Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love.In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love.In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love.In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

Jerusalem In My Heart (JIMH) is the acclaimed Montréal–Beirut contemporary Arabic audio-visual duo of musician/producer Radwan Ghazi Moumneh and experimental analog filmmaker Charles-André Coderre. The project has been active since the mid-2000s as a site-specific live performance happening, featuring a wide array of multi-media and theatrical elements, where no two shows were ever the same.

“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.

“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.

“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.

“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.

“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.