Friday, July 24, 2009

In Chicago in the fall of 1920, Bessie Coleman was 28 and working as a manicurist when her brother John, an ex-serviceman, entered the barber shop where she worked and declared that the women in France were better than the women in black Chicago since they "could even fly airplanes." Incensed, Bessie vowed to prove him wrong and set about learning to fly.

Finding a flight instructor was hard enough for a white woman in those days; it was impossible for a black woman. But Bessie had made up her mind. Raised on the stories of Harriet Tubman and Booker T. Washington, she was determined to "amount to something." She found a benefactor in Robert Abbott, editor and publisher of the Defender, who advised her to study French and paid for her to attend flight school in France, where she was less likely to encounter overt racism.

She gained her pilot's license at 29, and went on to train with Anthony Fokker (designer of Fokker Friendship planes) and to develop her skills as a daredevil aerobatics stuntwoman with the help of a German World War I flying ace. Upon her return in 1922, she gave an exhibition flight attended by several thousand spectators, and received critical acclaim in both the black and white press. More exhibitions followed in Memphis and Chicago. Her flying skills, good looks, race and gender all contributed to her growing fame, not to mention her self-designed costume : a military jacket, riding breeches, a long leather coat and a leather helmet with goggles pushed up so the audience could see her face as she climbed into the cockpit.

Poised, self-assured and market-savvy, she soon made a name for herself from Maine to Georgia and Texas, where she insisted on a non-segregated main gate for all ticket holders. She dreamed of opening a flight school for African-Americans, and spoke about it every chance that she could, in churches, theaters and schools.

On April 30th, 1926, the day before an exhibition in Jacksonville, Florida, she and a mechanic-pilot flew over the field where she was to make a parachute jump. Too short to see over the cockpit's edge, she wore no safety belt, and, as she leaned over to survey the field below, the plane suddenly accelerated and flipped over. She fell 1,500 feet to her death. The plane crashed nearby, killing the pilot.

However, her story survived and inspired millions, including Lt. William J. Powell, who founded the Bessie Coleman flying clubs, and the Tuskegee US Army fighter pilots of World War II. Every year on Memorial Day, the Tuskegee Airmen fly over Bessie Coleman's grave and drop flowers in her honor.

Subscribe via email

Subscribe via RSS Reader

What is a Late Bloomer?

Originally a horticultural term applied to plants that bloom late in their life, "Late Bloomer" is also used to refer to people who find their niche late in life, and so "bloom" later than their peers.

With advances in medicine and improved diets, we are living longer, and many people are forging new paths in areas of deep interest to them. However, doubts can discourage even the strongest of us, so finding role models becomes critical for success.

While examples of late bloomers in history can be difficult to find, the task proves almost impossible for women, whose history has only recently been deemed worthy of recording.

Consequently, for women, there is more than one definition for late bloomer:

- others who have persevered and triumphed in male-dominated fields despite years of open hostility;

- and a third group who opted to change course midstream, and follow their passion, despite resistance and discouragement from loved ones and society. It is this last group that interests me most.

Research:Historians have categorized women in many ways, but not (so far) in terms of the age at which they achieved success. In addition, there was very little information on women who were not white and middle- to upper-class.

In the end, I scanned the biographies of over sixty women, looking for birth dates and comparing them to career milestones. I also had access to the phenomenal minds of the women who work in the Sophia Smith Collection at Smith College and the Smith College Archives. With their help and resources, I found the talented twelve showcased here.

About This Project

This project is dedicated to Margaret Storrs Grierson (1900 - 1997), a late bloomer herself, who taught philosophy at Smith College until, at age 40, she took over the job of College Archivist.In 1942, she was appointed executive secretary of the Friends of the Smith College Library, as well as Director of the Sophia Smith Collection. Juggling these three roles, and with no formal training, she undertook the daunting task of gathering and cataloging women's papers, long before women's history was considered worth studying. The Sophia Smith Collection is now internationally recognized as one of the finest and largest of its kind. Thanks to her tireless efforts, we have access to an astonishing range of women's papers and materials from around the world.

This research was undertaken in 2000 while an undergraduate student at Smith College. The author, Belinda Darcey, may be reached at Dolce Design.