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I strongly believe in the power that comes from learning to write with intention and control. To me, this often means bringing things we notice from the subconscious experience of reading and writing into the conscious part of the mind, learning how they function, and gaining control over them so that you can give your readers an accurate, powerful reading experience.

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Tuesday, May 21, 2013

When Breaking Dawn
by Stephenie Meyer released, my friend and I discussed that someone should die
in the last third, to make the story more interesting. But I think, somewhere, a
part of me knew it wouldn’t happen. Meyer doesn’t kill good guys in the Twilight saga. Sure, Harry Clearwater
has a heart attack, but I mean killing characters fans are emotionally attached to, like
Alice, Emmett, or at least Seth. I’ve wondered if Meyer liked her characters
too much to kill them.

In contrast, when I read The
Hunger Games by Suzanne Collins and The
Runelords by David Farland, I found myself questioning whether the authors
loved their characters much at all. In The
Hunger Games, characters not only die, but are burned, poisoned, tortured,
have limbs amputated, are forced into prostitution, and even brainwashed. Young, old, male, female,
likable, unlikable, good guys, bad guys, named, nameless all suffered at
Collins’ hands. Likewise in The Runelords,
a stunning princess turns hideous, a stately King becomes mentally handicapped and can't even control his own bowels, and often strong,
intelligent people are reduced to insanity and then murdered.

Sometimes in these novels, as a reader, I felt the authors
had no limits. And I was scared. What could possibly happen next? Was anyone
safe? Would the King ever regain his status, or was he doomed to die in his own
filth? I had to read to find out.

Not all stories need to be as limitless as The Hunger Games and The Runelords to be good stories and to
keep people reading, but notice that what Collins and Farland did added more
tension to their novels. Also note that early in their stories, they let the
reader know that nothing is safe. So as a reader, you have the whole series to
worry.

And of course, putting your characters through heck doesn’t
necessarily mean that you don’t love them or that you harm them senselessly.
J.K. Rowling loved all the “good guys” she killed. In New York she said she hated writing a particular death scene for The Casual Vacancy, but felt it had
to be there for thematic purposes. Collins and Farland didn’t harm their
characters for the sake of it either. In their cases, their characters’
ailments came with the backdrop of the story—horrible things happen in the
worlds and societies their protagonists live in.

Should Meyer have killed a likeable character in Breaking Dawn? Maybe not in the way we
would see in The Hunger Games or The Runelords—the Twilight story didn’t call for it. But perhaps a different death or
misfortune may have fit and added tension. Or maybe I’m just twisted and like to see
characters suffer and die. Or both.

Whatever the case, when we write, perhaps we should consider
what our stories’ limits are and how early to alert our readers to them. Giving
your reader a heads up not only makes them worry and adds tension, but if
anything horrific is going to happen to a main character, they need a warning. Our readers grow attached to our characters,
and if we do something awful to the protagonist without any kind of foreshadowing,
they’ll feel betrayed.

(Imagine, for example, if in My Big Fat Greek Wedding, the main characters was suddenly hit and killed by a random car. Readers would say "Hey! That's not what I signed up for! I wanted a happy ending!" That incident doesn't fit with the limits the story set up.)

Thoughts? Do you like reading limitless books? Can you think of anymore examples?

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September C. Fawkes

Sometimes I scare people with my enthusiasm for writing and reading.

I have worked in the fiction-writing industry for over six years, editing for both award-winning and best-selling authors as well as beginning writers. I am also perpetually writing my own stories. Read about me.

Some may say I need to get a social life. It'd be a lot easier if my fictional one wasn't so interesting.