Geometric design and anomaly in geometric can be consider hip these day and what is the definition for visual narrative when we progress towards an anomaly, at least that what I have been questioning in my visual music.

What I am understanding in today's world, the notice of running out of juice, the high demand from dreamer and then the most extreme interaction between collision of Worlds.

Our Visualization of vector space, here I found something worth thinking over on this concept of SVM - Support Vector Machine.

World's don't collide here, they fade up and down. The clouds are below kind of polluted clouds (not those in ether or NLS)

And when you want a reality check this extreme climate of how the World not collides you will find it gravely integrated in Hong Kong and that technologies lives underwater and programmer swimming amount the sharks. Coder in a different sense is colliding in the a wall of graffiti and

music dark room.

(politically-correct?!)

In the classical sound sense

How does music rhythm in the machine age of nonlinear workstation and the dying art of musical notations that the instrumentals are coming from?!!

What I was thinking in term of the rhythmic in nonlinear DAW is simply and likely a defect in procedures. For example if you have the disorder of "Amusia" this definition of a disorder cite below....

Amusia is a musical disorder that appears mainly as a defect in processing pitch, but it also encompasses musical memory and recognition. Two main classifications of amusia exist: acquired amusia, which occurs as a result of brain damage, and congenital amusia, which results from a music processing anomaly at birth.

The diagnosis of amusia requires individuals to detect out-of-key notes in conventional but unfamiliar melodies. A behavioral failure on this test is diagnostic because there is typically no overlap between the distributions of the scores of amusics and controls.

There are a lot of work a producer can accomplished as a Kingpin of music, for example if you are a designer of any sort, this sound function or graphical sense, we need a lot of builder in code, or in research, but on what I am doing is leaning on a few Structural theory in music. By what we mean are we will be using a lot of resources to create visual structure and music functional, and spatial temporal concept to become contents entering the 21st century, my architectural design in New York City weaved in to a lot of hard work and memory demanding learning in all kind of disciplines.

Questioning the world is more important than just part-taking as an inquisitor, but learn all the tools and change will not affectively help you make plans or completely control the design in your production are absolutely a problem with social network memory or contents in the 21st century, kind of, but not an example or best example since we all like to read and listen to focus on life that's worth of living for. A more personal life or private space to enhance your senses are more important these days than a massive sensual overwhelmed network since I know a lot of personality can be developed through the beginning of personal ambient or spatial temporal network.

Peaceful in the mind is seldom an enhancement, it is a language you should practice and speak.

@jimmyhowe

I just published “War on Digitalism in the Hybrid World of Analogue Darkages” https://t.co/srtSgHWGAw

SNL

What are we phasing today with the ordinary ideals and our livings..are facing to the immersive strategic Ways of cooperative, survival or the digital immersion identity.We are no longer unknown or an anon.The status quo have become even stronger, more complex, much more facilitate towards the urbanization and the controls.