Penny Somerville

Whether she’s looking at a compost heap with courgette flowers or a panamoramic view doesn’t seem to matter. She still manages to inject her own exhuberant artistic vision into her subjects.

This colourful stained glass panel is called ‘Worlds End’, and is Penny’s response to the landscape near to Minera in North Wales. I haven’t asked her, but I think she must be on drugs!!

The colours are absolutely amazing, and are the result of an attempt to achieve the vibrant intensity found in mouthblown glass by using coloured enamels and silver nitrate.
The stained panel is fired repeatedly to build up the layers and depth of colour.

In contrast ‘Compost heap’ is one of Penny Somerville’s more traditional art works, with its use of painting, staining and etching.

By using the light/dark dynamic and restricted colour palette, this piece wouldn’t be out of place as a church window – apart from the subject matter of course.

Again, this stained glass panel has been fired many times to reach the depth of colour required without the use of lead.

Aparently, it’s quite large and buckled a few times in the firing but thankfully stayed in one piece.

‘Heat drenched’… what a fantastic title to describe this painted glasswork that fairly drips with summer heat.

I get a sense of lazy buzzing insects, long evenings and a general ripening.

One important element in Penny Somerville’s stained glass art is its close relationship to the spontaneous, lively drawings she makes on location.

I can’t think of another glass artist who manages to translate their initial drawn ideas into stained glass panels quite so successfully.

Mark Angus

These stained glass pictures have a striking common denominator. Ladders.

It obviously doesn’t take an art critic to notice that, but what is it all about?

I invited Mark Angus to the art college where I teach, and during a lecture about his recent work, he told us about the significance of these ladders in his work.

He explained that he was interested in the notion of eternal youth, like the characters in ‘The Little Prince’ by Antoine de Saint-Exupery and Peter Pan – those who tried to remain a child forever.

I’m not entirely convinced if I quite understood the concept, but Mark Angus seemed to be saying that these characters were quite often creative types – often misunderstood – and whose feet floated some distance from the ground.

Hovering between earth and heaven appeared to be their position in life.

Hence the ladders, which are an artistic manifestation of the link between these spiritual and secular worlds.

Phew! Now I’ve explained the ladders as well as I’m able, I’d like to point out the fantastic spontaneity of Mark’s approach to stained glass.

He uses etching on handmade flashed glass – here it’s blue on an opal base – and flicks on hot wax for a resist.

The stained glass painting is applied in a similarly free manner, splattered on with a brush.

Down the left side is a strip of lead that divides the pictures by both a change of colour and treatment of form. This is another way Mark Angus emphasises the two different worlds his figures inhabit.

Helpful Resources

If you like Penny’s work, there’s lots more to be found here. It includes her lively drawings and commissions.

If you like Mark Angus’s style and want to see more, there’s lots more images here. They range from huge commissions to wall lamps.

https://everythingstainedglass.com/stained-glass-panelshttps://everythingstainedglass.com/wp-content/uploads/stained-glass-panels-09-1.jpghttps://everythingstainedglass.com/wp-content/uploads/stained-glass-panels-09-1-150x150.jpg2016-08-01T07:36:57+00:00Milly FrancesStained Glass ImagesContemporary Stained GlassMollie Meager
These witty stained glass panels by Mollie Meager are typical of her spontaneous painterly style.
Each of the stained glass panels are only about 8' (20cm) square, but they are highly worked, using several different processes.
Have a look at the blue one, particularly the left hand. Can you see...Milly FrancesMillyFrancesmillyfrances@gmail.comAdministratorEverything Stained Glass

About Milly

I've been working with stained glass for over - yikes! - 25 years now, both as a professional artist and as a trained teacher.
I savour those moments when my students suddenly start improving and realising what they’re REALLY capable of. I also enjoy playing 5-a side football (badly).