From the uploader's library. The primary editor's bilingual Postface, in which his remarks are almost literally echoed by Adolf Hoffmann in his own later editions of Telemann, is omitted. The viola d'amore part originally written in the French violin clef with scordatura in F major is here transposed to the treble clef. The additions (expression marks, dynamics) are relatively plentiful compared to the sparse indications on the manuscripts.