An Open Space partnership with CounterPulse, The Lab, ODC Theater, Performance at SFMOMA, and Z Space, Limited Edition explores questions of legacy and lineage through performances, discussions, and gatherings at various locations throughout the city from January to March 2018, with commissioned texts appearing regularly here. The theme of this year’s Limited Edition is “Forward-Looking Lineages,” inspired in part by the SFMOMA show Robert Rauschenberg: Erasing the Rules. Contemporary performance is, among many things, a set of traditions, enriched and bedeviled by questions of ownership, of legacy, of the authentic and the appropriated. As sites for well-resourced arts writing continue to be imperiled, and as vital independent arts spaces struggle to stay afloat in the face of rapid gentrification and decreased arts funding, Limited Edition seeks to address a crucial need for smart context around contemporary culture. Information and ticketing links to the shows being presented by our partners can be found here.

Doing nothing is a profession, and it’s very hard. Maybe the hardest thing there is. After all, the imaginary always belongs to someone. — Marguerite Duras

COLORS

Black, blue, gold, interior, red sky.

ELEMENTS

Granite, mercury, blood, black rubber, deep dark waters.

CHARACTER DESCRIPTION

Writer, intellectual, narcissist. A manic-depressive alcoholic who’s obsessed with her sexuality. She once was a passionate, rebellious child, but now is worn and languorous, sad and cynical. She has her own sense of moral direction which has no regard for social expectations or cultural constraints. She has been living by her own rules for so long she can no longer listen to anybody… ever… at all. She is lonely, yet always surrounded by lovers. She was raised in a foreign land by a single mother. Her oldest brother was a thief and junkie. Sexually abused as a child… slept with an older man to support the family… fucked her brother… she learned early on how money ran the world and how love was a useless emotion. She thrives on controlling people, especially through her sexuality. She’s living for annihilation.

Neighborhood: Raised in a poor village in French Indochina.Childhood home: Depressing, abusive, lonely.Biggest disagreement with her parents: Wanting to stop sleeping with an older man; her mother insisted.What was she like at school: Always the outsider. Smart, but mostly skipped class and met boys by the river. After she began her affair with the older man she was shunned. Students were forbidden to hang out with her.Most important person to her outside of family: Her best friend and lover Helene.Happiest childhood moment: Watching storms wash over their house during the rainy season.First person she kissed: Her brother.Biggest disappointment: Love.As a child, what did she imagine her adult life would be like: Sexually adventurous, glamorous, full of accolades.

Who knows her better than anyone: Her editor.Real friends or acquaintances: Acquaintances.Makes her laugh: Everything. But mostly when people think they’re smarter than her.Makes her cry: Too much vodka. But they are tears of rage.

Favorite book or author: Anything she wrote herself.Favorite artist: Other than literature and film, she finds art frivolous.Favorite film: Anything she filmed herself. And anything by Chantal Akerman.

Most beloved personal possessions: A collection of green sea glass she found in Calais.Introvert or extrovert: Both.Most hated activity: Having to explain her work.Most enjoyed activity: Explaining her work.

Political philosophy: Anarchist with capitalist and socialist tendencies.Politically active/apathetic: Vive la révolution!Bravest thing she’s done: Joined the French Resistance.Scariest thing she’s done: Received her husband from Buchenwald.

•

THE PIMP / THE WRITER

America is being led to her death by racist power junkies coasting on a stupid trip — the fatal fantasy that soldiers and police can destroy with clubs and guns an indestructible force: the hunger of the human soul for dignity, justice, and freedom. — Iceberg Slim

COLORS

Black, silver, red, gold, night.

ELEMENTS

Musty earth, sharp metal, glass.

CHARACTER DESCRIPTION

Street hustler, pimp, rock star, narcissist. S/he has been spinning tales of bullshit for so long s/he can no longer remember the definition of truth. Highly manipulative. S/he has an IQ of 175 and a morality guided by the book of the street. Aloof, arrogant, full of attitude and confidence. S/he can turn on the charm but reveals nothing. Her/his heart is locked up tight in a block of ice. S/he has a traumatic background, an abusive mother, never knew her/his dad; has been hustling since the age of five. Ultimately s/he knows the pimping game is part of a racist system of oppression and therefore her/his puffed-up self-confidence is merely a band-aid on her already lost, battered soul. In and out of the pen, a victim of circumstance, s/he’s trying really hard to keep it together, trying to figure out why s/he can’t see the world through different eyes.

Rides the line between relevance and obsolescence, fly and desperate.

PHYSIOLOGY

Sex: Female, sometimes male.Age: Forty (in the past) & seventy (in the present)Heredity: African-American. Her/his father was rumored to be part Swedish.Hair: Black or white, depends on the wig.Eyes: Sometimes dark, always cold.Posture: Stately and self-assured. Untouched by your gaze.

CHILDHOOD

Neighborhood: Poor black neighborhood on the South Side of Chicago.Childhood home: Empty, abusive, completely unstable.Parents’ relationship: There was lots of fucking, screaming, and furniture being thrown.What was s/he like at school: Even though s/he had large numbers of friends, s/he always felt like an outsider. S/he was smart, but often skipped class and hung out downtown.Happiest childhood moment: S/he can’t remember any, even though s/he knows s/he had some. It must have happened before the addiction started.Saddest childhood moment: When her/his mom left Fred, the dentist, for a street hustler named Mack.First person s/he kissed: Cookie, in the bathroom at school.As a child, what did s/he imagine her/his adult life would be like: Sexually adventurous, glamorous, full of accolades.

RELATIONSHIPS

Current: Single. But never alone.

CHARACTER’S INNER LIFE

Knows her/him better than anyone: Her/his dealer.

Makes her/him laugh: Seeing others fall.Makes her/him cry: That well has long gone dry.Is s/he happy with where s/he lives: Her/his apartment’s okay, but s/he’s rarely there. S/he’s in her car all day, in the clubs all night.

Political philosophy:Just relax, baby… a hedonist with fascist tendencies.Politically active/apathetic: Outspoken. But won’t march for anyone.Religion: Pussy and cocaine, the only gods there are.Bravest thing s/he’s done: Took a bullet for Party Time, her/his mentor.Scariest thing s/he’s done: Survived nine months in solitary.

Washed up Shakespearean actor. Bi-polar. Arrogant, narcissistic, empty, no self-esteem. Struggles with his lack of a moral center. His only friend is the imaginary devil he creates in his head. He is difficult to pin down and morally elusive, both intellectually and personally. The performance has even lost track of knowing it’s a performance. He seems not to care about anything except provoking those around him and making them uncomfortable. Condescending to everyone, collapsing under the pressure to perform. He rides the line between relevance and obsolescence, terror and desperation. He’s holding onto that bottle as much as possible. Ultimately he knows he’s a fake, always has been a has-been, even when he was a star.

Neighborhood: English coal-mining town covered in tears.Childhood home: Depressing, abusive, lonely. His parents were alcoholics who fought most of the time. Occasionally his mother warmed up to him but his father remained aloof. He had a younger sister he loved and tried to take care of, but the age gap was too great. He left home at fourteen.Childhood hobbies: Lip-syncing to Shirley Bassey records.Parents’ relationship: Each lived in a private, silent hell.The most important person to him: Omar.Happiest childhood moment: Smoking cigarettes and jumping railroad cars with Omar.As a child, what did he imagine his adult life would be like: Sexually adventurous, glamorous, full of accolades.

RELATIONSHIPS

Current: Single and drunk.How have his relationships been: Dishonest. He uses lovers or they use him. Mostly into men; women will do.

CHARACTER’S INNER LIFE

Is he happy with where he lives: It’s okay, he’s rarely there. If he’s not onstage he’s either drinking or wandering the alleys.Real friends or acquaintances: Acolytes.

Politically active/apathetic: Apathetic.Religion: Publicly an atheist, deep down he believes in heaven and hell.Bravest thing he’s done: Cut Omar’s lifeless body down from the tree and brought his corpse back to his family.Scariest thing he’s done: Held onto the bottom of a train and rode for miles.

Michelle Handelman’s Hustlers & Empires, a three-channel video work and live performance, will be on view at SFMOMA from March 12–March 18. More information can be found here. —Eds.

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SFMOMA’s Open Space is a home for unruly, non-instrumentalized gestures. We’re anchored in the Bay Area but we cast a wide net, commissioning and supporting critical + experimental + poetic ruminations by artists, writers, and thinkers from all over the world. We also host parties, performances, and other live events.