Thelma Todd -- a curvaceous white-blonde who predated Jean Harlow -- was a sparkling comedienne who began in the silent era and flourished in the talkies, both holding her own opposite the Marx Brothers and playing straight woman in one of cinema’s first all-girl comedy teams. She was also an early celebrity entrepreneur, opening a hopping restaurant/bar with her name above the door. But today, Thelma is best remembered for her shocking 1935 death, which was deemed an accident but still sparks conspiracy theories that it was really murder.

With so much misinformation and speculation surrounding Todd’s death, it seemed ultra-important to approach my research for this episode with a critical eye. I ended up using as my main source William Donati’s The Life and Death of Thelma Todd. I was previously a fan of Donati’s biography of Ida Lupino, and his book on Todd seems to me to be the most objective analysis of the facts, with the least amount of speculation and hysteria. As noted in the episode, his informed ability to knock down the Lucky Luciano theory is particularly useful.

Gloria Vanderbilt’s books The Rainbow Comes and the Rainbow Goes and It Seemed Important at the Time contain the most substantial observations of Pat DeCicco and his reputation that I’ve found. My understanding of DeCicco relationship to and work for Howard Hughes stems from my research for my book, particularly depositions and testimony given by DeCicco himself and his cousin, Albert Cubby Broccoli, in 1978 and 1983 as part of the long-running legal battles to determine control of Hughes’ estate. These documents were observed by me in the Texas State Archives in Austin.

Outro song: “She’s Not Dead” by The London Suede

Credits:

This episode was edited by Sam Dingman, and produced by Karina Longworth with the assistance of Lindsey D. Schoenholtz. Our logo was designed by Teddy Blanks.

Welcome to the fifth season of You Must Remember This! This season, called MGM Stories, is going to tell 15 tales about people who worked at the same movie studio over the course of five decades and counter-culture-hastened decline.

Established in 1924, MGM was the product of a merger of three early Hollywood entities, but the only person working there who got to have his name in the title was studio chief Louis B. Mayer. For the first dozen years of its existence, Mayer’s influence over the company would be at least matched by that of producer Irving Thalberg, who was perceived as the creative genius to Mayer’s bureaucrat. This episode will trace the rise of MGM through the 1920s and early-mid 30s, covering Mayer’s long-evolving working relationship with Thalberg, the creation of the MGM “star factory” identity and unique power within the community of Hollywood, and the in-fighting which would end with Mayer poised to seize his crown as the most powerful man in Hollywood.

Special thanks to Dan Saraceni and Liz Lui, who contributed ideas that inspired this episode in our forum, and Craig Mazin (screenwriter and co-host of the Scriptnotes podcast), who guest stars as Louis B. Mayer. This episode was edited by Henry Molofsky, and our research intern is Allison Gemmill. The outro music to this ep is "We're a Happy Family" by The Ramones.

As you may have noticed, the podcast has a new distribution partner, Panoply. You can find the whole family of Panoply podcasts at itunes.com/panoply. If you subscribe to the show on iTunes, it should feel like nothing has changed, but if you have any problem finding or listening to episodes, please contact me using the link at the top of the page.

This season, as promised, was inspired by suggestions made by our listeners on our Forum. As the season continues, we'll be contacting listeners whose ideas influenced specific episodes. This season, which will last until the end of 2015, is fully scheduled, but you can continue to use the Forum to suggest ideas for future seasons, and also to discuss this current season or past episodes with other listeners.