JG: DUOX started as a collaboration between the two of you, and collaboration seems completely central to your practice even though you're now working under the name Wickerham & Lomax. You've worked closely with DIS Magazine and other high-profile sponsors, and even the feel of your new work seems deliberately corporate and commercial. What is the shape and direction of this collaboration? Where did DUOX end, and how does Wickerham & Lomax extend?

Lomax: I think aside from using the language of surface which is one of our subjects—appearances, mirrors, screens, reflections, storefronts, sheen—we employ the language of accessibility, and that gets foregrounded explicitly in corporate and commercial imagery which isn't really an idea we investigate but an aesthetic we employ. I think the corporate and commercial for us is really a mask, not an interest.