THRESHOLD have parted ways with vocalist Damian Wilson. The band have chosen to start a new chapter without him and he has told them he respects their decision.

Wilson enjoyed three stints with THRESHOLD, performing on the band's most recent records "For The Journey" and "March Of Progress" as well as their early releases "Wounded Land" and "Extinct Instinct" in the 1990's. Damian Wilson has been a great frontman for THRESHOLD and the band would like to sincerely thank him and wish him every success in his future endeavours.

THRESHOLD's new frontman will be Glynn Morgan, the band's former vocalist from 1994 to 1996. Morgan appeared on THRESHOLD's 1994 album "Psychedelicatessen" and returned to work with the band in 2008 to record tracks for the singles box set "Paradox".

Glynn Morgan commented: "I was over the moon when I got the phone call. To work with Karl and Richard and be a part of the mighty THRESHOLD story once more is a great honour. I can't wait to start recording, the new material has me hooked already."

Threshold and Headspace frontman Damian Wilson has announced he will release his new solo album Built for Fighting on 9th September which will be preceded by new single Thrill Me, available to download from 9th August.

The album, produced by Andrew Holdsworth, is Damian’s first solo album in more than 10 years. Following suit with his previous solo releases, Built for Fighting is a singer-songwriter album containing 11 new original songs and a cover of Depeche Mode’s Somebody.

The album was recorded over the last 12 months in studios in London (UK), Dublin (IE) and Tilburg (NL) with a group of talented musicians, including Bill Shanley (Ray Davies), Lee Pomeroy (Jeff Lynne’s ELO, Take That), Adam Wakeman (Ozzy Osbourne, Black Sabbath) and Brian Willoughby (The Strawbs).

Built for Fighting was mixed and mastered in Sweden by the Fascination Street duo Jens Bogren and Tony Lindgren, who have worked with acts such as Opeth, Devin Townsend and Haken, but also handled Taylor Swift’s latest live album.

Built for Fighting will be available as digipak CD, 12” Vinyl and as digital download on all major platforms, including a special ‘Mastered For iTunes’ version.

THRESHOLD will release a double-live-album coming up: European Journey, which was recorded at various venues across Europe during November 2014, in support of their current studio album For The Journey. European Journey contains 15 live tracks and will be released as a 2-CD digipak, out November 13.

Richard West comments: "We had a fantastic tour playing so many fan favorites going back to '97 with 'Part Of The Chaos' through 'Mission Profile', 'Pilot In The Sky Of Dreams' to the present day with 'The Box'. We recorded some shows along the way and it's turned into this really powerful double album".

"Threshold continue to enjoy fantastic support from our loyal fans. The band have always enjoyed mixing with the people who listen to our music and this tour was no exception”, adds Karl Groom.

European Journey tracklist:

CD1
01. Slipstream
02. The Hours
03. Liberty Complacency Dependency
04. Ground Control
05. Unforgiven
06. Long Way Home
07. Part Of The Chaos
08. Coda

CD2:

01. Watchtower On The Moon
02. Pilot In The Sky Of Dreams
03. Lost In Your Memory
04. Mission Profile
05. The Box
06. Turned To Dust
07. Ashes

'Remembrance' will be released on May 22nd on CD, red 12' vinyl and as digital download.
Marcela Bovio (Stream of Passion), Thunderstick (Samson) and Wudstik (Ayreon, For All We Know) have been added to the list of guest musicians on the album.

British progressive metal heroes THRESHOLD reveale further info on their upcoming new album For The Journey. The successor for their 2012 output March Of Progress was produced by Karl Groom and THRESHOLD keyboardist Richard West at Thin Ice Studios in England and mastered by Mika Jussila at Finnvox in Finland and will be released on September 19, 2014 via Nuclear Blast.

Commented Richard West: “For The Journey is one of our strongest albums and one of the most enjoyable to make. I've probably heard it a thousand times during the recording process, but now that's it's over I still can't stop listening to it!“