"This book is an attempt to prove that the art of Nalanda should be named after
the place not by any dynasty or kingdom because Nalanda has some its own identity in the
field of art. Its impact could be seen not only on other Indian art but also on the
Northern and South-East Asian country's art form. The illustrations given in the book are
mostly scattered images seeking conservation and preservation. The book is the output of
three years rigorous exploration done in the district and its peripheral area by the
author. Hope it will attract the art loving people."
[from
Blurb]

Contents

Preface

Acknowledgements

Abbreviations

List of Figures

List of Tables

List of Graphs

Introduction

1. Sources

2. Sacred Geography of Nalanda

3. Artistic Features

4. Fusion on other Art Traditions

5. Scupltures Recovered by Archaeological Investigations

Bibliography

Plates

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