Posts Tagged ‘DTV’

I’m surprised I haven’t seen this one hyped up on the internet too much. You know how internet people love to be the one who discovered some small time independent movie, so they overdo it in praising the ones they like. At the same time they love their horror mixed with wackiness. Even today, if they read that Bruce Campbell is appearing in a movie, their first thought is that it will be a great movie. And they have seriously considered naming their first child Shaunofthedead. Also they enjoy the hyperbole. And I honestly don’t think it’s because they know they could get quoted on the DVD, I think it’s just their personality to say everything is the BEST. THING. EVER. (or more often worst, but that’s a different topic.)

Despite all that I haven’t heard much about JACK BROOKS: MONSTER SLAYER, and only knew of it because of the cover story in Fangoria that I didn’t read. From the wacky title and the guy-you’ve-never-heard-of-painted-up-to-look-awesome-like-it’s-BIG-TROUBLE-IN-LITTLE-CHINA-or-something cover this seems like a movie I shouldn’t bother watching, but on a whim I did. I think it’s because I remembered a couple funny looking monster pictures in that Fangoria article. Didn’t read it, but I looked at the pictures. (read the rest of this shit…)

Okay, let’s say it’s the year 2008, you are a horror fan, and the one thing that would really hit the spot for you in the near future would be a low budget FRIDAY THE 13TH (part 1) rip-off with a unique brand of in-your-face FUCK YOU AND YOUR MOTHER New York attitude. But not SLEEPAWAY CAMP, you already saw that one. Well then November 4th is your lucky day, dickwad, because that’s when original SLEEPAWAY CAMP director Robert Hiltzik returns to Sleepaway Camp with his sophomore directorial effort, RETURN TO SLEEPAWAY CAMP.

During the cheesy credits sequence (which I thought was a menu animation at first) your mind may slip away to imagine all the modern ways a new SLEEPAWAY CAMP could suck. You can easily picture the bland twentysomething soap opera actors going through the usual DTV horror motions. (read the rest of this shit…)

Take a look at that cover there. If you know me then you know I had to watch that movie.

I’m not stupid. I knew it would be, uh… problematic. “Probaly unwatchable” is I believe how I pre-described it to friends. But I figured as long as it stars the team of DMX and Kris Kristofferson I’m gonna get something out of it.

True, DMX has failed to deliver on the promise I thought I saw in him when I first saw BELLY. He seems to have pretty much lost his mind (up in here, up in here) and is not above making cameos in unwatchable DTV garbage in order to pay the legal bills for his poor driving, impersonating of federal officers and lack of dog feeding. So DMX alone is not a selling point. (read the rest of this shit…)

I’m always searching for DTV gems and this one has gotten some talk so it’s about time I got to it. But the truth is I didn’t like the first WRONG TURN. I know a few people who like it, but to me it was a big bag of mediocrity, forgettable enough that I apparently forgot to ever review it. So now I can’t read my review to refresh my memory about it. But I do remember that it took one of my favorite horror setups (tourists intrude on crazy backwoods inbred/mutant/cannibals, savagery ensues) and then hardly bothered to riff on it. Too slick, not enough mayhem, not enough imagination. THE HILLS HAVE EYES remake has problems and nobody besides me seems to like it, and I hated the sequel to it. But even in that one you at least get a couple OH SHIT adrenaline moments, some uncomfortable laughs. You don’t know what that ugly crazy fucker is gonna do next. WRONG TURN was the clean studio version of that. TV stars in some Ontario woods running from guys in monster makeup. Just no rush, no grit, no nothin. (read the rest of this shit…)

THE SCORPION KING 2 RISE OF A WARRIOR is the story of a warrior who rises. In movies we’ve seen many people and things rise, including The Machines, Carlito’s Way, The Silver Surfer, Leslie Vernon, Taj, Cobra, the Lycans, Gator, Jack Johnson, and Fred A. Leuchter, Jr. But never before have we seen the RISE OF A WARRIOR.

In this movie there are actually a bunch of different warriors but in my opinion the specific warrior who is rising is the one who will later be called the Scorpion King, not in this movie but in the very end of a different, better movie called THE SCORPION KING. What I’m trying to say is that this is the prequel to the prequel to the sequel to THE MUMMY, a movie I thought sucked. So the fact that this one is above average for DTV is pretty impressive. If you met a guy whose great, great uncle by marriage was a Nazi or a serial killer, but the guy you met wasn’t that big of a dick or anything, you would think “Good for him.” Same goes for THE SCORPION KING 2 RISE OF A WARRIOR. (read the rest of this shit…)

Well, shit. I’ve had this review done, but I was letting it sit and simmer or something. Or being too lazy to send it in. But now poor Isaac Hayes has died, so I better address that. Black Moses isn’t shown on the cover or in the trailer for this upcoming Steven Seagal DTV event, and that’s fair because he’s barely in it. But Hayes does in fact appear in a few scenes as “Coroner.” Seagal’s homicide detective character is buddies with Isaac, so Isaac is pretty liberal with letting him check the dead bodies for clues. I call him Isaac because that appears to be his name – Seagal’s character refers to him as “Is” (or “Eyes”). My theory was that Hayes was playing himself and that this is what he’s been doing in Memphis since quitting that snot-nosed cartoon you guys are so fanatic about. But maybe not.

At the time I thought it was cool to see Isaac Hayes in a Seagal movie. He did so many types of B-movies, from TRUCK TURNER to UNCLE SAM, it was about time he showed up in a Seagal picture. But now it’s kind of sad because really he doesn’t do anything in the movie, it’s too bad they didn’t give him a better role. I hope Seagal at least got out the guitar on set and got Isaac to sing “Walk On By” or something. (read the rest of this shit…)

I’ve been sort of looking forward to this new STARSHIP TROOPERS, and if you got a problem with that too bad because I’ve gotten enough “are you gonna review Starship Troopers 3?” emails to know that we can take you. Ed Neumeier takes over as director this time, which means the satirical tone remains since this is the guy who wrote all three STARSHIP TROOPERS as well as ROBOCOP. And, uh, ANACONDAS: THE HUNT FOR THE BLOOD ORCHID. I didn’t know that, I just found that out on IMDB. Hmmm. I had not considered watching that one. This changes everything. This could be the big one.

If you saw STARSHIP TROOPERS 2: HERO OF THE FEDERATION you may or may not remember that it was pretty different from the first one. They scaled it down for DTV, making it into mostly a one-location siege kind of story and incorporating smaller bugs that implant themselves in people’s brains or something. The good part is it was directed by the effects legend Phil Tippett so it ended up having the best effects I’ve seen in a DTV movie. (read the rest of this shit…)

Recently I was discussing the upcoming James Bond movie with some buddies. I was joking that the trailer should say “from the director of FINDING NEVERLAND.” That dude’s movies are all over the map, but nothing ever hinted that he would end up directing a 007 movie. One of my buddies said that it didn’t really matter that he didn’t do action because usually the action in Bond movies is shot by a second unit guy named Vic Armstrong.

(I looked it up, and Armstrong actually hasn’t worked on the Daniel Craig ones, but he was stunt coordinator and/or 2nd unit director for DIE ANOTHER DAY, THE WORLD IS NOT ENOUGH, TOMORROW NEVER DIES and NEVER SAY NEVER AGAIN and stunt double for 3 other Bond movies.) (read the rest of this shit…)

Well it looks like this week is Nerd Hanukkah, when everybody freaks out about the new Batman movie and then they go to San Diego and they seem to open presents every day. I’m not clear what exactly it is they do there but it apparently involves comic books and occasionally Halle Berry or Charlize Theron or somebody. There will be alot of exciting posters passed out or something and lots of exciting news will be broken about some movie or other. You’ll be hearing about your star treks and your hobbits and your Iron Man part 2s and what not. But there is one sequel that you won’t be hearing jack shit about there unless you are currently sitting there reading this article. Ladies and gentlemen, I am proud to announce that I got the exclusive inside scoop on a movie and the title alone is gonna knock your god damn socks off. Your socks are gonna tear right through your fuckin Captain America boots, fly across the room and land on a table where somebody from some Dr. Who spinoff is signing autographs.

I know what you’re thinking. THE ONION MOVIE? Are you fucking kidding me? They’ve run out of ’70s slasher movies, TV series, action figures, video games and board games to turn into movies, now they’re moving on to the fucking produce department? Well to be fair onions are a vegetable with a rich history. In Caananite Bronze Age settlements, traces of onion remains were found dating back to 5000 BC. There is Biblical evidence (specifically the Book of Numbers) indicating that onions were grown in Ancient Egypt. In fact, to the ancient Egyptians (SPOILER) their concentric rings represented eternal life. So I think with a visionary artistic team behind the camera and a decent budget an onion movie could be a real eye-opener. Unfortunately this movie has nothing to do with vegetables at all, it is based on that websight The Onion with the fake news articles and the movie reviews and what not.

I watch more direct-to-video crap than the average citizen, but even I usually draw the line at direct-to-video comedy. If MEET THE SPARTANS can get a theatrical release and you can’t then I’m not sure I trust you, even if a renowned institution such as a National Lampoon’s or an American Pie Presents is willing to put its name on the line on your behalf. In this case The Onion is only putting its name on the line due to contractual obligation. Some of their former editors wrote this thing back in 2003 but they and the directors disowned it years ago and it was sitting on the shelf until recently when somebody was moving some boxes around trying to find some of their old yearbooks or something and their ass bumped it off the shelf and it lands in stores Tuesday. (read the rest of this shit…)