DAKOTA is one of those legendary
US AOR bands that didn't get really big, but in the hearts of the
AOR fans (especially in Europe and Japan) DAKOTA's 'Runaway'
album from 1984 will always be the classy AOR album that will top
the list of many fans of this genre. I did an interview with
leader Jerry G. Hludzik some years ago, but due to the release of
their new album 'Deep 6' I thought it was time to do another
interview, so let's see what Jerry has to say...Hi there,
DAKOTA has a new album out, tell me about it, why did it took so
long to finish?DEEP 6
this one took us on a very crazy journey! Rick had called
me to find out if I was ready to give it a go again, which was
strange to begin with cause Im the one who is always
bending his ear phoning him up saying come on lets do
this. Once we started to assemble the tunes we both thought
it would go smoothly wrong. We had equipment go bad in the
studio due to the summer heat and I had to drive 3 hours 1 way.
It was not fun. Needless to say the summer of 2002, we sort of
walked backwards. We resumed in the fall and things were going
well until end of December. I was in a car accident out of
commission for 8months then back to work working on the
record then along comes Jon - our guitar player, he too was in a
bad accident. He had 3 more gtr traxs to finish. Are you sort of
getting a feel for this comedy of errors?? Luckily Jon mended
after a few months and we were once again back to work on DEEP 6.
We finally finished tracking, but in the middle of mixing, Rick
got a travel sound- mixing job with a new country music star
Jimmy Wayne. It would have been good, if the timing was
compatible but it wasnt. Rick was gone for weeks at a
time, and production was once again on hold. In April of 2003,
Eli who lives 10 hours away had also been touring extensively
with his jazz funk fusion band Rays Music Exchange. We had
to find a window to schedule him and the studio to do his drum
traxs. IT WAS THE ALBUM FROM HELL!!!! It didnt want to be
finished! Total time from start to finish 18 months----We
did the DAKOTA self titled for CBS in Canada/ 1980 in 3 weeks!
But all kidding aside- it was a labor of love. I learned a lot
about myself on this one, especially patience. When it was time
to walk away from it, I felt good - we did our best.

But the CD is now finished, and please tell us
about the songs:BROTHERS
IN ARMS JERRY: started out with a conversation I had with
Scott Sosebee (co-writer) about brotherhood. We were talking
about the long road Kelly and I walked years ago and its a
shame we are not still working together in some capacity. (Maybe
this was the moment the light bulb went off about contacting
Kelly to sing on Deep 6). First - it gives you a visual reference
to the military, but only for a second and to set up the theme.
We have all had people in our lives that we have been in the
trenches with them watching your back and you watching
theirs. For inexplicable reasons they may no longer be in your
life but you will never forget those memories or experiences. Or
they may be people who have entered your life nontraditionally,
but the impact is resounding; yet they are forever part of your
memories; for an example - Scott and myself. Weve been face
to face a total of about 3 days in 6 years (and many dollars in
phone bills) however what weve done together working on
Dakota has bonded us forever. Kelly has been my trench mate
forever and though we havent seen each other much in the
last 20 years, the memories are as real and alive as if they
happened yesterday. I REMEMBER THE LESSONS WEVE BEEN
TAUGHT AND ALL OF THE BATTLES WE FOUGHT TOGETHER! Every
time I look back on my career and close my eyes, I see every
player that I had the pleasure to work with in Dakota over the
years that made me a better musician and a better person - And
Forever they will all be My Brothers in
Arms.

HOLDIN YOUR OWN JERRY: Some guys are just too picky -
always waiting for the likes of a Halle Berry or a Charlize
Theron to come along. Even if they did end up with one of them
(not likely) they would still be afraid of commitment. The guys
always wondering how and when it will be to be with someone like
that - but still wanting it all their way not going to
happen. Convincing yourself by being alone, youre ok (yeah
sure). So remember you cant always talk yourself into
believing that were better off on our own stuff. Especially
not on a Friday or Saturday night when your home all alone - and
youre just holdin your own hang down thang!

BACK TO ME JERRY: Song is about commitment and being in
this case afraid to commit. Too many of us these days, want a
relationship with commitment but each side afraid to leave down
their guard thinking what if I give and dont get back? 1st
verse saying just that. 2nd verse  But I must believe
now that this love is worth it and this is where I belong.
Once one commits, the feeling of guarantee doesnt seem to
be that important anymore. Cause when love finds its way
back to your door - Boy what are you waiting for! I let
go...I now wear a ring on my left hand ...and Im very very
happy!

NOT SO MUCH IN LOVE RICK: Musically, my friend Jimmy Harnen
would say "that's a groove you can drive a $?(#&% truck
through." Lyrically, I was in a crappy mood, thinking about
a bad relationship long ago that I somehow allowed to permeate my
existence for no good reason. But I'm not bitter, really. No hard
feelings at all about the bitch. : )

WHAT WERE YOU THINKIN JERRY: This song came out
exactly how I first pictured it in my head - start to finish. I
was thrilled! Message is that we as men are judged too much on
what our $$$ worth is, not what we can do or have done with our
hands or heart. Too many take the easy way out, burn bridges
loose friends, respect and sell their souls and all for $$$. But
I think eventually they crash and burn alone. I believe in
the here after and I will just have to have faith that if we live
this one right by being honest, respectful and to be thankful of
the hand weve been dealt and play it out - remembering cup
½ full not ½ empty.

THAT AWFUL DAY JERRY: Our imagery of walking thru the smoke
rubble and sadness of the unthinkable act of 911 in NYC and
I think Rick and Jon nailed it!

EYE OF THE STORM JERRY: Just a thought about how crazy the
world we live in is. Soon there will be no safe place. I think
the creator of this universe, as we know it - in my case God,
Jesus or what ever you may call him or her, is comin back one day
and angry!

NOT JUST THE NIGHT JERRY:
This was written for my wife Annie. We were apart a lot at one
point and I just wanted her to know that she wasnt just
missed sometimes - it was 24/7 and that my future was with her.
You close to me...me close to you.

RIGHT THIS MINUTE... JERRY: I got married July of last year in
Hawaii-on a beach-barefoot-now it just doesnt get any
better than that! My wife Annie, blonde of hair green of
eyes just listen to the song it was once again written
for her.

SHUT UP AND DRIVE RICK: On every Dakota record, I try to get
one fairly naughty song included, just for the fun of it. This is
Deep 6's offering. I wrote it after a particularly good evening
with a woman. And her phone number is not available for
dispersal.

THE RIDE RICK: "C'mon now... we've been seeing each
other for a long enough time... let's shit or get off the
pot."

LUCK TIME MIND RICK: The original groove was designed to be
kind of an Alan Parsons Project thing. I wanted something with a
fairly drawn-out intro before the song hit, to let the groove
build slowly and a bit dramatically. Working in the confines of
the standard pop song can really destroy the art of music, so I
wanted to stretch that out a little. In a record company office,
the A&R guy would never even hear that chorus - he'd hit the
NEXT button about 30 seconds into the intro.

DEEP 6 JERRY: speaks for itself. We thought it would be fun
as a re-cap of song hooks strung together. And we did it cause we
are proud that we can SANG! There is singing and
there is sangin---AND WE WERE MOST DEFINITELY SANGIN!

I saw BILL KELLY has finally
made a sort of comeback, but why hasnt he rejoined DAKOTA?Bill
(Kelly as Ive always called him) is living near Nashville,
Tennessee with his family and running a business of his own.
Although he still finds time for music, most of his time is
consumed by his job. He freelances as a singer/guitarist @ the
Grand Ol Opry, a well know Country music venue. It was a pleasure
and a day filled with a lot of old DAKOTA stories laughing and
singing. When we got together to record his backup vocals on
Right This Minute, What were You Thinkin and Holdin
Your Own, it was actually the 1st time that Rick, Kelly and
myself were in the same room with each other -let alone singing
together on a Dakota project, since 1983 in California when we
were recording the RUNAWAY album for MCA. Ive shared a
microphone with some great singers over the years, but the blend
that Kelly and I had then and still have 30 some years later is
a once in a lifetime thing. At times imitated, but never
duplicated! Perhaps youll again see him on the next Dakota
album, playing a bigger role when theres more planning,
more time to do more than 3 vocal back-ups. Maybe even a brand
new Hludzik/Kelly Composition!

Last year
your first 3 albums were re-issued onto CD. Why did it take so
long?Ive
always wanted this, even if just for the sake of having the
entire catalog on CD. It took us a lot of time, letters and phone
calls to get the clearance to complete the task. It seems Runaway
however, with screams of praise from Europe and Japan, was the
catalyst. Im glad we made a lot of people (like you Gabor)
very happy!

Why didn't
'Runaway' sell millions of records, problems with MCA?
I guess I still think 'Runaway' is by far your best record.
Did everything fall into place during the recording session of
this magical record?
To answer the first part of your question Yes problems with
MCA No promotion!! We were lost at sea so to speak it was a
damn shame then and still is. An American tragedy!! They were too
busy with the likes of Night Ranger, the Fixx, the Eagles -Glen
Frey, just to name a few. We got lost in the shuffle. We had
assembled a great
team for this record Kelly, myself, Danny Seraphine, Bobby Lamm
and Bill Champlin from Chicago, Steve Porcaro (Toto) and many
other great players. At the console  the amazing Humberto
Gatica. We always thought it was a perfect album for its time -
from the songs, to the performances, to the studio vibe (I hate
that word vibe but it fits). It was indeed a Magical moment in
time!

We did an interview some years
ago, but let's get back to the beginning once again, THE BUOYS?
Did they actually ever have an official album release?
Only great records appear every now and then. Yes we did. The
Buoys (Scepter Records 1971). Im looking at the album cover
as we speak! Go to my web-site http://laststandingman.tripod.com and click on the Buoys link and
it will take you back 30 years with the entire story with some
interesting pictures! It was later re-released in Holland on EMI
in 1979 as an album and as a long play single of Give Up Your
Guns. Also in 1993 a USA label called Collectables, packaged a
few songs from an unreleased 1973 Polydor album of which they
just released 2 singles. There are is another albums worth of
Buoys material in the archives - probably 10 or 12 other goodies
from the 70s for yet another release in due time.
Tentatively called Buoys In The Attic. Im a
pack rat I save
everything!

Did you
know Give Up Your Guns (THE BUOYS original) is still played a lot
in Holland and it always appears in top 100 of all times list?
Yes I do know. Kelly and I were in Holland in 1979 a weeks
worth of radio and television promo. One of the shows was called
Top Pop. I still have the video footage. One of the gems that is
in consideration of DVD released stuff. We stayed in Hilvershum
and spent time in Amsterdam @ EMI records-and yes I was also
informed by Hans Beljjard of AORDreamzones that Give Up Your Guns
is on the top 100 of all times charts in your land @ 50! Thanks
to Radio Veronica all those years ago. Its pretty amazing.
So how about you find a promoter - Kelly and I will come
back to Holland 25 years later and perform!

Back to DAKOTA. The new album is
finished and happily again it's the AOR you have played for
almost 30 years now. Don't you ever get tired of it (me not),
because you never get the success you deserve?
Yes this is very frustrating but this is what I choose to
do! Having choices in your vocation is a good thing. Aside from
our earlier works, when we decided to go into the studio to
record Last Standing Man, I made up my mind then that I was going
to take this opportunity to do whatever it takes to write another
chapter in the bands history and keep Dakota alive thru the
Europe and Japan, till my last breath - so to speak. When we
finally split up in 1987 (we being Kelly and I -
after 17 years of working together), I decided to put Dakota in
my memories trunk forever and retire its sound, never to
resurface. Then with the sudden popularity of the band all these
years later, I decided to take upon the challenge of carrying on
the name of the band worlds away from home, and believe me it was
scary. I knew it would take time and conviction...but I was
ready. I always give thanks to my lovely wife - looking at things
as ½ full never ½ empty. I now have 40 to 50 new children
(songs) that never would have been born if not for this new
journey. Yes the ultimate would be, as it would have been, if MCA
had promoted Runaway properly giving us the commercial success, a
few accolades and financial gains. But in life, most times it
just doesnt happen that way. I have no regrets never did -
never will. This is what I do - I am a singer/songwriter/
musician. It might not be a million dollars but when I receive
correspondence from a fan who not only took the time to write to
us and express how much they enjoyed our work, but bought our
album by reputation - knowing that we care and wouldnt just
put out shit . Now this is SUCCESS that $$$ cant
buy!!!!

Where is
your market nowadays?We still
have loyal fans worldwide. And now after the last 6 years of
re-establishing that the band is back in the saddle again we are
once again back in the spotlight. Thanks to the support of fans
and the internet/magazine sites (as the likes of Strutterzine) as
well as hard copy publications worldwide! And believe me we I
appreciate it! Glad you guys like for the most part our music or
wed crash and burn!

Do you
have the master tapes of SYNCH, because you were involved with
this band and I think this is one of the best AOR releases ever,
but it never got an official release, why not re-issue this
little gem?
The Synch thing Ive discussed with Jimmy Harnen and Rick a
few times over the years, but there are too many hands in the pot
to make this worth the trouble. A lot of crazy people would come
out of the woodwork after a few sales thinking their cut would
surely be enough to purchase a small country! (#^%$^%$!)

Your son
is now in DAKOTA right?Yes he is!
Deep 6 was his 3rd Dakota project, and not just because hes
blood. Hes a great musician, way beyond his years. Hes
a perfect drummer for Dakota music. He thinks both inside and
outside the box - very tasty and never over-plays. When we were
thinking of drummers for the recording of Last Standing Man, no
one else came to mind. We just all thought that he would be a
great choice. He was away at school at the time so logistics were
a bit of a problem but we made it work. This father is proud-but
as a musician; I would have never embarrassed Eli or the band by
just allowing him to join Dakota without any experience. But thats
not the case hes been doing live and studio work since
the age of 16. He is talented way beyond his 25 years. His style
of playing which is flavored with rock funk/fusion/jazz is a
great mix for us. He is the perfect fit for Dakota talent,
personality, and professionalism. AND dad also gets to look
back while on stage see my son who lives and breathes music,
driving the band. I take a deep breath, smile and thank God for
him - this amazing gift he has blessed me with.

What more
can we expect from DAKOTA in the future? More CDs, DVDs perhaps?Expect -
album after album until we get it right OR until theres a
big sign at every border DAKOTA GO AWAY NO ENRTY!
We are planning to release Dakota - Best of Volume 1 and 2,
and a new studio album in the 1st part of 2005. Yes weve
also talked about a DVD, because I have a lot of concert footage,
many interviews, Dakotas last interview in 1987, and video
pieces with the likes of Chicago, Fee Waybill, Steve Porcaro,
Humberto Gatica and many more. As I previously mentioned, I also
have The Buoys 1979 appearance on Top Pop in Amsterdam

Can we
ever see DAKOTA performing live (in Europe)???Yes I
really believe so - always have. Weve now built up a
catalog of songs and enough of a following in Europe, that I
think its definitely do-able. Promoters of Europe did
you hear that? Anyone who likes our style of music should
know we were always a better live band than a studio band (and I
think weve made some pretty good records). And I think that
were not too shabby of singers either. With all the
material to pick from - and trust me - were very good live can
you imagine?

Name your
five favorite records (or songs) of all times and 5 current
albums you have been listening to lately?In no
particular order------Fragile Sting, Hotel California Eagles,
Suite Judy Blue Eyes CSN, Hey Jude...Beatles, and Carrie Ann Hollies.
I am not listening to anything @ the moment - giving my brain a
rest!

Finally,
anything to add for yourself?Just that
I feel very blessed to have been given the opportunity to share
still yet more songs with the world thru Dakota. Yesterday I got
correspondence from a fan in Hiroshima, Japan telling me he just
bought DEEP 6 and loves it! Its in his player daily and
asking when are we playing in Japan so he can see his now
favorite group. I have to tell you that my knees still buckle.
This is special truly a gift. Once again thanks to you Gabor and
Strutterzine for your love and support over the years.