"Born and raised in the Los Angeles area, Napolian (born Ian Evans) attended Taft High School, whose alums include Ice Cube and Eazy-E. While the stylistic legacy of gangster rap runs deep in Napolian's music, the armature is that of a young producer writing his own tale without historical precedents. Incursio is Napolian's long-awaited debut album for Software Recording Co. A clandestine labor of love, the album was recorded gradually and with great attention over the course of two years. The fifteen songs of Incursio build on Napolian's first EP for Software, Rejoice, released at age nineteen, and his ongoing work and experiences as part of The Renaissance Music Group alongside Dro Carey and labelmates Tariq and Garfield. At its core, Incursio is an instrumental beats record (we here at Software lovingly refer to it as Encursducing...) What the album isn't though is an egg hunt -- no break record samples, no dust, no crates. No jazz rust, no deconstruction. Incursio is far too liquid and stealth for those tired totems. We see it as a high watermark record for a young producer with a love of hip hop, who has set out to make an epic that is bigger than the sum of its influences." Gatefold sleeve; includes a download code.

"Software Recording Co. is proud to introduce Napolian, 19-year-old producer and chief visionary behind LA-based production crew Renaissance Music Group. His debut release, Rejoice, is stately, direct, and stylistically interwoven. Rejoice runs the gamut of computer funk, ambient, and trance, but always retains a hard, synthetic R&B core. The same way Napoleon III urged porcelain designers to reflect the historic images of the day as opposed to generic landscapes and classical nudes, our Napolian's commanding dionysia of electronic music histories are dream-coated in digital resins and fabricated in the manner of a visionary metal worker. What's immediately evident in Napolian's craft are the anthemic leads that tear across the conductor rod of 21st century hardware-based production. Napolian's cyclonic smack of disparate yet logical influences sets him apart from the contemporary sidechain scene. The Harold Faltermeyer/Dr. Dre continuum on Rejoice's 'False Memories' or the wormhole connecting Marcus Miller to Alice DeeJay on 'Rejoice' represent a couple of the Napolian's unprecedented stargates. The songs of Rejoice aren't fleeting screen grabs, rather riffs hard-ripped by hand on time-tested, Ikutaro Kakehashi-approved gear. It made us cry and it shook our skulls." Numbered limited edition of 500; includes download code.