Thom and Beth Atkinson’s images are neither romantic nor photojournalistic, but altogether more sombre, especially in their absence of people. Cumulatively, they suggest not just the inexorable passing of time, but the odd sense that these gaps in the cityscape are frozen in time… These shots are a resolutely low-key, and an ineffably sad, counterpoint to official memorials… Their shots reveal London as a spectral memorial, frozen in time.