First Chapter

As a saying goes we all have to start somewhere and this was a good start for the show. I was mainly drawn to the show because one of my favorate actors Nathan Fillion since I'm a "Firefly" fan and even liked him in "Dr. Horrible's Sing a Long Blog". This show really put him on the map along with Staina Kat whom was kinda a minor legue actress at the time only other thing I remember in was the role as the female rookie cop in Frank Millar's "The Spirit" so this show was a big step up. I kinda like how when we first meet them both of them are just wearing their character architype masks. Castle seems like a typical egocentric playboy enduring his sucess and Kate whom seems like a cleche tough by the book female detective. But we see latter scenes that these things are just that masks in reality Castle is a loving father and a good son, his sucess is not just for himself but to help support his daughter and mother living with him so he does care about things. And when he writes it's not for fame alone but just that he loves to it. But also that's he's kinda a geek but he isn't afraid to admit it he puts it out there. These things make his character relatable for me likewise for Kate who really is a warm person inside she's not all business as she seems, she's a charismatic as Castle, she really doesn't like playing by the book despite following the rules, but that she is also a geek but for her she's the silent type doesn't want anyone to really know but see some of that hint of geekness when we see her bring out her collection of Castle books and even admited in one scene that she was a bit psyched that she got her favorate writer (or one of) was in her station. I like how there is a bit of depth revealed on both character when Castle hits a nerve with Kate's revolving diliema. But also like the fact from the rap sheet Kate presents, Castle use to be a rebel probably a teenager when he did those things, but also that he is not just a writer but a criminaligist so in a way those two factors give Castle the edge in not just his r researching and writing of mysteries but in his detective work. And I like the back and forth between the two which was good, Kate doesn't want to admit it but she does need Castle. Without him not just would the case have never been solved but also never would of caught the criminal. And Castle needs Kate without her he never would of formed that new detective series he badly needed, because after the old series he invested in he had writers block, which is common whenever you work too long on one thing it's hard to jump on another track. But most importantly both need one another on an emotional basis because as we also discover both have no one in their life. One of my favorite moments was the poker game with two real life mystery writers James Paterson and Steve Canall. I like the back and forth with them it was believable but also kinda funny, I like that moment when James states he didn't kill Alex Cross. That may be true but personally (and this is just my opinion for the record) I felt that the latter volumes of the series didn't really messure up and Alex became less interesting the further he went. This is why I feel Castle made the right move with his former series, he knew when to quit, Castle stated that his series was running out of gas, so why ruin a good thing. I don't give this a higher rating because like most pilot episode it was setting the standard which met both Castle and Kate didn't invest in each other long enough for it to be a fully functional partnership both are destined to have so it doesn't really blow me away. But all the same a good start for the duo.moreless

Premise is a little unbelievable, but the show seems like it will be entertaining

First of all, I LOVE Nathan Fillion. He's a wonderful actor, who is also sexy and charismatic. It's because of him that I've been meaning to catch the show, and now I've finally started watching it on DVD. My first impression of his character is somewhat less than favorable, because he is such an egoist and a bit of a jerk, but I can tell that his character will grow on me. I also felt slightly turned off by Kate Beckett, because she seemed a little too rigid to me, but I warmed up to her when she flirted back at Rick and whispered "You have no idea" in his ear. That was a priceless moment.I can tell already that my problem with this show is going to be how well can I suspend my disbelief. The whole premise, while it makes for fun tv, would not ever happen in real life. That said, this pilot was really entertaining and I'm hoping it only gets better from here!moreless

Sexy, sassy and funny. Loved it.

I'm a huge fan of Nathan Fillion and crime novels so this was immediately on my list to watch. Funny, smart, great dialogue, nice soundtrack combined with Nathan's charm, an automatic winner.

Also loved Rick's family, particularly the relationship with his daughter, very well written and played with believable charm by both actors. The mother is a delight as well.

What I find strange is the killer didn't know who Castle was yet knew enough of the book's murder scenes to stage them pretty well. How could he not recognize Castle at all?Don't know how long the series will last, it's not the most original of ideas, it's relying more on charm and chemistry but I like it. Nathan seems to be unfortunate in not finding series that have a long shelf life, it's a real shame, he's a great actor.moreless

Yay, Nathan! Boo, Patterson!

I'm started out unconvinced. I mean, I had a lot of enthusiasm for this show. I love Nathan, and his chemistry with Becket is reasonably sound from the get-go. ("Cops Gone Wild" is hilarious, and his delivery is perfect)

But my souffle fell when I saw James Patterson in the opening credits (bastage actually wrote himself into the show?!). Patterson actively sucks, I've never seen a character from him with any depth or dimension at all, and Becket's snarky dismissive attitude, I'm not buying it. She owns all of his first editions? She begins a homicide investigation by having her team read them? Surely there are capably literate officers on leave you can assign that to while the detectives, y'know, detect (that and in theory, she's already read them). That and Fangrrl wouldn't take a tone with him ... she'd whip out a boob for him to sign.And oh, the storyline potential for his publisher to be his ex-wife, and for his oversexed mother to be living at his place, and what actual father wouldn't be thrilled stupid that his beautiful teenage daughter was doing homework at a premiere party (oh hell, even most Harry Potter premieres are damp children and librarians huddled in a parking lot) instead of carousing with some random drunken boy she found? "Here's some smack, sweetie, go get daddy on some tabloids."To be fair, this was my reaction after the first 12 minutes (tho to be even more fair, Becket's "profile," delivered in less time than this, made the splashy killer at low intelligence, and what the hell was she basing that on?).In sitting through the back 30, Nathan ultimately carries it. Even with Becket's initial profile being dead wrong (Castle's magical "author powers" profiled her better than she did the murderer), even with Castle's magical eyes that allow him to see the mouths of victims who are facing away from him and his magical brain that knows the petal forms of the world's vast array of roses and there being no actual reason for the perp to have focused on Castle (except the monomania of the kid he was framing -- good thing it was murder mysteries and not ant farms or weather patterns), the show is helped a huge amount by Captain Hammer and his chemistry with Bones.It'd be nice, of course, if the literary refs were accurate. When Mom said it was like "Mousetrap" (author Agatha Christie) I'd actually already determined it was much more like the "ABC Murders" (also by Agatha Christie), in which a weak-minded man was framed for a series of murders by a killer who nested a specific target among a batch of red herrings. Poirot figured that one out by "E" or so.Becket is a puzzle. She's defiant in one scene and vulnerable in the next, while getting little in the way of support. Also, it'd be nice if her boss were a police officer and not some lovestruck fanboi (Oh, Mr. Castle, you're some sort of author writing some sort of novel -- pardon the drool, the mayor's such a fan -- let me set up a private office for you in my police station so as you can peer at my homicide division, involve yourself however you like and while I'm at it, may I interest you in a latte and your new confidential secretary Miss Funzee).And when was the last time an elbow connecting with a jaw sounded like a gong?All that being said, I enjoyed Nathan giving his safe-word when Becket had his nose in her fist ("Apples! Apples! Apples!"), and the balletics involved with him grabbing the key with his foot (although honestly, how improbably far did that thing bounce?) I didn't understand why he didn't slip his shoe back on or why, if forced to throw it away, he didn't throw it at the guy he was chasing. If he missed he wouldn't be out anything, and it could've set up a lovely "Austin Powers" reference (Ow! That's gonna leave a mark! Who throws a shoe?)It's got some potential, and I like it a lot more than I liked Patterson's bleak "Women's Murder Club." Nathan does insouciant very well and Becket will have plenty to play off of. As situations go it's not even a little bit credible, but it could be fun, so I'll give it a shot. :Pmoreless

Fillion is a God. Shame about the rest of the cast.

Fillion is a gorgeous acting God sent to us magnanimously from above. The rest of the cast simply don't convince me of anything apart from the fact that woodland cannot express itself. The premise of the show is fresh, and will need sharper writing to keep it viable.

Nathan Fillion: Ok - so I am a firefly fan. But this man can act, and he has hit the jackpot once again in his portreyal as a charming, disarming and adolesent spoilt writer.Cast: Despite the eye candy, no one apart from his ex wife really owned their roles. Even the daughter-mother comedy duo was unlovable and unhilarious. The partner had less emotional range than a leaking teaspoon. Don't even get me started on her "colleagues".Script: Sharp, but poorly delivered by an astonishingly bad cast. Relieved to see that the series will not follow just one serial killer, as I feared. Some vivid murder scenes, but nothing on the surreal nature of Life or the lollipop insanity of pushing dasies.I am glad to have Fillion back. If only the support cast makes like yeast and rises to the occasion.moreless

Jonathan Tisdale

Guest Star

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Trivia, Notes, Quotes and Allusions

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TRIVIA (6)

Two different versions for the squad room were used. The first one, used until Beckett and Castle went to interview Harrison Tisdale, had a reddish wall in it. After seeing Harrison, they are in the version used throughout the rest of the series.

In the beginning of the episode, while viewing Alison Tisdale's body, Medical Examiner Lanie Parish mentions that Beckett should try a little lipstick, however it clear that she already has lipstick on.

In this episode we learn the title of several of Castle's novels: Death of a Prom Queen, Hell Hath No Fury, Flowers for Your Grave, Storm Fall, Gathering Storm, Storm's Break and When it Comes to Slaughter.

When the detectives flip open the book of the suspect with the scribbled drawings in it; the title is Storm Fall. This is the book that Castle gives Beckett an advanced copy of at the end of the show. A goof? Or maybe the suspect attended the launch party at the start of the episode, or got the book from one of the guests.

Goof: When Beckett approaches Castle at the party and takes him to the police station he has a clean shave. In the interrogation room he suddenly has a more than one day growth of beard. When he returns home some hours later, he again has a clean shave.

QUOTES (19)

Beckett:: Well, I guess this is it.Castle:: Well it doesn't have to be, we could go to dinner. Debrief each other.Beckett:: Why Castle? So I can be another one of your conquests?Castle:: Or I can be one of yours.Beckett:: It was nice to meet you Castle.Castle:: It's too bad, it would have been great.Beckett:: You have no idea.

Castle:: Life should be an adventure. Do you want to know why I killed Derek? There were no more surprises. I knew exactly what was going to happen every moment of every scene. It's just like these parties they become so predictable, 'I'm your biggest fan, where do you get your ideas'.Alexis:: And the ever popular 'will you sign my chest'.Castle:: That one I don't mind so much.

Castle: (to Alexis) I just want someone to like come up to me and say something new.Beckett: Mr. Castle?Castle: (turns around holding a pen) Where would you like it?Beckett: (holding a badge) Detective Kate Beckett, NYPD. We need to ask you a few questions about a murder that took place earlier tonight.Alexis: That's new.

Esposito: (about Castle) The man's got the Mayor on speed dial. The rich really are different.Kate: You want him? He's yours.Esposito: A control freak like you with something you can't control? No, no, that's gonna be more fun than Shark Week.

NOTES (4)

Detective Beckett's hairstyle changes multiple times throughout the episode, as does the length of her hair. Even the squad room had two versions in the episode. This is because the episode was originally filmed as a 37-minute presentation in New York, and then filled out as a full-length episode, with additional scenes, in Los Angeles several months later after the show was accepted by ABC as a series.

Original International Air Dates:Slovakia: January 13, 2010 on JOJGermany: February 6, 2010 on Kabel EinsUnited Kingdom: April 7, 2010 on alibiFinland: April 28, 2010 on NelonenCzech Republic: September 8, 2010 on Prima

This is a reference to the Agatha Christie murder mystery play which is the longest running show of its type in the world. It has been running in the West End of London since 1952. By tradition, at the end of each performance, audiences are asked not to reveal the identity of the killer to anyone outside the theatre, to ensure that the end of the play isn't spoiled for future audiences.

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