My favourite part of being a huge music fan is discovering new music. As life gets busier it can become harder and harder to make time to listen to new music. Keep in mind that ‘new’ music is oftentimes old music. I find it just as exciting to discover new bands like Royal Blood as I do to uncover and rediscover bands of that past, like The 13th Floor Elevators.

As our four Sonic Collective members all have amazing taste in music, obviously, I thought it would be fun to ask the group who they thought was a recording artist that other music fans should listen to. We each picked these artists independently so many of these picks are new to the group as well.

On November 1st our show will be available on the website. Each of our Collective members will educate the listeners about the band they chose, tell you which albums and songs to listen to and give you some cool facts about these bands.

Blink-182: The Mark, Tom and Travis Show
Scott Gregory, September 2018

Hello everyone I’m Scott G and welcome to The Sonic Collective’s pick for September 2018. As you know, we’re in the middle of a round of live albums. We’ve had some New Wave with the Talking Heads, some Southern Bluesy Rock with the Alman Brothers and some acoustic Blues from across the pond from Eric Clapton unplugged.

This month, I wanted to find a seam in the picks and go in a completely different direction. We’re going to fast forward to the 2000s, we’re going to get loud, and we’re going to get a little crazy.

Blink-182 is well-known for putting on electrifying live shows full of crazy banter with the audience in between songs played way faster than on the studio albums. In 2000, between hit records Enema of the State and Take Off your Pants and Jacket, Mark, Tom and Travis recorded a show over two nights and aptly called it “The Mark, Tom and Travis Show”.

Looking at the track list, I think what I’ll enjoy most is everyone getting a deeper look at the band. Much Music (MTV for Canadians basically) only played the videos for their singles, and the band got a bit of a bum rap as some sort of prank group. It got them a lot of publicity so I’m sure they played it up a bit, but no joke, this is a band with tight lyrics and playing. This album isn’t just a greatest hits, so you’re going to get a deep look at their full playlist.

HISTORY WILL EXONERATE BLINK-182 as the greatest punk pop band of the 2000s. I’m staring right at you Green Day.

So yeah. The show’s supposed to capture lot of the live banter between Mark Tom and Travis and a crazy audience coming in loudly over the vocals, so I’m really looking forward to a great audio recording of a frenetic live rock show.

Without further ado, I’d like to once again invite you to join us here at the Sonic Collective for our September pick: The Mark, Tom and Travis Show by Blink 182, and check in at the end of the month to see how your thoughts match up with ours. Cheers.

Recorded in front of a live audience in the winter of 1992 in England, Unplugged represented a stripped down version of Clapton’s music. Bluesy and soulful, the album went on to receive nine Grammy award nominations, ultimately winning six, including Record of the Year, Album of the Year, and Song of the Year. Not a bad haul for one performance.

Eric Clapton was a musical giant long before he recorded Unplugged, lending his talent as a guitarist to such notable musical acts as the Yardbirds, and Cream.

Born in Surrey, England, Eric first picked up a guitar at age thirteen, but within three short years, he managed to achieve a large amount of notoriety for possessing advanced prowess with the guitar. As he continued to play around the country in a number of different musical outfits, Clapton forged a distinctive style and rapidly became one of the most talked-about guitarists in the British music scene, an accolade that would dog him – for better or worse – for decades.

Despite professional success, Clapton’s personal life has been troubled. At various times he has faced tragedies, loss, and heartache, battled depression, and fought a crippling addition to drugs and alcohol, but he has always managed to overcome – a feat he attributes to his music, stating: “I almost subconsciously used music for myself as a healing agent, and lo and behold, it worked … I have got a great deal of happiness and a great deal of healing from music.”

His music has undoubtedly also brought happiness and strength to millions of fans around the world.

I’ve known of the Allman Brothers my entire life but until recently had never listened to one of their albums. A few years ago while searching ‘best live albums’ online, their At Fillmore East album was listed; I was intrigued but didn’t listen to it. Fast-forward a couple years and I came back to it.

The double album, featuring just seven songs, was recorded at New York’s Fillmore East theatre on March 12th and 13th, 1971. They were the opening, opening act for Johnny Winter and Elvin Bishop Group the first two nights, but gained so much momentum, they closed the third show as the headliner. The band was paid $1,250 each show. This was the band’s third album and the one that made them a commercial success, being released in July 1971.

It’s interesting to note just how regarded Duane Allman was at the time, regularly jamming with Eric Clapton, and he was invited to join Clapton’s band Derek and the Dominos but declined. Find a comfy chair, nice drink and settle in to what many publications have listed as one of the best live rock albums of all time.

This month we decided to resurrect our round of live albums that proved to be a very popular–at least with our group anyway–genre of albums. Besides, what is better than live music to show just how great a band is?

Though I had originally intended to pick a more obscure album, I have always loved the Talking Heads and David Byrne. After chatting with a few good friends about the recent David Byrne concert in Calgary I completely knew I had to pick this legendary band.

I had never listened to this soundtrack, nor have a seen the Stop Making Sense movie so I was excited to make this pick.

Listen to my selection audio, watch the video clips or the movie if you can find a copy, read up on this classic live movie and then join us at the beginning of July to hear our thoughts, what we learned, and if this movie/soundtrack are still worth having in your collection.

Canada seems to have a couple musical hot spots, Vancouver, Calgary, Toronto and every 5 or so years there seems to be a massive eruption of talent that comes out of the East coast, frequently with an Irish or Celtic root that gets fused into the current musical trend.

Ashley’s a fiddler from Nova Scotia that exploded onto the Canadian scene in 1996 with his most-critically acclaimed and commercially successful album, “Hi How are you Today”.

I remember the main single Sleepy Maggie, was on the radio like every single hour. You may not know this, but Canada has laws requiring a minimum amount of Canadian content to be played on the radio, so when someone like Ashley or, god help us, Nickelback comes along they really play the snot out of them.

The album went double platinum and enjoyed some moderate success in the United States and abroad.

Historically, I’ve stuck pretty high up on the various lists of top-500 albums, but I thought it would be a great pick to explore a musical theme that comes forward frequently in Canada, and Ashley’s one of those musical oddballs that translates a pretty wild personal life into a uniquely crafted musical experience.

I didn’t know this, but apparently he plays his fiddle left-handed, but keeps it strung right-handed, which contributes to his unique sound. Thanks for that, wikipedia!

Other albums that were dominating the public conscience that year were the previously-reviewed Jagged Little Pill by Alanis, What’s the Story Morning Glory by Oasis, and Tragic Kingdom by No Doubt. Keep that in mind as you try to figure just how this album managed to carve out its own place in 1996.

Break out your kilts, gather everyone in the kitchen for a listening party and join Darren, Alain, Scott and I at the Sonic collective in (hopefully) enjoying this month’s pick, Ashley MacIsaac’s “Hi, How are you today.” Cheers.

In the late 1960s, Alice Cooper had failed to find any commercial success, despite having released 2 albums under Frank Zappa’s record label. Their sound was just too psychedelic, low-fi, and weird for most people. But that all changed in November of 1970, when with the help of Canadian producer Bob Ezrin, the band released the song, I’m Eighteen, to much acclaim. Approaching their music with a more aggressive, hard rock style, the band managed to convince Warner Brothers records that it had commercial potential to release an album, and I’m Eighteen became the first single on their third album Love it to Death, which was officially released in March of 1971.

The band’s popularity and fame only grew from there thanks to their reputation for putting on flamboyant, over the top live performances.

Love it to Death is considered to be one of the foundational albums that inspired the heavy metal sound, and left a considerable influence on hard rock, punk, and heavy metal. Joey Ramone wrote his first song for the Ramones based on the chords to I’m Eighteen, and John Lydon auditioned for the Sex Pistols by miming to the song.

Along with their contemporaries, Led Zeppelin, Deep Purple, and Black Sabbath, Alice Cooper helped shape the future of hard rock and heavy metal for decades to come.

Hard to Handle was the hit song of the moment and I was spinning it as a young DJ at Lloyd’s Recreation, a rollerskating rink and Calgary landmark that sadly recently closed. I was 17 and didn’t realize the ‘hit’ was a cover. A few other tracks on The Black Crowes first album, Shake Your Money Maker, caught my ear but then they kind of disappeared. Their second album, The Southern Harmony and Musical Companion came out but it didn’t really grab me.

Years passed, then sometime in the 2000s, I hit upon The Southern Harmony and Musical Companion again, and, wow… Age and maturity was needed to appreciate this one it seems. Much like Catcher in the Rye read at 15-years-of-age wasn’t fully grasped, this album escaped me during first listens at a young age.

The Crowes second release, it came out on May 12, 1992 and went on to spawn four hit singles. This album reminds me a lot of old Rolling Stones albums and rock albums of the seventies. I’ll stop here and let you decide – sit back – have a listen – and enjoy.

I was near Recordland in Calgary on a very cold–like -25C cold–day so I had to go in. I was just looking around at albums when I heard the Recordland staff play Time Tough by Toots & the Maytals. I was completely overwhelmed by the song as it was freaking perfect. It was a freezing day so a nice beach-inspiring reggae song like that made me feel great. But I’ve also had a tough few years career-wise, like many Calgarians, and this really hit home. It again made me feel great to realize that “The Struggle” is real and capitalized. Everyone has their own struggle and you can’t compare to others. Fortunately, music like this can understand you, speak to you, and inspire you to do something. I wanted to learn more about this album.

I bought this album as well as Black Uhuru’s Red album and The Congos The Heart of the Congos album. All three are considered to be some of the greatest reggae albums out there. Ok, I know you are screaming Bob Marley at me but you have to listen to the podcast in order to find out why I didn’t pick him.

We only have a couple rules here at the Sonic Collective on how we pick albums;

it has to be at least 5 years old

it can be of any genre (I guess that’s more of an affirmation than a rule)

Has to be an original album (no greatest hits, soundtracks or compilations)

BUT – It can be a soundtrack if it’s entirely original material, composed and compiled for this purpose.

I’m glad we made this caveat, because there’s an album that’s considered one of the greatest of all time, usually ranked first or second behind Michael Jackson’s Thriller for best album of the 80s. It’s a soundtrack to an album of the same name.

The Sonic Collective’s album for January 2018 is Purple Rain by Prince and the Revolution.

The sixth studio album and the first to feature The Revolution, it’s sold over 25 million albums worldwide and is the third best-selling soundtrack behind Whitney Houston’s the Bodyguard and The Bee Gee’s Saturday Night fever.

But, let’s take a moment and reflect on the fact that Meatloaf’s Bat out of Hell, has outsold all three of them. That’s RIGHT. Greg, I miss you.

I’ve put together a little gameplan for this pick to try and really get the most out of this album.

I’ve heard all of Prince’s singles, but never listened to a full album. Apparently this is a real departure from his earlier work, so I think I’m going to start off by listening to the first five Prince albums for context before getting into this album.

After listening to the album a couple times I think I’ll go and watch the movie again. It’s been easily a decade so I can’t even remember most of it, but it’ll be fun to see where the album matches up with the scenes and themes in the movie.

Whether you go all the down the rabbit hole or just want to give the album a couple listens, I hope you join us at the end of January to discuss Prince and the Revolution’s Purple Rain. Cheers.