But before we talk about that, let’s back up a little. The Wurlitzer itself is very analogous to an electric guitar: the heart of both instruments is a pickup that converts vibration into an electrical signal that is ultimately sent to an amplifier. In a guitar, the amplifier is almost always external, but a Wurlitzer’s amplifier is tucked into the body of the instrument.

An effects loop opens up many, many tonal possibilities in your Wurlitzer. Some of the earlier Wurlitzers have a reputation as a one-trick pony. The 112, for instance. How many people on forums have opined that it’s good for that one Ray Charles sound, and that’s it? Three people? Four? That’s not the point. The point is that, once you give the 112 an fx loop, it now has an unlimited amount of sounds.

But what sounds, specifically, should you plug into your Wurlitzer’s effects loop?