Hallo, Hallo dear reader!

Jorie Loves A Story, is a blog that was inspired into creation due to a reader's love and passion for the written word. She reads bookish industry newsfeeds, keeps a pertinent eye on newly published authors, is readily eager to book travel to independent book shoppes, athenaeum libraries, historical landmarks of literary interest, and book festivals, conventions, or symposiums; absorbs herself into the written word, cherishing each book she comes across that has the ability to transport herself into another time, place, and world. This is her journey, as she uncovers one book at a time that leaves her musefully happy for the discovery.

Jorie Loves A Story Disclosure

I do not receive monetary compensation for my participation on blog book tours, non-tour reviews direct from publishers/authors/publicists, guest author features or cover reveals/book blitzs, etc. nor do I receive monetary compensation for my participation in Book Browse First Impressions, the LibraryThing Early Reviewer programme, NetGalley, LibroFM's ACL programme, Brenda S. Anderson's Street Team, Nicole Evelina's Street Team; Once Upon A Book Club and Crime Fiction Subscription Box (as an influencer of their products) or any participation I had in the past with other street teams or programmes. All books I receive from these sources are sent to me directly from the publisher, author, literary or publicity agent, touring company and/or NetGalley, LibroFM, Once Upon A Time Book Club and Crime Fiction Book Subscription Box. How I acquire the book (or book subscription box) and/or audiobook I am reviewing or the guest feature I am highlighting will be disclosed on the individual post.

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Acquired Book By: I have been hosting for Poetic Book Tours for a few years now, where I am finding myself encouraged to seek out collections of poetry or incredible fiction being published through Small Trade publishers and presses. I have an Indie spirit and mentality as a writer and I appreciate finding authors who are writing creative works through Indie resources as I find Indies have a special spirit about them. It is a joy to work with Poetic Book Tours for their resilience in seeking out voices in Literature which others might overlook and thereby, increasing my own awareness of these beautiful lyrical voices in the craft.

When I realised this was the first ‘book’ in a series, I requested to receive the first book (“On the Rocks”) in order to understand the continuity and flow between the lead characters within the second installment. It is a personal preference of mine to read series ‘in order’ and I was blessed I could start this one at the beginning! I received a complimentary copy of “Death Comes” direct from the publicist of Sue Hallgarth in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Why I love reading the Willa Cather & Edith Lewis Mysteries:

Edith arrives first – her observational notations on gulls in flight offer a fond glimpse into how I’m not the only one who likes to contemplate our aerial companions! Her perspective also grounds us ‘where’ she is at the moment she’s seen – she’s just off the coast of what is known as ‘Downeast’ Maine – specifically by a city known for it’s grain mustard and a revitalisation of it’s community identity through the Arts: Eastport. To the starboard side of the towne, you will happily see you’re only a stone’s throw from the Fundy Isles and this part of where Edith & Willa’s story is uniquely set. This part of the North Atlantic has it’s own pulse and tone – life is not lived in the same fashion as elsewhere nor does the world touch this part of the world with the same fierce fire. Here, is a place where time is not measured in hours but in how far you’ve come to create a piece you’re working on whilst celebrating the journey you’ve taken to funnel your creativity into something ‘new’. I could ‘see’ Edith here – the heart of a naturalist who appreciates being out-of-doors (but with dirt beneath her feet, not the unease of water) where she can feel one with the harmonic rhythm of the natural world. No wonder she appreciated the art of painting in ‘Plein Air’ fashion!

Edith charmed me and Willa encouraged my inquisitive nature – the two of them have such an ease about their personalities. They find a companionable equality in how where one thinks about something specific, the other is ready for a follow-up remark – they are two minds which sometimes act as one, as most couples tend to claim for themselves. They knew how to get the neighbours to talk about the idle things no one suspects would mean something whilst they kept a steady eye on their own affairs, too. Their sleuthing simply fit into the background of their days; it was a welcome addition but not one which overshadowed their other interests, either! As they continued to seek answers to questions which seemed unending – you started to notice why they thrived outside the city (here: New York City). This community of Grand Manan is as quirky and humbly eccentric as all my favourite small townes in fiction (or IRL).

This was a thinking man’s mystery – the ‘mystery’ in of itself is also unique, because instead of being an isolated incident it’s a piece of a wider puzzle! I like how mysteries take on an enlarged cusp of an area’s secrets – of how whilst the reader has to stay patient to understand the different components of what is being fused together, it’s the manner of how things pull apart and are put back together in proper order which is the most exciting! For me, this mystery was wicked enjoyable if only to draw further insight into understanding the people of Grand Manan and how where they live influences their lives.

The way Hallgarth paints the portrait of the island community rings true of what I know of this area myself – of where neighbours pitch in to help one another and where no one is ever left without assistance for something they’re working on. It’s the opposite of how many townes and cities function on the mainland stateside – where there are clear distinctions and disconnections amongst neighbours and community members; where each are practically living on their own ‘island’ (metaphorically speaking!).

The pace of the narrative is set in such a way to encourage you to sip tea and musefully ponder what your reading – to fully sense and feel this world, whilst allowing Willa and Edith to share the duties for how you navigate it. It’s one of those lovely immersive narratives where you can get lost in the descriptive narrative and feel as if you’ve lived half a moon in this setting. She has given all of us the chance to ‘know’ Willa Cather up close and personal – ahead of reading her stories – of peering into what was important to her and why she felt the legacy she left behind might slip past people who hadn’t realised the point behind her stories. Intuitive readers would notice and see her messages, but to the casual reader? I can see how her narratives might be glossed over for what was readily taken as the truth of what they revealled.

As soon as I returnt back inside the series – I found myself alighting so readily true to where we’d find Willa and Edith, it felt as if no time had elapsed between visitations! I truly love the continuity of this series, but also, the authentic voice Ms Hallgarth has given her characters – they truly feel as if they are the women themselves, recaptured for us to acquaint ourselves directly of their living hours. It is a special treat indeed, to find myself wholly enthused by such an intricately written Cosy Historical Mystery series – but to have the benefit of being able to read the first and second novels in successive order, is simply wicked divine!

Death Comes gives us another glimpse into the life and work of the Pulitzer Prize-winning novelist and her talented life partner. The year is 1926. Willa and Edith return to Mabel Dodge Luhan’s pink adobe in Taos, New Mexico.

Willa is writing Death Comes for the Archbishop. Edith is sketching Taos Pueblo and hoping for a visit to the nearby D.H. Lawrence ranch. The previous summer they had stumbled onto a woman’s body. Now the headless bodies of two women add to the mystery. Sue Hallgarth presents an intimate portrait of Cather, Lewis, the spectacular New Mexico landscape, and the famous artists and writers Mabel Dodge Luhan gathered in Taos.

About Sue Hallgarth

Sue Hallgarth is former English professor. She has written scholarly articles on Willa Cather and Edith Lewis, and Death Comes is her second book of fiction featuring the two of them. Her first book in the series On The Rocks, set in 1929 on the island of Grand Manan in New Brunswick, Canada. She lives in Corrales, New Mexico.

Acquired Book By: I have been hosting for Poetic Book Tours for a few years now, where I am finding myself encouraged to seek out collections of poetry or incredible fiction being published through Small Trade publishers and presses. I have an Indie spirit and mentality as a writer and I appreciate finding authors who are writing creative works through Indie resources as I find Indies have a special spirit about them. It is a joy to work with Poetic Book Tours for their resilience in seeking out voices in Literature which others might overlook and thereby, increasing my own awareness of these beautiful lyrical voices in the craft.

When I realised this was the first ‘book’ in a series, I requested to receive the first book in order to understand the continuity and flow between the lead characters within the second installment. It is a personal preference of mine to read series ‘in order’ and I was blessed I could start this one at the beginning! I received a complimentary copy of “On the Rocks” direct from the publicist of Sue Hallgarth in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Why I wanted to read the Willa Cather & Edith Lewis Mysteries:

I am unsure when I first stumbled across ‘living persons’ being amateur sleuths in Mysteries & stories of Suspense – however, ever since I was first smitten by the idea, I have taken to these kinds of stories like a duck to water! I only vaguely ‘knew of’ Willa Cather – she’s the kind of woman you might hear about in literary circles as her own legacy of stories has quite the following. However, in regards to her personal life or the adventures she had as an novelist – these are the missing gaps in my knowledge! If anything, I knew her ‘in name only’ rather than of having a biographical sketch of an idea about her person.

This is one reason I am drawn into Biographical Fiction stories – generally speaking, I lean on the branch of ‘Historical Fiction’ to chart my course through time whilst alighting in the footsteps of either novelists (such as the Brontés) or well-known figureheads (such as Eleanor Roosevelt) whilst feeling a bit attached to some of the dexterities of creative muses (such as the Jane Austen Mysteries). Throughout each story I pick up to read, I am drawn closer to the ‘person’ who lived the life either being re-transmitted through a portion of their own living hours or re-identified in a different lifestyle altogether! It makes for a fascinating jaunt through time, history and known fact!

I hadn’t fused to mind ‘where’ the story was set – coming into fuller knowledge as I sat down to read the novel, I realised it was hugged close to the Canadian Maritimes – specifically the region of the Bay of Fundy and the Fundy Isles. This is an especially lovely area where artists, artisans, writers and other creatives have found a renewing peace to create in this part of the world where life is laid back & the natural scenery etches out its own inspiration to the creator. The Bay of Fundy in recent years is a bit better known due to a hard-won battle to secure the sanctity of the waters in the North Atlantic by the conjoined efforts of the Americans, Canadians & Passamaquoddy Indians.

Realising this connection, when it came time to ‘step forward’ into Ms Hallgarth’s vision for the series, I was more than ready to lay pause on her prose and feel absorbed into this area of the Northern Hemisphere where the lights like to dance, ice meets the sea and where there is an enchantment of wonderment lit over the land. It was then, I realised I was supposed to read this series!

The year is 1929 and Pulitzer-Prize winning novelist Willa Cather and her partner Edith Lewis are summering on Grand Manan, an island in the Bay of Fundy. In their cottage’s sparsely-furnished attic room, Cather is at work writing Shadows on the Rock, her tenth novel. Edith is painting watercolors from the cliffs two hundred feet above the rising tides of Whale Cove.

Out of the corner of her eye, Edith sees a body plunge from the edge of a cliff to the rocks below…. Solving the mystery, first-time novelist Sue Hallgarth’s intimate view of village politics and the goings-on of two women’s communities long lost to history is also a suspenseful and surprising crime novel. Hallgarth draws the reader into a unique retreat and an inside glimpse of the lives of a great American novelist and her talented life partner.

About Sue Hallgarth

Sue Hallgarth is former English professor. She has written scholarly articles on Willa Cather and Edith Lewis, and Death Comes is her second book of fiction featuring the two of them. Her first book in the series On The Rocks, set in 1929 on the island of Grand Manan in New Brunswick, Canada. She lives in Corrales, New Mexico.

I devour books.
I read eclectically across genres and literary realms.
I celebrate #WeNeedDiverseBooks & #WeReadDiverseBooks!
I am truly a girl who LOVES stories!

I blog and tweet with a heap of bookish joy whilst soaking inside a story which gives me ruminative bliss! I'm a social reader who is wicked addictive to #bookTwitter + LibraryThing whilst visiting the bookish in the blogosphere.

I aim to INSPIRE you to find a new wicked read which will leave you happily blissful to have found!

A Note on Content:

The content of this blog may not be suitable for readers under the age of 18. I am a hybrid reader of INSPY & Mainstream Literature - reading stories in both Children's Lit and Adult Lit regularly as well as other platforms stories can reside (ie. poetry, etc). I monitor content for language as I personally do not appreciate overtly explicit content in the stories I am reading (see also Review Policy) and I do not share images or book covers which I feel are questionable for content which goes against my own reading preferences. However, due to themes, subjects or topics discussed within the stories I am reading I am posting this note about the stories I am blogging about on Jorie Loves A Story.

Blog owner and contributors are not responsible for what readers elect to read or view on this website. Access to this site and blog is at the visitor and reader's discretion.

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Site Credits: (expanded) Jorie Loves A Story Blog Badge & Banner (as seen on my Introduction Post, as my Twitter Avatar, as well as on the header and footer of my blog,) were designed by the creatively lovely Ravven, who is an artist in her own right, a blogger, and a book cover art designer. The following graphics: Jorie, of Jorie Loves A Story badge; Grab a Cuppa banner; Book Blogger / Book Cheerleader banner were made by Jorie in Canva; using Coffee and Tea Clip Art Set purchased on Etsy; made by rachelwhitetoo.Brooks (Background) is my current pattern on my blog created by Din Pattern. Permission granted for personal use as a background for this site.