Untitled. 1972, from Deja-Vu is a composition in response to the Ralph Gibson photograph of same title. Paired together for the exhibition, the work is engineered for headphones. Commissioned by the Arthur Ross Gallery at the University of Pennsylvania for Landscape / Soundscape. Excerpt here.

Bodies of Water is an ongoing series of sculptures requiring listeners
to physically initiate contact with the works, resonating their bone
structures. The long-form compositions contained within the water are
thus made audible. Commissions from Flux Factory, Little Berlin, and
Fairmount Water Works.

Duende is a 15ft above-ground pool engineered into a large-scale oscillator
that continuously activates harmonic standing waves and nodes within the
site. The pool was accompanied by a series of ensemble vocal
improvisations, and a 90ft x 20ft four-channel video installation.
Commissioned by the Icebox Project Space for their Sound Residency
Series. Excerpt here.

197-1:1983

Sound, Installation

197-1:1983 is a sculpture examining the relationship between the
International Standards Organization (ISO) and the politics of sound technologies.
Copper plates, copper electrical wire, and copper-run transducers
transmitted numbers stations recorded from shortwave radio. Commissioned
by High Tide Gallery for Regulated Material.

Unsung
evoked the suppressed voices of women in Philadelphia’s Callowhill
neighborhood, from its earliest days to the present moment. A
collaboration with video artists Nadia Hironaka and Matthew Suib, we
created a timeline in image and sound, interweaving various narratives
struck or buried from “official” histories: an 18th-century prostitute,
the wife of an Irish railroad worker, an undocumented immigrant stuck in
a cycle of dependency. The immersive installation included collectively improvised
and interpreted recordings by the vocalists, layers of compositions
derived entirely from their voices, audio from live streams of the local
police precinct, and activated harmonic standing waves and nodes.

Over
1,200 visitors walked through the tunnel beneath the Reading Viaduct
for this one-night-only public art event. Commissioned by the American
Composer’s Forum, the Mural Arts Project, and the Rail Park.