I endeavour, through aesthetic objects that can be conventionally called visual poems—in what concerns these classifications, I prefer unstable rather than safe and sound terminology—to scroll language playfully, metalinguistically and multidisciplinary.

How?

1. Taking advantage of any information mean, making use of it freely, studying ways of appropriating and directing it.

2. Inquiring ways of incorporating in the produced object aesthetic elements that may give place to all sorts of debates – but, above all, debates on the object’s properties and conception.

3. Attenuating the frontiers between the various mediums and material supports that we have at our disposal. Applying several techniques, old and new.