icn.>.sCreated with Sketch.icn.addCreated with Sketch.icn.amazonCreated with Sketch.icn.cartCreated with Sketch.icn.facebookCreated with Sketch.icn.geoCreated with Sketch.icn.google plusCreated with Sketch.icn.google plusCreated with Sketch.icn.googleplayCreated with Sketch.icn.link2Created with Sketch.icn.infoCreated with Sketch.icn.instagramCreated with Sketch.icn.itunesCreated with Sketch.icn.lastfmCreated with Sketch.icn.linkCreated with Sketch.logoCreated with Sketch.icn.menuCreated with Sketch.icn.phoneCreated with Sketch.phoneuserCreated with Sketch.icn.playCreated with Sketch.poweredby-oldCreated with Sketch.icn.searchCreated with Sketch.icn.sharesmallCreated with Sketch.icn.signoutCreated with Sketch.icn.subtractCreated with Sketch.icn.twitterCreated with Sketch.icn.userCreated with Sketch.icn.venueCreated with Sketch.icn.xCreated with Sketch.

The Van Buren

$22.00

Ages 13+

Share With Friends

Stateside Presents & Live Nation Car Seat HeadrestNaked Giants

Car Seat Headrest

Alternative Rock

Car Seat Headrest fans, new and old alike, will be elated to learn that Will Toledo’s 2011’s Bandcamp masterpiece, Twin Fantasy, has been re-recorded and re-imagined and will come out on February 16th on Matador Records. With a seven-piece band in tow (including members of Naked Giants), Car Seat Headrest will bring its explosive and revelatory live show to Australia, Europe, and select West Coast cities through the first half of 2018, with a full US tour to be announced at a later date.

Toledo always knew he would return to Twin Fantasy. He never did complete the work. Not really. Never could square his grand ambitions against his mechanical limitations. Listen to his first attempt, recorded at nineteen on a cheap laptop, and you’ll hear what Brian Eno fondly calls “the sound of failure” - thrilling, extraordinary, and singularly compelling failure. Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event too momentous for the medium assigned to record it.

Even so, even awkward and amateurish, Twin Fantasy is deeply, truly adored. Legions of reverent listeners carve rituals out of it: sobbing over “Famous Prophets,” making out “Cute Thing,” dancing their asses off as “Bodys” climbs higher, higher. The distortion hardly matters. You can hear him just fine. You can hear everything. And you can feel everything: his hope, his despair, his wild overjoy. He’s trusting you - plural you, thousands of you - with the things he can’t say out loud. “I pretended I was drunk when I came out to my friends,” he sings - and then, caught between truths, backtracks: “I never came out to my friends. We were all on Skype, and I laughed and changed the subject.”

You might be imagining an extended diary entry, an angsty transmission from a bygone LiveJournal set to power chords and cranked to eleven. You would be wrong. Twin Fantasy is not a monologue. Twin Fantasy is a conversation. You know, he sings, that I’m mostly singing about you. This is Will’s greatest strength as a songwriter: he spins his own story, but he’s always telling yours, too. Between nods to local details - Harper’s Ferry, The Yellow Wallpaper, the Monopoly board collecting dust in his back seat - he leaves room for the fragile stuff of your own life, your own loves. From the very beginning, alone in his bedroom, in his last weeks of high school, he knew he was writing anthems. Someday, he hoped, you and I might sing these words back to him.

“It was never a finished work,” Toledo says, “and it wasn’t until last year that I figured out how to finish it.” He has, now, the benefit of a bigger budget, a full band in fine form, and endless time to tinker. According to him, it took eight months of mixing just to get the drums right. But this is no shallow second take, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound.

It’s been hard, stepping into the shoes of his teenage self, walking back to painful places. There are lyrics he wouldn’t write again, an especially sad song he regards as an albatross. But even as he carries the weight of that younger, wounded Toledo, he moves forward. He grows. He revises, gently, the songs we love so much. In the album’s final moments, in those “apologies to future me’s and you’s,” there is more forgiveness than fury.

This, Toledo says, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy. He’s not alone no more.

Artist Links

Naked Giants

Garage Rock

Naked Giants are a threepiece garage rock wildebeest from Seattle, WA. Grant Mullen's bluesy guitar solos, Henry LaVallee's pounding backbeats, and Gianni Aiello's juicy basslines combine to form a psychedelic whirlwind of fuzz. Their friendship ties together their various influences to curate a different take on the traditional garage rock sound. Unlike what you've heard before, their spontaneity and their stylistically diverse catalogue sets Naked Giants apart from the cutandpaste garage outfit. They bring together sounds influenced by the likes of Ty Segall and the Sonics as well as Pink Floyd and even Spinal Tap with an audible energy that gets any crowd doing the twist.

The band jumped into Seattle's music scene by playing shows to hip teens in museums and to sweaty college kids in packed house shows, and have carried the same pure rock'n'roll energy regardless of the audience or venue.

Select Tickets

Delivery Method

FREE
Please Note: There is a delivery delay in place through 07/03/2018. No tickets will be sent out prior to 07/03/2018.

Mail

$3.50
Please Note: There is a delivery delay in place through 07/03/2018. No tickets will be sent out prior to 07/03/2018.

UPS

$14.50
Please Note: There is a delivery delay in place through 07/03/2018. No tickets will be sent out prior to 07/03/2018.

Will Call

FREE
Hold at venue box office.

Terms & Conditions

This event is 13 and over. Any Ticket holder unable to present valid identification indicating that they are at least 13 years of age will not be admitted to this event, and will not be eligible for a refund.

Support acts subject to change. No refunds.

The maximum number of tickets per purchase for each event is the maximum number permitted per customer purchase. Your name, credit card, address, and email address will be verified. Stateside Presents/The Van Buren reserve the right to cancel any orders in excess of the stated ticket limit.

Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Stateside Presents/The Van Buren.

The Van Buren

Share With Friends

$22.00
Ages 13+

Car Seat Headrest fans, new and old alike, will be elated to learn that Will Toledo’s 2011’s Bandcamp masterpiece, Twin Fantasy, has been re-recorded and re-imagined and will come out on February 16th on Matador Records. With a seven-piece band in tow (including members of Naked Giants), Car Seat Headrest will bring its explosive and revelatory live show to Australia, Europe, and select West Coast cities through the first half of 2018, with a full US tour to be announced at a later date.

Toledo always knew he would return to Twin Fantasy. He never did complete the work. Not really. Never could square his grand ambitions against his mechanical limitations. Listen to his first attempt, recorded at nineteen on a cheap laptop, and you’ll hear what Brian Eno fondly calls “the sound of failure” - thrilling, extraordinary, and singularly compelling failure. Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event too momentous for the medium assigned to record it.

Even so, even awkward and amateurish, Twin Fantasy is deeply, truly adored. Legions of reverent listeners carve rituals out of it: sobbing over “Famous Prophets,” making out “Cute Thing,” dancing their asses off as “Bodys” climbs higher, higher. The distortion hardly matters. You can hear him just fine. You can hear everything. And you can feel everything: his hope, his despair, his wild overjoy. He’s trusting you - plural you, thousands of you - with the things he can’t say out loud. “I pretended I was drunk when I came out to my friends,” he sings - and then, caught between truths, backtracks: “I never came out to my friends. We were all on Skype, and I laughed and changed the subject.”

You might be imagining an extended diary entry, an angsty transmission from a bygone LiveJournal set to power chords and cranked to eleven. You would be wrong. Twin Fantasy is not a monologue. Twin Fantasy is a conversation. You know, he sings, that I’m mostly singing about you. This is Will’s greatest strength as a songwriter: he spins his own story, but he’s always telling yours, too. Between nods to local details - Harper’s Ferry, The Yellow Wallpaper, the Monopoly board collecting dust in his back seat - he leaves room for the fragile stuff of your own life, your own loves. From the very beginning, alone in his bedroom, in his last weeks of high school, he knew he was writing anthems. Someday, he hoped, you and I might sing these words back to him.

“It was never a finished work,” Toledo says, “and it wasn’t until last year that I figured out how to finish it.” He has, now, the benefit of a bigger budget, a full band in fine form, and endless time to tinker. According to him, it took eight months of mixing just to get the drums right. But this is no shallow second take, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound.

It’s been hard, stepping into the shoes of his teenage self, walking back to painful places. There are lyrics he wouldn’t write again, an especially sad song he regards as an albatross. But even as he carries the weight of that younger, wounded Toledo, he moves forward. He grows. He revises, gently, the songs we love so much. In the album’s final moments, in those “apologies to future me’s and you’s,” there is more forgiveness than fury.

This, Toledo says, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy. He’s not alone no more.

Artist Links

Naked Giants are a threepiece garage rock wildebeest from Seattle, WA. Grant Mullen's bluesy guitar solos, Henry LaVallee's pounding backbeats, and Gianni Aiello's juicy basslines combine to form a psychedelic whirlwind of fuzz. Their friendship ties together their various influences to curate a different take on the traditional garage rock sound. Unlike what you've heard before, their spontaneity and their stylistically diverse catalogue sets Naked Giants apart from the cutandpaste garage outfit. They bring together sounds influenced by the likes of Ty Segall and the Sonics as well as Pink Floyd and even Spinal Tap with an audible energy that gets any crowd doing the twist.

The band jumped into Seattle's music scene by playing shows to hip teens in museums and to sweaty college kids in packed house shows, and have carried the same pure rock'n'roll energy regardless of the audience or venue.

Select Tickets

Delivery Method

FREE
Please Note: There is a delivery delay in place through 07/03/2018. No tickets will be sent out prior to 07/03/2018.

Mail

$3.50
Please Note: There is a delivery delay in place through 07/03/2018. No tickets will be sent out prior to 07/03/2018.

UPS

$14.50
Please Note: There is a delivery delay in place through 07/03/2018. No tickets will be sent out prior to 07/03/2018.

Will Call

FREE
Hold at venue box office.

Terms & Conditions

This event is 13 and over. Any Ticket holder unable to present valid identification indicating that they are at least 13 years of age will not be admitted to this event, and will not be eligible for a refund.

Support acts subject to change. No refunds.

The maximum number of tickets per purchase for each event is the maximum number permitted per customer purchase. Your name, credit card, address, and email address will be verified. Stateside Presents/The Van Buren reserve the right to cancel any orders in excess of the stated ticket limit.

Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Stateside Presents/The Van Buren.