled skin. It is also said to enhance virility and sexual stamina in men, especially when drinking its fresh blood. I’ve tried fresh suppon turtle blood before, many years ago in my early 20’s. The warm bright red blood was served in a shot glass mixed with sake. It didn’t taste like anything other than the sake, but I remember feeling flushed and hot all over for a couple of hours, and wondering if that was what menopause was going to feel like.

Next was a fantastic dish of 平目 hirame flounder sashimi from Naruto city, served with a side garnish of flounder liver. Both the regular meat and the エンガワ engawa, which is the meat from the dorsal fin, were fatty and succulent with a delicate satiny texture.

We had 2 different types of grilled fish, of which my favorite was the マナガツオの西京焼 managatsuo no saikyo-yaki, Silver pomfret marinated in saikyo miso. The pomfret fish, which is similar to butterfish in consistency, hailed from Naruto city in Tokushima prefecture where the previous flounder was also from. I loved the buttery and rich texture of the fish coupled with the sweetness and lingering aroma of the white miso marinade. Chef Sato told me that he marinates the fish in the saikyo miso marinade for anywhere from 1 to 2 days depending on the quality of the fish, and never more than that to prevent the miso from overpowering the inherent flavors of the fish.

The other grilled fish hailed from Takeoka of Chiba prefecture, a fatty and delicate piece of line-caught 甘鯛 amadai tilefish that was simply seasoned with sea salt. It was interesting that both fish dishes were plated with a small piece of pickled chorogi 長老木 which is a Japanese artichoke, aka Chinese artichoke, aka Crosnes du Japon. These tiny bumpy vegetables are not artichokes like their name suggests, but actually a member of the mint family. I love learning about new foods.

越前ガニ Echizen crab was at their peak during the winter season, and we enjoyed the incredible sweetness of the moist and juicy meat along with a small but tantalizing serving of its green innards.

The next dish exemplified the concept of understated beauty in Japanese art and cuisine. A simmered 煮物 nimono dish of Kyoto turnips with fuki butterbur stems was prepared simply in a flavored broth and garnished with grated ginger. The flavors and the presentation were both simple, yet in its simplicity and nakedness, it was beautiful. These winter treasures were prepared to a perfect consistency in the way that would most respect its purity and essence. The dish was warm, comforting and peaceful.

And finally, the dish that I had been waiting for. This is my favorite dish at Shigeyoshi, and I have this every year. 河豚の唐揚げ deep fried fugupuffer fish is sure to convert even the most hardcore fried chicken fan. Most of the pieces served this particular evening were from the fish’s head, and I thoroughly enjoyed nibbling on the moist tender meat that fell right off the bones and the big fat gelatinous lips. This is the kind of dish that makes you so engrossed in the food that all conversation comes to a halt. For those precious few minutes, it’s just me and the fugu, and nothing else matters. I can honestly say that this is one of my most favorite dishes in the world.

We had some special pickled vegetables before our final rice course. The 沢庵 takuan pickled daikon radish on the right was made at Shigeyoshi, but the 奈良漬け narazuke, pickled white melon, was made by one of my dining companion’s sisters.

At Shigeyoshi, you can choose any one of many rice dishes to end the meal. Choices include rice with deep fried oysters kakifurai カキフライwhich I ordered. Lovely.

Another option is rice with toro, or fatty tuna. Scrumptious.

The kakiagedon, mixed vegetable tempura over rice, is a classic rice dish. Delectable. Other choices include oyakodon chicken and eggs over rice, gyudon braised beef over rice, and really if there’s anything that you want, Chef Sato and crew will make it for you.

Delicious seasonal domestic fruits were sweet like honey and refreshing on my palate.

A traditional Japanese dessert of ぜんざい zenzai, a warm bowl of red azuki beans with mochi, was served in beautiful red lacquerware.

As if this extravagant meal wasn’t special enough, Chef Sato gifted me with a signed copy of the Shigeyoshi book that is no longer in circulation. This beautiful book, which features Shigeyoshi’s seasonal specialties like turtle soup, doesn’t have many recipes but rather highlights the story behind each dish. It talks about Chef Sato’s inspirations, memorable anecdotes and stories about the artisans who produce the high quality ingredients that are used in the dishes. I especially love the essays that Chef Sato writes about certain regular customers with whom he has established a long lasting friendship, and their favorite dishes at Shigeyoshi. It’s an amazing and touching book about the intention and the human spirit behind this wonderful restaurant.

As Chef Sato shed his chef’s jacket and joined us at the counter for an after dinner beer, I got an even more personal look into the soul of this magnificent chef. His gentle eyes, so full of life, lit up with each new conversation topic as his engaging exchanges revealed his genuine curiosity for life. His calm yet uplifting sense of humor is one that I can only imagine comes from years of hardships and adversity. It is impossible for this marvelous chef to not affect your spirit, for his vitality is infectious. I mean, look at that smile. If you could only have one meal in Japan, have it at Shigeyoshi. Go with an empty stomach, and let the beauty of the chef, the restaurant and the food permeate your heart.

Shigeyoshi 重よし

6-35-3 Corp Olympia 1st floor

Jingumae, Shibuya-ku Tokyo

Tel 03-3400-4044

Random trivia: Fugu, or puffer fish, is notorious for containing lethal amounts of the poison tetrodotoxin in its liver. The poison acts as a paralytic and kills its victims in a slow and agonizing death from asphyxiation as it paralyzes the respiratory muscles. To date, there is no antidote. For this reason, only specially licensed chefs can prepare this potentially deadly fish. A chef must undergo a 3 year apprenticeship before being allowed to take the licensing exam. The examination process consists of a written test and a practical portion where the chef must prepare the fish and eat it. The passing rate is only 35%, and some of the failed challenges result in death.