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A Group of Auriculas (detail), 1803. Frederick Lewis (British, 1779–1856) and James I. Hopwood (British, c. 1752–1819), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint, stipple, and etching with watercolor added by hand. Gift of the Print Club of Cleveland 1949.415.

A Group of Auriculas (detail), 1803. Frederick Lewis (British, 1779–1856) and James I. Hopwood (British, c. 1752–1819), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint, stipple, and etching with watercolor added by hand. Gift of the Print Club of Cleveland 1949.415.

A Group of Auriculas, 1803. Frederick Lewis (British, 1779–1856) and James I. Hopwood (British, c. 1752–1819), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint, stipple, and etching with watercolor added by hand. Gift of the Print Club of Cleveland 1949.415.

The Pontic Rhododendron, 1804. James Caldwell (British, 1739–1819), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint and stipple with watercolor added by hand. Gift of the Print Club of Cleveland 1951.276.

The American Cowslip, 1801. Warner (British, active 1800-1810), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint, stipple, and etching with watercolor added by hand. Gift of the Print Club of Cleveland in memory of Mrs. Ralph King 1952.213.

Scarlet Flesh Romana Melon, 1812. George Brookshaw (British, active 1804–1819). Color aquatint and stipple with watercolor added by hand. Gift of the Print Club of Cleveland in honor of Arnold M. Davis 1955.312.

The Flowering of the Botanical Print

Sat, 03/26/2016 to Sun, 07/03/2016

Prints and Drawings Galleries | Gallery 101

Celebrating the centennials of the Cleveland Museum of Art and the Cleveland Botanical Garden, The Flowering of the Botanical Print traces the history of the fruit and flower print from its humble beginnings as simple black-and-white woodcuts in late 15th-century herbals (books describing plants used for medicinal purposes) to the splendors of 19th-century color prints and the lavish publications of botanists Dr. Robert Thornton and Pierre Joseph Redouté.

More than 70 prints, drawings, and books illustrate the masterful draftsmanship and scientific accuracy of botanical artists who also explored the rhythmic patterns in each blossom, fruit, leaf, and stalk. The works reflect developments in horticultural practice from late medieval gardens of native wildflowers and formal Renaissance gardens of carefully cultivated plants imported from the Near East and the New World to famous English landscaping of the 17th and 18th centuries when “a whole nation went mad about flowers.”

At the core of the exhibition are works from the museum’s Donald Gray Memorial Collection of fruit and flower prints and related drawings, which was established by the Print Club of Cleveland in 1939 in memory of a former president who was a landscape architect. The Eleanor Squire Library of the Cleveland Botanical Garden and the Dittrick Medical History Center and Museum have generously lent important books, including the earliest examples from the late 15th-century illustrated with woodcuts.

The Cleveland Museum of Art is supported in part by Cuyahoga County residents through a public grant from Cuyahoga Arts & Culture and made possible in part by state tax dollars allocated by the Ohio Legislature to the Ohio Arts Council (OAC). The OAC is a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically.

Supported by Gloria Plevin and her late husband, Leon Plevin

A Group of Auriculas, 1803. Frederick Lewis (British, 1779–1856) and James I. Hopwood (British, c. 1752–1819), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint, stipple, and etching with watercolor added by hand. Gift of the Print Club of Cleveland 1949.415.

The Pontic Rhododendron, 1804. James Caldwell (British, 1739–1819), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint and stipple with watercolor added by hand. Gift of the Print Club of Cleveland 1951.276.

The American Cowslip, 1801. Warner (British, active 1800-1810), after Peter Charles Henderson (British, active 1799, died 1829). Color aquatint, stipple, and etching with watercolor added by hand. Gift of the Print Club of Cleveland in memory of Mrs. Ralph King 1952.213.

Scarlet Flesh Romana Melon, 1812. George Brookshaw (British, active 1804–1819). Color aquatint and stipple with watercolor added by hand. Gift of the Print Club of Cleveland in honor of Arnold M. Davis 1955.312.