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What? That's completely different. Saying that the recording sessions *sound* (I know you didn't even say sound; you said look) different from this Edition of the score is not at all the same as saying the *cue sheets* of the recording sessions look different from this track list. (And I thought you were implying the former.)

Well, of course they do. You can't expect that he had the official cue sheets when he made his Blu-Ray rip, and besides, it is a really stupid idea to name the tracks in a Blu-Ray or DVD rip after the official track names.

That's good for you that you have all the cue sheets for it but you sure could have worded that previous post a lot better.

Hybrid Soldier

2012-05-18 19:11:17

Using "look" was not innocent indeed.

Mr. Charles

2012-05-19 03:28:38

I have a 66 track version. It's a combination of Metrotokyo's Blu-ray rip and a few other sources. Hybrid, I'm sure the real sessions look nothing like that tracklist that was posted.

I am very happy and content with what I have for TRON: Legacy, but the sessions would be nice, one day...

In the meantime, I have what I consider to be the most complete version of the score - it clocks in at 2 & 1/2 hrs

Has anyone noticed how the very beginning of Disc Wars sounds like that cue in Transformers? You can hear it when Sam asks the cop "are you on drugs?" and then it cuts to Lennox and Epps in Qatar. I do know that Hans did add a little touch on this, so maybe that's why.

Isn't Father & Son or at least a portion of it used immediately after The Grid also? There's definitely a piano rendition of the main theme at that point, and no one has listed a "missing track" for that scene.

hah, who said anything about a notebook and pencil? It was memory and only memory.

If I find a score enjoyable/beautiful, I will listen to it routinely. TRON:L has been playing regularly on my car stereo since mid-November. I had plenty of time to ~mentally absorb~ each composition. So, recognizing each track during the film wasn't difficult at all. The correct ordering however was tricky, since many of the pieces are repeated and/or blended.

It's all about the flow of compositions for me. I don't see scores as 'only' an aid to a film's narrative. A score can also be it's own narrative if successfully executed... this is where the order matters, in my opinion.

Anywho, please excuse my OCDness with the track order, but the tracklist I submitted below is incorrect/outdated/etc.

I haven't played MW2 - I heard it's so called 'scenario' is a joke, so i said no. MoH has coherent, emotional story and decent multi, so I think EA game is a better choice. Also when it comes to music. Djawadi did much better job with MoH then 'Hans and co.' in MW2. Check YouTube and then decide.

Yeah probably they're very good compsosers but not at the level of Zimmer or God Williams, but i hope the Djawadi will show us that he could do better and more better.Anyway writing MoH you remembered me a thing. I've the PS3 but no war games because i usually don't love them too much (i've only COD.MW2 demo); but recently i knew that MW2 score is from Hans Zimmer and MoH, do you suggest me to buy them, at least for the score??

Definitely James Newton Howard - best guy in business nowadays. Shore is a very good composer also (LOTR or Departed - love that score), but IMO it's a different league.

Djawadi - i liked Iron Man, PB theme is nice, Clash is below average (no fantasy in it, you don't feel that this is ancient 'history') and beautiful MoH. Haven't seen FlashForward though so I can't tell anything about that. He could be very good, but i don't think he will reach Powell's level. Or HGW. But who knows... World needs good composers:)

I agree with the marketing thing. In fact i saw the film only once and usually i do get away with one watch -excluding some particular case, like "The Dark Knight" that i saw it twice at cinema because i went it again not only because i loved it but also because i re-watched it with a friend of mine who hadn't seen it- and specially if in 3D!! (other marketing way to make money that not always works)But i don't totally agree with the 3 best composers....considered that Williams is my God and always He will be it, and also considering Zimmer as a living genius i will specify the "Howard" that you said in two genius: James Newton H. and H. Shore, an other great man, genius and composer.Finally we didn't mention the emergin genius! Hans Zimmer's pupil!! Ramin Djawadi!!!A guy that did not only give a soul to the Iron Man movie, but also did the best TV series scores....

P.S. Hope to listen him in a new series of Flash Forward, i want it back!!!!! HANS DO SOMETHING TO HELP YOUR PUPIL MAKING THIS SERIES SCORE FOR OTHER 7 TIMES, PLEASE!!!!

Seriously, maybe some people could judge you totally crazy fro doing something like listing all tracks in order of listening or get every track is possible, but not me. Because i know how do you feel it. Because i know that a really good soundtrack joining a beautiful movie's atmosphere -like Tron- is one of the best joy given by life. And maybe it's for this that every movie that i really loved has a great soundtrack (like many Hans Zimmer's works and most of John Williams).Love (for the music),Sergio.

P.S.John your music will be always te best of the world...ooops this is Hans Zimmer(2nd)'s site,sorry... =D

I've never been in cinema twice on the same movie. Don't want to destroy first impression - better wait for DVD. But seriously - I respect people that are able to find even 10 seconds of particular song in a movie. Nice.

Maybe one of them is the music used in the final trailer (the 3rd one). It starts when the Disney logo comes up and then you hear it again when the title comes up at the end. It sounds like a horn. I really really want it.