The contribution made to the comic from the realm of the unconscious is always either exposing or obscene; aggressive or hostile; cynical, critical, or.

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Presentation on theme: "The contribution made to the comic from the realm of the unconscious is always either exposing or obscene; aggressive or hostile; cynical, critical, or."— Presentation transcript:

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The contribution made to the comic from the realm of the unconscious is always either exposing or obscene; aggressive or hostile; cynical, critical, or blasphemous; or skeptical. Every joke contains an element of seriousness; a joke is never just a joke. --- Sigmund Freud The contribution made to the comic from the realm of the unconscious is always either exposing or obscene; aggressive or hostile; cynical, critical, or blasphemous; or skeptical. Every joke contains an element of seriousness; a joke is never just a joke. --- Sigmund Freud

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ALGERNON. Did you hear what I was playing, Lane? LANE. I didn’t think it polite to listen, sir. ALGERNON. I’m sorry for that, for your sake. I don’t play accurately - any one can play accurately - but I play with wonderful expression. Sometimes humor arises when we expect to hear conventional wisdom but then hear something quite different. Why is Lane’s line humorous?

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LANE. No, sir; it is not a very interesting subject. I never think of it myself. ALGERNON. Very natural, I am sure. That will do, Lane, thank you. LANE. Thank you, sir. [LANE goes out.] ALGERNON. Lane’s views on marriage seem somewhat lax. Really, if the lower orders don’t set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility. What is humorous and ironic about both of the statements in red?

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JACK. When one is in town one amuses oneself. When one is in the country one amuses other people. THE EPIGRAM How is this true?

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ALGERNON. And who are the people you amuse? JACK. [Airily.] Oh, neighbours, neighbours. ALGERNON. Got nice neighbours in your part of Shropshire? JACK. Perfectly horrid! Never speak to one of them. ALGERNON. How immensely you must amuse them! ALGERNON. And who are the people you amuse? JACK. [Airily.] Oh, neighbours, neighbours. ALGERNON. Got nice neighbours in your part of Shropshire? JACK. Perfectly horrid! Never speak to one of them. ALGERNON. How immensely you must amuse them! Where is the humor in the lines above? Jack flip-flops about talking to neighbors. First he amuses them, and then claims he never speaks to them. Algernon doesn’t seem to care either way. He is being sarcastic when he says, “How immensely you must amuse them!”

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JACK. I am in love with Gwendolen. I have come up to town expressly to propose to her. ALGERNON. I thought you had come up for pleasure?... I call that business. JACK. I am in love with Gwendolen. I have come up to town expressly to propose to her. ALGERNON. I thought you had come up for pleasure?... I call that business. Manners and Sincerity IdlenessLove Critique of Marriage Dual Identities

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ALGERNON. You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying that your name isn’t Ernest. It’s on your cards. Here is one of them. [Taking it from case.] ‘Mr. Ernest Worthing, B. 4, The Albany.’ I’ll keep this as a proof that your name is Ernest if ever you attempt to deny it to me, or to Gwendolen, or to any one else. Identify the literary device & theme

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What is a Bunburyist? Who is a Bunburyist? How does the concept relate to the themes of the play? What is a Bunburyist? Who is a Bunburyist? How does the concept relate to the themes of the play? Themes Manners and Sincerity IdlenessLove Critique of Marriage Dual Identities Both Jack and Algy are Bunburyists. They create fictional excuses to get them away from home. Bunburying reveals the frivolity of idleness and leisure and is a device for maintaining dual identities.

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ALGERNON. The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility! JACK. That wouldn’t be at all a bad thing. ALGERNON. Literary criticism is not your forte, my dear fellow. Don't try it. You should leave that to people who haven't been at a University. ALGERNON. The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility! JACK. That wouldn’t be at all a bad thing. ALGERNON. Literary criticism is not your forte, my dear fellow. Don't try it. You should leave that to people who haven't been at a University. Epigram. Wilde aims a satiric barb at educated people who believe themselves to be astute social critics. Identify the highlighted literary device. Who is Wilde criticizing through Algernon?

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ALGERNON. She will place me next to Mary Farquhar, who always flirts with her own husband across the dinner- table. That is not very pleasant. Indeed, it is not even decent... and that sort of thing is enormously on the increase. The amount of women in London who flirt with their own husbands is perfectly scandalous. It looks so bad. It in simply washing one's clean linen in public. ALGERNON. Then your wife will. You don't seem to realize, that in married life three is company and two is none. JACK. [Sententiously.] That, my dear young friend, is the theory that the corrupt French Drama has been propounding for the last fifty years. ALGERNON. Yes; and that the happy English home has proved in half the time. ALGERNON. Then your wife will. You don't seem to realize, that in married life three is company and two is none. JACK. [Sententiously.] That, my dear young friend, is the theory that the corrupt French Drama has been propounding for the last fifty years. ALGERNON. Yes; and that the happy English home has proved in half the time. LADY BRACKNELL. I'm sorry if we are a little late, Algernon, but I was obliged to call on dear Lady Harbury. I hadn't been there since her poor husband's death. I never saw a woman so altered; she looks quite twenty years younger. There are several jokes about English home life in the following passages. Can you find them? Do you think there is some truth to them? Might Wilde mean what he says?

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What are your first impressions about Gwendolen? How do you think Wilde might be using her character to mock society? GWENDOLEN. Yes, I am quite well aware of the fact. And I often wish that in public, at any rate, you had been more demonstrative. For me you have always had an irresistible fascination. Even before I met you I was far from indifferent to you. We live, as I hope you know, Mr. Worthing, in an age of ideals. The fact is constantly mentioned in the more expensive monthly magazines, and has reached the provincial pulpits, I am told; and my ideal has always been to love some one of the name of Ernest. There is something in that name that inspires absolute confidence. The moment Algernon first mentioned to me that he had a friend called Ernest, I knew I was destined to love you. Gwendolen is as frivolous and silly as both Algy and Jack. Through her, Wilde mocks the ideal modern Victorian woman and the influence of popular culture rather than more credible institutions.

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Identify the humor and the theme in Lady Bracknell's lines. LADY BRACKNELL. Pardon me, you are not engaged to any one. When you do become engaged to some one, I, or your father, should his health permit him, will inform you of the fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself... Themes FollyIdlenessLove Critique of Marriage Dual Identities

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Why does Lady Bracknell forbid Jack to marry Gwendolen? Jack does not know his parents. To Bracknell, class and status are of the utmost importance. Jack, unfortunately, was found in a handbag. Jack does not know his parents. To Bracknell, class and status are of the utmost importance. Jack, unfortunately, was found in a handbag. Themes MannersIdlenessLove Critique of Marriage Dual Identities

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Why do you think Jack keeps his life in the country a secret from Algernon? How does Algernon find the address to Jack's house? Themes Manners and Sincerity IdlenessLove Critique of Marriage Dual Identities Jack does not fully trust Algernon, especially with his ward Cecily. Algernon overhears Jack giving his address to Gwendolen.