. . . [the "Variations on Là ci darem la mano" provide] a rare opportunity to hear this played as a solo and quite possibly the finest ever committed to disc . . . The way in which Trifonov executes Var 3 and the contrasting touch and dynamics he brings to the repeat is quite masterly . . . One thing is constant throughout and that is the sublimely wonderful sound Trifonov produces right through the register . . . [Mompou's Chopin Variations are given] a consummate, unfussy reading . . .

The album features world premiere recordings of both Piano Concertos in fascinating orchestrations by pianist-composer Mikhail Pletnev. Pletnev also conducts the Mahler Chamber Orchestra in performances of exceptional detail, lyrical freedom and chamber music-like transparency.

. . . a truly exceptional account of the "Variations on Là ci darem la Mano", and the Rondo for two pianos . . . There's a glittering set of Mompou variations, Barber's Nocturne, a Grieg study and a Tchaikovsky miniature, all played with predictable faultless brilliance.

An elegant love-letter or postcard to Chopin, in new arrangements and signed by several admirers . . . The natural fluency of Trifonov's phrasing and rubato well suit the elastic temperament of the f minor Concerto, whose capacity to explode into emotional torrents always captivates its adherents . . . [Chopin / Piano Concerto no. 1, 1st movement]: Trifonov shapes each phrase and period with tender, loving care. The improvisatory -- and lengthy -- narrative style enjoys a seamless fluidity and logic. Pletnev keeps the marvelous French horn dialogue with Trifonov. The extended procession to the (desired) G Major proves infinitely fascinating and lyrically seductive . . . the set embodies a long love-letter to Chopin, brilliantly rendered.