In the niche space we call the ‘art world’, the discrediting or downplaying of black artists has not gone unnoticed as it has undocumented. That’s not to say critical discussion of African/African diaspora art has not been made; it is to suggest however that favourable and more accessible criticism is blessed upon the dominant sphere of white, European Art. For many black artists, including the likes of Kerry James Marshall, publicising the potential racist nature of art history opens up the narrative of what really goes on in the art world.