As elegant and stunning as the couture dresses three-time Oscar winner Daniel-Day Lewis’ character designs in the film, writer/director Paul Thomas Anderson’s period piece is a work of art. In what he is calling his final acting performance, Lewis stars as Reynolds Woodcock, a renowned and pedantic English dressmaker whose life is upended when he meets a young muse who is far more strong-willed than he anticipated. Anderson expands his exploration on relationship dynamics (he touches on it in “The Master” with Amy Adams and Philip Seymour Hoffman’s characters), to reveal a wickedly humorous newfound romance that is both suffocating and Machiavellian. Watching that play out for 130 glorious minutes with a remarkable score by Johnny Greenwood hovering above it is sensuous and sublime.