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There were known settlements in the area as early as the 9th century BC, when the Apuan Ligures lived in the region. The current town originated from the borough built to house workers in the marble quarries created by the Romans after their conquest of Liguria in the early 2nd century BC. Carrara has been linked with the process of quarrying and carving marble since the Roman Age. Marble was exported from the nearby harbour of Luni at the mouth of river Magra.[2]

At the end of the 19th century Carrara became the cradle of anarchism in Italy, in particular among the quarry workers. The quarry workers, including the stone carvers, had radical beliefs that set them apart from others. Ideas from outside the city began to influence the Carrarese. Anarchism and general radicalism became part of the heritage of the stone carvers. According to a New York Times article of 1894 many violent revolutionists who had been expelled from Belgium and Switzerland went to Carrara in 1885 and founded the first anarchist group in Italy.[4] Carrara has remained a continuous 'hotbed' of anarchism in Italy, with several organizations located openly in the city. The Anarchist marble workers were also the driving force behind organising labour in the quarries and in the carving sheds. They were also the main protagonists of the Lunigiana revolt in January 1894.

In 1929, the municipalities of Carrara, Massa and Montignoso were merged in a single municipality, called Apuania. In 1945 the previous situation was restored.

Ducal Palace (also Palazzo Cybo Malaspina, 16th century), now the seat of the Fine Arts Academy. Built over pre-existing Lombard fortification, it dates to the reign of Guglielmo Malaspina, becoming in 1448 the permanent seat of the dynasty. It includes two distinct edifices: the Castello Malaspiniano, dating to the 13th century, and the Renaissance palace, begun by Alberico I in the late 16th century. Under the medieval loggia are exposed several ancient Roman findings.

Church of the Suffragio, begun in 1686 under design of Innocenzo Bergamini, and refurbished in the 19th century. The façade has a large marble portal in Baroque style, sculpted by Carlo Finelli and surmounted by a bas-relief with the "Madonna and the Souls of the Purgatory".

Palazzo Cybo-Malaspina

Sanctuary of the Madonna delle Grazie alla Lugnola, consecrated in 1676 and designed by Alessandro Bergamini.

Church of Santa Maria Assunta, at Torano. It has a 16th-century façade with a portal from 1554. The interior is on a nave and two aisles.

In addition to the marble quarries, the city has academies of sculpture and fine arts and a museum of statuary and antiquities, and a yearly marble technology fair. The local marble is exported around the world, and marble from elsewhere is also fashioned and sculpted commercially here.