Krzysztof Wodiczko is Professor in Residence of Art, Design and the Public Domain at the Graduate School of Design at Harvard University.

He is renowned for his large-scale slide and video projections on architectural facades and monuments. He has realized more than 90 of such public projections and installations in Australia, Austria, Belgium, Canada, England, Turkey, Germany, Holland, Northern Ireland, Israel, Italy, Japan, Mexico, Poland, Spain, Switzerland, and the United States.

Since the late 1980s, his projections have involved the active participation of marginalized and estranged city residents. Simultaneously, and also internationally (England, Finland, France, Poland, Holland, Japan, Northern Ireland, Spain, Sweden and the US) he has been designing and implementing a series of nomadic instruments and vehicles with homeless, immigrant, and war veteran operators for their survival and communication.

Wodiczko’s work has been exhibited in Documenta (twice), Paris Biennale, Sydney Biennale, Lyon Biennale, The Venice Art Biennale (Canadian and Polish Pavilions) in Magiciens de la Terre exhibition, Paris, Venice Biennale of Architecture, The Whitney Biennial, Yokohama Triennale,International Center for Photography Triennale, New York, The Montreal Biennale ( 2014), The Liverpool Biennale ( 2016) and other international art festivals and international exhibitions. In 2009, he represented Poland in the Venice Biennale. In 2017, Wodiczko has held a retrospective exhibition at the Museum of Modern and Contemporary Art in Seoul.

He is a recipient of the Hiroshima Art Prize in 1998 “for his contribution as an international artist to world peace”.

Wodiczko’s books include Critical Vehicles: Writings, Projects, Interviews published by MIT Press (1999), a large monograph of his works titled Krzysztof Wodiczko (2012), September 11: City of Refuge (2009), The Abolition of War(2013) by Black Dog Publishing, London, followed by expanded Polish edition under the title Obalenie Wojenby MOCAK ( 2014 ). Guests by Charta (2009), and a comprehensive collection of his writings ‎titled Transformative Avant-Garde and Other Writings (2016) by Black Dog Publishing, London.