One way or another, Rosetta Getty’s collections always reflect her serious interest in art. Robert Morris was her touchstone this season, and she found much to plumb from his varied oeuvre. Notably, Morris’s iconic felt pieces inspired Getty’s key idea—lengths of fabric draped or folded to create sharp-edged forms, a patterning device she used in shorts semi-disguised as pencil skirts, and open-shoulder tops and dresses with kitelike arms. A red georgette gown with the bare-shoulder/kite-arm combo made for one of the lineup’s clear standout items.

There was an echo of that kite shape, too, in the sculptured sleeves Getty created for blouses and suit jackets, and meanwhile Morris’s influence revealed itself in the glints of geometric hardware, shaped like miniature versions of the forms in the Morris installation Untitled (Scatter Piece). You also got a hint of the artist in the collection’s unusually strong emphasis on masculine pieces, such as trenchcoats, pin-striped tailoring, and shirting-inspired tailoring. Morris didn’t make a habit of dressing like a banker, but his work did sometimes engage questions of masculinity; Getty’s offering here was more riff than straight homage. Not that it will matter to her customers, who will be very happy indeed to wear the designer’s long-jacketed pin-striped suit in lightweight wool gauze or her simple striped shirt with scarf-tied sleeves.