HAROLD AND KUMAR GET THE MUNCHIES

Friend – pal – chum –
comrade – or whatever you want to call your best bud. Sometimes, just having someone around, makes life that extra special. However, can you say the same thing about this film? That it’s special? One Directed by Danny Leiner; and Starring: John Cho, Kal Penn, and Neil Patrick Harris. It was made in 2004 and lasts for
88-minutes.

THE STORY:
Poor Harold Lee (John Cho). For his whole life, his Korean
and nerdish ways have held him back in what he really wants to do. Moreover,
his work-colleges assign him additional work that was meant for them. He
secretly yearns for his pretty neighbor, Maria (Paula Garcés). Pllus on top of
that, his Indian pal, Kumar Patel (Kal Penn), has smoked their last stash of
pot, and now they both crave for some ‘WhiteCastle’ burgers.

So what do they both do about this? Go to the closest burger
joint in the vicinity, and then get something to eat there? No – not a good
idea – especially considering that they serve sperm as a supplement (and I do
not mean of the fish variety). So instead, Harold and Kumar decide to go on a
road trip together, and along the way, they visit...

PRINCETOWNUNIVERSITY: Kumar wants some pot, so he
manages to persuade Henry to take a slight detour on route to ‘WhiteCastle’, so that he can score
some ‘smack’ from a student there. Bad idea ! Harold gets irritated by some
friends he meets. Kumar becomes disgusted by the diarrhoea-duo. And all in all, sh*t happens.

THE HOSPITAL: After Harold is
bitten by a stray raccoon riding in his car, both he and Kumar go to the
hospital, just to make sure that everything is alright with him.
Thankfully, a doctor checks him out – and Harold gets the all clear.
Un-thankfully, though, Kumar’s Dad is at this place of healing also, and
berates his son for an earlier transgression. Still, before they both
leave, Kumar does save someone life. So that is something, right?

FREAKSHOW AND HIS WIFE: Now you would have
thought that Harold and Kumar would be very grateful when a mobile
mechanic comes to their rescue as soon as they crash their car. However,
the mechanic in question of the grotesque persuasion, called Freakshow (Christopher
Meloni). And to make life even more confusing for these two nerds, when
they meet his wife, Liane (Malin Åkerman), whist Freakshow is fixing their
car – well – I can’t say what happens – because they said never to mention
it again.

PRISON: Alas, things get a lot
worst for Harold and Kumar once they are back on the road again. They
are accosted by hooligans. Neil Patrick Harris (Doogie Howser) steals
their car. Plus Harold gets arrested due to Kumar’s grandstanding.
Granted, Kumar is able to get Harold out of this situation, just before
they both take a ride on a stoned cheetah (don’t ask) – but will that be
enough to get them back to ‘White Castle’ in time?

Well, I won’t say. But what I will say is what next
transpires is a real cosmic set of circumstances all in all. Because turn
around is fair play – the hunter becomes the prey – and at the end of the day,
Harold proves that he is not gay.

Next stop Amsterdam.

THE REVIEW:

Now when ‘Harold and Kumar Get The Munchies’ first came out,
my mate Adrian said to me “Oi! You bloody idiot! Stop watching them movies my
Granddad watches, because you have to see this film”. In turn, I replied back
to Adrian’s missive by saying to
him “Sod of you twat! How do you know what a good movie is? You thought ‘Grease’
was a f*cking documentary”. Then, before I could continue berating Adrian about
his taste in films, he gave me his look – that one that always screams to me
‘trust me on this, pal’ – and I knew straight away that this film would be
something that could open my eyes to an alternative way of looking at things.

And did it? Did this comedic road-trip of a film ‘change my
life forever’? Nah – not really – but what it did do, was prove to me that some
films are worth watching just for the sake of enjoyment.

You see, I have seen stoner films in this vein before. ‘Hopper and Fonda’ in the sixties – ‘Cheech and Chong’ in the seventies and
eighties – and even ‘Kevin Smith and co’ in the nineties. And with each
generation, a slightly different interpretation has been relayed. Now, in this
case, race is the differentiating factor that is transposed into the
proceedings – and, to me, this is what made this film a slight cut above the
modern day ‘silly film’.

Well, lets face it, what is the point in making a new buddy
‘stoner movie’, if you are not going to do something different with it.

Thankfully, though, that is precisely what these guys have
done. ‘Harold and Kumar Get The Munchies’ is a really nice film to watch – and it is made all the more enjoyable because
of the ethnic twist it has taken, as well as the personal touches it has made. Both
John Cho and Kal Penn are really believable and charming in their respective
roles. Moreover, the trip they both go on is very funny most of the time.

Not all – most.

Please note, there are times that this film takes a sudden left
turn, which does not quite work for me. For example, in the ‘dream sequences’,
or the ‘idiot white man’ sections. Also, in addition to this, near the end of
the film there is a slight continuity hitch, just before Harold and Kumar
hang-glide off of the mountain – one minute it is midnight,
and the next it is morning.

Still, these ‘slight gaffs’ are
easily overlooked all in all, unlike these pieces of trivia. (1) The writers of
this film, Hayden Schlossberg and Jon Hurwitz, also wrote ‘Scary Movie 3’.
(2) At a young age, John Cho was a print model for many Korean magazines. (3)
Karl Penn is an advocate of Barack Obama. (4) Paula Garces first came to fame
in teen sci-fi adventure ‘Clockstoppers’. (5) Malin Maria Åkerman was born in Sweden
and then moved to Canada.
(6) Christopher Meloni’s first role was opposite Edward Woodward in the TV series
‘The Equalizer’. And (7) Neil Patrick Harris once played Tonto in a school production
of ‘The Wizard of Oz’.

Neat stuff, huh? Just as neat as
this film as a matter of fact. A nice film – a silly film – and a film that is
as uplifting and as surreal as the substance it advocates.