The Satanic Verses

Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.

The Golden House: A Novel

Our guide to the Goldens' world is their neighbor René, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down.

Midnight's Children

Salman Rushdie holds the literary world in awe with a jaw-dropping catalog of critically acclaimed novels that have made him one of the world's most celebrated authors. Winner of the prestigious Booker of Bookers, Midnight's Children tells the story of Saleem Sinai, born on the stroke of India's independence.

Two Years Eight Months and Twenty-Eight Nights: A Novel

From Salman Rushdie, one of the great writers of our time, comes a spellbinding work of fiction that blends history, mythology, and a timeless love story. A lush, richly layered novel in which our world has been plunged into an age of unreason, Two Years Eight Months and Twenty-Eight Nights is a breathtaking achievement and an enduring testament to the power of storytelling.

Shame

The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie's phantasmagoric epic of an unnamed country that is "not quite Pakistan". In this dazzling tale of an ongoing duel between the families of two men - one a celebrated wager of war, the other a debauched lover of pleasure - Rushdie brilliantly portrays a world caught between honor and humiliation.

Fury

The world renowned author of The Satanic Verses and The Ground Beneath Her Feet, Salman Rushdie is a Whitbread Award winner and recipient of the Booker Prize. His first truly American novel, Fury is a metaphorically rich black comedy that reflects the pressure-cooker of modern life. Malik Solanka, irascible doll-maker and retired historian of ideas, suffers the pain of wanting without knowing exactly what it is he wants.

The Enchantress of Florence

In the imperial capital of the Mughal Empire, a traveler arrives at the court of Emperor Akbar. The traveler, Mogor dell'Amore, has a tale to tell, and as the words flow out of him, the tale's rich tapestry of power and desire begins to take on a life of its own.

Hitch-22: A Memoir

Over the course of his 60 years, Christopher Hitchens has been a citizen of both the United States and the United Kingdom. He has been both a socialist opposed to the war in Vietnam and a supporter of the U.S. war against Islamic extremism in Iraq. He has been both a foreign correspondent in some of the world's most dangerous places and a legendary bon vivant with an unquenchable thirst for alcohol and literature.

Love, Loss, and What We Ate: A Memoir

A vivid memoir of food and family, survival and triumph, Love, Loss, and What We Ate traces the arc of Padma Lakshmi's unlikely path from an immigrant childhood to a complicated life in front of the camera - a tantalizing blend of Ruth Reichl's Tender at the Bone and Nora Ephron's Heartburn.

Haroun and the Sea of Stories

Discover Haroun and the Sea of Stories, Salman Rushdie's classic fantasy novel. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie's classic children's novel Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, and The Wizard of Oz.

Letters to a Young Contrarian

In the book that he was born to write, provocateur and best-selling author Christopher Hitchens inspires future generations of radicals, gadflies, mavericks, rebels, angry young (wo)men, and dissidents. Who better to speak to that person who finds him or herself in a contrarian position than Hitchens, who has made a career of disagreeing in profound and entertaining ways.

The Ground Beneath Her Feet

Salman Rushdie is widely considered one of a handful of truly great living writers. The internationally acclaimed, Booker Prize-winning author's storytelling shines in this epic love story, a modern retelling of the myth of Orpheus.

Science in the Soul: Selected Writings of a Passionate Rationalist

For decades Richard Dawkins has been the world's most brilliant scientific communicator, consistently illuminating the wonders of nature and attacking faulty logic. Science in the Soul brings together 42 essays, polemics, and paeans - culled from personal papers, newspapers, lectures, and online salons - all written with Dawkins' characteristic erudition, remorseless wit, and unjaded awe of the natural world.

Dennis A Robinson says:"Wide in scope - an engaging view into Dawkins"

Breaking the Spell: Religion as a Natural Phenomenon

For all the thousands of books that have been written about religion, few until this one have attempted to examine it scientifically: to ask why - and how - it has shaped so many lives so strongly. Is religion a product of blind evolutionary instinct or rational choice? Is it truly the best way to live a moral life? Ranging through biology, history, and psychology, Daniel C. Dennett charts religion’s evolution from “wild” folk belief to “domesticated” dogma.

Lionel Asbo: State of England

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

And Yet...: Essays

The death of Christopher Hitchens in December 2011 prematurely silenced a voice that was among the most admired of contemporary writers. For more than 40 years, Hitchens delivered to numerous publications on both sides of the Atlantic essays that were astonishingly wide ranging and provocative.

The Trial of Henry Kissinger

America need look no further than its own lauded leaders for a war criminal whose offenses rival those of the most heinous dictators in recent history: Henry Kissinger. Employing evidence based on firsthand testimony, unpublished documents, and new information uncovered by the Freedom of Information Act, and using only what would hold up in international courts of law, The Trial of Henry Kissinger outlines atrocities authorized by the former secretary of state in Indochina, Bangladesh, Chile, Cyprus, and more.

The Other Side of History: Daily Life in the Ancient World

Look beyond the abstract dates and figures, kings and queens, and battles and wars that make up so many historical accounts. Over the course of 48 richly detailed lectures, Professor Garland covers the breadth and depth of human history from the perspective of the so-called ordinary people, from its earliest beginnings through the Middle Ages.

From Bacteria to Bach and Back: The Evolution of Minds

What is human consciousness, and how is it possible? This question fascinates thinking people from poets and painters to physicists, psychologists, and philosophers. From Bacteria to Bach and Back is Daniel C. Dennett's brilliant answer, extending perspectives from his earlier work in surprising directions, exploring the deep interactions of evolution, brains, and human culture.

Churchill and Orwell: The Fight for Freedom

Both George Orwell and Winston Churchill came close to death in the mid-1930s - Orwell shot in the neck in a trench line in the Spanish Civil War and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century, they would be considered two of the most important people in British history.

The Information: A History, a Theory, a Flood

James Gleick, the author of the best sellers Chaos and Ge­nius, brings us his crowning work: a revelatory chronicle that shows how information has become the modern era’s defining quality—the blood, the fuel, the vital principle of our world.

The Adventures of Augie March

Augie is a poor but exuberant boy growing up in Chicago during the Depression. While his friends all settle into chosen professions, Augie demands a special destiny. He tests out a wild succession of occupations, proudly rejecting each as too limiting - until he tangles with the glamorous perfectionist Thea.

The Blank Slate: The Modern Denial of Human Nature

In The Blank Slate, Steven Pinker, one of the world's leading experts on language and the mind, explores the idea of human nature and its moral, emotional, and political colorings. With characteristic wit, lucidity, and insight, Pinker argues that the dogma that the mind has no innate traits, denies our common humanity and our individual preferences, replaces objective analyses of social problems with feel-good slogans, and distorts our understanding of politics, violence, parenting, and the arts.

Scale: The Universal Laws of Growth, Innovation, Sustainability, and the Pace of Life, in Organisms, Cities, Economies, and Companies

Visionary physicist Geoffrey West is a pioneer in the field of complexity science, the science of emergent systems and networks. The term complexity can be misleading, however, because what makes West's discoveries so beautiful is that he has found an underlying simplicity that unites the seemingly complex and diverse phenomena of living systems, including our bodies, our cities, and our businesses.

Publisher's Summary

On February 14, 1989, Valentine's Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been "sentenced to death" by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being "against Islam, the Prophet and the Quran".

So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov - Joseph Anton.

How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom.

It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.

Salman Rushdie is known for his fiction (Shame, The Moor’s Last Sigh and others), but it was The Satanic Verses which forced him into hiding and police protection. His memoir, Joseph Anton: A Memoir, tells the story of his life with particular focus on his experience following the publication of that book. Frankly, I have never finished any of Rushdie’s works of fiction and parts of this book I had to work through as well. However, the effort was well worth it because of the insights he provides into why he was forced to go underground, the full defense of his book and its literary origins, and how he finally was able to get back a modicum of normalcy. Readers also learn what it was like on a day-to-day basis to deal with living under full-time protection and what it meant to his family, career, and self-image. The book has, for me, more detail and repetition than necessary, but the emotional effect was profound. I began to identify with Rushdie and the frustrations he faced. Rushdie uses third person to tell his story, but I’ll not give away why the book is titled Joseph Anton: A Memoir. If you have an interest in what happened to Rushdie, his take on why it happened, and who Rushdie became as a result – this book is for you. A key learning? Life is not linear and circumstances will change with time – good times can turn bad; bad days may well pass from view. The narration of Rushdie and Sam Dastor is very good.

Joseph Anton is Rushdie's memoir of the years he spent, mostly in hiding, under the Ayatollah Khomeini's fatwa. The fatwa, which was announced on Valentine's Day, 1989, has never been officially revoked; in 1998, the Iranian government proclaimed that it would neither support nor hinder attempts to assassinate the author, but there is still a $3 million-plus bounty on his head. The title of the book is the name Rushdie assumed while in Scotland Yard's protection and is taken from two of his favorite writers: "Joseph" from Conrad and "Anton" from Chekhov. In a recent interview, Rushdie claimed that during this time he felt as if he was watching another person's life from a distance, a person separate from himself--hence the book is written in third person.

It's hard to imagine what life would be like if you were forced to move at a moment's notice--dozens of times. To live with a squad of armed policemen (one of whom accidentally blew a hole through a wall). To be unable to visit a dying parent, have dinner with friends, attend a memorial or an activity at your child's school, or, as a writer, give public readings of your work. Rushdie details all of this, as well as his efforts to live as normal a life as possible. For this, he credits a cadre of trusted friends, including Christopher Hitchens, Paul Auster, Bill Buford, Martin Amis, Ian McEwan, and Bono, among others. Rushdie also engaged in a constant legal battle to get The Satanic Verses distributed worldwide in paperback format.

Of course, Rushdie's personal life suffered during this time. His greatest regret is the difficulty the fatwa caused for his son Zafar, who was 10 at the time it all began. Although divorced from his first wife, Clarissa Luard, the two remained friendly and strove to maintain as normal a relationship as possible for father and son. Marianne Wiggins, his second wife, to whom he was married when the fatwa was pronounced, does not come off so well; in fact, the American writer is depicted as a selfish, self-promoting wacko. Rushdie met his third wife, Elizabeth West, the mother of his second son, while under protection. Initially, West seems almost saint-like in her patience and devotion, but this image falls apart as the marriage falters due to her depression over not bearing more children and Rushdie's desire to move to the US, where he felt he could live a more open, normal life. Wife Number Four, model, would-be actress, and reality show host Padma Lakshmi,is referred to as "The Illusion," and Rushdie rather shamefacedly admits to falling into a fairly typical mid-life crisis (homely older man, beautiful younger woman), as well as pursuing a somewhat elusive American dream that she came to represent. Lakshmi, like Wiggins, comes off as self-absorbed and ambitious (when he attempts to visit her in LA after a new threat has been announced, she says she is going on a lingerie shoot), and Rushdie makes short shrift of her.

On the whole, Rushdie's memoir is insightful and engaging. If one thing is made clear, it is that he wouldn't have endured, had it not been for the love, help, and encouragement of his close friends, family, and associates. And it is this humanization of Salman Rushdie, more than his literary achievements or politicized position, that allows readers to relate to his plight.

The reader, Sam Dastoor, was brilliant, with one caveat: his American accent, which never varied. Whether he was impersonating Bill Clinton, Kurt Vonnegut, George Stephanopoulos, or Susan Sontag, they all sounded like sarcastic cowboys.

I wish there were extra stars to give the performance of this book. Dastor didn't just narrate the book, he interpreted it. Of all the books I have downloaded from Audible, this was by far the finest performance of any book. It was incredible.

Also, the book was really good too. Helps to have great material to work with. I was impressed with the warts-and-all honesty of the story. I don't think I would want to air all my secrets and lies and emotions during my biggest life's challenge. Not many people would, I expect. But Rushdie did, with admirable candor. I supported his cause and an thrilled he was able to get his freedom back. It's a travesty that it took 11 years to do so.

Rushdie is a brilliant author (mainly novelist) and it’s a rare treat to read a memoir by someone who writes so well.

I hesitated to review this book because my prose pale in comparison to those of Salman Rushdie. But this is such an extraordinary work that I feel compelled to share my opinion, even if clumsily. “Joseph Anton” is the story behind the story for those of us old enough to remember what happened. And for younger people, or anyone who cares about our constitutionally granted freedom of expression, it’s an important reminder of how easily that right can be taken away.

Santanic Versea likely will be remembered as the most controversial book of the later half of 20th century for the shear amount of political controversy it illicited globally, worthy or not. But what happens when you write one of the the most controversial books of the century?

Joseph Anton has the answer. Salmon Rushdie, in 3rd person, meanders through his entire life. Taking moments to ponder, life, love, religion and family from pre-fatwa to post. His journey takes him from his life as Salmon and his alias, Joseph, used under police protection.

The story is one of preserveance, despite some of his own short comings... A story that has him bumping shoulders (or more accurately rubbed) by Margaret Thacter, chats with Bill Clinton, dinners with Tony Blair, friendships with Christopher Hitchens, and even Bono. Despite what might have been mistook as glamour and ego was a caged man, who was barely able to leave his own house and difficulties performing basic father tasks with his son.

While Salmon, drops names frequently, to the point of blurring into the ether, what remains is story with personal victory with plenty off tragedy. Only knowing Salmon from appearances in the media, I finally was motivated to read one of his works and settled for the one that interested me the most. Having been narrowly old enough to claim to lived through the entire 80s, many of the books earlier events served as a portrait of the confusion of multiculturalism and a global society in a time I lived through but was not old enough to have meaningful comprehension. The extent of Iran's treachery even given today's misgivings is shocking, the British lack of desire to defend its own citizens is surprising and the global Islamophobia pandemic is current.

Salmon is a harsh judge of himself but also holds himself with regard, likely the same dignity that kept him sane. I enjoyed this book immensely, as Rushdie is passionate, insightful, and charasmatic.

Excellent memoir of the fatwa years. Two things struck me about this book. First, life was predicably miserable while he was under the protection of MI5 for more than a decade after the flare-up with the Satanic Verses. Second, and most fascinating, is the support that he got from his network of author friends. Rusdie mentions at least 2 dozen authors from the second half of the last century who provided safe houses, letters of support, and more. Who knew that winning the Booker Prize (for Midnight's Children) put one in such an exclusive club.

While the book is a quick read, it could have been shorter. I would have cut out a lot of the difficulties he had with his teenage son. I know I'd hate to have my own adolescent awkwardness set down for history. Narrated dutifully by Sam Dastor (whose American accents, sadly, were laughable).

Salman Rushdie, writing his memoir in the third person, illustrates the relationships and values and mistakes and triumphs that characterized his response to the outrage of being a writer targeted by the Iranian fatwa. He writes about his loves and imperfections, his angers and the pain he felt at the frequent criticism (often distorted) in the British press as the Fatwa and the risk to his life extended on year after year. Vivid friendships with many notable writers, artists and musicians run throughout the text, and were the web that helped him and his family survive the emotional burden of maintaining security in face of repeated renewals of the threats against him coming from the Iranian government each year. This is a memoir in which the multiple losses-- through divorce, death, estrangement, and personal vulnerability-- play next to the threat of violent death as the result of terror. Perhaps it is most moving when the 65 year old Salman writes to his 52 year old self that it is time to grow up. In this moment, he remembers some of the most painful (and unfortunate) choices he made and faces them with grace and responsibility. Throughout, his love of imaginative worlds and their possibilities shines through, as does his absolute commitment to the sacred values of free speech and human rights.

Sam Dastor is a wonderful reader and creates an amazing variety of voices and accents. Great performance!

Ok, will you "like" this book? Not necessarily but you will be glad you read it. It explores the years and years of Salmon Rushdie's life while he was in hiding from the fatwa. It goes on and on, and he does not hide the truth: he is not a martyr or a perfect man, he is just a writer who crossed he Wrong people. Do you believe in religious fanaticism? Do you know the prequel to 9-11 ? Please take the time to listen to this and think about these very life and death matters.

My only annoyance with the otherwise superb narrator was his tendency, when creating a variety of national accents, to make all Americans sound like idiots. Naturally, with a book this long, it was a pleasure to sit passively or attend to the third-person narrative while walking. Yes, it's a third-person narrative: Rushdie refers to himself as 'he" -- meaning, of course, his adopted persona whilst hiding from the fatwa assassins as Joseph Anton.

Rushdie rarely flatters himself and frequently reveals his weaknesses. As far as food for thought is concerned, the whole memoir seems like a metaphor for a world stripped of logic and common sense. It's a theater of the absurd, potentially and often actually tragic. Men and women act on unreasoned fears, they are victimized by their prejudices and ignorance, and almost nobody knows what's going on or what they are talking about.

The book also chills the spine with its enormous specter of religious fanaticism.

And for those who believe the victim is too often blamed for the crime, this is wonderful fuel for your argument.

I enjoyed this book quite a bit and I found myself constantly stunned by the lengths to which Mr. Rushdie was forced to live for 13 years after the publication of his novel, The Satanic Verses. This book gives the listener a glimpse of what it takes to survive a situation of that magnitude and gravity, and it definitely showed people in their true light, both for good and bad. It still astounds me that a writer of fictional stories could be forced underground based on his story and shunned so thoroughly; don't people around the globe understand what the word 'fiction' is? In my modest opinion, if a story challenges your perceptions, then that is a good thing. If I don't like a book, I know I have the option to put it down. Joseph Anton was a wonderful read and I applaud Mr. Rushdie (who is not without his faults and which he lays bare in the book), for not sitting passively by throughout the ordeal fighting for the ability to lead a relatively normal life.