For almost a decade now Marvel has been the dominant player in the superhero movie market. Bet thanks to a pre-existing licensing agreement with Sony, they have done so without the use of their most iconic character, Spider-Man. While Sam Raimi’s first two Spider-Man films were instrumental in launching Hollywood’s present fascination with superhero movies, Sony’s more recent efforts have paled in comparison to what Marvel has been achieving and left many fans wondering ‘what if.’ However, a recent license sharing agreement between Disney and Sony has seen everyone’s favourite web-slinger enter the Marvel Cinematic Universe fold, and after a scene-stealing appearance in Captain America: Civil War, we now get his first solo outing, the appropriately titled Spider-Man: Homecoming. From the opening moments of the film, in which an orchestral version of the classic Spider-Man cartoon theme song plays over the Marvel Studios title card, there is a palpable sense of glee at having their trump card back in their hand. Continue reading →

Eight years and thirteen films into the Marvel Cinematic Universe, Captain America: Civil War suggests that rather than growing stale, the MCU is maturing and starting to really explore the possibilities afforded to it by this interwoven, serialised form of cinematic storytelling.

When a mission in Wakanda goes awry and innocent lives are lost, questions are again asked of the culpability of the Avengers. Coming after even grander scale destruction in New York, Washington DC and Sokovia, this is final straw. “Victory at the expense of innocents is no victory at all,” declares the Wakandan King. Secretary of State Thaddeus Ross (William Hurt, reprising his role from the forgotten MCU film, The Incredible Hulk) presents the Avengers with the Sokovian Accord, signed by 117 nations, which seeks to place them under the jurisdiction of the United Nations. Continue reading →

2012 has given us a number of high profile blockbusters which have just made you ask “why?” Most recently there was the simply awful remake of Paul Verhoeven’s Total Recall (1990)starring Colin Farrell. Prior to that you had Jeremy Renner starring in the very disappointing sequel (do you call it a sequel when the events are happening concurrently?) to the Bourne trilogy, The Bourne Ultimatum. And the film which started it all off was The Amazing Spider-Man.

The Amazing Spider-Man raised eyebrows when the project was first announced. When it became apparent that Sam Raimi and Tobey Maguire were not interested in making a fourth Spider-Man movie, Columbia and Marvel decided that rather than looking for someone to take over and continue the franchise, they would go back and start again. So what we ended up with was a reboot of the Spider-Man franchise hitting cinemas only five years after the final film Raimi’s trilogy, Spider-Man 3 (2007), and even more amazingly, only ten years after the first film in Raimi’s trilogy, Spider-Man (2002).

For a number of people, myself included, it instantly brought to mind comparisons with the two Hulk films released only five years apart, The Hulk (2003) and The Incredible Hulk (2008)… that is, beyond just the same approach of taking the old title and adding an adjective. However, there was a reason for the reboot here. Firstly, Ang Lee’s films, starring Eric Bana and Jennifer Connelly, had been a major disappointment both critically and commercially. More importantly, The Incredible Hulk was made as part of laying the foundations for this year’s superhero super-movie The Avengers (2012). So while The Incredible Hulk told a variation on the same origin story that The Hulk had, it was tying Bruce Banner’s story into that Avengers world.

But the same issues weren’t there with Spider-Man. While Spider-Man 3 had been a bit of a disappointment critically, Raimi’s films were still one of the most commercially successful trilogies in Hollywood history. Rather, the announcement of The Amazing Spider-Man appeared to be evidence of a condensing of time frames or a lack of patience in current day Hollywood. It makes you wonder how long it will be before the announcement of a Batman reboot. So that was a convoluted way of saying, I was intrigued to see what The Amazing Spider-Man had to offer. What would it be like? How would it be different?

This time round, they skew younger. Not yet a photographer at the Daily Bugle, Peter Parker is a seventeen year-old high schooler (slight suspension of disbelief required to accept the 28 year old Garfield as a teenager). Despite having appeared three times as the web slinging hero, Toby Maguire never really made the role his own. It was never impossible to think of anyone else as Spider-Man they way it is with Robert Downey Jr. as Iron Man or Hugh Jackman as Wolverine. So it is interesting to see Andrew Garfield bring a slightly different interpretation to the character. A teenage Peter Parker complete with parent issues opens up the role for a much more teen-angsty portrayal.

Webb employs a solid supporting cast. Since bursting onto the scene a couple of years ago Emma Stone has shown herself to be an incredibly versatile actress and she is doing something different again here, and does it impressively as always. Martin Sheen is one of those guys who just automatically makes a film better, and his role as Uncle Ben is no exception, with he and Sally Field adding a bit of gravitas to the roles of Peter Parker’s legal guardians.

Other than that, a lot is the same. Raimi’s films brought us “With great power comes great responsibility” and while that quote is never referenced in Webb’s film, the theme of responsibility is still there. Parker feels responsible for his uncle’s death. Parker feels responsible for the creation of his nemesis. It is a sense of responsibility, of duty, that compels him to do the things he does, and this juxtaposes quite nicely in this film with his teenage brashness when gifted with great power.

Coming out in the same year as The Dark Knight Rises (2012)and The Avengers, it was always going to take something very special for The Amazing Spider-Man to be doing anything more than fighting it out for the title of third-best comic book movie of the year, and ultimately there is nothing very special about it. It is an ok movie, which has its moments of being quite good. However, the fact that it is a reboot means that it is faced with a series of other questions. Is it better than the other Spider-Man movies? Possibly, though if it is – and a strong argument could be made for Spider-Man 2 (2004)– it isn’t better by much, probably not really enough to justify the reboot. That being said, the $262 million it made at the US box office is probably justification enough for some.