WAVO's Head of Business Development Alex Bonavia joins this episode to discuss the new marketing paradigm in the music industry that treats artists as de facto brands and media properties, independent of any song or album cycles. What are the implications of being able to "subscribe" to an artist long-term, instead of just streaming their music? Why does seemingly every music company with some kind of brand cachet want to start a joint venture with a record label? Why are creative directors for artists more in-demand today than ever? And how can data analytics help artists and their teams land better deals and make smarter decisions in this new landscape? After answering these and many other questions, we discuss some of the buzziest recent industry news—including Sylvia Rhone's promotion to Chairman/CEO of Epic Records, and reflections on Beyoncé's Netflix doc "Homecoming" and her decision to make "Lemonade" available beyond Tidal.

DJ-rapper-producer Kero One joins this episode to break down the past, present and future of lo-fi hip-hop—from the perspective of an artist who has been making music for almost two decades, but became associated with the "lo-fi" scene only recently after the genre's solidification in the mainstream. We dive into the deep ties among lo-fi hip-hop, jazz and Asian culture, the positioning of lo-fi as an alternative to trap, the role of technology in evolving who gets to participate in the lo-fi resurgence and the reasons why Kero hates the term "study beats." Towards the end, we share our thoughts on Lil Nas X and the infiltration of K-pop groups like BLACKPINK and BTS into traditional U.S. media.