Pulitzer Prize-winning playwright David Mamet has found the subject of his newest play: Harvey Weinstein. In an interview with the Chicago Tribune, the writer revealed that he was encouraged to write something about the disgraced movie producer, who has been accused of sexual misconduct by dozens of women. (Weinstein denies all accusations of nonconsensual acts.)

“I was talking with my Broadway producer and he said, ‘Why don’t you write a play about Harvey Weinstein?’” Mamet explains in the Tribune interview. “And so I did.”

He provided few details of what will actually happen in the play, or who its other core characters will be. (It isn’t even clear whether the piece is literally about Weinstein, or a Weinstein-esque figure.) But Mamet did continue ruminating on the topic of sexual assault, saying it’s something he thinks about “a lot now.”

“I have a bunch of daughters, a young son,” he said. “Every society has to confront the ungovernable genie of sexuality and tries various ways to deal with it and none of them work very well. There is great difficulty when you are switching modes, which we seem to be doing now. People go crazy. They start tearing each other to bits.”

This work will not be the first in which Mamet tackles a topic like sexual assault. In 1992, Mamet wrote a two-character play titled Oleanna, about a college professor on the cusp of tenure and a female student who accuses him of sexual exploitation and harassment. The play captured the zeitgeist at the time, arriving on the heels of Anita Hill’s accusations against Clarence Thomas.Oleanna was made into a film starring William H. Macy and Debra Eisenstadt, and was later revived on the West End in a production starring Aaron Eckhart and Julia Stiles.

Mamet might be the first high-profile figure to write a play explicitly about Weinstein after the explosive allegations against him changed the industry. But he’s far from the only artist to feature the disgraced producer in art, in one way or another. In 2012, Leslye Headland wrote a play titled Assistance inspired by her years working as Weinstein’s assistant that featured a fictional business called the “Weisinger Company” (though it was less a juicy tell-all and more an examination of the demanding assistant cycle). Heather Graham, who has accused Weinstein of asking her for sexual favors (which he denies), told The Hollywood Reporter that she featured a Weinstein-esque sexist-boss character in her feature comedy Half Magic. Weinstein was also parodied and skewered long before the accusations surfaced: in the HBO series Entourage, there was an aggressive, foulmouthed power producer named Harvey Weingard, an obvious play on Weinstein, that painted a deeply unflattering portrayal of the mogul. In a more flattering turn, Lana Del Rey released a song in 2012 titled “Cola” that painted Weinstein as a benevolent star-maker—a song she has now retired from her repertoire.

After the reckoning began, actress and filmmaker Asia Argentotweeted a scene from her 2000 film Scarlet Diva, in which a producer asks a woman for a massage in his hotel room, then sexually assaults her. The scene mirrors Argento’s own accusations against Weinstein (which he denies). Mamet might, however, be the first to sink his claws into the post-reckoning era of Weinstein’s life—which makes this production, Bitter Wheat, one to watch.