Overview

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Overview

“Cameron Leach is one of the brightest new soloists on the percussion circuit. The Eastman Wind Ensemble and I were extremely inspired by his Higdon Concerto performance, and we look forward to a longstanding relationship with this exciting, rising star!”

- Dr. Mark Davis ScatterdayMusic Director, Eastman Wind Ensemble

Overview

Leach’s repertoire includes concerti, acoustic, electroacoustic works for solo percussion, and an extensive list of chamber music. He performs as a soloist with orchestras, wind ensembles, and percussion groups, featuring a variety of repertoire that accommodates a range of ensembles. In addition, Leach tours extensively as a recitalist and clinician, and frequently appears as a guest artist at universities. Tech riders and additional information available upon request.

Leach currently offers two structured, full-length solo programs: Synthesis, his solo recital, and ELISION, an entirely electroacoustic show with two continuous halves. Requests for adjusted programs are welcome, and repertoire is subject to change. In the 2019/2020 season, Leach will debut his new theatrical percussion show, including newly commissioned works by Paul Pinto, Linda Kernohan, and Pulitzer Prize winner Roger Reynolds—details TBA, contact if interested.

ELISIONelectroacoustic show

Synthesis…

is Leach’s solo recital program, made up of newly composed pieces representing the very best of the modern percussion repertoire. The program’s title comes from the combination of different key elements within the show—some contrasting, and some complimentary—which define the performance. Percussion meets theatre, acoustic and electronic sounds come together, and serious art battles comedic shtick in a diverse, exploratory program that keeps the audience engaged from beginning to end.

ELISION…

takes the audience on an exhilarating journey through the sonic landscape of electroacoustic percussion music. The performance focuses on the relationship between live and recorded sounds, which interact in different ways to expand the timbral spectrum of acoustic instruments. The electronics take on many roles throughout the program, by working cooperatively with, in opposition to, or completely independent of the performer. This fluctuating duality is precisely what defines the production, presenting twists and turns through moments of musical athleticism, comedy, and repose. ELISION is made up of two halves which run continuously from beginning to end, featuring fully integrated electronics, effective stage transitions, and accessible entry points for a variety of audiences.