Just words

The Last Concubine

By Lesley Downer, 624 pages, published the 12th February 2009
by Corgi Books (978-0552155205)

The story: weak, the ambiance: slightly better, the prose: rather nice, with little
jewels in the Japanese poems, and the verdict: a rather uninspiring book.

For the subject, the books reminds me of Shogun, by James Clavell, which I always
thought as a great story.
Among the best parts in Shogun, it is the very last episode, when the Shogun, Toranaga,
is describing how the future will be. It is a spooky narration, seeing the intelligence of
the Shogun, the art of the writer. The best chapter in The Last Concubine is also the last one;
unfortunately, it is the afterword, where the author explains how the book was written.
The very last sentence of this afterword is:
"Writing this book has given me the chance to imagine myself there [the old Japan] and to take my readers with me".
But, somehow, that does not happen: the story is tool dull as to feel yourself transported
to another times. It is easy to enjoy some parts of the book, but it lacks consistency,
it lacks weight. It is, at the end, an insipid love story and, in addition, too large to be appreciated.

> 1st November 2009, 03:40 Lux

Black Out

By Lisa Unger, 560 pages, published the 28th April 2009
by Vintage (978-0307472298)

Big suspense, total chaos mixing an ill mind, a bizarre scenario and a major complot.
As expected, the complot seems to be only alive in the mind of the protagonist, and only the
last chapters -last pages- provide some base for the real happenings. But, all together,
the story is very well founded, and indeed imaginative.

The style is a bit dense. It is written on first person by the protagonist -right, the
ill mind-, with lot of space for her thoughts and memories, resulting quite uninviting. This
is probably needed by the plot, which blends perfectly the past, the present, the memories
of what has happened, and perhaps has only happened on the mind, providing a really
complex intrigue that does definitely invite to the reading.

> 12th October 2009, 11:10 Duss

The Gate House

By Nelson DeMille, 699 pages, published the 8th January 2009
by Sphere (978-1847441171)

A soap opera well orchestrated, with a too fast ending. And I do not mean that the story
is short, all the opposite. But after telling a good story along the rather long book, the
ending seems quite abrupt, as if the argument had been already too long or the author had
other pressing things or books in mind.

A good read, being the best of the book the humor and big mouth of the protagonist.

> 5th October 2009, 12:35 Duss

Lady killer

By Lisa Scottoline, 255 pages, published the 5th September 2008
by MacMillan (978-0230707016)

Imagine watching a A-Team show because of the strategy. Or reading, as an adult, a Famous
Five story from Enid Blyton for the mystery. I am sure that there is some strategy on the
A-Team adventures, although I doubt that to be its main point. Lady Killer is, in any case, definitely,
a thriller. Well, kind of what you would expect seeing on the TV just after lunch: easy, nice, even sweet.

But: the story is not really bad -and neither the book, really an easy read-,
although the characters seem stereotypes extracted from a Golden Girls
episode. I guess there is a space for thrillers where the story is purely linear, no twists, no
surprises, and this book definitely fits there.

> 30th September 2009, 10:55 Duss

I Haven't dreamed of flying for a while

By Taichi Yamada, 208 pages, published the 6th March 2008
by Faber and Faber (978-0571234974)

Each time I read a Japanese author, I know I will be reading some spiritual experience,
something spooky will happen to something/somebody in the book. It is part, as I gather, of the
read-a-Japanese-book experience, something like expecting a detective on a thriller, or
a end-of-the-world storm in a Stephen King book.

Such a generic comment can only be unfair. In fact, I know of at least a book from Stephen King without
storms -The girl who loved Tom Gordon-, and Japanese mangas are usually all but spiritual. Nevertheless,
perhaps its is my usual choice of authors, or its is just than more contemporary Japanese literature (or culture) have a
sweet spot for spirituality.

In any case, this book excels at it. A lady who gets younger until dying as a toddler, and a man who
gets through it with its own doses of experiences (speaking fluently other languages, although that
seems fully normal, definitely). And although the argument is spookily simple, or simplistic -behind
the getting younger there are no additional stories-, the result is a nice reading experience, smooth,
although rather flat.

> 21th September 2009, 13:11 Duss

The Brass Verdict

By Michael Connelly, 608 pages, published the 10th January 2009
by Orion (978-1409102038)

Although a rather typical law/jury book, Michael Connelly lives up to the expectations:
as the back book mentions, it is 100% addictive. With half of the developments on the
story, the book would still be good. But it is twisted, re-twisted, and, when all
the events seem to be over, there is still space for a few twists more on the story.
And, more importantly, the whole chain of events is still very believable.

That is, probably not a memorable book, but one that does not allow being turned down.

> 14th September 2009, 22:15 Duss

The Gargoyle

By Andrew Davidson, 502 pages, published the 1st January 2009
by Canongate Books Ltd (978-1847671691)

Under the cover of mystery and history, this is a romantic book, further disguised by the
cynicism of the main character, his dialogs, his great punches. This is a great story teller,
fun, interesting.

The story, and its mystery, is developed little by little, with the many historical
scenarios mainly happening in medieval times; this development is simply good, up to the
point where LoVe gets first order treatment, and then, well, the story seems to lose its appeal.
The travel to the Dantesque Inferno, the dialogs there completely lost me.

Fortunately, by the end the story recovers its pace, and the book is finished with a good
taste in mouth. Finally, not only the book has a lot of style, its presentation is also very stylish,
at least on its British edition.

> 6th September 2009, 16:45 Lux

Past Imperfect

By Julian Fellowes, 528 pages, published the 30th April 2009
by Phoenix (978-0753825419)

A trip into the time, into the memories, and a lot of considerations about live.
If only for this last point, the book is already a good read.
But the story itself invites to be read, with situations so alive that the book seems at moments a biography,
being so touching the descriptions -but sometimes too lengthy, almost boring-.

I guess that the appeal of this book to me, lies, on one side,
on the commentaries of the character about other people, about life.
On the other side, on the described history, in how society changed in the last 50 years.
And all, in a rather entertaining style.

> 23th August 2009, 12:11 Kassel

The Road

By Cormac McCarthy, 256 pages, published the 1st June 2007
by Picador (978-0330447546)

One single chapter. Dialogs narrated. Very slow pace.
Most of the book restricted to two characters, a parent and its son.

The story, in a post-catastrophe world, very simple, and utterly depressing;
the narrated dialogs, even simpler.

And, unexpectedly, the book is a really great read.
Perhaps for the attention to the prose, perhaps for the realism on the fiction itself,
perhaps for how the story ends, a bit of hope after the depressing development,
is a book that I have enjoyed and can fully recommend.

By Steve Berry, 560 pages, published the 11th December 2008
by Hodder Paperbacks (978-0340933459)

This book has fast action, interesting but artificial characters, a nice historical background
story, and however, it couldn't keep my attention. Enough to say that,
with only 50 pages to finish it, I went on holidays and preferred packing other books.

Due to the background story, it is easy to compare the book with any Dan Brown' fictions. It also
uses the same fast pace, but here the whole plot is quite uninspired. The story behind,
as imaginary as on Dan Brown's books, is really interesting: I found that the last chapter,
the author notes, describing most of that historical background, was the greatest chapter in the book!

But the development of the story is carried very poorly, situations are unbelievable, unrealistic in
a non fictional way. It seems a book very quickly written after a lot of work done on the background
idea, which is definitely a shame.

> 26th July 2009, 01:12 Duss

T is for Trespass

By Sue Grafton, 384 pages, published the 25th November 2008
by Berkley (reprint) (978-0425224847)

Unprentencious book, very easy reading, but quite lacking in most aspects.
The story is correct, the development well timed, the good characters easy to like,
and the criminals, easy to hate

I could have lost the book at any moment on my reading,
and I wouldn't have missed it. At the same time, the book was very enjoyable and
I kept turning pages at increasing pace.

By Robin Hobb, 464 pages, published the 1st March 1996
by Spectra (978-0002246064)

I devored this book in a couple of days, only to realize too late the sinn I was committing. Without redemption, I know I will have the same problem with the other two books of The Farseer Trilogy. It is just captivating.

The descriptions, the narrative is incredibly good. There is fantasy, definitely, but spilled little by little, so that in many moments the book seems almost a historic fiction.

Somebody told me that if I liked The Lord Of The Rings, I would most probably enjoy this book. She was right, but her words make me conscious of the differences between both books. And that is unfair, I think the Assasin's Apprentice can only be compared, if required, to The Hobbit. And then, it loses in imagination, in the core story, in the richness of the described world, as to be, perhaps, a poor relative of The Hobbit. And still, I think it is a wonderful book and I intend to continue with the trilogy very soon.

> 12th July 2009, 22:20 Duss

Falkenberg's Legion

By Jerry Pournelle, 448 pages, published the 1st April 1995
by Baen Books (978-0671720186)

Pure fan. Far west novel on the far far future.

Well written, the legion wins, the reader enjoy.

> 3rd July 2009, 20:00 Duss

Blink

By Malcolm Gladwell, 288 pages, published the 23rd Feb 2006
by Penguin (978-0141014593)

By all means, a very interesting read.
The book covers the importance of the very first impressions. This includes discussing how to
give more importance to them, but also how to disregard those impressions.

Now, sorry for the blunt, my first impression of the book was quite poor:
Gladwell seems to enumerate situations and studies,
some favour the importance of the first impressions, some show those impressions to be risky or
dangerous, or just embarrassing. But once the enumeration is over, not much is left, Gladwell does
not reach, or helps to reach, a unique conclusion.

However, I do not think there could be a definitive conclusion,
and the book's value is to realize the value or danger of those first impressions. As such, I plan to reread
the book in some months.

> 2nd July 2009, 20:22 Duss

Book of Illusions

By Paul Auster, 336 pages, published the 4th Sep 2003
by Faber and Faber (978-0571212187)

As usual with Auster, the main story is broken down in many others, sometimes as part of book stories,
sometimes as recalls from the past. The result is very non linear, the reader jumps from story to
story, and only eventually comes back to the main one, which acts as an effective glue.

It was a pleasure reading through the book, thanks to the great imagination of Auster, always prone to
draw unexpected situations, usually unrealistic and some times even mystique.

The prose style is also distinct, with most dialogs written in passive voice. This, together with
the little realism of the stories and characters, makes quite difficult getting identified with
any character, but that does not take any value out of the book.

What I enjoy most from Auster is precisely getting surprised by situations, or descriptions, or
just by the thoughts of the characters. In this sense, Book of Illusions is not the best novel
from Auster, but very good, definitely.

> 19th June 2009, 20:50 Duss

The Girl Who Played With Fire

Salander, Lisbeth Salander, is back. She will solve crimes in the Caribbe, hack police computers,
fight and win over the bad (and big) guys, escape out of her own grave, and, ultimately,
be responsible for the lack of sleep of the unguarded reader, unable to put the book down.

Again another engaging novel, although the story is now much too linear and definitely less
interesting as in the first one, where the plot is also more believable.

> 16th June 2009, 04:40 Duss

Kennedy's brain

By Henning Mankell, 464 pages, published (translation) the 7th May 2009
by Vintage (978-0099542049)

The book treats a sad, real problem, the AIDS in Africa. But the trama is so dissapointing,
and bad developed, that it loses any credibility -both the trama and the denounce
behind-.
The book paints a great conspiracy; everybody around Louise Cantor, the main character,
dies quick and effectively, as if there would be an invisible army tracking her steps,
but always sparing her.

This story comprises a lot of weird people. If somebody is normal, is perhaps a taxi driver or a
barman, but all the main characters seem totally ficticious. This is not always bad, at least not
if I am inmersed on Tolkien, for example, but is irreal on this kind of novel:
current times, current world.
Dialogs sound threatical, always dramatic. Louise Cantor, loses her only child
and spends the whole book crying. But Mankell fails to transmit the feelings to the reader;
I had read recently Giles Blunt's The Fields Of Grief, and the contrast is immediate:
without a single tear the feeling of Cardinal's lost was huge, terrible.

Still, the book is entertaining, with lot of developments. It is perhaps a matter of reading it
without thinking...

Out

Nice nasty book. All but a conventional thriller, a very black story on a blacker background.
The plot is complex, and most developments caught me totally in surprise.

The descriptions are rich, the imagination, live, and the pace, quite fast.
It is easy to feel as desesperate as the characters in the book,
or to fear the next moments of the nightmare that they build.
Although I could not stop reading the book, there were many moments I had to let it down,
just to face the next part of the story. And I could't even guess the story end.

Part of my liking for the book lies, probably,
on my attraction for the Japanese culture -as a different one.
But this book is definitely better than Real World, another book from Natsuo Kirino that I read a few
months back: it shares the style in this book, even having 4 main female characters, although teenagers.
In fact, the commonalities in style of both books dissappoint me.

The Girld With The Dragon Tattoo

When I first heard about this book, it was classified as a crime book.
Although it certainly envolves a crime -or a lot of them, I find difficult
to think of it as crime book-.

The English title is on itself an interesting translation, as it was
originally named 'Men who hate women' -each book's part is prefaced with
some statistics on male abuse in Sweden. The original name is definitely
closer to the subject, although it is definitely less marketable.

There is some mystery inside - the case of a girl long time ago disappeared-,
but that is neither the real focus of the novel, and it is even solved much before
the novel ends. The author keeps high the reader's attention by following at the
same time several stories, and the missing girl's story is just one of them.
The girl with the dragon tattoo has her own story, as it does the main book's
character, a journalist, or the interesting Vanger family: the characters
are very engaging, and Stieg Larson does a great job as the storyteller.

It is not just that the story is well told, it is very cleverly done.
Sure, it is interesting that the whole plot is finally solved via computer
hacking, and that the hacker is the best hacker in the world, and that the hacker,
despite being quite socially limited, is able to play the role of a femme fatale
in Zurich, deviating funds worth millions, but the need for this 007 lady is,
probably, the only weak point
on this (crime | thriller | clever!) novel.

Recommended: definitely, just pay attention to your sleeping time.
I spent a zombie day after an
interesting night....

> 19th May 2009, 15:55 Duss

The Fields Of Grief

I was unable to drop the book once started. Curiously, one of the cases in this thriller is
pedophilia, exactly the same as in my previous book, The Treatment. While in that book the
whole story seems unplausible, in this book it blendes perfectly.

As a mystery novel, the mystery is on itself quickly unveiled. But the writing is excellent, and
I could f-e-e-l the enormous grief of Cardinal through the death of his wife. Definitely recommended.

> 10th May 2009, 02:35 Lux

The Treatment

This is not really a bad book, even if I can't recommend it and knowing that I won't reread it.
It is just too dense, too difficult to enjoy.
I was almost dropping it page after page, and only by the 380th page I knew would complete it.
But the impression that lingers after the book is finished is in fact quite alright.

I read a few years ago another book by Mo Hayden, Tokyo, and it was definitely a good thriller.
Later, I tried Pig Island, which remains in the corner of my unfinished books.
All these 3 books share something in common:
the main characters are too fictional, too unrealistic, it is difficult to have any emphaty with them.

> 17th April 2009, 01:00 Duss

The Book Thief

Great book; after a slow, dissapointing starting, it keeps a leisure pace that is a joy to read.
It is definitely one of the best books I have read lately.
Once ended, I long for the life of Rudy Steiner or Liesel Meminger, or the Saukerl of the Mum,
all taken by the book's narrator.

The story is developed in Germany, close to Munich, during the Second World War. The narrator is the
Death, a half caustic, half poetic Death, with a serious work overload due to the circumstances.
But it also the narration of Liesel Meminger, a foster child living with a poor family.

Most chapters could be nice short stories. I am not sure if my favourite would be the chapter
describing the presents to Max, the hidden Jew, or the utterly sad chapter describing the bombing to
Molching. But better enjoy the whole length at once, 560 pages to taste.