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In a recent article dealing with the Tangale Peak or Kilang, as it is called in the local Tangale language, Herrmann JUNGRAITHMAYR presents an account narrated by a Tangale elder about the attempted ascent of that characteristic mountain by a British colonial officer and his subsequent death.1 Kilang mountain is a basaltic cone approximately 1300 m high, about 8 km southwest of Kaltungo, one of the principal settlements of the Tangale people, in southern Bauchi State, northeastern Nigeria. During a research stay at the National Archives in Kaduna in November 1993 I was able to consult a file containing various documents relating to this incident in detail.2 In the following note I present an outline of the events based on the evidence in the colonial records. By doing this I not only intend to shed more light on a tragic event from the very early years of the colonial era. The picture of the circumstances emerging from the investigations of the colonial authorities may serve as a background to the narrative by the Tangale elder presented in JUNGRAITHMAYR's publication.

Tenkodogo, a township situated in the south-eastern part of Burkina Faso on the road leading from the capital Ouagadougou to the Togo border, has approximately 29,000 inhabitants. It is Burkina's seventh largest town and is the location of the regional government of the Boulgou-Province. This regional government is represented by a high-commissioner and a "préfet" as it is the residence of a traditional ruler, otherwise known as Tenkodogo-naaba. His sphere of influence covers many villages and hamlets in the region: in total he is the sovereign of nearly 120,000 people. The power of the traditional rulers was curtailed first by the arrival and following overrule of the French colonialists and then after independence by Sankara and his revolutionary government. The kings ceased to be the ultimate judges who were able to determine life and death of their subjects. Henceforth they were no longer allowed to recruit subjects for certain work on their fields, and they no longer could claim control over the allocation of resources. Their position was strengthened anew by Sankara's successor in office, Blaise Campaore, who quickly recognized that collaborating with the traditional rulers could only be of advantage: in fact they later proved to be his best supporters in the election campaign.

All over the world meat plays an important role in the nutrition of people. Mostly it is considered to be a special source of strength and health. In many peoples' minds the consumption of animal products, such as muscle, fat, blood, inner organs and bones, is much more associated with vital strength than a vegetarian meal. A reason for this may be the inherent physical similarity between human being and animal, especially mammals. There are other ways of producing meat, such as hunting and fishing, but today the most common method is butchering. The people in Tenkodogo consider beef to be an excellent meat. We will focus our comparative studies on special occasions, specialised butchers, locations, times, technical methods, distribution and ideas connected with the production and consumption of beef. Two fundamental reasons for the butchering of cattle can be identified: firstly, bulls are killed during the rituals of the year and secondly, cattle is slaughtered for daily commercial purposes on the market. In both cases almost the entire carcass of the butchered animal is consumed by people. In Tenkodogo we can actually compare those two different reasons, which have at least one common impact.

The tale portrays the unhappy life of a dove. Constantly surrounded by enemies, hunted by human beings and animals, disappointed by friends and separated from her family, the dove despairs of her life. She ponders over her unjust fate in this world and in a monologue she begins to consider, whether it would not be better to end her own life. This tragic theme forms the climax of several episodes, in which the tension between life and death is described. The elaborate development of dramatic acts demonstrates the intertwining of guilt and innocence in human existence.