HUH? Magazine: The Journal of Neo-Confusionism - Revision historyhttp://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&action=history
Revision history for this page on the wikienMediaWiki 1.24.1Tue, 03 Mar 2015 20:32:35 GMTInvisibleFriend at 23:02, 24 November 2010http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35511&oldid=prev
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 23:02, 24 November 2010</td>
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<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? magazine was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 in the Albuquerque area St. Albans had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (who had 2 newsletters) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists) he had made some serious leaps in the field of producing his own graphic arts and magazines.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? magazine was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 in the Albuquerque area St. Albans had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (who had 2 newsletters) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists) he had made some serious leaps in the field of producing his own graphic arts and magazines.</div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>By 1993 St. Albans had decided to come up with his own 'zine. This was the birth of HUH? Magazine, dedicated to the weirdos St. Albans had been meeting throughout his life: people who were anti-Semites who invented anti-gravity machines, crystal waving UFO nuts, alternative street artists who had already gone &quot;over the edge&quot; on drugs and shamanism. He had met so many of these odd balls that I felt a 'zine dedicated to them would be very cool, following along with the trend of &quot;Outsider Art.&quot;&#160; He decided to make it a combination of [[Cut and Paste|cut &amp; paste]] Surreal/Dadaist text with artwork by himself and other locals, some of whom were on <del class="diffchange diffchange-inline">my </del>&quot;odd-ball&quot; list.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>By 1993 St. Albans had decided to come up with his own 'zine. This was the birth of HUH? Magazine, dedicated to the weirdos St. Albans had been meeting throughout his life: people who were anti-Semites who invented anti-gravity machines, crystal waving UFO nuts, alternative street artists who had already gone &quot;over the edge&quot; on drugs and shamanism. He had met so many of these odd balls that I felt a 'zine dedicated to them would be very cool, following along with the trend of &quot;Outsider Art.&quot;&#160; He decided to make it a combination of [[Cut and Paste|cut &amp; paste]] Surreal/Dadaist text with artwork by himself and other locals, some of whom were on <ins class="diffchange diffchange-inline">his </ins>&quot;odd-ball&quot; list.</div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>HUH? The Journal of Neo-Confusionism started with Vol1. No.0 under the &quot;Dead Horse Comic Publishers&quot; Logo. This was a black and white, 7.5 X 10.0 format 'zine that included 11 pages plus cover. <del class="diffchange diffchange-inline">It is highly detailed and features a lot </del>of <del class="diffchange diffchange-inline">ideas that </del>were <del class="diffchange diffchange-inline">far ahead of their time. I </del>produced <del class="diffchange diffchange-inline">five (?) of these 'zines </del>from #0 - #4. Each one had a cover drawn by <del class="diffchange diffchange-inline">me</del>. The last one; The Depression Issue, came out <del class="diffchange diffchange-inline">after I </del>had suffered a nervous breakdown 1n 1995. All these were published under <del class="diffchange diffchange-inline">my </del>&quot;Baked Trilobite Publishers&quot; label. <del class="diffchange diffchange-inline">Hopefully I will be able to post these issues here for people to enjoy. </del>During this time<del class="diffchange diffchange-inline">, which seemed enormously fruitful for me as a creative artist, I </del>also put out several other comics<del class="diffchange diffchange-inline">. &quot;</del>Coyotero: All Southwest Comics<del class="diffchange diffchange-inline">&quot; &quot;</del>Comics for Aliens On Earth<del class="diffchange diffchange-inline">&quot; &quot;</del>Aliens In The House<del class="diffchange diffchange-inline">&quot; </del>and <del class="diffchange diffchange-inline">&quot;</del>Illegal Aliens: JIVE.<del class="diffchange diffchange-inline">&quot; I </del>was also putting out the SWAC newsletter as well.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>HUH? The Journal of Neo-Confusionism started with Vol1. No.0 under the &quot;Dead Horse Comic Publishers&quot; Logo. This was a black and white, 7.5 X 10.0 format 'zine that included 11 pages plus cover. <ins class="diffchange diffchange-inline">Five </ins>of <ins class="diffchange diffchange-inline">these zines </ins>were produced<ins class="diffchange diffchange-inline">, </ins>from #0 - #4. Each one had a cover drawn by <ins class="diffchange diffchange-inline">St. Albans</ins>. The last one; The Depression Issue, came out <ins class="diffchange diffchange-inline">afterthe editor </ins>had suffered a nervous breakdown 1n 1995. All these were published under <ins class="diffchange diffchange-inline">the </ins>&quot;Baked Trilobite Publishers&quot; label. <ins class="diffchange diffchange-inline"> </ins>During this time <ins class="diffchange diffchange-inline">he </ins>also put out several other comics<ins class="diffchange diffchange-inline">: [[</ins>Coyotero: All Southwest Comics<ins class="diffchange diffchange-inline">]], [[</ins>Comics for Aliens On Earth<ins class="diffchange diffchange-inline">]], [[</ins>Aliens In The House<ins class="diffchange diffchange-inline">]], </ins>and <ins class="diffchange diffchange-inline">[[</ins>Illegal Aliens: JIVE<ins class="diffchange diffchange-inline">]]</ins>. <ins class="diffchange diffchange-inline">He </ins>was also putting out the SWAC newsletter as well.</div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Zine]]</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Zine]]</div></td></tr>
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</table>Wed, 24 Nov 2010 23:02:58 GMTInvisibleFriendhttp://www.zinewiki.com/Talk:HUH%3F_Magazine:_The_Journal_of_Neo-ConfusionismInvisibleFriend at 23:00, 24 November 2010http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35510&oldid=prev
http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35510&oldid=prev<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 23:00, 24 November 2010</td>
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<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? magazine was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 in the Albuquerque area St. Albans had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (who had 2 newsletters) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists) he had made some serious leaps in the field of producing his own graphic arts and magazines.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? magazine was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 in the Albuquerque area St. Albans had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (who had 2 newsletters) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists) he had made some serious leaps in the field of producing his own graphic arts and magazines.</div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">I began my artistic pursuits at the age of four, drawing in the end papers of my father's precious Encyclopedia Britannica. I drew monsters, dragons, tanks, planes, and lots of weird things. After he gave me a sketch pad I proceeded to fill one after another with my dreams and visions. However along the way certain authority figures turned me away from my campaign to legitimize cartoon art and bkier, surfer and hot-rodder art with Modern Art, saying that such things simply &quot;were not right.&quot; Instead of me people like Robt. Williams in California were going to make that dream come true. When I was 13 (1969)I moved from Chicago, IL to South Pasadena, California. There I saw the the true culmination of the Hippie-Psychedelic art renaissance. (Only a part of which I was able to view in some headshops in Chicago's Old Town, where I procured my first &quot;head comix&quot; in the Chicago Seed and East Village Other...)</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>By 1993 <ins class="diffchange diffchange-inline">St. Albans </ins>had decided to come up with <ins class="diffchange diffchange-inline">his </ins>own 'zine. <ins class="diffchange diffchange-inline">This </ins>was the birth of HUH? Magazine, dedicated to the weirdos <ins class="diffchange diffchange-inline">St. Albans </ins>had been meeting throughout <ins class="diffchange diffchange-inline">his </ins>life<ins class="diffchange diffchange-inline">: people </ins>who were anti-Semites who invented anti-gravity machines, crystal waving UFO nuts, alternative street artists who had already gone &quot;over the edge&quot; on drugs and shamanism. <ins class="diffchange diffchange-inline">He </ins>had met so many of these odd balls that I felt a 'zine dedicated to them would be very cool, following along with the trend of &quot;Outsider Art.&quot; <ins class="diffchange diffchange-inline"> He </ins>decided to make it a combination of <ins class="diffchange diffchange-inline">[[Cut and Paste|</ins>cut &amp; paste<ins class="diffchange diffchange-inline">]] </ins>Surreal/Dadaist text with artwork by <ins class="diffchange diffchange-inline">himself </ins>and other locals, some of whom were on my &quot;odd-ball&quot; list.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">I had began my quest for getting into this field in 1970 when, after going insane for the works of R. Crumb and Robt. Williams in Zap comix which I bought at the &quot;Free Press Bookstore&quot; in Pasadena. At age 14 I quickly produced &quot;Dick Steel...the man with the Steel Dick!&quot; in high school. (South Pasadena, Senior High, So. Pas. CA.) My UG art career began in earnest as I produced reams of material, including some of the first &quot;Scary Clown&quot; drawings ever done. Of course being a high school kid it took me years of practice with regulation pen and ink techniques (didn't even have a Rapidograph pen then...)to become even amateurishly acceptable. After high school I wandered the country for six months as a homeless vagabond, gaining incredible experiences. When I returned to California to attend Pasadena City College I quickly became involved with another artist who wanted to put out his own comic. It was called &quot;Fantastic Comics No. 1.&quot; I did several J.R.R. Tolkien illustrations in my hypnotically detailed pen and ink, and produced a Conan the Barbarian knock-off...well homage really, since my character was supposed to be Conan's son...called Drakonak: Adventurer in the Western World!&quot; This was my first officially printed, bound and distributed piece. My fellow artist had literally suck about $500.00 of his own money into the project. Unfortunately he didn't realize the distributors would demand much more than that. So the comic never did fly.</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">This even however made me go searching for alternate venues to publish my work. I fell upon the Fantasy/Science Fiction and Horror world, which was doing a lot of self-published and small press magazines, some of which included the now famous Etchings and Odysseys. I made a great deal of headway doing spot illustrations and even cover work for these magazines. the list is too long to enter here. I also discovered the art of Scrimshaw at this time and became a professional ivory engraver for over 13 years, perfecting my drawing talents as I went. I put out two or three poetry chapbooks with my &quot;illos&quot; (as I called my illustrations)as well as doing some short stories in the fantasy/horror market. My wayward life got me involved with people like Harry O. Morris (who was the first person I ever knew to do any sort of computer graphics), R. A. Everts, and Rick Baker (?) who actually got me in touch with my hero from the 60's Ed &quot;Big Daddy&quot; Roth. I also finally got to meet Robt. Williams and even Timothy Leary because of these connections. Eventually, seeking a Western style life I wound up in Albuquerque where Harry O. Morris lived and fell in with the science fiction and fantasy crowd there.</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>By 1993 <del class="diffchange diffchange-inline">I </del>had decided to come up with <del class="diffchange diffchange-inline">my </del>own 'zine <del class="diffchange diffchange-inline">and see if I could get it in some people's hands</del>. <del class="diffchange diffchange-inline">this </del>was the birth of HUH? Magazine, dedicated to the weirdos <del class="diffchange diffchange-inline">I </del>had been meeting throughout <del class="diffchange diffchange-inline">my </del>life<del class="diffchange diffchange-inline">. People </del>who were anti-Semites who invented anti-gravity machines, crystal waving UFO nuts, alternative street artists who had already gone &quot;over the edge&quot; on drugs and shamanism. <del class="diffchange diffchange-inline">I </del>had met so many of these odd balls that I felt a 'zine dedicated to them would be very cool, following along with the trend of &quot;Outsider Art.&quot; <del class="diffchange diffchange-inline">(Which again Robt. Crumb did with WEIRDO and Robt. Williams did so much better with Juxtapoz.) I </del>decided to make it a combination of cut &amp; paste Surreal/Dadaist text with artwork by <del class="diffchange diffchange-inline">myself </del>and other locals, some of whom were on my &quot;odd-ball&quot; list.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? The Journal of Neo-Confusionism started with Vol1. No.0 under the &quot;Dead Horse Comic Publishers&quot; Logo. This was a black and white, 7.5 X 10.0 format 'zine that included 11 pages plus cover. It is highly detailed and features a lot of ideas that were far ahead of their time. I produced five (?) of these 'zines from #0 - #4. Each one had a cover drawn by me. The last one; The Depression Issue, came out after I had suffered a nervous breakdown 1n 1995. All these were published under my &quot;Baked Trilobite Publishers&quot; label. Hopefully I will be able to post these issues here for people to enjoy. During this time, which seemed enormously fruitful for me as a creative artist, I also put out several other comics. &quot;Coyotero: All Southwest Comics&quot; &quot;Comics for Aliens On Earth&quot; &quot;Aliens In The House&quot; and &quot;Illegal Aliens: JIVE.&quot; I was also putting out the SWAC newsletter as well.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? The Journal of Neo-Confusionism started with Vol1. No.0 under the &quot;Dead Horse Comic Publishers&quot; Logo. This was a black and white, 7.5 X 10.0 format 'zine that included 11 pages plus cover. It is highly detailed and features a lot of ideas that were far ahead of their time. I produced five (?) of these 'zines from #0 - #4. Each one had a cover drawn by me. The last one; The Depression Issue, came out after I had suffered a nervous breakdown 1n 1995. All these were published under my &quot;Baked Trilobite Publishers&quot; label. Hopefully I will be able to post these issues here for people to enjoy. During this time, which seemed enormously fruitful for me as a creative artist, I also put out several other comics. &quot;Coyotero: All Southwest Comics&quot; &quot;Comics for Aliens On Earth&quot; &quot;Aliens In The House&quot; and &quot;Illegal Aliens: JIVE.&quot; I was also putting out the SWAC newsletter as well.</div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Retrieved from &quot;http</del>:<del class="diffchange diffchange-inline">//zinewiki</del>.<del class="diffchange diffchange-inline">com/Http:/www</del>.<del class="diffchange diffchange-inline">zinewiki</del>.<del class="diffchange diffchange-inline">com//Huh%3FMagazine&quot;</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Category</ins>:<ins class="diffchange diffchange-inline">Zines from the U</ins>.<ins class="diffchange diffchange-inline">S</ins>.<ins class="diffchange diffchange-inline">A</ins>.<ins class="diffchange diffchange-inline">]]</ins></div></td></tr>
<tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Category:New Mexico Zines]]</ins></div></td></tr>
<tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Category:1990's publications]]</ins></div></td></tr>
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</table>Wed, 24 Nov 2010 23:00:03 GMTInvisibleFriendhttp://www.zinewiki.com/Talk:HUH%3F_Magazine:_The_Journal_of_Neo-ConfusionismInvisibleFriend: wikifying David St. Alban's namehttp://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35505&oldid=prev
http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35505&oldid=prev<p>wikifying David St. Alban&#039;s name</p>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''HUH? Magazine: The Journal of Neo-Confusionism''' was first penned, cut pasted, glued, stapled folded and issued by David St. Albans in 1993 in Albuquerque, New Mexico, U.S.A.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''HUH? Magazine: The Journal of Neo-Confusionism''' was first penned, cut pasted, glued, stapled folded and issued by <ins class="diffchange diffchange-inline">[[</ins>David St. Albans<ins class="diffchange diffchange-inline">]] </ins>in 1993 in Albuquerque, New Mexico, U.S.A.</div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? magazine was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 in the Albuquerque area St. Albans had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (who had 2 newsletters) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists) he had made some serious leaps in the field of producing his own graphic arts and magazines.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>HUH? magazine was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 in the Albuquerque area St. Albans had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (who had 2 newsletters) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists) he had made some serious leaps in the field of producing his own graphic arts and magazines.</div></td></tr>
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</table>Wed, 24 Nov 2010 22:49:43 GMTInvisibleFriendhttp://www.zinewiki.com/Talk:HUH%3F_Magazine:_The_Journal_of_Neo-ConfusionismInvisibleFriend at 22:49, 24 November 2010http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35504&oldid=prev
http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35504&oldid=prev<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 22:49, 24 November 2010</td>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>HUH? Magazine: The Journal of Neo-Confusionism<del class="diffchange diffchange-inline">; </del>was first penned, cut pasted, glued, stapled folded and issued by <del class="diffchange diffchange-inline">me: </del>David St. Albans in 1993 in Albuquerque, New Mexico <del class="diffchange diffchange-inline">to a select group of people. It was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 there was a &quot;Golden Age&quot; of 'zines and alternative media popping up all over the </del>U.S. <del class="diffchange diffchange-inline">and England. At the time Xerox was king and Kinkos was the go-to place for printing out alternative press materials. At this time few computers had the print or graphics capabilities to put together and store graphical information on a large scale. Some Mac users did have some pretty heavy-duty interfaces going on for making graphics. However cut &amp; Paste, collage, hand drawing and copier technologies were still faster and cheaper. Many young creatives were putting out reams of interesting, dark, provocative artwork and editorials</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">'''</ins>HUH? Magazine: The Journal of Neo-Confusionism<ins class="diffchange diffchange-inline">''' </ins>was first penned, cut pasted, glued, stapled folded and issued by David St. Albans in 1993 in Albuquerque, New Mexico<ins class="diffchange diffchange-inline">, </ins>U.S.<ins class="diffchange diffchange-inline">A</ins>.</div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">From the days of Underground Comix (UG){Zap, Skull, Wonder Warthog, et al.) to the time of the Independents (Cedric(</del>?<del class="diffchange diffchange-inline">) the Aardvark, Teenage Mutant Ninja Turtles, etc.) artists had been utilizing the presses to make interesting and outrageous materials. However the ability for artists and writers to mass market anything </del>was <del class="diffchange diffchange-inline">always dependent </del>on <del class="diffchange diffchange-inline">the owners and operators of the big presses who always wanted to do big &quot;press-runs,&quot; and the distributors who delivered the goods to comic shops. This meant an artist might have to make an outlay of up to ten thousand dollars for ten thousand copies of their </del>comic or <del class="diffchange diffchange-inline">magazine</del>. <del class="diffchange diffchange-inline">It was not until </del>the <del class="diffchange diffchange-inline">late 80's when copier technology improved and the Kinkos Print shops began to appear that the time for Alternative Press writers and artists had arrived. Once it was shown how quickly and simply a small press magazine could be put together the world </del>of <del class="diffchange diffchange-inline">Alternative Small Press literally exploded. Many cooler university area comic shops stocked up on the zany, weird and bizarre 'zines that were flooding the print market. People like Matt Groenig, creator of The Simpsons and Futurama, actually started with self</del>-<del class="diffchange diffchange-inline">published, home stapled comics like &quot;Life In Hell&quot; that caught on so rapidly that he was able to proceed to make distribution deals. The time seemed ripe for producing artwork may way instead of some &quot;publisher's&quot; way.</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">HUH</ins>? <ins class="diffchange diffchange-inline">magazine </ins>was <ins class="diffchange diffchange-inline">never </ins>on <ins class="diffchange diffchange-inline">any </ins>comic <ins class="diffchange diffchange-inline">book stands nor sold via mail </ins>or <ins class="diffchange diffchange-inline">direct marketing</ins>. <ins class="diffchange diffchange-inline">In </ins>the <ins class="diffchange diffchange-inline">period </ins>of <ins class="diffchange diffchange-inline">1990</ins>-<ins class="diffchange diffchange-inline">1998 </ins>in the Albuquerque area <ins class="diffchange diffchange-inline">St. Albans </ins>had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (<ins class="diffchange diffchange-inline">who </ins>had 2 newsletters) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists) <ins class="diffchange diffchange-inline">he </ins>had made some serious leaps in the field of producing <ins class="diffchange diffchange-inline">his </ins>own graphic arts and magazines.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">At this time </del>in the Albuquerque area <del class="diffchange diffchange-inline">I </del>had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (<del class="diffchange diffchange-inline">I believe we </del>had 2 newsletters<del class="diffchange diffchange-inline">.</del>) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists)<del class="diffchange diffchange-inline">; I </del>had made some serious leaps in the field of producing <del class="diffchange diffchange-inline">my </del>own graphic arts and magazines.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>I began my artistic pursuits at the age of four, drawing in the end papers of my father's precious Encyclopedia Britannica. I drew monsters, dragons, tanks, planes, and lots of weird things. After he gave me a sketch pad I proceeded to fill one after another with my dreams and visions. However along the way certain authority figures turned me away from my campaign to legitimize cartoon art and bkier, surfer and hot-rodder art with Modern Art, saying that such things simply &quot;were not right.&quot; Instead of me people like Robt. Williams in California were going to make that dream come true. When I was 13 (1969)I moved from Chicago, IL to South Pasadena, California. There I saw the the true culmination of the Hippie-Psychedelic art renaissance. (Only a part of which I was able to view in some headshops in Chicago's Old Town, where I procured my first &quot;head comix&quot; in the Chicago Seed and East Village Other...)</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>I began my artistic pursuits at the age of four, drawing in the end papers of my father's precious Encyclopedia Britannica. I drew monsters, dragons, tanks, planes, and lots of weird things. After he gave me a sketch pad I proceeded to fill one after another with my dreams and visions. However along the way certain authority figures turned me away from my campaign to legitimize cartoon art and bkier, surfer and hot-rodder art with Modern Art, saying that such things simply &quot;were not right.&quot; Instead of me people like Robt. Williams in California were going to make that dream come true. When I was 13 (1969)I moved from Chicago, IL to South Pasadena, California. There I saw the the true culmination of the Hippie-Psychedelic art renaissance. (Only a part of which I was able to view in some headshops in Chicago's Old Town, where I procured my first &quot;head comix&quot; in the Chicago Seed and East Village Other...)</div></td></tr>
</table>Wed, 24 Nov 2010 22:49:05 GMTInvisibleFriendhttp://www.zinewiki.com/Talk:HUH%3F_Magazine:_The_Journal_of_Neo-ConfusionismInvisibleFriend: New page: HUH? Magazine: The Journal of Neo-Confusionism; was first penned, cut pasted, glued, stapled folded and issued by me: David St. Albans in 1993 in Albuquerque, New Mexico to a select group ...http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35503&oldid=prev
http://www.zinewiki.com/zinewiki/index.php?title=HUH%3F_Magazine:_The_Journal_of_Neo-Confusionism&diff=35503&oldid=prev<p>New page: HUH? Magazine: The Journal of Neo-Confusionism; was first penned, cut pasted, glued, stapled folded and issued by me: David St. Albans in 1993 in Albuquerque, New Mexico to a select group ...</p>
<p><b>New page</b></p><div>HUH? Magazine: The Journal of Neo-Confusionism; was first penned, cut pasted, glued, stapled folded and issued by me: David St. Albans in 1993 in Albuquerque, New Mexico to a select group of people. It was never on any comic book stands nor sold via mail or direct marketing. In the period of 1990-1998 there was a &quot;Golden Age&quot; of 'zines and alternative media popping up all over the U.S. and England. At the time Xerox was king and Kinkos was the go-to place for printing out alternative press materials. At this time few computers had the print or graphics capabilities to put together and store graphical information on a large scale. Some Mac users did have some pretty heavy-duty interfaces going on for making graphics. However cut &amp; Paste, collage, hand drawing and copier technologies were still faster and cheaper. Many young creatives were putting out reams of interesting, dark, provocative artwork and editorials.<br />
<br />
From the days of Underground Comix (UG){Zap, Skull, Wonder Warthog, et al.) to the time of the Independents (Cedric(?) the Aardvark, Teenage Mutant Ninja Turtles, etc.) artists had been utilizing the presses to make interesting and outrageous materials. However the ability for artists and writers to mass market anything was always dependent on the owners and operators of the big presses who always wanted to do big &quot;press-runs,&quot; and the distributors who delivered the goods to comic shops. This meant an artist might have to make an outlay of up to ten thousand dollars for ten thousand copies of their comic or magazine. It was not until the late 80's when copier technology improved and the Kinkos Print shops began to appear that the time for Alternative Press writers and artists had arrived. Once it was shown how quickly and simply a small press magazine could be put together the world of Alternative Small Press literally exploded. Many cooler university area comic shops stocked up on the zany, weird and bizarre 'zines that were flooding the print market. People like Matt Groenig, creator of The Simpsons and Futurama, actually started with self-published, home stapled comics like &quot;Life In Hell&quot; that caught on so rapidly that he was able to proceed to make distribution deals. The time seemed ripe for producing artwork may way instead of some &quot;publisher's&quot; way.<br />
<br />
At this time in the Albuquerque area I had become a player in the local area art scene. Coming from such august groups as &quot;Guerilla Artists&quot; (I believe we had 2 newsletters.) and &quot;NuMoon Illustratons&quot; (this had one newsletter/marketing issue for each artist involved and was mostly put together on a friend's professional grade Mac graphics computer)...and SWAC (Southwest Writers And Cartoonists); I had made some serious leaps in the field of producing my own graphic arts and magazines.<br />
<br />
I began my artistic pursuits at the age of four, drawing in the end papers of my father's precious Encyclopedia Britannica. I drew monsters, dragons, tanks, planes, and lots of weird things. After he gave me a sketch pad I proceeded to fill one after another with my dreams and visions. However along the way certain authority figures turned me away from my campaign to legitimize cartoon art and bkier, surfer and hot-rodder art with Modern Art, saying that such things simply &quot;were not right.&quot; Instead of me people like Robt. Williams in California were going to make that dream come true. When I was 13 (1969)I moved from Chicago, IL to South Pasadena, California. There I saw the the true culmination of the Hippie-Psychedelic art renaissance. (Only a part of which I was able to view in some headshops in Chicago's Old Town, where I procured my first &quot;head comix&quot; in the Chicago Seed and East Village Other...)<br />
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I had began my quest for getting into this field in 1970 when, after going insane for the works of R. Crumb and Robt. Williams in Zap comix which I bought at the &quot;Free Press Bookstore&quot; in Pasadena. At age 14 I quickly produced &quot;Dick Steel...the man with the Steel Dick!&quot; in high school. (South Pasadena, Senior High, So. Pas. CA.) My UG art career began in earnest as I produced reams of material, including some of the first &quot;Scary Clown&quot; drawings ever done. Of course being a high school kid it took me years of practice with regulation pen and ink techniques (didn't even have a Rapidograph pen then...)to become even amateurishly acceptable. After high school I wandered the country for six months as a homeless vagabond, gaining incredible experiences. When I returned to California to attend Pasadena City College I quickly became involved with another artist who wanted to put out his own comic. It was called &quot;Fantastic Comics No. 1.&quot; I did several J.R.R. Tolkien illustrations in my hypnotically detailed pen and ink, and produced a Conan the Barbarian knock-off...well homage really, since my character was supposed to be Conan's son...called Drakonak: Adventurer in the Western World!&quot; This was my first officially printed, bound and distributed piece. My fellow artist had literally suck about $500.00 of his own money into the project. Unfortunately he didn't realize the distributors would demand much more than that. So the comic never did fly.<br />
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This even however made me go searching for alternate venues to publish my work. I fell upon the Fantasy/Science Fiction and Horror world, which was doing a lot of self-published and small press magazines, some of which included the now famous Etchings and Odysseys. I made a great deal of headway doing spot illustrations and even cover work for these magazines. the list is too long to enter here. I also discovered the art of Scrimshaw at this time and became a professional ivory engraver for over 13 years, perfecting my drawing talents as I went. I put out two or three poetry chapbooks with my &quot;illos&quot; (as I called my illustrations)as well as doing some short stories in the fantasy/horror market. My wayward life got me involved with people like Harry O. Morris (who was the first person I ever knew to do any sort of computer graphics), R. A. Everts, and Rick Baker (?) who actually got me in touch with my hero from the 60's Ed &quot;Big Daddy&quot; Roth. I also finally got to meet Robt. Williams and even Timothy Leary because of these connections. Eventually, seeking a Western style life I wound up in Albuquerque where Harry O. Morris lived and fell in with the science fiction and fantasy crowd there.<br />
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By 1993 I had decided to come up with my own 'zine and see if I could get it in some people's hands. this was the birth of HUH? Magazine, dedicated to the weirdos I had been meeting throughout my life. People who were anti-Semites who invented anti-gravity machines, crystal waving UFO nuts, alternative street artists who had already gone &quot;over the edge&quot; on drugs and shamanism. I had met so many of these odd balls that I felt a 'zine dedicated to them would be very cool, following along with the trend of &quot;Outsider Art.&quot; (Which again Robt. Crumb did with WEIRDO and Robt. Williams did so much better with Juxtapoz.) I decided to make it a combination of cut &amp; paste Surreal/Dadaist text with artwork by myself and other locals, some of whom were on my &quot;odd-ball&quot; list.<br />
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HUH? The Journal of Neo-Confusionism started with Vol1. No.0 under the &quot;Dead Horse Comic Publishers&quot; Logo. This was a black and white, 7.5 X 10.0 format 'zine that included 11 pages plus cover. It is highly detailed and features a lot of ideas that were far ahead of their time. I produced five (?) of these 'zines from #0 - #4. Each one had a cover drawn by me. The last one; The Depression Issue, came out after I had suffered a nervous breakdown 1n 1995. All these were published under my &quot;Baked Trilobite Publishers&quot; label. Hopefully I will be able to post these issues here for people to enjoy. During this time, which seemed enormously fruitful for me as a creative artist, I also put out several other comics. &quot;Coyotero: All Southwest Comics&quot; &quot;Comics for Aliens On Earth&quot; &quot;Aliens In The House&quot; and &quot;Illegal Aliens: JIVE.&quot; I was also putting out the SWAC newsletter as well.<br />
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I may add to this page on occasion and welcome all comment,critiques, changes, etc.<br />
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