I like Aguado's version a lot, it differs a bit from the Meissonnier. Aguado was a friend and colleague of Sor's and from what I've read Sor did make alterations or improvise in concert, some pieces as time went on. I'm wondering if Aguado's version is based on changes that Sor himself played around with sometimes or in concert and Aguado published it? I also read that Sor & Aguado lived in the same hotel in Paris, performed some concerts together and Sor dedicated some pieces to Aguado. I'm not familiar with other simpler versions or altered versions. The Aguado version has almost no fingerings though, you pretty much need to figure that out on your own.

Its like if Mozart wrote for the guitar, he would have given us something in the style to this...But who needs Mozart when you have Sor! I like Aguado's version too but the origional is the best! Thanks for the Messionnier. I only read about this but have never seen it. What a treat! cant wait to play through it and see the differences from the Noad version i have. This piece is great because it SCREAMS classical all the way through. IT doesnt pretend to be anything but a very well structured and developed piece in the classical style. Thank you for this Mr. DELCAMP!

I wish to download the score but I can't yet, so hopefully my introduction will be approved. We're doing research on Grand Solo Op. 14, and I can't get that many versions of it, so hopefully this one is different from the rest.

EDIT (9/19/17): I was able to download it today. Thank you!

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Imagination is the key to success.