By the time the Rolling Stones began calling themselves the World’s Greatest Rock & Roll Band in the late ’60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock.Read More

The Wonder Of You: Elvis Presley With The Royal Philharmonic Orchestra presents the iconic artist’s unmistakable voice and most dramatic original performances augmented with lush new orchestral accompaniment. Recorded at Abbey Road Studios in London with acclaimed producers Don Reedman and Nick Patrick, the album spans a variety of musical styles that Elvis embraced, from rock and gospel to country and ballads. Read More

RCA and the Elvis estate made no bones about their intention on replicating the blockbuster success of the Beatles’ The Beatles 1 with their own single-disc collection of number one hits — hence, the 2002 release of Elv1s: 30 #1 Hits. The idea of collecting all the number one hits is simple enough, but there are problems inherent with the concept, not the least of which is that RCA did this once before. Unlike the Beatles, who went through numerous changes in just seven years of recording, Elvis had nearly three times as many years’ worth of material and hits to choose from.Read More

The Complete Willie And The Poor Boys set comprising a digitally remastered version of the 1985 recorded by Bill Wyman together with Charlie Watts Geraint Watkins Mickey Gee &Andy Fairweather-Low for the Ronnie Lane Appeal for ARMS including the singles These Arms Of Mine Poor Boy Boogie & Baby Please Dont GoRead More

With their second album Rides Again, the James Gang came into their own. Under the direction of guitarist Joe Walsh, the group — now featuring bassist Dale Peters — began incorporating keyboards into their hard rock, which helped open up their musical horizons. For much of the first side of Rides Again, the group tear through a bunch of boogie numbers, most notably the heavy groove of “Funk #49.” On the second side, the James Gang departs from their trademark sound, adding keyboard flourishes and elements of country-rock to their hard rockRead More