God Tier

So Ra No Wo To

Some of the most gorgeous art this side of Yoshitoshi ABe; characters who’re instantly endearing and have a natural chemistry; an engaging central narrative that pushes it one step farther than shows of its like—Sora no Woto wasn’t only great, but surprising. I loved it from the first episode, but it constantly found new ways for me to love it—for the art and animation, the impressively developed characters, engrossing world, fantastic directing, and consistently interesting episodic plots—tied together by an even-more-interesting dramatic plot. What makes Sora no Woto my favorite anime of 2010 is that there are so many aspects which I adore, and which have kept me rewatching the episodes, finding new things to say or to think about them. It’s a show that nags at the back of my mind, asking me to watch it again and find the next gem of knowledge or interpretation that’ll make me love it even more. This is the kind of show I’ll still be blogging about years down the line, and I love that, because it’s so much fun to blog.

Never has the tale of a girl winning the friendship of her rival looked so god damn good! The Nanoha movie is special not just for being amazing, but for being amazing in replacement of a shitty series, and creating a magnificent springboard into the second season, which it rivals in brilliance (perhaps surpassing it by way of production quality). This film is wildly fun to watch and easily rewatchable, not to mention a perfect excuse to introduce my friends to the wonder of mahou shoujo anime. I love the genre, and Nanoha takes everything that makes it great and writes it for an adult audience without losing any of the magic. The final scene is one of the best emotional climaxes in anime, even if it was already done in the original show. What the original doesn’t have, however, is one of the best aerial dogfights I’ve seen.

The dialog and seiyuu performances in this series almost transcend anime as I know it. I can’t think of any pair of characters whose interactions are as entertaining as those that Satou Satomi and Toyosaki Aki create in Ritsu and Yui respectively. I single them out for their godliness, but that’s not to mistakenly forget that the other actors and their characters are all superb as well. Kyoto Animation continues to prove that they’re amongst the best production studios in TV anime. No other studio has the sheer attention to detail that they do, nor the general brilliance in directing. K-On is always entertaining, and at times even profoundly emotional. It has an unmistakable stage presence not unlike its own characters, which is no-doubt intentional. Add to that some excellent openings and endings, which are vitally important, because while a weak opening or ending can rarely hurt an anime, a strong one can make it all the more legendary. The only thing holding me at bay with K-On is that not every episode is equally brilliant. There are definitive god-tier episodes, great ones, a slew of average ones, and a couple of rather poor ones. The great outweighs the merely good, though, and rewatches should prove vital to the series’ strength.

I couldn’t have prepared myself for how much awesomeness would come from season 2 of Strike Witches. I enjoyed the first series a lot, even if I never thought of it as something special, so I was expecting the same kind of laid-back enjoyment from this. Instead, I got a show that constantly kicked ass from start to finish and left me begging for more. The only thing that could’ve been better about Strike Witches 2 is that it could’ve been longer. Besides that, every episode had a crowning moment of awesome for one of its characters, and all of those characters etched their names into my heart. From a special attack that rivals the awesomeness of a super robot move to one of the most ingenious action scenes of the year, I was always impressed. Episodes flew by and made me look forward to watching them again, which I’ll be doing sooner rather than later with the uncensored blu-ray rips coming out. This is the best kind of popcorn entertainment, and something I want to show my friends.

The first roles that I would’ve heard Hanazawa Kana in, had I been able to ‘hear‘ seiyuu at the time, were Kajiwara Sora in Sketchbook ~full color’S~ and Potemayo from the eponymous anime, both of which aired in late 2007. The irony there is that the former is a character who’s too shy to speak aloud—so all of her dialog is mental narration—and the latter is a 2-foot moeblob who can only say two syllables per breath and mostly makes noises. —Not exactly roles that tell you if an actress is going to be good, in spite of being leads.

When I did my artist highlight post on Hironox, I found his Drawr account and linked to it. At that time, I also subscribed to his drawr’s RSS feed. It’s been a while, but today he posted this speedpaint of Black Rock Shooter. That’s when I discovered something that makes drawr awesome – by clicking on the image in it’s individual page you can watch the whole speedpaint! It’s pretty interesting and amazing to watch just how much goes into creating this picture. Most interesting is how hironox mixes opacities to create his own colors and uses layer after layer to get the right effect. The picture totally changes several times during it’s creation until it becomes what’s seen above. I had fun watching it, but I warn that even though it’s in fast forward you’ll be strapped into this thing for more than 20 minutes, so I suggest you be ready.

EDIT: Actually, if you scroll over the image, you can skip to different parts in the process and up the speed! FUCKING COOL!

This is a great victory! I finally found a damn pixiv account! However, better still, one of the links on that account led me to something even more awesome – a Drawr account. I had never heard of this until now but it took me all of 10 seconds to figure out this is an artist version of Twitter! It’s got an RSS feed too, which is extremely awesome as I won’t have to remember to go check their profile every so long. Hironox seems to use it to post speed paints, as they are mostly quite rough, and his more complete works are posted on pixiv. For those of you not up for navigating a Japanese site, here’s a booru link. Anyway, here are some of my favorite Hironox works.