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The film stars James Gunn, Fischer's then-husband, and Peter Alton, who were also co-writers, though about half of the film's dialogue was improvised by the cast. Fischer talked about the creative process behind the film in an interview with a St. Louis magazine:

“

I started by writing a plot outline. I invited my friends over to the house and I filmed us acting out the scenes. At that point, all of the dialogue was improvised. I gave very general character notes and people just ran with it. I used the tapes to write the script. I expanded the characters and streamlined the dialogue. I found some things that worked and some that didn’t. We all met about six months later to shoot the film. We had a full script at that time. I still encouraged improvisation and some of our best stuff is improvised. But I made sure we did scene as scripted at least once. That way, I knew I had the right material for editing.[1]

”

The film mixes fact and fiction: Gunn's and Fischer's characters are named James and Jenna Gunn, the film was shot in their actual home, and it incorporates footage from their real-life wedding and home movies.[1]

The film received mostly positive reviews. Variety described it as a "spot on satire" and "chuckle-packed and satisfyingly tasteless", and that the film "nails the condescending vapidity, manufactured drama and ludicrous self-importance of reality shows".[4] Adam Hackbarth, who interviewed Fischer, recommended the film as a "gritty and hilarious Trojan horse assault on the typical self-loving weekend philanthropist."[1] Upon the film's DVD release, the DVDTalk review said it is "one of the best films of the year - a riotous comedy about charity and the homeless. Really," in spite of being released by Troma Films, and credits director Fischer with infusing "the terribly tricky genre with just the right amount of raucous realism."[5] In Film Threat, the film is described as "so damned believable that it’s difficult, at times, to watch. Director Jenna Fischer has done a remarkable job here and if she continues on this esoteric and off-beat path she may find herself among the ranks of Christopher Guest and company."[6] Nathan Rabin of The A.V. Club found it "funny, smart and casually satirical," but noted, "even at sixty-five minutes it still feels a little padded, like a killer short film on steroids."[7]

For her feature directorial debut, Fischer won the 2005 Kodak Independent Soul Award at the 2005 Tromadance film festival,[9] hosted by the company that James Gunn previously worked for, where he created the cult classicTromeo and Juliet.