Kirby Ferguson, who created the remarkable Everything is a Remix series, has a new podcast hosted by the Recreate Coalition called Copy This and he hosted me on the debut episode (MP3) where we talked about copying, creativity, artists, and the future of the internet (as you might expect!).more

Mr Robot is the most successful example of a small but fast-growing genre of “techno-realist” media, where the focus is on realistic portrayals of hackers, information security, surveillance and privacy, and it represents a huge reversal on the usual portrayal of hackers and computers as convenient plot elements whose details can be finessed to meet the story’s demands, without regard to reality.more

“Information Doesn’t Want to Be Free” is my 2014 nonfiction book about copyright, the internet, and earning a living, and it features two smashing introductions — one by Neil Gaiman and the other by Amanda Palmer.more

In 2014, lawyer and eminent Sherlockian Les Klinger comprehensively won the legal battle to establish that Sherlock Holmes is in the public domain and available for anyone to use, abuse, alter, celebrate or mock; now with a new anthology of completely unauthorized Sherlock tales, Echoes of Sherlock Holmes, Klinger and co-editor Laurie R. King have shown just how much life there is in the old tales.more

In the 18th century, William Blackstone wrote the seminal “Commentaries on the Laws of England,” which contained one of the foundational definitions of property: “that sole and despotic dominion which one man claims and exercises over the external things of the world, in total exclusion of the right of any other individual in the universe.”more

I’m the “Honourary Steward” for this year’s Shuttleworth Fellowship, this being a valuable and prestigious prize given to people who are undertaking to make the world a better, more open place (“social innovators who are helping to change the world for the better and could benefit from a social investment model with a difference”).more