Alas, I was still using a borrowed camera, and several shots were over-exposed and/or blurry, but I was able to salvage this one:

The artwork is pre-Colombian in its inspiration, and is part of a larger tropical motif.

Next up we have Dave, who I met in Penn Station. He has over 25 tattoos and selected this one to share:

The phrase "Uniting the Strong" is the title of a song from Victim in Pain, the second album from the band Agnostic Front. This is a friendship tattoo that stresses unity and the host's nod to the hardcore punk scene.

[Update: I got a better, crisper picture from Orlando of the ship tattoo in May 2011:]

Orlando has seven tattoos in all [in May 2011, he updated this number to ten], and shared this one, as well, inked at Dare Devil Tattoo on the Lower East Side.

The quote, "This my excavation and today is Kumran" is from a song called "re: Stacks" by Bon Iver.

Orlando explained that he interprets this quote as a reminder that "every day has the ability to make you or break you. It just depends on what you do with it." Other interpretations are here.

For the record, I did email Orlando to ask for an opportunity to get clearer pictures, but I did not hear back from him.

~~~

I met Farkas in Union Square back in October. He had this wolf on his right arm:

He explained that his name means "wolf" in Hungarian, and that one of his friends in Hungary did this tattoo for him.

~~~

A couple days after meeting Farkas, I met an Israeli named Ran on 34th Street across from Macy*s. He shared this iguana on his right leg:

It's a pretty nice tattoo, but he hasn't sent me any further details about it.

~~~

A couple weeks later, I was in the West Village before a concert, and met Carlos, a manager at the Qdoba Mexican Grill where we were having a quick bite before the show. He shared this intricate tattoo on his right arm:

He and friend collaborated on this tattoo together. He told me that, when he was little, he did jigsaw puzzles with his mother a lot. The tattoo reminds him of those fun times growing up.

~~~

The following week, I ran into Iancu in Penn Station, and he shared this piece on his upper left arm:

Iancu told me he came to the artist, Rico, formerly of Rising Dragon in Manhattan, who was initially unwilling to do the tattoo. However, he convinced him to do it. It's basically a Guns N' Roses tribute although, henoted, the guns were added about a year and a half after the original design was inked.

~~~

And finally, I must first say that it is very rare that I ever criticize the quality of a tattoo.

Even if it is inferior to the work of much better artists, I always like to believe there are some redeeming qualities in a tattoo.

Which is why I struggled with this next tattoo, which I photographer back in August, and which I have included in this odds and ends post in December.

I approached a guy named Danny who had a lot of interestingly-tattooed words and such on his arms.

However, he offered to remove his shirt in Penn Station so I could photograph this:

Um, yeah.

If this was done by an experienced artist, I would likely not have posted it. Despite its obvious flaws, it is compelling, in my opinion, because Danny told me, like all his tattoos (15 or 16, he told me), this one wasself-inked. Now, I can see tattooing one's arm or leg, but I cannot even fathom how challenging it would be to self-tattoo your chest. He estimated this took one and a half hours to do.

The message is "Diamonds Aren't Forever," or, in Danny's words, "don't take what you have for granted".

~~~

So there you have it, a Spring Cleaning for Christmas.

I do sincerely thank the individuals who shared their tattoos in this entry. Happy Holidays, y'all!

He shared two of these cards with me and explained that, as a first generation Mexican-American, these Lotería cards remind him of growing up.

The first one he explained is number 21, La Mano:

Luis explained that he relates to this card because "la mano" is Spanish for hand, and he is a builder/electrician/carpenter by trade. He considers himself a "designer of ideas," and because he works with his hands, this is an appropriate card to have as a tattoo.

The second one he let me photograph is number 27, El corazón:

This card is appropriate, according to Luis, because "El corazón" means the heart and, Luis said, smiling, "I've got a big one".

There are a lot of different artistic representations of these cards out on the web, which tells me that they serve as inspiration for a lot of people.

Luis had these tattoos done by a tattoo artist named Fish, who was visiting Saved Tattoo in Brooklyn, but generally works out of Th'ink Tank Tattoo in Denver. Work from Th'ink Tank appeared here once before.

Thanks to Luis for sharing these two Lotería cards with us here on Tattoosday!

Marisa has 11 tattoos in all. Incidentally, having heard she grew up in Hawai'i, I played the small-world game with her and discovered we both had the same history teacher, two decades apart, when he taught at different schools.

Like many people who have Oz tattoos, Marisa loved the books and was inspired by the magic in them, vividly illustrated.

Thanks to Marisa for stopping on the street and consenting to share her wonderful tattoos with us here on Tattoosday!

Monday, December 20, 2010

His sleeve is a collage of designs that motivate and inspire him, with a skull design thrown in, to boot.

He has the phrase "Live Now. Shoot for the Stars" inked on his biceps. This motto is a nod to his ambition as a business owner.

The three pawprints tattooed below the elbow, on the left side of the photo, above, represent his three dogs (2 Cocker Spaniels and a mutt).

The cross and the prayer, "Lord, Protect Me" are based on his Catholic faith.

In all, Chris figures he's had about 10 hours of work done.

He also gave me permission to share this photo from his Facebook page:

Photo Courtesy of Christopher Almazan

I had hoped to show a better shot of the peacock that is on his back, with feathers that come up over his shoulder, but could not get a clear enough picture. The shot above gives a great idea, however, of his tattoos.

All work is credited to Rick Schreck at the House of 1000 Tattoos in Middlesex, New Jersey. A piece from Rick appeared earlier this Fall on the site here.

Matt explained that the idea behind this tattoo is simply that there are two sides to everything. He collaborated on the design with the tattoo artist Sean Malone, who works out of Rose City Tattoos in Rahway, New Jersey.

Readers may notice that, in the top photo, there is a distinct outline of another tattoo on Matt's arm in the shape of a playing card spade. What started out as a random tattoo of another spade ended up giving Matt the nickname "Mr. Spades" and it stuck. Here's a shot of the coolest Spades tattoo, straddling both of Matt's inner forearms:

Thanks to Matt for sharing these great tattoos with us here on Tattoosday!

As a lover of both literature and tattoos, The Word Made Flesh is right up my alley and, judging by the long-standing interest in sites like Contrariwise, should be an enjoyable read for many.

Last year, it seems, when I first posted (here) about Eve Talmadge's call for submissions, I was a bit jealous in a why-didn't-I-think-of-doing-that sort of way. But I quickly got over the inkblogger envy and waited with anticipation to see how this would turn out.

The answer: pretty darn good.

The Word Made Flesh, as the subtitle describes, juxtaposes photos of tattoos of a literary flavor, with blurbs from the contributors. There is poetry and prose, as well as more symbolic imagery to represent specific themes.

Compiled by editors Eve Talmadge and Justin Taylor, the reader is treated to a nice range of work, with a handy appendix which gives, when possible, credit to the artists and/or shops where the tattoos were inked.

I wondered, when starting the book, if I would see any tattoos that had appeared on Tattoosday. Sure enough, page 117 features a pair of alphabetic ankle tattoos, one of which appeared in this past year's Tattooed Poet's Project, here. To counteract that, there are two subjects who declined to participate in the same project.

The range of photos and stories is done quite well. We also get a snapshot of Shelley Jackson's Skin Project, and a lovely piece belonging to Katherine Barthelme, accompanied by an apropos story by her father, the late Donald Barthelme. Plus, amazing work like this:

And, as for what's next from the editors, a recent email from the editor's says it all:

"I'm happy to announce that we are now collecting images of music-related tattoos for our next book. Song lyrics, band logos, record labels, musician portraits, you name it -- if it's in your skin and has to do with a musician, song or band, we want to put it in a book. Pass the word, tell your friends. Here's the fine print:

THE WORDS TO EVERY SONG: Music Tattoos from Around the Globe (working title, suggestions welcome), edited by Eva Talmadge.

Submissions now open for high-quality photographs of all kinds of music related tattoo work: band logos, song lyrics, record labels, musician portraits -- if it's a tattoo inspired by music and it's on your body, we want to see it!

We're looking for a wide range of genres and eras -- from classical to rock'n'roll to hip hop, punk rock, indie and soul -- if you ever loved a song or a band or a musician so much you went to a tattoo shop and made your devotion permanent, we want to know about it!

As with THE WORD MADE FLESH, we don't want just the images. We also want a few words from you about why you got your tattoo, what that music means or has meant to you, and any anecdotes involved. How much (or how little) you choose to say about your tattoo is up to you, but a paragraph or two should do the trick.

And of course please do provide us with tattoo artist/shop credit, photographer credit, your name or pseudonym, the city and state or country where you live, and the name of the band or song or composer your tattoo refers to (even if it's obvious).Deadline for the first round is 12/31

Please send clear digital images of the highest quality possible to tattoolit@gmail.com. Images should be around 2000 pixels across, or a minimum 300 dpi at 5 inches wide, but if you're not sure about all the technical stuff, just set your camera to its highest resolution and send the best photo you can. Text should be included in the body of the email, not as an attached document. Also be sure to include one or more pieces of contact information, so we can let you know if you’re going to be in the book.