Republic of Ireland.

24 February

Dawson City – Frozen Time (Dir. Bill Morrison, US, 2016) This documentary pieces together the bizarre true story of a collection of some 500 films dating from 1910s – 1920s, which were lost for over 50 years until discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle. Using these permafrost protected, rare silent films and newsreels, archival footage, interviews and historical photographs to tell the story, and accompanied by an enigmatic score by Sigur Rós collaborator and composer Alex Somers (Captain Fantastic), Dawson City: Frozen Time depicts a unique history of a Canadian gold rush town by chronicling the life cycle of a singular film collection through its exile, burial, rediscovery, and salvation – and through that collection, how a First Nation hunting camp was transformed and displaced. Find out more atpicturepalacepictures.com Screened as part of the Dublin International Film Festival. Lighthouse Cinema, DublinLink

25 February

Sherlock Jnr (Dir. Buster Keaton, 1924) (Screening format – not known, 45 mins) In Sherlock Jr, a kindly movie projectionist (Buster Keaton) longs to be a detective. When his fiancée (Kathryn McGuire) is robbed by a local thief (Ward Crane), the poor projectionist is framed for the crime. Using his amateur detective skills, the projectionist follows the thief to the train station – only to find himself locked in a train car. Disheartened, he returns to his movie theatre, where he falls asleep and dreams that he is the great Sherlock Holmes. Although not a popular success on its initial release, the film has come to be recognised as a Keaton classic with its special effects and elaborate stunts making it a landmark in motion picture history. Find out more atsilentfilm.org. With recorded soundtrack. Pavilion Theatre, Dún Laoghaire, Co. DublinLink

Behind The Door (Dir. Irvin Willat, 1919) (Screening format – not known, 70mins) With America entering World War I, German-American Oscar Krug (Hobart Bosworth) is thought to be an enemy sympathizer. He fights his foes to prove that they’re wrong, then immediately enlists and is assigned to the merchant marines. The night before boarding, he marries his sweetheart, Alice Morse (Jane Novak), and she sails with him. A German submarine torpedoes the craft and sinks it. Krug and his bride board a lifeboat. The Germans take Alice and leave Krug, who swears revenge to the commander (Wallace Beery)…. Restored from surviving incomplete copies held at the US Library of Congress and at the Gosfilmofond, the Russian national archive so that what Kevin Brownlow called “the most outspoken of all the [WWI] vengeance films,” can now be seen in its most complete form since its release in 1919. And it is possibly the ‘darkest’ silent film we have ever seen. Find out more atsilentfilm.org . Screened as part of the Dublin International Film Festival. With live musical accompaniment by Stephen Horne. Lighthouse 1, DublinLink

26 February

Big Parade (Dir. King Vidor, US, 1925) (Screening format – not known, 151mins) One of the earliest films produced by a newly formed Metro-Goldwyn-Mayer, The Big Parade was a huge box office smash (MGM’s highest grossing silent feature) and cemented King Vidor as a prestige filmmaker. The story of idle American James Apperson (John Gilbert), who is deployed to Europe when the USA join WWI, its plot points were heavily borrowed from 1924 Broadway play What Price Glory?. Centered around his romance with a French local (Renée Adorée), it is full of strange, wonderful moments and impressive scenes of battle. Find out more atsensesofcinema.com Presented as part of the Dublin International Film Festival. With recorded soundtrack. Irish Film Institute, DublinLink

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