The twilight language explores hidden meanings and synchromystic connections via onomatology (study of names) and toponymy (study of place names). This blog further investigates "name games" and "number coincidences" found in news and history. Examinations are also found in my book The Copycat Effect (NY: Simon and Schuster, 2004).

Monday, February 16, 2015

Chapel Hill Shootings, Falling Down, and Los Angeles Plays Itself

It's Oscar season, so perhaps it is time to talk of movies and violence again?

Events do not let us think otherwise. In the end, it is about Falling Down's "I'm going home," and The Wizard of Oz's "There's no place like home," isn't it? And the notion "to protect and serve" what is one's view of "home." It all stems from your homeland, your hometown, your 'hood, your building, your house, your automobile, or even your parking space.

Chapel Hill comes to mind. And L.A. too.

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On February 10, 2015, at 5:15 p.m., Deah Shaddy Barakat, Yusor Mohammad Abu-Salha and Razan Mohammad Abu-Salha were killed in their home in Finley Forest Condominiums on Summerwalk Circle in Chapel Hill, North Carolina, United States.

The victims.

Craig Stephen Hicks, 46, a former car parts salesman, allegedly shot dead the three Muslim university students at point blank range, in their heads, before turning himself into police. Hicks had moved to Chapel Hill in 2005 from Bethalto, Illinois. His motive, allegedly, was not because he is anti-Muslim, but because he was angry because of an ongoing parking space dispute. However, additional information from his first wife notes that Hicks was obsessed with watching "incessantly" the 1993 film Falling Down starring Michael Douglas, about a divorced lawyer who loses his job and embarks on a shooting rampage across Los Angeles.

We've heard of this before.

Before George Hennard crashed his truck into Luby's cafeteria in Killeen, Texas, on October 16, 1991 and sprayed it with gunfire, he had watched a documentary video at home about a similar mass murderer, James Huberty, who killed 21 people at a California McDonald's on July 18, 1984. ~ Loren Coleman, The Copycat Effect (NY: Simon and Schuster, 2003).

(In American English, especially as viewed as slang, the word "hick" is a derogatory term for an unsophisticated provincial person, usually said to be Caucasian, Midwestern- or Southern-raised, racist, and anti-semitic.)

Looking to analyze films like Falling Down, it opens up an entire area of film study.

Doing this, a reviewer once observed that filmmaker and professor Thom Andersen

...pushes the issue of de-humanization, of symbolic genocide, further. A venture such as the Michael Douglas-fronted Falling Down presents the case of a white-collar, WASP-y male who, abiding no more of an interminable traffic jam, deserts his car and, trekking across Los Angeles, essentially loses his mind, though not his sense of entitlement. ~ Peter Moysaenko ~ 12.7.2009

Synchromystics, Forteans, and twilight language translators watch motion pictures on a different level than most moviegoers. They observe everything. Not just the plot. They look beyond the obvious. They experience the settings, the scene, and the sequences with new eyes. So too, it appears, do architectural students, film buffs, and cityscape fans. A deep, powerful, rarely seen documentary looking at film, analyzes movies on this level.

I've made it no secret for years that the architecture of Frank Lloyd Wright and films have a special meaning to me and others.

Director Thom Andersen's Los Angeles Plays Itself (2003) - at 169 minutes -is a genius synchrocinematic visual essay. If you have not viewed and digested it, you should. Here's a sample and some thoughts:

Los Angeles, Thom Andersen’s hometown, has figured, it seems, for most of its existence, as a misunderstood mutant, a territory without definitive identity, despite now serving as residence to nearly four million people. A McDonald’s restaurant in the City of Industry remains forever closed to the public, but functions exclusively as a set for commercials. The Bradbury Building has been cast as a Mandalay locale or as the headquarters of an East Coast newspaper. Frank Lloyd Wright’s Ennis House has provided context for such varying visions as that of Blade Runner, The House on Haunted Hill (a cheesy Vincent Price joint), and a Ricky Martin music video. Hollywood refuses to take Los Angeles for what it is, Andersen insists, if the professionals that make up the movie machine have any clue about its essence to begin with. Hollywood denigrates what should represent the pride of Los Angeles’s eclectic architectural scene, casting its Modernist and International style homes as dens of iniquity, the mansions of gangsters and drug lords, rather than centers for evolved living....

We are bidden to watch not as Hollywood expects us to, but with voluntary attention, getting past the expertly dressed leads and zeroing in on the more elemental concern of setting. After all, there’s no story in a vacuum, and as the trumpeted notion of country, the notion of property over country, reminds daily, a life’s nothing without a home. ~ Peter Moysaenko ~ December 7, 2009.

As Andersen notes in his documentary, and I have too, the films containing FLW-trained architect John Lautner's homes are frequent targets of attention too.

The clean bold lines of John Lautner’s famous houses are hard to resist for moviemakers. The most famous houses are the Elrod House, which was Willard Whyte’s crib in Diamonds are Forever, the Chemosphere used in Body Double, the Goldstein House featured in The Big Lebowski, and the Schaffer House, which offers a luxurious repose for A Single Man. Source.

Personally, I taught a weekly 3 hour long documentary film course, for 23 semesters, from 1983 to 2003, at the University of Southern Maine. Sorry to know Los Angeles Plays Itself (2003) appeared after my course ended. I would have loved to screen it for my students.

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Movies in order of appearance in Thom Andersen's Los Angeles Plays Itself(2003).

(I wish someone would do I similar list, from his documentary, of the names of all the architects and the buildings mentioned in his film.)

The Australian David Hicks was just exonerated for providing aid to terrorism. He spent 5 years on Guantanamo Bay after joining Al-Qaeda and meeting with Osama bin Ladin. This provides an interesting counterpart to the killing of Muslims by Craig Hicks.

"[...]about a divorced lawyer who loses his job and embarks on a shooting rampage across Los Angeles."

Wasn't he an engineer, who worked for a Defense contractor? I remember that scene in which Robert Duvall goes to see his mom, and she lets her in his room where he finds a slide-ruler, while she proudly says her son's work "kept America safe or something." --he built missiles, apprently, which would account for the short-crew haircut, the stereotype of the engineer in the space-age era.

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About Me

Investigator of human and animal mysteries since 1960. Swamp Thing character "Coleman Wadsworth" in #4:7 and more in #4:8, is a tribute.
Author of over 35 books, including The Unidentified (1975), Mysterious America (1983/2007), Suicide Clusters (1987), Cryptozoology A to Z (1999), Bigfoot! (2003), The Copycat Effect (2004), and field guides.
Educated in anthropology-zoology at SIU-Carbondale, and psychiatric social work at Simmons College School of Social Work. Began doctoral work in anthropology (Brandeis University) and family violence (UNH). Taught at NE universities (1980 to 2003), while concurrently a senior researcher at the Muskie School (1983 to 1996), before retiring to write, lecture, consult, & open museum. Popular documentary course was taught for 23 semesters; appeared on C2C, The Larry King Show, MonsterQuest, Lost Tapes, In Search Of, and other tv programs.
Loren Coleman is a dedicated father (Caleb, Malcolm, Des), cryptozoologist, media consultant, and baseball fan.