Media investigations have discovered the identity of the mysterious director behind the anti-Islamic film; IFC picks up Noah Baumbach's Frances Ha (NYFF Main Slate) and more acquisition news from Toronto.

Films and filmmakers from Japan, China, Hong Kong, Taiwan and South Korean have long been a staple of New York's premiere outlet for world cinema. Take a look back at some of the amazing fare from East Asian that has played past New York Film Festivals.

Missed The Clock this summer? Never fear. As J. Hoberman prepares to take over MoMI for a two-week-long stint as guest curator, MoMA announces a month-long winter run for Christian Marclay's 24-hour sensation.

Newly (re-)appointed festival director Alberto Barbera seems to have prioritized storytelling over aesthetics in this year's lineup, to middling effect. But, then again, things could have been much worse...

The 34 episodes of Cinéastes/Cinema of Our Times screening in the 50th NYFF document a moment when filmmaking and criticism became more or less the same practice—and that moment's lasting, tangled legacy.

The European Film Academy announces 47 contenders from 31 countries, Neil Jordan's Byzantium and Sarah Polley's Stories We Tell get distribution in Toronto, a possible Nic Cage/William Friedkin collaboration and more!

What does the growing selection overlap between one of the world's largest film festivals and its smaller, more independent-minded cousin indicate about the state of film distribution, and even film culture?

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