you resource for all things shoegaze & dream pop.

19 October 2016

When The Sun Hits Interviews Wildhoney.

Baltimore-based Wildhoney is comprised of five
members: Zach Inscho (drums), Joe Trainor (guitar), Nathan O'Dell (guitar),
Alan Everhart (bass) and Lauren Shusterich (vox). Wildhoney released not one
but two extremely significant records in 2015 – the Your Face
Sideways 12” EP and their debut LP Sleep
Through It. While the preceding EPs, Seventeen
Forever and Wildhoney,
are both excellent, Sleep Through It and Your Face Sideways showcase
a band in full bloom.

Wildhoney has a gift for nailing perfect pop gems with
precision accuracy, offering a sound both concise and sonically complex.
Lauren’s catchy vocal melodies sparkle amid the striking instrumental work
provided by her bandmates while pop hooks and constructions shine out through
sprays of translucent sonic vapor. Their songs capture a punk-tinged energy that
effervesces wonderfully in live performance, a setting in which the band truly
unleashes its squall. We are proud to present the following interview to you.

When The Sun Hits Interviews Wildhoney

How
and when was the band formed?

The band was formed on a winter night in
Baltimore. We imagined that we might feel better about life if we turned some
of our negative experiences into pop songs.

Can
you tell us what the band has been working on and what you've got forthcoming
in the near future (any new releases, tour, etc.)?

We recently released a four way split 12"
calledContinental Drift on Slumberland Records in the US, and on Fortuna POP!
in the UK. The other bands on it are Mercury Girls, The Spook School and
Tigercats. It's humbling to have put music out on two labels who have released
many of our favourite records and influenced us as artists.

We just finished a full US/CAN tour in support of
Cymbals Eat Guitars with Field Mouse.We debuted a bunch of new songs from our
next LP at the shows (the LP is an untitled work in progress as of now).

Also,
Lauren made a shirt with an alien giving you the finger.

Do
you consider your music to be part of the current shoegaze/dream pop scene, or
any scene? Defining one's sound by genre can be tiresome, but do you feel that
the band identifies closely with any genre? How do you feel about genres in
music, in a general sense?

We want our music to be something you don't have
to be some anorak shoegazer to understand. We believe in songs, not pedals.
Since the beginning we've always thought of ourselves as a Pop band and not
necessarily limited to any one style. And yes, being pigeonholed in with those
genres is tiresome.

What do you think of modern
shoegaze/dream pop/psychedelia artists, any favorites?

As stated earlier, current shoegaze isn't
something we necessarily identify with. Most of its modern derivatives seem
more concerned with cool equipment and “atmosphere” than actual tunes. The
first wave of those sort of bands were great songwriters first, and sonic
experimenters second.

What
is the most important piece of gear for your sound? Any particular
guitars/pedals/amps that you prefer?

Lauren’s voice is the most important piece of
"gear" to Wildhoney’s sound. Without her we wouldn't be the band we
are.

When
it comes to label releases versus DIY/bandcamp and the like, what is your
stance, if any?

We started by self-releasing a couple cassettes
and putting them on Bandcamp. It got us enough attention that labels started to
take notice. So they're both good.

Do
you prefer vinyl, CD, cassette tape or mp3 format when listening to music? Do
you have any strong feelings toward any of them?

We prefer tapes and records. We don't get bent out
of shape about it though.

What artists (musicians or otherwise)
have most influenced your work?

Stereolab, Deerhunter, Bjork, The Beach Boys and
Brian Eno all influence our work because these were/are creatively restless
artists. Always striving to put great art out into the world, not compromising
their visions, trends were meaningless, just timeless music. It goes without
saying, film, literature, the visual arts all influence us greatly as well, but
in a less direct way.

We have a Charlie Brown toy super glued to the
dashboard of our van. He sums it up when you press his button. ‘Good grief!’
Being a musician can be very difficult sometimes but then there are always more
beautiful unexpected moments just around the corner.