Sandy - Sandy Salisbury

Once more dear friends, the master of softpop... this time with his only completed solo album project, 1969s "Sandy!". A flawless pop masterpiece which was to get lost in the bankruptcy of Together Records and not see the light of day until it's belated 2001 release on Poptones - a release which itself became totally unavailable shortly afterwards, in a kind of bizarre replay of history. Now here it is INTENSIFIED with a number of never before released demos from his crucial 1966-1970 period, personally chosen by Sandy himself. Like the album featuring the skills of Curt Boettcher, Keith Olsen, Joey Stec, and other members of the extended Millennium family, this new edition will feature new pictures and interviews with Sandy and other participants in the legendary album sessions, making it the DEFINITIVE, Sandy-approved edition of this once lost but now found classic of Pop!

I Just Don't Know How To Say Goodbye / Spell On Me / Hills Of Vermont / Good Ol' Goodtimes / Come Softly / On And On She Goes / Cecily / Do Unto Others / Once I Knew A Little Dog / Baby Listen / Goody Goodbye / Once I Knew A Little Dog (instrumental) / Let It Rain Let It Pour / I'll Do The Crying / I'm In The Mood For Happy

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That Bad Eartha

Eartha Kitt had won a spot as featured dancer and vocalist in the famed Katherine Dunham Dance Troupe before the age of twenty, and toured worldwide with the company.
In Paris, her unique persona earned her fans and fame quickly, including Orson Welles, who called her "the most exciting woman in the world", and cast her as Helen of Troy in his fabled producer who put her in new faces of 1952, where every night she wowed audiences with her sultry rendition of 'Monotonous'. Broadway stardom led to a succession of best-selling records including Love For Sale, I Want to Be Evil, Santa Baby and Folk Tales of the Tribes of Africa, which earned her a Grammy nomination.
In 1967, Miss Kitt left her indelible mark as the infamous Catwoman in the television series, Batman. She immediately became synonymous with the role, and her trademark growl became a part of pop culture. In 1968, Miss Kitt's career took a sudden turn when, at a White House luncheon, she spoke out against the Vietnam War. For many years afterward, she was blacklisted by many in the U.S. entertainment industry and was forced to work abroad where her status remained undiminished. Miss Kitt's fame and talent has been continually appreciated by audiences of every age
First time on CD in Europe and beautifully re-mastered in top Rev-Ola style with the usual gorgeous packaging! Featuring some the acclaimed actress, author and singer's greatest and sexiest performances; a must for music lovers, and those who appreciate an exciting woman!

Always cause for speculation and sometimes unfounded rumour, Elvis Presley's early months with Sun Records and the brief, hazy period he spent performing on radio shows in Mississippi, Tennessee and Texas, have generated a substantial list of songs that he either never recorded commercially or have since been lost. In order to give the Elvis fan an idea of these mythical songs, this compilation endevours to collate the original versions of these songs which inspired Elvis to try them out for Sam Phillips or to perform them for a radio or live audience in those long-lost days of the mid 1950s.
Featuring Elvis' favourite Country artists from mighty Hank Snow and Eddy Arnold to lowly Fairley Holden and Billy Hughes along with a smattering of jump and R&B tracks, this compilation is as entertaining as it is thought-provoking; file it alongside Rev-Ola (CRREV99) for the whole picture on the formation of the world's brightest star.

A classic of West Coast psychpop. and a much sought after gem, after the breakup of San Francisco garage groups The Brogues ("Ain't no miracle worker"), most members went on to Quicksilver Messenger Service. Bassist Bill Whittington formed The Family Tree with Bob Segarini of The Ratz and the enigmatic Lee Michaels....the latter soon dropped out, and a couple of innovative singles for the mysterious LA based Mira label brought them to the attention of not only RCA, but Sunbury music's Dick Campbell and his friend and big hope, Harry Nilsson....with input from Harry (at this time being hailed as a genius by The Beatles nd writing songs for everyone from The Monkees and The Turtles on down) the band embarked on the semi-conceptual album "Miss Butters".
An amazing semi-lost gem of West Coast psychpop genius on a par with Harry Nilsson's own records of the period - the evidence? Draw the comparisons to Nilsson's "Aerial Ballet": ‘Miss Butters’ was recorded in Los Angeles in 1968. Same producer. Same arranger. Same album cover painter. Same studio Nilsson co-wrote one of the tunes. Released the same week as "Aerial Ballet." (The "Aerial Ballet" RCA selection number was 3956. "Miss Butters" was 3955), But the thing is... it's even BETTER than that, and this deluxe first-time reissue also contains the great and amazingly rare non-LP singles...what are you waiting for!!!!!
First EVER time on CD for this enigmatic and collectable group! Beautifully remastered from the original MONO mastertapes (the stereo mix was done by an assistant engineer alone and is a travesty according to the band members!). Amazing packaging including previously unpublished photos and in-depth liner notes with the participation of the legendary Bob Segarini. Predated Roxy, The Wackers, and his solo power pop opus, "Gotta Have Pop".

DJs and hipsters worldwide bigging up an album by Christina Applegate's mom? You're putting me on, right? Well, er... NO!! Radiant New York based actress/songstress Nancy Priddy only made this one album, but what an album it is! A fine, low-key psych folk pop masterpiece, funky and folky and psychy-rocky and Lord knows what else all at once, with the Big Apple's finest.
Nancy had been a mover and shaker on the Greenwich Village folk scene of the early 1960's, as a member of The Bitter End Singers and is the subject of the Stephen Stills-penned Buffalo Springfield classic, "Pretty Girl Why" (think "Priddy Girl Why").
The album was produced by industry legend Phil Ramone, then working with enigmatic audio innovator Enoch Light on his Project 3 roster including The Free Design, and obviously at the top of his considerable form. There are elements of folk, pop, soul, gospel, even children¹s music here, a unique sound and atmosphere which has made this one of those mysterious albums which commands top dollar without being obviously by any kind of "rock legend".
Over startling arrangements centred around spare basslines, folk changes, experimental touches and DJ-enticing drum breaks, she sings lyrics far beyond the usual pop-romantic platitudes. Today, the album is rabidly sought after by DJs and the hordes of Wyrd Folk fans in that growing field - and big bucks indeed change hands - but here it is sounding better than ever on Rev-Ola!!!!