Dirty Baby presents a provocative trialogue between the paintings of Ed Ruscha, the music of Nels Cline and the poetry of David Breskin. The title refers to the fact that when different art forms mate, the result is never pure-bred, but rather a gloriously dirty offpsring. The 66 Ruscha pictures ...

Dirty Baby presents a provocative trialogue between the paintings of Ed Ruscha, the music of Nels Cline and the poetry of David Breskin. The title refers to the fact that when different art forms mate, the result is never pure-bred, but rather a gloriously dirty offpsring. The 66 Ruscha pictures in this book are drawn from two bodies of work, the Silhouettes and the Cityscapes. In these works, Ruscha uses censor strips in place of the words or phrases that characteristically occupy such a prominent place in his pictures. Their very obfuscation gives the missing words a powerfully subversive presence: language is emphasized even as it is obscured. Breskin has divided the book into two "sides" in the manner of a vinyl record. "Side A" presents a kind of "time-lapse" history of Western civilization. "Side B" returns to the cradle of that civilization, charting the American misadventure in Iraq. For his poetic form, Breskin uses the ancient Arabic ghazal, a perfect foil and fencing partner for Ruscha's language-sensitive strategies. To this mix, Cline adds music for a large ensemble: at once lyrical and edgy, heartfelt and raucous, his music ranges from acoustic impressionism to dense, dark electronica. Housed in a regenerated leather slipcase, Dirty Baby also contains four CDs, two with Cline's music, and two containing Breskin's reading of his ghazals. .