Chapter 2: Feminine Mimicry and MasqueradeCraneSusanauthorColumbia University. English and Comparative LiteratureColumbia University. English and Comparative LiteratureoriginatortextBook chapters1994EnglishROMANCES, in contrast to much medieval literature, abound in representations of women. This chapter argues that in their female characters romances work out both a version of femininity generated by masculine courtship and a critique of that version of femininity. Female characters, moreover, themselves stage this critique within the terms of their social construction. Dorigen confronted with Aurelius's suit, the abandoned falcon of the Squire's Tale, the Amazons of the Knight's Tale, and the Wife of Bath's shape-shifting fairy deploy the language and paradigms of conventional femininity to press against their positioning within it. Placing Chaucer's characters in the company of others from a variety of romances clarifies the strategies each woman uses to articulate and question her lot. In each case, respeaking and remanipulating familiar gender paradigms offers ways around them.English literatureGender and Romance in Chaucer's Canterbury TalesPrinceton, N.J.Princeton University Press1994559219940691015279http://hdl.handle.net/10022/AC:P:8070NNCNNC2009-12-08 16:51:17 -05002014-04-16 12:05:44 -0400585eng