True Televisions have the CRT Tube !!
Welcome to the Obsolete Technology Tellye Web Museum. Here you will see a TV Museum showing many Old Tube Television sets
all with the CRT Tube, B/W ,color, Digital, and 100HZ Scan rate, Tubes technology. This is the opportunity on the WEB to see, one more time, what real technology WAS ! In the mean time watch some crappy lcd picture around shop centers (but don't buy them, or money lost, they're already broken when new) !!!

Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical technology relics that the Frank Sharp Private museum has accumulated over the years .

Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.

Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:

- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........

Wednesday, May 25, 2011

METZ 7345 MALLORCA COLOR QC YEAR 1983.

Today 2 tellyes from German METZ almost identical from exterior and features but............
see the differences starting from Model Code ! ! !

They have 26 inches color screen, stereo sound, Programmable timer, realtime clock with backup battery (see photo), teletext, ambilight sensor.
Tuning search is TRD type (Tuning Remote Digital) system synthesizer
tuning search system which allows perfect automatic search and
automatic AFT tuning of each channel for all bands and special
channels
VHF + UHF.
Channel selection is controlled by a
frequency synthesizer a sweep of available channels is made by a
channel selecting arrangement and this sweep is arranged to be
stopped when a signal is received. When the sweeping is stopped a
fine tuning arrangement takes control to respond to the frequency of
the received signal and to compensate for any drift of that signal,
a frequency synthesizer controlled channel selection means which
includes a fine tuning arrangement; means for initiating a sweep of
available channels by the channel selection means; means for
stopping the sweep on reception of a signal and means, operable on
cessation of sweeping and responsive to the frequency of the signal,
and arranged to control the fine tuning arrangement to compensate for
frequency drift of the signal.

The METZ 7345 MALLORCA COLOR QC is a 26 inches (66cm) color television This set gives the most bright and high contrast picture that I've seen in many and many Years.The beam current is very high, colors are simply powerful and like star light force even after 28 Years.

It's using a PHILIPS 30AX CRT TUBE:The 30AX system, which Philips introduced in 1979, is an important
landmark in the development of colour picture systems. With previous
systems the assembly technician had to workthrough a large number of
complicated setting-up procedures whenever he fitted a television
picture tube with aset of coils for deflecting the electron beams. These
procedures were necessary to ensure that the beams for the three
colours would converge at thescreen for every deflection. They are no
longer necessary with the 30AX system: for a given screen format any
deflection unit can be combined with any tube to form a single
'dynamically convergent' unit. A colour-television receiver can thus be
assembled from its components almost as easily as a monochrome
receiver. The colour picture tube of the PHILIPS 30AX system displays a
noticeably sharper picture over the entire screen surface. This will
be particularly noticeable when data transmissions such as Viewdata and
Teletext are displayed. This has been achieved by a reduction in the
size of the beam spot by about 30%. Absence of coma and the retention of
the 36.5 mm neck diameter have both contributed to increased picture
sharpness. Coma has been eliminated by means of corrective field shapers
embedded in the deflection coils which are sectionally wound saddle
types. The new deflection unit has no rear flanges. enabling uniform
self-convergence to be obtained for all screen sizes. without special
corrections, adjustments, or tolerance compensations. Horizontal raster
distortion is reduced and no vertical correction is required. One of
the inventions in 30AX is an internal magnetic correction
system which obviates static convergence and colour purity errors.
This enables the usual multiple unit to be dispensed with. together
with the need for its adjustment ! New techniques have been employed
to achieve close tolerance construction of the glass envelope. In
addition, the 30AX picture tube incorporates two features whereby it
can be accurately adjusted during the last stages of manufacture. One
is the internal magnetic correction system. The other is an array of
bosses on the cone that establish a precise reference for the axial
purity positioning of the deflection unit on the tube axis and for
raster orientation. During its manufacture, each deflection unit is
individually adjusted for optimum convergence. The coil carrier also
incorporates reference bosses that co-operate with those on the cone of
the tube. ' Since every picture tube and every deflection unit is
individually pre-aligned, any deflection unit automatically matches
with any picture tube of the appropriate size. The deflection unit has
only to be pushed onto the neck of the tube unit it seats. Once the
reference bosses are engaged, the combination is accurately aligned and
requires no adjustment for convergence, colour purity or raster
orientation. With no multiple unit and a flangeless deflection unit,
there is more space in the receiver cabinet. Higher deflection
sensitivity means that less current is consumed, and consequently less
heat is produced. This increases the reliability of the TV receiver
again. 30AX means simple assembly. Any picture tube is compatible with
any deflection unit of the appropriate size and is automatically
self-aligning as well as being self-convergent.

The
well-known 20AX features of HI-Bri, Soft-Flash and Quick-vision are
maintained in the new 30AX systern. In their work on the design of
deflection coils in the last few years the developers have expanded
the magnetic deflectionfields into 'multipoles', This approach has
improved the understanding of the relations between coil and field and
between field and deflection to such an extent that designing
deflection units is now more like playing a difficult but fascinating
game of chess than carrying out the obscure computing procedure once
necessary.

IT also has a photo cell to control the ambient light and adjust
contrast accordingly but different from others brands because it has an
incorporated lamp to provide more accurate tracking, there is a ambient light sensor which drives, in opportune, way
the contrast tracking of the picture as a function of the light
in the room were the tellye is running; more particularly to a
control system for maintaining proper balance between room
lighting conditions and the level of picture tube excitation in a
color television receiver. More especially the present invention
functions to increase contrast, intensity and chroma signal
strength when the room lighting level increases to diminish these
parameters when the level of room lighting decreases.

Conventional
television receivers, of course, have manually operable
controls by means of which a viewer may set the level of
contrast, intensity, and chroma signal strength to what he feels
to be an optimum level for given room lighting conditions. Under
changed room lighting conditions, the viewer will obtain the
optimum viewing situation by changing these manual controls to a
new preferred level.
The set has timer programming feature of the start of the television ,
which allows to start the tellye at a prefixed time on a prefixed
program,Thereafter a digital control clock automatically selects the
pre-entered information at the appropriate times and provides a
control signal which may be used to automatically select the
identified channels to the exclusion of all others. Alternatively, the
signal may be used to exclude the selected channel from selection
manually.

Modern LCD Toys are melting down in front of this METZ ! !

The set is build with a Modular chassis design because as modern television receivers become more complex the problem of
repairing the receiver becomes more difficult. As the number of
components used in the television receiver increases the susceptibility
to breakdown increases and it becomes more difficult to replace
defective components as they are more closely spaced. The problem has
become even more complicated with the increasing number of color
television receivers in use. A color television receiver has a larger
number of circuits of a higher degree of complexity than the black and
white receiver and further a more highly trained serviceman is required
to properly service the color television receiver.
Fortunately
for the service problem to date, most failures occur in the vacuum tubes
used in the television receivers. A faulty or inoperative vacuum tube
is relatively easy to find and replace. However, where the television
receiver malfunction is caused by the failure of other components, such
as resistors, capacitors or inductors, it is harder to isolate the
defective component and a higher degree of skill on the part of the
serviceman is required.
Even with the great majority of the
color television receiver malfunctions being of the "easy to find and
repair" type proper servicing of color sets has been difficult to obtain
due to the shortage of trained serviceman.
At the present time
advances in the state of the semiconductor art have led to the
increasing use of transistors in color television receivers. The
receiver described in this application has only two tubes, the picture
tube and the high voltage rectifier tube, all the other active
components in the receiver being semiconductors.
One important
characteristic of a semiconductor device is its extreme reliability in
comparison with the vacuum tube. The number of transistor and integrated
circuit failures in the television receiver will be very low in
comparison with the failures of other components, the reverse of what is
true in present day color television receivers. Thus most failures in
future television receivers will be of the hard to service type and will
require more highly qualified servicemen.
The primary symptoms
of a television receiver malfunction are shown on the picture tube of
the television receiver while the components causing the malfunction are
located within the cabinet. Also many adjustments to the receiver
require the serviceman to observe the screen. Thus the serviceman must
use unsatisfactory mirror arrangements to remove the electronic chassis
from the cabinet, usually a very difficult task. Further many components
are "buried" in a maze of circuitry and other components so that they
are difficult to remove and replace without damage to other components
in the receiver.
Repairing a modern color television receiver
often requires that the receiver be removed from the home and carried to
a repair shop where it may remain for many weeks. This is an expensive
undertaking since most receivers are bulky and heavy enough to require
at least two persons to carry them. Further, two trips must be made to
the home, one to pick up the receiver and one to deliver it. For these
reasons, the cost of maintaining the color television receiver in
operating condition often exceeds the initial cost of the receiver and
is an important factor in determining whether a receiver will be
purchased.
Therefore, the object of this invention is to provide a transistorized
color television receiver in which the main electronic chassis is easily
accessible for maintenance and adjustment. Another object of this invention is to provide a transistorized color
television receiver in which the electronic circuits are divided into a
plurality of modules with the modules easily removable for service and
maintenance. The main electronic chassis is slidably mounted within the
cabinet so
that it may be withdrawn, in the same manner
as a drawer, to expose the electronic circuitry therein for maintenance
and adjustment from the rear closure panel after easy removal. Another
aspect is the capability to be serviced at eventually the home of the
owner.

Metz: 70 Years’ of "made in Germany" quality

Customer-oriented and successful

Metz, one of the German electronic industry’s most independent and successful companies, celebrates its rich tradition as it enters its seventieth year. An amazing success story during a period when numerous well-known manufacturers had to concede to difficult market conditions and suspend business activity. In 1938 Metz began producing electronic equipment. During subsequent years Paul Metz led his company to a position of worldwide importance. The company currently focuses on three business areas: entertainment electronics, photo electronics and plastics technology. Numerous innovations shape both past and present and create a promising potential for the future. To date this has united the company’s development and production, which is still owner-led and based in Germany, guaranteeing a consistently high "made in Germany" standard of quality.

Back to the future

Metz was founded back in 1938. From this point in time, Paul Metz managed his company with untiring effort, always introducing new ideas to steadily grow the business. In 1947 he began producing radio sets. He expanded to other fields in the following years. And to this day Metz stands its ground successfully in the entertainment electronics, photo electronics and plastics technology sectors.

In 1993, Paul Metz died at the age of 82. Since then, his wife Helene Metz has continued with the company’s success story undetered. Entrepreneurial spirit combined with responsibility and committment to employees and society certainly characterise her management style; innovative ideas and excellent quality lay the basis for the positive evolution of a company. "My husband and I have always invested in the company and promoted its development. Independence was important to us. At the same time, we always attached great importance to excellently trained, highly motivated employees. And nothing will change these values in future."

Photo electronics: Metz flashguns attain world fame

In 1952, Paul Metz went in into the flashgun business and began marketing an emblematic trend-setting innovation in 1979 with the introduction of the worldwide single SCA adapter system which made it possible to attach Metz flashguns to cameras of all well-known brands and went on to establish Metz as one of the leading worldwide brands in this area. Since then, Metz flashguns have been exported to over 90 countries. The latest successful model was voted "the best flash unit in Europe" at the end of 2007. It was the world’s first flash to be equipped with a USB interface. The individual firmware for every version of the model can be easily updated via computer and internet by means of this interface.

Entertainment electronics: Metz - reliable trade partner

In 1955, Metz entered a business sector which later became its most important source of revenue - the production of television sets. This sector was further expanded in 1967 with the development and production of their own brand of colour TVs. Around this time, Metz began selective sales in the specialist consumer electronics trade, which forms a cornerstone of Metz’s service-oriented recipe for success to this day, ensuring the customer gets an additional service benefit as well as excellent products.

In 1990, the first TV set with Metz’s own 100-Hertz technology was introduced. The excellent, flicker-free image quality delighted both consumers and specialist publications.

In 1995, Metz came up with an innovation in the field of TV which continues to make the product line flexible, unique and successful to this day: The modular-built TV chassis was launched. From the turn of the Millennium, the first digital tuner was integrated. Another milestone came in 2005 with the introduction of their own-brand LCD-TV. Since then, flat screen TV sets with innovative technologies have been developed and produced at the company’s Zirndorf site with the "made in Germany" quality seal. At the same time the opportunity get into high definition television meant that in 2007 integrated HDTV modules were introduced into the Metz product range – unique worldwide – and which can also be retrofitted.

The Metz team always manage to weigh up the future realistically, as you can see from the current product range, which is constantly evolving and supplemented with new components that offer great marketing opportunities. Latest example is the implementation of HD panels with high resolution when operating in 100 Hertz DMC-technology and integrated hard disc recorder at IFA 2008. All TV sets of Metz offer the benefits of flexible retrofitting or exchanging of modules thanks to the Metz digital module concept, on which every chassis is based on.

Plastics plant: Metz - renowned partner for system solutions

Metz’s third line of business came about in 1957: The hi-fi furniture plant at Zirndorf went into operation making wooden cabinets for radio and TV sets. It expanded when it began plastics production in 1969. To this day, this sector represents another important constituent for Metz, especially in the production of its own high-quality TV cabinets. But renowned industrial partners also use the reliable production line at the German site with all its individual system solutions. The Metz plastics plant is the right place to go, from choosing suitable materials for a product concept, up to the provision of injection moulding forms. Complex techniques are used at the Zirndorf factory: interior gas pressure processes, thermoplastic foam injection moulding processes and ultrasonic welding and inmold technology, to name but a few.

Metz - traditional company on a solid foundation

After its formation, Metz went on to enjoy seven decades of continual success. At present, the company employs about 680 people, with a turnover of €129 million in 2007. The development, production and sales departments are grouped together on a 86,000 square-metre site. To this day, the company owes its positive development to the introduction of more innovative products and processes in all corporate divisions which play a large part making the products technically feasible and user-friendly.

"Our company stands on a solid foundation. Our planning for the next few years shows great promise; we will go on to further improve our core competences," says managing director Dr. Norbert Kotzbauer, who currently runs the company with Helene Metz. " Metz’s strength is the combination of excellent "made in Germany" quality, sure-fire future product concepts, clear marketing structures and absolute customer focus."

Review of key points:

1938: Company founded by Paul Metz

1947: Production of radio sets begins

1952: Flashgun production begins

1955: Start of black-and-white television set production

1957: The hi-fi furniture plant in Zirndorf goes into operation

1967: The beginning of colour television set production

1969: Start of plastics production

1979: Development of the SCA system for adapting cameras from different manufacturers to Metz flashguns

1987: Transformation to a GmbH & Co. KG

1990: Production of the 100-Hertz TV sets starts

1993: Founder Paul Metz dies. Wife Helene Metz carries on the company

1995: Start of the Metz module concept

1997: The Paul and Helene Metz Foundation is formed

2000: Start of the Metz digital module concept with the ability to retrofit future technologies

2002: Ten-millionth Metz flashgun

2004: A world first: Digital, adaptive flashgun MB of 28 CS-2

2005: First presentation of developed LCD-TV equipment "Made in Germany"

2006: Presentation of the first flashgun with an innovative USB connection

2007: LCD-TV product line with HDTV reception and unique ability to retrofit HDTV

March 2015: Two investors were found. The company will be split in two. The TV business is taken over by the Chinese electronics manufacturer Skyworth as Metz Consumer Electronics GmbH, whereas the plastics technology and flash business were bought by the local Daum Group (Germany) to firm Metz mecatech GmbH. 298 of the employees will be taken over.

The company filed for insolvency in 2014 and backed up by new investors now refirms as two independent companies Metz Consumer Electronics GmbH and Metz mecatech GmbH since 2015.

(Again one more time......one more step ..........Europe=Africa !!!!!!!!!!!!)

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Resisting the tide of post-modernity may be difficult, but I will attempt it anyway.

Your choice.........Live or DIE.That indeed is where your liberty lies.

IMPORTANT NOTE: - FRANK SHARP obsoletetellyemuseum.blogspot.comwas founded as a public free WEB Museum to all kind of people and amateur and professional CRT TELEVISION Lovers who enjoy using and/or preserving - restoring vintage CRT Televisions sets, or only curious public who was unaware of that kind of technolgy of the past. The purpose is to provide information about vintage Television Receivers Publicy on the WEB that is generally difficult to locate; all this as a important milestone general worldwide reference for the future, globally in the public interest.obsoletetellyemuseum.blogspot.com does not provide support or parts for any apparatus on this site nor do we represent any manufacturer listed on this site in any way. Catalogs, manuals and any other literature that is available on this site is made available for a historical record only. Please remember that safety standards have changed over the years and information in old manuals as well as the old Television receivers themselves may not meet modern standards. It is up to the individual user to use good judgment and to safely operate old machinery. The obsoletetellyemuseum.blogspot.com web site will assume NO responsibilities for damages or injuries resulting from information obtained from this site. No offer to sell or license — Nothing in this site/Blog may be interpreted or construed as an offer to sell products that is open for acceptance or the grant, conveyance or implication of any license under any copyrights, patents or other industrial or intellectual property rights.

Many topics are permanent, so may be updated to any material, for add or correct info.

Sure Fun Times, A working TV Discovered with a CRT Oscilloscope !

Safety Hazards:

------------------------------------------------------Safety Hazards in Radio and TV Repair,------------------------------------------------------

People who believe they can conquer nature are clueless that the laws of nature are a precondition of their existence. Their weapon is a miserable idea.When man attempts to rebel against the iron logic of Nature, he comes into struggle with the principles to which he himself owes his existence as a man. And this attack must lead to his own doom.

Anyone attempting to repair any electronic equipment who does not fully understand the shock hazards, as well as the fire hazards associated with working with electronic equipment, should not attempt such procedures! Improperly attempted repair can kill you and burn down your house.Devices that plug into the wall can produce a very lethal electric shock as well cause a fire from incorrect or careless repairs both during servicing or later on.Improper repair of battery operated devices can also result in bad consequences for you, the device, and any equipment attached to it.

Why some people do repairs themselved then? If you can do the repairs yourself, the equation changes dramatically asyour parts costs will be 1/2 to 1/4 of what a professional will chargeand of course your time is free. The educational aspects may also beappealing. You also will learn a lot in the process.

Consumer electronic equipment like TVs, computer monitors, microwave ovens, and electronic flash units, use voltages at power levels that are potentially lethal. Even more so for industrial equipment like lasers and anything else that is either connected to the power line, or uses or generates high voltage.

Normally, these devices are safely enclosed to prevent accidental contact. However, when troubleshooting, testing, making adjustments, and during repair procedures, the cabinet will likely be open and/or safety interlocks may be defeated. Home-built or modified equipment, despite all warnings and recommendations to the contrary - could exist in this state for extended periods of time - or indefinitely.

Depending on overall conditions and your general state of health, there is a wide variation of voltage, current, and total energy levels that can kill.

Microwave ovens in particular are probably THE most dangerous household appliance to service. There is high voltage - up to 5,000 V or more - at high current - more than an amp may be available momentarily. This is an instantly lethal combination.

TVs and monitors may have up to 35 kV on the CRTbut the current isn't low - like a wrong legend saying a "couple of milliamps" but relatively high because of the boost circuit technology and transformer design. However, the CRT capacitance can hold a painful charge for a long time. In addition, portions of the circuitry of TVs and monitors as well as all other devices that plug into the wall socket are line connected.This is actually even more dangerous than the high voltage due to the greater current available - and a few hundred volts can make you just as dead as 35 kV!

Electronic flash units and strobe lights, and pulsed lasers have large energy storage capacitors which alone can deliver a lethal charge - long after the power has been removed. This applies to some extent even to those little disposable pocket cameras with flash which look so innocent being powered from a single 1.5 V AA battery. Don't be fooled - they are designed without any bleeder so the flash can be ready for use without draining the battery!

Even some portions of apparently harmless devices like VCRs and CD players - or vacuum cleaners and toasters - can be hazardous (though the live parts may be insulated or protected - but don't count on it!

This information also applies when working on other high voltage or line connected devices like Tesla Coils, Jacobs Ladders, plasma spheres, gigawatt lasers, hot and cold fusion generators, cyclotrons and other particle accelerators, as well as other popular hobby type projects. :-)

In addition, read the relevant sections of the document for your particular equipment for additional electrical safety considerations as well as non-electrical hazards like microwave radiation or laser light. Only the most common types of equipment are discussed in the safety guidelines, below.

SAFETY guidelines:

These guidelines are to protect you from potentially deadly electrical shock hazards as well as the equipment from accidental damage.

Note that the danger to you is not only in your body providing a conducting path, particularly through your heart. Any involuntary muscle contractions caused by a shock, while perhaps harmless in themselves, may cause collateral damage. There are likely to be many sharp edges and points inside from various things like stamped sheet metal shields and and the cut ends of component leads on the solder side of printed wiring boards in this type of equipment. In addition, the reflex may result in contact with other electrically live parts and further unfortunate consequences.

The purpose of this set of guidelines is not to frighten you but rather to make you aware of the appropriate precautions. Repair of TVs, monitors, microwave ovens, and other consumer and industrial equipment can be both rewarding and economical. Just be sure that it is also safe!

Don't work alone - in the event of an emergency another person's presence may be essential.

Always keep one hand in your pocket when anywhere around a powered line-connected or high voltage system.

Wear rubber bottom shoes or sneakers. An insulated floor is better than metal or bare concrete but this may be outside of your control. A rubber mat should be an acceptable substitute but a carpet, not matter how thick, may not be a particularly good insulator.

Don't wear any jewelry or other articles that could accidentally contact circuitry and conduct current, or get caught in moving parts.

Set up your work area away from possible grounds that you may accidentally contact.

Have a fire extinguisher rated for electrical fires readily accessible in a location that won't get blocked should something burst into flames.

Use a dust mask when cleaning inside electronic equipment and appliances, particularly TVs, monitors, vacuum cleaners, and other dust collectors.

Know your equipment: TVs and monitors may use parts of the metal chassis as ground return yet the chassis may be electrically live with respect to the earth ground of the AC line. Microwave ovens use the chassis as ground return for the high voltage. In addition, do not assume that the chassis is a suitable ground for your test equipment!

If circuit boards need to be removed from their mountings, put insulating material between the boards and anything they may short to. Hold them in place with string or electrical tape. Prop them up with insulation sticks - plastic or wood.

If you need to probe, solder, or otherwise touch circuits with power off, discharge (across) large power supply filter capacitors with a 2 W or greater resistor of 100 to 500 ohms/V approximate value (e.g., for a 200 V capacitor, use a 20K to 100K ohm resistor). Monitor while discharging and/or verify that there is no residual charge with a suitable voltmeter. In a TV or monitor, if you are removing the high voltage connection to the CRT (to replace the flyback transformer for example) first discharge the CRT contact (under the insulating cup at the end of the fat red wire). Use a 1M to 10M ohm 1W or greater wattage resistor on the end of an insulating stick or the probe of a high voltage meter. Discharge to the metal frame which is connected to the outside of the CRT.

For TVs and monitors in particular, there is the additional danger of CRT implosion - take care not to bang the CRT envelope with your tools. An implosion will scatter shards of glass at high velocity in every direction. There is several tons of force attempting to crush the typical CRT. Always wear eye protection. While the actual chance of a violent implosion is relatively small, why take chances? (However, breaking the relatively fragile neck off the CRT WILL be embarrassing at the very least.)

Connect/disconnect any test leads with the equipment unpowered and unplugged. Use clip leads or solder temporary wires to reach cramped locations or difficult to access locations.

If you must probe live, put electrical tape over all but the last 1/16" of the test probes to avoid the possibility of an accidental short which could cause damage to various components. Clip the reference end of the meter or scope to the appropriate ground return so that you need to only probe with one hand.

Perform as many tests as possible with power off and the equipment unplugged. For example, the semiconductors in the power supply section of a TV or monitor can be tested for short circuits with an ohmmeter.

Provide a reliable means of warning that power is applied and that high voltage filter capacitor(s) still hold a charge during servicing. For example, solder a neon indicator lamp (e.g., an NE2 in series with a 100K ohm resistor) across the line input and a super high brightness LEDs in series with 100K, 1 W resistors across the main filter capacitor(s).

Use an isolation transformer if there is any chance of contacting line connected circuits. A Variac(tm) (variable autotransformer) is not an isolation transformer! However, the combination of a Variac and isolation transformer maintains the safety benefits and is a very versatile device. See the document "Repair Briefs, An Introduction", available at this site, for more details.

The use of a GFCI (Ground Fault Circuit Interrupter) protected outlet is a good idea but may not protect you from shock from many points in a line connected TV or monitor, or the high voltage side of a microwave oven, for example. (Note however, that, a GFCI may nuisance trip at power-on or at other random times due to leakage paths (like your scope probe ground) or the highly capacitive or inductive input characteristics of line powered equipment.) A GFCI is also a relatively complex active device which may not be designed for repeated tripping - you are depending on some action to be taken (and bad things happen if it doesn't!) - unlike the passive nature of an isolation transformer. A fuse or circuit breaker is too slow and insensitive to provide any protection for you or in many cases, your equipment. However, these devices may save your scope probe ground wire should you accidentally connect it to a live chassis.

When handling static sensitive components, an anti-static wrist strap is recommended. However, it should be constructed of high resistance materials with a high resistance path between you and the chassis (greater than 100K ohms). Never use metallic conductors as you would then become an excellent path to ground for line current or risk amputating your hand at the wrist when you accidentally contacted that 1000 A welder supply!

Don't attempt repair work when you are tired. Not only will you be more careless, but your primary diagnostic tool - deductive reasoning - will not be operating at full capacity.

Finally, never assume anything without checking it out for yourself! Don't take shortcuts!

Many people who mistakenly feel that ‘old technology’ is somehow more user-friendly, in some strange way automatically good - merely because it is old. Don’t be fooled! Approach old equipment with an open and alert mind and realise that a hot chassis, or a resistor line cord, or asbestos insulation, or selenium rectifiers require much more thought and consideration for safety.

Live chassis are indiscriminate in whom they kill and even if you are a thoughtful, careful kind of person, that doesn’t mean the last person who handled the set was.

Vintage radio and television receivers use 'live chassis' techniques, in which the chassis is connected directly to one side of the incoming mains supply. This means they can be lethal to carry out repair or servicing work on, unless the appropriate safety measures are in place.

Another thing about live-chassis sets - live spindles. We’ve touched on this already but it’s worth making the point once more. The shafts of switches and potentiometers fixed to the chassis may well be at chassis potential and thus live. The bakelite or wood cabinet is insulated but these shafts are not, and if someone lost the proper grub screw and replaced a knob using a cheesehead screw, the next person to grip that knob may get a dose of 250 volts. Originally these grub screws were sealed and embedded in wax but you cannot rely on subsequent tinkerers having the same high standards.

Even in more orthodox apparatus standards of insulation were not always as high as they are now. Soldered connections to HT and mains wiring should always have rubber or plastic sleeving but in times gone by this was often omitted (or it may since have perished). Beware too of kinked and frayed braiding on cloth-covered mains cords, particularly when the cord has a dropper conductor.

If you are not satisfied that you fully understand the risks involved in this sort of work, do not proceed any further. Instead seek advice and assistance from a competent technician or engineer.

Whenever you acquire a new treasure there's always a terrific temptation to try it out. With mains-driven equipment that means plugging it in and seeing if it works. Well don't, not until you have made some quick checks.

Before contemplating connecting any unknown receiver to the mains supply, spend a little time inspecting it for signs of missing or loose parts, blown fuses, overheating or even fire damage. Use a meter to check obvious points to ensure no short circuit exists (e.g. across the mains input). If you then decide to apply power keep clear but be observant since an elderly electrolytic might explode! This can be avoided if you can apply power gradually through a variac. Auto-transformers are handy for supplying reduced power to sets being repaired but they are not a substitute for a proper isolation transformer!

If you are working with electricity and your work area has a concrete floor, a rubber mat is essential, particularly during damp weather! Where possible try to arrange a neat working area away from water or central heating pipes. For safety try to arrange that this area is separate from the area occupied by your family. This is emphasised because inadvertently rushing to answer a telephone you might just leave a TV chassis connected to a supply and curious little fingers know nothing of the dangers of electricity - or, for that matter - the lethal vacuum encased within every picture tube!

Many younger enthusiasts may not be aware of the dangers of mishandling tubes, in particular the old round types found in early TVs. When handling these tubes eye protection should be worn and tubes must not be left lying around, they must be stored in boxes. The glass is surprising fragile and can implode without any provocation or warning. Bits of glass flying around at high speed can be deadly. The notes following are inspired by Malcolm Burrell again.

Picture tubes are perhaps one of the most hazardous items in any TV receiver. This is because most are of glass construction and contain a very high vacuum. If you measured the total area of glass in any picture tube then estimated the pressure of air upon it at 14.7lb. per square inch, you would discover that the total pressure upon the device could amount to several tons! Fracturing the glass suddenly would result in an extremely rapid implosion such that fragments of glass, metal and toxic chemicals would be scattered over a wide area, probably causing injury to anyone in close proximity. In modern workshops it is now a rule that protective goggles are worn when handling picture tubes.

The weakest point in most picture tubes is where the thin glass neck containing the electron gun is joined to the bowl. It is therefore essential that you refrain from handling the tube by its neck alone. Once a tube is removed from the receiver hold it vertically with the neck uppermost and one hand beneath the screen with the other steadying the device by the neck.With larger devices it is sometimes easier to grip the peripheral of the screen with both hands.

Until the advent of reinforced picture tubes, most were mounted in the cabinet or on the TV chassis by some form of metal band clamped around the face.Never support the weight of the tube by this band since it has been known for the tube to slide out! Some of the larger tubes are extremely heavy. It may, therefore, be easier to enlist assistance.

Before starting to remove a tube, first discharge the final anode connection to the chassis metalwork and preferably connect a shorting lead to this connection whilst you are working. It might be convenient to keep a spare piece of EHT cable with a crocodile clip at one end and a final anode connector at the other.

Exercise care when removing picture tubes from elderly equipment. You may find that the deflection coils have become stuck to the neck. It is extremely dangerous to use a screwdriver prise them away. Gently heating with a hairdryer or soaking in methylated spirit is safer.

Disposal of picture tubes also requires care. Unless rendered safe they should never be placed in dustbins or skips. Many engineers swipe the necks off tubes in cavalier fashion using a broom handle but this is not recommended. A safer method is to make a hole in the side of a stout carton, preferably one designed to hold a picture tube. The tube is placed in the carton and the neck broken using a broom handle. The carton should then be clearly labelled that it contains chemicals and broken glass!

Therefore people who believe they can conquer nature are clueless that the laws of nature are a precondition of their existence. Their weapon is a miserable idea.When man attempts to rebel against the iron logic of Nature, he comes into struggle with the principles to which he himself owes his existence as a man. And this attack must lead to his own doom.

Think for yourself. Otherwise you have to believe what other people tell you.

For most people thinking is a matter of fortune.A society based on individualism is an oxymoron.Freedom is at first the freedom to starve.A wise fool speaks, because he has something to say.A fool speaks, because he has to say something.A wise fool is silent, because there is nothing to say.A fool is silent, because he has nothing to say.

Resist or regretWork for what's good for our people

Help stem the dark tideStand tall or be beat downFight back or die

The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life.

We now live in a nation where doctors destroy health, lawyers destroy justice, universities destroy knowledge, governments destroy freedom, the press destroys information, religion destroys morals and our banks destroy the economy.The globalist argument is that if only we erase distinctions, obliterate identities, put everyone on a level playing field, etc.. we can eliminate war and everyone can be so prosperous and efficient, such great cogs in a well-oiled global machine.There will be no more historical grievances because people will no longer even care, they'll have no connection to the past, no foolish pride in past accomplishments of people totally unrelated to them.A globalized culture, no borders, everyone a citizen of the world.Know this: I will never acquiesce to this corrupt, inhuman, Borg-like vision. The dangerous lunatics who push us towards their globalized "utopia" are my enemy. How exactly all this will play out, whether through wars, or whether we can thwart the globalist agenda peacefully (this is my hope of course) I don't know. But I do know that unless people are willing to fight and die, globalism will win out in the end.The actual crimes committed by the EU against the European peoples are directly in violation of the 1948 UN genocide convention, Article II: (c) Deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; (d) Imposing measures intended to prevent births within the group; (e) Forcibly transferring children of the group to another group.* The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life.

TELEVISION HISTORY IN BRIEF

Television history

At 1928 Baird transmits from London to New York, using his mechanical system.with 30 vertical lines. By 1930 it was clear that mechanical television systems could never produce the picture quality required for commercial success. For this reason mechanical system was rapidly succeeded by the electronic TV systems. The first all-electronic American systems in 1932 used only 120 scanning lines at 24 frames per second Since the mid-1930s picture repetition frequency (field rate or frame rate) has been the same as the mains frequency, either 50 or 60Hz according to the frequency used in each country. This is for two very good reasons. Studio lighting generally uses alternating current lamps and if these were not synchronised with the field frequency, an unwelcome strobe effect could appear on TV pictures. Secondly, in days gone by, the smoothing of power supply circuits in TV receivers was not as good as it is today and ripple superimposed on the DC could cause visual interference. If the picture was locked to the mains frequency, this interference would at least be static on the screen and thus less obtrusive.To determine what electronic system to use, the BBC sponsored trial broadcasts by two systems, one by Baird, with 240 lines, and one by EMI with 405 lines. Scheduled electronic television broadcasting began in England in 1936 using 405-line system (lasted until the 1980s in the UK). Germany made their forst TV broadcasts at 1936 olympics using 180-line TV system. Germany also made their TV broadcasts by the fall of 1937 using a 441-line system. Also fFrance tested TV (455 line system). RCA introduced electronic television to the U. S. at the 1939 World's Fair,and began regularly scheduled broadcasting at the same time (525 line system).In 1940 the USA established its 525-line standard. At year 1941 the 525-line standard, still in use today in USA, was adopted.Russia also produced TV sets before the war (240 and 343 line systems).World War Two interrupted the development of television. Immediately after World War Two production of TV sets started in the U.S-In USA there was TV broadcasts and few throusand receivers at 1945. In the early 1950s, two competing color TV systems emerged: CBS sequential color (used color wheel) and RCA dot sequential system. At 1953 color broadcasting officially arrives in the U.S. on Dec. 17, when FCC approves modified version of an RCA system.It calls this new RCA color system "NTSC" color. The first NTSC color TVs were on the marker at 1954.In Europe the TV broadcasts started to use experiment using 625 line system 1950s. This standard is used nowadays throughout Europe. France also tried 819 line system at the same time (this system was in use to 1980s). The rest of Europe opted for 625 lines, a system devised in 1946 by two German engineers, M??ller and Urtel (it appears that the Russians came up independently with a very similar system). The use of PAL color standard started at around 1967 and is still in use. The SECAM color system (used in France) testing started also at 1967. The TV broadcasting history has not ended. The newst thign is digital television. It is expected that terrestrial television will open up billion-dollar opportunities for those companies and organisations best prepared to embrace this new broadcasting era. At 1996 small digital satellite dishes hit the market. They become the biggest selling electronic item in history next to the VCR.

Using TV 24H

TV has something for everyone. Idiots, intellectuals, fans of all sorts. Some people are couch potatoes, watch anything just to sit there and be mindless. That's their problem. Children have always needed to be monitored by their parents. If people gotta a mind for it they could figure out the real news even without the internet and there has always been a library.

Is TV bad in and of itself? The researchers aren’t saying that. But we all know that watching television is a solitary, isolating occupation that keeps you sedentary. Sitting in front of the boob tube reduces the time you have available to exercise, interact with your family, read books, and be outdoors. This new research dovetails with other studies, which have linked excessive TV time to obesity and higher rates of cardiovascular disease.

watching too much television can jeopardize your whole family’s health.

This should be a wake-up call to all adults. Stay active. Go outside. Spend time with your spouse and your children with the television off. Read a book and do crossword puzzles to stimulate your imagination and your brain. Reduce your screen time as much as you can.

The National Cancer Institute researchers suggest that watching TV is a public health issue. The price we are paying for our technology-driven lives may be much higher than we previously realized !

DON'T WATCH TV AT ALL !!

The Propaganda TV Machine a.k.a. The Ministry of Truth delivers The Truth from The Government to the people.

At least, that's what they say. In fact, a Propaganda Machine is only employed by The Empire and used to brainwash people into Gullible Lemmings who believe that everything is all right when in fact, it isn't, and that the very people who could help them are their enemies.

Girl Looking TV.

Happy Times:

Do you remember when a telly looked like a real telly? When it was a piece of furniture that you lavished love on, even polished from time to time ?When it was a piece of somewhat at looking in to ?When it was a piece of Highest tech looking inside ? First, this site is a Digital free, HD free, flat panel, HDMI, China, Turks, Afrika free zone. All in all a wealth of vintage information at your finger tips, a one stop unique experience. So step on in, leave the modern throw-away world behind, travel back in time to a vintage world of repair and enjoy.This site has stirred memories about the watching TV's days on a CRT TUBE television......Childhood memories, your parents getting their first colour tv, a b/w or color portable, perhaps memories of renting or buying your first set remote featured, perhaps your days working in the trade, selling or repairing them....... If you enjoyed this site, found its content left you all misty eyed then just talk about it as it would be very welcome............like the time to recover and restore a set ................and happy reminiscing.

Digital TV in Brief.

Digital TV:

Digital television is a hot topic now.If you have looked at television sets at any of the big electronics retailers lately, you know that Digital TV, or DTV, is a BIG deal right now in the U.S. In Europe Digital TV is also a hot topic, because many countries have started terrestrial digital TV broadcasts and plan to end analogue broadcasts after some years (will take 5-10 years). Satellite TV broadcasts have also shifted very much to digital broadcasts.The main advantage if digital broadcasts are that it does not havethe picture quality problems of analogue TVs (it had it's own videoproblems caused by video compression), it allowes putting more TV channels to same medium (TV channel frequencies and satellites) and it allows new services (like HDTV and interactive multimedia). The digital brodcasts are generally designed to use such modulation that the digital data stream (typically around 20-30 Mbit/s) is modulated to the same bandwidth (around 6 MHz) as the analogue TV broadcasts. The used modulation vary between different media, which means thatdifferent modulation techniques are used in terrestrial transmissions, cable TV and satellite. Different modulations are used because of the different characteristics of those transmission medias. There is not on "digital TV", but several different variations of it in use.The basic technology of digital TV, known as MPEG 2 video compressionand MPEG 2 transmission stream format, is same around the world, butis is used somewhat differently in different standards used in differentcountries.

USA uses ACTS Digital Televisio Standard, which standardizes NTSC format transmissions, HDTV transmission, sound formats and data signal modulation in use. The ATSC MPEG-2 formats for DTV, including HDTV, uses 4:2:0 samling for video signal. The US system uses a fixed power and a fixed maximum bitrate, at which some bits are always transmitted. That rate is typically 19.3 Mb/sec.

Europe uses DVB (Digital Video Broadcasting) standard. This standardallows basically normal PAL resolution transmisssion (vasically HDTVcould be added later but is not yet standardized) with several audio formats, digital data rates and digital signal modulation. There are several different variations fo DVB standard for different media:

DVB-T for terrestrial broadcastsDVB-S for satelliteDVB-C for cable TV

Those different DVB versions varyon the data signal modulation methods, error correction and frequency bands used. DVB and option for some interactive extra services, but thestandardization of this is not ready here yet(there are fire different incompatible interactive servicessystems in use in different countries and by different broadcasters).

The process of transmitting digital TV signal is the following: Analog video/audio - digitisation - MPEG compression - Multiplexing ( youcan now call it digital) - Preparation for transmisson - modulation toanalog carrier.Reception process is the following: Demodulation of analogue carrier - Error correction - Demultiplexing - MPEG decompression - DA conversion to get analogue signal (unless you use digital display). The analoguie video signal that gets digitized can be practically from any video source, for example produced with old analogue video production equipment and distributed with a video tape. In high-end system the information is analogue only in the image sensor on the video camera, and from this on the signal gets digitally processed. In many real-life TV production systems the reality is something between those two extremes.

At least in Europe, the signal level requirements for DVB-T are well below the analog requirements, so the transmitter power is much less than on the analog side. In the NorDig recommendation the minimum received signal level for 64QAM, 7/8 code rate with a Rayleigh fading path and 8 dB receiver noise figure would be -64 dBm. With other code rates, modulations and fading mechanisms, the requirement is lower. Many receivers can perform much better at conditions where there is no fading (a quasi error free less than one uncorrected error/hour signal even at 27 dBuV (-82 dBm) with 64QAM and 8 MHz channel width). For analog signals, the recommended level is more than 1 mV (+60 dBuV, -49 dBm). While the ERP can be at least 10 dB lower than analog, the question of power consumption is more complicated, since COFDM with 64QAM carriers require a quite good linearity, which may affect the efficiency and hence power consumption.

Digital TV system in use in USA

The FCC mandate to change our broadcast standards from NTSC analog to ATSC digital broadcasting (DTV) is big bold move, requiring changes in everything from the way the studios shoot video, the format that's transmitted, to the equipment we use to receive and watch broadcastsDTV (digital TV) applies to digital broadcasts in general and to the U.S. ATSC standard in specific. The ATSC standard includes both standard-definition (SD) and high-definition (HD) digital formats. The notation H/DTV is often used to specifically refer to high-definition digital TV. The federal mandate grants the public airwaves to the broadcasters to transmit digital TV in exchange for return of the current analog NTSC spectrum, allowing for a transition period in the interim. At the end of this period scheduled for 2006, broadcasters must be fully converted to the 8VSB broadcast standard. Digital Television ("DTV") is a new broadcast technology that will transform television. The technology of DTV will allows TV broadcasts with movie-quality picture and CD- quality sound and a variety of other enhancements (for example data delivery). With digital television, broadcasters will be able to offer free television of higher resolution and better picture quality than now exists under the current mode of TV transmission. If broadcasters so choose, they can offer what has been called "high definition television" or HDTV, television with theater-quality pictures and CD-quality sound. . Alternatively, a broadcaster can offer several different TV programs at the same time, with pictures and sound quality better than is generally available today. HDTV (high-definition TV) encompasses both analog and digital televisions that have a 16:9 aspect ratio and approximately 5 times the resolution of standard TV (double vertical, double horizontal, wider aspect). High definition is generally defined as any video signal that is at least twice the quality of the current 480i (interlaced) analog broadcast signal. There are 18 approved formats for digital TV broadcasts, but only two (720p/1080i) are proper definition of the term HDTV. The advent of high definition has allowed monitors to read images differently, either in standard interlaced format or progressively. Sets that do not have any decoding capabilities but can display the high-resolution image is often labeled as "HD-Ready" a term that describes 80% or more of the Digital TVs on the market. HDTV displays support digital connections such as HDMI (DVI) and IEEE 1394/FireWire, although standardization is not finished. HDTV in the US is part of the ATSC DTV format. The resolution and frame rates of DTV in the US generally correspond to the ATSC recommendations for SD (640x480 and 704x480 at 24p, 30p, 60p, 60i) and HD (1280x720 at 24p, 20p, and 60p; 1920x1080 at 24p, 30p and 60i). In addition, a broadcaster will be able to simultaneously transmit a variety of other information through a data bitstream to both enhance its TV programs and to provide entirely new services. The technical specifications of USA DTV system is defined in ACTS Digital Television Standards.

Digital TV in Europe

Digital TV brodacasting in Europe is done according to DVB standards. DVB technology has become an integral part of global broadcasting, setting the global standard for satellite, cable and terrestrial transmissions and equipment. There are three versions of DVB in use: DVB-S, DVB-C and DVB-T.DVB-T is a flexible system allowing terrestrial broadcastersto choose from a variety of options to suit their various service environments. This allows the choice between fixed roof-top antenna, portableand even mobile reception of DVB-T services. Broadly speaking the trade-off in one of service bit-rate versus signal robustness.

DVB-T network is very flexible. Having many transmitters all on the same frequency is not a problem for the used COFDM based system. COFDM has been chosen and designed to minimise the effects of multipath in obstructed reception areas. In fact multipath signals can significantly improve the overall received signal with no adverse effects. These properties are particularly valuable for radio cameras and mobile links. DVB-T because of its unique design which allows single frequency networks (SFN). This means that many transmitters along the planned routes can transmit on the same frequency. It is also possible to use simple gap fillers that amplify and retransmit the signal. In-air digital TV broadcasts in Europe use DVB-T. 8 MHz of bandwidth may be used to provide a 24 Mbps digital transmission path using Coded Orthogonal Frequency Division Multiplexing (COFDM) modulation (theoretical maximum 31.67 Mbits for 8 MHz bandwidth). In cases where less bandwidth is available (6 or 7 MHz), the data rate is somewhat lower (around 20 Mbit/s).

DVB-C does the same function as DVB-T, but the modulation used in this system is optimized to operate well in cable TV networks. The modulation used in DVB-C is QAM. Systems from 16-QAM up to 256-QAM can be used, but the system centres on 64-QAM, in which an 8MHz channel can accommodate a physical payload of about 38 Mbit/s. Digital cable TV in Europe uses DVB-C. The DVB standard for the cable return path has been developed jointly with DAVIC, the Digital Audio Visual Council. The specification uses Quadrature Phase Shift Keying (QPSK) modulation in a 200kHz, 1MHz or 2MHz channel to provide a return path for interactive services (from the user to the service provider) of up to about 3Mbit/s. The path to the user may be either in-band (embedded in the MPEG-2 Transport Stream in the DVB-C channel) or out-of-band (on a separate 1 or 2MHz frequency band).

DVB-S is the satellite version of DVB. Satellite transmission has lead the way in delivering digital TV to viewers. Established in 1995, the satellite standard DVB-S is the oldest DVB standard, used on all six major continents. QPSK modulation system is used, with channel coding optimised to the error characteristics of the channel. A typical satellite channel has 36 MHz bandwidth, which may support transmission at up to 38 Mbps (assuming delivery to a 0.5m receiving antenna) using Quadrature Phase Shift Keying (QPSK) modulation. 16 bytes of Reed Solomon (RS) coding are added to each 188 byte transport packet to provide Forward Error Correction (FEC) using a RS(204,188,8) code. For the satellite transmission, the resultant bit stream is then interleaved and convolutional coding is applied.

The core of the DVB digital data stream isthe standard MPEG-2 "data container",which holds the broadcast and service information.This flexible "carry-all" can containanything that can be digitised, includingmultimedia data. The MPEG-2 standards define how to format the various component parts of a multimedia programme (which may consist of: MPEG-2 compressed video, compressed audio, control data and/or user data). It also defines how these components are combined into a single synchronous transmission bit stream. The process of combining the steams is known as multiplexing. The multiplexed stream may be transmitted over a variety of links, standards / products.Each MPEG-2 MPTS multiplex carries a number of streams which in combination deliver the required services. A typical data rate of such multiplex is around 24 Mbps for terrestrial brodcasts.

European DVB systems currently transmit only standard definition TV signals and set top boxes also handle only normal TV resolution. It would be possible to transmit HDTV signals on DVB data stream, but those broadcasts have not yet started in any wide scale. There is one satellite broadcater that broadcasts HDTV DVB signals in Europe (some cable TV operators carry that signal on their cable).

Many DVB-T integrated TV sets, and some set top boxes, in the Europe come with a Common Interface slot - which is pretty much the same form-factor as a PC Card (aka PCMCIA) used in PC laptops. This CI slot accepts a Conditional Access Module, in the same way that DVB-S receivers do, which implements at least one (some can do more than one) decryption algorithm. This CAM may also, itself, have a smart card slot to accept a consumer subscription card to authorise decryption - you plug your smartcard into your CAM and your CAM into the CI slot in your receiver/IDTV. Some DVB receivers have an integrated CAM (in the case of some receivers this is implemented purely in software, with no extra hardware required) rather than a CI slot to plug in a 3rd party device. With these type of receivers you just plug in the smart card and don't have to worry about CI slots and buying CAMs. So there is an interface standard for DVB - but different broadcasters can chose different encryption schemes, requiring different CAMs for decryption.

DVB Standards and related documents are published by the European Telecommunications Standards Institute (ETSI). These include a large number of standards and technical notes to complement the MPEG-2 standards defined by the ISO.

There are few different standard how interactive TV functionaly is implemented in DVB-systems in use in differenct countries. DVB-MHP is one gaining some acceptance. Multimedia Home Platform (MHP) is the open middleware system designed by the DVB Project (www.dvb.org).