This is a comedy from Jack Black where he plays a wrestler to help get money for the orphans who he works with. Jack Black plays a chef then goes on to be a wrestler. The whole movie is a joke and half of the stuff just is not funny you will lose what is going on during the movie. WWE were advertising this for weeks and i dont know why they were the whole Toast jokes Jack Black does was just silly... read more

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This Jack Black vehicle seems, on the surface, like a perfect fit for the actor: an opportunity to showcase Black's unique style with the extreme facial gestures and exuberant physicality that have become his forte. Black plays Ignacio, a lowly cook in a monastery in central Mexico who feeds orphans by day, and wrestles in the town square at night. Ignacio teams up with Esqueleto (Hector Jimenez), a street urchin who tormented him, to form a tag-team duo that goes up against the strangest wrestlers Mexico has to offer. Besides doing it for money to feed the orphans, Ignacio is also fighting to win the forbidden affecJ
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This Jack Black vehicle seems, on the surface, like a perfect fit for the actor: an opportunity to showcase Black's unique style with the extreme facial gestures and exuberant physicality that have become his forte. Black plays Ignacio, a lowly cook in a monastery in central Mexico who feeds orphans by day, and wrestles in the town square at night. Ignacio teams up with Esqueleto (Hector Jimenez), a street urchin who tormented him, to form a tag-team duo that goes up against the strangest wrestlers Mexico has to offer. Besides doing it for money to feed the orphans, Ignacio is also fighting to win the forbidden affections of Sister Encarnacion (Ana de la Reguera) with predictable difficulty. While the movie has likeable characters and the plot is enjoyable enough, it can’t overcome its plodding pace and formulaic structure enough to keep the movie interesting throughout. Jack Black is a very strong comedic actor, and the wrestling scenes offer plenty of chances for slapstick, physical comedy, but watching him run around in red briefs and blue tights amounts to half the laughs in the movie, and there’s just not enough here for him to really work with. When he plays a more well-formed character, as in School of Rock and High Fidelity, his strengths really show. But in Nacho Libre he’s saddled with a caricature. Weighed down by too much low-brow humor and a script that goes nowhere, Nacho Libre just can’t make full enough use of Black’s talents to overcome the obstacles. --Daniel Vancini