It’s still May and the CONTACT Photography Festival is still on so I am still trying to see as much as possible. Yesterday afternoon I went wandering in Yorkville where there is lots to see and do besides a couple of CONTACT exhibits.

below: Captain Canuck. I started with the TD Gallery at the Toronto Reference Library. It wasn’t that long ago that I was there (April I think) but the exhibit has changed. It is now ‘Alter Ego: Comics and Canadian Identity’. Isn’t Captain Canuck the most famous Canadian superhero? He first appeared in 1975.

below: Not so well known – The cover of the book ‘Nelvana of the Northern Lights’ by Adrian Dingle (1911-1974). Nelvana was Canada’s first female superhero; she first appeared in 1941, a few months before (American) Wonder Woman. Nelvana’s superpowers included turning invisible and traveling at the speed of light along a ray of the Northern Lights. According to Wikipedia, she “visited lost kingdoms under the ice, journeyed to other dimensions, and fought against the Axis Powers during World War II, eventually taking on the secret identity of secret agent Alana North. Her last adventure was published in 1947.

below: This structure was built in 1876 as a Carpenter Gothic Revival Style church – the Olivet Congregational Church. It has been the home of the Heliconian Club since 1923. This women only club was formed in 1909 and is still active today supporting women in the arts. There is a photo exhibit on there at the moment but viewing is by appointment only (it is a club not a gallery after all).

below: For CONTACT, the Lomas Gallery on Yorkville Ave is featuring a few large photos of cityscapes that are full of tall buildings. The one behind the red couch is ‘NoMad New York’ by Christopher Woodcock.

below: On the wall beside is ‘[a]DCLXI’ by Amyn Nasser.

below: It’s not a sculpture or a statue, but this red faced mannequin caught my eye. Maybe next time he’ll remember his sunscreen.

below: The clock tower of the Yorkville firehall. One side seems to missing its clock face.

below: Brendan Meadows’ black and white portraits hang on the walls of the Liss Gallery in an exhibit titled ‘Ipseity’. These were printed as silver gelatin selenium-toned lith prints by Bob Carnie from negatives made from digital images. The images were also manipulated with the Sabatier effect (solarization); this results in an image that is wholly or partially reversed in tone. Dark areas appear light or light areas appear dark.

below: Posters on hoardings add a little life at street level to the construction sites in the area. This set features businesses and sites in the area including the ROM.

below: Some colourful art deco style posters.

below: Prepared for anything! With a yellow duckie, handcuffs and binoculars, Batman and his Robin hand puppet prepare to take on the forces of evil! These are sculptures by Patrick Amiot.

below: Part of the Miraim Schiell gallery is devoted to Amiot’s work.

below: This large RCMP mountie and his dog stand behind the gallery.

below: Enjoying the wonderful spring afternoon on Cumberland.

below: Oh.. that second mountie that I alluded to in the title of this post – he was on the wall at the Alter Ego exhibit. This one. Just don’t call him Dudley Do-Right.

below: This is either ironic or sad. The first few lines of text say “In the the 1960s and 1970s, Yorkville village was the heart of Canada’s bohemian, counterculture community”. As I took this picture a new Bentley with dealer plates drove past. I looked around and the ‘counterculture’ of 40 to 50 years ago has been replaced by designer boutiques, high end stores, fine art galleries, and restaurants with linen napkins. Not a lot of music happening here. Full transcription is below.

“In the the 1960s and 1970s, Yorkville village was the heart of Canada’s bohemian, counterculture community. More than 40 clubs and coffee houses nightly featured folksingers-songwriters, including Ian & Sylvia, Gordon Lightfoot, Joni Mitchell, and Neil Young, who performed some of their first compositions in these smoky venues.
Yorkville’s first coffee house, Club 71, was opened by Werner Graeber in 1959. By 1964, Yorkville had become a nurturing environment not only for folk music, but also for pop, blues, and later, psychedelic rock. Hippies and teenagers flocked to these unlicensed venues, which offered an alternative to Yonge Street bars.
Yorkville was also home to three sound-recording studios, taping major acts such as The Guess Who, Lighthouse, and Ann Murray. With its vital role in fostering a wealth of talent, the Yorkville scene inspired a generation of songwriters and led to the rise of a new Canadian sound.”