Once in a while, someone writes a piece of war reportage that will stand the test. The stars have to align perfectly — the right material, a friendly editor willing to deal with obscene word count, a lack of stronger competition within the issue itself — all this and more are the backstory to the most important pieces in the war writing canon. I’m talking about pieces like “M,” John Sack’s 33,000 word shot from Vietnam for Esquire, or John Hersey’s 30,000 word “Hiroshima” for The New Yorker. Even Mark Bowden’s original series of 29 (!) articles for The Philadelphia Inquirer that later became Blackhawk Down.

In the current fight against ISIS, the narrative no longer belongs to the U.S. military. Not in any meaningful way, anyway. That story belongs to the Iraqis who are putting it on the line. Luke Mogelson bet 20,000 words on it, and I’d argue, hit the jackpot. I haven’t read a piece like this in a really long time. For you writers out there, pay close attention to Mogelson’s narrative stance: how he begins as a journalist, but ends with far more complicity. The strain is palpable in the writing. This is a piece you’re going to want to carve off some time, and some place quiet, to read this one: The Desperate Battle to Destroy ISIS – The New Yorker.

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About the Author

Matt Komatsu is a writer, currently-serving veteran of Iraq and Afghanistan, and MFA Candidate in the University of Alaska-Anchorage's Creative Writing (Nonfiction) Program. You can read his full bio here.

About the Illustrator

Lydia Komatsu is a visual artist from Duluth, MN and Matthew's sister. She has illustrated a children's book that Matt wrote and one of his essays as well. Her art transcends stories of family, landscape and heritage. You can view more of her work here.