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By , I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll. It's its own form. Compared to other forms of rock, syncopation is much less the rule. Laing has identified three primary forms of audience physical response to goading: Punk songs were played at fast, "breakneck" tempos, an approach influenced by The Ramones. However, later bands have often broken from this format.

However, later bands have often broken from this format. Vale , founder of San Francisco fanzine Search and Destroy: Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. Laing has identified three primary forms of audience physical response to goading: The characteristic style was originally the pogo. First-wave British punk bands such as the Sex Pistols and the Damned insulted and otherwise goaded the audience into intense reactions. It was a hardcore confrontation with the black side of history and culture, right-wing imagery, sexual taboos, a delving into it that had never been done before by any generation in such a thorough way". UK pub rock from contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. It's its own form. Drums typically sound heavy and dry, and often have a minimal set-up. By , I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll. Hardcore was a radical departure from that. Identifying punk with such topics aligns with the view expressed by V. Compared to other forms of rock, syncopation is much less the rule. Discuss January See also: As a Clash associate describes singer Joe Strummer 's outlook, "Punk rock is meant to be our freedom. It wasn't verse-chorus rock. The lack of conventional dance rhythms was a central factor in limiting punk's mainstream commercial impact. Philosophy[ edit ] The first wave of punk rock was aggressively modern, distancing itself from the bombast and sentimentality of early s rock. According to Holmstrom, punk rock was "rock and roll by people who didn't have very many skills as musicians but still felt the need to express themselves through music". The Kingsmen had a hit with their version of Richard Berry 's " Louie, Louie ", which has been mentioned as punk rock's defining " ur-text ". Scholar John Strohm suggests that they did so by creating personas of a type conventionally seen as masculine: Traber argues that "attaining authenticity in the punk identity can be difficult"; as the punk scene matured, he observes, eventually "everyone got called a poseur". It dispelled any notion of what songwriting is supposed to be.

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