The latest edition of ShowCase highlights CRAB Studio’s Abedian School of Architecture in Queensland, Australia.Plus, the fourth installment in Screen/Print (Archinect’s experimentation in translation across media) features "fruity labors" from the quarterly journal MAS Context's 20th... View full entry »

Yesterday, DS+R announced in their proposal for MoMA's redesign that the American Folk Art Museum would have to be demolished. Backlash from the #folkMoMA community quickly arose: architects and critics called the choice callous and unsustainable, outraged not only by the Folk Art Museum's... View full entry »

[Diller] had great respect for the Folk Art Museum, calling it a “bespoke” design tailored to the needs of the museum. She went through several scenarios on how to integrate the museum in the expanded footprint. [...]

The architects would have had to destroy the Folk Art Museum building in order to save it.
— Architect Magazing

In what looks like the kiss of death for the #folkMoMA movement, Diller Scofidio + Renfro's design for MoMA's expansion will necessitate the destruction of the neighboring American Folk Art Museum, as proposed today in a MoMA press conference. The initial threat to the Folk Museum was made last... View full entry »

MoMA will launch the first workshop for "Uneven Growth: Tactical Urbanisms for Expanding Megacities" starting Saturday, Oct. 26 at MoMA PS1 in New York City. In this workshop series, six interdisciplinary teams will propose innovative ways of how to perceive urban growth as a response to the... View full entry »

Young Frank sees creative possibilities everywhere, and likes to use anything he can get his hands on—macaroni, old boxes, spoons, and sometimes even his dog, Eddie—to create things like chairs out of toilet paper rolls and twisting skyscrapers made up of his grandfather’s books. But Old Frank is skeptical; he doesn’t think that’s how REAL architects make things.
— Inside/Out

​MoMA's new children's book, Young Frank, Architect tells the story of a budding architect living with his architect grandfather in modern-day New York City. Hoping to give a lesson in design professionalism, Old Frank takes Young Frank on a trip to MoMA, where they find inspiration in... View full entry »

When MoMA’s chief curator of architecture and design Barry Bergdoll gives up his post at the end of the summer and returns to his tenured lair at Columbia University, the museum will lose a quiet crusader. MoMA can feel corporate and aloof, but in his domain, Bergdoll has displayed an uncanny sense of timing, using each exhibition to set a real-world agenda that frequently outlasts its run.
— vulture.com

"These products suggest the terrific span of Le Corbusier’s career in time, space, and scale, attacking the problems of how we should build and how we should live at home and abroad . . . If current architects take anything from the exhibition—a must-see, despite some critical flaws—it should be the power of those big, gestural drawings, where visual and verbal argument vividly come together."
— The New Yorker

This criticism of MoMA's exhibition of Le Corbusier's work seems to be disappointed in the light-handed intervention of the curator. However, considering the amount and variety of architecture produced by Corbusier, it's unlikely anyone has clear idea of how best to display his work. Still, the... View full entry »

It’s a relief on the block, representing the diversity vital to healthy streets — not a perfect building, not even its architects’ best work. But its unembarrassed, luxuriant materiality, its small scale and vulnerability, all qualities that the Modern now seems to reject, belong no less than the glass tower to the messy story of Modernism and city life.
— nytimes.com

AFTER impassioned protests from prominent architects, preservationists and design critics, the Museum of Modern Art said on Thursday that it would reconsider its decision to demolish its next-door neighbor, the former home of the American Folk Art Museum, to make room for an expansion.
— nytimes.com

In a board meeting on Thursday morning, the directors were told that a board committee had selected the design firm Diller Scofidio & Renfro to handle the expansion and to help determine whether to keep any of the existing structure. View full entry »

The Modernism worth pursuing — worth protecting — is the one where Gregor Samsa wakes up transformed into a large insect, and ends up with an apple embedded in his carapace, which is exactly what the Folk Art Museum is to the Museum of Modern Art, right now, right where it is.
— Places Journal

On Places, David Heymann presents an incisive critique of MoMA's decision to raze the Folk Art Museum building, by Tod Williams Billie Tsien Architects. From a quiet beginning — "Here is why I think the American Folk Art Museum is a great Modernist building" — Heymann works his way to... View full entry »

The Architectural League calls on the Museum of Modern Art to reconsider its decision to demolish the American Folk Art Museum. The Museum of Modern Art—the first museum with a permanent curatorial department of architecture and design—should provide more information about why it... View full entry »

Barry Bergdoll, chief curator of MoMA's architecture and design department, told AN that the decision was an administrative, rather than a curatorial one. He called the decision “painful” for architects and others who appreciate Williams and Tsein’s work, and acknowledged that museums have a responsibility to the art in their care—including architecture.
— archpaper.com

He says the building “was designed as a jewel box for folk art,” and could not reasonably be altered to fit a different collection and a different purpose. View full entry »

In an effort to foster the creative debate on urban recovery after Hurricane Sandy, MoMA PS1 and MoMA’s Department of Architecture and Design are calling out for ideas to create a sustainable waterfront.

Artists, architects, designers, and others are welcome to present ideas for alternative housing models, creation of social spaces, urban interventions, new uses of public space, the rebuilding of the boardwalk, protection of the shoreline, and actions to engage local communities.
— momaps1.org

[FLW's] entire archive is moving permanently to New York in an unusual joint partnership between the Museum of Modern Art and Columbia University’s Avery Architectural & Fine Arts Library, where it will become more accessible to the public for viewing and scholarship.

The collection includes more than 23,000 architectural drawings, about 40 large-scale, architectural models, some 44,000 photographs, 600 manuscripts and more than 300,000 pieces of office and personal correspondence.
— nytimes.com