About Me

After college and the army, I studied acting and theater; I have an MFA in Acting and uncompleted Ph.D. in Performance Studies (ABD). I have worked as an actor, director, dramaturg/literary advisor, critic/reviewer, essayist, editor, and teacher of theater and acting (studio/conservatory, college, high school, and middle school). Several years ago, some theater friends who don't live in New York anymore asked me to keep them informed about what I see and I began sending them detailed, opinionated e-mails.

21 April 2016

“To Be . . . Performed: Hamlet to Haunt Stages in Every Country in the World”

Reported by Jeffrey Brown

[The most famous words
of the most famous play of the most famous playwright of the English language
will soon be echoed all over the earth. In
honor of William Shakespeare’s 450th birthday (23 April 1564), Shakespeare’s
Globe Theatre initiated a project in 2014 to perform Hamlet in every country in
the world in the space of two years. Titled Globe to Globe Hamlet (http://globetoglobe.shakespearesglobe.com/),
it began its tour on 23 April 2014. As
of yesterday (20 April), the project had performed in 194 different countries
and traveled over 193,000 miles. (The
production is performing today (21 April) at Elsinore Castle, the real-life setting of the
play,in Denmark.
On 26 July, the tour will arrive in Washington, D.C., where it will
perform in the Folger Theatre, a replica of an Elizabethan stage, in the Folger
Shakespeare Library on Capitol Hill.) PBS
NewsHour’sJeffrey Brown talked to Globe artistic director Dominic Dromgoole about
the ambitious project and the timeless text.]

The Globe Theatre of London

JUDY WOODRUFF: Some four centuries after the death of
William Shakespeare, London’s Globe Theatre is launching a plan to take the
playwright’s tale of a tormented prince around the world.

Jeff is back with more on that.

KENNETH BRANAGH,
Actor: To be or not to be.

JEFFREY BROWN:
Famous words, famous play, the most famous playwright in the English language.

William Shakespeare wrote “Hamlet” in the early 17th
century, shortly after his acting company, Lord Chamberlain’s Men, moved into
the Globe playhouse. In 1997, a reconstructed theater opened on the Thames
River as Shakespeare’s Globe.

Now the ambitious plan is to take “Hamlet” to every country
on Earth over the next two years, a project that began in London on Wednesday,
Shakespeare’s 450th birthday.

In announcing this, you yourself said it was a — quote —
“lunatic idea.” So the first question, of course, why do it?

DOMINIC DROMGOOLE,
Artistic Director, Shakespeare’s Globe: Why not?

All of the best ideas are a little bit mad. Two years ago,
we did a very, very crazy idea, a festival where we invited 37 countries from
all across the world to come and do the complete works of Shakespeare, all in
their own languages, as a six-week festival. That was crazy enough.

But we wanted to cap that and we wanted to go a little bit further
and to celebrate Shakespeare, celebrate the international reach of Shakespeare,
but also to cement a lot of relationships that we had formed when we did that
festival and see if we could start a whole lot of new relationships as well.

And when you come up with the idea that, you know, it’s a
bold idea, it’s a stupid idea, it’s a happy idea, and they sort of have their
own logic, those ideas.

JEFFREY BROWN:
Well, I think we’re used to the idea of universal themes in Shakespeare, but
what specifically in “Hamlet” do you think speaks to everyone? What do you want
it to say all over the world?

DOMINIC DROMGOOLE:
Well, the great thing about “Hamlet” is that it’s always challenging.

Hamlet says that time is out of joint, and he’s a man who’s
got a sensibility that doesn’t fit in his own age. He’s troubled by a sense of
modernity in an age that doesn’t particularly understand him. And that makes
sense everywhere. That makes sense in England at the moment, where a lot of
people, whether they’re young or old or whoever they are, feel a sense of
dissatisfaction, a sense of discontent, a sense that they don’t understand the
world around them.

This is true in America, I’m sure, and it’s true in a lot of
different places that are in a very different historical moment and in a very
different political situation.

So “Hamlet” is always challenging, it’s always provoking,
it’s always troubling, but it can also inspire, and it can also console. So
it’s a sort of gloriously variable, protean play that can cope with a whole
collection of different situations. And it’s beautiful and it’s a great story.

JEFFREY BROWN:
The themes may be universal, but the language isn’t, the setting of the play
isn’t, the politics of these countries are different. Have you thought about
how you overcome those challenges?

DOMINIC DROMGOOLE:
Yes, it’s challenges that we faced when we did this festival a couple of years
ago. We had a lot of hot issues to handle. We had a lot of objections to us
bringing a lot of the different countries.

There was one group of people that objected to us bringing
Israel. Another group of people objected to us bringing Palestine. And we were
determined that we would have both of those countries within our festival.

And it’s that spirit of inclusion, rather than exclusion,
that we’re following with this. We don’t want to sort of start saying, you
qualify for Shakespeare, you qualify for “Hamlet,” you don’t, because we don’t
feel we have the right to do that. I think that every country in the world,
every group of people in the world has an equal right to “Hamlet.”

And I think “Hamlet” can be of equal benefit for all of
them. So there will be challenges, but, you know, we like challenges. You can’t
be put off by those things. You have got to be inspired by those things.

JEFFREY BROWN:
Well, going to every country means going into some different places, of course,
Syria, the Central African Republic, and many others.

What about the physical challenge of performing in such
situations?

DOMINIC DROMGOOLE:
Well, we have got to be very careful.

We have got to be sensible. And we’re not doing it out of a
spirit of recklessness. But I think that, you know, if we can get into every
place, if we can find a way, whether it’s through dealing with NGOs, whether
it’s through going to refugee camps, or whatever it is, we do want to get in
every country, because we want to celebrate the ability of everybody to enjoy
this fantastic and beautiful play.

JEFFREY BROWN: I
understand you’re going to Ukraine at a particularly important moment. Tell us
about that.

DOMINIC DROMGOOLE:
Yes.

No, I think we’re going to be in Kiev in four or five weeks’
time, just the night before the election. We will be playing in a theater, and
we’re also going to try and do a short show in Maidan Square, where a lot of
the protesting was going on. And it will be thrilling. That’s when theater is
at its most exciting and best, when it can talk to a people who are in a very
current and very live political moment. So it will be a real privilege.

JEFFREY BROWN:
So, this is a two-year project.

DOMINIC DROMGOOLE:
Two years, yes.

JEFFREY BROWN:
You have got the actors, the crew, the money to pull this off?

DOMINIC DROMGOOLE:
Yes. No, we have already started. We have done two shows, one at Middle Temple
Hall. We have done one at the Globe itself. On Sunday, we get on a boat and we
sail off to Holland, which is our first stop.

No, I mean, we could always do with more money. There’s a
Kickstarter campaign that we’re running, if anybody wants to help us along the
way, but we’re comfortable we’re going to be able to manage it.

JEFFREY BROWN: Dominic
Dromgoole is the artistic director of the Globe Theatre in London.

Thanks so much, and good luck.

DOMINIC DROMGOOLE:
Pleasure. Thank you very much.

[This report was originally
broadcast on PBS
NewsHour on 25 April 2014.]