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HBO
Quickly enough, the varied rage-aholics comprising Vice President Selena Meyer's immediate staff have eased back into their insult- and obscenity-spouting M.O.s, churning out a whole bunch of hostility in the second episode of the stellar comedy's Season 3. This week, Selena faces the stresses of having to choose a new stance on abortion in light of her POTUS' quick shift toward the pro-life side. Naturally, the high-tension situation brings out a lot of colorful language in her crew. But who topped the lot with the harshest one-liners?
7. Secretary of the In-terror: JONAH
"Old Media like the Washington Toast better run and hide in the bathroom and join the Poo York Times."Oh Jonah...
"F**k HuffPo. They should be called 'PuffHo,' because Ariana Huffington is a straight-up ho and all they do is puff pieces."...you horrible idiot.
6. Abhor-ney General: SUE
"[Selena] is on the Coast Guard boat. Meeting and greeting fish."Self-explanatory. Somehow a much funnier line than it sounds like it would be.
"I don't need an enhanced roll to know my worth, Gary."After Gary explodes with giddiness over his being asked to handle a task over Sue.
5. Secretary of Offense: BEN
Responding to Selena's sarcastic quip about the existence of an "I don't give a s**t" lobby:"You're looking at him. I've got posters, buttons... not really. Because I don't give a s**t."
"I can't get POTUS to wave his transvaginal wand and make it go away." What do you even make of this?
"It would take a brain about this sizeMocking Gary's display of fruits representing the sizes of fetuses at different stages of gestation.
"I'm going home. If anybody needs me, I don't care."A classic, always.
HBO
4. Secretary of Treachery: MIKE
"Walt, Randal, this is Sasquatch. The edible garbage is out back."Introducing his new stepsons to Jonah.
"'Copy Cat Selena,' that's what they'll say. 'Me Too Meyer.' 'S**t for Brains.'"Predicting the public's antagonism for Selena's decision to mimic the abortion cut-off of another candidate.
3. Secretary of Hate: SELENA
"It begins here. In this Polish dungeon."Selena's grinning dismissal of her Maryland campaign office.
"I can’t identify myself as a woman. People can’t know that. Men hate that. And women who hate women hate that… which, I believe, is most women."Regrettable bonus points for putting down her gender as a whole.
"You let that unstable piece of human scaffolding into your house?"To Mike, about Jonah.
"I can't listen to that Joan Crawford b**ch about Bette Davis anymore."In the parameters of this insult, Ben is Joan Crawford and Kent is Bette Davis.
"I accept your apology while retaining the right to fire the f**k out of you. Should I print that up on a t-shirt that I can give to you?"Said to Dan, following his outburst over her inability to make a decision on the abortion issue. It's at once horrifying, condescending, and hilarious.
2. Vicious Vice-President: AMY
"You just gonna sit there, SpongeBob?"Mocking Dan for his seasickness. It's not so much the insult itself, but Amy's ability to make such a banal joke so pointedly mean that wins her points here.
"Tell Mike to climb off his wife and get on speakerphone now."I'm picking up on a very subtle undercurrent that everybody hates Mike's new wife. Or at least the idea of another human being entering their lives in a personal capacity.
"Jesus, what a talking gas giant. It's like listening to Jupiter."About Maddox.
"Moving on, and Dan may be quite soon..."Immediately following Selena's threats to oust Dan from his job. The callousness of her noting that Dan might actually get fired is what makes this such a gem.
"Go home. Take an ambien. Take 50."Said to Dan. Jeez, Amy really hates Dan.
"'Twenty-two-and-a-half Weeks' sounds like an erotic thriller."Putting down Gary's suggestion for an abortion cut-off. She could have just said 'no' ... but she's an artist.
1. The President of Put-Downs: DAN
"You don't announce your candidacy while the incumbent is still warm. That's like trying to bang the widow at the funeral."Putting down Gary's suggestion that Selena tell the world she's running for president. He could have just said 'no' ... but he's a wizard.
"That s**t-shoveled-faced-f**kin' Jonah."I don't even know what this means.
"I am going to rip your guts out of your tiny, shriveled little Chihuahua c**k."To Jonah.
"Hey, Ugly Betty, give me that burrito."To Jonah's friend.
"If you say anything about the Veep, I will break your legs so severely you will end up normal height."To Jonah.
But Dan's real genius comes in the nonverbal form this week, blowing up at Selena to the point of physical tremors and shoving aforementioned burrito into Jonah's face as a symbol of his menace. Both are sights to behold from the usually stoic-to-the-point-of-soulless Dan.
NICE THINGS GARY SAID
"Every angel needs an archangel!"In this scenario, he's the angel and Selena is the archangel. Gary... you weirdo.
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DreamWorks
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody &amp; Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
DreamWorks
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody &amp; Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
3/5
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The Writers Guild of America, west and East announced nominations for outstanding achievement in writing for the screen, television and radio during the 2003 season.
Nominees in the original category went to independent art-house films, including Gurinder Chadha, Paul Mayeda Berges and Guljit Bindra for Fox Searchlight's Bend It Like Beckham; Steven Knight for Miramax's Dirty Pretty Things; and Tom McCarthy for Miramax's The Station Agent.
Nominees for the adapted category went mostly high-profile releases, including Anthony Minghella for Miramax's Cold Mountain; Frances Walsh &amp; Philippa Boyens &amp; Peter Jackson for New Line's The Lord of the Rings: The Return of the King; and Gary Ross for Universal's Seabiscuit.
WGA noms are closely tracked as an indicator of Academy Awards sentiment. Guild winners in the original screenplay category have matched Oscar choices in 11 years over the past 21 while the WGA adapted screenplay award has matched with the Oscar winner in 14 years during the same period.
The films eligible for Writers Guild Awards were released in the year 2003 under the jurisdiction of Writers Guild of America, East and west and affiliate guilds in Australia, Canada, French Canada, Great Britain, Ireland, and New Zealand.
In television, the nominated scripts were originally broadcast between December 1, 2002, and November 30, 2003.
The winners will be announced Saturday, February 21, 2004, at the 56th Annual Writers Guild Awards ceremonies on both coasts.
The Writers Guild of America, west ceremonies will be held in Los Angeles at the Century Plaza Hotel, and the Writers Guild of America, East ceremonies will be held in New York at The Pierre Hotel.
SCREEN NOMINEES
Original Screenplay
BEND IT LIKE BECKHAM, Written by Gurinder Chadha and Paul Mayeda Berges and Guljit Bindra, Fox Searchlight Pictures
DIRTY PRETTY THINGS, Written by Steven Knight, Miramax Films
IN AMERICA, Written by Jim Sheridan &amp; Naomi Sheridan &amp; Kirsten Sheridan, Fox Searchlight Pictures
LOST IN TRANSLATION, Written by Sofia Coppola, Focus Features
THE STATION AGENT, Written by Tom McCarthy, Miramax Films
Adapted Screenplay
AMERICAN SPLENDOR, Written by Robert Pulcini &amp; Shari Springer Berman, Based on the Comic Book Series by Harvey Pekar and the Novel by Harvey Pekar and Joyce Brabner, HBO Films/Fine Line Features
COLD MOUNTAIN, Screenplay by Anthony Minghella, Based on the Novel by Charles Frazier, Miramax Films
THE LORD OF THE RINGS: THE RETURN OF THE KING, Screenplay by Fran Walsh &amp; Philippa Boyens &amp; Peter Jackson, Based on the Novel by J.R.R. Tolkien, New Line Cinema
MYSTIC RIVER, Screenplay by Brian Helgeland, Based on the Novel by Dennis Lehane, Warner Bros. Pictures
SEABISCUIT, Screenplay by Gary Ross, Based on the Book by Laura Hillenbrand, Universal Pictures
TELEVISION NOMINEES
Episodic Drama --any length--one airing time
"ABOMINATION (Law &amp; Order: SVU), Written by Michele Fazekas &amp; Tara Butters; NBC
"BOUNTY (Law &amp; Order), Written by Michael S. Chernuchin; NBC
"DISASTER RELIEF (The West Wing), Teleplay by Alexa Junge, Story by Alexa Junge &amp; Lauren Schmidt; NBC
"LOSS (Law &amp; Order: SVU), Written by Michele Fazekas &amp; Tara Butters; NBC
"PILOT (The O.C.), Written by Josh Schwartz; Fox
"7:00 P.M. -- 8:00 P.M. (24), Written by Evan Katz; Fox
Episodic Comedy--any length--one airing time
"DAY CARE" (Malcolm in the Middle), Written by Gary Murphy &amp; Neil Thompson; Fox
"MALCOLM FILMS REESE" (Malcolm in the Middle), Written by Dan Kopelman; Fox
"NO SEX, PLEASE, WE'RE SKITTISH" (Frasier), Written by Bob Daily; NBC
"A WOMAN'S RIGHT TO SHOES" (Sex and the City), Written by Jenny Bicks; HBO
Original Long Form--over one hour--one or two parts, one or two airing times
AND STARRING PANCHO VILLA AS HIMSELF, Written by Larry Gelbart; HBO
Episode 1, "BEYOND THE SKY" and Episode 2, "JACOB AND JESSE" (Taken), Written by Leslie Bohem; USA
CAESAR, Written by Peter Pruce and Craig Warner; TNT
WILDER DAYS, Written by Jeff Stockwell; TNT
Adapted Long Form--over one hour--one or two parts, one or two airing times
NORMAL, Teleplay by Jane Anderson, Based on the play Looking for Normal by Jane Anderson; HBO
OUT OF THE ASHES, Teleplay by Anne Meredith, Based on the book I Was a Doctor in Auschwitz by Dr. Gisella Perl; Showtime
RUDY: THE RUDY GIULIANI STORY, Written by Stanley Weiser, Based on the book Rudy! by Wayne Barrett; USA
THE STRANGER BESIDE ME, Teleplay by Matthew McDuffie and Matthew Tabak, Based on the book by Ann Rule; USA
Animation--any length--one airing time
"THE DAD WHO KNEW TOO LITTLE" (The Simpsons), Written by Matt Selman; Fox
"MOE BABY BLUES" (The Simpsons), Written by J. Stewart Burns; Fox
MY MOTHER THE CARJACKER" (The Simpsons), Written by Michael Price; Fox
"REBORN TO BE WILD" (King of the Hill), Written by Tony Gama-Lobo &amp; Rebecca May; Fox
"RESCUE JET FUSION" (The Adventures of Jimmy Neutron, Boy Genius), Written by Steven Banks; Nickelodeon
"THE STING" (Futurama), Written by Patric M. Verrone; Fox
Comedy/Variety--Music, Awards, Tributes -- Specials -- any length
THE KENNEDY CENTER HONORS, Written by George Stevens, Jr., Sara Lukinson and David Leaf; CBS
THE 75TH ANNUAL ACADEMY AWARDS, Written by Hal Kanter, Rita Cash, Buz Kohan, Special Material Written by Steve Martin, Beth Armogida, Dave Barry, Dave Boone, Andy Breckman, Jon Macks, Rita Rudner, Bruce Vilanch; ABC
Comedy/Variety--(including talk) Series
LATE NIGHT WITH CONAN O'BRIEN, Written by Mike Sweeney, Chris Albers, Jose Arroyo, Andy Blitz, Kevin Dorff, Jonathan Glaser, Michael Gordon, Brian Kiley, Michael Koman, Brian McCann, Guy Nicolucci, Conan O'Brien, Andrew Secunda, Allison Silverman, Robert Smigel, Brian Stack, Andrew Weinberg; NBC
MAD TV, Writing supervised by Scott King, Written by Dick Blasucci, Lauren Dombrowski, Bryan Adams, Bruce McCoy, Michael Hitchcock, Steven Cragg, Chris Cluess, John Crane, Jennifer Joyce, Tami Sagher, David Salzman, Richard Talarico, Jim Wise, Kal Clarke, Sultan Pepper, Bill Kelley, Maiya Williams, Dino Stamatopoulos, Rick Najera, Brooks McBeth, Jason Kordelos, Michael McDonald, Stephnie Weir; FOX
PENN &amp; TELLER: BULLSHIT!, Written by Penn Jillette, Teller, David Wechter, John McLaughlin; Showtime
REAL TIME WITH BILL MAHER, Written by Billy Martin, Scott Carter, David Feldman, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Bill Maher, Ned Rice, Paul F. Tompkins; HBO
Daytime Serials
ALL MY CHILDREN, Written by Agnes Nixon, Megan McTavish, Gordon Rayfield, Anna Theresa Cascio, Frederick Johnson, Jeff Beldner, Janet Iacobuzio, Lisa Connor, Addie Walsh, Victor Miller, Mimi Leahey, Bettina F. Bradbury, John PiRoman, Karen Lewis, Amanda Robb, Rebecca Taylor, Christina Covino, David A. Levinson; ABC
ONE LIFE TO LIVE, Written by Josh Griffith, Michael Malone, Shelly Altman, Lorraine Broderick, Richard Backus, Ron Carlivati, Anna Theresa Cascio, David Colson, Leslie Nipkow, Michelle Poteet Lisanti, Becky Cole, James Fryman, Katherine Schock, Ginger Redmon, Daniel Griffin; ABC
Children's Script
"DON'T LOOK BACK" (Out There), Written by Willie Reale and Mark Palmer; PBS
FULL COURT MIRACLE, Written by Joel Silverman and Joel Kauffmann &amp; Donald C. Yost; Disney Channel
I WAS A TEENAGE FAUST, Written by Thom Eberhardt; Showtime
THE MALDONADO MIRACLE, Teleplay by Paul W. Cooper, Based upon the novel "The Maldonado Miracle" by Theodore Taylor; Showtime
Documentary - Current Events
"TRUTH, WAR AND CONSEQUENCES" (Frontline), Written by Martin Smith; PBS
"THE WAR BEHIND CLOSED DOORS" (Frontline), Written by Michael J. Kirk; PBS
Documentary - Other Than Current Events
BECOMING AMERICAN: THE CHINESE EXPERIENCE--BETWEEN TWO WORLDS (PART 2), Written by Thomas Lennon &amp; Mi Ling Tsui and Bill Moyers; PBS
"CYBER WAR!" (Frontline), Written by Michael J. Kirk; PBS
"THE ELEGANT UNIVERSE: THE STRING'S THE THING" (Nova), Written by Joseph McMaster; PBS
"THE ELEGANT UNIVERSE: WELCOME TO THE 11TH DIMENSION" (Nova), Written by Julia Cort &amp; Joseph McMaster, PBS
"THE MURDER OF EMMETT TILL" (The American Experience), Written by Marcia Smith, PBS
"SEABISCUIT" (The American Experience), Written by Michelle Ferrari; PBS
News - Regularly Scheduled, Bulletin or Breaking Report
"PASSING OF MUSIC LEGENDS" (CBS News Sunday Morning), Written by Robert Mank;
"CBS SHOWDOWN WITH SADDAM" (CBS News), Written by John Craig Wilson; CBS
News - Analysis, Feature, or Commentary
"BAPTISM BY FIRE" (60 Minutes), Written by Barbara Dury &amp; Morley Safer; CBS
"WALL STREET" (NOW with Bill Moyers), Written by Michael Winship &amp; Bill Moyers; PBS
RADIO NOMINEES
Documentary
AUTISM: SHADES OF GRAY, Written by Julia Kathan; ABC News Radio
News--Regularly Scheduled
AFTERNOON DRIVE, Written by Bill Spadaro; 1010 WINS Radio
WORLD NEWS THIS WEEK, Written by Stuart H. Chamberlain, Jr.; ABC News Radio
News--Analysis, Feature or Commentary
REMEMBERING ED BLISS, Written by Mike Silverstein; ABC News Radio
THE ROAD TO LAUGHTER: A TRIBUTE TO BOB HOPE, Written by Steven Gosset; CBS Radio Network
On-Air Promotion (Radio or Television)
BUFFY/ENTERPRISE, Written by Eric Jacobson; CBS/UPN