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Here you can find emulation files for the various Focusrite Liquid range. These are additional emulations to expand upon those shipped with the Liquid products. Stock emulations are available on product download pages. Please note the the Liquid Saffire 56 does not have additional emulations available beyond those incorporated into the original hardware.

US Modern Discrete 1 MΩ Hot

Novation Music

Info

The AD2022 is a fully discrete, symmetrical Pure Class A microphone preamp. It provides you with a smooth frequency response and very low distortion. Two discrete, high-voltage, symmetrical Pure Class A signal amplifiers are implemented per channel. The twin amplifiers share the gain requirement. This shared architecture increases the high-level headroom capability, improves transient response and doubles the internal bandwidth. The AD2022 is clean and transparent, yet distinctive and musical.

The Trident MTA A-series dual channel preamp is taken from the Trident A range console, released in the early 70s. It's valves produce a relatively rich and full bodied sound that has achieved wide popularity over the years.

The AD2022 is a fully discrete, symmetrical Pure Class A microphone preamp. It provides you with a smooth frequency response and very low distortion. Two discrete, high-voltage, symmetrical Pure Class A signal amplifiers are implemented per channel. The twin amplifiers share the gain requirement. This shared architecture increases the high-level headroom capability, improves transient response and doubles the internal bandwidth. The AD2022 is clean and transparent, yet distinctive and musical.

The Legendary Helios Electronics Ltd Olympic mic-pre has achieved a renowned status through its use by the Beatles, Rolling Stones, Bob Marley, Led Zepplin and so on. The mic preamp is extremely open and uses an input transformer that is based on the highly desirable Lustraphone (Olympic Sound Studios) model. It has a unique '70s sonic footprint thanks to all its discrete component design (not a chip in sight!).

The "Series G" input channel from CADAC's 1970s recording consoles was as famous as the classic Neve sound. CADAC consoles have an impressive track record in both the live and recording side of the business. With this emulation, you get a combination of exceptional audio quality, reliability in the great British tradition and over 30 years experience in designing consoles.

The Neve 1073 was first released in 1970 and has been used on countless hit records to this day. It is perhaps one of the most sought after mic pre amps in the world. It is a hand build and hand wired transformer based class A preamp.

The Avalon VT-737SP is a fully featured 2U channel strip. The unit features a microphone input transformer. The preamp is a high-voltage Class A design featuring two dual vacuum tubes resulting in a low noise, high headroom circuit.

Studer engineers have been working with vacuum tubes since the company's beginnings nearly 60 years ago. As a result Studer GmbH has an excellent knowledge of how to achieve the "tube sound". Studer has been able to create the "warmth", and other unique features of tube sound, in the D19 MicVALVE. This system is a unique 2-channel mic/line preamp with a "Valve Dignifier" tube stage. The tube sound circuitry can be switched into the signal path and offers control over a number of individual tube characteristics. The MicValve of the Studer D19-family was presented to the public in 1996, the same year Willi Studer passed away.

This preamp uses the Aphex Mic Lim circuitry, located directly on the mic input line, which smoothly limits the microphone's output signal. In addition to this, there is the LoCal low-cut filter, which only affects the frequencies below the low-cut corner frequency and gives the preamp about 20 dB more overload headroom. The discrete tube Class-A differential second stage further enhances the preamplifier's common-mode rejection, imparting sonic warmth and character.

This API 3124 is a four channel rack preamp. The microphone preamp design is the same as that found in all API mixing desks. It is a Op-amp preamp design with RE 115 K input transformer and the output transformer as found in the API EQs. The API 3124+ is a popular choice for drum kit recordings but will provide a great sound from classical recording to distorted guitars.

Many claim this to be the "Rolls-Royce" of tube mic preamps. The V76 was designed by the IRT and built from 1958 by TAB/Germany . The V76 was designed for high gain (which the V72 couldn't provide) applications in radio and TV studios. The circuit of the gain selector works in a unique way, by combining variable input attenuation and variable feedback.

The dbx 786 gives you two channels of precise pre-amplification without extra noise, interference or worries. The signal path consists of a transformer-coupled, discrete-design premium input stage, utilising the dbx M8 mic pre module. The "Spectrum" technology is a unique, variable high-frequency equalization circuit that enhances the high frequency spectral content of the signal. The "Detail" control varies the amount of high frequency shelving boost at the frequency determined by the Spectrum control circuit.

The Universal Audio M610 was designed by Bill Putnam and has a vibrant high frequency response and the deep, prominent bottom-end that has graced countless recordings. The Universal Audio M610 mic pre is a popular tool for tracking, whether running a pure analogue setup or looking to warm up the DAW.

The AD2022 is a fully discrete, symmetrical Pure Class A microphone preamp. It provides you with a smooth frequency response and very low distortion. Two discrete, high-voltage, symmetrical Pure Class A signal amplifiers are implemented per channel. The twin amplifiers share the gain requirement. This shared architecture increases the high-level headroom capability, improves transient response and doubles the internal bandwidth. The AD2022 is clean and transparent, yet distinctive and musical.

This is the classic Focusrite high end sound. The Red 1 is a hand-built rack unit using the same preamp design as found in the Focusrite Forte Console. Launched in 1992, this high performance standard has won numerous awards over the years, including 2 TEC awards.

SLAM! stands for "Stereo Limiter And Mic pre". This is the pre-amp from the legendary two channel Limiter and Pre. It is a Class A Tube design with plenty of gain. The tube press gives a clean and clear sound with great results for both aggressive singers and, with enough gain, for soft singers or low output mics.

Many claim this to be the "Rolls-Royce" of tube mic preamps. The V76 was designed by the IRT and built from 1958 by TAB/Germany . The V76 was designed for high gain (which the V72 couldn't provide) applications in radio and TV studios. The circuit of the gain selector works in a unique way, by combining variable input attenuation and variable feedback.

The Green 5 was Focusrite's first attempt to make the classic processing technology of the Reds and ISAs available to engineers on a tighter budget. As with the more recent platinum range, a similar high quality and classic Focusrite sound was assured due to the cleverly designed class A op-amp based circuitry.

This preamp uses the Aphex Mic Lim circuitry, located directly on the mic input line, which smoothly limits the microphone's output signal. In addition to this, there is the LoCal low-cut filter, which only affects the frequencies below the low-cut corner frequency and gives the preamp about 20 dB more overload headroom. The discrete tube Class-A differential second stage further enhances the preamplifier's common-mode rejection, imparting sonic warmth and character.

The Neve 1073 was first released in 1970 and has been used on countless hit records to this day. It is perhaps one of the most sought after mic pre amps in the world. It is a hand build and hand wired transformer based class A preamp.

The AD2022 is a fully discrete, symmetrical Pure Class A microphone preamp. It provides you with a smooth frequency response and very low distortion. Two discrete, high-voltage, symmetrical Pure Class A signal amplifiers are implemented per channel. The twin amplifiers share the gain requirement. This shared architecture increases the high-level headroom capability, improves transient response and doubles the internal bandwidth. The AD2022 is clean and transparent, yet distinctive and musical.

The Telefunken is a vintage Valve Preamp originally built in the late 1940s. The V72 was actually modelled on the V41 (developed in 1928). It was originally developed for German Radio stations but was later taken up by most of the European Recording Companies like EMI, Decca/Telefunken. The V72 is a tube based preamp offering fixed gain stages, and is perfect for bringing the analogue back to digital sounds.

The microphone preamp section is built up from two classic Rupert Neve transformer-like amplifiers, providing many of the sonic advantages of a transformer; it's quiet, neutral, efficient and features very low noise, even at mid gain settings. Great care has been taken to exclude high order harmonics.

The PA-1 Pentode Preamp is TL Audio's top of the range preamp. All microphones seem to produce a fuller, more open and vibrant sound. The PA-1 features a transformer-coupled mic input followed by a low noise, high-gain pentode valve. Two further triode valve stages are incorporated in each channel. TL Audio's usual high-drive solid-state output stage completes the signal chain. This is a warm, yet sparkly preamp.

The Telefunken is a vintage Valve Preamp originally built in the late 1940s. The V72 was actually modelled on the V41 (developed in 1928). It was originally developed for German Radio stations but was later taken up by most of the European Recording Companies like EMI, Decca/Telefunken. The V72 is a tube based preamp offering fixed gain stages, and is perfect for bringing the analogue back to digital sounds.

The dbx 786 gives you two channels of precise pre-amplification without extra noise, interference or worries. The signal path consists of a transformer-coupled, discrete-design premium input stage, utilising the dbx M8 mic pre module. The "Spectrum" technology is a unique, variable high-frequency equalization circuit that enhances the high frequency spectral content of the signal. The "Detail" control varies the amount of high frequency shelving boost at the frequency determined by the Spectrum control circuit.

The Trident MTA A-series dual channel preamp is taken from the Trident A range console, released in the early 70s. It's valves produce a relatively rich and full bodied sound that has achieved wide popularity over the years.

The Legendary Helios Electronics Ltd Olympic mic-pre has achieved a renowned status through its use by the Beatles, Rolling Stones, Bob Marley, Led Zepplin and so on. The mic preamp is extremely open and uses an input transformer that is based on the highly desirable Lustraphone (Olympic Sound Studios) model. It has a unique '70s sonic footprint thanks to all its discrete component design (not a chip in sight!).

Even though the Neve 33114 modules are the broadcast version of the highly regarded 1081, the 33114 have functions that are comparable to the 1084. They deliver an incredibly fat and smooth sound. An important fact about analogue mic pres is that, for the most part, they only sound as good as their transformers. This is why the Neve sound is so recognisable - tight and punchy.

The Legendary Helios Electronics Ltd Olympic mic-pre has achieved a renowned status through its use by the Beatles, Rolling Stones, Bob Marley, Led Zepplin and so on. The mic preamp is extremely open and uses an input transformer that is based on the highly desirable Lustraphone (Olympic Sound Studios) model. It has a unique '70s sonic footprint thanks to all its discrete component design (not a chip in sight!).

The Neve 3416 contains the same classic design as the 1081, only this unit has been tweaked and re-racked (by Blakey Boy). The gain pot on this unit is more like a volume pot which goes from off to +22dBu, with a 20dB boost switch.

The Universal Audio M610 was designed by Bill Putnam and has a vibrant high frequency response and the deep, prominent bottom-end that has graced countless recordings. The Universal Audio M610 mic pre is a popular tool for tracking, whether running a pure analogue setup or looking to warm up the DAW.

The Neve 3416 contains the same classic design as the 1081, only this unit has been tweaked and re-racked (by Blakey Boy). The gain pot on this unit is more like a volume pot which goes from off to +22dBu, with a 20dB boost switch.

Even though the Neve 33114 modules are the broadcast version of the highly regarded 1081, the 33114 have functions that are comparable to the 1084. They deliver an incredibly fat and smooth sound. An important fact about analogue mic pres is that, for the most part, they only sound as good as their transformers. This is why the Neve sound is so recognisable - tight and punchy.

This API 3124 is a four channel rack preamp. The microphone preamp design is the same as that found in all API mixing desks. It is a Op-amp preamp design with RE 115 K input transformer and the output transformer as found in the API EQs. The API 3124+ is a popular choice for drum kit recordings but will provide a great sound from classical recording to distorted guitars.

The Millennia STT-1 is clear and extremely pristine for critical and accurate representation of sound, but at the same time it can also deliver colour and thickness. This unit is based on Millennia's "Twin Topology" design. Not only can you switch the tubes in or out of the signal path, but you can also switch the transformer in or out, yielding richer sounds.

This API 3124 is a four channel rack preamp. The microphone preamp design is the same as that found in all API mixing desks. It is a Op-amp preamp design with RE 115 K input transformer and the output transformer as found in the API EQs. The API 3124+ is a popular choice for drum kit recordings but will provide a great sound from classical recording to distorted guitars.

The tube-based technology inside this classic original unit creates a very distinct sound. The MEC-1A is all tube, based on the design of the MP 1A mic preamp. It delivers the warmth of quality vintage recordings, with unrivaled accuracy, purity and realism. Probably the heaviest use of tubes throughout all of Liquid Mix's emulations; the only section that doesn't use tubes is the power supply.

Studer engineers have been working with vacuum tubes since the company's beginnings nearly 60 years ago. As a result Studer GmbH has an excellent knowledge of how to achieve the "tube sound". Studer has been able to create the "warmth", and other unique features of tube sound, in the D19 MicVALVE. This system is a unique 2-channel mic/line preamp with a "Valve Dignifier" tube stage. The tube sound circuitry can be switched into the signal path and offers control over a number of individual tube characteristics. The MicValve of the Studer D19-family was presented to the public in 1996, the same year Willi Studer passed away.

The magic behind the ViPRE, which stands for Variable Impedance Preamp, lies in its ability to modify the input impedance. As is the case with many Focusrite front-end devices, this feature opens up a much larger sonic window for each microphone in your arsenal.

The V72 was developed at the NWDR (North West German Radio) between 1949 to 1953, as a microphone and main studio amplifier. It was modeled on the basis of the V41 (developed in 1928 by Telefunken), but with modern parts like the Noval glass tubes and in a smaller housing known as the "Danner" cassette module. The V72 is a self-contained amplifier with a fixed gain. It was used as a mic amp up to 1955 in German radio stations and then later by most of the European Recording Companies like EMI, Decca/Telefunken etc. whose units were modified with a fixed gain of 40dB and a lower input impedance. The Sounds Incorporated re-issue is a later released version of the original V72, and is perfect for bringing digital sounds back to life!

According to Billboard magazine, 74.5% of US No. 1 singles (Hot 100) were recorded on G+ series consoles and the 4000 G+ has set the standard by which all studio consoles are judged. The G+ utilises high quality electronics to deliver optimum audio performance and integrity. Its unique sonic character is renowned for punch and clarity.

The Universal Audio M610 was designed by Bill Putnam and has a vibrant high frequency response and the deep, prominent bottom-end that has graced countless recordings. The Universal Audio M610 mic pre is a popular tool for tracking, whether running a pure analogue setup or looking to warm up the DAW.

The magic behind the ViPRE, which stands for Variable Impedance Preamp, lies in its ability to modify the input impedance. As is the case with many Focusrite front-end devices, this feature opens up a much larger sonic window for each microphone in your arsenal.

This is the classic Focusrite high end sound. The Red 1 is a hand-built rack unit using the same preamp design as found in the Focusrite Forte Console. Launched in 1992, this high performance standard has won numerous awards over the years, including 2 TEC awards.

Vacuum tubes have a unique sound quality that provides a warmer, punchier and more alive sound. Combine eight active tube stages, low noise and the reliability of solid state electronics and you end up with the Drawmer 1960. The Drawmer 1960 is a classic two-channel low noise microphone pre-amplifier.