3rd lunar month of 1810: premiere at the Ichimuraza of Tsuruya Nanboku IV's drama "Kachi Zum˘ Ukina no Hanabure" (commonly called "Shirafuji Genta");
Danjűr˘ played the role of Tsugawa Katsujir˘ [casting].

6th lunar month of 1813: premiere at the Moritaza of the 8-role hengemono "Mata Koko-ni Sugata Hakkei";
the 8 roles were performed by Danjűr˘. One of them, the one for the view "wild goose swooping down upon Katata in Autumn" ("Katata no Rakugan" in Japanese),
has survived and became an independent popular dance item in the Kabuki repertoire,
known under the titles of "ďmi no Okane", "Danjűr˘ Musume" (the Danjűr˘ Girl) or "Sarashima" (the Cloth-bleaching Girl).

9th lunar month of 1826: Danjűr˘ played in the same theater the roles of Kajiwara Heiji Kagetaka, Matsuemon and Higuchi Jir˘ Kanemitsu
in the drama "Hirakana Seisuiki"; the roles of Chidori and Ofude were played by Iwai Shijaku I and Iwai Kumesabur˘ II.

7th lunar month of 1827: Danjűr˘ played in the same theater the roles of Momonoi Wakasanosuke, Teraoka Heiemon, Ono no Sadakur˘, ďwashi Bungo, Kakusuke, Ishid˘ Umanoj˘ and Amakawaya Gihei
in the drama "Kanadehon Chűshingura".

10th lunar month of 1829: Hakuen played the roles of ďboshi Yuranosuke, Hayano Kanpei and Ono no Sadakur˘ in the drama "Kanadehon Chűshingura",
which was staged at the Shukuin no Shibai in Sakai; his stage partner in the role of Okaru was Fujikawa Tomokichi II.

4th lunar month of 1832: Ebiz˘ played in the same theater the roles of the boatman Matsuemon, Higuchi Jir˘ Kanemitsu and Kajiwara Heiji Kagetaka
in the drama "Hirakana Seisuiki". He also played the role of Soga Gor˘ in the short and bombastic play "Ya-no-Ne". The role of Soga Jűr˘ is
played by Ichimura Uzaemon XII.

11th lunar month of 1832: Ebiz˘ moved to the Kawarazakiza and played several roles, including Narita Gor˘ and Ashigarayama no Yamanba, in the
kaomise program. His son Ichikawa Danjűr˘ VIII played for the first time the leading role of
the "Shibaraku" scene.

3rd lunar month of 1833: Ebiz˘ played in the same theater the roles of ďboshi Yuranosuke, Hayano Kanpei, Momonoi Wakasanosuke, Teraoka Heiemon and Amakawaya Gihei
in the drama "Kanadehon Chűshingura".

1st lunar month of 1838: Ebiz˘ played at the Kawarazakiza the role of the warrior Kumagai Jir˘ Naozane
in the drama "Ichi-no-Tani Futaba Gunki", which was included in the new year program "Fude Hajime Mazebari Soga"; the role of Kumagai's wife Sagami was played by Ichikawa Danz˘ V.

4th ~ 6th lunar months of 1842: Ebiz˘ was arrested and accused of violating the sumptuary laws. His sumptuous villa was destroyed and he was banished from Edo.
"He was summoned before the city magistrates, bound in handcuffs and bound over into the care of his ward leader.
On 22nd of the sixth month he was banished from the city. Changing his name to Naritaya Shichizaemon,
on the 25th he left the city and took up temporary abode at the family temple of Shinsh˘ji in Narita,
several miles to the east of Edo. The following year he stayed for a couple of months with an oculist
called Date Honĺeki near the foot of Mt. Fuji, before leaving for ďsaka[2]".

9th lunar month of 1848: Ebiz˘ played the role of Rokusuke in the drama "Hikosan Gongen Chikai no Sukedachi", which was staged in ďsaka
at the Kado no Shibai; the role of Osono was played by Arashi Rikan III.
Ebiz˘ also played the roles of Kakuju and Matsu˘maru in the drama "Sugawara Denju Tenarai Kagami".

12th lunar month of 1849: he received a pardon from the authorities.
"In the first month of the following year he was summoned back to Edo, and after a hurried departure he arrived
in the city on the 29th of the second month[2]".

3rd lunar month of 1859: Ebiz˘ was supposed to play in the same theater the roles of Daihanji no Kiyosumi and Soga no Iruka in the drama "Imoseyama Onna Teikin" but he
had a relapse and died the 23rd day of the 3rd lunar month of 1859[1].

Comments:

Ichikawa Ebiz˘ V was an outstanding tachiyaku and one of the most popular actors of the nineteenth century.

"From the latter part of Bunka and Bunsei to Kaei,
or from 1804 to 1848, the great actor of Edo was
the seventh Danjűr˘, grandson of the fifth, the sixth having died young. He went on the stage at the age of four,
and when he started to cry, a convenient substitute was hurried up. At the age of 17 he succeeded to the ancestral
name. At the age of 42, he was exiled by the Governor of Edo because of extravagance on the stage,
since he had used real armour, and the stage setting for one of his plays had been an exact
reproduction of the interior of a mansion of the aristocracy. Forbidden to come within a ten ri radius of the town,
it meant that the Edo stage was not to know him for many a year. He was small, and had large eyes,
and was very similar to his son, the ninth Danjűr˘ [..].
Like all the members of his family, he showed a special leaning towards aragoto,
and added to the family plays by adapting the N˘ drama to Kabuki.
He is said to have combined the strong points of the second, fourth, and fifth in this actor line."
(ZoŰ Kincaid in "Kabuki, the Popular Stage of Japan")

"Danjűr˘ VII had two wives and three concubines, who bore him seven sons and five daughters. But with such complicated domestic arrangements his household was never a peaceful one." (from http://www.naritaya.jp)

"The seventh Danjűr˘ was famous for his extravagance. His residence was more beautiful than that of a
daimy˘, and no doubt the Edo authorities, ever alert to
suppress luxury among the people, were ready to pounce upon him, using some pretext or other in order
to hold him up as an example to be avoided."
(ZoŰ Kincaid in "Kabuki, the Popular Stage of Japan")

[1] The 23rd day of the 3rd lunar month of the 6th year of the Ansei era
was the 25th of April 1859 in the western calendar.