100 FINNRIR THE NEW YORKER, DECEMBER 27, 1993/JANUARY 3,1994 ! t IN HELSINKI & BALTIC CRUISE a TO STOCKHOLM E CI) > 0.. CI) 4 g C/) CI) x .s CI) "'0 ::s u c: c c LL ...... a c: C/) 6 days including roundtrip airfare on Finnair. >- Start the year off at the top of the world with .g 2 nights in Helsinki, a New Year's eve dinner, co 2 nights on a luxurious roundtrip Silja Line cruise to ! c: Stockholm with breakfast and dinner daily, c: and time to explore Stockholm. a Call your travel agent or FinnWay at :g c: a CI) 0.. 800-526-4927 CI) u ct * 228 East 45 St New York NY 10017 tel (212) 818-1198 fax (212) 818-0585 .. .. "' # . ,: t. · '. . . )\. t,,-. ,..': · .. t'. ,.. t ,''' :' 'j . .. . '. , ... -, .-., ....., . .. · w , 'f1.r-- .. <' '" . M" l :,-". å : _. . ... .' . . ,... t-., .. .' ., · ....... ..,. ., + · " . t : . - ., . ' . ..!.. -':{ " . .... < . ...ø"i tot . . ,., t., ".:\ . . ." ..f ': .. ' . 1 . t., . fa-' f fY '"' ... , Ù . J : l!t . .' . . . \ ,..;. ,,' It. ft' · , :. 4;. .1' If. 't". '" . i\ IJDAlMATIANS" .f:4 f High ... 4. UNIQUE LIBRARY STEPS Hand painted and hand carved from kiln dried alder wood>> ThÎs unusual animal art is Functional and Collectible . . created in fim:ited editions - Signed by the Artist. Available in select Animals and Breeds Send for a Color Brochure $4 DAVID RosS STUDIO 610 Canyon Road, Santð Fe, NM 87501 505 988-4{)1.7 DO YOU YEAR.N FOR. FR.ESH IDEAS WHEN YOU TEACH? W If so The New Yorker Education Program is for you For information and materials to help you use The New Yorker in your classroom please call Elaine Berman a[ (212) 536-5415 or wri[e [0 her a[ [he address below: THE NEW YOR.KER. EDUCATION PROGRAM 20 West 43rd Street, New York, \Jy 10036-7440 C/) CI) .22 CI) OJ co C/) ::s . Corona Machemer told me that he had been concerned about my being a neophyte.) He believed in giving a young writer a chance. He wrote letters to New Yorker colleagues and friends of Katharine's, paving the way for inter- views. A letter to the New Yorker editor Gardner Botsford asked that he show me around the Turtle Bay Garden enclave, where the Whites had also lived. "I would appreciate the favor," Andy wrote. "It's no crucial matter-Linda would probably get into that decadent close if she had to dynamite the North Wall-but it would be nice if you could make it easier for her." He also wrote a note for my agent to send to publIshers along with my book proposal, stating that he knew me and approved of what I was doing-an en- dorsement that undoubtedly made a cru- cial difference in my getting a contract for the book. He imposed no strictures or condi- tions on my research, and never asked to see work in progress. (He himself had never shown anyone a manuscript-"not even Mrs. Katharine White," he said- until it was ready to go out in the mail.) His sole interference was to instruct me, on two or three occasions, not to quote sentences from Katharine's letters which might hurt someone's feelings. The offending comments were trivial, but he noticed them. In one letter to him Katharine had referred to some local gos- sip; though it was ancient history, Andy didn't want his neighbors embarrassed. In another she had commented on an "Italian shoeshine" who worked in the building at 25 West Forty-third Street, where The New Yorkers offices were housed. Andy suggested that I insert the d " " ft " h hi " wor man a er s oes nee The advice he gave me about writing was good but sometimes a bit unrealis- tic. He did not seem to understand, for instance, why I would worry about lining up a publishing contract before the work was finished. It didn't seem to occur to him that the research and interview trips were hard for a part-time teacher to afford. "I hope you don't get preoccupied with feeling the pulse of publishers," he wrote. "Advice from this elderly practi- tioner is to forget publishers and just roll a sheet of copy paper into your machine and get lost in your subject. Write about it by day, and dream about it by night." He seemed to have only a vague notion of the amount of research that went into