The other day I was fortunate enough to see Utada Hikaru live at the O2 academy in Angel. Just how fortunate depends on your perspective of course, so for those who have never heard of her, a little background. She is a very famous Japanese singer who holds the title of best-selling single and album of all time in Japan with the ballad ‘First Love’. Three of her Japanese studio albums in the list of Top 10 best-selling albums ever in Japan (#1, #4, #8) and six overall of her albums (two English-language and one compilation) charting within the 275 Best-Selling Japanese albums list.Utada has had fourteen number-one singles on the Oricon Singles chart, with two notable record achievements for a female solo or group artist: five million-sellers and four in the Top 100 All-Time Best-selling Singles. Although she is relatively unknown here in the UK, with over 50 million albums sold worldwide, she is the equal of Britney Spears in popularity there; the kind of household name that even Mums and Dads would know. So, kind of a big deal really.

This was her first ever UK concert, and I suppose the organisers, not realising the amount of fans she actually has here, decided to play it safe by booking one night at the Angel O2 academy which has a capacity of around 800. The show sold out in hours. They later added an extra date on thursday, again, a sell out.

Seeing such a well-known star in such a small venue was a real privilege, although I’m sure it was a step down for someone who could easily fill the biggest stadiums on her home turf. The intimacy of the gig was definitely one of the strengths of the concert, and after opening with “On and On” there was some good banter between Utada and the crowd. She joked about how she would like to move to London and her penchant for rainy weather.

The point of this tour was to promote her new album “This is the One”, the third English Language album she has produced (the other five are all in Japanese) and I respect that, but most of the people who were there seemed to be Japanese, or at least Japanese speakers. Unless you have some sort of interest in J-Pop then there is no way you would know about her. (That should tell you about the demographics of the crowd. With so many nerds and weebos there, I thought I was in Akihabara all over again…)

There seemed to be a clash of interests – on the one hand, people like me who know and love her older stuff like, “Final Distance”, and “Colours”, or even songs off her most recent Japanese album with songs like “Prisoner of Love” and “Flavour of Life” were to be disappointed with a set constructed almost entirely around her new album “This is the one” and her other, less well-known and less promoted, English language recordings. On the other hand, she needed to promote her new record. The problem was that there was an mis-assumption that people in Britain and America would prefer to hear her English stuff and not Japanese songs.

Of course the aforementioned “First Love”, “Automatic”, and “Sakura Drops” all made appearances to my great relief, but for me there seemed to too many forgettable tracks as filler and not so much killer.

On the up-side, she really does have a beautiful voice, and the soulfullness really came through on the Bjork-esque “Passion”, and the heartfelt “Stay Gold” and “Come Back to me”. “You make me want to be a man” and “Poppin'” sounded ten times better live than on record even as a couple of my least favourite tracks. “Merry Christmas, Mr. Lawrence” was another highlight,

Over the 10 years she has been around, she has developed her own unique style and her ability to pull off different styles such as the funked up “Automatic” and she even managed to hold her own while doing a rather unexpected cover of Placebo’s “The Bitter End”. What I had expected to come off as tinny-electronically engineered pop really came alive with the aid of the backing band.

Overall, it was a very slick production, even if Utada did seem a little tired from all the touring. I would have given it 5 stars if she had paid homage to her Japanese records a little more, but that is just personal preference, it was never advertised as a “Greatest Hits tour”. She really was a good performer and it was great to see and hear her talent in the flesh. I, for one, really hope she comes back to London in the future.