I described this piece on Twitter as “D&B meets acoustic piano, to great effect,” which makes sense if you read D&B as “drum & bass,” not so much if “Dun & Bradstreet.”

And actually, it doesn’t conform to the brain-churning BPM standard (170ish) that typifies drum & bass, but in this tempo, “Remorse” lives up to its title: it’s jagged, and it throws you back and forth, playing dots and dashes with your synapses.