By now you’ve likely seen the promo spots on NBC for “The Night Shift,” an emergency room drama with a crazy “M*A*S*H” feel, which is set at “San Antonio Memorial.”

Don’t let the familiar skyline, featuring San Antonio’s Tower Life Building, Tower of the Americas and other landmarks, fool you, however.

Like ABC’s “Killer Women” — the short-lived drama about a female Texas Ranger, which aired earlier this year and also was set in the Alamo City — “The Night Shift” was shot in Albuquerque, N.M., not San Antonio.

The eight-episode series will air at 9 p.m. Tuesdays, starting May 27. Its cast includes Eoin Macken, J.R. Lemon and Jill Flint (above in photo).

Drew Mayer-Oakes, director of the San Antonio Film Commission, said the show’s “group has been wonderful to work with,” but the network “won’t let them film in Texas because New Mexico has such a strong TV incentive (30 percent tax rebate).”

He said “The Night Shift” did shoot second-unit footage of San Antonio, however, which accounts for the recognizable establishing shots.

It also emphasizes the city’s strong military presence. In fact, its hunky lead doctor, T.C. Callahan (Macken, a bad-ass version of McDreamy), has just joined the S.A. hospital after completing three tough tours in Afghanistan.

San Antonio’s large Latino population also is somewhat reflected in its cast; main players include Freddy Rodriguez as the by-the-book hospital administrator Michael Ragosa, who frequently locks horns with adrenaline junkie T.C., and Daniella Alonso as the ER’s psychiatrist, Dr. Landry de la Cruz.

In the first couple of episodes, there are San Antonio mentions within the show; for instance, the River Walk is summed up as “a tourist trap,” while Smoke Shack barbecue gets a thumbs-up.

“Creator Gabe Sachs wrote the show for San Antonio,” Mayer-Oakes said, “and line producer Stew Lyons (“Breaking Bad”) came in with Gabe last summer to see the city.

“They loved what they saw, but couldn’t convince the network to come to Texas,” he added. “And with our pilot incentive program, we would only be able to get them to a total state+city 25 percent credit, and since our program is a pilot program, we would run out of that money after only a few episodes.”

He said he hopes the show is a success, so “we can use it to try to increase our incentive locally to land a TV series like this one.”