Five young artists from Paris and New
York are gathered around the reflections on cult of the
body and the paradox of individual isolation
in the collective fever in this ever-escalating
hyper-media & consumption society.

These excess factors of life
force....are in fact the most dangerous factors of ruination.
Hence relieving the blockage was always the object of a feverish
pursuit.Ancient societies found relief in festivals; some
erected admirable monuments that had no useful purpose.
(Georges Bataille the accursed share 1949)

Every attempt has been done to avoid
destruction. Where is the new promise of feeling-good
(cf. Aldous Huxley)? As indicated by the increasing
interest in the phenomena of extreme makeover,
it seems that appearance is becoming the
perfect vehicle for fulfilling such a promise.

Suddenly, and in a paradoxical way, human
beings are being aware of their animalistic nature. There is
every variety of such behaviour: hybridizing, mutation, mimesis,
and travesty Reduced to nudity in their natural state,
humans are like test rats in a laboratory. Indeed, behind the
apparent freedom, everywhere we go, we are being watched.
Surveillance is everywhere. There is also the oppressive speed of
change in the environment where we live. How can one be true to
oneself and assume its identity?

Abandoned and lost in space, life of
human beings is waiting for Natures awesome power, the
moment of enlightenment when it intercedes with natures
mysterious power were we will see the possibility of what Nature
can do.

In the gallery, there are narrative
paintings (Biasinib.1984 Paris, Castaignet b. 1971 Paris), drawings (Porcella b. CA),
an animation video (Biasini) as well as fantastic and
strange sculptures (Garzoni b. 1981 France, White b.
1984 NYC) to bring the
audiences beyond the gate of imaginary and fable of post-modern
society.