Daniel Craig, Emma Watson and Orlando Bloom were among the big names who clubbed together to help raise millions for Britain's 2015 Comic Relief fundraiser on Friday (13Mar15). A host of celebrities turned out at The London Palladium for the annual Red Nose Day U.K. telethon, which raises funds for good causes in Britain and Africa.
James Bonds past and present, Craig and Roger Moore, took part in a hilarious sketch, while Sam Smith and John Legend provided the night's musical highlight when they teamed up for their rendition of Lay Me Down, the official Comic Relief 2015 single.
One Direction, who could not attend the show due to tour engagements, enlisted the help of five British comedians to perform in their place, as tribute group No Direction, and Harry Potter actress Watson portrayed a holy woman in a skit based on British TV comedy The Vicar of Dibley. Even scientist Stephen Hawking took part, appearing as a robot trying to kill comedian David Walliams.
Walliams was also kissed by Bloom and U.K. TV veteran Barbara Windsor as he raced to break a Guinness World Record by locking lips with 55 stars in just 30 seconds.
Idris Elba, Jim Broadbent, Gillian Anderson and Geri Halliwell also filmed segments for the show.

Rocker Roger Daltrey had the perfect gift for a couple on their wedding day when he dropped in as a surprise guest and performed one of his most famous songs. The Who star was staying at a hotel near Glasgow, Scotland before a concert when he discovered a wedding reception was being held at the venue and the bride and groom Susan and Carl Smith were huge fans of his.
The singer decided to give the nuptials some star quality by joining the party and making a short speech - and he then sang his band's 1960s hit I Can't Explain after guests urged him to perform.
Bride Susan says, "It was unexpected but it made it the perfect day. It was unbelievable and better than we ever could have imagined."

So 90% of the time, sequels suck and they put a bad taste in your mouth. But, sometimes, you love a movie so much, that re-watching it 20 times gets old. You need more. This is when sequels become necessary.
1. Zoolander
GIPHY/Paramount Pictures
Ben Stiller has yet to produce a film better than this one. We need a sequel to make sure everyone's still doing okay and to see Derek Zoolander has mastered a look better than Blue Steel.
2. I Am Legend
GIPHY/Warner Bros. Pictures
So, that cure apparently worked...but then what? Better yet, wasn't there supposed to a prequel to this film? We'll take anything at this point, we're dying for answers.
3. Who Framed Roger Rabbit?
GIPHY/Buena Vista Pictures
What we would give to see what everyone's up to in Toontown now, especially not-so-young Baby Herman. Does he look like a teenager now or is he still a baby?
4. Goonies
GIPHY/Warner Bros.
If Goonies never say die, why haven't we been given a new movie? The Goonies have quit on us.
5. Mean Girls
GIPHY/Paramount Pictures
Mean Girls 2 does not exist in our world.
6. Lemony Snicket's A Series Of Unfortunate Events
GIPHY/Paramount Pictures
Isn't this a series? Where are the rest of these movies? Please deliver, we actually liked this one.
7. The Incredibles
GIPHY/Pixar
I'm sorry, but we've seen how many Cars films and Pixar gave us that God awful Planes movie, but no The Incredibles 2 yet?
8. The Breakfast Club
GIPHY/Universal Pictures
John Hughes created so many classics, but never came back to this reunite this crew. Seriously, we'd be so cool with seeing these guys together again, with the ridiculous scenario that all of their children just so happened to get Saturday detention together.
9. Clueless
GIPHY/Paramount Pictures
So there was the TV show, but not the same Cher, so not the same thing. Maybe you think a sequel would have ruined this film's classic status, but we think it would have just enhanced it.
10. The Mighty Ducks
GIPHY/Buena Vista Pictures
Okay, so there was D2 and D3, but we're waiting on D4, where it was rumored that Charlie Conway (Joshua Jackson, please comeback to us) gets himself into a very Gordon Bombay-like situation and is forced to coach a team. Fingers crossed this happens in the next 5 years.
Now, we know some of these movies were supposed to, or are possibly getting, a sequel, but it's been years since they were released, and we've seen nothing yet, so dear movie studios, we're still waiting! Tweet us which movie you think deserves a sequel!
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Former Batman Michael Keaton is to be honoured with the Modern Master Award at the 30th annual Santa Barbara International Film Festival. The actor, who is being hotly tipped for the Best Actor Oscar for his role in new movie Birdman, will collect the accolade at a gala on 31 January (15).
Past Modern Masters have included Ben Affleck, Christopher Nolan, Michael Douglas, Jodie Foster, Sir Anthony Hopkins, Sean Penn, Peter Jackson, George Clooney, Will Smith, Cate Blanchett and Clint Eastwood.
Announcing next year's (15) recipient, SBIFF executive director Roger Durling says, "There is no actor more befitting of the Modern Master Award than the legendary Michael Keaton. His performance in Birdman is tremendous, showing the range of decades-long experience."

Actor Luke Wilson is in talks to play embattled National Football League Commissioner Roger Goodell in an upcoming movie. The untitled Sony film will feature Will Smith as Dr. Bennet Omalu, a neuropathologist who first connected playing professional football with chronic concussions. Goodell has found himself under fire in recent weeks for the way he handled sportsman Ray Rice's recent domestic abuse case.

Although we finally get a look at NBC's new miniseries Rosemary's Baby in its first trailer, we actually have more questions than we did before. The show stars Zoe Saldana as Rosemary, a woman who becomes pregnant, but fears that her progeny may or may not be the Antichrist. It's quite the maternal dilemma. The four-hour mini-series event is airing over two nights, and also features the devilish Jason Isaacs, being as conniving as ever. Most of you probably know the story of Rosemary's Baby, but for those whose memories are a little fuzzy, or those who may simply find themselves baffled by the teaser, we've answered any and all questions you might have.
First off, what is Rosemary's Baby?Good question! Rosemary's Baby is a psychological horror film released in 1968 and directed by Roman Polanski. The original film was based off a novel written by Ira Levin, and has become a seminal horror classic over the years. Polanski's film takes place in New York, but this modern retelling shifts its setting to Paris. We're betting other liberties with the source material will be taken as well.
Do we really need a remake?Probably not, but at this point, NBC is so desperate for ratings, they are willing to give birth to the Antichrist and bring forth the apocalypse if it means people will watch something on their channel that's not the Olympics.
Why is Zoe Saldana in this? Isn't she a movie star?Well, see, everyone wants a cool mini-series, but not everyone can be on True Detective.
This is about the birth of the Antichrist right? Why is everything so... bright looking?In all but a scant few instances (like the terrifically dour Hannibal), network television usually fails to set the right mood, shooting and lighting everything like an episode of Friends, so in a way it's not terribly surprising that Rosemary's Baby looks like a mid-season episode of a sitcom. On the other hand, the series is being directed by Angiezka Holland, a small screen vet who has lent her directorial know-how on projects like The Wire and The Killing, shows that excelled at crafting chilling, moody settings.
NBC
So is Jason Isaacs is totally the Devil, right?What! How'd you figure THAT out... Well I guess we're done here. But seriously, he's more likely to be some sort of devil worshipper or evil minion than the genuine D-man himself. Though, if he were the devil, he'd probably be named Lou C. Pherr or something totally subtle like that. Gotta keep the viewers guessing.
And he's a fertility doctor?We certainly hope so. One has to hope that the really creepy dude at least flashed the couple some sort of credentials before getting free rein to mess around with Saldana's womb.
So how exactly do you make your own devil baby?Making a devil baby is super easy. All you have to do is chew on few goat hooves, drink a bit of sparrow's blood, say some easy to remember incantations and you'll be showing in no time. It's that simple. All the celebrities are doing it, so you know it's safe.
Why is Jason Isaacs stroking a cat at the end of the trailer?How else are you supposed to know he's the bad guy? In the year 2014, television viewers can only understand that someone is evil if they are actively stroking a cat. Otherwise, they can just be anybody, really.
Does that mean my grandma is evil?She send you sweaters for Christmas, doesn't she?
Rosemary's Baby premieres May 11 on NBC.
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Rockers The Cure treated fans to two mammoth 45-song sets during their weekend shows at the Royal Albert Hall in London in aid of the Teenage Cancer Trust. The Lullaby hitmakers took to the stage at the iconic venue in the U.K. capital for Roger Daltrey's annual concert series, which raises funds for young people in Britain fighting the deadly disease.
And their gigs on Friday and Saturday (28-29Mar14) proved real value for money as the stars played 45 songs from throughout their 35-year career.
British comedian Noel Fielding introduced Robert Smith and his bandmates to the audience, before the group played for three and a half hours.
Their storming sets followed gigs earlier in the week (begs24Mar14) from Ed Sheeran, OneRepublic and Paulo Nutini. Suede will round out the Teenage Cancer Trust shows on Sunday night (30Mar14).

ClubAliP/Twitter
UPDATE: It looks like Seinfeld fans were right to get excited after all. Jerry Seinfeld stopped by the WFAN Boomer &amp; Carlton radio show on Thursday, presumably to talk about football and this weekend's big Super Bowl, but that's nothing compared to what the comedian actually revealed.
The hosts asked Seinfeld about the now-famous photo of him and former co-star Jason Alexander outside of Tom's Restaurant, and Seinfeld confirmed that the outing was part of a "secret project," that's "short-ish," but that the pair was not reuiniting for a commercial spot or an episode of his webseries, Comedians in Cars Getting Coffee — meaning there actually is a Seinfeld reunion of some sort in the works. Seinfeld also revealed that there were several other alumni of the show present, including Larry David, although he won't be appearing on camera, and that they filmed at a few different locations in Manhattan. So... all signs point to reunion episode. Or some infinitely more clever concept that Seinfeld would do in place of a reunion episode (you know, like it already did on Curb Your Enthusiasm).
Fans hoping for a recurring series shouldn't get too excited, as Seinfeld has confirmed that the reunion would be a one-time only event. On the bright side, though, he did promise that the project will be properly unveiled "very, very soon."
EARLIER: Is that Jerry Seinfeld and Jason Alexander on the set of a Seinfeld reunion?
Seinfeld fans have been busy untangling a web of clues and hints surrounding what Jerry Seinfeld and Larry David are working on, and if it is indeed a Seinfeld reunion. Last week, Seinfeld stopped by Reddit for an AMA, the website's version of a Q&amp;A session for its millions of users. In the thread, which racked up over 10,000 comments, Seinfeld mentioned that he was working on a secret project with Seinfeld co-creator David. Seinfeld says, "We wrote this script for this thing that you will eventually see but I can't reveal what it is at this time. All I can do is tell you is that it's big, huge, gigantic. Even bigger than that Amazon package."
If that didn't already send expectations over the moon, the quick eyes at The Gothamist caught a glimpse of Seinfeld and Alexander, a.k.a. George Costanza, taking a stroll in front of Tom's Restaurant, the legendary Manhattan eatery that served as the exterior location for the Seinfeld restaurant, Monk's Cafe (or "the coffee shop"). Even more suspicious is the fact that Alexander is seen wearing some particularly Costanza-like clothing in the picture. Hmm... could this really be some sort of Seinfeld project?
The answer to this question is a deafening probably not. Adding another wrinkle to the whole situation, Roger Freidman of Showbiz 411, who spoke with Larry David recently, said Seinfeld and David are working on a play for Broadway, and that this was most likely the gigantic project that Jerry teased on Reddit. Even more dream-squashing is the fact that the shot of Seinfeld and Alexander outside of Tom's Restaurant is most likely the duo filming an episode of Seinfeld's web series, Comedians in Cars Getting Coffee. While it's a little disheartening to see all these hopeful threads come to possibly disappointing ends, the prospect of a Larry David and Jerry Seinfeld Broadway production is still pretty exciting, even if it's not the reunion we've spent the past few days dreaming about.
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U.S. Dramatic/U.S. Dramatic/Premieres
Every year, film enthusiast from across the land journey to the hinterlands of Utah to partake in the Sundance Film Festival. A yearly event which can only be described as the holy pilgrimage og independent film. This year's festival is full of great films, but these ten works are the standout favorites that have garnered the most critical attention.
BoyhoodEveryone was sitting on the edge of their theater chairs to see the results of Richard Linklater’s wildly ambitious project Boyhood, which shot over 12 years and charts the life of a child from ages 6 to 18. It seems like the dozen years it took to make Boyhood were well worth it with with words like "masterpiece" popping up every so often in the rabble of critical praise. The film finds transcendance in the small and ordinairy moments that make up childhood, and the film's relatability is one of it's strongest merits Frequent Linklater collaborator Ethan Hawke and actress Patricia Arquette play the boy's parents. Though some critics are saying that the film is a tad too long, most agree that it is a one of a kind experience not to be missed.Best Review Quote: "Boyhood shines in its engrossing, experiential understanding and it’s a special achievement that should be cherished and acknowledged." - Rodrigo Perez, The Playlist
Kumiko the Treasure Hunter A strange, whimsical story about a young woman who becomes obsessed with a movie and is unable to separate it from reality, Kumiko the Treasure Hunter stars Rinko Kikuchi as Kumiko, a shy office worker who sets out to recover the suitcase that Steve Buscemi’s character buries in North Dakota at the end of Fargo. Based on an urban legend, the film has been described as a “spirited and sad adult fairytale [that] will surely baffle as many viewers as it enchants.” Directed by David Zellner and co-written with his brother Nathan, Kumiko the Treasure Hunter is an artsy indie film that balances the absurdity of its premise with a grounded, human performance from Kikuchi that has been greatly praised by critics. It might be one of the odder films featured at this year’s festival, and it’s unlikely to win over a mainstream audience, but with Kikuchi at the center, it’s definitely a film worth looking up. Best Review Quote: “It’s a marvelous role for Kikuchi, who has the intensity of the great silent film stars, and who’s fascinating to watch even when Kumiko is doing nothing more than sitting solemnly by the window of her apartment eating ramen noodles as a rain begins to fall.” - Scott Foundas, Variety
Life Itself This full-figured portrait of the late Roger Ebert delves into the well-lived life of the most famous and celebrated film critics of all time, and critics, some of which are his former peers, are praising its depiction of the late and great critic. The film is by turns, an unflinching and joyful appreciation of the man’s life, from it’s successful highs to its cancer-stricken lows. The film is being praised for it's sensitivity and brevity, but also for not shying away from Ebert's flaws, namely his alcholism and lust for women.Best Review Quote: "There was a thunder in Ebert's heart, and that was his love for movies, and he wanted to tell the world about films, both big ones and small. James should be high-fived every day of his life for telling the real story of Roger Ebert." - Chase Whale, The Playlist
Listen Up Philip The titular Philip is an insufferable jerk, a narcissistic author who spends much of the film insulting and berating the people around him and spending most of his time obsessed with himself and his novels. With Jason Schwartzman in the lead role, the film has been a critical favorite at the festival, with Schwartzman imbuing the right amount of charm to keep the hero from being completely unwatchable, and a sharp story that provides insight into the overbearing protagonist and the people in his life. The film has also been praised for its creative use of literary conventions, such as a voice-over narration that outlines what’s going on in Philip’s head, and chapters that shift the focus to the other characters, so that the audience can experience the story in the same novelistic way that Philip does. It’s not a film that will easily appeal to everyone, but the incredibly positive reviews should help earn the film plenty of attention and recognition.Best Review Quote: “Importantly, the protagonist disappears for a sizeable chunk of the film’s mid section (a device Perry borrowed from William Gaddis’ novel, Recognitions) and we learn as much about him in absentia as we do from being in his overwhelming presence.” - Emma Myers, IndieWire
Love Is Strange Bursting with truths that are both painful and fun yet all too real, Love Is Strange offers a portrait of love and separation. John Lithgow and Alfred Molina portray an older gay couple that gets married after 39 years of living together due to New York's changing same sex marriage laws, but vows are tested in earnest when financial hardships suddenly divide the couple. Critics are enamored with the loving authenticity that’s layered at the film’s heart, and were impressed with the heartfelt performances from the two leads.Best Review Quote: "Throughout the picture ... you understand the miracle and good fortune of finding love, and recognize the great changes in tolerance American society is currently (albeit slowly) undergoing." - Jordan Hoffman, Film.com
Obvious Child This year’s festival featured a number of films centered around a woman in her mid-to-late 20’s whose life is falling apart, but none of them stood out more than Obvious Child, the feature-length debut of writer-director Gillian Robespierre. An abortion rom-com, the film stars Jenny Slate as Donna Stern, an aspiring stand-up comic who becomes pregnant after a one-night stand, and is faced with the reality of being vastly unprepared for the sudden turn her life has taken. Critics have praised Obvious Child not only for doing away with the standard romantic comedy clichés and dealing with taboos head on, but also for handling the subject matter with realism and heart. Slate has also gotten praise for her performance, and should be able to break away from her short run on Saturday night Live in favor of being recognized as a solid actress in her own right. Best Review Quote: “There’s none of the expected movie-of-the-week scenes here—Slate never has an actorly monologue about her predicament, just a series of laugh-so-you-don’t-cry wisecracks […] And yet when Donna is laying sedated on an operating table and gravity sends her tears down her cheeks towards the clinical cold tile floor, you can recognize that her decision may be decisive, but it isn’t unfelt.” - James Rocci, The Playlist
The Raid 2: BerandalThe sequel to the Indonesian smash-hit actioner is getting acclaim from every inch of the festival for it’s wonderfully orchestrated yet absurdly violent fight scenes. Critics say that the film is a delight for genre fans who have a hunger for bloodletting, though the more squeamish members of the public should probably pack a sick bag if they want to make it to the end credits. The film is being called more ambitious than its predecessor, and some critics are divided if the larger emphasis on story and drama does the film and favors, but most agree that the sequel is a visceral and pulse-quickening follow up that certainly lives up to the first outing.Best Review Quote: "This orgy of broken bones and vicious badassery makes its cult predecessor look like a peevish bitch-slap." - David Rooney, The Hollywood Reporter
The Skeleton TwinsIf Will Forte's turn in Nebraska wasn’t proof enough; Bill Hader and Kristen Wiig are also striving to prove the dramatic acting chops of SNL vets with their well-received performances in the comedy-drama The Skeleton Twins. The pair play twins that are both suffering through bouts of depression, and the two characters struggle to regrow the sibling relationship that distance and shared pain had witherd away. Both Hader and Wiig are being praised for their nuanced performances as the duo confidently master the film's nicely balanced tone, which flutters between comedy and drama, but doesn't feel forced or jarring.Best Review Quote: "Hader and Wiig can play serious, can weave humor into their realistic performances, but what separates them from other actors and directors who attempt dangerously tired material is a foundation of collaboration. It’s easy to buy that they’re brother and sister because the rapport is established." - Matt Patches, Vanity Fair
The Voices Perhaps the most eccentric film premiering at Sundance this year, The Voices star Ryan Reynolds as a factory worker who is encouraged by his pets, a well-meaning dog named Bosco and a manipulative and evil cat named Mr. Whiskers, to commit murder. Described as a horror-thriller-comedy, the film does its best to do away with both genre conventions and horror film tropes in favor of a weirdly entertaining psychological drama that puts the audience on the same side as its mentally ill, serial killer hero. Critics have given Reynolds, who provided voices for Bosco and Mr. Whiskers in addition to playing the lead, rave reviews, praising his ability to commit to the character’s wilder moments while still keeping the film grounded and restrained. With such an insane premise, a compelling, committed performance and excellent direction from Marjane Satrapi – artist and director behind both the graphic novel and film Pesepolis – The Voices has all of the key ingredients to become a cult favorite, and quite possibly, even a mainstream success. Best Review Quote: “The film’s combination of psychological drama -- cue the childhood trauma -- with blood-splattered limb-cutting, talking heads in the fridge and talking pets on the couch is a risky one that finally works because [screenwriter Michael R.] Perry and Satrapi find the right tonal mixture for the material, with Jerry’s reality recognizable yet strangely heightened from the start (all the overly joyous pinks in the factory should have been a give-away).” - Boyd van Hoeij, The Hollywood Reporter
Whiplash Starring Miles Teller as an aspiring jazz drummer who is willing to give up everything in order to become one of the greats, and J.K. Simmons has his tyrant of a music teacher, who motivates his students through fear and torrents of insults, Whiplash is a film about the question of whether or not it’s worth it to dedicate everything you have in the name of art. The film earned rave reviews when it premiered on opening night, and critics have said that it boasts career making and defining performances from Teller and Simmons, respectively. It’s not the kind of music film that will leave audiences with a warm fuzzy feeling, but with two explosive leading men and a director who lived through it himself, Whiplash became the most attention-grabbing film to premiere at Sundance. Sony snapped up distribution rights on opening night, which means it’s definitely a film to look forward to in the coming year. Best Review Quote: “For those seeking perfection, one tiny slip threatens to jeopardize the ensemble as a whole. As a result, Fletcher’s strategy is to humiliate the stragglers in front of the entire group — the sort of abuse more commonly associated with locker rooms and war movies, whose high stakes [director David] Chazelle brings to bear on this more civilized arena.” - Peter Debruge, Variety
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Tribeca Film via Everett Collection
For a film that involves a love triangle, mental illness, a Bohemian colony of free-spirits, an impending war and several important historical figures, the most exciting elements of Summer in February are the stunning shots of the English country and Cornish seaside. The rest of the film never quite lives up to the crashing waves and sun-dappled meadows that are used to bookend the scenes, as the entertaining opening never manages to coalesce into a story that lives up the the cinematography, let alone the lives of the people that inspired it.
Set in an Edwardian artist’s colony in Cornwall, Summer in February tells the story of A.J. Munnings (Dominic Cooper), who went on to become one of the most famous painters of his day and head of the Royal Academy of Art, his best friend, estate agent and part-time soldier Gilbert Evans (Dan Stevens), and the woman whom they both loved, aspiring artist Florence Carter-Wood (Emily Browning). Her marriage to Munnings was an extremely unhappy one, and she attempted suicide on their honeymoon, before killing herself in 1914. According to his journals, Gilbert and Florence were madly in love, although her marriage and his service in the army kept them apart.
When the film begins, Munnings is the center of attention in the Lamorna Artist's Colony, dramatically reciting poetry at parties and charming his way out of his bar tab while everyone around him proclaims him to be a genius. When he’s not drinking or painting, he’s riding horses with Gilbert, who has the relatively thankless task of keeping this group of Bohemians in line. Their idyllic existence is disrupted by the arrival of Florence, who has run away from her overbearing father and the fiancé he had picked out for her in order to become a painter.
Stevens and Browning both start the film solidly, with enough chemistry between them to make their infatuation interesting. He manages to give Gilbert enough dependable charm to win over both Florence and the audience, and she presents Florence as someone with enough spunk and self-possession to go after what she wants. Browning’s scenes with Munnings are equally entertaining in the first third of the film, as she can clearly see straight through all of his bravado and he is intrigued by her and how difficult she is to impress. Unfortunately, while the basis of the love triangle is well-established and entertaining, it takes a sudden turn into nothing with a surprise proposal from Munnings.
Neither the film nor Browning ever make it clear why Florence accepts his proposal, especially when they have both taken great pains to establish that she doesn’t care much for him. But once she does, the films stalls, and both Stevens and Browning spend the rest of the film doing little more than staring moodily and longingly at the people around them. The real-life Florence was plagued by depression and mental instability, but neither the film nor Browning’s performance ever manage to do more than give the subtlest hint at that darkness. On a few occasions, Browning does manage to portray a genuine anguish, but rather than producing any sympathy from the audience, it simply conjures up images of a different film, one that focused more on Florence, and the difficulties of being a woman with a mental illness at a time when both were ignored or misunderstood.
Stevens is fine, and Gilbert starts out with the same kind of good-guy appeal the won the heart of Mary Crawley and Downton Abbey fans the world over. However, once the film stalls, so does his performance, and he quickly drops everything that made the character attractive or interesting in favor of longing looks and long stretches of inactivity. He does portray a convincing amount of adoration for Florence, although that's about the only real emotion that Gilbert expresses for the vast majority of the film, and even during his love scene, he never manages to give him any amount of passion.
Cooper does his best with what he’s given, and tries his hardest to imbue the film with some substance and drama. His Munnings is by turns charming, brash, and brooding, the kind of person who has been told all of their life that they are special, and believes it. He even manages to give the character some depth, and even though he and Browning have very little chemistry, he manages to convey a genuine affection for her. It’s a shame that Munnings becomes such a deeply unlikable character, because Cooper is the only thing giving Summer in February a jolt of life – even if it comes via bursts of thinly-explained hostility. It's hard to watch just how hard he's working to connect with his co-stars and add some excitement to a lifeless script and not wish that he had a better film to show off his talents in.
Unfortunately, by the time Florence and Gilbert are finally spurred into activity, the film has dragged on for so long that you’re no longer invested in the characters, their pain, or their love story, even if you want to be. Which is the real disappointment of Summer in February; underneath the stalled plot and the relatively one-note acting, there are glimmers of a fascinating and compelling story that’s never allowed to come to the forefront.
2/5
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