An hour’s bus journey south from Cartagena bus terminal (which itself takes an hour to get to from the centre of Cartagena) lies San Basilio de Palenque, a small village of 3,000 people descended from African slaves. Much of the coast in Colombia in fact has a large population of African descendants, but Palenque is the one place that has remained resolutely African.

The village is full of wannabe guides who I walk past as I get my bearings. The main square has a statue of Benkos Biohó but little else except for a few shops and bars. There’s an old woman in the corner of the square with some pots and pans so I go to see if she’s got some food, which she has; a soup full of bones followed by a plate of rice. While there I am joined by Daniel, one of the wannabe guys from the arrival. I ask him a couple of things about music in Palenque and he seems to know what he’s talking about. Considering the village looks nothing more than row after row of houses I agree to pay him 10,000 Colombian Pesos (about GBP3.50) to show me around.

Palenque is quite famous as the home of champeta criolla, a style of music that mixed Afro-beat with local Colombian styles (check out the Palenque! Palenque! to listen to this style in full flow). Daniel takes me to the house of Rafael Cassiani or El Maestro, leader of Sexteto Tabalá, a group with a strong Afro-Cuban feel. I felt a little bad for not buying any of the CDs he offered me but they were 30,000 Pesos (10 pounds) for CD-R’s with badly photocopied artwork. I told him I’d like to buy an original, to which he replied that they are the originals and that they sound better than the official ones which are actually broken. Apart from that dispute though, I got on well with Rafael. Then we met one of the two old singers from Las Alegres Ambulancias, a more traditional palenque group. Her CDs had proper liner notes and cases and were only 25,000 Pesos so I bought one. We also checked out La Casa de La Cultura, where many musical events happen on the weekend and at holidays.

In essence, if you plan on going to Palenque you’ll definitely need a guide as otherwise you will just find yourself walking along dirt roads past very similar-looking run-down houses. You should also know that the bus will only drop you off at the entrance to Palenque and from there you will need to get a moto for the final 2-3 miles to the village. It’s definitely worth it though for a taste of Afro-Colombia!

I was under the impression that Oscar Guardiola-Rivera must be an interesting guy. He has written a book entitled What If Latin America Ruled The World?, regularly attends talks about South American culture in London, and was now appearing at the Hay Festival in Cartagena. In reality, his talk followed the same path as his book – which I’m currently reading – in that it never even attempted to answer the question that his book tempts you in with. Instead he delivered rhetoric after rhetoric with an academic glee, picking apart quotes from great thinkers in a last ditch attempt to show he had something to say.

Essentially the talk represented everything wrong about academia. Here was someone with great knowledge using that knowledge to prove that he had a lot of knowledge. Surely the only point of knowledge is in it’s application. Instead Rivera revels in it’s intricacies, using it to flatter the crowd who are pleased when in agreement, which considering he’s just dressing up history, is no real surprise. Not once did he even contemplate the question “What If Latin America Ruled the World?” which was the title of the talk. His book – which you can see here – follows a similar path, rich in history, low on insight. If Rivera simply referred to himself as a historian rather than a thinker and author he would gain a lot more respect from me.

The big talking point on this bus journey was whether I should have gone at all. I was told nothing would be happening on the last night at Discos Fuentes for the Ondatrópica guys, just tidying up, that kind of thing. So I booked an overnight bus to Cartagena. No point wasting 13 hours of the day on a bus. However, they ended up having a listening party for the whole album, starting literally just as I left. Which meant not getting to party with some amazing Colombian musicians, including Fruko.

But anyway, really I wanted to talk about the journey itself. Essentially, there is just one thing you need to know about taking the overnight bus. For God’s sake bring a blanket or lots of layers. The bus drivers are sick individuals that feel more than okay in spraying freezing cold air down your next for the entire duration of the trip. It’s not pretty!

So the reason I came straight to Medellin was to catch what I could of Ondatrópica, a new project featuring Colombian musicians old and new, a “tropical” exchange of ideas. The project is headed by Will “Quantic” Holland, a British producer, and Mario Galeano Toro of the ridiculously good Frente Cumbiero. In total they recorded 34 tracks in Discos Fuentes studio – known for it’s unrivalled productions of Colombian salsa and cumbia. The results are already sounding legendary, and could be an album that really takes off when it’s released – slated for April 2012. The aspiration is for it to get close to the success of Buena Vista Social Club.

About

On The Road to Find Out is a blog all about South America which I started in March 2009 upon landing in Rio de Janeiro, and which includes stories from my travels in Argentina, Brazil, Chile, Colombia, Ecuador, Peru and Uruguay.

As well as these travel stories, you will hopefully also get to understand my obsessions with food, football and music, all of which go hand-in-hand with travelling around South America, on a journey which has no end in sight yet.