Having directed four productions at British Transport Films, John Krish
left the organisation under a cloud in 1953: Edgar Anstey was unhappy with his
very personal, but unauthorised, reflection on the closure of London's trams in
The Elephant Will Never Forget (1953), though ironically it went on to become
one of the most popular films in BTF's library. Only after Anstey's retirement
was Krish invited back, but his return to BTF proved to be even more controversial than his departure.

His brief was to make a film to deter children from vandalising and playing on railways, and his solution, working with co-writer Michael Gilmour (with whom Krish had worked on advertising projects), was a fantasy narrative of a school sports day in which all the events involve railway vandalism or trespass, resulting in injury or death for the competitors. The cumulative effect is shocking, and must have been all the more so for the young audiences to whom the film was screened.

Not surprisingly, it immediately generated controversy, even becoming the subject of a Nationwide (BBC, 1969-84) television debate following a television screening of the film. Some commentators and parents worried that children would be traumatised, others that it might actually encourage copycat vandalism. Many defended the film as an appropriately tough response to a serious problem. Nonetheless, in 1979 the film was withdrawn and replaced by the much softer Robbie. At this stage, we can only speculate as to which film better achieved the aim they both shared, of preventing injury and loss of life, but The Finishing Line remains among the most audacious public safety films ever made.

Patrick Russell

*This film is included in the BFI British Transport Films DVD compilation 'The Age of the Train'. The introductory sequence of this film can also be downloaded from the BFI's Creative Archive. Note that this material is not limited to users in registered UK libraries and educational establishments: it can be accessed by anyone within the UK under the terms of the Creative Archive Licence.