The live performance of the Austrian-Dutch duo reMI (Renate Oblak, Michael Pinter) interprets singular images of a video sequence within the span of optics and acoustics. Central is the approach to use the computers up the limits of the calculable. Image- and frequency cascades are overlapped to such an extent, that from the resulting information overflow a new aesthetical organization emerges. The speed of the shown image material demonstrates the illegibility of the singular signs; at the same time it creates a quasi-communicative level which discusses the function of images and their receivability.