Comments on: The Pirate Code of Children’s Literaturehttp://www.sfwa.org/2010/09/the-pirate-code-of-children%e2%80%99s-literature/
Science Fiction and Fantasy Writers of AmericaTue, 22 May 2018 20:35:07 +0000hourly1https://wordpress.org/?v=4.9.6By: Interesting Writings for a Sunday Autumnal Equinox « The Open Windowhttp://www.sfwa.org/2010/09/the-pirate-code-of-children%e2%80%99s-literature/#comment-14181
Mon, 20 Sep 2010 00:41:58 +0000http://www.sfwa.org/?p=9744#comment-14181[…] http://www.sfwa.org/2010/09/the-pirate-code-of-children%E2%80%99s-literature/ […]
]]>By: Billy Boneshttp://www.sfwa.org/2010/09/the-pirate-code-of-children%e2%80%99s-literature/#comment-13190
Tue, 07 Sep 2010 13:42:20 +0000http://www.sfwa.org/?p=9744#comment-13190Thanks, Ms. Whitman. Good to know where I fit in.
]]>By: Susan Kaye Quinnhttp://www.sfwa.org/2010/09/the-pirate-code-of-children%e2%80%99s-literature/#comment-13120
Mon, 06 Sep 2010 15:04:13 +0000http://www.sfwa.org/?p=9744#comment-13120Thanks for the great distinction between MG and YA books. You are right that these lines get blurred, but it helps writers and parents to think along these lines when choosing what and how to write, as well as what to guide children to read. I talk about appropriate books for advanced middle graders on my blog Ink Spells.
]]>By: Natalie Aguirrehttp://www.sfwa.org/2010/09/the-pirate-code-of-children%e2%80%99s-literature/#comment-13067
Sun, 05 Sep 2010 22:28:28 +0000http://www.sfwa.org/?p=9744#comment-13067Great post. You explain the age difference in middle grade and YA so clearly. And it’s really true, though like you say, that it blurs a little bit from 12-13 on whether it’s considered middle grade or YA.
]]>By: Stacy Whitman's Grimoire » Guest post at SFWA.orghttp://www.sfwa.org/2010/09/the-pirate-code-of-children%e2%80%99s-literature/#comment-13064
Sun, 05 Sep 2010 22:05:47 +0000http://www.sfwa.org/?p=9744#comment-13064[…] did a guest post at the SFWA site on the difference between YA and middle grade, covering not only the clear delineations of anticipated audience, but also the vagaries of […]
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