Luc Besson. [Source: Publicity photo]Hollywood film studio 20th Century Fox works on producing WW3.com, a movie about cyber-terrorists declaring war on the United States, which will include a 9/11-like scene where a Boeing 767 crashes into New York’s Central Park. [Variety, 1/26/1998; Fox News, 6/3/2002] The storyline of WW3.com is rooted in a 1997 article in Wired magazine, which described the potential for the US becoming engaged in a cataclysmic and nation-crippling “information war.” [Wired, 5/1997; Variety, 8/24/2000; New York Times, 6/27/2007] 20th Century Fox acquires the rights to this article in January 1998, as source material for the movie. Screenwriter David Marconi, who previously wrote the action movie Enemy of the State, works on the script. Idea behind Movie Is a 'Blueprint for Disaster' - WW3.com will “blend the tensions of a Cold War thriller with a high-concept, special effects-laden storyline involving cyber-terrorists who have declared war on the United States,” according to Variety magazine. [Variety, 1/26/1998] The idea of the movie, according to Marconi, is “about basically turning the US into Kuwait. It was a blueprint for disaster.” The climax of the story features a Boeing 767 crashing into a Simon and Garfunkel concert in Central Park, just a few miles from the World Trade Center. [Fox News, 6/3/2002] The two planes that crash into the WTC on September 11 are also Boeing 767s. [Fox News, 9/11/2003] Marconi will later comment that the screenplay for WW3.com “was incredibly prescient about the events of September 11.” NSA Employees Suggest 9/11-Like Scenarios - Experts from the National Security Agency (NSA) assist Marconi while he is working on the screenplay. These experts, Marconi will recall, are “more than helpful in laying out situations not dissimilar from what happened at the World Trade Center and the Pentagon” on September 11, although he will provide no details of these situations. Marconi will add: “One of my experts [at the NSA] told Boeing they had trouble with their avionics. He came up with scenarios. One was that a guy disguises himself as someone who works in food service in order to get on the plane. It’s much more low-tech than you think.” On the day of the 9/11 attacks, one of the people at the NSA who has been assisting Marconi calls the screenwriter and says to him, “Turn on the TV, it’s happening.” [Fox News, 6/3/2002]Movie 'in Limbo' by 2002 - In August 2000, Variety reports that the well-known French film writer, director, and producer Luc Besson will produce WW3.com, although at this time the movie is still without a director. [Variety, 8/24/2000] But in June 2002, Fox News will report that the movie has been “lost in limbo.” [Fox News, 6/3/2002] The script will eventually be rewritten and made into the fourth Die Hard movie, Live Free or Die Hard, which is released in 2007. [Variety, 7/6/2004; New York Times, 6/27/2007]WW3.com is one of a number of movies and television dramas featuring storylines about terrorism that are canceled or rewritten after the 9/11 attacks (see February 1999-September 11, 2001; June-September 11, 2001; Before Before September 11, 2001; September 13, 2001; September 27, 2001; November 17, 2001). [Denver Post, 9/17/2001; Village Voice, 12/4/2001; Washington Times, 3/7/2002]

Dick Wolf. [Source: Deadline]Writers at NBC work on a five-hour big-budget drama miniseries called Terror, which will be about Osama bin Laden’s al-Qaeda group committing a series of terrorist attacks in New York. [Variety, 9/10/2001; Los Angeles, 4/2002; USA Today, 12/5/2002]Terror will combine the casts of all three of NBC’s Law & Order crime drama series: the original show, Law & Order: Special Victims Unit, and Law & Order: Criminal Intent. [Entertainment Weekly, 9/7/2001; Variety, 9/10/2001]Story Includes Attack Killing over 1,000 in New York - The storyline the writers come up with begins at an al-Qaeda training camp in Afghanistan. There, a man who is a devotee of bin Laden tells a group of children that he is going to America on a mission for Allah, which the whole world will know about soon. Using a United Arab Emirates passport, he then enters the US across the Canadian border in a rental car. After arriving in New York, he sets off explosives in the subway under Times Square, killing over 1,000 people. [Los Angeles, 4/2002; USA Today, 12/5/2002] Clues then lead to a bioterrorist release of anthrax being discovered. The story culminates in the threat of a release of smallpox. Filming to Begin in September - Terror is intended to be broadcast in May 2002 as a two-hour movie on a Sunday followed by one-hour episodes over the next three nights. According to Dick Wolf, the creator of Law & Order, the miniseries will have a large budget. “[T]his is expensive,” he will later say. [Variety, 3/19/2001; Variety, 9/10/2001] NBC is scheduled to begin filming in late September this year, according to some accounts. [Knight Ridder, 9/14/2001; Los Angeles, 4/2002] Wolf will say that filming is set to begin on September 24. [USA Today, 12/5/2002] But according to CNN, it is scheduled to begin the week after 9/11. [CNN, 9/9/2002]Show's Creator Suggested Terrorism Storyline - The proposed show came about after Wolf was contacted earlier this year by Steve White, NBC’s executive vice president for movies, miniseries, and special projects, and asked if he had any ideas for a five-hour miniseries. Wolf suggested “terrorism in New York City,” which was a story he had “long wanted to do,” according to Los Angeles magazine. “[T]he only story I could think of that justified five hours is terrorism,” Wolf will comment. White agreed to the idea. When Wolf then told Neal Baer, one of Law & Order’s executive producers, that he wanted to do a miniseries about terrorism, Baer said the miniseries “should be [about] bioterrorism.” Writers Spend Two Days in New York Working on Story - In June 2001, Wolf gets together with a number of his colleagues, including Baer and several writers, in New York, to develop the storyline for Terror. Wolf has already come up with a 40-page outline for the miniseries. Now, the group spends two days working on it. [Variety, 9/10/2001; Los Angeles, 4/2002] By August, according to Baer, “we were really deeply involved in the story.” Baer will recall that those working on the miniseries “would joke that we hoped the real thing didn’t pre-empt our work. Obviously, we had no idea of what was to come.” [Hollywood, Health and Society, 4/2/2002 ]NBC Does Extensive Research for Show - NBC spends nine months conducting meticulous research for Terror, according to Wolf. [Variety, 9/10/2001] Baer talks to experts at the Rand Corporation think tank, hires a consultant from Stanford University, and reads books on biological warfare. [Los Angeles, 4/2002] Those involved with the miniseries also talk with experts at Johns Hopkins University in Maryland, the University of Michigan, the University of Minnesota, and the Centers for Disease Control and Prevention in Georgia. [Hollywood, Health and Society, 4/2/2002 ] And, according to Wolf, they talk to “top law enforcement people on the state, federal, and local levels” about bioterrorism. [Variety, 9/10/2001] Baer will comment that as a result of their extensive research, “We knew a lot of things most people didn’t know, because we spoke with so many experts all over the country.” At one point, the team working on the miniseries is talked to by the FBI, “because our accumulation of so much information raised a red flag.” [Hollywood, Health and Society, 4/2/2002 ]Miniseries Canceled in Response to 9/11 - Terror will be canceled less than a week after the 9/11 attacks. [Variety, 9/17/2001] It is one of a number of television dramas and movies featuring storylines about terrorism that are canceled or rewritten following 9/11 (see (January 1998-2001); February 1999-September 11, 2001; Before Before September 11, 2001; September 13, 2001; September 27, 2001; November 17, 2001). [Denver Post, 9/17/2001; Village Voice, 12/4/2001] Baer and others involved with the show are actually in New York, only a couple of miles away from the World Trade Center, on the morning of September 11, doing planning work for the miniseries (see (8:30 a.m.) September 11, 2001). [CNN, 9/9/2002]

James Cameron. [Source: Contactmusic (.com )]Hollywood film studio 20th Century Fox is working on a movie, called Deadline, which would feature terrorists hijacking a commercial aircraft. [Los Angeles Times, 9/25/2001; Washington Times, 12/10/2001; Baltimore City Paper, 1/2/2002]Deadline is being written by brothers Peter and David Griffiths, who also wrote the screenplay for the Arnold Schwarzenegger movie Collateral Damage. The Griffiths have already completed two drafts of the script for Deadline. [Los Angeles Times, 9/25/2001; Variety, 2/7/2002] Reports will describe the movie’s storyline as “involving terrorists taking over a jetliner”; featuring “the hijacking of an airliner”; and featuring “terrorists taking over a commercial aircraft.” Further details, however, are unknown. The movie is “in top-secret development at 20th Century Fox,” according to the Los Angeles Times. Deadline is being produced by James Cameron, the director of movies such as Titanic and The Terminator. And Tony Scott, who previously directed blockbuster movies such as Crimson Tide and Enemy of the State, has expressed an interest in Deadline, according to sources close to the film. [Los Angeles Times, 9/25/2001; Washington Times, 12/10/2001; Baltimore City Paper, 1/2/2002] However, 20th Century Fox will suspend work on the film in the aftermath of the 9/11 attacks. It will be one of a number of movies and television dramas featuring storylines about terrorism that are canceled or rewritten after 9/11 (see (January 1998-2001); February 1999-September 11, 2001; June-September 11, 2001; September 13, 2001; September 27, 2001; November 17, 2001). [Village Voice, 12/4/2001; Washington Times, 3/7/2002] In November 2008, Variety magazine will report that the movie has been revived, with the new name Nagasaki Deadline. Variety will report that the storyline centers on “an emotionally damaged FBI agent who must decipher historic events in a desperate race to avert a terrorist plot.” It is unclear if this was the original plot of the movie or if the story has been changed since 9/11. [Variety, 11/11/2008] In 2010, it will be reported that a director has been found for the movie. [Deadline, 6/28/2010; Variety, 6/29/2010] By 2013, no further details of the movie will have been announced.

Bryce Zabel. [Source: Publicity photo]Bryce Zabel, a longtime television writer and producer, was set to meet executives at the cable channel USA Network on this day, to present to them details of a miniseries he has been working on about an act of terrorism in the United States and how it leads to a global conflict, but the meeting and the miniseries are canceled as a result of the 9/11 attacks. [Dallas Observer, 9/20/2001; New York Times, 9/24/2001; NPR, 9/6/2002] Zabel, who was recently elected as chairman of the Academy of Television Arts and Sciences, previously created television shows such as Dark Skies and The Crow: Stairway to Heaven. [Deseret News, 8/12/2001; Dallas Observer, 9/20/2001] He is scheduled to meet with USA Network executives today, to present his plans for a miniseries called World War III for consideration. The miniseries, according to the Dallas Observer, would be “about how an act of terrorism on United States soil expanded into global conflict.” Show's Creator Considered 9/11-Like Scenarios - Zabel has been working with members of the US military to help him decide what kind of terrorist attack to incorporate into the storyline of World War III. “My partner and I had worked carefully with the Air Force and some Pentagon war planners to figure out the possible scenarios by which such a conflict could come into being,” he will later recall. Zabel and the military officials apparently considered scenarios resembling the 9/11 attacks: “The irony is that we had sort of rejected something as radical as what just happened [on September 11] as being a little too much,” Zabel will say. Therefore, according to Zabel, the 9/11 attacks meant that “the cautionary tale we hoped to tell in fiction ended up becoming a cautionary tale told on the evening news, and there almost is no need for the wake-up call, because America has been woken up.” Show Canceled due to 9/11 - It is unclear how long Zabel has been working on World War III, but according to the Dallas Observer, his scheduled meeting with USA Network executives to discuss the miniseries has been “on his calendar for weeks.” [Dallas Observer, 9/20/2001] The meeting and the miniseries are both canceled as a result of what happened on September 11. [NPR, 9/6/2002] “Obviously this show died when the victims died,” Zabel will say. [New York Times, 9/24/2001] Zabel will also note, two weeks after the 9/11 attacks, that his miniseries would have “reflected exactly what’s going on in the world right now.” [Media Life, 9/25/2001]World War III is one of a number of television dramas and movies featuring storylines about terrorism that are canceled or rewritten following 9/11 (see (January 1998-2001); February 1999-September 11, 2001; June-September 11, 2001; Before Before September 11, 2001; September 27, 2001; November 17, 2001). [Denver Post, 9/17/2001; Newsweek, 10/7/2001]

Characters from ‘The Agency.’ [Source: CBS]The pilot episode of a major new CBS drama series called The Agency was originally scheduled to be broadcast on this day, and would have featured a storyline about Osama bin Laden’s al-Qaeda terrorist group plotting to blow up a department store in London, England, but the episode is postponed due to its resemblance to the events of September 11. [New York Times, 9/29/2001; CNN, 10/31/2001; Jenkins, 2012, pp. 62-63]The Agency, according to The Guardian, is “a new CBS drama, full of best-and-brightest types rolling up their sleeves and attacking problems of national security.” [Guardian, 10/5/2001] The series will “tell stories of everyday life inside ‘The Agency,’” according to the New York Times. [New York Times, 5/6/2001] The Guardian has reported that the show’s villains will include “Arab terrorists, Colombian drug dealers, Iraqis, and German urban guerrillas.” [Guardian, 9/6/2001] Wolfgang Petersen, who directed blockbuster movies such as In the Line of Fire and Air Force One, is the show’s principal executive producer. [Dallas Morning News, 9/27/2001; Los Angeles Times, 9/29/2001]Storyline Includes Planned Al-Qaeda Attack - The storyline of the pilot episode of The Agency features “terrorists from Osama bin Laden’s cells, waging a holy war against the West,” according to the New York Times. Early in the episode, it is revealed that the CIA has identified al-Qaeda as a security threat and that the terrorist group is planning a major attack in Europe. Fortunately, a CIA officer was able to infiltrate al-Qaeda and discovered the date of the planned attack. However, the agency has just three days to thwart the plot. Agents then discover that the terrorists intend to bomb the Harrods department store in London. They pass on this information to British intelligence officers, thereby helping to prevent the attack at the last minute. [New York Times, 9/29/2001; Jenkins, 2012, pp. 62-63] Bin Laden’s name is mentioned twice in the episode. [Dallas Morning News, 9/27/2001]CIA Liaison Assisted with Script - Michael Frost Beckner, the creator of The Agency, will later say that he wrote the show’s pilot episode “over a year before 9/11,” presumably meaning around mid-2000. [Hollywood, Health and Society, 4/2/2002 ] He worked with Chase Brandon to develop the script, and submitted early drafts to Brandon for approval. [Jenkins, 2012, pp. 56] Brandon is the CIA’s entertainment liaison officer, and before taking that post spent 25 years in the agency’s elite clandestine service. [Guardian, 9/6/2001; Guardian, 11/14/2008]Storyline 'Originated from the CIA' - The similarity between the storylines of The Agency and real-world events, according to CNN, is because the show’s producers and writers have been “researching each storyline in detail. They read intelligence manuals, pull from actual CIA cases, and confer at length with the show’s consultant, retired [CIA] operative Bazzel Baz.” [CNN, 10/31/2001] Bill Harlow, the CIA’s chief spokesman, will suggest that the reason for the similarity is that the show “simply got lucky that the headlines intersected with its storylines so neatly.” But Beckner will reveal that the storyline for the pilot episode was suggested to him by Brandon. “In other words,” author Tricia Jenkins will note, the story about al-Qaeda plotting to bomb Harrods “originated from the CIA.” [Jenkins, 2012, pp. 66-67] Beckner will also say the pilot episode resembled what happened in the US on September 11 because the CIA “would let in anyone, including a little writer like me, to hear that al-Qaeda and bin Laden are going to attack us.” [Hollywood, Health and Society, 4/2/2002 ]Show's Premier at CIA Headquarters Canceled - The Agency received extensive assistance from the CIA during its production. As well as the CIA reviewing scripts, it is the first television series that was permitted to film inside CIA headquarters in Langley, Virginia, and it used agency employees as extras. The pilot episode was even going to be premiered at CIA headquarters, on September 18, but the event was canceled because the agency was busy responding to the 9/11 attacks. [New York Times, 8/26/2001; Hollywood Reporter, 9/17/2001; Jenkins, 2012, pp. 56]CIA Liaison Thinks Series 'Couldn't Be More Timely' - CBS cancels the broadcast of the pilot episode on September 27, when it was originally scheduled to be aired, in response to the 9/11 attacks. Gail Katz, one of the show’s executive producers, will comment, “Our show seems to be too close to what’s in the headlines” and it is therefore “not appropriate for viewing.” [CNN, 10/31/2001] Instead, another episode of The Agency is aired, in which agents work to prevent the assassination of Cuban leader Fidel Castro. [Variety, 9/23/2001; New York Times, 9/29/2001] Brandon, however, is upbeat about the series coming out at a time when terrorism has become such a major issue. “If anything, a show like The Agency couldn’t be more timely,” he will say. This, according to Brandon, is because, “Right now, the American public needs a sense of reassurance.” Brandon will add: “Our whole national consciousness is going to change. And I think a responsible film or TV episode about the agency, even one that weaves elements of terrorism into the storyline, can show the magnitude of what’s at stake.” [Los Angeles Times, 9/29/2001] Indeed, the show’s tag line is “Now, more than ever, America needs the unsung heroes of The Agency.” [Los Angeles Times, 10/2/2001]Modified Version of Episode Later Broadcast - The pilot episode of The Agency is one of a number of movies and television dramas featuring storylines about terrorism that are canceled or rewritten in response to 9/11 (see (January 1998-2001); February 1999-September 11, 2001; June-September 11, 2001; Before Before September 11, 2001; September 13, 2001; November 17, 2001). [Denver Post, 9/17/2001; Village Voice, 12/4/2001] A subsequent episode, based around a planned terrorist attack in the US using anthrax, will also be rescheduled, because its original broadcast date coincides with the actual anthrax attacks in the US (see October 18, 2001). [Variety, 10/16/2001; People, 11/6/2001] A modified version of the pilot episode, with all references to bin Laden removed, will be broadcast on November 1. [South Florida Sun Sentinel, 10/25/2001; Jenkins, 2012, pp. 145]

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