The Fifty Worst Films of All Time is a 1978 book by Harry Medved, with Randy Dreyfuss and Michael Medved. This book represents choices for the 50 worst sound films ever made, in alphabetical order. The book features a story synopsis for each film, the authors' opinion of its quality, and reprints a selection of contemporary reviews of the films.
The book intentionally excludes silent films because the authors consider them to be "a separate and unique art form and that judging them alongside talkies would be like weighing apples together with oranges". In compiling their list, the authors used egregious examples to represent less reputable film genres, such as blaxploitation films. The book limits the foreign films considered to only those distributed in the United States, judging it unfair to evaluate local obscurities denied an international release alongside mainstream Hollywood products, while realizing that it would not only be difficult for the authors to view the films, but unlikely that any readers would ever come across them.
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The Fifty Worst Films of All Time is a 1978 book by Harry Medved, with Randy Dreyfuss and...
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The Fifty Worst Films of All Time is a 1978 book by Harry Medved, with Randy Dreyfuss and Michael Medved. This book represents choices for the 50 worst sound films ever made, in alphabetical order. The book features a story synopsis for each film, the authors' opinion of its quality, and reprints a selection of contemporary reviews of the films.
The book intentionally excludes silent films because the authors consider them to be "a separate and unique art form and that judging them alongside talkies would be like weighing apples together with oranges". In compiling their list, the authors used egregious examples to represent less reputable film genres, such as blaxploitation films. The book limits the foreign films considered to only those distributed in the United States, judging it unfair to evaluate local obscurities denied an international release alongside mainstream Hollywood products, while realizing that it would not only be difficult for the authors to view the films, but unlikely that any readers would ever come across them.