Will sci-fi Under the Skin be the British film to beat at the BAFTAs?

“Very loosely inspired by Michel Faber‘s book of the same name, the film stars Scarlett Johansson as an unnamed alien in human form, prowling the streets of Glasgow in a van searching for hitchhikers. What she does with these unfortunate souls – lured in on the promise of casual sex – almost defies description, as indeed does the film as a whole.”

” Former Doctor Who star Matt Smith and his ex-girlfriend Daisy Lowe appear to have become the latest victims of hackers who have leaked naked photographs of the pair online. They join a long list of stars including Avril Lavigne, Cat Deeley and Rihanna whose pictures were said to have been posted online. ”

Don’t blink, Doctor Who and a bevvy of baddies just landed in Minecraft

” The Doctor Who skin pack for Minecraft on Xbox 360 hit today bringing with it not just the twelfth Doctor and traveling companion Clara but a slew of creepy enemies like the Daleks, Silence and … Weeping Angels. While there’s no date mentioned, the video seems to indicate that the Doctor Who Skins Volume 1 pack is also coming to Xbox One. ”

Without sci-fi, there would be no cinema

“Do you know what’s hateful? The snobbery that film fans have to contend with. There’s the ‘it’s only a movie’ snobbery, by which cinema is suitable only for wastrels and dogs. And there’s the ‘if it ain’t Danish and silent, then it ain’t no good’ snobbery. Proponents of both should spend less time blowing conjecture through their Sobranie smoke, and more time watching the Hollywood films of John Ford, Nicholas Ray and William A. Wellman.”

Fleet Street goes sci-fi: Daily Express’s starring role in The Day The Earth Caught Fire

“An apocalyptic science fiction film showing the world overheating and society thrown into turmoil is about to be released. But this is no modern commentary on global warming and war – the film was originally shown in 1961. The Day The Earth Caught Fire, a pioneering production and scathing indictment on Cold War posturing, has been rescued from the archives and digitally restored for public release….”

Best sci-fi books round-up: Where imaginations run wild

‘Tractor Beams’ Are No Longer Science Fiction

“Tractor beams – invisible tethers which pull space ships into cargo bays through no definable mechanism or physical law – are the latter. Or they were. Researchers at the Australian National University say they have developed what amounts to a tractor beam which is capable of pulling objects using 3D wave currents. “

“A big update came during the Sci-Fi Scarborough convention on Saturday a Red Dwarf panel comprised of Chris Barrie, Danny John-Jules and Robert Llewellyn confirmed the news. John-Jules said that shooting is scheduled to get under-way in October 2014 with a view to being aired on Dave in Autumn 2015.”

Doctor Who Christmas specials, like many other special Christmas-themed television episodes, are usually fairly “fluffy” and hold little substance in the grand scheme of things. TV execs usually assume that many will only have the TV on in the background if they have it on at all, and anything complex is unwanted. Thankfully this mindset has been fading away recently, leading to some halfway decent Christmas programming.

I grew tired of narrow Christmas themed episodes a few years ago in Doctor Who when The Doctor, The Widow, and The Wardrobe bored me to tears. I will take my hat off to Steven Moffat for blessing us with two consecutive years of solid holiday specials (Last year’s The Snowmen, and now this), thus wiping the blandness of the 2011 special from my mind. What makes The Time of the Doctor so good is that it’s not just a typical “here’s a huge guest star!” affair like previous Holiday episodes, it’s a fairly subdued regeneration episode with only a dash of Christmas theme in place. That isn’t to say it lacks spectacle, but they got most of that out of their systems with The Day of The Doctor.

The Doctor has found himself amongst thousands of spacecrafts all locked onto a “distress call” of sorts. This “space beacon” is being broadcast across all time and space, and seems to be untranslatable. His curiosity gets the best of him, and he attempts to force his way onto a few of the ships to get some answers as to what the signal is all about. After humorously boarding both a Dalek craft and a Cybership, he ends up picking up Clara and visiting an old friend at “church” to get answers. This church is the Church of the Papal Mainframe, a gigantic space church headed by Mother Superious Tasha Lem, someone The Doctor seems to be fairly intimate with. The church has locked the planet where the signal can be traced from, and horror of all horrors, the planet is coming up as “Gallifrey” on all sensors. The Doctor Volunteers to go to the surface and investigate, not realizing that the longest chapter in his life is about to begin.

Of course, we eventually find out that this mysterious planet is in fact Trenzalore, the place where the Doctor is said to die, and he realizes what has been put in place. Somehow the Time Lords themselves are behind the crack in time we saw back in series 5, and want to use it to escape their existence outside of reality. Apparently The Doctor has to simply utter his name (The distress call was “Doctor Who?!”), and they will be released back into the rest of the universe, but that comes at a price. If they do appear the Daleks will surely re-ignite the “Time War”, and drive all reality into madness. The Church locks down the planet and the siege of all sieges begins, they call themselves “The Silence” and impose a rule that The Doctor can never utter “The oldest question in the universe” or they will blow Trenzalore out of existence. The Doctor stays on Trenzalore in a “Town called Christmas” for over 900 years, that’s right after this episode The Doctor is now over 2000 YEARS OLD!

This battle between multiple races, The Silence/Church of the Papal Mainframe, and the citizens of Christmas is barely shown on screen, and we only see brief glimpses hundreds of years apart. This almost Tolkien-esque choice of not relying on the actual battles of this war, and simply the fallout of such a conflict is a pretty jarring choice and a brave one by Moffat, as many were probably expecting something more along the lines of “a war to end all wars”. I actually commend Mr. Moffat for this because I tire of the ridiculous season ending spectaculars we used to get in the Davies era. After the Earth got towed around the galaxy by the TARDIS, and there was a giant Cyberman in Victorian England, his M.O. Seemed to be “how am I going to top that this year?” Thankfully, it’s mostly left to our imaginations in this episode.

Steven Moffat has been criticized in the past for leaving large plot holes in episodes and generally not fleshing out all of his ideas. I have been of the opinion that he would eventually conclude all the loose plot threads from the previous episodes involving the “crack in time”, the Silence, the exploding TARDIS etc. I’m under absolutely no impression that he expertly planned out the entire plot, or that he knew when Matt Smith would leave, but I feel that he probably grew tired of fans complaining all the time about things he felt were sufficiently wrapped up, and wanted The Time of the Doctor to be the big red bow atop the gift box that was Matt Smith’s reign as our favorite time hobo. And that’s what we get with this episode, a clean slate going into the eighth season. The baggage of missing regenerations has been cleared up, the regeneration limit has been tackled, holdovers from the Russell T. Davies era have been sorted out, and his own plot holes have been vanquished for the most part.

Matt Smith does a fine job in this episode, and really conveys the sadness of a man seemingly “trapped” on a planet that needs his help for nearly 1000 years. As one would imagine, he buys into his own mythology, and yet hides himself away in a similar manner to the way we saw him post Amy and Rory departure. His only real companion for a large portion of this time is a re-purposed Cyberman head named “Handles” that harkens back to the days of K-9 and Tom Baker in the TARDIS. Their banter is pretty hilarious, and it really makes me wish that handles would have been around longer. It’s sort of like the Tom Hanks film Castaway and the relationship between Hanks’s character and “Wilson” only “Handles” is somewhat sentient.

As the Doctor gets older and older (handled with old age makeup) he becomes more unhinged, lonely, and prepared for death. He begins to embody the “old man”mentality that we’ve always seen him covey, albeit with a young body. I will miss Smith in the role, but feel he is leaving at the correct time. I’d rather wonder what another Smith-helmed season could have brought, instead of hoping he leaves ala David Tennant during his final “season” on long-form specials.

My only few gripes involve the actual regeneration scene. What I assumed to be the “final moments” of the Matt Smith Doctor involved a release of regeneration energy so massive that he was able to project it towards Dalek ships, destroying the entire fleet. Suddenly, The Doctor was engulfed in a massive explosion that made the one from The End of Time look weak. Had Clara found a comatose Peter Capaldi Doctor laying in rubble, or something similar, it would have been something different. What we actually got was somewhat similar to the last one, almost down to the dialog in play. For some reason, the writers added in a scene where Smith “got younger” before the actual regeneration took place and met a hallucination Amy in the TARDIS. I get the sentimentality involved, and it was awesome to see Karen Gillan, but an episode that prides itself in “fixing confusing plot holes” sure added some baggage in the mix at the end.

I also feel that the script downplayed the regeneration limit more than I figured it would. I definitely didn’t want to see more “I don’t want to go!” Emo Doctor fan-girl bait, but the actual realization that the end was nigh seemed to neither bother Clara or The Doctor very much. Clara did plead with the crack in the wall for Time Lords to help him somehow, someway, which resulted in a new regeneration set being magically granted to The Doctor, but it was like it never crossed her mind that he could have ceased to exist essentially. Thankfully, the new regenerations either re-wrote time or pushed his final resting place from The Name of The Doctor further in the future, and perhaps it will only become an issue in another 50 years!

I enjoyed The Time of the Doctor quite a bit, especially for it’s refreshing take on the holiday special template. The humor was well-placed like the “nude scenes” and interactions with “Handles”, and the drama was great when it needed to be there. I thought the end was sort of off-kilter, but it didn’t ruin Capaldi’s first scene any more than loud Murray Gold music did (for the record, not much). While I think this special was inferior to 2012’s The Snowmen, it’s still in the upper tier of Christmas specials all around. Here’s to season eight, good Lord it’s going to be yet another LONG wait!

This has been a real hard weekend for me because I had to wait until 10:00 Monday night to watch The Day of the Doctor while most everyone else saw it over 48 hours ago. This was because my wife and I scored some tickets at a (relatively) close theater in order to watch the special in 3-D on the big screen. We almost missed our chance because the original 7:30 showing sold out in a few days, leading the company to create a second showing. This wasn’t just an isolated case either, my area (the greater Kansas City area) had around 6-7 theaters that were ALL sold out.

The reason I was initially slow at getting tickets was that I stupidly underestimated the popularity of the show in 2013. This is of course because I recall being one of the few people that had ever heard of the show back in 2005-6, and assumed I could roll in late and still get tickets. Back then, I was basically mocked for liking “a show nobody has heard of” from a few people that shall remain nameless (You know who you are!). I’m so happy that Doctor Who seems to have such a large dedicated fanbase here in The States today. I should have known that younger folks enjoyed it, as you often see tons of cosplayers at anime and comic conventions in the area. Thanks to AMC and their events company for opening a second showing, that was a great thing for the fans (and AMC’s cash tills!).

When we got there, a huge line suddenly appeared about 60 to 90 minutes before the showing, and I have never seen so many fezzes in one place in all my life. There were cosplayers of a few Doctors (mostly Matt Smith) including someone rocking an awesome First Doctor costume. We were there super early, and chatted up some of the other people in line. We got to hear some pretty good theories and even some pretty ridiculous ones from everyone, but all in all it was a great crowd.

I figured I’d go into the general theater experience, since people may want to know what was different, and how the crowds were. Any UK readers will be happy to know that we seem to have got the full experience over here as well. When we were finally seated, the usual asinine movie trivia on the screen was replaced by Doctor Who trivia. In many instances you could hear people in the audience participating, and it was cool seeing some of the younger fans, or at least newer fans, gasping at some of the answers. One in particular was a question like “which of these rock bands appeared in the 1960’s episode, The Chase?” When it was revealed to be The Beatles, you could hear a sudden enthusiastic murmur, where one could tell that minds had been blown.

There was a funny moment where there was a ridiculously long pause before the 3D “reel” was switched on (I’m aware they do it with hard drives now), and about 25 sonic screwdrivers suddenly appeared from fans, young and old, attempting to fix the problem. This atmosphere was awesome to behold. I’ve been to midnight releases and special events in the past, and the most you’d ever see might be the odd clapping at the end of the film. These fans let out many “squees” during the episode itself, and I’ll later post what got the biggest reaction. You could tell that many saw this as a “once in a lifetime” experience. Everyone was excited, energetic, and happy.

Before the show, we did get treated to two short intro videos that I’d assume were not on the TV broadcast. One involved everyone’s favorite Sontaran warrior Strax briefing the audience on general theater rules. He apparently brought his own clone batch to the theater and wanted to make sure there would be no trouble from us “flesh creatures”. He reminded us not to use our cellphones, and showed what happened to the last guy he caught with one. He walks by a man trapped in restraints on a wall behind him. Accused of sending spy messages to his field commander, this man was not in good shape after Strax got done with him. Another complaint was “talking during the film” which was illustrated as having a similar punishment. Strax did approve of our cultures obsession with torturing “small corn creatures” until the exploded, then eating their fluffy bodies. He remarked how the “tiny screams” of the popcorn made him happy. The audience seemed to love Strax, and this vignette.

The second mini-episode, if you could call it that, was one of Matt Smith and David Tennant (in character) hyping up the crowd. It opened with Smith’s Doctor in a white room congratulating the fans on making it to this “100th anniversary special, in amazing 12-D” someone came out and reminded him that this was only the 50th anniversary, and he seemed bummed. Apparently 12-D is something to behold, and mere 3-D is quite boring. The Doctor assumes it has something to do with budget cuts and apologizes. We get some banter from Smith and Tennant in the form of instructions on how to use the 3-D glasses and a special warning that Matt’s chin “could be unnerving” in 3-D. Eventually they both ask “wait wasn’t there supposed to be a third dimension” as John Hurt appears facing the other direction. You could have heard a pin drop in the audience after the initial GASP of shock on seeing “The War Doctor.”

There was also a “making of” featurette after the credits, narrated by Colin Baker, it was really good, but wasn’t anything earth-shattering.

NOTE: Before I talk about the actual episode, I’d love to hear if anyone else had similar theater experiences, feel free to drop a comment! Man, I’ve written quite a bit already for not actually talking about the episode!

Right from the opening seconds of The Day of the Doctor I knew I was in for a treat. Instead of the new opening title sequence that we got used to seeing throughout series seven, the episode opens with the original 1963 opening titles. The camera pans over the shadow of a policeman, and a sign that reads “I.M. Foreman, 76 Totter’s Lane” advertising a local scrap merchant. For those that do not know, it’s basically a remake of the very first scene of the very first episode, An Unearthly Child! To completely drive it home, we even see that Clara has some sort of teaching position at Coal Hill School, yet another callback – that was the school Susan attended, and Ian and Barbara taught at. According to a sign inside Ian Chesterton has even been promoted to a governorship in the school! At this point, I knew that this episode was going to be an “Easter egg hunt” for little tidbits that look back at the show’s past.

Before I get to far into this, I’ll mention the 3D. I’m generally not a huge fan of 3D in movies because it often distracts from the film. I loved Avatar, Coraline, and Tron 2, but those are exceptions that used the effects well. Usually studios have a tendency to abuse the effect and make films nearly unwatchable. I’d say The Day of the Doctor uses it pretty well for the most part. Some scenes seem overdone like the helicopter scene and others use the effects to add depth to the picture. Sort of like having the picture be “bigger on the inside”😛 I’d say it wasn’t necessary to see this in 3D, but it helped the theater experience immensely.

Right from the very beginning, one can see that The Day of the Doctor seems to have a noticeable budget increase over it’s normal TV brethren. It looks expensive (but not flashy), important, and movie-like, if that makes any sense. Just the way the opening titles are presented, the Tardis being airlifted to Trafalgar Square via helicopter, seems like the opening of something like a James Bond film. I think seeing this in a theater was a great decision on my part, because you can tell it was designed for it.

The story follows The Eleventh Doctor as he is summoned to The Tower of London by U.N.I.T.’s very own Kate Stewart. She has special instructions from Elizabeth I of England, to have The Doctor check out a secret stash of Timelord art. It appears that Timelords create moments of time preserved in stasis that take the form of “3-D pictures” in frames. It seems many “paintings”in this gallery have been smashed from the inside, implying that something has escaped the pictures themselves. With this we are shown a painting called either ”No More” or “The Fall of Gallifrey” that depicts the final day of the Great Time War. This was the very day that The Doctor’s unmentionable past incarnation “The War Doctor” (John Hurt) ended the time war.

I loved this scene because the “Time War” has been so vague in the past, that seeing the Dalek invasion of Gallifrey’s “second city” Arcadia was awesome. It is at this point that we see “The War Doctor” steal a devastating super-weapon from the Timelord armory, one that has the power to annihilate entire galaxies.

This weapon, called “The Moment” is classified as a “Galaxy Eater” and was locked away because it gained sentience and could not be controlled. With this weapon, “The War Doctor” heads to a desert and plans his ultimate sin against his own people. Suddenly a manifestation of “The Moment” appears, looking exactly like Rose Tyler, and rips holes in space and time in order to show “The War Doctor” his own future. This causes cracks to appear near The Eleventh Doctor and “War Doctor” causing them all to end up in Elizabethan England, the exact place where “The Tenth Doctor” is trying to stop a Zygon invasion. This is where everyone puts it all together and realizes that The Zygons are the ones that escaped the paintings using Time Lord Technology.

Once the threat is eliminated in a peaceful manner, “The War Doctor” goes off to activate “The Moment” as he believes his ultimate sacrifice causes peaceful things to happen such as the end of this Zygon invasion. He is headed off by Ten and Eleven, and they all discuss the situation. All incarnations after “The War Doctor” hated what happened, and blamed this forgotten incarnation for all sorts of bad things. They decide to help him not be alone in his decision, to lessen his burden. That is until Clara’s tears inspire a new choice: not killing everyone on Gallifrey. Eleven proposes that they could conceivably lock the entire planet of Gallifrey away, much like those paintings, and only make it appear that it was destroyed.

This following scene is one of the best scenes in all of Doctor Who in my opinion, and involves a co-operative effort by these three Doctors to save their planet. The Arcadian leadership seems less than thrilled to find out that they have been targeted by three versions of one man they really can’t stand, and are even more annoyed when they find out “All twelve of them are here”. This cuts to a scene where you see twelve TARDISes heading into battle, and footage of EVERY SINGLE DOCTOR helping out. This was of course stock footage pulled from old episodes like the trick used in The Name of The Doctor, but it was still awesome. I nearly teared up at this point, probably because I had something in my eye, but held it back like the badass dude that I am. I was shocked when one of the Gallifreyan higher-ups said “No, Sir all thirteen”, since I had no idea that Peter Capaldi was going to make a “teaser” appearance in this. I have no idea how the internet kept this quiet, and I thank all of you.

The Doctors Thirteen saved the day (hopefully) and went their separate ways. Happy in the fact that he did the right thing, “The War Doctor” starts regenerating from all the stress he had and we briefly see a glimpse of Doctor number Nine. It sucks that Christopher Eccleston didn’t want to help with the anniversary, but I’m glad we have finally seen all of the regenerations now.

Everything winds down and fans are treated to the cameo of all cameos – Tom Baker’s return to the show. He is introduced as “The Curator” and seems to have a bit more knowledge than he should about the Doctor, Gallifrey, and Timelords in general. This character is kept fairly vague as to his true nature, but it was pretty great seeing Tom back after all these years. Finally, there is one more shot to hammer the point home that we saw something special:

It may have been the atmosphere, it may have been the theater experience, and it may have been the 3D, but I feel that this was the most fun I’ve ever had at the theater, and it may have been the best episode of Doctor Who I’ve ever seen. It had awesome side characters, although there were very few. Elizabeth I was cool, and I loved seeing Kate Stewart and her assistant Osgood, and hope they show up more often in the show. I love multi-Doctor stories, but generally find them somewhat confusing and borderline nonsensical. That wasn’t the case with The Day of The Doctor, it all fit together, filled in some plot holes leftover from the Davies era, and made me excited for season 8’s search for Gallifrey!.

As Promised, here are the biggest audience reactions of the night:

The first scene with David Tennant got a big “Squee” from some fangirls.

Seeing Billie Piper got a similar reaction.

A lot of big laughs in certain scenes like “The Wedding”, The Banter between Doctors, Clara opening an unlocked door etc.

When the fans saw 12 TARDISes in in the climax there was some cheering, then it exploded once you saw Peter Capladi say “Make that Thirteen”. I was happy because some fans are concerned female fans will reject him next year.

The scene with Tom Baker went over VERY well.

The final scene involving all 12 Doctors standing together got cheers.

Before I slip into full-on rant mode, let’s get have a brief history lesson that pertains to the issue at hand. In the mid-nineteenth century one particular group of abolitionists came up with an ingenious idea: since slave liberation seemed unlikely in America on an economic and political basis, was it feasible to re-locate freed slaves in Western Africa? You know the old saying “out of sight, out of mind” right? That’s basically the idea here. This was a two pronged attack: on one hand the slaves were being freed, which made the abolitionists feel good about themselves and their devotion to God. And if the Blacks were free, the largely evangelical movement didn’t have to actually socialize with these newly freed persons of color. They could keep white society and help set up a separate but equal colony far, far away. This group, The American Colonization Society (ACS) helped over 13,000 former slaves travel across the ocean to create new lives for themselves in a new country dubbed “Liberia”. The main problem that faced many of these “Americo-Liberians”, as they were now called, is that many were not African, and if they were, they were so far removed from their former culture that they simply could not relate to tribesmen on the interior of the country. This lead to a massive division where a lot of these former slaves saw themselves as more educated, more civilized, and simply “better” than the locals, leading to the creation of a leadership class that existed until the 1980’s.

So what does this African history lesson have to do with Doctor Who? I think the idea behind this event has a lot of ramifications in nerd culture at the moment, and I believe we ALL can learn a very important lesson here. Formerly marginalized “nerds” are being forced to mingle with people that they see as inferior, and are treating them like garbage as a result. In a way, the formerly oppressed have become the oppressors and I’m really sick and tired of it. Just because someone got picked on in school, doesn’t give them the right to strive for the very power used against them. This has been brewing for a while, but there is starting to be a real elitist attitude blemishing nerd culture. Some people are weary of, if not downright antagonistic to, any “newcomers” to their hobby of choice. Whether it be comics, TV shows, cartoons, or in this case Doctor Who, these people have invested so much time that they feel the need to protect their baby from the marauding barbarians.

The opening shots in this asinine “war” seemed to be a fairly misogynistic blog post from last year. The post in question, which I have placed below, is by veteran comic creator Tony Harris. Harris had problems with what he perceived to be “fake geek girls” at conventions, a type of woman that Harris suggests is there to either seduce or “cock-tease” unsuspecting geek guys. I could elaborate more, but you can read it yourself:

I have been asked my opinion on this for a while, and I kept mostly quiet because internet crusaders made a huge deal out of the situation, and I have a tendency to stay out of giant internet fights. Also I DO NOT share the popular opinion of many nerds, and welcome anyone to do anything they want, and participate in anything they want to. My opinion is that Harris clouded what could have been a decent post about people dressing scantily at conventions with a ton of misogynistic garbage. As somewhat of an egalitarian on gender roles, I find his mindset terrible. It all boils down to this:

“Attractive women at cons are not really nerds, they are just trying to hurt you.”

“These girls are not fans of whatever they are pretending to be.”

“I should get more attention at cons because I make comics.”

“P.S. These girls are only hot at cons, in real life I bet they are ugly.”

Without reading too much into this rant, one can see the bitter ball of hate that sits in the belly of many a nerd fan. After this was posted, many women were incredibly mad at Harris. He seemed unready to accept the gigantic backlash he got afterward, and tried to back-peddle a bit. He did have his supporters though, as it’s not like Harris came up with this all on his own. There is a real problem with folks attacking “fake fans” whatever the hell that means.

This finally brings me to Doctor Who, and the recent announcement of Peter Capaldi taking over the role from a departing Matt Smith.

For the better part of a decade now, the lead actors in Doctor Who have been on the relatively young side. Long time fans will know that this is a new trend for the show as a whole, but for some new fans this is the ONLY reference they have. This shift to a younger demographic helped bring one type of fan into the Doctor Who family that seemed elusive for years – young women. Many young women have become fans of the show because they were initially attracted to the main actors, then got into the fun of the program itself. This is exactly what the production team wanted to happen, and it worked very well. In no time at all, the show’s fans went from a small inclusive crowd to a worldwide audience including casual fans of all ages.

For this next example, let’s try to think like a teenage girl, and if you are a teenage girl- BONUS! So imagine if you will, having a crush on this actor that you really like then he announces that he’s leaving the show. Even though you fell in love with the guy before him, you were really starting to like this new guy, and he’s already leaving. You’ve sat down to watch them announce the successor and someone as old as your grandfather comes walking out!

This puts The Doctor way outside the romantic comfort zone for many of these fans. Thus the reason for videos like this:

In the video above, a girl that is obviously a huge fan of the show ends up less than happy about the choice of Peter Capaldi. I’ll agree that the video seems superficial, and the girl seems rather annoying, but let’s go deeper. The video is almost besides the point, as my real problem lies with all of the “real fans” that feel the need to be nasty to a young girl for “being fake”.

“Back to Loose Women and X-Factor for you, slattern. You have “squee’d” your last.”

“Im surprised she wasnt fatter. Good job being superficial kid!”

…And it just goes on and on.

This video was circulated quite a bit over the weekend, and the “fake geek girl” crusade finally made it’s way into Doctor Who fandom. My question is: since when did we need to prove how much of a nerd we are to gain “street cred” with stuff like TV shows? Are we supposed to collect merit badges now, or are we simply measuring the size of our nerd genitalia here? I honestly see no difference here to what happened when Matt Smith was announced for the role in 2009. Many old-timer fans were furious that someone so young was offered the role, facetiously suggesting that the Twelfth Doctor was going to be ten years old. Some stormed off and claimed to never watch the show again because of such a decision. Fans like me may have said: “good riddance to them, as they are just as annoying as the video above.

So what if someone hasn’t seen 50 years of a TV show, does that mean they can’t enjoy it? Maybe they enjoy it for a different reason than you. Just because somebody chooses to express their love for a show doing something like writing erotic fan fiction about it, that doesn’t make them part of some subservient class under the almighty uber-nerd class you you obviously are part of. If they are a “fake fan” then they will simply disappear when the next big thing comes along, why would they hang around something they hate?

We, as nerds, need to GROW UP. We need to realize that things like science fiction, and comic books, and movies based on comic books have all gone mainstream. That thing that you are a fan of? Millions of new people like it as well, and that doesn’t mean that they are any less fans because of it. Some may not memorize random trivia related to the show, some may even concentrate on something you could care less about like wearing costumes from the show, but they are still fans. There are not “fake nerd girls” trying to destroy the lives of nerdy guys, because that sounds utterly ridiculous when said out loud. Yeah that cheerleader may have made your life hell in high school, but what if you both like Batman movies? Doctor Who? Comics? Maybe we should strive for common ground, and not perpetuate stupid John Hughes movie high school class structures into adulthood, it just makes us all look bad.

Note: The following is a mirror of a video game review that I did a few years ago when I worked for VGchartz. Just in case something happens on that site, I don’t want to lose it.

My typical TV viewing routine during many a summertime Sunday night involves watching my favorite show, Doctor Who. Sadly as of last week I noticed that a void was now slammed into my life. The truth was that I had no new Doctor Whoepisodes to watch until around Christmas time because the season finale had just aired. Gladly, the BBC was there for me once again with the second of four interactive Doctor Who episodes. Doctor Who – The Adventure games. Episode 2. Blood of the Cybermen is the second adventure and begins with a man working in an arctic base fleeing from an unseen menace on a snowmobile. The man, mumbling to himself about unspeakable horrors, flashes back to what caused the problems: an excavated Cyberman arm.

The Cybermen are quite possibly the TV show’s most recognizable villains after the Daleks, who we saw in the last game about a month ago. For those who do not know, the Cybermen are a race of androids that have began to travel the stars in search of bodies that they can assimilate into their race. What began as a measure to stop the death of their kind became a true horror. Blood of the Cybermen captures the villains in all their terrifying glory, complete with all of their signature voices, sound effects, and catchphrases such as “you will be like us…”. Before any Star Trek aficionado points out the similarity to ‘the Borg’, a similar villain from the Star Trek TV show and films, the Cybermen came first – 1966 to be precise.

I’m not too sure when the game takes place in relation to the TV show, but it’s pretty safe to say that it’s an unaired adventure set sometimes before the show’s finale. It stars Matt Smith as the Doctor and Karen Gillan as Amy, his companion. Both perform all of the voices and such for their characters. The Doctor is up to all the quirky hijinx that fans of the show are used to, including a section of dialog where the Doctor claims that he taught Elvis Presley how to play the guitar, albeit very badly. The rest of the story involves the Doctor, Amy, and a few new friends as they try to stop the Cybermen from taking over the aforementioned arctic research facility.

The core gameplay is typical adventure game fare, with the player controlling the Doctor and Amy as they investigate their surroundings. You use the mouse or the direction keys to walk around, a left mouse click to investigate glowing objects, and “I” to bring up your inventory. This game has a bit more variety than the first from the get-go as some puzzles force you to work in tandem with your assistant. For instance, right at the beginning of the game you are given a rope that you must throw to Amy to tie to a snowmobile wench. When doing this the game switches viewpoints from the Doctor to Amy then back. While the first game did a bit of this, it was never to solve one puzzle together, and was more of a “tag-team” affair, as one character would go off and fetch random stuff whilst the other was busy. The system is implemented better here.

As with the first game, the Doctor doesn’t actually carry a gun or any other weapon, so fending off enemies is pretty tricky. The developers handle this well by making use of a Metal Gear-esque sneaking style that comes up any time you get near an enemy. The Doctor automatically crouches down, and you are given an indicator in the shape of a caution symbol. If the symbol is green, you are mostly fine, but the closer to red the indicator goes the closer you are to getting killed. The sneaking sections in the second game are much better than many of those found in the first; the enemy A.I. seems to both be better and harder to stump. When sneaking past the Daleks in the first game, many were planted around like un-moving sentries that you could simply run behind. The Cyberslaves, which are Cybermen that have been only partially “Cyberized”, move around like zombies, and as such move their line of site around. This, and their way of walking around corridors, makes them a much more formidable enemy.

This sneak mode has been coupled with a lot more climbing and exploring, thanks to the arctic cave setting which takes up a portion of the game, and so gives it a Tomb Raider vibe. There is even a portion fairly early on where you have to make it across a melting ice flow; one wrong step and it’s an icy grave for the Doctor. This makes portions of the game much more interactive and plays like a platformer game.

The puzzles have also been overhauled. More specifically, there’s increased variety to the ones you’re given. This game only recycles one puzzle from the first game, that being one where you re-wire something that is broken. Other than that, the game contains a handful of new puzzles. They aren’t hard, but they’re challenging enough to break up the gameplay and still keep it interesting. One problem I had with the first game was a puzzle where you had to drag an icon through an electrified maze. The first time, this puzzle was fun, but after three times I was done with electrified maze puzzles. In this game, not only do you have to match the radio waves of a signal to stun an enemy, but you have to create an antivirus. Pretty cool stuff if you ask me, and far more varied.

On the graphical side of things, we are once again faced with the following dilemma: the game is free (in the U.K.), so compared to other free games such as flash based puzzles games, Blood of the Cybermen blows most of them away. On the flipside, the game is no graphical wonder – even on the highest settings the game is fairly reminiscent of an original Xbox game or possibly a low-end Wii game. On the plus side, many of the environments in the game are much larger than the first game, such as the crashed Cyber-ship, and really show off the scope of this game. The graphics are a mixed bag – some places, like the crash, look amazing, while others look on the sub-par side.

Musically the game is awesome and has the sound production values of a larger, much more expensive game. This was brought to my attention, not because the music is overpowering, but because it keeps the player energized as the game progresses. There are some intense moments in the later parts of the game when you are being pursued by an army of Cybermen, and the music escalates to show you how close to being killed you are; not bad for a free game.

As with the first game, Doctor Who – The Adventure games. Episode 2: Blood of the Cybermen is a great game for the price. The game is only a few hours long, but that helps pace the game out so that it’s like an interactive episode of the show. As of right this moment the game has still yet to be announced for the U.S., despite the official website proclaiming that they would be available in “early July”. Time will tell if that ever gets fixed, but one can assume that they will pop up later this month, after the initial run of Season five ends. All in all, you really can’t find a better Doctor Who game out there. While the graphics are a bit hit or miss, they are average at least for a game of this scope, and there are plenty of things for completionists to find.

Note: The following is a re-publish of a video game review that I did in 2010 ago when I worked for VGchartz. Just in case something happens on that site, I don’t want to lose it, and figured my blog would be an awesome place to share it.Since this time, all of the games were released in the U.S. for a small fee, if you run a Google search, you should find them pretty easily.

For those that do not know, a little sci-fi show from the UK called Doctor Who has become a media phenomenon and a popular television program in many countries. Doctor Who even holds a handful of Guinness world records including one for most successful science-fiction series, one for the longest running magazine based on a TV show, and longest running science fiction show. You would think that with a pedigree of that ilk, the show would have entered the realm of videogames more often, but aside from a recent Top Trumps game and a few PC games released in the 1980’s not much has been done with the franchise.

Recently BBC revealed that it was in talks with a few major publishers to bring a few top BBC properties to our consoles, and Doctor Who would be one of the first. The Production staff for the new show got in contact with Broken Sword creator Charles Cecil and Sheffield-based studio Sumo Digital to make Doctor Who: The Adventure Games. The series is a four part episodic adventure game, released for free in the UK, with a US release forthcoming.

The first of this four part adventure has all of the content you would expect from a doctor who episode, and in fact even has the iconic title sequence and theme song there to remind us that this is essentially a standalone episode of the show. The story revolves around the Doctor as played by Matt Smith, and his assistant Amy, as played by Karen Gillan, landing in 1963. The Doctor suggests that they go see the Beatles or another activity of the time, but finds that something is not right. It appears that the ever-so-popular adversaries for the Doctor, the Daleks, have landed there at some point and re-written time. It’s up to the Doctor and Amy to unravel the catastrophe and hopefully prevent the ramafications of human enslavement under the regime of the metallic marauders.

The core gameplay is typical adventure game fare with the player controlling the Doctor and Amy as they investigate their surroundings. You use either the mouse or the direction keys to walk around, left mouse click to investigate glowing objects, and “I” to bring up your inventory. A lot of the puzzles are pretty simple, leading me to believe that this game was mostly meant for the younger fans of the show, but any inherent “easiness” is not indicative of the game being childish or condescending as some children’s games are.

The children’s aspect of the game is re-enforced by the inclusion of “fun facts” where you click on a point of interest such as a fallen bus stop sign, and there suddenly pops up a history of red double decker busses. This is done in a way much similar to the lore found in the Metroid Prime games. While this does make the game somewhat educational, it doesn’t hammer you over the head, and these segments can be skipped if you are adverse to the idea of learning anything while you play a game.

Since the Doctor doesn’t actually carry a gun or any other weapon, fending off of enemies is pretty tricky: Doctor isn’t exactly Rambo. The developers handle this well by making use of a Metal Gear-esque sneaking style that comes up any time you get near an enemy. The Doctor automatically crouches down, and you are given an indicator in the shape of a caution symbol. If the symbol is green, you are mostly fine, but the closer to red the indicator goes, the closer you are to getting killed. Luckily if you do die, the game resumes at the last checkpoint that you made it to. The last real gameplay type you’ll have to deal with are occasional puzzles including a “drag the item through a maze without touching the walls” segment. These aren’t too challenging, and they keep you busy throughout the game.

On the graphical front I wasn’t expecting a whole lot to be honest considering the price tag, but was pleasantly surprised that the game looked somewhat like an original Xbox game, or possibly even a Wii game. The animation is sometimes inconsistent with a few places looking far better than others, giving a somewhat rushed appearance. Some of the motions are a bit jerky, but I’ve seen worse mishaps on console games with a much larger budget. The game has an almost cell shaded appearance which really helps any sort of graphical inadequacy as it gives a more cartoony look. The mannerisms and facial features of the actors involved is flawless, a feat that was achieved by the use of a new type of rotoscoping to map the real life actors’ movements onto their 3d models.

The sound direction in the game is done fairly well, and contains a lot of spoken dialog. This really helps the pacing of the game, and again reiterates the belief that this game was intended to be as much like an episode of the show as possible. In the background there is also have music that I assume was composed for the show, which adds both tension and wonder.

For the most part, Doctor Who: The Adventure Games Episode 1: City of the Daleks is a great game for the price, which for UK players is nothing (well technically you guys paid for it with the license fee). As long as the US price is reasonable upon release, let’s say maybe 5 dollars, it’ll be good as well. While not a technical achievement, it stands head and shoulders above any other free game based on a TV show that I’ve played, and is probably the best Doctor Who game ever made. The developers did a great job using what I imagine was a miniscule budget, and made something that was reasonably enjoyable. The game lasts a few hours, and will keep you busy if you decide to collect everything, and mess around. Sadly, we don’t get much of a “next time” trailer (if you will), but rumor has it that the second game will contain the iconic villians: The Cybermen.

When Matt Smith became The Doctor way back in 2009, there really wasn’t a whole lot of fanfare. This was made more abundantly clear on my side of the big pond as the show had yet to hit the current levels of promotion that it achieves over here. As I recall, some promo images were snapped and Matt recorded a short video interview and that was that. This time around, the BBC has gone all out with a live TV program simulcast around the world. With the nature of Doctor Who Live: The Next Doctorpretty much existing to introduce us to the new actor, I wasn’t expecting a whole lot of substance. And that my friends is what we got here: some fluff with a cool interview at the end. I decided to write up a brief synopsis for those unable to watch the show, and despite the fact that everyone suddenly knows who Peter Capaldi is, his relationship to the show may be foggy for some fans.

Doctor Who Live: The Next Doctor was presented as a sort of late night talk show in a similar vein to either the Graham Norton Show or the old BBC Jonathan Ross Show. The presenter for the evening was Zoe Ball, someone that I’m unfamiliar with. A quick trip to Wikipedia land reveals that she hosts things like dancing shows over in the UK, a fact that means I will immediately forget who she is after typing this. Ball did her best job of hyping the crowd up and keeping everyone relatively excited as she and the audience watched video clips with selected celebrity guests. These guests included Peter Davison, Liza Tarbuck, Bernard Cribbins, Rufus Hound, and Daniel Roche. We also got to see brief glimpses of video recordings of Steven Moffat and Bonnie Langford as well as other cast members from the past, too bad these clips were short and were similar to VH1 “I Love the 80’s” shows.

The audience was basically silent for this whole thing until the very end, forcing guests to go for cheap pops in order to make the audience cheer. Rufus Hound went as far as to mention England to get a cheap audience reaction, the same thing rock musicians do at a concert to get the crowd going. I’m not saying this was bad or anything, but aside from Bernard Cribbins and peter Davison, I have no idea why some of these guests were chosen. One decent bit from the whole video clips montage was a Matt Smith interview where he talks about his departure from the show, and gives some kind advice to the new guy.

There was a tense moment where we saw the new actor’s hand as he waited for the cue to go onstage,and then the tension was relieved as Peter Capaldi walked out. Capaldi discussed his love for the show, and trying to win over the audience. They reminded fans that he has been on both Doctor Who and Torchwood at different times, and that he once wrote a letter to a newspaper about the show as a teenager. Look’s like we’re in good hands, folks Capaldi is awesome.
To be honest this show was sort of unnecessary and seemed sort of thrown together. It is cool seeing a show I love getting this much attention though, as it was a mere 4-5 years ago that I had to defend it’s existence to a co-worker that insisted nobody had heard of it, and there was no way more people watched it than Lost, his contender for “greatest sci-fi show ever”. Last time I checked, Lost didn’t have vapid talk shows discussing casting choices did it? I claim the win!

Here we go folks, it’s now less than 24 hours until the BBC is set to announce the twelfth incarnation of everyone’s favorite time traveling madman. Speculation on the possibilities has been running rampant since basically one day after Matt Smith took the mantle in 2009, but when we are so close to the actual day of reckoning, it seems like we may have more of an idea now. While some of these rumors strike me as nothing more than the Sun’s attempt to get people to buy newspapers “We reveal the next Doctor!”, others strike me as wishful thinking. So here we go, I’ve rounded up the top six rumored Doctors.

Media companies like The Radio Times and The Mirror seem to be convinced that Ben Daniels, most recently featured in Netflix’s House of Cards, is a shoe-in for the role. Their speculation seems to all boil down to the coy manner in which he reacted to a question about his possible involvement. Apparently not flat-out denying something means that you are going to be in the show.

There has been a recent trend of industry insiders making bets on things they have inside information on, and profiting on it. WWE has recently had a handful of Pay-Per-View outcomes spoiled by this as media outlets all start leaking who is the bookie’s darling mere minutes before something happens. Peter Capaldi has sky-rocketed to such status today, as he has become the odds-on favorite on many online betting sites. Known for his foul-mouthed role in The Thick of It, could he be the next Doctor?

Andrew Scott –

Many people have been looking at other actors that Steven Moffat has worked with in the past to try and figure out if he’d use someone he has already worked with. While it seems that rumors of the involvement of Benedict Cumberbatch are completely false, a new name has come out of nowhere – Andrew Scott. Well known for playing Moffat’s Moriarty in the beloved BBC adaptation Sherlock, Scott would be awesome, but part of me thinks the whole thing is wishful thinking by Moffat fans.

Mere minutes after Matt Smith announced his imminent departure from the show, hundreds of articles popped up with one potential replacement seemingly chosen – Rory Kinnear. Known for his roles in the last few James Bond films, Kinnear has the perfect profile that producers usually go for: known actor, but not too big. I feel that the almost immediate appearance of his name on the list points to a red herring, but time will tell.

One of my friends brought this intriguing choice to my attention earlier today – Chris O’Dowd of The IT Crowd fame. He has been slowly moving up the rankings as everyone’s favorite lovable Irish guy ever since he appeared in Bridesmaids, Girls, and Moone Boy. I’d love to see O’Dowd actually, and maybe we could see a Richard Ayoade cameo?

Seriously guys? There is stunt casting,and then there is this monstrosity of a rumor. I’m not one of those guys that thinks the character of The Doctor could never be played by someone of a different gender or ethnicity, but having an actress that played one of the most beloved companions play the character would be terrible. Especially, considering Rose being confirmed as appearing in the 50th anniversary special, I think the odds of this happening are pretty slim.

Note: Much like my review of the season 7b finale, this contains spoilers, but why would you be reading this anyway if you haven’t seen it!

So there we have it folks, another season of Doctor Who has finally reached its resting place in The Fields of Trenzalore, and all we have left is the horrible fact that we have to wait months for the 50th anniversary special. This season has had its ups and downs, but it all came together in the end to pave the way for the biggest celebration for science fiction fans all year. I have decided to count both halves of season seven as one for the purposes of this write up as I generally dislike the whole “7a and 7b” stuff. Not being a fan of split seasons is rough when every show seems to be either doing it these days. I will touch on this sort of thing later, for now let’s get on with my analysis of the season. Was it successful? Was it good? What can we look forward to in the 50th anniversary? All of these questions should be answered.

Before we talk about season seven, let’s peer back into the long off time of 2011 and what happened in season six. When we left The Doctor in season six, he had just foiled the plans of a religious order hell-bent on his own destruction. It seems that “The Silence”, the name given to this group, are some of the most comically inept villains in the history of Doctor Who. I say this because they not only botched their own plan no less than three times, but have unintentionally caused the demise of existence a few times as well; all in the name of saving everything from The Doctor! When we first saw them, they had orchestrated a convoluted plot to destroy the Tardis and kill The Doctor resulting in the fragmentation of time itself and the collapse of the universe.

Plan B seemed to involve the creation of River Song, a being designed to kill The Doctor; shame that The Doctor faked his own death. So why were they after him? It seems that they wanted him to never venture to a time traveler graveyard called the Fields of Trenzalore, as his name could destroy the Universe – the very plot of the finale for series seven. If we have really grasped the intentions of “The Silence”, it seems that they were not the villains at all, but went about saving the universe in utterly horrible ways. That is assuming we won’t have a big change-up next year, something Moffat could easily do to mess with us. My hope is that this will be addressed to show their fear of the “John Hurt Doctor” a mysterious possible incarnation of The Doctor, we briefly saw at the end of The Name of The Doctor. Perhaps, he is why all the aliens tried to trap The Doctor in the Pandorica? Maybe he is the nemesis of the Silence? I hope this isn’t left hanging in the end.

From my thrown together synopsis up there, one can gather that series six was very complex and existed as one long storyline from episode to episode. I liked season six, but was not a fan of the slow burn, almost Lost-like nature of the season. I still think it created far more questions than it answered and left the fans with a truckload of presumed plot holes that have been speculated on for years now. I was excited to see the focus shift to a more “one-shot” styled season, a decision that was really hyped up prior to the transmission of Asylum of the Daleks. In a long interview for BBC America, Karen Gillan laid out the nature of the series pretty well:

“This season has been done in a really interesting way with five standalone epic episodes, like a movie a week, all building to the departure of the Ponds! We actually kick-off the season with Amy and Rory’s relationship in a sticky situation; it is less than marital bliss. Those scenes were really interesting to do, she explains, because they created such a different on-screen atmosphere between Amy and Rory, something that the viewers wouldn’t have seen before. That is the good thing about Doctor Who, it gives you the chance to shift the character, and you never know what is going to happen from episode to episode.”

Granted, that synopsis is for the first half of season seven, but the general tone was kept the entire time. Some of the stories would have benefited from either a longer timeslot or a second part, but I don’t think any of them were truly harmed by not being like that.

I mentioned earlier that I hate the new television fad of splitting seasons in half in order to create a ratings boost in the middle of a show’s run. Fans hate it, but networks have to do it nowadays to cling to their old ratings models and get advertising revenue. I could rant about how times are changing, but that’s a topic for another day. There are many good reasons to split seasons. Not only can companies sell half DVD sets and make a tiny bit more money (ex: two 50 dollar sets as opposed to one 75 dollar one), but they can also save money on production, and I feel this is what hurt Doctor Who this year. With huge BBC budget cuts hacking apart their usual expenditures, big shows like Doctor Who had to find some way to avoid a long hiatus or lackluster special effects due to a low budget, and it seemed a split was the best idea. Granted, everyone involved is highly in demand and wanted to work on other projects, so the split season idea seemed to benefit everyone. I’d rather deal with it than to loose Matt Smith of Steven Moffat to other commitments.

That wasn’t the only problem that occurred during season seven behind the scenes. There for a while it seemed like a revolving door of new executive producers was constantly spinning. There has been no reason to believe that anything bad is going on in the shadows, but having people like Piers Wenger and Beth Willis leave after such a short time had to be hard to deal with. Next Caroline skinner left amidst rumors of some sort of backstage fallout between herself and Moffat. She had this to say upon departure:

“I will miss them all enormously, but I’m leaving Doctor Who in fine form, with the new series starting at Easter and the fantastic plans for the 50th Anniversary already underway. I am delighted to be now returning to BBC Drama Production in London as an executive producer, and the new opportunities and projects that will bring.”

Russell T. Davies and his crew of executive producers seemed in there for the long haul, so one has to wonder what the problem is backstage. On a good note, season seven saw some great change-ups and new blood on the writing and directorial front. On the writer’s side, Luther’s Neil Cross was brought in to pen two episodes. I actually enjoyed both immensely,but some fans disliked Rings of Akhaten for it’s different tone. The most notable new director is probably Saul Metzstein,who seemingly directed more than half the new episodes. The new guys aren’t getting all the fun, as I honestly see this season as a real return to form for some long-time contributors. Chris Chibnall has been really hit or miss for me, but he was the star of the first half of the season for me. It seems that he is perfect in doing these short self-contained episodes. Both Dinosaurs on a Spaceship, and The Power of Three reveled in the new format and excelled more than anything else he has done for other seasons. Mark Gatiss was another person that really brought out his big guns, somewhat redeeming himself for the Victory of The Daleks. I didn’t hate that episode by any means,but felt Cold War and The Crimson Horror were leagues better and easily his best since season one!

The first half of the season concentrated on the impending departure of Amy Pond and Rory Williams, and consisted of five episodes as well as the 2011 Christmas special. The following is a list of these episodes as well as links to reviews I did during the run. Note: I did not get around to doing three of the episodes at their time of broadcast due to personal time issues, so those will be added later on.

London, 1892. Snow is trying to evolve, feeding off of the nightmares of a little girl. But the Doctor has given up on saving the world. It is up to a young governess named Clara to convince him, with just one word, to save the day.

The Doctor has a secret he will take to his grave. And it is discovered…

After the mystery of Amy Pond got wrapped up at the end of season six, it was simply a matter of time before she and her husband Rory were on their ways out of the show. Fans were teased that they were most likely going to die in the episode, however that was usual Steven Moffat teasing. Everyone knows that he speaks in riddles and lies to make the fans believe the total opposite of what is really happening. By the end of The Angels Take Manhattan, we saw the bittersweet ending of the pair. Yes they did die, but they lived a long happy life before that, only without The Doctor. I’m glad the episode was bittersweet as I do not want an honest to God death to occur (like Adric), but an ending that permanently separates the companion from The Doctor is usually the best idea. Returning companions could get old pretty fast if they still make cameos constantly (I’m looking at you Rose Tyler) so having an ending like this complicates things for the better.

The actual characters of Amy and Rory were moved pretty decently as characters. At the beginning of Asylum of the Daleks, we see their relationship has crumbled over the years. Seeing that they have been together for something close to a decade by the time this episode airs, I’d say they had a good run, but were on the verge of divorce. It seems that Amy felt bad due to her experimentation by the Silence to create River Song. Having been made sterile and never able to care for their child, Amy wanted Rory to move on and have a “real family” with someone else.

Fans noticed early on that Amy seemed to love Rory less than he loved her at times, most noticeably when she was throwing herself at The Doctor in season five. This led to a lot of fans disliking her character from the very get-go. I never liked the criticisms that some gave the character as being very selfish, but I have to agree here that she was in season seven. Their reconciliation (and her redemption) comes at their very last episode as Rory is captured by a Weeping Angel and flung into the past. If you recall, the way the Angels feed is to ruin the potential lives of someone by taking them into the past and feeding on what could have been. Amy could have stayed there with The Doctor, but ultimately chose to stay with Rory by sacrificing herself to the Angels.

So how were Amy and Rory as companions? I felt that they were too tied into the plotlines to really breathe as companions at times. In season seven we really got to see them at their best, especially Amy in Dinosaurs on a Spaceship. Perhaps the multiple season mystery of the couple was a great idea on a drama standpoint, but it was dragged out far too long to have a real spark of chemistry ignite between themselves and The Doctor. They were more successful than Martha, perhaps one of the most tragic companions ever, but pale in comparison to Donna Noble.

Things are looking up with the newest companion Clara. It seems that The Doctor and she already have a spark, and she can stand toe-to-toe with him when it comes to witticisms and one-liners. For reasons of plot, she is a stronger character in Asylum of the Daleks and The Snowmen, but seems to regain what we saw before in The Name of the Doctor. This can be directly attributed to the interactions between The Doctor and Clara being hampered due to her status as “The Impossible Girl”. When one has witnessed someone dying and yet coming back, it’s really hard to trust them; and with The Doctor’s ability to attract trouble, I can understand his reluctance to trusting her. Once that barrier is lifted later on in the season it was smooth sailing, and season eight should be amazing if they can keep it up.

Aside from Amy, Rory, and Clara there were a handful of secondary companions that hung around this season. First off, we had Rory’s dad Brian Williams as played by Arthur Weasley himself-Mark Williams. I loved Brian because he was initially the most cynical, lazy person ever. He was content just staying around inside and paying attention to things that don’t matter. Thinking in terms of season four, he was the anti-Wilf! Due to his exposure to the Doctor and traveling around he does change his ways a bit, as Brian began traveling around the world and sending homemade postcards back to Amy and Rory. Most notably, he went to the planet Siluria with the Doctor and the dinosaurs aboard the Silurian Ark. Part of me wishes that Brian stayed around for more than the couple of episodes he was in, but I enjoy older companions for some reason. Season seven also contained a few appearances by The Paternoster Gang, the Victorian sleuth team that I love. I’d never go as far to say that they need a spinoff, but Jenny, Vastra and Strax always entertain me when they grace my TV with their hijinks. I’m especially a big fan of Strax for reasons that I brought up in reviews above.

The theme of the second-half of season seven seemed to be kicking off the run-up to the 50th anniversary. First and foremost, we saw the return of a lot of old foes. The Great Intelligence from the Troughton era was brought back in a very big way; he was the main villain essentially. Granted, he was in a different form than the old classic fans might be used to, but casting both Ian Mckellen and Richard E. Grant for different aspects of the role was a great feat. Grant, as longtime fans will remember, was originally going to be the ninth incarnation of The Doctor via a series of animated “webisodes”. Other retuning foes included The Ice Warriors, last seen in the Pertwee era. This nostalgia and homage was set to a fever pace in the finale, and episode that essentially featured small cameos by ALL of the previous Doctors, something that made me very excited. then we have the reveal of John Hurt as some sort of unseen Doctor, in the most WTF-worthy moment the show has ever seen.

I kid, I kid, I loved the reveal of a possible “missing Doctor” and who can go wrong with such an amazing actor as John Hurt. Ever since I was able to see him in George Orwell’s 1984, I’ve known that he was a great actor. Even in smaller roles like the president in V for Vendetta, he was amazing and chewed the scenery like a master.

I was immensely satisfied with season seven, but I know a lot of fans were not. While long-time fans were mostly thrilled with the majority of the episodes,I noticed a lot of casual fans complaining about various things. These fans should be satisfied with the brief return of Rose Tyler and the Tenth Doctor this autumn- a pairing that I know most of them enjoyed. If anything, this season was very atypical for Doctor Who, episodes like Akhaten took big chances with the writing and direction, and that put off some people. I know that some UK based newspapers were all “doom and gloom” about ratings, but they seem to not realize that time-shifted ratings, those including non-live viewing via DVR boxes and BBC iPlayer, have been as good as previous seasons. Fans using this as fodder for obnoxious “flame wars” need to get with the times, people don’t watch TV in the same way that they did even a decade ago. In the US rating were up from series six and usually got somewhere around two million viewers – an amazing number considering the small number of folks that have BBC America!

I hope the rotating producers, odd timeslots, and other issues lead to an end to split seasons, or we at least get a FULL 13-14 episode season next year followed by another one after. for a drama to hold it’s audience, ratings, and get new viewers every year is no small feat, it’s time for the BBC to notice this. If that means the end to the Moffat Era, and an exit by Matt Smith in season nine so be it, change is always fresh in a show such as this. We all know that Jenna-Louise Coleman is returning for a newly commissioned eighth season, and that Matt Smith will probably be in it, but that’s just about all we know. I think we have the potential for a real amazing season next year, especially if those Peter Jackson & Doctor Who rumors are true, so here’s to the future,and more importantly the two specials yet to air this year!

Doctor Whoseason finales have been generally decent throughout the current run, although most of them were getting a bit too epic until Moffat took over as show runner. When you’ve had things escalate from the earth being in peril, to a Cyberman / Dalek war, to The Master decimating everything on up, it seemed that Russell T. Davies was always trying to outdo himself each year. One thing I’ve enjoyed a lot since season five is that this tendency to “popcorn movie” finales has been toned down in favor of slightly more subdued ones. Granted, the universe is usually blinking from existence or something, but at least the Doctor is no longer part of an immense war or similar things. Tonight was at long last the finale for season seven, a season I generally enjoyed despite a feeling of disjointedness all year. Even though The Name of the Doctor seemed low key, there were far more moments where I was literally yelling “holy (expletive)!” at the screen.

First and foremost, I was amazed at the opening scene, one which shows a crew of puzzled technicians called to the scene of a theft. What we soon realize is that this was “the theft”, the one that started it all; this was when the Doctor borrowed the Tardis on Gallifrey! Clara is seen falling through time itself, and says that she has been running throughout his history in order to save him. It was at this point that I was grinning from ear to ear, as the next few minutes are filled with scenes of Clara interacting with all of the “classic” Doctors in various old episodes. This was obviously done with a computer, but there were some real cool things like a colorized William Hartnell in the mix. I know the fiftieth anniversary isn’t until November 23rd, but I think this was the moment that this fact really sank in for me.

The plot for the episode is as follows: An evil scheme is revealed by the Great Intelligence/Doctor Simeon (one again played by Richard E. Grant) to force the Doctor to his final resting place – Trenzalore. The nature of Trenzalore has been a lingering mystery since it was revealed last season, but we find out that it is the place where time travelers are laid to rest. Since Simeon has kidnapped The Doctor’s friends (The Paternoster Gang) The Doctor has to jump into action to save them, and stop Simeon at whatever plan he is concocting. It seems Simeon, flanked by the creepy “whispermen”, wants to open the “Doctor’s Tomb” and destroy the Doctor from existence in a petty act of revenge. He does this by jumping directly into the Doctor’s time stream, and reversing every success he ever had as the protector of the universe. Pretty soon entire planets begin to disappear, as does the people most important to The Doctor. Clara then realizes that the only way to stop him is to also jump into the time stream, at the cost of her own life.

“I don’t know where I am, I just know I’m running. Sometimes it’s like I’ve lived a thousand lives in a thousand places. I’m born, I live, I die. And always there’s the Doctor. Always I’m running to save the Doctor. Again and again and again. And he hardly ever hears me, but I’ve always been there right from the very beginning, right from the day he started running.”

This selfless act answers the question of how Clara could have shown up multiple times and died trying to help The Doctor. When entering the portal, she has shattered her existence into millions of fragments all destined to save The Doctor from Dr. Simeon. Moved by her kindness and a little chat with his “timey wimey” wife, River Song, The Doctor decides that he will save Clara for once and leaps into his own timeline. What followed was the most spectacular and yet also infuriating cliffhanger in the history of the show. When he is re-united with Clara, The Doctor tries to divert her attention from a dark figure standing in the bowels of his time stream. This figure is his greatest secret, something the Doctor is both trying to hide and feels ashamed of. The figure turns and it is revealed to be none other than John Hurt (1984, V for Vendetta) as a mysterious forgotten regeneration of himself…..credits roll. The wait until November is going to be excruciating!

My brain is buzzing with speculation that this is an aborted regeneration of The Doctor, perhaps the one that turned rogue during the time war. Fans have often wondered which incarnation that did all the bad things that he feels terrible about all the time, looks like it may be this guy. I love this revelation because we all know what happens when The Doctor loses his grip on “humanity” just a bit. We’ve seen the Dram Lord, Mr. Clever, The Valeyard, and even what happened to the Master, we could finally be getting close to the mystery of the Last Great Time War. I know some fans will get mad that there could be a tangential incarnation of the Doctor out there, but this is not a new thing. I mentioned the Valeyard from Trial of a Time Lord. But don’t forget that there could have been pre-Hartnell era regenerations as seen in The Brain of Morbius!

I also loved how the “name of The Doctor” was not revealed in this episode, as anyone with half a brain cell could figure out. Steven Moffat isn’t as dumb as the folks that decided to reveal the Marvel character Wolverine’s backstory; as it would ruin all the mystery, plus no one would be happy with it. The name was the “password” to his crypt, and he was nearly forced to utter it until River Song whispered it to open the door. The episodes title is actually a play on the fact that he took the name “The Doctor” as an oath to be good and help people, but one of his lives didn’t for some reason. And I’m sure we will find out why in November. While the episode did reveal just about all the mysteries related to Clara, there is a bit of muddled continuity in previous seasons. One has to wonder why The Silence were so keen to stop The Doctor from going to Trenzalore, unless they were actually not bad guys at all and knew he would cause something really bad to happen by showing up. I hope this gets addressed and doesn’t get added to other plot holes related to The Silence from way back in season five.

I absolutely loved this episode, and felt it was easily one of the better season finales. Granted I hated the finale for season three, and a few others felt a bit bloated, but that is saying a lot for me to have liked it so much. The acting was superb, the cameos from “classic” Doctors was really cool, and the finale was amazing. The long wait until November is going to be excruciating; I mean this is almost as bad as the infamous Star Trek cliffhanger from The Best of Both Worlds!

I’ve been Catching up on Doctor Who On Amazon, maybe you should as well:

Neil Gaiman gained many accolades for his last foray into Who-dom, The Doctor’s Wife. These included, but were not limited to, the Hugo Award for Best Dramatic Presentation (Short Form) and the Ray Bradbury Award for Outstanding Dramatic Presentation. Gaiman had some huge expectations to live up to with his sophomore effort; an uphill battle that many fans would take to heart. All I noticed for the last few weeks was a steamroller of hype leading up to Nightmare in Silver, and I held back. I know that whenever I let hype color my eyes when it comes to TV and film, it always ruins my experience. The ill-fated Brett Ratner film, X-men 3, is a prime example of this, I got far too hyped prior to release and was utterly destroyed by what could have been an average film – to me it was an atrocity on celluloid. Noticing the general lukewarm reception to Nightmare in Silver earlier today, it looks like this over-hype may have happened to a lot of Doctor Who fans. This season seems to be the most divisive season since the McCoy era, some love the episodes and others are complaining endlessly. Let me get this out of the way, Nightmare in Silver is not as good as The Doctor’s wife, but my enjoyment of the episode did not hinge on this; I really liked it despite its flaws.

As you can probably figure out, Nightmare in Silver is a Cybermen episode. Gaiman said many times in his lead up that he wanted to “make the Cybermen scary again”. This is a tall order because many feel that they haven’t really been scary since the Patrick Troughton era. Unsettling? Yes, but “scary” is hard to pull off with a large metallic dude stomping around shouting “DELETED” and other catchphrases. What we have is an updated version of the original Cybermen; they have evolved long enough that they now strive to “Convert” other creatures aside from just humans. They have become sleeker, employ an updated version of a Cybermat (now called a cybermite and used in partial Conversions), can warp time to teleport briefly, and have removable body parts that act as decoys, drones, and searchers. Is somebody under that table? Just take your hand off and walk it over to them! Is a pesky non-converted person behind you? Swivel your head around like an owl! These upgrades make the Cybermen more of a threat and in that regard scarier in mass. While I would have enjoyed something more disturbing than what we have here, an overpowered and nearly Borg-like version of these guys is pretty hopeless to our heroes.

These upgrades and the general “feel” of the episode was almost exactly like Rob Shearman’s 2005 episode Dalek. In that particular piece we were shown the “upgraded” time war-outfitted Dalek model including some crazy new technology like a force field, swiveling midsection, and the ability to take DNA by touch. In Nightmare in Silver fans are treated to a new Cybermen fresh from an undisclosed “Cyber war” that can do the aforementioned feats of awesomeness like teleportation. It was this little head nod that made me enjoy this episode quite a bit, since I generally like “base under siege” episodes quite a bit.

The plot follows the Doctor, Clara, Angie and Artie (The kids Clara takes care of) as they attempt to visit the best theme park in the universe. If you recall, Clara got blackmailed by Angie and Artie in The Crimson Horror and basically forced The Doctor to let them tag along. When they get there, they realize that the whole park is in ruins after a huge battle with the Cybermen long ago, and a group of world-weary soldiers and con-men are hiding there. The gang runs into a man named Webley (Jason Watkins) who has a surprise – a hollowed out Cyberman that “magically” plays chess against all that would try to defeat it. This is an obvious allusion to the infamous automaton “The Turk” that wowed players such as Napoleon and Benjamin Franklin way back in the eighteenth century. And just like the real Turk machine, this Silver Turk (also the name of a Big Finish audio play with a similar plot) is a fraud. A man named Porridge (Warwick Davis) is actually under there moving the arms and such. This “shell” of the old Cybermen waits until Webley is alone and dumps Cybermites all over the place putting its plan in action. Pretty soon, people are partially converted, the kids get captured, and an army of Cybermen awakens from one of their infamous “Tombs”.

While the villains in this episode are obviously the Cybermen, but their leader is actually none other than The Doctor! During one of the kerfuffles, he is partially converted and his body is taken over by a cyber-consciousness. In a creative twist to a battle of wits, we see the internal battle in The Doctor’s mind played out with amazing shots of Matt Smith talking to himself. Whether you see two opposing versions of his mind arguing in his head, or the quick cut Gollum-esque arguments in the real world, the banter is both hilarious at times and scary at others. “Evil Doctor” the Cyber-Planner is really over the top, and nearly and comically mustache twirling as Mrs. Gillyflower last week. While it should have been cringe-worthy, I liked the scene where The Doctor plastered his “golden ticket”(admission to the theme park) to the circuits on his face and temporarily took complete control of his body, thus utilizing the tried and true Cyberman weakness.

Warwick Davis is awesome in anything he is in, and I really enjoyed him as Porridge here. Whether it is last year’s Life’s Too Short, or the fantasy classic Willow, he is one of those guys that seem pretty under-rated for how good of an actor he is. I know that a lot of that can be chalked up to his height, but those barriers seem to be fading with Davis and Peter Dinklage finally getting some substantial roles. I also felt that Jason Watkins did a fine job in the small amount of the episode he was the focus of, props for his half-Cyberman face. Now that I’ve mentioned the good part of the guest cast, here is the bad – CHILD ACTORS! I’m not usually a fan of child actors because they don’t act like children at all; they act like tiny adults that are smug and douche-y. If you met an adult that was like most characters portrayed by child actors they would get the crap kicked out of them in seconds! There are a few exceptions like Abigail Breslin in Little Miss Sunshine, but for every one of her, you have ten Jake Lloyds from The Phantom Menace. To me the kids seemed tacked on, I’d be amazed if they were in the original script, as they felt somewhat superfluous and contrived just to put children in peril. I especially did not like Angie as “know it all kid” characters are the worst. Dear science fiction writers- we do not want young Anakin, Wesley Crusher, Adric, or Boxy in our shows! Thanks, the fans. Oh, I nearly forgot the inept soldier characters, and you will too – nothing memorable about them to be honest.

While the music wasn’t that noteworthy, I will say that I enjoyed the sound design, especially with the new Cyberman voice. While the original 1960’s voice is still the creepiest, the voices in Nightmare in Silver seemed a lot like a cross between the Cybus models and the 1970’s ones. Special effects were decent, if not low-key, in this episode. Certain scenes like the Doctor’s brain were realized in a truly beautiful way – as an energy filled void with a brain glowing behind the Dual Doctors. Other things like the Cybermen teleportation seemed sort of bland, as that scene could have been terrifying had it been done right. I think this season has been a real work in progress on the director side of things, and it shows with some of the choices made like this.

All in all, I enjoyed tonight’s episode and felt it was above average. I think fans will judge it too harshly as many expect a great writer to constantly top themselves each time. People need to realize that Shakespeare himself didn’t make classics all the time; plays like Timon of Athens are a testament to that. This was classic Gaiman faire that fans of Neverwhere and Mirrormask will enjoy. And while it isn’t his best work, it’s still better than anything else on TV.

Since I don’t have cable I watch Doctor Who on Amazon Prime, maybe you should as well!

I know they aren’t everyone’s cup of tea, but I LOVE the Paternoster Gang. You may be wondering why I feel the need to qualify that statement; well, it seems that being a fan of them can be a misstep in the serious high-octane world that is Doctor Who fandom. Every once in a while I mistakenly try to venture into Doctor Who-related message boards, but am utterly underwhelmed by the negativity and cynicism within. I won’t name any forums that I used to frequent, but you can probably figure out which fun vacuum I am speaking of. One of my biggest pet peeves on these sites, are the folks that seem to think (and want to change everyone else’s opinions to agree with the notion) that Steven Moffat has ruined both the Sontarans and the Silurians by having Strax and Lady Vastra be good guys and have a sense of humor; for me, he has helped make the two somewhat stale races more enjoyable.

The humor from Strax alone (big props to Dan Starkey) can easily make an episode for me, but that’s no surprise because I’m a sucker for stories involving a guy from an extreme military background being forced to deal with normal human life. Characters such as Worf from Star Trek the Next Generation easily fit this bill as does Sousuke from Full Metal Panic, but my favorite of all is easily Strax. Case and point, would be his ordeals with the Doctor’s memory worm in The Snowmen, a scene that nearly made me visit the bathroom upon watching. Because of this love of all things Paternoster, I was really excited for this episode, and I wasn’t let down.

Mark Gatiss was quite at home here with his exaggerated pastiche of Victorian London. I have longed to see him write a script that came close to the warped world that was The League of Gentlemen, but got left with a few “hit or miss” episodes instead. The Crimson Horror may not be the same sort of black comedy as League, but it’s every bit as off-kilter and has as many laughs as scares. At this point and time, I think Gatiss has produced the two strongest scripts this season, with Cold War being his other one. This vast improvement shows that he could be a clear contender to take the mantle of Doctor Who show-runner should Steven Moffat decide to step down in the near future – an opinion I did not have during his episode last year.

The story of The Crimson Horror takes a very unorthodox approach by not actually showing The Doctor and Clara until a long time into the episode. In fact, Madame Vastra, Jenny, and Strax are the focal point this time around. This isn’t the same idea as when we used to have “Doctor-lite” episodes such as Love and Monsters, but a cool way to tell a story from the middle rather than the beginning. The Parternoster Gang has received an inquiry to investigate a strange illness called the “Crimson Horror”, a terrible ailment that leaves its victims rigid and with bright red skin. The trail leads them to an apocalyptic community in Yorkshire called Sweetville. This town is led by a woman named Mrs. Gillyflower and her “silent” and unseen partner Mr. Sweet. Mrs. Gillyflower preaches that the end times are near and that our moral decay is destroying the world, a fact made more evident by appearance of her daughter Ada, a younger woman disfigured by a beating from her late father.

I mentioned that viewers are left in the dark as to the whereabouts of The Doctor and Clara for quite a while. This is because The Doctor is locked in a dungeon for the beginning of the episode; we hear him mumble and groan unseen while Ada calls him “her monster”. It is not revealed until Jenny discovers him rigid and with sanguine skin that he’s this “monster”. The main reason the Paternoster Gang is trying to figure out the “Crimson Horror” is because of an old urban legend that supposedly reveals a way to see the last thing a dead person sees. We learn that when someone dies, the final image they see is imprinted on their eye, and in the case of one of the victims, the last thing he saw was The Doctor! In hilarious antiquated sepia-toned flashbacks we find out the real story –

The Doctor isn’t the killer, but a victim himself. Clara and The Doctor found out about the problems in Sweetville long before the Paternoster Gang, and infiltrated the same way Jenny has, posing as interested parties. It seems that Mrs. Gillyflower has a preservation process that she is using to “save” folks from the upcoming apocalypse. It seems that she is using the venom from an ancient parasite – this, my friends, is Mr. Sweet, an ugly worm creature. The Doctor isn’t human, so he did not react well to the “treatment” and suffered the same fate as other “rejects”. In fact, had he not been saves by Ada he would have been dumped in the river like other discarded victims.

This episode is both VERY dark, almost grotesque at times, and hilarious. There are tons of little one-liners and quips that make the dialog for me. One of the funniest is when The Doctor brings up his issues with Tegan, a past companion: “Ooh, I once spent helluva long time trying to get a gobby Australian to Heathrow Airport!” Like I said above, my favorite scenes were with Strax. One of the best is his interaction with His new flesh and blood GPS sidekick Thomas Thomas (get it! LOL). The way “Tom Tom” saves Strax’s poor horse from execution because of its inability to navigate the streets of Yorkshire was hilarious. We also see Strax getting to FINALLY shoot his gun, an act that he obviously gets a bit too excited for leading to a scolding by Madame Vastra: “Strax, you’re over excited. Have you been eating those jelly sherbet fancies again?” I’m not in it for only the jokes, but if there are jokes in Doctor Who, stuff like this is great.

Ada and Mrs. Gillyflower are played by real life mother and daughter Dame Diana Rigg (of Avengers fame) and Rachael Stirling. Rigg is awesome in her role, and one can see that she simply had fun “chewing the scenery”. Their relationship in the episode is pretty dark and goes against the grain of the ongoing trope of “love saves the day” that we have seen constantly through the last few seasons. Once Ada realizes that her mother lied about her blindness and basically lets it slip that she used her as a test subject for the antidote for the preservation process, Ada is a bit less than happy. Let’s just say that Mrs. Gillyflower and Mr. Sweet are a bit worse for wear at the end.

So there we have it, one of my favorite episodes this year, and my favorite Gatiss script altogether! He seems to have the Paternoster Gang down, and hope that he uses them more often. The episode has a few small plot holes, and a bad guy plot just as silly as The Invasion of the Dinosaurs, but that doesn’t matter – it was pure fun! Next week we have Clara and the Kids she babysits facing the Cybermen, in a script by Neil Gaiman! Saturday can’t come soon enough!

Want a way to watch this episode, but don’t have cable? Maybe Amazon is a good choice, that’s how I watch them at least!

I really had no idea what to expect with Journey to the Centre of the Tardis. On one hand you could surmise that the episode may have something similar to the classic Jules Verne story A Journey to the Center of the Earth, but the trailer looked more like a scary high-tension episode than an action adventure story. I was surprised to see that this particular episode was something of a horror episode, strange in the fact that it comes right after another horror-based episode in Hide. Journey to the Centre of the Tardis is notable for one reason – we get to see the insides of the little blue box that could. We have seen bits and bobs of the Tardis here and there since the very beginnings of the show, but never have we seen this much of the ship. Even the classic Invasion of Time pales in comparison in terms of Tardis touring. The question is: Was it any good?

I will start out by saying that this episode is one of those that really improves with repeat viewings. For the basis of this review, I watched it twice and liked it a bit more after the initial viewing. You can surmise that I had some problems with the episode if I said “it improves”, and I definitely did. I didn’t hate it, in fact I thought it was pretty good, but it could have been a lot better for reasons I will soon explain. I think my main complaint is that the nature of time travel concepts and cause and effect found within is very chaotic, and to be honest came across as messy. I will not say that it was as incomprehensible as a story like Ghost Light, in which fans have notoriously elevated to being “good” because “complexity” means “smart” but it has its problems.

The story follows The Doctor and Clara as they come across a large salvage ship piloted by three expert salvagers called The Van Baalens (played by Ashley Walters and Mark Oliver) and their “android” named Tricky (played by Jahvell Hall). This salvage crew captures the Tardis with a powerful magnetic beam wreaking havoc on its internal systems as a result. Not only is she leaking fuel, but the Tardis looks so unsafe that the salvage crew decides to eject it back into space. The Doctor has apparently escaped the ship unscathed and is pretty mad at the salvage crew; it seems that Clara is still trapped somewhere inside.

The Van Baalens were a bit hard to pin down. I love the concept of these three guys traveling around and listening to The Cult whilst gobbling up bits of wrecked ships. Too bad that the characters were pretty unlikable; I know that they weren’t necessarily “good guys” but their decision making skills were horrid (don’t take that part of the ship, the Tardis will try to kill you – takes piece anyway). I also was not a fan of the fact that the two older brothers somehow brainwashed their younger brother (Tricky) into believing that he was an android servant for the simple thrill of bullying him. With character traits like this it’s really hard to feel bad when one of them dies, since he was a jerk anyway.

The Doctor tricks them into going inside, and fakes a self-destruct system to force the Van Baalens into helping him save Clara, and generally comes across as a bit unhinged, even more so than usual! The rest of the episode is basically everyone running around in various corridors and rooms trying to elude the Tradis’s self-preservation systems and make it to her core. Time starts to unravel, and everyone starts seeing weird things like future and past echoes of themselves as well as terrifying radiation zombies with glowing red eyes. These creatures were pretty creepy for the same reason that “The Crooked Man” last week was – you never get a good look at one of them. Until it is explained as to the nature of these beings is, you usually see the shape of one, with eyes ablaze, surrounded by a haze of obscuring “waves”. They had me on the edge of my seat trying to figure out what these things could have been. I honestly was wondering if he wasn’t housing scarred up refugees from Gallifrey or something, but the real answer was almost as creepy. It seems these were future versions of Clara and the Van Baalens disfigured and driven mad by the energy from the Eye of Harmony, a possible future that is adverted with a stupid plot device.

What really bugged me about this episode was that it involved a “reset button”, and we’re not talking about a figurative one for the purpose of storytelling – an honest to God big red reset button. This trope usually drives me crazy when it’s used this way, and not since the ending of Superman the Movie has it been used in such a silly manner. We saw it at the end of season three to undo The Master’s massacre of the human race, and I hated it then as well. The “reset button” concept is something Russel T. Davies used to employ a lot, I wish it would have stayed with him and not crept into these newer episodes.

I did enjoy the fact that we got to see things like Clara reading a huge book about the Time War (where she may have seen The Doctor’s name!) and the Eye of Harmony. Little nods to the past such as these usually lead me to “nerding out” even though it reeks of fan service. The special effects for the various Tardis rooms (especially the Eye of Harmony and the Heart) were awesome, and really gives a sense of how massive the whole ship can be. Things like this really helped an episode that could have been pretty mediocre into something special despite its flaws.

Did I love Journey to the Centre of the Tardis? Well, no. The episode was well done from an atmosphere and effects standpoint, but failed a bit with the writing. I’ve loved each episode this half-season so far and having one that “isn’t quite there” is pretty typical (sort of like Curse of the Black Spot), at least this was pretty solid and not terrible. Had they stayed away from things like a giant red reset button, I may have even loved this episode as well. So on a scale of one to ten, with 10 being “woo hoo” and one being “aaargh!” I’d say this one was a “meh” (I should use that as an official rating system…lol). Next week we have Diana Rigg and the Paternoster Gang to look forward to, so can’t wait till Sataurday!

Lately I have been watching this show on Amazon.com’s portal on the PS3 as I do not have cable nor do I want to “steal” the episodes. Here are some links if you want to try this method out as well:

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