Twelve men from the Los Angeles Master Chorale, led by music director Grant Gershon, present a concert of 11th- and 12th- century music closely associated with Canterbury Cathedral and its most famous Archbishop, St. Thomas, composed by Leonin, Pérotin, and Hildegard von Bingen. Gershon and the Very Reverend Dr. Robert Willis, Dean of Canterbury lead a pre-concert talk at 6:30 p.m. Tickets $20; $15 students/seniors.

Join artist Tim Carey from Judson Studios as he demonstrates the materials and techniques used to create stained-glass panels, from initial design to the final stages of production. Complements the exhibition Canterbury and St. Albans: Treasures from Church and Cloister.

Tours and Gallery Talks

Garden TourDaily11:30 am, 12:30 pm, 2:30 pm, 3:30 pmGetty Center

The gardens of the Getty are the focus of this 45-minute tour. Meet the docent outside
at the bench under the sycamore trees near the front entrance to the Museum.

Discover more about Richard Meier's architecture and the design of the Getty Center site in this 45-minute tour. Meet the docent outside at the bench under the sycamore trees near the front entrance to the Museum.

Explore the Getty's collection of 19th-century paintings by artists such as Millet, Monet, and Van Gogh in this one-hour tour. The talk may also include examples of sculpture, photographs, or drawings. Meet the docent at the Information Desk.

Exhibition Tour: Canterbury and St. Albans: Treasures from Church and CloisterTuesday - Saturday through November 27, 20131:30 pmMuseum Galleries, Getty Center

Explore masterpieces of medieval stained glass and illuminated manuscripts in this special one-hour overview of the exhibition Canterbury and St. Albans: Treasures from Church and Cloister. Meet the educator at the Information Desk.

Exhibitions

The Life of Art: Context, Collecting, and DisplayDailySouth Pavilion, Plaza Level, Getty Center

From the time an object is made until the day it enters a museum's collection, it may be displayed, used, and perceived in different ways. The Life of Art takes selected objects from the Getty Museum's galleries and encourages visitors to sit down and spend time with them, offering the opportunity to examine them closely to understand how they were made and functioned, why they were collected, and how they have been displayed. Through careful looking, what may be learned about the maker and previous owners of a French gilt-bronze wall light, for example, or the transformation in England of a Chinese porcelain bowl? Close engagement reveals the full lives of these works and why they continue to be collected and cherished today.

Canterbury and St. Albans: Treasures from Church and CloisterDaily through February 2, 2014Exhibitions Pavilion, Getty Center

This exhibition brings together masterpieces of medieval English art: panels of stained glass from Canterbury Cathedral and pages from the St. Albans Psalter, a splendidly illuminated book of psalms. Uniting monumental glass painting with the art of book illumination, this presentation reveals how specific texts, prayers, and environments shaped the medieval viewer's understanding of these pictures during the era of artistic renewal following the Norman Conquest of England.

A new acquisition by the Getty Museum's Department of Photographs, Hearsay of the Soul (2012) is a five-channel video installation by celebrated German filmmaker Werner Herzog. It combines the early-seventeenth-century landscape etchings of Dutch artist Hercules Segers with recent scores and a performance by Dutch cellist and composer Ernst Reijseger, resulting in a richly layered work that is at once intimate and epic.

Over the past twenty­five years, Abelardo Morell (American, born Cuba, 1948) has become internationally renowned for photographs that push the boundaries of the medium while exploring visual surprise and wonder. From intimate domestic scenes taken with a child's view to images in which an entire room is a camera obscura, Morell has approached picture making with remarkable creativity and wit. Showing a range of individual works and series—many never displayed before—this exhibition demonstrates how Morell has mined photographic history for inspiration. The exhibition was organized by the Art Institute of Chicago in association with the J. Paul Getty Museum and the High Museum of Art in Atlanta.

At the Window: The Photographer's ViewDaily through January 5, 2014West Pavilion, Lower Level, Getty Center

One of the first camera subjects, the window is literally and figuratively linked to the photographic process itself. This exhibition, drawn primarily from the Getty Museum's collection (including several new acquisitions funded by the Getty Museum's Photographs Council), looks at the ways photographers have explored their medium by turning to the window as a framing device or conceptual tool. It spans the history of photography, from some of the earliest images by William Henry Fox Talbot, Julia Margaret Cameron, and Eugène Atget to contemporary works by artists such as Robert Adams, Uta Barth, Gregory Crewdson, Sabine Hornig, and Yuki Onodera.

From its inception, photography has functioned as a significant tool in the documentation and perception of architecture. The camera made it possible to record the built environment with accuracy and in greater detail, allowing photographers to represent the existence of a building from construction to demise. Drawn from the J. Paul Getty Museum's collection, this exhibition surveys the history of architectural photography through images of sacred and secular structures, picturesque environments, abstracted spaces, and conceptual forms.

Throughout the Middle Ages, Christians were fascinated by stories about saints, who led extraordinary lives full of mystical events and miraculous occurrences. Saints were depicted in manuscripts experiencing revelatory visions and performing wondrous feats such as healing the sick or raising the dead. Even when their tormentors were performing exceptionally brutal acts—shooting them repeatedly with arrows, for example, or violently beheading them—martyr saints were pictured remaining steadfast in their faith. This exhibition, drawn from the Getty Museum's permanent collection, presents manuscripts that allowed medieval viewers to witness these dramatic narratives and venerate the saints as models of piety.

Discover the richness of ancient art in this 30-minute gallery talk that looks in depth at a major work in the Museum's collection. Sign-up begins 15 minutes before the talk at the Tour Meeting Place.

Tea by the SeaSaturdays through December 26, 20151 pm - 3 pmGetty Villa

Enjoy Tea by the Sea, a special dining experience inspired by the Mediterranean herbs, vegetables, and fruits that grow at the Villa. Feast on a Mediterranean-inspired menu of sweet and savory sandwiches and pastries, along with fruits, cheeses, and a varied selection of teas. After tea, you can tour the Villa's authentically re-created first-century Roman gardens with knowledgeable docents, then spend the rest of the afternoon savoring the Villa's exhibitions and permanent collection. $36 per person.

Join a museum educator for a 30-minute tour of the exhibition Tiberius: Portrait of an Emperor, which is centered around an over life-size, bronze statue of Rome's second emperor. Learn about the portrait's discovery and history, and explore the vices and virtues of this reluctant ruler.

Enjoy a 30-minute food-themed tour of the Getty Villa's gardens as you explore the plants, herbs, and fruits used for cooking in antiquity.

Restaurant Events

Tea by the SeaSaturdays through December 26, 20151 pm - 3 pmGetty Villa

Enjoy Tea by the Sea, a special dining experience inspired by the Mediterranean herbs, vegetables, and fruits that grow at the Villa. Feast on a Mediterranean-inspired menu of sweet and savory sandwiches and pastries, along with fruits, cheeses, and a varied selection of teas. After tea, you can tour the Villa's authentically re-created first-century Roman gardens with knowledgeable docents, then spend the rest of the afternoon savoring the Villa's exhibitions and permanent collection. $36 per person.

In 2003, the J. Paul Getty Museum acquired a collection of over 350 pieces of ancient glass, formerly owned by Erwin Oppenländer. The works on view in Molten Color are remarkable for their high quality, their chronological breadth, and the glassmaking techniques illustrated by their manufacture. The vessels are accompanied by text and videos illustrating ancient glassmaking techniques.

Relief with Antiochos and HeraklesDaily through May 4, 2015Museum, Floor 2, Getty Villa

On loan from the National Archaeological Museum in Athens, a stele honoring Prokleides, a military officer in the Athenian army, is on view at the Getty Villa in a gallery (208) devoted to Religious Offerings. Carved in relief above a public decree are figures of Antiochos, the mythical founder of the tribe Antiochis, and his father, the Greek hero Herakles.

The Cyrus Cylinder and Ancient Persia: A New BeginningDaily through December 2, 2013Museum, Floor 2, Getty Villa

Found in 1879, the Cyrus Cylinder is among the most iconic discoveries from the ancient world, with a legacy that resounds to this day. A clay cylinder inscribed with cuneiform script, it records the conquest of Babylon in 539 B.C. by the Persian king Cyrus the Great. The text proclaims that Cyrus restored religious practices and allowed exiled peoples to return home. In doing so, it bears witness to the multiethnic nature of the Achaemenid Empire, which introduced innovative forms of writing, religion, and luxury goods to the Near East. This exhibition is organized by the British Museum in partnership with the Iran Heritage Foundation and Arthur M. Sackler Gallery, Smithsonian Institution, in collaboration with the J. Paul Getty Museum. The Los Angeles presentation is made possible by the generosity of Farhang Foundation.

Tiberius: Portrait of an EmperorDaily through March 3, 2014Museum, Floor 2, Getty Villa

Buried by the eruption of Vesuvius in A.D. 79, an over-life-size bronze statue of Tiberius (ruled A.D. 14–37) was discovered in 1741, during the first years of excavation at Herculaneum. The subject of a recent conservation project at the Getty Villa, the sculpture—on loan from Museo Archeologico Nazionale in Naples—provides the occasion to explore Tiberius's character and career. Through twists of fate and familial circumstance, he succeeded Augustus to become Rome's second emperor. Yet, ill at ease with his position, he famously removed himself to the island of Capri for the final decade of his reign. This exhibition has been co-organized by the J. Paul Getty Museum and the Museo Archeologico Nazionale in Naples.