love

A recent Twitter thread brought up problematic reader expectations with story endings. Can we find a balance between “fulfilling our story’s promise and our genre’s expectations” and avoiding a cliché ending?

A recent post by Diana Hurwitz explored the nature of antagonists in romance novels. Today, we’re taking a deeper look at our options for antagonists, especially in the romance genre, and how we can avoid creating unhealthy relationships.

Whether we want to know for real-life purposes or for our writing, Bran’s post today helps us identify elements of healthy romances. Authors need to be careful of sending readers the wrong message. Everyone deserves to be in a healthy, loving relationship—including our characters.

There’s no right or wrong answer for how to depict intimacy in our writing—only what’s right for our story. The “right” amount can depend on our genre, our characters, their situation, their emotional journey, and our target audience.

In my last post, we talked about struggling to write when suffering from burnout. Maintaining a connection with our passions can help us endure the problems of life, and remembering how and why we have passion for writing might help us recover from burnout.

Certain types of reading are sometimes valued more than others. One descriptive term that’s often used as a put-down for genre stories is escapism, but is romance or any other genre story really “escapism”? What does that mean? Is escapism a “bad” thing, and if so, why?