He would like to do a powder-shoot, “that would be awesome”, he said. We agreed Joey would fix 10 kg of (baking) flower. I have a studio and would arrange for a model.

Since this was the first time Joey used studiolighting a showed him how to measure the light using a Elinchrome 478 Lightmaster to meter everything out. We agreed although the light was spot on perfect it was also a bit boring.
It could be a bit more dramatic for this shoot. And Joey while he was add it like to go all out with some colors also. I got my Golorgels out and started putting some complimentary colors on the spots.

Our Model Juna was changing out her daily’s into a body I asked her to bring to the shoot. Besides the fact a body is kind of sexy and Juna can certainly take that. A Body is also shows the movement in the shots hence they use it in dance so much.

Juna is the complete packidge, she’s absurdly beautifull looking, have a great body posture is super easy going and have machine like work ethics. She was just rocking the shoot. Unlike in other types of shoot the powder is somewhat like a estimated guess. So we dry-shot every photo like 10 times to do miner adjustments in the composition, light and to see everything is “in frame”. Normally this is easy to do but because of the movement in the poses and the fact they aren’t compact at all but large and wide it turned out to be quite a challenge. A balance act between the flattering 50-105mm and the 17-50mm. I can tell you if you want to use 50+ millimeters and still have the whole model in frame with this kind of shot, you beter have a very big-ass-studio-space I have a 7 meter wide studio and still used 35mm most of the time.

Overall it was a great shoot. Definitly looking forward working with Juna again.

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