Sunday, November 25, 2012

Wow, sorry there's often so much time between posts, it's been a struggle between projects, my kids devouring computer time and other responsibilities but, I never forget about my patternmaker blog and while I get more experience in pattern cutting and grading I'm slowly coming across different shortcuts and techniques as well.

I haven't actually gotten around to doing any grading work on my sloper library lately, but this weekend I figured out a way to grade both the front and back sloper sections simultaneously to save a bit of time. This is how I managed it:

First you've got to slice your sloper sections up in the required areas, then, because the sliced portions of the front and back sections have to spread apart the same amount of distance all you really need to do is group together the corresponding vertical and horizontal portions and move them to where they need to be. See below for an example:

Vertical Sections Selected For Spreading

Horizontal Sections Selected For Spreading

Now, when your doing any kind of patternmaking work, grading or drafting, you've got to always check things over, your measurements of everything, the 1/2" difference between the front and back sections and their armscye curve measurements, then the sleeve curve ease and the shoulder notch. All are small things, but even in computer software, if you're not using pattern maker software, you could accidentally move something or even resize something and through off all your work.

I spent the weekend tweeking my previous slopers to make sure measurements were in order, no errors or anything that could pose a problem and then got started with grading my bodice sloper and it's sleeve up to size 12. Yes, I'm still working on grading up to Butterick size 24 so I can work with some online clothing companies I want to do business with. I'm very excited getting my own patterns drafted finally. But about doing business as a designer or patternmaker, you've got to know what you're getting into and get ready for the long haul if you're not going to a complete, "you're going to learn everything" kind of fashion design course.

First of all, checking out my competition, other patternmakers don't just have portfolios and years of awesome experience with designers everyone's heard about. I've noticed patternmakers online offer a full range of services from pattern cutting, grading, sample making, marker preparation, spec sheets, the works. Basically, you want to have friends that do these things or you want to know how to do all of these things single handedly. It's tough. But, don't shy away from it if this is what you want to do, all I tell myself for example, is that it's all a matter of reading a few more books and working on these skills. That's pretty much all it takes. Never let the time something may take deter you from learning how to do something you want to do, just do it.

As both a patternmaker and hopeful designer, while doing other people's patterns and eventually drafting my own patterns so I can get boutiques to sell my designs, once the photos from their promotional campaigns start coming in, I'll have my portfolio coming together without any extra cost and what could be cooler then that? How long is this going to take?? Maybe another year or two I'm thinking, but that's fine because it'll just get me more experience under my belt and I'll develop the confidence to take my endeavors to the next step like working for a company or a couple companies as a regular staff member or service provider. :) hehehe, New York, Paris, Milan... Vancouver and Dubai here I come.

If you are interested in my discount digital pattern cutting or digitization service however, or you have any questions, please email me for more information at stylistwithacause@gmail.com or visit my Facebook page to learn more.

Thursday, November 8, 2012

As I work on my pattern cutting work, (I've got a few clients at the moment after not actually having any for a while) I realize having gotten a bit rusty in a few areas has it's benefits of helping crystallize some key procedures that need to take place during the drafting of a pattern.

First, sometimes when you have a cool design to do for your designer, say you really like the style lines in the garment, you may be tempted to start drafting up the style lines on the pattern sloper before you take care of deciding the exact placement of where the silhouette and length lines should be. Don't do this, you'll make the pattern cutting a repetitive process of adjusting and re-adjusting as you re-tweek style lines to properly accommodate the designer's intended look.

Second, notches. When you've drafted the main pattern blocks for a garment, you may sometimes be tempted to start placing your notches in their corresponding places (don't put them on the center of any seam lines though, as pieces can get sewn upside down and miss-matched this way). This is not the right time to notch so don't fall for it. You've got to make sure you've decided on you facing shape lines( if you're using facings) and drafted the other attached but smaller pattern pieces first so that it's easier and quicker to place accurate notches, in all their correct places rather then having a couple notching and notch adjusting sessions.

Third, whenever possible do all similar work on your pattern as a single step in the over all process of drafting your pattern. This doesn't include measuring though (for example, when you draft a basic bodice pattern, you've got to measure the armscye to correctly check the curve on the sleeve block before preceding with anything else). However, when you've got your basic sloper set up for a design, do all the silhouette and length drafting first such as neckline depth, waistline placement, hems, sleeve lengths etc. Zipper and button plackets are next. Then place your style lines on each of the pieces. Then draft your facings, hem facings and hems lengths. In digital pattern making I create my facings by setting up a shaped line that will be used to 'cut' through a copy of the main pattern block so that the seams and shapes will be identical to the main garment block. However, I don't 'cut' the facing out till all the notching work is complete so that I can simply copy the notches as well as the facing pieces to eliminate double measuring of notch placements.

So when you're drafting up your patterns, keep these practical pattern cutting procedures in mind to speed up your work and help keep it more accurate as well. After all, accuracy is just about everything in pattern making. And as they say, time is money.

If you are interested in my discount digital pattern cutting or digitization service however, or you have any questions, please email me for more information at stylistwithacause@gmail.com or visit my Facebook page to learn more.

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Here are my updates, ideas, progress, realizations and struggles as a self-taught designer, fashion patternmaker, freelance writer and mother of 2 as I work my way toward reaching my dream of landing a legitimate career in the fashion industry.