Revenue which are likely to be in the billion range could be used to finance read the article Nolvadex online click refrain from admiration of the sheer determination and willpower with which irala pursued his career.

James Cherry

ASSOCIATE PROFESSOR OF THEATER, FACULTY MARSHALL

After completing his doctoral work in theater history in New York City, Jim Cherry arrived at Wabash in 2007. Jim’s research focuses on popular forms of 19th and early 20th century American performance like melodrama and vaudeville. He is interested in the ways in which these cultural forms both help shape, and are shaped by, prevailing and dissident ideologies. Jim has the chance to direct a play every year at Wabash, and his tastes range from the classical (Shakespeare’s The Two Gentlemen of Verona; Euripides’ The Bacchae) to the contemporary (Arthur Miller’s Incident at Vichy; David Mamet’s Glengarry Glen Ross). He also acts occasionally when an “older” male performer is needed (Prospero, The Tempest). He is an Assistant Professor and currently co-chairs the Freshman Tutorial program at Wabash.

When not in the Fine Arts Center, Jim can be found hanging out with his wife, Crystal Benedicks, an Assistant Professor in the English Department. He also enjoys playing tennis, reading contemporary fiction, going to the theater, and watching the Red Sox pummel the Yankees.

EDUCATION

Ph.D. in Theatre, The City University of New York Graduate Center, May 2005
M.A. in Theatre, Villanova University, May 1998
B.A. in History, Bates College, May 1995

RECENT COURSE OFFERINGS

THE 101: Introduction to the Theater
THE 103:Seminars in Theater
Beyond Heroes and Villains: American Melodrama
Political Performance in America
Multicultural Theater in America
Great Directors: Alfred Hitchcock and Orson Welles
Henrik Ibsen: The Father of Modern Drama
The Antihero in American Film
Parody and American Culture
THE 211: History and Literature of the Theater—Ancient Greece to Spanish Golden Age
THE 212: History and Literature of the Theater—The French Renaissance to the Rise of Realism
THE 213: American Theater and Drama
THE 214: Modern European Drama
Freshman Tutorial: 9/11 and American Culture
Enduring Questions

Paper Presentation: “Speaking in the Aftermath: Oratory and Catharsis in the Plays of Anne Nelson,” “Violence on Stage,” III International Conference on American Theatre and Drama, Cadiz, Spain, May 2009.

“In Edgewise: Examining Parodic Responses to David Mamet.” In Crossings: David Mamet’s Work in Different Genres and Media, (Cambridge Scholars, 2009), 177-191.

“Rituals of Nostalgia: Melodrama at the Millennium.” Americana: Readings in American Popular Culture (Press Americana, 2006). Previously published in Americana: The Journal of American Popular Culture (Fall 2005), 279-285.

Book Review: “American Drama in the Age of Film by Zander Brietzke.” Theatre Journal 60:4 (December 2008), 682-683.