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Kurt Masur (direction) Yuja Wang (piano) Verbier Festival Orchestra
Mendelssohn piano concerto opus 25
Mendelssohn's Piano Concerto No. 1 in G minor (op. 25) was written in 1830--1, around the same time as his fourth symphony ("Italian"), and premiered in Munich in October 1831. He had already written a piano concerto in A minor with string accompaniment (1822) and two concertos with two pianos (1823--4). The three connected movements —
Molto allegro con fuoco in G minor
Andante in E major
Presto—Molto allegro e vivace in G major
use several relatively new formal techniques in their brief span — for example, the piano enters very soon after the opening of the first movement, with little of an orchestral tutti to contrast with.[1] The concerto quickly obtained popularity, and contains many sections of improvisation, one of Mendelssohn's specialities.
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王羽佳
門德爾松 - 鋼琴協奏曲
庫特·馬祖爾

Filmed for the Sound Tracks: Quick Hits series by the Talbot Players in association with PBS Arts (http://www.facebook.com/soundtrackstv).
Born in Beijing in 1987, Yuja Wang began playing the piano at the age of six. From a music conservatory in China to the Curtis Institute in Philadelphia, she never stopped, and now she roams the world, playing a demanding schedule of concerts across Europe, Asia and North America. She's recorded three critically acclaimed albums for Deutsche Grammophon, her most recent is a Grammy nominee. "I've been doing this my whole life," she tells SOUND TRACKS reporter Alexis Bloom. "I can't really remember anything before the piano."
So, Yuja Wang is already a veteran, a self-assured and immensely accomplished virtuoso. But she's also a young woman who travels the world, mostly alone, living in hotels and backstage dressing rooms. Is she ever lonely? "Not really," she tells us. She's "more alive" on the road, especially in concerts, plus "I have my blackberry, laptop andkindle. I'm all set."
As you'll see in her interview, Yuja is a warm, engaging personality with a quick laugh and a candid comment. She can be shy one moment, outspoken the next. When she's warming up to play Rachmaninoff or Prokofiev, she likes to hear the raw wildness of Rihanna. And she'smade something of a reputation for herself in the classical world as a fashionista, not afraid to wear eye-catching outfits, including that orange dress that set off a wave of commentary last year when she appeared at the Hollywood Bowl. "I'm just being myself," she says.
As the New York Times critic wrote after Yuja's Carnegie Hall debut ast October, "If you've got it, flaunt it. What matters is that Ms. Wang has got it as a pianist."
Yuja Wang's website
http://www.yujawang.com/
Walt Disney Concert Hall
http://www.laphil.com/
Yuja's Rachmaninoff album
http://www.deutschegrammophon.com/artist/
New York Times review of Yuja Wang at Carnegie Hall
http://www.nytimes.com/2011/10/22/arts/music/yuja-wang-at-carnegie-hall-review.html
Director Brent Huffman's website:
http://www.germancamera.com/

Prodigious technique, wildly imaginative and breath-taking stage presence.... just some of the glowing descriptions which follow Chinese pianist "Yuja Wang":http://www.yujawang.com/
This week's Musica explore the woman often refered to as a force of nature and a piano superstar.
At Vienna's sumptuous Konzerthaus, brilliantly accompanied by Zurich Tonhalle orchestra under the inspired baton of Lionel Bringuier, prodigious Yuja Wang recently astounded the audience with Prokofiev's mighty Concert…
READ MORE : http://www.euronews.com/2015/03/19/yuja-wang-wows-vienna-with-prokofiev-s-concerto-no-2
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Kurt Masur (direction) Yuja Wang (piano) Verbier Festival Orchestra
Mendelssohn piano concerto opus 25
Mendelssohns Piano Concerto No. 1 in G minor (op. 25) was written in 1830--1, around the same time as his fourth symphony (Italian), and premiered in Munich in October 1831. He had already written a piano concerto in A minor with string accompaniment (1822) and two concertos with two pianos (1823--4). The three connected movements —
Molto allegro con fuoco in G minor
Andante in E major
Presto—Molto allegro e vivace in G major
use several relatively new formal techniques in their brief span — for example, the piano enters very soon after the opening of the first movement, with little of an orchestral tutti to contrast with.[1] The concerto quickly obtained popularity, and contains many sections of improvisation, one of Mendelssohns specialities.
=====================
王羽佳
門德爾松 - 鋼琴協奏曲
庫特·馬祖爾

Pianist Anna Fedorova and the Nordwestdeutsche Philharmonie led by Yves Abel perform Tchaikovsky's 'Piano Concerto No. 1' in The Royal Concertgebouw Amsterdam. The concert is part of the NPO Radio 4-series The Sunday Morning Concert.
Pianist Anna Fedorova is well known for her performance of Rachmaninoffs ‘Piano Concerto No. 2’. Her interpretation of this work on our YouTube Channel has over 19 million views! What will her version of Tchaikovsky’s ‘Piano Concerto No. 1’ achieve? The concerto is one of Anna’s all time favourites and it’s full of tenderness and bravura. Enjoy!
The musical program
Tchaikovsky: Piano Concerto No. 1 in B♭ minor, Op. 23
The musicians
Anna Fedorova [piano]
The Nordwestdeutsche Philharmonie
Yves Abel [conductor]
Recording
Sunday the 14th of October 2018, in The Royal Concertgebouw Amsterdam.
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George Li performed Mendelssohn Piano Concerto #1 with Miami Symphony Orchestra under the Baton of Maestro Eduardo Marturet at Lincoln Theater in Miami Beach, (FL) on March 22nd, 2009.
Here is the Link to the Music Review for George's performance with the Miami Symphony: http://www.miamisymphony.org/PDF/MiamiHerald_03242009.pdf
I am very grateful to my piano teacher Ms. Byun, my music mentor Maestro Churchill. I am also very grateful to Maestro Eduardo Marturet, Madam Sofia Ochoa and all the members of Miami Symphony Orchestra!

Yuja Wang (Chinese: 王羽佳; pinyin: Wáng Yǔjiā; born February 10, 1987 is a Chinese classical pianist. She was born in Beijing, began studying piano there at age six, and went on to study at the Central Conservatory of Music in Beijing.