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By Steve Fjeldsted, Director of Library, Arts, and Culture,, South Pasadena Public Library: An unplanned power outage struck the Library on August 11 at 1 p.m. The facility remained open for the next two hours operating with minimal battery lighting. At 3:15 the utility company said power would not be restored soon and the Library was closed for the rest of the day. After learning that power wouldn’t be back on for the 7 p.m. performance by Emmy Award-winning Bill Oberst Jr., I called many equipment rental companies to rent a generator so that we’d be able to power up the Community Room sound system and lighting. Over and over it was stated that it was impossible.

Considering cancelling the show, I asked for Bill’s thoughts. He’s an in-demand actor with impressive theatre, film, and TV credits. He calmly stated that he’s previously done ‘power outage shows.’ The decision was made for the show to go on, but outside and unplugged. Oberst would play every part because we wouldn’t have the recorded voices of the other characters. Our sound and lighting engineers, Adrian Camp and Scott Brown from 210 east sound! along with two of Ray Bradbury’s longtime friends, John King Tarpinian and Dave Marchant helped move about half of the Community Room chairs into the Library Park.

By this time, dozens of audience members were already arriving and it was about showtime. Bill was inside in the pitch dark of the Community Room with a small flashlight and softly praying with his friend Tamara Tucker who had arrived to help. Walking out into the park, I acknowledged the co-sponsorship of the Friends of the South Pasadena Public Library and SPARC, the South Pasadena Arts Council. Explaining that we would be unable to present the “Pillar of Fire” show with lighting, amplification, sound effects, etc., I asked the audience, now numbering 75 or so to encourage and support Bill who would be ‘winging it’. Among them was a friend, Joaquin Montalvan and his wife Eunice. Joaquin is a professional photographer who surprised me by informing me he was already a friend and fan of Bill Oberst. This was very pleasing because I knew we’d have some great photos of the unique event.

Draped in a charred and torn garment, Bill leaped to his bare feet, portraying William Lantry who had awakened from the grave in 2349 after 400 years of being buried, at a time in which the earth had been cleansed of morbidity and corpses. Halloween has been obliterated and cities have towering incinerators where dead people are burned without ceremony, The Government decides to destroy the last remaining graveyard and digs up Lantry, who represents all that is absent from the sterile world.

Oberst charged into the audience, standing on one of the few empty chairs. While gyrating and pointing he launched into Ray Bradbury’s 1948 novella “Pillar of Fire” with great intensity, continuing for 50 riveting minutes. Bill changed his voice and character repeatedly while climbing trees and the brickwork, oblivious to the sounds of the toddlers, skateboarders, and can collectors in the Library Park. He captivated the audience with a magnetic performance that was met with a standing ovation. Oberst pulled out the very same soiled Bradbury paperback that had started him on his acting quest at age 12. Bill revealed that he was a “fat kid with acne” in South Carolina and his whole life was transformed when he accidentally discovered the Bradbury paperback containing “Piillar” on a remote trail. Ray Bradbury’s powerful writing had changed his entire life and he had looked forward to performing in a place his literary hero loved.

Bill said he would be leaving soon for film projects in South America and Europe, but vowed to come back, hinting that he might return as Bradbury in a living history performance. Oberst has previously appeared as Mark Twain, John F. Kennedy, Abraham Lincoln, and Jesus Christ –so that’s certainly within his reach as an actor.

I’m reminded of the time our local community theatre group was doing a pastiche of Poe stories, and a thunderstorm took out the power to the building. They finished by the light of flashlights held by all the running and tech crew. (The Masque of the Red Death was weirdly compelling by flashlight, let me tell you….)