Robert Miller Swings for the Fences With Project Grand Slam (video)

New York native Robert Miller is the driving force behind Project Grand Slam, a band that combines jazz, rock and fusion into a unique sound. (Photo: Robert Miller)

Robert Miller played piano and trumpet growing up, but his first love was the bass. He studied under Jimmy Garrison, who played for John Coltrane and now leads Project Grand Slam, a rock, jazz and fusion band.

The six-member combo has a unique sound that has won praise from music critics.

Its third album, Made in New York was released last year.

It features Miller penned hit singles “New York City Groove” and “The Winner,” four other original songs and two tracks recorded live at the world famous New York City jazz club, Blue Note. A re-imagined version of Jimi Hendrix’s “Fire” is also included.

The band’s fourth and newest album, The Queen’s Carnival, is due next month. The lead single “The Rescue” is already out.

Kat Robichaud, a semi-finalist on NBC’s “The Voice,” guest sings with the band and appears in videos for “Groove” and “Fire.” They have been viewed more than 150,000 times to date on YouTube.

Other band members include Marcello Casagrandi on keyboards, Mario Castro on sax, Yasser Tejeda on guitar, Joel E. Mateo on drums, and Guillermo Barron Rios on percussion.

The band’s music was featured on the NBC-TV series “Lipstick Jungle,” starring Brooke Shields and Kim Raver. Five tunes were included on the soundtrack.

IM caught up with Robert fresh from a rehearsal to gain some insights into Project Grand Slam’s unique sound.

TheImproper: Tell us about the formation of Project Grand Slam.

Miller: I formed PGS in 2007. I wanted a different and cool name for the band so I chose the name of the scheme to steal the gold from Ft. Knox from the James Bond movie ‘Goldfinger.’ Only, I got it wrong! In the movie it was called ‘Operation Grand Slam,’ but I had already named us Project Grand Slam!

IM: How did you come to play the bass; and what players did you admire?

Miller: I took up the bass at 14 because I knew one of the Beatles (Paul McCartney) played bass and I already knew the treble cleff from playing trumpet, so I volunteered to learn the bass cleff. My early favs were Jack Bruce (Cream), Jim Fielder (BS&T) and Tim Bogert (Vanilla Fudge). My later favs were Jaco Pastorius (Weather Report), Stanley Clarke (Return To Forever) and Victor Wooten (Bela Fleck).

The band’s latest album, The Queen’s Carnival, will be released next month. (Photo: Robert Miller)

IM: Tell us about recording with Kat Robichaud, (The Voice semi-finalist 2013) How did you both hook up for the recording?

Miller: Kat works with my music team and they introduced us. In addition to being a great singer, she’s very theatrical, which I think is on full display in the two videos she did with us for ‘Fire’ and ‘NYC Groove.’

IM: Your new album, The Queen’s Carnival comes out in August; tell us about the album, which features the first single ‘The Rescue’ and how the SONY/RED connection came to be.

Miller: I wanted to do an album that truly reflected my love of rock and jazz and that would push the boundaries of each. I also wanted diversity. So the album runs the gamut from funk to Carribean jazz rock to Celtic rock to Arena rock.

I think that’s pretty cool! I was introduced to the two guys who run Creative Entertainment Network (CEN), which is part of SONY/RED. They are my ‘Music Quarterbacks.’

IM: I noticed that the word fusion comes up several times in your bio; I remember the term jazz-fusion being used a lot back in the day; what does fusion mean now?

Miller: Fusion got a bad rap in the ’70s for some reason. But I always loved it. To me it’s the combination of the power and beat of rock with the complexity and improvisation of jazz. When you get it right it’s heavenly!

IM: The accompanying video to ‘The Rescue’ is out too; it has a terrific feel. Tell us how that was put together?

Miller: “The Rescue” was literally the last song that I wrote for the new album. I needed another song and this one came to me one day – it rescued me! I initially was thinking about “Crossroads” by Cream, but the song quickly morphed into James Brown-meets-jazz rock fusion funk. The video was put together by my management team at CEN. It’s upbeat and dazzling – just like the track!

IM: Tell us about the others players in PGS?

Miller: I use a rotating cast of young, terrific musicians mainly out of Berklee Music in Boston. The group on the recording is sort of my A Team. Fabulous, creative, enthusiastic – great fun and joy to play with.

Miller: People like covers because the songs are familiar. But I have no interest in doing a song just like the original. Instead I try to totally reimagine the song and I lean toward covers of classic rock songs from my era. On the last album, I completely reworked ‘Fire’ by Jimi Hendrix and it came out great. The reception was superb.

This time around I just had an inkling that I could totally reimagine ‘You Really Got Me,’ one of my all-time faves by a great band. I was so fortunate to have the great Lucy Woodward sing it with us. I told her to think about the lyrics as she sang it. The song is about someone totally under the spell of their lover; completely obsessed. She nailed it in one take.

IM: Any other possible remakes down the line?

Miller: There are a million more songs from the ’60s left for me to mess with, so I’m probably going to continue the trend.

About The Author

Winchester

Winchester has been an entertainment insider for several decades. He’s served as an agent; manager and PR strategist for some of the biggest acts in entertainment. His coterie of inside sources is virtually unmatched. Hence the need for a certain anonymity to protect the innocent and informative.