RED Scarlet-W Archive

The crazy flexibility of the REDCODE Raw native format of RED cameras is no secret, however with the huge influx of new RED users thanks to more affordable cameras such as the RED Raven and Scarlet-W, there is a hefty demand for a more “click and drag”

About two weeks ago, RED announced a new beta firmware 6.4.21 beta build firmware adding significant updates to the RED Scarlet-W and RED Weapon Magnesium (MG), which can now record in 4K ProRes and DNxHR. Prior to this firmware update, the Scarlet-W was able to record in the

You may recall that last year at IBC 2016, Sigma entered the cine lens fray by announcing some pretty sweet new lenses specifically designed for digital cinematography. Back then, Sigma announced 2 x S35 high-speed zoom lenses – the Sigma 18-35mm T2 and the Sigma 50-100mm T2, which represented the

The latest generation RED cameras (especially the entry-level RED Raven and the 5K Scarlet-W) present many with a unique opportunity to get onto the RED train and likewise the high-end cinematic content creation. Just a few months back in October, RED announced their Epic-W 8K Super 35

You may recall that a few months ago, RED started posting some tutorials on their latest camera technology dubbed “RED TECH” tutorial series. These basic, but informative tutorials were created to inform of the benefits of using RED DSMC 2 (that is those with the Weapon style latest bodies, with built-in

Buying your first RED camera can be a daunting task. Despite the fantastic image and the pedigree of a true and tested digital cinema camera, RED cameras and the whole RED ecosystem can be a bit intimidating at first for those making a giant leap from DSLR

In what was (and still is) one of the biggest days for RED Digital Cinema, after weeks of teasers and sifting through 500+ pages on REDUSER.net just a few hours ago at precisely 11:00 AM PST, RED announced their highly anticipated EPIC-W and Weapon Helium 8K S35

Those of you following our blog on a daily basis have probably read some of my posts about the big day for the RED shooters coming up next week on October 11th. In case you haven’t, go ahead and check out this post here. Despite the fact

Cinemartin, the Spanish based gear and software makers behind the popular ProRes conversion plugins and more recently the NEXT 4K monitor/mobile PC, are setting their sights on supporting RED Digital Cinema cameras including the latest DSMC2 bodies – the Red Raven and Scarlet-W with their latest TEDORED

At NAB 2016, ARRI announced some additional accessories part of their PCA – pro camera accessories range for popular cameras like the Sony A7sII, Sony A7rII, the Panasonic Varicam LT, and RED DSMC2 bodies such as the Weapon, Red Raven, and Red Scarlet-W. The accessories for the

RED just kicked off their NAB 2016 announcements with new accessories for DSMC2 bodies including Raven, Scarlet-W and Weapon, which get a newly designed Side handle, a slim REDVOLT-V battery, a Jetpack SDI module, a new Red PRO 7-inch LCD hingeless display and also a new firmware

All is going according to plan at RED Digital Cinema HQ, with RED boss Jarred Land announcing recently that their latest 5K camera – the RED Scarlet-W has began shipping to customers (at least the Scarlet-W brain that is). He also announced that the RED Scarlet-W packages

Earlier today, LA-based Director of Photography and long time RED user, Phil Holland released his latest work – a short piece shot on the new RED Weapon 8K digital cinema camera. And yeah, it’s kind of mind-blowing to say the least. The 8K RED Weapon 8K features

In a true RED fashion, less than 24 hours ago, RED announced not one, but 2 new cameras – the Scarlet-W and the Scarlet-W Monochrome. According to RED boss Jarred Land in a forum posting over at reduser.net, the new cameras were originally supposed to be released