The stories behind the buildings, statues and other points of interest that make Manhattan fascinating.

Thursday, July 24, 2014

The 1899 Chas. Hudson Mansion -- No. 3 East 76th Street

An electric street lamp sits across the street from the newly-completed mansion. The J. J. Wysong mansion would rise on the vacant Fifth Avenue lot next door. In the background another Fifth Avenue mansion is under construction. photo by Wurts Bros from the collection of the Museum of the City of New York http://collections.mcny.org/C.aspx?VP3=SearchResult_VPage&VBID=24UAYWP9OVC1&SMLS=1&RW=1280&RH=915

As the 19th century drew to an end, Charles I.
Hudson was doing well for himself. He
had formed the brokerage firm of C. I. Hudson & Co. with partner Albert H.
De Forest in 1885, had garnered a substantial fortune, and lived with his
family in a handsome home at No. 36 West 52nd Street. In 1894 he was one of the millionaire
founders of the Thousand Islands Club, a private summer community “which
embraces in its membership a number of well-known New-Yorkers,” as described by
The New York Times.

Now, in 1898 like many other wealthy New Yorkers, Hudson
looked to move uptown near Fifth Avenue and Central Park, away from the encroaching commerce. He purchased the lot
at No. 1 East 76th Street and laid plans for a fine new
mansion. His choice of architects is a
matter of contention. The Real Estate
Record & Builders’ Guide mentioned on April 13, 1918, “Hiss & Weekes
were the architects.” Generations later
the Landmarks Preservation Commission would credit Brite & Bacon with the
design.

Whoever was responsible, the result was striking. In 1899 the five-story neo-Jacobean residence
was completed. The regal composition was
distinguished by a two-story bay of leaded casements that supported a
carved-stone balcony. The brick and
stone façade culminated in a decorative parapet that hid the fifth floor from
the street. Although the mansion was a commodious
30-feet wide, an areaway between it and the property at the Fifth Avenue corner
allowed the luxury of windows in the
western wall.

Hudson and his wife, the former Sara Kierstede, had four
sons: Percy Kierstede, Hans Kierstede, Charles Alan, and Hendrick. With no daughters in the house, Sara Hudson was relieved (or deprived) of debutante entertainments. She was highly visible, however, in the
charitable events and causes expected of Manhattan socialites. The family spent the summer seasons at its
country estate at East Norwich, Long Island.

The family was doubtlessly embarrassed when Charles Hudson’s
name appeared in newspapers for a physical confrontation on the floor of the
Stock Exchange on March 5, 1900. When a “telephone
boy,” Florence E. Finnegan, upbraided Hudson for selling sugar below the price
he was given, trouble ensued.

“Mr. Hudson is a man of middle age, and Finnegan has just attained his
majority,” said The New York Times the following day. The millionaire was
unaccustomed to back-talk from a boy and became enraged when Finnegan answered
“That won’t do, Mr. Hudson. The order was 98-1/2 and I don’t turn in
not’in’ different, see?”

After what The Times described as
a “lively discussion” Hudson reached his breaking point. “Mr. Hudson
swung and landed with his right on Finnegan’s right eye. The telephone
boy fell, and when he got up he was without his glasses, but he had blood in
his eye, figuratively and literally. A crowd had to keep them apart.”

Hudson was suspended from the
Exchange for 30 days—the maximum penalty possible.

The wealthy family of
Mr. and Mrs. Charles M. Lea lived in Philadelphia; but as their daughter Majorie
Vaughan Lea approached marrying age, they spent more and more time in New York
City. Marjorie’s debut into society took
place in New York the same year that Charles Hudson had his skirmish with the
young Finnegan boy.

Marjorie and her parents spent the
following winter season in New York; and by October 1902 she and Percy
Kierstede Hudson were engaged. That same
month Charles Hudson purchased a new private carriage house at No. 178 East 73rd Street.

Less than eight years later the remaining Hudson boys would begin leaving home. In May 1910 Hendrick was married to Helen
Morgan Frith. Five months later on
October 14, the engagement of Hans to Ethel Le Roy De Koven was announced and
Charles’ wedding to Eleanor Granville Brown would soon be in the planning
stages.

Perhaps it was their sons’ impending marriages that prompted
Charles and Sara to sell their impressive mansion in May 1910--or it could have been the construction of the newly-completed
J. J. Wysong mansion on the Fifth Avenue corner that prompted the sale. As the Wysong house went up, the Hudsons lost
their view “overlooking Fifth avenue” that the Record & Guide had noted.

Whatever the reason, on May 15, 1910 The New York Times
reported that Hudson had sold the house for $300,000—a satisfying $7 million by
today’s standards. The purchaser was
Robert Franklin Adams.

With the construction of the Wysong mansion, the house
numbers along the 76th Street block changed.
Rather than take the prestigious Fifth Avenue address, the new mansion took No. 1
East 76th Street. That meant that the
Hudson house became No. 3 and so forth down the block.

Adams was Vice President of the Adams Manufacturing Company. A member of the exclusive University, Lotos
and New York Yacht Clubs; the motorcar enthusiast was also a member of the
Automobile Club of America. A year after
purchasing the house, Adams’ shiny limousine would be the victim of a runaway
horse and cart.

On April 8, 1911 a horse attached to an ash cart was
spooked in front of No. 36 West 52nd Street.
The driver was thrown from the cart and the panicked horse galloped onto
Fifth Avenue, “narrowly missing several carriages,” reported The New York Times
the following day.

“As the runaway tore down the avenue there was a wild
scampering of autos and other traffic,” said the newspaper. As the horse tore down Fifth Avenue with the
ash cart careening behind, it approached Robert Adams automobile parked at the
curb at 46th Street. “The horse tore the
running board from its side and threw out the chauffeur, Charles Bender.” The collision slowed the animal enough that mounted
Patrolman Plagge was able to get the horse under control.

Adams and his wife, the former Lona O’Brien, had two
children, Edith and Robert. While Sara
Hudson had no opportunity to throw debutante entertainments, Lona Adams
would. Edith’s coming out was celebrated
in 1913 and the entertainments ended with a reception in the house on December
30.

Three years later on February 2, 1916 Edith was married to
Jules Glaenzer in St. Thomas’s Church on Fifth Avenue. The wedding would be followed by “a large
reception,” according to The New York Press two weeks earlier.

The following March Edith was back in the 76th
Street house for the birth of her baby. In
1917 the wealthy were most often still seen by doctors in their private homes;
rather than hospitals and clinics. In
May Robert Adams Glaenzer was born in his grandparents’ mansion.

Only a few days later the engagement of Robert to Jennie
Frances Marston was announced. As with
the Hudson family, perhaps the childrens’ leaving the house was cause enough to
sell. Adams sold the house for
$225,000.

In 1929 No. 3 East 76th Street was owned by Mrs.
Dorothy G. Pagenstecher. I. N. Phelps
Stokes had recently purchased the ten-story apartment building at No. 952 Fifth
Avenue, around the corner. On April 28,
1929 the New York Times reported that he had bought the Pagenstecher mansion “to
protect the light of the apartment house.”
He paid Dorothy Pagenstecher $200,000 for the property.

Isaac Newton Phelps Stokes was not merely the son of
fabulously wealthy Anson Phelps Stokes; he was an architect and partner in the
firm Howells & Stokes. At the time
of the purchase he had just completed the authoritative 6-volume work entitled The Iconography of Manhattan Island. He had married Edith Minturn in 1895 and
the couple was immortalized by one of their wedding gifts--a double portrait by
John Singer Sargent.

The newly-weds were immortalized in their wedding gift portrait. Unlike so many of Sargent's society portraits, the Stokes are wearing casual clothing -- http://www.metmuseum.org/toah/works-of-art/38.104

On December 27, 1931 Stokes transferred the title to No. 3
East 76th Street to Edith.
The mansion was converted to apartments—two each on the first four floors
and a penthouse on the fifth. The
upscale apartments were home to equally-upscale tenants for decades.

Somewhat unexpectedly in residential design, the date of construction was carved within the ornately-carved Jacobean-style cartouch.

Then in 2004 the Hudson mansion was purchased by the Hewitt
School and converted to classrooms. The
private girls’ school uses the house as its “lower school” for grades
kindergarten through 4. Despite its
current use and expected alterations—the wonderful bronze entrance doors are
gone, the first floor window has been converted to a doorway, and the servants’
entrance now contains a rather commercial-looking door—the wonderful and
unusual neo-Elizabethan house is greatly intact.

Brite & Bacon were most likely the architects. Drawings for the house were pictured in The Brickbuilder for July 1899, plates 50 and 55, and a photo on page 143, under the Brite & Bacon name. Hiss & Weekes did later work for Hudson.