Lost links & Re-ups

On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook

21 February 2009

UPDATE: If you are looking for this post, I posted it on a section called Japan 2.0 08/22/2013. Get it there. Enjoy, NØ

Angelic Upstarts, Cockney Rejects, Cock Sparrer...always dug their sounds...street punk, working class. Oi Polloi...the common folk. Kinda got out of it when it got associated with the right-wing racist crowd.

The general ideology of the original movement was a rough sort of quasi-socialist working class populism. Lyrical topics included unemployment, workers' rights, harassment by police & other authorities, & oppression by the government.The genre became recognized in the latter part of the 1970s, emerging after the perceived commercialization of punk rock, but still before the soon-to-dominate hardcore punk sound.

In 1980, writing in Sounds, rock journalist Garry Bushell labeled the movement Oi!, taking the name from the garbled "Oi!" that Stinky Turner of Cockney Rejects used to introduce the band's songs.The word Oi is an old Cockney expression, simply meaning hey or hello.

Although Oi! has come to be considered mainly a skinhead-oriented genre, the first Oi! bands were composed mostly of punk rockers & people who fit neither the skinhead nor punk label.Because some fans of Oi! were involved in white nationalist organisations such as the National Front & the British Movement, some histories of rock music dismiss Oi! as racist. Because of its racist connection, the Oi! movement lost momentum in the United Kingdom, but Oi! scenes formed in continental Europe, North America, Asia & other locations.

In Japan, the street punk, skinhead, or Oi! movement is a vital part of the Japanese musick scene. Although Baws is probably the first Japanese Oi! band, Cobra is usually sited for this honor. Cobra is regarded as one of the world’s best Oi! bands, giving influences for South American & European bands as the original wave of Oi! died out. The lack of schism between skinheads & punks, between left-wing & right-wing is one of the reasons why the Japanese skinhead culture is regarded as one of the most organized & prospering in the world. The contemporary Japanese bands stress unity in their works, as well as a disregard for mass cultural acceptance; the desire to remain marginal. According to Cobra (talking about the Japanese scene & the record label that they run): “Some people in the punk movement today have missed the whole idea. Any true punk or skin will tell you that punk has nothing to do with just having fun, or trying to keep up with this year’s fashions. Imitation & aiming for mass acceptance may be OK for fake punk rockers, but they will never be part of real punk. This label supports only true punks & skins.”

This compilation is a bootleg of an AA Records release. All recordings were made between 1986 & 1990 & feature some of the early Japanese Oi! bands.

(note: the tracks are not listed on the album label, only on the back cover. both sides list nine tracks but there are only eight tracks on each side. i have done my best to decide what's up. i have noted the inconsistencies. bootlegging/translation problem? someone shed some light here. first one with the correct info wins a prize of my/their choice.)

Side B:Bugs Bunny - Holy TerrorWanderers - Don't Look TomorrowWanderers - Here We Go AgainDoccoi - Right & DutyDoccoi - Cross My Heart
(seems to be the same place on both sides, tracks 4 & 5. appears to be only one track. this time Japanese lyrics give me no clue. near the end is an instumental break then a repeated chorus that might be 'Cross My Heart'. can anyone translate the lyrics & let me know?)Baws- We Are the BawsShuffle - Angel BabyCockney Cocks- Empty HeartCockney Cocks - Don't Say Any More

17 February 2009

The Brainiacs were a rarity, a No Wave band from L.A. (maybe they were punk/funk, I'm not very good with the whole labeling/genre thing). They were an integral part of the L.A. punk scene of the late 70s/early 80s.

Young Marquis, The Punks, The Brainiacs, Dell & the Sensations,Levi & the Rockats- New Masque, February 3, 1979

Frontman Wayzata Camerone was an L.A. musician who played sax & sang for The Brainiacs from 1979-1981. He also ran a notorious afterhours punk club frequented by X, Blasters, Plugx, Go-Go’s, Fear, Weirdos, etc.

photo by Wayzata Camerone

There is a blog administered by executors of his estate that features Wayzata’s rarely seen black-&-white photographs. His photography 'documents a nocturnal world fueled by restless desire'.

This one has been re-issued by Caroline Records CAR 93398 in 2007, so if you like it, go buy it. The original LP is on wonderfully pee-colored yellow vinyl.

P was a short-lived band formed in early 1993 by Butthole Surfers frontman Gibby Haynes - vocals, actor Johnny Depp - guitar & bass, actor Sal Jenco - percussion, & songwriter Bill Carter - guitar & bass. Additional musicians: Ruth Ellsworth Carter - keyboards, Flea (Red Hot Chili Peppers) - bass, Steve Jones (Sex Pistols) - guitar, Chuck E. Weiss - washboard, & Andrew Weiss - Mellotron & bass. The band performed their first show at the Austin Music Awards in 1993 & released their eponymous album on November 21, 1995 on Capitol Records. They played the odd gig at The Viper Room, of which Depp used to be co-owner. One of these gigs was played on October 30, 1993, where the lineup included Flea of Red Hot Chili Peppers. Haynes, along with other members of the line-up that night, was a good friend of actor River Phoenix. While the band were in the middle of their song Michael Stipe, which includes the lines "I'm glad I met old Michael Stipe, I didn't get to see his car. Him & River Phoenix were leaving on the road tomorrow" & "but we didn't have a part, not a piece of our heart, not Michael, River Phoenix or Flea or me." Phoenix (unbeknownst to the band at the time) was outside the venue having seizures on the sidewalk. Phoenix died in the early hours of October 31 of heart failure brought on by an overdose of cocaine & heroin.

Although the original idea was that of a Texas roots-rock boogie band, P is everything the Butthole Surfers should be: sick & twisted, dayglo, vulgar, ugly & funny, mean-spirited & self-abusive, out of control & shameless. Gibby is in top form, describing a funhouse ride of vocal hysterics; he even whips out an impressive scrawling noise-guitar solo. Beyond the nearly sincere cover of ABBA's "Dancing Queen" & a full-frontal clambake (complete with electric sitar) of Daniel Johnston's queasy "I Save Cigarette Butts", the group's own inventions are richly absurd, whether taking friendly pop aim at "Michael Stipe," exploring the depths of dub in "Jon Glenn (Mega Mix)" or wailing out a rugged twelve-bar, "White Man Sings the Blues."