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Niki Flynn made a series of short BDSM films in Germany with producer Dirk Sands in 2008 or so, after her career-expanding experience at LUPUS. The films are mild as BDSM goes, but they feature Niki, Ariel Anderssen (Amelia Jane Rutherford), and other models in some of the more revealing work we have seen of them.

‘Ducks Ariel and Niki’ (M/2f; year: 2008; time: 13 minutes) The film opens with Niki and Ariel, both completely naked, crammed and huddled into a wire dog crate we have seen used just for a moderate-sized dog. ‘Dirk Sands’ opens the cage and the girls more or less unfold and crawl out, not so easy, especially for the 6’1″ Ms. Anderssen. The girls wear just a dog collar and leather BSDM harnesses which hide nothing, but there is no strap between their legs. The girls instinctivelsy try to cover up a bit, but we’ll get intimacy from both of them.

The girls will move around the set in one posture or another, acting like ducks, eating off plates, drinking out of bowls, etc. Sands will spank, palm smack, and slap at them when he can. The girls try to ‘duck-walk,’ one of the best nifty little exercise for naked girls, to be sure. They are not so good at it. There is some glorious nude duck-walking in some of the Russian NETTLES films.

Back into the cage to conclude.

‘Loge Cologne Keep Secret 8’ (M/f; time: 12 minutes) An older Niki Flynn here. In a harsh and cold looking metal room, Niki quickly strips naked, allows Dirk Sands to assist her in putting on wrist and ankle cuffs. She climbs up and sits on a metal table. Very clinical and erotic.

Sands chains her down on her back–she is amused so far. He begins a bastinado on her with a small cane–this too does not disturb her much. He begins caressing her with an electric wand, and now she jumps appropriately.

After dripping some hot white wax on her, Sands tapes electrodes to both breasts and shocks her from a handset. He combines the electrodes and the wand, spritzing her with a spray bottle to improve the conductivity. Niki is delightful as she struggles, nude and muscular on the table.

A bit more bastinado before Sands releases her and hands her a wad of bills, which she counts with a satisfied smile.

Lewis grabs them by the ears and marches them to a sitting room seen in a number of NS films. Scolding, spanking. Niki first, OTK, her pajama bottoms come down but her panties stay in place for the moment.

Adele is spanked OTK next, then Niki again, and this time the panties come down.

One of a few videos Niki Flynn made in Germany with Ludwig Rohrstock, simple exercises in the details of the spanking ritual. Niki paid several visits to LUPUS in the mid 2000’s to make five films, during which Ludwig was able to befriend her.

A diminutive Niki sits on a chair reading a magazine. She sports short boy-cut hair, possibly the fashionable vestige of the on-screen hair chopping she endured in ‘Crime and Punishment’ at LUPUS. Ludwig takes her OTK for reading this banned magazine. Red top and kilt. Her trim little body never more admired than in this film.

An exterior, Ludwig spanks her at a rustic picturesque stone wall ruin, bare bottom in the sunlight.

Back inside, Ludwig finds some contraband in her backpack. She must strip naked, top, kilt, and lovely fitted white panties. Again, the most nifty little body. Frisk position for the cane. Naked Niki remains on her tiptoes, which nicely tightens her leg and buttock muscles. Brief and perfect.

A curious little story. We are to believe that Niki Flynn has the fantasy of being spanked by her boss (Paul Kennedy) while she rehearses the script of her ‘shipping forecast’ broadcast. Kennedy whales away on her bare bottom while she reads the script. Then they head down the corridor to the studio, no pants. We can do the voyeur thing of imagining her walking down the hall to the microphone.

If you can read perfectly while someone is flogging your bottom, you should be good in performance.

Niki Flynn made this sort of one-off film FOLLOWING publication of her ‘Dances With Werewolves’ erotic memoir and three trips to Prague to make 5 increasingly noir films with LUPUS. ‘China Hamilton’ plays an evil omnipotent ‘Dr. Mueller.’ Think Laurence Olivier in ‘Marathon Man.’

Niki plays ‘Eleanor Wilson,’ who has been arrested by the State for distributing political pamphlets. She was roughed up by prison guards–Mueller notes her sheared hair (from the LUPUS film), and now she has been turned over to the doctor, who will apply his special method of corrective therapy to treat her penchant for making excuses. The film opens with Niki seated in front of Mueller, bound and hooded, erotically depicted with burlap, leather belts, and handcuffs. A menacing Mueller, dressed in medical smock, removes her bonds. Niki is confused, gasping and struggling.

The film will switch from this scene where Mueller is interviewing her, where things get progressively worse; a second series of more graphic BDSM scenes will show Niki fastened in position in a gynecology chair. All the scenes are lit with theatrical spot lighting against a dark background.

Scenes in the gyno chair: Niki’s wrists are bound and her ankles tied into the stirrups. Mueller plays between her widespread legs, and in successive scenes, he manipulates a speculum, gives her an injection with a hypodermic needle worthy of a veterinarian, teases with forceps, uses some humming electrical device, and gropes. Niki’s moaning protestations are known to us. The camera never gets between her legs–that part of her cinematic evolution she never permitted. Mueller cuts or removes most of her clothes as she writhes.

Mueller pries Niki’s mouth open with an antique Jennings-like dental gag, and on two occasions pours water down her throat, causing her to gag and sputter. Using another mouth opener, Mueller grabs her tongue with forceps.

The film segues to Niki on the floor, almost naked now. Mueller will flog and whip her in various postures. When she is strung up and twisting, her ribs and hip bones show, making her appear all the more the tortured waif. At one point, Mueller forces Niki’s head into a pail of water.

We joined Dallas’ website to pick up a few of his best films we have not been able to find. Dallas was pleased to welcome Niki and describes this as one of her most severe spankings, which is easy to refute if you return to her LUPUS work. But we applaud his noble effort. We would agree this is one of her best works, and long enough to ensure a thorough job.

The storyline: Niki’s boyfriend has sent her to him for punishment, and he wants documentary proof. She endangered whitewater rafters by carelessly ignoring fastening of safety straps. Niki wears a floral outfit, shorts and halter. Shoulder length hair. Dallas scolds her, insuring this will not be an ordinary spanking. “This will be a good one for you tonight.”

Dallas starts her off in his traditional posing–submissively positioned to wait in a corner, hands on head, bottom bared by herself. After a wait, we follow her bottom into an adjacent room, where she bends over the odd padded trestle. “You are no novice to spanking. This is purely about punishment.”

Dallas begins strapping her bare bottom. He has her pass back the straps, three of them, a part of her submission. Varied red, purple, and white bruises, and tears. We’ll have to check back to see when we last saw Ms. Flynn cry. She reflexively twists and kicks up her legs to avoid the strap. Lots of facial shots. She admits she has been nervous about this visit “for weeks.” “15 more” with a huge strap, prison-style size.

And to conclude, Dallas could not resist taking her OTK for a very hard handspanking on her well-marked bottom, a bit of an additional shock to Niki. Dallas tells her the next visit would be three times worse. We can hope. They hug. Credits give a dedication to Ms. Flynn.

Another conventional schoolgirl spanking filmed in a small studio on ‘Spanking Street’ in Glasgow. ‘Miss Gillian Lancer’ will be spanking students ‘Niki Flynn’ and ‘O’Connor’ in detention. She has attended to a number of pretty bottoms on this familiar classroom set, a non-inclusive list of a number we can remember–Emma Brown, Samantha Woodley, Dublin O’Brien.

The scene is one of the best-appointed classroom sets we have seen in the CP genre. A platform with a cluttered teacher’s desk, blackboard, school desks, wall maps, dunce stool. A rack on the wall holds a rug beater, straps, and canes. FIRMHAND did their nice classroom, as did Ivor Gold at REDSTRIPE. Every detail is correct here, and all the spanking ritual, hands-on-head, panties at half-mast, etc.

Gillian-Lancer strides back and forth on the platform lecturing on 18th century British industrialists. She will stop her intentionally tedious lecture to bring O’Connor and Flynn forward to be spanked OTK, first by hand, then a big dust brush, and then the cane, all to increasing squeals. The girls’ full white panties will go up and down. A buxom, older, and cosmetically improved Ms. Lancer is more formally attired here in gray suit, glasses, and heels, and is at her dour and menacing best.

O’Connor is another classic redheaded Irish colleen. The Glaswegian producers have long coveted the pale skinned redhead. Niki’s hair is faint copper here, and still short, maybe remaining from that on-screen shearing at LUPUS in 2008.

Lancer has taken up a rod, the meaning of which is clear, to punctuate her lecture. The final punishment will be a caning. The girls, in turn, grab their ankles and take 6 strokes, very hard, with the little short sharp wrist shots this domme specializes in. Plenty of marks and wheals. In a touch of authenticity, that far buttock takes the brunt. Poor O’Connor gets confused, loses count, and earns an extra. Gillian Lancer could always be counted on for a severe and erotic performance. the intensity here could be compared to LUPUS, except for duration.