The Dependent also has distinctive voice, albeit more of a slurring, raspy, end-of-the-night one. The second edition of this one-day fair took place on six floors of the Ludlow Street Comfort Inn on Saturday. Many of the exhibitors were Lower East Side and Brooklyn galleries and project spaces, although Foxy Production (with a Michael Bell Smith project on the subject of hotel art itself) is one established Chelsea gallery that hopped on board for the fun this year. Bubbles and black light strobes by Jessie Stead burst out of Soloway’s teeny bathroom, while Michael Mahalchick did a John-and-Yoko-style bed occupation in Canada gallery’s room. The strongest presentation was a room shared by Cleopatra and the Shankaden Project, full of tweaked objects you might actually find in a traveler’s domestic quarters, by artists including Andrés Laracuente, Martin Soto Climent and Jamie Isenstein, whose lit candles on the bed elicited a constant stream of incisive comments to the effect of, “Isn’t that dangerous!?”