Some 18th and 19th century texts, on the other hand, represent characters' names by the use of a single letter and a long dash (this convention is also used for other proper nouns, such as place names).

Minor characters, or stock characters, are often the focus of this kind of analysis since they tend to rely more heavily on stereotypes than more central characters.

The protagonist (main character, sometimes known as the "hero" or the "heroine") of a traditional novel is certain to be a round character; a minor, supporting character in the same novel may be a flat character.

Some notable examples are For Better or For Worse in which the characters age in real time; South Park, wherein the children grow from 3rd graders to 4th graders; Gasoline Alley, whose main character, Skeezix, has run the gamut from babyhood to old age; and Peanuts, where characters may start out as babies (i.e.

In some cases, there are multiple depictions of a character as different ages (Archie/Little Archie), or in flash-forwards and flash-backs (common in the Simpsons).

This is a list of (human) comic and cartooncharacters, sorted by the characters' age.

However, there are few characters with names that are completely arbitrary.

The protagonist (main character, sometimes known as the "hero" or the "heroine") of a novel is certain to be a round character; a minor, supporting character in the same novel may be a flat character.

yqfgf.blogspot.com (2734 words)

[No title](Site not responding. Last check: 2007-10-13)

Comics are a form of visual art that consists of a series of static images in a fixed sequence, usually to tell a story.

Comics are thought by some to be an art form, also known as sequential art, although whether they are an art form or are merely a medium in which sequential art is practised is still a matter of debate amongst creators, scholars and readers.

The narration of a comic is set out through the layout of the images, and whilst there may be many people who work on one work, like films, there is one vision of the narrative which guides the work.

www.kisanji.org /?arg=Comics (3648 words)

Queertoons(Site not responding. Last check: 2007-10-13)

But signs are necessarily unfixed, especially in cartoons, which build upon inference: a few loops and squiggles, a few lines of dialogue, must suffice to establish cartooncharacters' basic identities, life histories, and current crises.

Characters whose relationships were amenable to romantic readings in a previous generation were either infantalized into asexuality — The Muppet Babies, The Flintstone Kids, A Pup Named Scooby Doo — or heterosexualized via marriage and parenthood.

In cartoons, Goofy was mostly absent; Mickey Mouse was a suburban bachelor, saddled with two nephews and a steady girlfriend, Minnie Mouse.

www.icce.rug.nl /~soundscapes/VOLUME06/Queertoons.html (5302 words)

St. James Encyclopedia of Pop Culture: Comic Books(Site not responding. Last check: 2007-10-13)

Fashioned for a mostly adolescent audience by individuals often little older than their readers, comic books have not been obliged to meet the critical and aesthetic criteria of respectability reserved for works aimed at older consumers (including newspaper comic strips).

Although comic books would later embrace a variety of genres, including war, western, romance, crime, horror, and humor, they have always been most closely identified with the costumed superheroes who made the medium a viable entertainment industry.

Only a few years after the end of its participation in a world war, the comic-book industry found itself engaged in a new conflict--a cultural war for the hearts and minds of the postwar generation.

The original name of the character was Super Mouse, but it was soon changed to Mighty Mouse when Paul Terry learned that another character with the same name was being published in comic books.

These characters were created for a series of Mighty Mouse cartoons that spoofed the old cliffhanger serials of the days of silent film; the cartoons usually began with Mighty Mouse and Pearl Pureheart already in a desperate situation, as if they were the next chapter of the serial.

In the 1950s the name "Mighty Mouse" was unofficially applied by the United States Air Force to the 2.75 in (70 mm) FFAR (Fin-Folding Aerial Rocket) weapons used by various USAF interceptor aircraft against bombers.

There's action and character and that combination is a lot rarer than it should be these days.

Like Black Manta in issue 35, Aquaman refers to the threesome as “old enemies” signifying that the cartoons were in continuity or that there are untold DCU tales of the Awesome Threesome waiting to be told.

Other people may lay on the snark with a story titled after a threesome and featuring humans and sea creatures engaging in mating rituals.

The company, EC (Educational Comics, later Entertainment Comics) revitalized and revolutionized the industry - its cynicism and gore was impossible for the general public to ignore.

Sales of individual comic book titles are way, way down from their peak 50 years ago (The actual date eludes me, but you would be surprised by the actual sales figures - where are all of these readers today?).

James is now working on characters and even sent a 3D rendering of Adam, the "hero" of Adam among the gods.

Blimp's career, in Low's cartoons and elsewhere, is a window into an era crucial to Britain's fortunes in the world, on the evolution of her national symbols, and on the impact of editorial cartooning.

Low thought he had created in Blimp merely a comic figure typifying stupidity, but public opinion decided he was a symbol of profound meaning.' In his Autobiography late in the 1950s Low observed that the rotund Colonel was 'an object lesson in what can happen to a symbol.

He manipulated his characters and meshed ideas, symbols and words so effectively, that years later, when we look at his cartoons and his caricatures, we laugh and comprehend, even if the references are obscure.

www.politicalcartoon.co.uk /html/history14.htm (3828 words)

Blake Schwendiman's Blog and Blook: November 2005 Archives(Site not responding. Last check: 2007-10-13)

People (even people from Tatooine) don't easily turn from average citizens into child killers.

Fewer people were killed than would have been affected had the bomb detonated on land, but the impact was more personal.” Quinn set the Darth Vader down and walked back to his chair.

After having read a plethora of blogs, it seems that the blogger (me, in this case) is supposed to have some sort of opinion about something.

His loathing for Superman is personal: According to DC comics lore, Luthor went bad as a teenager when Superboy, rescuing him from a scientific experiment gone awry, inadvertently caused him to go bald.

In the old comics, Superman would respond to a hurricane or other disaster, only to find out that it was a cover for a robbery or other heinous act by Luthor's men.

In the cultural upheaval of the '60s, comic artists such as Jack Kirby (creator of the characters Darkseid and Dr. Doom, on whom Darth Vader was said to be based) began to invest villains with moral ambiguity, Evanier says.

Even before the Terrytoons character's initial release, however, another characternamed Supermouse was in the works.

In part, this was due to a decision to team him with an earlier Terrytoons character, Oil Can Harry, the villain in a brief and unjustly forgotten series of "Mellerdramas" the studio did in the late 1930s.

He first appeared in his own comic in 1946, and was published steadily all through the 1950s and part of the '60s.

In 2005, Cartoon Network will telecast brand new series and acquisitions, launch an original programming franchise for young viewers and their parents and support a healthy lifestyle initiative, it was announced today at Cartoon Network’s Upfront presentation to advertising executives and the media in New York.

The central character takes on near-mythical status as he returns to his hometown of Atlanta and gets caught up by a diverse collection of kid outcasts who swirl in and out of his life.

It has everything a camper could want: rustic cabins namedafter all the famous beans (like soy, garbanzo, jumping and cocoa); a beach for aquatic fun; a campfire pit; a loudspeaker for blasting music to all the campers; and a mess hall.

character "Neddie Flanders" mentioned in Truman Capote story who was this 80 or 90 year old guy in New Orleans, who up until the mid-seventies appeared in Jackson square, dressed in a tux and top hat, who would sing and tap dance and play his harmonica.

People would call into his show sharing with him their psychological problems, which he attempted to diagnose (with lots of unintentional humor).

Ralph Wiggum was namedafter Ralph Kramden on "The Honeymooners" because the character was intended to be a loudmouthed smaller version of Homer.