Brian Tarsis is a talented and extremely versatile US artist who is from the early 1980s in the business. In the bondage and S & M scenes his works are well known.

The first bondage, S & M-illustrations created in 1983. More than pretty badly he talked with contract work on water, inter alia, to be on the side to be able to finance his training as a commercial artist.

Since Tarsis already “childhood” drew of like scruffy pictures, and he found that were published in his time no good BDSM drawings in various publications, he strode unceremoniously itself into action and applied in connection with any hip magazines with its Work. Despite all the unimaginative nonsense that was in the 70s and 80s in the “bondage shelves” was Tarsis a publisher who supported his first efforts to quality.
Thus arose in 1984 first work for a bondage magazine of Harmony. The cooperation with the publishing house opened more doors to him. Soon he was able to get a taste as editor and art director of three magazines in other areas of the house such. As video production and photo shoot. Incidentally and “necessity”, he acquired as photography, video editing and “make ropes in bondage style of”. After successful 3 1/2 years at Harmony moved to Tarshish H.O.M. There he learned the video industry know and turned around 150 video films for “London Video”.

1994 returned Tarsis back to the drawing board and produced albums and comics for Eros Comix and B & D Pleasures. It emerged, inter alia, “City of Dreams” and “Daphne”. After years in which he produced for others and worked, Brian is now his “own man” and adds from his home base in Seattle, the “BDSM-world”.

Its publication Valeria convinces in all respects. A fantasy S & M bondage story the appearance and content his talent reflects. Unfortunately, the album was released only in black and white printing.

Because of its working life abwechlungsreichen Tarsis has a trained eye for mood and ambience, a mature Technique and an outstanding imagery. The S & M enthusiasts it remains nothing guilty and presented his stories with sharp hardcore scenes. Tarsis moves despite the S & M-thread under and treat “cartoon characters” with respect. Even if it is “sometimes painful for the players,” Tarsis is never exaggerated brutal; otherwise as some “colleagues” from the Internet scene. In his stories bondage and S & M still remains a pleasurable, painful game between the sexes.

According to its website Tarsis has resigned abandoned because his works were a thousand times illegally copied and distributed on the Internet, without which he has also seen a dime.

Horacio Altuna (born November 24, 1941) is an Argentine comics artist. Very young, Altuna has a passion for drawing. It is the student’s Gianni Dalfiume, who encouraged him to take a serious interest in comics. His line is both realistic and cartoonish. In the world of erotic comics, he attended through publications in Playboy magazine, he recalls Milo Manara, with more humor. Since 1982 he lives and works in Spain. In 1986, he received the Yellow Kid. Horacio Altuna now lives in Sitges, Barcelona. He is married and has three children. Born in Córdoba, Altuna made his debut in the comics world in 1965 for publisher Editorial Columbia. His first characters were Titan, a Superman-like superhero, Kabul de Bengala (1971, written by Héctor Germán Oesterheld and Armando Fernández among others), Big Norman, Hilario Corvalán and others.

From 1973 to 1976 Altuna collaborated with Fleetway, Ediciones Record, Charlton Comics, Playboy and the French Les Humanoïdes Associés.

In July 1975, in the daily newspaper El Clarín, Altuna with writer Carlos Trillo created the journalist character Hugo Chávez, best known as El loco Chavez, one of the Argentine most popular comics strips. Also with Trillo Altuna has drawn the series Charlie Moon and Las puertitas del señor López.

In 1982 Altuna moved to Sitges, Spain, drawing stories for the Editorial Toutain and short erotic stories for Playboy. As of February 2005, he has published the comic strip Familia Tipo in the newspaper El Periódico.

Self-taught artist Horacio Altuna made his debut in Argentina in 1965. He began a longtime collaboration with the publishing house Colomba in Buenos Aires in 1967, where he co-created characters like ‘Big Norman’ (with writer Robin Wood), ‘Hilario Corvalan’ (with Sergio Almendre), ‘Los Cuzados’ and ‘Kabul’ (with Hector German Oesterheld). In addition, he worked for the publishers Quinterno, Abril and Atlantida, as well as the Fleetway group in London. In 1975, he created the series ‘El Loco Chavez’ with the writer Carlos Trillo in the daily Clarin. The strip was a huge success, and was adapted for TV and published in Spain and France.

Altuna became secretary of the Argentinean Comic Association and taught graphics at the School of Arts in Buenos Aires. In 1982, he moved to Spain, where he got assiciated with Josep Toutain’s agency. He contributed to magazines like Zona 84, Comix Internacional, Cimoc and Play Boy.Already a master of black and white techniques, he devoted himself to stories in color, like ‘Ficcionario’, ‘Tragaperas’, ‘Merdichensky’ and ‘Charlie Moon’, which were published all over Europe. In 1986, he drew the political fiction ‘Chances’ in Pilote et Charlie, and received the ‘Yellow Kid Award for the Best Illustrator’ from the International Comics Salon in Lucca. In the 1990s, he produced several albums published by Toutain (‘Charlie Moon’), Les Humanoïdes Associés (‘Noëls Fripons’, ‘Douce Randonnée’) and Titanic (‘Voyeur’).

From 1993, he was present in Co & Co, a new adult monthly of Ediciones B, for which he conceived ‘Hot L.A.’. He specialized short erotic stories, which were published in most of the European editions of Playboy magazine. While his main focus in the 1990s were erotic comics, he also produced the family comic ‘Familia Tipo’ in El Periódico and later in the Argentine daily El Nene Montano. A talented realistic comic artist, Altuna has made many innovations in traditional comic layout, experimenting with the placement of his text balloons.

Altuna’s work as a complete author (writer/artist, except where noted) includes:

Xavier Duvet – erotic and pornographic comics creator, born in 1964 in Paris, is a French independent artist, registered at the House of artists as cartoonist and illustrator for advertising. Successively layout artist, graphic designer, art director, web designer, he worked for prestigious clients such as BBC, Casus Belli, Penthouse, Zippo company, textile industry, etc.
Besides advertisements and comics (mostly erotic and pornographic), it also carries logos, website design, posters, illustrations …
His hyper-realistic style is the result of a technique of painting with an airbrush. His comics drawn mostly in fetish, bdsm, femdom genres featuring unusual perverions and rough style.

Painter, graphic designer, artist, cartoonist and cartoons as well as musician, composer, writer and performer. Realistic and detailed drawings make the passionate cartoon sex in the porn comics of Bruno Coq more arousing than you can imagine.Luis García Gallo, said Coq (Toro, June 8, 1907 – Barcelona, ​​September 21, 2001), was a Spanish cartoonist.
He studied in Bilbao. His early work as an artist are in Spain and joined the political activity in the “Confederación Nacional del Trabajo” CNT, for example, the illustrations for the publication of “Vida y Muerte de Ramón Acín”, of ‘author anarchist Felipe Alaiz published in 1937 in Barcelona or the caricatures of “generalissimo” Francisco Franco in the newspaper La Tierra. After the war he spent time in concentration camps in France, where he assumed the nickname “Coq” (rooster) and remained in exile until 1973. Initially held jobs as a lumberjack in Varilhes, then in Paris, he returned to his work as a cartoonist and illustrator for the publisher Jours de France. He worked a lot in France as a draftsman, and its production was concentrated in humor strips for several magazines (Paris-Presse The Intransigeant, France-Soir). He also faced more complex stories with erotic background with sadomasochism as “Secretary” or the “Flora’s life”.

Paul Alazar is an artist who does BDSM art drawings, including some spanking art and comic stories. His drawings are adult F/F (female/female). His comix are very popular in US.
His career as a professional illustrator began after college. His taste for women in bizarre attire led him to super hero books, where the heroines dressed in wild clothing. The same can be said for his sci-fi book covers. Yet it was working for Friendship Studios that began Alazar’s deep involvement with erotic illustration.
During this time he also had the opportunity to illustrate a complete book, and also he was able to begin a professional custom art service. Over the years we were together Paul must has drawn close to a thousand personal requests.
Afterwards he concerned himself more with regular illustration, portrait and cover paintings while keeping a steady custom order clientele and also did some work for a number of well-known erotic publications.
Many times Paul Alazar has been asked how his drawings evolve. He tend to work from imagination, starting with a basic idea. It may be a certain situation, woman, position, etc., that sets the wheels in motion. He does a full size sketch, working out details, then he transfer onto Bristol Board (11” x 14”). The drawing is usually rendered in black Prismacolor, a wax pencil that seldom smears. If he need reference, he find a photo that is similar, or get his wife to pose.

“For me to speak of myself or my artwork I must focus on its most motivating element – WOMEN! Whether submissive or dominant, innocent or experienced, my insatiable urge to portray a beautiful woman permeates my life and my art. It’s what inspired me to become an artist, and it led me into the field of erotic illustration as well as comic book drawing and paperback-cover painting.
Growing up in the early 60’s provided me with many opportunities to see various erotic scenes on television. After watching these scenes I would often try to recreate them on paper (or enact it with a certain girl in the neighborhood). Fortunately I had a decent drawing ability, and soon found I could achieve a likeness of the actress as well. I took great care in obtaining accuracy of positions and angles. I also paid attention to her dress wear. High heeled shoes and knee-high boots, showing lots of leg are other special turn-ons to me.

In high school my notes from class were intermixed with sketches of various studies: girls in cheerleader uniforms, leg wear, footwear, etc. All were done from observation or memory. Guys who saw my drawings began to ask for drawings of certain girls or movie stars involved in various fantasy situations. It was an early version of the custom order business I’d later provide.”

Erich von Götha (aka „Erich von Gotha de la Rosière“) born in 1924 in London, UK, is the pseudonym of the British illustrator and comic book artist Robin Ray.[citation needed] Robin Ray has also worked under the pseudonyms Janssens, Baldur Grimm and Robbins. Robin Ray has gained fame with his erotic and above all sadomasochist content.[1] In the early 2000s he had a solo exhibition in the Mondo Bizzarro Gallery in Bologna titled Sweat Tears & Reflections.

Götha studied drawing and painting for four years at an art school and was first published in the 1980s with the English comic magazine Torrid. The Strips that appeared in the first 14 issues of Torrid were published later in the French magazines YES and Bédé Adult. He became famous as an artist with the works Contes à Rebours (for YES) and Crimes et Délits (the last work succeeding Georges Lévis). He also worked for various publishing companies for which he made book illustrations.

His most famous work is The Troubles of Janice set in the time of the Marquis de Sade appeared in four albums; the first album appeared at in 1980.

Von Göthas detail happy cartoon pictures are characterized by a high degree of recognition of what both the great physical similarity of the various female protagonists contribute to each other, as well as his technique of watercolor drawings, in which is often heightened with colored pencils or pastels and so the effect of large plasticity is achieved mainly of female curves.

The content of his works is often dyed sadomasochistic and can a realistic appearing by the realism of the drawing, be actually grotesque oversexed world (the women are always ready, the men always potent, all penises are at least 35 cm long either as pornography or any representation etc.). Key topics include desire, innocence, dominance, abuse, rape and subjugation that are encircled in a series of explicit, almost continuous, sexual activities.

The focus of his stories always have a young woman (“Janice”, “Emma McAlistair” in Fire Flower, “Twenty”, “Sophie”), the diverse sexual practices is delivered. For example, when Emma McAlistair in the history of The Fire Flower is doomed to be rehabilitated in a bizarre prison for the experimental treatment of delinquent girls, they discovered that the applied methods of discipline are not the ones they had expected – they are in fact decided perverse: The young woman looks mercy of permanent sexual abuse. While their minds are horrified by this chain of sexual scandals, her body reacts to the event with excitement. She begins to accept her fate and to enjoy everything that happens to her in prison.

For a long time prevented the British censor the publication of books Göthas in his home country. The first edition of his works was therefore in the 1990s in France on the market (for example, the albums ‘Les malheurs de Janice’ (The troubles of Janice), ‘tres speciale Prison’ (Very special prison), ‘Les curiosites perverse de Sophie’ (The education of Sophie), ‘Le reve de Cecile’ (The Dream of Cecilia)). In France and German language versions of the comics have arisen and been moved (the publisher of comic magazines Bédé Adult, Bédé X and X Bédé SM) of International Editions Magazine Press; from there runs the sales for the German-speaking countries. English-language editions appeared first in the US in Last Gasp Books and until 2006 in the United Kingdom at the Erotic Print Society.

Several works of Göthas are indexed in Germany: suffering of young Janice No. 4 was upon publication in the Federal Gazette No. 204 of 31 October 2002 and Sophie’s insatiable curiosity upon publication in the Federal Gazette No. 224 of 30 November 2002 indicated….

His stories are distinguished by a strong connotation sadomasochistic themes but especially for the character trait of the graph. The design of Kovacq, although extremely realistic appears in some sections even slightly caricatured. The characters represented then, while maintaining a clear and explicit figurative reference, appear characterized by highly developed sexual organs, almost allegorical. Kovacq also not ashamed to be “bad”, who, with his features disharmonious, helps to accentuate the sadomasochistic image that is represented. Generally his stories are based on a female protagonist who, against his will, is to suffer (and subsequently to partecitare) to situations that reach the limit of perversion. Perhaps the author shows us an underwater world, that although hesitates, or has existed, is ignored by most.

After studying applied arts in Paris, Bernard Dufossé began his career in advertising. In 1965 he began by working for various publications of Bonne Presse (later Bayard). In Record, he created ‘Nathalie’, a series he continued until 1974. He was present in Lisette with several stories about the texts of writers like Gendron, Guy Hempay and Henriette ROBITAILLIE. In 1966, he also collaborated with the Fleurus editions. There, he made various illustrations and short stories for Fripounet (‘Cap’tain Furybon), J2 Magazine (‘ Valentine ‘,’ Prisoners of Space ‘) and F1 (Frank Drago’, ‘Anna and Co. ‘). In 1976 Djin, Dufossé created the series of science fiction ‘Mémory’ on a text by Jean-Marie Nadaud. 2 years later, he launched ‘Tärhn, Prince of Stars’, a saga for which he both designs and scenarios. The series continued in Triolo from 1981 to 1986. Since 1972, Dufossé made various BD on texts by Serge Saint-Michel for both African magazines Kouakou and Calao, as for newspapers. Many of them were collected in albums in Segedo (‘Pass Cross’, ‘The African Ballad’, ‘The Two Princes’, ‘Aka and Drilling’, etc.). At the same time Dufossé publishes ‘Petunia’ in Lili-Aggie Magazine and the series ‘Famous Five’ on texts by Serge Rosenzweig Hachette. Moreover, it illustrates several comic and various illustrations for magazine advertisements Scouting. In 1995, he teamed with writer Patrick Cothias to create ‘Les Sanguinaires’ album released by Glénat.

Between 1979 and 1987 he published nine albums Glénat a series of science fiction, Tärhn, prince of the stars, which he signed scripts and drawings. In the 1980s, it shows four stories of the series “The Famous Five” (Le Club des Cinq) – according to the novels of Enid Blyton (d’Enid Blyton) – published in Le Journal de Mickey and albums in Hachette1. Engaged in scouting, he published the series La Patrouille des Mouflons in the journal Scouts and the Stone series and série Pierre (under the pseudonym Jek) in the Cubs journal (Louveteaux) and illustrates various educational resources. It is 1989-2001 Official illustrator Scouts of France, succeeding Pierre Joubert. In Editions of the Unicorn (la Licorne), he illustrated editions of books in the collection sign track, as well as unpublished novels 4.5.

Under the pseudonym of Hanz Kovacq, it also works in eroticism collaborating in the early 2000s to 6.1 Bédéadult review: he published two series in this register, Hilda and Diane de Grand Lieu, as well as the Album Beauties dociles.