Pages

Friday, February 17, 2017

Self -taught medicinal plant grower T K Venugopal has a garden that is visited by those looking for cures and botany enthusiasts alike

A higher official from Kochi corporation met his long-time acquaintance, T K Venugopal. The former was then suffering from severe knee pain. Venugopal soon handed over his ‘ Methiyadi’ (wooden sandals) and asked him to use it for a few days. Next time, when the official met Venugopal, the former was completely cured of his knee pain. “Methiyadi is made of wood and when one walks wearing it, it would tap the heels of the leg, frequently which increases the blood circulation. That’s how he was cured of his knee pain,” explains Venugopal.

Perhaps, it was to make us realise its importance that he was waiting for us, wearing it. And it hardly came as a surprise when he said that he had a garden full of medicinal plants.

The compound and terrace of this self-taught medicinal plat grower, who formerly served in the logistics department of the Navy, are full of medicinal plants - right from ‘Vayambu’, ‘Koovalam’, ‘Shatavari’ to ‘Nithyakalyani’. The ‘Amritu’ tree was tall and its long extended string-like roots are tangled in a knot. The garden would surely remind of a time when houses had plants and flowers which could be used as a single medicine therapy, in their backyards. In the garden, there is swing hanging from a tree.The number and varieties never seemed to confuse him for he could narrate the properties of each one.

Venugopal planted most of these medicinal plants in 2000. His experience with them are so plenty that he does not mind prescribing an ‘Ottamooli’ or single medicine therapy, occasionally.

While walking through the garden, we came across a plant which has small yellow flowers. “It is called ‘Akrov’ in Malayalam and it is a good remedy for tooth ache.” But when we seemed a bit skeptical about it, he asked us to chew it. Surprisingly, after doing so, our mouth went numb.

He also told us the trick to identify the gender of certain trees. “There are trees like nutmeg which bear fruit only when male and female trees are planted together. In such cases, you have to hold a gold chain just above one of its leaves. But its tip should slightly touch the leaf. Then lift it a bit. There should only be a small gap between the chain and the leaf. If the tip of the chain oscillates back and forth, then it is a male and if it the motion is circular, then it is female. I usually give this tip to Botany students who often come here in groups to learn about plants,” he says.

Venugopal, then pointed to some leaves which were purple in colour. “These leaves are called ‘Murikootti’. This is usually found in Wayanad. Its juice can cure wounds or burns,” he explains. There is also a story behind it, he continues. “Lord Hanuman was returning with the ‘Maruthwamala’ from the Himalayas. But on his way, a part of the mountain fell to the ground. It contained many medicinal herbs and one among them was ‘ Murikkootti’”.

Asked to suggest some ‘Ottamoolies’, he says - “A mix of grounded ‘Moringa’ leaves and garlic is good to cure swelling. To get a good sleep, you can store water in a clay pot, put ‘Ramacham’ in it and drink two glasses of this water before sleep. A sound sleep will kiss on your brow,” assures Venugopal with a smile.

He lives with his wife Valsala Kumari at Elamakkara. Many people come to him, seeking medicinal plants and he is always happy to give them away. “Clay is also a good cure for many ailments,” he says. He has a stock of it which he gives to those in need. Venugopal has never charged a penny from anyone. “I grow these trees and plants out of sheer passion,” he says.

Sunday, February 5, 2017

It was noon when we reached the Sree Sankaracharya University at Kalady. On the bustling campus, some students were seen trying to get their Mudras perfect while a few young budding actors were seen brooding over something which only they knew about, a perfect set up for a conversation on art.Usha Nangiar, who teaches ancient theatre, was waiting for us. After exchanging a few pleasantries, we soon got into our tete-tete.Within seconds, it was evident that the person sitting in front of us was not easy to fathom. ‘Trance’ could well be her synonym.Not only she goes into a state of trance while speaking about her passion but also lures the listener along with her. And, it is this attribute of hers that has left many of her listeners to ponder over the characters she performed.After one of her performance, an admirer commented: “Enthina Kanna Poothanaye Konne?” (Why did you kill Poothana, Kanna). None other than noted writer K B Sreedevi confided in her that her heart aches for Poothana’. Ask her how she does that, Usha, winner of ‘Kalashree’ Award for Koodiyattom by Kerala Sangeetha Nataka Academy, says:“Perhaps, I can sense the ‘I’ in every person. And, I do not want to hurt them”.

Perhaps, Usha Nagiar strongly felt that ‘I’ in Ahalya when she performed ‘Ahalyamoksham Nangiarkoothu’ for the first time during the last Kochi- Muziris Biennale. It drew a large audience. Immersed in deep thought, Usha says there is a life inside that rock. “Ahalya could sense her world around. But, could do nothing. I thought about her travails while being trapped in a rock.”When Usha decided to delve deep into her passion, she first sought the answer for how Koodiyattom, described by UNESCO as the masterpiece of the intangible heritage of humanity could be retained for the posterity?“There are hurdles as this is an art form dating back to more than 1500 years. This will be my sole focus. For the time being, I am shoving off yet another pertinent question on why this art form was pushed to the oblivion for many years. I thought I would research into it when I am old.”This great connoisseur who never wants to budge from the set format of Koodiyattom has never been against any change but there are conditions.“There are experiments in every field. It has started knocking on the doors of Koodiyattom too. I am not against it provided it retains the classical character and the set rules of Koodiyattom. otherwise, it would just be another contemporary dance and will have a transient life,” she clarifies. At the same time, she does not forget to point out the fact that there should be a change in accordance with the times. “If not, it would push the audience to monotony,” she says.Her life as a Koodiyattom artist was natural. She was the daughter of noted Mizhavu artist Chathakudam Krishnan Nambiar. To be ordained as a Chakiar or Nangiar, arangetam had to be performed. She too did the same. And, in 1980, she joined Ammannoor Gurukulam.“I was the first girl student and there was no competition. I did get a lot of stages to perform,” she reminiscences. On her favourite performance, she says: “The story of ‘Lalitha’ gave immense scope’. Besides, I am also thinking something differently about Draupadi.Her story gives little scope to experiment. But, I was thinking of her emotions when it comes to her marriage with her five husbands.”Usha Nangiar is married to eminent Mizhavu artist V K K Hariharan. When asked about honours and recognitions she says: “I have never bothered about it. But, I always felt that if anybody needs a reference on Koodiyattom, put Ushan Nangiar on one side, that would weigh more than the other side. I don't know whether people call it as my audacity, but for me, that's my strong faith.” Usha Nangiar recently, won the ‘Kalashree’ Award for Koodiyattom.published in The New Indian Express