In the original, 1922 classic, Nosferatu, a silent film by F.W. Murnau, many uncanny parallels link Count Orlock--the vampire--to dark aspects of the Jewish race. The parallels are subtle enough to escape Jewish censorship, yet are eerily apparent to anyone familiar with Jewry.

Nosferatu is a spin-off from Bram Stoker's novel and became the forerunner of all vampire movies: it was the first of its kind. It was produced before the Jews controlled every aspect of cinema, a time when fewer consequences automatically followed a critical glance at Jewish past. Murnau may have plagiarized Nosferatu's Count Orlock from Bram Stoker's Dracula; however, it can be argued that Bram Stoker plagiarized Dracula from Jewish identity.

The vampire actor in Nosferatu, Max Schreck, rumored to have been found in Eastern Europe, was himself an aberration, requiring little poetic licence to scare the crap out of you. His facial features are extremely rodent-like, a face reminiscent of those creepy-looking Polish Jews in the film, Eternal Jew. Anyone who has also watched Eternal Jew will gasp at the genetically diseased faces of Polish Jewry. Yes, it's true that Jews suffer from many of their own, exclusive genetic diseases, and Max Shreck definitely looks like a human rat, genetically diseased, unable to help being a parasite.

The vampire's seering hatred of Christianity and all its symbols barely holds a match to the blasphemy against Christ in the Jewish Talmud. Just as the vampire shrieks away from the crucifix and writhes in anguish from holy water, Jews lay Cabalistic curses upon the graves of Christians and allege that Christ had sex with his donkey and even now is drowning in boiling hot excrement.

In Nosferatu, Count Orlock brainwashes an Anglo Saxon gentile to serve him unswervingly, then arranges to relocate to Western Europe, bringing with him the rats, the plague and inevitably the destruction of the people. As illustrated in Rockwell's fable, The Ducks and the Hens, Jews recapitulate this exact same cycle in every civilization gullible enough to accept them.

The Count and the Jews both share an obsession with blood. Jewish religion is a long chronicle of bloodshed and blood sacrifice. Even as recently as the last few centuries, Europe has documented hundreds of cases in which Jews ritualistically sacrificed gentile children. You could say that it's in their blood.

There's one other thing worth mentioning. The vampire by nature cannot see his own reflection in the mirror; nor is the Jew capable of self-examination. In light of the extreme hypocrisy in the Jewish psyche, I'm more than a little tempted to hold a mirror in front of the next Jew that crosses my path...just to be sure.

Of course, I have no clue whether Jewish identity actually inspired Stoker or Murnau to create the vampire, but it wouldn't surprise me one bit if that was the case. If you're a horror film fan, Nosferatu may be worth watching. There was a remake of this film in 1979, which isn't bad either.

The remake is still cool. Especially the very beginning, where it shows the wall of petrified victims of the count, and the bat flying over the ocean, with that eery music.

Then of course, once the vampire makes it to Europe, this version shows entire towns dying of the plague, people carrying coffins through the town, people celebrating their last meals. It was pretty gritty. It would have been perfect if they could have used the same actor from the original version. He was creepy-looking.

Of course, I have no clue whether Jewish identity actually inspired Stoker or Murnau to create the vampire, but it wouldn't surprise me one bit if that was the case. If you're a horror film fan, Nosferatu may be worth watching. There was a remake of this film in 1979, which isn't bad either.

Bram Stoker and the Duke of Hamilton were both members of the Society of the Golden Dawn. Rudolph Hess landed his plane on the property of the Duke of Hamilton, and went asking for him.

From the internet:

The Golden Dawn had some very influential people within its ranks. W. B. Yeats, Aleister Crowley, Constance Wilde, Algernon Blackwood, Arthur Machen, A. E. Waite, Annie Horniman, Florence Farr, Gerald Kelly and Maude Gonne were all members. There was also a rumour that Wallace Budge, who was in charge of Egyptology at the British Museum, was also involved, although this has never been verified.

By the year 1900 the inflated egos of many of the group members had caused arguments, and created schisms within the group. Aleister Crowley (who joined in 1898) had a major part in this. He was not well liked, but he sided with Mathers (although they were later to have a magical battle of their own), Mathers accused Wynn Wescott of faking the Rosicrucian documents on which the Golden Dawn was founded. It seems now that the allegation was probably true, but this undermining of the orders foundations did not go down well, and Mathers was expelled.

Mathers left England for Paris with his wife Moina in 1892. While in Paris he founded a splinter group of the Golden Dawn, but the order was never as powerful as it had been in Britain. Mathers died in Paris in 1918.

William Butler Yeats, the Irish poet (who joined in 1890 from the Theosophical Society) took over the Golden Dawn Core group after Mather's departure, but it was A. E. Waite, gaining control in 1903 who took the order down a different path. He changed the name to The Holy Order of the Golden Dawn, and pushed the order towards more Christian leanings. He finally closed the Order down around 1914 because of apathy, and dwindling membership.

By the time the core of the Golden Dawn had fizzled out there were temples as far apart as Bradford and Paris. There were also groups in Weston Super Mare, Edinburgh and Chicago. Many occult groups now claim descent from the Golden Dawn, and its advancement of the Western Mystery Tradition cannot be underestimated.

Bram Stoker and the Duke of Hamilton were both members of the Society of the Golden Dawn. Rudolph Hess landed his plane on the property of the Duke of Hamilton, and went asking for him.

By the time the core of the Golden Dawn had fizzled out there were temples as far apart as Bradford and Paris. There were also groups in Weston Super Mare, Edinburgh and Chicago. Many occult groups now claim descent from the Golden Dawn, and its advancement of the Western Mystery Tradition cannot be underestimated.

That's interesting. I have of course heard about Hess' heroic flight to the Duke of Hamilton, to end the war between brothers. But I did not know that Bram Stoker belonged to Golden Dawn.

I read one article where an anti-nazi postulated that Bram Stoker was "anti-semitic" based upon the theory that he died of syphilis, which was at that time well known to be spread into the community by Jews and Jewish prostitutes. Syphilis theory

I also read another article where the author drew comparisons to Dracula and the prevailing Jewish traits at the time of Bram Stoker. The author drew the conclusion that Bram Stoker was "anti-semitic." Dracula's Jewish traits

Who knows? It was not uncommon for authors to assign Jewish traits to their antagonists. Charles Dickens' Oliver Twist assigned Jewish characteristics to the raggedy, pick-pocketing, Jewish-looking villian who recruited street children into their dark underworld. Even in A Christmas Story, Ebineezer Scrooge possessed the miserly, selfish and cold-hearted characteristics of a Jew. William Shakespeare's Merchant of Venice is another example. In addition, Victor Hugo didn't care for Jews either. I've read both Les Miserables and Hunchback of Notre Dame and can see how Hugo may have brilliantly done this as well. Les Miserables is a tear-jerking story which artfully sublimates the Aryan trait of altruism over the Jewish trait of self-egoism and avarice. And the Hunchback of Notre Dame does contain a "gypsy" underworld, involving the kidnapping of Gentile chilrden, etc. Jews were notorious for kidnapping and ritualistically sacrificing Gentile children during that era.

If I was going to write a novel, and needed to assign negative characteristics to the antagonist, I'd need to look no further than the Jew: for there is a library of the most despicable traits imaginable. So again, who knows?

Nosferatu, both the original and remake, is a frightening movie, in part because it is gritty and unsensationalized, like modern vampire movies, which aren't scary. When I see count Orlock in Nosferatu, I see the Jew.

I agree with the Jew resemblance (in this case)but I still think the comparison in general gives vamps a bad name..Vampires have most generally been portrayed as handsome, educated, dashing, and ....EUROPEAN!!. Vlad is rolling in his......wait, no he's not, he's up now...its night here..
I am a pale night creature yet I am no Jew.. best to you HH