The follower was realized on Łódź Design Festival 2015. The festival was founded in 2007, it has served from the very beginning as a review of Polish design achievements. Since its founding, the Festival has attracted more than 270,000 attendees from around the world.

The Energy and Information Science Pavilion is a conceptual proposal for a science center that symbolically celebrates, and informs us about the collection and dissemination of energy and information from the rest of the universe to the surface of the earth. This would include the latest atmospheric science as well as that of the cosmos. The design of the center of the structure is based symbolically on various energy and information gathering and disseminating devices. In this case, rainwater is collected at the center and stored for use in and around the pavilion. Also solar energy is collected around the perimeter of the cylindrical shaped center core where it is converted to electricity and used to partially power the structure. Many other atmospheric and cosmic information gathering and dissemination sensors are built into the design of the pavilion. This real time information is used to generate a variety of ongoing graphic displays on the inside of the pavilion. Radiating out from the base of the center structure is a large network of branches that symbolically refer to the flow of energy and information into the earth. Both art and architecture, the Energy and Information Science Pavilion was designed to continue the dialogue about how art and architecture can merge together in new and exciting ways.

June 2015. This year’s Upper Austrian Garden Show in Bad Ischl goes under the motto “The Emperor’s New Gardens”. Also the music pavilion inaugurated in May presents itself in a brand new outfit planned by the TWO IN A BOX architects (Ottensheim, Upper Austria). Having won a competition in 2013 and following a brief, intense planning phase, the Music Pavilion was erected in the summer of 2014 on the premises of the Spa Gardens (Kurpark) in the imperial city. For years both general managers Christian Stummer and Andreas Fiereder have been dealing with aspects of modern timber construction and all the efforts have paid off resulting in this extraordinary project.

Studio Arthur Casas and Atelier Marko Brajovic won the competition to create the Brazilian Pavilion for Expo Milan 2015, commissioned by APEX-Brasil. We aimed to combine architecture and scenography in order to provide visitors with an experience that would transmit Brazilian values and the aspirations of its agriculture and livestock farming according to the theme “Feeding the world with solutions”. More than a temporary building, the sensorial immersion includes leisure, high technology information, interaction and learning.

Usually a scenography in theater appears as a consequence of a certain text and a certain sequence of actions. Could we conceive it in the opposite direction? Would it be possible to use space as a way of anticipate and contribute the whole action as an outline condition? The scenography, or as we would argue, the Architecture itself, might influence the play and favor for certain actions instead of some others in an informal and none imposed way. Space, text and action could come together in a non hierarchical order and in a close relation and intimacy. Rossi says that “theater has to do with the happening: his beginning, development and conclusion. Without happening there’s no Theater and there’s no Architecture”.

SEFAR® Architecture’s TENARA® Fabric has completely transformed the “Metzgergasse,” an exterior urban pedestrian area and meeting place in St. Gallen, Switzerland. Nikolai Kugel (Stuttgart) architectural firm jumped on the opportunity to improve the space with an original masterpiece featuring a retractable fabric structure.

This Grade II listed building, dating from 1923, was orginially constructed as a cinema. Now, it has been painstakingly restored by Flanagan Lawrence and has reopened as the Shepherds Bush Pavilion hotel.

In the presence of the Minister of Agriculture, Food and Forestry Maurizio Martina, the sole commissioner of Expo 2015 Giuseppe Sala, President of CONAF Andrea Sisti, the World President of agronomists Maria Cruz Diaz Alvarez and designer architect Enzo Eusebi, the pavilion of the world agronomists the “Global farm 2.0, openend. Fully sustainable and carbon free, the pavillion is entrely built in re used and ecological materials.

Sundsvall was at the end of the 1900th century, one of the wealthiest cities in Sweden. The wealth came from the forests in the north that provided the rest of the country with timber for paper- and construction needs. But in 1888 Sundsvall was struck by a fire that almost completely destroyed the old wooden town. The best architects in Sweden were assigned, and no expenses were spared to create the new city.