When I read the reference to the influence of Guy Debord on
Manchette, I thought his books might be Situationist
"detournements" or "derives" of crime novels. Frankly, I'm
glad they aren't (not to say they do not in some ways subvert
genre expectations). I was afraid it might be like Steve
Aylett or something, just a bit too precious in its
deconstructive intent.

Your description of Manchette's style in French --

'Manchette's style is quite "behaviorist" and his novels are
never padded with unnecessary text. I did'nt read the
translations, so I cannot tell you how faithful to
Manchette's style it was. Because there's a real style in his
writing but it always stays efficient and
"thrifty".'

-- could certainly be used to describe the writing in the
City Lights version, so maybe the translation is faithfull.
Whoever's style it is, it's great, quite stripped and very
effective.

I picked up Three to Kill (as far as I know, the only other
Manchette in English) the day before yesterday. I may not
read it next, but I will read it soon, certainly before going
to see the Alain Delon film next month at AFI.

Mark

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