Sunday, April 11, 2010

Quite unfortunately, Apple removed a very useful feature in iTunes 9.1. Previously, it was possible to go to the Podcasts pane and bulk-select the entire podcast list, and in the context-menu, select “Allow Auto Delete”.

This was an important feature, as otherwise, podcasts with set to “Do Not Auto Delete” would stick around after refreshing my podcast feeds. Of course, I had already set in the iTunes preferences that I only wanted to keep unplayed podcasts, but iTunes had this extra un-Apple-like complication of overriding that setting on a per-file basis.

Anyways, as a stop-gap measure, I wrote an Automator service to delete played podcasts.

Thirdly, the “rule of thirds” was something I read somewhere, though I don’t recall exactly where. A bit of tinkering gave me some nice composition results. What was a cute, but bland photo of Harrison was made much better by cropping it such that he was centred on the intersection of the lower and right third dividers.http://www.flickr.com/photos/smithco/4463551035

Saturday, March 06, 2010

Only 20 more days until How To Train Your Dragon is out. As it will be my first theatrical credit, I’m getting excited.

While waiting, let's watch the trailer over and over again.

Of technical interest, the dragons were creating using the new character rigging technology DreamWorks has been developing for the last few years. The dragons were largely completed by the time I started at DreamWorks, but I did get to help fix a few bugs on them.

Wednesday, January 14, 2009

I was just at a technology demonstration at The Jim Henson Company, hosted by LA-SIGGRAPH and VES. They showed off the digital puppetry system used for Sid the Science Kid.

The evening was fantastically cool. The Jim Henson Company currently resides in Charlie Chaplin's studios. There is a lot of history at this location. And, all around the studio, especially in the reception, are amazing items from Henson productions. Unfortunately, I only had my iPhone, and could only take photos of the reception and exterior. The few decent photos I did get are on my Flickr page.

The picture above is from the reception. It is a highly detailed, life sized, replica of a Skeksis from The Dark Crystal. The reception also has all the awards earned by The Jim Henson Company, and a pair of Doozers were tucked above the reception desk.

The demonstration consisted of a few talks on the history of digital puppetry and then the live demonstration. A great surprise is that Brian Henson gave an unscheduled appearance to talk about his father's perspective on CGI. The live demo worked far better than I expected. Two puppeteers man a character, one for the voice and face controls and one in a motion capture suit. The performance in captured and rendered in to a CGI scene in real time. Thus, digital characters can interact with a live performance.

Afterwards, we got a short tour of the Creature Shop, where they make the puppets. They had both new and old puppets out on display and we got a short performance demonstration of a traditional rod puppet by Grant Baciocco. Among the puppets were some of the realistic animal animatronics, those used for Puppet Up! and some of the older puppets used in Dinosaurs and The Storyteller. It is a bit surreal to see the puppets from shows I grew up with.