My name is Zoë Colvin and this blog is about pictures and places and books and unusual museums and everything from Z to C (that is, absolutely everything in existence, provided one takes an anarchic view of alphabetical order) Above all, it's an aide memoire for me

Thursday, 31 December 2015

Having finished listening to A Little Life, I recommend it as bed time reading for all wealthy New York upper east siders with children thinking of flying the nest. What a perfect cautionary tale.

As a result of getting through the novel, I now understand that, if you live in New York - or, at a pinch, Cambridge, Massachusetts - you will be astoundingly successful & gather around you a number of extraordinarily (unbelievably?) generous & successful friends. However, if you stray into the rest of America, you will be faced with gangs of sadistic monks; exploitative paedophiles who can operate out of motels all across the country without anyone doing anything about it for months; care homes staffed by sadistic rapists; highways littered by weirdoes who have basement rooms permanently at the ready in their remote houses, perfect for false imprisonment for the purposes of secretive serial rape - & on and on and on. It’s clearly a very dangerous place, America. If you are a foreigner & still feel that you must go there, for heaven’s sake, stick to Manhattan. Mind you, even there take care who you pick as a boyfriend - there are a few sadists in Manhattan too, waiting for their opportunity to hurl you down a stairwell, should you let down your defences for an instant.

It is interesting to think about whether success can ever make up for childhood trauma, whether psychological wounds can ever be properly healed. This I think is what the author set out to explore. She did not succeed though. One reason for this is that the book heaps so many atrocities on the main character that it would be quite impossible for anyone to recover (& it strikes me that this is in a way an insult to survivors of abuse - the author seems to think being systematically beaten for the first years of his life is not enough, that even that plus being pimped for another long period won’t cut it as genuinely damaging, & so adds more & more atrocities that are so peculiar, unlikely & vile that you can’t help beginning to wonder what kind of sick imagination you are dealing with - I felt the same about Girl with a Dragon Tattoo, so perhaps I just have led a sheltered life).
The second reason the book does not succeed as an examination of the mind’s ability to heal is that the central character, who has suffered such a great deal in youth, never at any point accepts any real medical treatment for his mental injuries. As he has a fairytale doctor friend available at any hour - including weekends & public holidays - he is able to avoid the medical system & proper support. The doctor friend who, miraculously, appears to ask for no payment, might also be seen as just one more abuser, aiding & abetting his friend in his wilful refusal to get help.

But the author anyway is too busy imagining rather second rate sounding visual art to worry too much about really deep, believable characterisation or whether the demands she is putting on the poor reader/listener are too great in the suspension of disbelief department. Pages are devoted to the paintings she imagines, so I can only assume she has taken to novel writing because she has no talent for her first choice - the visual arts. If writing had been her actual talent, I might have forgiven much more in the book, but so few sentences or moments of real perception leapt out at me that the work was unredeemed by its author’s skill with words, at least for me.

I pushed on to the end - that is the beauty of audiobooks; you have to keep going, as you can’t skip through the pages to find out roughly how things turn out and then hurl the book across the room.
One thing I found particularly objectionable,apart from the tendency to revel in the filth of what happens to the child in the first half - I think a lot can be conjured without getting explicit & my objection to a great deal of detail is that a) the line between description & straight out porn, intended for titillation, is a fine one & b) after the first sense of shock, the reader actually accepts that what they have just visualised so clearly in their mind is possible & consequently comes fractionally nearer to being capable of committing such acts themselves - was the snobbery. No one in this book is allowed to be ordinary. Our cast of characters end up as celebrated painter; movie star; jet setting architect; hot shot corporate lawyer; and retired Harvard law professor with an emeritus spot at Columbia. Their lives are led between New York, London & a few other Peter Stuyvesant destinations.

'Why not?', you might ask. After all there must be people who do live these gilded lives. True. Perhaps it is me who is the snob. All I can say is I felt I’d been kidnapped and locked in a $17 million Park Avenue apartment & it was dull & airless in there, with all these out-of-touch shallow, careless gilded men who allowed their friend to go on wilfully refusing to address his problems (which, anyway, I didn’t believe in because they were so exaggerated). None of these people ever truly existed in my imagination - most shadowy of all, a cypher really, was Malcolm, allegedly part of the gang of four devoted friends but never given an instant of his own in the novel, merely shuffled about to provide building advice & an opportunity for the author to share her vapid ideas about architecture now and then. Given the lack of any proper development of Malcolm’s character or of his relationship with the others - only an extreme version of the lack of realisation of anything much beyond violent paedophiles in this novel - the argument that it is a work that examines friendship or love does not stand up.

Without the irony that Jarvis Cocker intended & despite the warnings carried in the first part of A Little Life about the perils of existence outside the mega rich bits of Manhattan, by the end all I wanted to do was yell the chorus from Cocker’s most famous song*, press the button for the elevator and skedaddle back to the Plaza and good old Nahnee.**

The book is preposterous.

(*I want to live like common people/ I want to do whatever common people do)
**Apologies to Eloise

Thursday, 17 December 2015

With the approach of Christmas comes the annual ritual of office Christmas lunches. Up at the local shops, the season is in full swing. Each day, from about midday onwards, troupes of middle ranking public servants trail into the pub or the restaurant up there, displaying the same wild excitement shown by dairy cattle entering the milking parlour. Once inside, they arrange themselves with the thrilled anticipation of people choosing seats in a doctor's waiting room.

I glance through the windows on my way to the post office, and it all comes back to me, that terrible creeping misery as it dawns on you that for the next hour - at the very minimum - you are going to be trapped at a table with nothing to do but play with your cutlery or the salt cellar, (some bright spark has even deprived you of the distraction of reading the menu, by bulk-ordering the set Christmas special 3-course meal), surrounded by people who appear to have determined quite early on in life that small talk is the realm of the devil and proper, intense talk about the meaning of life is even more outrageously wicked, while wit is the eighth deadly sin

Which is where they are so wrong - the eighth deadly sin is being unable to tolerate boredom, and on this count I am an irredeemable failure. I always promise myself that my eyes won't glaze over when the minutiae of the childhood and family background of my interlocutor's plumber or removal man are relayed to me, in slow, painful detail, or when the full, blow-by-blow description of the course of a family pet's gum disease is recounted, complete with the unedited edition of the remarks made at the time by the vet in charge of its treatment. I resolve over and again to keep my head still, instead of tossing it about like a demented racehorse, eyes darting round in search of an exit from its stall, as the complexities of someone's second cousin's father's mobile telephone contract are explained or the advantages of shopping at Aldi are outlined, (with lengthy mention of the spectacular value represented by the catalogue specials, available on a weekly basis, apparently).

Boredom. Terrible, suffocating, maddening, unbearable boredom. How you react to boredom is the true test of whether you are a good person.

I am not a good person.

Or - and this amazing thought has only just struck me - could it be possible that I am viewing things from the wrong end of the barrel? Is there any faint chance that I have had completely the wrong perspective all along?

What if it is not the person subjected to boredom who is at fault but the people who are doing the boring? Are they actually the truly wicked souls among us, and not intolerant swine like me and my ilk?

If the answer is yes, then perhaps I even have the right to take a leaf out of the bible and abandon all restraint and smite them? Oh please, tell me that it is my righteous duty. Oh please, oh please, do, please, let it be so.

"Not fair, not fair, not fair. It was the catchcry of my childhood. And always the same reply - life's not fair, darling.

Today more proof of that repeated piece of wisdom: Denis Wright died at 5.10 p.m. Australian Eastern time. I have never encountered anyone who faced down unfair fate with such resourcefulness and such determination to remain part of life. He was an inspiration.

My thoughts go out to his family."

My thoughts go to Denis's family today as well. I miss him. Lord knows what it is like for them.

For those interested in Denis's blog, there is a link to it at the right of this page.)

Thursday, 12 November 2015

I know nothing about manuscript illumination, except that, when I was a child I planned to be either a gargoyle carver or an illuminator when I grew up. Both ambitions were doomed, needless to say, because I was born at the wrong time - and, had I been born at a time when either of these occupations were growth industries, I don't suppose I'd have had a look in anyway, since I am, chiz, a gurl. Also I'm left handed so I imagine all my manuscripts - had I been allowed to produce any - would have been horribly smudged, since moving left to right with a left hand generally produces this result.

But, to quote the ever useful adage, "I know what I like" when it comes to illuminations, and I liked almost all the ones I saw at Frieze Masters. I was also very grateful when the dealers from Basel -www.guenther-rarebooks.com - noticing my interest, kindly gave me two of their catalogues. I plan to read them and thus become someone who actually knows something about illuminated manuscripts.

Beauchamp-Corbet hours, Book of Hours, use of Sarum, in Latin & Anglo-Norman, illuminated by the Milimete workshop, (de Bois master), London, c.1328

This picture, plus next: Biblia Latina, illuminated by the workshop of the "Bible Moralisee", Paris, 1220-30

This picture plus next three: Despite the fact that this was one of the star attractions, I've lost all details of it, except that the illuminator was the Master of the Toison d'Or, I think (hopeless of me, I know)

The Moneypenny Hours with 49 images by the Master of the Chronique Scandeleuse, use of Paris, in Latin & French, 1490

The Guyenet- Lardanchet Hours, with 19 miniatures by the Master of the Troyes missal, use of Paris, Troyes, 1460

Book of Hours from Lyon with 14 miniatures by Guillaume II Le Roy, Lyons, 1495-1510

The Villeneuve Hours with 22 miniatures by the Masters of the Gold Scrolls, Bruges, 1450

A book of hours for export to England, with 47 miniatures by Willem de Vrelant of Bruges, Bruges, c.1450-75

The Bliss Hours, with 15 miniatures by the Master of the Geneva Latini, Rouen, c1465

The Ovray Hours, for export to England with signed miniatures by the Master of Otto van Mordrecht, likely Bruges, c-1430 to before 1449

Book of Hours with 15 miniatures by an early Netherlandish artist, Paris, 1415-20

The only known manuscript of Philippe de Vigneuilles's La Chanson de Geste de Garin Le Loherain, Metz, 1515-1527/8

Astronomical handbook on the planets, in the tradition of Ptolemy, Verona, c.1580-1600

Holding On - a novel

I wrote a novel that the London literary agency Sheil Land tried to sell for me. One publisher thought it was "compelling". Another said, "It’s pacy and gripping, and the plot is great." A third commented that it "is a warm, engaging and easy read", while a fourth considered that, "It is a good story (stories) well told". If you want to see what you think, you can find it here.

Followers

About Me

I wrote a novel, represented by Sheil Land. One publisher thought it was "compelling, but it wouldn’t be easy to categorize – it is somewhere between ‘literary’ and ‘commercial’, and would need to be one or the other to be pitched for successfully in an acquisition meeting." Another said, 'It’s pacy and gripping, and the plot is great, but it lacks that lighter women’s fiction feeling. The writing is undeniably good but I’m not quite sure how I would position it on our list.'A third commented that it "is a warm, engaging and easy read but this ‘middle market fiction’ is a really tough area', while a fourth considered that, "It is a good story (stories) well told, but just missing the X-factor that would make me fall in love with it." I wanted to write an entertaining novel that I would like when I was in the mood for something thoughtful & amusing that I could enjoy without too much effort. If you would like to read it yourself, you can find it at http://cargocollective.com/Unrealities/Holding-On-a-novel.