Director Werner Herzog — the man behind the Oscar-nominated Antarctica documentary Encounters at the End of the World — has cultivated a loyal band of admirers over the span of five decades behind the camera. Perhaps the single most striking image of his career is that of a steamboat being pushed and pulled through a dense Peruvian jun
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Director Werner Herzog — the man behind the Oscar-nominated Antarctica documentary Encounters at the End of the World — has cultivated a loyal band of admirers over the span of five decades behind the camera. Perhaps the single most striking image of his career is that of a steamboat being pushed and pulled through a dense Peruvian jun
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An appreciation of and an interview with one of the most maverick of directors grouped under heading of German new wave.
A Werner Herzog moment:
The opening sequence of his 1972 film Aguirre, Wrath of God, so astonishingly other for a teenager in the acrid darkness of a 1970s London cinema. I remember the porcelain face of the Mad
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An appreciation of and an interview with one of the most maverick of directors grouped under heading of German new wave.
A Werner Herzog moment:
The opening sequence of his 1972 film Aguirre, Wrath of God, so astonishingly other for a teenager in the acrid darkness of a 1970s London cinema. I remember the porcelain face of the Mad
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