Mirror and system cameras Sony are less popular than the products of two more eminent Japanese companies. However, this does not mean that such cameras don`t have a wide fleet of optics. Believe me, there is something to choose from. And there is always the possibility of making a mistake by buying not the most worthy lens. That’s why you need to get acquainted with our top-8, talking about the best models, buying any of which you definitely will not disappoint.

Best Portrait Lens for Sony System Camera

Best telephoto lens for Sony SLR camera

Sony 70-300mm f / 4.5-5.6G SSM (SAL-70300G) – 9.5 / 10

Best standard zoom lens for Sony camera

1. Tamron SP AF 28-75mm f / 2.8 XR Di LD Aspherical (IF) Minolta A

As part of this lens for a SLR camera, there are aspherical lenses. This indicates a high aperture and almost complete absence of all artifacts. It seems that such a “glass” must cost a lot. But the manufacturer decided to surprise the amateur photographers, putting not the highest price tag. This is almost the cheapest zoom lens with a constant aperture. Whichever focal length you set, the aperture will be able to open up to f / 2.8. It remains to regret only the absence of an optical stabilizer and a wide angle of view. In this regard, this model is not recommended for shooting landscapes and city views. First of all, it was created to create beautiful portraits.

Main advantages:

Adequate price

High light-gathering power

Good Sharpness

Permanent aperture

Cons:

Noisy autofocus motor

Tamron SP AF 28-75mm f / 2.8 XR Di LD – fast video review

2. Sony 16-50mm f / 2.8 (SAL-1650)

If you want to engage in professional photography with your “SLR camera”, you should think about buying a universal lens with a constant aperture. An excellent choice can be Sony 16-50mm f / 2.8. A fairly wide opening diaphragm helps to get a portrait with a beautifully blurred background. At the same time, the picture will be as detailed as possible. The optics keep the backlight cool, which allows you to make a wonderful shot at sunset or dawn. Pleases buyers and excellent build quality. It is felt that this thing is expensive and reliable. don`t damage the optics, even moisture and dust. Some inconvenience causes only a tight ring of zoom. But to complain about it you start only during active video shooting. And the owner of the SLR camera rarely does this.

Main advantages:

Quality build

Protection against dust and moisture

Excellent sharpness

High light-gathering power

Permanent aperture

Fast and accurate autofocus

Cons:

Most often, such optics have a variety of types of coverage, eliminating geometric distortions and other artifacts. Here Sony Carl Zeiss Vario-Tessar T * E 16-70mm f / 4 ZA OSS for system cameras has such lenses. In fact, this lens is universal. A sufficiently wide range of focal lengths allows you to shoot portraits, landscapes and photographs in other genres. However, it should be remembered that the aperture here is only disclosed to the value of f / 4, so it is not worth hoping for a much blurred background. But this model can boast of fast and low-noise autofocus. This should please the fans of video shooting, who during their work don`t engage in manual focus.

Main advantages:

Main advantages:

Versatility

Optical stabilizer

Quality build

Low weight (308 g)

Excellent sharpness

Cons:

High Price

Not the highest light-gathering power

Best Portrait Lens for Sony SLR Camera

1. Sony 50mm f / 1.4 (SAL-50F14)

This lens was created for those people who don`t want to save on photographic equipment. It allows you to squeeze almost anything out of a Sony SLR camera (as well as full-frame Sony Alpha A99). One could call it the ideal portrait lens, if not for the plastic case. This material did not allow the construction to be as tight as possible. Because of this, dust can gradually get inside the lens, most often, however, the quality of shooting does not affect. The main advantage of Sony 50mm f / 1.4 – high light-gathering power. Also, optics can boast of excellent sharpness. The lens is stably pointed at the sharpness both at short and long distances.

Main advantages:

Minimum dimensions and weight

Adequate price

Very high aperture

Excellent sharpness

Beautiful bokeh

Cons:

Plastic enclosure

Video review Sony 50mm f / 1.4

2. Sony 50mm f / 1.8 (SAL-50F18)

Any self-respecting owner of a SLR camera simply must possess a portrait lens – such as the Sony 50mm f / 1.8. For very modest money, this optics allows you to create very sharp photos. A highly developed diaphragm contributes to increased aperture. You will become much more likely to shoot at 1/4000 sec exposure, making it less speedy only in extreme conditions. Among the shortcomings of this optics is only the plastic case. But for this cost it can be forgiven.

Main advantages:

Low Price

Minimum dimensions and weight

Excellent light-gathering power

High sharpness

Cons:

Plastic enclosure

Noisy autofocus motor

Best Portrait Lens for Sony System Camera

1. Sony Carl Zeiss Sonnar T * 55mm f / 1.8 ZA (SEL-55F18Z)

As a portrait optician, most photographers most often use lenses with a 50-millimeter focal length. But there are exceptions. In particular, Sony Carl Zeiss Sonnar T * 55mm f / 1.8 ZA. Agree, it is difficult to recall another optics with such a non-standard focal length. This model provides a sharp and vivid picture. This is due to the wide opening diaphragm and not the largest number of lenses. Also, all this contributes to the beautifully blurred side. On the resulting picture, you will not find any distortion, distortion or excess glare. Good “glass” works with backlight. Some people consider the lack of an optical stabilizer as a drawback. But it simply does not require such optics. It is much easier to make the shutter speed faster – so you definitely will not get a blurry shot. High light speed allows you to do this.

Main advantages:

Versatility

Optical stabilizer

Quality build

Low weight (308 g)

Excellent sharpness

Cons:

High Price

Not the highest light-gathering power

Best Portrait Lens for Sony SLR Camera

1. Sony 50mm f / 1.4 (SAL-50F14)

This lens was created for those people who don`t want to save on photographic equipment. It allows you to squeeze almost anything out of a Sony SLR camera (as well as full-frame Sony Alpha A99). One could call it the ideal portrait lens, if not for the plastic case. This material did not allow the construction to be as tight as possible. Because of this, dust can gradually get inside the lens, most often, however, the quality of shooting does not affect. The main advantage of Sony 50mm f / 1.4 – high light-gathering power. Also, optics can boast of excellent sharpness. The lens is stably pointed at the sharpness both at short and long distances.

Main advantages:

Minimum dimensions and weight

Adequate price

Very high aperture

Excellent sharpness

Beautiful bokeh

Cons:

Plastic enclosure

Video review Sony 50mm f / 1.4

2. Sony 50mm f / 1.8 (SAL-50F18)

Any self-respecting owner of a SLR camera simply must possess a portrait lens – such as the Sony 50mm f / 1.8. For very modest money, this optics allows you to create very sharp photos. A highly developed diaphragm contributes to increased aperture. You will become much more likely to shoot at 1/4000 sec exposure, making it less speedy only in extreme conditions. Among the shortcomings of this optics is only the plastic case. But for this cost it can be forgiven.

Main advantages:

Low Price

Minimum dimensions and weight

Excellent light-gathering power

High sharpness

Cons:

Plastic enclosure

Noisy autofocus motor

Best Portrait Lens for Sony System Camera

1. Sony Carl Zeiss Sonnar T * 55mm f / 1.8 ZA (SEL-55F18Z)

As a portrait optician, most photographers most often use lenses with a 50-millimeter focal length. But there are exceptions. In particular, Sony Carl Zeiss Sonnar T * 55mm f / 1.8 ZA. Agree, it is difficult to recall another optics with such a non-standard focal length. This model provides a sharp and vivid picture. This is due to the wide opening diaphragm and not the largest number of lenses. Also, all this contributes to the beautifully blurred side. On the resulting picture, you will not find any distortion, distortion or excess glare. Good “glass” works with backlight. Some people consider the lack of an optical stabilizer as a drawback. But it simply does not require such optics. It is much easier to make the shutter speed faster – so you definitely will not get a blurry shot. High light speed allows you to do this.