Last weekend we traveled down to the San Rafael to scope out a location for our CD release party. We wanted to get the lay of the land and make sure we could give everyone accurate directions and let everyone know what to expect. We finally settled on the campground by the bridge. As we set up camp and ate dinner under the giant twisted cottonwood trees, we breathed in the clean desert air and drank in the beauty of the surrounding cliffs in the evening sun. It was deeply satisfying. We saw only one other vehicle that evening. From where we were camped we could just hear the faint running of water from the San Rafael River. After dinner we went down to the river with the Muses (our daughters, Eliza, Kjersten, and Lucy). Its waters were still muddy from a rainstorm a day or two earlier and the kids remarked that it looked like chocolate milk. They spent an hour or so wading in the lukewarm water, slipping over rocks and squelching the rich mud between their toes while Mary and I reminisced on our many trips down here while we were dating. Back at the campsite we sat and talked and sang as the sun slipped lower and the evening sky began its colorful pilgrimage toward the moon and stars. We sat facing Bottleneck peak. As dusk turned into a rich luminescent darkness I pulled out the mandolin and sang Utah Slim’s song Sister San Rafael. It was a moment I’d like to have packaged and put away to pull out years from now and breathe in its beauty and stillness. The front cover ofShiver into Sparkis a painting of Bottleneck peak by Mary’s brother, Andrew. The album is about transitions, about the places in our lives and the universe where inexplicably, something old ends, and something new begins. It’s about things stripped down to their essence. Over the years the San Rafael Swell is a place we have returned to over and over to come back to that place in ourselves. As I sat in the moonlight I recalled Gerard Manly Hopkins poem...God’s GrandeurTHE WORLD is charged with the grandeur of God. It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oilCrushed. Why do men then now not reck his rod?Generations have trod, have trod, have trod; And all is seared with trade; bleared, smeared with toil; And wears man’s smudge and shares man’s smell: the soilIs bare now, nor can foot feel, being shod.

And for all this, nature is never spent; There lives the dearest freshness deep down things;And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs--Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings....and I realized what it was that called me back to the San Rafael Swell year after year. It is the chance to pull off the chains of living in the city, to drop the pretenses of the petty concerns that occupy me, to let my soul sink deep into the soil and the rocks, my sense of time slow to the rhythm of the seasons and the movement of the sun and stars. I gazed up into a sky free from light pollution, and looked out into the universe, drinking in the vision of vastness and the beauty.I recalled a conversation I had with an astronomer a couple of years ago. He told me he was often asked what the most marvelous thing he had seen in the skies was. He told me his answer was that in all his stargazing, he had never seen something so beautiful, so fragile, and so glorious as this planet of ours. He told me that all of his searching and studies had driven home to him just what a gift we had in the planet that birthed us.I recalled another friend telling me he thought that we humans would only change our relationship to the land once we discovered a sense of “sacredness” for our earth. I thought again of some of my favorite lines in Slim’s song. “This life is your temple… We have no sense of beauty, much less gratitude for grace which keeps this warm blooded planet alive in endless space… This here and now is all we’ve got and my sister’s not for sale.”It troubled me that I couldn’t remember all the words to the Hopkins poem. I pulled out my smartphone to look it up and saw it had no signal. I smiled, laughed at myself, then settled back to gaze out at the universe in wonder. Otter Creek will be hosting an intimate CD release party for their album Shiver Into Spark at the campground near the old bridge on the Buckhorn Draw road on September 29, 2012. If you would like to join us you can RSVP and get all the details by joining our event on Facebook or contacting us directly.

We’re excited! The recording is finished. We’re still tweaking a couple of the mixes, working on liner notes and final art and photography selections but Otter Creek’s second album, Shiver into Spark, is now complete enough for us to sit back and listen to it while we finish up final production. The album features some great new songs, a lot of new instrumental techniques we’ve been working on over the past couple of years, and Mary’s recording debut on the Viola.

Here’s our current choice for track order and just a little bit about the songs on the album.

1. Shiver into Spark

This song helped Peter place as a finalist in two song competitions. As title track it helps set the tone for the whole album, it’s about the spark that lies hidden in cold ashes.

2. Farewell to Ireland

This is a traditional tune from Scotland. We were first introduced to it by Kate MacLeod when Peter was accompanying her for a short set. We fell in love with it and decided to do our own arrangement. True to form, we couldn’t stay quite in one genre as a little bit of very American funk crept into our version.

3. Hard Times

Peter first learned this tune from his father, a folksinger, who in turn had learned it from the singing of Rosalie Sorrels. Peter’s father used to perform a Utah specific version of the tune which referenced the Mormon pioneer’s sufferings while crossing the plains but we decided for this project to use Stephen Foster’s original lyrics as they speak eloquently to the economic hardship so many in our world currently face.

4. Nine Hundred Miles

We first learned this tune from the singing of Odetta. It speaks of the pain of someone far from home, and perhaps far from the person they want to be. It also features the unique instrumental pairing of Viola and Long Neck Banjo. I guess you could call it our “low lonesome sound.”

5. Ashokan Farewell

One of our favorite fiddle tunes ever worked into both a mellow fiddle solo and sparkling mandolin instrumental.

6. Meadow Green

This is our arrangement of a little known folk song about one of the greatest tragedies in Utah history.

7. Devil’s Boots

An original tune about overcoming anxiety (yes… Peter was QUITE shy once upon a time). This song took first place in the Suzanne Millsaps Performing Songwriter Showcase in 2011.

8. Getting Past the Barking

Another original song about finding love in the most unlikely places.

9. Fisher’s Hornpipe

Peter’s version of this traditional tune on solo mandolin.

10. Hi Diddle Di

Some of the people we admire most are living one day at a time. This song is for them.

11. Take the Climb

We wrote this song in memory of Tyler Clementi, who tragically took his own life after an instance of cyber bullying.

12. Morning Has Broken

OK… Here we can brag, our own beautiful daughters “The Three Muses” sang this one. We’re pretty sure you’ll love it. We released a preview of this track on Youtube, come have a listen!

13. Old Joe Clark

Mary plays this traditional tune on solo fiddle as only she can.

14. Sister San Rafael

The first time we heard Utah Slim sing this song about one of our favorite places in the world we knew we wanted to do a cover of it. Slim’s song went on to win the 2011 NewSongs Showcase at the Walnut Valley festival in Winfield, Kansas where he invited us to perform it with him.

By MaryWhen I was a kid my favorite place to go was to my grandma’s house in Castle Dale, UT. Grandma would pack a picnic in an antique basket her family used when she was a girl and we would head out for the San Rafael Swell where she would fascinate us with tales about riding her Indian pony around the desert when she was young. A lady from Hawaii once told Grandma she couldn’t stand the thought of “living in such a barren place.” Grandma retorted that it was much better than Hawaii because she didn’t “have any of those darn trees blocking the scenery.”The San Rafael brought out the quirky pioneer spirit of my family. We felt particularly free to be ourselves surrounded by sandstone cliffs, cactus, and sagebrush. One trip my dad did the unthinkable, he forgot his hat. My very bald father is of Scandinavian descent and once upon a time (before I was born) he had a full head of red hair. He still had the fair complexion associated with his lost hair, and never went anywhere without a hat. Grandma had a solution. She told my dad with a glint in her eye, “I have an extra bonnet." Grandma had quite a reputation in Emery County for making pioneer bonnets. I was very proud to know that Grandma was a girl people still wore them.I loved all things pioneer. Laura from “Little House on the Prairie” was my hero. And Grandma, well, she was practically Laura. She had traveled in a covered wagon, worn pioneer bonnets, read by kerosene lantern and done everything else a proper pioneer girl would do. Her bonnets were awesome. The idea of my dad wearing one was not. Dad smiled mischieviously and placed the pink bonnet with a ruffle on his head and tied a bow under his chin. None of us kids wanted to admit we knew him. We tried to maintain a good distance from him. It was probably the most peaceful day Dad ever spent with us in the desert. (In hindsight I am kind of surprised that from then on he didn’t start wearing one perpetually). Later that evening Grandma surprised us all by spreading her sleeping bag out on the picnic table instead of in the tent. I thought it was hilarious imagining her spread out there all night like some kind of feast! She let me know that if she slept on the ground there would be no getting her up, and since it wasn’t in her plan to remain forever on the ground in the desert the picnic table would do nicely.When I began dating Peter he was a frequent guest on these family outings. One winter trip my family was given two cases of bananas on the way out of town. It was cold that night and all the bananas froze. Unable to contemplate the waste of such a resource my mom forced each of us to eat all of the bananas before we were allowed to eat any other food on the trip. Peter, who was accustomed to eating no more bananas than absolutely necessary somehow managed choke down his share. It was a testament to his love of both me and the San Rafael that he never turned down a trip with us, even after being force fed bananas.The San Rafael Swell is rich with reminders of those who lived there long ago. My family loved to visit an Allosaurus footprint. It was a magical to think that we could still see precisely where this creature had stepped. There were Native American pictographs and petroglyphs which filled me a desire to connect to a people who had lived long ago. As I looked at the art I would wonder what the people were like who made these pictures. What made them laugh, cry, what did their pictures mean to them? From an early age I realized that not everyone regarded this land the way my family did. Some pictographs had been covered by graffiti and there were places where the hills and vegetation including the delicate, slow forming, erosion resistant soil crust had been torn up by newly popular ATV’s. It wasn’t the work of someone using a trail to get to a distant location, it was the repeated up and down of people looking for a thrill. From my earliest memory by brothers and I were incensed by this. We could understand the excitement of the ride, but thought that we had seen plenty of ugly hills where such recreation could be done without destroying something so breathtaking and fragile, a place that seemed sacred.In the 1990’s more attention was paid to preserving the land. Even though it meant we could no longer drive up the wash to our favorite campsite, we were pleased that the graffiti was removed from the pictographs and relieved that the hills were protected from four wheelers. In the years that have followed Peter and I have taken our own children to the San Rafael and watched their faces light up at their first sighting of the dinosaur print, or the excitement of finding a piece of petrified wood. I have heard my own children wonder aloud about the people who left their art on the walls so long ago. In those moments I feel a connection to my beloved grandma, who passed away many years ago. In this place I feel a connection to the generations of my family, and beyond that to the desert dwellers who left their art. I feel my connection to the creatures who roamed the San Rafael millions of years ago when it was a jungle. In this place I feel my connection to the earth and an overpowering sense of sacredness. This is the basis of my environmentalism. I never want to have to say of my beautiful San Rafael, “She is gone, and we shall not see her like again.” I have no expectation that we humans will not leave a mark on her, we are after all, a part of the world, but I do hope we will not, in arrogance, trade her beauty for a short sighted season of convenience or a momentary joyride in the history of humanity. All of this is what Peter and I heard in Utah Slim's “Sister San Rafael.” Thanks Slim for giving us such a beautiful way to express our love for that place.