Searle and Disney

No particular reason that I’m posting this photo other than I’ve never seen it before and figured it’d be fun to share with everybody. Walt, of course, is instantly recognizable, but the other guy is somebody who I often refer to as the greatest cartoonist of the 20th century, Ronald Searle. The pic is from July 1957. I’m not entirely sure but it appears that they’re on the Zorro set. Click on it for bigger version.

Weird…I’ve never seen an actual photo of Ronald Searle before. I always pictured him all bumpy and smeary and inky like his drawings.

He looks pretty normal though!

John A

So THIS is where they’ve been keeping Walt for all these years.

Tom Pope

That’s the kookiest durn picture of Walt I’ve ever seen.

Chuck R.

Ronald Searle looks less comfortable behind bars than Walt. Maybe that’s because of his years spent as a POW of the Japanese?
Interesting pic.

Jason

“Please, Mike, don’t let my company and theme parks get infested with those moth-eaten Muppets. Please don’t invite in the Japanese-born plague that is the Power Rangers. Please don’t buy crap and put my name on it. And please please please don’t build California Adventure!!!”

You know, when I wrote that stuff above, I meant it to be kind of funny…but somehow, after reading it…I think I’m gonna cry…

Alfons Moline

Speaking of Ronald Searle, now that we have recently lost Bill Melendez, does anybody remember the obscure 1975 Searle-designed feature DICK DEADEYE OR DUTY DONE, based on Gilbert and SullivanÂ´s pirate-themed operettas and made at MelendezÂ´studio in London? (well, not that obscure -at least it has been issued on Region 2 DVD in the U.K.)

OM

“…Honest! We were only joking about being Nazi sympathizers! C’mon, even FDR got the joke!”

zavkram

“…I really think Michael Eisner should be here instead of me!!!”

Robert Schaad

The Perpetua link is fantastic. As was the recent exhibit of Searle’s work at the Forbes Building in nyc.

One more for the captioneers:
Pleez…let us out and we’ll collaborate!”

AdrianC

I wonder what the story is behind this meeting of the minds.

Did these two ever collaborate on anything?

ed

AdrianC: Searle was visiting Disney whilst working with Bill Melendez on a film called ‘Energetically Yours’ – created in Searle’s unique style. Apparently Searle ‘didn’t get on too well with Disney’ himself,
(maybe this is why he doesn’t look too happy?!) but got on well with the animators, especially Ward Kimball with whom he kept in touch with. Searle later returned to Disney and helped influence the look and art direction for 101 Dalmatians.

Matt: It’s a publicity pic. I’d scanned it in last year and forgot I had it.

Ed: What is your source that Searle returned to Disney to work on 101 Dalmatians? As far as I’m aware, he didn’t work on that film in any capacity, not even on a consulting basis. The look of the film is strongly influenced by his work, but that was the doing of the likes of Ken Anderson and Tom Oreb who admired Searle’s work.

ed

Hey Amid
Sorry I wasn’t 100% clear – he didn’t specifically work on 101 Dalmatians but, according to the Russel Davies biography published by Chris Beetles;

“…most of effort went into persuading California-trained animators to step out of their tradition a little and adopt a looser, Searle-ish line. The resulting film, a history of energy called ‘Energetically Yours’, eventually won eleven assorted awards. Some of the wisdom Ronald aquired in negotiating a compromise Anglo-American ‘feel’ in the animation was later passed on by him, privately, to the Disney team who achieved their own version of the same effect in 101 Dalmatians.’

So whilst it isn’t listed anywhere, according to the offically endorsed biography of Ronald Searle, he did at some stage meet with the Disney artists – as you point out probably Anderson and Oreb – whilst 101 was in pre/production.