The oddity of art events universally promoting hard-left politics, with a revolutionary slant, in festival after festival, is worthy of comment. Indeed, such events do not seem to be complete without an Arab-Palestinian or two completing the bill. In this instance, one of the two stages of the Abbey Theatre will be graced by Rafeef Ziadah on the 22nd of May. To quote the International Literature Festival’s promotional literature:

‘“Rafeef’s poetry demands to be heard” ~ Ken Loach

Rafeef Ziadah is an acclaimed Palestinian refugee poet and activist. Her poem ‘We Teach Life, Sir’ – an impassioned attack on media misrepresentation of the Palestinian cause – went viral within days of its release, clocking up millions of views, and since then she has toured the world, representing Palestine at the Poets Olympiad in London in 2012 and releasing We Teach Life, an acclaimed new album of poetry and songs. This live show offers an exciting blend of poetry and music, which she brings to the stage with Australian guitarist and We Teach Life producer Phil Monsour.

It is standard in the promotion of such events for the contentious and often objectionable character of such guests to be completely ignored. Thus, Rafeef Ziadah is presented merely as a “Palestinian refugee poet and activist”. Whilst it might be unfair to expect promotional material to afford full voice to her critics, it is nonetheless quite a white-wash, given her close association with a number of highly objectionable organisations. Perhaps indication of such would raise question (in the mind of the reader) about the legitimacy of her invite.

Ziadah claims to be a Lebanese-Palestinian refugee but uses her family history to promote a victim narrative that is out of step with the historical record of the era.

Ziadah is a lecturer at SOAS, University of London (the School of Oriental and African Studies), doubtlessly teaching her brand of hatred at the university’s ‘London Middle East Institute (LMEI)’ and ‘Centre for Palestine Studies (CPS)’. In her role she has presided over events that forwarded discredited, demonising, and decidedly anti-Semitic theories, such as the claim that Israel harvests the organs of Arab-Palestinians, and engages in the systematic rape of Arab prisoners.

“Rafeef concluded the forum with an open invitation to all to her house in Haifa, once Palestine is free. Once she can return home. And the campaign to boycott the products of Carmel Agrexco is a step along the way.”

Ziadah makes much of her claim that those who collectively make up Arab-Palestinian society “teach life”. This is of course a response to criticism concerning normative Arab-Palestinian incitement, which teaches a particularly violent form of hatred towards both Israeli citizens, and Jewish people more generally. Such sentiments are inculcated in a systemic form from childhood, through education, familial bonding and popular entertainment. And yet Ziadah has praised figures like Khader Adnan, who is a leading member of Islamic Jihad, noted for his encouragement of suicide-terrorism. However, she believes it is to engage in a racist discourse to actually discuss this abiding threat to Israel's existence.

Ziadah’s hypocritical posturing does not make her “We teach life” meme any more sincere than rather ambitious mass-invites to her future home. However, her message will continue to be presented uncritically at festivals in the coming months where she will promote her new album.