Join Adobe Media Encoder product manager Patrick Palmer for a sneak peek of the new features coming soon to Adobe Media Encoder. Along with support for a huge range of formats, the new Adobe Media Encoder CC update can create DCPs for playback on Digital Cinema systems, and AS-11 content packages for creating broadcast deliverables. New fault-tolerant rendering auto-heals red and black frame issues without holding up your render queue.

If you’re preparing and transcoding files from native formats for viewing dailies, the new "Effects Tab" in Adobe Media Encoder can increase productivity by applying LUTs and Looks and Overlays. Combine this with ingesting and adding metadata in Prelude and acceleration with an NVIDIA GPU and you’ll be amazed at how fast this all happens.

Just when you think you’ve got all the power you need for HD, along comes 4k and 6k and your system begins to show its age. 4k and 6k require massive computer resources in terms of processors, RAM and more so Colin will show you an HP solution that gives you everything you need for demanding workflows including Thunderbolt technology.

Just four months after the CC releases shipped, Creative Cloud has added over 150 new features that greatly improve video workflows with significant updates to our software, including Adobe
Premiere® Pro CC, After Effects® CC, SpeedGrade® CC, Prelude™ CC, Adobe Media Encoder CC.
Join Niels Stevens as he discusses how Creative Cloud video tools are constantly adapting and what this means for you.

Adobe Creative Cloud provides all the tools you need to go from script to screen and beyond to create your greatest work. It gives you the very latest versions of the tools and services you love, coupled with more efficient ways to collaborate with your peers and share your work with the creative community. In this video, Adobe Evangelist Jason Levine showcases many of the tools, including Adobe Premiere Pro CC, After Effects CC, SpeedGrade CC, Prelude CC, Story CC Plus, and Adobe Audition CC. You can now access Creative Cloud from the web, from the applications you love, from your desktop, or even from your mobile device.

Professional video editing is faster and more efficient than ever thanks to dozens of brand-new features in Adobe Premiere Pro CC, including a redesigned timeline, improved media management, and streamlined color grading with the Lumetri Deep Color engine.

Adobe Story CC Plus helps you stay on time and on budget with powerful screenwriting, reporting, and scheduling tools. Share projects and collaborate online. Use script metadata to edit video faster in Adobe Premiere Pro CC.

Get precise control of your sound with the Audio Clip Mixer in Adobe Premiere Pro CC. Adjust each clip independently for a perfect mix. Improved multicam editing makes working with multiple video angles easier. Sync entire bins of footage all at once using audio waveforms.

Edit audio with extraordinary precision. Easily remove specific audio elements in just a few clicks using the new Sound Remover. With Preview Editor, you can visually compare waveform tweaks, view multiple file sections simultaneously, and more.

Speed up your video ingest and logging tasks with flexible new ways to enter metadata in Prelude. Preview clips and create rough cuts that open directly in Adobe Premiere Pro CC to keep your production vision intact and accelerate the editing process.

Deliver balanced color and distinctive, visually vibrant looks. Shot Matcher lets you work faster by automatically correcting for subtle differences in footage to achieve a consistent feel between clips, within scenes, and across your entire project.

It's the end of hard matte lines. Keep the details when separating complicated foreground elements like frizzy hair or motion-blurred edges from complex backgrounds. This means you can create natural-looking composites without keying specially shot footage.

Matching the look of clips can be a tedious task. Shot Matcher lets you work faster by automatically correcting for subtle differences in footage to achieve a consistent feel between clips, within scenes, and across your entire project.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Conform to today's broadcast regulations with a loudness monitor you can reference as you work. The TC Electronic ITU Loudness Radar panel provides visual feedback so you can quickly find and fix audio passages that exceed volume limits.

A major upgrade to the much-loved Warp Stabilizer, VFX adds the ability to choose which objects within a scene get stabilized, reverse a stabilization, and preserve a scene's original scale to fix tricky shots such as aerial fly-throughs.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Scenes from popular 3D modeling and animation software CINEMA 4D can be used directly as footage inside After Effects CC without the need to render first. This eases roundtripping between the programs and opens up numerous creative possibilities.

Dive into a session that tackles the challenges of producing HD video for the web. MAX Master Jason Levine will teach the best creation and encoding techniques for video and audio distribution for the web.In this session, you'll learn how to:• Select the right tools within Adobe Creative Cloud to use for compression• Avoid the most common errors users make when compressing media• Choose the proper video and audio settings for online and tablet distribution

You can use the built-in Adobe Media Encoder to render and export many kinds of files within After Effects, or use the standalone Adobe Media Encoder application to render and encode movies outside of After Effects. Batch encoding and using a watch folder in Adobe Media Encoder can save time and free After Effects for other tasks, as you'll see in this video.

Adobe Media Encoder now offers several effects that can be applied to media files as you export them, including burned-in timecode and file names, graphics overlays, and even LUTs. This lesson shows you how.

Appreciate the finer points of Creative Suite 6 Production Premium with Adobe Evangelist, Jason Levine. In this session you’ll learn about the powerful new versions of Adobe Premiere Pro, After Effects, Audition and Media Encoder. Jason will also demo two new CS6 tools: SpeedGrade and Prelude.

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

VPMS is arvato Systems’s MAM system that serves as a cross-funcitonal control unit for broadcasting processes with the infrastructure of video server, editing and graphics. See how VPMS now integrates with Adobe Premiere Pro for an effective and simplified workflow.

The foundation of Harmonic’s solution is the Media Application Server (MAS), a SOA-based platform that hosts and coordinates applications that comprise an enterprise-class content management, preparation and delivery platform. Built in conjunction with MediaSmiths, the Adobe Premiere CS6 content panel allows editors to directly browse & select content managed by their MAS system, pulling the content directly into to an edit session.

In this video you will see how the ProductionLink plug-in for Adobe Premiere Pro CS6 and Adobe After Effects CS6 enables users to publish directly to the Avid Interplay production asset management (PAM) system. Facilities with Avid Interplay can now use Adobe Premiere Pro CS6 and After Effects and easily incorporate Adobe Creative Suite into their workflows.

The IPVLive plug-in enables growing, frame-accurate proxies to be streamed directly into Adobe Premiere Pro CS6 in a multi-user environment across a standard IT network. The IPVLive panel enables the user to stay within the Adobe Premiere Pro CS6 interface and quickly produce highlight packages and promos.

LiveCut integrates with Adobe Premiere Pro to combine ingest, metadata handling and post-production into a single, streamlined easy-to-use interface. LiveCut records all edits as an Edit Decision List (EDL), which is converted into a multicam timeline for immediate and fast post-production.

The Bluenet plugin for Adobe Premiere CS6 enables access to the graphics templates used in news broadcasts and can be directly applied as timeline elements. Learn about Cloud based or local template driven self-service graphics solutions which together with Adobe Premiere Pro CS6, reduce time to air, cost per graphic and facilitate centralization and collaboration.

The Viz Media Engine integrates with Adobe Premiere Pro to enable media production and distribution on many platforms. Now through a custom panel within Premiere Pro, users can access and publish assets to the Viz Media Engine, and overlay graphic elements to the timeline.

Users can through the custom panel for MXF Server in Adobe Premiere Pro CS6 utilize the features of MXF Server such as quota management, growing files, rights management, project locking and much more. This video shows how all these features are accessible right within the Adobe Premiere Pro CS6 User interface.

The Matrox Mojito 4K is a quad 3G-SDI, 4K video monitoring card used with Adobe Premiere Pro on Windows platforms. Learn about realtime monitoring and output at resolutions up to 4096 x 2160 and frame rates up to 60 fps.

Take a look at the Prelude panel which integrates into deltatre’s production logging application. See how to take advantage of a broad range of valuable features, including the ability to attach global metadata to clips, manually create participant and production specific Vocab panels and create unlimited timecoded log markers.

NAPP Instructor RC Concepcion goes over the brand new features of video in Photoshop CS6. Video has been vastly improved in this new version - making it very possible (and very easy) to make a great video from start to finish in Photoshop.

In this episode, hear from Jason Levine, Adobe Worldwide Video Evangelist, about the Creative Cloud and all the new features in Adobe Production Premium CS6, the complete solution at the heart of any production workflow for video professionals. Packed with major updates to help bring high-quality productions to any screen, you’ll learn about new updates to familiar tools including powerful new versions of Adobe Premiere® Pro, After Effects®, Audition®, Adobe Story Plus, Media Encoder and Photoshop Extended, along with two new tools, SpeedGrade CS6 for professional color grading, and Prelude CS6, the world’s most elegant solution for the processes of ingest, logging and transcoding – essential tasks in a modern file-based workflow.

Dive into a session that tackles the challenges of producing HD video for the web. Learn the best creation and encoding techniques for video and audio distribution for the web using the tools found in Adobe Creative Suite 5.5 Production Premium.

Learn how to create amazing H.264 video that performs well on multiple devices from one of the industry masters. The session will begin by discussing the fundamentals of encoding H.264 for Adobe Flash Player and will focus on using techniques using FFMPEG.

Find out how Production Premium's native workflow helped FX School meet impossible deadlines while working on the post production of a South Indian feature film "Dongala Mutha" shot entirely using DSLR's by one of Bollywoods leading directors Ram Gopal Verma.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

Learn the new presets, intuitive context menus, and dramatically enhanced watch folder support in Adobe Media Encoder CS5.5 to make outputting your work for delivery everywhere a simple and intuitive process.

See how Adobe Media Encoder is becoming easier to use, with numerous user interface improvements for encoding and exporting assets. New output presets for iPad devices and other tablets and improved workflow for outputting to multiple devices make working with AME faster and easier. (by Tim Kurkoski and Todd Kopriva)

In part 1 of 2, see how Adobe Media Encoder is becoming easier to use, with numerous user interface improvements for importing assets. Drag-and-drop import from Adobe Premiere Pro and After Effects and an improved watch folder interface make working with AME faster and easier. (by Tim Kurkoski and Todd Kopriva)

Wish you could render After Effects comps in the background? Wish you could create a watch folder to batch convert media? Wish you had a 64-bit capable application to do all of these things? Well, Adobe Media Encoder is all of that and more. In this episode, Dennis delves into what he thinks are the hidden gems of this under-appreciated application.

Learn how to create amazing H.264 video that performs well on large and small screens from one of the industry masters of encoding for H.264 video. The session will begin by discussing the fundamentals of encoding H.264 for Flash and cover encoding profiles, buffering techniques, hardware acceleration, and optimizing H.264 for mobile screens. The session will review Adobe's recommendations for video encoding for HTTP Dynamic Streaming and how you can make your video look great.

In the final installment of this series, Adobe Worldwide Evangelist Jason Levine takes you through the process of exporting/rendering your DSLR video/stills creations using the 64-bit Adobe Media Encoder. He'll talk about some of the most common formats for going to mobile devices, iPods, blu-ray discs as well as common formats for Web delivery. You'll learn about background rendering and the ability to 'queue' multiple versions of your video edits. Also featured: using *presets* in the Media Encoder for your favorite destinations (like YouTube, Vimeo, HDTV, etc)

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Tour Adobe Media Encoder CS5 and learn how to add files to the encoding queue, customize settings, and thin and edit XMP metadata. Learn how to use Adobe Media Encoder with After Effects and Premiere Pro.

Learn how to leverage video for Flash within your enterprise, including how to create an encoding portal and publish with Flash Media Server, as well as implementing access controls to protect your content with LDAP and Active Directory. This session will introduce how the Adobe created Adobe TV using our own products to help increase view times and employee attention while reducing costs. Go through the steps of deploying, configuring, and monitoring Flash Media Server within your network, and learn how to implement a publishing system for live and recorded media.

Learn how to use the Adobe Flash Media Server Family of tools and technologies to create high-definition media experiences. Master the workflow from live encoding to creating a media player using Open Source Media Framework, leveraging Flash Media Server and Dynamic Streaming to create the highest possible quality for the end user and Flash Access for content protection. This session will also introduce you to the experiences of some key customers driving high quality experiences online today that draw audiences from around the world.

Learn about this new feature in Flash Player 10.1 that gives content creators, developers, and publishers more choice in high quality media delivery while maintaining the reach of the Flash Platform. HTTP Dynamic Streaming enables leveraging existing caching infrastructures (CDN’s, ISP’s, office caching, home networking) and provides tools to integrate adaptive streaming into encoding workflows. Come here how you can use this new feature for both live and video on demand plus options for content protection using Flash Access.

This expert-driven deep dive will demonstrate how to get the best quality from your H.264 encoding and publishing online with the Adobe Flash Platform. Topics will include encoding parameters, analysis, resolutions, dynamic streaming, filtering and benefits of hardware acceleration. Wrap all this up into an encoding strategy that will bring you closer to HD video on the web.

MLB Advanced Media created MLB.TV Media Player 4.0 to bring fans closer to their favorite teams with real-time and on-demand games, statistics, and commentary. The media player was developed and delivered with Adobe Flex 3, Flash Media Encoding Server, Flash Media Interactive Server, Flash Media Live Encoder, Flash Media Streaming Server, After Effects CS4, Dreamweaver CS4, Photoshop CS4, and IllustratorCS4. Major League Baseball trademarks and copyrights are used with permission of MLB Advanced Media, L.P. All rights reserved.

This expert-driven deep dive will demonstrate how to get the best quality from your H.264 encoding and publishing to the web on the Adobe Flash Platform. Topics will include encoding parameters, analysis, resolutions, dynamic streaming, filtering

Join Robert Reinhardt as he discusses how engagement — the deep connection companies build with their customers over time — is fast becoming a key business imperative for companies seeking a competitive edge.

Just how do they encode those beautifully-crisp videos you see playing in the Flash Player? In this episode, learn the basic encoding rules, see the new Adobe Media Encoder, and pick up some tips and tricks along the way.