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Future Stages

Working in an experimental theater lab with access to new performance technologies, MFA students will undertake a two-year program which emphasizes interdisciplinarity in rigorous studio work, fluency in contemporary theater practices, and a critical understanding of the role of performance in the public sphere, led by Marianne Weems (https://www.thebuildersassociation.org).

As our relationship with technology continues to evolve, Future Stages aims to reanimate classical modes of performance and explore how we can preserve theater’s quality of “liveness” in the digital world. Future Stages delves into tools and techniques for exploring how crossmedia practice can expand on basic theatrical relationships in new and culturally relevant ways.

This program invites those who want to invent new models of creating, presenting, and consuming theater. Ideal candidates will be directors, media designers, performers and other artists who have had at least two years working in professional performance contexts and have broad knowledge of contemporary performance practices and the history of experimental theater. Students must have experience integrating new media with performance, which should be reflected in a strong portfolio. The program is an opportunity to explore avenues outside of traditional theatrical production modes and beyond each student’s individual discipline.

Students will combine courses from the Digital Arts and New Media program with course offerings in the Theater Arts department. Students will participate in studio labs and full productions, develop research methods in performance and theater historiography, and attend seminars with faculty and students from the Isaac Julien Studio Lab and the Playable Games and New Media Program (APGM.) The program will culminate a thesis in the form of a fully-resourced professional production.

Working with Marianne Weems and artists from the New York-based company The Builders Association, the goal is to investigate contemporary languages that allow authors, actors and technologists to collaborate in ways that push beyond our present understanding of theatrical production and reception.

Upon completion of this MFA students will be able to:

Professionally participate in productions that use crossmedia approaches.

Cultivate the ability to work collaboratively with artists from diverse disciplines.