Bob Reinhardt is no longer building amps. I have left this page up as a source of info on Reinhardt amps. If you have a Reinhardt amp you would like to trade in let me know. If you are looking for a Reinhardt email me and I will put you on the list. Most of the Reinhardt amps I receive sell before listing so be sure to email me the model you are looking for.

Our first product, and still one of the all time favorites is the 18. The 18 watt is based on a Marshall (tm) with a few circuit changes. This amp goes anywhere from sweet clean tones, to classic rock, to heavier gain, without being too heavy. Think AC/DC, Van Halen, ABB, etc. Due to overwhelming demand and popularity power scaling is now a standard feature on the 18. This amp does it all, and does it so well. Touch sensitivity on either channel is second to none. Play lightly, it has sweet cleans, dig in a little and its unleashes mild bluesy overdrive tones. Dig in harder and its Classic rock at its finest. No need for pedals with this, but it does love a good boost as well. Do not confuse with the original 18 watt Marshall amp, this amp has all that, and much more.

The newest amp to the lineup is the LT-1. The LT-1 is the baddest smallblock ever produced IMO, and this little 20 watt beast is the baddest little Plexi styled amp. Derived from my Vintage 50, the LT-1 is a departure from the traditional 18 watt styled amps. The LT-1 is fixed bias instead of cathode bias as is traditional for the 18 watt style amps. It also has a Plexi styled NFB loop, is solid state rectified, and set up like my Vintage 50. The LT-1 has more girth, and drive than typical for an EL84 amp, and keeps a great feel at low, or dimed levels. It offers the same exceptional dynamics that all of my amps have. Want sweet chimey cleans, just back off with your right hand a little, or roll the guitar back. For more crunch and grind, just roll the guitar up and smack it harder, the feel is amazing.

The V50 is based on the classic 50 watt amps of the late 60's through the mid 70's, the Vintage 50 delivers all the classic rock tones you want. Offered 2 ways, the Lead version has more of a mid and upper mid emphasis, and the Bass version has a smoother, rounder tone.

Both versions are a 4 input, non master volume setup, with a shared set of tone controls. Most of my all time favorite tones come from the late 60's to the late 70's classic rock tone. The old rock tone with the British vibe from the Marshall amps of that era. The Vintage 50 has a killer, sweet full clean tone, and starts to get gritty around 4 on the volume. From 4 on up, it gets thicker and smoother crunch tones. As with all of our amps, it responds very well to the guitars volume control, and to your pick attack. When wound up, gets a nice gritty clean, or clean with a little hair on it, by rolling the volume back on the guitar. Go from there, to singing leads with just a turn of the guitars volume.

Price: $1,700.00

Status: ON HOLD

Pre Owned Reinhardt Vintage 50 in stock. Great sounding Reinhardt. The headbox has several dings/scuffs.

Based on the KT66 platform of the old Bluesbreaker, with a few twists.We are now shipping the amp with the new TAD 6L6WGC tubes or with the Chinese KT66's. Through a bunch of legwork, I have finally found a good supplier of KT66's, and have been using them as well as the 6L6's.. The amp still has that killer vintage vibe. 4 inputs, a higher gain brighter side, and a lower gain darker side. Original design was a shared cathode in the first preamp tube which gives the amp its overall darkness, but we incorporate a Vintage/Modern switchable first stage from shared cathode to split cathode, which will make the amp a little brighter and more aggressive, give it that classic lead snarl. Like all of our amps, we use only the best for components, each amp is built to last a lifetime. Also, we can custom tailor each amp to the buyer, with subtle voicing and gain structure changes. We also supply each amp with a tube rectifier, and a plug in solid state rectifier so a person can get the softness and compression of the tube, or plug in the solid state replacement and tighten the amp up if you want a tighter, less "squishy" feel, esp useful with higher gain pedals.

Based on the classic 50 watt amps of the late 70's through the 80's, the Storm delivers all the rock tones you are looking for. More gain than the Vintage 50, by quite a bit. Amp is set up with 2 gain adjustments. Can dial in a nice clean tone, to a killer crunch. Want old VH punch and crunch? Look no farther. Set up as a 2 channel amp, it has a low and a high channel. It comes stock with a footswitch to switch from low to high. Its a very big, powerful JCM800 type amp, without the "icepick" that some of them were famous for.

As with all of our amps, it responds very well to the guitars volume control, and to your pick attack. No overly compressed, non dynamic mud. The Storm is very articulate, and touch sensitive.This amp does have a master volume, but its an older, non post phase type master, meaning it will not get you heavy preamp gain at whisper volume, it will require to be turned up a little bit. I will break up pretty early, but its not real preamp saturated, its more old school JCM800 type gain levels down low.

Power section is 2 el34's, and the preamp uses 3 12ax7's. Solid state rectification keeps this amp tight, even when wound up.

Built with the same attention to detail, and high quality of all of our amps. Heyboer transformers, hand assembled and wired with ARS filter caps, "Dijon" coupling caps, NOS carbon comp resistors in all critical locations. Chassis are welded for extra support and durability, and switches are all heavy duty units for long troublefree service. I am constantly testing tubes for the best possible combination of tubes.

Our first product, and still one of the all time favorites is the 18. The 18 watt is based on a Marshall (tm) with a few circuit changes. This amp goes anywhere from sweet clean tones, to classic rock, to heavier gain, without being too heavy. Think AC/DC, Van Halen, ABB, etc. Due to overwhelming demand and popularity power scaling is now a standard feature on the 18. This amp does it all, and does it so well. Touch sensitivity on either channel is second to none. Play lightly, it has sweet cleans, dig in a little and its unleashes mild bluesy overdrive tones. Dig in harder and its Classic rock at its finest. No need for pedals with this, but it does love a good boost as well. Do not confuse with the original 18 watt Marshall amp, this amp has all that, and much more.

Price: $1,795.00

Status: Sold

Reinhardt Mini Me
This amp is the result of a long journey to find a good, tuneful small amp. During the initial test drive of the Mini-Me, the usual statement has been "WOW, how does this little amp sound so big". The amp is set up similar to the Storm. It has a low channel that will do a great clean and mildly driven tone. The 1st gain pot is set up with a push/pull, to activate the second, hotter channel that will give you thick crunch, and great sustaining lead tone, all at a nice volume. I would guess that in a small club, a person could gig with this amp, and be heard just fine as well. The Master volume works great for taming the volume to an even more manageable level. I really feel the Mini Me is the best low wattage amp Ive ever heard or played.

A variation on a theme, the MI-6is based on the same outstanding circuit as the 18, and with the same qualities, but with a 6V6 twist. For those who prefer the 6v6 platform for the power tubes, its the classic 18 preamp mated with the traditional 6v6 tone. This amp has been tweaked to provide that classic Marshall tone only a bit thicker, and with slightly less high end chime than the el84 tubes provide. Like all of my amps, this is available with any number of custom voicings and options. Due to ovewhelming demand and popularity, power scaling is now a standard option on the MI-6.

Our first product, and still one of the all time favorites is the 18. The 18 watt is based on a Marshall (tm) with a few circuit changes. This amp goes anywhere from sweet clean tones, to classic rock, to heavier gain, without being too heavy. Think AC/DC, Van Halen, ABB, etc. Due to overwhelming demand and popularity power scaling is now a standard feature on the 18. This amp does it all, and does it so well. Touch sensitivity on either channel is second to none. Play lightly, it has sweet cleans, dig in a little and its unleashes mild bluesy overdrive tones. Dig in harder and its Classic rock at its finest. No need for pedals with this, but it does love a good boost as well. Do not confuse with the original 18 watt Marshall amp, this amp has all that, and much more.

A variation on a theme, the MI-6is based on the same outstanding circuit as the 18, and with the same qualities, but with a 6V6 twist. For those who prefer the 6v6 platform for the power tubes, its the classic 18 preamp mated with the traditional 6v6 tone. This amp has been tweaked to provide that classic Marshall tone only a bit thicker, and with slightly less high end chime than the el84 tubes provide. Like all of my amps, this is available with any number of custom voicings and options. Due to ovewhelming demand and popularity, power scaling is now a standard option on the MI-6.

Based on the 18, but doubled. Thats right, for those who thought the 18 was not big enough, we are now offering that same basic design, but in a 4 EL84 platform, for 36 watts of power. This amp does everything the 18 does, and then more. Due to overwhelming demand and popularity, power scaling is now a standard option on the Titan. Also available in a 4X6v6 version for the 6v6 lovers. If you are playing on a bigger stage, need a little more clean headroom, or just want that extra "whoop ass" the Titan delivers. It has the same amazing tone of our 18, same touch sensativity and feel, same classic sounds, but at more power to deliver the knockout punch.

Based on the 18, but doubled. Thats right, for those who thought the 18 was not big enough, we are now offering that same basic design, but in a 4 EL84 platform, for 36 watts of power. This amp does everything the 18 does, and then more. Due to overwhelming demand and popularity, power scaling is now a standard option on the Titan. Also available in a 4X6v6 version for the 6v6 lovers. If you are playing on a bigger stage, need a little more clean headroom, or just want that extra "whoop ass" the Titan delivers. It has the same amazing tone of our 18, same touch sensativity and feel, same classic sounds, but at more power to deliver the knockout punch.

The newest amp to the lineup is the LT-1. The LT-1 is the baddest smallblock ever produced IMO, and this little 20 watt beast is the baddest little Plexi styled amp. Derived from my Vintage 50, the LT-1 is a departure from the traditional 18 watt styled amps. The LT-1 is fixed bias instead of cathode bias as is traditional for the 18 watt style amps. It also has a Plexi styled NFB loop, is solid state rectified, and set up like my Vintage 50. The LT-1 has more girth, and drive than typical for an EL84 amp, and keeps a great feel at low, or dimed levels. It offers the same exceptional dynamics that all of my amps have. Want sweet chimey cleans, just back off with your right hand a little, or roll the guitar back. For more crunch and grind, just roll the guitar up and smack it harder, the feel is amazing.

The JKC33 is based on our Vintage 50, but designed with the gigging musician in mind. Special lower-powered output transformer delivers about 30 watts makes it perfect for venues where 50 watts would be too much. You can wind this amp up to enable it to produce that sweet tone at reduced volume.

Just like the Vintage 50, this amp is a 4 input, non master volume setup, with a shared set of tone controls. The JKC 33 has a killer, sweet full clean tone, and starts to get gritty around 4 on the volume. From 4 on up, it gets thicker and smoother crunch tones. As with all of our amps, it responds very well to the guitars volume control, and to your pick attack. When wound up, gets a nice gritty clean, or clean with a little hair on it, by rolling the volume back on the guitar. Go from there, to singing leads with just a turn of the guitars volume.

The Vintage 100 is a 100 watt version of the Vintage 50. Big, bold and powerful, this amp will fill the largest rooms with tone. Built with a nice, deep, full tone, no icepicky harshness here. Our goal with the V100 was to try to recreate the old late 60's tones, while retaining the 70's grind, without the harshness associated with the 70's amps. According to the customers, we have accomplished that goal. I also have incorporated a vintage/modern switch into the amp. In the vintage mode, its thicker, and rounder, and in the modern mode, it gets clearer, with more attack. Gives you a nice variation in flavors.

This amp is a 4 input, non master volume setup, which is LOUD. It is the perfect platform for those who play the biggest stage, or those who like to get a good, loud punchy cleanish tone, and use pedals to shape your tone.

. The Vintage 100 has a killer, sweet full clean tone, and starts to get gritty around 4 on the volume. From 4 on up, it gets thicker and smoother crunch tones. As with all of our amps, it responds very well to the guitars volume control, and to your pick attack. When wound up, gets a nice gritty clean, or clean with a little hair on it, by rolling the volume back on the guitar. Go from there, to singing leads with just a turn of the guitars volume.

Based on the KT66 platform of the old Bluesbreaker, with a few twists.We are now shipping the amp with the new TAD 6L6WGC tubes or with the Chinese KT66's. Through a bunch of legwork, I have finally found a good supplier of KT66's, and have been using them as well as the 6L6's.. The amp still has that killer vintage vibe. 4 inputs, a higher gain brighter side, and a lower gain darker side. Original design was a shared cathode in the first preamp tube which gives the amp its overall darkness, but we incorporate a Vintage/Modern switchable first stage from shared cathode to split cathode, which will make the amp a little brighter and more aggressive, give it that classic lead snarl. Like all of our amps, we use only the best for components, each amp is built to last a lifetime. Also, we can custom tailor each amp to the buyer, with subtle voicing and gain structure changes. We also supply each amp with a tube rectifier, and a plug in solid state rectifier so a person can get the softness and compression of the tube, or plug in the solid state replacement and tighten the amp up if you want a tighter, less "squishy" feel, esp useful with higher gain pedals.

This amp was inspired by one of my guitar heros, Mark Knopfler, and one of my amp building heros, Trainwreck. It started as an idea about building a low powered amp with a similar character of a Trainwreck. As with any good amp, things always start to take on their own shape and tone. I set out to make a 2 el84 22 watt amp, but wanted to add a half power triode setup. The sultan changes modes from about 22 watts in full power mode, to about 10 watts in half power mode. The Sultan, as with all of my amps, is amazingly touch sensitive and dynamic. It can go from clean, to totally wild, from the guitars volume, and from your playing technique.

The Sultan uses a custom special wound output transformer, and is available in 120V, 220V, and 240V configuration. 3 12ax7,s 2 el84, 2 6v6, and a GZ34 rectifier.

This amp was inspired by one of my guitar heros, Mark Knopfler, and one of my amp building heros, Trainwreck. It started as an idea about building a low powered amp with a similar character of a Trainwreck. As with any good amp, things always start to take on their own shape and tone. I set out to make a 2 el84 22 watt amp, but wanted to add a half power triode setup. The sultan changes modes from about 22 watts in full power mode, to about 10 watts in half power mode. The Sultan, as with all of my amps, is amazingly touch sensitive and dynamic. It can go from clean, to totally wild, from the guitars volume, and from your playing technique.

The Sultan uses a custom special wound output transformer, and is available in 120V, 220V, and 240V configuration. 3 12ax7,s 2 el84, 2 6v6, and a GZ34 rectifier.

Based on the classic 50 watt amps of the late 70's through the 80's, the Storm delivers all the rock tones you are looking for. More gain than the Vintage 50, by quite a bit. Amp is set up with 2 gain adjustments. Can dial in a nice clean tone, to a killer crunch. Want old VH punch and crunch? Look no farther. Set up as a 2 channel amp, it has a low and a high channel. It comes stock with a footswitch to switch from low to high. Its a very big, powerful JCM800 type amp, without the "icepick" that some of them were famous for.

As with all of our amps, it responds very well to the guitars volume control, and to your pick attack. No overly compressed, non dynamic mud. The Storm is very articulate, and touch sensitive.This amp does have a master volume, but its an older, non post phase type master, meaning it will not get you heavy preamp gain at whisper volume, it will require to be turned up a little bit. I will break up pretty early, but its not real preamp saturated, its more old school JCM800 type gain levels down low.

Based on the classic 50 watt amps of the late 70's through the 80's, the Storm delivers all the rock tones you are looking for. More gain than the Vintage 50, by quite a bit. Amp is set up with 2 gain adjustments. Can dial in a nice clean tone, to a killer crunch. Want old VH punch and crunch? Look no farther. Set up as a 2 channel amp, it has a low and a high channel. It comes stock with a footswitch to switch from low to high. Its a very big, powerful JCM800 type amp, without the "icepick" that some of them were famous for.

As with all of our amps, it responds very well to the guitars volume control, and to your pick attack. No overly compressed, non dynamic mud. The Storm is very articulate, and touch sensitive.This amp does have a master volume, but its an older, non post phase type master, meaning it will not get you heavy preamp gain at whisper volume, it will require to be turned up a little bit. I will break up pretty early, but its not real preamp saturated, its more old school JCM800 type gain levels down low.

The SHG is a serious high gain amp. It has 2 more gain stages compared to the hot side of the Storm. I was after the '80's hair metal sounds, and gain levels, without having to use a pedal. Its not as harsh and metallic as a lot of high gain amps, it still retains the "old" tone, but adds a ton of gain to that old tone. It also has a very effective master volume for playing at reasonable levels. The SHG is not a lifeless, mid scooped modern day noise maker, it still retains mids, and character. The amp now comes standard with an effects loop and power scaling.

An exciting new amp, the Sonoma. This amp is based on the famous Bluesmaster and Overdrive amps from the legendary amp builder H.A.D. I was approached by a long time friend who asked me to build a BM style amp for him. After doing a lot of research, and talking with several fellow amp builders, this is the result. I think its one amazing amp. Very clear, but not sterile clean tones, and that thick, sustaining overdriven tone that you associate with them.

2X12 mini slant cab. Made to look like a small version of the slant cabs we all love. These cabs are 23 wide by 25 tall, as I think it looks better to not have them be square. The speakers are on a slanted internal baffle, both on the same plane as some feel that a normal slant cab, with the 2 different planes of speakers causes a slight out of phase issue between the straight and slanted speakers.

Next is the 2X12 straight version to match the above cabinet. Its the same dimensions, with the same high quality construction, but with the speaker straight mounted for a slightly deeper and darker tone, or use with the slant for a killer mini stack.