Tag Archives: Supergirl

One of the highlights of the Arrowverse on CW is the annual crossover. Ever since Flash started they have made sure to do a crossover with Arrow. When Supergirl finally made her way from CBS to CW (where the show should have been since the beginning) it made it easier to have her be part of the crossover as well even with it taking place on a different version of Earth. This year while they are trimming down the crossover by leaving out The Legends Of Tomorrow and Black Lightening (which also takes place on it’s own separate Earth) they are using it to introduce some new characters and bring back a big guest star.

Elseworlds! Comic fans know that label applies to stories told in sort of a What If style in the Multiverse of DC. How this is going to apply to the story is yet to be seen. What we do know according to The Wrap is that it will be setting up the foundation for and introducing Batwoman, played by Ruby Rose, who will be getting her own show.

Along with that we will see the return of Tyler Hoechlin’s Superman and he’ll be bringing along everyone’s favorite reporter Lois Lane played by Elizabeth Tulloch of Grimm fame.

Some interesting casting comes as LaMonica Garrett has been cast as Mar Novu, The Monitor. We all know The Monitor plays a big part in Crisis On Infinite Earths. I’m curious if this is setting up a story for next season that will finally see all the various Earths collapsed into one reality. It should be interesting.

It’s me again. This is my 14th letter to your company despite my 13 previously unanswered correspondence. I write to you, as always, a loyal member of the Arrowverse Aptly Ambling Society, but with a level of concern for your product that should surpass that of a 38 year old. I am well aware that I am outside your marketing demographic, and my words will fall on deaf ears. At least they have 13 times prior. That said, I find myself week in and week out further questioning my allegiance to your shows.

You know what? Let’s stuff the formality. YOU clearly have.

No need to put on airs at this point, as far as we are into the current season, so I’ll just out with it. What are you doing? Why are you doing it? What possessed you? Are you being stubbornly idiotic on purpose or is it laziness?

Not too long ago, the DC/CW universe was the strongest, most capable representation of DC properties going. It dominated over Fox’s Gotham, and even stood above the consistently ill aimed DCEU. Your stories were solid, your characters strong, and episodes tight and action packed. No one in the TV landscape could contend, not even the powerhouse that is Disney Marvel.

Perhaps, that was your own downfall. Did the lack of true competition make you complacent? Is that why everything has fallen to pieces? If you don’t agree, rewatch the pilot of Arrow. It’s on Netflix. Now watch ANY episode from this season. Do you see the difference? Miles apart, isn’t it?

I am speaking specifically today about Arrow and the Flash. Supergirl is doing her best at staying relevant, if not a bit mundane, in an age where no one seems to know what to do with Kryptonians, and Legends, as I have already and will continue to shout, has figured out its voice and is being exactly what it was meant to be.

If you’ll indulge me, there are fixes here. I’ll cover two of them. One for each show.

ARROW

Make things matter again. I know you thought that my fix for Arrow was killing Felicity. Well you would have had you read the previous 13 letters. But she’s not the probl…no, I can’t finish that sentence. I physically cannot. Because she absolutely is. You’ve gone GOTHAM levels of off canon there. But, she’s hardly the root of the problem.

Nothing matters anymore. There were at least 10 people on that island when it exploded at the end of the fifth season. Why are 9 of them still alive? I know you knew there were problems with the show. Your star said in more than one interview that there were, so it was at least discussed. Nothing says course correct like blowing up 90% of your cast.

I’m not suggesting kill all of them. But kill more than the woman who already wasn’t in the show. See where your biggest pain points are in the off season and simply stop writing them. Thea hasn’t been relevant in 3 seasons. Let her go.

Example: Season 1, Oliver stopped the bad guy and saved the day. Well, he stopped the bad guy at least. He lost his best friend in the process, and the city suffered a horrific earthquake. Season 2, Slade killed Moira, a main character up until then, right in front of her kids. There were CONSEQUENCES. Stuff mattered because it could be lost in an instant. Yes, you killed off Laurel. Don’t think I’ve forgotten that. But you still have a Black Canary.

That’s an entire argument of its own.

The point being is that now, every single character is too precious to lose, and as such, there’s nothing for them to do. People can’t even stay injured. Felicity is paralyzed. There’s a chip for that. Diggle has the shakes. Nah, there’s a chip for that. Seriously, knock it off. Kill a couple people. Make the show mean something again. Let one of them be Felicity.

Flash

This same too many characters problem bleeds into the Flash. Everyone is a best friend now. We’re just best friends saving the best friend world all the best friend time. I mean, isn’t Joe’s fiance like a commissioner or something? How the hell does that work her dating a subordinate? Doesn’t she have other things to do besides be a pregnant, conveniently temporary psychic? Why is she always at S.T.A.R. Labs?

And help me out: what exactly does Iris DO? She’s a reporter, right? So why is she part of Team Flash? What expertise does she possess to be in a super secret science lab? Or coordinating operations? What the hell is going on here? Is she actually a double agent?

Back to my larger point.

Most recently, Barry helped save Goldberg who was serving a life sentence for jackhammering a cop. He got stabbed and Barry helped save his life. But it couldn’t just be that Barry saved the life of a murderer. We couldn’t have that. No. See the Allens, both Barry and Henry, wouldn’t save a person because its the right thing to do regardless of their crimes. It had to be that Goldberg was actually framed by Kickpuncher.
Barry doesn’t save murderers’ lives. That’s all there is to it. He will however release a man convicted of murder, run him to China and strand him there without money, passport, extra clothes, or even a small idea as to whether or not he even speaks the language, all the while foregoing the legal process because the system was wrong!

I’m not even getting into the trial, conviction and appeal of Barry. That was a joke, start to finish. I only have a baseline understanding of the judicial system, having logged well over 200 hours of Law and Order and its sister show, SVU, and even I understand how much of a farce that whole proceeding was…Alright, one note from it.

Barry is at his sentencing. HIS SENTENCING, when the villain du jour was running amok and needed to be stopped. It went thus:

“We need a speedster!”

“Ok, cool. Someone call Wally and we’ll–”

“NO! Tell Barry about it. Have him do it. Have him asked to be excused from his own trial where he’s been convicted of murder and have him go do it.”

Again, I digress. It comes down to you have too many characters scratching for screentime, and you aren’t using any of them correctly. (Dibny aside. Dibny is damn awesome and when his time is up here, get his stretchy behind on the Waverider) Tighten up the corners, let bad guys be bad guys, wrap this whole Devoe project up, and for God sakes stop this random pregnancy powers weird plot device from happening again. It’s cheap and lazy.

Look, I know this letter has only made it as far up as some 3rd AD’s secretary’s assistant. I know that none of this matters, end of the day. You’ll do what you do and that’s all there is to it. But I ask, NO, I IMPLORE that you, Marybelle, somehow get word from your little desk in an office in Vancouver to one or three of your writing staff and insist they go back and watch the first season of Arrow, and the first two seasons of Flash. Understand what is possible, and find your way back there.

We know. We missed last week, making this not all that weekly of a round-up. You can thank illness of the face for that. But we’re back this week! So let’s break this one down before another week slips by us. Worst to First, let’s do it! (A bit spoilery, but not too bad)

Supergirl

Bless her little Kryptonian heart, she’s trying. She really is. But what do you do with an all-powerful, god-like character? A question that’s plagued the Superfamily since forever. At first, the showrunners decided to borrow some of the best of the MAN of Steel’s history the first season, then had him actually show up in National City for what was arguably the best episode of season 2. Well, the answer this year seems to be ignore the question, because other characters not named in the title have a lot going on, and we’ll get to Kara. Promise.

This season has a lot happening to be sure. There’s Alex and Maggie’s wedding that is CLEARLY doomed to not happen as hinted at these first three episodes, Nathan Petrelli is doing his best at megolomaniacal industrialist (until his isn’t? Maybe next week?), Lena Luthor bought Catco because…um…reasons, and Odette Annable will at some point be “making it Reign”. (That’s her quote, not our quote. It’s punny as hell, but admittedly better than what we would have come up with.) Oh, and that one girl is sad about her boyfriend being maybe dead. What’s her na–OH! Kara! Right!

To be FAIR, Kara did some stuff this week. J’onn did most of it assisting M’gann and the white martian resistance though, but Supergirl helped. It was a decent bit of business with J’onn reuniting with his father he previously thought deceased.

A darker, distracted Supergirl was kind of fun. Not Snyder dark, but Kara with a chip on her shoulder that first episode would have made for an interesting sub-plot this season as she works through the idea that even with all the power in the world, she can’t save everyone she loves. It’s a good third season plot that could flesh out Kara and grow her as character. Because if she’s the role model for a generation of young girls, they need to see that even our heroes struggle and we all need to find it in ourselves to overcome.

…No? You’d rather wrap that up half-assedly after 2 eps? Alright, how about a wedding shower then? Yeah to hell with it.

Arrow

…What are we going to do with this show? The time slot change is bad enough as it makes it a lot more difficult to get these reviews done in a timely manner–on top of all the other reasons– but the writers insist on recycling the same storylines the way Flash recycled Ollie’s apartment in last week’s episode. Yeah, we noticed. All of us noticed.

Anyway, Oliver is again this season spending more time as the mayor than as the Green Arrow like last year. Because when we go to watch superhero dramas, it’s important to us that we spend at least 10 minutes an episode worrying about new legislation.

This week, Diggle takes over as Green Arrow as Oliver is under the watchful eye of FBI Agent Mrs. Plot Device, and wants to be a better father to William “Exasperated Sigh” Clayton. Digs got the shakes though as is having confidence issues thanks to his last season visit to Lian Yu. I don’t speak any languages beyond this sort of English and “I am a pineapple” in French, but I have to assume Lian Yu is Mandarin for “No Real Stakes Island”. We’ll come back to that.

From there, the never-ending, white hot poker in the eye that will not be named came on screen. I was suddenly overwhelmed by my own form of Diggle Shakes and slapped the video halfway across the room. I came to outside, standing over a burn barrel holding a box of matches as my tablet sat on top of the pile, reeking of gasoline. The tablet’s fine, but I can’t finish a review for you, because I’m on a kind of expensive laptop and I don’t want to risk another blackout.

Even with the imminent destruction of my tablet, Arrow still ranks ahead of Supergirl this week. This show is still trying to find it’s way back, and we feel like it still can, but it needs to bring back the high stakes that the first two seasons had. Yeah, they killed Laurel, and for this, we will never forgive them, but this show has lost it’s nerve. If you’re going to have every character on an island, and you’re going to explode that island, then have every character survive, you’ve wasted a perfectly good island explosion. They had the chance to course correct, (same as with Flashpoint) and they didn’t take it. They keep letting all the plucky sidekicks survive. They have so many, they could Game of Thrones the hell out of the show once every two weeks, and by season end, there’s still six characters left. My math’s off, but you get the idea. Trim the fat. You have two quirky scientists. Axe one of them. You have 2 gun-toting hard asses. Axe one. You have 2 Canaries. Break one’s neck after you’ve injected bleach into her veins and set her on fire, then reform Laurel, you canon-destroying-on-a-whim, Felicity-fellating jackasses.

I’m feeling woozy..let’s move on.

FLASH

The Flash, what do you say about it? It’s a consistently good show. This week and last week were no exceptions. The writer’s have loosened up on the overly dramatic reins for the time being and everyone is having fun. We didn’t get to cover this, so we’ll touch on it here, last week’s episode made it enjoyable to watch Barry and Iris together for the first time in a while. She wasn’t constantly harping on him all episode and he didn’t spend the tenth week in a row explaining how he’ll never let anything bad happen to her. For the first time in a while, there was natural chemistry between them, and it was good to see.

As far as the fun goes, they introduced Hazard this week; a girl with the worst luck in the world, until she’s introduced to dark matter, thanks to Barry’s return from the Speed Force. She’s a petite blonde that’s funny and fun to watch. In the end, she’s monster of the week, so they wrap her story quick, but she’s got a bigger part to play in Junior Brainiac’s no good, very bad scheme.

This week also saw the return of Tom Cavanaugh (It’s about time you got here! Welcome home!) and Earth 2 Harry Wells. Always good to have him back so Cisco has someone to properly bicker with. The problem there is Harry seems a bit too…not scatterbrained, but less full of himself than when he was around previously and that felt like it lost something. Still good to have him back.

Oh, and poor Wally. This town’s not big enough for two speedsters apparently. Tough Luck, Bro.

Also, I spent the episode deciding that Cecil needs to back the hell up a step. But, that’s obviously not going to happen. Nice cut to black on that one.

Legends of Tomorrow

Understand that before we get too far into this that we know. We do. We know and we understand any trepidation you might be feeling with this being the second Round-Up in a row that Legends came out as top dog. If the illness hadn’t struck last week, Legends would have been number one then too. WE KNOW! It doesn’t make sense! After the first two seasons, we get all of it.

Listen up, though: Legends is the current champion of the CW’s Arrowverse. If you aren’t watching, you’re missing out. Allow us to explain.

Is it a perfect show? No. Some of the worst extra acting around. Sometimes the mains’ acting isn’t all that great either. But what is it about Legends that we find so damn convincing? We said it last time: They’ve found their voice. The writers and showrunners know what they are, and they’re making it work. Not everyone wants the light-hearted approach that Marvel takes with it’s properties muddling in with the super serious world of DC, but this is exactly what the show needs to be.

The Legends aren’t a stoic band of heroes that save the space time continuum while attempting to bone each other in the meanwhile. They’re an imperfect group of screw-ups and also-rans that are doing the best they can with what they’ve got. The showrunners finally cracked that code and allowed themselves and their characters to be fun.

The introduction of the Time Bureau, run by previous captain Rip Hunter, is the perfect adversary for the Legends as they skip through time striving to put right what once went wrong (thanks to their incompetence).

Thats not to say that there aren’t moments of them potentially falling back into old habits, but we’re still cautiously optimistic. The reintroduction of Amaya to the Waverider is a slippery slope. We’re waiting for the moment when they fall back into the well-trodden drama of a relationship between her and Nate, but so far they’ve avoided it. We can only hope that they continue to steer around it so as to not get bogged down with the heavy-handedness of their relationship.

It probably feels unnatural to you, but unless you’re staunchly opposed to humor in your Arrowverse, this is the show to watch. It’s been consistently entertaining for these first three weeks, and with Matt Ryan’s Constantine slated to come aboard, hopefully it can only get better.

Well, Berlanti’s Arrowverse is back for another season of humor, heart, and spectacle. Here’s the (Spoiler Free) Breakdown of how the first week went from worst to first.

The Flash:

I believe it was Huey Lewis, of the Marin County Lewis’s that first said that the power of love is curious thing. For example, it can make one man weep, another man sing. No better evidence is there of the power of love and it’s curious (read super ass convenient) capabilities than the Season 4 opener of The Flash. It is here where love times love divided by love will conquer all.

As you may recall, at the end of Season 3, Barry decides that he will become the Speed Force’s captive, leaving Team Flash to fend for themselves. Jumping to present day, Iris (You’ll remember her as the one whose foretold death wasted half of every episode last season) is running point for Team Kid Flash, made up of Wally, Cisco/Vibe and Joe in a police issued SUV. They’re on the job, chasing down and capturing Metas, all the while having fun as they go. But it’s bittersweet, as everyone misses Barry. This is about as far as we can go without specifically ruining anything. Oh and Caitlin isn’t evil anymore. Yeah. Like that.

The Flash, while having been one of the best shows the last couple years while Arrow dipped into whatever the hell it dipped into, has a bad habit of high stakes cliffhangers with very underwhelming pay offs. Remember Flashpoint? The jaw-dropping season 2 ender that had all of our minds racing? What was going to happen?! A ripple in the fabric of time and space so big that it could help undo all of Arrow’s missteps! It could be the catalyst for a full season of plotlines and story arcs about Barry’s selfish mistake and–oh it’s done? With very little real consequence? Except for you, Diggle of course. RIP Baby Sarah.

This opener was lazy. It was lazy, uninspired, and underwhelming. I’m talking Moffatt Doctor Who levels of lazy. Eric Bischoff’s Monday Nitro levels of underwhelming. My inability to come up with a third example’s level of uninspired. The writers once again couldn’t paint themselves out of the giant corner they were stuck in so they HAHA SCIENCE!!’d and YAY FOR LOVE!!’d themselves an answer. This is getting to be a nasty habit, and it needs to change fast before the average viewer catches on. Guys, get it together. You’re better than this.

SUPERGIRL:

The Girl of Steel is back and broody as hell. That’s what happens when the alien love of your life gets lead poisoining and is sent off planet. Typical.

Well, Kara’s in a bad mood and in an attempt to cope has thrown herself into her work as Supergirl. National City is grateful for the drop in crime, but her friends and family are worried about her.

Meanwhile, Nathan Petrelli…no…Glenn Talbot…no…Morgan Edge…no…Nathan Petrelli is in National City to fill the male megalomaniacal CEO void left by Peter Facinelli’s Max Lord after the network switch.

Supergirl is a steadily consistent show, if not a little on the bland side. She serves as a strong role model for young and not as young girls alike, which is always a good thing. Season 1 and 2 benefitted from using the plots of some of Superman’s better stories, but that can also hinder it in the long run. We like the show, but it feels like it’s still finding it’s voice. It bounces back and forth between light-hearted and overly serious. There’s a medium there, and if they keep working at it, they’ll find it. (Hint: It’s more to the light-hearted side). It could really benefit from somehow finding itself on the same universal plane as the rest of the Arrowverse. A little crossover action, if even a simple cameo, never hurts. The first crossover with Flash in season one is one of the best episodes to date.

ARROW:

At the end of last season, there were a lot of promises made. More accurately, vows. Even more accurately, ONE vow: Arrow had until the crossover to sort itself out or I was done forever. What was once my favorite hour of the Arrowverse managed to adorably trip over itself like an at first likeable but long term annoying as hell nerdy girl sidekick turned non-canonical love interest, much like the other real-world super powers predecessor, Heroes. The difference being that Heroes went bad almost immediately, while Arrow got through 2 seasons before it started to turn.
If you remember, we left our heroes on the banks of Lian Yu, where Adrian blew up all the sidekicks with an extraordinary amount of C-4 for a DA to procur. Well, we find out early on that they all survived. Well, almost all of them, you find out, as the show’s decided not to ditch the flashbacks as previously hoped, but flashback to the story of how they survived.

Meanwhile, in the present, Ollie has his hands full with fighting off a new group of terrorists led by Black Canary, while also raising his son Conn…sorry, William…who is having problems trusting his dual identitied father, if you can imagine such a thing. Also, Felicity isn’t as annoying thus far, but they made two separate hints that her and Oliver have “the talk” coming just over the horizon…there was a whole island of C-4! She couldn’t just have caught even one…never mind.

I give this show grief because I love it, and only want the best for it. And I’m not alone, thankfully, as my voice will continue to go unheard. Stephen Amell’s voice, however, that has a little more sway, and he’s made his point.
In a recent interview, while discussing a conversation that he had with Arrowverse creator Greg Berlanti, Stephen Amell said this about the show back in Season 5:

“You know, I think that there’s a lot of things that we do well,” and Greg goes, “I would agree,” and I go, “Can we do those things?”

I have to be honest, we’re only one episode in, but it feels like they really are trying to do them. Arrow was the second place winner this week. They genuinely seem to want to get back to where we all know Arrow can be, but there’s a lot of work left to do. I can’t figure that the introduction of Michael Emerson (Lost, Person of Interest) as a big bad is anything but a further step in the right direction. So I’m staying true to Arrow, but so help me if the wedding storyline comes back on the table, I will burn that bridge once and for all.
But please don’t, guys. Seriously. What am I going to watch instead? S.H.I.E.L.D.? Come on.

LEGENDS OF TOMORROW

There is a clear winner this week, and that winner is Legends.

This is the third season for this show, and if this opener is any indication, they’ve found their tone. The Legends work as a goofy band of screw-ups that really do want to do right, but can’t get out of their own way. The episode where they have to save George Lucas from becoming an insurance agent is one of the strongest of the series thus far.

In this episode, their former captain, Rip Hunter has left them on their own, and formed the Time Bureau: a group of suits that go around fixing anachronisms in the space-time continuum, a lot of which are the doing of the Legends themselves. Not to be outdone, and as a way of proving their worth, the Legends defy the Time Bureau and try to fix the mistakes themselves.

This one has finally found the humor. They aren’t all trying to look tougher by brooding or sex each other, at least not so far, they’re trying to prove to everyone that they really are the good guys, even if they get it wrong sometimes. Their new motto is “Sometimes we screw things up for the better”. They aren’t quite as zany and quippy as the Guardians of the Galaxy, (and hopefully they never will be), but they have that flare to them.

I enjoyed Legends most of all, and I hope they stick with this new “we do what we want” attitude as it will strengthen the core and bring this show up in the ranks as a contender instead of what it’s been so far, an also-ran. It certainly did this week.

So from the title, you might surmise how well this article is going to go. Please do not judge too quickly though. We promise we will try our very best to be objective and cover it as fairly as possible. We good? OK.

From the screeching, hormonally charged, twittering brains with bank accounts behind the show-crushing beast that was and most assuredly will be again Ollicity, comes the inevitable response to hiring two former Glee castmates as your leads.

What? We said we would TRY to be objective. Not our fault that it didn’t take. Alright, fine. Come back. We’ll try to salvage this. Admittedly, we didn’t come into this with the most open of minds so maybe we’re not giving it a fair shake. Let’s try again and break this down to the good and bad.

Well where to start? The only place one should start with a musical: the singing. There is no doubt that the cast members of these shows are very talented musically, and they get to show off exactly what they can do with this episode.

While everyone who sang did a genuinely good job, the stand out for us was John Barrowman, normally playing Malcolm Merlyn in the Arrowverse, but this time playing club owner Cutter Moran. He didn’t have a lot to do, but he took what little he had and made the very best of it. Unsurprising really from such an amazing stage performer as he is. In a scene whose random and awful lyrics caused us to physically look away, his voice actually brought us back with eyebrows raised. Not damn bad, Captain Harkness. Not damn bad at all.

Jesse L. Martin nailed his part as well. Another great stage presence, the man can sing. We saw some of in last year’s Earth 2 episode, but he doesn’t get enough to do we didn’t feel for reasons we will come back to later.

Kara, Barry, Cisco and even Winn: They all sounded terrific and it was nice that they got to show off their great singing abilities. Melissa Benoist (Supergirl) does a beautiful rendition of Moon River right at the start and even though we knew she could sing, it was still a pleasant surprise to hear how well.

The Barry/Kara song at just over the halfway mark (the title we’re withholding for the sake of the reveal) did start to win us over, despite everything that came before it. Rao help us, the two have brilliant chemistry and you can’t help but love them together.

Darren Criss, this crossover’s villain Music Meister was a lot of fun to watch. Again, he didn’t have a huge amount of stuff to do as they tried to get in as much as they could, but the guy has charisma and charm oozing out of his little boyish face. He won us over fairly quickly in his introduction on Supergirl. His few minutes of screentime on that show actually had us anticipating what was to come.

There’s an action sequence here with Martian Manhunter teaming up with Wally and Vibe, and it is on par with the fun and excitement of the Flash’s usual action scenes. That was another great moment from the episode.

Now let’s get to it.

The biggest obstacle that this episode faces is time. It has 45 minutes to pull off a musical, as well as tie up subplots from both The Flash and Supergirl, and boy can you feel the time crunch. They have Kara and Barry play it off a few times with the meta joke that “wow, everything is so much easier in musicals”. Luckily, we were able to unstick our eyes after they rolled so hard up into their sockets, otherwise we’d have had to start the episode over.

So beyond skipping what should have been a longer, more complicated conflict, we got too easy resolutions for the sake of moving the plot along. If the resolution is so simplistic, it begs the question of why even bother? Individual shows’ subplots is why, but still.

What needed to be done, and once again wasn’t, is it being a true crossover. We had exactly 2 minutes of the plot discussed at the tail end of Supergirl, same as it was with the Invasion crossover last fall. Musicals take time to get everything explained, broken and fixed again. This is going to sound hypocritical after everything that’s come before it, but there needed to be more time for more songs. And the one thing this didn’t have was time. Were they to have stretched it out fully across both shows, we would still spend two hours cringing, yes, but the story would be a lot stronger than it was. It wouldn’t feel so hastily duct taped together.

If crossovers are going to be a consistent thing in the Arrowverse, (YES PLEASE) they have to let Supergirl come out to play for the whole recess. Her being on another universe isn’t excuse enough to hinder that relationship, especially now with Cisco’s doohickey.

The other bit, the one we’ll close with, was the writing. All the actors that they have hired in the Arrowverse are exceptional. If the actors don’t have long careers in the stage/fim business like Victor Garbor, Jesse L Martin, and John Barrowman, they have proven their abilities on these shows. They can act. We’ve seen it. But watching them try to choke back some of the dialogue from this episode made them look like amateur dinner theater workers.

We noticed it specifically with a few of David Harewood’s
(Supergirl’s Martian Manhunter) lines. He gets through them, same with the others, but it pulled us out of the moment with how clunky it was. Also, don’t get us started on the jokes. You want to? OK, fine. At one point Supergirl said, “My sister says I put the Kara in Karaoke.”
We literally almost closed the laptop and walked away at that. It was early in the episode though, and we thought of your faces, your sweet reviewless faces, and we knew we had to press on. So we did and what was our reward?

Honestly, we can’t tell you. Partially due to not giving away the ending of the episode, but mostly due to we don’t genuinely know what happened. Nothing is really explained, it simply transpired for the sake of transpiring. They knew they wanted to sing, but they didn’t know how to make that fit into a cohesive, solidly written story. It was like the ending of a Stephen Moffat Doctor Who episode: aggravatingly underwhelming.

Look, there are a lot of good moments in the episode. It was a fun little one shot stuck in the middle, but they once again did not utilize Supergirl’s hour to help flesh out their crossovers and the time crunch really cripples them from making a solid story. Perhaps though, given the rush job they did with the script, that’s for the better.

Our final analysis of this crossover is the same as our analysis of BvS’s handling of the Death of Superman: Everyone has been wanting it for so long, and yeah, that was not the best way to handle it, but hey, it’s out of the way now and we can move on to bigger and better things.

Next week we’ll be seeing a few awesome super villains showing up in the CW DCverse. First up on Supergirl that trixter from the 5th dimension Mr. Mxyzptlk shows up wreck havoc. Turns out he has a little bit of a crush on Kara and even tries to get her to marry him.

And while not a NEW villain on Flash we finally not only get the return of Grodd but the reveal of Gorilla City. In a two part story we’ll see the Flash team head to another earth looking for the Earth 2 Harrison Wells and end up facing down this classic mind reading foe.

I’m usually pretty stoked to watch these shows anyway but with these stories coming up I’m pretty excited. Can’t wait to see what they bring.

The date is finally nearing and The CW has dropped a full length trailer for the Supergirl, Flash, Arrow, and Legends Of Tomorrow crossover. It shows us a lot more of what the threat is and what we have in store. How Supergirl makes it onto Earth 1 is still unknown but we’ll get to see what is probably our best bet for the live action Justice League on TV now with the DC movies in full swing. So feast your eyes below and get ready for November 28th.

They teased us before but they released a trailer which clues us in at least a little more on the 4 night crossover event for the CW Super Hero line up of Supergirl, The Flash, Arrow, and Legends Of Tomorrow.

While it doesn’t give us a complete rundown of what will be happening we do see some interesting glimpses of what might be new heros and even returning characters in Deathstroke. Deathstroke people! Check it out below.

After Tyler Hoechlin’s pitch perfect turn as the Man of Steel on Supergirl’s premiere episode, the internet lit up with demands that Supes return to the small screen with a show of his own. At first glance, it feels right; Hoechlin, as well as the writing team on Supergirl, did such a great job at bringing some levity back to the big, blue boy scout, that naturally, you want more. He took turns doing the day saving with Supergirl, he thanked random DEO agents for their service, and Rao save us, he actually smiled! Refreshing isn’t strong enough of a word to explain the feeling seeing Superman, the REAL Superman, back in action. (Remember when he told that bank robber, “If the bullets didn’t work, right? Why the punching?”? So great.) We get it. We really do.

On his last day of his directing gig on the CW’s Supergirl, Kevin Smith decided to show fans a peek behind the magic veil of television production. In the 9 1/2 minute video that he posted to his Facebook, Smith attempts to keep composure and not geek out (spoiler alert: it doesn’t work out well) as he shows us how it “takes a village” to get a Supergirl in the air.

It’s funny to watch Smith fanboy out at the process. It’s also cool to see everything that goes into getting those moments of action. As Smith says, it really is something that we as viewers take for granted because we only see the end result.

Give it a look below.

Kevin Smith directs the 11th episode of Supergirl entitled “Supergirl Lives” (assuredly more than just a coincidental reference to his attachment to the ill-fated Superman Lives) which airs later this season on Mondays at 8/7 Central on the CW.