By the way, that gorgeous museum was built thanks to a major gift from Cyrus and Myrtle Katzen, he a brilliant collector of art who could teach lessons on how to collect; and she is a very talented artist with a refined eye for great artwork.

The Katzen’s head honcho, Jack Rasmussen, continues to shame all other DMV museum directors and curators when it comes to them tending their own artistic back garden. At the risk of repeating myself: most DMV museum curators would rather take a cab to Dulles Airport to fly to Berlin in order to visit an emerging artist’s studio than to take a cab to the Gateway Artists’ Studios, or to any area artists’ studios, to look at local artists. Are you hearing me Stéphane Aquin? Taína Caragol? E. Carmen Ramos? Eleanor Jones Harvey?, etc. Learn to tend your own artistic back garden.The show is titled The Looking Glass: Artist Immigrants of Washington and it runs June 18–August 14, 2016. It is part of the amazing Alper Initiative for Washington Artists (if you don’t know what that it, and you are a DMV artist, you should! – contact the Katzen).

The opening is June 18 from 6-8PM. There will be plenty of adult beverages and munchies, and the artists will be there to talk about their work. And in a shameless act of free artwork distribution, I will be giving a free limited edition lithograph from a set of various lithos (you get to pick one) that I did in art school in the 1980s if you say: "Hi Lenny, where's my print?"They are all signed and numbered in tiny editions... all circa 1977-1981.The exhibition celebrates ten artists who left Latin America for many different reasons over the last sixty years – primarily for safety, freedom, and opportunity – and made their homes, and their artistic careers and contributions, in the Washington region.
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They include Joan Belmar and Juan Downey from Chile, Carolina Mayorga from Colombia, Ric Garcia, Jose Ygnacio Bermudez, and yours truly from Cuba, Muriel Hasbun from El Salvador, Frida Larios from El Salvador/Honduras, Irene Clouthier from Mexico, and Naul Ojeda from Uruguay. They brought with them artistic traditions that took root and bore fruit here in the United States.