• Review: "...21’s eloquence is visual, and it is a very real eloquence. The character of Roberto Clemente is nearly hugged to death in this particular portrayal: he’s virtuous and charming and earnest and respectful to elders, and thus kind of dull. But the world around him is alive, and Santiago’s expressive (and occasionally, bracingly expressionistic) approach to portraying Clemente’s wild athletic genius ensures that it remains thrillingly present. Santiago’s art is impressively mutable and subtle, with the early scenes in Carolina in particular and the off-field action in general drawn with a clean, evocative realism and the baseball action shading towards the comics-y abstract.... [A] fitting and vital tribute." – David Roth, Los Angeles Review of Books

• Review: "If you're onboard for the third installment of something so purposefully vile as Prison Pit, you know what you're getting into. You're not going to be shocked by violence and gore, but you're still going to have a great time... We get a collection of creatures and monsters beating the shit out of each other in the most juvenile way possible, but Johnny Ryan does such a handsome job of designing these creatures to be as ugly and awful as possible. It's an ugliness that you see in the margins of your seventh-grade notebook when you were drawing pictures of horrible things because this was the only thing that could excite you during social studies or whatever, and it's exciting to look at because you never know what you're going to see next." – Geoffrey Lapid, Death-Ray Ozone

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