Ania Walwicz

Harry Hooton, Jas H. Duke, Ania Walwicz

After Christopher Brennan’s 1897 post-Mallarmean experiment, the Musicopoematographoscope, a handwritten, part-parody, part-founding poem in the history of Australian inventive poetics, it is difficult to find sustained instances of avant-garde or neo-avant-garde poetry in Australia. But there is one figure from the postwar period that stands out as coming close to such a representative: Harry Hooton (1908–1961). Hooton was a member of the anarchist Sydney PUSH movement, a leftist interlectual subculture that thrived from the ’40s to the ’70s and gathered loosely around the University of Sydney, and editor of the literary magazine 21st Century. Philosopher, poet, and raconteur, “unjustly neglected,” “forgotten,” “scorned by the literary establishment,” Hooton, who fashioned his own philosophy of “Anarcho-Technocracy” was a “cult figure in Sydney’s libertarian circles,” as the back cover of his 1961 collected poems Poet of the 21st Century put it. Harry Heseltine is similarly prophetic: “occasionally such a figure is suddenly seen to redefine himself at the center and to generate a whole new output of mainstream poetry.”

1. Harry Hooton (1908–1961)

After Christopher Brennan’s 1897 post-Mallarmean experiment, the Musicopoematographoscope, a handwritten, part-parody, part-founding poem in the history of Australian inventive poetics, it is difficult to find sustained instances of avant-garde or neo-avant-garde poetry in Australia. But there is one figure from the postwar period that stands out as coming close to such a representative: Harry Hooton (1908–1961).

A review of 'lo terciario/the tertiary'

The Spanish and English texts are rotated 180° relative to one another, such that the bilingual reader, halfway in, would rotate the book upside down to read the collection in its entirety. Or — if you are an anglophone reader, like myself — you are made literally aware that you are reading only one half of the book.

So begins “todas sus propiedades sensibles se han esfumado,” the opening poem of lo terciario/the tertiary, the newest collection released in May by Puerto Rican poet and translator Raquel Salas Rivera. Or it begins:

Rachel Zolf, 'Human Resources'

Jeff T. Johnson, Whitney Trettien, and Amy Paeth joined Al Filreis to discuss a passage from Rachel Zolf's Human Resources. The book was published by Coach House Books in Toronto in 2007. Our passages can be found on pages 73 through 79. All but one of these sections have been performed by Zolf at various readings, and these can be found and heard at her PennSound page. One of the sections had never been recorded, so the poet obliged us by making a new recording for our discussion — and this too has been added now to her PennSound page.