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Friday, October 9, 2015

Part of MKC's coverage of the 20th Busan International Film Festival.By Pierce Conran

Against a parking lot bursting with saturated colors, a person lies on the ground, at the mercy of another standing above them who wields a sashimi knife still dripping red from its last kill. Dark, bloody and stylish, this could be the beginning of just about any Korean noir. But Coin Locker Girl is trying something new, as these two characters are played by none other than Kim Hye-su, one of Korea's most glamorous leading ladies, and Kim Go-eun, its latest fresh-faced starlet.

Part of MKC's coverage of the 20th Busan International Film Festival.By Pierce Conran

It’s the small moments that work in Recording, a story that is low on ambition but infused with a winning charm even as it drags in the scripting department, particularly in the back half. Sweet and unaffected, Park Min-kook’s debut follows a woman in her early 20s who chronicles her losing battle to stomach cancer with an omnipresent home camera. Even with the end drawing near, she continues to wear a bright smile and tries to spend some of her last carefree moments with her partner and friends.

Thursday, October 8, 2015

Part of MKC's coverage of the 20th Busan International Film Festival.By Pierce Conran

Acclaimed Indonesian filmmaker Joko Anwar returns with his fifth feature, A Copy of My Mind, a tale of love, passion and how to get ahead in the back alleys of sprawling Jakarta. Made with the help of CJ Entertainment, as the Korean major continues to industriously wean its way into developing Southeast Asian film markets, this romantic thriller, which teeters back and forth between the worlds of DVD piracy and local politics, is suffused with ample wry commentary.

Wednesday, October 7, 2015

Life is hard for the average Korean salaryman, and sometimes that engenders a need to blow off a little steam. For many that involves drinking to excess, but for others it can spill over into the homestead. New Korean horror-thriller Office takes this to a disturbing extreme as a diligent and seemingly placid cubicle worker returns home from work and quietly eats dinner, before taking a hammer to his wife, mother and handicapped son. Intercut with statics shots of the homogeneous residential blocks surrounding the apartment, the instrument comes down again and again, raining crimson over the blank white walls.

Part of MKC's coverage of the 20th Busan International Film Festival.By Pierce Conran

Four years after his experimental 3D shaman mystery Fish, Park Hong-min returns to BIFF with another singular work that offers one of the most compelling examinations of gentrification in Seoul. Alone follows a single character as he hops from one terrible dream to the next, unable to wake up and incapable of escaping nestled alleys of his small, dying neighborhood.

Part of MKC's coverage of the 20th Busan International Film Festival.By Pierce Conran

Step away from the city and it isn't long before you fall in with bad company or into a mystery in Korean cinema, with remote islands and mountains being among the favored haunts of the country's more macabre filmmakers. Taking its cue from a Brothers Grimm fairly tale (itself a take on an old German legend), Kim Gwang-tae's debut The Piper hums a familiar tune, yet this fable of mistrust and deceit remains engrossing and entertaining thanks to a few wicked twists.

Part of MKC's coverage of the 20th Busan International Film Festival.By Pierce Conran

A year after Wild Flowers, Park Suk-young returns to the Busan International Film Festival with Steel Flower. Gritty, intimate and centering around a young girl lost in a harsh urban world, Park's latest kicks off on the same foot as his debut, with a raw immediacy and a tangle of youthful anxiety.

Part of MKC's coverage of the 20th Busan International Film Festival.By Kyu Hyun Kim, Associate Professor at UC Davis and koreanfilm.org contributor.

Seo Do-chul (Hwang Jeong-min), a veteran of the Seoul Metropolitan Police Agency, busts a ring of foreign car smugglers with his teammates, the muscle-bound Detective Wang (Oh Dae-hwan), ass-kicking Miss Bong (Jang Yoon-joo) and the cute rookie Detective Yoon (Kim Si-hoo), under the leadership of the perennially frustrated but bizarrely eloquent Chief Oh (Oh Dal-soo). Do-chul, a pit bull of a cop, in the process of investigating the smugglers, befriends a trucker, Mr. Bae (Jeong Woong-in). Later, he is invited to a private party as a "consultant" to a hit TV series and witnesses the sponsor corporation's young heir Jo Tae-oh (teen heartthrob Yoo Ah-in) behaving cruelly to one of the partygoers. When Mr. Bae is found to be unconscious and critically wounded from an alleged suicide attempt, after directly confronting Tae-oh's corporation about his unfair firing, the cop smells a rat and starts an investigation, despite pressure from the higher-ups to look the other way.

Tuesday, October 6, 2015

In order to capture the boss of a powerful criminal organization who has connections with the authorities, the special investigation section has called two agents with exceptional records. While Jung-in made his arms as a criminal profiler at the FBI, Yu-min graduated from one of the best academies but is now seen as a player with women. Of course, both of them will have to go past their differences to fulfil their mission.

Wu-jin has a very strange condition that makes him wake up every day with a new appearance. If ordinary life is already difficult when your face changes daily, having a relationship seems nearly impossible. But Wu-jin decides to confess both his love and the truth to Yi-su.

Thanks to her skilled hands, Su-nam has been able to get no less than 14 typing certificates, which makes her one of the best secretary one can imagine. However, she cannot compete with a computer, and thus loses her job for a machine. She manages to find a new job, and also find a boyfriend. But when they decide to get married and buy a house, they have no other choice than taking a loan. Now that they have to pay off the loan, Su-nam suddenly has an idea to solve this situation once for all.

While celebrating his recent successful resolution of an international auto theft scheme, a detective, Do-cheol, has a serious clash with Tae-oh, a high-level gangster from Sun-jin Group. Determined to make him fall by pinning him any crime, Do-cheol starts investigating despite his boss’ disapproval. But suddenly a boy comes to ask for his help, as his father, who helped Do-cheol in his last case, has just been severely beaten up by Tae-oh. Do-cheol then decides to get Tae-ho at any cost.

After more than two months of silence, I'm finally back for more discussion about Korean films getting released every week. Since I've missed a lot of interesting films and that I couldn't make my mind to just resume my weekly article as if nothing happened, I've decided that it was better to still present every film released during that period and to add my usual commentary only for the most important of them. This is the second part, covering the films released between June 22nd and August 2ndd, and you can read the first part here.

By Fabien Schneider

Director's CUT

(디렉터스 컷)

After spending a decade making independent short films, Haegang is now ready for his debut long feature. But his life is becoming a mess: his girlfriend just broke up with him, and his former team doesn’t want to have anything to do with him. As he has to work with a new producer, he’ll have to stay strong if he wants to keep his own vision in his film.

After more than two months of silence, I'm finally back for more discussion about Korean films getting released every week. Since I've missed a lot of interesting films and that I couldn't make my mind to just resume my weekly article as if nothing happened, I've decided that it was better to still present every film released during that period and to add my usual commentary only for the most important of them. This is the first part, covering the films released between May 18th and June 21st, and you can read the second part here.

Alive

(산다)

By Fabien Schneider

Jeong-cheol tries to make ends meets despite all the odds against him. He has to keep an eye on his mentally ill sister who wishes to leave for Seoul and he tries to fulfill his niece’s wish to play piano, while he’s not even sure to have a job to feed them and repair their house. When his coworkers suspect him when an associate runs off with the pay of everybody, Jeong-cheol offers them to take a job all together at a bean plantation.