Seven (Or So) Techniques for Writing a Moral Game

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Seven
Techniques for
Writing a
Moral Game
(Or So)
Richard Rouse III
Senior Game Designer – Microsoft Studios
[email protected]
Game Developer’s Conference Narrative Summit 2013
Slides available at: www.paranoidproductions.com
Ray Bradbury’s Writing Rules
(adapted)
1.
2.
3.
4.
5.
6.
Write every day.
Let the world burn through you.
The only good writing is intuitive writing.
You must stay drunk on writing so the world cannot destroy you.
It doesn’t need to be perfect, but it does need to be you.
Plot is no more than footprints left in the snow after your
characters have run by on their way to incredible destinations.
7. Etc…
Elmore Leonard’s Writing Rules
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than ''said'' to carry dialogue.
4. Never use an adverb to modify the verb ''said'' . . .
5. Keep your exclamation points under control.
6. Never use the words ''suddenly'' or ''all hell broke loose.''
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
Bonus: If it sounds like writing, rewrite it.
1:
YOU DON’T NEED
PLAYER-DRIVEN
CHOICES TO HAVE A
MORAL GAME
2:
PUT BELOVED
CHARACTERS
IN CONFLICT
Passion:
Political Savvy:
Grudge:
Righteousness:
Ethics:
6
8
1
5
7
Passion: 10
Political Savvy: 2
Grudge: 9
Righteousness: 9
Ethics: 3
Passion:
Political Savvy:
Grudge:
Righteousness:
Ethics:
8
5
7
7
6
Passion:
Political Savvy:
Grudge:
Righteousness:
Ethics:
2
4
2
8
9
Bloodlust: 7
Empathy: 7
Patriotism: 3
Thoughtfulness: 8
Bloodlust: 9
Empathy: 2
Patriotism: 6
Thoughtfulness: 3
Bloodlust: 5
Empathy: 8
Patriotism: 8
Thoughtfulness: 5
Bloodlust: 2
Empathy: 5
Patriotism: 10
Thoughtfulness: 9
3: IF THERE ARE
CHOICES, THERE
MUST BE
REPURCUSSIONS,
AND NOT JUST AT
THE END
“A game is a series of
interesting choices.”
– Sid Meier,
Creator of Civilization
3: IF THERE ARE
CHOICES, THERE
MUST BE
REPURCUSSIONS,
AND NOT JUST AT
THE END
Silent Hill 2
To Get the “In Water” Ending
(the bleakest one)
- Examine Angela’s knife often
- Stay at low health throughout the game
- Listen to the entire hallway conversation
- DO NOT heal right after taking damage
3: IF THERE ARE
CHOICES, THERE
MUST BE
REPURCUSSIONS,
AND NOT JUST AT
THE END
“Sometimes conversations were decoupled from
resources, and only affected story branches, and
sometimes they were tightly tied to resources. For
us, there was no one right way...we used all the
different tools and tricks we could, with
‘consequences to your actions’ as a constant.”
- Harvey Smith,
Lead Designer on Deus Ex,
Co-Creative Director on Dishonored
Dishonored
4:
KEEP THE
BUDGET IN MIND
•
•
•
•
•
Feedback – screen overlay + VO
Feedback – character skin texture
Feedback – bloody photo in inventory
Feedback – supernatural characters chorus + family (only)
Final cut-scenes (pre-rendered + in-game)- huge difference to backstory, minor to
present, but enough
EXPENSIVE
• Final cut-scenes, huge changes to backstory and
final outcome (3 variants)
INEXPENSIVE
• Character skin texture (5 sets)
• Supernatural character dialog variations (x10
instances)
DIRT CHEAP
• Bloody photo in inventory (5 versions)
• Screen overlay + VO (x15 variants)
5:
DON’T
PROVIDE
EASY
ANSWERS
(BUT I DON’T
MEAN
IMPOSSIBLE)
6:
NO MORE THAN
THREE
STAKEHOLDERS
The Wisdom of Teams
Clarity of Vision
Clarity of Vision
7:
MAKE SURE YOUR
STORY AND YOUR
GAMEPLAY HAVE
THE SAME MORAL
1. You don't need player-driven choices
to have a moral game.
2. Put beloved characters in conflict.
3. If there are choices, there must be
repercussions, and not just at the end.
4. Keep the budget in mind.
5. No more than three stakeholders.
6. Don't provide easy answers.
7. Make sure your story and gameplay
have the same moral.
"Kids see a moral coming a
mile off and they gag at it.
But there's an inherent moral
in any story." - Dr. Seuss
Seven
Techniques for
Writing a
Moral Game
(Or So)
Richard Rouse III
Senior Game Designer – Microsoft Studios
[email protected]
Thanks to Tom Abernathy, Richard Dansky, Harvey Smith, Bernard Perron, Noah
Falstein, Alex Hutchinson, Patrick Plourde, Jeffrey Yohalem, Ben Young
Slides available at: www.paranoidproductions.com