Maneker doesn't understand the criticism; the author of the piece doesn't understand the contradictions. Capitalism has always been theorized as permanent revolution. The aristocratic arts, following the ethos of the aristocracy, were signposts of stability. Following the logic of the new economic aristocracy (based on money not on land) the aristocratic arts now celebrate change, while the bourgeois arts -literature, theater- defend continuity, through memory, in the context of change. The banker as novelist sees himself as the honorable bourgeois; the banker as collector of avant-garde art lives a bourgeois fantasy of individual pseudo-monarchic authority. The avant-garde artists fantasizes revolution in the cafe; the theoretician does the same in the faculty lounge; and the fine arts devolve into design, aesthetics, and fashion.