Tag Archives: Scotsmen

Once upon a time I didn’t meet a guy, but I got to know a guy because we started working together.

Uh, okay, not even all of that is true either. We never actually started working together, we actually worked apart, but our efforts came together for just over four years.

I absolutely love the look on people’s faces when I tell them that my blogging partner of over fifteen hundred days is someone I’ve never actually met. It’s such a great story.

But even great stories—no matter how epically enthralling they are—will come to the last line of their tale with bold letters that say: THE END.

That part usually feels like you’ve been impaled by an errant satellite antenna and now have to wrestle it out of your flesh on your own with nothing but nail clippers.

Robin Gott and I had a couple of things in common:

We both spoke English—although he mostly speaks Swedish now as that’s his current crash pad country.

We both saw the world with a slightly skewered sensibility.

And we both loved his sense of humor—although I’ve never specifically heard him say he loves his own sense of humor, I took it to be a fact because on more than one occasion, when I would receive his sketches for the next post, there’d be an array of splatter on the page that I could only assume came from a mouthful of tea when finally sitting back to surmise one’s work.

But … we had one thing we did not share in common:

The way we envisioned Scotsmen.

I saw them as broad-shouldered, well-muscled, claymore-handling kilted men who eyed me with a savage come hither look.

And Robin saw them as knock-kneed, prickly-legged, bagpipe-wheezing kilted geezers who couldn’t look anyone straight on because they were also cross-eyed from too much bagpipe wheezing.

His version was a helluva lot funnier than mine so I stopped writing about them. One does not want funny in one’s delusional, sigh-inducing afternoon daydreams.

I cannot begin to convey the number of reactions Robin’s cartoons have produced—it’s usually the first thing anyone brings up when speaking to me about the blog. More often than not, that comment is snorted, or chortled, or sniggered out by an individual retelling the tale of being in a public place while reading the post and then making some embarrassing sound of amusement that turned heads and raised brows. Coffee shop lines, grocery checkouts, and a couple of bathroom stalls. I’ve heard it all.

My kids had their own take on Robin’s work. Oftentimes my daughter would grumble as to the awkward teenage shape her blog version body projected, and my son would beg me to stop writing about him, as surely some teacher at school the next day after the post was published would brandish their smartphone, showing him one of Robin’s colored pencil drawn sketches of him and warn, “You’d better never do this in my class.”

I soon came to realize that Robin’s depictions of myself were wholly accurate: frizzed, limp, or muddled hair, ungainly limbs, mismatched clothes, and always an expression that conveyed anarchic chaos.

Usually, they were also more flattering than the truth.

And speaking of truth we circle back round to the facts. And the sad fact of the matter is that there are only so many hours to a day and Robin’s are jam-packed full of a burgeoning family life, day job, and acting career.

Sometimes you have to whittle away the fat from the bone—cuz, you know, sleep is a thing.

And I get it. When we first joined forces, we were pumping out four or five posts a month. Solidly. For more than a couple of years. Then a few people entered my life—an agent, some editors, and a dastardly heavy breathing brute of a thing called a deadline.

We scaled back.

Once a month posts made everyone breathe easier. Except readers. And I got it. And by ‘got it’ I mean complaints. More people wrote in to express their dissatisfaction with the new arrangement. People NEEDED their Sunday shot of Gott—and oh, yeah, the writing wasn’t horrible either.

I advised most folks to recycle old posts. Most folks advised me to go take a long walk off a short pier.

Ah well.

But we must all come together and wish Robin farewell and good luck. The artistic world will continue to benefit from his influence and presence—whether he’s producing a play or appearing on film. And his doodles will live on. They are on my walls, in my text, and within my heart.

I have heard from so many people about the joy Robin’s sketches have brought them, and I know everyone will be saddened to find them absent.

One day, a long time from now, my grandchildren will likely discover as they tour through one of the halls in the Smithsonian, a jar containing a brain submerged in formaldehyde.

“What’s that?” they’ll bend down and shout into my Miracle Ear, seeing me chuckle with self-congratulations about a long ago prediction.

“That,” I’ll croak out, “is science’s failed attempt to understand the workings behind the waggish and whimsical wit of a man who saw the world through an enviable pair of glasses.”

I will pause and smile and remember.

“I was lucky to know him, but I never met him.”

~Shelley (& Rob)

For the time being, our blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor (NOW FOR HIRE- so do go check out his gallery!)–all from the only pen carved from a human funny bone.

Anything that has a ceremony, a ritual or a rite of passage—I’m filled with goose bumps, my breath comes short and I’m often searching for some celestial choir of angels to swing down from the rafters to make it a massive biblical event. Maybe one worthy enough to throw a small epilogue onto the end of the New Testament. We can call it, ‘The Newest New Testament.’

I’m not saying it’ll ever happen, and maybe all those early years of repeated genuflecting and inhaling terpenic-scented incense has left me with a woozy, slap happy wit—one that expects seas to part, meals to multiply and the dead to rise.

Except I’m not really like that.

I can appreciate lessons of morality, plus the necessary insight one must cultivate in order to apply time-tested and multi-authored philosophy. This education is critical. Much of it can be gleaned from the passages of great religious books. But it can be incredibly soul crushing to some—in particular to small children whose teachers are sharp tongued women covered nearly head to toe in billowing capes of all black, and whose weapons are heavy yard sticks that can reach up and ring the pearly gates’ doorbell to report all poor behavior.

Soon, I learned that I preferred my religious lessons to come from Monty Python’s films and Flying Circus. A giant cartoon foot coming from the clouds to squish out all the evil below it was a mental picture I preferred to hang on to when needing moral guidelines. Hellish devils with demonic eyes—not so much. Therefore, I attribute my current gooey nature to a mix of my befuddling past and will leave it at that.

Last week, I participated in a century long practice at my daughter’s school that has packed a yearly ‘one-two punch’ of heart-swelling sentiment whenever I attended. And for each one of those years, it has been the highlight of the academic season.

It is called Convocation.

And apart from the general act of convoking, the assembled mass is treated to a few dynamic moments all squished in to about 75 minutes worth of pomp and ceremony. It is the official opening commemoration of the school year, honoring the graduating class and their parents.

Firstly, the show starts off with a big bang—or a giant wheeze, if we want to get technical.

A bagpiper slowly ambles the huge perimeter of our giant gymnasium, blasting out a few golden oldies from the 1700’s.

This guy is costumed head to toe. He looks like an authentic Scotsman pulled straight off the battlefield of Culloden—minus the spray of blood. But for some, you’d think there was blood pouring from their ears by the looks on their faces.

Yes, it may be true that he’s probably as old as the songs he’s pumping out of his ancient carpet bag, and that every year folks place bets as to whether or not he’s going to drop mid gasp before he reaches the podium, but for me, no matter how poorly his pipes are tuned and despite the fact that it’s difficult to tell if the bagpiper has started playing or the crowd spotted him standing at the door and groaned collectively, he is the most sublime part of the show.

And from my perspective it all goes downhill from there—they’ve opened with their strongest act.

The large cast of faculty—decked out in their graduation gowns and scarves—follow behind the piper, and parents and their stripling scholars bring up the rear. It is a parade of high-powered proportions. Authoritarian, illustrious, and grand. It’s also surprising that the ceremony can be held indoors, as the massive amount of computing power represented in the collective brain tissue present requires an inordinate amount of oxygen to keep it running. And we all know the piper has used up more than his fair share, so traveling behind him can be dicey.

Thereafter, we hear the requisite speeches from lofty politicians, returning alumni, the headmaster and the senior class president. Some years have been livelier than others. There is always the hope that whoever the visiting dignitary is will spew out a soliloquy worthy of some fire and brimstone special effects, but more often than not it is polite and encouraging, a speech equivalent to raising a small colored pennant with the words, Go team, Go! printed on it.

Halfway through the show (ahem, ceremony), the choir tentatively releases a few uncertain chords, and the school orchestra makes a gallant attempt at playing a splashy piece. There appears to be an enthusiastic display of shiny cymbal work, which is likely a purposeful decision, as many of the musicians are still struggling with remembering how to tune their instruments this early in the year.

Nonetheless, it’s a marvelous display that chokes up even the stodgiest at heart. For me, it all contributes to the growing fervor and the knowledge that, for my daughter, it is the last time she can participate in the pageantry and fanfare.

It is a day to cherish, a memory to cement, and it leaves me with an overwhelming desire to scour the local papers for a bagpipe instructor.

Surely there’ll be an opening for work in that field fairly soon. But then again, the dead may rise.

~Shelley

Don’t forget to check out what we’re cookin’ in the Scullery (here) and what we all talked about down in the pub (here). And to see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone–click here.