Music Technology, Mar 1987

What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures.

Recording Musician, Aug 1992

An Audience With Aziz

Home & Studio Recording, Dec 1984

Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.

Electronic Soundmaker, Apr 1985

Sound On Sound, Jul 1986

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

International Musician, Apr 1975

International Musician, Mar 1975

In praise of the man and his music

Music Technology, Jul 1988

Q: When is a guitar not a guitar? A: When it's part of David Sylvian's music. Taking time out from a hectic schedule David Torn talks guitar textures and musical crossovers with Tim "pretentious, moi?" Goodyer.

One Two Testing, Nov 1983

Joan Jett turns the landing lights on her guitar collection

International Musician, Apr 1975

Sound On Sound, Jul 1988

Over the last three decades John McLaughlin has done more than anybody else in popular jazz and rock music to explore the potential of the guitar, both acoustic and electric. Here he talks to Mark Prendergast about his eclectic career, pioneering use of guitar synthesizers, and the Synclavier.

Sound On Sound, Aug 1986

Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain.