Cover Classics takes a look at great covers albums of the past, their genesis and their legacies.

Black Friday may have gone, but here’s a twofer bargain.

Cat Power, aka Chan Marshall, has produced two near-full album cover classics in her career (so far), which doesn’t even begin to fully address her never-more-quirky approach to the songs of others. Not that she is lost for any words of her own! She’s got a back catalogue stretching across many styles and many genres, from raw scratchy indie through slinky southern soul, a touch of electronica and back again, yet always unmistakably herself. Her career has seen her seemingly beset by internal demons; many had written her off until her triumphant return this fall with Wanderer, containing ten of her own songs, and one contender for our Cover Songs of the Year post.

But it is back to 2000 we first go, to The Covers Record. Allegedly a disappointment to her record company, who had appreciated this was an artiste worth their investment, but even with lackluster promotion it became a slow burning triumph. Praise and plaudits accumulated over the years, not least as box set dramas required ever more diverse musical accompaniments.Continue reading »

In Pick Five, great artists pick five cover songs that matter to them.

No less than The New Yorker once wrote “Jeffrey Foucault, sings stark, literate songs that are as wide open as the landscape of his native Midwest” (and they know from literate). For going on two decades, the unassuming Wisconsin singer-songwriter has been quietly releasing some of the best folk records of the current century. Though maybe not that quietly; he does have people like Don Henley saying he “clocks modern culture about as good as I’ve ever heard anybody clock it.”