Muddy Waters: Electric Mud

To open new markets for the starving blues industry, Marshall Chess, son of Chess co-founder Leonard Chess, produced three 'psychedelic' blues/rock album in 1968, and 1969 featuring the label's stars from the 1950s, Muddy Waters, and Howlin' Wolf. When these LPs came out, neither the critics, nor the blues fans liked them. Today, more than forty years later, these productions are regarded milestones in the history of rock/blues. MUDDY WATERS - voc/gtr, PHIL UPCHURCH - gtr, PETE COSEY - gtr, OTIS SPANN -pno, CHARLES STEPNEY - org, PAUL OSHER - hca, LOUIS SATTERFIELD -bass, MORRIS JENNINGS - drums.

Songs

Muddy Waters - Electric Mud CD 1

1:

I Just Want To Make Love To You

2:

Hoochie Coochie Man

3:

Let's Spend The Night Together

4:

She's Alright

5:

Mannish Boy

6:

Herbert Harpers' Free Press News

7:

Tom Cat

8:

The Same Thing

Artikeleigenschaften von Muddy Waters: Electric Mud

Interpret: Muddy Waters

Albumtitel: Electric Mud

Format
CD

Genre
Blues

Music Genre
Blues

Music Style
Classic Chicago Blues

Music Sub-Genre
911 Classic Chicago Blues

Title
Electric Mud

Label
CHESS USA

SubGenre
Blues - Electric

EAN: 0076732936429

weight in Kg 0.107

Artist description "Muddy Waters"

Muddy Waters

Although Chess claimed that Muddy Waters was responsible for penning the rousing Got My Mojo Working on this single, it emanated from outside the confines of Arc Music, Chess’ publishing arm.

"We went on tour with a lady named Ann Cole. She's the one that originally did 'Mojo,’" says his then-road harpist, James Cotton. "Muddy said, 'That's my kind of stuff there, talkin' about the mojo and all that kind of thing. I need to learn that song so I can do it.' He said, 'Learn the words to it for me.' So I learned the words, and I learned to play it. I taught him the words when I knew everything. They recorded it, him and Walter. It did pretty good.

When Muddy got back to Chicago, he made the song his own on either December 1, 1956 or January 16, 1957. As Cotton noted, Little Walter was still his main harp man in the studio; other participants were his essential 88s ace Otis Spann, guitarist Jimmy Rogers, bassist Willie Dixon, and new drummer Francis Clay. But this rendition wouldn’t be the one everyone so widely copied; that version was done live at the 1960 Newport Jazz Festival with James on harp (Chess issued Waters’ set on LP). "I put the arrangement on there," says Cotton. "Now it's a classic."

In between the two Mojos, Waters made his maiden voyage to England in 1958, bringing along his electric guitar. British fans accustomed to Big Bill Broonzy’s acoustic blues weren’t quite ready for the aural assault. "I went over there, and they went stone nuts. ‘Where’s he comin’ from with all this noise?’" said Muddy, who tried to comply on his next visit. "I go back a couple of years later and didn’t bring it, and then they’re cryin’, ‘Where’s your electric guitar?’"

Always loyal to Chess, the ‘60s weren’t overly kind to Muddy from a recording standpoint. The nadir was his pseudo-psychedelic 1968 travesty ‘Electric Mud.’ Muddy freely ripped the album later on. "I really went with the company with that part," he said. "I hope they never play it." During the mid-‘70s, Waters underwent a studio renaissance on a new label, Blue Sky. Producer Johnny Winter strove to restore Muddy’s original sound on his acclaimed 1977 LP ‘Hard Again.’ "He was one of the young white kids who was really deep into it," said Muddy.

The King of Chicago Blues died of cancer April 30, 1983 at age 70. It’s a sure bet no one will ever take his place. "Maybe somebody else would have come up and went another way," Waters mused. "I came up at the right time and the right season, and I should say, I just taken it over. I just taken Chicago completely over!"