Tuesday, December 27, 2011

SHOT IN TEXAS: TV replaces films as local moneymaker

After a 12-year run--the last six in The Dallas Morning News, but previously for both The Austin Chronicle and Austin American-Statesman--this is my final Texas film industry column. I'll still be blogging, but I want to spend more time concentrating on fiction writing and other projects.--Joe

BY JOE O’CONNELLSpecial to The Dallas Morning NewsFilmnewsbyjoe@yahoo.comJoeoconnell.com@joemoconnell

Janis Burklund was in full action mode last week. Khloe Kardashian had, without notice, posted online that she was organizing a toy drive for the Children’s Hospital of Dallas, and Burklund’s Dallas Film Commission office was suddenly besieged with phone calls.

It’s a clear sign of the present and likely future of the Dallas film scene: television rules and reality TV buzzes. Feature films? Not so much.

Lamar Odom’s trade from the Los Angeles Lakers to the Dallas Mavericks brought his Kardashian wife and reality show Khloe & Lamar to town. More than 2,000 people crowded Dallas City Hall to donate toys after her web shout-out.

Meanwhile TNT’s Dallas is bringing some old-school attention to the city with its 10-episode shoot—production is on hiatus until 2012 with three episodes to go.

Burklund’s three-person office can’t afford a proper media tracking service these days, but it only takes a quick web search to see interest in the show that doesn’t air until June.

“It’s been ongoing for about a year with constant news and publicity about the show,” she said. “There’s lot of interest overseas.”

The Dallas Film Commission tracks its fiscal year from September to September, and Burklund is just now getting solid numbers for the last year and slightly more of both plusses and minuses: network television series shoots came and as quickly went with the quick cancellations/non-renewals of Lone Star, The Good Guys and Chase.

The controversial Dallas-set show originally known as Good Christian Bitches, later as Good Christian Belles and most commonly as GCB produced a pilot in North Texas but then retreated to Los Angeles for the series shoot.

“When all three shows didn’t stick, we had to wait for new ones to create again,” Burklund said. “We had to go through another cycle, and luckily Dallas was already in the cycle.”

The commission tracked 292 projects in its last fiscal year, including $73.6 million in direct spends on television and film, plus another $26.3 million in videogame projects. The way that money reverberates around the economy leads to an estimated almost $230 million economic impact.

“It was a good year,” Burklund said. “It was well above the last six or seven years.”

But feature films continue to be a no-show both in North Texas and the state as a whole. Texas film incentives haven’t slowed the flow of projects to states like New Mexico and Louisiana that offer a lot more.

“Our incentives program works best for television,” Burklund said. “Television understands in a different way about having the good crew base, good talent base, diverse locations and easy access through DFW (International Airport). They may be here for years, so they have to think, ‘If all incentives went away today, where would we want to be?’ ”

Feature filmmaking in Texas has thus turned into a mix of low-budget independents and higher-profile projects by primarily Austin-based Texas auteurs like Robert Rodriguez, Richard Linklater and to a lesser extent Mike Judge and Tim McCanlies.

Perhaps add to that list reclusive Austin resident Terrence Malick, who is quickly losing his rep for waiting a decade or more between projects. He shot likely Oscar nominee The Tree of Life largely in Smithville (and partly in Dallas) in 2008 and took three years to release it, but actually shot another as-yet-untitled film starring Ben Affleck in Oklahoma in 2010.

Now Malick has publicly announced two more upcoming projects: Lawless and Knight of Cups. In September he shot scenes with Christian Bale during the Austin City Limits Music Festival, and followed that in November filming Ryan Gosling and Rooney Mara at Austin’s Fun Fun Fun Fest. The shots have been reported to be for Lawless, but Malick never releases plot details or future filming plans if he can help it.

About Me

My articles and essays have appeared in Texas Monthly, Austin American-Statesman, The Dallas Morning NewsAustin Chronicle, San Antonio Express-News and Variety. My novel Evacuation Plan about life in a residential hospice was released in 2007. My photographs have appeared recently in TexasMonthly.com, San Antonio Express-News and The Dallas Morning News. In my spare time, ahem, I also teach writing to graduate students at St. Edward's University and to undergrads at Austin Community College.

What they're saying...

"Tales alternately gentle, dramatic, surrealistic, that collectively affirm the beauty of being alive, even as they acknowledge that all of us face the necessity of making our own 'evacuation plan.' "-- Brad Buchholz, Austin American-Statesman

" The chapters about Matt and the short stories demonstrate O’Connell’s ability to develop sympathetic, true-to-life characters using intriguing details and compelling dialogue. The stories remind us of those times when a brief encounter with a stranger left us wondering about that person’s past. In Evacuation Plan, O’Connell satisfies that curiosity. "-- The Texas Observer

"It was very hard for me to put this book down. It carries us through the deepest meaning in life and most painful, most hopeful memories for a wide range of fascinating characters. Based in a hospice, this book could have easily resorted to cheap sensationalism, or whacked us upside the head with stereotypic melodrama, but instead it was respectful, honest, and tender. The characters will stay with you - you may even recognize some of them within your own life. "-- Award-winning author Carmen Tafolla

"An excellent, thought-provoking diversion from our own inevitable plummet toward the grave, and we highly recommend it to you, the living."-- Wayne Alan Brenner, The Austin Chronicle

"O’Connell has drawn some colourful and believable characters. The material relating to the hospice and terminal care rings true, all the way to reconciliation and forgiving."-- Dr. Roger Woodruff, International Association for Hospice & Palliative Care

"The tales are nicely written, and some are quite compelling; “The Male Nurse,” for one, is a dreamlike reverie."-- Texas Monthly

“Evacuation Plan: A Novel From The Hospice by Joe M. O'Connell is nothing short of remarkable … a novel that walks hand-in-hand with death and yet, somehow, the reader finishes the book feeling inspired to live.” – The Paisano

"A wonderful blend of lives ordinary but with sometimes extraordinary elements. We all share these stories of life in some way, despite moments of harshness or unforgiving pain. There is always a common thread of humanity and ultimately forgiveness to be found, even if it's in the last moment of life."-- Elaine Williams, author of A Journey Well Taken

"Reading Evacuation Plan is akin to unwrapping a series of small perfectly-chosen presents. Both human and humane, The book resembles a modern Spoon River Anthology with its vivid, touching glimpses into the lives of those in and around a hospice."-- Tim McCanlies, screenwriter The Iron Giant, writer/director Secondhand Lions

"In Evacuation Plan Joe O'Connell does for the process of dying what Sherwood Anderson did for middle America in Winesburg, Ohio--he shows us in brief flashes the aching beauty of the grotesque, and shows us how extraordinary small lives and quiet deaths can be."--John Blair, Drue Heinz Literature Prize winning author of American Standard

"Here's a book so rich with stories of the living, so filled with people's bountiful problems, as well as incidents of wry forgiveness, one realizes over and over the circling forces of life's completeness. It's not a sad tale nor a needless feel-good account but a balanced, sometimes comic, affirmation of what is here and what we all know is waiting."-- Carolyn Osborn, award-winning short story writer

"The broken, the hopeful, the frustrated, the clueless, and the forgiving touch one another with words, remembrances, and hands. Inevitably, readers will quietly wonder about their own evacuation plan."-- Will's Texana Monthly

O'Connell's protagonist skillfully navigates under the guise of a writer seeking raw materials for his craft in the stories of the dying, but mines and refines instead the stuff we're all made of. In this finely crafted novel, we come away with much more than the astute observation that many of the best stories begin at the end. But, then again, that notion is also worth a lot.--Jesse Sublett, cancer survivor, rocker and author of Never the Same Again

"Joe O'Connell's Evacuation Plan--this Decameron of the hospice--encompasses a paradox. Death comes for everyone, but death is the only human universal because everyone dies, and witnesses dying, with private, unspeakable shame. Yet there are a few minutes left to speak. As people die, they tell stories which spawn new stories, which remind us that death is agony, a violent struggle, but so is living."-- Debra Monroe, Flannery O'Connor Award winning author of Newfangled and Shambles