#7–Charukesi-The Raga Close to the Heart

Charukesi , the 26th melakartha raga which belongs to Bana Chakra(the 5th Chakra) is an exotic and intriguing raga that invokes a meditative mood. This raga clearly brings out the flavours of Sringara (Romance), Soka (Sorrow), Saantha (Tranquil, Peace) and Bhakthi Rasa (devotion)with equal felicity.It can also be said that the raga essentially conveys the feeling of “nenjai urukkum “ quality. Charukesi rejuvenates the mind helping one to age gracefully. It enlivens the singer and listener. This raga is suitable for singing at all times.

In Mind, Body and Soul Chakra– Chakra 5 is the spirit Chakra: This chakra is located between the Solar Plexus and the Heart and is the energy center that contacts, and gets guidance from heavenly bodies. Charukesi give relief from heart ailments. Hence it is said that Charukesi is a raga close to the heart.

It is also known as “Tarangini” in the “Dikshitar Asampoorna Mela System. Charukesi is usually referred to as combination of Sankarabharanam and Thodi. The first half (purvanga) has the swaras of Sankarabharanam and the second half (uttaranga) has the swaras of Thodi. But the transition of first half to the second is very graceful and not mechanical.

The major notes of the scale in this raga gives it a personality of strength only to be followed with the minor notes D1 and N2 which gives a touch of softness and kindness that show limitless delicate potential.

Although the Raaga has been handled by almost all the famous Carnatic music composers, Adamodi Galade by Saint Thyagaraja and Kripaya paalaya sowray by Maharaja Swathi Thirunaal are popular. Charukesi is a Raaga whose intricate structure is more visible and understood in the Anupallavi part of a Krithi (the higher octave of the Raaga exposition) giving a feel of a Himalayan glacier. Krithis of Thyagaraja are not manthra-s recited in temples. They are excellent musical tabloids which never age, on the contrary they mature with age. The more one sings them , one discovers everytime a new luminescence, a new shallow, a fresh freedom. What exactly has made these compositions unique? Is it the Sahitya(lyric), the satvik music ( pious melody), the message or the grammer? Whatever be the factor, the entire composition will ultimately lead the singer/listener to extreme divinity.“Hey Surano Chandrabha” is a famous Abhang in this Raag which is ery soulful.

Lalgudi Jayram’s most famous Pada Varnam composition Varnam in this raag “Innam Manam Ariyadhe means “Oh Lord Dont you know my mind yet” in this particular raga is anexamplory blend of raga, bhava, rhythm and lyrical beauty.The unique feature about Lalgudi is that his music is very expressive. This is one of my favourites simply because it lends itself to be danced to in the classical style . ML Vasantha Kumari singing Ada Modi Galathe is an all time enchanting classic.

No one can deny the fact that Chaarukesi was more popularized by M.K.Thyagaraja Bhaagawadhar, with his evergreen melody hit Manmadha leelaiyai venraar vundo in the film Haridas The success of the song, `Manmatha leelayai’ sung by MKT confirms Charukesi’s poetic and phonetic vitality. `Aadal Kaaneero’ in “Madurai Veeran,” `Vasanthamullai pole,’ `Adal Kalaye Devan Thandadu’ in the film Sri Ragavendra, `Unakkum Enakkum Isaindha Porutham’ (of Ramalinga Adigal) are some of the hit songs in Charukesi. But…the modern cine lovers will understand and cherish Chaarukesi only with Kaadhalin deepam onru in Thanbikki endha ooru, a Rajinikaanth super hit movie.

Charukesi is definitely A.R.R’s favourite raga. Among recent songs,’Udhaya udhaya’ song from tamil movie “Udhaya”, a mesmerizing song based on Charukesi raaga. One of the best composition of A.R.Rahman which definitely is everyone’s favourite. Another A.R.Rahman composition ‘edho edho ondru’ from the tamil movie “enakku 20 unakku 18”. This song is a nice melody and has a nice flavour of charukesi raagam.

It is interesting to note that most of the Krithis and film songs mentioned here have substantial period of sustenance in the higher octave. For example, Manmadha leelaiyai begins in a higher octave note and swirls around higher notes; Nadanthaai Vaazhi Kaaveri also has its beginning in a higher octave note and Kaadhala Kaadhala goes as high as the panchamam. As usual Charukeshi has been used by Bollywood in recent movies such as Swades.

I conclude this review by saying that Chaarukesi is a very soulful raga having a universal appeal with her charming beauty. She induces a soft mood but kindles deep rooted subtle emotions. Charukesi is capable of holding the listener in an enthralling appeal with it’s simple arrangement of swaras and great emotional impact . Charukesi is known to incite feelings of pathos and devotion in the listener.

8 thoughts on “#7–Charukesi-The Raga Close to the Heart”

I don’t know why this concept of understanding a raga with a combination of two ragas came into existence. It may be important and a guideline for somebody who is a beginner, but i would like to mention scale is not raga. Scale is used to only identify a raga.

For eg, the guy wearing red shirt is Rama, but red shirt is not Rama. Shirt is only used for identity and does not speak about the person. Similarly scale is like a shirt used to identify a raga but the characteristic of the raga is much much beyond the scale.

Hence understanding Charukeshi as Shankarabharanam and Thodi, Bhavapriya as thodi with M2 would not be ideal.

Charukesi is epitome of Raagas… Few more additions
1. Oliyaga vandhaai (ambikapathi aka raanjanaa) that fricking transition from aahirbairavi to charukesi (rasoollaah) is a killer
2. I movie BGM in china, amazing transitions to charukesi
3. Indian Movie … maaya machindra BGM1
4. Roja Roja song from Kadalar dinam…
oh yes, rahman’s affair with charukesi is public now.. I love the way he handles this raaga…

But the most surprising song came from our ripper Harris Jeyraj

Nenjil Nenjil idho idho is the best Charukesi composition without much of pollutant raaga or notes… loved the BGM 1

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