Tag: Eyeball Media Enterprises

I was lucky enough to attend a preview screening of Alita: Battle Angel the other night to review it for Scenestr magazine with a cinema full of people. With the film’s release having been pushed back, middling reviews and a expensive budget has the narrative of being dead on arrival. Yet there is lot to recommend about it even if there are some criticisms I have, I hope it finds an audience. You can read my review here http://scenestr.com.au/movies-and-tv/alita-battle-angel-review-20190212

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

Another milestone was reached recently in my writing career when I got to interview an individual for the second time in promotion of their latest show. Having the opportunity to speak to such a talented comedian like Heath Franklin was a thrill the first time around and I feel very fortunate to have been able to do a second round of questions. Franklin came to national fame on the sketch TV show The Ronnie Johns Half Hour and his Chopper Read bits quickly became a mainstay. The tour of the latest Chopper stand-up show continues but he is getting to do more dramatic work.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month. This interview was published in print on page 37 of the first QLD issue for 2019. You can read a digital version of the printed Western Australia edition here http://scenestr.com.au/read/QLD/2019/1113-QLD/scenestr-QLD-1113.html#p=35

I was very fortunate to get to write the cover story for the Christmas-New Year Western Australian print issue of Scenestr, my sixth cover story for the magazine in the past 12 months. I got to interview Scott Maidment who directs Blanc de Blanc which is showing at Fringe World in Perth this month continuing a two year tour throughout the world to sell out crowds. Maidment has a passion for what he does, originally a performer who founded Strut & Fret Production House which now produces shows that combine cabaret and circus in these fantastic productions. I discussed with him what he sees as his responsibility as the director and getting to work with Madonna amongst other things. It was an absolute pleasure and you can read the interview here http://scenestr.com.au/arts/blanc-de-blanc-sets-its-sights-on-perth-for-fringe-world-20181220

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month. The cover story on Blanc de Blanc features on pages 10 and 11 of the WA print issue. You can read a digital version of the printed Western Australia edition here http://scenestr.com.au/read/WA/2018/22-WA/scenestr-WA-22.html#p=10

It is the third Cover Story this year I have done for the WA mag. My first cover story for Scenestr was a year ago and also for the last WA mag for 2017 being issue #9 where I interviewed Jascha Boyce from the circus group Gravity and Other Myths. I followed it with 3 cover stories for WA in 2018, issue #11 interviewing SNL star and stand-up comedian Michael Che, #15 covering Chuck Norris coming to Supernova and now issue #22 about Blanc de Blanc.

To have done one cover story means a lot to me and to have interviewed such fascinating people remains one of the scariest and most fulfilling things I have dared to do these past two years. Whatever 2019 brings, I will always be grateful for this. If you’re in Perth I would strongly urge you to check out Blanc de Blanc, clearly a show not to be missed made by very hard working and talented people.

Produced by Eyeball Media Enterprises, Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for WA, SA, NSW, Vic and QLD every month. This interview was published in print in the Christmas-New Year issue for New South Wales on page 28 which is always a thrill for a GenX guy like myself. A digital copy of that issue can be viewed here http://scenestr.com.au/read/NSW/2018/32-NSW/scenestr-NSW-32.html#p=29 If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

Five years on from my very first post and how time flies. I’m very grateful for my blogging community which has grown my confidence and given me an outlet I desperately needed in my life. As is customary I am doing a quick recap at the end of the year. In 2018 a lot of old posts proved more popular than my new posts. The new posts for the most part act as links to where I am published elsewhere occasionally offering some behind the scenes info in a more informal manner. I will only be listing posts published this year.

America is still No.1 in terms of readership, Australia has retaken No.2 from the UK and Canada remains in fourth place as always. Cracking the Top 5 this year is India with newcomer Hong Kong making a strong showing in the latter half of 2018 and reaching No. 6. Germany which had a grip on N.5 for most of the year slips to No. 7 and Japan, New Zealand and Malaysia leave the Top 10. In No. 8 France returns to the Top 10, the Philippines makes if for the first time in No. 9 and holding on to a Top 10 position is Indonesia as the country with the tenth most views. Overall there were less views from the U.K. and Canada but more views from the rest of the Top 10 countries with all 10 cracking triple digits in number of views. Which I guess makes for a more diverse readership.

Top 10 Most Views by Country

The United States of America 9,519 Views

Australia 1,898 Views

The United Kingdom 1,714 Views

Canada 685 Views

India 361 Views

Hong Kong SAR China 200 Views

Germany 188 Views

France 113 Views

Philippines 108 Views

Indonesia 106 Views

Out of the 108 posts published for the year the following 25 got the most views. In 2015 the blog started to grow with 1,609 views, 333 visitors, 23 Likes and 30 comments. In 2016 the blog received 5,673 views, 3,206 visitors, 546 Likes and 751 comments. In 2017 this grew to 16,767 views (more than a third of which were for The Founder Review), 11,891 visitors, 1,240 Likes and 1,707 comments. In 2018 much to my surprise we stayed steady at 16,706 views and 12,185 visitors with the site receiving 1,091 likes and 1,046 comments. There has been a slight downtick in liking and commenting of posts which makes sense since my focus is less intense on growing my blogging community and some fellow bloggers have given the game away. One thing about the results strongly supports an idea I have of where to put my energies next. Overall I just want to say again how much it means to me to have my core group and how much I appreciate anybody who reads and enjoys the blog.

It has been very nice to see some of the posts that were enjoyed the most were ones that were very personal including about travelling to attend my sister’s wedding overseas and recollections of the Brisbane International Film Festival. I’m also glad that everybody seems to enjoy my list for the best films of the year and look forward to doing another one for 2018 around Oscar time. Also blogging about my first cover story for Scenestr has proven the most popular post on my blog for 2018 which is very gratifying. It was a lot of fun and a real privilege to do the interview with Jascha Boyce.

Well that’s it for another year so thank you so much to everybody who reads my humble blog and I would like to take this moment to thank my fellow bloggers for their continued support Pete, Cindy, GP, Don, Vinnie, Jay, Sean, Paul, Allen, John K, Michael, Jet, Eddie, Alex, Paol, Jordon, John R, SJS, DB, Emma, Jersey Dreaming, Robin, Eric and anybody else who takes the time to read these posts. It would be helluva lot less fun without you all.

-Lloyd Marken

Rosie and I on Opening Night of BIFF 2018 on assignment for Scenestr magazine. Copyright of BIFF from their 2018 Facebook site.

I am a big fan of director/writer Adam McKay so I was very happy to get to review his latest Vice for Scenestr magazine. I attended a preview screening with Karen at New Farm cinemas with the customary meal afterwards at the nearby Pig’n’Whistle pub. Such evenings have occurred enough that they’re becoming a habit, a fact I hope continues am very grateful for. I also ran into someone who I knew years ago as a teenager at an after school drama group. He’s since become a reality TV star and is heavily involved in media and attending all kinds of social engagements around town. He’s doing well and it was nice to get to talk to him.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

Friday night and I saw my two final shows at Wonderland for 2018 on assignment with Scenestr, one I was eagerly anticipating Two Man Tarantino and the other Claire Healy: (Get A) Real Job interested me with its subject matter.

The week was one of those weeks that you dream about as a freelance writer, Wednesday night I was on assignment for a preview screening of a movie with one publication and then I was due to see three shows at Wonderland on Thursday and Friday night. They were good shows, all with something to offer it is true but there are criticisms I have. One thing that struck me about both shows that concluded my attendance at the festival this year was how they got better as they went along and finished strongly. I walked out of Claire Healy’s one-woman show late Friday night and felt a little bit better about the movie I’d seen Wednesday, a little bit better about the shows I’d seen at Wonderland that week and a little bit better about life in general. Not bad.

The five shows I saw at Wonderland 2017 I enjoyed more but I felt with a lot of the shows this year I was seeing artists earlier in their careers taking it to the next level, doing more with less, refining their art and figuring out what they want to achieve. I can’t wait to see what they do next.

At Wonderland 2017 I felt like seeing Nath Valvo gave me an insight into what Melbourne already knew, that here was a comedian about to go national. Love/Hate Actually in 2018 returned triumphantly to Wonderland following a tour that took in amongst other places Ipswich, the Gold Coast, Perth, Melbourne and Fiji. Michelle Zahner has taken A Modern Guide to Heroism and Sidekickery to the Edinburgh Fringe Festival. Who knows where we will see Claire Healy, Anisa Nandaula, Adam Koudi, Kayne Falkiner, Vashti Hughes, Matt Abell-King, Emily Kristopher, Stephen Hirst and Sam Bowden next.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

Copyright Lloyd Marken

Copyright Lloyd Marken

Karen and I at the end of Adventures in Wonderland for another year. Copyright Lloyd Marken.

Outside dining area where you can often catch cast and crew after a show. Copyright Lloyd Marken.