tag:blogger.com,1999:blog-22797026352166187522018-08-13T13:22:58.342-04:00MUSINGSMASTER OF MUSEUM STUDIES BLOG AT THE UNIVERSITY OF TORONTO
Musingshttp://www.blogger.com/profile/04477730106254300631noreply@blogger.comBlogger837125tag:blogger.com,1999:blog-2279702635216618752.post-88458997836177973332018-07-30T06:00:00.000-04:002018-08-05T21:31:19.660-04:00WAKE US UP IN SEPTEMBER: MUSINGS' SUMMER HIATUS<div class="separator" style="clear: both; text-align: center;"></div><a href="http://musingsmmst.blogspot.com/search/label/Letter%20from%20the%20Editor" target="_blank">LETTER FROM THE EDITORS</a><br /><br />BY: <a href="http://musingsmmst.blogspot.com/search/label/Amy%20Intrator" target="_blank">AMY INTRATOR</a> &amp; <a href="http://musingsmmst.blogspot.com/search/label/Kathleen%20Lew" target="_blank">KATHLEEN LEW</a><br /><br />Hello Musings readers! As your Editors-in-Chief are busy finishing up our internships at <a href="http://www.myseumoftoronto.com/" target="_blank">Myseum of Toronto</a> (Kathleen) and the <a href="http://holocaustcentre.com/" target="_blank">Sarah and Chaim Neuberger Holocaust Education Centre</a> (Amy), we cannot believe how fast the summer has flown by. To prepare for quickly approaching classes and another wonderful year at the iSchool, Musings will be taking a short hiatus for the month of August. We cannot wait to return in September with tons of new and exciting Musings content!<br /><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-50CHwM7vUEw/W1nlNzX5uwI/AAAAAAAAVZU/-n4YCWgFIWQoBSAtjMcfSl0efPCAEralwCEwYBhgL/s1600/_DSC0010.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1060" data-original-width="1600" height="263" src="https://1.bp.blogspot.com/-50CHwM7vUEw/W1nlNzX5uwI/AAAAAAAAVZU/-n4YCWgFIWQoBSAtjMcfSl0efPCAEralwCEwYBhgL/s400/_DSC0010.JPG" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Kathleen [Left] and Amy [Right] at iSchool's Getting Started. Photo courtesy of&nbsp;Roshni Thawani.&nbsp;</td></tr></tbody></table>Our Contributing Editors have worked incredibly hard to provide you with interesting and insightful writing throughout the summer. Some of the many highlights include:<br /><div><br /></div><div>1) An exploration of the criteria conservators use to determine <a href="http://musingsmmst.blogspot.com/2018/07/to-save-or-not-to-save.html" target="_blank">which artifacts to save</a>.&nbsp;</div><div><br /></div><div>2) A discussion on how your <a href="http://musingsmmst.blogspot.com/2018/05/stuff-stuff-more-stuff.html" target="_blank">personal belongings</a> can become part of museum collections.</div><div><br /></div><div>3) Exhibition reviews of everything from <a href="http://musingsmmst.blogspot.com/2018/05/fantastic-fish-and-where-to-find-them.html" target="_blank">Curious Creatures at Ripley's Aquarium</a>, to Ellen Gallagher’s <a href="http://musingsmmst.blogspot.com/2018/07/worth-wait-ellen-gallaghers-nu-nile-at.html" target="_blank">Nu-Nile at the Power Plant</a>.</div><div><br /></div><div>4) A reflection on how <a href="http://musingsmmst.blogspot.com/2018/06/memory-x-murals.html" target="_blank">Toronto murals</a> echo both private and public memories.</div><div><br /></div><div>5) An evaluation of the limitations and opportunities of technology when&nbsp;<a href="http://musingsmmst.blogspot.com/2018/07/technology-innovation-or-limitation.html" target="_blank">innovating museum exhibitions</a>.<br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BkDukV0Hadi/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BkDukV0Hadi/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">It may be summer, but MMSt students are hard at work! Catch up on another week of Musings featuring more intern insight (link in bio)! #WeeklyRoundUp 🏛</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/musingsmmst/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Musings - MMSt Student Blog</a> (@musingsmmst) on <time datetime="2018-06-15T20:11:04+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 15, 2018 at 1:11pm PDT</time></div></div></blockquote></div><div><div><br />Furthermore, we successfully continued our summer columns-- The Grad School Guide, which shares the <a href="http://musingsmmst.blogspot.com/2018/06/5-hidden-spots-on-campus-to-relax.html" target="_blank">secret spots of UofT campus</a>, and Internship Check-In (take a peak at the lives of <a href="http://musingsmmst.blogspot.com/2018/07/lord-interns-talk-community.html" target="_blank">MMSt interns at Lord Cultural Resources!</a>). <br /><br />Another exciting development included launching TWO brand new columns-- Muse News, which reported on the controversy surrounding <a href="http://musingsmmst.blogspot.com/2018/06/robbing-banksy-theft-of-artwork-and_18.html" target="_blank">Toronto’s Banksy exhibition</a>, and Program Reviews, which provided an insightful reflection on UN Live and <a href="http://musingsmmst.blogspot.com/2018/06/a-future-to-imagine-for.html" target="_blank">Michael Edson’s talk</a> at the Aga Khan Museum.<br /><br /><div class="separator" style="clear: both; text-align: center;"></div>We are beyond excited for the year ahead! When we return, you can expect more of the columns you love, and hopefully some new editions to the Musings team. If you’re an incoming student, welcome! There are so many opportunities to get involved in the Museum Studies program outside of the classroom. In September we will be looking for new writers to join the Musings team, so keep an eye out for your friendly Musings’ Editors-in-Chief at Orientation.<br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BlOUub8neu6/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BlOUub8neu6/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">It was great talking with incoming iSchool students at today’s Getting Started event! We may have even met some future Contributing Editors. 📝🏛 #MMSt #GettingStarted #iSchool</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/musingsmmst/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Musings - MMSt Student Blog</a> (@musingsmmst) on <time datetime="2018-07-14T19:28:18+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jul 14, 2018 at 12:28pm PDT</time></div></div></blockquote><br /></div><div>New students can also get involved by joining the <a href="https://ischool.utoronto.ca/news/mentoring-ischool/" target="_blank">iSchool mentorship program</a> where you’ll be matched with an upper-year student who will help you navigate your first year. Also in September, the Museum Studies Student Association (<a href="http://www.mussa.ca/" target="_blank">MUSSA</a>) will hold their next election, and there will be lots of opportunities for first-year students. To stay up-to-date with all the excitement, make sure to check our <a href="https://www.facebook.com/musingsmmst/" target="_blank">Facebook</a>, <a href="https://twitter.com/musingsmmst" target="_blank">Twitter</a>, and <a href="https://www.instagram.com/musingsmmst/" target="_blank">Instagram</a> for the latest news. <br /><br />Thank you to all our readers and contributors for making the summer season of Musings so successful. If you have any feedback for our team, please reach out to us at musings.mmst@gmail.com<br /><br />Have a terrific August! </div></div></div>Kathleen Lewhttps://plus.google.com/103277129862001627923noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-13299549020161076932018-07-27T06:00:00.000-04:002018-08-05T21:30:20.338-04:00THE MAGNETISM OF AN 'IN-BETWEEN'SPECIAL EDITION – MI FEATURE<br /> <br /> BY: CHRISTINA BONDI<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;"><br /></div>On Saturday, July 21st, I set out for the Ontario Science Centre, donning my <i>Back to the Future</i> t-shirt and hoverboard necklace. The reason for this expedition was <a href="https://www.ontariosciencecentre.ca/Popnology/"><i>POPnology</i></a>, an exhibition visiting from May 19 to August 6, 2018. I eagerly walked into Proctor &amp; Gamble Great Hall. Before me, popular culture and science/technology had actively joined forces, allowing for conversation. I stood at the threshold, between one and the other, and explored this thrilling ‘in-between’.<br /><br />Baxter, a robot designed by <a href="https://www.rethinkrobotics.com/">Rethink Robotics</a>, is positioned near the entrance of <i>POPnology</i>. Visitors are first greeted, and then introduced to the exhibition space. During Baxter’s brief presentation, its arms move and facial features change. The sign just below the robot reads, “Demos every 5 minutes. Even robots need rest!” Reflecting further, it is clear that Baxter illustrates an enduring need for humans to convey anthropomorphic features or mannerisms onto robotics.<br /><div class="MsoNormal"><span style="font-family: &quot;times new roman&quot; , serif;"><br /></span><span style="font-family: &quot;times new roman&quot; , serif; font-size: 12.0pt; line-height: 107%;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-_Y_UgEl8rzk/W1e3jVYlBDI/AAAAAAAAVXk/XJMtfwZWiRgd1Z7w7MmYbtgs6pz7NLBRwCEwYBhgL/s1600/Image%2B1.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://2.bp.blogspot.com/-_Y_UgEl8rzk/W1e3jVYlBDI/AAAAAAAAVXk/XJMtfwZWiRgd1Z7w7MmYbtgs6pz7NLBRwCEwYBhgL/s640/Image%2B1.jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Baxter welcomes visitors to POPnology. Photo courtesy of Christina Bondi.</span></td></tr></tbody></table></span></div><div class="MsoNormal"><span style="line-height: 107%;"></span></div>Baxter mentions four central ‘spheres’ in which to reflect upon the term popnology: ‘How We Connect,’ ‘How We Play,’ ‘How We Live &amp; Work,’ and ‘How We Move.’ Throughout the exhibition space, visitors are able to learn about how science fiction and science coexist and converse with each other: in wrist and handheld devices, robotics, virtual reality, video games, 3D printing, space exploration (i.e. Mars and aliens), autonomous vehicles, AI, and so on. For example, I found the visual timeline of real versus fictitious robots to be quite effective. In the image below, you will see that these robots—whether they be conceptually or materially constructed—were, are, or will be a part of our popular culture.<br /><div class="separator" style="clear: both; font-family: &quot;Times New Roman&quot;, serif; font-size: 12pt; text-align: left;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-size: 12pt; line-height: 107%; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-kElbA_TMfRs/W1e3jvBOFuI/AAAAAAAAVXo/dcGVCyVFlL0-Jl46gzSWqnVNgTL-tZsrgCEwYBhgL/s1600/Image%2B2.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://2.bp.blogspot.com/-kElbA_TMfRs/W1e3jvBOFuI/AAAAAAAAVXo/dcGVCyVFlL0-Jl46gzSWqnVNgTL-tZsrgCEwYBhgL/s640/Image%2B2.jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Robots: a timeline. Photo courtesy of Christina Bondi.</span></td></tr></tbody></table>The exhibition features a time capsule structure with several significant individuals, in relevant fields: the visions and realities of select authors, scientists, inventors, and business people throughout history. These include, but are not limited to, Leonardo da Vinci, Walt Disney, Elon Musk, and Steve Jobs. The capsule even includes four small displays (one for each ‘sphere’ of <i>POPnology</i>), which make up a popular culture collection (i.e. books, photographs, and other objects) of a time past.<br /><div style="text-align: center;"><span style="font-family: &quot;times new roman&quot; , serif;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-size: 12pt; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-r6nboZIRQqA/W1e3jfZHXHI/AAAAAAAAVXs/WDe1q18meegYA12KmpmyCo9iBMqO_ENNgCEwYBhgL/s1600/Image%2B3.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://1.bp.blogspot.com/-r6nboZIRQqA/W1e3jfZHXHI/AAAAAAAAVXs/WDe1q18meegYA12KmpmyCo9iBMqO_ENNgCEwYBhgL/s640/Image%2B3.jpeg" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">The POPnology time capsule. Photo courtesy of Christina Bondi.</span></td></tr></tbody></table>Also, it was truly inspiring to see the <i>Back to the Future</i> DeLorean time machine and hoverboard; I always appreciate learning about how others envision and contemplate the future. But more to the point, I am a devoted <i>Back to the Future</i> fan.<br /><div class="separator" style="clear: both; font-family: &quot;Times New Roman&quot;, serif; font-size: 12pt; text-align: left;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-size: 12pt; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-nGw15bPyeY4/W1e3kJnwmuI/AAAAAAAAVXw/XwsNtKBmnCgYNqK3-Zinz-ocQFoSDv5CQCEwYBhgL/s1600/Image%2B4.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://3.bp.blogspot.com/-nGw15bPyeY4/W1e3kJnwmuI/AAAAAAAAVXw/XwsNtKBmnCgYNqK3-Zinz-ocQFoSDv5CQCEwYBhgL/s640/Image%2B4.jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">&nbsp;The <i>Back to the Future</i> DeLorean time machine. Photo courtesy of Christina Bondi.</span></td></tr></tbody></table>Both children and adults are encouraged to engage with <i>POPnology’s</i> exhibition space. The many interactive elements balanced and complemented the themes’ written text. Visitors manoeuvre robotic arms in order to remotely lift dinosaur eggs and create block structures. A rover drives around a small area of Mars, based on remote-control implementation and human engagement (i.e. click the buttons to assign movement). During my own visit, I thoroughly enjoyed a game of tic-tac-toe with ToeBot. Though quite clever and determined, I did find a way to double-trap the robot.<br /><div style="text-align: center;"><span style="font-family: &quot;times new roman&quot; , serif;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-size: 12pt; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ON1D6NMjkE8/W1e3kvE5DnI/AAAAAAAAVX0/YEl8r-kEAAAkN2gy_yUlZiEvO1YWURjVACEwYBhgL/s1600/Image%2B5.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://1.bp.blogspot.com/-ON1D6NMjkE8/W1e3kvE5DnI/AAAAAAAAVX0/YEl8r-kEAAAkN2gy_yUlZiEvO1YWURjVACEwYBhgL/s640/Image%2B5.jpeg" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">An engrossing game of tic-tac-toe with ToeBot. Photo courtesy of Christina Bondi</span></td></tr></tbody></table>To further obscure the real and the virtual, I also had the chance to ‘transport’ myself into two virtual settings (of ten) via an <a href="https://www.oculus.com/">Oculus Rift</a> headset. The experience was brief yet intense. In one setting, for example, I had been placed on the top of a building, overlooking a dystopic/futuristic cityscape. I spent the time struggling to convince myself that it was simply a virtual construction. Did I dare move forward and risk stepping off the platform?<br /><br />Desperately seeking a return to some kind of material form, I then thought of 3D printing. The 3D printing booth at POPnology features both <a href="https://formlabs.com/">Formlabs</a> and <a href="https://www.makerbot.com/">MakerBot</a> printers—the latter in ‘additive action’ for passersby to witness! Even the ground-breaking, inaugural 3D printed car (<a href="https://localmotors.com/">Local Motors</a>) is on display, to praise and applaud. 3D printing is quite a multi-purpose process, as it can produce prosthetics (i.e. <a href="http://exiii-hackberry.com/">Exiii HACKberry</a> arm), medical models, and decorative items, just to name a few.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-pXOAOA0TrI4/W1kZlnJqE_I/AAAAAAAAVY4/gqZJwtHdeDEyr8qIHZgWC87EGcg_FyN2QCLcBGAs/s1600/Image%2B6.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="309" data-original-width="696" height="283" src="https://4.bp.blogspot.com/-pXOAOA0TrI4/W1kZlnJqE_I/AAAAAAAAVY4/gqZJwtHdeDEyr8qIHZgWC87EGcg_FyN2QCLcBGAs/s640/Image%2B6.png" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">3D printing booth (left), Local Motors 3D printed car (centre), and Exiii HACKberry prosthetic arm (left). <br />Photos courtesy of Christina Bondi.</span></td></tr></tbody></table><i>POPnology</i> offers engagement with both traditional (i.e. arts-and-crafts) and digital forms of making. For instance, a workshop is available for children to construct a Mars lander, consisting of a parachute and other craft supplies as needed. This allows for a more traditional crafting experience. Nearby, <a href="http://steamlabs.ca/">STEAMLabs</a> (a Toronto-based makerspace) calls for interaction via coding/programming. The result involves moving a robotic arm, so as to lift Minecraft-themed objects.<br /><div class="MsoNormal" style="margin-top: 12.0pt;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-size: 12pt; line-height: 107%; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-6H6VqxVL8Eg/W1e3lmn6BMI/AAAAAAAAVYI/8r-8BSDYLWMoM73u3pO8NkHFoRPWv5NCACEwYBhgL/s1600/Image%2B7.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://2.bp.blogspot.com/-6H6VqxVL8Eg/W1e3lmn6BMI/AAAAAAAAVYI/8r-8BSDYLWMoM73u3pO8NkHFoRPWv5NCACEwYBhgL/s640/Image%2B7.jpeg" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Coding with STEAMLabs. Photo courtesy of Christina Bondi.</span></td></tr></tbody></table>As a small treat, I will end by sharing one last experience. Whilst exploring the exhibition, I came across the <i>POPnology</i> photo booth. Because of my <i>Back to the Future</i> attire, I thought it was especially fitting to document the visit. Below, you will find me, presumably, in transit through time; when selecting photographs for this article, I had noticed that the <i>Back to the Future</i> DeLorean time machine replica features the same backdrop (see image 4 to compare).</div><div class="MsoNormal" style="margin-top: 12.0pt;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-size: 12pt; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-RJcjR7fwekw/W1e3lhpEU6I/AAAAAAAAVYE/JEWz-yLF_fIQIy1uTRcwbGXYfqi8gbdowCEwYBhgL/s1600/Image%2B8.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="267" data-original-width="398" height="427" src="https://3.bp.blogspot.com/-RJcjR7fwekw/W1e3lhpEU6I/AAAAAAAAVYE/JEWz-yLF_fIQIy1uTRcwbGXYfqi8gbdowCEwYBhgL/s640/Image%2B8.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">&nbsp;“Where am I?” Photo courtesy of the <i>POPnology</i> photo booth, Ontario Science Centre.</span></td></tr></tbody></table>Examine (through both written/visual content and experiential activities) the deep-rooted attraction between popular culture and science/technology at the Ontario Science Centre’s <i>POPnology</i>. This exhibition closes on August 6, 2018. No need to jump into your DeLorean time machine quite yet. There’s still some time!</div>Kathleen Lewhttps://plus.google.com/103277129862001627923noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-56808293869702218842018-07-25T06:00:00.000-04:002018-07-25T06:00:12.813-04:00SOME NOT SO ITSY BITSY SPIDERSEXHIBITION REVIEWS<br /><br />BY: MADDY HOWARD<br /><br />Some not so itsy bitsy spiders have managed to find a new home at the Royal Ontario Museum this summer, in the&nbsp;<i><a href="https://www.rom.on.ca/en/spiders" target="_blank">Spiders: Fear &amp; Fascination</a> </i>exhibition. We love to hate these creepy crawlies, but this exhibition encourages visitors to face their fears and immerse themselves in the fascinating world of these web-slingers.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://media.giphy.com/media/c0yw2iaBWgGKQ/giphy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="207" data-original-width="500" height="132" src="https://media.giphy.com/media/c0yw2iaBWgGKQ/giphy.gif" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://media.giphy.com/media/c0yw2iaBWgGKQ/giphy.gif" target="_blank">Source</a>.</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-htYLEJtmvUM/W1Jadlc4ljI/AAAAAAAAAMg/M2Zw11Q8ZX0lte2TIztv82fdKOpd97SoACEwYBhgL/s1600/Photo%2B2018-07-15%252C%2B12%2B33%2B20%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-htYLEJtmvUM/W1Jadlc4ljI/AAAAAAAAAMg/M2Zw11Q8ZX0lte2TIztv82fdKOpd97SoACEwYBhgL/s320/Photo%2B2018-07-15%252C%2B12%2B33%2B20%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Spider Specimens. Photo courtesy of Maddy Howard.</td></tr></tbody></table><i>Spiders: Fear &amp; Fascination</i>&nbsp;is making its North American debut at the ROM this summer. The ROM also added a little more information about the spiders closer to our doorstep, by including an examination of spiders in North America. <i>Spiders </i>also examines our fascination with these arachnids from a cultural and artistic point of view.&nbsp;The exhibition takes our fears and breaks them down by engaging with visitors in a unique and informative way.<br /><i><br /></i><i>Spiders</i>&nbsp;allows visitors to come face-to-face with these eight-legged creatures. The exhibition features more than 200 live and preserved specimens to encourage people to get up close and personal with some of their greatest fears.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-3iQVIejpQ4Q/W1Jafk5L97I/AAAAAAAAAMg/B6j8mL5LhAQnkSGUrVJuFwTVpsNsjGZMgCEwYBhgL/s1600/Photo%2B2018-07-15%252C%2B12%2B50%2B53%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://4.bp.blogspot.com/-3iQVIejpQ4Q/W1Jafk5L97I/AAAAAAAAAMg/B6j8mL5LhAQnkSGUrVJuFwTVpsNsjGZMgCEwYBhgL/s320/Photo%2B2018-07-15%252C%2B12%2B50%2B53%2BPM.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Live Black Widow Spider. Photo courtesy of Maddy Howard.</td></tr></tbody></table>Both adults and children can enjoy this seemingly terrifying ordeal. The exhibition combines real and virtual experiences, which opens up the world of spiders in a way that has never before been experienced. The melding of technology and information was incredible and offered something for adults and children alike. It also allowed visitors to better connect with the information given and made the experience enjoyable for those who might struggle with the subject matter.<br /><br />Some notable interactive games included, hunting down spiders in a virtual garden, a peacock spider dance-off, and seeing through the eyes of a jumping spider. A live specimen demonstration occurs daily in the Spider Lab, which is another unique feature to this informative exhibition. In the Spider Lab, guests can watch the Spider Wranglers talk about the different species and might get to see them milk some venom!<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-ApAMjIVnxtE/W1JafAu2d8I/AAAAAAAAAMY/AhPRM4SJD1wrA1NBHQfr0PEQTjqJTcbsgCEwYBhgL/s1600/Photo%2B2018-07-15%252C%2B12%2B43%2B49%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-ApAMjIVnxtE/W1JafAu2d8I/AAAAAAAAAMY/AhPRM4SJD1wrA1NBHQfr0PEQTjqJTcbsgCEwYBhgL/s320/Photo%2B2018-07-15%252C%2B12%2B43%2B49%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Kids try to catch their "prey" with spider-like pincers. Photo courtesy of Maddy Howard.</td></tr></tbody></table>There are different sections around the exhibition, including "What are Spiders?" "Diet, Jaws &amp; Venom," and "Spiders &amp; Us" to name a few. Each section focuses on a different aspect of the arachnid world. Each section is also given an interactive game for parents and children to partake in.<br /><br />However, while the virtual and augmented reality aspects are a great inclusion, there is still tons of information available to the visitors. There is a lot of text, which might seem overwhelming, but the exhibition spreads it out and intersperses the information with games and live species, so visitors can engage with information hands-on.<br /><br />Facts are interspersed around the exhibition, which is a fun way to entertain and educate visitors as they travel through the space. For example, did you know that spider silk is used in heart surgery? Or that spiders are over 300 million years old?<br /><br /><i>Spiders</i>&nbsp;doesn't just focus on the spiders. It also explores how our culture interacts with these critters and how beautiful these creatures can be.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-J44JfFGfS1Q/W1JagLLSuRI/AAAAAAAAAMc/gDKeEgQJxGgyxKqPpvrKNIradvLA5_AdwCEwYBhgL/s1600/Photo%2B2018-07-15%252C%2B12%2B53%2B34%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://4.bp.blogspot.com/-J44JfFGfS1Q/W1JagLLSuRI/AAAAAAAAAMc/gDKeEgQJxGgyxKqPpvrKNIradvLA5_AdwCEwYBhgL/s320/Photo%2B2018-07-15%252C%2B12%2B53%2B34%2BPM.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Spider silk cape made from silk from the golden silk orbweaver. It took three years to make and took silk from over a million golden silk orbweavers. Photo courtesy of Maddy Howard.</td></tr></tbody></table>The exhibition ends with "Spiders &amp; Us" where visitors can look at spiders in our everyday lives and how we incorporate these creatures into our stories. Webs and spiders are common literary and symbolic features, and are present in many cultures from around the world. This section offers visitors a chance to think about the way they engage with spiders in their daily lives.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-XuKUd7u07mA/W1JwcggmEMI/AAAAAAAAAMw/vhh2724S7qAfhav4gk9v4qZA1zv6cH9wQCLcBGAs/s1600/Photo%2B2018-07-15%252C%2B1%2B00%2B09%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-XuKUd7u07mA/W1JwcggmEMI/AAAAAAAAAMw/vhh2724S7qAfhav4gk9v4qZA1zv6cH9wQCLcBGAs/s320/Photo%2B2018-07-15%252C%2B1%2B00%2B09%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Mirror of Dearth. Photo courtesy of Maddy Howard.</td></tr></tbody></table>Of course no exhibition about spiders is complete without a visit from your friendly neighbourhood Spider-Man. Spider-Man closes out the exhibition with an oversized comic book for people to flip through, and a display about other Spider-themed superheroes (i.e. Black Widow). This was an appreciated addition to the exhibition and reinforced that maybe spiders are not as bad as we make them out to be.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-iKTUOqHQQzo/W1JaaJmbCjI/AAAAAAAAAMM/AqJS_5rvSJ8QVeGKlWqFCZc8o_tFJg6EwCEwYBhgL/s1600/Photo%2B2018-07-15%252C%2B1%2B02%2B44%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-iKTUOqHQQzo/W1JaaJmbCjI/AAAAAAAAAMM/AqJS_5rvSJ8QVeGKlWqFCZc8o_tFJg6EwCEwYBhgL/s320/Photo%2B2018-07-15%252C%2B1%2B02%2B44%2BPM.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Your friendly neighbourhood Spider-Man. Photo courtesy of Maddy Howard.</td></tr></tbody></table><i>Spiders: Fear &amp; Fascination</i>&nbsp;forces visitors to confront their fears and to learn about the eight-legged creatures in a fun, interesting way. Through interactive and augmented reality, live specimens and boatloads of information, visitors are able to drop their pre-concieved notions and engage with this new and exciting world of spiders.<br /><br />The exhibition opened June 16, 2018 and runs until January 6, 2019, so swing on over to the Royal Ontario Museum to hang out with some spindly spiders.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://media.giphy.com/media/zUzbfkkaB410c/giphy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="352" data-original-width="480" height="234" src="https://media.giphy.com/media/zUzbfkkaB410c/giphy.gif" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://media.giphy.com/media/zUzbfkkaB410c/giphy.gif" target="_blank">Source</a>.</td></tr></tbody></table>Maddy Howardhttps://plus.google.com/100082709496146231991noreply@blogger.com2tag:blogger.com,1999:blog-2279702635216618752.post-36982987245610778742018-07-23T06:00:00.000-04:002018-07-23T06:00:01.250-04:00FEATHERED DINOSAURS, DYNAMIC TEAMS, AND MUSEUMS TEACHING MUSEUMSINTERNSHIP CHECK-IN<br /><br />BY: KATHLEEN LEW<br /><br /><div>As summer is flying by, I present to you the FINAL installment of Internship Check-In. It was an absolute pleasure hearing from my classmates about their internship experiences. Hopefully Internship Check-In shed light on all the wonderful work MMSt students are completing in institutions across Canada and internationally. But not to worry, it’s not over yet! Musings has FOUR more interviews to share.* <br /><br />This post features: <br /><br /><b>Shauna Edgar</b>: <a href="https://www.rom.on.ca/en" target="_blank">Royal Ontario Museum</a>, Toronto, ON<br /><br /><b>Anna England</b>: <a href="https://www.warmuseum.ca/" target="_blank">Canadian War Museum</a>, Ottawa, ON<br /><br /><b>Evelyn Feldman</b>: <a href="http://www.markhammuseum.ca/" target="_blank">Markham Museum</a>, Markham,ON<br /><br /><b>Amy Intrator</b>: <a href="http://holocaustcentre.com/" target="_blank">Sarah and Chaim Neuberger Holocaust Education Centre</a>, UJA Federation, North York, ON<br /><b><br />Tell us a bit about yourself and your museum-related interests. </b><br /><br /><b>Shauna:</b> For the past five years I have been a volunteer, a student, an employee or a mixture of roles at the Vertebrate Palaeobiology lab at the ROM. During my undergraduate degree I studied evolutionary biology and completed a senior year thesis at the ROM on a new species of softshell turtle from the Late Cretaceous. During this time, I’ve also been lucky enough to participate in two field seasons with the Southern Alberta Dinosaur Project. I’m fascinated by all things evolutionary and prehistoric and was thrilled to be hired as the Collections Assistant in the Vert Palaeo lab for the summer. I hope to devote my career to the preservation and management of natural history collections which are invaluable resources for education and research. <br /><br /><b>Anna: </b>After completing my Bachelor of Arts in History and French at the University of King’s College in Halifax, I went on to complete a Master of Arts in History at Lakehead University. I always knew I wanted to work with history and, as time went on, I became increasingly drawn to the concept of working with the material culture associated with the time periods I am most interested in. Throughout my first master’s degree, I began really involving myself with museums and historical associations. As I entered the Master of Museum Studies program at the University of Toronto, it became clear to me that I would like to work primarily with tangible history, likely in the capacity of collections management or exhibition design. <br /><br /><b>Evelyn:</b> I am entering my third year in the iSchool’s Concurrent Registration Option, pursuing both a Master of Information and a Master of Museum Studies. On the Information side, I am concentrating in Libraries, rather than Archives (the more common choice in the program). At first, even I didn’t quite understand the reason for this dual interest, but I’ve come to realize that it’s because I love the front-end side of both libraries and museums. I love the way both types of institutions engage patrons/visitors in learning, help them discover new things, offer exciting or useful programs, and overall encourage people to think about and learn about the world around them. <br /><br /><b>Amy:</b> Hello, my name is Amy! I recently finished my first year of a collaborative degree in Museum Studies and Jewish Studies at the University of Toronto. Before entering the Museum Studies program, I earned my Honours Bachelor of Arts, also at the University of Toronto, with a major in History and a double minor in English and Jewish Studies. Over the course of my Undergraduate degree, I realized my passion for history, culture, art, and working with the public, and I realized that the Museum Studies program offered a rare opportunity to blend my love for academia with my interest in public-facing institutions. The collaborative program has allowed me to study the intersection of cultural organizations and institutions with a focus on Jewish heritage.&nbsp;</div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-zrm700_6G8s/W1I-AENrYwI/AAAAAAAAVWc/dMgTiDZsFxotV_Wk_r8TYsxzeo32x_H1gCEwYBhgL/s1600/Shauna%2BEdgar.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1024" data-original-width="1600" height="255" src="https://3.bp.blogspot.com/-zrm700_6G8s/W1I-AENrYwI/AAAAAAAAVWc/dMgTiDZsFxotV_Wk_r8TYsxzeo32x_H1gCEwYBhgL/s400/Shauna%2BEdgar.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Shauna sitting with the holotype specimen of <i>Champsosaurus albertensis</i>. Photo courtesy of Shauna Edgar.&nbsp;</span></td></tr></tbody></table><div><div><b>What is a typical day at your institution? What are your responsibilities? </b><br /><br /><b>Shauna: </b>A typical day for me primarily involves rehousing our holotype collection of vertebrate fossils. This requires various judgement calls regarding each specimen’s individual storage based on its conservation needs. For most of the larger fossils I create customized foam cradles for structural support. Additionally, my job involves research into each specimen and its species to update our catalogue records. I can also be found puzzling over small fragments of bone to sort and identify, and cleaning/repairing fossils. <br /><br /><b>Anna:</b> As a research assistant for Dr. Tim Cook, a day for me at the War Museum is never the same as the last. Dr. Cook has been phenomenal at ensuring I get a chance to experience as much as I can during my time here, so he will often have me sit in on exhibition development meetings, attend collections workshops, catalogue, or conduct primary/secondary research. Some of the tasks I have had include cataloguing postcards from a soldier during the First World War, categorizing and researching art from the Second World War, compiling contextual research about war artist Alfred Munnings, and helping plan artifact displays and visitor interactives for an upcoming Hundred Days exhibition. I thoroughly enjoy the level of variety in the work I do.<br /><br /><b>Evelyn: </b>Some days, I am helping with our variety of programs: shadowing programs, helping to run programs, helping to prepare programs, or working at the front desk as our tour guide. When there aren’t programs going on, I’m working on my big project for the internship, which is updating the museum’s walk-in tour. The museum has 25 acres, with numerous heritage buildings from around Markham. I am researching all of these buildings (who lived there? Where are the buildings from? What are their architectural features?) and related topics (blacksmithing! beekeeping! baptists! bricklaying techniques! Just to name some “B”’s), using the files and documents in the curatorial department, to develop a new-and-improved package of information for tour guides. <br /><br /><b>Amy:</b> You’ve been reading this column for a couple months now, so you can probably guess, there is no typical day at my institution! My position is the Museum and Programs Intern, which captures the two different roles that I alternate between here at the Neuberger Centre. Some days are more dedicated to museum-related tasks, like helping review the collection and determine best practice for cataloguing and storing various artifacts. Other days, I spend more time on the program-related tasks, mainly helping to plan the upcoming Holocaust Education Week, which will take place in the first week of November. My program-related tasks can include anything from corresponding with community partners, to looking for venues, to planning for an exhibition to be included in the program!</div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-rJPPrtvjljA/W1I-WlG0wgI/AAAAAAAAVWk/cKtFfPheNk8zMTfkKvKJ89gyj8RSK43JACLcBGAs/s1600/Evelyn%2BFeldman.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://4.bp.blogspot.com/-rJPPrtvjljA/W1I-WlG0wgI/AAAAAAAAVWk/cKtFfPheNk8zMTfkKvKJ89gyj8RSK43JACLcBGAs/s400/Evelyn%2BFeldman.JPG" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Evelyn working hard on Markham Museum's programming. Photo courtesy of Evelyn Feldman.&nbsp;</span></td></tr></tbody></table><b>What is something you have learned so far at your internship? </b><br /><br /><b>Shauna: </b>I’ve learned a lot about collection management within a large institution like the ROM and have been able to see how our collection is stored and managed from the gallery to behind the scenes. There are so many important decisions to be made regarding how to organize and store a collection, and even more that must be made when displaying specimens in the gallery. Although much of my work is technical and collections-focused, I’ve seen how returning a specimen to its display case can be an opportunity to informally engage with visitors, answer questions, and have fun talking about feathered dinosaurs. <br /><br /><b>Anna: </b>During my time at the War Museum, I have had the chance to meet with and learn from many amazing museum staff members in a wide range of different fields. From researchers, to curators, to collections management and exhibition designers, I have been able to sit in and explore what each of these jobs entail. This experience has allowed me to further understand the inner workings of a national museum while also giving me an opportunity to delve into potential future career paths. My internship has also taught me how exhibitions are developed, from the beginning brainstorming phase through to the compilation of research and artifacts and on to the finalized review and advertising. <br /><br /><b>Evelyn:</b> There are the obvious things like classroom management techniques, program development, and research skills. But one of my favourite things to learn has been just how easily museum and library skills can intersect. In working on the tour, I’m really drawing a lot from the Master of Information side of my degrees, and my work in libraries. I’m researching such a variety of topics, and trying to organize the information about them in a way that will be easiest for tour guides to assimilate and reference back to. <br /><br /><b>Amy:</b> I have learned how collaborative public programming can be! Since Holocaust Education Week is such a large program, every member of the Neuberger team is involved in the planning process. I expected that I would work closely with my supervisor, since she manages the public programs, but all of the Neuberger staff contribute to the process. My role has meant working with staff members in various departments from education to management. I know this is a reality for most institutions with a small number of staff, but I didn't realize how exciting it would be to work with a dynamic team. The programming is also built around community collaborations, so I have learned about the process of co-organizing events with various community members and institutions.</div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-mpLe0z8_DAU/W1I-1PfvIeI/AAAAAAAAVW0/MVgbCy187PQ3ZR91JkdZ25m6Riy7EF03wCLcBGAs/s1600/Amy%2BIntrator.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1350" data-original-width="1600" height="337" src="https://2.bp.blogspot.com/-mpLe0z8_DAU/W1I-1PfvIeI/AAAAAAAAVW0/MVgbCy187PQ3ZR91JkdZ25m6Riy7EF03wCLcBGAs/s400/Amy%2BIntrator.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Amy Intrator in front of the Frank and Anita Ekstein Holocaust Resource Collection at the Neuberger Centre. <br />Photo courtesy of Amy Intrator.&nbsp;</span></td></tr></tbody></table>&nbsp;<b>What are you excited about accomplishing throughout your internship?</b></div><div><br /><b>Shauna: </b>I am very excited to be upgrading the storage of the holotype collection. It is a largescale project that has a lasting impact for research and the curation of our collection. Once complete, we will have an updated catalogue, specimens will be stored safely and securely in customized foam cradles, and fossils that were broken due to less than ideal storage or historical preparation practices will be repaired. <br /><br /><b>Anna:</b> Looking at the work I have already done makes me feel exceptionally proud and I am thrilled to have been given this opportunity by Dr. Cook. Proceeding forward, I am very excited to continue my work on categorizing and helping to select the art work that will be featured in the future 2020 exhibition to commemorate the 75th anniversary of the end of the Second World War. I am honoured to have been given this role and am excited to see the final product along with the art work I have suggested be included. I am also looking forward to co-authoring an article with Dr. Cook on the work we have done regarding Alfred Munnings, who was a war artist during the First World War. <br /><br /><b>Evelyn:</b> Obviously, I’m excited to see the tour actually be put into action! I think that’s the winner, hands down. <br /><br /><b>Amy:</b> I am excited to help make Holocaust Education Week 2018 a reality! The program won't launch until November, but already I have seen the program develop so much over the two months I've been at the Neuberger. It will be hard to leave the Neuberger at the end of August, right when planning goes into overdrive, but I already feel a great sense of pride that I have been able to contribute to the early program planning phase. From exhibits, to lectures, to panels, I have been able to lend a hand with a full roster of programming!</div><div><br />&nbsp; <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-2f8tqbQHM3E/W1I-P4AYlOI/AAAAAAAAVWo/OvVRt96KMTU6GwAOUJJ2U34ZaNxxN6TBgCEwYBhgL/s1600/Anna%2BEngland%2B2.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="993" data-original-width="1324" height="300" src="https://4.bp.blogspot.com/-2f8tqbQHM3E/W1I-P4AYlOI/AAAAAAAAVWo/OvVRt96KMTU6GwAOUJJ2U34ZaNxxN6TBgCEwYBhgL/s400/Anna%2BEngland%2B2.png" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Anna at the Canadian War Museum. Photo courtesy of Anna England.&nbsp;</span></td></tr></tbody></table><b>If you could create any museum (no matter how ridiculous) what kind of museum would it be?&nbsp;</b><br /><br /><b>Shauna: </b>I would love to see a museum all about Earth’s geologic history and geomorphology. At an early age, one of the key concepts that initially drew me to science was learning about plate tectonics and how mountains formed. It blew my mind. I began looking at the landscape where I lived completely differently. The ground beneath my feet was far from static, and had its own dramatic history. In addition to capturing the imagination, I think these foundational topics in geology help significantly in our understanding and acceptance of other scientific concepts such as evolution and climate change while also providing a foothold to ask further questions about the natural world. <br /><br /><b>Anna:</b> It is difficult for me to think of a specific idea for a museum that I would like to create, but I often think about events in history that go unrecognised or underexplored. There are many historically significant events that have occurred but may not have been examined to their full potential in the world of museums. Museums that are dedicated to more eclectic subject matters are also of interest to me, such as the travelling Museum of Failure, so perhaps I would like to create a museum along a similar theme. <br /><br /><b>Evelyn: </b>One of my favourite things is when museums teach about museums. A lot of museums do this in little ways; the Nova Scotia Museum of Natural History has a small display about how they transported artifacts off of Sable Island, for example. Museums can teach us about the different ways they preserve objects, or how they think about visitors, or how interpretation in museums can never be neutral, simply through what we choose to leave in and take out. I’d love to see a museum of museums: A museum that teaches us about the world around us—science, sociology, current events—through the lens of museums’ operations themselves. <br /><br /><b>Amy: </b>I am fascinated by the concept of a museum focused on Jewish heritage. A few years ago, a plan for the Jewish Museum of Canada was proposed, but the plan has been put on hold indefinitely. I would love to be a part of the process of making that museum a reality, as I think museums that focus on Jewish heritage have so much potential as spaces for education and cross-cultural dialogue. <br /><br />Want more of Internship Check-In? Check out previous interviews <a href="http://musingsmmst.blogspot.com/search/label/Internship%20Check-In" target="_blank">here</a>! <br /><br />*These interviews have been edited for length and clarity.</div></div></div>Kathleen Lewhttps://plus.google.com/103277129862001627923noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-76085405539575345352018-07-20T06:00:00.000-04:002018-07-22T11:15:28.223-04:00TECHNOLOGY: INNOVATION OR LIMITATION?MUSEUM INNOVATIONS<br /><br />BY: KEELAN CASHMORE<br /><br />We live in a technological age. Every year there are more advances in technology. From cellphones to self-driving cars, the digital world is becoming reality. With these changes comes the advancement of technology not only for personal use, but also for commercial use. <br /><br />As the digital world expands more and more museums are utilizing technology. Generally, this can help bring the museological world into the 21st century. However, there are some cases where these technologies might be more of a limitation than an innovation. A case study at <a href="https://www.therooms.ca/exhibits/always">The Rooms</a>, in St. John’s, Newfoundland, illustrates some of the stumbling blocks museums professionals must overcome for new technology to be successful.<br /><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-8EzP5k_xlC4/W0uH2zzVPHI/AAAAAAAAABs/tn4xFs1k7FE54wiIZbeHocgpKZNbI37vACLcBGAs/s1600/the%2Brooms.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="960" height="240" src="https://4.bp.blogspot.com/-8EzP5k_xlC4/W0uH2zzVPHI/AAAAAAAAABs/tn4xFs1k7FE54wiIZbeHocgpKZNbI37vACLcBGAs/s320/the%2Brooms.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">An image of The Rooms. Photo courtesy of Maureen Peters.</td></tr></tbody></table><div><br />Two exhibitions, <i>From This Place: Our Lives on the Land and Sea</i>, and <i>Here We Made a Home</i>, were developed with the express intention of implementing new digital technology. This technology included digital labels, digital hubs, and an interactive digital map and timeline of Newfoundland and Labrador. These exhibitions were designed to embrace technology with the goal of enhancing visitor experience, providing more information, lowering costs, and expediting exhibition changeover. <br /><br />But, did the addition of this technology succeed? <br /><br />Somewhat. <br /><br />The digital labels were designed as touchscreens that allowed visitors to access pictures and information about each object within the display case. In theory, they would increase access to more in-depth information about the objects and would decrease the need for paper labels. However, that was not the case.&nbsp;</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-wjbHJhZyEoo/W0uI9CzSwNI/AAAAAAAAAB4/1ZSD781VzzYmunA6PE3IFX8BA9DieiMbACLcBGAs/s1600/digital%2Blabel.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="960" height="240" src="https://1.bp.blogspot.com/-wjbHJhZyEoo/W0uI9CzSwNI/AAAAAAAAAB4/1ZSD781VzzYmunA6PE3IFX8BA9DieiMbACLcBGAs/s320/digital%2Blabel.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">An example of a digital label. Photo courtesy of Maureen Peters.</td></tr></tbody></table><div class="separator" style="clear: both; text-align: left;"><br /></div>First, the in-depth data needed to be rewritten, as it was in various forms of shorthand, and much of it was outdated. Then it was discovered that the labels and the museum’s database were not compatible. The information had to be uploaded by hand. Then the database crashed, wiping the labels. Thus, the work had to be uploaded, by hand, again. Another issue is that the touchscreens need to be re-calibrated frequently. Often a visitor will go to use the touchscreen, and nothing will happen. To combat this issue, paper labels were created, despite the original intent to eliminate them.<br /><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-Vnu3t9opvrU/W0uI9Xgo9GI/AAAAAAAAACY/9rGiSoMhcvM0bO7bENlBELR9hiVuSOMhACEwYBhgL/s1600/paper%2Blabels.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="675" data-original-width="504" height="320" src="https://4.bp.blogspot.com/-Vnu3t9opvrU/W0uI9Xgo9GI/AAAAAAAAACY/9rGiSoMhcvM0bO7bENlBELR9hiVuSOMhACEwYBhgL/s320/paper%2Blabels.jpg" width="238" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">An image of the paper labels attached to a digital label. Photo courtesy of Maureen Peters.</td></tr></tbody></table><div><br />Overall, the general consensus seems to be that the cost outweighs the benefit of the digital labels, as they were more time consuming than intended, and paper labels were needed anyway.&nbsp;</div><div><br />The digital hubs were meant to provide more “cultural heritage” by encouraging visitors to listen to traditional stories and folk music. The issue with the hubs is that they are quite time consuming to complete, and the editing requires a specific software with which employees are not familiar. Because of this, new equipment had to be purchased, and employees trained. To date, only two have been completed. This leaves sections of the exhibitions empty.&nbsp;</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-yh2nL8D8OjI/W0uI9NCh8wI/AAAAAAAAACQ/knrZkQfG11El3MCdPxQtW_NR1W2vKCZVwCEwYBhgL/s1600/hub2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="719" data-original-width="520" height="320" src="https://2.bp.blogspot.com/-yh2nL8D8OjI/W0uI9NCh8wI/AAAAAAAAACQ/knrZkQfG11El3MCdPxQtW_NR1W2vKCZVwCEwYBhgL/s320/hub2.jpg" width="231" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">One of the working digital hubs. Photo courtesy of Maureen Peters.</td></tr></tbody></table><div><br />Unlike the digital labels and the digital hubs, the timeline and map were successful. It did not take extra time to set up, there were no issues in developing or installing it, visitors appear to enjoy it, and it is aesthetically pleasing. The single issue with the timeline is the inability of museum staff to change the content. The initial plan was to add events as they continued to happen, but the only way to reprogram the timelines is through a firm in Toronto. Thus, new events have not been added.&nbsp;</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-Vhlbvymlrjg/W0uI9xviqsI/AAAAAAAAACU/hAM__t_0mXQutRv5uMbobRwiJDfHXdgGwCEwYBhgL/s1600/timeline.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="716" data-original-width="959" height="238" src="https://2.bp.blogspot.com/-Vhlbvymlrjg/W0uI9xviqsI/AAAAAAAAACU/hAM__t_0mXQutRv5uMbobRwiJDfHXdgGwCEwYBhgL/s320/timeline.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A zoomed-in image of part of the interactive timeline. Photo courtesy of Maureen Peters.</td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-PkG74y3qyv0/W0uI-WRNMJI/AAAAAAAAACY/efiWO7Vu2EYLZaKXotQZ9wBwBX1fdGlMACEwYBhgL/s1600/timelines%2Bfull.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="717" data-original-width="960" height="239" src="https://4.bp.blogspot.com/-PkG74y3qyv0/W0uI-WRNMJI/AAAAAAAAACY/efiWO7Vu2EYLZaKXotQZ9wBwBX1fdGlMACEwYBhgL/s320/timelines%2Bfull.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A section of the interactive timeline. Photo courtesy of Maureen Peters.</td></tr></tbody></table><div><br />Other problems have also been mentioned, including the cost to run the machines day and night, as they cannot be turned off, the cleanliness of the touchscreens, and the fact that this “new” technology is often obsolete after a couple of years. <br /><br />So, is it <i>really</i> worth it? <br /><br />I think so. But, only if it works. <br /><br />Here’s some questions to keep in mind when considering the effectiveness of implementing new technology: <br /><br /><b>1)</b> Are the databases compatible with the software? <br /><br /><b>2)</b> Are the employees trained in using this software? If not, am I willing to train them, or hire someone who is?<br /><br /><b>3)</b> Does the benefit outweigh the cost? <br /><br /><b>4)</b> If something goes wrong, am I capable of fixing it? Or will I need to call in a specialist? Is there someone at the museum well-versed in this type of technology (i.e. does the museum have an IT department)?<br /><br /><b>5)</b> Will the visitors utilize it? Has it had success at other institutions?&nbsp;</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/--NGxUTZlLgc/W0uKqPkoztI/AAAAAAAAACg/_Y7RpJ-HaWwkBf61b5abJVmIfPagSCYewCLcBGAs/s1600/visitors.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/--NGxUTZlLgc/W0uKqPkoztI/AAAAAAAAACg/_Y7RpJ-HaWwkBf61b5abJVmIfPagSCYewCLcBGAs/s320/visitors.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Visitors testing the new technology. Photo courtesy of Maureen Peters.</td></tr></tbody></table><div><br />Overall, it's important to understand what type of technology is best for certain exhibitions and institutions. Being able to successfully discern and utilize the technology is what draws the line between limitation and innovation, and as the digital age continues, this line is going to become more prominent.&nbsp;</div>KeelanCashmorehttp://www.blogger.com/profile/01954047749695960512noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-35715484430383433432018-07-18T06:00:00.000-04:002018-07-18T10:55:31.249-04:00TORONTO MUSEUMS AND GALLERIES YOU MAY NOT HAVE VISITED YETTHE GRAD SCHOOL GUIDE<br /><br />BY: LAETITIA DANDAVINO-TARDIF<br /><br />When we think of museums around Toronto, the first ones that come to mind are the <a href="https://www.blogger.com/u/1/null" target="_blank">Royal Ontario Museum</a> (ROM) or the <a href="https://www.blogger.com/u/1/null" target="_blank">Art Gallery of Ontario</a> (AGO). Yet, there are so many more. Here are just a few of my favorite cultural museums or art galleries in Toronto I bet you haven’t checked out yet. These institutions are all located in Toronto core and easily accessible by public transportation, so there is no reason for not visiting them in the upcoming months.<br /><br /><b>1. <a href="https://www.gardinermuseum.on.ca/">Gardiner Museum</a></b><br /><br />111 Queen's Park, Toronto, ON M5S 2C7<br /><br />The Gardiner Museum, the leading Canadian ceramics museum, is known worldwide as a great specialty museum. Although small looking compared to its neighbor, the ROM, the Gardiner holds a permanent collection of almost 3000 pieces. This collection includes ceramic and porcelain treasures from all around the world, and from Ancient to contemporary objects. Every year, the museum mounts three temporary exhibitions. <a href="https://www.gardinermuseum.on.ca/learn-create/adult-clay-classes/">Clay workshops</a> are available, if you have a creative mindset or want to learn techniques. This past winter, it had a nationally acclaimed exhibition <a href="http://musingsmmst.blogspot.com/2018/03/check-out-of-being-checked-out-yoko-ono.html">Yoko Ono: The Riverbed</a> and, in 2019, it will hold the highly anticipated <a href="https://nowtoronto.com/culture/art-and-design/ai-weiwei-exhibit-toronto-2019/">Ai Weiwei: Unbroken</a> exhibition. Finally, the Gardiner Museum is at a 10-minute walking distance from campus. Admission is free using your <a href="https://members.museumsontario.ca/membership">OMA membership card</a>. <br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BlInjR7n2S2/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 52.68518518518519% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BlInjR7n2S2/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by Gardiner Museum (@gardinermuseum)</a> on <time datetime="2018-07-12T14:17:21+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jul 12, 2018 at 7:17am PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><b>2. <a href="http://www.textilemuseum.ca/home">Textile Museum of Canada</a></b><br /><br />55 Centre Avenue, Toronto, ON M5G 2H5<br /><br />In the heart of downtown Toronto, the Textile Museum is the only museum in Canada that dedicates its collection, research and exhibitions to the media of textiles. The TMC’s 13000 artifacts from around the world cover nearly two millennia. It is a fascinating way to explore, discover and understand various cultures. A past exhibition I personally enjoyed was <a href="https://nowtoronto.com/textilemuseumofcanada/kubota-exhibition-showcases-a-long-lost-kimono-design/">Artistry in Silk: The Kimono of Itchiku Kubota</a>, which made one discover Japanese culture and landscapes through Kubuta’s Kimono designs. Finally, entrance is also free with your OMA card.<br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BimjFJwnuKr/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BimjFJwnuKr/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by Textile Museum of Canada (@textilemuseumofcanada)</a> on <time datetime="2018-05-10T15:41:19+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">May 10, 2018 at 8:41am PDT</time></div></div></blockquote><br /><b>3. <a href="https://ryersonimagecentre.ca/">Ryerson Image Cent</a>re</b><br /><br />33 Gould Street, Toronto ON M5B 1W1<br /><br />The Ryerson Image Centre is in Ryerson University’s School of Image Art’s building. It focuses its collection, exhibitions and research on photography and related media. I recommend going to see the <a href="http://musingsmmst.blogspot.com/2018/05/funny-rebel-shelley-niro-speaks-at.html">Scotiabank Photography Award: Shelley Niro</a>, 2017 winner, before it closes on August 5, 2018. In addition to the main galleries, the RIC has a Student Gallery that showcases the artworks and curatorial practices of Ryerson University’s students or recent alumni. The RIC is walking distance from the Eaton Centre and its admission is free to all.<br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/Bj5ntnvHUwS/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 33.24074074074074% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/Bj5ntnvHUwS/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by Ryerson Image Centre (@ricgallery)</a> on <time datetime="2018-06-11T21:58:46+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 11, 2018 at 2:58pm PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><b>4. <a href="http://www.thepowerplant.org/">The Power Plant Contemporary Art Gallery</a></b><br /><br />231 Queens Quay West, Toronto, ON M5J 2G8<br /><br />The Power Plant is Canada’s leading non-collecting public gallery dedicated to contemporary visual art. It is located at the <a href="http://www.harbourfrontcentre.com/">Harbourfront Centre</a> in a mid-1920s powerhouse. The Power Plant is pro-active in showcasing diverse living artists and engaging with a variety of audiences, thus fostering a local-global dialogue related to contemporary art practice. The gallery holds three shows per year (fall, winter and summer). Many MMSt students attended its <a href="http://musingsmmst.blogspot.com/2018/07/worth-wait-ellen-gallaghers-nu-nile-at.html" target="_blank">Summer Opening Party</a>, last month, to see the exhibitions of Ellen Gallagher, Abbas Akhavan and Grada Kilomba. The Power Plant also offers a large programming of lectures, film screenings, and holds a <a href="http://www.thepowerplant.org/ProgramsEvents/Programs/Sunday-Scene.aspx">Sunday Scene </a>speaker series. This art gallery is free to all. <br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BkgEp2LH3EF/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 33.33333333333333% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BkgEp2LH3EF/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by The Power Plant (@thepowerplantto)</a> on <time datetime="2018-06-26T20:22:48+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 26, 2018 at 1:22pm PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><b>5. <a href="http://www.401richmond.com/">401 Richmond</a></b><br /><br />401 Richmond Street West, Toronto, ON M5V 3A8<br /><br />If you are in a different mindset, take time to discover an arts-and-culture hub: 401 Richmond Street West. Located in the heart of the Fashion District, this restored heritage industrial building is home to a mix of over 140 creative minds. It has twelve art galleries and thirty artists' studios, which hold <a href="http://www.401richmond.com/events/">many events</a> throughout the year such as performances and exhibitions. Galleries I recommend checking out include <a href="https://abbozzogallery.com/">Abbozzo Gallery</a>, <a href="https://openstudio.ca/">Open Studio</a> and <a href="https://gallery44.org/">Gallery 44</a>. As one can see, visiting 401 Richmond is a full day of great and diverse discoveries, and is free!<br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BjPtxJ4noGW/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BjPtxJ4noGW/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by 401 Richmond (@401richmond)</a> on <time datetime="2018-05-26T15:23:34+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">May 26, 2018 at 8:23am PDT</time></div></div></blockquote><br /><b>BONUS: <a href="https://museumofcontemporaryart.ca/">Museum of Contemporary Art Toronto</a></b><br /><br />158 Sterling Rd, Toronto, ON M6R 2B2<br /><br />You have probably not visited the Museum of Contemporary Art Toronto Canada (MOCA) recently as it has moved to a new location in the Junction in the landmark heritage <a href="https://www.blogto.com/slideshows/inside-tower-automotive-building-toronto/">Tower Automotive Building</a>. Save the date: opening day is September 22nd, 2018. The MOCA builds upon the experience of the former Museum of Contemporary Canadian Art (MOCCA) having held 200+ exhibitions with works of over 1,100 Canadian and international artists. The moving from its previous location on Queen West to a larger space accommodates the museum’s ever-growing aspirations and significance. In its new 55,000 square foot home, the MOCA integrates artist residency studios and workshop space for educational programs. I had the chance to visit the new building, under construction, during the <a href="https://www.toronto.ca/explore-enjoy/festivals-events/doors-open-toronto/">Doors Open Toronto</a>&nbsp;and I am looking forward to its opening. Admission will be free to the permanent collection and <a href="https://experience.museumofcontemporaryart.ca/dev/contribute.aspx?don=9&amp;fieldAmt">student memberships</a> are $20.<br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BkYBc-DnOxQ/" data-instgrm-version="9" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; min-width: 326px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 33.3203125% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BkYBc-DnOxQ/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by MOCA Toronto (@mocatoronto)</a> on <time datetime="2018-06-23T17:20:54+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 23, 2018 at 10:20am PDT</time></div></div></blockquote><br />I hope you will take time to visit these museums and art galleries and make the most out of their great events and programming! As MMSt students, it is important to visit a variety of cultural institutions to broaden your knowledge of museum practices, as well as complement with and make the most of your graduate experience. Follow up on events organized by <a href="http://mussa.ca/">MUSSA</a> to learn about other opportunities to visit these museums and more!<br /><div><br /><iframe height="480" src="https://www.google.com/maps/d/embed?mid=1pre0a2BXg_QAWkNkKtO-xj3MyyiAxnDV" width="600"></iframe> <style><!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1073786111 1 0 415 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} @page WordSection1 {size:612.0pt 792.0pt; margin:72.0pt 72.0pt 72.0pt 72.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --></style><style><!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1073786111 1 0 415 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} @page WordSection1 {size:612.0pt 792.0pt; margin:72.0pt 72.0pt 72.0pt 72.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --></style></div>Laetitia Dandavino-Tardifhttp://www.blogger.com/profile/13117918780957869627noreply@blogger.com0Toronto, ON, Canada43.653226 -79.38318429999998243.2856095 -80.028631299999986 44.020842499999993 -78.737737299999978tag:blogger.com,1999:blog-2279702635216618752.post-35922279367938192032018-07-16T06:00:00.000-04:002018-07-16T06:00:12.705-04:00FAIRLAND FUNHOUSE: ART MAZE COMING TO KENSINGTON MARKET MUSE NEWS <br /><br />BY: AMY INTRATOR <br /><br />This month, Toronto received news that an immersive art experience is coming to Kensington Market. The <a href="http://fairlandfunhouse.com/" target="_blank">Fairland Funhouse</a>, an “interactive two-storey adventure world,"&nbsp;will be hosted at the former site of Zimmerman's Fairland grocery store in Kensington Market. The fun-house experience will run from August to Halloween. What exactly is the experience? The details are still emerging, but it is already clear that the Funhouse will offer a unique mixture of visual arts and music in an environment that encourages exploration and play.<br /><div>&nbsp; <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-XrrE7fdA8Qc/W0eLIu_bLRI/AAAAAAAAIiA/0xYSBCUrKQkPW0SdIDRpirh_L90jUHTkgCK4BGAYYCw/s1600/41826729044_37c7d30705_h.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="424" src="https://3.bp.blogspot.com/-XrrE7fdA8Qc/W0eLIu_bLRI/AAAAAAAAIiA/0xYSBCUrKQkPW0SdIDRpirh_L90jUHTkgCK4BGAYYCw/s640/41826729044_37c7d30705_h.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Exterior image of the former Zimmerman's Fairland store in Kensington Market. <a href="https://www.flickr.com/photos/cookedphotos/41826729044" target="_blank">Source</a>.</td></tr></tbody></table><br /><br /><b>Collaboration in the Spotlight </b><br /><br />While all exhibits depend on collaboration, at the Funhouse, collaboration takes center stage. After entering the building’s “hotel lobby” visitors will experience the art maze in the basement. The maze is made up of six rooms, and <a href="https://www.cbc.ca/news/canada/toronto/adult-fun-house-kensington-1.4739915" target="_blank">each room features a collaboration between visual artists and musicians</a>.&nbsp;The visual artists were tasked with creating an immersive art experience based on the aesthetic of their musical counterpart. Some of the pairings include the band <a href="http://www.thebeachesband.com/" target="_blank">The Beaches</a> with the artistic duo <a href="https://broadbentsisters.com/" target="_blank">Broadbent Sisters </a>(you may recognize this sister duo from their previous exhibit <a href="http://musingsmmst.blogspot.com/2018/03/mmst-2018-exhibition-projects-part-ii.html" target="_blank">A Telepathic Book </a>curated by MMSt grad Aurora Cacioppo); and the Canadian rapper <a href="http://www.jazzcartier.com/" target="_blank">Jazz Cartier</a> with mixed-media artist <a href="http://caseywatson.ca/" target="_blank">Casey Watson</a>. Each room is a product of artistic collaboration, and each space is a unique visualization of an auditory experience. <br /><br /><br /></div><div><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Bkz0Y1THfnl/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 36.27254509018036% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/Bkz0Y1THfnl/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">In @thetorontostar today! Finally able to announce our super exciting collab with @umusic and @thebeachesband in an epic art funhouse in Kensington Market this summer, @fairlandfunhouse. Alongside an incredible lineup of artists, we're transforming an old grocery store into an trippy art maze. Link in bio for article &amp; details! ✨ . . . #wip #fairlandfunhouse #BroadbentSisters #artpiece #performace #canart #connection #art #design #instagood #clearingspaces #beauty #inspire #travel #artofvisuals #wondermore #wanderlust #visualsofearth #discoverearth #earthofficial #shotzdelight #magic #telepathy #sisters #sculpture #art #installationart</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/broadbentsisters/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Broadbent Sisters</a> (@broadbentsisters) on <time datetime="2018-07-04T12:25:28+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jul 4, 2018 at 5:25am PDT</time></div></div></blockquote><br />The Fairland Funhouse is the product of a collaboration between <a href="https://www.mondoforma.com/" target="_blank">Mondo Forma</a>, a creative collective, and <a href="http://www.umusic.ca/" target="_blank">Universal Music Canada</a>. The Funhouse creators are clear that this space is meant to create an environment that <a href="http://fairlandfunhouse.com/" target="_blank">invites play and provokes imagination</a>.&nbsp;Beyond the trippy art maze, the space will also host musical programs, another indication that the Funhouse aims to provide a multi-sensory, engaging environment. <br /><br /><br /><b>Interactive and Site-Specific </b><br /><br />The Funhouse intends to engage the visitors in both the real space and imagined dimensions. While an abandoned grocery store may seem like an odd space for this interactive art experience, the creators are playing up the history of the store and the surrounding Market. Back in the day, <a href="http://fairlandfunhouse.com/" target="_blank">the store was famous for hosting rooftop concerts </a>during Pedestrian Sundays, and this legacy of art and community melds perfectly with the Funhouse’s mission. The Funhouse also situates itself in the larger community by embracing the multiculturalism and creativity abundant in Kensington Market. The creators are trying to <a href="https://nowtoronto.com/culture/fairland-grocery-in-kensington-market-fairland-funhouse/" target="_blank">highlight the potential of empty spaces in the city</a>, so the Funhouse may be inviting visitors to escape reality, but the experience is also rooted in our diverse and creative city. <br /><br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Bkyl-0WAaWc/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/Bkyl-0WAaWc/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Rumour has it that if you stare long enough you'll see Drake. #fairlandfunhouse</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/fairlandfunhouse/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Fairland Funhouse</a> (@fairlandfunhouse) on <time datetime="2018-07-04T01:00:21+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jul 3, 2018 at 6:00pm PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script></div><br />The Funhouse embraces its Toronto roots, but it also imagines a new, otherworldly dimension. The Funhouse website invites visitors to an “<a href="http://fairlandfunhouse.com/" target="_blank">inter-dimensional hotel</a>” where wormholes and an alternate universe await. The new experience in an old building depends on the visitor to activate this reimagined space. The Funhouse advertises the experience as “art that you can be IN.” The experience will also <a href="https://www.cbc.ca/news/canada/toronto/adult-fun-house-kensington-1.4739915" target="_blank">incorporate augmented reality</a> through an app that visitors can use to experience digital art layered on top of the physical art. <br /><br /><br /><b>Part of a Larger Movement </b><br /><br />The Fairland Funhouse promises a unique experience, but the art maze is part of a growing trend of immersive art experiences. Over the last few years, exhibits and pop-ups have sprung up offering engaging experiences that defy exhibition conventions. From the <a href="https://www.moma.org/calendar/exhibitions/1352" target="_blank">Rain Room</a>&nbsp;that invited visitors to walk through a reality-defying field of falling water, to <a href="https://meowwolf.com/about/" target="_blank">Meow Wolf</a>, these spectacular, large-scale, immersive exhibits are on the rise. <br /><br />This new wave of immersive art is not without its <a href="https://www.theatlantic.com/entertainment/archive/2016/02/instagram-art-wonder-renwick-rain-room/463173/" target="_blank">critics</a>. Many have suggested that these exhibits cater to millennial audiences by building an exhibit that promises a great photo-op above all else. Although the Funhouse has yet to open, I appreciate that the creators are embracing their millennial audience and blurring the line between art and entertainment. While other exhibits are criticized for pandering to selfie culture, the Funhouse builds digital engagement into the experience through the VR component. While other exhibits are accused of replicating an Instagram aesthetic, the Funhouse embraces Instagram as a source of aesthetic inspiration and a primary means of marketing. <br /><br /><br /><div><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Bj-HryLFDQj/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.5% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/Bj-HryLFDQj/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">It's as if @crucamara can read our #jungalow obsessed minds 🌴 #fairlandfunhouse 📸 @crucamara</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/fairlandfunhouse/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Fairland Funhouse</a> (@fairlandfunhouse) on <time datetime="2018-06-13T15:55:06+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 13, 2018 at 8:55am PDT</time></div></div></blockquote><br />We will have to wait until August to see what the Fairland Funhouse holds, but I am excited to witness a once-empty store as a site of multi-disciplinary artistic collaboration.</div>Amy Intratorhttp://www.blogger.com/profile/09604682946855764399noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-78320880364691749862018-07-13T06:00:00.000-04:002018-07-22T11:23:18.404-04:00IT'S FRIDA FRIDAY <div>FLASHBACK FRIDAY</div><div><br /></div><div>BY: CASARINA HOCEVAR</div><div><br /></div>This week’s #FlashbackFriday is turning into #FridaFriday, to honour one of my favourite historical ladies, Frida Kahlo. Given last Friday, July 6th was Kahlo’s birthday, and today marks the 64th anniversary of her death, the timing coincides well for #FridaFriday. Frida's image is continually replicated in art and pop culture. The colourful outfits, elaborately braided hair, and unibrow matched together on t-shirts, earrings, in street art, as costumes and as fashion-inspiration, are familiar tributes to her recognizable imagery. However, despite her repetitive cultural image, the details of her life and the narratives weaved into her art are often overlooked. This #FlashbackFriday hopes to illustrate a bit more about this revolutionary lady.<br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BOI8_mZlDgX/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BOI8_mZlDgX/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Magdalena Carmen Frida Kahlo Calderón a los 12 años. #fridakahlo #museos #museoscdmx #museum</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/museofridakahlo/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Museo Frida Kahlo</a> (@museofridakahlo) on <time datetime="2016-12-18T01:22:40+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Dec 17, 2016 at 5:22pm PST</time></div></div></blockquote><br /><br />Born in Coyoacán (Mexico City) on July 6th, 1907 as Magdalena Carmen Frida Kahlo Calderón, Frida grew up with her father, Guillermo (Wilhelm), her mother, Matilde, and her three sisters, Matilde, Adriana, and Cristina. Frida also had two elder, half-sisters from her father’s first marriage. Due to financial difficulties and ongoing health issues, Frida’s early life was turbulent. Throughout those years, both her parents had health problems that disrupted the steadiness of their life. At the age of six, Frida was diagnosed with polio, the result of which would be the imbalance in her legs, delayed education, and bullying by peers.<br /><br />Yet, despite these trails, Frida was an active, curious and energetic girl, and at times, rebellious. As part of her polio recovery, she became physically active, despite the unusualness for girls to be playing sports. She enjoyed aiding her father with his photography, and was known to carry a tense relationship with her devout mother as she skipped out on her catechism. She excelled at school, and intended to study medicine. Throughout her teens, she became politically conscious and active. Meanwhile, she also engaged herself in drawing, poetry, and worked for a family friend, as an engraver’s apprentice.<br /><br />In September of 1925, Frida and her long-time boyfriend, Alejandro Gómez Arias, were in a severe bus accident, resulting in Frida being bedridden for several months. The injuries would prove to have life-altering consequences, as three of her spinal discs were dislocated, and numerous bones had been fractured. The pain, and the time and money spent in recovery, would limit her educational pursuits and further distressed the struggle of the Kahlo Calderón family. Even with her recovery, the impact of her injuries would linger onward throughout her life. <br /><br />While Frida was still recovering, she quickly resumed working, concerned for her family. It would be in this new period, her relationship with Diego Rivera would blossom (they had previously met on brief occasions in her teens). A seemingly unlikely couple, Rivera reportedly admired and respected Kahlo’s opinion; Kahlo was intently interested in Rivera’s work and politics. They married in 1929, divorced in 1939 and remarried again a year later. Their relationship was rocky and emotionally intense, as Rivera’s infamous womanizing continued, Kahlo suffered from multiple miscarriages and the couple moved throughout the United States.<br /><br /><div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;"><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BQg4j1vFJDw/" data-instgrm-version="8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border-radius: 3px; border: 0px; box-shadow: rgba(0, 0, 0, 0.5) 0px 0px 1px 0px, rgba(0, 0, 0, 0.15) 0px 1px 10px 0px; margin: 1px; max-width: 658px; padding: 0px; width: 99.375%;"><div style="padding: 8px;"><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 0; margin-top: 40px; padding: 50% 0px; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><span style="background-color: transparent; color: black; font-family: &quot;arial&quot;; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><a href="https://www.instagram.com/p/BQg4j1vFJDw/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">"Jamás en toda la vida, olvidaré tu presencia. Me acogiste destrozada y me devolviste integra, entera". #FridaKahlo #DiegoRivera #museoscdmx #museum #museo #valentinesday #sanvalentin</a></span></div><div style="background-color: white; color: #c9c8cd; font-family: arial, sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0px; margin-top: 8px; overflow: hidden; padding: 8px 0px 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><span style="background-color: transparent; color: black; font-family: &quot;arial&quot;; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">A post shared by <a href="https://www.instagram.com/museofridakahlo/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Museo Frida Kahlo</a> (@museofridakahlo) on <time datetime="2017-02-15T01:28:29+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Feb 14, 2017 at 5:28pm PST</time></span></div></div></blockquote><span style="background-color: transparent; color: black; font-family: &quot;arial&quot;; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> </span></div><br />Kahlo also engaged in her own extramarital affairs (including purported affairs with Georgia O’Keefe and later, Leon Trotsky), throughout both marriages, and continued to remain politically active in spite of her health problems. Regardless of her turbulent life, Frida seemed inexhaustible in her work, politics and personal life, which were often entangled.<br /><br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BfyHynOHTtK/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.5% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BfyHynOHTtK/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">"El Marxismo dará salud a los enfermos". (1954) #FridaKahlo #Art #Painter #Painting #Artist #México</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/fridakahlo/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Frida Kahlo</a> (@fridakahlo) on <time datetime="2018-03-01T13:59:34+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Mar 1, 2018 at 5:59am PST</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><br />Frida was an active member of the Communist Party, and her politics, like her relationships, were illustrated throughout her paintings. Notably, her and Rivera, hosted Leon Trotsky and his wife, Natalia, while they sought asylum. Her political consciousness continued up until her death, where she participated in a political march only a couple weeks before her death, despite her poor health. <br /><br />The latter years of her life were marked with increasingly persistent health complications, which contributed to bouts of depression and anxiety. In 1953, her right leg was amputated due to infection, commencing a downward period in her mental well-being before her death on July 13th of 1954.<br /><br /><div><br /></div><div><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Bi65yOBnjCp/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.5% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/Bi65yOBnjCp/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">"Ácido y tierno, duro como el hierro y delicado y fino como el ala de mariposa, adorable como una hermosa sonrisa, profundo y cruel como lo mas implacable de la vida." #FridaKahlo #Legend #Mexico #Artist #Painter #Photography</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/fridakahlo/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Frida Kahlo</a> (@fridakahlo) on <time datetime="2018-05-18T13:24:32+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">May 18, 2018 at 6:24am PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br />Frida’s legacy is vibrant with her dedication to Mexico, her experimentation in personal style, both in fashion and in art, her prolific letter writing, her integration of ex-votos, portraiture and still life, political activism and of course, her passionate love.<br /><br />Frida's life has been written about extensively. Her home in Mexico City, known as <a href="http://www.museofridakahlo.org.mx/en/" target="_blank">the Blue House</a> was made into a museum and is still open today for guests to visit.</div>Casarinahttp://www.blogger.com/profile/03635715866192331422noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-17686161825085770792018-07-11T06:00:00.000-04:002018-07-11T06:00:08.899-04:00TO SAVE OR NOT TO SAVE?<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-CA</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> 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Name="TOC Heading"/> </w:LatentStyles></xml><![endif]--><!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style><![endif]--> <br /><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">CONSERVATION TIPS &amp; TRICKS</span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><br /></div><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">BY: SELIN KAHRAMANOGLU</span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><br /></div><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Welcome to my final article for the summer! I'd like to indulge in a little ancient Greek symposium, and explore a hotly debated topic in conservation practices: <i style="mso-bidi-font-style: normal;">How do you decide which artifacts deserve saving?</i> *sips wine* Let’s discuss.</span><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="348" src="https://giphy.com/embed/2XskdWPH2WxnxfMnZAI" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/gopop-funny-drinking-ava-gardner-2XskdWPH2WxnxfMnZAI" target="_blank">Source.</a></div><br /><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">The reason why this question raises some eyebrows is because everyone’s has an opinion. Even professionals disagree on the circumstances surrounding object conservation. Unfortunately, the alternative is quite drastic: Without conscious care, <i style="mso-bidi-font-style: normal;">objects will </i></span><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;"><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">naturally </span>disintegrate</i>, and in most cases there’s no possible recovery. As a conservator, quite literally, the object’s life is in your hands. Will you save it, or let it go?</span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><br /></div><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Let’s look at three common criteria that help conservators make this decision easier:</span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><br /></div><b><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">1) Quality of Condition</span></b><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">&nbsp;</span><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="270" src="https://giphy.com/embed/26gYJaUcTM1kPKq4w" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/colbertlateshow-stephen-colbert-late-show-26gYJaUcTM1kPKq4w" target="_blank">Source.</a></div><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Friend, if your artifact looks like it's beyond repair, then it’s probably too late. Based on how much time and resources is needed to recover the original state of the object, then the conservator will decide if it is <i style="mso-bidi-font-style: normal;">worth the effort</i>. It doesn’t matter how wonderful the object may be, if it’s already too damaged, then conservators are less likely to work with it.</span><br /><ul><li><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-CA</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> 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mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style><![endif]--><span style="font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-CA; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">A shattered vase, a skull with missing teeth, a painting with discolouration, a book with an unraveling binding, etc. – These are all objects that can be saved. The tasks may be complex, but that just means that it will take more time. It is not impossible.</span></li></ul><ul></ul><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;"><b>2) Necessary Tools</b></span><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="361" src="https://giphy.com/embed/CQa4oWrDB1qec" width="480"></iframe></div><div style="text-align: center;"><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center; text-indent: 36pt;"><a href="https://giphy.com/gifs/CQa4oWrDB1qec" target="_blank">Source.</a><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">&nbsp;</span></div><div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center; text-indent: 36pt;"><br /></div><div style="text-align: left;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Do you need the pigment of a plant that only grows in some inhabitable land? Then, my condolences, your object can't be saved. Not all conservators are fortunate enough to have every tool at their disposal. Even if the conservator is</span><span style="font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12.0pt;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;;"> </span>prepared to put in the extra effort, acquiring new tools takes <i style="mso-bidi-font-style: normal;">funding</i>, and not every institution is willing to pay a few thousand dollars to save a single ceramic plate.</span><span style="font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12.0pt;">&nbsp;</span></div><ul style="text-align: left;"><li><span style="font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12.0pt;">Let’s say that you have a generous sponsor, who buys all the tools you’ve been dreaming about. Do you know how to use them? Even with all the latest technologies, conservators must have the <i style="mso-bidi-font-style: normal;">expertise</i> needed to use these tools, which can take years to learn and special training.</span> </li></ul></div><b><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">3) Cultural Heritage Value</span></b><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="353" src="https://giphy.com/embed/DUrdT2xEmJWbS" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/DUrdT2xEmJWbS" target="_blank">Source.</a></div><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Here’s where things get tricky. When discussing conservation, this is the topic that causes the most disagreements among professionals. Conservators need to decide whether or not the object is a cherished <i style="mso-bidi-font-style: normal;">part of history</i> to determine if it should be saved. There's lots of questions that need answering, and decisions can be swayed by personal views.</span><span style="font-family: &quot;symbol&quot;; font-size: 12.0pt;"><span style="mso-list: Ignore;"><span style="font: 7.0pt &quot;Times New Roman&quot;;">&nbsp;</span></span></span><br /><ul><li><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Is the artifact the only one of its kind? Who has the right to decide if it's historically valuable? What criteria are they using? How was the object acquired by the museum? Is it useful in the future? – There’s a lot of uncertainty that accompanies questions of value because it is based on individual perspectives and interpretation.</span></li></ul><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Thankfully, conservation is not always so complex. Conservators often debate with each other to gain new insights, and challenge one another for <i style="mso-bidi-font-style: normal;">alternative approaches</i>. Professionals practice open communication and partnership when deciding to conserve an object. Many times, conservators agree about how to best protect an artifact.</span><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">&nbsp;</span></i><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="199" src="https://giphy.com/embed/LnDq7xsHIrcAg" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/LnDq7xsHIrcAg" target="_blank">Source.</a></div><br /><i style="mso-bidi-font-style: normal;"><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Remember</span></i><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">: If an object is considered unqualified for conservation treatment, it is not lost forever. Some artifacts are meant to deteriorate as part of their meaningfulness to the culture. These days, objects can be reproduced, or preserved through <i style="mso-bidi-font-style: normal;">digital means</i> (i.e. 3D scanning, virtual archaeology). Conservators just try to do the best that they can for each object, and roll with the punches!</span><br /><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">The next time you think about conservation at the museum or archaeological site (check out my <a href="http://musingsmmst.blogspot.com/2018/05/attention-archaeologists-carefully-drop.html" target="_blank">first</a> and <a href="http://musingsmmst.blogspot.com/2018/06/get-your-toothrbush-were-going-on-dig.html" target="_blank">second</a> articles), consider the above criteria and don’t be afraid to ask the tougher questions! Discussions have the potential to spark new ideas. *sips more wine*</span><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">&nbsp; </span><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="270" src="https://giphy.com/embed/10ttqzrQQODtUk" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/batman-arkham-knight-10ttqzrQQODtUk" target="_blank">Source.</a></div><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">What do you think? Comment below!</span><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">&nbsp;</span><br /><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">Further Reading:</span><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;"><a href="https://www.nedcc.org/preservation101/session-9/9selection-for-preservation." target="_blank">https://www.nedcc.org/preservation101/session-9/9selection-for-preservation.</a> </span><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;"><a href="https://www.huffingtonpost.com/steve-berry/why-preserving-history-matters_b_1446631.html." target="_blank">https://www.huffingtonpost.com/steve-berry/why-preserving-history-matters_b_1446631.html.</a> </span><br /><span style="font-family: &quot;times new roman&quot; , &quot;serif&quot;; font-size: 12.0pt;">&nbsp;</span> Selin Khttps://plus.google.com/104534463754776497730noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-19763336926203829422018-07-09T06:00:00.000-04:002018-07-09T06:00:05.665-04:00LORD INTERNS TALK COMMUNITY CONSULTATION, DETECTIVE WORK, AND A WOMEN’S MUSEUM INTERNSHIP CHECK-IN <br /><br />BY: KATHLEEN LEW <br /><br />Welcome to a SPECIAL edition of Internship Check-In! This week, I had the privilege of hearing from three MMSt students who are completing their internships at <a href="https://www.lord.ca/" target="_blank">Lord Cultural Resources</a>. Read on to learn about their experiences!* <br /><br /><b>Meghan Drascic-Gaudio</b> is working with Lisa Wright, Senior Consultant: Interpretive Planning, Content Development, with a focus on exhibition planning and interpretation. <br /><br /><b>Hailey Graham</b> is working with Rebecca Frerotte, Librarian &amp; Research Consultant, with a focus on research and content development, communication and marketing, and information management. <br /><br /><b>Lucy Beale</b> is working with Sarah Hill, Senior Consultant: Heritage and Historic Sites, with a focus on strategic planning and interpretation.<br /><div><br />&nbsp; <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-UPFLjyJoCYg/Wz6E4kEywkI/AAAAAAAAVIw/HI-LP4CsX2sgk1DUtrGWMM2lJMSreSOtQCLcBGAs/s1600/Lord%2BInterns.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://4.bp.blogspot.com/-UPFLjyJoCYg/Wz6E4kEywkI/AAAAAAAAVIw/HI-LP4CsX2sgk1DUtrGWMM2lJMSreSOtQCLcBGAs/s400/Lord%2BInterns.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">[Left to Right] Hailey, Meghan, and Lucy at Lord Cultural Resources! <br />Photo courtesy of Lucy Beale.</span></td></tr></tbody></table><b><br /></b></div><div><b>What is Lord Cultural Resources and why is it a fulfilling place to intern? </b><br /><br /><b>Meghan, Hailey, &amp; Lucy:</b> Lord Cultural Resources is a consulting firm that carries out exhibition and facilities planning, business development, and strategic planning for cultural institutions all over the world. Clients include museums, galleries, heritage sites, botanical gardens, parks, city departments, sometimes even entire cities, to develop their cultural capital. We can’t actually tell you what projects we’re working on as part of the confidentially clause in client contracts. Some projects are close to home and some are very far away, some are short and small projects whereas others are high profile and multifaceted. <br /><br />Lord is a fulfilling place to work because it is the premier cultural consulting company in the world. As a result, we get to work with and learn from unbelievably talented consultants from all areas of the firm. With numerous projects on the go at any given time, this experience allows us to work on a diverse range of projects. We are lucky to not have all our efforts concentrated on just one area of museum studies, we are becoming well-rounded and well-versed in all areas of cultural development. <br /><br /><b>Tell us a bit about yourself and your museum-related interests. </b><br /><br /><b>Meghan:</b> My museum-related interests are in exhibition development and management. This includes holding brainstorming workshops for exhibitions, writing interpretive plans, designing an exhibition layout, and coordinating all personnel, objects and texts during installation. I love this area of museums because you are responsible for making both the curator’s vision a reality and ensuring that visitors can experience a dynamic exhibition. Many times, I find that there is a disconnect between what the curator envisions as a great exhibition and what actually resonates with audiences. I love the challenge of bridging this gap and ensuring both sides are satisfied. <br /><br /><b>Hailey: </b>This fall I will be entering the 3rd year of the CRO (now the CDP) program. I’ve always had an interest in culture and history, so after completing my undergraduate degree the MMSt and MI programs seemed like the right choice. I spent my undergrad working at museums in Ottawa and Trenton, and found myself wanting to pursue this path. When I entered the program I had an interest in collections work, but now I find myself more interested in the front end of museum work. I am still trying to find my niche. I’m most interested in the digital transformation of museums, visitor engagement, donor relations, and public programming. Ultimately, I want to make museums more open, accessible spaces for everyone. <br /><br /><b>Lucy: </b>I was the projects and program manager for a writers’ organization in London, responsible for getting paid work for poets/spoken word artists/novelists/graphic artists. I started managing writing residencies in museums and galleries across London/south east of England; it was an amazing job. Working so closely and creatively with curators, visitors, volunteers and communities was empowering in the way it let people engage with these spaces they either took for granted or never set foot in. I became interested in breaking down pre- and misconceptions about cultural sites, reinterpreting how they can be used by communities and unearthing lost stories to tell them in new ways.</div><div><br />&nbsp; <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-nzP3-QYpNwI/Wz6FIeyMYyI/AAAAAAAAVI4/5q6Y5LUY5KETgmBgomNXospgaXgck_5QQCLcBGAs/s1600/Lucy%2BBeale.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://3.bp.blogspot.com/-nzP3-QYpNwI/Wz6FIeyMYyI/AAAAAAAAVI4/5q6Y5LUY5KETgmBgomNXospgaXgck_5QQCLcBGAs/s400/Lucy%2BBeale.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Lucy at Lord Cultural Resources. Photo courtesy of Lucy Beale.&nbsp;</span></td></tr></tbody></table><b><br /></b></div><div><b>What is a typical day at your institution? What are your responsibilities? </b><br /><br /><b>Meghan:</b> As the exhibitions intern at Lord, I am responsible for assisting the consultants with the numerous projects that they are juggling. These projects are taking place across Canada, the United States, and South America, and span everything from traditional museum exhibitions to public gardens, historic institutions and conservation spaces. Therefore, this means that there is no typical day. One big project that I have assisted on is the “Content Development” package for an exhibition. This included taking an interpretive plan written by a Lord consultant and conducting the research needed to make the exhibition’s plan a reality. This project is particularly exciting because I have the opportunity to attend meetings with the exhibition’s designers and fabricators. At these meetings, I assist the team in determining how best to convert scholarly research into a physical exhibition space that is both engaging and informative for visitors. <br /><br /><b> Hailey:</b> Busy. There is always something to work on, whether it is specific project work or internal workflow. As many have said before, there is no typical day. I work with the Research Consultant, so primarily my work involves research support for comparables data, image sourcing for exhibits and presentations, and content research for exhibits, awards, and presentations. These tasks are assigned day-to-day, with some spanning more than a week and others just a few hours, and are for institutions all over the world. I have worked on sourcing data for sites in the UK, the Middle East, Asia, Canada (PEI), and the United States, and compiled research for science centres, cultural districts, museums, libraries, art galleries, and gardens. In addition to this, I help with writing marketing and promotional materials that are distributed digitally, and have an overarching project of creating a knowledgebase for comparables data. <br /><br /><b>Lucy: </b>It’s very cliché, but there is no typical day. I check in with my supervisor Sarah first thing, and I am given research or responsibilities to complete for whatever project is the priority that day. The projects I mostly work on are heritage-based, and range from interpretation, business or strategic plans, sometimes a combination of two or all three. But, you can get pulled into helping any of the consultants at any time on anything they need a hand with. You quickly become an expert on the most random things – the average age of heritage workers across Canada, the original town limits and street names of 1796 Toronto, institutional governance models from the Pacific North West - on a daily basis. <br /><br /><b>What is something you have learned so far at your internship? </b><br /><br /><b>Meghan:</b> The most crucial lesson that I have learned at my internship is to ensure that each exhibition has a set of “deliverables”. Deliverables consist of separate elements of an exhibition’s development, such as interpretive plans, draft text panels, exhibition design layouts, etc. At the start of an exhibition, it is crucial to plan the exact dates when each deliverable must be given to the client. Deliverables are essential for keeping the exhibition team on track, ensuring that all elements of an exhibition are given enough time to fully develop, and making sure that clients have enough time to respond to any changes. With this process, all elements of an exhibition’s development are given individual attention, ensuring that every element of the final product has been well-thought out and meets the highest standard. <br /><br /><b>Hailey: </b>We talk a lot about community consultation in class, and more specifically about the benefit of it. However, after having worked with data collected from community consultation, I can also now see why institutions choose not to partake in this. I think that this demonstrates that there are certain instances where community consultation can fall short and not be helpful – so, I guess learning about the realities of the field is what I see as having the most benefit in the long run. I’ve also learned that my writing style is too academic, and present tense is the way to go (always listen to Barbara Soren!). Most importantly, I’ve learned that there is a need for cultural preservation all over the world. Lord has a considerable number of projects on the go, demonstrating that people are actively seeking cultural experiences and institutions (and not just museums) are looking to make these experiences more fulfilling to their communities. <br /><br /><b>Lucy:</b> Lord’s success is built on their ability to work with an institution to quickly identify what it needs, and assist them in instigating a plan to develop practical and innovative solutions. Working with the methodologies and draft templates of how Lord approaches each client, yet tailors it to the demands of each project, has been fascinating to be a part of and pick up. Also, I will never underestimate the importance of colored post-it notes for the strategic planning workshopping process.</div><div><br />&nbsp; <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-PQkwuQOUL-A/Wz6FeYFocmI/AAAAAAAAVJA/0HJaw90RbqgnyDXRlY7C7Ouuu7jlJ_dJQCLcBGAs/s1600/Hailey%2BGraham.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://3.bp.blogspot.com/-PQkwuQOUL-A/Wz6FeYFocmI/AAAAAAAAVJA/0HJaw90RbqgnyDXRlY7C7Ouuu7jlJ_dJQCLcBGAs/s400/Hailey%2BGraham.jpg" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Hailey at Lord Cultural Resources. Photo courtesy of Lucy Beale.&nbsp;</span></td></tr></tbody></table><b><br /></b></div><div><b>What are you excited about accomplishing throughout your internship? </b><br /><b>Meghan: </b>One project that I am particularly excited about accomplishing is for a public garden in Canada that Lord is developing. This garden will also contain an exhibition that will feature stories from members of the community. In class, we spend a large amount of time discussing community consultation, but we have not had a real opportunity to put this into practice. For this project, I have created an enormous master list with contact information for over 100 people. In the coming weeks, my supervisor and I will be getting in touch with all of them. From there, the majority of these individuals will be interviewed, and I am responsible for assisting in the recording and transcription of these interviews. As well, I am working with my supervisor to determine which stories are the best fit for the exhibition. I am excited about getting first-hand experience in all aspects of community consultation, and using these new skills to improve future exhibitions that I am involved in. <br /><br /><b>Hailey:</b> I’m most looking forward to some of my work at Lord becoming something tangible in an exhibition. I’m also really hoping that the knowledgebase I develop will be implemented. <br /><br /><b>Lucy: </b>It’s very satisfying and surreal to think that what I am doing in the background here has a chance to be a lasting piece of institutional policy or physical design. I have really enjoyed being a detective doing comparable and investigative research and being shown how Lord approaches the business side of the cultural sector has been invaluable. Finally, if we find something in the ROM archives I’ve been researching obsessively to unearth and can use it in an interpretive plan then I’ll be satisfied. <br /><br /><b>If you could create any museum (no matter how ridiculous) what kind of museum would it be? </b><br /><br /><b>Meghan:</b> If I could create any museum it would be about female imprisonment in Ontario, specifically Toronto, from the 1800s to the present day. In my fourth year, I wrote my final paper on female imprisonment at the Andrew Mercer Reformatory for Women, previously located in Toronto. Using census records and archives I attempted to determine what incarcerated life was like in the early twentieth-century and what happened to these women upon release. This museum would address female imprisonment to the modern day, and the ways in which it has both evolved and stagnated. I would want this museum to make people think about our justice system and whether it is a “successful” system or one that needs reform. <br /><br /><b>Hailey:</b> If I were to create any museum, my true crime loving self would definitely create one about Canada’s criminological past, present, and future. <br /><br /><b>Lucy: </b>I want there to be a world-renowned museum celebrating extra/ordinary women. The remit would include research into forgotten women of recent and ancient history - scientists, freedom fighters, rulers, journalists, carers, explorers, artists, those using male psydenums – to accurately relate human history and commemorate the achievements of those who may have forgotten or erased.</div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-gzO9APaQla4/Wz6FuGAPcpI/AAAAAAAAVJE/XIc8BuvTUb8jkdCqj6mZzjgjb1416jB-ACLcBGAs/s1600/Meghan%2BDrascic-Gaudio.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-gzO9APaQla4/Wz6FuGAPcpI/AAAAAAAAVJE/XIc8BuvTUb8jkdCqj6mZzjgjb1416jB-ACLcBGAs/s400/Meghan%2BDrascic-Gaudio.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Meghan at Lord Cultural Resources. Photo courtesy of Lucy Beale.&nbsp;</span></td></tr></tbody></table></div><div><br /></div><div>*These interviews have been edited for length and clarity <br /><br /></div>Kathleen Lewhttps://plus.google.com/103277129862001627923noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-40734133119894952752018-07-06T05:00:00.000-04:002018-07-06T05:35:45.064-04:00GRAFFITI ALLEY, A PUBLIC COLLECTIONCOLLECTIONS CORNER<br /><br />BY KATLYN WOODER<br /><br />Graffiti Alley, found behind Queens Street, between Spadina and Portland Street, is as the name suggests an alley filled with a collection of graffiti. On these sunny days in July, it is a perfect day trip to look at one of Toronto's large collections of public art. A collection that is always evolving, and reacting to every day, city life. <br /><br />If you are familiar with Toronto, then you know that graffiti isn’t isolated to this alleyway. These are some of the images I captured walking to Graffiti Alley from the UofT Campus (sniff it's just so beautiful to see art be so prolific sniff/anime tears).<br /><br />Photos of Graffiti seen while walking to Graffiti Alley: <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-J9xtDaL0OE8/Wzq4VliCtOI/AAAAAAAAAQI/7U2ICHWX6nc7VVAJIT66_Lei4vyeOD8ygCEwYBhgL/s1600/IMG_8732.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://4.bp.blogspot.com/-J9xtDaL0OE8/Wzq4VliCtOI/AAAAAAAAAQI/7U2ICHWX6nc7VVAJIT66_Lei4vyeOD8ygCEwYBhgL/s640/IMG_8732.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-5KZoza86y5E/Wzq4WFy2HFI/AAAAAAAAAQA/oCctYomNkT0pazXNi2jco3TcSNrZefvqwCEwYBhgL/s1600/IMG_8733.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://1.bp.blogspot.com/-5KZoza86y5E/Wzq4WFy2HFI/AAAAAAAAAQA/oCctYomNkT0pazXNi2jco3TcSNrZefvqwCEwYBhgL/s640/IMG_8733.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-lFhonmA2il8/Wzq4YTEr1AI/AAAAAAAAAQI/mU3TVibkv5kGriYWkZu5in3oL4jATSBygCEwYBhgL/s640/IMG_8741.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-YaiMkgrcLys/Wzq4YGKmmfI/AAAAAAAAAQA/RtlJyJrXWnU-M1dg9WlafsP4XEGRqSEDwCEwYBhgL/s640/IMG_8740.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table>(You'll see a lot of these birds in the Alley as well. Its fun to look around Toronto and spot an artists motif even if you can't spot the actual artist in the crowd.)<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-Ej7sbgAqYH8/Wzq4ZLq0XAI/AAAAAAAAAQA/Q9fFGNMV52Y3K7T2Vp5Vlh7DcUqwL_iDACEwYBhgL/s640/IMG_8743.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br />End of Graffiti photos before Graffiti Alley<br /><br />What makes the alley way interesting to look at as a collection, is that it is an extended space, with layers of artwork built up over a long period of time, and the artwork found in there is understood to be artwork by a large portion of the people who live in and visit Toronto.<br /><br />A friend was kind enough to come with me on this trip, and we had an interesting conversation about graffiti art, and whether it is considered rebellious or mainstream. Graffiti used to be seen as an act of aggression to the social norm, a way of breaking with the expected social regulations, and showing alternative narratives in areas where people felt marginalized or ignored. Do you think Graffiti is vandalism or art? or does it depend on how good the artwork is? (write a comment to share your opinion ;))<br /><br />I think most graffiti is artwork, whether it is good artwork is another matter entirely. I find that graffiti often livens up the streets of Toronto, especially in the grey month of February. However, it wasn't long ago that all graffiti was considered alternative culture. To have a space dedicated to this type of culture is a sign of shifting cultural norms. <br /><br />There are now areas in Toronto where graffiti is expected and accepted... a tourist destination. So if graffiti isn't an act of rebellion what is it? and what areas is graffiti expected to appear? Does graffiti act as a public museum where artists can converse directly with the public? An expression of Toronto's culture painted right onto the walls of our city? or just an unremarkable byproduct of humans nature wanting to impact our living environment? <br /><br />Either way, graffiti is one of the few types of art that is accessible to everyone, all you need to do is be physically present to look at it. Hmmm... let’s circumvent that, and I’ll show you some highlights of my visit. <br /><br />Graffiti Alley Photo's starting at Spadina <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-rfdMugp8GyQ/Wzq4dpPEXmI/AAAAAAAAAP4/dnxhTPXfyHcLct55KLjG-uJ3O9z_25VagCEwYBhgL/s640/IMG_8755.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-oj14jmD1VYo/Wzq4fS3Ze5I/AAAAAAAAAP8/TcsqFeHKVe48yjI0nK1owPsJmLSiQBgtgCEwYBhgL/s640/IMG_8759.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-2xDFeeYgTfw/Wzq4kJGnYKI/AAAAAAAAAP4/lW1pKL7iinEubycxAjAdC5d1O31h2XDIACEwYBhgL/s640/IMG_8766.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-kkZqbyJOjkg/Wzq4q_KaiyI/AAAAAAAAAQI/TyROB5w4DMcgRBsLNI5jdlm-jd7ppD3pgCEwYBhgL/s640/IMG_8779.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-hNZA34rn6Tc/Wzq6Px4THZI/AAAAAAAAAWg/AB0ogOhPEMQqEmg36n855Eal1HoszVYpwCEwYBhgL/s1600/IMG_8800.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://4.bp.blogspot.com/-hNZA34rn6Tc/Wzq6Px4THZI/AAAAAAAAAWg/AB0ogOhPEMQqEmg36n855Eal1HoszVYpwCEwYBhgL/s640/IMG_8800.JPG" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-p6MlZpfb6hA/Wzq6UdsZlQI/AAAAAAAAAWc/3amERlTvnL8gOo4K00OPTC5wDYpo-p19ACEwYBhgL/s640/IMG_8807.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-b1t5VfYBJaI/Wzq6RU7gkJI/AAAAAAAAAWE/Pgir3XBX__UTKipk1reM53tU4nhbssXcACEwYBhgL/s1600/IMG_8802.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://4.bp.blogspot.com/-b1t5VfYBJaI/Wzq6RU7gkJI/AAAAAAAAAWE/Pgir3XBX__UTKipk1reM53tU4nhbssXcACEwYBhgL/s640/IMG_8802.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-C3SBB3CkFFY/Wzq6SizQsoI/AAAAAAAAAWI/_ixt0JcwIKYDjhvxedqPbIZEhgKJB8llgCEwYBhgL/s640/IMG_8804.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-2s6d5qoDhSE/Wzq6ZAUfH6I/AAAAAAAAAWc/EHYg0KA_uhApGZSPl7dxAtdnuLu-dR_AwCEwYBhgL/s640/IMG_8815.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-IZowrdJMavE/Wzq6aAyoi6I/AAAAAAAAAWc/3HPcMnxxP-sJUJrfmZTek7Zltmsz-DtPwCEwYBhgL/s640/IMG_8817.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span> (this is a favorite of mine)</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><br /><img border="0" height="480" src="https://4.bp.blogspot.com/-n1C25YmxlGQ/Wzq6cpvgQRI/AAAAAAAAAWI/g7zcmVs1tVINF3ICZxgPdl1OG92HRd4ywCEwYBhgL/s640/IMG_8821.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-IHtk6qbJ9_g/Wzq6dWiNGAI/AAAAAAAAAWA/kzlP-R2C8XIJJrn2I-2Di0rrKrul3BaPgCEwYBhgL/s640/IMG_8822.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="640" src="https://4.bp.blogspot.com/-xrpTICEB8lI/Wzq6fw1IrsI/AAAAAAAAAWA/1KmRpFZIXGIfe_S8s0N1QoOSQQQ8yODyQCEwYBhgL/s640/IMG_8826.JPG" width="480" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder </span></span>(we've all had these days)</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="640" src="https://3.bp.blogspot.com/-6zfnQmI5gFI/Wzq6gW4pH4I/AAAAAAAAAWI/ZUAwTKSObmcQV0b9ac7nNfOgKR5iRyltQCEwYBhgL/s640/IMG_8827.JPG" width="480" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-JPoO8uPiO7k/Wzq6g4__oUI/AAAAAAAAAWM/HHwUVZOD6g4hylEBaLlZKhAemfI2LHCWwCEwYBhgL/s640/IMG_8828.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="640" src="https://1.bp.blogspot.com/-od8d8SYPBVU/Wzq6nmjHPkI/AAAAAAAAAWA/YNCahFsIhnYWP5mKQ6HRuqXbakt0QmUawCEwYBhgL/s640/IMG_8838.JPG" width="480" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-4ZWsZVJRXx8/Wzq6o1iWnMI/AAAAAAAAAWU/8YQsfduaW2IMA4M89VNwEaPIdaQiTWspQCEwYBhgL/s640/IMG_8840.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="640" src="https://3.bp.blogspot.com/-egD6uu9oH0w/Wzq6pQXNG9I/AAAAAAAAAWE/3rejLHFgBCEf9F34-glbYdzypndQdCHTgCEwYBhgL/s640/IMG_8841.JPG" width="480" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-9VGF0-Sjho8/Wzq6qujPtjI/AAAAAAAAAWU/WKGNI4qVYxQTKdTfbRYtnKR1T0B9RQ-bACEwYBhgL/s640/IMG_8843.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://3.bp.blogspot.com/-BNOw7UGk2YE/Wzq6xFEe5WI/AAAAAAAAAWc/xscia8J2e5AZmnQcid0W6jj5nit4JBPygCEwYBhgL/s640/IMG_8854.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="640" src="https://1.bp.blogspot.com/-OsXvZBlTjlg/Wzq6yhpnrwI/AAAAAAAAAV8/qgwXNotZw4Q5dhDogx370je5BgccE73aQCEwYBhgL/s640/IMG_8856.JPG" width="480" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="640" src="https://4.bp.blogspot.com/-8EAmwGqUkgc/Wzq6vhB5isI/AAAAAAAAAWI/jOVEI6I1nfYuE0HA2nxCgWlUKSr4FUtTgCEwYBhgL/s640/IMG_8851.JPG" width="480" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://1.bp.blogspot.com/-IO5fhY6uM3k/Wzq64-KA2aI/AAAAAAAAAWU/ZPFfxLw6FQInWn3AaIQaRTOSLQXroiUPACEwYBhgL/s640/IMG_8868.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-ElQCPGXxmxk/Wzq63ciVG7I/AAAAAAAAAWM/PycBwJTLm7AskRzkumKy6e_moEerNYOpgCEwYBhgL/s640/IMG_8865.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://2.bp.blogspot.com/-l3EgSyurXto/Wzq63xJ4qsI/AAAAAAAAAWE/-J4iuvdfPLE0W4JgWPH0f19gfVQZtcjKACEwYBhgL/s640/IMG_8866.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><img border="0" height="480" src="https://4.bp.blogspot.com/-1ASl9yJMhKc/Wzq67d7PfGI/AAAAAAAAAWc/rLbQqhHT_7UUFP3VnayVJgASZXuvDP0NQCEwYBhgL/s640/IMG_8872.JPG" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;"><span style="color: black; display: inline; float: none; font-size: 12px; font-style: normal; font-weight: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Photo courtesy of Katlyn Wooder</span></span></td></tr></tbody></table>End of Graffiti Alley Photos <br /><br />I tend to have a preference for character work, my love a cartoons shines in my image section. There is a lot of tagging, with great font selection and crisp edges, that I didn't think to memorialize (personal fail). One of the great things of this alley way, is that there isn't an explanation, just a bunch of artists doing their best to visually convey their talent.<br /><br />Graffiti alley is an collection that changes and grows. What's there now might not be there tomorrow. So, if you want to see some beautiful art in Toronto, and emerge into a vibrant area full of good restaurants, I would encourage you to go down to see this corner of Toronto for yourself. <br /><br />Katlyn Wooderhttp://www.blogger.com/profile/02419678666186322034noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-11812144468801273092018-07-04T06:00:00.000-04:002018-07-04T06:00:07.437-04:00 WORTH THE WAIT? ELLEN GALLAGHER'S "NU-NILE" AT THE POWER PLANTEXHIBITION REVIEWS<br /><br />BY: KESANG NANGLU<br /><br />Last week, I braved the curving line-up and blaring music&nbsp;we've all come to expect&nbsp;from <a href="http://www.thepowerplant.org/" target="_blank">The Power Plant</a>’s seasonal opening parties.<br /><div><br /></div><div>Unexpected however, was just how long the wait would be.</div><div><br />With absurd capacity limits both for entry into the gallery and the individual rooms within, the only explanation I could invent was that curatorial tone took precedence -- acceptable perhaps given the gravity of the work of exhibiting artists Ellen Gallagher, Grada Kilomba, and Abbas Akhavan. The selection of three artists of colour seems like an especially appropriate decision with the memory of&nbsp;<a href="https://canadianart.ca/reviews/how-to-stay-in-your-lane/" target="_blank">Michael Landy’s problematic and divisive installation</a>&nbsp;still palpable.<br /><br />Ellen Gallagher’s solo exhibition, Nu-Nile (curated by Carolin Köchling and assistant curator Justine Kohleal) takes up the majority of the gallery space, with work on both the main and second floors.<br /><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-R4PQDm-8LZ4/WzZ4jSwNmkI/AAAAAAAABLg/SdoOxEXBGG4UbwT_Qpr4uBQuyQ_-ed_8gCLcBGAs/s1600/IMG_6974.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://4.bp.blogspot.com/-R4PQDm-8LZ4/WzZ4jSwNmkI/AAAAAAAABLg/SdoOxEXBGG4UbwT_Qpr4uBQuyQ_-ed_8gCLcBGAs/s400/IMG_6974.jpg" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Edgar Cleijne and Ellen Gallagher, Highway Gothic, 2017. Photo courtesy of Kesang Nanglu.</td></tr></tbody></table>Highway Gothic, a video installation by Gallagher and collaborator Edgar Cleijne has undeniable presence, beckoning visitors to enter its monumental, seaweed-like cyanotype film strips. At its core, a 16 mm film that follows the US Interstate 10 highway plays on a projector.<br /><br />Gallagher works in a multitude of media, and her interests are just as wide-ranging, finding connection and meaning through overarching themes of race, art history, and an ever-present allusion to water.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-UkFjgZbi-4w/WzZyGo6-uzI/AAAAAAAABKc/5oIeyf_DjIQVlJ1MPLlbG1dd67wkweIaQCK4BGAYYCw/s1600/IMG_6983.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://1.bp.blogspot.com/-UkFjgZbi-4w/WzZyGo6-uzI/AAAAAAAABKc/5oIeyf_DjIQVlJ1MPLlbG1dd67wkweIaQCK4BGAYYCw/s400/IMG_6983.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Negroes Battling in a Cave, 2016 and Morphia 2008. Photo courtesy of Kesang Nanglu.</td></tr></tbody></table><div>The second-floor galleries display Gallagher's painted works, which make reference to 20th century abstraction with their grand scale and use of repeated line and shape. Painted in hues of aqua blue, these paintings reference <a href="https://en.wikipedia.org/wiki/Drexciya" target="_blank">Drexciya</a>, a fictional underwater nation inhabited by the unborn children of pregnant African women thrown off of slave ships during the Atlantic slave trade.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-rMlgyvE_Z9c/WzkPC9oW-HI/AAAAAAAABME/1s-vgfwA9MgNylQwrzDyRN9_u7U3xO7rQCLcBGAs/s1600/gallagherdetails.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1064" data-original-width="1600" height="265" src="https://2.bp.blogspot.com/-rMlgyvE_Z9c/WzkPC9oW-HI/AAAAAAAABME/1s-vgfwA9MgNylQwrzDyRN9_u7U3xO7rQCLcBGAs/s400/gallagherdetails.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">L: Water Falls (Detail), 2017, R: Water Fall (Detail), 2017. Photos courtesy of Kesang Nanglu.</td></tr></tbody></table>A closer look reveals that abstracted shapes form cartoon eyes and lips, recalling the visual culture of blackface minstrelsy that Gallagher frequently references.<br /><br />Many of these details and their significance go unnoticed without the consultation of interpretive tools, in particular the curatorial statement available online and in the exhibition brochure. On-site wall text and labelling stands out as a real barrier -- language is wordy or indirect in a way that feels inaccessible. The wall text on the second floor for example, makes reference to Drexciya with no more context than "this in utero Atlantis in the wake of the Middle Passage" -- a line that, though eloquent, reads cryptic.<br /><br />Nu-Nile surprised me on my second visit. It was an experience so different from my first, that I have to wonder about The Power Plant's priorities as an institution. While their large-scale events like Power Ball and the season openings are exciting and memorable, in some cases as in this one, the party element may conflict with the intended viewing experience best-suited to the work on display.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-RF8rsay1HPE/WzZ4fIJZu8I/AAAAAAAABLc/dRXHrnUH5uoGuPUfUAnweetanCH1QfkBwCLcBGAs/s1600/IMG_6899.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://4.bp.blogspot.com/-RF8rsay1HPE/WzZ4fIJZu8I/AAAAAAAABLc/dRXHrnUH5uoGuPUfUAnweetanCH1QfkBwCLcBGAs/s400/IMG_6899.jpg" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Musings Editor-in-Chief <a href="http://musingsmmst.blogspot.com/search/label/Kathleen%20Lew" target="_blank">Kathleen Lew</a>&nbsp;and MMSt student Andrew Falcao getting a closer look. Photo courtesy of Kesang Nanglu.</td></tr></tbody></table>The exhibition marks the first-ever solo presentation of Gallagher's work, who is an established American artist, frequently showing at major venues like The Whitney and Tate Modern. The wait (for Gallagher's arrival in Canada, and for the Power Plant's queues) is over -- and was well worth it.<br /><br />Nu-Nile is on display at The Power Plant from June 23rd 2018 – September 3rd, 2018 <br /><style><!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536870145 1073786111 1 0 415 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin;} @page WordSection1 {size:612.0pt 792.0pt; margin:72.0pt 72.0pt 72.0pt 72.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --></style><br /><div>Upcoming related programming:</div><div><br /></div><div>August 5 - <a href="http://www.thepowerplant.org/ProgramsEvents/Programs/Sunday-Scene/Chelsea-Rothman.aspx" target="_blank">Sunday Scene - Chelsea Rothman</a></div><div>August 8 - <a href="http://www.thepowerplant.org/ProgramsEvents/Programs/Other-Programs/Book-Discussion--The-Dew-Breaker.aspx" target="_blank">Reading Group Book Discussion - The Dew Breaker</a></div><div>August 26 - <a href="http://www.thepowerplant.org/ProgramsEvents/Programs/Sunday-Scene/Chelsea-Rothman.aspx" target="_blank">Sunday Scene - Sandra Brewster</a></div><style><!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536870145 1073786111 1 0 415 0;} @font-face {font-family:PMingLiU; panose-1:2 2 5 0 0 0 0 0 0 0; mso-font-charset:136; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611969 684719354 22 0 1048577 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin;} @page WordSection1 {size:612.0pt 792.0pt; margin:72.0pt 72.0pt 72.0pt 72.0pt; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --></style></div>Kesang Nangluhttps://plus.google.com/113552859663948740891noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-24601570384086640412018-07-02T06:00:00.000-04:002018-07-16T20:27:38.486-04:00MUSEUM MEETS #METOO: TWO UPCOMING EXHIBITS AT THE ROM<div class="separator" style="clear: both; text-align: left;">MUSE NEWS</div><br />BY: AMY INTRATOR<br /><br />On June 22nd, the <a href="https://www.rom.on.ca/en" target="_blank">Royal Ontario Museum</a> released two announcements about two upcoming exhibits. From July 21st to October 21st, 2018, the ROM will display <i><a href="https://www.rom.on.ca/en/about-us/newsroom/press-releases/rom-to-host-exclusive-exhibition-of-photographs-by-raghubir-singh" target="_blank">Modernism on the Ganges: Raghubir Singh Photographs</a></i>, a touring photography exhibit that has recently been subject to controversy. Also on July 21st, the ROM will launch a series of programming titled <i><a href="https://www.rom.on.ca/en/about-us/newsroom/press-releases/royal-ontario-museum-presents-metoo-the-arts" target="_blank">#MeToo &amp; the Arts</a></i>, which will focus on the intersection of the #MeToo movement and museums. The shared launch date is no coincidence, as the #MeToo program is a direct response to the difficulties posed by exhibiting the works of Raghubir Singh, an artist who has been accused of sexual abuse.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-BLmWKcsJmZ4/WzZRgLVWz4I/AAAAAAAAIhc/pM4ovqU8akIqJfY1cM25O5FbuGfiF6PPgCEwYBhgL/s1600/9841371393_3b53928af1_k.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1062" data-original-width="1600" height="424" src="https://2.bp.blogspot.com/-BLmWKcsJmZ4/WzZRgLVWz4I/AAAAAAAAIhc/pM4ovqU8akIqJfY1cM25O5FbuGfiF6PPgCEwYBhgL/s640/9841371393_3b53928af1_k.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Exterior image of the Royal Ontario Museum. <a href="https://www.flickr.com/photos/cityoftoronto/9841371393" target="_blank">Source</a>.</td></tr></tbody></table><br /><b>Modernism on the Ganges: Raghubir Singh Photographs</b><br /><br />On October 11th, 2017, the <i>Modernism on the Ganges</i> exhibit opened at the <a href="https://www.metmuseum.org/visit/met-breuer" target="_blank">Met Breuer</a>, a satellite location of <a href="https://www.metmuseum.org/" target="_blank">The Metropolitan Museum of Art</a>. Shortly after the exhibit opened, on <a href="https://www.wnyc.org/story/after-harvey-weinstein/" target="_blank">a WYNC radio show</a>, artist <a href="http://jaishriabichandani.net/home.html" target="_blank">Jaishri Abichandani</a> shared that Raghubir Singh sexually abused her in the 1990s. Abichandani’s allegation of abuse came in the midst of the allegations against Harvey Weinstein and the beginning of the #MeToo movement. <br /><br />After Abichandani came forward about the abuse, she organized a “<a href="https://www.facebook.com/events/571871446478201" target="_blank">silent performance/protest”</a>&nbsp;in front of the Met Breur, as a response to their exhibit of Singh’s work, and to “hold institutions responsible for their choices.” The protest was widely publicized, and brought more attention to the allegations against Singh.<br /><br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BcA038SnLNL/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BcA038SnLNL/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Join me Sunday Dec 3 from 4-5 pm as I lead a silent protest with @sawccorg @swatilivinglife to protest my abuser’s exhibit at the Met Breuer. We will have gags and #metoo posters for all who want to participate. We will gather outside the Met Breuer at 3.45 join me and other feminists in action</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/jaishri.abichandani/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Jaishri Abichandani</a> (@jaishri.abichandani) on <time datetime="2017-11-27T20:57:18+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Nov 27, 2017 at 12:57pm PST</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script><br /><br />After the exhibit closed at the Met Breuer on January 2nd, the exhibit was on display at <a href="https://www.mfah.org/" target="_blank">The Museum of Fine Arts, Houston</a>,&nbsp;from March 3rd to June 10th. While other museums have cancelled exhibits featuring artists accused of serious crimes, the exhibit continued as scheduled in Houston.<br /><br />Now, the exhibit in question is headed to the ROM, but unlike the other institutions that have displayed the exhibit, the ROM is creating programming that directly responds to the allegations, rather than shying away from the difficult subject. <br /><br /><br /><b>The ROM’s Responsive Programming</b><br /><br />The ROM has chosen to display the <i>Modernism on the Ganges</i> exhibit amidst the controversy. However, the museum has created a parallel display, and accompanying programming, that responds to the allegations against Singh. <i><a href="https://www.rom.on.ca/en/about-us/newsroom/press-releases/royal-ontario-museum-presents-metoo-the-arts" target="_blank">#MeToo &amp; the Arts</a>&nbsp;</i>focuses on sexualized harassment and gender inequality in the arts.<br /><br /><blockquote class="twitter-tweet" data-lang="en"><div dir="ltr" lang="en">Museums are struggling with what to do when artists represented in their galleries are accused of sexual misconduct. From July 21st, we are offering a free exhibition &amp; a series of public engagements that explore the intersection of <a href="https://twitter.com/hashtag/MeToo?src=hash&amp;ref_src=twsrc%5Etfw">#MeToo</a> and the arts <a href="https://t.co/I8k32dDv9R">https://t.co/I8k32dDv9R</a> <a href="https://t.co/Nv2vWMDQq8">pic.twitter.com/Nv2vWMDQq8</a></div>— Royal Ontario Museum (@ROMtoronto) <a href="https://twitter.com/ROMtoronto/status/1010150657289064448?ref_src=twsrc%5Etfw">June 22, 2018</a></blockquote><script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script><br /><br />The ROM’s Director expressed that the institution has a “<a href="https://www.rom.on.ca/en/about-us/newsroom/press-releases/royal-ontario-museum-presents-metoo-the-arts" target="_blank">responsibility to take on challenging topics that are shaping our society today</a>,” and so far the museum’s approach has been commendable. When creating the #MeToo programming, <a href="https://globalnews.ca/news/4301190/royal-ontario-museum-me-too-display/" target="_blank">the ROM consulted</a> Abichandani, Singh’s family, and community members involved in women’s advocacy and the arts. The involvement of community members will hopefully further push the conversation beyond the walls of the institution. <br /><br /><b><br /></b><b>Questions Remaining</b><br /><br />The ROM is certainly taking a different approach than most institutions faced with controversial exhibits. The museum isn’t closing the door to the artist in question, nor is the museum displaying the work without contextualizing the controversy. The ROM has made the decision to use the exhibit to create a dialogue, but of course, this approach poses issues as well. <a href="https://globalnews.ca/news/4304002/activist-says-shes-disappointed-with-early-version-of-royal-ontario-museums-metoo-display/" target="_blank">Abichandani has expressed disappointment</a> with the language and images used in the early draft of the display. While agreeing on language in an exhibit is familiar to most museum professionals, the issue of language takes on extra importance when dealing with such a difficult subject.<br /><br />Then, there are the ideological issues posed by the ROM’s approach. On the one hand, the ROM is making an effort to make the museum a space for dialogue where the #MeToo movement is given the attention it deserves. My fellow <a href="http://musingsmmst.blogspot.com/2017/10/from-harvey-weinstein-to-museum-art-for.html" target="_blank">Musings contributor Kathleen Lew responded </a>to this issue back in October 2017, when the #MeToo movement was first gaining momentum, and she too considered that the museum might be a space to work through these difficult conversations. However, I am left wondering if displaying Singh’s work is justified. #MeToo is a movement about shifting the power dynamics and giving voice to the victims, so does displaying the work of an accused perpetrator further the power imbalance? I will have to wait to see the final displays, but this article itself is proof that the ROM has sparked dialogue before the exhibit has even opened.Amy Intratorhttp://www.blogger.com/profile/09604682946855764399noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-25785534677360033512018-06-29T06:00:00.000-04:002018-06-30T13:49:08.194-04:00WHY REPEAT THE PAST: SPADINA HOUSE'S GATSBY GARDEN PARTYPROGRAM REVIEWS<br /><div><br /><div>BY: SAMANTHA KILPATRICK<br /><br />The Great Gatsby Garden party hosted by the <a href="https://www.toronto.ca/explore-enjoy/history-art-culture/museums/spadina-museum/">Spadina House Museum</a> is an era-appropriate bash held in a beautiful outdoor garden every year in late June. Running since 2014, this event has exploded into a success for the museum, as well as a social media phenomenon in its own right. This year, the weather was damper than preferable for an event that advertises itself as a picnic as much as a party, but the drizzle didn’t stop hundreds of people turning up for the event.<br /><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-xtb8cgjz5Zw/WzLSC6vOzYI/AAAAAAAAB2E/YmhFoUK2G3k3MDlz3Zhcs-OGBVC2eGiYwCKgBGAs/s1600/20180623_141449.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1600" height="200" src="https://4.bp.blogspot.com/-xtb8cgjz5Zw/WzLSC6vOzYI/AAAAAAAAB2E/YmhFoUK2G3k3MDlz3Zhcs-OGBVC2eGiYwCKgBGAs/s400/20180623_141449.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Attendees at the grey and cheerful Gatsby Garden Party (Spadina House). Photo courtesy of Samantha Kilpatrick.</td></tr></tbody></table><div>The main event is a bring-your-own-food-picnic in advertising, but in truth is a meandering, cheerful wander through Spadina House’s grounds, doubling back and back again. Dotted across the grounds were vendors and historic society booths, offering to take your picture or quiz you on the uses of historic silver wear implements. Spadina House also had a pair of bands playing music, as well as an array of vintage gramophones playing to make the event sound the part of a party in the 20s.<br /><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-sEN9tsMV6OI/WzLTV7V_vzI/AAAAAAAAB2Q/isAHno0e_HQ3JRmSjl2DbJdFewlBnx-QwCKgBGAs/s1600/20180623_125536.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="800" height="320" src="https://1.bp.blogspot.com/-sEN9tsMV6OI/WzLTV7V_vzI/AAAAAAAAB2Q/isAHno0e_HQ3JRmSjl2DbJdFewlBnx-QwCKgBGAs/s320/20180623_125536.jpg" width="160" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">One of two bands playing the Gatsby Garden<br />party, trying to stay dry (Spadina<br />House), photo courtesy of the Samantha Kilpatrick..</td></tr></tbody></table><div><br />For the more involved, there was also a gambling den, a chance to learn several 20s dances on the dance floor under a tent, a screening of several silent movies courtesy of the Toronto Silent Film Society, and the opportunity to play croquette.<br /><br />Vendors sold food and drinks, and many of them offered themed items. Chau offered, among others, ‘Daisy’s Dainty Tea Sandwiches,’ and Crystal Head Vodka, a sponsor of the event, offered several themed drinks, including the ‘across the bay’ cocktail. This, of course, was green. Throughout the entire event, there were also those who brought their own food, and had set up picnic blankets and were enjoying the event in jackets and dresses and headbands and hats.<br /><br />I would like now to dwell on the other attendees because the other attendees are worth remarking on. Of the hundreds of people I saw at the party, only a dozen or so made no attempt to dress for the event at all. To be fair, my perhaps generous definition of ‘dressing for the event’ runs the gamut from ‘wearing an old-fashioned dress and a necklace as a headband,’ all the way to button-perfect recreations of suits and dresses. Some of the more creative and adventurous party goers came dressed as 20’s police officers, or aviators, (and one Charlie Chapman) and many were chattering happily with others about how they created their costumes.</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-A7DpZ0NyIYY/WzLWjZeVoWI/AAAAAAAAB2o/CiLThslZuA0zspNYadTaycKNr1mIqBpDwCKgBGAs/s1600/20180623_131726.mp4" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://4.bp.blogspot.com/-A7DpZ0NyIYY/WzLWjZeVoWI/AAAAAAAAB2o/CiLThslZuA0zspNYadTaycKNr1mIqBpDwCKgBGAs/s400/20180623_131726.mp4" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The dance floor at the Great Gatsby Garden Party, where the wide array of costumes can be seen. (Spadina House). Video curtosy of Samantha Kilpatrick..</td></tr></tbody></table><div>Again, the vast majority made some effort- this is not to say that everyone came in pink suits with straw hats, but that even most of the men found a pastel collared shirt and a pair of khakis to take pictures in. It created an atmosphere not only of a party but also a shared, secret experience, common only to the hundreds of other people at the party. I should, now, admit that I was one of these costumed attendees. There seemed no better way to experience the event than enthusiastically, without reservation, and with an additional dozen hours of work to create an era-appropriate costume before the event itself.&nbsp;</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-DS67E7CnuTs/WzLUuYQAMXI/AAAAAAAAB2c/07oxGN8QoRkJPshpOJ_0c_fL7epzuFzYACKgBGAs/s1600/20180623_141259%25281%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1600" height="200" src="https://2.bp.blogspot.com/-DS67E7CnuTs/WzLUuYQAMXI/AAAAAAAAB2c/07oxGN8QoRkJPshpOJ_0c_fL7epzuFzYACKgBGAs/s400/20180623_141259%25281%2529.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The author (left), and Elizabeth Patti, maker of these dresses, and companion to the event (right). Photo taken on Spadina House porch, by fellow attendees. Photo courtesy of author.</td></tr></tbody></table><div>A side effect of this mass costuming is the feeling that the experience of this party starts well before the event itself. For one thing, there is always the delightful ride on public transit in period dress, and the attempt to suss out whether or not your fellow passengers are simply dressed well or attending the same event. If you have never ridden public transit in costume before, I recommend the experience highly. It is in my experience, an event that brings you much closer to those who you are riding with, and makes you acutely aware of how comfortable you are with being stared at. As you draw closer and closer to the party, you begin spotting more ropes of pearls, and boater hats, and long dripping 20s shawls. It creates an atmosphere of anticipation and mutual excitement, this spotting of other partygoers, that is difficult to describe except to someone who has experienced a similar event.</div><div><br />Even before the ride itself, of course, there is not inconsiderable effort if you are one of those attending in more dedicated period dress. There is the effort of looking up historic photos, illustrations, or advertisements to attempt to find inspiration and ideas. There is the scouring of thrift stores, fabric stores, flea markets, or the back of one’s closet in search of a material you can wear or transform into something era-appropriate. There is the negotiation of ‘close enough’, where compromises are made to make outfits more fun, or flattering. Drop-waist 20s style dresses have the same tendency that high-waisted regency gowns do, to make the wearer look slightly pregnant. Many attendees opted to nip the actual waist of the dress in slightly, to create a more modern silhouette while maintaining much of the look of the 20s.<br /><br />This pre-event energy is something that Spadina house plays into quite consciously. Spadina Museum has an incredibly robust social media presence, and their<a href="https://www.instagram.com/spadinamuseum/"> Instagram</a>, as well as their <a class="" href="https://www.facebook.com/spadinamuseum/">Facebook page</a>, has been promoting the event with great humour and success. Pictures from previous years, two-minute etiquette guides, and daily posts meant to run a countdown to when the tickets went on sale all served to heighten the excitement. It’s an annual event that’s a roaring success, and Spadina House has seized it as their blockbuster event of the year.<br /><br />The event this year was a delight to attend, and I can’t wait to see how Spadina house harnesses this energy again next year.</div></div></div>Sam Kilpatrickhttp://www.blogger.com/profile/00790262080927936263noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-45708002648306030582018-06-27T06:00:00.000-04:002018-06-27T06:00:04.808-04:00WALK WALK FASHION BABYEXHIBITION REVIEWS<br /><br />BY: MADDY HOWARD<br /><br />Fashion and art have strutted into the Bata Shoe Museum with the <i><a href="http://www.batashoemuseum.ca/manoloblahnik/" target="_blank">Manolo&nbsp;Blahnik: The Art of Shoes</a></i>. The exhibition offers a 45-year retrospective of Manolo Blahnik, one of the most influential figures within the fashion industry. This exhibition displays the blurring of boundaries between art and fashion by showcasing over 200 of his favourite shoes and 80 original drawings.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-xRJz5Lu2470/Wy6W1E3YC-I/AAAAAAAAAGo/f2k79ujfSncFsFeOSMPISxSK5UCUel_RwCLcBGAs/s1600/Photo%2B2018-06-21%252C%2B6%2B05%2B17%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://2.bp.blogspot.com/-xRJz5Lu2470/Wy6W1E3YC-I/AAAAAAAAAGo/f2k79ujfSncFsFeOSMPISxSK5UCUel_RwCLcBGAs/s320/Photo%2B2018-06-21%252C%2B6%2B05%2B17%2BPM.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Manolo Blahnik: The Art of Shoes Entrance. Photo courtesy of Maddy Howard.</td></tr></tbody></table><div style="text-align: left;">The exhibition, curated by Cristina Carrillo de Albornoz, began its exclusive tour in Milan in 2017 at the Palazzo Morando, from there travelling to Saint Petersburg, Prague and Madrid. Toronto is the final, and only North American stop for this innovative and spellbinding exhibition.&nbsp;</div><div style="text-align: left;"><br /></div><div style="text-align: left;"><a href="https://www.manoloblahnik.com/gh/about" target="_blank">Manolo Blahnik's</a> career spans over 40 years, with his inventiveness and artisanship capturing the attention of the fashion industry. Blahnik started his career as a set designer, but by 1971, he relocated to London to focus on shoemaking. His career blossomed in 1972, when Ossie Clark (the most famous designer in London) used his shoes. A year later, he opened his first shop in Chelsea. His shoes continue to be made by hand, which produces little over one hundred pairs a day.<br /><br />These feats of fashion have graced the feet of many celebrities over the years. Some fans of Blahnik's include Rihanna, Sarah Jessica Parker (and her <i>Sex and the City </i>character, Carrie Bradshaw), Michelle Obama, Anna Wintour, and Princess Diana. Blahnik also created the footwear for the film <i>Marie Antoinette</i>, directed by Sofia Coppola. Several of the shoes from the film are on display in the exhibition.</div><div style="text-align: left;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-xSV8yvL6DIE/Wy6W1omJgHI/AAAAAAAAAJ4/XKA3jaHx6eol7JUtZdOW6yAoXWIxSN4NACEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B06%2B49%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://4.bp.blogspot.com/-xSV8yvL6DIE/Wy6W1omJgHI/AAAAAAAAAJ4/XKA3jaHx6eol7JUtZdOW6yAoXWIxSN4NACEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B06%2B49%2BPM.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Fancy Footwear. Photo courtesy of Maddy Howard.</td></tr></tbody></table><div style="text-align: left;">The exhibition is divided into sections based on Blahnik's inspiration. Visitors are able to see the themes and ideas that shaped Blahnik's artistic vision over his career. These inspirations include fantasy, art and architecture, geography, botany, courtiers, and stylish influencers, all of which have come to life in his footwear. The sections help guide the visitors but there is no direct path to follow. Visitors have freedom to engage with these fancy pieces of footwear in any way they choose.</div><div style="text-align: left;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-A_EFTcNyrTA/Wy6W5kGRw5I/AAAAAAAAAKQ/Oa-4dm5KzzAAYXshdIHMLFjHa8is2US_wCEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B12%2B43%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-A_EFTcNyrTA/Wy6W5kGRw5I/AAAAAAAAAKQ/Oa-4dm5KzzAAYXshdIHMLFjHa8is2US_wCEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B12%2B43%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Botany Inspiration. Photo courtesy of Maddy Howard.</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-5lqvXn5Bfo4/Wy6W0n4eBsI/AAAAAAAAAKA/7gTuj9dsWf4uqG3LsknpPYFYrGT7sbF7QCEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B04%2B22%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-5lqvXn5Bfo4/Wy6W0n4eBsI/AAAAAAAAAKA/7gTuj9dsWf4uqG3LsknpPYFYrGT7sbF7QCEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B04%2B22%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Exhibition Interior. Photo courtesy of Maddy Howard.</td></tr></tbody></table><div style="text-align: left;">There are several aspects of this exhibition that work well to engage and intrigue the visitors. The first is the inclusion of the conceptual drawings of the footwear. The comparisons between the drawings and the finished product allows visitors to see how the design evolved from conception to completion. It is interesting and exciting to look at these incredible two-dimensional designs and see them recreated into an actual, physical object. To think about the detail and intricacy it takes to create such pieces of art truly boggles the mind.&nbsp;</div><div style="text-align: left;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-vaEFhYhcdA4/Wy6W1ZxdHuI/AAAAAAAAAJ8/Nlo7a8uOWPEq3of85wgi85kHlgifQ0xUwCEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B06%2B07%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-vaEFhYhcdA4/Wy6W1ZxdHuI/AAAAAAAAAJ8/Nlo7a8uOWPEq3of85wgi85kHlgifQ0xUwCEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B06%2B07%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">From Concept to Reality. Photo courtesy of Maddy Howard.</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-13mGLBUG1G8/Wy6W_wo_rlI/AAAAAAAAAJ8/x6hb7kWh32Y4oGmOPgz74z57OB5GvMCIQCEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B20%2B05%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-13mGLBUG1G8/Wy6W_wo_rlI/AAAAAAAAAJ8/x6hb7kWh32Y4oGmOPgz74z57OB5GvMCIQCEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B20%2B05%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Conceptual designs. Photo courtesy of Maddy Howard.</td></tr></tbody></table><div style="text-align: left;">It should also be noted that there is not a lot of text in the exhibition. The only text is the introduction at the beginning and brief explanations at the beginning of each section. The labels for the shoes only include the name of the shoe and the year. For some shoes, there is one sentence to indicate where inspiration came from or if a notable individual wore them. This was an appreciated aspect as it allowed the shoes to speak for themselves.</div><div style="text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/--Kf2GGimdWM/Wy6ftATZkgI/AAAAAAAAAKg/lwcCQ9WL4z4WQMrqSmwO6UNGwSUqczBbwCLcBGAs/s1600/Photo%2B2018-06-21%252C%2B6%2B21%2B52%2BPM%2B%25281%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1301" data-original-width="1600" height="260" src="https://1.bp.blogspot.com/--Kf2GGimdWM/Wy6ftATZkgI/AAAAAAAAAKg/lwcCQ9WL4z4WQMrqSmwO6UNGwSUqczBbwCLcBGAs/s320/Photo%2B2018-06-21%252C%2B6%2B21%2B52%2BPM%2B%25281%2529.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Example of Labels. Photo courtesy of Maddy Howard.</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-dw_nn5aYyPM/Wy6XC_q-waI/AAAAAAAAAKM/yHrmKvVFQqwq1VpWSyjk9kc1hcEZtaEtQCEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B21%2B55%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://2.bp.blogspot.com/-dw_nn5aYyPM/Wy6XC_q-waI/AAAAAAAAAKM/yHrmKvVFQqwq1VpWSyjk9kc1hcEZtaEtQCEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B21%2B55%2BPM.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Shoe Inspired by Alexander the Great. Photo courtesy of Maddy Howard.</td></tr></tbody></table><div style="text-align: left;">Finally, visitors are treated to a section inspired by Blahnik's workshop. There they can learn more about the technical aspects of Blahnik and his creative genius. This section works well to educate visitors about the astounding detail and work that goes into every shoe. It adds another layer to understanding how the pieces of art are given life, instead of just seeing the beginning and the end. A video screen also plays a short video of Blahnik discussing his work and giving advice to visitors.</div><div style="text-align: left;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-1m2hIh1tc04/Wy6W8OCgWmI/AAAAAAAAAKI/WBxHKVGJHSAF7GQ8ORUnLGmJT1sN1-INACEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B16%2B55%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-1m2hIh1tc04/Wy6W8OCgWmI/AAAAAAAAAKI/WBxHKVGJHSAF7GQ8ORUnLGmJT1sN1-INACEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B16%2B55%2BPM.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Blahnik's Workshop. Photo courtesy of Maddy Howard.</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-1LivD0RKHps/Wy6W8_QLA2I/AAAAAAAAAKQ/tOhL4vpL16Q66Ma5xShrHnBe6ucdb9L4gCEwYBhgL/s1600/Photo%2B2018-06-21%252C%2B6%2B17%2B36%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://4.bp.blogspot.com/-1LivD0RKHps/Wy6W8_QLA2I/AAAAAAAAAKQ/tOhL4vpL16Q66Ma5xShrHnBe6ucdb9L4gCEwYBhgL/s320/Photo%2B2018-06-21%252C%2B6%2B17%2B36%2BPM.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Putting Together the Perfect Shoe. Photo courtesy of Maddy Howard.</td></tr></tbody></table><div style="text-align: left;"><i>Manolo Blahnik: The Art of Shoes </i>brings art and fashion together and truly exemplifies the artistic nature of shoes. It also displays Blahnik's genius and innovation in a fun and engaging way, especially by allowing the shoes to speak for themselves.</div><div style="text-align: left;"><br /></div><div style="text-align: left;">The exhibition opened May 16, 2018 and runs until January 6, 2019, so strut over to the Bata Shoe Museum to kickback with some spectacular shoes.</div><div style="text-align: left;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://media.giphy.com/media/3o7btOpZgTU1UtzpaU/giphy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="378" data-original-width="498" height="242" src="https://media.giphy.com/media/3o7btOpZgTU1UtzpaU/giphy.gif" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://media.giphy.com/media/3o7btOpZgTU1UtzpaU/giphy.gif" target="_blank">Source</a>.</td></tr></tbody></table><div style="text-align: left;"><br /></div>Maddy Howardhttps://plus.google.com/100082709496146231991noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-80596143759318349062018-06-25T06:00:00.000-04:002018-06-25T06:00:20.178-04:00PLAYING WITH PEDAGOGY, WEARING MANY HATS, AND WALKING A TORTOISE INTERNSHIP CHECK-IN <br /><br />BY: KATHLEEN LEW <br /><br />Welcome to another edition of Internship Check-In! Read on to learn about what MMSt students have been doing this summer in institutions across Canada. Today Musings has FOUR incredible interviews to share. * <br /><br />This post features: <br /><br /><b>Victoria Delisle:</b> <a href="https://maritimemuseum.novascotia.ca/" target="_blank">Maritime Museum of the Atlantic</a> and the <a href="https://naturalhistory.novascotia.ca/" target="_blank">Museum of Natural History</a>, Halifax, NS <br /><br /><b>Michael Goodchild:</b> <a href="https://www.rom.on.ca/en" target="_blank">Royal Ontario Museum</a>, Toronto, ON <br /><br /><b>Samantha Kilpatrick:</b> <a href="http://www.torontozoo.com/" target="_blank">Toronto Zoo</a>, Toronto, ON <br /><br /><b>Melina Mehr:</b> <a href="http://artmuseum.utoronto.ca/" target="_blank">Art Museum (UTAC)</a>, University of Toronto, ON <br /><br /><b>Tell us a bit about yourself and your museum-related interests. </b><br /><br /><b>Victoria:</b> Following my Bachelor’s Degree in Anthropology and Classical studies at Saint Mary’s University (Halifax, NS), I moved to Toronto to pursue a Master of Museum Studies. Although my passion has always swayed more towards the archaeology side of things, I am interested in anything and everything related to museums. I have volunteered in Museums since I was 15, participating and facilitating school programs. Coincidently, the Museum of Natural History where I am currently interning (for the first half of my summer) is where I did my high school co-op organizing their botany collection. <br /><br /><b>Michael:</b> I entered the museum world a similar way to how a lot of us do – through my love of history! After receiving my Bachelor of History from the University of British Columbia, I was lucky enough to promptly secure a contract position as an education assistant in the Calgary Military Museum. I led school groups through various educational activities, such as object handling, presentations on the battles of the First World War, and talks about the military contributions of local regiments through Canada’s history. Being immersed in a subject that I love, and getting to share that passion, was incredibly meaningful. The capacity of museums as centers of education, community-building and visitor enrichment are my chief interests, and I’m delighted that working in the Royal Ontario Museum’s interactive galleries affords me the opportunity to develop these interests further! <br /><br /><b>Samantha:</b> I've always been very interested in the 'where the rubber meets the road' part of museums-- that is to say, how visitors actually experience the museum on the floor, or in the gallery. My interest in visitor experience comes from a history of being a docent at a couple of different institutions, and an absolute love for the stories museums have the potential to tell. I want to help them tell these stories as best as I can. I have a history in history and art history, so of course, I'm doing my internship at the Toronto Zoo. <br /><br /><b>Melina:</b> I’m quite drawn to various methods of storytelling – through cinema, creative writing, visual art, and early forms of digital media. I returned to school to pursue an MMSt because my experiences in art galleries have always been fundamental for me in understanding and decoding human experiences. I’m interested in public programming to allow experiential learning environments for diverse audiences in order to create new relationships with art. Recently I’ve become interested in curatorship as well (in my mind, assembling works thematically to convey stories from marginalized communities) so maybe that’s something I’ll toy with down the line. It’s so important for institutionally underrepresented people to have the agency to tell their own histories, so I want to help decolonize the art world in whatever way possible.<br /><div>&nbsp; <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-59nOcGrY3KY/Wy0lxnQQd3I/AAAAAAAAVBk/3RlE7O5Q3wYVXBaiW3o8J82R6BqXUVyoQCLcBGAs/s1600/Melina%2BMehr.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1279" height="400" src="https://4.bp.blogspot.com/-59nOcGrY3KY/Wy0lxnQQd3I/AAAAAAAAVBk/3RlE7O5Q3wYVXBaiW3o8J82R6BqXUVyoQCLcBGAs/s400/Melina%2BMehr.JPG" width="318" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Melina at Art Museum (University of Toronto). Photo courtesy of Melina Mehr.&nbsp;</td></tr></tbody></table><b>What is a typical day at your institution? What are your responsibilities? </b><br /><br /><b>Victoria:</b> My internship is split between the Collections Unit at the Maritime Museum of the Atlantic and with Janet Maltby, the rural site manager at the Nova Scotia Museum working out of the Museum of Natural History. At the Maritime Museum of the Atlantic, I’ll be cataloging the Harbour China collection, and hopefully integrating it with their current Shipwrecks exhibit. My time with Janet Maltby will be spent organizing the Nova Scotia Museum’s institutional history as it’s the 150th anniversary, and shadowing and assisting her in managerial tasks. There is no such thing as a typical day! I can spend one day editing documents, reviewing policies and procedures, and partaking in meetings. Other days, I’ve organized the collections in a fish house at one of the rural museum sites or helped our interpreters take our gopher tortoise Gus for his daily walk! <br /><b><br />Michael: </b>The galleries where I work depend on volunteers and visitors to activate them – this means that they’re always busy and usually need extra help, particularly the past few weeks as schools were finishing up for the summer. I’ve been kept on my toes balancing my project work with stepping out onto the gallery floor to assist volunteers with their responsibilities, help agitated parents find a wayward child, provide directions and assist visitors. When not called onto the floor I have a host of other duties to occupy my time: I help the collections managers update and rehouse specimens, update the collection database, create information cards that volunteers use when taking out objects to facilitate with guests, rehouse objects while keeping an eye open for degradation or pests, and test prototype activities to judge their effectiveness – to name but a handful! <br /><br /><b>Samantha:</b> A typical day at the Toronto Zoo involves going out on site with a visitor questionnaire or observing and taking notes on visitor behaviour. I also will do data entry, and once a week or so sit down with all the data I have collected to conduct an analysis. The internship 'office' is the Toronto Zoo's volunteer lounge, and the home to all the biofacts and touchable objects we have for volunteers and educators to use. The other two interns are working with this education collection, which means I am often entering data into excel while they have the much more visually interesting job of gluing shark jaws back together, or pinning beetles to boards, or identifying unlabelled snakeskins. <br /><br /><b>Melina:</b> I am the Public Programming Assistant, so my main duties are based around ensuring all our summer programs are executed seamlessly, as well as giving exhibition tours. I do outreach to create connections between current exhibitions at the Art Museum and different faculties/departments/communities in Toronto to set up various styles of tours. I also train work-study staff to become docents. Day to day I do a lot of research, tour prepping, and fun admin stuff.</div><div class="separator" style="clear: both; text-align: center;"></div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-F5r21mbEnE0/Wy0mCO6tNpI/AAAAAAAAVBs/v5aQ7DIJdsYY0SPlaJs0eeMVIoDuc98IwCEwYBhgL/s1600/Samantha%2BKilpatrick.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1600" height="200" src="https://3.bp.blogspot.com/-F5r21mbEnE0/Wy0mCO6tNpI/AAAAAAAAVBs/v5aQ7DIJdsYY0SPlaJs0eeMVIoDuc98IwCEwYBhgL/s400/Samantha%2BKilpatrick.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">One of Samantha's new friends at the Toronto Zoo! Photo courtesy of Samantha Kilpatrick.&nbsp;</td></tr></tbody></table><b>What is something you have learned so far at your internship? </b><br /><br /><b>Victoria:</b> I’ve learned the extent of the curatorial and management process. Seeing first-hand the amount of work on a consistent basis is more than I have ever imagined. Everyone here has a thousand different projects going on at once and they all sit on numerous committees. I quickly learned that being organized is most definitely an asset. I am also pleasantly surprised at the amount of gardening skills I’ve acquired through working with our rural sites, I never thought I would be obtaining my green-thumb through my internship! <br /><br /><b>Michael:</b> The coordinators and facilitation staff have all worked hard to ensure that I get as thorough an experience of museum work as I can, and I’ve gained practical experience in a whole range of museum work and skill development. I’ve also had the opportunity to meet with professionals from other departments, such as Design, Curatorship, and Program Planning. From all of this, I’ve learned that when it comes to front-of-house, visitor-oriented museum work, you need to get used to wearing all kinds of hats every day. I work as a collections manager, a teacher, an activity planner, a play tester, a guide, a friendly face, a source of authority and a student. I do these things all at once in any combination. Time management and the ability to adapt to rapidly changing circumstances is par the course for this branch of museum work. <br /><br /><b>Samantha:</b> How to present information so it will be acknowledged and listened to. <br /><br /><b>Melina: </b>The detailed logistics that go into planning events months and months in advance. And also the importance of keeping records – whether it’s emails, documents, notes, post-its, etc. Record everything!</div><div class="separator" style="clear: both; text-align: center;"></div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-_dpoqY9fOLo/Wy0mTPz20WI/AAAAAAAAVB0/GGk9qLsfQ_wzi295_pcNC50CaM2NZxFuwCEwYBhgL/s1600/Michael%2BGoodchild.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://4.bp.blogspot.com/-_dpoqY9fOLo/Wy0mTPz20WI/AAAAAAAAVB0/GGk9qLsfQ_wzi295_pcNC50CaM2NZxFuwCEwYBhgL/s400/Michael%2BGoodchild.JPG" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A wild Michael is found in the ROM's Biodiversity gallery. Photo courtesy of Michael Goodchild.&nbsp;</td></tr></tbody></table><b>What are you excited about accomplishing throughout your internship? </b><br /><br /><b>Victoria:</b> As an ongoing project with my predecessors at the Museum of Natural History I’m looking forward to the Gallery Renewal Project in the museums main entrance space, known as the Netukulimk Gallery. It’s exciting to be included in how gallery renewal takes place, and I’m looking forward to the outcome. <br /><br /><b>Michael: </b>Overall, I’m excited for the breadth of experience my internship has given me so far, gaining experience in many different types of museum work. I’m also excited about how my internship can act as a spring board leading to future opportunities – the ROM is widely recognized and well-respected, and the connections I make hear can only benefit me in my future endeavours, no matter where I end up! Finally, I’m excited that my time here will open my eyes to types of museum work I wouldn’t have otherwise considered, giving me more tools to add to my museum toolbox. <br /><br /><b>Samantha: </b>Through research and implementation (asking a horticulturalist if he could move a plant to the other side of a display case) I have doubled the number of people who engage with one of our educational booths. I am working to rewrite some of the text as well, and I will soon be able to calculate how many more hundreds of people a year stop at this booth, and leave having learned something about our environmental goals. <br /><br /><b>Melina:</b> I’m hoping to get better and more comfortable with creating different kinds of tours for different kinds of audiences. It’s really amazing having multiple tours scheduled each week because I get to practice so frequently and play with new pedagogical methods each time to see what works best. <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-hIlDIIeUi2g/Wy0nAcwh8RI/AAAAAAAAVCA/hrJisYF4FTEKgG2dyL5slZMlvwBWZvB7wCEwYBhgL/s1600/Victoria%2BDelisle.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1396" height="400" src="https://4.bp.blogspot.com/-hIlDIIeUi2g/Wy0nAcwh8RI/AAAAAAAAVCA/hrJisYF4FTEKgG2dyL5slZMlvwBWZvB7wCEwYBhgL/s400/Victoria%2BDelisle.jpg" width="348" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Victoria at the Museum of Natural History. Photo courtesy of Victoria Delisle.&nbsp;</td></tr></tbody></table><b>If you could create any museum (no matter how ridiculous) what kind of museum would it be? </b><br /><br /><b>Victoria:</b> I know it’s not too crazy, but I love encyclopedic museums. I love the concept of having many cultures and perspectives under one roof, since we often don’t learn about them in unison. It gives people a chance to learn about them from a global perspective and understand one another. Also, I love grand, magnificent architecture- so, the bigger the museum the better! <br /><br /><b>Michael:</b> I would love to create a museum that showcases how humanity has used technology to evolve how we tell each other stories. One of the many reasons I love museums is because they can guide visitors through stories of human development, growth, and tragedy. By word of mouth, pictures and hieroglyphs, books, movies, songs, and videogames, we continuously look for newer and newer ways to tell stories, which themselves can be experienced passively by simply listening, or putting the recipient in the driver’s seat so to speak. Celebrating these ever-changing mediums while also drawing attention to the universality of sharing and telling stories would be a lot of fun personally, and would speak to a part of museums that I love so much. <br /><br /><b>Samantha:</b> I honestly have been so occupied by the idea of UNLive (read Samantha's Musing article <a href="http://musingsmmst.blogspot.com/2018/06/a-future-to-imagine-for.html" target="_blank">here</a>) as an ideal to aspire to that I have no idea how I would improve on that! <br /><br /><b>Melina:</b> A collective-based museum with rotating artists (first time art-makers, emerging, practiced, all kinds) who have access to supplies, studio space, and instructors, when they otherwise may not have that opportunity. The museum’s exhibitions would be the work of these incoming and outgoing artists, providing a lens into the artistic pursuits of diverse communities; it would also validate their interest in and capacity to create art, as their pieces would be displayed in a public gallery space.&nbsp;</div><div><br /></div><div>If you want to see more of Victoria's internship, be sure to check out her <a href="https://www.instagram.com/themuseumintern/" target="_blank">Instagram</a>!<br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BkQfPCLnNx6/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.5% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BkQfPCLnNx6/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Gus 🐢🌼</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/themuseumintern/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Victoria Delisle</a> (@themuseumintern) on <time datetime="2018-06-20T19:07:13+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 20, 2018 at 12:07pm PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script><br />*These interviews have been edited for length and clarity.</div>Kathleen Lewhttps://plus.google.com/103277129862001627923noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-45782775881168866462018-06-22T06:00:00.000-04:002018-06-22T06:00:10.861-04:00ACCESSIBILITY: MORE THAN A BUTTON ON A DOORMUSEUM INNOVATIONS<br /><br />BY: KEELAN CASHMORE<br /><br /><b><a href="https://www.merriam-webster.com/dictionary/accessible">ac-ces-si-ble (adj) </a></b><br /><br />capable of being <i>reached</i><br /><br />capable of being <i>used or seen</i><br /><br />capable of being <i>understood or appreciated</i><br /><br />If I asked you why accessibility in museums is important, what would you say? You might say something like “<i>museums are for everyone</i>”, or “<i>every individual deserves the opportunity to experience museums</i>”. And if you did, you’d be right.<br /><br />But what <b>defines</b> accessibility?<br /><br />Is it having closed captioning on videos? Or wheelchair ramps? Is it as simple as having changing tables in men’s washrooms? Or does it involve the strategic placement of seats in exhibits?<br /><br />The answer is <i>yes</i>. <br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-DhBR8ApGvbE/WyaG5ExK2tI/AAAAAAAAAA0/KwJKM-HRLK895MiuCk07bjzihQ1_kGyBQCLcBGAs/s1600/accessibility.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://1.bp.blogspot.com/-DhBR8ApGvbE/WyaG5ExK2tI/AAAAAAAAAA0/KwJKM-HRLK895MiuCk07bjzihQ1_kGyBQCLcBGAs/s320/accessibility.png" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Examples of accessibility markers. <a href="https://marketingland.com/measuring-accessibility-user-experience-ux-searcher-experience-139546">Source.</a></td></tr></tbody></table>But accessibility is also <i>so much more</i>&nbsp;than these physical adaptations to museums. It is bringing neurodiverse artists to light in the best way possible - exhibiting their work and showcasing their talent.<br /><br />The <a href="http://www.museumofspecialart.org/">Museum of Special Art (MOSA) </a>in Bothwell, Washington, takes a brand-new approach to the idea of accessibility. <br /><br />MOSA brings a new perspective and it is not a ‘typical’ museum. “… [MOSA] is a non-profit corporation developed to meet the current needs of children and special adults with disabilities by providing access to the visual arts, educational opportunities, career development, art internships, and work opportunities for artists with disabilities.” (<a href="http://www.museumofspecialart.org/about-us">Source</a>.)<br /><br />One of the current exhibitions, <i>Unlimited</i>, exhibits the work of autistic artists in recognition of Autism Awareness. This is exciting, as it brings a new voice to artists with disabilities and caters to artists of all ages and abilities.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-cgiK_5lcnW8/WyaIuyLTLKI/AAAAAAAAABA/HrhVSCn6Q7gsw3fPo4MFedH0iW2zy5uWACLcBGAs/s1600/aa2a81_16a4fcfdd4b847969ead5149190325da.webp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="410" data-original-width="1086" height="150" src="https://4.bp.blogspot.com/-cgiK_5lcnW8/WyaIuyLTLKI/AAAAAAAAABA/HrhVSCn6Q7gsw3fPo4MFedH0iW2zy5uWACLcBGAs/s400/aa2a81_16a4fcfdd4b847969ead5149190325da.webp" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Museum of Special Art banner. <a href="http://www.museumofspecialart.org/about-us">Source</a>.</td></tr></tbody></table>MOSA places a special emphasis on both the historical preservation of the art, and the art itself. These can be outlined as such:<br /><br />1) “ Because of the physical and/or developmental challenges these artists face, it can be difficult to access the visual arts. Many have limited access to art programs, materials, adaptive equipment and may not have the advocacy skills needed to care for their artwork and submit their work for exhibitions...&nbsp; it is imperative that we preserve the historical value of artwork created by artists with disabilities for future generations to come.” (<a href="http://www.museumofspecialart.org/about-us">Source</a>.)<br /><br />2) “The artwork itself is so profound and inspirational and comes from a unique viewpoint of artists with disabilities. Many of these artists who have developmental, physical disabilities, or traumatic brain injuries, who face day to day functional challenges rise above all odds to create the most beautiful masterpieces.” (<a href="http://www.museumofspecialart.org/about-us">Source</a>.)<br /><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-N_LggJeeLSw/WyaJFpuWpjI/AAAAAAAAABI/ckoLin1vD0kTJWk8bQCQ9tfvF7RvY1wHgCLcBGAs/s1600/MOSA.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="156" data-original-width="323" height="154" src="https://4.bp.blogspot.com/-N_LggJeeLSw/WyaJFpuWpjI/AAAAAAAAABI/ckoLin1vD0kTJWk8bQCQ9tfvF7RvY1wHgCLcBGAs/s320/MOSA.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Museum of Special Art. <a href="http://www.museumofspecialart.org/">Source</a>.&nbsp;</td></tr></tbody></table><br />So – <b>why</b> is MOSA important?<br /><br />MOSA is important not only in terms of museums, but in terms of equality in general. MOSA plays an integral role in breaking down barriers for artists with disabilities. Personally, I think this is a fantastic take on accessibility. Instead of developing ways to make a museum accessible to people with disabilities as patrons, MOSA makes them the focus.<br /><br />Something else I discovered was that MOSA also provides an Open Studio, where artists with disabilities can create the artwork of their choice. I think this extension to the museum is a good way to further foster a love of creativity within artists with disabilities. Instead of simply being a building in which artists with disabilities can display their work, MOSA creates a welcoming and experimental space. For any artist, <i>acceptance and opportunity can have an incredibly positive impact on both their work, and who they are as an artist</i>. <br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-lGO1VpqetaQ/WypiwP7rDXI/AAAAAAAAABg/n7lkOv4gA8welEqmzcWd1l5zHY8q1xECgCLcBGAs/s1600/aa2a81_9cdcd8ee52a148c9a676f98f8633963f_mv2_d_2592_1936_s_2.webp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="302" data-original-width="800" height="150" src="https://3.bp.blogspot.com/-lGO1VpqetaQ/WypiwP7rDXI/AAAAAAAAABg/n7lkOv4gA8welEqmzcWd1l5zHY8q1xECgCLcBGAs/s400/aa2a81_9cdcd8ee52a148c9a676f98f8633963f_mv2_d_2592_1936_s_2.webp" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Museum of Special Art banner. <a href="http://www.museumofspecialart.org/blog">Source</a>.</td></tr></tbody></table>It is incredibly important to recognize differences and diversity in artists and open museums to new forms of artwork. I am absolutely thrilled to see that MOSA is pushing that boundary and I hope museums like MOSA will soon become the “norm” rather than an “innovation”.KeelanCashmorehttp://www.blogger.com/profile/01954047749695960512noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-8520371343748197202018-06-20T06:00:00.000-04:002018-07-16T20:21:57.853-04:005 HIDDEN SPOTS ON CAMPUS TO RELAXTHE GRAD SCHOOL GUIDE<br /><br />BY: LAETITIA DANDAVINO-TARDIF<br /><br />Sometimes, we all need to relax, especially when the semester kicks in. It is important to keep a balance between your studies and your wellness. The University of Toronto’s St. George campus has wonderful and magical quiet places to study, relax or disconnect. You just have to know where to find them! Here are some of my favourite hidden gems around the campus where I like to escape as I am completing my Masters.<br /><br /><b>1. Terrence Donnelly Centre’s Indoor Bamboo Garden</b><br /><br />160 College St, Toronto, ON M5S 3E2<br /><br />The <a href="http://ccbr.utoronto.ca/donnelly-centre-cellular-and-biomolecular-research" target="_blank">Terrence Donnelly Centre for Cellular and Biomolecular Research</a> building, opened in 2005, has one of the only indoor green spaces at the University of Toronto. The Bamboo Garden is the ideal place to go to find a moment of peace. There are benches on the various patio levels where you can relax, eat your lunch or chat with friends.&nbsp; The Bamboo Garden remains little known across the student body, so make sure to check it out!<br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/Beim2Z8B95I/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.5% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/Beim2Z8B95I/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by V I C T O R I A J. W (@victorirory)</a> on <time datetime="2018-01-29T16:51:43+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jan 29, 2018 at 8:51am PST</time></div></div></blockquote><br /><script async="" defer="" src="//www.instagram.com/embed.js"></script><b> 2. University College’s Quadrangle</b><br /><br />15 King’s College Circle, Toronto, Ontario M5S 3H7<br /><br /><a href="https://www.uc.utoronto.ca/" target="_blank">University College</a>’s Quadrangle is a serene haven minutes away from the Faculty of Information. Surrounded by the beautiful medieval-inspired 1850s&nbsp;<span id="goog_114471113"></span>University College building<span id="goog_114471114"></span>, this green space is my favourite on campus as it feels like I enter in another era. I enjoy grabbing a coffee at Diabolo’s Cafe (as listed in my previous <a href="http://musingsmmst.blogspot.com/2018/05/8-best-cafes-near-university-of-toronto.html" target="_blank">Grad School Guide article</a>) and sitting in the Quad to eat my lunch, read a book or let my mind wander. As you are there, I recommend visiting the latest exhibition of the nearby <a href="http://artmuseum.utoronto.ca/exhibitions/" target="_blank">University of Toronto Art Centre</a>!<br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BWLufU0hWGg/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BWLufU0hWGg/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by Alexandra (@alexandrakazia)</a> on <time datetime="2017-07-05T23:24:48+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jul 5, 2017 at 4:24pm PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><b><br /></b><b>3. Rotman School of Management’s Rooftop Terrace</b><br /><br />5th floor, 105 St George St, Toronto, ON M5S 3E6<br /><br />You might have been wondering what is in that glass building in from of the Faculty of Information. The <a href="http://www.rotman.utoronto.ca/" target="_blank">Rotman School of Management </a>offers many services such as a coffee shop, a cafeteria and the Milt Harris Library. But my favourite part of this building is its green rooftop patio. Located on the same floor as the library, the patio offers you one of the best views of Toronto from campus. The only inconvenience is that the Wi-Fi is quite weak outside. However, why not enjoy some time really disconnected!<br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/Bikda97HV0k/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 37.5% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/Bikda97HV0k/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by ger z (@uneimagejusteoujusteuneimage)</a> on <time datetime="2018-05-09T20:13:24+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">May 9, 2018 at 1:13pm PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><b>4. Philosopher’s Walk</b><br /><br />Access on Bloor St W. through the <a href="http://www.lostrivers.ca/content/points/alexandragate.html" target="_blank">Queen Alexandra Gates</a> (between the Royal Ontario Museum and the Royal Conservatory of Music).<br /><br />While <a href="https://en.wikipedia.org/wiki/Philosopher%27s_Walk_(Toronto)" target="_blank">Philosopher’s Walk</a> is mostly used as a shortcut between Bloor St. W. and Hoskin Ave., away from cars, it is an ideal place to go reflect (as its name indicates). With many benches along the way, I enjoy sitting down there to read a book, and sometimes, listen to the music practices coming out from the Faculty of Music building, which is just beside! This park is as scenic throughout all seasons (Fall being my favourite one).<br /><br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BjF2KPwgul0/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.5% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BjF2KPwgul0/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by Allana (@solostris)</a> on <time datetime="2018-05-22T19:24:30+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">May 22, 2018 at 12:24pm PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><b>5. Innis Cafe's Patio</b><br /><br />2 Sussex Ave, Toronto, ON M5S 1J5<br /><br />Another neighbour to the Faculty of Information is <a href="http://innis.utoronto.ca/" target="_blank">Innis College</a>. The <a href="http://innis.utoronto.ca/about/space/innis-cafe/" target="_blank">Innis Café</a> has a lovely hidden rooftop patio that is yet to be known! You, certainly, will not feel on campus when you head up there. This patio does not only have comfortable seating, but it is small, intimate and secluded. You can grab a lunch on the first floor or use the microwave to heat up your own.<br /><br /><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BZjUvhBnvtk/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/BZjUvhBnvtk/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by AnnyYu42 (@annyyu42)</a> on <time datetime="2017-09-27T16:55:46+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Sep 27, 2017 at 9:55am PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><b>BONUS: Hart House</b><br /><br />7 Hart House Circle Road, Toronto, ON M5S 3H3<br /><br /><a href="http://harthouse.ca/" target="_blank">Hart House</a>, as a whole, is my number one place on campus. This cultural hub doesn’t only offer many activities (such as&nbsp;<a href="http://harthouse.ca/events/get-crafty-2-2018-01-11/" target="_blank">Get Crafty</a>&nbsp;or&nbsp;<a href="http://harthouse.ca/board-game-cafe/" target="_blank">Board Game Cafe</a>), workshops, theatre plays and fitness classes, but it is a beautiful building that makes you feel like in Harry Potter. It has so many rooms and quiet corners where you can go relax (and even take a nap!), such as the Reading Room and the Library. If you do not know what to do, there is always something going on or for you to do at&nbsp;Hart House, day and night.<br /><div><br /></div><br /><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/Bjuwwr8leqi/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 500px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/Bjuwwr8leqi/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">A post shared by Brett Snyder (@brett_snyder)</a> on <time datetime="2018-06-07T16:46:11+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 7, 2018 at 9:46am PDT</time></div></div></blockquote><br />As you can see, there is so much to explore around the University of Toronto. I hope these places may become sources of inspiration as you are completing various research papers throughout your degree. Also, to complement with your Masters of Museum Studies, I suggest learning more about the history of these sites as each and every one of them captures an essence of the University of Toronto. Finally, as this is only a handful of what the campus has to offer, I recommend wondering around to discover your own gem to unwind and let your mind escape.<br /><div><br /></div><br /><iframe height="480" src="https://www.google.com/maps/d/u/0/embed?mid=14d5-5S0FwUCgZFaPabFTViTT3MdqCrMk" width="640"></iframe>Laetitia Dandavino-Tardifhttp://www.blogger.com/profile/13117918780957869627noreply@blogger.com0Toronto, ON, Canada43.653226 -79.38318429999998243.2856095 -80.028631299999986 44.020842499999993 -78.737737299999978tag:blogger.com,1999:blog-2279702635216618752.post-46488481975660237052018-06-18T06:00:00.000-04:002018-06-18T06:00:00.175-04:00ROBBING BANKSY: THE THEFT OF ARTWORK AND INTELLECTUAL PROPERTYMUSE NEWS<br /><br />BY: AMY INTRATOR<br /><br />Welcome to another Banksy-based #MuseNews! Since&nbsp;<a href="http://musingsmmst.blogspot.com/2018/06/exhibiting-banksy-accessible-art-or.html" target="_blank">my last article</a>, which explored the unauthorized Banksy exhibit opening in Toronto, there have been several shocking developments. In the span of two weeks,&nbsp;<a href="https://www.eventbrite.ca/e/saving-banksy-toronto-exhibit-tickets-46729231389" target="_blank">another unauthorized Banksy exhibit</a>&nbsp;came and left Toronto,&nbsp;<a href="https://www.banksyexhibit.com/" target="_blank">The Art of Banksy</a>&nbsp;opened, and news broke that&nbsp;<a href="http://www.cbc.ca/news/canada/toronto/banksy-art-reported-stolen-1.4706015" target="_blank">one of the artworks was stolen from the exhibit</a>.&nbsp;Today, I’ll be exploring the latest news and considering what we can learn from the twists and turns.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-ijpp1OteG8E/WyPcfMUIVmI/AAAAAAAAIgg/H5whGPQRo4YISKKQ4DQKFLaWUoBtPlvWgCK4BGAYYCw/s1600/2876416871_0c184b4d35_b.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://2.bp.blogspot.com/-ijpp1OteG8E/WyPcfMUIVmI/AAAAAAAAIgg/H5whGPQRo4YISKKQ4DQKFLaWUoBtPlvWgCK4BGAYYCw/s400/2876416871_0c184b4d35_b.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="font-size: 12.800000190734863px;">A Banksy piece from New Orleans depicting thieves in action.&nbsp;<a href="https://www.flickr.com/photos/howieluvzus/2876416871" target="_blank">Source</a>.</td></tr></tbody></table><b><br />June 13, 2018: The Art of Banksy Opens in Toronto</b><br /><br />The blockbuster exhibit opened on Wednesday, June 13th.&nbsp;<a href="https://www.theglobeandmail.com/arts/art-and-architecture/article-the-art-of-banksy-exhibit-to-make-north-american-debut-in-toronto/" target="_blank">The show was announced</a>&nbsp;over a month ago, and has been greatly anticipated since. The city has been plastered with ads that make the exhibit seem more like a carnival stopping in Toronto. The online “trailers” for the exhibit make the show seem like a high-suspense action movie coming to an abandoned warehouse near you.<br /><br />It turns out the spectacle of the advertising perfectly captures the exhibit itself. So far the reviews for the exhibit have been mostly negative, with one critic going as far as calling the exhibit “<a href="https://nowtoronto.com/culture/art-and-design/art-of-banksy-exhibit-toronto/" target="_blank">utterly vulgar</a>.”<br /><br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BkDKnO2jZu5/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 43.00925925925926% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BkDKnO2jZu5/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">En chemin vers Toronto, on s’est rendus compte que la plus grande expo de #Banksy était ouverte. Faque on est là! 🎈</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/dominiquedupont/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Dominique Dupont</a> (@dominiquedupont) on <time datetime="2018-06-15T14:56:54+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jun 15, 2018 at 7:56am PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <b><br /></b><b>June 14, 2018: News Breaks that an Artwork Was Stolen from the Exhibit</b><br /><br />On Thursday, June 14th, news broke that an artwork from&nbsp;<i>The Art of Banksy</i>&nbsp;had been stolen from the exhibit’s warehouse location. Soon,&nbsp;<a href="http://www.cbc.ca/news/canada/toronto/banksy-art-reported-stolen-1.4706015" target="_blank">details followed</a>&nbsp;that the artwork titled "Trolley Hunters," worth approximately $45,000, had been stolen on Sunday, June 10th, before the exhibit opened. Now, there has been a&nbsp;<a href="http://www.cbc.ca/news/canada/toronto/banksy-art-reported-stolen-1.4706015" target="_blank">surveillance tape</a>&nbsp;released that shows a man stealing the artwork.<br /><br />The theft has sparked even more conversation about the already controversial exhibit.<br /><br /><b><br /></b><b>The Latest Literal Theft&nbsp;</b><br /><br />The theft has drawn attention to the risks involved when staging an exhibit in a non-gallery setting. The exhibition is located at 213 Sterling Road, a former factory. The large, abandoned warehouse lends itself to the “Banksy aesthetic.” Some of Banksy’s early shows were staged in similar warehouses. Banksy is largely known for his graffiti art, so an abandoned factory helps create the illusion that you’re part of Banksy’s underground world, even when you’re viewing framed artworks. The warehouse setting may serve the exhibit’s aesthetic, but the recent theft is a reminder that these makeshift gallery spaces pose major risks when staging an exhibit.<br /><br />The theft also has major implications for the owner of the artwork. The exhibit is the “<a href="https://www.banksyexhibit.com/" target="_blank">largest Banksy exhibit ever assembled</a>” thanks to the art collectors worldwide who have loaned their Banksy pieces to the exhibit. The theft is a reminder of the risk involved for collectors loaning their works to exhibits, but is the theft so surprising? The entire exhibit is branded around the $35 million price tag, the collective worth of the 80 pieces in the exhibit. Clearly, the exhibit touted the worth of the art to draw audiences, but centering the exhibit around commercial value ended up endangering the art.<br /><br /><b><br /></b><b>The Ongoing Intellectual Theft&nbsp;</b><br /><br /><i>The Art of Banksy</i>&nbsp;is an unauthorized exhibit, and the curator has openly admitted the artist would not approve. Isn’t this exhibit a theft itself? The curator is, after all, repurposing the creative property of an artist against their will, and making a major profit along the way.<br /><br />This exhibit isn’t the only unauthorized show of Banksy’s work. A couple weeks ago,&nbsp;<a href="https://www.eventbrite.ca/e/saving-banksy-toronto-exhibit-tickets-46729231389" target="_blank">Saving Banksy</a>&nbsp;showed in Yorkville Village from June 6th to June 11th. The exhibit included two Banksy works, “White Morons” and “Haight Street Rat,” amoungst the work of several local artists. “Haight Street Rat” is the star of both the exhibit and a&nbsp;<a href="http://www.savingbanksy.com/" target="_blank">recent documentary</a>, as the piece was originally spray-painted on the side of a San Francisco bed and breakfast, but was removed and saved by art collector Brian Grief when the piece was at risk of being destroyed.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-z8y--OQwQks/WyPfhFLjS_I/AAAAAAAAIgs/OYVavi-bwFoTgV3rT5C4GbBwe-qsoOF9wCK4BGAYYCw/s1600/IMG_3129.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="357" src="https://1.bp.blogspot.com/-z8y--OQwQks/WyPfhFLjS_I/AAAAAAAAIgs/OYVavi-bwFoTgV3rT5C4GbBwe-qsoOF9wCK4BGAYYCw/s400/IMG_3129.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="font-size: 12.800000190734863px;">Image of the "Haight Street Rat" painting on display at the Saving Banksy exhibit. Photo courtesy of Amy Intrator.</td></tr></tbody></table><i><br />Saving Banksy</i>, a small and free exhibit, seems like the exact opposite of&nbsp;<i>The Art of Banksy</i>, but the small show also infringes upon Banksy’s creative property. “Haight Street Rat” has been removed from its original canvas on the wall of a building, and decontextualized as a framed artwork.<br /><br />The literal theft of a Banksy artwork serves as a reminder of the ongoing theft of Banksy’s creative property.Amy Intratorhttp://www.blogger.com/profile/09604682946855764399noreply@blogger.com2tag:blogger.com,1999:blog-2279702635216618752.post-29707785177246430162018-06-15T06:00:00.000-04:002018-06-19T14:56:51.875-04:00MEMORY X MURALS<div class="separator" style="background-color: white; clear: both; font-family: Lora; font-size: 15.4px;">FLASHBACK FRIDAY</div><div class="separator" style="background-color: white; clear: both; font-family: Lora; font-size: 15.4px;"><br /></div><span style="background-color: white; font-family: &quot;lora&quot;; font-size: 15.4px;">BY: CASARINA HOCEVAR</span><br /><br />This summer I have been working with the Scarborough-based non-profit, <a href="https://muralroutes.ca/" target="_blank">Mural Routes</a>, in documenting mural projects around the Greater Toronto Area into one comprehensive archive. Due to their rather temporal state - and the fact I haven’t lived in Toronto since its earliest commercial murals of the late 19th Century - creating a comprehensive archive of all the city’s murals has been a bit of tricky task. But it has also prompted some interesting reflections on how murals echo both private and public memories. This week’s Flashback Friday will unravel how local history is embedded in our city’s public artwork.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-1n-efm9zLeI/WyF1XNq40rI/AAAAAAAALhQ/IPQzo451xWcC2ih0AQ5427jyyuXr8xBYQCLcBGAs/s1600/Bomb%2BGirls.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="960" height="480" src="https://3.bp.blogspot.com/-1n-efm9zLeI/WyF1XNq40rI/AAAAAAAALhQ/IPQzo451xWcC2ih0AQ5427jyyuXr8xBYQCLcBGAs/s640/Bomb%2BGirls.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">"Bomb Girls" by OMEN in collaboration with StreetARToronto and Mural Routes, near&nbsp;<span style="font-size: 12.8px;">Warden x St. Clair East in Scarborough.&nbsp;</span><span style="font-size: 12.8px;">2014. Photo courtesy of Mural Routes.&nbsp;</span></td></tr></tbody></table><br />In many murals, especially those commissioned by the city or in partnerships with local BIA (Business Improvement Area), the themes and content of murals explicitly relay “heritage moments” or local legacies. A clear example of this can be found from the 1990s, when Mural Routes commenced their first series of murals along Kingston Road in Scarborough known as the Heritage Trail. Another example would be the several murals done by John Kuna for the Village of Islington BIA in Etobicoke from 2005 to 2014. These murals feature a range of characters and activities from Islington’s past, from <a href="http://www.villageofislington.com/photo_gallery/murals.html" target="_blank">families tobogganing to The Guelph Radial Line to local church communities</a>. Such murals serve as tributes to the past, becoming a visual representation of collective community memories.<br /><br />However, many of Toronto’s murals were not meant to be historical in nature, yet, their memory in the minds of local residents exist as landmarks of the city’s past. This is particularly evident amongst some of Toronto’s commercial murals. Until a few years ago, when the Church Street Mural Project added several new murals to the Church and Wellesley community, a large Molson Canadian advertisement was featured on Church Street as a mural known colloquially as <a href="https://www.dailyxtra.com/the-barns-gay-cowboys-ride-off-into-the-sunset-39584" target="_blank">The Gay Cowboys</a>. Despite its obvious commercial purposes, the mural was recognized as a landmark in a generation of Toronto’s gay community. Recently, when Mural Routes’ held their archive exhibit at 389 Yonge St., several residents of the Church-Wellesley area shared their memories of the Gay Cowboys, revealing that in spite of its loss, the mural lingers in memory as part of the neighbourhood’s historical character.<br /><b></b><br />Alternatively, many contemporary murals which aim to capture the diversity of Toronto’s communities (and perhaps, also tackle the lack of representation in Toronto’s public art) remind us of the multitude of intersecting communities that contribute to its vibrancy. For example, In July 2017, Parkdale held the event <a href="https://www.facebook.com/events/586253695096929/" style="background-color: transparent;" target="_blank">Women Paint</a><span style="background-color: transparent;">, organized by Bareket Kezwer and StreetARToronto, where muralists came together to paint their unique and contrasting narratives of being </span>womxn<span style="background-color: transparent;">.</span> <br /><span style="background-color: transparent;"><br /></span><br /><div style="text-align: center;"><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BWp3UzWgmQy/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BWp3UzWgmQy/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Congratulations to our friend @bkez and the 20 artists she brought together for #Womenpaintto! We are so lucky to know and work with these strong and talented women #Womenpaint #toronto #streetart #femaleartists #girlpower #Parkdale #laneway #transformation #thesix</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/muralroutes/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Mural Routes</a> (@muralroutes) on <time datetime="2017-07-17T16:19:13+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Jul 17, 2017 at 9:19am PDT</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script></div><div style="text-align: center;"><br /></div><br />Concurrently, other muralists, such as Philip Cote have been injecting the mural scene with art representing Indigenous history and culture. Last summer, Cote finished a mural near <a href="http://www.cbc.ca/news/canada/toronto/programs/metromorning/old-mill-bridge-transformed-into-canvas-for-indigenous-art-1.4213284" target="_blank">Old Mill Subway Station</a> which illustrates Indigenous knowledge, that has been preserved through oral histories. Such projects are laced with narratives of the Toronto region, both contemporary and historical, which indeed beautifully draw attention to a multifaceted, complex urban identity that is often lost in the haze of gray buildings and in our hustling commutes.<br /><br /><br /><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BcOA4X0HTPB/" data-instgrm-version="8" style="background: #fff; border-radius: 3px; border: 0; box-shadow: 0 0 1px 0 rgba(0 , 0 , 0 , 0.5) , 0 1px 10px 0 rgba(0 , 0 , 0 , 0.15); margin: 1px; max-width: 658px; padding: 0; width: 99.375%;"><div style="padding: 8px;"><div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 49.861111111111114% 0; text-align: center; width: 100%;"><div style="background: url(data:image/png; display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div></div><div style="margin: 8px 0 0 0; padding: 0 4px;"><a href="https://www.instagram.com/p/BcOA4X0HTPB/" style="color: black; font-family: &quot;arial&quot; , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">#urbanart this mural is painted on the concrete below Bloor Street at Old Mill they were done by Indigenous artist Philip Cote #philipcote</a></div><div style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a href="https://www.instagram.com/dilettante.gallery/" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" target="_blank"> Steve Kerlovich</a> (@dilettante.gallery) on <time datetime="2017-12-02T23:52:21+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">Dec 2, 2017 at 3:52pm PST</time></div></div></blockquote><script async="" defer="" src="//www.instagram.com/embed.js"></script> <br /><br /><br />Then, within the production and life of a mural, lies another source of memory. Some murals have become iconic features to Toronto, recognizable to city dwellers across demographics. <a href="https://www.atlasobscura.com/places/the-rainbow-tunnel" target="_blank">The Rainbow Tunnel</a> in the Don Valley Parkway (DVP) is an excellent example of this. Visible from the highway, a pedestrian tunnel is vibrantly painted as a rainbow - ensuring pass-byers of its visibility regardless of the time of year. First painted in the <a href="https://www.thestar.com/news/gta/2012/11/02/don_valley_parkway_rainbow_gets_a_makeover.html" target="_blank">1970s by Bc Johnson</a>, community members came together to restore the mural in 2012-2013, thus, sharing in a collective effort to preserve its mural memory. This Saturday, June 16th, Mural Routes will be completing touch-ups on Rainbow Tunnel as maintenance.<br /><br /><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-Qoic6NmmwLQ/WyFp1Ta-FyI/AAAAAAAALg8/RbknZkrOp_wYm05ubWbbRSQWsEYY5SzlACLcBGAs/s1600/2012.07.00%2B-%2BRainbow%2BTunnel%2B-%2B12.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="598" data-original-width="800" height="478" src="https://4.bp.blogspot.com/-Qoic6NmmwLQ/WyFp1Ta-FyI/AAAAAAAALg8/RbknZkrOp_wYm05ubWbbRSQWsEYY5SzlACLcBGAs/s640/2012.07.00%2B-%2BRainbow%2BTunnel%2B-%2B12.JPG" width="640" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-BebDvquRD-k/WyFp2b9xltI/AAAAAAAALhA/wfByK3J08u8mSO2MG1yHmjwe9hnBLXBqACLcBGAs/s1600/2013.07.00%2B-%2BInside%2BRainbow%2BTunnel%2B-%2B1.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://2.bp.blogspot.com/-BebDvquRD-k/WyFp2b9xltI/AAAAAAAALhA/wfByK3J08u8mSO2MG1yHmjwe9hnBLXBqACLcBGAs/s640/2013.07.00%2B-%2BInside%2BRainbow%2BTunnel%2B-%2B1.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Rainbow Tunnel undergoing its restoration in 2012-2013. Photos courtesy&nbsp;of Mural Routes' Archive.</td></tr></tbody></table><br />While the intentions and longevity of murals differ greatly, they share a common connection to community memory. Murals engage audiences with their surroundings, provoke new ideas to recollect, and stir our consciousness of another time.Casarinahttp://www.blogger.com/profile/03635715866192331422noreply@blogger.com1tag:blogger.com,1999:blog-2279702635216618752.post-16833427445068284092018-06-13T06:00:00.000-04:002018-06-13T06:00:00.331-04:00GET YOUR TOOTHRBUSH, WE'RE GOING ON A DIG.CONSERVATION TIPS &amp; TRICKS<br /><br />BY: SELIN KAHRAMANOGLU<br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="196" src="https://giphy.com/embed/oj2GhTqAIoNIk" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/running-the-hobbit-adventure-oj2GhTqAIoNIk" target="_blank">Source.</a></div><br />Grab your gear, because we're heading back to the dig site! This article discusses my favourite part of archaeological conservation: <i>Cleaning artifacts</i>!<br /><br />The best way to protect a newly excavated object is to <i>stabilize it on site</i>, before shipping it off to the museum. This means we need to get out our toothbrushes, and make that hunk of dirty pottery squeaky clean!<br /><br /><b>Step 1: Don't Touch It (Yet).</b><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="258" src="https://giphy.com/embed/QmkMGTMpGELDi" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/reaction-lilo-and-stitch-touch-QmkMGTMpGELDi" target="_blank">Source.</a></div><br />Before removing an object from the ground, make sure that you've cleaned around it as best as you can without dislodging it.<br /><ul><li><i>Level the trench.</i> Use brushes and dust pans to clean the area around the artifact, so that the ground is smooth. When the surrounding are is flat, then it is easier to see how the object is resting inside the ground, which helps you decide how to remove it safely!</li><li><i>Careful where you step!</i> Avoid getting really close to the artifact, or using water and heavier tools (like trowels) around the object. These will disrupt the integrity of the dirt layers under the artifact, which can cause your object to move unexpectedly, and puts it at risk for breaking!</li></ul>Tip: When you remove an artifact from the dirt, all the elements that supported it and allowed it to survive all these years, will also be removed. This is why conservationists focus on preserving an object's original state for as long as possible.<br /><br /><b>Step 2: GENTLY&nbsp;Scrub Away Dirt</b><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="333" src="https://giphy.com/embed/tYdjVyF96Bu0M" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/downton-abbey-maggie-smith-dowager-countess-tYdjVyF96Bu0M" target="_blank">Source.</a></div><br />Do you need to buy fancy tools and clean the objects vigorously? Absolutely not!<u><br /></u><br /><ul><li><i>Get tools that are easy to carry</i>. Archaeologists rely on sponges, soft toothbrushes, paintbrushes, and toothpicks, because they're efficient and light-weight. I once cleaned an ancient Roman's teeth with thread instead of floss, and it worked really well!</li><li><i>No need to scrub very hard</i>. Hold the object firmly in your hand, or place it on a clean, soft surface (like a table covered in cardboard). Then, use circular motions and water (when possible) to remove stubborn dirt as best as you can. Deeper cleaning will happen at the lab.</li></ul>Tip: No matter what your tools are, they should have <i>only </i>ever been used to clean excavated objects (i.e. <i>Please</i>, don't get toothpaste from a personal toothbrush on a two-thousand-year-old shard of Greek pottery).<br /><b><br /></b><b>Step 3: Summon Your Inner Paparazzi.</b><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="270" src="https://giphy.com/embed/ZvjRrOBjxFdWo" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/selena-gomez-ZvjRrOBjxFdWo" target="_blank">Source.</a></div><br />Most archaeologists still do an artist's sketch of the artifacts when they uncover it. These days, a regular digital camera is sufficient to capture the artifact at every stage of its life, from trench to museum display.<br /><ul><li><i>Create more evidence.</i> Photos help track the changes you've made during the conservation treatment, and the effects of your methods. Take photos of the object from all sides, and use a ruler to scale its size.</li><li><i>Work that camera! </i>Don't hold back, and take lots of photos. Think of the conservator like a friend that couldn't go on vacation with you; conservators can't always be at the site during the moment of discovery, so archaeologists use photos as a reliable way to retell the story in detail. </li></ul>Tip: If the object wasn't cleaned properly in the previous stage, then this will show up in the photograph. Proper cleaning allows the archaeologist to clearly see if the artifact has any weak points that may cause the object to break in storage or in transport.<br /><div style="text-align: center;"><br /><iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="306" src="https://giphy.com/embed/TGLLaCKWwxUVq" width="480"></iframe></div><div style="text-align: center;"><a href="https://giphy.com/gifs/funny-harry-potter-TGLLaCKWwxUVq" target="_blank">Source.</a></div><br />That's it for this article, and thank you for reading! My final summer article will be posted this July.<br /><br />Here are some additional resources:<br /><br /><a href="https://sha.org/conservation-facts/faq/processing-materials/" target="_blank">https://sha.org/conservation-facts/faq/processing-materials/</a><br /><br /><a href="https://www.canada.ca/en/conservation-institute/services/archaeological-conservation-services/conservation-scientific-services-archaeology.html" target="_blank">https://www.canada.ca/en/conservation-institute/services/archaeological-conservation-services/conservation-scientific-services-archaeology.html</a>Selin Khttps://plus.google.com/104534463754776497730noreply@blogger.com1tag:blogger.com,1999:blog-2279702635216618752.post-10165336619514058262018-06-11T06:00:00.000-04:002018-06-11T06:00:15.162-04:00FINDING MAGIC, LIFTING ROCKS, AND A MUSEUM CITYINTERNSHIP CHECK-IN <br /><br />BY: KATHLEEN LEW<br /><div><br /></div><div>Readers, you know the drill!&nbsp;Read the following interviews to learn about what Master of Museum Studies students are doing during their internships*&nbsp;</div><div><br /></div><div>This post features:<br /><br /><b>Alexis Benjamin:</b> <a href="http://www.glbthistory.org/museum/" target="_blank">GLBT Historical Society</a>, San Francisco, CA <br /><b><br />Laetitia Dandavino-Tardif:</b> <a href="https://ffotoimage.com/gallery-arnaud-maggs/" target="_blank">Estate of Arnaud Maggs</a>, Toronto, ON <br /><br /><b>Beth Lymer:</b> <a href="https://www.rom.on.ca/en" target="_blank">Royal Ontario Museum</a>, Toronto, ON <br /><br /><b>Tell us a bit about yourself and your museum-related interests. </b><br /><br /><b>Alexis:</b> I am a queer trans woman originally from the small city of Boise, Idaho in the United States. I started working in museums during a really dark time in my life, after an unsuccessful suicide attempt after I realized I was trans. Working in museums was a large part of figuring out how to live again. My first supervisor and mentor was a lesbian who sued with her wife for the right to marry. My primary interest is telling the stories of people who were denied a voice by conventional history. These stories include the trans, gender non-conforming, and queer rioters at Compton’s Cafeteria, or the thirty four Chinese miners killed in the Hells Canyon Massacre. This also includes the story of my grandmother, who along with her family was interned at the Minidoka War Relocation Center along with 120 000 other Americans simply for having Japanese heritage. <br /><br /><b>Laetitia:</b> Following my Bachelor of Art History and Studio Arts at Concordia University (Montreal, QC), I decided to move to Toronto to pursue a Master of Museum Studies. My objective is to work as a curator in an art gallery or museum while remaining involved with local art communities. When I visit museums, I am interested in how exhibitions are created to foster conversations on various topics. More specifically, I am captivated by how artworks, when brought together, create new meanings and engage in dialogues with each other and the viewers. Thus, what I aim to do as a curator is develop exhibitions that talk about current societal issues through the gathering of artworks. <br /><br /><b>Beth:</b> My name is Beth Lymer and I just finished my first year of the Master of Museum Studies program. I am just over a month into my summer internship in the Earth Sciences collection at the Royal Ontario Museum. I have a Bachelor of Science degree in Geology, and a Master of Science degree in Earth and Space Science. After completing some of my research on meteorites during my last degree at the ROM, I became interested in natural science and the role museums play in science education, research and collection.&nbsp;</div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-uhNYGAvCkfA/WxwhULDZuuI/AAAAAAAAU3o/3_ipbL_YuX0yWE4T9s25YDh30RUgAzvgwCLcBGAs/s1600/Beth%2B2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-uhNYGAvCkfA/WxwhULDZuuI/AAAAAAAAU3o/3_ipbL_YuX0yWE4T9s25YDh30RUgAzvgwCLcBGAs/s400/Beth%2B2.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Beth with the Earth Sciences Collection at the ROM. Photo courtesy of Beth Lymer.&nbsp;</td></tr></tbody></table></div><div><b>What is a typical day at your institution? What are your responsibilities?</b> </div><div><br /><b>Alexis:</b> I don’t really have a typical day. I work in three different departments throughout the week, and once we get into the swing of prepping and installing new exhibits, I will be working for four. Initially, the collection was purely an archive without a museum attached. Our database is filemaker pro, which is an archival database and doesn't support artifacts well. When working with the registrar, I am inventorying our most critical collections, like the materials and artifacts donated by Harvey Milk and Scott Smith’s estate. I also work for our educational and programming department which was established a month before I started. We are creating our first lesson plans and primary and secondary school materials. I am doing work on an Angela Davis “OUTspoken” exhibit which has taken me to the Alameda County Courthouse where Huey P. Newton’s conviction was thrown out, to microform copies of the People vs. Angela Y. Davis trial transcript in the special collection at UC Berkeley. With the museum director, I do everything from volunteer wrangling to brainstorming new exhibits. I guess my typical day is coming in and asking what I am doing, and then doing something totally new. <br /><br /><b>Laetitia:</b> My main task at the internship is to condition report and catalogue the works by Canadian photographer <a href="https://canadianart.ca/artists/arnaud-maggs/" target="_blank">Arnaud Maggs</a> and to optimize the Estate of Arnaud Maggs’ database. I work together with another intern to consolidate the collection. We gather all the necessary information about the photographs, look at their condition and input this information in the database. Our supervisor gives us liberty to organize our daily schedule, while providing us guidelines and suggesting priorities we should focus on. Sometimes, special projects come up, such as the sale of an artwork or the visit of an art collector, and we help our supervisor with this preparation. <br /><br /><b>Beth: </b>There is no such thing as a typical day in the museum field – we are constantly juggling 100 different projects at once which is very exciting. However, my overarching project for the summer is to create a classification scheme for a couple thousand rocks that do not fit in our current schema, and rehouse them in our petrology collection. This project involves creating new hierarchies in the TMS database, the planning and moving of specimens, cataloguing, and lifting a lot of rocks! I have also been working on a display with the entomology department for the Scarborough Gem and Mineral show in September, where we are displaying minerals and butterflies together! I am responsible for creating this display from start to finish, from choosing mineral specimens, to mock-ups, to loan agreement paperwork.&nbsp; &nbsp;</div><div><b><br />What is something you have learned so far at your internship?</b> <br /><br /><b>Alexis:</b> I have learned that I have to wear many hats. When I started, I quickly realized with the exception of Executive Director, Communications Director, Financial Director, and Administrative Manager, I would work for every other department. I work in programming, museum operations, archives and special collections, and museum collections. It is a great overview of all the different things needed to make a museum and archives work. <br /><br /><b>Laetitia:</b> Through my internship, I realize the importance of a centralized database, in this case the Estate of Arnaud Maggs, and how this can be applied to a larger institution. The database enables one to record sales and loans of artworks and collects information on Maggs’ prints such as: description, condition and <a href="https://www.gallery.ca/collection/artist/arnaud-maggs" target="_blank">museum collections</a>, etc. I am now able to distinguish between a study print versus a final print and recognize the nuances between the various types of works, such as details versus contact sheets. I have also learned the best practices of handling prints with care, precaution, and how to preserve them. Although I have experience with photography, I am learning a lot about the various photographic techniques, methods and mediums. This provides me with a more knowledgeable basis for a future profession in the art field. Finally, I am discovering the career, artistic vision and aesthetic of one artist, Arnaud Maggs, as I am immersed in his world and studio. I am exposed to Maggs’ process and the evolution of his work throughout his forty years career. <br /><br /><b>Beth: </b>I have learned that classification is hard – and that a classification scheme will never work perfectly, nor please everyone. I have also learned that the most successful classification scheme is one that works best for the people who are housing and searching for objects everyday – the collections staff, not necessarily the user of the collection (i.e. researcher). This sounds like a pretty obvious statement, but when you are forced to make decisions that will affect the collection for decades, it becomes very daunting.</div><div><br />&nbsp; <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-ZpXyq1Q0UCg/Wxwhn1c6gEI/AAAAAAAAU3w/zOfnEsJHSzUxyoo5EEBIEYr75s0PtgGmwCLcBGAs/s1600/Laetitia.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1321" data-original-width="1600" height="330" src="https://3.bp.blogspot.com/-ZpXyq1Q0UCg/Wxwhn1c6gEI/AAAAAAAAU3w/zOfnEsJHSzUxyoo5EEBIEYr75s0PtgGmwCLcBGAs/s400/Laetitia.JPG" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Laetitia at the Estate of Arnaud Maggs. Photo courtesy of Laetitia Dandavino-Tardif</span></td></tr></tbody></table><b>What are you excited about accomplishing throughout your internship? </b><br /><br /><b>Alexis:</b> I already inventoried the Harvey Milk and Scott Smith collection, which was both amazing and sobering. Artifacts have a magic to them, and sometimes that magic is a black thing. Especially when you open a box and find in it a returned property slip from the San Francisco Medical Examiner’s Office, and an empty suit bag (the suit in which Supervisor Milk was shot), and then another bag holding a pair of silk boxers covered in dark stains from blood spilled nearly forty years ago. I am most excited about the final project they have for me. Three cases to fill with any exhibit I choose from our permanent collection of materials. It will be one of the hardest things to do, to limit what I put in there. But I hope to tell the stories of some trans people who have been forgotten by history. <br /><br /><b>Laetitia: </b>The combination of different tasks that involve unexpected, but welcome challenges keeps me excited throughout the internship. Every box of prints I open is different and filled with treasures. For example, we discovered small photographs of Leonard Cohen. Maggs, mostly working with portraiture, requires us to identify photographed subjects and research their names. It has been stimulating to discover and learn about the significant cultural figures, such as artists, curators or musicians, that posed for Maggs. I enjoy looking at these portraits, as they capture the essence of various time periods, starting in the 70s to the present, in Toronto and in Europe. Moreover, there is also creativity involved in the internship as we develop new types of categorization of the works and compiling sets of prints, keeping in mind Maggs’ methodology. Understanding how the work I am doing now is meaningful and has an impact on the future of the estate, motivates me. <br /><br /><b>Beth: </b>I am very excited to see finished products in both of my main projects – the petrology collection and the mineral display. It will be satisfying to see hard work displayed in the collection room, where thousands of specimens will have new homes and are organized beautifully, and in a more visual display with the Scarborough Gem and Mineral show project.&nbsp;</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-HK57bP0ODPU/Wxwg2mPkbTI/AAAAAAAAU3g/8ufULNAhay05mUs_ikpnvM8XcoKcDqfDgCLcBGAs/s1600/20180601_210021.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="900" height="400" src="https://2.bp.blogspot.com/-HK57bP0ODPU/Wxwg2mPkbTI/AAAAAAAAU3g/8ufULNAhay05mUs_ikpnvM8XcoKcDqfDgCLcBGAs/s400/20180601_210021.jpg" width="225" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Dyke March Oral History Project Reception, Shirt is a replica of the May 21st 1979 Defense Fund, calling for the SF queer community to make no apologies for the White Night Riot. Silk screens held by the GLBT Historical Society Collection. Photo courtesy of Alexis Benjamin.&nbsp;</span></td></tr></tbody></table><div><b>If you could create any museum (no matter how ridiculous) what kind of museum would it be? </b><br /><br /><b>Alexis:</b> The 2020 GLBT Historical Society roadmap comes pretty close, which wants to expand the museum from a single gallery in what used to be a Laundromat in the Castro, to North America’s first museum dedicated to LGBTQAI+ culture and history. But mine would be more radical. It would display the works of groups like the Degenderettes, of which Mask Magazine said, “The Degenderettes make rad embroidered patches and queer weapons, offering a supportive channel for aggressive visibility in a society where visible queerness is often seen as a threat.” It would be a museum that would get picketed daily by people who don’t like things that are different. It would be revolutionary, and visibility queer. But unlike the GLBT Historical Society it would put women trans people, people of color, and sex worker’s voice at the center of the museum. It would be a place where the margins were the center. <br /><br /><b>Laetitia:</b> I would create a museum city. I visualize a city that is a museum. A museum without walls. This concept already exists and some features of it can already be seen in various cities, but I would like to push this idea even further! As someone enters the city gates, it enters the museum. As you walk through the city, there are history, science or art exhibitions in the streets, and these ones change throughout the year. Maybe one neighborhood is dedicated to science exhibitions, while the other to art? As passerby’s walk in the streets, they get to enjoy beautiful exhibitions and learn. <br /><br /><b>Beth: </b>A lot of people have answered that they would open a museum about space, but I feel that has to be my answer as well - and I would be happy to work as a team with them to accomplish that. I think everyone is at least a little fascinated with space because it is still so unknown, and so vast! I would love to open a museum about space and deep time, and create an environment where people have an existential experience.</div><div><br /></div><div><div class="MsoNormal">*These interviews have been edited for length and clarity.<o:p></o:p></div></div>Kathleen Lewhttps://plus.google.com/103277129862001627923noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-20499172396290172452018-06-08T06:00:00.000-04:002018-06-08T07:09:42.365-04:00JOB TITLES: TO BE OR NOT TO BE ELITIST COLLECTIONS CORNER<br /><br />BY KATLYN WOODER<br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://media.giphy.com/media/26AHLLoW99H1Jr4EE/giphy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="350" data-original-width="219" height="400" src="https://media.giphy.com/media/26AHLLoW99H1Jr4EE/giphy.gif" width="250" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://media.giphy.com/media/26AHLLoW99H1Jr4EE/giphy.gif" target="_blank">Source</a>.</td></tr></tbody></table>In today's article of Collections Corner, I'm going to explore the responsibility of the people in charge of presenting collections to the public. Let's make a little room in the corner for their role to be explored in contemporary society. <br /><br />Recently I’ve been thinking about the definition of "curator" because the weather has been great and I've been escaping the heat by touring galleries and museums. Blessed are the museums, which due to condition management practices, are air conditioned. I can’t get the first class of Curatorial Practice, taught by Matthew Brower, out of my head. Prof. Brower raised an interesting question of what it means to be a curator in a society where everyone is donning their curating hats, arranging their stuff in an artsy and intent filled way, and calling themselves curators.<br /><br />Which is okay, they can do that. Most job titles are made up, and are just a way of communicating your purpose in life to strangers.<br /><br />But in our program, and in the larger museum field, being a curator is a serious job. One that means you research, interpret, and develop an exhibit. A curator, according to the Oxford Dictionary, is “a keeper or custodian of a museum or other collection.” It’s a lot of work, and work that tends to be reliant on people not only getting what you are doing, but finding it interesting enough to be worth it. It is a cross your fingers and pray to your deity be it a god or analytical data scenario.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://media.giphy.com/media/l1J9ETWjKTdN7FZOE/giphy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="200" data-original-width="256" height="311" src="https://media.giphy.com/media/l1J9ETWjKTdN7FZOE/giphy.gif" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://media.giphy.com/media/l1J9ETWjKTdN7FZOE/giphy.gif" target="_blank">Source.</a></td></tr></tbody></table>Last Friday, as I was waiting in line, I couldn’t help but think about how coffee shops are curated. The products are selected to fit certain criteria, are researched (we all know or are someone who will pose questions to their local barista), and are presented to attract customers. If I was a braver person, I would take pictures of the coffee shops I go in the mornings. They are purists places that I adore, where coffee/tea/pastry specialists expose us, the uneducated masses, to the wonders of organic, sourced products. However, I usually end up in those places early in the morning, impersonating a zombie amongst a horde of other zombies. I decide to just get my hot beverage, and maybe a croissant.<br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://media.giphy.com/media/3o6gaVztoohCD4cdAk/giphy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://media.giphy.com/media/3o6gaVztoohCD4cdAk/giphy.gif" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://gph.is/1Vo1gba" target="_blank">Source</a>.</td></tr></tbody></table>The collection manager may be a more accurate representation of the coffee shop job than a curator. They are in charge of the collection, cataloging, keeping conditions optimum, dealing with bureaucracy, and much more. How many times in a coffee shop do you hear someone call themselves a collection manager? I haven't yet.<br /><br />We now have this weird role in society where people are calling themselves curators, but are really a hybridization of the roles and responsibilities of curators and collection managers. I'm not upset about it because it all boils down to a bunch of people who have a passion about one thing, and want people to take them and their collections seriously. However, I don't think the existing terminology really applies to how people are using it because being a curator or a collection manager is steeped ( ;) ) in a rich/diverse history of the cultural heritage sector.<br /><br />The difference between a coffee shop and a museum is standards. If a coffee shop turned out to be fraudulently misrepresenting their products I would be mad, and I wouldn’t go back. If a museum, gallery, or/and hall of fame failed their ethics test I would be outraged. Perhaps this is a result of over a hundred years of higher expectations, but I don’t think so. A museum's responsibility is to its collection or cultural product. I would hold curators to a higher standard if they worked in a museum, gallery or hall of fame. I worry about the responsibility of a curator or other museum professional diminishing when that responsibility isn’t understood by people outside of the museum world.<br /><br />Maybe what we need is a new name… how about "supreme overlord of particular tastes" for curators and "supreme overlord of keeping their feet on the ground" for collection managers. Those would be fun business cards. <br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://media.giphy.com/media/pfHefO2CxizC/giphy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="300" data-original-width="500" height="240" src="https://media.giphy.com/media/pfHefO2CxizC/giphy.gif" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://media.giphy.com/media/pfHefO2CxizC/giphy.gif" target="_blank">Source</a>.</td></tr></tbody></table>I'm not sure if I'm being elitist and devoutly bowing to the hierarchical structure of museums, where certain roles mean certain things done by certain people, most likely highly educated, specialists. Please let me know your opinions in the comments section.Katlyn Wooderhttp://www.blogger.com/profile/02419678666186322034noreply@blogger.com1tag:blogger.com,1999:blog-2279702635216618752.post-79457931354637792392018-06-06T06:00:00.000-04:002018-06-06T06:00:11.158-04:00PUTTING TOGETHER THE (BROKEN AND LOST) PIECESEXHIBITION REVIEWS<br /><br />BY: KESANG NANGLU <br /><br />If you’ve read the most recent installment of <a href="http://musingsmmst.blogspot.com/2018/05/deaccessioning-real-world-and-inside.html">Internship Check-In</a>, you’ll know that I’m spending my summer at the Aga Khan Museum. Those of you who have never been are not alone – many of the people I’ve spoken to say the same thing: they've been meaning to, but haven't gotten around to going. <br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-nTK3UhBnGXo/WxVenRUMtyI/AAAAAAAABIc/R_1BvpyxgEQtsh_CecdmBhdHMjaroNBJACLcBGAs/s1600/180309-Fatimids-116a.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="267" src="https://2.bp.blogspot.com/-nTK3UhBnGXo/WxVenRUMtyI/AAAAAAAABIc/R_1BvpyxgEQtsh_CecdmBhdHMjaroNBJACLcBGAs/s400/180309-Fatimids-116a.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Photo courtesy Philip Castelton.</td></tr></tbody></table>If you fall into that category, what better reason to go (besides free admission with OMA membership) than the fact that the current temporary exhibition,&nbsp;<a href="https://www.agakhanmuseum.org/exhibitions/world-fatimids">The World of the Fatimids</a>,&nbsp;is entering its final weeks and features objects never-before-seen in North America tracing back to the Fatimid dynasty (909-1171 CE)!<br /><br />A unique and powerful empire, the Fatimid caliphs who ruled North Africa and parts of the Middle East fostered a culture of religious freedom and tolerance that lead to flourishing of the arts and sciences. Overthrown in 1171, buildings, artworks, and valuables of all kinds were looted or destroyed.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-HngTUQq_GOU/WxWQbrvk3rI/AAAAAAAABI4/HIw00SaJLP0sPVmZv71Eujy8VzrV7VL-QCLcBGAs/s1600/bowl.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://1.bp.blogspot.com/-HngTUQq_GOU/WxWQbrvk3rI/AAAAAAAABI4/HIw00SaJLP0sPVmZv71Eujy8VzrV7VL-QCLcBGAs/s400/bowl.jpg" width="396" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Bowl, 1050-1100. Victoria and Albert Museum, London. <a href="http://collections.vam.ac.uk/item/O76461/bowl-unknown/" target="_blank">Source.</a></td></tr></tbody></table>The exhibition represents a collaborative effort by a number of institutions, with rare objects coming from collections around the world including: The Museum of Islamic Art, Cairo, The Louvre, The Victoria and Albert Museum and others. Through collaboration and partnership between museums, generations of artistic production lost to war and politics are brought to light, echoing the trade and cultural exchange that made Fatimid rule so prosperous.<br /><br />For those unfamiliar with this history, the exhibition opens with a timeline of the Fatimid dynasty:<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-ccn4-JXMZgU/WxVfF3VlyAI/AAAAAAAABIk/6L4knJseqm4PcfEqjNfj1-uF8CVWsd8UwCLcBGAs/s1600/2018-04-23-Fatimids%2BMaps%2Band%2BLettering-Aly%2BManji-_8673.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="267" src="https://3.bp.blogspot.com/-ccn4-JXMZgU/WxVfF3VlyAI/AAAAAAAABIk/6L4knJseqm4PcfEqjNfj1-uF8CVWsd8UwCLcBGAs/s400/2018-04-23-Fatimids%2BMaps%2Band%2BLettering-Aly%2BManji-_8673.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Photo courtesy of Aly Manji.</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-dsXgplGQH30/WxVfPpein3I/AAAAAAAABIo/tCsD1VytL3IUpD89nPC4Hw588BqfK41VgCLcBGAs/s1600/2018-04-23-Fatimids%2BMaps%2Band%2BLettering-Aly%2BManji-_8674.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="267" src="https://2.bp.blogspot.com/-dsXgplGQH30/WxVfPpein3I/AAAAAAAABIo/tCsD1VytL3IUpD89nPC4Hw588BqfK41VgCLcBGAs/s400/2018-04-23-Fatimids%2BMaps%2Band%2BLettering-Aly%2BManji-_8674.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Photo courtesy of Aly Manji.</td></tr></tbody></table>The interpretive elements throughout are definitely a highlight of the exhibition - maps give visitors insight into the territorial reach of the fallen empire, and additional reading material and resources (books and iPads) are available at several seating areas.<br /><br />A video room toward the exit plays a documentary about Fatimid architecture in Cairo, with interviews from a number of specialists in Islamic art and history. However, the video you'll more likely take notice of is the huge wall projection by the exhibition's entrance. Drone footage of Cairo plays with loud music (akin to a Hollywood blockbuster soundtrack) that is heard throughout the space, distracting from the experience of viewing such thoughtfully crafted artifacts.<br /><br />These include floor-to-ceiling marble reliefs, painted ceramics, and precious luxury items like jewelry boxes and a rock crystal chess set. This crescent-shaped rock crystal is a relic engraved with an Arabic inscription. Its gilded silver mount was added centuries later by a Venetian goldsmith.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-b00NoDnZZp4/WxWSO3jwPHI/AAAAAAAABJE/9Xrl4uiRDRoXtk_b6imReX_MYtrEQOuzgCLcBGAs/s1600/7DA51175D2045D78582ABD5E5C01A316_k3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://2.bp.blogspot.com/-b00NoDnZZp4/WxWSO3jwPHI/AAAAAAAABJE/9Xrl4uiRDRoXtk_b6imReX_MYtrEQOuzgCLcBGAs/s400/7DA51175D2045D78582ABD5E5C01A316_k3.jpg" width="256" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Relic (Ostensorium), Germnischen Nationalmuseums. <a href="http://objektkatalog.gnm.de/objekt/KG695" target="_blank">Source.</a></td></tr></tbody></table>Many other objects featured similarly blend disparate artistic styles and regional techniques - a result of the diversity of the population of Cairo under Fatimid rule, and the influence of the Silk Road. Their selection speaks to the exhibition's broader themes of interfaith and intercultural dialogue, which in turn aligns itself well with the museum's mission to be a place of learning and intellectual exchange.<br /><br />The World of the Fatimids runs during March 10, 2018 to July 02, 2018.<br /><br />Upcoming related programming:<br />June 14 - <a href="https://www.agakhanmuseum.org/programs/ibn-al-tahhan-s-a-compendium-of-a-fatimid-court-musician-with-george-sawa">Ibn Al Tahhan's "A Compendium of a Fatimid Court Musician" with George Sawa</a>Kesang Nangluhttps://plus.google.com/113552859663948740891noreply@blogger.com0tag:blogger.com,1999:blog-2279702635216618752.post-19006631867829476132018-06-04T06:00:00.000-04:002018-06-04T06:00:05.075-04:00EXHIBITING BANKSY: ACCESSIBLE ART OR VIOLATION OF ARTISTIC INTENT? MUSE NEWS<br /><br />BY: AMY INTRATOR <br /><br />This past month, Toronto received some exciting exhibit news: <a href="https://www.theglobeandmail.com/arts/art-and-architecture/article-the-art-of-banksy-exhibit-to-make-north-american-debut-in-toronto/" target="_blank">a major exhibition of Banksy’s work will open in Toronto in June</a>. The exhibit will feature over 80 original works, which will make it “<a href="https://www.banksyexhibit.com/" target="_blank">the largest Banksy exhibit ever assembled</a>." The catch? The show is unauthorized, and the curator, Steve Lazarides, has openly discussed the fact that <a href="https://www.broadsheet.com.au/melbourne/art-and-design/article/major-banksy-exhibition-heads-melbourne" target="_blank">Banksy wouldn’t approve of the exhibit</a>.<br /><br />In this edition of Muse News, I’ll be exploring <i>The Art of Banksy</i>, an exhibit that provides access to a large body of artwork at the cost of overriding the will of the artist. <br /><br /><br /><b>The Art of Banksy</b><br /><br />The massive exhibit, <a href="https://www.banksyexhibit.com/" target="_blank"><i>The Art of Banksy</i></a>,&nbsp;will open in Toronto on June 13th and run until July 11th. Instead of a gallery or traditional museum space, the <a href="https://www.theglobeandmail.com/arts/art-and-architecture/article-the-art-of-banksy-exhibit-to-make-north-american-debut-in-toronto/" target="_blank">exhibit will be held in an empty warehouse</a>.&nbsp;The warehouse aesthetic seems like a perfect fit for the artwork of Banksy, as the artist is known for their graffiti artwork, often on the exteriors of derelict buildings in cities across the world. <br /><br />The show’s impressive display of artwork may give the exhibit an air of authenticity, after all, how could such a large collection be displayed without the involvement of the artist? The impressive display, in actuality, comes down to the show’s curator, <a href="https://www.lazinc.com/" target="_blank">Steve Lazarides</a>, who managed to involve over 40 private art collectors to mount this one-of-a-kind show. Lazarides’ storied connection to Banksy made this exhibit possible, but also problematic.<br /><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-Do3pi-jzlvY/WxGDZPIPwEI/AAAAAAAAIfo/NLMGXzfd25MTzUbwV6KLYKPKuUgb1mf1ACK4BGAYYCw/s1600/Unknown.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://3.bp.blogspot.com/-Do3pi-jzlvY/WxGDZPIPwEI/AAAAAAAAIfo/NLMGXzfd25MTzUbwV6KLYKPKuUgb1mf1ACK4BGAYYCw/s400/Unknown.png" width="323" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><br />Balloon Girl (pictured above) is one of the works that will be featured in the upcoming exhibit. <a href="https://pixabay.com/en/balloon-child-female-girl-heart-2023891/" target="_blank">Source</a>.</td></tr></tbody></table><br /><br /><b>Lazarides and Banksy</b><br /><br /><a href="https://www.lazinc.com/meet-the-founders/" target="_blank">Steve Lazarides</a> is the owner of a gallery in London, but he is most famously known as Banksy’s former manager. Between 1997 and 2009, Lazarides worked for Banksy in multiple capacities including manager, dealer, spokesperson and gallerist.<br /><br />The personal connection between Lazarides and Banksy may have ended in 2009, but today, Banksy still plays a central role in Lazarides’ career in the art world. In addition to <a href="http://musingsmmst.blogspot.com/2014/06/museum-monday-banksy-unauthorized.html" target="_blank">exhibiting unauthorized shows of Banksy’s works</a> (this exhibit is by no means the first), in December 2016, Lazarides opened the <a href="https://www.lazinc.com/banksy-print-gallery/" target="_blank">Banksy Print Gallery</a>&nbsp;in London. While Lazarides emphasizes his “historical link to the artist,” Banksy himself has been silent about the upcoming exhibit. The only hint that Banksy denounces Lazarides’ continued efforts is a small-print message on the official Banksy website stating, “<a href="http://www.banksy.co.uk/" target="_blank">Banksy is NOT on Facebook, Twitter or represented by Steve Lazarides or any other commercial gallery</a>.” This message may just be a typical disclaimer, but the fact Lazarides is mentioned by name seems like a direct jab at the gallery-owner who continues to profit off Banksy’s work. <br /><br /><br /><b>Exhibiting Banksy</b><br /><br />The problematic relationship between Lazarides and Banksy is further complicated by the politics of exhibiting a graffiti artist. If you’re like me, you might assume that it is counterintuitive to exhibit an artist primarily known for creating street art. I am most familiar with the Banksy works painted on the sides of buildings, not contained within gallery walls. Banksy’s works are extremely political, commenting on everything from global warming, to poverty. The work becomes even more political as a piece of graffiti, on display for anyone passing by. <br /><br />Exhibiting Banksy behind closed doors may seem like a violation of his artistic intention, but the artist himself has created many exhibits over the years. Most of the works in this show were exhibited and sold at early Banksy shows. Some of Banksy’s shows were fairly conventional, but other shows were as radical as the art itself. One of Banksy’s first major shows, <a href="http://www.artnet.com/magazine/reviews/laplaca/laplaca8-25-03.asp" target="_blank">Turf War</a> (2003), involved painting on live animals. Another show, <a href="https://www.xlr8r.com/features/banksy-barely-legal-updated" target="_blank">Barely Legal</a> (2006), was held at a vandalized warehouse and featured a live elephant. These radical exhibits created by Banksy are decidedly different from the upcoming show. Banksy’s shows became part of an artistic statement, whereas this upcoming show is completely divorced from Banksy the activist. <br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-uKGKhkdO2eE/WxGFFDK_CTI/AAAAAAAAIf0/lFj8T7aFz9Mfo-GMt06Aa3-PAw6TW87hQCK4BGAYYCw/s1600/The_Elephant_in_the_Room_Banksy-Barely_legal-2006.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="271" src="https://3.bp.blogspot.com/-uKGKhkdO2eE/WxGFFDK_CTI/AAAAAAAAIf0/lFj8T7aFz9Mfo-GMt06Aa3-PAw6TW87hQCK4BGAYYCw/s400/The_Elephant_in_the_Room_Banksy-Barely_legal-2006.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">An image of the live elephant that was a part of Banksy's 2006 show Barely Legal. <a href="https://commons.wikimedia.org/wiki/File:The_Elephant_in_the_Room_Banksy-Barely_legal-2006.jpg" target="_blank">Source</a>.</td></tr></tbody></table><br /><br /><b>The Cost of Accessible Art</b><br /><br />When discussing the upcoming Toronto show, Lazarides stated, “<a href="https://www.theglobeandmail.com/arts/art-and-architecture/article-the-art-of-banksy-exhibit-to-make-north-american-debut-in-toronto/" target="_blank">I want this to go to as many cities as possible, to get [Banksy’s] message out there</a>,"&nbsp;and Lazarides is making a great effort to make works in private collections accessible to a general audience. However, I am left wondering if making this art visible comes at the cost of violating Banksy’s artistic integrity. </div>Amy Intratorhttp://www.blogger.com/profile/09604682946855764399noreply@blogger.com0