Evidently, those plans to put another car dealership across 59 from the existing 7-story Audi Central Houston won’t be panning out since the land where it would’ve gone is now up for sale. A newly-erected sign at the corner of the Greenbriar and the Southwest Fwy. feeder road advertises its availability.

A group connected to Sonic Automotive bought the property — which stretches all the way east to Shepherd Dr. — in January 2017. When news orgs got wind that it’d changed hands, Sonic’s executive vice prez Jeff Dyke told them he’d have more info on what the dealership would end up looking like near the end of the year. The parcel’s 2.4-acre size prompted at least one guess that’d the plans — like those Sonic implemented across the street — would involve something tall.

Amidst all the hubbub, it’s been business as usual at Stahlman. It’s entering its 59th year at 4007 Greenbriar Dr.

COMMENT OF THE DAY: BROADACRES’ LONG HISTORY OF PUBLIC-PRIVATE PARTNERSHIPS “In a way, this is just the latest battle in a hundred year old fight. On a Preservation Houston tour of Broadacres (where we trespassed all over the esplanades), it was pointed out that the neighborhood was originally designed as a closed loop with the only access to the city via Parkway to the east. Houston, however, viewed the streets as public and forced the developers to cede ROW through the lots on the western side of the loop to connect North and South Blvds to their counterparts in the west. This is why North and South Blvds pinch weirdly right around West Blvd. — when you’re ceding expensive land, you only give the minimum required. . . .” [Cactus, commenting on Who Owns the Esplanades on North and South Boulevards?] Photo of Broadacres assessor’s map: HCAD

COMMENT OF THE DAY: THE NORTH AND SOUTH BLVD. PHOTOSHOOT BATTLE IS JUST WARMING UP “As a close relative of a Broadacres resident I will report what I know. Yes, the esplanades are privately owned and maintained by the homeowners and the signs are legal. The reason for the signs was the volume of people taking pictures. I have lived there for 15+ years and it has never been this bad. In the evenings you will have 2, 3, or 4 groups of people on each block taking pictures and it’s not just people that are the problem, it’s all of the props (sofa, chairs, tables, GLITTER, lighting) that they bring with them too. As some commenters have pointed out, some homeowners have approached those taking pictures and gotten back a lot of attitude and some form of “This is public property.” Err, well, no it isn’t actually. The signs were a compromise to discourage further pictures and serve as an initial educational campaign. If it backfires or the signs are ignored there will most likely be some sort of security enforced permitting in place or, the nuclear option, buying out the streets from the city and gating the neighborhood.” [BroadAcres Brat, commenting on New Signs Declare Photo Shoots Will No Longer Be Allowed on North and South Boulevards] Photo: Swamplot inbox

Quick, name your Top 10 quintessential images of Houston. The Water Wall, maybe? Buffalo Bayou Park looking toward downtown? And how about one of those aerial views of flooded neighborhoods? But what about a view more likely to spur real estate sales, like the double rows of coastal live oaks lining North and South boulevards in Broadacres?

A new set of signs erected this week in the boulevards’ iconic esplanades have something to say about that often seen scene: “WELCOME TO BROADACRES,” they read, “NO PHOTO SHOOTS.” The signs go on to describe other local menaces such as unleashed dogs and their residue, and note that the esplanades as well as the park on the east side of Parkway Dr. are privately owned.

The 4949 Convenience Store, heir to the Sunrise Grocery spot on the northeast corner of Bissonnet and Shepherd, has been demolished — this time in its entirety, and with a little less fanfare. Back in September, crowds gathered to watch ceiling-mounted wrecking balls bust up parts of the building’s interior as part of a “site specific, kinetic installation” by artist Trey Duvall.

Cherry Demolition’s more conventional performance took place yesterday, a reader tells Swamplot; the photo at top shows the lot after it was cleared out this morning. A 3-story office building with a street-level cafe is planned for the site.

Here are a couple renderings from the Michael Hsu Office of Architecture in Austin of the new 3-story building the firm is designing for the corner spot at 2132 Bissonnet St. in Boulevard Oaks. A representative of the Platform Group, the building’s developer, tells Swamplot an “all-day cafe/coffee shop” is being planned for the ground floor, and that the upper 2 floors will contain “boutique office space.” The cafe won’t be a Gringo’s Tex-Mex, but the developers do have a connection to that restaurant chain: The Platform Group is headed by a son and daughter-in-law of Gringo’s owner Russell Ybarra.

In the top rendering, the 11,300-sq.-ft. building is shown lining Shepherd Dr., with an L-shaped parking lot wrapping around it. A patio with outdoor seating will go in front of the structure along Bissonnet St. The Houston office of SWA Group is designing the landscape.

If you’ve ever wished you could watch a wrecking ball go wild inside a convenience store, here’s your chance. A crowd gathered outside the former 4949 C-store at the corner of Bissonnet and Shepherd over the weekend to watch artist Trey Duvall’s kinetic demolition installation in action. The installation features wrecking balls connected to computer-controlled motors mounted on the ceiling wreaking havoc on what remains of the interior. Or, as Duvall puts it, “Two high-torque mechanized double pendulums . . . impact shelving systems, soda machines, retail racks, drink coolers, and walls to create an evolving and unpredictable landscape of detritus.”

If you can’t stop by for your own personal evening viewing of any portion of the 15-day-long endeavor (it’ll be in action through October 6), there’ll be live-streamed video of the action available online. You can watch nightly from 6 to 9 pm from a link on the project website.

Buckhead Investment Partners tells Swamplot that the work crew, excavator, and large drainage pipes spotted on location yesterday and today at the east end of the site of the residential building known as the Ashby Highrise at 1717 Bissonnet St. constitutes nothing more than “on-going site work.” Multiple permits to construct the proposed 21-story Boulevard Oaks tower have been issued over the past decade — the most recent ones a little less than a year ago. And construction crews have been active on the site before. But Buckhead reports to Swamplot that there is “nothing else meaningful to report at this time.”

HOW THAT NEW HOUSTON LOOK KEPT MAKING ITS WAY FROM OLD EUROPE “I have always felt that this North Boulevard house was the one that changed the way Houston looked at decor and antiques,” writes West U design blogger Joni Webb about a stucco mansion in Broadacres by Rice University architect William Ward Watkin, who designed it in 1923 for a drug-company executive after a 4-month inspirational European tour. The property at 1318 North Blvd. later served for more than a decade as the home of Tootsie’s founder Micky Rosmarin, who died after a heart attack last month; it’s now up for sale for $4.75 million. “Back in 1995,” Webb writes, “it was featured on the cover of Veranda and I think it was this house that marked the true beginning of the Houston Look — the white slipcover, seagrass, antique filled aesthetic whose origins I attribute to designer Babs Cooper Watkins . . . it launched Watkins into prominence.” Watkins, Webb explains, “used antiques in a casual way, her interiors were never about a hands-off approach. She mixed in religious relics and priceless antiques with vintage chairs slipcovered in inexpensive plain linen. She repurposed outside garden elements to be used inside the house. And Babs was one of the first ones who favored dramatic paint treatments that turned ordinary sheetrock into centuries old grottos.” Watkins passed away in February of last year. But Webb recalls how the home launched a store — and a whole new Old World orientation for Houston interiors: “The Veranda photoshoot not only created a new aesthetic, it also created a new partnership and the Watkins Schatte antique shop on Bissonnet was born.” The shop (still at 2308 Bissonnet, but now known as Watkins-Culver Antiques) “was an instant hit and during those days, lines would form when a new shipment was unveiled. Everyone wanted to see what Babs and Bill [Gardner] and Annette [Schatte] had bought in Europe.” [Cote de Texas; previously on Swamplot]