CINEMATIC REVELATIONS allows me the luxury of writing, editing and archiving my film and television reviews. Some reviews appeared initially in "The Commercial Dispatch" and "The Planet Weekly" and then later in the comment archives at the Internet Movie Database. IMDB.COM, however, imposes a limit on both the number of words and the number of times that an author may revise their comments. I hope that anybody who peruses these expanded reviews will find them useful.

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Monday, December 17, 2012

Long before he took the helm of "The Lord of the
Rings" trilogy, New Zealand born Peter Jackson had acquired both a name
and a reputation for himself as an independent splatter-gore horror movie
maestro. If you haven't seen "Bad Taste" (1987), "Meet the Feebles"
(1989), and ultimately "Dead Alive," you've missed three memorable
epics. Repellent in some respects but brilliant in others with the brilliant
winning out over the repellent summarizes these films. The squeamish should
shun them. "Bad Taste" lives up to its title, while "Meet the
Feebles" teeters on the brink of puppet porn with scenes that anticipated
the 2004 gross-out fest "Team America: World Police." Jackson courted
mainstream audiences with "Heavenly Creatures" (1984) starring Kate
Winslet of "Titanic" fame. Later,
in 1996, he put "Back to the Future" lead Michael J. Fox through the
paces in his supernatural chiller "The Frighteners." These two are
both worth renting if you've never seen them. Ultimately, Jackson ascended into the pantheon
of movie directors with the "Rings" trilogy. Sadly, his creative star plummeted with his
dreadful "King Kong" remake and the lackluster but sympathetic crime
thriller "The Lonely Bones." Now,
Jackson sets out to relive his glory days with "The Hobbit."
Essentially, Jackson's Golden Age consists of his J.R.R. Tolkien adaptations of
"The Lord of the Rings" with "The Fellowship of the Ring"
(2001), followed by "The Two Towers" (2002) and finally the Oscar-winning
"The Return of the King" (2003).

Unfortunately, "The Hobbit: An Unexpected Journey" emerges as a pale
imitation of Jackson's earlier Middle-earth triumphs. No end of money has been lavished on this
sprawling spectacle that serves as the first act of the planned
"Hobbit" trilogy. Virtually
everybody from the earlier trilogy reprises the roles they created in the
"Rings" extravaganzas. Christopher
Lee, Ian Holm, Cate Blanchet, Hugo Weaving, and Elijah Wood drop in for a scene
or two. Ian McKellen doesn't wander
through every scene, but he clocks in more time than anybody else. By now, you're probably shaking your head
about the decision Warner Brothers and New Line Cinema made to make more than
one film out of "The Hobbit or There and Back Again." Wasn't it bad enough when Hollywood divided
the last "Harry Potter" novel into two movies? Or that they perpetrated the same strategy
with the final "Twilight" novel "Breaking Dawn?"
Audaciously, Warner and New Line have gone one film further by stretching
"The Hobbit" into three, not just two films!

Ostensibly, "The Hobbit: An Unexpected Journey" (**1/2 out of ****) qualifies
as an above-average but predictable first installment in Jackson's newest,
larger-than-life, mythological, sword and sorcery trilogy. Martin Freeman, who co-stars as Dr. Watson in
the BBC series "Sherlock," was born to play furry-footed Bilbo
Baggins. Freeman displays a knack for
comedy. He is an unobtrusive comic. He
doesn't attract attention to himself, and he savors subtlety the same way the
great silent era comic Buster Keaton did. This minimalist approach makes Freeman appear
far more hilarious. One can only hope
either or both of the remaining "Hobbit" movies do Freeman justice. Freeman imparts both a sparkle and sense of
spontaneity to these formulaic antics that nobody but lanky McKellen can rival.
On the other hand, as sympathetic a
character as Bilbo is, he is one of the few who has nothing to worry about
regarding his own survival. Similarly, Gandalf the Grey (Ian McKellen of
"X-Men") is immune from death, too. Meantime, it is reassuring to see his peaked
hat as he looms above Bilbo and the dwarves. Everything in "The Hobbit," you must
understand, is spelled out in flashback by Ian Holm's elderly Bilbo at the
genesis of the action. For the record, the action in “The Hobbit” occurs
60 years prior to the “Lord of the Rings” adventures.

The grungy villains are a step down in quality from the "Rings"
trilogy. The problem is they aren't very
menacing, even for a PG-13 film. Jackson
keeps the violence fairly immaculate, too. "The Hobbit" suffers because it
lacks a centerpiece villain. The gauntlet
of computer-generated adversaries that our heroes encounter isn’t especially impressive.
The "Twilight" wolves looked
far more ferocious than these wolves Worst, the movie ends eleven minutes shy
of three hours. Comparatively, the
theatrical "Rings" movies ran about the same length. Nevertheless, Jackson subjects us to lengthy
expository-laden scenes throughout and this loquacity slows down "The
Hobbit" until our heroes wade into warfare with trolls, orcs, wolves and other
mountainous monsters.

The first 40 minutes of "The Hobbit" channels "Snow White and
the Seven Dwarfs." Various dwarfs assemble at Bilbo's home in the Shire
for an impromptu party. Jackson plays
this scene largely for laughs, but nothing about this scene is outrageously
side-splitting.Naturally, these fellows
with their droopy snouts gobble down everything in sight, while Gandalf
entreats the Halfling to join them. . Mind you, Bilbo is content in his easy
chair with a library and a larder within arm's reach. Gandalf persuades Bilbo to join them and
experience life first hand. Actually,
Bilbo differs very little from contemporary couch potatoes. An evil dragon named Smaug, it seems, has
evicted the sword-wielding dwarfs of Erebor."The Hobbit" depicts the quest of Thorin Oakenshield (Richard
Armitage) and thirteen dwarves to reoccupy their kingdom known as the Lonely
Mountain. Not until fadeout do these
pugnacious dwarfs accept Bilbo as one of their own. The "Transformer" mountain warriors
are imaginative and reminded me of the asteroid in "Star Wars: The Empire
Strikes Back" where a desolate rock changed into a creature when Han Solo
took refuge in it. The best scene in
"The Hobbit" takes place when Bilbo stumbles onto Gollum, and they
challenge each other with riddles for possession of the ring. Andy Serkis is superb once more as the creepy
Gollum. The best part of "The
Hobbit" occurs in its final hour when our heroes take a ride in the skies
and scramble through a set reminiscent of "Indiana Jones and the Temple of
Doom." Sadly, what was once magical has lost its luster, and "The Hobbit"
is only half as good as the "Lord of the Rings" masterpieces.