The Woods of Saint Mary

Mary walked in shade,
Between the dewy rows,
Full elegant and staid,
With bracelets and with bows;
And monk’s hood threatened there,
Behind the aster’s white,
And the branch’s pendent pear,
O’er mushrooms black as night;
Whilst all the blooms of spring,
And summer’s sun as well,
Could not make Mary sing . . .
For all the mandrake’s spell!

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Editor’s Note

The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”