Snippets reflecting life and thoughts of a writer who has published a fourth novel set in an English village. First, Gypsies Stop tHere, then No Gypsies Served, followed by Shades of Appley Green. Now it's back to the Sixties with Secrets in Appley Green.

Thursday, 14 January 2010

Some clichés grate, irritate or make you squirm. You want to beg the perpetrator to please blend their imagination and vocabulary to create something with originality and impact. Something to ‘blow your mind’. But I ‘have a soft spot’ for some clichés that have, after all, ‘stood the test of time’, and by that definition, are ‘classic’.

Clichés are, also by definition, overused, some more than others; proverbs, such as ‘All that glitters is not gold’, often moralistic in tone. ‘At the end of the day’ and ‘knock your socks off’ really have to go, so weakened as they are by repetition that they have the power and resonance of a goose-feather.

Strange, yet everyday, clichés leave one pondering on their origins: ‘Apple of my eye’, ‘Armed to the teeth’ ‘The best laid plans of mice and men’ but they leave no doubt as to their meaning. Whereas some have failed to become a classic cliché, in my view, because they are second rate and clumsy, for example: ‘Build a better mousetrap and the world will beat a path to your door’ or ‘Keep a bad dog with you and the good dogs won’t bite’. I ‘get the message’ but it prompts me to try and offer up a snappy alternative … later.

Some express the same concept with contrasting images: ‘Is the Pope a Catholic?’ ‘Does a bear shit in the woods?’ and others. Others offer history; ‘keep your nose to the grindstone’, ‘the real McCoy’, ‘putting the cart before the horse’.

I would defend crisp clichés (possibly ‘to the hilt’) that encapsulate an emotion or situation and, above all, communicate without any misunderstanding; ‘Abandon ship’ – dramatic, with ethical overtones, short and sharp; ‘To break the ice’- simple and everyone understands it; ‘Burn your bridges’ – concise; ‘Butterflies in my stomach’ – terms like ‘collywobbles’ don’t quite ‘cut the mustard’ and attempts to improve such as ‘snakes writhing in my intestine’ probably would fail. Having said this, any writer ‘worth their salt’ would undoubtedly try and substitute some other metaphor to convey nervous emotion.

I mention the word cliché twice (I think) in my new novel, No Gypsies Served – maybe I use them more often than that! Hopefully, if I do then they are put to good use. The male character begins to pen his life story with the ‘cliché’ ‘My first day at school’. If a cliché is recognised as such I think it makes it more acceptable. It shows the speaker, or writer, is cliché-aware. The other cliché is a highly recognisable situation – but you would need to read (appreciate the subtle invitation!) the book to see this as it occurs near the end of the novel.

What’s your take on the best of our clichés? If you look up this website you may find your day will disappear as you wonder what there would be left to say without them. http://bit.ly/f78zX (apparently, allegedly, these are almost entirely attributed to the United States)

Afternote: Listening to radio news a couple of days ago, in the first minute: 'defining moment'; 'meltdown'; 'on the cusp'; and 'brought to its knees'. But are these clichés?