From October 28 – 30, the Reel China Biennial will present more than twenty Chinese independent films not usually shown in China and NYC. The screenings are free and open to public and take place at NYU’s Michelson Theater, Department of Cinema Studies, 721 Broadway, 6th Floor.

Presented by NYU’s Asian Film & Media Initiative in the Department of Cinema Studies and the Center for Religion and Media (CRM), Reel China has been bringing the rawest and best Chinese moving images to the New York documentary scene since 2001. Organizers and curators cinema studies professor Zhen Zhang (张真) and anthropology and religious studies professor Angela Zito (司徒安) draw from Chinese independent filmmakers with various backgrounds and award-winning films from top Chinese independent film festivals to share stories that witness the disorienting fragments of everyday lives in fast developing China. Many of the films are documentaries, while some narrative films and experimental films that explore and blur the boundaries of the documentary form, are also showcased,

This year’s festival features both emerging and more experienced filmmakers whose cameras travel across the country and are directed toward themselves and others. Personal and collective memories are explored in stories of a family trip to the sea (Every Meeting Seems Parting 《每次见面都像是告别》) and the journey of a communist protagonist around China (The Shoeshiner’s Journey 《昨日狂想曲》). The different aspects of rural-urban dualities are told through stories of migrant workers fighting against developers for their land (My Land 《吾土》), villagers of remote mountain observing the outside world through television (The Enclave 《飞地》), and an itinerant photographer trying to take pictures Tibetan nomads (Butter Lamp 《酥油灯》).

Meanwhile, other contemporary social issues like China’s relationships with Japan (Trace 《痕迹》) and Taiwan (Distance 《我们之间》) and their meaning to ordinary people, self-exploration of LGBT groups (I Am Going to Make Lesbian Porn! 《我要拍女女色情片》 and Papa Rainbow 《彩虹伴我行》), and the survival story of Christian community in inner cities (Preachers 《传道人》 )are discussed in shorts and feature-length films Audacious attempts to deconstruct the absurdity of modern Chinese society can be found in Li Wen at East Lake 《李文漫游东湖》 and The Hammer and Sickle Are Sleeping 《锤子镰刀都休息》.

The weekend mini-film festival also presents a shorts program consisting of eleven films curated by Cao Kai and Chen Ping for the China Independent Film Festival. Through mostly art and experimental films and animation, including one by artist Lu Yang who exhibited in New York two years ago, the program covers a full spectrum of ideas that may resonate with viewers.

Below is a complete list of films and the festival schedule. For film synopses and information about the directors, visit the Reel China homepage.