Free Shipping On All Domestic Orders Over $49.99

Free shipping on domestic orders will be sent in the form of USPS Media Mail.

Any domestic order within the continental USA containing audio hardware will automatically be upgraded to ship via UPS Ground, free of charge, unless an expedited service has already been selected.

USPS Media Mail

This shipping method is a service provided by USPS that may take up to 14 postal days to deliver, although average delivery period is 2-8 days.

UPS Ground

On any domestic order within the continental USA containing audio equipment, we will expedite your free shipping method to UPS Ground. This service will deliver within 1-6 business days; Monday through Friday only. No UPS delivery is available on Saturday or Sunday.

Scream Bloody Gore (Awaiting Repress)

Deluxe Remastered Reissue Of The Most Influential And Important Death Metal Album Of All Time!

Includes Brand New Liner Notes

DEATH's legendary 1987 debut Scream Bloody Gore is more than just an untouchable album - upon its release, it was positively genre-creating. Scream Bloody Gore founded the quintessential death metal sound, with more tormented riffs, screams, and leads than the world had ever imagined, and established Chuck Schuldiner's inimitable phrasing and songwriting style as the most singular voice in the burgeoning genre. Today, the album is viewed unanimously as one of the all-time most important cornerstones of death metal. As the final chapter in Relapse's comprehensive DEATH reissue series, Scream Bloody Gore will now receive the deluxe reissue treatment.

Like the preceding DEATH reissues, the deluxe reissue of Scream Bloody Gore has been meticulously remastered from the original tapes by Alan Douches (Death, Mastodon, Nile), features super-expanded packaging, and brand-new extensive liner notes from former DEATH drummer / Autopsy founder Chris Reifert, Sepultura's Max Cavalera, and original Scream Bloody Gore producer Randy Burns.

Point Blank

Import

180 Gram Audiophile Vinyl

Insert

Nailbomb was a side project by Sepultura's Max Cavalera and producer/engineer Alex Newport in the mid-1990s. Point Blank is their only studio album, originally released in 1994 by Roadrunner Records. The album combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel.

Nearly the entire Sepultura lineup is present on the guest list - both Andreas Kisser and Igor Cavalera are credited. Also Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death are featured on the album. The first track Wasting Away, appears in the 1995 film To Die For. Exploitation is a cover originally by the English crust punk band Doom.

Relentless grinding riffs, and an industrial-strength percussive roar, the lyrics are uniformly nihilistic and the album is riddled with left-field samples that add a disorienting, dehumanizing texture. This is an ass-kicking album, that is full-on malevolent from the get-go. Point Blank is abrasive, in your face, and loud as hell with the lid off.

Korn

Import

180 Gram Audiophile Vinyl

6-Page Insert

Available On Vinyl For The First Time!

Korn is the eponymous debut studio album by the American Nu-Metal band Korn. It was released in 1994, right after the band toured with Biohazard and House of Pain. The album's themes mainly consisted of both drug and child abuse. Korn was well received by music critics. The band stormed the alternative scene virtually overnight, and is said to have established Nu-Metal.

Bands like Coal Chamber and Limp Bizkit were inspired by the album's rage, emphasising similar grooves and song structures, including some Hip Hop elements. Slipknot, Machine Head, and Sepultura were also inspired by the album. The album launched the career of record producer Ross Robinson, who later produced albums such as Three Dollar Bill, Yall by Limp Bizkit and Slipknot's rst two albums.

A little more than a year after release, the album went Gold in the United States. The album spawned 4 singles; "Blind", followed by "Need To", "Shoots and Ladders" and "Clown". The album has now sold over 10 million copies worldwide and was never before issued on vinyl.

Warfare Noise

Greyhaze Records has announced North American release of the vinyl LP reissue of Warfare Noise, the seminal four-way split album featuring Brazilian extreme metal greats SARCOFAGO, CHAKAL, HOLOCAUSTO, and MUTILATOR.

Originally released in 1986 via legendary Brazilian metal label Cogumelo Records, the album's original masters had lost much of their audio prowess due to the long amount of time elapsed since its first release. This new album reissue, however, was carefully restored by mastering engineer Dave Eck and is, once again, available the same way as it was over two decades ago. The savage output of all four bands can be heard just as in the original version.

The packaging of this reissue was also carefully restored by graphic artist Fernando Lima and is now available as a faithful representation of the 1986 release. Aside from the insert, the packaging also includes a special poster with a depiction of the concert flier for the Warfare Noise release show which took place in Belo Horizonte, Brazil in 1986 featuring all four bands.

Despite having been out of print for decades, the Warfare Noise compilation is one of the most important documents of early Brazilian metal. It features bands that have played an important role in the development of black and death metal including important influence in bands such as MAYHEM, DARKTHRONE, BLASPHEMY, and BEHERIT. The vinyl LP version features the original eight tracks from that album. The compilation is also one of the first albums ever released by Cogumelo Records, who was responsible for the first releases by metal giants SEPULTURA.

Inquisition Symphony

Cello-playing Finnish quartet Apocalyptica's sequel to their well-received first album departs from the safe haven of Metallica covers (only four tracks) and introduces material by other heavy metal bands, and even a few originals.

Of the latter, Harmageddon is probably the standout track, and while most Metalli-fans will be eager to hear the group's rendition of the smash hit One, the song takes a backseat to inspired renditions of earlier classics such as For Whom the Bell Tolls and Fade to Black.

As for the other bands covered, the arrangements of Pantera's Domination and Sepultura's Refuse/Resist are rather dull, but Faith No More's From Out of Nowhere works surprisingly well, and the group's performance of the album's incredibly complex title track (another Sepultura original) is simply stunning.

Enslaved

This is the inaugural offering from the group's new lineup featuring bassist Tony Campos, drummer David Kinkade, and guitar Marc Rizzo. Soulfly have become deadlier and more dangerous with each critically acclaimed successive release, but Enslaved sees them roaring like never before. The genesis of Enslaved can be traced back to Sepultura's groundbreaking and seminal album Roots in 1996.

Cavalera pondered the idea of doing an entire album on the theme of slavery. That idea was put on hold... until now!

Schizophrenia (Awaiting Repress)

Transparent Blue Vinyl

Limited To 1500 Copies

Brazilian death metal upstarts Sepultura took an incredible creative leap forward with their second full-length album, 1987's Schizophrenia. Although it was recorded not too long after their primitive, black metal-dominated debut efforts -- 1985's Bestial Devastation EP and 1986's Morbid Visions LP -- Schizophrenia introduced an entirely new sound fusing thrash and death metal, and all of it supported by much improved songwriting, musicianship, and the first truly professional-sounding production job of the band's short career. Constant touring, rehearsal, and the addition of lead guitarist Andreas Kisser (his classical guitar training and memorable solos made an immediate impact) were all key to this stunning transformation, but the heightened level of proficiency at hand is such that it almost seems miraculous at times. With their precise, lightning-quick staccato riffing and multiple, distinct, but interlocking sections, the album's opening triplet of From the Past Comes the Storm (preceded by a Psycho-inspired intro theme), To the Wall, and Escape from the Void proved simply devastating to the ears. And yet the seven-minute instrumental Inquisition Symphony (later covered by Finnish cello virtuosos Apocalyptica) was arguably even more breathtaking in its diversity, brilliantly showcasing the band's incredible, new-found combination of melody and aggression while adding some tasteful synth touches, to boot. Additional head-banging standouts like Screams Behind the Shadows and a re-recorded version of early fan favorite Troops of Doom bookend a few less distinctive offerings on side two -- those being token thrashers Septic Schizo and R.I.P. (Rest in Pain), plus the acoustic interlude The Abyss, but only a trifling of momentum is lost, nevertheless. All of which helped make Schizophrenia the first Sepultura release to make serious waves with international critics and fans, while setting the stage for the group's imminent breakthrough release, Beneath the Remains.

- Eduardo Rivadavia (All Music Guide)

1. Intro / From the Past Comes the Storms2. To the Wall3. Escape to the Void4. Inquisition Symphony5. Screams Behind the Shadows6. Septic Schizo7. The Abyss8. R.I.P. (Rest in Pain)

King Of Jeans

If 2005's Shallow was Pissed Jeans coping with moving out of their parents' homes, and 2007's Hope for Men their initial reaction to the mechanical lifestyle of a wage-earner, King of Jeans is their formal and uneasy acceptance of adulthood, by way of one hell of a rock record. Working with renowned producer Alex Newport (At the Drive-In, The Locust and Sepultura), Pissed Jeans have pushed further into the raw, minimal core of heavy rock music with King of Jeans. Masters of the mundane, beasts of the banal, high priests of the humdrum: these four, white, male high school graduates hardly look further than their own appendages for artistic inspiration, content to execute their own brand of brash and heavy punk music in the Joe Carducci-approved standard rock formation of guitar, bass, drums and vocals. From simple minds and simple fabrics comes the King of Jeans.

The Mediator Between Head And Hands Must Be The Heart

It was the city of Belo Horizonte, Brazil that launched the ascent of their native sons in SEPULTURA (Portuguese for "grave") in 1983 with a trajectory unsuspectingly aimed at the worldwide metal music scene. A band with humble economic beginnings whose musical identity was forged in the context of living through Brazil's authoritarian military dictatorship, SEPULTURA would go on to become Brazilian ambassadors to the metal world, revered master architects of the death/thrash genre, and the most successful heavy metal band from the Federal Republic of Brazil.

When SEPULTURA experienced a line-up change in the mid-1990s that was widely covered by the metal press around the world, remaining members recruited American Derrick Green in 1997 to front the band, a position the Cleveland, Ohio native has held for the past fifteen years and counting. This past June, long-time guitarist Andreas Kisser (who joined in1987), original bassist Paulo Jr., and drum prodigy Eloy Casagrande, SEPULTURA entered the studio in Venice, California with renowned producer Ross Robinson (KORN, MACHINE HEAD, FEAR FACTORY) - who also worked on the band's landmark 1996 release, »Roots« - and co-producer Steve Evetts (THE DILLINGER ESCAPE PLAN, SYMPHONY X, INCANTATION) - who previously worked on SEPULTURA's »Roorback« (2003), the »Revolusongs« EP (2002), and »Nation« (2001) - to record the band's seventh studio album with Green (and their second album for Nuclear Blast): »The Mediator Between The Head And Hands Must Be The Heart«, scheduled for release this October.

Inspired by Austrian filmmaker Fritz Lang's classic 1927 movie "Metropolis," SEPULTURA leans heavily on the strength of their thrash metal influences to make a statement against the dehumanizing effects of technology. Guitarist Andreas Kisser delves a little deeper:

"In the movie, a crazy millionaire wants to transform a robot into a real person. That's kind of the opposite of what we live today. More than ever, we are robotized through the worldwide web, Google glasses, chips under our skins and globalized slavery our society suffers nowadays. Being that the novel was written in the early 1920s, it's almost prophetical. The phrase that inspired me - the main message of the story - points to the heart as being the human factor that keeps a man a man - not a robot. The heart beats with freedom of choice. We have to think for ourselves to create a real world, not a matrix."

Exploring the miseries and privileges associated with technological power, »The Mediator Between The Head And Hands Must Be The Heart« - SEPULTURA's angry dystopian documentary in sonic form - also addresses the chaotic aftermath of natural disasters, the unfulfilled promises of religion, and the still-widening divide & unbridgeable gap between pampered citizens who live in decadent luxury and the working poor who withstand unbearable living & working conditions to simply survive.

The album's opening track, 'Trauma Of War', begins as a cacophony of noise that gives rise to an urgent panic that spins into a paranoiac distress about others making decisions that will lead to our demise in war. In 'The Vatican', we listen as yearning souls pray to their god to alleviate their suffering as the furious vocals, guitars, and drums document the moment when the faithful come face-to-face with the reality of their absent god too self-absorbed with being adored to notice humanity's cries for help. 'The Bliss Of Ignorants' is an indictment by those who intimately know the depths of human suffering against those who don't wish to know. 'Grief' weeps with its gnosis of such a feared emotion. With so many recent natural disasters throughout the world, who could deny the truth behind human greed & corruption sung about in 'Manipulation Of Tragedy'?

With both the 2014 FIFA World Cup championship and the 2016 Olympic Games headed to Rio de Janeiro, Brazil, a worldwide audience will surely be mesmerized by the glamour surrounding these world-broadcasted events. But there are those who bear witness to what won't be televised; there are those who have seen the decades of daily strife of Brazilian citizens with wide-open eyes.

»The Mediator Between Head And Hands Must Be The Heart« never lacks confidence in what SEPULTURA knows: "I live in São Paulo, one of the big metropolises in the world with more than 20 million people living and working in it," asserts Kisser. "I know how it is to live in daily chaos. Our music reflects a lot of that feeling."

Featuring a guest appearance by former SLAYER drummer Dave Lombardo, »The Mediator Between Head And Hands Must Be The Heart« does what many great albums do: it captures a moment in time and carves out a place to have a dialogue with listeners with an honesty that rings so true, it becomes a part of our arsenal with which to defend ourselves against the wrongdoings of the world.

II

With the musical roots of its members stemming from some of the most significant and influential Latin rock groups - Sepultura, A.N.I.M.A.L., Los Fabulosos Cadillacs, and Maná - the metal band, De La Tierra, is about to reach new heights with their new album II.

Heatwave

Colored Vinyl

10 years after their first release, Trapped Under Ice brings you Heatwave. This phat LP is short, fast and hardcore; the way Straight Ahead intended, but played more like Fury of Five and Breakdown at a backyard party. For punks who've considered throwing a spin kick in jean shorts. Rhythmically, Heatwave is like a trailer park Sepultura. Check it out if you fuck with what TUI has been doing for the last decade. The same, but different.

1. Backstabbed 2. XL 3. No Relief 4. Do It 5. Throw It Away 6. Pressure Is On 7. Oblivion 8. Slow Death 9. Heatwave 10. Other Side 11. Move

Monolith

Amebix are an English crust punk/heavy metal band. Formed as The Band with No Name, Amebix's original run was from 1978 to 1987, during which time they released three EPs and two full-length LPs. The group has reunited as of 2008. By being one of the first bands to blend anarcho-punk and heavy metal music, Amebix are often cited as one of the key bands that helped to create the crust punk style. Such notable bands as Sepultura, Neurosis and Deviated Instinct have paid homage to the band.

1. Monolith (instrumental)2. Nobody's Driving3. The Power Remains4. Time Bomb5. Last Will And Testament6. I.C.B.M.7. Chain Reaction8. Fallen From Grace9. Coming Home

Living On Borrowed Time

Sworn Enemy, fronted by Sal Lococo, established in 2000 with the release of negative outlook, the record was a mix of old school hardcore punk and new school breakdowns, and quickly gained attention in the underground scene. The band earned yheir place on tours with Sepultura, Anthrax, Soulfly, Biohazard, Fear Factory, and Hatebreed ,including Ozzfest. Sworn Enemy continues its legacy with the addition of guitarist Matt Garzilli, and bassist Mike Puccciarelli. With the release of "Living On Borrowed Time, the band has once again punched the status quo in the mouth.

Hasta La Muerte (Awaiting Repress)

Following the initial vinyl release of Xibalba's Madre Mi Por Los Dias debut full-length in 2011 (via A389 Records), Southern Lord released a CD pressing of the album, as part of its ongoing underground series. Madre Mi Por Los Dias stormed the hardcore world with its apocalyptic, down-tuned, slow-motion brutality, the band's ultra-energizing buildups and relentlessly brutal breakdowns instantly drawing comparisons to Disembodied, Bloodlet, and the heaviest of the late '90s/early 2000s hardcore scene as well as kings of low-end, groove-laden death metal like Crowbar, Obituary and Sepultura.

Hasta La Muerte, Spanish for "to the death," is the band's first full-length album for Southern Lord. It's a lethal collision of brutal death metal, vicious hardcore and oppressive sludge, taking the concept of heavy to a new, crushing level in the process! Hasta La Muerte was recorded and produced by Taylor Young (Nails). Greg Anderson of Sunn O))), Goatsnake and Southern Lord has collaborated with the band on 2 tracks: "Flood" and "Cold." Anderson's sub-bass six string warfare seemlessly integrates within the ultra-heaviness of the Xibalba sound.

The band's songwriting, performance and recording of the album shows Xibalba taking a giant leap forward. Hasta La Muetre will firmly establish the band as a force to be reckoned with as well as new leaders within the underground metal scene.

Blood For Blood

The album was helmed by producer Kevin Churko (Ozzy Osbourne, Five Finger Death Punch, In This Moment) at his the Hideout Recording Studio in Las Vegas, Nevada. On the cover artwork for Blood for Blood, Hellyeah vocalist Chad Gray collaborated with renowned tattoo artist Paul Booth, who has been tattooing for over twenty years, and in that time he has worked on many celebrities and rock bands, including Slayer, Slipknot, Sepultura, Soulfly and Lamb of God.

The last project that Chad and I worked on together was the Mudvayne blacklight design, says Paul. I had such a great time working on that art, when Chad called on me to design Hellyeah's 'Blood for Blood,' I jumped right into it as I knew it, too, would likely be a fun one. Chad always gives me the freedom to explore and interpret his ideas. It always makes for great collaboration. I look forward to seeing it all in print!

It's a defining record for Hellyeah and for anyone on the fence, the band founding drummer Vinnie Paul declared, describing the record as focused and with a clear direction.

Rust

Rust" is the new album from Harm's Way. Recorded at Brick Top Recordings by Andy Nelson (Weekend Nachos, Dead In The Dirt), mixed at God City Studios by Kurt Ballou (Converge, High On Fire), and mastered by Brad Boatright at Audiosiege (Obituary, Nails). Brutally and meticulously refined, "Rust" brilliantly combines industrial repetition (think Godflesh), metal attack (think Sepultura, Helmet, Celtic Frost), and hardcore aggression. Showing that Harm's Way have emerged from the wreckage of past genres as the new high watermark of heavy in contemporary aggressive music.

Opener "Infestation" stomps with machine-like precision before plunging into a depressing sonic dirge. While songs like "Law Of The Land", "Hope", "Cancerous Ways", and others introduce guitar and electronic driven atmospherics into the arsenal. These subtle dynamics bleed into other aspects of "Rust" as well. Mid-album beast "Left To Disintegrate" unfurls as an unforgettable anti-anthem ripe with infectious creeping metallic undertones. While "Amongst The Rust" and "Turn To Stone" introduce guest vocals from Colin Young (Twitching Tongues) and Emily Jancetic. Both of them adding haunting nuance to the brute force of the band. All of this leads to the epic closer "Ease My Mind"; a take-no-prisoners aural bludgeoning so heavy that it needs to be heard to be believed.

Hell Bent For Letters

Alternative Tentacles tosses our well-worn thinking cap into the no-holds-barred, no-child-left-behind ring of Educore with Hell Bent for Letters, the latest outing by Seattle's BLOODHAG. Formed in 1995 to stimulate a communion between literacy and punk/metal, BLOODHAG boasts a lineup of noted science fiction authors Prof. J. B. Stratton, Dr. J. M. McNulty, Sir Zachary Orgel and the shadowy occultist Master Brent Carpenter. They created the genre of Edu-core and operate under the motto Th e faster you go deaf, the more time you have to read.

While BLOODHAG's minute-long songs have the common theme of esteemed authors such as George Orwell and Philip K. Dick--and their live shows include between-song mini-lectures as well as pelting of the audience with books--the music counters with the blunt force of bands like BRUJERIA, PANTERA, SEPULTURA, etc.

It's open to debate whether Edu-core can actually pummel literary history into the hungry minds of head-banging youth, but we certainly can't blame BLOODHAG for trying to bridge the gap between death metal tombs and Pulizerwilling tomes or the beer-soaked venues and pristine libraries (yes, they really tour public libraries).

With their neckties and pocket protectors cocked and loaded, BLOODHAG is ready to stave off the dumbing down of America. So, invest in the leaders of tomorrow! Buy Hell Bent for Letters today!

Glorifyingly hooked on demonics, they make some of the heaviest, snuggie underwear-soiling sounds this side of SPAZZ and BRUJERIA, while mixing in some Reading Rainbow, -Thrasher Magazine

Note to bands: Always play before BLOODHAG, never after them -Stroker Magazine

Roadburn Live

Green Colored Vinyl

Limited To 1000

Includes Original 2015 Enslaved Roadburn Poster

Roadburn Live is Enslaved's first official live album, a split release between Roadburn Records and By Norse Music. Enslaved is a band widely known for being one of the best live bands in the scene. The album was recorded during one of band's headline shows at the renown Roadburn Festival 2015; an edition curated by Enslaved's guitar player Ivar Bjørnson. The album features a brilliant layout created by highly demanded artist and Roadburn's regular graphic designer Costin Chioreanu.

The album was mixed by Iver Sandøy at Solslottet Studio, mastered by Jens Bogren (Kreator, Opeth, Sepultura) in Fascination Studios. It is also the last official release with Herbrand Larsen on keys and vocals.

After celebrating 25 years in 2016 showcasing a majority of older material, Roadburn Live displays songs mainly from the newer and more progressive part of Enslaved's career, with songs from "In Times", "Riitiir", "Isa", "Below the Lights" and "Monumension". The album features the guest appearances of Einar Selvik (Wardruna), Aðalbjörn Tryggvason (Sólstafir), Per Wiberg (Opeth, Candlemass); and Menno Gootjes (Focus) on Immigrant Song, the first cover song by Enslaved to ever appear on a record.

Grutle Kjellson comments on the album: I'm generally not a huge fan of live albums, I like to be present at a show, to grasp the energy of the band and to witness the, sometimes, magical symbiosis that occurs between the band and the audience. I am, however, a huge fan of the Roadburn Festival! I consider this to be my all time favorite, both as a musician and as a guest. Therefore; if ever Enslaved were to release a live album, it had to be from a Roadburn show! I hope you will enjoy this piece of wax as much as we had recording it!

1. Building With Fire 2. Death in the Eyes of Dawn3. In Times4. Daylight5. Convoys to Nothingness6. As Fire Swept Clean the Earth7. Isa 8. Immigrant Song (Led Zeppelin Cover)

Hydra

During many months of 2011 and 2012 Deville have been stuck in the studio most of the time except for some European festivals and random shows. After two full length albums and a couple of hundred shows all around Europe the new record is a product of that. Trying to take this experience of what the band does best and what works live this new record is wider than previous releases... This brand new recording will see the light of day in 2013 via the band's new home here at Small Stone.

In 2009, after more than 100 gigs all over Europe since the debut album release it was time for the album ''Hail the Black Sky''. Recorded during the early months in 2009 in Malmoe, Sweden by Markus Nilsson and produced by Deville. The band has taken a step to a more straight forward songwriting and this album has more of an album feeling than the last one recording the songs during the same period of time. It follows the pattern of significant Deville grooves and 70`s driven riffing of the darker school. Eleven tracks of rock in the veins of Black Sabbath. Kyuss and Soundgarden it takes you to the next level of 70's rock for the 21st century. This album proves the bands progress to their own sound in the genre of heavy rock and beyond and will definitely take the listeners for a ride.

The Swedish rock band Deville released their full length debut ''Come Heavy Sleep'' in December 2007 on Buzzville Records with great reviews. Two European tours took place in Jan/Feb and Nov/Dec 2008 that went through seven countries. Heaviness and grooves dominates ''Come Heavy Sleep'' that stretches from stoner rock to doom riffs. In 2005/2006 Deville released a record on Daredevil Records a split record (double feature CD/ LP). It was also released in Europe and in the US. The band have existed around six years and have done over 200 gigs and festivals in Sweden, Denmark, Norway, Finland, Belgium, the Netherlands, Germany, France, Switzerland, Austria, Italy, Lithuania, Portugal, Spain and the U.K the past five years with bands like Sepultura, Fu Manchu, Mustasch(S) and Brant Bjork.

You Can't Stop Me

Many of the greatest works of art throughout history werefashioned from grief, anger and overwhelming despair descending on its creators in the aftermath of tragedy and SUICIDE SILENCE's appropriately titled You Can't Stop Me is no exception. Plenty of bands trumpet the idea of strength through adversity, but few have lived it like this one.Like the once unthinkable creative and commercial reemergence of ALICE IN CHAINS or the classic, legendary and timeless touchstone that is AC/DC's Back in Black, Suicide Silence's fourth album features a new frontman on the heels of earthshaking tragedy. You Can't Stop Me serves as a simultaneous introduction to vocalist Hernan "Eddie" Hermida, as well as a celebration of the brotherhood the band shared with Hermida's fallen predecessor. The group chose the album's title from a collection of lyrics left behind by the late Mitch Lucker, while their formidable revamped sound makes it clear that Suicide Silence's resurrection is complete. Ever since Suicide Silence went public with their plans to continue as a band, they've put all of the emotions from the last two years into these songs. "Inherit the Crown" name checks The Black Crown, as Hermida demands the chance to honor his friend's legacy and carve out a place of his own.

Mark Heylmun and Chris Garza (guitars), Dan Kenny (bass) and Alex Lopez (drums) sound more driven than ever, force-feeding their mashup of death metal, black metal, grind and time-signature bending dissonance into structured, focused and often groove-oriented missives of anger and perseverance. Just as the surviving members of JOY DIVISION were able to remake themselves as NEW ORDER, and as a post-plane crash LYNYRD SKYNYRD was reborn with Johnny Van Zant stepping in for his late brother, You Can't Stop Me is equal parts mournful tribute and statement of renewed purpose.

Death metal legend George "Corpsegrinder" Fisher (CANNIBAL CORPSE) and Greg Puciato (THE DILLINGER ESCAPE PLAN, KILLER BE KILLED) make guest appearances, but make no mistake: Suicide Silence is as bonded, as cohesive, as ever. You Can't Stop Me was produced and mixed by Steve Evetts (THE DILLINGER ESCAPE PLAN, GLASSJAW, SEPULTURA), the band's longtime friend and collaborator. Evetts was set to begin working with Lucker on new material just days after the singer's passing.Most bands will declare their most recent album the "best" they've ever done. Suicide Silence have declared You Can't Stop Me as their most impassioned, most committed, and most important release thus far. It's a record they fought, bled, sweated and even cried to make happen.If a rising heavy metal band can overcome a tragedy this triumphantly, this definitively, this absolutely, then surely there's hope for us all.

1. M.A.L.2. Inherit The Crown3. Cease To Exist4. Sacred Words5. Control (feat. George Corpsegrinder Fisher)6. Warrior7. You Can't Stop Me8. Monster Within (feat. Greg Puciato)9. We Have All Had Enough10. Ending Is The Beginning11. Don't Die12. Ouroboros

Til Endes (Out of Stock)

After a period of 6 years in the wilderness, Norway's exponents of groove-laden black metal are back with a new album, 'Til Endes'. Undoubtedly the band's strongest work to date, 'Til Endes' explores the dark foreboding corners of the metal spectrum with eerie riffs, grim vocals courtesy of mysterious frontman Gard, and catchy hooks which are so often ignored in the genre.

Expanding upon Khold's staple sound of mid-tempo primitive & heavy black metal, the band's sixth studio release adds an additional aggressive edge to the tracks overall, whilst retaining their use of solely Norwegian lyrics. The album also notably includes a cover of the Sepultura classic, 'Troops of Doom', given the full Khold treatment, and titled 'Dommens Arme'.

'Til Endes' was recorded at Studio Fredman (Amon Amarth, At the Gates, Opeth) in Sweden in June 2014, with the line-up of Gard (vocals/guitar), Sarke (drums), Rinn on guitar & Crowbel on bass.

Khold will be making a special performance at the Brutal Assault festival in August & a new promo video will also soon be revealed.

Khold formed in Oslo in the year 2000, by Gard & Sarke (currently seen in his own, selfnamed act, alongside Darkthrone's Nocturno Culto), as Khold emerged out of the ashes of the cult band Tulus. They have recorded 5 albums to date since their debut 'Masterpiss of Pain' was released on Moonfog Productions, & have successfully toured with bands such as Satyricon & Behemoth in the past.

Follow us

Coupon Codes: SAVE10, SAVE20

10% Off Vinyl - 20% Off Vinyl on Orders $100+

Cannot be combined with any other offers
Cannot be applied to previous orders
"On Sale", Bends, and titles marked "This title is not eligible for discount" excluded.
Some audio equipment not eligible for discount, please call for details (1-877-929-8729)