BIO

When local Austin, TX native Tameca Jones opens her mouth and sings, jaws hit ground. Her honeyed and powerful vocals have been captivating her hometown for a little over ten years. She began melting faces in 2005 when she joined Austin based band 8 Million Stories as the group’s lead singer and songwriter. The band made a name for itself playing in and around Austin and got a publishing deal with Riptide Publishing. Tameca was a part of the band for 2 1/2 years before the band called it quits. This left her without someone to help her create original music. So, she turned to covers to continue playing, grow her audience, and pay the bills.

Tameca spent years skillfully and tastefully breathing new life into the music of others. She made a name for herself as the “Queen of Austin Soul,” blowing minds with her tasteful and vibrant interpretations of a diverse list of artists that include Tina Turner, Nirvana, Elton John, Jimi Hendrix, and more. The Austin Chronicle called her interpretations “sonic pretzels” that “juxtapose(s) crunchy jaggedness with her infectious, honeyed voice.” Her WTF ability to go from soulful wailing to silky coos has won her devoted fans, accolades, and some high profile situations opening for Austin super stars Gary Clark Jr., Max Frost, Bob Schneider and other big touring acts. She received major love from Billboard Magazine for her white hot performance at the 2015 Austin Music Awards, where she paid tribute to late beloved musician Ian McLagan alongside legends like Steven Van Zandt, Charlie Sexton, Alejandro Escovedo, and Patty Griffin. Billboard said she “raised the roof,” while The Austin Chronicle called her performance “showstopping.”

Guitar deity and fellow Austinite Gary Clark Jr., who faithfully attended Tameca’s shows whenever he was in town, asked her to sing on the song “Wings” for his latest album, The Story of Sonny Boy Slim. Rolling Stone called the song a “slinky duet,” while Andy Langer for Esquire Magazine called the song one of the best songs in the month of September and noted that “the tweaky processing of Austin soul starlet Tameca Jones’ voice adds an early-Parliament-like trippiness.”

Tameca made her festival debut at the 2015 Austin City Limits Festival. Austin360 wrote that her “big, sweet, soulful voice” kicked off the festival in the most epic of ways. Her music filled the morning air and the crowd around her grew bigger and bigger as her set went on. She ended the set with her debut single, “Hot and Bothered,” a Motown inspired cut produced by Josh Moore (Max Frost). The track is on both Spotify and iTunes. The music discovery website PureVolume debuted the single on their page and remarked that the song made it “easy to see why so many see the potential in the singer.” Independent music site, The Joy of Violent Movement, called “Hot and Bothered” “a sexy and slinky and old-school soul-inspired” song that is “contemporary and upbeat.”

Tameca Jones is set to release her highly anticipated debut EP in February. There is little doubt that she will soon be the next big name to break out of Texas.

MERCH

COMING SOON

New Music – Tameca Jones

Tameca Jones released the single “Hot And Bothered” in the fall of 2015 leading up to the debut EP to be released in 2016. The following is what she had to say:

“I wrote “Hot and Bothered” about a crush I had on a beautiful man. I channeled my inner, sassy construction worker for the lyrics. I wrote respectful comments a worker might say to an attracted person who walked by. I recorded the song in Houston, TX at Wire Road studio. Josh Moore, who also helped produce some of Max Frost’s songs, produced “Hot and Bothered.” Right now, I’m writing and recording my debut EP “Naked”, set to drop ​in 2016. I call it “Naked” because for several years I made a name for myself interpreting the music of others, but now I’m taking off the “covers” and releasing my own music. ? See what I did there?”

Tameca Jones takes a leap of faith

“This could be it right now. This could be all your success is. You’re at the ceiling. You could just be doing a bunch of private shows, a bunch of shit here and there. This could be it for you, and I could be successful. But, it’s like, ‘What do you want?'”

Even in reflection, Tameca Jones isn’t capable of subtlety, everything surfacing simultaneously somatic and visceral. She speaks in emotional tones, often acting out her responses in a rocky stream of consciousness. It’s equally amusing and stirring to watch her micro-aggressive elations. READ MORE