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English to Hungarian: Newspaper Article - Making a MarkGeneral field: MarketingDetailed field: Marketing / Market Research

Source text - EnglishFounder
Richard Hansen

Rich Hansen is the Chief Creative Officer & Founder of Indicate Design Groupe in San Francisco, CA. Hansen has produced work for companies such as Incase, Panasonic, Dunlop, Levi's, Motorola, Haro Bikes, DCShoes and is currently the Creative Director for UBER.
Born in Minnesota in 1967, Hansen started young. He won first place for a United Way billboard design contest at age 12, and by age 17 had launched his formal career with his own snowboard company. He formed an apparel company by 1986, and with several partners, started the first street wear clothing trade show in 1993. In 1995, he began focusing on client-based work. Now residing in San Francisco, Rich has grown Indicate Design Groupe to its current international standing.
Rich lives with his wife, Kristie, and two sons, Magnus and Draggon. He was strongly influenced by his parents' creative careers - an influence apparent in the kind of designer he is today. Hansen and his wife are currently working on their most ambitious project to date; photographing their children every day since they were born in August of 2000 and April of 2002.

Making a Mark

“The concepts of brand and brand mark historically come from branding property or cattle - from a time when you might scar an animal’s hide to claim it as absolutely yours. A mark really is your identity, something that, in some ways, is your Intellectual Property. While the IP on an actual product has a lifespan, the IP of your identity, your logo design and your brand have no expiration dates.”
- Richard Hansen, 2011

The Indicate Design Groupe book of marks showcases a particular and fundamental part of our work: that of the mark or logo. Over the past two decades, Indicate has worked with a wide range of brands, from large corporations and NGOs to start-ups, as well as individual entrepreneurs. The identities included in these pages -- over 70 in all -- are an edited selection from a portfolio of our work extending from hospitality to technology, luxury to sporting goods, and everything in between.

Although GD is rare, the associated burden for patients is significant. Typical manifestations include hepatomegaly, splenomegaly, anemia, and thrombocytopenia, along with skeletal and bone complications. GD weakens the immune systems of sufferers and leads to an increased incidence of peripheral neuropathy, Parkinson’s disease, hematologic malignancies and pancreatic cancer. Physical pain (particularly bone pain) and fatigue, which have a major negative impact on physical well-being, are among the most common symptoms experienced by patients, who also report sadness, anxiety and depression. Crucially, GD patients have a shorter life expectancy than people who do not have the disease. The economic burden of GD is substantial. The annual cost of ERT can be as high as US$600,000 per patient. Besides the burden that it poses to payers, the high cost of treatment is also a burden to patients, a majority of whom report emotional stress relating to the financial aspects of treatment. Due to the treatment cost, the career choices of a significant proportion of GD patients are affected by insurance concerns and coverage.

Source text - EnglishWe have a problem: climate change.
Flooding, extreme weather phenomena, heat waves …
Luckily, more and more people want to do something concrete to stop it. How? By joining the divestment movement. What’s that? Have a look at this:

There’s one thing that drives climate
change more than any other factor. That’s the unchecked burning of fossil fuels, meaning coal, oil and natural gas.

In order to obtain those fossil fuels,
companies need capital. They get it from investors like equity funds or banks.
We want to stop the flow of money to fossil fuel companies and show that this business has no future in a world worth living in. And we have a powerful tool at our disposal: divestment. That means removing money from the fossil fuels sector.

Source text - EnglishRecently, I used the various names of the sequence as the basis for a series of meetings exploring emotional attitudes that the nine of hearts could have toward the sequence. Interestingly enough, shortly after I prepared those meetings, Robert also held a meeting on “The Innumerable Names of the Sequence.” After I read that meeting, my feeling was that Robert was focused mostly on showing that, in spite of this multitude of names, the sequence is always the same. My aim in the meetings I led was to take advantage of these different names to look at the sequence from various angles. Robert’s approach seems to be more characteristic of what I understand to be the thinking of Higher Centers. They see the unity of things; in particular, they see something such as the sequence as a whole, and so the various names are all viewed as descriptions of that whole. The lower centers, on the other hand, don’t have the same vision of the whole. Even the king of hearts and the king of diamonds tend to see various angles, rather than a unified whole, but by trying to combine those angles and hold them simultaneously, one comes closer to an understanding of the whole.
This is what I am going to try to do in this meeting. I will look at the various angles to see what each one shows, and then try to understand how to put them together, simultaneously, to have an emotional attitude, or an emotional vision, that is beyond anything that the four lower centers have a name for.

Take your garment, your sandals, your staff, your loincloth, and all your weapons so that you may cut off the heads and sever the necks of those rebellious enemies who draw near when you are dead. — Egyptian Texts, Going Forth by Day

My name is Annamaria Haven Szvoboda. I am a native Hungarian and a Northern California-based freelance translator and the founder and owner of Quality Hungarian Translations.

I am currently a member of the American Translators Association, the Northern California Translations Association, the Association of Translators and Interpreters in the San Diego Area, the National Language Service Corps and the Apollo University for Promoting Fine Arts and Classical Civilizations.

I am certified by ALTA Language Services as an English-Hungarian Translator and hold a Memoq Level One Certification. I own and use both Memoq 2015 and SDLTrados 2015 and 2017 translating software.

While my native language and the primary language of my studies is Hungarian, growing up Serbia, I also learned Serbian as a second language, and English and German as foreign languages from early childhood. Therefore, I understand the differences in grammar and, structure and in the way of thinking, which occur as a result of speaking different languages. And now, having lived over 12 years in the United States, my English is close to that of a native speaker. Although I primarily translate from English into Hungarian, I also translate from Hungarian into English. My translations can include proofreading services by another linguist if requested.

Like the image of the San Francisco Golden Gate Bridge in my logo, my trademark is a work that can be described by these four characteristics: