Meg has an intimate knowledge of her
grandmother's, Imogen Cunningham, photography. Her
relationship with Imogen's work spans 35 years. Meg
started out spotting prints for Imo as a teenager and
spent thousands of hours over the next two decades
working for the Imogen Cunningham Trust archiving Imo's
negatives collection and managing her images. Meg
has also directed and produced documentary films on
Imogen Cunningham, her godmother Dorothea Lange and her
father Rondal Partridge. Her film Portrait of
Imogen was nominated in 1988 for an Academy Award for
best documentary short subject film.