~ Paper and Salt attempts to recreate and reinterpret dishes that iconic authors discuss in their letters, diaries and fiction. Part food and recipe blog, part historical discussion, part literary fangirl-ing.

Whenever I need to make idle chatter, talking about meals is generally a safe, friendly topic – unless that meal is brunch. I’m going to go out on a limb here and say that lunch and dinner are pretty universally well liked. And while the merits of breakfast have certainly been debated (despite being repeatedly chastised for not eating it, I somehow am still alive), brunch just gets people unusually riledup. For the anti-brunch lobbyist, the idea of forking over $20 for a couple of eggs leaves a bad taste in the mouth that no bottomless-mimosa deal can wash away.

But even the most dedicated day drinkers can’t hold a candle to John Cheever, whose brunches consisted of “a secret slug of whiskey at eleven … two martinis at noon.” In his journals, Cheever’s infamous struggle with alcoholism plays out in the endless litany of gin and tonics, martinis, and nightcaps that make up his daily menu, starting well before noon. Food is an afterthought, usually appearing sandwich form. “I work until one, when I eat my sandwiches and take a rest,” Cheever wrote of his daily routine, a schedule that looks very virtuous when the drinks are edited out.

It wasn’t until Cheever moved to Los Angeles in 1960, to adapt D.H. Lawrence’s The Lost Girl for the screen, that he began taking an interest in food – both as a way to stave off depression, and because it was all conveniently paid for by the studio. “I’d reach for the phone and order the most elaborate breakfast I could think of,” he told The Paris Review, “and then I’d try to make it to the shower before I hanged myself.”

For Cheever, a native New Englander, Hollywood didn’t have much going for it, except where sandwiches were concerned. He recounts in his letters the discovery of a new sandwich, like a rare and exotic bird: “For lunch Carl had something called a Monte Christo sandwich. This is made of three slices of French toast, turkery [sic] meat between the toast, the top sprinkled with powdered sugar and the whole cut into three sections, each looking like a Napoleon. This is eaten with a knife and fork. And this is my only life in Hollywood note for today.” For a sandwich aficionado at the time, this was a moment of revelation. It is also, I hesitate to add, an ideal morning meal after a long night of drink.