DSpace Collection:http://repository.uksw.edu/handle/123456789/33042019-05-25T12:56:06Z2019-05-25T12:56:06ZAplikasi Metode Suzuki Dengan Media Lagu Anak NusantaraRupiyono, Leo Agunghttp://repository.uksw.edu/handle/123456789/33102015-04-23T21:46:45Z2011-07-01T00:00:00ZTitle: Aplikasi Metode Suzuki Dengan Media Lagu Anak Nusantara
Authors: Rupiyono, Leo Agung
Abstract: This article aims to analyze the implementation of Suzuki Method using Indonesian children's songs as the materials for teaching violin to the Indonesian young children. Suzuki teaching method is basically based on mother's tounge approach implemented in the music teaching for children. This article discusses the weaknesses, strengths, and the advantages found in the experimentation of classical textbook Suzuki Method Book I, and the use of the Indonesian children songs.
Description: Jurnal Musik Jurnal Ilmiah Seni Musik Vol. 2, No. 3, Juli 2011, p.200 – 2112011-07-01T00:00:00ZKakula : Musik Asli Orang Kaili?Abdullah, Aminhttp://repository.uksw.edu/handle/123456789/33092015-04-23T21:44:27Z2011-07-01T00:00:00ZTitle: Kakula : Musik Asli Orang Kaili?
Authors: Abdullah, Amin
Abstract: Kakula played by Kailinese in Central Sulawesi, is considered the “original” music of Kailinese. This paper argues that Kakula which is usually played in marriage ceremony as a status signifier is an historically constructed and subject to change. The historical construction and the change of this music could be proven by first, the historical context of Kakula as a part of the gong culture spreading in the islands of South East Asia, and secondly, the analysis structure of the music.
Description: Jurnal Musik Jurnal Ilmiah Seni Musik Vol. 2, No. 3, Juli 2011, p.167 – 1862011-07-01T00:00:00ZThe Singing of Psalm in the Middle AgesYardley, Anne Bagnallhttp://repository.uksw.edu/handle/123456789/33082015-04-23T21:46:40Z2011-07-01T00:00:00ZTitle: The Singing of Psalm in the Middle Ages
Authors: Yardley, Anne Bagnall
Abstract: King David with his harp is the most common icon for Christian music throughout the centuries reflecting the importance of psalm singing within the Christian tradition. Yet despite the depiction of a musical instrument and references to musical instruments throughout the psalms, it is quite difficult to get accurate information about the actual performance of the psalms in the first millennium of the church. In this article, I hope to sketch out some of what scholars have discovered about psalm singing in the early middle ages and to explore in greater depth the practices of psalmody in the later middle ages. In the context of the work of church musicians, I want to approach this material asking a few questions: What role did psalms play in the spiritual lives of people in the middle ages? What aspects of the music contributed to their spiritual experience? What can we learn from the experience of the medieval church that might help us renew psalm singing in our churches today?
Description: Jurnal Musik Jurnal Ilmiah Seni Musik Vol. 2, No. 3, Juli 2011, p.153 – 1662011-07-01T00:00:00ZKontekstualisasi Musik Gerejawi dan Aplikasinya dalam Komposisi Musik Koral Sakral IndonesiaListya, Agastya Ramahttp://repository.uksw.edu/handle/123456789/33052015-04-23T21:45:38Z2011-07-01T00:00:00ZTitle: Kontekstualisasi Musik Gerejawi dan Aplikasinya dalam Komposisi Musik Koral Sakral Indonesia
Authors: Listya, Agastya Rama
Abstract: Two things that will be discussed in this article are: 1) the historical background and the significances of church music contextualization; and 2) some various contextual sacred choral compositions. This article aims to give insights to the reader's knowledge of church music contextualization and its practical application found in Indonesian sacred choral works.
Description: Jurnal Musik Jurnal Ilmiah Seni Musik Vol. 2, No. 3, Juli 2011, p.187 – 1992011-07-01T00:00:00Z