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However,the question remains on the nature of this violence.

Unlike other chimps, the community of bonobos operates not with a violence-driven ethic but an ethic that can be described as “make love, not war.” – Greg BradenBonobos are so similary geneticaly yet they are so different to us in terms of violenceGenetics does not define a specie's behaviour, what defines this behaviour is the enviroment and the stimuli.Sevilla Statement on Violence - 1986An international meeting of scientists in Spain came up with the statement.What this statement basicaly declares is that violence is nos inherited, it is not genetic and it is not selected over other attitudes.Moreover, it mentions that it is incorrect to state that us humans have a violent brainMisconception about "Warrior Gene"The fact that a gene which leads in some cases to violent behaviours exists, does not mean that the person which carries that gene will 100% be a violent person.It means that your are more likely to be violent, but it does not prevent you from being peacefulHowever, one must be careful when dealing with History.The fact that violence is and has been present in the totality of man-kind does not mean it is wired into our nature.Every society in the world does some type of pottery, that does not mean that we are naturally programmed to make pottery.

GeneralizationReasonLimitation in Hobbes's TheoryHobbes's book , Leviathan, in which he displays his idea that man without goverment would fall into chaos, was written during a British Civil War.The support of a central authority was because he was affected by the civil war.The problem with studies such as these is that they are considered un-ethical.Problems with the Warrior Gene HypothesisAltough this study attemps to explain certain social behaviours through biology and medicine, there are still exceptions about what influences a persons behaviour.Not every man with the gene will be violent.

Due to the fact that the study analyzes man's social nature, means that it wont't be predictive.It is clear by now that humans are indeed violent.

In 1967, one of the first domestic violence shelters in the country opened its doors in Maine; and from that time until 1994, progress slowly but steadily continued....

The Nature Of Violence Perpetrated By Women ...

A complete pre-agricultural European human genome from a ~7,000-year-old Mesolithic skeleton suggests the existence of a common genomic signature across western and central Eurasia from the Upper Paleolithic to the Mesolithic, and ancestral alleles in several skin pigmentation genes suggest that the light skin of modern Europeans was not yet ubiquitous in Mesolithic times.

In anilines and benzylic amines, a recyclable chemical template can direct the olefination and acetoxylation of -C–H bonds as far as 11 bonds away from a functional group; in particular, it is able to direct the -selective C–H functionalization of bicyclic heterocycles via a highly strained, tricyclic-cyclophane-like palladated intermediate.

The Nature of Violence in Films essay topics, buy custom The ...

Many will argue that a cause of religion wars is for economic and political reasons, but others argue that those who start wars are, by definition, not religious.

69 This is particularly pertinent today as leaders use single identity categorizations of the world to garner support for wider missions that have to do with their own bid for political and economic power, nationally and internationally. Leaders for whom their own political positioning is a primary goal will inevitably play down the identities and interests that ‘their’ group shares with others. They well know that it is when people come together on the basis of identities outside constructed dualisms – when they meet and act as women, as young people, as citizens of a state or as people who share a regional identity, a political outlook or an artistic interest – that relationships based on mutual understanding develop, that violence is eschewed, and respect comes to characterise their interactions. Violence cannot be maintained between those who understand and respect each other. It can only be sustained with a breakdown of respect and understanding.

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The Nature of Violence in Films essay, ...

This research is guided towards the idea that we are violent naturally, and that violence is a biological reaction.Many philosofers and thinkers believed in the idea that violence was a part of the body's and soul's nature.Freud & LorenzBoth believed that humans naturally have a "well of aggresive energy" that needs to be burned-off periodically.This process of burning aggresive energy, known as catharsis, would lead us to peace.Darwin"Violence is the core of human life"The "Warrior Gene"The MAO-A is an enzyme which is found, in different versions and with different bases, in each individual.

The MAO-A-R3, also known as the "warrior gene" has been studied and linked to aggresive behaviour in the individuals which posses it.

The existance of such a gene leads to the belief that violence is hard-wired in human nature and it depends on the inviduals.However, many studies and experts have concluded that human nature is not aggresive and that violence is not built into our DNA.Genetics and Chimpanzees“Chimps, who are the closest to humans genetically, offer evidence that violence is not a necessary part of our biology.

Regarding the heterogeneous nature of the films under analysis, ...

The Collective Imagination explores the social foundations of the human imagination. In a lucid and wide-ranging discussion, Peter Murphy looks at the collective expression of the imagination in our economies, universities, cities, and political systems, providing a tour-de-force account of the power of the imagination to unite opposites and find similarities among things that we ordinarily think of as different. It is not only individuals who possess the power to imagine; societies do as well. A compelling journey through various peak moments of creation, this book examines the cities and nations, institutions and individuals who ply the paraphernalia of paradoxes and dialogues, wry dramaturgy and witty expression that set the act of creation in motion. Whilst exploring the manner in which, through the media of pattern, figure, and shape, and the miracles of metaphor, things come into being, Murphy recognises that creative periods never last: creative forms invariably tire; inventive centres inevitably fade. The Collective Imagination explores the contemporary dilemmas and historic pathos caused by this-as cities and societies, periods and generations slip behind in the race for economic and social discovery. Left bewildered and bothered, and struggling to catch up, they substitute empty bombast, faded glory, chronic dullness or stolid glumness for initiative, irony, and inventiveness. A comprehensive audit of the creativity claims of the post-modern age - that finds them badly wanting and looks to the future - The Collective Imagination will appeal to sociologists and philosophers concerned with cultural theory, cultural and media studies and aesthetics.

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The Collective Imagination explores the social foundations of the human imagination. In a lucid and wide-ranging discussion, Peter Murphy looks at the collective expression of the imagination in our economies, universities, cities, and political systems, providing a tour-de-force account of the power of the imagination to unite opposites and find similarities among things that we ordinarily think of as different. It is not only individuals who possess the power to imagine; societies do as well. A compelling journey through various peak moments of creation, this book examines the cities and nations, institutions and individuals who ply the paraphernalia of paradoxes and dialogues, wry dramaturgy and witty expression that set the act of creation in motion. Whilst exploring the manner in which, through the media of pattern, figure, and shape, and the miracles of metaphor, things come into being, Murphy recognises that creative periods never last: creative forms invariably tire; inventive centres inevitably fade. The Collective Imagination explores the contemporary dilemmas and historic pathos caused by this-as cities and societies, periods and generations slip behind in the race for economic and social discovery. Left bewildered and bothered, and struggling to catch up, they substitute empty bombast, faded glory, chronic dullness or stolid glumness for initiative, irony, and inventiveness. A comprehensive audit of the creativity claims of the post-modern age - that finds them badly wanting and looks to the future - The Collective Imagination will appeal to sociologists and philosophers concerned with cultural theory, cultural and media studies and aesthetics.