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Summary Information

Abstract

The Barry Miles Papers contains correspondence, manuscripts, photographs, and
printed materials concerned with Miles' literary activities in the London
counterculture. Included are letters and manuscripts from William S. Burroughs and
Allen Ginsberg, among numerous others. This collection also includes material used
by Miles in the research and writing of his work
Ginsberg: A
Biography
as well as from his editorship of the annotated edition of
Ginsberg’s
Howl.

This collection has no restrictions.
This collection is located off-site. You will need to request this material at least two business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
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Description

Scope and Content

This collection is comprised of the correspondence and manuscripts (primarily of
others) obtained by Miles in his capacity as a bookseller at Better Books and Indica
Bookshop, little magazine publisher (The International
Times,Longhair
), and producer at Zapple Records from the
mid-1960s through the 1990s. Also included is material compiled by Miles during the
writing of Ginsberg: A Biography,
and the annotated
edition of Ginsberg’s Howl,
including multiple drafts
of these writings.

The bulk of the correspondence pertains to Miles’ publishing and bookselling efforts,
much of it from counterculture poets and writers. William S Burroughs and Allen
Ginsberg are the most voluminous of Mile’s correspondents. Also included are many
flyers and catalogues.

The manuscript holdings consist largely of poetry, although there are a number of
prose works by William S Burroughs. There are also a large number of Ginsberg
manuscripts.

The scholarly work of Miles himself are also found in this collection, primarily
drafts and research materials for Ginsberg: A
Biography,
and the annotated edition of Howl.
There are ten distinct versions of the former work, along with
handwritten research notes, typed chronologies and itineraries, and duplicate
Ginsberg correspondences and journals from university libraries and personal
collections. Included are ten boxes of cassette tapes of Ginsberg readings,
lectures, and interviews.

This series contains correspondence related to Miles’ work as a publisher of the little magazines Longhair
and The International Times,
and as owner and manager of London’s Better Books and Indica Books. Most of the correspondents are writers and artists from the counterculture scene in the US and Britain.

The majority of the correspondents are represented by only one or two letters, primarily addressing business and promotional concerns. These are arranged alphabetically within “General Correspondence.” Because some of the correspondents are people of note, this finding aid includes a list of correspondents found within the “General Correspondents” folders.

Correspondents with a large volume of material have been filed individually, the largest of these being the correspondence of William S Burroughs, which is also available on microfilm in the Columbia University library catalogue.

Original flyers and catalogues for various little magazines, book publications, poetry readings, and musical events have also been placed within this series.

This series holds the manuscripts of writers associated with Miles and his various magazines (Long Hair
and Trees
), as well as his publishing, promotional, recording (at Zapple Records), and bookselling ventures. There are no manuscripts by Miles himself in this series, however, there are a considerable number of original manuscripts by William S Burroughs here.

Correspondence, as well as manuscripts and typescript drafts of poems by Allen Ginsberg, are included in this series. There can also be found a handwritten itinerary of one of Ginsberg’s reading tours, and Ginsberg’s rendition of his family tree that includes a sketch by Beat poet Gregory Corso. These materials have been organized alphabetically.

This series consists of materials related to Barry Miles’ biography of Allen Ginsberg. First, it includes ten distinct manuscript drafts of the biography itself, up to and including galleys and typeset drafts. Many of these drafts include handwritten notes and corrections. The sixth draft has extensive corrections by Ginsberg. There is also a draft of the revised edition of the biography. Additionally, a published copy of the first edition, signed and annotated throughout by Ginsberg, can be found.

The research materials are quite extensive, including typed chronologies of Ginsberg’s life, and itineraries of his various travels, as well as transcribed interviews with family and friends.

Audio recordings of interviews are also in this series, part of a 10-box collection of cassette tapes containing duplicates of tapes from Ginsberg’s personal collection. The cassette tapes are ordered according to Ginsberg’s own organizational schema when possible. Other audio material, such as Miles’ interviews with Ginsberg friends and family, are arranged alphabetically by interviewee.

There is also Miles’ detailed year-by-year chronological reconstruction of Ginsberg’s life, from 1943 to Ginsberg’s death in 1997. These files contain contemporary newspaper clippings; selected Ginsberg journal entries; letters regarding relevant details of Ginsberg’s life; writings by Ginsberg and others from the year specified; and studies of Ginsberg and the Beats relevant to that year. Within the folder ‘Year 1949’ can be found photocopies of Ginsberg’s early manuscript “The Fall.”

Nearly all of this material is photocopied. The duplicated material is dated, in the container list, by when the originals were produced; the photocopies themselves date from the 1980s, the period when Miles was writing the biography.

This series also contains extensive correspondence, some related to the publication of the biography, but mostly a collection of Ginsberg’s personal correspondence from the 1940s to the 1990s. As with the chronological material discussed above, this correspondence is almost exclusively photocopied Also found within this series are duplicates of Ginsberg’s journals from 1953 to 1980. Finally, this series contains a small collection of Ginsberg obituaries.

In 1986, Miles edited an annotated, facsimile edition of Ginsberg’s Howl.
In addition to a number of unpublished drafts, this series contains annotations, appendices, and other materials contained within the book. There are also photocopies of Ginsberg letters and correspondence between Miles and the book publishers.

Using the Collection

Access Restrictions

This collection is located off-site. You will need to request this material at least two business days in advance to use the collection in the Rare Book and Manuscript Library reading room.

Restrictions on Use

Single photocopies may be made for research purposes. Permission to publish material
from the collection must be requested from the Curator of Manuscripts/University
Archivist, Rare Book and Manuscript Library (RBML). The RBML approves permission to
publish that which it physically owns; the responsibility to secure copyright
permission rests with the patron.

Subject Headings

The subject headings listed below are found in this collection. Links below allow searches at Columbia University through the Archival Collections Portal and through CLIO, the catalog for Columbia University Libraries, as well as ArchiveGRID, a catalog that allows users to search the holdings of multiple research libraries and archives.

History / Biographical Note

Biographical Note

Barry Miles was born in 1943, in Cirencester, England. He
studied art at Cheltenham College of Art before moving to London and qualifying as
an art teacher.

Throughout the 1960s, Miles managed Better Books, a counterculture center located in
London, at which he staged performances and poetry readings of American poets,
helping to generate greater interest in American literary and arts movements within
Britain.

After Better Books was sold in 1965, and Miles, together with art critic John Dunbar
and musician Peter Asher, founded MAD Ltd. With the financial support of Paul
McCartney, they opened Indica Bookshop and Art Gallery in 1966, which continued to
host experimental poetry readings and avant-garde art shows. Miles remained
owner/manager of Indica until it closed in 1970.

Also around this time, Miles founded and edited a number of little magazines,
including Trees
and The Long
Hair Times
(also, sometimes, just Long
Hair
), magazines that specialized in publishing Beat poetry and other
avant-garde and experimental literature from the US and UK. The latter magazine was
the direct forerunner of the underground newspaper The
International Times
(later just IT
),
founded in 1966 by Miles, John “Hoppy” Hopkins, and Jim Haynes.

Miles became manager of Zapple Records in 1968, a subsidiary of the Beatles’ Apple
Records, which was intended as an outlet for spoken word and avant-garde records.
Only two records were released before Zapple folded in 1969.

Living in New York for much of the 1970s, Miles worked for Allen Ginsberg
catalogueing his tape archives and writing for New Musical Express. He later
returned to London to edit Time Out.

Since the 1970s, Miles has worked as a writer and biographer, and in 1989 he
published the first complete biography of Allen Ginsberg. He has also written
biographies of Paul McCartney, Frank Zappa, William S Burroughs, Jack Kerouac, and
Charles Bukowski, and the band Pink Floyd, as well as editing annotated editions of
Ginsberg’s Howl
and Burroughs’ Naked Lunch.
He has written extensively on the Sixties counterculture,
publishing the book Hippie
and an essay in I Want to Take You Higher: The Psychedelic Era,
1965-1969.