Five note dominant seventh broken chord, one octave and a seventh (in fives), of A Flat, hands separately. Quintuplet = 50.Players should only attempt these if they are comfortable stretching a major third, black to white note, between the 3rd and 4th fingers. Others should play these
broken chords in a four note pattern.

Chromatic scales are not referred to in the above after Stage 6, as they are not
especially difficult; but pupils should continue to practise them from time to
time.

More advanced technical forms

The above technical syllabus ensures only that the basic scales, broken chords and
arpeggios are known in all keys. Besides this the teacher should introduce,
when appropriate – and as is compatible with hand size etc. – the
following:

Inversions of arpeggios.

Contrary motion scales and arpeggios.

Scales at all intervals: 3rd, 4th, 5th, 6th, 7th, 9th and 10th.

Scales in double thirds and double 6ths.For Moszkowski's brilliant fingering for chromatic double minor thirds click here. It is a highly recommended alternative fingering for students doing
Associated Board Grade 8.Download PDF file of fingerings for all major and harmonic minor double third scales here and PDF file of fingerings for all major and minor (melodic and harmonic) scales in double sixths here