Here's something a little different this week! I recently guested for the second time on The Great Albums podcast -- a fantastic show hosted by Bill Lambusta and Brian Erickson -- that dissects classic records track-by-track, defining what makes them so special. I was ecstatic that they invited me back to talk about 1998's "Yield," recently reissued on vinyl and the fifth album from one of my favorite bands: Pearl Jam. So instead of me hosting this week and asking the questions, I thought you'd enjoy hearing the entire Great Albums "Yield" episode, as a gesture of solidarity and cross-promotion in music podcasting, and giving Bill and Brian exposure to the Vinyl Emergency audience, just as they've been kind enough to do for us. In this spirited round-table discussion, we get into deep Pearl Jam lore, nerd out on the various amps and guitars used on the album, PJ's relationship with vinyl and so much more! Be sure to subscribe to The Great Albums however you listen to podcasts, visit them at TheGreatAlbums.com and follow them on Twitter and Facebook @thegreatalbums.

It's time for another Collector's Club episode, where we discuss the shopping habits, preferred record stores and unique experiences of your everyday vinyl collector! This time, it's Las Vegas native and current Brooklyn resident Trevor Ingerson from the Record Nerdz Podcast, which you should be subscribing to if you don't already. Today, Trevor talks about how hometown sports began his quest for vinyl, memories of the Las Vegas punk scene, recent digging experiences in Liverpool, that weird time Bob Dylan was on Pawn Stars, Trevor's career in literature and whether there's a link between music streaming and digital books, plus some thoughts on Hum, Mark Kozelek and The Promise Ring! Follow Trevor and the Record Nerdz crew on Twitter and Instagram @tingerson and @recordnerdz respectively, and find the Record Nerdz podcast on Soundcloud, iTunes or however you listen to podcasts.

Benmont Tench, founding member of Tom Petty & The Heartbreakers, has played on nearly every Petty album over the years -- even the ones not credited to the Heartbreakers, such as Full Moon Fever and Wildflowers. His trademark keys are all over classic songs like "Refugee," "The Waiting," "Don't Do Me Like That" and so many more, which you can hear on the recently-reissued Greatest Hits 2LP set, now back on vinyl for the first time in over 20 years, with an alternate cover to boot! Tench is also a member of Mudcrutch with Petty and Heartbreakers guitarist Mike Campbell (a group that pre-dates the Heartbreakers, who released and toured on their second album earlier this year) and has performed/recorded with a staggering list of music's elite, including Bob Dylan, Johnny Cash, Aretha Franklin, Emmylou Harris, Ryan Adams and Fiona Apple. Today, Benmont gives us one of the most passionate arguments for vinyl that we've been lucky enough to share on the podcast. There's plenty of Petty talk here, but Ben's strident defense of musicians getting their due, his concern about America's current "war on beauty," and his humility in having worked with some of the best songwriters in the business make this a must-hear episode. Ben's music can be found at benmonttench.com or tompetty.com. Follow Ben on Twitter @benchten and Instagram @benmonttench.

Growing up in rural Pennsylvania, rock cellist Gordon Withers became fixated with the Washington, DC music scene early on, making pilgrimages to cities with killer record stores just to pick up new releases from influential bands like Jawbox. Fast forward to 2016, where Withers is now bandmates with Jawbox frontman J. Robbins in Office Of Future Plans -- not to mention a collaborator with BELLS≥, We All Inherit The Moon and The Pauses, among others. He's also known for releasing solo cover albums where the likes of Jawbox, The Joy Formidable and even Pink Floyd's iconic "The Dark Side of the Moon" are done entirely by cello, adding depth and new dynamics to the work he so greatly admires. Today, Gordon chats about being one of the first clients Gotta Groove Records ever had, some advice for those wanting to do Kickstarter campaigns for vinyl pressings, making his own Radio Shack catalogs as a kid, the influence of King Missile, an upcoming Jawbreaker project he's a part of, adventures in licensing when releasing an album worth of covers both digitally and physically, and much more. Visit gordonwithers.bandcamp.com to hear/purchase his solo work and officeoffutureplans.bandcamp.com to get acquainted with Office Of Future Plans!