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Dismemberment Plan

Uncanney Valley

In 2003, if you told the members of The Dismemberbent Plan that ten years later they would not only be releasing a new album, but their best record to date, there's no way they would have believed you. Since forming in Washington, D.C. in 1993, the band has released four highly acclaimed full-lengths and become one of the most well respected- and indefinable- acts in indie rock.

Uncanny Valley, their first new album in over a decade, maintains The Dismemberment Plan's unique sound while simultaneously allowing them to open up and expand on the foundation of their celebrated back catalog.

1. No One's Saying Nothing2. Waiting3. Invisible4. White Collar White Trash5. Living in Song6. Lookin'7. Daddy Was a Real Good Dancer8. Mexico City Christmas9. Go and Get It10. Let's Just Go to the Dogs Tonight

Change

Change is a perfect reflection of where The Dismemberment Plan and indie-rock culture as a whole was at that time-aging out of their party days, struggling to create a new identity without leaving behind what made them unique and having a spotlight shown on them during the entire process, making the struggle all the more real. Yes, the short-term result was the band breaking up, but given the passage of time, Change has proven its merit time and time again. And with this vinyl reissue, a whole new generation of fans can discover what thousands before them already knew: The Dismemberment Plan was-and continue to be-an important rock band, the kind you're eternally thankful was smart enough to leave the basement and enter a recording studio a few times.

1. Sentimental Man 2. The Face of the Earth3. Superpowers4. Pay for the Piano5. Come Home 6. Secret Curse 7. Automatic8. Following Through 9. Time Bomb 10. The Other Side 11. Ellen and Ben

Proper

There's something to be said about cohesiveness in music, most especially in this day and age where the art form of an album that provides the listener with an experience from start to finish is more and more becoming an antiquated concept. Evan Thomas Weiss (aka Into It. Over It.) however, who at 26 years and with his debut full length album Proper, has attained a level of depth in his songwriting not seen by most artists throughout their entire careers.

Having written, recorded and played with an eclectic pedigree of artists such as Up Up Down Down Left Right Left Right B A Start, The Progress, and Stay Ahead of the Weather, IIOI's culmination of experiences with said bands have stylistically fused together for the grand effort that is Weiss debut LP. The album's release will mark a four year commemoration of his 52 Weeks project (where from September 2007 to September 2008 he wrote and recorded one track each week for a year, making them available online before being approached by No Sleep Records who released them as a 2xCD in June of 2009), as well as his Twelve Towns 7 series/collection which featured recordings with artists such as Bob Nanna (Braid/Hey Mercedes), CSTVT, Everyone Everywhere, Pswingset, Empire! Empire!, and Such Gold, recently compiled for release on Topshelf Records. The new album also follows Weiss 2010 split release with friend Andrew KOJI Shiraki, named one of the years best overlooked releases by The Associated Press.

The lyrical concepts of Proper and it's all around aura stems from autobiographical and literal exemplifications which have taken place over the past year of Weiss' life, most of which occurring in Chicago where he now resides. The album culminates in a heady yet straightforward melodic stew resembling Sunny Day Real Estate, Death Cab For Cutie and Dismemberment Plan to name a few, along with impassioned songwriting executed with the potency and ardor of Chuck Regan and Colin Meloy . While not labeled as a concept album per se, the stories which form the basis of Into It. Over It.'s songs stem from Weiss' own personal experiences, but are still relatable by one theme and one theme only: life.

Proper was recorded at Blacklodge Studios in Eudora, KS and co-produced by Ed Rose. The album features contributions from Nick Wakim of Stay Ahead of the Weather/CSTVT on drums and Nathan Ellis of The Casket Lottery. Album art was photographed at Weiss' apartment in Chicago by Ryan Russell.

1. Embracing Facts

2. Discretion & Depressing People3. Fortunate Friends4. No Good Before Noon5. Write It Right6. Midnight: Carrol Street7. Connecticut Steps8. Staring At The Celing9. An Evening With Ramsey Beyer10. Where Your Nights Often End11. PROPER12. The Frames That Used To Greet Me

Transatlanticism: 10th Anniversary Edition

Reissued For Its 10th Anniversary After Being Out Of Print For Years.

Comes With 12-page Full-color Booklet

As musical lunacy goes, things have gotten as crazy as it gets for Death Cab for Cutie since 2002's You Can Play These Songs with Chords compilation. A wildly successful tour with Dismemberment Plan, a collaboration for singer Ben Gibbard with emo-electronic guru Dntel under the Postal Service moniker, and a whole new legion of fans swooning to Gibbard's lyrics as if he were a modern day answer to Kiss Me-era Robert Smith have all amassed considerable hype around Transatlanticism.

But the group proves themselves more than equal to the task, answering the call and proving the cynics wrong with their most focused and most mature work in their entire catalog. Transatlanticism wastes absolutely no time and dives in head first with The New Year, one of the most melodramatic openings to an album since the Smashing Pumpkins' Tonight, Tonight from Mellon Collie and the Infinite Sadness. The mellow, mixed-meter percussion and dense atmosphere of Lightness is a brilliant lead into the pop-happy Expo '86 and The Sound of Settling before setting up the climatic and intensely dramatic title track. Unconsciously taking a page from Blur's Sing, the hypnotic drumming and guitar call and responses through the eight-minute climax of the album are backed with a singalong finale that unquestionably will have every audience on the next tour singing along and holding up their lighters.

And while most albums would be left exhausted after such a track, the group keeps things moving, albeit at a much slower pace than compared to the anthems that packed the first half. Gibbard seamlessly makes the transition between songs that full out rock to songs that are comparable to Elliott Smith's finest hour with great ease. But it's Gibbard's poetic lyrics and signature introspection that remain a bench mark for Death Cab; and it's the group's maturity as musicians as well as songwriters that make Transatlanticism such a decadently good listen from start to finish. The band has never sounded more cohesive, the track sequencing is brilliant, and it caps off a triumphant year for not only Gibbard, but a band whose time and greater recognition is finally due.

- Rob Theakston (All Music Guide)

LP 11. The New Year2. Lightness3. Title And Registration4. Expo '865. The Sound Of Settling6. Tiny Vessels

LP 21. Transatlanticism2. Passenger Seat3. Death Of An Interior Decorator4. We Looked Like Giants5. A Lack Of Color

How To Solve Our Human Problems (Part 1)

A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president's ambassador, not the current one's).

Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious 'The Same Star', which marries Belle and Sebastian's melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). "We'd met Leo in February of 2016, and I'd say that meeting and the recording of 'I'll Be Your Pilot' were the first tangible steps of this EP project," Martin says. "We didn't have a stack of songs to play him, but we liked him and he became a part of the plan from that point - and when I'd got to a point with 'The Same Star' where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked 'Leo' coming up. It's not a song we'd laboured over playing for months - it fell together quite quickly thanks in large part to Bob's [Bobby Kildea, guitarist] enthusiasm and Stuart's willingness to dismember an old song and repurpose the break, so that it wasn't just the same three chords over and over and over."

There's one big reason why 15 songs are coming out on three EPs, rather than one album. "We'd made a couple of LPs, Tigermilk and If You're Feeling Sinister, within the space of six months," Murdoch says, remembering the early days of the band's career, and how that fed into their decision-making this time.

1. Sweet Dew Lee 2. We Were Beautiful3. Fickle Season4. The Girl Doesn't Get It5. Everything Is Now

How To Solve Our Human Problems (Part 3)

A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president's ambassador, not the current one's).

Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious 'The Same Star', which marries Belle and Sebastian's melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). "We'd met Leo in February of 2016, and I'd say that meeting and the recording of 'I'll Be Your Pilot' were the first tangible steps of this EP project," Martin says. "We didn't have a stack of songs to play him, but we liked him and he became a part of the plan from that point - and when I'd got to a point with 'The Same Star' where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked 'Leo' coming up. It's not a song we'd laboured over playing for months - it fell together quite quickly thanks in large part to Bob's [Bobby Kildea, guitarist] enthusiasm and Stuart's willingness to dismember an old song and repurpose the break, so that it wasn't just the same three chords over and over and over."

There's one big reason why 15 songs are coming out on three EPs, rather than one album. "We'd made a couple of LPs, Tigermilk and If You're Feeling Sinister, within the space of six months," Murdoch says, remembering the early days of the band's career, and how that fed into their decision-making this time.

1. Poor Boy2. Everything Is Now (Part Two)3. Too Many Tears4. There Is An Everlasting Song5. Best Friend

How To Solve Our Human Problems (Box Set)

Box Set Features All Three 5-Song 12 EPs In One Convenient Package

A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president's ambassador, not the current one's).

Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious 'The Same Star', which marries Belle and Sebastian's melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). "We'd met Leo in February of 2016, and I'd say that meeting and the recording of 'I'll Be Your Pilot' were the first tangible steps of this EP project," Martin says. "We didn't have a stack of songs to play him, but we liked him and he became a part of the plan from that point - and when I'd got to a point with 'The Same Star' where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked 'Leo' coming up. It's not a song we'd laboured over playing for months - it fell together quite quickly thanks in large part to Bob's [Bobby Kildea, guitarist] enthusiasm and Stuart's willingness to dismember an old song and repurpose the break, so that it wasn't just the same three chords over and over and over."

There's one big reason why 15 songs are coming out on three EPs, rather than one album. "We'd made a couple of LPs, Tigermilk and If You're Feeling Sinister, within the space of six months," Murdoch says, remembering the early days of the band's career, and how that fed into their decision-making this time.

EP 11. Sweet Dew Lee2. We Were Beautiful3. Fickle Season4. The Girl Doesn't Get It 5. Everything Is Now

EP 2 1. Show Me The Sun2. Same Star3. I'll Be Your Pilot4. Cornflakes5. A Plague On All Other Boy

EP 31. Poor Boy2. Everything Is Now (Part Two)3. Too Many Tears4. There Is An Everlasting Song5. Best Friend

How To Solve Our Human Problems (Part 2)

A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president's ambassador, not the current one's).

Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious 'The Same Star', which marries Belle and Sebastian's melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). "We'd met Leo in February of 2016, and I'd say that meeting and the recording of 'I'll Be Your Pilot' were the first tangible steps of this EP project," Martin says. "We didn't have a stack of songs to play him, but we liked him and he became a part of the plan from that point - and when I'd got to a point with 'The Same Star' where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked 'Leo' coming up. It's not a song we'd laboured over playing for months - it fell together quite quickly thanks in large part to Bob's [Bobby Kildea, guitarist] enthusiasm and Stuart's willingness to dismember an old song and repurpose the break, so that it wasn't just the same three chords over and over and over."

There's one big reason why 15 songs are coming out on three EPs, rather than one album. "We'd made a couple of LPs, Tigermilk and If You're Feeling Sinister, within the space of six months," Murdoch says, remembering the early days of the band's career, and how that fed into their decision-making this time.

1. Show Me The Sun 2. The Same Star3. I'll Be Your Pilot4. Cornflakes5. A Plague On Other Boys

Emergency & I (Out Of Stock)

Best New Reissue And Perfect 10.0 On Pitchfork!

Full-Color Photo Collage, Lyrics Sheet, And In-Depth Liner Notes

Four Bonus Tracks

Emergency & I has been widely regarded as the definitive artistic statement from the beloved Washington D.C. quartet and has found its way onto many best-of lists, including the #16 spot of Pitchfork's Top 100 Albums of the 90's.

Originally released on DeSoto Records, this vinyl re-issue will be presented in gatefold 180-gram audiophile-grade vinyl with a giant full-color photo collage, lyrics sheet, and in-depth liner notes, plus four rare bonus tracks,also never before available on high quality vinyl.

1. A Life of Possibilities2. Memory Machine3. What Do You Want Me to Say? 4. Spider in the Snow5. The Jitters6. I Love A Magician7. You Are Invited8. Gyroscope9. The City 10. Girl O' Clock11. 8 1/2 Minutes12. Back and Forth

Transatlanticism (Out Of Stock)

Import

As musical lunacy goes, things have gotten as crazy as it gets for Death Cab for Cutie since 2002's You Can Play These Songs with Chords compilation. A wildly successful tour with Dismemberment Plan, a collaboration for singer Ben Gibbard with emo-electronic guru Dntel under the Postal Service moniker, and a whole new legion of fans swooning to Gibbard's lyrics as if he were a modern day answer to Kiss Me-era Robert Smith have all amassed considerable hype around Transatlanticism. But the group proves themselves more than equal to the task, answering the call and proving the cynics wrong with their most focused and most mature work in their entire catalog. Transatlanticism wastes absolutely no time and dives in head first with The New Year, one of the most melodramatic openings to an album since the Smashing Pumpkins' Tonight, Tonight from Mellon Collie and the Infinite Sadness. The mellow, mixed-meter percussion and dense atmosphere of Lightness is a brilliant lead into the pop-happy Expo '86 and The Sound of Settling before setting up the climatic and intensely dramatic title track. Unconsciously taking a page from Blur's Sing, the hypnotic drumming and guitar call and responses through the eight-minute climax of the album are backed with a singalong finale that unquestionably will have every audience on the next tour singing along and holding up their lighters. And while most albums would be left exhausted after such a track, the group keeps things moving, albeit at a much slower pace than compared to the anthems that packed the first half. Gibbard seamlessly makes the transition between songs that full out rock to songs that are comparable to Elliott Smith's finest hour with great ease. But it's Gibbard's poetic lyrics and signature introspection that remain a bench mark for Death Cab; and it's the group's maturity as musicians as well as songwriters that make Transatlanticism such a decadently good listen from start to finish. The band has never sounded more cohesive, the track sequencing is brilliant, and it caps off a triumphant year for not only Gibbard, but a band whose time and greater recognition is finally due. ~ Rob Theakston, All Music Guide

1. The New Year2. Lightness3. Title And Registration4. Expo '865. The Sound Of Settling6. Tiny Vessels7. Transatlanticism8. Passenger Seat9. Death Of An Interior Decorator10. We Looked Like Giants11. A Lack Of Color

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