Shipping Info

OUR FEES

For a limited time we are pleased to offer FREE and low flat rate standard UPS shipping worldwide. This is calculated and displayed automatically at checkout.

PLUS

We also now offer discounted quotes for express shipping - these will also display at check out and can be selected with the drop down menu provided during the checkout process.

Canadian and USA destinations

1. Shipments are sent by UPS. For a limited time all standard UPS delivery options for Canada and USA destinations will be sent FREE. Need it faster? Choose an express rate option for either country from the pull down menu during checkout.

2. Our checkout system is now integrated with UPS and you will receive real time ship quotes for all express options. AND this quote are on average 25% less (or more) then anywhere else because of our preferred status with UPS.

Overseas Destinations

1. Shipments are sent by UPS. For a limited time all standard UPS delivery options for all destinations outside of the USA and Canada will be sent FREE when the total order before shipping fees is equal to $500US or more. Orders under $500 will ship for a flat rate pf $50. Need it faster? Choose an express rate option for either country from the pull down menu during checkout.

2. Our checkout system is now integrated with UPS and you will receive real time ship quotes for all express options. AND this quote are on average 25% less (or more) then anywhere else because of our preferred status with UPS.

The Ability to use your own Courier

We will use your courier if requested. You will have to contact us prior to placing the order so we can make sure you are not charged for shipping during the checkout process. Items will be held until all the necessary information is sent to carry out your request.

Other things you need to know

Overnight orders must be received before 11am Eastern Standard Time and the actual delivery time is dependent on clearing customs.

Every parcel is sent with tracking and you will be given the tracking information within 24 hours of your package being shipped.

All orders are normally shipped within 24 hours from receipt of cleared payment, though occasionally it may be 48 hours till we can ship your item(s).

Delivery times are estimates only and should be used a guide. Delivery times start from the date when the item is dispatched and accepted/scanned with UPS.

Sometimes items will incur additional taxes, tariffs, duties or customs fees when shipping to another country. All associated costs are the sole responsibility of the buyer. Shrimpton Couture cannot be held responsible for any of these extra costs. Shipping fees, duties, customs and all costs over and above the actual cost of the item will not be reimbursed under any circumstances.

Shrimpton Couture is not responsible for any delays caused by destination customs clearance processes or your local postal service. We are not responsible for any lost packages under any circumstances. If you have concerns you must request full insurance coverage or it is your sole responsibility to accept the loss. Unless insurance is requested for the full value, lost packages will not be reimbursed. If you provide the wrong address or move or are not there to pick up the package and it is lost subsequently - Shrimpton Couture will not reimburse your shipping or order costs. If you do request insurance and an item is lost you will be reimbursed once the claim has been processed and monies are received by Shrimpton Couture.

Returned items always have the actual shipping deducted including items sent under any free shipping promotions. Please read our full Return Policy for more details.

During times of free shipping promotions or in cases when the shipping costs are far greater then what we anticipated, we have the right to refuse any sale or negotiate for additional shipping to be paid where shipping costs exceed $100 at our sole discretion. We apologize and this should not affect 99.9% of orders but there are some more remote countries where the shipping costs are far more then shipping anywhere else. You will always have the option to cancel the order should we not be able to reach an agreement

If your country is not on our ship-to list when you place your order, contact us to see if we can ship to you.

We do not ship to high fraud risk countries and all orders are accessed by our security service prior to shipping.

Orders can be canceled for any reason whatsoever at our sole discretion. In those rare cases all charges would be reversed immediately.

Returns and Exchanges

What you can return and exchange:

All eligible clothing that was sold at full price, or up to 10% off the regular price, and that has been returned with proper notice and within the parameters and time frames of our policies stated here on this page

What you cannot return at all:

Any items listed on the site and purchased for $150 or lessAny item purchased through a layaway plan or on the Last Chance pageAny accessory, jewellery or footwear itemAny items sold at a discount more than 10% off its regular priceAny item sold through our 1st Dibs storefrontAny item older than 1929Any sent item that has been worn or had its hang tag removed or replacedAny received purchased item that is past the stated return time period found on this pageAny item that has a 'no return' policy specifically noted within the product description

To be eligible to send back an item:

Email cherie@shrimptoncouture.com within 24 hours of receipt of your package. In case of a dispute of this policy the time frame will be determined by the delivery date and time on UPS.com

Leave the hang tags on the items and don't wear it out - removal or wearing of the item, makes it ineligible for return

Follow the instructions that you will receive from us regarding your return

Choose a reputable courier service and and email us the tracking for the return within 2 business days of receiving your instruction email. Delay in getting the item on its way back to us within 2 business days of your emailed instructions will make your return ineligible.

Exchanges Made Super simple

If you have already let us know what item you want to exchange your purchase for we will have already had it on hold ready to ship once your return arrives. If you need a few days to decide we will just issue you a store credit so you can buy your replacement item at your leisure. We are also happy to do a partial exchange and issue the remainder due to you as a store credit or refund - just ask!

Want store credit to shop payment free later?

Eligible returns will be given full store credit/exchange with no deduction for shipping charges. Within 48 hours of receipt of the returned item, you will be assigned a code that can be used for any future purchase(s). Your credit can be used for all or part of any item, and it will be applied to your total new order, including shipping (if applicable). Exchange codes are given based on what you paid for the returned item(s) with no shipping charges deducted. Credit codes have a one year expiry date.

Prefer a refund? We can do that

Eligible returns will be refunded less the actual shipping charges regardless of free shipping promotions. Within 48 hours of receipt of the returned item, you will be credited in the original manner the payment was processed, for the price of the item when purchased, less the actual cost of shipping, even if shipped under a free shipping promotion.

The nitty gritty on our return policy:

As an effort to keep our returns to a minimum we will charge a 20% restocking fee after three items have been returned in a one year time period from the same client/address. Numerous returns beyond this, within that same time period may mean a loss of return privileges.

Returned items that do not meet our return policies above may be refused and returned to you at your cost or we may negotiate to accept them, less the original shipping costs, with a 20% restocking fee applied and an issuance of store credit only. This is determined on case by case basis.

If goods are returned that are received damaged in any way through any circumstances, including the shipping method you chose to send by, no refund will be given until the damage is assessed and an estimate for repairs assessed. Once an estimate has been obtained it will be sent to you by email and you will receive any refund/credit owed less any of the following possible deductions which may include shipping, customs, repairs and cleaning or the full cost of the garment if deemed beyond repair. If items are deemed to be non-repairable they will be sent back to you and no refund will be given.

We sell some of our items through 1st Dibs and that means that very occasionally an item may have been sold there and not yet marked sold on our website. In that case a full refund will be given including any shipping paid. There also may be unforeseen circumstances where a sale may not be completed or merchandise is no longer be available. A full refund will be given including any shipping paid should this occur.

Shrimpton Couture and Shrimpton Corporation can be held in no way legally responsible if completion of the sale and delivery of the goods cannot be made and we have provided a refund.

By placing an order though this site and clicking the - I agree to the terms and conditions box - right before you confirm your order, you are automatically agreeing with all policies listed here and that agreement is legal and binding with no exceptions. If you do not agree to these terms please cease and desist using the site immediately.

Receipts for the actual shipping costs deducted may be provided upon request. In the case of multiple purchases made within an order, with a returns of part of that multiple order, the deduction of shipping may be waived when the return value is less then 50% of the original order

Customs fees, duties & taxes incurred in either direction of the transaction are not refundable and we will deduct any customs fees from your refund/credit that is incurred by us to be able to sign for your returned item. Documentation will be provided by email for this deduction as a scan of the receipt upon request.

If store credit is used to pay for a new order in part or in full, and that new order is then returned, your refund will be given in the same manner used and a new credit issued and/or combined with any other means to complete that transaction as per the above terms.

Layaways & Holds

LAYAWAYS

Setting up a layaway is super easy and we are happy to provide this service!

Here's how deposits work on a standard layaway:

We require a deposit of 25% of the layaway total, you will be invoiced for this amount

50% of the remaining balance will be billed two weeks from the date of the initial deposit.

The final payment is due two weeks after the second payment.

items less then $300 require a 50% deposit with the final payment due in two weeks from the date of deposit

HOW TO SET UP YOUR LAYAWAY

Using the "Ask a question" link found within each item's listing on the site, let us know that you would like to layaway an item. If you want to layaway more then one item just let us now in the note which items you are asking about

We will then email you an invoice directly to your inbox with a link to complete your payment. Payments can be made using any of our usual payment methods - Visa, MasterCard, American Express or PayPal.

If you are a regular client who has a record of successful transactions and layaway's and wish to set up a plan that is outside of the above terms please feel free to email.

IMPORTANT INFORMATION PLEASE READ BEFORE ASKING TO SET UP A LAYAWAY

As soon as we receive the deposit that means you have agreed to all terms set forth on this page.

Items are not marked sold until the initial deposit has been received

Items purchased through layaway are final sale and any & all payments made are non-refundable

Payments which are not completed within the mutually agreed upon period may be forfeited and the items in question re-listed. We make every effort to accommodate our clients so please contact us if there are any problems or delays at your end once a layaway is underway.

If you forfeit on a layaway you may no longer use this service in the future unless we mutually agree. Persons that have a history of non payment on layaway items will have those privileges revoked

Sale items in general are not eligible for layaway but we will make exceptions for existing clients and if we are asked nicely. Please email us and decisions will be made on a case by case basis.

Please do not set up a layaway unless you are confident that you can make the proper payments - shopping completely out of one's budget is never encouraged.

HOLDS

Holds are a tricky thing since everything is one of a kind. I do understand that sometimes you cannot get to your computer to complete your purchase so here is the policy on holds that I think is fair.

If you are a new client and have not purchased with me before I will hold an item on the What's New page for 3 hours and any other item for 6 hours.

If you are a repeat client then you may hold any item for a 24 hour period. Very occasionally I will extend that time period depending on our individual relationship and the circumstances.

Persons that have a history of asking to hold items and then not purchasing, especially without touching base will have hold privileges revoked. Sale & reduced items are not eligible for holds.

Loans and Rentals

We do not rent out garments. Loaning of garments is generally not done but we have made exceptions for red carpet events and editorials at our discretion. Unfortunately we are no longer lending to Canadian magazine or creative due to unwarranted backlash from modelling agencies. Please contact us with your request.

Rare c1958 Jean Desses Green Silk Elaborate Pleat Dress

$3,400 USD

Jean Desses opened his couture house in 1937 and was a designated Haute Couture house under the official Chambre Syndicate de la Haute Couture. He began a ready to wear line in 1949. By 1960 the couture portion of his business was closed followed by the closure of the ready to wear 5 years later. This makes finding his pieces very rare from either of his lines. When he expanded his atelier to serve the overseas market in the late 1950s, he was among the small elite group of designers that sold to the American power house department stores the right to sew his designs in America. The fabrics and design were the same as what was being produced in his atelier in France, but the construction of the actual pieces was done by couture level seamstresses in America. This elaborate system had been established by Dior and was a clever way to get around the severe import taxation of the time period. Jean Desses kept a strict eye on what was produced and where pieces went and this caused a severe limitation on the quantities produced and from what I have found in my research, each piece was made to order making them demi-couture garments.

This is a spectacular example of his work and had it had the Atelier label the price on this piece would have a "1" in front of it or even be higher. It is instantly recognizable as a Desses and utilizes his signature, elaborate pleat work in its construction. The fabric is a vivid green silk chiffon of very fine quality and an extremely hard fabric to work into pleats like this one has been. The dress hugs the body and wraps it in the pleats from bust to below the hip, all cut to follow and highlight every curve. It has a squared off bodice with bodice and back is scooped and highlighted with a panel of draping fabric. The skirt swings out from under the pleats and gives the dress beautiful movement. At the back the skirt is an absolute marvel of construction. A panel trails out and down the back, widening as it nears the hem and perfectly off-setting the gorgeous draped pleating that wraps the hips. This is a stunning example of his work at his very best and showcases some of his strongest signatures. Presents as excellent condition with some notes below.

Fully interlined with a green silky rayon. It closes with a painted metal back zipper with hand finishes and hand draped pleating. Light boning through the side of the bodice and inner waist stay that closes with hook and eye. There are some small flaws that I have captured. Light marks under each arm are present with a slight shattering to one side along the upper edge. There are some spots on the back inner skirt and also on the fabric panel that runs down the back. The price reflects these. It is strong and wearable as is.

Bust: 17" flat across from side seam to side seamWaist: 12" flat across from side seam to side seamHips: 18" flat across from side seam to side seamLength: 45" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD2639

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Graphic 1960s James Galanos Silk & Wool Dress & Jacket Set

$850 USD

This wonderful dress and graphic jacket set is a testament to the greatness of James Galanos who just recently passed away at the age of 92. Galanos was one of the great American Couturiers and his work stays relevant season after season. This set is exceptional and I think that when you see it on person you will be even more pleased. There is a texture and weight to the fabric and a sculptural quality to the line of both pieces that do not convey as well on camera. The fabric is a black wool that has an almost rough canvas feel to its finish. It has a decent weight to it that allows it to hold the lines Galanos intended. The dress is cut with strict lines that have an angular finish around the neckline, emphasized further by seaming in a thick thread. It curves in at the waist with vertical seaming and then the skirt flares out with an almost triangular shape. The jacket has a front inset of a silk in a graphic black and white design and buttons to close with big white buttons. The sleeves are remarkable with a inset pleat running down each that open just above the wrist. It is very chic and structured and impeccably made with lots of couture level, hand finished put into the construction. It is am amazing original Galanos piece that is extremely collectible and infinitely wearable. Excellent condition.

The jacket and dress are both fully lined in a fine black silk that is hand set. The jacket closes down the front with buttons and the dress closes with a side zipper that runs along a seam.

JacketSleeves: 22"Shoulders: 15"Bust: 20.5" flat across from side seam to side seamWaist: 19" flat across from side seam to side seamHips: 21" flat across from side seam to side seamLength: 21" from neck to hem

DressBust: 19.5" flat across from side seam to side seamWaist: 17" flat across from side seam to side seamHips: 21.5" flat across from side seam to side seamLength: 41" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2639

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Simple 1990s Chanel Dress In A Deep Brown Silk & Wool

$1,500 USD

Karl Lagerfeld is a genius when it comes to combining cut and fabric and this Chanel dress showcases just that. It is made from a fine, light wool and silk mix fabric that is woven into a square grid pattern that gives it a very unusual texture. The color is a deep, rich chocolate and the cut is deceptively simple. The fabric he chose for this dress has the same properties as the iconic boucle that the house regularly uses in that is bias cut in all four directions. This means that it moves easily over the body with no restrictions while at the same time always keeping its shape. It is cut to be sleeveless with a V neckline. The waist drops low and the fabric skims over the body in a sleek column from the shoulder to the floor. Pockets sit on each hip and each has that distinctive Chanel logo button adoring it. The back has a slit so you can walk easily in the slim cut skirt. Excellent condition.

Fully interlined in a fine brown silk crepe and closes with a back hidden set zipper. Hidden pockets on each hip each with a Chanel button. Extra Chanel button included. Beautifully constructed

Bust: 17-18" flat across from side seam to side seamWaist: 15.5" flat across from side seam to side seamHips: 20" flat across from side seam to side seamBodice: 17" from neck to waistSkirt: 36.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2400

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

c 1983-85 Heavily Sequinned Chanel Silk Chiffon Dress

$3,600 USD

This is a very fine Chanel dress that is densely covered with black sequins and beautifully made. Both the interior of the gown and the exterior are made of a fine black silk. Then the black silk chiffon outer layer has a hand embroidered design that runs over its surface and then onto those curving lines are glossy black sequins that have been all hand place and applied to follow the design. It reminds me of soft trailing vines that run in a vertical pattern down the surface of the dress. The fabric is very fine and light so once on it feels almost weightless. The edges of the cuffs, neck and down the back have a border of a more densely set sequins for a little bit of detailing and contrast. A double row of this same heavier sequinned border finishes the hem. The interior dress has a tank bodice that shows through prettily. The skirt flows to the floor and the effect of the two layers of silk over each other adds to the light and airy feel of the dress despite the extensive sequin work. It is very beautiful and the workmanship very fine. This is most likely the work of Karl Lagerfeld in the very first few years of his joining Chanel in 1983. The secondary Garfinkel's department store label in the bodice is the appropriate version of their label prior to their closure and helps to date it as this time period. It is very rare, collectible and very, very beautiful. Excellent condition.

Fully lined with an inner dress of silk. It closes with a fine back metal zipper on the interior dress then the exterior layer buttons down the back. Each cuff buttons to close.

Sleeves: 24"Shoulders: 15"Bust: 18.5" flat across from side seam to side seam of the inner dressWaist: 15" flat across from side seam to side seamHips: openBodice: 16" from top of bodice to waistSkirt: 40" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1942

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1920s French Made Sequin & Gold Lame Net Flapper Dress

$1,800 USD

This 1920s French flapper dress is completely made by hand and a wonderful example of the level of craftsmanship being utilized during this time period. The base of the dress is a black silk netting that is still strong and sturdy. Onto this is a fantastic design of early gelatin sequins in a combination of purple, pink & turquoise that are all placed and attached by hand. Each little block of designs has three pink stylized "hearts" surrounded by an ring of abstract color. Real gold thread and gold beads make a square shape around each of these and they are then stacked in rows to cover the dress entirely. This combination of colored sequins, gold thread & beads is absolutely fantastic and when you think it was all made by hand it becomes even more so. There is an extra panel of netting inserted at each hip to give the skirt extra flare. It has its original Made In France label at the neck. The level of work in this piece would only be found in the highest couture of today and it is extraordinary dress. Excellent, museum quality.

The dress is unlined and slips over the head to wear

Bust: 17" from side seam to side seamWaist: 16" from side seam to side seamHips: 17" from side seam to side seamTotal length: 40" from shoulder to bottom hem

Note that antique and twenties pieces are final sale. They will be packed exceedingly well and we only sell pieces that will stand up to the stress of shipping, however, having pieces potentially shipped multiple times through multiple customs and countries is too hard on garments that are historically important and deserve to be treated with love and care. Please purchase accordingly.

Modern Sizing equivalent: XS-SML

Item# E290

This garment is in sound, clean, as found condition and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

1970s Museum Held Bill Gibb Sequin Detail Jersey Dress

$1,800 USD

Bill Gibb pieces are so rare and hard to find and this particular dress is absolutely fabulous. It also has the added bonus of being the twin of museum held pieces. A version is red is held at the Museum of Fine Arts, Boston and a similar version in cream was displayed in Bath for the "Great Names in Fashion" exhibit. The body of the dress is made of a fluid, black liquid jersey fabric that is light in weight and drapes amazingly on the body. It cascades and flows to the floor from the heavily sequined panel that sits across the bust. This panel is cut with a square angular cut that Gibb often used in his creations and is a signature of his. The sequins go up and over the shoulders and then curve into the upper back where two stripes of sequins again curve down and over each shoulder and run into a second heavily sequined horizontal panel. Each cuff is elaborate and dramatic and also covered in pastel colored, glossy sequins. During this ttime period these jerseys would have been cutting edge fabrics and an unusual choice for a designer to use ad considered very avant garde. It is stunning and a beautiful example of his work. Excellent, museum quality condition.

Unlined and closes with a side painted metal zipper. Each cuff has a single hook & eye. All the sequins appear to be present. Cut small across the bodice and best suit for a XS or small busted small.

Sleeves: 26"Shoulders: 13"Bust: 16" flat across from side seam to side seamWaist: openHips: openBodice: 11" from top of bodice to waistSkirt: 46" from waist to hem

Extraordinary 1950s Helena Barbieri Pink & Gold Dress

$1,500 USD

This Helena Barbieri gown is so beautiful it takes my breathe away to look at it. The fabric is a rich, vibrant pink silk that has a wonderful design woven through its surface in a gold lame thread. This design runs over the entire dress from the strapless bodice to the hem of the skirt so that it glows in the light. The combination of the pink and gold are wonderful and in person it is even better then how it photoed and it photoed quite well. The bodice is fitted and strapless and the waist defined with a wide band of fabric. This tops a beautifully cut skirt that has pleats set along the hips so that you get a soft fullness there. The back of the skirt is cut so that it has extra fabric to give it a flared fullness that is wonderful. I love the wrapped effect of the bodice and how it gives the illusion that after wrapping it around your bust, the end of the panels tuck through the waist banding. I am always so pleased to have a Helena Barbieri piece come into the shop as they are a rare label to find and each is very special. Her specialty was formal wear and her signatures included embellishment and decadent details making them much desired even now. You would be hard pressed to find modern counterparts as far as the workmanship and detailing in most of them. The construction of this dress is impeccable. It is drop dead gorgeous. Excellent condition with a small item to note below.

Fully lined with pink silk organza through the skirt and a white muslin through the bodice. Ribbon finished seams at the hem and boning through the bodice with a hook and eye interior waist stay. Hand finishes. Closes with a back painted metal zipper. There is the slightest "loosening" of the thread along the bodice edges at each side but it does not effect the appearance when on. Please see photos of each side.

Bust: 18" flat across from side seam to side seamWaist: 13" flat across from side seam to side seamHips: openBodice: 11.5" from top of dress to waistSkirt: 43.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2630

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1970s Bill Blass Metallic Gold Lurex Knit & Feather Cuffed Dress

$825 USD

The is the second time around that I have had a version of this dress in the shop and I think I love it even more now then I did then. This one is a little bit bigger in size then the first one was but otherwise the twin of the other. I love the full on "bling" factor that seventies metallic lurex has and when that fabric is used by a designer like Bill Blass the results are just magical. The dress is cut long and lean and the design that runs over its surface is a mod feeling swirl of taupes and chocolates mixed with gold thread so the entire dress has a subtle shimmer. The bodice of the dress has a simple, high rounded neckline. This flows over the bust to nip in at the waist slightly, topping the skirt. The skirt flows to the floor and is cut on an A-line as it gently widens to reach the hem. The long, lean sleeves are finished in the design detail that makes this piece absolutely over the top - each cuff ends in an explosion of dramatic, long feathers and gold tinsel strands - all woven together and in hues that pick up the colors of the fabric. Really an outstanding piece. Overall excellent condition

Interlined in a light cafe au lait silk and closes with a back metal zipper. There is the slightest of discoloration under the arms but it is very slight and does not show when on. Priced accordingly and quite less the the first one sold so a real steal.

Sleeves: 23" (feathers extend further)Shoulders: 15"Bust: to 19" flat across from side seam to side seamWaist: 16" flat across from side seam to side seamHips: to 19" flat across from side seam to side seamBodice: 15.5" from neck to waistSkirt: 41.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2349

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1960s Demi-Couture Bill Blass Sequin, Silk & Feather Dress

$1,800 USD

This sequin and feather Bill Blass dress is remarkable. Glossy black sequins completely cover the semi sheer silk chiffon fabric of the dress so that it catches the light and glimmers at the slightest movement. It gives the gown an almost liquid feel which is the perfect contrast to the structured, more formal feeling cut. The bodice is cut to hug the body and it is finished with long sleeves. The sleeves are left unlined for a subtle sexiness. The front is cut in a V that gives it a plunging neckline although at present, there is a modesty panel that is tacked into place behind that V. If you wanted the full plunging effect, it would be an easy task to make a few snips, removing the modesty panel, and it would instantly transform the dress. The waist nips in to offset and highlight the full skirt. The skirt is surprisingly full and it is attached to the waist in a series of tiny gathers that give the fullness you see but without adding unflattering volume. Extra netting underneath is hand placed under the hips to help to give it the perfect fullness. This flows to the floor and ends at a hem that is pure, high drama and the real highlight of the dress. It is finished with a thick, lush band of glossy black Ostrich feathers mixed with metallic cellophane strips. The little lame foils glint in the light and perfectly offset the sequins. The feathers are full and luxurious add that perfect couture touch. A superb and early Bill Blass gown. Excellent, museum quality condition.

The dress is fully lined with a semi sheer black crepe. The sleeves and shoulders are left unlined. The skirt has an additional lining of a starched netting in two layers to help hold the shape. It closes with a back painted metal zipper and each cuff has a zipper so it closes snugly on the wrist.

Sleeves: 22"Shoulders: 14" Bust: 16.5" flat across the back from side seam to side seamWaist: 12" flat across the back from side seam to side seamHips: openBodice: 14.5 from shoulder to waist seamSkirt: 37" from waist seam to bottom hem

Modern Sizing equivalent: XS-SML

Item# DD575

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

1980s Numbered Chanel Red Metallic and Chenille Cord Set

$6,500 USD

Without doubt this is one of the best vintage Chanel pieces I have seen in a very long time. It is truly an exceptional piece of vintage and I doubt you will see this again. From the fabric, to the cut, to the sheer impact the set has, it is an extraordinary example of the house and how fine the workmanship can be. It is made of a red silk lurex that has a rich metallic sheen. Onto this a curving chenille cord is hand applied and winds and coils over both pieces to create a high impact design that is remarkable. Both pieces are lined in the finest tissue silk available and this combination feels like pure luxury once on the body. To offset that strong statement made by the exterior fabric, both pieces are kept almost starkly simple in their cut. The jacket simply slips on with a box cut and no closures. I love how the edges are all lined in the same chenille cording. The skirt is cut to fit around the hips and then flares out as it nears the hem. The fabric is not excessively heavy but has enough weight to it that both pieces hold their shape and the final effect is almost sculptural. I love the pockets on the skirt. I suspect that this is an early Karl Lagerfeld for Chanel assemble but have not yet found documentation of that. It has the Chanel boutique label in the jacket and the skirt has a hand written tape label inside. Most likely this was a custom or special order piece. It seems to be entirely hand finished inside so I would consider this to be demi-couture. It is very wonderful and a real treasure for the Chanel collector. Excellent condition

Full lined in a fine black tissue silk. Hand set and finished. The jacket has no closures and the skirt closes with hand set zipper at the back and hook and eye at the waist band. Light padding in the shoulders of the jacket and pockets along the side seams on the skirt. Tape label reads "141 22141" thought he last number maybe be something else.

JacketSleeves: 22.5"Shoulders: 16"Bust: 20" flat across from side seam to side seamWaist: 20" flat across from side seam to side seamLength: 20" from neck to hem

SkirtWaist: 14" flat across from side seam to side seamHips: 23.5" flat across from side seam to side seamLength: 43" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2625

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Look 29 S/S 2011 Prada Runway Embroidered Monkey Dress

$2,400 USD

It was a fantastical jungle that walked down the runway of the Spring 2011 Prada presentation and Miucci showed piece after piece with a whimsical mix of embroidery and beads. This is Look 29 from the show and it was not only a hit on the catwalk, but also was photoed extensively that season for the fashion magazines. It is a classic barrel shape cut with a combination of embroidery and a fantastic beaded hem. The dress caught the fancy of the fashion world and it was sold out and wait-listed as soon as it hit the shops. Cut like a modern day flapper dress, the monkey and banana embroidery perfectly captures her sense of humor and wit and give a nod to the original inspiration. It is really a design that has become iconic and instantly associated with Prada. The embroidery completely circles the dress and is a strong hit of color against its black backdrop. Added to the hem is her signature chunky beads done here in blue and black. These click and clack against each other when you move making the entire dress a piece of interactive artwork. Excellent condition with one item to note below.

Style.com said of this collection:

"Only Miuccia Prada could attach a label like "minimal baroque" to a collection whose references ranged from hospital scrubs to seventeenth-century cherubs to Jazz Age superwoman Josephine Baker. Fishing around for an alternative to "fresh," she herself came up with "brave, bold, and obvious"—that last one a typical head-spinner......But there was also more than enough of Prada's twisty-ness to boost this collection into her already chock-full pantheon of greats. Those cherubs, for a start, plucked from a curlicued baroque interior and all mixed up with bananas and naive monkeys in an exuberantly cartoonish print that looked like something lifted from a poster for a Josephine Baker performance at the Folies Bergère in the twenties.....As she said backstage, banana earrings vibrating: "It's time to be bold." And that's one maxim that, with any luck, will rub off on the world at large."

Fully lined in a black silk and closes with a hidden set side zipper. No size tag present so please check the actual listed measurements below. One hanging bead missing at the back near the side seam (photoed and priced accordingly)

Bust: 17.5" flat across from side seam to side seamWaist: 18" flat across from side seam to side seamHips: 19" flat across from side seam to side seamLength: 39" from neck to hem - beads add 3" to length

1980s Nina Ricci Demi-Couture "Haute Boutique" Silk Dress

$1,400 USD

This is the Nina Ricci demi-couture label from the 1980s and it has that amazing eighties aesthetic to it with its bold, full cut through the arms but is still refined enough that it does not feel like a "costume" like some eighties pieces feel. I am actually seeing a lot of similar pieces on the runways this past season or so and indeed this gown feels remarkably fresh. The dress is absolutely gorgeous and on a girl that it fits properly it is even better. (it was a touch too big on my mannequin). I love the gathered ruching that runs down the front - this not only adds that rich touch but also accents the smallness of the waist. The bodice is shaped around the bust with and then angles into those remarkable shoulders and sleeves that are cut loose and full with a generous cut that tapers down the a narrow wrist. Each wrist zips to close and the fabric is gathered and ruched around these closures, tying into the front detailing. To off-set that volume though the sleeves, the skirt is more fitted as it falls to the floor in a graceful column of silk that gently widens as it nears the hem. The impact of that bare back is the perfect, an unexpected, finishing touch. It is very well made and the tissue red silk interior gives it a rich and sensual feel once on. Excellent condition

Fully lined in a red silk and closes with a back zipper and hook & eye at the neck. Each cuff has zippers to close. A mix of machine and hand finishes.

Sleeves: 27"Shoulders: 14.5"Bust: 17" flat across from side seam to side seamWaist: 14-15" flat across from side seam to side seamHips: 19.5" flat across from side seam to side seamLength: 61" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2623

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The 1953 "How To Marry A Millionaire" Lauren Bacall Worn Suit

$25,000 USD

The 1953 film "How to Marry a Millionaire" featured the mega-star line up of Betty Grable Marilyn Monroe and Lauren Bacall. William Travilla designed the bulk of the costumes for the film and they have become some of the most iconic looks on film. In the film Lauren wears this suit all through the beginning of the film. This is the actual suit made and worn in the film and to the best of my knowledge it was the only one made. It was purchased by a private Hollywood collector in the 1970s and was held in storage until it was recently purchased and made available for sale and I have now been asked to handle that sale. It is wonderful to have such an iconic piece of film history in the shop and the mind boggling to have a piece actually worn by Lauren in one of the most iconic of films.

The best description of the suit is perhaps found by watching the film and seeing it move on Lauren. It is cut to be fitted with a seamed bodice that follows the curves of the bust and a nipped in waist created by precise vertical and angled seams. The hips flare out and you can feel the stiffening material used in the inner construction so the suit would hold its shape no matter how Lauren moved during the scenes. The front closes with three buttons. The lining is silk and hand set. The skirt is very unusual and wraps to close with the open wrap at the back. This unusual skirt treatment is one if the strongest identifiers of the suit outside of inner studio/costume label. There are alterations done the waist and these are original - this would have been common on set to accommodate the star as she perhaps changed sizes during filming. I have been told that she wore this after the film as well for some of the press so the alterations could have been done the. It is in excellent condition otherwise and a remarkable piece of Hollywood memorabilia.

The jacket is fully lined in a grey silk and the skirt unlined. The skirt closes with a row of buttons offset to one side at back and wraps to close. The jacket closes with the buttons at the front as seen. The costume department tag identifying it from the film as as Luaren's costume is found in the inner part of the skirt. The jacket shows the slightest of dusting across the shoulders which a clean would rectify if this bothered you. I have not cleaned this because of the value and provenance as most collectors prefer items like this in their original state. so I was respectful of that. There are light perspiration marked under the arms on the interior silk that do not show on the exterior. The area where the inner sleeve lining is attached has some small areas where the stitches have come undone. Again this has all been left as found. The skirt has an extension at the waist that was told to me to be original and also left as found. Stitches at the inner front skirt to denote that it was the front - many hand done garments and couture items had this detail during this time frame. Serge finished seams in the skirt, hand set lining in the jacket and hand finishes throughout.

JacketSleeves: 21.5"Shoulders: 15.5"Bust: 18.5" flat across from side seam to side seamWaist: 14.5" flat across from side seam to side seamHips: 18" flat across from side seam to side seamLength: 26" from neck to hem

SkirtWaist: 13" flat across from side seam to side seamHips: 18" flat across from side seam to side seamLength: 32" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2619

Reference Photos: Lauren Bacall in "How To Marry A Millionaire", 1953.Watch the film in it's entirety below!

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

c1955 Christian Dior Original Demi-Couture Fitted Dress

$2,400 USD

This wonderful tailored and chic dress is labeled Christian Dior Original and pieces form this time period with this label were almost always a custom or special order. This would have been based on the Dior Haute Couture collection designed by Chrustian Dior himself and you can clearly see the similar front draping technique in the several museum held included here from that 1955 collection and even one that Dita Von Teese owns and has worn. These where made in, and for, the American market but were based on the runway designs and with many of the same high standard finishes that the true Haute Couture pieces incorporated. I know for fact that there is an actual photo of this dress out there but unfortunately I have not been able to re-find it. One day I will come across it once again and it will be sent to the new owner if it is sold already when that happens.

The dress itself is a wonderful example of the tailoring Christian Dior put into his pieces. The fabric is a light serged wool with a touch of stretch to it that is possible because the fabric was cut and sewn on the cross grain. This makes it both incredibly comfortable to wear once on but at the same time acts like a "shaping" garment in that it hugs and smooths the body. The front is incredible with that high crossed panel detailing that is secured with a button - a detail featured prominently in this collection. The shoulders are rounded and you will note that there are no seams around the arm, rather the fabric extends and is shaped and cut in the proper technique. The sleeves narrow to a buttoned cuff at each wrist. The waist nips in and the skirt hugs the hips and narrows with a large front pleat and smaller back vent that allows movement. Pockets sit on each hip and are set to cleverly add a gentle curve and highlight that desired "hourglass" shape of the period. It is fantastic and even better in person. Excellent museum quality.

Unlined and closes with a back brass metal zipper. The front button is decorative but the button hole is properly finished. Interior waist stay that hooks to close. Buttons on each cuff. Note that all three buttons are different from each other so during its history there have been replacements made. The interior has a ribbon finish hem and is extremely well constructed. Almost entirely and clearly hand finished with some machine work as per the dictates of demi-couture.

Sleeves: 22"Shoulders: no defined seamBust: to 19" flat across from side seam to side seamWaist: 13" flat across from side seam to side seamHips: to 20" flat across from side seam to side seamBodice: 16.5" from neck to waistSkirt: 26.5" from waist to hem

Wonderful 1960s Jean Louis Pink Floral Silk Chiffon Gown

$950 USD

Jean Louis is the designer who created that dress that Marilyn Monroe was said to have been sewn into when she sang Happy Birthday to JFK. He worked in the movies before starting his own label and you can easily see the wonderful lines and attention to detail that those years of heading a costume department added to his talent. It is pretty and romantic but with string design details that still make it a statement piece. Everything about it feels high end and special and will make you feel like you are floating into a room in a cloud of pretty flowers. It is cut with a strong nod to those dramatic gowns of the 1930s and 40s with its pretty sleeves and full skirt. The bodice is fitted with an almost cape-like chiffon overlay. The neckline is cut to sit on the very outer edge of the shoulders for a touch of sexiness. Below this the waist nips in above the full skirt that flows in a column of chiffon to the floor. It is gorgeous and impeccably made. Excellent condition.

Fully lined in a pink silk crepe with an additional layer of silk organza that backs the more full outer layer in the skirt. Closes with a hand set, back painted metal zipper and has a waist stay that closes with flat hook & eye. hand finishes.

Bust: 18" flat across from side seam to side seam Waist: 12" flat across from side seam to side seam Hips: 20" flat across from side seam to side seam Bodice: 15" from neck to waist Skirt: 42" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1264

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Important 1968-69 Yves Saint Laurent Chocolate Velvet Safari Suit

$4,800 USD

The Yves Saint Laurent safari top has become one of the holy grails in the vintage world and not only do we have a very early version of that here but also the matching pants!. This is the first full set that I have had pass through my hands and it is amazing. It originally was owned by Astrid Lundstrom who was Bill Wyman's common-law wife from 1967 till 1983. Bill was of course the bassist for the Stones from 1962 until 1993. This was acquired directly from Astrid and was worn and loved by her adding to its already amazing provenance. Countless celebrities have been spotted in this coveted look and it is one of the most identifiable of Yves' pieces ever made. This is made of a deep brown velvet that gives it depth and texture and in my opinion add to the more evening feel if it as opposed to its khaki counterparts. It has all the classic hallmarks of that tunic made famous when it was photoed on Verushka. It's short and meant to be worn as a tunic with front ties and the ties loop through down the front. The pants are cut with that perfect flare - skinny and fitted through the hip and then flare and long to the cuffs. This is an exceedingly rare piece to come up to market and it very well may be the only one in existence since Astrid did custom order pieces specifically based on her preferences in fabrics. Excellent, museum quality condition.

In the description for the Kyoto Costume for a similar set pictured here as a reference photo, they remark on the importance of this suit: "The May 1968 protests in Paris had a dramatic effect on the values of French society at the time. Yves Saint Laurent used this social movement as his pretext to push on ahead with the Pant Suit for women, something that had been taboo till that moment. Saint Laurent’s caliber as a designer is evident in this new look, which, while "unisex," remained ultimately feminine. The garment on the left, Saint Laurent’s ‘city pants,’ was acclaimed for representing the same functionality as a man’s suit. The safari suit on the right is from the designer’s 1968 Spring Summer collection, the theme of which was "Africa", and in which Saint Laurent reinvented the functional hunting suit and turned it women’s town wear."

Unlined but the fabric is self backed. The pants close with a front zipper and the top slips over the head and you adjust the ties at the front. Note that the pants did not do up in the mannequin - they are definitely an XS in size, while the top will fit a XS-SML. The pants are tagged a vintage YSL 36 and the top has no size tag. Very light patina to the velvet at the high crease areas but nothing I would deem enough to take away the rating of vintage excellent on such a rare garment. The fabric has a touch of stretch to it.

TopSleeves: 23"Shoulders: 15"Bust: 18" flat across from side seam to side seamWaist: 16" flat across from side seam to side seamHips: 18" flat across from side seam to side seamLength: 27" from neck to hem

PantsWaist: 12.25" flat across from side seam to side seamHips: 16" flat across from side seam to side seamLength: "43 from waist to hemInseam : 33" from waist to hem

1976 Yves Saint Laurent Russian Collection Fur & Leather Coat

$2,500 USD

This is from the famous Russian collection from the Fall/Winter of 1976-1977 and these are rare and hard to find. The now legendary 'Russian Ballet and Opera' or 'Opéra Les Ballets Russes' Haute Couture collection by Yves Saint Laurent for Fall/Winter 1976/1977 was one that took the fashion world by storm and has been endlessly re-interpreted since. Here we have a leather and fur coat from the Yves Saint Laurent Fourreres line and it combines the practical with all the style and chicness that the Russian collection inspired. These leather and fir versions are rather rare and this particular coat is in exceptional condition. The leather is a soft lamb and the edges and dull upper inside bodice lined in a deep chocolate fur that is very soft and fine. I love how all the edges are top stitched with a deep red thread, placed to emphasize the lines of the coat and give it that Russian Cossack feel. Highly polished buttons close the coat down the front and the skirt is amazingly constructed with lots of fullness. It really transforms when on a real girl and is just wonderful. Amazing and rare piece of fashion history. In excellent, museum quality condition.

The upper bodice and cuffs are lined in fur and the sleeves and skirting of the coat are quilt lined. It closes with the buttons at the front. Tagged a vintage YSL 44. It has been specialty cleaned.

Sleeves: 24.5"Shoulders: 16.5"Bust: 20.5" flat across from side seam to side seamWaist: 18.5" flat across from side seam to side seamHips: 25-26" flat across from side seam to side seamBodice: 19.5" from neck to waistSkirt: 29" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# C404

Reference Photos: The Peasant Collection 1976 as photographed by American Vogue / Coat from the MET

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Iconic 1971 Diana Crawshaw for Mr Freedom Baseball Suit

$4,800 USD

It is so rare to find a Mr Freedom piece and this is perhaps the most coveted and well documented of them all. I have seen similar pieces come up for auction but none in this fine of condition and that include the original "modesty" panel under the front lacing of the jacket. It is made of a light and comfortable inky black velvet, ironically the fabric of the season once again, and is fashioned after the traditional "baseball suit" with scarlet patch appliques at elbow and on the pant legs. The pants themselves are fitted around the hip with a high waist and amazing button front. The legs are cut to lengthen and end in a slight flare with cuffed hems. The jacket is iconic with its bright yellow lace front and cropped fit. I have tied the laces as referenced in many of the documented photos but they can also be tied with the laces ending at the top. It seems that both versions were done depending on the whim of the stylist or photographer at the time. Excellent, museum quality condition.

In an article from Look-In Fashion Model Annual, 1971, from which one of the reference photos was taken, the writer said this of the Mr Freedom boutique: "It's a remarkable shop. The price tags are cardboard fried eggs. Inside, a huge fly eight or nine feet long slowly flaps it's wings just above your head and further inside a chest-high model of a shoe looms large in metallic mauve. There's an armchair made to look like a huge set of false teeth and furniture the shape and colour of liquorice all-sorts. There are beautiful Mr Freedom-clad assistants and a wide-grinning Teddy boy called 'arold. Not to mention the clothes. Mr Freedom stocks an ever changing shopful of vivid, original fashions, each one more outrageous than the last and each quite different. There are fashions from the thirties and forties. There are drape jackets and blue suede shoes from the Teddy boy era, and shorts and sling back shoes fit for fifties film stars, enamel brooches, sneakers, platform shoes, sailor suits, and a whole host of incredible clothes that could have only come from the seventies. And all the time new ideas bring new clothes. Mr Freedom doesn't follow fashion, he leads"

Both pieces are in excellent condition with a slight patina to the velvet at the natural creasing areas. It has not undergone additional cleaning as it is in clean condition as found and for pieces of this importance and rarity I prefer not to undergo any unnecessary cleaning. Unlined with the velvet having a self backing. The pants close at the front with a button fly and the jacket laces to close as shown. There are slight "crease" marks in the velvet at the parts that most move when on but this is a natural effect of time and normal wear and I don't feel it takes away at all from the rating of excellent. The patina adds to the vintage heritage and splendor of such a rare and wonderful piece. Tagged a British vintage 12 but please check the listed measurements.

JacketSleeves: 22"Shoulders: 14.5"Bust: 17.5" flat across from side seam to side seamWaist: 15" flat across from side seam to side seamLength: 16.5" from top of bodice to waist

PantsWaist: 14.5" flat across from side seam to side seamHips: 18" flat across from side seam to side seamLength: 41" from top of bodice to waistInseam: 31.5" from top of bodice to waist

1990s Christian Dior by John Galliano Bias Cut Silk Dress

$1,200 USD

John Galliano's years at the house of Dior ended in scandal but during his tenure there he did arguably produce some of the most amazing bias cut gowns in the houses history. His work, especially the bias cut pieces have a feeling of the decadence and abandonment of the twenties and thirties and they are beautifully cut. They marry the old Hollywood feel of those past eras with the minimalist spirit of the nineties and the results are stunning. This is one such dress and it is beautiful. I love the soft colors - they are a mix of yellow, a pale mint and a pastel tangerine intercepted with black and white and laid out in a graphic chevron pattern that covers the entire dress. It is completely cut on the bias and skims and drapes over the body from the scooped neck to the lower hip. The bottom skirt in set into the body of the dress in a pointed design that both plays off the print on the silk and uses a technique derived from the twenties. The skirt itself is made of payers of silk that float and move around the girl wearing the dress to create a beautiful sense of movement. A tightly spaced row of buttons runs down the side of the dress - a signature of his and this adds to the sense of antiquity to the gown. It is very light and stunning on. It also bears the main Christian Dior label of the time so would have been considered demi-couture as opposed to the Boutique label of this time period. Excellent condition

Fully lined in a bias cut off-white silk crepe. It slips on to wear and closes with the series of buttons and fabric loops that run down the side. It appears to have never been worn. The bias cut will allow for a variety of sizes to wear the dress. Note the length does come up when on depending on the size of the girl underneath since it is cut on the bias.

Bust: 15-17" flat across from side seam to side seamWaist: 12-15" flat across from side seam to side seamHips: 16-20" flat across from side seam to side seamLength: 60" from shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD2437

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Rare c.1955 Jean Desses Velvet Fused Green Silk Dress

$2,400 USD

Jean Desses opened his own couture house in 1937 and was a designated Haute Couture house under the official Chambre Syndicate de la Haute Couture. He began a ready to wear line in 1949. By 1960 the couture portion of his business was closed followed by the closure of the ready to wear 5 years later. This makes finding his pieces are very rare from either of his lines. When he expanded his atelier to serve the over seas market in the late 1950s, he was amongst the small elite group of designers that sold to the American power house department stores - Bergdorf Goodman's in this case - the right to sew his designs in America. The fabrics and design were the same as what was being produced in his atelier in France, but the construction of the actual pieces was done by couture level seamstresses in America. This elaborate system had been established bu Dior and was a clever way to get around the severe import taxation of the time period. Jean Desses kept a strict eye on what was produced and where pieces went and this caused a severe limitation on the quantities produced, even in the RTW line and from what I have found in my research, each piece was basically made to order, making it truer to demi-couture then RTW.

The dress itself is spectacular. The fabric is a rich green silk satin that seems to glow with its own inner light. Onto the silk is a fused velvet floral design that adds texture and depth. The cut is contained sexuality, nothing overt but cut to follow and highlight every curve. It has a V cut at the bodice and back is scooped off into a deep square. At the front, just under the V, it is gathered and detailed with a small pipe of fabric that catches and appears to hold the carefully placed drapes that gives it a slight Grecian feel - a signature of Jean Desses. The waist nips in under this give you that hourglass figure. The skirt is an absolute marvel of construction - the inner skirt is fitted and over it lies a panel of fabric that is secure at the waist and then ties at the back - almost apron style. Lots of fabulous detailing and finishes like an inner built in bodice and weighting at the back hem. With couture examples of Jean Desses ranging from $20,000 to over $50,000, this is a wonderful opportunity to own a design from one of the original masters. Excellent condition

The inner bodice lining and the inner front panel of the underskirt are made of a green silky rayon. The exterior fabrics are interlined in a pale green silk organza. It closes with a painted metal side zipper and the over-skirt is part attached and then ties at the back. Hand finishes and ribbon edged seam. Light boning through the bodice and inner waist stay that closes with hook and eye.

Interior Bust: 18" flat across from side seam to side seamInner waist stay: 14.5" flat across from side seam to side seamExterior waist if stay left open: 15" flat across from side seam to side seamHips: 19.5" flat across from side seam to side seamBodice: 19" from top of bodice to waistSkirt: 30" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1901

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Early 1960s Pierre Cardin for Takashimaya Green Silk Suit

$950 USD

This is the third little Pierre Cardin set from this era and with this background story I have in the shop - all from the same wonderful source - and I love this one. In 1958 Pierre Cardin went to Toykyo and ended up staying a month - he met his longtime muse, model Hiroko Matsumoto, who he invited to France in 1960, and made history when she became the first Japanese model to walk in the Paris collections. While there he also inked a deal with the department store Takashimaya, which led to Pierre Cardin becoming the first Western brand to be manufactured and designed specifically for the Japanese market. That collaboration still exists to today.

This third piece is the one that is the most classic looking "suit" but with wonderful details and styling that make it unique and special. I feel it really illustrates just what a master tailor he was and how even this early he was thinking outside of the box. The skirt is a very simple and chic little pencil silhouette with the slightest A-line cut to it. Above that is the fabulous little jacket that is cut loose through the body and has that wonderful long dropped collar. At the base of the open collar sits two huge fabric covered buttons and a loop of the same silk keeps everything in place. The sleeves go to just past the elbows to meet the hem of the jacket and this allows the eye to go to the front jacket detailing as intended. The fabric is light weight and quite beautiful up close when you see that different colors running through the fine weave of the silk. I suspect that this is a very early piece from the collaboration and an excellent example of what was to come on terms of his later work. Excellent condition

Both pieces are fully lined in an olive silk with hand finishes. The jacket closes at the front with the button as seen. The skirt closes with a painted metal zipper and flat hook & eye at the waist.

JacketSleeves: 17.5"Shoulders: 13"Bust: 17" flat across from side seam to side seamWaist: 16" flat across from side seam to side seamHips: 17" flat across from side seam to side seamLength: 19.5" from neck to hem

SkirtWaist: 13.5" flat across from side seam to side seamHips: 20" flat across from side seam to side seamLength: 22" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2610

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.