design projects

Last year I took the plunge and started accepting custom couple illustration requests for save the dates and wedding invitations over at my wedding blog. It was something I’ve been thinking of offering on the site for a few years now but I kept getting cold feet. Partly because I hear horror stories about custom work from my other designer friends, and also because I know how it is to be a bride-sometimes-zilla myself. I decided to go for it anyway and now, 6 months and more than a dozen couple portraits later, I’m actually glad that I did. Not only have I met such wonderful non-‘zilla-at-all clients (um, #blessed), I’m also able to flex my vector-crafting muscles and of course make some Christmas money on the side.

I just updated the other blog so if you like you can now see some of the cartoon couples I’ve done. (GO)

Eventually I will accept hand-drawn couple portrait commissions for weddings too but right now I’d like to focus on these cartoons.

Hey guys, just a quick update to let you know that some of my artworks can now be purchased on art prints, t-shirts, tote bags, some household items, etc via Redbubble. They’ll also be available locally sometime within the month — I just need to get them to my printer.

When I posted some of my eraser stamps on Instagram, some crafty friends were surprised to learn that the X-Acto Knife is all I’ve been using for carving1. It seems that most rubber stamp crafters — and I’ve noticed this on a lot of web tutorials I’ve read and watched — prefer to use lino cutters, more specifically, the Speedball Linoleum Cutter set which I want myself. That set contains a thin, V-shaped blade that looks especially useful for gouging out narrow “canals” between outlines — a pain to attempt with the straight-edged X-acto blade.

As mentioned previously, I’ve already ordered the set but while waiting I had to train myself to carve using the humble, easily available, and familiar2 pointy blade. Drama aside, if you want to start carving and like me, a craft knife is all you have, I will now share the process with you. I’ll even start from the very beginning — a very good place to start. *cue Julie Andrews*

** I’m by no means an expert at this. I just want to share what works for me so far.

1. Plan out the image you want to carve. Shade-in the areas to keep solid to guide you when you carve later. These doodles are “parols” or Filipino Christmas lanterns and I plan to use these on homemade gift tags.
2. Trace your “master” illustration onto tracing paper with a 2B lead pencil.

3. Place the tracing paper on top of your eraser or carving block, penciled side down. Rub on it with something firm like a pen’s bottom or a bone folder to transfer a mirror image of your sketch.

4. Totally optional but if I’m not using a two-tone carving block, I like tinting my surface lightly with some color. This is so I can easily see which areas have already been carved. Just dab a piece of tissue paper into your ink pad then pat it onto your eraser / carving block, just gently enough to tint it with color.

5. Start outlining your image with the X-Acto blade at a 30-45 degree angle << — very important. Remember to slice lightly because if you insert the knife too deep, it will be difficult to maneuver the blade which will result in tugging and therefore risking (a) ruining your stamp, and (b) piercing the finger you’re holding the stamp with. (Unfortunately for me I encountered all of the above on a couple of my initial carving attempts).

6. After you’ve outlined an area, lift the blade and turn the eraser around. Again with the blade inserted on a 30-45 degree angle, carve a curved line a short distance away from the outline you made towards the opposite direction from where you made the cut earlier. Try to “meet” the already-sliced areas with your blade’s tip, you’ll see that areas will begin peeling off. This is my favorite part. (Gosh I hope that made sense. Please see photo above for reference.)

7. Soon your stamp will look like this. See how all my cuts are angled?

8. Completely optional again but if you have some Blu Tack (mine’s about 15-years old and it still works and lol it’s not blue) lying around, you can use that to remove pencil marks as well as stubborn little bits of eraser stuck inside crevices.

9. Trim your stamp using a box cutter. Trimming it to size will help in stamp positioning later on.

10. Make a test print. This will allow you to see which areas still need fixing. It doesn’t really need to be perfect though — part of a rubber stamp’s charm is its rough handmade quality. (Such a good excuse, ‘no? )

If my instructions — especially in #6 — weren’t clear to you, watch this demo by the amazing Tsukui Tomoko. She uses both a box cutter (!) and a V-gouge in the video but the box cutter method at the beginning of the video is what I’ve been doing with the X-Acto knife.

Did this help you somehow? If you have other carving tips or techniques, I’d love to hear all about them!

… is a continuation of the update I posted on Instagram last night.1 I made these jeepney, tricycle, and pedicab doodles2 a week ago and thought of printing them on the Gocco… until I realized that I didn’t have enough screens.*headdesk* But as explained in the previous post, this is what led to my interest in rubberstamping in the first place which just proves that necessity is the mother of inven innovation (and crazy new obssessions).

***

On the home front, Arn is happy that I’m spending evenings being artistic — not just vegging out in front of the TV watching J-dramas (Teehee. Now you know. ) So now I’m either carving or doodling while my iTunes blasts out J-pop. Same difference. I’ve actually been semi-passively studying Nihongo since 2011 but I’ll reserve that story for another time…

Before I went off-tangent, I was gonna say that Arn and I have been talking about what sparked this sudden desire to create with my hands.After some thought, I had the answer: Design Festa!!!

This cheezy photo below was taken at the Design Festa Gallery in Harajuku, Tokyo in 2006. (Whattapose *cringe*)

That was the first time I heard of it. Since then I’ve been wanting to attend the actual festival but our timing was always off. When we planned our trip for this year, I made sure to check the schedule. They usually hold it in May and November. We chose to go in the fall because Tokyo would be just as hot as Manila if we went in the summer.

So here I am all giddy, holding our pre-bought tickets which we purchased at the HQ in Harajuku (the same place in the 2006 photo I posted above). We actually arrived at Tokyo Big Sight 30 minutes before it opened.

This is not even half of the crowd that was there bright and early. See how behaved and properly-queued up everyone was though.

Inside, the place was bursting with kawaii, I didn’t know where to start!

I went bananas over all the cute stuff and even had photos taken with the very friendly and talented artists who were only too happy to indulge our whims.

Arnold, meanwhile, enjoyed taking photos and videos of the kids who were painting on the scene.

We originally planned to stay until around 4pm so that we could go somewhere else afterwards but we ended up leaving at 8pm, closing time, because there was so much to feast our senses on. Indie bands were playing outside. Strange short films were showing upstairs. A diverse selection of food carts dotted the place. At the end of the day my tote was filled with handmade puraban brooches, plushies and some stationery. Arn bought several art cards and indie comics. Ironically, I didn’t notice any keshigomu hanko (hand-carved erasers) although I’m positive there was a whole section devoted to it…

Hello! Is anyone still reading this? I’ve been wanting to revive this blog but I didn’t know what to write about… or if what I will write will interest readers, even if there are just two or three of you now. Or none? Eep! *takes deep breath* Aaanyway. I’ve noticed that blogs these days seem to be more focused on making money, unlike in the early days when everyone was doing it to share thoughts with a tight-knit community. I miss those times but I guess there’s Facebook now for that kind of thing.

So maybe I’ll start with what kept me busy when I wasn’t here. Ironically, I was also blogging –> over there. What started out as a small hobby exploded into something bigger than I expected. At least I was still making art in the form of invitations but I missed having a venue for personal self-expression. So then I started making little illustrations that I turned into patterns which I sold online on various surfaces, from iPhone covers to fabric.

And if you’ve seen my Instagram feed, you’ll notice that I’ve recently been leaning towards analog design. I rescued my Print Gocco from unuse1 and went crazy using up almost all of my (ahem, hoarded) screens and bulbs. Sadly though, since the Gocco got discontinued, supplies are now hard to come by — not to mention really expensive if you’re lucky enough to find some on eBay. Which is why I’ve been looking for other ways to get my art printed and then I thought, why not try rubber stamping? We did this in school with erasers before but I haven’t done it in years.

So last week I got reacquainted with the X-acto knife and, armed with cheap National Book Store rubber erasers, I started carving away. I’d set aside 2 hours an evening just to practice. There was some blood oh yes but I’m determined to get a lot better at it so that I can get my ideas on print. I’ve learned three things so far:

1. I need better sculpting tools. I ordered a Speedball lino cutter from Amazon but I’ll have to wait for a few more weeks for it.
2. The cuts should be shallow. I was making deep cuts at first but then I noticed that it took a lot of effort to turn the blade around which resulted in jagged lines.
3. Practicing can really make a difference. Comparing the stamps I made last week with this week’s batch, I would say there’s an improvement.

Here’s one I made today. The lines are still crude but I’m glad I managed to carve out all those little stripes without giving up. Stay tuned for more of my adventures in rubber stamp carving.

Meanwhile, I also wanted to tell you that I spiffied up the surroundings in case you hadn’t noticed. A portfolio of my newer stuff is now integrated into the site plus I wrote a novel for the about me page lol. So there, I started blogging here again — no turning back now. More soon!

lol at my old tutorial! Do you know how many times I used it since then? A whopping one time.[ back]

… to let you know that I will *eventually* update this blog sometime in the future.

In the meantime, I’m frequently on INSTAGRAM where you can see where I’ve been going + what I’ve been doing (and eating). Hope to see you there!Please also visit my husband Arnold Arre’s blog for updates on his work. Leaving you now with a short — and pretty amazing (okay I’m biased ) — video that shows his digital painting process. No pencil sketching necessary!