A Good Man Is Hard to Find and Other Stories

By Flannery O'Connor

Release Date : 1977-08-23

Genre : Arts et disciplines linguistiques

FIle Size : 0.60 MB

The file download will begin after you complete the registration.
Downloader's Terms of Service | DMCA

Description

A Good Man Is Hard to Find and Other Stories The collection that established O’Connor’s reputation as one of the American masters of the short story. The volume contains the celebrated title story, a tale of the murderous fugitive The Misfit, as well as “The Displaced Person” and eight other stories.

More by Flannery O'Connor

Flannery O'Connor The collection that established O’Connor’s reputation as one of the American masters of the short story. The volume contains the celebrated title story, a tale of the murderous fugitive The Misfit, as well as “The Displaced Person” and eight other stories.

Flannery O'Connor Winner of the National Book Award

The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.

O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.

Flannery O'Connor Wise Blood, Flannery O’Connor’s astonishing and haunting first novel, is a classic of twentieth-century literature. Focused on the story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his innate, desperate fate, this tale of redemption, retribution, false prophets, blindness, blindings, and wisdoms gives us one of the most riveting characters in twentieth-century American fiction.

Flannery O'Connor "A Good Man Is Hard to Find" is Flannery O'Connor's most famous and most discussed story. O'Connor herself singled it out by making it the title piece of her first collection and the story she most often chose for readings or talks to students. It is an unforgettable tale, both riveting and comic, of the confrontation of a family with violence and sudden death. More than anything else O'Connor ever wrote, this story mixes the comedy, violence, and religious concerns that characterize her fiction.

This now-classic book revealed Flannery O'Connor to be one of the most original and provocative writers to emerge from the South. Her apocalyptic vision of life is expressed through grotesque, often comic, situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy.

Flannery O'Connor Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.

Flannery O'Connor & W. A. Sessions "I would like to write a beautiful prayer," writes the young Flannery O'Connor in this deeply spiritual journal, recently discovered among her papers in Georgia. "There is a whole sensible world around me that I should be able to turn to Your praise." Written between 1946 and 1947 while O'Connor was a student far from home at the University of Iowa, A Prayer Journal is a rare portal into the interior life of the great writer. Not only does it map O'Connor's singular relationship with the divine, but it shows how entwined her literary desire was with her yearning for God. "I must write down that I am to be an artist. Not in the sense of aesthetic frippery but in the sense of aesthetic craftsmanship; otherwise I will feel my loneliness continually . . . I do not want to be lonely all my life but people only make us lonelier by reminding us of God. Dear God please help me to be an artist, please let it lead to You."

O'Connor could not be more plain about her literary ambition: "Please help me dear God to be a good writer and to get something else accepted," she writes. Yet she struggles with any trace of self-regard: "Don't let me ever think, dear God, that I was anything but the instrument for Your story."As W. A. Sessions, who knew O'Connor, writes in his introduction, it was no coincidence that she began writing the stories that would become her first novel, Wise Blood, during the years when she wrote these singularly imaginative Christian meditations. Including a facsimile of the entire journal in O'Connor's own hand, A PrayerJournal is the record of a brilliant young woman's coming-of-age, a cry from the heart for love, grace, and art.

Flannery O'Connor First published in 1955, The Violent Bear It Away is now a landmark in American literature. It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Conner's work. In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle--that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul.

O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos. The result is a novel whose range and depth reveal a brilliant and innovative writers acutely alert to where the sacred lives and to where it does not.

Flannery O'Connor, Sally Fitzgerald & Robert Fitzgerald At her death in 1964, O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her too-short lifetime. The keen writings comprising Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the directness and simplicity of the author's style, a fine-tuned wit, understated perspicacity, and profound faith.

The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. Also included are: three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two pieces on teaching literature, including "Total Effect and the 8th Grade"; and four articles concerning the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are widely seen as gems.

This bold and brilliant essay-collection is a must for all readers, writers, and students of contemporary American literature.

Flannery O'Connor & Sally Fitzgerald Winner of the National Book Critics Circle Special Award

"I have come to think that the true likeness of Flannery O'Connor will be painted by herself, a self-portrait in words, to be found in her letters . . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."—Sally Fitzgerald, from the Introduction

Flannery O'Connor The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium, " in 1946 while she was working on her master's degree at the University of Iowa. This Book, which is arranged chronologically, shows that her last story, "Judgement Day, " sent to her publisher shortly before her death, is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these reveal an amazing lively, imaginative, and penetrating talent that has given us some of the most powerful and disturbing fiction written this century. Also included is an introduction and memoir by O'Connor's long-time editor, Robert Giroux.

PEN America: A Journal for Writers and Readers is published by PEN American Center. Featuring fiction, poetry, conversation, criticism, and memoir, PEN America champions international authors and provides first-hand insight into the minds of contemporary writers through provocative symposia.

In 2000, PEN America was named one of the Ten Best New Magazines by Library Journal. PEN America has been a finalist for the Utne Independent Press Award for international coverage, and work from recent issues has been selected for Best American Essays, Best American Stories, and the Pushcart Prize.

PEN American Center is the largest of the 141 centers of International PEN, the world's oldest human rights organization and the oldest international literary organization. International PEN was founded in 1921 to dispel national, ethnic, and racial hatreds and to promote understanding among all countries. PEN American Center, founded a year later, works to advance literature, to defend free expression, and to foster international literary fellowship. Its 3,400 distinguished members carry on the achievements in literature and the advancement of human rights of such past members as James Baldwin, Willa Cather, Robert Frost, Allen Ginsberg, Langston Hughes, Arthur Miller, Marianne Moore, Eugene O'Neill, Susan Sontag, and John Steinbeck. To learn more about PEN American Center, please visit: www.pen.org. PEN American Center welcomes readers and writers from all walks of life to join us in our mission to protect free expression and celebrate literature. To learn how to become a Professional or Associate Member of PEN, please visit: pen.org/join.