Using the latest apps from Android phone, I record it with some good quality recording. I also love beloved animals and this video comes with many beautiful photos too. Happy listening and still learning this song too. It will be my signature song for The VOICE in Ireland.

She Believe In Me (Cover Version of Kenny Rogers)

She Believe in Me (Cover Version of Kenny Rogers) If you unable to play this video on this blog, please click here.

"She Believes In Me" is a song recorded by American country music singer Kenny Rogers. It was released in April 1979 as the second single from his album The Gambler. The song was written and first recorded by Steve Gibb (not the Steve Gibb who is the son of Barry Gibb) and is the tale of a songwriter who has a beloved who supports him, although he sometimes wonders why.

My 3rd attempt record again. I love this song so much. I am working hard to have this song be one of my signature song too. Last night I met one old friend of mine, Shelly, whom she gave me some feedback on my singing, I need to be relax to have more nature sound from my singing. I am seeking new way to get my song record and will be have some changes very soon. I wanna to capture it like those in recording studio.

It went to number one in the United Kingdom, where it was Denver's only major hit single (many of Denver's American hits were more familiar in the UK through cover versions by other artists). Four years later, an instrumental version also became flutist James Galway's only major British hit.

Annie's Song (Cover Version of John Denver)

Whenever you see a (E) which indicated it had been enhanced using youtube tools to make it louder.If you unable to see the video below, please click here to open another windows directly link to youtube.Whenever you see a (E) which indicated it had been enhanced using youtube tools to make it louder.If you unable to see the video below, please click here to open another windows directly link to youtube.

FYI,
The above link had been removed by the BLOODY EVIL PARASITES FUCKbook,
due to their BLOODY lame excuses copySHIT law. My cover songs have NO COMMERCIAL VALUE and I am only just a student learning to sing these songs and put
that online so that my friends or anyone can comment on it so I can
continue to improve my singing. These EVIL BASTARDS removed my most
favourite FUCKbook fan page on above link.

"Annie's Song" was written as an ode to Denver's wife at the time,
Annie Martell Denver. Denver "wrote this song in July 1973 in about
ten-and-a-half minutes one day on a ski lift" to the top of Ajax Mountain in Aspen, Colorado,
as the physical exhilaration of having "just skied down a very
difficult run" and the feeling of total immersion in the beauty of the
colors and sounds that filled all senses inspired him to think about his
wife.[2][3]
Annie Denver recalls the beginnings: "It was written after John and I
had gone through a pretty intense time together and things were pretty
good for us. He left to go skiing and he got on the Ajax chair on Aspen
mountain and the song just came to him. He skied down and came home and
wrote it down... Initially it was a love song and it was given to me
through him, and yet for him it became a bit like a prayer."

"The first time I heard 'Annie's Song,' I told John it had the same melody as Tchaikovsky'sFifth Symphony, Second Movement," says Milt Okun.
"He walked over to the piano, sat for an hour and came back, and the
only thing remaining from Tchaikovsky was the first five notes. It was
fantastic."[4]

I took this song seriously when I was having Piano lesson from a young sweet lady whom graduated from University of Adelaide SA, Australia. I was greatly impressed with her gifted musical talent. Unfortunately she told me she only love WHITE man. Her wishes was to get a WHITE husband from western countries. The sad news she left the music school without saying goodbye to me. Anyway this lovely love song I would like to dedicate to her. This song always remind me of her. BTW I learned to play this song on piano in a hard way. Memorised by hard code method!!!!

The Vanishing Race is the 12th album by Australian soft rock band Air Supply released in 1993. The album didn't reach US charts, except the single "Goodbye", which peaked at #35 on the Adult Contemporary Chart. The album became especially relevant in Asia, where singles "Goodbye", which got to be #1 in several Asian countries, and "It's Never Too Late" made the album reach platinum certification.[2] The album sold over 4 millions copies around the world.

FYI,
The above link had been removed by the BLOODY EVIL PARASITES FUCKbook,
due to their BLOODY lame excuses copySHIT law. My cover songs have NO COMMERCIAL VALUE and I am only just a student learning to sing these songs and put
that online so that my friends or anyone can comment on it so I can
continue to improve my singing. These EVIL BASTARDS removed my most
favourite FUCKbook fan page on above link.

Chrissie Hammond, Russell Hitchcock, and Graham Russell met in May 1975 while performing in the Australian production of the Andrew Lloyd Webber and Tim Rice musical, Jesus Christ Superstar.[1][2]
With Hammond and Hitchcock on vocals and Russell on guitar, they formed
a harmony vocal group in Melbourne, while the show was still playing.[3] Hammond left the vocal group to form Cheetah and was replaced by Jeremy Paul (ex-Soffrok and later Divinyls) on bass guitar and vocals in 1976.[1]
Together, Hitchcock, Russell and Paul formed Air Supply. The group's
first single, "Love and Other Bruises", was released in November 1976
and peaked at No. 6 on the Australian Kent Music Report Singles Chart in January 1977.[4] It was followed by Air Supply, their debut album, in December, which reached No. 17 on the Kent Music Report Albums Chart and achieved gold in Australia.[1][4] The album was produced by Peter Dawkins (Spectrum, Ross Ryan) with Air Supply line-up as Hitchcock, Paul, Russell and drummer Jeff Browne, guitarist Mark McEntee and keyboardist, arranger Adrian Scott.[1][2] Other singles were "If You Knew Me", "Empty Pages" and "Feel the Breeze" but none reached the Top 40.[4] A national tour followed with Hitchcock, Paul, Russell and Scott joined by Nigel Macara (ex-Tamam Shud, Ariel) on drums and Brenton White (Skintight) on guitar.[1][2] Brenton White rehearsed but did not perform with Air Supply

Their second album, The Whole Thing's Started, also produced by Dawkins,[3] was released in July 1977 with White replaced on lead guitar by Alan Kendall.[1]
The album spawned the singles "Do What You Do" (June), "That's How the
Whole Thing Started" (October) and "Do It Again" (February 1978) but
neither album nor singles charted into the Top 40.[4] From late 1977, the group supported Rod Stewart during his tour of Australia—he invited them to continue to the United States and Canada. Their third album, Love & Other Bruises,
included re-recordings of some earlier tracks, was made mid-tour in Los
Angeles in July–August and released later that year in the US on Columbia Records with Jimmy Horowitz producing.[3] During the tour, Paul left the band with a new line-up of Hitchcock, Macara, and Russell, plus Rex Goh on guitar, Joey Carbone on keyboards, Robin LeMesurier on lead guitar and Howard Sukimoto on bass guitar.[2] Paul, in 1980, recruited fellow former Air Supply bandmate McEntee in the line-up of Divinyls, fronted by Chrissie Amphlett. Air Supply performed in London supporting Chicago and Boz Scaggs.[1]

Although their music had some commercial success, Russell claimed, on
a 1995 DVD, that he and Hitchcock were so poor that they checked the
backs of hotel sofas for change so that they could buy bread to make
toast. By early 1978, the line-up was Hitchcock, Russell, and Macara
with George Terry and Joey Murcia on guitar, George Bitzer on keyboards and Harold Cowart on bass guitar.[1][2] However, by mid-1978, only Hitchcock and Russell remained in the line-up, backed by Ralph Cooper (Windchase) on drums and former Sailor members Brian Hamilton on bass guitar and vocals and David Moyse on guitar.[1][2]

In April 1979, the band released Life Support, a concept album
which included a picture disc on its first printing. The album was
recorded at Trafalgar Studios in Sydney. The album had a
five-and-a-half-minute version of "Lost in Love", written by Graham Russell in 15 minutes; it was released as a single and peaked at No. 13 in Australia and No. 13 in New Zealand.[4][5] The track caught the attention of Arista Records boss Clive Davis,
who remixed the song and released it as a single in the US early the
next year. In late November 1979 Russell was embroiled in a bitter court
case with Samuel Nay over accusations of assault at a backstage meet
and greet in Oklahoma. Nay would later pass away during the court case
and all charges were dropped. The line-up for the album kept Hitchcock,
Russell, Cooper, and Moyse, and added Criston Barker (bass) and Frank
Esler-Smith (keyboards/orchestra arrangements) with help from other
session musicians. Esler-Smith had previously known Hitchcock and
Russell from working with them in Jesus Christ Superstar.

A re-recorded and remixed
version of "Lost in Love" was released internationally as a single in
January 1980 on Arista Records. The associated album, Lost in Love, appeared in March and contained three US Top 5 singles, including the title track which peaked at No. 3 on Billboard Hot 100 and No. 11 in the United Kingdom Singles Chart.[6][7] The other US Top 5 singles were "Every Woman in the World" (No. 5) and "All Out of Love" (No. 2).[6] Both singles were Top 10 in Australia with "All Out of Love" reaching No. 17 in the Netherlands.[4][8]
The album kept the same line-up as before, with Hitchcock, Russell,
Cooper, Moyse, Barker and Esler-Smith. The album sold three million
copies in the US and peaked at No. 22 on Billboard 200.[9]

I can see the pain living in your eyesAnd I know how hard you tryYou deserve to have so much moreI can feel your heart and I sympathizeAnd I'll never criticizeAll you've ever meant to my life

I don't want to let you downI don't want to lead you onI don't want to hold you backFrom where you might belong

You would never ask me whyMy heart is so disguisedI just can't live a lie anymoreI would rather hurt myselfThan to ever make you cryThere's nothing left to say but goodbye

You deserve the chance at the kind of loveI'm not sure I'm worthy ofLosing you is painful to me

I don't want to let you downI don't want to lead you onI don't want to hold you backFrom where you might belong

You would never ask me whyMy heart is so disguisedI just can't live a lie anymoreI would rather hurt myselfThan to ever make you cryThere's nothing left to say, but goodbye

You would never ask me whyMy heart is so disguisedI just can't live a lie anymoreI would rather hurt myselfThan to ever make you cryThere's nothing left to tryThough it's gonna hurt us bothThere's no other way than to say goodbye Read more: Air Supply - Goodbye Lyrics | lyrics.wikia.com