Tuesday, January 30, 2007

The father of all perfection in the whole world is here. Its force or power is entire if it be converted into Earth. Separate the Earth from the Fire, the subtle from the gross, sweetly with great industry. It ascends from the Earth to the Heavens and again it descends to the Earth and receives the force of things superior and inferior. By this means you shall have the glory of the whole world and thereby all obscurity shall fly from you. Its force is above all force, for it vanquishes every subtle thing and penetrates every solid thing. So was the world created. From this are and do come admirable adaptations, whereof the process is here in this. Hence am I called Hermes Trismegistus, having the three parts of the philosophy of the whole world. That which I have said of the operation of the Sun is accomplished and ended.Sir Isaac Newton-Translation of the Emerald Tablet

Again I open this blog post with the understanding that what an artist like Raphael may try to do? May include, much of the philosophy of the times, and have these things descriptively enclosing processes indicative of what they had known, but also of what these things could hide within the self.

In Man looking into Space, I wanted to show how casual our science has used these images and not realized the context to which the greater meaning had laid hidden, all the while it is used to "describe cosmology" and the science thereof.

A banner has been been written across these times to which scientists hold to all that is true. In this, the reasons to dismiss any implications of history assigned along side, is asking "what validation" can be given to anything that is spoken from our times now.

I went on in that post, "man looking into space," to explain something about the woodcuts. The art form produced, grabbed my thinking in relation to the "alchemical art forms" and grabs my thinking in regards to the "School of Athens picture."

I just wanted to say that the essence of this blog post is about "the arches," and I am moving toward that description, and what is happening when we take a picture of them. Look at the "design inherent" and "dynamics" as held to gravity in it's construction. Look at what it can signify in it's "internal expression" about our contact with the world around us. The bridging that it can signify.

I would apologize for leaving this post undone, while views pass by the essence of this post. I am indeed busy with life. So I wanted to clarify this push toward the internal dynamics, while speaking to the psychology of this work.

A scientist may side step this look, while quoting the hermetical values of what may be said by the previous first lady Hillary Clinton. In itself, an empty page, only leaves room for what had to be expressed if it was not gotten the first time? Her attempts at humour, are the attempts to break the "rigidity of the personality?"

The Psychology

Myths and metaphors, like dreams, are powerful tools that draw the listener, dreamer, or reader to a character, symbol, or situation, as if in recognition of something deeply known. Myth's bypass the mind's efforts to divorce information. They make an impression, are remembered, and nudge us to find out what they mean, accounting for the avid interest that Ring audiences have in the meaning of the story.1

Who has been so colourful in your journeys across the internet to include a wonderful language that takes you into this world of discovery of self? You had to know something about the "psychology of people" in order to give a story by nature, it's mythic description, and "most artful" to draw attention to what lies underneath.

The Alchemists attempted to perfect the One Thing of Hermes, what they called the First Matter, by using specific physical, psychological, and spiritual techniques that they describe in chemical terms and demonstrated in laboratory experiements. However, while the alchemists spoke in terms of chemcials, furaces , flasks, and beakers, they were really talking about the changes taking place within their own bodies, minds, and souls.2

Thus I have given two examples that I had promised sometime back to illustrate some of the "compelling work" that while ancient indeed, is not without it's efforts in todays world. It is the attempt to cross all boundaries, race, gender, and help one to recognize the diversity of the soul with out it's jacket. Shall we call your soul male or female, black or white?

So I am bypassing this, and that has been my message, while the efforts to climb out of the constraints that we have come to recognize within the boundaries of self. Are the realization of the diversity of "all souls" and their time in expression.

Shall we find the excuse to hold ourselves to the thoughts, that while overcoming, the constraints which still exist "within" had to be continually challenged? We have to break the "chains that bind us."

It probably seems that it is taking time to get to the essence of this post. IN order to get to the "psychological effect" that I am getting too it important to think of the images of these arches. It is about "each of us" and how we relate to the world. How, the "teacher and student" can exist within the same person.

I point to the Heaven's in the case of the "school of Athens, while Aristotle points to what is on Earth?" Shall we leave no doubt of the "physical things" while we understand that there are more ephemeral qualities to these matter states? That we move continuously between them?

The Inner/Outer World

The drawn of our focus is the external world, but, if we were to connect the internal world with that "external view" how shall we do that. How shall we describe the whole being in this exercise?

Part of this "exchange with reality," is that we can know by continually moving this information "through us" and creating "the space around us," we add to the total view "beyond what was apparent" with just the brain's condensible qualities in neurological display?

So given "this relationship" on what we can build within self, then what use all this knowledge if we cannot grow with it? What of Plato's and Aristotle, as figures within the "centre of" Raphael's painting. Their perspective, "as positions in relation too," the "questioning stance" about this "unity of the circle" in our exchange with reality?

So how would you exemplify "this exchange" with reality while "below the surface" all these "probable outcomes" are the manifestation of that which is real? You extend yourself "out there" while you also extend yourself inside? The "infinite regress," is to find oneself, with all that is "past" in front of you, can allow you to stand on what of, "the future" will pass through?

First Principle saids that you acknowledge your place in the scheme of things as you "stretch" the thinking of the mind? Increase the "neurological frontier" in those neurological connections? Increase, the fluttering of the egg's feature, of that condensible brain/body.

From here it would not be to unlikely that such dealings with the "reality of the world" would ask that we experiment and from such experiment, we learn the truth of the reality. While what the past is "in front" of us, to what goes beyond to it's future would be like asking the very nature of expression to manifest as this universe and laws of thermodynamics that the arrow of time only moves one way.

"The future" arises from within then? We'll move forward by what choices we make? About our conclusions, about reality?

That I could then give numbers and names to person's within the picture was equally exciting. I started to dissect parts of this picture quite a while back, opening of course with the "very centre of that painting." The labels supplied on this post entry should give links to farther posts about this.

Euclid belonged to the persuasion of Plato and was at home in this philosophy; and this is why he thought the goal of the Elements as a whole to be the construction of the so-called Platonic figures. (Proclus, ed. Friedlein, p. 68, tr. Morrow)

See here for larger version "with caption" that has been translated above.

Now the interesting thing about woodcuts and what was found in my research, had to do with how "alchemical texts" can embody the "psychological process" that lent itself to the display the evolution in humanities thoughts.

I will give an examples that have been retained by me, for understanding that allow me to speak on this. While I referred to the "enlightenment" and gave this answer above, I used it in context of how we see the cosmos now, given the understanding of the physics we are engaged in science.

While relativity was applied to the cosmos at large, now, quantumly defining the nature of this cosmos, is part of this achievement that I refer too in terms of enlightenment.

I refer to the psychological basis of what these woodcuts can mean from an early historical perspective. By studing methods used I came to learn of what this could mean "not from producing gold from lead" but of what this could mean in terms of applying ourselves and conducting our selves, as a commitment to being better human beings.

To say it is easy in knowing where to begin, is a understatement of what has been an enormous struggle to define the world around me. Indicative of the complications of how one may have seen this world in regards to the "views of a Synesthesist," would have taxed most "science minds" if they had "this inkling" of the complexity this brings to science. Think about what is implied here when one refers to "studying it all?"

So as I lay in the twilight hours of the mind's rest period, there are these things that I am asking of myself, as to how I may point to what is comparative in the "geometric views of science" and what is comparative to the views of that science in relation to examples given of the Synesthesist who sees from a certain position.

Again, my mind falls back in the history of humanities evolution and while the distinctiveness of sectors of that past history, it would not be unkind to draw from that history and present the question of what a Synesthesist might have seen in relation to the numbers?

I seen the above in relation to Lubos's post. It would be nice to offer the "equation correlations" to these "colour displays" in string theory?:)

Numbers

Are you quicker then I then to see that numbers may have had the colour attached to their very nature, that "all things" then my have had this basis of "music" and "colour association" thrown "into the mix/cross over points"" to call it the Pythagorean?

So imagine being strapped with the job to start from some place, and move any mind to consider the complexity of "departing euclidean views" to meld with the "non-euclidean reality" assigned our everyday species to "what is natural" from straight lines and such. Has now moved to a dynamical world of "Faraday lines" Gauss's role as "teacher of Gaussian Co-ordinates" to views of his student, "Riemann?"

Should one be so crude as to see that straight lines can have a "greater implication of design" that one would not have seen, had they not understood Gauss's work? That if you moved yourself to natures's domain, how many lines are really that straight?

Ask your self then what is natural and what was man-made? That these straight lines are indeed an order to mankind's "ode to building and living," while there are these "other worldly visions" supplied in the "non euclidean realm" existed free from man's definition of nature.

How foolish would I be then to tell you that "Heaven' Ephemeral Qualities," are coloured to the degrees that "gravity defines itself in time?" That "model building" had to take place, so that the understanding of where this gravity explains itself, could find correlations to humans experiencing "durations of time" within in the living of day to day.

Again I move one back to what this "egg of fluttering does" as of physiological consequent, as the correlations of those same colours manifest in the qualities of those same thought patterns. Those experiences mapped to MRI imaging are condensible features "in the physical" do not explain the "Ephemeral Quality" assigned to each of these regions. Had one knew how to switch around the "value of consciousness" to the condensible feature as brain matter, one would have known about the happenings taking place "outside" of our bodies.

It is here to then that I take from the "metaphysical realm" and bring it into the relations of what is happening in the physical brain. While history has shown groups who gathered to see what was happening, saw "human experiencing" as they went through these colour modes.

Every youth has their experiences in "growing up." Any youth is greatly influenced by the actions "back then/now" of "role models." Then it was like Timothy Leary below, who paved the way for some dramatic exposure to the underlying creative aspects of consciousness. "Freeing" of the focus of the mind. Influencing the "children of that time" as I look retrospect, as a mature father, husband and grandfather.

The reason this link of Bee's is of some significance to me, is because of a time with my elder brother. He was 4 years my senior, back around that time. The thought came to me when he proposed something that he was doing. He was young at the time, and I more so.

You are Free to Explore Without

Now, I have to fast forward here to what I know now, that I didn't know then. Why this "example given under the influence" is of some significance and what it means. IN "reputable hands" this kind of "LSD treatment," and I would be foolish to say that I would know the process, would have to be done under a experienced doctor of the trade. One might add here the same scenario to all situations of DR.'s who have put in their time? :)

I do not sanction this kind of access to "learning the depth of consciousness" that LSD seems to open, without an "experienced guiding hand." Reading of "Carlos Castaneda" of that time, will help to make this clear.

Mental hospital wards were evident then of the "freaking out cases" that had occurred to those who could not handle the "dramatic change in perception."

Now ,back to what I saw in the pictures as they developed through time, are what I saw in the diary of my brother. His writing, as he was "under the influence."

You must know, "brothers can idolize brothers older then them self." I was no exception and under his influence, I would say great care was not taken of his younger. I suspected his intelligence as he enter university, and his "own wanderings" that provoked thoughts about many things.

It was after his death while flying through the Montana mountains, with our cousin, and his ordeal with another two people, that I came into the possession of his diary. Now, I recalled our talks, and of this experiment that he had proposed. As to where this diary is now, I am scared to say, that it is with the papers "some place."

As I gaze through "his experiment" I must say that you had to be there, and if you had this sanity about you, then you would ask, "what connection is there to the reality you are writing or speaking?" Perhaps he was looking for the "gold, held in the secret of life," that by chance, could be gained from "there?" Where? "There," under the influence.

No "great words" and if I had thought that there would have been this picture revealed of "6 or 7," then I would have to say, "the wording" did not reach this interesting style.

So what are we doing when we find the situation "experimentally conducive" to offering a "deeper perspective" about the reality we live in? Are we providing "for a change" in how we have always thought? How we see differently, versus, the everyday reality we have become accustomed too?

So by "stretching the brain" we are doing much more then talking about the theoretics and the metrics. We are talking about "freeing one self" from the constraints that we have applied to ourselves in terms of, what we understand, and what we "can" understand.

If I were to say to you, that of "natural consequence" that we have assigned a "tonal perspective about life," then what would this look like? What would this mean? Surrounded by this "egg of consequence" may we see a dynamical fluttering of colors assigned to physiological happenings?

If one were to understand the "shifting of the tonal" then one might say this would indeed mean that the perspective has been changed from where it always "focused" to where the eyes rest in "new" theoretical terrain?

"Setting up" for new experiences, is about "experiencing life." The more you add, the more in terms of probabilites you have to draw from in terms of "correlating" experience. What you once read of this blog/book has now "new" meaning.

Over the past 35 years I have spent a considerable time doing my own research. Learning to express myself, has been very difficult to say the least.

It is while doing this research that things seem to "overlap" as I ventured forward and finding examples, as if "analogies in nature" has been the "metaphorical struggle" that I use in "word use and comparison."

Creating the Language

It has accumulated from that research and integration within myself. So it is like creating and learning a "new language," while most of the time I come across as not being understood. That has been "my struggle" to get people "to see" what I am seeing? I don't get "images" in my head, but the accumulation of everything has been transposed into the way I express myself here in this blog.

If I may by example give here "the idea of perfecting the self" in regards to Sir Isaac Newton. If he were to have been a alchemist, and persevered in his "psychological struggles," then what form would all his "struggles in self" have exemplified, if he "accomplished those parts of himself."

The "colour" of his being, and the alchemical relation to psychological changes? These alway existed and "as yet" had no name?

So from whence comes all "this energy of expression", to have been displayed as it has? In all the avenues of our "selves," that our experience has allowed that energy to manifest "this way" and "that way," and we have this "unique individual" before us, as you, or I, and "the many?" You "control the color or not" or, is it a "consequence" of this physiological process?

So, is it out of necessity that we can "create the language" necessary to view the reality around us as it is, and how shall we do that? Sir Isaac Newton created "Calculus."

So with this "unique perspective of synesthesia," how shall you give to the world from what began in self, and we have this "multitude of choices" as to the "fabrications" we may use from our "artistic creative design?" No choice, synesthesia just is?

Sometimes I relate the experience of reading a book, to what is "consumed one day" was by design, our place in the scheme of understanding things. Where we have "this experience" that we can correlate. So "it" makes sense. If a person with synesthesia was to read my blog, how much more would they take from my writing, then one without?

It is no different then our understanding of the science of things. Life can seem "mythic in proportion,", until, we understood the deeper part of the "design of reality?"

Saturday, January 20, 2007

Complex numbers can be identified with points in the Euclidean plane, namely the number a + bi is identified with the point (a, b). Under this identification, the unit circle is a group under multiplication, called the circle group. This group has important applications in mathematics and science.See here.

Just briefly showing containment of "collision process" and for later study. This is how I see this "relation of cosmic particle collisions" to incidents in "high energy collisions processes" and I wonder if this is wrong? Also pointing toward "Neutrino oscillation" as a probabilistic consequence of Quantum mechanics.

To the Substance of this Post

Q9 raised an issue that is of some significance to me because of the way I was "geometrically seeing these collision processes." While, I had not moved my thinking to the human factor in this process, it has in my study raised the question of what effect it has on the human populations on a personal note.

Quasar9:

The general effects of radon to the human body are due to its radioactivity and consequent risk of radiation-induced cancer. As an inert gas, "radon has a low solubility in body fluids which lead to a uniform distribution of the gas throughout the body" (Lindgren, 1989). Radon gas and its solid decay products are carcinogens. Some of the daughter products, especially polonium-218 and 214, from radioactive decay of radon present a radiologic hazard. Depending on the size of the particles, radon decay products can be inhaled into the lung where they undergo further radioactive decay releasing small bursts of energy in the form of alpha particles that can either cause double strand DNA breaks or create free radicals that can also damage the DNA. Also See: Radon

The energy of alpha particles varies, with higher energy alpha particles being emitted from larger nuclei, but most alpha particles have energies of between 3 and 7 MeV. This is a substantial amount of energy for a single particle, but their high mass means alpha particles have a lower speed (with a typical kinetic energy of 5 MeV the speed is 15,000 km/s) than any other common type of radiation (β particles, γ-rays, neutrons etc). Because of their charge and large mass, alpha particles are easily absorbed by materials and can travel only a few centimetres in air. They can be absorbed by tissue paper or the outer layers of human skin (about 40 micrometres, equivalent to a few cells deep) and so are not generally dangerous to life unless the source is ingested or inhaled. Because of this high mass and strong absorption, however, if alpha radiation does enter the body (most often because radioactive material has been inhaled or ingested), it is the most destructive form of ionizing radiation. It is the most strongly ionizing, and with large enough doses can cause any or all of the symptoms of radiation poisoning. It is estimated that chromosome damage from alpha particles is about 100 times greater than that caused by an equivalent amount of other radiation. The alpha emitter polonium-210 is suspected of playing a role in lung and bladder cancer related to tobacco smoking. Also See:Alpha Particles

Low energy alpha particles may be completely stopped by a sheet of paper, beta particles by aluminum shielding. Gamma rays, being very high energy in nature, can only be reduced by much more substantial obstacles, such as a very thick piece of lead.

Friday, January 19, 2007

Turning back to gravity, the extra-dimensions model stems from theoretical research into (mem)brane theories, the multidimensional successors to string theories (April 1999 p13). One remarkable property of these models is that they show that it is quite natural and consistent for electromagnetism, the weak force and the inter-quark force to be confined to a brane while gravity acts in a larger number of spatial dimensions. The requirement of correctly reproducing Newton's constant, G, at long distances leads to the size of the extra dimensions in which gravity is free to act being related to the number of extra dimensions.

New physics experience might reveal more dimensions in the Universe than meets the eyeSee Here

Amazing isn't it that EOT-WASH GROUP would consider themselves as challenging the experimental basis of string theory thinking. If one did not see into the nature of that "dynamical world" what value would have ever been reached if there was no separation in the value of the "r distance?" No "varying energy valuation" in the strong force.

Fig. 1. In quantum chromodynamics, a confining flux tube forms between distant static charges. This leads to quark confinement - the potential energy between (in this case) a quark and an antiquark increases linearly with the distance between them.See Here.

If a "Q to Q" measure is considered and a "active consideration evident" in this exchange of a "r value," then why would they think the gravitational considerations would not have ever made sense in the distances of extra dimensions of 44 micrometres or larger?

By increasing this distance, the gravitational considerations are very important in terms of the energy valuation given as the "q to q" is moved apart. The energy is directly relate to the gravitational considerations?

some physicists proposed that string theory might cause gravity to grow stronger at such distances if the universe came with relatively big extra dimensions of micrometers in width......Sundrum says that if extra dimensions failed to turn up at that distance, it would likely prune off that branch of string theory.

If for one moment you thought strings had some relation to the very nature as "building blocks of this universe," at what "energies" would we have said they had made their appearance? Microseconds perhaps after the universe came into expression?

When you look at these events, the cascading effect of this interaction with the earth's upper atmosphere, why did not one think of the constituent properties that would be exhibited at the beginning of that same universe?

I do not understand why people did not understand this relation to what was happening within the cosmos, would not be produced in our colliders? That what was happening at the beginning of our universe had some relation to what was being produced in those colliders?

Cosmic Rays

Cosmic rays are caused by protons from outer space. When a proton (shown in yellow) hits the air in the earth's upper atmosphere it produces many particles. Most of these decay or are absorbed in the atmosphere. One type of particle, called muons (shown in red), lives long enough that some reach the earth's surface.

Wednesday, January 17, 2007

The Search for Dark Matter in the Unresolved X-ray Background by Kevork N. Abazajian

Figure left: False-color image of the deep exposure of the Chandra X-ray Observatory in the southern field (CDF-S).Figure right above: The (circled) resolved point sources and extended sources that are removed from this field to determine the spectrum of the remaining unresolved X-ray background. (Note that the two panels have different orientations.)

Tuesday, January 16, 2007

The standard model of particle physics is a self-contained picture of fundamental particles and their interactions. Physicists, on a journey from solid matter to quarks and gluons, via atoms and nuclear matter, may have reached the foundation level of fields and particles. But have we reached bedrock, or is there something deeper?Savas Dimopoulos

While in the post previous to this I gave some indication of the gravity from the cosmological point of view, I then took it down to the particle collisions. I again reiterate this, in this post as well.

You ever hear of the term, "you can't hit the broad side of a barn?" WEll lets think about this when it comes to the measures of femtometres and such. Classically old, it was not witout some direction in thinking that one could be taken down to certain measures for those same considerations. Barn Yard?

So here we are looking at what the EOT-WASH GROUP is doing? What is "compactification" in line with any thinking, that the world around us from a cosmological point of view is large(large circle), and that amidst it's reality, exists this finer world of particulars that "we'd only imagine" while the measures to it's finest(small circle) was produce and then energies assigned.

It would be as if you looked at the cosmos and never thought about it constituents "bits and pieces," which make up those cosmological processes. Yet, for me, "circles within circles" would have made me wonder which circle represented which part of the views at any one time, whilst we speak about these energies from one perspective to the next.

Saturday, January 13, 2007

It's taken some time from a layman perspective to try and "place this experiment" in a setting that helps orientate views. Well, at least in my case. :)

So here is a "guide below" that may seem trivial to some, yet, directed to the "microperspective" on this experiment, speak to cosmology as well. While it may seem easy from a "cosmological standpoint" gravities "effect" is of some importance in "condense matter views."

A "Top/down approach" pointing you toward LHC and the "anomaly of relativity" in the perfect fluid, seems like going "full circle?"

Why is it we cannot create this environment, other then, the method described in terms of the drop tower, or, out in space? What ways do you know that such simulation can be developed to move the ideas of product development "done there in space." To make it feasible to create the condense matter states that are purer free from the effect of gravity on earth.

The idea occurred to me today to find a way in which to "create the environment" that is conducive to perfecting the "purity of alignment of substances" in a gravity free environment. I mentioned the aerogel in the previous article and how developing that product in space gives the product superior qualities, that one might not have here on earth.

In a manner that "it's effects" in relation to gravity may be considered from a cosmological and micro-gravity perspective, in relation to "Inverse Square law( I use sound in the example, but click on the image provided)" and "Inverse Fourth Power Law."