Two performances co-exist on the same stage with on one side some magic and on the other side an obscure library.
Spectators research the impertinent absence and exercise of ubiquity, of being elsewhere, where they are not. Papier Multiforme et Papier Comestible
is a vast and dark landscape where dream-like scenes appear and disappear giving the audience to see magic, dance, and contrasted images.
This obscure landscape stretches and bends. It has no limit as it expands through the imagination of the audience. The composition with different qualities
of presence (magic and reading), and with very different scales stimulates an active contemplation in the audience and subtle forms of participation.

How to facilitate dissensus within performance? How to become interested by one’s neighbour? How to authorize our differences? to make space for heterogeneity?
How to tame what might at first appear like a threat, like darkness, like other beings, like the weird neighbour?