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Realizing I’d completely forgotten the review embargo for this upcoming film was off as of 9pm PST on Monday, and here it is Wednesday, is sort of how I’m guessing filmgoers will feel after seeing it. They will just forget. Titling off the movie, we meet “Morgan” (Anya Taylor-Joy), an ‘It’ as we are not allowed to call human nor female, though both the forms are made clear to us. It/Morgan was made in a lab from synthetic DNA so as not to confuse you, we learn it’s the third in a line of synthetic species in an old ramshackle plantation-type home in the middle of nowheres-ville.

We get the basic introduction of the characters, aka the people who have created and work with Morgan. Dr. Simon Ziegler (Toby Jones) and Dr. Lui Cheng (Michelle Yeoh) being the main ‘creators’. Dr. Amy Menser (Rose Leslie), Dr. Brenda Finch (Vinette Robinson), Dr. Darren Finch (Chris Sullivan), Ted Brenner (Michael Yare) are all kind of caregivers to her. Throw in the very unnecessary character of handsome personal chef/nutrionist Skip Vronsky (Boyd Holbrook) to round it all up at the laboratory and all is complete. Well except for Lee Weathers (Kate Mara), the risk-management corporate consultant who is sent down to the remote, top-secret location, where she is to investigate and evaluate a terrifying accident or as Dr. Alan Shapiro (Paul Giamatti), the psychologist sent to evaluate her notes, the ‘issues’ that have occured between Morgan & Dr. Kathy Grieff (Jennifer Jason Lee) who is literally on the screen for a total of about 1 min 30sec.
We never find out why Morgan turns into a killing machine at age 5 in synthetic years, teenager in human years. Or why she can suddenly drive a car or shoot a gun. There is no rhyme or reason to any of it. The only character you might get somewhat vested in is Amy because she is really the only one you get some background on to relate to. Possibly some will relate to Mara’s character as there are a lot of over the top fight scenes between her & Morgan. But you get no feel in general for this film. There is a supposed surprise shock ending which will probably surprise absolutely no one as it’s plain to see what it is way before hand.

First-time film director Luke Scott, son of Ridley Scott, the producer here this time, really needed to have more under his belt and develop this story much more. I think he was trying to show flares of Alien, ExMachina of Firestarter with no success in doing so.

With possibly the worst moderator I’ve ever experienced from Rotten Tomatoes, asking some of the most ridiculous questions. Sample: she had Ridley Scott to ask questions to, one of the most iconic Film/TV people of our times, and it took her 8 minutes to ask a first question to him. When she did, she actually used the word ‘dope’ to Ridley Scott, as in “yeah that scene was really dope” and no, she was not a 20-something. Another sample: Asking Kate Mara about a scene when her character throws a chair against a unbreakable window enclosure, does she see that also as possibly being the ‘new fitness craze in L.A.” *sigh – we barely made it through this.

The actresses were both fun and noted how they had to remain separated mostly not only from each other, but Kate noted she also remained a bit detached from all because of what her character had to be. Luke Scott went on the explain how he had directed a short film called “Loom” and FOX then asked him to make more of a feature film take on it. It’s also always wonderful to hear Ridley, when the moderator gave him a chance to speak, give pointers and tell stories about some of his projects. All in all, I do wish this film had been better because I have and do, so enjoy almost all of Ridley’s projects.

Thanks so much Jonathan.. I’m off on vacation today, so it might be hard to get to respond and do the questionnaire..but I will most def. try. I so appreciate your nominating me for this!! Means a lot.. 😀

Such a disappointment. Your first few lines summed it up perfectly. Like you said, this might not have been the best first film for a debut director to take, even if he is Ridley Scott’s son. And the writing does no favors.