Tuesday, December 31, 2013

1. Living things can move, but non-living things cannot.2. Energy is required by living things, while non-livings do not require energy.3. Living things are capable of growth, reproduction and death.4. Non-living things are non-motile, but living things can move around.5. Living things respire; non-living things do not respire.6. Living things adapt to the surroundings and respond to stimulus.

Woman suffrage bonfire on sidewalk in front of the White House – in rain. Later demonstrators with similar bonfire also unfurled a banner demanding voting rights for women from President Wilson. The year was 1918.

The Suffragist in the final photograph appears to be smiling with success at getting arrested directly in front of the White House.

Sunday, December 29, 2013

Italian-American soprano Adelina Patti performed from 1851 (when she was 8) until 1914 (when she was over 70).

By far the most famous opera singer of her generation, Patti had many imitators. One of them was a man named Everett Stewart, a former postal employee from Wichita, Kansas. He joined the minstrel show run by McIntyre & Heath in 1887, ultimately billing himself as Stuart, the Male Patti. Under that name he wore gorgeous jeweled gowns, danced in high heels and sang in a soprano voice as the star of an 1898 Broadway musical called The New 1492, where he played Queen Isabella.

Posters from an archive of performing arts images at the Library of Congress.

Saturday, December 28, 2013

Portraits of Civil War-era women, from a collection of glass-plate negatives in the Library of Congress. Ordinary women seldom appear in this archive of the 1860s. The women who do appear come from opposite poles of the social world. One group would have been rooted in the Establishment of the time, like Mrs. Halleck (immediately above), wife of a staff general in Lincoln's army. Such women were prominent because the males around them were prominent. But the majority of the women in the archive were not prominent political wives or heiresses, but actresses and dancers. They needed photo-portraits for practical, commercial reasons – to spread their reputations and secure bookings.

Ella Jackson

Agnes Perry

The two women below were celebrities of a different order. The Brady Handy collection preserves the information that Pauline Cushman and Belle Boyd became photograph-worthy because they were both spies. Pauline Cushman spied for the Union, Belle Boyd for the Confederacy.

Pauline Cushman

Belle Boyd

One fashion note – the prevailing female silhouette of the day consistently shortened the torso and widened the shoulders, creating an outline for the upper body that now appears deliberately squat. It almost looks as if the mid-19th century fashionable female torso was modeled on a horizontal rectangle, while the 20th century fashionable female torso rotated 90 degrees to become a vertical rectangle.

Mabel sat in a dim corner with her new flashlight on Christmas Day. The fascinating flashlight beam became the main light source for these long exposures.

When I saw the odd results of my camera experiments up on the screen, I remembered buying that short sturdy stool Mabel sat on. Which would have been about twenty years ago at a woodworking shop on the corner of Sanchez and 14th in San Francisco. The stool was unfinished then. I sealed and painted it myself. It subsequently served as a step-stool in my black-and-white "garden flat" on Noe Street throughout the 1990s. It drifted into my daughter's orbit when she got her first apartment in San Francisco after grad school. That would have been around the turn of the century. Nobody could have predicted that the same unregarded utilitarian stool would turn out to be Baby Bear furniture for Mabel some day.

Thursday, December 26, 2013

Mabel opened some presents before Christmas dinner and other presents after Christmas dinner.

Her East Coast Grandma sent a box of classic Lincoln Logs. Mabel opened those early in the morning and played with them all day. She showed me how to make railroad tracks out of Lincoln Logs and how to make a tall tree out of Lincoln Logs.

COMRADES OF TIME

"Hesitation with regard to the modern projects mainly has to do with a growing disbelief in their promises. Classical modernity believed in the ability of the future to realize the promises of past and present – even after the death of God, even after the loss of faith in the immortality of the soul. The notion of a permanent art collection says it all: archive, library and museum promised secular permanency, a material infinitude that substituted for the religious promise of resurrection and eternal life. During the period of modernity, the 'body of work' replaced the soul as the potentially immortal part of the Self. . . . But today, this promise of an infinite future holding the results of our work has lost its plausibility. Museums have become the sites of temporary exhibitions rather than spaces for permanent collections. The future is ever newly planned – the permanent change of cultural trends and fashions makes any promise of a stable future for an artwork or a political project improbable."