Three SmallHD Production Monitors have been announced. They may be a little larger than the company’s standard offerings, but they look very promising indeed! Let’s take a quick peek at what these models will bring to the world of field monitoring.
HDR ready
The size of the new SmallHD Production Monitors isn’t the only pleasant surprise the company has brought with their new announcement. Their 10-bit, 1000+ NIT displays are bringing HDR previews to the field. In a world where standard displays are truncating log and the like, SmallHD’s three new models are looking for a revolution.
The two smaller models offer 1,000 NIT (cd/m2) output, giving them SmallHD’s HDR Preview capability. Their big brother, however, has really pushed the boat out. The 32″ Small HD Production Monitor comes with a 1,500 NIT output allowing for True HDR Rendering !
Forget about truncation. Wave goodbye to messing around with gamma curves and LUTs. See the world as your picture profile intended with SmallHD Production Monitors!
SmallHD Production Monitors can also be color-calibrated with a calibration probe that is sold separately.
Ain’t no sunshine!
Of course, super-bright displays are also useful for other things. If the sun is the bane of your life, SmallHD Production Monitors may be just what you’re looking for. In the words of SmallHD themselves:
Give ambient light a dropkick to the face with up to 1500 NITs brightness.
Thanks, SmallHD! I will.
Wireless monitoring
Keeping up with the Kardashians is hard. Fortunately, SmallHD Production Monitors haven’t had to try. Instead, they’re keeping up with the ever-growing trend of wireless monitoring. This is thanks to their new RapidRail shoe-mount. To the rear of each model, you’ll find slots for standard shoe-mount accessories.
With these monitors, we can well and truly leave the screwing around to Kim and Co.
Of course, our accessories will need power. Instead of marrying Kanye West, SmallHD have opted for 3 USB ports and a 12V LEMO output. I have to say I am glad of this. I didn’t want to sign up for Tidal anyway. Powering the monitors themselves is done via AC or DC. You can also opt for a Gold-mount battery plate, which is sold separately.
Page Builder OS
Carrying on from the success of the 500 & 700 series, the new SmallHD Production Monitors come loaded with Page Builder OS; it allows simple navigation of monitors’ functionality with a joystick. Meanwhile, front-panel buttons are in place for quick access to commonly used monitoring functions.
Tough as old boots
The impressive tech offered by the SmallHD Production Monitors is all housed in an all aluminum housing. That’s lucky because the last thing you want if for the gear you’ve bought to future-proof your work to last less than a year.
When all is said and done, there doesn’t seem to be much that SmallHD haven’t thought about when it comes to designing these production monitors. That’s no surprise, given their pedigree for creating awesome monitoring devices. I am definitely excited to get my hands on one of these bad boys – are you? Let me know in the comments!
SmallHD 1703 HDR 17″ Specs
17″, 1920×1080 Display
HDR Preview
SDI and HDMI Video I/O
Bright 1000 cd/m² Panel
Colorflow 3D LUT Processing
10-Bit Color Intelligence Engine
Page Builder OS
RapidRail Shoe-Mount System
Aluminum Construction
1 x IEC AC input, 1 x 4-pin XLR
1 x 12 VDC LEMO, 3 x USB (0.5 A max output)
SmallHD 2403 HDR 24″ Specs
24″, 1920 x 1080 Display
HDR Preview
SDI and HDMI Video I/O
Bright 1000 cd/m² Panel
Colorflow 3D LUT Processing
10-Bit Color Intelligence Engine
Page Builder OS
RapidRail Shoe-Mount System
Aluminum Construction
1 x IEC AC input, 1 x 4-pin XLR
1 x 12 VDC LEMO, 3 x USB (0.5 A max output)
SmallHD 3203 HDR 32″ Specs
32″, 1920 x 1080 Display
True HDR Rendering
SDI and HDMI Video I/O
Bright 1500 cd/m² Panel
Colorflow 3D LUT Processing
10-Bit Color Intelligence Engine
Page Builder OS
RapidRail Shoe-Mount System
Aluminum Construction
1 x IEC AC input, 1 x 4-pin XLR
1 x 12 VDC LEMO, 3 x USB (0.5 A max output)
More info on smallhd.com

Avid Media Composer 8.5 was released not too long back and brought with it quite a few nice features, including HDR support, an overhauled menu, improved drag and drop within the timeline and more. This update seems aimed at improving workflow while simplifying the interface—both welcome additions by any Avid editor’s standards.
Media Composer 8.5 Installation Issues
Before I begin looking at the features that 8.5 has delivered, it’s probably worth noting that a few people have had difficulty with downloading the update through the Application Manager. If you’re one of those people, make sure you’re using the most recent version of Avid App Manager—if your manager is up to date and it still doesn’t work, a reinstall may be the solution (or you can go old school and install 8.5 manually).
With that out of the way, it’s time for a quick look at what Media Composer 8.5 brings to the table.
High Dynamic Range (HDR) Support
Avid have jumped on the HDR wagon. That’s right. Media Composer users now have color spaces for HDR available for Dolby Vision, Sony S-Log3, BBC/NHK, and ACES profiles! This provides support for higher ranges of video signal, enabling automatic transformations dependent on the selected color track for a given project.
Avid is recommending that HD projects use the 10 bit DNxHD444 and HQX while anything higher than HD should use the 12 bit DNxHR444 and DNxHQX.
High Dynamic Range (HDR) Support—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/N4faeCRAQP
— Avid Media Composer (@MediaComposer) January 29, 2016
High-Visibility Timeline Editing
The timeline has been fired into the modern era, with clips remaining visible until they are dragged—at which point, they turn transparent so that you’ll be able to keep tabs on the overall layout of your timeline. Furthermore, if you have waveforms turned on, they’ll remain visible to ensure that clips can be lined up easier.
If, for some reason, you prefer the old wireframe style then don’t despair—that can be turned back on from within Timeline Settings.
High-Visibility Timeline Editing—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/MSafd0pryj
— Avid Media Composer (@MediaComposer) January 29, 2016
Another workflow improvement is the ability to add tracks to the timeline by dragging a clip vertically. It does seem that there is a limit of adding one track at a time using this method. An audio track to match will be automatically created during this process.
Adding Tracks in the Timeline—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/fRXMK3ZhKv
— Avid Media Composer (@MediaComposer) January 29, 2016
64 Audio Tracks
Gone are the days of 24 tracks of audio. Instead, Media Composer 8.5 offers 64 mono tracks—or voices. Of course, not all audio is equal and neither is the number of voices used per track per format.
Mono – 1 voice
Stereo – 2 voices
1 – 6 voices
1 – 8 voices
Waveform Analysis
Avid are a bit late to the party with this one, but still, it is nice to see that waveform analysis has been added to Media Composer 8.5. A quick look at social media shows that people are having mixed results with Avid’s answer to Waveform Syncing—for now, though, Media Composer users should be happy that it has finally been included; it’s a start and any shortcomings shouldn’t take too long to iron out.
Sync Lock Trimming
Media Composer 8.5 allows Sync Rollers to be enabled for Sync-Locked tracks. While this feature is set to be abundantly useful, it is going to take a while to get used to two new rollers, gray and dim yellow, have been added to the mix.
Trimming with Sync Locks On—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/PwVHeGCUEM
— Avid Media Composer (@MediaComposer) January 29, 2016
There’s also the new ‘end of trim’ indicators, which look great for helping to understand the effects that various trims will have on the timeline.
Changes in Trimming Clips—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/C8mDetlBFu
— Avid Media Composer (@MediaComposer) January 29, 2016
FrameFlex Rotation
Images can be rotated or straightened at source level using a Z Rotation slider found in FrameFlex. Once any changes that you make to the source image in this way have been added to the timeline, you’ll also have the ability to animate them using the Effect Editor. Finally, these settings will be saved and available for reuse in the clip metadata.
FrameFlex Rotation—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/ohNpLRJW59
— Avid Media Composer (@MediaComposer) January 29, 2016
Custom Columns for Bins
A major improvement for organizing projects, adding custom columns to a bin in Media Composer just got a whole lot easier with the release of 8.5. Simply hit ‘Add Custom Colum’, name your new addition, and then do as you please! In the event that you choose more than one column to add to the bin, they’ll appear to the right of your selected column—and if you’ve not selected one, they’ll be sent straight to the far right.
Adding Custom Columns to a Bin—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/OBuSwrgWCI
— Avid Media Composer (@MediaComposer) January 29, 2016
Menu Simplification
Much like the timeline changes, the new-look menu seems to be aimed at helping new Avid editors out a bit. Items have been shuffled around into more logical positions, including the Timeline, Composer, and Fast menus. For more information on the exact changes made, and the new locations of those menu items, check out the What’s New Guide (PDF).
Menu Simplification—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/77a5cr5IKx
— Avid Media Composer (@MediaComposer) January 29, 2016
Media Composer 8.5 also brings an update to the Effect Palette interface, making it easier to filter effects and find the items that you’re looking for. Thanks to new categories (including one for transitions!) and a search box, the process of navigation the once almost unnavigable just got a little bit better!
Effect Palette Update—Now available in Media Composer 8.5 https://t.co/eyriZZDXvw#avid#mediacomposerpic.twitter.com/euDomqoZqa
— Avid Media Composer (@MediaComposer) January 29, 2016
Video Memory and Video Frame Cache
Media Composer 8.5 brings with it better response times, via caching any played frames (and their effects) in RAM. This allows frames to be replayed from the cache, rather than regenerated, reducing the resources required for the next run through. Furthermore, users can now increase the video memory allocated to Media Composer which should aid in reducing underrun errors.
Video Memory and Video Frame Cache—Now available in Media Composer 8.5 https://t.co/eyriZZmm6W#avid#mediacomposerpic.twitter.com/cJOpih50eq
— Avid Media Composer (@MediaComposer) January 29, 2016
Audio Mixer Update
After years of users wondering why the Audio Mixer has been so unintuitive, Avid seem to have made a few steps towards improving it. An expand/collapse style has been added to the interface for controlling the track selector, which still leaves one question: why can’t the mixer just be resizable?
Audio Mixer Tool Changes—Now available in Media Composer 8.5 https://t.co/v7BwM2iugp#avid#mediacomposerpic.twitter.com/tJkXVS7qhf
— Avid Media Composer (@MediaComposer) January 29, 2016
OS Support: Windows 10 and OS X 10.11
Media Composer 8.5 brings official support for Windows 10 and OS X 10.11 (El Capitan) operating systems
Media Composer 8.5’s Other Features
Of course, there’s more to the update than just those listed. These include:
Identifying rendered effects
Opening a Settings Dialog in the Project Window
Preset Project Format Management
UI Customization, such as background color and Bin and Project font and font size
Grouping clips by Waveform Analysis
Timecode Burn-In update
Applying the same text to a column for multiple items
Linking and importing Broadcast Wave files
Audio track Ordering Layout name change
Avid Media Composer 8.5 has been out for a little over a month now and the features and updates included have tackled some issues that were a little overdue and helped Avid users improve their workflow. By Avid’s standards, 8.5 has been a fairly huge update and I’m personally looking forward to future updates to some of the new additions to the package.
Keep your eyes peeled for some more in-depth, hands-on articles that’ll be coming after the Cinema5D team have had a chance to fully immerse themselves in Media Composer 8.5—for now, though, how has your experience of the update been? Let us know in the comments!