Tag: cd

So, the DVD drive on my laptop’s on the fritz. It reads data fine, but ripping CDs with CDDA checks makes it go over the transport error rainbow bridge. So, partly through necessity and partly for lulz, I wondered how well a Raspberry Pi B+ would do on ripping CDs. I’ve got an old IDE DVD-R drive in an external 5¼” USB enclosure (huge!). I set about installing abcde, which is about the leanest way of ripping CDs in a terminal that I know. The standard sudo apt-get install abcde didn’t quite come up with all of the options I’d want to use, so I made the mistake of trying this:

sudo apt-get install --install-suggests abcde

Nooooooooooooooooooooooooooo! This horror suggested I install the following:

Eep! That looks like the full TeXLive system, most of QT4, almost every TrueType font ever (plus a font editor), printer drivers, the full Apache webserver setup, MySQL, a couple of web browsers, scanner drivers and OCR programs, a mail server … 2.4 GB of downloads, or over 6 GB installed. And all this for a command line script for ripping CDs.

Much better. Installed in a couple of minutes. Worked quite well, if not fast — ripped and encoded a 45 minute CD in just under 26 minutes (using lame -V2, which is good enough for me). For setup hints for abcde, abcde: Command Line Music CD Ripping for Linux is a good resource. On a Raspberry Pi, with its single core processor, you probably want to set MAXPROCS=1 in the abcde.conf file, or the encoders will fight for resources and get really slow.

What with the sad loss of Wild East Compact Sounds this summer, my sources of music are now limited. eMusic, bless ’em, have been my source of indie stuff since about 2003. They were cheap, had a fixed price per download, and carried a raft of indie stuff and no major label tat.

Not much longer; got this in my inbox:

So, yeah, the full announcement: major label content, minimum 49¢/track, and variable pricing. Exactly all the reasons I wouldn’t want to use them. Good call, eMusic, for a battered-about subscriber since 2003.

I was initially confused by the pricing. I pay 36¢/track, so I couldn’t see how their promise that “your monthly payments will not change and you will still be able to download the same number of tracks available today, if not more, depending upon your current plan“. Then I see their new menu:

So basically they’re crediting me with a fake $4.48 a month (oh wait; “30 days”, not a month; they so want you to forget to download stuff by making the cycle date change) so I can still get my 35 downloads. Since they hint that there will now be variable pricing, I’ll bet the new stuff will be >49¢, so I really won’t be able to download as many per month after all.

They’re saying that the new pricing will allow them to do a bunch of fun stuff:

We’re also committed to making eMusic a better member experience. We recently rolled out improvements to Browse and Search pages. And we’re hard at work on a host of new features and enhancements including a music locker, which should allow you to stream your music collection from any desktop or mobile device. In addition, improvements to eMusic’s social features, to better connect you with our editors, other members, artists, labels and your friends, are also in the works. We’ve sketched out an ambitious slate, and it will take a little while to get there. We hope you’ll continue on the journey with us.

I don’t want all that social fluff. The MP3s work just fine on any mobile device, so streaming them just adds more crud. I want fixed price downloads, not some half-assed music locker. Where, oh where is Frank Hecker and swindleeeee when you need them?

CDs that wouldn’t read: 0 (so far). That’s not to say that there weren’t some difficulties (copy-controlled CDs can go die, glitching and gronking in my drives) and my oldest CD (XTC’s Skylarking, my copy of which I think has just turned 20) had a ton of retries.

Found CDs: My long-lost promo copy of the (Portland) Decemberists’ Picaresque, which I thought had vanished in a road trip to Missouri. It was lurking in a long-forgotten portable CD player in the bottom of a storage bin.

Pleasant surprises: that freedb is generally better than it used to be.

Now I’ve got the Soundbridge set up to share from my server, I’ve been ripping CDs like crazy. I’ve got two drives on my Ubuntu box, and hooked an external CD drive to my laptop, so I’m rocking four drives at once. After years of using Grip, I converted to Abcde this weekend. What I really like about it is that I can run multiple copies at once, and it very nearly things right (aka “my way”) out of the box.

By the end of tonight, I should have about 6700 tracks on my share, and a bunch of CDs in storage.

It took me a while, but I finally put all the track information for Sing Out!‘s Rise Up Singing teaching CDs (also on the artists’ website) on freedb. I was given the data just over a year ago by Mark D. Moss, the editor of Sing Out! magazine.
The discs are:

Perhaps what took longest was working out a UTF-8 safe processing workflow, from converting the original Excel table to e-mailing the entries to the freedb server. Let’s just say that OpenOffice, sqlite, and Perl were very helpful here.

Saw the Decemberists at the awful barn that is the Kool Haus last night. The place was fairly busy, but not full. A scalper offered me a derisory price for a spare ticket, so I don’t think they sold out.
They were pretty good; great in parts, kind of tired and meh in others. Naughty Chris Funk lit up on stage; that’ll mean a fine for the venue. That’ll teach him not to play banjo on stage.
Sensitive wee Scottish folkie Alasdair Roberts supported. He was good enough for me to buy the CD.

I suddenly got a retrogaming jones on, and had a strong need to play Robotron. So I downloaded MAME and some ROMs, but no dice — every archive was missing files. Seems that to get the few games I need, I have to download a 16GB torrent of ever game that MAME supports.

My arcade game sensors withered about 18 years ago, so nothing past about 1988 registers with me. You could probably fit every pre-’88 ROM onto a couple of floppies. And it’s not like I’m not allowed to play the ancient Williams games; I have the Arcade Classics CD somewhere which has the games in licensed (but MAME-incompatible) form.

After picking up my UK passport form at Bay & College, I walked to Spadina Subway. Not far, you’d say. It is if you go via College all the way to Dufferin, and back. 7.3 km, I make it, from the amazing Gmaps Pedometer. I went via Canada Computers (where I got a fantastically quiet Vantec case fan) and Soundscapes (where, of course, I bought too many CDs).

And you know why it was such a long walk? I was looking for a Timmy’s. Sad, isn’t it? It would seem that Little Italy is almost totally free of Tim’s. Yes, I know I could have had fantastic espresso and some kind of pastry there, but I wanted Tim’s, and I was prepared to walk for over an hour in sub-zero temperatures to get it, dammit.

I’ve just been listening to BBC Radio 4‘s dramatisation of Edmund Gosse’s Father and Son. It’s rather good.

I think I can safely say that this household knows more about Edmund Gosse than any other in Scarborough. Catherine‘s PhD was based on on the Gosse family, and I’ve read the book and proof-read the thesis. I suspect we’re also the only household in Scarborough that relates episodes from the young life of Edmund Gosse as if they were family anecdotes.

Robyn Hitchcock‘s Mossy Liquor — a limited edition release of out-takes and weirdnesses recorded around the time of Moss Elixir, formerly only available on vinyl (ptui!) — is now available from iTunes Canada. Does this mean that it’s finally coming out on CD?