In contrast to most Japanese painting schools of the Edo period (1600-1868), Nanga artists
looked for inspiration to Chinese scholar painting- the work of cultivated amateurs- that they
knew through woodblock-printed books. The woodblock medium changed the intentionally
bland brushwork of the Chinese style into a stronger two-dimensional design, creating simplified
surface patterns and flat ink tones that appealed to Japanese taste.

Buson used a Chinese theme for this work. But instead of imitating a specific prototype, he
followed the Japanese idea of selecting a style appropriate to his subject. The asymmetrical
composition recalls the type created by the professional painters of the Southern Sung
(1127-1271) and Ming (1368-1644) periods, whose work formed the foundation of Japanese
ink-painting styles. Travellers on Horseback may be one of a set of four screens depicting the
seasons- a major theme in Japanese painting. Buson was also one of Japan's best haiku poets,
and the lyrical style of this painting reveals qualities found in his poetry: momentary impressions
characterized in simplified evocative images.