Category: Wool

At the beginning of May, I achieved a long-held ambition. ‘Twas a fairly minor thing, compared to world peace, or even convincing the cat to use her litter tray instead of a laundry basket, but an ambition nonetheless.

I published a Selbuvotter-style pattern.

Doonican Mittens publicity shot, (c) Practical Publishing

Selbuvotter are traditional mittens (votter) from the Selbu region of Norway. Typically, they are worked in fine yarn in black and white, although red is sometimes used as well, and feature very intricate patterns on a distinctive pointed mitten. The simplicity of the materials belies the stunning range of ornamentation possible even if one sticks rigidly to the traditional techniques, but there is immense fun (may be NSFWODS¹) to be had by breaking the rules too. The overall effect reminds me of Gothic stained-glass windows – particularly with a variegated or hand-painted yarn as background – but this is just my opinion. Selbustrikke (Selbu knitting style) is unusually well-documented for a knitting tradition ~cough~Aran~cough~, and so I shall just leave you to read this synopsis (link to pdf from Selbu Bygdemuseum) for yourselves rather than risk introducing any mythology to the tale…

Ever since I happened upon Selbustrikke, I’ve had a longing to create something as intricate as these lovely patterns, but inspiration failed to strikke strike. I didn’t want to simply stick a pin in a stitch dictionary, I wanted something that had its own story. Last year, I learned of the death of Val Doonican, a singer who was the first in a long line of genial Irish chat-show hosts beloved of the British viewing public. Val was famed for his huge collection of knitted sweaters, or jumpers as they are known here unless you’re a blow-in from foreign parts, and allegedly never wore the same one twice. While noodling through his obituaries and listening to his back catalogue on Youtube, I came across a photo of him in a navy-on-white jumper with some complex colourwork (see photo in the submission outline below), and, as is my way these days, I opened up a Stitchmastery chart and attempted to recreate as much of the pattern as I could make out. Then I just saved it and forgot it.

Fast forward a few months, and Kate Heppell at Knit Now magazine put out a Designer Challenge call. These are short turnaround calls for patterns for specific yarns, typically with only a few days or a weekend to submit a proposal, so there’s usually not enough time to put together a full submission with sketches, swatches, photography, etc. I’ve nailed a few of these calls myself and find the pressure wonderfully concentrates the mind. The ideal pattern for these calls is short and straightforward, so grading for 15 sizes, fully charted lace, and complex shaping are out. It helps to have a design already kicking about in your catalogue, and a plug-in shape REALLY helps. For this, the Selbu style is perfect: I already had the colourwork design as a Stichmastery chart, all I had to do was fit it into the votter shape…

And here is what I sent off:

Submission outline for Doonican Mittens. I’ve messed up the chart deliberately, as it isn’t the same as the published version: if you tried to follow it, you’d wind up with a not very ergonomic phone sock…

Note the phrase “usual format” – that’s the plug-in. Many Selbu patterns are single-size, as the colourwork is often non-repeating: the charts depict the whole mitten. Extra sizes mean separate charts for each size!

Newbie designers should take heart that the submission itself is not lovely, and I missed a misspelling, for which I have no excuse. The self-flagellation continues. It’s not terribly detailed either – no need to write an essay. Being prepared to compromise on changes is good too: Knit Now went with two shades of green instead of the white and aubergine I suggested. I’m rarely wedded to the colours in a submission – I expect people to choose their own anyway – but the greens worked beautifully, and fit nicely with the Irish inspiration.

Knit Picks Palette is a fab choice for this kind of detailed colourwork, too: 150 (150!!) colours, a very pleasing price point and UK availability. It’s not unlike JC Rennie’s Unique Shetland, which I used to make my Shadow Pets Hat and Mitts. I’d also recommend Palette for colourwork baby garments generally: you’d get the same level of detail in a baby jumper as in an adult version.

I have another pattern out next month, and a further four in various stages of the pipeline – including one which is an object lesson in not being wedded to colour schemes – or pretty much anything else either! And that this is far from being a disastrous sell-out of one’s oeuvre…

I’ve just spent a lovely long weekend in Belfast. The Mighty Offspring saw the dinosaur exhibition at the Ulster Museum and the movie ‘Brave’ and was generally spoilt rotten. Due to his habit of “remembering” (i.e., making up) what suits him, I missed the exhibition, got hilariously lost, and was barely able to move by the time I found my way back to Ma-in-Law’s, having walked about 8 miles. Strangely, it seems to have helped. Okay, I stiffen up if I stop moving for more than 5 mins, there are twinges and owies and an alarming crunching noise from my right ankle, but I am standing straighter and taller than for a long time.

On Saturday morning, I went to St George’s Market in search of Lighthouse Yarns, and was disappointed. No sign of them. Of course, they may only be there Sundays, though I thought – oh well. I got a book on vintage knits and a gorgeous hand-tooled leather notebook, which I’ll be using for designs. There were a few yarn stalls, but nothing spectacular. Some interesting clothes stalls, too, vintage, handmade, etc. Sunday I sidetracked from a school shopping trip to Primark to check out The Wicker Man. They have a small but worthy range of Cushendale Woollen Mills and Donegal Yarns wool, and seem to stock Knit Picks/KnitPro needles, and will be running knitting classes from September. They also have some Aran knits, sporting a tag about how Willie John “Paddy” MacBallix was the first man in Ballyarsebackwards to wear an Aran jumper, to the official reception held by Finn MacCool (sic) to welcome St Patrick to the oul sod, blah, blah, blah.

Back home to some not-fun stuff occasioned by the fact that my family doesn’t listen to me and was unaware that we’d gone to Belfast, despite my several attempts to tell them. At least, I’m pretty sure that telling them that the Mighty Offspring was going to see the dinosaur exhibition and I’d be doing a bit of shopping (and that I’d have to fill the car with petrol before I left) is enough of a hint that those activities might be done together and/or in proximity to each other. Sheesh.

But! The big fun news! I got free yarn! Donegal Yarns Aran Tweed, #4803. It is better than I hoped. A deep, peaty, almost purply brown, with orange nepps. Loads of other nepps, but it’s the orange that stands out. I swatched up a bit overnight, and even with less than ideal blocking at Ma-in-Law’s, it is all froofy and soft. Delivered to the end of the road by the boss, how is that for service? Didn’t even have to blag my way to an invitation to the mill, it was offered up front. Possibilities of collaboration, etc., etc.

I’m not too sure how much more to say about this. I don’t want to be giving away trade secrets. It’s kind of like blogging, now that I’m mainly doing designing rather than knitting or adapting patterns by other people. In my older, funnier blog, I could document the trials and tribulations of the Serious Knitter. The uncooperative yarn. The bewildering instructions. The ill-advised modifications, the attendant injuries, the misread deadlines, the ungrateful recipients, and the photo-shoot foul-ups. I could hold forth on the insanity of the pattern designer, the process, and the finishing. Now, I have to stay quiet, especially about anything that is being published elsewhere. Which is most of them at the moment! How can I be funny with no material?!?!?!

I had a Chicken Tarka Masala once. It’s like a Chicken Tikka Masala but just a little ‘otter…

Like this:

This is me, wearing my February Lady cardi, ensconced in the First Class carriage, crocheting a mobile phone sock, on my way to UK Ravelry Day 2009! It’s a bit fuzzy because the train was vibrating with speed, but it’s the best of six or eight that I took, including a charmingly smeared one of my bum as a particularly sharp jolt knocked the camera out of my hand. Nonetheless, it is proof, if such were needed, of my attendance.

I abandoned Tiny Husband and the Mighty Offspring at silly o’clock for a Saturday morning, and tore off determined to arrive for the opening. Sadly, it was not to be. The bus to the centre arrived later and took longer to travel than I had allowed for, so all was in full swing when I arrived.

It was actually a little intimidating walking into the hall knowing it was full of fibre enthusiasts. I didn’t dare take my rain coat off at first, for fear of people throwing tomatoes at me for my February Lady blasphemy. Or something equally irrational. I got a coffee and sighed over the lovely cakes I daren’t even breathe around, and checked out the competition. But despite the tight confines of the entrance hall, everyone seemed quite jolly, pushing and shoving their way round very politely. I risked putting the raincoat in my shopping trolley (for, friends, I was on a mission), sucked in a fortifying breath, and tried a little eye contact. No tomatoes. Oh good. Then I saw Rooknits, who organises the knitting meet-up that I, er, occasionally attend, helping hand out programmes, and wearing – yes! – her own FLS. Completely different to mine, barely skimming her hips in a variegated purple Malabrigo, and just looking so much lighter. Mine is, you know, heavy. Cotton. A quick word, and I went to pick up some goodies, including a Rav badge.

I had not scheduled anything for the morning to give me a chance to wander round and soak up the atmosphere. On my way into the main hall, a couple of people stopped me to look at the FLS, and one took a photo. The Knitter magazine, which was sponsoring the event, had a photographer there taking pictures of individual knitters in their finery. I made sure to walk past slowly and ostentatiously, and they totally ignored my orange and black 60s-inspired take on the world’s most popular sweater!! Which didn’t improve my misgivings about it… And as if to add insult to injury, on my final promenade, the photographer’s assistant – or the fashion director, who knows – dived shrieking towards me – and grabbed the woman behind me. Who was wearing an ill-fitting, sangria-vomit-coloured… sack thing, that she protested she hadn’t even had time to finish seaming or weaving in on (which was very obvious) before coming to the event. It was a shambles, but the PA/FD just would not release the poor woman, dragging her kicking and screaming up on the stage and propping her up with threats and menaces as she tried to hide her face in shame inside the lopsided half-sewn collar… Maybe it was some hellishly expensive yarn – they always seem to look like some variant on puke – or a pattern by some high-flown designer. I clearly don’t have good enough taste or fashion sense to tell. Maybe – no, undoubtedly – it would have looked better properly finished and blocked. Who cares – I was miffed, insulted, ready to throw the bloody FLS in the trolley, certain it was every crappy thing I worried it was (tacky, ugly, unflattering, laughable, grannyish…). Sometimes I am a very small person.

The hall was bustling quietly. Someone was doing a demo of spinning in historical costume, on a very large, very homemade looking wheel. I couldn’t place the era, and don’t know enough about spinning to identify any more than that, and was still feeling too shy to stop her and ask questions. There was a selection of fabulous felted hats, some military, on her stall, but sadly none for sale. The most amazing thing was a set of carders (?) that I didn’t even see until I was leaving the hall later. Instead of bristles, they had large burr seeds attached! That just amazed me. Of course, what would you use before manufacturing gave you the option of inserted-bristle brushes? It’s so obvious and ingenious.

I wandered about for a bit, looked everything, then headed out into the bucketing rain to wander round the stalls. The first thing to see was this adorable pair of alpacas. There were a few people, as I passed back and forth, who bemoaned the terrible conditions the poor little things were suffering in the rain. I inadvertently sniggered the first time I heard one, earning a glare, but really? They come from the Andes (full of alloo-ARRRR!), which is Spanish for ‘some of the most extreme environmental conditions found on this planet’: Coventry must be a cake walk for them. They certainly seemed to be coping with the downpour and the crowds with typical camellid insouciance, though of course they may just have been stoned on the comparatively oxygen-rich atmosphere.

I bought some alpaca fibre at another stall, lovely deep black stuff that I will one day pluck up the nerve to spin. However, I was really after Jameson and Smith’s stall. I wanted to get a colour card (done, and then some – I think I got every colour card there!) and possibly some yarn. So I picked up 10 skeins in a lovely honey green, which I hope to run up in a Japanese pattern from Hitomi Shida’s 250 Couture Knit Stitch Patterns, to which I treated myself on YesAsia. I also somehow accidentally walked off with some 1-ply cobweb in a lace scarf kit. No idea how that happened, or how that huge sack of Shetland spinning fibre came to be in the bag with it – if you’ve been paying attention, you’ll know that lace and I are not mutually compatible. And my first response to thread is to whip out a steel crochet hook visible only under electron microscope – not big fat knitting needles! And it’s PINK!!! Gooey, sickly, sugar-pink at that. Nonetheless, I cast on Meg Swansen’s talk and did a respectable amount before having to rip back due the inevitable stitch-count issues.

In the afternoon, I attended a natural dyeing workshop, run by Debbie… Barton? Sorry, the name is gone. There, I went a little mental, discovering previously unsuspected enthusiasm for the Madd Colorzz as long as I was in charge of the dye pots. The result is the red and green ball on the right – the ball on the left is some leftover mordanted Jamieson & Smith jumperweight that we were told to take away. I dyed it a lovely deep gold with onion skins – not terribly even but mouthwatering. I mean that btw, I’m dribbling on the keyboard just thinking about it. I call them Rhubarb and Crumble respectively. There might be enough for a faux Fair Isle tam, but I’d probably best knit it from the top/centre down just to be on the safe side.

I also picked up some smaller size KnitPicks (now Knit Pro in the UK) interchangeable tips and longer cables to go with my kit, and some of their multi-coloured Symphonie wooden cable needles – not that I need them, or will ever likely use them, as I think the scoring on them would tear up the yarn, but I can’t say no to a cable needle… Tried to get some Soak, but the only bottles left were scented and didn’t appeal. Was sorely tempted by Poems of Colour, but it was sold out too apart from the stall copy. I did finally settle on The Opinionated Knitter, and got it signed by Meg Swansen!

Meg’s talk was great fun. She read briefly a few extracts from her mother’s books – mostly The Opinionated Knitter, which at this point I hadn’t bought. I’ve always liked Elizabeth Zimmerman’s tongue-in-cheek humour, and it translated well in the talk. Most of the talk was taken up with answering questions from the floor on any and all topics related to Elizabeth, Meg herself, Schoolhouse Press, etc. I hadn’t expected any laugh out loud moments, but there were plenty. At one point, someone asked about the February Lady Sweater, and whether Elizabeth would have approved of this adaptation of the Baby Sweater on Two Needles (Knitter’s Almanac). In her reply, Meg asked for all the people in the hall wearing a FLS to stand up – and at least 20, probably more like 30, stood up! I may have lost my stitch count at this point. All different colours and fibres, on all different sizes and shapes. After the talk, when I queued up to get my new copy of The Opinionated Knitter signed, Meg was very complimentary about my fitted FLS, and asked a lot of questions about how I’d done it (yes, I know I have to put something together about that). So, sucks to the The Knitter! Validation from the foal’s mouth!

Like this:

It’s gotta be. Nearly 5 months since my last post, and let me tell you I have not been idle.

The first report is of the Bob The Builder jumper, last seen almost two years ago. Hallelujah, it’s done. Good job I was making a big size – he’s still got room to grow into it! Forgive the look of misery on his face – I was committing the cardinal sin of interrupting his viewing of Ben 10…

So what else? Ah Christmas. Scarves and smoke ring kind of things, mittens that I stupidly didn’t photograph before they were handed over. Ah well. We went to Ireland for two weeks over Easter, giving Tiny Husband’s HR person heart failure at taking so much time off so early in the financial year. Several gauge-swatch bunnies, Ava’s pink hoodie and Adam’s Trellis cardi were finally given to their intended victims – or not in the latter case, as it was not originally intended for Adam… I’m just too much of a flibbertygibbet with crafts. But I suppose it makes up for being so staid and dull everywhere else.

The Mighty Offspring also benefitted from a Fat Controller hat. This is the top hat worn by Sir Topham Hatt, the eponymous director of trains on Sodor Island and Thomas the Tank Engine’s boss. I made this by laying out cash money – yes! coin of the realm! – for Dark Twist’s Miniature Top Hat pattern, then promptly ignoring most of it. I used Rowan Big Wool rather than a worsted, because, well, I didn’t really want a miniature, just a little’un for a little’un. I think there was some mad nonsense about felting it by boiling it, then plunging it into freezing cold water too, but I am here to tell you – do not waste your time on this pish. Throwing it in the washing machine on a boil wash cycle with a pair of jeans that have got a bit saggy in the arse is yer only man. All I got for that boiling and freezing nonsense is frizzy hair and chilblains, and the Offspring hiding in a corner with his fingers in his ears until Daddy came home. In a way, I’m sorry I didn’t just leave it the size it was, because he looks so cute in it, an Artful Dodger – which fits his personality a lot better these days. The remaining yarn was made into a pair of felted slippers, which spend too much time on the run to be snapped on camera!

Two more pairs of socks, one a green and beige on-the-fly Fair Isle (and I must get a pic of these on him), the other a Spidey pair. I’m really becoming quite inured to arachnids, as I also made him a pair of my Mitts-to-Mittens with the Spidey pattern – though Gordon knows where they are now. Probably in his special superhero chest, wherever and whatever that is this week. The Spidey socks were the last pair I made using the 52st pattern, as I’ve noticed they’re a bit baggy even on MO’s feet. The green and beige were made using a 48st version, which is quite snug. At that point I kind of stopped with the socks, partly because he really had enough for now, and partly due to a misunderstanding. I did buy some socks (they were cheap), big enough for his feet which of course meant they came up over his knees. Not too long after, we were having this little chat about socks and shoes, and he told me he didn’t like the socks I made him. Now, I didn’t at first factor in that ‘buy’ and ‘make’ probably mean much the same thing to a highly-verbal three-year-old who nonetheless only has a three-year-old’s understanding of the magical ways in which goods and services appear in his world. He has about ten lyrically-described birthdays a week – doesn’t mean he’s getting cake every day. Turns out he doesn’t like the long socks, only the Mommy socks… I have started again, as I see some of his socks are a bit small now. More of which anon.

I also made him a woolly sweater, Crab Apple, based on Blue Garter’s Twisted Tree Pullover – with the usually mods for not having the right yarn in the right weight, etc., etc. – do I really have to say this? The pic does not do this justice – it is one of the things I am most proud of making – utterly gorgeous, beautiful stitch definition. I dread the day when he’s too big for it. In fact, I’m plotting how I can lengthen the sleeves and such to get a bit more wear out of it…

But the interesting bit is the yarn. I bought it out of the bargain bin at this market stall I go to. I’d seen other yarn like it before – similar weird rolled-up looking balls – but they didn’t appeal. Many of the colours were drab, and they looked like they were the work of a particularly ham-fisted beginning spinner: I’ve done a bit of spinning so I know whereof I speak here – all twisty and lumpy and bumpy, only singles and the fibre looked rank – nasty old ropy cottony looking stuff. However, this one day, there were 2 balls whose colour just demanded to come home with me, a beautiful vivid sap green. And at 69p for 2 balls in the sale, I wasn’t going to fight over it. Sadly, I had to get the brown because there was no more green, and I needed 3 balls in total, though I must say, it came together well in the end.

It was brutal to work with. I imagine knitting Brillo pad fibre would be easier on the hands. I switched from index to middle to ring finger flicking as blisters rose and fell, and even to my shame did the odd row Continental. I went through many times that 69p’s worth of Norwegian hand liniment. My hands turned green – the dye just seemed to brush off the yarn! and every dozen or so stitches I’d have to stop, grab the ball, and dangle the knitting from it to de-tangle it – it was horrifically overspun. Then I began to notice it was FELTING. Well, sort of getting that another-go-at-90deg look about it, at least. Then there was the quantities of hay I had to dig out of it… Finally, when I wet it to block it, it looked like the dye was just going to leave it completely – it absolutely gulched out of it for ages. The odd thing is, the colour wasn’t really affected – there’s a few white flecks that weren’t there before, but otherwise, it’s the same sap green that drew me in the first place.

Then I went to UK Ravelry Day in Coventry a few weeks ago – a grand day out which I will make mention of – but anyhoo, I was tootling around the rain-soaked stalls, mindful of my budget* but determined at least to beard Jamieson & Smith in their, er, stall, and cop a feel of a few fibres that shall remain nameless (dirty, dirty qivuit), when I just ceas’d all motion. I posed myself a few searching questions and ascertained that something had caught my surveillance attention out of my peripheral visual field. There was a little hurried conferring with longterm memory, with visual memory loudly denying all knowledge and blaming everyone else, and then finally reading comprehension and categoric memory kicked in with a few facts that hitherto had not been going to the same parties, all whilst, unbeknownst to the cerebrum, the legs had wafted me towards a stall I had just passed.

And there by the hokey were some balls with the same odd rolled-up shape to them. Same godawful ropy stuff, in glowing colours – multi-coloured in this case, but I was too stunned to hold that against them. Ye see, all that mental conferring and confabulating – putting of straw and blisters together with dye runs and felting, and marrying that to a chance flicker in the corner of my eye on a rainy Saturday in Coventry – had already told me what I would see written on the gracefully hand-painted sign beside them…

Noro Silk Garden£13.99

AHAHAHAHAHAHAHAHA. Aha.

But it doesn’t end there… I have poured over Yarndex and online Noro sites, asked questions on fan forums, gone to yarn shops and looked and asked, and I’m no further forward. Noro’s not cornflakes – they don’t make yarn for anyone else, and no one else makes yarn for them. It looks like it might be Maiko 105 colourwise – but Maiko is a new range, and I bought this yarn before Maiko became available! Anyway, Maiko’s also supposed to be plied, not single. I’ve bought more in the interim (yes, even before UK Rav Day!) which has a different structure – 2 plies, evenly spun – but in colours that are closer to Cash Iroha, which is a single (not plied) yarn… So I don’t know what to think – and neither does anyone I’ve asked. It looks like it should be, but it’s not quite right… There’s only a few ‘solid’ Noro ranges, and the colours I’m finding are oh so close – but the weight and the construction is wrong, even for discontinued colours. Quality control reject? Pre-production run that didn’t get past the design stage? Did someone hit the saki too hard at the office party, and do the yarn factory equivalent of photocopying their bum? Or is it something completely different, that just happens to bear certain remarkable similarities? Employees trying to make a bit of extra cash on the side? Industrial espionage? Wool piracy?

Akk. I’m not used to putting in this much detective work and getting nowhere. Answers on a postcard?

TTFNK

* I was rushed to hospital with a suspected heart attack in May! It wasn’t – I have the heart of a GOD – but the health insurance policy gave me some free money for the two-day stay in hospital, which was my UK Rav budget…

I’ve been having a go at dyeing wool, using Kool-Aid (right, top) and food colouring and vinegar (right, bottom). I have loads of undyed 4ply which I am probably never going to use up otherwise. The plan is to double-ply it and knit and full (felt) myself a bag. I love Clarice Cliff so I just had to get a copy of Melinda Coss’s Art Deco Knits when it came up on eBay. I’ve had it for a while but the designs are so 80s that I’ll never knit anything from it. However, it would be a pity not to make something. So I thought bags. The first one with be a straightforward knit-up of a sleeve, but if/when I do more, I might try to mimic the shapes of Clarice Cliff’s pottery as well.

I wound off approximately 2oz (50g), skeined it on the back of a chair and tied it loosely with waste acrylic yarn. I washed it in cool water with a little liquid soap, making up the dye bath while it soaked briefly. The Kool-Aid dye bath consisted of 2 sachets dissolved with cool water, in a microwaveable pot (I used a soon-for-the-bin micro pressure cooker) – except for the purple (top, far right) for which I used 4 sachets. The food-colouring dye bath was approximately half a bottle (20ml) of Supercook food-colouring and a good glug of Sarson’s Distilled White Vinegar, in cool water. I didn’t bother rinsing the wool clear of the soap – I read somewhere that it actually might help the dyeing process – and lowered it into the dye bath, adding more water to make sure it was completely covered. A good shuggle of the pot to mix it up, then into the microwave for 2-minute bursts – mine has a default setting of 750W – with 2mins rest between, when I poked it a bit with a whisk to keep it under the bath. For most, the dye bath was clear after about 4 or 5 bursts like this. I then left the wool in the depleted dye bath overnight to cool, though it only needs to reach room temperature. I washed the wool gently in cool water to remove any excess dye, and left it to dry on a radiator. I’ve double plied two already into pullcakes with my Daruma Home Twister (left).

The results of the dyeing were overall pretty fabulous, even if I do tootle me own flute. The colours on the whole are clear and vibrant, and I’m particularly pleased with the good, dense black, which I really didn’t think would come out well at all. Instead, it’s about the best of the bunch, much better than the pic shows. The food-colouring green is lovely too – a nice strong organic sagey colour. I’m very fond of the Kool-Aid turquoise (second from left), and the red (second from right) is lovely and pure too. The food-colouring blue is a huge disappointment though, all patchy. It was my first attempt at food-colouring dye: on some advice from tinterwebs, I soaked it overnight in the dye bath before zapping it. Damn you, tinterwebs! Once more you bring me wrongness! It was actually worse than it looks now: I cooled it, added more blue and, in a fit of poorly-remembered colour-theory madness, a splash of red and zapped it again. It’s better, but it suffers from the madd colorz yet, poor fluff. Saying this, I could probably whip up a bidding frenzy of Wollmeisian proportions on Etsy with the foul stuff. Many’s the fool would promise me their firstborn* for it…

Next time, I will make sure to loosen up the strands within the skein, and tie them VERY VERY LOOSELY indeed. So loosely indeed that they were virtually UN-tied. Even though I thought I’d got them loose enough, they still affected the dye penetration on the first batch. It doesn’t matter much, since I’ll be using them double-plied and then felting.

Other craftiness: a forgotten pair of socks. Sue me. How many pairs have I done? These are claret, ribbed in the leg and down the top of the foot. And another pair, 5-row stripes in red and navy blue. And yet another: Tiny husband’s Regia Bamboo socks are finally finished. And as if that wasn’t enough, a dinky pair of ankle socks for Ickle Baby Cthulhu from the left-over Bamboo. The photos are crap. Don’t know what’s wrong with the camera.

I also made myself a fake Fair Isle tam. Not that I couldn’t make a real one, but I saw the patterns and thought “Oooh!” and “An excuse to use some of that variegated Teddy Picasso** in the camouflage colourway that I unaccountably like so much, without people necessarily catching me out being hypocritical”. So I went at it like a demented thing, so maddened by the promise of fiendish skultammery goodness that I didn’t check stitch counts or anything, finished it in 24hrs – and promptly lost it to the offspring. Seriously. I spend ages working out significant and meaningful Aran symbols for a tam for him, and he won’t touch it. I risk my mental health at the eight legs of monstrous yarn worshippers to make him a Spiderman hat that lies despised and cobwebbed in a corner until I give it to his friend Harryweb. Not to mention all the unbelievably cute little hats for which I don’t even have photos, because they got chucked out of the pram! But let me even day-dream about a hat for someone else – TH’s BS Johnson, my fake Isle tam, his Spiderman hat now that it’s Harryweb’s… – and he WANTS IT NOW. The bottom two pics are his response to mild suggestions that he give Mommy back her special hat.

“Ye can tak awa ma dignity, but ye’ll nivver tak ma tam!!!”.***

TTFNK

P.S. I treated myself to a spinning workshop for my birthday!! Now, once I get a proper spindle…

* – What, precisely, is the attraction of the firstborn? Why does everyone want them? Why the elaborate schemes to get their mitts on them? I say this as a firstborn myself. Though perhaps the fact that no cannibalistic witches/wrathful gods/strange little spinning men wanted me makes me bitter. And envious.

** – This is the DK version of the chunky Teddy Colourama for IBC’s ‘special jacket‘.

Yet another pair of socks for my mightily hoofed offspring. Ye gods I am bored with this sock business. The only thing they have going for them is that they are handy bus projects for my 10-minute commute. But I shall persevere until he has a reasonable supply – by which time he’ll probably need bigger socks – because today, for the first time EVAR, he has been willing, nay, demanding to wear something I’ve made him – yes, these socks. Ripped from my hands as I tried to finish weaving in the ends, which is nice because it’s not my favourite task, with shouts of “Mommy, put a socks on!” Guess they won’t get blocked for a while then. He pootled around the house until bedtime, when he adamantly refused to have them taken off. Half an hour after we put him to bed, I looked in on him. He was sitting on the floor, facing the window, chatting to his socks…Again based on the Lion Brand pattern but modified for gauge as described previously, these are the Fibonacci socks I mentioned. So what’s Fibonacci when it’s at home? Well, HE discovered a sequence of numbers where each number is the sum of the two preceding numbers, hence 0,1,1,2,3,5,8,13,21, etc. So what? So, most flowers have a ‘Fibonacci’ number of petals. Fibonacci numbers also show up in the shapes of coastlines and clouds and other natural phenomena. Also, if you divide each number by the previous number, you get a result that is very close to the Golden Number/Section/Phi/Divine Proportion (1.618), whereby all sorts of The Weird And The Wonderful… ~Cue Twilight Zone music~. It’s all terribly amazing until you realise that mathematics exists to describe the universe. So it’s not exactly surprising when the universe just happens to conform with the maths, is it?

It is a little sad that this glorious stuff is too complicated to explain to kids who think maths is boring.

I have also – in two days! – completed a Valkyrie helmet for my cousin’s daughter Anna, who is a cute chubby little Brunhilde. It’s based on a Viking Girl Hat I saw on Ravelry. However the thought of forking over $24.50 for a kit had the predictable effect on my bowels, so I reverse-engineered it from the photos. I couldn’t tell for sure if there were horns or wings on it in the photos, but as a Viking re-enactor, I couldn’t in conscience put horns on it so wings they are.

I wanted a smooth, helm-like shape with no obvious decreases. To get this, I phase-shifted the decreases on each round (i.e., starting at the 1st stitch on one dec round, and on the 7th, 5th, 3rd stitch on the alternate dec round). The plaits are i-corded, though I thought about French-knitting them. In the end, though, I had the dpns in my hand, but the bobbins were somewhere in my knitting boxes…

(Modelled by my vintage fully-working Oopsie Daisy, with original outfit, for those interested in such things.)