The idea of the font was taken from the root of a pre-revolutionary liturgical collection. Missing letters are recreated in a general style. The drawing of the letters is related to the 15-16th century manuscript, but it does not have any serifs and “knots” on the lines of letters.
The font is suitable for the design of various headings. The inclusion of kerning is highly desirable, because the drawing of letters implies this. Encoding – as in all caps fonts.