It shows his extraordinary range, surveying his work from 1962 up to date; his early education at High Wycombe and the Royal College of Art.

The influences he absorbed, and the various themes or styles which that emerged, explaining in detail how his work evolved – developing from sketches, model, CAD, or a combination of these; the choice of materials and the methods of construction.

In all this gives a fascinating insight into the life and work of a furniture designer and maker of rare talent, supporting the view that his work bridges the division between crafts and art.