Forget Thanksgiving and Christmas, we are now officially in my favorite holiday season…Awards Season. This Sunday are the Golden Globe Awards and you can click HEREfor a full listing of nominees. I enjoy the Golden Globes for what they are…the slightly tipsy foreign exchange student to the Oscars. A few weeks later on January 27th the Screen Actors Guild (SAG) Awards are given out and these are enjoyable because they are only given for performance categories and are voted on by the true peers of the nominees/winners. That’s true somewhat for the Oscars but there’s something about the SAG Awards that make them feel like a valued win and not a popularity contest. The day before the Oscars are the Spirit Awards given out to independent films from the past year. If you’ve never watched these awards I highly encourage it…they are very much like the films they celebrate…independent and rough around the edges.

All of these are merely appetizers for the Academy Awards which will be given out on February 24, 2013. Sure to be a lavish affair (even if they are being hosted by the mostly funny but ego-centric Seth McFarlane, Ted), I’ve yet to miss an Academy Awards telecast or the live announcement of the official nominees.

Before the nominations are announced at 7:38 am tomorrow morning, let me go out on a limb and give my predictions as to what is going to be up for major awards and who is going to wake up an Oscar nominee.

Best Picture

Ever since the field was changed from 5 nominees to a possible 10, this one is always hard to predict…so let me start with five nominees and then go up from there….

Close Calls – While The Master was a huge buzz film before it was released, its actual reception was so chilly I’m not sure it will earn a place on the list.

If there’s any justice…Skyfall will be the first James Bond film to be nominated for Best Picture. One of the best films of the year and most definitely the best Bond film ever produced, this was a full serving of entertainment with more to it than just cool cars and spy adventures.

Close Calls – Again, The Master is popping up as a close call…but potential Best Actor nominee Joaquin Phoenix is such a puzzle in and of himself, he may have hurt his chances at a nomination by starring in an equally puzzling film.

If there’s any justice… Poor Richard Gere…he just can’t catch a break. Though he could possibly unseat Jackman, his work in Arbitage probably will go un-nominated.

Close Calls – Helen Mirren is also being mentioned in this category…and while she was wonderful in Hitchcockthe film itself wasn’t well liked. I think there are enough women who did great work in better films that should wind up with a nomination.

If there’s any justice… PLEASE let Quvenzhane Wallis be nominated! If anyone should go from this list it’s Watts…I’ve heard her film is strong as is her performance but let’s have the youngest ever nominee (Wallis) up against the oldest ever nominee (Emmanuelle Riva, Amour)

Close Calls – Leonardo DiCaprio may miss the boat on this, his work in Django Unchained was better than his last five films but he’s in good company with his co-stars Christoph Waltz and Samuel L. Jackson…both of whom could wind up here. Bardem might be the one to miss the mark if DiCaprio love fills the hearts of voters…but I wouldn’t count out Bardem’s recent surge of support.

If there’s any justice… Tom Cruise would get some love for putting it all out there in Rock of Ages. Yes, the film was a total mess but his performance is still one of the most memorable (in a good way) for me at the end of the year. It’s never going to happen but I had to go on record saying he deserves it.

Close Calls – I haven’t seen The Paperboy but boy is Nicole Kidman getting surprising recognition for her steamy work. Though it came and went pretty fast, Kidman may just pop up here, replacing Adams or Smith.

If there’s any justice… the Supporting categories are always where Oscar tends to throw a few nice curveballs so here’s hoping that Brit Kelly Reilly scores her first nomination for her haunting work alongside Denzel Washington in Flight. Director Robert Zemeckis could have cast any Hollywood female for the role but he made a killer choice by going with Reilly.

Review: Now that the summer movie blitz has ended and the late fall films have come and gone we move into the next season of films…Award Season! I admit to getting a bit swept away with movies around this time of year and often find myself emerging from the theater with “X is going to get an Oscar nomination for their work in X” on my lips. I throw it around a little more than I should (I believe I suggested Jennifer Lawrence should get an Oscar nomination for The Hunger Games…and she’ll get one this year anyway…just not for that movie) but I try not to give too much weight to movies that arrive in theaters with heavy hype and film festival buzz.

The Sessions is a movie that you’ll be hearing a lot more about in the months to come. Not just because it’s like catnip for the upcoming end-of-the-year awards ceremonies but because it’s an unusual little film that on paper sounds like bad dramatic schmaltz but in reality is an adults-only dramedy showcasing some mighty fine performances.

When I first read the plot synopsis for The Sessions and saw the preview I wasn’t quite sure what to make of it all. A man ravaged by polio that requires an iron lung to survive meets up with a sex surrogate to help him lose his virginity? It sounds like material that would star someone from an NBC comedy series, Megan Fox, and be filled with a lot of crass bodily fluid jokes.

While the movie is filled with a few bodily fluid jokes and a whole heap of nudity it’s one of the more delicate films you’re likely to see this year. You see, this is a movie with real maturity that’s been made for discerning adult moviegoers. In an industry that panders to the 12-28 age demographic, I found the sensitive nature of the movie to be refreshing and life affirming in a way many films can only hope to be.

The film has a rough frankness that may not be the cup of tea some people wanted to order. Sex and sexual practices are discussed at length and in graphic detail but it’s not meant in any way to titillate…the dialogue is there to illustrate a point about the naïve longings our main character carries with him throughout the day. Here is a man that wants to be loved all the way through…he’s had the “I love you but not in that way” discussion with several women and his desire to connect with a female and experience that sensation just once is a feeling that threatens to consume him.

Hawkes takes on the challenging role of Mark O’Brien with great results – confined to laying flat on his back the entire movie he still presents us with more character development while motionless than anything you’re likely to see in a theater this year. With a quiver in his speech and a vulnerability of one that is truly dependent on outside forces to stay alive, it’s a pretty incredible performance that will without question earn him an Oscar nomination this season.

As sex surrogate Cheryl, Hunt returns to the screen in a role that’s getting the most recognition for the fact that she’s 100% nude for much of the film. Now, I’m not really one to call an actress “fearless” or “brave” or “bold” because she bares all…but Hunt’s nudity is presented in such a non-sexual and assured way that those three words did come into my mind. I have to say, though, that Hunt’s face is looking mighty Botox-ed…so much so that when she’s standing in her birthday suit it almost looks like her head is on the body of a woman that has aged naturally and beautifully. I also found it curious that Hunt started the movie with a pronounced accent that gradually falls away inexplicably. Still…Hunt’s work is commendable here and should earn her an invitation to the Oscars in February (I’m still mad she won an Oscar for As Good as It Gets…)

The sessions between Cheryl and Mark are soul baring exercises in connection that almost feels intrusive to be observing. Hunt and Hawkes didn’t know each other before filming began and that works for the gradual emotional connection they form as their sessions delve into deeper feelings neither of them could have expected. Along the way, Macy turns up as a hip priest that helps Mark through spiritual sessions about his work with Cheryl. Macy’s role is a tad underdeveloped and it’s easy to see he’s there to provide some narrative structure that the film is otherwise lacking.

Director and screenwriter Lewin paints Mark’s world with enough color to suggest a man that’s not unhappy just unfulfilled. As Mark starts to awaken sexually with the help of Cheryl the tone in his world brightens while Cheryl’s gradual attachment to Mark has some consequences on a personal level. I found the movie had trouble with pace at times and perhaps stretches believability a little too far to create conflict…but when the performances are this good and the work so unnaturally adult in nature some of the more incredible parts are easily forgiven.