Socialist Realism and the continuity of the modern poster (1950 - 1955)

A cavalcade of styles & Techniques (1956 - 1970)

The Low-Culture and the Neo Avant-garde (1971 - 1990)

Price

All

-300

300-600

600-1000

1000-2000

2000-

Type

All

Paper, black and white lithography.

Paper, offset.

Paper, intaglio.

Heavy stock paper, offset.

Paper, print.

Paper, mixed technique.

Paper, lithography.

Paper, silk screen.

Paper, hand painting, drawing (paint, pencil).

Paper, linocut.

Heavy stock paper, silk screen.

Paint on cardboard.

Pencil and ink on cardboard.

Heavy stock paper, lithography.

Paper, xerox.

Paper, collage.

Paper, collage, paint.

Paper, pencil.

Paper, letterpress.

Thin cardboard, lithography.

Zsótér, László

1945 -

Graphic designer. In the late 1960s and early 1970s he studied at the Faculty of Textile, from which he soon switched to the Typographic Faculty at the Academy of Applied Arts. After graduation he worked in various fields of applied graphics; he designed posters, flyers, packaging and worked on exhibition designs.

His posters are often photo-based compositions. The photos he used are cleverly processed and combined with other details such as the dominant typography. In the 1990s he designed the logos of huge national companies of Hungary like Matáv, MOL and the National Radio. He also created art designs for movies and even a huge mural installation (the Wall of the Victims) for the Holocaust Memorial Center of Budapest. Currently he is a docent at the Moholy-Nagy University (Academy of Applied Arts). .

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