In a statement released Sunday, the studio said they were grateful for Lane’s handling of “more complicated dance sequences,” but still profess “Natalie herself did most of the dancing featured in the final film.”

Lane was inspired to speak out after an interview ran in the Los Angeles times, quoting choreographer (and Portman’s fiancée) Benjamin Millipied saying, “85 percent of that movie is Natalie.” She told Entertainment Weekly it was “demeaning” to say an actress, even one with a dancing background such as Portman, to master dance in such a short span of time.

“I’ve been doing this for 22 years…Can you become a concert pianist in a hear and a half, even if you’re a movie star?” Lane told Entertainment Weekly. To add insult to injury, Lane was billed as only "stunt double" and "hand model."

Portman has yet to respond to these claims.

But it’s not all bad news. According to Business Wire, everyone’s already won. Portman has her Oscar, Lane has her 15 minutes of fame, and hey—if ABT did a performance of “Swan Lake” with Lane as Odette/Odile, there might even be a revival of classical ballet.