She had what appeared to be an incredible back piece, the top of which was visible to passers-by.

Sylvia later e-mailed me and shared a link to a site that featured a photo of the tattoo, along with an explanation of the piece. I have extracted it here for the enjoyment of the Tattoosday audience.

First, the tattoo:

Sylvia explains:

"My tattoo represents my ancestry...from the family of the 'Royal Hawai'ian Ole' (chanters of the Alii court), from the snowy mountains of Japan, the homeland of Portuguese Bean soup, and the inter-mix marriages of American Indians and Puerto Ricans. I believe the seven I have on my back describe who I am the best. Most locals have meaning for their tattoos but we also have people like Lindsay who just go with their flow. Many families have several signs that make up their families even as far as the Scottish Clan "Duncan" like me..."

What's wonderful about this tattoo to me is that Sylvia has incorporated so many cultures and motifs into the design which, as she acknowledges, is based on the wonderful mix of heritage and ancestry that comprises her background. This is very typical of people who live in Hawai'i, which is host to such an explosion of multicultural intermingling.

I love how the honu/sea turtle brings all of the elements together. The eagle, dragonfly, bear paw, wolf, buffalo, and shark all join to provide a rich tapestry of images that each speak to a different aspect of her heritage.

Sunday, May 30, 2010

Eric is a mixed media artist whose website can be seen here. He is an illustrator and is currently in school studying toy design. The tattoo he has is primarily based on a linoleum block he had created that recalls the Tarot card "The Fool". Because it is an unnumbered card in the deck, it is often referred to as "Zero" or 0.

The Fool often represents the beginning of a journey, oftentimes a "foolish adventure". He had this tattooed to commemorate his decision to move from Boston to New York City. While the decision may not have been foolish, it did mark a new journey in Eric's life.

One may have noticed that there is work around the tarot card, as well, so it's only fair to show the piece as a whole:

And the tattoo extends up the arm a bit from the pocket watch on the right:

The additional elements in the tattoo speak to Eric's obsession with the passage of the time. Snowflakes are only temporary as they fall from the sky and melt, or become mixed with other flakes and lose their singularity.

The flowers are imagined creations representing growth. Eric's floral images are inspired by the artwork of Henry Darger.

He also notes that the time piece is cracked and broken:

This, he says, represents the fight against the obsession and paranoia over the passage of time.

The work around the tarot card was all tattooed by Kelly Krantz at the now-defunct Hold Fast Tattoo in Williamsburg, Brooklyn. From what I can tell, Krantz is not currently affiliated with any one tattoo shop.

Thanks to Eric for sharing his thought-provoking tattoo with us here on Tattoosday!

Thanks to Jack for sharing this, his newest of over ten tattoos, with us here on Tattoosday.

We here at the site salute not only all the men and women in uniform visiting New York during Fleet Week, but to everyone in all branches of the Armed Forces as we enter into Memorial Day weekend. Thanks to all for their service to our country!

Thursday, May 27, 2010

I saw a lot of honu tattoos while I was in Hawai'i, but I didn't snap any photos of them until my last day on Oahu, when I was wrapping up my trip with a last minute stop at Pearlridge. More specifically, I was at the Pearlridge Longs Drug Store, a great place to stock up on chocolate-covered macadamia nuts, Kona coffee, and other tasty local snacks that are hard to find on the mainland.

While wandering the aisles, I spotted not one, but two honu-adorned locals, who were kind enough to share their tattoos with me.

First was Ash, who didn't say much about the four honu on his left leg, other than the fact that he has "always loved turtles," and that his brother was the artist who did the tattoos.

Next was Chantel, who has this lovely tattoo on her upper back:

This not only has the honu element, but also has a floral aspect, along with a Yin and Yang design.

When I asked her where the design came from, she laughed and said she had seen it on a sticker plastered to the back of a car. She liked it so much, she got some paper, traced it, and brought it into a shop called Big Fat Tatts, where the artist sketched it and cleaned up the lines.

Thanks both to Ash and Chantel, for finally getting me my photos of honu tattoos, just a few hours before returning to New York.

Wednesday, May 26, 2010

Considering that one-twelfth of the year, Tattoosday sheds its inkspotting mission and, instead, plays host to tattooed poets in honor of National Poetry Month, it only seems fitting that I should pay homage to the finalissue of Holly Rose Review.

Holly Rose is the brainchild of Theresa Senato Edwards (who herself is a tattooed poet), who has given us four deliciously beautiful online issues that embrace both tattoos and poetry. The online literary 'zine juxtaposes brilliant tattoo work with the poems of an assortment of diverse and talented writers. Each issue bears a theme, and the last (and sadly, final) issue is "Worry".

What's unique about Holly Rose is the juxtaposition of poetry and tattoos. It's an illustrated volume, but Edwards assembles poems that not only speak to the theme, but almost seem as if they could be captions to the body art displayed. Issue four features tattoos created by Luba Goldina, Sean Herman and Maxime Lanouette. And their work seems to transcend the description "tattoo" as the illustrations serve as works of art that correspond to the themes illuminated by the accompanying poems.

But not every poem has a tattoo with it, which is fine, as it makes the appearance of ink more special, and allows the reader to focus on the poetry, as well. An added bonus is the audio player found on some of thepoems' pages, so the reader can not only read the poem, but hear it in the author's voice. One page even features a video of the poet reading her work.These added dimensions make Holly Rose a truly magnificent experience.

All four issues are currently available for perusal on the website http://www.hollyrosereview.com. If you're not a fan of poetry, check it out anyway and see some amazing tattoos. Maybe you'll discover some poetry you'll enjoy. Issue four features work from Dorianne Laux, Jayne Pupek and Changming Yuan. Issue three contains work from Christine Hamm and Joseph Millar, both participants in the 2010 Tattooed Poets Project. Issue two has poetry by Martha Silano and Daphne Lazarus (whose tattoo appeared here).

It's easy to get lost in the site, admiring great tattoos and reading fabulous poetry, so head on over to Holly Rose and see what a lovely pairing tattoos and poetry make!

I was drawn particularly to one of her newer tattoos, this dot-style Tibetan-inspired design:

I told her it reminded me of the style of Thomas Hooper, an artist at New York Adorned whose website (here) showcases some astonishing work, including tattoos made from the dot-style technique.

Mel noted that it was an original design that was inked using a rotary tattoo machine, with the purpose of achieving this effect. Thomas Hooper's style, she acknowledged, inspired her to attempt this ambitious tattoo.

In all fairness, she collaborated with Mick Kelly, at Get Smart Body Art, who did the actual tattooing.

Thanks to Mel for sharing this lovely tattoo with us here on Tattoosday!

I reached out to Ulu (which is a shortened version of her middle name, Uluwehi, which is abbreviated from her full middle name, Kamali'iwahineuluwehi) and we exchanged messages, but we never connected to discuss the tattoo. Then, last month, I was in Hawai'i, at the home of Ulu and her husband Travis.

For the record, despite my inkspotting ways, I was never sure if I'd have the opportunity on this trip to document all my nieces' and nephews' ink. I knew I'd be seeing them, but my purpose for doing so was not tattoo-related.

But as you may have read over the last week, there I was at Ulu and Travis's place, hanging out with family, and the subject turned inky, and out came the camera.

Still, I wasn't sure I would be seeing the tattoo from my mom's photo - Ulu was wearing a dress and I'm always walking on eggshells when it comes to lower back tattoos. But I was taking pictures of everyone else's tattoos and Ulu's back piece was mentioned. She happily changed into sweats so I could take a closer look at this amazing peacock feather tattoo:

One of the things I had always wondered was how far around the feather went. I got my answer soon enough:

As you can see the tattoo dips gracefully down after it rounds the hip. I'm glad I got to see this side because I was able to capture the detail in the color and the tiny pink butterfly near the tip of the quill:

Ulu got this, aside from the beauty of it, to cover up a "tramp stamp" [her words, not mine - no angry comments, please]. The original piece is covered by the eye of the peacock feather.

The artist responsible for this incredible tattoo is Libra, who freelances in Hawai'i, but occasionally does guest spots at 808 Tattoo, and was at East Side Tattoo Studio at the time this was done.

In that original email from Grandma Diane (my mom), she also included the tattoos of Travis, Ulu's husband.

I had never met Travis before, but was welcomed by him as one of the family. I took my own photo of the forearm ink he wears, also by Libra, in honor of his and Ulu's children, Ezra and Trinity.

My deepest and most sincere thanks to both Travis and Ulu, not only for their hospitality and kindness, but for sharing their tattoos with us here on Tattoosday.

This concludes the "All in the Family" subset of the Tattoosday Goes to Hawai'i series. A warm mahalo to all of my nieces and nephews for letting their mainland uncle help share their tattoos with the Tattoosday community.

Previously in the Tattoosday Goes to Hawai'i - All in the Family series:

Shawn drew this design himself. As a person who liked cats, this feline is based on a cat that he once had named "Do" (as in "How do you do?").

"What happened to Do?" I asked.

Shawn looked over at his son and said, sadly, "Do was not a family cat."

Some feline house pets do not like new babies and do not hide that fact. Since we are taught as a society that babies are more precious than pets, they gave Do up to another home. The cat to the left of Do in the tattoo is "Do's shadow".

Not just any cat tattoo, Shawn's design is artistic, with clocks for eyes and machinery rumbling away in Do's insides.

Shawn also has ink on his back, one leg, and arms (including a sleeve).

This piece was tattooed in 12-14 hours by Davie mac at Davie Mac's Tattoos in Niagara Falls, New York.

Lehua explains that this infinity symbol represents eternity in the context that Poppa John will be remembered forever.

What I love about this relatively simple design is that each circle contains an astrological sign, giving more significance to the tattoo.

Looking at the photo, the sign on the left is Gemini, and the sign on the right is Sagittarius. The Gemini sign represents Lehua's son Raycn (Poppa John's great-grandson) and, of course, Sagittarius was the sign of Poppa John. The tattoo thus bridges four generations and is a reminder of the eternal ties that will carry on the memory of John Ferreira.

Coincidentally, Raycn shares the same sign as my mother (his great-grandma), Diane, whose birthday happens to be today, May 23. So, even though I know the meaning for Lehua is the link between John and Raycn, through Lehua, I interpret a second unintended meaning: the love of John and Diane, woven together, 25 years in this world, and the rest of time beyond.

One of the first people I met was Dottie, a Kentuckian who had moved to Oahu.

She had this touching tattoo on her calf:

It is a memorial piece for her father, who was a constable back in Kentucky. Sadly, he was killed in the line of duty in 1984. The rose is part of the shield he wore and she incorporated it into the tattoo design.

Thanks to Dottie for sharing this emotional tattoo with us here on Tattoosday.

Victor is a fan of the artist Kathie Olivas, a multi-media artist who, among other things, has created the Misery Children. Check out the collection of her characters that he has circling his arm:

Victor followed up our meeting with an email that described Ms. Olivas's work, quoting from her website:

The tattoos are based on Kathie Olivas's artwork, her paintings and studies. "Sugary treats, dichotomous dreamlands, and the cute and corrupted all find their way into the brief calm before the rebellion that feature Olivas's series of characters known as the misery children."

This series of paintings and custom figures "focuses on imperfect characters that parallel" a vision of "post-apocalyptic conformity, uniquely documenting their own stories in a mysterious brave new world."

"The cast is inspired by early American portraiture that often depicted children as small adults in an idealized new land...They evoke a sense of temporality; [in which] childhood serves as a starting ground, a place where things begin." They also "personify 'cuteness' as more of a representation of projected innocence."

My first glimpse of his tattoos was at a time when I wasn't thinking much about ink - a sad occasion that gives everyone a bit of perspective, in the bright shadows between the living and the dead.

It wasn't until later that evening, as small glasses with clear liquor were raised in honor of a departed husband, father, and grandfather, when the talk of tattoos began.

I had known Keali'i had ink, but I never realized how much. He has two full sleeves and he kindly shares them here.

His left arm is distinguished by a black and gray depiction of a skeletal warrior king presiding over a dark domain. Skulls are prevalent in the flowing piece that runs the full length of the arm:

The depiction of the great Hawaiian king, Kamehameha the Great, is a popular element in many tattoos for people honoring the history of Hawai'i.

The traditional warrior helmet on the skeleton signifies that this is an undead Kamehameha, a twist on the cultural and historical icon that makes the dark side of Keali'i so unique.

Keali'i's right arm contrasts the left with an explosion of color:

My nephew's full Hawaiian name is Keali'i 'O ka Moana, which translates to "Chief of the Ocean". And he lives up to this moniker, being an avid fan of surfing, diving, and fishing. Embracing his love of the sea, Keali'i adorned this side of his body with the bright vibrant colors of the ocean reefs, with multi-hued corals, anemones, and other sea life, including a fish and an octopus.

Unfortunately, the bottoms of Keali'i's arms are darker than the tops, a fact that he grudgingly accepts as the cost of being in the sun so much, combined with having naturally darker skin to begin with.

And of course, dear readers, I wouldn't be telling you any of this if it were not for their tattoos.

For although that was not why I was in Mililani at my niece Ulu's house that Monday evening, the subject came up, and my family, my distant `ohana, yet `ohana nonetheless, were happy to share their tattoos with me and, by extension, the Tattoosday audience, for your enjoyment.

I should mention that I knew my nieces and nephews had ink. I had even seen a picture of Ulu's amazing cover-up (just wait and see), but this was the first time I got a chance to talk with them about their work.

This first post started as a nod to my nephew Keali'i but, since I've rambled on and on, we'll just make this a preface, and direct you below (or here) to see his tattoos.

Thanks in advance to Keali'i, Lehua, Ikaika, Ulu and her husband Travis for sharing their ink with us here on Tattoosday!

Always a fan of sugar skulls here on Tattoosday, I was glad that Juli was more than happy to share this tattoo. She pointed out that the flowers are Gerbera daisies ("my ultimate favorite flower ever") and that the eyes and the tips of the daisies have unusual accents. Chris used an ink known as "Japanese pink," which makes the specific areas of the piece glow in the dark.

The other tattoo Juli shared is part of what she envisions to be a larger piece that will wrap around her calf and thematically connect with the sugar skull:

Just to our left down below was one shop booth where a guy was standing with blue tattoos on his arms and you could tell he had color on his back, as well. Occasionally, he would turn toward our position and pull up his shirt to reveal his back to people in the booth. Camera clashes blinked and faces lit up with surprise, shock, and sheer admiration.

The first time I saw this, it piqued my curiosity, but so did a lot of things at the show. Then , we saw why he was eliciting such reactions. He turned away from us to reveal one of the more amazing back pieces I have seen. I decided that I'd love to have this as my obligatory post from the convention.

Greg explained to me that, aside from the obvious love of sharks that he has, the original film was the first movie he remembers seeing with his father. It doesn't hurt that he's a Pisces, either, one of the water-based astrological signs.

And, in case you were wondering, Greg told several of us who were admiring the work that the most painful part of this tattoo was the work on the buttocks. Ouch.

I took photos of several other tattoos that Greg had but decided they would just detract from this phenomenal tattoo.

A hearty thanks to Greg who was very cool in showing off his work on a day where I'm sure he had to remove his shirt more than a few times.

Caroline explained to me why this tattoo was essential to her tapestry. She would often, when angry or frustrated, say she was so mad she could punch herself in the face. When she saw the drawing, she knew it would be a perfect tattoo for her.

...[This was] done by my cousin Eddie Bonacore in his apartment...then he did it for me again when he got officially hired as a tattoo artist @ Funhouse Tattooing in the Poconos. I love the Stones, and credit my mom for that one...she got me into them. The Stones ooze rock n' roll and always will...even watching Shine a Light, the documentary [Martin] Scorsese recently did on them...it just further shows there commitment to rock n' roll...the least I could do was add some tongue to my wrist!

Thanks again to Victor for keeping us entertained with his rockin' tattoos here on Tattoosday!

I was in the expansive food court section of the complex when I met Reston and his uncle. I was first intrigued by the work on his left arm:

but then, in one of those rare Tattoosday moments in which I see much more than I anticipated, his uncle convinced Reston to show me his back, which revealed this wonderful work:

For Reston, his tattoos are tributes to his heritage. The large Buddha on his back acknowledges the Buddhist faith that can be found on his father's side of the family. The tiki and tribal patterns are in honor of his mother's Pacific Islander lineage. This is apparent from the merging of the two styles (and the names "mom" and "dad" at the top of his back:

In addition, Reston shared this cool lizard on his left shoulder:

Actually, in Hawaiian tattoo styles, this is referred to more specifically as a mo'o, which can be defined (source here) as a "spirit guardian (lizard) that protects a resource, such as a fishpond, from overuse and other abuse". Mo'o are also referred to as geckos.

There's a lot going on with Reston's personal canvas, but you can see the geographic shapes of the mo'o design jumping off the skin.

A hearty mahalo to Reston for being bold enough to remove his shirt in the Ala Moana food court so we could all get to better appreciate his ink. We here at Tattoosday thank you for your contributions to the site!