Tag Archives: Nat Lauzon

In the decade or so I’ve been writing about local media, I’ve met most of the people in local TV and radio, at least in passing. But until December, Nat Lauzon wasn’t one of those people. She has worked weekends since 2011, so that has a lot to do with it. In fact, the only photo I had of her was this one taken of her while she was on the Virgin float at the St. Patrick’s Parade in 2011.

Nat Lauzon in 2011.

Nevertheless, I’ve wanted to write about her for a bit, because of the ironic situation she faces, being a person who deals with audio for a living but is losing her hearing.

It didn’t take long to convince my newspaper that this was a good story, and the result is this article that appears in Thursday’s paper. It focuses almost exclusively on an area in Lauzon’s head that’s smaller than a grape (or, well, two grapes since there’s one on each side), but since I had the chance to sit down with her, we talked about a bunch of other stuff, too.

Dickie promised he won’t let her go unnoticed though, and said a marketing campaign featuring Lauzon will begin on Monday. Combined with the one-woman Lauzon marketing machine that is her mother, we expect people will be seeing that adorable face around over the next little while.

As previously reported, Lauzon left Virgin on good terms, mainly because she wanted to devote more time to her other passions, her freelance voice-over work and her Montreal Dog Blog. Dickie jumped at the chance to hire Lauzon when he learned of her desire for a part-time job, and though he said he’s spending far more on her than he planned to for a weekend DJ, he has absolutely no regrets about doing so.

Let her talk

UPDATE: I listened to Lauzon’s first show as I did errands on Saturday afternoon (why oh why did I choose then to do grocery shopping?), and I was struck with one thought: Why am I not hearing her talk?

I know there’s a difference between talk and music radio. And I know there’s a lot less talking during the day than during morning shows when you need to throw in news, weather, traffic and contests. But Lauzon’s on-air bits were short and infrequent. Maybe a minute and a half each hour.

I’m hardly one to complain that there’s too much music. But why spend money hiring someone like Lauzon for such little on-air exposure? I just don’t get it. (Now I do, see below.)

It made sense, but it was stopped after less than a year for the simple reason that Q92 was paying DiMonte a lot of money to talk for just six minutes a day. His connection to the Montreal audience is important, but if you’re going to hire him, have him actually work instead of just sitting around during non-stop music marathons.

Lauzon has far too much talent for the amount of airtime she has, if that first show is any indication. Hopefully The Beat can find a formula for it that allows Montrealers to hear her voice and appreciate her quirky sense of humour without making it feel like talk radio. Even just a few seconds between every couple of songs can go a long way toward making the audience feel like they’re listening to the music with someone.

UPDATE (Oct. 17): Lauzon responds to me thusly about her talk time: “[It] was my choice to keep it simple. Getting used to new software/equipment and I really wanted to just keep ‘er on the rails and keep it simple while I get my bearings. Things will widen up over time (that’s what she said).”

That’s good to hear. We need more time for crude jokes like that on weekend afternoons.

Dickie confirms Lauzon will get more airtime, saying we should expect to hear her voice on The Beat as much every hour as we heard her on CJFM.

I personally think there could have been a stronger first impression, maybe a better introduction on her first show, but having a soft launch instead of a hard one isn’t going to discourage people from listening to her.

It won’t get the same attention as Terry DiMonte, but another veteran Montreal radio personality is on the move. Nat Lauzon, who has been at CJFM since 1999 (though it seems like forever) is moving to CFQR to take over a weekend gig there.

The NDG Monitor, which peeved a lot of residents when owner Transcontinental changed its name to the West End Chronicle in 2001 (and thereby turning it into the West Island Chronicle’s little brother), is being reborn as The Monitor, serving the same west end community of NDG, Cote-St-Luc, Hampstead, Montreal West and neighbouring areas.