News and updates on current Offaly History projects.

Fr Willie Cleary died after a short illness at Tullamore hospital on Sunday 19 July 2015 aged 80. He had been parish priest of Tullamore from December 1989 until his retirement from that post in September 2004. He was then transferred to Laytown as a curate and was serving there at the time of his death. His last days in Tullamore hospital were entirely appropriate in that while he loved his work and the people of Laytown it did seem to some that his heart was still in Tullamore and he liked nothing more than to meet friends from the parochial house ‘team’ both current and in the 1990s and call on some of the parishioners of his old parish that he knew well. Fr Willie was appointed parish priest of Tullamore of Tullamore in December 1989 in succession to Fr Pat Fallon who had carried the burden of building the new church following the fire in 1983. Fr Willie was a native of Rathwire/ Killucan and was ordained in Maynooth in 1959. After a short time on loan to Ossory diocese he spent 21 years in Mullingar of which 7 years was as parish administrator in what is the bishop’s parish. His work in Mullingar has been recently recalled in that town.

Banagher’s Cuba Court (now demolished) is said to date from the 1730s and may have been constructed by one George Frazer, a former Governor of Cuba and perhaps to a design of Sir Edward Lovett Pearce. The house was unroofed in 1946 because, like so many Irish houses, it was ruined by the policy on rates at the time. If the abolition of rates in 1977 was disastrous for the National Debt and local government at least, it may have contributed to the saving of many Irish houses.

Towards the end of the eighteenth century Cuba was the home of Denis Bowes Daly. Bowes Daly was a prominent member of the local ascendancy. Prior to his death in 1821 he had leased Cuba Court to the Army Medical Board as of 1804 on a 61-year lease. The building was but little used as a hospital and the Medical Board was quite happy to give it up to the Commissioners of Education for the purpose of the Royal School. In 1819 the school had some forty pupils. The then headmaster, Thomas Morris, was succeeded by Revd Alan Bell in 1822. Bell purchased the headmastership from Morris for £1,000.

Alan Bell was at the time master of a classical school in Downpatrick and was the son of a County Antrim farmer. He graduated from T.C.D. in 1814. One of his assistant teachers in the late 1830s was Arthur Nicholls, a nephew and a past pupil of Banagher school. Alan Bell died in 1839 and was succeeded by Revd James Hamilton. After a succession of school masters James Adamson Bell, son of Revd Alan Bell, was appointed in 1848 – at the age of 21. The later agreed, at an inquiry at Tullamore in 1855, that he had not the experience at the time to run the establishment. He graduated from T.C.D. with a B. A. in 1847 and in 1852 became a clergyman. The school improved under his management and had 36 pupils in 1852.

Arthur Bell Nicholls

Arthur Bell Nicholls was born of Scottish parents in County Antrim in 1818. He was orphaned early and subsequently brought up by his headmaster uncle in Banagher. He graduated from T.C.D. in 1844 and became curate of Haworth in 1845. It was at Haworth in the West Riding of Yorkshire that he met Charlotte Bronte, daughter of Patrick Bronte, a clergyman at Haworth. Charlotte was born in 1816 and at 31 published an extremely successful novel, Jane Eyre. Her sister, Emily, had earlier published Wuthering Heights. Bell was two years younger than Charlotte and was said to be very serious, almost grave, reserved religious young man of strong convictions – highly conscientious in the performance of his parish duties and narrow in his ideas. Phyllis Bently in her book The Brontes and their World described the marriage proposal and acceptance as follows:

‘For some time Charlotte had been uneasily aware of constraint and awkwardness in Nicholl’s behaviour in her presence, and when one evening in December 1852, just after the disappointing reception of Villette by George Smith, Nicholls on leaving Mr. Bronte’s study tapped on the parlour door, she guessed in a flash what was coming. But she had not realized how strong his feelings for her were. Pale, shaking from head to foot, speaking with difficulty in a low but vehement tone, Nicholls made her understand what this declaration meant to him. She asked if he had spoken to Mr. Bronte; he said, he dared not. She half led, half pushed him from the room, promising him an answer on the morrow, then went immediately to her father with news of the proposal. Mr. Bronte was furious. Charlotte’s own accounts of this courtship and eventual engagement, given in her letters to Ellen Nussey as it went along, could not be bettered in the finest novel in the world. Mr. Bronte’s jealous fury, expressing itself as snobbish resentment – a curate with £100 a year marry his famous daughter! Mr. Nicholl’s stubborn passion, which almost unseated his reason – he would not eat or drink; stayed shut up in his lodgings at the Browns’ (though he still took poor old Flossy out for walks); broke down in the Communion Service, while the village women sobbed around; was rude to a visiting Bishop; resigned his Haworth curacy and agreed to remain till Mr. Bronte found another curate; volunteered as a missionary to Australia but finally took a curacy at Kirk Smeaton, in the West Riding itself. Charlotte, exasperated by Nicholl’s lack of the qualities she desired in a husband, infuriated by her father’s ignoble objections to the match, conscious of the absence of alternatives. The villagers, torn between opposing parties – some say they would like to shoot Mr. Nicholls, but they gave him a gold watch as a parting present. What a tragic drama – or a roaring comedy, depending on its result. Love, coupled with Charlotte’s loneliness and Mr. Bronte’s dissatisfaction with his new curate, Mr. De Renzi, triumphed.

The only-known surviving portrait of Charlotte, Emily and Anne Bronte was painted by their brother Branwell in 1834 and then bought by the National Portrait Gallery in 1914 after it was rediscovered in Banagher. The painting is creased because it was discovered folded up on top of a cupboard in 1914 by the second wife of Charlotte’s husband.

The marriage took place at Haworth on 29 June, 1854, just 165 years ago. The honeymoon was in Ireland and if Bell was a poor unknown curate in England – in Banagher he was a member of a respectable family. In a letter quoted by Mrs. Gaskell in her book The Life of Charlotte Bronte, Charlotte wrote:

“My dear husband, too, appears in a new light in his own country. More than once I have had deep pleasure in hearing his praises on all sides. Some of the old servants and followers of the family tell me I am a most fortunate person; for that I have got one of the best gentlemen in the country . . . . I trust I feel thankful to God for having enabled me to make what seems a right choice; and I pray to be enabled to repay as I ought the affectionate devotion of a truthful, honourable man. “

Cuba Court about 1977

She noted of the school in Cuba House where she stayed while in Banagher: “It is very large and looks externally like a gentleman’s country seat – within most of the rooms are lofty and spacious, and some – the drawing room, dining room &c handsomely and commodiously furnished. The passages look desolate and bare – our bedroom, a great room of the ground floor, would have looked gloomy when we were shown into it but for the turf fire that was burning in the wide old chimney. “Mrs. Bentley felt in her biography that it was difficult to judge whether Charlotte was happy in her marriage. “We’ve been so happy,’ she murmured to her husband, and she spoke warmly of his care and affectionate company when she was ill. But to Ellen she wrote: ‘It is a solemn and strange and perilous thing for a woman to become a wife.’ At least she was no longer lonely, but alway occupied, always needed; she had a parish and two men to care for – ‘my time is not my own now’ – and knew the reality of sex.

In January 1855 Charlotte discovered she was pregnant. It was accompanied by severe illness and she died on 31 March 1855 probably killed by the same illness – consumption – that had killed her two sisters and her brother. The marriage was of short duration – no more than nine months. As to Mr. Nicholls he “remained faithfully with Mr. Bronte in Haworth for the six long years which remained of the old man’s life. He was a somewhat stern guardian of the bedridden invalid that Mr. Bronte rapidly became, and allowed himself a strong dislike to references to his wife’s fame, refusing, for example to baptize infants with the names of any of the Bronte family. Mr. Bronte, learning this, once baptized an infant in his bedroom from a water jug – a sufficient indication of the terms on which the two men stood. When Mr. Bronte died in 1861 Mr. Nicholls returned to Banagher, taking with him his wife’s portrait, her wedding dress (of which a copy has been made), some of Charlotte’s letters and other mementoes, including Mr. Bronte’s dog Plato and Martha Brown. He made a happy second marriage with his cousin, but did not forget Charlotte. Forty years later, when the critic Clement Shorter prepared to write Charlotte Bronte and Her Circle, he found at Banagher among other cherished relics two diary notes of Emily and Anne, in a tin box, and some of the minute childhood writings wrapped in newspaper at the bottom of a drawer.
The following report of the pictures he brought from Haworth appeared in 1914 in a local newspaper:

Banagher and Valuable Pictures
The Trustees of the National Portrait Gallery have purchased and placed in Room XXXVII a group and a single portrait of considerable personal value. The group represents the portraits of Charlotte Bronte and her two sisters Emily and “dear”, gentle Anne”; the single image is believed to be a long lost portrait of Emily, both pictures from the brush of the brother, Branwell, who was born a year later than Charlotte. The importance of the discovery is indicated also by the reference of the London daily papers. The Morning Post, from which the above extract is taken, says further:- “There seems to have been another group of the three sisters by Branwell. Mr. A. B. Nicholls took the picture with him to Ireland, and not caring much for the portraits of his wife, Charlotte, and Ann he cut them out of the canvas and destroyed them. He retained the portrait of Emily, however, and gave it Martha Brown, the Brontes servant, on one of her visits to Ireland. Martha took it back with her to Haworth, and from that date the fragment disappeared until recently rediscovered in the possession of the widow of Mr. Nicholls, and from her acquired for the National Portrait Gallery.

In order to ascertain particulars the editor of the King’s Co. Chronicle communicated with the Revd. J. J. Sherrard, B. D. , Banagher, wrote to the Chronicle on 7th March –

“The Rev. A. B. Nicholls, left an orphan at six, was practically adopted by Rev. A. Bell, Headmaster of Cuba School, which Mr. N. who was a relative, attended as a boy. He returned to Banagher after the death of Rev. P. Bronte, to whom he was curate in Yorkshire, and married Miss Bell, daughter of Rev. A. Bell. The pictures, two in number – one of the three sisters and one of Emily, were found wrapped in brown paper in a wardrobe a few weeks ago in the Hill House, Banagher, by Mrs. Nicholls, who sent them to Mr. Smith, of Smith and Elder, Publishers of Charlotte Bronte’s books, and were sold through him to the National Gallery. The enclosed cutting (from the Morning Post) is wrong in stating the picture given to Martha Brown was among these. It was not and is believed to be lost.

Banagher Church of Ireland where Bell Nicholls was buried

Subsequent to the publication of the above there appeared in the Morning Post a letter from James J. Sherrard of Banagher a letter dated March 8, 1914.” Sir,I have received a copy of the “Morning Post” containing an article animadverting on some information I had recently forwarded to the King’s County Chronicle with reference to the above. I may state that your account of the discovery, &c. , of the pictures – though not quite correct- was nearer the truth than any of the accounts I read in other newspapers. The facts are as follows: The pictures sent by Mrs. Nicholls to the National Gallery have been at The Hill House, Banagher, ever since they were brought there by the late Rev. A. B. Nicholls. The single one of Emily – cut out of a large portrait containing three sisters – was preserved by Mr. Nicholls. The rest of picture, with the portraits of his wife Charlotte and Anne, was handed to Martha Brown – who lived at The Hill House for upwards of eight years – not for preservation, but to be destroyed, and it is believed it was destroyed by her. I need not go into all the reasons for this action on the part of Mr. Nicholls. You see, therefore, that I was correct in saying that the picture of Emily forwarded to the National Gallery was never in Martha Brown’s possession, though I was mistaken in implying that Mr. Nicholls had ever given any portrait to Martha Brown. I have the above facts on the best living authority. Yours &c. “James J. Sherrard.

Banagher before the First World War

Charlotte Bronte and the Bell Family
Charlotte died in 1855 and her husband at Banagher in 1906. He had married his cousin and spent the last 45 years of his life there. Their writings place the three Bronte sisters on the highest eminence. Today their novels are read with the same avidity as marked their first publication, and promise to be perpetual. Charlotte’s, Jane Eyre, a romantic love story, met the public eye in 1847, and immediately had an immense circulation, which greatly relieved the straightened circumstances of the family, besides winning lasting fame for its author. Her two other principal works of fiction are known by the names Shirley and Villette, the former a tragedy appearing two years after the first, and at which time her brother and two sisters were dead. In both stories nearly all the people appear as living pictures of relatives and neighbours, and both secured a circulation surpassing expectation. Emily’s undying fame is due to her novel, Wuthering Heights, which saw the light in 1847, but she was not destined to reap the reward of her success as she expired in the course of another brief year, aged 30. The sister Anne’s novel, Agnes Grey, afforded another evidence of the almost evenly divided genius of the three immortal sisters.

Cuba School, Banagher, was one of the Royal educational institutions in Ireland, and ceased as such about 40 years ago, its last master under the endowment having been Mr. Joyce, who afterwards became a medical doctor. The school turned out not a few who rose to distinction in after life, one of these having been the late Sir William, father of Oscar Wilde.

HIll House, Banagher

Hill House, where Nicholls spent so many years, was sold to Major Bell in 1919. He died in 1944 and his wife inherited the property. Florence Bell died in 1959. It is now once again open to visitors who can enjoy its restored appearance and sense the history of a place connected in a curious way with the Bronte family.

What a marvel it must have been in Birr in the year 1851. The town and the country were barely emerging from the shocking catastrophe of Famine and the associated fevers and deaths. Emigration was everywhere and Irish towns presented a shocking appearance of want and degradation. The town’s historian, Thomas Lalor Cooke, had reflected on the quietness and lack of social life in the mid-1840s. Birr suffered many deaths, especially from fever in the late Famine years. Yet, a spirit of optimism was in the air and many improvements would follow in the 1850s including railroads, gas lighting and local government.

The flat countryside around Tullamore left a deep impression on the future writer’s mind. And when, 20 years later, he wrote an existentialist murder mystery called The Third Policemen, set mainly in a nether afterworld, he used Offaly as his model.

Flann O’Brien (1911-66) was the well-known Irish novelist and political commentator. He was born in County Tyrone as Brian O’Nolan and raised mostly in Dublin. The writer spent about four years in Tullamore where his father, Michael V. Nolan, worked with the Revenue keeping an eye to the duty or taxes to be collected on Tullamore whiskey when it was removed from the bonded warehouse. From 1940 until his death, Flann wrote a political column called ‘Cruiskeen Lawn’ for The Irish Times under the pseudonym of Myles na Gopaleen; his biting, satiric commentaries made him the conscience of the nation. As Flann O’Brien, he published three novels, At Swim-Two-Birds (1939), The Dalkey Archive (1964), and The Third Policeman (1967). He also published a play, Faustus Kelly (1943). The Third Policeman is now considered his best and it was possibly in Tullamore he got his poky and spooky ideas for this quirky book which after a struggle in the late 1930s was published in 1967 after his death. Continue reading →

Poor Law Unions from 1838
The development of local government institutions in County Offaly can be traced back to the mid-nineteenth century when poor law unions under boards of guardians were established at Roscrea, Birr, Mountmellick, Edenderry and Tullamore. Each union had its workhouse financed by the striking of a poor law rate. The board of guardians, most of whom were elected by the rate payers, were entrusted with the management of the workhouse, but subject to detailed control from a central authority, the poor law commissioners. Continue reading →

Columba, son of Eithne, daughter of Mac Naue, and Fedelmid mac Ferguso, is one of the most important Irish saints, and the strength of his saint’s cult in the centuries after his death on June 9th, 597 attests to this. Columba, or Colmcille, meaning the dove of the church, was born around 520 as a prominent member of the Cenél Conaill, This was a branch of the northern Uí Néill, a powerful dynastic grouping tracing its origins back to Niall of the Nine Hostages and based in north-western Ireland (Tír Chonaill takes its name from the Cenél Conaill). Columba’s influence extended into political matters as well as the religious sphere, but he is remembered as a monastic saint above all else. Like most early Irish saints, he was never formally canonised.

Banagher in 1820 from a drawing by George Petrie with the old bridge, barracks and mill.

Banagher, County Offaly has associations with two well-known writers of the nineteenth century – Anthony Trollope and Charlotte Bronte. Up to recent years nothing by way of notice of this was to be found in Banagher, but that has all changed as Banagher, now hard pressed along its main street, looks again to embrace tourism in a way that it did so well in the nineteenth century and in the 1960s. The rescue of Crank House was a great feat, but the challenges are growing.

Many have tackled Trollope’s Life, but none immersed himself so much in Banagher as the late James Pope Hennessy. John McCourt in his 2015 study of Trollope Writing the Frontier: Anthony Trollope between Britain and Ireland ‘offers an in-depth exploration of Trollope’s time in Ireland as a rising Post Office official, contextualising his considerable output of Irish novels and short stories and his ongoing interest in the country, its people, and its always complicated relationship with Britain’.

Ruth Baldesera is Quality Engineer at CAP Works, Newcastle, Tyne and Wear, where Sir Charles Parsons (1854-1931), son of the 3rd Earl of Rosse, founded his world famous engineering works. Sir Charles is best-known for inventing the steam turbine which revolutionised marine transportation and the mass production of electricity. Over the past few years Ruth has spearheaded a heritage project in Newcastle dedicated to the achievements of Sir Charles Parsons and in this article she outlines the scope and outcome of the project.

The Factory

Sir Charles Algernon Parsons “…the first Engineer to use a steam turbine to produce large amounts of power for electricity generation and driving ships”.

In 1889, Charles Parsons established C. A. Parsons & Company in Heaton, Newcastle, to produce turbo generators to his design. In the same year he set up the Newcastle and District Electric Lighting Company (DisCo) and in 1890, DisCo opened Forth Banks Power Station, the first power station in the world to generate electricity using steam turbo generators. Continue reading →

Tullamore is still to this day a vibrant and friendly Irish market town which has never lost sight of its commercial heritage. It’s one of the very few Irish towns that still preserves that friendly main street social-commercial atmosphere that I spoke about earlier. Today, The Bridge House is one of the largest town centre hotels in the midlands and it is really great to see the way that the modern owners show their appreciation of the past by maintaining the look and utility of the building facade.With Egan’s and Tullamore D.E.W.‘s combined influence still so visible in today’s town, surely it is only a matter of time before a whiskey savvy historian develops a Tullamore Town Whiskey Walking Tour. (Stuart McNamara in a recent blog on Egan’s whiskey).

Tullamore has its town guides and an app but, as yet, no whiskey trail. What with over 50,000 visitors to Tullamore DEW Old Bonded Warehouse every year it would be good to assist those visitors to see other parts of Tullamore connected with the story of Tullamore’s whiskey traditions. The commercial heritage of Tullamore is closely linked with the town’s malting, brewing and distilling history.

Henry Egan (1847-1919, was chair of Offaly County Council from 1899 to 1910. He died in 1919. He was succeeded in managing the business by his son Pat who was a TD for Laois Offaly in 1923-27, chair of Tullamore Urban District Council, 1915-24 and the county council 1928-34.

Henry Egan of The Hall (now the Tullamore Town Hall) died on 18 May 1919, one hundred years ago, and on 18 May 2019 his contribution to the economy and to public life in Tullamore will be marked with recollections of his life and times and the launching of a new brand of whiskey in the Egan Collection. The great firm of P. & H. Egan went into voluntary liquidation in 1968 having been in business in Tullamore and the midlands since 1852. Today it is still recalled as the great shop, grocery and department store in Bridge Street where the Bridge House pub, restaurant and hotel are now located. The heritage of the firm in grain handling, malting and wine, brewing and wine and spirits is today celebrated in its association with the new Irish whiskey. The two largest native firms in Tullamore up to the 1960s, Egan’s and Williams’, now have whiskeys associated with them that are known throughout the world. It is something that is distinctively Tullamore and it sends out the message that our midlands heritage counts and that Offaly people can be proud of the commercial heritage of Tullamore and the midlands in the post-Famine years of recovery and up to the 1960s.