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Then Assyria again came under Persian control, and then finally under the control of the original Black Arabs.

So at the time when Whites were destroying vestiges of Black history, they had no access to the Assyrian artifacts.

It is true that versions of the “White Christ” appear in European art as early as the 4th century of the Christian era, but these images coexisted with other, nonwhite representations throughout European history.

In fact, the world’s most popular and recognizable image of Christ is a distinctly 19th-20th century American creation.

The Scrolls are under the joint custody of the Catholic Church and the Israelis.

The translated contents of those Scrolls has never been made public, and probably never will be - no doubt the differences in teachings and facts would be irreconcilable.

They attend churches with images of a tall, long haired, full bearded White man depicted in stained glass windows or painted on walls, and they return home to the same depictions framed in their living room or illustrating their family Bibles.

Further compounding the irony is the fact that America actually has an obsession with the (presumed) color of Christ and has exported her White Americanized Savior around the world, as recently documented by Edward J.