Avoid using "to be" verbs (is, was, etc.): Because this often indicates a passive sentence and those are, well, passive. Active is more engaging. But, really, we can't eliminate one of the most used verbs in the language now, can we?

Don't use adverbs: Because adverbs don't leave a strong impact on the reader. Unless you use them judiciously and sparingly. Then they'll have an impact.

Ditto for dialog tags other than "said."

Don't start sentences with an -ing verb: Because if you overdo it, your sentences all have the same cadence and become sing-songy. Readers will tune out. But, hey, once in a while isn't a problem.

Show, don't tell: Because telling distances the reader from the story. There are times when you need a little distance in the story. Don't show when showing would be boring or unnecessary.

This will hold true for any writing rule you've ever heard. It's important to know these rules. It's important to know why they are brought up. It's important to know when to ignore them.

We each have a unique voice. Don't stifle yours by obsessing about the rules. Only you can decide what is right for your story. Trust yourself to know.

Thanks for the "rules" and the gracious advice about knowing when to stick with them and when to let them go.

When I write a rough draft I don't worry too much about the rules, unless my writing is so stilted that I'm noticing it while writing it. Then, on the second draft, I go hunting with the rule book in hand . . .

I really agree. I actually used breaking the passive voice rule once for characterization. One character was submissive to another - and always spoke in passive voice. I am not sure I pulled it off very well but it was interesting to try.

I think one other thing to remember about rules is ... if you're going to break them ... KNOW them first. That may sound weird, but understanding the way something works so you can NOT do it that way actually makes you consistent through the entire project, I think.

Angie, did I tell you that your posts always rock? :D Rules and rules and more rules. Yes, it's true, anyone who desires to become a published writer needs to learn them. It's not an easy road to hammer all this in and then try to find your own voice, but once it's learned, it becomes habit and therefore, natural!

Angie Lofthouse went to college with every intention of becoming a particle physicist, but through a series of misadventures, found herself studying Shakespeare instead. After college she combined her love of science and her love of words into a science fiction writing career. She lives in a little canyon in the foothills of the Wasatch Mountains with her family of writers, artists, singers, composers, illustrators and musicians.