You may know Casino versus Japan from his track It’s Very Sunny from an older Hummer Commercial or just because his music could be compared to Scott’s earlier Tycho releases. I love him for his lo-fi crunchy bass, shoegaze approach to all the atmosphere in the background, and his lush looped melodies like in this song "Marilyn Set Me Free".

This Otl Aicher-designed Olympic poster is from Blanka. I see them linked on FFFFOUND all the time but I really don’t know what they’re all about. At first I thought they were an agency but now I think they’re just some sort of design shop with all sorts of cool stuff that is never in stock. At any rate, it’s fun to look at the pictures; they have an extensive archive of vintage poster prints.

I’ve been locked in the studio for a while preparing to record some new tracks for the upcoming Tycho album. I reconfigured my whole setup and it’s finally all coming together. I’ve finally added a true analog mixing console and it’s really changed the workflow, been saving a lot of time. Above is a partial shot of the studio in it’s current form, still a ways to go with the acoustics, but I’ve been making do.

On a side note, I temporarily moved back to Windows XP32 since they don’t make the software I use to record (Sonar) for Mac. I installed Photoshop and it’s been running so bad, crashing all the time. Meanwhile, on the Mac side, solid as a rock. I really wish I could just work inside of OS X full time, but Logic and Pro Tools just can’t hang with Sonar in my book. Oh well, here’s hoping for a solid Windows 9.

Matt Maust is the Bassist for Cold War Kids and a great designer as well. Their album Robbers & Cowards has really been a sleeper hit for me. I first became aware of them a while back but sort of thought Hospital Beds was cool and left it at that. But lately I’ve been working to the record and really enjoying it as a whole.

Today I checked on their site to see what they were all about and was greeted by the lovely image you see above. Once inside it just gets better. I’m always a sucker for the big-gothic-type-on-photographs motif, and here it’s done very well. Even with the most talented designers, a lot of the time you can see through to the fact that the artwork for a band was project / money driven. In the case of an outfit like Cold War Kids, I think the (literally) DIY design ethic shines through to great effect. But at the end of the day, it’s not how you look as a band, it’s how you sound.

For those of you that view this blog with a Flash-Enabled browser you may have noticed that the post titles are laid out in Trade Gothic LT Std Extended. This is done using a ridiculously complicated method of swapping out the HTML text and rendering it in Flash. The system that does this is called sIFR, it’s a huge jumble of Javascript and Flash that I really couldn’t make heads or tails of for a long time. As a result, the titles were not clickable, meaning you couldn’t actually click them to get through to the permanent home of the given post. Well after my recent plea for web help, Karl Peterson stepped up and answered the challenge. He made short work of the sIFR problem and so now, as you can see (or click), the titles are finally working flawlessly. Thanks Karl!

Karl Peterson is a designer / developer out of Bellingham, WA. You can view his portfolio at sidearmdesign.com.

Kompakt Records just re-released Gas – Nah Und Fern earlier this month which is a collection of all 4 CD’s he released in the late 90′s on the legendary ambient Mille Plateaux imprint. All 4 releases became available this month as a beautiful box set collection. This cover art is from one of my favorite later releases called “Pop” which is on both LP and CD version of the release. The way i always visualized Wolfgang Voigt’s music is if you sat in a flat plain with tall dry grass and watched an old locomotive chug along about a half mile away, each track on this album has a similar feel to this, maybe its the soft kick drum in the background or the constant dull bell. If you don’t mind repetition and can sit and enjoy the small additions and changes in these tracks while you let the song play all the way thru as you do something else(work) than you will get alot out of this kind of music.

I saw this poster plastered all over a construction site by my house a while back and was really struck by how well executed it was for a modern movie poster. I had been meaning to post it but had totally forgotten until Joris commented on it in the 100 Greatest Movie Posters post. You really don’t see design of this caliber and style in the movie industry anymore. I am assuming this was an early version of the poster. I read somewhere that the big studios will commission an early, more subdued / subversive version of movie posters far in advance of the release and then they come with the tried and true (and boring as hell) final version replete with giant heads and random quasi-illustrative open space backdrops. It’s so formulaic, but I suppose they’ve done their homework and that’s what moves the masses. Sad. Thanks Joris for the reminder on this one!

Extra Credit: This seems to be a similar still to the one used for the poster, give you an idea of the sort of photo manipulation that went into the poster version, very nice. Also, here’s another, infinitely worse, version of the poster.

One band that i might say is one of my favorites but i probably don’t listen to enough unless i’m in the right mood is Sigur Ros. This is the new single off their new record called Með suð í eyrum við spilum endalaust (English translation: with a buzz in our ears we play endlessly) which is out next Tuesday June 23rd. Personally, i love this song it reminds me of some great tracks off Animal Collective – Sung Tongs.

Sigur Ros: Gobbledigook

I couldn’t find a good quality version of the Gobbledigook video but this gives me a chance to post one of my favorite videos by them which is off the last record, the song is called: Glósóli.