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We are amateurs with a lifelong love of spanking films, particularly of a “vintage” nature, where there is an attempt at plot and dialogue, however goofy on occasion. “Vintage” usually emphasizes schoolgirl or ageplay action, and good films are classified “old” all too quickly. We don’t intend an exhaustive analysis of the CP industry. We tactically avoid producers we don’t care for, without judgment. We tend also not to prefer those producers who employ Las Vegas-style models or with a heavy BDSM flavor.

We don’t require good acting or plausibility; after all, the actresses are being asked to take their pants off. Nor do we fuss about the complete authenticity of the spankings; if the theater is good enough, we go along with any adjustments the producers need to make. Frequently, it would appear some of the girls couldn’t work for a period of time after a particularly difficult filming anyway. And there are humorous moments when an already red bottom must be justified. And last, we don’t fuss over production standards. Take NUWEST, where trailblazing spanking themes were over delivered in clunky style.

In our first posts, we tried to focus on our favorites–actresses, actors, storylines, and the producers who best catalogue our own tastes. We have hundreds ( now thousands) of reviews to present, so hang in there with us. As we go along, we have become more knowledgeable about the ‘scene’ and we are trying to correct early errors we made. Some readers have helped. And a few producers have sent kind regards–NUWEST, RAVENHILL, and SPANKING FOR PLEASURE.

At this revision, we have reviewed nearly 4000 films, some packaged together as series, as in FIRMHAND, REALSPANKINGS.

For XEROTICS we have almost 25 groupings of at least 10 of these short films, maybe titled maybe not.

At this revision in 2019, we sense we are reaching the saturation point of our interest, so we will primarily expand and fill in the areas of our concentration.

We are not critics and won’t review websites, because there are more clever creators, collators, and professional reviewers out there that we can read, some in the film-making business themselves. We will occasionally cite a legitimate source to BUY or RENT the film. We hope we are entertainng enough to induce you to do that and to support the people who keep this narrow and apparently shrinking genre alive. If you don’t acquire the film, we hope you will at least get a kick out of reading about it. We are working on the insertion of screenshots.