TV Reviews

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Inside the Surreal Mind of ‘Twin Peaks’ Creator David Lynch. Everything We Know About Twin Peaks Season 3 So Far. In the final episode of the second season of Twin Peaks, which aired on June 10, 1991, Laura Palmer tells Agent Dale Cooper in a vision: "I'll see you again in 25 years.

" Over the following 25 years, Twin Peaks became a cult classic—one that changed the scope of television as we know it. And meanwhile, there was always the lingering question: "Will Twin Peaks return?
" Creators David Lynch and Mark Frost seriously began entertaining the idea of bringing back their beloved series in August 2012 as that 25-year mark approached. After closing a deal with Showtime and writing a 400-page script, the project hit a road block when Lynch couldn't get the budget; he tweeted in April 2015, "after 1 year and 4 months of negotiations, I left because not enough money was offered to do the script the way I felt it needed to be done.

" Advertisement - Continue Reading Below. The Philosophy of Westworld. According to bicameralism, human beings used to hear voices—auditory hallucinations—as a means for the right brain to “talk” with the left.

Rather than having an inner monologue, the kind of self-consciousness we take for granted today, ancient people literally heard the voices of gods as their conscience, telling them what to do.
‘Better Call Saul’ Breaks Bad: Creators on Gus Fring’s Return and the Specter of Walter White. Vince Gilligan and Peter Gould discuss the menacing Los Pollos Hermanos founder’s return and tease the inevitable appearance of Bryan Cranston’s Walter White.

It happened. He was nowhere to be seen in Better Call Saul’s season three premiere last week, but there was smiling Gustavo Fring politely asking Bob Odenkirk’s Jimmy McGill, “Can I help you?” As he pulls his head out of a Los Pollos Hermanos trash can during episode two. The return of Breaking Bad’s most terrifying villain was a long time coming, as actor Giancarlo Esposito told The Daily Beast when we sat down with him in his hometown of Austin, Texas, last month. In fact, he caught wind of the plans to bring his iconic character onto Better Call Saul before anyone had asked him to reprise the role.

Mark Frost’s The Secret History of Twin Peaks shows just how bad Twin Peaks would be without David Lynch.
Watching Twin Peaks today, it’s difficult to recollect just how thrilling it was when the show debuted 26 years ago on ABC.

No film director of David Lynch’s stature, both as an artist and as an eccentric, had ever helmed a dramatic series before. The lushness of the series’ cinematic photography was intoxicating compared to the uniformly flat, bright appearance of everything else in the medium; Dallas was on the air back then, and Beverly Hills 90210.
Why ‘Westworld’ and ‘Mr. Robot’ Owe Their Success to ‘The Prisoner’
In 2016, I fell deep in the thrall of both Westworld and Mr.

Robot, fascinating and intense stories about reality, identity, and the place where progress and individuality meet and come into conflict.
In 1961, Roald Dahl Hosted His Own Version of 'The Twilight Zone'
Roald Dahl was many things.

A fighter pilot, a renowned author, a spy. But few people know that he was also the host of his very own Twilight Zone–style sci-fi/horror anthology show, Way Out, a macabre program that ran for a single season and almost gave Rod Serling’s more famous program a run for its money. And it all began with a terrible game show. In 1961, Honeymooners star Jackie Gleason had moved on from his career-defining role as cantankerous bus driver, Ralph Kramden, and become a roving host and guest, appearing on the variety shows, specials, and game shows.

The Walking Dead season 7 premiere: “The Day Will Come When You Won’t Be” is terminally stupid television. Westworld is full of Shakespeare quotations, but it's using them all wrong.
John P.

Johnson/HBO. Theconversation. For a sci-fi fan like me, fascinated by the nature of human intelligence and the possibility of building life-like robots, it’s always interesting to find a new angle on these questions.

As a re-imagining of the original 1970s science fiction film set in a cowboy-themed, hyper-real adult theme park populated by robots that look and act like people, Westworld does not disappoint. Westworld challenges us to consider the difference between being human and being a robot. From the beginning of this new serialisation on HBO we are confronted with scenes of graphic human-on-robot violence. But the robots in Westworld have more than just human-like physical bodies, they display emotion including extreme pain, they see and recognise each other’s suffering, they bleed and even die. What makes this acceptable, at least within Westworld’s narrative, is that they are just extremely life-like human simulations; while their behaviour is realistically automated, there is “nobody home”.
What is the best/correct order to watch The Prisoner?
In McGoohan's list order, which I respectfully accept as his vision of the episodes that "really count," I see nothing more than him attempting to get at the answer of what the Prisoner is all about.

After all, he created it and he knows what is what. That said, I am also glad that the show ran 17 entertaining (for the most part [and far more than anything currently on the telly]) episodes.
Why 'The Prisoner' Endures. PARK CITY, Utah -- Most of the people attending the Sundance Film Festival here weren't even born when the cult TV series "The Prisoner" first aired in Britain and the U.S. more than 40 years ago.

But Sundance's celebration of independent filmmaking was filled with people who mourned the death last week of Patrick McGoohan, the 80-year-old actor who both created and starred in the quirky story of Prisoner Number Six, a spy trying to escape a remote seaside "village" where everyone is known only by a number and where he is told that "by hook or by crook" the reasons for his sudden resignation as an agent will be extracted from him. No wonder Mr.
George Markstein. Life and work[edit] In 1926, according to his friend Sidney Allinson, writing in 'George Markstein and The Prisoner', Markstein was born in Berlin, Germany,[1] but emigrated with his family to England with the rise of Nazism. It is likely that he lived in the United States during his youth, then moved to Britain. Markstein worked as a newspaper reporter for the Southport Guardian of Southport England in 1947.

Markstein later became a journalist for the American military tabloid, the Overseas Weekly.
The Prisoner. The Prisoner is a 17-episode British television series[2] first broadcast in the United Kingdom from 29 September 1967 to 1 February 1968.[3] Starring and co-created by Patrick McGoohan, it combined spy fiction with elements of science fiction, allegory, and psychological drama.[2] The series follows a British former secret agent who is abducted and held prisoner in a mysterious coastal village resort, where his captors try to find out why he abruptly resigned from his job.

Although sold as a thriller in the mould of the previous series starring McGoohan, Danger Man (1960–68; retitled as Secret Agent in the US), the show's combination of 1960s countercultural themes and surrealistic setting had a far-reaching effect on science fiction/fantasy programming, and on popular culture in general.[4] Plot summary[edit] Number Six, distrustful of anyone involved with the Village, refuses to co-operate or provide answers.

Cast[edit]
Fortitude: episode by episode. Skip to main content. The Secret Sun: The X-Files: Chris Carter Strikes a Nerve...(UPDATED)
So after 14 years off the air, 11 months of waiting after the revival was announced and most excruciatingly, 20 minutes of contentless, post-game fluff and a mind-rotting avalanche of commercials, the new episode of The X-Files aired. The ratings were huge and most of the fans seem ecstatic. But at the same time there is quite clearly an organized campaign among critics and keyboard commandos against this reboot, against the first episode "My Struggle" in particular. And as I explained in my previous post it has less to do with what's being shown than what's being said.

How 'The Man in the High Castle' subtly reflects America's reality. This article contains minor spoilers from The Man in the High Castle. It has taken a long time for The Man in the High Castle—the classic, Hugo Award-winning novel from Philip K.
True Detective Season 2: More Illuminati and Occult Secrets REVEALED. Hello and welcome to IlluminatiWatcher.com!
The dangers of auteur TV: How “True Detective” went from critical darling to laughingstock. By now, just about everyone has taken a shot at the current season of “True Detective.”
Louie does gender performance, pegging, and contemplates being a woman. Last night’s episode of “Louie” is a surreal, tragic and utterly brilliant short film.
Bobby Briggs - Lynch Mob: 30 Best 'Twin Peaks' Characters. How John Oliver won the Internet. The Hollywood Reporter recently announced that John Oliver’s smash hit Last Week Tonight has already marginally surpassed the long-running Real Time with Bill Maher in ratings.

John Oliver won’t be your therapist: How he torpedoed the reassuring tropes of fake news. It’s been something of a shock — and a joyous one — to see how quickly John Oliver’s HBO program, “Last Week Tonight,” has gone from an awkward up-and-comer to an outright hit.
Turning 40 with the Help of THE ROCKFORD FILES. A Video Essay on THE X-FILES: Home Is Anywhere You Hang Y. What is the American Dream? Is it wealth?
FARGO, TRUE DETECTIVE, JUSTIFIED, RECTIFY and the Constru. “Louie’s” manic bossy nightmare girls: How Louis C.K. destroyed this male wishful thinking fantasy. If anyone was going to kill the Manic Pixie Dream Girl, it had to be Louis C.K.
The Joke’s on You. Steve Almond. The Legacy of The Colbert Report: The Joke's On You!
Pic: Promotional photo (C) Comedy Central. As you have most likely already heard, Stephen Colbert will be taking over for David Letterman as host of The Late Show. Some are lamenting this decision, while others are rejoicing.

Interview - Jerry Seinfeld In 'Comedians In Cars Getting Coffee'
The Joke’s on You. We need a break from Jon Stewart. “Walking Dead”: Still a white patriarchy. “The Americans”: Rooting against America has never been so fun. Too many severed limbs, too many rotting corpses. 'The Walking Dead' Is Back, and It's Taking the Apocalypse Seriously - Jeffrey Goldberg, J.J. Gould, and Scott Meslow. 'The Walking Dead' as the Holocaust - Jeffrey Goldberg, J.J. Gould, and Scott Meslow. Jimmy Fallon music booker Jonathan Cohen: How he scores the best musical performances in late night. Louie Season 3 recap: “Late Show, Part 2” with David Lynch reviewed. The Wire: a visual novel. Impossible Choices? The Conservatism of "Breaking Bad"
Louie Season 3 recap: “Late Show, Part 2” with David Lynch reviewed.