Victoria Camblin

Acquisitions of net art by the Tate Modern, the Guggenheim, and other institutions have given institutional validation to the genre, but complicated curatorial debates rage over what exactly it includes: Can it be shown on a computer in a gallery? Can it only be viewed online? Can art not based on code count as net art?

At (It’s Not) Net Art 2: Emancipate the Medium!, one panel at Art Dubai's Global Art Forum, heated debates began over nearly every aspect of the medium, from its formal qualities to its politicization and the notion that it is inherently radical. This argumentativeness is perhaps unsurprising given that the medium lacks a strict definition.