Reviews tagged history

In a moment of autobiographical reflection, Belva Lockwood once stated that while her work as an equal rights activist had failed to raise the dead, it had “awakened the living.” Jill Norgren’s biography of Lockwood, a little known but extremely important historical figure should and could awaken all of us to live a life of conviction and activism.
At 232 pages long, Norgren eloquently and succinctly educates the reader on the story of the first woman to ever

Amidst today’s seemingly endless supply of domestic guides and treatises on interior decoration, Edith Wharton might be surprised that her The Decoration of Houses (co-authored with architect Ogden Codman, Jr.) would still be as relevant and necessary as it is a century after its first publication. Long before “simplicity” and “classic” became catchwords for branding, Wharton took a public stand against the bland, trite excesses of Victorian décor in America.

Sinan Antoon’s novel I’jaam: An Iraqi Rhapsody brilliantly portrays the complex impacts of political repression on humanity. It takes the form of a fictionalized compilation of interpreted handwritten prose of an Iraqi college student as he is held and tortured in a prison during the reign of the Ba’th regime in the 1980s.

When I read what The Ties That Bind was about, I knew I had to see it. Su Friedrich interviews her mother, Lore, about what it was like living in Germany during World War II. It is a brilliantly woven film tapestry - a mixture of story-telling, historical film footage, current newspaper articles/titles, current war protests and dozens of modern “political mailings.” I recommend it to everyone.

Bitch, as depicted on their website, is “a print magazine devoted to incisive commentary on our media-driven world." Reading Bitch was my first experience with a magazine that showcases feminist commentary about the media towards women in an eye-opening, upbeat conversation with the consumer. Issue 35 is considered to be the "Super Issue."
In the "Love It/Shove It" section, a few articles are written in a hardcore feministic opinion about women's role in society depicted via television and advertising.

I would have appreciated a one sheet of sorts to go along with New York City Secrets, as I wasn't really sure what it was about. It appears to be a short film with young people singing a rap song about different kinds of facts, secrets and things to do in New York City. There were some interesting graphics and information, but I am left wondering who the intended audience for this is. It was strange because I wasn't quite sure why they made it.

Imriel was an orphan, a slave and a goat herder until he learned he is a Prince of the Realm. He is engaged to Dorelei of Alba, the niece of Drustan the Cruarch of Alba, who is husband to Queen Ysandre of Terre d’Ange. It is a marriage of state though Imriel’s heart belongs to the Dauphine Sidonie, heir to the Terre d’Ange throne. Sidonie loves Imriel with the same passionate intensity that he feels for her.
They embark on an affair that only intensifies their feeling, but they are too afraid to admit their love to the queen and cause chaos in both realms.

Young, white, educated, and pretty: these were the most essential job criteria early flight attendants (then called “stewardesses”) were required to meet. As a selective few catering to the affluent traveler, flight attendants in the early days of aviation held a seemingly glamorous job, one that was coveted in an era when a white women’s work often extended only to the front door of her home. In Femininity in Flight, Kathleen M.

Geisha: A Photographic History, 1872–1912 is a beautiful hardcover coffee table book. I paged through this volume of history and beauty, and learned so much about the culture through this most amazing collection of photos and well-researched history that bullets important landmarks for the unknowing reader.

Margaret Hardenbroeck Philipse, the first woman to build her own lavish fortune in the New World, had the Midas touch when it came to trading everything from furs to slaves in seventeenth century colonial Manhattan, then called New Amsterdam.

The Vanishing Point is the story of two sisters living at the end of the 17th century. The title comes from the point on the horizon where an object disappears from view. In this case, the sisters, May and Hannah have been separated by distance and marriage. May, the eldest daughter is beautiful and willful. From the age of 15 she has taken many lovers, earning her the reputation as a slut.

This hefty anthology is a valuable resource for anyone who is interested in film, history or women’s studies. Substantial at 872 pages, it covers the years 1895 to 1950. The relationship between women and film is complex and fascinating, which explains the length of Red Velvet Seat, and the relationship has gone mostly unexplored, which suggests the book’s importance. Scholars, in particular, will be excited to see so many insightful texts gathered into one volume.

We, Too, Must Love is Ann Aldrich’s second book of Kinseyesque reporting on New York City lesbians in the 1950s. At the time of the book’s original publication, in 1958, it was revolutionary. Any public debate or information on lesbians at the time had been strictly in medical and psychological terms. This in-depth look at the lives of lesbians in New York City was both shocking and lifesaving.

The 1950s saw a typhoon of publications and studies about homosexuality with a notable absence of studies on lesbian women. First published in 1955, We Walk Alone examines the state of women outside heterodoxy in the era of McCarthyism and Kinsey.

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