This is Liam Guilar's Blog, mostly about poetry, mine and other people's, and anything else of interest. Over the years it has unintentionally developed into an online poetry resource, check the names in the sidebar but Bunting, Yeats, Pound, Joyce, Tennyson and the medieval poets get fair coverage. Lady Godiva and Me was a sequence of poems that linked Lady Godiva, both the historical Godgifu and the legendary Lady G, to a character growing up in the city of Coventry after the second world war.
You can see a short film about the collection Here.
My most recent book of poems, Anhaga is published by Vanzenopress and avialable from my website. Further information, full length articles and sample poems are available on my website Here .

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Thursday, August 28, 2014

A small, hard back book, published 1963 in Dublin with an intro by Austin Clarke.

Campbell (1879-1944) was one of the early group of poets whose arguments in London lead towards Imagism and then Modernism. More of him later.

This is how Clarke's introduction ends:

In the spring of 1944, his nearest neighbours in the Glen, who lived a few fields away, noticed that no turf smoke was coming from the chimney and became alarmed. The poet was found dead where he had fallen across the hearth stone.
And this is one of his poems:

Night, and I Travelling

Night, and I travelling.
An open door by the wayside,
Throwing out a shaft of warm yellow light.
A whiff of peat smoke;
A gleam of delf on the dresser within;
A woman's voice crooning, as if to a child.
I pass on into darkness.
(p104)

Monday, August 11, 2014

Because all theories
are partial and incomplete, while theory A kinda sorta works, it doesn't always
work and there are aspects of the phenomena it can't acount for. Given that readers make readings, anything written in A is open to interpretation anyway.

Along comes B and
trashes A by focusing on what was left out.

C and D then leap to
A's defence, but in doing so C accepts some of B's objections and produces A2 while D remains true to what is now A1.

(If this is political
or religious people will now kill over the differences between A1 and A2.)

E leaps to B's
defence, trashes C, D and A2, producing B+E=FU

F is thus redundant.
But watching the proceedings closely.

G on the other hand,
with aspirations to being a professional academic, is studying for a PhD and tries to synthesize
A1 and Fu.

Which leads to the possibility
of AG+FU(-B2+A1)=?

Where ? equals the
promised synthesis, publication of which is announced but constantly deferred
and discussed on the growing conference circuit. It is readily accepted that anyone capable of the synthesis will be Numero Uno.

Along comes L, who
points out that since A1 was wrong in the first place, B,D.E and G were all
wasting their time, and had they read some dead German dude correctly (Ie in the
way L and his cronies approve, which is fiercely contested by everyone else in
their field but they aren’t interested, as yet, in A (1 or 2)), they would not have made
this elementary mistake.

E and D, formerly
bitter opponents now join together to champion their dead German dude against
L, during which A1 is totally forgotten and we all drink lemonade the end.

F,
who had stayed out of all this, contributing nothing to the debate, is currently making a lot of money writing the Idiot’s
guide to A, and a summary of the debate, with cartoons…. No one actually reads A
anymore.

This is the state of
play until Q trashes F's book in the pages of the TLS or the New York times, and then the rest of the alphabet chimes in, with revisionist A1 making a
comeback and the debate over exactly what the original theorist meant to say
rages on.

Which sounds silly but it works as a model for the development
of almost any theoretical model.

What always gets lost in this, regardless of whether we’re
talking poetry, theology or politics, is whatever was originally being studied in
the first place.