Search Results: torture

The common thread through all of these stories is the need to have a mature conversation about the ways in which we can afford a meaningful voice to our communities. If human rights are the benchmark, then rights must be afforded to all. It is not right that those with the least power must continue to compromise.

These lone-wolf terrorists are more like miners' canaries. Whether it is a paranoid loner, an enraged ideologue, a jihadist or a white supremacist, they are screaming out at the top of their lungs that something is terribly wrong.

Detroit weaves archival footage with recreations of the racially charged 12th Street Riot of 1967, a moment poised against the civil rights movement and the disenfranchisement of urban blacks, before homing in on the incident at the Algiers motel - a cross-section within a cross-section of that moment in history, where three black citizens were beaten and killed by police.

In the 16th century it was the Dominican friars like Vitoria, Las Casas and Montesino in Salamanca who confronted the state and challenged public opinion about the rights of the indigenous peoples in Spain's newly colonised lands. Not even the most nostalgic and forgiving Jesuit would opine that the modern practitioners of Morality with a capital M challenging the powers of the market and the state would be found in a modern monastery.

In this time of austerity I am pleased and proud that Our Glorious Leader has decided to curtail the luxuries which we had formerly enjoyed ... for our own good, of course. I refer, of course, to our rapidly diminishing pool of civil liberties.

Malcolm X famously delineated two types of slave: the 'house Negro' and the 'field Negro'. Although a 'house slave' is closer to their oppressor and receives special privileges, they are still a slave. Chocolat in his role as the clown Auguste seems to be just another kind of house slave. Despite his success he is still maligned and at the mercy of masters. While rubbing shoulders with the rich and famous, he is routinely denigrated. Attention, he learns, is not the same as respect.

When I wrote recently that the future of work lies in understanding work as 'pleasure in the exercise of our energies', one reader noted 'these discussions have little meaning when you are poor or dispossessed'. Spending your life doing what you are competent at pales into insignificance when set against the prospect of a life engrossed in one's passions. That is a decision that every worker has it within their power to make. And as it turns out, it should be a concern of the unemployed, too.

Catherine arrives a new bride, with husband Alexander, to take up residence in his luxurious rural home. Quickly we get a sense of how little control she has over her destiny. Alexander demands she remain inside the house at all times; when one evening she wishes to go to bed early, her father-in-law orders her to remain awake for her husband. In the life of the household, she is merely an attractive object. Yet like her Shakespearean forebear, she is not averse to manipulation and violence in pursuit of her goals.

Wealth inequality in Australia is flourishing. The top one per cent of household wealth in Australia is moving toward being 20 per cent of total wealth, and the country is a preferred destination for millionaires. With a government that prefers to impoverish and vilify the disadvantaged and spend big on coal mines, this does not look likely to shift. But there are always other paths to social justice, and in Australia one may be through the millionaires - or at least the companies on which their fortunes are built.

If two current Australian films are anything to go by, then one social issue weighing on local filmmakers in 2017 is the danger to women of emotionally and physically violent men. Neither film is a mere portrait of victimhood. The heroes of Cate Shortland's recent Berlin Syndrome and Ben Young's upcoming Hounds of Love - in the former, an Australian traveller in Europe, in the latter, a teenage school girl in suburban Perth - are ordinary women with both the will and capacity to fight back against their assailants.

It began 40 years ago on an autumn day, when 14 mothers gathered in Buenos Aires' Plaza de Mayo, in the city's central square. They were seeking an audience with the military authorities. They wanted to ask the whereabouts of their abducted children. 'Where are our children?' was a question that metamorphosed into a brave act of political resistance and defiance against the brutal 1976-1983 Argentinean military dictatorship. They have been performing this act of defiance ever since.