Chen Wan Jen（中文：陳萬仁 ）Chen Wan-Jen makes animated videos, which blur the line between reality and artifice. These images directly touch upon the discrepancy between authenticity and depiction. The intentionally ordinary scenes are pieced together to reinterpret lost memories and forgotten experiences.

Chen Wan-Jen (born 1982 Taiwan) graduated from the National Taiwan University of Arts in 2005 and studied at the National Graduate School of Art & Technology, The Taipei NationalUniversity of Arts until 2012. Recent solo shows in clude:To Hell with Your Future,IT PARK,Taipei and The Extraordinary Ordinary,VT Artsalon, Taipei. Group exhibitions include:The First “CAFAM · Future” Exhibition, CAFA Art Museum, Beijing; The 2012 Taiwan Biennial, National Taiwan Museum of Fine Arts;Stand-In Techniques- New Taiwanese video Style, Gallery 456, New York;The 7th Busan International Video Festival;Changwon 2010 Asia Art Festival-THE FANTASTIC GARDEN, and Taiwanpics.doc,Ecole Nationale Supériere des Beaux-Arts de Paris.

In Einstein’s dream The girl who leapt through time Appeared in the instant when time froze Under her youthful flowing school skirt Where hidden secrets of Victoria Over the years, the young man has always retained his sorrows.

The artist places a wooden ladder in between the projector and the wall. The shadow of the object on the wall involves in the projection image. In the projection, there is a silhouette of a man practicing golf. He keeps swinging the club, but actually, the golf ball is placed on the wooden ladder that is not in the projection but the room. It creates a reality: the ball will never be hit. The dialogue between the physical object an d the virtual image continues: the ball is not in the project ...

In this video, the people walking are so small that their faces and expressions cannot be discerned. Instead, they closely resemble props or decorations on a stage. It appears to be a scene replicating everyday life, but in reality, it has used a more alienated attitude to unveil a form of constant fluidity.

A rainy day is an excuse for wandering off from linear time and a clearly defined space. An umbrella separates raindrops and people, while i t also separates people and the surroundings. Rain calms the hustle and bustle. People quietly wait for the unknown to come. Motionless individuals betray their subjectivity and become quasi-sculpture, quietly waiting for the rain to stop, for a new dawn to break. The endless extension of waiting stills each second . Whether the sight is focused near or ...