Stutzmann's heady mixture of raw energy, high-octane passion and stunning vocal acrobatics works marvellously in this imaginatively planned recital . . . It's a "tour de force" not only for singing -- Stutzmann also shows great prowess as a conductor, inspiring her ensemble Orfeo 55 in vibrant and expressive performances throughout.

. . . characterful singing . . . "Io sento" from "Arsilda" is deeply felt; "La gloria" from "Tieteberga" demonstrates considerable flexibility; "Semo in seno" from "Il giustino" has a wistful quality; "Sovvente il sole" from "Andromeda liberate" is slow and sensuous . . . Stutzmann is one of those singers who should be represented in every vocal collection.