There comes a moment in every Slim Cessna’s Auto Club show when you realize you’re seeing something you’ll never see anywhere else. It’s Slim Cessna in a whitecowboy hat and beard, the lights haloing his ungainly frame, horn-rimmed glasses flashing through the smoke. He’s trading lyrics and insults with Munly Munly, gaunt and strange, dressed in a shade of black particular to preachers and burnt down barns. Their voices rise and converge in the kind of exquisite harmony usually found in Sacred Harp congregations, and then the band cuts loose, the best live band in the world, and the two men are doing battle, playing out some cathartic war between good and evil on stage. Or trading dance steps. You can’t tell.

I said the best live band in the world, and I ain’t the only one. No Depression and Spin Magazine have said the same. This is a band that’s held its own onstage with everybody from Johnny Cash to the Dresden Dolls. But you listen to the recording of “That Fierce Cow is Common Sense in a Country Dress,” and it’ll take you just about four minutes before you realize you’re listening to the best band in the world, period. It’s Lord Dwight Pentacost leading the lunatic rapture on his Jesus and Mary double-necked guitar; Rebecca Vera playing pedal steel so sublimely that I swear to God you can see the ghost of Ralph Mooney circling the stage; and, holding down the rhythm section like they have with each other since seventh grade, The Peeler on drums and Danny Pants on the doghouse bass, driving the band, making you lose your damn mind.

They’ve been making music for over twenty years, and there is, quite simply, nothing else like it. It’s gospel music, is what I’ve decided. Gospel music for a blasted world. A world straining and bursting in constant pain, but one that can’t help but overspill with joy – even knowing better. And the songs, Jesus. Songs about Colorado Indian hater John Chivington, alien abductions, patricide, a man born without a spine. This is the wild, bloody and weird America of Harry Crews, the only America worth a damn. It’s what Flannery O’Connor was trying to say when she wrote of dark romances and the grotesque. If you’ve got a heart, these songs’ll break it, and if you’ve got any laughter left in you, they’ll beat it out of you until you cry.

I probably can’t improve on what Jello Biafra said about Slim Cessna’s Auto Club, that they’re “the country band that plays the bar at the end of the world.” But I like to think that as long as they’re around, they can still save us from that end. Or at least from what currently passes as country music.

Strange Americans

It’s a little raw, a bit loud, unapologetic and honest. It’s blue collar rock and roll and it’s something that Denver’s Strange Americans are crafting with both brawn and finesse. In a sense, StrangeAmericansare rescuing something from the rust pile — straight­forward, no frills rock and roll, with a matching aesthetic that is heavy on songwriting and storytelling, presented with reverb­-drenched punch and passion — the way The Band or Crazy Horse would have done it. StrangeAmericans have two full length records, Royal Battle (2012), and That Kind of Luster (2014), along with the 7″ Vinyl Places (2015). Borrow You, Brother is the next full length album expected in the near future and recorded with Echo Lab engineer and producer Matt Pence (Centro­matic, Justin Townes Earle).

Get Tickets: https://www.eventbrite.com/e/slim-cessnas-auto-club-strange-americans-free-concert-series-tickets-44569036187?aff=es2

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