In 1936 the Italian government made a successful application for hosting in Rome the next World Exhibition which was due in 1941.
The Exhibition was soon postponed to 1942 to celebrate the XXth anniversary of the Fascist regime.The area chosen for the exhibition was some three miles
south of the walls, near the river and the road to Ostia. The architect Marcello Piacentini was asked to coordinate the development of a
plan having the objective to create a new quarter of Rome and not only to build the temporary pavilions required by the Exhibition.
Marcello Piacentini was renowned for the neat design of the new Railway Station of Florence, but the government wanted to
emphasize the monumental aspects of the new quarter and Piacentini and the other architects who cooperated with him had to meet this expectation.The new quarter was soon known as E.U.R., the acronym of
Esposizione Universale Roma.

Palazzo della Civiltà del Lavoro (1938-43)

The Fascist regime emphasized the links between the expansion of the Roman Empire and its own aggressive policies and it poured money into
redesigning in a spectacular way many areas of the city, mainly to the detriment of medieval or Baroque monuments;
for sure the regime had something in common with the ancient Romans: a passion for erecting large buildings.Nevertheless the
inscription on Palazzo della Civiltà Italiana (renamed della Civiltà del Lavoro) does not include costruttori (builders) in the list
of the attibutes of the Italians. VN POPOLO DI POETI DI ARTISTI DI EROIDI SANTI DI PENSATORI (philosophers) DI
SCIENZIATIDI NAVIGATORI DI TRASMIGRATORI (the meaning of this word today is rather obscure, but in the 1930s it
was a reference to the first intercontinental flights). The inscription as well as the building were the subject of many
jokes: less commendable attributes were added to the list and the building was soon called Colosseo Quadrato (square) and
even worse Palazzo del Groviera, after the Swiss cheese gruyère.
While the arches of the building are a reminder of the Colosseo arches, the four statues at its corners have many points
in common with those in Piazza del Quirinale.

Michelangelo Antonioni is an Italian filmmaker who became famous in the early 1960s by a series of movies which depicted the difficulty of living, not because
of material conditions or negative events, but because of existential anxieties. He shot several scenes of The Eclipse (1962) among the EUR buildings.
The empty porches, the isolated statues, the unusually shaped buildings
provided him with a not humanly scaled background which highlighted the feeling his characters had of living in an alien world.

Obelisk (1939-59) dedicated to Guglielmo Marconi

The gigantic stela dedicated to Guglielmo Marconi is a clear reference to the obelisks of Rome, but it does not have the
grace of the originals.The Exhibition never took place
because of WWII and the few buildings which had been
completed were occupied by families who had lost their homes because of war events.
In 1951, when the post war emergency was gradually receding, the Italian government decided to complete the quarter by
relocating public offices and by inviting
companies to build their headquarters in the new quarter. The quarter was renamed Quartiere Europa retaining to some
extent its original name and the streets and buildings were in some cases renamed too in order to
cancel references to the past regime. The
assignment to Rome of the 1960 Olympic Games gave a new impulse to the completion of the monumental parts of EUR including the stela to Marconi.

Palazzo delle Scienze (1939-43)

The EUR houses several museums which are scarcely visited by tourists. One of them (Museo Nazionale Preistorico Etnografico) includes most of the collection of African, Chinese and American handicrafts
gathered in Collegio Romano by the Jesuit Athanasius Kircher in the XVIIth century. Another interesting
museum (Museo della Civiltà Romana) includes a reconstruction (scale 1:250) of the City of Rome in the IVth century.
Also the materials used in the EUR buildings remind visitors of Ancient Rome: for the columns of the building shown in the picture the architects used a green stone resembling cipollino, a
marble very much in fashion in the IInd century (see the cipollino columns of the Temple of Annia Faustina - S. Lorenzo in Miranda).

Palazzo dei Congressi (1938-54): (above) front; (below) rear view

The low dome of Palazzo dei Congressi is evocative of the Pantheon and the reference is more
evident when the building is seen from the front (as in the image used as a background for this page). The photo of the rear view was taken on a summer Sunday when this part of
EUR is almost deserted (if you wish to see the monuments of Rome on a summer Sunday morning click here).

Palazzo dell'INPS (1940-54) and detail of a relief

This palace is decorated with vaguely Renaissance reliefs portraying allegories of the Italian Maritime Republics (the winged lion of Venice and St. George, protector of a Genoese maritime company). Its design can be associated
to that of the Trajan's Markets.

EUR played a great role in the 1960 Olympic Games EUR: short rowing contests took place in a pond
embellished by gardens and dominated by a circular building
for matches of basket ball and other sports.

Large 1960 relief

In this large 1960 relief the sculptor wanted to portray the simple life of rural Italy: he did not realize that in those
years that idyllic world was rapidly disappearing: a booming economy, the impact of television and motorization, a falling
birth rate had changed Italy.

A modern building and a sculpture by Arnaldo Pomodoro

In the city of Rome and its immediate suburbs buildings cannot exceed a certain height
so that they do not normally exceed ten storeys. This limit is
lifted for the EUR quarter which does not impact on the traditional view of Rome.
The most recent addition to EUR is a 2004 work by Arnaldo Pomodoro, a sculptor known for his spheres
(one of them is in Cortile del Belvedere).