Again Michael Persbrandt looking seriously almost straight ahead? And again families intertwined through accidents (think In A Better World, Dear Alice). And that particular pose perhaps is significant for Persbrandt, but it works very well here, a guilty but acquitted man. The story is nice, and human. My objection is that Iben Hjejle, who acts well, is forced to speak Swedish instead of her native Danish. This makes the dialogue unnatural, completely without reason. Too bad on an otherwise good movie.