Tuesday, May 8, 2012

My Favorite Andrea Dworkin Quote

I love Andrea Dworkin. I know she is a contentious feminist scholar and there have been a lot of fair criticisms of her work (and plenty of unfair ones). But I find her work to be endlessly useful to me. When I first read Pornography: Men Possessing Women, it made me very angry. It awoke something in me that I had no idea was there. It cemented my slow transition from fun, liberal, pro-sex feminism to radical, militant feminism. Whether I like what Dworkin is saying or not, in most cases, I know it is true and that can be really, really hard to swallow. This lengthy quote has been a favorite of mine for a long while. Enjoy.

“It is the naming by decree that is power over and against
those who are forbidden to name their own experience; it is the decree backed
up by violence that writes the name indelibly in blood in male-dominated
culture. The male does not merely name
women evil; he exterminates nine million women as witches because he has named
women evil. He does not merely name
women weak; he mutilates the female body, binds it up so that it cannot move
freely, uses it as a toy or ornament, keeps it caged and stunted because he has
named women weak. He says that the
female wants to be raped; he rapes. She
resists rape; he must beat her, threaten her with death, forcibly carry her
off, attack her in the night, use knife or fist; and still he says she wants
it. She says no; he claims it meant
yes. He names her ignorant, then forbids
her education. He does not allow her to
use her mind or body rigorously, then names her intuitive and emotional. He defines femininity and when she does not
conform he names her deviant, sick, beats her up, slices off her clitoris
(repository of pathological masculinity), tears out her womb, lobotomizes or
narcotizes her (perverse recognition that she can think, though thinking in a
woman is named deviant). He names antagonism
and violence, mixed in varying degrees, ‘sex’; he beats her and names it
variously ‘proof of love’ (if she is wife) or “eroticism” (if she is
mistress). If she wants him sexually he
names her slut; if she does not want him he rapes her and says she does; if she
would rather study or paint he names her repressed and brags he can cure her
pathological interests with the apocryphal ‘good fuck.’ He names her housewife, fit only for the
house, keeps her poor and utterly dependent, only to buy her with his money
should she leave his house and then he calls her whore. He names her whatever suits him. He does what he wants and calls it what he
likes. He actively maintains the power
of naming through force and he justifies force through the power of naming. The world is his because he has named
everything in it, including her. She
uses this language against herself because it cannot be used any other way… Men,
because they are intellectually and creatively existent, name things
authentically. Whatever contradicts or
subverts male naming is defamed out of existence; the power of naming itself,
in this system, is a form of force. (17-18)"

1 comment:

Anonymous
said...

Hi there! I, too, love Andrea Dworkin! I live in NYC, and have met her before, and joined in on the discussion:) She was a fearless, powerful, super intelligent, "outspoken," focused, POWERHOUSE of a woman! She had the guts to vocalize things that most women dream of saying, but will never have the chance to. She stood up for all women, and has really opened my eyes to the horrendous injustices that us women have to face every day of our lives. I feel empowered by the strength that she continues to give me. I have been a radical feminist for several years now. I am going to a National Organization for Women's activist meeting next week:) Stay strong, and thank you for writing this and for keeping Andrea's memory alive. Jennie

About Me

Cortney Alexander is from a very small town in northeastern Wisconsin but spent the last 10 years in Chicago, Illinois. She currently resides in the Twin Ports area and loves being back in a small town! She has a Bachelor’s Degree and a Master’s Degree in Women’s and Gender Studies and a passion for feminist media criticism. Cortney wrote her master’s thesis on gender identity in grunge music. Her thesis is entitled “’I’m Not Like Them, But I Can Pretend:’ A Feminist Analysis of Kurt Cobain’s Gender Performance.” Right now Cortney works as an adjunct professor and director of advising at a small liberal arts university. She is also Vice-President of Guerrilla Feminism, Inc. Check out our Facebook community!