Both sound, lighting and even the smell is absolutely top class. It is truly a sensory experience of high calibre. It is sensory experience and one's own option for personal empathy in the piece that makes this show, I think, works much better than so many other "normal" theatre. It is hard to describe-it must be experienced. (Translated from Danish Review)

Accurate programming of the sound system, and calculated speaker placement enabled each actor's voice to appear to come from their exact position on the stage whether stationary or moving and the amplification to be imperceptible.

"Mac delivers a deceptively powerful light tenor with a stupendous belt that suits the character perfectly, and thanks to some great sound balance from Mike Woods, reverberates around both floors of the well-appointed Milton Court." ★ ★ ★ ★ MusicalTheatre.com

I created a Soundscape to set the scene and era and link between to 2 plays and used live and recorded sound effects together to increase audience immersion. "The personal abilities on stage, and the competence levels of everyone else working unseen, were of the highest order. This is possibly the best theatrical experience I have ever had." Audience Member