Season

Jun 1, 2003
George's death, thanks to a chunk of space station hurtling to Earth, leads to some surprising revelations about her life - and her afterlife.

About This Show

Summary

Georgia "George" Lass (ELLEN MUTH) is a young college drop-out who has no job skills and seems unable to take an interest in anything, including her own life. She cultivates an air of cynicism that infuriates her mother, baffles her father, and isolates her younger sister. George is about to get a wake-up call.

With her mother Joy (CYNTHIA STEVENSON) insisting that she get a job, George applies to a temp agency that sends her out as a file clerk. Her lunch break - and her life - are cut short when a toilet seat from the MIR space station drives her into the pavement. George does not realize that she is dead until Rube (MANDY PATINKIN), the kindly leader of a team of grim reapers, points out her remains. Rube takes George under his wing and introduces her to the other members of his undead group: Mason (CALLUM BLUE), Roxy (JASMINE GUY) and Daisy (LAURA HARRIS).

The members of Rube's team of reapers are all, like George, people who died with unresolved issues. They still have lessons to learn that - for one reason or another - they failed to learn in life. They move about the Pacific Northwest in the full light of day. They walk the city streets and eat at all-night diners, just like anyone else. They have to find somewhere to live, cook, eat and do their laundry. They look just like everyone else but as grim reapers they appear physically different to the living than they did when they were alive.

What George experiences beyond death is the focus of this darkly comedic series. George grows through her relationships with her Boss Dolores Herbig (CHRISTINE WILLES) at The Happy Time temp agency, her fellow grim reapers and the people she helps cross over into the after life. She looks in on her family and must cope with how things continue to change without her. All of these interactions lead her to question. What if death is not the end? What if it is not even an escape from the issues that plagued us? What if it is not a way to avoid accountability, but an opportunity to accept responsibility? What if it is a wake-up call?