Concrete is just as good as I remember, except for the Fragile Creature series in which Chadwick experimented with a Moebius-influenced line story that is less beautiful than his other artwork on the series and lacks the physical weight suggested by a heavy character like Concrete. Plus, I found the story boring compared to the 10-issue series and the six-issue Think Like a Mountain.

Mountain features one of my favorite scenes: Concrete walks underwater along the Pacific Northwest coast. He encounters a shark swarm, a hidden octopus, and a horrific “ghost net”: a fishing net lost at sea that traps fish, birds, seals, and other animals in its inescapable tangle until they die.

Like Mountain and the story about building a sustainable farm, the six issues of The Human Dilemma focus on Chadwick’s ecological concerns, which he discusses in more detail in supplementary articles and responses to readers’ letters. Chadwick does a remarkable job of giving his characters opposing viewpoints to argue and question, so that even if some characters are preachy, it doesn’t feel like the storyteller is preaching.

Instead, the stories reveal the complexity of taking action or even reaching a solid conclusion about environmental concerns (and everything else in life). Characters reach a decision then find reasons to doubt they made the right choice. They change their minds. Characters make bad decisions and suffer the consequences, or even suffer for their more noble actions. Besides telling a damn good story, Concrete invites readers to question, ponder, and re-evaluate.

Chadwick’s art is a delight. Although I liked the full-color art in Mountain, Concrete shines brightest in black & white printings that show off the compositional beauty of every page. Chadwick uses creative points of view in many panels, such as in Dilemma when we see a character through a wine bottle that distorts his image, which is perfect for a scene in which the character’s emotions are out of control and leading him to make a poor decision.

The first six issues of the original series were collected, in pairs, in three slim paperback volumes. The first two paperbacks are worth getting for the additional pages of story Chadwick had room to include in those editions, pages which are not simply “deleted scenes” but enhance the story. I got all three paperbacks and the original single issues because the reprints do not include the original back covers I am so fond of.

I was surprised to find the final two issues of Dilemma were not in the big box. But this is a mistake that turned out well. When I went to MyComicShop.com to order them, I found my missing ninth issue of the original series had become available. Yes! Into the shopping cart! (I even had just enough store credit remaining to pay for them and their shipping. Bonus!) I did not replace some issues of odds and ends, nor the Killer Smile limited series I don’t recall being thrilled with; but aside from the hard-to-find second volume of collected short stories, I’m happy to once again have a Concrete collection that includes the best of the best.

Like this:

This post compiles a series of posts from five years ago about one of my favorite comic books: Concrete. All but one of my Concrete books got sold off several years ago, but I miss them and would like to replace them soon. While I nostalgically re-read my graphic-novel-sized collection of Concrete’s short stories, enjoy this retrospective and discover some sublime artwork.

Concrete began in the pages of the first volume of Dark Horse Presents as a series of short stories. Many of the plots involved the fact that Concrete was a writer before his strange metamorphosis. The naturalistic pages above and below come from a simple story about Concrete having to sleep in the desert while his human companions stop to sleep at a hotel.

If you got stuck in a nearly invulnerable body with incredible strength, endurance, and eyesight, what would you do? Dress up in tights and play superhero? Doubtful! No, you’d want to see the world and have adventures! In the second issue of Concrete, Chadwick’s creation tackles one of many heroic feats: swimming across the Atlantic Ocean!

In the sixth issue of Concrete, our cement superstar takes a break from his adventures to help a struggling family on a farm. With his incredible strength and endurance, he plows fields, builds aqueducts, clears land, and more. The character interaction is especially strong in this story. Chadwick gives Concrete plenty of room to explore ideas about sustainable agriculture — a subject you don’t often see covered in comic books!

One of Concrete’s more traumatizing moments comes when his strange body begins to change in ways he can’t explain. It starts with little horns growing out of his forehead. He keeps them under control with a belt sander for a while, but soon his entire body gets out of control. It’s an interesting story, and Paul Chadwick uses the strange growths as a compelling visual element.

In issues #8-9 of Concrete, the rocky hero tackles Mount Everest and undertakes a humanitarian mission to dam an alpine river for a village. Don’t worry, it doesn’t spoil the story to know he makes it. Many exciting twists of fate await you if you climb with Concrete!

The back cover of Concrete #9 shows Concrete’s last visit to his elderly mother. The point of view is from his mother in the bed, and she is reflected in the mirror over Concrete’s shoulder. Paul Chadwick made the story moving while working in lighter comedic moments about how difficult it is for Concrete to get around unnoticed. This story serves as a good example of the humanism shaping this series.

Concrete was a writer and avid reader. (And a thinker, too, despite his rugged appearance!) Paul Chadwick draws Concrete at home, in his modified chair, enjoying a good book.

Also included here is a page from one of the short stories in Dark Horse Presents. Concrete and his friend visit a man with an impressive art collection and library — including an entire room full of bagged and boarded comic books, perfectly filed. Wouldn’t you love to spend a few weeks in there? Also, the man has a secret room with cool paintings that capture Concrete’s imagination. And what guy doesn’t like the idea of having his own secret cave?

For the first nine issues of Concrete, Paul Chadwick used the back covers for artwork giving readers a sneak peek at the next issue’s theme. For the tenth and final issue, Chadwick depicted Concrete taking a meditative moment in a lush forest. Part of the joy of reading Concrete is moments like these, where Chadwick illustrates nature.

The final issue of Concrete’s ongoing title was by no means the end. Chadwick switched to a limited series format for subsequent Concrete stories. The longer form allowed him to expand Concrete’s world and life. You can find them individually or as Volumes #3-7 of the Concrete TPB.

One of Concrete’s more traumatizing moments comes when his strange body begins to change in ways he can’t explain. It starts with little horns growing out of his forehead. He keeps them under control with a belt sander for a while, but soon his entire body gets out of control. It’s an interesting story, and Paul Chadwick uses the strange growths as a compelling visual element.

In the sixth issue of Concrete, our cement superstar takes a break from his adventures to help a struggling family on a farm. With his incredible strength and endurance, he plows fields, builds aqueducts, clears land, and more. The character interaction is especially strong in this story. Chadwick gives Concrete plenty of room to explore ideas about sustainable agriculture – a subject you don’t often see covered in comic books!

Concrete was a writer and avid reader. (And a thinker, too, despite his rugged appearance!) Paul Chadwick draws Concrete at home, in his modified chair, enjoying a good book. Also included here is a page from one of the short stories in Dark Horse Presents. Concrete and his friend visit a man with an impressive art collection and library — including an entire room full of bagged and boarded comic books, perfectly filed. Wouldn’t you love to spend a few weeks in there? Also, the man has a secret room with cool paintings that capture Concrete’s imagination. And what guy doesn’t like the idea of having his own secret cave?

Concrete began in the pages of the first volume of Dark Horse Presents as a series of short stories. Many of the plots involved the fact that Concrete was a writer before his strange metamorphosis. These naturalistic pages come from a simple story about Concrete having to sleep in the desert while his human companions stop to sleep at a hotel.

Like this:

The back cover of Concrete #9 shows Concrete’s last visit to his elderly mother. The point of view is from his mother in the bed, and she is reflected in the mirror over Concrete’s shoulder. Paul Chadwick made the story moving while working in lighter comedic moments about how difficult it is for Concrete to get around unnoticed. This story serves as a good example of the humanism shaping this series.

For the first nine issues of Concrete, Paul Chadwick used the back covers for artwork giving readers a sneak peek at the next issue’s theme. For the tenth and final issue, Chadwick depicted Concrete taking a meditative moment in a lush forest. Part of the joy of reading Concrete is moments like these, where Chadwick illustrates nature.

The final issue of Concrete’s ongoing title was by no means the end. Chadwick switched to a limited series format for subsequent Concrete stories. The longer form allowed him to expand Concrete’s world and life. You can find them individually or as Volumes #3-7 of the Concrete TPB.

In issues #8-9 of Concrete, the rocky hero tackles Mount Everest and undertakes a humanitarian mission to dam an alpine river for a village. Don’t worry, it doesn’t spoil the story to know he makes it. Many exciting twists of fate await you if you climb with Concrete!

If you got stuck in a nearly invulnerable body with incredible strength, endurance, and eyesight, what would you do? Dress up in tights and play superhero? Doubtful! No, you’d want to see the world and have adventures! In the second issue of Concrete, Chadwick’s creation tackles one of many heroic feats: swimming across the Atlantic Ocean!

Collector’s Guide:
– From the back cover of Concrete #1; Dark Horse, 1987.Full story appears in Concrete #2