Monday, 20 September 2010

The Forest Floor

Patrick is in Sydney and visited the Food Forest with family friend Josh Bowes, who generously helped with the initial planting back in July. They found fungi, edible weeds, an abundance of leaf vegetables, thriving fruit and nut trees, and evidence of dynamic social engagement.

A mushroom (perhaps don't eat) and some onion weeds (use as chives in a salad) spontaneously inhabit the forest floor, while rhubarb has been harvested to be used as an organic spray.

All these things show that humans and nonhumans are participating in this garden autonomously, and as a result this little food forest system (based upon permaculture principals) really appears to be working. Residents are bringing in their compost, harvesting plants and herbs to eat, while some are using plants to make organic sprays to allay pests. The woody mulch has, with spring warmth and rain, created humidity in the soil that fungi adores. Fungi in a forest floor is a great sign of soil health and, as gardeners will know, if the soil is healthy plants are less prone to pests. Growing plants in a polyculture using companion planting methods also assists the garden's health and allays pests and disease.

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About Us

Hello! We are Artist as Family – Zero, Meg, Patrick, Blackwood (Woody), and back in the day, Zephyr. We live in Daylesford, Australia on a quarter-acre permaculture plot.

We base our creative practice on our concept of permapoesis, which simply means permanent making – an antidote to disposable culture. We practice an art that participates in what it represents; an art of social warming in an era of global warming. Food ethics and politics are central to our practice. Generating food that brings human and ecological health and global justice is our creative call to arms, within the sphere of the local. We teach a unique skill set of radical neopeasant homemaking and other accountable living skills to volunteers called SWAPs who come to live with us. We are bloggers, fermentors, writers, public speakers, poets, artists, video makers who also make music, but mostly we're a family who belong to a bloody great community and therefore we're much more than the sum of our parts.

Past and current projects

Artist as Family have conducted a number of fruitful projects in the past including '17 Days' (2009), commissioned by the Lock-up Cultural Centre in Newcastle and 'Food Forest' (2010–), commissioned by the Museum of Contemporary Art in Sydney, our work was featured in the international anthology of ecological art, 'Art & Ecology Now' (2014), and we wrote the Art of Free Travel (2015) about our 400 day cycle adventure to Cape York and home again in Central Victoria, which was shortlisted for an ABIA in 2016. We continue to give talks to sustainability groups, art schools, university students and community organisations. We teach Permaculture Living Courses (PLCs) from our home, at Tree Elbow University, which is the site for The School of Applied Neopeasantry in Daylesford, Victoria.

17 Days (2009)

'17 Days' involved foraging for anthropogenic waste along the coastline and throughout the city of Newcastle. Day after day we carried out the same simple task of walking or bike riding to collect countless bags of rubbish. We swam, played in the sand, picnicked, rested, communed with locals, gazed (as inlanders) in awe at the sea and picked up other people’s discarded refuse. After 17 days we had amassed a monumental pile of industrial food and drink packaging, which we exhibited at the Lock-up Cultural Centre as simply: the everyday detritus of hypertechnocivility as collected by a family on holiday.

Food Forest (2010–)

'Food Forest' is a public artwork that doubles as a community garden, a work that aims to foreground biodiversity and demonstrate that materially art can be generative, can be a resource unto itself, rather than just an extractor or exploiter of resources to make market desirable products. In other words art can be generative contiguous with ecological functioning. Food Forest is therefore a work that attempts to blur the traditional western line between art and that estranging term ‘nature’.