"Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord" Eph. 5:19

THE PURPOSE OF THIS BLOG

I am the song leader in my church. I am not very proficient as a musician or a choral director. I pray that, someday soon, God will send someone more capable, to take this ministry from me. But for the time being it is my responsibility to select the music and lead the congregation in the singing every week.

I take that responsibility seriously. The hymns and songs that I select must be doctrinally sound, they must be appropriate for worship with a God-centered worldview, and, withing those parameters, I try to select music that will reinforce and, support the text and subject of my pastor’s messages.

Some of us have been singing the hymns for years; the words roll off our lips but the messages often don't engage our minds or penetrate our hearts. With the apostle Paul, I want the congregation to "sing with understanding."

So for the past couple years, it has been my practice to select one hymn each week, research it, and then highlight it with a short introductory commentary so that the congregation will be more informed regarding the origin, the author's testimony, or the doctrinal significance of the hymns we sing.

It is my intention here with this blog, to archive these hymn commentaries for my reference and to make them freely available to other church song leaders. For ease of reference, all the hymn commentaries in this blog will be titled IN ALL CAPITAL LETTERS. Other posts (which will be music ministry related opinion pieces) will be printed in lower case letters.

I know that some of the comments contain traces of my unique style, but please feel free to adapt them and use the content any way you can for the edification of your congregation and to the glory of God.

All I ask is that you leave a little comment should you find something helpful.

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Articles

Nine Reasons People Aren’t Singing in Worship

Kenny Lamm says we are breeding a culture of spectators in our churches.

Worship leaders around the world are sadly changing their church’s worship (often unintentionally) into a spectator event, and people are not singing anymore.

Before discussing our present situation, let’s look back into history. Prior to the Reformation, worship was largely done for the people. The music was performed by professional musicians and sung in an unfamiliar language (Latin). The Reformation gave worship back to the people, including congregational singing which employed simple, attainable tunes with solid, scriptural lyrics in the language of the people. Worship once again became participatory.

The evolution of the printed hymnal brought with it an explosion of congregational singing and the church’s love for singing increased.

With the advent of new video technologies, churches began to project the lyrics of their songs on a screen, and the number of songs at a churches disposal increased exponentially.

At first, this advance in technology led to more robust congregational singing, but soon, a shift in worship leadership began to move the congregation back to pre-Reformation pew potatoes (spectators).

What has occurred could be summed up as the re-professionalization of church music and the loss of a key goal of worship leading – enabling the people to sing their praises to God. Simply put, we are breeding a culture of spectators in our churches, changing what should be a participative worship environment to a concert event. Worship is moving to its pre-Reformation mess.

They don’t know the songs. With the release of new songs weekly and the increased birthing of locally-written songs, worship leaders are providing a steady diet of the latest, greatest worship songs. Indeed, we should be singing new songs, but too high a rate of new song inclusion in worship can kill our participation rate and turn the congregation into spectators. I see this all the time. I advocate doing no more than one new song in a worship service and then repeating the song on and off for several weeks until it becomes known by the congregation. People worship best with songs they know, so we need to teach and reinforce the new expressions of worship. (more)

We are singing songs not suitable for congregational singing. There are lots of great, new worship songs today, but in the vast pool of new songs, many are not suitable for congregational singing by virtue of their rhythms (too difficult for the average singer) or too wide of a range (consider the average singer—not the vocal superstar on stage).