Tag Archives: Derek Austin Johnson

The pilot episode of The Adventures of Superman stands as one of the great episodes of ’50s TV.

By Scott A. Cupp

This is the 187th in my series of Forgotten, Obscure or Neglected Films

It has been an interesting week, again! I had a nightmare and fell out of bed, striking my forehead against a night stand and opening a cut up. It bled badly and was still oozing two hours later. So, I took myself to the Emergency Room where I got my cut superglued shut and a tetanus shot. I already had a headache and some aching muscles from the fall. And an embarrassed feeling in having to explain what happened. The only good takeaway is that I now have a miniature Harry Potter lightning bolt scar just above my right eyebrow.

Oh, and two of my friends got not-good health reports this week. Another peripheral acquaintance recently lost her mother, her one true love and her business. She took her life this last weekend.

So I needed something to make me feel better. Staying at home to rest my head and back, I decided to watch the premiere episode of The Adventures of Superman starring George Reeves. “Superman on Earth” is one of my favorite episodes of ‘50s TV.

The 28-minute episode is also one of the best TV superhero origin stories that stays true to its source materials. It begins on Krypton where the weather has been odd. The high council has asked young scientist Jor-El (Robert Robinson, best known as Mr. Boynton on Our Miss Brooks). He says Krypton is being drawn into the sun and will soon explode, but the council laughs him out of the chambers. At his home, he fuels his experimental rocket and discusses his experience with his wife Lara (Aline Towne, who made some memorable appearances in Republic serials). The planet’s weather anomalies begin to intensify, and Jor-El feels that it will soon explode. His rocket can carry one and he offers the seat to her. Instead, she elects to stay with him and send off their small son.

The planet explodes, the rocket speeds away, finding its way to Earth where it crashes in a field near Eben and Sarah Kent (Tom Fadden and Frances Morris). I love how they used the original names associated with the Clark Kent story and the Superman novel I reviewed some time ago.

The story unfolds normally, with Clark Kent growing up, Eben dying and Clark going off to join the Daily Planet. Here we meet the cast that the Adventures of Superman made famous. George Reeves as Superman, Phyllis Coates as Lois Lane, Jack Larson as Jimmy Olsen and John Hamilton as Perry White are all there in their glory. We also get a glimpse of the slight innuendo and wordplay between Lois and Clark that would characterize all Superman stories for the next 65 years.

Following this episode, I was much more calm and relaxed and decided to watch the Superman vs. The Mole Men movie made the year before. Suddenly, I was six again and living in Richmond, Virginia, watching Superman on an old black-and-white TV. The feeling of nostalgia and all around goodness made the day pass by.

Life was … better. It still wasn’t good. Just better.

I finished the morning watching the end of The Cat People, coming in near the swimming pool scene. It was gloriously noir.

All in all, it was a mixed bag of a day. I need to go read something uplifting too.

Series organizer Todd Mason host Tuesday Forgotten Film reviews at his own blogand posts a complete list of participating blogs.

If you’re a horror buff you undoubtedly have a go-to film when the Halloween spirit drifts in on cool autumn air. You know, that one you find yourself glued to the instant it pops up on the cable horror marathon.

In my case, it’s The Shining. I find it impossible to resist its calling. Stanley Kubrick’s camera bestows the haunted hotel with an unsettling beauty and Jack Nicholson’s performance is a brilliant tightrope walk between hammy and terrifying.

I asked other writers — some who specialize in horror and others who don’t — what fright flicks they’re most likely to throw on the DVD player this time of year. Here’s hoping the answers send you exploring creepy new cinematic territory or revisiting old nightmares.

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Lee Thomas:Lee Thomas is the Lambda Literary Award and Bram Stoker Award-winning author of more than 20 books, including The Dust of Wonderland, In the Closet, Under the Bed, The German, Torn, Ash Street, Like Light for Flies and Butcher’s Road. Writing as Thomas Pendleton and Dallas Reed, he is the author of the novels Mason, Shimmer and The Calling from HarperTeen. He is also the co-author (with Stefan Petrucha) of the Wicked Dead series of books for young adults.

One of the nightmarish creatures that emerges from The Mist.

While season-specific titles – Halloween (1978) and Trick ‘r Treat (2007) – always make for great viewing this time of year, I have a – relatively – new seasonal favorite in Frank Darabont’s adaptation of Stephen King’s The Mist (2007). Great performances from the cast and a nihilistic ending that will piss off grandma, The Mist is a modern creature-feature classic. I watch it in black and white, which ups the nightmare vibe considerably.

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Yvette Benavides: Yvette Benavides is an author of literary fiction, often set on the U.S.-Mexico border, and an associate professor of English at Our Lady of the Lake University. She teaches composition and literature courses as well as courses in the combined MA/MFA program in literature, creative writing and social justice.

Let’s Scare Jessica to Death. I guess it’s the first one that comes to mind because it is the scariest — at least the early imprint of it. (It was made in 1971.) I watched it on late-night TV a few years after it was made, when I was maybe 8 or 9. An emotionally/mentally fragile woman feels unsafe in her home. That’s scary. The psychological vampires won’t leave.

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The atmosphere of British film The Innocents earned high marks from Steve Rasnic Tem.

Steve Rasnic Tem: Steve Rasnic Tem’s short fiction has been compared to the work of Franz Kafka, Dino Buzzati, Ray Bradbury and Raymond Carver, but to quote Joe R. Lansdale: “Steve Rasnic Tem is a school of writing unto himself.” His 300 plus published pieces have garnered him a British Fantasy Award, and nominations for the World Fantasy and Bram Stoker Awards.

It varies over time, but again and again I find myself returning to Jack Clayton’s The Innocents. It’s wonderfully atmospheric, and explores very well the idea of how the past can maintain a terrible hold on the present.

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Joe R. Lansdale: Champion Mojo Storyteller Joe R. Lansdale is the author of over forty novels and numerous short stories. His work has appeared in national anthologies, magazines, and collections, as well as numerous foreign publications. He has written for comics, television, film, newspapers, and Internet sites.

The Haunting, the original version. Why is because it truly creeps me out and edges between psychological and possible supernatural.

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Elizabeth Bourne: Writer and photographer Elizabeth’s fiction has been published in Black Lantern, Fantasy & Science Fiction magazine, Interzone and Clarkesworld. She loves writing genre and is currently working on a second-world fantasy novel and a mystery set in prohibition era San Francisco.

My #1 go-to Halloween movie is The Haunting, based on Shirley Jackson’s phenomenal, and phenomenally creepy, book The Haunting of Hill House. This is one of those wonderful instances where the book and movie are equally good. What higher praise can there be than that Stephen King wrote Rose Red (shot in Tacoma’s Thornewood Castle) as an homage to this masterpiece.

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William F. Nolan: William F. Nolan writes mostly in the science fiction, fantasy and horror genres. Though best known for coauthoring the acclaimed dystopian science fiction novel Logan’s Run with George Clayton Johnson, Nolan is the author of more than 2,000 pieces (fiction, nonfiction, articles and books), and has edited twenty-six anthologies in his fifty-plus year career.

Alien and The Fly (1986) – and Blood of Dracula. All damn scary.

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Stina Leicht: Stina Leicht is a sf/fantasy writer living in central Texas. Her latest novel is titled Cold Iron, a new secondary world flintlock fantasy series for Simon and Schuster’s Saga Press. The next book in the series, Blackthorne, will be released in 2017. Her second novel And Blue Skies from Pain was on the Locus Recommended Reading list for 2012.

Things get scary in the 1976 Carrie.

Because of my love of good horror I can’t limit myself to one film. So, here are my four favorites. The first is The War of the Worlds (2005). It has layers beyond the main plot. It talks about the transition from boy to man. Both Ray and his son, Robbie, demonstrate this growth forced upon them by tragedy. (Too bad the women don’t.) The scene in the basement of the farmhouse packs a wallop. Also? The tripod animation just rules. My next pick is Invasion of the Body Snatchers (1978). Like WotW, Body Snatchers has been remade quite a bit, but the team of Donald Sutherland, Brooke Adams, Jeff Goldblum and Veronica Cartwright did it best. The film is extremely creepy, particularly the end. I’m a huge Stephen King fan, and I’m torn between The Mist (2007) and Carrie (1978), but I’ll pick Carrie today. Sissy Spacek captures Carrie’s frail vulnerability perfectly. And that’s the important thing to remember about Carrie, I feel — it’s that transition from victim to perpetrator that is so relevant today. It says a lot about extremist Christianity and misogyny. My last pick is between American Werewolf in London and Cabin in the Woods (2012). Joss Whedon isn’t perfect — no one is — but Cabin is a gem from the first scene to the last. Price of admission is the merman scene.

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Josh Rountree:Josh Rountree’s short fiction has been published in a variety of magazines and anthologies, including Realms of Fantasy, Polyphony 6 and Happily Ever After. His short fiction collection, Can’t Buy Me Faded Love, is available from Wheatland Press. His first novel, Alamo Rising, was co-written with Lon Prater and is now available from White Cat Publications.

The Shining. It’s different than King’s book but just as amazing in its own way. Both the movie and the book still scare the crap out of me every time.

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Derek Austin Johnson: Derek Austin Johnson has lived most of his life in the Lone Star State. A member of the Turkey City Writer’s Workshop, his work has appeared in Rayguns Over Texas! edited by Rick Klaw, Nova Express, Moving Pictures, Her Majesty’s Secret Servant, and Revolution SF. His film column “Watching the Future” appears each month on SF Signal.

Pontypool (2009, d. Bruce McDonald). There’s much to love in this suspenseful movie, from the claustrophobic setting to a surprising amount of humor. Combining elements of Henrik Ibsen’s A Doll’s House and director Danny Boyle’s 28 Days Later, Pontypool stands as one of the most intriguing of zombie movies.

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Scott A. Cupp:Scott A. Cupp is a writer from San Antonio who has been associated with the science fiction community for more than 40 years. He has been a regular reviewer at Mystery Scene magazine, where he reviewed western and horror novels, and at the Missions Unknown blog, where he did columns on Forgotten Books and Forgotten Films.

The more recent film Pontypool puts a new twist on zombie invasions.

When the Halloween season comes around I love catching up on great horror films. Among those I remember fondly this time of year are William Castle’s 13 Ghosts which I saw when I was 8 or 9. You had a special viewfinder to see or not see the ghosts when they appeared. Of course, I watched them all, then I had to walk home in the dark. Every shadow haunted me on that trip. As more of an adult, I loved the original Lugosi Dracula, particularly when Van Helsing and crew kill Lucy Westenra in the crypts of London. It was a creepy scene heightened by my memory of that particular passage in the novel, which is one of my favorites. Of course, my forgotten film this week, The Leopard Man, has a scene where a young girl afraid of the dark has been sent out for corn meal to make her father’s tortillas. On her way home she encounters a leopard that has escaped its leash. She runs home screaming to be let in but the door is bolted and her mother feels she is shirking her duties. The cries and beatings get more frantic and suddenly the screams are visceral and there are other, animal sounds. Then there is silence as blood seeps under the door. All in chilling black and white. This is noir horror at its best. I also love all of the 1963 version of The Haunting for its psychological terror.