In a corner of the living room, a Henningsen sofa is grouped with a Joan Mitchell lithograph and André Sornay armchairs.

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Nina Garcia in her New York City apartment, which was renovated and decorated by Carlos Aparicio of Aparicio + Assoc. The nude is by Lucian Freud, the 1920s lamps are by Just Andersen from BAC, and the marble mantel is from Chesney’s.

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For the living room, Garcia selected furnishings from BAC, Aparicio’s decorative-arts gallery, including a leather-clad Fritz Henningsen armchair, a 1940s French daybed, and Carl Malmsten klismos-style chairs. On the pedestal stands a midcentury Kähler vase; the secretary is ’40s Danish, the table lamp is a ’20s piece by Svend Hammershøi for Kähler, and the ’40s side table is by Henningsen. A Ronald Albert Martin gouache-and-ink abstract is mounted above the sofa.

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A James Nares painting hangs in the dining room, which is outfitted with a Jean-Michel Frank table from BAC set with Jean Després candelabra from Karl Kemp Antiques; the Frank chairs, also from BAC, are upholstered in a Lee Jofa woven silk and a Stark striped fabric; the ’20s Swedish ceiling fixture is from B4.

Denise De La Rue photographs are displayed in Garcia’s home office, which features a circa-1940 Frank neoclassical-style armchair for Comte.

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In the master bedroom, Cindi Johnson prints from BAC flank the custom-made bed; the side tables are by Frank for Comte, the bench is an Emilio Terry design, the rug is Swedish, and the carpeting is by Tai Ping.

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On the Frank desk, which also serves as a dressing table, is a bronze lamp by the same designer; the triptych mirror, from 1stdibs, was formerly owned by Geoffrey Beene.

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A Frank chaise longue graces the dressing room, along with a Frank tripod table and a carpet by Tai Ping; the watercolor is by Salvador Dalí.