In Summer 2016, I organised a series of conversations at the Architectural Association in London, where guests were invited to share one “Couple Format” that has, in retrospect, made some kind of mark upon them. I asked each guest—from the worlds of art, architecture, curating, literature, and philosophy—to present the ways in which their chosen couples’ roles were delineated; the way in which the things the couples produced rendered the relationship; or the way in which the relationship may have been a kind of work or product itself.