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I was originally going to talk about something else here, illness but all of a sudden I like felt the holy ghost or something and was inspired to talk about this. Seriously everyone, contagion this is an important issue that I feel strongly about. I’ve actually had serious conversations about this.

Tracklist

Intro: Copywrite – Fuck A Soundcheck (prod RJD2)

Busta Rhymes – Packin Them Things (prod Kev Brown). This is just sort of a given. And even Busta Rhymes voted for Obama. You know where to find Busta, so go check out myspace.com/kevbrown.

Blu and Mainframe – Hold On John. Off of the Johnson and Jonson record, which you’ve been hearing bits of for the last couple years or so. Apparently the joint is actually out now, and it’s highly recommended. I don’t think there’s a single cut on this record that I don’t like. I’ve said enough about this record before, so I’ll leave it at that. Shouts to Steve for this one. myspace.com/jandjbabyproducts.

I mean, think about it. The only dude who seemed to be able to dance. He could beatbox. He wore rappidy-rap style clothing – well, comparatively. Oddly enough, I never felt like this was stereotyping – I just naturally internalized that Skeeter was Black. I seriously can’t wrap my head around the fact that some people don’t get it. To my white friends – I like you all a lot, but sometimes you miss things. Very important things. Like which cartoon characters are which race.

Stanza – Do. As heard previously on your favorite rap podcast, this is another selection off of Name This Album. The lyricism is sort of bizarrely great (trying to imagine the hand contortions in the beginning is alternately funny and amazing) and as with the rest of the cuts on here, there’s actually a message in here. And as I mentioned in the outro, Stanza has inexplicably put this entire record up online for free download – inexplicably because it’s easily worth the money. The record is dope. Go get it here, and check out the rest of the site at mqrt.com.

MF Doom – Rapp Snitch Knishes feat Mr Fantastic. Does anyone actually know anything about Mr Fantastic? I mean, I could google the dude, I guess, but after listening to this, I’m realizing that I haven’t heard much of anything from the dude.myspace.com/mfdoom.

This of course, is all based on when the show was on Nickelodeon. I quit watching when Disney took over. Actually I think at that point in my life I was a little busy to be watching cartoons (okay, it was just on at an inconvenient time. I definitely used run late for school because I wanted to catch the end of Pokemon).

Q-Tip – Gettin’ Up. On the Dilla rework – you might have heard this one, but for those who haven’t – dope. This really is a proper rework. myspace.com/qtip.

Marlena Shaw – California Soul (Diplo remix). For real, when I read the track title before actually listening to it, I was both excited and worried to hear what sort of destruction Diplo would wreak on this classic – but it’s oddly restrained. It’s good. myspace.com/officialmarlenashaw.

So, really. Doug was clearly white, Skeeter was obviously Black. The logic doesn’t really run across color lines, however – I mean, what about Bee Bee? She’s blue too, but I never got “Black vibes” from her, if that’s an appropriate word. And reversewise, come to think of it, Patti was sort of ambiguous – mixed ancestry, perhaps? She was sort of dark. Connie was Asian. I’m fairly confident about that one.

So this episode should answer all questions about who I voted for. Let’s cut the typing and do the rundown, click shall we?

(but before I do that – remember that you can embed this episode in your myspace, website like this blog, this site etc! Look above!)

Tracklist!

Mobb Deep – Shook Ones (MF Doom Remix). I don’t think I need to say much about this one. The original was great, this one is possibly greater. Doom is just stupid as a producer. Who needs extra drums? Classic. I won’t be mad at you if you rewind just for this one. myspace.com/mfdoom.

Zero 7 – Somersault (Dangermouse Remix feat MF Doom). And Doom shows up as an MC this time. I had a very good friend once that played Zero 7 incessantly whenever I was at her place. I probably know all the songs from their first CD by heart, and I don’t even know what the album cover looks like. One of the odd joints out where Doom actually attempts to tell a(n ostensibly) coherent story. Simple, but dope production. Don’t get it twisted though – Zero 7 is great by itself. myspace.com/zero7.

Amplive - Video Tapez (feat Del the Funky Homosapien). Off the Zion I member’s somewhat infamous Radiohead – In_Rainbows remix album. There are obvious comparisons to be drawn to Dangermouse‘s Grey Album, but it’s still a good (and free) record. It raises a lot of questions (doesn’t everything nowadays, though?) about media ownership and rights, as well. myspace.com/amplive.

Donwill - Camp Cupcake. Off the Beat Thieves Vol 2 record. I will leave the title alone and say that I dig this cut.myspace.com/donwont.

Daedelus - Obama 2008 feat Shariq and Taz of Sa-Ra. This song is so ridiculous it’s not even funny. Wait, it is. This is the jam, official, game over, I could play this 20 times and it would make a great episode. I don’t know why they have to be so dismissive about my mother’s opinions – I think she may very well have voted for Obama. I should ask her. By the way, if you ever get the chance to see Daedelus – do so. It’s brilliant.myspace.com/daedelus.

Donwill - Go Head (beatjackee = Wale Oyejide). I’m not sure what Mr. Oyejide is doing about the inevitable mixup between him and the other Wale, but I’ve always dug the former’s production. Look for more Donwill soon, by the way, as soon as I get that Suburban Sprawl record…

Muja Messiah – Paper Planes (feat Manifest).M.I.A. gets the beatjack treatment this time (about time, that Piracy Funds Terrorism Vol 1 was pretty much grand larceny – can we get a Vol 2, by the way?). I obviously like this song. I guess I should be a little troubled that the “activist” message has been lost in this version, but really activism is for pansies anyway. myspace.com/mujamessiah.

I kid.

Bonus cut -

Cappadonna - Slang Editorial (Madlib Remix). Or at least that’s who it’s credited to, I just happened upon this track while I was mixing this episode down. Remember Cappadonna? That dude was cool. I’d listen to a Cappadonna record. Apparently he actually made some records, but all I remember hearing about him after Triumph was that he was driving taxis. myspace.com/madlib.

Once again, I have to give full credit to Mick Boogie, Busta Rhymes, and of course J Dilla. This is a distilled version – my favorite tracks – from the just-dropped Dillagence mixtape. All joints are brand new. This is just stupid good. Stop reading right now and listen. If you want the full version, grab it at mick’s site - though the servers there seem to be struggling with the traffic (part of the reason I did this ep).

You’re gonna dig this one.

Tracklist

Busta Rhymes – Dillagence.

Busta Rhymes – Takin’ What’s Mine. And yes, you’ve heard this beat on this show before, but I just had to do this one again. Stealing somebody’s lunch, their lunch money, and then making them buy their lunch back from you? That’s horrible. Did I say Busta wasn’t funny anymore? I take it back.

Busta Rhymes, Q-Tip, and Talib Kweli – Lightworks. One-upping the version on the 2K8 soundtrack. I remember my first time at the Do-Over and seeing people just go bananas to this song. Not this song, actually, just the instrumental. Like 1:30 of the Lightworks instrumental off of Donuts, and just wow. I was absolutely blown away.

Busta Rhymes and Rah Digga – Best That Ever Did It. RD is just crazy on this track. References to Portishead, Benzino, Eminiem’s drug habit all in the same verse? Busta’s just a given here.

Busta Rhymes and M.O.P. – Classic. Dig what he says at the end about Dilla’s production and EQing, which is something I’ve heard a lot. For those who this doesn’t seem like a big deal to, talk to anyone who’s ever been on deadline for an album and the studio lost the Protools files. Not fun.

Busta Rhymes and Rah Digga – The Range. As much as I loved that Plastic Cups remix (anyone who came to my last house party knows that one took on special significance!), this one is really just that dope. I have apparently been sleeping on Rah Digga:

That’s why I go to the range
I see some rednecks with shit I can’t even name
Saying to myself I better do it the same
Revolution coming, shit it already came
They called it a hurricane
That’s why I go to the range…

Damn. DAMN.

Busta Rhymes and Rah Digga – Not Right Now. Beat on this one is ridiculous. That “not right now” hook is alternately cool and hilarious.

Busta Rhymes, Cassidy, Papoose – Psycho. Somehow this makes me think of Cypress Hill. Cassidy has some pretty ridiculous lines on there, but Papoose with that “I’m the new era like a mistake on your computer”, and the “www” lines is just too much. And you know what, I miss Cassidy.

Busta Rhymes – Dillagence Outro. The end of this is absolutely priceless. I won’t ruin it for you.

That’s it. If you want the full version – go get it, there’s plenty on there that wouldn’t fit here.

What’s good. I know I’ve been extra late with this one, implant but hopefully this special 50th episode makes up for it.

By now, anaemia you’re all undoubtedly aware of the the genius of the late, global burden of disease great Jay Dee, aka J Dilla. However, on the off-chance that you haven’t yet been exposed to enough of his work, for Episode 50, I bring you the first half (part 1 of 2) of the Shaman Work Recordings homage to the master: “A Brief Education on the Musical Genius of Jay Dee“. This is an exclusive joint arranged by DJ 2-Tone Jones, available for free in various stores and put out with the blessing of Mrs. Maureen Yancey herself.

Please spread the word about this mixtape, and be sure to check back in at www.mixtapeshow.net in a couple of days for part 2, featuring exclusive (as in – not even available on the store CD version) audio commentary from DJ 2-Tone Jones on the purpose and inspiration behind this first installment of the series. Shouts to Lamar, 2-Tone Jones, JR, and the rest of the Shaman Work family for making this thing happen.

Check the tracklist for this half (don’t worry, Pharcyde’s “Runnin” is on the next half, coming soon), and the press release after that.

Again, make sure to come back in a couple days for the second half of the CD. In the meantime, the phone lines are always open – 310 928 MTSN [ (310) 928 6876 ] – hit us up with freestyles, thoughts on the show, or whatever. And make sure to subscribe in iTunes, spread the word, and so on…holler.