The white horse, now covered with the dust of its own wilderness, becomes the allegory of the land he wishes to flee. "Azoulay's photographs are an integral part of her trips to the desert. They reflect the meeting of busy city arrivals with spacious, anticipating emptiness; their quiet presence vibrates...
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The white horse, now covered with the dust of its own wilderness, becomes the allegory of the land he wishes to flee. "Azoulay's photographs are an integral part of her trips to the desert. They reflect the meeting of busy city arrivals with spacious, anticipating emptiness; their quiet presence vibrates with the noise and reckless movement left behind…" (Eitan Ben-Moshe)