The Kirkus Prize is one of the richest literary awards in the world, with a prize of $50,000 bestowed annually to authors of fiction, nonfiction and young readers’ literature. It was created to celebrate the 81 years of discerning, thoughtful criticism Kirkus Reviews has contributed to both the publishing industry and readers at large. Books that earned the Kirkus Star with publication dates between November 1, 2014, and October 31, 2015, are automatically nominated for the 2015 Kirkus Prize, and the winners will be selected on October 23, 2015, by an esteemed panel composed of nationally respected writers and highly regarded booksellers, librarians and Kirkus critics.

KIRKUS REVIEW

Illéa’s Selection pool of potential princesses has been reduced from 35 to six (The Selection, 2012), and the competition’s getting tense.

Among the six is feisty, iconoclastic America. If Prince Maxon Selects her, as he swears he wants to, she and her lowborn family will rise to Ones in Illéa’s caste system. America is finally ready to say yes when her best friend is eliminated from the Selection with upsetting violence after being found in flagrante with her illicit boyfriend. How can America imagine marrying the future head of such an unjust government? Suddenly, former love Aspen seems attractive again. Love triangle re-established, Cass sends America’s emotions lurching back and forth between Aspen and Maxon for the rest of the book. Life at the palace is periodically punctuated by episodes of violence, as various rebel factions break in and then fall back. The mischievous Northern rebels steal books; the scary Southern ones leave threatening graffiti. Twenty-first-century readers will wonder at the monumental ineptitude of the palace guard. Cass tries to compensate for the virtually nonexistent worldbuilding of the first book with occasional infodumps and excerpts from the diary of Illéa’s founder, secretly lent to America by Maxon. As in the first book, though, the thoughts a well-formed dystopia ought to provoke are buried by the bitchy politics of the Selection and the teeter-totter of America’s yearnings.

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