Tuesday, May 19, 2009

I am pleased to host author Christina Katz today as she answers questions about her book Get Known Before The Book Deal.

Q: What is a platform?

CK:Long story short: Your platform communicates your expertise to others, and it works all the time so you don’t have to. Your platform includes your Web presence, any public speaking you do, the classes you teach, the media contacts you’ve established, the articles you’ve published, and any other means you currently have for making your name and your future books known to a viable readership. If others already recognize your expertise on a given topic or for a specific audience or both, then that is your platform.

A platform-strong writer is a writer with influence. Get Known explains in plain English, without buzzwords, how any writer can stand out from the crowd of other writers and get the book deal. The book clears an easy-to-follow path through a formerly confusing forest of ideas so any writer can do the necessary platform development they need to do.

Q: Why is platform development important for writers today?

CK: Learning about and working on a solid platform plan gives writers an edge. Agents and editors have known this for years and have been looking for platform-strong writers and getting them book deals. But from the writer’s point-of-view, there has not been enough information on platform development to help unprepared writers put their best platform forward.

Now suddenly, there is a flood of information on platform, not all necessarily comprehensive, useful or well organized for folks who don’t have a platform yet. Writers can promote themselves in a gradual, grounded manner without feeling like they are selling out. I do it, I teach other writers to do it, I write about it on an ongoing basis, and I encourage all writers to heed the trend. And hopefully, I communicate how in a practical, step-by-step manner that can serve any writer. Because ultimately, before you actively begin promoting yourself, platform development is an inside job requiring concentration, thoughtfulness and a consideration of personal values.

Q: How did you come to write Get Known Before the Book Deal?

CK: I already had a lot of momentum going when I got the deal for a very specific audience. I wrote a column on the topic for the Willamette Writer’s newsletter. Then I started speaking on platform. When I gave my presentation, “Get Known Before the Book Deal,” at the Writer’s Digest/BEA Writer’s Conference in May 2007, Phil Sexton, one of my publisher’s sales guys, saw it and suggested making the concept into a book. Coincidentally, I was trying to come up with an idea for my second book at that time and had just struck out with what I thought were my three best ideas. My editor, Jane Friedman agreed with Phil. That was two votes from people sitting on the pub board. They converted the others with the help of my proposal, and Get Known got the green light.

Q: Why was a book on platform development needed?

CK: Writers often underestimate how important platform is and they often don’t leverage the platform they already have enough. At every conference I presented, I took polls and found that about 50 percent of attendees expressed a desire for a clearer understanding of platform. Some were completely in the dark about it, even though they were attending a conference in hopes of landing a book deal. Since book deals are granted based largely on the impressiveness of a writer’s platform, I noticed a communication gap that needed to be addressed.

My intention was that Get Known would be the book every writer would want to read before attending a writer’s conference, and that it would increase any writer’s chances of landing a book deal whether they pitched in-person or by query. As I wrote the book, I saw online how this type of information was being offered as “insider secrets” at outrageous prices. No one should have to pay thousands of dollars for the information they can find in my book for the price of a paperback! Seriously. You can even ask your library to order it and read it for free.

Q: What is the key idea behind Get Known Before the Book Deal?

CK: Getting known doesn’t take a lot of money, but it does take an in-depth understanding of platform, and then the investment of time, skills and consistent effort to build one. Marketing experience and technological expertise are also not necessary. I show how to avoid the biggest time and money-waster, which is not understanding who your platform is for and why – and hopefully save writers from the confusion and inertia that can result from either information overload or not taking the big picture into account before they jump into writing for traditional publication.

Often writers with weak platforms are over-confident that they can impress agents and editors, while others with decent platforms are under-confident or aren’t stressing their platform-strength enough. Writers have to wear so many hats these days, we can use all the help we can get. Platform development is a muscle, and the more you use it, the stronger it gets. Anyone can do it, but most don’t or won’t because they either don’t understand what is being asked for, or they haven’t overcome their own resistance to the idea. Get Known offers a concrete plan that can help any writer make gains in the rapidly changing and increasingly competitive publishing landscape.

Q: What is the structure of the book and why did you choose it?

CK: Writer Mama was written in small, easy-to-digest chunks so busy new moms could stick it in a diaper bag and read it in the nooks and crannies of the day. Get Known is a bit more prosaic, especially in the early chapters. Most of the platform books already out there were only for authors, not writers or aspiring authors. To make platform evolution easy to comprehend, I had to dial the concepts back to the beginning and talk about what it’s like to try and find your place in the world as an author way before you’ve signed a contract, even before you’ve written a book proposal. No one had done that before in a book for writers. I felt writers needed a context in which to chart a course towards platform development that would not be completely overwhelming.

Introducing platform concepts to writers gives them the key information they need to succeed at pitching an agent either via query or in-person, making this a good book for a writer to read before writing a book proposal. Get Known has three sections: section one is mostly stories and cautionary tales, section two has a lot of to-do lists any writer should be able to use, and section three is how to articulate your platform clearly and concisely so you won’t waste a single minute wondering if you are on the right track.

Q: At the front of Get Known, you discuss four phases of the authoring process. What are they?

CK: First comes the platform development and building phase. Second comes the book proposal development phase (or if you are writing fiction, the book-writing phase). Third, comes the actual writing of the book (for fiction writers this is likely the re-writing of the book). And finally, once the book is published, comes the book marketing and promoting phase.

Many first-time authors scramble once they get a book deal if they haven’t done a thorough job on the platform development phase. Writers who already have a platform have influence with a fan base, and they can leverage that influence no matter what kind of book they write. Writing a book is a lot easier if you are not struggling to find readers for the book at the same time. Again, agents and editors have known this for a long time.

Q: What are some common platform mistakes writers make?

CK: Here are a few:

They don’t spend time clarifying who they are to others.

They don’t zoom in specifically on what they offer.

They confuse socializing with platform development.

They think about themselves too much and their audience not enough.

They don’t precisely articulate all they offer so others get it immediately.

They don’t create a plan before they jump online.

They undervalue the platform they already have.

They are overconfident and think they have a solid platform when they have only made a beginning.

They become exhausted from trying to figure out platform as they go.

They pay for “insider secrets” instead of trusting their own instincts.

They blog like crazy for six months and then look at their bank accounts and abandon the process as going nowhere.

I’ll stop there. Suffice it to say that many writers promise publishers they have the ability to make readers seek out and purchase their book. But when it comes time to demonstrate this ability, they can’t deliver.

My mission is to empower writers to be 100 percent responsible for their writing career success and stop looking to others to do their promotional work for them. Get Known shows writers of every stripe how to become the writer who can not only land a book deal, but also influence future readers to plunk down ten or twenty bucks to purchase their book. It all starts with a little preparation and planning. The rest unfolds from there.

Q: Couldn’t any author have written this book? Why you?

CK: I have built a career over the past decade empowering writers. I’ve developed and built my own platform as a writing-for-traditional-publication specialist, and I’ve worked with others as a writing and platform-development instructor. Many of the people I’ve been working with are landing book deals and while the other hundred-or-so writers I work with a year are developing their skills, I notice patterns of behavior—what leads to success, where writers get stuck, and how I can be helpful in these rapidly changing times in the industry.

I’ve witnessed too many writers, who were off to a great start, hopping online and quickly becoming very lost. I started to write about platform in Writer Mama, How To Raise A Writing Career Alongside Your Kids, but I quickly noticed that more details on platform development were desperately needed. My platform is based on helping others. I have a vested interest in seeing the people I work with—and those who read my book—succeed. Writers are my tribe.

Christina Katz is the author of Get Known Before the Book Deal, Use Your Personal Strengths to Grow an Author Platform (Writer’s Digest Books). She started her platform “for fun” seven years ago and ended up on “Good Morning America.” Christina teaches e-courses on platform development and writing nonfiction for publication. Her students are published in national magazines and land agents and book deals. Christina has been encouraging reluctant platform builders via her e-zines for five years, has written hundreds of articles for national, regional, and online publications, and is a monthly columnist for the Willamette Writer. A popular speaker at writing conferences, writing programs, libraries, and bookstores, she hosts the Northwest Author Series in Wilsonville, Oregon. She is also the author of Writer Mama, How to Raise a Writing Career Alongside Your Kids (Writer’s Digest Books).

Thursday, May 14, 2009

In my readings about RPPs, I have noticed some differing opinions about the submission process. I have spent a great deal of time thinking through what I have read and I have a few things I'd like to say.

Some writers believe that it is in poor taste to send a single article to hundreds of regional publications in a single sitting. Is it? I don't truly know, but here are my thoughts.

1--Reprint. The first sentence of my cover letter states that I am selling this article as a reprint.If it is a reprint, then an editor must assume it has been printed elsewhere and was not written specifically for their publication. They know immediately what I am up to--I am trying to sell my work in as many places as possible. There are no false pretenses what-so-ever.

2--Simultaneous submissions. How is emailing one piece to a group of editors any different than simultaneous submission? Granted, not all of the bigger publications "allow" simultaneous submissions, but many do. If a publication wants to use my work and requests regional exclusivity, then I either say, "Sorry, it's been published by your competitor," or I give them regional exclusivity.

3--Writing is a Business. Because writing is a craft, and often an extension of the author's own opinions or emotions, it is easy to forget that writing is also a business. I don't believe that there is anything wrong with making your work available to as many publications as possible. After all, isn't that why we create websites pitching our work and offering our "articles available for reprint?"

4--Instinct. A writer-friend of mind mentioned that she simultaneously submitted an article to RPPs this past week. She has had some interesting responses. One magazine told her straight up that they don't accept simultaneous submissions. So there you go. Next time, send that publication a query or remove it from your group of contacts. Don't offer them another reprint. My friend also felt strange not personalizing her submissions. The only advice I can give is to follow your instinct. Instinct is an overwhelming gift that we often don't use. I don't currently have a regional publication in my area that accepts the types of articles I write. I am moving and hope to work more closely with a regional magazine that has published my work in the past. Instinct tells me I am doing what is right for me now--writing, gathering clips and getting paid.

I have mulled over this "controversy" for a while now. What are your thoughts?

Sunday, May 10, 2009

Thursday, May 7, 2009

Sorry if you are expecting a regional post--I am following my muse and talking about something else today: motivation through goal-setting. I am going to share my motivating methods and then you tell me yours, OK?

Big: I have issues finding time to pamper myself. I am, like you, so busy. When I am alone, I often choose to write, clean the house or run errands. I have realized that it is OK, even important, to pamper myself. I finished that column (early) that had been giving me fits. That earns me 30 minutes to buy and/or read a book (one of my most favorite things.) I submitted that essay--go take a long bath (another thing I love). I completed a telephone interview that had been making me nervous (whew), I give myself $3.46 for that Skinny SF Vanilla Late I so love at Starbucks. Knowing that I can reward myself when I complete a goal keeps me moving along. And it keeps me sane.

Bigger: I have been a stay-home mom for a long time. For years, I chose to buy my everyday clothes at discount stores. That was great for then, but this is now. I am making (some) money again. I would like a new purse, some new shoes or an outfit for a special occaision. Or maybe my hair could use an update. When I make "X" number of dollars, I head out for some shopping or a pedicure. Anything to make me feel good about my appearance. Talk about motivation. I better submit because I can't "get" without those checks!

Biggest: I really, really, really, really, really want a big, fancy I-Mac with the TV-size screen. I am determined to make enough money writing to buy my own. I opened a checking account and all of my writing money goes in. I keep a running tally of how much I will need to pay for income tax and, otherwise, I try to watch that balance grow. I also use this account for upcoming classes and workshops that I want to take, as well as all of my office supplies. Having this account has motivated me to spend LESS money on "stuff" so that I can reward myself with items on my wish list. It has also helped me see (I am very visual) my income grow (or stagnate) and I am very motivated to add something to that account every single month.

Mother's Day is just around the corner. There is no better time than right now to appreciate yourself. Take a few minutes to set some writing goals and rewards that will allow you to take care of yourself as you take care of your career!