Sex and Lucia explodes off the screen in a convoluted story and
a series of intensely erotic and explicit sex scenes. By the time the
movie is over, the story still makes no sense, but the sense of confusion
over it is refreshing in an exhilarating way. Spain obviously like it,
since it garnered two wins (Best New Actress - Paz Vega, and Best Original
Score) out of over ten nominations for the Goya Awards, the Spanish equivalent
of the Academy Awards (the nominated fields included every major thing
- including two supporting actresses, best actor, director, film, and
screenplay). Julio Medem (Lovers of the Arctic Circle, Tierra)
wrote and directed Sex and Lucia, and cast probably the most photogenic
cast in recent memory, and to their credit, they look stunningly hot and
can act too. The story has two main threads, one taking place in the present,
and one taking place six years earlier leading up to the present. What
is clear is that Lorenzo (Tristan Ulloa, Don't Cry Germaine, Km.
0) is famous author with writer's block. Years ago, he had a one-night
stand with Elena (Najwa Nimri, Before
Night Falls, Open Your Eyes).
She had a daughter, but he doesn't know this.

In the present, Lorenzo's relationship with Lucia (Vega, Nobody Knows
Anybody, I Will Survive) is just over. Lucia cannot stand Lorenzo
anymore, and he now realizes how much he needs her. After a phone call
from the police, Lucia believes Lorenzo is dead and goes to the island
that inspired Lorenzo's writing to search for some sort of catharsis.
There, she rents a room in a boarding house and spends the day traveling
around the island. Medem then flashes back and shows the how Lucia and
Lorenzo got together. Lucia was a huge fan of Lorenzo's first book, and
she essentially threw herself at him. Their initial relationship consisted
mostly of sex, which Medem filmed in unnecessarily graphic detail, as
is the style in Europe these days. This can show any number of things;
how tenuous their relationship is, how strong their relationship can be
based on so little, or how spontaneous and free Lucia is. Their relationship
begins to crumble as Lorenzo's novel fails to materialize on a timely
basis.

Lorenzo works in the school of thought where he writes what he knows.
This is where things get especially confusing, especially as the movie
moves into its third act. As the sex with Lucia becomes more intense,
his novel heats up with similar situations. So is he writing what is happening
to him, or is he imagining what he wishes would happen? He begins to incorporate
Belen (Elena Anaya, Fading Memories, Where the World Ends)
into his novel. Belen, Lorenzo learns, is taking care of his daughter
Luna (Silvia Llanos). He spends time with Belen because she spends time
with Luna, but eventually their relationship becomes much closer. Some
of the twists and relationships that exist between the characters become
a little along the lines of a bad soap opera, but this is forgivable since
Medem goes about it so stylistically. Everything turns back on itself,
and everybody, sooner or later, comes back. Things begin getting extremely
confusing, and there are multiple ways to interpret the ending, each one
satisfying. Watching Sex and Lucia requires some thought, since
things flash by quickly that have meaning later.

Visually, Sex and Lucia is enthralling. Filming sex is difficult,
adding the element of eroticism especially so. Lucia and Lorenzo (and
everyone else) literally attack each other in bed, moaning, writhing,
stripping, and playing with all sorts of things to sultry music by Alberto
Iglesias (All About My Mother,
Lovers of the Artic Circle). Medem films in such a way that parts
of Sex and Lucia look like a dream, and this doesn't help understanding
the movie any better. The island represents a happier time for Lorenzo,
which is why Lucia goes there. On the island, the camera emphasizes the
sun; everything is incredibly bright. It is as if nobody can hide anything,
and the sun can cleanse away anything bad. And Medem isn't just using
graphic sex to lure people in. The most explicit stuff tones down after
the first half hour or so, and Medem then takes time to flesh out the
characters more. Lorenzo is dealing with paternal instincts, Lucia with
love, and Elena with betrayal. The characters quickly learn that they
need more than superficial things for happiness. By the end, aside from
the mass feeling of confusion and awe, it's also clear that at heart,
Medem is a romantic.