Manila, April 29, 2003 -- The long-standing desire of millions of readers finally finds fulfillment on the big screen as Regal Entertainment unreels the much-awaited and sure-to-be-controversial "Xerex Xaviera."

The film topbills the currently undisputed babe of choice Aubrey Miles under
the helm of acclaimed director Mel Chionglo who directs from a screenplay penned
by the multi-awarded Roy Iglesias. Jake Roxas, Jon Hall and Kalani Ferreria top
the bill with Aubrey in the film. Not a few believe "Xerex" to be Aubrey Miles'
next big ticket to the box office and an apt followup to her megabuck hit film
debut and career-making "Prosti." A red-hot winning streak many from in and out
of the industry predict to happen before the exciting summer ends.

"Xerex Xaviera" started out as a sex advice column in the widely-read Abante
tabloid in July of 1988 to capture a highly phenomenal readership quotient. In
the process making itself a byword that for 15 years now still continues to
enjoy a wide following. The sex column soon evolved into a sex literary column
that chronicles the sensual exploits and sex experiences of letter senders from
all walks of life, most of them in graphic detail and oftentimes, curiously
interesting.

Xerex, the column, started out as Pinoy counterpart to the best-selling
stateside novel, The Happy Hooker. A book written by Xaviera Hollander whose
exploits as a real-life hooker tells many stories not only about her life as
such but also, her many extraordinary encounters with the many men in her life.

Soon, Xerex Xaviera came to its own with its stories of sexual encounters
with a curiously entertaining Pinoy flavor. "Xerex Xaviera," the film, captures
these experiences as told from the point of view of Xerex. The film tells three
stories-"Kama," "O," and "Butas."

"Kama" tells the story of a cloistered teenage girl whose dalliances with a
campus heartthrob reveal an unexplored side to her sexuality-those characterized
by sex done on the sly and in the most unexpected places such as a masquerade
ball, in the car's backseat, and more.

"O" mixes sex with new age. A young woman set to be married to a longtime
boyfriend begins to entertain ideas of backing out from her later date after an
orgasmic night of sex with a hunky beach resort lifeguard whose bedside
acrobatics cast a spell on her. A spell she has to snap out from before time
runs out.

"Butas" tells a voyeur's story. A Makati elevator girl fantasizes about her
dreamboat, a dashing young corporate executive, while at the same time becomes
obsessed with the goings-on at home-with her next-door neighbors. A couple whose
sex bouts she eavesdrops on through a hole in her wall. (Malaya)