"Production starts out promising, with spacious, layered and detailed set design by Wilson Chin that evokes a muted world, as if in a fading photograph from the play's time period, 1919." – Chris Newbound, Variety

"Barry Edelstein has put together a fine production team, anchored by Wilson Chin and his wonderful set design." – Jim White, The Times Union

"Wilson Chin has designed an amazing set, a slanted Collier Brothers rabbit warren of a 14th-floor office with moveable wall-to-wall windows overlooking the cavernous streets of corporate New York." – Charles Kondek, The Independent