Pages

Tuesday, January 17, 2012

Creating the Essential Backstory by DiAnn Mills

The other day I was having lunch with girlfriends and the
topic of diet came up. Not exactly what I wanted to hear with the holiday
eating taking revenge in my rearview mirror. The diet discussion continued, but
instead of plans to move forward, we confessed to what we’d eaten to get
ourselves into an expanded condition. In short, we bemoaned our backstories
that placed us in the present.

What is Backstory?

Backstory consists of the events and circumstances that
motivate a character into fresh and compelling action. What happened to the
character before page one propels the story. We are four-part creatures who
deal with the physical, spiritual, emotional, and mental realms of our world.
Our characters have the same challenges.

Robert McKee says it best: “Backstory—previous significant
events in the lives of the characters that the writer can reveal at critical
moments to create turning points.”

When we studied fiction writing, our instructors told us to
avoid backstory that doesn’t relate to the present character’s goal or problem.
How does a writer make that determination? Backstory is critical in the world
of story, but a master writer discerns what part of backstory is vital and what
is superfluous.

To avoid confusion, let’s define what backstory is not:

Backstory is not the action
that fills scene after scene of a powerful novel.

Backstory is not the
camouflaged aspects of the story that are happening in the present. The
point-of-view character might be unaware of happenings around her, but the
events are still unfolding.

Backstory is not a flashback. A
flashback is a scene interruption and slows the story by forcing the reader to
make an adjustment by sending them to the past. Sol Stein defines flashback as,
“A scene that precedes the time of the present story.” Readers want to
experience the adventure with crisp writing that is happening now. If a
flashback is necessary, transcend in and out—quickly.

Donald Maass recommends restraining backstory for the first
fifty pages or so of the novel.

When is Backstory Essential?

Long before the initial
writing process begins. The history of each character is intimate, personal,
and exciting. Do you remember the last time you invested hours in getting to
know someone new? The person most likely did not reveal flaws and weaknesses
during the beginning stages of the relationship; instead, she convinced you by
words and actions that she was a great person. The flaws in her character came
much later as you spent time traveling down the road of life. By then we were invested
in the new friend and chose to overlook character flaws. How did that person
reveal her past? What emotions did she display? Was she complex or predictable?

By learning the backstory of a character, actions in the
present are easier for the writer to predict according to experiences and
lessons learned.

Relationships often seem contrived unless the writer has
established backstory to weave how and why characters behave the way they do.
The inspiration behind these relationships is revealed in snippets throughout
the story. The writer holds on to the reins of backstory as though she were
driving a team of runaway horses.

Discover Your Character's Backstory

How can the writer weave a tale unless she knows what the
character wants and needs? Many writers use a character sketch to analyze the
past. By discovering information from every angle of character development, a
writer is able to create a picture of the character’s life before the first sentence.

Take inventory of the character’s childhood. Write about the
experiences that formed his/her personality for the present story. Use all
seven universal emotions to learn about the character: surprise, fear, anger,
sadness, disgust, happiness, and contempt. Ask the hard questions that the
character might not want to discuss. Force the character to expose inner hurts
and pain. In the depths of the forbidden, the writer finds the nuggets of
personality, persuasion, and power.

Once the writer has searched the childhood years, move on to
the teens, young adulthood, and then to the current age of the character. The
more you discover about the character, the richer the backstory. Understand
that not everything the character states about the past is useful, only the
parts that pertain to the story. Continue the exercise in time increments until
one hour before the story opens.

Perhaps the plotting and opening lines of the story will now
take a different twist.

Backstory, where will it take you?

Award-winning
author DiAnn Mills is a fiction writer who combines an adventuresome spirit
with unforgettable characters to create action-packed, suspense-filled novels.
DiAnn’s first book was published in 1998. She currently has more than fifty
books in print, which have sold more than a million and a half copies.

Her
titles have appeared on the CBA and ECPA bestseller lists and have won
placements through the American Christian Fiction Writer’s Carol Awards and
Inspirational Reader’s Choice awards. DiAnn won the Christy Award in 2010 and
2011.

DiAnn
is a founding board member for American Christian Fiction Writers and a member
of Inspirational Writers Alive; Romance Writers of America, and Advanced
Writers and Speakers Association. She speaks to various groups and teaches
writing workshops around the country. DiAnn is also the Craftsman mentor for
the Jerry B. Jenkins Christian Writers Guild.