The very name Daphne Du Maurier is one surely that should conjure up the very essence of British writing and one that stands alongside the greatest of the 20th Century, Agatha Christie and Virginia Woolf, and yet for one of Cornwall’s greatest adopted daughters, her passionate, often moody but always multi-layered work, doesn’t get the screen treatment it deserves, and aside from the fantastic adaption of The Birds and Rebecca by the legendary director Alfred Hitchcock, the writer has been pretty much left of the list of books that are ripe for bringing to an even greater audience.