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Wednesday, November 28, 2012

French actress Mireille
Dargent acted in six movies, four of which were for
director Jean Rollin. The one she’s
most known for is a Rollin film where
her presence reverberated inside my memory, ever since I saw it. This film is Requiem for a Vampire, where the sultry
redhead appears alongside one-half of the Castel
twins, Marie-Pierre Castel. The two actresses
play a couple of inseparable lovers, who after escaping some sort of crime heist,
curiously dressed as clowns, eventually find themselves in vampire territory. Interestingly
enough, we are introduced to this clown couple and their male companion at the
start of the film in a high speed chase with guns blazing. After losing their
pursuers, their male companion passes away, not surviving his gunshot wound. The two clowns, named
Michelle (Dargent) and Marie (Castel), set fire to their car, with the deceased’s body inside of it, before travelling off on foot and on
their own. When they wash off the paint and lose their clown getup, it’s
revealed, not surprisingly, that there were a couple of attractive girls
underneath the clown makeup.

Sunday, November 11, 2012

If ever there was a movie that epitomized the weird,
scattered, and strangely erotic nature of Eurohorror the most, that film would
most likely be The Reincarnation of
Isabel. It’s a work of art where a clear goal-driven narrative seems to
have either been purposefully or unknowingly neglected. It’s still a good
story but one that is awkwardly told. It may just as well have been that
having a story spoon-fed to viewers was of little importance in this case, as director
Renato Polselli (Delirium, The Vampire and the Ballerina) might’ve felt he had a lot
more to offer by instead unloading his tale of reincarnation in a rather
erratic fashion, frequently diverging from the narrative for the sake of
overusing the film’s seductive set pieces, with events happening for unclear
reasons and moving in unclear directions. It is also nonetheless done with
gusto and a unique painterly craftsmanship. Fans of the weird and sexy side of
Eurohorror should consider looking to The
Reincarnation of Isabel to get their regular fix.

A supposed witch, Isabella
(Rita, Nude for Satan, Calderoni),
was staked and burned at an altar in front of an attentive mob of villagers. Centuries
later, someone or something with a following of cultists and vampires is trying
to revive/reincarnate the Great Mistress, Isabella, and they’ll sacrifice as
many virgins as it takes for her to live again. Women are turning up dead with
their hearts missing and strange bite marks on their necks. It all seems to be
connected to a castle that has just been bought and occupied by a Mr. Jack
Nelson (Mickey, Bloody Pit of Horror, Hargitay),
his wife, and his stepdaughter, Laureen (also played by Calderoni). A special party in celebration of Laureen’s engagement
to a local man is underway in the castle, and the epoch involving Isabella’s
persecution in the long distant past begins to haunt the inhabitants in
erotically bizarre and deadly ways.

What can I say about Rita Calderoni? She’s a delightful and committed lead with very
pure good looks. Interestingly enough like in the film Nude for Satan, there are moments where she inexplicably has a
single breast exposed without seeming to notice or care that her boob is
showing. Seeing her treat us to this provocative sight of her in more than one
movie has caused me to consider this look to be her trademark. Calderoni also puts on a convincing performance
with her portrayal of the persecuted Isabel. She looks like she went through a
lot for us, and it actually looks like it hurts when they drive a stake through
her.