Albright, Daniel, ed. Modernism and Music: An Anthology of Sources. Chicago: University of Chicago Press, 2004 (includes English translations of "Verschiebungen in der musikalischen Produktion" and an excerpt from "Die Oper--wohin?").

Carpenter, Teresa, ed. New York Diaries 1609-2009. New York: Modern Library, 2012 (includes journal entries from January 10, February 6, and February 7, 1950).

B., R.C. "Kurt Weill Has Secured Niche of His Own at 35: He's Visiting Here in the Interest of His Incidental Music to 'The Eternal Road'--Explains Role of Jazz," New York World Telegram, December 21, 1935. [full text]

Smith, Warren Storey. "Music of Kurt Weill Called Unusual: Composer, Who Contributed the Score to the Current Musical Comedy, "One Touch of Venus," Is a Refugee With Fine Record of Achievement," Boston Sunday Post, September 26, 1943. [full text]

Williams, Stephen. "Saxophones and Tunes in this Operetta," The Evening Standard, June 27, 1935. [full text]

CONTENTS: "Brecht's narration for a concert version of Die Dreigroschenoper"; "'Matters of intellectual property': the sources and genesis of Die Dreigroschenoper" by Stephen Hinton; "The première and after" by Stephen Hinton; "The Threepenny opera in America" by Kim H. Kowalke; "The Threepenny opera" by Bertolt Brecht; Correspondence concerning The Threepenny opera between Hans Heinsheimer and Kurt Weill; "The Threepenny opera: a Berlin burlesque" by the Berlin correspondent of The Times; "The Threepenny opera" by Theodor Wiesengrund-Adorno; "The Threepenny opera" by Ernst Bloch; "Three-groats opera" by Eric Blom; "L'opéra de quat'sous" by Walter Benjamin; "The Threepenny opera" by Hans Keller; "Motifs, tags, and related matters" by David Drew; "The Dreigroschen sound" by Geoffrey Abbott; "Misunderstanding The Threepenny opera" by Stephen Hinton.

CONTENTS: CONTENTS: "Looking Back: Toward a New Orpheus" by Kim H. Kowalke; "Creating a Public, Addressing a Market: Kurt Weill and Universal Edition" by Christopher Hailey; "Kleinkunst and Küchenlied in the Socio-Musical World of Kurt Weill" by Alexander L. Ringer; "Kurt Weill's Operatic Reform and its Context" by John Rockwell; "Weill: Neue Sachlichkeit, Surrealism, and Gebrauchsmusik" by Stephen Hinton; "Der Zar lässt sich photographieren: Weill and Comic Opera" by Susan C. Cook; "Crossing the Cusp: The Schoenberg Connection" by Alan Chapman; "Music as Metaphor: Aspects of Der Silbersee" by Ian Kemp; "Weill and Berg: Lulu as Epic Opera" by Douglas Jarman; "Most Unpleasant Things with The Threepenny Opera: Weill, Brecht, and Money" by John Fuegi; "'Suiting the Action to the Word': Some Observations on Gestus and Gestische Musik" by Michael Morley; "The Genesis of Die sieben Todsünden" by Ronald K. Shull; "Reflections on the Last Years: Der Kuhhandel as a Key Work" by David Drew; "The Road to The Eternal Road" by Guy Stern; "Weill in America: The Problem of Revival" by Matthew Scott; "Musical Dialects in Down in the Valley" by John Graziano; "Street Scene and the Enigma of Broadway Opera" by Larry Stempel; "Chronology of Weill's Life and Works" by David Farneth.