Tag Archives: blues harmonica riffs

When starting out with blues harmonica most people start with second position. This is a very forgiving position. It means that we can start playing without knowing many riffs. However having a few beginner blues harmonica riffs can go a long way in building a foundation. Repetition is so much easier if the riffs are first internalized. The best riffs to use sound bluesy and are easy to play. As bending skills take time to develop it is also good if the riffs are free of bends. Bending and advanced techniques can always be incorporated later. In this article I give you 6 different riffs to get you started. I have tried to use as many draw notes as possible as they are the foundation of solid second position blues.

Types of beginner blues harmonica riffs

It is a good idea to learn a few different types of riffs, 1-bar riffs, 2-bar riffs, maybe 4-bar riffs and at least one V-IV-I-turnaround riff (which will be a 4-bar riff). The reason it is a good idea to have riffs of different lengths is that it will make it easier for you to compose a 12-bar blues chorus on the spot. An important skill when playing solos. I find 2-bar riffs to be especially useful. To learn more about the tab format you can read this article.

All of the recordings below are in a shuffle groove. Also note that I have not notated any techniques. Some of the recordings do have tremolos for example but that si up to you to add.

1-bar riff

First we have a simple 1-bar riff with mostly quarter notes. It is in the mid range of the harmonica starting on 4 exhale goes up to 6 exhale and ends up on the 5 draw. 5 draw is the minor seventh of the I chord which is a blue note that creates a bit of tension.

A note on 2-bar riffs

You might have noticed that the 2-bar beginner blues harmonica riffs above all have a more actice first bar and a more stationary second bar. I would say that this is quite common but not a strict rule. There can be much more movement also in the second bar. Another thing you might notice is that the second bar is not filled, there is space at the end. This is very common and allows for a bit of space between riffs. If both bars were filled up it would be a problem playing a riff with a pick-up note right after a riff with no space at the end.

4-bar V-IV-I-turnaround riff

The V-chord in the 12 bar blues (bar 9) can cause less experienced players some problems. The reason is that the most of the chord tones of the V-chord are not in the blues scale and not as easily accesible on in the lower and middle octave. The notes played over the I and IV-chord may sound less cool over the V-chord. A good way of solving this for beginners is learning a solid V-IV-I-turnaround riff to play over bars 9-12. As you gain more experience you can improvise more here.

V-IV-I-turnaround riffs are in a class of their own. They generally to be kept for bars 9-12 but can also be reused often from songs to songs. At least when toy are starting out. When you become more skilled, bars 9-12 and especially bars 9-10 give you an opportunity to shine.

Applying beginner blues harmonica riffs

When you have a few beginner blues harmonica riffs in your arsenal you have a good foundation for playing. The next step is to try these riffs over different parts of the 12-bar blues to see where you think they work best. Also try to combine them together to create longer riffs. If you have some bending skills you can try incorporating a few draw 3 half step bends instead of hole 3 draw unbent and hole 2 draw whole step bend instead of hole 2 exhale. This can increase the blues horse power of your playing. Also try some ornamental bends and techniques like vibrato, shakes and tounge slaps to spice things up.

I hope you find these riffs helpful and I am very interested to hear your thoughts. Comment below and don’t forget to like and share if you enjoyed the read! Sign up to my newsletter below.

Subscribe to get deals on Skillshare and Udemy and the “Positions and Blues Scale” PDF