Tag: ishino arisa

Hikari is, understandably, a wreck post-Goodbye to Iroha. He is indeed such a wreck that he stops caring about school—or anything else, for that matter—all together. Adding insult to injury is the fact everyone thinks Iroha simply dumped him before splitting town.

After a blow-up with Takanashi, Itou meets Hikari on the roof and gets the scoop—it’s not like Iroha swore him to secrecy about it. One by one his friends and family learn about Iroha’s illness, and can then not only sympathize with him far more, but curse themselves for initially being too hard on him.

The last person to hear the truth is Hikari’s mother, who immediately delivers a swift dropkick to her firstborn. However much pain he’s in, Iroha’s in more, and his mom thinks she’d be even more sad if she knew what became of him.

Hikari fully agrees, and starts to shape up. He returns to school and studies night and day, much to the relief of his friends. When he learns he got into Tokyo U, he shows no emotion, leading the others to think he didn’t get in, and are there to support him. Turns out he did get in, but he hasn’t a clue where to go from here. Hearkening back to his last night with Iroha, Hikari remembers the final promise Iroha asks of him: “forget me.”

It’s a promise he hasn’t been able to keep, and more to the point doesn’t want to. But Iroha at the time is certain that someone as blessed as Hikari has been—with a loving family and dear friends—he’ll make so many happy new memories in the future, they’ll hardly be any for…his first love? Uhhhh…that’s wishful thinking right there, Iro-han! Still, there’s only one way, and it’s forward.

Fast-forward—seven frikkin’ years!—and Hikari is now 25 and a salaryman at a trading company on the rise. A number of female co-workers admire his combination of work ethic and humility and seem interested in him, but he always seems to dash off after work.

On this particular night, it’s to catch an anime, but not just any anime: one in which Itou did the mechanical design! He then gets a call from Takanashi inviting him out to drinks with “Arisa” and Itou in his usual Takanashi way that brooks no argument. Turns out there’s a good reason for that: Arisa and he announce that she’s going to have a baby.

Hikari, clearly far more comfortable in his 25-year-old skin, confidently picks up the check when he has to leave to fix a problem at work. His friends are impressed by how far he’s come; Takanashi even goes so far as to call him amazing!

And he has, especially when you consider the pain he carries from losing his first and only love. Ezomichi pays him the first visit in ages, but despite the pain in his heart—which he carries gladly rather than face an alternate past where he never met Iroha at all—there’s really no need for her to counsel him, and she vanishes—possibly to wherever poor Ayado ended up…the show has cut her out of the circle of friends! T_T

Someone who vanished seven years earlier, on the other hand, makes a semi-triumphant return to Japan, alive and well, which is wonderful to see. Unfortunately, in exchange for her life, she’s seemingly lost all of her memories, and can’t recall anything about the family home, neighborhood, or school.

Her brother chooses this place to profess his love for, and to promise he’ll be by her side no matter where she chooses to live out her re-charged life. Not picking up on anything worth staying for, Iroha says she’s fine returning to L.A. which for seven years has been far more of a home to her.

So, is that it? Are Hikari and Iroha going in different directions, never to cross paths again? Or will a chance encounter with him be the one thing that can rouse her memories, kinda like Your Name.?

Hikari and Iroha make good on last week’s joint declaration not to go home, but their status as minors gets them turned away at every bed-and-breakfast. They come across a charming ryokan whose surly owner says is closed, but he reconsiders when he overhears them discussing what to do now that they’ve missed the last train.

Turns out the innkeeper was loath to host guests because his better half walked out on him—apparently not an uncommon occurrence—but his spirits (and boredom) are lifted by his brief glimpse of “first love in the present progressive”, as he grammatically puts it. He naturally doesn’t see why a hottie like Iroha is doing with a dweeb like Hikari, but hey, that’s the impression most get from just looking at the surface.

When Iroha sneezes and implies she may be coming down with a cold (echoing when they first got together), Hikari makes her bed, and then joins her in it. One thing leads to another, and the next thing you know it’s morning and neither of them are wearing clothes.

That’s right, it happened! And I appreciate how low-key and understated it was. The next day, after hanging out a little more, they part ways at the train station, but not before Hikari draws her in for a farewell kiss. But when she gets home, Iroha is hounded by Chika, warning her to end things immediately, not for her sake, but for Hikari’s.

Back at school, Hikari apologizes to Itou for being so out-of-sorts, but explains that it’s because he only has a month left with Iroha before she moves. He also tells him they did it, which bowls Itou over. As for Ishino and Takanashi, they just infer Hikari did it from his complete inability to hide the fact that he had his cherry popped.

But Iroha isn’t at school that day, or the next day, and Hikari worries she’s avoiding him (I assumed she caught a cold). Turns out Iroha is taking Chika’s advice to end things with Hikari. The only thing is, Chika didn’t quite mean to cut off all contact cold turkey. Hikari ends up staking out their house, and nothing Chika can say can convince him to leave.

Finally, Chika gives in when Hikari says he’s fine with her saying she doesn’t want to see him anymore, as long as he hears the words from Iroha herself. The two go back to school together for the last time, where Iroha informs Hikari of the situation: she has a “bug in her head” (read: brain tumor) for which she’s going to have risky surgery. She may not survive the operation, and even if she does, her memories may not.

Hikari treats this information with the gravity it deserves, and he’s well within his rights to descend into a pool of darkness…but is it just me or are both Hikari and Iroha jumping to conclusions and hedging way too early with this goodbye? Sure, one can fear the worst, but whenever the word “may” is used, there can and should always be some hope that things will work out! Maybe she won’t die, and maybe she won’t lose some or all of her memories.

Hikari and Iroha may not be married (and thus never made a vow to be together in sickness and in health), but it’s clear they both love each other; far more than when they first started dating and more now than ever. I understand Iroha wanting to shelter Hikari from the worst case scenario, but the ship has definitely sailed when it comes to coming out of this without any pain or anguish. If I were Hikari, I’d certainly ask more questions about the situation before resorting to despair.

Shouldn’t the choice of whether to stay by her side be Hikari’s to make? And isn’t he giving up too easily considering all the “mays” Iroha used? Will the show really ignore those “mays” and take her away from Hikari, and from us? I don’t want to believe that. But even if it does, I don’t want either of them giving up hope prematurely. There’s two whole episodes left…stay positive!

I’ve never been particularly interested in 3DK’s longstanding ticking clock on Hikari and Iroha’s relationship. It’s a two-dimensional source of drama and dread on a show that’s proven itself capable of developing nuanced solutions to conflicts that rise organically from its cast of 3D characters.

Case in point: 3DK invested so much time and loving care to bringing Ishino and Takanashi together, yet the biggest threat to Hikari and Iroha’s relationship remains frustratingly murky.

There’s nothing unclear about the statuses of their friends, however: Ishino x Takanashi is very public, while Itou confirms to Hikari that he and Ayado made love. It’s quite on point for Itou to cry tears of joy afterwards, as well as to tell Hikari that it probably has changed his world, but a lot more changes are to come as he and Ayado share more experiences.

I kinda wish we’d gotten more of Ayado’s perspective—perhaps telling Ishino or Iroha about it—but still, kudos to the show for being both unambiguous and tasteful in the portrayal of a very common milestone in young people’s lives.

As their final year in high school begins to draw to a close, Takanashi, Ishino and Itou are all thinking about their futures…while Hikari hasn’t. Why would he? The future, to him, is just a place where there’s no Iroha.

Better to make the most of the present lest he come away with regrets. For Hikari, this means blowing off career surveys, studying and even some classes to spend maximum time with Iroha.

A side-effect of all the dating is a precipitous drop in his grades, something he keeps from both Itou and Iroha until the former hears it from the teacher. Like any best friend as kind as he is, Itou is concerned about Hikari, and urges him to be mindful of finding a school/romance balance.

However, Hikari doesn’t want to tell Itou why he’s neglecting his studies. He doesn’t want to tell Itou that Iroha is moving in a month, because that will only make that move—that future without her—more real.

Instead of getting back to his studies, Hikari takes Iroha out on more and more dates, even as she gets increased pressure from Mabuchi (the doctor) to stop what she’s doing presumably due to an undisclosed medical condition…but we just don’t absolutely know for sure!

One thing’s for sure: frolicking on a frigid beach in October isn’t going to help that condition…and I’d be very surprised if one or both of them didn’t come down with a cold next week.

But fine: Hikari doesn’t know the truth, and neither do we. Iroha doesn’t know about his bad grades until Itou tells her, and when she pulls out what she thinks are his notebooks for studying, they’re filled with things he’s planned for them to do together.

Seeing this note makes Iroha cry, because Hikari is planning a future for them that may not be possible. When he comes back with warm drinks, she tells him she lied: she’s not going to transfer schools. But that still doesn’t explain if and why they’ll separated in a month’s time.

Then again, perhaps Hikari’s request to his mom to loan him a large sum of money from his mom, and both his and Iroha’s reluctance to “go home” means they’re going to run away together, finally taking charge of their future.

But if Iroha’s real circumstances are so serious she’s yet to breathe a word of them to the man she loves, out of a reluctance to hurt him, what if those circumstances worsen, and there’s no longer any way to hide them…or avoid hurting Hikari anyway?

“Never mind, I don’t care,” Takanashi lied. That’s where he finds himself at the beginning of this week: in denial of his feelings for Ishino and the feeling that he’s letting her slip away in his friend Sakurada’s arms. This week Sakurada is revealed as less of a character (or viable love interest to Ishino) and more of a catalyst for Takanashi to stop playing games.

When his mom ends up in hospital with a mild concussion, Takanashi hits the supermarket so he make hijiki for Anzu, and on his way out, he runs into Ishino, who can just tell something’s up. Takanashi resists the urge to tell her to butt out of his business (in fact she’s the one to bring up her meddling), but does tell her he doesn’t need her pity.

That grinds Ishino’s gears, as it should: forget never giving her the time of day: Takanashi has a serious habit of acting cool to hide his emotional struggles. He relents and asks Ishino to join him at his house, since she knows how to make hijiki.

Ishino also has a problem: it’s virtually impossible for her say “no” to Takanashi, no matter how selfish or mocking his request. But this isn’t about him playing games; it’s about him actually making some kind of effort, in his way, to let her know that her help at the house would be tolerated, appreciated…even preferred.

Meanwhile, someone who would prefer it if Hikari were to fall into a ditch and die is Iroha’s brother Chika, who has heard about the two of them going on an overnight trip. Hikari insists nothing will happen (which isn’t exactly fair to Iroha, if she wants something to happen!) and that the trip had to be postponed anyway; Chika gets his lick and death threat in anyway.

That feels like the first real ripple in Hikari and Iroha’s relationship in ages, and even then it’s due to a third party, not any conflict between the two of them. Back at Takanashi’s it’s pure domestic bliss—complete with spousal bickering, something Anzu probably isn’t used to considering they have a single parent.

Their argument is over whether Takanashi is justified in limiting Anzu’s exposure to Kaoru, or whether he’s just being overprotective and even petty. Ishino and Takanashi make up in front of Anzu to calm her, but it isn’t long before they’re at it again, and this time it’s when he brings up Sakurada.

He asks, and almost orders Ishino not to go on the date with Sakurada, a serious request that he treats with his usual teasing jocularity (doesn’t want anyone taking his “pet”). While Takanashi is again trying his best to say what he wants to say, the fact is his best isn’t quite good enough. He has to be better.

He runs after a crying Ishino to apologize, and also properly explain his feelings: he feels like she’ll be an important part of his life, and if he lets her go on a date with his friend, he will regret it. So he asks if she’ll be his girlfriend, a question Ishino has been waiting for so long it barely feels real.

It’s been a recurring joke for him to immediately reject her when she asks him, but when he finally asks her, she’s just as quick in saying “yes.” Then he kisses her, daring to open a “door to a frightening world”, but opening it nonetheless. I have no doubt he’ll still tease her (and she’ll tease him back) but at least now there’s no doubt about his feelings.

Shifting from Newly-formed couples to Recently-formed couples, Itou ends up alone at Ayado’s house when something “comes up” with her parents. After four hours of wholesome video game-playing, Ayado can’t take it anymore: she wants to make out.

Itou worries that he’d be betraying her parents’ trust in him if he did anything with her, but Ayado disagrees. Ayado wants him to do something, and will be dejected and miserable if he doesn’t.You’re good, dude…Carry On. And carry on they do…though the episode is somewhat coy about how far.

Back to the couple that inspired all these new doors being opened: Iroha comes over for dinner with Hikari’s whole family again and has an absolute blast, as always. She loves how kind his family is, and how it explains why he’s so kind. Case in point: he offers to walk Iroha home, but she declines.

I can’t have been the only one to think that slightly awkward goodbye was foreboding, and what do you know, the next day Iroha is at the hospital talking with the doctor Hikari thought she was dating back in the beginning, telling her “it has to stop,” presumably due to her undisclosed health condition.

While new doors have been opened for the others, it looks like Iroha and Hikari’s is going to start closing. It’s something both of them have known would eventually come to pass. I just wish we had more of an explanation about why there’s such a seemingly firm clock on her life expectancy. At least Hikari deserves to know, even if it crushes him.

From Iroha slapping her brother with a wet towel when he accuses her geeky boyfriend of dragging her down to his level, to Hikari showing that he’s grown into a far better boyfriend than Iroha’s boyfriend could imagine, I loved every minute of this episode.

It was full of instances of friends leaning on one another in times of need, quickly sorting out misunderstandings, and, of course, Ishino gettin’ some legit attention from a guy other than Takanashi! The only major mark against this episode is that there’s no Ayado, but that allows the episode to maximize its time with everyone else.

First, a brief rift between Itou and Hikari emerges when Itou asks Takanashi for advice on how to proceed with Ayado. Hikari knows he’s not the one to go to for advice of that nature, but is still embarrassed enough to avoid Itou, until Itou himself calls him out and they sort it out together.

Itou assures him every couple goes at its own pace, and that if Hikari doesn’t even intend to go all the way with Iroha (as Itou suspects he will with Ayado, very soon), Itou respects and will support him. It’s some very mature conversation between best mates, clarifying that this isn’t a race!

Speaking of early bloomers, Kaoru comes to Takanashi’s house to apologize for keeping Anzu out late, but manages to pierce Takanashi’s innate distrust and loathing for All Things Tsutsui with a heartfelt monologue about why he loves Anzu and wants to help her big brother keep her safe. Still, Takanashi is frustrated enough with Kaoru’s shrewdness that he decides to take it out on Hikari, who after all only wants some of the same advice as Itou.

While heading back downstairs from the roof, Takanashi very clearly tries to get the attention of Ishino, and ask her if she’s free for…something. But his friend, who met Ishino at the maid cafe, asks her out first, having already gotten a half-hearted okay from Takanashi to pursue her. It’s clear despite his aloof attitude, Takanashi doesn’t like his friend spending all this time with Ishino. Sometimes you don’t know what you’ve had until you’ve lost it!

Hikari and Ishino have been just humming along, but with another three-day weekend coming up Iroha wants to go on a trip…an overnight trip—to eat and see the sights in another town. But Hikari is overwhelmed by the possibility that they may end up doing it, and gets so stuck in his head he appears outwardly opposed to and stressed out about going on the trip, and Iroha drops the issue and heads home.

For her part, Ishino told Hikari before he met with Iroha to just get fucking laid already…though at the same time no one reinforces Hikari’s own insecurities and sense of non-worth than Ishino, even though she’s just messing around.

But Ishino now finds herself in a bit of a love triangle. I doubt this new guy (I didn’t even hear his name) is anything other than a means to show Takanashi that he actually does requite Ishino’s feelings, at least to some degree, whether it’s true love or he’s simply pleasantly accustomed to having her around.

Ishino assumes the worst; that he’s some kind of playboy just trying to get in her pants. I’m not 100% convinced that’s not the case either. Good luck, Ishino! As for Takanashi, he should take after his friends and reconcile his feelings.

Hikari, good man that he is, doesn’t spend days worrying about what a shit he is, and corrects himself almost immediately, actually taking the time to look at the travel books Iroha marked, then running after her, embracing her from behind, and agreeing that it will be a fun time. He just had to get out of his own head, and put himself in her shoes: she must have been excited to tell him about the trip, and was looking forward to it since the last three-day weekend.

Unfortunately, due to Iroha’s poor test scores, she has to take remedial classes over the weekend, but Hikari assures her they’ll go the next time. Here’s hoping there is one—it would be a great step forward for their relationship.

With Hikari and Iroha in good shape, Hikari’s folks reconciled, and Ayado and Itou officially a couple, that leaves just one final pair of people left in the lurch: Ishino Arisa and Takanashi Mitsuya. Both are the purportedly “cool” people of their circle of friends (at least compared to the others), and yet here they are, standing around while the others pair off.

Takanashi can’t help but watch Ayado and Itou wistfully from afar. Ishino tries to hypnotize him, but when he rejects her in a roundabout then very direct fashion, she goes for sterner measures: slamming Takanashi against the wall; something the guy would normally do (though it’s not at all out of character for Ishino).

To Takanashi’s surprise, she gets serious; this push-and-pull of her expressing her interest in him and his constant shooting her down, combined with the two always seeming to end up in each other’s orbits…it’s wearing on her. She wants to know if and how she can ever get him to like her.

Takanashi deflects, and is then bailed out when two of Ayado’s classmates start mocking her new relationship, prompting Ishino to step in to scold them. When Ishino and one of the girls gets into it, Takanashi then has to break them up, despite just telling Ishino that her “meddling” is one of the reasons he doesn’t like her.

When Ayado and Itou thank the two from the bottom of their hearts (Itou was about to step to the girls when Ishino arrived; who knows how that would have gone), I’d like to think it shows Takanashi why Ishino “meddles”: it’s not random, it’s to help her friends, who appreciate her for doing it.

Later, when Ishino asks him what should he expect from a “girl with nothing better to do, who boys will never like,” he claims to have said no such thing, but he wants to cheer her up, so he takes her out for ramen again. Again, Ishino orders extra rice, which despite being something not usually done when on a date, she does because she feels comfortable with Takanashi, and their friendship is more than just physical attraction.

If that weren’t the case, Takanashi wouldn’t suggest what he does, which is to go on a real date. This plants the seed of my belief Takanashi hasn’t been super-honest with himself regarding Ishino. Then again, he’s a low-energy guy not particularly passionate about anything (not since middle school anyway) who seems to have a lot of time on his hands. Maybe he’s just being nice out of guilt for always rejecting Ishino yet still staying in proximity? I prefer the less cynical theory.

While on their date to the aquarium (during which Takanashi comes this close to blushing when Ishino takes his hand in hers), both we and Ishino learn in a hurry what his passion is: protecting his little sister. I didn’t know he wasn’t aware Hikari’s brother Kaoru was dating his sister Anzu, but now that he does, he reacts almost reflexively out of his misplaced contempt for Hikari. Trying to rip them apart is wrong anyway you look at it, there’s nothing untoward going on here. But when Ishino steps in to point that out, Takanashi accuses her of “meddling” in things that aren’t her business.

Ishino is proven right when Anzu, frightened of being separated from the boy she loves, grabs Kaoru and leaves Takanashi in the dust. When Ishino tells him to buzz off, you can tell he knows he was in the wrong; or at least taking things too far. While following an angry Ishino (they live in the same direction) he tells her he wants to make her feel better, and gives her a passionate hug.

Ishino isn’t buying it, and tears fill her eyes, not just because she’s convinced Takanashi thinks she’s an idiot, but because she thinks she is an idiot, having gone to so much trouble to make herself pretty for the date. He’s somewhat saved by the ring when his mom calls telling him Anzu said she’s running away from home with Kaoru.

Whatever Takanashi and Ishino are dealing with, that all goes on hold for both of them, as Ishino volunteers to help him look for them, no questions asked. She’s a friend Takanashi doesn’t deserve, at least not the way he’s treated her in return. Again, she’s not meddling for the sake of meddling, but because she cares about him, and his family. So he opens up more, explaining how with no dad in the house, he finds himself filling that role for Anzu.

I said nothing untoward was going on between Kaoru and Anzu, because despite acting very much like the kids they are, they’re also very good kids, and it isn’t long before they reconsider their rash decision to run away. Anzu is scared of never seeing Kaoru again, but Kaoru doesn’t want to do anything to hurt her brother or mom. So they’ll head home.

In a case of bad timing, that’s just when Takanashi and Ishino show up and pounce on the kids. Takanashi slaps Kaoru, who in return asks him to provide logical reasons why it’s wrong for him and Anzu to date, and why it matters that Hikari is his brother. Takanashi turns to Anzu, but Kaoru shields her and takes responsibility for keeping her out so late. This prompts Anzu to share in the responsibility. Takanashi realizes he was too harsh, and invites Kaoru to come over sometime to discuss things properly. See? These two kids will be fine.

After taking the kids home, Takanashi notices Ishino’s feet are probably in agony having to run so much in her heeled shoes. When she trips, he’s the one to take her hand, and she pushes through her joy over that fact by reminding herself she was mad at him, and decides they should part ways for today.

As she walks away, Takanashi suggests they go on another date, only this time he’ll ask her out. Again, is that future second date an apology for being a big dumb jerk, a thank-you for helping him find Anzu, or a sign that he’s starting to feel more comfortable seeing Ishino as something more than a friend? Gimme a little of all three, please…I’m just not sure, and that’s a testament to how well the show has handled Takanashi’s arc. He’s come a long way from macking on Iroha.

Ayado and Itou’s tearful reunion is prefaced by a brief foray into Ayado’s past, when her first love was a manga character (and not even a main character!) and she became invisible to 3D guys, with tastes that didn’t jive with the other girls. With kind, no-nonsense civil servant parents who left her to her own devices, before she knew it Ayado found herself locked in a shell.

Her new friends helped her break through and emerge from that shell, but her crush on Hikari and his subsequent rejection of her was a roller coaster of pain and embarrassment made her afraid to ever stray towards “that territory” again. That is, until her fear of Itou leaving her was greater than her fear of said territory.

When Ayado tearfully asks to be part of Itou’s life again, Itou tears up too, requiring them to share the handkerchief she borrowed from him. Ayado then reports what’s happened to Hikari and Iroha, and the next day Hikari is ready with a congratulatory cake. Longtime “Ayatou”shippers, Hikari among them, can now let out a sigh of relief and shed a tear or two of joy.

Meanwhile, Iroha finally gets to visit Hikari’s house again, and just when she starts to kiss him, his mom barges in to announce udon is for dinner. Hikari is astounded how quickly and naturally Iroha slips into his family’s rhythm, as if she was always meant to be there; his dad thanks her for all her help, while even Kaoru asks if he can call her big sister.

It’s certainly nice for Hikari to be done with soap opera stuff for the time being, but while Itou and Ayado quickly agree to go to a movie for their first date, Ayado experiences what’s best described as “joy overload.” Simply being near Itou, having his attention, and feeling the warmth of his hand has her fantasizing about doing much more serious things with him.

Because this is Ayado and Itou we’re talking about, her self-consciousness leads to her acting strangely, which Itou misinterprets as her having second thoughts about dating. But unlike past Ayado and Itou miscommunications, Ayado clenches her fists and sets the record straight before the day (and episode) is out.

Realizing she hasn’t actually verbalized how she feels, she starts by telling Itou he’s got it all wrong; far from not wanting to date him, she’s ecstatic beyond belief at the very idea, because she loves him. Then she does what she wanted to do all day and kisses him, and he kisses her back.

From there, no longer confined by any shell, Ayado asks if Itou would mind if she “hit him with the full force of her desires,” to which he wisely suggests they take things slowly. They may be a couple, but they still have a lot of learning about each other—not to mention themselves—to do. It’s a process we’ve already seen unfold with Hikari and Iroha with mostly good results. And so now Ishino and Takanashi are the only remaining singles in the group of friends.

Hikari has Iroha prepared for the worst—that he’d move to Hokkaido with his mom. Even though the two have progressed enough in their relationship for her to know and openly admit that she’s not helping matters, she still can’t help yelling at him and running off in a tizzy.

I mean, she wouldn’t do either if she didn’t truly care for and love Hikari. But she’s super-frustrated that neither of them can do anything about it…which is why it’s auspicious that while walking home she crosses paths with someone who can: Hikari’s father.

Iroha uses the opportunity to introduce herself as Hikari’s girlfriend, and Dad apologizes for indirectly disrupting her life as well, but assures her he’s working on a solution, and seems encouraged by Iroha’s devotion to his son for all the right reasons.

The same time Iroha goes to Hikari’s house to apologize for her outburst, Kono, the woman Hikari’s dad is seeing, also pays a visit. They whisk her away to a family restaurant, and Iroha proceeds to lays into her by saying nothing that isn’t true.

She admonishing the 24-year-old Kono for crying when it’s she and Hikari who should be crying about this situation. Iroha would hope someone of Kono’s age would know loving someone is no excuse for destroying the lives of others.

As Kono gets told the riot act, eventually confessing that she didn’t think going out for a couple dinners would be that bad, both Itou and Ayado think about the last time they interacted. She approached him to apologize for ignoring him, and he told her she didn’t have to talk to him anymore, and apologizes himself for not being able to be her friend (since he can’t help but want more).

Ayado ends up moping on the roof, but thankfully, she’s not stuck in that inactive funk for long, because Ishino Arisa is on the case. When Ayado explains how she felt she had no right to fall for someone else so soon after falling for Tsutsui, Ishino delivers a swift slap to the face. Of course she has a right to be happy, and she has to take every opportunity she’s got to do so! If Itou has the wrong idea, she has to correct him!

When Hikari and Iroha realize his dad and Kono never actually did it, but only had dinner a couple times, Iroha is embarrassed for taking things too far, but Hikari is even more angry at his dad for not being clearer about the extent of his betrayal of Mom.

Hikari and Iroha take his dad to the restaurant (I swear high schoolers shouldn’t be able to afford this many trips to the famures, unless Pops is paying the second time around) to talk it through, and he proceeds to tell them the story of how he and his wife, Hikari’s mom, Kie met.

It all started with an act of kindness (not surprising, coming from a Tsutsui male): when one of Kie’s shoes broke, he fixed it with some of the glue he always had on hand (“I’m not a shoemaker, I’m a gluemaker” is a great line that actually sounds better in English).

Kie takes him out to dinner to thank him, and wonders why he’s so quiet. When she brings up the subject of glue, he talks her ear off, then apologizes for being such a “lost cause.” But Kie isn’t impatient; she’s charmed by this kind, awkward guy, and laughs.

When Kie is out with her drunk boss and that boss propositions her, telling her she’s incompetent and only kept around the office because of him, Hikari’s dad (who happened to be there) is there to comfort her. Even though he couldn’t run out and slug her boss, he is able to fix her shoe (again), and comfort her in her moment of vulnerability. He confesses his love to her, and notes how absurd that is considering they hardly know each other…but Kie doesn’t mind. She wants to know him better.

The rest is history…or would be history if Hikari’s dad continued to sit on the sidelines and do and say nothing to stop his marriage and family from becoming destroyed. Hikari has him seek Kie out at the playground to try to work things out, and he’s ultimately successful by being honest, forthright, and kind, the qualities that made her fall for him in the first place. Kie forgives her husband his transgressions, as not only were they not as severe as she initially believed, and that they served to rekindle his love for her.

With that crisis averted, the episode closes with Ayado calling out to Itou, who seemingly ignores her and boards the bus. But he ends up approaching her and asking what’s the matter, like he doesn’t know…and Ayado throws herself at him and tells him what’s the matter: he ignored her, he told her she didn’t have to talk to him anymore…and she can’t think about anything but him. Really great work by Ueda Reina here, as usual, and encouraging news on all dramatic fronts!

Hikari and Itou are alone in the classroom painting and sewing late at night, and falling behind, but Ishino arrives with a squadron of classmates to help out. They thought she was a ghoul at first, so unaccustomed to being assisted in things that were foisted upon them. Things have certainly changed for the better with these two.

The day of the festival arrives, and Itou goes all out for the class, cross-dressing and wearing a wig. To the surprise of male and female classmates alike, he’s stunning, and even Ayado can’t help but take a break from her own busy day to check in on Itou, and is similarly enchanted.

When Ishino asks Itou why he’s working so hard, Itou tells her: because someone helped him get the lay of the land maid cafe-wise, and it would be an insult to her not to give it his all. Ayado happens to hear this from the other side of the wall, and she’s both glad her advice went to good use and flattered it was taken to heart with such conviction.

As the preliminary beauty contest vote comes in, Takanashi tries to joke around with Ishino about not having a chance…until she starts legit crying. Knowing he went way too far, he course corrects by giving her his honest opinion, with no joking around: she is pretty, and was cute in the maid outfit, and for what it’s worth, she has his vote. Frankly, his vote is probably all she wanted anyway!

Iroha’s main rival tries to rattle her, and when it’s time to give a little speech on stage, that rival’s voice is suddenly an octave higher and much more playful. While Iroha played around with the idea of winning this thing, her own attempts to sound stupid and cute ultimately fail when she gives up in the middle and instead tells the assembled student body that she’s plenty satisfied that the friends she has love her for reasons other than her looks, and she doesn’t really give a crap about anyone else, especially if they don’t know her.

Her no-BS honesty probably ended up helping her cause, as all it would’ve taken is a vote from her boyfriend to win. But because she told him she wasn’t really all that interested in winning, Hikari votes for the other girl instead. Iroha predictably takes her defeat in stride, and is consoled by hearing some (but not all) of the many reasons Hikari likes her besides her looks.

That night, as the festival winds down, Iroha’s class rep serves her some soup from their cafe, knowing she probably didn’t have an opportunity to try it, while she insists he use the opportunity at the bonfire to talk to the girl he likes.

Itou finds Ayado still hard at work cleaning up, and when he tries to lend a hand, that hand ends up touching Ayado’s hand, spooking her. She runs off to collect/admonish herself, even giving herself a slap and calling herself stupid. She feels she has no right to have any feelings for someone she turned down.

But Itou, worried about her, heard every word, and doesn’t care; if holding his hand helps her to see him as someone she could love, then he wants her to hold it as much as possible. Iroha and Hikari almost intrude upon this tender moment, but thankfully don’t. So maybe it’s not as hopeless for Itou as he thought last week!

Well well well, if it isn’t my favorite poorly-animated romance of Spring 2018, picking back up like nothing happened. In truth, it looks a little better, if still not very good. At least the light pastel palette is soothing enough. Visual shortcomings aside, I’ve always thought of 3DK as more than the sum of its parts, and stayed invested enough in the first dozen episodes to welcome a dozen more. Also, it’s a slow Winter so far.

So. Reaching another normie milestone, Hikari is voted cultural festival rep by his class. He and Itou have classically peace’d out for such things but this year is different, and he doesn’t have a choice. As for Itou, he’s trying to evolve, which means finally mustering up the guts to confess to the eternally pleasant Ayado, who turns him down simply because she’s not quite over the emotional turmoil of her first crush and rejection.

Hikari is there for Itou, and it doesn’t even take that long for Itou and Ayado to encounter one another and recover from the incident. They value each other too much as friends to throw that away, and so they agree to continue on as they have.

Ayado also offers to assist Itou with his class’ maid cafe, seeing as how she’s a pro at that. The next day Itou cuts his hair—which Ishino really likes—continuing to move forward with purpose.

The stress of Hikari’s job as festival rep is somewhat undercut by Itou’s exploits, but that’s actually okay. It’s Iroha who gets the really short shrift this first week. She and Hikari are cordial enough to start, but when he misreads her reluctance to enter the beauty pageant, she storms off, and by the time he sees her again, she’s already decided she’s going to do the pageant anyway. Hikari may be lucky, but he often lacks the best timing.

Itou worrying about Iroha slipping away from him when the pageant makes her more popular also feels like an older version of Itou; the one who didn’t understand why Iroha actually loves him.

Never mind; he’s been appointed a judge in the pageant, which means he’ll be judging his girlfriend. That shouldn’t prove awkward at all, no siree! So this was a brisk episode full of stuff, enough of it that I wonder where characters like Itou go from here if that is indeed that as far as Ayado is concerned. But I guess we’ll find out, won’t we?

Igarashi Chika seems like a last-minute addition to the cast in order to create one last conflict that will test Hikari and Iroha’s bond of love and trust, but he’s a lot less of a douche than I thought he’d be. When he learns that Hikari’s glasses were a gift from his late grandmother, he promptly has them replaced. Takanashi still hasn’t publicly atoned for the shit he did to Hikari, and he’s somehow in the clear, but here’s Chika, doing the right thing without delay.

Sure, he deems Hikari too mediocre to date his sister and suggests he break up if their relationship isn’t “worth” anything, that’s typical Unbidden Brother Protection, and he doesn’t make it an order; he puts the ball in Hikari’s court by making him ask himself: what can he do for Iroha, besides the “nothing” of which he only believes himself capable?

After an advice session with Ishino that costs him the price of two big parfaits, Hikari settles on a token of his commitment to and bond with Iroha: a ring. Ishino raises the difficulty level by saying he can’t simply trade in his otaku junk for the scratch to buy one; he should work for it, and arranges a part-time job as an amusement park mascot (sadly, not at Amaburi).

However, while Hikari only has the best intentions in terms of wanting to see her smile, like she did when he made her a figurine of herself, he demonstrates that he still has a lot to learn by basically cutting Iroha entirely off without explaining why.

The desire not to spoil the surprise actually ends up hurting Iroha, especially when she doesn’t have any answers for Chika, who decides to back her against a wall while reminding her that they’re not actually related by blood. Considering how the episode ends, seems like a bit of a non sequitur. Ultimately, he lets Iroha be, hoping it all works out and she isn’t hurt by Hikari.

Professions of absolute trust notwithstanding, Iroha knows what she has to do to put her mind truly at ease: ask Hikari directly what’s going on. She gains her courage from Itou of all people, who she checks in on after he’s hit in the face with a soccer ball.

Itou was distracted and fatigued by his continued struggles trying to get Ayado to notice him like a girl notices a boy, rather than simply a messenger who relays invitations to her on behalf of his circle of friends.

I still don’t think Ayado would consider Itou completely out of the question as a partner, but Itou decides to end his particular part in the show still firmly on the fence. He’s unable to do what he inspires Iroha to do: tell the person he loves how he truly feels.

It’s not an exaggeration to say a great deal of luck is involved in lasting relationships. Like, say, the luck of having purchased a ring to gift to your girlfriend the very day she finally confronts you about what you’ve been doing after school. It’s not the best ring, but after he was able to measure her finger while she slept at his desk (which I guess isn’t creepy if you’re dating…) he couldn’t hold himself back from buying one.

He slips it on Iroha, whose tears of frustration turn to joy, they share a kiss right there in the school hallway. After the credits we see Hikari, Iroha, Itou, Ishino and Takanashi (but notably not Ayado) at Takanashi’s latest ramen find. And that about does it?

Wait: What about all that foreshadowing about Hikari and Iroha’s relationship being a ticking clock due to her having to move? It’s not addressed. Itou’s Ayado odyssey ends on an ellipsis. Takanashi still shoots down any tortured attempt from Ishino to get him to go out with her.

So, if I had the time machine from Steins;Gate (or anywhere, really) and had the chance to decide whether to watch 3D Kanojo again? Well, probably. Despite its horrrrrrible animation and many untied loose ends, I still felt like it had some interesting things to say about first love, particularly from the perspective of two “less-than-ordinary” personalities.

With Hikari and Iroha’s problems behind them the focus turns to Itou and Ishino, both apparent victims of unrequited love (or in Ishino’s case, lust?) On Hikari’s suggestion, Itou works up the courage to ask Ayado out to a movie, without overtly labeling it a date, but her easy acceptance and lingering smile doesn’t set Itou at ease; quite the contrary.

Hikari watched Itou asking her out from the classroom, and starts to wonder if Ayado, the girl who just confessed to him, is the girl his first (and for a long time only) friend has come to like after years of saying 3D girls aren’t for him (a philosophy Hikari himself subscribed to until meeting Iroha).

As for Ishino, she sees everyone apparently pairing off and having fun, and is jelly. She’s also feeling legitimately lonely and undesirable due to Takanashi’s constant rejections, so when her objectively awful ex offers to hang out with her on the weekend, she not only accepts, but cuteifies herself up to the max. I honestly mistook Ishino for Iroha, so infrequently does she clean up thus.

Itou and Ayado’s movie date-not-date goes swimmingly, though Itou can scarely deride any enjoyment, so skittish and silent she is around the always bright and ebullient Ayado. Her enthusiasm and gratitude for being invited is all well and good, but the one thing Itou is afraid of revealing through further engaging her is the fact that she, the girl he’s come to like, doesn’t like him that way. So he keeps his feelings to himself.

The next day at school Ayado visits Hikari and Itou’s class to give Itou his ticket stub she accidentally took. Hikari, acting a lot like his mom acts toward him (proud of and excited for Itou), but one careless question has Ayado asking Hikari if he wants to see it, she’ll see it a second time.

That has the one-two punch of demonstrating to Itou that Ayado still has eyes for Hikari and devaluing their date by saying it could be so easily replicated. Mind you, neither were Ayado’s intentions, but if she still likes Hikari and has no idea how Itou feels, who can blame her?

Hikari tries to make things right with a “double date” picnic with him and Iroha and Itou and Ayado. He even grabs Iroha and runs off so the Itou can have some time alone with Ayado. When Iroha learns what he’s up to, she scolds him, because he’s taking romantic shortcuts.

That evening on the ride home, Hikari apologizes for being careless, and sees now how Itou needing so much help could make him feel pathetic. Hikari’s heart, as usual is in the right place: he just wants Itou to be happy, like he is, now that he knows how fortunate it feels not only to love someone, but to be loved by that same person.

As for Ishino, she’s stood up by her ex, but Takanashi happens to pass by, and as much of a cad as the guy is, he’s not about to walk past a crying Ishino, and takes her out for ramen.

While walking hand-in-hand, both hoping things work out for Itou and Ayado, Hikari and Iroha come across a very handsome young man in a red jacket whose immediate reaction upon seeing them holding hands is to cold-cock Iroha, breaking his glasses (and almost his jaw). It turns out not to be an ex of Iroha’s but her younger brother Chika.

Iroha is furious with Chika, but still lets herself get whisked away by him, despite the fact he just committed assault on her boyfriend. Chika’s a guy who makes judgments based on covers, and thought Hikari was a stalker and can’t understand why Iroha is dating him

Back home things get a little creepier when he caresses Iroha’s face. Possessive and possibly incestuous? Greeeaaaat. Looks like Hikari’s final trial of the show will be winning over this guy, or at least punching him back! That, and enduring the inevitable goodbye that was pre-loaded into his romance with Iroha when it began.

I’ll admit the title above isn’t a particularly original observation, but one thing it definitely is is true, as anyone who loves or has ever loved someone else can attest. When 3DK started I noted the balance in its core couple, and I stand by that assessment.

Whatever they may feel about their situation, the fact is both of them are at pretty much an equal disadvantage when it comes to matters of love and intimacy. Before falling for one another, neither had any experience with intimacy. Hikari had never liked or been liked by someone like Iroha, and Iroha had never liked or been liked by someone like Hikari.

Their mutual lack of experience has made for a bumpy road as their affection for one another intensifies, but it also leads to some novel strategies someone with more experience than Hikari might not attempt, such as having Iroha present for his gentle rejection of Ayado.

It wasn’t even a stone-cold rejection of Ayado, so much as a calm and measured affirmation that he’s simply already in love with Iroha. More importantly, he showed his work, explaining how he used to feel and how those feelings changed when he learned more about her, and when his preconceptions were replaced by truths.

Iroha, who only wanted to hear Hikari say the words “I love you”, wants to hear them again later, and Hikari knows not to refuse her. Ayado feels bad about being turned down, and both she and Hikari find themselves weighed down by their 3D problems in the immediate aftermath, but after that both are fine; Ayado is refreshed.

Itou knows now is not the time to confess his love for Ayado, nor is he sure such a time will ever come. When making up with Hikari after yelling at him by sleeping over, Itou reveals to Hikari that there’s a girl he likes, but believes he’s already been given his answer.

I wouldn’t be too sure about that; Ayado is coming off a rejection, but given time, she might be receptive to someone like Itou’s feelings provided, ya know, she is aware of them, and that’s up to Itou. It’s up to him whether he can get past the fact she once loved Hikari. In any case, as Itou says, it’s painful being in love, but also fun.

Hikari’s tale of romantic ineptitude is a simple one: he buried himself in games after he decided interacting with people was too hard and painful. It was Iroha who brought him back to the 3D world, and showed him how it wasn’t only pain that awaited him there, but a good deal of joy as well. He also learned how well-equipped he was to live in such a world, owing to his basic decency and kindness.

Iroha’s tale is one we hadn’t delved into, but I’m glad this episode finally does so. Iroha has a pretty face, and so she never wanted for the attentions of men of all ages, whether that attention was appropriate or not. When she pressed those who confessed to her what they liked, they gave only superficial answers.

What changed Iroha from an insular person not any more sure how to interact with people into someone approaching gregariousness was, apparently, a medical diagnosis. She decided she’d interact with as many people as she could, but she only managed to attract those like her; people only looked at the surface and never dug deeper.

In a way it’s hard to blame them, because like her it was all they knew. Then she met Hikari, someone who wasn’t simply looking to share in the kindred understanding of attractive people that your real self will always elude others. Hikari got past that, found the awkward person beneath the surface, and wanted to protect that person…and stuff.

Hikari is still nervous being alone with Iroha, particularly in his room, but after a day of karaoke and bowling during which Iroha discovers Hikari’s cool, intense side (going all out singing) as well as his delicate, nurturing side (clipping her nails when she breaks them while bowling), he comes to the realization he’s okay being with her.

When he and Iroha spotted his little brother holding hands with Takanashi’s little sister, Hikari lamented that he sometimes feels his life moves five times slower than average. But when you only have three months left with your girlfriend before she moves, he realizes that slowing of time is a good thing.