Aloft

2010-2011

Aloft began first as an exercise in simplicity where I removed both color and background and worked with the most simple of means possible. A single lens and a single light and nothing else. It forced both the dancer and myself to be completely committed to exploring the architecture of the body and the movement that could be created in the still frame with it.

Aloft

2010-2011

Aloft began first as an exercise in simplicity where I removed both color and background and worked with the most simple of means possible. A single lens and a single light and nothing else. It forced both the dancer and myself to be completely committed to exploring the architecture of the body and the movement that could be created in the still frame with it.