“For Nancy Goldring, too, a highly evolved and com­plex tech­nique results in work of densely sat­u­rated and lumi­nous color that offers a direc sen­sual experience..Deeply influ­ence by bud­dhism, Goldring’s work is mature and straight­for­ward; it is fresh in its cer­tainty and coher­ence.”
– Ali­son Nordstrom

“Goldring’s images attempt to define the lim­its of pure perceep­tion and pure mem­ory. In doing so they lead us , as Henry Berg­son points out, in Mat­ter and Mem­ory, to hold an inter­me­di­ate posi­tion in our minds between real­ism and ide­al­ism, and between mate­ri­al­ism and spir­i­tu­al­ism.” Dominique Nahas

“In Goldring’s imag­in­ings, per­sonal, myth­i­cal, reli­gious, and archi­tec­tural motifs are eas­ily enmeshed. Echoes of nine­teenth century-romantic paint­ings, impres­sion­ism, and devo­tional reli­gious pho­tog­ra­phy con­tribute not to a Babel of con­fllict­ing artis­stic tongues, but to a seam­less medi­ata­tion on the con­tent of mem­ory.” Michael Rush

“The pieces of Goldring’s images do not pre­cisely fit, but ather har­mo­nize and over­lap, bring­ing to mind what is lost and what is gained in cul­tural trans­la­tion. “ San­dra Matthews