by Scott Bowles, USA TODAY

by Scott Bowles, USA TODAY

Noah, the biblical epic starring Russell Crowe, sailed to the top at theaters this weekend, unseating Divergent after just one week at No. 1 and clobbering Sabotage, Arnold Schwarzenegger's third straight flop.

Analysts expected $30 million from the film, the latest in a raft of faith-themed movies out this year. Son of God ($57.9 million) and God's Not Dead ($22 million) eclipsed projections - and God's Not Dead remains in the top five. Heaven Is for Real (April 16) and Exodus (Dec. 12) remain on tap.

Analysts say that Noah's audience expanded beyond the religious because director Darren Aronofsky added plenty of Hollywood touches to give the $125 million picture the feel of a mainstream disaster flick.

But how long will it reign? Noah finds itself in rarefied air: a special-effects movie that pleases critics - but apparently not fans.

About three-fourths of reviewers gave the movie a thumbs-up, according to Rotten Tomatoes. But only 49% of moviegoers liked it, the site says. And the movie earned a C from pollsters CinemaScore, imperiling its long-run box-office prospects.

Ray Subers of Box Office Mojo says that the movie may have alienated Christian audiences anticipating the film would hew closer to the Bible and not the "unexpected fantasy elements in the movie."

Still, Noah collected plenty enough to dethrone Divergent, which took second with $26.5 million. The best-seller adaptation has collected $95.3 million in 10 days, and two sequels are in the works.

Muppets Most Wanted claimed third with $11.4 million, followed by Mr. Peabody & Sherman with $9.5 million.

God's Not Dead was fifth with $9.1 million, marking another Hollywood rarity: two Christian-themed films in the top five.

Sabotage, Schwarzenegger's latest and the only other major newcomer of the weekend, claimed seventh place with $5.3 million, about $3 million below expectations. The film comes on the heels of two box-office disappointments last year: Escape Plan, which collected $25 million, and The Last Stand, which mustered only $12 million.