K. Michelle is hard at work on her 3rd album and is keeping fans abreast of its development every step of the way.

After thrilling BET Awards viewers with a performance with former nemesis Tamar Braxton, rumors were immediately ignited suggesting the youngest of the Braxton clan would be making a special appearance on the follow-up to 2014’s ‘Anybody Wanna Buy A Heart.’ The ignition would also see Michelle do little the quell the hearsay:

As if the above isn’t enough to get excited about, the ‘Hard To Do’ diva is dishing on some other familiar faces expected to line her highly anticipated third album, tentatively due in stores February 2016. More scoop below:

The much-slammed Aaliyah biopic may have had Timbaland in a foul mood over the weekend, but the hitmaker was in great spirits during a stop at The Breakfast Club today.

Naturally, hosts Charlamagne, Angela Yee, and DJ Envy quizzed Timbo on the Lifetime movie and his viral response. Yet, it was the interesting turn that the interview took which has many buzzing.

The producer used the vast majority of the sit-down to gush about new rapper, Tink.

Aged just 19, the femcee is the latest name signed to Tim’s Mosley Music Group in partnership with L.A. Reid‘s Epic Records. What’s more, the lyricist has received co-signs from the likes of Jay Z and Rick Ross.

Armed with more than just words, the music maestro previewed material from the newbie’s debut album, which he says houses some of his best work since Aaliyah’s ‘One In A Million’.

Twitter was almost too hot to touch last night as the highly anticipated Lifetime original film ‘Aaliyah: Princess of R&B’ made its premiere – much to the chagrin of fans.

Setting the net ablaze, detractors lent many-a-meme ridiculing the film for its casting, acting, and even musical performances. The ‘Rock the Boat’ beauty’s fans took special notice to the criticism of her longtime collaborator/friend Timbaland.

Known for being behind the wheel of some of the singer’s most memorable hits, last night saw him behind the wheel of consistent slamming of the network for bringing to light a film many say “should never have been made.”