One of the horror genre's "most widely read critics" (Rue Morgue # 68), "an accomplished film journalist" (Comic Buyer's Guide #1535), and the award-winning author of Horror Films of the 1980s (2007), The Rock and Roll Film Encyclopedia (2007) and Horror Films of the 1970s (2002), John Kenneth Muir, presents his blog on film, television and nostalgia, named one of the Top 100 Film Studies Blog on the Net.

Friday, February 10, 2017

Room for One More, Honey: The 7 Cult-TV Flights You Don't Want to Board

I
must confess that I have never been very comfortable with flying.

The
last time I flew, in fact, was in the year 2005, I believe. So I’m (happily…) going on over ten years
since I boarded a commercial air-liner. I'd be happy to make it twenty.

The
short-lived The Others was a great horror series that should have gone on
for many seasons, but one of its finest efforts was “Souls on Board.” In this macabre tale, the protagonists -- a diverse
team of psychics -- board a plane reputed to be haunted. The team-members soon learned that the plane
has been retrofitted with parts from Flight 390 which crashed…killing all hands
aboard. Now, the ghostly crew of lost Flight 390
haunts the new plane…

So
imagine boarding a plane on a routine flight only to discover that: a.) the
plane is built from crash scraps. And
b.) the salvaged parts are haunted. How's that for flying the friendly skies?

6. Sub-orbital
flight in 1983, aboard the Spindrift (“Crash,”
Land
of the Giants, 1968).

A sub-orbital ship, The Spindrift,
encounters "solar turbulence" upon final sub-orbital approach
to London. Before long, the small commercial vessel crashes on a strange world, and
the crew and passengers encounter the peculiar dangers of this planet, namely
giant spiders, cats, lizards...and (apparently) giant, hostile humans.

This is the premise of
Irwin Allen’s final science fiction series Land of the Giants. Again, a routine commercial flight leads to an unexpected danger, in this case permanent exile on a planet where you are, essentially, an ant,
compared to the indigenous population.

In
the 1969 generation-gap series The New People (from Rod Serling and Aaron Spelling) a group of thirty or
forty college students in the South Pacific on a "good will" trip are recalled to America because of
international tensions. Their plane goes
off course in a pounding storm, however, and crashes on remote Bomano, where the U.S. has abandoned
its Atomic Energy Testing Site. The site
is now a ghost town populated only by creepy human dummies. “The New People “-- with no chance of getting
home -- must start a new life with no adults, no government, and limited provisions…

So what starts out as a routine flight ends, essentially, in Lord of the Flies. The only adult trapped in this nightmare, played by Richard Kiley, wisely dies before the end of the first hour...

4.
Flight 22 (“Twenty-Two,” The
Twilight Zone, 1962)

In
this classic The Twilight Zone tale, Liz Powell, a dancer, has experienced
for weeks a strange and terrifying nightmare about a morgue, a pleasant though sinister-looking nurse, and the number 22.

“Room
for one more, honey…” the nurse repeatedly intones, offering a slot in the morgue.

After
exorcising the fear of this baffling nightmare, Liz leaves the hospital, travels to the airport
and prepares to board a plane.

But when she is about to board, Liz learns that this is Flight 22, and the pleasant stewardess intones -- wait for it -- “room for one more honey…”

Appropriately, Liz freaks out and leaves the tarmac. Moments later, the plane explodes on
take-off, killing all aboard.

Although shot on video-tape (as a cost-saving measure) this is one of the all-time classic Twilight Zone episodes, and one that many viewers still remember from the original airing. Although my mother often explicitly recalls the terror of "The After Hours" and "Eye of the Beholder," it is "Twenty-Two" that terrified by Dad as a young man..

This
is another remarkable Twilight Zone story about unlucky plane passengers.

In this case, a commercial air liner en route from London to New York somehow jumps a time track. Instead of arriving at Idlewild Airport in
the present, the plane flies over New York to find it inhabited by
dinosaurs. The plane retraces its steps,
makes a second approach, and the passengers see the 1939 World’s Fair this time Finally, the plane makes one final attempt
and…

…well,
let’s just say that if you ever hear something in the sky above -- the strain of
over-taxed engines, for instance -- it may very well be the sound of lost Flight
33, still trying to reach home…the Flying Dutchman of cult-television history.

2.
Oceanic Airlines Flight 815 (Lost; 2004)

The
year 2004 brought scripted dramatic television back to the forefront with a
bang (in the era of reality TV) with Lost (2004 – 2011). This science-fiction drama from J.J. Abrams concerned the
passengers of Oceanic Airlines Flight 815, which crashed on a mysterious island
and was soon confronted with a “smoke monster,” hostile “Others” and even a
strange, subterranean hatch.

The crash
itself was depicted in harrowing and vivid terms in Lost's extraordinary pilot, and the plane was seen to split into
sections. In the second year of the series, some
survivors met up with the “tailies,” passengers who survived impact in another part of the plane.

Before Lost was through, the passengers of Flight 815 were subjected to flash-backs, flash-forwards, and even flash-sideways...

This
is surely the acknowledged classic of the terror-on-an-air-liner sub-genre. A passenger named Robert Wilson (played with twitchy
authenticity by a young William Shatner) becomes convinced that a monstrous, mischievous gremlin is on
the wing of the his plane, imperiling the flight.
A taut and tense half-hour from director Richard Donner finds Shatner -- believed to be insane by his wife and fellow passengers -- battling the Gremlin, and attempting to prevent a crash. Although the monster isn't very convincing, this episode remains incredibly suspenseful, and oddly touching. At some point, Shatner's Wilson realizes that he is totally and completely alone, patronized and written off, and takes matters into his hands.

God
knows just how many people this single half-hour of a fifty-something year old series scared permanently away from commercial air travel.

And if you're traveling that route today...have a nice flight, and watch out for detours into...the Twilight Zone.

John,These lists are always fun! How interesting that I happen to be wearing this Twilight Zone t-shirt today:http://www.yourwdwstore.net/Disney-ADULT-Long-Sleeve-Shirt--Tower-of-Terror--Your-Room-Is-Ready_p_30465.html"Twenty-two" is one of my favorite TZ episodes of all time. It's a classic because it weaves in so many elements of the show's greatness: the thin line between dreams and reality, prognostication, suspense, a wonderful score (recycled from the earlier episode "Elegy"), and that memorable line which you quoted but bears repeating, "Room for one more, Honey!"I've read the Richard Matheson short story from which "Nightmare at 20,000 Feet" was adapted, and the episode was practically a beat-for-beat recreation of the story; however, the creature as described is more accurately represented by Steven Spielberg's "Twilight Zone - The Movie" sequence featuring John Lithgow.Kudos for mentioning sub-orbital flight 603 from "Land of the Giants." Fun fact - the ship wasn't named in early scripts or production materials. It was Kurt Kazner, who played Alexander Fitzugh, who came up with the name "Spindrift," which is the foam an ocean liner produces as it sails through the water. The cast adapted the name, ad-libbing it in their dialogue, and shortly thereafter the writers began adding it into the scripts. I'm currently re-reading Murray Leinster's novels based on the show. In these, the Spindrift has a re-chargeable atomic drive, which allows the ship to fly back and forth across the planet many times. Can you imagine having to strap in every few hours, take off and crash land, repeatedly? Probably better that you didn't, but that's what happening in the novels.Lost's first season is, in my mind, one of the finest years of television ever produced, although I'm envious of those who checked out before it reached its controversial conclusion. I'd heard a story, perhaps apocryphal, that J.J. Abrams pitched his idea, including its ending, to ABC, and the day after the pilot aired, fans had figured out the ending on the internet. Even Howard Stern had guessed it on his show! Seven years later, it turned out they had all surmised correctly. Even though I wasn't too thrilled with its denouement, Lost has made me wonder if we're all trapped in Purgatory or Naraka due to our current political climate! As long as we still have shows like The Twilight Zone, I guess it isn't all bad.Steve

About John

award-winning author of 27 books including Horror Films FAQ (2013), Horror Films of the 1990s (2011), Horror Films of the 1980s (2007), TV Year (2007), The Rock and Roll Film Encyclopedia (2007), Mercy in Her Eyes: The Films of Mira Nair (2006),, Best in Show: The Films of Christopher Guest and Company (2004), The Unseen Force: The Films of Sam Raimi (2004), An Askew View: The Films of Kevin Smith (2002), The Encyclopedia of Superheroes on Film & Television (2004), Exploring Space:1999 (1997), An Analytical Guide to TV's Battlestar Galactica (1998), Terror Television (2001), Space:1999 - The Forsaken (2003) and Horror Films of the 1970s (2002).

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