Welcome to the only official site for People Like Us and Vicki Bennett

Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at, amongst others, Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. She has an ongoing sound art radio show 'DO or DIY' on WFMU. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Nothing Can Turn Into A Void – a documentary film about People Like Us has been screening in cinemas and festivals since Autumn 2015. Currently, Vicki is focussing on expanding both audio and moving image work for a multiscreen and multi-speakered environment with Recombinant Media Labs, with a new 10 screen work "Gone, Gone Beyond" and there will be a new People Like Us live performance "The Mirror" premiering at FACT, Liverpool in Spring 2018.

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Many thanks to Ubuweb and WFMU for hosting tracks on this site to make it more accessible for more people to download for free.

We strongly believe in the power of profit through free distribution, and the publicity that comes along with that - so we are putting our money where our mouse is. Often people have never heard of an artist because they aren't being distributed through as many channels as they should be, due to the very poor state of music/media distribution for non-major label music coupled with ignorance of the way that avant garde art forms infiltrate mainstream culture. Also many prints of a work are allowed to go out of circulation or are deleted for no reason other than cost effectiveness by a label/publisher. This makes perfect sense financially, but no sense whatsoever that a year's work by an artist should also disappear for such reasons. So get all of this while you can, and we completely endorse getting one's work out there, no matter what. If you don't share, your profit is limited.

We encourage all creative use of our work, and although we don't encourage duplicating of our work for commercial use you are welcome to share as mp3s or sample.