Notes: The series opens with a single page of strip, showing a Transformer [later revealed to be Megatron from the Beast Wars] consulting Vector Sigma on the past of the Transformers. The profiles often stick closely to the original toy tech specs for a basic character.

Production Notes: Each page contains an image of the robot mode, and all official alt modes - Pretenders each have a second page, the first showing their shell, while Headmasters [and later, Targetmasters and Powermasters] also have images of their Nebulan partner. For Action Masters, the robot and companion are both pictured, with a picture of the companion's alt mode also. Each profile contains the character's function, motto, subgroup [if applicable], bio, weapons/abilities and weaknesses. All, some or none of these entries are sometimes drawn from the "datatracks" of another character.

Notes: This issue marks the first appearance of Meltdown, the Mini-Spies, Missile Master, Moonrock, Motorhead, Neutro, Oiler, Overflow, Overload, Over-Run, Phaser, Pipeline, Power Punch, the Powerdashers, Powerrun and Monstructor in an official Transformers comic.

Notes: This issue marks the first appearance of Takedown, Terror-Tread, Tracer, Tread Bolt, Treadshot, Trip-Up, Vanquish, Vroom and Wheelblaze in an official Transformers comic. Slapdash is in the wrong place.

I'm not going to bother with a run-down of the facts included therein, because as far as I'm concerned none of this is legitimate continuity, regardless of what Dreamwave have said to shift the book, until it's referred to in one of their story-driven series - much in the way that I view something mentioned in the original Marvel comics' stories as correct, even if it contradicts the Transformers Universe profiles.

The art is a mixture of new pieces and existing work from the Generation 1 and War Within series.

Series Review: A little light, to be honest. While it's nice to see lots of the "new" faces here, lots don't get more depth than the original tech specs gave them, and some of the more complex characters get very brief overviews. It's also alarming now often the phrase "Subject has no significant weaknesses" crops up - as it's generally for those not given overt weaknesses in their tech specs, it comes across as very lazy. The art, on the whole, is impressive, and scores more hits than misses. However, several alt modes look deformed [possibly for copyright reasons?], and there are some poor basic character models on show - using the toys as reference for the likes of Broadside, Air Raid and Carnivac just goes to show what a good job the Marvel team did reworking them in the 1980s. Several of the artists lean too far towards the Pat Lee deformed style of drawing though, and several of the poses are too dynamic for something like this - some twist so much
it's actually difficult to see parts of the robot - though the variance here is largely good, rather than just being the Marvel Transformers Universe with digital colouring.

The biggest problem, however, is the irritating ordering used. Some subgroups are placed together, which can make reading jarring, and off-the-shelf referencing frustrating. Some, on the other hand, aren't, like the Micromaster Patrols, and the Micromaster Combiners - the latter would have made more sense to run successively, though I myself would have preferred a straight A to Z listing. It's a shame, because Heli Bartman's basic page design is very striking and crisp.

Also, the last issue and a half is pretty poor. The "upgraded" characters could have been merged with the original profiles, especially given as most of the characteristics of them are very similar. And the final issue is a little asinine, laying out the history of the Transformers in a series of info-dumps. This would be restrictive to future storylines if it wasn't for the fact Dreamwave are just ignoring bits of it already... Vast chunks of it also read like anal retentive fanfic, too.

It's very much a coffee table book, rather than the definitive guide it should have been. The writing's not bad per se [though I do feel there should be a credit of some sort for Bob Budiansky...], just a little unimaginative, and the novelty of the third person "from the Datatracks of..." soon wears off. Maybe I was just expecting a consistent reference book, rather than something which owes a bit more to Image-style Sourcebooks, but this left me feeling rather empty.